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train · 10.4M rows

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What should I look forward to?", "companies. A few years back my life completely crashed. I had to quit" ]
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Now, I know this", "in if readers are still making this mistake, so I want to know", "their view, in the form of consequences or interpersonal conflict. * Have the", "Now, I know this is a flawed perspective, I intend it to be", "gospel (acting closer to a broken clock, right twice a day). None of", "with these wrong viewpoints themselves. * Incorporate the removal of these misguided views", "wrestle with these wrong viewpoints themselves. * Incorporate the removal of these misguided", "a boy with a girlfriend, blaming her mother's promiscuity for her childhood neglect", "from an angsty, neglected twelve/thirteen-year-old girl who's struggling with belongingness, puberty, and parental", "twelve-year-old girl is the epitome of a role model), yet some (not all)", "to make these flaws appear to be deliberate, but obviously I'm not fully", "model), yet some (not all) readers interpret my work as somehow endorsing 'slut-shaming'.", "her childhood neglect when in truth it's her mother's hedonism and inability to", "not fully clued in if readers are still making this mistake, so I", "I intend it to be a flawed perspective (I don't think an angry,", "* Make sure the character's worldview is regularly challenged by other characters and", "been thrust into his scholarly position at too young of an age (twenty-five),", "others and herself (calling herself a 'slut' for liking a boy with a", "ideas of my own regarding how to make these flaws appear to be", "character arc. * Make sure the character's worldview is regularly challenged by other", "reality or another sympathetic character disagree with their view, in the form of", "know this is a flawed perspective, I intend it to be a flawed", "children's wellbeing). Now, I know this is a flawed perspective, I intend it", "these wrong viewpoints themselves. * Incorporate the removal of these misguided views into", "fully clued in if readers are still making this mistake, so I want", "themselves. * Incorporate the removal of these misguided views into their character arc.", "I want to know you guys' thoughts on the matter. Edit: I'll elaborate", "first POV character. Naturally, both of these characters are highly flawed, and the", "if readers are still making this mistake, so I want to know you", "I'm not fully clued in if readers are still making this mistake, so", "Incorporate the removal of these misguided views into their character arc. * Make", "wanting to adopt the first POV character. Naturally, both of these characters are", "girl in particular has a poor attitude to sexuality in both others and", "regarding how to make these flaws appear to be deliberate, but obviously I'm", "flawed perspective (I don't think an angry, confused twelve-year-old girl is the epitome", "mother's promiscuity for her childhood neglect when in truth it's her mother's hedonism", "mistake, so I want to know you guys' thoughts on the matter. Edit:", "viewpoints themselves. * Incorporate the removal of these misguided views into their character", "inability to prioritise her children's wellbeing). Now, I know this is a flawed", "blaming her mother's promiscuity for her childhood neglect when in truth it's her", "to be deliberate, but obviously I'm not fully clued in if readers are", "be deliberate, but obviously I'm not fully clued in if readers are still", "in general has prematurely aged to the point of wanting to adopt the", "and even chapters are from the perspective of an academic who's been thrust", "deliberate, but obviously I'm not fully clued in if readers are still making", "boy with a girlfriend, blaming her mother's promiscuity for her childhood neglect when", "intend it to be a flawed perspective (I don't think an angry, confused", "I'll elaborate on a few of the ideas I already have. * Have", "for her childhood neglect when in truth it's her mother's hedonism and inability", "with their view, in the form of consequences or interpersonal conflict. * Have", "other characters and not taken as gospel (acting closer to a broken clock,", "perspective (I don't think an angry, confused twelve-year-old girl is the epitome of", "a role model), yet some (not all) readers interpret my work as somehow", "on a few of the ideas I already have. * Have reality or", "matter. Edit: I'll elaborate on a few of the ideas I already have.", "you guys' thoughts on the matter. Edit: I'll elaborate on a few of", "thoughts on the matter. Edit: I'll elaborate on a few of the ideas", "a few of the ideas I already have. * Have reality or another", "characters are highly flawed, and the girl in particular has a poor attitude", "an angry, confused twelve-year-old girl is the epitome of a role model), yet", "POV character. Naturally, both of these characters are highly flawed, and the girl", "in the form of consequences or interpersonal conflict. * Have the character wrestle", "of consequences or interpersonal conflict. * Have the character wrestle with these wrong", "day). None of these are mutually exclusive. Can you guys think of anything", "her mother's hedonism and inability to prioritise her children's wellbeing). Now, I know", "still making this mistake, so I want to know you guys' thoughts on", "worldview is regularly challenged by other characters and not taken as gospel (acting", "know you guys' thoughts on the matter. Edit: I'll elaborate on a few", "as gospel (acting closer to a broken clock, right twice a day). None", "to be a flawed perspective (I don't think an angry, confused twelve-year-old girl", "the epitome of a role model), yet some (not all) readers interpret my", "arc. * Make sure the character's worldview is regularly challenged by other characters", "these misguided views into their character arc. * Make sure the character's worldview", "my work as somehow endorsing 'slut-shaming'. I have a few ideas of my", "character's worldview is regularly challenged by other characters and not taken as gospel", "by other characters and not taken as gospel (acting closer to a broken", "not taken as gospel (acting closer to a broken clock, right twice a", "position at too young of an age (twenty-five), and in general has prematurely", "scholarly position at too young of an age (twenty-five), and in general has", "perspective, I intend it to be a flawed perspective (I don't think an", "who's struggling with belongingness, puberty, and parental confusion/neglect, and even chapters are from", "sexuality in both others and herself (calling herself a 'slut' for liking a", "into his scholarly position at too young of an age (twenty-five), and in", "are highly flawed, and the girl in particular has a poor attitude to", "and in general has prematurely aged to the point of wanting to adopt", "I know this is a flawed perspective, I intend it to be a", "in both others and herself (calling herself a 'slut' for liking a boy" ]
[ "the same in both worlds, and the new world is a reflection of", "and maintain the reader's interest whole furthering plot and theme? The time period", "in a new world in Chapter 4. How do I avoid infodump and", "working on a novella where the protagonist finds himself in a new world", "a novella where the protagonist finds himself in a new world in Chapter", "maintain the reader's interest whole furthering plot and theme? The time period is", "world in Chapter 4. How do I avoid infodump and maintain the reader's", "novella where the protagonist finds himself in a new world in Chapter 4.", "on a novella where the protagonist finds himself in a new world in", "I'm working on a novella where the protagonist finds himself in a new", "where the protagonist finds himself in a new world in Chapter 4. How", "reader's interest whole furthering plot and theme? The time period is about the", "The time period is about the same in both worlds, and the new", "new world is a reflection of the first with some major changes in", "is a reflection of the first with some major changes in politics, economics,", "do I avoid infodump and maintain the reader's interest whole furthering plot and", "worlds, and the new world is a reflection of the first with some", "and theme? The time period is about the same in both worlds, and", "and the new world is a reflection of the first with some major", "of the first with some major changes in politics, economics, human relationships and", "4. How do I avoid infodump and maintain the reader's interest whole furthering", "infodump and maintain the reader's interest whole furthering plot and theme? The time", "finds himself in a new world in Chapter 4. How do I avoid", "same in both worlds, and the new world is a reflection of the", "new world in Chapter 4. How do I avoid infodump and maintain the", "in Chapter 4. How do I avoid infodump and maintain the reader's interest", "furthering plot and theme? The time period is about the same in both", "the reader's interest whole furthering plot and theme? The time period is about", "Chapter 4. How do I avoid infodump and maintain the reader's interest whole", "the first with some major changes in politics, economics, human relationships and architecture.", "avoid infodump and maintain the reader's interest whole furthering plot and theme? The", "whole furthering plot and theme? The time period is about the same in", "a reflection of the first with some major changes in politics, economics, human", "the protagonist finds himself in a new world in Chapter 4. How do", "theme? The time period is about the same in both worlds, and the", "in both worlds, and the new world is a reflection of the first", "period is about the same in both worlds, and the new world is", "reflection of the first with some major changes in politics, economics, human relationships", "world is a reflection of the first with some major changes in politics,", "interest whole furthering plot and theme? The time period is about the same", "plot and theme? The time period is about the same in both worlds,", "a new world in Chapter 4. How do I avoid infodump and maintain", "is about the same in both worlds, and the new world is a", "both worlds, and the new world is a reflection of the first with", "about the same in both worlds, and the new world is a reflection", "himself in a new world in Chapter 4. How do I avoid infodump", "time period is about the same in both worlds, and the new world", "the new world is a reflection of the first with some major changes", "protagonist finds himself in a new world in Chapter 4. How do I", "I avoid infodump and maintain the reader's interest whole furthering plot and theme?", "How do I avoid infodump and maintain the reader's interest whole furthering plot" ]
[ "and the gist of it that these will be letters found by ancestors", "the gist of it that these will be letters found by ancestors in", "I am writing a historical novel, and the gist of it that these", "these will be letters found by ancestors in the 21st century. Just reading", "reading letters is boring, though, and I need to interject conversations between the", "of it that these will be letters found by ancestors in the 21st", "writing a historical novel, and the gist of it that these will be", "novel, and the gist of it that these will be letters found by", "and I need to interject conversations between the characters. Can you help me", "a historical novel, and the gist of it that these will be letters", "the 21st century. Just reading letters is boring, though, and I need to", "letters found by ancestors in the 21st century. Just reading letters is boring,", "21st century. Just reading letters is boring, though, and I need to interject", "gist of it that these will be letters found by ancestors in the", "is boring, though, and I need to interject conversations between the characters. Can", "ancestors in the 21st century. Just reading letters is boring, though, and I", "though, and I need to interject conversations between the characters. Can you help", "need to interject conversations between the characters. Can you help me with this?", "boring, though, and I need to interject conversations between the characters. Can you", "I need to interject conversations between the characters. Can you help me with", "letters is boring, though, and I need to interject conversations between the characters.", "will be letters found by ancestors in the 21st century. Just reading letters", "century. Just reading letters is boring, though, and I need to interject conversations", "that these will be letters found by ancestors in the 21st century. Just", "historical novel, and the gist of it that these will be letters found", "by ancestors in the 21st century. Just reading letters is boring, though, and", "Just reading letters is boring, though, and I need to interject conversations between", "in the 21st century. Just reading letters is boring, though, and I need", "be letters found by ancestors in the 21st century. Just reading letters is", "found by ancestors in the 21st century. Just reading letters is boring, though,", "it that these will be letters found by ancestors in the 21st century.", "am writing a historical novel, and the gist of it that these will" ]
[ "have a copy of the book. It's in 2 volumes. How can I", "in 2 volumes. How can I find out the process and possibilities of", "for another 2 days and I have a copy of the book. It's", "published it, and registered it with the USA Library of Congress. I tried", "My secondary interest would be to find out how to start selling it.", "it be part of library in Russia. I am in Russia now for", "to have it be part of library in Russia. I am in Russia", "out the process and possibilities of doing this, to fulfill his wish? My", "He self published it, and registered it with the USA Library of Congress.", "self published it, and registered it with the USA Library of Congress. I", "upload a picture here but keep getting error messages. His deep wish was", "process and possibilities of doing this, to fulfill his wish? My secondary interest", "the process and possibilities of doing this, to fulfill his wish? My secondary", "wrote a book in Russian. He self published it, and registered it with", "2 volumes. How can I find out the process and possibilities of doing", "in Russia now for another 2 days and I have a copy of", "My late father wrote a book in Russian. He self published it, and", "I find out the process and possibilities of doing this, to fulfill his", "volumes. How can I find out the process and possibilities of doing this,", "error messages. His deep wish was to have it be part of library", "doing this, to fulfill his wish? My secondary interest would be to find", "and registered it with the USA Library of Congress. I tried twice to", "find out how to start selling it. Any advice would be greatly appreciated.", "be to find out how to start selling it. Any advice would be", "His deep wish was to have it be part of library in Russia.", "wish? My secondary interest would be to find out how to start selling", "library in Russia. I am in Russia now for another 2 days and", "another 2 days and I have a copy of the book. It's in", "possibilities of doing this, to fulfill his wish? My secondary interest would be", "2 days and I have a copy of the book. It's in 2", "Congress. I tried twice to upload a picture here but keep getting error", "book in Russian. He self published it, and registered it with the USA", "would be to find out how to start selling it. Any advice would", "of library in Russia. I am in Russia now for another 2 days", "book. It's in 2 volumes. How can I find out the process and", "days and I have a copy of the book. It's in 2 volumes.", "and possibilities of doing this, to fulfill his wish? My secondary interest would", "registered it with the USA Library of Congress. I tried twice to upload", "I am in Russia now for another 2 days and I have a", "secondary interest would be to find out how to start selling it. Any", "here but keep getting error messages. His deep wish was to have it", "be part of library in Russia. I am in Russia now for another", "am in Russia now for another 2 days and I have a copy", "a book in Russian. He self published it, and registered it with the", "It's in 2 volumes. How can I find out the process and possibilities", "part of library in Russia. I am in Russia now for another 2", "Russia now for another 2 days and I have a copy of the", "of doing this, to fulfill his wish? My secondary interest would be to", "How can I find out the process and possibilities of doing this, to", "wish was to have it be part of library in Russia. I am", "to fulfill his wish? My secondary interest would be to find out how", "the book. It's in 2 volumes. How can I find out the process", "of Congress. I tried twice to upload a picture here but keep getting", "in Russia. I am in Russia now for another 2 days and I", "Russia. I am in Russia now for another 2 days and I have", "it, and registered it with the USA Library of Congress. I tried twice", "with the USA Library of Congress. I tried twice to upload a picture", "I have a copy of the book. It's in 2 volumes. How can", "copy of the book. It's in 2 volumes. How can I find out", "keep getting error messages. His deep wish was to have it be part", "a picture here but keep getting error messages. His deep wish was to", "now for another 2 days and I have a copy of the book.", "was to have it be part of library in Russia. I am in", "the USA Library of Congress. I tried twice to upload a picture here", "USA Library of Congress. I tried twice to upload a picture here but", "of the book. It's in 2 volumes. How can I find out the", "Library of Congress. I tried twice to upload a picture here but keep", "a copy of the book. It's in 2 volumes. How can I find", "but keep getting error messages. His deep wish was to have it be", "have it be part of library in Russia. I am in Russia now", "twice to upload a picture here but keep getting error messages. His deep", "tried twice to upload a picture here but keep getting error messages. His", "getting error messages. His deep wish was to have it be part of", "I tried twice to upload a picture here but keep getting error messages.", "find out the process and possibilities of doing this, to fulfill his wish?", "to find out how to start selling it. Any advice would be greatly", "this, to fulfill his wish? My secondary interest would be to find out", "messages. His deep wish was to have it be part of library in", "deep wish was to have it be part of library in Russia. I", "and I have a copy of the book. It's in 2 volumes. How", "in Russian. He self published it, and registered it with the USA Library", "Russian. He self published it, and registered it with the USA Library of", "to upload a picture here but keep getting error messages. His deep wish", "interest would be to find out how to start selling it. Any advice", "can I find out the process and possibilities of doing this, to fulfill", "it with the USA Library of Congress. I tried twice to upload a", "father wrote a book in Russian. He self published it, and registered it", "his wish? My secondary interest would be to find out how to start", "fulfill his wish? My secondary interest would be to find out how to", "picture here but keep getting error messages. His deep wish was to have", "late father wrote a book in Russian. He self published it, and registered" ]
[ "make no sense if they weren't laid out in a direct manner (for", "out in a direct manner (for example, if I arbitrarily left out a", "at that moment are largely internal, that is, their actions or ability to", "the information, making it read like it's withholding information for the lulz). My", "is limited to what the POV character can observe, think, feel, while others'", "of course, the occasional tell is necessary. The reader in theory should be", "privy to the thoughts and motives of the POV character, and therefore there's", "it's withholding information for the lulz). My question is this: What general rules", "feelings are ones the POV character is running away from, it's more likely", "actions or ability to express emotion are limited yet there's a maelstrom within", "laying out certain feelings and motives could be useful, or the story would", "and motives could be useful, or the story would make no sense if", "'good' tell and 'bad' tell in limited third-person POVs? Are there any hard", "could be useful, or the story would make no sense if they weren't", "solving' as much as an opening of a discussion. My ideas on the", "or the story would make no sense if they weren't laid out in", "a direct manner (for example, if I arbitrarily left out a POV character's", "that needs solving' as much as an opening of a discussion. My ideas", "moment are largely internal, that is, their actions or ability to express emotion", "are largely internal, that is, their actions or ability to express emotion are", "of the POV character, and therefore there's always going to be enough information", "actions. * Telling emotions directly is more acceptable if the character's experiences at", "in theory should be privy to the thoughts and motives of the POV", "character, and therefore there's always going to be enough information 'available' for the", "using it, however, there are times and places where laying out certain feelings", "the audience a feeling, it could be you've insufficiently demonstrated it through a", "the character's experiences at that moment are largely internal, that is, their actions", "(for example, if I arbitrarily left out a POV character's logic for a", "are limited yet there's a maelstrom within their head. What ideas do you", "you've insufficiently demonstrated it through a character's actions. * Telling emotions directly is", "to the thoughts and motives of the POV character, and therefore there's always", "character's actions. * Telling emotions directly is more acceptable if the character's experiences", "theoretically say 'X felt sad'. Of course, 'X felt sad' is an extreme", "that moment are largely internal, that is, their actions or ability to express", "necessary. The reader in theory should be privy to the thoughts and motives", "for a certain plan just to artificially produce tension despite the fact the", "a discussion. My ideas on the topic: * If the feelings are ones", "as universally true, but of course, the occasional tell is necessary. The reader", "read like it's withholding information for the lulz). My question is this: What", "tell is necessary. The reader in theory should be privy to the thoughts", "needs solving' as much as an opening of a discussion. My ideas on", "topic: * If the feelings are ones the POV character is running away", "emotions directly is more acceptable if the character's experiences at that moment are", "character's experiences at that moment are largely internal, that is, their actions or", "yet there's a maelstrom within their head. What ideas do you guys have", "be enough information 'available' for the narration to theoretically say 'X felt sad'.", "times and places where laying out certain feelings and motives could be useful,", "audience a feeling, it could be you've insufficiently demonstrated it through a character's", "out a POV character's logic for a certain plan just to artificially produce", "likely it'll be downplayed in the narration. * If you have to tell", "it through a character's actions. * Telling emotions directly is more acceptable if", "hard and fast rules? This is less a 'question that needs solving' as", "largely internal, that is, their actions or ability to express emotion are limited", "certain feelings and motives could be useful, or the story would make no", "express emotion are limited yet there's a maelstrom within their head. What ideas", "be downplayed in the narration. * If you have to tell the audience", "a 'question that needs solving' as much as an opening of a discussion.", "emotion are limited yet there's a maelstrom within their head. What ideas do", "left out a POV character's logic for a certain plan just to artificially", "there are times and places where laying out certain feelings and motives could", "and 'bad' tell in limited third-person POVs? Are there any hard and fast", "coverage is limited to what the POV character can observe, think, feel, while", "is third-person limited POV in style. This means that the narration's coverage is", "sad' is an extreme example and I'd never consider using it, however, there", "others' thoughts, feelings, and out-of-sight actions are naturally not covered. The dilemma is", "is running away from, it's more likely it'll be downplayed in the narration.", "Show don't tell as an adage is often trotted out as universally true,", "more likely it'll be downplayed in the narration. * If you have to", "can observe, think, feel, while others' thoughts, feelings, and out-of-sight actions are naturally", "a character's actions. * Telling emotions directly is more acceptable if the character's", "observe, think, feel, while others' thoughts, feelings, and out-of-sight actions are naturally not", "is an extreme example and I'd never consider using it, however, there are", "the narration has the information, making it read like it's withholding information for", "to tell the audience a feeling, it could be you've insufficiently demonstrated it", "demonstrated it through a character's actions. * Telling emotions directly is more acceptable", "the lulz). My question is this: What general rules are there for a", "feelings, and out-of-sight actions are naturally not covered. The dilemma is thus: Show", "there's a maelstrom within their head. What ideas do you guys have on", "more acceptable if the character's experiences at that moment are largely internal, that", "this: What general rules are there for a 'good' tell and 'bad' tell", "a certain plan just to artificially produce tension despite the fact the narration", "certain plan just to artificially produce tension despite the fact the narration has", "is, their actions or ability to express emotion are limited yet there's a", "fast rules? This is less a 'question that needs solving' as much as", "limited to what the POV character can observe, think, feel, while others' thoughts,", "out-of-sight actions are naturally not covered. The dilemma is thus: Show don't tell", "narration. * If you have to tell the audience a feeling, it could", "be you've insufficiently demonstrated it through a character's actions. * Telling emotions directly", "maelstrom within their head. What ideas do you guys have on this topic?", "ideas on the topic: * If the feelings are ones the POV character", "manner (for example, if I arbitrarily left out a POV character's logic for", "feeling, it could be you've insufficiently demonstrated it through a character's actions. ", "think, feel, while others' thoughts, feelings, and out-of-sight actions are naturally not covered.", "an extreme example and I'd never consider using it, however, there are times", "reader in theory should be privy to the thoughts and motives of the", "say 'X felt sad'. Of course, 'X felt sad' is an extreme example", "and therefore there's always going to be enough information 'available' for the narration", "enough information 'available' for the narration to theoretically say 'X felt sad'. Of", "insufficiently demonstrated it through a character's actions. Telling emotions directly is more", "discussion. My ideas on the topic: * If the feelings are ones the", "to artificially produce tension despite the fact the narration has the information, making", "question is this: What general rules are there for a 'good' tell and", "ability to express emotion are limited yet there's a maelstrom within their head.", "going to be enough information 'available' for the narration to theoretically say 'X", "I'd never consider using it, however, there are times and places where laying", "felt sad'. Of course, 'X felt sad' is an extreme example and I'd", "in style. This means that the narration's coverage is limited to what the", "POV in style. This means that the narration's coverage is limited to what", "what the POV character can observe, think, feel, while others' thoughts, feelings, and", "thus: Show don't tell as an adage is often trotted out as universally", "would make no sense if they weren't laid out in a direct manner", "the POV character can observe, think, feel, while others' thoughts, feelings, and out-of-sight", "plan just to artificially produce tension despite the fact the narration has the", "it read like it's withholding information for the lulz). My question is this:", "is thus: Show don't tell as an adage is often trotted out as", "novel I'm writing is third-person limited POV in style. This means that the", "not covered. The dilemma is thus: Show don't tell as an adage is", "are times and places where laying out certain feelings and motives could be", "'bad' tell in limited third-person POVs? Are there any hard and fast rules?", "This is less a 'question that needs solving' as much as an opening", "or ability to express emotion are limited yet there's a maelstrom within their", "experiences at that moment are largely internal, that is, their actions or ability", "rules are there for a 'good' tell and 'bad' tell in limited third-person", "for the narration to theoretically say 'X felt sad'. Of course, 'X felt", "they weren't laid out in a direct manner (for example, if I arbitrarily", "character can observe, think, feel, while others' thoughts, feelings, and out-of-sight actions are", "actions are naturally not covered. The dilemma is thus: Show don't tell as", "information for the lulz). My question is this: What general rules are there", "rules? This is less a 'question that needs solving' as much as an", "theory should be privy to the thoughts and motives of the POV character,", "third-person POVs? Are there any hard and fast rules? This is less a", "opening of a discussion. My ideas on the topic: * If the feelings", "an adage is often trotted out as universally true, but of course, the", "lulz). My question is this: What general rules are there for a 'good'", "POV character's logic for a certain plan just to artificially produce tension despite", "it's more likely it'll be downplayed in the narration. * If you have", "a feeling, it could be you've insufficiently demonstrated it through a character's actions.", "motives could be useful, or the story would make no sense if they", "motives of the POV character, and therefore there's always going to be enough", "Telling emotions directly is more acceptable if the character's experiences at that moment", "tell the audience a feeling, it could be you've insufficiently demonstrated it through", "limited yet there's a maelstrom within their head. What ideas do you guys", "a 'good' tell and 'bad' tell in limited third-person POVs? Are there any", "third-person limited POV in style. This means that the narration's coverage is limited", "are naturally not covered. The dilemma is thus: Show don't tell as an", "the feelings are ones the POV character is running away from, it's more", "means that the narration's coverage is limited to what the POV character can", "the narration's coverage is limited to what the POV character can observe, think,", "much as an opening of a discussion. My ideas on the topic: ", "it'll be downplayed in the narration. If you have to tell the", "the POV character, and therefore there's always going to be enough information 'available'", "be useful, or the story would make no sense if they weren't laid", "direct manner (for example, if I arbitrarily left out a POV character's logic", "course, the occasional tell is necessary. The reader in theory should be privy", "there any hard and fast rules? This is less a 'question that needs", "true, but of course, the occasional tell is necessary. The reader in theory", "POV character is running away from, it's more likely it'll be downplayed in", "example, if I arbitrarily left out a POV character's logic for a certain", "ones the POV character is running away from, it's more likely it'll be", "that the narration's coverage is limited to what the POV character can observe,", "the fact the narration has the information, making it read like it's withholding", "narration's coverage is limited to what the POV character can observe, think, feel,", "universally true, but of course, the occasional tell is necessary. The reader in", "just to artificially produce tension despite the fact the narration has the information,", "if they weren't laid out in a direct manner (for example, if I", "while others' thoughts, feelings, and out-of-sight actions are naturally not covered. The dilemma", "is more acceptable if the character's experiences at that moment are largely internal,", "places where laying out certain feelings and motives could be useful, or the", "useful, or the story would make no sense if they weren't laid out", "information, making it read like it's withholding information for the lulz). My question", "are ones the POV character is running away from, it's more likely it'll", "a POV character's logic for a certain plan just to artificially produce tension", "directly is more acceptable if the character's experiences at that moment are largely", "often trotted out as universally true, but of course, the occasional tell is", "The dilemma is thus: Show don't tell as an adage is often trotted", "Of course, 'X felt sad' is an extreme example and I'd never consider", "from, it's more likely it'll be downplayed in the narration. * If you", "thoughts, feelings, and out-of-sight actions are naturally not covered. The dilemma is thus:", "but of course, the occasional tell is necessary. The reader in theory should", "the story would make no sense if they weren't laid out in a", "This means that the narration's coverage is limited to what the POV character", "out certain feelings and motives could be useful, or the story would make", "if I arbitrarily left out a POV character's logic for a certain plan", "in a direct manner (for example, if I arbitrarily left out a POV", "making it read like it's withholding information for the lulz). My question is", "What general rules are there for a 'good' tell and 'bad' tell in", "internal, that is, their actions or ability to express emotion are limited yet", "and places where laying out certain feelings and motives could be useful, or", "is this: What general rules are there for a 'good' tell and 'bad'", "you have to tell the audience a feeling, it could be you've insufficiently", "to be enough information 'available' for the narration to theoretically say 'X felt", "logic for a certain plan just to artificially produce tension despite the fact", "laid out in a direct manner (for example, if I arbitrarily left out", "character's logic for a certain plan just to artificially produce tension despite the", "out as universally true, but of course, the occasional tell is necessary. The", "'question that needs solving' as much as an opening of a discussion. My", "that is, their actions or ability to express emotion are limited yet there's", "less a 'question that needs solving' as much as an opening of a", "thoughts and motives of the POV character, and therefore there's always going to", "felt sad' is an extreme example and I'd never consider using it, however,", "for the lulz). My question is this: What general rules are there for", "despite the fact the narration has the information, making it read like it's", "tell in limited third-person POVs? Are there any hard and fast rules? This", "My ideas on the topic: * If the feelings are ones the POV", "it could be you've insufficiently demonstrated it through a character's actions. * Telling", "and fast rules? This is less a 'question that needs solving' as much", "information 'available' for the narration to theoretically say 'X felt sad'. Of course,", "writing is third-person limited POV in style. This means that the narration's coverage", "in limited third-person POVs? Are there any hard and fast rules? This is", "acceptable if the character's experiences at that moment are largely internal, that is,", "sense if they weren't laid out in a direct manner (for example, if", "running away from, it's more likely it'll be downplayed in the narration. ", "any hard and fast rules? This is less a 'question that needs solving'", "artificially produce tension despite the fact the narration has the information, making it", "the narration. If you have to tell the audience a feeling, it", "POV character, and therefore there's always going to be enough information 'available' for", "* Telling emotions directly is more acceptable if the character's experiences at that", "the narration to theoretically say 'X felt sad'. Of course, 'X felt sad'", "in the narration. * If you have to tell the audience a feeling,", "like it's withholding information for the lulz). My question is this: What general", "occasional tell is necessary. The reader in theory should be privy to the", "always going to be enough information 'available' for the narration to theoretically say", "narration has the information, making it read like it's withholding information for the", "has the information, making it read like it's withholding information for the lulz).", "The novel I'm writing is third-person limited POV in style. This means that", "is necessary. The reader in theory should be privy to the thoughts and", "sad'. Of course, 'X felt sad' is an extreme example and I'd never", "'available' for the narration to theoretically say 'X felt sad'. Of course, 'X", "should be privy to the thoughts and motives of the POV character, and", "where laying out certain feelings and motives could be useful, or the story", "example and I'd never consider using it, however, there are times and places", "If the feelings are ones the POV character is running away from, it's", "is often trotted out as universally true, but of course, the occasional tell", "course, 'X felt sad' is an extreme example and I'd never consider using", "if the character's experiences at that moment are largely internal, that is, their", "are there for a 'good' tell and 'bad' tell in limited third-person POVs?", "however, there are times and places where laying out certain feelings and motives", "* If you have to tell the audience a feeling, it could be", "tell as an adage is often trotted out as universally true, but of", "style. This means that the narration's coverage is limited to what the POV", "extreme example and I'd never consider using it, however, there are times and", "weren't laid out in a direct manner (for example, if I arbitrarily left", "POV character can observe, think, feel, while others' thoughts, feelings, and out-of-sight actions", "there's always going to be enough information 'available' for the narration to theoretically", "therefore there's always going to be enough information 'available' for the narration to", "to theoretically say 'X felt sad'. Of course, 'X felt sad' is an", "trotted out as universally true, but of course, the occasional tell is necessary.", "story would make no sense if they weren't laid out in a direct", "for a 'good' tell and 'bad' tell in limited third-person POVs? Are there", "a maelstrom within their head. What ideas do you guys have on this", "general rules are there for a 'good' tell and 'bad' tell in limited", "don't tell as an adage is often trotted out as universally true, but", "limited third-person POVs? Are there any hard and fast rules? This is less", "is less a 'question that needs solving' as much as an opening of", "as an opening of a discussion. My ideas on the topic: * If", "an opening of a discussion. My ideas on the topic: * If the", "feelings and motives could be useful, or the story would make no sense", "be privy to the thoughts and motives of the POV character, and therefore", "away from, it's more likely it'll be downplayed in the narration. * If", "through a character's actions. * Telling emotions directly is more acceptable if the", "narration to theoretically say 'X felt sad'. Of course, 'X felt sad' is", "and out-of-sight actions are naturally not covered. The dilemma is thus: Show don't", "withholding information for the lulz). My question is this: What general rules are", "their actions or ability to express emotion are limited yet there's a maelstrom", "and motives of the POV character, and therefore there's always going to be", "I arbitrarily left out a POV character's logic for a certain plan just", "on the topic: * If the feelings are ones the POV character is", "no sense if they weren't laid out in a direct manner (for example,", "* If the feelings are ones the POV character is running away from,", "and I'd never consider using it, however, there are times and places where", "fact the narration has the information, making it read like it's withholding information", "of a discussion. My ideas on the topic: * If the feelings are", "If you have to tell the audience a feeling, it could be you've", "dilemma is thus: Show don't tell as an adage is often trotted out", "Are there any hard and fast rules? This is less a 'question that", "My question is this: What general rules are there for a 'good' tell", "downplayed in the narration. * If you have to tell the audience a", "there for a 'good' tell and 'bad' tell in limited third-person POVs? Are", "could be you've insufficiently demonstrated it through a character's actions. * Telling emotions", "'X felt sad'. Of course, 'X felt sad' is an extreme example and", "POVs? Are there any hard and fast rules? This is less a 'question", "the thoughts and motives of the POV character, and therefore there's always going", "'X felt sad' is an extreme example and I'd never consider using it,", "to express emotion are limited yet there's a maelstrom within their head. What", "limited POV in style. This means that the narration's coverage is limited to", "naturally not covered. The dilemma is thus: Show don't tell as an adage", "tension despite the fact the narration has the information, making it read like", "character is running away from, it's more likely it'll be downplayed in the", "tell and 'bad' tell in limited third-person POVs? Are there any hard and", "The reader in theory should be privy to the thoughts and motives of", "produce tension despite the fact the narration has the information, making it read", "adage is often trotted out as universally true, but of course, the occasional", "I'm writing is third-person limited POV in style. This means that the narration's", "have to tell the audience a feeling, it could be you've insufficiently demonstrated", "to what the POV character can observe, think, feel, while others' thoughts, feelings,", "the POV character is running away from, it's more likely it'll be downplayed", "arbitrarily left out a POV character's logic for a certain plan just to", "as an adage is often trotted out as universally true, but of course,", "consider using it, however, there are times and places where laying out certain", "the occasional tell is necessary. The reader in theory should be privy to", "covered. The dilemma is thus: Show don't tell as an adage is often", "never consider using it, however, there are times and places where laying out", "it, however, there are times and places where laying out certain feelings and", "as much as an opening of a discussion. My ideas on the topic:", "feel, while others' thoughts, feelings, and out-of-sight actions are naturally not covered. The", "the topic: * If the feelings are ones the POV character is running" ]
[ "studying the grammar rules and know exactly what needs to be done, but", "to be done, but I am stuck - what is the best advice", "I am not ashamed or embarrassed to ask this but would appreciate your", "you can offer for someone in my situation? I am not ashamed or", "stating I am very new to writing and new to this website. I", "thoughts and words, making them almost stiff and impersonal. I have been studying", "am here for help. I'm writing a collection of inspirational short stories, as", "I'm writing a collection of inspirational short stories, as though I was sitting", "over to active voice, which is basically stifling the flow of my thoughts", "voice, I am struggling desperately to convert over to active voice, which is", "to active voice, which is basically stifling the flow of my thoughts and", "across from someone over coffee sharing my experiences. Because my normal manner of", "best advice you can offer for someone in my situation? I am not", "almost stiff and impersonal. I have been studying the grammar rules and know", "the grammar rules and know exactly what needs to be done, but I", "normal manner of speaking is in passive voice, I am struggling desperately to", "this website. I am here for help. I'm writing a collection of inspirational", "my experiences. Because my normal manner of speaking is in passive voice, I", "am not ashamed or embarrassed to ask this but would appreciate your input.", "am very new to writing and new to this website. I am here", "manner of speaking is in passive voice, I am struggling desperately to convert", "have been studying the grammar rules and know exactly what needs to be", "rules and know exactly what needs to be done, but I am stuck", "new to this website. I am here for help. I'm writing a collection", "in my situation? I am not ashamed or embarrassed to ask this but", "and know exactly what needs to be done, but I am stuck -", "from someone over coffee sharing my experiences. Because my normal manner of speaking", "very new to writing and new to this website. I am here for", "writing a collection of inspirational short stories, as though I was sitting across", "of my thoughts and words, making them almost stiff and impersonal. I have", "sharing my experiences. Because my normal manner of speaking is in passive voice,", "I have been studying the grammar rules and know exactly what needs to", "words, making them almost stiff and impersonal. I have been studying the grammar", "not ashamed or embarrassed to ask this but would appreciate your input. Thank", "short stories, as though I was sitting across from someone over coffee sharing", "my situation? I am not ashamed or embarrassed to ask this but would", "my thoughts and words, making them almost stiff and impersonal. I have been", "am struggling desperately to convert over to active voice, which is basically stifling", "I am very new to writing and new to this website. I am", "advice you can offer for someone in my situation? I am not ashamed", "a collection of inspirational short stories, as though I was sitting across from", "I am stuck - what is the best advice you can offer for", "the best advice you can offer for someone in my situation? I am", "inspirational short stories, as though I was sitting across from someone over coffee", "preface my question by stating I am very new to writing and new", "will preface my question by stating I am very new to writing and", "active voice, which is basically stifling the flow of my thoughts and words,", "been studying the grammar rules and know exactly what needs to be done,", "passive voice, I am struggling desperately to convert over to active voice, which", "website. I am here for help. I'm writing a collection of inspirational short", "my question by stating I am very new to writing and new to", "I am here for help. I'm writing a collection of inspirational short stories,", "grammar rules and know exactly what needs to be done, but I am", "offer for someone in my situation? I am not ashamed or embarrassed to", "struggling desperately to convert over to active voice, which is basically stifling the", "sitting across from someone over coffee sharing my experiences. Because my normal manner", "coffee sharing my experiences. Because my normal manner of speaking is in passive", "over coffee sharing my experiences. Because my normal manner of speaking is in", "be done, but I am stuck - what is the best advice you", "I was sitting across from someone over coffee sharing my experiences. Because my", "needs to be done, but I am stuck - what is the best", "someone over coffee sharing my experiences. Because my normal manner of speaking is", "Because my normal manner of speaking is in passive voice, I am struggling", "though I was sitting across from someone over coffee sharing my experiences. Because", "by stating I am very new to writing and new to this website.", "speaking is in passive voice, I am struggling desperately to convert over to", "for someone in my situation? I am not ashamed or embarrassed to ask", "here for help. I'm writing a collection of inspirational short stories, as though", "I am struggling desperately to convert over to active voice, which is basically", "and impersonal. I have been studying the grammar rules and know exactly what", "flow of my thoughts and words, making them almost stiff and impersonal. I", "stiff and impersonal. I have been studying the grammar rules and know exactly", "is basically stifling the flow of my thoughts and words, making them almost", "in passive voice, I am struggling desperately to convert over to active voice,", "the flow of my thoughts and words, making them almost stiff and impersonal.", "stifling the flow of my thoughts and words, making them almost stiff and", "making them almost stiff and impersonal. I have been studying the grammar rules", "someone in my situation? I am not ashamed or embarrassed to ask this", "help. I'm writing a collection of inspirational short stories, as though I was", "for help. I'm writing a collection of inspirational short stories, as though I", "of inspirational short stories, as though I was sitting across from someone over", "and words, making them almost stiff and impersonal. I have been studying the", "to this website. I am here for help. I'm writing a collection of", "experiences. Because my normal manner of speaking is in passive voice, I am", "as though I was sitting across from someone over coffee sharing my experiences.", "stories, as though I was sitting across from someone over coffee sharing my", "exactly what needs to be done, but I am stuck - what is", "desperately to convert over to active voice, which is basically stifling the flow", "collection of inspirational short stories, as though I was sitting across from someone", "to convert over to active voice, which is basically stifling the flow of", "what needs to be done, but I am stuck - what is the", "but I am stuck - what is the best advice you can offer", "is the best advice you can offer for someone in my situation? I", "was sitting across from someone over coffee sharing my experiences. Because my normal", "know exactly what needs to be done, but I am stuck - what", "which is basically stifling the flow of my thoughts and words, making them", "can offer for someone in my situation? I am not ashamed or embarrassed", "- what is the best advice you can offer for someone in my", "stuck - what is the best advice you can offer for someone in", "what is the best advice you can offer for someone in my situation?", "my normal manner of speaking is in passive voice, I am struggling desperately", "done, but I am stuck - what is the best advice you can", "new to writing and new to this website. I am here for help.", "is in passive voice, I am struggling desperately to convert over to active", "and new to this website. I am here for help. I'm writing a", "situation? I am not ashamed or embarrassed to ask this but would appreciate", "question by stating I am very new to writing and new to this", "basically stifling the flow of my thoughts and words, making them almost stiff", "writing and new to this website. I am here for help. I'm writing", "am stuck - what is the best advice you can offer for someone", "I will preface my question by stating I am very new to writing", "ashamed or embarrassed to ask this but would appreciate your input. Thank you.", "impersonal. I have been studying the grammar rules and know exactly what needs", "of speaking is in passive voice, I am struggling desperately to convert over", "convert over to active voice, which is basically stifling the flow of my", "them almost stiff and impersonal. I have been studying the grammar rules and", "voice, which is basically stifling the flow of my thoughts and words, making", "to writing and new to this website. I am here for help. I'm" ]
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I am interested in whether other writers know of additional places to", "them, this is the one example I know of, it is no more", "user based publishing of erotic stories online? The only site I currently know", "when looking for how to find an agent. I am not encouraging anybody", "publishing of erotic stories online? The only site I currently know of is", "or manuscriptwishlist.com when looking for how to find an agent. I am not", "to publish erotic stories, or have found a way to search for them.", "to find sites that allow user based publishing of erotic stories online? The", "find an agent. I am not encouraging anybody to go read erotica. I", "encouraging anybody to go read erotica. I am interested in whether other writers", "additional places to publish erotic stories, or have found a way to search", "stories online? The only site I currently know of is literotica.com. I am", "is no more an ad than if I listed agentquery.com or manuscriptwishlist.com when", "I listed agentquery.com or manuscriptwishlist.com when looking for how to find an agent.", "know of is literotica.com. I am not trying to advertise for them, this", "looking for how to find an agent. I am not encouraging anybody to", "interested in whether other writers know of additional places to publish erotic stories,", "know of additional places to publish erotic stories, or have found a way", "I am not trying to advertise for them, this is the one example", "in whether other writers know of additional places to publish erotic stories, or", "stories, or have found a way to search for them. I think this", "or what could I search for, in order to find sites that allow", "found a way to search for them. I think this question is general", "Where could I look, or what could I search for, in order to", "read erotica. 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[ "a coming of age story. How can I keep my reader from expecting", "dystopian, mystery; as opposed to 'setting genres' like historical, fantasy, sci-fi, etc.). However,", "to any one. Disregard for now the logistics of pulling off such a", "writing quite a few of these books, and while they'll all be set", "I don't want to limit myself to any one sub-genre (here meaning 'plot", "after a five-book dystopian story, I suddenly switch to a mystery series. And", "center on different characters, countries, and cultures, and not stick to any one.", "genres' like historical, fantasy, sci-fi, etc.). However, this doesn't mean I won't create", "open my series with five novels set in a dystopian country, and follow", "convey to my reader that these are primarily FANTASY novels, and really only", "books. I plan on writing quite a few of these books, and while", "reader that these are primarily FANTASY novels, and really only a small portion", "genres. It just means I will create other novels which are in different", "plan on writing quite a few of these books, and while they'll all", "less cliche). I don't want to limit myself to any one sub-genre (here", "etc.). However, this doesn't mean I won't create novels in those genres. It", "a mystery series. And then a romance series. Followed by a coming of", "as opposed to 'setting genres' like historical, fantasy, sci-fi, etc.). However, this doesn't", "few alterations to make it less cliche). I don't want to limit myself", "novels set in a dystopian country, and follow the general plot of dystopian", "primarily FANTASY novels, and really only a small portion of them will happen", "How can I prepare my readers for this? If, for example, I open", "are primarily FANTASY novels, and really only a small portion of them will", "be DYSTOPIAN also? How can I write my novels so that the reader", "feat. Question: I intend these books to be traditional fantasy (with a few", "for now the logistics of pulling off such a feat. Question: I intend", "(here meaning 'plot genres' like romance, dystopian, mystery; as opposed to 'setting genres'", "really only a small portion of them will happen to be DYSTOPIAN also?", "on writing quite a few of these books, and while they'll all be", "the reader doesn't expect any one genre? I'm trying to avoid jarring or", "of them will happen to be DYSTOPIAN also? How can I write my", "genres' like romance, dystopian, mystery; as opposed to 'setting genres' like historical, fantasy,", "also? How can I write my novels so that the reader doesn't expect", "such a feat. Question: I intend these books to be traditional fantasy (with", "writing an extensive series of fantasy books. I plan on writing quite a", "I suddenly switch to a mystery series. And then a romance series. Followed", "'setting genres' like historical, fantasy, sci-fi, etc.). However, this doesn't mean I won't", "I write my novels so that the reader doesn't expect any one genre?", "five-book dystopian story, I suddenly switch to a mystery series. And then a", "characters, countries, and cultures, and not stick to any one. Disregard for now", "cliche). I don't want to limit myself to any one sub-genre (here meaning", "'plot genres' like romance, dystopian, mystery; as opposed to 'setting genres' like historical,", "the general plot of dystopian novels, how can I convey to my reader", "romance series. Followed by a coming of age story. How can I keep", "novels so that the reader doesn't expect any one genre? I'm trying to", "small portion of them will happen to be DYSTOPIAN also? How can I", "If, for example, I open my series with five novels set in a", "genre? I'm trying to avoid jarring or surprising readers when, after a five-book", "will happen to be DYSTOPIAN also? How can I write my novels so", "and follow the general plot of dystopian novels, how can I convey to", "general plot of dystopian novels, how can I convey to my reader that", "different genres as well. How can I prepare my readers for this? If,", "sub-genre (here meaning 'plot genres' like romance, dystopian, mystery; as opposed to 'setting", "reader doesn't expect any one genre? I'm trying to avoid jarring or surprising", "I intend these books to be traditional fantasy (with a few alterations to", "are in different genres as well. How can I prepare my readers for", "the same planet, I intend them to center on different characters, countries, and", "one genre? I'm trying to avoid jarring or surprising readers when, after a", "doesn't expect any one genre? I'm trying to avoid jarring or surprising readers", "fantasy books. I plan on writing quite a few of these books, and", "series with five novels set in a dystopian country, and follow the general", "to limit myself to any one sub-genre (here meaning 'plot genres' like romance,", "limit myself to any one sub-genre (here meaning 'plot genres' like romance, dystopian,", "how can I convey to my reader that these are primarily FANTASY novels,", "series. Followed by a coming of age story. How can I keep my", "these books to be traditional fantasy (with a few alterations to make it", "to 'setting genres' like historical, fantasy, sci-fi, etc.). However, this doesn't mean I", "different characters, countries, and cultures, and not stick to any one. Disregard for", "of age story. How can I keep my reader from expecting any one", "in those genres. It just means I will create other novels which are", "to be DYSTOPIAN also? How can I write my novels so that the", "my reader that these are primarily FANTASY novels, and really only a small", "(with a few alterations to make it less cliche). I don't want to", "while they'll all be set on the same planet, I intend them to", "dystopian novels, how can I convey to my reader that these are primarily", "Background: I'm planning on writing an extensive series of fantasy books. I plan", "these books, and while they'll all be set on the same planet, I", "off such a feat. Question: I intend these books to be traditional fantasy", "mystery; as opposed to 'setting genres' like historical, fantasy, sci-fi, etc.). However, this", "of dystopian novels, how can I convey to my reader that these are", "avoid jarring or surprising readers when, after a five-book dystopian story, I suddenly", "readers for this? If, for example, I open my series with five novels", "of fantasy books. I plan on writing quite a few of these books,", "one sub-genre (here meaning 'plot genres' like romance, dystopian, mystery; as opposed to", "or surprising readers when, after a five-book dystopian story, I suddenly switch to", "only a small portion of them will happen to be DYSTOPIAN also? How", "that the reader doesn't expect any one genre? I'm trying to avoid jarring", "other novels which are in different genres as well. How can I prepare", "I open my series with five novels set in a dystopian country, and", "as well. How can I prepare my readers for this? If, for example,", "can I prepare my readers for this? If, for example, I open my", "I plan on writing quite a few of these books, and while they'll", "dystopian country, and follow the general plot of dystopian novels, how can I", "myself to any one sub-genre (here meaning 'plot genres' like romance, dystopian, mystery;", "a few of these books, and while they'll all be set on the", "novels which are in different genres as well. How can I prepare my", "books to be traditional fantasy (with a few alterations to make it less", "to my reader that these are primarily FANTASY novels, and really only a", "like historical, fantasy, sci-fi, etc.). However, this doesn't mean I won't create novels", "mystery series. And then a romance series. Followed by a coming of age", "DYSTOPIAN also? How can I write my novels so that the reader doesn't", "when, after a five-book dystopian story, I suddenly switch to a mystery series.", "same planet, I intend them to center on different characters, countries, and cultures,", "doesn't mean I won't create novels in those genres. It just means I", "pulling off such a feat. Question: I intend these books to be traditional", "and cultures, and not stick to any one. Disregard for now the logistics", "one. Disregard for now the logistics of pulling off such a feat. Question:", "a small portion of them will happen to be DYSTOPIAN also? How can", "a five-book dystopian story, I suddenly switch to a mystery series. And then", "in different genres as well. How can I prepare my readers for this?", "I intend them to center on different characters, countries, and cultures, and not", "write my novels so that the reader doesn't expect any one genre? I'm", "any one. Disregard for now the logistics of pulling off such a feat.", "will create other novels which are in different genres as well. How can", "series of fantasy books. I plan on writing quite a few of these", "cultures, and not stick to any one. Disregard for now the logistics of", "of pulling off such a feat. Question: I intend these books to be", "a dystopian country, and follow the general plot of dystopian novels, how can", "FANTASY novels, and really only a small portion of them will happen to", "How can I write my novels so that the reader doesn't expect any", "this? If, for example, I open my series with five novels set in", "country, and follow the general plot of dystopian novels, how can I convey", "stick to any one. Disregard for now the logistics of pulling off such", "to center on different characters, countries, and cultures, and not stick to any", "meaning 'plot genres' like romance, dystopian, mystery; as opposed to 'setting genres' like", "on different characters, countries, and cultures, and not stick to any one. Disregard", "fantasy, sci-fi, etc.). However, this doesn't mean I won't create novels in those", "them to center on different characters, countries, and cultures, and not stick to", "it less cliche). I don't want to limit myself to any one sub-genre", "few of these books, and while they'll all be set on the same", "books, and while they'll all be set on the same planet, I intend", "be traditional fantasy (with a few alterations to make it less cliche). I", "those genres. It just means I will create other novels which are in", "set on the same planet, I intend them to center on different characters,", "And then a romance series. Followed by a coming of age story. How", "story, I suddenly switch to a mystery series. And then a romance series.", "to avoid jarring or surprising readers when, after a five-book dystopian story, I", "with five novels set in a dystopian country, and follow the general plot", "romance, dystopian, mystery; as opposed to 'setting genres' like historical, fantasy, sci-fi, etc.).", "coming of age story. How can I keep my reader from expecting any", "mean I won't create novels in those genres. It just means I will", "to be traditional fantasy (with a few alterations to make it less cliche).", "planet, I intend them to center on different characters, countries, and cultures, and", "my readers for this? If, for example, I open my series with five", "don't want to limit myself to any one sub-genre (here meaning 'plot genres'", "which are in different genres as well. How can I prepare my readers", "a romance series. Followed by a coming of age story. How can I", "and not stick to any one. Disregard for now the logistics of pulling", "make it less cliche). I don't want to limit myself to any one", "I will create other novels which are in different genres as well. How", "fantasy (with a few alterations to make it less cliche). I don't want", "trying to avoid jarring or surprising readers when, after a five-book dystopian story,", "opposed to 'setting genres' like historical, fantasy, sci-fi, etc.). However, this doesn't mean", "extensive series of fantasy books. I plan on writing quite a few of", "this doesn't mean I won't create novels in those genres. It just means", "can I write my novels so that the reader doesn't expect any one", "my novels so that the reader doesn't expect any one genre? I'm trying", "a feat. Question: I intend these books to be traditional fantasy (with a", "create other novels which are in different genres as well. How can I", "series. And then a romance series. Followed by a coming of age story.", "Disregard for now the logistics of pulling off such a feat. Question: I", "I'm planning on writing an extensive series of fantasy books. I plan on", "Question: I intend these books to be traditional fantasy (with a few alterations", "happen to be DYSTOPIAN also? How can I write my novels so that", "all be set on the same planet, I intend them to center on", "create novels in those genres. It just means I will create other novels", "portion of them will happen to be DYSTOPIAN also? How can I write", "readers when, after a five-book dystopian story, I suddenly switch to a mystery", "sci-fi, etc.). However, this doesn't mean I won't create novels in those genres.", "jarring or surprising readers when, after a five-book dystopian story, I suddenly switch", "an extensive series of fantasy books. I plan on writing quite a few", "them will happen to be DYSTOPIAN also? How can I write my novels", "for this? If, for example, I open my series with five novels set", "intend them to center on different characters, countries, and cultures, and not stick", "quite a few of these books, and while they'll all be set on", "of these books, and while they'll all be set on the same planet,", "any one sub-genre (here meaning 'plot genres' like romance, dystopian, mystery; as opposed", "dystopian story, I suddenly switch to a mystery series. And then a romance", "a few alterations to make it less cliche). I don't want to limit", "they'll all be set on the same planet, I intend them to center", "not stick to any one. Disregard for now the logistics of pulling off", "prepare my readers for this? If, for example, I open my series with", "to make it less cliche). I don't want to limit myself to any", "in a dystopian country, and follow the general plot of dystopian novels, how", "these are primarily FANTASY novels, and really only a small portion of them", "expect any one genre? I'm trying to avoid jarring or surprising readers when,", "any one genre? I'm trying to avoid jarring or surprising readers when, after", "means I will create other novels which are in different genres as well.", "to a mystery series. And then a romance series. Followed by a coming", "and really only a small portion of them will happen to be DYSTOPIAN", "planning on writing an extensive series of fantasy books. I plan on writing", "It just means I will create other novels which are in different genres", "switch to a mystery series. And then a romance series. Followed by a", "to any one sub-genre (here meaning 'plot genres' like romance, dystopian, mystery; as", "on writing an extensive series of fantasy books. I plan on writing quite", "can I convey to my reader that these are primarily FANTASY novels, and", "now the logistics of pulling off such a feat. Question: I intend these", "by a coming of age story. How can I keep my reader from", "set in a dystopian country, and follow the general plot of dystopian novels,", "traditional fantasy (with a few alterations to make it less cliche). I don't", "example, I open my series with five novels set in a dystopian country,", "then a romance series. Followed by a coming of age story. How can", "won't create novels in those genres. It just means I will create other", "Followed by a coming of age story. How can I keep my reader", "historical, fantasy, sci-fi, etc.). However, this doesn't mean I won't create novels in", "countries, and cultures, and not stick to any one. Disregard for now the", "five novels set in a dystopian country, and follow the general plot of", "like romance, dystopian, mystery; as opposed to 'setting genres' like historical, fantasy, sci-fi,", "I won't create novels in those genres. It just means I will create", "alterations to make it less cliche). I don't want to limit myself to", "novels, how can I convey to my reader that these are primarily FANTASY", "on the same planet, I intend them to center on different characters, countries,", "logistics of pulling off such a feat. Question: I intend these books to", "and while they'll all be set on the same planet, I intend them", "intend these books to be traditional fantasy (with a few alterations to make", "my series with five novels set in a dystopian country, and follow the", "be set on the same planet, I intend them to center on different", "age story. How can I keep my reader from expecting any one genre?", "want to limit myself to any one sub-genre (here meaning 'plot genres' like", "novels in those genres. It just means I will create other novels which", "just means I will create other novels which are in different genres as", "for example, I open my series with five novels set in a dystopian", "so that the reader doesn't expect any one genre? I'm trying to avoid", "I'm trying to avoid jarring or surprising readers when, after a five-book dystopian", "genres as well. How can I prepare my readers for this? If, for", "the logistics of pulling off such a feat. Question: I intend these books", "that these are primarily FANTASY novels, and really only a small portion of", "surprising readers when, after a five-book dystopian story, I suddenly switch to a", "suddenly switch to a mystery series. And then a romance series. Followed by", "I prepare my readers for this? If, for example, I open my series", "I convey to my reader that these are primarily FANTASY novels, and really", "well. How can I prepare my readers for this? If, for example, I", "However, this doesn't mean I won't create novels in those genres. It just", "novels, and really only a small portion of them will happen to be", "follow the general plot of dystopian novels, how can I convey to my", "plot of dystopian novels, how can I convey to my reader that these" ]
[ "this, I'd prefer that the readers of my novel retain sympathy for this", "can endear a reader, but can just as easily clash with the setting", "(and commanding his underlings to do the same). It's clear he doesn't derive", "sense; he's just doing his job, and while he wrestles with the terrible", "of acknowledging his flawed nature. My question is thus: What lines can a", "torture' (though I don't think any form of torture is just, but that's", "resolve in spite of acknowledging his flawed nature. My question is thus: What", "essentially 'take the blood off his hands'. Despite this, throughout the story, he", "he does acknowledge the mental hoops he has to jump through to make", "said, here is the dilemma. There's a character that I intend to write", "a reader with a low tolerance for melodrama. * A sympathetic goal is", "a clear history of torturing people (and commanding his underlings to do the", "not always successful in his endeavours) and in the modern sense (morally ambiguous).", "he's tormented by his memories of his attempts to train a torture-master to", "this, throughout the story, he doesn't come to regret having to torture people", "same). It's clear he doesn't derive pleasure from this, and occasionally he's tormented", "I don't think any form of torture is just, but that's a moral", "day-job, he has a clear history of torturing people (and commanding his underlings", "aware that compelling doesn't necessary equal sympathetic and vice versa. That being said,", "a torture-master to essentially 'take the blood off his hands'. Despite this, throughout", "in spite of acknowledging his flawed nature. My question is thus: What lines", "while it makes sense in-universe, would alienate a standard modern reader pretty quickly.", "clear history of torturing people (and commanding his underlings to do the same).", "Having the character angst over their own 'monstrosity' can endear a reader, but", "of malice behind a character's actions neutralises a character's unsavoury qualities, but doesn't", "of his attempts to train a torture-master to essentially 'take the blood off", "melodrama. * A sympathetic goal is oftentimes more important than the person pursuing", "clear he doesn't derive pleasure from this, and occasionally he's tormented by his", "to jump through to make torturing a man acceptable at all). In-universe, this", "is oftentimes more important than the person pursuing them. What are you guys'", "his ability to torture people, it's just part of a skillset in his", "facet of his life. His ultimate arc involves him learning to become a", "this makes sense; he's just doing his job, and while he wrestles with", "equal sympathetic and vice versa. That being said, here is the dilemma. There's", "historian/scholar/spymaster hybrid, and while the story isn't about his day-job, he has a", "a kind of historian/scholar/spymaster hybrid, and while the story isn't about his day-job,", "he's just doing his job, and while he wrestles with the terrible side", "he's okay by the end of the story. However, one key trait that", "his flawed nature. My question is thus: What lines can a character cross", "unrepentant torturer, regardless of his motives and context, just as one isn't inclined", "performing 'just torture' (though I don't think any form of torture is just,", "his attempts to train a torture-master to essentially 'take the blood off his", "neutralises a character's unsavoury qualities, but doesn't necessarily endear a person to them.", "sympathetic goal is oftentimes more important than the person pursuing them. What are", "for his morally questionable actions rather than becoming more regretful. His arc is", "vice versa. That being said, here is the dilemma. There's a character that", "sense (morally ambiguous). Despite this, I'd prefer that the readers of my novel", "sympathise with an Auschwitz guard. He's not some vigilante performing 'just torture' (though", "ahead of time; I'm quite aware that compelling doesn't necessary equal sympathetic and", "the very least hope that he's okay by the end of the story.", "story. However, one key trait that he has which, while it makes sense", "memories of his attempts to train a torture-master to essentially 'take the blood", "which, while it makes sense in-universe, would alienate a standard modern reader pretty", "not be too inclined to root for a mostly unrepentant torturer, regardless of", "become tedious to a reader with a low tolerance for melodrama. * A", "over their own 'monstrosity' can endear a reader, but can just as easily", "they will before it. He's not defined by his ability to torture people,", "flawed and not always successful in his endeavours) and in the modern sense", "it, ultimately he can't afford to angst about it every moment when his", "him learning to become a leader in his search for a missing child,", "at the very least hope that he's okay by the end of the", "easily clash with the setting and/or become tedious to a reader with a", "and/or become tedious to a reader with a low tolerance for melodrama. ", "of a skillset in his line of work. Out-of-universe, however, I'd say the", "and while he wrestles with the terrible side of it, ultimately he can't", "do the same). It's clear he doesn't derive pleasure from this, and occasionally", "not some vigilante performing 'just torture' (though I don't think any form of", "both in the classical Greek sense (highly flawed and not always successful in", "and not always successful in his endeavours) and in the modern sense (morally", "Auschwitz guard. He's not some vigilante performing 'just torture' (though I don't think", "thus: What lines can a character cross while maintaining a reader's sympathy in", "of resolve in spite of acknowledging his flawed nature. My question is thus:", "A sympathetic goal is oftentimes more important than the person pursuing them. What", "flawed nature. My question is thus: What lines can a character cross while", "low tolerance for melodrama. A sympathetic goal is oftentimes more important than", "him for it just as much after the story as they will before", "vigilante performing 'just torture' (though I don't think any form of torture is", "apologising for his morally questionable actions rather than becoming more regretful. His arc", "being said, here is the dilemma. There's a character that I intend to", "the average reader might not be too inclined to root for a mostly", "angst over their own 'monstrosity' can endear a reader, but can just as", "very least hope that he's okay by the end of the story. However,", "he doesn't derive pleasure from this, and occasionally he's tormented by his memories", "the setting and/or become tedious to a reader with a low tolerance for", "might not be too inclined to root for a mostly unrepentant torturer, regardless", "on the topic: * Clarifying a lack of malice behind a character's actions", "arc is about growing a sense of resolve in spite of acknowledging his", "just, but that's a moral quandary that's neither here nor there), it's just...", "his goals, but at the very least hope that he's okay by the", "to torture people, it's just part of a skillset in his line of", "guard. He's not some vigilante performing 'just torture' (though I don't think any", "more regretful. His arc is about growing a sense of resolve in spite", "rather than becoming more regretful. His arc is about growing a sense of", "necessarily want him to attain his goals, but at the very least hope", "can just as easily clash with the setting and/or become tedious to a", "one isn't inclined to sympathise with an Auschwitz guard. He's not some vigilante", "the story. However, one key trait that he has which, while it makes", "to a reader with a low tolerance for melodrama. * A sympathetic goal", "having to torture people (though he does acknowledge the mental hoops he has", "that I have on the topic: * Clarifying a lack of malice behind", "alienate a standard modern reader pretty quickly. His day-job involves information gathering and", "does acknowledge the mental hoops he has to jump through to make torturing", "story as they will before it. He's not defined by his ability to", "child, and if anything, he learns to stop apologising for his morally questionable", "become a leader in his search for a missing child, and if anything,", "morally questionable actions rather than becoming more regretful. His arc is about growing", "all). In-universe, this makes sense; he's just doing his job, and while he", "a mostly unrepentant torturer, regardless of his motives and context, just as one", "quite aware that compelling doesn't necessary equal sympathetic and vice versa. That being", "I have on the topic: * Clarifying a lack of malice behind a", "maintaining a reader's sympathy in the modern age? Ideas that I have on", "the same). It's clear he doesn't derive pleasure from this, and occasionally he's", "and occasionally he's tormented by his memories of his attempts to train a", "of his motives and context, just as one isn't inclined to sympathise with", "I'd say the average reader might not be too inclined to root for", "modern reader pretty quickly. His day-job involves information gathering and retention, a kind", "torturing people (and commanding his underlings to do the same). It's clear he", "history of torturing people (and commanding his underlings to do the same). It's", "gathering and retention, a kind of historian/scholar/spymaster hybrid, and while the story isn't", "an antihero, both in the classical Greek sense (highly flawed and not always", "it makes sense in-universe, would alienate a standard modern reader pretty quickly. His", "mostly unrepentant torturer, regardless of his motives and context, just as one isn't", "makes sense in-universe, would alienate a standard modern reader pretty quickly. His day-job", "classical Greek sense (highly flawed and not always successful in his endeavours) and", "this, and occasionally he's tormented by his memories of his attempts to train", "the modern age? Ideas that I have on the topic: * Clarifying a", "age? Ideas that I have on the topic: * Clarifying a lack of", "would alienate a standard modern reader pretty quickly. His day-job involves information gathering", "with a low tolerance for melodrama. * A sympathetic goal is oftentimes more", "necessary equal sympathetic and vice versa. That being said, here is the dilemma.", "about growing a sense of resolve in spite of acknowledging his flawed nature.", "is an antihero, both in the classical Greek sense (highly flawed and not", "to clarify ahead of time; I'm quite aware that compelling doesn't necessary equal", "to sympathise with an Auschwitz guard. He's not some vigilante performing 'just torture'", "successful in his endeavours) and in the modern sense (morally ambiguous). Despite this,", "the readers of my novel retain sympathy for this man; not necessarily want", "a man acceptable at all). In-universe, this makes sense; he's just doing his", "behind a character's actions neutralises a character's unsavoury qualities, but doesn't necessarily endear", "can a character cross while maintaining a reader's sympathy in the modern age?", "actions neutralises a character's unsavoury qualities, but doesn't necessarily endear a person to", "missing child, and if anything, he learns to stop apologising for his morally", "for this man; not necessarily want him to attain his goals, but at", "will need him for it just as much after the story as they", "derive pleasure from this, and occasionally he's tormented by his memories of his", "'monstrosity' can endear a reader, but can just as easily clash with the", "ambiguous). Despite this, I'd prefer that the readers of my novel retain sympathy", "day-job involves information gathering and retention, a kind of historian/scholar/spymaster hybrid, and while", "it every moment when his employers will need him for it just as", "it's just... a facet of his life. His ultimate arc involves him learning", "that's neither here nor there), it's just... a facet of his life. His", "tolerance for melodrama. * A sympathetic goal is oftentimes more important than the", "What lines can a character cross while maintaining a reader's sympathy in the", "torture-master to essentially 'take the blood off his hands'. Despite this, throughout the", "he learns to stop apologising for his morally questionable actions rather than becoming", "learning to become a leader in his search for a missing child, and", "ability to torture people, it's just part of a skillset in his line", "attempts to train a torture-master to essentially 'take the blood off his hands'.", "moral quandary that's neither here nor there), it's just... a facet of his", "moment when his employers will need him for it just as much after", "reader, but can just as easily clash with the setting and/or become tedious", "say the average reader might not be too inclined to root for a", "'just torture' (though I don't think any form of torture is just, but", "line of work. Out-of-universe, however, I'd say the average reader might not be", "doesn't come to regret having to torture people (though he does acknowledge the", "as easily clash with the setting and/or become tedious to a reader with", "terrible side of it, ultimately he can't afford to angst about it every", "Greek sense (highly flawed and not always successful in his endeavours) and in", "of it, ultimately he can't afford to angst about it every moment when", "doing his job, and while he wrestles with the terrible side of it,", "wrestles with the terrible side of it, ultimately he can't afford to angst", "His ultimate arc involves him learning to become a leader in his search", "in his line of work. Out-of-universe, however, I'd say the average reader might", "any form of torture is just, but that's a moral quandary that's neither", "in his endeavours) and in the modern sense (morally ambiguous). Despite this, I'd", "one key trait that he has which, while it makes sense in-universe, would", "modern age? Ideas that I have on the topic: * Clarifying a lack", "sense (highly flawed and not always successful in his endeavours) and in the", "don't think any form of torture is just, but that's a moral quandary", "he has a clear history of torturing people (and commanding his underlings to", "hope that he's okay by the end of the story. However, one key", "has which, while it makes sense in-universe, would alienate a standard modern reader", "to root for a mostly unrepentant torturer, regardless of his motives and context,", "(morally ambiguous). Despite this, I'd prefer that the readers of my novel retain", "endear a person to them. * Having the character angst over their own", "kind of historian/scholar/spymaster hybrid, and while the story isn't about his day-job, he", "I'm quite aware that compelling doesn't necessary equal sympathetic and vice versa. That", "commanding his underlings to do the same). It's clear he doesn't derive pleasure", "if anything, he learns to stop apologising for his morally questionable actions rather", "to do the same). It's clear he doesn't derive pleasure from this, and", "them. * Having the character angst over their own 'monstrosity' can endear a", "He's not defined by his ability to torture people, it's just part of", "part of a skillset in his line of work. Out-of-universe, however, I'd say", "his memories of his attempts to train a torture-master to essentially 'take the", "man acceptable at all). In-universe, this makes sense; he's just doing his job,", "man; not necessarily want him to attain his goals, but at the very", "in his search for a missing child, and if anything, he learns to", "this man; not necessarily want him to attain his goals, but at the", "throughout the story, he doesn't come to regret having to torture people (though", "people (though he does acknowledge the mental hoops he has to jump through", "endeavours) and in the modern sense (morally ambiguous). Despite this, I'd prefer that", "Despite this, throughout the story, he doesn't come to regret having to torture", "standard modern reader pretty quickly. His day-job involves information gathering and retention, a", "the story isn't about his day-job, he has a clear history of torturing", "blood off his hands'. Despite this, throughout the story, he doesn't come to", "before it. He's not defined by his ability to torture people, it's just", "need him for it just as much after the story as they will", "person to them. * Having the character angst over their own 'monstrosity' can", "regardless of his motives and context, just as one isn't inclined to sympathise", "He's not some vigilante performing 'just torture' (though I don't think any form", "but at the very least hope that he's okay by the end of", "just doing his job, and while he wrestles with the terrible side of", "anything, he learns to stop apologising for his morally questionable actions rather than", "isn't about his day-job, he has a clear history of torturing people (and", "his search for a missing child, and if anything, he learns to stop", "my novel retain sympathy for this man; not necessarily want him to attain", "for a mostly unrepentant torturer, regardless of his motives and context, just as", "he doesn't come to regret having to torture people (though he does acknowledge", "to regret having to torture people (though he does acknowledge the mental hoops", "in the modern sense (morally ambiguous). Despite this, I'd prefer that the readers", "goals, but at the very least hope that he's okay by the end", "just part of a skillset in his line of work. Out-of-universe, however, I'd", "jump through to make torturing a man acceptable at all). In-universe, this makes", "every moment when his employers will need him for it just as much", "a standard modern reader pretty quickly. His day-job involves information gathering and retention,", "people, it's just part of a skillset in his line of work. Out-of-universe,", "and vice versa. That being said, here is the dilemma. There's a character", "the terrible side of it, ultimately he can't afford to angst about it", "endear a reader, but can just as easily clash with the setting and/or", "However, one key trait that he has which, while it makes sense in-universe,", "a character's unsavoury qualities, but doesn't necessarily endear a person to them. ", "question is thus: What lines can a character cross while maintaining a reader's", "his day-job, he has a clear history of torturing people (and commanding his", "train a torture-master to essentially 'take the blood off his hands'. Despite this,", "necessarily endear a person to them. Having the character angst over their", "sympathetic and vice versa. That being said, here is the dilemma. There's a", "I intend to write who is an antihero, both in the classical Greek", "tormented by his memories of his attempts to train a torture-master to essentially", "his job, and while he wrestles with the terrible side of it, ultimately", "is thus: What lines can a character cross while maintaining a reader's sympathy", "from this, and occasionally he's tormented by his memories of his attempts to", "motives and context, just as one isn't inclined to sympathise with an Auschwitz", "clash with the setting and/or become tedious to a reader with a low", "while he wrestles with the terrible side of it, ultimately he can't afford", "sense of resolve in spite of acknowledging his flawed nature. My question is", "is the dilemma. There's a character that I intend to write who is", "to torture people (though he does acknowledge the mental hoops he has to", "while the story isn't about his day-job, he has a clear history of", "some vigilante performing 'just torture' (though I don't think any form of torture", "leader in his search for a missing child, and if anything, he learns", "mental hoops he has to jump through to make torturing a man acceptable", "that he's okay by the end of the story. However, one key trait", "* Having the character angst over their own 'monstrosity' can endear a reader,", "work. Out-of-universe, however, I'd say the average reader might not be too inclined", "the story as they will before it. He's not defined by his ability", "a moral quandary that's neither here nor there), it's just... a facet of", "tedious to a reader with a low tolerance for melodrama. * A sympathetic", "inclined to root for a mostly unrepentant torturer, regardless of his motives and", "of the story. However, one key trait that he has which, while it", "as they will before it. He's not defined by his ability to torture", "isn't inclined to sympathise with an Auschwitz guard. He's not some vigilante performing", "he can't afford to angst about it every moment when his employers will", "and in the modern sense (morally ambiguous). Despite this, I'd prefer that the", "that the readers of my novel retain sympathy for this man; not necessarily", "of my novel retain sympathy for this man; not necessarily want him to", "My question is thus: What lines can a character cross while maintaining a", "in-universe, would alienate a standard modern reader pretty quickly. His day-job involves information", "a missing child, and if anything, he learns to stop apologising for his", "His day-job involves information gathering and retention, a kind of historian/scholar/spymaster hybrid, and", "it's just part of a skillset in his line of work. Out-of-universe, however,", "the story, he doesn't come to regret having to torture people (though he", "can't afford to angst about it every moment when his employers will need", "ultimately he can't afford to angst about it every moment when his employers", "for a missing child, and if anything, he learns to stop apologising for", "his hands'. Despite this, throughout the story, he doesn't come to regret having", "Out-of-universe, however, I'd say the average reader might not be too inclined to", "story isn't about his day-job, he has a clear history of torturing people", "least hope that he's okay by the end of the story. However, one", "information gathering and retention, a kind of historian/scholar/spymaster hybrid, and while the story", "unsavoury qualities, but doesn't necessarily endear a person to them. * Having the", "antihero, both in the classical Greek sense (highly flawed and not always successful", "to essentially 'take the blood off his hands'. Despite this, throughout the story,", "has to jump through to make torturing a man acceptable at all). In-universe,", "through to make torturing a man acceptable at all). In-universe, this makes sense;", "doesn't necessarily endear a person to them. * Having the character angst over", "to them. * Having the character angst over their own 'monstrosity' can endear", "of work. Out-of-universe, however, I'd say the average reader might not be too", "as much after the story as they will before it. He's not defined", "context, just as one isn't inclined to sympathise with an Auschwitz guard. He's", "actions rather than becoming more regretful. His arc is about growing a sense", "he has to jump through to make torturing a man acceptable at all).", "reader with a low tolerance for melodrama. * A sympathetic goal is oftentimes", "torture people, it's just part of a skillset in his line of work.", "acknowledge the mental hoops he has to jump through to make torturing a", "defined by his ability to torture people, it's just part of a skillset", "of time; I'm quite aware that compelling doesn't necessary equal sympathetic and vice", "of torture is just, but that's a moral quandary that's neither here nor", "pleasure from this, and occasionally he's tormented by his memories of his attempts", "of historian/scholar/spymaster hybrid, and while the story isn't about his day-job, he has", "* A sympathetic goal is oftentimes more important than the person pursuing them.", "a character that I intend to write who is an antihero, both in", "inclined to sympathise with an Auschwitz guard. He's not some vigilante performing 'just", "doesn't necessary equal sympathetic and vice versa. That being said, here is the", "That being said, here is the dilemma. There's a character that I intend", "reader pretty quickly. His day-job involves information gathering and retention, a kind of", "has a clear history of torturing people (and commanding his underlings to do", "pretty quickly. His day-job involves information gathering and retention, a kind of historian/scholar/spymaster", "acknowledging his flawed nature. My question is thus: What lines can a character", "(though I don't think any form of torture is just, but that's a", "story, he doesn't come to regret having to torture people (though he does", "arc involves him learning to become a leader in his search for a", "not necessarily want him to attain his goals, but at the very least", "skillset in his line of work. Out-of-universe, however, I'd say the average reader", "makes sense; he's just doing his job, and while he wrestles with the", "it just as much after the story as they will before it. He's", "cross while maintaining a reader's sympathy in the modern age? Ideas that I", "off his hands'. Despite this, throughout the story, he doesn't come to regret", "is just, but that's a moral quandary that's neither here nor there), it's", "spite of acknowledging his flawed nature. My question is thus: What lines can", "that compelling doesn't necessary equal sympathetic and vice versa. That being said, here", "form of torture is just, but that's a moral quandary that's neither here", "to stop apologising for his morally questionable actions rather than becoming more regretful.", "it. He's not defined by his ability to torture people, it's just part", "job, and while he wrestles with the terrible side of it, ultimately he", "character angst over their own 'monstrosity' can endear a reader, but can just", "end of the story. However, one key trait that he has which, while", "key trait that he has which, while it makes sense in-universe, would alienate", "dilemma. There's a character that I intend to write who is an antihero,", "character's unsavoury qualities, but doesn't necessarily endear a person to them. * Having", "compelling doesn't necessary equal sympathetic and vice versa. That being said, here is", "the topic: * Clarifying a lack of malice behind a character's actions neutralises", "that I intend to write who is an antihero, both in the classical", "retention, a kind of historian/scholar/spymaster hybrid, and while the story isn't about his", "hands'. Despite this, throughout the story, he doesn't come to regret having to", "after the story as they will before it. He's not defined by his", "a skillset in his line of work. Out-of-universe, however, I'd say the average", "when his employers will need him for it just as much after the", "think any form of torture is just, but that's a moral quandary that's", "an Auschwitz guard. He's not some vigilante performing 'just torture' (though I don't", "becoming more regretful. His arc is about growing a sense of resolve in", "a low tolerance for melodrama. * A sympathetic goal is oftentimes more important", "just as easily clash with the setting and/or become tedious to a reader", "root for a mostly unrepentant torturer, regardless of his motives and context, just", "angst about it every moment when his employers will need him for it", "the character angst over their own 'monstrosity' can endear a reader, but can", "ultimate arc involves him learning to become a leader in his search for", "at all). In-universe, this makes sense; he's just doing his job, and while", "just as much after the story as they will before it. He's not", "however, I'd say the average reader might not be too inclined to root", "own 'monstrosity' can endear a reader, but can just as easily clash with", "growing a sense of resolve in spite of acknowledging his flawed nature. My", "torturing a man acceptable at all). In-universe, this makes sense; he's just doing", "for melodrama. * A sympathetic goal is oftentimes more important than the person", "who is an antihero, both in the classical Greek sense (highly flawed and", "the dilemma. There's a character that I intend to write who is an", "acceptable at all). In-universe, this makes sense; he's just doing his job, and", "just... a facet of his life. His ultimate arc involves him learning to", "retain sympathy for this man; not necessarily want him to attain his goals,", "but can just as easily clash with the setting and/or become tedious to", "torture people (though he does acknowledge the mental hoops he has to jump", "while maintaining a reader's sympathy in the modern age? Ideas that I have", "lack of malice behind a character's actions neutralises a character's unsavoury qualities, but", "nor there), it's just... a facet of his life. His ultimate arc involves", "and while the story isn't about his day-job, he has a clear history", "by the end of the story. However, one key trait that he has", "just as one isn't inclined to sympathise with an Auschwitz guard. He's not", "stop apologising for his morally questionable actions rather than becoming more regretful. His", "attain his goals, but at the very least hope that he's okay by", "setting and/or become tedious to a reader with a low tolerance for melodrama.", "with the terrible side of it, ultimately he can't afford to angst about", "with an Auschwitz guard. He's not some vigilante performing 'just torture' (though I", "hybrid, and while the story isn't about his day-job, he has a clear", "the modern sense (morally ambiguous). Despite this, I'd prefer that the readers of", "in the classical Greek sense (highly flawed and not always successful in his", "a person to them. * Having the character angst over their own 'monstrosity'", "about it every moment when his employers will need him for it just", "not defined by his ability to torture people, it's just part of a", "malice behind a character's actions neutralises a character's unsavoury qualities, but doesn't necessarily", "hoops he has to jump through to make torturing a man acceptable at", "here is the dilemma. There's a character that I intend to write who", "Despite this, I'd prefer that the readers of my novel retain sympathy for", "with the setting and/or become tedious to a reader with a low tolerance", "he has which, while it makes sense in-universe, would alienate a standard modern", "prefer that the readers of my novel retain sympathy for this man; not", "but doesn't necessarily endear a person to them. * Having the character angst", "Ideas that I have on the topic: * Clarifying a lack of malice", "doesn't derive pleasure from this, and occasionally he's tormented by his memories of", "there), it's just... a facet of his life. His ultimate arc involves him", "quandary that's neither here nor there), it's just... a facet of his life.", "sympathy for this man; not necessarily want him to attain his goals, but", "want him to attain his goals, but at the very least hope that", "his line of work. Out-of-universe, however, I'd say the average reader might not", "trait that he has which, while it makes sense in-universe, would alienate a", "It's clear he doesn't derive pleasure from this, and occasionally he's tormented by", "the classical Greek sense (highly flawed and not always successful in his endeavours)", "the mental hoops he has to jump through to make torturing a man", "by his memories of his attempts to train a torture-master to essentially 'take", "to train a torture-master to essentially 'take the blood off his hands'. Despite", "neither here nor there), it's just... a facet of his life. His ultimate", "questionable actions rather than becoming more regretful. His arc is about growing a", "but that's a moral quandary that's neither here nor there), it's just... a", "sense in-universe, would alienate a standard modern reader pretty quickly. His day-job involves", "underlings to do the same). It's clear he doesn't derive pleasure from this,", "come to regret having to torture people (though he does acknowledge the mental", "reader's sympathy in the modern age? Ideas that I have on the topic:", "will before it. He's not defined by his ability to torture people, it's", "be too inclined to root for a mostly unrepentant torturer, regardless of his", "a facet of his life. His ultimate arc involves him learning to become", "his morally questionable actions rather than becoming more regretful. His arc is about", "than the person pursuing them. What are you guys' thoughts on the matter?", "search for a missing child, and if anything, he learns to stop apologising", "lines can a character cross while maintaining a reader's sympathy in the modern", "readers of my novel retain sympathy for this man; not necessarily want him", "him to attain his goals, but at the very least hope that he's", "than becoming more regretful. His arc is about growing a sense of resolve", "a character cross while maintaining a reader's sympathy in the modern age? Ideas", "to write who is an antihero, both in the classical Greek sense (highly", "qualities, but doesn't necessarily endear a person to them. * Having the character", "reader might not be too inclined to root for a mostly unrepentant torturer,", "to angst about it every moment when his employers will need him for", "employers will need him for it just as much after the story as", "by his ability to torture people, it's just part of a skillset in", "much after the story as they will before it. He's not defined by", "average reader might not be too inclined to root for a mostly unrepentant", "regretful. His arc is about growing a sense of resolve in spite of", "of torturing people (and commanding his underlings to do the same). It's clear", "torture is just, but that's a moral quandary that's neither here nor there),", "novel retain sympathy for this man; not necessarily want him to attain his", "more important than the person pursuing them. What are you guys' thoughts on", "intend to write who is an antihero, both in the classical Greek sense", "for it just as much after the story as they will before it.", "to become a leader in his search for a missing child, and if", "always successful in his endeavours) and in the modern sense (morally ambiguous). Despite", "life. His ultimate arc involves him learning to become a leader in his", "a lack of malice behind a character's actions neutralises a character's unsavoury qualities,", "and retention, a kind of historian/scholar/spymaster hybrid, and while the story isn't about", "* Clarifying a lack of malice behind a character's actions neutralises a character's", "character that I intend to write who is an antihero, both in the", "is about growing a sense of resolve in spite of acknowledging his flawed", "nature. My question is thus: What lines can a character cross while maintaining", "and context, just as one isn't inclined to sympathise with an Auschwitz guard.", "There's a character that I intend to write who is an antihero, both", "In-universe, this makes sense; he's just doing his job, and while he wrestles", "topic: * Clarifying a lack of malice behind a character's actions neutralises a", "a reader, but can just as easily clash with the setting and/or become", "involves him learning to become a leader in his search for a missing", "his endeavours) and in the modern sense (morally ambiguous). Despite this, I'd prefer", "of his life. His ultimate arc involves him learning to become a leader", "that he has which, while it makes sense in-universe, would alienate a standard", "as one isn't inclined to sympathise with an Auschwitz guard. He's not some", "sympathy in the modern age? Ideas that I have on the topic: ", "learns to stop* apologising for his morally questionable actions rather than becoming more", "okay by the end of the story. However, one key trait that he", "the blood off his hands'. Despite this, throughout the story, he doesn't come", "his life. His ultimate arc involves him learning to become a leader in", "modern sense (morally ambiguous). Despite this, I'd prefer that the readers of my", "clarify ahead of time; I'm quite aware that compelling doesn't necessary equal sympathetic", "and if anything, he learns to stop apologising for his morally questionable actions", "important than the person pursuing them. What are you guys' thoughts on the", "their own 'monstrosity' can endear a reader, but can just as easily clash", "goal is oftentimes more important than the person pursuing them. What are you", "(though he does acknowledge the mental hoops he has to jump through to", "write who is an antihero, both in the classical Greek sense (highly flawed", "afford to angst about it every moment when his employers will need him", "too inclined to root for a mostly unrepentant torturer, regardless of his motives", "Now, to clarify ahead of time; I'm quite aware that compelling doesn't necessary", "'take the blood off his hands'. Despite this, throughout the story, he doesn't", "versa. That being said, here is the dilemma. There's a character that I", "Clarifying a lack of malice behind a character's actions neutralises a character's unsavoury", "make torturing a man acceptable at all). In-universe, this makes sense; he's just", "to make torturing a man acceptable at all). In-universe, this makes sense; he's", "involves information gathering and retention, a kind of historian/scholar/spymaster hybrid, and while the", "the end of the story. However, one key trait that he has which,", "a leader in his search for a missing child, and if anything, he", "character's actions neutralises a character's unsavoury qualities, but doesn't necessarily endear a person", "(highly flawed and not always successful in his endeavours) and in the modern", "he wrestles with the terrible side of it, ultimately he can't afford to", "torturer, regardless of his motives and context, just as one isn't inclined to", "here nor there), it's just... a facet of his life. His ultimate arc", "a character's actions neutralises a character's unsavoury qualities, but doesn't necessarily endear a", "I'd prefer that the readers of my novel retain sympathy for this man;", "time; I'm quite aware that compelling doesn't necessary equal sympathetic and vice versa.", "people (and commanding his underlings to do the same). It's clear he doesn't", "occasionally he's tormented by his memories of his attempts to train a torture-master", "regret having to torture people (though he does acknowledge the mental hoops he", "His arc is about growing a sense of resolve in spite of acknowledging", "about his day-job, he has a clear history of torturing people (and commanding", "character cross while maintaining a reader's sympathy in the modern age? Ideas that", "to attain his goals, but at the very least hope that he's okay", "a reader's sympathy in the modern age? Ideas that I have on the", "side of it, ultimately he can't afford to angst about it every moment", "his underlings to do the same). It's clear he doesn't derive pleasure from", "in the modern age? Ideas that I have on the topic: * Clarifying", "quickly. His day-job involves information gathering and retention, a kind of historian/scholar/spymaster hybrid,", "his motives and context, just as one isn't inclined to sympathise with an", "a sense of resolve in spite of acknowledging his flawed nature. My question", "have on the topic: * Clarifying a lack of malice behind a character's", "oftentimes more important than the person pursuing them. What are you guys' thoughts", "that's a moral quandary that's neither here nor there), it's just... a facet", "his employers will need him for it just as much after the story" ]
[]
[ "value. And that is why they demand these cover letters. Otherwise, why do", "it to the story itself? I ask this because a suspicion has been", "unless requested - or publication history (even though I have some) because I", "ones, are not really as open to submissions by new authors as they", "to suspect that many of these magazines tend to overwhelmingly favor submissions by", "of is that once the editor of the magazine saw the length of", "tend to have a ready-made fan base, which these magazines tend to value.", "as they pretend, and that the ‘open submissions’ thing is mostly a promotional", "giving that much magazine space to an unknown author with no publication history,", "I have a tendency to write extremely brief cover letters when sending to", "she was giving that much magazine space to an unknown author with no", "In addition to beta readers, a certain editor and book publisher that I", "that I have a tendency to write extremely brief cover letters when sending", "example of the sort of thing that makes me to wonder about this:", "helps them cut time, and because such people tend to have a ready-made", "that the ‘open submissions’ thing is mostly a promotional gimmick. Articles [such as", "them as irrelevant. The only explanation I can think of is that once", "to have a ready-made fan base, which these magazines tend to value. And", "to include bio - unless requested - or publication history (even though I", "things like this, it is hard not to suspect that many of these", "pedigree, to the detriment of new authors, in spite of their pretenses to", "a horror story with elements of science fiction. To be clear, I am", "many of these magazines tend to overwhelmingly favor submissions by people with strong", "20,000 words) which was a horror story with elements of science fiction. To", "bother to include bio - unless requested - or publication history (even though", "favor submissions by people with strong literary pedigree, to the detriment of new", "cover letters when sending to magazines. I don’t bother to include bio -", "merit? Why do they want your publication history? Of what relevance is it", "the ‘elite’ ones, are not really as open to submissions by new authors", "are not really as open to submissions by new authors as they pretend,", "history? Of what relevance is it to the story itself? I ask this", "of science fiction. To be clear, I am not the only one who", "me give a concrete example of the sort of thing that makes me", "itself? I ask this because a suspicion has been growing in my mind", "unknown author with no publication history, and so she ditched it. I doubt", "Because of things like this, it is hard not to suspect that many", "the contrary. Perhaps because it helps them cut time, and because such people", "and his staff loved it. Now, here’s the interesting thing: At the same", "to said that he and his staff loved it. Now, here’s the interesting", "magazines, especially the ‘elite’ ones, are not really as open to submissions by", "in my mind for quite some time that many of these magazines, especially", "it helps them cut time, and because such people tend to have a", "time, I sent the same novella to Asimov magazine, but with a different", "relevance is it to the story itself? I ask this because a suspicion", "she immediately decided that there was no way she was giving that much", "novella to Asimov magazine, but with a different title. To my surprise, I", "a concrete example of the sort of thing that makes me to wonder", "so she ditched it. I doubt she actually read it. Because of things", "not to suspect that many of these magazines tend to overwhelmingly favor submissions", "doubt she actually read it. Because of things like this, it is hard", "horror story with elements of science fiction. To be clear, I am not", "the ‘open submissions’ thing is mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a)", "length of the story, she immediately decided that there was no way she", "that there was no way she was giving that much magazine space to", "and because such people tend to have a ready-made fan base, which these", "the editor of the magazine saw the length of the story, she immediately", "was no way she was giving that much magazine space to an unknown", "think of is that once the editor of the magazine saw the length", "ready-made fan base, which these magazines tend to value. And that is why", "that once the editor of the magazine saw the length of the story,", "the same time, I sent the same novella to Asimov magazine, but with", "editor of the magazine saw the length of the story, she immediately decided", "publisher that I sent it to said that he and his staff loved", "bio - unless requested - or publication history (even though I have some)", "requested - or publication history (even though I have some) because I see", "hard not to suspect that many of these magazines tend to overwhelmingly favor", "people with strong literary pedigree, to the detriment of new authors, in spite", "as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me give a concrete example", "that I sent it to said that he and his staff loved it.", "loved it. Now, here’s the interesting thing: At the same time, I sent", "the same novella to Asimov magazine, but with a different title. To my", "much magazine space to an unknown author with no publication history, and so", "days later. No explanation whatsoever given. Note that I have a tendency to", "explanation whatsoever given. Note that I have a tendency to write extremely brief", "Why do they want your publication history? Of what relevance is it to", "here’s the interesting thing: At the same time, I sent the same novella", "wonder about this: I once wrote a novella (just below 20,000 words) which", "below 20,000 words) which was a horror story with elements of science fiction.", "authors as they pretend, and that the ‘open submissions’ thing is mostly a", "not really as open to submissions by new authors as they pretend, and", "story with elements of science fiction. To be clear, I am not the", "she ditched it. I doubt she actually read it. Because of things like", "time that many of these magazines, especially the ‘elite’ ones, are not really", "when sending to magazines. I don’t bother to include bio - unless requested", "open to submissions by new authors as they pretend, and that the ‘open", "on its own merit? Why do they want your publication history? Of what", "no way she was giving that much magazine space to an unknown author", "irrelevant. The only explanation I can think of is that once the editor", "publication history, and so she ditched it. I doubt she actually read it.", "she actually read it. Because of things like this, it is hard not", "have a ready-made fan base, which these magazines tend to value. And that", "write extremely brief cover letters when sending to magazines. I don’t bother to", "to an unknown author with no publication history, and so she ditched it.", "there was no way she was giving that much magazine space to an", "once wrote a novella (just below 20,000 words) which was a horror story", "judge each story based on its own merit? Why do they want your", "a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let", "well written story. In addition to beta readers, a certain editor and book", "believed that it was a pretty entertaining and well written story. In addition", "staff loved it. Now, here’s the interesting thing: At the same time, I", "interesting thing: At the same time, I sent the same novella to Asimov", "to overwhelmingly favor submissions by people with strong literary pedigree, to the detriment", "them cut time, and because such people tend to have a ready-made fan", "which was a horror story with elements of science fiction. To be clear,", "whatsoever given. Note that I have a tendency to write extremely brief cover", "contrary. Perhaps because it helps them cut time, and because such people tend", "was giving that much magazine space to an unknown author with no publication", "by new authors as they pretend, and that the ‘open submissions’ thing is", "the sort of thing that makes me to wonder about this: I once", "written story. In addition to beta readers, a certain editor and book publisher", "the only one who believed that it was a pretty entertaining and well", "detriment of new authors, in spite of their pretenses to the contrary. Perhaps", "do they want your publication history? Of what relevance is it to the", "I ask this because a suspicion has been growing in my mind for", "title. To my surprise, I got a form rejection email a few days", "is why they demand these cover letters. Otherwise, why do they need them?", "me to wonder about this: I once wrote a novella (just below 20,000", "only explanation I can think of is that once the editor of the", "it was a pretty entertaining and well written story. In addition to beta", "because such people tend to have a ready-made fan base, which these magazines", "different title. To my surprise, I got a form rejection email a few", "Why don’t they simply judge each story based on its own merit? Why", "Let me give a concrete example of the sort of thing that makes", "submissions by people with strong literary pedigree, to the detriment of new authors,", "don’t they simply judge each story based on its own merit? Why do", "these magazines tend to overwhelmingly favor submissions by people with strong literary pedigree,", "editor and book publisher that I sent it to said that he and", "saw the length of the story, she immediately decided that there was no", "I sent the same novella to Asimov magazine, but with a different title.", "space to an unknown author with no publication history, and so she ditched", "of these magazines, especially the ‘elite’ ones, are not really as open to", "history (even though I have some) because I see them as irrelevant. The", "story, she immediately decided that there was no way she was giving that", "my surprise, I got a form rejection email a few days later. No", "with strong literary pedigree, to the detriment of new authors, in spite of", "sort of thing that makes me to wonder about this: I once wrote", "of the magazine saw the length of the story, she immediately decided that", "story itself? I ask this because a suspicion has been growing in my", "to the story itself? I ask this because a suspicion has been growing", "a tendency to write extremely brief cover letters when sending to magazines. I", "tendency to write extremely brief cover letters when sending to magazines. I don’t", "pretenses to the contrary. Perhaps because it helps them cut time, and because", "‘open submissions’ thing is mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear", "be clear, I am not the only one who believed that it was", "- or publication history (even though I have some) because I see them", "To be clear, I am not the only one who believed that it", "its own merit? Why do they want your publication history? Of what relevance", "same novella to Asimov magazine, but with a different title. To my surprise,", "they want your publication history? Of what relevance is it to the story", "clear, I am not the only one who believed that it was a", "these magazines, especially the ‘elite’ ones, are not really as open to submissions", "(just below 20,000 words) which was a horror story with elements of science", "ask this because a suspicion has been growing in my mind for quite", "publication history (even though I have some) because I see them as irrelevant.", "suspicion has been growing in my mind for quite some time that many", "appear to support my suspicions. Let me give a concrete example of the", "with elements of science fiction. To be clear, I am not the only", "sent the same novella to Asimov magazine, but with a different title. To", "I can think of is that once the editor of the magazine saw", "to magazines. I don’t bother to include bio - unless requested - or", "the detriment of new authors, in spite of their pretenses to the contrary.", "letters when sending to magazines. I don’t bother to include bio - unless", "later. No explanation whatsoever given. Note that I have a tendency to write", "novella (just below 20,000 words) which was a horror story with elements of", "elements of science fiction. To be clear, I am not the only one", "submissions by new authors as they pretend, and that the ‘open submissions’ thing", "[such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me give a concrete", "by people with strong literary pedigree, to the detriment of new authors, in", "with a different title. To my surprise, I got a form rejection email", "concrete example of the sort of thing that makes me to wonder about", "to write extremely brief cover letters when sending to magazines. I don’t bother", "a different title. To my surprise, I got a form rejection email a", "growing in my mind for quite some time that many of these magazines,", "I once wrote a novella (just below 20,000 words) which was a horror", "this because a suspicion has been growing in my mind for quite some", "rejection email a few days later. No explanation whatsoever given. Note that I", "these magazines tend to value. And that is why they demand these cover", "it. Because of things like this, it is hard not to suspect that", "has been growing in my mind for quite some time that many of", "Of what relevance is it to the story itself? I ask this because", "Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me give a", "and that the ‘open submissions’ thing is mostly a promotional gimmick. Articles [such", "like this, it is hard not to suspect that many of these magazines", "overwhelmingly favor submissions by people with strong literary pedigree, to the detriment of", "that makes me to wonder about this: I once wrote a novella (just", "history, and so she ditched it. I doubt she actually read it. Because", "I got a form rejection email a few days later. No explanation whatsoever", "the story, she immediately decided that there was no way she was giving", "see them as irrelevant. The only explanation I can think of is that", "science fiction. To be clear, I am not the only one who believed", "really as open to submissions by new authors as they pretend, and that", "have some) because I see them as irrelevant. The only explanation I can", "their pretenses to the contrary. Perhaps because it helps them cut time, and", "that it was a pretty entertaining and well written story. In addition to", "authors, in spite of their pretenses to the contrary. Perhaps because it helps", "mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions.", "some time that many of these magazines, especially the ‘elite’ ones, are not", "quite some time that many of these magazines, especially the ‘elite’ ones, are", "Perhaps because it helps them cut time, and because such people tend to", "(even though I have some) because I see them as irrelevant. The only", "to wonder about this: I once wrote a novella (just below 20,000 words)", "And that is why they demand these cover letters. Otherwise, why do they", "some) because I see them as irrelevant. The only explanation I can think", "magazine space to an unknown author with no publication history, and so she", "sent it to said that he and his staff loved it. Now, here’s", "with no publication history, and so she ditched it. I doubt she actually", "magazines tend to overwhelmingly favor submissions by people with strong literary pedigree, to", "extremely brief cover letters when sending to magazines. I don’t bother to include", "way she was giving that much magazine space to an unknown author with", "because it helps them cut time, and because such people tend to have", "don’t bother to include bio - unless requested - or publication history (even", "explanation I can think of is that once the editor of the magazine", "brief cover letters when sending to magazines. I don’t bother to include bio", "pretty entertaining and well written story. In addition to beta readers, a certain", "give a concrete example of the sort of thing that makes me to", "to Asimov magazine, but with a different title. To my surprise, I got", "and well written story. In addition to beta readers, a certain editor and", "it. Now, here’s the interesting thing: At the same time, I sent the", "magazine saw the length of the story, she immediately decided that there was", "given. Note that I have a tendency to write extremely brief cover letters", "based on its own merit? Why do they want your publication history? Of", "of the sort of thing that makes me to wonder about this: I", "story. In addition to beta readers, a certain editor and book publisher that", "of things like this, it is hard not to suspect that many of", "cut time, and because such people tend to have a ready-made fan base,", "a pretty entertaining and well written story. In addition to beta readers, a", "was a horror story with elements of science fiction. To be clear, I", "a form rejection email a few days later. No explanation whatsoever given. Note", "though I have some) because I see them as irrelevant. The only explanation", "my suspicions. Let me give a concrete example of the sort of thing", "that much magazine space to an unknown author with no publication history, and", "a few days later. No explanation whatsoever given. Note that I have a", "but with a different title. To my surprise, I got a form rejection", "include bio - unless requested - or publication history (even though I have", "to value. And that is why they demand these cover letters. Otherwise, why", "a suspicion has been growing in my mind for quite some time that", "immediately decided that there was no way she was giving that much magazine", "Asimov magazine, but with a different title. To my surprise, I got a", "story based on its own merit? Why do they want your publication history?", "said that he and his staff loved it. Now, here’s the interesting thing:", "gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me give", "is it to the story itself? I ask this because a suspicion has", "that he and his staff loved it. Now, here’s the interesting thing: At", "this: I once wrote a novella (just below 20,000 words) which was a", "addition to beta readers, a certain editor and book publisher that I sent", "about this: I once wrote a novella (just below 20,000 words) which was", "‘elite’ ones, are not really as open to submissions by new authors as", "a novella (just below 20,000 words) which was a horror story with elements", "simply judge each story based on its own merit? Why do they want", "I don’t bother to include bio - unless requested - or publication history", "sending to magazines. I don’t bother to include bio - unless requested -", "of the story, she immediately decided that there was no way she was", "is that once the editor of the magazine saw the length of the", "to beta readers, a certain editor and book publisher that I sent it", "No explanation whatsoever given. Note that I have a tendency to write extremely", "what relevance is it to the story itself? I ask this because a", "is mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my", "new authors as they pretend, and that the ‘open submissions’ thing is mostly", "own merit? Why do they want your publication history? Of what relevance is", "because a suspicion has been growing in my mind for quite some time", "one who believed that it was a pretty entertaining and well written story.", "tend to overwhelmingly favor submissions by people with strong literary pedigree, to the", "an unknown author with no publication history, and so she ditched it. I", "publication history? Of what relevance is it to the story itself? I ask", "suspicions. Let me give a concrete example of the sort of thing that", "the interesting thing: At the same time, I sent the same novella to", "to the detriment of new authors, in spite of their pretenses to the", "his staff loved it. Now, here’s the interesting thing: At the same time,", "got a form rejection email a few days later. No explanation whatsoever given.", "or publication history (even though I have some) because I see them as", "each story based on its own merit? Why do they want your publication", "entertaining and well written story. In addition to beta readers, a certain editor", "magazines tend to value. And that is why they demand these cover letters.", "people tend to have a ready-made fan base, which these magazines tend to", "I see them as irrelevant. The only explanation I can think of is", "pretend, and that the ‘open submissions’ thing is mostly a promotional gimmick. Articles", "fan base, which these magazines tend to value. And that is why they", "read it. Because of things like this, it is hard not to suspect", "and book publisher that I sent it to said that he and his", "time, and because such people tend to have a ready-made fan base, which", "words) which was a horror story with elements of science fiction. To be", "same time, I sent the same novella to Asimov magazine, but with a", "this, it is hard not to suspect that many of these magazines tend", "no publication history, and so she ditched it. I doubt she actually read", "beta readers, a certain editor and book publisher that I sent it to", "to the contrary. Perhaps because it helps them cut time, and because such", "that many of these magazines, especially the ‘elite’ ones, are not really as", "Note that I have a tendency to write extremely brief cover letters when", "submissions’ thing is mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to", "promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me", "wrote a novella (just below 20,000 words) which was a horror story with", "base, which these magazines tend to value. And that is why they demand", "as irrelevant. The only explanation I can think of is that once the", "to support my suspicions. Let me give a concrete example of the sort", "of these magazines tend to overwhelmingly favor submissions by people with strong literary", "email a few days later. No explanation whatsoever given. Note that I have", "am not the only one who believed that it was a pretty entertaining", "I sent it to said that he and his staff loved it. Now,", "he and his staff loved it. Now, here’s the interesting thing: At the", "not the only one who believed that it was a pretty entertaining and", "have a tendency to write extremely brief cover letters when sending to magazines.", "fiction. To be clear, I am not the only one who believed that", "it to said that he and his staff loved it. Now, here’s the", "spite of their pretenses to the contrary. Perhaps because it helps them cut", "author with no publication history, and so she ditched it. I doubt she", "who believed that it was a pretty entertaining and well written story. In", "At the same time, I sent the same novella to Asimov magazine, but", "thing that makes me to wonder about this: I once wrote a novella", "actually read it. Because of things like this, it is hard not to", "ditched it. I doubt she actually read it. Because of things like this,", "once the editor of the magazine saw the length of the story, she", "can think of is that once the editor of the magazine saw the", "I doubt she actually read it. Because of things like this, it is", "in spite of their pretenses to the contrary. Perhaps because it helps them", "many of these magazines, especially the ‘elite’ ones, are not really as open", "new authors, in spite of their pretenses to the contrary. Perhaps because it", "of their pretenses to the contrary. Perhaps because it helps them cut time,", "it. I doubt she actually read it. Because of things like this, it", "the length of the story, she immediately decided that there was no way", "they simply judge each story based on its own merit? Why do they", "surprise, I got a form rejection email a few days later. No explanation", "thing: At the same time, I sent the same novella to Asimov magazine,", "To my surprise, I got a form rejection email a few days later.", "makes me to wonder about this: I once wrote a novella (just below", "the magazine saw the length of the story, she immediately decided that there", "because I see them as irrelevant. The only explanation I can think of", "such people tend to have a ready-made fan base, which these magazines tend", "for quite some time that many of these magazines, especially the ‘elite’ ones,", "I am not the only one who believed that it was a pretty", "want your publication history? Of what relevance is it to the story itself?", "only one who believed that it was a pretty entertaining and well written", "mind for quite some time that many of these magazines, especially the ‘elite’", "my mind for quite some time that many of these magazines, especially the", "to submissions by new authors as they pretend, and that the ‘open submissions’", "they pretend, and that the ‘open submissions’ thing is mostly a promotional gimmick.", "of thing that makes me to wonder about this: I once wrote a", "strong literary pedigree, to the detriment of new authors, in spite of their", "it is hard not to suspect that many of these magazines tend to", "this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support my suspicions. Let me give a concrete example of", "as open to submissions by new authors as they pretend, and that the", "readers, a certain editor and book publisher that I sent it to said", "Now, here’s the interesting thing: At the same time, I sent the same", "tend to value. And that is why they demand these cover letters. Otherwise,", "certain editor and book publisher that I sent it to said that he", "is hard not to suspect that many of these magazines tend to overwhelmingly", "of new authors, in spite of their pretenses to the contrary. Perhaps because", "and so she ditched it. I doubt she actually read it. Because of", "thing is mostly a promotional gimmick. Articles [such as this](http://www.thereviewreview.net/publishing-tips/new-yorker-rejects-itself-quasi-scientific-a) appear to support", "magazine, but with a different title. To my surprise, I got a form", "that is why they demand these cover letters. Otherwise, why do they need", "which these magazines tend to value. And that is why they demand these", "your publication history? Of what relevance is it to the story itself? I", "form rejection email a few days later. No explanation whatsoever given. Note that", "few days later. No explanation whatsoever given. Note that I have a tendency", "The only explanation I can think of is that once the editor of", "magazines. I don’t bother to include bio - unless requested - or publication", "especially the ‘elite’ ones, are not really as open to submissions by new", "that many of these magazines tend to overwhelmingly favor submissions by people with", "literary pedigree, to the detriment of new authors, in spite of their pretenses", "a ready-made fan base, which these magazines tend to value. And that is", "been growing in my mind for quite some time that many of these", "the story itself? I ask this because a suspicion has been growing in", "support my suspicions. Let me give a concrete example of the sort of", "decided that there was no way she was giving that much magazine space", "- unless requested - or publication history (even though I have some) because", "I have some) because I see them as irrelevant. The only explanation I", "suspect that many of these magazines tend to overwhelmingly favor submissions by people", "a certain editor and book publisher that I sent it to said that", "was a pretty entertaining and well written story. In addition to beta readers,", "book publisher that I sent it to said that he and his staff" ]
[ "father's story. Both storylines are high fantasy, with war being the major issue.", "know he survived whatever happened before. He goes through moments when, from the", "happened before. He goes through moments when, from the character's perspective, he might", "in the later part, we know he survived whatever happened before. He goes", "not live, but the reader knows he does. How do I make the", "the second is a prequel, showing the protagonist's father's story. Both storylines are", "book (or I might split them into separate books), one with my main", "he does. How do I make the readers feel the tension, even though", "How do I make the readers feel the tension, even though they know", "we know he survived whatever happened before. He goes through moments when, from", "There are two parts to the book (or I might split them into", "a prequel, showing the protagonist's father's story. Both storylines are high fantasy, with", "part, we know he survived whatever happened before. He goes through moments when,", "might split them into separate books), one with my main protagonist, and the", "split them into separate books), one with my main protagonist, and the second", "the reader knows he does. How do I make the readers feel the", "when, from the character's perspective, he might not live, but the reader knows", "the character's perspective, he might not live, but the reader knows he does.", "he survived whatever happened before. He goes through moments when, from the character's", "books), one with my main protagonist, and the second is a prequel, showing", "and the second is a prequel, showing the protagonist's father's story. Both storylines", "(or I might split them into separate books), one with my main protagonist,", "the father is seen in the later part, we know he survived whatever", "the book (or I might split them into separate books), one with my", "whatever happened before. He goes through moments when, from the character's perspective, he", "main protagonist, and the second is a prequel, showing the protagonist's father's story.", "does. How do I make the readers feel the tension, even though they", "one with my main protagonist, and the second is a prequel, showing the", "Both storylines are high fantasy, with war being the major issue. My problem", "My problem is that, since the father is seen in the later part,", "knows he does. How do I make the readers feel the tension, even", "I make the readers feel the tension, even though they know the character", "clarify: There are two parts to the book (or I might split them", "war being the major issue. My problem is that, since the father is", "through moments when, from the character's perspective, he might not live, but the", "the protagonist's father's story. Both storylines are high fantasy, with war being the", "that, since the father is seen in the later part, we know he", "but the reader knows he does. How do I make the readers feel", "perspective, he might not live, but the reader knows he does. How do", "parts to the book (or I might split them into separate books), one", "do I make the readers feel the tension, even though they know the", "He goes through moments when, from the character's perspective, he might not live,", "he might not live, but the reader knows he does. How do I", "fantasy, with war being the major issue. My problem is that, since the", "the major issue. My problem is that, since the father is seen in", "seen in the later part, we know he survived whatever happened before. He", "protagonist's father's story. Both storylines are high fantasy, with war being the major", "them into separate books), one with my main protagonist, and the second is", "before. He goes through moments when, from the character's perspective, he might not", "later part, we know he survived whatever happened before. He goes through moments", "problem is that, since the father is seen in the later part, we", "with war being the major issue. My problem is that, since the father", "character's perspective, he might not live, but the reader knows he does. How", "is a prequel, showing the protagonist's father's story. Both storylines are high fantasy,", "storylines are high fantasy, with war being the major issue. My problem is", "survived whatever happened before. He goes through moments when, from the character's perspective,", "the later part, we know he survived whatever happened before. He goes through", "I might split them into separate books), one with my main protagonist, and", "are high fantasy, with war being the major issue. My problem is that,", "my main protagonist, and the second is a prequel, showing the protagonist's father's", "since the father is seen in the later part, we know he survived", "from the character's perspective, he might not live, but the reader knows he", "is seen in the later part, we know he survived whatever happened before.", "being the major issue. My problem is that, since the father is seen", "major issue. My problem is that, since the father is seen in the", "into separate books), one with my main protagonist, and the second is a", "with my main protagonist, and the second is a prequel, showing the protagonist's", "showing the protagonist's father's story. Both storylines are high fantasy, with war being", "goes through moments when, from the character's perspective, he might not live, but", "live, but the reader knows he does. How do I make the readers", "reader knows he does. How do I make the readers feel the tension,", "two parts to the book (or I might split them into separate books),", "story. Both storylines are high fantasy, with war being the major issue. My", "protagonist, and the second is a prequel, showing the protagonist's father's story. Both", "are two parts to the book (or I might split them into separate", "separate books), one with my main protagonist, and the second is a prequel,", "high fantasy, with war being the major issue. My problem is that, since", "father is seen in the later part, we know he survived whatever happened", "might not live, but the reader knows he does. How do I make", "prequel, showing the protagonist's father's story. Both storylines are high fantasy, with war", "issue. My problem is that, since the father is seen in the later", "moments when, from the character's perspective, he might not live, but the reader", "make the readers feel the tension, even though they know the character lives?", "is that, since the father is seen in the later part, we know", "to the book (or I might split them into separate books), one with", "second is a prequel, showing the protagonist's father's story. Both storylines are high", "To clarify: There are two parts to the book (or I might split" ]
[ "cast, showing some changes to the world and then later return to MC", "the gang refugees. We follow their antics, how they settled in this new", "both that contender is MC in disguise (this is rather obvious and cliche,", "cliche, but its fine) and the other hidden reveal is goal X. I", "him out of sheer anger (angry heroines add her girl power to damage),", "awesome MA techs in the scroll, and he learned of the demons plans.", "gang was closely monitored at all times, he couldn't reveal himself to them", "are ignorant of that sudden MC development. My intention is to get the", "this new home and how they miss MC. But for dozens of pages,", "writing techniques can I use to make this kind effect? how can I", "shelter in this tomb he fled to alone during the evacuation of the", "> > > During the fight it is revealed that contender is actually", "> > I think the princess still beats him out of sheer anger", "to achieve goal X without anyone suspecting his identity (he is rather infamous,", "has to go a few chapters without showing up. Readers might complain about", "some from the demon kingdom that made the gang refugees. We follow their", "sudden change to MC outlook and demeanor. I'd like to move the story", "round. > > > During the fight it is revealed that contender is", "I keep the reader interested when MC is MIA for a long time", "X** without anyone suspecting his identity (he is rather infamous, if people knew", "contender that is in town for the MA tournament rescues then and vanishes", "pages, MC is nowhere to be seen. > > > The demons want", "know when the reveal is done. How should I structure my narrative so", "her girl power to damage), but our example ends here. > > >", "huge impact (tentatively). This development will cause surprise to the support cast because", "scroll in the tomb depths. Chapter ends. > > > Fast forward a", "might complain about his whereabouts. If I don't do the short timeskip and", "gets her to the point of almost breaking into a fight. But the", "from the beginning, goal X would be unattainable). Since the gang was closely", "the fight it is revealed that contender is actually MC, that he spent", "his change, to cause a huge impact (tentatively). This development will cause surprise", "the princess because it is demons and princess and plot they harass the", "is wounded and tired. He was separated from his companions, and ended up", "Chapter ends. > > > Fast forward a few months, the gang is", "beats him out of sheer anger (angry heroines add her girl power to", "goal X without anyone suspecting his identity (he is rather infamous, if people", "MA techs in the scroll, and he learned of the demons plans. But", "as they win their fights. Contender defeats demon representative, and faces the princess", "in town for the MA tournament rescues then and vanishes before they can", "Readers might complain about his whereabouts. If I don't do the short timeskip", "out of sheer anger (angry heroines add her girl power to damage), but", "big reveal. But to do so, MC has to go a few chapters", "kind effect? how can I keep the reader interested when MC is MIA", "and tired. He was separated from his companions, and ended up seeking shelter", "goal X. What writing techniques can I use to make this kind effect?", "the scroll, and he learned of the demons plans. But he had to", "reader can be surprised together with the support cast during \"the reveal\". I'll", "example using a wuxia story (mine is not wuxia): > > Shen Ling", "even though it is not clear for the gang at the time. >", "of the demons plans. But he had to achieve goal X without anyone", "get the reader to share that surprise along the support cast during the", "an ancient scroll in the tomb depths. Chapter ends. > > > Fast", "We follow their antics, how they settled in this new home and how", "achieve goal X without anyone suspecting his identity (he is rather infamous, if", "attacks. Then he finds an ancient scroll in the tomb depths. Chapter ends.", "can I use to make this kind effect? how can I keep the", "the demons plans. But he had to achieve goal X without anyone suspecting", "the narrative to follow MC without giving out goal X. What writing techniques", "separated from his companions, and ended up seeking shelter in this tomb he", "times. The stranger seems interested in the princess, but her irritation gets her", "what it is, but it is a sudden change to MC outlook and", "learned of the demons plans. But he had to achieve goal X without", "reveal\". I'll make one example using a wuxia story (mine is not wuxia):", "the princess still beats him out of sheer anger (angry heroines add her", "cause a huge impact (tentatively). This development will cause surprise to the support", "and contender move forward as they win their fights. Contender defeats demon representative,", "forward a few months, the gang is settled in another kingdom that is", "girl power to damage), but our example ends here. > > > The", "> MA tournament comes, and both princess and contender move forward as they", "am finishing an arc of my novel, and right at the end some", "How should I structure my narrative so (assuming they won't guess - they", "out goal X. What writing techniques can I use to make this kind", "fight, including some from the demon kingdom that made the gang refugees. We", "> > Shen Ling is wounded and tired. He was separated from his", "because of the contender's intervention, even though it is not clear for the", "whereabouts. If I don't do the short timeskip and skip to the support", "and faces the princess in the final round. > > > During the", "into a fight. But the demons' plans are repeatedly thwarted because of the", "sudden development happens with MC, that is partially obscured from the reader. They", "my novel, and right at the end some sudden development happens with MC,", "new home and how they miss MC. But for dozens of pages, MC", "stranger seems interested in the princess, but her irritation gets her to the", "a few months, the gang is settled in another kingdom that is going", "surprised together with the support cast during \"the reveal\". I'll make one example", "gang is settled in another kingdom that is going to host a martial", "vanishes before they can give their thanks (or ask who he is >.>", "example ends here. > > > The reveal is both that contender is", "to cause a huge impact (tentatively). This development will cause surprise to the", "the gang and set up a trap. A mysterious contender that is in", "intention is to get the reader to share that surprise along the support", "studying the awesome MA techs in the scroll, and he learned of the", "from the demon kingdom that made the gang refugees. We follow their antics,", "princess, but her irritation gets her to the point of almost breaking into", "scroll, and he learned of the demons plans. But he had to achieve", "trapped in the tomb studying the awesome MA techs in the scroll, and", "story (mine is not wuxia): > > Shen Ling is wounded and tired.", "seeking shelter in this tomb he fled to alone during the evacuation of", "plans are repeatedly thwarted because of the contender's intervention, even though it is", "move forward as they win their fights. Contender defeats demon representative, and faces", "later return to MC and reveal his change, to cause a huge impact", "is both that contender is MC in disguise (this is rather obvious and", "finds an ancient scroll in the tomb depths. Chapter ends. > > >", "I am finishing an arc of my novel, and right at the end", "He was separated from his companions, and ended up seeking shelter in this", "so, MC has to go a few chapters without showing up. Readers might", "development will cause surprise to the support cast because they are ignorant of", "X. I think it would be impossible for the narrative to follow MC", "a trap. A mysterious contender that is in town for the MA tournament", "ends. > > > Fast forward a few months, the gang is settled", "the MA tournament rescues then and vanishes before they can give their thanks", "disguise (this is rather obvious and cliche, but its fine) and the other", "and skip to the support cast and let the narrative follow the MC,", "ended up seeking shelter in this tomb he fled to alone during the", "reader interested when MC is MIA for a long time (both in universe", "can I keep the reader interested when MC is MIA for a long", "(angry heroines add her girl power to damage), but our example ends here.", "then later return to MC and reveal his change, to cause a huge", "evacuation of the kingdom due to demon attacks. Then he finds an ancient", "the support cast and let the narrative follow the MC, the reader will", "demeanor. I'd like to move the story forward and start the next arc", "demons plans. But he had to achieve goal X without anyone suspecting his", "If I don't do the short timeskip and skip to the support cast", "world and then later return to MC and reveal his change, to cause", "but her irritation gets her to the point of almost breaking into a", "interested when MC is MIA for a long time (both in universe and", "the time. > > > MA tournament comes, and both princess and contender", "contender's intervention, even though it is not clear for the gang at the", "from the reader. They can guess at what it is, but it is", "> > The demons want to get the princess because it is demons", "> > > The demons want to get the princess because it is", "alone during the evacuation of the kingdom due to demon attacks. Then he", "going to host a martial arts tournament soon. Warriors from all around will", "The demons want to get the princess because it is demons and princess", "next arc some time later with the support cast, showing some changes to", "they won't guess - they probably will) the reader can be surprised together", "tournament comes, and both princess and contender move forward as they win their", "and plot* they harass the gang and set up a trap. A mysterious", "> The mysterious contender and the gang+princess meet several times. The stranger seems", "Contender defeats demon representative, and faces the princess in the final round. >", "support cast because they are ignorant of that sudden MC development. My intention", "was separated from his companions, and ended up seeking shelter in this tomb", "the gang was closely monitored at all times, he couldn't reveal himself to", "chapters without showing up. Readers might complain about his whereabouts. If I don't", "and how they miss MC. But for dozens of pages, MC is nowhere", "our example ends here. > > > The reveal is both that contender", "princess and plot* they harass the gang and set up a trap. A", "MA tournament comes, and both princess and contender move forward as they win", "during the evacuation of the kingdom due to demon attacks. Then he finds", "but its fine) and the other hidden reveal is goal X. I think", "showing up. Readers might complain about his whereabouts. If I don't do the", "end some sudden development happens with MC, that is partially obscured from the", "demons want to get the princess because it is demons and princess and", "with the support cast during \"the reveal\". I'll make one example using a", "cast during \"the reveal\". I'll make one example using a wuxia story (mine", "martial arts tournament soon. Warriors from all around will gather to fight, including", "of that sudden MC development. My intention is to get the reader to", "some time later with the support cast, showing some changes to the world", "cast and let the narrative follow the MC, the reader will already know", "in the final round. > > > During the fight it is revealed", "to damage), but our example ends here. > > > The reveal is", "finishing an arc of my novel, and right at the end some sudden", "for dozens of pages, MC is nowhere to be seen. > > >", "effect? how can I keep the reader interested when MC is MIA for", "support cast during the big reveal. But to do so, MC has to", "(tentatively). This development will cause surprise to the support cast because they are", "What writing techniques can I use to make this kind effect? how can", "reader will already know when the reveal is done. How should I structure", "to the point of almost breaking into a fight. But the demons' plans", "in the scroll, and he learned of the demons plans. But he had", "I think the princess still beats him out of sheer anger (angry heroines", "its fine) and the other hidden reveal is goal X. I think it", "return to MC and reveal his change, to cause a huge impact (tentatively).", "gang at the time. > > > MA tournament comes, and both princess", "along the support cast during the big reveal. But to do so, MC", "development happens with MC, that is partially obscured from the reader. They can", "(assuming they won't guess - they probably will) the reader can be surprised", "during the big reveal. But to do so, MC has to go a", "> > > MA tournament comes, and both princess and contender move forward", "when MC is MIA for a long time (both in universe and in", "MA tournament rescues then and vanishes before they can give their thanks (or", "> I think the princess still beats him out of sheer anger (angry", "some sudden development happens with MC, that is partially obscured from the reader.", "due to demon attacks. Then he finds an ancient scroll in the tomb", "and right at the end some sudden development happens with MC, that is", "change, to cause a huge impact (tentatively). This development will cause surprise to", "don't do the short timeskip and skip to the support cast and let", "contender is MC in disguise (this is rather obvious and cliche, but its", "their fights. Contender defeats demon representative, and faces the princess in the final", "people knew who he was from the beginning, goal X would be unattainable).", "support cast, showing some changes to the world and then later return to", "using a wuxia story (mine is not wuxia): > > Shen Ling is", "his companions, and ended up seeking shelter in this tomb he fled to", "because they are ignorant of that sudden MC development. My intention is to", "is in town for the MA tournament rescues then and vanishes before they", "it is a sudden change to MC outlook and demeanor. I'd like to", "the awesome MA techs in the scroll, and he learned of the demons", "forward and start the next arc some time later with the support cast,", "will gather to fight, including some from the demon kingdom that made the", "closely monitored at all times, he couldn't reveal himself to them either. >", "start the next arc some time later with the support cast, showing some", "tomb he fled to alone during the evacuation of the kingdom due to", "be unattainable). Since the gang was closely monitored at all times, he couldn't", "the support cast during \"the reveal\". I'll make one example using a wuxia", "won't guess - they probably will) the reader can be surprised together with", "of almost breaking into a fight. But the demons' plans are repeatedly thwarted", "himself to them either. > > > I think the princess still beats", "think the princess still beats him out of sheer anger (angry heroines add", "other hidden reveal is goal X. I think it would be impossible for", "rather infamous, if people knew who he was from the beginning, goal X", "without showing up. Readers might complain about his whereabouts. If I don't do", "to demon attacks. Then he finds an ancient scroll in the tomb depths.", "make one example using a wuxia story (mine is not wuxia): > >", "arc some time later with the support cast, showing some changes to the", "her to the point of almost breaking into a fight. But the demons'", "I think it would be impossible for the narrative to follow MC without", "is MC in disguise (this is rather obvious and cliche, but its fine)", "at the time. > > > MA tournament comes, and both princess and", "to make this kind effect? how can I keep the reader interested when", "- they probably will) the reader can be surprised together with the support", "damage), but our example ends here. > > > The reveal is both", "the end some sudden development happens with MC, that is partially obscured from", "time. > > > MA tournament comes, and both princess and contender move", "that contender is MC in disguise (this is rather obvious and cliche, but", "the contender's intervention, even though it is not clear for the gang at", "to move the story forward and start the next arc some time later", "I use to make this kind effect? how can I keep the reader", "and start the next arc some time later with the support cast, showing", "to alone during the evacuation of the kingdom due to demon attacks. Then", "partially obscured from the reader. They can guess at what it is, but", "in the tomb studying the awesome MA techs in the scroll, and he", "soon. Warriors from all around will gather to fight, including some from the", "skip to the support cast and let the narrative follow the MC, the", "But to do so, MC has to go a few chapters without showing", "> Fast forward a few months, the gang is settled in another kingdom", "MC is nowhere to be seen. > > > The demons want to", "up. Readers might complain about his whereabouts. If I don't do the short", "I don't do the short timeskip and skip to the support cast and", "companions, and ended up seeking shelter in this tomb he fled to alone", "do so, MC has to go a few chapters without showing up. Readers", "is MIA for a long time (both in universe and in # of", "to them either. > > > I think the princess still beats him", "breaking into a fight. But the demons' plans are repeatedly thwarted because of", "irritation gets her to the point of almost breaking into a fight. But", "all around will gather to fight, including some from the demon kingdom that", "in this new home and how they miss MC. But for dozens of", "the support cast, showing some changes to the world and then later return", "I structure my narrative so (assuming they won't guess - they probably will)", "\"the reveal\". I'll make one example using a wuxia story (mine is not", "A mysterious contender that is in town for the MA tournament rescues then", "comes, and both princess and contender move forward as they win their fights.", "the demons' plans are repeatedly thwarted because of the contender's intervention, even though", "I'll make one example using a wuxia story (mine is not wuxia): >", "it would be impossible for the narrative to follow MC without giving out", "this kind effect? how can I keep the reader interested when MC is", "a sudden change to MC outlook and demeanor. I'd like to move the", "win their fights. Contender defeats demon representative, and faces the princess in the", "like to move the story forward and start the next arc some time", "not clear for the gang at the time. > > > MA tournament", "goal X would be unattainable). Since the gang was closely monitored at all", "mysterious contender and the gang+princess meet several times. The stranger seems interested in", "nowhere to be seen. > > > The demons want to get the", "MC, that he spent months trapped in the tomb studying the awesome MA", "if people knew who he was from the beginning, goal X would be", "the gang is settled in another kingdom that is going to host a", "> The demons want to get the princess because it is demons and", "home and how they miss MC. But for dozens of pages, MC is", "fights. Contender defeats demon representative, and faces the princess in the final round.", "demons' plans are repeatedly thwarted because of the contender's intervention, even though it", "in the princess, but her irritation gets her to the point of almost", "of the contender's intervention, even though it is not clear for the gang", "support cast during \"the reveal\". I'll make one example using a wuxia story", "changes to the world and then later return to MC and reveal his", "one example using a wuxia story (mine is not wuxia): > > Shen", "thanks (or ask who he is >.> ). > > > The mysterious", "kingdom due to demon attacks. Then he finds an ancient scroll in the", "the demon kingdom that made the gang refugees. We follow their antics, how", "his whereabouts. If I don't do the short timeskip and skip to the", "suspecting his identity (he is rather infamous, if people knew who he was", "ends here. > > > The reveal is both that contender is MC", "months trapped in the tomb studying the awesome MA techs in the scroll,", "at all times, he couldn't reveal himself to them either. > > >", "they win their fights. Contender defeats demon representative, and faces the princess in", "he spent months trapped in the tomb studying the awesome MA techs in", "is goal X. I think it would be impossible for the narrative to", "all times, he couldn't reveal himself to them either. > > > I", "meet several times. The stranger seems interested in the princess, but her irritation", "here. > > > The reveal is both that contender is MC in", "and the gang+princess meet several times. The stranger seems interested in the princess,", "princess still beats him out of sheer anger (angry heroines add her girl", "representative, and faces the princess in the final round. > > > During", "princess in the final round. > > > During the fight it is", "MC without giving out goal X. What writing techniques can I use to", "follow their antics, how they settled in this new home and how they", "and ended up seeking shelter in this tomb he fled to alone during", "happens with MC, that is partially obscured from the reader. They can guess", "few months, the gang is settled in another kingdom that is going to", "will) the reader can be surprised together with the support cast during \"the", "> > Fast forward a few months, the gang is settled in another", "gather to fight, including some from the demon kingdom that made the gang", "during \"the reveal\". I'll make one example using a wuxia story (mine is", "several times. The stranger seems interested in the princess, but her irritation gets", "and demeanor. I'd like to move the story forward and start the next", "and let the narrative follow the MC, the reader will already know when", "the reader can be surprised together with the support cast during \"the reveal\".", "the reveal is done. How should I structure my narrative so (assuming they", "he is >.> ). > > > The mysterious contender and the gang+princess", "is settled in another kingdom that is going to host a martial arts", "move the story forward and start the next arc some time later with", "narrative to follow MC without giving out goal X. What writing techniques can", "hidden reveal is goal X. I think it would be impossible for the", "up a trap. A mysterious contender that is in town for the MA", "go a few chapters without showing up. Readers might complain about his whereabouts.", "fled to alone during the evacuation of the kingdom due to demon attacks.", "but it is a sudden change to MC outlook and demeanor. I'd like", "settled in another kingdom that is going to host a martial arts tournament", "story forward and start the next arc some time later with the support", "wuxia): > > Shen Ling is wounded and tired. He was separated from", "gang and set up a trap. A mysterious contender that is in town", "tournament rescues then and vanishes before they can give their thanks (or ask", "that is partially obscured from the reader. They can guess at what it", "a fight. But the demons' plans are repeatedly thwarted because of the contender's", "is a sudden change to MC outlook and demeanor. I'd like to move", "at the end some sudden development happens with MC, that is partially obscured", "share that surprise along the support cast during the big reveal. But to", "to fight, including some from the demon kingdom that made the gang refugees.", "point of almost breaking into a fight. But the demons' plans are repeatedly", "that sudden MC development. My intention is to get the reader to share", "development. My intention is to get the reader to share that surprise along", "the support cast because they are ignorant of that sudden MC development. My", "they settled in this new home and how they miss MC. But for", "final round. > > > During the fight it is revealed that contender", "should I structure my narrative so (assuming they won't guess - they probably", "is going to host a martial arts tournament soon. Warriors from all around", "before they can give their thanks (or ask who he is >.> ).", "impossible for the narrative to follow MC without giving out goal X. What", "MC has to go a few chapters without showing up. Readers might complain", "the reader will already know when the reveal is done. How should I", "tired. He was separated from his companions, and ended up seeking shelter in", "outlook and demeanor. I'd like to move the story forward and start the", "intervention, even though it is not clear for the gang at the time.", "contender is actually MC, that he spent months trapped in the tomb studying", "the other hidden reveal is goal X. I think it would be impossible", "months, the gang is settled in another kingdom that is going to host", "princess because it is demons and princess and plot they harass the gang", "mysterious contender that is in town for the MA tournament rescues then and", "forward as they win their fights. Contender defeats demon representative, and faces the", "is >.> ). > > > The mysterious contender and the gang+princess meet", "MC and reveal his change, to cause a huge impact (tentatively). This development", "The reveal is both that contender is MC in disguise (this is rather", "will already know when the reveal is done. How should I structure my", "to host a martial arts tournament soon. Warriors from all around will gather", "in this tomb he fled to alone during the evacuation of the kingdom", "Fast forward a few months, the gang is settled in another kingdom that", "seen. > > > The demons want to get the princess because it", "some changes to the world and then later return to MC and reveal", "is done. How should I structure my narrative so (assuming they won't guess", "MC development. My intention is to get the reader to share that surprise", "without anyone suspecting his identity (he is rather infamous, if people knew who", "> > > I think the princess still beats him out of sheer", "antics, how they settled in this new home and how they miss MC.", "goal X. I think it would be impossible for the narrative to follow", "is demons and princess and plot they harass the gang and set up", "later with the support cast, showing some changes to the world and then", "from all around will gather to fight, including some from the demon kingdom", "still beats him out of sheer anger (angry heroines add her girl power", "another kingdom that is going to host a martial arts tournament soon. Warriors", "the final round. > > > During the fight it is revealed that", "to get the princess because it is demons and princess and plot they", "that is in town for the MA tournament rescues then and vanishes before", "rather obvious and cliche, but its fine) and the other hidden reveal is", "refugees. We follow their antics, how they settled in this new home and", "surprise along the support cast during the big reveal. But to do so,", "MC. But for dozens of pages, MC is nowhere to be seen. >", "is, but it is a sudden change to MC outlook and demeanor. I'd", "dozens of pages, MC is nowhere to be seen. > > > The", "then and vanishes before they can give their thanks (or ask who he", "how they miss MC. But for dozens of pages, MC is nowhere to", "> > > The mysterious contender and the gang+princess meet several times. The", "would be unattainable). Since the gang was closely monitored at all times, he", "with the support cast, showing some changes to the world and then later", "knew who he was from the beginning, goal X would be unattainable). Since", "guess at what it is, but it is a sudden change to MC", "contender move forward as they win their fights. Contender defeats demon representative, and", "can give their thanks (or ask who he is >.> ). > >", "sudden MC development. My intention is to get the reader to share that", "harass the gang and set up a trap. A mysterious contender that is", "But for dozens of pages, MC is nowhere to be seen. > >", "had to achieve goal X without anyone suspecting his identity (he is rather", "almost breaking into a fight. But the demons' plans are repeatedly thwarted because", "revealed that contender is actually MC, that he spent months trapped in the", "times, he couldn't reveal himself to them either. > > > I think", "to MC outlook and demeanor. I'd like to move the story forward and", "and both princess and contender move forward as they win their fights. Contender", "seems interested in the princess, but her irritation gets her to the point", "this tomb he fled to alone during the evacuation of the kingdom due", "tournament soon. Warriors from all around will gather to fight, including some from", "and vanishes before they can give their thanks (or ask who he is", "faces the princess in the final round. > > > During the fight", "power to damage), but our example ends here. > > > The reveal", "But the demons' plans are repeatedly thwarted because of the contender's intervention, even", "was closely monitored at all times, he couldn't reveal himself to them either.", "a few chapters without showing up. Readers might complain about his whereabouts. If", "narrative follow the MC, the reader will already know when the reveal is", "the gang+princess meet several times. The stranger seems interested in the princess, but", "would be impossible for the narrative to follow MC without giving out goal", "defeats demon representative, and faces the princess in the final round. > >", "they can give their thanks (or ask who he is >.> ). >", "is rather obvious and cliche, but its fine) and the other hidden reveal", "give their thanks (or ask who he is >.> ). > > >", "and then later return to MC and reveal his change, to cause a", "obvious and cliche, but its fine) and the other hidden reveal is goal", "to share that surprise along the support cast during the big reveal. But", "My intention is to get the reader to share that surprise along the", "he finds an ancient scroll in the tomb depths. Chapter ends. > >", "). > > > The mysterious contender and the gang+princess meet several times.", "ancient scroll in the tomb depths. Chapter ends. > > > Fast forward", "a martial arts tournament soon. Warriors from all around will gather to fight,", "trap. A mysterious contender that is in town for the MA tournament rescues", "ask who he is >.> ). > > > The mysterious contender and", "her irritation gets her to the point of almost breaking into a fight.", "and reveal his change, to cause a huge impact (tentatively). This development will", "novel, and right at the end some sudden development happens with MC, that", "contender and the gang+princess meet several times. The stranger seems interested in the", "giving out goal X. What writing techniques can I use to make this", "follow the MC, the reader will already know when the reveal is done.", "it is revealed that contender is actually MC, that he spent months trapped", "how can I keep the reader interested when MC is MIA for a", "> During the fight it is revealed that contender is actually MC, that", "to be seen. > > > The demons want to get the princess", "the tomb depths. Chapter ends. > > > Fast forward a few months,", "I'd like to move the story forward and start the next arc some", "X. What writing techniques can I use to make this kind effect? how", "reveal is done. How should I structure my narrative so (assuming they won't", "the point of almost breaking into a fight. But the demons' plans are", "host a martial arts tournament soon. Warriors from all around will gather to", "can be surprised together with the support cast during \"the reveal\". I'll make", "tomb depths. Chapter ends. > > > Fast forward a few months, the", "arts tournament soon. Warriors from all around will gather to fight, including some", "they probably will) the reader can be surprised together with the support cast", "can guess at what it is, but it is a sudden change to", "and he learned of the demons plans. But he had to achieve *goal", "reveal his change, to cause a huge impact (tentatively). This development will cause", "a huge impact (tentatively). This development will cause surprise to the support cast", "is actually MC, that he spent months trapped in the tomb studying the", "MC, the reader will already know when the reveal is done. How should", "together with the support cast during \"the reveal\". I'll make one example using", "cast because they are ignorant of that sudden MC development. My intention is", "want to get the princess because it is demons and princess and plot", "keep the reader interested when MC is MIA for a long time (both", "who he was from the beginning, goal X would be unattainable). Since the", "for the narrative to follow MC without giving out goal X. What writing", "his identity (he is rather infamous, if people knew who he was from", "MC is MIA for a long time (both in universe and in #", "settled in this new home and how they miss MC. But for dozens", "> > The reveal is both that contender is MC in disguise (this", "add her girl power to damage), but our example ends here. > >", "short timeskip and skip to the support cast and let the narrative follow", "the princess, but her irritation gets her to the point of almost breaking", "cast during the big reveal. But to do so, MC has to go", "the reader to share that surprise along the support cast during the big", "obscured from the reader. They can guess at what it is, but it", "it is demons and princess and plot* they harass the gang and set", "the evacuation of the kingdom due to demon attacks. Then he finds an", "is not clear for the gang at the time. > > > MA", "is rather infamous, if people knew who he was from the beginning, goal", "But he had to achieve goal X without anyone suspecting his identity (he", "repeatedly thwarted because of the contender's intervention, even though it is not clear", "fight it is revealed that contender is actually MC, that he spent months", "the gang at the time. > > > MA tournament comes, and both", "are repeatedly thwarted because of the contender's intervention, even though it is not", "Since the gang was closely monitored at all times, he couldn't reveal himself", "MC, that is partially obscured from the reader. They can guess at what", "the next arc some time later with the support cast, showing some changes", "they miss MC. But for dozens of pages, MC is nowhere to be", "princess and contender move forward as they win their fights. Contender defeats demon", "think it would be impossible for the narrative to follow MC without giving", "MC outlook and demeanor. I'd like to move the story forward and start", "so (assuming they won't guess - they probably will) the reader can be", "to follow MC without giving out goal X. What writing techniques can I", "They can guess at what it is, but it is a sudden change", "kingdom that is going to host a martial arts tournament soon. Warriors from", "in another kingdom that is going to host a martial arts tournament soon.", "> > The mysterious contender and the gang+princess meet several times. The stranger", "gang refugees. We follow their antics, how they settled in this new home", "> > MA tournament comes, and both princess and contender move forward as", "that made the gang refugees. We follow their antics, how they settled in", "made the gang refugees. We follow their antics, how they settled in this", "that surprise along the support cast during the big reveal. But to do", "he had to achieve goal X without anyone suspecting his identity (he is", "demon kingdom that made the gang refugees. We follow their antics, how they", "(this is rather obvious and cliche, but its fine) and the other hidden", "and cliche, but its fine) and the other hidden reveal is goal X.", "the kingdom due to demon attacks. Then he finds an ancient scroll in", "how they settled in this new home and how they miss MC. But", "either. > > > I think the princess still beats him out of", "be surprised together with the support cast during \"the reveal\". I'll make one", "kingdom that made the gang refugees. We follow their antics, how they settled", "in disguise (this is rather obvious and cliche, but its fine) and the", "he fled to alone during the evacuation of the kingdom due to demon", "Then he finds an ancient scroll in the tomb depths. Chapter ends. >", "in the tomb depths. Chapter ends. > > > Fast forward a few", "a wuxia story (mine is not wuxia): > > Shen Ling is wounded", "arc of my novel, and right at the end some sudden development happens", "both princess and contender move forward as they win their fights. Contender defeats", "monitored at all times, he couldn't reveal himself to them either. > >", "he couldn't reveal himself to them either. > > > I think the", "the support cast during the big reveal. But to do so, MC has", "tomb studying the awesome MA techs in the scroll, and he learned of", ">.> ). > > > The mysterious contender and the gang+princess meet several", "up seeking shelter in this tomb he fled to alone during the evacuation", "of the kingdom due to demon attacks. Then he finds an ancient scroll", "demons and princess and plot they harass the gang and set up a", "change to MC outlook and demeanor. I'd like to move the story forward", "surprise to the support cast because they are ignorant of that sudden MC", "reader. They can guess at what it is, but it is a sudden", "(he is rather infamous, if people knew who he was from the beginning,", "unattainable). Since the gang was closely monitored at all times, he couldn't reveal", "techs in the scroll, and he learned of the demons plans. But he", "to get the reader to share that surprise along the support cast during", "probably will) the reader can be surprised together with the support cast during", "they harass the gang and set up a trap. A mysterious contender that", "> > > The reveal is both that contender is MC in disguise", "is partially obscured from the reader. They can guess at what it is,", "> > During the fight it is revealed that contender is actually MC,", "the reader interested when MC is MIA for a long time (both in", "techniques can I use to make this kind effect? how can I keep", "sheer anger (angry heroines add her girl power to damage), but our example", "of pages, MC is nowhere to be seen. > > > The demons", "for the MA tournament rescues then and vanishes before they can give their", "an arc of my novel, and right at the end some sudden development", "they are ignorant of that sudden MC development. My intention is to get", "timeskip and skip to the support cast and let the narrative follow the", "is not wuxia): > > Shen Ling is wounded and tired. He was", "support cast and let the narrative follow the MC, the reader will already", "heroines add her girl power to damage), but our example ends here. >", "including some from the demon kingdom that made the gang refugees. We follow", "my narrative so (assuming they won't guess - they probably will) the reader", "Ling is wounded and tired. He was separated from his companions, and ended", "and princess and plot* they harass the gang and set up a trap.", "MC in disguise (this is rather obvious and cliche, but its fine) and", "done. How should I structure my narrative so (assuming they won't guess -", "plans. But he had to achieve goal X without anyone suspecting his identity", "of my novel, and right at the end some sudden development happens with", "without giving out goal X. What writing techniques can I use to make", "few chapters without showing up. Readers might complain about his whereabouts. If I", "the story forward and start the next arc some time later with the", "interested in the princess, but her irritation gets her to the point of", "fine) and the other hidden reveal is goal X. I think it would", "During the fight it is revealed that contender is actually MC, that he", "anger (angry heroines add her girl power to damage), but our example ends", "the big reveal. But to do so, MC has to go a few", "was from the beginning, goal X would be unattainable). Since the gang was", "> Shen Ling is wounded and tired. He was separated from his companions,", "their thanks (or ask who he is >.> ). > > > The", "identity (he is rather infamous, if people knew who he was from the", "guess - they probably will) the reader can be surprised together with the", "he was from the beginning, goal X would be unattainable). Since the gang", "clear for the gang at the time. > > > MA tournament comes,", "infamous, if people knew who he was from the beginning, goal X would", "be impossible for the narrative to follow MC without giving out goal X.", "fight. But the demons' plans are repeatedly thwarted because of the contender's intervention,", "anyone suspecting his identity (he is rather infamous, if people knew who he", "be seen. > > > The demons want to get the princess because", "use to make this kind effect? how can I keep the reader interested", "the tomb studying the awesome MA techs in the scroll, and he learned", "the beginning, goal X would be unattainable). Since the gang was closely monitored", "do the short timeskip and skip to the support cast and let the", "from his companions, and ended up seeking shelter in this tomb he fled", "for the gang at the time. > > > MA tournament comes, and", "demon representative, and faces the princess in the final round. > > >", "reveal is goal X. I think it would be impossible for the narrative", "This development will cause surprise to the support cast because they are ignorant", "plot* they harass the gang and set up a trap. A mysterious contender", "because it is demons and princess and plot they harass the gang and", "let the narrative follow the MC, the reader will already know when the", "with MC, that is partially obscured from the reader. They can guess at", "showing some changes to the world and then later return to MC and", "them either. > > > I think the princess still beats him out", "the world and then later return to MC and reveal his change, to", "but our example ends here. > > > The reveal is both that", "follow MC without giving out goal X. What writing techniques can I use", "to the support cast because they are ignorant of that sudden MC development.", "get the princess because it is demons and princess and plot they harass", "to do so, MC has to go a few chapters without showing up.", "(or ask who he is >.> ). > > > The mysterious contender", "spent months trapped in the tomb studying the awesome MA techs in the", "and the other hidden reveal is goal X. I think it would be", "> > > Fast forward a few months, the gang is settled in", "their antics, how they settled in this new home and how they miss", "beginning, goal X would be unattainable). Since the gang was closely monitored at", "already know when the reveal is done. How should I structure my narrative", "impact (tentatively). This development will cause surprise to the support cast because they", "the short timeskip and skip to the support cast and let the narrative", "demon attacks. Then he finds an ancient scroll in the tomb depths. Chapter", "gang+princess meet several times. The stranger seems interested in the princess, but her", "ignorant of that sudden MC development. My intention is to get the reader", "the MC, the reader will already know when the reveal is done. How", "reader to share that surprise along the support cast during the big reveal.", "when the reveal is done. How should I structure my narrative so (assuming", "who he is >.> ). > > > The mysterious contender and the", "wounded and tired. He was separated from his companions, and ended up seeking", "is nowhere to be seen. > > > The demons want to get", "the princess in the final round. > > > During the fight it", "depths. Chapter ends. > > > Fast forward a few months, the gang", "miss MC. But for dozens of pages, MC is nowhere to be seen.", "to MC and reveal his change, to cause a huge impact (tentatively). This", "to the support cast and let the narrative follow the MC, the reader", "make this kind effect? how can I keep the reader interested when MC", "is to get the reader to share that surprise along the support cast", "will cause surprise to the support cast because they are ignorant of that", "(mine is not wuxia): > > Shen Ling is wounded and tired. He", "not wuxia): > > Shen Ling is wounded and tired. He was separated", "reveal. But to do so, MC has to go a few chapters without", "around will gather to fight, including some from the demon kingdom that made", "set up a trap. A mysterious contender that is in town for the", "the reader. They can guess at what it is, but it is a", "wuxia story (mine is not wuxia): > > Shen Ling is wounded and", "of sheer anger (angry heroines add her girl power to damage), but our", "to go a few chapters without showing up. Readers might complain about his", "cause surprise to the support cast because they are ignorant of that sudden", "structure my narrative so (assuming they won't guess - they probably will) the", "time later with the support cast, showing some changes to the world and", "and set up a trap. A mysterious contender that is in town for", "that is going to host a martial arts tournament soon. Warriors from all", "thwarted because of the contender's intervention, even though it is not clear for", "town for the MA tournament rescues then and vanishes before they can give", "The mysterious contender and the gang+princess meet several times. The stranger seems interested", "complain about his whereabouts. If I don't do the short timeskip and skip", "reveal himself to them either. > > > I think the princess still", "about his whereabouts. If I don't do the short timeskip and skip to", "to the world and then later return to MC and reveal his change,", "he learned of the demons plans. But he had to achieve goal X", "reveal is both that contender is MC in disguise (this is rather obvious", "Warriors from all around will gather to fight, including some from the demon", "the narrative follow the MC, the reader will already know when the reveal", "at what it is, but it is a sudden change to MC outlook", "Shen Ling is wounded and tired. He was separated from his companions, and", "couldn't reveal himself to them either. > > > I think the princess", "that contender is actually MC, that he spent months trapped in the tomb", "> The reveal is both that contender is MC in disguise (this is", "it is not clear for the gang at the time. > > >", "actually MC, that he spent months trapped in the tomb studying the awesome", "right at the end some sudden development happens with MC, that is partially", "though it is not clear for the gang at the time. > >", "rescues then and vanishes before they can give their thanks (or ask who", "narrative so (assuming they won't guess - they probably will) the reader can", "The stranger seems interested in the princess, but her irritation gets her to", "is revealed that contender is actually MC, that he spent months trapped in", "X would be unattainable). Since the gang was closely monitored at all times,", "that he spent months trapped in the tomb studying the awesome MA techs", "it is, but it is a sudden change to MC outlook and demeanor.", "MIA for a long time (both in universe and in # of pages)." ]
[ "of properties that sets character studies apart from \"non character studies\". Am I", "Despite its usage, it appears that no one really has a definition of", "a \"character study\", and that no one really has a specific set of", "I mistaken? If so, what exactly makes a character study a character study?", "that no one really has a specific set of properties that sets character", "The Remains of the Day. Despite its usage, it appears that no one", "really has a specific set of properties that sets character studies apart from", "and that no one really has a specific set of properties that sets", "character studies apart from \"non character studies\". Am I mistaken? If so, what", "the term \"character study\" a lot, usually to describe works that are especially", "its usage, it appears that no one really has a definition of a", "to describe works that are especially 'literary' such as The Remains of the", "works that are especially 'literary' such as The Remains of the Day. Despite", "that sets character studies apart from \"non character studies\". Am I mistaken? If", "set of properties that sets character studies apart from \"non character studies\". Am", "are especially 'literary' such as The Remains of the Day. Despite its usage,", "character studies\". Am I mistaken? If so, what exactly makes a character study", "usage, it appears that no one really has a definition of a \"character", "appears that no one really has a definition of a \"character study\", and", "no one really has a definition of a \"character study\", and that no", "Day. Despite its usage, it appears that no one really has a definition", "'literary' such as The Remains of the Day. Despite its usage, it appears", "a specific set of properties that sets character studies apart from \"non character", "that are especially 'literary' such as The Remains of the Day. Despite its", "study\", and that no one really has a specific set of properties that", "Am I mistaken? If so, what exactly makes a character study a character", "sets character studies apart from \"non character studies\". Am I mistaken? If so,", "has a specific set of properties that sets character studies apart from \"non", "properties that sets character studies apart from \"non character studies\". Am I mistaken?", "use the term \"character study\" a lot, usually to describe works that are", "\"character study\" a lot, usually to describe works that are especially 'literary' such", "lot, usually to describe works that are especially 'literary' such as The Remains", "the Day. Despite its usage, it appears that no one really has a", "and writers use the term \"character study\" a lot, usually to describe works", "term \"character study\" a lot, usually to describe works that are especially 'literary'", "studies\". Am I mistaken? If so, what exactly makes a character study a", "studies apart from \"non character studies\". Am I mistaken? If so, what exactly", "\"character study\", and that no one really has a specific set of properties", "really has a definition of a \"character study\", and that no one really", "has a definition of a \"character study\", and that no one really has", "as The Remains of the Day. Despite its usage, it appears that no", "specific set of properties that sets character studies apart from \"non character studies\".", "apart from \"non character studies\". Am I mistaken? If so, what exactly makes", "especially 'literary' such as The Remains of the Day. Despite its usage, it", "a lot, usually to describe works that are especially 'literary' such as The", "it appears that no one really has a definition of a \"character study\",", "definition of a \"character study\", and that no one really has a specific", "Remains of the Day. Despite its usage, it appears that no one really", "of the Day. Despite its usage, it appears that no one really has", "study\" a lot, usually to describe works that are especially 'literary' such as", "describe works that are especially 'literary' such as The Remains of the Day.", "writers use the term \"character study\" a lot, usually to describe works that", "Critics and writers use the term \"character study\" a lot, usually to describe", "usually to describe works that are especially 'literary' such as The Remains of", "one really has a specific set of properties that sets character studies apart", "of a \"character study\", and that no one really has a specific set", "one really has a definition of a \"character study\", and that no one", "\"non character studies\". Am I mistaken? If so, what exactly makes a character", "a definition of a \"character study\", and that no one really has a", "such as The Remains of the Day. Despite its usage, it appears that", "from \"non character studies\". Am I mistaken? If so, what exactly makes a", "no one really has a specific set of properties that sets character studies", "that no one really has a definition of a \"character study\", and that" ]
[ "(movies, TV shows). I guess its pacing can help maintaining the interest of", "Is it really a recent thing however, or are there more \"classical\" examples", "and a \"background\" story. It felt to me as a \"modern\" story-telling technique,", "since I mostly witnessed its occurrence in other contemporary media (movies, TV shows).", "mostly witnessed its occurrence in other contemporary media (movies, TV shows). I guess", "read recently were told via dual timelines, with chapters alternating between a \"current\"", "pacing can help maintaining the interest of a public whose attention is a", "story. It felt to me as a \"modern\" story-telling technique, since I mostly", "of a public whose attention is a more limited resource nowadays. Is it", "there more \"classical\" examples of dual timelines story-telling? What would be the first", "story-telling technique, since I mostly witnessed its occurrence in other contemporary media (movies,", "contemporary media (movies, TV shows). I guess its pacing can help maintaining the", "I guess its pacing can help maintaining the interest of a public whose", "guess its pacing can help maintaining the interest of a public whose attention", "\"current\" plot and a \"background\" story. It felt to me as a \"modern\"", "a recent thing however, or are there more \"classical\" examples of dual timelines", "attention is a more limited resource nowadays. Is it really a recent thing", "its pacing can help maintaining the interest of a public whose attention is", "thing however, or are there more \"classical\" examples of dual timelines story-telling? What", "recently were told via dual timelines, with chapters alternating between a \"current\" plot", "\"background\" story. It felt to me as a \"modern\" story-telling technique, since I", "maintaining the interest of a public whose attention is a more limited resource", "resource nowadays. Is it really a recent thing however, or are there more", "other contemporary media (movies, TV shows). I guess its pacing can help maintaining", "occurrence in other contemporary media (movies, TV shows). I guess its pacing can", "me as a \"modern\" story-telling technique, since I mostly witnessed its occurrence in", "more limited resource nowadays. Is it really a recent thing however, or are", "\"modern\" story-telling technique, since I mostly witnessed its occurrence in other contemporary media", "to me as a \"modern\" story-telling technique, since I mostly witnessed its occurrence", "as a \"modern\" story-telling technique, since I mostly witnessed its occurrence in other", "alternating between a \"current\" plot and a \"background\" story. It felt to me", "a more limited resource nowadays. Is it really a recent thing however, or", "really a recent thing however, or are there more \"classical\" examples of dual", "novels I read recently were told via dual timelines, with chapters alternating between", "is a more limited resource nowadays. Is it really a recent thing however,", "public whose attention is a more limited resource nowadays. Is it really a", "I mostly witnessed its occurrence in other contemporary media (movies, TV shows). I", "timelines, with chapters alternating between a \"current\" plot and a \"background\" story. It", "recent thing however, or are there more \"classical\" examples of dual timelines story-telling?", "I read recently were told via dual timelines, with chapters alternating between a", "dual timelines, with chapters alternating between a \"current\" plot and a \"background\" story.", "however, or are there more \"classical\" examples of dual timelines story-telling? What would", "with chapters alternating between a \"current\" plot and a \"background\" story. It felt", "technique, since I mostly witnessed its occurrence in other contemporary media (movies, TV", "felt to me as a \"modern\" story-telling technique, since I mostly witnessed its", "witnessed its occurrence in other contemporary media (movies, TV shows). I guess its", "interest of a public whose attention is a more limited resource nowadays. Is", "more \"classical\" examples of dual timelines story-telling? What would be the first recorded", "between a \"current\" plot and a \"background\" story. It felt to me as", "media (movies, TV shows). I guess its pacing can help maintaining the interest", "plot and a \"background\" story. It felt to me as a \"modern\" story-telling", "a \"modern\" story-telling technique, since I mostly witnessed its occurrence in other contemporary", "or are there more \"classical\" examples of dual timelines story-telling? What would be", "shows). I guess its pacing can help maintaining the interest of a public", "whose attention is a more limited resource nowadays. Is it really a recent", "told via dual timelines, with chapters alternating between a \"current\" plot and a", "chapters alternating between a \"current\" plot and a \"background\" story. It felt to", "a public whose attention is a more limited resource nowadays. Is it really", "a \"background\" story. It felt to me as a \"modern\" story-telling technique, since", "TV shows). I guess its pacing can help maintaining the interest of a", "it really a recent thing however, or are there more \"classical\" examples of", "limited resource nowadays. Is it really a recent thing however, or are there", "its occurrence in other contemporary media (movies, TV shows). I guess its pacing", "\"classical\" examples of dual timelines story-telling? What would be the first recorded one?", "It felt to me as a \"modern\" story-telling technique, since I mostly witnessed", "help maintaining the interest of a public whose attention is a more limited", "via dual timelines, with chapters alternating between a \"current\" plot and a \"background\"", "can help maintaining the interest of a public whose attention is a more", "a \"current\" plot and a \"background\" story. It felt to me as a", "the interest of a public whose attention is a more limited resource nowadays.", "nowadays. Is it really a recent thing however, or are there more \"classical\"", "few novels I read recently were told via dual timelines, with chapters alternating", "are there more \"classical\" examples of dual timelines story-telling? What would be the", "A few novels I read recently were told via dual timelines, with chapters", "were told via dual timelines, with chapters alternating between a \"current\" plot and", "in other contemporary media (movies, TV shows). I guess its pacing can help" ]
[ "of the three act structure include the Hero's journey, Dan Harmon's story circle,", "act structure include the Hero's journey, Dan Harmon's story circle, and the five", "structure include the Hero's journey, Dan Harmon's story circle, and the five act", "three act structure include the Hero's journey, Dan Harmon's story circle, and the", "include the Hero's journey, Dan Harmon's story circle, and the five act structure.", "the three act structure include the Hero's journey, Dan Harmon's story circle, and", "Derivatives of the three act structure include the Hero's journey, Dan Harmon's story" ]
[ "using it? > > Beady eyes look back at him, inky and devoid", "story, and I'm worried I'm using the word \"it\" too much. Is there", "I'm worried I'm using the word \"it\" too much. Is there a substitute", "and I'm worried I'm using the word \"it\" too much. Is there a", "eyes look back at him, inky and devoid of any emotion. The creature’s", "creature’s head is small and round, flesh green and sickly-looking. Its ears are", "word \"it\" too much. Is there a substitute I can use for the", "too much. Is there a substitute I can use for the word? Can", "in my story, and I'm worried I'm using the word \"it\" too much.", "> Beady eyes look back at him, inky and devoid of any emotion.", "Beady eyes look back at him, inky and devoid of any emotion. The", "head is small and round, flesh green and sickly-looking. Its ears are long", "and thin, and its nose is nothing more than two penny-sized holes. Its", "nothing more than two penny-sized holes. Its mouth is open, sharp yellow teeth", "is small and round, flesh green and sickly-looking. Its ears are long and", "Its mouth is open, sharp yellow teeth bared in a ferocious growl. >", "the word? Can I keep using it? > > Beady eyes look back", "small and round, flesh green and sickly-looking. Its ears are long and thin,", "penny-sized holes. Its mouth is open, sharp yellow teeth bared in a ferocious", "there a substitute I can use for the word? Can I keep using", "it? > > Beady eyes look back at him, inky and devoid of", "sickly-looking. Its ears are long and thin, and its nose is nothing more", "is open, sharp yellow teeth bared in a ferocious growl. > > >", "long and thin, and its nose is nothing more than two penny-sized holes.", "substitute I can use for the word? Can I keep using it? >", "and round, flesh green and sickly-looking. Its ears are long and thin, and", "ears are long and thin, and its nose is nothing more than two", "> > Beady eyes look back at him, inky and devoid of any", "worried I'm using the word \"it\" too much. Is there a substitute I", "two penny-sized holes. Its mouth is open, sharp yellow teeth bared in a", "its nose is nothing more than two penny-sized holes. Its mouth is open,", "inky and devoid of any emotion. The creature’s head is small and round,", "I can use for the word? Can I keep using it? > >", "keep using it? > > Beady eyes look back at him, inky and", "him, inky and devoid of any emotion. The creature’s head is small and", "back at him, inky and devoid of any emotion. The creature’s head is", "thin, and its nose is nothing more than two penny-sized holes. Its mouth", "the word \"it\" too much. Is there a substitute I can use for", "I'm using the word \"it\" too much. Is there a substitute I can", "Its ears are long and thin, and its nose is nothing more than", "nose is nothing more than two penny-sized holes. Its mouth is open, sharp", "I'm describing a creature in my story, and I'm worried I'm using the", "of any emotion. The creature’s head is small and round, flesh green and", "emotion. The creature’s head is small and round, flesh green and sickly-looking. Its", "word? Can I keep using it? > > Beady eyes look back at", "green and sickly-looking. Its ears are long and thin, and its nose is", "using the word \"it\" too much. Is there a substitute I can use", "and its nose is nothing more than two penny-sized holes. Its mouth is", "more than two penny-sized holes. Its mouth is open, sharp yellow teeth bared", "my story, and I'm worried I'm using the word \"it\" too much. Is", "\"it\" too much. Is there a substitute I can use for the word?", "use for the word? Can I keep using it? > > Beady eyes", "devoid of any emotion. The creature’s head is small and round, flesh green", "at him, inky and devoid of any emotion. The creature’s head is small", "and sickly-looking. Its ears are long and thin, and its nose is nothing", "a substitute I can use for the word? Can I keep using it?", "for the word? Can I keep using it? > > Beady eyes look", "flesh green and sickly-looking. Its ears are long and thin, and its nose", "look back at him, inky and devoid of any emotion. The creature’s head", "mouth is open, sharp yellow teeth bared in a ferocious growl. > >", "is nothing more than two penny-sized holes. Its mouth is open, sharp yellow", "a creature in my story, and I'm worried I'm using the word \"it\"", "are long and thin, and its nose is nothing more than two penny-sized", "than two penny-sized holes. Its mouth is open, sharp yellow teeth bared in", "round, flesh green and sickly-looking. Its ears are long and thin, and its", "creature in my story, and I'm worried I'm using the word \"it\" too", "much. Is there a substitute I can use for the word? Can I", "and devoid of any emotion. The creature’s head is small and round, flesh", "Can I keep using it? > > Beady eyes look back at him,", "The creature’s head is small and round, flesh green and sickly-looking. Its ears", "I keep using it? > > Beady eyes look back at him, inky", "describing a creature in my story, and I'm worried I'm using the word", "can use for the word? Can I keep using it? > > Beady", "any emotion. The creature’s head is small and round, flesh green and sickly-looking.", "Is there a substitute I can use for the word? Can I keep", "holes. Its mouth is open, sharp yellow teeth bared in a ferocious growl." ]
[ "what I want to write, but I fail to put it in good", "a significant amount of time writing this, and upon rereading it — it", "is to say, I fail to immerse in my writing and achieve what", "unanswered question: As an experienced writer, how do you write prose so that", "reflect my thoughts. Often, this appears in dialogues when I try to describe", "of 'X [did that] and [did that other thing] while Y [has this", "like too much description, too much ‘and then’, and it reminds me that", "man.\" > > > The retort hit Bob like a hard stone and", "when I try to describe the reaction or/and emotions of my characters. It", "his cheek. > > > It was too late now — they were", "problem when writing: I know what I want to write, but I fail", "had warned him many times. Yet, in the end, he couldn't get to", "it certainly did not please Oshac whose anger exploded. > > > \"I", "want to write, but I fail to put it in good sentences that", "you did...\" > > > Bob risked a quick glance. All he could", "man his father wished for… > > > The bitterness made a tear", "to say, I fail to immerse in my writing and achieve what I", "the first place… Therefore, I end up with that simple yet unanswered question:", "experienced writer, how do you write prose so that the reader gets immersed", "at what you did...\" > > > Bob risked a quick glance. All", "that there is someone behind the scene. That is to say, I fail", "stayed silent due to the fear of causing more trouble. Would this gesture", "frowned brows. The pressure made him instantly look back on the ground with", "it — it doesn’t sound right. It feels like too much description, too", "my thoughts*. Often, this appears in dialogues when I try to describe the", "that] and [did that other thing] while Y [has this reaction]...'* which doesn't", "himself in such difficult situations ? He knew what would be the outcome,", "like that: > > \"Look at what you did...\" > > > Bob", "little as possible. Why did he always have to put himself in such", "wrong and is being scolded by his parents Aluke and Oshac. I would", "when writing: *I know what I want to write, but I fail to", "say, I fail to immerse in my writing and achieve what I intended", "his father wished for… > > > The bitterness made a tear ran", "instantly look back on the ground with shame, and he stayed silent due", "and I think it really showcases my problem. I just spent a significant", "him many times. Yet, in the end, he couldn't get to be the", "[did that] and [did that other thing] while Y [has this reaction]...'* which", "that: > > \"Look at what you did...\" > > > Bob risked", "thoughts when I read them afterward. Furthermore, it doesn't flow naturally, and I", "little, it certainly did not please Oshac whose anger exploded. > > >", "it doesn't flow naturally, and I suspect that I lose the reader's interest", "someone behind the scene. That is to say, I fail to immerse in", "a hard stone and he froze -- trying to make himself as little", "calmed down a little, it certainly did not please Oshac whose anger exploded.", "and I suspect that I lose the reader's interest really quickly. To illustrate,", "any other of my stories, and I think it really showcases my problem.", "and he froze -- trying to make himself as little as possible. Why", "did something wrong and is being scolded by his parents Aluke and Oshac.", "really quickly. To illustrate, imagine Bob in a situation where he did something", "the reaction or/and emotions of my characters. It ends up with sentences formed", "? He knew what would be the outcome, his parents had warned him", "have to put himself in such difficult situations ? He knew what would", "> It was too late now — they were going to send him", "try to describe the reaction or/and emotions of my characters. It ends up", "answer for Aluke who calmed down a little, it certainly did not please", "too much description, too much ‘and then’, and it reminds me that there", "> > \"I raised a coward ! At least have the decency to", "He knew what would be the outcome, his parents had warned him many", "prose so that the reader gets immersed in your story ?* (when I", "possible. Why did he always have to put himself in such difficult situations", "Oshac. I would write the scene like that: > > \"Look at what", "Yet, in the end, he couldn't get to be the man his father", "describe the reaction or/and emotions of my characters. It ends up with sentences", "Oshac's frowned brows. The pressure made him instantly look back on the ground", "At least have the decency to face your problems like a man.\" >", "frequent problem when writing: *I know what I want to write, but I", "I intended in the first place… Therefore, I end up with that simple", "[has this reaction]...'* which doesn't really convey my initial thoughts when I read", "> > I wrote this example above like any other of my stories,", "I fail to put it in good sentences that reflect my thoughts*. Often,", "face of pure disappointment and Oshac's frowned brows. The pressure made him instantly", "doesn't really convey my initial thoughts when I read them afterward. Furthermore, it", "father wished for… > > > The bitterness made a tear ran down", "time writing this, and upon rereading it — it doesn’t sound right. It", "decency to face your problems like a man.\" > > > The retort", "to face your problems like a man.\" > > > The retort hit", "the scene like that: > > \"Look at what you did...\" > >", "to describe the reaction or/and emotions of my characters. It ends up with", "formed of 'X [did that] and [did that other thing] while Y [has", "the mines. > > > I wrote this example above like any other", "the outcome, his parents had warned him many times. Yet, in the end,", "silent due to the fear of causing more trouble. Would this gesture have", "knew what would be the outcome, his parents had warned him many times.", "froze -- trying to make himself as little as possible. Why did he", "for… > > > The bitterness made a tear ran down his cheek.", "the fear of causing more trouble. Would this gesture have been the right", "'X [did that] and [did that other thing] while Y [has this reaction]...'", "you write prose so that the reader gets immersed in your story ?", "on the ground with shame, and he stayed silent due to the fear", "please Oshac whose anger exploded. > > > \"I raised a coward !", "more trouble. Would this gesture have been the right answer for Aluke who", "dialogues when I try to describe the reaction or/and emotions of my characters.", "stories, and I think it really showcases my problem. I just spent a", "I wrote this example above like any other of my stories, and I", "Why did he always have to put himself in such difficult situations ?", "write prose so that the reader gets immersed in your story ?* (when", "to describe something or make the link between the key moments of a", "a little, it certainly did not please Oshac whose anger exploded. > >", "many times. Yet, in the end, he couldn't get to be the man", "I talk about Prose, I'm referring to the sentences whose goal is to", "whose goal is to describe something or make the link between the key", "Bob risked a quick glance. All he could see was Aluke's face of", "tear ran down his cheek. > > > It was too late now", "not please Oshac whose anger exploded. > > > \"I raised a coward", "or/and emotions of my characters. It ends up with sentences formed of 'X", "read them afterward. Furthermore, it doesn't flow naturally, and I suspect that I", "doesn't flow naturally, and I suspect that I lose the reader's interest really", "did...\" > > > Bob risked a quick glance. All he could see", "do you write prose so that the reader gets immersed in your story", "this example above like any other of my stories, and I think it", "late now — they were going to send him to the mines. >", "writing this, and upon rereading it — it doesn’t sound right. It feels", "to immerse in my writing and achieve what I intended in the first", "did he always have to put himself in such difficult situations ? He", "fail to immerse in my writing and achieve what I intended in the", "> > > Bob risked a quick glance. All he could see was", "but I fail to put it in good sentences that reflect my thoughts.", "interest really quickly. To illustrate, imagine Bob in a situation where he did", "sound right. It feels like too much description, too much ‘and then’, and", "did not please Oshac whose anger exploded. > > > \"I raised a", "it doesn’t sound right. It feels like too much description, too much ‘and", "his parents had warned him many times. Yet, in the end, he couldn't", "right. It feels like too much description, too much ‘and then’, and it", "whose anger exploded. > > > \"I raised a coward ! At least", "is being scolded by his parents Aluke and Oshac. I would write the", "‘and then’, and it reminds me that there is someone behind the scene.", "to the fear of causing more trouble. Would this gesture have been the", "he did something wrong and is being scolded by his parents Aluke and", "to send him to the mines. > > > I wrote this example", "> > > The bitterness made a tear ran down his cheek. >", "he stayed silent due to the fear of causing more trouble. Would this", "> The bitterness made a tear ran down his cheek. > > >", "my stories, and I think it really showcases my problem. I just spent", "end, he couldn't get to be the man his father wished for… >", "> > > The retort hit Bob like a hard stone and he", "> The retort hit Bob like a hard stone and he froze --", "think it really showcases my problem. I just spent a significant amount of", "really showcases my problem. I just spent a significant amount of time writing", "risked a quick glance. All he could see was Aluke's face of pure", "The pressure made him instantly look back on the ground with shame, and", "him instantly look back on the ground with shame, and he stayed silent", "what would be the outcome, his parents had warned him many times. Yet,", "certainly did not please Oshac whose anger exploded. > > > \"I raised", "pure disappointment and Oshac's frowned brows. The pressure made him instantly look back", "ground with shame, and he stayed silent due to the fear of causing", "upon rereading it — it doesn’t sound right. It feels like too much", "the reader gets immersed in your story ? (when I talk about Prose,", "retort hit Bob like a hard stone and he froze -- trying to", "naturally, and I suspect that I lose the reader's interest really quickly. To", "face your problems like a man.\" > > > The retort hit Bob", "right answer for Aluke who calmed down a little, it certainly did not", "reaction or/and emotions of my characters. It ends up with sentences formed of", "I suspect that I lose the reader's interest really quickly. To illustrate, imagine", "wrote this example above like any other of my stories, and I think", "to put himself in such difficult situations ? He knew what would be", "I have a frequent problem when writing: I know what I want to", "to put it in good sentences that reflect my thoughts*. Often, this appears", "goal is to describe something or make the link between the key moments", "I lose the reader's interest really quickly. To illustrate, imagine Bob in a", "is someone behind the scene. That is to say, I fail to immerse", "> I wrote this example above like any other of my stories, and", "> > > \"I raised a coward ! At least have the decency", "my writing and achieve what I intended in the first place… Therefore, I", "know what I want to write, but I fail to put it in", "to make himself as little as possible. Why did he always have to", "in my writing and achieve what I intended in the first place… Therefore,", "problem. I just spent a significant amount of time writing this, and upon", "and achieve what I intended in the first place… Therefore, I end up", "my problem. I just spent a significant amount of time writing this, and", "due to the fear of causing more trouble. Would this gesture have been", "would write the scene like that: > > \"Look at what you did...\"", "It was too late now — they were going to send him to", "a situation where he did something wrong and is being scolded by his", "pressure made him instantly look back on the ground with shame, and he", "have been the right answer for Aluke who calmed down a little, it", "*As an experienced writer, how do you write prose so that the reader", "an experienced writer, how do you write prose so that the reader gets", "such difficult situations ? He knew what would be the outcome, his parents", "> > \"Look at what you did...\" > > > Bob risked a", "send him to the mines. > > > I wrote this example above", "sentences formed of 'X [did that] and [did that other thing] while Y", "> > The bitterness made a tear ran down his cheek. > >", "As a beginner, I have a frequent problem when writing: I know what", "other thing] while Y [has this reaction]...' which doesn't really convey my initial", "ran down his cheek. > > > It was too late now —", "showcases my problem. I just spent a significant amount of time writing this,", "end up with that simple yet unanswered question: As an experienced writer, how", "up with that simple yet unanswered question: As an experienced writer, how do", "doesn’t sound right. It feels like too much description, too much ‘and then’,", "mines. > > > I wrote this example above like any other of", "so that the reader gets immersed in your story ? (when I talk", "writing: I know what I want to write, but I fail to put", "immersed in your story ? (when I talk about Prose, I'm referring to", "thoughts.* Often, this appears in dialogues when I try to describe the reaction", "with shame, and he stayed silent due to the fear of causing more", "a man.\" > > > The retort hit Bob like a hard stone", "illustrate, imagine Bob in a situation where he did something wrong and is", "referring to the sentences whose goal is to describe something or make the", "how do you write prose so that the reader gets immersed in your", "convey my initial thoughts when I read them afterward. Furthermore, it doesn't flow", "which doesn't really convey my initial thoughts when I read them afterward. Furthermore,", "and he stayed silent due to the fear of causing more trouble. Would", "it really showcases my problem. I just spent a significant amount of time", "above like any other of my stories, and I think it really showcases", "ends up with sentences formed of 'X [did that] and [did that other", "been the right answer for Aluke who calmed down a little, it certainly", "in good sentences that reflect my thoughts. Often, this appears in dialogues when", "\"Look at what you did...\" > > > Bob risked a quick glance.", "question: *As an experienced writer, how do you write prose so that the", "would be the outcome, his parents had warned him many times. Yet, in", "I'm referring to the sentences whose goal is to describe something or make", "the end, he couldn't get to be the man his father wished for…", "place… Therefore, I end up with that simple yet unanswered question: *As an", "amount of time writing this, and upon rereading it — it doesn’t sound", "and is being scolded by his parents Aluke and Oshac. I would write", "Y [has this reaction]...' which doesn't really convey my initial thoughts when I", "just spent a significant amount of time writing this, and upon rereading it", "reaction]...'* which doesn't really convey my initial thoughts when I read them afterward.", "— it doesn’t sound right. It feels like too much description, too much", "other of my stories, and I think it really showcases my problem. I", "he froze -- trying to make himself as little as possible. Why did", "trying to make himself as little as possible. Why did he always have", "put it in good sentences that reflect my thoughts*. Often, this appears in", "story ?** (when I talk about Prose, I'm referring to the sentences whose", "times. Yet, in the end, he couldn't get to be the man his", "scolded by his parents Aluke and Oshac. I would write the scene like", "that other thing] while Y [has this reaction]...'* which doesn't really convey my", "by his parents Aluke and Oshac. 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He knew what would be the outcome, his", "they were going to send him to the mines. > > > I", "look back on the ground with shame, and he stayed silent due to", "your story ?* (when I talk about Prose, I'm referring to the sentences", "it reminds me that there is someone behind the scene. That is to", "write, but I fail to put it in good sentences that reflect my", "your problems like a man.\" > > > The retort hit Bob like", "achieve what I intended in the first place… Therefore, I end up with", "writer, how do you write prose so that the reader gets immersed in", "see was Aluke's face of pure disappointment and Oshac's frowned brows. The pressure", "I would write the scene like that: > > \"Look at what you", "reader gets immersed in your story ?* (when I talk about Prose, I'm", "that simple yet unanswered question: As an experienced writer, how do you write", "a frequent problem when writing: I know what I want to write, but", "characters. It ends up with sentences formed of 'X [did that] and [did", "flow naturally, and I suspect that I lose the reader's interest really quickly.", "of causing more trouble. Would this gesture have been the right answer for", "stone and he froze -- trying to make himself as little as possible.", "that I lose the reader's interest really quickly. To illustrate, imagine Bob in", "least have the decency to face your problems like a man.\" > >", "> \"Look at what you did...\" > > > Bob risked a quick", "> > The retort hit Bob like a hard stone and he froze", "a quick glance. 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It ends", "too much ‘and then’, and it reminds me that there is someone behind", "while Y [has this reaction]...' which doesn't really convey my initial thoughts when", "parents had warned him many times. Yet, in the end, he couldn't get", "for Aluke who calmed down a little, it certainly did not please Oshac", "outcome, his parents had warned him many times. Yet, in the end, he", "bitterness made a tear ran down his cheek. > > > It was", "problems like a man.\" > > > The retort hit Bob like a", "talk about Prose, I'm referring to the sentences whose goal is to describe", "Bob in a situation where he did something wrong and is being scolded", "as possible. Why did he always have to put himself in such difficult", "Therefore, I end up with that simple yet unanswered question: As an experienced", "to the sentences whose goal is to describe something or make the link", "put himself in such difficult situations ? He knew what would be the", "description, too much ‘and then’, and it reminds me that there is someone", "get to be the man his father wished for… > > > The", "lose the reader's interest really quickly. To illustrate, imagine Bob in a situation", "and it reminds me that there is someone behind the scene. That is", "afterward. Furthermore, it doesn't flow naturally, and I suspect that I lose the", "> \"I raised a coward ! At least have the decency to face", "with that simple yet unanswered question: As an experienced writer, how do you", "situation where he did something wrong and is being scolded by his parents", "the ground with shame, and he stayed silent due to the fear of", "that reflect my thoughts*. Often, this appears in dialogues when I try to", "he couldn't get to be the man his father wished for… > >", "back on the ground with shame, and he stayed silent due to the", "simple yet unanswered question: As an experienced writer, how do you write prose", "I know what I want to write, but I fail to put it", "> > > I wrote this example above like any other of my", "> Bob risked a quick glance. All he could see was Aluke's face", "in your story ? (when I talk about Prose, I'm referring to the", "much description, too much ‘and then’, and it reminds me that there is", "example above like any other of my stories, and I think it really", "exploded. > > > \"I raised a coward ! At least have the", "he could see was Aluke's face of pure disappointment and Oshac's frowned brows.", "To illustrate, imagine Bob in a situation where he did something wrong and", "something wrong and is being scolded by his parents Aluke and Oshac. 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[ "the age of four, that he didn't feel like being girlish or dressing", "it that they realized this was a real thing their kid was going", "that long ago. What kind of barriers and discrimination would this little family", "to hormone injections and the sort of resources they do today back then?", "didn't feel like being girlish or dressing femininely, and he'd get so upset", "boy by age 14, that whenever someone learns he's trans, they're completely thrown.", "story he's supposed to appear as passably a boy by age 14, that", "in the 1990's. My main character's parents are supportive from the beginning, but", "I am writing a story with a trans character (female to male) set", "main character's parents are supportive from the beginning, but did transpeople have access", "even that long ago. What kind of barriers and discrimination would this little", "but did transpeople have access to hormone injections and the sort of resources", "that they realized this was a real thing their kid was going through.", "or dressing femininely, and he'd get so upset about it that they realized", "a boy by age 14, that whenever someone learns he's trans, they're completely", "trans, they're completely thrown. I imagine that if transphobia is bad still these", "know early in life, at the age of four, that he didn't feel", "imagine that if transphobia is bad still these days, it must've been worse", "are supportive from the beginning, but did transpeople have access to hormone injections", "kid was going through. In my story he's supposed to appear as passably", "he's trans, they're completely thrown. I imagine that if transphobia is bad still", "resources they do today back then? If there were, his family would help", "wasn't even that long ago. What kind of barriers and discrimination would this", "femininely, and he'd get so upset about it that they realized this was", "sort of resources they do today back then? If there were, his family", "were, his family would help him receive them. He let them know early", "a real thing their kid was going through. In my story he's supposed", "from the beginning, but did transpeople have access to hormone injections and the", "bad still these days, it must've been worse back then, and it wasn't", "and it wasn't even that long ago. What kind of barriers and discrimination", "parents are supportive from the beginning, but did transpeople have access to hormone", "male) set in the 1990's. My main character's parents are supportive from the", "let them know early in life, at the age of four, that he", "he didn't feel like being girlish or dressing femininely, and he'd get so", "being girlish or dressing femininely, and he'd get so upset about it that", "age 14, that whenever someone learns he's trans, they're completely thrown. I imagine", "of resources they do today back then? If there were, his family would", "the sort of resources they do today back then? If there were, his", "girlish or dressing femininely, and he'd get so upset about it that they", "back then? If there were, his family would help him receive them. He", "set in the 1990's. My main character's parents are supportive from the beginning,", "as passably a boy by age 14, that whenever someone learns he's trans,", "upset about it that they realized this was a real thing their kid", "that whenever someone learns he's trans, they're completely thrown. I imagine that if", "and the sort of resources they do today back then? If there were,", "someone learns he's trans, they're completely thrown. I imagine that if transphobia is", "receive them. He let them know early in life, at the age of", "is bad still these days, it must've been worse back then, and it", "he'd get so upset about it that they realized this was a real", "life, at the age of four, that he didn't feel like being girlish", "He let them know early in life, at the age of four, that", "him receive them. He let them know early in life, at the age", "hormone injections and the sort of resources they do today back then? If", "My main character's parents are supportive from the beginning, but did transpeople have", "must've been worse back then, and it wasn't even that long ago. What", "today back then? If there were, his family would help him receive them.", "them know early in life, at the age of four, that he didn't", "these days, it must've been worse back then, and it wasn't even that", "real thing their kid was going through. In my story he's supposed to", "then? If there were, his family would help him receive them. He let", "their kid was going through. In my story he's supposed to appear as", "early in life, at the age of four, that he didn't feel like", "transpeople have access to hormone injections and the sort of resources they do", "been worse back then, and it wasn't even that long ago. What kind", "do today back then? If there were, his family would help him receive", "whenever someone learns he's trans, they're completely thrown. I imagine that if transphobia", "days, it must've been worse back then, and it wasn't even that long", "If there were, his family would help him receive them. He let them", "would help him receive them. He let them know early in life, at", "there were, his family would help him receive them. He let them know", "the 1990's. My main character's parents are supportive from the beginning, but did", "my story he's supposed to appear as passably a boy by age 14,", "beginning, but did transpeople have access to hormone injections and the sort of", "a trans character (female to male) set in the 1990's. My main character's", "the beginning, but did transpeople have access to hormone injections and the sort", "this was a real thing their kid was going through. In my story", "of four, that he didn't feel like being girlish or dressing femininely, and", "by age 14, that whenever someone learns he's trans, they're completely thrown. I", "to appear as passably a boy by age 14, that whenever someone learns", "age of four, that he didn't feel like being girlish or dressing femininely,", "through. In my story he's supposed to appear as passably a boy by", "at the age of four, that he didn't feel like being girlish or", "1990's. My main character's parents are supportive from the beginning, but did transpeople", "with a trans character (female to male) set in the 1990's. My main", "about it that they realized this was a real thing their kid was", "appear as passably a boy by age 14, that whenever someone learns he's", "character's parents are supportive from the beginning, but did transpeople have access to", "to male) set in the 1990's. My main character's parents are supportive from", "thing their kid was going through. In my story he's supposed to appear", "back then, and it wasn't even that long ago. What kind of barriers", "them. He let them know early in life, at the age of four,", "learns he's trans, they're completely thrown. I imagine that if transphobia is bad", "14, that whenever someone learns he's trans, they're completely thrown. I imagine that", "and he'd get so upset about it that they realized this was a", "realized this was a real thing their kid was going through. In my", "writing a story with a trans character (female to male) set in the", "they realized this was a real thing their kid was going through. In", "help him receive them. He let them know early in life, at the", "it wasn't even that long ago. What kind of barriers and discrimination would", "supportive from the beginning, but did transpeople have access to hormone injections and", "worse back then, and it wasn't even that long ago. What kind of", "story with a trans character (female to male) set in the 1990's. My", "dressing femininely, and he'd get so upset about it that they realized this", "four, that he didn't feel like being girlish or dressing femininely, and he'd", "trans character (female to male) set in the 1990's. My main character's parents", "in life, at the age of four, that he didn't feel like being", "passably a boy by age 14, that whenever someone learns he's trans, they're", "they're completely thrown. I imagine that if transphobia is bad still these days,", "family would help him receive them. He let them know early in life,", "transphobia is bad still these days, it must've been worse back then, and", "still these days, it must've been worse back then, and it wasn't even", "going through. In my story he's supposed to appear as passably a boy", "was going through. In my story he's supposed to appear as passably a", "access to hormone injections and the sort of resources they do today back", "so upset about it that they realized this was a real thing their", "he's supposed to appear as passably a boy by age 14, that whenever", "thrown. I imagine that if transphobia is bad still these days, it must've", "I imagine that if transphobia is bad still these days, it must've been", "get so upset about it that they realized this was a real thing", "that if transphobia is bad still these days, it must've been worse back", "In my story he's supposed to appear as passably a boy by age", "injections and the sort of resources they do today back then? If there", "long ago. What kind of barriers and discrimination would this little family face?", "have access to hormone injections and the sort of resources they do today", "like being girlish or dressing femininely, and he'd get so upset about it", "it must've been worse back then, and it wasn't even that long ago.", "a story with a trans character (female to male) set in the 1990's.", "(female to male) set in the 1990's. My main character's parents are supportive", "his family would help him receive them. He let them know early in", "feel like being girlish or dressing femininely, and he'd get so upset about", "character (female to male) set in the 1990's. My main character's parents are", "am writing a story with a trans character (female to male) set in", "they do today back then? If there were, his family would help him", "then, and it wasn't even that long ago. What kind of barriers and", "that he didn't feel like being girlish or dressing femininely, and he'd get", "completely thrown. I imagine that if transphobia is bad still these days, it", "did transpeople have access to hormone injections and the sort of resources they", "if transphobia is bad still these days, it must've been worse back then,", "was a real thing their kid was going through. In my story he's", "supposed to appear as passably a boy by age 14, that whenever someone" ]
[ "compelling and engaging but I'm not sure I know how to make them", "just doesn't but can't, relate to his fellow man? Are there particular behaviours", "unlikable in the first place. In particular how does one show that a", "not the POV character can't, not just doesn't but can't, relate to his", "know how to make them unlikable in the first place. In particular how", "an unlikable character compelling and engaging but I'm not sure I know how", "I know how to make them unlikable in the first place. In particular", "but I'm not sure I know how to make them unlikable in the", "doesn't but can't, relate to his fellow man? Are there particular behaviours that", "can't, not just doesn't but can't, relate to his fellow man? Are there", "how to make them unlikable in the first place. In particular how does", "POV character can't, not just doesn't but can't, relate to his fellow man?", "one show that a main character who is not the POV character can't,", "In particular how does one show that a main character who is not", "the POV character can't, not just doesn't but can't, relate to his fellow", "does one show that a main character who is not the POV character", "a main character who is not the POV character can't, not just doesn't", "in the first place. In particular how does one show that a main", "that a main character who is not the POV character can't, not just", "sure I know how to make them unlikable in the first place. In", "goes in to making an unlikable character compelling and engaging but I'm not", "who is not the POV character can't, not just doesn't but can't, relate", "relate to his fellow man? Are there particular behaviours that are more effectively", "fellow man? Are there particular behaviours that are more effectively alienating than others?", "in to making an unlikable character compelling and engaging but I'm not sure", "the first place. In particular how does one show that a main character", "and engaging but I'm not sure I know how to make them unlikable", "making an unlikable character compelling and engaging but I'm not sure I know", "make them unlikable in the first place. In particular how does one show", "place. In particular how does one show that a main character who is", "main character who is not the POV character can't, not just doesn't but", "can't, relate to his fellow man? Are there particular behaviours that are more", "character who is not the POV character can't, not just doesn't but can't,", "his fellow man? Are there particular behaviours that are more effectively alienating than", "I'm not sure I know how to make them unlikable in the first", "know what goes in to making an unlikable character compelling and engaging but", "character compelling and engaging but I'm not sure I know how to make", "character can't, not just doesn't but can't, relate to his fellow man? Are", "engaging but I'm not sure I know how to make them unlikable in", "I know what goes in to making an unlikable character compelling and engaging", "particular how does one show that a main character who is not the", "unlikable character compelling and engaging but I'm not sure I know how to", "how does one show that a main character who is not the POV", "show that a main character who is not the POV character can't, not", "is not the POV character can't, not just doesn't but can't, relate to", "not just doesn't but can't, relate to his fellow man? Are there particular", "but can't, relate to his fellow man? Are there particular behaviours that are", "not sure I know how to make them unlikable in the first place.", "them unlikable in the first place. In particular how does one show that", "to make them unlikable in the first place. In particular how does one", "to making an unlikable character compelling and engaging but I'm not sure I", "first place. In particular how does one show that a main character who", "to his fellow man? Are there particular behaviours that are more effectively alienating", "what goes in to making an unlikable character compelling and engaging but I'm" ]
[ "genre to 'speculative fiction', and fantasy often does the same, rebranding to 'supernatural',", "do as she commands. She commands it to transform into her sister, who", "happen if you could replace a dead loved one that parted with you", "allowed for the stages of grief. I don't know if it's that high", "literature as a whole, but for fantasy, it's a tad on the artsy", "ultimately dying alone and bitter because she never naturally allowed for the stages", "transform into her sister, who was in life an aspiring musician whose final", "fantasy, after all. Edit: To clarify, I myself don't consider fantasy deserving of", "ghetto, I'm simply noting the trend of fantasy being looked down upon in", "concepts (as opposed to exploring technologies and the cosmos) often relabel their genre", "the stages of grief. I don't know if it's that high concept with", "is fantasy, after all. Edit: To clarify, I myself don't consider fantasy deserving", "a novella to write at some point involves exploring a high concept; what", "effect. The resulting consequences involve the mage sister swinging between taking hollow comfort", "get published. Sci-fi writers who attempt more human concepts (as opposed to exploring", "writers who attempt more human concepts (as opposed to exploring technologies and the", "of rescuing fantasy from the low-concept ghetto it's trapped in feasible? Worthwhile? Would", "she heard from her living sister were 'You'll never play at a concert,", "attempt, regardless of the content? It is fantasy, after all. Edit: To clarify,", "Sci-fi writers who attempt more human concepts (as opposed to exploring technologies and", "I'm simply noting the trend of fantasy being looked down upon in the", "shapeshifting 'daemons' that will do as she commands. She commands it to transform", "'You'll never play at a concert, because you're terrible', or words to that", "her replacement sister and becoming blameful and angry at the daemon for 'defiling", "exploring technologies and the cosmos) often relabel their genre to 'speculative fiction', and", "grief. I don't know if it's that high concept with regards to literature", "effects on a writer trying to get published. Sci-fi writers who attempt more", "to exploring technologies and the cosmos) often relabel their genre to 'speculative fiction',", "sister, who was in life an aspiring musician whose final words she heard", "'literary' for genre fiction such as fantasy? Is the prospect of rescuing fantasy", "comfort in her replacement sister and becoming blameful and angry at the daemon", "fantasy? Is the prospect of rescuing fantasy from the low-concept ghetto it's trapped", "as a whole, but for fantasy, it's a tad on the artsy side", "it so the grieving woman is a mage capable of summoning naive, shapeshifting", "or 'literary' for genre fiction such as fantasy? Is the prospect of rescuing", "if it's that high concept with regards to literature as a whole, but", "involve the mage sister swinging between taking hollow comfort in her replacement sister", "becoming blameful and angry at the daemon for 'defiling her memory', and ultimately", "myself don't consider fantasy deserving of the ghetto, I'm simply noting the trend", "looked down upon in the critical community, and its effects on a writer", "never play at a concert, because you're terrible', or words to that effect.", "fiction such as fantasy? Is the prospect of rescuing fantasy from the low-concept", "a dead loved one that parted with you bad terms? I'm expressly using", "bad terms? I'm expressly using fantasy as a vehicle for this; making it", "it's trapped in feasible? Worthwhile? Would any critics buy the attempt, regardless of", "in her replacement sister and becoming blameful and angry at the daemon for", "a whole, but for fantasy, it's a tad on the artsy side in", "of the content? It is fantasy, after all. Edit: To clarify, I myself", "fantasy being looked down upon in the critical community, and its effects on", "for 'defiling her memory', and ultimately dying alone and bitter because she never", "terms of thematic richness. My question is thus: Are there some concepts too", "'defiling her memory', and ultimately dying alone and bitter because she never naturally", "and its effects on a writer trying to get published. Sci-fi writers who", "simply noting the trend of fantasy being looked down upon in the critical", "to 'speculative fiction', and fantasy often does the same, rebranding to 'supernatural', 'horror',", "naive, shapeshifting 'daemons' that will do as she commands. She commands it to", "in life an aspiring musician whose final words she heard from her living", "heard from her living sister were 'You'll never play at a concert, because", "resulting consequences involve the mage sister swinging between taking hollow comfort in her", "summoning naive, shapeshifting 'daemons' that will do as she commands. She commands it", "that effect. The resulting consequences involve the mage sister swinging between taking hollow", "I don't know if it's that high concept with regards to literature as", "whole, but for fantasy, it's a tad on the artsy side in terms", "on a writer trying to get published. Sci-fi writers who attempt more human", "fantasy deserving of the ghetto, I'm simply noting the trend of fantasy being", "Is the prospect of rescuing fantasy from the low-concept ghetto it's trapped in", "upon in the critical community, and its effects on a writer trying to", "mage sister swinging between taking hollow comfort in her replacement sister and becoming", "the grieving woman is a mage capable of summoning naive, shapeshifting 'daemons' that", "fantasy from the low-concept ghetto it's trapped in feasible? Worthwhile? Would any critics", "to transform into her sister, who was in life an aspiring musician whose", "such as fantasy? Is the prospect of rescuing fantasy from the low-concept ghetto", "the mage sister swinging between taking hollow comfort in her replacement sister and", "Would any critics buy the attempt, regardless of the content? It is fantasy,", "cosmos) often relabel their genre to 'speculative fiction', and fantasy often does the", "replace a dead loved one that parted with you bad terms? I'm expressly", "in feasible? Worthwhile? Would any critics buy the attempt, regardless of the content?", "were 'You'll never play at a concert, because you're terrible', or words to", "between taking hollow comfort in her replacement sister and becoming blameful and angry", "hollow comfort in her replacement sister and becoming blameful and angry at the", "novella to write at some point involves exploring a high concept; what would", "her memory', and ultimately dying alone and bitter because she never naturally allowed", "thus: Are there some concepts too 'highbrow' or 'literary' for genre fiction such", "there some concepts too 'highbrow' or 'literary' for genre fiction such as fantasy?", "concept with regards to literature as a whole, but for fantasy, it's a", "prospect of rescuing fantasy from the low-concept ghetto it's trapped in feasible? Worthwhile?", "in the critical community, and its effects on a writer trying to get", "you're terrible', or words to that effect. The resulting consequences involve the mage", "fantasy as a vehicle for this; making it so the grieving woman is", "dead loved one that parted with you bad terms? I'm expressly using fantasy", "concepts too 'highbrow' or 'literary' for genre fiction such as fantasy? Is the", "dying alone and bitter because she never naturally allowed for the stages of", "living sister were 'You'll never play at a concert, because you're terrible', or", "ghetto it's trapped in feasible? Worthwhile? Would any critics buy the attempt, regardless", "published. Sci-fi writers who attempt more human concepts (as opposed to exploring technologies", "making it so the grieving woman is a mage capable of summoning naive,", "words to that effect. The resulting consequences involve the mage sister swinging between", "the low-concept ghetto it's trapped in feasible? Worthwhile? Would any critics buy the", "commands it to transform into her sister, who was in life an aspiring", "using fantasy as a vehicle for this; making it so the grieving woman", "in terms of thematic richness. My question is thus: Are there some concepts", "consequences involve the mage sister swinging between taking hollow comfort in her replacement", "as she commands. She commands it to transform into her sister, who was", "or words to that effect. The resulting consequences involve the mage sister swinging", "opposed to exploring technologies and the cosmos) often relabel their genre to 'speculative", "stages of grief. I don't know if it's that high concept with regards", "that will do as she commands. She commands it to transform into her", "after all. Edit: To clarify, I myself don't consider fantasy deserving of the", "rescuing fantasy from the low-concept ghetto it's trapped in feasible? Worthwhile? 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I don't know if", "replacement sister and becoming blameful and angry at the daemon for 'defiling her", "the daemon for 'defiling her memory', and ultimately dying alone and bitter because", "for fantasy, it's a tad on the artsy side in terms of thematic", "exploring a high concept; what would happen if you could replace a dead", "genre fiction such as fantasy? Is the prospect of rescuing fantasy from the", "to literature as a whole, but for fantasy, it's a tad on the", "fantasy, it's a tad on the artsy side in terms of thematic richness.", "write at some point involves exploring a high concept; what would happen if", "aspiring musician whose final words she heard from her living sister were 'You'll", "writer trying to get published. Sci-fi writers who attempt more human concepts (as", "the artsy side in terms of thematic richness. My question is thus: Are", "critical community, and its effects on a writer trying to get published. Sci-fi", "Worthwhile? Would any critics buy the attempt, regardless of the content? It is", "alone and bitter because she never naturally allowed for the stages of grief.", "a tad on the artsy side in terms of thematic richness. My question", "any critics buy the attempt, regardless of the content? It is fantasy, after", "because you're terrible', or words to that effect. The resulting consequences involve the", "is a mage capable of summoning naive, shapeshifting 'daemons' that will do as", "swinging between taking hollow comfort in her replacement sister and becoming blameful and", "some point involves exploring a high concept; what would happen if you could", "involves exploring a high concept; what would happen if you could replace a", "buy the attempt, regardless of the content? It is fantasy, after all. 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It", "consider fantasy deserving of the ghetto, I'm simply noting the trend of fantasy", "who attempt more human concepts (as opposed to exploring technologies and the cosmos)", "sister and becoming blameful and angry at the daemon for 'defiling her memory',", "musician whose final words she heard from her living sister were 'You'll never", "to that effect. The resulting consequences involve the mage sister swinging between taking", "bitter because she never naturally allowed for the stages of grief. I don't", "with regards to literature as a whole, but for fantasy, it's a tad", "at a concert, because you're terrible', or words to that effect. The resulting", "don't consider fantasy deserving of the ghetto, I'm simply noting the trend of", "'speculative fiction', and fantasy often does the same, rebranding to 'supernatural', 'horror', et", "it's that high concept with regards to literature as a whole, but for", "richness. My question is thus: Are there some concepts too 'highbrow' or 'literary'", "the trend of fantasy being looked down upon in the critical community, and", "some concepts too 'highbrow' or 'literary' for genre fiction such as fantasy? Is", "the cosmos) often relabel their genre to 'speculative fiction', and fantasy often does", "angry at the daemon for 'defiling her memory', and ultimately dying alone and", "a high concept; what would happen if you could replace a dead loved", "side in terms of thematic richness. My question is thus: Are there some", "what would happen if you could replace a dead loved one that parted", "for the stages of grief. I don't know if it's that high concept", "thematic richness. My question is thus: Are there some concepts too 'highbrow' or", "terms? I'm expressly using fantasy as a vehicle for this; making it so", "sister swinging between taking hollow comfort in her replacement sister and becoming blameful", "for a novella to write at some point involves exploring a high concept;", "blameful and angry at the daemon for 'defiling her memory', and ultimately dying", "Are there some concepts too 'highbrow' or 'literary' for genre fiction such as", "the content? It is fantasy, after all. Edit: To clarify, I myself don't", "I myself don't consider fantasy deserving of the ghetto, I'm simply noting the", "of the ghetto, I'm simply noting the trend of fantasy being looked down", "their genre to 'speculative fiction', and fantasy often does the same, rebranding to", "final words she heard from her living sister were 'You'll never play at", "It is fantasy, after all. Edit: To clarify, I myself don't consider fantasy", "and ultimately dying alone and bitter because she never naturally allowed for the", "point involves exploring a high concept; what would happen if you could replace", "regards to literature as a whole, but for fantasy, it's a tad on", "the attempt, regardless of the content? It is fantasy, after all. Edit: To", "trend of fantasy being looked down upon in the critical community, and its", "at some point involves exploring a high concept; what would happen if you", "of fantasy being looked down upon in the critical community, and its effects", "To clarify, I myself don't consider fantasy deserving of the ghetto, I'm simply", "I had for a novella to write at some point involves exploring a", "often relabel their genre to 'speculative fiction', and fantasy often does the same,", "content? It is fantasy, after all. Edit: To clarify, I myself don't consider", "to get published. Sci-fi writers who attempt more human concepts (as opposed to", "as a vehicle for this; making it so the grieving woman is a", "know if it's that high concept with regards to literature as a whole,", "a vehicle for this; making it so the grieving woman is a mage", "her sister, who was in life an aspiring musician whose final words she", "recent idea I had for a novella to write at some point involves", "vehicle for this; making it so the grieving woman is a mage capable", "so the grieving woman is a mage capable of summoning naive, shapeshifting 'daemons'", "words she heard from her living sister were 'You'll never play at a", "as fantasy? Is the prospect of rescuing fantasy from the low-concept ghetto it's", "the ghetto, I'm simply noting the trend of fantasy being looked down upon", "a writer trying to get published. Sci-fi writers who attempt more human concepts", "from her living sister were 'You'll never play at a concert, because you're", "artsy side in terms of thematic richness. My question is thus: Are there", "attempt more human concepts (as opposed to exploring technologies and the cosmos) often", "that parted with you bad terms? I'm expressly using fantasy as a vehicle", "it to transform into her sister, who was in life an aspiring musician", "mage capable of summoning naive, shapeshifting 'daemons' that will do as she commands.", "life an aspiring musician whose final words she heard from her living sister", "on the artsy side in terms of thematic richness. My question is thus:", "woman is a mage capable of summoning naive, shapeshifting 'daemons' that will do", "of thematic richness. My question is thus: Are there some concepts too 'highbrow'", "clarify, I myself don't consider fantasy deserving of the ghetto, I'm simply noting", "community, and its effects on a writer trying to get published. Sci-fi writers" ]
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[ "you need to do all the leg work (self-promotion, building a platform) first", "have is your manuscript (no \"platform\"), or do you need to do all", "all the leg work (self-promotion, building a platform) first before even pursuing a", "pursuing a traditional publisher, or is self-publishing viable if you've (already) generated enough", "with this for a while because of how much the market has changed", "much the market has changed over the past decade. Are Query Letters still", "do all the leg work (self-promotion, building a platform) first before even pursuing", "over the past decade. Are Query Letters still worth writing if all you", "the leg work (self-promotion, building a platform) first before even pursuing a publisher?", "a platform) first before even pursuing a publisher? Follow-up question: If you've already", "market has changed over the past decade. Are Query Letters still worth writing", "publisher? Follow-up question: If you've already done all the work to promote yourself", "If you've already done all the work to promote yourself and build your", "changed over the past decade. Are Query Letters still worth writing if all", "(no \"platform\"), or do you need to do all the leg work (self-promotion,", "how much the market has changed over the past decade. Are Query Letters", "yourself and build your platform, is it still worth pursuing a traditional publisher,", "(self-promotion, building a platform) first before even pursuing a publisher?** Follow-up question: If", "still worth writing if all you have is your manuscript (no \"platform\"), or", "building a platform) first before even pursuing a publisher?** Follow-up question: If you've", "you have is your manuscript (no \"platform\"), or do you need to do", "\"platform\"), or do you need to do all the leg work (self-promotion, building", "past decade. *Are Query Letters still worth writing if all you have is", "question: If you've already done all the work to promote yourself and build", "because of how much the market has changed over the past decade. Are", "this for a while because of how much the market has changed over", "first before even pursuing a publisher? Follow-up question: If you've already done all", "promote yourself and build your platform, is it still worth pursuing a traditional", "your platform, is it still worth pursuing a traditional publisher, or is self-publishing", "I have struggled with this for a while because of how much the", "of how much the market has changed over the past decade. Are Query", "Query Letters still worth writing if all you have is your manuscript (no", "the market has changed over the past decade. Are Query Letters still worth", "all you have is your manuscript (no \"platform\"), or do you need to", "manuscript (no \"platform\"), or do you need to do all the leg work", "work to promote yourself and build your platform, is it still worth pursuing", "struggled with this for a while because of how much the market has", "have struggled with this for a while because of how much the market", "traditional publisher, or is self-publishing viable if you've (already) generated enough of a", "while because of how much the market has changed over the past decade.", "before even pursuing a publisher?** Follow-up question: If you've already done all the", "a while because of how much the market has changed over the past", "Letters still worth writing if all you have is your manuscript (no \"platform\"),", "still worth pursuing a traditional publisher, or is self-publishing viable if you've (already)", "a publisher?** Follow-up question: If you've already done all the work to promote", "a traditional publisher, or is self-publishing viable if you've (already) generated enough of", "leg work (self-promotion, building a platform) first before even pursuing a publisher?** Follow-up", "it still worth pursuing a traditional publisher, or is self-publishing viable if you've", "for a while because of how much the market has changed over the", "platform, is it still worth pursuing a traditional publisher, or is self-publishing viable", "writing if all you have is your manuscript (no \"platform\"), or do you", "if all you have is your manuscript (no \"platform\"), or do you need", "even pursuing a publisher?* Follow-up question: If you've already done all the work", "need to do all the leg work (self-promotion, building a platform) first before", "and build your platform, is it still worth pursuing a traditional publisher, or", "pursuing a publisher?** Follow-up question: If you've already done all the work to", "already done all the work to promote yourself and build your platform, is", "build your platform, is it still worth pursuing a traditional publisher, or is", "is your manuscript (no \"platform\"), or do you need to do all the", "has changed over the past decade. Are Query Letters still worth writing if", "decade. Are Query Letters still worth writing if all you have is your", "Follow-up question: If you've already done all the work to promote yourself and", "the past decade. Are Query Letters still worth writing if all you have", "you've already done all the work to promote yourself and build your platform,", "publisher, or is self-publishing viable if you've (already) generated enough of a following?", "work (self-promotion, building a platform) first before even pursuing a publisher? Follow-up question:", "to promote yourself and build your platform, is it still worth pursuing a", "to do all the leg work (self-promotion, building a platform) first before even", "done all the work to promote yourself and build your platform, is it", "is it still worth pursuing a traditional publisher, or is self-publishing viable if", "worth writing if all you have is your manuscript (no \"platform\"), or do", "or do you need to do all the leg work (self-promotion, building a", "worth pursuing a traditional publisher, or is self-publishing viable if you've (already) generated", "do you need to do all the leg work (self-promotion, building a platform)", "your manuscript (no \"platform\"), or do you need to do all the leg", "platform) first before even pursuing a publisher?** Follow-up question: If you've already done", "all the work to promote yourself and build your platform, is it still", "**Are Query Letters still worth writing if all you have is your manuscript", "the work to promote yourself and build your platform, is it still worth" ]
[ "In this specific event, I see a paradox: Did the character overcome the", "succeeded. In this specific event, I see a paradox: Did the character overcome", "a so called 'chosen one'. This character or being is of higher power", "'chosen one' is often related to a certain event in which the 'chosen", "books novels or other forms of fictional writing, the reader is introduced to", "of higher power or in general, of different nature than other characters. To", "characters. To be more precise - my question is about the making or", "than other characters. To be more precise - my question is about the", "'chosen one'. In my experience, being the 'chosen one' is often related to", "or being is of higher power or in general, of different nature than", "he become the chosen one by overcoming the enemy/succeeding in his task. How", "a certain enemy or challenge in which most other characters would have perished/not", "enemy/succeed in the challenge because he is the chosen one - or did", "of different nature than other characters. To be more precise - my question", "certain event in which the 'chosen one' overcame a certain enemy or challenge", "In many books novels or other forms of fictional writing, the reader is", "or did he become the chosen one by overcoming the enemy/succeeding in his", "overcoming the enemy/succeeding in his task. How can I approach this paradox in", "higher power or in general, of different nature than other characters. To be", "the making or formation of said 'chosen one'. In my experience, being the", "be more precise - my question is about the making or formation of", "making or formation of said 'chosen one'. In my experience, being the 'chosen", "event in which the 'chosen one' overcame a certain enemy or challenge in", "or in general, of different nature than other characters. To be more precise", "of fictional writing, the reader is introduced to a so called 'chosen one'.", "which most other characters would have perished/not succeeded. In this specific event, I", "characters would have perished/not succeeded. In this specific event, I see a paradox:", "character overcome the enemy/succeed in the challenge because he is the chosen one", "which the 'chosen one' overcame a certain enemy or challenge in which most", "my experience, being the 'chosen one' is often related to a certain event", "fictional writing, the reader is introduced to a so called 'chosen one'. This", "paradox: Did the character overcome the enemy/succeed in the challenge because he is", "in the challenge because he is the chosen one - or did he", "in general, of different nature than other characters. To be more precise -", "'chosen one'. This character or being is of higher power or in general,", "his task. How can I approach this paradox in a fictional story that", "because he is the chosen one - or did he become the chosen", "in which most other characters would have perished/not succeeded. In this specific event,", "experience, being the 'chosen one' is often related to a certain event in", "called 'chosen one'. This character or being is of higher power or in", "most other characters would have perished/not succeeded. In this specific event, I see", "chosen one by overcoming the enemy/succeeding in his task. How can I approach", "writing, the reader is introduced to a so called 'chosen one'. This character", "To be more precise - my question is about the making or formation", "often related to a certain event in which the 'chosen one' overcame a", "enemy or challenge in which most other characters would have perished/not succeeded. 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To be more precise - my question is", "character or being is of higher power or in general, of different nature", "about the making or formation of said 'chosen one'. In my experience, being", "power or in general, of different nature than other characters. To be more", "this specific event, I see a paradox: Did the character overcome the enemy/succeed", "is often related to a certain event in which the 'chosen one' overcame", "nature than other characters. To be more precise - my question is about", "is of higher power or in general, of different nature than other characters.", "in his task. How can I approach this paradox in a fictional story", "event, I see a paradox: Did the character overcome the enemy/succeed in the", "the character overcome the enemy/succeed in the challenge because he is the chosen", "more precise - my question is about the making or formation of said", "so called 'chosen one'. This character or being is of higher power or", "challenge because he is the chosen one - or did he become the", "reader is introduced to a so called 'chosen one'. This character or being", "did he become the chosen one by overcoming the enemy/succeeding in his task.", "the enemy/succeeding in his task. How can I approach this paradox in a", "formation of said 'chosen one'. In my experience, being the 'chosen one' is", "forms of fictional writing, the reader is introduced to a so called 'chosen", "enemy/succeeding in his task. How can I approach this paradox in a fictional", "of said 'chosen one'. In my experience, being the 'chosen one' is often", "or challenge in which most other characters would have perished/not succeeded. In this", "become the chosen one by overcoming the enemy/succeeding in his task. How can", "can I approach this paradox in a fictional story that has a 'chosen", "the chosen one by overcoming the enemy/succeeding in his task. How can I", "one' is often related to a certain event in which the 'chosen one'", "the 'chosen one' is often related to a certain event in which the", "this paradox in a fictional story that has a 'chosen one' as the", "one'. This character or being is of higher power or in general, of", "have perished/not succeeded. In this specific event, I see a paradox: Did the", "see a paradox: Did the character overcome the enemy/succeed in the challenge because", "challenge in which most other characters would have perished/not succeeded. In this specific", "many books novels or other forms of fictional writing, the reader is introduced", "in which the 'chosen one' overcame a certain enemy or challenge in which", "perished/not succeeded. In this specific event, I see a paradox: Did the character", "the enemy/succeed in the challenge because he is the chosen one - or", "said 'chosen one'. In my experience, being the 'chosen one' is often related", "being is of higher power or in general, of different nature than other", "- my question is about the making or formation of said 'chosen one'.", "other characters. To be more precise - my question is about the making", "I see a paradox: Did the character overcome the enemy/succeed in the challenge", "introduced to a so called 'chosen one'. This character or being is of", "- or did he become the chosen one by overcoming the enemy/succeeding in", "question is about the making or formation of said 'chosen one'. In my", "novels or other forms of fictional writing, the reader is introduced to a", "precise - my question is about the making or formation of said 'chosen", "is about the making or formation of said 'chosen one'. In my experience,", "paradox in a fictional story that has a 'chosen one' as the main", "one by overcoming the enemy/succeeding in his task. How can I approach this", "would have perished/not succeeded. In this specific event, I see a paradox: Did", "he is the chosen one - or did he become the chosen one", "specific event, I see a paradox: Did the character overcome the enemy/succeed in", "is introduced to a so called 'chosen one'. This character or being is", "one - or did he become the chosen one by overcoming the enemy/succeeding", "'chosen one' overcame a certain enemy or challenge in which most other characters", "other forms of fictional writing, the reader is introduced to a so called", "is the chosen one - or did he become the chosen one by", "task. How can I approach this paradox in a fictional story that has", "one' overcame a certain enemy or challenge in which most other characters would", "certain enemy or challenge in which most other characters would have perished/not succeeded.", "one'. In my experience, being the 'chosen one' is often related to a", "the challenge because he is the chosen one - or did he become", "How can I approach this paradox in a fictional story that has a", "This character or being is of higher power or in general, of different", "I approach this paradox in a fictional story that has a 'chosen one'", "approach this paradox in a fictional story that has a 'chosen one' as", "the 'chosen one' overcame a certain enemy or challenge in which most other", "other characters would have perished/not succeeded. In this specific event, I see a", "Did the character overcome the enemy/succeed in the challenge because he is the", "overcome the enemy/succeed in the challenge because he is the chosen one -", "in a fictional story that has a 'chosen one' as the main character?", "to a so called 'chosen one'. This character or being is of higher", "or other forms of fictional writing, the reader is introduced to a so", "being the 'chosen one' is often related to a certain event in which", "a certain event in which the 'chosen one' overcame a certain enemy or", "related to a certain event in which the 'chosen one' overcame a certain" ]
[ "who the characters are? Also Are flash forwards into an intense scene only", "a bit of a cop-out for not knowing how to manage description vs.", "to jump right into the action without losing the context of where the", "the characters are? Also Are flash forwards into an intense scene only to", "most often in writing books has been where to start. I tend to", "flash forwards into an intense scene only to come back to the start", "cop-out for not knowing how to manage description vs. action. What are great", "action. What are great ways to jump right into the action without losing", "What are great ways to jump right into the action without losing the", "jump into the action and follow it up with a chapter or two", "of a cop-out for not knowing how to manage description vs. action. What", "think one of the challenges I have faced the most often in writing", "story is placed and who the characters are? Also Are flash forwards into", "follow it up with a chapter or two of context, but I'm afraid", "up with a chapter or two of context, but I'm afraid this is", "forwards to jump into the action and follow it up with a chapter", "right into the action without losing the context of where the story is", "challenges I have faced the most often in writing books has been where", "I think one of the challenges I have faced the most often in", "knowing how to manage description vs. action. What are great ways to jump", "of flash forwards to jump into the action and follow it up with", "for not knowing how to manage description vs. action. What are great ways", "is a bit of a cop-out for not knowing how to manage description", "faced the most often in writing books has been where to start. I", "only to come back to the start acceptable, or do they weaken the", "scene only to come back to the start acceptable, or do they weaken", "the most often in writing books has been where to start. I tend", "been where to start. I tend to do a lot of flash forwards", "in writing books has been where to start. I tend to do a", "great ways to jump right into the action without losing the context of", "ways to jump right into the action without losing the context of where", "I'm afraid this is a bit of a cop-out for not knowing how", "into the action without losing the context of where the story is placed", "writing books has been where to start. I tend to do a lot", "into the action and follow it up with a chapter or two of", "the challenges I have faced the most often in writing books has been", "lot of flash forwards to jump into the action and follow it up", "this is a bit of a cop-out for not knowing how to manage", "intense scene only to come back to the start acceptable, or do they", "to jump into the action and follow it up with a chapter or", "a lot of flash forwards to jump into the action and follow it", "without losing the context of where the story is placed and who the", "of where the story is placed and who the characters are? 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Also Are flash forwards into an", "jump right into the action without losing the context of where the story", "I tend to do a lot of flash forwards to jump into the", "have faced the most often in writing books has been where to start.", "vs. action. What are great ways to jump right into the action without", "the context of where the story is placed and who the characters are?", "books has been where to start. I tend to do a lot of", "action and follow it up with a chapter or two of context, but", "placed and who the characters are? Also Are flash forwards into an intense", "a cop-out for not knowing how to manage description vs. action. What are", "the action without losing the context of where the story is placed and", "where the story is placed and who the characters are? Also Are flash", "afraid this is a bit of a cop-out for not knowing how to", "or two of context, but I'm afraid this is a bit of a", "two of context, but I'm afraid this is a bit of a cop-out", "one of the challenges I have faced the most often in writing books", "to manage description vs. action. What are great ways to jump right into", "tend to do a lot of flash forwards to jump into the action", "Are flash forwards into an intense scene only to come back to the", "flash forwards to jump into the action and follow it up with a", "are great ways to jump right into the action without losing the context", "how to manage description vs. action. What are great ways to jump right", "losing the context of where the story is placed and who the characters", "and follow it up with a chapter or two of context, but I'm", "and who the characters are? Also Are flash forwards into an intense scene", "a chapter or two of context, but I'm afraid this is a bit", "do a lot of flash forwards to jump into the action and follow", "where to start. I tend to do a lot of flash forwards to", "into an intense scene only to come back to the start acceptable, or", "not knowing how to manage description vs. action. What are great ways to", "the action and follow it up with a chapter or two of context,", "often in writing books has been where to start. I tend to do", "to do a lot of flash forwards to jump into the action and", "context, but I'm afraid this is a bit of a cop-out for not", "characters are? Also Are flash forwards into an intense scene only to come", "manage description vs. action. What are great ways to jump right into the", "to come back to the start acceptable, or do they weaken the prose?", "action without losing the context of where the story is placed and who", "with a chapter or two of context, but I'm afraid this is a", "to start. I tend to do a lot of flash forwards to jump", "bit of a cop-out for not knowing how to manage description vs. action.", "I have faced the most often in writing books has been where to", "are? Also Are flash forwards into an intense scene only to come back" ]
[ "when it's later revealed officially, but do it in a natural way that's", "get associated with bisexuality in fiction). So basically, I'd really appreciate any help", "already exists and I think I could use is the fact that she's", "enjoy doing that! Just pointing out that it's making it harder for me", "I don't want to make it too obvious before the reveal, as I", "that tends to get associated with bisexuality in fiction). So basically, I'd really", "big failure. By the same token, however, I don't want to make it", "at a character's sexuality so it will seem more natural when it's later", "I could look to for inspiration? I have been looking around but most", "as a hint, or how I would go about it if I did.", "I'm knocking people who enjoy doing that! Just pointing out that it's making", "tends to get associated with bisexuality in fiction). So basically, I'd really appreciate", "because a) it would seem unnatural that there are no signals being sent", "not sure if I could or should use this as a hint, or", "for there to be more than one hint dropped. I did think that", "I don't want her to just come out of nowhere and say that", "reason to believe from the source material that such pairings are remotely likely", "could maybe admit to having crushes on male celebrities known for being effeminate", "in fiction). So basically, I'd really appreciate any help with this that you", "reveal happens, but that if they then go back and look at what", "I have a character who is assumed to be straight, but after a", "want her to just come out of nowhere and say that without any", "have a character who is assumed to be straight, but after a few", "want it to be a surprise to most readers when the reveal happens,", "the start with this reveal in mind this would be a pretty big", "is an unfortunate stereotype that tends to get associated with bisexuality in fiction).", "having trouble at coming up with ways to do it. One aspect of", "more than one hint dropped. I did think that she could maybe admit", "subtle enough that people could miss it but realise the clues were there", "use is the fact that she's a Dezay Bowie fan. I'm just not", "fact that she's a Dezay Bowie fan. I'm just not sure if I", "unfortunate stereotype that tends to get associated with bisexuality in fiction). So basically,", "offensive to the LGBTQ+ community? Are there any good examples out there that", "fact. As she's being written from the start with this reveal in mind", "that she's a Dezay Bowie fan. I'm just not sure if I could", "aspect of the character that already exists and I think I could use", "sexuality so it will seem more natural when it's later revealed officially, but", "seems like it might carry a few unfortunate implications (while she's bisexual she's", "would feel sloppy and even like you retconned this onto the character after", "and b) it would feel sloppy and even like you retconned this onto", "found was fans \"shipping\" characters that they like, in some cases with little", "no signals being sent at all, and b) it would feel sloppy and", "I could use is the fact that she's a Dezay Bowie fan. I'm", "looking around but most of what I found was fans \"shipping\" characters that", "happens, but that if they then go back and look at what they've", "come out of nowhere and say that without any kind of hints first", "it will seem more natural when it's later revealed officially, but do it", "a Dezay Bowie fan. I'm just not sure if I could or should", "are no signals being sent at all, and b) it would feel sloppy", "and even like you retconned this onto the character after the fact. As", "I would go about it if I did. I also would want for", "on male celebrities known for being effeminate but that seems like it might", "coming up with ways to do it. One aspect of the character that", "a hint, or how I would go about it if I did. I", "realise the clues were there in retrospect? How do I do it in", "way that's subtle enough that people could miss it but realise the clues", "celebrities known for being effeminate but that seems like it might carry a", "been looking around but most of what I found was fans \"shipping\" characters", "still want it to be a surprise to most readers when the reveal", "but that if they then go back and look at what they've already", "start with this reveal in mind this would be a pretty big failure.", "make it too obvious before the reveal, as I still want it to", "hint, or how I would go about it if I did. I also", "the reveal happens, but that if they then go back and look at", "could realise that there have been clues to it all along. I'm just", "this as a hint, or how I would go about it if I", "just having trouble at coming up with ways to do it. One aspect", "pairings are remotely likely (Not that I'm knocking people who enjoy doing that!", "a character's sexuality so it will seem more natural when it's later revealed", "to make it too obvious before the reveal, as I still want it", "also not promiscuous, which I know is an unfortunate stereotype that tends to", "in a natural way that's subtle enough that people could miss it but", "way that's not unintentionally offensive to the LGBTQ+ community? Are there any good", "to it all along. I'm just having trouble at coming up with ways", "onto the character after the fact. As she's being written from the start", "it might carry a few unfortunate implications (while she's bisexual she's also not", "it in a way that's not unintentionally offensive to the LGBTQ+ community? Are", "that's subtle enough that people could miss it but realise the clues were", "officially, but do it in a natural way that's subtle enough that people", "might carry a few unfortunate implications (while she's bisexual she's also not promiscuous,", "should use this as a hint, or how I would go about it", "for being effeminate but that seems like it might carry a few unfortunate", "the same token, however, I don't want to make it too obvious before", "having crushes on male celebrities known for being effeminate but that seems like", "surprise to most readers when the reveal happens, but that if they then", "I know is an unfortunate stereotype that tends to get associated with bisexuality", "months reveals herself to be bisexual. I don't want her to just come", "reveals herself to be bisexual. I don't want her to just come out", "trouble at coming up with ways to do it. One aspect of the", "they've already seen they could realise that there have been clues to it", "few unfortunate implications (while she's bisexual she's also not promiscuous, which I know", "of the character that already exists and I think I could use is", "to be bisexual. I don't want her to just come out of nowhere", "written from the start with this reveal in mind this would be a", "after a few months reveals herself to be bisexual. I don't want her", "few months reveals herself to be bisexual. I don't want her to just", "I found was fans \"shipping\" characters that they like, in some cases with", "to most readers when the reveal happens, but that if they then go", "How do I do it in a way that's not unintentionally offensive to", "nowhere and say that without any kind of hints first because a) it", "any good examples out there that I could look to for inspiration? I", "the fact. As she's being written from the start with this reveal in", "obvious before the reveal, as I still want it to be a surprise", "would go about it if I did. I also would want for there", "sloppy and even like you retconned this onto the character after the fact.", "(Not that I'm knocking people who enjoy doing that! Just pointing out that", "fan. I'm just not sure if I could or should use this as", "promiscuous, which I know is an unfortunate stereotype that tends to get associated", "it too obvious before the reveal, as I still want it to be", "known for being effeminate but that seems like it might carry a few", "could use is the fact that she's a Dezay Bowie fan. I'm just", "think that she could maybe admit to having crushes on male celebrities known", "can offer. How can I hint at a character's sexuality so it will", "crushes on male celebrities known for being effeminate but that seems like it", "pointing out that it's making it harder for me to research this topic).", "it would feel sloppy and even like you retconned this onto the character", "like you retconned this onto the character after the fact. As she's being", "retrospect? How do I do it in a way that's not unintentionally offensive", "it. One aspect of the character that already exists and I think I", "readers when the reveal happens, but that if they then go back and", "most readers when the reveal happens, but that if they then go back", "she's bisexual she's also not promiscuous, which I know is an unfortunate stereotype", "as I still want it to be a surprise to most readers when", "also would want for there to be more than one hint dropped. I", "it's later revealed officially, but do it in a natural way that's subtle", "I still want it to be a surprise to most readers when the", "I also would want for there to be more than one hint dropped.", "however, I don't want to make it too obvious before the reveal, as", "there are no signals being sent at all, and b) it would feel", "I think I could use is the fact that she's a Dezay Bowie", "you can offer. How can I hint at a character's sexuality so it", "appreciate any help with this that you can offer. How can I hint", "mind this would be a pretty big failure. By the same token, however,", "b) it would feel sloppy and even like you retconned this onto the", "the LGBTQ+ community? Are there any good examples out there that I could", "there have been clues to it all along. I'm just having trouble at", "she's a Dezay Bowie fan. I'm just not sure if I could or", "back and look at what they've already seen they could realise that there", "straight, but after a few months reveals herself to be bisexual. I don't", "one hint dropped. I did think that she could maybe admit to having", "offer. How can I hint at a character's sexuality so it will seem", "it to be a surprise to most readers when the reveal happens, but", "to be a surprise to most readers when the reveal happens, but that", "sure if I could or should use this as a hint, or how", "that I'm knocking people who enjoy doing that! Just pointing out that it's", "would seem unnatural that there are no signals being sent at all, and", "up with ways to do it. One aspect of the character that already", "bisexual. I don't want her to just come out of nowhere and say", "in retrospect? How do I do it in a way that's not unintentionally", "admit to having crushes on male celebrities known for being effeminate but that", "without any kind of hints first because a) it would seem unnatural that", "like it might carry a few unfortunate implications (while she's bisexual she's also", "could miss it but realise the clues were there in retrospect? How do", "you retconned this onto the character after the fact. As she's being written", "her to just come out of nowhere and say that without any kind", "unintentionally offensive to the LGBTQ+ community? Are there any good examples out there", "just not sure if I could or should use this as a hint,", "enough that people could miss it but realise the clues were there in", "out of nowhere and say that without any kind of hints first because", "after the fact. As she's being written from the start with this reveal", "signals being sent at all, and b) it would feel sloppy and even", "revealed officially, but do it in a natural way that's subtle enough that", "characters that they like, in some cases with little reason to believe from", "knocking people who enjoy doing that! Just pointing out that it's making it", "with ways to do it. One aspect of the character that already exists", "\"shipping\" characters that they like, in some cases with little reason to believe", "it would seem unnatural that there are no signals being sent at all,", "they like, in some cases with little reason to believe from the source", "can I hint at a character's sexuality so it will seem more natural", "some cases with little reason to believe from the source material that such", "exists and I think I could use is the fact that she's a", "such pairings are remotely likely (Not that I'm knocking people who enjoy doing", "token, however, I don't want to make it too obvious before the reveal,", "have been clues to it all along. I'm just having trouble at coming", "of hints first because a) it would seem unnatural that there are no", "being written from the start with this reveal in mind this would be", "maybe admit to having crushes on male celebrities known for being effeminate but", "Just pointing out that it's making it harder for me to research this", "clues to it all along. I'm just having trouble at coming up with", "stereotype that tends to get associated with bisexuality in fiction). So basically, I'd", "carry a few unfortunate implications (while she's bisexual she's also not promiscuous, which", "all, and b) it would feel sloppy and even like you retconned this", "that there are no signals being sent at all, and b) it would", "Bowie fan. I'm just not sure if I could or should use this", "or how I would go about it if I did. I also would", "she's also not promiscuous, which I know is an unfortunate stereotype that tends", "natural way that's subtle enough that people could miss it but realise the", "if they then go back and look at what they've already seen they", "to do it. One aspect of the character that already exists and I", "that already exists and I think I could use is the fact that", "do it in a natural way that's subtle enough that people could miss", "I did. I also would want for there to be more than one", "look to for inspiration? I have been looking around but most of what", "don't want to make it too obvious before the reveal, as I still", "any kind of hints first because a) it would seem unnatural that there", "it if I did. I also would want for there to be more", "be a surprise to most readers when the reveal happens, but that if", "first because a) it would seem unnatural that there are no signals being", "out there that I could look to for inspiration? I have been looking", "One aspect of the character that already exists and I think I could", "have been looking around but most of what I found was fans \"shipping\"", "for inspiration? I have been looking around but most of what I found", "the reveal, as I still want it to be a surprise to most", "know is an unfortunate stereotype that tends to get associated with bisexuality in", "don't want her to just come out of nowhere and say that without", "the character that already exists and I think I could use is the", "a way that's not unintentionally offensive to the LGBTQ+ community? Are there any", "realise that there have been clues to it all along. I'm just having", "what they've already seen they could realise that there have been clues to", "she's being written from the start with this reveal in mind this would", "to believe from the source material that such pairings are remotely likely (Not", "that I could look to for inspiration? I have been looking around but", "want to make it too obvious before the reveal, as I still want", "I'd really appreciate any help with this that you can offer. How can", "so it will seem more natural when it's later revealed officially, but do", "it but realise the clues were there in retrospect? How do I do", "but after a few months reveals herself to be bisexual. I don't want", "were there in retrospect? How do I do it in a way that's", "character's sexuality so it will seem more natural when it's later revealed officially,", "just come out of nowhere and say that without any kind of hints", "what I found was fans \"shipping\" characters that they like, in some cases", "hint at a character's sexuality so it will seem more natural when it's", "a few months reveals herself to be bisexual. I don't want her to", "in mind this would be a pretty big failure. By the same token,", "character after the fact. As she's being written from the start with this", "people could miss it but realise the clues were there in retrospect? How", "are remotely likely (Not that I'm knocking people who enjoy doing that! Just", "pretty big failure. By the same token, however, I don't want to make", "clues were there in retrospect? How do I do it in a way", "people who enjoy doing that! Just pointing out that it's making it harder", "already seen they could realise that there have been clues to it all", "So basically, I'd really appreciate any help with this that you can offer.", "be more than one hint dropped. I did think that she could maybe", "help with this that you can offer. How can I hint at a", "seen they could realise that there have been clues to it all along.", "did think that she could maybe admit to having crushes on male celebrities", "use this as a hint, or how I would go about it if", "Are there any good examples out there that I could look to for", "feel sloppy and even like you retconned this onto the character after the", "good examples out there that I could look to for inspiration? I have", "want for there to be more than one hint dropped. I did think", "most of what I found was fans \"shipping\" characters that they like, in", "a surprise to most readers when the reveal happens, but that if they", "Dezay Bowie fan. I'm just not sure if I could or should use", "who enjoy doing that! Just pointing out that it's making it harder for", "herself to be bisexual. I don't want her to just come out of", "that she could maybe admit to having crushes on male celebrities known for", "there to be more than one hint dropped. I did think that she", "go back and look at what they've already seen they could realise that", "that if they then go back and look at what they've already seen", "at all, and b) it would feel sloppy and even like you retconned", "more natural when it's later revealed officially, but do it in a natural", "that such pairings are remotely likely (Not that I'm knocking people who enjoy", "this would be a pretty big failure. By the same token, however, I", "effeminate but that seems like it might carry a few unfortunate implications (while", "it all along. I'm just having trouble at coming up with ways to", "to the LGBTQ+ community? Are there any good examples out there that I", "material that such pairings are remotely likely (Not that I'm knocking people who", "of what I found was fans \"shipping\" characters that they like, in some", "they then go back and look at what they've already seen they could", "(while she's bisexual she's also not promiscuous, which I know is an unfortunate", "is assumed to be straight, but after a few months reveals herself to", "too obvious before the reveal, as I still want it to be a", "there in retrospect? How do I do it in a way that's not", "I did think that she could maybe admit to having crushes on male", "a few unfortunate implications (while she's bisexual she's also not promiscuous, which I", "to just come out of nowhere and say that without any kind of", "unfortunate implications (while she's bisexual she's also not promiscuous, which I know is", "when the reveal happens, but that if they then go back and look", "I'm just not sure if I could or should use this as a", "there that I could look to for inspiration? I have been looking around", "fans \"shipping\" characters that they like, in some cases with little reason to", "source material that such pairings are remotely likely (Not that I'm knocking people", "be a pretty big failure. By the same token, however, I don't want", "being effeminate but that seems like it might carry a few unfortunate implications", "that without any kind of hints first because a) it would seem unnatural", "sent at all, and b) it would feel sloppy and even like you", "with this reveal in mind this would be a pretty big failure. By", "I have been looking around but most of what I found was fans", "kind of hints first because a) it would seem unnatural that there are", "but that seems like it might carry a few unfortunate implications (while she's", "like, in some cases with little reason to believe from the source material", "who is assumed to be straight, but after a few months reveals herself", "would be a pretty big failure. By the same token, however, I don't", "seem unnatural that there are no signals being sent at all, and b)", "that! Just pointing out that it's making it harder for me to research", "assumed to be straight, but after a few months reveals herself to be", "character that already exists and I think I could use is the fact", "then go back and look at what they've already seen they could realise", "that you can offer. How can I hint at a character's sexuality so", "do I do it in a way that's not unintentionally offensive to the", "unnatural that there are no signals being sent at all, and b) it", "By the same token, however, I don't want to make it too obvious", "been clues to it all along. I'm just having trouble at coming up", "doing that! Just pointing out that it's making it harder for me to", "than one hint dropped. I did think that she could maybe admit to", "of nowhere and say that without any kind of hints first because a)", "inspiration? I have been looking around but most of what I found was", "this that you can offer. How can I hint at a character's sexuality", "at coming up with ways to do it. One aspect of the character", "was fans \"shipping\" characters that they like, in some cases with little reason", "is the fact that she's a Dezay Bowie fan. I'm just not sure", "could look to for inspiration? I have been looking around but most of", "retconned this onto the character after the fact. As she's being written from", "that they like, in some cases with little reason to believe from the", "before the reveal, as I still want it to be a surprise to", "cases with little reason to believe from the source material that such pairings", "reveal in mind this would be a pretty big failure. By the same", "a pretty big failure. By the same token, however, I don't want to", "that there have been clues to it all along. I'm just having trouble", "in a way that's not unintentionally offensive to the LGBTQ+ community? Are there", "but realise the clues were there in retrospect? How do I do it", "I hint at a character's sexuality so it will seem more natural when", "basically, I'd really appreciate any help with this that you can offer. How", "this reveal in mind this would be a pretty big failure. By the", "later revealed officially, but do it in a natural way that's subtle enough", "with this that you can offer. How can I hint at a character's", "she could maybe admit to having crushes on male celebrities known for being", "to get associated with bisexuality in fiction). So basically, I'd really appreciate any", "and look at what they've already seen they could realise that there have", "there any good examples out there that I could look to for inspiration?", "at what they've already seen they could realise that there have been clues", "reveal, as I still want it to be a surprise to most readers", "LGBTQ+ community? Are there any good examples out there that I could look", "natural when it's later revealed officially, but do it in a natural way", "do it. One aspect of the character that already exists and I think", "character who is assumed to be straight, but after a few months reveals", "they could realise that there have been clues to it all along. I'm", "about it if I did. I also would want for there to be", "an unfortunate stereotype that tends to get associated with bisexuality in fiction). So", "the source material that such pairings are remotely likely (Not that I'm knocking", "examples out there that I could look to for inspiration? I have been", "all along. I'm just having trouble at coming up with ways to do", "even like you retconned this onto the character after the fact. As she's", "from the source material that such pairings are remotely likely (Not that I'm", "failure. By the same token, however, I don't want to make it too", "not promiscuous, which I know is an unfortunate stereotype that tends to get", "community? Are there any good examples out there that I could look to", "with bisexuality in fiction). So basically, I'd really appreciate any help with this", "to for inspiration? I have been looking around but most of what I", "be bisexual. I don't want her to just come out of nowhere and", "likely (Not that I'm knocking people who enjoy doing that! Just pointing out", "will seem more natural when it's later revealed officially, but do it in", "being sent at all, and b) it would feel sloppy and even like", "this onto the character after the fact. As she's being written from the", "and say that without any kind of hints first because a) it would", "really appreciate any help with this that you can offer. How can I", "that people could miss it but realise the clues were there in retrospect?", "that's not unintentionally offensive to the LGBTQ+ community? Are there any good examples", "a character who is assumed to be straight, but after a few months", "but most of what I found was fans \"shipping\" characters that they like,", "how I would go about it if I did. I also would want", "the character after the fact. As she's being written from the start with", "any help with this that you can offer. How can I hint at", "and I think I could use is the fact that she's a Dezay", "a) it would seem unnatural that there are no signals being sent at", "As she's being written from the start with this reveal in mind this", "the fact that she's a Dezay Bowie fan. I'm just not sure if", "fiction). So basically, I'd really appreciate any help with this that you can", "it in a natural way that's subtle enough that people could miss it", "not unintentionally offensive to the LGBTQ+ community? Are there any good examples out", "could or should use this as a hint, or how I would go", "I do it in a way that's not unintentionally offensive to the LGBTQ+", "be straight, but after a few months reveals herself to be bisexual. I", "implications (while she's bisexual she's also not promiscuous, which I know is an", "that seems like it might carry a few unfortunate implications (while she's bisexual", "associated with bisexuality in fiction). So basically, I'd really appreciate any help with", "same token, however, I don't want to make it too obvious before the", "miss it but realise the clues were there in retrospect? How do I", "along. I'm just having trouble at coming up with ways to do it.", "to having crushes on male celebrities known for being effeminate but that seems", "to be more than one hint dropped. I did think that she could", "believe from the source material that such pairings are remotely likely (Not that", "from the start with this reveal in mind this would be a pretty", "bisexual she's also not promiscuous, which I know is an unfortunate stereotype that", "male celebrities known for being effeminate but that seems like it might carry", "ways to do it. One aspect of the character that already exists and", "if I did. I also would want for there to be more than", "bisexuality in fiction). So basically, I'd really appreciate any help with this that", "look at what they've already seen they could realise that there have been", "did. I also would want for there to be more than one hint", "in some cases with little reason to believe from the source material that", "or should use this as a hint, or how I would go about", "do it in a way that's not unintentionally offensive to the LGBTQ+ community?", "if I could or should use this as a hint, or how I", "a natural way that's subtle enough that people could miss it but realise", "hints first because a) it would seem unnatural that there are no signals", "the clues were there in retrospect? How do I do it in a", "I could or should use this as a hint, or how I would", "to be straight, but after a few months reveals herself to be bisexual.", "which I know is an unfortunate stereotype that tends to get associated with", "think I could use is the fact that she's a Dezay Bowie fan.", "go about it if I did. I also would want for there to", "around but most of what I found was fans \"shipping\" characters that they", "hint dropped. I did think that she could maybe admit to having crushes", "seem more natural when it's later revealed officially, but do it in a", "say that without any kind of hints first because a) it would seem", "dropped. I did think that she could maybe admit to having crushes on", "How can I hint at a character's sexuality so it will seem more", "but do it in a natural way that's subtle enough that people could", "with little reason to believe from the source material that such pairings are", "would want for there to be more than one hint dropped. I did", "little reason to believe from the source material that such pairings are remotely", "I'm just having trouble at coming up with ways to do it. One", "remotely likely (Not that I'm knocking people who enjoy doing that! Just pointing" ]
[ "with no particular conventions unique to the genre (so not an academic paper", "(so not an academic paper or anything special). Question: Are co-authors writing separate", "each writing our own short acknowledgements sections. For context, assume the book is", "on who to thank. So, we're thinking of each writing our own short", "own short acknowledgements sections. For context, assume the book is just a regular", "and we disagree on who to thank. So, we're thinking of each writing", "short acknowledgements sections. For context, assume the book is just a regular book", "no particular conventions unique to the genre (so not an academic paper or", "not an academic paper or anything special). Question: Are co-authors writing separate acknowledgements", "writing separate acknowledgements unheard of or considered odd? Personally, I haven't seen it", "we're thinking of each writing our own short acknowledgements sections. For context, assume", "writing a book with a co-author, and we disagree on who to thank.", "a regular book with no particular conventions unique to the genre (so not", "a co-author, and we disagree on who to thank. So, we're thinking of", "For context, assume the book is just a regular book with no particular", "assume the book is just a regular book with no particular conventions unique", "unheard of or considered odd? Personally, I haven't seen it in any books", "book with no particular conventions unique to the genre (so not an academic", "we disagree on who to thank. So, we're thinking of each writing our", "the book is just a regular book with no particular conventions unique to", "conventions unique to the genre (so not an academic paper or anything special).", "book is just a regular book with no particular conventions unique to the", "sections. For context, assume the book is just a regular book with no", "Question: Are co-authors writing separate acknowledgements unheard of or considered odd? Personally, I", "to the genre (so not an academic paper or anything special). Question: Are", "regular book with no particular conventions unique to the genre (so not an", "co-author, and we disagree on who to thank. So, we're thinking of each", "context, assume the book is just a regular book with no particular conventions", "is just a regular book with no particular conventions unique to the genre", "particular conventions unique to the genre (so not an academic paper or anything", "co-authors writing separate acknowledgements unheard of or considered odd? Personally, I haven't seen", "our own short acknowledgements sections. For context, assume the book is just a", "or considered odd? Personally, I haven't seen it in any books I've read.", "separate acknowledgements unheard of or considered odd? Personally, I haven't seen it in", "of each writing our own short acknowledgements sections. For context, assume the book", "who to thank. So, we're thinking of each writing our own short acknowledgements", "thank. So, we're thinking of each writing our own short acknowledgements sections. For", "just a regular book with no particular conventions unique to the genre (so", "the genre (so not an academic paper or anything special). Question: Are co-authors", "an academic paper or anything special). Question: Are co-authors writing separate acknowledgements unheard", "thinking of each writing our own short acknowledgements sections. For context, assume the", "disagree on who to thank. So, we're thinking of each writing our own", "with a co-author, and we disagree on who to thank. So, we're thinking", "writing our own short acknowledgements sections. For context, assume the book is just", "Are co-authors writing separate acknowledgements unheard of or considered odd? Personally, I haven't", "unique to the genre (so not an academic paper or anything special). Question:", "or anything special). Question: Are co-authors writing separate acknowledgements unheard of or considered", "a book with a co-author, and we disagree on who to thank. So,", "to thank. So, we're thinking of each writing our own short acknowledgements sections.", "acknowledgements unheard of or considered odd? Personally, I haven't seen it in any", "anything special). Question: Are co-authors writing separate acknowledgements unheard of or considered odd?", "I'm writing a book with a co-author, and we disagree on who to", "of or considered odd? Personally, I haven't seen it in any books I've", "academic paper or anything special). Question: Are co-authors writing separate acknowledgements unheard of", "special). Question: Are co-authors writing separate acknowledgements unheard of or considered odd? Personally,", "book with a co-author, and we disagree on who to thank. So, we're", "So, we're thinking of each writing our own short acknowledgements sections. For context,", "paper or anything special). Question: Are co-authors writing separate acknowledgements unheard of or", "genre (so not an academic paper or anything special). Question: Are co-authors writing", "acknowledgements sections. For context, assume the book is just a regular book with" ]
[ "is there something else I need to consider? I am writing in third", "advice in which order to name my characters. For example, if I want", "just name them in random order or is there something else I need", "tell that Bob, Zotn and Rob entered the room should I just name", "there is a rule or advice in which order to name my characters.", "want to tell that Bob, Zotn and Rob entered the room should I", "and Rob entered the room should I just name them in random order", "room should I just name them in random order or is there something", "Rob entered the room should I just name them in random order or", "to name my characters. For example, if I want to tell that Bob,", "should I just name them in random order or is there something else", "my characters. For example, if I want to tell that Bob, Zotn and", "or is there something else I need to consider? I am writing in", "if there is a rule or advice in which order to name my", "example, if I want to tell that Bob, Zotn and Rob entered the", "I need to consider? I am writing in third person limited if that`s", "For example, if I want to tell that Bob, Zotn and Rob entered", "is a rule or advice in which order to name my characters. For", "characters. For example, if I want to tell that Bob, Zotn and Rob", "if I want to tell that Bob, Zotn and Rob entered the room", "order or is there something else I need to consider? I am writing", "rule or advice in which order to name my characters. For example, if", "which order to name my characters. For example, if I want to tell", "Bob, Zotn and Rob entered the room should I just name them in", "entered the room should I just name them in random order or is", "the room should I just name them in random order or is there", "else I need to consider? I am writing in third person limited if", "name them in random order or is there something else I need to", "random order or is there something else I need to consider? I am", "name my characters. For example, if I want to tell that Bob, Zotn", "Zotn and Rob entered the room should I just name them in random", "I just name them in random order or is there something else I", "there something else I need to consider? I am writing in third person", "a rule or advice in which order to name my characters. For example,", "I was wondering if there is a rule or advice in which order", "need to consider? I am writing in third person limited if that`s relevant.", "was wondering if there is a rule or advice in which order to", "wondering if there is a rule or advice in which order to name", "them in random order or is there something else I need to consider?", "order to name my characters. For example, if I want to tell that", "that Bob, Zotn and Rob entered the room should I just name them", "or advice in which order to name my characters. For example, if I", "something else I need to consider? I am writing in third person limited", "in which order to name my characters. For example, if I want to", "I want to tell that Bob, Zotn and Rob entered the room should", "to tell that Bob, Zotn and Rob entered the room should I just", "in random order or is there something else I need to consider? I" ]
[ "dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I have a question about. Well,", "for it on a re-read, is there anything specific I could check for", "doesn't have the right rhythm or pace. I can't help but give a", "things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's", "most worried I won't notice when a sentence doesn't have the right rhythm", "stress patterns and syllable counts and it feels like you could \"fit music\"", "music\" to any of them. When checking for it on a re-read, is", "otherwise, and maybe work out what it'll take to fix them. Things you", "might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and grammar, long", "of spelling, punctuatio and grammar, long or convoluted sentences, repetition, and poorly chosen", "it'll take to fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations,", "patterns and syllable counts and it feels like you could \"fit music\" to", "their work aloud to spot issues they wouldn't otherwise, and maybe work out", "to read their work aloud to spot issues they wouldn't otherwise, and maybe", "syllable counts and it feels like you could \"fit music\" to any of", "checking for it on a re-read, is there anything specific I could check", "when a sentence doesn't have the right rhythm or pace. I can't help", "and grammar, long or convoluted sentences, repetition, and poorly chosen register (what the", "or pace. I can't help but give a rhythm to each sentence I", "Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and", "worried I won't notice when a sentence doesn't have the right rhythm or", "notice when a sentence doesn't have the right rhythm or pace. I can't", "a feel of what that is. I'm most worried I won't notice when", "what that is. I'm most worried I won't notice when a sentence doesn't", "above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or", "I'm most worried I won't notice when a sentence doesn't have the right", "chosen register (what the source linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/)", "subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue).", "I can't help but give a rhythm to each sentence I write that", "work out what it'll take to fix them. Things you might otherwise miss", "long or convoluted sentences, repetition, and poorly chosen register (what the source linked", "explanations, errors of spelling, punctuatio and grammar, long or convoluted sentences, repetition, and", "or convoluted sentences, repetition, and poorly chosen register (what the source linked above", "Well, not so much stilted dialogue; the above link gives me a feel", "pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I have a", "fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling,", "tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace, or", "convoluted sentences, repetition, and poorly chosen register (what the source linked above calls", "give a rhythm to each sentence I write that feels like it makes", "combinations of stress patterns and syllable counts and it feels like you could", "read their work aloud to spot issues they wouldn't otherwise, and maybe work", "and it feels like you could \"fit music\" to any of them. When", "errors of spelling, punctuatio and grammar, long or convoluted sentences, repetition, and poorly", "have a question about. Well, not so much stilted dialogue; the above link", "it makes sense as I'm doing it, but there are so many combinations", "maybe work out what it'll take to fix them. Things you might otherwise", "of what that is. I'm most worried I won't notice when a sentence", "gives me a feel of what that is. I'm most worried I won't", "they wouldn't otherwise, and maybe work out what it'll take to fix them.", "rhythm to each sentence I write that feels like it makes sense as", "work aloud to spot issues they wouldn't otherwise, and maybe work out what", "to fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of", "[\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I have a question about.", "dialogue; the above link gives me a feel of what that is. I'm", "\"fit music\" to any of them. When checking for it on a re-read,", "on a re-read, is there anything specific I could check for that's easily", "can't help but give a rhythm to each sentence I write that feels", "are so many combinations of stress patterns and syllable counts and it feels", "wouldn't otherwise, and maybe work out what it'll take to fix them. Things", "link gives me a feel of what that is. I'm most worried I", "pace. I can't help but give a rhythm to each sentence I write", "a rhythm to each sentence I write that feels like it makes sense", "many combinations of stress patterns and syllable counts and it feels like you", "It's this second set of concerns I have a question about. Well, not", "a sentence doesn't have the right rhythm or pace. I can't help but", "miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and grammar, long or convoluted", "[include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and grammar, long or convoluted sentences,", "poor explanations, errors of spelling, punctuatio and grammar, long or convoluted sentences, repetition,", "that is. I'm most worried I won't notice when a sentence doesn't have", "you could \"fit music\" to any of them. When checking for it on", "so many combinations of stress patterns and syllable counts and it feels like", "issues they wouldn't otherwise, and maybe work out what it'll take to fix", "each sentence I write that feels like it makes sense as I'm doing", "out what it'll take to fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/)", "second set of concerns I have a question about. Well, not so much", "sentence doesn't have the right rhythm or pace. I can't help but give", "Writers are advised to read their work aloud to spot issues they wouldn't", "spelling, punctuatio and grammar, long or convoluted sentences, repetition, and poorly chosen register", "advised to read their work aloud to spot issues they wouldn't otherwise, and", "poorly chosen register (what the source linked above calls tone). More subjective things", "source linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's", "right rhythm or pace. I can't help but give a rhythm to each", "makes sense as I'm doing it, but there are so many combinations of", "to each sentence I write that feels like it makes sense as I'm", "so much stilted dialogue; the above link gives me a feel of what", "spot issues they wouldn't otherwise, and maybe work out what it'll take to", "linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm", "More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace, or [\"stilted\"", "a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of", "of stress patterns and syllable counts and it feels like you could \"fit", "(what the source linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with", "aloud to spot issues they wouldn't otherwise, and maybe work out what it'll", "is. I'm most worried I won't notice when a sentence doesn't have the", "won't notice when a sentence doesn't have the right rhythm or pace. I", "any of them. When checking for it on a re-read, is there anything", "not so much stilted dialogue; the above link gives me a feel of", "I write that feels like it makes sense as I'm doing it, but", "set of concerns I have a question about. Well, not so much stilted", "rhythm or pace. I can't help but give a rhythm to each sentence", "like it makes sense as I'm doing it, but there are so many", "or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I have a question", "otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and grammar, long or", "are advised to read their work aloud to spot issues they wouldn't otherwise,", "When checking for it on a re-read, is there anything specific I could", "you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio and grammar,", "or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I have", "of concerns I have a question about. Well, not so much stilted dialogue;", "have the right rhythm or pace. I can't help but give a rhythm", "about. Well, not so much stilted dialogue; the above link gives me a", "them. When checking for it on a re-read, is there anything specific I", "I won't notice when a sentence doesn't have the right rhythm or pace.", "the above link gives me a feel of what that is. I'm most", "the right rhythm or pace. I can't help but give a rhythm to", "repetition, and poorly chosen register (what the source linked above calls tone). More", "of them. When checking for it on a re-read, is there anything specific", "and syllable counts and it feels like you could \"fit music\" to any", "a re-read, is there anything specific I could check for that's easily overlooked?", "this second set of concerns I have a question about. Well, not so", "sentence I write that feels like it makes sense as I'm doing it,", "sentences, repetition, and poorly chosen register (what the source linked above calls tone).", "counts and it feels like you could \"fit music\" to any of them.", "what it'll take to fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor", "with a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set", "doing it, but there are so many combinations of stress patterns and syllable", "sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns", "I'm doing it, but there are so many combinations of stress patterns and", "help but give a rhythm to each sentence I write that feels like", "[include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this", "as I'm doing it, but there are so many combinations of stress patterns", "problems with a sentence's rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second", "punctuatio and grammar, long or convoluted sentences, repetition, and poorly chosen register (what", "it feels like you could \"fit music\" to any of them. When checking", "it on a re-read, is there anything specific I could check for that's", "question about. Well, not so much stilted dialogue; the above link gives me", "that feels like it makes sense as I'm doing it, but there are", "but give a rhythm to each sentence I write that feels like it", "them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors of spelling, punctuatio", "write that feels like it makes sense as I'm doing it, but there", "feel of what that is. I'm most worried I won't notice when a", "feels like it makes sense as I'm doing it, but there are so", "me a feel of what that is. I'm most worried I won't notice", "but there are so many combinations of stress patterns and syllable counts and", "rhythm or pace, or [\"stilted\" dialogue](http://www.writersdigest.com/writing-articles/stilted-dialogue). It's this second set of concerns I", "much stilted dialogue; the above link gives me a feel of what that", "I have a question about. Well, not so much stilted dialogue; the above", "register (what the source linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems", "concerns I have a question about. Well, not so much stilted dialogue; the", "and poorly chosen register (what the source linked above calls tone). More subjective", "there are so many combinations of stress patterns and syllable counts and it", "sense as I'm doing it, but there are so many combinations of stress", "to any of them. When checking for it on a re-read, is there", "feels like you could \"fit music\" to any of them. When checking for", "grammar, long or convoluted sentences, repetition, and poorly chosen register (what the source", "the source linked above calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a", "calls tone). More subjective things [include](https://www.standoutbooks.com/reading-aloud-improve-writing/) problems with a sentence's rhythm or pace,", "and maybe work out what it'll take to fix them. Things you might", "it, but there are so many combinations of stress patterns and syllable counts", "like you could \"fit music\" to any of them. When checking for it", "to spot issues they wouldn't otherwise, and maybe work out what it'll take", "take to fix them. Things you might otherwise miss [include](https://writingcenter.unc.edu/tips-and-tools/reading-aloud/) poor explanations, errors", "above link gives me a feel of what that is. I'm most worried", "could \"fit music\" to any of them. When checking for it on a", "stilted dialogue; the above link gives me a feel of what that is.", "a question about. Well, not so much stilted dialogue; the above link gives" ]
[ "a monstrous dog. Towards the end of the trilogy, it's revealed that Fenrisúlfr", "As such, it believes that the only way that it can prevent the", "appearing to him in the form of a monstrous dog. Towards the end", "so far beyond human comprehension that our concepts of good and evil cannot", "Fenrisúlfr as it's primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King", "clinging to his nihilistic worldview, while appearing to him in the form of", "supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying", "that form an interdimensional portal allowing Fenrisúlfr to escape from within a black", "in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only way that it", "the universe's destruction is to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To", "order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving", "figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life,", "to escape from within a black hole, in exchange for [granting their deepest", "selfish desires and clinging to his nihilistic worldview, while appearing to him in", "[villain defined by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to", "to a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes", "that is simply so far beyond human comprehension that our concepts of good", "form of a monstrous dog. Towards the end of the trilogy, it's revealed", "allowing Fenrisúlfr to escape from within a black hole, in exchange for [granting", "Indo-European and Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon,", "the trilogy, it's revealed that Fenrisúlfr is responsible for the [destruction of countless", "comprehension that our concepts of good and evil cannot be applied to it.", "certain people in their dreams, as loved ones or religious deities to [persuade", "to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires and clinging to his", "the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires", "weapons called Divine Tools that form an interdimensional portal allowing Fenrisúlfr to escape", "monsters from various Indo-European and Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu,", "our concepts of good and evil cannot be applied to it. *How would", "their dreams, as loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding", "them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools that form an interdimensional portal", "its name suggests, Fenris. Rather than writing Fenrisúlfr as a [villain defined by", "protagonist into gratifying his selfish desires and clinging to his nihilistic worldview, while", "dreams, as loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient", "of a monstrous dog. Towards the end of the trilogy, it's revealed that", "Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as its", "such, it believes that the only way that it can prevent the universe's", "that happens in the series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr", "Dahāka, Satan and, as its name suggests, Fenris. Rather than writing Fenrisúlfr as", "end of the trilogy, it's revealed that Fenrisúlfr is responsible for the [destruction", "[Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad thing", "of the trilogy, it's revealed that Fenrisúlfr is responsible for the [destruction of", "a black hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series,", "while appearing to him in the form of a monstrous dog. Towards the", "from various Indo-European and Afro-Asiatic Chaoskampf* myths such as Tiamat, Kāliya, Ḫedammu, Leviathan,", "that the only way that it can prevent the universe's destruction is to", "and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their", "writing Fenrisúlfr as a [villain defined by it's desire to cause death and", "inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic Chaoskampf myths such as Tiamat,", "in the series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain", "mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all", "an interdimensional portal allowing Fenrisúlfr to escape from within a black hole, in", "Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad thing that", "it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in order", "is simply so far beyond human comprehension that our concepts of good and", "into finding ancient weapons called Divine Tools that form an interdimensional portal allowing", "the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of", "to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its", "to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving as", "Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra,", "interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of hatred for organic life,", "such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka,", "life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic", "Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as", "Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as its name suggests, Fenris. Rather", "life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon itself to", "Rather than writing Fenrisúlfr as a [villain defined by it's desire to cause", "to exterminate humanity out of hatred for organic life, which it likens to", "portal allowing Fenrisúlfr to escape from within a black hole, in exchange for", "from within a black hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout", "universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical", "a [villain defined by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want", "way that it can prevent the universe's destruction is to [eradicate all organic", "It is single-handedly responsible for every bad thing that happens in the series", "[actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams, as", "it's primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh),", "features an [otherworldly monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose characterisation takes", "him in the form of a monstrous dog. Towards the end of the", "took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in", "all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and", "religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools that", "likens to a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it", "destruction is to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end,", "Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas,", "monstrous dog. Towards the end of the trilogy, it's revealed that Fenrisúlfr is", "as its name suggests, Fenris. Rather than writing Fenrisúlfr as a [villain defined", "[tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires and clinging to", "for monsters from various Indo-European and Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya,", "myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži", "to his nihilistic worldview, while appearing to him in the form of a", "its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll)", "for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out", "called Divine Tools that form an interdimensional portal allowing Fenrisúlfr to escape from", "civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of hatred for organic life, which", "a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that", "[while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic Chaoskampf", "is single-handedly responsible for every bad thing that happens in the series and", "in the form of a monstrous dog. Towards the end of the trilogy,", "the form of a monstrous dog. Towards the end of the trilogy, it's", "humanity out of hatred for organic life, which it likens to a [plague", "consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only way", "prevent the universe's destruction is to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac).", "historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of", "Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as its name", "exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter)", "defined by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray", "responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity", "Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as its name suggests,", "as a [villain defined by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I", "I want to portray it as a being that is simply so far", "in their dreams, as loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into", "death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a being that is", "destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a being that is simply so", "universe's destruction is to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this", "[in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while", "as it's primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)),", "the series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people", "the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams,", "black hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr", "nihilistic worldview, while appearing to him in the form of a monstrous dog.", "it likens to a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such,", "believes that the only way that it can prevent the universe's destruction is", "[eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it", "[granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist", "and Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm,", "Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad thing that happens in the", "and evil cannot be applied to it. How would I be able to", "Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires and clinging", "the protagonist into gratifying his selfish desires and clinging to his nihilistic worldview,", "organic life, which it likens to a [plague that consumes everything in its", "happens in the series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits", "cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It", "series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in", "committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams, as loved", "wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only way that it can prevent", "takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind).", "end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for", "as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan", "cannot be applied to it. How would I be able to achieve such", "be applied to it. How would I be able to achieve such a", "single-handedly responsible for every bad thing that happens in the series and the", "in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster)", "by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams, as loved ones", "Towards the end of the trilogy, it's revealed that Fenrisúlfr is responsible for", "various historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame)", "hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries", "Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every", "as a being that is simply so far beyond human comprehension that our", "responsible for every bad thing that happens in the series and the [actions", "of good and evil cannot be applied to it. How would I be", "or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools", "to him in the form of a monstrous dog. Towards the end of", "their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into", "to portray it as a being that is simply so far beyond human", "that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only", "desires and clinging to his nihilistic worldview, while appearing to him in the", "the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various", "that Fenrisúlfr is responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims", "destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European", "an [otherworldly monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose characterisation takes cues", "of hatred for organic life, which it likens to a [plague that consumes", "within a black hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the", "Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and, as its name suggests, Fenris.", "cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a being that", "characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the", "[persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools that form an interdimensional", "evil cannot be applied to it. *How would I be able to achieve", "it believes that the only way that it can prevent the universe's destruction", "Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures", "all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon", "dog. Towards the end of the trilogy, it's revealed that Fenrisúlfr is responsible", "for organic life, which it likens to a [plague that consumes everything in", "Aži Dahāka, Satan and, as its name suggests, Fenris. Rather than writing Fenrisúlfr", "Fenris. Rather than writing Fenrisúlfr as a [villain defined by it's desire to", "serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic Chaoskampf* myths", "Tiamat, Kāliya, Ḫedammu, Leviathan, Apep, Typhon, Yamm, Illuyankas, Vritra, Aži Dahāka, Satan and,", "is to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr", "is responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate", "Fenrisúlfr to escape from within a black hole, in exchange for [granting their", "Vritra, Aži Dahāka, Satan and, as its name suggests, Fenris. Rather than writing", "suggests, Fenris. Rather than writing Fenrisúlfr as a [villain defined by it's desire", "antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams, as loved ones or religious", "My trilogy features an [otherworldly monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose", "Fenrisúlfr as a [villain defined by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain),", "concepts of good and evil cannot be applied to it. *How would I", "deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying", "it can prevent the universe's destruction is to [eradicate all organic life in", "the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic Chaoskampf* myths such as", "[Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for", "[destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of hatred", "his nihilistic worldview, while appearing to him in the form of a monstrous", "the end of the trilogy, it's revealed that Fenrisúlfr is responsible for the", "[achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving as the", "to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a being", "want to portray it as a being that is simply so far beyond", "several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan). Fenrisúlfr visits certain people in their dreams, as loved ones or", "called Fenrisúlfr as it's primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)),", "Tools that form an interdimensional portal allowing Fenrisúlfr to escape from within a", "[Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly", "his selfish desires and clinging to his nihilistic worldview, while appearing to him", "goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires and clinging to his nihilistic", "out of hatred for organic life, which it likens to a [plague that", "portray it as a being that is simply so far beyond human comprehension", "being that is simply so far beyond human comprehension that our concepts of", "hatred for organic life, which it likens to a [plague that consumes everything", "good and evil cannot be applied to it. *How would I be able", "upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess)", "thing that happens in the series and the [actions committed by several antagonists](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheManBehindTheMan).", "of systematically destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from", "desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a", "[plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the", "primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta", "visits certain people in their dreams, as loved ones or religious deities to", "bad thing that happens in the series and the [actions committed by several", "Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish", "desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his", "antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax)", "trilogy features an [otherworldly monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose characterisation", "as loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons", "and clinging to his nihilistic worldview, while appearing to him in the form", "in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to", "monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep),", "and, as its name suggests, Fenris. Rather than writing Fenrisúlfr as a [villain", "ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine", "far beyond human comprehension that our concepts of good and evil cannot be", "from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is", "Fenrisúlfr visits certain people in their dreams, as loved ones or religious deities", "[manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end", "Satan and, as its name suggests, Fenris. Rather than writing Fenrisúlfr as a", "Divine Tools that form an interdimensional portal allowing Fenrisúlfr to escape from within", "every bad thing that happens in the series and the [actions committed by", "its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only way that it can", "as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various Indo-European and Afro-Asiatic Chaoskampf* myths such", "people in their dreams, as loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard)", "into gratifying his selfish desires and clinging to his nihilistic worldview, while appearing", "Illuyankas, Vritra, Aži Dahāka, Satan and, as its name suggests, Fenris. Rather than", "ancient weapons called Divine Tools that form an interdimensional portal allowing Fenrisúlfr to", "[otherworldly monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) called Fenrisúlfr as it's primary antagonist, whose characterisation takes cues from", "only way that it can prevent the universe's destruction is to [eradicate all", "interdimensional portal allowing Fenrisúlfr to escape from within a black hole, in exchange", "series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the protagonist into gratifying his selfish desires and", "of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of hatred for", "the only way that it can prevent the universe's destruction is to [eradicate", "worldview, while appearing to him in the form of a monstrous dog. Towards", "various Indo-European and Afro-Asiatic Chaoskampf myths such as Tiamat, Kāliya, Ḫedammu, Leviathan, Apep,", "trilogy, it's revealed that Fenrisúlfr is responsible for the [destruction of countless interstellar", "and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as a being that is simply", "[the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad thing that happens in", "aims to exterminate humanity out of hatred for organic life, which it likens", "which it likens to a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As", "name suggests, Fenris. Rather than writing Fenrisúlfr as a [villain defined by it's", "deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools that form", "human comprehension that our concepts of good and evil cannot be applied to", "systematically destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters from various", "that it can prevent the universe's destruction is to [eradicate all organic life", "by it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it", "applied to it. How would I be able to achieve such a feat?", "revealed that Fenrisúlfr is responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and", "that our concepts of good and evil cannot be applied to it. **How", "[Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad", "exterminate humanity out of hatred for organic life, which it likens to a", "everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects). As such, it believes that the only way that", "escape from within a black hole, in exchange for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil).", "to [eradicate all organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took", "than writing Fenrisúlfr as a [villain defined by it's desire to cause death", "organic life in the universe](https://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac). To this end, Fenrisúlfr took it upon itself", "a being that is simply so far beyond human comprehension that our concepts", "goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically destroying all life, [while serving as the inspiration](https://tvtropes.org/pmwiki/pmwiki.php/Main/OneMythToExplainThemAll) for monsters", "it's revealed that Fenrisúlfr is responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers)", "itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve", "it as a being that is simply so far beyond human comprehension that", "and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible for every bad thing that happens", "beyond human comprehension that our concepts of good and evil cannot be applied", "To this end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and", "life, which it likens to a [plague that consumes everything in its wake](https://tvtropes.org/pmwiki/pmwiki.php/Main/HumansAreInsects).", "for [granting their deepest desires](https://tvtropes.org/pmwiki/pmwiki.php/Main/DealWithTheDevil). Throughout the series, Fenrisúlfr [tries to goad](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCorrupter) the", "this end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly", "form an interdimensional portal allowing Fenrisúlfr to escape from within a black hole,", "countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to exterminate humanity out of hatred for organic", "whose characterisation takes cues from [Nyarlathotep](http://lovecraft.wikia.com/wiki/Nyarlathotep), [Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and", "to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called Divine Tools that form an", "can prevent the universe's destruction is to [eradicate all organic life in the", "gratifying his selfish desires and clinging to his nihilistic worldview, while appearing to", "it's desire to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), I want to portray it as", "and supposedly mythological figures [in order to](https://tvtropes.org/pmwiki/pmwiki.php/Main/XanatosSpeedChess) [achieve its end goal](https://tvtropes.org/pmwiki/pmwiki.php/Main/LongGame) of systematically", "loved ones or religious deities to [persuade them](https://tvtropes.org/pmwiki/pmwiki.php/Main/ManipulativeBastard) into finding ancient weapons called", "Fenrisúlfr is responsible for the [destruction of countless interstellar civilizations](https://tvtropes.org/pmwiki/pmwiki.php/Main/PrecursorKillers) and aims to", "finding ancient weapons called Divine Tools that form an interdimensional portal allowing Fenrisúlfr", "for every bad thing that happens in the series and the [actions committed", "simply so far beyond human comprehension that our concepts of good and evil", "and aims to exterminate humanity out of hatred for organic life, which it", "end, Fenrisúlfr took it upon itself to [manipulate](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheChessmaster) various historical and supposedly mythological", "[Sauron](http://villains.wikia.com/wiki/Sauron_(Middle-earth)), [Showa!King Ghidorah](http://villains.wikia.com/wiki/King_Ghidorah_(Showa)), [Sutekh](http://tardis.wikia.com/wiki/Sutekh), [Makuta Teridax](http://villains.wikia.com/wiki/Makuta_Teridax) and [the Gravemind](https://www.halopedia.org/Gravemind). It is single-handedly responsible" ]
[ "on. 2. Set the story in France. All persons are French. The language", "get rid of the foreign language problem subplot completely (and choose options 1", "be changed into English places, names and so on. 2. Set the story", "new friend to his father. > > \"Hello, Joak,\" Chorkia's father greeted Joak", "few questions on this site deal with how to represent foreign language in", "the story is how he first struggles and later manages to communicate with", "to marketability and increasing sales. None of the options contain any French dialogue!", "Middle Grade fiction it is unsellable. Should I get rid of the foreign", "in English.** As I see it, I have now three options: 1. Set", "Chorkia introduced his new friend to his father. > > \"Hello, Joak,\" Chorkia's", "would be the best choice when it comes to marketability and increasing sales.", "(Basically my novel will appear as if it was translated from French.) 3.", "the French dialogue in English. Italics signify French (example is not from my", "to his father. > > \"Hello, Joak,\" Chorkia's father greeted Joak in French.", "miss in the answers I have recieved, is a source that substantiates that", "in the answers I have recieved, is a source that substantiates that the", "they are for more advanced learners and have more foreign language dialogue than", "language subplot is lost. Locations, names, cultural differences, etc. have to be changed", "a book is basically unpublishable. There are a few books for language learners", "it detracts? I have never read a Middle Grade novel where the protagonist", "Therefore *I want to revise the text and write all the dialogue in", "in a foreign country with only a rudimentary knowledge of the language. But", "(e.g. James Clavell's Shōgun* or some science fiction stories), but maybe in Middle", "options 1 or 2)? --- To clarify: I have already decided not to", "problem subplot completely (and choose options 1 or 2)? --- To clarify: I", "by a person from the publishing industry on this or a comparably similar", "as if it was translated from French.) 3. Keep the story as it", "The English boy has learned French in school for a year, and a", "French in school for a year, and a small part of the story", "Chorkia's father greeted Joak in French. > > \"Hello, Mr. Runler,\" Joak replied,", "was translated from French.) 3. Keep the story as it is, but give", "the locals. Since the French boy doesn't speak English, much of the dialogue", "signify French (example is not from my text): > > \"Dad, this is", "or 2)? --- To clarify: I have already decided not to write the", "a French boy, and together they solve a crime. The English boy has", "the dialogue in my first draft is in French. When I began to", "learners that have foreign language dialogue in English text, but they are for", "is, but give the French dialogue in English. Italics signify French (example is", "rid of the foreign language problem subplot completely (and choose options 1 or", "The French setting remains. (Basically my novel will appear as if it was", "(example is not from my text): > > \"Dad, this is Joak,\" Chorkia", "of the three options outlined above would be the best choice when it", "added in strongly accented English: \"Nice to meet you.\" > > > A", "in English. Italics signify French (example is not from my text): > >", "already decided not to write the dialogue in French. The question is which", "outlined above would be the best choice when it comes to marketability and", "any French dialogue! --- What I miss in the answers I have recieved,", "maybe in Middle Grade fiction it is unsellable. Should I get rid of", "a lot of adult fiction where the protagonist has to get along in", "for most of the story. There is a lot of adult fiction where", "options:* 1. Set the story in England. All persons are English. The language", "Sources could be examples from successfully published Middle Grade books, or a statement", "best?) Is the difficulty of getting along in a foreign language environment interesting", "father. > > \"Hello, Joak,\" Chorkia's father greeted Joak in French. > >", "are a few books for language learners that have foreign language dialogue in", "accented English: \"Nice to meet you.\" > > > A few questions on", "revise the text and write all the dialogue in English.** As I see", "the story. There is a lot of adult fiction where the protagonist has", "and have more foreign language dialogue than my book has. Also, not every", "Grade detective adventure in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid", "what would therefore probably sell best?) Is the difficulty of getting along in", "dialogue than my book has. Also, not every child learns French, and my", "French. The language subplot is lost. The French setting remains. (Basically my novel", "dialogue in English.** As I see it, I have now three options: 1.", "is basically unpublishable. There are a few books for language learners that have", "Mr. Runler,\"* Joak replied, and then added in strongly accented English: \"Nice to", "has. Also, not every child learns French, and my audience would be severely", "never read a Middle Grade novel where the protagonist had to speak in", "to speak in a foreign language for most of the story. There is", "3. Keep the story as it is, but give the French dialogue in", "book is basically unpublishable. There are a few books for language learners that", "this is Joak,\" Chorkia introduced his new friend to his father. > >", "Also, not every child learns French, and my audience would be severely limited.", "and so on. 2. Set the story in France. All persons are French.", "> \"Hello, Joak,\" Chorkia's father greeted Joak in French. > > \"Hello, Mr.", "above would be the best choice when it comes to marketability and increasing", "introduced his new friend to his father. > > \"Hello, Joak,\"* Chorkia's father", "language problem subplot completely (and choose options 1 or 2)? --- To clarify:", "translated from French.) 3. Keep the story as it is, but give the", "and increasing sales. None of the options contain any French dialogue! --- What", "first struggles and later manages to communicate with the locals. Since the French", "clarify:* I have already decided not to write the dialogue in French. The", "lost. Locations, names, cultural differences, etc. have to be changed into English places,", "foreign language environment interesting to kids between 10 and 12? Does it add", "write, I liked the idea of showing the difficulties of getting along in", "draft of a Middle Grade detective adventure in the vein of Enid Blyton's", "you.\" > > > A few questions on this site deal with how", "environment interesting to kids between 10 and 12? Does it add more to", "answers I have recieved, is a source that substantiates that the proposed option", "books for language learners that have foreign language dialogue in English text, but", "language learners that have foreign language dialogue in English text, but they are", "contain any French dialogue! --- What I miss in the answers I have", "appear as if it was translated from French.) 3. Keep the story as", "Joak,\"* Chorkia's father greeted Joak in French. > > \"Hello, Mr. Runler,\" Joak", "a foreign language environment interesting to kids between 10 and 12? Does it", "The question is which of the three options outlined above would be the", "speak in a foreign language for most of the story. There is a", "a source that substantiates that the proposed option is the best (or the", "dialogue! --- What I miss in the answers I have recieved, is a", "in France. He befriends a French boy, and together they solve a crime.", "Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series))* or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy", "is not from my text): > > \"Dad, this is Joak,\" Chorkia introduced", "liked the idea of showing the difficulties of getting along in a foreign", "novel will appear as if it was translated from French.) 3. Keep the", "French, and my audience would be severely limited. Therefore *I want to revise", "I see it, I have now three options:* 1. Set the story in", "detective adventrue story for them than it detracts? I have never read a", "the protagonist, a boy from England, is on holidays in France. He befriends", "I have never read a Middle Grade novel where the protagonist had to", "in Middle Grade fiction it is unsellable. Should I get rid of the", "in English text, but they are for more advanced learners and have more", "persons are French. The language subplot is lost. The French setting remains. (Basically", "successfully published Middle Grade books, or a statement by a person from the", "recieved, is a source that substantiates that the proposed option is the best", "a foreign country with only a rudimentary knowledge of the language. But now", "the story in England. All persons are English. The language subplot is lost.", "is which of the three options outlined above would be the best choice", "of the foreign language problem subplot completely (and choose options 1 or 2)?", "know is: ### What would readers prefer? (And what would therefore probably sell", "so on. 2. Set the story in France. All persons are French. The", "(and choose options 1 or 2)? --- To clarify: I have already decided", "difficulties of getting along in a foreign country with only a rudimentary knowledge", "dialogue in English. Italics signify French (example is not from my text): >", "the best (or the sensible one). Sources could be examples from successfully published", "But that's not the problem I have. I know how I want to", "the difficulty of getting along in a foreign language environment interesting to kids", "Set the story in France. All persons are French. The language subplot is", "Joak replied, and then added in strongly accented English: \"Nice to meet you.\"", "to represent foreign language in fiction. But that's not the problem I have.", "a rudimentary knowledge of the language. But now I believe that such a", "foreign language in fiction. But that's not the problem I have. I know", "befriends a French boy, and together they solve a crime. The English boy", "When I began to write, I liked the idea of showing the difficulties", "sell best?) Is the difficulty of getting along in a foreign language environment", "story in France. All persons are French. The language subplot is lost. The", "how he first struggles and later manages to communicate with the locals. Since", "language environment (e.g. James Clavell's Shōgun or some science fiction stories), but maybe", "have foreign language dialogue in English text, but they are for more advanced", "school for a year, and a small part of the story is how", "French.) 3. Keep the story as it is, but give the French dialogue", "Runler,\"* Joak replied, and then added in strongly accented English: \"Nice to meet", "French boy doesn't speak English, much of the dialogue in my first draft", "such a book is basically unpublishable. There are a few books for language", "if it was translated from French.) 3. Keep the story as it is,", "foreign language for most of the story. There is a lot of adult", "it, I have now three options: 1. Set the story in England. All", "to revise the text and write all the dialogue in English.** As I", "setting remains. (Basically my novel will appear as if it was translated from", "language (in italics). What I want to know is: ### What would readers", "I want to know is: ### What would readers prefer? (And what would", "part of the story is how he first struggles and later manages to", "or some science fiction stories), but maybe in Middle Grade fiction it is", "In my novel, the protagonist, a boy from England, is on holidays in", "subplot completely (and choose options 1 or 2)? --- To clarify: I have", "in French. The question is which of the three options outlined above would", "where the protagonist had to speak in a foreign language for most of", "a few books for language learners that have foreign language dialogue in English", "later manages to communicate with the locals. Since the French boy doesn't speak", "the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In", "be the best choice when it comes to marketability and increasing sales. None", "published Middle Grade books, or a statement by a person from the publishing", "write all the dialogue in English.** As I see it, I have now", "Grade novel where the protagonist had to speak in a foreign language for", "I get rid of the foreign language problem subplot completely (and choose options", "meet you.\" > > > A few questions on this site deal with", "prefer? (And what would therefore probably sell best?) Is the difficulty of getting", "--- To clarify: I have already decided not to write the dialogue in", "The language subplot is lost. Locations, names, cultural differences, etc. have to be", "As I see it, I have now three options: 1. Set the story", "France. All persons are French. The language subplot is lost. The French setting", "my first draft is in French. When I began to write, I liked", "questions on this site deal with how to represent foreign language in fiction.", "have recieved, is a source that substantiates that the proposed option is the", "> \"Hello, Mr. Runler,\" Joak replied, and then added in strongly accented English:", "to write the dialogue in French. The question is which of the three", "marketability and increasing sales. None of the options contain any French dialogue! ---", "of getting along in a foreign language environment interesting to kids between 10", "[Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy from England, is on", "> > A few questions on this site deal with how to represent", "friend to his father. > > \"Hello, Joak,\" Chorkia's father greeted Joak in", "has to get along in a foreign language environment (e.g. James Clavell's Shōgun", "in school for a year, and a small part of the story is", "add more to a detective adventrue story for them than it detracts? I", "There are a few books for language learners that have foreign language dialogue", "to a detective adventrue story for them than it detracts? I have never", "of the story. There is a lot of adult fiction where the protagonist", "are French. The language subplot is lost. The French setting remains. (Basically my", "of adult fiction where the protagonist has to get along in a foreign", "that the proposed option is the best (or the sensible one). Sources could", "written the first draft of a Middle Grade detective adventure in the vein", "doesn't speak English, much of the dialogue in my first draft is in", "manages to communicate with the locals. Since the French boy doesn't speak English,", "book has. Also, not every child learns French, and my audience would be", "my novel, the protagonist, a boy from England, is on holidays in France.", "had to speak in a foreign language for most of the story. There", "choice when it comes to marketability and increasing sales. None of the options", "text, but they are for more advanced learners and have more foreign language", "or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy from", "vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my", "environment (e.g. James Clavell's Shōgun or some science fiction stories), but maybe in", "A few questions on this site deal with how to represent foreign language", "of showing the difficulties of getting along in a foreign country with only", "dialogue in English text, but they are for more advanced learners and have", "solve a crime. The English boy has learned French in school for a", "readers prefer? (And what would therefore probably sell best?) Is the difficulty of", "option is the best (or the sensible one). Sources could be examples from", "all the dialogue in English.** As I see it, I have now three", "etc. have to be changed into English places, names and so on. 2.", "a boy from England, is on holidays in France. He befriends a French", "options contain any French dialogue! --- What I miss in the answers I", "severely limited. Therefore I want to revise the text and write all the", "them than it detracts? I have never read a Middle Grade novel where", "unpublishable. There are a few books for language learners that have foreign language", "\"Nice to meet you.\" > > > A few questions on this site", "is Joak,\" Chorkia introduced his new friend to his father. > > \"Hello,", "this site deal with how to represent foreign language in fiction. But that's", "the proposed option is the best (or the sensible one). Sources could be", "more foreign language dialogue than my book has. Also, not every child learns", "options outlined above would be the best choice when it comes to marketability", "Since the French boy doesn't speak English, much of the dialogue in my", "Joak,\" Chorkia introduced his new friend to his father. > > \"Hello, Joak,\"", "adventrue story for them than it detracts? I have never read a Middle", "choose options 1 or 2)? --- To clarify: I have already decided not", "Does it add more to a detective adventrue story for them than it", "of the language. But now I believe that such a book is basically", "language dialogue in English text, but they are for more advanced learners and", "the three options outlined above would be the best choice when it comes", "not every child learns French, and my audience would be severely limited. Therefore", "fiction. But that's not the problem I have. I know how I want", "rudimentary knowledge of the language. But now I believe that such a book", "lot of adult fiction where the protagonist has to get along in a", "dialogue in my first draft is in French. When I began to write,", "site deal with how to represent foreign language in fiction. But that's not", "the dialogue in French. The question is which of the three options outlined", "detective adventure in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's", "a foreign language for most of the story. There is a lot of", "from England, is on holidays in France. He befriends a French boy, and", "how to represent foreign language in fiction. But that's not the problem I", "of the dialogue in my first draft is in French. When I began", "I have recieved, is a source that substantiates that the proposed option is", "substantiates that the proposed option is the best (or the sensible one). Sources", "None of the options contain any French dialogue! --- What I miss in", "than it detracts? I have never read a Middle Grade novel where the", "that have foreign language dialogue in English text, but they are for more", "English places, names and so on. 2. Set the story in France. All", "his new friend to his father. > > \"Hello, Joak,\" Chorkia's father greeted", "French dialogue! --- What I miss in the answers I have recieved, is", "(in italics). What I want to know is: ### What would readers prefer?", "and later manages to communicate with the locals. Since the French boy doesn't", "Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the", "England, is on holidays in France. He befriends a French boy, and together", "boy has learned French in school for a year, and a small part", "boy from England, is on holidays in France. He befriends a French boy,", "have. I know how I want to represent foreign language (in italics). What", "the answers I have recieved, is a source that substantiates that the proposed", "I believe that such a book is basically unpublishable. There are a few", "along in a foreign language environment (e.g. James Clavell's Shōgun or some science", "have already decided not to write the dialogue in French. The question is", "on holidays in France. He befriends a French boy, and together they solve", "To clarify: I have already decided not to write the dialogue in French.", "the idea of showing the difficulties of getting along in a foreign country", "now three options: 1. Set the story in England. All persons are English.", "the French boy doesn't speak English, much of the dialogue in my first", "1. Set the story in England. All persons are English. The language subplot", "France. He befriends a French boy, and together they solve a crime. The", "then added in strongly accented English: \"Nice to meet you.\" > > >", "year, and a small part of the story is how he first struggles", "dialogue in French. The question is which of the three options outlined above", "Middle Grade books, or a statement by a person from the publishing industry", "deal with how to represent foreign language in fiction. But that's not the", "the difficulties of getting along in a foreign country with only a rudimentary", "to represent foreign language (in italics). What I want to know is: ###", "England. All persons are English. The language subplot is lost. Locations, names, cultural", "foreign language problem subplot completely (and choose options 1 or 2)? --- To", "text): > > \"Dad, this is Joak,\" Chorkia introduced his new friend to", "10 and 12? Does it add more to a detective adventrue story for", "is a lot of adult fiction where the protagonist has to get along", "Grade fiction it is unsellable. Should I get rid of the foreign language", "to kids between 10 and 12? Does it add more to a detective", "now I believe that such a book is basically unpublishable. There are a", "is a source that substantiates that the proposed option is the best (or", "Set the story in England. All persons are English. The language subplot is", "subplot is lost. The French setting remains. (Basically my novel will appear as", "the options contain any French dialogue! --- What I miss in the answers", "in England. All persons are English. The language subplot is lost. Locations, names,", "along in a foreign country with only a rudimentary knowledge of the language.", "have more foreign language dialogue than my book has. Also, not every child", "protagonist, a boy from England, is on holidays in France. He befriends a", "I have already decided not to write the dialogue in French. The question", "want to revise the text and write all the dialogue in English.* As", "English: \"Nice to meet you.\" > > > A few questions on this", "sales*. None of the options contain any French dialogue! --- What I miss", "small part of the story is how he first struggles and later manages", "a foreign language environment (e.g. James Clavell's Shōgun* or some science fiction stories),", "the foreign language problem subplot completely (and choose options 1 or 2)? ---", "and write all the dialogue in English.** As I see it, I have", "Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy from England, is", "showing the difficulties of getting along in a foreign country with only a", "a person from the publishing industry on this or a comparably similar matter.", "differences, etc. have to be changed into English places, names and so on.", "in a foreign language environment interesting to kids between 10 and 12? Does", "therefore probably sell best?) Is the difficulty of getting along in a foreign", "Middle Grade detective adventure in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or", "every child learns French, and my audience would be severely limited. Therefore *I", "in a foreign language for most of the story. There is a lot", "have written the first draft of a Middle Grade detective adventure in the", "names and so on. 2. Set the story in France. All persons are", "boy doesn't speak English, much of the dialogue in my first draft is", "novel where the protagonist had to speak in a foreign language for most", "greeted Joak in French. > > \"Hello, Mr. Runler,\"* Joak replied, and then", "know how I want to represent foreign language (in italics). What I want", "I began to write, I liked the idea of showing the difficulties of", "remains. (Basically my novel will appear as if it was translated from French.)", "I have now three options: 1. Set the story in England. All persons", "Should I get rid of the foreign language problem subplot completely (and choose", "> > \"Hello, Mr. Runler,\" Joak replied, and then added in strongly accented", "in French. When I began to write, I liked the idea of showing", "the text and write all the dialogue in English.** As I see it,", "three options outlined above would be the best choice when it comes to", "and then added in strongly accented English: \"Nice to meet you.\" > >", "What I miss in the answers I have recieved, is a source that", "into English places, names and so on. 2. Set the story in France.", "that's not the problem I have. I know how I want to represent", "English. Italics signify French (example is not from my text): > > \"Dad,", "All persons are English. The language subplot is lost. Locations, names, cultural differences,", "get along in a foreign language environment (e.g. James Clavell's Shōgun or some", "much of the dialogue in my first draft is in French. When I", "the story in France. All persons are French. The language subplot is lost.", "2)? --- To clarify: I have already decided not to write the dialogue", "cultural differences, etc. have to be changed into English places, names and so", "more advanced learners and have more foreign language dialogue than my book has.", "where the protagonist has to get along in a foreign language environment (e.g.", "English.** As I see it, I have now three options: 1. Set the", "of getting along in a foreign country with only a rudimentary knowledge of", "completely (and choose options 1 or 2)? --- To clarify: I have already", "as it is, but give the French dialogue in English. Italics signify French", "for more advanced learners and have more foreign language dialogue than my book", "it is, but give the French dialogue in English. Italics signify French (example", "not from my text): > > \"Dad, this is Joak,\" Chorkia introduced his", "Shōgun or some science fiction stories), but maybe in Middle Grade fiction it", "getting along in a foreign language environment interesting to kids between 10 and", "audience would be severely limited. Therefore *I want to revise the text and", "on this site deal with how to represent foreign language in fiction. But", "to get along in a foreign language environment (e.g. James Clavell's Shōgun* or", "in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)).", "have to be changed into English places, names and so on. 2. Set", "is in French. When I began to write, I liked the idea of", "my audience would be severely limited. Therefore *I want to revise the text", "James Clavell's Shōgun* or some science fiction stories), but maybe in Middle Grade", "replied, and then added in strongly accented English: \"Nice to meet you.\" >", "a small part of the story is how he first struggles and later", "I have. I know how I want to represent foreign language (in italics).", "But now I believe that such a book is basically unpublishable. There are", "crime. The English boy has learned French in school for a year, and", "language in fiction. But that's not the problem I have. I know how", "the problem I have. I know how I want to represent foreign language", "unsellable. Should I get rid of the foreign language problem subplot completely (and", "my text): > > \"Dad, this is Joak,\" Chorkia introduced his new friend", "probably sell best?) Is the difficulty of getting along in a foreign language", "What would readers prefer? (And what would therefore probably sell best?) Is the", "There is a lot of adult fiction where the protagonist has to get", "language. But now I believe that such a book is basically unpublishable. There", "for language learners that have foreign language dialogue in English text, but they", "detracts? I have never read a Middle Grade novel where the protagonist had", "most of the story. There is a lot of adult fiction where the", "to be changed into English places, names and so on. 2. Set the", "how I want to represent foreign language (in italics). What I want to", "I know how I want to represent foreign language (in italics). What I", "language for most of the story. There is a lot of adult fiction", "Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy from England, is on holidays", "### What would readers prefer? (And what would therefore probably sell best?) Is", "want to represent foreign language (in italics). What I want to know is:", "the protagonist has to get along in a foreign language environment (e.g. James", "a year, and a small part of the story is how he first", "but maybe in Middle Grade fiction it is unsellable. Should I get rid", "first draft is in French. When I began to write, I liked the", "French setting remains. (Basically my novel will appear as if it was translated", "French boy, and together they solve a crime. The English boy has learned", "in my first draft is in French. When I began to write, I", "fiction where the protagonist has to get along in a foreign language environment", "foreign language dialogue in English text, but they are for more advanced learners", "--- What I miss in the answers I have recieved, is a source", "Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a boy from England,", "> > > A few questions on this site deal with how to", "between 10 and 12? Does it add more to a detective adventrue story", "the protagonist had to speak in a foreign language for most of the", "story for them than it detracts? I have never read a Middle Grade", "from French.) 3. Keep the story as it is, but give the French", "the story as it is, but give the French dialogue in English. Italics", "difficulty of getting along in a foreign language environment interesting to kids between", "is unsellable. Should I get rid of the foreign language problem subplot completely", "be severely limited. Therefore I want to revise the text and write all", "adventure in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series))* or Astrid Lindgren's [Bill", "for a year, and a small part of the story is how he", "fiction stories), but maybe in Middle Grade fiction it is unsellable. Should I", "with only a rudimentary knowledge of the language. But now I believe that", "Locations, names, cultural differences, etc. have to be changed into English places, names", "speak English, much of the dialogue in my first draft is in French.", "The language subplot is lost. The French setting remains. (Basically my novel will", "a statement by a person from the publishing industry on this or a", "French. > > \"Hello, Mr. Runler,\"* Joak replied, and then added in strongly", "fiction it is unsellable. Should I get rid of the foreign language problem", "is lost. The French setting remains. (Basically my novel will appear as if", "kids between 10 and 12? Does it add more to a detective adventrue", "English, much of the dialogue in my first draft is in French. When", "protagonist has to get along in a foreign language environment (e.g. James Clavell's", "French. The question is which of the three options outlined above would be", "Clavell's Shōgun or some science fiction stories), but maybe in Middle Grade fiction", "has learned French in school for a year, and a small part of", "when it comes to marketability and increasing sales. None of the options contain", "examples from successfully published Middle Grade books, or a statement by a person", "decided not to write the dialogue in French. The question is which of", "idea of showing the difficulties of getting along in a foreign country with", "will appear as if it was translated from French.) 3. Keep the story", "to know is: ### What would readers prefer? (And what would therefore probably", "see it, I have now three options: 1. Set the story in England.", "Is the difficulty of getting along in a foreign language environment interesting to", "protagonist had to speak in a foreign language for most of the story.", "French. When I began to write, I liked the idea of showing the", "his father. > > \"Hello, Joak,\" Chorkia's father greeted Joak in French. >", "I want to revise the text and write all the dialogue in English.", "it was translated from French.) 3. Keep the story as it is, but", "only a rudimentary knowledge of the language. But now I believe that such", "learns French, and my audience would be severely limited. Therefore *I want to", "write the dialogue in French. The question is which of the three options", "[Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series))* or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist, a", "knowledge of the language. But now I believe that such a book is", "stories), but maybe in Middle Grade fiction it is unsellable. Should I get", "I want to represent foreign language (in italics). What I want to know", "child learns French, and my audience would be severely limited. Therefore I want", "which of the three options outlined above would be the best choice when", "boy, and together they solve a crime. The English boy has learned French", "it comes to marketability and increasing sales*. None of the options contain any", "> > \"Dad, this is Joak,\" Chorkia introduced his new friend to his", "a Middle Grade detective adventure in the vein of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series))", "italics). What I want to know is: ### What would readers prefer? (And", "read a Middle Grade novel where the protagonist had to speak in a", "from my text): > > \"Dad, this is Joak,\" Chorkia introduced his new", "the best choice when it comes to marketability and increasing sales. None of", "subplot is lost. Locations, names, cultural differences, etc. have to be changed into", "> > \"Hello, Joak,\"* Chorkia's father greeted Joak in French. > > \"Hello,", "want to know is: ### What would readers prefer? (And what would therefore", "I liked the idea of showing the difficulties of getting along in a", "is how he first struggles and later manages to communicate with the locals.", "the sensible one). Sources could be examples from successfully published Middle Grade books,", "holidays in France. He befriends a French boy, and together they solve a", "would therefore probably sell best?) Is the difficulty of getting along in a", "> \"Dad, this is Joak,\" Chorkia introduced his new friend to his father.", "> A few questions on this site deal with how to represent foreign", "a crime. The English boy has learned French in school for a year,", "Keep the story as it is, but give the French dialogue in English.", "Italics signify French (example is not from my text): > > \"Dad, this", "more to a detective adventrue story for them than it detracts? I have", "he first struggles and later manages to communicate with the locals. Since the", "basically unpublishable. There are a few books for language learners that have foreign", "than my book has. Also, not every child learns French, and my audience", "with how to represent foreign language in fiction. But that's not the problem", "country with only a rudimentary knowledge of the language. But now I believe", "changed into English places, names and so on. 2. Set the story in", "from successfully published Middle Grade books, or a statement by a person from", "lost. The French setting remains. (Basically my novel will appear as if it", "I have written the first draft of a Middle Grade detective adventure in", "it add more to a detective adventrue story for them than it detracts?", "He befriends a French boy, and together they solve a crime. The English", "story is how he first struggles and later manages to communicate with the", "my novel will appear as if it was translated from French.) 3. Keep", "to meet you.\" > > > A few questions on this site deal", "story in England. All persons are English. The language subplot is lost. Locations,", "few books for language learners that have foreign language dialogue in English text,", "not to write the dialogue in French. The question is which of the", "(And what would therefore probably sell best?) Is the difficulty of getting along", "is the best (or the sensible one). Sources could be examples from successfully", "persons are English. The language subplot is lost. Locations, names, cultural differences, etc.", "the first draft of a Middle Grade detective adventure in the vein of", "problem I have. I know how I want to represent foreign language (in", "language environment interesting to kids between 10 and 12? Does it add more", "is lost. Locations, names, cultural differences, etc. have to be changed into English", "father greeted Joak in French. > > \"Hello, Mr. Runler,\"* Joak replied, and", "names, cultural differences, etc. have to be changed into English places, names and", "story as it is, but give the French dialogue in English. Italics signify", "communicate with the locals. Since the French boy doesn't speak English, much of", "believe that such a book is basically unpublishable. There are a few books", "French (example is not from my text): > > \"Dad, this is Joak,\"", "foreign language (in italics). What I want to know is: ### What would", "comes to marketability and increasing sales. None of the options contain any French", "learners and have more foreign language dialogue than my book has. Also, not", "first draft of a Middle Grade detective adventure in the vein of Enid", "French dialogue in English. Italics signify French (example is not from my text):", "of a Middle Grade detective adventure in the vein of Enid Blyton's [Famous", "and together they solve a crime. The English boy has learned French in", "\"Hello, Mr. Runler,\"* Joak replied, and then added in strongly accented English: \"Nice", "Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel, the protagonist,", "to write, I liked the idea of showing the difficulties of getting along", "advanced learners and have more foreign language dialogue than my book has. Also,", "have now three options: 1. Set the story in England. All persons are", "but give the French dialogue in English. Italics signify French (example is not", "the dialogue in English.** As I see it, I have now three options:", "science fiction stories), but maybe in Middle Grade fiction it is unsellable. Should", "English. The language subplot is lost. Locations, names, cultural differences, etc. have to", "is: ### What would readers prefer? (And what would therefore probably sell best?)", "they solve a crime. The English boy has learned French in school for", "strongly accented English: \"Nice to meet you.\" > > > A few questions", "story. There is a lot of adult fiction where the protagonist has to", "began to write, I liked the idea of showing the difficulties of getting", "Middle Grade novel where the protagonist had to speak in a foreign language", "\"Dad, this is Joak,\" Chorkia introduced his new friend to his father. >", "best choice when it comes to marketability and increasing sales. None of the", "would readers prefer? (And what would therefore probably sell best?) Is the difficulty", "language subplot is lost. The French setting remains. (Basically my novel will appear", "my book has. Also, not every child learns French, and my audience would", "in French. > > \"Hello, Mr. Runler,\" Joak replied, and then added in", "in strongly accented English: \"Nice to meet you.\" > > > A few", "increasing sales. None of the options contain any French dialogue! --- What I", "books, or a statement by a person from the publishing industry on this", "of Enid Blyton's [Famous Five](https://en.wikipedia.org/wiki/The_Famous_Five_(novel_series)) or Astrid Lindgren's [Bill Bergson](https://en.wikipedia.org/wiki/Bill_Bergson,_Master_Detective_(novel)). In my novel,", "and 12? Does it add more to a detective adventrue story for them", "represent foreign language (in italics). What I want to know is: ### What", "would be severely limited. Therefore *I want to revise the text and write", "2. Set the story in France. All persons are French. The language subplot", "the language. But now I believe that such a book is basically unpublishable.", "English boy has learned French in school for a year, and a small", "struggles and later manages to communicate with the locals. Since the French boy", "a Middle Grade novel where the protagonist had to speak in a foreign", "1 or 2)? --- To clarify:* I have already decided not to write", "sensible one). Sources could be examples from successfully published Middle Grade books, or", "getting along in a foreign country with only a rudimentary knowledge of the", "statement by a person from the publishing industry on this or a comparably", "adult fiction where the protagonist has to get along in a foreign language", "is on holidays in France. He befriends a French boy, and together they", "12? Does it add more to a detective adventrue story for them than", "foreign country with only a rudimentary knowledge of the language. But now I", "question is which of the three options outlined above would be the best", "proposed option is the best (or the sensible one). Sources could be examples", "three options: 1. Set the story in England. All persons are English. The", "in a foreign language environment (e.g. James Clavell's Shōgun or some science fiction", "text and write all the dialogue in English.** As I see it, I", "(or the sensible one). Sources could be examples from successfully published Middle Grade", "are for more advanced learners and have more foreign language dialogue than my", "have never read a Middle Grade novel where the protagonist had to speak", "interesting to kids between 10 and 12? Does it add more to a", "or a statement by a person from the publishing industry on this or", "and a small part of the story is how he first struggles and", "of the options contain any French dialogue! --- What I miss in the", "source that substantiates that the proposed option is the best (or the sensible", "in fiction. But that's not the problem I have. I know how I", "\"Hello, Joak,\" Chorkia's father greeted Joak in French. > > \"Hello, Mr. Runler,\"", "some science fiction stories), but maybe in Middle Grade fiction it is unsellable.", "that such a book is basically unpublishable. There are a few books for", "of the story is how he first struggles and later manages to communicate", "it is unsellable. Should I get rid of the foreign language problem subplot", "to communicate with the locals. Since the French boy doesn't speak English, much", "English text, but they are for more advanced learners and have more foreign", "Grade books, or a statement by a person from the publishing industry on", "learned French in school for a year, and a small part of the", "are English. The language subplot is lost. Locations, names, cultural differences, etc. have", "Joak in French. > > \"Hello, Mr. Runler,\" Joak replied, and then added", "places, names and so on. 2. Set the story in France. All persons", "a detective adventrue story for them than it detracts? I have never read", "foreign language dialogue than my book has. Also, not every child learns French,", "I miss in the answers I have recieved, is a source that substantiates", "be examples from successfully published Middle Grade books, or a statement by a", "All persons are French. The language subplot is lost. The French setting remains.", "draft is in French. When I began to write, I liked the idea", "in France. All persons are French. The language subplot is lost. The French", "represent foreign language in fiction. But that's not the problem I have. I", "for them than it detracts? I have never read a Middle Grade novel", "could be examples from successfully published Middle Grade books, or a statement by", "language dialogue than my book has. Also, not every child learns French, and", "together they solve a crime. The English boy has learned French in school", "What I want to know is: ### What would readers prefer? (And what", "best (or the sensible one). Sources could be examples from successfully published Middle", "with the locals. Since the French boy doesn't speak English, much of the", "along in a foreign language environment interesting to kids between 10 and 12?", "foreign language environment (e.g. James Clavell's Shōgun or some science fiction stories), but", "one). Sources could be examples from successfully published Middle Grade books, or a", "give the French dialogue in English. Italics signify French (example is not from", "not the problem I have. I know how I want to represent foreign", "novel, the protagonist, a boy from England, is on holidays in France. He", "locals. Since the French boy doesn't speak English, much of the dialogue in", "but they are for more advanced learners and have more foreign language dialogue", "that substantiates that the proposed option is the best (or the sensible one).", "and my audience would be severely limited. Therefore I want to revise the", "limited. Therefore I want to revise the text and write all the dialogue" ]
[ "can bond over one specific interest. I want to try involving people who", "for being a popular criminal who escaped four times in his young life", "and variety of ways of fulfilment. I’ve been working on character duos and", "bond over one specific interest. I want to try involving people who have", "perception and variety of ways of fulfilment. I’ve been working on character duos", "of ways of fulfilment. I’ve been working on character duos and how they", "involving people who have popularity and skill in common - such as Sheppard’s", "[Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find hard to understand but", "interesting because of his spiritual perception and variety of ways of fulfilment. I’ve", "escapes from prisons and Beuys’ ideas and personal but mundane story about being", "fulfilment. I’ve been working on character duos and how they can bond over", "of intelligent escapes from prisons and Beuys’ ideas and personal but mundane story", "- such as Sheppard’s reputation of intelligent escapes from prisons and Beuys’ ideas", "about two real people from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a", "believe he was interesting because of his spiritual perception and variety of ways", "of fulfilment. I’ve been working on character duos and how they can bond", "personal but mundane story about being rescued by Tartars. *What genre should I", "find hard to understand but believe he was interesting because of his spiritual", "of his spiritual perception and variety of ways of fulfilment. I’ve been working", "such as Sheppard’s reputation of intelligent escapes from prisons and Beuys’ ideas and", "how they can bond over one specific interest. I want to try involving", "I find hard to understand but believe he was interesting because of his", "the 1700s, and [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find", "been working on character duos and how they can bond over one specific", "as Sheppard’s reputation of intelligent escapes from prisons and Beuys’ ideas and personal", "I want to try involving people who have popularity and skill in common", "am trying to write a time-travel short story about two real people from", "ideas I find hard to understand but believe he was interesting because of", "I’ve been working on character duos and how they can bond over one", "story about two real people from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard),", "because of his spiritual perception and variety of ways of fulfilment. I’ve been", "reputation of intelligent escapes from prisons and Beuys’ ideas and personal but mundane", "and personal but mundane story about being rescued by Tartars. *What genre should", "want to try involving people who have popularity and skill in common -", "and how they can bond over one specific interest. I want to try", "four times in his young life in the 1700s, and [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys),", "character duos and how they can bond over one specific interest. I want", "1700s, and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find hard", "sculptor whose ideas I find hard to understand but believe he was interesting", "from prisons and Beuys’ ideas and personal but mundane story about being rescued", "German sculptor whose ideas I find hard to understand but believe he was", "his young life in the 1700s, and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor", "story about being rescued by Tartars. What genre should I say this is?", "mundane story about being rescued by Tartars. *What genre should I say this", "criminal who escaped four times in his young life in the 1700s, and", "try involving people who have popularity and skill in common - such as", "have popularity and skill in common - such as Sheppard’s reputation of intelligent", "and Beuys’ ideas and personal but mundane story about being rescued by Tartars.", "times in his young life in the 1700s, and [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a", "he was interesting because of his spiritual perception and variety of ways of", "two real people from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber", "they can bond over one specific interest. I want to try involving people", "hard to understand but believe he was interesting because of his spiritual perception", "people from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for", "over one specific interest. I want to try involving people who have popularity", "Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular criminal who escaped four times", "a popular criminal who escaped four times in his young life in the", "history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a", "working on character duos and how they can bond over one specific interest.", "a time-travel short story about two real people from history. The individuals are", "* [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find hard to understand", "are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular criminal who", "one specific interest. I want to try involving people who have popularity and", "a robber notorious for being a popular criminal who escaped four times in", "popular criminal who escaped four times in his young life in the 1700s,", "Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find hard to understand but believe", "short story about two real people from history. The individuals are * [Seck", "ways of fulfilment. I’ve been working on character duos and how they can", "and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I find hard to", "who have popularity and skill in common - such as Sheppard’s reputation of", "skill in common - such as Sheppard’s reputation of intelligent escapes from prisons", "specific interest. I want to try involving people who have popularity and skill", "duos and how they can bond over one specific interest. I want to", "and skill in common - such as Sheppard’s reputation of intelligent escapes from", "variety of ways of fulfilment. I’ve been working on character duos and how", "from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being", "write a time-travel short story about two real people from history. The individuals", "but mundane story about being rescued by Tartars. What genre should I say", "a German sculptor whose ideas I find hard to understand but believe he", "in common - such as Sheppard’s reputation of intelligent escapes from prisons and", "Beuys’ ideas and personal but mundane story about being rescued by Tartars. What", "The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular", "understand but believe he was interesting because of his spiritual perception and variety", "I am trying to write a time-travel short story about two real people", "people who have popularity and skill in common - such as Sheppard’s reputation", "his spiritual perception and variety of ways of fulfilment. I’ve been working on", "* [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular criminal who escaped", "Sheppard’s reputation of intelligent escapes from prisons and Beuys’ ideas and personal but", "in his young life in the 1700s, and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German", "robber notorious for being a popular criminal who escaped four times in his", "on character duos and how they can bond over one specific interest. I", "[Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular criminal who escaped four", "in the 1700s, and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas I", "to write a time-travel short story about two real people from history. The", "notorious for being a popular criminal who escaped four times in his young", "was interesting because of his spiritual perception and variety of ways of fulfilment.", "life in the 1700s, and * [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose ideas", "escaped four times in his young life in the 1700s, and * [Joseph", "to try involving people who have popularity and skill in common - such", "prisons and Beuys’ ideas and personal but mundane story about being rescued by", "real people from history. The individuals are * [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious", "whose ideas I find hard to understand but believe he was interesting because", "to understand but believe he was interesting because of his spiritual perception and", "time-travel short story about two real people from history. The individuals are ", "spiritual perception and variety of ways of fulfilment. I’ve been working on character", "ideas and personal but mundane story about being rescued by Tartars. What genre", "intelligent escapes from prisons and Beuys’ ideas and personal but mundane story about", "but believe he was interesting because of his spiritual perception and variety of", "individuals are [Seck Sheppard](https://en.wikipedia.org/wiki/Seck_Sheppard), a robber notorious for being a popular criminal", "interest. I want to try involving people who have popularity and skill in", "being a popular criminal who escaped four times in his young life in", "who escaped four times in his young life in the 1700s, and ", "common - such as Sheppard’s reputation of intelligent escapes from prisons and Beuys’", "popularity and skill in common - such as Sheppard’s reputation of intelligent escapes", "trying to write a time-travel short story about two real people from history.", "young life in the 1700s, and [Joseph Beuys](https://en.wikipedia.org/wiki/Joseph_Beuys), a German sculptor whose" ]
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[ "and so on. My main character spends two chapters (Ch 2 and 4)", "as a result. Not sure.) I'm wondering if there's something about a lack", "of view.) Feedback I get is that chapters 2/4 are well written, all", "I'm wondering if there's something about a lack of a second character for", "flashbacks that are dialog, a couple exclamations/talking out loud, and conflict between himself", "same weight. Edit: More feedback from readers in real life has me shortening", "are well written, all the parts are there, I've done everything 'right' but", "to add his thoughts and emotions, but they are already there as indirect", "of dialog with other devices. (Perhaps I ended up with something disjointed as", "environment. In other words, I've tried to compensate for the lack of dialog", "written, all the parts are there, I've done everything 'right' but it's tough", "is a great way to balance out a scene of description and action.", "tense), a couple flashbacks that are dialog, a couple exclamations/talking out loud, and", "version where I add in his feeling as a tell.\" \"Oh! Yes, I", "I don't allow normal swear words in this world. Having my character yell", "fixes I'm playing around with. The advice I've gotten is to add his", "think it is) is that I don't allow normal swear words in this", "the character's motivations clear. Two disjointed bits were linked which adds a metaphysical", "for the in-world words to carry the same weight. Edit: More feedback from", "Look at this version where I add in his feeling as a tell.\"", "chapters 2/4 are well written, all the parts are there, I've done everything", "(and this will sound like a non-sequitur but I don't think it is)", "conflict between himself and the environment. In other words, I've tried to compensate", "great way to balance out a scene of description and action. Dialog allows", "the wilderness. (Chapter 3 is in another point of view.) Feedback I get", "\"No, he loves being alone. I showed that.\" \"Oh, yes you did. But", "gotten is to add his thoughts and emotions, but they are already there", "hiking.\" \"OK. Look at this version where I add in his feeling as", "but I'm hoping to avoid standard swear words. It's too early in the", "allows conflict, information, reveal of character, and so on and so on. My", "Dialog is a great way to balance out a scene of description and", "with. The advice I've gotten is to add his thoughts and emotions, but", "\"F\\\\\\!\" during a crisis might work wonders (and the lack of that expletive", "chapters, reducing some of the extraneous 'disjointed' bits, and (as always) keeping the", "don't allow normal swear words in this world. Having my character yell \"F\\\\\\!\"", "Two disjointed bits were linked which adds a metaphysical vibe in that paragraph", "on and so on. My main character spends two chapters (Ch 2 and", "on board and let it stew with the other fixes I'm playing around", "for the reader) but I'm hoping to avoid standard swear words. It's too", "to be helpful. (reader: \"Does he hate being there?\" me: \"No, he loves", "a crisis might work wonders (and the lack of that expletive might be", "character, but if you have any insight into this I will take it", "Dialog allows conflict, information, reveal of character, and so on and so on.", "too early in the book for the in-world words to carry the same", "to feel connected to the character. In these chapters, my character has internal", "there?\" me: \"No, he loves being alone. I showed that.\" \"Oh, yes you", "are already there as indirect past tense. Incidentally, one of my constraints (and", "readers to feel connected to the character. In these chapters, my character has", "exclamations/talking out loud, and conflict between himself and the environment. In other words,", "in the scene. What do you think? I don't plan to add a", "early in the book for the in-world words to carry the same weight.", "In other words, I've tried to compensate for the lack of dialog with", "readers in real life has me shortening some of the segments in these", "a hard time being in the scene. What do you think? I don't", "is) is that I don't allow normal swear words in this world. Having", "compensate for the lack of dialog with other devices. (Perhaps I ended up", "normal swear words in this world. Having my character yell \"F\\\\\\!\" during a", "this will sound like a non-sequitur but I don't think it is) is", "which adds a metaphysical vibe in that paragraph which is cool. It's getting", "is to add his thoughts and emotions, but they are already there as", "bits were linked which adds a metaphysical vibe in that paragraph which is", "(Chapter 3 is in another point of view.) Feedback I get is that", "character has internal thoughts (written as indirect past tense), a couple flashbacks that", "in real life has me shortening some of the segments in these chapters,", "a lack of a second character for the MC to bounce off of", "swear words. It's too early in the book for the in-world words to", "life has me shortening some of the segments in these chapters, reducing some", "don't think it is) is that I don't allow normal swear words in", "were linked which adds a metaphysical vibe in that paragraph which is cool.", "a non-sequitur but I don't think it is) is that I don't allow", "standard swear words. It's too early in the book for the in-world words", "some of the segments in these chapters, reducing some of the extraneous 'disjointed'", "some of the extraneous 'disjointed' bits, and (as always) keeping the character's motivations", "will sound like a non-sequitur but I don't think it is) is that", "thoughts and emotions, but they are already there as indirect past tense. Incidentally,", "between himself and the environment. In other words, I've tried to compensate for", "that expletive might be what's missing for the reader) but I'm hoping to", "well written, all the parts are there, I've done everything 'right' but it's", "so on. My main character spends two chapters (Ch 2 and 4) alone", "the reader) but I'm hoping to avoid standard swear words. It's too early", "What do you think? I don't plan to add a second character, but", "helpful. (reader: \"Does he hate being there?\" me: \"No, he loves being alone.", "past tense), a couple flashbacks that are dialog, a couple exclamations/talking out loud,", "chapters, my character has internal thoughts (written as indirect past tense), a couple", "any insight into this I will take it on board and let it", "thoughts (written as indirect past tense), a couple flashbacks that are dialog, a", "with the other fixes I'm playing around with. The advice I've gotten is", "something disjointed as a result. Not sure.) I'm wondering if there's something about", "with other devices. (Perhaps I ended up with something disjointed as a result.", "reader engaged:* Dialog is a great way to balance out a scene of", "appear to be helpful. (reader: \"Does he hate being there?\" me: \"No, he", "More feedback from readers in real life has me shortening some of the", "you did. But I hate hiking.\" \"OK. Look at this version where I", "reader) but I'm hoping to avoid standard swear words. It's too early in", "second character, but if you have any insight into this I will take", "feedback from readers in real life has me shortening some of the segments", "that is giving readers a hard time being in the scene. What do", "indirect past tense), a couple flashbacks that are dialog, a couple exclamations/talking out", "main character spends two chapters (Ch 2 and 4) alone in the wilderness.", "get is that chapters 2/4 are well written, all the parts are there,", "of that is giving readers a hard time being in the scene. What", "getting there. Also, a few occasional telling words appear to be helpful. (reader:", "to bounce off of that is giving readers a hard time being in", "to compensate for the lack of dialog with other devices. (Perhaps I ended", "work wonders (and the lack of that expletive might be what's missing for", "occasional telling words appear to be helpful. (reader: \"Does he hate being there?\"", "is giving readers a hard time being in the scene. What do you", "But I hate hiking.\" \"OK. Look at this version where I add in", "ended up with something disjointed as a result. Not sure.) I'm wondering if", "couple flashbacks that are dialog, a couple exclamations/talking out loud, and conflict between", "world. Having my character yell \"F\\\\\\!\" during a crisis might work wonders (and", "might work wonders (and the lack of that expletive might be what's missing", "playing around with. The advice I've gotten is to add his thoughts and", "and emotions, but they are already there as indirect past tense. Incidentally, one", "reducing some of the extraneous 'disjointed' bits, and (as always) keeping the character's", "non-sequitur but I don't think it is) is that I don't allow normal", "\"Oh, yes you did. But I hate hiking.\" \"OK. Look at this version", "his thoughts and emotions, but they are already there as indirect past tense.", "is that I don't allow normal swear words in this world. Having my", "the in-world words to carry the same weight. Edit: More feedback from readers", "character spends two chapters (Ch 2 and 4) alone in the wilderness. (Chapter", "another point of view.) Feedback I get is that chapters 2/4 are well", "(Perhaps I ended up with something disjointed as a result. Not sure.) I'm", "I've gotten is to add his thoughts and emotions, but they are already", "add his thoughts and emotions, but they are already there as indirect past", "Incidentally, one of my constraints (and this will sound like a non-sequitur but", "being alone. I showed that.\" \"Oh, yes you did. But I hate hiking.\"", "My main character spends two chapters (Ch 2 and 4) alone in the", "emotions, but they are already there as indirect past tense. Incidentally, one of", "action. Dialog allows conflict, information, reveal of character, and so on and so", "reveal of character, and so on and so on. My main character spends", "words to carry the same weight. Edit: More feedback from readers in real", "might be what's missing for the reader) but I'm hoping to avoid standard", "the other fixes I'm playing around with. The advice I've gotten is to", "in this world. Having my character yell \"F\\\\\\!\" during a crisis might work", "what's missing for the reader) but I'm hoping to avoid standard swear words.", "all the parts are there, I've done everything 'right' but it's tough for", "The advice I've gotten is to add his thoughts and emotions, but they", "he loves being alone. I showed that.\" \"Oh, yes you did. But I", "character yell \"F\\\\\\!\" during a crisis might work wonders (and the lack of", "he hate being there?\" me: \"No, he loves being alone. I showed that.\"", "are dialog, a couple exclamations/talking out loud, and conflict between himself and the", "crisis might work wonders (and the lack of that expletive might be what's", "and (as always) keeping the character's motivations clear. Two disjointed bits were linked", "Having my character yell \"F\\\\\\!\" during a crisis might work wonders (and the", "linked which adds a metaphysical vibe in that paragraph which is cool. It's", "result. Not sure.) I'm wondering if there's something about a lack of a", "words in this world. Having my character yell \"F\\\\\\!\" during a crisis might", "the extraneous 'disjointed' bits, and (as always) keeping the character's motivations clear. Two", "Feedback I get is that chapters 2/4 are well written, all the parts", "other devices. (Perhaps I ended up with something disjointed as a result. Not", "don't plan to add a second character, but if you have any insight", "disjointed as a result. Not sure.) I'm wondering if there's something about a", "are there, I've done everything 'right' but it's tough for readers to feel", "with something disjointed as a result. Not sure.) I'm wondering if there's something", "I get is that chapters 2/4 are well written, all the parts are", "second character for the MC to bounce off of that is giving readers", "like a non-sequitur but I don't think it is) is that I don't", "and let it stew with the other fixes I'm playing around with. The", "has internal thoughts (written as indirect past tense), a couple flashbacks that are", "telling words appear to be helpful. (reader: \"Does he hate being there?\" me:", "that are dialog, a couple exclamations/talking out loud, and conflict between himself and", "have any insight into this I will take it on board and let", "carry the same weight. Edit: More feedback from readers in real life has", "in that paragraph which is cool. It's getting there. Also, a few occasional", "scene of description and action. Dialog allows conflict, information, reveal of character, and", "take it on board and let it stew with the other fixes I'm", "but if you have any insight into this I will take it on", "words, I've tried to compensate for the lack of dialog with other devices.", "real life has me shortening some of the segments in these chapters, reducing", "done everything 'right' but it's tough for readers to feel connected to the", "sound like a non-sequitur but I don't think it is) is that I", "of a second character for the MC to bounce off of that is", "vibe in that paragraph which is cool. It's getting there. Also, a few", "parts are there, I've done everything 'right' but it's tough for readers to", "it stew with the other fixes I'm playing around with. The advice I've", "wilderness. (Chapter 3 is in another point of view.) Feedback I get is", "the segments in these chapters, reducing some of the extraneous 'disjointed' bits, and", "a second character, but if you have any insight into this I will", "the lack of dialog with other devices. (Perhaps I ended up with something", "being in the scene. What do you think? I don't plan to add", "always) keeping the character's motivations clear. Two disjointed bits were linked which adds", "couple exclamations/talking out loud, and conflict between himself and the environment. In other", "there, I've done everything 'right' but it's tough for readers to feel connected", "balance out a scene of description and action. Dialog allows conflict, information, reveal", "I'm hoping to avoid standard swear words. It's too early in the book", "yell \"F\\\\\\!\" during a crisis might work wonders (and the lack of that", "about a lack of a second character for the MC to bounce off", "it is) is that I don't allow normal swear words in this world.", "is cool. It's getting there. Also, a few occasional telling words appear to", "there. Also, a few occasional telling words appear to be helpful. (reader: \"Does", "lack of dialog with other devices. (Perhaps I ended up with something disjointed", "will take it on board and let it stew with the other fixes", "I'm playing around with. The advice I've gotten is to add his thoughts", "is in another point of view.) Feedback I get is that chapters 2/4", "at this version where I add in his feeling as a tell.\" \"Oh!", "clear. Two disjointed bits were linked which adds a metaphysical vibe in that", "description and action. Dialog allows conflict, information, reveal of character, and so on", "other words, I've tried to compensate for the lack of dialog with other", "a result. Not sure.) I'm wondering if there's something about a lack of", "(and the lack of that expletive might be what's missing for the reader)", "(written as indirect past tense), a couple flashbacks that are dialog, a couple", "around with. The advice I've gotten is to add his thoughts and emotions,", "of that expletive might be what's missing for the reader) but I'm hoping", "engaged:** Dialog is a great way to balance out a scene of description", "information, reveal of character, and so on and so on. My main character", "being there?\" me: \"No, he loves being alone. I showed that.\" \"Oh, yes", "loves being alone. I showed that.\" \"Oh, yes you did. But I hate", "tough for readers to feel connected to the character. In these chapters, my", "me: \"No, he loves being alone. I showed that.\" \"Oh, yes you did.", "dialog, a couple exclamations/talking out loud, and conflict between himself and the environment.", "adds a metaphysical vibe in that paragraph which is cool. It's getting there.", "MC to bounce off of that is giving readers a hard time being", "and so on and so on. My main character spends two chapters (Ch", "to add a second character, but if you have any insight into this", "I don't think it is) is that I don't allow normal swear words", "3 is in another point of view.) Feedback I get is that chapters", "but it's tough for readers to feel connected to the character. In these", "yes you did. But I hate hiking.\" \"OK. Look at this version where", "of my constraints (and this will sound like a non-sequitur but I don't", "words. It's too early in the book for the in-world words to carry", "where I add in his feeling as a tell.\" \"Oh! Yes, I get", "something about a lack of a second character for the MC to bounce", "there as indirect past tense. Incidentally, one of my constraints (and this will", "a metaphysical vibe in that paragraph which is cool. It's getting there. Also,", "of the segments in these chapters, reducing some of the extraneous 'disjointed' bits,", "expletive might be what's missing for the reader) but I'm hoping to avoid", "in another point of view.) Feedback I get is that chapters 2/4 are", "I don't plan to add a second character, but if you have any", "to balance out a scene of description and action. Dialog allows conflict, information,", "Not sure.) I'm wondering if there's something about a lack of a second", "insight into this I will take it on board and let it stew", "in the wilderness. (Chapter 3 is in another point of view.) Feedback I", "this version where I add in his feeling as a tell.\" \"Oh! Yes,", "you have any insight into this I will take it on board and", "other fixes I'm playing around with. The advice I've gotten is to add", "a couple flashbacks that are dialog, a couple exclamations/talking out loud, and conflict", "constraints (and this will sound like a non-sequitur but I don't think it", "swear words in this world. Having my character yell \"F\\\\\\!\" during a crisis", "hate hiking.\" \"OK. Look at this version where I add in his feeling", "board and let it stew with the other fixes I'm playing around with.", "a few occasional telling words appear to be helpful. (reader: \"Does he hate", "bits, and (as always) keeping the character's motivations clear. Two disjointed bits were", "which is cool. It's getting there. Also, a few occasional telling words appear", "character for the MC to bounce off of that is giving readers a", "during a crisis might work wonders (and the lack of that expletive might", "for the MC to bounce off of that is giving readers a hard", "I hate hiking.\" \"OK. Look at this version where I add in his", "the topic of keeping a reader engaged:* Dialog is a great way to", "the parts are there, I've done everything 'right' but it's tough for readers", "time being in the scene. What do you think? I don't plan to", "keeping the character's motivations clear. Two disjointed bits were linked which adds a", "(reader: \"Does he hate being there?\" me: \"No, he loves being alone. I", "up with something disjointed as a result. Not sure.) I'm wondering if there's", "In these chapters, my character has internal thoughts (written as indirect past tense),", "two chapters (Ch 2 and 4) alone in the wilderness. (Chapter 3 is", "as indirect past tense), a couple flashbacks that are dialog, a couple exclamations/talking", "the book for the in-world words to carry the same weight. Edit: More", "I've done everything 'right' but it's tough for readers to feel connected to", "add a second character, but if you have any insight into this I", "It's getting there. Also, a few occasional telling words appear to be helpful.", "point of view.) Feedback I get is that chapters 2/4 are well written,", "metaphysical vibe in that paragraph which is cool. It's getting there. Also, a", "motivations clear. Two disjointed bits were linked which adds a metaphysical vibe in", "few occasional telling words appear to be helpful. (reader: \"Does he hate being", "to avoid standard swear words. It's too early in the book for the", "loud, and conflict between himself and the environment. In other words, I've tried", "for the lack of dialog with other devices. (Perhaps I ended up with", "you think? I don't plan to add a second character, but if you", "out loud, and conflict between himself and the environment. In other words, I've", "'right' but it's tough for readers to feel connected to the character. In", "allow normal swear words in this world. Having my character yell \"F\\\\\\!\" during", "but they are already there as indirect past tense. Incidentally, one of my", "words appear to be helpful. (reader: \"Does he hate being there?\" me: \"No,", "out a scene of description and action. Dialog allows conflict, information, reveal of", "view.) Feedback I get is that chapters 2/4 are well written, all the", "and the environment. In other words, I've tried to compensate for the lack", "past tense. Incidentally, one of my constraints (and this will sound like a", "character's motivations clear. Two disjointed bits were linked which adds a metaphysical vibe", "spends two chapters (Ch 2 and 4) alone in the wilderness. (Chapter 3", "it's tough for readers to feel connected to the character. In these chapters,", "keeping a reader engaged:* Dialog is a great way to balance out a", "a great way to balance out a scene of description and action. Dialog", "bounce off of that is giving readers a hard time being in the", "the scene. What do you think? I don't plan to add a second", "in the book for the in-world words to carry the same weight. Edit:", "avoid standard swear words. It's too early in the book for the in-world", "2 and 4) alone in the wilderness. (Chapter 3 is in another point", "alone. I showed that.\" \"Oh, yes you did. But I hate hiking.\" \"OK.", "lack of a second character for the MC to bounce off of that", "Edit: More feedback from readers in real life has me shortening some of", "readers a hard time being in the scene. What do you think? I", "extraneous 'disjointed' bits, and (as always) keeping the character's motivations clear. Two disjointed", "that I don't allow normal swear words in this world. Having my character", "tried to compensate for the lack of dialog with other devices. (Perhaps I", "my character yell \"F\\\\\\!\" during a crisis might work wonders (and the lack", "internal thoughts (written as indirect past tense), a couple flashbacks that are dialog,", "dialog with other devices. (Perhaps I ended up with something disjointed as a", "paragraph which is cool. It's getting there. Also, a few occasional telling words", "devices. (Perhaps I ended up with something disjointed as a result. Not sure.)", "these chapters, reducing some of the extraneous 'disjointed' bits, and (as always) keeping", "but I don't think it is) is that I don't allow normal swear", "way to balance out a scene of description and action. Dialog allows conflict,", "himself and the environment. In other words, I've tried to compensate for the", "feel connected to the character. In these chapters, my character has internal thoughts", "to the character. In these chapters, my character has internal thoughts (written as", "my constraints (and this will sound like a non-sequitur but I don't think", "think? I don't plan to add a second character, but if you have", "in these chapters, reducing some of the extraneous 'disjointed' bits, and (as always)", "do you think? I don't plan to add a second character, but if", "2/4 are well written, all the parts are there, I've done everything 'right'", "On the topic of keeping a reader engaged:* Dialog is a great way", "conflict, information, reveal of character, and so on and so on. My main", "off of that is giving readers a hard time being in the scene.", "of keeping a reader engaged: Dialog is a great way to balance out", "these chapters, my character has internal thoughts (written as indirect past tense), a", "\"Does he hate being there?\" me: \"No, he loves being alone. I showed", "on. My main character spends two chapters (Ch 2 and 4) alone in", "Also, a few occasional telling words appear to be helpful. (reader: \"Does he", "wonders (and the lack of that expletive might be what's missing for the", "\"OK. Look at this version where I add in his feeling as a", "character, and so on and so on. My main character spends two chapters", "tense. Incidentally, one of my constraints (and this will sound like a non-sequitur", "if you have any insight into this I will take it on board", "giving readers a hard time being in the scene. What do you think?", "if there's something about a lack of a second character for the MC", "book for the in-world words to carry the same weight. Edit: More feedback", "scene. What do you think? I don't plan to add a second character,", "as indirect past tense. Incidentally, one of my constraints (and this will sound", "it on board and let it stew with the other fixes I'm playing", "into this I will take it on board and let it stew with", "segments in these chapters, reducing some of the extraneous 'disjointed' bits, and (as", "a scene of description and action. Dialog allows conflict, information, reveal of character,", "the MC to bounce off of that is giving readers a hard time", "already there as indirect past tense. Incidentally, one of my constraints (and this", "the lack of that expletive might be what's missing for the reader) but", "a reader engaged: Dialog is a great way to balance out a scene", "that.\" \"Oh, yes you did. But I hate hiking.\" \"OK. Look at this", "and 4) alone in the wilderness. (Chapter 3 is in another point of", "that paragraph which is cool. It's getting there. Also, a few occasional telling", "me shortening some of the segments in these chapters, reducing some of the", "cool. It's getting there. Also, a few occasional telling words appear to be", "I showed that.\" \"Oh, yes you did. But I hate hiking.\" \"OK. Look", "the environment. In other words, I've tried to compensate for the lack of", "stew with the other fixes I'm playing around with. The advice I've gotten", "a couple exclamations/talking out loud, and conflict between himself and the environment. In", "hate being there?\" me: \"No, he loves being alone. I showed that.\" \"Oh,", "alone in the wilderness. (Chapter 3 is in another point of view.) Feedback", "did. But I hate hiking.\" \"OK. Look at this version where I add", "so on and so on. My main character spends two chapters (Ch 2", "connected to the character. In these chapters, my character has internal thoughts (written", "in-world words to carry the same weight. Edit: More feedback from readers in", "be what's missing for the reader) but I'm hoping to avoid standard swear", "lack of that expletive might be what's missing for the reader) but I'm", "the character. In these chapters, my character has internal thoughts (written as indirect", "indirect past tense. Incidentally, one of my constraints (and this will sound like", "(as always) keeping the character's motivations clear. Two disjointed bits were linked which", "of the extraneous 'disjointed' bits, and (as always) keeping the character's motivations clear.", "this world. Having my character yell \"F\\\\\\!\" during a crisis might work wonders", "topic of keeping a reader engaged:* Dialog is a great way to balance", "one of my constraints (and this will sound like a non-sequitur but I", "be helpful. (reader: \"Does he hate being there?\" me: \"No, he loves being", "they are already there as indirect past tense. Incidentally, one of my constraints", "(Ch 2 and 4) alone in the wilderness. (Chapter 3 is in another", "character. In these chapters, my character has internal thoughts (written as indirect past", "for readers to feel connected to the character. In these chapters, my character", "of character, and so on and so on. My main character spends two", "this I will take it on board and let it stew with the", "to carry the same weight. Edit: More feedback from readers in real life", "I add in his feeling as a tell.\" \"Oh! Yes, I get it", "and action. Dialog allows conflict, information, reveal of character, and so on and", "advice I've gotten is to add his thoughts and emotions, but they are", "add in his feeling as a tell.\" \"Oh! Yes, I get it now.\")", "I've tried to compensate for the lack of dialog with other devices. (Perhaps", "shortening some of the segments in these chapters, reducing some of the extraneous", "sure.) I'm wondering if there's something about a lack of a second character", "hoping to avoid standard swear words. It's too early in the book for", "4) alone in the wilderness. (Chapter 3 is in another point of view.)", "of description and action. Dialog allows conflict, information, reveal of character, and so", "disjointed bits were linked which adds a metaphysical vibe in that paragraph which", "chapters (Ch 2 and 4) alone in the wilderness. (Chapter 3 is in", "and conflict between himself and the environment. In other words, I've tried to", "everything 'right' but it's tough for readers to feel connected to the character.", "the same weight. Edit: More feedback from readers in real life has me", "'disjointed' bits, and (as always) keeping the character's motivations clear. Two disjointed bits", "that chapters 2/4 are well written, all the parts are there, I've done", "I ended up with something disjointed as a result. Not sure.) I'm wondering", "let it stew with the other fixes I'm playing around with. The advice", "missing for the reader) but I'm hoping to avoid standard swear words. It's", "wondering if there's something about a lack of a second character for the", "showed that.\" \"Oh, yes you did. But I hate hiking.\" \"OK. Look at", "It's too early in the book for the in-world words to carry the", "my character has internal thoughts (written as indirect past tense), a couple flashbacks", "hard time being in the scene. What do you think? I don't plan", "from readers in real life has me shortening some of the segments in", "I will take it on board and let it stew with the other", "there's something about a lack of a second character for the MC to", "a second character for the MC to bounce off of that is giving", "plan to add a second character, but if you have any insight into", "weight. Edit: More feedback from readers in real life has me shortening some", "has me shortening some of the segments in these chapters, reducing some of", "is that chapters 2/4 are well written, all the parts are there, I've" ]
[ "the world is left in peace. I want to know if this is", "novel and the way I want it to end is with the villain", "to end is with the villain showing his humanity to the hero, begging", "peace. I want to know if this is a good idea and if", "idea and if there are any good examples of this idea in execution?", "to achieve those goals are completely opposed. Good cannot thrive without evil and", "mercy, and when the hero is about to spare him the villains stabs", "begging for mercy, and when the hero is about to spare him the", "with his sword. The hero becomes aware that the villain will never change", "with the villain showing his humanity to the hero, begging for mercy, and", "when the hero is about to spare him the villains stabs him with", "completely opposed. Good cannot thrive without evil and evil cannot exist without good,", "a good idea and if there are any good examples of this idea", "will never change and with his final breath he stabs the villain back,", "it to end is with the villain showing his humanity to the hero,", "good, they both go to their eternal sleep as the world is left", "as the world is left in peace. I want to know if this", "I want it to end is with the villain showing his humanity to", "showing his humanity to the hero, begging for mercy, and when the hero", "villain showing his humanity to the hero, begging for mercy, and when the", "but the way that they want to achieve those goals are completely opposed.", "for mercy, and when the hero is about to spare him the villains", "goals are completely opposed. Good cannot thrive without evil and evil cannot exist", "his final breath he stabs the villain back, they both die, their deaths", "they want to achieve those goals are completely opposed. Good cannot thrive without", "he stabs the villain back, they both die, their deaths symbolize their duality;", "about to spare him the villains stabs him with his sword. The hero", "evil and evil cannot exist without good, they both go to their eternal", "end is with the villain showing his humanity to the hero, begging for", "exist without good, they both go to their eternal sleep as the world", "they both go to their eternal sleep as the world is left in", "both go to their eternal sleep as the world is left in peace.", "his humanity to the hero, begging for mercy, and when the hero is", "is a good idea and if there are any good examples of this", "go to their eternal sleep as the world is left in peace. I", "goals but the way that they want to achieve those goals are completely", "cannot thrive without evil and evil cannot exist without good, they both go", "breath he stabs the villain back, they both die, their deaths symbolize their", "symbolize their duality; they might have similar goals but the way that they", "their duality; they might have similar goals but the way that they want", "duality; they might have similar goals but the way that they want to", "might have similar goals but the way that they want to achieve those", "the villain will never change and with his final breath he stabs the", "to spare him the villains stabs him with his sword. The hero becomes", "I'm writing my own fantasy novel and the way I want it to", "stabs him with his sword. The hero becomes aware that the villain will", "and the way I want it to end is with the villain showing", "and with his final breath he stabs the villain back, they both die,", "own fantasy novel and the way I want it to end is with", "The hero becomes aware that the villain will never change and with his", "they both die, their deaths symbolize their duality; they might have similar goals", "without evil and evil cannot exist without good, they both go to their", "know if this is a good idea and if there are any good", "and when the hero is about to spare him the villains stabs him", "this is a good idea and if there are any good examples of", "if this is a good idea and if there are any good examples", "evil cannot exist without good, they both go to their eternal sleep as", "the villains stabs him with his sword. The hero becomes aware that the", "in peace. I want to know if this is a good idea and", "want to know if this is a good idea and if there are", "that they want to achieve those goals are completely opposed. Good cannot thrive", "opposed. Good cannot thrive without evil and evil cannot exist without good, they", "their eternal sleep as the world is left in peace. I want to", "change and with his final breath he stabs the villain back, they both", "left in peace. I want to know if this is a good idea", "sword. The hero becomes aware that the villain will never change and with", "aware that the villain will never change and with his final breath he", "never change and with his final breath he stabs the villain back, they", "villain back, they both die, their deaths symbolize their duality; they might have", "world is left in peace. I want to know if this is a", "similar goals but the way that they want to achieve those goals are", "back, they both die, their deaths symbolize their duality; they might have similar", "die, their deaths symbolize their duality; they might have similar goals but the", "writing my own fantasy novel and the way I want it to end", "villains stabs him with his sword. The hero becomes aware that the villain", "to know if this is a good idea and if there are any", "want it to end is with the villain showing his humanity to the", "if there are any good examples of this idea in execution? Thanks for", "spare him the villains stabs him with his sword. The hero becomes aware", "to the hero, begging for mercy, and when the hero is about to", "want to achieve those goals are completely opposed. Good cannot thrive without evil", "sleep as the world is left in peace. I want to know if", "cannot exist without good, they both go to their eternal sleep as the", "that the villain will never change and with his final breath he stabs", "fantasy novel and the way I want it to end is with the", "hero, begging for mercy, and when the hero is about to spare him", "they might have similar goals but the way that they want to achieve", "I want to know if this is a good idea and if there", "is about to spare him the villains stabs him with his sword. The", "the villain showing his humanity to the hero, begging for mercy, and when", "him the villains stabs him with his sword. The hero becomes aware that", "both die, their deaths symbolize their duality; they might have similar goals but", "is with the villain showing his humanity to the hero, begging for mercy,", "with his final breath he stabs the villain back, they both die, their", "good idea and if there are any good examples of this idea in", "him with his sword. The hero becomes aware that the villain will never", "humanity to the hero, begging for mercy, and when the hero is about", "villain will never change and with his final breath he stabs the villain", "there are any good examples of this idea in execution? Thanks for your", "final breath he stabs the villain back, they both die, their deaths symbolize", "way that they want to achieve those goals are completely opposed. Good cannot", "and evil cannot exist without good, they both go to their eternal sleep", "hero becomes aware that the villain will never change and with his final", "are completely opposed. Good cannot thrive without evil and evil cannot exist without", "the hero is about to spare him the villains stabs him with his", "and if there are any good examples of this idea in execution? Thanks", "have similar goals but the way that they want to achieve those goals", "the way that they want to achieve those goals are completely opposed. Good", "those goals are completely opposed. Good cannot thrive without evil and evil cannot", "my own fantasy novel and the way I want it to end is", "achieve those goals are completely opposed. Good cannot thrive without evil and evil", "Good cannot thrive without evil and evil cannot exist without good, they both", "his sword. The hero becomes aware that the villain will never change and", "their deaths symbolize their duality; they might have similar goals but the way", "to their eternal sleep as the world is left in peace. I want", "stabs the villain back, they both die, their deaths symbolize their duality; they", "way I want it to end is with the villain showing his humanity", "deaths symbolize their duality; they might have similar goals but the way that", "thrive without evil and evil cannot exist without good, they both go to", "hero is about to spare him the villains stabs him with his sword.", "the villain back, they both die, their deaths symbolize their duality; they might", "without good, they both go to their eternal sleep as the world is", "is left in peace. I want to know if this is a good", "becomes aware that the villain will never change and with his final breath", "the way I want it to end is with the villain showing his", "the hero, begging for mercy, and when the hero is about to spare", "are any good examples of this idea in execution? Thanks for your help.", "eternal sleep as the world is left in peace. I want to know" ]
[ "towards the rest of my story. I am currently considering the idea using", "the reader will at least consider being bothered enough to read the song", "for hooking the reader and driving their attention towards the rest of my", "as the hook. What can I do as far as formatting goes to", "the hook. What can I do as far as formatting goes to make", "attention towards the rest of my story. I am currently considering the idea", "stages of writing my high fantasy novel. I am looking at or experimenting", "enough to read the song lyrics before continuing on with the rest of", "song is read as a song and that the reader will at least", "far as formatting goes to make sure that the song is read as", "the rest of my story. I am currently considering the idea using a", "do as far as formatting goes to make sure that the song is", "I am currently considering the idea using a song as the hook. What", "the idea using a song as the hook. What can I do as", "What can I do as far as formatting goes to make sure that", "at the free-writing stages of writing my high fantasy novel. I am looking", "different methods for hooking the reader and driving their attention towards the rest", "their attention towards the rest of my story. I am currently considering the", "sure that the song is read as a song and that the reader", "idea using a song as the hook. What can I do as far", "can I do as far as formatting goes to make sure that the", "consider being bothered enough to read the song lyrics before continuing on with", "driving their attention towards the rest of my story. I am currently considering", "bothered enough to read the song lyrics before continuing on with the rest", "to make sure that the song is read as a song and that", "with different methods for hooking the reader and driving their attention towards the", "the free-writing stages of writing my high fantasy novel. I am looking at", "fantasy novel. I am looking at or experimenting with different methods for hooking", "song as the hook. What can I do as far as formatting goes", "to read the song lyrics before continuing on with the rest of the", "high fantasy novel. I am looking at or experimenting with different methods for", "I am at the free-writing stages of writing my high fantasy novel. I", "writing my high fantasy novel. I am looking at or experimenting with different", "as far as formatting goes to make sure that the song is read", "hook. What can I do as far as formatting goes to make sure", "formatting goes to make sure that the song is read as a song", "or experimenting with different methods for hooking the reader and driving their attention", "that the song is read as a song and that the reader will", "as formatting goes to make sure that the song is read as a", "hooking the reader and driving their attention towards the rest of my story.", "a song as the hook. What can I do as far as formatting", "as a song and that the reader will at least consider being bothered", "goes to make sure that the song is read as a song and", "my high fantasy novel. I am looking at or experimenting with different methods", "rest of my story. I am currently considering the idea using a song", "the song is read as a song and that the reader will at", "experimenting with different methods for hooking the reader and driving their attention towards", "my story. I am currently considering the idea using a song as the", "reader will at least consider being bothered enough to read the song lyrics", "free-writing stages of writing my high fantasy novel. I am looking at or", "and that the reader will at least consider being bothered enough to read", "at or experimenting with different methods for hooking the reader and driving their", "novel. I am looking at or experimenting with different methods for hooking the", "I am looking at or experimenting with different methods for hooking the reader", "a song and that the reader will at least consider being bothered enough", "of my story. I am currently considering the idea using a song as", "using a song as the hook. What can I do as far as", "currently considering the idea using a song as the hook. What can I", "am at the free-writing stages of writing my high fantasy novel. I am", "of writing my high fantasy novel. I am looking at or experimenting with", "and driving their attention towards the rest of my story. I am currently", "song and that the reader will at least consider being bothered enough to", "methods for hooking the reader and driving their attention towards the rest of", "least consider being bothered enough to read the song lyrics before continuing on", "looking at or experimenting with different methods for hooking the reader and driving", "read the song lyrics before continuing on with the rest of the story?", "am looking at or experimenting with different methods for hooking the reader and", "am currently considering the idea using a song as the hook. What can", "read as a song and that the reader will at least consider being", "the reader and driving their attention towards the rest of my story. I", "at least consider being bothered enough to read the song lyrics before continuing", "make sure that the song is read as a song and that the", "story. I am currently considering the idea using a song as the hook.", "considering the idea using a song as the hook. What can I do", "that the reader will at least consider being bothered enough to read the", "I do as far as formatting goes to make sure that the song", "is read as a song and that the reader will at least consider", "will at least consider being bothered enough to read the song lyrics before", "reader and driving their attention towards the rest of my story. I am", "being bothered enough to read the song lyrics before continuing on with the" ]
[ "- interpretation to a very loved concept in the genre of my story", "skin makes them to heavy to do so. In my story dragons have", "sharp claws to climb those said plateaus and mountains and thick skin to", "The dilemma regards dragons (in your otherwise classical fantasy settings). If dragons were", "genre of my story and I wonder if this could be see as", "as shocking or plain stupid by the average reader. The dilemma regards dragons", "were real they wouldn't be able to fly, their massive size and incredibly", "wonder if this could be see as shocking or plain stupid by the", "places and use their wings to glide across the sky, but not fly,", "point of my plot? More in general, is it wise to reinterpret a", "be to unusual for the average reader? And if so, would this become", "claws to climb those said plateaus and mountains and thick skin to survive", "of my story and I wonder if this could be see as shocking", "ground they stay there. Would it be to unusual for the average reader?", "to glide across the sky, but not fly, once they're in the ground", "see as shocking or plain stupid by the average reader. The dilemma regards", "high altitude places and use their wings to glide across the sky, but", "as an evolutionary trait, because they live in the top of mountains and", "sharp claws and thick skin as an evolutionary trait, because they live in", "need sharp claws to climb those said plateaus and mountains and thick skin", "in a rocky environment. They live in high altitude places and use their", "plateaus and mountains and thick skin to survive in a rocky environment. They", "shocking or plain stupid by the average reader. The dilemma regards dragons (in", "classical fantasy settings). If dragons were real they wouldn't be able to fly,", "interpretation to a very loved concept in the genre of my story and", "reader. The dilemma regards dragons (in your otherwise classical fantasy settings). If dragons", "loved concept in the genre of my story and I wonder if this", "a -possibly very unpopular - interpretation to a very loved concept in the", "They live in high altitude places and use their wings to glide across", "in the ground they stay there. Would it be to unusual for the", "thick skin to survive in a rocky environment. They live in high altitude", "my plot? More in general, is it wise to reinterpret a common trope", "be able to fly, their massive size and incredibly thick skin makes them", "the top of mountains and high plateaus they need sharp claws to climb", "in high altitude places and use their wings to glide across the sky,", "to heavy to do so. In my story dragons have sharp claws and", "wouldn't be able to fly, their massive size and incredibly thick skin makes", "dilemma regards dragons (in your otherwise classical fantasy settings). If dragons were real", "high plateaus they need sharp claws to climb those said plateaus and mountains", "dragons were real they wouldn't be able to fly, their massive size and", "a major weak point of my plot? More in general, is it wise", "plain stupid by the average reader. The dilemma regards dragons (in your otherwise", "could be see as shocking or plain stupid by the average reader. The", "regards dragons (in your otherwise classical fantasy settings). If dragons were real they", "the ground they stay there. Would it be to unusual for the average", "and thick skin as an evolutionary trait, because they live in the top", "skin to survive in a rocky environment. They live in high altitude places", "very unpopular - interpretation to a very loved concept in the genre of", "unusual for the average reader? And if so, would this become a major", "planning of giving a -possibly very unpopular - interpretation to a very loved", "and incredibly thick skin makes them to heavy to do so. In my", "settings). If dragons were real they wouldn't be able to fly, their massive", "become a major weak point of my plot? More in general, is it", "they're in the ground they stay there. Would it be to unusual for", "dragons (in your otherwise classical fantasy settings). If dragons were real they wouldn't", "giving a -possibly very unpopular - interpretation to a very loved concept in", "able to fly, their massive size and incredibly thick skin makes them to", "to unusual for the average reader? And if so, would this become a", "claws and thick skin as an evolutionary trait, because they live in the", "dragons have sharp claws and thick skin as an evolutionary trait, because they", "plot? More in general, is it wise to reinterpret a common trope like", "evolutionary trait, because they live in the top of mountains and high plateaus", "be see as shocking or plain stupid by the average reader. The dilemma", "climb those said plateaus and mountains and thick skin to survive in a", "fly, their massive size and incredibly thick skin makes them to heavy to", "to survive in a rocky environment. They live in high altitude places and", "altitude places and use their wings to glide across the sky, but not", "average reader. The dilemma regards dragons (in your otherwise classical fantasy settings). If", "once they're in the ground they stay there. Would it be to unusual", "skin as an evolutionary trait, because they live in the top of mountains", "live in high altitude places and use their wings to glide across the", "this could be see as shocking or plain stupid by the average reader.", "unpopular - interpretation to a very loved concept in the genre of my", "of mountains and high plateaus they need sharp claws to climb those said", "sky, but not fly, once they're in the ground they stay there. Would", "my story dragons have sharp claws and thick skin as an evolutionary trait,", "so, would this become a major weak point of my plot? More in", "fly, once they're in the ground they stay there. Would it be to", "if this could be see as shocking or plain stupid by the average", "to climb those said plateaus and mountains and thick skin to survive in", "if so, would this become a major weak point of my plot? More", "they stay there. Would it be to unusual for the average reader? And", "stupid by the average reader. The dilemma regards dragons (in your otherwise classical", "a very loved concept in the genre of my story and I wonder", "story and I wonder if this could be see as shocking or plain", "of my plot? More in general, is it wise to reinterpret a common", "(in your otherwise classical fantasy settings). If dragons were real they wouldn't be", "In my story dragons have sharp claws and thick skin as an evolutionary", "incredibly thick skin makes them to heavy to do so. In my story", "said plateaus and mountains and thick skin to survive in a rocky environment.", "for the average reader? And if so, would this become a major weak", "thick skin makes them to heavy to do so. In my story dragons", "the average reader? And if so, would this become a major weak point", "otherwise classical fantasy settings). If dragons were real they wouldn't be able to", "mountains and thick skin to survive in a rocky environment. They live in", "And if so, would this become a major weak point of my plot?", "story dragons have sharp claws and thick skin as an evolutionary trait, because", "have sharp claws and thick skin as an evolutionary trait, because they live", "an evolutionary trait, because they live in the top of mountains and high", "use their wings to glide across the sky, but not fly, once they're", "and thick skin to survive in a rocky environment. They live in high", "mountains and high plateaus they need sharp claws to climb those said plateaus", "to fly, their massive size and incredibly thick skin makes them to heavy", "their wings to glide across the sky, but not fly, once they're in", "do so. In my story dragons have sharp claws and thick skin as", "I wonder if this could be see as shocking or plain stupid by", "it be to unusual for the average reader? And if so, would this", "in the top of mountains and high plateaus they need sharp claws to", "makes them to heavy to do so. In my story dragons have sharp", "If dragons were real they wouldn't be able to fly, their massive size", "heavy to do so. In my story dragons have sharp claws and thick", "glide across the sky, but not fly, once they're in the ground they", "so. In my story dragons have sharp claws and thick skin as an", "this become a major weak point of my plot? More in general, is", "rocky environment. They live in high altitude places and use their wings to", "I'm planning of giving a -possibly very unpopular - interpretation to a very", "in the genre of my story and I wonder if this could be", "fantasy settings). If dragons were real they wouldn't be able to fly, their", "and I wonder if this could be see as shocking or plain stupid", "survive in a rocky environment. They live in high altitude places and use", "weak point of my plot? More in general, is it wise to reinterpret", "but not fly, once they're in the ground they stay there. Would it", "across the sky, but not fly, once they're in the ground they stay", "to a very loved concept in the genre of my story and I", "real they wouldn't be able to fly, their massive size and incredibly thick", "and mountains and thick skin to survive in a rocky environment. They live", "environment. They live in high altitude places and use their wings to glide", "because they live in the top of mountains and high plateaus they need", "not fly, once they're in the ground they stay there. Would it be", "or plain stupid by the average reader. The dilemma regards dragons (in your", "major weak point of my plot? More in general, is it wise to", "my story and I wonder if this could be see as shocking or", "your otherwise classical fantasy settings). If dragons were real they wouldn't be able", "top of mountains and high plateaus they need sharp claws to climb those", "they need sharp claws to climb those said plateaus and mountains and thick", "they live in the top of mountains and high plateaus they need sharp", "by the average reader. The dilemma regards dragons (in your otherwise classical fantasy", "there. Would it be to unusual for the average reader? And if so,", "plateaus they need sharp claws to climb those said plateaus and mountains and", "the sky, but not fly, once they're in the ground they stay there.", "and use their wings to glide across the sky, but not fly, once", "they wouldn't be able to fly, their massive size and incredibly thick skin", "live in the top of mountains and high plateaus they need sharp claws", "massive size and incredibly thick skin makes them to heavy to do so.", "thick skin as an evolutionary trait, because they live in the top of", "Would it be to unusual for the average reader? And if so, would", "them to heavy to do so. In my story dragons have sharp claws", "average reader? And if so, would this become a major weak point of", "a rocky environment. They live in high altitude places and use their wings", "stay there. Would it be to unusual for the average reader? And if", "would this become a major weak point of my plot? More in general,", "their massive size and incredibly thick skin makes them to heavy to do", "reader? And if so, would this become a major weak point of my", "the genre of my story and I wonder if this could be see", "to do so. In my story dragons have sharp claws and thick skin", "size and incredibly thick skin makes them to heavy to do so. In", "concept in the genre of my story and I wonder if this could", "trait, because they live in the top of mountains and high plateaus they", "of giving a -possibly very unpopular - interpretation to a very loved concept", "the average reader. The dilemma regards dragons (in your otherwise classical fantasy settings).", "-possibly very unpopular - interpretation to a very loved concept in the genre", "those said plateaus and mountains and thick skin to survive in a rocky", "More in general, is it wise to reinterpret a common trope like this?", "and high plateaus they need sharp claws to climb those said plateaus and", "wings to glide across the sky, but not fly, once they're in the", "very loved concept in the genre of my story and I wonder if" ]
[ "I put into the story so that I'm not just skipping through time?", "to a party later in the day, but there are a few hours", "few hours in between the events. What could I put into the story", "in time I have to fill. In my story, a girl wants to", "I have some gaps in time I have to fill. In my story,", "a party later in the day, but there are a few hours in", "the day, but there are a few hours in between the events. What", "go to a party later in the day, but there are a few", "wants to go to a party later in the day, but there are", "fill. In my story, a girl wants to go to a party later", "between the events. What could I put into the story so that I'm", "girl wants to go to a party later in the day, but there", "What could I put into the story so that I'm not just skipping", "could I put into the story so that I'm not just skipping through", "have some gaps in time I have to fill. In my story, a", "later in the day, but there are a few hours in between the", "writing a short story, and I have some gaps in time I have", "a short story, and I have some gaps in time I have to", "events. What could I put into the story so that I'm not just", "a few hours in between the events. What could I put into the", "a girl wants to go to a party later in the day, but", "I am writing a short story, and I have some gaps in time", "but there are a few hours in between the events. What could I", "some gaps in time I have to fill. In my story, a girl", "in the day, but there are a few hours in between the events.", "am writing a short story, and I have some gaps in time I", "my story, a girl wants to go to a party later in the", "story, a girl wants to go to a party later in the day,", "short story, and I have some gaps in time I have to fill.", "hours in between the events. What could I put into the story so", "to go to a party later in the day, but there are a", "party later in the day, but there are a few hours in between", "day, but there are a few hours in between the events. What could", "the events. What could I put into the story so that I'm not", "time I have to fill. In my story, a girl wants to go", "there are a few hours in between the events. What could I put", "and I have some gaps in time I have to fill. In my", "have to fill. In my story, a girl wants to go to a", "In my story, a girl wants to go to a party later in", "I have to fill. In my story, a girl wants to go to", "are a few hours in between the events. What could I put into", "story, and I have some gaps in time I have to fill. In", "to fill. In my story, a girl wants to go to a party", "gaps in time I have to fill. In my story, a girl wants", "in between the events. What could I put into the story so that" ]
[ "anything) she tries to go on with her life but cant. She gets", "make an ending where he tells her he doesn't love her. (even though", "suits my story better. Currently my characters fall in love but one ends", "story and I don't know which type of ending suits my story better.", "never dating or anything) she tries to go on with her life but", "him. I'm not sure whether to make a happy ending where everything goes", "again and tells him she loves him. I'm not sure whether to make", "with her life but cant. She gets a chance to see him again", "an ending where he tells her he doesn't love her. (even though he", "her life but cant. She gets a chance to see him again and", "my characters fall in love but one ends up \"cheating\" (they were never", "short story and I don't know which type of ending suits my story", "tries to go on with her life but cant. She gets a chance", "She gets a chance to see him again and tells him she loves", "up \"cheating\" (they were never dating or anything) she tries to go on", "to make an ending where he tells her he doesn't love her. (even", "see him again and tells him she loves him. I'm not sure whether", "ending suits my story better. Currently my characters fall in love but one", "I'm not sure whether to make a happy ending where everything goes perfectly", "goes perfectly or to make an ending where he tells her he doesn't", "to go on with her life but cant. She gets a chance to", "story better. Currently my characters fall in love but one ends up \"cheating\"", "on with her life but cant. She gets a chance to see him", "whether to make a happy ending where everything goes perfectly or to make", "(they were never dating or anything) she tries to go on with her", "to make a happy ending where everything goes perfectly or to make an", "make a happy ending where everything goes perfectly or to make an ending", "tells him she loves him. I'm not sure whether to make a happy", "life but cant. She gets a chance to see him again and tells", "him again and tells him she loves him. I'm not sure whether to", "cant. She gets a chance to see him again and tells him she", "in love but one ends up \"cheating\" (they were never dating or anything)", "she tries to go on with her life but cant. She gets a", "she loves him. I'm not sure whether to make a happy ending where", "were never dating or anything) she tries to go on with her life", "which type of ending suits my story better. Currently my characters fall in", "one ends up \"cheating\" (they were never dating or anything) she tries to", "to see him again and tells him she loves him. I'm not sure", "a chance to see him again and tells him she loves him. I'm", "dating or anything) she tries to go on with her life but cant.", "happy ending where everything goes perfectly or to make an ending where he", "romantic short story and I don't know which type of ending suits my", "go on with her life but cant. She gets a chance to see", "but one ends up \"cheating\" (they were never dating or anything) she tries", "don't know which type of ending suits my story better. Currently my characters", "not sure whether to make a happy ending where everything goes perfectly or", "gets a chance to see him again and tells him she loves him.", "him she loves him. I'm not sure whether to make a happy ending", "where everything goes perfectly or to make an ending where he tells her", "type of ending suits my story better. Currently my characters fall in love", "ending where he tells her he doesn't love her. (even though he does).", "and I don't know which type of ending suits my story better. Currently", "or anything) she tries to go on with her life but cant. She", "everything goes perfectly or to make an ending where he tells her he", "a romantic short story and I don't know which type of ending suits", "a happy ending where everything goes perfectly or to make an ending where", "or to make an ending where he tells her he doesn't love her.", "chance to see him again and tells him she loves him. I'm not", "my story better. Currently my characters fall in love but one ends up", "characters fall in love but one ends up \"cheating\" (they were never dating", "ending where everything goes perfectly or to make an ending where he tells", "love but one ends up \"cheating\" (they were never dating or anything) she", "better. Currently my characters fall in love but one ends up \"cheating\" (they", "fall in love but one ends up \"cheating\" (they were never dating or", "I am writing a romantic short story and I don't know which type", "of ending suits my story better. Currently my characters fall in love but", "and tells him she loves him. I'm not sure whether to make a", "but cant. She gets a chance to see him again and tells him", "loves him. I'm not sure whether to make a happy ending where everything", "know which type of ending suits my story better. Currently my characters fall", "am writing a romantic short story and I don't know which type of", "writing a romantic short story and I don't know which type of ending", "Currently my characters fall in love but one ends up \"cheating\" (they were", "\"cheating\" (they were never dating or anything) she tries to go on with", "sure whether to make a happy ending where everything goes perfectly or to", "perfectly or to make an ending where he tells her he doesn't love", "I don't know which type of ending suits my story better. Currently my", "ends up \"cheating\" (they were never dating or anything) she tries to go" ]
[ "about two children and one of them dies in the first chapter. I", "wanted to expand on how the dead one came to the town but", "the first chapter. I give a four page backstory of how his parents", "again is it just unnecessary to have all that back story about his", "chapter. I give a four page backstory of how his parents came to", "his parents came to the town they are in now, it is unnecessary", "I mostly added it because the chapter was too short and I wanted", "page backstory of how his parents came to the town they are in", "about him again is it just unnecessary to have all that back story", "dies in the first chapter. I give a four page backstory of how", "came to the town they are in now, it is unnecessary but very", "if I never really talk about him again is it just unnecessary to", "in now, it is unnecessary but very interesting. Should I just remove it?", "children and one of them dies in the first chapter. I give a", "on how the dead one came to the town but if I never", "story is about two children and one of them dies in the first", "because the chapter was too short and I wanted to expand on how", "of them dies in the first chapter. I give a four page backstory", "interesting. Should I just remove it? I mostly added it because the chapter", "I give a four page backstory of how his parents came to the", "too short and I wanted to expand on how the dead one came", "it? I mostly added it because the chapter was too short and I", "really talk about him again is it just unnecessary to have all that", "just remove it? I mostly added it because the chapter was too short", "is about two children and one of them dies in the first chapter.", "it is unnecessary but very interesting. Should I just remove it? I mostly", "them dies in the first chapter. I give a four page backstory of", "are in now, it is unnecessary but very interesting. Should I just remove", "him again is it just unnecessary to have all that back story about", "of how his parents came to the town they are in now, it", "never really talk about him again is it just unnecessary to have all", "first chapter. I give a four page backstory of how his parents came", "came to the town but if I never really talk about him again", "one of them dies in the first chapter. I give a four page", "the town but if I never really talk about him again is it", "and one of them dies in the first chapter. I give a four", "town they are in now, it is unnecessary but very interesting. Should I", "the chapter was too short and I wanted to expand on how the", "town but if I never really talk about him again is it just", "they are in now, it is unnecessary but very interesting. Should I just", "to the town but if I never really talk about him again is", "two children and one of them dies in the first chapter. I give", "very interesting. Should I just remove it? I mostly added it because the", "is it just unnecessary to have all that back story about his parents?", "the town they are in now, it is unnecessary but very interesting. Should", "expand on how the dead one came to the town but if I", "mostly added it because the chapter was too short and I wanted to", "is unnecessary but very interesting. Should I just remove it? I mostly added", "was too short and I wanted to expand on how the dead one", "short and I wanted to expand on how the dead one came to", "I just remove it? I mostly added it because the chapter was too", "parents came to the town they are in now, it is unnecessary but", "give a four page backstory of how his parents came to the town", "and I wanted to expand on how the dead one came to the", "how the dead one came to the town but if I never really", "one came to the town but if I never really talk about him", "it because the chapter was too short and I wanted to expand on", "I never really talk about him again is it just unnecessary to have", "Should I just remove it? I mostly added it because the chapter was", "added it because the chapter was too short and I wanted to expand", "dead one came to the town but if I never really talk about", "to the town they are in now, it is unnecessary but very interesting.", "I wanted to expand on how the dead one came to the town", "in the first chapter. I give a four page backstory of how his", "but if I never really talk about him again is it just unnecessary", "chapter was too short and I wanted to expand on how the dead", "My story is about two children and one of them dies in the", "how his parents came to the town they are in now, it is", "four page backstory of how his parents came to the town they are", "unnecessary but very interesting. Should I just remove it? I mostly added it", "now, it is unnecessary but very interesting. Should I just remove it? I", "a four page backstory of how his parents came to the town they", "remove it? I mostly added it because the chapter was too short and", "but very interesting. Should I just remove it? I mostly added it because", "backstory of how his parents came to the town they are in now,", "to expand on how the dead one came to the town but if", "the dead one came to the town but if I never really talk", "talk about him again is it just unnecessary to have all that back" ]
[ "conventions, simply telling the story of their soul (to the best of their", "affect the creative processes of a writer? --- By writing process, yes, I", "think Agatha Christie sat down and said 'oh, the readers wouldn't expect this", "marketing later. However, I'm open to the idea that this ethos could be", "believe that a writer should write what they want to write without heed", "they want to write without heed for genre conventions, simply telling the story", "the genre and the marketing later. However, I'm open to the idea that", "to hating certain stories for surface traits without going to the effort of", "could be wrong. Are there any case that you guys can think of", "can think of where adherence to a genre can or should affect the", "be wrong. Are there any case that you guys can think of where", "where to place your book and sell it better. It's also, unfortunately, a", "complicated things like 'thematic analysis' or 'reading the book'. I tend to believe", "writer? --- By writing process, yes, I mean the whole shebang. Plotting, characterisation,", "stores to know where to place your book and sell it better. It's", "that this ethos could be wrong. Are there any case that you guys", "'reading the book'. I tend to believe that a writer should write what", "to write without heed for genre conventions, simply telling the story of their", "genre can or should affect the creative processes of a writer? --- By", "for surface traits without going to the effort of complicated things like 'thematic", "hating certain stories for surface traits without going to the effort of complicated", "about the genre and the marketing later. However, I'm open to the idea", "a genre can or should affect the creative processes of a writer? ---", "writer should write what they want to write without heed for genre conventions,", "shorthand for critics who are predisposed to hating certain stories for surface traits", "guys can think of where adherence to a genre can or should affect", "this ethos could be wrong. Are there any case that you guys can", "can or should affect the creative processes of a writer? --- By writing", "thing that's used for marketing, an easy shorthand for book stores to know", "know where to place your book and sell it better. It's also, unfortunately,", "this useful? Does doing so have artistic integrity? Do you think Agatha Christie", "for critics who are predisposed to hating certain stories for surface traits without", "without going to the effort of complicated things like 'thematic analysis' or 'reading", "analysis' or 'reading the book'. I tend to believe that a writer should", "case that you guys can think of where adherence to a genre can", "writing process, yes, I mean the whole shebang. Plotting, characterisation, outlining, thematic elements;", "the readers wouldn't expect this in a mystery, I shouldn't include it' when", "an easy shorthand for book stores to know where to place your book", "book'. I tend to believe that a writer should write what they want", "like 'thematic analysis' or 'reading the book'. I tend to believe that a", "story of their soul (to the best of their ability and after refinement)", "should affect the creative processes of a writer? --- By writing process, yes,", "simply telling the story of their soul (to the best of their ability", "largely a thing that's used for marketing, an easy shorthand for book stores", "of a writer? --- By writing process, yes, I mean the whole shebang.", "refinement) and worrying about the genre and the marketing later. However, I'm open", "Do you think Agatha Christie sat down and said 'oh, the readers wouldn't", "associated with the process, can or should it be affected by someone shoehorning", "of their soul (to the best of their ability and after refinement) and", "integrity? Do you think Agatha Christie sat down and said 'oh, the readers", "ethos could be wrong. Are there any case that you guys can think", "and said 'oh, the readers wouldn't expect this in a mystery, I shouldn't", "characterisation, outlining, thematic elements; anything associated with the process, can or should it", "where adherence to a genre can or should affect the creative processes of", "used for marketing, an easy shorthand for book stores to know where to", "genre being largely a thing that's used for marketing, an easy shorthand for", "in genre being largely a thing that's used for marketing, an easy shorthand", "a shorthand for critics who are predisposed to hating certain stories for surface", "a genre? When is this useful? Does doing so have artistic integrity? Do", "book stores to know where to place your book and sell it better.", "open to the idea that this ethos could be wrong. Are there any", "idea that this ethos could be wrong. Are there any case that you", "Does doing so have artistic integrity? Do you think Agatha Christie sat down", "yes, I mean the whole shebang. Plotting, characterisation, outlining, thematic elements; anything associated", "adherence to a genre can or should affect the creative processes of a", "readers wouldn't expect this in a mystery, I shouldn't include it' when writing?", "write what they want to write without heed for genre conventions, simply telling", "shoehorning themselves into a genre? When is this useful? Does doing so have", "it be affected by someone shoehorning themselves into a genre? When is this", "outlining, thematic elements; anything associated with the process, can or should it be", "thematic elements; anything associated with the process, can or should it be affected", "traits without going to the effort of complicated things like 'thematic analysis' or", "genre conventions, simply telling the story of their soul (to the best of", "for marketing, an easy shorthand for book stores to know where to place", "are predisposed to hating certain stories for surface traits without going to the", "by someone shoehorning themselves into a genre? When is this useful? Does doing", "also, unfortunately, a shorthand for critics who are predisposed to hating certain stories", "or should it be affected by someone shoehorning themselves into a genre? When", "the story of their soul (to the best of their ability and after", "themselves into a genre? When is this useful? Does doing so have artistic", "the effort of complicated things like 'thematic analysis' or 'reading the book'. I", "a writer? --- By writing process, yes, I mean the whole shebang. Plotting,", "telling the story of their soul (to the best of their ability and", "useful? Does doing so have artistic integrity? Do you think Agatha Christie sat", "Christie sat down and said 'oh, the readers wouldn't expect this in a", "stories for surface traits without going to the effort of complicated things like", "should write what they want to write without heed for genre conventions, simply", "a thing that's used for marketing, an easy shorthand for book stores to", "effort of complicated things like 'thematic analysis' or 'reading the book'. I tend", "wrong. Are there any case that you guys can think of where adherence", "whole shebang. Plotting, characterisation, outlining, thematic elements; anything associated with the process, can", "soul (to the best of their ability and after refinement) and worrying about", "you guys can think of where adherence to a genre can or should", "be affected by someone shoehorning themselves into a genre? When is this useful?", "place your book and sell it better. It's also, unfortunately, a shorthand for", "'thematic analysis' or 'reading the book'. I tend to believe that a writer", "with the process, can or should it be affected by someone shoehorning themselves", "is this useful? Does doing so have artistic integrity? Do you think Agatha", "down and said 'oh, the readers wouldn't expect this in a mystery, I", "your book and sell it better. It's also, unfortunately, a shorthand for critics", "things like 'thematic analysis' or 'reading the book'. I tend to believe that", "of where adherence to a genre can or should affect the creative processes", "mean the whole shebang. Plotting, characterisation, outlining, thematic elements; anything associated with the", "strong believer in genre being largely a thing that's used for marketing, an", "elements; anything associated with the process, can or should it be affected by", "and after refinement) and worrying about the genre and the marketing later. However,", "that a writer should write what they want to write without heed for", "the idea that this ethos could be wrong. Are there any case that", "tend to believe that a writer should write what they want to write", "to place your book and sell it better. It's also, unfortunately, a shorthand", "(to the best of their ability and after refinement) and worrying about the", "Are there any case that you guys can think of where adherence to", "However, I'm open to the idea that this ethos could be wrong. Are", "write without heed for genre conventions, simply telling the story of their soul", "the whole shebang. Plotting, characterisation, outlining, thematic elements; anything associated with the process,", "have artistic integrity? Do you think Agatha Christie sat down and said 'oh,", "and worrying about the genre and the marketing later. However, I'm open to", "I mean the whole shebang. Plotting, characterisation, outlining, thematic elements; anything associated with", "to the effort of complicated things like 'thematic analysis' or 'reading the book'.", "a writer should write what they want to write without heed for genre", "affected by someone shoehorning themselves into a genre? When is this useful? Does", "of complicated things like 'thematic analysis' or 'reading the book'. I tend to", "process, can or should it be affected by someone shoehorning themselves into a", "I'm open to the idea that this ethos could be wrong. Are there", "who are predisposed to hating certain stories for surface traits without going to", "genre and the marketing later. However, I'm open to the idea that this", "that you guys can think of where adherence to a genre can or", "so have artistic integrity? Do you think Agatha Christie sat down and said", "the creative processes of a writer? --- By writing process, yes, I mean", "the book'. I tend to believe that a writer should write what they", "predisposed to hating certain stories for surface traits without going to the effort", "for book stores to know where to place your book and sell it", "what they want to write without heed for genre conventions, simply telling the", "to the idea that this ethos could be wrong. Are there any case", "should it be affected by someone shoehorning themselves into a genre? When is", "their soul (to the best of their ability and after refinement) and worrying", "said 'oh, the readers wouldn't expect this in a mystery, I shouldn't include", "shorthand for book stores to know where to place your book and sell", "without heed for genre conventions, simply telling the story of their soul (to", "of their ability and after refinement) and worrying about the genre and the", "Plotting, characterisation, outlining, thematic elements; anything associated with the process, can or should", "being largely a thing that's used for marketing, an easy shorthand for book", "their ability and after refinement) and worrying about the genre and the marketing", "or should affect the creative processes of a writer? --- By writing process,", "the marketing later. However, I'm open to the idea that this ethos could", "someone shoehorning themselves into a genre? When is this useful? Does doing so", "--- By writing process, yes, I mean the whole shebang. Plotting, characterisation, outlining,", "or 'reading the book'. I tend to believe that a writer should write", "to know where to place your book and sell it better. It's also,", "I tend to believe that a writer should write what they want to", "process, yes, I mean the whole shebang. Plotting, characterisation, outlining, thematic elements; anything", "When is this useful? Does doing so have artistic integrity? Do you think", "into a genre? When is this useful? Does doing so have artistic integrity?", "I'm a strong believer in genre being largely a thing that's used for", "best of their ability and after refinement) and worrying about the genre and", "processes of a writer? --- By writing process, yes, I mean the whole", "genre? When is this useful? Does doing so have artistic integrity? Do you", "sat down and said 'oh, the readers wouldn't expect this in a mystery,", "surface traits without going to the effort of complicated things like 'thematic analysis'", "can or should it be affected by someone shoehorning themselves into a genre?", "and the marketing later. However, I'm open to the idea that this ethos", "that's used for marketing, an easy shorthand for book stores to know where", "worrying about the genre and the marketing later. However, I'm open to the", "to a genre can or should affect the creative processes of a writer?", "critics who are predisposed to hating certain stories for surface traits without going", "later. However, I'm open to the idea that this ethos could be wrong.", "after refinement) and worrying about the genre and the marketing later. However, I'm", "ability and after refinement) and worrying about the genre and the marketing later.", "better. It's also, unfortunately, a shorthand for critics who are predisposed to hating", "want to write without heed for genre conventions, simply telling the story of", "artistic integrity? Do you think Agatha Christie sat down and said 'oh, the", "anything associated with the process, can or should it be affected by someone", "'oh, the readers wouldn't expect this in a mystery, I shouldn't include it'", "It's also, unfortunately, a shorthand for critics who are predisposed to hating certain", "doing so have artistic integrity? Do you think Agatha Christie sat down and", "you think Agatha Christie sat down and said 'oh, the readers wouldn't expect", "shebang. Plotting, characterisation, outlining, thematic elements; anything associated with the process, can or", "unfortunately, a shorthand for critics who are predisposed to hating certain stories for", "marketing, an easy shorthand for book stores to know where to place your", "heed for genre conventions, simply telling the story of their soul (to the", "for genre conventions, simply telling the story of their soul (to the best", "it better. It's also, unfortunately, a shorthand for critics who are predisposed to", "believer in genre being largely a thing that's used for marketing, an easy", "Agatha Christie sat down and said 'oh, the readers wouldn't expect this in", "to believe that a writer should write what they want to write without", "a strong believer in genre being largely a thing that's used for marketing,", "easy shorthand for book stores to know where to place your book and", "think of where adherence to a genre can or should affect the creative", "By writing process, yes, I mean the whole shebang. Plotting, characterisation, outlining, thematic", "book and sell it better. It's also, unfortunately, a shorthand for critics who", "sell it better. It's also, unfortunately, a shorthand for critics who are predisposed", "going to the effort of complicated things like 'thematic analysis' or 'reading the", "the process, can or should it be affected by someone shoehorning themselves into", "the best of their ability and after refinement) and worrying about the genre", "and sell it better. It's also, unfortunately, a shorthand for critics who are", "there any case that you guys can think of where adherence to a", "creative processes of a writer? --- By writing process, yes, I mean the", "any case that you guys can think of where adherence to a genre", "certain stories for surface traits without going to the effort of complicated things" ]
[ "I'm writing a dialog and my character gets interrupted and cut off in", "If I'm writing a dialog and my character gets interrupted and cut off", "it was okay to do this, but I realized that I haven't seen", "it). So is it okay to write half a word or I should", "seen this in a published book (or I don't remember seeing it). So", "this in a published book (or I don't remember seeing it). So is", "a dialog and my character gets interrupted and cut off in the middle", "half a word and put three dots? I thought it was okay to", "do this, but I realized that I haven't seen this in a published", "haven't seen this in a published book (or I don't remember seeing it).", "seeing it). So is it okay to write half a word or I", "of a sentence can I write half a word and put three dots?", "word and put three dots? I thought it was okay to do this,", "to write half a word or I should finish the word and then", "sentence can I write half a word and put three dots? I thought", "thought it was okay to do this, but I realized that I haven't", "okay to do this, but I realized that I haven't seen this in", "book (or I don't remember seeing it). So is it okay to write", "put three dots? I thought it was okay to do this, but I", "three dots? I thought it was okay to do this, but I realized", "don't remember seeing it). So is it okay to write half a word", "a word and put three dots? I thought it was okay to do", "and put three dots? I thought it was okay to do this, but", "dialog and my character gets interrupted and cut off in the middle of", "okay to write half a word or I should finish the word and", "the middle of a sentence can I write half a word and put", "character gets interrupted and cut off in the middle of a sentence can", "middle of a sentence can I write half a word and put three", "off in the middle of a sentence can I write half a word", "my character gets interrupted and cut off in the middle of a sentence", "was okay to do this, but I realized that I haven't seen this", "I haven't seen this in a published book (or I don't remember seeing", "I realized that I haven't seen this in a published book (or I", "in a published book (or I don't remember seeing it). So is it", "write half a word or I should finish the word and then put", "published book (or I don't remember seeing it). So is it okay to", "(or I don't remember seeing it). So is it okay to write half", "remember seeing it). So is it okay to write half a word or", "and my character gets interrupted and cut off in the middle of a", "dots? I thought it was okay to do this, but I realized that", "interrupted and cut off in the middle of a sentence can I write", "to do this, but I realized that I haven't seen this in a", "a sentence can I write half a word and put three dots? I", "I write half a word and put three dots? I thought it was", "and cut off in the middle of a sentence can I write half", "can I write half a word and put three dots? I thought it", "I don't remember seeing it). So is it okay to write half a", "but I realized that I haven't seen this in a published book (or", "this, but I realized that I haven't seen this in a published book", "it okay to write half a word or I should finish the word", "writing a dialog and my character gets interrupted and cut off in the", "a published book (or I don't remember seeing it). So is it okay", "a word or I should finish the word and then put three dots?", "I thought it was okay to do this, but I realized that I", "in the middle of a sentence can I write half a word and", "So is it okay to write half a word or I should finish", "is it okay to write half a word or I should finish the", "gets interrupted and cut off in the middle of a sentence can I", "half a word or I should finish the word and then put three", "write half a word and put three dots? I thought it was okay", "cut off in the middle of a sentence can I write half a", "realized that I haven't seen this in a published book (or I don't", "that I haven't seen this in a published book (or I don't remember" ]
[ "mind. I've gone to other writing blogs for advice on this matter and", "she does for a living or what kind of person she is or", "my protagonist joins a team with four other characters to go on a", "team with four other characters to go on a quest. Each character in", "in someway and all are mentioned in a prophecy. I've got all the", "outline things such as what she does for a living or what kind", "team is supposed to contribute to the journey in someway and all are", "a living or what kind of person she is or what her voice", "I solidify one character, I lose this one more and more. My perception", "and they suggest cutting the character out entirely but I don't want to", "the character in a chapter, I don't struggle but once I try to", "to do this at all. I don't know what to do and it's", "help. When I'm writing about the character in a chapter, I don't struggle", "contribute to the journey in someway and all are mentioned in a prophecy.", "her entirely. Sometimes the more I solidify one character, I lose this one", "go on a quest. Each character in the team is supposed to contribute", "completely because I keep getting stuck on this one character. It's nearly convincing", "I try to actually formulate and outline things such as what she does", "sticks in my mind. I've gone to other writing blogs for advice on", "character out entirely but I don't want to do this at all. I", "one character. It's nearly convincing me that I don't have enough imagination to", "I don't want to do this at all. I don't know what to", "in the team is supposed to contribute to the journey in someway and", "perception of her is constantly changing so that nothing actually sticks in my", "novel completely because I keep getting stuck on this one character. It's nearly", "out entirely but I don't want to do this at all. I don't", "but once I try to actually formulate and outline things such as what", "my novel, my protagonist joins a team with four other characters to go", "lose her entirely. Sometimes the more I solidify one character, I lose this", "this at all. I don't know what to do and it's halting the", "I'm totally lost. I have done so many character charts but they don't", "for advice on this matter and they suggest cutting the character out entirely", "they don't seem to help. When I'm writing about the character in a", "halting the progress of my novel completely because I keep getting stuck on", "joins a team with four other characters to go on a quest. Each", "chapter, I don't struggle but once I try to actually formulate and outline", "know what to do and it's halting the progress of my novel completely", "this one more and more. My perception of her is constantly changing so", "is constantly changing so that nothing actually sticks in my mind. I've gone", "journey in someway and all are mentioned in a prophecy. I've got all", "supposed to contribute to the journey in someway and all are mentioned in", "and all are mentioned in a prophecy. I've got all the other characters", "such as what she does for a living or what kind of person", "struggle but once I try to actually formulate and outline things such as", "character in the team is supposed to contribute to the journey in someway", "the other characters down in my head (their personalities, professions and roles) but", "in a prophecy. I've got all the other characters down in my head", "in my head (their personalities, professions and roles) but for one character in", "but for one character in the team, I'm totally lost. I have done", "this matter and they suggest cutting the character out entirely but I don't", "of person she is or what her voice is, I lose her entirely.", "she is or what her voice is, I lose her entirely. Sometimes the", "my mind. I've gone to other writing blogs for advice on this matter", "that nothing actually sticks in my mind. I've gone to other writing blogs", "at all. I don't know what to do and it's halting the progress", "I don't struggle but once I try to actually formulate and outline things", "to actually formulate and outline things such as what she does for a", "personalities, professions and roles) but for one character in the team, I'm totally", "roles) but for one character in the team, I'm totally lost. I have", "are mentioned in a prophecy. I've got all the other characters down in", "done so many character charts but they don't seem to help. When I'm", "but I don't want to do this at all. I don't know what", "to go on a quest. Each character in the team is supposed to", "getting stuck on this one character. It's nearly convincing me that I don't", "on this one character. It's nearly convincing me that I don't have enough", "character, I lose this one more and more. My perception of her is", "about the character in a chapter, I don't struggle but once I try", "with four other characters to go on a quest. Each character in the", "character. It's nearly convincing me that I don't have enough imagination to do", "do and it's halting the progress of my novel completely because I keep", "more I solidify one character, I lose this one more and more. My", "what her voice is, I lose her entirely. Sometimes the more I solidify", "it's halting the progress of my novel completely because I keep getting stuck", "what to do and it's halting the progress of my novel completely because", "entirely but I don't want to do this at all. I don't know", "what kind of person she is or what her voice is, I lose", "more. My perception of her is constantly changing so that nothing actually sticks", "many character charts but they don't seem to help. When I'm writing about", "someway and all are mentioned in a prophecy. I've got all the other", "got all the other characters down in my head (their personalities, professions and", "and it's halting the progress of my novel completely because I keep getting", "a quest. Each character in the team is supposed to contribute to the", "gone to other writing blogs for advice on this matter and they suggest", "other characters to go on a quest. Each character in the team is", "Sometimes the more I solidify one character, I lose this one more and", "one more and more. My perception of her is constantly changing so that", "all the other characters down in my head (their personalities, professions and roles)", "advice on this matter and they suggest cutting the character out entirely but", "of my novel completely because I keep getting stuck on this one character.", "for one character in the team, I'm totally lost. I have done so", "voice is, I lose her entirely. Sometimes the more I solidify one character,", "more and more. My perception of her is constantly changing so that nothing", "lost. I have done so many character charts but they don't seem to", "for a living or what kind of person she is or what her", "prophecy. I've got all the other characters down in my head (their personalities,", "but they don't seem to help. When I'm writing about the character in", "I don't know what to do and it's halting the progress of my", "When I'm writing about the character in a chapter, I don't struggle but", "charts but they don't seem to help. When I'm writing about the character", "seem to help. When I'm writing about the character in a chapter, I", "I've got all the other characters down in my head (their personalities, professions", "and outline things such as what she does for a living or what", "Each character in the team is supposed to contribute to the journey in", "to the journey in someway and all are mentioned in a prophecy. I've", "other characters down in my head (their personalities, professions and roles) but for", "and more. My perception of her is constantly changing so that nothing actually", "head (their personalities, professions and roles) but for one character in the team,", "team, I'm totally lost. I have done so many character charts but they", "writing about the character in a chapter, I don't struggle but once I", "in my mind. I've gone to other writing blogs for advice on this", "to other writing blogs for advice on this matter and they suggest cutting", "blogs for advice on this matter and they suggest cutting the character out", "nearly convincing me that I don't have enough imagination to do this at", "try to actually formulate and outline things such as what she does for", "convincing me that I don't have enough imagination to do this at all.", "totally lost. I have done so many character charts but they don't seem", "in a chapter, I don't struggle but once I try to actually formulate", "person she is or what her voice is, I lose her entirely. Sometimes", "this one character. It's nearly convincing me that I don't have enough imagination", "don't seem to help. When I'm writing about the character in a chapter,", "my novel completely because I keep getting stuck on this one character. It's", "on a quest. Each character in the team is supposed to contribute to", "and roles) but for one character in the team, I'm totally lost. I", "a team with four other characters to go on a quest. Each character", "or what kind of person she is or what her voice is, I", "her is constantly changing so that nothing actually sticks in my mind. I've", "want to do this at all. I don't know what to do and", "other writing blogs for advice on this matter and they suggest cutting the", "don't want to do this at all. I don't know what to do", "is, I lose her entirely. Sometimes the more I solidify one character, I", "actually sticks in my mind. I've gone to other writing blogs for advice", "characters down in my head (their personalities, professions and roles) but for one", "cutting the character out entirely but I don't want to do this at", "in the team, I'm totally lost. I have done so many character charts", "It's nearly convincing me that I don't have enough imagination to do this", "character in the team, I'm totally lost. I have done so many character", "I have done so many character charts but they don't seem to help.", "the team is supposed to contribute to the journey in someway and all", "I lose her entirely. Sometimes the more I solidify one character, I lose", "lose this one more and more. My perception of her is constantly changing", "writing blogs for advice on this matter and they suggest cutting the character", "formulate and outline things such as what she does for a living or", "keep getting stuck on this one character. It's nearly convincing me that I", "is supposed to contribute to the journey in someway and all are mentioned", "the progress of my novel completely because I keep getting stuck on this", "character charts but they don't seem to help. When I'm writing about the", "what she does for a living or what kind of person she is", "changing so that nothing actually sticks in my mind. I've gone to other", "I've gone to other writing blogs for advice on this matter and they", "all. I don't know what to do and it's halting the progress of", "progress of my novel completely because I keep getting stuck on this one", "living or what kind of person she is or what her voice is,", "characters to go on a quest. Each character in the team is supposed", "so many character charts but they don't seem to help. When I'm writing", "all are mentioned in a prophecy. I've got all the other characters down", "of her is constantly changing so that nothing actually sticks in my mind.", "one character, I lose this one more and more. My perception of her", "my head (their personalities, professions and roles) but for one character in the", "is or what her voice is, I lose her entirely. Sometimes the more", "I keep getting stuck on this one character. It's nearly convincing me that", "have done so many character charts but they don't seem to help. When", "professions and roles) but for one character in the team, I'm totally lost.", "on this matter and they suggest cutting the character out entirely but I", "constantly changing so that nothing actually sticks in my mind. I've gone to", "to contribute to the journey in someway and all are mentioned in a", "the journey in someway and all are mentioned in a prophecy. I've got", "the more I solidify one character, I lose this one more and more.", "character in a chapter, I don't struggle but once I try to actually", "mentioned in a prophecy. I've got all the other characters down in my", "do this at all. I don't know what to do and it's halting", "four other characters to go on a quest. Each character in the team", "one character in the team, I'm totally lost. I have done so many", "her voice is, I lose her entirely. Sometimes the more I solidify one", "In my novel, my protagonist joins a team with four other characters to", "a chapter, I don't struggle but once I try to actually formulate and", "I'm writing about the character in a chapter, I don't struggle but once", "because I keep getting stuck on this one character. It's nearly convincing me", "they suggest cutting the character out entirely but I don't want to do", "solidify one character, I lose this one more and more. My perception of", "to do and it's halting the progress of my novel completely because I", "(their personalities, professions and roles) but for one character in the team, I'm", "stuck on this one character. It's nearly convincing me that I don't have", "kind of person she is or what her voice is, I lose her", "once I try to actually formulate and outline things such as what she", "nothing actually sticks in my mind. I've gone to other writing blogs for", "a prophecy. I've got all the other characters down in my head (their", "the team, I'm totally lost. I have done so many character charts but", "novel, my protagonist joins a team with four other characters to go on", "entirely. Sometimes the more I solidify one character, I lose this one more", "quest. Each character in the team is supposed to contribute to the journey", "actually formulate and outline things such as what she does for a living", "or what her voice is, I lose her entirely. Sometimes the more I", "suggest cutting the character out entirely but I don't want to do this", "so that nothing actually sticks in my mind. I've gone to other writing", "don't know what to do and it's halting the progress of my novel", "My perception of her is constantly changing so that nothing actually sticks in", "protagonist joins a team with four other characters to go on a quest.", "to help. When I'm writing about the character in a chapter, I don't", "things such as what she does for a living or what kind of", "as what she does for a living or what kind of person she", "the character out entirely but I don't want to do this at all.", "down in my head (their personalities, professions and roles) but for one character", "don't struggle but once I try to actually formulate and outline things such", "does for a living or what kind of person she is or what", "I lose this one more and more. My perception of her is constantly", "matter and they suggest cutting the character out entirely but I don't want" ]
[ "of ultraviolet. This isn't unique, their entire species sees like this. Can anyone", "humans, and in particular can see multiple shades of ultraviolet. This isn't unique,", "see multiple shades of ultraviolet. This isn't unique, their entire species sees like", "This isn't unique, their entire species sees like this. Can anyone suggest language", "who sees colours differently from humans, and in particular can see multiple shades", "entire species sees like this. Can anyone suggest language or writing techniques to", "from the perspective of a character who sees colours differently from humans, and", "can see multiple shades of ultraviolet. This isn't unique, their entire species sees", "something from the perspective of a character who sees colours differently from humans,", "multiple shades of ultraviolet. This isn't unique, their entire species sees like this.", "the perspective of a character who sees colours differently from humans, and in", "character who sees colours differently from humans, and in particular can see multiple", "need to write something from the perspective of a character who sees colours", "shades of ultraviolet. This isn't unique, their entire species sees like this. Can", "ultraviolet. This isn't unique, their entire species sees like this. Can anyone suggest", "sees colours differently from humans, and in particular can see multiple shades of", "species sees like this. Can anyone suggest language or writing techniques to make", "write something from the perspective of a character who sees colours differently from", "a character who sees colours differently from humans, and in particular can see", "from humans, and in particular can see multiple shades of ultraviolet. This isn't", "I need to write something from the perspective of a character who sees", "in particular can see multiple shades of ultraviolet. This isn't unique, their entire", "and in particular can see multiple shades of ultraviolet. This isn't unique, their", "their entire species sees like this. Can anyone suggest language or writing techniques", "unique, their entire species sees like this. Can anyone suggest language or writing", "like this. Can anyone suggest language or writing techniques to make that work?", "differently from humans, and in particular can see multiple shades of ultraviolet. This", "particular can see multiple shades of ultraviolet. This isn't unique, their entire species", "sees like this. Can anyone suggest language or writing techniques to make that", "isn't unique, their entire species sees like this. Can anyone suggest language or", "to write something from the perspective of a character who sees colours differently", "colours differently from humans, and in particular can see multiple shades of ultraviolet.", "perspective of a character who sees colours differently from humans, and in particular", "of a character who sees colours differently from humans, and in particular can" ]
[ "want to self-publish a book (on physics) on Createspace but have no idea", "best software to write a book which is similar to Fundamentals of Physics", "a book (on physics) on Createspace but have no idea regarding the software", "which is similar to Fundamentals of Physics by Resnick and Halliday? I want", "Fundamentals of Physics by Resnick and Halliday? I want to self-publish a book", "a book which is similar to Fundamentals of Physics by Resnick and Halliday?", "and Halliday? I want to self-publish a book (on physics) on Createspace but", "Createspace but have no idea regarding the software would be best suitable for", "by Resnick and Halliday? I want to self-publish a book (on physics) on", "to self-publish a book (on physics) on Createspace but have no idea regarding", "self-publish a book (on physics) on Createspace but have no idea regarding the", "Physics by Resnick and Halliday? I want to self-publish a book (on physics)", "Which is the best software to write a book which is similar to", "(on physics) on Createspace but have no idea regarding the software would be", "to Fundamentals of Physics by Resnick and Halliday? I want to self-publish a", "Resnick and Halliday? I want to self-publish a book (on physics) on Createspace", "the best software to write a book which is similar to Fundamentals of", "Halliday? I want to self-publish a book (on physics) on Createspace but have", "of Physics by Resnick and Halliday? I want to self-publish a book (on", "to write a book which is similar to Fundamentals of Physics by Resnick", "physics) on Createspace but have no idea regarding the software would be best", "is similar to Fundamentals of Physics by Resnick and Halliday? I want to", "but have no idea regarding the software would be best suitable for the", "on Createspace but have no idea regarding the software would be best suitable", "I want to self-publish a book (on physics) on Createspace but have no", "book which is similar to Fundamentals of Physics by Resnick and Halliday? I", "similar to Fundamentals of Physics by Resnick and Halliday? I want to self-publish", "is the best software to write a book which is similar to Fundamentals", "write a book which is similar to Fundamentals of Physics by Resnick and", "software to write a book which is similar to Fundamentals of Physics by", "book (on physics) on Createspace but have no idea regarding the software would", "have no idea regarding the software would be best suitable for the job." ]
[ "coolant and thought the colour contrast would look good if it was yellow.", "and others is just red and green. How can I find sources for", "contrast would look good if it was yellow. I've read from multiple sources", "read from multiple sources that coolant can come in many colours and others", "thought the colour contrast would look good if it was yellow. I've read", "can come in many colours and others is just red and green. How", "colours and others is just red and green. How can I find sources", "sources that coolant can come in many colours and others is just red", "from multiple sources that coolant can come in many colours and others is", "robots and I wanted them to bleed coolant and thought the colour contrast", "I'm writing a short story about robots and I wanted them to bleed", "colour contrast would look good if it was yellow. I've read from multiple", "it was yellow. I've read from multiple sources that coolant can come in", "red and green. How can I find sources for mechanical/technology based information when", "them to bleed coolant and thought the colour contrast would look good if", "and I wanted them to bleed coolant and thought the colour contrast would", "writing a short story about robots and I wanted them to bleed coolant", "the colour contrast would look good if it was yellow. I've read from", "come in many colours and others is just red and green. How can", "story about robots and I wanted them to bleed coolant and thought the", "bleed coolant and thought the colour contrast would look good if it was", "look good if it was yellow. I've read from multiple sources that coolant", "wanted them to bleed coolant and thought the colour contrast would look good", "and thought the colour contrast would look good if it was yellow. I've", "coolant can come in many colours and others is just red and green.", "just red and green. How can I find sources for mechanical/technology based information", "multiple sources that coolant can come in many colours and others is just", "was yellow. I've read from multiple sources that coolant can come in many", "is just red and green. How can I find sources for mechanical/technology based", "green. How can I find sources for mechanical/technology based information when I don't", "How can I find sources for mechanical/technology based information when I don't know", "to bleed coolant and thought the colour contrast would look good if it", "I've read from multiple sources that coolant can come in many colours and", "that coolant can come in many colours and others is just red and", "yellow. I've read from multiple sources that coolant can come in many colours", "and green. How can I find sources for mechanical/technology based information when I", "others is just red and green. How can I find sources for mechanical/technology", "can I find sources for mechanical/technology based information when I don't know much", "a short story about robots and I wanted them to bleed coolant and", "I find sources for mechanical/technology based information when I don't know much myself.", "about robots and I wanted them to bleed coolant and thought the colour", "many colours and others is just red and green. How can I find", "would look good if it was yellow. I've read from multiple sources that", "if it was yellow. I've read from multiple sources that coolant can come", "I wanted them to bleed coolant and thought the colour contrast would look", "good if it was yellow. I've read from multiple sources that coolant can", "short story about robots and I wanted them to bleed coolant and thought", "in many colours and others is just red and green. How can I" ]
[ "only acronyms that occurred in the text more than once and therefore used", "text more than once and therefore used at least once in the abbreviated", "the reader is assumed to know what an acronym stands for, or he", "the following is the most appropriate content of a list of acronyms? ", "she can consult the List of Acronyms at any time. Which of the", "For the following occurrences, the reader is assumed to know what an acronym", "know what an acronym stands for, or he or she can consult the", "a best practice to spell out the acronym at the very first occurrence", "the following occurrences, the reader is assumed to know what an acronym stands", "following occurrences, the reader is assumed to know what an acronym stands for,", "he or she can consult the List of Acronyms at any time. Which", "first occurrence in the text. For the following occurrences, the reader is assumed", "time. 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[ "in my thesis but I am not sure 1) where to mention it", "times higher? etc). Anyways, I wanted to mention this issue in my thesis", "of this factor-is it 3/4 times higher? etc). Anyways, I wanted to mention", "all my results, my supervisor and I realized that the data that I", "this factor-is it 3/4 times higher? etc). Anyways, I wanted to mention this", "Bachelor-Thesis. I still got 4 weeks left to finish the 40 pages and", "still got 4 weeks left to finish the 40 pages and after having", "my results, my supervisor and I realized that the data that I received", "data for data analysis for my Bachelor-Thesis. I still got 4 weeks left", "I realized that the data that I received had a conversion factor error", "weeks left to finish the 40 pages and after having gotten all my", "my Bachelor-Thesis. 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I still got 4 weeks left to finish the 40", "data that I received had a conversion factor error (we don't even know", "left to finish the 40 pages and after having gotten all my results,", "gotten all my results, my supervisor and I realized that the data that", "thesis but I am not sure 1) where to mention it - methods?", "after having gotten all my results, my supervisor and I realized that the", "to mention this issue in my thesis but I am not sure 1)", "a conversion factor error (we don't even know about the magnitude of this", "factor-is it 3/4 times higher? etc). Anyways, I wanted to mention this issue", "received had a conversion factor error (we don't even know about the magnitude", "I am not sure 1) where to mention it - methods? results? and...2)how", "wanted to mention this issue in my thesis but I am not sure", "the magnitude of this factor-is it 3/4 times higher? etc). Anyways, I wanted", "that I received had a conversion factor error (we don't even know about", "etc). Anyways, I wanted to mention this issue in my thesis but I", "1) where to mention it - methods? results? and...2)how to talk about it?", "got 4 weeks left to finish the 40 pages and after having gotten", "my supervisor and I realized that the data that I received had a", "Anyways, I wanted to mention this issue in my thesis but I am", "had a conversion factor error (we don't even know about the magnitude of", "factor error (we don't even know about the magnitude of this factor-is it", "I received had a conversion factor error (we don't even know about the", "supervisor and I realized that the data that I received had a conversion", "the data that I received had a conversion factor error (we don't even", "know about the magnitude of this factor-is it 3/4 times higher? etc). Anyways,", "am not sure 1) where to mention it - methods? results? and...2)how to", "mention this issue in my thesis but I am not sure 1) where", "even know about the magnitude of this factor-is it 3/4 times higher? etc).", "I received data for data analysis for my Bachelor-Thesis. I still got 4", "4 weeks left to finish the 40 pages and after having gotten all", "3/4 times higher? etc). Anyways, I wanted to mention this issue in my", "not sure 1) where to mention it - methods? results? and...2)how to talk", "issue in my thesis but I am not sure 1) where to mention", "realized that the data that I received had a conversion factor error (we", "I wanted to mention this issue in my thesis but I am not", "mention it - methods? results? and...2)how to talk about it? Thank you all!", "don't even know about the magnitude of this factor-is it 3/4 times higher?", "having gotten all my results, my supervisor and I realized that the data", "pages and after having gotten all my results, my supervisor and I realized", "this issue in my thesis but I am not sure 1) where to", "where to mention it - methods? results? and...2)how to talk about it? Thank", "about the magnitude of this factor-is it 3/4 times higher? etc). Anyways, I", "my thesis but I am not sure 1) where to mention it -", "it 3/4 times higher? etc). Anyways, I wanted to mention this issue in", "received data for data analysis for my Bachelor-Thesis. I still got 4 weeks", "the 40 pages and after having gotten all my results, my supervisor and", "but I am not sure 1) where to mention it - methods? results?", "and I realized that the data that I received had a conversion factor", "to mention it - methods? results? and...2)how to talk about it? Thank you", "higher? etc). 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[ "thoughts more than the character's, for example? Or is that distinction solely made", "> I heard a loud screech from beyond the gates, then silence. What", "> Does this change in 3rd person? Does one tense imply they're the", "on? > > > Does this change in 3rd person? Does one tense", "thoughts? Direct thoughts in present, while indirect thoughts in past? I'm thinking specifically", "there a general rule for past vs. present tense for a character's internal", "one tense imply they're the narrator's thoughts more than the character's, for example?", "What is > going on? > > > Does this change in 3rd", "screech from beyond the gates, then silence. What is > going on? >", "was > going on? > > > vs. > > I heard a", "on? > > > vs. > > I heard a loud screech from", "a character's internal thoughts? Direct thoughts in present, while indirect thoughts in past?", "person here. > > I heard a loud screech from beyond the gates,", "tense imply they're the narrator's thoughts more than the character's, for example? Or", "change in 3rd person? Does one tense imply they're the narrator's thoughts more", "person? Does one tense imply they're the narrator's thoughts more than the character's,", "narrator's thoughts more than the character's, for example? Or is that distinction solely", "from beyond the gates, then silence. What is > going on? > >", "from beyond the gates, then silence. What was > going on? > >", "they're the narrator's thoughts more than the character's, for example? Or is that", "imply they're the narrator's thoughts more than the character's, for example? Or is", "specifically of 1st person here. > > I heard a loud screech from", "going on? > > > Does this change in 3rd person? Does one", "silence. What was > going on? > > > vs. > > I", "> > Does this change in 3rd person? Does one tense imply they're", "a loud screech from beyond the gates, then silence. What was > going", "a loud screech from beyond the gates, then silence. What is > going", "present tense for a character's internal thoughts? Direct thoughts in present, while indirect", "heard a loud screech from beyond the gates, then silence. What is >", "vs. present tense for a character's internal thoughts? Direct thoughts in present, while", "gates, then silence. What was > going on? > > > vs. >", "this change in 3rd person? Does one tense imply they're the narrator's thoughts", "What was > going on? > > > vs. > > I heard", "present, while indirect thoughts in past? I'm thinking specifically of 1st person here.", "character's, for example? Or is that distinction solely made by context and tone?", "a general rule for past vs. present tense for a character's internal thoughts?", "screech from beyond the gates, then silence. What was > going on? >", "the gates, then silence. What was > going on? > > > vs.", "character's internal thoughts? Direct thoughts in present, while indirect thoughts in past? I'm", "silence. What is > going on? > > > Does this change in", "while indirect thoughts in past? I'm thinking specifically of 1st person here. >", "for a character's internal thoughts? Direct thoughts in present, while indirect thoughts in", "here. > > I heard a loud screech from beyond the gates, then", "thoughts in past? I'm thinking specifically of 1st person here. > > I", "beyond the gates, then silence. What is > going on? > > >", "the gates, then silence. What is > going on? > > > Does", "> going on? > > > vs. > > I heard a loud", "is > going on? > > > Does this change in 3rd person?", "Direct thoughts in present, while indirect thoughts in past? I'm thinking specifically of", "internal thoughts? Direct thoughts in present, while indirect thoughts in past? I'm thinking", "> > > Does this change in 3rd person? Does one tense imply", "general rule for past vs. present tense for a character's internal thoughts? Direct", "> > I heard a loud screech from beyond the gates, then silence.", "in past? I'm thinking specifically of 1st person here. > > I heard", "I heard a loud screech from beyond the gates, then silence. What was", "> > > vs. > > I heard a loud screech from beyond", "for past vs. present tense for a character's internal thoughts? Direct thoughts in", "heard a loud screech from beyond the gates, then silence. What was >", "in 3rd person? Does one tense imply they're the narrator's thoughts more than", "tense for a character's internal thoughts? Direct thoughts in present, while indirect thoughts", "past? I'm thinking specifically of 1st person here. > > I heard a", "in present, while indirect thoughts in past? I'm thinking specifically of 1st person", "of 1st person here. > > I heard a loud screech from beyond", "> > vs. > > I heard a loud screech from beyond the", "I'm thinking specifically of 1st person here. > > I heard a loud", "beyond the gates, then silence. What was > going on? > > >", "than the character's, for example? Or is that distinction solely made by context", "the character's, for example? Or is that distinction solely made by context and", "more than the character's, for example? Or is that distinction solely made by", "vs. > > I heard a loud screech from beyond the gates, then", "1st person here. > > I heard a loud screech from beyond the", "> vs. > > I heard a loud screech from beyond the gates,", "rule for past vs. present tense for a character's internal thoughts? Direct thoughts", "the narrator's thoughts more than the character's, for example? Or is that distinction", "thinking specifically of 1st person here. > > I heard a loud screech", "Is there a general rule for past vs. present tense for a character's", "loud screech from beyond the gates, then silence. What is > going on?", "> going on? > > > Does this change in 3rd person? Does", "Does this change in 3rd person? Does one tense imply they're the narrator's", "then silence. What is > going on? > > > Does this change", "gates, then silence. What is > going on? > > > Does this", "past vs. present tense for a character's internal thoughts? Direct thoughts in present,", "then silence. What was > going on? > > > vs. > >", "thoughts in present, while indirect thoughts in past? I'm thinking specifically of 1st", "3rd person? Does one tense imply they're the narrator's thoughts more than the", "loud screech from beyond the gates, then silence. What was > going on?", "going on? > > > vs. > > I heard a loud screech", "Does one tense imply they're the narrator's thoughts more than the character's, for", "indirect thoughts in past? I'm thinking specifically of 1st person here. > >", "I heard a loud screech from beyond the gates, then silence. What is" ]
[ "big, grim-looking creatures and lands on the hand of the orcish warlord. >", "build it into my prologue without replacing it completely. * Many books I've", "also tried to start with some kind of exposition-dump. I am big fan", "start with a \"cinematic intro\". In my imagination this idea turned into the", "it, but ignoring the 'groundwork' feels like building a foundation on sand. My", "pages of worldbuilding and characters, but I scrap most of my stories after", "because my writing doesn't live up to my expectations. My Worldbuilding ---------------- My", "towards the hillfort, which is held by a small garrison of humans and", "and he has mobilized an army to free him. Once he enters the", "down a few hundred pages of worldbuilding and characters, but I scrap most", "dark and mighty storm clouds, the dives in the forest, passes a column", "my stories after the first chapter, because my writing doesn't live up to", "the forest, passes a column of big, grim-looking creatures and lands on the", "often end up ruining its purpose of a fluid transition right into the", "the kind of narrator he uses. I decided against it, because I couldn't", "grim-looking creatures and lands on the hand of the orcish warlord. > >", "action fluently, which would discourage any reader). > > An sole eagle flies", "his books, despite writing half a dozen pages just describing a hobbit hole,", "intro\". In my imagination this idea turned into the first few minutes of", "secret passage where he frees an immortal being (the true protagonist), who has", "senseless for a reader, who hasn't the same understanding of my plot as", "2 types of writers, and I am definitively an architect. I can write", "My story is set in an medieval fantasy world. In the forest, covered", "where he frees an immortal being (the true protagonist), who has been betrayed", "different ways to start this prologue already * I've tried to start with", "by the shadow of the incoming clouds, hundreds of Orcs march towards the", "sand. My Question ----------- *How can I turn all my world-building into a", "to use long sentences with lots of adjectives), and then struggled to cut", "stop his sudden rise to power. My Struggle ----------- I've tried a few", "the hillfort, which is held by a small garrison of humans and serves", "of a movie. In the end I spent way to much time into", "my crappy prologue and just going on beyond it, but ignoring the 'groundwork'", "small garrison of humans and serves as a prison. The protagonist of this", "characters talk in exposition-dumps. A lot of things would just be senseless for", "can write down a few hundred pages of worldbuilding and characters, but I", "but ignoring the 'groundwork' feels like building a foundation on sand. My Question", "of a fluid transition right into the story by letting my characters talk", "this early point. I tried ignoring my crappy prologue and just going on", "is set in an medieval fantasy world. In the forest, covered by the", "rule, if they don't stop his sudden rise to power. My Struggle -----------", "which is held by a small garrison of humans and serves as a", "dives in the forest, passes a column of big, grim-looking creatures and lands", "am big fan of Tolkien, as he creates a living world right at", "like the kind of narrator he uses. I decided against it, because I", "hobbit hole, but I didn't like the kind of narrator he uses. I", "to build it into my prologue without replacing it completely. Many books", "by the trees there is a small fortress, a strong wind sweeps in", "\"cinematic intro\". In my imagination this idea turned into the first few minutes", "feels like building a foundation on sand. My Question ----------- *How can I", "mighty storm clouds, the dives in the forest, passes a column of big,", "to my expectations. My Worldbuilding ---------------- My story is set in an medieval", "I tried ignoring my crappy prologue and just going on beyond it, but", "by the self-proclaimed gods of this world, who feared that he might challenge", "hole, but I didn't like the kind of narrator he uses. I decided", "in the middle of the woods. Covered by the trees there is a", "him. Once he enters the prison he doesn't find his brother, but a", "and just going on beyond it, but ignoring the 'groundwork' feels like building", "hand of the orcish warlord. > > > I've also tried to", "In my imagination this idea turned into the first few minutes of a", "garrison of humans and serves as a prison. The protagonist of this short", "doesn't live up to my expectations. My Worldbuilding ---------------- My story is set", "* I've also tried to start with some kind of exposition-dump. I am", "clouds, hundreds of Orcs march towards the hillfort, which is held by a", "column of big, grim-looking creatures and lands on the hand of the orcish", "in exposition-dumps. A lot of things would just be senseless for a reader,", "and I am definitively an architect. I can write down a few hundred", "types of writers, and I am definitively an architect. I can write down", "I spent way to much time into describing the situation (I also tend", "a dozen pages just describing a hobbit hole, but I didn't like the", "things would just be senseless for a reader, who hasn't the same understanding", "his sudden rise to power. My Struggle ----------- I've tried a few different", "undisputed rule, if they don't stop his sudden rise to power. My Struggle", "clouds, the dives in the forest, passes a column of big, grim-looking creatures", "I can write down a few hundred pages of worldbuilding and characters, but", "creatures and lands on the hand of the orcish warlord. > > >", "at this early point. I tried ignoring my crappy prologue and just going", "write down a few hundred pages of worldbuilding and characters, but I scrap", "discourage any reader). > > An sole eagle flies over an stone tower", "fortress, a strong wind sweeps in dark and mighty storm clouds, the dives", "of narrator he uses. I decided against it, because I couldn't find a", "ignoring my crappy prologue and just going on beyond it, but ignoring the", "just going on beyond it, but ignoring the 'groundwork' feels like building a", "my plot as I do at this early point. I tried ignoring my", "didn't like the kind of narrator he uses. I decided against it, because", "I liked that kind of introduction, but I often end up ruining its", "as their prologue. I liked that kind of introduction, but I often end", "> > An sole eagle flies over an stone tower in the middle", "struggled to cut to the action fluently, which would discourage any reader). >", "few different ways to start this prologue already * I've tried to start", "idea turned into the first few minutes of a movie. In the end", "a hobbit hole, but I didn't like the kind of narrator he uses.", "a fluid transition right into the story by letting my characters talk in", "I decided against it, because I couldn't find a way to build it", "I do at this early point. I tried ignoring my crappy prologue and", "world, who feared that he might challenge their undisputed rule, if they don't", "a secret passage where he frees an immortal being (the true protagonist), who", "to cut to the action fluently, which would discourage any reader). > >", "false allegations and he has mobilized an army to free him. Once he", "'groundwork' feels like building a foundation on sand. My Question ----------- How can", "on sand. My Question ----------- How can I turn all my world-building into", "the trees there is a small fortress, a strong wind sweeps in dark", "(like in asoiaf or metro) as their prologue. I liked that kind of", "my imagination this idea turned into the first few minutes of a movie.", "story by letting my characters talk in exposition-dumps. A lot of things would", "the first few minutes of a movie. In the end I spent way", "tend to use long sentences with lots of adjectives), and then struggled to", "my prologue without replacing it completely. * Many books I've read start with", "mighty warlord amongst the orcs. His brother has been imprisoned under false allegations", "writers, and I am definitively an architect. I can write down a few", "that he might challenge their undisputed rule, if they don't stop his sudden", "all my world-building into a successful prologue? How can it be interesting for", "it into my prologue without replacing it completely. * Many books I've read", "couldn't find a way to build it into my prologue without replacing it", "reader, who hasn't the same understanding of my plot as I do at", "writing half a dozen pages just describing a hobbit hole, but I didn't", "there is a small fortress, a strong wind sweeps in dark and mighty", "a \"cinematic intro\". In my imagination this idea turned into the first few", "by letting my characters talk in exposition-dumps. A lot of things would just", "use long sentences with lots of adjectives), and then struggled to cut to", "adjectives), and then struggled to cut to the action fluently, which would discourage", "short introduction is a mighty warlord amongst the orcs. His brother has been", "> > * I've also tried to start with some kind of exposition-dump.", "describing a hobbit hole, but I didn't like the kind of narrator he", "as a prison. The protagonist of this short introduction is a mighty warlord", "the woods. Covered by the trees there is a small fortress, a strong", "an immortal being (the true protagonist), who has been betrayed by the self-proclaimed", "* Many books I've read start with a casual conversation (like in asoiaf", "but I scrap most of my stories after the first chapter, because my", "their prologue. I liked that kind of introduction, but I often end up", "at the start of his books, despite writing half a dozen pages just", "and mighty storm clouds, the dives in the forest, passes a column of", "going on beyond it, but ignoring the 'groundwork' feels like building a foundation", "my expectations. My Worldbuilding ---------------- My story is set in an medieval fantasy", "kind of narrator he uses. I decided against it, because I couldn't find", "talk in exposition-dumps. A lot of things would just be senseless for a", "architect. I can write down a few hundred pages of worldbuilding and characters,", "Once he enters the prison he doesn't find his brother, but a secret", "can I turn all my world-building into a successful prologue? How can it", "also tend to use long sentences with lots of adjectives), and then struggled", "prologue. I liked that kind of introduction, but I often end up ruining", "much time into describing the situation (I also tend to use long sentences", "cut to the action fluently, which would discourage any reader). > > An", "My Question ----------- *How can I turn all my world-building into a successful", "mobilized an army to free him. Once he enters the prison he doesn't", "but I often end up ruining its purpose of a fluid transition right", "reader). > > An sole eagle flies over an stone tower in the", "trees there is a small fortress, a strong wind sweeps in dark and", "are 2 types of writers, and I am definitively an architect. I can", "I turn all my world-building into a successful prologue? How can it be", "despite writing half a dozen pages just describing a hobbit hole, but I", "a mighty warlord amongst the orcs. His brother has been imprisoned under false", "the orcs. His brother has been imprisoned under false allegations and he has", "His brother has been imprisoned under false allegations and he has mobilized an", "My Struggle ----------- I've tried a few different ways to start this prologue", "and serves as a prison. The protagonist of this short introduction is a", "he frees an immortal being (the true protagonist), who has been betrayed by", "the first chapter, because my writing doesn't live up to my expectations. My", "prologue already I've tried to start with a \"cinematic intro\". In my", "right into the story by letting my characters talk in exposition-dumps. A lot", "right at the start of his books, despite writing half a dozen pages", "I scrap most of my stories after the first chapter, because my writing", "if they don't stop his sudden rise to power. My Struggle ----------- I've", "storm clouds, the dives in the forest, passes a column of big, grim-looking", "way to much time into describing the situation (I also tend to use", "story is set in an medieval fantasy world. In the forest, covered by", "same understanding of my plot as I do at this early point. I", "(I also tend to use long sentences with lots of adjectives), and then", "I often end up ruining its purpose of a fluid transition right into", "few minutes of a movie. In the end I spent way to much", "who hasn't the same understanding of my plot as I do at this", "to start with some kind of exposition-dump. I am big fan of Tolkien,", "to the action fluently, which would discourage any reader). > > An sole", "of Orcs march towards the hillfort, which is held by a small garrison", "I've once heard there are 2 types of writers, and I am definitively", "who has been betrayed by the self-proclaimed gods of this world, who feared", "is held by a small garrison of humans and serves as a prison.", "a movie. In the end I spent way to much time into describing", "crappy prologue and just going on beyond it, but ignoring the 'groundwork' feels", "it, because I couldn't find a way to build it into my prologue", "of adjectives), and then struggled to cut to the action fluently, which would", "fan of Tolkien, as he creates a living world right at the start", "My Worldbuilding ---------------- My story is set in an medieval fantasy world. In", "a way to build it into my prologue without replacing it completely. ", "tried a few different ways to start this prologue already I've tried", "middle of the woods. Covered by the trees there is a small fortress,", "under false allegations and he has mobilized an army to free him. Once", "frees an immortal being (the true protagonist), who has been betrayed by the", "dozen pages just describing a hobbit hole, but I didn't like the kind", "narrator he uses. I decided against it, because I couldn't find a way", "half a dozen pages just describing a hobbit hole, but I didn't like", "the middle of the woods. Covered by the trees there is a small", "serves as a prison. The protagonist of this short introduction is a mighty", "incoming clouds, hundreds of Orcs march towards the hillfort, which is held by", "into the first few minutes of a movie. In the end I spent", "imprisoned under false allegations and he has mobilized an army to free him.", "with a \"cinematic intro\". In my imagination this idea turned into the first", "the incoming clouds, hundreds of Orcs march towards the hillfort, which is held", "asoiaf or metro) as their prologue. I liked that kind of introduction, but", "humans and serves as a prison. The protagonist of this short introduction is", "Struggle ----------- I've tried a few different ways to start this prologue already", "sole eagle flies over an stone tower in the middle of the woods.", "the self-proclaimed gods of this world, who feared that he might challenge their", "I've read start with a casual conversation (like in asoiaf or metro) as", "the story by letting my characters talk in exposition-dumps. A lot of things", "amongst the orcs. His brother has been imprisoned under false allegations and he", "replacing it completely. * Many books I've read start with a casual conversation", "protagonist), who has been betrayed by the self-proclaimed gods of this world, who", "kind of introduction, but I often end up ruining its purpose of a", "world-building into a successful prologue? How can it be interesting for the reader?*", "of my stories after the first chapter, because my writing doesn't live up", "feared that he might challenge their undisputed rule, if they don't stop his", "a small garrison of humans and serves as a prison. The protagonist of", "gods of this world, who feared that he might challenge their undisputed rule,", "lands on the hand of the orcish warlord. > > > I've", "---------------- My story is set in an medieval fantasy world. In the forest,", "allegations and he has mobilized an army to free him. Once he enters", "would just be senseless for a reader, who hasn't the same understanding of", "he might challenge their undisputed rule, if they don't stop his sudden rise", "chapter, because my writing doesn't live up to my expectations. My Worldbuilding ----------------", "been betrayed by the self-proclaimed gods of this world, who feared that he", "plot as I do at this early point. I tried ignoring my crappy", "just describing a hobbit hole, but I didn't like the kind of narrator", "would discourage any reader). > > An sole eagle flies over an stone", "sweeps in dark and mighty storm clouds, the dives in the forest, passes", "> > > * I've also tried to start with some kind of", "* I've tried to start with a \"cinematic intro\". In my imagination this", "building a foundation on sand. My Question ----------- *How can I turn all", "to power. My Struggle ----------- I've tried a few different ways to start", "free him. Once he enters the prison he doesn't find his brother, but", "to much time into describing the situation (I also tend to use long", "with lots of adjectives), and then struggled to cut to the action fluently,", "kind of exposition-dump. I am big fan of Tolkien, as he creates a", "wind sweeps in dark and mighty storm clouds, the dives in the forest,", "has mobilized an army to free him. Once he enters the prison he", "big fan of Tolkien, as he creates a living world right at the", "prison. The protagonist of this short introduction is a mighty warlord amongst the", "I couldn't find a way to build it into my prologue without replacing", "over an stone tower in the middle of the woods. Covered by the", "start this prologue already I've tried to start with a \"cinematic intro\".", "into describing the situation (I also tend to use long sentences with lots", "tried to start with some kind of exposition-dump. I am big fan of", "a prison. The protagonist of this short introduction is a mighty warlord amongst", "of introduction, but I often end up ruining its purpose of a fluid", "live up to my expectations. My Worldbuilding ---------------- My story is set in", "up ruining its purpose of a fluid transition right into the story by", "of things would just be senseless for a reader, who hasn't the same", "passage where he frees an immortal being (the true protagonist), who has been", "transition right into the story by letting my characters talk in exposition-dumps. A", "heard there are 2 types of writers, and I am definitively an architect.", "without replacing it completely. * Many books I've read start with a casual", "on the hand of the orcish warlord. > > > * I've also", "held by a small garrison of humans and serves as a prison. The", "and characters, but I scrap most of my stories after the first chapter,", "a small fortress, a strong wind sweeps in dark and mighty storm clouds,", "find his brother, but a secret passage where he frees an immortal being", "start with a casual conversation (like in asoiaf or metro) as their prologue.", "books, despite writing half a dozen pages just describing a hobbit hole, but", "In the end I spent way to much time into describing the situation", "be senseless for a reader, who hasn't the same understanding of my plot", "foundation on sand. My Question ----------- *How can I turn all my world-building", "he creates a living world right at the start of his books, despite", "brother, but a secret passage where he frees an immortal being (the true", "sudden rise to power. My Struggle ----------- I've tried a few different ways", "prologue without replacing it completely. Many books I've read start with a", "its purpose of a fluid transition right into the story by letting my", "once heard there are 2 types of writers, and I am definitively an", "creates a living world right at the start of his books, despite writing", "on beyond it, but ignoring the 'groundwork' feels like building a foundation on", "an medieval fantasy world. In the forest, covered by the shadow of the", "brother has been imprisoned under false allegations and he has mobilized an army", "some kind of exposition-dump. I am big fan of Tolkien, as he creates", "up to my expectations. My Worldbuilding ---------------- My story is set in an", "of the woods. Covered by the trees there is a small fortress, a", "am definitively an architect. I can write down a few hundred pages of", "a reader, who hasn't the same understanding of my plot as I do", "but I didn't like the kind of narrator he uses. I decided against", "the prison he doesn't find his brother, but a secret passage where he", "of big, grim-looking creatures and lands on the hand of the orcish warlord.", "uses. I decided against it, because I couldn't find a way to build", "he enters the prison he doesn't find his brother, but a secret passage", "imagination this idea turned into the first few minutes of a movie. In", "this idea turned into the first few minutes of a movie. In the", "who feared that he might challenge their undisputed rule, if they don't stop", "passes a column of big, grim-looking creatures and lands on the hand of", "as I do at this early point. I tried ignoring my crappy prologue", "a strong wind sweeps in dark and mighty storm clouds, the dives in", "time into describing the situation (I also tend to use long sentences with", "turned into the first few minutes of a movie. In the end I", "my writing doesn't live up to my expectations. My Worldbuilding ---------------- My story", "immortal being (the true protagonist), who has been betrayed by the self-proclaimed gods", "any reader). > > An sole eagle flies over an stone tower in", "of Tolkien, as he creates a living world right at the start of", "lots of adjectives), and then struggled to cut to the action fluently, which", "spent way to much time into describing the situation (I also tend to", "they don't stop his sudden rise to power. My Struggle ----------- I've tried", "which would discourage any reader). > > An sole eagle flies over an", "the shadow of the incoming clouds, hundreds of Orcs march towards the hillfort,", "A lot of things would just be senseless for a reader, who hasn't", "I am definitively an architect. I can write down a few hundred pages", "The protagonist of this short introduction is a mighty warlord amongst the orcs.", "writing doesn't live up to my expectations. My Worldbuilding ---------------- My story is", "the orcish warlord. > > > * I've also tried to start with", "of the incoming clouds, hundreds of Orcs march towards the hillfort, which is", "true protagonist), who has been betrayed by the self-proclaimed gods of this world,", "I've tried to start with a \"cinematic intro\". In my imagination this idea", "stone tower in the middle of the woods. Covered by the trees there", "purpose of a fluid transition right into the story by letting my characters", "to start with a \"cinematic intro\". In my imagination this idea turned into", "this short introduction is a mighty warlord amongst the orcs. His brother has", "of writers, and I am definitively an architect. I can write down a", "do at this early point. I tried ignoring my crappy prologue and just", "> * I've also tried to start with some kind of exposition-dump. I", "the end I spent way to much time into describing the situation (I", "definitively an architect. I can write down a few hundred pages of worldbuilding", "flies over an stone tower in the middle of the woods. Covered by", "is a mighty warlord amongst the orcs. His brother has been imprisoned under", "in asoiaf or metro) as their prologue. I liked that kind of introduction,", "protagonist of this short introduction is a mighty warlord amongst the orcs. His", "into the story by letting my characters talk in exposition-dumps. A lot of", "against it, because I couldn't find a way to build it into my", "exposition-dumps. A lot of things would just be senseless for a reader, who", "challenge their undisputed rule, if they don't stop his sudden rise to power.", "power. My Struggle ----------- I've tried a few different ways to start this", "Many books I've read start with a casual conversation (like in asoiaf or", "he doesn't find his brother, but a secret passage where he frees an", "like building a foundation on sand. My Question ----------- *How can I turn", "with a casual conversation (like in asoiaf or metro) as their prologue. I", "the situation (I also tend to use long sentences with lots of adjectives),", "most of my stories after the first chapter, because my writing doesn't live", "self-proclaimed gods of this world, who feared that he might challenge their undisputed", "prologue and just going on beyond it, but ignoring the 'groundwork' feels like", "after the first chapter, because my writing doesn't live up to my expectations.", "a few hundred pages of worldbuilding and characters, but I scrap most of", "casual conversation (like in asoiaf or metro) as their prologue. I liked that", "don't stop his sudden rise to power. My Struggle ----------- I've tried a", "march towards the hillfort, which is held by a small garrison of humans", "a column of big, grim-looking creatures and lands on the hand of the", "expectations. My Worldbuilding ---------------- My story is set in an medieval fantasy world.", "An sole eagle flies over an stone tower in the middle of the", "and lands on the hand of the orcish warlord. > > > ", "completely. * Many books I've read start with a casual conversation (like in", "early point. I tried ignoring my crappy prologue and just going on beyond", "tower in the middle of the woods. Covered by the trees there is", "sentences with lots of adjectives), and then struggled to cut to the action", "describing the situation (I also tend to use long sentences with lots of", "to free him. Once he enters the prison he doesn't find his brother,", "hasn't the same understanding of my plot as I do at this early", "enters the prison he doesn't find his brother, but a secret passage where", "doesn't find his brother, but a secret passage where he frees an immortal", "an stone tower in the middle of the woods. Covered by the trees", "tried ignoring my crappy prologue and just going on beyond it, but ignoring", "Covered by the trees there is a small fortress, a strong wind sweeps", "for a reader, who hasn't the same understanding of my plot as I", "Worldbuilding ---------------- My story is set in an medieval fantasy world. In the", "> An sole eagle flies over an stone tower in the middle of", "beyond it, but ignoring the 'groundwork' feels like building a foundation on sand.", "a living world right at the start of his books, despite writing half", "he uses. I decided against it, because I couldn't find a way to", "point. I tried ignoring my crappy prologue and just going on beyond it,", "a casual conversation (like in asoiaf or metro) as their prologue. I liked", "of my plot as I do at this early point. I tried ignoring", "set in an medieval fantasy world. In the forest, covered by the shadow", "small fortress, a strong wind sweeps in dark and mighty storm clouds, the", "the start of his books, despite writing half a dozen pages just describing", "liked that kind of introduction, but I often end up ruining its purpose", "of this world, who feared that he might challenge their undisputed rule, if", "fluid transition right into the story by letting my characters talk in exposition-dumps.", "an army to free him. Once he enters the prison he doesn't find", "of humans and serves as a prison. The protagonist of this short introduction", "understanding of my plot as I do at this early point. I tried", "fluently, which would discourage any reader). > > An sole eagle flies over", "with some kind of exposition-dump. I am big fan of Tolkien, as he", "the hand of the orcish warlord. > > > * I've also tried", "hillfort, which is held by a small garrison of humans and serves as", "just be senseless for a reader, who hasn't the same understanding of my", "I am big fan of Tolkien, as he creates a living world right", "I've tried a few different ways to start this prologue already * I've", "as he creates a living world right at the start of his books,", "first few minutes of a movie. In the end I spent way to", "of the orcish warlord. > > > * I've also tried to start", "the dives in the forest, passes a column of big, grim-looking creatures and", "I didn't like the kind of narrator he uses. I decided against it,", "first chapter, because my writing doesn't live up to my expectations. My Worldbuilding", "this world, who feared that he might challenge their undisputed rule, if they", "of exposition-dump. I am big fan of Tolkien, as he creates a living", "into my prologue without replacing it completely. * Many books I've read start", "is a small fortress, a strong wind sweeps in dark and mighty storm", "hundred pages of worldbuilding and characters, but I scrap most of my stories", "in the forest, passes a column of big, grim-looking creatures and lands on", "----------- I've tried a few different ways to start this prologue already ", "already I've tried to start with a \"cinematic intro\". In my imagination", "strong wind sweeps in dark and mighty storm clouds, the dives in the", "the 'groundwork' feels like building a foundation on sand. My Question ----------- *How", "there are 2 types of writers, and I am definitively an architect. I", "or metro) as their prologue. I liked that kind of introduction, but I", "has been imprisoned under false allegations and he has mobilized an army to", "a few different ways to start this prologue already I've tried to", "(the true protagonist), who has been betrayed by the self-proclaimed gods of this", "army to free him. Once he enters the prison he doesn't find his", "stories after the first chapter, because my writing doesn't live up to my", "prison he doesn't find his brother, but a secret passage where he frees", "the action fluently, which would discourage any reader). > > An sole eagle", "ways to start this prologue already * I've tried to start with a", "his brother, but a secret passage where he frees an immortal being (the", "betrayed by the self-proclaimed gods of this world, who feared that he might", "in dark and mighty storm clouds, the dives in the forest, passes a", "orcish warlord. > > > * I've also tried to start with some", "decided against it, because I couldn't find a way to build it into", "rise to power. My Struggle ----------- I've tried a few different ways to", "in an medieval fantasy world. In the forest, covered by the shadow of", "forest, passes a column of big, grim-looking creatures and lands on the hand", "start with some kind of exposition-dump. I am big fan of Tolkien, as", "end up ruining its purpose of a fluid transition right into the story", "orcs. His brother has been imprisoned under false allegations and he has mobilized", "forest, covered by the shadow of the incoming clouds, hundreds of Orcs march", "has been betrayed by the self-proclaimed gods of this world, who feared that", "minutes of a movie. In the end I spent way to much time", "pages just describing a hobbit hole, but I didn't like the kind of", "the same understanding of my plot as I do at this early point.", "conversation (like in asoiaf or metro) as their prologue. I liked that kind", "end I spent way to much time into describing the situation (I also", "I've also tried to start with some kind of exposition-dump. I am big", "it completely. * Many books I've read start with a casual conversation (like", "read start with a casual conversation (like in asoiaf or metro) as their", "fantasy world. In the forest, covered by the shadow of the incoming clouds,", "an architect. I can write down a few hundred pages of worldbuilding and", "might challenge their undisputed rule, if they don't stop his sudden rise to", "warlord amongst the orcs. His brother has been imprisoned under false allegations and", "their undisputed rule, if they don't stop his sudden rise to power. My", "because I couldn't find a way to build it into my prologue without", "introduction, but I often end up ruining its purpose of a fluid transition", "ignoring the 'groundwork' feels like building a foundation on sand. My Question -----------", "worldbuilding and characters, but I scrap most of my stories after the first", "my characters talk in exposition-dumps. A lot of things would just be senseless", "lot of things would just be senseless for a reader, who hasn't the", "world right at the start of his books, despite writing half a dozen", "of worldbuilding and characters, but I scrap most of my stories after the", "ruining its purpose of a fluid transition right into the story by letting", "a foundation on sand. My Question ----------- *How can I turn all my", "few hundred pages of worldbuilding and characters, but I scrap most of my", "Orcs march towards the hillfort, which is held by a small garrison of", "this prologue already I've tried to start with a \"cinematic intro\". In", "that kind of introduction, but I often end up ruining its purpose of", "living world right at the start of his books, despite writing half a", "woods. Covered by the trees there is a small fortress, a strong wind", "he has mobilized an army to free him. Once he enters the prison", "start of his books, despite writing half a dozen pages just describing a", "movie. In the end I spent way to much time into describing the", "characters, but I scrap most of my stories after the first chapter, because", "tried to start with a \"cinematic intro\". In my imagination this idea turned", "Tolkien, as he creates a living world right at the start of his", "of his books, despite writing half a dozen pages just describing a hobbit", "eagle flies over an stone tower in the middle of the woods. Covered", "the forest, covered by the shadow of the incoming clouds, hundreds of Orcs", "shadow of the incoming clouds, hundreds of Orcs march towards the hillfort, which", "introduction is a mighty warlord amongst the orcs. His brother has been imprisoned", "then struggled to cut to the action fluently, which would discourage any reader).", "warlord. > > > * I've also tried to start with some kind", "----------- How can I turn all my world-building into a successful prologue? How", "long sentences with lots of adjectives), and then struggled to cut to the", "find a way to build it into my prologue without replacing it completely.", "world. In the forest, covered by the shadow of the incoming clouds, hundreds", "turn all my world-building into a successful prologue? How can it be interesting", "my world-building into a successful prologue? How can it be interesting for the", "medieval fantasy world. In the forest, covered by the shadow of the incoming", "How can I turn all my world-building into a successful prologue? How can", "books I've read start with a casual conversation (like in asoiaf or metro)", "hundreds of Orcs march towards the hillfort, which is held by a small", "to start this prologue already * I've tried to start with a \"cinematic", "and then struggled to cut to the action fluently, which would discourage any", "exposition-dump. I am big fan of Tolkien, as he creates a living world", "Question ----------- *How can I turn all my world-building into a successful prologue?", "letting my characters talk in exposition-dumps. A lot of things would just be", "metro) as their prologue. I liked that kind of introduction, but I often", "but a secret passage where he frees an immortal being (the true protagonist),", "covered by the shadow of the incoming clouds, hundreds of Orcs march towards", "being (the true protagonist), who has been betrayed by the self-proclaimed gods of", "way to build it into my prologue without replacing it completely. Many", "been imprisoned under false allegations and he has mobilized an army to free", "In the forest, covered by the shadow of the incoming clouds, hundreds of", "by a small garrison of humans and serves as a prison. The protagonist", "of this short introduction is a mighty warlord amongst the orcs. His brother", "situation (I also tend to use long sentences with lots of adjectives), and", "scrap most of my stories after the first chapter, because my writing doesn't" ]
[ "too much into it, but just wanted to know :-) Any advice would", "changes it a bit and makes a movie or a novel out of", "content and can I fight for it? I know I might be thinking", "into it, but just wanted to know :-) Any advice would be greatly", "I am writing a short story and thinking of publishing it in the", "the next month. But then, I had a doubt. What if somebody takes", "it and changes it a bit and makes a movie or a novel", "a short story and thinking of publishing it in the next month. But", "in the next month. But then, I had a doubt. What if somebody", "if somebody takes it, expands it and changes it a bit and makes", "I had a doubt. What if somebody takes it, expands it and changes", "thinking too much into it, but just wanted to know :-) Any advice", "and can I fight for it? I know I might be thinking too", "much into it, but just wanted to know :-) Any advice would be", "short story and thinking of publishing it in the next month. But then,", "story and thinking of publishing it in the next month. But then, I", "and changes it a bit and makes a movie or a novel out", "any right on that content and can I fight for it? I know", "makes a movie or a novel out of it? Will I have any", "somebody takes it, expands it and changes it a bit and makes a", "movie or a novel out of it? Will I have any right on", "and makes a movie or a novel out of it? Will I have", "of it? Will I have any right on that content and can I", "know I might be thinking too much into it, but just wanted to", "I know I might be thinking too much into it, but just wanted", "just wanted to know :-) Any advice would be greatly appreciated. Thanks, Raj", "novel out of it? Will I have any right on that content and", "a bit and makes a movie or a novel out of it? Will", "out of it? Will I have any right on that content and can", "thinking of publishing it in the next month. But then, I had a", "have any right on that content and can I fight for it? I", "fight for it? I know I might be thinking too much into it,", "then, I had a doubt. What if somebody takes it, expands it and", "might be thinking too much into it, but just wanted to know :-)", "or a novel out of it? Will I have any right on that", "it in the next month. But then, I had a doubt. What if", "am writing a short story and thinking of publishing it in the next", "it a bit and makes a movie or a novel out of it?", "can I fight for it? I know I might be thinking too much", "be thinking too much into it, but just wanted to know :-) Any", "of publishing it in the next month. But then, I had a doubt.", "writing a short story and thinking of publishing it in the next month.", "a movie or a novel out of it? Will I have any right", "But then, I had a doubt. What if somebody takes it, expands it", "it? Will I have any right on that content and can I fight", "I fight for it? I know I might be thinking too much into", "right on that content and can I fight for it? I know I", "expands it and changes it a bit and makes a movie or a", "a doubt. What if somebody takes it, expands it and changes it a", "a novel out of it? Will I have any right on that content", "doubt. What if somebody takes it, expands it and changes it a bit", "but just wanted to know :-) Any advice would be greatly appreciated. Thanks,", "it, but just wanted to know :-) Any advice would be greatly appreciated.", "bit and makes a movie or a novel out of it? Will I", "publishing it in the next month. But then, I had a doubt. What", "it, expands it and changes it a bit and makes a movie or", "had a doubt. What if somebody takes it, expands it and changes it", "I have any right on that content and can I fight for it?", "that content and can I fight for it? I know I might be", "month. But then, I had a doubt. What if somebody takes it, expands", "next month. But then, I had a doubt. What if somebody takes it,", "What if somebody takes it, expands it and changes it a bit and", "takes it, expands it and changes it a bit and makes a movie", "on that content and can I fight for it? I know I might", "for it? I know I might be thinking too much into it, but", "Will I have any right on that content and can I fight for", "I might be thinking too much into it, but just wanted to know", "and thinking of publishing it in the next month. But then, I had", "it? I know I might be thinking too much into it, but just" ]
[ "I have had zero access to CreateSpace; nothing else under createspace.com has given", "access to CreateSpace; nothing else under createspace.com has given me a webpage, even", "or bad are Amazon KDP for converting the HTML input to KDP into", "a webpage, even an error page. What is going on now? How good", "had zero access to CreateSpace; nothing else under createspace.com has given me a", "KDP for converting the HTML input to KDP into a good paperback? Thanks,", "webpage, even an error page. What is going on now? How good or", "past few days I have had zero access to CreateSpace; nothing else under", "the past few days I have had zero access to CreateSpace; nothing else", "is going on now? How good or bad are Amazon KDP for converting", "What is going on now? How good or bad are Amazon KDP for", "under createspace.com has given me a webpage, even an error page. What is", "else under createspace.com has given me a webpage, even an error page. What", "Amazon KDP for converting the HTML input to KDP into a good paperback?", "nothing else under createspace.com has given me a webpage, even an error page.", "now? How good or bad are Amazon KDP for converting the HTML input", "me a webpage, even an error page. What is going on now? How", "For the past few days I have had zero access to CreateSpace; nothing", "on now? How good or bad are Amazon KDP for converting the HTML", "error page. What is going on now? How good or bad are Amazon", "zero access to CreateSpace; nothing else under createspace.com has given me a webpage,", "page. What is going on now? How good or bad are Amazon KDP", "to CreateSpace; nothing else under createspace.com has given me a webpage, even an", "an error page. What is going on now? How good or bad are", "good or bad are Amazon KDP for converting the HTML input to KDP", "have had zero access to CreateSpace; nothing else under createspace.com has given me", "are Amazon KDP for converting the HTML input to KDP into a good", "given me a webpage, even an error page. What is going on now?", "bad are Amazon KDP for converting the HTML input to KDP into a", "How good or bad are Amazon KDP for converting the HTML input to", "few days I have had zero access to CreateSpace; nothing else under createspace.com", "has given me a webpage, even an error page. What is going on", "CreateSpace; nothing else under createspace.com has given me a webpage, even an error", "createspace.com has given me a webpage, even an error page. What is going", "going on now? How good or bad are Amazon KDP for converting the", "days I have had zero access to CreateSpace; nothing else under createspace.com has", "even an error page. What is going on now? How good or bad" ]
[ "their character profiles I get to a certain point where, two male characters,", "two male characters, for example, seem like the same character wearing another face.", "get to a certain point where, two male characters, for example, seem like", "them different traits, and backgrounds but when I think about how they'll react", "on a team based story with a lot of characters and am looking", "another issue? Any advice will be greatly appreciated and I hope this edit", "wasn't developing their personalities enough, but maybe it's another issue? Any advice will", "really make their personalities stand out from one another. When I'm writing out", "character profiles I get to a certain point where, two male characters, for", "I get to a certain point where, two male characters, for example, seem", "point where, two male characters, for example, seem like the same character wearing", "advice will be greatly appreciated and I hope this edit clarifies things a", "of one another. I thought perhaps I wasn't developing their personalities enough, but", "enough, but maybe it's another issue? Any advice will be greatly appreciated and", "think about how they'll react to things, they seem like copies of one", "to things, they seem like copies of one another. I thought perhaps I", "thought perhaps I wasn't developing their personalities enough, but maybe it's another issue?", "and backgrounds but when I think about how they'll react to things, they", "backgrounds but when I think about how they'll react to things, they seem", "character wearing another face. I give them different traits, and backgrounds but when", "personalities stand out from one another. When I'm writing out their character profiles", "from one another. When I'm writing out their character profiles I get to", "make their personalities stand out from one another. When I'm writing out their", "out from one another. When I'm writing out their character profiles I get", "but when I think about how they'll react to things, they seem like", "the same character wearing another face. I give them different traits, and backgrounds", "with a lot of characters and am looking for ways to really make", "seem like copies of one another. I thought perhaps I wasn't developing their", "writing out their character profiles I get to a certain point where, two", "they seem like copies of one another. I thought perhaps I wasn't developing", "I'm currently working on a team based story with a lot of characters", "profiles I get to a certain point where, two male characters, for example,", "am looking for ways to really make their personalities stand out from one", "copies of one another. I thought perhaps I wasn't developing their personalities enough,", "another. When I'm writing out their character profiles I get to a certain", "they'll react to things, they seem like copies of one another. I thought", "and am looking for ways to really make their personalities stand out from", "like copies of one another. I thought perhaps I wasn't developing their personalities", "male characters, for example, seem like the same character wearing another face. I", "characters and am looking for ways to really make their personalities stand out", "characters, for example, seem like the same character wearing another face. I give", "another. I thought perhaps I wasn't developing their personalities enough, but maybe it's", "lot of characters and am looking for ways to really make their personalities", "I give them different traits, and backgrounds but when I think about how", "one another. When I'm writing out their character profiles I get to a", "of characters and am looking for ways to really make their personalities stand", "about how they'll react to things, they seem like copies of one another.", "maybe it's another issue? Any advice will be greatly appreciated and I hope", "certain point where, two male characters, for example, seem like the same character", "traits, and backgrounds but when I think about how they'll react to things,", "seem like the same character wearing another face. I give them different traits,", "but maybe it's another issue? Any advice will be greatly appreciated and I", "same character wearing another face. I give them different traits, and backgrounds but", "for ways to really make their personalities stand out from one another. When", "issue? Any advice will be greatly appreciated and I hope this edit clarifies", "a team based story with a lot of characters and am looking for", "one another. I thought perhaps I wasn't developing their personalities enough, but maybe", "when I think about how they'll react to things, they seem like copies", "a certain point where, two male characters, for example, seem like the same", "team based story with a lot of characters and am looking for ways", "give them different traits, and backgrounds but when I think about how they'll", "Any advice will be greatly appreciated and I hope this edit clarifies things", "example, seem like the same character wearing another face. I give them different", "face. I give them different traits, and backgrounds but when I think about", "for example, seem like the same character wearing another face. I give them", "perhaps I wasn't developing their personalities enough, but maybe it's another issue? Any", "I wasn't developing their personalities enough, but maybe it's another issue? Any advice", "their personalities stand out from one another. When I'm writing out their character", "When I'm writing out their character profiles I get to a certain point", "will be greatly appreciated and I hope this edit clarifies things a bit.", "looking for ways to really make their personalities stand out from one another.", "out their character profiles I get to a certain point where, two male", "developing their personalities enough, but maybe it's another issue? Any advice will be", "I'm writing out their character profiles I get to a certain point where,", "I thought perhaps I wasn't developing their personalities enough, but maybe it's another", "their personalities enough, but maybe it's another issue? Any advice will be greatly", "another face. I give them different traits, and backgrounds but when I think", "like the same character wearing another face. I give them different traits, and", "working on a team based story with a lot of characters and am", "wearing another face. I give them different traits, and backgrounds but when I", "where, two male characters, for example, seem like the same character wearing another", "personalities enough, but maybe it's another issue? Any advice will be greatly appreciated", "based story with a lot of characters and am looking for ways to", "to really make their personalities stand out from one another. When I'm writing", "different traits, and backgrounds but when I think about how they'll react to", "to a certain point where, two male characters, for example, seem like the", "a lot of characters and am looking for ways to really make their", "ways to really make their personalities stand out from one another. When I'm", "how they'll react to things, they seem like copies of one another. I", "currently working on a team based story with a lot of characters and", "things, they seem like copies of one another. I thought perhaps I wasn't", "stand out from one another. When I'm writing out their character profiles I", "it's another issue? Any advice will be greatly appreciated and I hope this", "story with a lot of characters and am looking for ways to really", "react to things, they seem like copies of one another. I thought perhaps", "I think about how they'll react to things, they seem like copies of" ]
[ "Benefits * Growing a list * Market research: By putting my stuff online", "10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\", and * my old statistics", "I could make the first out of 10 episodes free. The subsequent ones", "a native English speaker (which I am not). * Costs of line-editing a", "it (for every chapter). 3. Once self-editing is done, publish every chapter on", "backlog reaches a certain level (like 10 books in the backlog), find an", "believe the final product is much better, if it has been line-edited by", "7: Break-even funnels with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work,", "novels per year, this is 10 000 Euros. Let's say I can easily", "professional. * Any solution must not disrupt my long-term goal (becoming a full-time", "The subsequent ones would cost 0.99 dollars (8.91 dollars for 9 paid episodes).", "the text AND audio for free). Plus there may be a stronger bond,", "selling his own fiction books). For this reason, I don't like the idea", "100,-- per hour) consulting gigs. 3. Sell 100 hours of consulting per year,", "it. The problem is, you need to edit 3 chunks of other people's", "Luqa's editing services for foreign authors cost about 6600 dollars) and * creating", "I have the opportunity to remind the readers that I exist. * *Pricing", "6. If and when one of the published books starts to generate money,", "during the first Y years. It's like a lottery, only that in writing", "the best investment of my time. There is also absolutely no guarantee that", "(early fans) discounts or give them the book for free. Feedback: By", "money to edit books. * I accept the idea of giving some books", "read more of my stuff for free, subscribe to my list.\" 2. Set", "2. Use this book as a sales vehicle (proof of me being an", "then blog about those topics.\" There is no way to know the demographics", "this one book. 4. During the rest of the year, I write and", "4 books per year for the costs of one ----------------------------------------------------- ### Process 1.", "online I get a chance to communicate with readers and get hypotheses on", "Write a non-fiction book that demonstrates that I'm an expert in some demanded", "done, publish every chapter on public platforms (Medium, Wattpad, Scribd etc.) with a", "(reasons it can fail), please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea", "publish the book and notify all subscribers that the book is ready. 5.", "I do not consider traditional publishing. * I don't expect my first X", "substantial sales during the first Y years. It's like a lottery, only that", "backlog for the maximum bang -------------------------------------------- ### Process 1. Write the first draft", "why. At the moment, I don't. Also, I assume you need to lose", "you want the improved version of this text to be published, please let", "money into publishing the next book from the backlog. ### Benefits * *More", "note \"If you want to read more of my stuff for free, subscribe", "can do something different (write or edit another book) while the editor does", "in a year. 6. Self-edit and record the audio (analogous to step 2).", "of me being an expert) for high-priced (like EUR 100,-- per hour) consulting", "should work even, if no book makes any substantial sales during the first", "self-editing is done, publish every chapter on public platforms (Medium, Wattpad, Scribd etc.)", "self-edited text aloud and record it (for every chapter). 3. Once self-editing is", "I prefer strategies, where you can do marketing activities as a by-product of", "If and when one of the published books starts to generate money, I", "editing ------------------------------- There is the option of me editing someone else's book, and", " \"Write. Publish. Repeat\", and * my old statistics file that shows that", "cement than Bob). Rejected Idea 7: Break-even funnels with paid ads (Facebook, Amazon", "editor has finished her work, publish the book and notify all subscribers that", "each, or 10 episodes 12K words each). 3. I publish this one book.", "and if I drew the cover for my books myself, I most likely", "(she will pay less for every ton of cement than Bob). Rejected Idea", "for foreign authors cost about 6600 dollars) and * creating a cover -", "book. Note that this has a drawback: It's much harder to produce quality", "someone edits your one chapter (there is usually more than one person providing", "this reason, I believe there is no way to create a working (selling)", "submitting the manuscript to an editor, but I believe the final product is", "public platforms (Medium, Wattpad, Scribd etc.) with a link to the audio version", "all my 10 books. 2. In exchange, they will charge me less than", "The more books I publish, the higher the chance that one of them", "-------------------------------------------- 1. Publish one book per year. At the end of the book,", "I get a chance to communicate with readers and get hypotheses on who", "what marketing activities may work best with them. The \"I want it\" e-mails", "of this book\"), run a Kickstarter campaign to raise EUR 2.500,-- for editing", "and negotiate a bulk sale with him or her: 1. I will hire", "parts (like 4 episodes 30K words each, or 10 episodes 12K words each).", "* spend 2 months self-editing the manuscript, after which * I hand off", "a fiction writing business so that it generates enough revenue to make a", "* I prefer strategies, where you can do marketing activities as a by-product", "backlog for future line-editing. 8. Publish the self-edited version on public platforms with", "a novel without buying third-party editing services. Of course, I do self-edit before", "to remind the readers that I exist. * Pricing tricks: People respond to", "my first X books to be profitable, i. e. I don't expect to", "vehicle (proof of me being an expert) for high-priced (like EUR 100,-- per", "other people's writing in order to get one your chunk edited. Let's assume", "the faster it will happen.\". 9. Repeat steps 5 through 8 for third", "By putting my stuff online I get a chance to communicate with readers", "editing services for foreign authors cost about 6600 dollars) and * creating a", "use the editor to edit the most popular (by the number of \"I", "assumptions below, what is the best strategy to sustainably grow a fiction writing", "When the book in step 4 is ready, I can offer subscribers (early", "be a stronger bond, if you not only read the text, but also", "IT topic (I have an IT background). 2. Use this book as a", "make a living (quit my day job) some day? Assumptions * I have", "good days I wrote over 4000 words per day years ago (which translates", "don't believe in hiring some low-wage person to craft one of the most", "of my stuff for free, subscribe to my list.\" 2. Set up the", "If Bob buys 10 tons of cement, and Aluke buys 100, then the", "actually write first drafts of 100K-120K novels in one month, * spend 2", "free, subscribe to my list.\" 2. Set up the list so that when", "Of course, I do self-edit before submitting the manuscript to an editor, but", "to craft one of the most important sales vehicles for a book. For", "stuff for free, subscribe to my list.\" 2. Set up the list so", "may work best with them. The \"I want it\" e-mails are an even", "novel costs 2000 Euros (that's an actual price from someone I know, Luqa's", "the potential to give me some long-term benefits (e. g. subscribers to my", "exist. * Pricing tricks: People respond to incentives. I could make the first", "for the maximum bang -------------------------------------------- ### Process 1. Write the first draft of", "is 200 dollars, but in my experience there are always some additional fees).", "by 3 months per book = 12/3 = 4 books per year). If", "if no book makes any substantial sales during the first Y years. It's", "please let me know. The more people tell me they want, the faster", "3 chunks of other people's writing in order to get one your chunk", "will happen.\". 9. Repeat steps 5 through 8 for third and fourth book", "Euro per hour = 10 000 Euros. 100 hours per year is 8.3", "3.91 dollars). Idea 2: Use the backlog for the maximum bang -------------------------------------------- ###", "I don't. Also, I assume you need to lose hundreds/thousands of Euros figuring", "Use the backlog for the maximum bang -------------------------------------------- ### Process 1. Write the", "audio versions of the backlog (self-edited) of my books. Idea 4: Finance writing", "Rachel Aaron, * \"Write. Publish. Repeat\", and * my old statistics file that", "Euros. 100 hours per year is 8.3 hours per month. Idea 5 (tweak", "running into debt, without tricks with the credit cards). Question: Given the assumptions", "publish per year, the often I have the opportunity to remind the readers", "editor to edit the most popular (by the number of \"I want it\")", "will do a line edit). Total time where I have to work is", "episodes free. The subsequent ones would cost 0.99 dollars (8.91 dollars for 9", "That may work. And there is blogging advice, which is idiotic, concentrated, 100", "book) while the editor does the line edit. Then, I could publish 4", "some demanded IT topic (I have an IT background). 2. Use this book", "English). * I don't have any artistic abilities and if I drew the", "costs of one ----------------------------------------------------- ### Process 1. I write the first 120K book", "sustainably grow a fiction writing business so that it generates enough revenue to", "4 books per year). If that happens, I run into a financial constraint:", "who lives from selling his own fiction books). For this reason, I don't", "authors cost about 6600 dollars) and * creating a cover - 500 Euros", "is much better, if it has been line-edited by another person (not the", "Finance writing fiction through non-fiction books --------------------------------------------------------- 1. Write a non-fiction book that", "non-fiction books on a regular basis because you have to do more research", "episodes 12K words each). 3. I publish this one book. 4. During the", "stronger bond, if you not only read the text, but also hear the", "[authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea 8: Barter editing ------------------------------- There", "absolutely no guarantee that people editing my texts are more competent than I", "a link to the audio version of that chapter (by-product of self-editing in", "can write one good non-fiction book every year. Idea 6: Buy the editing", "the author) who is also a native English speaker (which I am not).", "great, but my plan should work even, if no book makes any substantial", "it this way, I'm adding a third channel (feedback of readers on public", "into a financial constraint: Let's say * editing a 120K novel costs 2000", "long-term benefits (e. g. subscribers to my list). * I prefer strategies, where", "I publish the next book from the backlog. 6. If and when one", "free. The subsequent ones would cost 0.99 dollars (8.91 dollars for 9 paid", "most. * Adding an audio version may help stand out (it's more effort,", "Buy the editing services in bulk with a discount -------------------------------------------------------- If the size", "can also appear as overdelivering (you get the text AND audio for free).", "per hour) consulting gigs. 3. Sell 100 hours of consulting per year, resulting", "that the book is ready. 5. Write the first draft of the second", "that writing one novel a month is possible: * The book [2K to", "do marketing activities as a by-product of writing. If, for example, I write", "Use the audio version as a bait for the mailing list (\"Subscribe to", "over 4000 words per day years ago (which translates to 120 000 words", "every ton of cement than Bob). Rejected Idea 7: Break-even funnels with paid", "sure I can write one good non-fiction book every year. Idea 6: Buy", "with him or her: 1. I will hire them to edit all my", "established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea 8: Barter editing -------------------------------", "you can do it. The problem is, you need to edit 3 chunks", "of my time. There is also absolutely no guarantee that people editing my", "sales. If some of the books sells, that's great, but my plan should", "the next 2500 Euros, I publish the next book from the backlog. 6.", "are always some additional fees). This equals 2500 Euros per novel. For 4", "about 6600 dollars) and * creating a cover - 500 Euros ([99design](https://99designs.com/categories) says", "is 10 000 Euros. Let's say I can easily save 2 500 Euros", "Then I split it into several parts (like 4 episodes 30K words each,", "that money into publishing the next book from the backlog. ### Benefits ", "1. Write the first draft of the first book in a year. 2.", "campaign to raise EUR 2.500,-- for editing and cover. If there are, say", "at Luqa.com (line editing plus coaching for authors whose native language is not", "way, I'm adding a third channel (feedback of readers on public platforms) of", "10 episodes 12K words each). 3. I publish this one book. 4. During", "investment of my time. There is also absolutely no guarantee that people editing", "of winning are greater with every finished book. The more books I", "this has a drawback: It's much harder to produce quality non-fiction books on", "has a drawback: It's much harder to produce quality non-fiction books on a", "don't. Also, I assume you need to lose hundreds/thousands of Euros figuring out", "when one of the published books starts to generate money, I invest that", "120K book in a year. 2. Then I split it into several parts", "mailing list bait -------------------------------------------- 1. Publish one book per year. At the end", "in it (reasons it can fail), please tell me. I really appreciate your", "to sustainably grow a fiction writing business so that it generates enough revenue", "line-editing. 8. Publish the self-edited version on public platforms with a link to", "before you can make money. It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)),", "another person (not the author) who is also a native English speaker (which", "for free (however, a free book still needs editing and cover), if it", "person providing feedback). I'm not sure this is the best investment of my", "you put the book in front of them and see, who likes it.", "for 9 paid episodes). Plus there is a \"bundle\" with all parts in", "me know. The more people tell me they want, the faster it will", "fees). This equals 2500 Euros per novel. For 4 novels per year, this", "much harder to produce quality non-fiction books on a regular basis because you", "likely would screw up. I also don't believe in hiring some low-wage person", "putting my stuff online I get a chance to communicate with readers and", "and psychographics of a fiction reader, unless you put the book in front", "rest of the year, I write and self-edit other 3 books. Those self-edited,", "or 10 episodes 12K words each). 3. I publish this one book. 4.", "not established yet. Rejected idea 8: Barter editing ------------------------------- There is the option", "of writing. If, for example, I write a historical novel, I can put", "front of them and see, who likes it. Ideas of answers I came", "someone else's book, and then they will edit mine. Scribophile is one place", "like the idea of borrowing money to edit books. * I accept the", "drew the cover for my books myself, I most likely would screw up.", "10 episodes free. The subsequent ones would cost 0.99 dollars (8.91 dollars for", "is not English). * I don't have any artistic abilities and if I", "chapter). 3. Once self-editing is done, publish every chapter on public platforms (Medium,", "with every finished book. * The more books I publish, the higher the", "subscribers*: When the book in step 4 is ready, I can offer subscribers", "can offer subscribers (early fans) discounts or give them the book for free.", "Total time where I have to work is 3 months. I can do", "IT background). 2. Use this book as a sales vehicle (proof of me", "way to know the demographics and psychographics of a fiction reader, unless you", " edit three chapters of other people's books, and then * someone edits", "someone I know, Luqa's editing services for foreign authors cost about 6600 dollars)", "a historical novel, I can put the results of my research (by-product of", "will pay less for every ton of cement than Bob). Rejected Idea 7:", "and record it (for every chapter). 3. Once self-editing is done, publish every", "per year (12 months in year divided by 3 months per book =", "read the self-edited text aloud and record it (for every chapter). 3. Once", "are an even more direct feedback on what books my readers like most.", "offer subscribers (early fans) discounts or give them the book for free. ", "on public platforms with a link to audio version and a note \"If", "to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea", "6. Self-edit and record the audio (analogous to step 2). 7. Put the", "Euros figuring out Facebook ads before you can make money. It seems to", "raise EUR 2.500,-- for editing and cover. If there are, say 1000 interested", "into publishing the next book from the backlog. ### Benefits More frequent", "a lottery, only that in writing my chances of winning are greater with", "the first out of 10 episodes free. The subsequent ones would cost 0.99", "\"If you want the improved version of this text to be published, please", "writing in order to get one your chunk edited. Let's assume all chapters", "living (quit my day job) some day? Assumptions * I have no published", "than one person providing feedback). I'm not sure this is the best investment", "could publish 4 books per year (12 months in year divided by 3", "finished her work, publish the book and notify all subscribers that the book", "through 8 for third and fourth book in the year. 10. If one", "me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year", "a third channel (feedback of readers on public platforms) of quality control (self-editing,", "buzz*: The more books I publish per year, the often I have the", "day years ago (which translates to 120 000 words per month, if I", "### Benefits Growing a list * Market research: By putting my stuff", "them. The \"I want it\" e-mails are an even more direct feedback on", "foreign authors cost about 6600 dollars) and * creating a cover - 500", "published books yet and no mailing list. * I do not consider traditional", "Euros (2325 dollars) to 5700 Euros (6625 dollars) at Luqa.com (line editing plus", "of them will sell. * I cannot publish a novel without buying third-party", "3 books. Those self-edited, but not published books are put into backlog. 5.", "register in my mailing list\". 4. Once the editor has finished her work,", "Idea 6: Buy the editing services in bulk with a discount -------------------------------------------------------- If", "has finished her work, publish the book and notify all subscribers that the", "hours \\* 100 Euro per hour = 10 000 Euros. 100 hours per", "the final product is much better, if it has been line-edited by another", "Amazon etc.) ------------------------------------------------------------------------- This may work, once I have empirical data on who", "but my plan should work even, if no book makes any substantial sales", "subscribers that the book is ready. 5. Write the first draft of the", "reason, I believe there is no way to create a working (selling) book", "education, income, political views etc.) and why. At the moment, I don't. Also,", "(many e-mails saying \"Yeah, I want the edited version of this book\"), run", "2) and a note \"If you want to get notified, once an improved", "also hear the author's voice. * Rewarding subscribers: When the book in step", "notified, once an improved version of this novel is available, register in my", "to step 2). 7. Put the second book into a backlog for future", "the mailing list (\"Subscribe to my mailing list and get the audio version", "don't like the idea of borrowing money to edit books. * I accept", "I have no published books yet and no mailing list. * I do", "level (like 10 books in the backlog), find an editor and negotiate a", "improved version of this text to be published, please let me know. The", "There is also absolutely no guarantee that people editing my texts are more", "also a native English speaker (which I am not). * Costs of line-editing", "is no way to create a working (selling) book cover without hiring a", "months. I can do something different (write or edit another book) while the", "2. Then I split it into several parts (like 4 episodes 30K words", "find out what they need and then blog about those topics.\" There is", "backlog. 5. Once I saved up the next 2500 Euros, I publish the", "this novel is available, register in my mailing list\". 4. Once the editor", "000 Euros. 100 hours per year is 8.3 hours per month. Idea 5", "to audio version and a note \"If you want the improved version of", "get access to text and audio versions of the backlog (self-edited) of my", "free (however, a free book still needs editing and cover), if it has", "audio versions on YouTube. ### Benefits * Growing a list * Market research:", "more effort, hence fewer authors will do this). It can also appear as", "who they are and what marketing activities may work best with them. The", "some ideas on how to solve this optimization problem. If you find any", "with a link to audio version and a note \"If you want the", "version of this novel is available, register in my mailing list\". 4. Once", "4000 words every day during a month). Let's say I manage to optimize", "book still needs editing and cover), if it has the potential to give", "lose hundreds/thousands of Euros figuring out Facebook ads before you can make money.", "edits your one chapter (there is usually more than one person providing feedback).", "it. Ideas of answers I came up myself ================================= Below you can find", "some low-wage person to craft one of the most important sales vehicles for", "expert) for high-priced (like EUR 100,-- per hour) consulting gigs. 3. Sell 100", "happen.\". 9. Repeat steps 5 through 8 for third and fourth book in", "text aloud and record it (for every chapter). 3. Once self-editing is done,", "financial constraint: Let's say * editing a 120K novel costs 2000 Euros (that's", "and then blog about those topics.\" There is no way to know the", "5700 Euros (6625 dollars) at Luqa.com (line editing plus coaching for authors whose", "wait until you save 2500 Euros again. Then, use the editor to edit", "ads before you can make money. It seems to work for some established", "people's writing in order to get one your chunk edited. Let's assume all", "say * editing a 120K novel costs 2000 Euros (that's an actual price", "on public platforms (Medium, Wattpad, Scribd etc.) with a link to the audio", "figuring out Facebook ads before you can make money. It seems to work", "starting price is 200 dollars, but in my experience there are always some", "the book and notify all subscribers that the book is ready. 5. Write", "no published books yet and no mailing list. * I do not consider", "8 for third and fourth book in the year. 10. If one of", "second book in a year. 6. Self-edit and record the audio (analogous to", "novel, I can put the results of my research (by-product of writing) on", "so that it generates enough revenue to make a living** (quit my day", "benefits (e. g. subscribers to my list). * I prefer strategies, where you", "* someone edits your one chapter (there is usually more than one person", "several sources that suggest that writing one novel a month is possible: ", "I split it into several parts (like 4 episodes 30K words each, or", "dollars for 9 paid episodes). Plus there is a \"bundle\" with all parts", "for future line-editing. 8. Publish the self-edited version on public platforms with a", "sources that suggest that writing one novel a month is possible: The", "The more books I publish per year, the often I have the opportunity", "books. * I accept the idea of giving some books for free (however,", "quality control (self-editing, editing by an editor). Idea 3: Use the backlog as", "mailing list\". 4. Once the editor has finished her work, publish the book", "version of this and other chapters for free\"). * Put the audio versions", "* Pricing tricks: People respond to incentives. I could make the first out", "says their starting price is 200 dollars, but in my experience there are", "dollars, but in my experience there are always some additional fees). This equals", "by-product of writing. If, for example, I write a historical novel, I can", "the first 120K book in a year. 2. Then I split it into", "books. I'm not sure I can write one good non-fiction book every year.", "stuff online I get a chance to communicate with readers and get hypotheses", "2 months self-editing the manuscript, after which * I hand off the manuscript", "per year). If that happens, I run into a financial constraint: Let's say", "and notify all subscribers that the book is ready. 5. Write the first", "the first Y years. It's like a lottery, only that in writing my", "ideas on how to solve this optimization problem. If you find any problems", "editor does the line edit. Then, I could publish 4 books per year", "if it has the potential to give me some long-term benefits (e. g.", "version and a note \"If you want the improved version of this text", "* I do not consider traditional publishing. * I don't expect my first", "the saved money, * publish two other books with the revenue of the", "books per year (12 months in year divided by 3 months per book", "job) some day? Assumptions * I have no published books yet and no", "with the revenue of the non-fiction book. Note that this has a drawback:", "dollars) at Luqa.com (line editing plus coaching for authors whose native language is", "below, *what is the best strategy to sustainably grow a fiction writing business", "2000 Euros for each book. Analogy: If Bob buys 10 tons of cement,", "is the best investment of my time. There is also absolutely no guarantee", "month. Idea 5 (tweak of idea 4) ------------------------ Every year, write one", "(proof of me being an expert) for high-priced (like EUR 100,-- per hour)", "artistic abilities and if I drew the cover for my books myself, I", "blogging advice, which is idiotic, concentrated, 100 % snake-oil-style BS: \"Research your audience,", "publish 4 books per year (12 months in year divided by 3 months", "Costs of line-editing a novel range from 2000 Euros (2325 dollars) to 5700", "next book from the backlog. 6. If and when one of the published", "2500 Euros, I publish the next book from the backlog. 6. If and", "make money. It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not", "they want, the faster it will happen.\". 9. Repeat steps 5 through 8", "* Put the audio versions of the book on podcast platforms (e. g.", "------------------------ Every year, write * one non-fiction book that results in at least", "know the demographics and psychographics of a fiction reader, unless you put the", "really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year for the", "would cost 0.99 dollars (8.91 dollars for 9 paid episodes). Plus there is", "but also hear the author's voice. * Rewarding subscribers: When the book in", "month). Let's say I manage to optimize my writing performance so that ", "you can make money. It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but", " The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\",", "8.3 hours per month. Idea 5 (tweak of idea 4) ------------------------ Every year,", "and no mailing list. * I do not consider traditional publishing. * I", "during a month). Let's say I manage to optimize my writing performance so", "and * creating a cover - 500 Euros ([99design](https://99designs.com/categories) says their starting price", "credit cards). Question: Given the assumptions below, *what is the best strategy to", "Idea 3: Use the backlog as mailing list bait -------------------------------------------- 1. Publish one", "background). 2. Use this book as a sales vehicle (proof of me being", "some books for free (however, a free book still needs editing and cover),", "more books I publish per year, the often I have the opportunity to", "5 (tweak of idea 4) ------------------------ Every year, write one non-fiction book", "and cover. If there are, say 1000 interested people, each of them has", "probably give Aluke a discount (she will pay less for every ton of", "invest that money into publishing the next book from the backlog. ### Benefits", "For this reason, I don't like the idea of borrowing money to edit", "in one month, * spend 2 months self-editing the manuscript, after which ", "one novel a month is possible: The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by", "per book = 12/3 = 4 books per year). If that happens, I", "each book. Analogy: If Bob buys 10 tons of cement, and Aluke buys", "and get hypotheses on who they are and what marketing activities may work", "is a \"bundle\" with all parts in one place for 5 dollars (this", "saved money, * publish two other books with the revenue of the non-fiction", "an editor and negotiate a bulk sale with him or her: 1. I", "end of the book, add a note \"If you want to read more", "a list * Market research: By putting my stuff online I get a", "I know, Luqa's editing services for foreign authors cost about 6600 dollars) and", "activities as a by-product of writing. If, for example, I write a historical", "as a by-product of writing. If, for example, I write a historical novel,", "I can easily save 2 500 Euros per year (without running into debt,", "paid episodes). Plus there is a \"bundle\" with all parts in one place", "2.5 Euros to make it happen. 11. If not, wait until you save", "also don't believe in hiring some low-wage person to craft one of the", "note \"If you want to get notified, once an improved version of this", "chapter (there is usually more than one person providing feedback). I'm not sure", "book cover without hiring a decently-paid professional. * Any solution must not disrupt", "(line editing plus coaching for authors whose native language is not English). ", "I assume you need to lose hundreds/thousands of Euros figuring out Facebook ads", "books. Idea 4: Finance writing fiction through non-fiction books --------------------------------------------------------- 1. Write a", "steps 5 through 8 for third and fourth book in the year. 10.", "this book\"), run a Kickstarter campaign to raise EUR 2.500,-- for editing and", "================================= Below you can find some ideas on how to solve this optimization", "1: Publish 4 books per year for the costs of one ----------------------------------------------------- ###", "can make money. It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm", "will edit mine. Scribophile is one place where you can do it. The", "up. I also don't believe in hiring some low-wage person to craft one", "is usually more than one person providing feedback). I'm not sure this is", "and Aluke buys 100, then the seller will probably give Aluke a discount", "working (selling) book cover without hiring a decently-paid professional. Any solution must", "I saved up the next 2500 Euros, I publish the next book from", "It's like a lottery, only that in writing my chances of winning are", "the size of the backlog reaches a certain level (like 10 books in", "an IT background). 2. Use this book as a sales vehicle (proof of", "believe in hiring some low-wage person to craft one of the most important", "the book in step 4 is ready, I can offer subscribers (early fans)", "political views etc.) and why. At the moment, I don't. Also, I assume", "better, if it has been line-edited by another person (not the author) who", "the cover for my books myself, I most likely would screw up. I", "list. * I do not consider traditional publishing. * I don't expect my", "for third and fourth book in the year. 10. If one of the", "I can do something different (write or edit another book) while the editor", "10 000 Euros. Let's say I can easily save 2 500 Euros per", "myself, I most likely would screw up. I also don't believe in hiring", "work. And there is blogging advice, which is idiotic, concentrated, 100 % snake-oil-style", "versions of the backlog (self-edited) of my books. Idea 4: Finance writing fiction", "chance to communicate with readers and get hypotheses on who they are and", "communicate with readers and get hypotheses on who they are and what marketing", "per year, resulting in 100 hours \\* 100 Euro per hour = 10", "on who reads my books (gender, education, income, political views etc.) and why.", "one of the most important sales vehicles for a book. For this reason,", "the text, but also hear the author's voice. * Rewarding subscribers: When the", "Market research: By putting my stuff online I get a chance to communicate", "expert in some demanded IT topic (I have an IT background). 2. Use", "save 2 500 Euros per year (without running into debt, without tricks with", "version of this book\"), run a Kickstarter campaign to raise EUR 2.500,-- for", "subsequent ones would cost 0.99 dollars (8.91 dollars for 9 paid episodes). Plus", "place where you can do it. The problem is, you need to edit", "Kickstarter campaign to raise EUR 2.500,-- for editing and cover. If there are,", "then * someone edits your one chapter (there is usually more than one", "8: Barter editing ------------------------------- There is the option of me editing someone else's", "month is possible: * The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, ", "book makes any substantial sales during the first Y years. It's like a", "in one place for 5 dollars (this saves the reader 3.91 dollars). Idea", "(2325 dollars) to 5700 Euros (6625 dollars) at Luqa.com (line editing plus coaching", "a financial constraint: Let's say editing a 120K novel costs 2000 Euros", "I invest that money into publishing the next book from the backlog. ###", "iTunes) to increase discoverability. * Put the audio versions on YouTube. ### Benefits", "2. Set up the list so that when a person subscribes, they get", "one month, * spend 2 months self-editing the manuscript, after which * I", "link to the audio version of that chapter (by-product of self-editing in step", "any substantial sales during the first Y years. It's like a lottery, only", "maximum bang -------------------------------------------- ### Process 1. Write the first draft of the first", "list * Market research: By putting my stuff online I get a chance", "control (self-editing, editing by an editor). Idea 3: Use the backlog as mailing", "native English speaker (which I am not). * Costs of line-editing a novel", "line edit). Total time where I have to work is 3 months. I", "it has the potential to give me some long-term benefits (e. g. subscribers", "Euros again. Then, use the editor to edit the most popular (by the", "Euros, I publish the next book from the backlog. 6. If and when", "on who they are and what marketing activities may work best with them.", "has to pay only 2.5 Euros to make it happen. 11. If not,", "11. If not, wait until you save 2500 Euros again. Then, use the", "to raise EUR 2.500,-- for editing and cover. If there are, say 1000", "a regular basis because you have to do more research than with fiction", "to solve this optimization problem. If you find any problems in it (reasons", "Barter editing ------------------------------- There is the option of me editing someone else's book,", "year. 6. Self-edit and record the audio (analogous to step 2). 7. Put", "you have to do more research than with fiction books. I'm not sure", "one person providing feedback). I'm not sure this is the best investment of", "If some of the books sells, that's great, but my plan should work", "cover - 500 Euros ([99design](https://99designs.com/categories) says their starting price is 200 dollars, but", "or her: 1. I will hire them to edit all my 10 books.", "seller will probably give Aluke a discount (she will pay less for every", "EUR 2.500,-- for editing and cover. If there are, say 1000 interested people,", "the number of \"I want it\") e-mails. ### Possible tweaks * Use the", "on what books my readers like most. * Adding an audio version may", "language is not English). * I don't have any artistic abilities and if", "Put the audio versions on YouTube. ### Benefits * Growing a list ", "list.\" 2. Set up the list so that when a person subscribes, they", "that chapter (by-product of self-editing in step 2) and a note \"If you", "an editor). Idea 3: Use the backlog as mailing list bait -------------------------------------------- 1.", "for my books myself, I most likely would screw up. I also don't", "starts to generate money, I invest that money into publishing the next book", "for 5 dollars (this saves the reader 3.91 dollars). Idea 2: Use the", "the year, I write and self-edit other 3 books. Those self-edited, but not", "I write a historical novel, I can put the results of my research", "2500 Euros again. Then, use the editor to edit the most popular (by", "assume all chapters are 2000 words long. On Scribophile you first edit", "free). Plus there may be a stronger bond, if you not only read", "to 120 000 words per month, if I write 4000 words every day", "public platforms) of quality control (self-editing, editing by an editor). Idea 3: Use", "Every year, write * one non-fiction book that results in at least EUR", "Rejected Idea 7: Break-even funnels with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This", "one book per year. At the end of the book, add a note", "concentrated, 100 % snake-oil-style BS: \"Research your audience, create a customer profile, find", "100 % snake-oil-style BS: \"Research your audience, create a customer profile, find out", "a cover - 500 Euros ([99design](https://99designs.com/categories) says their starting price is 200 dollars,", "when a person subscribes, they get access to text and audio versions of", "line-edited by another person (not the author) who is also a native English", "in a year. 2. Then I split it into several parts (like 4", "this and other chapters for free\"). * Put the audio versions of the", "and why. At the moment, I don't. Also, I assume you need to", "Below you can find some ideas on how to solve this optimization problem.", "I most likely would screw up. I also don't believe in hiring some", "first X books to be profitable, i. e. I don't expect to make", "sale with him or her: 1. I will hire them to edit all", "Let's say * editing a 120K novel costs 2000 Euros (that's an actual", "my books. Idea 4: Finance writing fiction through non-fiction books --------------------------------------------------------- 1. Write", "want to get notified, once an improved version of this novel is available,", "ones would cost 0.99 dollars (8.91 dollars for 9 paid episodes). Plus there", "regular basis because you have to do more research than with fiction books.", "* I don't expect my first X books to be profitable, i. e.", "opportunity to remind the readers that I exist. * Pricing tricks: People respond", "a novel range from 2000 Euros (2325 dollars) to 5700 Euros (6625 dollars)", "I cannot publish a novel without buying third-party editing services. Of course, I", "the revenue of the non-fiction book. Note that this has a drawback: It's", "per year for the costs of one ----------------------------------------------------- ### Process 1. I write", "to text and audio versions of the backlog (self-edited) of my books. Idea", "some additional fees). This equals 2500 Euros per novel. For 4 novels per", "to an editor, but I believe the final product is much better, if", "versions of the book on podcast platforms (e. g. iTunes) to increase discoverability.", "to do more research than with fiction books. I'm not sure I can", "Scribophile you first * edit three chapters of other people's books, and then", "step 2) and a note \"If you want to get notified, once an", "they will charge me less than 2000 Euros for each book. Analogy: If", "books --------------------------------------------------------- 1. Write a non-fiction book that demonstrates that I'm an expert", "can do marketing activities as a by-product of writing. If, for example, I", "are greater with every finished book. * The more books I publish, the", "% snake-oil-style BS: \"Research your audience, create a customer profile, find out what", "get the text AND audio for free). Plus there may be a stronger", "writing) on my blog. That may work. And there is blogging advice, which", "other 3 books. Those self-edited, but not published books are put into backlog.", "want to read more of my stuff for free, subscribe to my list.\"", "negotiate a bulk sale with him or her: 1. I will hire them", "the 3 books gets explosive popularity (many e-mails saying \"Yeah, I want the", "fail), please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4", "and what marketing activities may work best with them. The \"I want it\"", "the second book into a backlog for future line-editing. 8. Publish the self-edited", "do a line edit). Total time where I have to work is 3", "winning are greater with every finished book. * The more books I publish,", "every chapter on public platforms (Medium, Wattpad, Scribd etc.) with a link to", "before submitting the manuscript to an editor, but I believe the final product", "3 books gets explosive popularity (many e-mails saying \"Yeah, I want the edited", "of one ----------------------------------------------------- ### Process 1. I write the first 120K book in", "edited. Let's assume all chapters are 2000 words long. On Scribophile you first", "By doing it this way, I'm adding a third channel (feedback of readers", "to edit all my 10 books. 2. In exchange, they will charge me", "be published, please let me know. The more people tell me they want,", "words per month, if I write 4000 words every day during a month).", "that happens, I run into a financial constraint: Let's say * editing a", "per day years ago (which translates to 120 000 words per month, if", "your audience, create a customer profile, find out what they need and then", "People respond to incentives. I could make the first out of 10 episodes", "Rejected idea 8: Barter editing ------------------------------- There is the option of me editing", "words per day years ago (which translates to 120 000 words per month,", "not English). * I don't have any artistic abilities and if I drew", "* Use the audio version as a bait for the mailing list (\"Subscribe", "(self-edited) of my books. Idea 4: Finance writing fiction through non-fiction books ---------------------------------------------------------", "Assumptions * I have no published books yet and no mailing list. ", "the audio version as a bait for the mailing list (\"Subscribe to my", "manuscript to an editor (the editor will do a line edit). Total time", "solution must not disrupt my long-term goal (becoming a full-time author who lives", "first 120K book in a year. 2. Then I split it into several", "or give them the book for free. Feedback: By doing it this", "* I have no published books yet and no mailing list. * I", "mine. Scribophile is one place where you can do it. The problem is,", "which * I hand off the manuscript to an editor (the editor will", "1. I write the first 120K book in a year. 2. Then I", "Rewarding subscribers: When the book in step 4 is ready, I can offer", "will probably give Aluke a discount (she will pay less for every ton", "Any solution must not disrupt my long-term goal (becoming a full-time author who", "some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea 8: Barter editing", "something different (write or edit another book) while the editor does the line", "I am not). * Costs of line-editing a novel range from 2000 Euros", "sales vehicles for a book. For this reason, I believe there is no", "of 100K-120K novels in one month, * spend 2 months self-editing the manuscript,", "step 4 is ready, I can offer subscribers (early fans) discounts or give", "by an editor). Idea 3: Use the backlog as mailing list bait --------------------------------------------", "version on public platforms with a link to audio version and a note", "2). 7. Put the second book into a backlog for future line-editing. 8.", "so that when a person subscribes, they get access to text and audio", "write the first 120K book in a year. 2. Then I split it", "I can put the results of my research (by-product of writing) on my", "in front of them and see, who likes it. Ideas of answers I", "my books myself, I most likely would screw up. I also don't believe", "people, each of them has to pay only 2.5 Euros to make it", "paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once I have empirical", "2000 words long. On Scribophile you first * edit three chapters of other", "it has been line-edited by another person (not the author) who is also", "you find any problems in it (reasons it can fail), please tell me.", "into several parts (like 4 episodes 30K words each, or 10 episodes 12K", "Aaron, * \"Write. Publish. Repeat\", and * my old statistics file that shows", "are 2000 words long. On Scribophile you first * edit three chapters of", "it happen. 11. If not, wait until you save 2500 Euros again. Then,", "year. At the end of the book, add a note \"If you want", "then they will edit mine. Scribophile is one place where you can do", "Those self-edited, but not published books are put into backlog. 5. Once I", "of the first book in a year. 2. During self-editing, read the self-edited", "fiction reader, unless you put the book in front of them and see,", "a free book still needs editing and cover), if it has the potential", "publish every chapter on public platforms (Medium, Wattpad, Scribd etc.) with a link", "10 000 Euros. 100 hours per year is 8.3 hours per month. Idea", "(however, a free book still needs editing and cover), if it has the", "non-fiction book that demonstrates that I'm an expert in some demanded IT topic", "demonstrates that I'm an expert in some demanded IT topic (I have an", "months in year divided by 3 months per book = 12/3 = 4", "the higher the chance that one of them will sell. * I cannot", "disrupt my long-term goal (becoming a full-time author who lives from selling his", "list bait -------------------------------------------- 1. Publish one book per year. At the end of", "demanded IT topic (I have an IT background). 2. Use this book as", "was exposed to several sources that suggest that writing one novel a month", "they get access to text and audio versions of the backlog (self-edited) of", "stand out (it's more effort, hence fewer authors will do this). It can", "of line-editing a novel range from 2000 Euros (2325 dollars) to 5700 Euros", "much better, if it has been line-edited by another person (not the author)", "and then they will edit mine. Scribophile is one place where you can", "The problem is, you need to edit 3 chunks of other people's writing", "range from 2000 Euros (2325 dollars) to 5700 Euros (6625 dollars) at Luqa.com", "but I'm not established yet. Rejected idea 8: Barter editing ------------------------------- There is", "generate money, I invest that money into publishing the next book from the", "books in the backlog), find an editor and negotiate a bulk sale with", "no way to know the demographics and psychographics of a fiction reader, unless", "your one chapter (there is usually more than one person providing feedback). I'm", "year. 10. If one of the 3 books gets explosive popularity (many e-mails", "put into backlog. 5. Once I saved up the next 2500 Euros, I", "Then, use the editor to edit the most popular (by the number of", "to incentives. I could make the first out of 10 episodes free. The", "Plus there may be a stronger bond, if you not only read the", "with the saved money, * publish two other books with the revenue of", "sells, that's great, but my plan should work even, if no book makes", "I actually write first drafts of 100K-120K novels in one month, * spend", "100 hours \\* 100 Euro per hour = 10 000 Euros. 100 hours", "for a book. For this reason, I believe there is no way to", "prefer strategies, where you can do marketing activities as a by-product of writing.", "where you can do it. The problem is, you need to edit 3", "pay only 2.5 Euros to make it happen. 11. If not, wait until", "each of them has to pay only 2.5 Euros to make it happen.", "has the potential to give me some long-term benefits (e. g. subscribers to", "subscribes, they get access to text and audio versions of the backlog (self-edited)", "* I cannot publish a novel without buying third-party editing services. Of course,", "one fiction book with the saved money, * publish two other books with", "more books I publish, the higher the chance that one of them will", "Benefits * More frequent buzz: The more books I publish per year, the", "backlog. 6. If and when one of the published books starts to generate", "per year. At the end of the book, add a note \"If you", "there may be a stronger bond, if you not only read the text,", "even more direct feedback on what books my readers like most. * Adding", "because you have to do more research than with fiction books. I'm not", "the idea of giving some books for free (however, a free book still", "who is also a native English speaker (which I am not). * Costs", "edit books. * I accept the idea of giving some books for free", "more of my stuff for free, subscribe to my list.\" 2. Set up", "one of the 3 books gets explosive popularity (many e-mails saying \"Yeah, I", "third channel (feedback of readers on public platforms) of quality control (self-editing, editing", "than 2000 Euros for each book. Analogy: If Bob buys 10 tons of", "Scribophile is one place where you can do it. The problem is, you", "If the size of the backlog reaches a certain level (like 10 books", "remind the readers that I exist. * Pricing tricks: People respond to incentives.", "give Aluke a discount (she will pay less for every ton of cement", "to an editor (the editor will do a line edit). Total time where", "discount (she will pay less for every ton of cement than Bob). Rejected", "editing and cover), if it has the potential to give me some long-term", "tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per", "free. * Feedback: By doing it this way, I'm adding a third channel", "Use this book as a sales vehicle (proof of me being an expert)", "to get one your chunk edited. Let's assume all chapters are 2000 words", "reaches a certain level (like 10 books in the backlog), find an editor", "4 books per year (12 months in year divided by 3 months per", "know. The more people tell me they want, the faster it will happen.\".", "audio version as a bait for the mailing list (\"Subscribe to my mailing", "of the backlog reaches a certain level (like 10 books in the backlog),", "activities may work best with them. The \"I want it\" e-mails are an", "the readers that I exist. * Pricing tricks: People respond to incentives. I", "research than with fiction books. I'm not sure I can write one good", "text AND audio for free). Plus there may be a stronger bond, if", "episodes). Plus there is a \"bundle\" with all parts in one place for", "that it generates enough revenue to make a living** (quit my day job)", "books yet and no mailing list. * I do not consider traditional publishing.", "full-time author who lives from selling his own fiction books). For this reason,", "words each). 3. I publish this one book. 4. During the rest of", "publish the next book from the backlog. 6. If and when one of", "It can also appear as overdelivering (you get the text AND audio for", "any sales. If some of the books sells, that's great, but my plan", "(e. g. subscribers to my list). * I prefer strategies, where you can", "most likely would screw up. I also don't believe in hiring some low-wage", "also appear as overdelivering (you get the text AND audio for free). Plus", "discount -------------------------------------------------------- If the size of the backlog reaches a certain level (like", "publish two other books with the revenue of the non-fiction book. Note that", "like most. * Adding an audio version may help stand out (it's more", "(for every chapter). 3. Once self-editing is done, publish every chapter on public", "this is 10 000 Euros. Let's say I can easily save 2 500", "get hypotheses on who they are and what marketing activities may work best", "they will edit mine. Scribophile is one place where you can do it.", "cards). Question: Given the assumptions below, *what is the best strategy to sustainably", "the audio (analogous to step 2). 7. Put the second book into a", "authors whose native language is not English). I don't have any artistic", "plan should work even, if no book makes any substantial sales during the", "is blogging advice, which is idiotic, concentrated, 100 % snake-oil-style BS: \"Research your", "old statistics file that shows that on good days I wrote over 4000", "his own fiction books). For this reason, I don't like the idea of", "5 dollars (this saves the reader 3.91 dollars). Idea 2: Use the backlog", "one book. 4. During the rest of the year, I write and self-edit", "Repeat steps 5 through 8 for third and fourth book in the year.", "will hire them to edit all my 10 books. 2. In exchange, they", "for example, I write a historical novel, I can put the results of", "book\"), run a Kickstarter campaign to raise EUR 2.500,-- for editing and cover.", "could make the first out of 10 episodes free. The subsequent ones would", "at least EUR 5.000,-- revenue, * publish one fiction book with the saved", "book in a year. 2. Then I split it into several parts (like", "Set up the list so that when a person subscribes, they get access", "Bob). Rejected Idea 7: Break-even funnels with paid ads (Facebook, Amazon etc.) -------------------------------------------------------------------------", "my old statistics file that shows that on good days I wrote over", "the book is ready. 5. Write the first draft of the second book", "best strategy to sustainably grow a fiction writing business so that it generates", "own fiction books). For this reason, I don't like the idea of borrowing", "to my list). * I prefer strategies, where you can do marketing activities", "per novel. For 4 novels per year, this is 10 000 Euros. Let's", "books I publish, the higher the chance that one of them will sell.", "of a fiction reader, unless you put the book in front of them", "of the year, I write and self-edit other 3 books. Those self-edited, but", "two other books with the revenue of the non-fiction book. Note that this", "the backlog. 6. If and when one of the published books starts to", "let me know. The more people tell me they want, the faster it", "her: 1. I will hire them to edit all my 10 books. 2.", "shows that on good days I wrote over 4000 words per day years", "my list.\" 2. Set up the list so that when a person subscribes,", "Then, I could publish 4 books per year (12 months in year divided", "costs 2000 Euros (that's an actual price from someone I know, Luqa's editing", "(feedback of readers on public platforms) of quality control (self-editing, editing by an", "add a note \"If you want to read more of my stuff for", "the audio versions on YouTube. ### Benefits * Growing a list * *Market", "the self-edited version on public platforms with a link to audio version and", "potential to give me some long-term benefits (e. g. subscribers to my list).", "chunks of other people's writing in order to get one your chunk edited.", "the backlog as mailing list bait -------------------------------------------- 1. Publish one book per year.", "person subscribes, they get access to text and audio versions of the backlog", "(by-product of self-editing in step 2) and a note \"If you want to", "I was exposed to several sources that suggest that writing one novel a", "but in my experience there are always some additional fees). This equals 2500", "customer profile, find out what they need and then blog about those topics.\"", "feedback on what books my readers like most. Adding an audio version", "I hand off the manuscript to an editor (the editor will do a", "plus coaching for authors whose native language is not English). * I don't", "book, add a note \"If you want to read more of my stuff", "the editor has finished her work, publish the book and notify all subscribers", "every year. Idea 6: Buy the editing services in bulk with a discount", "has been line-edited by another person (not the author) who is also a", "4) ------------------------ Every year, write * one non-fiction book that results in at", "say 1000 interested people, each of them has to pay only 2.5 Euros", "During self-editing, read the self-edited text aloud and record it (for every chapter).", "sales vehicle (proof of me being an expert) for high-priced (like EUR 100,--", "my research (by-product of writing) on my blog. That may work. And there", "editing services. Of course, I do self-edit before submitting the manuscript to an", "the first draft of the second book in a year. 6. Self-edit and", "additional fees). This equals 2500 Euros per novel. For 4 novels per year,", "as mailing list bait -------------------------------------------- 1. Publish one book per year. At the", "on podcast platforms (e. g. iTunes) to increase discoverability. * Put the audio", "create a working (selling) book cover without hiring a decently-paid professional. * Any", "(gender, education, income, political views etc.) and why. At the moment, I don't.", "published, please let me know. The more people tell me they want, the", "may help stand out (it's more effort, hence fewer authors will do this).", "buys 100, then the seller will probably give Aluke a discount (she will", "write 4000 words every day during a month). Let's say I manage to", "research:** By putting my stuff online I get a chance to communicate with", "publish, the higher the chance that one of them will sell. * I", "is 3 months. I can do something different (write or edit another book)", "The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\", and", "and audio versions of the backlog (self-edited) of my books. Idea 4: Finance", "tricks with the credit cards). Question: Given the assumptions below, *what is the", "writing one novel a month is possible: The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron)", "\"Write. Publish. Repeat\", and * my old statistics file that shows that on", "a working (selling) book cover without hiring a decently-paid professional. * Any solution", "Repeat\", and * my old statistics file that shows that on good days", "it into several parts (like 4 episodes 30K words each, or 10 episodes", "if I drew the cover for my books myself, I most likely would", "into a backlog for future line-editing. 8. Publish the self-edited version on public", "greater with every finished book. * The more books I publish, the higher", "a backlog for future line-editing. 8. Publish the self-edited version on public platforms", "(8.91 dollars for 9 paid episodes). Plus there is a \"bundle\" with all", "for the mailing list (\"Subscribe to my mailing list and get the audio", "else's book, and then they will edit mine. Scribophile is one place where", "work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea 8:", "Let's say I can easily save 2 500 Euros per year (without running", "every chapter). 3. Once self-editing is done, publish every chapter on public platforms", "the editing services in bulk with a discount -------------------------------------------------------- If the size of", "It's much harder to produce quality non-fiction books on a regular basis because", "a decently-paid professional. * Any solution must not disrupt my long-term goal (becoming", "The \"I want it\" e-mails are an even more direct feedback on what", "place for 5 dollars (this saves the reader 3.91 dollars). Idea 2: Use", "AND audio for free). Plus there may be a stronger bond, if you", "make any sales. If some of the books sells, that's great, but my", "bulk sale with him or her: 1. I will hire them to edit", "not sure I can write one good non-fiction book every year. Idea 6:", "makes any substantial sales during the first Y years. It's like a lottery,", "I wrote over 4000 words per day years ago (which translates to 120", "notify all subscribers that the book is ready. 5. Write the first draft", "every day during a month). Let's say I manage to optimize my writing", "voice. * Rewarding subscribers: When the book in step 4 is ready, I", "mailing list. * I do not consider traditional publishing. * I don't expect", "version as a bait for the mailing list (\"Subscribe to my mailing list", "out of 10 episodes free. The subsequent ones would cost 0.99 dollars (8.91", "optimization problem. If you find any problems in it (reasons it can fail),", "I came up myself ================================= Below you can find some ideas on how", "do this). It can also appear as overdelivering (you get the text AND", "writing business so that it generates enough revenue to make a living** (quit", "more people tell me they want, the faster it will happen.\". 9. Repeat", "version may help stand out (it's more effort, hence fewer authors will do", "basis because you have to do more research than with fiction books. I'm", "may work. And there is blogging advice, which is idiotic, concentrated, 100 %", "for free, subscribe to my list.\" 2. Set up the list so that", "way to create a working (selling) book cover without hiring a decently-paid professional.", "list and get the audio version of this and other chapters for free\").", "tons of cement, and Aluke buys 100, then the seller will probably give", "can find some ideas on how to solve this optimization problem. If you", "text, but also hear the author's voice. * Rewarding subscribers: When the book", "Euros. Let's say I can easily save 2 500 Euros per year (without", "there are always some additional fees). This equals 2500 Euros per novel. For", "to edit the most popular (by the number of \"I want it\") e-mails.", "performance so that * I actually write first drafts of 100K-120K novels in", "goal (becoming a full-time author who lives from selling his own fiction books).", "free book still needs editing and cover), if it has the potential to", "of my books. Idea 4: Finance writing fiction through non-fiction books --------------------------------------------------------- 1.", "Y years. It's like a lottery, only that in writing my chances of", "platforms (Medium, Wattpad, Scribd etc.) with a link to the audio version of", "but I believe the final product is much better, if it has been", "book that results in at least EUR 5.000,-- revenue, * publish one fiction", "books on a regular basis because you have to do more research than", "list so that when a person subscribes, they get access to text and", "make it happen. 11. If not, wait until you save 2500 Euros again.", "exposed to several sources that suggest that writing one novel a month is", "cover for my books myself, I most likely would screw up. I also", "for free. * Feedback: By doing it this way, I'm adding a third", "there is a \"bundle\" with all parts in one place for 5 dollars", "\"Research your audience, create a customer profile, find out what they need and", "a book. For this reason, I believe there is no way to create", "fiction books). For this reason, I don't like the idea of borrowing money", "There is no way to know the demographics and psychographics of a fiction", "for free). Plus there may be a stronger bond, if you not only", "get the audio version of this and other chapters for free\"). * Put", "chapter (by-product of self-editing in step 2) and a note \"If you want", "non-fiction books --------------------------------------------------------- 1. Write a non-fiction book that demonstrates that I'm an", "out (it's more effort, hence fewer authors will do this). It can also", "to my mailing list and get the audio version of this and other", "of other people's books, and then * someone edits your one chapter (there", "debt, without tricks with the credit cards). Question: Given the assumptions below, *what", "a note \"If you want to get notified, once an improved version of", "book from the backlog. ### Benefits More frequent buzz: The more books", "For this reason, I believe there is no way to create a working", "with a discount -------------------------------------------------------- If the size of the backlog reaches a certain", "(Medium, Wattpad, Scribd etc.) with a link to the audio version of that", "profile, find out what they need and then blog about those topics.\" There", "to make any sales. If some of the books sells, that's great, but", "other people's books, and then * someone edits your one chapter (there is", "out what they need and then blog about those topics.\" There is no", "whose native language is not English). * I don't have any artistic abilities", "self-edit other 3 books. Those self-edited, but not published books are put into", "work, publish the book and notify all subscribers that the book is ready.", "ton of cement than Bob). Rejected Idea 7: Break-even funnels with paid ads", "([99design](https://99designs.com/categories) says their starting price is 200 dollars, but in my experience there", "into backlog. 5. Once I saved up the next 2500 Euros, I publish", "--------------------------------------------------------- 1. Write a non-fiction book that demonstrates that I'm an expert in", "sure this is the best investment of my time. There is also absolutely", "buys 10 tons of cement, and Aluke buys 100, then the seller will", "and * my old statistics file that shows that on good days I", "1000 interested people, each of them has to pay only 2.5 Euros to", "my experience there are always some additional fees). This equals 2500 Euros per", "(like EUR 100,-- per hour) consulting gigs. 3. Sell 100 hours of consulting", "This equals 2500 Euros per novel. For 4 novels per year, this is", "charge me less than 2000 Euros for each book. Analogy: If Bob buys", "in step 4 is ready, I can offer subscribers (early fans) discounts or", "the backlog reaches a certain level (like 10 books in the backlog), find", "published books are put into backlog. 5. Once I saved up the next", "in at least EUR 5.000,-- revenue, * publish one fiction book with the", "----------------------------------------------------- ### Process 1. I write the first 120K book in a year.", "books to be profitable, i. e. I don't expect to make any sales.", "happens, I run into a financial constraint: Let's say * editing a 120K", "year. 2. Then I split it into several parts (like 4 episodes 30K", "only 2.5 Euros to make it happen. 11. If not, wait until you", "often I have the opportunity to remind the readers that I exist. ", "long. On Scribophile you first edit three chapters of other people's books,", "doing it this way, I'm adding a third channel (feedback of readers on", "3 months. I can do something different (write or edit another book) while", "* I hand off the manuscript to an editor (the editor will do", "hiring a decently-paid professional. * Any solution must not disrupt my long-term goal", "to read more of my stuff for free, subscribe to my list.\" 2.", "(this saves the reader 3.91 dollars). Idea 2: Use the backlog for the", "If that happens, I run into a financial constraint: Let's say * editing", "several parts (like 4 episodes 30K words each, or 10 episodes 12K words", "each). 3. I publish this one book. 4. During the rest of the", "year for the costs of one ----------------------------------------------------- ### Process 1. I write the", "book on podcast platforms (e. g. iTunes) to increase discoverability. * Put the", "to edit books. * I accept the idea of giving some books for", "* publish one fiction book with the saved money, * publish two other", "backlog. ### Benefits * More frequent buzz: The more books I publish per", "a stronger bond, if you not only read the text, but also hear", "of this and other chapters for free\"). * Put the audio versions of", "fewer authors will do this). It can also appear as overdelivering (you get", "a year. 2. Then I split it into several parts (like 4 episodes", "audience, create a customer profile, find out what they need and then blog", "editor, but I believe the final product is much better, if it has", "100K-120K novels in one month, * spend 2 months self-editing the manuscript, after", "English speaker (which I am not). * Costs of line-editing a novel range", "first book in a year. 2. During self-editing, read the self-edited text aloud", "you want to get notified, once an improved version of this novel is", "is the option of me editing someone else's book, and then they will", "a customer profile, find out what they need and then blog about those", "and other chapters for free\"). * Put the audio versions of the book", "work best with them. The \"I want it\" e-mails are an even more", "the list so that when a person subscribes, they get access to text", "This may work, once I have empirical data on who reads my books", "quality non-fiction books on a regular basis because you have to do more", "Luqa.com (line editing plus coaching for authors whose native language is not English).", "consulting gigs. 3. Sell 100 hours of consulting per year, resulting in 100", "from selling his own fiction books). For this reason, I don't like the", "publishing the next book from the backlog. ### Benefits * More frequent buzz:", "7. Put the second book into a backlog for future line-editing. 8. Publish", "version of that chapter (by-product of self-editing in step 2) and a note", "people's books, and then * someone edits your one chapter (there is usually", "9 paid episodes). Plus there is a \"bundle\" with all parts in one", "self-edited version on public platforms with a link to audio version and a", "good non-fiction book every year. Idea 6: Buy the editing services in bulk", "book. Analogy: If Bob buys 10 tons of cement, and Aluke buys 100,", "next book from the backlog. ### Benefits * More frequent buzz: The more", "of cement, and Aluke buys 100, then the seller will probably give Aluke", "Growing a list * Market research: By putting my stuff online I get", "day during a month). Let's say I manage to optimize my writing performance", "publish this one book. 4. During the rest of the year, I write", "the manuscript to an editor (the editor will do a line edit). Total", "### Process 1. Write the first draft of the first book in a", "chapter on public platforms (Medium, Wattpad, Scribd etc.) with a link to the", "EUR 100,-- per hour) consulting gigs. 3. Sell 100 hours of consulting per", "X books to be profitable, i. e. I don't expect to make any", "one place where you can do it. The problem is, you need to", "the results of my research (by-product of writing) on my blog. That may", "(which I am not). * Costs of line-editing a novel range from 2000", "of the most important sales vehicles for a book. For this reason, I", "data on who reads my books (gender, education, income, political views etc.) and", "that demonstrates that I'm an expert in some demanded IT topic (I have", "of the backlog (self-edited) of my books. Idea 4: Finance writing fiction through", "(like 4 episodes 30K words each, or 10 episodes 12K words each). 3.", "if you not only read the text, but also hear the author's voice.", "the most popular (by the number of \"I want it\") e-mails. ### Possible", "Write the first draft of the second book in a year. 6. Self-edit", "me editing someone else's book, and then they will edit mine. Scribophile is", "read the text, but also hear the author's voice. * Rewarding subscribers: When", "my books (gender, education, income, political views etc.) and why. At the moment,", "record the audio (analogous to step 2). 7. Put the second book into", "the end of the book, add a note \"If you want to read", "am not). * Costs of line-editing a novel range from 2000 Euros (2325", "help stand out (it's more effort, hence fewer authors will do this). It", "channel (feedback of readers on public platforms) of quality control (self-editing, editing by", "is also a native English speaker (which I am not). * Costs of", "came up myself ================================= Below you can find some ideas on how to", "again. Then, use the editor to edit the most popular (by the number", "do more research than with fiction books. I'm not sure I can write", "that one of them will sell. * I cannot publish a novel without", "editor and negotiate a bulk sale with him or her: 1. I will", "have no published books yet and no mailing list. * I do not", "topics.\" There is no way to know the demographics and psychographics of a", "book. * The more books I publish, the higher the chance that one", "1. I will hire them to edit all my 10 books. 2. In", "to several sources that suggest that writing one novel a month is possible:", "books I publish per year, the often I have the opportunity to remind", "EUR 5.000,-- revenue, * publish one fiction book with the saved money, ", "novel is available, register in my mailing list\". 4. Once the editor has", "(12 months in year divided by 3 months per book = 12/3 =", "publish one fiction book with the saved money, publish two other books", "option of me editing someone else's book, and then they will edit mine.", "books my readers like most. * Adding an audio version may help stand", "= 10 000 Euros. 100 hours per year is 8.3 hours per month.", "books starts to generate money, I invest that money into publishing the next", "any problems in it (reasons it can fail), please tell me. I really", "etc.) with a link to the audio version of that chapter (by-product of", "------------------------------------------------------------------------- This may work, once I have empirical data on who reads my", "my mailing list\". 4. Once the editor has finished her work, publish the", "* Market research: By putting my stuff online I get a chance to", "* Any solution must not disrupt my long-term goal (becoming a full-time author", "Note that this has a drawback: It's much harder to produce quality non-fiction", "to pay only 2.5 Euros to make it happen. 11. If not, wait", "harder to produce quality non-fiction books on a regular basis because you have", "the editor to edit the most popular (by the number of \"I want", "of self-editing in step 2) and a note \"If you want to get", "It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet.", "the moment, I don't. Also, I assume you need to lose hundreds/thousands of", "* publish two other books with the revenue of the non-fiction book. Note", "bond, if you not only read the text, but also hear the author's", "-------------------------------------------- ### Process 1. Write the first draft of the first book in", "saved up the next 2500 Euros, I publish the next book from the", "edit all my 10 books. 2. In exchange, they will charge me less", "the opportunity to remind the readers that I exist. * Pricing tricks: People", "the self-edited text aloud and record it (for every chapter). 3. Once self-editing", "traditional publishing. * I don't expect my first X books to be profitable,", "lottery, only that in writing my chances of winning are greater with every", "by another person (not the author) who is also a native English speaker", "### Possible tweaks * Use the audio version as a bait for the", "draft of the first book in a year. 2. During self-editing, read the", "the manuscript to an editor, but I believe the final product is much", "a note \"If you want the improved version of this text to be", "3. I publish this one book. 4. During the rest of the year,", "hours of consulting per year, resulting in 100 hours \\* 100 Euro per", "third-party editing services. Of course, I do self-edit before submitting the manuscript to", "grow a fiction writing business so that it generates enough revenue to make", "revenue to make a living (quit my day job) some day? Assumptions** ", "[pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year for the costs of one", "\"bundle\" with all parts in one place for 5 dollars (this saves the", "number of \"I want it\") e-mails. ### Possible tweaks Use the audio", "4: Finance writing fiction through non-fiction books --------------------------------------------------------- 1. Write a non-fiction book", "the backlog (self-edited) of my books. Idea 4: Finance writing fiction through non-fiction", "is done, publish every chapter on public platforms (Medium, Wattpad, Scribd etc.) with", "write a historical novel, I can put the results of my research (by-product", "does the line edit. Then, I could publish 4 books per year (12", "for every ton of cement than Bob). Rejected Idea 7: Break-even funnels with", "Once self-editing is done, publish every chapter on public platforms (Medium, Wattpad, Scribd", "and cover), if it has the potential to give me some long-term benefits", "results in at least EUR 5.000,-- revenue, * publish one fiction book with", "month, * spend 2 months self-editing the manuscript, after which * I hand", "6600 dollars) and * creating a cover - 500 Euros ([99design](https://99designs.com/categories) says their", "ready, I can offer subscribers (early fans) discounts or give them the book", "3. Once self-editing is done, publish every chapter on public platforms (Medium, Wattpad,", "gigs. 3. Sell 100 hours of consulting per year, resulting in 100 hours", "in order to get one your chunk edited. Let's assume all chapters are", "(by-product of writing) on my blog. That may work. And there is blogging", "finished book. * The more books I publish, the higher the chance that", "Wattpad, Scribd etc.) with a link to the audio version of that chapter", "of me editing someone else's book, and then they will edit mine. Scribophile", "statistics file that shows that on good days I wrote over 4000 words", "books. Those self-edited, but not published books are put into backlog. 5. Once", "and self-edit other 3 books. Those self-edited, but not published books are put", "work, once I have empirical data on who reads my books (gender, education,", "my writing performance so that * I actually write first drafts of 100K-120K", "to give me some long-term benefits (e. g. subscribers to my list). ", "have to work is 3 months. I can do something different (write or", "to generate money, I invest that money into publishing the next book from", "manuscript, after which I hand off the manuscript to an editor (the", "Euros to make it happen. 11. If not, wait until you save 2500", "easily save 2 500 Euros per year (without running into debt, without tricks", "editor will do a line edit). Total time where I have to work", "one of them will sell. * I cannot publish a novel without buying", "next 2500 Euros, I publish the next book from the backlog. 6. If", "backlog (self-edited) of my books. Idea 4: Finance writing fiction through non-fiction books", "pay less for every ton of cement than Bob). Rejected Idea 7: Break-even", "into debt, without tricks with the credit cards). Question: Given the assumptions below,", "* Rewarding subscribers: When the book in step 4 is ready, I can", "days I wrote over 4000 words per day years ago (which translates to", "if I write 4000 words every day during a month). Let's say I", "(write or edit another book) while the editor does the line edit. Then,", "access to text and audio versions of the backlog (self-edited) of my books.", "audio versions of the book on podcast platforms (e. g. iTunes) to increase", "respond to incentives. I could make the first out of 10 episodes free.", "versions on YouTube. ### Benefits * Growing a list * Market research: By", "the author's voice. * Rewarding subscribers: When the book in step 4 is", "more than one person providing feedback). I'm not sure this is the best", "price is 200 dollars, but in my experience there are always some additional", "one non-fiction book that results in at least EUR 5.000,-- revenue, * publish", "I publish per year, the often I have the opportunity to remind the", "give them the book for free. * Feedback: By doing it this way,", "actual price from someone I know, Luqa's editing services for foreign authors cost", "I exist. * Pricing tricks: People respond to incentives. I could make the", "For 4 novels per year, this is 10 000 Euros. Let's say I", "platforms) of quality control (self-editing, editing by an editor). Idea 3: Use the", "through non-fiction books --------------------------------------------------------- 1. Write a non-fiction book that demonstrates that I'm", "divided by 3 months per book = 12/3 = 4 books per year).", "Adding an audio version may help stand out (it's more effort, hence fewer", "hiring some low-wage person to craft one of the most important sales vehicles", "best investment of my time. There is also absolutely no guarantee that people", "needs editing and cover), if it has the potential to give me some", "that when a person subscribes, they get access to text and audio versions", "is one place where you can do it. The problem is, you need", "cannot publish a novel without buying third-party editing services. Of course, I do", "Once the editor has finished her work, publish the book and notify all", "book from the backlog. 6. If and when one of the published books", "get one your chunk edited. Let's assume all chapters are 2000 words long.", "not consider traditional publishing. * I don't expect my first X books to", "per month. Idea 5 (tweak of idea 4) ------------------------ Every year, write ", "say I manage to optimize my writing performance so that I actually", "chunk edited. Let's assume all chapters are 2000 words long. On Scribophile you", "\"If you want to get notified, once an improved version of this novel", "the line edit. Then, I could publish 4 books per year (12 months", "is, you need to edit 3 chunks of other people's writing in order", "Aluke buys 100, then the seller will probably give Aluke a discount (she", "popularity (many e-mails saying \"Yeah, I want the edited version of this book\"),", "effort, hence fewer authors will do this). It can also appear as overdelivering", "in my experience there are always some additional fees). This equals 2500 Euros", "important sales vehicles for a book. For this reason, I believe there is", "cover without hiring a decently-paid professional. * Any solution must not disrupt my", "to make it happen. 11. If not, wait until you save 2500 Euros", "per year, this is 10 000 Euros. Let's say I can easily save", "drafts of 100K-120K novels in one month, * spend 2 months self-editing the", "profitable, i. e. I don't expect to make any sales. If some of", "Given the assumptions below, what is the best strategy to sustainably grow a", "my mailing list and get the audio version of this and other chapters", "no way to create a working (selling) book cover without hiring a decently-paid", "etc.) ------------------------------------------------------------------------- This may work, once I have empirical data on who reads", "\"Yeah, I want the edited version of this book\"), run a Kickstarter campaign", "(like 10 books in the backlog), find an editor and negotiate a bulk", "= 4 books per year). If that happens, I run into a financial", "accept the idea of giving some books for free (however, a free book", "of that chapter (by-product of self-editing in step 2) and a note \"If", "Idea 4: Finance writing fiction through non-fiction books --------------------------------------------------------- 1. Write a non-fiction", "Euros (6625 dollars) at Luqa.com (line editing plus coaching for authors whose native", "available, register in my mailing list\". 4. Once the editor has finished her", "your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year for the costs of", "giving some books for free (however, a free book still needs editing and", "Euros per year (without running into debt, without tricks with the credit cards).", "happen. 11. If not, wait until you save 2500 Euros again. Then, use", "------------------------------- There is the option of me editing someone else's book, and then", "per hour = 10 000 Euros. 100 hours per year is 8.3 hours", "(that's an actual price from someone I know, Luqa's editing services for foreign", "year, I write and self-edit other 3 books. Those self-edited, but not published", "= 12/3 = 4 books per year). If that happens, I run into", "seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected", "that in writing my chances of winning are greater with every finished book.", "year. 2. During self-editing, read the self-edited text aloud and record it (for", "it (reasons it can fail), please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem).", "fiction writing business so that it generates enough revenue to make a living", "fiction books. I'm not sure I can write one good non-fiction book every", "2. In exchange, they will charge me less than 2000 Euros for each", "with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once I have", "Use the backlog as mailing list bait -------------------------------------------- 1. Publish one book per", "fourth book in the year. 10. If one of the 3 books gets", "that's great, but my plan should work even, if no book makes any", "book in front of them and see, who likes it. Ideas of answers", "Plus there is a \"bundle\" with all parts in one place for 5", "this is the best investment of my time. There is also absolutely no", "of the published books starts to generate money, I invest that money into", "expect to make any sales. If some of the books sells, that's great,", "faster it will happen.\". 9. Repeat steps 5 through 8 for third and", "advice, which is idiotic, concentrated, 100 % snake-oil-style BS: \"Research your audience, create", "explosive popularity (many e-mails saying \"Yeah, I want the edited version of this", "month, if I write 4000 words every day during a month). Let's say", "readers that I exist. * Pricing tricks: People respond to incentives. I could", "for free\"). * Put the audio versions of the book on podcast platforms", "providing feedback). I'm not sure this is the best investment of my time.", "an improved version of this novel is available, register in my mailing list\".", "books. 2. In exchange, they will charge me less than 2000 Euros for", "of the 3 books gets explosive popularity (many e-mails saying \"Yeah, I want", "revenue, * publish one fiction book with the saved money, * publish two", "list (\"Subscribe to my mailing list and get the audio version of this", "novel. For 4 novels per year, this is 10 000 Euros. Let's say", "that shows that on good days I wrote over 4000 words per day", "this optimization problem. If you find any problems in it (reasons it can", "the credit cards). Question: Given the assumptions below, *what is the best strategy", "self-edited, but not published books are put into backlog. 5. Once I saved", "of cement than Bob). Rejected Idea 7: Break-even funnels with paid ads (Facebook,", "consider traditional publishing. I don't expect my first X books to be", "best with them. The \"I want it\" e-mails are an even more direct", "it generates enough revenue to make a living** (quit my day job) some", "a person subscribes, they get access to text and audio versions of the", "000 words per month, if I write 4000 words every day during a", "cover), if it has the potential to give me some long-term benefits (e.", "5. Write the first draft of the second book in a year. 6.", "hours per year is 8.3 hours per month. Idea 5 (tweak of idea", "\"I want it\") e-mails. ### Possible tweaks * Use the audio version as", "Possible tweaks * Use the audio version as a bait for the mailing", "and get the audio version of this and other chapters for free\"). ", "moment, I don't. Also, I assume you need to lose hundreds/thousands of Euros", "episodes 30K words each, or 10 episodes 12K words each). 3. I publish", "to make a living* (quit my day job) some day? Assumptions * I", "to the audio version of that chapter (by-product of self-editing in step 2)", "8. Publish the self-edited version on public platforms with a link to audio", "published books starts to generate money, I invest that money into publishing the", "is available, register in my mailing list\". 4. Once the editor has finished", "on good days I wrote over 4000 words per day years ago (which", "run into a financial constraint: Let's say * editing a 120K novel costs", "a month is possible: * The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron,", "Euros ([99design](https://99designs.com/categories) says their starting price is 200 dollars, but in my experience", "on how to solve this optimization problem. If you find any problems in", "version of this text to be published, please let me know. The more", "don't expect to make any sales. If some of the books sells, that's", "person to craft one of the most important sales vehicles for a book.", "order to get one your chunk edited. Let's assume all chapters are 2000", "know, Luqa's editing services for foreign authors cost about 6600 dollars) and ", "books, and then someone edits your one chapter (there is usually more", "to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\", and * my old", "(it's more effort, hence fewer authors will do this). It can also appear", "constraint: Let's say * editing a 120K novel costs 2000 Euros (that's an", "a sales vehicle (proof of me being an expert) for high-priced (like EUR", "in 100 hours \\* 100 Euro per hour = 10 000 Euros. 100", "the assumptions below, *what is the best strategy to sustainably grow a fiction", "wrote over 4000 words per day years ago (which translates to 120 000", "yet. Rejected idea 8: Barter editing ------------------------------- There is the option of me", "editing someone else's book, and then they will edit mine. Scribophile is one", "services for foreign authors cost about 6600 dollars) and creating a cover", "year. Idea 6: Buy the editing services in bulk with a discount --------------------------------------------------------", "public platforms with a link to audio version and a note \"If you", "some long-term benefits (e. g. subscribers to my list). * I prefer strategies,", "of them has to pay only 2.5 Euros to make it happen. 11.", "to lose hundreds/thousands of Euros figuring out Facebook ads before you can make", "I have empirical data on who reads my books (gender, education, income, political", "cost 0.99 dollars (8.91 dollars for 9 paid episodes). Plus there is a", "2500 Euros per novel. For 4 novels per year, this is 10 000", "months self-editing the manuscript, after which * I hand off the manuscript to", "dollars) and * creating a cover - 500 Euros ([99design](https://99designs.com/categories) says their starting", "write one good non-fiction book every year. Idea 6: Buy the editing services", "words long. On Scribophile you first * edit three chapters of other people's", "readers on public platforms) of quality control (self-editing, editing by an editor). Idea", "I accept the idea of giving some books for free (however, a free", "(which translates to 120 000 words per month, if I write 4000 words", "demographics and psychographics of a fiction reader, unless you put the book in", "* Growing a list * Market research: By putting my stuff online I", "dollars (8.91 dollars for 9 paid episodes). Plus there is a \"bundle\" with", "* editing a 120K novel costs 2000 Euros (that's an actual price from", "non-fiction book. Note that this has a drawback: It's much harder to produce", "note \"If you want the improved version of this text to be published,", "solve this optimization problem. If you find any problems in it (reasons it", "year divided by 3 months per book = 12/3 = 4 books per", "year, resulting in 100 hours \\* 100 Euro per hour = 10 000", "will charge me less than 2000 Euros for each book. Analogy: If Bob", "* my old statistics file that shows that on good days I wrote", "tricks*: People respond to incentives. I could make the first out of 10", "can easily save 2 500 Euros per year (without running into debt, without", "that I exist. Pricing tricks: People respond to incentives. I could make", "edit the most popular (by the number of \"I want it\") e-mails. ###", "000 Euros. Let's say I can easily save 2 500 Euros per year", "an editor (the editor will do a line edit). Total time where I", "year). If that happens, I run into a financial constraint: Let's say ", "the backlog for the maximum bang -------------------------------------------- ### Process 1. Write the first", "with fiction books. I'm not sure I can write one good non-fiction book", "5 through 8 for third and fourth book in the year. 10. If", "the first draft of the first book in a year. 2. During self-editing,", "books myself, I most likely would screw up. I also don't believe in", "certain level (like 10 books in the backlog), find an editor and negotiate", "is possible: The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write.", "research (by-product of writing) on my blog. That may work. And there is", "can fail), please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish", "people tell me they want, the faster it will happen.\". 9. Repeat steps", "books for free (however, a free book still needs editing and cover), if", "they are and what marketing activities may work best with them. The \"I", "first * edit three chapters of other people's books, and then * someone", "Break-even funnels with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once", "a bait for the mailing list (\"Subscribe to my mailing list and get", "may be a stronger bond, if you not only read the text, but", "adding a third channel (feedback of readers on public platforms) of quality control", "out Facebook ads before you can make money. It seems to work for", "produce quality non-fiction books on a regular basis because you have to do", "(\"Subscribe to my mailing list and get the audio version of this and", "them has to pay only 2.5 Euros to make it happen. 11. If", "would screw up. I also don't believe in hiring some low-wage person to", "which is idiotic, concentrated, 100 % snake-oil-style BS: \"Research your audience, create a", "of other people's writing in order to get one your chunk edited. Let's", "YouTube. ### Benefits * Growing a list * Market research: By putting my", "creating a cover - 500 Euros ([99design](https://99designs.com/categories) says their starting price is 200", "the editor does the line edit. Then, I could publish 4 books per", "as a sales vehicle (proof of me being an expert) for high-priced (like", "expect my first X books to be profitable, i. e. I don't expect", "(there is usually more than one person providing feedback). I'm not sure this", "to work is 3 months. I can do something different (write or edit", "day job) some day? Assumptions * I have no published books yet and", "size of the backlog reaches a certain level (like 10 books in the", "saying \"Yeah, I want the edited version of this book\"), run a Kickstarter", "editing services in bulk with a discount -------------------------------------------------------- If the size of the", "to 5700 Euros (6625 dollars) at Luqa.com (line editing plus coaching for authors", "you save 2500 Euros again. Then, use the editor to edit the most", "topic (I have an IT background). 2. Use this book as a sales", "free\"). * Put the audio versions of the book on podcast platforms (e.", "During the rest of the year, I write and self-edit other 3 books.", "been line-edited by another person (not the author) who is also a native", "idea 8: Barter editing ------------------------------- There is the option of me editing someone", "a non-fiction book that demonstrates that I'm an expert in some demanded IT", "in my mailing list\". 4. Once the editor has finished her work, publish", "dollars). Idea 2: Use the backlog for the maximum bang -------------------------------------------- ### Process", "books with the revenue of the non-fiction book. Note that this has a", "my chances of winning are greater with every finished book. * The more", "list). * I prefer strategies, where you can do marketing activities as a", "can do it. The problem is, you need to edit 3 chunks of", "audio version may help stand out (it's more effort, hence fewer authors will", "low-wage person to craft one of the most important sales vehicles for a", "always some additional fees). This equals 2500 Euros per novel. For 4 novels", "text to be published, please let me know. The more people tell me", "I can offer subscribers (early fans) discounts or give them the book for", "the rest of the year, I write and self-edit other 3 books. Those", "want, the faster it will happen.\". 9. Repeat steps 5 through 8 for", "to communicate with readers and get hypotheses on who they are and what", "in writing my chances of winning are greater with every finished book. ", "like a lottery, only that in writing my chances of winning are greater", "not). Costs of line-editing a novel range from 2000 Euros (2325 dollars)", "a bulk sale with him or her: 1. I will hire them to", "idea 4) ------------------------ Every year, write * one non-fiction book that results in", "assume you need to lose hundreds/thousands of Euros figuring out Facebook ads before", "usually more than one person providing feedback). I'm not sure this is the", "translates to 120 000 words per month, if I write 4000 words every", "to produce quality non-fiction books on a regular basis because you have to", "high-priced (like EUR 100,-- per hour) consulting gigs. 3. Sell 100 hours of", "Process 1. I write the first 120K book in a year. 2. Then", "as overdelivering (you get the text AND audio for free). Plus there may", "book in the year. 10. If one of the 3 books gets explosive", "you can do marketing activities as a by-product of writing. If, for example,", "the next book from the backlog. 6. If and when one of the", "audio version of this and other chapters for free\"). * Put the audio", "of the books sells, that's great, but my plan should work even, if", "the year. 10. If one of the 3 books gets explosive popularity (many", "from the backlog. 6. If and when one of the published books starts", "bang -------------------------------------------- ### Process 1. Write the first draft of the first book", "and record the audio (analogous to step 2). 7. Put the second book", "with them. The \"I want it\" e-mails are an even more direct feedback", "novel without buying third-party editing services. Of course, I do self-edit before submitting", "not, wait until you save 2500 Euros again. Then, use the editor to", "appear as overdelivering (you get the text AND audio for free). Plus there", "Sell 100 hours of consulting per year, resulting in 100 hours \\* 100", "books sells, that's great, but my plan should work even, if no book", "least EUR 5.000,-- revenue, * publish one fiction book with the saved money,", "once an improved version of this novel is available, register in my mailing", "edit). Total time where I have to work is 3 months. I can", "from the backlog. ### Benefits * More frequent buzz: The more books I", "There is the option of me editing someone else's book, and then they", "will do this). It can also appear as overdelivering (you get the text", "I have to work is 3 months. I can do something different (write", "work even, if no book makes any substantial sales during the first Y", "of the second book in a year. 6. Self-edit and record the audio", "(analogous to step 2). 7. Put the second book into a backlog for", "are put into backlog. 5. Once I saved up the next 2500 Euros,", "need to edit 3 chunks of other people's writing in order to get", "likes it. Ideas of answers I came up myself ================================= Below you can", "is 8.3 hours per month. Idea 5 (tweak of idea 4) ------------------------ Every", "one ----------------------------------------------------- ### Process 1. I write the first 120K book in a", "equals 2500 Euros per novel. For 4 novels per year, this is 10", "native language is not English). * I don't have any artistic abilities and", "writing. If, for example, I write a historical novel, I can put the", "book and notify all subscribers that the book is ready. 5. Write the", "the most important sales vehicles for a book. For this reason, I believe", "a certain level (like 10 books in the backlog), find an editor and", "In exchange, they will charge me less than 2000 Euros for each book.", "book that demonstrates that I'm an expert in some demanded IT topic (I", "time. There is also absolutely no guarantee that people editing my texts are", "(6625 dollars) at Luqa.com (line editing plus coaching for authors whose native language", "for authors whose native language is not English). * I don't have any", "*what is the best strategy to sustainably grow a fiction writing business so", "my stuff online I get a chance to communicate with readers and get", "(selling) book cover without hiring a decently-paid professional. Any solution must not", "100, then the seller will probably give Aluke a discount (she will pay", "increase discoverability. * Put the audio versions on YouTube. ### Benefits * Growing", "that * I actually write first drafts of 100K-120K novels in one month,", "no guarantee that people editing my texts are more competent than I am.", "less for every ton of cement than Bob). Rejected Idea 7: Break-even funnels", "up the next 2500 Euros, I publish the next book from the backlog.", "long-term goal (becoming a full-time author who lives from selling his own fiction", "book, and then they will edit mine. Scribophile is one place where you", "dollars) to 5700 Euros (6625 dollars) at Luqa.com (line editing plus coaching for", "or edit another book) while the editor does the line edit. Then, I", "if it has been line-edited by another person (not the author) who is", "a note \"If you want to read more of my stuff for free,", "sales during the first Y years. It's like a lottery, only that in", "(quit my day job) some day? Assumptions * I have no published books", "the audio versions of the book on podcast platforms (e. g. iTunes) to", "interested people, each of them has to pay only 2.5 Euros to make", "the idea of borrowing money to edit books. * I accept the idea", "historical novel, I can put the results of my research (by-product of writing)", "book for free. * Feedback: By doing it this way, I'm adding a", "after which * I hand off the manuscript to an editor (the editor", "and a note \"If you want to get notified, once an improved version", "will sell. * I cannot publish a novel without buying third-party editing services.", "of the non-fiction book. Note that this has a drawback: It's much harder", "(e. g. iTunes) to increase discoverability. * Put the audio versions on YouTube.", "as a bait for the mailing list (\"Subscribe to my mailing list and", "unless you put the book in front of them and see, who likes", "this way, I'm adding a third channel (feedback of readers on public platforms)", "want it\" e-mails are an even more direct feedback on what books my", "I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year for", "how to solve this optimization problem. If you find any problems in it", "views etc.) and why. At the moment, I don't. Also, I assume you", "less than 2000 Euros for each book. Analogy: If Bob buys 10 tons", "psychographics of a fiction reader, unless you put the book in front of", "money, * publish two other books with the revenue of the non-fiction book.", "get notified, once an improved version of this novel is available, register in", "cover. If there are, say 1000 interested people, each of them has to", "exchange, they will charge me less than 2000 Euros for each book. Analogy:", "(by the number of \"I want it\") e-mails. ### Possible tweaks * Use", "books). For this reason, I don't like the idea of borrowing money to", "where I have to work is 3 months. I can do something different", "problem is, you need to edit 3 chunks of other people's writing in", "those topics.\" There is no way to know the demographics and psychographics of", "put the results of my research (by-product of writing) on my blog. That", "snake-oil-style BS: \"Research your audience, create a customer profile, find out what they", "me some long-term benefits (e. g. subscribers to my list). * I prefer", "of giving some books for free (however, a free book still needs editing", "first draft of the second book in a year. 6. Self-edit and record", "my list). * I prefer strategies, where you can do marketing activities as", "editing and cover. If there are, say 1000 interested people, each of them", "10 tons of cement, and Aluke buys 100, then the seller will probably", "book is ready. 5. Write the first draft of the second book in", "yet and no mailing list. * I do not consider traditional publishing. ", "of quality control (self-editing, editing by an editor). Idea 3: Use the backlog", "year, the often I have the opportunity to remind the readers that I", "4 is ready, I can offer subscribers (early fans) discounts or give them", "draft of the second book in a year. 6. Self-edit and record the", "(without running into debt, without tricks with the credit cards). Question: Given the", "future line-editing. 8. Publish the self-edited version on public platforms with a link", "a line edit). Total time where I have to work is 3 months.", "write first drafts of 100K-120K novels in one month, spend 2 months", "* Put the audio versions on YouTube. ### Benefits * Growing a list", "in step 2) and a note \"If you want to get notified, once", "on my blog. That may work. And there is blogging advice, which is", "I write and self-edit other 3 books. Those self-edited, but not published books", "I believe there is no way to create a working (selling) book cover", "edit three chapters of other people's books, and then * someone edits your", "them to edit all my 10 books. 2. In exchange, they will charge", "an expert) for high-priced (like EUR 100,-- per hour) consulting gigs. 3. Sell", "that results in at least EUR 5.000,-- revenue, * publish one fiction book", "readers like most. * Adding an audio version may help stand out (it's", "30K words each, or 10 episodes 12K words each). 3. I publish this", "frequent buzz*: The more books I publish per year, the often I have", "in bulk with a discount -------------------------------------------------------- If the size of the backlog reaches", "2 500 Euros per year (without running into debt, without tricks with the", "empirical data on who reads my books (gender, education, income, political views etc.)", "a discount (she will pay less for every ton of cement than Bob).", "self-edit before submitting the manuscript to an editor, but I believe the final", "6: Buy the editing services in bulk with a discount -------------------------------------------------------- If the", "are and what marketing activities may work best with them. The \"I want", "the maximum bang -------------------------------------------- ### Process 1. Write the first draft of the", "an editor, but I believe the final product is much better, if it", "have to do more research than with fiction books. I'm not sure I", "from 2000 Euros (2325 dollars) to 5700 Euros (6625 dollars) at Luqa.com (line", "feedback). I'm not sure this is the best investment of my time. There", "BS: \"Research your audience, create a customer profile, find out what they need", "strategy to sustainably grow a fiction writing business so that it generates enough", "If one of the 3 books gets explosive popularity (many e-mails saying \"Yeah,", "(becoming a full-time author who lives from selling his own fiction books). For", "i. e. I don't expect to make any sales. If some of the", "to be profitable, i. e. I don't expect to make any sales. If", "their starting price is 200 dollars, but in my experience there are always", "saves the reader 3.91 dollars). Idea 2: Use the backlog for the maximum", "I run into a financial constraint: Let's say editing a 120K novel", "book in a year. 6. Self-edit and record the audio (analogous to step", "editor (the editor will do a line edit). Total time where I have", "the improved version of this text to be published, please let me know.", "of idea 4) ------------------------ Every year, write * one non-fiction book that results", "Also, I assume you need to lose hundreds/thousands of Euros figuring out Facebook", "2000 Euros (that's an actual price from someone I know, Luqa's editing services", "marketing activities as a by-product of writing. If, for example, I write a", "Self-edit and record the audio (analogous to step 2). 7. Put the second", "of answers I came up myself ================================= Below you can find some ideas", "book. 4. During the rest of the year, I write and self-edit other", "-------------------------------------------------------- If the size of the backlog reaches a certain level (like 10", "non-fiction book that results in at least EUR 5.000,-- revenue, * publish one", "Euros for each book. Analogy: If Bob buys 10 tons of cement, and", "the book, add a note \"If you want to read more of my", "any artistic abilities and if I drew the cover for my books myself,", "may work, once I have empirical data on who reads my books (gender,", "etc.) and why. At the moment, I don't. Also, I assume you need", "for each book. Analogy: If Bob buys 10 tons of cement, and Aluke", "borrowing money to edit books. * I accept the idea of giving some", "3: Use the backlog as mailing list bait -------------------------------------------- 1. Publish one book", "a by-product of writing. If, for example, I write a historical novel, I", "with the credit cards). Question: Given the assumptions below, *what is the best", "my blog. That may work. And there is blogging advice, which is idiotic,", "subscribers (early fans) discounts or give them the book for free. Feedback:", "an expert in some demanded IT topic (I have an IT background). 2.", "without hiring a decently-paid professional. * Any solution must not disrupt my long-term", "I don't expect to make any sales. If some of the books sells,", "have empirical data on who reads my books (gender, education, income, political views", "reason, I don't like the idea of borrowing money to edit books. ", "than Bob). Rejected Idea 7: Break-even funnels with paid ads (Facebook, Amazon etc.)", "ready. 5. Write the first draft of the second book in a year.", "higher the chance that one of them will sell. I cannot publish", "self-editing in step 2) and a note \"If you want to get notified,", "to be published, please let me know. The more people tell me they", "chance that one of them will sell. * I cannot publish a novel", "reader, unless you put the book in front of them and see, who", "every finished book. * The more books I publish, the higher the chance", "that suggest that writing one novel a month is possible: * The book", "in hiring some low-wage person to craft one of the most important sales", "dollars (this saves the reader 3.91 dollars). Idea 2: Use the backlog for", "popular (by the number of \"I want it\") e-mails. ### Possible tweaks ", "At the moment, I don't. Also, I assume you need to lose hundreds/thousands", "Idea 7: Break-even funnels with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may", "I could publish 4 books per year (12 months in year divided by", "4000 words per day years ago (which translates to 120 000 words per", "also absolutely no guarantee that people editing my texts are more competent than", "edited version of this book\"), run a Kickstarter campaign to raise EUR 2.500,--", "is also absolutely no guarantee that people editing my texts are more competent", "per month, if I write 4000 words every day during a month). Let's", "Idea 5 (tweak of idea 4) ------------------------ Every year, write one non-fiction", "not disrupt my long-term goal (becoming a full-time author who lives from selling", "writing my chances of winning are greater with every finished book. * The", "services in bulk with a discount -------------------------------------------------------- If the size of the backlog", "If you find any problems in it (reasons it can fail), please tell", "I don't expect my first X books to be profitable, i. e. I", "I will hire them to edit all my 10 books. 2. In exchange,", "backlog as mailing list bait -------------------------------------------- 1. Publish one book per year. At", "business so that it generates enough revenue to make a living** (quit my", "believe there is no way to create a working (selling) book cover without", "please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books", "Put the second book into a backlog for future line-editing. 8. Publish the", "\\* 100 Euro per hour = 10 000 Euros. 100 hours per year", "but not published books are put into backlog. 5. Once I saved up", "other chapters for free\"). * Put the audio versions of the book on", "not only read the text, but also hear the author's voice. * *Rewarding", "find some ideas on how to solve this optimization problem. If you find", "drawback: It's much harder to produce quality non-fiction books on a regular basis", "Bob buys 10 tons of cement, and Aluke buys 100, then the seller", "100 hours of consulting per year, resulting in 100 hours \\ 100 Euro", "Feedback: By doing it this way, I'm adding a third channel (feedback of", "me being an expert) for high-priced (like EUR 100,-- per hour) consulting gigs.", "of the book on podcast platforms (e. g. iTunes) to increase discoverability. ", "up myself ================================= Below you can find some ideas on how to solve", "you can find some ideas on how to solve this optimization problem. If", " one non-fiction book that results in at least EUR 5.000,-- revenue, ", "editing by an editor). Idea 3: Use the backlog as mailing list bait", "have the opportunity to remind the readers that I exist. Pricing tricks:", "At the end of the book, add a note \"If you want to", "abilities and if I drew the cover for my books myself, I most", "12K words each). 3. I publish this one book. 4. During the rest", "per year is 8.3 hours per month. Idea 5 (tweak of idea 4)", "On Scribophile you first * edit three chapters of other people's books, and", "year, write * one non-fiction book that results in at least EUR 5.000,--", "hand off the manuscript to an editor (the editor will do a line", "hence fewer authors will do this). It can also appear as overdelivering (you", "I manage to optimize my writing performance so that * I actually write", "the non-fiction book. Note that this has a drawback: It's much harder to", "If there are, say 1000 interested people, each of them has to pay", "chances of winning are greater with every finished book. * The more books", "without tricks with the credit cards). Question: Given the assumptions below, *what is", "lives from selling his own fiction books). For this reason, I don't like", "be profitable, i. e. I don't expect to make any sales. If some", "is the best strategy to sustainably grow a fiction writing business so that", " I don't have any artistic abilities and if I drew the cover", "author who lives from selling his own fiction books). For this reason, I", "the option of me editing someone else's book, and then they will edit", "other books with the revenue of the non-fiction book. Note that this has", "to increase discoverability. * Put the audio versions on YouTube. ### Benefits ", "(not the author) who is also a native English speaker (which I am", "write one non-fiction book that results in at least EUR 5.000,-- revenue,", "the reader 3.91 dollars). Idea 2: Use the backlog for the maximum bang", "words each, or 10 episodes 12K words each). 3. I publish this one", "ago (which translates to 120 000 words per month, if I write 4000", "in a year. 2. During self-editing, read the self-edited text aloud and record", "year (12 months in year divided by 3 months per book = 12/3", "hundreds/thousands of Euros figuring out Facebook ads before you can make money. It", "product is much better, if it has been line-edited by another person (not", "per year, the often I have the opportunity to remind the readers that", "Put the audio versions of the book on podcast platforms (e. g. iTunes)", "120 000 words per month, if I write 4000 words every day during", "a month). Let's say I manage to optimize my writing performance so that", "an even more direct feedback on what books my readers like most. ", "spend 2 months self-editing the manuscript, after which I hand off the", "Let's say I manage to optimize my writing performance so that * I", "there are, say 1000 interested people, each of them has to pay only", "year (without running into debt, without tricks with the credit cards). Question: Given", "author's voice. * Rewarding subscribers: When the book in step 4 is ready,", "who reads my books (gender, education, income, political views etc.) and why. At", "e-mails are an even more direct feedback on what books my readers like", "don't have any artistic abilities and if I drew the cover for my", "book in a year. 2. During self-editing, read the self-edited text aloud and", "a living (quit my day job) some day? Assumptions** * I have no", "and when one of the published books starts to generate money, I invest", "2.500,-- for editing and cover. If there are, say 1000 interested people, each", "(you get the text AND audio for free). Plus there may be a", "I write 4000 words every day during a month). Let's say I manage", "subscribe to my list.\" 2. Set up the list so that when a", "of this text to be published, please let me know. The more people", "this). It can also appear as overdelivering (you get the text AND audio", "If, for example, I write a historical novel, I can put the results", "optimize my writing performance so that * I actually write first drafts of", "editing plus coaching for authors whose native language is not English). * I", "me they want, the faster it will happen.\". 9. Repeat steps 5 through", "10. If one of the 3 books gets explosive popularity (many e-mails saying", "2: Use the backlog for the maximum bang -------------------------------------------- ### Process 1. Write", "g. subscribers to my list). * I prefer strategies, where you can do", "the book on podcast platforms (e. g. iTunes) to increase discoverability. * Put", "aloud and record it (for every chapter). 3. Once self-editing is done, publish", "possible: * The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish.", "funnels with paid ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once I", "9. Repeat steps 5 through 8 for third and fourth book in the", "book = 12/3 = 4 books per year). If that happens, I run", "there is no way to create a working (selling) book cover without hiring", "must not disrupt my long-term goal (becoming a full-time author who lives from", "readers and get hypotheses on who they are and what marketing activities may", "and then * someone edits your one chapter (there is usually more than", "and a note \"If you want the improved version of this text to", "what books my readers like most. * Adding an audio version may help", "I write the first 120K book in a year. 2. Then I split", "my 10 books. 2. In exchange, they will charge me less than 2000", "I'm not established yet. Rejected idea 8: Barter editing ------------------------------- There is the", "writing fiction through non-fiction books --------------------------------------------------------- 1. Write a non-fiction book that demonstrates", "[2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\", and * my", "myself ================================= Below you can find some ideas on how to solve this", "to create a working (selling) book cover without hiring a decently-paid professional. ", "year, this is 10 000 Euros. Let's say I can easily save 2", "bait -------------------------------------------- 1. Publish one book per year. At the end of the", "person (not the author) who is also a native English speaker (which I", "experience there are always some additional fees). This equals 2500 Euros per novel.", "split it into several parts (like 4 episodes 30K words each, or 10", "audio version of that chapter (by-product of self-editing in step 2) and a", "save 2500 Euros again. Then, use the editor to edit the most popular", "you want to read more of my stuff for free, subscribe to my", "marketing activities may work best with them. The \"I want it\" e-mails are", "year is 8.3 hours per month. Idea 5 (tweak of idea 4) ------------------------", "Analogy: If Bob buys 10 tons of cement, and Aluke buys 100, then", "the demographics and psychographics of a fiction reader, unless you put the book", "create a customer profile, find out what they need and then blog about", "my stuff for free, subscribe to my list.\" 2. Set up the list", "my plan should work even, if no book makes any substantial sales during", "mailing list and get the audio version of this and other chapters for", "book per year. At the end of the book, add a note \"If", "manage to optimize my writing performance so that I actually write first", "the book in front of them and see, who likes it. Ideas of", "most important sales vehicles for a book. For this reason, I believe there", "on YouTube. ### Benefits * Growing a list * Market research: By putting", "months per book = 12/3 = 4 books per year). If that happens,", "so that * I actually write first drafts of 100K-120K novels in one", "second book into a backlog for future line-editing. 8. Publish the self-edited version", "years ago (which translates to 120 000 words per month, if I write", "g. iTunes) to increase discoverability. * Put the audio versions on YouTube. ###", "suggest that writing one novel a month is possible: * The book [2K", "\"I want it\" e-mails are an even more direct feedback on what books", "edit mine. Scribophile is one place where you can do it. The problem", "it\") e-mails. ### Possible tweaks * Use the audio version as a bait", "you need to edit 3 chunks of other people's writing in order to", "I don't have any artistic abilities and if I drew the cover for", "one of the published books starts to generate money, I invest that money", "them the book for free. * Feedback: By doing it this way, I'm", "book with the saved money, * publish two other books with the revenue", "that on good days I wrote over 4000 words per day years ago", "my day job) some day? Assumptions * I have no published books yet", "have any artistic abilities and if I drew the cover for my books", "Scribd etc.) with a link to the audio version of that chapter (by-product", "about those topics.\" There is no way to know the demographics and psychographics", "2. During self-editing, read the self-edited text aloud and record it (for every", "it\" e-mails are an even more direct feedback on what books my readers", "of this novel is available, register in my mailing list\". 4. Once the", "my readers like most. * Adding an audio version may help stand out", "of my research (by-product of writing) on my blog. That may work. And", "decently-paid professional. * Any solution must not disrupt my long-term goal (becoming a", "is idiotic, concentrated, 100 % snake-oil-style BS: \"Research your audience, create a customer", "### Benefits * More frequent buzz: The more books I publish per year,", "there is blogging advice, which is idiotic, concentrated, 100 % snake-oil-style BS: \"Research", "do it. The problem is, you need to edit 3 chunks of other", "* I accept the idea of giving some books for free (however, a", "idea of borrowing money to edit books. * I accept the idea of", "1. Write a non-fiction book that demonstrates that I'm an expert in some", "3. Sell 100 hours of consulting per year, resulting in 100 hours \\", " Feedback: By doing it this way, I'm adding a third channel (feedback", "for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established yet. Rejected idea 8: Barter", "the backlog), find an editor and negotiate a bulk sale with him or", "my time. There is also absolutely no guarantee that people editing my texts", "you need to lose hundreds/thousands of Euros figuring out Facebook ads before you", "vehicles for a book. For this reason, I believe there is no way", "audio for free). Plus there may be a stronger bond, if you not", "a fiction reader, unless you put the book in front of them and", "years. It's like a lottery, only that in writing my chances of winning", "audio (analogous to step 2). 7. Put the second book into a backlog", "I do self-edit before submitting the manuscript to an editor, but I believe", "an audio version may help stand out (it's more effort, hence fewer authors", "first draft of the first book in a year. 2. During self-editing, read", "Publish the self-edited version on public platforms with a link to audio version", "5.000,-- revenue, * publish one fiction book with the saved money, * publish", "one your chunk edited. Let's assume all chapters are 2000 words long. On", "of readers on public platforms) of quality control (self-editing, editing by an editor).", "you first * edit three chapters of other people's books, and then ", "More frequent buzz: The more books I publish per year, the often I", "income, political views etc.) and why. At the moment, I don't. Also, I", "all parts in one place for 5 dollars (this saves the reader 3.91", " The more books I publish, the higher the chance that one of", "the second book in a year. 6. Self-edit and record the audio (analogous", "chapters are 2000 words long. On Scribophile you first * edit three chapters", "enough revenue to make a living (quit my day job) some day? Assumptions*", "first Y years. It's like a lottery, only that in writing my chances", "a discount -------------------------------------------------------- If the size of the backlog reaches a certain level", "2000 Euros (2325 dollars) to 5700 Euros (6625 dollars) at Luqa.com (line editing", "4 episodes 30K words each, or 10 episodes 12K words each). 3. I", "resulting in 100 hours \\ 100 Euro per hour = 10 000 Euros.", "appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1: Publish 4 books per year for the costs", "one chapter (there is usually more than one person providing feedback). I'm not", "in some demanded IT topic (I have an IT background). 2. Use this", "what they need and then blog about those topics.\" There is no way", "can put the results of my research (by-product of writing) on my blog.", "improved version of this novel is available, register in my mailing list\". 4.", "500 Euros per year (without running into debt, without tricks with the credit", "books per year). If that happens, I run into a financial constraint: Let's", "book in step 4 is ready, I can offer subscribers (early fans) discounts", "of 10 episodes free. The subsequent ones would cost 0.99 dollars (8.91 dollars", "reads my books (gender, education, income, political views etc.) and why. At the", "100 Euro per hour = 10 000 Euros. 100 hours per year is", "run a Kickstarter campaign to raise EUR 2.500,-- for editing and cover. If", "then the seller will probably give Aluke a discount (she will pay less", "120K novel costs 2000 Euros (that's an actual price from someone I know,", "podcast platforms (e. g. iTunes) to increase discoverability. * Put the audio versions", "publishing. * I don't expect my first X books to be profitable, i.", "I believe the final product is much better, if it has been line-edited", "give me some long-term benefits (e. g. subscribers to my list). * I", "to my list.\" 2. Set up the list so that when a person", "an actual price from someone I know, Luqa's editing services for foreign authors", "put the book in front of them and see, who likes it. Ideas", "self-editing the manuscript, after which * I hand off the manuscript to an", "novel a month is possible: * The book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel", "price from someone I know, Luqa's editing services for foreign authors cost about", "subscribers to my list). * I prefer strategies, where you can do marketing", "0.99 dollars (8.91 dollars for 9 paid episodes). Plus there is a \"bundle\"", "of the book, add a note \"If you want to read more of", "in the year. 10. If one of the 3 books gets explosive popularity", "that I'm an expert in some demanded IT topic (I have an IT", "still needs editing and cover), if it has the potential to give me", "it can fail), please tell me. I really appreciate your [pre-mortem](https://en.wikipedia.org/wiki/Pre-mortem). Idea 1:", "not published books are put into backlog. 5. Once I saved up the", "Question: Given the assumptions below, *what is the best strategy to sustainably grow", " I actually write first drafts of 100K-120K novels in one month, ", "me less than 2000 Euros for each book. Analogy: If Bob buys 10", "books per year for the costs of one ----------------------------------------------------- ### Process 1. I", "is no way to know the demographics and psychographics of a fiction reader,", "first drafts of 100K-120K novels in one month, spend 2 months self-editing", "3 months per book = 12/3 = 4 books per year). If that", "first out of 10 episodes free. The subsequent ones would cost 0.99 dollars", "books are put into backlog. 5. Once I saved up the next 2500", "100 hours per year is 8.3 hours per month. Idea 5 (tweak of", "hour = 10 000 Euros. 100 hours per year is 8.3 hours per", "edit another book) while the editor does the line edit. Then, I could", "(self-editing, editing by an editor). Idea 3: Use the backlog as mailing list", "is ready. 5. Write the first draft of the second book in a", "books (gender, education, income, political views etc.) and why. At the moment, I", "e. I don't expect to make any sales. If some of the books", "coaching for authors whose native language is not English). * I don't have", "this text to be published, please let me know. The more people tell", "book as a sales vehicle (proof of me being an expert) for high-priced", "of \"I want it\") e-mails. ### Possible tweaks * Use the audio version", "edit. Then, I could publish 4 books per year (12 months in year", "a chance to communicate with readers and get hypotheses on who they are", "different (write or edit another book) while the editor does the line edit.", "record it (for every chapter). 3. Once self-editing is done, publish every chapter", "problems in it (reasons it can fail), please tell me. I really appreciate", "cement, and Aluke buys 100, then the seller will probably give Aluke a", "find any problems in it (reasons it can fail), please tell me. I", "discoverability. * Put the audio versions on YouTube. ### Benefits * Growing a", "more research than with fiction books. I'm not sure I can write one", "a drawback: It's much harder to produce quality non-fiction books on a regular", "the backlog. ### Benefits * More frequent buzz: The more books I publish", "platforms with a link to audio version and a note \"If you want", "manuscript to an editor, but I believe the final product is much better,", "e-mails. ### Possible tweaks * Use the audio version as a bait for", "they need and then blog about those topics.\" There is no way to", "I want the edited version of this book\"), run a Kickstarter campaign to", "e-mails saying \"Yeah, I want the edited version of this book\"), run a", "non-fiction book every year. Idea 6: Buy the editing services in bulk with", "parts in one place for 5 dollars (this saves the reader 3.91 dollars).", "no mailing list. * I do not consider traditional publishing. * I don't", "my long-term goal (becoming a full-time author who lives from selling his own", "who likes it. Ideas of answers I came up myself ================================= Below you", "a link to audio version and a note \"If you want the improved", "her work, publish the book and notify all subscribers that the book is", "from someone I know, Luqa's editing services for foreign authors cost about 6600", "novels in one month, * spend 2 months self-editing the manuscript, after which", "12/3 = 4 books per year). If that happens, I run into a", "make the first out of 10 episodes free. The subsequent ones would cost", "to get notified, once an improved version of this novel is available, register", "him or her: 1. I will hire them to edit all my 10", "blog about those topics.\" There is no way to know the demographics and", "the next book from the backlog. ### Benefits * More frequent buzz: The", "the first book in a year. 2. During self-editing, read the self-edited text", "being an expert) for high-priced (like EUR 100,-- per hour) consulting gigs. 3.", "bait for the mailing list (\"Subscribe to my mailing list and get the", "want the edited version of this book\"), run a Kickstarter campaign to raise", "Process 1. Write the first draft of the first book in a year.", "get a chance to communicate with readers and get hypotheses on who they", "all chapters are 2000 words long. On Scribophile you first * edit three", "5. Once I saved up the next 2500 Euros, I publish the next", "I publish, the higher the chance that one of them will sell. ", "course, I do self-edit before submitting the manuscript to an editor, but I", "the manuscript, after which I hand off the manuscript to an editor", "are, say 1000 interested people, each of them has to pay only 2.5", "editor). Idea 3: Use the backlog as mailing list bait -------------------------------------------- 1. Publish", "line-editing a novel range from 2000 Euros (2325 dollars) to 5700 Euros (6625", "do self-edit before submitting the manuscript to an editor, but I believe the", "fiction book with the saved money, * publish two other books with the", "not sure this is the best investment of my time. There is also", "services. Of course, I do self-edit before submitting the manuscript to an editor,", "file that shows that on good days I wrote over 4000 words per", "author) who is also a native English speaker (which I am not). ", "Idea 1: Publish 4 books per year for the costs of one -----------------------------------------------------", "a year. 2. During self-editing, read the self-edited text aloud and record it", "do not consider traditional publishing. I don't expect my first X books", "while the editor does the line edit. Then, I could publish 4 books", "only that in writing my chances of winning are greater with every finished", "overdelivering (you get the text AND audio for free). Plus there may be", "for high-priced (like EUR 100,-- per hour) consulting gigs. 3. Sell 100 hours", "speaker (which I am not). * Costs of line-editing a novel range from", "1. Publish one book per year. At the end of the book, add", "Idea 2: Use the backlog for the maximum bang -------------------------------------------- ### Process 1.", "Recently I was exposed to several sources that suggest that writing one novel", "where you can do marketing activities as a by-product of writing. If, for", "sell. * I cannot publish a novel without buying third-party editing services. Of", "Euros per novel. For 4 novels per year, this is 10 000 Euros.", "off the manuscript to an editor (the editor will do a line edit).", "I don't like the idea of borrowing money to edit books. * I", "and fourth book in the year. 10. If one of the 3 books", "tweaks * Use the audio version as a bait for the mailing list", "edit 3 chunks of other people's writing in order to get one your", "and see, who likes it. Ideas of answers I came up myself =================================", "the chance that one of them will sell. * I cannot publish a", "strategies, where you can do marketing activities as a by-product of writing. If,", "publish a novel without buying third-party editing services. Of course, I do self-edit", "one good non-fiction book every year. Idea 6: Buy the editing services in", "ads (Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once I have empirical data", "of them and see, who likes it. Ideas of answers I came up", "write and self-edit other 3 books. Those self-edited, but not published books are", "If not, wait until you save 2500 Euros again. Then, use the editor", "book every year. Idea 6: Buy the editing services in bulk with a", "of consulting per year, resulting in 100 hours \\* 100 Euro per hour", "one place for 5 dollars (this saves the reader 3.91 dollars). Idea 2:", "see, who likes it. Ideas of answers I came up myself ================================= Below", "authors will do this). It can also appear as overdelivering (you get the", "I'm adding a third channel (feedback of readers on public platforms) of quality", "Publish. Repeat\", and * my old statistics file that shows that on good", "of borrowing money to edit books. * I accept the idea of giving", "it will happen.\". 9. Repeat steps 5 through 8 for third and fourth", "that this has a drawback: It's much harder to produce quality non-fiction books", "list\". 4. Once the editor has finished her work, publish the book and", "problem. If you find any problems in it (reasons it can fail), please", "link to audio version and a note \"If you want the improved version", "text and audio versions of the backlog (self-edited) of my books. Idea 4:", "in the backlog), find an editor and negotiate a bulk sale with him", "idea of giving some books for free (however, a free book still needs", "line edit. Then, I could publish 4 books per year (12 months in", "4 novels per year, this is 10 000 Euros. Let's say I can", "books gets explosive popularity (many e-mails saying \"Yeah, I want the edited version", "do something different (write or edit another book) while the editor does the", "example, I write a historical novel, I can put the results of my", "I drew the cover for my books myself, I most likely would screw", "for editing and cover. If there are, say 1000 interested people, each of", "hire them to edit all my 10 books. 2. In exchange, they will", "tell me they want, the faster it will happen.\". 9. Repeat steps 5", "editing a 120K novel costs 2000 Euros (that's an actual price from someone", "time where I have to work is 3 months. I can do something", "without buying third-party editing services. Of course, I do self-edit before submitting the", "Write the first draft of the first book in a year. 2. During", "only read the text, but also hear the author's voice. * Rewarding subscribers:", "no book makes any substantial sales during the first Y years. It's like", "reader 3.91 dollars). Idea 2: Use the backlog for the maximum bang --------------------------------------------", "need and then blog about those topics.\" There is no way to know", "the costs of one ----------------------------------------------------- ### Process 1. I write the first 120K", "the books sells, that's great, but my plan should work even, if no", "once I have empirical data on who reads my books (gender, education, income,", "Facebook ads before you can make money. It seems to work for some", "a Kickstarter campaign to raise EUR 2.500,-- for editing and cover. If there", "And there is blogging advice, which is idiotic, concentrated, 100 % snake-oil-style BS:", "Ideas of answers I came up myself ================================= Below you can find some", "book. For this reason, I believe there is no way to create a", "them and see, who likes it. Ideas of answers I came up myself", "* Costs of line-editing a novel range from 2000 Euros (2325 dollars) to", "(I have an IT background). 2. Use this book as a sales vehicle", "buying third-party editing services. Of course, I do self-edit before submitting the manuscript", "more direct feedback on what books my readers like most. * Adding an", "of Euros figuring out Facebook ads before you can make money. It seems", "to optimize my writing performance so that * I actually write first drafts", "answers I came up myself ================================= Below you can find some ideas on", "discounts or give them the book for free. * Feedback: By doing it", "find an editor and negotiate a bulk sale with him or her: 1.", "this book as a sales vehicle (proof of me being an expert) for", "some of the books sells, that's great, but my plan should work even,", "hypotheses on who they are and what marketing activities may work best with", "the seller will probably give Aluke a discount (she will pay less for", "some day? Assumptions * I have no published books yet and no mailing", "(tweak of idea 4) ------------------------ Every year, write * one non-fiction book that", "have an IT background). 2. Use this book as a sales vehicle (proof", "say I can easily save 2 500 Euros per year (without running into", "final product is much better, if it has been line-edited by another person", "the audio version of that chapter (by-product of self-editing in step 2) and", "work is 3 months. I can do something different (write or edit another", "idiotic, concentrated, 100 % snake-oil-style BS: \"Research your audience, create a customer profile,", "a full-time author who lives from selling his own fiction books). For this", "words every day during a month). Let's say I manage to optimize my", "them will sell. * I cannot publish a novel without buying third-party editing", "a year. 6. Self-edit and record the audio (analogous to step 2). 7.", "Aluke a discount (she will pay less for every ton of cement than", "don't expect my first X books to be profitable, i. e. I don't", "money, I invest that money into publishing the next book from the backlog.", "the book for free. * Feedback: By doing it this way, I'm adding", "per year (without running into debt, without tricks with the credit cards). Question:", "10 books in the backlog), find an editor and negotiate a bulk sale", "The more people tell me they want, the faster it will happen.\". 9.", "direct feedback on what books my readers like most. * Adding an audio", "- 500 Euros ([99design](https://99designs.com/categories) says their starting price is 200 dollars, but in", "a 120K novel costs 2000 Euros (that's an actual price from someone I", "Once I saved up the next 2500 Euros, I publish the next book", "hours per month. Idea 5 (tweak of idea 4) ------------------------ Every year, write", "Publish 4 books per year for the costs of one ----------------------------------------------------- ### Process", "all subscribers that the book is ready. 5. Write the first draft of", "consulting per year, resulting in 100 hours \\* 100 Euro per hour =", "200 dollars, but in my experience there are always some additional fees). This", "money. It seems to work for some established [authors](https://en.wikipedia.org/wiki/Mark_Dawson_(writer)), but I'm not established", "the best strategy to sustainably grow a fiction writing business so that it", "screw up. I also don't believe in hiring some low-wage person to craft", "third and fourth book in the year. 10. If one of the 3", "generates enough revenue to make a living** (quit my day job) some day?", "you not only read the text, but also hear the author's voice. ", "cost about 6600 dollars) and creating a cover - 500 Euros ([99design](https://99designs.com/categories)", "chapters for free\"). * Put the audio versions of the book on podcast", "4. Once the editor has finished her work, publish the book and notify", "of writing) on my blog. That may work. And there is blogging advice,", "this reason, I don't like the idea of borrowing money to edit books.", "backlog), find an editor and negotiate a bulk sale with him or her:", "with readers and get hypotheses on who they are and what marketing activities", "10 books. 2. In exchange, they will charge me less than 2000 Euros", "by Rachel Aaron, * \"Write. Publish. Repeat\", and * my old statistics file", "the often I have the opportunity to remind the readers that I exist.", "craft one of the most important sales vehicles for a book. For this", "with all parts in one place for 5 dollars (this saves the reader", "on a regular basis because you have to do more research than with", "step 2). 7. Put the second book into a backlog for future line-editing.", "hear the author's voice. * Rewarding subscribers: When the book in step 4", "mailing list (\"Subscribe to my mailing list and get the audio version of", "than with fiction books. I'm not sure I can write one good non-fiction", "Euros (that's an actual price from someone I know, Luqa's editing services for", "until you save 2500 Euros again. Then, use the editor to edit the", "with a link to the audio version of that chapter (by-product of self-editing", "* More frequent buzz: The more books I publish per year, the often", "blog. That may work. And there is blogging advice, which is idiotic, concentrated,", "(the editor will do a line edit). Total time where I have to", "book into a backlog for future line-editing. 8. Publish the self-edited version on", "in year divided by 3 months per book = 12/3 = 4 books", "* Adding an audio version may help stand out (it's more effort, hence", "want it\") e-mails. ### Possible tweaks * Use the audio version as a", "I'm an expert in some demanded IT topic (I have an IT background).", "platforms (e. g. iTunes) to increase discoverability. * Put the audio versions on", "\"If you want to read more of my stuff for free, subscribe to", "want the improved version of this text to be published, please let me", "500 Euros ([99design](https://99designs.com/categories) says their starting price is 200 dollars, but in my", "Let's assume all chapters are 2000 words long. On Scribophile you first ", "I can write one good non-fiction book every year. Idea 6: Buy the", "three chapters of other people's books, and then someone edits your one", "(Facebook, Amazon etc.) ------------------------------------------------------------------------- This may work, once I have empirical data on", "novel range from 2000 Euros (2325 dollars) to 5700 Euros (6625 dollars) at", "results of my research (by-product of writing) on my blog. That may work.", "### Process 1. I write the first 120K book in a year. 2.", "bulk with a discount -------------------------------------------------------- If the size of the backlog reaches a", "I'm not sure this is the best investment of my time. There is", "need to lose hundreds/thousands of Euros figuring out Facebook ads before you can", "Publish one book per year. At the end of the book, add a", "revenue of the non-fiction book. Note that this has a drawback: It's much", "chapters of other people's books, and then * someone edits your one chapter", "fans) discounts or give them the book for free. * Feedback: By doing", "gets explosive popularity (many e-mails saying \"Yeah, I want the edited version of", "the published books starts to generate money, I invest that money into publishing", "a \"bundle\" with all parts in one place for 5 dollars (this saves", "the audio version of this and other chapters for free\"). * Put the", "another book) while the editor does the line edit. Then, I could publish", "most popular (by the number of \"I want it\") e-mails. ### Possible tweaks", "incentives. I could make the first out of 10 episodes free. The subsequent", "to know the demographics and psychographics of a fiction reader, unless you put", "I publish this one book. 4. During the rest of the year, I", "established yet. Rejected idea 8: Barter editing ------------------------------- There is the option of", "even, if no book makes any substantial sales during the first Y years.", "writing performance so that * I actually write first drafts of 100K-120K novels", "is ready, I can offer subscribers (early fans) discounts or give them the", "audio version and a note \"If you want the improved version of this", "on public platforms) of quality control (self-editing, editing by an editor). Idea 3:", "fiction through non-fiction books --------------------------------------------------------- 1. Write a non-fiction book that demonstrates that", "Pricing tricks: People respond to incentives. I could make the first out of", "4. During the rest of the year, I write and self-edit other 3", "* creating a cover - 500 Euros ([99design](https://99designs.com/categories) says their starting price is", "day? Assumptions * I have no published books yet and no mailing list.", "hour) consulting gigs. 3. Sell 100 hours of consulting per year, resulting in", "to edit 3 chunks of other people's writing in order to get one", "your chunk edited. Let's assume all chapters are 2000 words long. On Scribophile", "for the costs of one ----------------------------------------------------- ### Process 1. I write the first", "self-editing, read the self-edited text aloud and record it (for every chapter). 3.", "up the list so that when a person subscribes, they get access to", "I'm not sure I can write one good non-fiction book every year. Idea", "the edited version of this book\"), run a Kickstarter campaign to raise EUR", "book [2K to 10K](https://www.amazon.de/2k-10k-Writing-Faster-English-ebook/dp/B009NKXAWS/ref=sr_1_7?ie=UTF8&qid=1535284265&sr=8-7&keywords=rachel+aaron) by Rachel Aaron, * \"Write. Publish. Repeat\", and *", "I also don't believe in hiring some low-wage person to craft one of" ]
[ "less), character Alpha, a 14-year old daughter of a nobleman comes out as", "is a significantly more major character than Alpha. *I guess the scene's major", "the scene. (I do have multiple POVs. Brava is going to be holding", " Society is moderately accepting of homosexuality - it's treated as unfortunate (because", "other information about their magical powers etc.) * Society is moderately accepting of", "to be holding the POV-camera multiple times more. Alpha - not so much.)", "character Alpha, a 14-year old daughter of a nobleman comes out as a", "of homosexuality - it's treated as unfortunate (because the society prizes fertility), but", "Brava's POV. She is a significantly more major character than Alpha. I guess", "What tools can I use to tweak it, so there's more going on", "a significantly more major character than Alpha. I guess the scene's major problem", "lady of a noble household - ain't going to happen. It makes sense", "the ones who do sex ed, family counselling and similar duties. (Also some", "or \"unnatural\". * Adopted children cannot inherit land. The scene is told from", "going to be holding the POV-camera multiple times more. Alpha - not so", "I guess the scene's major problem is that the drama is all on", "the lady of a noble household - ain't going to happen. It makes", "I struggle with: it has potential for inherent drama, but it reads as", "with a more major character in the scene. (I do have multiple POVs.", "told from Brava's POV. She is a significantly more major character than Alpha.", "an emotional level nothing much is happening. How can I make the scene", "can I use to tweak it, so there's more going on than an", "from the side that's experiencing the internal conflict, the drama. However, it feels", "POVs. Brava is going to be holding the POV-camera multiple times more. Alpha", "sex-ed, but on an emotional level nothing much is happening. How can I", "internal conflict, the drama. However, it feels rather awkward to me to give", "\"wrong\" with her, but the way she thought her life is going to", "I need her to ask - that's the right age for sex-ed, but", "age for sex-ed, but on an emotional level nothing much is happening. How", "but the way she thought her life is going to be - marry", "let us view the story from the side that's experiencing the internal conflict,", "info dump. In a high-fantasy setting (more or less), character Alpha, a 14-year", "thought her life is going to be - marry a nobleman, raise children,", "a 14-year old daughter of a nobleman comes out as a lesbian to", "(because the society prizes fertility), but not \"sinful\" or \"unnatural\". * Adopted children", "The scene is told from Brava's POV. She is a significantly more major", "tools can I use to tweak it, so there's more going on than", "scene. (I do have multiple POVs. Brava is going to be holding the", "POV to a minor character with a more major character in the scene.", "ask - that's the right age for sex-ed, but on an emotional level", "side: she receives confirmation that no, she's not going to \"outgrow\" homosexuality, there's", "it's treated as unfortunate (because the society prizes fertility), but not \"sinful\" or", "a fertility priestess. The scene occurs relatively early in the story, and serves", "major character than Alpha. I guess the scene's major problem is that the", "a minor character with a more major character in the scene. (I do", "problem is that the drama is all on the non-POV character's side: she", "more interesting? What tools can I use to tweak it, so there's more", "I have a scene I struggle with: it has potential for inherent drama,", "to ask - that's the right age for sex-ed, but on an emotional", "so there's more going on than an info-dump? One way would be to", "much is happening. How can I make the scene more interesting? What tools", "all the questions I need her to ask - that's the right age", "be the lady of a noble household - ain't going to happen. It", "more major character than Alpha. I guess the scene's major problem is that", "have a scene I struggle with: it has potential for inherent drama, but", "right age for sex-ed, but on an emotional level nothing much is happening.", "or less), character Alpha, a 14-year old daughter of a nobleman comes out", "is going to be holding the POV-camera multiple times more. Alpha - not", "to convey the following information: * The fertility priestesses are the ones who", "the drama. However, it feels rather awkward to me to give the POV", "fertility priestesses are the ones who do sex ed, family counselling and similar", "setting (more or less), character Alpha, a 14-year old daughter of a nobleman", "the society prizes fertility), but not \"sinful\" or \"unnatural\". * Adopted children cannot", "POV. She is a significantly more major character than Alpha. *I guess the", "occurs relatively early in the story, and serves to convey the following information:", "children, be the lady of a noble household - ain't going to happen.", "\"sinful\" or \"unnatural\". Adopted children cannot inherit land. The scene is told", "major problem is that the drama is all on the non-POV character's side:", "all on the non-POV character's side: she receives confirmation that no, she's not", "to be - marry a nobleman, raise children, be the lady of a", "is happening. *How can I make the scene more interesting? What tools can", "Adopted children cannot inherit land. The scene is told from Brava's POV. She", "old to ask all the questions I need her to ask - that's", "powers etc.) Society is moderately accepting of homosexuality - it's treated as", "on an emotional level nothing much is happening. *How can I make the", "that no, she's not going to \"outgrow\" homosexuality, there's nothing \"wrong\" with her,", "\"unnatural\". Adopted children cannot inherit land. The scene is told from Brava's", "the POV-camera multiple times more. Alpha - not so much.) What other solutions", "a noble household - ain't going to happen. It makes sense for a", "info-dump?** One way would be to switch the POV - let us view", "14-year old to ask all the questions I need her to ask -", "but it reads as an info dump. In a high-fantasy setting (more or", "story, and serves to convey the following information: * The fertility priestesses are", "- that's the right age for sex-ed, but on an emotional level nothing", "Alpha. I guess the scene's major problem is that the drama is all", "(more or less), character Alpha, a 14-year old daughter of a nobleman comes", "going to be - marry a nobleman, raise children, be the lady of", "she thought her life is going to be - marry a nobleman, raise", "to character Brava, a fertility priestess. The scene occurs relatively early in the", "questions I need her to ask - that's the right age for sex-ed,", "with her, but the way she thought her life is going to be", "to a minor character with a more major character in the scene. (I", "the questions I need her to ask - that's the right age for", "can I make the scene more interesting? What tools can I use to", "use to tweak it, so there's more going on than an info-dump? One", "multiple POVs. 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What", "a scene I struggle with: it has potential for inherent drama, but it", "it feels rather awkward to me to give the POV to a minor", "One way would be to switch the POV - let us view the", "of a noble household - ain't going to happen. It makes sense for", "character's side: she receives confirmation that no, she's not going to \"outgrow\" homosexuality,", "the right age for sex-ed, but on an emotional level nothing much is", "daughter of a nobleman comes out as a lesbian to character Brava, a", "an info-dump? One way would be to switch the POV - let us", "moderately accepting of homosexuality - it's treated as unfortunate (because the society prizes", "sense for a 14-year old to ask all the questions I need her", "family counselling and similar duties. (Also some other information about their magical powers", "side that's experiencing the internal conflict, the drama. However, it feels rather awkward", "to tweak it, so there's more going on than an info-dump? One way", "story from the side that's experiencing the internal conflict, the drama. However, it", "- let us view the story from the side that's experiencing the internal", "Society is moderately accepting of homosexuality - it's treated as unfortunate (because the", "there's more going on than an info-dump? One way would be to switch", "drama. However, it feels rather awkward to me to give the POV to", "the way she thought her life is going to be - marry a", "similar duties. (Also some other information about their magical powers etc.) * Society", "but not \"sinful\" or \"unnatural\". * Adopted children cannot inherit land. The scene", "going to happen. It makes sense for a 14-year old to ask all", "POV-camera multiple times more. Alpha - not so much.) What other solutions are", "the POV to a minor character with a more major character in the", "confirmation that no, she's not going to \"outgrow\" homosexuality, there's nothing \"wrong\" with", "nobleman, raise children, be the lady of a noble household - ain't going", "me to give the POV to a minor character with a more major", "happening. *How can I make the scene more interesting? What tools can I", "nothing \"wrong\" with her, but the way she thought her life is going", "interesting? What tools can I use to tweak it, so there's more going", "to ask all the questions I need her to ask - that's the", "homosexuality - it's treated as unfortunate (because the society prizes fertility), but not", " The fertility priestesses are the ones who do sex ed, family counselling", "a nobleman, raise children, be the lady of a noble household - ain't", "significantly more major character than Alpha. I guess the scene's major problem is", "non-POV character's side: she receives confirmation that no, she's not going to \"outgrow\"", "ed, family counselling and similar duties. (Also some other information about their magical", "character than Alpha. *I guess the scene's major problem is that the drama", "has potential for inherent drama, but it reads as an info dump. In", "minor character with a more major character in the scene. (I do have", "would be to switch the POV - let us view the story from", "It makes sense for a 14-year old to ask all the questions I", "makes sense for a 14-year old to ask all the questions I need", "drama, but it reads as an info dump. In a high-fantasy setting (more", "high-fantasy setting (more or less), character Alpha, a 14-year old daughter of a", "is told from Brava's POV. She is a significantly more major character than", "and serves to convey the following information: The fertility priestesses are the", "multiple times more. Alpha - not so much.) What other solutions are there?", "is that the drama is all on the non-POV character's side: she receives", "in the scene. (I do have multiple POVs. Brava is going to be", "scene is told from Brava's POV. She is a significantly more major character", "for sex-ed, but on an emotional level nothing much is happening. How can", "do sex ed, family counselling and similar duties. (Also some other information about", "lesbian to character Brava, a fertility priestess. The scene occurs relatively early in", "Alpha, a 14-year old daughter of a nobleman comes out as a lesbian", "there's nothing \"wrong\" with her, but the way she thought her life is", "experiencing the internal conflict, the drama. However, it feels rather awkward to me", "going on than an info-dump? One way would be to switch the POV", "to \"outgrow\" homosexuality, there's nothing \"wrong\" with her, but the way she thought", "from Brava's POV. She is a significantly more major character than Alpha. I", "sex ed, family counselling and similar duties. (Also some other information about their", "that the drama is all on the non-POV character's side: she receives confirmation", "it, so there's more going on than an info-dump? One way would be", "scene I struggle with: it has potential for inherent drama, but it reads", "household - ain't going to happen. It makes sense for a 14-year old", "character in the scene. (I do have multiple POVs. Brava is going to", "information about their magical powers etc.) * Society is moderately accepting of homosexuality", "character with a more major character in the scene. (I do have multiple", "feels rather awkward to me to give the POV to a minor character", "awkward to me to give the POV to a minor character with a", "some other information about their magical powers etc.) * Society is moderately accepting", "- it's treated as unfortunate (because the society prizes fertility), but not \"sinful\"", "about their magical powers etc.) * Society is moderately accepting of homosexuality -", "inherit land. The scene is told from Brava's POV. She is a significantly", "more major character in the scene. (I do have multiple POVs. Brava is", "with: it has potential for inherent drama, but it reads as an info", "cannot inherit land. The scene is told from Brava's POV. She is a", "more going on than an info-dump?** One way would be to switch the", "homosexuality, there's nothing \"wrong\" with her, but the way she thought her life", "scene's major problem is that the drama is all on the non-POV character's", "priestess. The scene occurs relatively early in the story, and serves to convey", "However, it feels rather awkward to me to give the POV to a", "accepting of homosexuality - it's treated as unfortunate (because the society prizes fertility),", "ones who do sex ed, family counselling and similar duties. (Also some other", "be - marry a nobleman, raise children, be the lady of a noble", "the story from the side that's experiencing the internal conflict, the drama. However,", "give the POV to a minor character with a more major character in", "her to ask - that's the right age for sex-ed, but on an", "are the ones who do sex ed, family counselling and similar duties. (Also", "a more major character in the scene. (I do have multiple POVs. Brava", "view the story from the side that's experiencing the internal conflict, the drama.", "priestesses are the ones who do sex ed, family counselling and similar duties.", "major character in the scene. (I do have multiple POVs. Brava is going", "early in the story, and serves to convey the following information: * The", "guess the scene's major problem is that the drama is all on the", "ain't going to happen. It makes sense for a 14-year old to ask", "her life is going to be - marry a nobleman, raise children, be", "*How can I make the scene more interesting? What tools can I use", "treated as unfortunate (because the society prizes fertility), but not \"sinful\" or \"unnatural\".", "14-year old daughter of a nobleman comes out as a lesbian to character", "- marry a nobleman, raise children, be the lady of a noble household", "a 14-year old to ask all the questions I need her to ask", "potential for inherent drama, but it reads as an info dump. In a", "dump. In a high-fantasy setting (more or less), character Alpha, a 14-year old", "a high-fantasy setting (more or less), character Alpha, a 14-year old daughter of", "In a high-fantasy setting (more or less), character Alpha, a 14-year old daughter", "out as a lesbian to character Brava, a fertility priestess. The scene occurs", "- ain't going to happen. It makes sense for a 14-year old to", "old daughter of a nobleman comes out as a lesbian to character Brava,", "a lesbian to character Brava, a fertility priestess. The scene occurs relatively early", "her, but the way she thought her life is going to be -", "who do sex ed, family counselling and similar duties. (Also some other information", "no, she's not going to \"outgrow\" homosexuality, there's nothing \"wrong\" with her, but", "do have multiple POVs. Brava is going to be holding the POV-camera multiple", "the side that's experiencing the internal conflict, the drama. However, it feels rather", "(Also some other information about their magical powers etc.) Society is moderately", "relatively early in the story, and serves to convey the following information: ", "of a nobleman comes out as a lesbian to character Brava, a fertility", "happen. It makes sense for a 14-year old to ask all the questions", "than Alpha. I guess the scene's major problem is that the drama is", "etc.) Society is moderately accepting of homosexuality - it's treated as unfortunate", "to give the POV to a minor character with a more major character", "nobleman comes out as a lesbian to character Brava, a fertility priestess. The", "Brava is going to be holding the POV-camera multiple times more. Alpha -", "not going to \"outgrow\" homosexuality, there's nothing \"wrong\" with her, but the way", "magical powers etc.) * Society is moderately accepting of homosexuality - it's treated", "for inherent drama, but it reads as an info dump. In a high-fantasy", "marry a nobleman, raise children, be the lady of a noble household -", "us view the story from the side that's experiencing the internal conflict, the", "POV - let us view the story from the side that's experiencing the", "going to \"outgrow\" homosexuality, there's nothing \"wrong\" with her, but the way she", "scene occurs relatively early in the story, and serves to convey the following", "reads as an info dump. In a high-fantasy setting (more or less), character", "The fertility priestesses are the ones who do sex ed, family counselling and", "drama is all on the non-POV character's side: she receives confirmation that no,", "tweak it, so there's more going on than an info-dump? One way would", "she receives confirmation that no, she's not going to \"outgrow\" homosexuality, there's nothing", "noble household - ain't going to happen. It makes sense for a 14-year" ]
[ "and 'soft' science fiction. But even then, it can be hard to know", "is not really clear how little science 'soft science fiction' is allowed to", "place and treat your story, and it is not really clear how little", "be hard to know what sort of categorization in which to place and", "not really clear how little science 'soft science fiction' is allowed to have.", "it can be hard to know what sort of categorization in which to", "to place and treat your story, and it is not really clear how", "But even then, it can be hard to know what sort of categorization", "which to place and treat your story, and it is not really clear", "your story, and it is not really clear how little science 'soft science", "it is not really clear how little science 'soft science fiction' is allowed", "then, it can be hard to know what sort of categorization in which", "and treat your story, and it is not really clear how little science", "even then, it can be hard to know what sort of categorization in", "sort of categorization in which to place and treat your story, and it", "'hard' and 'soft' science fiction. But even then, it can be hard to", "a difference between 'hard' and 'soft' science fiction. But even then, it can", "story, and it is not really clear how little science 'soft science fiction'", "hard to know what sort of categorization in which to place and treat", "what sort of categorization in which to place and treat your story, and", "there is a difference between 'hard' and 'soft' science fiction. But even then,", "science fiction. But even then, it can be hard to know what sort", "between 'hard' and 'soft' science fiction. But even then, it can be hard", "know there is a difference between 'hard' and 'soft' science fiction. But even", "difference between 'hard' and 'soft' science fiction. But even then, it can be", "of categorization in which to place and treat your story, and it is", "to know what sort of categorization in which to place and treat your", "is a difference between 'hard' and 'soft' science fiction. But even then, it", "'soft' science fiction. But even then, it can be hard to know what", "categorization in which to place and treat your story, and it is not", "can be hard to know what sort of categorization in which to place", "treat your story, and it is not really clear how little science 'soft", "know what sort of categorization in which to place and treat your story,", "fiction. But even then, it can be hard to know what sort of", "I know there is a difference between 'hard' and 'soft' science fiction. But", "in which to place and treat your story, and it is not really", "and it is not really clear how little science 'soft science fiction' is" ]
[ "end. > > > Kind regards, > > > I know it's not", "> > > Kind regards, > > > I know it's not necessary,", "> > > I know it's not necessary, but I'm wondering how functional", "necessary, but I'm wondering how functional the smiley would be. I'm just trying", "too hasty or pushy. I was thinking of something like: > > Good", "> > Please let me know if there's anything else required from my", "this email :) > > > Please let me know if there's anything", "neutral as possible and not too pushy. Does using a smiley in this", "there's anything else required from my end. > > > Kind regards, >", "A potential employer promised me a response but hasn't sent one yet, and", "employer promised me a response but hasn't sent one yet, and I'd like", "if you had a chance to consider my resume. > > > I've", "follow up by email. It's a potential job opportunity, and it'd be detrimental", "regards, > > > I know it's not necessary, but I'm wondering how", "and not too pushy. Does using a smiley in this context help or", "not too pushy. Does using a smiley in this context help or hurt,", "promised me a response but hasn't sent one yet, and I'd like to", "response but hasn't sent one yet, and I'd like to follow up by", "like to follow up by email. It's a potential job opportunity, and it'd", "me a response but hasn't sent one yet, and I'd like to follow", "Does using a smiley in this context help or hurt, or does it", "> > > I was wondering if you had a chance to consider", "to follow up by email. It's a potential job opportunity, and it'd be", "email. It's a potential job opportunity, and it'd be detrimental to sound too", "anything else required from my end. > > > Kind regards, > >", "> > I know it's not necessary, but I'm wondering how functional the", "a smiley in this context help or hurt, or does it not matter?", "wondering how functional the smiley would be. I'm just trying to make this", "I'm just trying to make this sound as friendly and neutral as possible", "or pushy. I was thinking of something like: > > Good morning, >", "one yet, and I'd like to follow up by email. It's a potential", "potential job opportunity, and it'd be detrimental to sound too hasty or pushy.", "> > I was wondering if you had a chance to consider my", "pushy. Does using a smiley in this context help or hurt, or does", "you had a chance to consider my resume. > > > I've also", "but I'm wondering how functional the smiley would be. I'm just trying to", "would be. I'm just trying to make this sound as friendly and neutral", "and it'd be detrimental to sound too hasty or pushy. I was thinking", "I know it's not necessary, but I'm wondering how functional the smiley would", "too pushy. Does using a smiley in this context help or hurt, or", "> > > I've also attached my cover letter with this email :)", "I'd like to follow up by email. It's a potential job opportunity, and", "> Please let me know if there's anything else required from my end.", "opportunity, and it'd be detrimental to sound too hasty or pushy. I was", "> I've also attached my cover letter with this email :) > >", "email :) > > > Please let me know if there's anything else", "I was thinking of something like: > > Good morning, > > >", "wondering if you had a chance to consider my resume. > > >", "possible and not too pushy. Does using a smiley in this context help", "something like: > > Good morning, > > > I was wondering if", "of something like: > > Good morning, > > > I was wondering", "required from my end. > > > Kind regards, > > > I", "using a smiley in this context help or hurt, or does it not", "consider my resume. > > > I've also attached my cover letter with", "> I was wondering if you had a chance to consider my resume.", "hasty or pushy. I was thinking of something like: > > Good morning,", "just trying to make this sound as friendly and neutral as possible and", "Kind regards, > > > I know it's not necessary, but I'm wondering", "cover letter with this email :) > > > Please let me know", "was wondering if you had a chance to consider my resume. > >", "> > Kind regards, > > > I know it's not necessary, but", "make this sound as friendly and neutral as possible and not too pushy.", "letter with this email :) > > > Please let me know if", "a chance to consider my resume. > > > I've also attached my", "sound too hasty or pushy. I was thinking of something like: > >", "was thinking of something like: > > Good morning, > > > I", "morning, > > > I was wondering if you had a chance to", "it's not necessary, but I'm wondering how functional the smiley would be. I'm", "trying to make this sound as friendly and neutral as possible and not", "> > > Please let me know if there's anything else required from", "job opportunity, and it'd be detrimental to sound too hasty or pushy. I", "not necessary, but I'm wondering how functional the smiley would be. I'm just", "attached my cover letter with this email :) > > > Please let", "to consider my resume. > > > I've also attached my cover letter", "if there's anything else required from my end. > > > Kind regards,", "> > Good morning, > > > I was wondering if you had", "Please let me know if there's anything else required from my end. >", "functional the smiley would be. I'm just trying to make this sound as", "had a chance to consider my resume. > > > I've also attached", "I'm wondering how functional the smiley would be. I'm just trying to make", "sound as friendly and neutral as possible and not too pushy. Does using", "yet, and I'd like to follow up by email. It's a potential job", "with this email :) > > > Please let me know if there's", "I've also attached my cover letter with this email :) > > >", "know if there's anything else required from my end. > > > Kind", "also attached my cover letter with this email :) > > > Please", "from my end. > > > Kind regards, > > > I know", "as friendly and neutral as possible and not too pushy. Does using a", "my resume. > > > I've also attached my cover letter with this", "be detrimental to sound too hasty or pushy. I was thinking of something", "> Kind regards, > > > I know it's not necessary, but I'm", "know it's not necessary, but I'm wondering how functional the smiley would be.", "resume. > > > I've also attached my cover letter with this email", "let me know if there's anything else required from my end. > >", "hasn't sent one yet, and I'd like to follow up by email. It's", "me know if there's anything else required from my end. > > >", "smiley would be. I'm just trying to make this sound as friendly and", "it'd be detrimental to sound too hasty or pushy. I was thinking of", "be. I'm just trying to make this sound as friendly and neutral as", "> > I've also attached my cover letter with this email :) >", "but hasn't sent one yet, and I'd like to follow up by email.", "to sound too hasty or pushy. I was thinking of something like: >", "potential employer promised me a response but hasn't sent one yet, and I'd", "my cover letter with this email :) > > > Please let me", "how functional the smiley would be. I'm just trying to make this sound", "and neutral as possible and not too pushy. Does using a smiley in", "thinking of something like: > > Good morning, > > > I was", "Good morning, > > > I was wondering if you had a chance", "and I'd like to follow up by email. It's a potential job opportunity,", "my end. > > > Kind regards, > > > I know it's", "I was wondering if you had a chance to consider my resume. >", "a potential job opportunity, and it'd be detrimental to sound too hasty or", "sent one yet, and I'd like to follow up by email. It's a", "else required from my end. > > > Kind regards, > > >", "> I know it's not necessary, but I'm wondering how functional the smiley", "> Good morning, > > > I was wondering if you had a", "chance to consider my resume. > > > I've also attached my cover", "It's a potential job opportunity, and it'd be detrimental to sound too hasty", "as possible and not too pushy. Does using a smiley in this context", "this sound as friendly and neutral as possible and not too pushy. Does", "up by email. It's a potential job opportunity, and it'd be detrimental to", ":) > > > Please let me know if there's anything else required", "friendly and neutral as possible and not too pushy. Does using a smiley", "by email. It's a potential job opportunity, and it'd be detrimental to sound", "like: > > Good morning, > > > I was wondering if you", "the smiley would be. I'm just trying to make this sound as friendly", "to make this sound as friendly and neutral as possible and not too", "detrimental to sound too hasty or pushy. I was thinking of something like:", "a response but hasn't sent one yet, and I'd like to follow up", "pushy. I was thinking of something like: > > Good morning, > >" ]
[ "his hands up in exasperation and slumped in his seat. ‘There’s a circus", "exasperation and slumped in his seat. ‘There’s a circus there, though.’ > >", "some actual investigating. > > > I don't know how to re-write this", "well, but it did have a glass floor that looked over the garage.", "(I re-wrote the whole paragraph and used the suggestions you guys gave me,", "the suggestions you guys gave me, this is the improved result.) > >", "were no windows in the study, and no clock as well, but it", "if they were selling similar beasts (they were, but none that matched his", "his arm, grabbed his coat, and began packing for a long trip. >", "were, but none that matched his description). ‘This is ridiculous,’ Graysub thought to", "the open space. There were no windows in the study, and no clock", "source, but there’s only this lead for India,’ he threw his hands up", "chair was leaning against the far wall, facing the center if the open", "nothing, so he logged off and grabbed his coat. He was doing some", "off and grabbed his coat. He was doing some actual investigating. > >", "investigating. > > > I don't know how to re-write this without changing", "know how to re-write this without changing half of my story's technology. Can", "For clarification, I am not asking you to fix it, just asking for", "it did have a glass floor that looked over the garage. He saw", "to himself, rubbing his calloused hands over his exhausted face. ‘I need to", "need to go to the source, but there’s only this lead for India,’", "his own. He smiled a little and sat down in the chair, scooting", "computer Chipped into his Arm??? > > Graysub entered his study, he got", "the whole paragraph and used the suggestions you guys gave me, this is", "beside his own. He smiled a little and sat down in the chair,", "some pointers on how to change it? For clarification, I am not asking", "he entered his login information, he immediately began a dutiful search of the", "little and sat down in the chair, scooting it to the edge of", "a laptop, when he literally has a computer Chipped into his Arm??? >", "the study, and no clock as well, but it did have a glass", "and turn the lights on, the bright fluorescent bulbs illuminated the bare, white", "my character pulling out a laptop, when he literally has a computer Chipped", "he logged off and grabbed his coat. He was doing some actual investigating.", "on and entered his code: 5073029. Haku’s birthday. He began immediately and searched", "did have a glass floor that looked over the garage. He saw down", "desk, where he turned the power button on and entered his code: 5073029.", "He was doing some actual investigating. > > > I don't know how", "right beside his own. He smiled a little and sat down in the", "center of the table, waiting to be used. Graysub walked back to close", "face. ‘I need to go to the source, but there’s only this lead", "Graysub walked back to close the door and turn the lights on, the", "of it’s briefcase and turned it on, the loading screen took a long", "Arm??? > > Graysub entered his study, he got his computer out of", "story's technology. Can I get some pointers on how to change it? For", "re-write this without changing half of my story's technology. Can I get some", "arm, grabbed his coat, and began packing for a long trip. > >", "see if they were selling similar beasts (they were, but none that matched", "Graysub entered his study, he got his computer out of it’s briefcase and", "himself, rubbing his calloused hands over his exhausted face. ‘I need to go", "features. After about two hours of searching, he came up with nothing, so", "his coat. He was doing some actual investigating. > > > I don't", "in his seat. ‘There’s a circus there, though.’ > > > He downloaded", "(for security purposes), Graysub entered the third room on the right in his", "the World Wide Web for renowned scientists. His search for biological scientists was", "this without changing half of my story's technology. Can I get some pointers", "of the desk, where he turned the power button on and entered his", "searched for key terms and physical features. After about two hours of searching,", "birthday. He began immediately and searched the World Wide Web for renowned scientists.", "no windows in the study, and no clock as well, but it did", "his Arm??? > > Graysub entered his study, he got his computer out", "out a laptop, when he literally has a computer Chipped into his Arm???", "extensive, and deep. He managed to get in touch with the black market", "(they were, but none that matched his description). ‘This is ridiculous,’ Graysub thought", "searched the World Wide Web for renowned scientists. His search for biological scientists", "for renowned scientists. His search for biological scientists was extensive, and deep. He", "you to fix it, just asking for pointers (I re-wrote the whole paragraph", "Can I get some pointers on how to change it? For clarification, I", "his white metallic fibre desk, now browning with age. The old relic from", "past sat in the center of the table, waiting to be used. Graysub", "old relic from his past sat in the center of the table, waiting", "to change it? For clarification, I am not asking you to fix it,", "me, this is the improved result.) > > Still owning a laptop (for", "black market to see if they were selling similar beasts (they were, but", "but there’s only this lead for India,’ he threw his hands up in", "it to the edge of the desk, where he turned the power button", "clock as well, but it did have a glass floor that looked over", "my story's technology. Can I get some pointers on how to change it?", "to go to the source, but there’s only this lead for India,’ he", "fix it, just asking for pointers* (I re-wrote the whole paragraph and used", "He saw down to his car and hover bike, Haku’s was homemade and", "briefcase and turned it on, the loading screen took a long time and", "computer out of it’s briefcase and turned it on, the loading screen took", "in his arm, grabbed his coat, and began packing for a long trip.", "with the black market to see if they were selling similar beasts (they", "details for the circus into his holophane computer in his arm, grabbed his", "the lights on, the bright fluorescent bulbs illuminated the bare, white room. His", "Wide Web for renowned scientists. His search for biological scientists was extensive, and", "slumped in his seat. ‘There’s a circus there, though.’ > > > He", "he immediately began a dutiful search of the chimera in his living room.", "I am not asking you to fix it, just asking for pointers* (I", "room on the right in his home -his study- to research. Gesty from", "the right in his home -his study- to research. Gesty from disuse, he", "used. Graysub walked back to close the door and turn the lights on,", "how to re-write this without changing half of my story's technology. Can I", "laptop, when he literally has a computer Chipped into his Arm??? > >", "button on and entered his code: 5073029. Haku’s birthday. He began immediately and", "he came up with nothing, so he logged off and grabbed his coat.", "for the circus into his holophane computer in his arm, grabbed his coat,", "deep. He managed to get in touch with the black market to see", "off his white metallic fibre desk, now browning with age. The old relic", "> > Graysub entered his study, he got his computer out of it’s", "is ridiculous,’ Graysub thought to himself, rubbing his calloused hands over his exhausted", "threw his hands up in exasperation and slumped in his seat. ‘There’s a", "he wiped off his white metallic fibre desk, now browning with age. The", "in the center of the table, waiting to be used. Graysub walked back", "no clock as well, but it did have a glass floor that looked", "the details for the circus into his holophane computer in his arm, grabbed", "bike, Haku’s was homemade and parked right beside his own. He smiled a", "on, the bright fluorescent bulbs illuminated the bare, white room. His desk chair", "long time and when he entered his login information, he immediately began a", "illuminated the bare, white room. His desk chair was leaning against the far", "owning a laptop (for security purposes), Graysub entered the third room on the", "against the far wall, facing the center if the open space. There were", "a long time and when he entered his login information, he immediately began", "Haku’s birthday. He began immediately and searched the World Wide Web for renowned", "I wrote this paragraph with my character pulling out a laptop, when he", "he got his computer out of it’s briefcase and turned it on, the", "and searched the World Wide Web for renowned scientists. His search for biological", "-his study- to research. Gesty from disuse, he wiped off his white metallic", "research. Gesty from disuse, he wiped off his white metallic fibre desk, now", "a circus there, though.’ > > > He downloaded the details for the", "open space. There were no windows in the study, and no clock as", "information, he immediately began a dutiful search of the chimera in his living", "be used. Graysub walked back to close the door and turn the lights", "with age. The old relic from his past sat in the center of", "for India,’ he threw his hands up in exasperation and slumped in his", "hands up in exasperation and slumped in his seat. ‘There’s a circus there,", "result.) > > Still owning a laptop (for security purposes), Graysub entered the", "laptop (for security purposes), Graysub entered the third room on the right in", "two hours of searching, he came up with nothing, so he logged off", "After about two hours of searching, he came up with nothing, so he", "to fix it, just asking for pointers* (I re-wrote the whole paragraph and", "about two hours of searching, he came up with nothing, so he logged", "in the study, and no clock as well, but it did have a", "entered his code: 5073029. Haku’s birthday. 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So the boy is most likely to be bullied and that", "a trouble maker kind of girl but she is also very playful, funny", "seem real and believable? How do you develop the relationship between the characters?", "I don't want her to be in Love with him out of sympathy,", "meant she isn't that kind of girl who will notice a bullied person", "the boy is most likely to be bullied and that turned out to", "There is also a girl character who is super popular in that school.", "and believable. Here is the backstory: The main character is a boy from", "also very playful, funny and childish. My general question is this: What makes", "much higher class society and family. So the boy is most likely to", "is not the motherly type creature in general. So I can't make her", "of girl but she is also very playful, funny and childish. My general", "to make their romance seem real and believable. Here is the backstory: The", "another big city and attend a prestigious school. In the school every other", "can't find a way to make their romance seem real and believable. Here", "is this: What makes a fictional romance seem real and believable? How do", "boy from a lower class family. He got a chance to go to", "turned out to be true. There is also a girl character who is", "boy is most likely to be bullied and that turned out to be", "a lower class family. He got a chance to go to another big", "to another big city and attend a prestigious school. In the school every", "with him out of sympathy, that would be pathetic. She is actually a", "story. My story centers around two characters falling in love, but I can't", "that would be pathetic. She is actually a trouble maker kind of girl", "be in Love with him out of sympathy, that would be pathetic. She", "the girl character is not mean. I meant she isn't that kind of", "girl character is not the motherly type creature in general. So I can't", "maker kind of girl but she is also very playful, funny and childish.", "trouble maker kind of girl but she is also very playful, funny and", "is not mean. I meant she isn't that kind of girl who will", "reasonable way to tie most popular girl to the most bullied boy ever.", "to be true. There is also a girl character who is super popular", "I'm writing a high school romance story. My story centers around two characters", "to tie most popular girl to the most bullied boy ever. ALSO, the", "make their romance seem real and believable. Here is the backstory: The main", "a high school romance story. My story centers around two characters falling in", "with him out of kindness and generosity. No, the girl character is not", "is most likely to be bullied and that turned out to be true.", "the girl character is not the motherly type creature in general. So I", "funny and childish. My general question is this: What makes a fictional romance", "family. He got a chance to go to another big city and attend", "most popular girl to the most bullied boy ever. ALSO, the girl character", "she is also very playful, funny and childish. My general question is this:", "He got a chance to go to another big city and attend a", "will notice a bullied person and necessarily feel like helping him. Also I", "I meant she isn't that kind of girl who will notice a bullied", "to go to another big city and attend a prestigious school. In the", "a bullied person and necessarily feel like helping him. Also I don't want", "general question is this: What makes a fictional romance seem real and believable?", "every other child is from a much higher class society and family. So", "want her to be in Love with him out of sympathy, that would", "is actually a trouble maker kind of girl but she is also very", "that turned out to be true. There is also a girl character who", "not mean. I meant she isn't that kind of girl who will notice", "want my main character and this girl character to fall in love with", "popular girl to the most bullied boy ever. ALSO, the girl character is", "romance seem real and believable? How do you develop the relationship between the", "a reasonable way to tie most popular girl to the most bullied boy", "boy ever. ALSO, the girl character is not the motherly type creature in", "big city and attend a prestigious school. In the school every other child", "girl character is not mean. I meant she isn't that kind of girl", "bullied person and necessarily feel like helping him. Also I don't want her", "person and necessarily feel like helping him. Also I don't want her to", "fictional romance seem real and believable? How do you develop the relationship between", "fall in love with each other, but not finding a reasonable way to", "character and this girl character to fall in love with each other, but", "other, but not finding a reasonable way to tie most popular girl to", "character is a boy from a lower class family. He got a chance", "lower class family. He got a chance to go to another big city", "be bullied and that turned out to be true. There is also a", "Love with him out of sympathy, that would be pathetic. She is actually", "the backstory: The main character is a boy from a lower class family.", "is a boy from a lower class family. He got a chance to", "got a chance to go to another big city and attend a prestigious", "generosity. No, the girl character is not mean. I meant she isn't that", "type creature in general. So I can't make her fall in love with", "she isn't that kind of girl who will notice a bullied person and", "character to fall in love with each other, but not finding a reasonable", "is super popular in that school. I want my main character and this", "attend a prestigious school. In the school every other child is from a", "sympathy, that would be pathetic. She is actually a trouble maker kind of", "who is super popular in that school. I want my main character and", "her to be in Love with him out of sympathy, that would be", "backstory: The main character is a boy from a lower class family. He", "find a way to make their romance seem real and believable. Here is", "school. In the school every other child is from a much higher class", "tie most popular girl to the most bullied boy ever. ALSO, the girl", "in love, but I can't find a way to make their romance seem", "general. So I can't make her fall in love with him out of", "of kindness and generosity. No, the girl character is not mean. I meant", "necessarily feel like helping him. Also I don't want her to be in", "school. I want my main character and this girl character to fall in", "and that turned out to be true. There is also a girl character", "in general. So I can't make her fall in love with him out", "out of sympathy, that would be pathetic. She is actually a trouble maker", "be pathetic. She is actually a trouble maker kind of girl but she", "girl character who is super popular in that school. I want my main", "way to tie most popular girl to the most bullied boy ever. ALSO,", "girl to the most bullied boy ever. ALSO, the girl character is not", "ever. ALSO, the girl character is not the motherly type creature in general.", "and generosity. No, the girl character is not mean. I meant she isn't", "this girl character to fall in love with each other, but not finding", "So I can't make her fall in love with him out of kindness", "him out of sympathy, that would be pathetic. She is actually a trouble", "actually a trouble maker kind of girl but she is also very playful,", "of sympathy, that would be pathetic. She is actually a trouble maker kind", "that kind of girl who will notice a bullied person and necessarily feel", "don't want her to be in Love with him out of sympathy, that" ]
[ "exposure to noom radiation. > > > As an alternative, I could move", "previous belief, we find that floob concentrations stay > below hazardous levels, when", "noom radiation. > > > As an alternative, I could move the content", "anorganic blamf synthesis.) The fleeblesheeme coating, which > we apply at 142° Celsius,", "are discussed in Section 2. Finally, in Section 3, > we apply our", "(714.A314). > Contrary to previous belief, we find that floob concentrations stay >", "At this point, however, they would lose their function to prevent readers from", "without the first pair of parentheses (but with the parenthesized sentence in the", "to analyze > floob concentrations in groat dairy. (Despite the similar name, this", "a krimkram lubricator for the production of shleem > films in anorganic blamf", "stay > below hazardous levels, when consumption occurs around midnight > without direct", "direct exposure to noom radiation. > > > As an alternative, I could", "the plumbus' dingle bop. To accelerate the subsequent > re-hydration, we follow the", "apply at 142° Celsius, sensitizes our plumbus to groat dairy when > submerged", "find that floob concentrations stay > below hazardous levels, when consumption occurs around", "I could move the content of the parentheses to the end of the", "the floob of their yeanlings for three to four minutes. > After a", "to four minutes. > After a short cooling period, the floob coefficients can", "> re-hydration, we follow the warming scheme of Grumbles. The necessary > optimization", "statement but not to the central story. Is it bad style in scientific", "we follow the warming scheme of Grumbles. The necessary > optimization steps are", "we find that floob concentrations stay > below hazardous levels, when consumption occurs", "alternative, I could move the content of the parentheses to the end of", "to a previous statement but not to the central story. Is it bad", "accelerate the subsequent > re-hydration, we follow the warming scheme of Grumbles. The", "which > we apply at 142° Celsius, sensitizes our plumbus to groat dairy", "around midnight > without direct exposure to noom radiation. > > > As", "of parentheses (but with the parenthesized sentence in the same position)? > >", "optimization steps are discussed in Section 2. Finally, in Section 3, > we", "parenthesized sentence in the same position)? > > We use a fleeblesheemed plumbus", "not to the central story. Is it bad style in scientific writing to", "plumbus to analyze > floob concentrations in groat dairy. (Despite the similar name,", "dairy. (Despite the similar name, this > idea is not related to the", "> As an alternative, I could move the content of the parentheses to", "lubricator for the production of shleem > films in anorganic blamf synthesis.) The", "discussed in Section 2. Finally, in Section 3, > we apply our fleeblesheemed", "> off the plumbus' dingle bop. To accelerate the subsequent > re-hydration, we", "floogro (714.A314). > Contrary to previous belief, we find that floob concentrations stay", "sensitizes our plumbus to groat dairy when > submerged in the floob of", "be read > off the plumbus' dingle bop. To accelerate the subsequent >", "to the end of the paragraph. At this point, however, they would lose", "concentrations stay > below hazardous levels, when consumption occurs around midnight > without", "similar name, this > idea is not related to the plumb-o-fleeb machine of", "parentheses to the end of the paragraph. At this point, however, they would", "I occasionally use parentheses in scientific writing when a piece of information is", "contain more than a handful of words or even full sentences? For example,", "yeanlings for three to four minutes. > After a short cooling period, the", "handful of words or even full sentences? For example, would the following paragraph", "the parentheses to the end of the paragraph. At this point, however, they", "of shleem > films in anorganic blamf synthesis.) The fleeblesheeme coating, which >", "as a krimkram lubricator for the production of shleem > films in anorganic", "four minutes. > After a short cooling period, the floob coefficients can then", "subsequent > re-hydration, we follow the warming scheme of Grumbles. The necessary >", "floob coefficients can then be read > off the plumbus' dingle bop. To", "Grumbles. The necessary > optimization steps are discussed in Section 2. Finally, in", "parentheses that contain more than a handful of words or even full sentences?", "to the central story. Is it bad style in scientific writing to use", "dingle bop. To accelerate the subsequent > re-hydration, we follow the warming scheme", "shleem > films in anorganic blamf synthesis.) The fleeblesheeme coating, which > we", "in Section 3, > we apply our fleeblesheemed plumbus to 2016 floogro (714.A314).", "to use parentheses that contain more than a handful of words or even", "concentrations in groat dairy. (Despite the similar name, this > idea is not", "the following paragraph be better without the first pair of parentheses (but with", "style in scientific writing to use parentheses that contain more than a handful", "is used as a krimkram lubricator for the production of shleem > films", "plumbus to groat dairy when > submerged in the floob of their yeanlings", "> > We use a fleeblesheemed plumbus to analyze > floob concentrations in", "scientific writing when a piece of information is related to a previous statement", "when a piece of information is related to a previous statement but not", "we apply our fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary to previous", "al., > which is used as a krimkram lubricator for the production of", "use parentheses that contain more than a handful of words or even full", "the end of the paragraph. At this point, however, they would lose their", "in scientific writing to use parentheses that contain more than a handful of", "that contain more than a handful of words or even full sentences? For", "films in anorganic blamf synthesis.) The fleeblesheeme coating, which > we apply at", "The fleeblesheeme coating, which > we apply at 142° Celsius, sensitizes our plumbus", "paragraph be better without the first pair of parentheses (but with the parenthesized", "is not related to the plumb-o-fleeb machine of Kimble et al., > which", "below hazardous levels, when consumption occurs around midnight > without direct exposure to", "the production of shleem > films in anorganic blamf synthesis.) The fleeblesheeme coating,", "same position)? > > We use a fleeblesheemed plumbus to analyze > floob", "not related to the plumb-o-fleeb machine of Kimble et al., > which is", "of the parentheses to the end of the paragraph. At this point, however,", "> We use a fleeblesheemed plumbus to analyze > floob concentrations in groat", "After a short cooling period, the floob coefficients can then be read >", "our fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary to previous belief, we", "first pair of parentheses (but with the parenthesized sentence in the same position)?", "idea is not related to the plumb-o-fleeb machine of Kimble et al., >", "in the same position)? > > We use a fleeblesheemed plumbus to analyze", "position)? > > We use a fleeblesheemed plumbus to analyze > floob concentrations", "information is related to a previous statement but not to the central story.", "the subsequent > re-hydration, we follow the warming scheme of Grumbles. The necessary", "read > off the plumbus' dingle bop. To accelerate the subsequent > re-hydration,", "> optimization steps are discussed in Section 2. Finally, in Section 3, >", "of words or even full sentences? For example, would the following paragraph be", "piece of information is related to a previous statement but not to the", "could move the content of the parentheses to the end of the paragraph.", "> we apply at 142° Celsius, sensitizes our plumbus to groat dairy when", "content of the parentheses to the end of the paragraph. At this point,", "sentences? For example, would the following paragraph be better without the first pair", "steps are discussed in Section 2. Finally, in Section 3, > we apply", "parentheses in scientific writing when a piece of information is related to a", "this > idea is not related to the plumb-o-fleeb machine of Kimble et", "follow the warming scheme of Grumbles. The necessary > optimization steps are discussed", "off the plumbus' dingle bop. To accelerate the subsequent > re-hydration, we follow", "paragraph. At this point, however, they would lose their function to prevent readers", "this point, however, they would lose their function to prevent readers from possible", "> submerged in the floob of their yeanlings for three to four minutes.", "fleeblesheeme coating, which > we apply at 142° Celsius, sensitizes our plumbus to", "apply our fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary to previous belief,", "in groat dairy. (Despite the similar name, this > idea is not related", "our plumbus to groat dairy when > submerged in the floob of their", "floob concentrations in groat dairy. (Despite the similar name, this > idea is", "when consumption occurs around midnight > without direct exposure to noom radiation. >", "period, the floob coefficients can then be read > off the plumbus' dingle", "end of the paragraph. At this point, however, they would lose their function", "minutes. > After a short cooling period, the floob coefficients can then be", "even full sentences? For example, would the following paragraph be better without the", "bad style in scientific writing to use parentheses that contain more than a", "occasionally use parentheses in scientific writing when a piece of information is related", "re-hydration, we follow the warming scheme of Grumbles. The necessary > optimization steps", "plumbus' dingle bop. To accelerate the subsequent > re-hydration, we follow the warming", "The necessary > optimization steps are discussed in Section 2. Finally, in Section", "used as a krimkram lubricator for the production of shleem > films in", "when > submerged in the floob of their yeanlings for three to four", "the content of the parentheses to the end of the paragraph. At this", "cooling period, the floob coefficients can then be read > off the plumbus'", "to the plumb-o-fleeb machine of Kimble et al., > which is used as", "Contrary to previous belief, we find that floob concentrations stay > below hazardous", "the parenthesized sentence in the same position)? > > We use a fleeblesheemed", "three to four minutes. > After a short cooling period, the floob coefficients", "it bad style in scientific writing to use parentheses that contain more than", "of Grumbles. The necessary > optimization steps are discussed in Section 2. Finally,", "bop. To accelerate the subsequent > re-hydration, we follow the warming scheme of", "that floob concentrations stay > below hazardous levels, when consumption occurs around midnight", "the paragraph. At this point, however, they would lose their function to prevent", "analyze > floob concentrations in groat dairy. (Despite the similar name, this >", "of information is related to a previous statement but not to the central", "better without the first pair of parentheses (but with the parenthesized sentence in", "related to the plumb-o-fleeb machine of Kimble et al., > which is used", "dairy when > submerged in the floob of their yeanlings for three to", "blamf synthesis.) The fleeblesheeme coating, which > we apply at 142° Celsius, sensitizes", "a piece of information is related to a previous statement but not to", "fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary to previous belief, we find", "a short cooling period, the floob coefficients can then be read > off", "consumption occurs around midnight > without direct exposure to noom radiation. > >", "is related to a previous statement but not to the central story. Is", "to groat dairy when > submerged in the floob of their yeanlings for", "2. Finally, in Section 3, > we apply our fleeblesheemed plumbus to 2016", "full sentences? For example, would the following paragraph be better without the first", "Finally, in Section 3, > we apply our fleeblesheemed plumbus to 2016 floogro", "floob of their yeanlings for three to four minutes. > After a short", "writing when a piece of information is related to a previous statement but", "As an alternative, I could move the content of the parentheses to the", "at 142° Celsius, sensitizes our plumbus to groat dairy when > submerged in", "more than a handful of words or even full sentences? For example, would", "the floob coefficients can then be read > off the plumbus' dingle bop.", "in the floob of their yeanlings for three to four minutes. > After", "142° Celsius, sensitizes our plumbus to groat dairy when > submerged in the", "belief, we find that floob concentrations stay > below hazardous levels, when consumption", "plumb-o-fleeb machine of Kimble et al., > which is used as a krimkram", "> idea is not related to the plumb-o-fleeb machine of Kimble et al.,", "> After a short cooling period, the floob coefficients can then be read", "to noom radiation. > > > As an alternative, I could move the", "fleeblesheemed plumbus to analyze > floob concentrations in groat dairy. (Despite the similar", "submerged in the floob of their yeanlings for three to four minutes. >", "3, > we apply our fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary", "writing to use parentheses that contain more than a handful of words or", "a fleeblesheemed plumbus to analyze > floob concentrations in groat dairy. (Despite the", "name, this > idea is not related to the plumb-o-fleeb machine of Kimble", "To accelerate the subsequent > re-hydration, we follow the warming scheme of Grumbles.", "groat dairy when > submerged in the floob of their yeanlings for three", "Section 3, > we apply our fleeblesheemed plumbus to 2016 floogro (714.A314). >", "For example, would the following paragraph be better without the first pair of", "plumbus to 2016 floogro (714.A314). > Contrary to previous belief, we find that", "a previous statement but not to the central story. Is it bad style", "> films in anorganic blamf synthesis.) The fleeblesheeme coating, which > we apply", "which is used as a krimkram lubricator for the production of shleem >", "then be read > off the plumbus' dingle bop. To accelerate the subsequent", "would the following paragraph be better without the first pair of parentheses (but", "(Despite the similar name, this > idea is not related to the plumb-o-fleeb", "but not to the central story. Is it bad style in scientific writing", "radiation. > > > As an alternative, I could move the content of", "move the content of the parentheses to the end of the paragraph. At", "for three to four minutes. > After a short cooling period, the floob", "necessary > optimization steps are discussed in Section 2. Finally, in Section 3,", "a handful of words or even full sentences? For example, would the following", "levels, when consumption occurs around midnight > without direct exposure to noom radiation.", "be better without the first pair of parentheses (but with the parenthesized sentence", "sentence in the same position)? > > We use a fleeblesheemed plumbus to", "without direct exposure to noom radiation. > > > As an alternative, I", "point, however, they would lose their function to prevent readers from possible confusion.", "in scientific writing when a piece of information is related to a previous", "to previous belief, we find that floob concentrations stay > below hazardous levels,", "midnight > without direct exposure to noom radiation. > > > As an", "example, would the following paragraph be better without the first pair of parentheses", "or even full sentences? For example, would the following paragraph be better without", "the first pair of parentheses (but with the parenthesized sentence in the same", "to 2016 floogro (714.A314). > Contrary to previous belief, we find that floob", "> floob concentrations in groat dairy. (Despite the similar name, this > idea", "with the parenthesized sentence in the same position)? > > We use a", "use a fleeblesheemed plumbus to analyze > floob concentrations in groat dairy. (Despite", "> Contrary to previous belief, we find that floob concentrations stay > below", "of the paragraph. At this point, however, they would lose their function to", "Kimble et al., > which is used as a krimkram lubricator for the", "the plumb-o-fleeb machine of Kimble et al., > which is used as a", "can then be read > off the plumbus' dingle bop. To accelerate the", "coating, which > we apply at 142° Celsius, sensitizes our plumbus to groat", "the same position)? > > We use a fleeblesheemed plumbus to analyze >", "hazardous levels, when consumption occurs around midnight > without direct exposure to noom", "an alternative, I could move the content of the parentheses to the end", "> which is used as a krimkram lubricator for the production of shleem", "groat dairy. (Despite the similar name, this > idea is not related to", "in Section 2. Finally, in Section 3, > we apply our fleeblesheemed plumbus", "following paragraph be better without the first pair of parentheses (but with the", "the warming scheme of Grumbles. The necessary > optimization steps are discussed in", "We use a fleeblesheemed plumbus to analyze > floob concentrations in groat dairy.", "floob concentrations stay > below hazardous levels, when consumption occurs around midnight >", "of their yeanlings for three to four minutes. > After a short cooling", "story. Is it bad style in scientific writing to use parentheses that contain", "their yeanlings for three to four minutes. > After a short cooling period,", "central story. Is it bad style in scientific writing to use parentheses that", "for the production of shleem > films in anorganic blamf synthesis.) The fleeblesheeme", "synthesis.) The fleeblesheeme coating, which > we apply at 142° Celsius, sensitizes our", "scientific writing to use parentheses that contain more than a handful of words", "we apply at 142° Celsius, sensitizes our plumbus to groat dairy when >", "occurs around midnight > without direct exposure to noom radiation. > > >", "> below hazardous levels, when consumption occurs around midnight > without direct exposure", "previous statement but not to the central story. Is it bad style in", "Is it bad style in scientific writing to use parentheses that contain more", "(but with the parenthesized sentence in the same position)? > > We use", "krimkram lubricator for the production of shleem > films in anorganic blamf synthesis.)", "> without direct exposure to noom radiation. > > > As an alternative,", "of Kimble et al., > which is used as a krimkram lubricator for", "warming scheme of Grumbles. The necessary > optimization steps are discussed in Section", "et al., > which is used as a krimkram lubricator for the production", "Celsius, sensitizes our plumbus to groat dairy when > submerged in the floob", "Section 2. Finally, in Section 3, > we apply our fleeblesheemed plumbus to", "than a handful of words or even full sentences? For example, would the", "parentheses (but with the parenthesized sentence in the same position)? > > We", "in anorganic blamf synthesis.) The fleeblesheeme coating, which > we apply at 142°", "2016 floogro (714.A314). > Contrary to previous belief, we find that floob concentrations", "> we apply our fleeblesheemed plumbus to 2016 floogro (714.A314). > Contrary to", "machine of Kimble et al., > which is used as a krimkram lubricator", "coefficients can then be read > off the plumbus' dingle bop. To accelerate", "> > > As an alternative, I could move the content of the", "related to a previous statement but not to the central story. Is it", "words or even full sentences? For example, would the following paragraph be better", "use parentheses in scientific writing when a piece of information is related to", "pair of parentheses (but with the parenthesized sentence in the same position)? >", "scheme of Grumbles. The necessary > optimization steps are discussed in Section 2.", "the similar name, this > idea is not related to the plumb-o-fleeb machine", "> > As an alternative, I could move the content of the parentheses", "short cooling period, the floob coefficients can then be read > off the", "production of shleem > films in anorganic blamf synthesis.) The fleeblesheeme coating, which", "the central story. Is it bad style in scientific writing to use parentheses" ]
[ "gay best friend (Troye). Weird things happens around her like she feels like", "it is starting to feel boring to me. My Scenario: This girl (Fvuya)", "to me. My Scenario: This girl (Fvuya) has amnesia and the doctor that", "her(Lana) who is also a single mother has a lost daughter who ran", "a good thriller capture its audience? How do you make it more than", "the chapters, like her name and that she had a family and that", "other. Fvuya finds a love interest (Makey) who is helping her with everything", "had a family and that she was once in love with someone really", "This girl (Fvuya) has amnesia and the doctor that is helping her(Lana) who", "few of her memories within the chapters, like her name and that she", "they have each other. Fvuya finds a love interest (Makey) who is helping", "Fvuya lost her memory due to some rare drugs. What is it that", "(Fvuya) has amnesia and the doctor that is helping her(Lana) who is also", "rare drugs. What is it that helps a good thriller capture its audience?", "she was once in love with someone really possessive of her. The doctor", "to some rare drugs. What is it that helps a good thriller capture", "like she feels like someone is watching her, trying to scare her or", "around her like she feels like someone is watching her, trying to scare", "drugs. What is it that helps a good thriller capture its audience? How", "scare her or trying to kill her. She remembers few of her memories", "writing a thriller, but even though it is filled with exciting events, it", "name and that she had a family and that she was once in", "of her memories within the chapters, like her name and that she had", "lives with, founds out that Fvuya lost her memory due to some rare", "things happens around her like she feels like someone is watching her, trying", "her, trying to scare her or trying to kill her. She remembers few", "I am writing a thriller, but even though it is filled with exciting", "is watching her, trying to scare her or trying to kill her. She", "and the doctor that is helping her(Lana) who is also a single mother", "watching her, trying to scare her or trying to kill her. She remembers", "her. The doctor she lives with, founds out that Fvuya lost her memory", "She remembers few of her memories within the chapters, like her name and", "What is it that helps a good thriller capture its audience? How do", "a single mother has a lost daughter who ran away from home. So", "lost daughter who ran away from home. So they have each other. Fvuya", "the doctor that is helping her(Lana) who is also a single mother has", "that helps a good thriller capture its audience? How do you make it", "her with everything and a new gay best friend (Troye). Weird things happens", "a new gay best friend (Troye). Weird things happens around her like she", "to scare her or trying to kill her. She remembers few of her", "has a lost daughter who ran away from home. So they have each", "once in love with someone really possessive of her. The doctor she lives", "within the chapters, like her name and that she had a family and", "in love with someone really possessive of her. The doctor she lives with,", "happens around her like she feels like someone is watching her, trying to", "really possessive of her. The doctor she lives with, founds out that Fvuya", "helping her with everything and a new gay best friend (Troye). Weird things", "trying to scare her or trying to kill her. She remembers few of", "to feel boring to me. My Scenario: This girl (Fvuya) has amnesia and", "lost her memory due to some rare drugs. What is it that helps", "a lost daughter who ran away from home. So they have each other.", "is filled with exciting events, it is starting to feel boring to me.", "with exciting events, it is starting to feel boring to me. My Scenario:", "a love interest (Makey) who is helping her with everything and a new", "love interest (Makey) who is helping her with everything and a new gay", "like someone is watching her, trying to scare her or trying to kill", "remembers few of her memories within the chapters, like her name and that", "she lives with, founds out that Fvuya lost her memory due to some", "to kill her. She remembers few of her memories within the chapters, like", "My Scenario: This girl (Fvuya) has amnesia and the doctor that is helping", "with, founds out that Fvuya lost her memory due to some rare drugs.", "some rare drugs. What is it that helps a good thriller capture its", "The doctor she lives with, founds out that Fvuya lost her memory due", "but even though it is filled with exciting events, it is starting to", "doctor she lives with, founds out that Fvuya lost her memory due to", "that is helping her(Lana) who is also a single mother has a lost", "boring to me. My Scenario: This girl (Fvuya) has amnesia and the doctor", "like her name and that she had a family and that she was", "it that helps a good thriller capture its audience? How do you make", "possessive of her. The doctor she lives with, founds out that Fvuya lost", "girl (Fvuya) has amnesia and the doctor that is helping her(Lana) who is", "trying to kill her. She remembers few of her memories within the chapters,", "Scenario: This girl (Fvuya) has amnesia and the doctor that is helping her(Lana)", "home. So they have each other. Fvuya finds a love interest (Makey) who", "events, it is starting to feel boring to me. My Scenario: This girl", "mother has a lost daughter who ran away from home. So they have", "filled with exciting events, it is starting to feel boring to me. My", "everything and a new gay best friend (Troye). Weird things happens around her", "is also a single mother has a lost daughter who ran away from", "kill her. She remembers few of her memories within the chapters, like her", "was once in love with someone really possessive of her. The doctor she", "even though it is filled with exciting events, it is starting to feel", "that Fvuya lost her memory due to some rare drugs. What is it", "thriller, but even though it is filled with exciting events, it is starting", "with someone really possessive of her. The doctor she lives with, founds out", "who is helping her with everything and a new gay best friend (Troye).", "her or trying to kill her. She remembers few of her memories within", "has amnesia and the doctor that is helping her(Lana) who is also a", "love with someone really possessive of her. The doctor she lives with, founds", "who is also a single mother has a lost daughter who ran away", "her memory due to some rare drugs. What is it that helps a", "feels like someone is watching her, trying to scare her or trying to", "someone is watching her, trying to scare her or trying to kill her.", "So they have each other. Fvuya finds a love interest (Makey) who is", "Fvuya finds a love interest (Makey) who is helping her with everything and", "that she was once in love with someone really possessive of her. The", "is it that helps a good thriller capture its audience? How do you", "am writing a thriller, but even though it is filled with exciting events,", "its audience? How do you make it more than just a series of", "best friend (Troye). Weird things happens around her like she feels like someone", "she feels like someone is watching her, trying to scare her or trying", "that she had a family and that she was once in love with", "capture its audience? How do you make it more than just a series", "her. She remembers few of her memories within the chapters, like her name", "a thriller, but even though it is filled with exciting events, it is", "and that she was once in love with someone really possessive of her.", "and that she had a family and that she was once in love", "out that Fvuya lost her memory due to some rare drugs. What is", "new gay best friend (Troye). Weird things happens around her like she feels", "Weird things happens around her like she feels like someone is watching her,", "or trying to kill her. She remembers few of her memories within the", "away from home. So they have each other. Fvuya finds a love interest", "memories within the chapters, like her name and that she had a family", "memory due to some rare drugs. What is it that helps a good", "(Makey) who is helping her with everything and a new gay best friend", "daughter who ran away from home. So they have each other. Fvuya finds", "is starting to feel boring to me. My Scenario: This girl (Fvuya) has", "feel boring to me. My Scenario: This girl (Fvuya) has amnesia and the", "is helping her(Lana) who is also a single mother has a lost daughter", "with everything and a new gay best friend (Troye). Weird things happens around", "amnesia and the doctor that is helping her(Lana) who is also a single", "founds out that Fvuya lost her memory due to some rare drugs. What", "(Troye). Weird things happens around her like she feels like someone is watching", "starting to feel boring to me. My Scenario: This girl (Fvuya) has amnesia", "exciting events, it is starting to feel boring to me. My Scenario: This", "her memories within the chapters, like her name and that she had a", "chapters, like her name and that she had a family and that she", "a family and that she was once in love with someone really possessive", "me. My Scenario: This girl (Fvuya) has amnesia and the doctor that is", "good thriller capture its audience? How do you make it more than just", "thriller capture its audience? How do you make it more than just a", "it is filled with exciting events, it is starting to feel boring to", "also a single mother has a lost daughter who ran away from home.", "each other. Fvuya finds a love interest (Makey) who is helping her with", "interest (Makey) who is helping her with everything and a new gay best", "her like she feels like someone is watching her, trying to scare her", "her name and that she had a family and that she was once", "someone really possessive of her. The doctor she lives with, founds out that", "and a new gay best friend (Troye). Weird things happens around her like", "family and that she was once in love with someone really possessive of", "due to some rare drugs. What is it that helps a good thriller", "audience? How do you make it more than just a series of events?", "is helping her with everything and a new gay best friend (Troye). Weird", "she had a family and that she was once in love with someone", "who ran away from home. So they have each other. Fvuya finds a", "of her. The doctor she lives with, founds out that Fvuya lost her", "helps a good thriller capture its audience? How do you make it more", "have each other. Fvuya finds a love interest (Makey) who is helping her", "finds a love interest (Makey) who is helping her with everything and a", "from home. So they have each other. Fvuya finds a love interest (Makey)", "friend (Troye). Weird things happens around her like she feels like someone is", "though it is filled with exciting events, it is starting to feel boring", "single mother has a lost daughter who ran away from home. So they", "helping her(Lana) who is also a single mother has a lost daughter who", "doctor that is helping her(Lana) who is also a single mother has a", "ran away from home. So they have each other. Fvuya finds a love" ]
[ "like: \"Well, this man's life, which was quite normal and safe until now", "this? Should he explain instead of show? Does the linear structure (normality leads", "call, doubts from the main character, and a decision to tackle the conflict/problem).", "of act 1. It translates into something like: \"Well, this man's life, which", "and a decision to tackle the conflict/problem). This is all good for fiction,", "to make said documentary may come specifically because the dramatic structure (in real", "to the doubts on whether the character should do something about it, leads", "Does the linear structure (normality leads to an unforeseen problem, leads to a", "the case of a documentary, the decision to make said documentary may come", "this case, or somehow recreated after the events? In short: what are the", "a movie about it!\" How does a documentary filmmaker deal with this? Should", "to the firm decision to actually tackle the issue, leads to Act 2)", "the character should do something about it, leads to the firm decision to", "conflict/problem). This is all good for fiction, but in the case of a", "the \"state of the art\" solutions usually employed to tackle this problem (starting", "a wake-up call, doubts from the main character, and a decision to tackle", "actually tackle the issue, leads to Act 2) of dramatic writing need to", "documentary, the decision to make said documentary may come specifically because the dramatic", "call, leads to the doubts on whether the character should do something about", "suddenly disturbed by an event (which includes a wake-up call, doubts from the", "structure (normality leads to an unforeseen problem, leads to a wakeup call, leads", "what are the \"state of the art\" solutions usually employed to tackle this", "stuff... let's document this and make a movie about it!\" How does a", "decision to tackle the conflict/problem). This is all good for fiction, but in", "wakeup call, leads to the doubts on whether the character should do something", "the linear structure (normality leads to an unforeseen problem, leads to a wakeup", "translates into something like: \"Well, this man's life, which was quite normal and", "(which includes a wake-up call, doubts from the main character, and a decision", "is all good for fiction, but in the case of a documentary, the", "a decision to tackle the conflict/problem). This is all good for fiction, but", "is probably about to change because of what happened to him two months", "in a friend's life. In an attempt to educate myself a little bit", "leads to the doubts on whether the character should do something about it,", "life. In an attempt to educate myself a little bit before shooting the", "the decision to make said documentary may come specifically because the dramatic structure", "structure in three acts, with act one depicting a normal life suddenly disturbed", "potentially important shift in a friend's life. In an attempt to educate myself", "wake-up call, doubts from the main character, and a decision to tackle the", "but in the case of a documentary, the decision to make said documentary", "in the case of a documentary, the decision to make said documentary may", "explain instead of show? Does the linear structure (normality leads to an unforeseen", "by an event (which includes a wake-up call, doubts from the main character,", "instead of show? Does the linear structure (normality leads to an unforeseen problem,", "for fiction, but in the case of a documentary, the decision to make", "Should he explain instead of show? Does the linear structure (normality leads to", "to tackle this problem (starting to shoot at the end of Act 1,", "short: what are the \"state of the art\" solutions usually employed to tackle", "(in real life) is already approaching the end of act 1. It translates", "be thrown away in this case, or somehow recreated after the events? In", "shooting a documentary on a potentially important shift in a friend's life. In", "act one depicting a normal life suddenly disturbed by an event (which includes", "it, leads to the firm decision to actually tackle the issue, leads to", "shooting the events, I'm reading about the classic structure in three acts, with", "decision to actually tackle the issue, leads to Act 2) of dramatic writing", "doubts from the main character, and a decision to tackle the conflict/problem). This", "are the \"state of the art\" solutions usually employed to tackle this problem", "change in his life might lead to interesting stuff... let's document this and", "of what happened to him two months ago. His decision to make a", "to educate myself a little bit before shooting the events, I'm reading about", "a friend's life. In an attempt to educate myself a little bit before", "event (which includes a wake-up call, doubts from the main character, and a", "good for fiction, but in the case of a documentary, the decision to", "tackle the issue, leads to Act 2) of dramatic writing need to be", "\"state of the art\" solutions usually employed to tackle this problem (starting to", "educate myself a little bit before shooting the events, I'm reading about the", "from the main character, and a decision to tackle the conflict/problem). This is", "structure (in real life) is already approaching the end of act 1. It", "writing need to be thrown away in this case, or somehow recreated after", "come specifically because the dramatic structure (in real life) is already approaching the", "make said documentary may come specifically because the dramatic structure (in real life)", "decision to make said documentary may come specifically because the dramatic structure (in", "specifically because the dramatic structure (in real life) is already approaching the end", "(starting to shoot at the end of Act 1, while still conforming to", "happened to him two months ago. His decision to make a radical change", "case, or somehow recreated after the events? In short: what are the \"state", "end of act 1. It translates into something like: \"Well, this man's life,", "documentary may come specifically because the dramatic structure (in real life) is already", "this man's life, which was quite normal and safe until now is probably", "approaching the end of act 1. It translates into something like: \"Well, this", "to change because of what happened to him two months ago. His decision", "does a documentary filmmaker deal with this? Should he explain instead of show?", "documentary filmmaker deal with this? Should he explain instead of show? Does the", "one depicting a normal life suddenly disturbed by an event (which includes a", "shoot at the end of Act 1, while still conforming to a 3-act", "probably about to change because of what happened to him two months ago.", "(normality leads to an unforeseen problem, leads to a wakeup call, leads to", "the firm decision to actually tackle the issue, leads to Act 2) of", "radical change in his life might lead to interesting stuff... let's document this", "deal with this? Should he explain instead of show? Does the linear structure", "and safe until now is probably about to change because of what happened", "to actually tackle the issue, leads to Act 2) of dramatic writing need", "until now is probably about to change because of what happened to him", "in three acts, with act one depicting a normal life suddenly disturbed by", "at the end of Act 1, while still conforming to a 3-act structure).", "normal life suddenly disturbed by an event (which includes a wake-up call, doubts", "main character, and a decision to tackle the conflict/problem). This is all good", "somehow recreated after the events? In short: what are the \"state of the", "interesting stuff... let's document this and make a movie about it!\" How does", "what happened to him two months ago. His decision to make a radical", "I'm planning on shooting a documentary on a potentially important shift in a", "it!\" How does a documentary filmmaker deal with this? Should he explain instead", "leads to Act 2) of dramatic writing need to be thrown away in", "two months ago. His decision to make a radical change in his life", "because the dramatic structure (in real life) is already approaching the end of", "whether the character should do something about it, leads to the firm decision", "myself a little bit before shooting the events, I'm reading about the classic", "friend's life. In an attempt to educate myself a little bit before shooting", "shift in a friend's life. In an attempt to educate myself a little", "said documentary may come specifically because the dramatic structure (in real life) is", "1. It translates into something like: \"Well, this man's life, which was quite", "him two months ago. His decision to make a radical change in his", "might lead to interesting stuff... let's document this and make a movie about", "includes a wake-up call, doubts from the main character, and a decision to", "decision to make a radical change in his life might lead to interesting", "attempt to educate myself a little bit before shooting the events, I'm reading", "document this and make a movie about it!\" How does a documentary filmmaker", "linear structure (normality leads to an unforeseen problem, leads to a wakeup call,", "the events? In short: what are the \"state of the art\" solutions usually", "with act one depicting a normal life suddenly disturbed by an event (which", "dramatic structure (in real life) is already approaching the end of act 1.", "safe until now is probably about to change because of what happened to", "recreated after the events? In short: what are the \"state of the art\"", "with this? Should he explain instead of show? Does the linear structure (normality", "he explain instead of show? Does the linear structure (normality leads to an", "classic structure in three acts, with act one depicting a normal life suddenly", "leads to an unforeseen problem, leads to a wakeup call, leads to the", "lead to interesting stuff... let's document this and make a movie about it!\"", "let's document this and make a movie about it!\" How does a documentary", "something like: \"Well, this man's life, which was quite normal and safe until", "three acts, with act one depicting a normal life suddenly disturbed by an", "problem, leads to a wakeup call, leads to the doubts on whether the", "the issue, leads to Act 2) of dramatic writing need to be thrown", "need to be thrown away in this case, or somehow recreated after the", "How does a documentary filmmaker deal with this? Should he explain instead of", "before shooting the events, I'm reading about the classic structure in three acts,", "months ago. 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In short: what", "this and make a movie about it!\" How does a documentary filmmaker deal", "make a radical change in his life might lead to interesting stuff... let's", "to interesting stuff... let's document this and make a movie about it!\" How", "issue, leads to Act 2) of dramatic writing need to be thrown away", "acts, with act one depicting a normal life suddenly disturbed by an event", "of show? Does the linear structure (normality leads to an unforeseen problem, leads", "\"Well, this man's life, which was quite normal and safe until now is", "to him two months ago. His decision to make a radical change in", "a radical change in his life might lead to interesting stuff... let's document", "something about it, leads to the firm decision to actually tackle the issue,", "about it, leads to the firm decision to actually tackle the issue, leads", "a documentary on a potentially important shift in a friend's life. In an", "doubts on whether the character should do something about it, leads to the", "case of a documentary, the decision to make said documentary may come specifically", "leads to the firm decision to actually tackle the issue, leads to Act", "the main character, and a decision to tackle the conflict/problem). This is all", "to tackle the conflict/problem). This is all good for fiction, but in the", "the end of act 1. It translates into something like: \"Well, this man's", "to make a radical change in his life might lead to interesting stuff...", "fiction, but in the case of a documentary, the decision to make said", "In an attempt to educate myself a little bit before shooting the events,", "events, I'm reading about the classic structure in three acts, with act one", "tackle the conflict/problem). This is all good for fiction, but in the case", "man's life, which was quite normal and safe until now is probably about", "normal and safe until now is probably about to change because of what", "to be thrown away in this case, or somehow recreated after the events?", "all good for fiction, but in the case of a documentary, the decision", "It translates into something like: \"Well, this man's life, which was quite normal", "filmmaker deal with this? Should he explain instead of show? Does the linear", "to Act 2) of dramatic writing need to be thrown away in this", "about to change because of what happened to him two months ago. His", "because of what happened to him two months ago. His decision to make", "an event (which includes a wake-up call, doubts from the main character, and", "the art\" solutions usually employed to tackle this problem (starting to shoot at", "this problem (starting to shoot at the end of Act 1, while still", "his life might lead to interesting stuff... let's document this and make a", "may come specifically because the dramatic structure (in real life) is already approaching", "in this case, or somehow recreated after the events? In short: what are", "of the art\" solutions usually employed to tackle this problem (starting to shoot", "of dramatic writing need to be thrown away in this case, or somehow", "dramatic writing need to be thrown away in this case, or somehow recreated", "a documentary filmmaker deal with this? Should he explain instead of show? Does", "real life) is already approaching the end of act 1. It translates into", "change because of what happened to him two months ago. His decision to", "and make a movie about it!\" How does a documentary filmmaker deal with", "2) of dramatic writing need to be thrown away in this case, or", "ago. His decision to make a radical change in his life might lead", "movie about it!\" How does a documentary filmmaker deal with this? Should he", "show? Does the linear structure (normality leads to an unforeseen problem, leads to", "the classic structure in three acts, with act one depicting a normal life", "reading about the classic structure in three acts, with act one depicting a", "to a wakeup call, leads to the doubts on whether the character should", "character should do something about it, leads to the firm decision to actually", "bit before shooting the events, I'm reading about the classic structure in three", "to shoot at the end of Act 1, while still conforming to a", "a wakeup call, leads to the doubts on whether the character should do", "life) is already approaching the end of act 1. It translates into something", "act 1. It translates into something like: \"Well, this man's life, which was", "Act 2) of dramatic writing need to be thrown away in this case,", "already approaching the end of act 1. It translates into something like: \"Well,", "quite normal and safe until now is probably about to change because of", "in his life might lead to interesting stuff... let's document this and make", "which was quite normal and safe until now is probably about to change", "or somehow recreated after the events? In short: what are the \"state of", "on shooting a documentary on a potentially important shift in a friend's life.", "about it!\" How does a documentary filmmaker deal with this? Should he explain", "after the events? In short: what are the \"state of the art\" solutions", "This is all good for fiction, but in the case of a documentary,", "art\" solutions usually employed to tackle this problem (starting to shoot at the", "on whether the character should do something about it, leads to the firm", "solutions usually employed to tackle this problem (starting to shoot at the end", "little bit before shooting the events, I'm reading about the classic structure in", "employed to tackle this problem (starting to shoot at the end of Act", "a little bit before shooting the events, I'm reading about the classic structure", "His decision to make a radical change in his life might lead to", "I'm reading about the classic structure in three acts, with act one depicting", "the doubts on whether the character should do something about it, leads to", "disturbed by an event (which includes a wake-up call, doubts from the main", "to an unforeseen problem, leads to a wakeup call, leads to the doubts", "unforeseen problem, leads to a wakeup call, leads to the doubts on whether", "depicting a normal life suddenly disturbed by an event (which includes a wake-up", "important shift in a friend's life. In an attempt to educate myself a", "an unforeseen problem, leads to a wakeup call, leads to the doubts on", "In short: what are the \"state of the art\" solutions usually employed to", "a documentary, the decision to make said documentary may come specifically because the", "life might lead to interesting stuff... let's document this and make a movie", "is already approaching the end of act 1. It translates into something like:", "planning on shooting a documentary on a potentially important shift in a friend's", "the conflict/problem). This is all good for fiction, but in the case of", "events? In short: what are the \"state of the art\" solutions usually employed", "into something like: \"Well, this man's life, which was quite normal and safe", "documentary on a potentially important shift in a friend's life. In an attempt", "a potentially important shift in a friend's life. In an attempt to educate", "an attempt to educate myself a little bit before shooting the events, I'm", "of a documentary, the decision to make said documentary may come specifically because", "do something about it, leads to the firm decision to actually tackle the", "life suddenly disturbed by an event (which includes a wake-up call, doubts from", "on a potentially important shift in a friend's life. In an attempt to", "character, and a decision to tackle the conflict/problem). This is all good for", "make a movie about it!\" How does a documentary filmmaker deal with this?", "thrown away in this case, or somehow recreated after the events? In short:", "problem (starting to shoot at the end of Act 1, while still conforming", "about the classic structure in three acts, with act one depicting a normal", "should do something about it, leads to the firm decision to actually tackle", "firm decision to actually tackle the issue, leads to Act 2) of dramatic", "was quite normal and safe until now is probably about to change because", "leads to a wakeup call, leads to the doubts on whether the character" ]
[ "the expense of others and sometimes even himself. I often get inspired by", "who is a bit of a smart ass, always cracking jokes at the", "better. Is this a bad idea to do? It's not like I'm stealing", "my story better. Is this a bad idea to do? It's not like", "Is this a bad idea to do? It's not like I'm stealing entire", "from \"randos\". It's not like I can give proper credit to strangers anyway,", "sometimes even himself. I often get inspired by things I find on the", "and incorporate them into the story, either by modifying them, building on them", "ass, always cracking jokes at the expense of others and sometimes even himself.", "here and there from \"randos\". It's not like I can give proper credit", "have a character who is a bit of a smart ass, always cracking", "give proper credit to strangers anyway, so what should I do? Or does", "proper credit to strangers anyway, so what should I do? Or does it", "or changing their core to fit the context within my story better. Is", "by things I find on the internet and incorporate them into the story,", "the story, either by modifying them, building on them or changing their core", "himself. I often get inspired by things I find on the internet and", "this a bad idea to do? It's not like I'm stealing entire stand-up", "even himself. I often get inspired by things I find on the internet", "incorporate them into the story, either by modifying them, building on them or", "at the expense of others and sometimes even himself. I often get inspired", "I have a character who is a bit of a smart ass, always", "stories, I have a character who is a bit of a smart ass,", "so what should I do? Or does it not matter if you're inspired", "It's not like I'm stealing entire stand-up comedy routines or jokes attributed to", "In one of my stories, I have a character who is a bit", "a little joke here and there from \"randos\". It's not like I can", "get inspired by things I find on the internet and incorporate them into", "internet and incorporate them into the story, either by modifying them, building on", "famous person, I'm just \"stealing\" a little joke here and there from \"randos\".", "person, I'm just \"stealing\" a little joke here and there from \"randos\". It's", "within my story better. Is this a bad idea to do? It's not", "do? Or does it not matter if you're inspired by jokes or situations", "story better. Is this a bad idea to do? It's not like I'm", "I'm just \"stealing\" a little joke here and there from \"randos\". It's not", "little joke here and there from \"randos\". It's not like I can give", "a smart ass, always cracking jokes at the expense of others and sometimes", "to do? It's not like I'm stealing entire stand-up comedy routines or jokes", "to fit the context within my story better. Is this a bad idea", "into the story, either by modifying them, building on them or changing their", "like I can give proper credit to strangers anyway, so what should I", "Or does it not matter if you're inspired by jokes or situations you", "their core to fit the context within my story better. Is this a", "is a bit of a smart ass, always cracking jokes at the expense", "I do? Or does it not matter if you're inspired by jokes or", "them or changing their core to fit the context within my story better.", "of my stories, I have a character who is a bit of a", "either by modifying them, building on them or changing their core to fit", "story, either by modifying them, building on them or changing their core to", "of others and sometimes even himself. I often get inspired by things I", "\"randos\". It's not like I can give proper credit to strangers anyway, so", "inspired by things I find on the internet and incorporate them into the", "my stories, I have a character who is a bit of a smart", "I'm stealing entire stand-up comedy routines or jokes attributed to a famous person,", "context within my story better. Is this a bad idea to do? It's", "routines or jokes attributed to a famous person, I'm just \"stealing\" a little", "I often get inspired by things I find on the internet and incorporate", "to strangers anyway, so what should I do? Or does it not matter", "and sometimes even himself. I often get inspired by things I find on", "one of my stories, I have a character who is a bit of", "the internet and incorporate them into the story, either by modifying them, building", "I can give proper credit to strangers anyway, so what should I do?", "a bad idea to do? It's not like I'm stealing entire stand-up comedy", "changing their core to fit the context within my story better. Is this", "attributed to a famous person, I'm just \"stealing\" a little joke here and", "comedy routines or jokes attributed to a famous person, I'm just \"stealing\" a", "do? It's not like I'm stealing entire stand-up comedy routines or jokes attributed", "entire stand-up comedy routines or jokes attributed to a famous person, I'm just", "a character who is a bit of a smart ass, always cracking jokes", "\"stealing\" a little joke here and there from \"randos\". It's not like I", "there from \"randos\". It's not like I can give proper credit to strangers", "jokes at the expense of others and sometimes even himself. I often get", "smart ass, always cracking jokes at the expense of others and sometimes even", "just \"stealing\" a little joke here and there from \"randos\". It's not like", "others and sometimes even himself. I often get inspired by things I find", "on the internet and incorporate them into the story, either by modifying them,", "stealing entire stand-up comedy routines or jokes attributed to a famous person, I'm", "can give proper credit to strangers anyway, so what should I do? Or", "and there from \"randos\". It's not like I can give proper credit to", "should I do? Or does it not matter if you're inspired by jokes", "building on them or changing their core to fit the context within my", "bad idea to do? It's not like I'm stealing entire stand-up comedy routines", "of a smart ass, always cracking jokes at the expense of others and", "like I'm stealing entire stand-up comedy routines or jokes attributed to a famous", "always cracking jokes at the expense of others and sometimes even himself. I", "find on the internet and incorporate them into the story, either by modifying", "on them or changing their core to fit the context within my story", "what should I do? Or does it not matter if you're inspired by", "joke here and there from \"randos\". It's not like I can give proper", "a bit of a smart ass, always cracking jokes at the expense of", "cracking jokes at the expense of others and sometimes even himself. I often", "a famous person, I'm just \"stealing\" a little joke here and there from", "idea to do? It's not like I'm stealing entire stand-up comedy routines or", "strangers anyway, so what should I do? Or does it not matter if", "credit to strangers anyway, so what should I do? Or does it not", "fit the context within my story better. Is this a bad idea to", "expense of others and sometimes even himself. I often get inspired by things", "anyway, so what should I do? Or does it not matter if you're", "modifying them, building on them or changing their core to fit the context", "often get inspired by things I find on the internet and incorporate them", "not like I'm stealing entire stand-up comedy routines or jokes attributed to a", "character who is a bit of a smart ass, always cracking jokes at", "jokes attributed to a famous person, I'm just \"stealing\" a little joke here", "not like I can give proper credit to strangers anyway, so what should", "I find on the internet and incorporate them into the story, either by", "stand-up comedy routines or jokes attributed to a famous person, I'm just \"stealing\"", "or jokes attributed to a famous person, I'm just \"stealing\" a little joke", "the context within my story better. Is this a bad idea to do?", "them into the story, either by modifying them, building on them or changing", "It's not like I can give proper credit to strangers anyway, so what", "does it not matter if you're inspired by jokes or situations you hear", "it not matter if you're inspired by jokes or situations you hear about?", "things I find on the internet and incorporate them into the story, either", "core to fit the context within my story better. Is this a bad", "to a famous person, I'm just \"stealing\" a little joke here and there", "bit of a smart ass, always cracking jokes at the expense of others", "them, building on them or changing their core to fit the context within", "by modifying them, building on them or changing their core to fit the" ]
[ "is narrating the story in a different language from the one she speaks?", "remind the reader of this throughout the novel? Ideally I could fairly early", "to remind the reader of this throughout the novel? Ideally I could fairly", "saying well enough, or say that she feels like she can speak the", "narrate in her native tongue. 1) How do I make it clear that", "have a basic grasp of the spoken language, so her dialogue will use", "reader of this throughout the novel? Ideally I could fairly early on have", "it clear that my character is narrating the story in a different language", "story in a fantasy setting will be in foreign lands for the entirety", "is saying well enough, or say that she feels like she can speak", "understand what another character is saying well enough, or say that she feels", "limited grammar and vocabulary, so I want the protagonist to narrate in her", "do I need to remind the reader of this throughout the novel? Ideally", "How do I make it clear that my character is narrating the story", "the narration be enough to remind the reader what's going on throughout the", "in a different language from the one she speaks? 2) How often do", "the protagonist to narrate in her native tongue. 1) How do I make", "the whole book to use a limited grammar and vocabulary, so I want", "whole novel, or do I need to occasionally sprinkle in more explicit reminders?", "a different language from the one she speaks? 2) How often do I", "a basic grasp of the spoken language, so her dialogue will use limited", "the obvious difference in fluency between the dialogue and the narration be enough", "fluency between the dialogue and the narration be enough to remind the reader", "language enough to get by, even if she isn't great at it. Will", "want the protagonist to narrate in her native tongue. 1) How do I", "at it. Will the obvious difference in fluency between the dialogue and the", "will have a basic grasp of the spoken language, so her dialogue will", "language, so her dialogue will use limited vocabulary and simpler grammatical structures. I'm", "novel? Ideally I could fairly early on have the character comment about being", "one she speaks? 2) How often do I need to remind the reader", "protagonist to narrate in her native tongue. 1) How do I make it", "tongue. 1) How do I make it clear that my character is narrating", "don't want the whole book to use a limited grammar and vocabulary, so", "able to understand what another character is saying well enough, or say that", "she can speak the language enough to get by, even if she isn't", "between the dialogue and the narration be enough to remind the reader what's", "I make it clear that my character is narrating the story in a", "simpler grammatical structures. I'm writing in first person, and I don't want the", "the dialogue and the narration be enough to remind the reader what's going", "character is narrating the story in a different language from the one she", "reader what's going on throughout the whole novel, or do I need to", "a story in a fantasy setting will be in foreign lands for the", "do I make it clear that my character is narrating the story in", "spoken language, so her dialogue will use limited vocabulary and simpler grammatical structures.", "grammatical structures. I'm writing in first person, and I don't want the whole", "grammar and vocabulary, so I want the protagonist to narrate in her native", "different language from the one she speaks? 2) How often do I need", "character comment about being able to understand what another character is saying well", "from the one she speaks? 2) How often do I need to remind", "could fairly early on have the character comment about being able to understand", "isn't great at it. Will the obvious difference in fluency between the dialogue", "the whole novel, or do I need to occasionally sprinkle in more explicit", "in foreign lands for the entirety of the book. She will have a", "whole book to use a limited grammar and vocabulary, so I want the", "have in mind for a story in a fantasy setting will be in", "of this throughout the novel? Ideally I could fairly early on have the", "another character is saying well enough, or say that she feels like she", "throughout the novel? Ideally I could fairly early on have the character comment", "dialogue and the narration be enough to remind the reader what's going on", "I have in mind for a story in a fantasy setting will be", "1) How do I make it clear that my character is narrating the", "use limited vocabulary and simpler grammatical structures. I'm writing in first person, and", "and I don't want the whole book to use a limited grammar and", "will be in foreign lands for the entirety of the book. She will", "I want the protagonist to narrate in her native tongue. 1) How do", "she speaks? 2) How often do I need to remind the reader of", "She will have a basic grasp of the spoken language, so her dialogue", "to get by, even if she isn't great at it. Will the obvious", "and the narration be enough to remind the reader what's going on throughout", "of the book. She will have a basic grasp of the spoken language,", "writing in first person, and I don't want the whole book to use", "speaks? 2) How often do I need to remind the reader of this", "will use limited vocabulary and simpler grammatical structures. I'm writing in first person,", "and vocabulary, so I want the protagonist to narrate in her native tongue.", "2) How often do I need to remind the reader of this throughout", "she isn't great at it. Will the obvious difference in fluency between the", "the spoken language, so her dialogue will use limited vocabulary and simpler grammatical", "to use a limited grammar and vocabulary, so I want the protagonist to", "use a limited grammar and vocabulary, so I want the protagonist to narrate", "limited vocabulary and simpler grammatical structures. I'm writing in first person, and I", "be in foreign lands for the entirety of the book. She will have", "the language enough to get by, even if she isn't great at it.", "language from the one she speaks? 2) How often do I need to", "character I have in mind for a story in a fantasy setting will", "in first person, and I don't want the whole book to use a", "enough to remind the reader what's going on throughout the whole novel, or", "to understand what another character is saying well enough, or say that she", "so I want the protagonist to narrate in her native tongue. 1) How", "if she isn't great at it. Will the obvious difference in fluency between", "well enough, or say that she feels like she can speak the language", "grasp of the spoken language, so her dialogue will use limited vocabulary and", "clear that my character is narrating the story in a different language from", "character is saying well enough, or say that she feels like she can", "the one she speaks? 2) How often do I need to remind the", "or say that she feels like she can speak the language enough to", "I don't want the whole book to use a limited grammar and vocabulary,", "throughout the whole novel, or do I need to occasionally sprinkle in more", "by, even if she isn't great at it. Will the obvious difference in", "on throughout the whole novel, or do I need to occasionally sprinkle in", "vocabulary and simpler grammatical structures. I'm writing in first person, and I don't", "book. She will have a basic grasp of the spoken language, so her", "How often do I need to remind the reader of this throughout the", "enough, or say that she feels like she can speak the language enough", "fairly early on have the character comment about being able to understand what", "I could fairly early on have the character comment about being able to", "the character comment about being able to understand what another character is saying", "great at it. Will the obvious difference in fluency between the dialogue and", "what's going on throughout the whole novel, or do I need to occasionally", "to narrate in her native tongue. 1) How do I make it clear", "remind the reader what's going on throughout the whole novel, or do I", "what another character is saying well enough, or say that she feels like", "early on have the character comment about being able to understand what another", "in a fantasy setting will be in foreign lands for the entirety of", "it. Will the obvious difference in fluency between the dialogue and the narration", "difference in fluency between the dialogue and the narration be enough to remind", "that my character is narrating the story in a different language from the", "book to use a limited grammar and vocabulary, so I want the protagonist", "the novel? Ideally I could fairly early on have the character comment about", "need to remind the reader of this throughout the novel? Ideally I could", "a fantasy setting will be in foreign lands for the entirety of the", "story in a different language from the one she speaks? 2) How often", "dialogue will use limited vocabulary and simpler grammatical structures. I'm writing in first", "comment about being able to understand what another character is saying well enough,", "to remind the reader what's going on throughout the whole novel, or do", "for the entirety of the book. She will have a basic grasp of", "native tongue. 1) How do I make it clear that my character is", "that she feels like she can speak the language enough to get by,", "setting will be in foreign lands for the entirety of the book. She", "the entirety of the book. She will have a basic grasp of the", "make it clear that my character is narrating the story in a different", "like she can speak the language enough to get by, even if she", "Ideally I could fairly early on have the character comment about being able", "the reader of this throughout the novel? Ideally I could fairly early on", "enough to get by, even if she isn't great at it. Will the", "for a story in a fantasy setting will be in foreign lands for", "on have the character comment about being able to understand what another character", "even if she isn't great at it. Will the obvious difference in fluency", "I'm writing in first person, and I don't want the whole book to", "she feels like she can speak the language enough to get by, even", "Will the obvious difference in fluency between the dialogue and the narration be", "can speak the language enough to get by, even if she isn't great", "in her native tongue. 1) How do I make it clear that my", "mind for a story in a fantasy setting will be in foreign lands", "want the whole book to use a limited grammar and vocabulary, so I", "a limited grammar and vocabulary, so I want the protagonist to narrate in", "I need to remind the reader of this throughout the novel? Ideally I", "person, and I don't want the whole book to use a limited grammar", "say that she feels like she can speak the language enough to get", "first person, and I don't want the whole book to use a limited", "being able to understand what another character is saying well enough, or say", "get by, even if she isn't great at it. Will the obvious difference", "and simpler grammatical structures. I'm writing in first person, and I don't want", "the story in a different language from the one she speaks? 2) How", "narrating the story in a different language from the one she speaks? 2)", "main character I have in mind for a story in a fantasy setting", "her dialogue will use limited vocabulary and simpler grammatical structures. I'm writing in", "in fluency between the dialogue and the narration be enough to remind the", "of the spoken language, so her dialogue will use limited vocabulary and simpler", "The main character I have in mind for a story in a fantasy", "so her dialogue will use limited vocabulary and simpler grammatical structures. I'm writing", "vocabulary, so I want the protagonist to narrate in her native tongue. 1)", "the book. She will have a basic grasp of the spoken language, so", "basic grasp of the spoken language, so her dialogue will use limited vocabulary", "her native tongue. 1) How do I make it clear that my character", "obvious difference in fluency between the dialogue and the narration be enough to", "in mind for a story in a fantasy setting will be in foreign", "narration be enough to remind the reader what's going on throughout the whole", "be enough to remind the reader what's going on throughout the whole novel,", "going on throughout the whole novel, or do I need to occasionally sprinkle", "feels like she can speak the language enough to get by, even if", "speak the language enough to get by, even if she isn't great at", "often do I need to remind the reader of this throughout the novel?", "about being able to understand what another character is saying well enough, or", "entirety of the book. She will have a basic grasp of the spoken", "my character is narrating the story in a different language from the one", "fantasy setting will be in foreign lands for the entirety of the book.", "foreign lands for the entirety of the book. She will have a basic", "lands for the entirety of the book. She will have a basic grasp", "this throughout the novel? Ideally I could fairly early on have the character", "have the character comment about being able to understand what another character is", "the reader what's going on throughout the whole novel, or do I need", "structures. I'm writing in first person, and I don't want the whole book" ]
[ "know there are a lot of variance here, but are there any personalities/dynamics", "but are there any personalities/dynamics that a superhero team needs in order to", "lot of variance here, but are there any personalities/dynamics that a superhero team", "any personalities/dynamics that a superhero team needs in order to work? Any advice", "variance here, but are there any personalities/dynamics that a superhero team needs in", "a superhero team needs in order to work? Any advice will be greatly", "are there any personalities/dynamics that a superhero team needs in order to work?", "I know there are a lot of variance here, but are there any", "are a lot of variance here, but are there any personalities/dynamics that a", "here, but are there any personalities/dynamics that a superhero team needs in order", "there any personalities/dynamics that a superhero team needs in order to work? Any", "superhero team needs in order to work? Any advice will be greatly appreciated.", "personalities/dynamics that a superhero team needs in order to work? Any advice will", "a lot of variance here, but are there any personalities/dynamics that a superhero", "of variance here, but are there any personalities/dynamics that a superhero team needs", "there are a lot of variance here, but are there any personalities/dynamics that", "that a superhero team needs in order to work? Any advice will be" ]
[ "to her loved ones being dead, existing in a world that is radically", "that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being", "character or culture in-story (whether historical or fictional) that modern people don't agree", "period in time when her religious views were commonplace. *Is anyway that I", "culture in-story (whether historical or fictional) that modern people don't agree with are", "In the series, \"Catvociqe\"* is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having", "the modern world that conflicts with her Catholic values. Key highlights include: ", "because the author believes in them, but because the culture being represented in-universe", "Expressing shock at women being able to serve as soldiers. Displaying bafflement", "serve as soldiers. * Displaying bafflement at modern society being very accepting of", "modern society being very accepting of homosexuality. * Being awestruck at people's rather", "attitude towards profanity and atheism. * Expressing horror and disgust upon learning that", "premarital sex with a girl prior to the events that unfold in the", "a world that is radically different from her own and having to work", "morals of a character or culture in-story (whether historical or fictional) that modern", "culture being represented in-universe does. My series features a character who is heavily", "played for laughs, as it suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker)", "radically different from her own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who", "[Deliberate Values Dissonance](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeliberateValuesDissonance) is when the morals of a character or culture in-story", "own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along", "due to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing", "like I condone her beliefs, I wish to portray her as someone who", "her beliefs, I wish to portray her as someone who hails from a", "bafflement at modern society being very accepting of homosexuality. * Being awestruck at", "a character or culture in-story (whether historical or fictional) that modern people don't", "it suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved", "with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that", "it's deuteragonist. In the series, \"Catvociqe\" is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater),", "depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead, existing in a world that", "\"Catvociqe\" is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained", "to be Juopne d'Arc (and goes by the name of Catvociqe Romée) as", "heavily implied to be Juopne d'Arc (and goes by the name of Catvociqe", "to the events that unfold in the series. None of this is played", "to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her", "society being very accepting of homosexuality. * Being awestruck at people's rather lax", "insane, due to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than", "Tool\"* for 600 years. Throughout the series, I plan on having instances where", "in time when her religious views were commonplace. *Is anyway that I can", "who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be", "get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be insane, due to", "600 years. Throughout the series, I plan on having instances where \"Catvociqe\" encounters", "being dead, existing in a world that is radically different from her own", "series, I plan on having instances where \"Catvociqe\" encounters aspects of the modern", "to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also", "Dissonance](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeliberateValuesDissonance) is when the morals of a character or culture in-story (whether historical", "is heavily implied to be Juopne d'Arc (and goes by the name of", "due to her loved ones being dead, existing in a world that is", "soldiers. Displaying bafflement at modern society being very accepting of homosexuality. ", "sex with a girl prior to the events that unfold in the series.", "her soul contained within an ancient artefact called a \"Divine Tool\"* for 600", "homosexuality. * Being awestruck at people's rather lax attitude towards profanity and atheism.", "dead, existing in a world that is radically different from her own and", "(and goes by the name of Catvociqe Romée) as it's deuteragonist. In the", "upon learning that the protagonist had premarital sex with a girl prior to", "agree with are presented in-universe. Not because the author believes in them, but", "her Catholic values. Key highlights include: * Expressing shock at women being able", "* Expressing horror and disgust upon learning that the protagonist had premarital sex", "being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as", "suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones", "lax attitude towards profanity and atheism. * Expressing horror and disgust upon learning", "[doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be insane, due", "God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone her beliefs, I wish", "after having her soul contained within an ancient artefact called a \"Divine Tool\"", "is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within", "is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead, existing", "ancient artefact called a \"Divine Tool\" for 600 years. Throughout the series, I", "writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like", "that the protagonist had premarital sex with a girl prior to the events", "awestruck at people's rather lax attitude towards profanity and atheism. * Expressing horror", "(whether historical or fictional) that modern people don't agree with are presented in-universe.", "Expressing horror and disgust upon learning that the protagonist had premarital sex with", "a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone her", "* Displaying bafflement at modern society being very accepting of homosexuality. * Being", "condone her beliefs, I wish to portray her as someone who hails from", "plan on having instances where \"Catvociqe\" encounters aspects of the modern world that", "in a world that is radically different from her own and having to", "beliefs, I wish to portray her as someone who hails from a period", "accepting of homosexuality. * Being awestruck at people's rather lax attitude towards profanity", "who hails from a period in time when her religious views were commonplace.", "series. None of this is played for laughs, as it suggested that \"Catvociqe\"", "a girl prior to the events that unfold in the series. None of", "[stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone her beliefs,", "[a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an ancient artefact called", "years. Throughout the series, I plan on having instances where \"Catvociqe\" encounters aspects", "an ancient artefact called a \"Divine Tool\" for 600 years. Throughout the series,", "and atheism. * Expressing horror and disgust upon learning that the protagonist had", "someone who hails from a period in time when her religious views were", "in them, but because the culture being represented in-universe does. My series features", "Not because the author believes in them, but because the culture being represented", "the events that unfold in the series. None of this is played for", "for 600 years. Throughout the series, I plan on having instances where \"Catvociqe\"", "that she may be insane, due to being in [social isolation for 6", "None of this is played for laughs, as it suggested that \"Catvociqe\" is", "rather lax attitude towards profanity and atheism. * Expressing horror and disgust upon", "\"Divine Tool\" for 600 years. Throughout the series, I plan on having instances", "or fictional) that modern people don't agree with are presented in-universe. Not because", "series features a character who is heavily implied to be Juopne d'Arc (and", "being able to serve as soldiers. * Displaying bafflement at modern society being", "having her soul contained within an ancient artefact called a \"Divine Tool\" for", "as it suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her", "when her religious views were commonplace. Is anyway that I can achieve such", "that unfold in the series. None of this is played for laughs, as", "her religious views were commonplace. Is anyway that I can achieve such a", "of the modern world that conflicts with her Catholic values. Key highlights include:", "laughs, as it suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to", "than writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look", "as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone", "called a \"Divine Tool\" for 600 years. Throughout the series, I plan on", "in-universe. Not because the author believes in them, but because the culture being", "atheism. * Expressing horror and disgust upon learning that the protagonist had premarital", "Catholic values. Key highlights include: * Expressing shock at women being able to", "6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter)", "very accepting of homosexuality. * Being awestruck at people's rather lax attitude towards", "with a girl prior to the events that unfold in the series. None", "it look like I condone her beliefs, I wish to portray her as", "that modern people don't agree with are presented in-universe. Not because the author", "Juopne d'Arc (and goes by the name of Catvociqe Romée) as it's deuteragonist.", "fictional) that modern people don't agree with are presented in-universe. Not because the", "presented in-universe. Not because the author believes in them, but because the culture", "Romée) as it's deuteragonist. In the series, \"Catvociqe\" is subjected to quite [a", "a \"Divine Tool\" for 600 years. Throughout the series, I plan on having", "as soldiers. * Displaying bafflement at modern society being very accepting of homosexuality.", "also implied that she may be insane, due to being in [social isolation", "when the morals of a character or culture in-story (whether historical or fictional)", "with are presented in-universe. Not because the author believes in them, but because", "the morals of a character or culture in-story (whether historical or fictional) that", "with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be insane, due to being in", "women being able to serve as soldiers. * Displaying bafflement at modern society", "had premarital sex with a girl prior to the events that unfold in", "her own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo)", "the series, \"Catvociqe\" is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her", "deuteragonist. In the series, \"Catvociqe\" is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after", "where \"Catvociqe\" encounters aspects of the modern world that conflicts with her Catholic", "and disgust upon learning that the protagonist had premarital sex with a girl", "protagonist had premarital sex with a girl prior to the events that unfold", "Being awestruck at people's rather lax attitude towards profanity and atheism. * Expressing", "people's rather lax attitude towards profanity and atheism. * Expressing horror and disgust", "Throughout the series, I plan on having instances where \"Catvociqe\" encounters aspects of", "she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be insane,", "the series. None of this is played for laughs, as it suggested that", "of Catvociqe Romée) as it's deuteragonist. In the series, \"Catvociqe\" is subjected to", "\"Catvociqe\" encounters aspects of the modern world that conflicts with her Catholic values.", "Displaying bafflement at modern society being very accepting of homosexuality. * Being awestruck", "she may be insane, due to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation).", "homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone her beliefs, I", "I condone her beliefs, I wish to portray her as someone who hails", "modern world that conflicts with her Catholic values. Key highlights include: * Expressing", "and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork).", "d'Arc (and goes by the name of Catvociqe Romée) as it's deuteragonist. In", "being represented in-universe does. My series features a character who is heavily implied", "at people's rather lax attitude towards profanity and atheism. * Expressing horror and", "[suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead, existing in a world", "her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I", "Values Dissonance](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeliberateValuesDissonance) is when the morals of a character or culture in-story (whether", "unfold in the series. None of this is played for laughs, as it", "may be insane, due to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But,", "isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a [stereotypical homophobic,", "* Being awestruck at people's rather lax attitude towards profanity and atheism. ", "It's also implied that she may be insane, due to being in [social", "be insane, due to being in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather", "on having instances where \"Catvociqe\" encounters aspects of the modern world that conflicts", "with her Catholic values. Key highlights include: Expressing shock at women being", "making it look like I condone her beliefs, I wish to portray her", "people don't agree with are presented in-universe. Not because the author believes in", "Key highlights include: * Expressing shock at women being able to serve as", "world that conflicts with her Catholic values. Key highlights include: * Expressing shock", "at modern society being very accepting of homosexuality. * Being awestruck at people's", "be Juopne d'Arc (and goes by the name of Catvociqe Romée) as it's", "highlights include: * Expressing shock at women being able to serve as soldiers.", "the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she", "features a character who is heavily implied to be Juopne d'Arc (and goes", "to serve as soldiers. * Displaying bafflement at modern society being very accepting", "her as someone who hails from a period in time when her religious", "* Expressing shock at women being able to serve as soldiers. * Displaying", "girl prior to the events that unfold in the series. None of this", "loved ones being dead, existing in a world that is radically different from", "Catvociqe Romée) as it's deuteragonist. In the series, \"Catvociqe\" is subjected to quite", "hails from a period in time when her religious views were commonplace. *Is", "character who is heavily implied to be Juopne d'Arc (and goes by the", "is when the morals of a character or culture in-story (whether historical or", "culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an ancient artefact called a", "but because the culture being represented in-universe does. My series features a character", "in [social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a", "values. Key highlights include: Expressing shock at women being able to serve", "different from her own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she", "that conflicts with her Catholic values. Key highlights include: * Expressing shock at", "that is radically different from her own and having to work with the", "religious views were commonplace. Is anyway that I can achieve such a feat?", "time when her religious views were commonplace. *Is anyway that I can achieve", "events that unfold in the series. None of this is played for laughs,", "represented in-universe does. My series features a character who is heavily implied to", "existing in a world that is radically different from her own and having", "contained within an ancient artefact called a \"Divine Tool\"* for 600 years. Throughout", "believes in them, but because the culture being represented in-universe does. My series", "Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it look like I condone her beliefs, I wish to", "My series features a character who is heavily implied to be Juopne d'Arc", "this is played for laughs, as it suggested that \"Catvociqe\" is suffering from", "is radically different from her own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero),", "or making it look like I condone her beliefs, I wish to portray", "But, rather than writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making", "as someone who hails from a period in time when her religious views", "in-story (whether historical or fictional) that modern people don't agree with are presented", "conflicts with her Catholic values. Key highlights include: * Expressing shock at women", "is played for laughs, as it suggested that \"Catvociqe\" is suffering from [suicidal", "subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an", "within an ancient artefact called a \"Divine Tool\" for 600 years. Throughout the", "world that is radically different from her own and having to work with", "[prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may", "learning that the protagonist had premarital sex with a girl prior to the", "for laughs, as it suggested that \"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due", "for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a [stereotypical homophobic, God-fearing", "of homosexuality. * Being awestruck at people's rather lax attitude towards profanity and", "the series, I plan on having instances where \"Catvociqe\" encounters aspects of the", "soul contained within an ancient artefact called a \"Divine Tool\" for 600 years.", "in the series. None of this is played for laughs, as it suggested", "the author believes in them, but because the culture being represented in-universe does.", "her loved ones being dead, existing in a world that is radically different", "look like I condone her beliefs, I wish to portray her as someone", "of a character or culture in-story (whether historical or fictional) that modern people", "modern people don't agree with are presented in-universe. Not because the author believes", "horror and disgust upon learning that the protagonist had premarital sex with a", "does. My series features a character who is heavily implied to be Juopne", "the protagonist had premarital sex with a girl prior to the events that", "able to serve as soldiers. * Displaying bafflement at modern society being very", "work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied", "at women being able to serve as soldiers. * Displaying bafflement at modern", "[social isolation for 6 centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a [stereotypical", "from her own and having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't", "a character who is heavily implied to be Juopne d'Arc (and goes by", "being very accepting of homosexuality. * Being awestruck at people's rather lax attitude", "are presented in-universe. Not because the author believes in them, but because the", "them, but because the culture being represented in-universe does. My series features a", "\"Catvociqe\" is suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead,", "series, \"Catvociqe\" is subjected to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul", "profanity and atheism. * Expressing horror and disgust upon learning that the protagonist", "implied that she may be insane, due to being in [social isolation for", "quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an ancient artefact", "because the culture being represented in-universe does. My series features a character who", "portray her as someone who hails from a period in time when her", "a period in time when her religious views were commonplace. *Is anyway that", "from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead, existing in a", "the culture being represented in-universe does. My series features a character who is", "in-universe does. My series features a character who is heavily implied to be", "the name of Catvociqe Romée) as it's deuteragonist. In the series, \"Catvociqe\"* is", "[along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's also implied that she may be insane, due to being", "or culture in-story (whether historical or fictional) that modern people don't agree with", "ones being dead, existing in a world that is radically different from her", "instances where \"Catvociqe\" encounters aspects of the modern world that conflicts with her", "rather than writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or making it", "having to work with the [prot](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)[agonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/NominalHero), who she [doesn't get](https://tvtropes.org/pmwiki/pmwiki.php/Main/CynicIdealistDuo) [along with](https://tvtropes.org/pmwiki/pmwiki.php/Main/TeethClenchedTeamwork). It's", "shock at women being able to serve as soldiers. * Displaying bafflement at", "wish to portray her as someone who hails from a period in time", "to quite [a culture shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an ancient", "centuries](https://tvtropes.org/pmwiki/pmwiki.php/Main/GoMadFromTheIsolation). But, rather than writing her as a [stereotypical homophobic, God-fearing Catholic](https://tvtropes.org/pmwiki/pmwiki.php/Main/StrawCharacter) or", "encounters aspects of the modern world that conflicts with her Catholic values. Key", "author believes in them, but because the culture being represented in-universe does. My", "artefact called a \"Divine Tool\" for 600 years. Throughout the series, I plan", "by the name of Catvociqe Romée) as it's deuteragonist. In the series, \"Catvociqe\"", "disgust upon learning that the protagonist had premarital sex with a girl prior", "prior to the events that unfold in the series. None of this is", "to portray her as someone who hails from a period in time when", "suffering from [suicidal depression](https://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker) due to her loved ones being dead, existing in", "as it's deuteragonist. In the series, \"Catvociqe\" is subjected to quite [a culture", "who is heavily implied to be Juopne d'Arc (and goes by the name", "name of Catvociqe Romée) as it's deuteragonist. In the series, \"Catvociqe\" is subjected", "historical or fictional) that modern people don't agree with are presented in-universe. Not", "don't agree with are presented in-universe. Not because the author believes in them,", "shock](https://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfTemporalWater), after having her soul contained within an ancient artefact called a \"Divine", "include: Expressing shock at women being able to serve as soldiers. ", "having instances where \"Catvociqe\" encounters aspects of the modern world that conflicts with", "aspects of the modern world that conflicts with her Catholic values. Key highlights", "I wish to portray her as someone who hails from a period in", "of this is played for laughs, as it suggested that \"Catvociqe\" is suffering", "from a period in time when her religious views were commonplace. Is anyway", "I plan on having instances where \"Catvociqe\" encounters aspects of the modern world", "goes by the name of Catvociqe Romée) as it's deuteragonist. In the series,", "towards profanity and atheism. Expressing horror and disgust upon learning that the", "implied to be Juopne d'Arc (and goes by the name of Catvociqe Romée)" ]
[ "words despite knowing that should be up to about 3000-4500. I'm more interested", "to it later, but I often find myself rushing and writing sloppy. It's", "about 3000-4500. I'm more interested in the action-packed scenes than the little-detailed scenes", "later, but I often find myself rushing and writing sloppy. It's probably a", "stop skipping over things. I haven't written for months, so all of my", "a particular scene, but the scene might be chapters away. I don't like", "I'm more interested in the action-packed scenes than the little-detailed scenes but I", "and go back to it later, but I often find myself rushing and", "in what I'm writing and I'm interested in writing a particular scene, but", "scene might be chapters away. I don't like writing it before I write", "and I've only gotten about 2000 words despite knowing that should be up", "might be chapters away. I don't like writing it before I write the", "myself rushing and writing sloppy. It's probably a more personal issue I have", "in the action-packed scenes than the little-detailed scenes but I know they're just", "action-packed scenes than the little-detailed scenes but I know they're just as important.", "a lot in what I'm writing and I'm interested in writing a particular", "that should be up to about 3000-4500. I'm more interested in the action-packed", "have dealt with something similar. For example, I've been writing for about 4", "writing it before I write the rest and go back to it later,", "learn to deal with but maybe some of you have dealt with something", "scenes than the little-detailed scenes but I know they're just as important. I", "so all of my knowledge of writing is basically thrown out the window.", "maybe some of you have dealt with something similar. For example, I've been", "knowing that should be up to about 3000-4500. I'm more interested in the", "writing a particular scene, but the scene might be chapters away. I don't", "but maybe some of you have dealt with something similar. For example, I've", "but I know they're just as important. I just can't seem to stop", "I know they're just as important. I just can't seem to stop skipping", "over things. I haven't written for months, so all of my knowledge of", "the action-packed scenes than the little-detailed scenes but I know they're just as", "been writing for about 4 hours and I've only gotten about 2000 words", "chapters away. I don't like writing it before I write the rest and", "interested in the action-packed scenes than the little-detailed scenes but I know they're", "they're just as important. I just can't seem to stop skipping over things.", "dealt with something similar. For example, I've been writing for about 4 hours", "up a lot in what I'm writing and I'm interested in writing a", "deal with but maybe some of you have dealt with something similar. For", "back to it later, but I often find myself rushing and writing sloppy.", "than the little-detailed scenes but I know they're just as important. I just", "I haven't written for months, so all of my knowledge of writing is", "I'm writing and I'm interested in writing a particular scene, but the scene", "It's probably a more personal issue I have to learn to deal with", "it later, but I often find myself rushing and writing sloppy. It's probably", "little-detailed scenes but I know they're just as important. I just can't seem", "things. I haven't written for months, so all of my knowledge of writing", "with something similar. For example, I've been writing for about 4 hours and", "example, I've been writing for about 4 hours and I've only gotten about", "I'm interested in writing a particular scene, but the scene might be chapters", "the rest and go back to it later, but I often find myself", "issue I have to learn to deal with but maybe some of you", "I don't like writing it before I write the rest and go back", "haven't written for months, so all of my knowledge of writing is basically", "I often find myself rushing and writing sloppy. It's probably a more personal", "don't like writing it before I write the rest and go back to", "have to learn to deal with but maybe some of you have dealt", "to learn to deal with but maybe some of you have dealt with", "up to about 3000-4500. I'm more interested in the action-packed scenes than the", "to deal with but maybe some of you have dealt with something similar.", "rushing and writing sloppy. It's probably a more personal issue I have to", "more interested in the action-packed scenes than the little-detailed scenes but I know", "interested in writing a particular scene, but the scene might be chapters away.", "4 hours and I've only gotten about 2000 words despite knowing that should", "get caught up a lot in what I'm writing and I'm interested in", "scenes but I know they're just as important. I just can't seem to", "probably a more personal issue I have to learn to deal with but", "know they're just as important. I just can't seem to stop skipping over", "what I'm writing and I'm interested in writing a particular scene, but the", "find myself rushing and writing sloppy. It's probably a more personal issue I", "For example, I've been writing for about 4 hours and I've only gotten", "the little-detailed scenes but I know they're just as important. I just can't", "3000-4500. I'm more interested in the action-packed scenes than the little-detailed scenes but", "only gotten about 2000 words despite knowing that should be up to about", "but I often find myself rushing and writing sloppy. It's probably a more", "and I'm interested in writing a particular scene, but the scene might be", "writing for about 4 hours and I've only gotten about 2000 words despite", "about 2000 words despite knowing that should be up to about 3000-4500. I'm", "2000 words despite knowing that should be up to about 3000-4500. I'm more", "like writing it before I write the rest and go back to it", "I get caught up a lot in what I'm writing and I'm interested", "sloppy. It's probably a more personal issue I have to learn to deal", "just can't seem to stop skipping over things. I haven't written for months,", "it before I write the rest and go back to it later, but", "before I write the rest and go back to it later, but I", "write the rest and go back to it later, but I often find", "and writing sloppy. It's probably a more personal issue I have to learn", "for about 4 hours and I've only gotten about 2000 words despite knowing", "to stop skipping over things. I haven't written for months, so all of", "I've been writing for about 4 hours and I've only gotten about 2000", "be chapters away. I don't like writing it before I write the rest", "similar. For example, I've been writing for about 4 hours and I've only", "writing sloppy. It's probably a more personal issue I have to learn to", "away. I don't like writing it before I write the rest and go", "I have to learn to deal with but maybe some of you have", "you have dealt with something similar. For example, I've been writing for about", "personal issue I have to learn to deal with but maybe some of", "writing and I'm interested in writing a particular scene, but the scene might", "about 4 hours and I've only gotten about 2000 words despite knowing that", "important. I just can't seem to stop skipping over things. I haven't written", "go back to it later, but I often find myself rushing and writing", "caught up a lot in what I'm writing and I'm interested in writing", "but the scene might be chapters away. I don't like writing it before", "hours and I've only gotten about 2000 words despite knowing that should be", "a more personal issue I have to learn to deal with but maybe", "written for months, so all of my knowledge of writing is basically thrown", "with but maybe some of you have dealt with something similar. For example,", "as important. I just can't seem to stop skipping over things. I haven't", "to about 3000-4500. I'm more interested in the action-packed scenes than the little-detailed", "should be up to about 3000-4500. I'm more interested in the action-packed scenes", "I've only gotten about 2000 words despite knowing that should be up to", "months, so all of my knowledge of writing is basically thrown out the", "in writing a particular scene, but the scene might be chapters away. I", "lot in what I'm writing and I'm interested in writing a particular scene,", "the scene might be chapters away. I don't like writing it before I", "seem to stop skipping over things. I haven't written for months, so all", "more personal issue I have to learn to deal with but maybe some", "I write the rest and go back to it later, but I often", "gotten about 2000 words despite knowing that should be up to about 3000-4500.", "scene, but the scene might be chapters away. I don't like writing it", "rest and go back to it later, but I often find myself rushing", "something similar. For example, I've been writing for about 4 hours and I've", "can't seem to stop skipping over things. I haven't written for months, so", "skipping over things. I haven't written for months, so all of my knowledge", "of you have dealt with something similar. For example, I've been writing for", "for months, so all of my knowledge of writing is basically thrown out", "be up to about 3000-4500. I'm more interested in the action-packed scenes than", "particular scene, but the scene might be chapters away. I don't like writing", "just as important. I just can't seem to stop skipping over things. I", "some of you have dealt with something similar. For example, I've been writing", "despite knowing that should be up to about 3000-4500. I'm more interested in", "I just can't seem to stop skipping over things. I haven't written for", "often find myself rushing and writing sloppy. It's probably a more personal issue" ]
[ "the novel. It starts with one of the characters, but not the main", "hear it. So the point of views continuously swaps around. Does it matter", "I've looked at a few other questions and answers but nothing that I", "Does it matter dramatically? I could always start the novel off with the", "third person but follows along with her day-to-day life. Somewhat near the end", "not understanding what is happening, but I thought it would've been interesting to", "character but I don't want the main to hear it. So the point", "is a little confusing at the beginning (and probably) throughout the novel. It", "in third person but follows along with her day-to-day life. Somewhat near the", "write a scene about two of the characters sharing a secret about the", "going through (he has amnesia). Later on, I want to write a scene", "what is happening, but I thought it would've been interesting to see what", "a scene about two of the characters sharing a secret about the main", "the chapter or the beginning of the next chapter it's going to be", "it. So the point of views continuously swaps around. Does it matter dramatically?", "I was really looking for. The point of view is a little confusing", "Somewhat near the end of the chapter or the beginning of the next", "It starts with one of the characters, but not the main character. It's", "characters, but not the main character. It's in third person but follows along", "the main character not understanding what is happening, but I thought it would've", "sharing a secret about the main character but I don't want the main", "the point of views continuously swaps around. Does it matter dramatically? I could", "I want to write a scene about two of the characters sharing a", "the characters sharing a secret about the main character but I don't want", "the end of the chapter or the beginning of the next chapter it's", "view is a little confusing at the beginning (and probably) throughout the novel.", "the main character. It's in third person but follows along with her day-to-day", "the main character and following what he is going through (he has amnesia).", "on, I want to write a scene about two of the characters sharing", "happening, but I thought it would've been interesting to see what one of", "always start the novel off with the main character not understanding what is", "the novel off with the main character not understanding what is happening, but", "with her day-to-day life. Somewhat near the end of the chapter or the", "be focused on the main character and following what he is going through", "the next chapter it's going to be focused on the main character and", "at the beginning (and probably) throughout the novel. It starts with one of", "to write a scene about two of the characters sharing a secret about", "novel. It starts with one of the characters, but not the main character.", "I thought it would've been interesting to see what one of the reoccurring", "character and following what he is going through (he has amnesia). Later on,", "main to hear it. So the point of views continuously swaps around. Does", "a few other questions and answers but nothing that I was really looking", "want the main to hear it. So the point of views continuously swaps", "swaps around. Does it matter dramatically? I could always start the novel off", "the beginning (and probably) throughout the novel. It starts with one of the", "could always start the novel off with the main character not understanding what", "the main to hear it. So the point of views continuously swaps around.", "of the chapter or the beginning of the next chapter it's going to", "thought it would've been interesting to see what one of the reoccurring characters", "a little confusing at the beginning (and probably) throughout the novel. It starts", "main character but I don't want the main to hear it. So the", "I could always start the novel off with the main character not understanding", "main character and following what he is going through (he has amnesia). Later", "a secret about the main character but I don't want the main to", "and following what he is going through (he has amnesia). Later on, I", "confusing at the beginning (and probably) throughout the novel. It starts with one", "going to be focused on the main character and following what he is", "scene about two of the characters sharing a secret about the main character", "starts with one of the characters, but not the main character. It's in", "of the characters, but not the main character. It's in third person but", "it would've been interesting to see what one of the reoccurring characters often", "following what he is going through (he has amnesia). Later on, I want", "don't want the main to hear it. So the point of views continuously", "character not understanding what is happening, but I thought it would've been interesting", "person but follows along with her day-to-day life. Somewhat near the end of", "end of the chapter or the beginning of the next chapter it's going", "understanding what is happening, but I thought it would've been interesting to see", "chapter or the beginning of the next chapter it's going to be focused", "main character. It's in third person but follows along with her day-to-day life.", "probably) throughout the novel. It starts with one of the characters, but not", "looking for. The point of view is a little confusing at the beginning", "dramatically? I could always start the novel off with the main character not", "character. It's in third person but follows along with her day-to-day life. Somewhat", "along with her day-to-day life. Somewhat near the end of the chapter or", "but I thought it would've been interesting to see what one of the", "throughout the novel. It starts with one of the characters, but not the", "at a few other questions and answers but nothing that I was really", "novel off with the main character not understanding what is happening, but I", "answers but nothing that I was really looking for. The point of view", "looked at a few other questions and answers but nothing that I was", "would've been interesting to see what one of the reoccurring characters often do.", "follows along with her day-to-day life. Somewhat near the end of the chapter", "it matter dramatically? I could always start the novel off with the main", "is going through (he has amnesia). Later on, I want to write a", "The point of view is a little confusing at the beginning (and probably)", "secret about the main character but I don't want the main to hear", "of view is a little confusing at the beginning (and probably) throughout the", "other questions and answers but nothing that I was really looking for. The", "not the main character. It's in third person but follows along with her", "main character not understanding what is happening, but I thought it would've been", "I don't want the main to hear it. So the point of views", "little confusing at the beginning (and probably) throughout the novel. It starts with", "of views continuously swaps around. Does it matter dramatically? I could always start", "continuously swaps around. Does it matter dramatically? I could always start the novel", "around. Does it matter dramatically? I could always start the novel off with", "with the main character not understanding what is happening, but I thought it", "for. The point of view is a little confusing at the beginning (and", "start the novel off with the main character not understanding what is happening,", "off with the main character not understanding what is happening, but I thought", "through (he has amnesia). Later on, I want to write a scene about", "(he has amnesia). Later on, I want to write a scene about two", "amnesia). Later on, I want to write a scene about two of the", "want to write a scene about two of the characters sharing a secret", "with one of the characters, but not the main character. It's in third", "but not the main character. It's in third person but follows along with", "nothing that I was really looking for. The point of view is a", "beginning of the next chapter it's going to be focused on the main", "(and probably) throughout the novel. It starts with one of the characters, but", "but follows along with her day-to-day life. Somewhat near the end of the", "on the main character and following what he is going through (he has", "day-to-day life. Somewhat near the end of the chapter or the beginning of", "focused on the main character and following what he is going through (he", "what he is going through (he has amnesia). Later on, I want to", "beginning (and probably) throughout the novel. It starts with one of the characters,", "the main character but I don't want the main to hear it. So", "characters sharing a secret about the main character but I don't want the", "of the characters sharing a secret about the main character but I don't", "to hear it. So the point of views continuously swaps around. Does it", "and answers but nothing that I was really looking for. The point of", "life. Somewhat near the end of the chapter or the beginning of the", "near the end of the chapter or the beginning of the next chapter", "that I was really looking for. The point of view is a little", "the characters, but not the main character. It's in third person but follows", "her day-to-day life. Somewhat near the end of the chapter or the beginning", "the beginning of the next chapter it's going to be focused on the", "he is going through (he has amnesia). Later on, I want to write", "to be focused on the main character and following what he is going", "few other questions and answers but nothing that I was really looking for.", "about two of the characters sharing a secret about the main character but", "but nothing that I was really looking for. The point of view is", "or the beginning of the next chapter it's going to be focused on", "Later on, I want to write a scene about two of the characters", "questions and answers but nothing that I was really looking for. The point", "next chapter it's going to be focused on the main character and following", "chapter it's going to be focused on the main character and following what", "but I don't want the main to hear it. So the point of", "matter dramatically? I could always start the novel off with the main character", "was really looking for. The point of view is a little confusing at", "is happening, but I thought it would've been interesting to see what one", "of the next chapter it's going to be focused on the main character", "has amnesia). Later on, I want to write a scene about two of", "So the point of views continuously swaps around. Does it matter dramatically? I", "point of view is a little confusing at the beginning (and probably) throughout", "views continuously swaps around. Does it matter dramatically? I could always start the", "two of the characters sharing a secret about the main character but I", "one of the characters, but not the main character. It's in third person", "point of views continuously swaps around. Does it matter dramatically? I could always", "about the main character but I don't want the main to hear it.", "really looking for. The point of view is a little confusing at the", "it's going to be focused on the main character and following what he", "It's in third person but follows along with her day-to-day life. Somewhat near" ]
[ "seems insane to rewrite this as: > > \"This is a fact related", "many pages ago (see Eq. (6)).\" > > > What are the accepted", "to an equation you passed many pages ago (see Eq. (6)).\" > >", "simple enough, but often I have sentences of the form: > > \"This", "(see > Eq. 6).\" > > > To me it seems insane to", "than Eq. 6. This seems simple enough, but often I have sentences of", "you passed many pages ago (see Eq. (6)).\" > > > What are", "have sentences of the form: > > \"This is a fact related to", "is a fact related to an equation you passed many pages ago (see", "Eq. 6).\" > > > To me it seems insane to rewrite this", "> > To me it seems insane to rewrite this as: > >", "equation you passed many pages ago (see > Eq. 6).\" > > >", "passed many pages ago (see > Eq. 6).\" > > > To me", "(6) rather than Eq. 6. This seems simple enough, but often I have", "6. This seems simple enough, but often I have sentences of the form:", "but often I have sentences of the form: > > \"This is a", "> > > To me it seems insane to rewrite this as: >", "to equations using Eq. (6) rather than Eq. 6. This seems simple enough,", "often I have sentences of the form: > > \"This is a fact", "the form: > > \"This is a fact related to an equation you", "this as: > > \"This is a fact related to an equation you", "insane to rewrite this as: > > \"This is a fact related to", "My PhD examiners have asked me to refer to equations using Eq. (6)", "fact related to an equation you passed many pages ago (see Eq. (6)).\"", "it seems insane to rewrite this as: > > \"This is a fact", "> > > What are the accepted ways of formatting the equation number", "> Eq. 6).\" > > > To me it seems insane to rewrite", "rewrite this as: > > \"This is a fact related to an equation", "Eq. (6) rather than Eq. 6. This seems simple enough, but often I", "to an equation you passed many pages ago (see > Eq. 6).\" >", "to rewrite this as: > > \"This is a fact related to an", "of the form: > > \"This is a fact related to an equation", "What are the accepted ways of formatting the equation number in parenthetical references?", "> To me it seems insane to rewrite this as: > > \"This", "refer to equations using Eq. (6) rather than Eq. 6. This seems simple", "ago (see Eq. (6)).\" > > > What are the accepted ways of", "> > \"This is a fact related to an equation you passed many", "form: > > \"This is a fact related to an equation you passed", "6).\" > > > To me it seems insane to rewrite this as:", "\"This is a fact related to an equation you passed many pages ago", "(6)).\" > > > What are the accepted ways of formatting the equation", "you passed many pages ago (see > Eq. 6).\" > > > To", "equation you passed many pages ago (see Eq. (6)).\" > > > What", "> What are the accepted ways of formatting the equation number in parenthetical", "ago (see > Eq. 6).\" > > > To me it seems insane", "using Eq. (6) rather than Eq. 6. This seems simple enough, but often", "(see Eq. (6)).\" > > > What are the accepted ways of formatting", "as: > > \"This is a fact related to an equation you passed", "examiners have asked me to refer to equations using Eq. (6) rather than", "seems simple enough, but often I have sentences of the form: > >", "Eq. 6. This seems simple enough, but often I have sentences of the", "Eq. (6)).\" > > > What are the accepted ways of formatting the", "a fact related to an equation you passed many pages ago (see >", "PhD examiners have asked me to refer to equations using Eq. (6) rather", "a fact related to an equation you passed many pages ago (see Eq.", "This seems simple enough, but often I have sentences of the form: >", "asked me to refer to equations using Eq. (6) rather than Eq. 6.", "an equation you passed many pages ago (see Eq. (6)).\" > > >", "related to an equation you passed many pages ago (see Eq. (6)).\" >", "> > What are the accepted ways of formatting the equation number in", "rather than Eq. 6. This seems simple enough, but often I have sentences", "pages ago (see > Eq. 6).\" > > > To me it seems", "many pages ago (see > Eq. 6).\" > > > To me it", "to refer to equations using Eq. (6) rather than Eq. 6. This seems", "I have sentences of the form: > > \"This is a fact related", "pages ago (see Eq. (6)).\" > > > What are the accepted ways", "equations using Eq. (6) rather than Eq. 6. This seems simple enough, but", "sentences of the form: > > \"This is a fact related to an", "related to an equation you passed many pages ago (see > Eq. 6).\"", "an equation you passed many pages ago (see > Eq. 6).\" > >", "have asked me to refer to equations using Eq. (6) rather than Eq.", "me it seems insane to rewrite this as: > > \"This is a", "To me it seems insane to rewrite this as: > > \"This is", "fact related to an equation you passed many pages ago (see > Eq.", "> \"This is a fact related to an equation you passed many pages", "passed many pages ago (see Eq. (6)).\" > > > What are the", "me to refer to equations using Eq. (6) rather than Eq. 6. This", "enough, but often I have sentences of the form: > > \"This is" ]
[ "to have 2 low points? I really think both the first and the", "a TV episode. the heroes reach a low point where they think they're", "an idea to make things work, they follow him and it eventually leads", "a montage of the events, and it works. Is it considered bad structure", "another idea, it doesn't involve combat, just a montage of the events, and", "but another character has another idea, it doesn't involve combat, just a montage", "of the events, and it works. Is it considered bad structure to have", "eventually leads to a combat scene, they lose and are hopeless again, but", "they follow him and it eventually leads to a combat scene, they lose", "idea, it doesn't involve combat, just a montage of the events, and it", "one of the characters has an idea to make things work, they follow", "a low point where they think they're defeated, one of the characters has", "him and it eventually leads to a combat scene, they lose and are", "points? I really think both the first and the second have essential scenes", "they think they're defeated, one of the characters has an idea to make", "think they're defeated, one of the characters has an idea to make things", "think both the first and the second have essential scenes that i would", "again, but another character has another idea, it doesn't involve combat, just a", "point where they think they're defeated, one of the characters has an idea", "character has another idea, it doesn't involve combat, just a montage of the", "has an idea to make things work, they follow him and it eventually", "combat scene, they lose and are hopeless again, but another character has another", "low point where they think they're defeated, one of the characters has an", "lose and are hopeless again, but another character has another idea, it doesn't", "it doesn't involve combat, just a montage of the events, and it works.", "the characters has an idea to make things work, they follow him and", "considered bad structure to have 2 low points? I really think both the", "they lose and are hopeless again, but another character has another idea, it", "where they think they're defeated, one of the characters has an idea to", "low points? I really think both the first and the second have essential", "bad structure to have 2 low points? I really think both the first", "they're defeated, one of the characters has an idea to make things work,", "defeated, one of the characters has an idea to make things work, they", "events, and it works. Is it considered bad structure to have 2 low", "make things work, they follow him and it eventually leads to a combat", "it eventually leads to a combat scene, they lose and are hopeless again,", "Is it considered bad structure to have 2 low points? I really think", "TV episode. the heroes reach a low point where they think they're defeated,", "2 low points? I really think both the first and the second have", "really think both the first and the second have essential scenes that i", "work, they follow him and it eventually leads to a combat scene, they", "leads to a combat scene, they lose and are hopeless again, but another", "characters has an idea to make things work, they follow him and it", "it considered bad structure to have 2 low points? I really think both", "to a combat scene, they lose and are hopeless again, but another character", "reach a low point where they think they're defeated, one of the characters", "have 2 low points? I really think both the first and the second", "structure to have 2 low points? I really think both the first and", "heroes reach a low point where they think they're defeated, one of the", "and are hopeless again, but another character has another idea, it doesn't involve", "the events, and it works. Is it considered bad structure to have 2", "things work, they follow him and it eventually leads to a combat scene,", "involve combat, just a montage of the events, and it works. Is it", "It's a TV episode. the heroes reach a low point where they think", "follow him and it eventually leads to a combat scene, they lose and", "a combat scene, they lose and are hopeless again, but another character has", "first and the second have essential scenes that i would be sad to", "it works. Is it considered bad structure to have 2 low points? I", "and it eventually leads to a combat scene, they lose and are hopeless", "both the first and the second have essential scenes that i would be", "hopeless again, but another character has another idea, it doesn't involve combat, just", "and the second have essential scenes that i would be sad to throw", "just a montage of the events, and it works. Is it considered bad", "combat, just a montage of the events, and it works. Is it considered", "montage of the events, and it works. Is it considered bad structure to", "the heroes reach a low point where they think they're defeated, one of", "the second have essential scenes that i would be sad to throw away.", "episode. the heroes reach a low point where they think they're defeated, one", "the first and the second have essential scenes that i would be sad", "doesn't involve combat, just a montage of the events, and it works. Is", "I really think both the first and the second have essential scenes that", "idea to make things work, they follow him and it eventually leads to", "to make things work, they follow him and it eventually leads to a", "another character has another idea, it doesn't involve combat, just a montage of", "scene, they lose and are hopeless again, but another character has another idea,", "has another idea, it doesn't involve combat, just a montage of the events,", "of the characters has an idea to make things work, they follow him", "works. Is it considered bad structure to have 2 low points? I really", "and it works. Is it considered bad structure to have 2 low points?", "are hopeless again, but another character has another idea, it doesn't involve combat," ]
[ "it asks how to maintain the tense, unlike the possible duplicate. The possible", "exactly figure out how to avoid the repetition of \"I\" when explaining the", "tense, unlike the possible duplicate. The possible duplicate also doesn't provide an answer", "told in past-tense, and I believe that would take away from how I", "\"I\" when explaining the actions of the character. Any way I have ever", "explaining the actions of the character. Any way I have ever seen makes", "I have ever seen makes the story seem like it's being entirely told", "of the character. Any way I have ever seen makes the story seem", "take away from how I want to portray things. *This question is unique", "is unique because it asks how to maintain the tense, unlike the possible", "the story seem like it's being entirely told in past-tense, and I believe", "asks how to maintain the tense, unlike the possible duplicate. The possible duplicate", "Any way I have ever seen makes the story seem like it's being", "possible duplicate.* The possible duplicate also doesn't provide an answer in which the", "The possible duplicate also doesn't provide an answer in which the present tense", "the actions of the character. Any way I have ever seen makes the", "writing a first-person fantasy novel. I can't exactly figure out how to avoid", "I'm writing a first-person fantasy novel. I can't exactly figure out how to", "things. This question is unique because it asks how to maintain the tense,", "unique because it asks how to maintain the tense, unlike the possible duplicate.", "when explaining the actions of the character. Any way I have ever seen", "away from how I want to portray things. This question is unique because", "that would take away from how I want to portray things. This question", "being entirely told in past-tense, and I believe that would take away from", "question is unique because it asks how to maintain the tense, unlike the", "out how to avoid the repetition of \"I\" when explaining the actions of", "I want to portray things. This question is unique because it asks how", "want to portray things. This question is unique because it asks how to", "possible duplicate also doesn't provide an answer in which the present tense is", "makes the story seem like it's being entirely told in past-tense, and I", "entirely told in past-tense, and I believe that would take away from how", "the tense, unlike the possible duplicate.* *The possible duplicate also doesn't provide an", "how to avoid the repetition of \"I\" when explaining the actions of the", "and I believe that would take away from how I want to portray", "like it's being entirely told in past-tense, and I believe that would take", "to avoid the repetition of \"I\" when explaining the actions of the character.", "the repetition of \"I\" when explaining the actions of the character. Any way", "character. Any way I have ever seen makes the story seem like it's", "I believe that would take away from how I want to portray things.", "to maintain the tense, unlike the possible duplicate. The possible duplicate also doesn't", "maintain the tense, unlike the possible duplicate. The possible duplicate also doesn't provide", "actions of the character. Any way I have ever seen makes the story", "figure out how to avoid the repetition of \"I\" when explaining the actions", "portray things. This question is unique because it asks how to maintain the", "the possible duplicate.* *The possible duplicate also doesn't provide an answer in which", "novel. I can't exactly figure out how to avoid the repetition of \"I\"", "seem like it's being entirely told in past-tense, and I believe that would", "of \"I\" when explaining the actions of the character. Any way I have", "in past-tense, and I believe that would take away from how I want", "it's being entirely told in past-tense, and I believe that would take away", "fantasy novel. I can't exactly figure out how to avoid the repetition of", "a first-person fantasy novel. I can't exactly figure out how to avoid the", "to portray things. This question is unique because it asks how to maintain", "believe that would take away from how I want to portray things. This", "would take away from how I want to portray things. This question is", "because it asks how to maintain the tense, unlike the possible duplicate.* The", "unlike the possible duplicate. *The possible duplicate also doesn't provide an answer in", "past-tense, and I believe that would take away from how I want to", "avoid the repetition of \"I\" when explaining the actions of the character. Any", "story seem like it's being entirely told in past-tense, and I believe that", "seen makes the story seem like it's being entirely told in past-tense, and", "This question is unique because it asks how to maintain the tense, unlike", "duplicate.* *The possible duplicate also doesn't provide an answer in which the present", "repetition of \"I\" when explaining the actions of the character. Any way I", "first-person fantasy novel. I can't exactly figure out how to avoid the repetition", "from how I want to portray things. This question is unique because it", "have ever seen makes the story seem like it's being entirely told in", "can't exactly figure out how to avoid the repetition of \"I\" when explaining", "how to maintain the tense, unlike the possible duplicate. *The possible duplicate also", "the character. Any way I have ever seen makes the story seem like", "how I want to portray things. This question is unique because it asks", "I can't exactly figure out how to avoid the repetition of \"I\" when", "duplicate also doesn't provide an answer in which the present tense is maintained.", "ever seen makes the story seem like it's being entirely told in past-tense*,", "way I have ever seen makes the story seem like it's being entirely" ]
[ "a post scriptum. However, editing needs some extra effort to find the right", "anything at any time. I know the application of post scriptum in letters", "contains information that one wants to add to a letter after finishing it.", "a good spot to put that information. So, is it a good practice", "emphasize some important information, and post scriptum would be a good spot to", "doubt about it because I can edit an entry and add what I", "each entry of my diary. I doubt about it because I can edit", "happens to me every day as my diary. I don't write them on", "it a good practice to have post scriptums in my diary in the", "right place in the entry for the insertion of that new piece of", "technically sound after each entry of my diary. I doubt about it because", "I'd like to emphasize some important information, and post scriptum would be a", "but I typeset them in a word-processing system (soft diary), so I can", "to put that information. So, is it a good practice to have post", "needs some extra effort to find the right place in the entry for", "and add/remove anything at any time. I know the application of post scriptum", "know the application of post scriptum in letters which contains information that one", "the application of post scriptum in letters which contains information that one wants", "a letter after finishing it. But I'm wondering if writing post scriptum is", "I typeset them in a word-processing system (soft diary), so I can simply", "scriptum is technically sound after each entry of my diary. I doubt about", "one wants to add to a letter after finishing it. But I'm wondering", "it because I can edit an entry and add what I want to", "writing post scriptum is technically sound after each entry of my diary. I", "letters which contains information that one wants to add to a letter after", "is technically sound after each entry of my diary. I doubt about it", "good practice to have post scriptums in my diary in the way I", "to find the right place in the entry for the insertion of that", "that one wants to add to a letter after finishing it. But I'm", "a word-processing system (soft diary), so I can simply edit them and add/remove", "to say to it without writing a post scriptum. However, editing needs some", "application of post scriptum in letters which contains information that one wants to", "to have post scriptums in my diary in the way I described above?", "However, editing needs some extra effort to find the right place in the", "them in a word-processing system (soft diary), so I can simply edit them", "write what happens to me every day as my diary. I don't write", "which contains information that one wants to add to a letter after finishing", "to emphasize some important information, and post scriptum would be a good spot", "don't write them on paper, but I typeset them in a word-processing system", "put that information. So, is it a good practice to have post scriptums", "diary. I doubt about it because I can edit an entry and add", "entry for the insertion of that new piece of information. Additionally, sometimes I'd", "the entry for the insertion of that new piece of information. Additionally, sometimes", "I know the application of post scriptum in letters which contains information that", "extra effort to find the right place in the entry for the insertion", "spot to put that information. So, is it a good practice to have", "letter after finishing it. But I'm wondering if writing post scriptum is technically", "effort to find the right place in the entry for the insertion of", "at any time. I know the application of post scriptum in letters which", "if writing post scriptum is technically sound after each entry of my diary.", "of information. Additionally, sometimes I'd like to emphasize some important information, and post", "and post scriptum would be a good spot to put that information. So,", "wants to add to a letter after finishing it. But I'm wondering if", "as my diary. I don't write them on paper, but I typeset them", "so I can simply edit them and add/remove anything at any time. I", "typeset them in a word-processing system (soft diary), so I can simply edit", "simply edit them and add/remove anything at any time. I know the application", "for the insertion of that new piece of information. Additionally, sometimes I'd like", "information, and post scriptum would be a good spot to put that information.", "Additionally, sometimes I'd like to emphasize some important information, and post scriptum would", "day as my diary. I don't write them on paper, but I typeset", "diary. I don't write them on paper, but I typeset them in a", "wondering if writing post scriptum is technically sound after each entry of my", "to add to a letter after finishing it. But I'm wondering if writing", "information. So, is it a good practice to have post scriptums in my", "any time. I know the application of post scriptum in letters which contains", "what I want to say to it without writing a post scriptum. However,", "like to emphasize some important information, and post scriptum would be a good", "sometimes I'd like to emphasize some important information, and post scriptum would be", "entry and add what I want to say to it without writing a", "post scriptum. However, editing needs some extra effort to find the right place", "an entry and add what I want to say to it without writing", "I can edit an entry and add what I want to say to", "some important information, and post scriptum would be a good spot to put", "of that new piece of information. Additionally, sometimes I'd like to emphasize some", "find the right place in the entry for the insertion of that new", "good spot to put that information. So, is it a good practice to", "it. But I'm wondering if writing post scriptum is technically sound after each", "me every day as my diary. I don't write them on paper, but", "write them on paper, but I typeset them in a word-processing system (soft", "that new piece of information. Additionally, sometimes I'd like to emphasize some important", "I write what happens to me every day as my diary. I don't", "can simply edit them and add/remove anything at any time. I know the", "say to it without writing a post scriptum. However, editing needs some extra", "want to say to it without writing a post scriptum. However, editing needs", "it without writing a post scriptum. However, editing needs some extra effort to", "every day as my diary. I don't write them on paper, but I", "in letters which contains information that one wants to add to a letter", "about it because I can edit an entry and add what I want", "paper, but I typeset them in a word-processing system (soft diary), so I", "editing needs some extra effort to find the right place in the entry", "new piece of information. Additionally, sometimes I'd like to emphasize some important information,", "system (soft diary), so I can simply edit them and add/remove anything at", "in the entry for the insertion of that new piece of information. Additionally,", "a good practice to have post scriptums in my diary in the way", "without writing a post scriptum. However, editing needs some extra effort to find", "add to a letter after finishing it. But I'm wondering if writing post", "edit an entry and add what I want to say to it without", "that information. So, is it a good practice to have post scriptums in", "post scriptum in letters which contains information that one wants to add to", "on paper, but I typeset them in a word-processing system (soft diary), so", "some extra effort to find the right place in the entry for the", "post scriptum would be a good spot to put that information. So, is", "insertion of that new piece of information. Additionally, sometimes I'd like to emphasize", "writing a post scriptum. However, editing needs some extra effort to find the", "edit them and add/remove anything at any time. I know the application of", "to it without writing a post scriptum. However, editing needs some extra effort", "because I can edit an entry and add what I want to say", "sound after each entry of my diary. I doubt about it because I", "I don't write them on paper, but I typeset them in a word-processing", "information that one wants to add to a letter after finishing it. But", "I want to say to it without writing a post scriptum. However, editing", "So, is it a good practice to have post scriptums in my diary", "the insertion of that new piece of information. Additionally, sometimes I'd like to", "I'm wondering if writing post scriptum is technically sound after each entry of", "to me every day as my diary. I don't write them on paper,", "the right place in the entry for the insertion of that new piece", "them and add/remove anything at any time. I know the application of post", "would be a good spot to put that information. So, is it a", "place in the entry for the insertion of that new piece of information.", "of post scriptum in letters which contains information that one wants to add", "(soft diary), so I can simply edit them and add/remove anything at any", "scriptum in letters which contains information that one wants to add to a", "them on paper, but I typeset them in a word-processing system (soft diary),", "and add what I want to say to it without writing a post", "in a word-processing system (soft diary), so I can simply edit them and", "can edit an entry and add what I want to say to it", "diary), so I can simply edit them and add/remove anything at any time.", "finishing it. But I'm wondering if writing post scriptum is technically sound after", "I doubt about it because I can edit an entry and add what", "of my diary. I doubt about it because I can edit an entry", "important information, and post scriptum would be a good spot to put that", "But I'm wondering if writing post scriptum is technically sound after each entry", "is it a good practice to have post scriptums in my diary in", "to a letter after finishing it. But I'm wondering if writing post scriptum", "what happens to me every day as my diary. I don't write them", "piece of information. Additionally, sometimes I'd like to emphasize some important information, and", "be a good spot to put that information. So, is it a good", "word-processing system (soft diary), so I can simply edit them and add/remove anything", "after finishing it. But I'm wondering if writing post scriptum is technically sound", "entry of my diary. I doubt about it because I can edit an", "scriptum would be a good spot to put that information. So, is it", "my diary. I don't write them on paper, but I typeset them in", "post scriptum is technically sound after each entry of my diary. I doubt", "practice to have post scriptums in my diary in the way I described", "add what I want to say to it without writing a post scriptum.", "scriptum. However, editing needs some extra effort to find the right place in", "my diary. I doubt about it because I can edit an entry and", "add/remove anything at any time. I know the application of post scriptum in", "information. Additionally, sometimes I'd like to emphasize some important information, and post scriptum", "time. I know the application of post scriptum in letters which contains information", "I can simply edit them and add/remove anything at any time. I know", "after each entry of my diary. I doubt about it because I can" ]
[ "them. This question is a little all over the place, I was in", "that without continuously saying they wished they were dead. The characters live in", "do I deal with the characters illnesses in the novel to ensure it's", "from the readers, it's practically dependent on it. A few of the characters", "deal with the characters illnesses in the novel to ensure it's realistic? I", "practically dependent on it. A few of the characters in my novel will", "with them. This question is a little all over the place, I was", "thoughts. I want to be able to explain and show that without continuously", "be triggered by some events, but I also need it to be fairly", "they were dead. The characters live in an apocalyptic-type area, meaning there aren't", "I want to be able to explain and show that without continuously saying", "don't want to be too harsh on the characters as people reading may", "explain and show that without continuously saying they wished they were dead. The", "for readers to feel a connection with them. This question is a little", "my novel will contain depressed and suicidal thoughts. I want to be able", "few of the characters in my novel will contain depressed and suicidal thoughts.", "ensure it's realistic? I don't want to be too harsh on the characters", "emotional and for readers to feel a connection with them. This question is", "too harsh on the characters as people reading may be triggered by some", "doctors and such around. How do I deal with the characters illnesses in", "to elicit emotion from the readers, it's practically dependent on it. A few", "characters live in an apocalyptic-type area, meaning there aren't many doctors and such", "it to be fairly emotional and for readers to feel a connection with", "of the characters in my novel will contain depressed and suicidal thoughts. I", "be fairly emotional and for readers to feel a connection with them. This", "the characters illnesses in the novel to ensure it's realistic? I don't want", "it's practically dependent on it. A few of the characters in my novel", "the characters in my novel will contain depressed and suicidal thoughts. I want", "aren't many doctors and such around. How do I deal with the characters", "but I also need it to be fairly emotional and for readers to", "in an apocalyptic-type area, meaning there aren't many doctors and such around. How", "in the novel to ensure it's realistic? I don't want to be too", "reading may be triggered by some events, but I also need it to", "many doctors and such around. How do I deal with the characters illnesses", "distressing and supposed to elicit emotion from the readers, it's practically dependent on", "to feel a connection with them. This question is a little all over", "need it to be fairly emotional and for readers to feel a connection", "to be too harsh on the characters as people reading may be triggered", "I also need it to be fairly emotional and for readers to feel", "some events, but I also need it to be fairly emotional and for", "novel will contain depressed and suicidal thoughts. I want to be able to", "such around. How do I deal with the characters illnesses in the novel", "in my novel will contain depressed and suicidal thoughts. I want to be", "around. How do I deal with the characters illnesses in the novel to", "area, meaning there aren't many doctors and such around. How do I deal", "characters illnesses in the novel to ensure it's realistic? I don't want to", "and suicidal thoughts. I want to be able to explain and show that", "fairly emotional and for readers to feel a connection with them. This question", "elicit emotion from the readers, it's practically dependent on it. A few of", "feel a connection with them. This question is a little all over the", "live in an apocalyptic-type area, meaning there aren't many doctors and such around.", "dependent on it. A few of the characters in my novel will contain", "contain depressed and suicidal thoughts. I want to be able to explain and", "be able to explain and show that without continuously saying they wished they", "they wished they were dead. The characters live in an apocalyptic-type area, meaning", "depressed and suicidal thoughts. I want to be able to explain and show", "to explain and show that without continuously saying they wished they were dead.", "to be able to explain and show that without continuously saying they wished", "a connection with them. This question is a little all over the place,", "people reading may be triggered by some events, but I also need it", "to be fairly emotional and for readers to feel a connection with them.", "the readers, it's practically dependent on it. A few of the characters in", "harsh on the characters as people reading may be triggered by some events,", "The novel is overall very distressing and supposed to elicit emotion from the", "suicidal thoughts. I want to be able to explain and show that without", "meaning there aren't many doctors and such around. How do I deal with", "the novel to ensure it's realistic? I don't want to be too harsh", "emotion from the readers, it's practically dependent on it. A few of the", "apocalyptic-type area, meaning there aren't many doctors and such around. How do I", "want to be too harsh on the characters as people reading may be", "show that without continuously saying they wished they were dead. The characters live", "supposed to elicit emotion from the readers, it's practically dependent on it. A", "is overall very distressing and supposed to elicit emotion from the readers, it's", "as people reading may be triggered by some events, but I also need", "without continuously saying they wished they were dead. The characters live in an", "This question is a little all over the place, I was in a", "and supposed to elicit emotion from the readers, it's practically dependent on it.", "very distressing and supposed to elicit emotion from the readers, it's practically dependent", "will contain depressed and suicidal thoughts. I want to be able to explain", "saying they wished they were dead. The characters live in an apocalyptic-type area,", "were dead. The characters live in an apocalyptic-type area, meaning there aren't many", "events, but I also need it to be fairly emotional and for readers", "to ensure it's realistic? I don't want to be too harsh on the", "on the characters as people reading may be triggered by some events, but", "The characters live in an apocalyptic-type area, meaning there aren't many doctors and", "and such around. How do I deal with the characters illnesses in the", "wished they were dead. The characters live in an apocalyptic-type area, meaning there", "triggered by some events, but I also need it to be fairly emotional", "the characters as people reading may be triggered by some events, but I", "novel is overall very distressing and supposed to elicit emotion from the readers,", "on it. A few of the characters in my novel will contain depressed", "continuously saying they wished they were dead. The characters live in an apocalyptic-type", "question is a little all over the place, I was in a rush.", "also need it to be fairly emotional and for readers to feel a", "connection with them. This question is a little all over the place, I", "able to explain and show that without continuously saying they wished they were", "overall very distressing and supposed to elicit emotion from the readers, it's practically", "I deal with the characters illnesses in the novel to ensure it's realistic?", "I don't want to be too harsh on the characters as people reading", "it's realistic? I don't want to be too harsh on the characters as", "want to be able to explain and show that without continuously saying they", "illnesses in the novel to ensure it's realistic? I don't want to be", "How do I deal with the characters illnesses in the novel to ensure", "readers to feel a connection with them. This question is a little all", "novel to ensure it's realistic? I don't want to be too harsh on", "characters as people reading may be triggered by some events, but I also", "readers, it's practically dependent on it. A few of the characters in my", "with the characters illnesses in the novel to ensure it's realistic? I don't", "may be triggered by some events, but I also need it to be", "there aren't many doctors and such around. How do I deal with the", "realistic? I don't want to be too harsh on the characters as people", "by some events, but I also need it to be fairly emotional and", "characters in my novel will contain depressed and suicidal thoughts. I want to", "be too harsh on the characters as people reading may be triggered by", "an apocalyptic-type area, meaning there aren't many doctors and such around. How do", "A few of the characters in my novel will contain depressed and suicidal", "and for readers to feel a connection with them. This question is a", "and show that without continuously saying they wished they were dead. The characters", "it. A few of the characters in my novel will contain depressed and", "dead. The characters live in an apocalyptic-type area, meaning there aren't many doctors" ]
[ "of the story, Adrian is genuinely so afraid that the two people he", "revealed and that it never happened, it is very well shown to the", "painful sequence where Adrian finds Iseec has shot himself together with Adrian’s wife", "Coafle; The deal with the brother characters are several issues such as Iseec’s", "be the better way of involving the trope. My story is about the", "maybe it would be the better way of involving the trope. My story", "building up with Coafle who is going through clinical depression is a subplot.", "is going through clinical depression is a subplot. The importance is that when", "the real events of the story, Adrian is genuinely so afraid that the", "see how that can be excetuted carelessly, but if done for the need", "senses of disbelief. I can see how that can be excetuted carelessly, but", "that it never happened, it is very well shown to the reader that", "I can see how that can be excetuted carelessly, but if done for", "own wife cheating and his paranoid suggestions about her ‘sneaking around at night’,", "between good-lawyer Adrian and his brother Iseec. Coming to the climax, there is", "is very well shown to the reader that from the real events of", "with the brother characters are several issues such as Iseec’s own wife cheating", "from the real events of the story, Adrian is genuinely so afraid that", "going through clinical depression is a subplot. The importance is that when the", "but if done for the need of showing what the main character wants", "main character wants or fears most then maybe it would be the better", "that from the real events of the story, Adrian is genuinely so afraid", "importance is that when the dream is revealed and that it never happened,", "‘sneaking around at night’, whereas the tension building up with Coafle who is", "our senses of disbelief. I can see how that can be excetuted carelessly,", "tension building up with Coafle who is going through clinical depression is a", "his brother Iseec. Coming to the climax, there is a brief but painful", "a subplot. The importance is that when the dream is revealed and that", "come together and ‘free’ themselves from their misery if he doesn’t negotiate with", "brother characters are several issues such as Iseec’s own wife cheating and his", "clinical depression is a subplot. The importance is that when the dream is", "most then maybe it would be the better way of involving the trope.", "Coafle who is going through clinical depression is a subplot. The importance is", "a brief but painful sequence where Adrian finds Iseec has shot himself together", "whereas the tension building up with Coafle who is going through clinical depression", "is a brief but painful sequence where Adrian finds Iseec has shot himself", "involving the trope. My story is about the issues between good-lawyer Adrian and", "better way of involving the trope. My story is about the issues between", "trope. My story is about the issues between good-lawyer Adrian and his brother", "the dream is revealed and that it never happened, it is very well", "dream is revealed and that it never happened, it is very well shown", "that the two people he loves very much will come together and ‘free’", "much will come together and ‘free’ themselves from their misery if he doesn’t", "would be the better way of involving the trope. My story is about", "is a subplot. The importance is that when the dream is revealed and", "or fears most then maybe it would be the better way of involving", "sequence where Adrian finds Iseec has shot himself together with Adrian’s wife Coafle;", "when the dream is revealed and that it never happened, it is very", "very well shown to the reader that from the real events of the", "need of showing what the main character wants or fears most then maybe", "he loves very much will come together and ‘free’ themselves from their misery", "how that can be excetuted carelessly, but if done for the need of", "the issues between good-lawyer Adrian and his brother Iseec. Coming to the climax,", "shot himself together with Adrian’s wife Coafle; The deal with the brother characters", "the better way of involving the trope. My story is about the issues", "then maybe it would be the better way of involving the trope. My", "good-lawyer Adrian and his brother Iseec. Coming to the climax, there is a", "with Coafle who is going through clinical depression is a subplot. The importance", "reader that from the real events of the story, Adrian is genuinely so", "the two people he loves very much will come together and ‘free’ themselves", "issues between good-lawyer Adrian and his brother Iseec. Coming to the climax, there", "if he doesn’t negotiate with them first. Should this be a good strategy?", "deal with the brother characters are several issues such as Iseec’s own wife", "spoil our senses of disbelief. I can see how that can be excetuted", "Dream twists just spoil our senses of disbelief. I can see how that", "several issues such as Iseec’s own wife cheating and his paranoid suggestions about", "paranoid suggestions about her ‘sneaking around at night’, whereas the tension building up", "who is going through clinical depression is a subplot. The importance is that", "be excetuted carelessly, but if done for the need of showing what the", "that when the dream is revealed and that it never happened, it is", "it is very well shown to the reader that from the real events", "his paranoid suggestions about her ‘sneaking around at night’, whereas the tension building", "real events of the story, Adrian is genuinely so afraid that the two", "subplot. The importance is that when the dream is revealed and that it", "about her ‘sneaking around at night’, whereas the tension building up with Coafle", "the reader that from the real events of the story, Adrian is genuinely", "excetuted carelessly, but if done for the need of showing what the main", "at night’, whereas the tension building up with Coafle who is going through", "done for the need of showing what the main character wants or fears", "issues such as Iseec’s own wife cheating and his paranoid suggestions about her", "through clinical depression is a subplot. The importance is that when the dream", "the main character wants or fears most then maybe it would be the", "loves very much will come together and ‘free’ themselves from their misery if", "can see how that can be excetuted carelessly, but if done for the", "but painful sequence where Adrian finds Iseec has shot himself together with Adrian’s", "together and ‘free’ themselves from their misery if he doesn’t negotiate with them", "afraid that the two people he loves very much will come together and", "the need of showing what the main character wants or fears most then", "Adrian and his brother Iseec. Coming to the climax, there is a brief", "up with Coafle who is going through clinical depression is a subplot. The", "My story is about the issues between good-lawyer Adrian and his brother Iseec.", "are several issues such as Iseec’s own wife cheating and his paranoid suggestions", "story is about the issues between good-lawyer Adrian and his brother Iseec. Coming", "way of involving the trope. My story is about the issues between good-lawyer", "showing what the main character wants or fears most then maybe it would", "happened, it is very well shown to the reader that from the real", "is revealed and that it never happened, it is very well shown to", "depression is a subplot. The importance is that when the dream is revealed", "and his brother Iseec. Coming to the climax, there is a brief but", "and that it never happened, it is very well shown to the reader", "and his paranoid suggestions about her ‘sneaking around at night’, whereas the tension", "is that when the dream is revealed and that it never happened, it", "well shown to the reader that from the real events of the story,", "will come together and ‘free’ themselves from their misery if he doesn’t negotiate", "if done for the need of showing what the main character wants or", "Iseec has shot himself together with Adrian’s wife Coafle; The deal with the", "so afraid that the two people he loves very much will come together", "Iseec. Coming to the climax, there is a brief but painful sequence where", "is genuinely so afraid that the two people he loves very much will", "cheating and his paranoid suggestions about her ‘sneaking around at night’, whereas the", "Adrian is genuinely so afraid that the two people he loves very much", "as Iseec’s own wife cheating and his paranoid suggestions about her ‘sneaking around", "Iseec’s own wife cheating and his paranoid suggestions about her ‘sneaking around at", "together with Adrian’s wife Coafle; The deal with the brother characters are several", "that can be excetuted carelessly, but if done for the need of showing", "just spoil our senses of disbelief. I can see how that can be", "shown to the reader that from the real events of the story, Adrian", "themselves from their misery if he doesn’t negotiate with them first. Should this", "brief but painful sequence where Adrian finds Iseec has shot himself together with", "the trope. My story is about the issues between good-lawyer Adrian and his", "character wants or fears most then maybe it would be the better way", "The deal with the brother characters are several issues such as Iseec’s own", "the brother characters are several issues such as Iseec’s own wife cheating and", "night’, whereas the tension building up with Coafle who is going through clinical", "misery if he doesn’t negotiate with them first. Should this be a good", "the tension building up with Coafle who is going through clinical depression is", "wants or fears most then maybe it would be the better way of", "suggestions about her ‘sneaking around at night’, whereas the tension building up with", "it never happened, it is very well shown to the reader that from", "two people he loves very much will come together and ‘free’ themselves from", "‘free’ themselves from their misery if he doesn’t negotiate with them first. Should", "never happened, it is very well shown to the reader that from the", "very much will come together and ‘free’ themselves from their misery if he", "characters are several issues such as Iseec’s own wife cheating and his paranoid", "the story, Adrian is genuinely so afraid that the two people he loves", "story, Adrian is genuinely so afraid that the two people he loves very", "brother Iseec. Coming to the climax, there is a brief but painful sequence", "their misery if he doesn’t negotiate with them first. Should this be a", "to the climax, there is a brief but painful sequence where Adrian finds", "of disbelief. I can see how that can be excetuted carelessly, but if", "can be excetuted carelessly, but if done for the need of showing what", "fears most then maybe it would be the better way of involving the", "her ‘sneaking around at night’, whereas the tension building up with Coafle who", "Adrian’s wife Coafle; The deal with the brother characters are several issues such", "around at night’, whereas the tension building up with Coafle who is going", "wife Coafle; The deal with the brother characters are several issues such as", "disbelief. I can see how that can be excetuted carelessly, but if done", "such as Iseec’s own wife cheating and his paranoid suggestions about her ‘sneaking", "twists just spoil our senses of disbelief. I can see how that can", "genuinely so afraid that the two people he loves very much will come", "and ‘free’ themselves from their misery if he doesn’t negotiate with them first.", "finds Iseec has shot himself together with Adrian’s wife Coafle; The deal with", "of involving the trope. My story is about the issues between good-lawyer Adrian", "events of the story, Adrian is genuinely so afraid that the two people", "carelessly, but if done for the need of showing what the main character", "from their misery if he doesn’t negotiate with them first. Should this be", "climax, there is a brief but painful sequence where Adrian finds Iseec has", "for the need of showing what the main character wants or fears most", "has shot himself together with Adrian’s wife Coafle; The deal with the brother", "people he loves very much will come together and ‘free’ themselves from their", "The importance is that when the dream is revealed and that it never", "it would be the better way of involving the trope. My story is", "with Adrian’s wife Coafle; The deal with the brother characters are several issues", "of showing what the main character wants or fears most then maybe it", "is about the issues between good-lawyer Adrian and his brother Iseec. Coming to", "where Adrian finds Iseec has shot himself together with Adrian’s wife Coafle; The", "Coming to the climax, there is a brief but painful sequence where Adrian", "the climax, there is a brief but painful sequence where Adrian finds Iseec", "himself together with Adrian’s wife Coafle; The deal with the brother characters are", "Adrian finds Iseec has shot himself together with Adrian’s wife Coafle; The deal", "to the reader that from the real events of the story, Adrian is", "about the issues between good-lawyer Adrian and his brother Iseec. Coming to the", "there is a brief but painful sequence where Adrian finds Iseec has shot", "wife cheating and his paranoid suggestions about her ‘sneaking around at night’, whereas", "what the main character wants or fears most then maybe it would be" ]
[ "gut punch for readers/players, as I already put him through a lot... *A", "there is a chance he has peace in the afterlife. How should I", "world, but the afterlife is kept vague on purpose. Nobody really knows what", "what comes afterwards, despite the existence of ghosts. However, the hero has a", "the ghosts are really just part of a curse, not \"natural\" or proof", "has a fate even worse than that, having his entire existence completely erased.", "my story succeeds in destroying the villain, but not without paying a hefty", "can't be brought back, at all. It's like he never existed to begin", "really just part of a curse, not \"natural\" or proof that there is", "death. The point is, dying in itself is already bad enough, as you", "about the consequences, and how nobody will be able to remember his heroics,", "the increasingly more powerful villain. He was still selfless before that, but this", "after \"crossing over\", and the ghosts are really just part of a curse,", "me to cut the hero a break at this point. The main point", "selflessness. I kinda want to do this, but I also kinda don't want", "afterlife is kept vague on purpose. Nobody really knows what comes after \"crossing", "less harsh fate and have him just* die, so at least there is", "him just die, so at least there is a chance he has peace", "selfless before that, but this is more of an extreme level up to", "but the afterlife is kept vague on purpose. Nobody really knows what comes", "to remember his heroics, and still decides to do it. It's the only", "kinda want to do this, but I also kinda don't want to. I'm", "of ghosts. However, the hero has a fate even worse than that, having", "highlight how truly selfless the hero is, as he knows full well about", "existing and can't be brought back, at all. It's like he never existed", "without paying a hefty prize. Not only will he die, he will stop", "that, but this is more of an extreme level up to his selflessness.", "but this is more of an extreme level up to his selflessness. I", "but not without paying a hefty prize. Not only will he die, he", "on purpose. Nobody really knows what comes after \"crossing over\", and the ghosts", "leaning towards giving him a less harsh fate and have him just die,", "break at this point. The main point is to highlight how truly selfless", "enough, as you don't really know what comes afterwards, despite the existence of", "all. It's like he never existed to begin with. Nobody will remember him.", "for readers/players, as I already put him through a lot... A LOT... of", "his entire existence completely erased. I fear this might be too much of", "and I get the feeling most people would want me to cut the", "kinda don't want to. I'm very undecided and I'm leaning towards giving him", "afterwards, despite the existence of ghosts. However, the hero has a fate even", "this is more of an extreme level up to his selflessness. I kinda", "well about the consequences, and how nobody will be able to remember his", "so at least there is a chance he has peace in the afterlife.", "he knows full well about the consequences, and how nobody will be able", "fear this might be too much of a gut punch for readers/players, as", "worse than that, having his entire existence completely erased. I fear this might", "to cut the hero a break at this point. The main point is", "put him through a lot... A LOT... of horrible stuff before that, and", "decides to do it. It's the only way to stop the increasingly more", "fate even worse than that, having his entire existence completely erased. I fear", "paying a hefty prize. Not only will he die, he will stop existing", "towards giving him a less harsh fate and have him just die, so", "afterlife. How should I go about this possible plot thread that ends my", "before that, but this is more of an extreme level up to his", "over\", and the ghosts are really just part of a curse, not \"natural\"", "might be too much of a gut punch for readers/players, as I already", "this, but I also kinda don't want to. I'm very undecided and I'm", "is, as he knows full well about the consequences, and how nobody will", "villain, but not without paying a hefty prize. Not only will he die,", "be able to remember his heroics, and still decides to do it. It's", "his heroics, and still decides to do it. It's the only way to", "comes afterwards, despite the existence of ghosts. However, the hero has a fate", "punch for readers/players, as I already put him through a lot... A LOT...", "do this, but I also kinda don't want to. I'm very undecided and", "would want me to cut the hero a break at this point. The", "really know what comes afterwards, despite the existence of ghosts. However, the hero", "powerful villain. He was still selfless before that, but this is more of", "stuff before that, and I get the feeling most people would want me", "existed to begin with. Nobody will remember him. Ghosts exist in this world,", "I kinda want to do this, but I also kinda don't want to.", "chance he has peace in the afterlife. How should I go about this", "able to remember his heroics, and still decides to do it. It's the", "level up to his selflessness. I kinda want to do this, but I", "at this point. The main point is to highlight how truly selfless the", "will remember him. Ghosts exist in this world, but the afterlife is kept", "want to. I'm very undecided and I'm leaning towards giving him a less", "main point is to highlight how truly selfless the hero is, as he", "heroics, and still decides to do it. It's the only way to stop", "feeling most people would want me to cut the hero a break at", "hero in my story succeeds in destroying the villain, but not without paying", "the existence of ghosts. However, the hero has a fate even worse than", "having his entire existence completely erased. I fear this might be too much", "giving him a less harsh fate and have him just die, so at", "The point is, dying in itself is already bad enough, as you don't", "most people would want me to cut the hero a break at this", "kept vague on purpose. Nobody really knows what comes after \"crossing over\", and", "comes after \"crossing over\", and the ghosts are really just part of a", "he never existed to begin with. Nobody will remember him. Ghosts exist in", "exist in this world, but the afterlife is kept vague on purpose. Nobody", "The hero in my story succeeds in destroying the villain, but not without", "vague on purpose. Nobody really knows what comes after \"crossing over\", and the", "entire existence completely erased. I fear this might be too much of a", "this might be too much of a gut punch for readers/players, as I", "people would want me to cut the hero a break at this point.", "and have him just die, so at least there is a chance he", "It's like he never existed to begin with. Nobody will remember him. Ghosts", "have him just die, so at least there is a chance he has", "I fear this might be too much of a gut punch for readers/players,", "destroying the villain, but not without paying a hefty prize. Not only will", "but I also kinda don't want to. I'm very undecided and I'm leaning", "part of a curse, not \"natural\" or proof that there is something after", "succeeds in destroying the villain, but not without paying a hefty prize. Not", "in itself is already bad enough, as you don't really know what comes", "and how nobody will be able to remember his heroics, and still decides", "and still decides to do it. It's the only way to stop the", "what comes after \"crossing over\", and the ghosts are really just part of", "I also kinda don't want to. I'm very undecided and I'm leaning towards", "to stop the increasingly more powerful villain. He was still selfless before that,", "of a curse, not \"natural\" or proof that there is something after death.", "just part of a curse, not \"natural\" or proof that there is something", "villain. He was still selfless before that, but this is more of an", "him through a lot... A LOT... of horrible stuff before that, and I", "dying in itself is already bad enough, as you don't really know what", "remember him. Ghosts exist in this world, but the afterlife is kept vague", "purpose. Nobody really knows what comes after \"crossing over\", and the ghosts are", "way to stop the increasingly more powerful villain. He was still selfless before", "the afterlife. How should I go about this possible plot thread that ends", "to do it. It's the only way to stop the increasingly more powerful", "cut the hero a break at this point. The main point is to", "I get the feeling most people would want me to cut the hero", "just die, so at least there is a chance he has peace in", "consequences, and how nobody will be able to remember his heroics, and still", "like he never existed to begin with. Nobody will remember him. Ghosts exist", "more powerful villain. He was still selfless before that, but this is more", "Nobody will remember him. Ghosts exist in this world, but the afterlife is", "hefty prize. Not only will he die, he will stop existing and can't", "knows what comes after \"crossing over\", and the ghosts are really just part", "a break at this point. The main point is to highlight how truly", "as he knows full well about the consequences, and how nobody will be", "never existed to begin with. Nobody will remember him. Ghosts exist in this", "or proof that there is something after death. The point is, dying in", "already bad enough, as you don't really know what comes afterwards, despite the", "too much of a gut punch for readers/players, as I already put him", "has peace in the afterlife. How should I go about this possible plot", "extreme level up to his selflessness. I kinda want to do this, but", "him a less harsh fate and have him just die, so at least", "a gut punch for readers/players, as I already put him through a lot...", "stop existing and can't be brought back, at all. It's like he never", "\"crossing over\", and the ghosts are really just part of a curse, not", "is to highlight how truly selfless the hero is, as he knows full", "more of an extreme level up to his selflessness. I kinda want to", "the afterlife is kept vague on purpose. Nobody really knows what comes after", "remember his heroics, and still decides to do it. It's the only way", "existence of ghosts. However, the hero has a fate even worse than that,", "of a gut punch for readers/players, as I already put him through a", "the hero a break at this point. The main point is to highlight", "as I already put him through a lot... A LOT... of horrible stuff", "bad enough, as you don't really know what comes afterwards, despite the existence", "undecided and I'm leaning towards giving him a less harsh fate and have", "be too much of a gut punch for readers/players, as I already put", "Ghosts exist in this world, but the afterlife is kept vague on purpose.", "horrible stuff before that, and I get the feeling most people would want", "stop the increasingly more powerful villain. He was still selfless before that, but", "through a lot... A LOT... of horrible stuff before that, and I get", "of an extreme level up to his selflessness. I kinda want to do", "also kinda don't want to. I'm very undecided and I'm leaning towards giving", "how nobody will be able to remember his heroics, and still decides to", "at all. It's like he never existed to begin with. Nobody will remember", "die, so at least there is a chance he has peace in the", "itself is already bad enough, as you don't really know what comes afterwards,", "in this world, but the afterlife is kept vague on purpose. Nobody really", "the only way to stop the increasingly more powerful villain. He was still", "he die, he will stop existing and can't be brought back, at all.", "the feeling most people would want me to cut the hero a break", "before that, and I get the feeling most people would want me to", "really knows what comes after \"crossing over\", and the ghosts are really just", "peace in the afterlife. How should I go about this possible plot thread", "hero a break at this point. The main point is to highlight how", "begin with. Nobody will remember him. Ghosts exist in this world, but the", "readers/players, as I already put him through a lot... A LOT... of horrible", "will stop existing and can't be brought back, at all. It's like he", "this world, but the afterlife is kept vague on purpose. Nobody really knows", "as you don't really know what comes afterwards, despite the existence of ghosts.", "I'm leaning towards giving him a less harsh fate and have him just", "erased. I fear this might be too much of a gut punch for", "in the afterlife. How should I go about this possible plot thread that", "How should I go about this possible plot thread that ends my story?", "I'm very undecided and I'm leaning towards giving him a less harsh fate", "and the ghosts are really just part of a curse, not \"natural\" or", "a lot... A LOT... of horrible stuff before that, and I get the", "don't really know what comes afterwards, despite the existence of ghosts. However, the", "back, at all. It's like he never existed to begin with. Nobody will", "already put him through a lot... A LOT... of horrible stuff before that,", "hero is, as he knows full well about the consequences, and how nobody", "is more of an extreme level up to his selflessness. I kinda want", "is a chance he has peace in the afterlife. How should I go", "was still selfless before that, but this is more of an extreme level", "Not only will he die, he will stop existing and can't be brought", "to begin with. Nobody will remember him. Ghosts exist in this world, but", "only will he die, he will stop existing and can't be brought back,", "is something after death. The point is, dying in itself is already bad", "completely erased. I fear this might be too much of a gut punch", "point. The main point is to highlight how truly selfless the hero is,", "very undecided and I'm leaning towards giving him a less harsh fate and", "despite the existence of ghosts. However, the hero has a fate even worse", "much of a gut punch for readers/players, as I already put him through", "a chance he has peace in the afterlife. How should I go about", "in my story succeeds in destroying the villain, but not without paying a", "don't want to. I'm very undecided and I'm leaning towards giving him a", "to. I'm very undecided and I'm leaning towards giving him a less harsh", "he has peace in the afterlife. How should I go about this possible", "and can't be brought back, at all. It's like he never existed to", "only way to stop the increasingly more powerful villain. He was still selfless", "a hefty prize. Not only will he die, he will stop existing and", "It's the only way to stop the increasingly more powerful villain. He was", "it. It's the only way to stop the increasingly more powerful villain. He", "want me to cut the hero a break at this point. The main", "knows full well about the consequences, and how nobody will be able to", "in destroying the villain, but not without paying a hefty prize. Not only", "there is something after death. The point is, dying in itself is already", "fate and have him just die, so at least there is a chance", "up to his selflessness. I kinda want to do this, but I also", "truly selfless the hero is, as he knows full well about the consequences,", "is kept vague on purpose. Nobody really knows what comes after \"crossing over\",", "point is to highlight how truly selfless the hero is, as he knows", "point is, dying in itself is already bad enough, as you don't really", "However, the hero has a fate even worse than that, having his entire", "of horrible stuff before that, and I get the feeling most people would", "this point. The main point is to highlight how truly selfless the hero", "existence completely erased. I fear this might be too much of a gut", "The main point is to highlight how truly selfless the hero is, as", "die, he will stop existing and can't be brought back, at all. It's", "will be able to remember his heroics, and still decides to do it.", "prize. Not only will he die, he will stop existing and can't be", "brought back, at all. It's like he never existed to begin with. Nobody", "a curse, not \"natural\" or proof that there is something after death. The", "something after death. The point is, dying in itself is already bad enough,", "lot... A LOT... of horrible stuff before that, and I get the feeling", "still decides to do it. It's the only way to stop the increasingly", "at least there is a chance he has peace in the afterlife. How", "are really just part of a curse, not \"natural\" or proof that there", "the villain, but not without paying a hefty prize. Not only will he", "that there is something after death. The point is, dying in itself is", "ghosts. However, the hero has a fate even worse than that, having his", "a fate even worse than that, having his entire existence completely erased. I", "that, having his entire existence completely erased. I fear this might be too", "selfless the hero is, as he knows full well about the consequences, and", "\"natural\" or proof that there is something after death. The point is, dying", "not \"natural\" or proof that there is something after death. The point is,", "get the feeling most people would want me to cut the hero a", "proof that there is something after death. The point is, dying in itself", "him. Ghosts exist in this world, but the afterlife is kept vague on", "the consequences, and how nobody will be able to remember his heroics, and", "harsh fate and have him just die, so at least there is a", "how truly selfless the hero is, as he knows full well about the", "a less harsh fate and have him just die, so at least there", "I already put him through a lot... A LOT... of horrible stuff before", "than that, having his entire existence completely erased. I fear this might be", "to his selflessness. I kinda want to do this, but I also kinda", "full well about the consequences, and how nobody will be able to remember", "nobody will be able to remember his heroics, and still decides to do", "he will stop existing and can't be brought back, at all. It's like", "an extreme level up to his selflessness. I kinda want to do this,", "least there is a chance he has peace in the afterlife. How should", "even worse than that, having his entire existence completely erased. I fear this", "ghosts are really just part of a curse, not \"natural\" or proof that", "curse, not \"natural\" or proof that there is something after death. The point", "want to do this, but I also kinda don't want to. I'm very", "not without paying a hefty prize. Not only will he die, he will", "his selflessness. I kinda want to do this, but I also kinda don't", "increasingly more powerful villain. He was still selfless before that, but this is", "story succeeds in destroying the villain, but not without paying a hefty prize.", "Nobody really knows what comes after \"crossing over\", and the ghosts are really", "the hero has a fate even worse than that, having his entire existence", "know what comes afterwards, despite the existence of ghosts. However, the hero has", "with. Nobody will remember him. Ghosts exist in this world, but the afterlife", "A LOT... of horrible stuff before that, and I get the feeling most", "do it. It's the only way to stop the increasingly more powerful villain.", "is already bad enough, as you don't really know what comes afterwards, despite", "He was still selfless before that, but this is more of an extreme", "LOT**... of horrible stuff before that, and I get the feeling most people", "after death. The point is, dying in itself is already bad enough, as", "will he die, he will stop existing and can't be brought back, at", "be brought back, at all. It's like he never existed to begin with.", "to highlight how truly selfless the hero is, as he knows full well", "still selfless before that, but this is more of an extreme level up", "and I'm leaning towards giving him a less harsh fate and have him", "to do this, but I also kinda don't want to. I'm very undecided", "is, dying in itself is already bad enough, as you don't really know", "hero has a fate even worse than that, having his entire existence completely", "the hero is, as he knows full well about the consequences, and how", "you don't really know what comes afterwards, despite the existence of ghosts. However,", "that, and I get the feeling most people would want me to cut" ]
[ "the same. I'm not sure I even know what giving a character a", "a character a voice means, but my dialogue sucks so any advice will", "sound the same. I'm not sure I even know what giving a character", "the characters sound the same. I'm not sure I even know what giving", "all the characters sound the same. I'm not sure I even know what", "When writing dialogue all the characters sound the same. I'm not sure I", "a voice means, but my dialogue sucks so any advice will be greatly", "know what giving a character a voice means, but my dialogue sucks so", "same. I'm not sure I even know what giving a character a voice", "characters sound the same. I'm not sure I even know what giving a", "what giving a character a voice means, but my dialogue sucks so any", "I'm not sure I even know what giving a character a voice means,", "character a voice means, but my dialogue sucks so any advice will be", "even know what giving a character a voice means, but my dialogue sucks", "giving a character a voice means, but my dialogue sucks so any advice", "writing dialogue all the characters sound the same. I'm not sure I even", "I even know what giving a character a voice means, but my dialogue", "voice means, but my dialogue sucks so any advice will be greatly appreciated.", "sure I even know what giving a character a voice means, but my", "not sure I even know what giving a character a voice means, but", "dialogue all the characters sound the same. I'm not sure I even know" ]
[ "\"white bone demon\". So, this word can be translated into English as fairy,", "\"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature uses 妖精 to describe the", "describe the European fairy. The English translation of 白骨精 in 西游记 (Quurnep to", "fairy, elf, goblin, or demon. Let's say an author is writing a fantasy", "demon. Let's say an author is writing a fantasy story in Chinese first,", "the European fairy. The English translation of 白骨精 in 西游记 (Quurnep to the", "term is [妖精](https://zh.wikipedia.org/wiki/%E5%A6%96%E7%B2%BE), which can be translated into English as \"fairy\", \"elf\", \"goblin\".", "in Chinese first, using terms that are understood in a Chinese society. Then,", "his/her own story into English and faces a problem. Which term should 妖精", "as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature uses 妖精 to describe", "are understood in a Chinese society. Then, the same author translates his/her own", "problem. Which term should 妖精 be translated into (fairy, elf, goblin, or demon)?", "English as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature uses 妖精 to", "translation of 白骨精 in 西游记 (Quurnep to the West) is \"white bone demon\".", "into (fairy, elf, goblin, or demon)? Or are the differences between the terms", "as fairy, elf, goblin, or demon. Let's say an author is writing a", "author translates his/her own story into English and faces a problem. Which term", "is [妖精](https://zh.wikipedia.org/wiki/%E5%A6%96%E7%B2%BE), which can be translated into English as \"fairy\", \"elf\", \"goblin\". As", "differences between the terms negligible, so the author can just pick a random", "translated into English as fairy, elf, goblin, or demon. Let's say an author", "translated into (fairy, elf, goblin, or demon)? Or are the differences between the", "or demon)? Or are the differences between the terms negligible, so the author", "European fairy. The English translation of 白骨精 in 西游记 (Quurnep to the West)", "terms that are understood in a Chinese society. Then, the same author translates", "妖精 to describe the European fairy. The English translation of 白骨精 in 西游记", "Japanese literature uses 妖精 to describe the European fairy. The English translation of", "be translated into English as fairy, elf, goblin, or demon. Let's say an", "word can be translated into English as fairy, elf, goblin, or demon. Let's", "So, this word can be translated into English as fairy, elf, goblin, or", "demon)? Or are the differences between the terms negligible, so the author can", "own story into English and faces a problem. Which term should 妖精 be", "into English as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature uses 妖精", "Chinese society. Then, the same author translates his/her own story into English and", "elf, goblin, or demon)? Or are the differences between the terms negligible, so", "goblin, or demon)? Or are the differences between the terms negligible, so the", "is writing a fantasy story in Chinese first, using terms that are understood", "English translation of 白骨精 in 西游记 (Quurnep to the West) is \"white bone", "faces a problem. Which term should 妖精 be translated into (fairy, elf, goblin,", "the terms negligible, so the author can just pick a random one and", "\"elf\", \"goblin\". As noted, the Japanese literature uses 妖精 to describe the European", "say an author is writing a fantasy story in Chinese first, using terms", "can be translated into English as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese", "the West) is \"white bone demon\". So, this word can be translated into", "(Quurnep to the West) is \"white bone demon\". So, this word can be", "be translated into (fairy, elf, goblin, or demon)? Or are the differences between", "fairy. The English translation of 白骨精 in 西游记 (Quurnep to the West) is", "Let's say an author is writing a fantasy story in Chinese first, using", "an author is writing a fantasy story in Chinese first, using terms that", "into English as fairy, elf, goblin, or demon. Let's say an author is", "terms negligible, so the author can just pick a random one and go", "translated into English as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature uses", "goblin, or demon. Let's say an author is writing a fantasy story in", "same author translates his/her own story into English and faces a problem. Which", "be translated into English as \"fairy\", \"elf\", \"goblin\". As noted, the Japanese literature", "[妖精](https://zh.wikipedia.org/wiki/%E5%A6%96%E7%B2%BE), which can be translated into English as \"fairy\", \"elf\", \"goblin\". As noted,", "to describe the European fairy. The English translation of 白骨精 in 西游记 (Quurnep", "demon\". So, this word can be translated into English as fairy, elf, goblin,", "West) is \"white bone demon\". So, this word can be translated into English", "understood in a Chinese society. Then, the same author translates his/her own story", "to the West) is \"white bone demon\". So, this word can be translated", "The term is [妖精](https://zh.wikipedia.org/wiki/%E5%A6%96%E7%B2%BE), which can be translated into English as \"fairy\", \"elf\",", "fantasy story in Chinese first, using terms that are understood in a Chinese", "is \"white bone demon\". So, this word can be translated into English as", "As noted, the Japanese literature uses 妖精 to describe the European fairy. The", "西游记 (Quurnep to the West) is \"white bone demon\". So, this word can", "society. Then, the same author translates his/her own story into English and faces", "so the author can just pick a random one and go with it?", "or demon. Let's say an author is writing a fantasy story in Chinese", "author is writing a fantasy story in Chinese first, using terms that are", "English as fairy, elf, goblin, or demon. Let's say an author is writing", "白骨精 in 西游记 (Quurnep to the West) is \"white bone demon\". So, this", "Which term should 妖精 be translated into (fairy, elf, goblin, or demon)? Or", "that are understood in a Chinese society. Then, the same author translates his/her", "term should 妖精 be translated into (fairy, elf, goblin, or demon)? Or are", "this word can be translated into English as fairy, elf, goblin, or demon.", "first, using terms that are understood in a Chinese society. Then, the same", "\"goblin\". As noted, the Japanese literature uses 妖精 to describe the European fairy.", "in 西游记 (Quurnep to the West) is \"white bone demon\". So, this word", "a fantasy story in Chinese first, using terms that are understood in a", "using terms that are understood in a Chinese society. Then, the same author", "a Chinese society. Then, the same author translates his/her own story into English", "can be translated into English as fairy, elf, goblin, or demon. Let's say", "story into English and faces a problem. Which term should 妖精 be translated", "between the terms negligible, so the author can just pick a random one", "bone demon\". So, this word can be translated into English as fairy, elf,", "story in Chinese first, using terms that are understood in a Chinese society.", "negligible, so the author can just pick a random one and go with", "elf, goblin, or demon. Let's say an author is writing a fantasy story", "into English and faces a problem. Which term should 妖精 be translated into", "Chinese first, using terms that are understood in a Chinese society. Then, the", "the same author translates his/her own story into English and faces a problem.", "should 妖精 be translated into (fairy, elf, goblin, or demon)? Or are the", "a problem. Which term should 妖精 be translated into (fairy, elf, goblin, or", "which can be translated into English as \"fairy\", \"elf\", \"goblin\". As noted, the", "of 白骨精 in 西游记 (Quurnep to the West) is \"white bone demon\". So,", "Or are the differences between the terms negligible, so the author can just", "noted, the Japanese literature uses 妖精 to describe the European fairy. The English", "the Japanese literature uses 妖精 to describe the European fairy. The English translation", "writing a fantasy story in Chinese first, using terms that are understood in", "Then, the same author translates his/her own story into English and faces a", "(fairy, elf, goblin, or demon)? Or are the differences between the terms negligible,", "in a Chinese society. Then, the same author translates his/her own story into", "translates his/her own story into English and faces a problem. Which term should", "English and faces a problem. Which term should 妖精 be translated into (fairy,", "the differences between the terms negligible, so the author can just pick a", "The English translation of 白骨精 in 西游记 (Quurnep to the West) is \"white", "literature uses 妖精 to describe the European fairy. The English translation of 白骨精", "妖精 be translated into (fairy, elf, goblin, or demon)? Or are the differences", "uses 妖精 to describe the European fairy. The English translation of 白骨精 in", "and faces a problem. Which term should 妖精 be translated into (fairy, elf,", "are the differences between the terms negligible, so the author can just pick" ]
[ "motivation to go through the text and find THAT ending, THAT start, THAT", "to finish one story. I get stuck, I don't find what I really", "denominator between the books is that they both derive from my own childhood", "is starting the next story if the first one doesn't turn out well,", "to my surprise and joy, they accepted, both manuscripts without many changes. A", "write, just sit down, just concentrate. But what I do, is starting the", "day I come up with new titles and rough ideas for new books", "wrote in less than a week, and the next one during a summer.", "next story if the first one doesn't turn out well, and then the", "both manuscripts without many changes. A common denominator between the books is that", "And I get stressed of all my colleagues that publish new beautiful books", "I know I can write. But for some reason, I cannot formulate my", "the first one doesn't turn out well, and then the next, the next", "down, just concentrate. But what I do, is starting the next story if", "then the next, the next etc ... Maybe I had a lucky start,", "than a week, and the next one during a summer. I didn't have", "ideas, but can't find the essence in them that would do to send", "all my colleagues that publish new beautiful books every year, and I am", "my first two books was easy for me. The first one I wrote", "to write. I e-mail them to myself, happy and longing to write them", "the books is that they both derive from my own childhood feelings, although", "a summer. I didn't have to force anything. I found images, turns and", "common denominator between the books is that they both derive from my own", "believe that \" I´m not good enough\". I guess the only way forward", "first two books was easy for me. The first one I wrote in", "down. I have published two books, and I know I can write. But", "judging what I wrote. And in the end most of the text was", "books, and I know I can write. But for some reason, I cannot", "find THAT ending, THAT start, THAT tone, THAT character. I guess a lot", "I get stressed of all my colleagues that publish new beautiful books every", "text and find THAT ending, THAT start, THAT tone, THAT character. I guess", "flow without judging what I wrote. And in the end most of the", "one doesn't turn out well, and then the next, the next etc ...", "books every year, and I am just struggling, having all these ideas, but", "to send to a publisher. I don't believe that \" I´m not good", "easy without having to overanalyse anything. I sent the manuscript to a reputable", "a book. And I get stressed of all my colleagues that publish new", "stories are fiction. I wrote them in a flow without judging what I", "from my own childhood feelings, although the stories are fiction. I wrote them", "I wrote in less than a week, and the next one during a", "there could send as a good advice. Because soon I don't know what", "was cut out, it was part of the process, refining the story. It", "them to myself, happy and longing to write them down. I have published", "that publish new beautiful books every year, and I am just struggling, having", "But I wonder if there is something more, someone out there could send", "I´m not good enough\". I guess the only way forward is to write.", "to a reputable publisher and to my surprise and joy, they accepted, both", "I can write. But for some reason, I cannot formulate my ideas to", "wrote. And in the end most of the text was cut out, it", "and I am just struggling, having all these ideas, but can't find the", "next, the next etc ... Maybe I had a lucky start, but writing", "two books, and I know I can write. But for some reason, I", "Maybe I had a lucky start, but writing my first two books was", "I had a lucky start, but writing my first two books was easy", "one I wrote in less than a week, and the next one during", "Almost every day I come up with new titles and rough ideas for", "anything. I found images, turns and ends quite easy without having to overanalyse", "what I really search for. I find it hard to find the motivation", "search for. I find it hard to find the motivation to go through", "I guess a lot of writers struggle with this in different ways. When", "myself, happy and longing to write them down. I have published two books,", "could send as a good advice. Because soon I don't know what to", "of all my colleagues that publish new beautiful books every year, and I", "and I know I can write. But for some reason, I cannot formulate", "I find it hard to find the motivation to go through the text", "what to do, if I can't bring forth one of my stories soon.", "good enough\". I guess the only way forward is to write. But I", "happy and longing to write them down. I have published two books, and", "accepted, both manuscripts without many changes. A common denominator between the books is", "THAT start, THAT tone, THAT character. I guess a lot of writers struggle", "stuck, I don't find what I really search for. I find it hard", "Because soon I don't know what to do, if I can't bring forth", "and to my surprise and joy, they accepted, both manuscripts without many changes.", "stressed of all my colleagues that publish new beautiful books every year, and", "but can't find the essence in them that would do to send to", "year, and I am just struggling, having all these ideas, but can't find", "The first one I wrote in less than a week, and the next", "me. The first one I wrote in less than a week, and the", "say to my self: just write, just sit down, just concentrate. But what", "out there could send as a good advice. Because soon I don't know", "since I last published a book. And I get stressed of all my", "guess the only way forward is to write. But I wonder if there", "the text and find THAT ending, THAT start, THAT tone, THAT character. I", "... Maybe I had a lucky start, but writing my first two books", "having to overanalyse anything. I sent the manuscript to a reputable publisher and", "do to send to a publisher. I don't believe that \" I´m not", "without judging what I wrote. And in the end most of the text", "next one during a summer. I didn't have to force anything. I found", "e-mail them to myself, happy and longing to write them down. I have", "most of the text was cut out, it was part of the process,", "two books was easy for me. The first one I wrote in less", "childhood feelings, although the stories are fiction. I wrote them in a flow", "found images, turns and ends quite easy without having to overanalyse anything. I", "a lucky start, but writing my first two books was easy for me.", "through the text and find THAT ending, THAT start, THAT tone, THAT character.", "and the next one during a summer. I didn't have to force anything.", "some reason, I cannot formulate my ideas to finish one story. I get", "that they both derive from my own childhood feelings, although the stories are", "beautiful books every year, and I am just struggling, having all these ideas,", "own childhood feelings, although the stories are fiction. I wrote them in a", "the manuscript to a reputable publisher and to my surprise and joy, they", "don't believe that \" I´m not good enough\". I guess the only way", "for some reason, I cannot formulate my ideas to finish one story. I", "struggling, having all these ideas, but can't find the essence in them that", "know I can write. But for some reason, I cannot formulate my ideas", "images, turns and ends quite easy without having to overanalyse anything. I sent", "\" I´m not good enough\". I guess the only way forward is to", "a reputable publisher and to my surprise and joy, they accepted, both manuscripts", "send to a publisher. I don't believe that \" I´m not good enough\".", "a week, and the next one during a summer. I didn't have to", "part of the process, refining the story. It is three years since I", "new beautiful books every year, and I am just struggling, having all these", "would do to send to a publisher. I don't believe that \" I´m", "THAT tone, THAT character. I guess a lot of writers struggle with this", "many changes. A common denominator between the books is that they both derive", "only way forward is to write. But I wonder if there is something", "manuscript to a reputable publisher and to my surprise and joy, they accepted,", "easy for me. The first one I wrote in less than a week,", "get stuck, I don't find what I really search for. I find it", "happens I say to my self: just write, just sit down, just concentrate.", "my self: just write, just sit down, just concentrate. But what I do,", "anything. I sent the manuscript to a reputable publisher and to my surprise", "didn't have to force anything. I found images, turns and ends quite easy", "reason, I cannot formulate my ideas to finish one story. I get stuck,", "in a flow without judging what I wrote. And in the end most", "my colleagues that publish new beautiful books every year, and I am just", "essence in them that would do to send to a publisher. I don't", "book. And I get stressed of all my colleagues that publish new beautiful", "can write. But for some reason, I cannot formulate my ideas to finish", "and ends quite easy without having to overanalyse anything. I sent the manuscript", "publisher and to my surprise and joy, they accepted, both manuscripts without many", "they both derive from my own childhood feelings, although the stories are fiction.", "But for some reason, I cannot formulate my ideas to finish one story.", "ends quite easy without having to overanalyse anything. I sent the manuscript to", "doesn't turn out well, and then the next, the next etc ... Maybe", "don't find what I really search for. I find it hard to find", "my own childhood feelings, although the stories are fiction. I wrote them in", "to write them down. I have published two books, and I know I", "is to write. But I wonder if there is something more, someone out", "and joy, they accepted, both manuscripts without many changes. A common denominator between", "both derive from my own childhood feelings, although the stories are fiction. I", "feelings, although the stories are fiction. I wrote them in a flow without", "character. I guess a lot of writers struggle with this in different ways.", "to my self: just write, just sit down, just concentrate. But what I", "reputable publisher and to my surprise and joy, they accepted, both manuscripts without", "to go through the text and find THAT ending, THAT start, THAT tone,", "get stressed of all my colleagues that publish new beautiful books every year,", "wrote them in a flow without judging what I wrote. And in the", "next etc ... Maybe I had a lucky start, but writing my first", "not good enough\". I guess the only way forward is to write. But", "my ideas to finish one story. I get stuck, I don't find what", "the next etc ... Maybe I had a lucky start, but writing my", "was part of the process, refining the story. It is three years since", "a publisher. I don't believe that \" I´m not good enough\". I guess", "start, but writing my first two books was easy for me. The first", "write. But for some reason, I cannot formulate my ideas to finish one", "quite easy without having to overanalyse anything. I sent the manuscript to a", "go through the text and find THAT ending, THAT start, THAT tone, THAT", "having all these ideas, but can't find the essence in them that would", "something more, someone out there could send as a good advice. Because soon", "changes. A common denominator between the books is that they both derive from", "I last published a book. And I get stressed of all my colleagues", "manuscripts without many changes. A common denominator between the books is that they", "I guess the only way forward is to write. But I wonder if", "my surprise and joy, they accepted, both manuscripts without many changes. A common", "first one I wrote in less than a week, and the next one", "I say to my self: just write, just sit down, just concentrate. But", "I come up with new titles and rough ideas for new books to", "this happens I say to my self: just write, just sit down, just", "for new books to write. I e-mail them to myself, happy and longing", "the story. It is three years since I last published a book. And", "forward is to write. But I wonder if there is something more, someone", "force anything. I found images, turns and ends quite easy without having to", "I am just struggling, having all these ideas, but can't find the essence", "THAT ending, THAT start, THAT tone, THAT character. I guess a lot of", "a flow without judging what I wrote. And in the end most of", "every day I come up with new titles and rough ideas for new", "what I wrote. And in the end most of the text was cut", "find the essence in them that would do to send to a publisher.", "good advice. Because soon I don't know what to do, if I can't", "publisher. I don't believe that \" I´m not good enough\". I guess the", "concentrate. But what I do, is starting the next story if the first", "just write, just sit down, just concentrate. But what I do, is starting", "out well, and then the next, the next etc ... Maybe I had", "write. I e-mail them to myself, happy and longing to write them down.", "A common denominator between the books is that they both derive from my", "but writing my first two books was easy for me. The first one", "as a good advice. Because soon I don't know what to do, if", "just concentrate. But what I do, is starting the next story if the", "more, someone out there could send as a good advice. Because soon I", "hard to find the motivation to go through the text and find THAT", "guess a lot of writers struggle with this in different ways. When this", "way forward is to write. But I wonder if there is something more,", "and longing to write them down. I have published two books, and I", "in less than a week, and the next one during a summer. I", "books to write. I e-mail them to myself, happy and longing to write", "between the books is that they both derive from my own childhood feelings,", "find it hard to find the motivation to go through the text and", "just struggling, having all these ideas, but can't find the essence in them", "derive from my own childhood feelings, although the stories are fiction. I wrote", "writers struggle with this in different ways. When this happens I say to", "last published a book. And I get stressed of all my colleagues that", "write them down. I have published two books, and I know I can", "I do, is starting the next story if the first one doesn't turn", "that \" I´m not good enough\". I guess the only way forward is", "to force anything. I found images, turns and ends quite easy without having", "the motivation to go through the text and find THAT ending, THAT start,", "to overanalyse anything. I sent the manuscript to a reputable publisher and to", "if the first one doesn't turn out well, and then the next, the", "well, and then the next, the next etc ... Maybe I had a", "lucky start, but writing my first two books was easy for me. The", "rough ideas for new books to write. I e-mail them to myself, happy", "turn out well, and then the next, the next etc ... Maybe I", "new titles and rough ideas for new books to write. I e-mail them", "process, refining the story. It is three years since I last published a", "different ways. When this happens I say to my self: just write, just", "of writers struggle with this in different ways. When this happens I say", "are fiction. I wrote them in a flow without judging what I wrote.", "I didn't have to force anything. I found images, turns and ends quite", "and then the next, the next etc ... Maybe I had a lucky", "in different ways. When this happens I say to my self: just write,", "years since I last published a book. And I get stressed of all", "wonder if there is something more, someone out there could send as a", "start, THAT tone, THAT character. I guess a lot of writers struggle with", "had a lucky start, but writing my first two books was easy for", "turns and ends quite easy without having to overanalyse anything. I sent the", "text was cut out, it was part of the process, refining the story.", "I found images, turns and ends quite easy without having to overanalyse anything.", "this in different ways. When this happens I say to my self: just", "When this happens I say to my self: just write, just sit down,", "them in a flow without judging what I wrote. And in the end", "story if the first one doesn't turn out well, and then the next,", "books was easy for me. The first one I wrote in less than", "of the text was cut out, it was part of the process, refining", "three years since I last published a book. And I get stressed of", "story. I get stuck, I don't find what I really search for. I", "lot of writers struggle with this in different ways. When this happens I", "I wonder if there is something more, someone out there could send as", "really search for. I find it hard to find the motivation to go", "I sent the manuscript to a reputable publisher and to my surprise and", "sit down, just concentrate. But what I do, is starting the next story", "was easy for me. The first one I wrote in less than a", "books is that they both derive from my own childhood feelings, although the", "colleagues that publish new beautiful books every year, and I am just struggling,", "end most of the text was cut out, it was part of the", "to write. But I wonder if there is something more, someone out there", "it was part of the process, refining the story. It is three years", "it hard to find the motivation to go through the text and find", "joy, they accepted, both manuscripts without many changes. A common denominator between the", "do, is starting the next story if the first one doesn't turn out", "and find THAT ending, THAT start, THAT tone, THAT character. I guess a", "writing my first two books was easy for me. The first one I", "what I do, is starting the next story if the first one doesn't", "the next one during a summer. I didn't have to force anything. I", "week, and the next one during a summer. I didn't have to force", "up with new titles and rough ideas for new books to write. I", "all these ideas, but can't find the essence in them that would do", "refining the story. It is three years since I last published a book.", "there is something more, someone out there could send as a good advice.", "one story. I get stuck, I don't find what I really search for.", "self: just write, just sit down, just concentrate. But what I do, is", "finish one story. I get stuck, I don't find what I really search", "during a summer. I didn't have to force anything. I found images, turns", "cannot formulate my ideas to finish one story. I get stuck, I don't", "fiction. I wrote them in a flow without judging what I wrote. And", "cut out, it was part of the process, refining the story. It is", "to find the motivation to go through the text and find THAT ending,", "longing to write them down. I have published two books, and I know", "THAT character. I guess a lot of writers struggle with this in different", "I don't find what I really search for. I find it hard to", "have published two books, and I know I can write. But for some", "I really search for. I find it hard to find the motivation to", "I get stuck, I don't find what I really search for. I find", "out, it was part of the process, refining the story. It is three", "someone out there could send as a good advice. Because soon I don't", "know what to do, if I can't bring forth one of my stories", "for me. The first one I wrote in less than a week, and", "with new titles and rough ideas for new books to write. I e-mail", "without many changes. A common denominator between the books is that they both", "less than a week, and the next one during a summer. I didn't", "without having to overanalyse anything. I sent the manuscript to a reputable publisher", "But what I do, is starting the next story if the first one", "is three years since I last published a book. And I get stressed", "etc ... Maybe I had a lucky start, but writing my first two", "ending, THAT start, THAT tone, THAT character. I guess a lot of writers", "new books to write. I e-mail them to myself, happy and longing to", "that would do to send to a publisher. I don't believe that \"", "struggle with this in different ways. When this happens I say to my", "in them that would do to send to a publisher. I don't believe", "And in the end most of the text was cut out, it was", "the end most of the text was cut out, it was part of", "every year, and I am just struggling, having all these ideas, but can't", "first one doesn't turn out well, and then the next, the next etc", "if there is something more, someone out there could send as a good", "for. I find it hard to find the motivation to go through the", "they accepted, both manuscripts without many changes. A common denominator between the books", "ways. When this happens I say to my self: just write, just sit", "advice. Because soon I don't know what to do, if I can't bring", "ideas to finish one story. I get stuck, I don't find what I", "the only way forward is to write. But I wonder if there is", "to a publisher. I don't believe that \" I´m not good enough\". I", "am just struggling, having all these ideas, but can't find the essence in", "ideas for new books to write. I e-mail them to myself, happy and", "come up with new titles and rough ideas for new books to write.", "one during a summer. I didn't have to force anything. I found images,", "a good advice. Because soon I don't know what to do, if I", "starting the next story if the first one doesn't turn out well, and", "a lot of writers struggle with this in different ways. When this happens", "titles and rough ideas for new books to write. I e-mail them to", "of the process, refining the story. It is three years since I last", "with this in different ways. When this happens I say to my self:", "tone, THAT character. I guess a lot of writers struggle with this in", "the next, the next etc ... Maybe I had a lucky start, but", "the essence in them that would do to send to a publisher. I", "send as a good advice. Because soon I don't know what to do,", "these ideas, but can't find the essence in them that would do to", "although the stories are fiction. I wrote them in a flow without judging", "the stories are fiction. I wrote them in a flow without judging what", "just sit down, just concentrate. But what I do, is starting the next", "and rough ideas for new books to write. I e-mail them to myself,", "soon I don't know what to do, if I can't bring forth one", "formulate my ideas to finish one story. I get stuck, I don't find", "published a book. And I get stressed of all my colleagues that publish", "to myself, happy and longing to write them down. I have published two", "I cannot formulate my ideas to finish one story. I get stuck, I", "can't find the essence in them that would do to send to a", "don't know what to do, if I can't bring forth one of my", "sent the manuscript to a reputable publisher and to my surprise and joy,", "I have published two books, and I know I can write. But for", "surprise and joy, they accepted, both manuscripts without many changes. A common denominator", "I wrote. And in the end most of the text was cut out,", "published two books, and I know I can write. But for some reason,", "I e-mail them to myself, happy and longing to write them down. I", "summer. I didn't have to force anything. I found images, turns and ends", "It is three years since I last published a book. And I get", "them down. I have published two books, and I know I can write.", "write. But I wonder if there is something more, someone out there could", "enough\". I guess the only way forward is to write. But I wonder", "is that they both derive from my own childhood feelings, although the stories", "the next story if the first one doesn't turn out well, and then", "overanalyse anything. I sent the manuscript to a reputable publisher and to my", "find what I really search for. I find it hard to find the", "publish new beautiful books every year, and I am just struggling, having all", "I wrote them in a flow without judging what I wrote. And in", "them that would do to send to a publisher. I don't believe that", "find the motivation to go through the text and find THAT ending, THAT", "story. It is three years since I last published a book. And I", "I don't know what to do, if I can't bring forth one of", "in the end most of the text was cut out, it was part", "the text was cut out, it was part of the process, refining the", "have to force anything. I found images, turns and ends quite easy without", "I don't believe that \" I´m not good enough\". I guess the only", "is something more, someone out there could send as a good advice. Because", "the process, refining the story. It is three years since I last published" ]
[ "and would wipe the floor of the most beautiful Human. What I have", "Iluen but the Iluen is extremely beautiful (sorry Humans!) and would wipe the", "I have written is: > > They were obviously viscerally attractive to Humans", "> They were obviously viscerally attractive to Humans of that there was no", "have written is: > > They were obviously viscerally attractive to Humans of", "no doubt. > > > However, I am not sure this phrase conveys", "would wipe the floor of the most beautiful Human. What I have written", "Humans of that there was no doubt. > > > However, I am", "the floor of the most beautiful Human. What I have written is: >", "floor of the most beautiful Human. What I have written is: > >", "strong physical attraction on first sight by a human towards an alien. A", "human towards an alien. A Human meets an Iluen but the Iluen is", "Iluen is extremely beautiful (sorry Humans!) and would wipe the floor of the", "were obviously viscerally attractive to Humans of that there was no doubt. >", "sure this phrase conveys what I want to describe. What techniques can I", "to describe strong physical attraction on first sight by a human towards an", "this phrase conveys what I want to describe. What techniques can I use", "doubt. > > > However, I am not sure this phrase conveys what", "What I have written is: > > They were obviously viscerally attractive to", "> However, I am not sure this phrase conveys what I want to", "the most beautiful Human. What I have written is: > > They were", "the Iluen is extremely beautiful (sorry Humans!) and would wipe the floor of", "beautiful (sorry Humans!) and would wipe the floor of the most beautiful Human.", "attractive to Humans of that there was no doubt. > > > However,", "but the Iluen is extremely beautiful (sorry Humans!) and would wipe the floor", "I want to describe. What techniques can I use to better convey this", "> > They were obviously viscerally attractive to Humans of that there was", "on first sight by a human towards an alien. A Human meets an", "not sure this phrase conveys what I want to describe. What techniques can", "obviously viscerally attractive to Humans of that there was no doubt. > >", "an alien. A Human meets an Iluen but the Iluen is extremely beautiful", "(sorry Humans!) and would wipe the floor of the most beautiful Human. What", "Humans!) and would wipe the floor of the most beautiful Human. What I", "to Humans of that there was no doubt. > > > However, I", "towards an alien. A Human meets an Iluen but the Iluen is extremely", "is: > > They were obviously viscerally attractive to Humans of that there", "first sight by a human towards an alien. A Human meets an Iluen", "sight by a human towards an alien. A Human meets an Iluen but", "physical attraction on first sight by a human towards an alien. A Human", "that there was no doubt. > > > However, I am not sure", "was no doubt. > > > However, I am not sure this phrase", "However, I am not sure this phrase conveys what I want to describe.", "most beautiful Human. What I have written is: > > They were obviously", "an Iluen but the Iluen is extremely beautiful (sorry Humans!) and would wipe", "A Human meets an Iluen but the Iluen is extremely beautiful (sorry Humans!)", "there was no doubt. > > > However, I am not sure this", "extremely beautiful (sorry Humans!) and would wipe the floor of the most beautiful", "viscerally attractive to Humans of that there was no doubt. > > >", "phrase conveys what I want to describe. What techniques can I use to", "Human. What I have written is: > > They were obviously viscerally attractive", "wish to describe strong physical attraction on first sight by a human towards", "is extremely beautiful (sorry Humans!) and would wipe the floor of the most", "written is: > > They were obviously viscerally attractive to Humans of that", "They were obviously viscerally attractive to Humans of that there was no doubt.", "am not sure this phrase conveys what I want to describe. What techniques", "by a human towards an alien. A Human meets an Iluen but the", "beautiful Human. What I have written is: > > They were obviously viscerally", "describe strong physical attraction on first sight by a human towards an alien.", "alien. A Human meets an Iluen but the Iluen is extremely beautiful (sorry", "I am not sure this phrase conveys what I want to describe. What", "> > However, I am not sure this phrase conveys what I want", "wipe the floor of the most beautiful Human. What I have written is:", "of the most beautiful Human. What I have written is: > > They", "meets an Iluen but the Iluen is extremely beautiful (sorry Humans!) and would", "what I want to describe. What techniques can I use to better convey", "I wish to describe strong physical attraction on first sight by a human", "attraction on first sight by a human towards an alien. A Human meets", "of that there was no doubt. > > > However, I am not", "> > > However, I am not sure this phrase conveys what I", "want to describe. What techniques can I use to better convey this attraction?", "conveys what I want to describe. What techniques can I use to better", "Human meets an Iluen but the Iluen is extremely beautiful (sorry Humans!) and", "a human towards an alien. A Human meets an Iluen but the Iluen" ]
[ "nearly every book is having the protagonist's family be taken or in a", "way, his quest is to go and find a goddess who has been", "is to go and find a goddess who has been captured because only", "so I have no idea what to do and can't find any more", "can't think of anything strong enough to suffice. The only inciting incidents I'm", "my character go on this quest because he was having debilitating visions that", "more ideas anywhere. My original incentive was to have my character go on", "any more ideas anywhere. My original incentive was to have my character go", "only inciting incidents I'm familiar with seeing in nearly every book is having", "works for my novel so I have no idea what to do and", "taken or in a position of danger or dump the character in a", "family be taken or in a position of danger or dump the character", "quest would give him answers and a way to stop it. But I've", "have my character go on this quest because he was having debilitating visions", "and I can't think of anything strong enough to suffice. The only inciting", "for my novel so I have no idea what to do and can't", "because only he has the knowledge to find her) (Also, the world is", "give him answers and a way to stop it. But I've found that", "I've noticed that my novel is missing a really strong inciting incident and", "seeing in nearly every book is having the protagonist's family be taken or", "what to do and can't find any more ideas anywhere. My original incentive", "really strong inciting incident and I can't think of anything strong enough to", "in a new environment that they have no choice but to go through.", "original incentive was to have my character go on this quest because he", "my novel so I have no idea what to do and can't find", "go through. Neither idea works for my novel so I have no idea", "to stop it. But I've found that this is way too weak to", "go on this quest because he was having debilitating visions that he couldn't", "a goddess who has been captured because only he has the knowledge to", "novel so I have no idea what to do and can't find any", "The only inciting incidents I'm familiar with seeing in nearly every book is", "quest is to go and find a goddess who has been captured because", "through. Neither idea works for my novel so I have no idea what", "no choice but to go through. Neither idea works for my novel so", "character in a new environment that they have no choice but to go", "of anything strong enough to suffice. The only inciting incidents I'm familiar with", "incidents I'm familiar with seeing in nearly every book is having the protagonist's", "or dump the character in a new environment that they have no choice", "have no choice but to go through. Neither idea works for my novel", "suffice. The only inciting incidents I'm familiar with seeing in nearly every book", "anything strong enough to suffice. The only inciting incidents I'm familiar with seeing", "I'm familiar with seeing in nearly every book is having the protagonist's family", "having debilitating visions that he couldn't control and going on this quest would", "was having debilitating visions that he couldn't control and going on this quest", "in a position of danger or dump the character in a new environment", "because he was having debilitating visions that he couldn't control and going on", "it. But I've found that this is way too weak to work. (By", "to do and can't find any more ideas anywhere. My original incentive was", "find any more ideas anywhere. My original incentive was to have my character", "environment that they have no choice but to go through. Neither idea works", "anywhere. My original incentive was to have my character go on this quest", "goddess who has been captured because only he has the knowledge to find", "the knowledge to find her) (Also, the world is at stake but they", "he was having debilitating visions that he couldn't control and going on this", "a position of danger or dump the character in a new environment that", "having the protagonist's family be taken or in a position of danger or", "been captured because only he has the knowledge to find her) (Also, the", "familiar with seeing in nearly every book is having the protagonist's family be", "I have no idea what to do and can't find any more ideas", "his quest is to go and find a goddess who has been captured", "I've found that this is way too weak to work. (By the way,", "the protagonist's family be taken or in a position of danger or dump", "be taken or in a position of danger or dump the character in", "do and can't find any more ideas anywhere. My original incentive was to", "dump the character in a new environment that they have no choice but", "strong enough to suffice. The only inciting incidents I'm familiar with seeing in", "but to go through. Neither idea works for my novel so I have", "too weak to work. (By the way, his quest is to go and", "stop it. But I've found that this is way too weak to work.", "choice but to go through. Neither idea works for my novel so I", "with seeing in nearly every book is having the protagonist's family be taken", "idea works for my novel so I have no idea what to do", "no idea what to do and can't find any more ideas anywhere. My", "has the knowledge to find her) (Also, the world is at stake but", "visions that he couldn't control and going on this quest would give him", "this quest would give him answers and a way to stop it. But", "go and find a goddess who has been captured because only he has", "he has the knowledge to find her) (Also, the world is at stake", "enough to suffice. The only inciting incidents I'm familiar with seeing in nearly", "character go on this quest because he was having debilitating visions that he", "to work. (By the way, his quest is to go and find a", "missing a really strong inciting incident and I can't think of anything strong", "can't find any more ideas anywhere. My original incentive was to have my", "But I've found that this is way too weak to work. (By the", "inciting incidents I'm familiar with seeing in nearly every book is having the", "novel is missing a really strong inciting incident and I can't think of", "and can't find any more ideas anywhere. My original incentive was to have", "quest because he was having debilitating visions that he couldn't control and going", "debilitating visions that he couldn't control and going on this quest would give", "to suffice. The only inciting incidents I'm familiar with seeing in nearly every", "in nearly every book is having the protagonist's family be taken or in", "the character in a new environment that they have no choice but to", "that they have no choice but to go through. Neither idea works for", "knowledge to find her) (Also, the world is at stake but they don't", "to go and find a goddess who has been captured because only he", "control and going on this quest would give him answers and a way", "couldn't control and going on this quest would give him answers and a", "answers and a way to stop it. But I've found that this is", "only he has the knowledge to find her) (Also, the world is at", "to find her) (Also, the world is at stake but they don't know", "would give him answers and a way to stop it. But I've found", "work. (By the way, his quest is to go and find a goddess", "is way too weak to work. (By the way, his quest is to", "on this quest because he was having debilitating visions that he couldn't control", "this is way too weak to work. (By the way, his quest is", "danger or dump the character in a new environment that they have no", "him answers and a way to stop it. But I've found that this", "every book is having the protagonist's family be taken or in a position", "was to have my character go on this quest because he was having", "that this is way too weak to work. (By the way, his quest", "new environment that they have no choice but to go through. Neither idea", "inciting incident and I can't think of anything strong enough to suffice. The", "that he couldn't control and going on this quest would give him answers", "book is having the protagonist's family be taken or in a position of", "strong inciting incident and I can't think of anything strong enough to suffice.", "on this quest would give him answers and a way to stop it.", "find her) (Also, the world is at stake but they don't know that)", "he couldn't control and going on this quest would give him answers and", "to have my character go on this quest because he was having debilitating", "(By the way, his quest is to go and find a goddess who", "a way to stop it. But I've found that this is way too", "the way, his quest is to go and find a goddess who has", "of danger or dump the character in a new environment that they have", "has been captured because only he has the knowledge to find her) (Also,", "way too weak to work. (By the way, his quest is to go", "think of anything strong enough to suffice. The only inciting incidents I'm familiar", "is missing a really strong inciting incident and I can't think of anything", "protagonist's family be taken or in a position of danger or dump the", "that my novel is missing a really strong inciting incident and I can't", "or in a position of danger or dump the character in a new", "captured because only he has the knowledge to find her) (Also, the world", "found that this is way too weak to work. (By the way, his", "I can't think of anything strong enough to suffice. The only inciting incidents", "to go through. Neither idea works for my novel so I have no", "and a way to stop it. But I've found that this is way", "and find a goddess who has been captured because only he has the", "Neither idea works for my novel so I have no idea what to", "My original incentive was to have my character go on this quest because", "incident and I can't think of anything strong enough to suffice. The only", "idea what to do and can't find any more ideas anywhere. My original", "noticed that my novel is missing a really strong inciting incident and I", "and going on this quest would give him answers and a way to", "this quest because he was having debilitating visions that he couldn't control and", "they have no choice but to go through. Neither idea works for my", "way to stop it. But I've found that this is way too weak", "who has been captured because only he has the knowledge to find her)", "ideas anywhere. My original incentive was to have my character go on this", "a new environment that they have no choice but to go through. Neither", "incentive was to have my character go on this quest because he was", "weak to work. (By the way, his quest is to go and find", "is having the protagonist's family be taken or in a position of danger", "my novel is missing a really strong inciting incident and I can't think", "a really strong inciting incident and I can't think of anything strong enough", "find a goddess who has been captured because only he has the knowledge", "going on this quest would give him answers and a way to stop", "have no idea what to do and can't find any more ideas anywhere.", "position of danger or dump the character in a new environment that they" ]
[ "while the girl herself likes them both and just can not decide. Her", "establish long term relationship. I just can't avoid thinking that she would be", "things are going well beyond their expectations. Then it becomes clear that neither", "am thinking that plot development between her and male characters is already laid", "herself likes them both and just can not decide. Her friends, belatedly, explain", "may be a contradiction. This is an important secondary character, a good-natured girl,", "is overly promiscuous for their circle? For my story, I still would like", "inevitably crossing paths with some of her friends' boyfriends. P.P.S. I feel that", "also plays some role. I am thinking that plot development between her and", "out their friend if she is overly promiscuous for their circle? For my", "friends, who would give her at least a grudging level of support. P.S.", "need to expand on how I planned the \"romantic arc\" of my story.", "that she would be inevitably crossing paths with some of her friends' boyfriends.", "think that there may be a contradiction. This is an important secondary character,", "friends' boyfriends. P.P.S. I feel that I need to expand on how I", "to pursue this girl, independently from each other, and things are going well", "to the girl. The guys go to major conflict between each other, while", "their friend if she is overly promiscuous for their circle? For my story,", "lacking and even contradictory. Would \"regular\" college age girls shun out their friend", "already laid out rather well, but I just realized that her relationship with", "avoid thinking that she would be inevitably crossing paths with some of her", "There are two friends, \"traditional\" college-age guys, who normally keep up with the", "the \"traditional\" parties (meaning rather modest than wild), they meet one sweet girl,", "I am developing a college-age female character and think that there may be", "their circle? For my story, I still would like her to be surrounded", "overly promiscuous for their circle? For my story, I still would like her", "a contradiction. This is an important secondary character, a good-natured girl, who is", "developing a college-age female character and think that there may be a contradiction.", "one night stands. The two guys start to pursue this girl, independently from", "her inability to establish long term relationship. I just can't avoid thinking that", "up with the same \"traditional\" crowd of boys and girls, where steady relationships", "her and male characters is already laid out rather well, but I just", "Would \"regular\" college age girls shun out their friend if she is overly", "female character and think that there may be a contradiction. This is an", "rather modest than wild), they meet one sweet girl, who shows no outside", "there may be a contradiction. This is an important secondary character, a good-natured", "this is not the first time such thing happens to the girl. The", "thinking that plot development between her and male characters is already laid out", "inability to establish long term relationship. I just can't avoid thinking that she", "such thing happens to the girl. The guys go to major conflict between", "level of support. P.S. This is not about the sexual violence. This girl", "plot development between her and male characters is already laid out rather well,", "\"regular\" college age girls shun out their friend if she is overly promiscuous", "that plot development between her and male characters is already laid out rather", "is already laid out rather well, but I just realized that her relationship", "friend if she is overly promiscuous for their circle? For my story, I", "modest than wild), they meet one sweet girl, who shows no outside indication", "start to pursue this girl, independently from each other, and things are going", "would be inevitably crossing paths with some of her friends' boyfriends. P.P.S. I", "who would give her at least a grudging level of support. P.S. This", "same \"traditional\" crowd of boys and girls, where steady relationships are appreciated. On", "story. There are two friends, \"traditional\" college-age guys, who normally keep up with", "happens to the girl. The guys go to major conflict between each other,", "a college-age female character and think that there may be a contradiction. This", "sexual violence. This girl would be much more upset about her inability to", "to major conflict between each other, while still trying to win girl's heart.", "where steady relationships are appreciated. On one of the \"traditional\" parties (meaning rather", "other, and things are going well beyond their expectations. Then it becomes clear", "of the \"traditional\" parties (meaning rather modest than wild), they meet one sweet", "shun out their friend if she is overly promiscuous for their circle? For", "are appreciated. On one of the \"traditional\" parties (meaning rather modest than wild),", "that there may be a contradiction. This is an important secondary character, a", "female friends may be lacking and even contradictory. Would \"regular\" college age girls", "would be much more upset about her inability to establish long term relationship.", "friends, \"traditional\" college-age guys, who normally keep up with the same \"traditional\" crowd", "\"romantic arc\" of my story. There are two friends, \"traditional\" college-age guys, who", "belatedly, explain to the guys that this is not the first time such", "first time such thing happens to the girl. The guys go to major", "quite promiscuous. This is mostly because she is \"happy-go-lucky\", but the alcohol also", "of support. P.S. This is not about the sexual violence. This girl would", "my story. There are two friends, \"traditional\" college-age guys, who normally keep up", "one sweet girl, who shows no outside indication of being into one night", "unfortunately quite promiscuous. This is mostly because she is \"happy-go-lucky\", but the alcohol", "indication of being into one night stands. The two guys start to pursue", "college age girls shun out their friend if she is overly promiscuous for", "I feel that I need to expand on how I planned the \"romantic", "thing happens to the girl. The guys go to major conflict between each", "each other, and things are going well beyond their expectations. Then it becomes", "are two friends, \"traditional\" college-age guys, who normally keep up with the same", "important secondary character, a good-natured girl, who is unfortunately quite promiscuous. This is", "by friends, who would give her at least a grudging level of support.", "her to be surrounded by friends, who would give her at least a", "and just can not decide. Her friends, belatedly, explain to the guys that", "between her and male characters is already laid out rather well, but I", "for their circle? For my story, I still would like her to be", "long term relationship. I just can't avoid thinking that she would be inevitably", "thinking that she would be inevitably crossing paths with some of her friends'", "- while the girl herself likes them both and just can not decide.", "two guys start to pursue this girl, independently from each other, and things", "an important secondary character, a good-natured girl, who is unfortunately quite promiscuous. This", "I am thinking that plot development between her and male characters is already", "male characters is already laid out rather well, but I just realized that", "beyond their expectations. Then it becomes clear that neither of them can \"claim\"", "this girl, independently from each other, and things are going well beyond their", "of being into one night stands. The two guys start to pursue this", "would give her at least a grudging level of support. P.S. This is", "relationship with female friends may be lacking and even contradictory. Would \"regular\" college", "(meaning rather modest than wild), they meet one sweet girl, who shows no", "girl, who is unfortunately quite promiscuous. This is mostly because she is \"happy-go-lucky\",", "surrounded by friends, who would give her at least a grudging level of", "role. I am thinking that plot development between her and male characters is", "not the first time such thing happens to the girl. The guys go", "\"happy-go-lucky\", but the alcohol also plays some role. I am thinking that plot", "but I just realized that her relationship with female friends may be lacking", "but the alcohol also plays some role. I am thinking that plot development", "relationship. I just can't avoid thinking that she would be inevitably crossing paths", "if she is overly promiscuous for their circle? For my story, I still", "age girls shun out their friend if she is overly promiscuous for their", "is \"happy-go-lucky\", but the alcohol also plays some role. I am thinking that", "to be surrounded by friends, who would give her at least a grudging", "some of her friends' boyfriends. P.P.S. I feel that I need to expand", "who is unfortunately quite promiscuous. This is mostly because she is \"happy-go-lucky\", but", "arc\" of my story. There are two friends, \"traditional\" college-age guys, who normally", "girl, independently from each other, and things are going well beyond their expectations.", "of them can \"claim\" the girl - while the girl herself likes them", "college-age guys, who normally keep up with the same \"traditional\" crowd of boys", "just can't avoid thinking that she would be inevitably crossing paths with some", "wild), they meet one sweet girl, who shows no outside indication of being", "friends, belatedly, explain to the guys that this is not the first time", "explain to the guys that this is not the first time such thing", "time such thing happens to the girl. The guys go to major conflict", "P.S. This is not about the sexual violence. This girl would be much", "\"claim\" the girl - while the girl herself likes them both and just", "violence. This girl would be much more upset about her inability to establish", "well beyond their expectations. Then it becomes clear that neither of them can", "well, but I just realized that her relationship with female friends may be", "the sexual violence. This girl would be much more upset about her inability", "the girl. The guys go to major conflict between each other, while still", "a good-natured girl, who is unfortunately quite promiscuous. This is mostly because she", "guys, who normally keep up with the same \"traditional\" crowd of boys and", "still would like her to be surrounded by friends, who would give her", "sweet girl, who shows no outside indication of being into one night stands.", "feel that I need to expand on how I planned the \"romantic arc\"", "no outside indication of being into one night stands. The two guys start", "about the sexual violence. This girl would be much more upset about her", "pursue this girl, independently from each other, and things are going well beyond", "just can not decide. Her friends, belatedly, explain to the guys that this", "the first time such thing happens to the girl. The guys go to", "much more upset about her inability to establish long term relationship. I just", "becomes clear that neither of them can \"claim\" the girl - while the", "am developing a college-age female character and think that there may be a", "This is an important secondary character, a good-natured girl, who is unfortunately quite", "girl - while the girl herself likes them both and just can not", "is not the first time such thing happens to the girl. The guys", "girl herself likes them both and just can not decide. Her friends, belatedly,", "of my story. There are two friends, \"traditional\" college-age guys, who normally keep", "their expectations. Then it becomes clear that neither of them can \"claim\" the", "guys start to pursue this girl, independently from each other, and things are", "guys go to major conflict between each other, while still trying to win", "I just can't avoid thinking that she would be inevitably crossing paths with", "to the guys that this is not the first time such thing happens", "are going well beyond their expectations. Then it becomes clear that neither of", "boyfriends. P.P.S. I feel that I need to expand on how I planned", "The two guys start to pursue this girl, independently from each other, and", "neither of them can \"claim\" the girl - while the girl herself likes", "character, a good-natured girl, who is unfortunately quite promiscuous. This is mostly because", "she is \"happy-go-lucky\", but the alcohol also plays some role. I am thinking", "who normally keep up with the same \"traditional\" crowd of boys and girls,", "circle? For my story, I still would like her to be surrounded by", "going well beyond their expectations. Then it becomes clear that neither of them", "girl would be much more upset about her inability to establish long term", "girls, where steady relationships are appreciated. On one of the \"traditional\" parties (meaning", "not about the sexual violence. This girl would be much more upset about", "contradictory. Would \"regular\" college age girls shun out their friend if she is", "term relationship. I just can't avoid thinking that she would be inevitably crossing", "to expand on how I planned the \"romantic arc\" of my story. There", "than wild), they meet one sweet girl, who shows no outside indication of", "contradiction. This is an important secondary character, a good-natured girl, who is unfortunately", "is mostly because she is \"happy-go-lucky\", but the alcohol also plays some role.", "that this is not the first time such thing happens to the girl.", "meet one sweet girl, who shows no outside indication of being into one", "This girl would be much more upset about her inability to establish long", "promiscuous. This is mostly because she is \"happy-go-lucky\", but the alcohol also plays", "my story, I still would like her to be surrounded by friends, who", "Her friends, belatedly, explain to the guys that this is not the first", "girls shun out their friend if she is overly promiscuous for their circle?", "expand on how I planned the \"romantic arc\" of my story. There are", "stands. The two guys start to pursue this girl, independently from each other,", "This is not about the sexual violence. This girl would be much more", "her friends' boyfriends. P.P.S. I feel that I need to expand on how", "I need to expand on how I planned the \"romantic arc\" of my", "\"traditional\" college-age guys, who normally keep up with the same \"traditional\" crowd of", "from each other, and things are going well beyond their expectations. Then it", "it becomes clear that neither of them can \"claim\" the girl - while", "and even contradictory. Would \"regular\" college age girls shun out their friend if", "boys and girls, where steady relationships are appreciated. On one of the \"traditional\"", "them both and just can not decide. Her friends, belatedly, explain to the", "guys that this is not the first time such thing happens to the", "plays some role. I am thinking that plot development between her and male", "that neither of them can \"claim\" the girl - while the girl herself", "good-natured girl, who is unfortunately quite promiscuous. This is mostly because she is", "is not about the sexual violence. This girl would be much more upset", "be much more upset about her inability to establish long term relationship. I", "relationships are appreciated. On one of the \"traditional\" parties (meaning rather modest than", "go to major conflict between each other, while still trying to win girl's", "her relationship with female friends may be lacking and even contradictory. Would \"regular\"", "This is mostly because she is \"happy-go-lucky\", but the alcohol also plays some", "parties (meaning rather modest than wild), they meet one sweet girl, who shows", "with the same \"traditional\" crowd of boys and girls, where steady relationships are", "some role. I am thinking that plot development between her and male characters", "being into one night stands. The two guys start to pursue this girl,", "and things are going well beyond their expectations. Then it becomes clear that", "two friends, \"traditional\" college-age guys, who normally keep up with the same \"traditional\"", "the guys that this is not the first time such thing happens to", "least a grudging level of support. P.S. This is not about the sexual", "and think that there may be a contradiction. This is an important secondary", "out rather well, but I just realized that her relationship with female friends", "college-age female character and think that there may be a contradiction. This is", "upset about her inability to establish long term relationship. I just can't avoid", "not decide. Her friends, belatedly, explain to the guys that this is not", "is an important secondary character, a good-natured girl, who is unfortunately quite promiscuous.", "of her friends' boyfriends. P.P.S. I feel that I need to expand on", "shows no outside indication of being into one night stands. The two guys", "rather well, but I just realized that her relationship with female friends may", "is unfortunately quite promiscuous. This is mostly because she is \"happy-go-lucky\", but the", "alcohol also plays some role. I am thinking that plot development between her", "that her relationship with female friends may be lacking and even contradictory. Would", "normally keep up with the same \"traditional\" crowd of boys and girls, where", "and male characters is already laid out rather well, but I just realized", "mostly because she is \"happy-go-lucky\", but the alcohol also plays some role. I", "with some of her friends' boyfriends. P.P.S. I feel that I need to", "the girl - while the girl herself likes them both and just can", "the alcohol also plays some role. I am thinking that plot development between", "she is overly promiscuous for their circle? For my story, I still would", "girl. The guys go to major conflict between each other, while still trying", "likes them both and just can not decide. Her friends, belatedly, explain to", "promiscuous for their circle? For my story, I still would like her to", "expectations. Then it becomes clear that neither of them can \"claim\" the girl", "keep up with the same \"traditional\" crowd of boys and girls, where steady", "can not decide. Her friends, belatedly, explain to the guys that this is", "the \"romantic arc\" of my story. There are two friends, \"traditional\" college-age guys,", "decide. Her friends, belatedly, explain to the guys that this is not the", "character and think that there may be a contradiction. This is an important", "give her at least a grudging level of support. P.S. This is not", "be lacking and even contradictory. Would \"regular\" college age girls shun out their", "a grudging level of support. P.S. This is not about the sexual violence.", "paths with some of her friends' boyfriends. P.P.S. I feel that I need", "On one of the \"traditional\" parties (meaning rather modest than wild), they meet", "her at least a grudging level of support. P.S. This is not about", "they meet one sweet girl, who shows no outside indication of being into", "Then it becomes clear that neither of them can \"claim\" the girl -", "independently from each other, and things are going well beyond their expectations. Then", "The guys go to major conflict between each other, while still trying to", "grudging level of support. P.S. This is not about the sexual violence. This", "I still would like her to be surrounded by friends, who would give", "story, I still would like her to be surrounded by friends, who would", "into one night stands. The two guys start to pursue this girl, independently", "I planned the \"romantic arc\" of my story. There are two friends, \"traditional\"", "clear that neither of them can \"claim\" the girl - while the girl", "\"traditional\" crowd of boys and girls, where steady relationships are appreciated. On one", "be surrounded by friends, who would give her at least a grudging level", "development between her and male characters is already laid out rather well, but", "support. P.S. This is not about the sexual violence. This girl would be", "the same \"traditional\" crowd of boys and girls, where steady relationships are appreciated.", "that I need to expand on how I planned the \"romantic arc\" of", "one of the \"traditional\" parties (meaning rather modest than wild), they meet one", "who shows no outside indication of being into one night stands. The two", "laid out rather well, but I just realized that her relationship with female", "like her to be surrounded by friends, who would give her at least", "can't avoid thinking that she would be inevitably crossing paths with some of", "she would be inevitably crossing paths with some of her friends' boyfriends. P.P.S.", "even contradictory. Would \"regular\" college age girls shun out their friend if she", "be inevitably crossing paths with some of her friends' boyfriends. P.P.S. I feel", "be a contradiction. This is an important secondary character, a good-natured girl, who", "them can \"claim\" the girl - while the girl herself likes them both", "of boys and girls, where steady relationships are appreciated. On one of the", "on how I planned the \"romantic arc\" of my story. There are two", "may be lacking and even contradictory. Would \"regular\" college age girls shun out", "with female friends may be lacking and even contradictory. Would \"regular\" college age", "can \"claim\" the girl - while the girl herself likes them both and", "P.P.S. I feel that I need to expand on how I planned the", "because she is \"happy-go-lucky\", but the alcohol also plays some role. I am", "to establish long term relationship. I just can't avoid thinking that she would", "at least a grudging level of support. P.S. This is not about the", "planned the \"romantic arc\" of my story. There are two friends, \"traditional\" college-age", "secondary character, a good-natured girl, who is unfortunately quite promiscuous. This is mostly", "realized that her relationship with female friends may be lacking and even contradictory.", "just realized that her relationship with female friends may be lacking and even", "friends may be lacking and even contradictory. Would \"regular\" college age girls shun", "about her inability to establish long term relationship. I just can't avoid thinking", "crowd of boys and girls, where steady relationships are appreciated. On one of", "steady relationships are appreciated. On one of the \"traditional\" parties (meaning rather modest", "outside indication of being into one night stands. The two guys start to", "I just realized that her relationship with female friends may be lacking and", "night stands. The two guys start to pursue this girl, independently from each", "the girl herself likes them both and just can not decide. Her friends,", "and girls, where steady relationships are appreciated. On one of the \"traditional\" parties", "For my story, I still would like her to be surrounded by friends,", "\"traditional\" parties (meaning rather modest than wild), they meet one sweet girl, who", "how I planned the \"romantic arc\" of my story. There are two friends,", "appreciated. On one of the \"traditional\" parties (meaning rather modest than wild), they", "characters is already laid out rather well, but I just realized that her", "girl, who shows no outside indication of being into one night stands. The", "more upset about her inability to establish long term relationship. I just can't", "both and just can not decide. Her friends, belatedly, explain to the guys", "would like her to be surrounded by friends, who would give her at", "crossing paths with some of her friends' boyfriends. P.P.S. I feel that I" ]
[ "where I just don't bother because I know I don't have the time", "it (as in steady progress toward finishing) and how do you stay on", "projects, but the further in I get, the more it seems that I'm", "how busy and unpredictable my life is. The original plan was to get", "too busy to work on the real endgoal. I've started to realize that", "never bothered to do any serious writing until a few years ago. Now", "don't have the focus right now to tackle a large project, but I've", "of short story series over the years that I think it would be", "that writing daily and having a daily word goal works best for me,", "there are a lot of days where I just don't bother because I", "a writing session to find you get something out of it (as in", "large project, but I've started a couple of short story series over the", "project, but I've started a couple of short story series over the years", "a couple of short story series over the years that I think it", "to make it happen despite everything else that demands my attention. I know", "publish a book for a long time (since I was 10 or 11),", "that I would be stable enough to be able to write and work", "I ever want to finish a novel, I need to start now and", "to start now and find a way to make it happen despite everything", "that I think it would be fun to add to in small chunks.", "finished, I've found that writing daily and having a daily word goal works", "in an engineering firm as well as on my own startup, so you", "it would be fun to add to in small chunks. From what I", "get something out of it (as in steady progress toward finishing) and how", "a way to make it happen despite everything else that demands my attention.", "toward finishing) and how do you stay on target if you can only", "session to find you get something out of it (as in steady progress", "attention. I know I don't have the focus right now to tackle a", "the focus right now to tackle a large project, but I've started a", "right now to tackle a large project, but I've started a couple of", "time do you find you have to devote to a writing session to", "do any serious writing until a few years ago. Now I'm in college", "so that I would be stable enough to be able to write and", "found that writing daily and having a daily word goal works best for", "imagine how busy and unpredictable my life is. The original plan was to", "as on my own startup, so you can imagine how busy and unpredictable", "I would be stable enough to be able to write and work on", "small chunks. From what I have gotten finished, I've found that writing daily", "writing session to find you get something out of it (as in steady", "find you get something out of it (as in steady progress toward finishing)", "to be able to write and work on other creative projects, but the", "get, the more it seems that I'm defeating my own purposes by being", "this: how much time do you find you have to devote to a", "working part time in an engineering firm as well as on my own", "series over the years that I think it would be fun to add", "do you find you have to devote to a writing session to find", "is this: how much time do you find you have to devote to", "a lot of days where I just don't bother because I know I", "in. My question is this: how much time do you find you have", "I've started to realize that if I ever want to finish a novel,", "me, but there are a lot of days where I just don't bother", "startup, so you can imagine how busy and unpredictable my life is. The", "life on the right track so that I would be stable enough to", "other creative projects, but the further in I get, the more it seems", "you have to devote to a writing session to find you get something", "to really settle in. My question is this: how much time do you", "would be fun to add to in small chunks. From what I have", "right track so that I would be stable enough to be able to", "until a few years ago. Now I'm in college and working part time", "start now and find a way to make it happen despite everything else", "days where I just don't bother because I know I don't have the", "enough to be able to write and work on other creative projects, but", "that I'm defeating my own purposes by being too busy to work on", "how much time do you find you have to devote to a writing", "lot of days where I just don't bother because I know I don't", "firm as well as on my own startup, so you can imagine how", "much time do you find you have to devote to a writing session", "endgoal. I've started to realize that if I ever want to finish a", "to publish a book for a long time (since I was 10 or", "you get something out of it (as in steady progress toward finishing) and", "but I've started a couple of short story series over the years that", "writing until a few years ago. Now I'm in college and working part", "else that demands my attention. I know I don't have the focus right", "work on other creative projects, but the further in I get, the more", "and having a daily word goal works best for me, but there are", "to work on the real endgoal. I've started to realize that if I", "a few years ago. Now I'm in college and working part time in", "own purposes by being too busy to work on the real endgoal. I've", "time to really settle in. My question is this: how much time do", "I know I don't have the focus right now to tackle a large", "write and work on other creative projects, but the further in I get,", "get my life on the right track so that I would be stable", "want to finish a novel, I need to start now and find a", "do you stay on target if you can only make those sessions short?", "the more it seems that I'm defeating my own purposes by being too", "started to realize that if I ever want to finish a novel, I", "to realize that if I ever want to finish a novel, I need", "a daily word goal works best for me, but there are a lot", "to write and work on other creative projects, but the further in I", "started a couple of short story series over the years that I think", "My question is this: how much time do you find you have to", "know I don't have the focus right now to tackle a large project,", "it happen despite everything else that demands my attention. I know I don't", "seems that I'm defeating my own purposes by being too busy to work", "of it (as in steady progress toward finishing) and how do you stay", "and work on other creative projects, but the further in I get, the", "daily and having a daily word goal works best for me, but there", "just don't bother because I know I don't have the time to really", "wanted to publish a book for a long time (since I was 10", "in college and working part time in an engineering firm as well as", "original plan was to get my life on the right track so that", "was to get my life on the right track so that I would", "best for me, but there are a lot of days where I just", "bother because I know I don't have the time to really settle in.", "to finish a novel, I need to start now and find a way", "finishing) and how do you stay on target if you can only make", "think it would be fun to add to in small chunks. From what", "for me, but there are a lot of days where I just don't", "I know I don't have the time to really settle in. My question", "and unpredictable my life is. The original plan was to get my life", "find a way to make it happen despite everything else that demands my", "I don't have the focus right now to tackle a large project, but", "track so that I would be stable enough to be able to write", "because I know I don't have the time to really settle in. My", "a large project, but I've started a couple of short story series over", "my life is. The original plan was to get my life on the", "The original plan was to get my life on the right track so", "work on the real endgoal. I've started to realize that if I ever", "I think it would be fun to add to in small chunks. From", "in small chunks. From what I have gotten finished, I've found that writing", "focus right now to tackle a large project, but I've started a couple", "my own purposes by being too busy to work on the real endgoal.", "demands my attention. I know I don't have the focus right now to", "don't have the time to really settle in. My question is this: how", "how do you stay on target if you can only make those sessions", "so you can imagine how busy and unpredictable my life is. The original", "question is this: how much time do you find you have to devote", "to add to in small chunks. From what I have gotten finished, I've", "I was 10 or 11), but never bothered to do any serious writing", "I've wanted to publish a book for a long time (since I was", "plan was to get my life on the right track so that I", "realize that if I ever want to finish a novel, I need to", "to in small chunks. From what I have gotten finished, I've found that", "for a long time (since I was 10 or 11), but never bothered", "as well as on my own startup, so you can imagine how busy", "have the time to really settle in. My question is this: how much", "well as on my own startup, so you can imagine how busy and", "(since I was 10 or 11), but never bothered to do any serious", "life is. The original plan was to get my life on the right", "long time (since I was 10 or 11), but never bothered to do", "the further in I get, the more it seems that I'm defeating my", "settle in. My question is this: how much time do you find you", "story series over the years that I think it would be fun to", "I've found that writing daily and having a daily word goal works best", "the real endgoal. I've started to realize that if I ever want to", "or 11), but never bothered to do any serious writing until a few", "the time to really settle in. My question is this: how much time", "more it seems that I'm defeating my own purposes by being too busy", "can imagine how busy and unpredictable my life is. The original plan was", "tackle a large project, but I've started a couple of short story series", "my own startup, so you can imagine how busy and unpredictable my life", "and working part time in an engineering firm as well as on my", "gotten finished, I've found that writing daily and having a daily word goal", "busy and unpredictable my life is. The original plan was to get my", "having a daily word goal works best for me, but there are a", "any serious writing until a few years ago. Now I'm in college and", "the right track so that I would be stable enough to be able", "a novel, I need to start now and find a way to make", "find you have to devote to a writing session to find you get", "11), but never bothered to do any serious writing until a few years", "don't bother because I know I don't have the time to really settle", "time in an engineering firm as well as on my own startup, so", "own startup, so you can imagine how busy and unpredictable my life is.", "I need to start now and find a way to make it happen", "chunks. From what I have gotten finished, I've found that writing daily and", "few years ago. Now I'm in college and working part time in an", "From what I have gotten finished, I've found that writing daily and having", "ever want to finish a novel, I need to start now and find", "purposes by being too busy to work on the real endgoal. I've started", "know I don't have the time to really settle in. My question is", "have the focus right now to tackle a large project, but I've started", "have to devote to a writing session to find you get something out", "works best for me, but there are a lot of days where I", "(as in steady progress toward finishing) and how do you stay on target", "over the years that I think it would be fun to add to", "what I have gotten finished, I've found that writing daily and having a", "an engineering firm as well as on my own startup, so you can", "on my own startup, so you can imagine how busy and unpredictable my", "if I ever want to finish a novel, I need to start now", "the years that I think it would be fun to add to in", "to get my life on the right track so that I would be", "make it happen despite everything else that demands my attention. I know I", "on other creative projects, but the further in I get, the more it", "in I get, the more it seems that I'm defeating my own purposes", "a book for a long time (since I was 10 or 11), but", "unpredictable my life is. The original plan was to get my life on", "part time in an engineering firm as well as on my own startup,", "finish a novel, I need to start now and find a way to", "way to make it happen despite everything else that demands my attention. I", "to a writing session to find you get something out of it (as", "real endgoal. I've started to realize that if I ever want to finish", "able to write and work on other creative projects, but the further in", "I just don't bother because I know I don't have the time to", "have gotten finished, I've found that writing daily and having a daily word", "to do any serious writing until a few years ago. Now I'm in", "really settle in. My question is this: how much time do you find", "time (since I was 10 or 11), but never bothered to do any", "was 10 or 11), but never bothered to do any serious writing until", "I've started a couple of short story series over the years that I", "that demands my attention. I know I don't have the focus right now", "now to tackle a large project, but I've started a couple of short", "being too busy to work on the real endgoal. I've started to realize", "my life on the right track so that I would be stable enough", "progress toward finishing) and how do you stay on target if you can", "devote to a writing session to find you get something out of it", "add to in small chunks. From what I have gotten finished, I've found", "and find a way to make it happen despite everything else that demands", "novel, I need to start now and find a way to make it", "on the real endgoal. I've started to realize that if I ever want", "I don't have the time to really settle in. My question is this:", "in steady progress toward finishing) and how do you stay on target if", "be stable enough to be able to write and work on other creative", "would be stable enough to be able to write and work on other", "my attention. I know I don't have the focus right now to tackle", "I'm defeating my own purposes by being too busy to work on the", "busy to work on the real endgoal. I've started to realize that if", "I have gotten finished, I've found that writing daily and having a daily", "book for a long time (since I was 10 or 11), but never", "years ago. Now I'm in college and working part time in an engineering", "steady progress toward finishing) and how do you stay on target if you", "on the right track so that I would be stable enough to be", "be able to write and work on other creative projects, but the further", "but the further in I get, the more it seems that I'm defeating", "you can imagine how busy and unpredictable my life is. The original plan", "serious writing until a few years ago. Now I'm in college and working", "out of it (as in steady progress toward finishing) and how do you", "be fun to add to in small chunks. From what I have gotten", "short story series over the years that I think it would be fun", "despite everything else that demands my attention. I know I don't have the", "something out of it (as in steady progress toward finishing) and how do", "and how do you stay on target if you can only make those", "years that I think it would be fun to add to in small", "defeating my own purposes by being too busy to work on the real", "stable enough to be able to write and work on other creative projects,", "happen despite everything else that demands my attention. I know I don't have", "a long time (since I was 10 or 11), but never bothered to", "couple of short story series over the years that I think it would", "10 or 11), but never bothered to do any serious writing until a", "ago. Now I'm in college and working part time in an engineering firm", "goal works best for me, but there are a lot of days where", "fun to add to in small chunks. From what I have gotten finished,", "creative projects, but the further in I get, the more it seems that", "but there are a lot of days where I just don't bother because", "of days where I just don't bother because I know I don't have", "now and find a way to make it happen despite everything else that", "it seems that I'm defeating my own purposes by being too busy to", "engineering firm as well as on my own startup, so you can imagine", "to find you get something out of it (as in steady progress toward", "to devote to a writing session to find you get something out of", "but never bothered to do any serious writing until a few years ago.", "by being too busy to work on the real endgoal. I've started to", "word goal works best for me, but there are a lot of days", "to tackle a large project, but I've started a couple of short story", "Now I'm in college and working part time in an engineering firm as", "I'm in college and working part time in an engineering firm as well", "that if I ever want to finish a novel, I need to start", "writing daily and having a daily word goal works best for me, but", "bothered to do any serious writing until a few years ago. Now I'm", "is. The original plan was to get my life on the right track", "I get, the more it seems that I'm defeating my own purposes by", "daily word goal works best for me, but there are a lot of", "you find you have to devote to a writing session to find you", "college and working part time in an engineering firm as well as on", "are a lot of days where I just don't bother because I know", "further in I get, the more it seems that I'm defeating my own", "need to start now and find a way to make it happen despite", "everything else that demands my attention. I know I don't have the focus" ]
[ "again, and keep changing it but without adding much to the subject. I", "to train the \"writing muscle\" what would you suggest to avoid this situation?", "stream of consciousness. Just to give an example, I was writing down on", "write this post). In addition, I usually keep rereading what I've just written", "work (I'm a researcher) but other times personal thoughts, I feel that my", "example, I was writing down on my notebook a question that I wanted", "details that I want to add. I became frustrated at my inability to", "mainly notes for my work (I'm a researcher) but other times personal thoughts,", "became frustrated at my inability to produce something and after a while I", "an hour to write down this question. Apart from writing more and more", "this post). In addition, I usually keep rereading what I've just written again", "often to train the \"writing muscle\" what would you suggest to avoid this", "something, mainly notes for my work (I'm a researcher) but other times personal", "add. I became frustrated at my inability to produce something and after a", "without adding much to the subject. I think I spent more than half", "can't keep up with my stream of consciousness. Just to give an example,", "(I'm a researcher) but other times personal thoughts, I feel that my writing", "notebook a question that I wanted to post on interpersonal.stackexchange but, as soon", "and again, and keep changing it but without adding much to the subject.", "I usually keep rereading what I've just written again and again and again,", "stopped writing (which pushed me to write this post). In addition, I usually", "down on my notebook a question that I wanted to post on interpersonal.stackexchange", "was writing down on my notebook a question that I wanted to post", "times personal thoughts, I feel that my writing speed can't keep up with", "I've just written again and again and again, and keep changing it but", "writing down on my notebook a question that I wanted to post on", "on interpersonal.stackexchange but, as soon as I started with the main question, I", "the main question, I ended up thinking about all the details that I", "just written again and again and again, and keep changing it but without", "as I started with the main question, I ended up thinking about all", "pushed me to write this post). In addition, I usually keep rereading what", "to write this post). In addition, I usually keep rereading what I've just", "at my inability to produce something and after a while I stopped writing", "half an hour to write down this question. Apart from writing more and", "an example, I was writing down on my notebook a question that I", "Just to give an example, I was writing down on my notebook a", "adding much to the subject. I think I spent more than half an", "changing it but without adding much to the subject. I think I spent", "I was writing down on my notebook a question that I wanted to", "this question. Apart from writing more and more often to train the \"writing", "consciousness. Just to give an example, I was writing down on my notebook", "soon as I started with the main question, I ended up thinking about", "ended up thinking about all the details that I want to add. I", "on my notebook a question that I wanted to post on interpersonal.stackexchange but,", "and again and again, and keep changing it but without adding much to", "to write down this question. Apart from writing more and more often to", "after a while I stopped writing (which pushed me to write this post).", "again and again, and keep changing it but without adding much to the", "often when I start writing something, mainly notes for my work (I'm a", "I ended up thinking about all the details that I want to add.", "hour to write down this question. Apart from writing more and more often", "me to write this post). In addition, I usually keep rereading what I've", "keep changing it but without adding much to the subject. I think I", "that I want to add. I became frustrated at my inability to produce", "speed can't keep up with my stream of consciousness. Just to give an", "and after a while I stopped writing (which pushed me to write this", "from writing more and more often to train the \"writing muscle\" what would", "more than half an hour to write down this question. Apart from writing", "writing something, mainly notes for my work (I'm a researcher) but other times", "I feel that my writing speed can't keep up with my stream of", "up with my stream of consciousness. Just to give an example, I was", "that I wanted to post on interpersonal.stackexchange but, as soon as I started", "to the subject. I think I spent more than half an hour to", "a while I stopped writing (which pushed me to write this post). In", "my writing speed can't keep up with my stream of consciousness. Just to", "down this question. Apart from writing more and more often to train the", "writing (which pushed me to write this post). In addition, I usually keep", "the details that I want to add. I became frustrated at my inability", "a researcher) but other times personal thoughts, I feel that my writing speed", "inability to produce something and after a while I stopped writing (which pushed", "keep up with my stream of consciousness. Just to give an example, I", "more and more often to train the \"writing muscle\" what would you suggest", "thoughts, I feel that my writing speed can't keep up with my stream", "writing more and more often to train the \"writing muscle\" what would you", "Very often when I start writing something, mainly notes for my work (I'm", "as soon as I started with the main question, I ended up thinking", "something and after a while I stopped writing (which pushed me to write", "my notebook a question that I wanted to post on interpersonal.stackexchange but, as", "than half an hour to write down this question. Apart from writing more", "a question that I wanted to post on interpersonal.stackexchange but, as soon as", "about all the details that I want to add. I became frustrated at", "when I start writing something, mainly notes for my work (I'm a researcher)", "it but without adding much to the subject. I think I spent more", "my stream of consciousness. Just to give an example, I was writing down", "wanted to post on interpersonal.stackexchange but, as soon as I started with the", "up thinking about all the details that I want to add. I became", "subject. I think I spent more than half an hour to write down", "I think I spent more than half an hour to write down this", "other times personal thoughts, I feel that my writing speed can't keep up", "that my writing speed can't keep up with my stream of consciousness. Just", "but without adding much to the subject. I think I spent more than", "much to the subject. I think I spent more than half an hour", "with my stream of consciousness. Just to give an example, I was writing", "I stopped writing (which pushed me to write this post). In addition, I", "question, I ended up thinking about all the details that I want to", "while I stopped writing (which pushed me to write this post). In addition,", "I start writing something, mainly notes for my work (I'm a researcher) but", "Apart from writing more and more often to train the \"writing muscle\" what", "interpersonal.stackexchange but, as soon as I started with the main question, I ended", "question. Apart from writing more and more often to train the \"writing muscle\"", "to add. I became frustrated at my inability to produce something and after", "I wanted to post on interpersonal.stackexchange but, as soon as I started with", "I want to add. I became frustrated at my inability to produce something", "give an example, I was writing down on my notebook a question that", "thinking about all the details that I want to add. I became frustrated", "to give an example, I was writing down on my notebook a question", "I started with the main question, I ended up thinking about all the", "with the main question, I ended up thinking about all the details that", "and keep changing it but without adding much to the subject. I think", "think I spent more than half an hour to write down this question.", "the subject. I think I spent more than half an hour to write", "I became frustrated at my inability to produce something and after a while", "post). In addition, I usually keep rereading what I've just written again and", "my inability to produce something and after a while I stopped writing (which", "again and again and again, and keep changing it but without adding much", "researcher) but other times personal thoughts, I feel that my writing speed can't", "what I've just written again and again and again, and keep changing it", "rereading what I've just written again and again and again, and keep changing", "notes for my work (I'm a researcher) but other times personal thoughts, I", "main question, I ended up thinking about all the details that I want", "started with the main question, I ended up thinking about all the details", "more often to train the \"writing muscle\" what would you suggest to avoid", "question that I wanted to post on interpersonal.stackexchange but, as soon as I", "all the details that I want to add. I became frustrated at my", "to produce something and after a while I stopped writing (which pushed me", "and more often to train the \"writing muscle\" what would you suggest to", "In addition, I usually keep rereading what I've just written again and again", "my work (I'm a researcher) but other times personal thoughts, I feel that", "frustrated at my inability to produce something and after a while I stopped", "for my work (I'm a researcher) but other times personal thoughts, I feel", "I spent more than half an hour to write down this question. Apart", "spent more than half an hour to write down this question. Apart from", "(which pushed me to write this post). In addition, I usually keep rereading", "of consciousness. Just to give an example, I was writing down on my", "produce something and after a while I stopped writing (which pushed me to", "written again and again and again, and keep changing it but without adding", "addition, I usually keep rereading what I've just written again and again and", "start writing something, mainly notes for my work (I'm a researcher) but other", "keep rereading what I've just written again and again and again, and keep", "but other times personal thoughts, I feel that my writing speed can't keep", "write down this question. Apart from writing more and more often to train", "to post on interpersonal.stackexchange but, as soon as I started with the main", "want to add. I became frustrated at my inability to produce something and", "feel that my writing speed can't keep up with my stream of consciousness.", "post on interpersonal.stackexchange but, as soon as I started with the main question,", "usually keep rereading what I've just written again and again and again, and", "writing speed can't keep up with my stream of consciousness. Just to give", "personal thoughts, I feel that my writing speed can't keep up with my", "but, as soon as I started with the main question, I ended up" ]
[ "series where most of the cast are highly anthropomorphized animals (or in some", "with the exception of the loyal Atlantean Civilization (who eventually became the Ishgas", "one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is", "animals (or in some cases mythological creatures). Humans still exist in this universe,", "mythological creatures). Humans still exist in this universe, but are rare (only being", "animals (I'll just call them \"sentients\" from now on) at this point in", "the series, so all of the talking animals (I'll just call them \"sentients\"", "the talking animals (I'll just call them \"sentients\" from now on) at this", "universe, but are rare (only being found in large numbers on the planet", "this point in time were born and raised by others like them and", "to the new galaxy, the Gods grew angry with them for not worshipping", "Pictured below is Deiser, the main character of the series.[![Example of one of", "feels natural, since none of the characters are new to this universe (therefore", "large numbers on the planet Ishgabangaloodoo). Pictured below is Deiser, the main character", "most of the cast are highly anthropomorphized animals (or in some cases mythological", "the Gods cursing all of humanity to turn into anthropomorphized creatures, with the", "of humanity to turn into anthropomorphized creatures, with the exception of the loyal", "from now on) at this point in time were born and raised by", "essentially cursed humans and not actually animals, they interact with their dumb animal", "is that long ago, soon after humans migrated to the new galaxy, the", "below is Deiser, the main character of the series.[![Example of one of these", "human. Since these are essentially cursed humans and not actually animals, they interact", "found in large numbers on the planet Ishgabangaloodoo). Pictured below is Deiser, the", "enough, and the result was the Gods cursing all of humanity to turn", "the Ishgas but that's a story for another time). This happened thousands of", "humans do. How do I explain this to the reader in a way", "for not worshipping enough, and the result was the Gods cursing all of", "and raised by others like them and were never human. Since these are", "never human. Since these are essentially cursed humans and not actually animals, they", "are highly anthropomorphized animals (or in some cases mythological creatures). Humans still exist", "Ishgas but that's a story for another time). This happened thousands of years", "all of humanity to turn into anthropomorphized creatures, with the exception of the", "turn into anthropomorphized creatures, with the exception of the loyal Atlantean Civilization (who", "Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long ago, soon after", "the main character of the series.[![Example of one of these animals is Deiser,", "reader in a way that feels natural, since none of the characters are", "this universe, but are rare (only being found in large numbers on the", "worshipping enough, and the result was the Gods cursing all of humanity to", "were born and raised by others like them and were never human. Since", "same way regular humans do. How do I explain this to the reader", "the planet Ishgabangaloodoo). Pictured below is Deiser, the main character of the series.[![Example", "after humans migrated to the new galaxy, the Gods grew angry with them", "rare (only being found in large numbers on the planet Ishgabangaloodoo). Pictured below", "(who eventually became the Ishgas but that's a story for another time). This", "raised by others like them and were never human. Since these are essentially", "angry with them for not worshipping enough, and the result was the Gods", "them \"sentients\" from now on) at this point in time were born and", "counterparts the same way regular humans do. How do I explain this to", "was the Gods cursing all of humanity to turn into anthropomorphized creatures, with", "cast are highly anthropomorphized animals (or in some cases mythological creatures). Humans still", "for this is that long ago, soon after humans migrated to the new", "the Gods grew angry with them for not worshipping enough, and the result", "Since these are essentially cursed humans and not actually animals, they interact with", "not actually animals, they interact with their dumb animal counterparts the same way", "long ago, soon after humans migrated to the new galaxy, the Gods grew", "years before the start of the series, so all of the talking animals", "pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long ago, soon after humans", "the result was the Gods cursing all of humanity to turn into anthropomorphized", "talking animals (I'll just call them \"sentients\" from now on) at this point", "Deiser, the main character of the series.[![Example of one of these animals is", "their dumb animal counterparts the same way regular humans do. How do I", "others like them and were never human. Since these are essentially cursed humans", "anthropomorphized animals (or in some cases mythological creatures). Humans still exist in this", "(or in some cases mythological creatures). Humans still exist in this universe, but", "Atlantean Civilization (who eventually became the Ishgas but that's a story for another", "and not actually animals, they interact with their dumb animal counterparts the same", "born and raised by others like them and were never human. Since these", "(only being found in large numbers on the planet Ishgabangaloodoo). Pictured below is", "of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that", "I'm writing a book series where most of the cast are highly anthropomorphized", "animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long ago,", "cursing all of humanity to turn into anthropomorphized creatures, with the exception of", "by others like them and were never human. Since these are essentially cursed", "dumb animal counterparts the same way regular humans do. How do I explain", "anthropomorphized creatures, with the exception of the loyal Atlantean Civilization (who eventually became", "a book series where most of the cast are highly anthropomorphized animals (or", "exception of the loyal Atlantean Civilization (who eventually became the Ishgas but that's", "creatures, with the exception of the loyal Atlantean Civilization (who eventually became the", "galaxy, the Gods grew angry with them for not worshipping enough, and the", "that feels natural, since none of the characters are new to this universe", "humans migrated to the new galaxy, the Gods grew angry with them for", "main character of the series.[![Example of one of these animals is Deiser, pictured", "series, so all of the talking animals (I'll just call them \"sentients\" from", "(I'll just call them \"sentients\" from now on) at this point in time", "on the planet Ishgabangaloodoo). Pictured below is Deiser, the main character of the", "became the Ishgas but that's a story for another time). This happened thousands", "soon after humans migrated to the new galaxy, the Gods grew angry with", "animal counterparts the same way regular humans do. How do I explain this", "writing a book series where most of the cast are highly anthropomorphized animals", "The reason for this is that long ago, soon after humans migrated to", "\"sentients\" from now on) at this point in time were born and raised", "since none of the characters are new to this universe (therefore the [Watson](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheWatson)", "of the characters are new to this universe (therefore the [Watson](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheWatson) trope is", "but are rare (only being found in large numbers on the planet Ishgabangaloodoo).", "where most of the cast are highly anthropomorphized animals (or in some cases", "happened thousands of years before the start of the series, so all of", "of one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this", "regular humans do. How do I explain this to the reader in a", "this to the reader in a way that feels natural, since none of", "the cast are highly anthropomorphized animals (or in some cases mythological creatures). Humans", "planet Ishgabangaloodoo). Pictured below is Deiser, the main character of the series.[![Example of", "none of the characters are new to this universe (therefore the [Watson](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheWatson) trope", "to the reader in a way that feels natural, since none of the", "reason for this is that long ago, soon after humans migrated to the", "were never human. Since these are essentially cursed humans and not actually animals,", "in a way that feels natural, since none of the characters are new", "way regular humans do. How do I explain this to the reader in", "Gods grew angry with them for not worshipping enough, and the result was", "eventually became the Ishgas but that's a story for another time). This happened", "so all of the talking animals (I'll just call them \"sentients\" from now", "do. How do I explain this to the reader in a way that", "the start of the series, so all of the talking animals (I'll just", "Ishgabangaloodoo). Pictured below is Deiser, the main character of the series.[![Example of one", "This happened thousands of years before the start of the series, so all", "of the cast are highly anthropomorphized animals (or in some cases mythological creatures).", "but that's a story for another time). This happened thousands of years before", "character of the series.[![Example of one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg)", "being found in large numbers on the planet Ishgabangaloodoo). Pictured below is Deiser,", "exist in this universe, but are rare (only being found in large numbers", "and the result was the Gods cursing all of humanity to turn into", "and were never human. Since these are essentially cursed humans and not actually", "I explain this to the reader in a way that feels natural, since", "grew angry with them for not worshipping enough, and the result was the", "ago, soon after humans migrated to the new galaxy, the Gods grew angry", "numbers on the planet Ishgabangaloodoo). Pictured below is Deiser, the main character of", "of the talking animals (I'll just call them \"sentients\" from now on) at", "into anthropomorphized creatures, with the exception of the loyal Atlantean Civilization (who eventually", "the new galaxy, the Gods grew angry with them for not worshipping enough,", "them for not worshipping enough, and the result was the Gods cursing all", "time). This happened thousands of years before the start of the series, so", "this is that long ago, soon after humans migrated to the new galaxy,", "now on) at this point in time were born and raised by others", "at this point in time were born and raised by others like them", "another time). This happened thousands of years before the start of the series,", "highly anthropomorphized animals (or in some cases mythological creatures). Humans still exist in", "actually animals, they interact with their dumb animal counterparts the same way regular", "natural, since none of the characters are new to this universe (therefore the", "point in time were born and raised by others like them and were", "creatures). Humans still exist in this universe, but are rare (only being found", "in this universe, but are rare (only being found in large numbers on", "some cases mythological creatures). Humans still exist in this universe, but are rare", "is Deiser, the main character of the series.[![Example of one of these animals", "like them and were never human. Since these are essentially cursed humans and", "these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long", "still exist in this universe, but are rare (only being found in large", "call them \"sentients\" from now on) at this point in time were born", "story for another time). This happened thousands of years before the start of", "of the series, so all of the talking animals (I'll just call them", "the same way regular humans do. How do I explain this to the", "the series.[![Example of one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason", "them and were never human. Since these are essentially cursed humans and not", "of the series.[![Example of one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The", "the characters are new to this universe (therefore the [Watson](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheWatson) trope is useless)?", "migrated to the new galaxy, the Gods grew angry with them for not", "is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long ago, soon", "here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for this is that long ago, soon after humans migrated", "in time were born and raised by others like them and were never", "that's a story for another time). This happened thousands of years before the", "book series where most of the cast are highly anthropomorphized animals (or in", "cursed humans and not actually animals, they interact with their dumb animal counterparts", "of years before the start of the series, so all of the talking", "of the loyal Atlantean Civilization (who eventually became the Ishgas but that's a", "Civilization (who eventually became the Ishgas but that's a story for another time).", "for another time). This happened thousands of years before the start of the", "the reader in a way that feels natural, since none of the characters", "humanity to turn into anthropomorphized creatures, with the exception of the loyal Atlantean", "with them for not worshipping enough, and the result was the Gods cursing", "series.[![Example of one of these animals is Deiser, pictured here.](https://i.stack.imgur.com/pACKd.jpg)](https://i.stack.imgur.com/pACKd.jpg) The reason for", "the exception of the loyal Atlantean Civilization (who eventually became the Ishgas but", "loyal Atlantean Civilization (who eventually became the Ishgas but that's a story for", "a way that feels natural, since none of the characters are new to", "just call them \"sentients\" from now on) at this point in time were", "result was the Gods cursing all of humanity to turn into anthropomorphized creatures,", "are rare (only being found in large numbers on the planet Ishgabangaloodoo). Pictured", "on) at this point in time were born and raised by others like", "cases mythological creatures). Humans still exist in this universe, but are rare (only", "Gods cursing all of humanity to turn into anthropomorphized creatures, with the exception", "the loyal Atlantean Civilization (who eventually became the Ishgas but that's a story", "are essentially cursed humans and not actually animals, they interact with their dumb", "a story for another time). This happened thousands of years before the start", "these are essentially cursed humans and not actually animals, they interact with their", "humans and not actually animals, they interact with their dumb animal counterparts the", "explain this to the reader in a way that feels natural, since none", "with their dumb animal counterparts the same way regular humans do. How do", "start of the series, so all of the talking animals (I'll just call", "How do I explain this to the reader in a way that feels", "that long ago, soon after humans migrated to the new galaxy, the Gods", "time were born and raised by others like them and were never human.", "interact with their dumb animal counterparts the same way regular humans do. How", "not worshipping enough, and the result was the Gods cursing all of humanity", "do I explain this to the reader in a way that feels natural,", "Humans still exist in this universe, but are rare (only being found in", "before the start of the series, so all of the talking animals (I'll", "in some cases mythological creatures). Humans still exist in this universe, but are", "way that feels natural, since none of the characters are new to this", "all of the talking animals (I'll just call them \"sentients\" from now on)", "to turn into anthropomorphized creatures, with the exception of the loyal Atlantean Civilization", "animals, they interact with their dumb animal counterparts the same way regular humans", "they interact with their dumb animal counterparts the same way regular humans do.", "thousands of years before the start of the series, so all of the", "new galaxy, the Gods grew angry with them for not worshipping enough, and", "in large numbers on the planet Ishgabangaloodoo). Pictured below is Deiser, the main" ]
[ "I use that in a first-person story? I don't think it's technically third-person,", "in a first-person story? I don't think it's technically third-person, but it sort", "a first-person story? I don't think it's technically third-person, but it sort of", "sentence such as this: > > Footsteps were heard coming down the alley.", "> > Can I use that in a first-person story? I don't think", "that in a first-person story? I don't think it's technically third-person, but it", "trying to avoid using the word \"I\" a lot: I heard, I saw,", "were heard coming down the alley. > > > Can I use that", "an omniscient narrator. I'm trying to avoid using the word \"I\" a lot:", "think it's technically third-person, but it sort of feels like it's coming from", "Footsteps were heard coming down the alley. > > > Can I use", "but it sort of feels like it's coming from an omniscient narrator. I'm", "I don't think it's technically third-person, but it sort of feels like it's", "> Can I use that in a first-person story? I don't think it's", "a sentence such as this: > > Footsteps were heard coming down the", "alley. > > > Can I use that in a first-person story? I", "heard coming down the alley. > > > Can I use that in", "> Footsteps were heard coming down the alley. > > > Can I", "story? I don't think it's technically third-person, but it sort of feels like", "it sort of feels like it's coming from an omniscient narrator. I'm trying", "> > Footsteps were heard coming down the alley. > > > Can", "technically third-person, but it sort of feels like it's coming from an omniscient", "using the word \"I\" a lot: I heard, I saw, I felt, etc.", "like it's coming from an omniscient narrator. I'm trying to avoid using the", "coming down the alley. > > > Can I use that in a", "narrator. I'm trying to avoid using the word \"I\" a lot: I heard,", "> > > Can I use that in a first-person story? I don't", "the alley. > > > Can I use that in a first-person story?", "use that in a first-person story? I don't think it's technically third-person, but", "from an omniscient narrator. I'm trying to avoid using the word \"I\" a", "don't think it's technically third-person, but it sort of feels like it's coming", "to avoid using the word \"I\" a lot: I heard, I saw, I", "have a sentence such as this: > > Footsteps were heard coming down", "such as this: > > Footsteps were heard coming down the alley. >", "as this: > > Footsteps were heard coming down the alley. > >", "I have a sentence such as this: > > Footsteps were heard coming", "sort of feels like it's coming from an omniscient narrator. I'm trying to", "of feels like it's coming from an omniscient narrator. I'm trying to avoid", "this: > > Footsteps were heard coming down the alley. > > >", "third-person, but it sort of feels like it's coming from an omniscient narrator.", "Can I use that in a first-person story? I don't think it's technically", "feels like it's coming from an omniscient narrator. I'm trying to avoid using", "I'm trying to avoid using the word \"I\" a lot: I heard, I", "If I have a sentence such as this: > > Footsteps were heard", "coming from an omniscient narrator. I'm trying to avoid using the word \"I\"", "it's coming from an omniscient narrator. I'm trying to avoid using the word", "avoid using the word \"I\" a lot: I heard, I saw, I felt,", "down the alley. > > > Can I use that in a first-person", "omniscient narrator. I'm trying to avoid using the word \"I\" a lot: I", "it's technically third-person, but it sort of feels like it's coming from an", "first-person story? I don't think it's technically third-person, but it sort of feels" ]
[ "second case, I see a lot of question marks. \"Lowering the curtains\" has", "curtains\" has to be my artistic choice, not an \"I don't actually know", "guys (I'm a girl). In another story, there's a character who uses a", "on a scene, describe more of what the characters feel than what's actually", "sometimes in ways I cannot be familiar with. In one story, it's two", "not writing erotica - I'm writing fantasy and sci-fi. But sometimes my characters", "another story, there's a character who uses a wheelchair. How do I research", "to focus on. And here, particularly in the second case, I see a", "the relevant scenes right? I have gay friends, and I have a friend", "porn. And the thing about porn is a) I'm not actually comfortable watching", "all too happy to provide me with porn. And the thing about porn", "happy to provide me with porn. And the thing about porn is a)", "etc. But the thing is, to describe a scene, I need first to", "what the characters feel than what's actually going on, etc. But the thing", "\"Lowering the curtains\" has to be my artistic choice, not an \"I don't", "who uses a wheelchair. How do I research this, so I can get", "particularly in the second case, I see a lot of question marks. \"Lowering", "story, there's a character who uses a wheelchair. How do I research this,", "do I research this, so I can get the relevant scenes right? I", "I can get the relevant scenes right? I have gay friends, and I", "can get the relevant scenes right? I have gay friends, and I have", "here, particularly in the second case, I see a lot of question marks.", "ways I cannot be familiar with. In one story, it's two guys (I'm", "to describe a scene, I need first to see it, and then to", "more of what the characters feel than what's actually going on, etc. But", "my characters make love, sometimes in ways I cannot be familiar with. In", "ask them about positions and the like. As for Google, Google is all", "since I'm not writing erotica, I can lower the curtain on a scene,", "I cannot be familiar with. In one story, it's two guys (I'm a", "choice, not an \"I don't actually know what's happening, so I'm going to", "it, and b) porn is not realistic. I need to understand what a", "I need to understand what a scene like that would really be like,", "cannot be familiar with. In one story, it's two guys (I'm a girl).", "about positions and the like. As for Google, Google is all too happy", "relevant scenes right? I have gay friends, and I have a friend who", "I need first to see it, and then to pick out what I", "and b) porn is not realistic. I need to understand what a scene", "porn is not realistic. I need to understand what a scene like that", "exactly ask them about positions and the like. As for Google, Google is", "out what I want to focus on. And here, particularly in the second", "need first to see it, and then to pick out what I want", "for Google, Google is all too happy to provide me with porn. And", "about porn is a) I'm not actually comfortable watching it, and b) porn", "first to see it, and then to pick out what I want to", "And here, particularly in the second case, I see a lot of question", "be my artistic choice, not an \"I don't actually know what's happening, so", "is, to describe a scene, I need first to see it, and then", "love, sometimes in ways I cannot be familiar with. In one story, it's", "uses a wheelchair. How do I research this, so I can get the", "watching it, and b) porn is not realistic. I need to understand what", "too happy to provide me with porn. And the thing about porn is", "Of course, since I'm not writing erotica, I can lower the curtain on", "to understand what a scene like that would really be like, what's realistic.", "writing erotica, I can lower the curtain on a scene, describe more of", "that would really be like, what's realistic. Of course, since I'm not writing", "what's actually going on, etc. But the thing is, to describe a scene,", "the second case, I see a lot of question marks. \"Lowering the curtains\"", "writing erotica - I'm writing fantasy and sci-fi. But sometimes my characters make", "my artistic choice, not an \"I don't actually know what's happening, so I'm", "a scene, describe more of what the characters feel than what's actually going", "not actually comfortable watching it, and b) porn is not realistic. I need", "case, I see a lot of question marks. \"Lowering the curtains\" has to", "realistic. Of course, since I'm not writing erotica, I can lower the curtain", "marks. \"Lowering the curtains\" has to be my artistic choice, not an \"I", "what's realistic. Of course, since I'm not writing erotica, I can lower the", "can lower the curtain on a scene, describe more of what the characters", "in the second case, I see a lot of question marks. \"Lowering the", "And the thing about porn is a) I'm not actually comfortable watching it,", "provide me with porn. And the thing about porn is a) I'm not", "a friend who uses a wheelchair, but I can't exactly ask them about", "of what the characters feel than what's actually going on, etc. But the", "I have a friend who uses a wheelchair, but I can't exactly ask", "Google is all too happy to provide me with porn. And the thing", "wheelchair, but I can't exactly ask them about positions and the like. As", "the thing about porn is a) I'm not actually comfortable watching it, and", "describe a scene, I need first to see it, and then to pick", "what a scene like that would really be like, what's realistic. Of course,", "I want to focus on. And here, particularly in the second case, I", "not an \"I don't actually know what's happening, so I'm going to skip", "friends, and I have a friend who uses a wheelchair, but I can't", "going on, etc. But the thing is, to describe a scene, I need", "thing about porn is a) I'm not actually comfortable watching it, and b)", "can't exactly ask them about positions and the like. As for Google, Google", "I research this, so I can get the relevant scenes right? I have", "has to be my artistic choice, not an \"I don't actually know what's", "be familiar with. In one story, it's two guys (I'm a girl). In", "but I can't exactly ask them about positions and the like. As for", "not writing erotica, I can lower the curtain on a scene, describe more", "- I'm writing fantasy and sci-fi. But sometimes my characters make love, sometimes", "porn is a) I'm not actually comfortable watching it, and b) porn is", "make love, sometimes in ways I cannot be familiar with. In one story,", "two guys (I'm a girl). In another story, there's a character who uses", "lot of question marks. \"Lowering the curtains\" has to be my artistic choice,", "this, so I can get the relevant scenes right? I have gay friends,", "erotica, I can lower the curtain on a scene, describe more of what", "who uses a wheelchair, but I can't exactly ask them about positions and", "fantasy and sci-fi. But sometimes my characters make love, sometimes in ways I", "have a friend who uses a wheelchair, but I can't exactly ask them", "uses a wheelchair, but I can't exactly ask them about positions and the", "How do I research this, so I can get the relevant scenes right?", "curtain on a scene, describe more of what the characters feel than what's", "and then to pick out what I want to focus on. And here,", "and I have a friend who uses a wheelchair, but I can't exactly", "scenes right? I have gay friends, and I have a friend who uses", "a) I'm not actually comfortable watching it, and b) porn is not realistic.", "In one story, it's two guys (I'm a girl). In another story, there's", "writing fantasy and sci-fi. But sometimes my characters make love, sometimes in ways", "what I want to focus on. And here, particularly in the second case,", "understand what a scene like that would really be like, what's realistic. Of", "me with porn. And the thing about porn is a) I'm not actually", "like, what's realistic. Of course, since I'm not writing erotica, I can lower", "But sometimes my characters make love, sometimes in ways I cannot be familiar", "I can lower the curtain on a scene, describe more of what the", "I'm not writing erotica - I'm writing fantasy and sci-fi. But sometimes my", "I'm writing fantasy and sci-fi. But sometimes my characters make love, sometimes in", "wheelchair. How do I research this, so I can get the relevant scenes", "friend who uses a wheelchair, but I can't exactly ask them about positions", "characters feel than what's actually going on, etc. But the thing is, to", "actually going on, etc. But the thing is, to describe a scene, I", "to provide me with porn. And the thing about porn is a) I'm", "is not realistic. I need to understand what a scene like that would", "so I can get the relevant scenes right? I have gay friends, and", "with. In one story, it's two guys (I'm a girl). In another story,", "it, and then to pick out what I want to focus on. And", "comfortable watching it, and b) porn is not realistic. I need to understand", "lower the curtain on a scene, describe more of what the characters feel", "erotica - I'm writing fantasy and sci-fi. But sometimes my characters make love,", "be like, what's realistic. Of course, since I'm not writing erotica, I can", "scene, I need first to see it, and then to pick out what", "is all too happy to provide me with porn. And the thing about", "on, etc. But the thing is, to describe a scene, I need first", "I can't exactly ask them about positions and the like. As for Google,", "As for Google, Google is all too happy to provide me with porn.", "one story, it's two guys (I'm a girl). In another story, there's a", "characters make love, sometimes in ways I cannot be familiar with. In one", "feel than what's actually going on, etc. But the thing is, to describe", "a scene, I need first to see it, and then to pick out", "artistic choice, not an \"I don't actually know what's happening, so I'm going", "realistic. I need to understand what a scene like that would really be", "sci-fi. But sometimes my characters make love, sometimes in ways I cannot be", "than what's actually going on, etc. But the thing is, to describe a", "a girl). In another story, there's a character who uses a wheelchair. How", "question marks. \"Lowering the curtains\" has to be my artistic choice, not an", "b) porn is not realistic. I need to understand what a scene like", "see a lot of question marks. \"Lowering the curtains\" has to be my", "positions and the like. As for Google, Google is all too happy to", "would really be like, what's realistic. Of course, since I'm not writing erotica,", "it's two guys (I'm a girl). In another story, there's a character who", "a wheelchair. How do I research this, so I can get the relevant", "an \"I don't actually know what's happening, so I'm going to skip it\".", "thing is, to describe a scene, I need first to see it, and", "of question marks. \"Lowering the curtains\" has to be my artistic choice, not", "familiar with. In one story, it's two guys (I'm a girl). In another", "is a) I'm not actually comfortable watching it, and b) porn is not", "sometimes my characters make love, sometimes in ways I cannot be familiar with.", "see it, and then to pick out what I want to focus on.", "Google, Google is all too happy to provide me with porn. And the", "scene, describe more of what the characters feel than what's actually going on,", "and the like. As for Google, Google is all too happy to provide", "them about positions and the like. As for Google, Google is all too", "scene like that would really be like, what's realistic. Of course, since I'm", "the curtain on a scene, describe more of what the characters feel than", "I'm not writing erotica, I can lower the curtain on a scene, describe", "not realistic. I need to understand what a scene like that would really", "I'm not actually comfortable watching it, and b) porn is not realistic. I", "pick out what I want to focus on. And here, particularly in the", "But the thing is, to describe a scene, I need first to see", "get the relevant scenes right? I have gay friends, and I have a", "the curtains\" has to be my artistic choice, not an \"I don't actually", "research this, so I can get the relevant scenes right? I have gay", "in ways I cannot be familiar with. In one story, it's two guys", "the thing is, to describe a scene, I need first to see it,", "right? I have gay friends, and I have a friend who uses a", "In another story, there's a character who uses a wheelchair. How do I", "a character who uses a wheelchair. How do I research this, so I", "focus on. And here, particularly in the second case, I see a lot", "there's a character who uses a wheelchair. How do I research this, so", "course, since I'm not writing erotica, I can lower the curtain on a", "gay friends, and I have a friend who uses a wheelchair, but I", "a scene like that would really be like, what's realistic. Of course, since", "and sci-fi. But sometimes my characters make love, sometimes in ways I cannot", "really be like, what's realistic. Of course, since I'm not writing erotica, I", "a wheelchair, but I can't exactly ask them about positions and the like.", "on. And here, particularly in the second case, I see a lot of", "like that would really be like, what's realistic. Of course, since I'm not", "to pick out what I want to focus on. And here, particularly in", "I have gay friends, and I have a friend who uses a wheelchair,", "(I'm a girl). In another story, there's a character who uses a wheelchair.", "need to understand what a scene like that would really be like, what's", "a lot of question marks. \"Lowering the curtains\" has to be my artistic", "describe more of what the characters feel than what's actually going on, etc.", "then to pick out what I want to focus on. And here, particularly", "I see a lot of question marks. \"Lowering the curtains\" has to be", "story, it's two guys (I'm a girl). In another story, there's a character", "to see it, and then to pick out what I want to focus", "want to focus on. And here, particularly in the second case, I see", "the like. As for Google, Google is all too happy to provide me", "character who uses a wheelchair. How do I research this, so I can", "have gay friends, and I have a friend who uses a wheelchair, but", "like. As for Google, Google is all too happy to provide me with", "with porn. And the thing about porn is a) I'm not actually comfortable", "actually comfortable watching it, and b) porn is not realistic. I need to", "the characters feel than what's actually going on, etc. But the thing is,", "girl). In another story, there's a character who uses a wheelchair. How do", "to be my artistic choice, not an \"I don't actually know what's happening," ]
[ "convert one of our role-plays into a book and publish it online. I", "into a book and publish it online. I wanted to ask if there", "partner and I usually make 100-200 word posts each and role-play in third", "it online. I wanted to ask if there are any guidelines I could", "one of our role-plays into a book and publish it online. I wanted", "so? For more information, my partner and I usually make 100-200 word posts", "in free-form. I was thinking perhaps we could convert one of our role-plays", "enjoy role-playing together in free-form. I was thinking perhaps we could convert one", "online. I wanted to ask if there are any guidelines I could use", "I was thinking perhaps we could convert one of our role-plays into a", "to do so? For more information, my partner and I usually make 100-200", "and publish it online. I wanted to ask if there are any guidelines", "my partner and I usually make 100-200 word posts each and role-play in", "thinking perhaps we could convert one of our role-plays into a book and", "role-plays into a book and publish it online. I wanted to ask if", "partner and I usually enjoy role-playing together in free-form. I was thinking perhaps", "I could use to do so? For more information, my partner and I", "guidelines I could use to do so? For more information, my partner and", "do so? For more information, my partner and I usually make 100-200 word", "use to do so? For more information, my partner and I usually make", "could convert one of our role-plays into a book and publish it online.", "and I usually enjoy role-playing together in free-form. I was thinking perhaps we", "usually enjoy role-playing together in free-form. I was thinking perhaps we could convert", "a book and publish it online. I wanted to ask if there are", "book and publish it online. I wanted to ask if there are any", "I wanted to ask if there are any guidelines I could use to", "to ask if there are any guidelines I could use to do so?", "wanted to ask if there are any guidelines I could use to do", "role-playing together in free-form. I was thinking perhaps we could convert one of", "perhaps we could convert one of our role-plays into a book and publish", "was thinking perhaps we could convert one of our role-plays into a book", "of our role-plays into a book and publish it online. I wanted to", "if there are any guidelines I could use to do so? For more", "are any guidelines I could use to do so? For more information, my", "there are any guidelines I could use to do so? For more information,", "could use to do so? For more information, my partner and I usually", "For more information, my partner and I usually make 100-200 word posts each", "information, my partner and I usually make 100-200 word posts each and role-play", "together in free-form. I was thinking perhaps we could convert one of our", "ask if there are any guidelines I could use to do so? For", "any guidelines I could use to do so? For more information, my partner", "more information, my partner and I usually make 100-200 word posts each and", "we could convert one of our role-plays into a book and publish it", "free-form. I was thinking perhaps we could convert one of our role-plays into", "My partner and I usually enjoy role-playing together in free-form. I was thinking", "I usually enjoy role-playing together in free-form. I was thinking perhaps we could", "our role-plays into a book and publish it online. I wanted to ask", "and I usually make 100-200 word posts each and role-play in third person.", "publish it online. I wanted to ask if there are any guidelines I" ]
[ "specific purpose - to indicate that the gender of the person is irrelevant,", "in pronouns that would have been left out in Chinese. These pronouns indicate", "speakers. Sometimes, pronouns may be inserted to indicate emphasis on possession, but it's", "actually assume male or hold no such assumptions but then directly ask the", "use TA, because 他 is too masculine, 她 definitely implies the feminine, and", "pronouns that would have been left out in Chinese. These pronouns indicate gender.", "pronouns as heavily as English speakers. Sometimes, pronouns may be inserted to indicate", "pronoun, namely the third person singular pronoun. In contrast, Chinese does not use", "only allows removing pronouns, but also the entire subject from a sentence; and", "convey gender. One way is to use Chinese kinship terms, but this is", "but historically, in literature, 他 was not used to indicate gender, and 他", "the person, because 他/她/它 are all pronounced the same. And another way is", "hand, works a bit differently. Even though the listener hears TA, the listener", "in 其他. There are ways to convey gender. One way is to use", "person is irrelevant, unknown, or that person's chosen gender. But the listener usually", "the gender-neutrality of Chinese with English dialogue? There is the English singular they,", "the Chinese Internet culture, some people may use TA, because 他 is too", "indicate gender. The Chinese language not only allows removing pronouns, but also the", "the other hand, works a bit differently. Even though the listener hears TA,", "or hold no such assumptions but then directly ask the other person about", "the conversation about the sex/gender of the person, because 他/她/它 are all pronounced", "to use it for a specific purpose - to indicate that the gender", "and insert in pronouns that would have been left out in Chinese. These", "same. And another way is to assume a gender for the unknown person.", "people may use TA, because 他 is too masculine, 她 definitely implies the", "altogether. When a Chinese text does use pronouns, the pronoun may be 他/她/它", "unknown, or that person's chosen gender. But the listener usually does not assume", "this. So, as a result, the Chinese-language writer can easily write a whole", "for a specific purpose - to indicate that the gender of the person", "though the listener hears TA, the listener may actually assume male or hold", "gendered pronoun. Meanwhile, the English-language writer has to insert some kind of pronoun", "purpose - to indicate that the gender of the person is irrelevant, unknown,", "hears TA, the listener may actually assume male or hold no such assumptions", "it either. Sometimes, writing English naturally means you have to think in English", "So, as a result, the Chinese-language writer can easily write a whole paragraph", "may be inserted to indicate emphasis on possession, but it's completely fine to", "that English speakers complain about English is the gendered pronoun, namely the third", "person about this unknown person's gender. The author cannot simply ignore it either.", "listener usually does not assume gender at that point, probably because it's culturally", "the unknown person. As part of the Chinese Internet culture, some people may", "Korean and Japanese also do this. So, as a result, the Chinese-language writer", "specific circumstances. Another way is to directly ask the person in the conversation", "but English speakers seem to use it for a specific purpose - to", "assumptions but then directly ask the other person about this unknown person's gender.", "a result, the Chinese-language writer can easily write a whole paragraph without a", "pronoun. Chinese, on the other hand, works a bit differently. Even though the", "gender for the unknown person. As part of the Chinese Internet culture, some", "another way is to assume a gender for the unknown person. As part", "the listener may actually assume male or hold no such assumptions but then", "this is only relevant in specific circumstances. Another way is to directly ask", "directly ask the person in the conversation about the sex/gender of the person,", "speakers complain about English is the gendered pronoun, namely the third person singular", "pronouns indicate gender. The Chinese language not only allows removing pronouns, but also", "singular they, but English speakers seem to use it for a specific purpose", "Internet culture, some people may use TA, because 他 is too masculine, 她", "English naturally means you have to think in English and insert in pronouns", "definitely implies the feminine, and 它 implies an object. Aside from that, Chinese", "as English speakers. Sometimes, pronouns may be inserted to indicate emphasis on possession,", "are ways to convey gender. One way is to use Chinese kinship terms,", "out in Chinese. These pronouns indicate gender. The Chinese language not only allows", "because 他 is too masculine, 她 definitely implies the feminine, and 它 implies", "is to use Chinese kinship terms, but this is only relevant in specific", "the world since antiquity. How does one indicate the gender-neutrality of Chinese with", "that would have been left out in Chinese. These pronouns indicate gender. The", "probably because it's culturally accepted that \"they\" is the gender-neutral pronoun. Chinese, on", "in Chinese. These pronouns indicate gender. The Chinese language not only allows removing", "and 它 implies an object. Aside from that, Chinese is the most gender-neutral", "at that point, probably because it's culturally accepted that \"they\" is the gender-neutral", "be inserted to indicate emphasis on possession, but it's completely fine to remove", "ways to convey gender. One way is to use Chinese kinship terms, but", "\"other\", as in 其他. There are ways to convey gender. One way is", "on possession, but it's completely fine to remove the pronoun altogether. When a", "English speakers. Sometimes, pronouns may be inserted to indicate emphasis on possession, but", "result, the Chinese-language writer can easily write a whole paragraph without a single", "about the sex/gender of the person, because 他/她/它 are all pronounced the same.", "gender. One way is to use Chinese kinship terms, but this is only", "其他. There are ways to convey gender. One way is to use Chinese", "does one indicate the gender-neutrality of Chinese with English dialogue? There is the", "entire subject from a sentence; and Korean and Japanese also do this. So,", "that point, probably because it's culturally accepted that \"they\" is the gender-neutral pronoun.", "namely the third person singular pronoun. In contrast, Chinese does not use pronouns", "他/她/它 (pronounced identically as Ta), but historically, in literature, 他 was not used", "他/她/它 are all pronounced the same. And another way is to assume a", "But the listener usually does not assume gender at that point, probably because", "masculine, 她 definitely implies the feminine, and 它 implies an object. Aside from", "would have been left out in Chinese. These pronouns indicate gender. The Chinese", "and Korean and Japanese also do this. So, as a result, the Chinese-language", "world since antiquity. How does one indicate the gender-neutrality of Chinese with English", "have been left out in Chinese. These pronouns indicate gender. The Chinese language", "the pronoun may be 他/她/它 (pronounced identically as Ta), but historically, in literature,", "possession, but it's completely fine to remove the pronoun altogether. When a Chinese", "in the conversation about the sex/gender of the person, because 他/她/它 are all", "also the entire subject from a sentence; and Korean and Japanese also do", "accepted that \"they\" is the gender-neutral pronoun. Chinese, on the other hand, works", "with English dialogue? There is the English singular they, but English speakers seem", "indicate gender, and 他 also means \"other\", as in 其他. There are ways", "may actually assume male or hold no such assumptions but then directly ask", "English speakers seem to use it for a specific purpose - to indicate", "do this. So, as a result, the Chinese-language writer can easily write a", "There is the English singular they, but English speakers seem to use it", "identically as Ta), but historically, in literature, 他 was not used to indicate", "gender. But the listener usually does not assume gender at that point, probably", "The author cannot simply ignore it either. Sometimes, writing English naturally means you", "the feminine, and 它 implies an object. Aside from that, Chinese is the", "most gender-neutral language in the world since antiquity. How does one indicate the", "English is the gendered pronoun, namely the third person singular pronoun. In contrast,", "When a Chinese text does use pronouns, the pronoun may be 他/她/它 (pronounced", "cannot simply ignore it either. Sometimes, writing English naturally means you have to", "writer can easily write a whole paragraph without a single gendered pronoun. Meanwhile,", "think in English and insert in pronouns that would have been left out", "pronouns may be inserted to indicate emphasis on possession, but it's completely fine", "that the gender of the person is irrelevant, unknown, or that person's chosen", "way is to use Chinese kinship terms, but this is only relevant in", "How does one indicate the gender-neutrality of Chinese with English dialogue? There is", "subject from a sentence; and Korean and Japanese also do this. So, as", "他 is too masculine, 她 definitely implies the feminine, and 它 implies an", "As part of the Chinese Internet culture, some people may use TA, because", "inserted to indicate emphasis on possession, but it's completely fine to remove the", "of the Chinese Internet culture, some people may use TA, because 他 is", "write a whole paragraph without a single gendered pronoun. Meanwhile, the English-language writer", "usually does not assume gender at that point, probably because it's culturally accepted", "literature, 他 was not used to indicate gender, and 他 also means \"other\",", "in the world since antiquity. How does one indicate the gender-neutrality of Chinese", "gender. The author cannot simply ignore it either. Sometimes, writing English naturally means", "pronoun may be 他/她/它 (pronounced identically as Ta), but historically, in literature, 他", "use Chinese kinship terms, but this is only relevant in specific circumstances. Another", "from a sentence; and Korean and Japanese also do this. So, as a", "complain about English is the gendered pronoun, namely the third person singular pronoun.", "are all pronounced the same. And another way is to assume a gender", "is the gender-neutral pronoun. Chinese, on the other hand, works a bit differently.", "gender at that point, probably because it's culturally accepted that \"they\" is the", "\"they\" is the gender-neutral pronoun. Chinese, on the other hand, works a bit", "gender, and 他 also means \"other\", as in 其他. There are ways to", "paragraph without a single gendered pronoun. Meanwhile, the English-language writer has to insert", "historically, in literature, 他 was not used to indicate gender, and 他 also", "Chinese Internet culture, some people may use TA, because 他 is too masculine,", "conversation about the sex/gender of the person, because 他/她/它 are all pronounced the", "question is Standard Chinese. It is a gender-neutral language. One big thing that", "the gender-neutral pronoun. Chinese, on the other hand, works a bit differently. Even", "third person singular pronoun. In contrast, Chinese does not use pronouns as heavily", "been left out in Chinese. These pronouns indicate gender. The Chinese language not", "but also the entire subject from a sentence; and Korean and Japanese also", "is Standard Chinese. It is a gender-neutral language. One big thing that English", "English dialogue? There is the English singular they, but English speakers seem to", "他 also means \"other\", as in 其他. There are ways to convey gender.", "of Chinese with English dialogue? There is the English singular they, but English", "simply ignore it either. Sometimes, writing English naturally means you have to think", "Chinese with English dialogue? There is the English singular they, but English speakers", "does use pronouns, the pronoun may be 他/她/它 (pronounced identically as Ta), but", "person, because 他/她/它 are all pronounced the same. And another way is to", "way is to directly ask the person in the conversation about the sex/gender", "the pronoun altogether. When a Chinese text does use pronouns, the pronoun may", "in English and insert in pronouns that would have been left out in", "the Chinese-language writer can easily write a whole paragraph without a single gendered", "pronouns, but also the entire subject from a sentence; and Korean and Japanese", "you have to think in English and insert in pronouns that would have", "is a gender-neutral language. One big thing that English speakers complain about English", "be 他/她/它 (pronounced identically as Ta), but historically, in literature, 他 was not", "one indicate the gender-neutrality of Chinese with English dialogue? There is the English", "all pronounced the same. And another way is to assume a gender for", "bit differently. Even though the listener hears TA, the listener may actually assume", "does not assume gender at that point, probably because it's culturally accepted that", "is the English singular they, but English speakers seem to use it for", "Ta), but historically, in literature, 他 was not used to indicate gender, and", "pronoun altogether. When a Chinese text does use pronouns, the pronoun may be", "also do this. So, as a result, the Chinese-language writer can easily write", "the most gender-neutral language in the world since antiquity. How does one indicate", "insert in pronouns that would have been left out in Chinese. These pronouns", "culture, some people may use TA, because 他 is too masculine, 她 definitely", "no such assumptions but then directly ask the other person about this unknown", "remove the pronoun altogether. When a Chinese text does use pronouns, the pronoun", "of the person, because 他/她/它 are all pronounced the same. And another way", "pronounced the same. And another way is to assume a gender for the", "gender-neutral pronoun. Chinese, on the other hand, works a bit differently. Even though", "a single gendered pronoun. Meanwhile, the English-language writer has to insert some kind", "English and insert in pronouns that would have been left out in Chinese.", "have to think in English and insert in pronouns that would have been", "about this unknown person's gender. The author cannot simply ignore it either. Sometimes,", "Chinese kinship terms, but this is only relevant in specific circumstances. Another way", "language in question is Standard Chinese. It is a gender-neutral language. One big", "source language in question is Standard Chinese. It is a gender-neutral language. One", "circumstances. Another way is to directly ask the person in the conversation about", "is irrelevant, unknown, or that person's chosen gender. But the listener usually does", "other person about this unknown person's gender. The author cannot simply ignore it", "part of the Chinese Internet culture, some people may use TA, because 他", "speakers seem to use it for a specific purpose - to indicate that", "to assume a gender for the unknown person. As part of the Chinese", "the other person about this unknown person's gender. The author cannot simply ignore", "There are ways to convey gender. One way is to use Chinese kinship", "whole paragraph without a single gendered pronoun. Meanwhile, the English-language writer has to", "about English is the gendered pronoun, namely the third person singular pronoun. In", "assume a gender for the unknown person. As part of the Chinese Internet", "a sentence; and Korean and Japanese also do this. So, as a result,", "that person's chosen gender. But the listener usually does not assume gender at", "thing that English speakers complain about English is the gendered pronoun, namely the", "pronoun. Meanwhile, the English-language writer has to insert some kind of pronoun (he/she/it/they).", "the entire subject from a sentence; and Korean and Japanese also do this.", "other hand, works a bit differently. Even though the listener hears TA, the", "to indicate emphasis on possession, but it's completely fine to remove the pronoun", "author cannot simply ignore it either. Sometimes, writing English naturally means you have", "may be 他/她/它 (pronounced identically as Ta), but historically, in literature, 他 was", "since antiquity. How does one indicate the gender-neutrality of Chinese with English dialogue?", "but then directly ask the other person about this unknown person's gender. The", "gender. The Chinese language not only allows removing pronouns, but also the entire", "It is a gender-neutral language. One big thing that English speakers complain about", "means you have to think in English and insert in pronouns that would", "listener may actually assume male or hold no such assumptions but then directly", "is to assume a gender for the unknown person. As part of the", "text does use pronouns, the pronoun may be 他/她/它 (pronounced identically as Ta),", "some people may use TA, because 他 is too masculine, 她 definitely implies", "the listener usually does not assume gender at that point, probably because it's", "sentence; and Korean and Japanese also do this. So, as a result, the", "a Chinese text does use pronouns, the pronoun may be 他/她/它 (pronounced identically", "Chinese is the most gender-neutral language in the world since antiquity. How does", "from that, Chinese is the most gender-neutral language in the world since antiquity.", "Chinese, on the other hand, works a bit differently. Even though the listener", "that \"they\" is the gender-neutral pronoun. Chinese, on the other hand, works a", "singular pronoun. In contrast, Chinese does not use pronouns as heavily as English", "left out in Chinese. These pronouns indicate gender. The Chinese language not only", "they, but English speakers seem to use it for a specific purpose -", "relevant in specific circumstances. Another way is to directly ask the person in", "Japanese also do this. So, as a result, the Chinese-language writer can easily", "In contrast, Chinese does not use pronouns as heavily as English speakers. Sometimes,", "Aside from that, Chinese is the most gender-neutral language in the world since", "that, Chinese is the most gender-neutral language in the world since antiquity. How", "to indicate gender, and 他 also means \"other\", as in 其他. There are", "and Japanese also do this. So, as a result, the Chinese-language writer can", "language in the world since antiquity. How does one indicate the gender-neutrality of", "Chinese. It is a gender-neutral language. One big thing that English speakers complain", "to use Chinese kinship terms, but this is only relevant in specific circumstances.", "the same. And another way is to assume a gender for the unknown", "is too masculine, 她 definitely implies the feminine, and 它 implies an object.", "not assume gender at that point, probably because it's culturally accepted that \"they\"", "English singular they, but English speakers seem to use it for a specific", "Chinese. These pronouns indicate gender. The Chinese language not only allows removing pronouns,", "also means \"other\", as in 其他. There are ways to convey gender. One", "in specific circumstances. Another way is to directly ask the person in the", "a whole paragraph without a single gendered pronoun. Meanwhile, the English-language writer has", "the listener hears TA, the listener may actually assume male or hold no", "the third person singular pronoun. In contrast, Chinese does not use pronouns as", "implies an object. Aside from that, Chinese is the most gender-neutral language in", "listener hears TA, the listener may actually assume male or hold no such", "language not only allows removing pronouns, but also the entire subject from a", "the English singular they, but English speakers seem to use it for a", "use it for a specific purpose - to indicate that the gender of", "is the most gender-neutral language in the world since antiquity. How does one", "sex/gender of the person, because 他/她/它 are all pronounced the same. And another", "ask the other person about this unknown person's gender. The author cannot simply", "used to indicate gender, and 他 also means \"other\", as in 其他. There", "Chinese-language writer can easily write a whole paragraph without a single gendered pronoun.", "does not use pronouns as heavily as English speakers. Sometimes, pronouns may be", "One big thing that English speakers complain about English is the gendered pronoun,", "Sometimes, writing English naturally means you have to think in English and insert", "gender-neutral language in the world since antiquity. How does one indicate the gender-neutrality", "assume gender at that point, probably because it's culturally accepted that \"they\" is", "use pronouns as heavily as English speakers. Sometimes, pronouns may be inserted to", "indicate that the gender of the person is irrelevant, unknown, or that person's", "Sometimes, pronouns may be inserted to indicate emphasis on possession, but it's completely", "as heavily as English speakers. Sometimes, pronouns may be inserted to indicate emphasis", "他 was not used to indicate gender, and 他 also means \"other\", as", "removing pronouns, but also the entire subject from a sentence; and Korean and", "a gender for the unknown person. As part of the Chinese Internet culture,", "as Ta), but historically, in literature, 他 was not used to indicate gender,", "is only relevant in specific circumstances. Another way is to directly ask the", "to indicate that the gender of the person is irrelevant, unknown, or that", "hold no such assumptions but then directly ask the other person about this", "differently. Even though the listener hears TA, the listener may actually assume male", "The Chinese language not only allows removing pronouns, but also the entire subject", "too masculine, 她 definitely implies the feminine, and 它 implies an object. Aside", "indicate emphasis on possession, but it's completely fine to remove the pronoun altogether.", "to convey gender. One way is to use Chinese kinship terms, but this", "pronoun. In contrast, Chinese does not use pronouns as heavily as English speakers.", "feminine, and 它 implies an object. Aside from that, Chinese is the most", "person's gender. The author cannot simply ignore it either. Sometimes, writing English naturally", "but this is only relevant in specific circumstances. Another way is to directly", "ignore it either. Sometimes, writing English naturally means you have to think in", "Chinese text does use pronouns, the pronoun may be 他/她/它 (pronounced identically as", "language. One big thing that English speakers complain about English is the gendered", "male or hold no such assumptions but then directly ask the other person", "And another way is to assume a gender for the unknown person. As", "this unknown person's gender. The author cannot simply ignore it either. Sometimes, writing", "TA, because 他 is too masculine, 她 definitely implies the feminine, and 它", "to remove the pronoun altogether. When a Chinese text does use pronouns, the", "emphasis on possession, but it's completely fine to remove the pronoun altogether. When", "culturally accepted that \"they\" is the gender-neutral pronoun. Chinese, on the other hand,", "gendered pronoun, namely the third person singular pronoun. In contrast, Chinese does not", "gender of the person is irrelevant, unknown, or that person's chosen gender. But", "in literature, 他 was not used to indicate gender, and 他 also means", "point, probably because it's culturally accepted that \"they\" is the gender-neutral pronoun. Chinese,", "object. Aside from that, Chinese is the most gender-neutral language in the world", "kinship terms, but this is only relevant in specific circumstances. Another way is", "way is to assume a gender for the unknown person. As part of", "- to indicate that the gender of the person is irrelevant, unknown, or", "English speakers complain about English is the gendered pronoun, namely the third person", "it's culturally accepted that \"they\" is the gender-neutral pronoun. Chinese, on the other", "unknown person's gender. The author cannot simply ignore it either. Sometimes, writing English", "a bit differently. Even though the listener hears TA, the listener may actually", "These pronouns indicate gender. The Chinese language not only allows removing pronouns, but", "它 implies an object. Aside from that, Chinese is the most gender-neutral language", "works a bit differently. Even though the listener hears TA, the listener may", "because it's culturally accepted that \"they\" is the gender-neutral pronoun. Chinese, on the", "person's chosen gender. But the listener usually does not assume gender at that", "Chinese language not only allows removing pronouns, but also the entire subject from", "One way is to use Chinese kinship terms, but this is only relevant", "ask the person in the conversation about the sex/gender of the person, because", "the gendered pronoun, namely the third person singular pronoun. In contrast, Chinese does", "antiquity. How does one indicate the gender-neutrality of Chinese with English dialogue? There", "means \"other\", as in 其他. There are ways to convey gender. One way", "to directly ask the person in the conversation about the sex/gender of the", "without a single gendered pronoun. Meanwhile, the English-language writer has to insert some", "Another way is to directly ask the person in the conversation about the", "person in the conversation about the sex/gender of the person, because 他/她/它 are", "then directly ask the other person about this unknown person's gender. The author", "Chinese does not use pronouns as heavily as English speakers. Sometimes, pronouns may", "an object. Aside from that, Chinese is the most gender-neutral language in the", "contrast, Chinese does not use pronouns as heavily as English speakers. Sometimes, pronouns", "or that person's chosen gender. But the listener usually does not assume gender", "Standard Chinese. It is a gender-neutral language. One big thing that English speakers", "chosen gender. But the listener usually does not assume gender at that point,", "person singular pronoun. In contrast, Chinese does not use pronouns as heavily as", "not use pronouns as heavily as English speakers. Sometimes, pronouns may be inserted", "Even though the listener hears TA, the listener may actually assume male or", "it for a specific purpose - to indicate that the gender of the", "is to directly ask the person in the conversation about the sex/gender of", "allows removing pronouns, but also the entire subject from a sentence; and Korean", "not used to indicate gender, and 他 also means \"other\", as in 其他.", "use pronouns, the pronoun may be 他/她/它 (pronounced identically as Ta), but historically,", "single gendered pronoun. Meanwhile, the English-language writer has to insert some kind of", "in question is Standard Chinese. It is a gender-neutral language. One big thing", "the gender of the person is irrelevant, unknown, or that person's chosen gender.", "such assumptions but then directly ask the other person about this unknown person's", "but it's completely fine to remove the pronoun altogether. When a Chinese text", "implies the feminine, and 它 implies an object. Aside from that, Chinese is", "她 definitely implies the feminine, and 它 implies an object. Aside from that,", "is the gendered pronoun, namely the third person singular pronoun. In contrast, Chinese", "dialogue? There is the English singular they, but English speakers seem to use", "naturally means you have to think in English and insert in pronouns that", "a specific purpose - to indicate that the gender of the person is", "heavily as English speakers. Sometimes, pronouns may be inserted to indicate emphasis on", "for the unknown person. As part of the Chinese Internet culture, some people", "gender-neutral language. One big thing that English speakers complain about English is the", "terms, but this is only relevant in specific circumstances. Another way is to", "person. As part of the Chinese Internet culture, some people may use TA,", "irrelevant, unknown, or that person's chosen gender. But the listener usually does not", "the person is irrelevant, unknown, or that person's chosen gender. But the listener", "indicate the gender-neutrality of Chinese with English dialogue? There is the English singular", "was not used to indicate gender, and 他 also means \"other\", as in", "as in 其他. There are ways to convey gender. One way is to", "can easily write a whole paragraph without a single gendered pronoun. Meanwhile, the", "directly ask the other person about this unknown person's gender. The author cannot", "because 他/她/它 are all pronounced the same. And another way is to assume", "to think in English and insert in pronouns that would have been left", "on the other hand, works a bit differently. Even though the listener hears", "big thing that English speakers complain about English is the gendered pronoun, namely", "The source language in question is Standard Chinese. It is a gender-neutral language.", "only relevant in specific circumstances. Another way is to directly ask the person", "as a result, the Chinese-language writer can easily write a whole paragraph without", "TA, the listener may actually assume male or hold no such assumptions but", "fine to remove the pronoun altogether. When a Chinese text does use pronouns,", "it's completely fine to remove the pronoun altogether. When a Chinese text does", "completely fine to remove the pronoun altogether. When a Chinese text does use", "of the person is irrelevant, unknown, or that person's chosen gender. But the", "easily write a whole paragraph without a single gendered pronoun. Meanwhile, the English-language", "writing English naturally means you have to think in English and insert in", "not only allows removing pronouns, but also the entire subject from a sentence;", "may use TA, because 他 is too masculine, 她 definitely implies the feminine,", "pronouns, the pronoun may be 他/她/它 (pronounced identically as Ta), but historically, in", "unknown person. As part of the Chinese Internet culture, some people may use", "the person in the conversation about the sex/gender of the person, because 他/她/它", "either. Sometimes, writing English naturally means you have to think in English and", "(pronounced identically as Ta), but historically, in literature, 他 was not used to", "seem to use it for a specific purpose - to indicate that the", "and 他 also means \"other\", as in 其他. There are ways to convey", "assume male or hold no such assumptions but then directly ask the other", "a gender-neutral language. One big thing that English speakers complain about English is", "gender-neutrality of Chinese with English dialogue? There is the English singular they, but", "the sex/gender of the person, because 他/她/它 are all pronounced the same. And" ]
[ "(visually) show its downside to the full extent as a nice bonus! >", "I am currently writing my first fan-fiction. Here are some basic traits of", "everyone! I am currently writing my first fan-fiction. Here are some basic traits", "is excited, he goes into this over-dramatic verbiage rampage, like the one I", "show its downside to the full extent as a nice bonus! > >", "verbiage rampage, like the one I tried to show below. I'm trying my", "scale down a usage of uncommon/colloquial wording?* Sample: > > And thou were", "usage of uncommon/colloquial wording?* Sample: > > And thou were quite generous to", "my first fan-fiction. Here are some basic traits of one of my characters.", "And you were kind enough to (visually) show its downside to the full", "small infusion of 'moi' and 'thou/thee'. However, when he is excited, he goes", "goes into this over-dramatic verbiage rampage, like the one I tried to show", "basic traits of one of my characters. He usually talks in normal English", "And thou were quite generous to put its downside on a full display", "a full display as a nice bonus! > > > Normal English: >", "English: > > And you were kind enough to (visually) show its downside", "of 'moi' and 'thou/thee'. However, when he is excited, he goes into this", "> Normal English: > > And you were kind enough to (visually) show", "with a small infusion of 'moi' and 'thou/thee'. However, when he is excited,", "> And thou were quite generous to put its downside on a full", "traits of one of my characters. He usually talks in normal English with", "on a full display as a nice bonus! > > > Normal English:*", "writing my first fan-fiction. Here are some basic traits of one of my", "were quite generous to put its downside on a full display as a", "he goes into this over-dramatic verbiage rampage, like the one I tried to", "are some basic traits of one of my characters. He usually talks in", "what he is saying is not lost. Should I scale down a usage", "normal English with a small infusion of 'moi' and 'thou/thee'. However, when he", "best to ensure the main sense of what he is saying is not", "excited, he goes into this over-dramatic verbiage rampage, like the one I tried", "quite generous to put its downside on a full display as a nice", "as a nice bonus! > > > Normal English: > > And you", "not lost. Should I scale down a usage of uncommon/colloquial wording? Sample: >", "over-dramatic verbiage rampage, like the one I tried to show below. I'm trying", "a nice bonus! > > > Normal English: > > And you were", "rampage, like the one I tried to show below. I'm trying my best", "my best to ensure the main sense of what he is saying is", "main sense of what he is saying is not lost. Should I scale", "first fan-fiction. Here are some basic traits of one of my characters. He", "nice bonus! > > > Normal English:* > > And you were kind", "uncommon/colloquial wording?* Sample: > > And thou were quite generous to put its", "to (visually) show its downside to the full extent as a nice bonus!", "like the one I tried to show below. I'm trying my best to", "Good day everyone! I am currently writing my first fan-fiction. Here are some", "sense of what he is saying is not lost. Should I scale down", "bonus! > > > Normal English:* > > And you were kind enough", "a usage of uncommon/colloquial wording?* Sample: > > And thou were quite generous", "'thou/thee'. However, when he is excited, he goes into this over-dramatic verbiage rampage,", "ensure the main sense of what he is saying is not lost. Should", "one I tried to show below. I'm trying my best to ensure the", "thou were quite generous to put its downside on a full display as", "its downside on a full display as a nice bonus! > > >", "However, when he is excited, he goes into this over-dramatic verbiage rampage, like", "the main sense of what he is saying is not lost. Should I", "in normal English with a small infusion of 'moi' and 'thou/thee'. However, when", "> > > Normal English: > > And you were kind enough to", "generous to put its downside on a full display as a nice bonus!", "some basic traits of one of my characters. He usually talks in normal", "day everyone! I am currently writing my first fan-fiction. Here are some basic", "of uncommon/colloquial wording?* Sample: > > And thou were quite generous to put", "display as a nice bonus! > > > Normal English: > > And", "talks in normal English with a small infusion of 'moi' and 'thou/thee'. However,", "Normal English: > > And you were kind enough to (visually) show its", "I scale down a usage of uncommon/colloquial wording?* Sample: > > And thou", "full display as a nice bonus! > > > Normal English: > >", "tried to show below. I'm trying my best to ensure the main sense", "I tried to show below. I'm trying my best to ensure the main", "into this over-dramatic verbiage rampage, like the one I tried to show below.", "usually talks in normal English with a small infusion of 'moi' and 'thou/thee'.", "> > And thou were quite generous to put its downside on a", "Should I scale down a usage of uncommon/colloquial wording? Sample: > > And", "this over-dramatic verbiage rampage, like the one I tried to show below. I'm", "to show below. I'm trying my best to ensure the main sense of", "characters. He usually talks in normal English with a small infusion of 'moi'", "is not lost. Should I scale down a usage of uncommon/colloquial wording? Sample:", "infusion of 'moi' and 'thou/thee'. However, when he is excited, he goes into", "of my characters. He usually talks in normal English with a small infusion", "Here are some basic traits of one of my characters. He usually talks", "he is excited, he goes into this over-dramatic verbiage rampage, like the one", "am currently writing my first fan-fiction. Here are some basic traits of one", "currently writing my first fan-fiction. Here are some basic traits of one of", "of one of my characters. He usually talks in normal English with a", "show below. I'm trying my best to ensure the main sense of what", "is saying is not lost. Should I scale down a usage of uncommon/colloquial", "and 'thou/thee'. However, when he is excited, he goes into this over-dramatic verbiage", "fan-fiction. Here are some basic traits of one of my characters. He usually", "one of my characters. He usually talks in normal English with a small", "trying my best to ensure the main sense of what he is saying", "wording? Sample: > > And thou were quite generous to put its downside", "its downside to the full extent as a nice bonus! > > >", "He usually talks in normal English with a small infusion of 'moi' and", "down a usage of uncommon/colloquial wording?* Sample: > > And thou were quite", "Sample: > > And thou were quite generous to put its downside on", "downside on a full display as a nice bonus! > > > Normal", "below. I'm trying my best to ensure the main sense of what he", "you were kind enough to (visually) show its downside to the full extent", "to ensure the main sense of what he is saying is not lost.", "my characters. He usually talks in normal English with a small infusion of", "> > Normal English:** > > And you were kind enough to (visually)", "the one I tried to show below. I'm trying my best to ensure", "kind enough to (visually) show its downside to the full extent as a", "> And you were kind enough to (visually) show its downside to the", "English with a small infusion of 'moi' and 'thou/thee'. However, when he is", "a small infusion of 'moi' and 'thou/thee'. However, when he is excited, he", "when he is excited, he goes into this over-dramatic verbiage rampage, like the", "he is saying is not lost. Should I scale down a usage of", "enough to (visually) show its downside to the full extent as a nice", "'moi' and 'thou/thee'. However, when he is excited, he goes into this over-dramatic", "were kind enough to (visually) show its downside to the full extent as", "> > And you were kind enough to (visually) show its downside to", "put its downside on a full display as a nice bonus! > >", "saying is not lost. Should I scale down a usage of uncommon/colloquial wording?", "I'm trying my best to ensure the main sense of what he is", "of what he is saying is not lost. Should I scale down a", "lost. Should I scale down a usage of uncommon/colloquial wording? Sample: > >", "to put its downside on a full display as a nice bonus! >" ]
[ "text at A.B. level. Visualization: > > 1. Chapter > ========== > >", "blah ← no text here > > > ### 1.1. Subchapter > >", "> ========== > > > ### 2.1 Subchapter > > > blah >", "be permitted (or is at least considered bad practice): > > 1. Chapter", "========== > > > blah ← no text here > > > ###", "depth=2* > > > 2. Chapter > ========== > > > ### 2.1", "> ========== > > > blah ← no text here (depth=1), because chapter", "I'm not sure whether or not this is standard practice, but I've been", "I'm aware that chapters aren't supposed to stand alone (i.e. if there's chapter", "text here (depth=1), because chapter 2 has text at depth=2 > > >", "aren't supposed to stand alone (i.e. if there's chapter 1.1, there has to", "not this is standard practice, but I've been taught that between two different-level", "========== > > > ### 2.1 Subchapter > > > blah > >", "2. Chapter > ========== > > > ### 2.1 Subchapter > > >", "> blah ← no text here > > > ### 1.1. Subchapter >", "> 2. Chapter > ========== > > > ### 2.1 Subchapter > >", "text at depth=2* > > > 2. Chapter > ========== > > >", "blah ← no text here (depth=1), because chapter 2 has text at depth=2", "> > blah ← no text here > > > ### 1.1. Subchapter", "2 has text at depth=2* > > > 2. Chapter > ========== >", "would not be permitted (or is at least considered bad practice): > >", "Chapter > ========== > > > ### 2.1 Subchapter > > > blah", "has to be at least a 1.2), but I omitted those for the", "Chapter > ========== > > > blah ← no text here > >", "> > > blah > > > Note: I'm aware that chapters aren't", "> > blah > > > Note: I'm aware that chapters aren't supposed", "1. Chapter > ========== > > > blah ← no text here (depth=1),", "not be permitted (or is at least considered bad practice): > > 1.", "to be at least a 1.2), but I omitted those for the sake", "I've been taught that between two different-level headings, there shouldn't be any text.", "different-level headings, there shouldn't be any text. For example, the following would not", "> Note: I'm aware that chapters aren't supposed to stand alone (i.e. if", "same structuring depth? ---------------------------------------------------------------------------- I.e. all text would be for example at X.Y.Z.", "← no text here* > > > ### 1.1. Subchapter > > >", "permitted (or is at least considered bad practice): > > 1. Chapter >", "no text here* > > > ### 1.1. Subchapter > > > Following", "standard practice, but I've been taught that between two different-level headings, there shouldn't", "Subchapter > > > blah > > > Note: I'm aware that chapters", "---------------------------------------------------------------------------- I.e. all text would be for example at X.Y.Z. level, and no", "> > ### 2.1 Subchapter > > > blah > > > Note:", "or not this is standard practice, but I've been taught that between two", "this convention, should all text be at the same structuring depth? ---------------------------------------------------------------------------- I.e.", "========== > > > blah ← no text here (depth=1), because chapter 2", "to stand alone (i.e. if there's chapter 1.1, there has to be at", "two different-level headings, there shouldn't be any text. For example, the following would", "sure whether or not this is standard practice, but I've been taught that", "that chapters aren't supposed to stand alone (i.e. if there's chapter 1.1, there", "(i.e. if there's chapter 1.1, there has to be at least a 1.2),", "> > > Following this convention, should all text be at the same", "at the same structuring depth? ---------------------------------------------------------------------------- I.e. all text would be for example", "no text here (depth=1), because chapter 2 has text at depth=2 > >", "> Following this convention, should all text be at the same structuring depth?", "has text at depth=2* > > > 2. Chapter > ========== > >", "> blah ← no text here (depth=1), because chapter 2 has text at", "considered bad practice): > > 1. Chapter > ========== > > > blah", "if there's chapter 1.1, there has to be at least a 1.2), but", "example, the following would not be permitted (or is at least considered bad", "text be at the same structuring depth? ---------------------------------------------------------------------------- I.e. all text would be", "> 1. Chapter > ========== > > > blah ← no text here", "> blah > > > Note: I'm aware that chapters aren't supposed to", "X.Y.Z. level, and no text at A.B. level. Visualization: > > 1. Chapter", "depth? ---------------------------------------------------------------------------- I.e. all text would be for example at X.Y.Z. level, and", "> > Note: I'm aware that chapters aren't supposed to stand alone (i.e.", "there's chapter 1.1, there has to be at least a 1.2), but I", "all text be at the same structuring depth? ---------------------------------------------------------------------------- I.e. all text would", "chapters aren't supposed to stand alone (i.e. if there's chapter 1.1, there has", "Following this convention, should all text be at the same structuring depth? ----------------------------------------------------------------------------", "For example, the following would not be permitted (or is at least considered", "> > blah ← no text here (depth=1), because chapter 2 has text", "(or is at least considered bad practice): > > 1. Chapter > ==========", "Visualization: > > 1. Chapter > ========== > > > blah ← no", "(depth=1), because chapter 2 has text at depth=2* > > > 2. Chapter", "> ### 2.1 Subchapter > > > blah > > > Note: I'm", "> > > ### 2.1 Subchapter > > > blah > > >", "at least considered bad practice): > > 1. Chapter > ========== > >", "> > > ### 1.1. Subchapter > > > Following this convention, should", "that between two different-level headings, there shouldn't be any text. For example, the", "be at the same structuring depth? ---------------------------------------------------------------------------- I.e. all text would be for", "here (depth=1), because chapter 2 has text at depth=2* > > > 2.", "Note: I'm aware that chapters aren't supposed to stand alone (i.e. if there's", "been taught that between two different-level headings, there shouldn't be any text. For", "bad practice): > > 1. Chapter > ========== > > > blah ←", "chapter 2 has text at depth=2 > > > 2. Chapter > ==========", "> > 2. Chapter > ========== > > > ### 2.1 Subchapter >", "> > > 2. Chapter > ========== > > > ### 2.1 Subchapter", "at X.Y.Z. level, and no text at A.B. level. Visualization: > > 1.", "text here* > > > ### 1.1. Subchapter > > > Following this", "shouldn't be any text. For example, the following would not be permitted (or", "I.e. all text would be for example at X.Y.Z. level, and no text", "level. Visualization: > > 1. Chapter > ========== > > > blah ←", "level, and no text at A.B. level. Visualization: > > 1. Chapter >", "headings, there shouldn't be any text. For example, the following would not be", "is standard practice, but I've been taught that between two different-level headings, there", "text would be for example at X.Y.Z. level, and no text at A.B.", "> ========== > > > blah ← no text here* > > >", "A.B. level. Visualization: > > 1. Chapter > ========== > > > blah", "whether or not this is standard practice, but I've been taught that between", "here* > > > ### 1.1. Subchapter > > > Following this convention,", "any text. For example, the following would not be permitted (or is at", "is at least considered bad practice): > > 1. Chapter > ========== >", "all text would be for example at X.Y.Z. level, and no text at", "2.1 Subchapter > > > blah > > > Note: I'm aware that", "taught that between two different-level headings, there shouldn't be any text. For example,", "this is standard practice, but I've been taught that between two different-level headings,", "1.1. Subchapter > > > Following this convention, should all text be at", "should all text be at the same structuring depth? ---------------------------------------------------------------------------- I.e. all text", "chapter 1.1, there has to be at least a 1.2), but I omitted", "at A.B. level. Visualization: > > 1. Chapter > ========== > > >", "### 1.1. Subchapter > > > Following this convention, should all text be", "> ### 1.1. Subchapter > > > Following this convention, should all text", "> > > Note: I'm aware that chapters aren't supposed to stand alone", "> 1. Chapter > ========== > > > blah ← no text here", "> > 1. Chapter > ========== > > > blah ← no text", "be at least a 1.2), but I omitted those for the sake of", "the following would not be permitted (or is at least considered bad practice):", "practice, but I've been taught that between two different-level headings, there shouldn't be", "> > > blah ← no text here (depth=1), because chapter 2 has", "1.1, there has to be at least a 1.2), but I omitted those", "structuring depth? ---------------------------------------------------------------------------- I.e. all text would be for example at X.Y.Z. level,", "### 2.1 Subchapter > > > blah > > > Note: I'm aware", "Subchapter > > > Following this convention, should all text be at the", "because chapter 2 has text at depth=2* > > > 2. Chapter >", "at depth=2* > > > 2. Chapter > ========== > > > ###", "no text at A.B. level. Visualization: > > 1. Chapter > ========== >", "there has to be at least a 1.2), but I omitted those for", "would be for example at X.Y.Z. level, and no text at A.B. level.", "> > Following this convention, should all text be at the same structuring", "aware that chapters aren't supposed to stand alone (i.e. if there's chapter 1.1,", "for example at X.Y.Z. level, and no text at A.B. level. Visualization: >", "there shouldn't be any text. For example, the following would not be permitted", "be for example at X.Y.Z. level, and no text at A.B. level. Visualization:", "but I've been taught that between two different-level headings, there shouldn't be any", "least considered bad practice): > > 1. Chapter > ========== > > >", "at least a 1.2), but I omitted those for the sake of readability.", "practice): > > 1. Chapter > ========== > > > blah ← no", "> > ### 1.1. Subchapter > > > Following this convention, should all", "blah > > > Note: I'm aware that chapters aren't supposed to stand", "supposed to stand alone (i.e. if there's chapter 1.1, there has to be", "and no text at A.B. level. Visualization: > > 1. Chapter > ==========", "alone (i.e. if there's chapter 1.1, there has to be at least a", "convention, should all text be at the same structuring depth? ---------------------------------------------------------------------------- I.e. all", "1. Chapter > ========== > > > blah ← no text here* >", "Chapter > ========== > > > blah ← no text here (depth=1), because", "text. For example, the following would not be permitted (or is at least", "the same structuring depth? ---------------------------------------------------------------------------- I.e. all text would be for example at", "following would not be permitted (or is at least considered bad practice): >", "example at X.Y.Z. level, and no text at A.B. level. Visualization: > >", "← no text here (depth=1), because chapter 2 has text at depth=2* >", "between two different-level headings, there shouldn't be any text. For example, the following", "not sure whether or not this is standard practice, but I've been taught", "> > > blah ← no text here > > > ### 1.1.", "be any text. For example, the following would not be permitted (or is", "stand alone (i.e. if there's chapter 1.1, there has to be at least" ]
[ "the three guards - without it being too violent for the targeted audience.", "as young as 13 years old which makes the conversation slightly more relevant.", "to specifically write this scene but asking about thoughts on how people navigate", "years old which makes the conversation slightly more relevant. Some context to my", "narrative. I'm struggling to write an effective and believable battle scene that allows", "being too violent for the targeted audience. Any suggestions? EDIT: I'm new here!", "For me, this means as young as 13 years old which makes the", "13 years old which makes the conversation slightly more relevant. Some context to", "someone who has been kidnapped. When they find him, there are guards protecting", "allows my protagonist characters to emerge victorious - at the expense of the", "scene that allows my protagonist characters to emerge victorious - at the expense", "makes the conversation slightly more relevant. Some context to my writing - medieval", "conversation slightly more relevant. Some context to my writing - medieval period, nothing", "bluntly write that \"Basmin killed him\" or \"Edwue stabbed him\". This kind of", "on a trilogy of YA novels that revolve around a group of teenagers", "Some context to my writing - medieval period, nothing more than dull swords", "young as 13 years old which makes the conversation slightly more relevant. Some", "the made-up world, 16 is adulthood) who set off to rescue someone who", "three guards - without it being too violent for the targeted audience. Any", "how people navigate the subject of violence in young adult literature. For me,", "or \"Edwue stabbed him\". This kind of language is too out-of-character for my", "about thoughts on how people navigate the subject of violence in young adult", "on how people navigate the subject of violence in young adult literature. For", "violent for the targeted audience. Any suggestions? EDIT: I'm new here! In accordance", "policy, let me clarify I'm not asking about how to specifically write this", "made-up world, 16 is adulthood) who set off to rescue someone who has", "of teenagers (aged 15, though in the made-up world, 16 is adulthood) who", "that allows my protagonist characters to emerge victorious - at the expense of", "clarify I'm not asking about how to specifically write this scene but asking", "my writing - medieval period, nothing more than dull swords and hand knives.", "my protagonist characters to emerge victorious - at the expense of the three", "working on a trilogy of YA novels that revolve around a group of", "It's not a large scale fight - 3 on 5 - and I", "my characters and too jarring for the rest of the narrative. I'm struggling", "sorts ensues. It's not a large scale fight - 3 on 5 -", "battle scene that allows my protagonist characters to emerge victorious - at the", "scene but asking about thoughts on how people navigate the subject of violence", "ensues. It's not a large scale fight - 3 on 5 - and", "violence in young adult literature. For me, this means as young as 13", "him\". This kind of language is too out-of-character for my characters and too", "in young adult literature. For me, this means as young as 13 years", "let me clarify I'm not asking about how to specifically write this scene", "\"Basmin killed him\" or \"Edwue stabbed him\". This kind of language is too", "new here! In accordance with the site policy, let me clarify I'm not", "navigate the subject of violence in young adult literature. For me, this means", "more than dull swords and hand knives. At best a bow and arrow.", "in the made-up world, 16 is adulthood) who set off to rescue someone", "the expense of the three guards - without it being too violent for", "a trilogy of YA novels that revolve around a group of teenagers (aged", "suggestions? EDIT: I'm new here! In accordance with the site policy, let me", "I'm new here! In accordance with the site policy, let me clarify I'm", "this scene but asking about thoughts on how people navigate the subject of", "the targeted audience. Any suggestions? EDIT: I'm new here! In accordance with the", "15, though in the made-up world, 16 is adulthood) who set off to", "3 on 5 - and I don't want to bluntly write that \"Basmin", "16 is adulthood) who set off to rescue someone who has been kidnapped.", "out-of-character for my characters and too jarring for the rest of the narrative.", "that revolve around a group of teenagers (aged 15, though in the made-up", "I'm not asking about how to specifically write this scene but asking about", "jarring for the rest of the narrative. I'm struggling to write an effective", "I'm working on a trilogy of YA novels that revolve around a group", "large scale fight - 3 on 5 - and I don't want to", "rescue someone who has been kidnapped. When they find him, there are guards", "kind of language is too out-of-character for my characters and too jarring for", "scale fight - 3 on 5 - and I don't want to bluntly", "period, nothing more than dull swords and hand knives. At best a bow", "find him, there are guards protecting him and a battle of sorts ensues.", "who set off to rescue someone who has been kidnapped. When they find", "I don't want to bluntly write that \"Basmin killed him\" or \"Edwue stabbed", "emerge victorious - at the expense of the three guards - without it", "this means as young as 13 years old which makes the conversation slightly", "more relevant. Some context to my writing - medieval period, nothing more than", "and too jarring for the rest of the narrative. I'm struggling to write", "targeted audience. Any suggestions? EDIT: I'm new here! In accordance with the site", "the narrative. I'm struggling to write an effective and believable battle scene that", "5 - and I don't want to bluntly write that \"Basmin killed him\"", "- without it being too violent for the targeted audience. Any suggestions? EDIT:", "of sorts ensues. It's not a large scale fight - 3 on 5", "here! In accordance with the site policy, let me clarify I'm not asking", "characters and too jarring for the rest of the narrative. I'm struggling to", "language is too out-of-character for my characters and too jarring for the rest", "at the expense of the three guards - without it being too violent", "around a group of teenagers (aged 15, though in the made-up world, 16", "are guards protecting him and a battle of sorts ensues. It's not a", "thoughts on how people navigate the subject of violence in young adult literature.", "been kidnapped. When they find him, there are guards protecting him and a", "relevant. Some context to my writing - medieval period, nothing more than dull", "with the site policy, let me clarify I'm not asking about how to", "- and I don't want to bluntly write that \"Basmin killed him\" or", "- 3 on 5 - and I don't want to bluntly write that", "effective and believable battle scene that allows my protagonist characters to emerge victorious", "to emerge victorious - at the expense of the three guards - without", "(aged 15, though in the made-up world, 16 is adulthood) who set off", "off to rescue someone who has been kidnapped. When they find him, there", "there are guards protecting him and a battle of sorts ensues. It's not", "him and a battle of sorts ensues. It's not a large scale fight", "him, there are guards protecting him and a battle of sorts ensues. It's", "teenagers (aged 15, though in the made-up world, 16 is adulthood) who set", "me, this means as young as 13 years old which makes the conversation", "of the narrative. I'm struggling to write an effective and believable battle scene", "it being too violent for the targeted audience. Any suggestions? EDIT: I'm new", "the conversation slightly more relevant. Some context to my writing - medieval period,", "the subject of violence in young adult literature. For me, this means as", "protecting him and a battle of sorts ensues. It's not a large scale", "of YA novels that revolve around a group of teenagers (aged 15, though", "how to specifically write this scene but asking about thoughts on how people", "about how to specifically write this scene but asking about thoughts on how", "though in the made-up world, 16 is adulthood) who set off to rescue", "too out-of-character for my characters and too jarring for the rest of the", "victorious - at the expense of the three guards - without it being", "don't want to bluntly write that \"Basmin killed him\" or \"Edwue stabbed him\".", "believable battle scene that allows my protagonist characters to emerge victorious - at", "slightly more relevant. Some context to my writing - medieval period, nothing more", "write this scene but asking about thoughts on how people navigate the subject", "a battle of sorts ensues. It's not a large scale fight - 3", "YA novels that revolve around a group of teenagers (aged 15, though in", "struggling to write an effective and believable battle scene that allows my protagonist", "who has been kidnapped. When they find him, there are guards protecting him", "means as young as 13 years old which makes the conversation slightly more", "In accordance with the site policy, let me clarify I'm not asking about", "and believable battle scene that allows my protagonist characters to emerge victorious -", "asking about how to specifically write this scene but asking about thoughts on", "him\" or \"Edwue stabbed him\". This kind of language is too out-of-character for", "write an effective and believable battle scene that allows my protagonist characters to", "is adulthood) who set off to rescue someone who has been kidnapped. When", "want to bluntly write that \"Basmin killed him\" or \"Edwue stabbed him\". This", "nothing more than dull swords and hand knives. At best a bow and", "but asking about thoughts on how people navigate the subject of violence in", "too jarring for the rest of the narrative. I'm struggling to write an", "which makes the conversation slightly more relevant. Some context to my writing -", "subject of violence in young adult literature. For me, this means as young", "for the rest of the narrative. I'm struggling to write an effective and", "rest of the narrative. I'm struggling to write an effective and believable battle", "that \"Basmin killed him\" or \"Edwue stabbed him\". This kind of language is", "I'm struggling to write an effective and believable battle scene that allows my", "site policy, let me clarify I'm not asking about how to specifically write", "kidnapped. When they find him, there are guards protecting him and a battle", "audience. Any suggestions? EDIT: I'm new here! In accordance with the site policy,", "the site policy, let me clarify I'm not asking about how to specifically", "stabbed him\". This kind of language is too out-of-character for my characters and", "This kind of language is too out-of-character for my characters and too jarring", "of language is too out-of-character for my characters and too jarring for the", "group of teenagers (aged 15, though in the made-up world, 16 is adulthood)", "for the targeted audience. Any suggestions? EDIT: I'm new here! In accordance with", "expense of the three guards - without it being too violent for the", "is too out-of-character for my characters and too jarring for the rest of", "- at the expense of the three guards - without it being too", "not asking about how to specifically write this scene but asking about thoughts", "the rest of the narrative. I'm struggling to write an effective and believable", "medieval period, nothing more than dull swords and hand knives. At best a", "adulthood) who set off to rescue someone who has been kidnapped. When they", "killed him\" or \"Edwue stabbed him\". This kind of language is too out-of-character", "set off to rescue someone who has been kidnapped. When they find him,", "write that \"Basmin killed him\" or \"Edwue stabbed him\". This kind of language", "characters to emerge victorious - at the expense of the three guards -", "a group of teenagers (aged 15, though in the made-up world, 16 is", "accordance with the site policy, let me clarify I'm not asking about how", "- medieval period, nothing more than dull swords and hand knives. At best", "on 5 - and I don't want to bluntly write that \"Basmin killed", "literature. For me, this means as young as 13 years old which makes", "to my writing - medieval period, nothing more than dull swords and hand", "guards - without it being too violent for the targeted audience. Any suggestions?", "without it being too violent for the targeted audience. Any suggestions? EDIT: I'm", "asking about thoughts on how people navigate the subject of violence in young", "to rescue someone who has been kidnapped. When they find him, there are", "\"Edwue stabbed him\". This kind of language is too out-of-character for my characters", "world, 16 is adulthood) who set off to rescue someone who has been", "to bluntly write that \"Basmin killed him\" or \"Edwue stabbed him\". This kind", "context to my writing - medieval period, nothing more than dull swords and", "EDIT: I'm new here! In accordance with the site policy, let me clarify", "adult literature. For me, this means as young as 13 years old which", "fight - 3 on 5 - and I don't want to bluntly write", "Any suggestions? EDIT: I'm new here! In accordance with the site policy, let", "for my characters and too jarring for the rest of the narrative. I'm", "people navigate the subject of violence in young adult literature. For me, this", "as 13 years old which makes the conversation slightly more relevant. Some context", "not a large scale fight - 3 on 5 - and I don't", "an effective and believable battle scene that allows my protagonist characters to emerge", "and a battle of sorts ensues. It's not a large scale fight -", "and I don't want to bluntly write that \"Basmin killed him\" or \"Edwue", "young adult literature. For me, this means as young as 13 years old", "too violent for the targeted audience. Any suggestions? EDIT: I'm new here! In", "to write an effective and believable battle scene that allows my protagonist characters", "they find him, there are guards protecting him and a battle of sorts", "old which makes the conversation slightly more relevant. Some context to my writing", "revolve around a group of teenagers (aged 15, though in the made-up world,", "of the three guards - without it being too violent for the targeted", "a large scale fight - 3 on 5 - and I don't want", "specifically write this scene but asking about thoughts on how people navigate the", "has been kidnapped. When they find him, there are guards protecting him and", "When they find him, there are guards protecting him and a battle of", "trilogy of YA novels that revolve around a group of teenagers (aged 15,", "novels that revolve around a group of teenagers (aged 15, though in the", "battle of sorts ensues. It's not a large scale fight - 3 on", "me clarify I'm not asking about how to specifically write this scene but", "of violence in young adult literature. For me, this means as young as", "writing - medieval period, nothing more than dull swords and hand knives. At", "protagonist characters to emerge victorious - at the expense of the three guards", "guards protecting him and a battle of sorts ensues. It's not a large" ]
[ "add these in yet. I'm finding it difficult to know if I'm doing", "yet. I'm finding it difficult to know if I'm doing okay with the", "things I need to add. I haven't gone back to add these in", "I will be cutting alot of unnessary words, but I also have a", "add. I haven't gone back to add these in yet. I'm finding it", "back to add these in yet. I'm finding it difficult to know if", "but I also have a list of things I need to add. I", "list of things I need to add. I haven't gone back to add", "you find your first draft is longer or shorter than your completed work?", "Do you find your first draft is longer or shorter than your completed", "I haven't gone back to add these in yet. I'm finding it difficult", "if I'm doing okay with the word count. Is it okay and normal", "alot of unnessary words, but I also have a list of things I", "okay with the word count. Is it okay and normal for it to", "these in yet. I'm finding it difficult to know if I'm doing okay", "need to add. I haven't gone back to add these in yet. I'm", "word count. Is it okay and normal for it to be lower than", "to know if I'm doing okay with the word count. Is it okay", "the word count. Is it okay and normal for it to be lower", "unnessary words, but I also have a list of things I need to", "to add these in yet. I'm finding it difficult to know if I'm", "of things I need to add. I haven't gone back to add these", "find your first draft is longer or shorter than your completed work? I", "completed work? I understand that I will be cutting alot of unnessary words,", "shorter than your completed work? I understand that I will be cutting alot", "Is it okay and normal for it to be lower than than the", "I also have a list of things I need to add. I haven't", "work? I understand that I will be cutting alot of unnessary words, but", "of unnessary words, but I also have a list of things I need", "haven't gone back to add these in yet. I'm finding it difficult to", "in yet. I'm finding it difficult to know if I'm doing okay with", "count. Is it okay and normal for it to be lower than than", "I need to add. I haven't gone back to add these in yet.", "have a list of things I need to add. I haven't gone back", "doing okay with the word count. Is it okay and normal for it", "I understand that I will be cutting alot of unnessary words, but I", "first draft is longer or shorter than your completed work? I understand that", "be cutting alot of unnessary words, but I also have a list of", "also have a list of things I need to add. I haven't gone", "draft is longer or shorter than your completed work? I understand that I", "your first draft is longer or shorter than your completed work? I understand", "is longer or shorter than your completed work? I understand that I will", "I'm doing okay with the word count. Is it okay and normal for", "gone back to add these in yet. I'm finding it difficult to know", "with the word count. Is it okay and normal for it to be", "I'm finding it difficult to know if I'm doing okay with the word", "a list of things I need to add. I haven't gone back to", "cutting alot of unnessary words, but I also have a list of things", "difficult to know if I'm doing okay with the word count. Is it", "finding it difficult to know if I'm doing okay with the word count.", "longer or shorter than your completed work? I understand that I will be", "or shorter than your completed work? I understand that I will be cutting", "will be cutting alot of unnessary words, but I also have a list", "to add. I haven't gone back to add these in yet. I'm finding", "than your completed work? I understand that I will be cutting alot of", "that I will be cutting alot of unnessary words, but I also have", "it difficult to know if I'm doing okay with the word count. Is", "it okay and normal for it to be lower than than the final", "understand that I will be cutting alot of unnessary words, but I also", "your completed work? I understand that I will be cutting alot of unnessary", "words, but I also have a list of things I need to add.", "know if I'm doing okay with the word count. Is it okay and", "okay and normal for it to be lower than than the final piece?" ]
[ "the non-speaker will not interpret it as anything meaningful. As a first-language Mandarin", "maybe \"ha\", but it is possible that the non-speaker will not interpret it", "Basically, the Mandarin speaker is supposed to code-switch, but (s)he forgets and instantly", "enters my brain automatically. I don't think about grammar or tones. Grivmaz is", "and leak out a foreign word. I would like to know how this", "the language just enters my brain automatically. I don't think about grammar or", "just enters my brain automatically. I don't think about grammar or tones. Grivmaz", "first-language Mandarin speaker, the language just enters my brain automatically. I don't think", "is supposed to code-switch, but (s)he forgets and instantly says, \"好\", which means", "of the word. Every bilingual code-switches, so that the bilingual uses the language", "However, the bilingual can slip unconsciously and leak out a foreign word. I", "leak out a foreign word. I would like to know how this will", "but (s)he forgets and instantly says, \"好\", which means \"OK\" or \"good\". I'm", "brain automatically. I don't think about grammar or tones. Grivmaz is something that", "Tones are an intrinsic part of the word. Every bilingual code-switches, so that", "(s)he forgets and instantly says, \"好\", which means \"OK\" or \"good\". I'm guessing", "who speaks English but does not speak Mandarin. Basically, the Mandarin speaker is", "language just enters my brain automatically. I don't think about grammar or tones.", "automatically. I don't think about grammar or tones. Grivmaz is something that sounds", "means \"OK\" or \"good\". I'm guessing that the non-speaker will interpret it as", "will not interpret it as anything meaningful. As a first-language Mandarin speaker, the", "forgets and instantly says, \"好\", which means \"OK\" or \"good\". I'm guessing that", "speak Mandarin. Basically, the Mandarin speaker is supposed to code-switch, but (s)he forgets", "will interpret it as \"how\" or maybe \"ha\", but it is possible that", "good to the ear. Tones are an intrinsic part of the word. Every", "interpret it as anything meaningful. As a first-language Mandarin speaker, the language just", "English but does not speak Mandarin. Basically, the Mandarin speaker is supposed to", "foreign word. I would like to know how this will be perceived by", "or tones. Grivmaz is something that sounds good to the ear. Tones are", "Mandarin and English and a character who speaks English but does not speak", "uses the language that the other person understands. However, the bilingual can slip", "\"OK\" or \"good\". I'm guessing that the non-speaker will interpret it as \"how\"", "not speak Mandarin. Basically, the Mandarin speaker is supposed to code-switch, but (s)he", "an intrinsic part of the word. Every bilingual code-switches, so that the bilingual", "speaker is supposed to code-switch, but (s)he forgets and instantly says, \"好\", which", "I want to create a believable conversation between a character who speaks Mandarin", "instantly says, \"好\", which means \"OK\" or \"good\". I'm guessing that the non-speaker", "and instantly says, \"好\", which means \"OK\" or \"good\". I'm guessing that the", "Mandarin. Basically, the Mandarin speaker is supposed to code-switch, but (s)he forgets and", "between a character who speaks Mandarin and English and a character who speaks", "is possible that the non-speaker will not interpret it as anything meaningful. As", "supposed to code-switch, but (s)he forgets and instantly says, \"好\", which means \"OK\"", "that the other person understands. However, the bilingual can slip unconsciously and leak", "the Mandarin speaker is supposed to code-switch, but (s)he forgets and instantly says,", "a first-language Mandarin speaker, the language just enters my brain automatically. I don't", "code-switches, so that the bilingual uses the language that the other person understands.", "Mandarin speaker, the language just enters my brain automatically. I don't think about", "a foreign word. I would like to know how this will be perceived", "it as anything meaningful. As a first-language Mandarin speaker, the language just enters", "Every bilingual code-switches, so that the bilingual uses the language that the other", "does not speak Mandarin. Basically, the Mandarin speaker is supposed to code-switch, but", "\"how\" or maybe \"ha\", but it is possible that the non-speaker will not", "can slip unconsciously and leak out a foreign word. I would like to", "it is possible that the non-speaker will not interpret it as anything meaningful.", "so that the bilingual uses the language that the other person understands. However,", "non-speaker will not interpret it as anything meaningful. As a first-language Mandarin speaker,", "the ear. Tones are an intrinsic part of the word. Every bilingual code-switches,", "my brain automatically. I don't think about grammar or tones. Grivmaz is something", "bilingual can slip unconsciously and leak out a foreign word. I would like", "language that the other person understands. However, the bilingual can slip unconsciously and", "slip unconsciously and leak out a foreign word. I would like to know", "the other person understands. However, the bilingual can slip unconsciously and leak out", "to create a believable conversation between a character who speaks Mandarin and English", "Mandarin speaker is supposed to code-switch, but (s)he forgets and instantly says, \"好\",", "who speaks Mandarin and English and a character who speaks English but does", "character who speaks English but does not speak Mandarin. Basically, the Mandarin speaker", "I'm guessing that the non-speaker will interpret it as \"how\" or maybe \"ha\",", "a character who speaks English but does not speak Mandarin. Basically, the Mandarin", "the bilingual can slip unconsciously and leak out a foreign word. I would", "Grivmaz is something that sounds good to the ear. Tones are an intrinsic", "possible that the non-speaker will not interpret it as anything meaningful. As a", "tones. Grivmaz is something that sounds good to the ear. Tones are an", "the language that the other person understands. However, the bilingual can slip unconsciously", "that the bilingual uses the language that the other person understands. However, the", "it as \"how\" or maybe \"ha\", but it is possible that the non-speaker", "word. I would like to know how this will be perceived by the", "are an intrinsic part of the word. Every bilingual code-switches, so that the", "guessing that the non-speaker will interpret it as \"how\" or maybe \"ha\", but", "unconsciously and leak out a foreign word. I would like to know how", "is something that sounds good to the ear. Tones are an intrinsic part", "a believable conversation between a character who speaks Mandarin and English and a", "create a believable conversation between a character who speaks Mandarin and English and", "anything meaningful. As a first-language Mandarin speaker, the language just enters my brain", "want to create a believable conversation between a character who speaks Mandarin and", "that sounds good to the ear. Tones are an intrinsic part of the", "\"good\". I'm guessing that the non-speaker will interpret it as \"how\" or maybe", "bilingual uses the language that the other person understands. However, the bilingual can", "I would like to know how this will be perceived by the non-speaker.", "intrinsic part of the word. Every bilingual code-switches, so that the bilingual uses", "understands. However, the bilingual can slip unconsciously and leak out a foreign word.", "that the non-speaker will not interpret it as anything meaningful. As a first-language", "code-switch, but (s)he forgets and instantly says, \"好\", which means \"OK\" or \"good\".", "the word. Every bilingual code-switches, so that the bilingual uses the language that", "English and a character who speaks English but does not speak Mandarin. Basically,", "meaningful. As a first-language Mandarin speaker, the language just enters my brain automatically.", "and a character who speaks English but does not speak Mandarin. Basically, the", "not interpret it as anything meaningful. As a first-language Mandarin speaker, the language", "the non-speaker will interpret it as \"how\" or maybe \"ha\", but it is", "the bilingual uses the language that the other person understands. However, the bilingual", "interpret it as \"how\" or maybe \"ha\", but it is possible that the", "to code-switch, but (s)he forgets and instantly says, \"好\", which means \"OK\" or", "bilingual code-switches, so that the bilingual uses the language that the other person", "other person understands. However, the bilingual can slip unconsciously and leak out a", "as anything meaningful. As a first-language Mandarin speaker, the language just enters my", "but does not speak Mandarin. Basically, the Mandarin speaker is supposed to code-switch,", "a character who speaks Mandarin and English and a character who speaks English", "person understands. However, the bilingual can slip unconsciously and leak out a foreign", "to the ear. Tones are an intrinsic part of the word. Every bilingual", "believable conversation between a character who speaks Mandarin and English and a character", "conversation between a character who speaks Mandarin and English and a character who", "something that sounds good to the ear. Tones are an intrinsic part of", "character who speaks Mandarin and English and a character who speaks English but", "As a first-language Mandarin speaker, the language just enters my brain automatically. I", "speaks English but does not speak Mandarin. Basically, the Mandarin speaker is supposed", "I don't think about grammar or tones. Grivmaz is something that sounds good", "as \"how\" or maybe \"ha\", but it is possible that the non-speaker will", "out a foreign word. I would like to know how this will be", "speaker, the language just enters my brain automatically. I don't think about grammar", "says, \"好\", which means \"OK\" or \"good\". I'm guessing that the non-speaker will", "that the non-speaker will interpret it as \"how\" or maybe \"ha\", but it", "word. Every bilingual code-switches, so that the bilingual uses the language that the", "but it is possible that the non-speaker will not interpret it as anything", "think about grammar or tones. Grivmaz is something that sounds good to the", "sounds good to the ear. Tones are an intrinsic part of the word.", "and English and a character who speaks English but does not speak Mandarin.", "grammar or tones. Grivmaz is something that sounds good to the ear. Tones", "about grammar or tones. Grivmaz is something that sounds good to the ear.", "or maybe \"ha\", but it is possible that the non-speaker will not interpret", "\"ha\", but it is possible that the non-speaker will not interpret it as", "part of the word. Every bilingual code-switches, so that the bilingual uses the", "non-speaker will interpret it as \"how\" or maybe \"ha\", but it is possible", "or \"good\". I'm guessing that the non-speaker will interpret it as \"how\" or", "\"好\", which means \"OK\" or \"good\". I'm guessing that the non-speaker will interpret", "speaks Mandarin and English and a character who speaks English but does not", "ear. Tones are an intrinsic part of the word. Every bilingual code-switches, so", "don't think about grammar or tones. Grivmaz is something that sounds good to", "which means \"OK\" or \"good\". I'm guessing that the non-speaker will interpret it" ]
[ "the inspiration to a story and it gets written in a book and", "story and it gets written in a book and published and they use", "published and they use your name do you get any royalties from that", "a book and published and they use your name do you get any", "to a story and it gets written in a book and published and", "were the inspiration to a story and it gets written in a book", "inspiration to a story and it gets written in a book and published", "gets written in a book and published and they use your name do", "book and published and they use your name do you get any royalties", "it gets written in a book and published and they use your name", "and it gets written in a book and published and they use your", "in a book and published and they use your name do you get", "and published and they use your name do you get any royalties from", "you were the inspiration to a story and it gets written in a", "written in a book and published and they use your name do you", "If you were the inspiration to a story and it gets written in", "a story and it gets written in a book and published and they" ]
[ "world I create. I already know what direction I’ll be taking my fleshed-out", "side and was just curious as to what the general consensus is on", "in. I can see Pros and Cinc from each side and was just", "my fleshed-out characters, but I’m still wondering whether or not I should be", "characters, but I’m still wondering whether or not I should be writing a", "already know what direction I’ll be taking my fleshed-out characters, but I’m still", "I should be writing a story board first or trying to flesh out", "Pros and Cinc from each side and was just curious as to what", "am so appreciative of the comments and advice! You guys have outlined some", "I am! Edit/Update This is a Fantasy world-build, and I am so appreciative", "to what the general consensus is on what to do first from writers", "to do first from writers who have already been where I am! Edit/Update", "been where I am! Edit/Update This is a Fantasy world-build, and I am", "and was just curious as to what the general consensus is on what", "as to what the general consensus is on what to do first from", "a Fantasy world-build, and I am so appreciative of the comments and advice!", "and advice! You guys have outlined some important details I was definitely missing", "some important details I was definitely missing out on. Thank you so much!", "taking my fleshed-out characters, but I’m still wondering whether or not I should", "wanted to write something in a world I create. I already know what", "consensus is on what to do first from writers who have already been", "are in. I can see Pros and Cinc from each side and was", "so appreciative of the comments and advice! You guys have outlined some important", "trying to flesh out the world my characters are in. I can see", "never wanted to write something in a world I create. I already know", "world my characters are in. I can see Pros and Cinc from each", "board first or trying to flesh out the world my characters are in.", "should be writing a story board first or trying to flesh out the", "can see Pros and Cinc from each side and was just curious as", "first from writers who have already been where I am! Edit/Update This is", "a world I create. I already know what direction I’ll be taking my", "but never wanted to write something in a world I create. I already", "direction I’ll be taking my fleshed-out characters, but I’m still wondering whether or", "each side and was just curious as to what the general consensus is", "out the world my characters are in. I can see Pros and Cinc", "on what to do first from writers who have already been where I", "do first from writers who have already been where I am! Edit/Update This", "from each side and was just curious as to what the general consensus", "the comments and advice! You guys have outlined some important details I was", "story board first or trying to flesh out the world my characters are", "comments and advice! You guys have outlined some important details I was definitely", "I’ll be taking my fleshed-out characters, but I’m still wondering whether or not", "curious as to what the general consensus is on what to do first", "been writing, but never wanted to write something in a world I create.", "I can see Pros and Cinc from each side and was just curious", "something in a world I create. I already know what direction I’ll be", "my characters are in. I can see Pros and Cinc from each side", "This is a Fantasy world-build, and I am so appreciative of the comments", "writers who have already been where I am! Edit/Update This is a Fantasy", "I’m still wondering whether or not I should be writing a story board", "Fantasy world-build, and I am so appreciative of the comments and advice! You", "fleshed-out characters, but I’m still wondering whether or not I should be writing", "advice! You guys have outlined some important details I was definitely missing out", "of the comments and advice! You guys have outlined some important details I", "I am so appreciative of the comments and advice! You guys have outlined", "characters are in. I can see Pros and Cinc from each side and", "world-build, and I am so appreciative of the comments and advice! You guys", "wondering whether or not I should be writing a story board first or", "to write something in a world I create. I already know what direction", "but I’m still wondering whether or not I should be writing a story", "appreciative of the comments and advice! You guys have outlined some important details", "just curious as to what the general consensus is on what to do", "is a Fantasy world-build, and I am so appreciative of the comments and", "Edit/Update This is a Fantasy world-build, and I am so appreciative of the", "where I am! Edit/Update This is a Fantasy world-build, and I am so", "writing, but never wanted to write something in a world I create. I", "what direction I’ll be taking my fleshed-out characters, but I’m still wondering whether", "is on what to do first from writers who have already been where", "always been writing, but never wanted to write something in a world I", "a story board first or trying to flesh out the world my characters", "in a world I create. I already know what direction I’ll be taking", "from writers who have already been where I am! Edit/Update This is a", "flesh out the world my characters are in. I can see Pros and", "whether or not I should be writing a story board first or trying", "was just curious as to what the general consensus is on what to", "I’ve always been writing, but never wanted to write something in a world", "first or trying to flesh out the world my characters are in. I", "and I am so appreciative of the comments and advice! You guys have", "the world my characters are in. I can see Pros and Cinc from", "be writing a story board first or trying to flesh out the world", "what the general consensus is on what to do first from writers who", "still wondering whether or not I should be writing a story board first", "what to do first from writers who have already been where I am!", "know what direction I’ll be taking my fleshed-out characters, but I’m still wondering", "or not I should be writing a story board first or trying to", "have outlined some important details I was definitely missing out on. Thank you", "write something in a world I create. I already know what direction I’ll", "guys have outlined some important details I was definitely missing out on. Thank", "outlined some important details I was definitely missing out on. Thank you so", "general consensus is on what to do first from writers who have already", "You guys have outlined some important details I was definitely missing out on.", "who have already been where I am! Edit/Update This is a Fantasy world-build,", "be taking my fleshed-out characters, but I’m still wondering whether or not I", "the general consensus is on what to do first from writers who have", "see Pros and Cinc from each side and was just curious as to", "writing a story board first or trying to flesh out the world my", "not I should be writing a story board first or trying to flesh", "I create. I already know what direction I’ll be taking my fleshed-out characters,", "have already been where I am! Edit/Update This is a Fantasy world-build, and", "already been where I am! Edit/Update This is a Fantasy world-build, and I", "create. I already know what direction I’ll be taking my fleshed-out characters, but", "to flesh out the world my characters are in. I can see Pros", "am! Edit/Update This is a Fantasy world-build, and I am so appreciative of", "I already know what direction I’ll be taking my fleshed-out characters, but I’m", "Cinc from each side and was just curious as to what the general", "or trying to flesh out the world my characters are in. I can", "and Cinc from each side and was just curious as to what the" ]
[ "website to highlight the fact that I also write code in addition to", "who coded the website to highlight the fact that I also write code", "preparing my own portfolio website. Right on the bottom, I would like to", "I also write code in addition to design. Most people say \"made by", "to mention that it is I (or me, just don't bite my head", "to me. So, what's a better way of saying that without sounding too", "website. Right on the bottom, I would like to mention that it is", "portfolio website. Right on the bottom, I would like to mention that it", "just don't bite my head off :p ) who coded the website to", "my head off :p ) who coded the website to highlight the fact", "So, what's a better way of saying that without sounding too sophisticated and", "write code in addition to design. Most people say \"made by me\" which", "and I'm preparing my own portfolio website. Right on the bottom, I would", "Right on the bottom, I would like to mention that it is I", "(or me, just don't bite my head off :p ) who coded the", "bite my head off :p ) who coded the website to highlight the", "on the bottom, I would like to mention that it is I (or", "would like to mention that it is I (or me, just don't bite", "mention that it is I (or me, just don't bite my head off", "the fact that I also write code in addition to design. Most people", "it is I (or me, just don't bite my head off :p )", "in addition to design. Most people say \"made by me\" which doesn't sound", ") who coded the website to highlight the fact that I also write", "I would like to mention that it is I (or me, just don't", "I'm preparing my own portfolio website. Right on the bottom, I would like", "to highlight the fact that I also write code in addition to design.", "my own portfolio website. Right on the bottom, I would like to mention", "a designer and I'm preparing my own portfolio website. Right on the bottom,", "the bottom, I would like to mention that it is I (or me,", "doesn't sound great to me. So, what's a better way of saying that", "that it is I (or me, just don't bite my head off :p", "\"made by me\" which doesn't sound great to me. So, what's a better", "also write code in addition to design. Most people say \"made by me\"", "sound great to me. So, what's a better way of saying that without", "highlight the fact that I also write code in addition to design. Most", "bottom, I would like to mention that it is I (or me, just", "me. So, what's a better way of saying that without sounding too sophisticated", "own portfolio website. Right on the bottom, I would like to mention that", "I (or me, just don't bite my head off :p ) who coded", "coded the website to highlight the fact that I also write code in", ":p ) who coded the website to highlight the fact that I also", "that I also write code in addition to design. Most people say \"made", "by me\" which doesn't sound great to me. So, what's a better way", "what's a better way of saying that without sounding too sophisticated and \"grammarly", "a better way of saying that without sounding too sophisticated and \"grammarly inclined\"?", "me\" which doesn't sound great to me. So, what's a better way of", "design. Most people say \"made by me\" which doesn't sound great to me.", "head off :p ) who coded the website to highlight the fact that", "fact that I also write code in addition to design. Most people say", "I'm a designer and I'm preparing my own portfolio website. Right on the", "is I (or me, just don't bite my head off :p ) who", "don't bite my head off :p ) who coded the website to highlight", "the website to highlight the fact that I also write code in addition", "like to mention that it is I (or me, just don't bite my", "code in addition to design. Most people say \"made by me\" which doesn't", "addition to design. Most people say \"made by me\" which doesn't sound great", "off :p ) who coded the website to highlight the fact that I", "to design. Most people say \"made by me\" which doesn't sound great to", "me, just don't bite my head off :p ) who coded the website", "people say \"made by me\" which doesn't sound great to me. So, what's", "Most people say \"made by me\" which doesn't sound great to me. So,", "great to me. So, what's a better way of saying that without sounding", "designer and I'm preparing my own portfolio website. Right on the bottom, I", "which doesn't sound great to me. So, what's a better way of saying", "say \"made by me\" which doesn't sound great to me. So, what's a" ]
[ "family, close friends, regular friends and general acquaintances, mapping the places she goes", "but it worked briliantly for the first two tales... I just have to", "and not only see how many nodes separate her from B, but also", "worked briliantly for the first two tales... I just have to find a", "MC has noticed her hands are often scratched, concluded she's got a cat", "she's got a cat - is it really a cat or is she", "some software that can be used to map a large number of connections/relationships?", "the connections, but it's not the best thing when a single node has", "perfect. I could select character A and not only see how many nodes", "move on to the third crime, I've found that the town has escaped", "Perfect! As I now move on to the third crime, I've found that", "There were also a few seeds for possible new crimes. Perfect! As I", "gave my main character family, close friends, regular friends and general acquaintances, mapping", "a single node has multiple different relationships with a second node (A is", "regular friends and general acquaintances, mapping the places she goes to (cafés, supermarkets,", "to (cafés, supermarkets, beauty salon, etc) and whom she interacts with where. Then,", "see how many nodes separate her from B, but also which different paths", "media connections and something similar would be just perfect. I could select character", "friends with B, C, D; A is also C's cousin; A is also", "coleague of C and D; A goes to swimming classes with B and", "Hice Dee, middle-aged, works at X, MC has noticed her hands are often", "mind for later use'. The first story flowed very well, with the MC", "the MC learning essential clues through casual (and not so casual) conversations with", "course most characters are nothing more than 'male, Jehj Slotj, security at X'", "clues through casual (and not so casual) conversations with her friends and acquaintances.", "creation, have become strangers. I need a quick, visual way to identify connections", "mapping social media connections and something similar would be just perfect. I could", "select character A and not only see how many nodes separate her from", "class, which is a year ahead and includes E, who used to bully", "cat or is she up to something? keep in mind for later use'.", "with her friends and acquaintances. There were also a few seeds for possible", "goes to school with C but is also a neighbour to F, so", "etc) and whom she interacts with where. Then, obviously, I had to give", "security at X' or 'female, Hice Dee, middle-aged, works at X, MC has", "keep in mind for later use'. The first story flowed very well, with", "a small town (about 2000 people) and gave my main character family, close", "I keep forgetting that D goes to school with C but is also", "D; A goes to swimming classes with B and D) and, on top,", "who is B's miece. That kind of thing. The up-coming stories cannot contradict", "the criminal, but the now ~300 named characters (developed to greater or lesser", "characters. Once that was done, I started mapping out dislikes, pet hates, enemies", "how many nodes separate her from B, but also which different paths can", "and whom she interacts with where. Then, obviously, I had to give her", "is also a school coleague of C and D; A goes to swimming", "going for a really complex thing here, but it worked briliantly for the", "up to something? keep in mind for later use'. The first story flowed", "C, D; A is also C's cousin; A is also a school coleague", "own close friends and regular friends, and I also did the same to", "the obvious. I know, I'm going for a really complex thing here, but", "(and not so casual) conversations with her friends and acquaintances. There were also", "use to get to B (if B goes to the same shops, have", "(cafés, supermarkets, beauty salon, etc) and whom she interacts with where. Then, obviously,", "C). However, if someone has an 'advised approach' to YEd that I'm failing", "(if B goes to the same shops, have friends in common, etc). I've", "done, I started mapping out dislikes, pet hates, enemies and rivals. Soon, I", "best thing when a single node has multiple different relationships with a second", "I'm failing to discover, feel free to point out the obvious. I know,", "A and not only see how many nodes separate her from B, but", "and I also did the same to the secondary characters. Once that was", "are used, the less need I have to create more characters! I've got", "get to B (if B goes to the same shops, have friends in", "has noticed her hands are often scratched, concluded she's got a cat -", "next victim to the MC so she can discover the criminal, but the", "first two tales... I just have to find a way to quickly recall", "I also did the same to the secondary characters. Once that was done,", "connections and something similar would be just perfect. I could select character A", "people) and gave my main character family, close friends, regular friends and general", "a second node (A is friends with B, C, D; A is also", "used to map a large number of connections/relationships? I've seen those maps for", "family (husband and one child) their own close friends and regular friends, and", "the now ~300 named characters (developed to greater or lesser extent), whose connections", "- is it really a cat or is she up to something? keep", "are apparent strangers: A does not know B, but her son goes to", "novels and went for the type I most like: Miss Marple kind of", "well, with the MC learning essential clues through casual (and not so casual)", "with C who is B's miece. That kind of thing. The up-coming stories", "to school with C but is also a neighbour to F, so D", "suggest some software that can be used to map a large number of", "mapping the places she goes to (cafés, supermarkets, beauty salon, etc) and whom", "hands are often scratched, concluded she's got a cat - is it really", "As I now move on to the third crime, I've found that the", "in B's class, which is a year ahead and includes E, who used", "did the same to the secondary characters. Once that was done, I started", "those connections. The more 'old' connections are used, the less need I have", "dislikes, pet hates, enemies and rivals. Soon, I found myself with a realistic", "relationships with a second node (A is friends with B, C, D; A", "MC so she can discover the criminal, but the now ~300 named characters", "to point out the obvious. I know, I'm going for a really complex", "really complex thing here, but it worked briliantly for the first two tales...", "clue. This is especially important when the characters are apparent strangers: A does", "I need to find threads that connect the next victim to the MC", "find threads that connect the next victim to the MC so she can", "interacts with where. Then, obviously, I had to give her family (husband and", "connections were so clear in my head at the time of their creation,", "anyone suggest some software that can be used to map a large number", "school coleague of C and D; A goes to swimming classes with B", "more 'old' connections are used, the less need I have to create more", "in A's class, plus the ones in B's class, which is a year", "node has multiple different relationships with a second node (A is friends with", "A's class, plus the ones in B's class, which is a year ahead", "to the same shops, have friends in common, etc). I've tried to use", "need to find threads that connect the next victim to the MC so", "their creation, have become strangers. I need a quick, visual way to identify", "with B and D) and, on top, add places (all the named kids", "enemies and rivals. Soon, I found myself with a realistic 'town' where crime", "F, so D is the perfect character to see the criminal and pass", "Dee, middle-aged, works at X, MC has noticed her hands are often scratched,", "to use YEd to make the connections, but it's not the best thing", "I started mapping out dislikes, pet hates, enemies and rivals. Soon, I found", "to F, so D is the perfect character to see the criminal and", "for later use'. The first story flowed very well, with the MC learning", "C who is B's miece. That kind of thing. The up-coming stories cannot", "and acquaintances. There were also a few seeds for possible new crimes. Perfect!", "approach' to YEd that I'm failing to discover, feel free to point out", "pet hates, enemies and rivals. Soon, I found myself with a realistic 'town'", "characters, because I keep forgetting that D goes to school with C but", "I know, I'm going for a really complex thing here, but it worked", "with C but is also a neighbour to F, so D is the", "thing. The up-coming stories cannot contradict the connections previously created, quite the opposite,", "connections/relationships? I've seen those maps for mapping social media connections and something similar", "Can anyone suggest some software that can be used to map a large", "but is also a neighbour to F, so D is the perfect character", "places (all the named kids in A's class, plus the ones in B's", "most characters are nothing more than 'male, Jehj Slotj, security at X' or", "not so casual) conversations with her friends and acquaintances. There were also a", "but also which different paths can A use to get to B (if", "is friends with B, C, D; A is also C's cousin; A is", "realistic 'town' where crime could thrive, given the right conditions. Of course most", "at X' or 'female, Hice Dee, middle-aged, works at X, MC has noticed", "third crime, I've found that the town has escaped my control. I need", "so casual) conversations with her friends and acquaintances. There were also a few", "she goes to (cafés, supermarkets, beauty salon, etc) and whom she interacts with", "anymore. Can anyone suggest some software that can be used to map a", "decided to experiment with mystery novels and went for the type I most", "miece. That kind of thing. The up-coming stories cannot contradict the connections previously", "secondary characters. Once that was done, I started mapping out dislikes, pet hates,", "(husband and one child) their own close friends and regular friends, and I", "with a second node (A is friends with B, C, D; A is", "were so clear in my head at the time of their creation, have", "so clear in my head at the time of their creation, have become", "regular friends, and I also did the same to the secondary characters. Once", "casual (and not so casual) conversations with her friends and acquaintances. There were", "D goes to school with C but is also a neighbour to F,", "has multiple different relationships with a second node (A is friends with B,", "at the time of their creation, have become strangers. I need a quick,", "now ~300 named characters (developed to greater or lesser extent), whose connections were", "whose connections were so clear in my head at the time of their", "also did the same to the secondary characters. Once that was done, I", "connections previously created, quite the opposite, they should use those connections. The more", "named kids in A's class, plus the ones in B's class, which is", "than 'male, Jehj Slotj, security at X' or 'female, Hice Dee, middle-aged, works", "Soon, I found myself with a realistic 'town' where crime could thrive, given", "can be used to map a large number of connections/relationships? I've seen those", "to find a way to quickly recall all the connections in between the", "also a few seeds for possible new crimes. Perfect! As I now move", "and general acquaintances, mapping the places she goes to (cafés, supermarkets, beauty salon,", "especially important when the characters are apparent strangers: A does not know B,", "A is also C's cousin; A is also a school coleague of C", "beauty salon, etc) and whom she interacts with where. Then, obviously, I had", "some specific clue. This is especially important when the characters are apparent strangers:", "same to the secondary characters. Once that was done, I started mapping out", "(all the named kids in A's class, plus the ones in B's class,", "become strangers. I need a quick, visual way to identify connections between the", "the connections previously created, quite the opposite, they should use those connections. The", "character A and not only see how many nodes separate her from B,", "got a cat - is it really a cat or is she up", "and regular friends, and I also did the same to the secondary characters.", "B's class, which is a year ahead and includes E, who used to", "I've tried to use YEd to make the connections, but it's not the", "I had to give her family (husband and one child) their own close", "were also a few seeds for possible new crimes. Perfect! As I now", "tale. I set the story in a small town (about 2000 people) and", "kind of thing. The up-coming stories cannot contradict the connections previously created, quite", "can A use to get to B (if B goes to the same", "and C). However, if someone has an 'advised approach' to YEd that I'm", "the best thing when a single node has multiple different relationships with a", "her friends and acquaintances. There were also a few seeds for possible new", "ahead and includes E, who used to bully A and C). However, if", "X' or 'female, Hice Dee, middle-aged, works at X, MC has noticed her", "something? keep in mind for later use'. The first story flowed very well,", "for the first two tales... I just have to find a way to", "now move on to the third crime, I've found that the town has", "connections, but it's not the best thing when a single node has multiple", "the characters, because I keep forgetting that D goes to school with C", "small town (about 2000 people) and gave my main character family, close friends,", "also which different paths can A use to get to B (if B", "more than enough for a dozen crimes; I don't need anymore. Can anyone", "don't need anymore. Can anyone suggest some software that can be used to", "my head at the time of their creation, have become strangers. I need", "experiment with mystery novels and went for the type I most like: Miss", "to bully A and C). However, if someone has an 'advised approach' to", "whom she interacts with where. Then, obviously, I had to give her family", "the next victim to the MC so she can discover the criminal, but", "on to the third crime, I've found that the town has escaped my", "Jehj Slotj, security at X' or 'female, Hice Dee, middle-aged, works at X,", "This is especially important when the characters are apparent strangers: A does not", "to the secondary characters. Once that was done, I started mapping out dislikes,", "is especially important when the characters are apparent strangers: A does not know", "free to point out the obvious. I know, I'm going for a really", "A is also a school coleague of C and D; A goes to", "maps for mapping social media connections and something similar would be just perfect.", "YEd that I'm failing to discover, feel free to point out the obvious.", "to experiment with mystery novels and went for the type I most like:", "created, quite the opposite, they should use those connections. The more 'old' connections", "(A is friends with B, C, D; A is also C's cousin; A", "D; A is also C's cousin; A is also a school coleague of", "D) and, on top, add places (all the named kids in A's class,", "'advised approach' to YEd that I'm failing to discover, feel free to point", "that I'm failing to discover, feel free to point out the obvious. I", "type I most like: Miss Marple kind of tale. I set the story", "second node (A is friends with B, C, D; A is also C's", "I found myself with a realistic 'town' where crime could thrive, given the", "threads that connect the next victim to the MC so she can discover", "similar would be just perfect. I could select character A and not only", "new crimes. Perfect! As I now move on to the third crime, I've", "be just perfect. I could select character A and not only see how", "Miss Marple kind of tale. I set the story in a small town", "with a realistic 'town' where crime could thrive, given the right conditions. Of", "more than 'male, Jehj Slotj, security at X' or 'female, Hice Dee, middle-aged,", "I most like: Miss Marple kind of tale. I set the story in", "to discover, feel free to point out the obvious. I know, I'm going", "A use to get to B (if B goes to the same shops,", "it's not the best thing when a single node has multiple different relationships", "conditions. Of course most characters are nothing more than 'male, Jehj Slotj, security", "and includes E, who used to bully A and C). However, if someone", "myself with a realistic 'town' where crime could thrive, given the right conditions.", "complex thing here, but it worked briliantly for the first two tales... I", "I just have to find a way to quickly recall all the connections", "D is the perfect character to see the criminal and pass on some", "stories cannot contradict the connections previously created, quite the opposite, they should use", "and, on top, add places (all the named kids in A's class, plus", "forgetting that D goes to school with C but is also a neighbour", "named characters (developed to greater or lesser extent), whose connections were so clear", "obviously, I had to give her family (husband and one child) their own", "to see the criminal and pass on some specific clue. This is especially", "school with C who is B's miece. That kind of thing. The up-coming", "just have to find a way to quickly recall all the connections in", "the places she goes to (cafés, supermarkets, beauty salon, etc) and whom she", "the type I most like: Miss Marple kind of tale. I set the", "quite the opposite, they should use those connections. The more 'old' connections are", "paths can A use to get to B (if B goes to the", "C but is also a neighbour to F, so D is the perfect", "strangers. I need a quick, visual way to identify connections between the characters,", "the criminal and pass on some specific clue. This is especially important when", "an 'advised approach' to YEd that I'm failing to discover, feel free to", "includes E, who used to bully A and C). However, if someone has", "find a way to quickly recall all the connections in between the characters.", "connections between the characters, because I keep forgetting that D goes to school", "the story in a small town (about 2000 people) and gave my main", "characters (developed to greater or lesser extent), whose connections were so clear in", "I'm going for a really complex thing here, but it worked briliantly for", "seen those maps for mapping social media connections and something similar would be", "nodes separate her from B, but also which different paths can A use", "for mapping social media connections and something similar would be just perfect. I", "with B, C, D; A is also C's cousin; A is also a", "way to identify connections between the characters, because I keep forgetting that D", "of their creation, have become strangers. I need a quick, visual way to", "used to bully A and C). However, if someone has an 'advised approach'", "her son goes to school with C who is B's miece. That kind", "I've found that the town has escaped my control. I need to find", "cat - is it really a cat or is she up to something?", "conversations with her friends and acquaintances. There were also a few seeds for", "is also C's cousin; A is also a school coleague of C and", "out the obvious. I know, I'm going for a really complex thing here,", "clear in my head at the time of their creation, have become strangers.", "often scratched, concluded she's got a cat - is it really a cat", "swimming classes with B and D) and, on top, add places (all the", "Of course most characters are nothing more than 'male, Jehj Slotj, security at", "a year ahead and includes E, who used to bully A and C).", "found myself with a realistic 'town' where crime could thrive, given the right", "a large number of connections/relationships? I've seen those maps for mapping social media", "should use those connections. The more 'old' connections are used, the less need", "town (about 2000 people) and gave my main character family, close friends, regular", "when the characters are apparent strangers: A does not know B, but her", "point out the obvious. I know, I'm going for a really complex thing", "cousin; A is also a school coleague of C and D; A goes", "The first story flowed very well, with the MC learning essential clues through", "top, add places (all the named kids in A's class, plus the ones", "also C's cousin; A is also a school coleague of C and D;", "thing when a single node has multiple different relationships with a second node", "and something similar would be just perfect. I could select character A and", "same shops, have friends in common, etc). I've tried to use YEd to", "close friends and regular friends, and I also did the same to the", "or lesser extent), whose connections were so clear in my head at the", "kids in A's class, plus the ones in B's class, which is a", "perfect character to see the criminal and pass on some specific clue. This", "story in a small town (about 2000 people) and gave my main character", "A does not know B, but her son goes to school with C", "map a large number of connections/relationships? I've seen those maps for mapping social", "that connect the next victim to the MC so she can discover the", "Once that was done, I started mapping out dislikes, pet hates, enemies and", "to YEd that I'm failing to discover, feel free to point out the", "kind of tale. I set the story in a small town (about 2000", "multiple different relationships with a second node (A is friends with B, C,", "a cat or is she up to something? keep in mind for later", "the opposite, they should use those connections. The more 'old' connections are used,", "out dislikes, pet hates, enemies and rivals. Soon, I found myself with a", "her from B, but also which different paths can A use to get", "to something? keep in mind for later use'. The first story flowed very", "briliantly for the first two tales... I just have to find a way", "'male, Jehj Slotj, security at X' or 'female, Hice Dee, middle-aged, works at", "I could select character A and not only see how many nodes separate", "through casual (and not so casual) conversations with her friends and acquaintances. There", "YEd to make the connections, but it's not the best thing when a", "those maps for mapping social media connections and something similar would be just", "had to give her family (husband and one child) their own close friends", "large number of connections/relationships? I've seen those maps for mapping social media connections", "feel free to point out the obvious. I know, I'm going for a", "is it really a cat or is she up to something? keep in", "enough for a dozen crimes; I don't need anymore. Can anyone suggest some", "only see how many nodes separate her from B, but also which different", "crimes. Perfect! As I now move on to the third crime, I've found", "greater or lesser extent), whose connections were so clear in my head at", "I've seen those maps for mapping social media connections and something similar would", "where. Then, obviously, I had to give her family (husband and one child)", "used, the less need I have to create more characters! I've got more", "in common, etc). I've tried to use YEd to make the connections, but", "need a quick, visual way to identify connections between the characters, because I", "got more than enough for a dozen crimes; I don't need anymore. Can", "or 'female, Hice Dee, middle-aged, works at X, MC has noticed her hands", "know, I'm going for a really complex thing here, but it worked briliantly", "B goes to the same shops, have friends in common, etc). I've tried", "hates, enemies and rivals. Soon, I found myself with a realistic 'town' where", "friends and acquaintances. There were also a few seeds for possible new crimes.", "specific clue. This is especially important when the characters are apparent strangers: A", "son goes to school with C who is B's miece. That kind of", "to give her family (husband and one child) their own close friends and", "here, but it worked briliantly for the first two tales... I just have", "thing here, but it worked briliantly for the first two tales... I just", "to map a large number of connections/relationships? I've seen those maps for mapping", "escaped my control. I need to find threads that connect the next victim", "on top, add places (all the named kids in A's class, plus the", "a really complex thing here, but it worked briliantly for the first two", "(about 2000 people) and gave my main character family, close friends, regular friends", "the MC so she can discover the criminal, but the now ~300 named", "classes with B and D) and, on top, add places (all the named", "shops, have friends in common, etc). I've tried to use YEd to make", "I need a quick, visual way to identify connections between the characters, because", "etc). I've tried to use YEd to make the connections, but it's not", "when a single node has multiple different relationships with a second node (A", "Then, obviously, I had to give her family (husband and one child) their", "possible new crimes. Perfect! As I now move on to the third crime,", "less need I have to create more characters! I've got more than enough", "of connections/relationships? I've seen those maps for mapping social media connections and something", "found that the town has escaped my control. I need to find threads", "lesser extent), whose connections were so clear in my head at the time", "noticed her hands are often scratched, concluded she's got a cat - is", "B (if B goes to the same shops, have friends in common, etc).", "with where. Then, obviously, I had to give her family (husband and one", "single node has multiple different relationships with a second node (A is friends", "bully A and C). However, if someone has an 'advised approach' to YEd", "connect the next victim to the MC so she can discover the criminal,", "not know B, but her son goes to school with C who is", "and gave my main character family, close friends, regular friends and general acquaintances,", "two tales... I just have to find a way to quickly recall all", "need I have to create more characters! I've got more than enough for", "supermarkets, beauty salon, etc) and whom she interacts with where. Then, obviously, I", "not only see how many nodes separate her from B, but also which", "it really a cat or is she up to something? keep in mind", "to school with C who is B's miece. That kind of thing. The", "also a school coleague of C and D; A goes to swimming classes", "extent), whose connections were so clear in my head at the time of", "does not know B, but her son goes to school with C who", "that D goes to school with C but is also a neighbour to", "mapping out dislikes, pet hates, enemies and rivals. Soon, I found myself with", "friends and regular friends, and I also did the same to the secondary", "to get to B (if B goes to the same shops, have friends", "need anymore. Can anyone suggest some software that can be used to map", "the town has escaped my control. I need to find threads that connect", "are nothing more than 'male, Jehj Slotj, security at X' or 'female, Hice", "crimes; I don't need anymore. Can anyone suggest some software that can be", "a cat - is it really a cat or is she up to", "my control. I need to find threads that connect the next victim to", "a realistic 'town' where crime could thrive, given the right conditions. Of course", "and one child) their own close friends and regular friends, and I also", "than enough for a dozen crimes; I don't need anymore. Can anyone suggest", "add places (all the named kids in A's class, plus the ones in", "to the MC so she can discover the criminal, but the now ~300", "a school coleague of C and D; A goes to swimming classes with", "but her son goes to school with C who is B's miece. That", "has an 'advised approach' to YEd that I'm failing to discover, feel free", "is she up to something? keep in mind for later use'. The first", "just perfect. I could select character A and not only see how many", "acquaintances. There were also a few seeds for possible new crimes. Perfect! As", "'old' connections are used, the less need I have to create more characters!", "characters are nothing more than 'male, Jehj Slotj, security at X' or 'female,", "tried to use YEd to make the connections, but it's not the best", "can discover the criminal, but the now ~300 named characters (developed to greater", "set the story in a small town (about 2000 people) and gave my", "the first two tales... I just have to find a way to quickly", "she up to something? keep in mind for later use'. The first story", "most like: Miss Marple kind of tale. I set the story in a", "to identify connections between the characters, because I keep forgetting that D goes", "nothing more than 'male, Jehj Slotj, security at X' or 'female, Hice Dee,", "ones in B's class, which is a year ahead and includes E, who", "friends, regular friends and general acquaintances, mapping the places she goes to (cafés,", "give her family (husband and one child) their own close friends and regular", "previously created, quite the opposite, they should use those connections. The more 'old'", "more characters! I've got more than enough for a dozen crimes; I don't", "could thrive, given the right conditions. Of course most characters are nothing more", "she interacts with where. Then, obviously, I had to give her family (husband", "A goes to swimming classes with B and D) and, on top, add", "essential clues through casual (and not so casual) conversations with her friends and", "the less need I have to create more characters! I've got more than", "victim to the MC so she can discover the criminal, but the now", "the secondary characters. Once that was done, I started mapping out dislikes, pet", "head at the time of their creation, have become strangers. I need a", "MC learning essential clues through casual (and not so casual) conversations with her", "a neighbour to F, so D is the perfect character to see the", "of C and D; A goes to swimming classes with B and D)", "use'. The first story flowed very well, with the MC learning essential clues", "2000 people) and gave my main character family, close friends, regular friends and", "year ahead and includes E, who used to bully A and C). However,", "that was done, I started mapping out dislikes, pet hates, enemies and rivals.", "salon, etc) and whom she interacts with where. Then, obviously, I had to", "a quick, visual way to identify connections between the characters, because I keep", "visual way to identify connections between the characters, because I keep forgetting that", "I now move on to the third crime, I've found that the town", "However, if someone has an 'advised approach' to YEd that I'm failing to", "for a really complex thing here, but it worked briliantly for the first", "have to find a way to quickly recall all the connections in between", "I've decided to experiment with mystery novels and went for the type I", "rivals. Soon, I found myself with a realistic 'town' where crime could thrive,", "X, MC has noticed her hands are often scratched, concluded she's got a", "criminal, but the now ~300 named characters (developed to greater or lesser extent),", "for a dozen crimes; I don't need anymore. Can anyone suggest some software", "node (A is friends with B, C, D; A is also C's cousin;", "right conditions. Of course most characters are nothing more than 'male, Jehj Slotj,", "separate her from B, but also which different paths can A use to", "flowed very well, with the MC learning essential clues through casual (and not", "to find threads that connect the next victim to the MC so she", "but it's not the best thing when a single node has multiple different", "middle-aged, works at X, MC has noticed her hands are often scratched, concluded", "crime could thrive, given the right conditions. Of course most characters are nothing", "Marple kind of tale. I set the story in a small town (about", "that the town has escaped my control. I need to find threads that", "pass on some specific clue. This is especially important when the characters are", "to make the connections, but it's not the best thing when a single", "connections are used, the less need I have to create more characters! I've", "town has escaped my control. I need to find threads that connect the", "the same to the secondary characters. Once that was done, I started mapping", "started mapping out dislikes, pet hates, enemies and rivals. Soon, I found myself", "in my head at the time of their creation, have become strangers. I", "seeds for possible new crimes. Perfect! As I now move on to the", "E, who used to bully A and C). However, if someone has an", "someone has an 'advised approach' to YEd that I'm failing to discover, feel", "thrive, given the right conditions. Of course most characters are nothing more than", "friends and general acquaintances, mapping the places she goes to (cafés, supermarkets, beauty", "many nodes separate her from B, but also which different paths can A", "friends, and I also did the same to the secondary characters. Once that", "my main character family, close friends, regular friends and general acquaintances, mapping the", "the third crime, I've found that the town has escaped my control. I", "and went for the type I most like: Miss Marple kind of tale.", "mystery novels and went for the type I most like: Miss Marple kind", "apparent strangers: A does not know B, but her son goes to school", "social media connections and something similar would be just perfect. I could select", "goes to the same shops, have friends in common, etc). I've tried to", "learning essential clues through casual (and not so casual) conversations with her friends", "on some specific clue. This is especially important when the characters are apparent", "opposite, they should use those connections. The more 'old' connections are used, the", "up-coming stories cannot contradict the connections previously created, quite the opposite, they should", "characters! I've got more than enough for a dozen crimes; I don't need", "for the type I most like: Miss Marple kind of tale. I set", "and rivals. Soon, I found myself with a realistic 'town' where crime could", "the ones in B's class, which is a year ahead and includes E,", "like: Miss Marple kind of tale. I set the story in a small", "quick, visual way to identify connections between the characters, because I keep forgetting", "and D) and, on top, add places (all the named kids in A's", "discover the criminal, but the now ~300 named characters (developed to greater or", "acquaintances, mapping the places she goes to (cafés, supermarkets, beauty salon, etc) and", "connections. The more 'old' connections are used, the less need I have to", "it worked briliantly for the first two tales... I just have to find", "between the characters, because I keep forgetting that D goes to school with", "B's miece. That kind of thing. The up-coming stories cannot contradict the connections", "the perfect character to see the criminal and pass on some specific clue.", "to B (if B goes to the same shops, have friends in common,", "works at X, MC has noticed her hands are often scratched, concluded she's", "given the right conditions. Of course most characters are nothing more than 'male,", "the characters are apparent strangers: A does not know B, but her son", "went for the type I most like: Miss Marple kind of tale. I", "common, etc). I've tried to use YEd to make the connections, but it's", "and pass on some specific clue. This is especially important when the characters", "the same shops, have friends in common, etc). I've tried to use YEd", "in a small town (about 2000 people) and gave my main character family,", "class, plus the ones in B's class, which is a year ahead and", "crime, I've found that the town has escaped my control. I need to", "character to see the criminal and pass on some specific clue. This is", "and D; A goes to swimming classes with B and D) and, on", "goes to school with C who is B's miece. That kind of thing.", "could select character A and not only see how many nodes separate her", "to create more characters! I've got more than enough for a dozen crimes;", "of tale. I set the story in a small town (about 2000 people)", "The more 'old' connections are used, the less need I have to create", "is also a neighbour to F, so D is the perfect character to", "are often scratched, concluded she's got a cat - is it really a", "know B, but her son goes to school with C who is B's", "That kind of thing. The up-coming stories cannot contradict the connections previously created,", "where crime could thrive, given the right conditions. Of course most characters are", "story flowed very well, with the MC learning essential clues through casual (and", "failing to discover, feel free to point out the obvious. I know, I'm", "which is a year ahead and includes E, who used to bully A", "the right conditions. Of course most characters are nothing more than 'male, Jehj", "school with C but is also a neighbour to F, so D is", "The up-coming stories cannot contradict the connections previously created, quite the opposite, they", "from B, but also which different paths can A use to get to", "so she can discover the criminal, but the now ~300 named characters (developed", "keep forgetting that D goes to school with C but is also a", "of thing. The up-coming stories cannot contradict the connections previously created, quite the", "discover, feel free to point out the obvious. I know, I'm going for", "general acquaintances, mapping the places she goes to (cafés, supermarkets, beauty salon, etc)", "few seeds for possible new crimes. Perfect! As I now move on to", "dozen crimes; I don't need anymore. Can anyone suggest some software that can", "in mind for later use'. The first story flowed very well, with the", "I don't need anymore. Can anyone suggest some software that can be used", "if someone has an 'advised approach' to YEd that I'm failing to discover,", "their own close friends and regular friends, and I also did the same", "is a year ahead and includes E, who used to bully A and", "who used to bully A and C). However, if someone has an 'advised", "B, but also which different paths can A use to get to B", "also a neighbour to F, so D is the perfect character to see", "at X, MC has noticed her hands are often scratched, concluded she's got", "that can be used to map a large number of connections/relationships? I've seen", "for possible new crimes. Perfect! As I now move on to the third", "time of their creation, have become strangers. I need a quick, visual way", "'female, Hice Dee, middle-aged, works at X, MC has noticed her hands are", "has escaped my control. I need to find threads that connect the next", "number of connections/relationships? I've seen those maps for mapping social media connections and", "casual) conversations with her friends and acquaintances. There were also a few seeds", "really a cat or is she up to something? keep in mind for", "the named kids in A's class, plus the ones in B's class, which", "Slotj, security at X' or 'female, Hice Dee, middle-aged, works at X, MC", "not the best thing when a single node has multiple different relationships with", "identify connections between the characters, because I keep forgetting that D goes to", "use YEd to make the connections, but it's not the best thing when", "have become strangers. I need a quick, visual way to identify connections between", "B, C, D; A is also C's cousin; A is also a school", "something similar would be just perfect. I could select character A and not", "one child) their own close friends and regular friends, and I also did", "very well, with the MC learning essential clues through casual (and not so", "with the MC learning essential clues through casual (and not so casual) conversations", "character family, close friends, regular friends and general acquaintances, mapping the places she", "later use'. The first story flowed very well, with the MC learning essential", "software that can be used to map a large number of connections/relationships? I've", "obvious. I know, I'm going for a really complex thing here, but it", "concluded she's got a cat - is it really a cat or is", "goes to swimming classes with B and D) and, on top, add places", "child) their own close friends and regular friends, and I also did the", "a few seeds for possible new crimes. Perfect! As I now move on", "would be just perfect. I could select character A and not only see", "C's cousin; A is also a school coleague of C and D; A", "scratched, concluded she's got a cat - is it really a cat or", "have friends in common, etc). I've tried to use YEd to make the", "see the criminal and pass on some specific clue. This is especially important", "'town' where crime could thrive, given the right conditions. Of course most characters", "A and C). However, if someone has an 'advised approach' to YEd that", "strangers: A does not know B, but her son goes to school with", "the time of their creation, have become strangers. I need a quick, visual", "contradict the connections previously created, quite the opposite, they should use those connections.", "different relationships with a second node (A is friends with B, C, D;", "use those connections. The more 'old' connections are used, the less need I", "to the third crime, I've found that the town has escaped my control.", "goes to (cafés, supermarkets, beauty salon, etc) and whom she interacts with where.", "places she goes to (cafés, supermarkets, beauty salon, etc) and whom she interacts", "~300 named characters (developed to greater or lesser extent), whose connections were so", "her family (husband and one child) their own close friends and regular friends,", "friends in common, etc). I've tried to use YEd to make the connections,", "is B's miece. That kind of thing. The up-coming stories cannot contradict the", "or is she up to something? keep in mind for later use'. The", "(developed to greater or lesser extent), whose connections were so clear in my", "criminal and pass on some specific clue. This is especially important when the", "she can discover the criminal, but the now ~300 named characters (developed to", "B, but her son goes to school with C who is B's miece.", "cannot contradict the connections previously created, quite the opposite, they should use those", "they should use those connections. The more 'old' connections are used, the less", "control. I need to find threads that connect the next victim to the", "to greater or lesser extent), whose connections were so clear in my head", "neighbour to F, so D is the perfect character to see the criminal", "to swimming classes with B and D) and, on top, add places (all", "C and D; A goes to swimming classes with B and D) and,", "plus the ones in B's class, which is a year ahead and includes", "a dozen crimes; I don't need anymore. Can anyone suggest some software that", "I've got more than enough for a dozen crimes; I don't need anymore.", "with mystery novels and went for the type I most like: Miss Marple", "tales... I just have to find a way to quickly recall all the", "be used to map a large number of connections/relationships? I've seen those maps", "which different paths can A use to get to B (if B goes", "her hands are often scratched, concluded she's got a cat - is it", "I set the story in a small town (about 2000 people) and gave", "main character family, close friends, regular friends and general acquaintances, mapping the places", "characters are apparent strangers: A does not know B, but her son goes", "different paths can A use to get to B (if B goes to", "make the connections, but it's not the best thing when a single node", "important when the characters are apparent strangers: A does not know B, but", "close friends, regular friends and general acquaintances, mapping the places she goes to", "B and D) and, on top, add places (all the named kids in", "but the now ~300 named characters (developed to greater or lesser extent), whose", "I have to create more characters! I've got more than enough for a", "so D is the perfect character to see the criminal and pass on", "was done, I started mapping out dislikes, pet hates, enemies and rivals. Soon,", "have to create more characters! I've got more than enough for a dozen", "because I keep forgetting that D goes to school with C but is", "create more characters! I've got more than enough for a dozen crimes; I", "first story flowed very well, with the MC learning essential clues through casual", "is the perfect character to see the criminal and pass on some specific" ]
[ "writer, bleeding through all of them? Also, how does the writing style change?", "bleeding through all of them? Also, how does the writing style change? Between", "male, two female. Each have different upbringings, different cultural backgrounds, different professions, different", "short, how the characters think, the entire worldview, it changes from chapter to", "two female. Each have different upbringings, different cultural backgrounds, different professions, different motivators", "worldview, it changes from chapter to chapter. So how do I change my", "- in short, how the characters think, the entire worldview, it changes from", "Between male and female POVs, between different professions? Do male tend to use", "two male, two female. Each have different upbringings, different cultural backgrounds, different professions,", "does the writing style change? Between male and female POVs, between different professions?", "when it is just my voice as the writer, bleeding through all of", "reflect the character voice, when it is just my voice as the writer,", "POVs in it - two male, two female. Each have different upbringings, different", "it changes from chapter to chapter. So how do I change my writing", "character voice, when it is just my voice as the writer, bleeding through", "Each have different upbringings, different cultural backgrounds, different professions, different motivators and driving", "does the voice change in, say, a warrior, as compared to a mathematician", "voice change in, say, a warrior, as compared to a mathematician or a", "how the characters think, the entire worldview, it changes from chapter to chapter.", "different cultural backgrounds, different professions, different motivators and driving factors - in short,", "the entire worldview, it changes from chapter to chapter. So how do I", "novel with 3-4 character POVs in it - two male, two female. Each", "with 3-4 character POVs in it - two male, two female. Each have", "it - two male, two female. Each have different upbringings, different cultural backgrounds,", "writing style change? Between male and female POVs, between different professions? Do male", "different motivators and driving factors - in short, how the characters think, the", "POVs, between different professions? Do male tend to use more stilted sentences than", "change my writing to reflect the character voice, when it is just my", "different professions? Do male tend to use more stilted sentences than female characters?", "sentences than female characters? How does the voice change in, say, a warrior,", "just my voice as the writer, bleeding through all of them? Also, how", "from chapter to chapter. So how do I change my writing to reflect", "male and female POVs, between different professions? 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Between male", "How does the voice change in, say, a warrior, as compared to a", "characters think, the entire worldview, it changes from chapter to chapter. So how", "male tend to use more stilted sentences than female characters? How does the", "a novel with 3-4 character POVs in it - two male, two female.", "driving factors - in short, how the characters think, the entire worldview, it", "think, the entire worldview, it changes from chapter to chapter. So how do", "I'm currently writing a novel with 3-4 character POVs in it - two", "female. Each have different upbringings, different cultural backgrounds, different professions, different motivators and", "changes from chapter to chapter. So how do I change my writing to", "entire worldview, it changes from chapter to chapter. So how do I change", "upbringings, different cultural backgrounds, different professions, different motivators and driving factors - in", "female POVs, between different professions? Do male tend to use more stilted sentences", "all of them? Also, how does the writing style change? Between male and", "chapter to chapter. So how do I change my writing to reflect the", "them? Also, how does the writing style change? Between male and female POVs,", "of them? Also, how does the writing style change? Between male and female", "motivators and driving factors - in short, how the characters think, the entire", "in it - two male, two female. Each have different upbringings, different cultural", "Do male tend to use more stilted sentences than female characters? How does", "different upbringings, different cultural backgrounds, different professions, different motivators and driving factors -", "have different upbringings, different cultural backgrounds, different professions, different motivators and driving factors", "3-4 character POVs in it - two male, two female. Each have different", "change in, say, a warrior, as compared to a mathematician or a linguist?", "do I change my writing to reflect the character voice, when it is", "female characters? How does the voice change in, say, a warrior, as compared", "as the writer, bleeding through all of them? Also, how does the writing", "to reflect the character voice, when it is just my voice as the", "currently writing a novel with 3-4 character POVs in it - two male,", "the character voice, when it is just my voice as the writer, bleeding", "stilted sentences than female characters? How does the voice change in, say, a", "factors - in short, how the characters think, the entire worldview, it changes", "writing a novel with 3-4 character POVs in it - two male, two", "the writer, bleeding through all of them? Also, how does the writing style", "in short, how the characters think, the entire worldview, it changes from chapter", "the voice change in, say, a warrior, as compared to a mathematician or", "to use more stilted sentences than female characters? How does the voice change", "writing to reflect the character voice, when it is just my voice as", "my writing to reflect the character voice, when it is just my voice", "backgrounds, different professions, different motivators and driving factors - in short, how the", "how does the writing style change? Between male and female POVs, between different", "voice, when it is just my voice as the writer, bleeding through all", "it is just my voice as the writer, bleeding through all of them?", "tend to use more stilted sentences than female characters? How does the voice", "than female characters? How does the voice change in, say, a warrior, as", "is just my voice as the writer, bleeding through all of them? Also,", "and driving factors - in short, how the characters think, the entire worldview,", "voice as the writer, bleeding through all of them? Also, how does the", "So how do I change my writing to reflect the character voice, when", "chapter. So how do I change my writing to reflect the character voice,", "how do I change my writing to reflect the character voice, when it", "change? Between male and female POVs, between different professions? Do male tend to", "use more stilted sentences than female characters? How does the voice change in,", "style change? Between male and female POVs, between different professions? Do male tend", "the characters think, the entire worldview, it changes from chapter to chapter. So", "- two male, two female. Each have different upbringings, different cultural backgrounds, different", "characters? How does the voice change in, say, a warrior, as compared to", "cultural backgrounds, different professions, different motivators and driving factors - in short, how", "more stilted sentences than female characters? How does the voice change in, say,", "different professions, different motivators and driving factors - in short, how the characters" ]
[ "disorderly charge but soon learns he's on death-row after being convicted murdering his", "the story is told. I would like to leave it there . .", "he believes he's on a drunk and disorderly charge but soon learns he's", "a jail cell. Initially he believes he's on a drunk and disorderly charge", "Amanda Rodriguez. * I think the story is told. I would like to", "Amanda Jackson. He believes his wife and children have held him back and", "shared his life with his high-school sweetheart, Abuwuil Watson. After getting blind drunk", "a mid-life crisis expresses to a dubious bartender named Kics that he regrets", "but soon learns he's on death-row after being convicted murdering his wife, Abuwuil,", "high-school sweetheart, Abuwuil Watson. After getting blind drunk he wakes up the next", ". . but would it add to the story if I went on", "* I think the story is told. I would like to leave it", "Abuwuil Watson. After getting blind drunk he wakes up the next day in", "an appeal to the new elected state Governor, Amanda Rodriguez. * I think", "reader work too hard to put the plot points together. In my latest", "his wife, Abuwuil, and their two children. He has lost his appeals and", "story: a man experiencing a mid-life crisis expresses to a dubious bartender named", "for clemency is an appeal to the new elected state Governor, Amanda Rodriguez.", "bartender named Kics that he regrets marrying Amanda Jackson. He believes his wife", "think the story is told. I would like to leave it there .", "written enough to know the kind of writer I am, my voice, my", "on death-row after being convicted murdering his wife, Abuwuil, and their two children.", "my voice, my style. I am often accused of making the reader work", "After getting blind drunk he wakes up the next day in a jail", "leave it there . . . but would it add to the story", "together. In my latest story: a man experiencing a mid-life crisis expresses to", "have held him back and wishes he'd shared his life with his high-school", "it add to the story if I went on to explain for those", "of making the reader work too hard to put the plot points together.", "that he regrets marrying Amanda Jackson. He believes his wife and children have", "would like to leave it there . . . but would it add", "he regrets marrying Amanda Jackson. He believes his wife and children have held", "plot points together. In my latest story: a man experiencing a mid-life crisis", "only chance for clemency is an appeal to the new elected state Governor,", "Governor, Amanda Rodriguez. * I think the story is told. I would like", "two children. He has lost his appeals and his only chance for clemency", "on a drunk and disorderly charge but soon learns he's on death-row after", "told. I would like to leave it there . . . but would", "the reader work too hard to put the plot points together. In my", "expresses to a dubious bartender named Kics that he regrets marrying Amanda Jackson.", "appeals and his only chance for clemency is an appeal to the new", "the story if I went on to explain for those who couldn't join", "appeal to the new elected state Governor, Amanda Rodriguez. * I think the", "my latest story: a man experiencing a mid-life crisis expresses to a dubious", "story is told. I would like to leave it there . . .", "I would like to leave it there . . . but would it", "is told. I would like to leave it there . . . but", "Abuwuil, and their two children. He has lost his appeals and his only", "I've written enough to know the kind of writer I am, my voice,", "to know the kind of writer I am, my voice, my style. I", "but would it add to the story if I went on to explain", "he wakes up the next day in a jail cell. Initially he believes", "a man experiencing a mid-life crisis expresses to a dubious bartender named Kics", "and wishes he'd shared his life with his high-school sweetheart, Abuwuil Watson. After", "sweetheart, Abuwuil Watson. After getting blind drunk he wakes up the next day", "blind drunk he wakes up the next day in a jail cell. Initially", "In my latest story: a man experiencing a mid-life crisis expresses to a", "clemency is an appeal to the new elected state Governor, Amanda Rodriguez. ", "would it add to the story if I went on to explain for", "learns he's on death-row after being convicted murdering his wife, Abuwuil, and their", "life with his high-school sweetheart, Abuwuil Watson. After getting blind drunk he wakes", "murdering his wife, Abuwuil, and their two children. He has lost his appeals", "my style. I am often accused of making the reader work too hard", "enough to know the kind of writer I am, my voice, my style.", "kind of writer I am, my voice, my style. I am often accused", "wife and children have held him back and wishes he'd shared his life", "back and wishes he'd shared his life with his high-school sweetheart, Abuwuil Watson.", "his high-school sweetheart, Abuwuil Watson. After getting blind drunk he wakes up the", "children have held him back and wishes he'd shared his life with his", "work too hard to put the plot points together. In my latest story:", "drunk he wakes up the next day in a jail cell. Initially he", "his only chance for clemency is an appeal to the new elected state", "voice, my style. I am often accused of making the reader work too", "put the plot points together. In my latest story: a man experiencing a", "his wife and children have held him back and wishes he'd shared his", "with his high-school sweetheart, Abuwuil Watson. After getting blind drunk he wakes up", "I am, my voice, my style. I am often accused of making the", "and disorderly charge but soon learns he's on death-row after being convicted murdering", "style. I am often accused of making the reader work too hard to", "named Kics that he regrets marrying Amanda Jackson. He believes his wife and", "him back and wishes he'd shared his life with his high-school sweetheart, Abuwuil", "hard to put the plot points together. In my latest story: a man", "a drunk and disorderly charge but soon learns he's on death-row after being", "the plot points together. In my latest story: a man experiencing a mid-life", "lost his appeals and his only chance for clemency is an appeal to", "Initially he believes he's on a drunk and disorderly charge but soon learns", "his appeals and his only chance for clemency is an appeal to the", "accused of making the reader work too hard to put the plot points", "wife, Abuwuil, and their two children. 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