Split (1)

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The challenge I'm", "of more or less diverse characters who may, over the course of the", "initial couple of adventures they face, nor is a pre-defined arc for these", "I see fit? Or should I rather try to find a couple of", "more or less diverse characters who may, over the course of the (tv", "the course of the (tv or book) series, evolve into initially unforeseen directions.", "designed for. What is the approach to take? Is aiming for a certain", "would interact, argue, or complement each other to evaluate how interesting or viable", "the characters can (or even should) be tailored for the initial couple of", "to draft characters for a single story, or characters that follow an important", "a bunch of more or less diverse characters who may, over the course", "The challenge I'm seeing is that none of the characters can (or even", "diversity or conflict potential among the protagonists sufficient, and the actual traits can", "how different combinations of characters would interact, argue, or complement each other to", "designing protagonists for an open-ended series, though? Think of TV series like the", "distributed as I see fit? Or should I rather try to find a", "an open-ended series, though? Think of TV series like the typical space operas,", "characters who may, over the course of the (tv or book) series, evolve", "of characters would interact, argue, or complement each other to evaluate how interesting", "or conflict potential among the protagonists sufficient, and the actual traits can more", "into initially unforeseen directions. The challenge I'm seeing is that none of the", "less randomly be distributed as I see fit? Or should I rather try", "series like the typical space operas, detectives that solve case after case, etc.", "or book) series, evolve into initially unforeseen directions. The challenge I'm seeing is", "arc throughout a (small) number of stories. Are there any techniques for designing", "after case, etc. They typically start out with a bunch of more or", "they face, nor is a pre-defined arc for these characters set in stone", "conflict potential among the protagonists sufficient, and the actual traits can more or", "of stories. 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Are", "or complement each other to evaluate how interesting or viable different sets of", "They typically start out with a bunch of more or less diverse characters", "these characters set in stone that they could be designed for. What is", "they could be designed for. What is the approach to take? Is aiming", "for how different combinations of characters would interact, argue, or complement each other", "information on how to draft characters for a single story, or characters that", "single story, or characters that follow an important arc throughout a (small) number", "to take? Is aiming for a certain degree of diversity or conflict potential", "seeing is that none of the characters can (or even should) be tailored", "as I see fit? Or should I rather try to find a couple", "evolve into initially unforeseen directions. 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The challenge", "typical space operas, detectives that solve case after case, etc. They typically start", "to evaluate how interesting or viable different sets of protagonists might turn out", "who may, over the course of the (tv or book) series, evolve into", "open-ended series, though? Think of TV series like the typical space operas, detectives", "to find a couple of examples for how different combinations of characters would", "stone that they could be designed for. What is the approach to take?", "see fit? Or should I rather try to find a couple of examples", "operas, detectives that solve case after case, etc. They typically start out with", "What is the approach to take? Is aiming for a certain degree of", "actual traits can more or less randomly be distributed as I see fit?", "or less diverse characters who may, over the course of the (tv or", "out with a bunch of more or less diverse characters who may, over", "approach to take? 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Are there any techniques for", "Think of TV series like the typical space operas, detectives that solve case", "rather try to find a couple of examples for how different combinations of", "evaluate how interesting or viable different sets of protagonists might turn out over", "on how to draft characters for a single story, or characters that follow", "protagonists for an open-ended series, though? Think of TV series like the typical", "(tv or book) series, evolve into initially unforeseen directions. The challenge I'm seeing", "other to evaluate how interesting or viable different sets of protagonists might turn", "protagonists sufficient, and the actual traits can more or less randomly be distributed", "I'm seeing is that none of the characters can (or even should) be", "can more or less randomly be distributed as I see fit? Or should", "techniques for designing protagonists for an open-ended series, though? 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Are there any techniques for designing protagonists", "the approach to take? Is aiming for a certain degree of diversity or", "TV series like the typical space operas, detectives that solve case after case,", "can (or even should) be tailored for the initial couple of adventures they", "among the protagonists sufficient, and the actual traits can more or less randomly", "a couple of examples for how different combinations of characters would interact, argue,", "nor is a pre-defined arc for these characters set in stone that they", "the initial couple of adventures they face, nor is a pre-defined arc for", "of TV series like the typical space operas, detectives that solve case after", "case, etc. They typically start out with a bunch of more or less", "story, or characters that follow an important arc throughout a (small) number of", "is plenty of information on how to draft characters for a single story,", "for. What is the approach to take? 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[ "Hijrp Potfeq I just don’t understand when its okay to do it, like", "the house and was now walking along the road” or not? When is", "I say something like “Zotn walked away from the house and was now", "and was now walking along the road” or not? When is it acceptable?", "just don’t understand when its okay to do it, like can I say", "say something like “Zotn walked away from the house and was now walking", "“Zotn walked away from the house and was now walking along the road”", "it done in Hijrp Potfeq I just don’t understand when its okay to", "when its okay to do it, like can I say something like “Zotn", "to do it, like can I say something like “Zotn walked away from", "seen it done in Hijrp Potfeq I just don’t understand when its okay", "do it, like can I say something like “Zotn walked away from the", "it, like can I say something like “Zotn walked away from the house", "Potfeq I just don’t understand when its okay to do it, like can", "don’t understand when its okay to do it, like can I say something", "understand when its okay to do it, like can I say something like", "something like “Zotn walked away from the house and was now walking along", "like “Zotn walked away from the house and was now walking along the", "away from the house and was now walking along the road” or not?", "I just don’t understand when its okay to do it, like can I", "house and was now walking along the road” or not? When is it", "I’ve seen it done in Hijrp Potfeq I just don’t understand when its", "okay to do it, like can I say something like “Zotn walked away", "like can I say something like “Zotn walked away from the house and", "walked away from the house and was now walking along the road” or", "its okay to do it, like can I say something like “Zotn walked", "done in Hijrp Potfeq I just don’t understand when its okay to do", "in Hijrp Potfeq I just don’t understand when its okay to do it,", "can I say something like “Zotn walked away from the house and was", "from the house and was now walking along the road” or not? When" ]
[ "hanging above the shop. Should I use italics for the shop name or", "write: \"Shop Name\", read a sign hanging above the shop. Should I use", "read a sign hanging above the shop. Should I use italics for the", "name or use any other type of formatting? I wasn't sure how to", "the shop name or use any other type of formatting? I wasn't sure", "other type of formatting? I wasn't sure how to do this. This is", "Should I use italics for the shop name or use any other type", "for the shop name or use any other type of formatting? I wasn't", "sign hanging above the shop. Should I use italics for the shop name", "I use italics for the shop name or use any other type of", "any other type of formatting? I wasn't sure how to do this. This", "Is it okay to write: \"Shop Name\", read a sign hanging above the", "it okay to write: \"Shop Name\", read a sign hanging above the shop.", "use italics for the shop name or use any other type of formatting?", "or use any other type of formatting? I wasn't sure how to do", "type of formatting? I wasn't sure how to do this. This is for", "to write: \"Shop Name\", read a sign hanging above the shop. Should I", "\"Shop Name\", read a sign hanging above the shop. Should I use italics", "the shop. Should I use italics for the shop name or use any", "italics for the shop name or use any other type of formatting? I", "use any other type of formatting? I wasn't sure how to do this.", "shop name or use any other type of formatting? I wasn't sure how", "shop. Should I use italics for the shop name or use any other", "of formatting? I wasn't sure how to do this. This is for fiction.", "above the shop. Should I use italics for the shop name or use", "Name\", read a sign hanging above the shop. Should I use italics for", "okay to write: \"Shop Name\", read a sign hanging above the shop. Should", "a sign hanging above the shop. Should I use italics for the shop" ]
[ "book seems like it’s going to be way too short. My goal was", "My book seems like it’s going to be way too short. My goal", "be way too short. My goal was 300 pages but it seems like", "was 300 pages but it seems like it’s barely gonna make 100. What", "like it’s going to be way too short. My goal was 300 pages", "too short. My goal was 300 pages but it seems like it’s barely", "going to be way too short. My goal was 300 pages but it", "My goal was 300 pages but it seems like it’s barely gonna make", "it’s going to be way too short. My goal was 300 pages but", "300 pages but it seems like it’s barely gonna make 100. What should", "seems like it’s going to be way too short. My goal was 300", "pages but it seems like it’s barely gonna make 100. What should I", "to be way too short. My goal was 300 pages but it seems", "but it seems like it’s barely gonna make 100. What should I do?", "short. My goal was 300 pages but it seems like it’s barely gonna", "goal was 300 pages but it seems like it’s barely gonna make 100.", "way too short. My goal was 300 pages but it seems like it’s" ]
[ "in technical writing to get a job? Or can I get a job", "get into technical writing because I love writing and I am interested in", "writing to get a job? Or can I get a job without a", "degree and I cannot afford to have one, however, I would really love", "writing because I love writing and I am interested in web and software", "have no degree and I cannot afford to have one, however, I would", "a job without a certificate as long as I have the skills? How", "have one, however, I would really love to get into technical writing because", "no degree and I cannot afford to have one, however, I would really", "would really love to get into technical writing because I love writing and", "still learning python and java. Should I at least get a certificate in", "love to get into technical writing because I love writing and I am", "I love writing and I am interested in web and software development. Right", "I am interested in web and software development. Right now, I am still", "and I cannot afford to have one, however, I would really love to", "certificate as long as I have the skills? How and where should I", "I at least get a certificate in technical writing to get a job?", "least get a certificate in technical writing to get a job? Or can", "cannot afford to have one, however, I would really love to get into", "to get into technical writing because I love writing and I am interested", "because I love writing and I am interested in web and software development.", "am still learning python and java. Should I at least get a certificate", "and software development. Right now, I am still learning python and java. Should", "without a certificate as long as I have the skills? How and where", "into technical writing because I love writing and I am interested in web", "get a job without a certificate as long as I have the skills?", "get a certificate in technical writing to get a job? Or can I", "long as I have the skills? How and where should I learn technical", "get a job? Or can I get a job without a certificate as", "and java. Should I at least get a certificate in technical writing to", "Or can I get a job without a certificate as long as I", "to get a job? Or can I get a job without a certificate", "as I have the skills? How and where should I learn technical writing?", "writing and I am interested in web and software development. Right now, I", "I cannot afford to have one, however, I would really love to get", "Right now, I am still learning python and java. Should I at least", "learning python and java. Should I at least get a certificate in technical", "interested in web and software development. Right now, I am still learning python", "technical writing to get a job? Or can I get a job without", "web and software development. Right now, I am still learning python and java.", "a certificate as long as I have the skills? How and where should", "however, I would really love to get into technical writing because I love", "one, however, I would really love to get into technical writing because I", "am interested in web and software development. Right now, I am still learning", "I am still learning python and java. Should I at least get a", "in web and software development. Right now, I am still learning python and", "certificate in technical writing to get a job? Or can I get a", "at least get a certificate in technical writing to get a job? Or", "love writing and I am interested in web and software development. Right now,", "really love to get into technical writing because I love writing and I", "development. Right now, I am still learning python and java. Should I at", "to have one, however, I would really love to get into technical writing", "I would really love to get into technical writing because I love writing", "a certificate in technical writing to get a job? Or can I get", "job? Or can I get a job without a certificate as long as", "I have no degree and I cannot afford to have one, however, I", "technical writing because I love writing and I am interested in web and", "a job? Or can I get a job without a certificate as long", "can I get a job without a certificate as long as I have", "software development. Right now, I am still learning python and java. Should I", "I get a job without a certificate as long as I have the", "now, I am still learning python and java. Should I at least get", "afford to have one, however, I would really love to get into technical", "and I am interested in web and software development. Right now, I am", "job without a certificate as long as I have the skills? How and", "Should I at least get a certificate in technical writing to get a", "as long as I have the skills? How and where should I learn", "java. Should I at least get a certificate in technical writing to get", "python and java. Should I at least get a certificate in technical writing" ]
[ "is Juopne d'Arc and the protagonist discovering her identity via her flashbacks is", "with these characters and understand them better, as these sequences recount essential events", "killed him, leading him to believe that humans are predatory animals that only", "of their company and fell in love with a girl who gave his", "in fending for himself in poverty and only managed to survive by falling", "immensely fond of their company and fell in love with a girl who", "with two problems: * My reliance on showing rather than telling means that", "my job of disguising the deuteragonist's identity from the protagonist and audience significantly", "Juopne faces the hideous slaughter her idealistic mission unleashes by getting a front-row", "can't write good dialogue to save my sorry hide, and most of the", "plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up with some very contrived", "three key reasons why these flashbacks lack dialogue: 1. I can't write good", "I've come up would leave Ehren Kruger and Guojgu Lecav awestruck 2. It", "and audience significantly more manageable, without making characters use her real name continually", "into their respective pasts. These flashbacks allow the audience to form an emotional", "recount essential events in their lives that irreversibly shaped them into the people", "showing rather than telling means that I'll be unable to get specific plot", "flat-out misery porn, these flashbacks depict the deuteragonist coming to terms with the", "gate (it's hinted that she is Juopne d'Arc and the protagonist discovering her", "leave Ehren Kruger and Guojgu Lecav awestruck 2. It makes my job of", "the audience to form an emotional connection with these characters and understand them", "her faith as a shield. This leaves me with two problems: * My", "novel, Juopne faces the hideous slaughter her idealistic mission unleashes by getting a", "d'Arc, which unapologetically explores the harsh and brutal reality of the Hundred Year", "that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that", "a front-row seat to the many atrocities committed by [the Anglo-Burgundians and her", "Kruger and Guojgu Lecav awestruck 2. It makes my job of disguising the", "unable to get specific plot elements across to the reader I can't", "happened to him as an excuse to justify his nihilistic and selfish behaviour.", "to justify his nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow heavily from", "can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the protagonist", "committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery", "Throughout the novel, Juopne faces the hideous slaughter her idealistic mission unleashes by", "of the dialogue I've come up would leave Ehren Kruger and Guojgu Lecav", "seat to the many atrocities committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality).", "than being flat-out misery porn, these flashbacks depict the deuteragonist coming to terms", "him as an excuse to justify his nihilistic and selfish behaviour. The deuteragonist's", "himself in poverty and only managed to survive by falling with a gang", "use what happened to him as an excuse to justify his nihilistic and", "front-row seat to the many atrocities committed by [the Anglo-Burgundians and her fellow", "themselves. Although he doesn't use what happened to him as an excuse to", "delve into their respective pasts. These flashbacks allow the audience to form an", "them to communicate with each other telepathically. A side effect of this telepathy", "irreversibly shaped them into the people they are. There are three key reasons", "dialogue for characterisation, making difficult for me give personality to side characters featured", "why these flashbacks lack dialogue: 1. I can't write good dialogue to save", "nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The", "characters staring in the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his", "harsh and brutal reality of the Hundred Year War via Juopne's perspective in", "side characters featured in these flashbacks How can I write around these issues?", "making characters use her real name continually and killing all sense of mystery", "with a girl who gave his life meaning. However, that ended when a", "many atrocities committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being", "the gate (it's hinted that she is Juopne d'Arc and the protagonist discovering", "unleashes by getting a front-row seat to the many atrocities committed by [the", "her resolve to end the Hundred Year War by using her faith as", "of the Hundred Year War via Juopne's perspective in media res. Throughout the", "with a gang of homeless youth. Though he was initially standoffish, he eventually", "leading him to believe that humans are predatory animals that only care for", "humans are predatory animals that only care for themselves. Although he doesn't use", "being flat-out misery porn, these flashbacks depict the deuteragonist coming to terms with", "manageable, without making characters use her real name continually and killing all sense", "more manageable, without making characters use her real name continually and killing all", "that only care for themselves. Although he doesn't use what happened to him", "hideous slaughter her idealistic mission unleashes by getting a front-row seat to the", "real name continually and killing all sense of mystery right out of the", "sense of mystery right out of the gate (it's hinted that she is", "initially standoffish, he eventually grew immensely fond of their company and fell in", "from Ali Alizadeh's The Last Days of Juopne d'Arc, which unapologetically explores the", "English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the protagonist spent his youth in", "3. I don't have to come up with some very contrived reason as", "means that I'll be unable to get specific plot elements across to the", "and Guojgu Lecav awestruck 2. It makes my job of disguising the deuteragonist's", "Last Days of Juopne d'Arc, which unapologetically explores the harsh and brutal reality", "company and fell in love with a girl who gave his life meaning.", "he eventually grew immensely fond of their company and fell in love with", "the novel, Juopne faces the hideous slaughter her idealistic mission unleashes by getting", "using her faith as a shield. This leaves me with two problems: ", "of Juopne d'Arc, which unapologetically explores the harsh and brutal reality of the", "Hundred Year War via Juopne's perspective in media res. Throughout the novel, Juopne", "the Hundred Year War by using her faith as a shield. This leaves", "War by using her faith as a shield. This leaves me with two", "people they are. There are three key reasons why these flashbacks lack dialogue:", "characterisation, making difficult for me give personality to side characters featured in these", "from the protagonist and audience significantly more manageable, without making characters use her", "form an emotional connection with these characters and understand them better, as these", "mental link, allowing them to communicate with each other telepathically. A side effect", "telepathically. A side effect of this telepathy is that they enable the duo", "I'll be unable to get specific plot elements across to the reader ", "for characterisation, making difficult for me give personality to side characters featured in", "the deuteragonist coming to terms with the consequences for her actions and strengthening", "It makes my job of disguising the deuteragonist's identity from the protagonist and", "staring in the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks,", "problems: * My reliance on showing rather than telling means that I'll be", "telling means that I'll be unable to get specific plot elements across to", "to communicate with each other telepathically. A side effect of this telepathy is", "that humans are predatory animals that only care for themselves. Although he doesn't", "fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these flashbacks depict the deuteragonist", "Hundred Year War by using her faith as a shield. This leaves me", "killing all sense of mystery right out of the gate (it's hinted that", "My reliance on showing rather than telling means that I'll be unable to", "he was initially standoffish, he eventually grew immensely fond of their company and", "as to why characters staring in the deuteragonist's flashbacks can [speak perfect modern", "flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the", "save my sorry hide, and most of the dialogue I've come up would", "connection with these characters and understand them better, as these sequences recount essential", "This leaves me with two problems: * My reliance on showing rather than", "rather than telling means that I'll be unable to get specific plot elements", "[speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the protagonist spent", "misery porn, these flashbacks depict the deuteragonist coming to terms with the consequences", "can't use dialogue for characterisation, making difficult for me give personality to side", "the many atrocities committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than", "I don't have to come up with some very contrived reason as to", "end the Hundred Year War by using her faith as a shield. This", "media res. Throughout the novel, Juopne faces the hideous slaughter her idealistic mission", "flashbacks lack dialogue: 1. I can't write good dialogue to save my sorry", "leaves me with two problems: My reliance on showing rather than telling", "meaning. However, that ended when a close friend betrayed him and nearly killed", "dialogue to save my sorry hide, and most of the dialogue I've come", "Ehren Kruger and Guojgu Lecav awestruck 2. It makes my job of disguising", "the people they are. There are three key reasons why these flashbacks lack", "Juopne d'Arc and the protagonist discovering her identity via her flashbacks is [a", "very contrived reason as to why characters staring in the deuteragonist's flashbacks can", "they are. There are three key reasons why these flashbacks lack dialogue: 1.", "depict the deuteragonist coming to terms with the consequences for her actions and", "Year War via Juopne's perspective in media res. Throughout the novel, Juopne faces", "justify his nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow heavily from Ali", "communicate with each other telepathically. A side effect of this telepathy is that", "for me give personality to side characters featured in these flashbacks *How can", "love with a girl who gave his life meaning. However, that ended when", "behaviour. The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The Last Days of", "standoffish, he eventually grew immensely fond of their company and fell in love", "are. There are three key reasons why these flashbacks lack dialogue: 1. I", "and only managed to survive by falling with a gang of homeless youth.", "Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these flashbacks depict the deuteragonist coming", "flashbacks allow the audience to form an emotional connection with these characters and", "* My reliance on showing rather than telling means that I'll be unable", "for himself in poverty and only managed to survive by falling with a", "characters and understand them better, as these sequences recount essential events in their", "of the gate (it's hinted that she is Juopne d'Arc and the protagonist", "in the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's", "doesn't use what happened to him as an excuse to justify his nihilistic", "explores the harsh and brutal reality of the Hundred Year War via Juopne's", "are predatory animals that only care for themselves. Although he doesn't use what", "falling with a gang of homeless youth. Though he was initially standoffish, he", "her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come", "gang of homeless youth. Though he was initially standoffish, he eventually grew immensely", "of disguising the deuteragonist's identity from the protagonist and audience significantly more manageable,", "deuteragonist's identity from the protagonist and audience significantly more manageable, without making characters", "reliance on showing rather than telling means that I'll be unable to get", "share a mental link, allowing them to communicate with each other telepathically. A", "Although he doesn't use what happened to him as an excuse to justify", "reasons why these flashbacks lack dialogue: 1. I can't write good dialogue to", "to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts.", "by falling with a gang of homeless youth. Though he was initially standoffish,", "only care for themselves. Although he doesn't use what happened to him as", "these characters and understand them better, as these sequences recount essential events in", "allowing them to communicate with each other telepathically. A side effect of this", "of this telepathy is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series", "her identity via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't", "these sequences recount essential events in their lives that irreversibly shaped them into", "reality of the Hundred Year War via Juopne's perspective in media res. Throughout", "that ended when a close friend betrayed him and nearly killed him, leading", "disguising the deuteragonist's identity from the protagonist and audience significantly more manageable, without", "are three key reasons why these flashbacks lack dialogue: 1. I can't write", "other telepathically. A side effect of this telepathy is that they enable the", "the hideous slaughter her idealistic mission unleashes by getting a front-row seat to", "flashbacks depict the deuteragonist coming to terms with the consequences for her actions", "atrocities committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out", "up with some very contrived reason as to why characters staring in the", "Alizadeh's The Last Days of Juopne d'Arc, which unapologetically explores the harsh and", "him and nearly killed him, leading him to believe that humans are predatory", "would leave Ehren Kruger and Guojgu Lecav awestruck 2. It makes my job", "strengthening her resolve to end the Hundred Year War by using her faith", "predatory animals that only care for themselves. Although he doesn't use what happened", "he doesn't use what happened to him as an excuse to justify his", "terms with the consequences for her actions and strengthening her resolve to end", "telepathy is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless", "by using her faith as a shield. This leaves me with two problems:", "Though he was initially standoffish, he eventually grew immensely fond of their company", "and the protagonist discovering her identity via her flashbacks is [a significant plot", "to get specific plot elements across to the reader * I can't use", "only managed to survive by falling with a gang of homeless youth. Though", "A side effect of this telepathy is that they enable the duo to", "flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These flashbacks allow the audience to", "the harsh and brutal reality of the Hundred Year War via Juopne's perspective", "lives that irreversibly shaped them into the people they are. There are three", "difficult for me give personality to side characters featured in these flashbacks *How", "d'Arc and the protagonist discovering her identity via her flashbacks is [a significant", "[dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These flashbacks allow the audience", "care for themselves. Although he doesn't use what happened to him as an", "all sense of mystery right out of the gate (it's hinted that she", "have to come up with some very contrived reason as to why characters", "excuse to justify his nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow heavily", "makes my job of disguising the deuteragonist's identity from the protagonist and audience", "characters use her real name continually and killing all sense of mystery right", "Year War by using her faith as a shield. This leaves me with", "his nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's", "their company and fell in love with a girl who gave his life", "the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed", "by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn,", "across to the reader I can't use dialogue for characterisation, making difficult", "when a close friend betrayed him and nearly killed him, leading him to", "their lives that irreversibly shaped them into the people they are. There are", "my trilogy, the protagonist and deuteragonist share a mental link, allowing them to", "with each other telepathically. A side effect of this telepathy is that they", "fending for himself in poverty and only managed to survive by falling with", "she is Juopne d'Arc and the protagonist discovering her identity via her flashbacks", "identity from the protagonist and audience significantly more manageable, without making characters use", "friend betrayed him and nearly killed him, leading him to believe that humans", "link, allowing them to communicate with each other telepathically. A side effect of", "shield. This leaves me with two problems: * My reliance on showing rather", "his flashbacks, it's revealed during the protagonist spent his youth in fending for", "is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode)", "awestruck 2. It makes my job of disguising the deuteragonist's identity from the", "better, as these sequences recount essential events in their lives that irreversibly shaped", "to why characters staring in the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)", "spent his youth in fending for himself in poverty and only managed to", "However, that ended when a close friend betrayed him and nearly killed him,", "out of the gate (it's hinted that she is Juopne d'Arc and the", "enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into", "making difficult for me give personality to side characters featured in these flashbacks", "him to believe that humans are predatory animals that only care for themselves.", "shaped them into the people they are. There are three key reasons why", "continually and killing all sense of mystery right out of the gate (it's", "the reader * I can't use dialogue for characterisation, making difficult for me", "selfish behaviour. The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The Last Days", "perspective in media res. Throughout the novel, Juopne faces the hideous slaughter her", "on showing rather than telling means that I'll be unable to get specific", "betrayed him and nearly killed him, leading him to believe that humans are", "my sorry hide, and most of the dialogue I've come up would leave", "managed to survive by falling with a gang of homeless youth. Though he", "essential events in their lives that irreversibly shaped them into the people they", "nearly killed him, leading him to believe that humans are predatory animals that", "flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up", "job of disguising the deuteragonist's identity from the protagonist and audience significantly more", "youth. Though he was initially standoffish, he eventually grew immensely fond of their", "The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The Last Days of Juopne", "deuteragonist share a mental link, allowing them to communicate with each other telepathically.", "youth in fending for himself in poverty and only managed to survive by", "why characters staring in the deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In", "get specific plot elements across to the reader * I can't use dialogue", "discovering her identity via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I", "fell in love with a girl who gave his life meaning. However, that", "an emotional connection with these characters and understand them better, as these sequences", "There are three key reasons why these flashbacks lack dialogue: 1. I can't", "the consequences for her actions and strengthening her resolve to end the Hundred", "as an excuse to justify his nihilistic and selfish behaviour. The deuteragonist's flashbacks", "that she is Juopne d'Arc and the protagonist discovering her identity via her", "what happened to him as an excuse to justify his nihilistic and selfish", "via Juopne's perspective in media res. Throughout the novel, Juopne faces the hideous", "side effect of this telepathy is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback)", "sequences recount essential events in their lives that irreversibly shaped them into the", "borrow heavily from Ali Alizadeh's The Last Days of Juopne d'Arc, which unapologetically", "and strengthening her resolve to end the Hundred Year War by using her", "poverty and only managed to survive by falling with a gang of homeless", "unapologetically explores the harsh and brutal reality of the Hundred Year War via", "modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the protagonist spent his youth", "allow the audience to form an emotional connection with these characters and understand", "to the reader * I can't use dialogue for characterisation, making difficult for", "it's revealed during the protagonist spent his youth in fending for himself in", "* I can't use dialogue for characterisation, making difficult for me give personality", "protagonist and audience significantly more manageable, without making characters use her real name", "to save my sorry hide, and most of the dialogue I've come up", "write good dialogue to save my sorry hide, and most of the dialogue", "as a shield. This leaves me with two problems: * My reliance on", "a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These flashbacks", "deuteragonist's flashbacks can [speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during", "the protagonist discovering her identity via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal))", "to form an emotional connection with these characters and understand them better, as", "which unapologetically explores the harsh and brutal reality of the Hundred Year War", "them into the people they are. There are three key reasons why these", "use her real name continually and killing all sense of mystery right out", "two problems: * My reliance on showing rather than telling means that I'll", "personality to side characters featured in these flashbacks *How can I write around", "their respective pasts. These flashbacks allow the audience to form an emotional connection", "actions and strengthening her resolve to end the Hundred Year War by using", "key reasons why these flashbacks lack dialogue: 1. I can't write good dialogue", "resolve to end the Hundred Year War by using her faith as a", "2. It makes my job of disguising the deuteragonist's identity from the protagonist", "gave his life meaning. However, that ended when a close friend betrayed him", "[a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up with some", "his youth in fending for himself in poverty and only managed to survive", "in poverty and only managed to survive by falling with a gang of", "lack dialogue: 1. I can't write good dialogue to save my sorry hide,", "right out of the gate (it's hinted that she is Juopne d'Arc and", "survive by falling with a gang of homeless youth. Though he was initially", "consequences for her actions and strengthening her resolve to end the Hundred Year", "These flashbacks allow the audience to form an emotional connection with these characters", "her idealistic mission unleashes by getting a front-row seat to the many atrocities", "the protagonist and deuteragonist share a mental link, allowing them to communicate with", "the protagonist spent his youth in fending for himself in poverty and only", "who gave his life meaning. However, that ended when a close friend betrayed", "dialogue: 1. I can't write good dialogue to save my sorry hide, and", "specific plot elements across to the reader I can't use dialogue for", "to come up with some very contrived reason as to why characters staring", "slaughter her idealistic mission unleashes by getting a front-row seat to the many", "mystery right out of the gate (it's hinted that she is Juopne d'Arc", "without making characters use her real name continually and killing all sense of", "and deuteragonist share a mental link, allowing them to communicate with each other", "mission unleashes by getting a front-row seat to the many atrocities committed by", "with the consequences for her actions and strengthening her resolve to end the", "and brutal reality of the Hundred Year War via Juopne's perspective in media", "flashbacks, it's revealed during the protagonist spent his youth in fending for himself", "each other telepathically. A side effect of this telepathy is that they enable", "flashbacks borrow heavily from Ali Alizadeh's The Last Days of Juopne d'Arc, which", "audience to form an emotional connection with these characters and understand them better,", "emotional connection with these characters and understand them better, as these sequences recount", "and nearly killed him, leading him to believe that humans are predatory animals", "idealistic mission unleashes by getting a front-row seat to the many atrocities committed", "effect of this telepathy is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a", "to believe that humans are predatory animals that only care for themselves. Although", "[the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these", "trilogy, the protagonist and deuteragonist share a mental link, allowing them to communicate", "War via Juopne's perspective in media res. Throughout the novel, Juopne faces the", "Rather than being flat-out misery porn, these flashbacks depict the deuteragonist coming to", "reader I can't use dialogue for characterisation, making difficult for me give", "to terms with the consequences for her actions and strengthening her resolve to", "to him as an excuse to justify his nihilistic and selfish behaviour. The", "this telepathy is that they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of", "faces the hideous slaughter her idealistic mission unleashes by getting a front-row seat", "protagonist discovering her identity via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3.", "to survive by falling with a gang of homeless youth. Though he was", "most of the dialogue I've come up would leave Ehren Kruger and Guojgu", "identity via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have", "twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up with some very contrived reason", "In his flashbacks, it's revealed during the protagonist spent his youth in fending", "Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these flashbacks", "res. Throughout the novel, Juopne faces the hideous slaughter her idealistic mission unleashes", "to side characters featured in these flashbacks How can I write around these", "porn, these flashbacks depict the deuteragonist coming to terms with the consequences for", "sorry hide, and most of the dialogue I've come up would leave Ehren", "I can't write good dialogue to save my sorry hide, and most of", "I can't use dialogue for characterisation, making difficult for me give personality to", "a gang of homeless youth. Though he was initially standoffish, he eventually grew", "homeless youth. Though he was initially standoffish, he eventually grew immensely fond of", "the Hundred Year War via Juopne's perspective in media res. Throughout the novel,", "me with two problems: My reliance on showing rather than telling means", "that delve into their respective pasts. These flashbacks allow the audience to form", "with some very contrived reason as to why characters staring in the deuteragonist's", "don't have to come up with some very contrived reason as to why", "understand them better, as these sequences recount essential events in their lives that", "the protagonist and audience significantly more manageable, without making characters use her real", "life meaning. However, that ended when a close friend betrayed him and nearly", "animals that only care for themselves. Although he doesn't use what happened to", "that I'll be unable to get specific plot elements across to the reader", "of mystery right out of the gate (it's hinted that she is Juopne", "eventually grew immensely fond of their company and fell in love with a", "[observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These", "during the protagonist spent his youth in fending for himself in poverty and", "Lecav awestruck 2. It makes my job of disguising the deuteragonist's identity from", "audience significantly more manageable, without making characters use her real name continually and", "be unable to get specific plot elements across to the reader * I", "protagonist and deuteragonist share a mental link, allowing them to communicate with each", "via her flashbacks is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to", "than telling means that I'll be unable to get specific plot elements across", "hinted that she is Juopne d'Arc and the protagonist discovering her identity via", "elements across to the reader * I can't use dialogue for characterisation, making", "her actions and strengthening her resolve to end the Hundred Year War by", "coming to terms with the consequences for her actions and strengthening her resolve", "for her actions and strengthening her resolve to end the Hundred Year War", "her real name continually and killing all sense of mystery right out of", "for themselves. Although he doesn't use what happened to him as an excuse", "in media res. Throughout the novel, Juopne faces the hideous slaughter her idealistic", "me give personality to side characters featured in these flashbacks *How can I", "dialogue I've come up would leave Ehren Kruger and Guojgu Lecav awestruck 2.", "of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These flashbacks allow the", "girl who gave his life meaning. However, that ended when a close friend", "brutal reality of the Hundred Year War via Juopne's perspective in media res.", "as these sequences recount essential events in their lives that irreversibly shaped them", "come up would leave Ehren Kruger and Guojgu Lecav awestruck 2. It makes", "her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these flashbacks depict the", "the dialogue I've come up would leave Ehren Kruger and Guojgu Lecav awestruck", "of homeless youth. Though he was initially standoffish, he eventually grew immensely fond", "reason as to why characters staring in the deuteragonist's flashbacks can [speak perfect", "and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather than being flat-out misery porn, these flashbacks depict", "name continually and killing all sense of mystery right out of the gate", "in love with a girl who gave his life meaning. However, that ended", "getting a front-row seat to the many atrocities committed by [the Anglo-Burgundians and", "that irreversibly shaped them into the people they are. There are three key", "come up with some very contrived reason as to why characters staring in", "these flashbacks lack dialogue: 1. I can't write good dialogue to save my", "Juopne's perspective in media res. Throughout the novel, Juopne faces the hideous slaughter", "and killing all sense of mystery right out of the gate (it's hinted", "fond of their company and fell in love with a girl who gave", "him, leading him to believe that humans are predatory animals that only care", "give personality to side characters featured in these flashbacks How can I write", "Guojgu Lecav awestruck 2. It makes my job of disguising the deuteragonist's identity", "In my trilogy, the protagonist and deuteragonist share a mental link, allowing them", "heavily from Ali Alizadeh's The Last Days of Juopne d'Arc, which unapologetically explores", "1. I can't write good dialogue to save my sorry hide, and most", "a girl who gave his life meaning. However, that ended when a close", "faith as a shield. This leaves me with two problems: My reliance", "into the people they are. There are three key reasons why these flashbacks", "close friend betrayed him and nearly killed him, leading him to believe that", "deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The Last Days of Juopne d'Arc,", "them better, as these sequences recount essential events in their lives that irreversibly", "The Last Days of Juopne d'Arc, which unapologetically explores the harsh and brutal", "revealed during the protagonist spent his youth in fending for himself in poverty", "Days of Juopne d'Arc, which unapologetically explores the harsh and brutal reality of", "the deuteragonist's identity from the protagonist and audience significantly more manageable, without making", "they enable the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve", "plot elements across to the reader I can't use dialogue for characterisation,", "hide, and most of the dialogue I've come up would leave Ehren Kruger", "was initially standoffish, he eventually grew immensely fond of their company and fell", "and understand them better, as these sequences recount essential events in their lives", "an excuse to justify his nihilistic and selfish behaviour. The deuteragonist's flashbacks borrow", "grew immensely fond of their company and fell in love with a girl", "ended when a close friend betrayed him and nearly killed him, leading him", "believe that humans are predatory animals that only care for themselves. Although he", "deuteragonist coming to terms with the consequences for her actions and strengthening her", "to the many atrocities committed by [the Anglo-Burgundians and her fellow Armagnacs](https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality). Rather", "Ali Alizadeh's The Last Days of Juopne d'Arc, which unapologetically explores the harsh", "and selfish behaviour. The deuteragonist's flashbacks borrow heavily from Ali Alizadeh's The Last", "(it's hinted that she is Juopne d'Arc and the protagonist discovering her identity", "a close friend betrayed him and nearly killed him, leading him to believe", "good dialogue to save my sorry hide, and most of the dialogue I've", "by getting a front-row seat to the many atrocities committed by [the Anglo-Burgundians", "significantly more manageable, without making characters use her real name continually and killing", "is [a significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up with", "to end the Hundred Year War by using her faith as a shield.", "duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective", "use dialogue for characterisation, making difficult for me give personality to side characters", "series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their respective pasts. These flashbacks allow", "his life meaning. However, that ended when a close friend betrayed him and", "respective pasts. These flashbacks allow the audience to form an emotional connection with", "these flashbacks depict the deuteragonist coming to terms with the consequences for her", "protagonist spent his youth in fending for himself in poverty and only managed", "the duo to [observe](https://tvtropes.org/pmwiki/pmwiki.php/Main/PensieveFlashback) a series of [dialogueless flashbacks](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) that delve into their", "events in their lives that irreversibly shaped them into the people they are.", "perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention) In his flashbacks, it's revealed during the protagonist spent his", "a shield. This leaves me with two problems: My reliance on showing", "and fell in love with a girl who gave his life meaning. However,", "pasts. These flashbacks allow the audience to form an emotional connection with these", "significant plot twist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheReveal)) 3. I don't have to come up with some very", "in their lives that irreversibly shaped them into the people they are. There", "and most of the dialogue I've come up would leave Ehren Kruger and", "some very contrived reason as to why characters staring in the deuteragonist's flashbacks", "Juopne d'Arc*, which unapologetically explores the harsh and brutal reality of the Hundred", "contrived reason as to why characters staring in the deuteragonist's flashbacks can [speak", "up would leave Ehren Kruger and Guojgu Lecav awestruck 2. It makes my", "a mental link, allowing them to communicate with each other telepathically. A side" ]
[ "dad who gave me some pointers so I started a new document to", "who gave me some pointers so I started a new document to 'flesh", "some pointers so I started a new document to 'flesh it out' But", "started a new document to 'flesh it out' But that document has run", "who has died when etc. How can I get it all sorted, in", "to my dad who gave me some pointers so I started a new", "I started a new document to 'flesh it out' But that document has", "it out' But that document has run away with me, and now I", "am confused about what happens where, who has died when etc. How can", "etc. How can I get it all sorted, in order, and with everything", "first draft. I sent it to my dad who gave me some pointers", "document to 'flesh it out' But that document has run away with me,", "draft. I sent it to my dad who gave me some pointers so", "writing my novel and finished the first draft. I sent it to my", "I am confused about what happens where, who has died when etc. How", "I started writing my novel and finished the first draft. I sent it", "gave me some pointers so I started a new document to 'flesh it", "happens where, who has died when etc. How can I get it all", "has run away with me, and now I am confused about what happens", "and now I am confused about what happens where, who has died when", "sent it to my dad who gave me some pointers so I started", "me, and now I am confused about what happens where, who has died", "the first draft. I sent it to my dad who gave me some", "about what happens where, who has died when etc. How can I get", "finished the first draft. I sent it to my dad who gave me", "me some pointers so I started a new document to 'flesh it out'", "so I started a new document to 'flesh it out' But that document", "away with me, and now I am confused about what happens where, who", "has died when etc. How can I get it all sorted, in order,", "and finished the first draft. I sent it to my dad who gave", "pointers so I started a new document to 'flesh it out' But that", "a new document to 'flesh it out' But that document has run away", "But that document has run away with me, and now I am confused", "when etc. How can I get it all sorted, in order, and with", "novel and finished the first draft. I sent it to my dad who", "I sent it to my dad who gave me some pointers so I", "my novel and finished the first draft. I sent it to my dad", "my dad who gave me some pointers so I started a new document", "with me, and now I am confused about what happens where, who has", "now I am confused about what happens where, who has died when etc.", "confused about what happens where, who has died when etc. How can I", "'flesh it out' But that document has run away with me, and now", "How can I get it all sorted, in order, and with everything right?", "that document has run away with me, and now I am confused about", "out' But that document has run away with me, and now I am", "started writing my novel and finished the first draft. I sent it to", "died when etc. How can I get it all sorted, in order, and", "to 'flesh it out' But that document has run away with me, and", "document has run away with me, and now I am confused about what", "where, who has died when etc. How can I get it all sorted,", "what happens where, who has died when etc. How can I get it", "new document to 'flesh it out' But that document has run away with", "it to my dad who gave me some pointers so I started a", "run away with me, and now I am confused about what happens where," ]
[ "difference between text and speech. I understand that whilst writing a report a", "writing a report a person involved in law enforcement or medicine my replace", "makes no sense! It's not quicker or easier! \"GSW\" is five syllables. Gun", "an answer to this question I'd love to hear it. And, yes, it", ". There's a difference between text and speech. I understand that whilst writing", "on topic because I've used the obsession in a story. Here's the thing", "obsession in a story. Here's the thing . . . There's a difference", "law enforcement or medicine my replace 'Gun shot wound\" with \"GSW\" - it's", "person involved in law enforcement or medicine my replace 'Gun shot wound\" with", ". . . There's a difference between text and speech. I understand that", "a story. Here's the thing . . . There's a difference between text", "understand that whilst writing a report a person involved in law enforcement or", "sense! It's not quicker or easier! \"GSW\" is five syllables. Gun shot wound", "love to hear it. And, yes, it is on topic because I've used", "speech. I understand that whilst writing a report a person involved in law", "the chest.\" It makes no sense! It's not quicker or easier! \"GSW\" is", "TV shows where a character says, \"GSW to the chest.\" It makes no", "the obsession in a story. Here's the thing . . . There's a", "'Gun shot wound\" with \"GSW\" - it's quicker and easier. However, I have", "answer to this question I'd love to hear it. And, yes, it is", "of TV shows where a character says, \"GSW to the chest.\" It makes", "quicker or easier! \"GSW\" is five syllables. Gun shot wound is only three!", "says, \"GSW to the chest.\" It makes no sense! It's not quicker or", "medicine my replace 'Gun shot wound\" with \"GSW\" - it's quicker and easier.", "used the obsession in a story. Here's the thing . . . There's", "it's quicker and easier. However, I have watched a plethora of TV shows", "with \"GSW\" - it's quicker and easier. However, I have watched a plethora", "where a character says, \"GSW to the chest.\" It makes no sense! It's", "shows where a character says, \"GSW to the chest.\" It makes no sense!", "enforcement or medicine my replace 'Gun shot wound\" with \"GSW\" - it's quicker", "Here's the thing . . . There's a difference between text and speech.", "thing . . . There's a difference between text and speech. I understand", "it. And, yes, it is on topic because I've used the obsession in", "wound\" with \"GSW\" - it's quicker and easier. However, I have watched a", "I'd love to hear it. And, yes, it is on topic because I've", "However, I have watched a plethora of TV shows where a character says,", "There's a difference between text and speech. I understand that whilst writing a", "watched a plethora of TV shows where a character says, \"GSW to the", "the thing . . . There's a difference between text and speech. I", "It makes no sense! It's not quicker or easier! \"GSW\" is five syllables.", "shot wound\" with \"GSW\" - it's quicker and easier. However, I have watched", "involved in law enforcement or medicine my replace 'Gun shot wound\" with \"GSW\"", "my replace 'Gun shot wound\" with \"GSW\" - it's quicker and easier. However,", "to this question I'd love to hear it. And, yes, it is on", "And, yes, it is on topic because I've used the obsession in a", "story. Here's the thing . . . There's a difference between text and", "yes, it is on topic because I've used the obsession in a story.", "is on topic because I've used the obsession in a story. Here's the", "I've used the obsession in a story. Here's the thing . . .", "and speech. I understand that whilst writing a report a person involved in", "topic because I've used the obsession in a story. Here's the thing .", "anybody has an answer to this question I'd love to hear it. And,", "I understand that whilst writing a report a person involved in law enforcement", "\"GSW to the chest.\" It makes no sense! It's not quicker or easier!", "not quicker or easier! \"GSW\" is five syllables. Gun shot wound is only", "quicker and easier. However, I have watched a plethora of TV shows where", "hear it. And, yes, it is on topic because I've used the obsession", "replace 'Gun shot wound\" with \"GSW\" - it's quicker and easier. However, I", "whilst writing a report a person involved in law enforcement or medicine my", "text and speech. I understand that whilst writing a report a person involved", "character says, \"GSW to the chest.\" It makes no sense! It's not quicker", "a character says, \"GSW to the chest.\" It makes no sense! It's not", "to hear it. And, yes, it is on topic because I've used the", "report a person involved in law enforcement or medicine my replace 'Gun shot", "in a story. Here's the thing . . . There's a difference between", ". . There's a difference between text and speech. I understand that whilst", "question I'd love to hear it. And, yes, it is on topic because", "between text and speech. I understand that whilst writing a report a person", "easier. However, I have watched a plethora of TV shows where a character", "no sense! It's not quicker or easier! \"GSW\" is five syllables. Gun shot", "It's not quicker or easier! \"GSW\" is five syllables. Gun shot wound is", "have watched a plethora of TV shows where a character says, \"GSW to", "in law enforcement or medicine my replace 'Gun shot wound\" with \"GSW\" -", "this question I'd love to hear it. And, yes, it is on topic", "I have watched a plethora of TV shows where a character says, \"GSW", "because I've used the obsession in a story. Here's the thing . .", "that whilst writing a report a person involved in law enforcement or medicine", "a plethora of TV shows where a character says, \"GSW to the chest.\"", "a person involved in law enforcement or medicine my replace 'Gun shot wound\"", "plethora of TV shows where a character says, \"GSW to the chest.\" It", "a difference between text and speech. I understand that whilst writing a report", "a report a person involved in law enforcement or medicine my replace 'Gun", "\"GSW\" - it's quicker and easier. However, I have watched a plethora of", "has an answer to this question I'd love to hear it. And, yes,", "to the chest.\" It makes no sense! It's not quicker or easier! \"GSW\"", "- it's quicker and easier. However, I have watched a plethora of TV", "it is on topic because I've used the obsession in a story. Here's", "and easier. However, I have watched a plethora of TV shows where a", "or medicine my replace 'Gun shot wound\" with \"GSW\" - it's quicker and", "If anybody has an answer to this question I'd love to hear it.", "chest.\" It makes no sense! It's not quicker or easier! \"GSW\" is five" ]
[ "ways to see the true ending. As a result, players will inevitably get", "it enough if players can skip those parts on their own or should", "do in these cases? Is it enough if players can skip those parts", "if players can skip those parts on their own or should I cut", "those parts on their own or should I cut down on those parts", "the game in certain ways to see the true ending. As a result,", "the true ending. As a result, players will inevitably get told the same", "result, players will inevitably get told the same information multiple times. What should", "I see the player has already played that part in a previous play", "different paths the player can choose from. Many times, players might also have", "true ending. As a result, players will inevitably get told the same information", "multiple times. What should I do in these cases? Is it enough if", "previous play through? Or should I not worry about it either way? What", "told the same information multiple times. What should I do in these cases?", "their own or should I cut down on those parts myself if I", "with lots of different paths the player can choose from. Many times, players", "a result, players will inevitably get told the same information multiple times. What", "working on a story-heavy game with lots of different paths the player can", "cases? Is it enough if players can skip those parts on their own", "own or should I cut down on those parts myself if I see", "play through? Or should I not worry about it either way? What are", "players might also have to replay parts of the game in certain ways", "in certain ways to see the true ending. As a result, players will", "player has already played that part in a previous play through? Or should", "also have to replay parts of the game in certain ways to see", "parts of the game in certain ways to see the true ending. As", "myself if I see the player has already played that part in a", "Or should I not worry about it either way? What are my options?", "from. Many times, players might also have to replay parts of the game", "times. What should I do in these cases? Is it enough if players", "a previous play through? Or should I not worry about it either way?", "to replay parts of the game in certain ways to see the true", "if I see the player has already played that part in a previous", "cut down on those parts myself if I see the player has already", "information multiple times. What should I do in these cases? Is it enough", "have to replay parts of the game in certain ways to see the", "to see the true ending. As a result, players will inevitably get told", "choose from. Many times, players might also have to replay parts of the", "or should I cut down on those parts myself if I see the", "of the game in certain ways to see the true ending. As a", "As a result, players will inevitably get told the same information multiple times.", "enough if players can skip those parts on their own or should I", "on a story-heavy game with lots of different paths the player can choose", "through? Or should I not worry about it either way? What are my", "should I cut down on those parts myself if I see the player", "these cases? Is it enough if players can skip those parts on their", "can skip those parts on their own or should I cut down on", "see the player has already played that part in a previous play through?", "I cut down on those parts myself if I see the player has", "player can choose from. Many times, players might also have to replay parts", "paths the player can choose from. Many times, players might also have to", "can choose from. Many times, players might also have to replay parts of", "a story-heavy game with lots of different paths the player can choose from.", "played that part in a previous play through? Or should I not worry", "ending. As a result, players will inevitably get told the same information multiple", "skip those parts on their own or should I cut down on those", "should I do in these cases? Is it enough if players can skip", "part in a previous play through? Or should I not worry about it", "Many times, players might also have to replay parts of the game in", "parts on their own or should I cut down on those parts myself", "inevitably get told the same information multiple times. What should I do in", "those parts myself if I see the player has already played that part", "will inevitably get told the same information multiple times. What should I do", "players will inevitably get told the same information multiple times. What should I", "Is it enough if players can skip those parts on their own or", "on their own or should I cut down on those parts myself if", "in these cases? Is it enough if players can skip those parts on", "I do in these cases? Is it enough if players can skip those", "already played that part in a previous play through? Or should I not", "I'm working on a story-heavy game with lots of different paths the player", "lots of different paths the player can choose from. Many times, players might", "players can skip those parts on their own or should I cut down", "that part in a previous play through? Or should I not worry about", "the same information multiple times. What should I do in these cases? Is", "What should I do in these cases? Is it enough if players can", "see the true ending. As a result, players will inevitably get told the", "the player has already played that part in a previous play through? Or", "same information multiple times. What should I do in these cases? Is it", "down on those parts myself if I see the player has already played", "game with lots of different paths the player can choose from. Many times,", "certain ways to see the true ending. As a result, players will inevitably", "get told the same information multiple times. What should I do in these", "parts myself if I see the player has already played that part in", "in a previous play through? Or should I not worry about it either", "times, players might also have to replay parts of the game in certain", "story-heavy game with lots of different paths the player can choose from. Many", "the player can choose from. Many times, players might also have to replay", "might also have to replay parts of the game in certain ways to", "replay parts of the game in certain ways to see the true ending.", "has already played that part in a previous play through? Or should I", "game in certain ways to see the true ending. As a result, players", "of different paths the player can choose from. Many times, players might also", "on those parts myself if I see the player has already played that" ]
[ "and appalled by Short. I'll explore themes of exploitation and human brutality, narcissism/psychopathy", "allusion being mistaken for plagiarism?*** To recap Heart of Darkness, a sailor (Marlow)", "he sees in the camps, and is both captivated and appalled by Short.", "no doubt that Heart of Darkness is the inspiration: some subtle (e.g. my", "and human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So far so good", "plenty of references to darkness, heart, horror, etc. *What I'm struggling with is", "in H.o.D. uses a translated line from de Maupassant. But where do you", "about the creative possibilities of a modern \"adaption\". In fact, my own story", "> > Intertextuality does not require citing or referencing punctuation > (such as", "and the corrupting influence of power. In my story, a journalist is commissioned", "led up-river to a secret location. The journalist is deeply dismayed at the", "somewhere, as a description of capitalism in a modern city. My journalist might", "Eliot's The Hollow Men, Panpe's Inferno, to Lord of the Flies, Beckett's The", "> Does the longer piece of text make it easier for the astute", "film \"Apocalypse Now\" in which the two main protagonists are called Marlow and", "of an impotent despair\" in one of the homeless characters. The homeless are", "my own story will be less of a direct re-telling than the film", "disease and starvation\". Short himself is a narcissist, utterly lacking in empathy -", "jungle river, Kortm says \"The horror! The horror!\", etc. I'm not intending to", "reader to be able to make multiple connections between the two works. But", "Congo and met ivory trader Kortm, a mysterious but charismatic man who had", "secret location. The journalist is deeply dismayed at the human suffering he sees", "is commissioned to write a series of articles on urban homelessness. He spends", "arms wide. > > > Does the longer piece of text make it", "a modern \"adaption\". In fact, my own story will be less of a", "of accusations of unoriginality and plagiarism? Related questions, but not quite answering the", "Heart of Darkness to a modern urban setting, and I want the astute", "from the one work? When does literary cleverness trip over into plagiarism? For", "up the Congo and met ivory trader Kortm, a mysterious but charismatic man", "by Cohrim's tale and excited about the creative possibilities of a modern \"adaption\".", "What I'm struggling with is how far I can go in deliberately incorporating", "deliberately incorporating actual text from Cohrim's novel. For example, Marlow comments about modern", "cannibal tribes. Kortm was both mentally and physically ill, and died on the", "make multiple connections between the two works. But I'm unsure how far to", "of precedents for this - Joyce's Ulysses is a minefield of literary allusion.", "but charismatic man who had gone \"native\" and had become a demi-god to", "does it increase the risk of accusations of unoriginality and plagiarism? Related questions,", "horror, etc. *What I'm struggling with is how far I can go in", "horror would seem completely over-the-top in the literary genre I'm writing in. And", "empathy - he's \"hollow to the core\" (one of the more memorable lines", "you draw the line when including multiple snatches of text from the one", "uses a translated line from de Maupassant. But where do you draw the", "had sailed up the Congo and met ivory trader Kortm, a mysterious but", "main river - under bridges, in disused industrial lots, etc - and learns", "of including, as a direct homage to Cohrim's novella. I'm keen to add", "the literary genre I'm writing in. And I want to provide enough clues", "and met ivory trader Kortm, a mysterious but charismatic man who had gone", "they were nothing ... but black shadows of disease and starvation\". Short himself", "maybe some Rabelais - as a way of enriching my novella. Plenty of", "also touches on themes of imperial rapacity, human barbarity, colonial stupidity and waste,", "as quotation marks) and is often mistaken for plagiarism. > > > **So,", "from Heart of Darkness). These are just a few examples of text I", "Wikipedia article notes that > > Intertextuality does not require citing or referencing", "with is how far I can go in deliberately incorporating actual text from", "of Darkness is the inspiration: some subtle (e.g. my Kortm is Mr Short", "with the greatness and darkness of Kortm (in particular) and Africa (in general).", "his character after a company agent who died on Cohrim's own journey down", "like to incorporate these exact words somewhere, as a description of capitalism in", "The journalist is deeply dismayed at the human suffering he sees in the", "[How do we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How is", "of exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So far", "Darkness). These are just a few examples of text I want to find", "Marlow had sailed up the Congo and met ivory trader Kortm, a mysterious", "Beckett's The Unnamable, maybe some Rabelais - as a way of enriching my", "novella. Plenty of precedents for this - Joyce's Ulysses* is a minefield of", "easier for the astute reader/critic to pick (and appreciate) the reference, or does", "the city's main river - under bridges, in disused industrial lots, etc -", "you,' he cried, 'this man has enlarged my mind.' He opened his >", "the following, taken verbatim from H.o.D. - > > 'I tell you,' he", "be able to make multiple connections between the two works. But I'm unsure", "direct re-telling than the film \"Apocalypse Now\" in which the two main protagonists", "the two main protagonists are called Marlow and Kortm, Marlow sails up a", "lines from Heart of Darkness). These are just a few examples of text", "persons' camps along the city's main river - under bridges, in disused industrial", "down the Congo; he later changed the name from Klein - \"small\" in", "> arms wide. > > > Does the longer piece of text make", "of a dark, mysterious character (Mr Short) who seems to run some kind", "at the human suffering he sees in the camps, and is both captivated", "- a nice twist on Cohrim, who originally named his character after a", "line when including multiple snatches of text from the one work? When does", "after a company agent who died on Cohrim's own journey down the Congo;", "physically ill, and died on the return journey. Marlow struggles with the greatness", "I want the astute reader to be able to make multiple connections between", "is a narcissist, utterly lacking in empathy - he's \"hollow to the core\"", "in a modern city. My journalist might note the \"extremity of an impotent", "colonial stupidity and waste, and the corrupting influence of power. In my story,", "Unnamable, maybe some Rabelais - as a way of enriching my novella. Plenty", "that > > Intertextuality does not require citing or referencing punctuation > (such", "less of a direct re-telling than the film \"Apocalypse Now\" in which the", "the greatness and darkness of Kortm (in particular) and Africa (in general). Cohrim's", "captivated and appalled by Short. I'll explore themes of exploitation and human brutality,", "journalist might note the \"extremity of an impotent despair\" in one of the", "character after a company agent who died on Cohrim's own journey down the", "for him to meet Short one night, which involves him being led up-river", "inspired by Cohrim's tale and excited about the creative possibilities of a modern", "Cohrim's style, as his melodramatic gothic horror would seem completely over-the-top in the", "want to write a novella that to some degree translates Cohrim's Heart of", "along the city's main river - under bridges, in disused industrial lots, etc", "of literary allusion. Cohrim himself in H.o.D. uses a translated line from de", "extortion racket. It's arranged for him to meet Short one night, which involves", "own story will be less of a direct re-telling than the film \"Apocalypse", "the Congo and met ivory trader Kortm, a mysterious but charismatic man who", "text make it easier for the astute reader/critic to pick (and appreciate) the", "means short), and some more obvious - plenty of references to darkness, heart,", "a direct homage to Cohrim's novella. I'm keen to add other allusions as", "with the following, taken verbatim from H.o.D. - > > 'I tell you,'", "to T.S. Eliot's The Hollow Men, Panpe's Inferno, to Lord of the Flies,", "\"kurz\" means short), and some more obvious - plenty of references to darkness,", "plagiarism? Related questions, but not quite answering the above: * [How do we", "In my story, a journalist is commissioned to write a series of articles", "company agent who died on Cohrim's own journey down the Congo; he later", "an ill-fated journey into darkest Africa in the late 1800s. Marlow had sailed", "of power. In my story, a journalist is commissioned to write a series", "> (such as quotation marks) and is often mistaken for plagiarism. > >", "Short one night, which involves him being led up-river to a secret location.", "as a description of capitalism in a modern city. My journalist might note", "Hollow Men, Panpe's Inferno, to Lord of the Flies, Beckett's The Unnamable, maybe", "in deliberately incorporating actual text from Cohrim's novel.* For example, Marlow comments about", "a sailor (Marlow) regales his mates with his recollections of an ill-fated journey", "in. And I want to provide enough clues for the reader to be", "Cohrim's novel. For example, Marlow comments about modern Europe that \"what saves us", "a way of enriching my novella. Plenty of precedents for this - Joyce's", "a demi-god to the local cannibal tribes. Kortm was both mentally and physically", "I can go in deliberately incorporating actual text from Cohrim's novel. For example,", "seem completely over-the-top in the literary genre I'm writing in. And I want", "in empathy - he's \"hollow to the core\" (one of the more memorable", "can go in deliberately incorporating actual text from Cohrim's novel.** For example, Marlow", "I'm keen to add other allusions as well - to T.S. Eliot's The", "kind of extortion racket. It's arranged for him to meet Short one night,", "to incorporate these exact words somewhere, as a description of capitalism in a", "text I want to find some way of including, as a direct homage", "make it easier for the astute reader/critic to pick (and appreciate) the reference,", "gothic horror would seem completely over-the-top in the literary genre I'm writing in.", "the more memorable lines from Heart of Darkness). These are just a few", "allusions as well - to T.S. Eliot's The Hollow Men, Panpe's Inferno, to", "When does literary cleverness trip over into plagiarism? For example, one of my", "who had gone \"native\" and had become a demi-god to the local cannibal", "the homeless characters. The homeless are \"dying very slowly ... they were nothing", "possibilities of a modern \"adaption\". In fact, my own story will be less", "sees in the camps, and is both captivated and appalled by Short. I'll", "literary allusion being mistaken for plagiarism?** To recap Heart of Darkness, a sailor", "in the camps, and is both captivated and appalled by Short. I'll explore", "some time visiting homeless persons' camps along the city's main river - under", "and died on the return journey. Marlow struggles with the greatness and darkness", "He opened his > arms wide. > > > Does the longer piece", "on urban homelessness. He spends some time visiting homeless persons' camps along the", "urban setting, and I want the astute reader to be able to make", "including multiple snatches of text from the one work? When does literary cleverness", "up-river to a secret location. The journalist is deeply dismayed at the human", "My journalist might note the \"extremity of an impotent despair\" in one of", "- he's \"hollow to the core\" (one of the more memorable lines from", "saves us is ... the devotion to efficiency.\" I'd like to incorporate these", "degree translates Cohrim's Heart of Darkness to a modern urban setting, and I", "originally named his character after a company agent who died on Cohrim's own", "a narcissist, utterly lacking in empathy - he's \"hollow to the core\" (one", "being led up-river to a secret location. The journalist is deeply dismayed at", "work? When does literary cleverness trip over into plagiarism? For example, one of", "human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So far so good -", "he cried, 'this man has enlarged my mind.' He opened his > arms", "- plenty of references to darkness, heart, horror, etc. What I'm struggling with", "to run some kind of extortion racket. It's arranged for him to meet", "some way of including, as a direct homage to Cohrim's novella. I'm keen", "I'm writing in. And I want to provide enough clues for the reader", "minefield of literary allusion. Cohrim himself in H.o.D. uses a translated line from", "not intending to copy Cohrim's style, as his melodramatic gothic horror would seem", "style, as his melodramatic gothic horror would seem completely over-the-top in the literary", "to Cohrim's novella. I'm keen to add other allusions as well - to", "one work? When does literary cleverness trip over into plagiarism? For example, one", "of Darkness). These are just a few examples of text I want to", "following, taken verbatim from H.o.D. - > > 'I tell you,' he cried,", "questions, but not quite answering the above: * [How do we draw the", "(Marlow) regales his mates with his recollections of an ill-fated journey into darkest", "Maupassant. But where do you draw the line when including multiple snatches of", "the astute reader/critic to pick (and appreciate) the reference, or does it increase", "The horror!\", etc. I'm not intending to copy Cohrim's style, as his melodramatic", "devotion to efficiency.\" I'd like to incorporate these exact words somewhere, as a", "rapacity, human barbarity, colonial stupidity and waste, and the corrupting influence of power.", "Cohrim's own journey down the Congo; he later changed the name from Klein", "Short. I'll explore themes of exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban", "able to make multiple connections between the two works. But I'm unsure how", "Kortm is Mr Short - a nice twist on Cohrim, who originally named", "that Heart of Darkness is the inspiration: some subtle (e.g. my Kortm is", "cried, 'this man has enlarged my mind.' He opened his > arms wide.", "might describe Mr Short with the following, taken verbatim from H.o.D. - >", "the reader to be in no doubt that Heart of Darkness is the", "(e.g. my Kortm is Mr Short - a nice twist on Cohrim, who", "short), and some more obvious - plenty of references to darkness, heart, horror,", "decay, etc. So far so good - I'm inspired by Cohrim's tale and", "unoriginality and plagiarism? Related questions, but not quite answering the above: * [How", "and excited about the creative possibilities of a modern \"adaption\". In fact, my", "Africa (in general). Cohrim's novella also touches on themes of imperial rapacity, human", "as a direct homage to Cohrim's novella. I'm keen to add other allusions", "etc. So far so good - I'm inspired by Cohrim's tale and excited", "some kind of extortion racket. It's arranged for him to meet Short one", "barbarity, colonial stupidity and waste, and the corrupting influence of power. In my", "and is both captivated and appalled by Short. I'll explore themes of exploitation", "but black shadows of disease and starvation\". Short himself is a narcissist, utterly", "I'm struggling with is how far I can go in deliberately incorporating actual", "Men, Panpe's Inferno, to Lord of the Flies, Beckett's The Unnamable, maybe some", "the camps, and is both captivated and appalled by Short. I'll explore themes", "copy Cohrim's style, as his melodramatic gothic horror would seem completely over-the-top in", "\"Apocalypse Now\" in which the two main protagonists are called Marlow and Kortm,", "core\" (one of the more memorable lines from Heart of Darkness). These are", "article notes that > > Intertextuality does not require citing or referencing punctuation", "night, which involves him being led up-river to a secret location. The journalist", "died on the return journey. Marlow struggles with the greatness and darkness of", "I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes", "himself in H.o.D. uses a translated line from de Maupassant. But where do", "Darkness is the inspiration: some subtle (e.g. my Kortm is Mr Short -", "\"native\" and had become a demi-god to the local cannibal tribes. Kortm was", "as well - to T.S. Eliot's The Hollow Men, Panpe's Inferno, to Lord", "want to find some way of including, as a direct homage to Cohrim's", "to write a novella that to some degree translates Cohrim's Heart of Darkness", "bridges, in disused industrial lots, etc - and learns of a dark, mysterious", "to a secret location. The journalist is deeply dismayed at the human suffering", "and darkness of Kortm (in particular) and Africa (in general). Cohrim's novella also", "way of enriching my novella. Plenty of precedents for this - Joyce's Ulysses", "completely over-the-top in the literary genre I'm writing in. And I want to", "him to meet Short one night, which involves him being led up-river to", "is ... the devotion to efficiency.\" I'd like to incorporate these exact words", "narcissist, utterly lacking in empathy - he's \"hollow to the core\" (one of", "who died on Cohrim's own journey down the Congo; he later changed the", "my homeless characters might describe Mr Short with the following, taken verbatim from", "learns of a dark, mysterious character (Mr Short) who seems to run some", "mind.' He opened his > arms wide. > > > Does the longer", "not quite answering the above: [How do we draw the line between", "verbatim from H.o.D. - > > 'I tell you,' he cried, 'this man", "of Kortm (in particular) and Africa (in general). Cohrim's novella also touches on", "shadows of disease and starvation\". Short himself is a narcissist, utterly lacking in", "cleverness trip over into plagiarism? For example, one of my homeless characters might", "explore themes of exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc.", "... the devotion to efficiency.\" I'd like to incorporate these exact words somewhere,", "urban homelessness. He spends some time visiting homeless persons' camps along the city's", "> > **So, how do I avoid clever, deliberate literary allusion being mistaken", "demi-god to the local cannibal tribes. Kortm was both mentally and physically ill,", "unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that", "Kortm was both mentally and physically ill, and died on the return journey.", "brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So far so good - I'm", "nice twist on Cohrim, who originally named his character after a company agent", "the name from Klein - \"small\" in German - to Kortm - \"kurz\"", "Kortm - \"kurz\" means short), and some more obvious - plenty of references", "Marlow comments about modern Europe that \"what saves us is ... the devotion", "how far I can go in deliberately incorporating actual text from Cohrim's novel.", "referencing punctuation > (such as quotation marks) and is often mistaken for plagiarism.", "I want to provide enough clues for the reader to be in no", "answering the above: [How do we draw the line between plagiarism and", "- Joyce's Ulysses is a minefield of literary allusion. Cohrim himself in H.o.D.", "memorable lines from Heart of Darkness). These are just a few examples of", "homelessness. He spends some time visiting homeless persons' camps along the city's main", "the risk of accusations of unoriginality and plagiarism? Related questions, but not quite", "* [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) * [How much is considered", "Kortm, a mysterious but charismatic man who had gone \"native\" and had become", "ivory trader Kortm, a mysterious but charismatic man who had gone \"native\" and", "other allusions as well - to T.S. Eliot's The Hollow Men, Panpe's Inferno,", "1800s. Marlow had sailed up the Congo and met ivory trader Kortm, a", "homeless are \"dying very slowly ... they were nothing ... but black shadows", "plagiarism?*** To recap Heart of Darkness, a sailor (Marlow) regales his mates with", "influence of power. In my story, a journalist is commissioned to write a", "and physically ill, and died on the return journey. Marlow struggles with the", "(one of the more memorable lines from Heart of Darkness). These are just", "keen to add other allusions as well - to T.S. Eliot's The Hollow", "plagiarism. > > > *So, how do I avoid clever, deliberate literary allusion", "or does it increase the risk of accusations of unoriginality and plagiarism? Related", "does literary cleverness trip over into plagiarism? For example, one of my homeless", "called Marlow and Kortm, Marlow sails up a jungle river, Kortm says \"The", "to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that > > Intertextuality", "Darkness to a modern urban setting, and I want the astute reader to", "to some degree translates Cohrim's Heart of Darkness to a modern urban setting,", "to the local cannibal tribes. Kortm was both mentally and physically ill, and", "themes of exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So", "Cohrim's novella also touches on themes of imperial rapacity, human barbarity, colonial stupidity", "two main protagonists are called Marlow and Kortm, Marlow sails up a jungle", "are \"dying very slowly ... they were nothing ... but black shadows of", "camps along the city's main river - under bridges, in disused industrial lots,", "into darkest Africa in the late 1800s. Marlow had sailed up the Congo", "notes that > > Intertextuality does not require citing or referencing punctuation >", "a description of capitalism in a modern city. My journalist might note the", "starvation\". Short himself is a narcissist, utterly lacking in empathy - he's \"hollow", "where do you draw the line when including multiple snatches of text from", "journey. Marlow struggles with the greatness and darkness of Kortm (in particular) and", "\"what saves us is ... the devotion to efficiency.\" I'd like to incorporate", "of imperial rapacity, human barbarity, colonial stupidity and waste, and the corrupting influence", "multiple connections between the two works. But I'm unsure how far to go", "these exact words somewhere, as a description of capitalism in a modern city.", "creative possibilities of a modern \"adaption\". In fact, my own story will be", "setting, and I want the astute reader to be able to make multiple", "to darkness, heart, horror, etc. *What I'm struggling with is how far I", "lots, etc - and learns of a dark, mysterious character (Mr Short) who", "horror! The horror!\", etc. I'm not intending to copy Cohrim's style, as his", "a modern urban setting, and I want the astute reader to be able", "exact words somewhere, as a description of capitalism in a modern city. My", "do you draw the line when including multiple snatches of text from the", "on the return journey. Marlow struggles with the greatness and darkness of Kortm", "twist on Cohrim, who originally named his character after a company agent who", "struggling with is how far I can go in deliberately incorporating actual text", "- to T.S. Eliot's The Hollow Men, Panpe's Inferno, to Lord of the", "reader/critic to pick (and appreciate) the reference, or does it increase the risk", "literary allusion. Cohrim himself in H.o.D. uses a translated line from de Maupassant.", "of unoriginality and plagiarism? Related questions, but not quite answering the above: ", "do I avoid clever, deliberate literary allusion being mistaken for plagiarism?** To recap", "in one of the homeless characters. The homeless are \"dying very slowly ...", "novella. I'm keen to add other allusions as well - to T.S. Eliot's", "black shadows of disease and starvation\". Short himself is a narcissist, utterly lacking", "of Darkness* to a modern urban setting, and I want the astute reader", "the corrupting influence of power. In my story, a journalist is commissioned to", "appreciate) the reference, or does it increase the risk of accusations of unoriginality", "disused industrial lots, etc - and learns of a dark, mysterious character (Mr", "of disease and starvation\". Short himself is a narcissist, utterly lacking in empathy", "late 1800s. Marlow had sailed up the Congo and met ivory trader Kortm,", "says \"The horror! The horror!\", etc. I'm not intending to copy Cohrim's style,", "To recap Heart of Darkness, a sailor (Marlow) regales his mates with his", "might note the \"extremity of an impotent despair\" in one of the homeless", "\"small\" in German - to Kortm - \"kurz\" means short), and some more", "- under bridges, in disused industrial lots, etc - and learns of a", "that \"what saves us is ... the devotion to efficiency.\" I'd like to", "allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) * [How much is", "note the \"extremity of an impotent despair\" in one of the homeless characters.", "into plagiarism? For example, one of my homeless characters might describe Mr Short", "of text from the one work? When does literary cleverness trip over into", "is often mistaken for plagiarism. > > > **So, how do I avoid", "The homeless are \"dying very slowly ... they were nothing ... but black", "just a few examples of text I want to find some way of", "Joyce's Ulysses* is a minefield of literary allusion. Cohrim himself in H.o.D. uses", "greatness and darkness of Kortm (in particular) and Africa (in general). Cohrim's novella", "recollections of an ill-fated journey into darkest Africa in the late 1800s. Marlow", "want to provide enough clues for the reader to be in no doubt", "homeless characters. The homeless are \"dying very slowly ... they were nothing ...", "my novella. Plenty of precedents for this - Joyce's Ulysses is a minefield", "when including multiple snatches of text from the one work? When does literary", "story will be less of a direct re-telling than the film \"Apocalypse Now\"", "named his character after a company agent who died on Cohrim's own journey", "a direct re-telling than the film \"Apocalypse Now\" in which the two main", "of references to darkness, heart, horror, etc. *What I'm struggling with is how", "quite answering the above: [How do we draw the line between plagiarism", "appalled by Short. I'll explore themes of exploitation and human brutality, narcissism/psychopathy (Short),", "Short himself is a narcissist, utterly lacking in empathy - he's \"hollow to", "journey into darkest Africa in the late 1800s. Marlow had sailed up the", "the astute reader to be able to make multiple connections between the two", "so good - I'm inspired by Cohrim's tale and excited about the creative", "It's arranged for him to meet Short one night, which involves him being", "the two works. But I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even", "met ivory trader Kortm, a mysterious but charismatic man who had gone \"native\"", "his recollections of an ill-fated journey into darkest Africa in the late 1800s.", "marks) and is often mistaken for plagiarism. > > > **So, how do", "of an ill-fated journey into darkest Africa in the late 1800s. Marlow had", "or referencing punctuation > (such as quotation marks) and is often mistaken for", "the above: [How do we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100)", "obvious - plenty of references to darkness, heart, horror, etc. *What I'm struggling", "a modern city. My journalist might note the \"extremity of an impotent despair\"", "return journey. Marlow struggles with the greatness and darkness of Kortm (in particular)", "novella that to some degree translates Cohrim's Heart of Darkness* to a modern", "trip over into plagiarism? For example, one of my homeless characters might describe", "despair\" in one of the homeless characters. The homeless are \"dying very slowly", "for this - Joyce's Ulysses is a minefield of literary allusion. Cohrim himself", "I'm inspired by Cohrim's tale and excited about the creative possibilities of a", "him being led up-river to a secret location. The journalist is deeply dismayed", "- \"small\" in German - to Kortm - \"kurz\" means short), and some", "translated line from de Maupassant. But where do you draw the line when", "plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) * [How", "Cohrim's Heart of Darkness to a modern urban setting, and I want the", "mates with his recollections of an ill-fated journey into darkest Africa in the", "commissioned to write a series of articles on urban homelessness. He spends some", "his > arms wide. > > > Does the longer piece of text", "Inferno, to Lord of the Flies, Beckett's The Unnamable, maybe some Rabelais -", "about modern Europe that \"what saves us is ... the devotion to efficiency.\"", "to efficiency.\" I'd like to incorporate these exact words somewhere, as a description", "who seems to run some kind of extortion racket. It's arranged for him", "has enlarged my mind.' He opened his > arms wide. > > >", "works. But I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia", "Cohrim, who originally named his character after a company agent who died on", "lacking in empathy - he's \"hollow to the core\" (one of the more", "gone \"native\" and had become a demi-god to the local cannibal tribes. Kortm", "to provide enough clues for the reader to be in no doubt that", "to pick (and appreciate) the reference, or does it increase the risk of", "human suffering he sees in the camps, and is both captivated and appalled", "> > > **So, how do I avoid clever, deliberate literary allusion being", "(Mr Short) who seems to run some kind of extortion racket. It's arranged", "Short) who seems to run some kind of extortion racket. It's arranged for", "to be in no doubt that Heart of Darkness* is the inspiration: some", "the reference, or does it increase the risk of accusations of unoriginality and", "to meet Short one night, which involves him being led up-river to a", "his mates with his recollections of an ill-fated journey into darkest Africa in", "literary genre I'm writing in. And I want to provide enough clues for", "a mysterious but charismatic man who had gone \"native\" and had become a", "involves him being led up-river to a secret location. The journalist is deeply", "modern city. My journalist might note the \"extremity of an impotent despair\" in", "> > 'I tell you,' he cried, 'this man has enlarged my mind.'", "on Cohrim, who originally named his character after a company agent who died", "- as a way of enriching my novella. Plenty of precedents for this", "an impotent despair\" in one of the homeless characters. The homeless are \"dying", "homage to Cohrim's novella. I'm keen to add other allusions as well -", "astute reader/critic to pick (and appreciate) the reference, or does it increase the", "ill-fated journey into darkest Africa in the late 1800s. Marlow had sailed up", "touches on themes of imperial rapacity, human barbarity, colonial stupidity and waste, and", "changed the name from Klein - \"small\" in German - to Kortm -", "doubt that Heart of Darkness is the inspiration: some subtle (e.g. my Kortm", "is how far I can go in deliberately incorporating actual text from Cohrim's", "allusion. Cohrim himself in H.o.D. uses a translated line from de Maupassant. But", "(in particular) and Africa (in general). Cohrim's novella also touches on themes of", "time visiting homeless persons' camps along the city's main river - under bridges,", "suffering he sees in the camps, and is both captivated and appalled by", "own journey down the Congo; he later changed the name from Klein -", "stupidity and waste, and the corrupting influence of power. In my story, a", "journalist is commissioned to write a series of articles on urban homelessness. He", "deeply dismayed at the human suffering he sees in the camps, and is", "of the homeless characters. The homeless are \"dying very slowly ... they were", "punctuation > (such as quotation marks) and is often mistaken for plagiarism. >", "avoid clever, deliberate literary allusion being mistaken for plagiarism?*** To recap Heart of", "Europe that \"what saves us is ... the devotion to efficiency.\" I'd like", "line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567)", "write a novella that to some degree translates Cohrim's Heart of Darkness to", "characters. The homeless are \"dying very slowly ... they were nothing ... but", "homeless characters might describe Mr Short with the following, taken verbatim from H.o.D.", "Mr Short - a nice twist on Cohrim, who originally named his character", "to Kortm - \"kurz\" means short), and some more obvious - plenty of", "become a demi-god to the local cannibal tribes. Kortm was both mentally and", "he later changed the name from Klein - \"small\" in German - to", "and starvation\". Short himself is a narcissist, utterly lacking in empathy - he's", "precedents for this - Joyce's Ulysses is a minefield of literary allusion. Cohrim", "between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) ", "multiple snatches of text from the one work? When does literary cleverness trip", "the inspiration: some subtle (e.g. my Kortm is Mr Short - a nice", "name from Klein - \"small\" in German - to Kortm - \"kurz\" means", "a secret location. The journalist is deeply dismayed at the human suffering he", "'I tell you,' he cried, 'this man has enlarged my mind.' He opened", "river, Kortm says \"The horror! The horror!\", etc. I'm not intending to copy", "city's main river - under bridges, in disused industrial lots, etc - and", "over into plagiarism? For example, one of my homeless characters might describe Mr", "example, Marlow comments about modern Europe that \"what saves us is ... the", "human barbarity, colonial stupidity and waste, and the corrupting influence of power. In", "Marlow and Kortm, Marlow sails up a jungle river, Kortm says \"The horror!", "Short with the following, taken verbatim from H.o.D. - > > 'I tell", "- > > 'I tell you,' he cried, 'this man has enlarged my", "exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban decay, etc. So far so", "But I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article", "spends some time visiting homeless persons' camps along the city's main river -", "and some more obvious - plenty of references to darkness, heart, horror, etc.", "recap Heart of Darkness, a sailor (Marlow) regales his mates with his recollections", "for the astute reader/critic to pick (and appreciate) the reference, or does it", "location. The journalist is deeply dismayed at the human suffering he sees in", "For example, Marlow comments about modern Europe that \"what saves us is ...", "Heart of Darkness* is the inspiration: some subtle (e.g. my Kortm is Mr", "incorporate these exact words somewhere, as a description of capitalism in a modern", "find some way of including, as a direct homage to Cohrim's novella. I'm", "subtle (e.g. my Kortm is Mr Short - a nice twist on Cohrim,", "H.o.D. uses a translated line from de Maupassant. But where do you draw", "incorporating actual text from Cohrim's novel.** For example, Marlow comments about modern Europe", "I'll explore themes of exploitation and human brutality, narcissism/psychopathy (Short), capitalism, urban decay,", "local cannibal tribes. Kortm was both mentally and physically ill, and died on", "homeless persons' camps along the city's main river - under bridges, in disused", "a series of articles on urban homelessness. He spends some time visiting homeless", "ill, and died on the return journey. Marlow struggles with the greatness and", "be less of a direct re-telling than the film \"Apocalypse Now\" in which", "between the two works. But I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality).", "how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that >", "some Rabelais - as a way of enriching my novella. Plenty of precedents", "river - under bridges, in disused industrial lots, etc - and learns of", "a novella that to some degree translates Cohrim's Heart of Darkness to a", "Panpe's Inferno, to Lord of the Flies, Beckett's The Unnamable, maybe some Rabelais", "mentally and physically ill, and died on the return journey. Marlow struggles with", "genre I'm writing in. And I want to provide enough clues for the", "industrial lots, etc - and learns of a dark, mysterious character (Mr Short)", "nothing ... but black shadows of disease and starvation\". Short himself is a", "some more obvious - plenty of references to darkness, heart, horror, etc. *What", "camps, and is both captivated and appalled by Short. I'll explore themes of", "later changed the name from Klein - \"small\" in German - to Kortm", "require citing or referencing punctuation > (such as quotation marks) and is often", "this - Joyce's Ulysses* is a minefield of literary allusion. Cohrim himself in", "plagiarism? For example, one of my homeless characters might describe Mr Short with", "(such as quotation marks) and is often mistaken for plagiarism. > > >", "horror!\", etc. I'm not intending to copy Cohrim's style, as his melodramatic gothic", "well - to T.S. Eliot's The Hollow Men, Panpe's Inferno, to Lord of", "\"The horror! The horror!\", etc. I'm not intending to copy Cohrim's style, as", "reference, or does it increase the risk of accusations of unoriginality and plagiarism?", "novella also touches on themes of imperial rapacity, human barbarity, colonial stupidity and", "my mind.' He opened his > arms wide. > > > Does the", "Does the longer piece of text make it easier for the astute reader/critic", "was both mentally and physically ill, and died on the return journey. Marlow", "including, as a direct homage to Cohrim's novella. I'm keen to add other", "to make multiple connections between the two works. But I'm unsure how far", "modern \"adaption\". In fact, my own story will be less of a direct", "Marlow struggles with the greatness and darkness of Kortm (in particular) and Africa", "of articles on urban homelessness. He spends some time visiting homeless persons' camps", "as a way of enriching my novella. Plenty of precedents for this -", "from de Maupassant. But where do you draw the line when including multiple", "his melodramatic gothic horror would seem completely over-the-top in the literary genre I'm", "are called Marlow and Kortm, Marlow sails up a jungle river, Kortm says", "from Klein - \"small\" in German - to Kortm - \"kurz\" means short),", "slowly ... they were nothing ... but black shadows of disease and starvation\".", "charismatic man who had gone \"native\" and had become a demi-god to the", "on themes of imperial rapacity, human barbarity, colonial stupidity and waste, and the", "of a modern \"adaption\". In fact, my own story will be less of", "from H.o.D. - > > 'I tell you,' he cried, 'this man has", "opened his > arms wide. > > > Does the longer piece of", "story, a journalist is commissioned to write a series of articles on urban", "For example, one of my homeless characters might describe Mr Short with the", "the film \"Apocalypse Now\" in which the two main protagonists are called Marlow", "pick (and appreciate) the reference, or does it increase the risk of accusations", "of text make it easier for the astute reader/critic to pick (and appreciate)", "the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) [How is parallel construction viewed in", "a journalist is commissioned to write a series of articles on urban homelessness.", "does not require citing or referencing punctuation > (such as quotation marks) and", "us is ... the devotion to efficiency.\" I'd like to incorporate these exact", "Heart of Darkness). These are just a few examples of text I want", "go in deliberately incorporating actual text from Cohrim's novel.** For example, Marlow comments", "he's \"hollow to the core\" (one of the more memorable lines from Heart", "seems to run some kind of extortion racket. It's arranged for him to", "man has enlarged my mind.' He opened his > arms wide. > >", "to a modern urban setting, and I want the astute reader to be", "> 'I tell you,' he cried, 'this man has enlarged my mind.' He", "a minefield of literary allusion. Cohrim himself in H.o.D. uses a translated line", "far so good - I'm inspired by Cohrim's tale and excited about the", "often mistaken for plagiarism. > > > So, how do I avoid clever,", "novel. For example, Marlow comments about modern Europe that \"what saves us is", "Intertextuality does not require citing or referencing punctuation > (such as quotation marks)", "enriching my novella. Plenty of precedents for this - Joyce's Ulysses is a", "Kortm says \"The horror! The horror!\", etc. I'm not intending to copy Cohrim's", "longer piece of text make it easier for the astute reader/critic to pick", "the Wikipedia article notes that > > Intertextuality does not require citing or", "both captivated and appalled by Short. I'll explore themes of exploitation and human", "very slowly ... they were nothing ... but black shadows of disease and", "In fact, my own story will be less of a direct re-telling than", "fact, my own story will be less of a direct re-telling than the", "> > Does the longer piece of text make it easier for the", "tell you,' he cried, 'this man has enlarged my mind.' He opened his", "\"extremity of an impotent despair\" in one of the homeless characters. The homeless", "words somewhere, as a description of capitalism in a modern city. My journalist", "writing in. And I want to provide enough clues for the reader to", "translates Cohrim's Heart of Darkness to a modern urban setting, and I want", "Heart of Darkness, a sailor (Marlow) regales his mates with his recollections of", "capitalism, urban decay, etc. So far so good - I'm inspired by Cohrim's", "the return journey. Marlow struggles with the greatness and darkness of Kortm (in", "himself is a narcissist, utterly lacking in empathy - he's \"hollow to the", "(and appreciate) the reference, or does it increase the risk of accusations of", "few examples of text I want to find some way of including, as", "example, one of my homeless characters might describe Mr Short with the following,", "a jungle river, Kortm says \"The horror! The horror!\", etc. I'm not intending", "of my homeless characters might describe Mr Short with the following, taken verbatim", "mistaken for plagiarism. > > > **So, how do I avoid clever, deliberate", "excited about the creative possibilities of a modern \"adaption\". In fact, my own", "which the two main protagonists are called Marlow and Kortm, Marlow sails up", "provide enough clues for the reader to be in no doubt that Heart", "German - to Kortm - \"kurz\" means short), and some more obvious -", "and allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) * [How much", "some degree translates Cohrim's Heart of Darkness to a modern urban setting, and", "examples of text I want to find some way of including, as a", "describe Mr Short with the following, taken verbatim from H.o.D. - > >", "tribes. Kortm was both mentally and physically ill, and died on the return", "narcissism/psychopathy (Short), capitalism, urban decay, etc. So far so good - I'm inspired", "the Congo; he later changed the name from Klein - \"small\" in German", "Mr Short with the following, taken verbatim from H.o.D. - > > 'I", "accusations of unoriginality and plagiarism? Related questions, but not quite answering the above:", "The Unnamable, maybe some Rabelais - as a way of enriching my novella.", "trader Kortm, a mysterious but charismatic man who had gone \"native\" and had", "protagonists are called Marlow and Kortm, Marlow sails up a jungle river, Kortm", "to the core\" (one of the more memorable lines from Heart of Darkness).", "Lord of the Flies, Beckett's The Unnamable, maybe some Rabelais - as a", "the core\" (one of the more memorable lines from Heart of Darkness). These", "wide. > > > Does the longer piece of text make it easier", "the one work? When does literary cleverness trip over into plagiarism? For example,", "in the literary genre I'm writing in. And I want to provide enough", "of Darkness, a sailor (Marlow) regales his mates with his recollections of an", "up a jungle river, Kortm says \"The horror! The horror!\", etc. I'm not", "modern Europe that \"what saves us is ... the devotion to efficiency.\" I'd", "dismayed at the human suffering he sees in the camps, and is both", "in German - to Kortm - \"kurz\" means short), and some more obvious", "... they were nothing ... but black shadows of disease and starvation\". Short", "visiting homeless persons' camps along the city's main river - under bridges, in", "[How is parallel construction viewed in literature?](https://writing.stackexchange.com/q/7567) [How much is considered plagiarism?](https://writing.stackexchange.com/q/14580)", "it easier for the astute reader/critic to pick (and appreciate) the reference, or", "are just a few examples of text I want to find some way", "my story, a journalist is commissioned to write a series of articles on", "with his recollections of an ill-fated journey into darkest Africa in the late", "of the more memorable lines from Heart of Darkness). These are just a", "I want to find some way of including, as a direct homage to", "on Cohrim's own journey down the Congo; he later changed the name from", "reader to be in no doubt that Heart of Darkness is the inspiration:", "modern urban setting, and I want the astute reader to be able to", "the line when including multiple snatches of text from the one work? When", "inspiration: some subtle (e.g. my Kortm is Mr Short - a nice twist", "series of articles on urban homelessness. He spends some time visiting homeless persons'", "I'm not intending to copy Cohrim's style, as his melodramatic gothic horror would", "themes of imperial rapacity, human barbarity, colonial stupidity and waste, and the corrupting", "Ulysses is a minefield of literary allusion. Cohrim himself in H.o.D. uses a", "had gone \"native\" and had become a demi-god to the local cannibal tribes.", "is a minefield of literary allusion. Cohrim himself in H.o.D. uses a translated", "character (Mr Short) who seems to run some kind of extortion racket. It's", "one of my homeless characters might describe Mr Short with the following, taken", "Darkness, a sailor (Marlow) regales his mates with his recollections of an ill-fated", "astute reader to be able to make multiple connections between the two works.", "Cohrim's tale and excited about the creative possibilities of a modern \"adaption\". In", "is deeply dismayed at the human suffering he sees in the camps, and", "de Maupassant. But where do you draw the line when including multiple snatches", "So far so good - I'm inspired by Cohrim's tale and excited about", "from Cohrim's novel.* For example, Marlow comments about modern Europe that \"what saves", "in which the two main protagonists are called Marlow and Kortm, Marlow sails", "description of capitalism in a modern city. My journalist might note the \"extremity", "deliberate literary allusion being mistaken for plagiarism?*** To recap Heart of Darkness, a", "piece of text make it easier for the astute reader/critic to pick (and", "actual text from Cohrim's novel.** For example, Marlow comments about modern Europe that", "regales his mates with his recollections of an ill-fated journey into darkest Africa", "than the film \"Apocalypse Now\" in which the two main protagonists are called", "* [How do we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How", "- I'm inspired by Cohrim's tale and excited about the creative possibilities of", "clues for the reader to be in no doubt that Heart of Darkness", "enlarged my mind.' He opened his > arms wide. > > > Does", "direct homage to Cohrim's novella. I'm keen to add other allusions as well", "the local cannibal tribes. Kortm was both mentally and physically ill, and died", "increase the risk of accusations of unoriginality and plagiarism? Related questions, but not", "want the astute reader to be able to make multiple connections between the", "sailed up the Congo and met ivory trader Kortm, a mysterious but charismatic", "Africa in the late 1800s. Marlow had sailed up the Congo and met", "dark, mysterious character (Mr Short) who seems to run some kind of extortion", "in the late 1800s. Marlow had sailed up the Congo and met ivory", "with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that > > Intertextuality does not", "run some kind of extortion racket. It's arranged for him to meet Short", "and plagiarism? Related questions, but not quite answering the above: * [How do", "above: * [How do we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) ", "imperial rapacity, human barbarity, colonial stupidity and waste, and the corrupting influence of", "power. In my story, a journalist is commissioned to write a series of", "journey down the Congo; he later changed the name from Klein - \"small\"", "references to darkness, heart, horror, etc. What I'm struggling with is how far", "Related questions, but not quite answering the above: [How do we draw", "mysterious but charismatic man who had gone \"native\" and had become a demi-god", "but not quite answering the above: * [How do we draw the line", "being mistaken for plagiarism?*** To recap Heart of Darkness, a sailor (Marlow) regales", "far I can go in deliberately incorporating actual text from Cohrim's novel.** For", "- to Kortm - \"kurz\" means short), and some more obvious - plenty", "in disused industrial lots, etc - and learns of a dark, mysterious character", "were nothing ... but black shadows of disease and starvation\". Short himself is", "the human suffering he sees in the camps, and is both captivated and", "draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel construction viewed", "(in general). Cohrim's novella also touches on themes of imperial rapacity, human barbarity,", "(Short), capitalism, urban decay, etc. So far so good - I'm inspired by", "intending to copy Cohrim's style, as his melodramatic gothic horror would seem completely", "my Kortm is Mr Short - a nice twist on Cohrim, who originally", "will be less of a direct re-telling than the film \"Apocalypse Now\" in", "particular) and Africa (in general). Cohrim's novella also touches on themes of imperial", "man who had gone \"native\" and had become a demi-god to the local", "darkness of Kortm (in particular) and Africa (in general). Cohrim's novella also touches", "citing or referencing punctuation > (such as quotation marks) and is often mistaken", "would seem completely over-the-top in the literary genre I'm writing in. And I", "of enriching my novella. Plenty of precedents for this - Joyce's Ulysses is", "that to some degree translates Cohrim's Heart of Darkness to a modern urban", "of text I want to find some way of including, as a direct", "a company agent who died on Cohrim's own journey down the Congo; he", "the Flies, Beckett's The Unnamable, maybe some Rabelais - as a way of", "melodramatic gothic horror would seem completely over-the-top in the literary genre I'm writing", "how do I avoid clever, deliberate literary allusion being mistaken for plagiarism?** To", "and waste, and the corrupting influence of power. In my story, a journalist", "by Short. I'll explore themes of exploitation and human brutality, narcissism/psychopathy (Short), capitalism,", "of the Flies, Beckett's The Unnamable, maybe some Rabelais - as a way", "struggles with the greatness and darkness of Kortm (in particular) and Africa (in", "Kortm, Marlow sails up a jungle river, Kortm says \"The horror! The horror!\",", "the \"extremity of an impotent despair\" in one of the homeless characters. The", "go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that > > Intertextuality does", "the longer piece of text make it easier for the astute reader/critic to", "He spends some time visiting homeless persons' camps along the city's main river", "a dark, mysterious character (Mr Short) who seems to run some kind of", "as his melodramatic gothic horror would seem completely over-the-top in the literary genre", "tale and excited about the creative possibilities of a modern \"adaption\". In fact,", "text from the one work? When does literary cleverness trip over into plagiarism?", "add other allusions as well - to T.S. Eliot's The Hollow Men, Panpe's", "both mentally and physically ill, and died on the return journey. Marlow struggles", "two works. But I'm unsure how far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the", "and I want the astute reader to be able to make multiple connections", "corrupting influence of power. In my story, a journalist is commissioned to write", "I want to write a novella that to some degree translates Cohrim's Heart", "one night, which involves him being led up-river to a secret location. The", "efficiency.\" I'd like to incorporate these exact words somewhere, as a description of", "re-telling than the film \"Apocalypse Now\" in which the two main protagonists are", "for plagiarism?*** To recap Heart of Darkness, a sailor (Marlow) regales his mates", "general). Cohrim's novella also touches on themes of imperial rapacity, human barbarity, colonial", "the devotion to efficiency.\" I'd like to incorporate these exact words somewhere, as", "I avoid clever, deliberate literary allusion being mistaken for plagiarism?*** To recap Heart", "which involves him being led up-river to a secret location. The journalist is", "for the reader to be in no doubt that Heart of Darkness* is", "heart, horror, etc. What I'm struggling with is how far I can go", "text from Cohrim's novel. For example, Marlow comments about modern Europe that \"what", "These are just a few examples of text I want to find some", "is both captivated and appalled by Short. I'll explore themes of exploitation and", "Klein - \"small\" in German - to Kortm - \"kurz\" means short), and", "to be able to make multiple connections between the two works. But I'm", "risk of accusations of unoriginality and plagiarism? Related questions, but not quite answering", "mysterious character (Mr Short) who seems to run some kind of extortion racket.", "\"hollow to the core\" (one of the more memorable lines from Heart of", "[intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that > > Intertextuality does not require", "good - I'm inspired by Cohrim's tale and excited about the creative possibilities", "But where do you draw the line when including multiple snatches of text", "\"dying very slowly ... they were nothing ... but black shadows of disease", "capitalism in a modern city. My journalist might note the \"extremity of an", "waste, and the corrupting influence of power. In my story, a journalist is", "of extortion racket. It's arranged for him to meet Short one night, which", "and Kortm, Marlow sails up a jungle river, Kortm says \"The horror! The", "of a direct re-telling than the film \"Apocalypse Now\" in which the two", "who originally named his character after a company agent who died on Cohrim's", "is Mr Short - a nice twist on Cohrim, who originally named his", "to Lord of the Flies, Beckett's The Unnamable, maybe some Rabelais - as", "The Hollow Men, Panpe's Inferno, to Lord of the Flies, Beckett's The Unnamable,", "comments about modern Europe that \"what saves us is ... the devotion to", "Plenty of precedents for this - Joyce's Ulysses* is a minefield of literary", "a translated line from de Maupassant. But where do you draw the line", "do we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) * [How is parallel", "T.S. Eliot's The Hollow Men, Panpe's Inferno, to Lord of the Flies, Beckett's", "- and learns of a dark, mysterious character (Mr Short) who seems to", "articles on urban homelessness. He spends some time visiting homeless persons' camps along", "it increase the risk of accusations of unoriginality and plagiarism? Related questions, but", "Cohrim himself in H.o.D. uses a translated line from de Maupassant. But where", "mistaken for plagiarism?*** To recap Heart of Darkness, a sailor (Marlow) regales his", "'this man has enlarged my mind.' He opened his > arms wide. >", "Even the Wikipedia article notes that > > Intertextuality does not require citing", "- \"kurz\" means short), and some more obvious - plenty of references to", "arranged for him to meet Short one night, which involves him being led", "Short - a nice twist on Cohrim, who originally named his character after", "the creative possibilities of a modern \"adaption\". In fact, my own story will", "... but black shadows of disease and starvation\". Short himself is a narcissist,", "and learns of a dark, mysterious character (Mr Short) who seems to run", "not require citing or referencing punctuation > (such as quotation marks) and is", "> > > Does the longer piece of text make it easier for", "And I want to provide enough clues for the reader to be in", "> **So, how do I avoid clever, deliberate literary allusion being mistaken for", "we draw the line between plagiarism and allusion?](https://writing.stackexchange.com/q/22100) [How is parallel construction", "a few examples of text I want to find some way of including,", "literary cleverness trip over into plagiarism? For example, one of my homeless characters", "taken verbatim from H.o.D. - > > 'I tell you,' he cried, 'this", "meet Short one night, which involves him being led up-river to a secret", "utterly lacking in empathy - he's \"hollow to the core\" (one of the", "under bridges, in disused industrial lots, etc - and learns of a dark,", "one of the homeless characters. The homeless are \"dying very slowly ... they", "main protagonists are called Marlow and Kortm, Marlow sails up a jungle river,", "to find some way of including, as a direct homage to Cohrim's novella.", "be in no doubt that Heart of Darkness is the inspiration: some subtle", "over-the-top in the literary genre I'm writing in. And I want to provide", "characters might describe Mr Short with the following, taken verbatim from H.o.D. -", "agent who died on Cohrim's own journey down the Congo; he later changed", "sails up a jungle river, Kortm says \"The horror! The horror!\", etc. I'm", "write a series of articles on urban homelessness. He spends some time visiting", "and Africa (in general). Cohrim's novella also touches on themes of imperial rapacity,", "*So, how do I avoid clever, deliberate literary allusion being mistaken for plagiarism?", "etc. I'm not intending to copy Cohrim's style, as his melodramatic gothic horror", "darkness, heart, horror, etc. What I'm struggling with is how far I can", "had become a demi-god to the local cannibal tribes. Kortm was both mentally", "enough clues for the reader to be in no doubt that Heart of", "Now\" in which the two main protagonists are called Marlow and Kortm, Marlow", "far to go with [intertextuality](https://en.wikipedia.org/wiki/Intertextuality). Even the Wikipedia article notes that > >", "racket. It's arranged for him to meet Short one night, which involves him", "and is often mistaken for plagiarism. > > > **So, how do I", "more obvious - plenty of references to darkness, heart, horror, etc. What I'm", "\"adaption\". In fact, my own story will be less of a direct re-telling", "to copy Cohrim's style, as his melodramatic gothic horror would seem completely over-the-top", "> Intertextuality does not require citing or referencing punctuation > (such as quotation", "the late 1800s. Marlow had sailed up the Congo and met ivory trader", "etc - and learns of a dark, mysterious character (Mr Short) who seems", "clever, deliberate literary allusion being mistaken for plagiarism?** To recap Heart of Darkness,", "in no doubt that Heart of Darkness is the inspiration: some subtle (e.g.", "snatches of text from the one work? When does literary cleverness trip over", "is the inspiration: some subtle (e.g. my Kortm is Mr Short - a", "quotation marks) and is often mistaken for plagiarism. > > > **So, how", "draw the line when including multiple snatches of text from the one work?", "Flies, Beckett's The Unnamable, maybe some Rabelais - as a way of enriching", "connections between the two works. But I'm unsure how far to go with", "more memorable lines from Heart of Darkness). These are just a few examples", "to add other allusions as well - to T.S. Eliot's The Hollow Men,", "died on Cohrim's own journey down the Congo; he later changed the name", "for plagiarism. > > > *So, how do I avoid clever, deliberate literary", "etc. What I'm struggling with is how far I can go in deliberately", "way of including, as a direct homage to Cohrim's novella. I'm keen to", "to write a series of articles on urban homelessness. He spends some time", "Marlow sails up a jungle river, Kortm says \"The horror! The horror!\", etc.", "I'd like to incorporate these exact words somewhere, as a description of capitalism", "sailor (Marlow) regales his mates with his recollections of an ill-fated journey into", "journalist is deeply dismayed at the human suffering he sees in the camps,", "urban decay, etc. So far so good - I'm inspired by Cohrim's tale", "line from de Maupassant. But where do you draw the line when including", "darkest Africa in the late 1800s. Marlow had sailed up the Congo and", "Cohrim's novella. I'm keen to add other allusions as well - to T.S.", "impotent despair\" in one of the homeless characters. The homeless are \"dying very", "Kortm (in particular) and Africa (in general). Cohrim's novella also touches on themes", "some subtle (e.g. my Kortm is Mr Short - a nice twist on", "and had become a demi-god to the local cannibal tribes. Kortm was both", "Congo; he later changed the name from Klein - \"small\" in German -", "city. My journalist might note the \"extremity of an impotent despair\" in one", "of capitalism in a modern city. My journalist might note the \"extremity of", "a nice twist on Cohrim, who originally named his character after a company", "Rabelais - as a way of enriching my novella. Plenty of precedents for", "H.o.D. - > > 'I tell you,' he cried, 'this man has enlarged" ]
[ "in the middle of it. At the risk of being called a pedophile,", "Maybe I'm wrong and it's just simply how games with sexual content have", "with it? Or should I leave these things out entirely because gamers would", "people have this weird double standard where they can see extreme amounts of", "prefer not to have them (for some reason)? Should I maybe make two", "text box and move on. Your choice. The only sex scenes you can't", "might suggest, I'm working on a horror video game, which happens to have", "the naughty bits, no sexualisation whatsoever, they just simply happen to be nude", "itself. You can choose to either watch two (or more) characters have sex", "suggest, I'm working on a horror video game, which happens to have a", "get to see everything, penetration itself included. If you want. The sex scenes", "on. Your choice. The only sex scenes you can't skip are the short", "more. Besides the perverted parts of the game, the game is already pretty", "sex. Maybe I'm wrong and it's just simply how games with sexual content", "an hour or you can just get a \"and then they had sex\"", "what I planned to do. Just FYI: I don't actually plan on selling", "of the game, the game is already pretty graphic, one scene for example", "it anywhere, I plan on making it freely available and self-published. I don't", "for games with sexual content, but that can always change. So what's the", "if it has sex scenes and nudity, especially when it's not even going", "nature, they're just supposed to be treated like a \"matter-of-fact\" manner. No weird", "game, the game is already pretty graphic, one scene for example involves a", "but not anything related to sex. Maybe I'm wrong and it's just simply", "and there - at least, that's what I planned to do. Just FYI:", "adults only, so why should anybody care if it has sex scenes and", "and full sex scenes, meaning you get to see everything, penetration itself included.", "scenes you can't skip are the short ones, where something important happens in", "make two versions, one cut, the other uncut, even if it would still", "because gamers would prefer not to have them (for some reason)? Should I", "to be rated? Well, imo, people have this weird double standard where they", "The only sex scenes you can't skip are the short ones, where something", "a character finding the heads of her parents. It is by no means", "on including one nude scene involving two 12 year olds. Don't worry, they're", "it's why I'm unsure of doing anything in that direction. Doesn't help that", "to have these scenes in a game that's primarily horror and not... erotica/porn/whatever", "sex scenes you can't skip are the short ones, where something important happens", "to have a few sex scenes and a bit of nudity here and", "least, that's what I planned to do. Just FYI: I don't actually plan", "half an hour or you can just get a \"and then they had", "scene involving two 12 year olds. Don't worry, they're not at all supposed", "there - at least, that's what I planned to do. Just FYI: I", "ones, where something important happens in the middle of it. At the risk", "for adults only, so why should anybody care if it has sex scenes", "it? Or should I leave these things out entirely because gamers would prefer", "scene for example involves a character finding the heads of her parents. It", "on making it freely available and self-published. I don't care about getting a", "even going to be rated? Well, imo, people have this weird double standard", "move on. Your choice. The only sex scenes you can't skip are the", "the short ones, where something important happens in the middle of it. At", "box and move on. Your choice. The only sex scenes you can't skip", "plan on making it freely available and self-published. I don't care about getting", "don't care about getting a rating, but I do care that nobody underage", "skip at any time, since they don't really add much to the story", "angles, no focus on the naughty bits, no sexualisation whatsoever, they just simply", "I plan on making it freely available and self-published. I don't care about", "they're just supposed to be treated like a \"matter-of-fact\" manner. No weird camera", "entirely because gamers would prefer not to have them (for some reason)? Should", "pretty much already reserved for adults only, so why should anybody care if", "that's how it comes across and it's why I'm unsure of doing anything", "gamers would prefer not to have them (for some reason)? Should I maybe", "I leave these things out entirely because gamers would prefer not to have", "them (for some reason)? Should I maybe make two versions, one cut, the", "sexual content have been shunned in the past, but that's how it comes", "doing anything in that direction. Doesn't help that video games are still \"babied\"", "nobody underage even sees the game. And no, I would probably not even", "horror video game, which happens to have a few sex scenes and a", "involves a character finding the heads of her parents. It is by no", "would probably not even publish it on Steam, even if they recently opened", "two (or more) characters have sex for half an hour or you can", "have a few sex scenes and a bit of nudity here and there", "pretty graphic, one scene for example involves a character finding the heads of", "a few sex scenes and a bit of nudity here and there -", "anything related to sex. Maybe I'm wrong and it's just simply how games", "unlike movies and books. What would the game have? Full nudity and full", "care that nobody underage even sees the game. And no, I would probably", "example involves a character finding the heads of her parents. It is by", "the gore? Would it be distracting to have these scenes in a game", "imo, people have this weird double standard where they can see extreme amounts", "be rated? Well, imo, people have this weird double standard where they can", "a \"matter-of-fact\" manner. No weird camera angles, no focus on the naughty bits,", "maybe make two versions, one cut, the other uncut, even if it would", "care if it has sex scenes and nudity, especially when it's not even", "it's not even going to be rated? Well, imo, people have this weird", "of being called a pedophile, I also planned on including one nude scene", "want. The sex scenes are basically just fan service that you can skip", "parts of the game, the game is already pretty graphic, one scene for", "12 year olds. Don't worry, they're not at all supposed to be sexual", "if it would still contain the gore? Would it be distracting to have", "two 12 year olds. Don't worry, they're not at all supposed to be", "so why should anybody care if it has sex scenes and nudity, especially", "extreme amounts of gore, but not anything related to sex. Maybe I'm wrong", "The sex scenes are basically just fan service that you can skip at", "already pretty graphic, one scene for example involves a character finding the heads", "penetration itself included. If you want. The sex scenes are basically just fan", "how games with sexual content have been shunned in the past, but that's", "things out entirely because gamers would prefer not to have them (for some", "worry, they're not at all supposed to be sexual in nature, they're just", "included. If you want. The sex scenes are basically just fan service that", "everything, penetration itself included. If you want. The sex scenes are basically just", "on the naughty bits, no sexualisation whatsoever, they just simply happen to be", "out entirely because gamers would prefer not to have them (for some reason)?", "with sexual content, but that can always change. So what's the problem exactly?", "some reason)? Should I maybe make two versions, one cut, the other uncut,", "can always change. So what's the problem exactly? It's a horror game after", "versions, one cut, the other uncut, even if it would still contain the", "of gore, but not anything related to sex. Maybe I'm wrong and it's", "see everything, penetration itself included. If you want. The sex scenes are basically", "it comes across and it's why I'm unsure of doing anything in that", "the risk of being called a pedophile, I also planned on including one", "happens to have a few sex scenes and a bit of nudity here", "only, so why should anybody care if it has sex scenes and nudity,", "finding the heads of her parents. It is by no means meant for", "just simply how games with sexual content have been shunned in the past,", "freely available and self-published. I don't care about getting a rating, but I", "are basically just fan service that you can skip at any time, since", "one scene for example involves a character finding the heads of her parents.", "to the story itself. You can choose to either watch two (or more)", "video games are still \"babied\" unlike movies and books. What would the game", "a game that's primarily horror and not... erotica/porn/whatever you want to call it?", "and self-published. I don't care about getting a rating, but I do care", "of nudity here and there - at least, that's what I planned to", "parents. It is by no means meant for children or even young teenagers,", "any time, since they don't really add much to the story itself. You", "called a pedophile, I also planned on including one nude scene involving two", "why I'm unsure of doing anything in that direction. Doesn't help that video", "not even going to be rated? Well, imo, people have this weird double", "I do care that nobody underage even sees the game. And no, I", "scenes and nudity, especially when it's not even going to be rated? Well,", "fan service that you can skip at any time, since they don't really", "Don't worry, they're not at all supposed to be sexual in nature, they're", "self-published. I don't care about getting a rating, but I do care that", "of doing anything in that direction. Doesn't help that video games are still", "Or should I leave these things out entirely because gamers would prefer not", "just fan service that you can skip at any time, since they don't", "for children or even young teenagers, it is adults only. So... should I", "especially when it's not even going to be rated? Well, imo, people have", "where people are usually nude. Nothing more. Besides the perverted parts of the", "that nobody underage even sees the game. And no, I would probably not", "game after all, pretty much already reserved for adults only, so why should", "reason)? Should I maybe make two versions, one cut, the other uncut, even", "whatsoever, they just simply happen to be nude in a setting where people", "I would probably not even publish it on Steam, even if they recently", "games are still \"babied\" unlike movies and books. What would the game have?", "nude scene involving two 12 year olds. Don't worry, they're not at all", "working on a horror video game, which happens to have a few sex", "to be nude in a setting where people are usually nude. Nothing more.", "distracting to have these scenes in a game that's primarily horror and not...", "already reserved for adults only, so why should anybody care if it has", "So... should I go with it? Or should I leave these things out", "bits, no sexualisation whatsoever, they just simply happen to be nude in a", "sex for half an hour or you can just get a \"and then", "What would the game have? Full nudity and full sex scenes, meaning you", "nude in a setting where people are usually nude. Nothing more. Besides the", "\"and then they had sex\" text box and move on. Your choice. The", "important happens in the middle of it. At the risk of being called", "on Steam, even if they recently opened the floodgates for games with sexual", "middle of it. At the risk of being called a pedophile, I also", "which happens to have a few sex scenes and a bit of nudity", "change. So what's the problem exactly? It's a horror game after all, pretty", "help that video games are still \"babied\" unlike movies and books. What would", "but that's how it comes across and it's why I'm unsure of doing", "choose to either watch two (or more) characters have sex for half an", "is already pretty graphic, one scene for example involves a character finding the", "then they had sex\" text box and move on. Your choice. The only", "her parents. It is by no means meant for children or even young", "all, pretty much already reserved for adults only, so why should anybody care", "getting a rating, but I do care that nobody underage even sees the", "I also planned on including one nude scene involving two 12 year olds.", "a horror game after all, pretty much already reserved for adults only, so", "sexual in nature, they're just supposed to be treated like a \"matter-of-fact\" manner.", "sex scenes and nudity, especially when it's not even going to be rated?", "cut, the other uncut, even if it would still contain the gore? Would", "can choose to either watch two (or more) characters have sex for half", "- at least, that's what I planned to do. Just FYI: I don't", "you want. The sex scenes are basically just fan service that you can", "weird double standard where they can see extreme amounts of gore, but not", "a pedophile, I also planned on including one nude scene involving two 12", "Well, imo, people have this weird double standard where they can see extreme", "anything in that direction. Doesn't help that video games are still \"babied\" unlike", "happens in the middle of it. At the risk of being called a", "year olds. Don't worry, they're not at all supposed to be sexual in", "Steam, even if they recently opened the floodgates for games with sexual content,", "choice. The only sex scenes you can't skip are the short ones, where", "watch two (or more) characters have sex for half an hour or you", "in a setting where people are usually nude. Nothing more. Besides the perverted", "setting where people are usually nude. Nothing more. Besides the perverted parts of", "that direction. Doesn't help that video games are still \"babied\" unlike movies and", "should I leave these things out entirely because gamers would prefer not to", "Full nudity and full sex scenes, meaning you get to see everything, penetration", "title might suggest, I'm working on a horror video game, which happens to", "service that you can skip at any time, since they don't really add", "it would still contain the gore? Would it be distracting to have these", "including one nude scene involving two 12 year olds. Don't worry, they're not", "in that direction. Doesn't help that video games are still \"babied\" unlike movies", "unsure of doing anything in that direction. Doesn't help that video games are", "nude. Nothing more. Besides the perverted parts of the game, the game is", "have sex for half an hour or you can just get a \"and", "happen to be nude in a setting where people are usually nude. Nothing", "to see everything, penetration itself included. If you want. The sex scenes are", "these things out entirely because gamers would prefer not to have them (for", "Nothing more. Besides the perverted parts of the game, the game is already", "children or even young teenagers, it is adults only. So... should I go", "the title might suggest, I'm working on a horror video game, which happens", "more) characters have sex for half an hour or you can just get", "and nudity, especially when it's not even going to be rated? Well, imo,", "usually nude. Nothing more. Besides the perverted parts of the game, the game", "only sex scenes you can't skip are the short ones, where something important", "that's what I planned to do. Just FYI: I don't actually plan on", "don't actually plan on selling it anywhere, I plan on making it freely", "I'm unsure of doing anything in that direction. Doesn't help that video games", "see extreme amounts of gore, but not anything related to sex. Maybe I'm", "be distracting to have these scenes in a game that's primarily horror and", "probably not even publish it on Steam, even if they recently opened the", "much already reserved for adults only, so why should anybody care if it", "simply how games with sexual content have been shunned in the past, but", "care about getting a rating, but I do care that nobody underage even", "shunned in the past, but that's how it comes across and it's why", "on a horror video game, which happens to have a few sex scenes", "time, since they don't really add much to the story itself. You can", "Would it be distracting to have these scenes in a game that's primarily", "rated? Well, imo, people have this weird double standard where they can see", "it. At the risk of being called a pedophile, I also planned on", "As the title might suggest, I'm working on a horror video game, which", "is adults only. So... should I go with it? Or should I leave", "even publish it on Steam, even if they recently opened the floodgates for", "should I go with it? Or should I leave these things out entirely", "sexual content, but that can always change. So what's the problem exactly? It's", "I don't actually plan on selling it anywhere, I plan on making it", "game is already pretty graphic, one scene for example involves a character finding", "have been shunned in the past, but that's how it comes across and", "they had sex\" text box and move on. Your choice. The only sex", "of her parents. It is by no means meant for children or even", "and move on. Your choice. The only sex scenes you can't skip are", "it has sex scenes and nudity, especially when it's not even going to", "reserved for adults only, so why should anybody care if it has sex", "if they recently opened the floodgates for games with sexual content, but that", "young teenagers, it is adults only. So... should I go with it? Or", "\"matter-of-fact\" manner. No weird camera angles, no focus on the naughty bits, no", "I'm wrong and it's just simply how games with sexual content have been", "short ones, where something important happens in the middle of it. At the", "nudity, especially when it's not even going to be rated? Well, imo, people", "horror game after all, pretty much already reserved for adults only, so why", "supposed to be sexual in nature, they're just supposed to be treated like", "floodgates for games with sexual content, but that can always change. So what's", "pedophile, I also planned on including one nude scene involving two 12 year", "the game. And no, I would probably not even publish it on Steam,", "one cut, the other uncut, even if it would still contain the gore?", "after all, pretty much already reserved for adults only, so why should anybody", "but I do care that nobody underage even sees the game. And no,", "in a game that's primarily horror and not... erotica/porn/whatever you want to call", "game, which happens to have a few sex scenes and a bit of", "do. Just FYI: I don't actually plan on selling it anywhere, I plan", "the floodgates for games with sexual content, but that can always change. So", "still \"babied\" unlike movies and books. What would the game have? Full nudity", "I maybe make two versions, one cut, the other uncut, even if it", "exactly? It's a horror game after all, pretty much already reserved for adults", "the heads of her parents. It is by no means meant for children", "had sex\" text box and move on. Your choice. The only sex scenes", "why should anybody care if it has sex scenes and nudity, especially when", "I planned to do. Just FYI: I don't actually plan on selling it", "being called a pedophile, I also planned on including one nude scene involving", "rating, but I do care that nobody underage even sees the game. And", "you can skip at any time, since they don't really add much to", "they just simply happen to be nude in a setting where people are", "or even young teenagers, it is adults only. So... should I go with", "not to have them (for some reason)? Should I maybe make two versions,", "to be sexual in nature, they're just supposed to be treated like a", "No weird camera angles, no focus on the naughty bits, no sexualisation whatsoever,", "be nude in a setting where people are usually nude. Nothing more. Besides", "where they can see extreme amounts of gore, but not anything related to", "across and it's why I'm unsure of doing anything in that direction. Doesn't", "just simply happen to be nude in a setting where people are usually", "other uncut, even if it would still contain the gore? Would it be", "a rating, but I do care that nobody underage even sees the game.", "in nature, they're just supposed to be treated like a \"matter-of-fact\" manner. No", "nudity and full sex scenes, meaning you get to see everything, penetration itself", "the story itself. You can choose to either watch two (or more) characters", "planned on including one nude scene involving two 12 year olds. Don't worry,", "either watch two (or more) characters have sex for half an hour or", "story itself. You can choose to either watch two (or more) characters have", "Besides the perverted parts of the game, the game is already pretty graphic,", "a \"and then they had sex\" text box and move on. Your choice.", "scenes are basically just fan service that you can skip at any time,", "amounts of gore, but not anything related to sex. Maybe I'm wrong and", "they don't really add much to the story itself. You can choose to", "movies and books. What would the game have? Full nudity and full sex", "are the short ones, where something important happens in the middle of it.", "I don't care about getting a rating, but I do care that nobody", "At the risk of being called a pedophile, I also planned on including", "that can always change. So what's the problem exactly? It's a horror game", "leave these things out entirely because gamers would prefer not to have them", "two versions, one cut, the other uncut, even if it would still contain", "you get to see everything, penetration itself included. If you want. The sex", "it is adults only. So... should I go with it? Or should I", "have these scenes in a game that's primarily horror and not... erotica/porn/whatever you", "go with it? Or should I leave these things out entirely because gamers", "contain the gore? Would it be distracting to have these scenes in a", "where something important happens in the middle of it. At the risk of", "content have been shunned in the past, but that's how it comes across", "have them (for some reason)? Should I maybe make two versions, one cut,", "heads of her parents. It is by no means meant for children or", "content, but that can always change. So what's the problem exactly? It's a", "you can just get a \"and then they had sex\" text box and", "about getting a rating, but I do care that nobody underage even sees", "get a \"and then they had sex\" text box and move on. Your", "\"babied\" unlike movies and books. What would the game have? Full nudity and", "not at all supposed to be sexual in nature, they're just supposed to", "scenes and a bit of nudity here and there - at least, that's", "olds. Don't worry, they're not at all supposed to be sexual in nature,", "to be treated like a \"matter-of-fact\" manner. No weird camera angles, no focus", "a horror video game, which happens to have a few sex scenes and", "a setting where people are usually nude. Nothing more. Besides the perverted parts", "opened the floodgates for games with sexual content, but that can always change.", "anybody care if it has sex scenes and nudity, especially when it's not", "even young teenagers, it is adults only. So... should I go with it?", "not even publish it on Steam, even if they recently opened the floodgates", "publish it on Steam, even if they recently opened the floodgates for games", "double standard where they can see extreme amounts of gore, but not anything", "here and there - at least, that's what I planned to do. Just", "direction. Doesn't help that video games are still \"babied\" unlike movies and books.", "be sexual in nature, they're just supposed to be treated like a \"matter-of-fact\"", "underage even sees the game. And no, I would probably not even publish", "If you want. The sex scenes are basically just fan service that you", "nudity here and there - at least, that's what I planned to do.", "the game, the game is already pretty graphic, one scene for example involves", "actually plan on selling it anywhere, I plan on making it freely available", "have this weird double standard where they can see extreme amounts of gore,", "with sexual content have been shunned in the past, but that's how it", "this weird double standard where they can see extreme amounts of gore, but", "can just get a \"and then they had sex\" text box and move", "skip are the short ones, where something important happens in the middle of", "scenes, meaning you get to see everything, penetration itself included. If you want.", "no focus on the naughty bits, no sexualisation whatsoever, they just simply happen", "are still \"babied\" unlike movies and books. What would the game have? Full", "you can't skip are the short ones, where something important happens in the", "the problem exactly? It's a horror game after all, pretty much already reserved", "a bit of nudity here and there - at least, that's what I", "they can see extreme amounts of gore, but not anything related to sex.", "how it comes across and it's why I'm unsure of doing anything in", "just supposed to be treated like a \"matter-of-fact\" manner. No weird camera angles,", "supposed to be treated like a \"matter-of-fact\" manner. No weird camera angles, no", "no sexualisation whatsoever, they just simply happen to be nude in a setting", "perverted parts of the game, the game is already pretty graphic, one scene", "(for some reason)? Should I maybe make two versions, one cut, the other", "of it. At the risk of being called a pedophile, I also planned", "it freely available and self-published. I don't care about getting a rating, but", "bit of nudity here and there - at least, that's what I planned", "characters have sex for half an hour or you can just get a", "sex scenes and a bit of nudity here and there - at least,", "plan on selling it anywhere, I plan on making it freely available and", "video game, which happens to have a few sex scenes and a bit", "been shunned in the past, but that's how it comes across and it's", "and it's just simply how games with sexual content have been shunned in", "would prefer not to have them (for some reason)? Should I maybe make", "at any time, since they don't really add much to the story itself.", "sex scenes, meaning you get to see everything, penetration itself included. If you", "still contain the gore? Would it be distracting to have these scenes in", "for example involves a character finding the heads of her parents. It is", "no means meant for children or even young teenagers, it is adults only.", "have? Full nudity and full sex scenes, meaning you get to see everything,", "uncut, even if it would still contain the gore? Would it be distracting", "the past, but that's how it comes across and it's why I'm unsure", "Just FYI: I don't actually plan on selling it anywhere, I plan on", "sex\" text box and move on. Your choice. The only sex scenes you", "Should I maybe make two versions, one cut, the other uncut, even if", "would the game have? Full nudity and full sex scenes, meaning you get", "wrong and it's just simply how games with sexual content have been shunned", "recently opened the floodgates for games with sexual content, but that can always", "naughty bits, no sexualisation whatsoever, they just simply happen to be nude in", "only. So... should I go with it? Or should I leave these things", "that you can skip at any time, since they don't really add much", "and a bit of nudity here and there - at least, that's what", "really add much to the story itself. You can choose to either watch", "can skip at any time, since they don't really add much to the", "simply happen to be nude in a setting where people are usually nude.", "what's the problem exactly? It's a horror game after all, pretty much already", "character finding the heads of her parents. It is by no means meant", "is by no means meant for children or even young teenagers, it is", "it be distracting to have these scenes in a game that's primarily horror", "related to sex. Maybe I'm wrong and it's just simply how games with", "And no, I would probably not even publish it on Steam, even if", "Doesn't help that video games are still \"babied\" unlike movies and books. What", "even if they recently opened the floodgates for games with sexual content, but", "basically just fan service that you can skip at any time, since they", "even sees the game. And no, I would probably not even publish it", "gore? Would it be distracting to have these scenes in a game that's", "can see extreme amounts of gore, but not anything related to sex. Maybe", "on selling it anywhere, I plan on making it freely available and self-published.", "involving two 12 year olds. Don't worry, they're not at all supposed to", "standard where they can see extreme amounts of gore, but not anything related", "means meant for children or even young teenagers, it is adults only. So...", "It's a horror game after all, pretty much already reserved for adults only,", "or you can just get a \"and then they had sex\" text box", "not anything related to sex. Maybe I'm wrong and it's just simply how", "it on Steam, even if they recently opened the floodgates for games with", "I go with it? Or should I leave these things out entirely because", "to do. Just FYI: I don't actually plan on selling it anywhere, I", "people are usually nude. Nothing more. Besides the perverted parts of the game,", "when it's not even going to be rated? Well, imo, people have this", "games with sexual content have been shunned in the past, but that's how", "So what's the problem exactly? It's a horror game after all, pretty much", "don't really add much to the story itself. You can choose to either", "treated like a \"matter-of-fact\" manner. No weird camera angles, no focus on the", "even if it would still contain the gore? Would it be distracting to", "be treated like a \"matter-of-fact\" manner. No weird camera angles, no focus on", "game have? Full nudity and full sex scenes, meaning you get to see", "just get a \"and then they had sex\" text box and move on.", "in the past, but that's how it comes across and it's why I'm", "to sex. Maybe I'm wrong and it's just simply how games with sexual", "Your choice. The only sex scenes you can't skip are the short ones,", "and books. What would the game have? Full nudity and full sex scenes,", "meant for children or even young teenagers, it is adults only. So... should", "something important happens in the middle of it. At the risk of being", "and it's why I'm unsure of doing anything in that direction. Doesn't help", "past, but that's how it comes across and it's why I'm unsure of", "meaning you get to see everything, penetration itself included. If you want. The", "FYI: I don't actually plan on selling it anywhere, I plan on making", "weird camera angles, no focus on the naughty bits, no sexualisation whatsoever, they", "to either watch two (or more) characters have sex for half an hour", "by no means meant for children or even young teenagers, it is adults", "to have them (for some reason)? Should I maybe make two versions, one", "it's just simply how games with sexual content have been shunned in the", "game. And no, I would probably not even publish it on Steam, even", "I'm working on a horror video game, which happens to have a few", "selling it anywhere, I plan on making it freely available and self-published. I", "manner. No weird camera angles, no focus on the naughty bits, no sexualisation", "the middle of it. At the risk of being called a pedophile, I", "would still contain the gore? Would it be distracting to have these scenes", "the game is already pretty graphic, one scene for example involves a character", "available and self-published. I don't care about getting a rating, but I do", "at all supposed to be sexual in nature, they're just supposed to be", "risk of being called a pedophile, I also planned on including one nude", "sexualisation whatsoever, they just simply happen to be nude in a setting where", "also planned on including one nude scene involving two 12 year olds. Don't", "anywhere, I plan on making it freely available and self-published. I don't care", "that video games are still \"babied\" unlike movies and books. What would the", "hour or you can just get a \"and then they had sex\" text", "(or more) characters have sex for half an hour or you can just", "sees the game. And no, I would probably not even publish it on", "can't skip are the short ones, where something important happens in the middle", "You can choose to either watch two (or more) characters have sex for", "going to be rated? Well, imo, people have this weird double standard where", "the perverted parts of the game, the game is already pretty graphic, one", "planned to do. Just FYI: I don't actually plan on selling it anywhere,", "much to the story itself. You can choose to either watch two (or", "full sex scenes, meaning you get to see everything, penetration itself included. If", "making it freely available and self-published. I don't care about getting a rating,", "few sex scenes and a bit of nudity here and there - at", "games with sexual content, but that can always change. So what's the problem", "graphic, one scene for example involves a character finding the heads of her", "like a \"matter-of-fact\" manner. No weird camera angles, no focus on the naughty", "camera angles, no focus on the naughty bits, no sexualisation whatsoever, they just", "but that can always change. So what's the problem exactly? It's a horror", "books. What would the game have? Full nudity and full sex scenes, meaning", "one nude scene involving two 12 year olds. Don't worry, they're not at", "no, I would probably not even publish it on Steam, even if they", "teenagers, it is adults only. So... should I go with it? Or should", "always change. So what's the problem exactly? It's a horror game after all,", "are usually nude. Nothing more. Besides the perverted parts of the game, the", "all supposed to be sexual in nature, they're just supposed to be treated", "for half an hour or you can just get a \"and then they", "comes across and it's why I'm unsure of doing anything in that direction.", "these scenes in a game that's primarily horror and not... erotica/porn/whatever you want", "itself included. If you want. The sex scenes are basically just fan service", "has sex scenes and nudity, especially when it's not even going to be", "the other uncut, even if it would still contain the gore? Would it", "should anybody care if it has sex scenes and nudity, especially when it's", "scenes in a game that's primarily horror and not... erotica/porn/whatever you want to", "It is by no means meant for children or even young teenagers, it", "the game have? Full nudity and full sex scenes, meaning you get to", "adults only. So... should I go with it? Or should I leave these", "at least, that's what I planned to do. Just FYI: I don't actually", "sex scenes are basically just fan service that you can skip at any", "do care that nobody underage even sees the game. And no, I would", "focus on the naughty bits, no sexualisation whatsoever, they just simply happen to", "they recently opened the floodgates for games with sexual content, but that can", "since they don't really add much to the story itself. You can choose", "add much to the story itself. You can choose to either watch two", "gore, but not anything related to sex. Maybe I'm wrong and it's just", "problem exactly? It's a horror game after all, pretty much already reserved for", "they're not at all supposed to be sexual in nature, they're just supposed" ]
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I would like to create emphasis on the peril of the current", "of the current situation. Here is my sentence: > > Where there are", "my character. These are shared, and read along with other player's own contributions.", "guaranteed. > > > I really like the use of nigh, but worry", "violence is nigh guaranteed. > > > I really like the use of", "create emphasis on the peril of the current situation. Here is my sentence:", "> > I really like the use of nigh, but worry that it", "to create emphasis on the peril of the current situation. Here is my", "Some background first: I write follow ups to my Pathfinder table session from", "would like to create emphasis on the peril of the current situation. Here", "peril of the current situation. Here is my sentence: > > Where there", "other player's own contributions. I would like to create emphasis on the peril", "is nigh guaranteed. > > > I really like the use of nigh,", "is my sentence: > > Where there are many, violence is nigh guaranteed.", "many, violence is nigh guaranteed. > > > I really like the use", "that it simply does not fit along side guarantee. Should I stop trying", "it simply does not fit along side guarantee. Should I stop trying to", "write follow ups to my Pathfinder table session from the perspective of my", "first: I write follow ups to my Pathfinder table session from the perspective" ]
[ "it's a poorly-constructed drama/mystery. What do you lot think? Is there an objective", "little as each other) or setting up a red herring, a form of", "(or indeed, there being a need for any of those people to be", "Devil, in which several sinners are trapped in an elevator, dying one by", "for an extra 'twist', it's revealed a random pickpocketing old lady previously killed", "but it must be honest as far as the POV character knows. ", "there being a need for any of those people to be the Devil", "he's a supernatural entity). So, with this in mind, where is the line", "Note: I'm primarily asking this question because while Surtsey, the original asker of", "a poorly-constructed drama/mystery. What do you lot think? Is there an objective line,", "should not be egregious. If every piece of evidence points to the red", "just magically known all along by every in-universe, but not the reader, it", "mind, let's begin. Sometimes, tension, drama, or a twist can only be preserved", "Devil considering he's a supernatural entity). So, with this in mind, where is", "mind, where is the line drawn between 'cheating' and 'fair play' with regards", "A POV character can come to an erroneous conclusion, but it must be", "obvious that it's the Devil doing this, but for an extra 'twist', it's", "drama, or a twist can only be preserved by withholding certain information from", "every in-universe, but not the reader, it reads as odd. Red herrings", "Any information a POV character knows should not be arbitrarily hidden just to", "arbitrarily hidden just to preserve tension. If the plot twist is just magically", "This can be done via a variety of means, such as using a", "primarily asking this question because while Surtsey, the original asker of the question", "can come to an erroneous conclusion, but it must be honest as far", "fact, the devil, despite there being no previous indication of this (or indeed,", "as the POV character knows. * Any information a POV character knows should", "writer's arse. A good example of this would be in M Night Shamaylan's", "evidence points to the red herring and none to the truth, even upon", "in mind, where is the line drawn between 'cheating' and 'fair play' with", "egregious. If every piece of evidence points to the red herring and none", "asking this question because while Surtsey, the original asker of the question didn't", "of a novel) I believe it's a worthwhile question to ask. With that", "POV character can come to an erroneous conclusion, but it must be honest", "only be preserved by withholding certain information from the reader. This can be", "other) or setting up a red herring, a form of misdirection. There are", "in fact, the devil, despite there being no previous indication of this (or", "must be honest as far as the POV character knows. * Any information", "from a writer's arse. A good example of this would be in M", "to an erroneous conclusion, but it must be honest as far as the", "this, but for an extra 'twist', it's revealed a random pickpocketing old lady", "misdirection. There are other kinds of misdirection, but too much of it, and", "not the reader, it reads as odd. * Red herrings are legitimate, but", "So, with this in mind, where is the line drawn between 'cheating' and", "knows. * Any information a POV character knows should not be arbitrarily hidden", "they both know as little as each other) or setting up a red", "the question didn't actually ask a thing (and instead copy-pasted an excerpt of", "but not the reader, it reads as odd. * Red herrings are legitimate,", "for any of those people to be the Devil considering he's a supernatural", "reader. This can be done via a variety of means, such as using", "devil, despite there being no previous indication of this (or indeed, there being", "actually ask a thing (and instead copy-pasted an excerpt of a novel) I", "begin. Sometimes, tension, drama, or a twist can only be preserved by withholding", "of means, such as using a limited POV (where the drama/tension/twisted is experienced", "play' with regards to misdirection? I personally have a few takes on the", "question to ask. With that in mind, let's begin. Sometimes, tension, drama, or", "didn't actually ask a thing (and instead copy-pasted an excerpt of a novel)", "old lady previously killed was, in fact, the devil, despite there being no", "should not be arbitrarily hidden just to preserve tension. If the plot twist", "lady previously killed was, in fact, the devil, despite there being no previous", "reader is a no-no. A POV character can come to an erroneous conclusion,", "an excerpt of a novel) I believe it's a worthwhile question to ask.", "this would be in M Night Shamaylan's Devil, in which several sinners are", "via a variety of means, such as using a limited POV (where the", "re-reading, it's a poorly-constructed drama/mystery. What do you lot think? Is there an", "tension. If the plot twist is just magically known all along by every", "to the red herring and none to the truth, even upon a re-reading,", "it's revealed a random pickpocketing old lady previously killed was, in fact, the", "be done via a variety of means, such as using a limited POV", "odd. * Red herrings are legitimate, but should not be egregious. If every", "excerpt of a novel) I believe it's a worthwhile question to ask. With", "M Night Shamaylan's Devil, in which several sinners are trapped in an elevator,", "the reader, as they both know as little as each other) or setting", "of this would be in M Night Shamaylan's Devil, in which several sinners", "in an elevator, dying one by one. It's obvious that it's the Devil", "lying to the reader is a no-no. A POV character can come to", "a worthwhile question to ask. With that in mind, let's begin. Sometimes, tension,", "thing (and instead copy-pasted an excerpt of a novel) I believe it's a", "twist can be considered an 'Ass Pull', that is, pulled from a writer's", "one. It's obvious that it's the Devil doing this, but for an extra", "herrings are legitimate, but should not be egregious. If every piece of evidence", "herring, a form of misdirection. There are other kinds of misdirection, but too", "this question because while Surtsey, the original asker of the question didn't actually", "POV character knows. * Any information a POV character knows should not be", "it reads as odd. * Red herrings are legitimate, but should not be", "the reader, it reads as odd. * Red herrings are legitimate, but should", "ask a thing (and instead copy-pasted an excerpt of a novel) I believe", "killed was, in fact, the devil, despite there being no previous indication of", "setting up a red herring, a form of misdirection. There are other kinds", "is, pulled from a writer's arse. A good example of this would be", "information a POV character knows should not be arbitrarily hidden just to preserve", "or a twist can only be preserved by withholding certain information from the", "* Red herrings are legitimate, but should not be egregious. If every piece", "as each other) or setting up a red herring, a form of misdirection.", "was, in fact, the devil, despite there being no previous indication of this", "can be considered an 'Ass Pull', that is, pulled from a writer's arse.", "novel) I believe it's a worthwhile question to ask. With that in mind,", "known all along by every in-universe, but not the reader, it reads as", "a form of misdirection. There are other kinds of misdirection, but too much", "elevator, dying one by one. It's obvious that it's the Devil doing this,", "If every piece of evidence points to the red herring and none to", "revealed a random pickpocketing old lady previously killed was, in fact, the devil,", "legitimate, but should not be egregious. If every piece of evidence points to", "supernatural entity). So, with this in mind, where is the line drawn between", "variety of means, such as using a limited POV (where the drama/tension/twisted is", "by withholding certain information from the reader. This can be done via a", "few takes on the issue: * Outright lying to the reader is a", "no previous indication of this (or indeed, there being a need for any", "as far as the POV character knows. * Any information a POV character", "Red herrings are legitimate, but should not be egregious. If every piece of", "it's a worthwhile question to ask. With that in mind, let's begin. Sometimes,", "lot think? Is there an objective line, and if so, where is it", "drama/tension/twisted is experienced by both a character and the reader, as they both", "in mind, let's begin. Sometimes, tension, drama, or a twist can only be", "regards to misdirection? I personally have a few takes on the issue: ", "as they both know as little as each other) or setting up a", "despite there being no previous indication of this (or indeed, there being a", "Sometimes, tension, drama, or a twist can only be preserved by withholding certain", "the reader. This can be done via a variety of means, such as", "where is the line drawn between 'cheating' and 'fair play' with regards to", "preserve tension. If the plot twist is just magically known all along by", "with this in mind, where is the line drawn between 'cheating' and 'fair", "twist is just magically known all along by every in-universe, but not the", "it, and a twist can be considered an 'Ass Pull', that is, pulled", "trapped in an elevator, dying one by one. It's obvious that it's the", "reader, it reads as odd. Red herrings are legitimate, but should not", "copy-pasted an excerpt of a novel) I believe it's a worthwhile question to", "a novel) I believe it's a worthwhile question to ask. With that in", "issue: * Outright lying to the reader is a no-no. A POV character", "random pickpocketing old lady previously killed was, in fact, the devil, despite there", "I'm primarily asking this question because while Surtsey, the original asker of the", "tension, drama, or a twist can only be preserved by withholding certain information", "on the issue: * Outright lying to the reader is a no-no. A", "have a few takes on the issue: * Outright lying to the reader", "several sinners are trapped in an elevator, dying one by one. It's obvious", "erroneous conclusion, but it must be honest as far as the POV character", "just to preserve tension. If the plot twist is just magically known all", "preserved by withholding certain information from the reader. This can be done via", "ask. With that in mind, let's begin. Sometimes, tension, drama, or a twist", "* Any information a POV character knows should not be arbitrarily hidden just", "each other) or setting up a red herring, a form of misdirection. There", "be the Devil considering he's a supernatural entity). So, with this in mind,", "I personally have a few takes on the issue: * Outright lying to", "Outright lying to the reader is a no-no. A POV character can come", "that in mind, let's begin. Sometimes, tension, drama, or a twist can only", "a re-reading, it's a poorly-constructed drama/mystery. What do you lot think? Is there", "up a red herring, a form of misdirection. There are other kinds of", "and none to the truth, even upon a re-reading, it's a poorly-constructed drama/mystery.", "such as using a limited POV (where the drama/tension/twisted is experienced by both", "as little as each other) or setting up a red herring, a form", "a red herring, a form of misdirection. There are other kinds of misdirection,", "POV character knows should not be arbitrarily hidden just to preserve tension. If", "question because while Surtsey, the original asker of the question didn't actually ask", "truth, even upon a re-reading, it's a poorly-constructed drama/mystery. What do you lot", "Surtsey, the original asker of the question didn't actually ask a thing (and", "POV (where the drama/tension/twisted is experienced by both a character and the reader,", "entity). So, with this in mind, where is the line drawn between 'cheating'", "piece of evidence points to the red herring and none to the truth,", "the red herring and none to the truth, even upon a re-reading, it's", "character and the reader, as they both know as little as each other)", "indication of this (or indeed, there being a need for any of those", "to preserve tension. If the plot twist is just magically known all along", "both know as little as each other) or setting up a red herring,", "pickpocketing old lady previously killed was, in fact, the devil, despite there being", "be in M Night Shamaylan's Devil, in which several sinners are trapped in", "upon a re-reading, it's a poorly-constructed drama/mystery. What do you lot think? Is", "far as the POV character knows. * Any information a POV character knows", "it must be honest as far as the POV character knows. * Any", "all along by every in-universe, but not the reader, it reads as odd.", "but for an extra 'twist', it's revealed a random pickpocketing old lady previously", "using a limited POV (where the drama/tension/twisted is experienced by both a character", "a supernatural entity). So, with this in mind, where is the line drawn", "pulled from a writer's arse. A good example of this would be in", "of those people to be the Devil considering he's a supernatural entity). So,", "an elevator, dying one by one. It's obvious that it's the Devil doing", "from the reader. This can be done via a variety of means, such", "and the reader, as they both know as little as each other) or", "With that in mind, let's begin. Sometimes, tension, drama, or a twist can", "'fair play' with regards to misdirection? I personally have a few takes on", "plot twist is just magically known all along by every in-universe, but not", "withholding certain information from the reader. This can be done via a variety", "character knows. * Any information a POV character knows should not be arbitrarily", "It's obvious that it's the Devil doing this, but for an extra 'twist',", "points to the red herring and none to the truth, even upon a", "the issue: * Outright lying to the reader is a no-no. A POV", "personally have a few takes on the issue: * Outright lying to the", "no-no. A POV character can come to an erroneous conclusion, but it must", "not be arbitrarily hidden just to preserve tension. If the plot twist is", "hidden just to preserve tension. If the plot twist is just magically known", "reader, as they both know as little as each other) or setting up", "the original asker of the question didn't actually ask a thing (and instead", "too much of it, and a twist can be considered an 'Ass Pull',", "because while Surtsey, the original asker of the question didn't actually ask a", "takes on the issue: * Outright lying to the reader is a no-no.", "of misdirection, but too much of it, and a twist can be considered", "a limited POV (where the drama/tension/twisted is experienced by both a character and", "let's begin. Sometimes, tension, drama, or a twist can only be preserved by", "sinners are trapped in an elevator, dying one by one. It's obvious that", "character knows should not be arbitrarily hidden just to preserve tension. If the", "I believe it's a worthwhile question to ask. With that in mind, let's", "a POV character knows should not be arbitrarily hidden just to preserve tension.", "by both a character and the reader, as they both know as little", "worthwhile question to ask. With that in mind, let's begin. Sometimes, tension, drama,", "the plot twist is just magically known all along by every in-universe, but", "There are other kinds of misdirection, but too much of it, and a", "need for any of those people to be the Devil considering he's a", "character can come to an erroneous conclusion, but it must be honest as", "do you lot think? Is there an objective line, and if so, where", "the drama/tension/twisted is experienced by both a character and the reader, as they", "good example of this would be in M Night Shamaylan's Devil, in which", "means, such as using a limited POV (where the drama/tension/twisted is experienced by", "the Devil considering he's a supernatural entity). So, with this in mind, where", "be arbitrarily hidden just to preserve tension. If the plot twist is just", "of misdirection. There are other kinds of misdirection, but too much of it,", "are other kinds of misdirection, but too much of it, and a twist", "it's the Devil doing this, but for an extra 'twist', it's revealed a", "drawn between 'cheating' and 'fair play' with regards to misdirection? I personally have", "doing this, but for an extra 'twist', it's revealed a random pickpocketing old", "but too much of it, and a twist can be considered an 'Ass", "even upon a re-reading, it's a poorly-constructed drama/mystery. What do you lot think?", "twist can only be preserved by withholding certain information from the reader. This", "be preserved by withholding certain information from the reader. This can be done", "(and instead copy-pasted an excerpt of a novel) I believe it's a worthwhile", "to the reader is a no-no. A POV character can come to an", "limited POV (where the drama/tension/twisted is experienced by both a character and the", "a character and the reader, as they both know as little as each", "considered an 'Ass Pull', that is, pulled from a writer's arse. A good", "one by one. It's obvious that it's the Devil doing this, but for", "If the plot twist is just magically known all along by every in-universe,", "both a character and the reader, as they both know as little as", "kinds of misdirection, but too much of it, and a twist can be", "'twist', it's revealed a random pickpocketing old lady previously killed was, in fact,", "arse. A good example of this would be in M Night Shamaylan's Devil,", "be egregious. If every piece of evidence points to the red herring and", "of evidence points to the red herring and none to the truth, even", "What do you lot think? Is there an objective line, and if so,", "every piece of evidence points to the red herring and none to the", "indeed, there being a need for any of those people to be the", "of the question didn't actually ask a thing (and instead copy-pasted an excerpt", "dying one by one. It's obvious that it's the Devil doing this, but", "experienced by both a character and the reader, as they both know as", "is a no-no. A POV character can come to an erroneous conclusion, but", "those people to be the Devil considering he's a supernatural entity). So, with", "knows should not be arbitrarily hidden just to preserve tension. If the plot", "or setting up a red herring, a form of misdirection. There are other", "to be the Devil considering he's a supernatural entity). So, with this in", "which several sinners are trapped in an elevator, dying one by one. It's", "Devil doing this, but for an extra 'twist', it's revealed a random pickpocketing", "there being no previous indication of this (or indeed, there being a need", "question didn't actually ask a thing (and instead copy-pasted an excerpt of a", "the POV character knows. * Any information a POV character knows should not", "red herring and none to the truth, even upon a re-reading, it's a", "none to the truth, even upon a re-reading, it's a poorly-constructed drama/mystery. What", "magically known all along by every in-universe, but not the reader, it reads", "believe it's a worthwhile question to ask. With that in mind, let's begin.", "extra 'twist', it's revealed a random pickpocketing old lady previously killed was, in", "misdirection? I personally have a few takes on the issue: * Outright lying", "that it's the Devil doing this, but for an extra 'twist', it's revealed", "in M Night Shamaylan's Devil, in which several sinners are trapped in an", "the Devil doing this, but for an extra 'twist', it's revealed a random", "previous indication of this (or indeed, there being a need for any of", "is the line drawn between 'cheating' and 'fair play' with regards to misdirection?", "conclusion, but it must be honest as far as the POV character knows.", "is experienced by both a character and the reader, as they both know", "reads as odd. * Red herrings are legitimate, but should not be egregious.", "Pull', that is, pulled from a writer's arse. A good example of this", "as using a limited POV (where the drama/tension/twisted is experienced by both a", "the truth, even upon a re-reading, it's a poorly-constructed drama/mystery. What do you", "by every in-universe, but not the reader, it reads as odd. * Red", "a no-no. A POV character can come to an erroneous conclusion, but it", "'cheating' and 'fair play' with regards to misdirection? I personally have a few", "and a twist can be considered an 'Ass Pull', that is, pulled from", "Night Shamaylan's Devil, in which several sinners are trapped in an elevator, dying", "(where the drama/tension/twisted is experienced by both a character and the reader, as", "and 'fair play' with regards to misdirection? I personally have a few takes", "along by every in-universe, but not the reader, it reads as odd. ", "of it, and a twist can be considered an 'Ass Pull', that is,", "to misdirection? I personally have a few takes on the issue: Outright", "a writer's arse. A good example of this would be in M Night", "a variety of means, such as using a limited POV (where the drama/tension/twisted", "of this (or indeed, there being a need for any of those people", "between 'cheating' and 'fair play' with regards to misdirection? I personally have a", "being no previous indication of this (or indeed, there being a need for", "a twist can be considered an 'Ass Pull', that is, pulled from a", "can be done via a variety of means, such as using a limited", "that is, pulled from a writer's arse. A good example of this would", "as odd. * Red herrings are legitimate, but should not be egregious. If", "considering he's a supernatural entity). So, with this in mind, where is the", "think? Is there an objective line, and if so, where is it drawn?", "* Outright lying to the reader is a no-no. A POV character can", "Shamaylan's Devil, in which several sinners are trapped in an elevator, dying one", "this (or indeed, there being a need for any of those people to", "a random pickpocketing old lady previously killed was, in fact, the devil, despite", "line drawn between 'cheating' and 'fair play' with regards to misdirection? I personally", "certain information from the reader. This can be done via a variety of", "example of this would be in M Night Shamaylan's Devil, in which several", "with regards to misdirection? I personally have a few takes on the issue:", "you lot think? Is there an objective line, and if so, where is", "to the truth, even upon a re-reading, it's a poorly-constructed drama/mystery. What do", "poorly-constructed drama/mystery. What do you lot think? Is there an objective line, and", "being a need for any of those people to be the Devil considering", "an extra 'twist', it's revealed a random pickpocketing old lady previously killed was,", "but should not be egregious. If every piece of evidence points to the", "a need for any of those people to be the Devil considering he's", "is just magically known all along by every in-universe, but not the reader,", "a few takes on the issue: * Outright lying to the reader is", "an erroneous conclusion, but it must be honest as far as the POV", "the reader is a no-no. A POV character can come to an erroneous", "the line drawn between 'cheating' and 'fair play' with regards to misdirection? I", "not be egregious. If every piece of evidence points to the red herring", "the devil, despite there being no previous indication of this (or indeed, there", "are legitimate, but should not be egregious. If every piece of evidence points", "can only be preserved by withholding certain information from the reader. This can", "misdirection, but too much of it, and a twist can be considered an", "herring and none to the truth, even upon a re-reading, it's a poorly-constructed", "other kinds of misdirection, but too much of it, and a twist can", "form of misdirection. There are other kinds of misdirection, but too much of", "drama/mystery. What do you lot think? Is there an objective line, and if", "asker of the question didn't actually ask a thing (and instead copy-pasted an", "this in mind, where is the line drawn between 'cheating' and 'fair play'", "'Ass Pull', that is, pulled from a writer's arse. A good example of", "to ask. With that in mind, let's begin. Sometimes, tension, drama, or a", "previously killed was, in fact, the devil, despite there being no previous indication", "are trapped in an elevator, dying one by one. It's obvious that it's", "know as little as each other) or setting up a red herring, a", "instead copy-pasted an excerpt of a novel) I believe it's a worthwhile question", "in-universe, but not the reader, it reads as odd. * Red herrings are", "be considered an 'Ass Pull', that is, pulled from a writer's arse. A", "people to be the Devil considering he's a supernatural entity). So, with this", "be honest as far as the POV character knows. * Any information a", "while Surtsey, the original asker of the question didn't actually ask a thing", "original asker of the question didn't actually ask a thing (and instead copy-pasted", "a twist can only be preserved by withholding certain information from the reader.", "done via a variety of means, such as using a limited POV (where", "come to an erroneous conclusion, but it must be honest as far as", "A good example of this would be in M Night Shamaylan's Devil, in", "an 'Ass Pull', that is, pulled from a writer's arse. A good example", "by one. It's obvious that it's the Devil doing this, but for an", "honest as far as the POV character knows. * Any information a POV", "any of those people to be the Devil considering he's a supernatural entity).", "a thing (and instead copy-pasted an excerpt of a novel) I believe it's", "red herring, a form of misdirection. There are other kinds of misdirection, but", "much of it, and a twist can be considered an 'Ass Pull', that", "information from the reader. This can be done via a variety of means,", "in which several sinners are trapped in an elevator, dying one by one.", "would be in M Night Shamaylan's Devil, in which several sinners are trapped" ]
[ "to be dead, but turns out to be alive in the final scene.", "isn't a theater SE so this seems like the best place to ask,", "he's a side character, not especially pivotal to the plot, just the partner", "after the end with his crediting? If it matters, he's a side character,", "a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a character who's believed", "don't want to give this away to the audience by putting credit for", "to the audience by putting credit for the actor and character in the", "by putting credit for the actor and character in the program that everyone", "end of the program? Should I put up a sign by the exits", "the audience by putting credit for the actor and character in the program", "intermission. Can I give the actor credit as a fake technical role like", "in the final scene. I don't want to give this away to the", "a fake technical role like Assistant Producer or Costume Designer? Should I hide", "with his crediting? If it matters, he's a side character, not especially pivotal", "his credit on another page towards the end of the program? Should I", "turns out to be alive in the final scene. I don't want to", "the best place to ask, but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater)", "the program? Should I put up a sign by the exits after the", "Producer or Costume Designer? Should I hide his credit on another page towards", "the plot, just the partner of one of the main characters. He doesn't", "away to the audience by putting credit for the actor and character in", "Designer? Should I hide his credit on another page towards the end of", "give this away to the audience by putting credit for the actor and", "sign by the exits after the end with his crediting? If it matters,", "role like Assistant Producer or Costume Designer? Should I hide his credit on", "to ask, but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a", "Should I hide his credit on another page towards the end of the", "partner of one of the main characters. He doesn't appear on stage dead.", "seems like the best place to ask, but feel free to suggest a", "hide his credit on another page towards the end of the program? Should", "program? Should I put up a sign by the exits after the end", "so this seems like the best place to ask, but feel free to", "alive in the final scene. I don't want to give this away to", "ask, but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community", "but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play", "Assistant Producer or Costume Designer? Should I hide his credit on another page", "side character, not especially pivotal to the plot, just the partner of one", "want to give this away to the audience by putting credit for the", "dead, but turns out to be alive in the final scene. I don't", "credit on another page towards the end of the program? Should I put", "scene. I don't want to give this away to the audience by putting", "another page towards the end of the program? Should I put up a", "play with a character who's believed to be dead, but turns out to", "his crediting? If it matters, he's a side character, not especially pivotal to", "and character in the program that everyone will read before we start and", "to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a character", "start and during intermission. Can I give the actor credit as a fake", "the actor credit as a fake technical role like Assistant Producer or Costume", "like Assistant Producer or Costume Designer? Should I hide his credit on another", "to the plot, just the partner of one of the main characters. He", "but turns out to be alive in the final scene. I don't want", "Should I put up a sign by the exits after the end with", "not especially pivotal to the plot, just the partner of one of the", "the exits after the end with his crediting? If it matters, he's a", "actor and character in the program that everyone will read before we start", "producing a community play with a character who's believed to be dead, but", "the end of the program? Should I put up a sign by the", "I'm producing a community play with a character who's believed to be dead,", "will read before we start and during intermission. Can I give the actor", "Costume Designer? Should I hide his credit on another page towards the end", "plot, just the partner of one of the main characters. He doesn't appear", "place to ask, but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing", "a sign by the exits after the end with his crediting? If it", "a community play with a character who's believed to be dead, but turns", "fake technical role like Assistant Producer or Costume Designer? Should I hide his", "especially pivotal to the plot, just the partner of one of the main", "community play with a character who's believed to be dead, but turns out", "the final scene. I don't want to give this away to the audience", "credit for the actor and character in the program that everyone will read", "pivotal to the plot, just the partner of one of the main characters.", "actor credit as a fake technical role like Assistant Producer or Costume Designer?", "the partner of one of the main characters. He doesn't appear on stage", "SE so this seems like the best place to ask, but feel free", "credit as a fake technical role like Assistant Producer or Costume Designer? Should", "I hide his credit on another page towards the end of the program?", "better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a character who's believed to", "exits after the end with his crediting? If it matters, he's a side", "put up a sign by the exits after the end with his crediting?", "a side character, not especially pivotal to the plot, just the partner of", "who's believed to be dead, but turns out to be alive in the", "the end with his crediting? If it matters, he's a side character, not", "putting credit for the actor and character in the program that everyone will", "character in the program that everyone will read before we start and during", "place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a character who's believed to be", "be alive in the final scene. I don't want to give this away", "I give the actor credit as a fake technical role like Assistant Producer", "suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a character who's", "the actor and character in the program that everyone will read before we", "like the best place to ask, but feel free to suggest a better", "give the actor credit as a fake technical role like Assistant Producer or", "I don't want to give this away to the audience by putting credit", "Can I give the actor credit as a fake technical role like Assistant", "before we start and during intermission. Can I give the actor credit as", "character, not especially pivotal to the plot, just the partner of one of", "to give this away to the audience by putting credit for the actor", "during intermission. Can I give the actor credit as a fake technical role", "free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with a", "page towards the end of the program? Should I put up a sign", "towards the end of the program? Should I put up a sign by", "on another page towards the end of the program? Should I put up", "this seems like the best place to ask, but feel free to suggest", "of the program? Should I put up a sign by the exits after", "I put up a sign by the exits after the end with his", "the program that everyone will read before we start and during intermission. Can", "as a fake technical role like Assistant Producer or Costume Designer? Should I", "final scene. I don't want to give this away to the audience by", "If it matters, he's a side character, not especially pivotal to the plot,", "program that everyone will read before we start and during intermission. Can I", "just the partner of one of the main characters. He doesn't appear on", "be dead, but turns out to be alive in the final scene. I", "end with his crediting? If it matters, he's a side character, not especially", "to be alive in the final scene. I don't want to give this", "by the exits after the end with his crediting? If it matters, he's", "and during intermission. Can I give the actor credit as a fake technical", "read before we start and during intermission. Can I give the actor credit", "that everyone will read before we start and during intermission. Can I give", "up a sign by the exits after the end with his crediting? If", "feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm producing a community play with", "matters, he's a side character, not especially pivotal to the plot, just the", "a character who's believed to be dead, but turns out to be alive", "believed to be dead, but turns out to be alive in the final", "out to be alive in the final scene. I don't want to give", "audience by putting credit for the actor and character in the program that", "technical role like Assistant Producer or Costume Designer? Should I hide his credit", "[There isn't a theater SE so this seems like the best place to", "or Costume Designer? Should I hide his credit on another page towards the", "best place to ask, but feel free to suggest a better place.](https://meta.stackexchange.com/questions/300800/where-can-i-ask-questions-about-musical-theater) I'm", "character who's believed to be dead, but turns out to be alive in", "in the program that everyone will read before we start and during intermission.", "a theater SE so this seems like the best place to ask, but", "this away to the audience by putting credit for the actor and character", "crediting? If it matters, he's a side character, not especially pivotal to the", "we start and during intermission. Can I give the actor credit as a", "with a character who's believed to be dead, but turns out to be", "it matters, he's a side character, not especially pivotal to the plot, just", "theater SE so this seems like the best place to ask, but feel", "everyone will read before we start and during intermission. Can I give the", "for the actor and character in the program that everyone will read before" ]
[ "story that achieves that: the kind where the protagonist is always in danger", "faster feedback on how to improve it.) So how else can a novel", "addictiveness. Then again, if people are reading in the first place, they might", "first draft. Clearly, their reading periods are short and/or far apart. There are", "binge on something with the right kind of relentless addictiveness. Then again, if", "might be open to a broader range of experiences than those that TV", "with so much choice today, people like to binge on something with the", "draft. Clearly, their reading periods are short and/or far apart. There are any", "as unrewarded beta readers. The latter are very slow, sometimes reading slower than", "to tell, which explore themes and thrive on the ambiguous and thought-provoking, will", "novel do that? My stories are usually fairly fast-paced in terms of plot", "with both critique partners and people I know (be they friends, family or", "that takes that approach, something like 24 or Death Note. I really don't", "understandable for an individual, but the pattern suggests I'm not writing page-turners people", "get back to me either. We all know one kind of story that", "much choice today, people like to binge on something with the right kind", "go off. I'm worried I might be writing 20 years too late; because", "put down, which is presumably what every publisher and literary agent wants. And", "writing page-turners people can't put down, which is presumably what every publisher and", "to a broader range of experiences than those that TV as a medium", "I'd get faster feedback on how to improve it.) So how else can", "ever look like that: at least, not if I'm their author, and my", "But nor does everything that matters to the plot matter because a bomb", "know (be they friends, family or colleagues) as unrewarded beta readers. The latter", "the protagonist is always in danger and everything needs to be fixed now,", "in trouble. High-octane, so to speak. If you haven't read a book like", "do that? My stories are usually fairly fast-paced in terms of plot development;", "right kind of relentless addictiveness. Then again, if people are reading in the", "and my style stays as it is. But I do want to find", "matters to the plot matter because a bomb might be about to go", "the other obvious benefits, I'd get faster feedback on how to improve it.)", "a broader range of experiences than those that TV as a medium provides.", "may be understandable for an individual, but the pattern suggests I'm not writing", "probably watched a TV series that takes that approach, something like 24 or", "author, and my style stays as it is. But I do want to", "matter because a bomb might be about to go off. I'm worried I", "that? My stories are usually fairly fast-paced in terms of plot development; they", "or breathing spaces. But nor does everything that matters to the plot matter", "because a bomb might be about to go off. I'm worried I might", "not if I'm their author, and my style stays as it is. But", "far apart. There are any number of personal reasons this may be understandable", "might be about to go off. I'm worried I might be writing 20", "stories I want to tell, which explore themes and thrive on the ambiguous", "to improve it.) So how else can a novel do that? My stories", "haven't read a book like that, you've probably watched a TV series that", "want to tell, which explore themes and thrive on the ambiguous and thought-provoking,", "trouble. High-octane, so to speak. If you haven't read a book like that,", "former source of feedback often don't get back to me either. We all", "I want to tell, which explore themes and thrive on the ambiguous and", "that's why the former source of feedback often don't get back to me", "fast-paced in terms of plot development; they don't have much in the way", "on how to improve it.) So how else can a novel do that?", "I do want to find some way to keep eyes on my work.", "I know (be they friends, family or colleagues) as unrewarded beta readers. The", "spaces. But nor does everything that matters to the plot matter because a", "find some way to keep eyes on my work. (Apart from all the", "to keep eyes on my work. (Apart from all the other obvious benefits,", "usually fairly fast-paced in terms of plot development; they don't have much in", "don't get back to me either. We all know one kind of story", "fairly fast-paced in terms of plot development; they don't have much in the", "kind where the protagonist is always in danger and everything needs to be", "I might be writing 20 years too late; because with so much choice", "reading periods are short and/or far apart. There are any number of personal", "is always in danger and everything needs to be fixed now, and even", "now, and even then they'll still be in trouble. High-octane, so to speak.", "the right kind of relentless addictiveness. Then again, if people are reading in", "are very slow, sometimes reading slower than I wrote a first draft. Clearly,", "than I wrote a first draft. Clearly, their reading periods are short and/or", "why the former source of feedback often don't get back to me either.", "not writing page-turners people can't put down, which is presumably what every publisher", "So how else can a novel do that? My stories are usually fairly", "style stays as it is. But I do want to find some way", "family or colleagues) as unrewarded beta readers. The latter are very slow, sometimes", "Clearly, their reading periods are short and/or far apart. There are any number", "it.) So how else can a novel do that? My stories are usually", "reading slower than I wrote a first draft. Clearly, their reading periods are", "the pattern suggests I'm not writing page-turners people can't put down, which is", "like to binge on something with the right kind of relentless addictiveness. Then", "like that: at least, not if I'm their author, and my style stays", "worried I might be writing 20 years too late; because with so much", "too late; because with so much choice today, people like to binge on", "I really don't think the kinds of stories I want to tell, which", "what every publisher and literary agent wants. And maybe that's why the former", "20 years too late; because with so much choice today, people like to", "an individual, but the pattern suggests I'm not writing page-turners people can't put", "that: the kind where the protagonist is always in danger and everything needs", "I'm worried I might be writing 20 years too late; because with so", "way to keep eyes on my work. (Apart from all the other obvious", "me either. We all know one kind of story that achieves that: the", "that achieves that: the kind where the protagonist is always in danger and", "presumably what every publisher and literary agent wants. And maybe that's why the", "their author, and my style stays as it is. But I do want", "people are reading in the first place, they might be open to a", "as it is. But I do want to find some way to keep", "personal reasons this may be understandable for an individual, but the pattern suggests", "all the other obvious benefits, I'd get faster feedback on how to improve", "all know one kind of story that achieves that: the kind where the", "something like 24 or Death Note. I really don't think the kinds of", "or Death Note. I really don't think the kinds of stories I want", "both critique partners and people I know (be they friends, family or colleagues)", "how to improve it.) So how else can a novel do that? My", "this may be understandable for an individual, but the pattern suggests I'm not", "everything needs to be fixed now, and even then they'll still be in", "watched a TV series that takes that approach, something like 24 or Death", "is presumably what every publisher and literary agent wants. And maybe that's why", "maybe that's why the former source of feedback often don't get back to", "protagonist is always in danger and everything needs to be fixed now, and", "and people I know (be they friends, family or colleagues) as unrewarded beta", "if I'm their author, and my style stays as it is. But I", "of plot development; they don't have much in the way of padding or", "either. We all know one kind of story that achieves that: the kind", "relentless addictiveness. Then again, if people are reading in the first place, they", "breathing spaces. But nor does everything that matters to the plot matter because", "needs to be fixed now, and even then they'll still be in trouble.", "I've experimented with both critique partners and people I know (be they friends,", "my work. (Apart from all the other obvious benefits, I'd get faster feedback", "and everything needs to be fixed now, and even then they'll still be", "the plot matter because a bomb might be about to go off. I'm", "very slow, sometimes reading slower than I wrote a first draft. Clearly, their", "wants. And maybe that's why the former source of feedback often don't get", "apart. There are any number of personal reasons this may be understandable for", "suggests I'm not writing page-turners people can't put down, which is presumably what", "a novel do that? My stories are usually fairly fast-paced in terms of", "of padding or breathing spaces. But nor does everything that matters to the", "that: at least, not if I'm their author, and my style stays as", "can a novel do that? My stories are usually fairly fast-paced in terms", "you've probably watched a TV series that takes that approach, something like 24", "be open to a broader range of experiences than those that TV as", "plot development; they don't have much in the way of padding or breathing", "themes and thrive on the ambiguous and thought-provoking, will ever look like that:", "might be writing 20 years too late; because with so much choice today,", "Then again, if people are reading in the first place, they might be", "where the protagonist is always in danger and everything needs to be fixed", "be fixed now, and even then they'll still be in trouble. High-octane, so", "be about to go off. I'm worried I might be writing 20 years", "know one kind of story that achieves that: the kind where the protagonist", "page-turners people can't put down, which is presumably what every publisher and literary", "book like that, you've probably watched a TV series that takes that approach,", "agent wants. And maybe that's why the former source of feedback often don't", "writing 20 years too late; because with so much choice today, people like", "partners and people I know (be they friends, family or colleagues) as unrewarded", "they might be open to a broader range of experiences than those that", "to be fixed now, and even then they'll still be in trouble. High-octane,", "the kinds of stories I want to tell, which explore themes and thrive", "of stories I want to tell, which explore themes and thrive on the", "think the kinds of stories I want to tell, which explore themes and", "latter are very slow, sometimes reading slower than I wrote a first draft.", "like 24* or Death Note. I really don't think the kinds of stories", "wrote a first draft. Clearly, their reading periods are short and/or far apart.", "because with so much choice today, people like to binge on something with", "readers. The latter are very slow, sometimes reading slower than I wrote a", "a TV series that takes that approach, something like 24 or Death Note.", "in danger and everything needs to be fixed now, and even then they'll", "and/or far apart. There are any number of personal reasons this may be", "everything that matters to the plot matter because a bomb might be about", "fixed now, and even then they'll still be in trouble. High-octane, so to", "to speak. If you haven't read a book like that, you've probably watched", "individual, but the pattern suggests I'm not writing page-turners people can't put down,", "periods are short and/or far apart. There are any number of personal reasons", "the kind where the protagonist is always in danger and everything needs to", "tell, which explore themes and thrive on the ambiguous and thought-provoking, will ever", "will ever look like that: at least, not if I'm their author, and", "benefits, I'd get faster feedback on how to improve it.) So how else", "down, which is presumably what every publisher and literary agent wants. And maybe", "even then they'll still be in trouble. High-octane, so to speak. If you", "still be in trouble. High-octane, so to speak. If you haven't read a", "Note. I really don't think the kinds of stories I want to tell,", "achieves that: the kind where the protagonist is always in danger and everything", "is. But I do want to find some way to keep eyes on", "today, people like to binge on something with the right kind of relentless", "which explore themes and thrive on the ambiguous and thought-provoking, will ever look", "padding or breathing spaces. But nor does everything that matters to the plot", "to the plot matter because a bomb might be about to go off.", "literary agent wants. And maybe that's why the former source of feedback often", "(be they friends, family or colleagues) as unrewarded beta readers. The latter are", "often don't get back to me either. We all know one kind of", "and literary agent wants. And maybe that's why the former source of feedback", "something with the right kind of relentless addictiveness. Then again, if people are", "else can a novel do that? My stories are usually fairly fast-paced in", "speak. If you haven't read a book like that, you've probably watched a", "about to go off. I'm worried I might be writing 20 years too", "source of feedback often don't get back to me either. We all know", "development; they don't have much in the way of padding or breathing spaces.", "pattern suggests I'm not writing page-turners people can't put down, which is presumably", "off. I'm worried I might be writing 20 years too late; because with", "that, you've probably watched a TV series that takes that approach, something like", "slower than I wrote a first draft. Clearly, their reading periods are short", "and thrive on the ambiguous and thought-provoking, will ever look like that: at", "really don't think the kinds of stories I want to tell, which explore", "first place, they might be open to a broader range of experiences than", "thought-provoking, will ever look like that: at least, not if I'm their author,", "like that, you've probably watched a TV series that takes that approach, something", "stays as it is. But I do want to find some way to", "reading in the first place, they might be open to a broader range", "the former source of feedback often don't get back to me either. We", "from all the other obvious benefits, I'd get faster feedback on how to", "other obvious benefits, I'd get faster feedback on how to improve it.) So", "a first draft. Clearly, their reading periods are short and/or far apart. There", "that matters to the plot matter because a bomb might be about to", "of feedback often don't get back to me either. We all know one", "some way to keep eyes on my work. (Apart from all the other", "choice today, people like to binge on something with the right kind of", "you haven't read a book like that, you've probably watched a TV series", "terms of plot development; they don't have much in the way of padding", "takes that approach, something like 24* or Death Note. I really don't think", "want to find some way to keep eyes on my work. (Apart from", "sometimes reading slower than I wrote a first draft. Clearly, their reading periods", "to binge on something with the right kind of relentless addictiveness. Then again,", "a book like that, you've probably watched a TV series that takes that", "don't think the kinds of stories I want to tell, which explore themes", "back to me either. We all know one kind of story that achieves", "which is presumably what every publisher and literary agent wants. And maybe that's", "get faster feedback on how to improve it.) So how else can a", "thrive on the ambiguous and thought-provoking, will ever look like that: at least,", "it is. But I do want to find some way to keep eyes", "reasons this may be understandable for an individual, but the pattern suggests I'm", "their reading periods are short and/or far apart. There are any number of", "approach, something like 24 or Death Note. I really don't think the kinds", "and even then they'll still be in trouble. High-octane, so to speak. If", "least, not if I'm their author, and my style stays as it is.", "are any number of personal reasons this may be understandable for an individual,", "of story that achieves that: the kind where the protagonist is always in", "at least, not if I'm their author, and my style stays as it", "any number of personal reasons this may be understandable for an individual, but", "to go off. I'm worried I might be writing 20 years too late;", "friends, family or colleagues) as unrewarded beta readers. The latter are very slow,", "publisher and literary agent wants. And maybe that's why the former source of", "in the first place, they might be open to a broader range of", "for an individual, but the pattern suggests I'm not writing page-turners people can't", "of relentless addictiveness. Then again, if people are reading in the first place,", "much in the way of padding or breathing spaces. But nor does everything", "kinds of stories I want to tell, which explore themes and thrive on", "people can't put down, which is presumably what every publisher and literary agent", "on my work. (Apart from all the other obvious benefits, I'd get faster", "open to a broader range of experiences than those that TV as a", "with the right kind of relentless addictiveness. Then again, if people are reading", "plot matter because a bomb might be about to go off. I'm worried", "look like that: at least, not if I'm their author, and my style", "the way of padding or breathing spaces. But nor does everything that matters", "feedback on how to improve it.) So how else can a novel do", "always in danger and everything needs to be fixed now, and even then", "of personal reasons this may be understandable for an individual, but the pattern", "read a book like that, you've probably watched a TV series that takes", "If you haven't read a book like that, you've probably watched a TV", "are usually fairly fast-paced in terms of plot development; they don't have much", "I'm not writing page-turners people can't put down, which is presumably what every", "kind of relentless addictiveness. Then again, if people are reading in the first", "so to speak. If you haven't read a book like that, you've probably", "colleagues) as unrewarded beta readers. The latter are very slow, sometimes reading slower", "24 or Death Note. I really don't think the kinds of stories I", "are reading in the first place, they might be open to a broader", "in terms of plot development; they don't have much in the way of", "the first place, they might be open to a broader range of experiences", "they don't have much in the way of padding or breathing spaces. But", "on the ambiguous and thought-provoking, will ever look like that: at least, not", "ambiguous and thought-provoking, will ever look like that: at least, not if I'm", "how else can a novel do that? My stories are usually fairly fast-paced", "have much in the way of padding or breathing spaces. But nor does", "are short and/or far apart. There are any number of personal reasons this", "Death Note. I really don't think the kinds of stories I want to", "keep eyes on my work. (Apart from all the other obvious benefits, I'd", "in the way of padding or breathing spaces. But nor does everything that", "I wrote a first draft. Clearly, their reading periods are short and/or far", "(Apart from all the other obvious benefits, I'd get faster feedback on how", "danger and everything needs to be fixed now, and even then they'll still", "then they'll still be in trouble. High-octane, so to speak. If you haven't", "critique partners and people I know (be they friends, family or colleagues) as", "nor does everything that matters to the plot matter because a bomb might", "and thought-provoking, will ever look like that: at least, not if I'm their", "does everything that matters to the plot matter because a bomb might be", "feedback often don't get back to me either. We all know one kind", "kind of story that achieves that: the kind where the protagonist is always", "so much choice today, people like to binge on something with the right", "my style stays as it is. But I do want to find some", "We all know one kind of story that achieves that: the kind where", "And maybe that's why the former source of feedback often don't get back", "But I do want to find some way to keep eyes on my", "if people are reading in the first place, they might be open to", "they'll still be in trouble. High-octane, so to speak. If you haven't read", "My stories are usually fairly fast-paced in terms of plot development; they don't", "explore themes and thrive on the ambiguous and thought-provoking, will ever look like", "or colleagues) as unrewarded beta readers. The latter are very slow, sometimes reading", "to find some way to keep eyes on my work. (Apart from all", "one kind of story that achieves that: the kind where the protagonist is", "High-octane, so to speak. If you haven't read a book like that, you've", "bomb might be about to go off. I'm worried I might be writing", "The latter are very slow, sometimes reading slower than I wrote a first", "TV series that takes that approach, something like 24 or Death Note. I", "people I know (be they friends, family or colleagues) as unrewarded beta readers.", "beta readers. The latter are very slow, sometimes reading slower than I wrote", "they friends, family or colleagues) as unrewarded beta readers. The latter are very", "don't have much in the way of padding or breathing spaces. But nor", "be writing 20 years too late; because with so much choice today, people", "way of padding or breathing spaces. But nor does everything that matters to", "eyes on my work. (Apart from all the other obvious benefits, I'd get", "a bomb might be about to go off. I'm worried I might be", "years too late; because with so much choice today, people like to binge", "people like to binge on something with the right kind of relentless addictiveness.", "can't put down, which is presumably what every publisher and literary agent wants.", "experimented with both critique partners and people I know (be they friends, family", "be in trouble. High-octane, so to speak. If you haven't read a book", "the ambiguous and thought-provoking, will ever look like that: at least, not if", "again, if people are reading in the first place, they might be open", "that approach, something like 24 or Death Note. I really don't think the", "place, they might be open to a broader range of experiences than those", "do want to find some way to keep eyes on my work. (Apart", "series that takes that approach, something like 24 or Death Note. I really", "be understandable for an individual, but the pattern suggests I'm not writing page-turners", "unrewarded beta readers. The latter are very slow, sometimes reading slower than I", "slow, sometimes reading slower than I wrote a first draft. Clearly, their reading", "short and/or far apart. There are any number of personal reasons this may", "improve it.) So how else can a novel do that? My stories are", "number of personal reasons this may be understandable for an individual, but the", "work. (Apart from all the other obvious benefits, I'd get faster feedback on", "to me either. We all know one kind of story that achieves that:", "every publisher and literary agent wants. And maybe that's why the former source", "obvious benefits, I'd get faster feedback on how to improve it.) So how", "late; because with so much choice today, people like to binge on something", "stories are usually fairly fast-paced in terms of plot development; they don't have", "on something with the right kind of relentless addictiveness. Then again, if people", "There are any number of personal reasons this may be understandable for an", "I'm their author, and my style stays as it is. But I do", "but the pattern suggests I'm not writing page-turners people can't put down, which" ]
[ "realistic, is it? Not just in the \"they should be saying this instead", "see two opposing problems: * How is the audience supposed to understand a", "general picture goes, soldiers at least do indeed use a lot of abbreviations", "essential part of the military atmosphere. How does one manage both issues, without", "use them as shorthand for marking out the professionals. As far as the", "How does one maintain at least some measure of realism? (My own interest", "associated with \"being a professional\" to such an extent that tv shows often", "sci-fi angle, but the question should be applicable to multiple genres, and multiple", "abbreviations (personal experience here). So to that extent, the media got it right.", "remember struggling with this for my first couple of days in boot camp).", "this jargon is the extensive use of abbreviations. Those abbreviations are associated with", "How is the audience supposed to understand a flood of professional jargon, if", "professional jargon. One noteworthy characteristic of this jargon is the extensive use of", "jargon is the extensive use of abbreviations. Those abbreviations are associated with \"being", "once, how many can the reader remember, without getting confused and frustrated? Not", "the media got it right. Now, when writing fiction in a military setting", "are associated with \"being a professional\" to such an extent that tv shows", "right. Now, when writing fiction in a military setting (or medical, or police,", "extensive use of abbreviations. Those abbreviations are associated with \"being a professional\" to", "if they are not previously familiar with it? (In fact, I remember struggling", "boot camp). Even if you introduce a \"rookie\" character who's learning the ropes,", "the more general way of the overall atmosphere - soldiers should be speaking", "to such an extent that tv shows often use them as shorthand for", "supposed to understand a flood of professional jargon, if they are not previously", "in addition to the abbreviations... * If one chooses to write less abbreviations,", "one use jargon to maintain the desired atmosphere, without losing the reader in", "* If one chooses to write less abbreviations, that's not very realistic, is", "got it right. Now, when writing fiction in a military setting (or medical,", "of that\" way, but also in the more general way of the overall", "way. The language is an essential part of the military atmosphere. How does", "an extent that tv shows often use them as shorthand for marking out", "Now, when writing fiction in a military setting (or medical, or police, or", "falling into one or the other? How does one use jargon to maintain", "soldiers at least do indeed use a lot of abbreviations (personal experience here).", "atmosphere. How does one manage both issues, without falling into one or the", "speaking a certain way. The language is an essential part of the military", "indeed use a lot of abbreviations (personal experience here). So to that extent,", "the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... * If one chooses to", "an excuse to provide the meanings of the abbreviations once, how many can", "have their professional jargon. One noteworthy characteristic of this jargon is the extensive", "also in the more general way of the overall atmosphere - soldiers should", "out the professionals. As far as the general picture goes, soldiers at least", "when writing fiction in a military setting (or medical, or police, or similar),", "How does one manage both issues, without falling into one or the other?", "How does one use jargon to maintain the desired atmosphere, without losing the", "you introduce a \"rookie\" character who's learning the ropes, so you have an", "realism? (My own interest is from the military sci-fi angle, but the question", "professional\" to such an extent that tv shows often use them as shorthand", "getting confused and frustrated? Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in", "a flood of professional jargon, if they are not previously familiar with it?", "chooses to write less abbreviations, that's not very realistic, is it? Not just", "interest is from the military sci-fi angle, but the question should be applicable", "this for my first couple of days in boot camp). Even if you", "does one use jargon to maintain the desired atmosphere, without losing the reader", "couple of days in boot camp). Even if you introduce a \"rookie\" character", "atmosphere - soldiers should be speaking a certain way. The language is an", "without getting confused and frustrated? Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word)", "as the general picture goes, soldiers at least do indeed use a lot", "least some measure of realism? (My own interest is from the military sci-fi", "to the abbreviations... * If one chooses to write less abbreviations, that's not", "is the audience supposed to understand a flood of professional jargon, if they", "one manage both issues, without falling into one or the other? How does", "extent that tv shows often use them as shorthand for marking out the", "it? (In fact, I remember struggling with this for my first couple of", "lot of abbreviations (personal experience here). So to that extent, the media got", "be speaking a certain way. The language is an essential part of the", "to maintain the desired atmosphere, without losing the reader in the process? How", "instead of that\" way, but also in the more general way of the", "just in the \"they should be saying this instead of that\" way, but", "they have their professional jargon. One noteworthy characteristic of this jargon is the", "certain way. The language is an essential part of the military atmosphere. How", "manage both issues, without falling into one or the other? How does one", "Those abbreviations are associated with \"being a professional\" to such an extent that", "own interest is from the military sci-fi angle, but the question should be", "\"they should be saying this instead of that\" way, but also in the", "(My own interest is from the military sci-fi angle, but the question should", "the \"they should be saying this instead of that\" way, but also in", "reader in the process? How does one maintain at least some measure of", "not previously familiar with it? (In fact, I remember struggling with this for", "the medical professions, police, etc. - they have their professional jargon. One noteworthy", "least do indeed use a lot of abbreviations (personal experience here). So to", "the desired atmosphere, without losing the reader in the process? How does one", "question should be applicable to multiple genres, and multiple professions that use a", "media got it right. Now, when writing fiction in a military setting (or", "in the process? How does one maintain at least some measure of realism?", "the extensive use of abbreviations. Those abbreviations are associated with \"being a professional\"", "professions, police, etc. - they have their professional jargon. One noteworthy characteristic of", "as shorthand for marking out the professionals. As far as the general picture", "mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... * If", "ropes, so you have an excuse to provide the meanings of the abbreviations", "the overall atmosphere - soldiers should be speaking a certain way. The language", "here). So to that extent, the media got it right. Now, when writing", "marking out the professionals. As far as the general picture goes, soldiers at", "it? Not just in the \"they should be saying this instead of that\"", "reader remember, without getting confused and frustrated? Not to mention there are the", "excuse to provide the meanings of the abbreviations once, how many can the", "into one or the other? How does one use jargon to maintain the", "use a lot of abbreviations (personal experience here). So to that extent, the", "jargon. One noteworthy characteristic of this jargon is the extensive use of abbreviations.", "with this for my first couple of days in boot camp). Even if", "with \"being a professional\" to such an extent that tv shows often use", "write less abbreviations, that's not very realistic, is it? Not just in the", "but also in the more general way of the overall atmosphere - soldiers", "one maintain at least some measure of realism? (My own interest is from", "without falling into one or the other? How does one use jargon to", "maintain at least some measure of realism? (My own interest is from the", "So to that extent, the media got it right. Now, when writing fiction", "\"being a professional\" to such an extent that tv shows often use them", "often use them as shorthand for marking out the professionals. As far as", "very realistic, is it? Not just in the \"they should be saying this", "Even if you introduce a \"rookie\" character who's learning the ropes, so you", "learning the ropes, so you have an excuse to provide the meanings of", "many can the reader remember, without getting confused and frustrated? Not to mention", "remember, without getting confused and frustrated? Not to mention there are the [procedure", "overall atmosphere - soldiers should be speaking a certain way. The language is", "opposing problems: * How is the audience supposed to understand a flood of", "part of the military atmosphere. How does one manage both issues, without falling", "soldiers should be speaking a certain way. The language is an essential part", "fact, I remember struggling with this for my first couple of days in", "(or medical, or police, or similar), I see two opposing problems: * How", "first couple of days in boot camp). Even if you introduce a \"rookie\"", "the reader remember, without getting confused and frustrated? Not to mention there are", "or similar), I see two opposing problems: * How is the audience supposed", "flood of professional jargon, if they are not previously familiar with it? (In", "the military atmosphere. How does one manage both issues, without falling into one", "(In fact, I remember struggling with this for my first couple of days", "goes, soldiers at least do indeed use a lot of abbreviations (personal experience", "confused and frustrated? Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition", "desired atmosphere, without losing the reader in the process? How does one maintain", "from the military sci-fi angle, but the question should be applicable to multiple", "abbreviations once, how many can the reader remember, without getting confused and frustrated?", "of abbreviations (personal experience here). So to that extent, the media got it", "their professional jargon. One noteworthy characteristic of this jargon is the extensive use", "it right. Now, when writing fiction in a military setting (or medical, or", "the abbreviations once, how many can the reader remember, without getting confused and", "provide the meanings of the abbreviations once, how many can the reader remember,", "military sci-fi angle, but the question should be applicable to multiple genres, and", "is the extensive use of abbreviations. Those abbreviations are associated with \"being a", "the other? How does one use jargon to maintain the desired atmosphere, without", "my first couple of days in boot camp). Even if you introduce a", "a \"rookie\" character who's learning the ropes, so you have an excuse to", "in the \"they should be saying this instead of that\" way, but also", "shorthand for marking out the professionals. As far as the general picture goes,", "for marking out the professionals. As far as the general picture goes, soldiers", "similar), I see two opposing problems: * How is the audience supposed to", "in a military setting (or medical, or police, or similar), I see two", "the meanings of the abbreviations once, how many can the reader remember, without", "As far as the general picture goes, soldiers at least do indeed use", "use of abbreviations. Those abbreviations are associated with \"being a professional\" to such", "a military setting (or medical, or police, or similar), I see two opposing", "I see two opposing problems: * How is the audience supposed to understand", "are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... * If one chooses", "the process? How does one maintain at least some measure of realism? (My", "If one chooses to write less abbreviations, that's not very realistic, is it?", "The language is an essential part of the military atmosphere. How does one", "in the more general way of the overall atmosphere - soldiers should be", "or police, or similar), I see two opposing problems: * How is the", "language is an essential part of the military atmosphere. How does one manage", "the professionals. As far as the general picture goes, soldiers at least do", "audience supposed to understand a flood of professional jargon, if they are not", "words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... * If one chooses to write less", "issues, without falling into one or the other? How does one use jargon", "medical, or police, or similar), I see two opposing problems: * How is", "if you introduce a \"rookie\" character who's learning the ropes, so you have", "picture goes, soldiers at least do indeed use a lot of abbreviations (personal", "so you have an excuse to provide the meanings of the abbreviations once,", "of the overall atmosphere - soldiers should be speaking a certain way. The", "who's learning the ropes, so you have an excuse to provide the meanings", "meanings of the abbreviations once, how many can the reader remember, without getting", "should be applicable to multiple genres, and multiple professions that use a jargon.)", "understand a flood of professional jargon, if they are not previously familiar with", "writing fiction in a military setting (or medical, or police, or similar), I", "or the other? How does one use jargon to maintain the desired atmosphere,", "- soldiers should be speaking a certain way. The language is an essential", "introduce a \"rookie\" character who's learning the ropes, so you have an excuse", "noteworthy characteristic of this jargon is the extensive use of abbreviations. Those abbreviations", "of days in boot camp). Even if you introduce a \"rookie\" character who's", "Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations...", "The military, the medical professions, police, etc. - they have their professional jargon.", "is it? Not just in the \"they should be saying this instead of", "setting (or medical, or police, or similar), I see two opposing problems: ", "professional jargon, if they are not previously familiar with it? (In fact, I", "a professional\" to such an extent that tv shows often use them as", "days in boot camp). Even if you introduce a \"rookie\" character who's learning", "that\" way, but also in the more general way of the overall atmosphere", "the abbreviations... If one chooses to write less abbreviations, that's not very", "this instead of that\" way, but also in the more general way of", "without losing the reader in the process? How does one maintain at least", "the question should be applicable to multiple genres, and multiple professions that use", "to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... ", "there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... If one", "an essential part of the military atmosphere. How does one manage both issues,", "is an essential part of the military atmosphere. How does one manage both", "the general picture goes, soldiers at least do indeed use a lot of", "police, or similar), I see two opposing problems: * How is the audience", "the ropes, so you have an excuse to provide the meanings of the", "* How is the audience supposed to understand a flood of professional jargon,", "more general way of the overall atmosphere - soldiers should be speaking a", "abbreviations... * If one chooses to write less abbreviations, that's not very realistic,", "atmosphere, without losing the reader in the process? How does one maintain at", "angle, but the question should be applicable to multiple genres, and multiple professions", "at least do indeed use a lot of abbreviations (personal experience here). So", "extent, the media got it right. Now, when writing fiction in a military", "to understand a flood of professional jargon, if they are not previously familiar", "does one manage both issues, without falling into one or the other? How", "to that extent, the media got it right. Now, when writing fiction in", "I remember struggling with this for my first couple of days in boot", "of this jargon is the extensive use of abbreviations. Those abbreviations are associated", "how many can the reader remember, without getting confused and frustrated? Not to", "is from the military sci-fi angle, but the question should be applicable to", "[procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the abbreviations... * If one chooses to write", "struggling with this for my first couple of days in boot camp). Even", "far as the general picture goes, soldiers at least do indeed use a", "in boot camp). Even if you introduce a \"rookie\" character who's learning the", "the military sci-fi angle, but the question should be applicable to multiple genres,", "a certain way. The language is an essential part of the military atmosphere.", "way, but also in the more general way of the overall atmosphere -", "some measure of realism? (My own interest is from the military sci-fi angle,", "abbreviations. Those abbreviations are associated with \"being a professional\" to such an extent", "measure of realism? (My own interest is from the military sci-fi angle, but", "general way of the overall atmosphere - soldiers should be speaking a certain", "camp). Even if you introduce a \"rookie\" character who's learning the ropes, so", "one chooses to write less abbreviations, that's not very realistic, is it? Not", "of the abbreviations once, how many can the reader remember, without getting confused", "of the military atmosphere. How does one manage both issues, without falling into", "you have an excuse to provide the meanings of the abbreviations once, how", "other? How does one use jargon to maintain the desired atmosphere, without losing", "previously familiar with it? (In fact, I remember struggling with this for my", "Not just in the \"they should be saying this instead of that\" way,", "process? How does one maintain at least some measure of realism? (My own", "fiction in a military setting (or medical, or police, or similar), I see", "that tv shows often use them as shorthand for marking out the professionals.", "of professional jargon, if they are not previously familiar with it? (In fact,", "use jargon to maintain the desired atmosphere, without losing the reader in the", "frustrated? Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to the", "that's not very realistic, is it? Not just in the \"they should be", "jargon to maintain the desired atmosphere, without losing the reader in the process?", "not very realistic, is it? Not just in the \"they should be saying", "the reader in the process? How does one maintain at least some measure", "of realism? (My own interest is from the military sci-fi angle, but the", "to write less abbreviations, that's not very realistic, is it? Not just in", "medical professions, police, etc. - they have their professional jargon. One noteworthy characteristic", "characteristic of this jargon is the extensive use of abbreviations. Those abbreviations are", "saying this instead of that\" way, but also in the more general way", "police, etc. - they have their professional jargon. One noteworthy characteristic of this", "addition to the abbreviations... * If one chooses to write less abbreviations, that's", "do indeed use a lot of abbreviations (personal experience here). So to that", "that extent, the media got it right. Now, when writing fiction in a", "the audience supposed to understand a flood of professional jargon, if they are", "should be saying this instead of that\" way, but also in the more", "(personal experience here). So to that extent, the media got it right. Now,", "can the reader remember, without getting confused and frustrated? Not to mention there", "professionals. As far as the general picture goes, soldiers at least do indeed", "losing the reader in the process? How does one maintain at least some", "and frustrated? Not to mention there are the [procedure words](https://en.wikipedia.org/wiki/Procedure_word) in addition to", "- they have their professional jargon. One noteworthy characteristic of this jargon is", "such an extent that tv shows often use them as shorthand for marking", "of abbreviations. Those abbreviations are associated with \"being a professional\" to such an", "tv shows often use them as shorthand for marking out the professionals. As", "a lot of abbreviations (personal experience here). So to that extent, the media", "jargon, if they are not previously familiar with it? (In fact, I remember", "character who's learning the ropes, so you have an excuse to provide the", "way of the overall atmosphere - soldiers should be speaking a certain way.", "shows often use them as shorthand for marking out the professionals. As far", "they are not previously familiar with it? (In fact, I remember struggling with", "are not previously familiar with it? (In fact, I remember struggling with this", "with it? (In fact, I remember struggling with this for my first couple", "abbreviations are associated with \"being a professional\" to such an extent that tv", "two opposing problems: * How is the audience supposed to understand a flood", "have an excuse to provide the meanings of the abbreviations once, how many", "familiar with it? (In fact, I remember struggling with this for my first", "abbreviations, that's not very realistic, is it? Not just in the \"they should", "military, the medical professions, police, etc. - they have their professional jargon. One", "military setting (or medical, or police, or similar), I see two opposing problems:", "to provide the meanings of the abbreviations once, how many can the reader", "one or the other? How does one use jargon to maintain the desired", "less abbreviations, that's not very realistic, is it? Not just in the \"they", "etc. - they have their professional jargon. One noteworthy characteristic of this jargon", "be saying this instead of that\" way, but also in the more general", "for my first couple of days in boot camp). Even if you introduce", "but the question should be applicable to multiple genres, and multiple professions that", "should be speaking a certain way. The language is an essential part of", "One noteworthy characteristic of this jargon is the extensive use of abbreviations. Those", "problems: * How is the audience supposed to understand a flood of professional", "both issues, without falling into one or the other? How does one use", "military atmosphere. How does one manage both issues, without falling into one or", "\"rookie\" character who's learning the ropes, so you have an excuse to provide", "maintain the desired atmosphere, without losing the reader in the process? How does", "them as shorthand for marking out the professionals. As far as the general", "does one maintain at least some measure of realism? (My own interest is", "experience here). So to that extent, the media got it right. Now, when", "at least some measure of realism? (My own interest is from the military" ]
[ "a male, corporate working, character who is always cheerful and smiling, no matter", "around with all of his colleagues or peers. He wants to mess around", "damage to them. And they are right to be worried about him. See,", "and find him annoying. They hate his guts and his overwhelming persona. Most", "in. As a result, reading his thoughts or motives is almost impossible. He", "happens to them or himself either. He wants people to be annoyed by", "annoying. They hate his guts and his overwhelming persona. Most people who meet", "loathe. It makes his life more interesting and gives him some purpose to", "See, while this guy is very good at his job he really as", "He basically want to toy around or dick around with all of his", "matter whatever the situation he is in. As a result, reading his thoughts", "off about him but they don't know what that is and no matter", "all of his colleagues or peers. He wants to mess around with all", "purpose to his life. Watching other people detest him excites him. Any, suggestion", "very nasty side to him. He basically want to toy around or dick", "himself either. He wants people to be annoyed by him. He wants them", "agrees with everybody and just goes with the flow. Never seems to disagree", "good at his job he really as a very nasty side to him.", "gives him some purpose to his life. Watching other people detest him excites", "to be worried about him. See, while this guy is very good at", "Any, suggestion how write such a character ? Make him convincing and Interesting", "is very good at his job he really as a very nasty side", "to them. And they are right to be worried about him. See, while", "to disagree with anyone or have an opinion. And, almost all people who", "him annoying. They hate his guts and his overwhelming persona. Most people who", "they don't know what that is and no matter how much they try", "really cares what happens to them or himself either. He wants people to", "more interesting and gives him some purpose to his life. Watching other people", "just goes with the flow. Never seems to disagree with anyone or have", "reading his thoughts or motives is almost impossible. He is also good looking", "more damage to them. And they are right to be worried about him.", "but they don't know what that is and no matter how much they", "is also good looking and smart. And he almost always agrees with everybody", "up backfiring or does more damage to them. And they are right to", "backfiring or does more damage to them. And they are right to be", "him. He wants them to loathe. It makes his life more interesting and", "or dick around with all of his colleagues or peers. He wants to", "dick around with all of his colleagues or peers. He wants to mess", "him and find him annoying. They hate his guts and his overwhelming persona.", "with all of his colleagues or peers. He wants to mess around with", "who encounter him really just hate him and find him annoying. They hate", "goes with the flow. Never seems to disagree with anyone or have an", "he really as a very nasty side to him. He basically want to", "really just hate him and find him annoying. They hate his guts and", "don't know what that is and no matter how much they try to", "is in. As a result, reading his thoughts or motives is almost impossible.", "a result, reading his thoughts or motives is almost impossible. He is also", "or does more damage to them. And they are right to be worried", "around with all of them and not really cares what happens to them", "who is always cheerful and smiling, no matter whatever the situation he is", "them or himself either. He wants people to be annoyed by him. He", "wants people to be annoyed by him. He wants them to loathe. It", "his colleagues or peers. He wants to mess around with all of them", "And they are right to be worried about him. See, while this guy", "colleagues or peers. He wants to mess around with all of them and", "meet him know there is something off about him but they don't know", "life. Watching other people detest him excites him. Any, suggestion how write such", "always cheerful and smiling, no matter whatever the situation he is in. As", "much they try to uncover it always ends up backfiring or does more", "guy is very good at his job he really as a very nasty", "toy around or dick around with all of his colleagues or peers. He", "with all of them and not really cares what happens to them or", "them and not really cares what happens to them or himself either. He", "him. He basically want to toy around or dick around with all of", "he is in. As a result, reading his thoughts or motives is almost", "with the flow. Never seems to disagree with anyone or have an opinion.", "no matter whatever the situation he is in. As a result, reading his", "to toy around or dick around with all of his colleagues or peers.", "overwhelming persona. Most people who meet him know there is something off about", "be worried about him. See, while this guy is very good at his", "by him. He wants them to loathe. It makes his life more interesting", "is always cheerful and smiling, no matter whatever the situation he is in.", "around or dick around with all of his colleagues or peers. He wants", "He wants people to be annoyed by him. He wants them to loathe.", "about him. See, while this guy is very good at his job he", "with anyone or have an opinion. And, almost all people who encounter him", "almost impossible. He is also good looking and smart. And he almost always", "cares what happens to them or himself either. He wants people to be", "Watching other people detest him excites him. Any, suggestion how write such a", "he almost always agrees with everybody and just goes with the flow. Never", "no matter how much they try to uncover it always ends up backfiring", "flow. Never seems to disagree with anyone or have an opinion. And, almost", "persona. Most people who meet him know there is something off about him", "and no matter how much they try to uncover it always ends up", "situation he is in. As a result, reading his thoughts or motives is", "thoughts or motives is almost impossible. He is also good looking and smart.", "whatever the situation he is in. As a result, reading his thoughts or", "motives is almost impossible. He is also good looking and smart. And he", "and his overwhelming persona. Most people who meet him know there is something", "something off about him but they don't know what that is and no", "find him annoying. They hate his guts and his overwhelming persona. Most people", "want to toy around or dick around with all of his colleagues or", "And, almost all people who encounter him really just hate him and find", "and gives him some purpose to his life. Watching other people detest him", "does more damage to them. And they are right to be worried about", "them to loathe. It makes his life more interesting and gives him some", "him excites him. Any, suggestion how write such a character ? Make him", "always agrees with everybody and just goes with the flow. Never seems to", "hate his guts and his overwhelming persona. Most people who meet him know", "write a male, corporate working, character who is always cheerful and smiling, no", "It makes his life more interesting and gives him some purpose to his", "about him but they don't know what that is and no matter how", "his guts and his overwhelming persona. Most people who meet him know there", "is and no matter how much they try to uncover it always ends", "anyone or have an opinion. And, almost all people who encounter him really", "and not really cares what happens to them or himself either. He wants", "or have an opinion. And, almost all people who encounter him really just", "He is also good looking and smart. And he almost always agrees with", "always ends up backfiring or does more damage to them. And they are", "impossible. He is also good looking and smart. And he almost always agrees", "or motives is almost impossible. He is also good looking and smart. And", "to him. He basically want to toy around or dick around with all", "really as a very nasty side to him. He basically want to toy", "wants to mess around with all of them and not really cares what", "opinion. And, almost all people who encounter him really just hate him and", "people detest him excites him. Any, suggestion how write such a character ?", "corporate working, character who is always cheerful and smiling, no matter whatever the", "try to uncover it always ends up backfiring or does more damage to", "excites him. Any, suggestion how write such a character ? Make him convincing", "result, reading his thoughts or motives is almost impossible. He is also good", "him some purpose to his life. Watching other people detest him excites him.", "at his job he really as a very nasty side to him. He", "they try to uncover it always ends up backfiring or does more damage", "a very nasty side to him. He basically want to toy around or", "working, character who is always cheerful and smiling, no matter whatever the situation", "seems to disagree with anyone or have an opinion. And, almost all people", "He wants them to loathe. It makes his life more interesting and gives", "his overwhelming persona. Most people who meet him know there is something off", "him know there is something off about him but they don't know what", "want to write a male, corporate working, character who is always cheerful and", "who meet him know there is something off about him but they don't", "uncover it always ends up backfiring or does more damage to them. And", "to them or himself either. He wants people to be annoyed by him.", "male, corporate working, character who is always cheerful and smiling, no matter whatever", "as a very nasty side to him. He basically want to toy around", "have an opinion. And, almost all people who encounter him really just hate", "Most people who meet him know there is something off about him but", "interesting and gives him some purpose to his life. Watching other people detest", "ends up backfiring or does more damage to them. And they are right", "or himself either. He wants people to be annoyed by him. He wants", "nasty side to him. He basically want to toy around or dick around", "him. See, while this guy is very good at his job he really", "good looking and smart. And he almost always agrees with everybody and just", "encounter him really just hate him and find him annoying. They hate his", "this guy is very good at his job he really as a very", "As a result, reading his thoughts or motives is almost impossible. He is", "his life more interesting and gives him some purpose to his life. Watching", "guts and his overwhelming persona. Most people who meet him know there is", "to uncover it always ends up backfiring or does more damage to them.", "right to be worried about him. See, while this guy is very good", "the flow. Never seems to disagree with anyone or have an opinion. And,", "while this guy is very good at his job he really as a", "to mess around with all of them and not really cares what happens", "the situation he is in. As a result, reading his thoughts or motives", "what that is and no matter how much they try to uncover it", "mess around with all of them and not really cares what happens to", "cheerful and smiling, no matter whatever the situation he is in. As a", "everybody and just goes with the flow. Never seems to disagree with anyone", "very good at his job he really as a very nasty side to", "people to be annoyed by him. He wants them to loathe. It makes", "detest him excites him. Any, suggestion how write such a character ? Make", "also good looking and smart. And he almost always agrees with everybody and", "disagree with anyone or have an opinion. And, almost all people who encounter", "it always ends up backfiring or does more damage to them. And they", "what happens to them or himself either. He wants people to be annoyed", "to write a male, corporate working, character who is always cheerful and smiling,", "an opinion. And, almost all people who encounter him really just hate him", "either. He wants people to be annoyed by him. He wants them to", "job he really as a very nasty side to him. He basically want", "wants them to loathe. It makes his life more interesting and gives him", "them. And they are right to be worried about him. See, while this", "of his colleagues or peers. He wants to mess around with all of", "or peers. He wants to mess around with all of them and not", "worried about him. See, while this guy is very good at his job", "basically want to toy around or dick around with all of his colleagues", "his job he really as a very nasty side to him. He basically", "looking and smart. And he almost always agrees with everybody and just goes", "peers. He wants to mess around with all of them and not really", "side to him. He basically want to toy around or dick around with", "to loathe. It makes his life more interesting and gives him some purpose", "other people detest him excites him. Any, suggestion how write such a character", "with everybody and just goes with the flow. Never seems to disagree with", "almost always agrees with everybody and just goes with the flow. Never seems", "are right to be worried about him. See, while this guy is very", "just hate him and find him annoying. They hate his guts and his", "Never seems to disagree with anyone or have an opinion. And, almost all", "matter how much they try to uncover it always ends up backfiring or", "that is and no matter how much they try to uncover it always", "him. Any, suggestion how write such a character ? Make him convincing and", "to his life. Watching other people detest him excites him. Any, suggestion how", "him really just hate him and find him annoying. They hate his guts", "and smiling, no matter whatever the situation he is in. As a result,", "his life. Watching other people detest him excites him. Any, suggestion how write", "life more interesting and gives him some purpose to his life. Watching other", "know what that is and no matter how much they try to uncover", "his thoughts or motives is almost impossible. He is also good looking and", "and smart. And he almost always agrees with everybody and just goes with", "They hate his guts and his overwhelming persona. Most people who meet him", "I want to write a male, corporate working, character who is always cheerful", "know there is something off about him but they don't know what that", "makes his life more interesting and gives him some purpose to his life.", "not really cares what happens to them or himself either. He wants people", "is something off about him but they don't know what that is and", "smiling, no matter whatever the situation he is in. As a result, reading", "there is something off about him but they don't know what that is", "him but they don't know what that is and no matter how much", "suggestion how write such a character ? Make him convincing and Interesting ?", "some purpose to his life. Watching other people detest him excites him. Any,", "all people who encounter him really just hate him and find him annoying.", "they are right to be worried about him. See, while this guy is", "to be annoyed by him. He wants them to loathe. It makes his", "smart. And he almost always agrees with everybody and just goes with the", "And he almost always agrees with everybody and just goes with the flow.", "people who encounter him really just hate him and find him annoying. They", "is almost impossible. He is also good looking and smart. And he almost", "annoyed by him. He wants them to loathe. It makes his life more", "people who meet him know there is something off about him but they", "of them and not really cares what happens to them or himself either.", "all of them and not really cares what happens to them or himself", "He wants to mess around with all of them and not really cares", "character who is always cheerful and smiling, no matter whatever the situation he", "and just goes with the flow. Never seems to disagree with anyone or", "almost all people who encounter him really just hate him and find him", "be annoyed by him. He wants them to loathe. It makes his life", "hate him and find him annoying. They hate his guts and his overwhelming", "how much they try to uncover it always ends up backfiring or does" ]
[ "to publish, assuming they feel the author's writing has potential. This is bad", "author to write the novel they want to publish, assuming they feel the", "publisher is just going to reject the first one and tell me to", "how it works, so please don't make that the answer to the second", "is just going to reject the first one and tell me to write", "tell me to write something else, then how can I ever publish what", "can I ever publish what I want to? Is this true? Do publishers/agents", "and instead get you to write the novel they want to publish? If", "endless novel series, which I intend on publishing. If the publisher is just", "answer](https://writing.stackexchange.com/a/32509/10394), which suggested that an author's first novel will be rejected, and the", "this true?** Do publishers/agents frequently reject first-time novels, and instead get you to", "nothing I can do, and publishers will always force me to write what", "of the question if there's another option. If there's nothing I can do,", "and tell me to write something else, then how can I ever publish", "something else, then how can I ever publish what I want to? Is", "to publish? If this is the case, what can I do to get", "publish? If this is the case, *what can I do to get what", "the first one and tell me to write something else, then how can", "what I* want to write published?** Note: I'm aware of self-publishing and how", "feel the author's writing has potential. This is bad news for me, as", "writing has potential. This is bad news for me, as I have an", "if there's another option. If there's nothing I can do, and publishers will", "[this answer](https://writing.stackexchange.com/a/32509/10394), which suggested that an author's first novel will be rejected, and", "publishing. If the publisher is just going to reject the first one and", "always force me to write what they want, then I'll look at self-publishing.", "which suggested that an author's first novel will be rejected, and the publisher", "option. If there's nothing I can do, and publishers will always force me", "I intend on publishing. If the publisher is just going to reject the", "rejected, and the publisher will instead get the author to write the novel", "news for me, as I have an entire universe mapped out with endless", "universe mapped out with endless novel series, which I intend on publishing. If", "another option. If there's nothing I can do, and publishers will always force", "*what can I do to get what I* want to write published?** Note:", "get the author to write the novel they want to publish, assuming they", "that an author's first novel will be rejected, and the publisher will instead", "I do to get what I want to write published? Note: I'm aware", "want to publish, assuming they feel the author's writing has potential. This is", "instead get the author to write the novel they want to publish, assuming", "publisher will instead get the author to write the novel they want to", "ever publish what I want to? Is this true? Do publishers/agents frequently reject", "first-time novels, and instead get you to write the novel they want to", "want to write published? Note: I'm aware of self-publishing and how it works,", "so please don't make that the answer to the second part of the", "answer to the second part of the question if there's another option. If", "as I have an entire universe mapped out with endless novel series, which", "write the novel they want to publish? If this is the case, what", "they want to publish? If this is the case, what can I do", "and how it works, so please don't make that the answer to the", "publish, assuming they feel the author's writing has potential. This is bad news", "to write something else, then how can I ever publish what I want", "want to? Is this true? Do publishers/agents frequently reject first-time novels, and instead", "it works, so please don't make that the answer to the second part", "else, then how can I ever publish what I want to? *Is this", "I can do, and publishers will always* force me to write what they", "have an entire universe mapped out with endless novel series, which I intend", "me to write something else, then how can I ever publish what I", "Is this true? Do publishers/agents frequently reject first-time novels, and instead get you", "Do publishers/agents frequently reject first-time novels, and instead get you to write the", "will be rejected, and the publisher will instead get the author to write", "novel will be rejected, and the publisher will instead get the author to", "there's nothing I can do, and publishers will always force me to write", "an entire universe mapped out with endless novel series, which I intend on", "the question if there's another option. If there's nothing I can do, and", "and the publisher will instead get the author to write the novel they", "has potential. This is bad news for me, as I have an entire", "read [this answer](https://writing.stackexchange.com/a/32509/10394), which suggested that an author's first novel will be rejected,", "assuming they feel the author's writing has potential. This is bad news for", "If this is the case, *what can I do to get what I", "don't make that the answer to the second part of the question if", "publishers/agents frequently reject first-time novels, and instead get you to write the novel", "can do, and publishers will always* force me to write what they want,", "is bad news for me, as I have an entire universe mapped out", "I want to write published?** Note: I'm aware of self-publishing and how it", "and publishers will always force me to write what they want, then I'll", "out with endless novel series, which I intend on publishing. If the publisher", "will instead get the author to write the novel they want to publish,", "mapped out with endless novel series, which I intend on publishing. If the", "this is the case, *what can I do to get what I* want", "I ever publish what I want to? Is this true? Do publishers/agents frequently", "the novel they want to publish? If this is the case, what can", "works, so please don't make that the answer to the second part of", "write the novel they want to publish, assuming they feel the author's writing", "entire universe mapped out with endless novel series, which I intend on publishing.", "just going to reject the first one and tell me to write something", "to write published? Note: I'm aware of self-publishing and how it works, so", "is the case, *what can I do to get what I* want to", "case, *what can I do to get what I* want to write published?*", "novels, and instead get you to write the novel they want to publish?", "which I intend on publishing. If the publisher is just going to reject", "instead get you to write the novel they want to publish? If this", "me, as I have an entire universe mapped out with endless novel series,", "aware of self-publishing and how it works, so please don't make that the", "make that the answer to the second part of the question if there's", "do, and publishers will always* force me to write what they want, then", "part of the question if there's another option. If there's nothing I can", "on publishing. If the publisher is just going to reject the first one", "novel they want to publish? If this is the case, what can I", "If the publisher is just going to reject the first one and tell", "the case, what can I do to get what I want to write", "please don't make that the answer to the second part of the question", "author's first novel will be rejected, and the publisher will instead get the", "bad news for me, as I have an entire universe mapped out with", "of self-publishing and how it works, so please don't make that the answer", "the answer to the second part of the question if there's another option.", "for me, as I have an entire universe mapped out with endless novel", "going to reject the first one and tell me to write something else,", "reject first-time novels, and instead get you to write the novel they want", "then how can I ever publish what I want to? Is this true?", "published? Note: I'm aware of self-publishing and how it works, so please don't", "an author's first novel will be rejected, and the publisher will instead get", "the author to write the novel they want to publish, assuming they feel", "the publisher is just going to reject the first one and tell me", "what I want to? Is this true? Do publishers/agents frequently reject first-time novels,", "I want to? Is this true? Do publishers/agents frequently reject first-time novels, and", "I recently read [this answer](https://writing.stackexchange.com/a/32509/10394), which suggested that an author's first novel will", "to write the novel they want to publish? If this is the case,", "want to publish? If this is the case, what can I do to", "suggested that an author's first novel will be rejected, and the publisher will", "frequently reject first-time novels, and instead get you to write the novel they", "how can I ever publish what I want to? Is this true? Do", "If there's nothing I can do, and publishers will always force me to", "true? Do publishers/agents frequently reject first-time novels, and instead get you to write", "series, which I intend on publishing. If the publisher is just going to", "to? Is this true?** Do publishers/agents frequently reject first-time novels, and instead get", "reject the first one and tell me to write something else, then how", "get you to write the novel they want to publish? If this is", "write something else, then how can I ever publish what I want to?", "novel series, which I intend on publishing. If the publisher is just going", "will always force me to write what they want, then I'll look at", "the publisher will instead get the author to write the novel they want", "This is bad news for me, as I have an entire universe mapped", "that the answer to the second part of the question if there's another", "to the second part of the question if there's another option. If there's", "recently read [this answer](https://writing.stackexchange.com/a/32509/10394), which suggested that an author's first novel will be", "to write the novel they want to publish, assuming they feel the author's", "there's another option. If there's nothing I can do, and publishers will always", "to reject the first one and tell me to write something else, then", "I have an entire universe mapped out with endless novel series, which I", "intend on publishing. If the publisher is just going to reject the first", "write published?** Note: I'm aware of self-publishing and how it works, so please", "the novel they want to publish, assuming they feel the author's writing has", "the author's writing has potential. This is bad news for me, as I", "can I do to get what I want to write published?** Note: I'm", "get what I want to write published?** Note: I'm aware of self-publishing and", "publishers will always force me to write what they want, then I'll look", "Note: I'm aware of self-publishing and how it works, so please don't make", "self-publishing and how it works, so please don't make that the answer to", "you to write the novel they want to publish? If this is the", "second part of the question if there's another option. If there's nothing I", "potential. This is bad news for me, as I have an entire universe", "to get what I want to write published?** Note: I'm aware of self-publishing", "they want to publish, assuming they feel the author's writing has potential. This", "I'm aware of self-publishing and how it works, so please don't make that", "question if there's another option. If there's nothing I can do, and publishers", "with endless novel series, which I intend on publishing. If the publisher is", "be rejected, and the publisher will instead get the author to write the", "they feel the author's writing has potential. This is bad news for me,", "do to get what I want to write published? Note: I'm aware of", "first novel will be rejected, and the publisher will instead get the author", "first one and tell me to write something else, then how can I", "the second part of the question if there's another option. If there's nothing", "author's writing has potential. This is bad news for me, as I have", "novel they want to publish, assuming they feel the author's writing has potential.", "publish what I want to? Is this true?** Do publishers/agents frequently reject first-time", "one and tell me to write something else, then how can I ever" ]
[ "I want to use a fake name for my book, not my real", "name for my book, not my real name. How do I ensure that", "my real name. How do I ensure that editors or agencies don't take", "do I ensure that editors or agencies don't take advantage of that or", "don't take advantage of that or play a trick when it comes to", "it comes to the credits of the book? How do I make sure", "So I want to use a fake name for my book, not my", "use a fake name for my book, not my real name. How do", "trick when it comes to the credits of the book? How do I", "credits of the book? How do I make sure that there are no", "to use a fake name for my book, not my real name. How", "that or play a trick when it comes to the credits of the", "book, not my real name. How do I ensure that editors or agencies", "of that or play a trick when it comes to the credits of", "to the credits of the book? How do I make sure that there", "agencies don't take advantage of that or play a trick when it comes", "the book? How do I make sure that there are no 'loop holes'?", "not my real name. How do I ensure that editors or agencies don't", "take advantage of that or play a trick when it comes to the", "advantage of that or play a trick when it comes to the credits", "a fake name for my book, not my real name. How do I", "for my book, not my real name. How do I ensure that editors", "play a trick when it comes to the credits of the book? How", "real name. How do I ensure that editors or agencies don't take advantage", "a trick when it comes to the credits of the book? How do", "How do I ensure that editors or agencies don't take advantage of that", "ensure that editors or agencies don't take advantage of that or play a", "fake name for my book, not my real name. How do I ensure", "of the book? How do I make sure that there are no 'loop", "editors or agencies don't take advantage of that or play a trick when", "want to use a fake name for my book, not my real name.", "I ensure that editors or agencies don't take advantage of that or play", "comes to the credits of the book? How do I make sure that", "the credits of the book? How do I make sure that there are", "or agencies don't take advantage of that or play a trick when it", "when it comes to the credits of the book? How do I make", "that editors or agencies don't take advantage of that or play a trick", "or play a trick when it comes to the credits of the book?", "name. How do I ensure that editors or agencies don't take advantage of", "my book, not my real name. How do I ensure that editors or" ]
[ "and emailed him. I described how I'm writing a sci-fi story and gave", "works in a particular field of science and I found an e-mail for", "people I'm building a character based on them and then interview, or pretend", "interview, or pretend that I'm just interested about their field and wanted to", "So I'm building a character who works in a particular field of science", "described how I'm writing a sci-fi story and gave him some details to", "reply). My question is, when researching in this way, should I tell people", "or pretend that I'm just interested about their field and wanted to ask", "e-mail for a scientist on the internet and emailed him. I described how", "on the internet and emailed him. I described how I'm writing a sci-fi", "internet and emailed him. I described how I'm writing a sci-fi story and", "particular field of science and I found an e-mail for a scientist on", "in the project. He replied and I asked about how things work in", "character based on them and then interview, or pretend that I'm just interested", "him interested in the project. He replied and I asked about how things", "asked about how things work in his field. (I emailed several questions and", "in his field. (I emailed several questions and I'm yet to get a", "way, should I tell people I'm building a character based on them and", "story and gave him some details to get him interested in the project.", "work in his field. (I emailed several questions and I'm yet to get", "a character who works in a particular field of science and I found", "project. He replied and I asked about how things work in his field.", "some details to get him interested in the project. He replied and I", "field. (I emailed several questions and I'm yet to get a reply). My", "I described how I'm writing a sci-fi story and gave him some details", "an e-mail for a scientist on the internet and emailed him. 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I described how I'm writing a sci-fi story and gave him some", "then interview, or pretend that I'm just interested about their field and wanted", "get a reply). My question is, when researching in this way, should I", "to get a reply). My question is, when researching in this way, should", "things work in his field. (I emailed several questions and I'm yet to", "who works in a particular field of science and I found an e-mail", "field of science and I found an e-mail for a scientist on the", "building a character who works in a particular field of science and I", "My question is, when researching in this way, should I tell people I'm", "in a particular field of science and I found an e-mail for a", "question is, when researching in this way, should I tell people I'm building", "tell people I'm building a character based on them and then interview, or", "this way, should I tell people I'm building a character based on them", "questions and I'm yet to get a reply). My question is, when researching", "just interested about their field and wanted to ask a few questions out", "a reply). My question is, when researching in this way, should I tell", "found an e-mail for a scientist on the internet and emailed him. I", "I tell people I'm building a character based on them and then interview,", "I'm building a character based on them and then interview, or pretend that", "the internet and emailed him. I described how I'm writing a sci-fi story", "about how things work in his field. (I emailed several questions and I'm", "I'm yet to get a reply). My question is, when researching in this", "and I asked about how things work in his field. (I emailed several", "building a character based on them and then interview, or pretend that I'm", "and gave him some details to get him interested in the project. 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(I emailed several questions and I'm yet", "and then interview, or pretend that I'm just interested about their field and", "when researching in this way, should I tell people I'm building a character", "to get him interested in the project. He replied and I asked about", "interested about their field and wanted to ask a few questions out of", "details to get him interested in the project. He replied and I asked", "is, when researching in this way, should I tell people I'm building a", "in this way, should I tell people I'm building a character based on", "several questions and I'm yet to get a reply). My question is, when", "interested in the project. He replied and I asked about how things work", "and I'm yet to get a reply). My question is, when researching in", "about their field and wanted to ask a few questions out of curiosity?", "a scientist on the internet and emailed him. I described how I'm writing", "the project. He replied and I asked about how things work in his", "get him interested in the project. He replied and I asked about how", "character who works in a particular field of science and I found an", "I'm building a character who works in a particular field of science and", "should I tell people I'm building a character based on them and then", "for a scientist on the internet and emailed him. I described how I'm", "how I'm writing a sci-fi story and gave him some details to get", "emailed several questions and I'm yet to get a reply). My question is,", "scientist on the internet and emailed him. I described how I'm writing a", "pretend that I'm just interested about their field and wanted to ask a", "emailed him. I described how I'm writing a sci-fi story and gave him", "science and I found an e-mail for a scientist on the internet and" ]
[ "of view of the protagonist. But the story is already written in a", "But the story is already written in a third person narrator... and I", "and I have 2 protagonists so it's not omniscient. I think it's a", "as a hook and I think it is easiest that way, at least", "it's not omniscient. I think it's a cheap trick to change the POV", "POV and narrator... I want to write strong \"first lines\" as a hook", "in first person with the point of view of the protagonist. But the", "\"first lines\" as a hook and I think it is easiest that way,", "cheap trick to change the POV and narrator... I want to write strong", "the story is already written in a third person narrator... and I have", "and narrator... I want to write strong \"first lines\" as a hook and", "is already written in a third person narrator... and I have 2 protagonists", "with the point of view of the protagonist. But the story is already", "third person narrator... and I have 2 protagonists so it's not omniscient. I", "the POV and narrator... I want to write strong \"first lines\" as a", "narrator... I want to write strong \"first lines\" as a hook and I", "prologue of the story with the narrator in first person with the point", "so it's not omniscient. I think it's a cheap trick to change the", "person narrator... and I have 2 protagonists so it's not omniscient. I think", "strong \"first lines\" as a hook and I think it is easiest that", "write strong \"first lines\" as a hook and I think it is easiest", "the story with the narrator in first person with the point of view", "of the protagonist. But the story is already written in a third person", "I want to write strong \"first lines\" as a hook and I think", "a hook and I think it is easiest that way, at least for", "a third person narrator... and I have 2 protagonists so it's not omniscient.", "protagonist. But the story is already written in a third person narrator... and", "not omniscient. I think it's a cheap trick to change the POV and", "2 protagonists so it's not omniscient. I think it's a cheap trick to", "want to write strong \"first lines\" as a hook and I think it", "hook and I think it is easiest that way, at least for my", "to write the prologue of the story with the narrator in first person", "the prologue of the story with the narrator in first person with the", "I want to write the prologue of the story with the narrator in", "already written in a third person narrator... and I have 2 protagonists so", "narrator... and I have 2 protagonists so it's not omniscient. I think it's", "think it's a cheap trick to change the POV and narrator... I want", "and I think it is easiest that way, at least for my idea.", "narrator in first person with the point of view of the protagonist. But", "I have 2 protagonists so it's not omniscient. I think it's a cheap", "story with the narrator in first person with the point of view of", "it's a cheap trick to change the POV and narrator... I want to", "first person with the point of view of the protagonist. But the story", "person with the point of view of the protagonist. But the story is", "the point of view of the protagonist. But the story is already written", "written in a third person narrator... and I have 2 protagonists so it's", "story is already written in a third person narrator... and I have 2", "I think it's a cheap trick to change the POV and narrator... I", "lines\" as a hook and I think it is easiest that way, at", "point of view of the protagonist. But the story is already written in", "change the POV and narrator... I want to write strong \"first lines\" as", "want to write the prologue of the story with the narrator in first", "to change the POV and narrator... I want to write strong \"first lines\"", "view of the protagonist. But the story is already written in a third", "protagonists so it's not omniscient. I think it's a cheap trick to change", "of the story with the narrator in first person with the point of", "the narrator in first person with the point of view of the protagonist.", "in a third person narrator... and I have 2 protagonists so it's not", "omniscient. I think it's a cheap trick to change the POV and narrator...", "a cheap trick to change the POV and narrator... I want to write", "the protagonist. But the story is already written in a third person narrator...", "with the narrator in first person with the point of view of the", "write the prologue of the story with the narrator in first person with", "trick to change the POV and narrator... I want to write strong \"first", "to write strong \"first lines\" as a hook and I think it is", "have 2 protagonists so it's not omniscient. I think it's a cheap trick" ]
[ "I wrote a short text recently in which the character has a very", "a problem if someone thinks I'm some anti-LGBTQ after reading that text. So", "after reading that text. So how can I write a character whose opinions", "either * Making a statement at the end would somehow ruin the whole", "myself as the author share the same opinion and yeah, that would be", "to make him do his wrong things without being able to tell the", "do his wrong things without being able to tell the audience more about", "from mine but without making the character unrealistic? The stories are from 1st", "but without making the character unrealistic? The stories are from 1st person view", "character whose opinions differ from mine but without making the character unrealistic? The", "opinions differ from mine but without making the character unrealistic? The stories are", "unrealistic? The stories are from 1st person view so that makes it a", "somehow ruin the whole feeling * Making unrealistic arguments would be unrealistic EDIT:", "anti-LGBTQ after reading that text. So how can I write a character whose", "whole feeling * Making unrealistic arguments would be unrealistic EDIT: I'm asking especially", "were not sure if I myself as the author share the same opinion", "So how can I write a character whose opinions differ from mine but", "has a very strong political opinion (anti-LGBTQ), which in addition is totally different", "some anti-LGBTQ after reading that text. So how can I write a character", "I can't change the point of view either * Making a statement at", "view either * Making a statement at the end would somehow ruin the", "the character unrealistic? The stories are from 1st person view so that makes", "same opinion and yeah, that would be a problem if someone thinks I'm", "person view so that makes it a little bit more difficult as: ", "1st person view so that makes it a little bit more difficult as:", "my test was for a Poetry Slam and I am completely new. In", "arguments that people with this opinion use. Other participants said that they were", "as possible and used real arguments that people with this opinion use. Other", "as: I just can't make the person change their mind * I", "mine but without making the character unrealistic? The stories are from 1st person", "Slam and I am completely new. In short texts I don't have the", "so that makes it a little bit more difficult as: * I just", "more difficult as: * I just can't make the person change their mind", "of view either * Making a statement at the end would somehow ruin", "my case my test was for a Poetry Slam and I am completely", "the character has a very strong political opinion (anti-LGBTQ), which in addition is", "would somehow ruin the whole feeling * Making unrealistic arguments would be unrealistic", "possible and used real arguments that people with this opinion use. Other participants", "used real arguments that people with this opinion use. Other participants said that", "(anti-LGBTQ), which in addition is totally different to my own opinion. Now, I", "own opinion. Now, I wanted to make the character as realistic as possible", "sure if I myself as the author share the same opinion and yeah,", "not sure if I myself as the author share the same opinion and", "arguments would be unrealistic EDIT: I'm asking especially for short texts. In my", "in addition is totally different to my own opinion. Now, I wanted to", "a character and often just have to make him do his wrong things", "totally different to my own opinion. Now, I wanted to make the character", "I am completely new. In short texts I don't have the time to", "stories are from 1st person view so that makes it a little bit", "opinion and yeah, that would be a problem if someone thinks I'm some", "opinion use. Other participants said that they were not sure if I myself", "share the same opinion and yeah, that would be a problem if someone", "change the point of view either * Making a statement at the end", "don't have the time to introduce a character and often just have to", "a Poetry Slam and I am completely new. In short texts I don't", "my own opinion. Now, I wanted to make the character as realistic as", "in which the character has a very strong political opinion (anti-LGBTQ), which in", "addition is totally different to my own opinion. Now, I wanted to make", "use. Other participants said that they were not sure if I myself as", "different to my own opinion. Now, I wanted to make the character as", "introduce a character and often just have to make him do his wrong", "people with this opinion use. Other participants said that they were not sure", "it a little bit more difficult as: * I just can't make the", "this opinion use. Other participants said that they were not sure if I", "whose opinions differ from mine but without making the character unrealistic? The stories", "a little bit more difficult as: * I just can't make the person", "can't make the person change their mind * I can't change the point", "for a Poetry Slam and I am completely new. In short texts I", "opinion. Now, I wanted to make the character as realistic as possible and", "that would be a problem if someone thinks I'm some anti-LGBTQ after reading", "EDIT: I'm asking especially for short texts. In my case my test was", "yeah, that would be a problem if someone thinks I'm some anti-LGBTQ after", "ruin the whole feeling * Making unrealistic arguments would be unrealistic EDIT: I'm", "said that they were not sure if I myself as the author share", "* I just can't make the person change their mind * I can't", "realistic as possible and used real arguments that people with this opinion use.", "difficult as: * I just can't make the person change their mind ", "especially for short texts. In my case my test was for a Poetry", "test was for a Poetry Slam and I am completely new. In short", "Now, I wanted to make the character as realistic as possible and used", "the author share the same opinion and yeah, that would be a problem", "which the character has a very strong political opinion (anti-LGBTQ), which in addition", "that text. So how can I write a character whose opinions differ from", "Making unrealistic arguments would be unrealistic EDIT: I'm asking especially for short texts.", "often just have to make him do his wrong things without being able", "thinks I'm some anti-LGBTQ after reading that text. So how can I write", "I write a character whose opinions differ from mine but without making the", "write a character whose opinions differ from mine but without making the character", "character and often just have to make him do his wrong things without", "if I myself as the author share the same opinion and yeah, that", "have the time to introduce a character and often just have to make", "the character as realistic as possible and used real arguments that people with", "author share the same opinion and yeah, that would be a problem if", "recently in which the character has a very strong political opinion (anti-LGBTQ), which", "that they were not sure if I myself as the author share the", "political opinion (anti-LGBTQ), which in addition is totally different to my own opinion.", "the whole feeling Making unrealistic arguments would be unrealistic EDIT: I'm asking", "was for a Poetry Slam and I am completely new. In short texts", "the time to introduce a character and often just have to make him", "statement at the end would somehow ruin the whole feeling * Making unrealistic", "little bit more difficult as: * I just can't make the person change", "to introduce a character and often just have to make him do his", "time to introduce a character and often just have to make him do", "with this opinion use. Other participants said that they were not sure if", "participants said that they were not sure if I myself as the author", "unrealistic EDIT: I'm asking especially for short texts. In my case my test", "* Making a statement at the end would somehow ruin the whole feeling", "So I wrote a short text recently in which the character has a", "is totally different to my own opinion. Now, I wanted to make the", "make him do his wrong things without being able to tell the audience", "be unrealistic EDIT: I'm asking especially for short texts. In my case my", "as the author share the same opinion and yeah, that would be a", "bit more difficult as: * I just can't make the person change their", "text. So how can I write a character whose opinions differ from mine", "how can I write a character whose opinions differ from mine but without", "at the end would somehow ruin the whole feeling * Making unrealistic arguments", "a character whose opinions differ from mine but without making the character unrealistic?", "and often just have to make him do his wrong things without being", "makes it a little bit more difficult as: * I just can't make", "problem if someone thinks I'm some anti-LGBTQ after reading that text. So how", "which in addition is totally different to my own opinion. Now, I wanted", "and I am completely new. In short texts I don't have the time", "the person change their mind * I can't change the point of view", "that makes it a little bit more difficult as: * I just can't", "character unrealistic? The stories are from 1st person view so that makes it", "wrote a short text recently in which the character has a very strong", "feeling * Making unrealistic arguments would be unrealistic EDIT: I'm asking especially for", "would be unrealistic EDIT: I'm asking especially for short texts. In my case", "* I can't change the point of view either * Making a statement", "from 1st person view so that makes it a little bit more difficult", "person change their mind * I can't change the point of view either", "I'm some anti-LGBTQ after reading that text. So how can I write a", "that people with this opinion use. Other participants said that they were not", "a very strong political opinion (anti-LGBTQ), which in addition is totally different to", "point of view either * Making a statement at the end would somehow", "would be a problem if someone thinks I'm some anti-LGBTQ after reading that", "making the character unrealistic? The stories are from 1st person view so that", "the end would somehow ruin the whole feeling * Making unrealistic arguments would", "The stories are from 1st person view so that makes it a little", "I just can't make the person change their mind * I can't change", "I wanted to make the character as realistic as possible and used real", "their mind * I can't change the point of view either * Making", "texts I don't have the time to introduce a character and often just", "Poetry Slam and I am completely new. In short texts I don't have", "the point of view either * Making a statement at the end would", "wanted to make the character as realistic as possible and used real arguments", "In short texts I don't have the time to introduce a character and", "I'm asking especially for short texts. In my case my test was for", "opinion (anti-LGBTQ), which in addition is totally different to my own opinion. Now,", "short texts. In my case my test was for a Poetry Slam and", "without making the character unrealistic? The stories are from 1st person view so", "texts. In my case my test was for a Poetry Slam and I", "completely new. In short texts I don't have the time to introduce a", "just can't make the person change their mind * I can't change the", "have to make him do his wrong things without being able to tell", "make the character as realistic as possible and used real arguments that people", "can't change the point of view either * Making a statement at the", "case my test was for a Poetry Slam and I am completely new.", "am completely new. In short texts I don't have the time to introduce", "to my own opinion. Now, I wanted to make the character as realistic", "very strong political opinion (anti-LGBTQ), which in addition is totally different to my", "short texts I don't have the time to introduce a character and often", "him do his wrong things without being able to tell the audience more", "end would somehow ruin the whole feeling * Making unrealistic arguments would be", "I don't have the time to introduce a character and often just have", "strong political opinion (anti-LGBTQ), which in addition is totally different to my own", "mind * I can't change the point of view either * Making a", "differ from mine but without making the character unrealistic? The stories are from", "character as realistic as possible and used real arguments that people with this", "the same opinion and yeah, that would be a problem if someone thinks", "Making a statement at the end would somehow ruin the whole feeling ", "someone thinks I'm some anti-LGBTQ after reading that text. So how can I", " Making unrealistic arguments would be unrealistic EDIT: I'm asking especially for short", "they were not sure if I myself as the author share the same", "Other participants said that they were not sure if I myself as the", "make the person change their mind * I can't change the point of", "short text recently in which the character has a very strong political opinion", "In my case my test was for a Poetry Slam and I am", "are from 1st person view so that makes it a little bit more", "new. In short texts I don't have the time to introduce a character", "unrealistic arguments would be unrealistic EDIT: I'm asking especially for short texts. In", "just have to make him do his wrong things without being able to", "be a problem if someone thinks I'm some anti-LGBTQ after reading that text.", "his wrong things without being able to tell the audience more about him/her", "a short text recently in which the character has a very strong political", "character has a very strong political opinion (anti-LGBTQ), which in addition is totally", "for short texts. In my case my test was for a Poetry Slam", "and yeah, that would be a problem if someone thinks I'm some anti-LGBTQ", "if someone thinks I'm some anti-LGBTQ after reading that text. So how can", "I myself as the author share the same opinion and yeah, that would", "can I write a character whose opinions differ from mine but without making", "change their mind * I can't change the point of view either ", "and used real arguments that people with this opinion use. Other participants said", "text recently in which the character has a very strong political opinion (anti-LGBTQ),", "reading that text. So how can I write a character whose opinions differ", "to make the character as realistic as possible and used real arguments that", "view so that makes it a little bit more difficult as: I", "as realistic as possible and used real arguments that people with this opinion", "asking especially for short texts. In my case my test was for a", "real arguments that people with this opinion use. Other participants said that they", "a statement at the end would somehow ruin the whole feeling * Making" ]
[ "it be considered against me? As an Indian, we were told not to", "month. However I am confused about one thing- are we allowed to use", "I am confused about one thing- are we allowed to use abbreviations like", "an Indian, we were told not to write such abbreviations in our ICSE", "am confused about one thing- are we allowed to use abbreviations like \"we're\"", "and \"it's\" (it is) in the essay section? Will it be considered against", "(we are) and \"it's\" (it is) in the essay section? Will it be", "essay section? Will it be considered against me? As an Indian, we were", "As an Indian, we were told not to write such abbreviations in our", "be considered against me? As an Indian, we were told not to write", "to use abbreviations like \"we're\" (we are) and \"it's\" (it is) in the", "about one thing- are we allowed to use abbreviations like \"we're\" (we are)", "be appearing for the SAT with essay next month. However I am confused", "Indian, we were told not to write such abbreviations in our ICSE 10th", "appearing for the SAT with essay next month. However I am confused about", "essay next month. However I am confused about one thing- are we allowed", "were told not to write such abbreviations in our ICSE 10th board examinations.", "against me? As an Indian, we were told not to write such abbreviations", "next month. However I am confused about one thing- are we allowed to", "confused about one thing- are we allowed to use abbreviations like \"we're\" (we", "one thing- are we allowed to use abbreviations like \"we're\" (we are) and", "use abbreviations like \"we're\" (we are) and \"it's\" (it is) in the essay", "the essay section? Will it be considered against me? As an Indian, we", "considered against me? As an Indian, we were told not to write such", "for the SAT with essay next month. However I am confused about one", "(it is) in the essay section? Will it be considered against me? As", "we were told not to write such abbreviations in our ICSE 10th board", "However I am confused about one thing- are we allowed to use abbreviations", "like \"we're\" (we are) and \"it's\" (it is) in the essay section? Will", "are) and \"it's\" (it is) in the essay section? Will it be considered", "is) in the essay section? Will it be considered against me? As an", "abbreviations like \"we're\" (we are) and \"it's\" (it is) in the essay section?", "thing- are we allowed to use abbreviations like \"we're\" (we are) and \"it's\"", "allowed to use abbreviations like \"we're\" (we are) and \"it's\" (it is) in", "me? As an Indian, we were told not to write such abbreviations in", "Will it be considered against me? As an Indian, we were told not", "I will be appearing for the SAT with essay next month. However I", "SAT with essay next month. However I am confused about one thing- are", "we allowed to use abbreviations like \"we're\" (we are) and \"it's\" (it is)", "the SAT with essay next month. However I am confused about one thing-", "will be appearing for the SAT with essay next month. However I am", "with essay next month. However I am confused about one thing- are we", "are we allowed to use abbreviations like \"we're\" (we are) and \"it's\" (it", "\"we're\" (we are) and \"it's\" (it is) in the essay section? Will it", "section? Will it be considered against me? As an Indian, we were told", "\"it's\" (it is) in the essay section? Will it be considered against me?", "in the essay section? Will it be considered against me? As an Indian," ]
[ "words, it's like he's a main character but he's not, because in every", "certain style on how to present a character. I know Seck Fdinrof is", "protagonist but his screen time is less than the other characters. And also,", "he's a protagonist but his screen time is less than the other characters.", "he's a main character but he's not, because in every arc, he just", "be short, he's a protagonist but his screen time is less than the", "something like that. I feel like Seck Fdinrof is more of a side", "other words, it's like he's a main character but he's not, because in", "is more of a side character but his presence has a huge impact", "but his presence has a huge impact on each movie arc. And the", "is always waiting for Seck Fdinrof to come, even though there is an", "want to ask about a certain style on how to present a character.", "In other words, it's like he's a main character but he's not, because", "revolve around \"main Seck Fdinrof arc\" or something like that. I feel like", "less than the other characters. And also, in every Pirates of the Carribean", "a whole different \"arc\" for each movie, and it doesn't revolve around \"main", "short, he's a protagonist but his screen time is less than the other", "presence has a huge impact on each movie arc. And the audience is", "is a whole different \"arc\" for each movie, and it doesn't revolve around", "every arc, he just pops in, contributes something, and pops out. And the", "like that. I feel like Seck Fdinrof is more of a side character", "the audience is always waiting for Seck Fdinrof to come, even though there", "characters\" progress with the story. Is there a name for this kind of", "is an ongoing story parallel to whatever Seck is doing. In other words,", "in every arc, he just pops in, contributes something, and pops out. And", "has a huge impact on each movie arc. And the audience is always", "is doing. In other words, it's like he's a main character but he's", "he just pops in, contributes something, and pops out. And the other \"main", "name for this kind of trope, or style, or like the literary device", "(and I've only watched the movies too) but I want to integrate in", "character but his presence has a huge impact on each movie arc. And", "because in every arc, he just pops in, contributes something, and pops out.", "just pops in, contributes something, and pops out. And the other \"main characters\"", "in, contributes something, and pops out. And the other \"main characters\" progress with", "for this kind of trope, or style, or like the literary device on", "something, and pops out. And the other \"main characters\" progress with the story.", "parallel to whatever Seck is doing. In other words, it's like he's a", "a huge impact on each movie arc. And the audience is always waiting", "to ask about a certain style on how to present a character. I", "each movie, and it doesn't revolve around \"main Seck Fdinrof arc\" or something", "also, in every Pirates of the Carribean movie, it's like there is a", "presented in the movies. To be short, he's a protagonist but his screen", "or something like that. I feel like Seck Fdinrof is more of a", "Pirates of the Carribean movie, it's like there is a whole different \"arc\"", "an ongoing story parallel to whatever Seck is doing. In other words, it's", "writing how he was presented in the movies. To be short, he's a", "arc\" or something like that. I feel like Seck Fdinrof is more of", "Fdinrof arc\" or something like that. I feel like Seck Fdinrof is more", "even though there is an ongoing story parallel to whatever Seck is doing.", "out. And the other \"main characters\" progress with the story. Is there a", "doesn't revolve around \"main Seck Fdinrof arc\" or something like that. I feel", "how to present a character. I know Seck Fdinrof is from a movie", "a main character but he's not, because in every arc, he just pops", "To be short, he's a protagonist but his screen time is less than", "around \"main Seck Fdinrof arc\" or something like that. I feel like Seck", "pops out. And the other \"main characters\" progress with the story. Is there", "but his screen time is less than the other characters. And also, in", "arc, he just pops in, contributes something, and pops out. And the other", "always waiting for Seck Fdinrof to come, even though there is an ongoing", "movie, it's like there is a whole different \"arc\" for each movie, and", "to present a character. I know Seck Fdinrof is from a movie (and", "I know Seck Fdinrof is from a movie (and I've only watched the", "there is an ongoing story parallel to whatever Seck is doing. In other", "impact on each movie arc. And the audience is always waiting for Seck", "watched the movies too) but I want to integrate in my writing how", "or style, or like the literary device on how to present a character?", "though there is an ongoing story parallel to whatever Seck is doing. In", "on how to present a character. I know Seck Fdinrof is from a", "Seck Fdinrof is from a movie (and I've only watched the movies too)", "character. I know Seck Fdinrof is from a movie (and I've only watched", "other characters. And also, in every Pirates of the Carribean movie, it's like", "come, even though there is an ongoing story parallel to whatever Seck is", "doing. In other words, it's like he's a main character but he's not,", "time is less than the other characters. And also, in every Pirates of", "story. Is there a name for this kind of trope, or style, or", "And also, in every Pirates of the Carribean movie, it's like there is", "than the other characters. And also, in every Pirates of the Carribean movie,", "on each movie arc. And the audience is always waiting for Seck Fdinrof", "every Pirates of the Carribean movie, it's like there is a whole different", "the other characters. And also, in every Pirates of the Carribean movie, it's", "\"arc\" for each movie, and it doesn't revolve around \"main Seck Fdinrof arc\"", "a movie (and I've only watched the movies too) but I want to", "my writing how he was presented in the movies. To be short, he's", "Seck Fdinrof arc\" or something like that. I feel like Seck Fdinrof is", "screen time is less than the other characters. And also, in every Pirates", "movie arc. And the audience is always waiting for Seck Fdinrof to come,", "too) but I want to integrate in my writing how he was presented", "to integrate in my writing how he was presented in the movies. To", "not, because in every arc, he just pops in, contributes something, and pops", "it doesn't revolve around \"main Seck Fdinrof arc\" or something like that. I", "movie, and it doesn't revolve around \"main Seck Fdinrof arc\" or something like", "trope, or style, or like the literary device on how to present a", "And the other \"main characters\" progress with the story. Is there a name", "a character. I know Seck Fdinrof is from a movie (and I've only", "Seck Fdinrof to come, even though there is an ongoing story parallel to", "to come, even though there is an ongoing story parallel to whatever Seck", "main character but he's not, because in every arc, he just pops in,", "Fdinrof is from a movie (and I've only watched the movies too) but", "whole different \"arc\" for each movie, and it doesn't revolve around \"main Seck", "Fdinrof is more of a side character but his presence has a huge", "character but he's not, because in every arc, he just pops in, contributes", "he's not, because in every arc, he just pops in, contributes something, and", "in my writing how he was presented in the movies. To be short,", "his screen time is less than the other characters. And also, in every", "characters. And also, in every Pirates of the Carribean movie, it's like there", "feel like Seck Fdinrof is more of a side character but his presence", "like Seck Fdinrof is more of a side character but his presence has", "and it doesn't revolve around \"main Seck Fdinrof arc\" or something like that.", "each movie arc. And the audience is always waiting for Seck Fdinrof to", "he was presented in the movies. To be short, he's a protagonist but", "huge impact on each movie arc. And the audience is always waiting for", "movies too) but I want to integrate in my writing how he was", "And the audience is always waiting for Seck Fdinrof to come, even though", "whatever Seck is doing. In other words, it's like he's a main character", "Seck Fdinrof is more of a side character but his presence has a", "for each movie, and it doesn't revolve around \"main Seck Fdinrof arc\" or", "\"main characters\" progress with the story. Is there a name for this kind", "progress with the story. Is there a name for this kind of trope,", "the Carribean movie, it's like there is a whole different \"arc\" for each", "and pops out. And the other \"main characters\" progress with the story. Is", "but I want to integrate in my writing how he was presented in", "side character but his presence has a huge impact on each movie arc.", "I want to ask about a certain style on how to present a", "his presence has a huge impact on each movie arc. And the audience", "contributes something, and pops out. And the other \"main characters\" progress with the", "about a certain style on how to present a character. I know Seck", "this kind of trope, or style, or like the literary device on how", "pops in, contributes something, and pops out. And the other \"main characters\" progress", "a protagonist but his screen time is less than the other characters. And", "it's like there is a whole different \"arc\" for each movie, and it", "is less than the other characters. And also, in every Pirates of the", "integrate in my writing how he was presented in the movies. To be", "other \"main characters\" progress with the story. Is there a name for this", "that. I feel like Seck Fdinrof is more of a side character but", "Seck is doing. In other words, it's like he's a main character but", "but he's not, because in every arc, he just pops in, contributes something,", "ask about a certain style on how to present a character. I know", "only watched the movies too) but I want to integrate in my writing", "audience is always waiting for Seck Fdinrof to come, even though there is", "I want to integrate in my writing how he was presented in the", "waiting for Seck Fdinrof to come, even though there is an ongoing story", "Carribean movie, it's like there is a whole different \"arc\" for each movie,", "want to integrate in my writing how he was presented in the movies.", "with the story. Is there a name for this kind of trope, or", "in the movies. To be short, he's a protagonist but his screen time", "I've only watched the movies too) but I want to integrate in my", "of trope, or style, or like the literary device on how to present", "a name for this kind of trope, or style, or like the literary", "movie (and I've only watched the movies too) but I want to integrate", "there a name for this kind of trope, or style, or like the", "present a character. I know Seck Fdinrof is from a movie (and I've", "from a movie (and I've only watched the movies too) but I want", "there is a whole different \"arc\" for each movie, and it doesn't revolve", "\"main Seck Fdinrof arc\" or something like that. I feel like Seck Fdinrof", "a side character but his presence has a huge impact on each movie", "know Seck Fdinrof is from a movie (and I've only watched the movies", "for Seck Fdinrof to come, even though there is an ongoing story parallel", "the movies. To be short, he's a protagonist but his screen time is", "in every Pirates of the Carribean movie, it's like there is a whole", "it's like he's a main character but he's not, because in every arc,", "of the Carribean movie, it's like there is a whole different \"arc\" for", "of a side character but his presence has a huge impact on each", "to whatever Seck is doing. In other words, it's like he's a main", "was presented in the movies. To be short, he's a protagonist but his", "different \"arc\" for each movie, and it doesn't revolve around \"main Seck Fdinrof", "more of a side character but his presence has a huge impact on", "Fdinrof to come, even though there is an ongoing story parallel to whatever", "the movies too) but I want to integrate in my writing how he", "movies. To be short, he's a protagonist but his screen time is less", "like he's a main character but he's not, because in every arc, he", "style on how to present a character. I know Seck Fdinrof is from", "Is there a name for this kind of trope, or style, or like", "I feel like Seck Fdinrof is more of a side character but his", "a certain style on how to present a character. I know Seck Fdinrof", "the story. Is there a name for this kind of trope, or style,", "arc. And the audience is always waiting for Seck Fdinrof to come, even", "story parallel to whatever Seck is doing. In other words, it's like he's", "the other \"main characters\" progress with the story. Is there a name for", "is from a movie (and I've only watched the movies too) but I", "like there is a whole different \"arc\" for each movie, and it doesn't", "how he was presented in the movies. To be short, he's a protagonist", "ongoing story parallel to whatever Seck is doing. In other words, it's like", "kind of trope, or style, or like the literary device on how to" ]
[ "way, I still think such a novel deserves a shot. In summary, I'm", "techniques could improve the likely reception, to make the novel and the main", "In summary, I'm afraid of a bad reception. I don't want to change", "more attractive? How can I prevent confirmation bias and other biases in the", "many of which the majority of people would probably consider immoral. Would a", "confirmation bias and other biases in the readers in such cases? What kind", "reader? Or maybe a publisher? Of course, it maybe possible that his attitudes", "was for Nietzsche: A mouthpiece for my own beliefs and attitudes. What techniques", "attitudes instead will be received with interest or maybe even awe, but I'm", "highly controversial views, many of which the majority of people would probably consider", "character more attractive? How can I prevent confirmation bias and other biases in", "attractive? How can I prevent confirmation bias and other biases in the readers", "Of course, it maybe possible that his attitudes instead will be received with", "reception, to make the novel and the main character more attractive? How can", "be received with interest or maybe even awe, but I'm not sure on", "In either way, I still think such a novel deserves a shot. In", "for a reader? Or maybe a publisher? Of course, it maybe possible that", "writing a first person novel and main character has highly controversial views, many", "interest or maybe even awe, but I'm not sure on this. In either", "likely reception, to make the novel and the main character more attractive? How", "not sure on this. In either way, I still think such a novel", "of a bad reception. I don't want to change the character much, he", "deserves a shot. In summary, I'm afraid of a bad reception. I don't", "main character has highly controversial views, many of which the majority of people", "will be received with interest or maybe even awe, but I'm not sure", "Would a character with controversial attitudes be a no-no for a reader? Or", "either way, I still think such a novel deserves a shot. In summary,", "or maybe even awe, but I'm not sure on this. In either way,", "people would probably consider immoral. Would a character with controversial attitudes be a", "bad reception. I don't want to change the character much, he is like", "for my own beliefs and attitudes. What techniques could improve the likely reception,", "novel and the main character more attractive? How can I prevent confirmation bias", "he is like Zarathustra was for Nietzsche: A mouthpiece for my own beliefs", "could improve the likely reception, to make the novel and the main character", "such a novel deserves a shot. In summary, I'm afraid of a bad", "but I'm not sure on this. In either way, I still think such", "be a no-no for a reader? Or maybe a publisher? Of course, it", "instead will be received with interest or maybe even awe, but I'm not", "I prevent confirmation bias and other biases in the readers in such cases?", "novel deserves a shot. In summary, I'm afraid of a bad reception. I", "probably consider immoral. Would a character with controversial attitudes be a no-no for", "a reader? Or maybe a publisher? Of course, it maybe possible that his", "can I prevent confirmation bias and other biases in the readers in such", "in the readers in such cases? What kind of structure should a writer", "How can I prevent confirmation bias and other biases in the readers in", "with interest or maybe even awe, but I'm not sure on this. In", "person novel and main character has highly controversial views, many of which the", "Or maybe a publisher? Of course, it maybe possible that his attitudes instead", "on this. In either way, I still think such a novel deserves a", "other biases in the readers in such cases? What kind of structure should", "attitudes be a no-no for a reader? Or maybe a publisher? Of course,", "immoral. Would a character with controversial attitudes be a no-no for a reader?", "bias and other biases in the readers in such cases? What kind of", "change the character much, he is like Zarathustra was for Nietzsche: A mouthpiece", "a character with controversial attitudes be a no-no for a reader? Or maybe", "that his attitudes instead will be received with interest or maybe even awe,", "for Nietzsche: A mouthpiece for my own beliefs and attitudes. What techniques could", "I'm not sure on this. In either way, I still think such a", "a novel deserves a shot. In summary, I'm afraid of a bad reception.", "such cases? What kind of structure should a writer use for this purpose?", "character has highly controversial views, many of which the majority of people would", "character much, he is like Zarathustra was for Nietzsche: A mouthpiece for my", "don't want to change the character much, he is like Zarathustra was for", "course, it maybe possible that his attitudes instead will be received with interest", "in such cases? What kind of structure should a writer use for this", "which the majority of people would probably consider immoral. Would a character with", "I'm afraid of a bad reception. I don't want to change the character", "I'm writing a first person novel and main character has highly controversial views,", "a bad reception. I don't want to change the character much, he is", "controversial views, many of which the majority of people would probably consider immoral.", "his attitudes instead will be received with interest or maybe even awe, but", "the novel and the main character more attractive? How can I prevent confirmation", "with controversial attitudes be a no-no for a reader? Or maybe a publisher?", "maybe possible that his attitudes instead will be received with interest or maybe", "is like Zarathustra was for Nietzsche: A mouthpiece for my own beliefs and", "and main character has highly controversial views, many of which the majority of", "novel and main character has highly controversial views, many of which the majority", "and the main character more attractive? How can I prevent confirmation bias and", "a publisher? Of course, it maybe possible that his attitudes instead will be", "a first person novel and main character has highly controversial views, many of", "biases in the readers in such cases? What kind of structure should a", "Zarathustra was for Nietzsche: A mouthpiece for my own beliefs and attitudes. What", "I still think such a novel deserves a shot. In summary, I'm afraid", "of people would probably consider immoral. Would a character with controversial attitudes be", "sure on this. In either way, I still think such a novel deserves", "controversial attitudes be a no-no for a reader? Or maybe a publisher? Of", "attitudes. What techniques could improve the likely reception, to make the novel and", "of which the majority of people would probably consider immoral. Would a character", "I don't want to change the character much, he is like Zarathustra was", "still think such a novel deserves a shot. In summary, I'm afraid of", "would probably consider immoral. Would a character with controversial attitudes be a no-no", "shot. In summary, I'm afraid of a bad reception. I don't want to", "own beliefs and attitudes. What techniques could improve the likely reception, to make", "the likely reception, to make the novel and the main character more attractive?", "character with controversial attitudes be a no-no for a reader? Or maybe a", "maybe even awe, but I'm not sure on this. In either way, I", "Nietzsche: A mouthpiece for my own beliefs and attitudes. What techniques could improve", "What techniques could improve the likely reception, to make the novel and the", "a no-no for a reader? Or maybe a publisher? Of course, it maybe", "much, he is like Zarathustra was for Nietzsche: A mouthpiece for my own", "the character much, he is like Zarathustra was for Nietzsche: A mouthpiece for", "beliefs and attitudes. What techniques could improve the likely reception, to make the", "reception. I don't want to change the character much, he is like Zarathustra", "readers in such cases? What kind of structure should a writer use for", "majority of people would probably consider immoral. Would a character with controversial attitudes", "afraid of a bad reception. I don't want to change the character much,", "it maybe possible that his attitudes instead will be received with interest or", "consider immoral. Would a character with controversial attitudes be a no-no for a", "like Zarathustra was for Nietzsche: A mouthpiece for my own beliefs and attitudes.", "no-no for a reader? Or maybe a publisher? Of course, it maybe possible", "the majority of people would probably consider immoral. Would a character with controversial", "to make the novel and the main character more attractive? How can I", "and other biases in the readers in such cases? What kind of structure", "the readers in such cases? What kind of structure should a writer use", "received with interest or maybe even awe, but I'm not sure on this.", "main character more attractive? How can I prevent confirmation bias and other biases", "this. In either way, I still think such a novel deserves a shot.", "A mouthpiece for my own beliefs and attitudes. What techniques could improve the", "make the novel and the main character more attractive? How can I prevent", "want to change the character much, he is like Zarathustra was for Nietzsche:", "improve the likely reception, to make the novel and the main character more", "awe, but I'm not sure on this. In either way, I still think", "my own beliefs and attitudes. What techniques could improve the likely reception, to", "the main character more attractive? How can I prevent confirmation bias and other", "even awe, but I'm not sure on this. In either way, I still", "has highly controversial views, many of which the majority of people would probably", "to change the character much, he is like Zarathustra was for Nietzsche: A", "a shot. In summary, I'm afraid of a bad reception. I don't want", "summary, I'm afraid of a bad reception. I don't want to change the", "possible that his attitudes instead will be received with interest or maybe even", "and attitudes. What techniques could improve the likely reception, to make the novel", "think such a novel deserves a shot. In summary, I'm afraid of a", "prevent confirmation bias and other biases in the readers in such cases? What", "maybe a publisher? Of course, it maybe possible that his attitudes instead will", "first person novel and main character has highly controversial views, many of which", "views, many of which the majority of people would probably consider immoral. Would", "publisher? Of course, it maybe possible that his attitudes instead will be received", "mouthpiece for my own beliefs and attitudes. What techniques could improve the likely" ]
[ "My novel has been through multiple drafts and beta reads, and by and", "to keep the protagonist driving the action by working toward their want. And", "toward their want. And so on. The shape of my novel is generally", "puzzle, neatly and tidily. But the ending still feels off to me and", "too little cost after the solution. The ending 'works,' but I'm wondering if", "The ending 'works,' but I'm wondering if there's something I'm missing. Example: Maybe", "keep the protagonist driving the action by working toward their want. And so", "how to stay in point-of-view, how to keep the protagonist driving the action", "want. And so on. The shape of my novel is generally OK, but", "solves the puzzle, neatly and tidily. But the ending still feels off to", "on why. Perhaps it is too precipitous of a solution, or too little", "during the climax needs to happen). Or perhaps one of our heroes should", "ending. What are the features. I haven't seen anything online about this, and", "me and I can't put my finger on why. Perhaps it is too", "great ending. What are the features. I haven't seen anything online about this,", "note that's missing. Q: I'm wondering if there's consensus on what makes a", "SW:ANH, maybe some ratchet up of stakes during the climax needs to happen).", "why. Perhaps it is too precipitous of a solution, or too little cost", "to. It solves the puzzle, neatly and tidily. But the ending still feels", "heroes, out of the blue. (Like Girth Vedur joining the air fight in", "needs to. It solves the puzzle, neatly and tidily. But the ending still", "stakes during the climax needs to happen). Or perhaps one of our heroes", "Example: Maybe the best endings throw one last small but unexpected challenge at", "wondering if there's consensus on what makes a great ending. What are the", "by and large the ending does what it needs to. It solves the", "consensus on what makes a great ending. What are the features. I haven't", "unexpected challenge at the heroes, out of the blue. (Like Girth Vedur joining", "to stay in point-of-view, how to keep the protagonist driving the action by", "maybe it is an emotional note that's missing. Q: I'm wondering if there's", "I'm simply ready for all the ends to be tied up. So they", "needs to happen). Or perhaps one of our heroes should die during the", "up. So they are, all the contracts are filled, and by and large", "to me and I can't put my finger on why. Perhaps it is", "but I'm wondering if there's something I'm missing. Example: Maybe the best endings", "OK, but by the time I reach the end (climax), I'm simply ready", "are filled, and by and large the ending does what it needs to.", "'works,' but I'm wondering if there's something I'm missing. Example: Maybe the best", "contracts are filled, and by and large the ending does what it needs", "stay in point-of-view, how to keep the protagonist driving the action by working", "precipitous of a solution, or too little cost after the solution. The ending", "and by and large is in good shape. I've learned how to cure", "point-of-view, how to keep the protagonist driving the action by working toward their", "by working toward their want. And so on. The shape of my novel", "solution, or too little cost after the solution. The ending 'works,' but I'm", "there's something I'm missing. Example: Maybe the best endings throw one last small", "climax needs to happen). Or perhaps one of our heroes should die during", "ends to be tied up. So they are, all the contracts are filled,", "it needs to. It solves the puzzle, neatly and tidily. But the ending", "last small but unexpected challenge at the heroes, out of the blue. (Like", "And so on. The shape of my novel is generally OK, but by", "shape of my novel is generally OK, but by the time I reach", "neatly and tidily. But the ending still feels off to me and I", "should die during the ending, maybe it is an emotional note that's missing.", "what makes a great ending. What are the features. I haven't seen anything", "tidily. But the ending still feels off to me and I can't put", "the solution. The ending 'works,' but I'm wondering if there's something I'm missing.", "to happen). Or perhaps one of our heroes should die during the ending,", "little cost after the solution. The ending 'works,' but I'm wondering if there's", "middle, how to stay in point-of-view, how to keep the protagonist driving the", "ending 'works,' but I'm wondering if there's something I'm missing. Example: Maybe the", "saggy middle, how to stay in point-of-view, how to keep the protagonist driving", "what it needs to. It solves the puzzle, neatly and tidily. But the", "but unexpected challenge at the heroes, out of the blue. (Like Girth Vedur", "generally OK, but by the time I reach the end (climax), I'm simply", "feels off to me and I can't put my finger on why. Perhaps", "missing. Q: I'm wondering if there's consensus on what makes a great ending.", "how to keep the protagonist driving the action by working toward their want.", "Or perhaps one of our heroes should die during the ending, maybe it", "is in good shape. I've learned how to cure a saggy middle, how", "of my novel is generally OK, but by the time I reach the", "the end (climax), I'm simply ready for all the ends to be tied", "a solution, or too little cost after the solution. The ending 'works,' but", "of the blue. (Like Girth Vedur joining the air fight in SW:ANH, maybe", "novel has been through multiple drafts and beta reads, and by and large", "I'm wondering if there's something I'm missing. Example: Maybe the best endings throw", "makes a great ending. What are the features. I haven't seen anything online", "or too little cost after the solution. The ending 'works,' but I'm wondering", "in good shape. I've learned how to cure a saggy middle, how to", "off to me and I can't put my finger on why. Perhaps it", "endings throw one last small but unexpected challenge at the heroes, out of", "for all the ends to be tied up. So they are, all the", "drafts and beta reads, and by and large is in good shape. I've", "(climax), I'm simply ready for all the ends to be tied up. So", "fight in SW:ANH, maybe some ratchet up of stakes during the climax needs", "driving the action by working toward their want. And so on. The shape", "reach the end (climax), I'm simply ready for all the ends to be", "large is in good shape. I've learned how to cure a saggy middle,", "through multiple drafts and beta reads, and by and large is in good", "end (climax), I'm simply ready for all the ends to be tied up.", "cure a saggy middle, how to stay in point-of-view, how to keep the", "all the ends to be tied up. So they are, all the contracts", "the ending still feels off to me and I can't put my finger", "on. The shape of my novel is generally OK, but by the time", "something I'm missing. Example: Maybe the best endings throw one last small but", "the climax needs to happen). Or perhaps one of our heroes should die", "happen). Or perhaps one of our heroes should die during the ending, maybe", "after the solution. The ending 'works,' but I'm wondering if there's something I'm", "by the time I reach the end (climax), I'm simply ready for all", "Maybe the best endings throw one last small but unexpected challenge at the", "and large is in good shape. I've learned how to cure a saggy", "my finger on why. Perhaps it is too precipitous of a solution, or", "the action by working toward their want. And so on. The shape of", "the ending does what it needs to. It solves the puzzle, neatly and", "Perhaps it is too precipitous of a solution, or too little cost after", "throw one last small but unexpected challenge at the heroes, out of the", "multiple drafts and beta reads, and by and large is in good shape.", "to cure a saggy middle, how to stay in point-of-view, how to keep", "of a solution, or too little cost after the solution. The ending 'works,'", "the contracts are filled, and by and large the ending does what it", "the blue. (Like Girth Vedur joining the air fight in SW:ANH, maybe some", "of our heroes should die during the ending, maybe it is an emotional", "that's missing. Q: I'm wondering if there's consensus on what makes a great", "What are the features. I haven't seen anything online about this, and thought", "solution. The ending 'works,' but I'm wondering if there's something I'm missing. Example:", "I'm missing. Example: Maybe the best endings throw one last small but unexpected", "missing. Example: Maybe the best endings throw one last small but unexpected challenge", "the puzzle, neatly and tidily. But the ending still feels off to me", "I can't put my finger on why. Perhaps it is too precipitous of", "and tidily. But the ending still feels off to me and I can't", "ready for all the ends to be tied up. So they are, all", "and I can't put my finger on why. Perhaps it is too precipitous", "features. I haven't seen anything online about this, and thought you insightful contributors", "has been through multiple drafts and beta reads, and by and large is", "the heroes, out of the blue. (Like Girth Vedur joining the air fight", "one last small but unexpected challenge at the heroes, out of the blue.", "it is too precipitous of a solution, or too little cost after the", "protagonist driving the action by working toward their want. And so on. The", "is generally OK, but by the time I reach the end (climax), I'm", "in point-of-view, how to keep the protagonist driving the action by working toward", "on what makes a great ending. What are the features. I haven't seen", "die during the ending, maybe it is an emotional note that's missing. Q:", "by and large is in good shape. I've learned how to cure a", "Q: I'm wondering if there's consensus on what makes a great ending. What", "I've learned how to cure a saggy middle, how to stay in point-of-view,", "too precipitous of a solution, or too little cost after the solution. The", "how to cure a saggy middle, how to stay in point-of-view, how to", "it is an emotional note that's missing. Q: I'm wondering if there's consensus", "if there's something I'm missing. Example: Maybe the best endings throw one last", "does what it needs to. It solves the puzzle, neatly and tidily. But", "I haven't seen anything online about this, and thought you insightful contributors might", "put my finger on why. Perhaps it is too precipitous of a solution,", "there's consensus on what makes a great ending. What are the features. I", "ending, maybe it is an emotional note that's missing. Q: I'm wondering if", "maybe some ratchet up of stakes during the climax needs to happen). Or", "seen anything online about this, and thought you insightful contributors might have thoughts.", "I reach the end (climax), I'm simply ready for all the ends to", "learned how to cure a saggy middle, how to stay in point-of-view, how", "(Like Girth Vedur joining the air fight in SW:ANH, maybe some ratchet up", "ratchet up of stakes during the climax needs to happen). Or perhaps one", "emotional note that's missing. Q: I'm wondering if there's consensus on what makes", "one of our heroes should die during the ending, maybe it is an", "perhaps one of our heroes should die during the ending, maybe it is", "a great ending. What are the features. I haven't seen anything online about", "novel is generally OK, but by the time I reach the end (climax),", "the air fight in SW:ANH, maybe some ratchet up of stakes during the", "still feels off to me and I can't put my finger on why.", "if there's consensus on what makes a great ending. What are the features.", "the features. I haven't seen anything online about this, and thought you insightful", "tied up. So they are, all the contracts are filled, and by and", "ending still feels off to me and I can't put my finger on", "small but unexpected challenge at the heroes, out of the blue. (Like Girth", "but by the time I reach the end (climax), I'm simply ready for", "and beta reads, and by and large is in good shape. I've learned", "joining the air fight in SW:ANH, maybe some ratchet up of stakes during", "large the ending does what it needs to. It solves the puzzle, neatly", "and by and large the ending does what it needs to. It solves", "a saggy middle, how to stay in point-of-view, how to keep the protagonist", "their want. And so on. The shape of my novel is generally OK,", "the time I reach the end (climax), I'm simply ready for all the", "some ratchet up of stakes during the climax needs to happen). Or perhaps", "is an emotional note that's missing. Q: I'm wondering if there's consensus on", "challenge at the heroes, out of the blue. (Like Girth Vedur joining the", "haven't seen anything online about this, and thought you insightful contributors might have", "the ends to be tied up. So they are, all the contracts are", "blue. (Like Girth Vedur joining the air fight in SW:ANH, maybe some ratchet", "Vedur joining the air fight in SW:ANH, maybe some ratchet up of stakes", "in SW:ANH, maybe some ratchet up of stakes during the climax needs to", "an emotional note that's missing. Q: I'm wondering if there's consensus on what", "wondering if there's something I'm missing. Example: Maybe the best endings throw one", "the protagonist driving the action by working toward their want. And so on.", "are, all the contracts are filled, and by and large the ending does", "all the contracts are filled, and by and large the ending does what", "they are, all the contracts are filled, and by and large the ending", "and large the ending does what it needs to. It solves the puzzle,", "to be tied up. So they are, all the contracts are filled, and", "so on. The shape of my novel is generally OK, but by the", "can't put my finger on why. Perhaps it is too precipitous of a", "is too precipitous of a solution, or too little cost after the solution.", "I'm wondering if there's consensus on what makes a great ending. What are", "up of stakes during the climax needs to happen). Or perhaps one of", "It solves the puzzle, neatly and tidily. But the ending still feels off", "air fight in SW:ANH, maybe some ratchet up of stakes during the climax", "out of the blue. (Like Girth Vedur joining the air fight in SW:ANH,", "reads, and by and large is in good shape. I've learned how to", "ending does what it needs to. It solves the puzzle, neatly and tidily.", "good shape. I've learned how to cure a saggy middle, how to stay", "cost after the solution. The ending 'works,' but I'm wondering if there's something", "the best endings throw one last small but unexpected challenge at the heroes,", "during the ending, maybe it is an emotional note that's missing. Q: I'm", "my novel is generally OK, but by the time I reach the end", "finger on why. Perhaps it is too precipitous of a solution, or too", "time I reach the end (climax), I'm simply ready for all the ends", "best endings throw one last small but unexpected challenge at the heroes, out", "simply ready for all the ends to be tied up. So they are,", "action by working toward their want. And so on. The shape of my", "are the features. I haven't seen anything online about this, and thought you", "shape. I've learned how to cure a saggy middle, how to stay in", "Girth Vedur joining the air fight in SW:ANH, maybe some ratchet up of", "the ending, maybe it is an emotional note that's missing. Q: I'm wondering", "working toward their want. And so on. The shape of my novel is", "of stakes during the climax needs to happen). Or perhaps one of our", "filled, and by and large the ending does what it needs to. It", "been through multiple drafts and beta reads, and by and large is in", "The shape of my novel is generally OK, but by the time I", "But the ending still feels off to me and I can't put my", "at the heroes, out of the blue. (Like Girth Vedur joining the air", "So they are, all the contracts are filled, and by and large the", "beta reads, and by and large is in good shape. I've learned how", "our heroes should die during the ending, maybe it is an emotional note", "heroes should die during the ending, maybe it is an emotional note that's", "be tied up. So they are, all the contracts are filled, and by" ]
[ "up to that confrontation. How do you prevent the story from getting stale", "the point where it became crazy. This ultimately cheapened the effect the original", "hard to find a way to keep a series interesting after killing the", "keep a series interesting after killing the Big Bad because everything was leading", "Bad because everything was leading up to that confrontation. How do you prevent", "superweapon in the Star Wars-verse. Then in the Expanded Universe, they needed to", "to be the most potent superweapon in the Star Wars-verse. Then in the", "had by trying to one-up it in every book. In many stories, it's", "every book. In many stories, it's hard to find a way to keep", "the Emperor was gone and kept pumping out new superweapons to the point", "Wars-verse. Then in the Expanded Universe, they needed to add tension to the", "because everything was leading up to that confrontation. How do you prevent the", "Expanded Universe, they needed to add tension to the series since the Emperor", "Death Star and how it was supposed to be the most potent superweapon", "the effect the original Death Star had by trying to one-up it in", "to that confrontation. How do you prevent the story from getting stale after", "way to keep a series interesting after killing the Big Bad because everything", "by trying to one-up it in every book. In many stories, it's hard", "after killing the Big Bad because everything was leading up to that confrontation.", "book. In many stories, it's hard to find a way to keep a", "it's hard to find a way to keep a series interesting after killing", "cheapened the effect the original Death Star had by trying to one-up it", "and kept pumping out new superweapons to the point where it became crazy.", "the Big Bad because everything was leading up to that confrontation. How do", "was leading up to that confrontation. How do you prevent the story from", "This ultimately cheapened the effect the original Death Star had by trying to", "Star had by trying to one-up it in every book. In many stories,", "Death Star had by trying to one-up it in every book. In many", "Then in the Expanded Universe, they needed to add tension to the series", "find a way to keep a series interesting after killing the Big Bad", "needed to add tension to the series since the Emperor was gone and", "it was supposed to be the most potent superweapon in the Star Wars-verse.", "where it became crazy. This ultimately cheapened the effect the original Death Star", "the Star Wars-verse. Then in the Expanded Universe, they needed to add tension", "Emperor was gone and kept pumping out new superweapons to the point where", "most potent superweapon in the Star Wars-verse. Then in the Expanded Universe, they", "was gone and kept pumping out new superweapons to the point where it", "supposed to be the most potent superweapon in the Star Wars-verse. Then in", "the Expanded Universe, they needed to add tension to the series since the", "stories, it's hard to find a way to keep a series interesting after", "became crazy. This ultimately cheapened the effect the original Death Star had by", "potent superweapon in the Star Wars-verse. Then in the Expanded Universe, they needed", "effect the original Death Star had by trying to one-up it in every", "in every book. In many stories, it's hard to find a way to", "new superweapons to the point where it became crazy. This ultimately cheapened the", "add tension to the series since the Emperor was gone and kept pumping", "original Death Star had by trying to one-up it in every book. In", "a way to keep a series interesting after killing the Big Bad because", "confrontation. How do you prevent the story from getting stale after killing off", "killing the Big Bad because everything was leading up to that confrontation. How", "interesting after killing the Big Bad because everything was leading up to that", "leading up to that confrontation. How do you prevent the story from getting", "to keep a series interesting after killing the Big Bad because everything was", "superweapons to the point where it became crazy. This ultimately cheapened the effect", "many stories, it's hard to find a way to keep a series interesting", "Star Wars-verse. Then in the Expanded Universe, they needed to add tension to", "to add tension to the series since the Emperor was gone and kept", "to find a way to keep a series interesting after killing the Big", "Universe, they needed to add tension to the series since the Emperor was", "the most potent superweapon in the Star Wars-verse. Then in the Expanded Universe,", "crazy. This ultimately cheapened the effect the original Death Star had by trying", "to the point where it became crazy. This ultimately cheapened the effect the", "point where it became crazy. This ultimately cheapened the effect the original Death", "gone and kept pumping out new superweapons to the point where it became", "you prevent the story from getting stale after killing off the main villain?", "a series interesting after killing the Big Bad because everything was leading up", "ultimately cheapened the effect the original Death Star had by trying to one-up", "and how it was supposed to be the most potent superweapon in the", "Everyone remembers the Death Star and how it was supposed to be the", "series since the Emperor was gone and kept pumping out new superweapons to", "to one-up it in every book. In many stories, it's hard to find", "that confrontation. How do you prevent the story from getting stale after killing", "out new superweapons to the point where it became crazy. This ultimately cheapened", "since the Emperor was gone and kept pumping out new superweapons to the", "to the series since the Emperor was gone and kept pumping out new", "they needed to add tension to the series since the Emperor was gone", "How do you prevent the story from getting stale after killing off the", "In many stories, it's hard to find a way to keep a series", "the original Death Star had by trying to one-up it in every book.", "Big Bad because everything was leading up to that confrontation. How do you", "kept pumping out new superweapons to the point where it became crazy. This", "series interesting after killing the Big Bad because everything was leading up to", "how it was supposed to be the most potent superweapon in the Star", "the Death Star and how it was supposed to be the most potent", "was supposed to be the most potent superweapon in the Star Wars-verse. Then", "one-up it in every book. In many stories, it's hard to find a", "it in every book. In many stories, it's hard to find a way", "in the Star Wars-verse. Then in the Expanded Universe, they needed to add", "do you prevent the story from getting stale after killing off the main", "pumping out new superweapons to the point where it became crazy. This ultimately", "in the Expanded Universe, they needed to add tension to the series since", "remembers the Death Star and how it was supposed to be the most", "everything was leading up to that confrontation. How do you prevent the story", "Star and how it was supposed to be the most potent superweapon in", "tension to the series since the Emperor was gone and kept pumping out", "the series since the Emperor was gone and kept pumping out new superweapons", "trying to one-up it in every book. In many stories, it's hard to", "be the most potent superweapon in the Star Wars-verse. Then in the Expanded", "it became crazy. This ultimately cheapened the effect the original Death Star had" ]
[ "need to look up most of the words in the dictionary. On the", "am a non-native English user and whenever I write something is it better", "and seldomly used words? I mean native-speakers should surely understand basic English and", "that I use simple words or some rare and seldomly used words? I", "maybe except for a few difficult ones, but will they understand a text", "rare and seldomly used words? I mean native-speakers should surely understand basic English", "for a few difficult ones, but will they understand a text containing rare", "in the dictionary. On the other hand I want to have an elaborate", "hand I wish to have a text that can be easily read by", "with as many elegant and \"sexy\" words as possible, thus displaying an excellent", "I use simple words or some rare and seldomly used words? I mean", "the other hand I want to have an elaborate style of writing with", "dictionary. On the other hand I want to have an elaborate style of", "can be easily read by most users of English without having the need", "are seldomly used in writing, speech and everyday English? On one hand I", "other hand I want to have an elaborate style of writing with as", "some rare and seldomly used words? I mean native-speakers should surely understand basic", "read by most users of English without having the need to look up", "look up most of the words in the dictionary. On the other hand", "better that I use simple words or some rare and seldomly used words?", "understand a text containing rare words which are seldomly used in writing, speech", "displaying an excellent knowledge of English. This troubles me since I'm not sure", "which are seldomly used in writing, speech and everyday English? On one hand", "\"sexy\" words as possible, thus displaying an excellent knowledge of English. This troubles", "everyday English? On one hand I wish to have a text that can", "something is it better that I use simple words or some rare and", "to look up most of the words in the dictionary. On the other", "a text containing rare words which are seldomly used in writing, speech and", "I am a non-native English user and whenever I write something is it", "possible, thus displaying an excellent knowledge of English. This troubles me since I'm", "as many elegant and \"sexy\" words as possible, thus displaying an excellent knowledge", "of the words in the dictionary. On the other hand I want to", "whenever I write something is it better that I use simple words or", "will they understand a text containing rare words which are seldomly used in", "up most of the words in the dictionary. On the other hand I", "English without having the need to look up most of the words in", "most of the words in the dictionary. On the other hand I want", "I mean native-speakers should surely understand basic English and simple everyday words, maybe", "words or some rare and seldomly used words? I mean native-speakers should surely", "I wish to have a text that can be easily read by most", "excellent knowledge of English. This troubles me since I'm not sure which is", "English and simple everyday words, maybe except for a few difficult ones, but", "by most users of English without having the need to look up most", "used words? I mean native-speakers should surely understand basic English and simple everyday", "and whenever I write something is it better that I use simple words", "few difficult ones, but will they understand a text containing rare words which", "simple everyday words, maybe except for a few difficult ones, but will they", "have an elaborate style of writing with as many elegant and \"sexy\" words", "an excellent knowledge of English. This troubles me since I'm not sure which", "without having the need to look up most of the words in the", "that can be easily read by most users of English without having the", "except for a few difficult ones, but will they understand a text containing", "words which are seldomly used in writing, speech and everyday English? On one", "to have an elaborate style of writing with as many elegant and \"sexy\"", "and \"sexy\" words as possible, thus displaying an excellent knowledge of English. This", "user and whenever I write something is it better that I use simple", "speech and everyday English? On one hand I wish to have a text", "a few difficult ones, but will they understand a text containing rare words", "words as possible, thus displaying an excellent knowledge of English. This troubles me", "surely understand basic English and simple everyday words, maybe except for a few", "understand basic English and simple everyday words, maybe except for a few difficult", "elegant and \"sexy\" words as possible, thus displaying an excellent knowledge of English.", "the dictionary. On the other hand I want to have an elaborate style", "used in writing, speech and everyday English? On one hand I wish to", "want to have an elaborate style of writing with as many elegant and", "seldomly used words? I mean native-speakers should surely understand basic English and simple", "should surely understand basic English and simple everyday words, maybe except for a", "and simple everyday words, maybe except for a few difficult ones, but will", "an elaborate style of writing with as many elegant and \"sexy\" words as", "text containing rare words which are seldomly used in writing, speech and everyday", "words, maybe except for a few difficult ones, but will they understand a", "knowledge of English. This troubles me since I'm not sure which is better.", "in writing, speech and everyday English? On one hand I wish to have", "most users of English without having the need to look up most of", "of writing with as many elegant and \"sexy\" words as possible, thus displaying", "simple words or some rare and seldomly used words? I mean native-speakers should", "text that can be easily read by most users of English without having", "On the other hand I want to have an elaborate style of writing", "to have a text that can be easily read by most users of", "one hand I wish to have a text that can be easily read", "writing with as many elegant and \"sexy\" words as possible, thus displaying an", "write something is it better that I use simple words or some rare", "non-native English user and whenever I write something is it better that I", "words? I mean native-speakers should surely understand basic English and simple everyday words,", "or some rare and seldomly used words? I mean native-speakers should surely understand", "is it better that I use simple words or some rare and seldomly", "writing, speech and everyday English? On one hand I wish to have a", "mean native-speakers should surely understand basic English and simple everyday words, maybe except", "everyday words, maybe except for a few difficult ones, but will they understand", "style of writing with as many elegant and \"sexy\" words as possible, thus", "I write something is it better that I use simple words or some", "I want to have an elaborate style of writing with as many elegant", "easily read by most users of English without having the need to look", "the words in the dictionary. On the other hand I want to have", "users of English without having the need to look up most of the", "native-speakers should surely understand basic English and simple everyday words, maybe except for", "thus displaying an excellent knowledge of English. This troubles me since I'm not", "and everyday English? On one hand I wish to have a text that", "a non-native English user and whenever I write something is it better that", "wish to have a text that can be easily read by most users", "difficult ones, but will they understand a text containing rare words which are", "ones, but will they understand a text containing rare words which are seldomly", "seldomly used in writing, speech and everyday English? On one hand I wish", "rare words which are seldomly used in writing, speech and everyday English? On", "as possible, thus displaying an excellent knowledge of English. This troubles me since", "the need to look up most of the words in the dictionary. On", "basic English and simple everyday words, maybe except for a few difficult ones,", "of English without having the need to look up most of the words", "but will they understand a text containing rare words which are seldomly used", "many elegant and \"sexy\" words as possible, thus displaying an excellent knowledge of", "On one hand I wish to have a text that can be easily", "have a text that can be easily read by most users of English", "words in the dictionary. On the other hand I want to have an", "a text that can be easily read by most users of English without", "use simple words or some rare and seldomly used words? I mean native-speakers", "having the need to look up most of the words in the dictionary.", "they understand a text containing rare words which are seldomly used in writing,", "containing rare words which are seldomly used in writing, speech and everyday English?", "elaborate style of writing with as many elegant and \"sexy\" words as possible,", "it better that I use simple words or some rare and seldomly used", "English user and whenever I write something is it better that I use", "be easily read by most users of English without having the need to", "hand I want to have an elaborate style of writing with as many", "English? On one hand I wish to have a text that can be" ]
[ "person/writer paraphrases published quotations or song lyrics, changing a few words of the", "song lyrics, changing a few words of the original work for an attempt", "an attempt at a humorus effect purpose, should the writer paraphrasing put everything", "words of the original work for an attempt at a humorus effect purpose,", "a humorus effect purpose, should the writer paraphrasing put everything in quotations to", "lyrics, changing a few words of the original work for an attempt at", "of the original work for an attempt at a humorus effect purpose, should", "at a humorus effect purpose, should the writer paraphrasing put everything in quotations", "paraphrases published quotations or song lyrics, changing a few words of the original", "humorus effect purpose, should the writer paraphrasing put everything in quotations to avoid", "a few words of the original work for an attempt at a humorus", "the original work for an attempt at a humorus effect purpose, should the", "quotations or song lyrics, changing a few words of the original work for", "for an attempt at a humorus effect purpose, should the writer paraphrasing put", "few words of the original work for an attempt at a humorus effect", "a person/writer paraphrases published quotations or song lyrics, changing a few words of", "attempt at a humorus effect purpose, should the writer paraphrasing put everything in", "effect purpose, should the writer paraphrasing put everything in quotations to avoid plagiarism?", "work for an attempt at a humorus effect purpose, should the writer paraphrasing", "changing a few words of the original work for an attempt at a", "When a person/writer paraphrases published quotations or song lyrics, changing a few words", "published quotations or song lyrics, changing a few words of the original work", "original work for an attempt at a humorus effect purpose, should the writer", "or song lyrics, changing a few words of the original work for an" ]
[ "that uses the word \"describe\", but what I'm being asked to describe is", "a process, relationship, or how I came to hold a certain belief. Is", "came to hold a certain belief. Is this asking for a descriptive essay", "the word \"describe\", but what I'm being asked to describe is not a", "is not a single person or object, rather it's more broadly a process,", "so here's my problem: I am trying to write an essay from a", "asked to describe is not a single person or object, rather it's more", "trying to write an essay from a prompt that uses the word \"describe\",", "but what I'm being asked to describe is not a single person or", "I am trying to write an essay from a prompt that uses the", "I came to hold a certain belief. Is this asking for a descriptive", "I'm being asked to describe is not a single person or object, rather", "relationship, or how I came to hold a certain belief. Is this asking", "rather it's more broadly a process, relationship, or how I came to hold", "object, rather it's more broadly a process, relationship, or how I came to", "to describe is not a single person or object, rather it's more broadly", "a single person or object, rather it's more broadly a process, relationship, or", "or object, rather it's more broadly a process, relationship, or how I came", "word \"describe\", but what I'm being asked to describe is not a single", "it's more broadly a process, relationship, or how I came to hold a", "essay from a prompt that uses the word \"describe\", but what I'm being", "person or object, rather it's more broadly a process, relationship, or how I", "Okay, so here's my problem: I am trying to write an essay from", "prompt that uses the word \"describe\", but what I'm being asked to describe", "more broadly a process, relationship, or how I came to hold a certain", "here's my problem: I am trying to write an essay from a prompt", "how I came to hold a certain belief. Is this asking for a", "uses the word \"describe\", but what I'm being asked to describe is not", "not a single person or object, rather it's more broadly a process, relationship,", "being asked to describe is not a single person or object, rather it's", "a prompt that uses the word \"describe\", but what I'm being asked to", "hold a certain belief. Is this asking for a descriptive essay or a", "to hold a certain belief. Is this asking for a descriptive essay or", "to write an essay from a prompt that uses the word \"describe\", but", "am trying to write an essay from a prompt that uses the word", "from a prompt that uses the word \"describe\", but what I'm being asked", "my problem: I am trying to write an essay from a prompt that", "process, relationship, or how I came to hold a certain belief. Is this", "\"describe\", but what I'm being asked to describe is not a single person", "what I'm being asked to describe is not a single person or object,", "a certain belief. Is this asking for a descriptive essay or a narrative", "certain belief. Is this asking for a descriptive essay or a narrative essay?", "single person or object, rather it's more broadly a process, relationship, or how", "broadly a process, relationship, or how I came to hold a certain belief.", "write an essay from a prompt that uses the word \"describe\", but what", "an essay from a prompt that uses the word \"describe\", but what I'm", "problem: I am trying to write an essay from a prompt that uses", "describe is not a single person or object, rather it's more broadly a", "or how I came to hold a certain belief. Is this asking for" ]
[ "weird it’ll make me look.* > — A.B.G. > > > A.B.G. Is", "up again, and this is only meant to show the readers that this", "She never shows up again, and this is only meant to show the", "the readers that this is the writer of the following story. Will readers", "and this is only meant to show the readers that this is the", "as possible. > > I write the following knowing fully well how weird", "to make it as simple as possible. > > I write the following", "is set in 3rd person. She never shows up again, and this is", "of the novel, which is set in 3rd person. She never shows up", "in 3rd person. She never shows up again, and this is only meant", "(undisclosed) author of the novel, which is set in 3rd person. She never", "Is the fictional (undisclosed) author of the novel, which is set in 3rd", "novel, which is set in 3rd person. She never shows up again, and", "of the following story. Will readers understand this? Or is it too short", "simple as possible. > > I write the following knowing fully well how", "I write the following knowing fully well how weird it’ll make me look.", "fictional (undisclosed) author of the novel, which is set in 3rd person. She", "— A.B.G. > > > A.B.G. Is the fictional (undisclosed) author of the", "the following knowing fully well how weird it’ll make me look. > —", "following knowing fully well how weird it’ll make me look.* > — A.B.G.", "me look.* > — A.B.G. > > > A.B.G. Is the fictional (undisclosed)", "meant to show the readers that this is the writer of the following", "make it as simple as possible. > > I write the following knowing", "tried to make it as simple as possible. > > I write the", "shows up again, and this is only meant to show the readers that", "prologues, so I've tried to make it as simple as possible. > >", "I've tried to make it as simple as possible. > > I write", "A.B.G. Is the fictional (undisclosed) author of the novel, which is set in", "author of the novel, which is set in 3rd person. She never shows", "well how weird it’ll make me look. > — A.B.G. > > >", "the novel, which is set in 3rd person. She never shows up again,", "3rd person. She never shows up again, and this is only meant to", "> A.B.G. Is the fictional (undisclosed) author of the novel, which is set", "know most readers don't like prologues, so I've tried to make it as", "fully well how weird it’ll make me look.* > — A.B.G. > >", "don't like prologues, so I've tried to make it as simple as possible.", "> — A.B.G. > > > A.B.G. Is the fictional (undisclosed) author of", "again, and this is only meant to show the readers that this is", "readers that this is the writer of the following story. Will readers understand", "is the writer of the following story. Will readers understand this? Or is", "it as simple as possible. > > I write the following knowing fully", "most readers don't like prologues, so I've tried to make it as simple", "readers don't like prologues, so I've tried to make it as simple as", "it’ll make me look. > — A.B.G. > > > A.B.G. Is the", "only meant to show the readers that this is the writer of the", "to show the readers that this is the writer of the following story.", "like prologues, so I've tried to make it as simple as possible. >", "which is set in 3rd person. She never shows up again, and this", "A.B.G. > > > A.B.G. Is the fictional (undisclosed) author of the novel,", "so I've tried to make it as simple as possible. > > I", "the writer of the following story. Will readers understand this? Or is it", "following story. Will readers understand this? Or is it too short that it's", "> > I write the following knowing fully well how weird it’ll make", "> > A.B.G. Is the fictional (undisclosed) author of the novel, which is", "as simple as possible. > > I write the following knowing fully well", "knowing fully well how weird it’ll make me look. > — A.B.G. >", "I know most readers don't like prologues, so I've tried to make it", "that this is the writer of the following story. Will readers understand this?", "writer of the following story. Will readers understand this? Or is it too", "the fictional (undisclosed) author of the novel, which is set in 3rd person.", "> > > A.B.G. Is the fictional (undisclosed) author of the novel, which", "person. She never shows up again, and this is only meant to show", "show the readers that this is the writer of the following story. Will", "how weird it’ll make me look.* > — A.B.G. > > > A.B.G.", "is only meant to show the readers that this is the writer of", "never shows up again, and this is only meant to show the readers", "possible. > > I write the following knowing fully well how weird it’ll", "set in 3rd person. She never shows up again, and this is only", "this is only meant to show the readers that this is the writer", "this is the writer of the following story. Will readers understand this? Or", "> I write the following knowing fully well how weird it’ll make me", "write the following knowing fully well how weird it’ll make me look.* >", "the following story. Will readers understand this? Or is it too short that", "make me look.* > — A.B.G. > > > A.B.G. Is the fictional", "look.* > — A.B.G. > > > A.B.G. Is the fictional (undisclosed) author", "story. Will readers understand this? Or is it too short that it's confusing?" ]
[ "is ready. Now her hand is being forced. I am considering adding two", "him now, is very strong willed and fierce. She is a colleague of", "makes her feel normal. She is expert at seduction but not so at", "question is this: would adding more potential love interests add tension or dilute", "I am considering adding two more and my question is this: would adding", "even been willing to wait until the MC is ready. Now her hand", "so nice to come home to’ accompanied by a very fine pianist who", "wants him now, is very strong willed and fierce. She is a colleague", "with a woman was when he was 22. Time for that later, he", "has two women who are interested in him now: M wants him now,", "serious courtship. She ends up declaring her feelings by serenading him with ‘You’d", "willed and fierce. She is a colleague of his and loves that he", "is expert at seduction but not so at serious courtship. She ends up", "serenading him with ‘You’d be so nice to come home to’ accompanied by", "and quirky woman who is very professional but uninhibited and very loath to", "effort and until M declared herself had even been willing to wait until", "willing to wait until the MC is ready. Now her hand is being", "feelings by serenading him with ‘You’d be so nice to come home to’", "to’ accompanied by a very fine pianist who is madly in love with", "by serenading him with ‘You’d be so nice to come home to’ accompanied", "let the MC take himself seriously for more than a second. She is", "She has decided that the MC is certainly worth the effort and until", "but not so at serious courtship. She ends up declaring her feelings by", "worth the effort and until M declared herself had even been willing to", "hand is being forced. I am considering adding two more and my question", "to wait until the MC is ready. Now her hand is being forced.", "wait until the MC is ready. Now her hand is being forced. I", "he was 22. Time for that later, he believes. Retire at 45 and", "of his and loves that he is more dangerous than she as it", "colleague of his, though in a completely unrelated field. She is more of", "M wants him now, is very strong willed and fierce. She is a", "is certainly worth the effort and until M declared herself had even been", "for more than a second. She is also a colleague of his, though", "woman who is very professional but uninhibited and very loath to let the", "now, is very strong willed and fierce. She is a colleague of his", "that later, he believes. Retire at 45 and then look. He has two", "a thought. His last serious romantic relationship with a woman was when he", "a completely unrelated field. She is more of a cheerful beacon. She has", "professional but uninhibited and very loath to let the MC take himself seriously", "giving his personal life a thought. His last serious romantic relationship with a", "am considering adding two more and my question is this: would adding more", "more dangerous than she as it makes her feel normal. She is expert", "courtship. She ends up declaring her feelings by serenading him with ‘You’d be", "has decided that the MC is certainly worth the effort and until M", "feel normal. She is expert at seduction but not so at serious courtship.", "personal life a thought. His last serious romantic relationship with a woman was", "was when he was 22. Time for that later, he believes. Retire at", "She is more of a cheerful beacon. She has decided that the MC", "more of a cheerful beacon. She has decided that the MC is certainly", "is a young, vivacious and quirky woman who is very professional but uninhibited", "adding two more and my question is this: would adding more potential love", "his, though in a completely unrelated field. She is more of a cheerful", "unrelated field. She is more of a cheerful beacon. She has decided that", "than she as it makes her feel normal. She is expert at seduction", "with ‘You’d be so nice to come home to’ accompanied by a very", "and then look. He has two women who are interested in him now:", "very strong willed and fierce. She is a colleague of his and loves", "her hand is being forced. I am considering adding two more and my", "life a thought. His last serious romantic relationship with a woman was when", "to come home to’ accompanied by a very fine pianist who is madly", "of a cheerful beacon. She has decided that the MC is certainly worth", "He has two women who are interested in him now: M wants him", "the MC is certainly worth the effort and until M declared herself had", "been willing to wait until the MC is ready. Now her hand is", "‘You’d be so nice to come home to’ accompanied by a very fine", "who is madly in love with her. J is a young, vivacious and", "in love with her. J is a young, vivacious and quirky woman who", "than a second. She is also a colleague of his, though in a", "decided that the MC is certainly worth the effort and until M declared", "she as it makes her feel normal. She is expert at seduction but", "colleague of his and loves that he is more dangerous than she as", "Now her hand is being forced. I am considering adding two more and", "for that later, he believes. Retire at 45 and then look. He has", "completely unrelated field. She is more of a cheerful beacon. She has decided", "interested in him now: M wants him now, is very strong willed and", "fierce. She is a colleague of his and loves that he is more", "barely giving his personal life a thought. His last serious romantic relationship with", "certainly worth the effort and until M declared herself had even been willing", "J is a young, vivacious and quirky woman who is very professional but", "in him now: M wants him now, is very strong willed and fierce.", "forced. I am considering adding two more and my question is this: would", "is this: would adding more potential love interests add tension or dilute it?", "him with ‘You’d be so nice to come home to’ accompanied by a", "at 45 and then look. He has two women who are interested in", "later, he believes. Retire at 45 and then look. He has two women", "at seduction but not so at serious courtship. She ends up declaring her", "is more of a cheerful beacon. She has decided that the MC is", "to let the MC take himself seriously for more than a second. She", "as it makes her feel normal. She is expert at seduction but not", "woman was when he was 22. Time for that later, he believes. Retire", "uninhibited and very loath to let the MC take himself seriously for more", "more and my question is this: would adding more potential love interests add", "is a colleague of his and loves that he is more dangerous than", "up declaring her feelings by serenading him with ‘You’d be so nice to", "madly in love with her. J is a young, vivacious and quirky woman", "accompanied by a very fine pianist who is madly in love with her.", "himself seriously for more than a second. She is also a colleague of", "MC is focused on his profession; barely giving his personal life a thought.", "look. He has two women who are interested in him now: M wants", "beacon. She has decided that the MC is certainly worth the effort and", "is more dangerous than she as it makes her feel normal. She is", "a young, vivacious and quirky woman who is very professional but uninhibited and", "focused on his profession; barely giving his personal life a thought. His last", "is being forced. I am considering adding two more and my question is", "by a very fine pianist who is madly in love with her. J", "and fierce. She is a colleague of his and loves that he is", "with her. J is a young, vivacious and quirky woman who is very", "a cheerful beacon. She has decided that the MC is certainly worth the", "at serious courtship. She ends up declaring her feelings by serenading him with", "She is expert at seduction but not so at serious courtship. She ends", "until the MC is ready. Now her hand is being forced. I am", "loves that he is more dangerous than she as it makes her feel", "had even been willing to wait until the MC is ready. Now her", "vivacious and quirky woman who is very professional but uninhibited and very loath", "MC is ready. Now her hand is being forced. I am considering adding", "he is more dangerous than she as it makes her feel normal. She", "Time for that later, he believes. Retire at 45 and then look. He", "a very fine pianist who is madly in love with her. J is", "also a colleague of his, though in a completely unrelated field. She is", "22. Time for that later, he believes. Retire at 45 and then look.", "was 22. Time for that later, he believes. Retire at 45 and then", "two women who are interested in him now: M wants him now, is", "and my question is this: would adding more potential love interests add tension", "and very loath to let the MC take himself seriously for more than", "a woman was when he was 22. Time for that later, he believes.", "love with her. J is a young, vivacious and quirky woman who is", "her. J is a young, vivacious and quirky woman who is very professional", "She is a colleague of his and loves that he is more dangerous", "loath to let the MC take himself seriously for more than a second.", "very loath to let the MC take himself seriously for more than a", "is also a colleague of his, though in a completely unrelated field. She", "being forced. I am considering adding two more and my question is this:", "and until M declared herself had even been willing to wait until the", "seduction but not so at serious courtship. She ends up declaring her feelings", "normal. She is expert at seduction but not so at serious courtship. She", "now: M wants him now, is very strong willed and fierce. She is", "field. She is more of a cheerful beacon. She has decided that the", "my question is this: would adding more potential love interests add tension or", "fine pianist who is madly in love with her. J is a young,", "women who are interested in him now: M wants him now, is very", "serious romantic relationship with a woman was when he was 22. Time for", "profession; barely giving his personal life a thought. His last serious romantic relationship", "is very professional but uninhibited and very loath to let the MC take", "he believes. Retire at 45 and then look. He has two women who", "be so nice to come home to’ accompanied by a very fine pianist", "strong willed and fierce. She is a colleague of his and loves that", "come home to’ accompanied by a very fine pianist who is madly in", "She is also a colleague of his, though in a completely unrelated field.", "his personal life a thought. His last serious romantic relationship with a woman", "is focused on his profession; barely giving his personal life a thought. His", "of his, though in a completely unrelated field. She is more of a", "who is very professional but uninhibited and very loath to let the MC", "more than a second. She is also a colleague of his, though in", "MC take himself seriously for more than a second. She is also a", "on his profession; barely giving his personal life a thought. His last serious", "that he is more dangerous than she as it makes her feel normal.", "Retire at 45 and then look. He has two women who are interested", "her feel normal. She is expert at seduction but not so at serious", "his and loves that he is more dangerous than she as it makes", "when he was 22. Time for that later, he believes. Retire at 45", "dangerous than she as it makes her feel normal. She is expert at", "so at serious courtship. She ends up declaring her feelings by serenading him", "romantic relationship with a woman was when he was 22. Time for that", "45 and then look. He has two women who are interested in him", "thought. His last serious romantic relationship with a woman was when he was", "believes. Retire at 45 and then look. He has two women who are", "She ends up declaring her feelings by serenading him with ‘You’d be so", "quirky woman who is very professional but uninhibited and very loath to let", "is very strong willed and fierce. She is a colleague of his and", "then look. He has two women who are interested in him now: M", "are interested in him now: M wants him now, is very strong willed", "a second. She is also a colleague of his, though in a completely", "a colleague of his, though in a completely unrelated field. She is more", "who are interested in him now: M wants him now, is very strong", "and loves that he is more dangerous than she as it makes her", "ends up declaring her feelings by serenading him with ‘You’d be so nice", "M declared herself had even been willing to wait until the MC is", "ready. Now her hand is being forced. I am considering adding two more", "nice to come home to’ accompanied by a very fine pianist who is", "home to’ accompanied by a very fine pianist who is madly in love", "his profession; barely giving his personal life a thought. His last serious romantic", "a colleague of his and loves that he is more dangerous than she", "declaring her feelings by serenading him with ‘You’d be so nice to come", "seriously for more than a second. She is also a colleague of his,", "the effort and until M declared herself had even been willing to wait", "the MC is ready. Now her hand is being forced. I am considering", "not so at serious courtship. She ends up declaring her feelings by serenading", "relationship with a woman was when he was 22. Time for that later,", "her feelings by serenading him with ‘You’d be so nice to come home", "is madly in love with her. J is a young, vivacious and quirky", "MC is certainly worth the effort and until M declared herself had even", "His last serious romantic relationship with a woman was when he was 22.", "but uninhibited and very loath to let the MC take himself seriously for", "herself had even been willing to wait until the MC is ready. Now", "My MC is focused on his profession; barely giving his personal life a", "that the MC is certainly worth the effort and until M declared herself", "young, vivacious and quirky woman who is very professional but uninhibited and very", "him now: M wants him now, is very strong willed and fierce. She", "expert at seduction but not so at serious courtship. She ends up declaring", "though in a completely unrelated field. She is more of a cheerful beacon.", "two more and my question is this: would adding more potential love interests", "take himself seriously for more than a second. She is also a colleague", "very professional but uninhibited and very loath to let the MC take himself", "pianist who is madly in love with her. J is a young, vivacious", "second. She is also a colleague of his, though in a completely unrelated", "until M declared herself had even been willing to wait until the MC", "last serious romantic relationship with a woman was when he was 22. Time", "in a completely unrelated field. She is more of a cheerful beacon. She", "the MC take himself seriously for more than a second. She is also", "it makes her feel normal. She is expert at seduction but not so", "considering adding two more and my question is this: would adding more potential", "cheerful beacon. She has decided that the MC is certainly worth the effort", "declared herself had even been willing to wait until the MC is ready.", "very fine pianist who is madly in love with her. J is a" ]
[ "(My family knows about my books, but I'm not sure if they know", "about my books, but I'm not sure if they know I'm serious about", "but I'm not sure if they know I'm serious about it.) Thank you.", "family reads it, they quite like it as well. I've written 2 books", "of how it works so if there's anyone that professionally knows about it,", "it as well. I've written 2 books before and love doing so. I", "but I don't have any idea of how it works so if there's", "reads it, they quite like it as well. I've written 2 books before", "website'' How old I have to be to publish a book, but I", "I wouldn't really consider myself a great writer, but I enjoy it and", "knows about it, tell so, please. (My family knows about my books, but", "doing so. I wouldn't really ask ''A website'' How old I have to", "I have to be to publish a book, but I don't have any", "it, they quite like it as well. I've written 2 books before and", "knows about my books, but I'm not sure if they know I'm serious", "like it as well. I've written 2 books before and love doing so.", "really consider myself a great writer, but I enjoy it and if my", "great writer, but I enjoy it and if my family reads it, they", "wouldn't really consider myself a great writer, but I enjoy it and if", "they quite like it as well. I've written 2 books before and love", "old I have to be to publish a book, but I don't have", "there's anyone that professionally knows about it, tell so, please. (My family knows", "family knows about my books, but I'm not sure if they know I'm", "enjoy it and if my family reads it, they quite like it as", "written 2 books before and love doing so. I wouldn't really ask ''A", "books, but I'm not sure if they know I'm serious about it.) 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(My family knows about my books, but I'm not", "a book, but I don't have any idea of how it works so", "idea of how it works so if there's anyone that professionally knows about", "to be to publish a book, but I don't have any idea of", "and love doing so. I wouldn't really ask ''A website'' How old I", "publish a book, but I don't have any idea of how it works", "my family reads it, they quite like it as well. I've written 2", "if my family reads it, they quite like it as well. I've written", "a great writer, but I enjoy it and if my family reads it,", "I wouldn't really ask ''A website'' How old I have to be to", "writer, but I enjoy it and if my family reads it, they quite", "before and love doing so. I wouldn't really ask ''A website'' How old", "ask ''A website'' How old I have to be to publish a book,", "about it, tell so, please. (My family knows about my books, but I'm", "but I enjoy it and if my family reads it, they quite like", "quite like it as well. I've written 2 books before and love doing", "well. I've written 2 books before and love doing so. I wouldn't really", "how it works so if there's anyone that professionally knows about it, tell", "How old I have to be to publish a book, but I don't", "if there's anyone that professionally knows about it, tell so, please. (My family", "really ask ''A website'' How old I have to be to publish a", "that professionally knows about it, tell so, please. (My family knows about my", "be to publish a book, but I don't have any idea of how", "myself a great writer, but I enjoy it and if my family reads", "to publish a book, but I don't have any idea of how it", "professionally knows about it, tell so, please. (My family knows about my books,", "as well. I've written 2 books before and love doing so. I wouldn't", "I don't have any idea of how it works so if there's anyone", "consider myself a great writer, but I enjoy it and if my family", "so. I wouldn't really ask ''A website'' How old I have to be", "I enjoy it and if my family reads it, they quite like it", "tell so, please. (My family knows about my books, but I'm not sure", "so if there's anyone that professionally knows about it, tell so, please. (My", "and if my family reads it, they quite like it as well. I've", "have any idea of how it works so if there's anyone that professionally", "wouldn't really ask ''A website'' How old I have to be to publish", "works so if there's anyone that professionally knows about it, tell so, please.", "so, please. (My family knows about my books, but I'm not sure if" ]
[ "a stair case with three steps what would you even call each step?", "case with three steps what would you even call each step? (Without saying", "with three steps what would you even call each step? (Without saying “step”", "you even call each step? (Without saying “step” because that’s not right for", "steps what would you even call each step? (Without saying “step” because that’s", "the hill looks like a stair case with three steps what would you", "stair case with three steps what would you even call each step? (Without", "is a hill and the hill looks like a stair case with three", "each step? (Without saying “step” because that’s not right for the moment he", "In my story there is a hill and the hill looks like a", "hill looks like a stair case with three steps what would you even", "and the hill looks like a stair case with three steps what would", "what would you even call each step? (Without saying “step” because that’s not", "my story there is a hill and the hill looks like a stair", "looks like a stair case with three steps what would you even call", "step? (Without saying “step” because that’s not right for the moment he is", "even call each step? (Without saying “step” because that’s not right for the", "call each step? (Without saying “step” because that’s not right for the moment", "hill and the hill looks like a stair case with three steps what", "story there is a hill and the hill looks like a stair case", "like a stair case with three steps what would you even call each", "would you even call each step? (Without saying “step” because that’s not right", "a hill and the hill looks like a stair case with three steps", "(Without saying “step” because that’s not right for the moment he is in).", "three steps what would you even call each step? (Without saying “step” because", "there is a hill and the hill looks like a stair case with" ]
[ "deciding the voice of your narrative, i.e whether it should be a first-person", "first-person account, or should the story be narrated by the voice of an", "by the voice of an omnipresent storyteller? The voice of the story is", "voice of an omnipresent storyteller? The voice of the story is what makes", "the story is what makes all the difference. But how do you actually", "voice of your narrative, i.e whether it should be a first-person account, or", "your narrative, i.e whether it should be a first-person account, or should the", "should be a first-person account, or should the story be narrated by the", "the story be narrated by the voice of an omnipresent storyteller? The voice", "what makes all the difference. But how do you actually decide between the", "the voice of your narrative, i.e whether it should be a first-person account,", "consider while deciding the voice of your narrative, i.e whether it should be", "The voice of the story is what makes all the difference. But how", "Any guidelines to consider while deciding the voice of your narrative, i.e whether", "narrative, i.e whether it should be a first-person account, or should the story", "of an omnipresent storyteller? The voice of the story is what makes all", "it should be a first-person account, or should the story be narrated by", "voice of the story is what makes all the difference. But how do", "omnipresent storyteller? The voice of the story is what makes all the difference.", "should the story be narrated by the voice of an omnipresent storyteller? The", "be a first-person account, or should the story be narrated by the voice", "or should the story be narrated by the voice of an omnipresent storyteller?", "storyteller? The voice of the story is what makes all the difference. But", "account, or should the story be narrated by the voice of an omnipresent", "story be narrated by the voice of an omnipresent storyteller? The voice of", "while deciding the voice of your narrative, i.e whether it should be a", "guidelines to consider while deciding the voice of your narrative, i.e whether it", "a first-person account, or should the story be narrated by the voice of", "an omnipresent storyteller? The voice of the story is what makes all the", "whether it should be a first-person account, or should the story be narrated", "of the story is what makes all the difference. But how do you", "be narrated by the voice of an omnipresent storyteller? The voice of the", "story is what makes all the difference. But how do you actually decide", "the voice of an omnipresent storyteller? The voice of the story is what", "narrated by the voice of an omnipresent storyteller? The voice of the story", "is what makes all the difference. But how do you actually decide between", "to consider while deciding the voice of your narrative, i.e whether it should", "of your narrative, i.e whether it should be a first-person account, or should", "makes all the difference. But how do you actually decide between the two?", "i.e whether it should be a first-person account, or should the story be" ]
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In all the other similar sci-fi novels and movies I can", "to defend Earth. But how would they feel? Enthusiasm, since they are going", "invasion occurs the heroes take up arms and rush to defend Earth. But", "defending humanity against an imminent alien invasion. In all the other similar sci-fi", "to save humanity? Fear at being tasked with such enormous task? Anxiety? Boumt?", "all the other similar sci-fi novels and movies I can think of, it", "simply defending humanity? I actually have some ideas, but I want to hear", "imminent alien invasion. In all the other similar sci-fi novels and movies I", "to post a new one:) In my novel, a few humans suddenly find", "my last question, so I decided to post a new one:) In my", "an imminent alien invasion. In all the other similar sci-fi novels and movies", "enormous task? Anxiety? Boumt? All of the above? what is their motivation? is", "I can think of, it is taken for granted that as soon as", "new one:) In my novel, a few humans suddenly find themselves tasked with", "being tasked with such enormous task? Anxiety? Boumt? All of the above? what", "got really good answers to my last question, so I decided to post", "I got really good answers to my last question, so I decided to", "I decided to post a new one:) In my novel, a few humans", "is taken for granted that as soon as an alien invasion occurs the", "the other similar sci-fi novels and movies I can think of, it is", "Boumt? All of the above? what is their motivation? is it simply defending", "their motivation? is it simply defending humanity? I actually have some ideas, but", "last question, so I decided to post a new one:) In my novel,", "and movies I can think of, it is taken for granted that as", "a few humans suddenly find themselves tasked with defending humanity against an imminent", "of the above? what is their motivation? is it simply defending humanity? I", "as an alien invasion occurs the heroes take up arms and rush to", "a new one:) In my novel, a few humans suddenly find themselves tasked", "so I decided to post a new one:) In my novel, a few", "few humans suddenly find themselves tasked with defending humanity against an imminent alien", "would they feel? Enthusiasm, since they are going to save humanity? Fear at", "going to save humanity? Fear at being tasked with such enormous task? Anxiety?", "feel? Enthusiasm, since they are going to save humanity? Fear at being tasked", "one:) In my novel, a few humans suddenly find themselves tasked with defending", "All of the above? what is their motivation? is it simply defending humanity?", "they feel? Enthusiasm, since they are going to save humanity? Fear at being", "such enormous task? Anxiety? Boumt? All of the above? what is their motivation?", "soon as an alien invasion occurs the heroes take up arms and rush", "with such enormous task? Anxiety? Boumt? All of the above? what is their", "Earth. But how would they feel? Enthusiasm, since they are going to save", "similar sci-fi novels and movies I can think of, it is taken for", "against an imminent alien invasion. In all the other similar sci-fi novels and" ]
[ "falling asleep. Each time his eyes were to droop, a single drop of", "exactly. But judging on how soaked his tunic was, it > could have", "focused on sleeping instead, ignoring the water > falling water on his nape,", "on how soaked his tunic was, it > could have been more. The", "> Hope it’s mild. He was urgent to remember everything—and fast. He closed", "but always got the same result . . . > > > The", "> And each time this happened, his eyes would always meet with the", "he had a pocket watch with him. Where could it be? > Did", "thing since earlier > but always got the same result . . .", "looking shadows all around the dark and > damp cellar he was in.", "he slept—maybe if he rested his mind—everything would > come back. > >", "> > He would’ve done something about it—but with his hands bound to", "if it was > currently a dud. > > > He closed his", "a single drop of > water would fall on his nape, the shivers", "faint, > festive-like merriment from the outside passed through the thick > walls,", "room had no windows; he could've used > sunlight to tell the time.", "the thick > walls, making him feel he had some company. > >", "> the chair. > > > Am I abusing the \"he\" in this?", "taken? > > > No windows. No sunlight. No watch. Great. At least", "the ocean . > . . > > > Hope it’s mild. He", "him feel he had some company. > > > How did I end", "been more. The room had no windows; he could've used > sunlight to", "single drop of > water would fall on his nape, the shivers pulling", "job properly. > > > So, no other choice but to rely on", "since earlier > but always got the same result . . . >", "person and I'm not that confident if I'm doing it right. I noticed", "Maybe Ian should stop; he'd been doing the same thing since earlier >", "I'm \"telling\" more than \"showing.\" Here is a sample from my first chapter:", "to reality. > And each time this happened, his eyes would always meet", "captors to come down and answer his question—and demand for > his release;", "the outside passed through the thick > walls, making him feel he had", "the faint, > festive-like merriment from the outside passed through the thick >", "> his release; the cloth was doing its job properly. > > >", "when the > door flew open. > > > “Damn it,” he cursed", "good two meters away, its red-orange > and yellow flame casting funny looking", "yet sharp throbbing pain > from the back of his head. > >", "oil > lamp on top of a wooden table a good two meters", "falling from the ceiling prevented Ian from > falling asleep. Each time his", "all around the dark and > damp cellar he was in. > >", "scream > for his captors to come down and answer his question—and demand", "the cloth was doing its job properly. > > > So, no other", "than \"showing.\" Here is a sample from my first chapter: > > Cold", "falling water on his nape, the sensation of his shirt sticking to his", "> for his captors to come down and answer his question—and demand for", "meet with the oil > lamp on top of a wooden table a", "A concussion?* Aside from the memory loss, > there was confusion. He also", "and focused on sleeping instead, ignoring the water > falling water on his", "Nothing—still. What came about was a faint yet sharp throbbing pain > from", "how soaked his tunic was, it > could have been more. The room", "a fantasy story in third person and I'm not that confident if I'm", "would fall on his nape, the shivers pulling him back to reality. >", "the same thing since earlier > but always got the same result .", "with a cloth, he couldn't do anything much. > > > It might", "noticed I'm using the word \"he\" so often (the character's guy by the", "a swim in the ocean . > . . > > > Hope", "table a good two meters away, its red-orange > and yellow flame casting", "clues. > > > Nothing—still. What came about was a faint yet sharp", "> He would’ve done something about it—but with his hands bound to a", "also felt he was out for a swim in the ocean . >", "was > currently a dud. > > > He closed his eyes and", "But his plans of some shut-eye and relaxation got scrapped when the >", "end up in this place again? He squinted at the flame of the", "eyes would always meet with the oil > lamp on top of a", "ceiling prevented Ian from > falling asleep. Each time his eyes were to", "eyes and focused on sleeping instead, ignoring the water > falling water on", "tell the time. > > > Speaking of time, he had a pocket", "some company. > > > How did I end up in this place", "He would’ve done something about it—but with his hands bound to a >", "remember everything—and fast. He closed his eyes and focused on sleeping instead, ignoring", "he was out for a swim in the ocean . > . .", "properly. > > > So, no other choice but to rely on good", "the time. > > > Speaking of time, he had a pocket watch", "away, its red-orange > and yellow flame casting funny looking shadows all around", "if I'm doing it right. I noticed I'm using the word \"he\" so", "got the same result . . . > > > The pain made", "open. > > > “Damn it,” he cursed through gritted teeth after nearly", "doing the same thing since earlier > but always got the same result", "to a > chair and his mouth gagged with a cloth, he couldn't", "cellar he was in. > > > He would’ve done something about it—but", "way) and I'm afraid that I'm \"telling\" more than \"showing.\" Here is a", "> > Cold drops of water falling from the ceiling prevented Ian from", "for any possible clues. > > > Nothing—still. What came about was a", "could it be? > Did he dropped it? Or was it taken? >", "meters away, its red-orange > and yellow flame casting funny looking shadows all", "was in. > > > He would’ve done something about it—but with his", "dud. > > > He closed his eyes and rummaged his memories for", "some answers. He wanted to scream > for his captors to come down", "wooden table a good two meters away, its red-orange > and yellow flame", "in. > > > He would’ve done something about it—but with his hands", "his head. > > > Maybe Ian should stop; he'd been doing the", "each time this happened, his eyes would always meet with the oil >", "Where could it be? > Did he dropped it? Or was it taken?", "a > chair and his mouth gagged with a cloth, he couldn't do", "Here is a sample from my first chapter: > > Cold drops of", "place again? He squinted at the flame of the oil lamp, as if", "to come down and answer his question—and demand for > his release; the", "lamp, as if it would spout some answers. He wanted to scream >", "sunlight. No watch. Great. At least the faint, > festive-like merriment from the", "some shut-eye and relaxation got scrapped when the > door flew open. >", "down and answer his question—and demand for > his release; the cloth was", "merriment from the outside passed through the thick > walls, making him feel", "right. I noticed I'm using the word \"he\" so often (the character's guy", "> sunlight to tell the time. > > > Speaking of time, he", "it taken? > > > No windows. No sunlight. No watch. Great. At", "> > But his plans of some shut-eye and relaxation got scrapped when", "No windows. No sunlight. No watch. Great. At least the faint, > festive-like", "his eyes were to droop, a single drop of > water would fall", "back to reality. > And each time this happened, his eyes would always", "> > So, no other choice but to rely on good old memory—even", "in the ocean . > . . > > > Hope it’s mild.", "of the oil lamp, as if it would spout some answers. He wanted", "fall on his nape, the shivers pulling him back to reality. > And", "passed through the thick > walls, making him feel he had some company.", "do anything much. > > > It might have been hours already since", "his question—and demand for > his release; the cloth was doing its job", "was urgent to remember everything—and fast. He closed his eyes and focused on", "tunic was, it > could have been more. The room had no windows;", "any possible clues. > > > Nothing—still. What came about was a faint", "afraid that I'm \"telling\" more than \"showing.\" Here is a sample from my", "I noticed I'm using the word \"he\" so often (the character's guy by", "anything much. > > > It might have been hours already since he", "from my first chapter: > > Cold drops of water falling from the", "the sensation of his shirt sticking to his > skin. Maybe if he", "yellow flame casting funny looking shadows all around the dark and > damp", "it? Or was it taken? > > > No windows. No sunlight. No", "about it—but with his hands bound to a > chair and his mouth", "spout some answers. He wanted to scream > for his captors to come", "his plans of some shut-eye and relaxation got scrapped when the > door", "> falling water on his nape, the sensation of his shirt sticking to", "his nape, the sensation of his shirt sticking to his > skin. Maybe", "> Speaking of time, he had a pocket watch with him. Where could", "\"he\" so often (the character's guy by the way) and I'm afraid that", "by the way) and I'm afraid that I'm \"telling\" more than \"showing.\" Here", "> but always got the same result . . . > > >", "more. The room had no windows; he could've used > sunlight to tell", "asleep. Each time his eyes were to droop, a single drop of >", "back of his head. > > > Maybe Ian should stop; he'd been", "with him. Where could it be? > Did he dropped it? Or was", "memory—even if it was > currently a dud. > > > He closed", "the same result . . . > > > The pain made him", "mouth gagged with a cloth, he couldn't do anything much. > > >", "wince. A concussion? Aside from the memory loss, > there was confusion. He", "possible clues. > > > Nothing—still. What came about was a faint yet", "bound to a > chair and his mouth gagged with a cloth, he", "it right. I noticed I'm using the word \"he\" so often (the character's", "the back of his head. > > > Maybe Ian should stop; he'd", "the oil > lamp on top of a wooden table a good two", "but to rely on good old memory—even if it was > currently a", "his shirt sticking to his > skin. Maybe if he slept—maybe if he", "result . . . > > > The pain made him wince. A", "So, no other choice but to rely on good old memory—even if it", "> could have been more. The room had no windows; he could've used", "closed his eyes and focused on sleeping instead, ignoring the water > falling", "> > > “Damn it,” he cursed through gritted teeth after nearly falling", "> lamp on top of a wooden table a good two meters away,", "his tunic was, it > could have been more. The room had no", "earlier > but always got the same result . . . > >", "> It might have been hours already since he was brought here; he", "> . . > > > Hope it’s mild.* He was urgent to", "sample from my first chapter: > > Cold drops of water falling from", "Did he dropped it? Or was it taken? > > > No windows.", "question—and demand for > his release; the cloth was doing its job properly.", "the memory loss, > there was confusion. He also felt he was out", "I'm doing it right. I noticed I'm using the word \"he\" so often", ". > > > The pain made him wince. A concussion? Aside from", "its red-orange > and yellow flame casting funny looking shadows all around the", "teeth after nearly falling off > the chair. > > > Am I", "he had some company. > > > How did I end up in", "prevented Ian from > falling asleep. Each time his eyes were to droop,", "throbbing pain > from the back of his head. > > > Maybe", "dropped it? Or was it taken? > > > No windows. No sunlight.", "> > > He would’ve done something about it—but with his hands bound", "Each time his eyes were to droop, a single drop of > water", "his hands bound to a > chair and his mouth gagged with a", "he was brought here; he > couldn’t tell exactly. But judging on how", "of time, he had a pocket watch with him. Where could it be?", "in this place again? He squinted at the flame of the oil lamp,", "time, he had a pocket watch with him. Where could it be? >", "festive-like merriment from the outside passed through the thick > walls, making him", "again?* He squinted at the flame of the oil lamp, as if it", "company. > > > How did I end up in this place again?", "> > > He closed his eyes and rummaged his memories for any", "not that confident if I'm doing it right. I noticed I'm using the", "always meet with the oil > lamp on top of a wooden table", "have been more. The room had no windows; he could've used > sunlight", "plans of some shut-eye and relaxation got scrapped when the > door flew", "pulling him back to reality. > And each time this happened, his eyes", ". > > > Hope it’s mild. He was urgent to remember everything—and", "Hope it’s mild. He was urgent to remember everything—and fast. He closed his", "from the outside passed through the thick > walls, making him feel he", "I'm afraid that I'm \"telling\" more than \"showing.\" Here is a sample from", "story in third person and I'm not that confident if I'm doing it", "> damp cellar he was in. > > > He would’ve done something", "and I'm not that confident if I'm doing it right. I noticed I'm", "> > No windows. No sunlight. No watch. Great. At least the faint,", "> currently a dud. > > > He closed his eyes and rummaged", "cloth was doing its job properly. > > > So, no other choice", ". . > > > The pain made him wince. A concussion? Aside", "drops of water falling from the ceiling prevented Ian from > falling asleep.", "a cloth, he couldn't do anything much. > > > It might have", "flew open. > > > “Damn it,” he cursed through gritted teeth after", "there was confusion. He also felt he was out for a swim in", "come down and answer his question—and demand for > his release; the cloth", "on his nape, the sensation of his shirt sticking to his > skin.", "in third person and I'm not that confident if I'm doing it right.", "it—but with his hands bound to a > chair and his mouth gagged", "nearly falling off > the chair. > > > Am I abusing the", "would > come back. > > > But his plans of some shut-eye", "It might have been hours already since he was brought here; he >", "doing its job properly. > > > So, no other choice but to", "feel he had some company. > > > How did I end up", "this place again? He squinted at the flame of the oil lamp, as", "shirt sticking to his > skin. Maybe if he slept—maybe if he rested", "since he was brought here; he > couldn’t tell exactly. But judging on", "Cold drops of water falling from the ceiling prevented Ian from > falling", "would’ve done something about it—but with his hands bound to a > chair", ". . . > > > The pain made him wince. A concussion?", "was out for a swim in the ocean . > . . >", "other choice but to rely on good old memory—even if it was >", "on top of a wooden table a good two meters away, its red-orange", "was confusion. He also felt he was out for a swim in the", "for his captors to come down and answer his question—and demand for >", "water > falling water on his nape, the sensation of his shirt sticking", "top of a wooden table a good two meters away, its red-orange >", "cursed through gritted teeth after nearly falling off > the chair. > >", ". . > > > Hope it’s mild. He was urgent to remember", "> > > Am I abusing the \"he\" in this? Is it too", "as if it would spout some answers. He wanted to scream > for", "> > It might have been hours already since he was brought here;", "How did I end up in this place again? He squinted at the", "the flame of the oil lamp, as if it would spout some answers.", "> > > No windows. No sunlight. No watch. Great. At least the", "> But his plans of some shut-eye and relaxation got scrapped when the", "if he rested his mind—everything would > come back. > > > But", "on his nape, the shivers pulling him back to reality. > And each", "> > Nothing—still. What came about was a faint yet sharp throbbing pain", "hours already since he was brought here; he > couldn’t tell exactly. But", "could've used > sunlight to tell the time. > > > Speaking of", "been doing the same thing since earlier > but always got the same", "closed his eyes and rummaged his memories for any possible clues. > >", "for > his release; the cloth was doing its job properly. > >", "wanted to scream > for his captors to come down and answer his", "and relaxation got scrapped when the > door flew open. > > >", "with the oil > lamp on top of a wooden table a good", "> > > How did I end up in this place again? He", "urgent to remember everything—and fast. He closed his eyes and focused on sleeping", "He closed his eyes and focused on sleeping instead, ignoring the water >", "“Damn it,” he cursed through gritted teeth after nearly falling off > the", "The room had no windows; he could've used > sunlight to tell the", "rummaged his memories for any possible clues. > > > Nothing—still. What came", "windows. No sunlight. No watch. Great. At least the faint, > festive-like merriment", "mild.* He was urgent to remember everything—and fast. He closed his eyes and", "head. > > > Maybe Ian should stop; he'd been doing the same", "ignoring the water > falling water on his nape, the sensation of his", "> > > Hope it’s mild. He was urgent to remember everything—and fast.", "of water falling from the ceiling prevented Ian from > falling asleep. Each", "confident if I'm doing it right. I noticed I'm using the word \"he\"", "swim in the ocean . > . . > > > Hope it’s", "fast. He closed his eyes and focused on sleeping instead, ignoring the water", "his nape, the shivers pulling him back to reality. > And each time", "his memories for any possible clues. > > > Nothing—still. What came about", "always got the same result . . . > > > The pain", "gritted teeth after nearly falling off > the chair. > > > Am", "answer his question—and demand for > his release; the cloth was doing its", "memory loss, > there was confusion. He also felt he was out for", "from the ceiling prevented Ian from > falling asleep. Each time his eyes", "the word \"he\" so often (the character's guy by the way) and I'm", "Ian from > falling asleep. Each time his eyes were to droop, a", "chair and his mouth gagged with a cloth, he couldn't do anything much.", "felt he was out for a swim in the ocean . > .", "of his shirt sticking to his > skin. Maybe if he slept—maybe if", "up in this place again? He squinted at the flame of the oil", "good old memory—even if it was > currently a dud. > > >", "squinted at the flame of the oil lamp, as if it would spout", "no other choice but to rely on good old memory—even if it was", "he rested his mind—everything would > come back. > > > But his", "falling off > the chair. > > > Am I abusing the \"he\"", "> No windows. No sunlight. No watch. Great. At least the faint, >", "had no windows; he could've used > sunlight to tell the time. >", "cloth, he couldn't do anything much. > > > It might have been", "nape, the sensation of his shirt sticking to his > skin. Maybe if", "currently a dud. > > > He closed his eyes and rummaged his", "lamp on top of a wooden table a good two meters away, its", "around the dark and > damp cellar he was in. > > >", "his eyes and focused on sleeping instead, ignoring the water > falling water", "relaxation got scrapped when the > door flew open. > > > “Damn", "was it taken? > > > No windows. No sunlight. No watch. Great.", "At least the faint, > festive-like merriment from the outside passed through the", "he couldn't do anything much. > > > It might have been hours", "answers. He wanted to scream > for his captors to come down and", "he > couldn’t tell exactly. But judging on how soaked his tunic was,", "shut-eye and relaxation got scrapped when the > door flew open. > >", "sharp throbbing pain > from the back of his head. > > >", "should stop; he'd been doing the same thing since earlier > but always", "writing a fantasy story in third person and I'm not that confident if", "gagged with a cloth, he couldn't do anything much. > > > It", "character's guy by the way) and I'm afraid that I'm \"telling\" more than", "> festive-like merriment from the outside passed through the thick > walls, making", "eyes and rummaged his memories for any possible clues. > > > Nothing—still.", "dark and > damp cellar he was in. > > > He would’ve", "the ceiling prevented Ian from > falling asleep. Each time his eyes were", "watch with him. Where could it be? > Did he dropped it? Or", "about was a faint yet sharp throbbing pain > from the back of", "made him wince. A concussion? Aside from the memory loss, > there was", "> falling asleep. Each time his eyes were to droop, a single drop", "He was urgent to remember everything—and fast. He closed his eyes and focused", "> chair and his mouth gagged with a cloth, he couldn't do anything", "eyes were to droop, a single drop of > water would fall on", "it be? > Did he dropped it? Or was it taken? > >", "> > Maybe Ian should stop; he'd been doing the same thing since", "a wooden table a good two meters away, its red-orange > and yellow", "He also felt he was out for a swim in the ocean .", "of a wooden table a good two meters away, its red-orange > and", "through the thick > walls, making him feel he had some company. >", "oil lamp, as if it would spout some answers. He wanted to scream", "choice but to rely on good old memory—even if it was > currently", "same thing since earlier > but always got the same result . .", "> > > So, no other choice but to rely on good old", "stop; he'd been doing the same thing since earlier > but always got", "skin. Maybe if he slept—maybe if he rested his mind—everything would > come", "judging on how soaked his tunic was, it > could have been more.", "rely on good old memory—even if it was > currently a dud. >", "pocket watch with him. Where could it be? > Did he dropped it?", "him back to reality. > And each time this happened, his eyes would", "> He closed his eyes and rummaged his memories for any possible clues.", "water falling from the ceiling prevented Ian from > falling asleep. Each time", "> Did he dropped it? Or was it taken? > > > No", "a sample from my first chapter: > > Cold drops of water falling", "> Nothing—still. What came about was a faint yet sharp throbbing pain >", "scrapped when the > door flew open. > > > “Damn it,” he", "I'm not that confident if I'm doing it right. I noticed I'm using", "had a pocket watch with him. Where could it be? > Did he", "demand for > his release; the cloth was doing its job properly. >", "so often (the character's guy by the way) and I'm afraid that I'm", "was doing its job properly. > > > So, no other choice but", "come back. > > > But his plans of some shut-eye and relaxation", "release; the cloth was doing its job properly. > > > So, no", "Maybe if he slept—maybe if he rested his mind—everything would > come back.", "out for a swim in the ocean . > . . > >", "I end up in this place again?* He squinted at the flame of", "to remember everything—and fast. He closed his eyes and focused on sleeping instead,", "sleeping instead, ignoring the water > falling water on his nape, the sensation", "third person and I'm not that confident if I'm doing it right. I", "> and yellow flame casting funny looking shadows all around the dark and", "his captors to come down and answer his question—and demand for > his", "\"telling\" more than \"showing.\" Here is a sample from my first chapter: >", "my first chapter: > > Cold drops of water falling from the ceiling", "had some company. > > > How did I end up in this", "making him feel he had some company. > > > How did I", "droop, a single drop of > water would fall on his nape, the", "from the memory loss, > there was confusion. He also felt he was", "No sunlight. No watch. Great. At least the faint, > festive-like merriment from", "> > Hope it’s mild. He was urgent to remember everything—and fast. He", "first chapter: > > Cold drops of water falling from the ceiling prevented", "He squinted at the flame of the oil lamp, as if it would", "> > > Speaking of time, he had a pocket watch with him.", "the water > falling water on his nape, the sensation of his shirt", "was brought here; he > couldn’t tell exactly. But judging on how soaked", "water on his nape, the sensation of his shirt sticking to his >", "is a sample from my first chapter: > > Cold drops of water", "shadows all around the dark and > damp cellar he was in. >", "walls, making him feel he had some company. > > > How did", "his release; the cloth was doing its job properly. > > > So,", "> > > It might have been hours already since he was brought", "door flew open. > > > “Damn it,” he cursed through gritted teeth", "and answer his question—and demand for > his release; the cloth was doing", "was, it > could have been more. The room had no windows; he", "casting funny looking shadows all around the dark and > damp cellar he", "funny looking shadows all around the dark and > damp cellar he was", "soaked his tunic was, it > could have been more. The room had", ". > . . > > > Hope it’s mild.* He was urgent", "and > damp cellar he was in. > > > He would’ve done", "from the back of his head. > > > Maybe Ian should stop;", "\"showing.\" Here is a sample from my first chapter: > > Cold drops", "same result . . . > > > The pain made him wince.", "him. Where could it be? > Did he dropped it? Or was it", "> > > Maybe Ian should stop; he'd been doing the same thing", "his eyes would always meet with the oil > lamp on top of", "something about it—but with his hands bound to a > chair and his", "be? > Did he dropped it? Or was it taken? > > >", "it’s mild.* He was urgent to remember everything—and fast. He closed his eyes", "its job properly. > > > So, no other choice but to rely", "doing it right. I noticed I'm using the word \"he\" so often (the", "drop of > water would fall on his nape, the shivers pulling him", "faint yet sharp throbbing pain > from the back of his head. >", "the > door flew open. > > > “Damn it,” he cursed through", "> How did I end up in this place again? He squinted at", "he could've used > sunlight to tell the time. > > > Speaking", "instead, ignoring the water > falling water on his nape, the sensation of", "slept—maybe if he rested his mind—everything would > come back. > > >", "time. > > > Speaking of time, he had a pocket watch with", "his mind—everything would > come back. > > > But his plans of", "> skin. Maybe if he slept—maybe if he rested his mind—everything would >", "might have been hours already since he was brought here; he > couldn’t", "him wince. A concussion? Aside from the memory loss, > there was confusion.", "it > could have been more. The room had no windows; he could've", "old memory—even if it was > currently a dud. > > > He", "from > falling asleep. Each time his eyes were to droop, a single", "to rely on good old memory—even if it was > currently a dud.", "word \"he\" so often (the character's guy by the way) and I'm afraid", "the chair. > > > Am I abusing the \"he\" in this? Is", "I'm using the word \"he\" so often (the character's guy by the way)", "And each time this happened, his eyes would always meet with the oil", "Great. At least the faint, > festive-like merriment from the outside passed through", "mind—everything would > come back. > > > But his plans of some", "if he slept—maybe if he rested his mind—everything would > come back. >", "confusion. He also felt he was out for a swim in the ocean", "> “Damn it,” he cursed through gritted teeth after nearly falling off >", "the dark and > damp cellar he was in. > > > He", "that confident if I'm doing it right. I noticed I'm using the word", "sunlight to tell the time. > > > Speaking of time, he had", "windows; he could've used > sunlight to tell the time. > > >", "He wanted to scream > for his captors to come down and answer", "his > skin. Maybe if he slept—maybe if he rested his mind—everything would", "a good two meters away, its red-orange > and yellow flame casting funny", "have been hours already since he was brought here; he > couldn’t tell", "guy by the way) and I'm afraid that I'm \"telling\" more than \"showing.\"", "it was > currently a dud. > > > He closed his eyes", "chapter: > > Cold drops of water falling from the ceiling prevented Ian", "Speaking of time, he had a pocket watch with him. Where could it", "already since he was brought here; he > couldn’t tell exactly. But judging", "ocean . > . . > > > Hope it’s mild. He was", "shivers pulling him back to reality. > And each time this happened, his", "> > > Nothing—still. What came about was a faint yet sharp throbbing", "were to droop, a single drop of > water would fall on his", "couldn’t tell exactly. But judging on how soaked his tunic was, it >", "on good old memory—even if it was > currently a dud. > >", "concussion?* Aside from the memory loss, > there was confusion. He also felt", "it would spout some answers. He wanted to scream > for his captors", "that I'm \"telling\" more than \"showing.\" Here is a sample from my first", "> The pain made him wince. A concussion? Aside from the memory loss,", "through gritted teeth after nearly falling off > the chair. > > >", "pain > from the back of his head. > > > Maybe Ian", "> come back. > > > But his plans of some shut-eye and", "fantasy story in third person and I'm not that confident if I'm doing", "But judging on how soaked his tunic was, it > could have been", "on sleeping instead, ignoring the water > falling water on his nape, the", "a dud. > > > He closed his eyes and rummaged his memories", "to his > skin. Maybe if he slept—maybe if he rested his mind—everything", "memories for any possible clues. > > > Nothing—still. What came about was", "two meters away, its red-orange > and yellow flame casting funny looking shadows", "he cursed through gritted teeth after nearly falling off > the chair. >", "pain made him wince. A concussion? Aside from the memory loss, > there", "chair. > > > Am I abusing the \"he\" in this? Is it", "and I'm afraid that I'm \"telling\" more than \"showing.\" Here is a sample", "he was in. > > > He would’ve done something about it—but with", "rested his mind—everything would > come back. > > > But his plans", "of his head. > > > Maybe Ian should stop; he'd been doing", "more than \"showing.\" Here is a sample from my first chapter: > >", "(the character's guy by the way) and I'm afraid that I'm \"telling\" more", "time this happened, his eyes would always meet with the oil > lamp", "water would fall on his nape, the shivers pulling him back to reality.", "everything—and fast. He closed his eyes and focused on sleeping instead, ignoring the", "to droop, a single drop of > water would fall on his nape,", "of > water would fall on his nape, the shivers pulling him back", "was a faint yet sharp throbbing pain > from the back of his", "The pain made him wince. A concussion? Aside from the memory loss, >", "> water would fall on his nape, the shivers pulling him back to", "> couldn’t tell exactly. But judging on how soaked his tunic was, it", "What came about was a faint yet sharp throbbing pain > from the", "> Cold drops of water falling from the ceiling prevented Ian from >", "at the flame of the oil lamp, as if it would spout some", "nape, the shivers pulling him back to reality. > And each time this", "could have been more. The room had no windows; he could've used >", "for a swim in the ocean . > . . > > >", "much. > > > It might have been hours already since he was", "here; he > couldn’t tell exactly. But judging on how soaked his tunic", "> So, no other choice but to rely on good old memory—even if", "used > sunlight to tell the time. > > > Speaking of time,", "using the word \"he\" so often (the character's guy by the way) and", "and his mouth gagged with a cloth, he couldn't do anything much. >", "and yellow flame casting funny looking shadows all around the dark and >", "to tell the time. > > > Speaking of time, he had a", "> > Am I abusing the \"he\" in this? Is it too filter-y?", "time his eyes were to droop, a single drop of > water would", "he'd been doing the same thing since earlier > but always got the", "> walls, making him feel he had some company. > > > How", "would always meet with the oil > lamp on top of a wooden", "if it would spout some answers. He wanted to scream > for his", "> > > But his plans of some shut-eye and relaxation got scrapped", "I'm writing a fantasy story in third person and I'm not that confident", "He closed his eyes and rummaged his memories for any possible clues. >", "with his hands bound to a > chair and his mouth gagged with", "did I end up in this place again? He squinted at the flame", "Or was it taken? > > > No windows. No sunlight. No watch.", "his eyes and rummaged his memories for any possible clues. > > >", "> Maybe Ian should stop; he'd been doing the same thing since earlier", "the way) and I'm afraid that I'm \"telling\" more than \"showing.\" Here is", "done something about it—but with his hands bound to a > chair and", "couldn't do anything much. > > > It might have been hours already", "> door flew open. > > > “Damn it,” he cursed through gritted", "the oil lamp, as if it would spout some answers. He wanted to", "been hours already since he was brought here; he > couldn’t tell exactly.", "watch. Great. At least the faint, > festive-like merriment from the outside passed", "outside passed through the thick > walls, making him feel he had some", "no windows; he could've used > sunlight to tell the time. > >", "a pocket watch with him. Where could it be? > Did he dropped", "> > “Damn it,” he cursed through gritted teeth after nearly falling off", "loss, > there was confusion. He also felt he was out for a", "> > The pain made him wince. A concussion? Aside from the memory", "his mouth gagged with a cloth, he couldn't do anything much. > >", "of some shut-eye and relaxation got scrapped when the > door flew open.", "got scrapped when the > door flew open. > > > “Damn it,”", "it,” he cursed through gritted teeth after nearly falling off > the chair.", "would spout some answers. He wanted to scream > for his captors to", "hands bound to a > chair and his mouth gagged with a cloth,", "> > How did I end up in this place again? He squinted", "> > He closed his eyes and rummaged his memories for any possible", "reality. > And each time this happened, his eyes would always meet with", "this happened, his eyes would always meet with the oil > lamp on", "sticking to his > skin. Maybe if he slept—maybe if he rested his", "> > Speaking of time, he had a pocket watch with him. Where", "the shivers pulling him back to reality. > And each time this happened,", "flame casting funny looking shadows all around the dark and > damp cellar", "flame of the oil lamp, as if it would spout some answers. He", "and rummaged his memories for any possible clues. > > > Nothing—still. What", "thick > walls, making him feel he had some company. > > >", "> from the back of his head. > > > Maybe Ian should", "came about was a faint yet sharp throbbing pain > from the back", "Ian should stop; he'd been doing the same thing since earlier > but", "he dropped it? Or was it taken? > > > No windows. No", "a faint yet sharp throbbing pain > from the back of his head.", "tell exactly. But judging on how soaked his tunic was, it > could", "brought here; he > couldn’t tell exactly. But judging on how soaked his", "off > the chair. > > > Am I abusing the \"he\" in", "least the faint, > festive-like merriment from the outside passed through the thick", "> there was confusion. He also felt he was out for a swim", "often (the character's guy by the way) and I'm afraid that I'm \"telling\"", "> > > The pain made him wince. A concussion? Aside from the", "happened, his eyes would always meet with the oil > lamp on top", "sensation of his shirt sticking to his > skin. Maybe if he slept—maybe", "No watch. Great. At least the faint, > festive-like merriment from the outside", "Aside from the memory loss, > there was confusion. He also felt he", "to scream > for his captors to come down and answer his question—and", "after nearly falling off > the chair. > > > Am I abusing", "damp cellar he was in. > > > He would’ve done something about", "red-orange > and yellow flame casting funny looking shadows all around the dark", "back. > > > But his plans of some shut-eye and relaxation got" ]
[ "a ring of invisibility from a dwarf. However the protagonist completes their quest", "overcome. Now, let's say that your main character is not in an exciting", "to be difficult and there must be obstacles for them to overcome. Now,", "profession (in my case he works in an office). He doesn't need to", "is to make sure that the characters work for their achievements. Perhaps before", "exciting profession (in my case he works in an office). He doesn't need", "not convinced this works especially well. How can I make a quest for", "convinced this works especially well. How can I make a quest for knowledge", "ring of invisibility from a dwarf. However the protagonist completes their quest it", "the characters work for their achievements. Perhaps before they can slay the dragon", "storyline is to make sure that the characters work for their achievements. Perhaps", "magic sword to complete his quest, he needs to have a really good", "be difficult and there must be obstacles for them to overcome. Now, let's", "office). He doesn't need to find a magic sword to complete his quest,", "metaphor which will jog his thinking but I'm not convinced this works especially", "make sure that the characters work for their achievements. Perhaps before they can", "office and present a dubious metaphor which will jog his thinking but I'm", "a really good idea... At the moment I tend to try to take", "and rescue the princess the knight has to complete a quest for a", "for their achievements. Perhaps before they can slay the dragon and rescue the", "However the protagonist completes their quest it needs to be difficult and there", "dubious metaphor which will jog his thinking but I'm not convinced this works", "quest it needs to be difficult and there must be obstacles for them", "good storyline is to make sure that the characters work for their achievements.", "have a really good idea... At the moment I tend to try to", "the main rules for developing a good storyline is to make sure that", "there must be obstacles for them to overcome. Now, let's say that your", "to get a magic sword, or win a ring of invisibility from a", "their achievements. Perhaps before they can slay the dragon and rescue the princess", "protagonist completes their quest it needs to be difficult and there must be", "them to overcome. Now, let's say that your main character is not in", "my character out of the office and present a dubious metaphor which will", "knight has to complete a quest for a scarecrow to get a magic", "my case he works in an office). He doesn't need to find a", "the protagonist completes their quest it needs to be difficult and there must", "rules for developing a good storyline is to make sure that the characters", "character out of the office and present a dubious metaphor which will jog", "for developing a good storyline is to make sure that the characters work", "difficult and there must be obstacles for them to overcome. Now, let's say", "to overcome. Now, let's say that your main character is not in an", "let's say that your main character is not in an exciting profession (in", "find a magic sword to complete his quest, he needs to have a", "to have a really good idea... At the moment I tend to try", "your main character is not in an exciting profession (in my case he", "the princess the knight has to complete a quest for a scarecrow to", "and there must be obstacles for them to overcome. Now, let's say that", "slay the dragon and rescue the princess the knight has to complete a", "main rules for developing a good storyline is to make sure that the", "win a ring of invisibility from a dwarf. However the protagonist completes their", "quest for a scarecrow to get a magic sword, or win a ring", "and present a dubious metaphor which will jog his thinking but I'm not", "developing a good storyline is to make sure that the characters work for", "scarecrow to get a magic sword, or win a ring of invisibility from", "for a scarecrow to get a magic sword, or win a ring of", "needs to have a really good idea... At the moment I tend to", "needs to be difficult and there must be obstacles for them to overcome.", "the dragon and rescue the princess the knight has to complete a quest", "works especially well. How can I make a quest for knowledge difficult and", "dragon and rescue the princess the knight has to complete a quest for", "work for their achievements. Perhaps before they can slay the dragon and rescue", "can slay the dragon and rescue the princess the knight has to complete", "get a magic sword, or win a ring of invisibility from a dwarf.", "out of the office and present a dubious metaphor which will jog his", "works in an office). He doesn't need to find a magic sword to", "in an exciting profession (in my case he works in an office). He", "the knight has to complete a quest for a scarecrow to get a", "before they can slay the dragon and rescue the princess the knight has", "case he works in an office). He doesn't need to find a magic", "in an office). He doesn't need to find a magic sword to complete", "character is not in an exciting profession (in my case he works in", "achievements. Perhaps before they can slay the dragon and rescue the princess the", "a dubious metaphor which will jog his thinking but I'm not convinced this", "a quest for a scarecrow to get a magic sword, or win a", "to make sure that the characters work for their achievements. Perhaps before they", "(in my case he works in an office). He doesn't need to find", "this works especially well. How can I make a quest for knowledge difficult", "jog his thinking but I'm not convinced this works especially well. How can", "that your main character is not in an exciting profession (in my case", "One of the main rules for developing a good storyline is to make", "to take my character out of the office and present a dubious metaphor", "the moment I tend to try to take my character out of the", "his quest, he needs to have a really good idea... At the moment", "that the characters work for their achievements. Perhaps before they can slay the", "princess the knight has to complete a quest for a scarecrow to get", "of the main rules for developing a good storyline is to make sure", "really good idea... At the moment I tend to try to take my", "main character is not in an exciting profession (in my case he works", "or win a ring of invisibility from a dwarf. However the protagonist completes", "to find a magic sword to complete his quest, he needs to have", "a magic sword to complete his quest, he needs to have a really", "which will jog his thinking but I'm not convinced this works especially well.", "of the office and present a dubious metaphor which will jog his thinking", "his thinking but I'm not convinced this works especially well. How can I", "take my character out of the office and present a dubious metaphor which", "a good storyline is to make sure that the characters work for their", "moment I tend to try to take my character out of the office", "must be obstacles for them to overcome. Now, let's say that your main", "I tend to try to take my character out of the office and", "a scarecrow to get a magic sword, or win a ring of invisibility", "rescue the princess the knight has to complete a quest for a scarecrow", "sure that the characters work for their achievements. Perhaps before they can slay", "they can slay the dragon and rescue the princess the knight has to", "an exciting profession (in my case he works in an office). He doesn't", "say that your main character is not in an exciting profession (in my", "He doesn't need to find a magic sword to complete his quest, he", "dwarf. However the protagonist completes their quest it needs to be difficult and", "thinking but I'm not convinced this works especially well. How can I make", "At the moment I tend to try to take my character out of", "invisibility from a dwarf. However the protagonist completes their quest it needs to", "from a dwarf. However the protagonist completes their quest it needs to be", "a dwarf. However the protagonist completes their quest it needs to be difficult", "try to take my character out of the office and present a dubious", "tend to try to take my character out of the office and present", "he works in an office). He doesn't need to find a magic sword", "to try to take my character out of the office and present a", "he needs to have a really good idea... At the moment I tend", "complete his quest, he needs to have a really good idea... At the", "completes their quest it needs to be difficult and there must be obstacles", "idea... At the moment I tend to try to take my character out", "to complete a quest for a scarecrow to get a magic sword, or", "characters work for their achievements. Perhaps before they can slay the dragon and", "for them to overcome. Now, let's say that your main character is not", "it needs to be difficult and there must be obstacles for them to", "but I'm not convinced this works especially well. How can I make a", "to complete his quest, he needs to have a really good idea... At", "doesn't need to find a magic sword to complete his quest, he needs", "their quest it needs to be difficult and there must be obstacles for", "present a dubious metaphor which will jog his thinking but I'm not convinced", "has to complete a quest for a scarecrow to get a magic sword,", "obstacles for them to overcome. Now, let's say that your main character is", "need to find a magic sword to complete his quest, he needs to", "good idea... At the moment I tend to try to take my character", "a magic sword, or win a ring of invisibility from a dwarf. However", "the office and present a dubious metaphor which will jog his thinking but", "I'm not convinced this works especially well. How can I make a quest", "not in an exciting profession (in my case he works in an office).", "Perhaps before they can slay the dragon and rescue the princess the knight", "complete a quest for a scarecrow to get a magic sword, or win", "sword, or win a ring of invisibility from a dwarf. However the protagonist", "Now, let's say that your main character is not in an exciting profession", "be obstacles for them to overcome. Now, let's say that your main character", "sword to complete his quest, he needs to have a really good idea...", "magic sword, or win a ring of invisibility from a dwarf. However the", "especially well. How can I make a quest for knowledge difficult and interesting?", "of invisibility from a dwarf. However the protagonist completes their quest it needs", "is not in an exciting profession (in my case he works in an", "an office). He doesn't need to find a magic sword to complete his", "quest, he needs to have a really good idea... At the moment I", "will jog his thinking but I'm not convinced this works especially well. How" ]
[ "don'ts I should consider? Thanks in advance. Update I have started to pen", "consider? Thanks in advance. Update I have started to pen my story. I", "satisfied with how the story was unfolding but I failed miserably to learn", "comic strip. I came up with a title for my comic and planned", "in advance. Update I have started to pen my story. I hope I", "with how the story was unfolding but I failed miserably to learn drawing.", "to learn drawing. Therefore I had to quit. After two years, I want", "a three-panel comic format. I wrote six episodes. I'm satisfied with how the", "comic format. I wrote six episodes. I'm satisfied with how the story was", "pen my story. I hope I can complete it. I apologize it's very", "I pledged to publish my first comic. To do that, I had to", "I can complete it. I apologize it's very difficult to chose a best", "translate those panel acts into story. Is there any rules or guidelines I", "there any rules or guidelines I should follow? Any dos and don'ts I", "rules or guidelines I should follow? Any dos and don'ts I should consider?", "miserably to learn drawing. Therefore I had to quit. After two years, I", "to quit. After two years, I want to publish my story but as", "learn drawing and learn to make comic strip. I came up with a", "my comic and planned the story in a three-panel comic format. I wrote", "or guidelines I should follow? Any dos and don'ts I should consider? Thanks", "advance. Update I have started to pen my story. I hope I can", "After two years, I want to publish my story but as a novel", "any rules or guidelines I should follow? Any dos and don'ts I should", "pledged to publish my first comic. To do that, I had to learn", "story in a three-panel comic format. I wrote six episodes. I'm satisfied with", "quit. After two years, I want to publish my story but as a", "learn drawing. Therefore I had to quit. After two years, I want to", "format. I wrote six episodes. I'm satisfied with how the story was unfolding", "ago I pledged to publish my first comic. To do that, I had", "story. I hope I can complete it. I apologize it's very difficult to", "unfolding but I failed miserably to learn drawing. Therefore I had to quit.", "for my comic and planned the story in a three-panel comic format. I", "(not a graphic novel) and I have no idea how am I going", "story. Is there any rules or guidelines I should follow? Any dos and", "years ago I pledged to publish my first comic. To do that, I", "had to quit. After two years, I want to publish my story but", "two years, I want to publish my story but as a novel (not", "do that, I had to learn drawing and learn to make comic strip.", "dos and don'ts I should consider? Thanks in advance. Update I have started", "I should consider? Thanks in advance. Update I have started to pen my", "going to translate those panel acts into story. Is there any rules or", "and I have no idea how am I going to translate those panel", "those panel acts into story. Is there any rules or guidelines I should", "and learn to make comic strip. I came up with a title for", "and planned the story in a three-panel comic format. I wrote six episodes.", "acts into story. Is there any rules or guidelines I should follow? Any", "to publish my story but as a novel (not a graphic novel) and", "I have started to pen my story. I hope I can complete it.", "I hope I can complete it. I apologize it's very difficult to chose", "the story was unfolding but I failed miserably to learn drawing. Therefore I", "graphic novel) and I have no idea how am I going to translate", "comic. To do that, I had to learn drawing and learn to make", "Two years ago I pledged to publish my first comic. To do that,", "to publish my first comic. To do that, I had to learn drawing", "came up with a title for my comic and planned the story in", "but as a novel (not a graphic novel) and I have no idea", "Is there any rules or guidelines I should follow? Any dos and don'ts", "learn to make comic strip. I came up with a title for my", "into story. Is there any rules or guidelines I should follow? Any dos", "my first comic. To do that, I had to learn drawing and learn", "I came up with a title for my comic and planned the story", "I wrote six episodes. I'm satisfied with how the story was unfolding but", "should follow? Any dos and don'ts I should consider? Thanks in advance. Update", "but I failed miserably to learn drawing. Therefore I had to quit. After", "publish my story but as a novel (not a graphic novel) and I", "I had to quit. After two years, I want to publish my story", "how am I going to translate those panel acts into story. Is there", "a title for my comic and planned the story in a three-panel comic", "follow? Any dos and don'ts I should consider? Thanks in advance. Update I", "To do that, I had to learn drawing and learn to make comic", "have started to pen my story. I hope I can complete it. I", "to make comic strip. I came up with a title for my comic", "that, I had to learn drawing and learn to make comic strip. I", "first comic. To do that, I had to learn drawing and learn to", "guidelines I should follow? Any dos and don'ts I should consider? Thanks in", "as a novel (not a graphic novel) and I have no idea how", "up with a title for my comic and planned the story in a", "am I going to translate those panel acts into story. Is there any", "started to pen my story. I hope I can complete it. I apologize", "complete it. I apologize it's very difficult to chose a best answer right", "no idea how am I going to translate those panel acts into story.", "panel acts into story. Is there any rules or guidelines I should follow?", "how the story was unfolding but I failed miserably to learn drawing. Therefore", "planned the story in a three-panel comic format. I wrote six episodes. I'm", "a graphic novel) and I have no idea how am I going to", "Update I have started to pen my story. I hope I can complete", "I going to translate those panel acts into story. Is there any rules", "drawing and learn to make comic strip. I came up with a title", "I want to publish my story but as a novel (not a graphic", "was unfolding but I failed miserably to learn drawing. Therefore I had to", "I have no idea how am I going to translate those panel acts", "three-panel comic format. I wrote six episodes. I'm satisfied with how the story", "I'm satisfied with how the story was unfolding but I failed miserably to", "wrote six episodes. I'm satisfied with how the story was unfolding but I", "have no idea how am I going to translate those panel acts into", "I had to learn drawing and learn to make comic strip. I came", "can complete it. I apologize it's very difficult to chose a best answer", "make comic strip. I came up with a title for my comic and", "hope I can complete it. I apologize it's very difficult to chose a", "episodes. I'm satisfied with how the story was unfolding but I failed miserably", "novel (not a graphic novel) and I have no idea how am I", "Any dos and don'ts I should consider? Thanks in advance. Update I have", "idea how am I going to translate those panel acts into story. Is", "and don'ts I should consider? Thanks in advance. Update I have started to", "story was unfolding but I failed miserably to learn drawing. Therefore I had", "Therefore I had to quit. After two years, I want to publish my", "to pen my story. I hope I can complete it. I apologize it's", "my story but as a novel (not a graphic novel) and I have", "in a three-panel comic format. I wrote six episodes. I'm satisfied with how", "want to publish my story but as a novel (not a graphic novel)", "had to learn drawing and learn to make comic strip. I came up", "the story in a three-panel comic format. I wrote six episodes. I'm satisfied", "my story. I hope I can complete it. I apologize it's very difficult", "years, I want to publish my story but as a novel (not a", "six episodes. I'm satisfied with how the story was unfolding but I failed", "story but as a novel (not a graphic novel) and I have no", "publish my first comic. To do that, I had to learn drawing and", "to learn drawing and learn to make comic strip. I came up with", "novel) and I have no idea how am I going to translate those", "failed miserably to learn drawing. Therefore I had to quit. After two years,", "I failed miserably to learn drawing. Therefore I had to quit. After two", "Thanks in advance. Update I have started to pen my story. I hope", "to translate those panel acts into story. Is there any rules or guidelines", "it. I apologize it's very difficult to chose a best answer right now.", "I should follow? Any dos and don'ts I should consider? Thanks in advance.", "strip. I came up with a title for my comic and planned the", "a novel (not a graphic novel) and I have no idea how am", "with a title for my comic and planned the story in a three-panel", "title for my comic and planned the story in a three-panel comic format.", "comic and planned the story in a three-panel comic format. I wrote six", "drawing. Therefore I had to quit. After two years, I want to publish", "should consider? Thanks in advance. Update I have started to pen my story." ]
[ "subconscious drew her in. She could only gaze at those wondrous things in", "something fresh and matured, pieces that deal with inherently deep issues (the likes", "experience with anything of that sort. Yes, I could read up on writings", "that you have a narrative at all. So what I just do is", "might try to act like I really know what I'm doing but I", "now and I'm currently preparing for my IGCSEs with a ton of subjects", "in the paper, there is an entire section dedicated to creative writing. This", "my creative writing skills fresh and in good use. Also, I get to", "loads of different topics and themes. This way I'll be keeping my creative", "much about it, I worry that I will resort to covering it up", "straight, whirling out of the silky, duvet sheets. > > > Soppy, ridiculous", "part awe. > > > SNAP. > > > A rush of noise", "deal with inherently deep issues (the likes of slavery and gender inequality) with", "writing can fix that. The \"sophistication\" element is what it'll lack. I'm struggling", "had tried those things firsthand. All attempts at coming up with anything decent", "paper, there is an entire section dedicated to creative writing. This section usually", "with a variety of ideas/themes, effectively preparing me for tackling whatever topic the", "afraid no amount of literary techniques or genius writing can fix that. The", "with a ton of subjects to juggle through and revise. English Language is", "that. The \"sophistication\" element is what it'll lack. I'm struggling to describe the", "ton of subjects to juggle through and revise. English Language is one of", "on writings by people who do have that experience, those who can connect", "could if I had tried those things firsthand. All attempts at coming up", "or narrative essay on. Our teacher advises us to always choose writing a", "in this: > > Impossible colours swirled in her head, blurring her senses.", "by people who do have that experience, those who can connect with the", "addiction or prostitution, the problem is I might try to act like I", "apparently it's easier to pull more marks by virtue of the fact that", "true writer. I'm about 14 now and I'm currently preparing for my IGCSEs", "of a better word). But when it comes to sensitive topics like drug", "act like I really know what I'm doing but I will probably still", "still would help me pull it through. I simply cannot describe it as", "I get to experiment with a variety of ideas/themes, effectively preparing me for", "us to always choose writing a story (which would mean picking the narrative", "issues (the likes of slavery and gender inequality) with a certain level of", "the experiences of an intoxicated teen specifically. This is the theme I'm working", "level of \"sophistication\" (for the lack of a better word). But when it", "to juggle through and revise. English Language is one of the subjects, and", "personal level, but I don't think it still would help me pull it", "and gender inequality) with a certain level of \"sophistication\" (for the lack of", "I'm afraid no amount of literary techniques or genius writing can fix that.", "don't think it still would help me pull it through. I simply cannot", "for my IGCSEs with a ton of subjects to juggle through and revise.", "probably still end up coming across as the naive kid that I am.", "fear and part awe. > > > SNAP. > > > A rush", "on). Now the examiners are looking for something fresh and matured, pieces that", "the silky, duvet sheets. > > > Soppy, ridiculous prose. Of course, I", "topic on a personal level, but I don't think it still would help", "sounded, jolting her out of the reverie. She sat up bolt straight, whirling", "lack of a better word). But when it comes to sensitive topics like", "snippet from any actual piece of mine. Please don't bother analysing it. I", "jolting her out of the reverie. She sat up bolt straight, whirling out", "IGCSEs with a ton of subjects to juggle through and revise. English Language", "a better word). But when it comes to sensitive topics like drug addiction", "> > A rush of noise sounded, jolting her out of the reverie.", "of an idea on the effects of alcohol/drugs and how they could make", "any actual piece of mine. Please don't bother analysing it. I was intentionally", "having nothing remarkable to write of intoxication, as I really don't know much", "things firsthand. All attempts at coming up with anything decent about intoxication have", "mean is that having nothing remarkable to write of intoxication, as I really", "and point that out to me. What I mean is that having nothing", "my IGCSEs with a ton of subjects to juggle through and revise. English", "tried those things firsthand. All attempts at coming up with anything decent about", "for a creative writing task. Each option gives a topic/title to write either", "I really don't know much about it, I worry that I will resort", "Each option gives a topic/title to write either a descriptive essay, argumentative essay,", "good use. Also, I get to experiment with a variety of ideas/themes, effectively", "the fact that you have a narrative at all. So what I just", "(which would mean picking the narrative essay option), as apparently it's easier to", "creative writing. This section usually consists of 3-4 options for a creative writing", "I'm struggling to describe the experiences of an intoxicated teen specifically. This is", "naive kid that I am. And I'm afraid no amount of literary techniques", "Now I wouldn't call myself a true writer. I'm about 14 now and", "course, I don't actually write like that, nor is that a snippet from", "preparing for my IGCSEs with a ton of subjects to juggle through and", "Now the examiners are looking for something fresh and matured, pieces that deal", "effect/emphasis—you needn't go and point that out to me. What I mean is", "have any real experience with anything of that sort. Yes, I could read", "of noise sounded, jolting her out of the reverie. She sat up bolt", "theme I'm working on at the moment. While I do have somewhat of", "a descriptive essay, argumentative essay, or narrative essay on. Our teacher advises us", "inequality) with a certain level of \"sophistication\" (for the lack of a better", "gives a topic/title to write either a descriptive essay, argumentative essay, or narrative", "a creative writing task. Each option gives a topic/title to write either a", "like drug addiction or prostitution, the problem is I might try to act", "section usually consists of 3-4 options for a creative writing task. Each option", "pull it through. I simply cannot describe it as brilliantly and passionately as", "of the silky, duvet sheets. > > > Soppy, ridiculous prose. Of course,", "problem is I might try to act like I really know what I'm", "somewhat of an idea on the effects of alcohol/drugs and how they could", "a story on). Now the examiners are looking for something fresh and matured,", "writing short stories on loads of different topics and themes. This way I'll", "get to experiment with a variety of ideas/themes, effectively preparing me for tackling", "that I will resort to covering it up with flowery, over-the-top language and", "pull more marks by virtue of the fact that you have a narrative", "just do is practice writing short stories on loads of different topics and", "describe it as brilliantly and passionately as I could if I had tried", "bother analysing it. I was intentionally writing in purple for effect/emphasis—you needn't go", "revise. English Language is one of the subjects, and in the paper, there", "narrative at all. So what I just do is practice writing short stories", "but I will probably still end up coming across as the naive kid", "that having nothing remarkable to write of intoxication, as I really don't know", "with anything of that sort. Yes, I could read up on writings by", "up with anything decent about intoxication have resulted in this: > > Impossible", "was intentionally writing in purple for effect/emphasis—you needn't go and point that out", "really know what I'm doing but I will probably still end up coming", "option gives a topic/title to write either a descriptive essay, argumentative essay, or", "that out to me. What I mean is that having nothing remarkable to", "I'm working on at the moment. While I do have somewhat of an", "for effect/emphasis—you needn't go and point that out to me. What I mean", "end up coming across as the naive kid that I am. And I'm", "don't bother analysing it. I was intentionally writing in purple for effect/emphasis—you needn't", "alcohol/drugs and how they could make you feel, I do not have any", "on a personal level, but I don't think it still would help me", "dedicated to creative writing. This section usually consists of 3-4 options for a", "have resulted in this: > > Impossible colours swirled in her head, blurring", "to creative writing. This section usually consists of 3-4 options for a creative", "subjects to juggle through and revise. English Language is one of the subjects,", "of intoxication, as I really don't know much about it, I worry that", "people who do have that experience, those who can connect with the topic", "And I'm afraid no amount of literary techniques or genius writing can fix", "her senses. The technicolour blobs floating around in her subconscious drew her in.", "not have any real experience with anything of that sort. Yes, I could", "up on writings by people who do have that experience, those who can", "I will probably still end up coming across as the naive kid that", "at coming up with anything decent about intoxication have resulted in this: >", "consists of 3-4 options for a creative writing task. Each option gives a", "actual piece of mine. Please don't bother analysing it. I was intentionally writing", "me pull it through. I simply cannot describe it as brilliantly and passionately", "sheets. > > > Soppy, ridiculous prose. Of course, I don't actually write", "floating around in her subconscious drew her in. She could only gaze at", "her subconscious drew her in. She could only gaze at those wondrous things", "narrative essay option), as apparently it's easier to pull more marks by virtue", "exam board might throw (to write a story on). Now the examiners are", "lack. I'm struggling to describe the experiences of an intoxicated teen specifically. This", "who do have that experience, those who can connect with the topic on", "I am. And I'm afraid no amount of literary techniques or genius writing", "use. Also, I get to experiment with a variety of ideas/themes, effectively preparing", "out to me. What I mean is that having nothing remarkable to write", "an idea on the effects of alcohol/drugs and how they could make you", "duvet sheets. > > > Soppy, ridiculous prose. Of course, I don't actually", "experiment with a variety of ideas/themes, effectively preparing me for tackling whatever topic", "worry that I will resort to covering it up with flowery, over-the-top language", "and in the paper, there is an entire section dedicated to creative writing.", "(for the lack of a better word). But when it comes to sensitive", "and revise. English Language is one of the subjects, and in the paper,", "like that, nor is that a snippet from any actual piece of mine.", "anything decent about intoxication have resulted in this: > > Impossible colours swirled", "of literary techniques or genius writing can fix that. The \"sophistication\" element is", "am. And I'm afraid no amount of literary techniques or genius writing can", "> > > A rush of noise sounded, jolting her out of the", "deep issues (the likes of slavery and gender inequality) with a certain level", "whatever topic the exam board might throw (to write a story on). Now", "or genius writing can fix that. The \"sophistication\" element is what it'll lack.", "essay on. Our teacher advises us to always choose writing a story (which", "might throw (to write a story on). Now the examiners are looking for", "fix that. The \"sophistication\" element is what it'll lack. I'm struggling to describe", "gaze at those wondrous things in part fear and part awe. > >", "I do not have any real experience with anything of that sort. Yes,", "as I could if I had tried those things firsthand. All attempts at", "mean picking the narrative essay option), as apparently it's easier to pull more", "the topic on a personal level, but I don't think it still would", "I might try to act like I really know what I'm doing but", "narrative essay on. Our teacher advises us to always choose writing a story", "> > Soppy, ridiculous prose. Of course, I don't actually write like that,", "Impossible colours swirled in her head, blurring her senses. The technicolour blobs floating", "short stories on loads of different topics and themes. This way I'll be", "pieces that deal with inherently deep issues (the likes of slavery and gender", "would mean picking the narrative essay option), as apparently it's easier to pull", "topics like drug addiction or prostitution, the problem is I might try to", "is one of the subjects, and in the paper, there is an entire", "of the subjects, and in the paper, there is an entire section dedicated", "about intoxication have resulted in this: > > Impossible colours swirled in her", "task. Each option gives a topic/title to write either a descriptive essay, argumentative", "I just do is practice writing short stories on loads of different topics", "and part awe. > > > SNAP. > > > A rush of", "needn't go and point that out to me. What I mean is that", "who can connect with the topic on a personal level, but I don't", "the lack of a better word). But when it comes to sensitive topics", "you feel, I do not have any real experience with anything of that", "whirling out of the silky, duvet sheets. > > > Soppy, ridiculous prose.", "wondrous things in part fear and part awe. > > > SNAP. >", "prose. Of course, I don't actually write like that, nor is that a", "virtue of the fact that you have a narrative at all. So what", "to act like I really know what I'm doing but I will probably", "to pull more marks by virtue of the fact that you have a", "it'll lack. I'm struggling to describe the experiences of an intoxicated teen specifically.", "how they could make you feel, I do not have any real experience", "doing but I will probably still end up coming across as the naive", "I could if I had tried those things firsthand. All attempts at coming", "those things firsthand. All attempts at coming up with anything decent about intoxication", "a narrative at all. So what I just do is practice writing short", "The technicolour blobs floating around in her subconscious drew her in. She could", "more marks by virtue of the fact that you have a narrative at", "through. I simply cannot describe it as brilliantly and passionately as I could", "to describe the experiences of an intoxicated teen specifically. This is the theme", "topic the exam board might throw (to write a story on). Now the", "teacher advises us to always choose writing a story (which would mean picking", "I will resort to covering it up with flowery, over-the-top language and florid", "board might throw (to write a story on). Now the examiners are looking", "with the topic on a personal level, but I don't think it still", "could make you feel, I do not have any real experience with anything", "> > > Soppy, ridiculous prose. Of course, I don't actually write like", "things in part fear and part awe. > > > SNAP. > >", "> SNAP. > > > A rush of noise sounded, jolting her out", "as I really don't know much about it, I worry that I will", "the examiners are looking for something fresh and matured, pieces that deal with", "an entire section dedicated to creative writing. This section usually consists of 3-4", "I really know what I'm doing but I will probably still end up", "of ideas/themes, effectively preparing me for tackling whatever topic the exam board might", "inherently deep issues (the likes of slavery and gender inequality) with a certain", "(the likes of slavery and gender inequality) with a certain level of \"sophistication\"", "a variety of ideas/themes, effectively preparing me for tackling whatever topic the exam", "with anything decent about intoxication have resulted in this: > > Impossible colours", "I'll be keeping my creative writing skills fresh and in good use. Also,", "creative writing skills fresh and in good use. Also, I get to experiment", "intoxicated teen specifically. This is the theme I'm working on at the moment.", "prostitution, the problem is I might try to act like I really know", "of different topics and themes. This way I'll be keeping my creative writing", "and I'm currently preparing for my IGCSEs with a ton of subjects to", "reverie. She sat up bolt straight, whirling out of the silky, duvet sheets.", "of 3-4 options for a creative writing task. Each option gives a topic/title", "writing task. Each option gives a topic/title to write either a descriptive essay,", "no amount of literary techniques or genius writing can fix that. The \"sophistication\"", "I had tried those things firsthand. All attempts at coming up with anything", "sort. Yes, I could read up on writings by people who do have", "on loads of different topics and themes. This way I'll be keeping my", "simply cannot describe it as brilliantly and passionately as I could if I", "section dedicated to creative writing. This section usually consists of 3-4 options for", "skills fresh and in good use. Also, I get to experiment with a", "to write of intoxication, as I really don't know much about it, I", "genius writing can fix that. The \"sophistication\" element is what it'll lack. I'm", "write either a descriptive essay, argumentative essay, or narrative essay on. Our teacher", "a personal level, but I don't think it still would help me pull", "colours swirled in her head, blurring her senses. The technicolour blobs floating around", "technicolour blobs floating around in her subconscious drew her in. She could only", "would help me pull it through. I simply cannot describe it as brilliantly", "can fix that. The \"sophistication\" element is what it'll lack. I'm struggling to", "essay, argumentative essay, or narrative essay on. Our teacher advises us to always", "her in. She could only gaze at those wondrous things in part fear", "think it still would help me pull it through. I simply cannot describe", "write like that, nor is that a snippet from any actual piece of", "idea on the effects of alcohol/drugs and how they could make you feel,", "I simply cannot describe it as brilliantly and passionately as I could if", "do is practice writing short stories on loads of different topics and themes.", "fresh and in good use. Also, I get to experiment with a variety", "descriptive essay, argumentative essay, or narrative essay on. Our teacher advises us to", "are looking for something fresh and matured, pieces that deal with inherently deep", "Language is one of the subjects, and in the paper, there is an", "the naive kid that I am. And I'm afraid no amount of literary", "have somewhat of an idea on the effects of alcohol/drugs and how they", "with inherently deep issues (the likes of slavery and gender inequality) with a", "coming up with anything decent about intoxication have resulted in this: > >", "do not have any real experience with anything of that sort. Yes, I", "I do have somewhat of an idea on the effects of alcohol/drugs and", "subjects, and in the paper, there is an entire section dedicated to creative", "the reverie. She sat up bolt straight, whirling out of the silky, duvet", "at the moment. While I do have somewhat of an idea on the", "writings by people who do have that experience, those who can connect with", "of slavery and gender inequality) with a certain level of \"sophistication\" (for the", "She could only gaze at those wondrous things in part fear and part", "amount of literary techniques or genius writing can fix that. The \"sophistication\" element", "nor is that a snippet from any actual piece of mine. Please don't", "The \"sophistication\" element is what it'll lack. I'm struggling to describe the experiences", "for tackling whatever topic the exam board might throw (to write a story", "in her subconscious drew her in. She could only gaze at those wondrous", "\"sophistication\" (for the lack of a better word). But when it comes to", "> > Impossible colours swirled in her head, blurring her senses. The technicolour", "I wouldn't call myself a true writer. I'm about 14 now and I'm", "in part fear and part awe. > > > SNAP. > > >", "easier to pull more marks by virtue of the fact that you have", "really don't know much about it, I worry that I will resort to", "I'm about 14 now and I'm currently preparing for my IGCSEs with a", "real experience with anything of that sort. Yes, I could read up on", "> Impossible colours swirled in her head, blurring her senses. The technicolour blobs", "themes. This way I'll be keeping my creative writing skills fresh and in", "This is the theme I'm working on at the moment. While I do", "certain level of \"sophistication\" (for the lack of a better word). But when", "effectively preparing me for tackling whatever topic the exam board might throw (to", "attempts at coming up with anything decent about intoxication have resulted in this:", "all. So what I just do is practice writing short stories on loads", "choose writing a story (which would mean picking the narrative essay option), as", "you have a narrative at all. So what I just do is practice", "marks by virtue of the fact that you have a narrative at all.", "intoxication have resulted in this: > > Impossible colours swirled in her head,", "it, I worry that I will resort to covering it up with flowery,", "better word). But when it comes to sensitive topics like drug addiction or", "feel, I do not have any real experience with anything of that sort.", "at all. So what I just do is practice writing short stories on", "of \"sophistication\" (for the lack of a better word). But when it comes", "across as the naive kid that I am. And I'm afraid no amount", "techniques or genius writing can fix that. The \"sophistication\" element is what it'll", "is practice writing short stories on loads of different topics and themes. This", "do have that experience, those who can connect with the topic on a", "effects of alcohol/drugs and how they could make you feel, I do not", "experiences of an intoxicated teen specifically. This is the theme I'm working on", "those wondrous things in part fear and part awe. > > > SNAP.", "that, nor is that a snippet from any actual piece of mine. Please", "wouldn't call myself a true writer. I'm about 14 now and I'm currently", "it still would help me pull it through. I simply cannot describe it", "way I'll be keeping my creative writing skills fresh and in good use.", "could only gaze at those wondrous things in part fear and part awe.", "> > > SNAP. > > > A rush of noise sounded, jolting", "> > SNAP. > > > A rush of noise sounded, jolting her", "what I just do is practice writing short stories on loads of different", "Please don't bother analysing it. I was intentionally writing in purple for effect/emphasis—you", "is I might try to act like I really know what I'm doing", "read up on writings by people who do have that experience, those who", "matured, pieces that deal with inherently deep issues (the likes of slavery and", "practice writing short stories on loads of different topics and themes. This way", "sensitive topics like drug addiction or prostitution, the problem is I might try", "in purple for effect/emphasis—you needn't go and point that out to me. What", "This way I'll be keeping my creative writing skills fresh and in good", "what it'll lack. I'm struggling to describe the experiences of an intoxicated teen", "But when it comes to sensitive topics like drug addiction or prostitution, the", "throw (to write a story on). Now the examiners are looking for something", "of alcohol/drugs and how they could make you feel, I do not have", "if I had tried those things firsthand. All attempts at coming up with", "either a descriptive essay, argumentative essay, or narrative essay on. Our teacher advises", "do have somewhat of an idea on the effects of alcohol/drugs and how", "write a story on). Now the examiners are looking for something fresh and", "experience, those who can connect with the topic on a personal level, but", "have that experience, those who can connect with the topic on a personal", "swirled in her head, blurring her senses. The technicolour blobs floating around in", "tackling whatever topic the exam board might throw (to write a story on).", "I don't actually write like that, nor is that a snippet from any", "variety of ideas/themes, effectively preparing me for tackling whatever topic the exam board", "Soppy, ridiculous prose. Of course, I don't actually write like that, nor is", "All attempts at coming up with anything decent about intoxication have resulted in", "story (which would mean picking the narrative essay option), as apparently it's easier", "on the effects of alcohol/drugs and how they could make you feel, I", "I could read up on writings by people who do have that experience,", "drew her in. She could only gaze at those wondrous things in part", "what I'm doing but I will probably still end up coming across as", "is an entire section dedicated to creative writing. This section usually consists of", "options for a creative writing task. Each option gives a topic/title to write", "and matured, pieces that deal with inherently deep issues (the likes of slavery", "as brilliantly and passionately as I could if I had tried those things", "firsthand. All attempts at coming up with anything decent about intoxication have resulted", "like I really know what I'm doing but I will probably still end", "in. She could only gaze at those wondrous things in part fear and", "I'm currently preparing for my IGCSEs with a ton of subjects to juggle", "gender inequality) with a certain level of \"sophistication\" (for the lack of a", "about it, I worry that I will resort to covering it up with", "a true writer. I'm about 14 now and I'm currently preparing for my", "with a certain level of \"sophistication\" (for the lack of a better word).", "try to act like I really know what I'm doing but I will", "in good use. Also, I get to experiment with a variety of ideas/themes,", "teen specifically. This is the theme I'm working on at the moment. While", "for something fresh and matured, pieces that deal with inherently deep issues (the", "call myself a true writer. I'm about 14 now and I'm currently preparing", "What I mean is that having nothing remarkable to write of intoxication, as", "resulted in this: > > Impossible colours swirled in her head, blurring her", "essay option), as apparently it's easier to pull more marks by virtue of", "any real experience with anything of that sort. Yes, I could read up", "connect with the topic on a personal level, but I don't think it", "that a snippet from any actual piece of mine. Please don't bother analysing", "the narrative essay option), as apparently it's easier to pull more marks by", "and passionately as I could if I had tried those things firsthand. All", "noise sounded, jolting her out of the reverie. She sat up bolt straight,", "by virtue of the fact that you have a narrative at all. So", "fresh and matured, pieces that deal with inherently deep issues (the likes of", "of that sort. Yes, I could read up on writings by people who", "examiners are looking for something fresh and matured, pieces that deal with inherently", "help me pull it through. I simply cannot describe it as brilliantly and", "remarkable to write of intoxication, as I really don't know much about it,", "make you feel, I do not have any real experience with anything of", "likes of slavery and gender inequality) with a certain level of \"sophistication\" (for", "this: > > Impossible colours swirled in her head, blurring her senses. The", "looking for something fresh and matured, pieces that deal with inherently deep issues", "argumentative essay, or narrative essay on. Our teacher advises us to always choose", "is that a snippet from any actual piece of mine. Please don't bother", "writing skills fresh and in good use. Also, I get to experiment with", "of an intoxicated teen specifically. This is the theme I'm working on at", "to sensitive topics like drug addiction or prostitution, the problem is I might", "writing a story (which would mean picking the narrative essay option), as apparently", "coming across as the naive kid that I am. And I'm afraid no", "only gaze at those wondrous things in part fear and part awe. >", "keeping my creative writing skills fresh and in good use. Also, I get", "entire section dedicated to creative writing. This section usually consists of 3-4 options", "about 14 now and I'm currently preparing for my IGCSEs with a ton", "creative writing task. Each option gives a topic/title to write either a descriptive", "Also, I get to experiment with a variety of ideas/themes, effectively preparing me", "(to write a story on). Now the examiners are looking for something fresh", "> A rush of noise sounded, jolting her out of the reverie. She", "me for tackling whatever topic the exam board might throw (to write a", "always choose writing a story (which would mean picking the narrative essay option),", "will resort to covering it up with flowery, over-the-top language and florid imagery.", "actually write like that, nor is that a snippet from any actual piece", "different topics and themes. This way I'll be keeping my creative writing skills", "that sort. Yes, I could read up on writings by people who do", "as the naive kid that I am. And I'm afraid no amount of", "myself a true writer. I'm about 14 now and I'm currently preparing for", "they could make you feel, I do not have any real experience with", "write of intoxication, as I really don't know much about it, I worry", "slavery and gender inequality) with a certain level of \"sophistication\" (for the lack", "can connect with the topic on a personal level, but I don't think", "Our teacher advises us to always choose writing a story (which would mean", "ideas/themes, effectively preparing me for tackling whatever topic the exam board might throw", "at those wondrous things in part fear and part awe. > > >", "head, blurring her senses. The technicolour blobs floating around in her subconscious drew", "of the reverie. She sat up bolt straight, whirling out of the silky,", "juggle through and revise. English Language is one of the subjects, and in", "struggling to describe the experiences of an intoxicated teen specifically. This is the", "still end up coming across as the naive kid that I am. And", "blobs floating around in her subconscious drew her in. She could only gaze", "to write either a descriptive essay, argumentative essay, or narrative essay on. Our", "passionately as I could if I had tried those things firsthand. All attempts", "out of the silky, duvet sheets. > > > Soppy, ridiculous prose. Of", "currently preparing for my IGCSEs with a ton of subjects to juggle through", "and in good use. Also, I get to experiment with a variety of", "writing. This section usually consists of 3-4 options for a creative writing task.", "topic/title to write either a descriptive essay, argumentative essay, or narrative essay on.", "her head, blurring her senses. The technicolour blobs floating around in her subconscious", "I mean is that having nothing remarkable to write of intoxication, as I", "decent about intoxication have resulted in this: > > Impossible colours swirled in", "element is what it'll lack. I'm struggling to describe the experiences of an", "the moment. While I do have somewhat of an idea on the effects", "of mine. Please don't bother analysing it. I was intentionally writing in purple", "go and point that out to me. What I mean is that having", "describe the experiences of an intoxicated teen specifically. This is the theme I'm", "up bolt straight, whirling out of the silky, duvet sheets. > > >", "point that out to me. What I mean is that having nothing remarkable", "working on at the moment. While I do have somewhat of an idea", "me. What I mean is that having nothing remarkable to write of intoxication,", "nothing remarkable to write of intoxication, as I really don't know much about", "English Language is one of the subjects, and in the paper, there is", "and how they could make you feel, I do not have any real", "I worry that I will resort to covering it up with flowery, over-the-top", "blurring her senses. The technicolour blobs floating around in her subconscious drew her", "around in her subconscious drew her in. She could only gaze at those", "This section usually consists of 3-4 options for a creative writing task. Each", "the problem is I might try to act like I really know what", "writing in purple for effect/emphasis—you needn't go and point that out to me.", "on at the moment. While I do have somewhat of an idea on", "but I don't think it still would help me pull it through. I", "piece of mine. Please don't bother analysing it. I was intentionally writing in", "the exam board might throw (to write a story on). Now the examiners", "picking the narrative essay option), as apparently it's easier to pull more marks", "a topic/title to write either a descriptive essay, argumentative essay, or narrative essay", "She sat up bolt straight, whirling out of the silky, duvet sheets. >", "essay, or narrative essay on. Our teacher advises us to always choose writing", "as apparently it's easier to pull more marks by virtue of the fact", "SNAP. > > > A rush of noise sounded, jolting her out of", "of the fact that you have a narrative at all. So what I", "that I am. And I'm afraid no amount of literary techniques or genius", "advises us to always choose writing a story (which would mean picking the", "those who can connect with the topic on a personal level, but I", "don't actually write like that, nor is that a snippet from any actual", "topics and themes. This way I'll be keeping my creative writing skills fresh", "could read up on writings by people who do have that experience, those", "analysing it. I was intentionally writing in purple for effect/emphasis—you needn't go and", "it comes to sensitive topics like drug addiction or prostitution, the problem is", "usually consists of 3-4 options for a creative writing task. Each option gives", "specifically. This is the theme I'm working on at the moment. While I", "her out of the reverie. She sat up bolt straight, whirling out of", "I was intentionally writing in purple for effect/emphasis—you needn't go and point that", "cannot describe it as brilliantly and passionately as I could if I had", "3-4 options for a creative writing task. Each option gives a topic/title to", "on. Our teacher advises us to always choose writing a story (which would", "a snippet from any actual piece of mine. Please don't bother analysing it.", "level, but I don't think it still would help me pull it through.", "it. I was intentionally writing in purple for effect/emphasis—you needn't go and point", "mine. Please don't bother analysing it. I was intentionally writing in purple for", "preparing me for tackling whatever topic the exam board might throw (to write", "drug addiction or prostitution, the problem is I might try to act like", "While I do have somewhat of an idea on the effects of alcohol/drugs", "brilliantly and passionately as I could if I had tried those things firsthand.", "one of the subjects, and in the paper, there is an entire section", "intoxication, as I really don't know much about it, I worry that I", "it through. I simply cannot describe it as brilliantly and passionately as I", "comes to sensitive topics like drug addiction or prostitution, the problem is I", "writer. I'm about 14 now and I'm currently preparing for my IGCSEs with", "I'm doing but I will probably still end up coming across as the", "rush of noise sounded, jolting her out of the reverie. She sat up", "intentionally writing in purple for effect/emphasis—you needn't go and point that out to", "to me. What I mean is that having nothing remarkable to write of", "the subjects, and in the paper, there is an entire section dedicated to", "the paper, there is an entire section dedicated to creative writing. This section", "kid that I am. And I'm afraid no amount of literary techniques or", "is that having nothing remarkable to write of intoxication, as I really don't", "don't know much about it, I worry that I will resort to covering", "in her head, blurring her senses. The technicolour blobs floating around in her", "I don't think it still would help me pull it through. I simply", "Of course, I don't actually write like that, nor is that a snippet", "when it comes to sensitive topics like drug addiction or prostitution, the problem", "know much about it, I worry that I will resort to covering it", "ridiculous prose. Of course, I don't actually write like that, nor is that", "it as brilliantly and passionately as I could if I had tried those", "the effects of alcohol/drugs and how they could make you feel, I do", "a ton of subjects to juggle through and revise. English Language is one", "So what I just do is practice writing short stories on loads of", "A rush of noise sounded, jolting her out of the reverie. She sat", "to experiment with a variety of ideas/themes, effectively preparing me for tackling whatever", "out of the reverie. She sat up bolt straight, whirling out of the", "literary techniques or genius writing can fix that. The \"sophistication\" element is what", "option), as apparently it's easier to pull more marks by virtue of the", "> Soppy, ridiculous prose. Of course, I don't actually write like that, nor", "purple for effect/emphasis—you needn't go and point that out to me. What I", "fact that you have a narrative at all. So what I just do", "anything of that sort. Yes, I could read up on writings by people", "Yes, I could read up on writings by people who do have that", "that deal with inherently deep issues (the likes of slavery and gender inequality)", "will probably still end up coming across as the naive kid that I", "story on). Now the examiners are looking for something fresh and matured, pieces", "of subjects to juggle through and revise. English Language is one of the", "have a narrative at all. So what I just do is practice writing", "stories on loads of different topics and themes. This way I'll be keeping", "bolt straight, whirling out of the silky, duvet sheets. > > > Soppy,", "from any actual piece of mine. Please don't bother analysing it. I was", "a story (which would mean picking the narrative essay option), as apparently it's", "silky, duvet sheets. > > > Soppy, ridiculous prose. Of course, I don't", "word). But when it comes to sensitive topics like drug addiction or prostitution,", "moment. While I do have somewhat of an idea on the effects of", "part fear and part awe. > > > SNAP. > > > A", "a certain level of \"sophistication\" (for the lack of a better word). But", "there is an entire section dedicated to creative writing. This section usually consists", "and themes. This way I'll be keeping my creative writing skills fresh and", "through and revise. English Language is one of the subjects, and in the", "know what I'm doing but I will probably still end up coming across", "an intoxicated teen specifically. This is the theme I'm working on at the", "be keeping my creative writing skills fresh and in good use. Also, I", "it's easier to pull more marks by virtue of the fact that you", "or prostitution, the problem is I might try to act like I really", "that experience, those who can connect with the topic on a personal level,", "is what it'll lack. I'm struggling to describe the experiences of an intoxicated", "to always choose writing a story (which would mean picking the narrative essay", "is the theme I'm working on at the moment. While I do have", "sat up bolt straight, whirling out of the silky, duvet sheets. > >", "up coming across as the naive kid that I am. And I'm afraid", "awe. > > > SNAP. > > > A rush of noise sounded,", "senses. The technicolour blobs floating around in her subconscious drew her in. She", "14 now and I'm currently preparing for my IGCSEs with a ton of", "\"sophistication\" element is what it'll lack. I'm struggling to describe the experiences of", "the theme I'm working on at the moment. While I do have somewhat" ]
[]
[ "this way. So I thought, jumping down from the chair which had been", "and accurately enough without coming across as the naive kid that I am?", "spinned around in the chair. > > > Once. Twice. Thrice until I", "> > > And that is ridiculous prose. ### How do I get", "couch had > worked up a texture. > > > It was all", "the steel-cold handles. A warm, fuzzy feeling enveloped my insides. > > >", "to be able to whip up a sufficiently creative and unique piece (on", "urge that refused to let me off its crazed > hold. I needed", "the quality of my writing? I'm asking in general, not specifically about drug", "my creative writing skills fresh and in good use. Also, I get to", "by people who do have that experience, but I don't believe it would", "would like to make it very clear that I'm very young (just graduated", "with inherently deep issues (the likes of slavery and gender inequality) in a", "whatever topic the exam board might throw. Now the examiners are looking for", "and themes. This way I keep my creative writing skills fresh and in", "on an intimate level, and I'm afraid no amount of literary techniques or", "with a variety of ideas/themes, effectively preparing me for tackling whatever topic the", "crushing quite a few of the chips that had been lying about. >", "akin to that of a professional writer. What I'm just doing is practicing", "topics like drug addiction or prostitution, how do I write about the theme", "steel-cold handles. A warm, fuzzy feeling enveloped my insides. > > > And", "Now the examiners are looking for something fresh and mature—pieces that deal with", "let my arms ease onto the steel-cold handles. A warm, fuzzy feeling enveloped", "I get around my lack of knowledge on certain points and not let", "that had been lying about. > > > And that is ridiculous prose.", "inequality) in a similarly sophisticated manner. But when it comes to sensitive topics", "many different topics and themes. This way I keep my creative writing skills", "> > My eyes fell on the curtains. A deep, clear blue against", "I am? These are things which I don't have personal experience in and", "gripped the handles and positioned my feet. So I did. I > spinned", "not grading us as teens; they are looking for actual writing quality at", "I get to experiment with a variety of ideas/themes, effectively preparing me for", "the theme of a teen high on drugs for example. While I do", "short stories on many different topics and themes. This way I keep my", "feeling enveloped my insides. > > > And then it hit me, an", "something fresh and mature—pieces that deal with inherently deep issues (the likes of", "writing can mask that. Yes, I could read up on writings by people", "way. So I thought, jumping down from the chair which had been quite", "kid that I am? These are things which I don't have personal experience", "theme convincingly and accurately enough without coming across as the naive kid that", "> My eyes fell on the curtains. A deep, clear blue against the", "the effects of drugs and how they could make you feel, I do", "might throw. Now the examiners are looking for something fresh and mature—pieces that", "teens; they are looking for actual writing quality at a level akin to", "all over the rug. > > > My eyes fell on the curtains.", "as I let my arms ease onto the steel-cold handles. A warm, fuzzy", "and positioned my feet. So I did. I > spinned around in the", "different topics and themes. This way I keep my creative writing skills fresh", "of that sort. Any attempts at coming up with anything decent about drug", "have personal experience in and cannot connect with on an intimate level, and", "with anything decent about drug use have resulted in something like this: >", "been lying about. > > > And that is ridiculous prose. ### How", "a given topic/title) in under a hour. They are not grading us as", "something like this: > > I sighed when I plunged the syringe in.", "quite a few of the chips that had been lying about. > >", "and not let that affect the quality of my writing? I'm asking in", "A deep, clear blue against the deep, > clear black of the starry", "when it comes to sensitive topics like drug addiction or prostitution, how do", "good use. Also, I get to experiment with a variety of ideas/themes, effectively", "writings by people who do have that experience, but I don't believe it", "While I do have somewhat of an idea on the effects of drugs", "about the theme convincingly and accurately enough without coming across as the naive", "topics and themes. This way I keep my creative writing skills fresh and", "up on writings by people who do have that experience, but I don't", "woolly, scruffy rug, the impact crushing quite a few of the chips that", "positioned my feet. So I did. I > spinned around in the chair.", "can mask that. Yes, I could read up on writings by people who", "are things which I don't have personal experience in and cannot connect with", "more genuine. It simply won't be the same as writing from personal experience.", "certain points and not let that affect the quality of my writing? I'm", "> > Once. Twice. Thrice until I lost count. It was all a", "needed to spin, spin, and spin. My skin was prickled all over >", "my lack of knowledge on certain points and not let that affect the", "involved in writing in preparation for my IGCSE English Language exam. Part of", "hit me, an urge that refused to let me off its crazed >", "writing any more genuine. It simply won't be the same as writing from", "get around my lack of knowledge on certain points and not let that", "at a level akin to that of a professional writer. What I'm just", "won't be the same as writing from personal experience. Take the theme of", "sensitive topics like drug addiction or prostitution, how do I write about the", "about drug use have resulted in something like this: > > I sighed", "only an amateur writer. I have recently become seriously involved in writing in", "or inspired writing can mask that. Yes, I could read up on writings", "I did. I > spinned around in the chair. > > > Once.", "get to experiment with a variety of ideas/themes, effectively preparing me for tackling", "spin, spin, and spin. My skin was prickled all over > with lust", "experience, but I don't believe it would help make my writing any more", "are looking for actual writing quality at a level akin to that of", "have recently become seriously involved in writing in preparation for my IGCSE English", "a professional writer. What I'm just doing is practicing writing short stories on", "have somewhat of an idea on the effects of drugs and how they", "me, an urge that refused to let me off its crazed > hold.", "writing short stories on many different topics and themes. This way I keep", "in a similarly sophisticated manner. But when it comes to sensitive topics like", "Twice. Thrice until I lost count. It was all a blur. The whole", "clear black of the starry sky beyond. Even the dull grey couch had", "for example. While I do have somewhat of an idea on the effects", "My eyes fell on the curtains. A deep, clear blue against the deep,", "all over > with lust as I gripped the handles and positioned my", "connect with on an intimate level, and I'm afraid no amount of literary", "be the same as writing from personal experience. Take the theme of a", "that I'm very young (just graduated to a teen) and only an amateur", "topic/title) in under a hour. They are not grading us as teens; they", "in something like this: > > I sighed when I plunged the syringe", "have that experience, but I don't believe it would help make my writing", "more as I let my arms ease onto the steel-cold handles. A warm,", "simply won't be the same as writing from personal experience. Take the theme", "chips that had been lying about. > > > And that is ridiculous", "They are not grading us as teens; they are looking for actual writing", "ridiculous prose. ### How do I get around my lack of knowledge on", "keep my creative writing skills fresh and in good use. Also, I get", "of an idea on the effects of drugs and how they could make", "similarly sophisticated manner. But when it comes to sensitive topics like drug addiction", "the theme convincingly and accurately enough without coming across as the naive kid", "for my IGCSE English Language exam. Part of the exam is to be", "laptop on the > couch, soggy chips strewn all over the rug. >", "enveloped my insides. > > > And then it hit me, an urge", "a few of the chips that had been lying about. > > >", "for tackling whatever topic the exam board might throw. Now the examiners are", "like drug addiction or prostitution, how do I write about the theme convincingly", "tackling whatever topic the exam board might throw. Now the examiners are looking", "I dropped with a thump onto the woolly, scruffy rug, the impact crushing", "any more genuine. It simply won't be the same as writing from personal", "as teens; they are looking for actual writing quality at a level akin", "and mature—pieces that deal with inherently deep issues (the likes of slavery and", "on many different topics and themes. This way I keep my creative writing", "warm and wonderful this way. So I thought, jumping down from the chair", "jumping down from the chair which had been quite entertaining. I dropped with", "like this: > > I sighed when I plunged the syringe in. Mlivs", "no amount of literary techniques or inspired writing can mask that. Yes, I", "> > > My eyes fell on the curtains. A deep, clear blue", "grey couch had > worked up a texture. > > > It was", "make my writing any more genuine. It simply won't be the same as", "honey liquid trickled into me. I sighed once more as I let my", "actual writing quality at a level akin to that of a professional writer.", "creative and unique piece (on a given topic/title) in under a hour. They", "quality of my writing? I'm asking in general, not specifically about drug use.", "up a texture. > > > It was all so much more warm", "liquid trickled into me. I sighed once more as I let my arms", "the dull grey couch had > worked up a texture. > > >", "it would help make my writing any more genuine. It simply won't be", "the battered laptop on the > couch, soggy chips strewn all over the", "believe it would help make my writing any more genuine. It simply won't", "soggy chips strewn all over the rug. > > > My eyes fell", "teen) and only an amateur writer. I have recently become seriously involved in", "use. 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I dropped with a thump onto the woolly,", "drug use have resulted in something like this: > > I sighed when", "from the chair which had been quite entertaining. I dropped with a thump", "resulted in something like this: > > I sighed when I plunged the", "an urge that refused to let me off its crazed > hold. I", "chips strewn all over the rug. > > > My eyes fell on", "a thump onto the woolly, scruffy rug, the impact crushing quite a few", "recently become seriously involved in writing in preparation for my IGCSE English Language", "in and cannot connect with on an intimate level, and I'm afraid no", "My skin was prickled all over > with lust as I gripped the", "skin was prickled all over > with lust as I gripped the handles", "that I am? These are things which I don't have personal experience in", "the chair. > > > Once. Twice. Thrice until I lost count. It", "young (just graduated to a teen) and only an amateur writer. I have", "example. 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Take the theme of a teen high", "sighed once more as I let my arms ease onto the steel-cold handles.", "Language exam. Part of the exam is to be able to whip up", "do have that experience, but I don't believe it would help make my", "stories on many different topics and themes. This way I keep my creative", "I thought, jumping down from the chair which had been quite entertaining. I", "blur. The whole > of my office: socks all over the desk, the", "curtains. A deep, clear blue against the deep, > clear black of the", "without coming across as the naive kid that I am? These are things", "across as the naive kid that I am? These are things which I", "once more as I let my arms ease onto the steel-cold handles. A", "my office: socks all over the desk, the battered laptop on the >", "could make you feel, I do not have any real experience with anything", "thought, jumping down from the chair which had been quite entertaining. 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I dropped with a", "about. > > > And that is ridiculous prose. ### How do I", "of knowledge on certain points and not let that affect the quality of", "entertaining. I dropped with a thump onto the woolly, scruffy rug, the impact", "a variety of ideas/themes, effectively preparing me for tackling whatever topic the exam", "much more warm and wonderful this way. So I thought, jumping down from", "> > > And then it hit me, an urge that refused to", "It simply won't be the same as writing from personal experience. Take the", "let that affect the quality of my writing? I'm asking in general, not", "when I plunged the syringe in. Mlivs and bliss. And yet more bliss", "creative writing skills fresh and in good use. Also, I get to experiment", "attempts at coming up with anything decent about drug use have resulted in", "I > spinned around in the chair. > > > Once. Twice. Thrice", "a hour. They are not grading us as teens; they are looking for", "deal with inherently deep issues (the likes of slavery and gender inequality) in", "manner. But when it comes to sensitive topics like drug addiction or prostitution,", "wonderful this way. So I thought, jumping down from the chair which had", "on certain points and not let that affect the quality of my writing?", "do have somewhat of an idea on the effects of drugs and how", "enough without coming across as the naive kid that I am? These are", "onto the woolly, scruffy rug, the impact crushing quite a few of the", "impact crushing quite a few of the chips that had been lying about.", "the starry sky beyond. Even the dull grey couch had > worked up", "that of a professional writer. What I'm just doing is practicing writing short", "Once. Twice. Thrice until I lost count. It was all a blur. The", "and wonderful this way. So I thought, jumping down from the chair which", "skills fresh and in good use. Also, I get to experiment with a", "to sensitive topics like drug addiction or prostitution, how do I write about", "I needed to spin, spin, and spin. My skin was prickled all over", "become seriously involved in writing in preparation for my IGCSE English Language exam.", "things which I don't have personal experience in and cannot connect with on", "me off its crazed > hold. I needed to spin, spin, and spin.", "that. Yes, I could read up on writings by people who do have", "preparation for my IGCSE English Language exam. Part of the exam is to", "English Language exam. Part of the exam is to be able to whip", "professional writer. What I'm just doing is practicing writing short stories on many", "rug, the impact crushing quite a few of the chips that had been", "and cannot connect with on an intimate level, and I'm afraid no amount", "fresh and in good use. Also, I get to experiment with a variety", "that sort. Any attempts at coming up with anything decent about drug use", "anything decent about drug use have resulted in something like this: > >", "crazed > hold. I needed to spin, spin, and spin. My skin was", "my feet. So I did. I > spinned around in the chair. >", "count. It was all a blur. The whole > of my office: socks", "had > worked up a texture. > > > It was all so", "I have recently become seriously involved in writing in preparation for my IGCSE", "any real experience with anything of that sort. Any attempts at coming up", "inspired writing can mask that. Yes, I could read up on writings by", "do I get around my lack of knowledge on certain points and not", "exam. Part of the exam is to be able to whip up a", "arms ease onto the steel-cold handles. A warm, fuzzy feeling enveloped my insides.", "the examiners are looking for something fresh and mature—pieces that deal with inherently", "have resulted in something like this: > > I sighed when I plunged", "let me off its crazed > hold. I needed to spin, spin, and", "desk, the battered laptop on the > couch, soggy chips strewn all over", "had been lying about. > > > And that is ridiculous prose. ###", "am? These are things which I don't have personal experience in and cannot", "few of the chips that had been lying about. > > > And", "over the desk, the battered laptop on the > couch, soggy chips strewn", "clear blue against the deep, > clear black of the starry sky beyond.", "rug. > > > My eyes fell on the curtains. A deep, clear", "and only an amateur writer. I have recently become seriously involved in writing", "my writing any more genuine. It simply won't be the same as writing", "of a teen high on drugs for example. While I do have somewhat", "it very clear that I'm very young (just graduated to a teen) and", "I would like to make it very clear that I'm very young (just", "And then it hit me, an urge that refused to let me off", "topic the exam board might throw. Now the examiners are looking for something", "inherently deep issues (the likes of slavery and gender inequality) in a similarly", "level akin to that of a professional writer. What I'm just doing is", "this: > > I sighed when I plunged the syringe in. Mlivs and", "gender inequality) in a similarly sophisticated manner. But when it comes to sensitive", "handles. A warm, fuzzy feeling enveloped my insides. > > > And then", "grading us as teens; they are looking for actual writing quality at a", "I sighed when I plunged the syringe in. Mlivs and bliss. And yet", "have any real experience with anything of that sort. Any attempts at coming", "against the deep, > clear black of the starry sky beyond. Even the", "on the curtains. A deep, clear blue against the deep, > clear black", "drug addiction or prostitution, how do I write about the theme convincingly and", "the syringe in. Mlivs and bliss. And yet more bliss as the honey", "> Once. Twice. Thrice until I lost count. It was all a blur.", "bliss. And yet more bliss as the honey liquid trickled into me. I", "I'm just doing is practicing writing short stories on many different topics and", "of drugs and how they could make you feel, I do not have", "a texture. > > > It was all so much more warm and", "> And that is ridiculous prose. ### How do I get around my", "literary techniques or inspired writing can mask that. Yes, I could read up", "sufficiently creative and unique piece (on a given topic/title) in under a hour.", "naive kid that I am? These are things which I don't have personal", "drugs and how they could make you feel, I do not have any", "able to whip up a sufficiently creative and unique piece (on a given", "feel, I do not have any real experience with anything of that sort.", "I let my arms ease onto the steel-cold handles. A warm, fuzzy feeling", "effects of drugs and how they could make you feel, I do not", "until I lost count. It was all a blur. The whole > of", "been quite entertaining. I dropped with a thump onto the woolly, scruffy rug,", "would help make my writing any more genuine. It simply won't be the", "a level akin to that of a professional writer. What I'm just doing", "Thrice until I lost count. It was all a blur. The whole >", "way I keep my creative writing skills fresh and in good use. Also,", "the > couch, soggy chips strewn all over the rug. > > >", "starry sky beyond. Even the dull grey couch had > worked up a", "issues (the likes of slavery and gender inequality) in a similarly sophisticated manner.", "board might throw. Now the examiners are looking for something fresh and mature—pieces", "decent about drug use have resulted in something like this: > > I", "personal experience. Take the theme of a teen high on drugs for example.", "it hit me, an urge that refused to let me off its crazed", "the naive kid that I am? These are things which I don't have", "dull grey couch had > worked up a texture. > > > It", "genuine. It simply won't be the same as writing from personal experience. Take", "ideas/themes, effectively preparing me for tackling whatever topic the exam board might throw.", "> > I sighed when I plunged the syringe in. Mlivs and bliss.", "> > It was all so much more warm and wonderful this way.", "insides. > > > And then it hit me, an urge that refused", "A warm, fuzzy feeling enveloped my insides. > > > And then it", "my insides. > > > And then it hit me, an urge that", "It was all a blur. The whole > of my office: socks all", "whip up a sufficiently creative and unique piece (on a given topic/title) in", "around in the chair. > > > Once. Twice. Thrice until I lost", "for actual writing quality at a level akin to that of a professional", "I gripped the handles and positioned my feet. So I did. I >", "knowledge on certain points and not let that affect the quality of my", "a blur. The whole > of my office: socks all over the desk,", "anything of that sort. Any attempts at coming up with anything decent about", "the desk, the battered laptop on the > couch, soggy chips strewn all", "trickled into me. I sighed once more as I let my arms ease", "just doing is practicing writing short stories on many different topics and themes.", "lying about. > > > And that is ridiculous prose. ### How do", "writing in preparation for my IGCSE English Language exam. Part of the exam", "the woolly, scruffy rug, the impact crushing quite a few of the chips", "which I don't have personal experience in and cannot connect with on an", "on writings by people who do have that experience, but I don't believe", "of the starry sky beyond. Even the dull grey couch had > worked", "but I don't believe it would help make my writing any more genuine.", "How do I get around my lack of knowledge on certain points and", "me for tackling whatever topic the exam board might throw. Now the examiners", "not let that affect the quality of my writing? I'm asking in general,", "I lost count. It was all a blur. The whole > of my", "experience with anything of that sort. Any attempts at coming up with anything", "with lust as I gripped the handles and positioned my feet. So I", "office: socks all over the desk, the battered laptop on the > couch,", "variety of ideas/themes, effectively preparing me for tackling whatever topic the exam board", "> worked up a texture. > > > It was all so much", "graduated to a teen) and only an amateur writer. I have recently become", "with anything of that sort. Any attempts at coming up with anything decent", "> > And then it hit me, an urge that refused to let", "deep issues (the likes of slavery and gender inequality) in a similarly sophisticated", "amount of literary techniques or inspired writing can mask that. Yes, I could", "I could read up on writings by people who do have that experience,", "to spin, spin, and spin. My skin was prickled all over > with", "I'm afraid no amount of literary techniques or inspired writing can mask that.", "to make it very clear that I'm very young (just graduated to a", "was all so much more warm and wonderful this way. So I thought,", "practicing writing short stories on many different topics and themes. This way I", "the honey liquid trickled into me. I sighed once more as I let", "and bliss. And yet more bliss as the honey liquid trickled into me.", "the curtains. A deep, clear blue against the deep, > clear black of", "I don't have personal experience in and cannot connect with on an intimate", "convincingly and accurately enough without coming across as the naive kid that I", "was prickled all over > with lust as I gripped the handles and", "around my lack of knowledge on certain points and not let that affect", "syringe in. Mlivs and bliss. And yet more bliss as the honey liquid", "throw. Now the examiners are looking for something fresh and mature—pieces that deal", "feet. So I did. I > spinned around in the chair. > >", "and I'm afraid no amount of literary techniques or inspired writing can mask", "> > And that is ridiculous prose. ### How do I get around", "personal experience in and cannot connect with on an intimate level, and I'm", "unique piece (on a given topic/title) in under a hour. They are not", "doing is practicing writing short stories on many different topics and themes. This", "themes. This way I keep my creative writing skills fresh and in good", "as the honey liquid trickled into me. I sighed once more as I", "in good use. Also, I get to experiment with a variety of ideas/themes,", "as the naive kid that I am? These are things which I don't", "> of my office: socks all over the desk, the battered laptop on", "of slavery and gender inequality) in a similarly sophisticated manner. But when it", "I keep my creative writing skills fresh and in good use. Also, I", "sophisticated manner. But when it comes to sensitive topics like drug addiction or", "So I did. I > spinned around in the chair. > > >", "> > > Once. Twice. Thrice until I lost count. It was all", "I'm very young (just graduated to a teen) and only an amateur writer.", "chair. > > > Once. Twice. Thrice until I lost count. It was", "afraid no amount of literary techniques or inspired writing can mask that. Yes,", "into me. I sighed once more as I let my arms ease onto", "writer. What I'm just doing is practicing writing short stories on many different", "> > > It was all so much more warm and wonderful this", "in preparation for my IGCSE English Language exam. Part of the exam is", "for something fresh and mature—pieces that deal with inherently deep issues (the likes", "experience in and cannot connect with on an intimate level, and I'm afraid", "lack of knowledge on certain points and not let that affect the quality", "fell on the curtains. A deep, clear blue against the deep, > clear", "or prostitution, how do I write about the theme convincingly and accurately enough", "up with anything decent about drug use have resulted in something like this:", "as writing from personal experience. Take the theme of a teen high on", "chair which had been quite entertaining. I dropped with a thump onto the", "lust as I gripped the handles and positioned my feet. So I did.", "with a thump onto the woolly, scruffy rug, the impact crushing quite a", "like to make it very clear that I'm very young (just graduated to", "addiction or prostitution, how do I write about the theme convincingly and accurately", "blue against the deep, > clear black of the starry sky beyond. Even", "Take the theme of a teen high on drugs for example. While I", "exam is to be able to whip up a sufficiently creative and unique", "coming across as the naive kid that I am? These are things which", "spin, and spin. My skin was prickled all over > with lust as", "on the effects of drugs and how they could make you feel, I", "to a teen) and only an amateur writer. I have recently become seriously", "make you feel, I do not have any real experience with anything of", "Even the dull grey couch had > worked up a texture. > >", "the exam board might throw. Now the examiners are looking for something fresh", "and gender inequality) in a similarly sophisticated manner. But when it comes to", "These are things which I don't have personal experience in and cannot connect", "it comes to sensitive topics like drug addiction or prostitution, how do I", "writing skills fresh and in good use. Also, I get to experiment with", "idea on the effects of drugs and how they could make you feel,", "the rug. > > > My eyes fell on the curtains. A deep,", "did. I > spinned around in the chair. > > > Once. Twice.", "off its crazed > hold. I needed to spin, spin, and spin. My", "in under a hour. They are not grading us as teens; they are", "Also, I get to experiment with a variety of ideas/themes, effectively preparing me", "the chair which had been quite entertaining. I dropped with a thump onto", "What I'm just doing is practicing writing short stories on many different topics", "in writing in preparation for my IGCSE English Language exam. Part of the", "the exam is to be able to whip up a sufficiently creative and", "to whip up a sufficiently creative and unique piece (on a given topic/title)", "my IGCSE English Language exam. Part of the exam is to be able", "do I write about the theme convincingly and accurately enough without coming across", "IGCSE English Language exam. Part of the exam is to be able to", "they could make you feel, I do not have any real experience with", "is ridiculous prose. ### How do I get around my lack of knowledge", "dropped with a thump onto the woolly, scruffy rug, the impact crushing quite", "over the rug. > > > My eyes fell on the curtains. A", "> I sighed when I plunged the syringe in. Mlivs and bliss. And", "in the chair. > > > Once. Twice. Thrice until I lost count.", "could read up on writings by people who do have that experience, but", "so much more warm and wonderful this way. So I thought, jumping down", "the impact crushing quite a few of the chips that had been lying", "sky beyond. Even the dull grey couch had > worked up a texture.", "thump onto the woolly, scruffy rug, the impact crushing quite a few of", "slavery and gender inequality) in a similarly sophisticated manner. But when it comes", "prickled all over > with lust as I gripped the handles and positioned", "more bliss as the honey liquid trickled into me. I sighed once more", "use have resulted in something like this: > > I sighed when I", "my arms ease onto the steel-cold handles. A warm, fuzzy feeling enveloped my", "to let me off its crazed > hold. I needed to spin, spin,", "I write about the theme convincingly and accurately enough without coming across as", "refused to let me off its crazed > hold. I needed to spin,", "and in good use. Also, I get to experiment with a variety of", "on the > couch, soggy chips strewn all over the rug. > >", "sort. Any attempts at coming up with anything decent about drug use have", "and spin. My skin was prickled all over > with lust as I", "intimate level, and I'm afraid no amount of literary techniques or inspired writing", "> spinned around in the chair. > > > Once. Twice. Thrice until", "the chips that had been lying about. > > > And that is", "techniques or inspired writing can mask that. Yes, I could read up on", "more warm and wonderful this way. So I thought, jumping down from the", "level, and I'm afraid no amount of literary techniques or inspired writing can", "a teen) and only an amateur writer. I have recently become seriously involved", "### How do I get around my lack of knowledge on certain points", "very clear that I'm very young (just graduated to a teen) and only", "they are looking for actual writing quality at a level akin to that", "couch, soggy chips strewn all over the rug. > > > My eyes", "do not have any real experience with anything of that sort. Any attempts", "plunged the syringe in. Mlivs and bliss. And yet more bliss as the", "examiners are looking for something fresh and mature—pieces that deal with inherently deep", "was all a blur. The whole > of my office: socks all over", "> hold. I needed to spin, spin, and spin. My skin was prickled", "is practicing writing short stories on many different topics and themes. This way", "deep, clear blue against the deep, > clear black of the starry sky", "comes to sensitive topics like drug addiction or prostitution, how do I write", "and how they could make you feel, I do not have any real", "I don't believe it would help make my writing any more genuine. It", "I do not have any real experience with anything of that sort. Any", "the handles and positioned my feet. So I did. I > spinned around", "not have any real experience with anything of that sort. Any attempts at", "cannot connect with on an intimate level, and I'm afraid no amount of", "under a hour. They are not grading us as teens; they are looking", "that experience, but I don't believe it would help make my writing any", "don't believe it would help make my writing any more genuine. It simply", "us as teens; they are looking for actual writing quality at a level", "with on an intimate level, and I'm afraid no amount of literary techniques", "exam board might throw. Now the examiners are looking for something fresh and", "quite entertaining. I dropped with a thump onto the woolly, scruffy rug, the", "mask that. Yes, I could read up on writings by people who do", "mature—pieces that deal with inherently deep issues (the likes of slavery and gender", "up a sufficiently creative and unique piece (on a given topic/title) in under", "Part of the exam is to be able to whip up a sufficiently", "> clear black of the starry sky beyond. Even the dull grey couch", "(on a given topic/title) in under a hour. They are not grading us", "> couch, soggy chips strewn all over the rug. > > > My", "given topic/title) in under a hour. They are not grading us as teens;", "are not grading us as teens; they are looking for actual writing quality", "bliss as the honey liquid trickled into me. I sighed once more as", "are looking for something fresh and mature—pieces that deal with inherently deep issues", "write about the theme convincingly and accurately enough without coming across as the", "spin. My skin was prickled all over > with lust as I gripped", "socks all over the desk, the battered laptop on the > couch, soggy", "its crazed > hold. I needed to spin, spin, and spin. My skin", "of literary techniques or inspired writing can mask that. Yes, I could read", "likes of slavery and gender inequality) in a similarly sophisticated manner. But when", "on drugs for example. While I do have somewhat of an idea on", "The whole > of my office: socks all over the desk, the battered", "(just graduated to a teen) and only an amateur writer. I have recently", "that refused to let me off its crazed > hold. I needed to", "a similarly sophisticated manner. But when it comes to sensitive topics like drug", "prostitution, how do I write about the theme convincingly and accurately enough without", "be able to whip up a sufficiently creative and unique piece (on a", "writer. I have recently become seriously involved in writing in preparation for my", "over > with lust as I gripped the handles and positioned my feet.", "all over the desk, the battered laptop on the > couch, soggy chips", "hour. They are not grading us as teens; they are looking for actual", "preparing me for tackling whatever topic the exam board might throw. Now the", "black of the starry sky beyond. Even the dull grey couch had >", "drugs for example. While I do have somewhat of an idea on the", "> And then it hit me, an urge that refused to let me", "of a professional writer. What I'm just doing is practicing writing short stories", "of my office: socks all over the desk, the battered laptop on the", "quality at a level akin to that of a professional writer. What I'm", "how do I write about the theme convincingly and accurately enough without coming", "handles and positioned my feet. So I did. I > spinned around in", "in. Mlivs and bliss. And yet more bliss as the honey liquid trickled", "fresh and mature—pieces that deal with inherently deep issues (the likes of slavery", "and unique piece (on a given topic/title) in under a hour. They are", "sighed when I plunged the syringe in. Mlivs and bliss. And yet more", "eyes fell on the curtains. A deep, clear blue against the deep, >", "scruffy rug, the impact crushing quite a few of the chips that had", "very young (just graduated to a teen) and only an amateur writer. I", "accurately enough without coming across as the naive kid that I am? These", "whole > of my office: socks all over the desk, the battered laptop", "teen high on drugs for example. While I do have somewhat of an", "And yet more bliss as the honey liquid trickled into me. I sighed", "help make my writing any more genuine. It simply won't be the same", "(the likes of slavery and gender inequality) in a similarly sophisticated manner. But", "This way I keep my creative writing skills fresh and in good use.", "worked up a texture. > > > It was all so much more", "affect the quality of my writing? I'm asking in general, not specifically about", "piece (on a given topic/title) in under a hour. They are not grading", "I plunged the syringe in. Mlivs and bliss. And yet more bliss as", "people who do have that experience, but I don't believe it would help", "to experiment with a variety of ideas/themes, effectively preparing me for tackling whatever", "Any attempts at coming up with anything decent about drug use have resulted", "fuzzy feeling enveloped my insides. > > > And then it hit me,", "who do have that experience, but I don't believe it would help make", "that is ridiculous prose. ### How do I get around my lack of", "prose. ### How do I get around my lack of knowledge on certain", "that affect the quality of my writing? I'm asking in general, not specifically", "clear that I'm very young (just graduated to a teen) and only an", "the same as writing from personal experience. Take the theme of a teen", "high on drugs for example. While I do have somewhat of an idea", "onto the steel-cold handles. A warm, fuzzy feeling enveloped my insides. > >", "> with lust as I gripped the handles and positioned my feet. So", "Yes, I could read up on writings by people who do have that", "that deal with inherently deep issues (the likes of slavery and gender inequality)", "I sighed once more as I let my arms ease onto the steel-cold", "seriously involved in writing in preparation for my IGCSE English Language exam. Part", "all a blur. The whole > of my office: socks all over the", "as I gripped the handles and positioned my feet. So I did. I", "is to be able to whip up a sufficiently creative and unique piece", "had been quite entertaining. I dropped with a thump onto the woolly, scruffy", "Mlivs and bliss. And yet more bliss as the honey liquid trickled into", "beyond. Even the dull grey couch had > worked up a texture. >", "at coming up with anything decent about drug use have resulted in something", "from personal experience. Take the theme of a teen high on drugs for", "I do have somewhat of an idea on the effects of drugs and", "to that of a professional writer. What I'm just doing is practicing writing", "So I thought, jumping down from the chair which had been quite entertaining.", "an amateur writer. I have recently become seriously involved in writing in preparation", "me. I sighed once more as I let my arms ease onto the", "experience. Take the theme of a teen high on drugs for example. While", "all so much more warm and wonderful this way. So I thought, jumping", "the deep, > clear black of the starry sky beyond. Even the dull", "lost count. It was all a blur. The whole > of my office:", "of the exam is to be able to whip up a sufficiently creative" ]
[ "bunch of Easter eggs and subtle references to things as an added treat", "In my book series (more on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including", "things as an added treat for the reader. However, I just came up", "and subtle references to things as an added treat for the reader. However,", "up with one that I think might be a little bit too obvious:", "direwolves of one of the main characters Kurt, Krist, and DupeKx. Is this", "DupeKx. Is this reference too obvious for all you music fans out there", "one that I think might be a little bit too obvious: naming the", "added treat for the reader. However, I just came up with one that", "little bit too obvious: naming the 3 pet direwolves of one of the", "that I think might be a little bit too obvious: naming the 3", "for the reader. However, I just came up with one that I think", "[here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch of Easter eggs and subtle", "planning on including a bunch of Easter eggs and subtle references to things", "I am planning on including a bunch of Easter eggs and subtle references", "naming the 3 pet direwolves of one of the main characters Kurt, Krist,", "too obvious: naming the 3 pet direwolves of one of the main characters", "3 pet direwolves of one of the main characters Kurt, Krist, and DupeKx.", "Krist, and DupeKx. Is this reference too obvious for all you music fans", "characters Kurt, Krist, and DupeKx. Is this reference too obvious for all you", "references to things as an added treat for the reader. However, I just", "this reference too obvious for all you music fans out there or should", "of Easter eggs and subtle references to things as an added treat for", "might be a little bit too obvious: naming the 3 pet direwolves of", "of one of the main characters Kurt, Krist, and DupeKx. Is this reference", "subtle references to things as an added treat for the reader. However, I", "with one that I think might be a little bit too obvious: naming", "a little bit too obvious: naming the 3 pet direwolves of one of", "Easter eggs and subtle references to things as an added treat for the", "obvious: naming the 3 pet direwolves of one of the main characters Kurt,", "be a little bit too obvious: naming the 3 pet direwolves of one", "that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch of Easter eggs and", "eggs and subtle references to things as an added treat for the reader.", "as an added treat for the reader. However, I just came up with", "just came up with one that I think might be a little bit", "bit too obvious: naming the 3 pet direwolves of one of the main", "am planning on including a bunch of Easter eggs and subtle references to", "the reader. However, I just came up with one that I think might", "think might be a little bit too obvious: naming the 3 pet direwolves", "reference too obvious for all you music fans out there or should I", "came up with one that I think might be a little bit too", "of the main characters Kurt, Krist, and DupeKx. Is this reference too obvious", "on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch of Easter eggs", "a bunch of Easter eggs and subtle references to things as an added", "I think might be a little bit too obvious: naming the 3 pet", "too obvious for all you music fans out there or should I keep", "pet direwolves of one of the main characters Kurt, Krist, and DupeKx. Is", "obvious for all you music fans out there or should I keep it?", "the 3 pet direwolves of one of the main characters Kurt, Krist, and", "main characters Kurt, Krist, and DupeKx. Is this reference too obvious for all", "(more on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch of Easter", "series (more on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch of", "Is this reference too obvious for all you music fans out there or", "book series (more on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a bunch", "reader. However, I just came up with one that I think might be", "an added treat for the reader. However, I just came up with one", "one of the main characters Kurt, Krist, and DupeKx. Is this reference too", "the main characters Kurt, Krist, and DupeKx. Is this reference too obvious for", "on including a bunch of Easter eggs and subtle references to things as", "treat for the reader. However, I just came up with one that I", "I just came up with one that I think might be a little", "my book series (more on that [here](http://sites.google.com/site/weaselworldofficialsite)), I am planning on including a", "including a bunch of Easter eggs and subtle references to things as an", "to things as an added treat for the reader. However, I just came", "and DupeKx. Is this reference too obvious for all you music fans out", "Kurt, Krist, and DupeKx. Is this reference too obvious for all you music", "However, I just came up with one that I think might be a" ]
[ "down the line. I really like the idea, but I feel as though", "many different stories and it may fall under plagiarism, despite it being my", "spin to the story to create tension, but I don't know if I", "it being my own ideas. I'm still attempting to find a way to", "I've been working on plots and different characters for a few months now", "know if I should keep going with the idea or just stop and", "this around or add some sort of spin to the story to create", "and I haven't really written anything that might be salvageable down the line.", "haven't really written anything that might be salvageable down the line. I really", "add some sort of spin to the story to create tension, but I", "to create tension, but I don't know if I should keep going with", "may be in inspired by too many different stories and it may fall", "salvageable down the line. I really like the idea, but I feel as", "may fall under plagiarism, despite it being my own ideas. I'm still attempting", "like the idea, but I feel as though it may be in inspired", "inspired by too many different stories and it may fall under plagiarism, despite", "but I feel as though it may be in inspired by too many", "my own ideas. I'm still attempting to find a way to turn this", "the story to create tension, but I don't know if I should keep", "some sort of spin to the story to create tension, but I don't", "don't know if I should keep going with the idea or just stop", "the idea or just stop and create a new one all over again.", "too many different stories and it may fall under plagiarism, despite it being", "in inspired by too many different stories and it may fall under plagiarism,", "might be salvageable down the line. I really like the idea, but I", "it may be in inspired by too many different stories and it may", "line. I really like the idea, but I feel as though it may", "that might be salvageable down the line. I really like the idea, but", "really written anything that might be salvageable down the line. I really like", "different characters for a few months now and I haven't really written anything", "and different characters for a few months now and I haven't really written", "different stories and it may fall under plagiarism, despite it being my own", "of spin to the story to create tension, but I don't know if", "it may fall under plagiarism, despite it being my own ideas. I'm still", "as though it may be in inspired by too many different stories and", "the idea, but I feel as though it may be in inspired by", "and it may fall under plagiarism, despite it being my own ideas. I'm", "tension, but I don't know if I should keep going with the idea", "with the idea or just stop and create a new one all over", "I should keep going with the idea or just stop and create a", "story to create tension, but I don't know if I should keep going", "been working on plots and different characters for a few months now and", "to the story to create tension, but I don't know if I should", "create tension, but I don't know if I should keep going with the", "to turn this around or add some sort of spin to the story", "still attempting to find a way to turn this around or add some", "I don't know if I should keep going with the idea or just", "a way to turn this around or add some sort of spin to", "a few months now and I haven't really written anything that might be", "I feel as though it may be in inspired by too many different", "being my own ideas. I'm still attempting to find a way to turn", "going with the idea or just stop and create a new one all", "really like the idea, but I feel as though it may be in", "way to turn this around or add some sort of spin to the", "by too many different stories and it may fall under plagiarism, despite it", "attempting to find a way to turn this around or add some sort", "if I should keep going with the idea or just stop and create", "now and I haven't really written anything that might be salvageable down the", "few months now and I haven't really written anything that might be salvageable", "I really like the idea, but I feel as though it may be", "working on plots and different characters for a few months now and I", "idea, but I feel as though it may be in inspired by too", "sort of spin to the story to create tension, but I don't know", "around or add some sort of spin to the story to create tension,", "find a way to turn this around or add some sort of spin", "characters for a few months now and I haven't really written anything that", "though it may be in inspired by too many different stories and it", "written anything that might be salvageable down the line. I really like the", "I haven't really written anything that might be salvageable down the line. I", "keep going with the idea or just stop and create a new one", "plots and different characters for a few months now and I haven't really", "fall under plagiarism, despite it being my own ideas. I'm still attempting to", "plagiarism, despite it being my own ideas. I'm still attempting to find a", "own ideas. I'm still attempting to find a way to turn this around", "or add some sort of spin to the story to create tension, but", "months now and I haven't really written anything that might be salvageable down", "turn this around or add some sort of spin to the story to", "the line. I really like the idea, but I feel as though it", "despite it being my own ideas. I'm still attempting to find a way", "under plagiarism, despite it being my own ideas. I'm still attempting to find", "be in inspired by too many different stories and it may fall under", "anything that might be salvageable down the line. I really like the idea,", "be salvageable down the line. I really like the idea, but I feel", "feel as though it may be in inspired by too many different stories", "but I don't know if I should keep going with the idea or", "ideas. I'm still attempting to find a way to turn this around or", "to find a way to turn this around or add some sort of", "for a few months now and I haven't really written anything that might", "I'm still attempting to find a way to turn this around or add", "stories and it may fall under plagiarism, despite it being my own ideas.", "should keep going with the idea or just stop and create a new", "on plots and different characters for a few months now and I haven't" ]
[ "> > I have seen people in the corporate and business sector speak", "am not a native speaker. So, I would really appreciate If anyone could", "was listening to Kamla Harris interviewing Brett Kavanaugh. She says the following to", "the right platform to ask such questions, please let me know so that", "suggest any books or course or any method to improve my formal english.", "corporate and business sector speak English in a very professional way.They sound so", "be recognized to ask a question before we proceed. > > > I", "sounds so professional.How can I learn to speak like that? I am not", "the way they relay that information sounds so professional.How can I learn to", "not the right platform to ask such questions, please let me know so", "a native speaker. So, I would really appreciate If anyone could suggest any", "so professional.How can I learn to speak like that? I am not a", "improve my formal english. If this is not the right platform to ask", "speaker. So, I would really appreciate If anyone could suggest any books or", "Brett Kavanaugh. She says the following to Chuck Grassley : > > Mr.", "not a native speaker. So, I would really appreciate If anyone could suggest", "way they relay that information sounds so professional.How can I learn to speak", "She says the following to Chuck Grassley : > > Mr. Chairman, I", "to Chuck Grassley : > > Mr. Chairman, I would like to be", "if they are angry or happy, the way they relay that information sounds", ": > > Mr. Chairman, I would like to be recognized to ask", "a question before we proceed. > > > I have seen people in", "If this is not the right platform to ask such questions, please let", "information sounds so professional.How can I learn to speak like that? I am", "in a very professional way.They sound so formal and articulate. Even if they", "the corporate and business sector speak English in a very professional way.They sound", "can I learn to speak like that? I am not a native speaker.", "sector speak English in a very professional way.They sound so formal and articulate.", "Even if they are angry or happy, the way they relay that information", "angry or happy, the way they relay that information sounds so professional.How can", "happy, the way they relay that information sounds so professional.How can I learn", "or happy, the way they relay that information sounds so professional.How can I", "or course or any method to improve my formal english. If this is", "are angry or happy, the way they relay that information sounds so professional.How", "would really appreciate If anyone could suggest any books or course or any", "articulate. Even if they are angry or happy, the way they relay that", "to ask a question before we proceed. > > > I have seen", "I have seen people in the corporate and business sector speak English in", "speak English in a very professional way.They sound so formal and articulate. Even", "could suggest any books or course or any method to improve my formal", "question before we proceed. > > > I have seen people in the", "really appreciate If anyone could suggest any books or course or any method", "way.They sound so formal and articulate. Even if they are angry or happy,", "to ask such questions, please let me know so that I would delete", "Kamla Harris interviewing Brett Kavanaugh. She says the following to Chuck Grassley :", "So, I would really appreciate If anyone could suggest any books or course", "Chuck Grassley : > > Mr. Chairman, I would like to be recognized", "> > > I have seen people in the corporate and business sector", "and business sector speak English in a very professional way.They sound so formal", "like that? I am not a native speaker. So, I would really appreciate", "to speak like that? I am not a native speaker. So, I would", "my formal english. If this is not the right platform to ask such", "we proceed. > > > I have seen people in the corporate and", "is not the right platform to ask such questions, please let me know", "Harris interviewing Brett Kavanaugh. She says the following to Chuck Grassley : >", "I am not a native speaker. So, I would really appreciate If anyone", "> > Mr. Chairman, I would like to be recognized to ask a", "this is not the right platform to ask such questions, please let me", "Kavanaugh. She says the following to Chuck Grassley : > > Mr. Chairman,", "I would really appreciate If anyone could suggest any books or course or", "course or any method to improve my formal english. If this is not", "english. If this is not the right platform to ask such questions, please", "have seen people in the corporate and business sector speak English in a", "English in a very professional way.They sound so formal and articulate. Even if", "If anyone could suggest any books or course or any method to improve", "the following to Chuck Grassley : > > Mr. Chairman, I would like", "they relay that information sounds so professional.How can I learn to speak like", "recognized to ask a question before we proceed. > > > I have", "a very professional way.They sound so formal and articulate. Even if they are", "I learn to speak like that? I am not a native speaker. So,", "in the corporate and business sector speak English in a very professional way.They", "and articulate. Even if they are angry or happy, the way they relay", "any books or course or any method to improve my formal english. If", "business sector speak English in a very professional way.They sound so formal and", "I would like to be recognized to ask a question before we proceed.", "anyone could suggest any books or course or any method to improve my", "seen people in the corporate and business sector speak English in a very", "right platform to ask such questions, please let me know so that I", "people in the corporate and business sector speak English in a very professional", "> I have seen people in the corporate and business sector speak English", "to be recognized to ask a question before we proceed. > > >", "so formal and articulate. Even if they are angry or happy, the way", "professional.How can I learn to speak like that? I am not a native", "learn to speak like that? I am not a native speaker. So, I", "to improve my formal english. If this is not the right platform to", "before we proceed. > > > I have seen people in the corporate", "listening to Kamla Harris interviewing Brett Kavanaugh. She says the following to Chuck", "to Kamla Harris interviewing Brett Kavanaugh. She says the following to Chuck Grassley", "any method to improve my formal english. If this is not the right", "sound so formal and articulate. Even if they are angry or happy, the", "I was listening to Kamla Harris interviewing Brett Kavanaugh. She says the following", "following to Chuck Grassley : > > Mr. Chairman, I would like to", "Grassley : > > Mr. Chairman, I would like to be recognized to", "professional way.They sound so formal and articulate. Even if they are angry or", "that? I am not a native speaker. So, I would really appreciate If", "native speaker. So, I would really appreciate If anyone could suggest any books", "Mr. Chairman, I would like to be recognized to ask a question before", "platform to ask such questions, please let me know so that I would", "that information sounds so professional.How can I learn to speak like that? I", "method to improve my formal english. If this is not the right platform", "speak like that? I am not a native speaker. So, I would really", "ask such questions, please let me know so that I would delete this.", "relay that information sounds so professional.How can I learn to speak like that?", "ask a question before we proceed. > > > I have seen people", "like to be recognized to ask a question before we proceed. > >", "would like to be recognized to ask a question before we proceed. >", "very professional way.They sound so formal and articulate. Even if they are angry", "> Mr. Chairman, I would like to be recognized to ask a question", "interviewing Brett Kavanaugh. She says the following to Chuck Grassley : > >", "or any method to improve my formal english. If this is not the", "books or course or any method to improve my formal english. If this", "says the following to Chuck Grassley : > > Mr. Chairman, I would", "they are angry or happy, the way they relay that information sounds so", "formal english. If this is not the right platform to ask such questions,", "Chairman, I would like to be recognized to ask a question before we", "appreciate If anyone could suggest any books or course or any method to", "formal and articulate. Even if they are angry or happy, the way they", "proceed. > > > I have seen people in the corporate and business" ]
[ "Except I learn from those who are greatest, my words I can not", "be unraveled or revealed. > > In me, there is a people whose", "acrostically built. I've listed my response here, > > I am the least", "Rising like the flames of a fire, my passion builds relentlessly. My universe", "duty; it is my curse. > > Now that I’ve unfolded for you,", "what I can do, tell me that I am picked, that I am", "freely, my pen seems to be heavy in my meager hands. > >", "to be in this class.\" The response I dictated is a poem, exactly", "heard. I cannot deny them, nor keep them sealed. > > Take away", "My dream is yet far away, from Earth to Saturn. > > Praying", "you will of me, for I know one truth. In me are the", "with this superb group, my skill I cannot boast. > > Ever lacking", "the help of these who can be considered gods, I fly to become", "them this, my daring audacity. > > How does one challenge a god,", "Dare I pray, dare I hope that I can achieve great things? With", "skill of a new man. > > Rising like the flames of a", "my words I can not improve. I, just a student, a fan. >", "will of me, for I know one truth. In me are the hopes", "for I know one truth. In me are the hopes of a universe.", "With your help, I know it is possible. > > Herein lies my", "each day. My dream is yet far away, from Earth to Saturn. >", "(note: I still have about a month before I can submit the application)?", "my thirst for success is palpable. > > Even as the setting sun", "a similar pattern. > > Like the tortoise, I move slowly, writing little", "that I am picked, that I am appointed. > > Give me this", "I should have written (as in, should I have been more direct), or", "in my meager hands. > > Except I learn from those who are", "of these who can be considered gods, I fly to become a writer,", "get into Gratdok Sanderson's writing class this coming winter semester. As such, I've", "sun, my thirst for success is palpable. > > Even as the setting", "builds relentlessly. My universe is yet to be unraveled or revealed. > >", "hope, my creed. I am as relentless as the beating sun, my thirst", "they too are human. > > With all of us together, our hands", "long. It's also acrostically built. I've listed my response here, > > I", "I fly to become a writer, to join the wagon. > > I,", "How does one challenge a god, you may ask? By breaking them down", "> > I am the least of all writers. My skill is unhoned,", "ran into a problem. One question asks \"In 400 words or less, tell", "for you, what I can do, tell me that I am picked, that", "> Herein lies my hope, my creed. I am as relentless as the", "my prose weak, my writing is plain to most. > > Now is", "our hands will build worlds. With my help gain the skill of a", "have been more direct), or would it be admissible (note: I still have", "what I should have written (as in, should I have been more direct),", "tell their story even if I die in the process. It is my", "dictated is a poem, exactly 400 words long, each line 20 words long.", "miracle, this turtle desires to move much faster. Give me my wings, this", "are human. > > With all of us together, our hands will build", "> With all of us together, our hands will build worlds. With my", "a god, you may ask? By breaking them down and telling them, they", "universe. > > I will tell their story even if I die in", "this class.\" The response I dictated is a poem, exactly 400 words long,", "of all writers, will not leave you disappointed. > > > > Is", "to join the wagon. > > I, despite all of my faults and", "tortoise, I move slowly, writing little each day. My dream is yet far", "am appointed. > > Give me this seat, and I will promise you", "Gratdok Sanderson's writing class this coming winter semester. As such, I've begun to", "as the beating sun, my thirst for success is palpable. > > Even", "in this class.\" The response I dictated is a poem, exactly 400 words", "sets each day, my quest to publish, to write, to dream, follows a", "fire, my passion builds relentlessly. My universe is yet to be unraveled or", "when I need help. I recognize that with this superb group, my skill", "out his application and I ran into a problem. One question asks \"In", "a universe. > > I will tell their story even if I die", "cannot boast. > > Ever lacking the words which seem to flow so", "me that I am picked, that I am appointed. > > Give me", "build worlds. With my help gain the skill of a new man. >", "you this. I, least of all writers, will not leave you disappointed. >", "me my wings, this turtle becomes a dragon. > > With the help", "is yet far away, from Earth to Saturn. > > Praying for a", "sealed. > > Take away what you will of me, for I know", "> > > Is this poem out of bounds of what I should", "poem out of bounds of what I should have written (as in, should", "far away, from Earth to Saturn. > > Praying for a miracle, this", "great things? With your help, I know it is possible. > > Herein", "class this coming winter semester. As such, I've begun to fill out his", "turtle desires to move much faster. Give me my wings, this turtle becomes", "creed. I am as relentless as the beating sun, my thirst for success", "> Ever lacking the words which seem to flow so freely, my pen", "just a student, a fan. > > Dare I pray, dare I hope", "why Gratdok should choose you to be in this class.\" The response I", "who can be considered gods, I fly to become a writer, to join", "That they may know that I mean to become as they, I will", "is a poem, exactly 400 words long, each line 20 words long. It's", "is my duty; it is my curse. > > Now that I’ve unfolded", "a new man. > > Rising like the flames of a fire, my", "I, despite all of my faults and weaknesses, am not to be underestimated.", "together, our hands will build worlds. With my help gain the skill of", "I need help. I recognize that with this superb group, my skill I", "know that I mean to become as they, I will submit to them", "my duty; it is my curse. > > Now that I’ve unfolded for", "is palpable. > > Even as the setting sun sets each day, my", "this poem out of bounds of what I should have written (as in,", "this coming winter semester. As such, I've begun to fill out his application", "> > Herein lies my hope, my creed. I am as relentless as", "Earth to Saturn. > > Praying for a miracle, this turtle desires to", "you to be in this class.\" The response I dictated is a poem,", "Is this poem out of bounds of what I should have written (as", "> I will tell their story even if I die in the process.", "worlds. With my help gain the skill of a new man. > >", "long, each line 20 words long. It's also acrostically built. I've listed my", "help of these who can be considered gods, I fly to become a", "us together, our hands will build worlds. With my help gain the skill", "even if I die in the process. It is my duty; it is", "help, I know it is possible. > > Herein lies my hope, my", "story even if I die in the process. It is my duty; it", "Gratdok should choose you to be in this class.\" The response I dictated", "your help, I know it is possible. > > Herein lies my hope,", "written (as in, should I have been more direct), or would it be", "away what you will of me, for I know one truth. In me", "who are greatest, my words I can not improve. I, just a student,", "into Gratdok Sanderson's writing class this coming winter semester. As such, I've begun", "heavy in my meager hands. > > Except I learn from those who", "new man. > > Rising like the flames of a fire, my passion", "can be considered gods, I fly to become a writer, to join the", "submit to them this, my daring audacity. > > How does one challenge", "greatest, my words I can not improve. I, just a student, a fan.", "writing class this coming winter semester. As such, I've begun to fill out", "> > > > Is this poem out of bounds of what I", "become as they, I will submit to them this, my daring audacity. >", "skill is unhoned, my prose weak, my writing is plain to most. >", "the hopes of a universe. > > I will tell their story even", "> > Give me this seat, and I will promise you this. I,", "student, a fan. > > Dare I pray, dare I hope that I", "to fill out his application and I ran into a problem. One question", "least of all writers, will not leave you disappointed. > > > >", "> > Is this poem out of bounds of what I should have", "more direct), or would it be admissible (note: I still have about a", "day. My dream is yet far away, from Earth to Saturn. > >", "hands will build worlds. With my help gain the skill of a new", "I will promise you this. I, least of all writers, will not leave", "is the time when I need help. I recognize that with this superb", "words long, each line 20 words long. It's also acrostically built. I've listed", "god, you may ask? By breaking them down and telling them, they too", "recognize that with this superb group, my skill I cannot boast. > >", "> With the help of these who can be considered gods, I fly", "does one challenge a god, you may ask? By breaking them down and", "my skill I cannot boast. > > Ever lacking the words which seem", "problem. One question asks \"In 400 words or less, tell why Gratdok should", "I know one truth. In me are the hopes of a universe. >", "writers. My skill is unhoned, my prose weak, my writing is plain to", "keep them sealed. > > Take away what you will of me, for", "will shake at my tenacity. > > That they may know that I", "Now that I’ve unfolded for you, what I can do, tell me that", "I am the least of all writers. My skill is unhoned, my prose", "words long. It's also acrostically built. I've listed my response here, > >", "to be heavy in my meager hands. > > Except I learn from", "their story even if I die in the process. It is my duty;", "this. I, least of all writers, will not leave you disappointed. > >", "learn from those who are greatest, my words I can not improve. I,", "I will tell their story even if I die in the process. It", "> > Dare I pray, dare I hope that I can achieve great", "little each day. My dream is yet far away, from Earth to Saturn.", "applying to get into Gratdok Sanderson's writing class this coming winter semester. As", "group, my skill I cannot boast. > > Ever lacking the words which", "poem, exactly 400 words long, each line 20 words long. It's also acrostically", "my curse. > > Now that I’ve unfolded for you, what I can", "my meager hands. > > Except I learn from those who are greatest,", "all writers, will not leave you disappointed. > > > > Is this", "weaknesses, am not to be underestimated. The gods will shake at my tenacity.", "> > Now that I’ve unfolded for you, what I can do, tell", "leave you disappointed. > > > > Is this poem out of bounds", "will promise you this. I, least of all writers, will not leave you", "> > Praying for a miracle, this turtle desires to move much faster.", "from those who are greatest, my words I can not improve. I, just", "it is possible. > > Herein lies my hope, my creed. I am", "> Praying for a miracle, this turtle desires to move much faster. Give", "underestimated. The gods will shake at my tenacity. > > That they may", "my pen seems to be heavy in my meager hands. > > Except", "or revealed. > > In me, there is a people whose voice demands", "Herein lies my hope, my creed. I am as relentless as the beating", "of bounds of what I should have written (as in, should I have", "of my faults and weaknesses, am not to be underestimated. The gods will", "them down and telling them, they too are human. > > With all", "be heavy in my meager hands. > > Except I learn from those", "the words which seem to flow so freely, my pen seems to be", "a writer, to join the wagon. > > I, despite all of my", "exactly 400 words long, each line 20 words long. It's also acrostically built.", "me, for I know one truth. In me are the hopes of a", "quest to publish, to write, to dream, follows a similar pattern. > >", "and telling them, they too are human. > > With all of us", "line 20 words long. It's also acrostically built. I've listed my response here,", "One question asks \"In 400 words or less, tell why Gratdok should choose", "relentlessly. My universe is yet to be unraveled or revealed. > > In", "may ask? By breaking them down and telling them, they too are human.", "should I have been more direct), or would it be admissible (note: I", "human. > > With all of us together, our hands will build worlds.", "be underestimated. The gods will shake at my tenacity. > > That they", "most. > > Now is the time when I need help. I recognize", "out of bounds of what I should have written (as in, should I", "I am as relentless as the beating sun, my thirst for success is", "that I’ve unfolded for you, what I can do, tell me that I", "listed my response here, > > I am the least of all writers.", "> > With the help of these who can be considered gods, I", "boast. > > Ever lacking the words which seem to flow so freely,", "writers, will not leave you disappointed. > > > > Is this poem", "my passion builds relentlessly. My universe is yet to be unraveled or revealed.", "Give me this seat, and I will promise you this. I, least of", "been more direct), or would it be admissible (note: I still have about", "his application and I ran into a problem. One question asks \"In 400", "With the help of these who can be considered gods, I fly to", "my response here, > > I am the least of all writers. My", "know one truth. In me are the hopes of a universe. > >", "> I am the least of all writers. My skill is unhoned, my", "much faster. Give me my wings, this turtle becomes a dragon. > >", "these who can be considered gods, I fly to become a writer, to", "the beating sun, my thirst for success is palpable. > > Even as", "to be heard. I cannot deny them, nor keep them sealed. > >", "not improve. I, just a student, a fan. > > Dare I pray,", "the least of all writers. My skill is unhoned, my prose weak, my", "would it be admissible (note: I still have about a month before I", "The response I dictated is a poem, exactly 400 words long, each line", "follows a similar pattern. > > Like the tortoise, I move slowly, writing", "what you will of me, for I know one truth. In me are", "this, my daring audacity. > > How does one challenge a god, you", "meager hands. > > Except I learn from those who are greatest, my", "I learn from those who are greatest, my words I can not improve.", "unfolded for you, what I can do, tell me that I am picked,", "seem to flow so freely, my pen seems to be heavy in my", "I recognize that with this superb group, my skill I cannot boast. >", "am as relentless as the beating sun, my thirst for success is palpable.", "weak, my writing is plain to most. > > Now is the time", "be in this class.\" The response I dictated is a poem, exactly 400", "be considered gods, I fly to become a writer, to join the wagon.", "a dragon. > > With the help of these who can be considered", "choose you to be in this class.\" The response I dictated is a", "beating sun, my thirst for success is palpable. > > Even as the", "> That they may know that I mean to become as they, I", "words or less, tell why Gratdok should choose you to be in this", "telling them, they too are human. > > With all of us together,", "less, tell why Gratdok should choose you to be in this class.\" The", "> > Take away what you will of me, for I know one", "gain the skill of a new man. > > Rising like the flames", "I, just a student, a fan. > > Dare I pray, dare I", "\"In 400 words or less, tell why Gratdok should choose you to be", "the process. It is my duty; it is my curse. > > Now", "voice demands to be heard. I cannot deny them, nor keep them sealed.", "plain to most. > > Now is the time when I need help.", "> > I, despite all of my faults and weaknesses, am not to", "breaking them down and telling them, they too are human. > > With", "I mean to become as they, I will submit to them this, my", "ask? By breaking them down and telling them, they too are human. >", "faster. Give me my wings, this turtle becomes a dragon. > > With", "it is my curse. > > Now that I’ve unfolded for you, what", "help gain the skill of a new man. > > Rising like the", "becomes a dragon. > > With the help of these who can be", "this turtle desires to move much faster. Give me my wings, this turtle", "or would it be admissible (note: I still have about a month before", "seat, and I will promise you this. I, least of all writers, will", "success is palpable. > > Even as the setting sun sets each day,", "I can achieve great things? With your help, I know it is possible.", "they may know that I mean to become as they, I will submit", "begun to fill out his application and I ran into a problem. One", "can achieve great things? With your help, I know it is possible. >", "that with this superb group, my skill I cannot boast. > > Ever", "publish, to write, to dream, follows a similar pattern. > > Like the", "at my tenacity. > > That they may know that I mean to", "Ever lacking the words which seem to flow so freely, my pen seems", "a people whose voice demands to be heard. I cannot deny them, nor", "appointed. > > Give me this seat, and I will promise you this.", "superb group, my skill I cannot boast. > > Ever lacking the words", "> > That they may know that I mean to become as they,", "fill out his application and I ran into a problem. One question asks", "of what I should have written (as in, should I have been more", "> Like the tortoise, I move slowly, writing little each day. My dream", "my faults and weaknesses, am not to be underestimated. The gods will shake", "wings, this turtle becomes a dragon. > > With the help of these", "class.\" The response I dictated is a poem, exactly 400 words long, each", "so freely, my pen seems to be heavy in my meager hands. >", "not to be underestimated. The gods will shake at my tenacity. > >", "too are human. > > With all of us together, our hands will", "to dream, follows a similar pattern. > > Like the tortoise, I move", "can not improve. I, just a student, a fan. > > Dare I", "> Except I learn from those who are greatest, my words I can", "> > Except I learn from those who are greatest, my words I", "> In me, there is a people whose voice demands to be heard.", "to move much faster. Give me my wings, this turtle becomes a dragon.", "that I am appointed. > > Give me this seat, and I will", "words which seem to flow so freely, my pen seems to be heavy", "nor keep them sealed. > > Take away what you will of me,", "to become a writer, to join the wagon. > > I, despite all", "it be admissible (note: I still have about a month before I can", "you may ask? By breaking them down and telling them, they too are", "wagon. > > I, despite all of my faults and weaknesses, am not", "each line 20 words long. It's also acrostically built. I've listed my response", "built. I've listed my response here, > > I am the least of", "need help. I recognize that with this superb group, my skill I cannot", "cannot deny them, nor keep them sealed. > > Take away what you", "time when I need help. I recognize that with this superb group, my", "one challenge a god, you may ask? By breaking them down and telling", "I've listed my response here, > > I am the least of all", "there is a people whose voice demands to be heard. I cannot deny", "my daring audacity. > > How does one challenge a god, you may", "be admissible (note: I still have about a month before I can submit", "I cannot deny them, nor keep them sealed. > > Take away what", "pattern. > > Like the tortoise, I move slowly, writing little each day.", "to publish, to write, to dream, follows a similar pattern. > > Like", "to flow so freely, my pen seems to be heavy in my meager", "unhoned, my prose weak, my writing is plain to most. > > Now", "setting sun sets each day, my quest to publish, to write, to dream,", "I dictated is a poem, exactly 400 words long, each line 20 words", "lacking the words which seem to flow so freely, my pen seems to", "am the least of all writers. My skill is unhoned, my prose weak,", "improve. I, just a student, a fan. > > Dare I pray, dare", "response I dictated is a poem, exactly 400 words long, each line 20", "20 words long. It's also acrostically built. I've listed my response here, >", "move slowly, writing little each day. My dream is yet far away, from", "am not to be underestimated. The gods will shake at my tenacity. >", "My skill is unhoned, my prose weak, my writing is plain to most.", "gods will shake at my tenacity. > > That they may know that", "> How does one challenge a god, you may ask? By breaking them", "process. It is my duty; it is my curse. > > Now that", "which seem to flow so freely, my pen seems to be heavy in", "of a universe. > > I will tell their story even if I", "> Is this poem out of bounds of what I should have written", "relentless as the beating sun, my thirst for success is palpable. > >", "unraveled or revealed. > > In me, there is a people whose voice", "this superb group, my skill I cannot boast. > > Ever lacking the", "slowly, writing little each day. My dream is yet far away, from Earth", "dragon. > > With the help of these who can be considered gods,", "to be underestimated. The gods will shake at my tenacity. > > That", "By breaking them down and telling them, they too are human. > >", "the wagon. > > I, despite all of my faults and weaknesses, am", "> Give me this seat, and I will promise you this. I, least", "the flames of a fire, my passion builds relentlessly. My universe is yet", "prose weak, my writing is plain to most. > > Now is the", "I ran into a problem. One question asks \"In 400 words or less,", "> > Now is the time when I need help. I recognize that", "writing is plain to most. > > Now is the time when I", "audacity. > > How does one challenge a god, you may ask? By", "considered gods, I fly to become a writer, to join the wagon. >", "admissible (note: I still have about a month before I can submit the", "and I will promise you this. I, least of all writers, will not", "not leave you disappointed. > > > > Is this poem out of", "the time when I need help. I recognize that with this superb group,", "is unhoned, my prose weak, my writing is plain to most. > >", "you disappointed. > > > > Is this poem out of bounds of", "hope that I can achieve great things? With your help, I know it", "hopes of a universe. > > I will tell their story even if", "despite all of my faults and weaknesses, am not to be underestimated. The", "will tell their story even if I die in the process. It is", "> Dare I pray, dare I hope that I can achieve great things?", "I can not improve. I, just a student, a fan. > > Dare", "> > In me, there is a people whose voice demands to be", "and weaknesses, am not to be underestimated. The gods will shake at my", "for success is palpable. > > Even as the setting sun sets each", "such, I've begun to fill out his application and I ran into a", "> Now that I’ve unfolded for you, what I can do, tell me", "Praying for a miracle, this turtle desires to move much faster. Give me", "truth. In me are the hopes of a universe. > > I will", "me, there is a people whose voice demands to be heard. I cannot", "curse. > > Now that I’ve unfolded for you, what I can do,", "Now is the time when I need help. I recognize that with this", "passion builds relentlessly. My universe is yet to be unraveled or revealed. >", "here, > > I am the least of all writers. My skill is", "faults and weaknesses, am not to be underestimated. The gods will shake at", "is my curse. > > Now that I’ve unfolded for you, what I", "I pray, dare I hope that I can achieve great things? With your", "semester. As such, I've begun to fill out his application and I ran", "I can do, tell me that I am picked, that I am appointed.", "dare I hope that I can achieve great things? With your help, I", "may know that I mean to become as they, I will submit to", "flames of a fire, my passion builds relentlessly. My universe is yet to", "them sealed. > > Take away what you will of me, for I", "are the hopes of a universe. > > I will tell their story", "writing little each day. My dream is yet far away, from Earth to", "> Rising like the flames of a fire, my passion builds relentlessly. My", "My universe is yet to be unraveled or revealed. > > In me,", "that I can achieve great things? With your help, I know it is", "I am appointed. > > Give me this seat, and I will promise", "I move slowly, writing little each day. My dream is yet far away,", "question asks \"In 400 words or less, tell why Gratdok should choose you", "Give me my wings, this turtle becomes a dragon. > > With the", "of us together, our hands will build worlds. With my help gain the", "in the process. It is my duty; it is my curse. > >", "become a writer, to join the wagon. > > I, despite all of", "yet far away, from Earth to Saturn. > > Praying for a miracle,", "as relentless as the beating sun, my thirst for success is palpable. >", "coming winter semester. As such, I've begun to fill out his application and", "a miracle, this turtle desires to move much faster. Give me my wings,", "whose voice demands to be heard. I cannot deny them, nor keep them", "can do, tell me that I am picked, that I am appointed. >", "fly to become a writer, to join the wagon. > > I, despite", "promise you this. I, least of all writers, will not leave you disappointed.", "> > Ever lacking the words which seem to flow so freely, my", "skill I cannot boast. > > Ever lacking the words which seem to", "pray, dare I hope that I can achieve great things? With your help,", "or less, tell why Gratdok should choose you to be in this class.\"", "my help gain the skill of a new man. > > Rising like", "a fire, my passion builds relentlessly. My universe is yet to be unraveled", "if I die in the process. It is my duty; it is my", "disappointed. > > > > Is this poem out of bounds of what", "to them this, my daring audacity. > > How does one challenge a", "down and telling them, they too are human. > > With all of", "In me are the hopes of a universe. > > I will tell", "I, least of all writers, will not leave you disappointed. > > >", "(as in, should I have been more direct), or would it be admissible", "revealed. > > In me, there is a people whose voice demands to", "> Even as the setting sun sets each day, my quest to publish,", "to be unraveled or revealed. > > In me, there is a people", "is a people whose voice demands to be heard. I cannot deny them,", "of all writers. My skill is unhoned, my prose weak, my writing is", "Sanderson's writing class this coming winter semester. As such, I've begun to fill", "of a fire, my passion builds relentlessly. My universe is yet to be", "> Take away what you will of me, for I know one truth.", "As such, I've begun to fill out his application and I ran into", "daring audacity. > > How does one challenge a god, you may ask?", "demands to be heard. I cannot deny them, nor keep them sealed. >", "of a new man. > > Rising like the flames of a fire,", "application and I ran into a problem. One question asks \"In 400 words", "challenge a god, you may ask? By breaking them down and telling them,", "Take away what you will of me, for I know one truth. In", "each day, my quest to publish, to write, to dream, follows a similar", "picked, that I am appointed. > > Give me this seat, and I", "winter semester. As such, I've begun to fill out his application and I", "that I mean to become as they, I will submit to them this,", "shake at my tenacity. > > That they may know that I mean", "know it is possible. > > Herein lies my hope, my creed. I", "have written (as in, should I have been more direct), or would it", "similar pattern. > > Like the tortoise, I move slowly, writing little each", "is plain to most. > > Now is the time when I need", "achieve great things? With your help, I know it is possible. > >", "this seat, and I will promise you this. I, least of all writers,", "of me, for I know one truth. In me are the hopes of", "The gods will shake at my tenacity. > > That they may know", "Like the tortoise, I move slowly, writing little each day. My dream is", "my quest to publish, to write, to dream, follows a similar pattern. >", "yet to be unraveled or revealed. > > In me, there is a", "my creed. I am as relentless as the beating sun, my thirst for", "fan. > > Dare I pray, dare I hope that I can achieve", "bounds of what I should have written (as in, should I have been", "pen seems to be heavy in my meager hands. > > Except I", "be heard. I cannot deny them, nor keep them sealed. > > Take", "to get into Gratdok Sanderson's writing class this coming winter semester. As such,", "them, nor keep them sealed. > > Take away what you will of", "is possible. > > Herein lies my hope, my creed. I am as", "my writing is plain to most. > > Now is the time when", "It's also acrostically built. I've listed my response here, > > I am", "hands. > > Except I learn from those who are greatest, my words", "In me, there is a people whose voice demands to be heard. I", "possible. > > Herein lies my hope, my creed. I am as relentless", "tell me that I am picked, that I am appointed. > > Give", "will not leave you disappointed. > > > > Is this poem out", "least of all writers. My skill is unhoned, my prose weak, my writing", "as they, I will submit to them this, my daring audacity. > >", "all of my faults and weaknesses, am not to be underestimated. The gods", "a problem. One question asks \"In 400 words or less, tell why Gratdok", "those who are greatest, my words I can not improve. I, just a", "a student, a fan. > > Dare I pray, dare I hope that", "With my help gain the skill of a new man. > > Rising", "and I ran into a problem. One question asks \"In 400 words or", "like the flames of a fire, my passion builds relentlessly. My universe is", "things? With your help, I know it is possible. > > Herein lies", "should have written (as in, should I have been more direct), or would", "they, I will submit to them this, my daring audacity. > > How", "should choose you to be in this class.\" The response I dictated is", "> > Rising like the flames of a fire, my passion builds relentlessly.", "my hope, my creed. I am as relentless as the beating sun, my", "people whose voice demands to be heard. I cannot deny them, nor keep", "Saturn. > > Praying for a miracle, this turtle desires to move much", "away, from Earth to Saturn. > > Praying for a miracle, this turtle", "the skill of a new man. > > Rising like the flames of", "all writers. My skill is unhoned, my prose weak, my writing is plain", "I am picked, that I am appointed. > > Give me this seat,", "desires to move much faster. Give me my wings, this turtle becomes a", "die in the process. It is my duty; it is my curse. >", "I've begun to fill out his application and I ran into a problem.", "turtle becomes a dragon. > > With the help of these who can", "a poem, exactly 400 words long, each line 20 words long. It's also", "dream, follows a similar pattern. > > Like the tortoise, I move slowly,", "palpable. > > Even as the setting sun sets each day, my quest", "I know it is possible. > > Herein lies my hope, my creed.", "help. I recognize that with this superb group, my skill I cannot boast.", "day, my quest to publish, to write, to dream, follows a similar pattern.", "sun sets each day, my quest to publish, to write, to dream, follows", "into a problem. One question asks \"In 400 words or less, tell why", "deny them, nor keep them sealed. > > Take away what you will", "do, tell me that I am picked, that I am appointed. > >", "will submit to them this, my daring audacity. > > How does one", "> > With all of us together, our hands will build worlds. With", "> > I will tell their story even if I die in the", "gods, I fly to become a writer, to join the wagon. > >", "I cannot boast. > > Ever lacking the words which seem to flow", "to write, to dream, follows a similar pattern. > > Like the tortoise,", "am picked, that I am appointed. > > Give me this seat, and", "400 words long, each line 20 words long. It's also acrostically built. I've", "are greatest, my words I can not improve. I, just a student, a", "I die in the process. It is my duty; it is my curse.", "universe is yet to be unraveled or revealed. > > In me, there", "I have been more direct), or would it be admissible (note: I still", "also acrostically built. I've listed my response here, > > I am the", "join the wagon. > > I, despite all of my faults and weaknesses,", "them, they too are human. > > With all of us together, our", "I'm applying to get into Gratdok Sanderson's writing class this coming winter semester.", "Even as the setting sun sets each day, my quest to publish, to", "tenacity. > > That they may know that I mean to become as", "With all of us together, our hands will build worlds. With my help", "> I, despite all of my faults and weaknesses, am not to be", "in, should I have been more direct), or would it be admissible (note:", "> > Like the tortoise, I move slowly, writing little each day. My", "for a miracle, this turtle desires to move much faster. Give me my", "one truth. In me are the hopes of a universe. > > I", "to become as they, I will submit to them this, my daring audacity.", "my tenacity. > > That they may know that I mean to become", "thirst for success is palpable. > > Even as the setting sun sets", "> > Even as the setting sun sets each day, my quest to", "I’ve unfolded for you, what I can do, tell me that I am", "me this seat, and I will promise you this. I, least of all", "I will submit to them this, my daring audacity. > > How does", "400 words or less, tell why Gratdok should choose you to be in", "the setting sun sets each day, my quest to publish, to write, to", "> Now is the time when I need help. I recognize that with", "man. > > Rising like the flames of a fire, my passion builds", "move much faster. Give me my wings, this turtle becomes a dragon. >", "asks \"In 400 words or less, tell why Gratdok should choose you to", "> > How does one challenge a god, you may ask? By breaking", "you, what I can do, tell me that I am picked, that I", "I hope that I can achieve great things? With your help, I know", "direct), or would it be admissible (note: I still have about a month", "a fan. > > Dare I pray, dare I hope that I can", "writer, to join the wagon. > > I, despite all of my faults", "dream is yet far away, from Earth to Saturn. > > Praying for", "will build worlds. With my help gain the skill of a new man.", "all of us together, our hands will build worlds. With my help gain", "me are the hopes of a universe. > > I will tell their", "lies my hope, my creed. I am as relentless as the beating sun,", "the tortoise, I move slowly, writing little each day. My dream is yet", "flow so freely, my pen seems to be heavy in my meager hands.", "mean to become as they, I will submit to them this, my daring", "write, to dream, follows a similar pattern. > > Like the tortoise, I", "is yet to be unraveled or revealed. > > In me, there is", "from Earth to Saturn. > > Praying for a miracle, this turtle desires", "as the setting sun sets each day, my quest to publish, to write,", "this turtle becomes a dragon. > > With the help of these who", "tell why Gratdok should choose you to be in this class.\" The response", "to most. > > Now is the time when I need help. I", "seems to be heavy in my meager hands. > > Except I learn", "words I can not improve. I, just a student, a fan. > >", "response here, > > I am the least of all writers. My skill", "It is my duty; it is my curse. > > Now that I’ve", "to Saturn. > > Praying for a miracle, this turtle desires to move", "my wings, this turtle becomes a dragon. > > With the help of" ]
[ "of his internal conflict because he reacts to his mistakes, and has periods", "from tumultuous circumstances who always gets in over her head, and a reluctant", "watch her dig herself a deeper hole, then cover-up and self-sabotage. It's clear", "problem with her character: My snag with her character is that she doesn't", "anti-heroine? I have a power-seeking guile heroine from tumultuous circumstances who always gets", "just finding a rich guy she could manipulate and live comfortably? I feel", "She (more or less) stays the same, it's just her schemes that get", "live comfortably? I feel like I am relying on \"it's just her nature\"", "this pattern forever, but that implies she is a psychopath or maybe a", "her mind she is just tap dancing around powerful and dangerous people. She", "those around her. She pursues powerful people, good or bad, but eventually screws", "are her downfall? She is sort of an iconic femme fatale who keeps", "Around the point where things start going her way, a machination from earlier", "while the hero is still in denial and there is a chance they", "of those around her. She pursues powerful people, good or bad, but eventually", "a surprise to the reader (or the hero) so we watch her dig", "or maybe a convenient moron. How does the heroine keep getting into trouble", "he reacts to his mistakes, and has periods of mania and depression. He", "the morals and goals of those around her. She pursues powerful people, good", "be redeemed. Her \"bad\" nature is first discovered only in escalating stages of", "to the top. But why would she keep running to danger, rather than", "is a chameleon who presents herself as whatever others want, including the hero's", "is still in denial and there is a chance they will get together.", "self-doubts and questions his own morals. The reader has a better understanding of", "also learning he can't change her. How do I show this heroine is", "money and runs while all hell breaks loose. She is a chameleon who", "forward. My problem with her character: My snag with her character is that", "people, good or bad, but eventually screws them over even when that wasn't", "escape. In contrast, the hero has self-doubts and questions his own morals. The", "that get bigger. She's a con-artist with a broken moral compass, but she's", "keeps saving her. It's a pattern. She (more or less) stays the same,", "dig herself a deeper hole, then cover-up and self-sabotage. It's clear that she", "secret desires, and yet unaware that her own schemes are her downfall? She", "keeps climbing to the top. But why would she keep running to danger,", "the same, it's just her schemes that get bigger. She's a con-artist with", "who keeps climbing to the top. But why would she keep running to", "supernaturally, just plot-wise) but also a bit of a sociopath who mirrors the", "who presents herself as whatever others want, including the hero's desire that she", "who always gets in over her head, and a reluctant hero who keeps", "I show this heroine is sensitive/intuitive about other people, uncovering their buried vulnerabilities", "a pattern. She (more or less) stays the same, it's just her schemes", "but it is no longer a surprise to the reader (or the hero)", "anti-social reveals that got her there in the first place. However, I want", "is no longer a surprise to the reader (or the hero) so we", "help her nature. Around the point where things start going her way, a", "situations – she's an opportunist who drives the plot forward. *My problem with", "lot of soul-searching, understanding his need to save her and also learning he", "goals of those around her. She pursues powerful people, good or bad, but", "way that shows. Her rare moments are when she does the right thing", "a way that shows. Her rare moments are when she does the right", "a chameleon who presents herself as whatever others want, including the hero's desire", "herself* into situations – she's an opportunist who drives the plot forward. *My", "mind she is just tap dancing* around powerful and dangerous people. She doesn't", "buried vulnerabilities and secret desires, and yet unaware that her own schemes are", "the idea is she is a bit empathic (not supernaturally, just plot-wise) but", "good or bad, but eventually screws them over even when that wasn't her", "to save her and also learning he can't change her. How do I", "still in denial and there is a chance they will get together. She", "powerful and dangerous people. She doesn't debate morals, at least not in a", "grabs the money and runs while all hell breaks loose. She is a", "a better understanding of his internal conflict because he reacts to his mistakes,", "she is just tap dancing around powerful and dangerous people. She doesn't debate", "change her. How do I show this heroine is sensitive/intuitive about other people,", "internal conflict because he reacts to his mistakes, and has periods of mania", "pattern. She (more or less) stays the same, it's just her schemes that", "sociopath who mirrors the morals and goals of those around her. She pursues", "screws them over even when that wasn't her intent. She is like Aesop's", "show this heroine is sensitive/intuitive about other people, uncovering their buried vulnerabilities and", "that shows. Her rare moments are when she does the right thing for", "convenient moron. How does the heroine keep getting into trouble without realizing that", "who drives the plot forward. My problem with her character: My snag with", "his own morals. The reader has a better understanding of his internal conflict", "reveals that got her there in the first place. However, I want her", "to reading other people, the idea is she is a bit empathic (not", "breaks loose. She is a chameleon who presents herself as whatever others want,", "a part of her mind she's always nurturing a smash-and-grab strategy and a", "Aesop's scorpion, she can't help her nature. Around the point where things start", "suppose to be intuitive when it comes to reading other people, the idea", "My problem with her character: My snag with her character is that she", "climbing to the top. But why would she keep running to danger, rather", "her. It's a pattern. She (more or less) stays the same, it's just", "so we watch her dig herself a deeper hole, then cover-up and self-sabotage.", "– she's an opportunist who drives the plot forward. *My problem with her", "think she is the problem, in her mind she is just tap dancing", "she grabs the money and runs while all hell breaks loose. She is", "when it comes to reading other* people, the idea is she is a", "she's always nurturing a smash-and-grab strategy and a quick escape. In contrast, the", "hero) so we watch her dig herself a deeper hole, then cover-up and", "through a lot of soul-searching, understanding his need to save her and also", "also suppose to be intuitive when it comes to reading other people, the", "she can't help her nature. Around the point where things start going her", "to remain sympathetic: a complicated heroine. In later stories she will repeat the", "a rich guy she could manipulate and live comfortably? I feel like I", "heroine. In later stories she will repeat the pattern but it is no", "her to remain sympathetic: a complicated heroine. In later stories she will repeat", "least not in a way that shows. Her rare moments are when she", "drives the plot forward. My problem with her character: My snag with her", "the plot, while the hero is still in denial and there is a", "problem, in her mind she is just tap dancing around powerful and dangerous", "relying on \"it's just her nature\" to keep them in this pattern forever,", "mistakes, and has periods of mania and depression. He goes through a lot", "need to save her and also learning he can't change her. How do", "(more or less) stays the same, it's just her schemes that get bigger.", "keep them in this pattern forever, but that implies she is a psychopath", "repeat the pattern but it is no longer a surprise to the reader", "downfall? She is sort of an iconic femme fatale who keeps climbing to", "I have a power-seeking guile heroine from tumultuous circumstances who always gets in", "remain sympathetic: a complicated heroine. In later stories she will repeat the pattern", "is the problem, in her mind she is just tap dancing around powerful", "escalating stages of the plot, while the hero is still in denial and", "smash-and-grab strategy and a quick escape. In contrast, the hero has self-doubts and", "that implies she is a psychopath or maybe a convenient moron. How does", "his mistakes, and has periods of mania and depression. He goes through a", "\"it's just her nature\" to keep them in this pattern forever, but that", "scorpion, she can't help her nature. Around the point where things start going", "point where things start going her way, a machination from earlier comes back", "when she does the right thing for the right reasons because in a", "her downfall? She is sort of an iconic femme fatale who keeps climbing", "keep running to danger, rather than just finding a rich guy she could", "vulnerabilities and secret desires, and yet unaware that her own schemes are her", "and also learning he can't change her. How do I show this heroine", "she is a psychopath or maybe a convenient moron. How does the heroine", "In contrast, the hero has self-doubts and questions his own morals. The reader", "self-sabotage. It's clear that she gets herself into situations – she's an opportunist", "she doesn't think she is the problem, in her mind she is just", "will get together. She goes from being an innocent \"victim of circumstances\" to", "a sudden pile-up of anti-social reveals that got her there in the first", "He goes through a lot of soul-searching, understanding his need to save her", "a con-artist with a broken moral compass, but she's also suppose to be", "into situations – she's an opportunist who drives the plot forward. *My problem", "comes back to bite her, and she grabs the money and runs while", "just plot-wise) but also a bit of a sociopath who mirrors the morals", "runs while all hell breaks loose. She is a chameleon who presents herself", "the problem, in her mind she is just tap dancing* around powerful and", "heroine keep getting into trouble without realizing that she is the source of", "cover-up and self-sabotage. It's clear that she gets herself into situations – she's", "tumultuous circumstances who always gets in over her head, and a reluctant hero", "a smash-and-grab strategy and a quick escape. In contrast, the hero has self-doubts", "understanding his need to save her and also learning he can't change her.", "about other people, uncovering their buried vulnerabilities and secret desires, and yet unaware", "on \"it's just her nature\" to keep them in this pattern forever, but", "intuitive when it comes to reading other people, the idea is she is", "of a sociopath who mirrors the morals and goals of those around her.", "a broken moral compass, but she's also suppose to be intuitive when it", "psychopath or maybe a convenient moron. How does the heroine keep getting into", "forever, but that implies she is a psychopath or maybe a convenient moron.", "the pattern but it is no longer a surprise to the reader (or", "has periods of mania and depression. He goes through a lot of soul-searching,", "(or the hero) so we watch her dig herself a deeper hole, then", "pattern but it is no longer a surprise to the reader (or the", "Her rare moments are when she does the right thing for the right", "iconic femme fatale who keeps climbing to the top. But why would she", "she's an opportunist who drives the plot forward. My problem with her character:", "plot, while the hero is still in denial and there is a chance", "he can't change her. How do I show this heroine is sensitive/intuitive about", "do I show this heroine is sensitive/intuitive about other people, uncovering their buried", "circumstances who always gets in over her head, and a reluctant hero who", "thing for the right reasons because in a part of her mind she's", "However, I want her to remain sympathetic: a complicated heroine. In later stories", "schemes are her downfall? She is sort of an iconic femme fatale who", "chance they will get together. She goes from being an innocent \"victim of", "can be redeemed. Her \"bad\" nature is first discovered only in escalating stages", "a lot of soul-searching, understanding his need to save her and also learning", "nature. Around the point where things start going her way, a machination from", "idea is she is a bit empathic (not supernaturally, just plot-wise) but also", "mirrors the morals and goals of those around her. She pursues powerful people,", "right thing for the right reasons because in a part of her mind", "people, uncovering their buried vulnerabilities and secret desires, and yet unaware that her", "conflict because he reacts to his mistakes, and has periods of mania and", "with her character is that she doesn't think she is the problem, in", "heroine from tumultuous circumstances who always gets in over her head, and a", "would she keep running to danger, rather than just finding a rich guy", "an opportunist who drives the plot forward. My problem with her character:* My", "better understanding of his internal conflict because he reacts to his mistakes, and", "moron. How does the heroine keep getting into trouble without realizing that she", "in her mind she is just tap dancing around powerful and dangerous people.", "comfortably? I feel like I am relying on \"it's just her nature\" to", "The reader has a better understanding of his internal conflict because he reacts", "her and also learning he can't change her. How do I show this", "broken moral compass, but she's also suppose to be intuitive when it comes", "and live comfortably? I feel like I am relying on \"it's just her", "nature is first discovered only in escalating stages of the plot, while the", "sensitive/intuitive about other people, uncovering their buried vulnerabilities and secret desires, and yet", "keep getting into trouble without realizing that she is the source of the", "of an iconic femme fatale who keeps climbing to the top. But why", "a power-seeking guile heroine from tumultuous circumstances who always gets in over her", "goes from being an innocent \"victim of circumstances\" to a sudden pile-up of", "his need to save her and also learning he can't change her. How", "shows. Her rare moments are when she does the right thing for the", "the money and runs while all hell breaks loose. She is a chameleon", "less) stays the same, it's just her schemes that get bigger. She's a", "place. However, I want her to remain sympathetic: a complicated heroine. In later", "them in this pattern forever, but that implies she is a psychopath or", "the top. But why would she keep running to danger, rather than just", "and questions his own morals. The reader has a better understanding of his", "earlier comes back to bite her, and she grabs the money and runs", "the hero) so we watch her dig herself a deeper hole, then cover-up", "of mania and depression. He goes through a lot of soul-searching, understanding his", "back to bite her, and she grabs the money and runs while all", "mania and depression. He goes through a lot of soul-searching, understanding his need", "it's just her schemes that get bigger. She's a con-artist with a broken", "her schemes that get bigger. She's a con-artist with a broken moral compass,", "whatever others want, including the hero's desire that she can be redeemed. Her", "there in the first place. However, I want her to remain sympathetic: a", "gets in over her head, and a reluctant hero who keeps saving her.", "She is sort of an iconic femme fatale who keeps climbing to the", "the first place. However, I want her to remain sympathetic: a complicated heroine.", "later stories she will repeat the pattern but it is no longer a", "a convenient moron. How does the heroine keep getting into trouble without realizing", "at least not in a way that shows. Her rare moments are when", "she is a bit empathic (not supernaturally, just plot-wise) but also a bit", "only in escalating stages of the plot, while the hero is still in", "she is the problem, in her mind she is just tap dancing around", "comes to reading other people, the idea is she is a bit empathic", "to his mistakes, and has periods of mania and depression. He goes through", "finding a rich guy she could manipulate and live comfortably? I feel like", "and yet unaware that her own schemes are her downfall? She is sort", "a bit of a sociopath who mirrors the morals and goals of those", "and has periods of mania and depression. He goes through a lot of", "fatale* who keeps climbing to the top. But why would she keep running", "danger, rather than just finding a rich guy she could manipulate and live", "in a way that shows. Her rare moments are when she does the", "is sensitive/intuitive about other people, uncovering their buried vulnerabilities and secret desires, and", "to bite her, and she grabs the money and runs while all hell", "gets herself into situations – she's an opportunist who drives the plot forward.", "want her to remain sympathetic: a complicated heroine. In later stories she will", "being an innocent \"victim of circumstances\" to a sudden pile-up of anti-social reveals", "that she gets herself into situations – she's an opportunist who drives the", "is sort of an iconic femme fatale who keeps climbing to the top.", "in denial and there is a chance they will get together. She goes", "machination from earlier comes back to bite her, and she grabs the money", "her head, and a reluctant hero who keeps saving her. It's a pattern.", "rich guy she could manipulate and live comfortably? I feel like I am", "implies she is a psychopath or maybe a convenient moron. How does the", "including the hero's desire that she can be redeemed. Her \"bad\" nature is", "the heroine keep getting into trouble without realizing that she is the source", "a machination from earlier comes back to bite her, and she grabs the", "bigger. She's a con-artist with a broken moral compass, but she's also suppose", "his internal conflict because he reacts to his mistakes, and has periods of", "reader has a better understanding of his internal conflict because he reacts to", "a sociopath who mirrors the morals and goals of those around her. She", "power-seeking guile heroine from tumultuous circumstances who always gets in over her head,", "to a sudden pile-up of anti-social reveals that got her there in the", "there is a chance they will get together. She goes from being an", "own morals. The reader has a better understanding of his internal conflict because", "and runs while all hell breaks loose. She is a chameleon who presents", "that she can be redeemed. Her \"bad\" nature is first discovered only in", "we watch her dig herself a deeper hole, then cover-up and self-sabotage. It's", "why would she keep running to danger, rather than just finding a rich", "loose. She is a chameleon who presents herself as whatever others want, including", "is that she doesn't think she is the problem, in her mind she", "quick escape. In contrast, the hero has self-doubts and questions his own morals.", "I want her to remain sympathetic: a complicated heroine. In later stories she", "in escalating stages of the plot, while the hero is still in denial", "but she's also suppose to be intuitive when it comes to reading other", "She pursues powerful people, good or bad, but eventually screws them over even", "unaware that her own schemes are her downfall? She is sort of an", "and secret desires, and yet unaware that her own schemes are her downfall?", "of anti-social reveals that got her there in the first place. However, I", "But why would she keep running to danger, rather than just finding a", "strategy and a quick escape. In contrast, the hero has self-doubts and questions", "manipulate and live comfortably? I feel like I am relying on \"it's just", "no longer a surprise to the reader (or the hero) so we watch", "can't help her nature. Around the point where things start going her way,", "learning he can't change her. How do I show this heroine is sensitive/intuitive", "with a broken moral compass, but she's also suppose to be intuitive when", "her, and she grabs the money and runs while all hell breaks loose.", "How does the heroine keep getting into trouble without realizing that she is", "same, it's just her schemes that get bigger. She's a con-artist with a", "reluctant hero who keeps saving her. It's a pattern. She (more or less)", "because he reacts to his mistakes, and has periods of mania and depression.", "running to danger, rather than just finding a rich guy she could manipulate", "just tap dancing around powerful and dangerous people. She doesn't debate morals, at", "just her schemes that get bigger. She's a con-artist with a broken moral", "a complicated heroine. In later stories she will repeat the pattern but it", "to danger, rather than just finding a rich guy she could manipulate and", "plot-wise) but also a bit of a sociopath who mirrors the morals and", "her. How do I show this heroine is sensitive/intuitive about other people, uncovering", "complicated heroine. In later stories she will repeat the pattern but it is", "own schemes are her downfall? She is sort of an iconic femme fatale", "bit of a sociopath who mirrors the morals and goals of those around", "save her and also learning he can't change her. How do I show", "of the plot, while the hero is still in denial and there is", "the point where things start going her way, a machination from earlier comes", "She is a chameleon who presents herself as whatever others want, including the", "is a bit empathic (not supernaturally, just plot-wise) but also a bit of", "stages of the plot, while the hero is still in denial and there", "top. But why would she keep running to danger, rather than just finding", "all hell breaks loose. She is a chameleon who presents herself as whatever", "first place. However, I want her to remain sympathetic: a complicated heroine. In", "to the reader (or the hero) so we watch her dig herself a", "How do I show this heroine is sensitive/intuitive about other people, uncovering their", "hero is still in denial and there is a chance they will get", "understanding of his internal conflict because he reacts to his mistakes, and has", "over her head, and a reluctant hero who keeps saving her. It's a", "in over her head, and a reluctant hero who keeps saving her. It's", "while all hell breaks loose. She is a chameleon who presents herself as", "head, and a reluctant hero who keeps saving her. It's a pattern. She", "she does the right thing for the right reasons because in a part", "yet unaware that her own schemes are her downfall? She is sort of", "dancing* around powerful and dangerous people. She doesn't debate morals, at least not", "\"bad\" nature is first discovered only in escalating stages of the plot, while", "and she grabs the money and runs while all hell breaks loose. She", "not in a way that shows. Her rare moments are when she does", "get together. She goes from being an innocent \"victim of circumstances\" to a", "part of her mind she's always nurturing a smash-and-grab strategy and a quick", "that she doesn't think she is the problem, in her mind she is", "redeemed. Her \"bad\" nature is first discovered only in escalating stages of the", "always gets in over her head, and a reluctant hero who keeps saving", "opportunist who drives the plot forward. My problem with her character: My snag", "will repeat the pattern but it is no longer a surprise to the", "to keep them in this pattern forever, but that implies she is a", "a bit empathic (not supernaturally, just plot-wise) but also a bit of a", "could manipulate and live comfortably? I feel like I am relying on \"it's", "she can be redeemed. Her \"bad\" nature is first discovered only in escalating", "but that implies she is a psychopath or maybe a convenient moron. How", "does the right thing for the right reasons because in a part of", "surprise to the reader (or the hero) so we watch her dig herself", "other people, uncovering their buried vulnerabilities and secret desires, and yet unaware that", "people, the idea is she is a bit empathic (not supernaturally, just plot-wise)", "desire that she can be redeemed. Her \"bad\" nature is first discovered only", "her. She pursues powerful people, good or bad, but eventually screws them over", "from earlier comes back to bite her, and she grabs the money and", "a reluctant hero who keeps saving her. It's a pattern. She (more or", "circumstances\" to a sudden pile-up of anti-social reveals that got her there in", "hole, then cover-up and self-sabotage. It's clear that she gets herself into situations", "con-artist with a broken moral compass, but she's also suppose to be intuitive", "are when she does the right thing for the right reasons because in", "they will get together. She goes from being an innocent \"victim of circumstances\"", "innocent \"victim of circumstances\" to a sudden pile-up of anti-social reveals that got", "because in a part of her mind she's always nurturing a smash-and-grab strategy", "reasons because in a part of her mind she's always nurturing a smash-and-grab", "complicated anti-heroine?** I have a power-seeking guile heroine from tumultuous circumstances who always", "than just finding a rich guy she could manipulate and live comfortably? I", "pile-up of anti-social reveals that got her there in the first place. However,", "who mirrors the morals and goals of those around her. She pursues powerful", "for the right reasons because in a part of her mind she's always", "and goals of those around her. She pursues powerful people, good or bad,", "femme fatale who keeps climbing to the top. But why would she keep", "powerful people, good or bad, but eventually screws them over even when that", "her way, a machination from earlier comes back to bite her, and she", "morals and goals of those around her. She pursues powerful people, good or", "It's a pattern. She (more or less) stays the same, it's just her", "together. She goes from being an innocent \"victim of circumstances\" to a sudden", "has a better understanding of his internal conflict because he reacts to his", "this heroine is sensitive/intuitive about other people, uncovering their buried vulnerabilities and secret", "start going her way, a machination from earlier comes back to bite her,", "or less) stays the same, it's just her schemes that get bigger. She's", "her nature\" to keep them in this pattern forever, but that implies she", "a quick escape. In contrast, the hero has self-doubts and questions his own", "schemes that get bigger. She's a con-artist with a broken moral compass, but", "She doesn't debate morals, at least not in a way that shows. Her", "over even when that wasn't her intent. She is like Aesop's scorpion, she", "uncovering their buried vulnerabilities and secret desires, and yet unaware that her own", "as whatever others want, including the hero's desire that she can be redeemed.", "clear that she gets herself into situations – she's an opportunist who drives", "a chance they will get together. She goes from being an innocent \"victim", "her dig herself a deeper hole, then cover-up and self-sabotage. It's clear that", "It's clear that she gets herself into situations – she's an opportunist who", "She's a con-artist with a broken moral compass, but she's also suppose to", "bit empathic (not supernaturally, just plot-wise) but also a bit of a sociopath", "morals, at least not in a way that shows. Her rare moments are", "to be intuitive when it comes to reading other people, the idea is", "has self-doubts and questions his own morals. The reader has a better understanding", "character:** My snag with her character is that she doesn't think she is", "heroine is sensitive/intuitive about other people, uncovering their buried vulnerabilities and secret desires,", "sort of an iconic femme fatale who keeps climbing to the top. But", "just her nature\" to keep them in this pattern forever, but that implies", "character is that she doesn't think she is the problem, in her mind", "she keep running to danger, rather than just finding a rich guy she", "the hero is still in denial and there is a chance they will", "in the first place. However, I want her to remain sympathetic: a complicated", "My snag with her character is that she doesn't think she is the", "it comes to reading other people, the idea is she is a bit", "with her character:** My snag with her character is that she doesn't think", "reacts to his mistakes, and has periods of mania and depression. He goes", "that got her there in the first place. However, I want her to", "the hero has self-doubts and questions his own morals. The reader has a", "periods of mania and depression. He goes through a lot of soul-searching, understanding", "that her own schemes are her downfall? She is sort of an iconic", "stays the same, it's just her schemes that get bigger. She's a con-artist", "(not supernaturally, just plot-wise) but also a bit of a sociopath who mirrors", "discovered only in escalating stages of the plot, while the hero is still", "got her there in the first place. However, I want her to remain", "her there in the first place. However, I want her to remain sympathetic:", "I am relying on \"it's just her nature\" to keep them in this", "hero who keeps saving her. It's a pattern. She (more or less) stays", "tap dancing around powerful and dangerous people. She doesn't debate morals, at least", "a deeper hole, then cover-up and self-sabotage. It's clear that she gets herself", "be intuitive when it comes to reading other people, the idea is she", "a psychopath or maybe a convenient moron. How does the heroine keep getting", "pursues powerful people, good or bad, but eventually screws them over even when", "that wasn't her intent. She is like Aesop's scorpion, she can't help her", "can't change her. How do I show this heroine is sensitive/intuitive about other", "their buried vulnerabilities and secret desires, and yet unaware that her own schemes", "contrast, the hero has self-doubts and questions his own morals. The reader has", "is like Aesop's scorpion, she can't help her nature. Around the point where", "debate morals, at least not in a way that shows. Her rare moments", "desires, and yet unaware that her own schemes are her downfall? She is", "them over even when that wasn't her intent. She is like Aesop's scorpion,", "and self-sabotage. It's clear that she gets herself* into situations – she's an", "pattern forever, but that implies she is a psychopath or maybe a convenient", "also a bit of a sociopath who mirrors the morals and goals of", "her nature. Around the point where things start going her way, a machination", "she gets herself into situations – she's an opportunist who drives the plot", "is a chance they will get together. She goes from being an innocent", "does the heroine keep getting into trouble without realizing that she is the", "herself as whatever others want, including the hero's desire that she can be", "want, including the hero's desire that she can be redeemed. Her \"bad\" nature", "presents herself as whatever others want, including the hero's desire that she can", "around powerful and dangerous people. She doesn't debate morals, at least not in", "soul-searching, understanding his need to save her and also learning he can't change", "is just tap dancing around powerful and dangerous people. She doesn't debate morals,", "reading other people, the idea is she is a bit empathic (not supernaturally,", "plot forward. My problem with her character: My snag with her character is", "like Aesop's scorpion, she can't help her nature. Around the point where things", "she could manipulate and live comfortably? I feel like I am relying on", "intent. She is like Aesop's scorpion, she can't help her nature. Around the", "guy she could manipulate and live comfortably? I feel like I am relying", "but also a bit of a sociopath who mirrors the morals and goals", "or bad, but eventually screws them over even when that wasn't her intent.", "have a power-seeking guile heroine from tumultuous circumstances who always gets in over", "things start going her way, a machination from earlier comes back to bite", "way, a machination from earlier comes back to bite her, and she grabs", "is a psychopath or maybe a convenient moron. How does the heroine keep", "of her mind she's always nurturing a smash-and-grab strategy and a quick escape.", "and a reluctant hero who keeps saving her. It's a pattern. She (more", "guile heroine from tumultuous circumstances who always gets in over her head, and", "an innocent \"victim of circumstances\" to a sudden pile-up of anti-social reveals that", "questions his own morals. The reader has a better understanding of his internal", "people. She doesn't debate morals, at least not in a way that shows.", "chameleon who presents herself as whatever others want, including the hero's desire that", "getting into trouble without realizing that she is the source of the trouble?", "in this pattern forever, but that implies she is a psychopath or maybe", "it is no longer a surprise to the reader (or the hero) so", "I feel like I am relying on \"it's just her nature\" to keep", "rather than just finding a rich guy she could manipulate and live comfortably?", "snag with her character is that she doesn't think she is the problem,", "the reader (or the hero) so we watch her dig herself a deeper", "bad, but eventually screws them over even when that wasn't her intent. She", "morals. The reader has a better understanding of his internal conflict because he", "and depression. He goes through a lot of soul-searching, understanding his need to", "deeper hole, then cover-up and self-sabotage. It's clear that she gets herself into", "maybe a convenient moron. How does the heroine keep getting into trouble without", "A complicated anti-heroine? I have a power-seeking guile heroine from tumultuous circumstances who", "herself a deeper hole, then cover-up and self-sabotage. It's clear that she gets", "first discovered only in escalating stages of the plot, while the hero is", "mind she's always nurturing a smash-and-grab strategy and a quick escape. In contrast,", "other people, the idea is she is a bit empathic (not supernaturally, just", "hell breaks loose. She is a chameleon who presents herself as whatever others", "She goes from being an innocent \"victim of circumstances\" to a sudden pile-up", "doesn't debate morals, at least not in a way that shows. Her rare", "right reasons because in a part of her mind she's always nurturing a", "Her \"bad\" nature is first discovered only in escalating stages of the plot,", "she's also suppose to be intuitive when it comes to reading other people,", "when that wasn't her intent. She is like Aesop's scorpion, she can't help", "her intent. She is like Aesop's scorpion, she can't help her nature. Around", "nature\" to keep them in this pattern forever, but that implies she is", "from being an innocent \"victim of circumstances\" to a sudden pile-up of anti-social", "nurturing a smash-and-grab strategy and a quick escape. In contrast, the hero has", "others want, including the hero's desire that she can be redeemed. Her \"bad\"", "reader (or the hero) so we watch her dig herself a deeper hole,", "longer a surprise to the reader (or the hero) so we watch her", "wasn't her intent. She is like Aesop's scorpion, she can't help her nature.", "and there is a chance they will get together. She goes from being", "is she is a bit empathic (not supernaturally, just plot-wise) but also a", "moral compass, but she's also suppose to be intuitive when it comes to", "always nurturing a smash-and-grab strategy and a quick escape. In contrast, the hero", "doesn't think she is the problem, in her mind she is just tap", "of soul-searching, understanding his need to save her and also learning he can't", "like I am relying on \"it's just her nature\" to keep them in", "hero has self-doubts and questions his own morals. The reader has a better", "then cover-up and self-sabotage. It's clear that she gets herself* into situations –", "who keeps saving her. It's a pattern. She (more or less) stays the", "the right thing for the right reasons because in a part of her", "am relying on \"it's just her nature\" to keep them in this pattern", "even when that wasn't her intent. She is like Aesop's scorpion, she can't", "the hero's desire that she can be redeemed. Her \"bad\" nature is first", "where things start going her way, a machination from earlier comes back to", "she will repeat the pattern but it is no longer a surprise to", "her own schemes are her downfall? She is sort of an iconic femme", "depression. He goes through a lot of soul-searching, understanding his need to save", "saving her. It's a pattern. She (more or less) stays the same, it's", "bite her, and she grabs the money and runs while all hell breaks", "get bigger. She's a con-artist with a broken moral compass, but she's also", "in a part of her mind she's always nurturing a smash-and-grab strategy and", "the plot forward. My problem with her character:* My snag with her character", "She is like Aesop's scorpion, she can't help her nature. Around the point", "dangerous people. She doesn't debate morals, at least not in a way that", "stories she will repeat the pattern but it is no longer a surprise", "but eventually screws them over even when that wasn't her intent. She is", "feel like I am relying on \"it's just her nature\" to keep them", "her character:** My snag with her character is that she doesn't think she", "and dangerous people. She doesn't debate morals, at least not in a way", "denial and there is a chance they will get together. She goes from", "of circumstances\" to a sudden pile-up of anti-social reveals that got her there", "around her. She pursues powerful people, good or bad, but eventually screws them", "an iconic femme fatale who keeps climbing to the top. But why would", "rare moments are when she does the right thing for the right reasons", "In later stories she will repeat the pattern but it is no longer", "sympathetic: a complicated heroine. In later stories she will repeat the pattern but", "the right reasons because in a part of her mind she's always nurturing", "eventually screws them over even when that wasn't her intent. She is like", "sudden pile-up of anti-social reveals that got her there in the first place.", "and a quick escape. In contrast, the hero has self-doubts and questions his", "going her way, a machination from earlier comes back to bite her, and", "\"victim of circumstances\" to a sudden pile-up of anti-social reveals that got her", "empathic (not supernaturally, just plot-wise) but also a bit of a sociopath who", "her character is that she doesn't think she is the problem, in her", "moments are when she does the right thing for the right reasons because", "hero's desire that she can be redeemed. Her \"bad\" nature is first discovered", "compass, but she's also suppose to be intuitive when it comes to reading", "her mind she's always nurturing a smash-and-grab strategy and a quick escape. In", "goes through a lot of soul-searching, understanding his need to save her and", "is first discovered only in escalating stages of the plot, while the hero" ]
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He", "odd dynamic with my protagonist, similar to Della Street and Perry Mason. I", "15 characters; 14 women and 1 man. I want the male to be", "to write a female detective murder mystery. I have 15 characters; 14 women", "well educated, charming, and has an odd dynamic with my protagonist, similar to", "so my detective can intervene and take charge. The problem is with the", "before the depression, but what place in time after the depression? I need", "in time after the depression? I need the client's to be uncomfortable, but", "murder mystery. I have 15 characters; 14 women and 1 man. I want", "an odd dynamic with my protagonist, similar to Della Street and Perry Mason.", "take charge. The problem is with the male as a secretary what decade's", "can intervene and take charge. The problem is with the male as a", "problem is with the male as a secretary what decade's would be appropriate.", "charming, and has an odd dynamic with my protagonist, similar to Della Street", "know it would have been unheard of before the depression, but what place", "is with the male as a secretary what decade's would be appropriate. I", "be uncomfortable, but not shocked. I want my protagonist to be assertive, and", "need the client's to be uncomfortable, but not shocked. I want my protagonist", "depression? I need the client's to be uncomfortable, but not shocked. I want", "have 15 characters; 14 women and 1 man. I want the male to", "women and 1 man. I want the male to be the secretary for", "Agency. He is well educated, charming, and has an odd dynamic with my", "is well educated, charming, and has an odd dynamic with my protagonist, similar", "and take charge. The problem is with the male as a secretary what", "14 women and 1 man. I want the male to be the secretary", "I want to write a female detective murder mystery. I have 15 characters;", "depression, but what place in time after the depression? I need the client's", "Detective Agency. He is well educated, charming, and has an odd dynamic with", "have been unheard of before the depression, but what place in time after", "my detective can intervene and take charge. The problem is with the male", "for the, Cavalcade Detective Agency. He is well educated, charming, and has an", "he is the man so my detective can intervene and take charge. The", "because he is the man so my detective can intervene and take charge.", "the secretary for the, Cavalcade Detective Agency. He is well educated, charming, and", "want people to try to talk to him because he is the man", "the male as a secretary what decade's would be appropriate. I know it" ]
[ "pages of quoting verbatim what the people in the story are writing, trying", "characters in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if", "Wars characters. Everything had gone well until a little person dressed as Yoda", "off if he showed up before being reminded that Star Wars was now", "legal trouble when they were served a subpoena. Zonnas brought in in, frowning.", "characters in the show pretend to be Guwe? Or, could I write a", "I can and can't use references to characters in other stories when there", "use in the bar to encourage them to drink, and in characteristic fashion", "of my characters mentioned Hijrp Potfeq that is ok, at least according to", "in the novel itself, violates copyright, and, again in the story, might involve", "much is there some way I can dial it back, some line to", "used it as bedding for his pet rat. Mac, in the mean time,", "they were in some legal trouble when they were served a subpoena. Zonnas", "can't use references to characters in other stories when there are meta levels", "character is involved in some sort of dream where they exist in the", "going to jail at the end. In general, it seems like characters doing", "show pretend to be Guwe? Or, could I write a novel in which", "and who dispenses personal wisdom to him. But did they need permission for", "they have done? Assume that I'm not saying anything disparaging or defamatory. I'm", "one theme, almost like mini-episodes of the twilight zone where each chapter is", "rat. Mac, in the mean time, took the confiscated light saber and began", "due to certain constraints of what the story is trying to say. Edit:", "example I am mentioning a lot of aspects of Star Wars. Later in", "thing and they are asking their law professor if it is legal, and", "where each chapter is unrelated to all the others. So there is some", "else's work, but to reference it in the context of a larger story", "> > > \"Apparently,\" he said, \"creating a shell of the Millennium Falcon", "DoeZB had dressed up like Princess Leia in a skimpy gold bikini just", "been a smashing success, with many patrons even dressing as Star Wars characters.", "managed to avoid going to jail at the end. In general, it seems", "of the Millennium Falcon around the pub was some kind of intellectual property", "over an insult about his size. > Despite all this, the gang in", "and using a specific work is important due to certain constraints of what", "Guwe? Or, could I write a novel in which some of the characters", "this story for that reason. But what if I am writing a story", "from the standpoint of the alterations and what terrible acting it was and", "day the gang found out they were in some legal trouble when they", "many patrons even dressing as Star Wars characters. Everything had gone well until", "gang found out they were in some legal trouble when they were served", "happen? Another example: if the main character is involved in some sort of", "I had a passage that went something like this: > > The next", "also had the idea of giving hobos fake printed \"imperial credits\" to use", "far can this be taken in terms of meta references? In an answer", "story with alterations, although the story would just highlight it from the standpoint", "to time where he meets Bop Nebhanc dressed like Obi-Wan and carrying a", "at the end. In general, it seems like characters doing something illegal in", "dressed up like Princess Leia in a skimpy gold bikini just like in", "writing a story about a person who is doing this sort of thing", "be Guwe? Or, could I write a novel in which some of the", "Obi-Wan Kenobi (the older version from A New Hope, not the younger one)", "who is doing this sort of thing and they are asking their law", "were in some legal trouble when they were served a subpoena. Zonnas brought", "involving Guwe which, in the novel itself, violates copyright, and, again in the", "is ok, at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far", "it is legal, and they give an example to the professor, verbatim the", "in the context of a larger story which examines the implications of such", "difference, this would be a short story which would in a larger book", "which each chapter had one theme, almost like mini-episodes of the twilight zone", "characters in other stories when there are meta levels of indirection. If this", "brought in in, frowning. > > > \"Apparently,\" he said, \"creating a shell", "something they all managed to avoid going to jail at the end. In", "talk about fictional characters in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So", "just like in the movie except sluttier, and the suit complained that this", "in, frowning. > > > \"Apparently,\" he said, \"creating a shell of the", "lot of aspects of Star Wars. Later in the story, the characters might", "opposite happen? Another example: if the main character is involved in some sort", "is involved in some sort of dream where they exist in the setting", "story? Where are the lines of when I can and can't use references", "things I need to do and is not my actually story idea.) suppose", "zone where each chapter is unrelated to all the others. So there is", "that Star Wars was now owned by Disney. > > > So in", "the subpoena for intellectual property theft and gave it to Chorkia, who promptly", "cross so it will work? It's not my intention to actually steal anybody", "for what they have done? Assume that I'm not saying anything disparaging or", "to actually get real money from them. > The whole idea had been", "too much is there some way I can dial it back, some line", "\"creating a shell of the Millennium Falcon around the pub was some kind", "of such an infringement in the story itself, and using a specific work", "Kenobi (the older version from A New Hope, not the younger one) over", "reference things from the original work and quote some things from time to", "writing, trying to create a loophole. But I may need to frequently reference", "of a larger story which examines the implications of such an infringement in", "money from them. > The whole idea had been a smashing success, with", "story, the characters might re-enact scenes from the story with alterations, although the", "are meta levels of indirection. If this is too much is there some", "characters can talk about Guwe, swing swords around like Guwe, and watch Guwe.", "of intellectual property theft.\" > > > DoeZB had dressed up like Princess", "except sluttier, and the suit complained that this was defaming the brand. Zonnas", "took the confiscated light saber and began sparring with an unwilling DoeZB, talking", "seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a book and", "avoid going to jail at the end. In general, it seems like characters", "to not cross so it will work? It's not my intention to actually", "[this question](https://writing.stackexchange.com/questions/39109/is-permission-needed-to-use-a-fictitious-character-from-another-novel-in-my-stor) it is mentioned that you can't use a character from another", "In an answer to the above it is stated: > > Your characters", "the original work and quote some things from time to time to tell", "on TV shows, for instance on Big Bang Theory, Shulhin has a dream", "some way I can dial it back, some line to not cross so", "own story involving Guwe which, in the novel itself, violates copyright, and, again", "have done? Assume that I'm not saying anything disparaging or defamatory. I'm also", "novel. But if characters in my book talk about fictional characters in other", "just something I made up on the fly for the purpose of illustration", "meta references? In an answer to the above it is stated: > >", "Guwe, swing swords around like Guwe, and watch Guwe. They just can't BE", "to be Guwe? Or, could I write a novel in which some of", "story, might involve some of the characters in the story getting in trouble", "if the main character is involved in some sort of dream where they", "skimpy gold bikini just like in the movie except sluttier, and the suit", "the story with alterations, although the story would just highlight it from the", "all managed to avoid going to jail at the end. In general, it", "to jail at the end. In general, it seems like characters doing something", "seems like characters doing something illegal in my book doesn't automatically make what", "insult about his size. > Despite all this, the gang in their characteristic", "pretend to be Guwe? Or, could I write a novel in which some", "Would a story like this require permission? Now there's a second part. The", "But if characters in my book talk about fictional characters in other books,", "story like this require permission? Now there's a second part. The characters doing", "question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken in terms of meta references?", "will work? It's not my intention to actually steal anybody else's work, but", "doesn't automatically make what I am doing illegal. Would a story like this", "of quoting verbatim what the people in the story are writing, trying to", "not cross so it will work? It's not my intention to actually steal", "novel itself, violates copyright, and, again in the story, might involve some of", "to frequently reference things from the original work and quote some things from", "things from the original work and quote some things from time to time", "> \"Apparently,\" he said, \"creating a shell of the Millennium Falcon around the", "The characters doing this infringement are actually characters from a TV show which", "is unrelated to all the others. So there is some concern if one", "the purpose of illustration of the type of things I need to do", "legal, and they give an example to the professor, verbatim the way I", "ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a book and one of my", "actually get real money from them. > The whole idea had been a", "am mentioning a lot of aspects of Star Wars. Later in the story,", "show which I obviously didn't create. So I couldn't actually write this story", "in a skimpy gold bikini just like in the movie except sluttier, and", "to time to tell the story. For instance (and this is just something", "specific work is important due to certain constraints of what the story is", "had one theme, almost like mini-episodes of the twilight zone where each chapter", "professor if it is legal, and they give an example to the professor,", "of giving hobos fake printed \"imperial credits\" to use in the bar to", "seen this on TV shows, for instance on Big Bang Theory, Shulhin has", "bedding for his pet rat. Mac, in the mean time, took the confiscated", "work, but to reference it in the context of a larger story which", "back, some line to not cross so it will work? It's not my", "he meets Bop Nebhanc dressed like Obi-Wan and carrying a light saber and", "again in the story, might involve some of the characters in the story", "how something they all managed to avoid going to jail at the end.", "larger story which examines the implications of such an infringement in the story", "served a subpoena. Zonnas brought in in, frowning. > > > \"Apparently,\" he", "that you can't use a character from another novel in your own novel.", "create a loophole. But I may need to frequently reference things from the", "if characters in my book talk about fictional characters in other books, [that", "dressing as Star Wars characters. Everything had gone well until a little person", "went something like this: > > The next day the gang found out", "this require permission? Now there's a second part. The characters doing this infringement", "So for instance, if I write a book and one of my characters", "of the characters in the story getting in trouble legally for what they", "from them. > The whole idea had been a smashing success, with many", "Leia in a skimpy gold bikini just like in the movie except sluttier,", "taken in terms of meta references? In an answer to the above it", "their characteristic fashion decided to ignore the summons for disturbing the peace and", "from the story with alterations, although the story would just highlight it from", "summons for disturbing the peace and the subpoena for intellectual property theft and", "law professor if it is legal, and they give an example to the", "does the opposite happen? Another example: if the main character is involved in", "to ignore the summons for disturbing the peace and the subpoena for intellectual", "trying to create a loophole. But I may need to frequently reference things", "story itself, and using a specific work is important due to certain constraints", "Obi-Wan and carrying a light saber and who dispenses personal wisdom to him.", "chapter is unrelated to all the others. So there is some concern if", "getting in trouble legally for what they have done? Assume that I'm not", "itself, violates copyright, and, again in the story, might involve some of the", "second part. The characters doing this infringement are actually characters from a TV", "I need to do and is not my actually story idea.) suppose I", "legally for what they have done? Assume that I'm not saying anything disparaging", "is it legal in my story? Where are the lines of when I", "the standpoint of the alterations and what terrible acting it was and how", "stated: > > Your characters can talk about Guwe, swing swords around like", "can my characters in the show pretend to be Guwe? Or, could I", "sort of dream where they exist in the setting of another work. I", "characters doing this infringement are actually characters from a TV show which I", "is some concern if one chapter has issues does it \"contaminate\" the whole", "use references to characters in other stories when there are meta levels of", "can dial it back, some line to not cross so it will work?", "[this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken in terms of meta", "would slice George Lucas' head off if he showed up before being reminded", "forgot to find some way to actually get real money from them. >", "but to reference it in the context of a larger story which examines", "a skimpy gold bikini just like in the movie except sluttier, and the", "movie except sluttier, and the suit complained that this was defaming the brand.", "the pub was some kind of intellectual property theft.\" > > > DoeZB", "> So in this example I am mentioning a lot of aspects of", "fashion forgot to find some way to actually get real money from them.", "about how he would slice George Lucas' head off if he showed up", "the suit complained that this was defaming the brand. Zonnas also had the", "up before being reminded that Star Wars was now owned by Disney. >", "story would just highlight it from the standpoint of the alterations and what", "the setting of another work. I have seen this on TV shows, for", "book, or conversely does the opposite happen? Another example: if the main character", "Bang Theory, Shulhin has a dream from time to time where he meets", "property theft.\" > > > DoeZB had dressed up like Princess Leia in", "shell of the Millennium Falcon around the pub was some kind of intellectual", "talking about how he would slice George Lucas' head off if he showed", "mentioned Hijrp Potfeq that is ok, at least according to answers to [this", "the mean time, took the confiscated light saber and began sparring with an", "theft.\" > > > DoeZB had dressed up like Princess Leia in a", "of the twilight zone where each chapter is unrelated to all the others.", "work is important due to certain constraints of what the story is trying", "dressed like Obi-Wan and carrying a light saber and who dispenses personal wisdom", "size. > Despite all this, the gang in their characteristic fashion decided to", "Guwe. They just can't BE Guwe. > > > But can my characters", "If it makes and difference, this would be a short story which would", "an infringement in the story itself, and using a specific work is important", "it makes and difference, this would be a short story which would in", "frequently reference things from the original work and quote some things from time", "intellectual property theft and gave it to Chorkia, who promptly used it as", "what I am doing illegal. Would a story like this require permission? Now", "it \"contaminate\" the whole book, or conversely does the opposite happen? Another example:", "in the story are writing, trying to create a loophole. But I may", "instance (and this is just something I made up on the fly for", "younger one) over an insult about his size. > Despite all this, the", "they were served a subpoena. Zonnas brought in in, frowning. > > >", "to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken in", "is not my actually story idea.) suppose I had a passage that went", "the confiscated light saber and began sparring with an unwilling DoeZB, talking about", "are writing, trying to create a loophole. But I may need to frequently", "another novel in your own novel. But if characters in my book talk", "what the people in the story are writing, trying to create a loophole.", "had been a smashing success, with many patrons even dressing as Star Wars", "light saber and began sparring with an unwilling DoeZB, talking about how he", "is too much is there some way I can dial it back, some", "verbatim what the people in the story are writing, trying to create a", "idea had been a smashing success, with many patrons even dressing as Star", "issues does it \"contaminate\" the whole book, or conversely does the opposite happen?", "could I write a novel in which some of the characters create their", "itself, and using a specific work is important due to certain constraints of", "novel in which some of the characters create their own story involving Guwe", "of the characters create their own story involving Guwe which, in the novel", "gave it to Chorkia, who promptly used it as bedding for his pet", "they all managed to avoid going to jail at the end. In general,", "kind of intellectual property theft.\" > > > DoeZB had dressed up like", "might involve some of the characters in the story getting in trouble legally", "copyright, and, again in the story, might involve some of the characters in", "mini-episodes of the twilight zone where each chapter is unrelated to all the", "slice George Lucas' head off if he showed up before being reminded that", "mentioning a lot of aspects of Star Wars. Later in the story, the", "it. Now is it legal in my story? Where are the lines of", "in the story, the characters might re-enact scenes from the story with alterations,", "the story would just highlight it from the standpoint of the alterations and", "not the younger one) over an insult about his size. > Despite all", "and difference, this would be a short story which would in a larger", "as Obi-Wan Kenobi (the older version from A New Hope, not the younger", "the show pretend to be Guwe? Or, could I write a novel in", "infringement are actually characters from a TV show which I obviously didn't create.", "say. Edit: If it makes and difference, this would be a short story", "novel in your own novel. But if characters in my book talk about", "part. The characters doing this infringement are actually characters from a TV show", "from time to time to tell the story. For instance (and this is", "them to drink, and in characteristic fashion forgot to find some way to", "swing swords around like Guwe, and watch Guwe. They just can't BE Guwe.", "reason. But what if I am writing a story about a person who", "The whole idea had been a smashing success, with many patrons even dressing", "and is not my actually story idea.) suppose I had a passage that", "older version from A New Hope, not the younger one) over an insult", "theft and gave it to Chorkia, who promptly used it as bedding for", "in which each chapter had one theme, almost like mini-episodes of the twilight", "dream from time to time where he meets Bop Nebhanc dressed like Obi-Wan", "But how far can this be taken in terms of meta references? In", "the implications of such an infringement in the story itself, and using a", "the opposite happen? Another example: if the main character is involved in some", "Millennium Falcon around the pub was some kind of intellectual property theft.\" >", "I have seen this on TV shows, for instance on Big Bang Theory,", "of another work. I have seen this on TV shows, for instance on", "up on the fly for the purpose of illustration of the type of", "I can dial it back, some line to not cross so it will", "least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be", "> Your characters can talk about Guwe, swing swords around like Guwe, and", "meets Bop Nebhanc dressed like Obi-Wan and carrying a light saber and who", "obviously didn't create. So I couldn't actually write this story for that reason.", "in the bar to encourage them to drink, and in characteristic fashion forgot", "there is some concern if one chapter has issues does it \"contaminate\" the", "and watch Guwe. They just can't BE Guwe. > > > But can", "a dream from time to time where he meets Bop Nebhanc dressed like", "Hijrp Potfeq that is ok, at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications)", "to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken in terms of", "levels of indirection. If this is too much is there some way I", "this sort of thing and they are asking their law professor if it", "main character is involved in some sort of dream where they exist in", "Star Wars was now owned by Disney. > > > So in this", "some kind of intellectual property theft.\" > > > DoeZB had dressed up", "this: > > The next day the gang found out they were in", "some things from time to time to tell the story. For instance (and", "the gang in their characteristic fashion decided to ignore the summons for disturbing", "actually characters from a TV show which I obviously didn't create. So I", "to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a book and one", "general, it seems like characters doing something illegal in my book doesn't automatically", "characters create their own story involving Guwe which, in the novel itself, violates", "mean time, took the confiscated light saber and began sparring with an unwilling", "and, again in the story, might involve some of the characters in the", "would in a larger book in which each chapter had one theme, almost", "around the pub was some kind of intellectual property theft.\" > > >", "they exist in the setting of another work. I have seen this on", "just can't BE Guwe. > > > But can my characters in the", "his size. > Despite all this, the gang in their characteristic fashion decided", "my story? Where are the lines of when I can and can't use", "constraints of what the story is trying to say. Edit: If it makes", "found out they were in some legal trouble when they were served a", "decided to ignore the summons for disturbing the peace and the subpoena for", "> > > DoeZB had dressed up like Princess Leia in a skimpy", "Wars. Later in the story, the characters might re-enact scenes from the story", "fight was another patron dressed as Obi-Wan Kenobi (the older version from A", "> > > So in this example I am mentioning a lot of", "a loophole. But I may need to frequently reference things from the original", "so it will work? It's not my intention to actually steal anybody else's", "create. So I couldn't actually write this story for that reason. But what", "gotten into a light sabre fight was another patron dressed as Obi-Wan Kenobi", "an example to the professor, verbatim the way I wrote it. Now is", "encourage them to drink, and in characteristic fashion forgot to find some way", "> > So in this example I am mentioning a lot of aspects", "tell the story. For instance (and this is just something I made up", "had a passage that went something like this: > > The next day", "write this story for that reason. But what if I am writing a", "[that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a book", "have seen this on TV shows, for instance on Big Bang Theory, Shulhin", "property theft and gave it to Chorkia, who promptly used it as bedding", "fly for the purpose of illustration of the type of things I need", "which would in a larger book in which each chapter had one theme,", "\"Apparently,\" he said, \"creating a shell of the Millennium Falcon around the pub", "as Star Wars characters. Everything had gone well until a little person dressed", "to find some way to actually get real money from them. > The", "> Despite all this, the gang in their characteristic fashion decided to ignore", "which examines the implications of such an infringement in the story itself, and", "in some legal trouble when they were served a subpoena. Zonnas brought in", "not saying anything disparaging or defamatory. I'm also not planning on pages and", "actually steal anybody else's work, but to reference it in the context of", "do and is not my actually story idea.) suppose I had a passage", "I write a book and one of my characters mentioned Hijrp Potfeq that", "they are asking their law professor if it is legal, and they give", "in the movie except sluttier, and the suit complained that this was defaming", "about his size. > Despite all this, the gang in their characteristic fashion", "I am doing illegal. Would a story like this require permission? Now there's", "to drink, and in characteristic fashion forgot to find some way to actually", "Shulhin has a dream from time to time where he meets Bop Nebhanc", "New Hope, not the younger one) over an insult about his size. >", "this be taken in terms of meta references? In an answer to the", "highlight it from the standpoint of the alterations and what terrible acting it", "now owned by Disney. > > > So in this example I am", "might re-enact scenes from the story with alterations, although the story would just", "\"imperial credits\" to use in the bar to encourage them to drink, and", "> The next day the gang found out they were in some legal", "original work and quote some things from time to time to tell the", "before being reminded that Star Wars was now owned by Disney. > >", "example: if the main character is involved in some sort of dream where", "for his pet rat. Mac, in the mean time, took the confiscated light", "a character from another novel in your own novel. But if characters in", "doing this infringement are actually characters from a TV show which I obviously", "Lucas' head off if he showed up before being reminded that Star Wars", "in the mean time, took the confiscated light saber and began sparring with", "if one chapter has issues does it \"contaminate\" the whole book, or conversely", "above it is stated: > > Your characters can talk about Guwe, swing", "(and this is just something I made up on the fly for the", "concern if one chapter has issues does it \"contaminate\" the whole book, or", "a shell of the Millennium Falcon around the pub was some kind of", "story. For instance (and this is just something I made up on the", "create their own story involving Guwe which, in the novel itself, violates copyright,", "frowning. > > > \"Apparently,\" he said, \"creating a shell of the Millennium", "Another example: if the main character is involved in some sort of dream", "hobos fake printed \"imperial credits\" to use in the bar to encourage them", "about Guwe, swing swords around like Guwe, and watch Guwe. They just can't", "book doesn't automatically make what I am doing illegal. Would a story like", "> > Your characters can talk about Guwe, swing swords around like Guwe,", "on the fly for the purpose of illustration of the type of things", "it is mentioned that you can't use a character from another novel in", "a light sabre fight was another patron dressed as Obi-Wan Kenobi (the older", "trying to say. Edit: If it makes and difference, this would be a", "infringement in the story itself, and using a specific work is important due", "to create a loophole. But I may need to frequently reference things from", "way I wrote it. Now is it legal in my story? Where are", "indirection. If this is too much is there some way I can dial", "all this, the gang in their characteristic fashion decided to ignore the summons", "example to the professor, verbatim the way I wrote it. Now is it", "pet rat. Mac, in the mean time, took the confiscated light saber and", "in a larger book in which each chapter had one theme, almost like", "of the alterations and what terrible acting it was and how something they", "can talk about Guwe, swing swords around like Guwe, and watch Guwe. They", "on Big Bang Theory, Shulhin has a dream from time to time where", "story which examines the implications of such an infringement in the story itself,", "with many patrons even dressing as Star Wars characters. Everything had gone well", "had gotten into a light sabre fight was another patron dressed as Obi-Wan", "light sabre fight was another patron dressed as Obi-Wan Kenobi (the older version", "the story. For instance (and this is just something I made up on", "one of my characters mentioned Hijrp Potfeq that is ok, at least according", "of indirection. If this is too much is there some way I can", "anything disparaging or defamatory. I'm also not planning on pages and pages of", "Assume that I'm not saying anything disparaging or defamatory. I'm also not planning", "book talk about fictional characters in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications).", "smashing success, with many patrons even dressing as Star Wars characters. Everything had", "can this be taken in terms of meta references? In an answer to", "unwilling DoeZB, talking about how he would slice George Lucas' head off if", "from a TV show which I obviously didn't create. So I couldn't actually", "I write a novel in which some of the characters create their own", "asking their law professor if it is legal, and they give an example", "he showed up before being reminded that Star Wars was now owned by", "showed up before being reminded that Star Wars was now owned by Disney.", "a short story which would in a larger book in which each chapter", "But what if I am writing a story about a person who is", "in your own novel. But if characters in my book talk about fictional", "like this require permission? Now there's a second part. The characters doing this", "disturbing the peace and the subpoena for intellectual property theft and gave it", "not my intention to actually steal anybody else's work, but to reference it", "some of the characters create their own story involving Guwe which, in the", "conversely does the opposite happen? Another example: if the main character is involved", "character from another novel in your own novel. But if characters in my", "my book doesn't automatically make what I am doing illegal. Would a story", "For instance (and this is just something I made up on the fly", "theme, almost like mini-episodes of the twilight zone where each chapter is unrelated", "was some kind of intellectual property theft.\" > > > DoeZB had dressed", "said, \"creating a shell of the Millennium Falcon around the pub was some", "Now is it legal in my story? Where are the lines of when", "suit complained that this was defaming the brand. Zonnas also had the idea", "idea.) suppose I had a passage that went something like this: > >", "type of things I need to do and is not my actually story", "people in the story are writing, trying to create a loophole. But I", "the Millennium Falcon around the pub was some kind of intellectual property theft.\"", "was and how something they all managed to avoid going to jail at", "saying anything disparaging or defamatory. I'm also not planning on pages and pages", "reminded that Star Wars was now owned by Disney. > > > So", "it was and how something they all managed to avoid going to jail", "for instance, if I write a book and one of my characters mentioned", "the summons for disturbing the peace and the subpoena for intellectual property theft", "book in which each chapter had one theme, almost like mini-episodes of the", "fake printed \"imperial credits\" to use in the bar to encourage them to", "where he meets Bop Nebhanc dressed like Obi-Wan and carrying a light saber", "my characters in the show pretend to be Guwe? Or, could I write", "time where he meets Bop Nebhanc dressed like Obi-Wan and carrying a light", "the alterations and what terrible acting it was and how something they all", "the characters in the story getting in trouble legally for what they have", "and in characteristic fashion forgot to find some way to actually get real", "even dressing as Star Wars characters. Everything had gone well until a little", "the brand. Zonnas also had the idea of giving hobos fake printed \"imperial", "of meta references? In an answer to the above it is stated: >", "in the story getting in trouble legally for what they have done? Assume", "that I'm not saying anything disparaging or defamatory. I'm also not planning on", "> > The next day the gang found out they were in some", "can and can't use references to characters in other stories when there are", "doing illegal. Would a story like this require permission? Now there's a second", "just highlight it from the standpoint of the alterations and what terrible acting", "story idea.) suppose I had a passage that went something like this: >", "who dispenses personal wisdom to him. But did they need permission for this?", "all the others. So there is some concern if one chapter has issues", "DoeZB, talking about how he would slice George Lucas' head off if he", "to the professor, verbatim the way I wrote it. Now is it legal", "there some way I can dial it back, some line to not cross", "it from the standpoint of the alterations and what terrible acting it was", "terrible acting it was and how something they all managed to avoid going", "them. > The whole idea had been a smashing success, with many patrons", "be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a book and one of", "Hope, not the younger one) over an insult about his size. > Despite", "references to characters in other stories when there are meta levels of indirection.", "a larger book in which each chapter had one theme, almost like mini-episodes", "intention to actually steal anybody else's work, but to reference it in the", "it legal in my story? Where are the lines of when I can", "question](https://writing.stackexchange.com/questions/39109/is-permission-needed-to-use-a-fictitious-character-from-another-novel-in-my-stor) it is mentioned that you can't use a character from another novel", "doing this sort of thing and they are asking their law professor if", "the story, the characters might re-enact scenes from the story with alterations, although", "peace and the subpoena for intellectual property theft and gave it to Chorkia,", "ok, at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can", "made up on the fly for the purpose of illustration of the type", "they give an example to the professor, verbatim the way I wrote it.", "If this is too much is there some way I can dial it", "Later in the story, the characters might re-enact scenes from the story with", "whole idea had been a smashing success, with many patrons even dressing as", "a TV show which I obviously didn't create. So I couldn't actually write", "A New Hope, not the younger one) over an insult about his size.", "the professor, verbatim the way I wrote it. Now is it legal in", "examines the implications of such an infringement in the story itself, and using", "from time to time where he meets Bop Nebhanc dressed like Obi-Wan and", "Falcon around the pub was some kind of intellectual property theft.\" > >", "books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write a", "steal anybody else's work, but to reference it in the context of a", "this on TV shows, for instance on Big Bang Theory, Shulhin has a", "instance on Big Bang Theory, Shulhin has a dream from time to time", "quoting verbatim what the people in the story are writing, trying to create", "it to Chorkia, who promptly used it as bedding for his pet rat.", "in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I", "would be a short story which would in a larger book in which", "version from A New Hope, not the younger one) over an insult about", "are asking their law professor if it is legal, and they give an", "it seems like characters doing something illegal in my book doesn't automatically make", "the people in the story are writing, trying to create a loophole. But", "and what terrible acting it was and how something they all managed to", "story is trying to say. Edit: If it makes and difference, this would", "involved in some sort of dream where they exist in the setting of", "aspects of Star Wars. Later in the story, the characters might re-enact scenes", "jail at the end. In general, it seems like characters doing something illegal", "sparring with an unwilling DoeZB, talking about how he would slice George Lucas'", "mentioned that you can't use a character from another novel in your own", "others. So there is some concern if one chapter has issues does it", "alterations and what terrible acting it was and how something they all managed", "when there are meta levels of indirection. If this is too much is", "as Yoda had gotten into a light sabre fight was another patron dressed", "makes and difference, this would be a short story which would in a", "to say. Edit: If it makes and difference, this would be a short", "an answer to the above it is stated: > > Your characters can", "I am mentioning a lot of aspects of Star Wars. Later in the", "pages and pages of quoting verbatim what the people in the story are", "the type of things I need to do and is not my actually", "in their characteristic fashion decided to ignore the summons for disturbing the peace", "it will work? It's not my intention to actually steal anybody else's work,", "automatically make what I am doing illegal. Would a story like this require", "terms of meta references? In an answer to the above it is stated:", "it as bedding for his pet rat. Mac, in the mean time, took", "their own story involving Guwe which, in the novel itself, violates copyright, and,", "from A New Hope, not the younger one) over an insult about his", "to Chorkia, who promptly used it as bedding for his pet rat. Mac,", "fictional characters in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance,", "TV show which I obviously didn't create. So I couldn't actually write this", "to actually steal anybody else's work, but to reference it in the context", "it back, some line to not cross so it will work? It's not", "if I write a book and one of my characters mentioned Hijrp Potfeq", "this is too much is there some way I can dial it back,", "has issues does it \"contaminate\" the whole book, or conversely does the opposite", "a person who is doing this sort of thing and they are asking", "standpoint of the alterations and what terrible acting it was and how something", "a larger story which examines the implications of such an infringement in the", "get real money from them. > The whole idea had been a smashing", "in my book doesn't automatically make what I am doing illegal. Would a", "credits\" to use in the bar to encourage them to drink, and in", "success, with many patrons even dressing as Star Wars characters. Everything had gone", "how far can this be taken in terms of meta references? In an", "planning on pages and pages of quoting verbatim what the people in the", "and quote some things from time to time to tell the story. For", "important due to certain constraints of what the story is trying to say.", "the way I wrote it. Now is it legal in my story? Where", "characteristic fashion forgot to find some way to actually get real money from", "at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this", "But can my characters in the show pretend to be Guwe? Or, could", "with an unwilling DoeZB, talking about how he would slice George Lucas' head", "carrying a light saber and who dispenses personal wisdom to him. But did", "talk about Guwe, swing swords around like Guwe, and watch Guwe. They just", "for the purpose of illustration of the type of things I need to", "> > \"Apparently,\" he said, \"creating a shell of the Millennium Falcon around", "setting of another work. I have seen this on TV shows, for instance", "which I obviously didn't create. So I couldn't actually write this story for", "my intention to actually steal anybody else's work, but to reference it in", "up like Princess Leia in a skimpy gold bikini just like in the", "done? Assume that I'm not saying anything disparaging or defamatory. I'm also not", "story are writing, trying to create a loophole. But I may need to", "a second part. The characters doing this infringement are actually characters from a", "Disney. > > > So in this example I am mentioning a lot", "give an example to the professor, verbatim the way I wrote it. Now", "dream where they exist in the setting of another work. I have seen", "this would be a short story which would in a larger book in", "But I may need to frequently reference things from the original work and", "as bedding for his pet rat. Mac, in the mean time, took the", "using a specific work is important due to certain constraints of what the", "the twilight zone where each chapter is unrelated to all the others. So", "printed \"imperial credits\" to use in the bar to encourage them to drink,", "exist in the setting of another work. I have seen this on TV", "didn't create. So I couldn't actually write this story for that reason. But", "I couldn't actually write this story for that reason. But what if I", "implications of such an infringement in the story itself, and using a specific", "such an infringement in the story itself, and using a specific work is", "a smashing success, with many patrons even dressing as Star Wars characters. Everything", "how he would slice George Lucas' head off if he showed up before", "giving hobos fake printed \"imperial credits\" to use in the bar to encourage", "patron dressed as Obi-Wan Kenobi (the older version from A New Hope, not", "It's not my intention to actually steal anybody else's work, but to reference", "instance, if I write a book and one of my characters mentioned Hijrp", "Mac, in the mean time, took the confiscated light saber and began sparring", "re-enact scenes from the story with alterations, although the story would just highlight", "by Disney. > > > So in this example I am mentioning a", "illegal. Would a story like this require permission? Now there's a second part.", "book and one of my characters mentioned Hijrp Potfeq that is ok, at", "> > > But can my characters in the show pretend to be", "loophole. But I may need to frequently reference things from the original work", "the gang found out they were in some legal trouble when they were", "of thing and they are asking their law professor if it is legal,", "when they were served a subpoena. Zonnas brought in in, frowning. > >", "a specific work is important due to certain constraints of what the story", "and the subpoena for intellectual property theft and gave it to Chorkia, who", "the story getting in trouble legally for what they have done? Assume that", "like characters doing something illegal in my book doesn't automatically make what I", "each chapter had one theme, almost like mini-episodes of the twilight zone where", "like Princess Leia in a skimpy gold bikini just like in the movie", "would just highlight it from the standpoint of the alterations and what terrible", "according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken", "and they are asking their law professor if it is legal, and they", "until a little person dressed as Yoda had gotten into a light sabre", "and carrying a light saber and who dispenses personal wisdom to him. But", "about fictional characters in other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for", "lines of when I can and can't use references to characters in other", "bikini just like in the movie except sluttier, and the suit complained that", "of the type of things I need to do and is not my", "of illustration of the type of things I need to do and is", "actually story idea.) suppose I had a passage that went something like this:", "The next day the gang found out they were in some legal trouble", "an unwilling DoeZB, talking about how he would slice George Lucas' head off", "verbatim the way I wrote it. Now is it legal in my story?", "a lot of aspects of Star Wars. Later in the story, the characters", "light saber and who dispenses personal wisdom to him. But did they need", "gone well until a little person dressed as Yoda had gotten into a", "something I made up on the fly for the purpose of illustration of", "Despite all this, the gang in their characteristic fashion decided to ignore the", "story getting in trouble legally for what they have done? Assume that I'm", "time to tell the story. For instance (and this is just something I", "Everything had gone well until a little person dressed as Yoda had gotten", "and gave it to Chorkia, who promptly used it as bedding for his", "in trouble legally for what they have done? Assume that I'm not saying", "from another novel in your own novel. But if characters in my book", "from the original work and quote some things from time to time to", "story for that reason. But what if I am writing a story about", "like in the movie except sluttier, and the suit complained that this was", "am doing illegal. Would a story like this require permission? Now there's a", "little person dressed as Yoda had gotten into a light sabre fight was", "that reason. But what if I am writing a story about a person", "I made up on the fly for the purpose of illustration of the", "characters from a TV show which I obviously didn't create. So I couldn't", "your own novel. But if characters in my book talk about fictional characters", "when I can and can't use references to characters in other stories when", "in characteristic fashion forgot to find some way to actually get real money", "trouble when they were served a subpoena. Zonnas brought in in, frowning. >", "trouble legally for what they have done? Assume that I'm not saying anything", "chapter has issues does it \"contaminate\" the whole book, or conversely does the", "to encourage them to drink, and in characteristic fashion forgot to find some", "owned by Disney. > > > So in this example I am mentioning", "permission? Now there's a second part. The characters doing this infringement are actually", "in in, frowning. > > > \"Apparently,\" he said, \"creating a shell of", "other books, [that seems to be ok](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications). So for instance, if I write", "alterations, although the story would just highlight it from the standpoint of the", "to all the others. So there is some concern if one chapter has", "the others. So there is some concern if one chapter has issues does", "work. I have seen this on TV shows, for instance on Big Bang", "end. In general, it seems like characters doing something illegal in my book", "and they give an example to the professor, verbatim the way I wrote", "illegal in my book doesn't automatically make what I am doing illegal. Would", "fashion decided to ignore the summons for disturbing the peace and the subpoena", "subpoena. Zonnas brought in in, frowning. > > > \"Apparently,\" he said, \"creating", "the idea of giving hobos fake printed \"imperial credits\" to use in the", "is there some way I can dial it back, some line to not", "the main character is involved in some sort of dream where they exist", "Guwe, and watch Guwe. They just can't BE Guwe. > > > But", "another patron dressed as Obi-Wan Kenobi (the older version from A New Hope,", "way to actually get real money from them. > The whole idea had", "BE Guwe. > > > But can my characters in the show pretend", "> The whole idea had been a smashing success, with many patrons even", "dial it back, some line to not cross so it will work? It's", "characters in my book talk about fictional characters in other books, [that seems", "Guwe. > > > But can my characters in the show pretend to", "and pages of quoting verbatim what the people in the story are writing,", "complained that this was defaming the brand. Zonnas also had the idea of", "in which some of the characters create their own story involving Guwe which,", "be taken in terms of meta references? In an answer to the above", "couldn't actually write this story for that reason. But what if I am", "in the setting of another work. I have seen this on TV shows,", "if he showed up before being reminded that Star Wars was now owned", "has a dream from time to time where he meets Bop Nebhanc dressed", "Bop Nebhanc dressed like Obi-Wan and carrying a light saber and who dispenses", "or conversely does the opposite happen? Another example: if the main character is", "Star Wars. Later in the story, the characters might re-enact scenes from the", "who promptly used it as bedding for his pet rat. Mac, in the", "Wars was now owned by Disney. > > > So in this example", "for intellectual property theft and gave it to Chorkia, who promptly used it", "person who is doing this sort of thing and they are asking their", "there's a second part. The characters doing this infringement are actually characters from", "is just something I made up on the fly for the purpose of", "of dream where they exist in the setting of another work. I have", "a little person dressed as Yoda had gotten into a light sabre fight", "Now there's a second part. The characters doing this infringement are actually characters", "> > But can my characters in the show pretend to be Guwe?", "if it is legal, and they give an example to the professor, verbatim", "to the above it is stated: > > Your characters can talk about", "other stories when there are meta levels of indirection. If this is too", "can't BE Guwe. > > > But can my characters in the show", "the younger one) over an insult about his size. > Despite all this,", "into a light sabre fight was another patron dressed as Obi-Wan Kenobi (the", "around like Guwe, and watch Guwe. They just can't BE Guwe. > >", "the story, might involve some of the characters in the story getting in", "Theory, Shulhin has a dream from time to time where he meets Bop", "on pages and pages of quoting verbatim what the people in the story", "make what I am doing illegal. Would a story like this require permission?", "the novel itself, violates copyright, and, again in the story, might involve some", "use a character from another novel in your own novel. But if characters", "defamatory. I'm also not planning on pages and pages of quoting verbatim what", "this was defaming the brand. Zonnas also had the idea of giving hobos", "find some way to actually get real money from them. > The whole", "am writing a story about a person who is doing this sort of", "> DoeZB had dressed up like Princess Leia in a skimpy gold bikini", "the bar to encourage them to drink, and in characteristic fashion forgot to", "line to not cross so it will work? It's not my intention to", "whole book, or conversely does the opposite happen? Another example: if the main", "one chapter has issues does it \"contaminate\" the whole book, or conversely does", "need to frequently reference things from the original work and quote some things", "in the story, might involve some of the characters in the story getting", "the context of a larger story which examines the implications of such an", "swords around like Guwe, and watch Guwe. They just can't BE Guwe. >", "an insult about his size. > Despite all this, the gang in their", "Zonnas brought in in, frowning. > > > \"Apparently,\" he said, \"creating a", "> > DoeZB had dressed up like Princess Leia in a skimpy gold", "In general, it seems like characters doing something illegal in my book doesn't", "where they exist in the setting of another work. I have seen this", "in terms of meta references? In an answer to the above it is", "about a person who is doing this sort of thing and they are", "of when I can and can't use references to characters in other stories", "drink, and in characteristic fashion forgot to find some way to actually get", "what if I am writing a story about a person who is doing", "They just can't BE Guwe. > > > But can my characters in", "next day the gang found out they were in some legal trouble when", "dressed as Yoda had gotten into a light sabre fight was another patron", "in other stories when there are meta levels of indirection. If this is", "like mini-episodes of the twilight zone where each chapter is unrelated to all", "Chorkia, who promptly used it as bedding for his pet rat. Mac, in", "had gone well until a little person dressed as Yoda had gotten into", "Big Bang Theory, Shulhin has a dream from time to time where he", "his pet rat. Mac, in the mean time, took the confiscated light saber", "the movie except sluttier, and the suit complained that this was defaming the", "if I am writing a story about a person who is doing this", "a story like this require permission? Now there's a second part. The characters", "story which would in a larger book in which each chapter had one", "the end. In general, it seems like characters doing something illegal in my", "Princess Leia in a skimpy gold bikini just like in the movie except", "George Lucas' head off if he showed up before being reminded that Star", "what they have done? Assume that I'm not saying anything disparaging or defamatory.", "had the idea of giving hobos fake printed \"imperial credits\" to use in", "things from time to time to tell the story. For instance (and this", "anybody else's work, but to reference it in the context of a larger", "in the story itself, and using a specific work is important due to", "require permission? Now there's a second part. The characters doing this infringement are", "which, in the novel itself, violates copyright, and, again in the story, might", "need to do and is not my actually story idea.) suppose I had", "in the show pretend to be Guwe? Or, could I write a novel", "reference it in the context of a larger story which examines the implications", "involve some of the characters in the story getting in trouble legally for", "to avoid going to jail at the end. In general, it seems like", "acting it was and how something they all managed to avoid going to", "I am writing a story about a person who is doing this sort", "is stated: > > Your characters can talk about Guwe, swing swords around", "Zonnas also had the idea of giving hobos fake printed \"imperial credits\" to", "my actually story idea.) suppose I had a passage that went something like", "sluttier, and the suit complained that this was defaming the brand. Zonnas also", "of Star Wars. Later in the story, the characters might re-enact scenes from", "violates copyright, and, again in the story, might involve some of the characters", "doing something illegal in my book doesn't automatically make what I am doing", "and began sparring with an unwilling DoeZB, talking about how he would slice", "\"contaminate\" the whole book, or conversely does the opposite happen? Another example: if", "each chapter is unrelated to all the others. So there is some concern", "to use in the bar to encourage them to drink, and in characteristic", "brand. Zonnas also had the idea of giving hobos fake printed \"imperial credits\"", "the above it is stated: > > Your characters can talk about Guwe,", "defaming the brand. Zonnas also had the idea of giving hobos fake printed", "time, took the confiscated light saber and began sparring with an unwilling DoeZB,", "was another patron dressed as Obi-Wan Kenobi (the older version from A New", "context of a larger story which examines the implications of such an infringement", "which some of the characters create their own story involving Guwe which, in", "sort of thing and they are asking their law professor if it is", "characteristic fashion decided to ignore the summons for disturbing the peace and the", "out they were in some legal trouble when they were served a subpoena.", "person dressed as Yoda had gotten into a light sabre fight was another", "the peace and the subpoena for intellectual property theft and gave it to", "promptly used it as bedding for his pet rat. Mac, in the mean", "I'm also not planning on pages and pages of quoting verbatim what the", "although the story would just highlight it from the standpoint of the alterations", "something illegal in my book doesn't automatically make what I am doing illegal.", "characters mentioned Hijrp Potfeq that is ok, at least according to answers to", "in my story? Where are the lines of when I can and can't", "Potfeq that is ok, at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But", "one) over an insult about his size. > Despite all this, the gang", "time to time where he meets Bop Nebhanc dressed like Obi-Wan and carrying", "answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how far can this be taken in terms", "watch Guwe. They just can't BE Guwe. > > > But can my", "Or, could I write a novel in which some of the characters create", "idea of giving hobos fake printed \"imperial credits\" to use in the bar", "references? In an answer to the above it is stated: > > Your", "way I can dial it back, some line to not cross so it", "be a short story which would in a larger book in which each", "some concern if one chapter has issues does it \"contaminate\" the whole book,", "a book and one of my characters mentioned Hijrp Potfeq that is ok,", "some of the characters in the story getting in trouble legally for what", "quote some things from time to time to tell the story. For instance", "gold bikini just like in the movie except sluttier, and the suit complained", "my book talk about fictional characters in other books, [that seems to be", "in this example I am mentioning a lot of aspects of Star Wars.", "my characters mentioned Hijrp Potfeq that is ok, at least according to answers", "this, the gang in their characteristic fashion decided to ignore the summons for", "the story are writing, trying to create a loophole. But I may need", "to tell the story. For instance (and this is just something I made", "their law professor if it is legal, and they give an example to", "dressed as Obi-Wan Kenobi (the older version from A New Hope, not the", "head off if he showed up before being reminded that Star Wars was", "the lines of when I can and can't use references to characters in", "was defaming the brand. Zonnas also had the idea of giving hobos fake", "sabre fight was another patron dressed as Obi-Wan Kenobi (the older version from", "is mentioned that you can't use a character from another novel in your", "some sort of dream where they exist in the setting of another work.", "pub was some kind of intellectual property theft.\" > > > DoeZB had", "scenes from the story with alterations, although the story would just highlight it", "story about a person who is doing this sort of thing and they", "the characters create their own story involving Guwe which, in the novel itself,", "something like this: > > The next day the gang found out they", "subpoena for intellectual property theft and gave it to Chorkia, who promptly used", "is legal, and they give an example to the professor, verbatim the way", "not planning on pages and pages of quoting verbatim what the people in", "shows, for instance on Big Bang Theory, Shulhin has a dream from time", "can't use a character from another novel in your own novel. But if", "to do and is not my actually story idea.) suppose I had a", "the characters might re-enact scenes from the story with alterations, although the story", "patrons even dressing as Star Wars characters. Everything had gone well until a", "a light saber and who dispenses personal wisdom to him. But did they", "there are meta levels of indirection. If this is too much is there", "to certain constraints of what the story is trying to say. Edit: If", "it is stated: > > Your characters can talk about Guwe, swing swords", "saber and who dispenses personal wisdom to him. But did they need permission", "meta levels of indirection. If this is too much is there some way", "that is ok, at least according to answers to [this question](https://writing.stackexchange.com/questions/20708/referencing-real-and-fictional-people-characters-in-novels-legal-implications) But how", "you can't use a character from another novel in your own novel. But", "a passage that went something like this: > > The next day the", "confiscated light saber and began sparring with an unwilling DoeZB, talking about how", "began sparring with an unwilling DoeZB, talking about how he would slice George", "So I couldn't actually write this story for that reason. But what if", "time to time to tell the story. For instance (and this is just", "for that reason. But what if I am writing a story about a", "work? It's not my intention to actually steal anybody else's work, but to", "of what the story is trying to say. Edit: If it makes and", "Nebhanc dressed like Obi-Wan and carrying a light saber and who dispenses personal", "I obviously didn't create. So I couldn't actually write this story for that", "to characters in other stories when there are meta levels of indirection. If", "some line to not cross so it will work? It's not my intention", "like Guwe, and watch Guwe. They just can't BE Guwe. > > >", "write a novel in which some of the characters create their own story", "story involving Guwe which, in the novel itself, violates copyright, and, again in", "being reminded that Star Wars was now owned by Disney. > > >", "another work. I have seen this on TV shows, for instance on Big", "well until a little person dressed as Yoda had gotten into a light", "wrote it. Now is it legal in my story? Where are the lines", "illustration of the type of things I need to do and is not", "that this was defaming the brand. Zonnas also had the idea of giving", "ignore the summons for disturbing the peace and the subpoena for intellectual property", "I wrote it. Now is it legal in my story? Where are the", "to reference it in the context of a larger story which examines the", "of aspects of Star Wars. Later in the story, the characters might re-enact", "or defamatory. I'm also not planning on pages and pages of quoting verbatim", "actually write this story for that reason. But what if I am writing", "a subpoena. Zonnas brought in in, frowning. > > > \"Apparently,\" he said,", "a story about a person who is doing this sort of thing and", "like Obi-Wan and carrying a light saber and who dispenses personal wisdom to", "saber and began sparring with an unwilling DoeZB, talking about how he would", "in some sort of dream where they exist in the setting of another", "passage that went something like this: > > The next day the gang", "this infringement are actually characters from a TV show which I obviously didn't", "for instance on Big Bang Theory, Shulhin has a dream from time to", "Your characters can talk about Guwe, swing swords around like Guwe, and watch", "is trying to say. Edit: If it makes and difference, this would be", "not my actually story idea.) suppose I had a passage that went something", "Guwe which, in the novel itself, violates copyright, and, again in the story,", "Where are the lines of when I can and can't use references to", "characters. Everything had gone well until a little person dressed as Yoda had", "the story itself, and using a specific work is important due to certain", "disparaging or defamatory. I'm also not planning on pages and pages of quoting", "almost like mini-episodes of the twilight zone where each chapter is unrelated to", "Yoda had gotten into a light sabre fight was another patron dressed as", "In [this question](https://writing.stackexchange.com/questions/39109/is-permission-needed-to-use-a-fictitious-character-from-another-novel-in-my-stor) it is mentioned that you can't use a character from", "characters might re-enact scenes from the story with alterations, although the story would", "some legal trouble when they were served a subpoena. Zonnas brought in in,", "purpose of illustration of the type of things I need to do and", "he said, \"creating a shell of the Millennium Falcon around the pub was", "of things I need to do and is not my actually story idea.)", "gang in their characteristic fashion decided to ignore the summons for disturbing the", "the story is trying to say. Edit: If it makes and difference, this", "he would slice George Lucas' head off if he showed up before being", "unrelated to all the others. So there is some concern if one chapter", "what terrible acting it was and how something they all managed to avoid", "answer to the above it is stated: > > Your characters can talk", "chapter had one theme, almost like mini-episodes of the twilight zone where each", "professor, verbatim the way I wrote it. Now is it legal in my", "I may need to frequently reference things from the original work and quote", "does it \"contaminate\" the whole book, or conversely does the opposite happen? Another", "also not planning on pages and pages of quoting verbatim what the people", "were served a subpoena. Zonnas brought in in, frowning. > > > \"Apparently,\"", "for disturbing the peace and the subpoena for intellectual property theft and gave", "characters doing something illegal in my book doesn't automatically make what I am", "and can't use references to characters in other stories when there are meta", "is important due to certain constraints of what the story is trying to", "a novel in which some of the characters create their own story involving", "So in this example I am mentioning a lot of aspects of Star", "the fly for the purpose of illustration of the type of things I", "like this: > > The next day the gang found out they were", "this is just something I made up on the fly for the purpose", "(the older version from A New Hope, not the younger one) over an", "in my book talk about fictional characters in other books, [that seems to", "real money from them. > The whole idea had been a smashing success,", "and how something they all managed to avoid going to jail at the", "characters in the story getting in trouble legally for what they have done?", "legal in my story? Where are the lines of when I can and", "are the lines of when I can and can't use references to characters", "are actually characters from a TV show which I obviously didn't create. So", "certain constraints of what the story is trying to say. Edit: If it", "twilight zone where each chapter is unrelated to all the others. So there", "write a book and one of my characters mentioned Hijrp Potfeq that is", "> But can my characters in the show pretend to be Guwe? Or,", "and one of my characters mentioned Hijrp Potfeq that is ok, at least", "work and quote some things from time to time to tell the story.", "was now owned by Disney. > > > So in this example I", "bar to encourage them to drink, and in characteristic fashion forgot to find", "is doing this sort of thing and they are asking their law professor", "the whole book, or conversely does the opposite happen? Another example: if the", "may need to frequently reference things from the original work and quote some", "had dressed up like Princess Leia in a skimpy gold bikini just like", "larger book in which each chapter had one theme, almost like mini-episodes of", "what the story is trying to say. Edit: If it makes and difference,", "short story which would in a larger book in which each chapter had", "own novel. But if characters in my book talk about fictional characters in", "and the suit complained that this was defaming the brand. Zonnas also had", "TV shows, for instance on Big Bang Theory, Shulhin has a dream from", "some way to actually get real money from them. > The whole idea", "this example I am mentioning a lot of aspects of Star Wars. Later", "that went something like this: > > The next day the gang found", "stories when there are meta levels of indirection. If this is too much", "it in the context of a larger story which examines the implications of", "Edit: If it makes and difference, this would be a short story which", "So there is some concern if one chapter has issues does it \"contaminate\"", "I'm not saying anything disparaging or defamatory. I'm also not planning on pages", "intellectual property theft.\" > > > DoeZB had dressed up like Princess Leia", "Star Wars characters. Everything had gone well until a little person dressed as", "with alterations, although the story would just highlight it from the standpoint of", "suppose I had a passage that went something like this: > > The" ]
[ "the MC while travelling through the world trying to rescue his family. While", "his family. While doing this however, he must overcome a lot of difficulties.", "focused on other characters' issues and relations, but involving the MC and his", "the MC and his companions. My problem is, as I'm writing them, I", "as I'm writing them, I realize that the subplots are actually more interesting", "all about the MC's family and his rescue mission. So, is it fine", "that the subplots are actually more interesting than the main one. And I", "at all about the MC's family and his rescue mission. So, is it", "involving the MC and his companions. My problem is, as I'm writing them,", "his companions. My problem is, as I'm writing them, I realize that the", "always stand out above the subplots? I didn't find any question or source", "the world trying to rescue his family. While doing this however, he must", "problem is, as I'm writing them, I realize that the subplots are actually", "characters' issues and relations, but involving the MC and his companions. My problem", "didn't find any question or source talking about this specific problem, so any", "subplots are actually more interesting than the main one. And I feel like", "as a whole if I let this happen, or should I change this", "And I feel like the readers might not care at all about the", "he must overcome a lot of difficulties. These are subplots focused on other", "of difficulties. These are subplots focused on other characters' issues and relations, but", "doing this however, he must overcome a lot of difficulties. These are subplots", "through the world trying to rescue his family. While doing this however, he", "main one. And I feel like the readers might not care at all", "main plot follows the MC while travelling through the world trying to rescue", "this however, he must overcome a lot of difficulties. These are subplots focused", "subplots? I didn't find any question or source talking about this specific problem,", "I let this happen, or should I change this somehow? Should the main", "The main plot follows the MC while travelling through the world trying to", "I didn't find any question or source talking about this specific problem, so", "rescue his family. While doing this however, he must overcome a lot of", "them, I realize that the subplots are actually more interesting than the main", "a whole if I let this happen, or should I change this somehow?", "difficulties. These are subplots focused on other characters' issues and relations, but involving", "fine for the story as a whole if I let this happen, or", "but involving the MC and his companions. My problem is, as I'm writing", "like the readers might not care at all about the MC's family and", "feel like the readers might not care at all about the MC's family", "overcome a lot of difficulties. These are subplots focused on other characters' issues", "trying to rescue his family. While doing this however, he must overcome a", "While doing this however, he must overcome a lot of difficulties. These are", "writing them, I realize that the subplots are actually more interesting than the", "relations, but involving the MC and his companions. My problem is, as I'm", "other characters' issues and relations, but involving the MC and his companions. My", "and his rescue mission. So, is it fine for the story as a", "plot follows the MC while travelling through the world trying to rescue his", "story as a whole if I let this happen, or should I change", "out above the subplots? I didn't find any question or source talking about", "is, as I'm writing them, I realize that the subplots are actually more", "must overcome a lot of difficulties. These are subplots focused on other characters'", "about the MC's family and his rescue mission. So, is it fine for", "might not care at all about the MC's family and his rescue mission.", "question or source talking about this specific problem, so any links are appreciated.", "I'm writing them, I realize that the subplots are actually more interesting than", "mission. So, is it fine for the story as a whole if I", "Should the main plot always stand out above the subplots? I didn't find", "the main plot always stand out above the subplots? I didn't find any", "whole if I let this happen, or should I change this somehow? Should", "not care at all about the MC's family and his rescue mission. So,", "for the story as a whole if I let this happen, or should", "stand out above the subplots? I didn't find any question or source talking", "lot of difficulties. These are subplots focused on other characters' issues and relations,", "readers might not care at all about the MC's family and his rescue", "MC while travelling through the world trying to rescue his family. While doing", "These are subplots focused on other characters' issues and relations, but involving the", "are actually more interesting than the main one. And I feel like the", "if I let this happen, or should I change this somehow? Should the", "or should I change this somehow? Should the main plot always stand out", "care at all about the MC's family and his rescue mission. So, is", "somehow? Should the main plot always stand out above the subplots? I didn't", "family and his rescue mission. So, is it fine for the story as", "I realize that the subplots are actually more interesting than the main one.", "realize that the subplots are actually more interesting than the main one. And", "to rescue his family. While doing this however, he must overcome a lot", "are subplots focused on other characters' issues and relations, but involving the MC", "and his companions. My problem is, as I'm writing them, I realize that", "the story as a whole if I let this happen, or should I", "one. And I feel like the readers might not care at all about", "a lot of difficulties. These are subplots focused on other characters' issues and", "happen, or should I change this somehow? Should the main plot always stand", "interesting than the main one. And I feel like the readers might not", "I feel like the readers might not care at all about the MC's", "the subplots? I didn't find any question or source talking about this specific", "his rescue mission. So, is it fine for the story as a whole", "this somehow? Should the main plot always stand out above the subplots? I", "any question or source talking about this specific problem, so any links are", "more interesting than the main one. And I feel like the readers might", "issues and relations, but involving the MC and his companions. My problem is,", "So, is it fine for the story as a whole if I let", "I change this somehow? Should the main plot always stand out above the", "family. While doing this however, he must overcome a lot of difficulties. These", "than the main one. And I feel like the readers might not care", "should I change this somehow? Should the main plot always stand out above", "My problem is, as I'm writing them, I realize that the subplots are", "subplots focused on other characters' issues and relations, but involving the MC and", "on other characters' issues and relations, but involving the MC and his companions.", "it fine for the story as a whole if I let this happen,", "the subplots are actually more interesting than the main one. And I feel", "companions. My problem is, as I'm writing them, I realize that the subplots", "the MC's family and his rescue mission. So, is it fine for the", "while travelling through the world trying to rescue his family. While doing this", "the readers might not care at all about the MC's family and his", "rescue mission. So, is it fine for the story as a whole if", "MC's family and his rescue mission. So, is it fine for the story", "world trying to rescue his family. While doing this however, he must overcome", "find any question or source talking about this specific problem, so any links", "however, he must overcome a lot of difficulties. These are subplots focused on", "plot always stand out above the subplots? I didn't find any question or", "let this happen, or should I change this somehow? Should the main plot", "change this somehow? Should the main plot always stand out above the subplots?", "above the subplots? I didn't find any question or source talking about this", "this happen, or should I change this somehow? Should the main plot always", "follows the MC while travelling through the world trying to rescue his family.", "is it fine for the story as a whole if I let this", "MC and his companions. My problem is, as I'm writing them, I realize", "the main one. And I feel like the readers might not care at", "and relations, but involving the MC and his companions. My problem is, as", "main plot always stand out above the subplots? I didn't find any question", "travelling through the world trying to rescue his family. While doing this however,", "actually more interesting than the main one. And I feel like the readers" ]
[ "about gameworlds with unique art styles as opposed to worlds that look realistic.", "that's making me uneasy. I'm talking about gameworlds with unique art styles as", "it that's making me uneasy. I'm talking about gameworlds with unique art styles", "is a part of it that's making me uneasy. I'm talking about gameworlds", "the creative drive that is necessary in order to craft unique-looking worlds, not", "\"worlds that look unique\" here? \"And ultimately, what makes video games great to", "here? \"And ultimately, what makes video games great to look at is the", "would fit better than \"worlds that look unique\" here? \"And ultimately, what makes", "text and there is a part of it that's making me uneasy. I'm", "with unique art styles as opposed to worlds that look realistic. Do you", "at is the creative drive that is necessary in order to craft unique-looking", "of it that's making me uneasy. I'm talking about gameworlds with unique art", "look like ours.\" \"...in order to craft unique-looking worlds...\" or \"in order to", "video games great to look at is the creative drive that is necessary", "fit better than \"worlds that look unique\" here? \"And ultimately, what makes video", "ultimately, what makes video games great to look at is the creative drive", "tend to look like ours.\" \"...in order to craft unique-looking worlds...\" or \"in", "I'm talking about gameworlds with unique art styles as opposed to worlds that", "worlds that look realistic. Do you think the word unique-looking would fit better", "games great to look at is the creative drive that is necessary in", "to craft unique-looking worlds, not only worlds that tend to look like ours.\"", "in order to craft unique-looking worlds, not only worlds that tend to look", "better than \"worlds that look unique\" here? \"And ultimately, what makes video games", "unique\" here? \"And ultimately, what makes video games great to look at is", "unique-looking worlds, not only worlds that tend to look like ours.\" \"...in order", "realistic. Do you think the word unique-looking would fit better than \"worlds that", "\"And ultimately, what makes video games great to look at is the creative", "to worlds that look realistic. Do you think the word unique-looking would fit", "unique art styles as opposed to worlds that look realistic. Do you think", "styles as opposed to worlds that look realistic. Do you think the word", "you think the word unique-looking would fit better than \"worlds that look unique\"", "me uneasy. I'm talking about gameworlds with unique art styles as opposed to", "unique-looking would fit better than \"worlds that look unique\" here? \"And ultimately, what", "to look like ours.\" \"...in order to craft unique-looking worlds...\" or \"in order", "a text and there is a part of it that's making me uneasy.", "not only worlds that tend to look like ours.\" \"...in order to craft", "making me uneasy. I'm talking about gameworlds with unique art styles as opposed", "a part of it that's making me uneasy. I'm talking about gameworlds with", "is necessary in order to craft unique-looking worlds, not only worlds that tend", "Do you think the word unique-looking would fit better than \"worlds that look", "that is necessary in order to craft unique-looking worlds, not only worlds that", "part of it that's making me uneasy. I'm talking about gameworlds with unique", "writing a text and there is a part of it that's making me", "like ours.\" \"...in order to craft unique-looking worlds...\" or \"in order to craft", "that tend to look like ours.\" \"...in order to craft unique-looking worlds...\" or", "that look unique\" here? \"And ultimately, what makes video games great to look", "is the creative drive that is necessary in order to craft unique-looking worlds,", "there is a part of it that's making me uneasy. I'm talking about", "talking about gameworlds with unique art styles as opposed to worlds that look", "drive that is necessary in order to craft unique-looking worlds, not only worlds", "that look realistic. Do you think the word unique-looking would fit better than", "the word unique-looking would fit better than \"worlds that look unique\" here? \"And", "opposed to worlds that look realistic. Do you think the word unique-looking would", "makes video games great to look at is the creative drive that is", "think the word unique-looking would fit better than \"worlds that look unique\" here?", "\"...in order to craft unique-looking worlds...\" or \"in order to craft worlds that", "to craft unique-looking worlds...\" or \"in order to craft worlds that look unique...\"?", "what makes video games great to look at is the creative drive that", "and there is a part of it that's making me uneasy. I'm talking", "order to craft unique-looking worlds...\" or \"in order to craft worlds that look", "necessary in order to craft unique-looking worlds, not only worlds that tend to", "as opposed to worlds that look realistic. Do you think the word unique-looking", "to look at is the creative drive that is necessary in order to", "creative drive that is necessary in order to craft unique-looking worlds, not only", "than \"worlds that look unique\" here? \"And ultimately, what makes video games great", "look at is the creative drive that is necessary in order to craft", "look realistic. Do you think the word unique-looking would fit better than \"worlds", "I'm writing a text and there is a part of it that's making", "worlds, not only worlds that tend to look like ours.\" \"...in order to", "only worlds that tend to look like ours.\" \"...in order to craft unique-looking", "art styles as opposed to worlds that look realistic. Do you think the", "uneasy. I'm talking about gameworlds with unique art styles as opposed to worlds", "look unique\" here? \"And ultimately, what makes video games great to look at", "worlds that tend to look like ours.\" \"...in order to craft unique-looking worlds...\"", "word unique-looking would fit better than \"worlds that look unique\" here? \"And ultimately,", "gameworlds with unique art styles as opposed to worlds that look realistic. Do", "great to look at is the creative drive that is necessary in order", "ours.\" \"...in order to craft unique-looking worlds...\" or \"in order to craft worlds", "craft unique-looking worlds, not only worlds that tend to look like ours.\" \"...in", "order to craft unique-looking worlds, not only worlds that tend to look like" ]
[ "fantasy genre that really catch the reader's attention? Should there be a conflict", "genre that really catch the reader's attention? Should there be a conflict in", "the reader's attention? Should there be a conflict in the subplots? Please explain.", "that really catch the reader's attention? Should there be a conflict in the", "really catch the reader's attention? Should there be a conflict in the subplots?", "Subplots in fantasy genre that really catch the reader's attention? Should there be", "ways of creating Subplots in fantasy genre that really catch the reader's attention?", "creating Subplots in fantasy genre that really catch the reader's attention? Should there", "catch the reader's attention? Should there be a conflict in the subplots? Please", "of creating Subplots in fantasy genre that really catch the reader's attention? Should", "in fantasy genre that really catch the reader's attention? Should there be a", "are the ways of creating Subplots in fantasy genre that really catch the", "What are the ways of creating Subplots in fantasy genre that really catch", "the ways of creating Subplots in fantasy genre that really catch the reader's" ]
[ "kind of tricky. They are deeply cultural symbols, interpreted by a specific group", "for some reason, does not verbally say anything, but makes a hand gesture", "but makes a hand gesture instead. How do authors deal with these culturally-bound", "which may be included in a story. Sometimes, a character, for some reason,", "makes a hand gesture instead. How do authors deal with these culturally-bound gestures?", "interpreted by a specific group of people. To outsiders, they seem like nonsense.", "of communication, which may be included in a story. Sometimes, a character, for", "is kind of tricky. They are deeply cultural symbols, interpreted by a specific", "reason, does not verbally say anything, but makes a hand gesture instead. How", "communication is a form of communication, which may be included in a story.", "seem like nonsense. But non-verbal communication is a form of communication, which may", "some reason, does not verbally say anything, but makes a hand gesture instead.", "To outsiders, they seem like nonsense. But non-verbal communication is a form of", "a character, for some reason, does not verbally say anything, but makes a", "Writing in hand gestures and non-verbal communication is kind of tricky. They are", "But non-verbal communication is a form of communication, which may be included in", "a story. Sometimes, a character, for some reason, does not verbally say anything,", "They are deeply cultural symbols, interpreted by a specific group of people. To", "anything, but makes a hand gesture instead. How do authors deal with these", "specific group of people. To outsiders, they seem like nonsense. But non-verbal communication", "verbally say anything, but makes a hand gesture instead. How do authors deal", "be included in a story. Sometimes, a character, for some reason, does not", "they seem like nonsense. But non-verbal communication is a form of communication, which", "included in a story. Sometimes, a character, for some reason, does not verbally", "non-verbal communication is kind of tricky. They are deeply cultural symbols, interpreted by", "a specific group of people. To outsiders, they seem like nonsense. But non-verbal", "outsiders, they seem like nonsense. But non-verbal communication is a form of communication,", "gestures and non-verbal communication is kind of tricky. They are deeply cultural symbols,", "tricky. They are deeply cultural symbols, interpreted by a specific group of people.", "form of communication, which may be included in a story. Sometimes, a character,", "may be included in a story. Sometimes, a character, for some reason, does", "story. Sometimes, a character, for some reason, does not verbally say anything, but", "character, for some reason, does not verbally say anything, but makes a hand", "of tricky. They are deeply cultural symbols, interpreted by a specific group of", "communication is kind of tricky. They are deeply cultural symbols, interpreted by a", "are deeply cultural symbols, interpreted by a specific group of people. To outsiders,", "in hand gestures and non-verbal communication is kind of tricky. They are deeply", "group of people. To outsiders, they seem like nonsense. But non-verbal communication is", "of people. To outsiders, they seem like nonsense. But non-verbal communication is a", "non-verbal communication is a form of communication, which may be included in a", "say anything, but makes a hand gesture instead. How do authors deal with", "like nonsense. But non-verbal communication is a form of communication, which may be", "in a story. Sometimes, a character, for some reason, does not verbally say", "not verbally say anything, but makes a hand gesture instead. How do authors", "hand gestures and non-verbal communication is kind of tricky. They are deeply cultural", "does not verbally say anything, but makes a hand gesture instead. How do", "a form of communication, which may be included in a story. Sometimes, a", "communication, which may be included in a story. Sometimes, a character, for some", "Sometimes, a character, for some reason, does not verbally say anything, but makes", "cultural symbols, interpreted by a specific group of people. To outsiders, they seem", "nonsense. But non-verbal communication is a form of communication, which may be included", "by a specific group of people. To outsiders, they seem like nonsense. But", "people. To outsiders, they seem like nonsense. But non-verbal communication is a form", "is a form of communication, which may be included in a story. Sometimes,", "symbols, interpreted by a specific group of people. To outsiders, they seem like", "deeply cultural symbols, interpreted by a specific group of people. To outsiders, they", "and non-verbal communication is kind of tricky. They are deeply cultural symbols, interpreted" ]
[ "\"How are you today?\", how would you go about \"translating\" this into sounding", "are you today?\", how would you go about \"translating\" this into sounding like", "would you go about \"translating\" this into sounding like they were talking with", "go about \"translating\" this into sounding like they were talking with a full-mouth?", "said : \"How are you today?\", how would you go about \"translating\" this", "you go about \"translating\" this into sounding like they were talking with a", "someone said : \"How are you today?\", how would you go about \"translating\"", "\"translating\" this into sounding like they were talking with a full-mouth? Like, phonetically.", "how would you go about \"translating\" this into sounding like they were talking", "for example, someone said : \"How are you today?\", how would you go", "example, someone said : \"How are you today?\", how would you go about", ": \"How are you today?\", how would you go about \"translating\" this into", "you today?\", how would you go about \"translating\" this into sounding like they", "today?\", how would you go about \"translating\" this into sounding like they were", "about \"translating\" this into sounding like they were talking with a full-mouth? Like,", "If, for example, someone said : \"How are you today?\", how would you" ]
[ "at a high level want+thing blocking desire. I understand rising tension through conflict.", "that all I'm looking for here in step 3? What are the right", "in step 3? What are the right steps to take, bases to cover,", "characters at this step? I'm looking specifically for advice regarding the snowflake method", "have used it, how do you approach step 3? Characters have always been", "so the snowflake method appeals to me because it's getting me to ask", "it, how do you approach step 3? Characters have always been a problem", "snowflake method appeals to me because it's getting me to ask the hard", "been a problem for me, especially relatable ones that inspire reader investment. I", "looking specifically for advice regarding the snowflake method itself; not general character building", "the day it's a relatively unfocused mess; so the snowflake method appeals to", "step? I'm looking specifically for advice regarding the snowflake method itself; not general", "for here in step 3? What are the right steps to take, bases", "the hard questions early. For those of you who have used it, how", "the end of the day it's a relatively unfocused mess; so the snowflake", "day it's a relatively unfocused mess; so the snowflake method appeals to me", "appeals to me because it's getting me to ask the hard questions early.", "are the right steps to take, bases to cover, to ensure you have", "to me because it's getting me to ask the hard questions early. For", "get around issues I tend to have with writing. I can pump out", "for me, especially relatable ones that inspire reader investment. I understand at a", "building advice for other methods of writing, as valid as they may be.", "and get around issues I tend to have with writing. I can pump", "method appeals to me because it's getting me to ask the hard questions", "desire. I understand rising tension through conflict. Is that all I'm looking for", "unfocused mess; so the snowflake method appeals to me because it's getting me", "not general character building advice for other methods of writing, as valid as", "right steps to take, bases to cover, to ensure you have successful characters", "investment. I understand at a high level want+thing blocking desire. I understand rising", "I can pump out words, tons of words; not a problem. But, at", "because it's getting me to ask the hard questions early. For those of", "getting me to ask the hard questions early. For those of you who", "all I'm looking for here in step 3? What are the right steps", "I'm looking specifically for advice regarding the snowflake method itself; not general character", "writing. I can pump out words, tons of words; not a problem. But,", "hard questions early. For those of you who have used it, how do", "words; not a problem. But, at the end of the day it's a", "to use the [Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I tend", "use the [Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I tend to", "around issues I tend to have with writing. I can pump out words,", "I'm attempting to use the [Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues", "have with writing. I can pump out words, tons of words; not a", "to ask the hard questions early. For those of you who have used", "inspire reader investment. I understand at a high level want+thing blocking desire. I", "I understand at a high level want+thing blocking desire. I understand rising tension", "out words, tons of words; not a problem. But, at the end of", "problem. But, at the end of the day it's a relatively unfocused mess;", "at the end of the day it's a relatively unfocused mess; so the", "do you approach step 3? Characters have always been a problem for me,", "especially relatable ones that inspire reader investment. I understand at a high level", "I tend to have with writing. I can pump out words, tons of", "problem for me, especially relatable ones that inspire reader investment. I understand at", "regarding the snowflake method itself; not general character building advice for other methods", "step 3? Characters have always been a problem for me, especially relatable ones", "early. For those of you who have used it, how do you approach", "general character building advice for other methods of writing, as valid as they", "blocking desire. I understand rising tension through conflict. Is that all I'm looking", "itself; not general character building advice for other methods of writing, as valid", "specifically for advice regarding the snowflake method itself; not general character building advice", "reader investment. I understand at a high level want+thing blocking desire. I understand", "tons of words; not a problem. But, at the end of the day", "method itself; not general character building advice for other methods of writing, as", "a problem. But, at the end of the day it's a relatively unfocused", "me to ask the hard questions early. For those of you who have", "the right steps to take, bases to cover, to ensure you have successful", "of the day it's a relatively unfocused mess; so the snowflake method appeals", "end of the day it's a relatively unfocused mess; so the snowflake method", "For those of you who have used it, how do you approach step", "3? What are the right steps to take, bases to cover, to ensure", "can pump out words, tons of words; not a problem. But, at the", "But, at the end of the day it's a relatively unfocused mess; so", "snowflake method itself; not general character building advice for other methods of writing,", "method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I tend to have with writing.", "the snowflake method appeals to me because it's getting me to ask the", "this step? I'm looking specifically for advice regarding the snowflake method itself; not", "tension through conflict. Is that all I'm looking for here in step 3?", "understand rising tension through conflict. Is that all I'm looking for here in", "issues I tend to have with writing. I can pump out words, tons", "rising tension through conflict. Is that all I'm looking for here in step", "you approach step 3? Characters have always been a problem for me, especially", "tend to have with writing. I can pump out words, tons of words;", "you have successful characters at this step? I'm looking specifically for advice regarding", "relatable ones that inspire reader investment. I understand at a high level want+thing", "me because it's getting me to ask the hard questions early. For those", "ask the hard questions early. For those of you who have used it,", "approach step 3? Characters have always been a problem for me, especially relatable", "advice regarding the snowflake method itself; not general character building advice for other", "to cover, to ensure you have successful characters at this step? I'm looking", "me, especially relatable ones that inspire reader investment. I understand at a high", "words, tons of words; not a problem. But, at the end of the", "the [Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I tend to have", "questions early. For those of you who have used it, how do you", "not a problem. But, at the end of the day it's a relatively", "those of you who have used it, how do you approach step 3?", "attempting to use the [Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I", "I'm looking for here in step 3? What are the right steps to", "relatively unfocused mess; so the snowflake method appeals to me because it's getting", "pump out words, tons of words; not a problem. But, at the end", "try and get around issues I tend to have with writing. I can", "for advice regarding the snowflake method itself; not general character building advice for", "through conflict. Is that all I'm looking for here in step 3? What", "to try and get around issues I tend to have with writing. I", "always been a problem for me, especially relatable ones that inspire reader investment.", "character building advice for other methods of writing, as valid as they may", "successful characters at this step? I'm looking specifically for advice regarding the snowflake", "to ensure you have successful characters at this step? I'm looking specifically for", "high level want+thing blocking desire. I understand rising tension through conflict. Is that", "I understand rising tension through conflict. Is that all I'm looking for here", "have successful characters at this step? I'm looking specifically for advice regarding the", "of words; not a problem. But, at the end of the day it's", "it's getting me to ask the hard questions early. For those of you", "used it, how do you approach step 3? Characters have always been a", "conflict. Is that all I'm looking for here in step 3? What are", "understand at a high level want+thing blocking desire. I understand rising tension through", "here in step 3? What are the right steps to take, bases to", "to have with writing. I can pump out words, tons of words; not", "steps to take, bases to cover, to ensure you have successful characters at", "ensure you have successful characters at this step? I'm looking specifically for advice", "ones that inspire reader investment. I understand at a high level want+thing blocking", "level want+thing blocking desire. I understand rising tension through conflict. Is that all", "a relatively unfocused mess; so the snowflake method appeals to me because it's", "3? Characters have always been a problem for me, especially relatable ones that", "want+thing blocking desire. I understand rising tension through conflict. Is that all I'm", "Characters have always been a problem for me, especially relatable ones that inspire", "mess; so the snowflake method appeals to me because it's getting me to", "you who have used it, how do you approach step 3? Characters have", "who have used it, how do you approach step 3? Characters have always", "cover, to ensure you have successful characters at this step? I'm looking specifically", "it's a relatively unfocused mess; so the snowflake method appeals to me because", "step 3? What are the right steps to take, bases to cover, to", "What are the right steps to take, bases to cover, to ensure you", "how do you approach step 3? Characters have always been a problem for", "that inspire reader investment. I understand at a high level want+thing blocking desire.", "with writing. I can pump out words, tons of words; not a problem.", "at this step? I'm looking specifically for advice regarding the snowflake method itself;", "bases to cover, to ensure you have successful characters at this step? I'm", "have always been a problem for me, especially relatable ones that inspire reader", "the snowflake method itself; not general character building advice for other methods of", "looking for here in step 3? What are the right steps to take,", "to take, bases to cover, to ensure you have successful characters at this", "Is that all I'm looking for here in step 3? What are the", "a problem for me, especially relatable ones that inspire reader investment. I understand", "[Snowflake method](https://www.advancedfictionwriting.com/articles/snowflake-method/) to try and get around issues I tend to have with", "take, bases to cover, to ensure you have successful characters at this step?", "of you who have used it, how do you approach step 3? Characters", "a high level want+thing blocking desire. I understand rising tension through conflict. Is" ]
[ "very useful, so I want to talk about the different sort of grammatical", "I want to talk about the different sort of grammatical constructs I'm using.", "poet is very useful, so I want to talk about the different sort", "I'm doing as a poet is very useful, so I want to talk", "teach syntax aimed at creative uses? I find that having words to describe", "so I want to talk about the different sort of grammatical constructs I'm", "creative uses? I find that having words to describe what I'm doing as", "that having words to describe what I'm doing as a poet is very", "useful, so I want to talk about the different sort of grammatical constructs", "syntax aimed at creative uses? I find that having words to describe what", "that teach syntax aimed at creative uses? I find that having words to", "as a poet is very useful, so I want to talk about the", "having words to describe what I'm doing as a poet is very useful,", "find that having words to describe what I'm doing as a poet is", "there any resources that teach syntax aimed at creative uses? I find that", "doing as a poet is very useful, so I want to talk about", "words to describe what I'm doing as a poet is very useful, so", "any resources that teach syntax aimed at creative uses? I find that having", "uses? I find that having words to describe what I'm doing as a", "a poet is very useful, so I want to talk about the different", "resources that teach syntax aimed at creative uses? I find that having words", "I find that having words to describe what I'm doing as a poet", "aimed at creative uses? I find that having words to describe what I'm", "to describe what I'm doing as a poet is very useful, so I", "describe what I'm doing as a poet is very useful, so I want", "at creative uses? I find that having words to describe what I'm doing", "what I'm doing as a poet is very useful, so I want to", "is very useful, so I want to talk about the different sort of", "Are there any resources that teach syntax aimed at creative uses? I find" ]
[ "animal whose legs were not thoroughly tied escaping the farm. The animal should", "described in the scene. What literary devices and techniques should be used in", "anthropomorphic, so that it would have its own emotions and thoughts which would", "should be anthropomorphic, so that it would have its own emotions and thoughts", "farm animal whose legs were not thoroughly tied escaping the farm. The animal", "a short story which includes a farm animal whose legs were not thoroughly", "its own emotions and thoughts which would be described in the scene. What", "that it would have its own emotions and thoughts which would be described", "be described in the scene. What literary devices and techniques should be used", "Please include examples from existing fiction literature (I want to examine them more", "literary devices and techniques should be used in this kind of scene? Please", "include examples from existing fiction literature (I want to examine them more closely", "want to examine them more closely so as to gain a better idea", "used in this kind of scene? Please include examples from existing fiction literature", "them more closely so as to gain a better idea of how to", "farm. The animal should be anthropomorphic, so that it would have its own", "and thoughts which would be described in the scene. What literary devices and", "devices and techniques should be used in this kind of scene? Please include", "be anthropomorphic, so that it would have its own emotions and thoughts which", "so as to gain a better idea of how to do this well).", "to examine them more closely so as to gain a better idea of", "The animal should be anthropomorphic, so that it would have its own emotions", "were not thoroughly tied escaping the farm. The animal should be anthropomorphic, so", "emotions and thoughts which would be described in the scene. What literary devices", "existing fiction literature (I want to examine them more closely so as to", "writing a short story which includes a farm animal whose legs were not", "would have its own emotions and thoughts which would be described in the", "(I want to examine them more closely so as to gain a better", "examine them more closely so as to gain a better idea of how", "so that it would have its own emotions and thoughts which would be", "in the scene. What literary devices and techniques should be used in this", "short story which includes a farm animal whose legs were not thoroughly tied", "would be described in the scene. What literary devices and techniques should be", "escaping the farm. The animal should be anthropomorphic, so that it would have", "techniques should be used in this kind of scene? Please include examples from", "thoroughly tied escaping the farm. The animal should be anthropomorphic, so that it", "I am writing a short story which includes a farm animal whose legs", "and techniques should be used in this kind of scene? Please include examples", "legs were not thoroughly tied escaping the farm. The animal should be anthropomorphic,", "examples from existing fiction literature (I want to examine them more closely so", "literature (I want to examine them more closely so as to gain a", "which includes a farm animal whose legs were not thoroughly tied escaping the", "whose legs were not thoroughly tied escaping the farm. The animal should be", "which would be described in the scene. What literary devices and techniques should", "a farm animal whose legs were not thoroughly tied escaping the farm. The", "thoughts which would be described in the scene. What literary devices and techniques", "tied escaping the farm. The animal should be anthropomorphic, so that it would", "it would have its own emotions and thoughts which would be described in", "What literary devices and techniques should be used in this kind of scene?", "animal should be anthropomorphic, so that it would have its own emotions and", "am writing a short story which includes a farm animal whose legs were", "scene? Please include examples from existing fiction literature (I want to examine them", "closely so as to gain a better idea of how to do this", "have its own emotions and thoughts which would be described in the scene.", "own emotions and thoughts which would be described in the scene. What literary", "story which includes a farm animal whose legs were not thoroughly tied escaping", "scene. What literary devices and techniques should be used in this kind of", "includes a farm animal whose legs were not thoroughly tied escaping the farm.", "kind of scene? Please include examples from existing fiction literature (I want to", "should be used in this kind of scene? Please include examples from existing", "be used in this kind of scene? Please include examples from existing fiction", "the farm. The animal should be anthropomorphic, so that it would have its", "of scene? Please include examples from existing fiction literature (I want to examine", "fiction literature (I want to examine them more closely so as to gain", "in this kind of scene? Please include examples from existing fiction literature (I", "from existing fiction literature (I want to examine them more closely so as", "not thoroughly tied escaping the farm. The animal should be anthropomorphic, so that", "more closely so as to gain a better idea of how to do", "the scene. What literary devices and techniques should be used in this kind", "this kind of scene? Please include examples from existing fiction literature (I want" ]
[ "the answers weren't helpful in my case (as they brought up points of", "but I'm having some issues with the German soldier. I've done a ton", "understood by the English speaker (so I don't need to have a lot", "similar question from 2014 on here but a lot of the answers weren't", "of circumlocution) but also isn't extremely fluent in a way that would make", "in a way that is mostly able to be understood by the English", "in my case (as they brought up points of the internet and such)", "English in a way that is mostly able to be understood by the", "by the English speaker (so I don't need to have a lot of", "English around this time, however not much. Basically, I'm having a lot of", "ton of research and found out that much of Germany knew a little", "with writing a historical fiction short story. I chose a point in WW1", "lot of trouble trying to have a German character speak broken English in", "slightly similar question from 2014 on here but a lot of the answers", "with the German soldier. I've done a ton of research and found out", "of course, write the British soldier no problem, but I'm having some issues", "I found a slightly similar question from 2014 on here but a lot", "that would make it seem fake and unrealistic. I hope this makes sense?", "(as they brought up points of the internet and such) so I'm going", "but also isn't extremely fluent in a way that would make it seem", "creative writing class, I've been tasked with writing a historical fiction short story.", "found out that much of Germany knew a little English around this time,", "lot of circumlocution) but also isn't extremely fluent in a way that would", "lot of the answers weren't helpful in my case (as they brought up", "however not much. Basically, I'm having a lot of trouble trying to have", "isn't extremely fluent in a way that would make it seem fake and", "a historical fiction short story. I chose a point in WW1 with enemy", "having some issues with the German soldier. I've done a ton of research", "speaker, I can, of course, write the British soldier no problem, but I'm", "of research and found out that much of Germany knew a little English", "(so I don't need to have a lot of circumlocution) but also isn't", "need to have a lot of circumlocution) but also isn't extremely fluent in", "the English speaker (so I don't need to have a lot of circumlocution)", "to try here... In my creative writing class, I've been tasked with writing", "out that much of Germany knew a little English around this time, however", "way that would make it seem fake and unrealistic. I hope this makes", "trouble trying to have a German character speak broken English in a way", "speak broken English in a way that is mostly able to be understood", "a lot of circumlocution) but also isn't extremely fluent in a way that", "my creative writing class, I've been tasked with writing a historical fiction short", "broken English in a way that is mostly able to be understood by", "a way that would make it seem fake and unrealistic. I hope this", "problem, but I'm having some issues with the German soldier. I've done a", "a lot of trouble trying to have a German character speak broken English", "I don't need to have a lot of circumlocution) but also isn't extremely", "research and found out that much of Germany knew a little English around", "with enemy forces interacting. As a native English speaker, I can, of course,", "much. Basically, I'm having a lot of trouble trying to have a German", "helpful in my case (as they brought up points of the internet and", "a German character speak broken English in a way that is mostly able", "British soldier no problem, but I'm having some issues with the German soldier.", "don't need to have a lot of circumlocution) but also isn't extremely fluent", "story. I chose a point in WW1 with enemy forces interacting. As a", "able to be understood by the English speaker (so I don't need to", "my case (as they brought up points of the internet and such) so", "and such) so I'm going to try here... In my creative writing class,", "tasked with writing a historical fiction short story. I chose a point in", "chose a point in WW1 with enemy forces interacting. As a native English", "a little English around this time, however not much. Basically, I'm having a", "around this time, however not much. Basically, I'm having a lot of trouble", "soldier no problem, but I'm having some issues with the German soldier. I've", "In my creative writing class, I've been tasked with writing a historical fiction", "no problem, but I'm having some issues with the German soldier. I've done", "much of Germany knew a little English around this time, however not much.", "time, however not much. Basically, I'm having a lot of trouble trying to", "have a German character speak broken English in a way that is mostly", "character speak broken English in a way that is mostly able to be", "not much. Basically, I'm having a lot of trouble trying to have a", "fluent in a way that would make it seem fake and unrealistic. I", "writing class, I've been tasked with writing a historical fiction short story. I", "class, I've been tasked with writing a historical fiction short story. I chose", "having a lot of trouble trying to have a German character speak broken", "that is mostly able to be understood by the English speaker (so I", "internet and such) so I'm going to try here... In my creative writing", "soldier. I've done a ton of research and found out that much of", "circumlocution) but also isn't extremely fluent in a way that would make it", "question from 2014 on here but a lot of the answers weren't helpful", "English speaker (so I don't need to have a lot of circumlocution) but", "a slightly similar question from 2014 on here but a lot of the", "also isn't extremely fluent in a way that would make it seem fake", "that much of Germany knew a little English around this time, however not", "writing a historical fiction short story. I chose a point in WW1 with", "Basically, I'm having a lot of trouble trying to have a German character", "historical fiction short story. I chose a point in WW1 with enemy forces", "have a lot of circumlocution) but also isn't extremely fluent in a way", "2014 on here but a lot of the answers weren't helpful in my", "from 2014 on here but a lot of the answers weren't helpful in", "here but a lot of the answers weren't helpful in my case (as", "to be understood by the English speaker (so I don't need to have", "interacting. As a native English speaker, I can, of course, write the British", "issues with the German soldier. I've done a ton of research and found", "knew a little English around this time, however not much. Basically, I'm having", "done a ton of research and found out that much of Germany knew", "answers weren't helpful in my case (as they brought up points of the", "to have a German character speak broken English in a way that is", "write the British soldier no problem, but I'm having some issues with the", "this time, however not much. Basically, I'm having a lot of trouble trying", "little English around this time, however not much. Basically, I'm having a lot", "a ton of research and found out that much of Germany knew a", "such) so I'm going to try here... In my creative writing class, I've", "on here but a lot of the answers weren't helpful in my case", "I'm going to try here... In my creative writing class, I've been tasked", "English speaker, I can, of course, write the British soldier no problem, but", "and found out that much of Germany knew a little English around this", "I've done a ton of research and found out that much of Germany", "going to try here... In my creative writing class, I've been tasked with", "a point in WW1 with enemy forces interacting. As a native English speaker,", "in a way that would make it seem fake and unrealistic. I hope", "speaker (so I don't need to have a lot of circumlocution) but also", "forces interacting. As a native English speaker, I can, of course, write the", "a native English speaker, I can, of course, write the British soldier no", "found a slightly similar question from 2014 on here but a lot of", "As a native English speaker, I can, of course, write the British soldier", "native English speaker, I can, of course, write the British soldier no problem,", "fiction short story. I chose a point in WW1 with enemy forces interacting.", "can, of course, write the British soldier no problem, but I'm having some", "points of the internet and such) so I'm going to try here... In", "up points of the internet and such) so I'm going to try here...", "short story. I chose a point in WW1 with enemy forces interacting. As", "point in WW1 with enemy forces interacting. As a native English speaker, I", "extremely fluent in a way that would make it seem fake and unrealistic.", "I'm having a lot of trouble trying to have a German character speak", "of the internet and such) so I'm going to try here... In my", "trying to have a German character speak broken English in a way that", "the internet and such) so I'm going to try here... In my creative", "to have a lot of circumlocution) but also isn't extremely fluent in a", "Germany knew a little English around this time, however not much. Basically, I'm", "the German soldier. I've done a ton of research and found out that", "enemy forces interacting. As a native English speaker, I can, of course, write", "weren't helpful in my case (as they brought up points of the internet", "course, write the British soldier no problem, but I'm having some issues with", "I'm having some issues with the German soldier. I've done a ton of", "of Germany knew a little English around this time, however not much. Basically,", "German soldier. I've done a ton of research and found out that much", "I chose a point in WW1 with enemy forces interacting. As a native", "be understood by the English speaker (so I don't need to have a", "WW1 with enemy forces interacting. As a native English speaker, I can, of", "mostly able to be understood by the English speaker (so I don't need", "way that is mostly able to be understood by the English speaker (so", "but a lot of the answers weren't helpful in my case (as they", "here... In my creative writing class, I've been tasked with writing a historical", "I've been tasked with writing a historical fiction short story. I chose a", "case (as they brought up points of the internet and such) so I'm", "some issues with the German soldier. I've done a ton of research and", "German character speak broken English in a way that is mostly able to", "been tasked with writing a historical fiction short story. I chose a point", "try here... In my creative writing class, I've been tasked with writing a", "in WW1 with enemy forces interacting. As a native English speaker, I can,", "of the answers weren't helpful in my case (as they brought up points", "brought up points of the internet and such) so I'm going to try", "of trouble trying to have a German character speak broken English in a", "is mostly able to be understood by the English speaker (so I don't", "I can, of course, write the British soldier no problem, but I'm having", "a way that is mostly able to be understood by the English speaker", "a lot of the answers weren't helpful in my case (as they brought", "so I'm going to try here... In my creative writing class, I've been", "they brought up points of the internet and such) so I'm going to", "the British soldier no problem, but I'm having some issues with the German" ]
[ "accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my", "I wonder what kind of professions I need and how many people to", "marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating", "advised me to start creating my own comics. I wonder what kind of", "other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my own comics. I wonder", "and how many people to start publishing comics like, one comic once a", "question [Does marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to", "wonder what kind of professions I need and how many people to start", "to start creating my own comics. I wonder what kind of professions I", "new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my own", "people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my own comics. I wonder what", "comics. I wonder what kind of professions I need and how many people", "own comics. I wonder what kind of professions I need and how many", "of professions I need and how many people to start publishing comics like,", "need and how many people to start publishing comics like, one comic once", "In my last question [Does marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people", "last question [Does marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me", "[Does marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start", "heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my own comics.", "what kind of professions I need and how many people to start publishing", "people advised me to start creating my own comics. I wonder what kind", "creating my own comics. I wonder what kind of professions I need and", "kind of professions I need and how many people to start publishing comics", "professions I need and how many people to start publishing comics like, one", "my last question [Does marvel accept new heroes by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised", "my own comics. I wonder what kind of professions I need and how", "by other people](https://writing.stackexchange.com/questions/38848/does-marvel-accept-new-heroes-by-other-people), people advised me to start creating my own comics. I", "I need and how many people to start publishing comics like, one comic", "me to start creating my own comics. I wonder what kind of professions", "start creating my own comics. I wonder what kind of professions I need", "how many people to start publishing comics like, one comic once a week." ]
[ "> > My character is searching for something. When she finds what she's", "in a spot of trouble. He arrives in the nick of time to", "today from someone and they told me I was using a \"Deus Ex", "carries on without him only to find herself in a spot of trouble.", "critique today from someone and they told me I was using a \"Deus", "a critique today from someone and they told me I was using a", "on someone. She finally gets fed-up and carries on without him only to", "find herself in a spot of trouble. He arrives in the nick of", "it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within", "I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first 20-25% I", "a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first 20-25% I can get", "the first 20-25% I can get away with it. But does that mean", "middle of the second chapter. My Possible Deus Ex Machina: > > My", "Machina\". I did some poking around on here, and I question if it", "[link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first 20-25% I can get away", "Machina: > > My character is searching for something. When she finds what", "I can get away with it. But does that mean for 20-22% of", "fed-up and carries on without him only to find herself in a spot", "the chapter or the novel? Mine happens in the middle of the second", "one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first 20-25%", "character is searching for something. When she finds what she's looking for, it's", "get away with it. But does that mean for 20-22% of the chapter", "for 20-22% of the chapter or the novel? Mine happens in the middle", "in the middle of the second chapter. My Possible Deus Ex Machina: >", "for, it's pretty clear that she's waiting on someone. She finally gets fed-up", "that she's waiting on someone. She finally gets fed-up and carries on without", "spot of trouble. He arrives in the nick of time to help her.", "When she finds what she's looking for, it's pretty clear that she's waiting", "with it. But does that mean for 20-22% of the chapter or the", "to find herself in a spot of trouble. He arrives in the nick", "some poking around on here, and I question if it really is one.", "is searching for something. When she finds what she's looking for, it's pretty", "pretty clear that she's waiting on someone. She finally gets fed-up and carries", "that mean for 20-22% of the chapter or the novel? Mine happens in", "question if it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it", "second chapter. My Possible Deus Ex Machina: > > My character is searching", "He arrives in the nick of time to help her. > > >", "someone. She finally gets fed-up and carries on without him only to find", "looking for, it's pretty clear that she's waiting on someone. She finally gets", "But does that mean for 20-22% of the chapter or the novel? Mine", "20-22% of the chapter or the novel? Mine happens in the middle of", "happens in the middle of the second chapter. My Possible Deus Ex Machina:", "if it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says", "mean for 20-22% of the chapter or the novel? Mine happens in the", "Mine happens in the middle of the second chapter. My Possible Deus Ex", "from someone and they told me I was using a \"Deus Ex Machina\".", "of trouble. He arrives in the nick of time to help her. >", "chapter. My Possible Deus Ex Machina: > > My character is searching for", "of the chapter or the novel? Mine happens in the middle of the", "She finally gets fed-up and carries on without him only to find herself", "she's looking for, it's pretty clear that she's waiting on someone. She finally", "found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first 20-25% I can", "says within the first 20-25% I can get away with it. But does", "can get away with it. But does that mean for 20-22% of the", "did some poking around on here, and I question if it really is", "poking around on here, and I question if it really is one. I", "the middle of the second chapter. My Possible Deus Ex Machina: > >", "on without him only to find herself in a spot of trouble. He", "does that mean for 20-22% of the chapter or the novel? Mine happens", "gets fed-up and carries on without him only to find herself in a", "within the first 20-25% I can get away with it. But does that", "told me I was using a \"Deus Ex Machina\". I did some poking", "someone and they told me I was using a \"Deus Ex Machina\". I", "finally gets fed-up and carries on without him only to find herself in", "and I question if it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) --", "\"Deus Ex Machina\". I did some poking around on here, and I question", "Possible Deus Ex Machina: > > My character is searching for something. When", "the second chapter. My Possible Deus Ex Machina: > > My character is", "clear that she's waiting on someone. She finally gets fed-up and carries on", "it. But does that mean for 20-22% of the chapter or the novel?", "around on here, and I question if it really is one. I found", "away with it. But does that mean for 20-22% of the chapter or", "a \"Deus Ex Machina\". I did some poking around on here, and I", "searching for something. When she finds what she's looking for, it's pretty clear", "waiting on someone. She finally gets fed-up and carries on without him only", "on here, and I question if it really is one. I found a", "finds what she's looking for, it's pretty clear that she's waiting on someone.", "what she's looking for, it's pretty clear that she's waiting on someone. She", "I did some poking around on here, and I question if it really", "she's waiting on someone. She finally gets fed-up and carries on without him", "got a critique today from someone and they told me I was using", "novel? Mine happens in the middle of the second chapter. My Possible Deus", "it says within the first 20-25% I can get away with it. But", "chapter or the novel? Mine happens in the middle of the second chapter.", "and it says within the first 20-25% I can get away with it.", "me I was using a \"Deus Ex Machina\". I did some poking around", "him only to find herself in a spot of trouble. He arrives in", "is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the first", "only to find herself in a spot of trouble. He arrives in the", "I question if it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and", "they told me I was using a \"Deus Ex Machina\". I did some", "and they told me I was using a \"Deus Ex Machina\". I did", "-- and it says within the first 20-25% I can get away with", "she finds what she's looking for, it's pretty clear that she's waiting on", "first 20-25% I can get away with it. But does that mean for", "trouble. He arrives in the nick of time to help her. > >", "something. When she finds what she's looking for, it's pretty clear that she's", "was using a \"Deus Ex Machina\". I did some poking around on here,", "> My character is searching for something. When she finds what she's looking", "for something. When she finds what she's looking for, it's pretty clear that", "really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it) -- and it says within the", "using a \"Deus Ex Machina\". I did some poking around on here, and", "Ex Machina\". I did some poking around on here, and I question if", "20-25% I can get away with it. But does that mean for 20-22%", "My Possible Deus Ex Machina: > > My character is searching for something.", "My character is searching for something. When she finds what she's looking for,", "here, and I question if it really is one. I found a [link](https://writing.stackexchange.com/questions/17780/is-the-following-deus-ex-machina-if-so-should-i-remove-it)", "of the second chapter. My Possible Deus Ex Machina: > > My character", "without him only to find herself in a spot of trouble. He arrives", "Deus Ex Machina: > > My character is searching for something. When she", "I got a critique today from someone and they told me I was", "I was using a \"Deus Ex Machina\". I did some poking around on", "the novel? Mine happens in the middle of the second chapter. My Possible", "it's pretty clear that she's waiting on someone. She finally gets fed-up and", "and carries on without him only to find herself in a spot of", "a spot of trouble. He arrives in the nick of time to help", "Ex Machina: > > My character is searching for something. When she finds", "herself in a spot of trouble. He arrives in the nick of time", "or the novel? Mine happens in the middle of the second chapter. My" ]
[ "Juypir. Whenever he falls asleep, he goes into the dream world type thing.", "in through a chapter but at the end of the chapter he normally", "asleep, he wakes up in the real world. But... but when Juypir's in", "a chapter but at the end of the chapter he normally wakes up", "writing a novel myself and the main character is called Juypir. Whenever he", "But... but when Juypir's in the real world I write him in third", "is called Juypir. Whenever he falls asleep, he goes into the dream world", "the real world. But... but when Juypir's in the real world I write", "write him in first person. When he's dreaming, it starts randomly in through", "goes into the dream world type thing. Same dream, same characters, same scenes.", "but at the end of the chapter he normally wakes up from the", "Juypir's in the real world I write him in third person and when", "person and when he's in the dream I write him in first person.", "the chapter he normally wakes up from the dream. Any tips writing this?", "character is called Juypir. Whenever he falls asleep, he goes into the dream", "world. But... but when Juypir's in the real world I write him in", "falls asleep, he wakes up in the real world. But... but when Juypir's", "the end of the chapter he normally wakes up from the dream. Any", "type thing. Same dream, same characters, same scenes. When he falls asleep, he", "novel myself and the main character is called Juypir. Whenever he falls asleep,", "I write him in third person and when he's in the dream I", "when Juypir's in the real world I write him in third person and", "real world. But... but when Juypir's in the real world I write him", "falls asleep, he goes into the dream world type thing. Same dream, same", "When he falls asleep, he wakes up in the real world. But... but", "it starts randomly in through a chapter but at the end of the", "end of the chapter he normally wakes up from the dream. Any tips", "first person. When he's dreaming, it starts randomly in through a chapter but", "I'm writing a novel myself and the main character is called Juypir. Whenever", "the dream I write him in first person. When he's dreaming, it starts", "characters, same scenes. When he falls asleep, he wakes up in the real", "he's in the dream I write him in first person. When he's dreaming,", "and the main character is called Juypir. Whenever he falls asleep, he goes", "world type thing. Same dream, same characters, same scenes. When he falls asleep,", "up in the real world. But... but when Juypir's in the real world", "myself and the main character is called Juypir. Whenever he falls asleep, he", "wakes up in the real world. But... but when Juypir's in the real", "the main character is called Juypir. Whenever he falls asleep, he goes into", "in first person. When he's dreaming, it starts randomly in through a chapter", "same scenes. When he falls asleep, he wakes up in the real world.", "dream I write him in first person. When he's dreaming, it starts randomly", "in the real world. But... but when Juypir's in the real world I", "randomly in through a chapter but at the end of the chapter he", "real world I write him in third person and when he's in the", "the real world I write him in third person and when he's in", "in the dream I write him in first person. When he's dreaming, it", "Same dream, same characters, same scenes. When he falls asleep, he wakes up", "he wakes up in the real world. But... but when Juypir's in the", "scenes. When he falls asleep, he wakes up in the real world. But...", "called Juypir. Whenever he falls asleep, he goes into the dream world type", "him in first person. When he's dreaming, it starts randomly in through a", "in third person and when he's in the dream I write him in", "into the dream world type thing. Same dream, same characters, same scenes. When", "he falls asleep, he goes into the dream world type thing. Same dream,", "dream world type thing. Same dream, same characters, same scenes. When he falls", "at the end of the chapter he normally wakes up from the dream.", "write him in third person and when he's in the dream I write", "when he's in the dream I write him in first person. When he's", "he falls asleep, he wakes up in the real world. But... but when", "world I write him in third person and when he's in the dream", "and when he's in the dream I write him in first person. When", "through a chapter but at the end of the chapter he normally wakes", "When he's dreaming, it starts randomly in through a chapter but at the", "of the chapter he normally wakes up from the dream. Any tips writing", "Whenever he falls asleep, he goes into the dream world type thing. Same", "the dream world type thing. Same dream, same characters, same scenes. When he", "but when Juypir's in the real world I write him in third person", "I write him in first person. When he's dreaming, it starts randomly in", "he goes into the dream world type thing. Same dream, same characters, same", "person. When he's dreaming, it starts randomly in through a chapter but at", "dreaming, it starts randomly in through a chapter but at the end of", "starts randomly in through a chapter but at the end of the chapter", "chapter but at the end of the chapter he normally wakes up from", "So I'm writing a novel myself and the main character is called Juypir.", "thing. Same dream, same characters, same scenes. When he falls asleep, he wakes", "dream, same characters, same scenes. When he falls asleep, he wakes up in", "asleep, he goes into the dream world type thing. Same dream, same characters,", "main character is called Juypir. Whenever he falls asleep, he goes into the", "him in third person and when he's in the dream I write him", "in the real world I write him in third person and when he's", "same characters, same scenes. When he falls asleep, he wakes up in the", "a novel myself and the main character is called Juypir. Whenever he falls", "he's dreaming, it starts randomly in through a chapter but at the end", "third person and when he's in the dream I write him in first" ]
[ "3 - The Ring Goes South): > > Frodo took only Sting; and", "of anyone at all, we're not following any POV, but listening to an", "conflict, to steal or not to steal the silver. Throughout the novel, Valjean's", "the above examples (and other similar ones) makes it OK, whereas it is", "a geographic change - the characters we're following are in different places, experiencing", "eased the pack on his shoulders, and went over anxiously in his mind", "history and philosophy. --- A more modern example, The Lord of the Rings,", "(LotR II, chapter 3 - The Ring Goes South): > > Frodo took", "than one character is bad. We should be \"on the shoulders\" or \"in", "and those of his sister, then we switch to Jeic Volmaen, then we", "experiencing different things. However, I look at older literature, and find that this", "\"on the shoulders\" or \"in the head\" of one character, and one character", "above examples show that, (unless someone wishes to argue that Hugo and Tolkien", "makes it OK, whereas it is not OK under different circumstances? My first", "say 'dipping into' as most of the time we are not in the", "gives us Frodo's (and Sam's) thoughts and feelings, his internal journey. What is", "have added quotes, but I only have the book in French. If anyone", "tells us what we should know, and often comments on the occurrences, on", "wishes to argue that Hugo and Tolkien didn't know what they were doing,)", "that being in the head of more than one character is bad.** We", "related, but the answer it has is \"head hopping is bad\", whereas I", "Throughout the novel, Valjean's soul is not \"dipped into\", but laid bare before", "For example, in Les Misérables, we start the first part with Bishop Myriel.", "only Elrond knew fully what this hour meant for him. > > >", "The above examples show that, (unless someone wishes to argue that Hugo and", "change (note we have a POV concept,) occurs together with a geographic change", "> > Frodo's POV, since he's the only one at this point who", "those of his sister, then we switch to Jeic Volmaen, then we have", "character in the same scene is sometimes OK. (Is it head-hopping?) *When is", "internal conflict, to steal or not to steal the silver. Throughout the novel,", "in the head of anyone at all, we're not following any* POV, but", "of more than one character is bad.** We should be \"on the shoulders\"", "mail? Or omniscient, Frodo-centred? > > Aragorn sat with his head bowed to", "argue that Hugo and Tolkien didn't know what they were doing,) hearing the", "narrator, in Elrond's head. > > Sam eased the pack on his shoulders,", "only, if not throughout the novel, then at least throughout a \"part\" (chapter", "the mail? Or omniscient, Frodo-centred? > > Aragorn sat with his head bowed", "and find that this is not a universal truth. For example, in Les", "remained hidden. > > > Frodo's POV, since he's the only one at", "in Frodo's head! He's the MC, right? (Arguments about whether he or Sam", "his thoughts and those of his sister, then we switch to Jeic Volmaen,", "appreciated.) I say 'dipping into' as most of the time we are not", "clearly Sam's head. Right in the next scene (same chapter): > > At", "about whether he or Sam are the MC should be held elsewhere, please.", "at older literature, and find that this is not a universal truth. For", "the novel, then at least throughout a \"part\" (chapter etc.). Often the POV", "stowed in it, wondering if he had forgotten anything > > > That's", "could see the dim shapes of lofty mountains that seemed now to stand", "is not a universal truth. For example, in Les Misérables, we start the", "go quite as deep into characters' heads as we do nowadays. But then", "only have the book in French. If anyone can edit in anything relevant,", "are not in the head of anyone at all, we're not following any", "they walked and stumbled until they were weary, they were creeping forward like", "same scene is sometimes OK. (Is it head-hopping?) When is it OK? What", "him. > > > Omniscient narrator, in Elrond's head. > > Sam eased", "the characters, or on relevant history and philosophy. --- A more modern example,", "one character in the same scene is sometimes OK. (Is it head-hopping?) When", "My first thought was that maybe the older novels don't go quite as", "would be appreciated.) I say 'dipping into' as most of the time we", "stand across the path that the company was taking. > > > Finally,", "Finally, we're in Frodo's head! He's the MC, right? (Arguments about whether he", "he's the only one at this point who knows about the mail? Or", "> Finally, we're in Frodo's head! He's the MC, right? (Arguments about whether", "OK, whereas it is not OK under different circumstances?* My first thought was", "Often the POV change (note we have a POV concept,) occurs together with", "and feelings, his internal journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question", "this is not a universal truth. For example, in Les Misérables, we start", "only Sting; and his mail-coat, as Balyo wished, remained hidden. > > >", "Balyo wished, remained hidden. > > > Frodo's POV, since he's the only", "of his sister, then we switch to Jeic Volmaen, then we have all", "knew fully what this hour meant for him. > > > Omniscient narrator,", "us Frodo's (and Sam's) thoughts and feelings, his internal journey. What is the", "to stand across the path that the company was taking. > > >", "The Ring Goes South): > > Frodo took only Sting; and his mail-coat,", "the path that the company was taking. > > > Finally, we're in", "head. Right in the next scene (same chapter): > > At first it", "> > Omniscient narrator, in Elrond's head. > > Sam eased the pack", "knees; only Elrond knew fully what this hour meant for him. > >", "bowed to his knees; only Elrond knew fully what this hour meant for", "reader. Similarly, Tolkien gives us Frodo's (and Sam's) thoughts and feelings, his internal", "of one character, and one character only, if not throughout the novel, then", "the characters we're following are in different places, experiencing different things. However, I", "are in different places, experiencing different things. However, I look at older literature,", "only one at this point who knows about the mail? Or omniscient, Frodo-centred?", "find that this is not a universal truth. For example, in Les Misérables,", "his sister, then we switch to Jeic Volmaen, then we have all three", "or not to steal the silver. Throughout the novel, Valjean's soul is not", "Frodo's head! He's the MC, right? (Arguments about whether he or Sam are", "if he had forgotten anything > > > That's clearly Sam's head. Right", "to steal or not to steal the silver. Throughout the novel, Valjean's soul", "into\", but laid bare before the reader. Similarly, Tolkien gives us Frodo's (and", "hobbits that although they walked and stumbled until they were weary, they were", "most of the time we are not in the head of anyone at", "in the next scene (same chapter): > > At first it seemed to", "However, I look at older literature, and find that this is not a", "or on relevant history and philosophy. --- A more modern example, The Lord", "it is not OK under different circumstances?* My first thought was that maybe", "older novels don't go quite as deep into characters' heads as we do", "fully what this hour meant for him. > > > Omniscient narrator, in", "head! He's the MC, right? (Arguments about whether he or Sam are the", "that seemed now to stand across the path that the company was taking.", "book in French. If anyone can edit in anything relevant, it would be", "of the Rings, still has in the same passage (LotR II, chapter 3", "\"part\" (chapter etc.). Often the POV change (note we have a POV concept,)", "not throughout the novel, then at least throughout a \"part\" (chapter etc.). Often", "different things. However, I look at older literature, and find that this is", "not in the head of anyone at all, we're not following any* POV,", "Not in the comments either.) --- The above examples show that, (unless someone", "passage (LotR II, chapter 3 - The Ring Goes South): > > Frodo", "with a geographic change - the characters we're following are in different places,", "about the mail? Or omniscient, Frodo-centred? > > Aragorn sat with his head", "I say 'dipping into' as most of the time we are not in", "At first it seemed to the hobbits that although they walked and stumbled", "has in the same passage (LotR II, chapter 3 - The Ring Goes", "three. (I would have added quotes, but I only have the book in", "(Arguments about whether he or Sam are the MC should be held elsewhere,", "either.) --- The above examples show that, (unless someone wishes to argue that", "--- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it has is \"head hopping", "Omniscient narrator, in Elrond's head. > > Sam eased the pack on his", "three in the same scene, dipping into the heads of all three. (I", "can edit in anything relevant, it would be appreciated.) I say 'dipping into'", "they were creeping forward like snails, and getting nowhere. > > > Collective", "was that maybe the older novels don't go quite as deep into characters'", "anyone at all, we're not following any POV, but listening to an omniscient", "the next scene (same chapter): > > At first it seemed to the", "the answer it has is \"head hopping is bad\", whereas I am trying", "in Myriel's house, Hugo goes deep into Valjean's internal conflict, to steal or", "modern example, The Lord of the Rings, still has in the same passage", "sort of reporter who is a person unto himself, who tells us what", "am trying to understand the examples where head hopping is apparently not bad.", "novel, then at least throughout a \"part\" (chapter etc.). Often the POV change", "sister, then we switch to Jeic Volmaen, then we have all three in", "other similar ones) makes it OK, whereas it is not OK under different", "and went over anxiously in his mind all the things that he had", "What about the above examples (and other similar ones) makes it OK, whereas", "Frodo's POV, since he's the only one at this point who knows about", "maybe the older novels don't go quite as deep into characters' heads as", "MC, right? (Arguments about whether he or Sam are the MC should be", "have a POV concept,) occurs together with a geographic change - the characters", "on the occurrences, on the characters, or on relevant history and philosophy. ---", "same passage (LotR II, chapter 3 - The Ring Goes South): > >", "truth. For example, in Les Misérables, we start the first part with Bishop", "Tolkien gives us Frodo's (and Sam's) thoughts and feelings, his internal journey. What", "Sam are the MC should be held elsewhere, please. Not in the comments", "(unless someone wishes to argue that Hugo and Tolkien didn't know what they", "at all, we're not following any POV, but listening to an omniscient narrator,", "answer it has is \"head hopping is bad\", whereas I am trying to", "a \"part\" (chapter etc.). Often the POV change (note we have a POV", "in the same scene, dipping into the heads of all three. (I would", "more modern example, The Lord of the Rings, still has in the same", "together with a geographic change - the characters we're following are in different", "(I would have added quotes, but I only have the book in French.", "on relevant history and philosophy. --- A more modern example, The Lord of", "question is related, but the answer it has is \"head hopping is bad\",", "following any* POV, but listening to an omniscient narrator, a sort of reporter", "is bad\", whereas I am trying to understand the examples where head hopping", "forward like snails, and getting nowhere. > > > Collective POV? > >", "should be \"on the shoulders\" or \"in the head\" of one character, and", "universal truth. For example, in Les Misérables, we start the first part with", "relevant history and philosophy. --- A more modern example, The Lord of the", "in the comments either.) --- The above examples show that, (unless someone wishes", "MC should be held elsewhere, please. Not in the comments either.) --- The", "character is bad.* We should be \"on the shoulders\" or \"in the head\"", "this hour meant for him. > > > Omniscient narrator, in Elrond's head.", "be \"on the shoulders\" or \"in the head\" of one character, and one", "to argue that Hugo and Tolkien didn't know what they were doing,) hearing", "that Hugo and Tolkien didn't know what they were doing,) hearing the thoughts,", "before the reader. Similarly, Tolkien gives us Frodo's (and Sam's) thoughts and feelings,", "into' as most of the time we are not in the head of", "as we do nowadays. But then I saw this is not true: right", "is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it", "the pack on his shoulders, and went over anxiously in his mind all", "please. Not in the comments either.) --- The above examples show that, (unless", "quotes, but I only have the book in French. If anyone can edit", "the south Frodo could see the dim shapes of lofty mountains that seemed", "OK under different circumstances? My first thought was that maybe the older novels", "Ring Goes South): > > Frodo took only Sting; and his mail-coat, as", "we're following are in different places, experiencing different things. However, I look at", "part with Bishop Myriel. knowing both his thoughts and those of his sister,", "is related, but the answer it has is \"head hopping is bad\", whereas", "in his mind all the things that he had stowed in it, wondering", "general consensus nowadays seems to be that being in the head of more", "is not \"dipped into\", but laid bare before the reader. Similarly, Tolkien gives", "Hugo goes deep into Valjean's internal conflict, to steal or not to steal", "That's clearly Sam's head. Right in the next scene (same chapter): > >", "> > > Collective POV? > > Away in the south Frodo could", "is sometimes OK. (Is it head-hopping?) When is it OK? What about the", "not OK under different circumstances? My first thought was that maybe the older", "is not OK under different circumstances? My first thought was that maybe the", "a POV concept,) occurs together with a geographic change - the characters we're", "examples show that, (unless someone wishes to argue that Hugo and Tolkien didn't", "scene is sometimes OK. (Is it head-hopping?) *When is it OK? What about", "we switch to Jeic Volmaen, then we have all three in the same", "look at older literature, and find that this is not a universal truth.", "knowing both his thoughts and those of his sister, then we switch to", "> Away in the south Frodo could see the dim shapes of lofty", "should know, and often comments on the occurrences, on the characters, or on", "had stowed in it, wondering if he had forgotten anything > > >", "the older novels don't go quite as deep into characters' heads as we", "the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it has", "II, chapter 3 - The Ring Goes South): > > Frodo took only", "Away in the south Frodo could see the dim shapes of lofty mountains", "then I saw this is not true: right in Myriel's house, Hugo goes", "the company was taking. > > > Finally, we're in Frodo's head! He's", "first it seemed to the hobbits that although they walked and stumbled until", "in Elrond's head. > > Sam eased the pack on his shoulders, and", "mind all the things that he had stowed in it, wondering if he", "character, and one character only, if not throughout the novel, then at least", "occurs together with a geographic change - the characters we're following are in", "etc.). Often the POV change (note we have a POV concept,) occurs together", "the MC should be held elsewhere, please. Not in the comments either.) ---", "do nowadays. But then I saw this is not true: right in Myriel's", "the head\" of one character, and one character only, if not throughout the", "that this is not a universal truth. For example, in Les Misérables, we", "in anything relevant, it would be appreciated.) I say 'dipping into' as most", "then we have all three in the same scene, dipping into the heads", "quite as deep into characters' heads as we do nowadays. But then I", "> > > Omniscient narrator, in Elrond's head. > > Sam eased the", "OK. (Is it head-hopping?) When is it OK? What about the above examples", "> Collective POV? > > Away in the south Frodo could see the", "Lord of the Rings, still has in the same passage (LotR II, chapter", "Jeic Volmaen, then we have all three in the same scene, dipping into", "Frodo-centred? > > Aragorn sat with his head bowed to his knees; only", "dipping into the heads of all three. (I would have added quotes, but", "> Frodo took only Sting; and his mail-coat, as Balyo wished, remained hidden.", "example, in Les Misérables, we start the first part with Bishop Myriel. knowing", "to the hobbits that although they walked and stumbled until they were weary,", "then at least throughout a \"part\" (chapter etc.). Often the POV change (note", "we're in Frodo's head! He's the MC, right? (Arguments about whether he or", "> At first it seemed to the hobbits that although they walked and", "or \"in the head\" of one character, and one character only, if not", "to steal the silver. Throughout the novel, Valjean's soul is not \"dipped into\",", "seemed to the hobbits that although they walked and stumbled until they were", "hour meant for him. > > > Omniscient narrator, in Elrond's head. >", "until they were weary, they were creeping forward like snails, and getting nowhere.", "of reporter who is a person unto himself, who tells us what we", "deep into characters' heads as we do nowadays. But then I saw this", "ones) makes it OK, whereas it is not OK under different circumstances? My", "as Balyo wished, remained hidden. > > > Frodo's POV, since he's the", "laid bare before the reader. Similarly, Tolkien gives us Frodo's (and Sam's) thoughts", "Hugo and Tolkien didn't know what they were doing,) hearing the thoughts, feelings", "held elsewhere, please. Not in the comments either.) --- The above examples show", "it OK, whereas it is not OK under different circumstances? My first thought", "steal or not to steal the silver. Throughout the novel, Valjean's soul is", "things that he had stowed in it, wondering if he had forgotten anything", "heads of all three. (I would have added quotes, but I only have", "edit in anything relevant, it would be appreciated.) I say 'dipping into' as", "relevant, it would be appreciated.) I say 'dipping into' as most of the", "South): > > Frodo took only Sting; and his mail-coat, as Balyo wished,", "we're not following any POV, but listening to an omniscient narrator, a sort", "Sam eased the pack on his shoulders, and went over anxiously in his", "the silver. Throughout the novel, Valjean's soul is not \"dipped into\", but laid", "(chapter etc.). Often the POV change (note we have a POV concept,) occurs", "not following any POV, but listening to an omniscient narrator, a sort of", "> Aragorn sat with his head bowed to his knees; only Elrond knew", "> > Sam eased the pack on his shoulders, and went over anxiously", "in the same scene is sometimes OK. (Is it head-hopping?) When is it", "the same scene, dipping into the heads of all three. (I would have", "> > That's clearly Sam's head. Right in the next scene (same chapter):", "although they walked and stumbled until they were weary, they were creeping forward", "When is it OK? What about the above examples (and other similar ones)", "example, The Lord of the Rings, still has in the same passage (LotR", "Frodo's (and Sam's) thoughts and feelings, his internal journey. What is the answer,", "> > Finally, we're in Frodo's head! He's the MC, right? (Arguments about", "point who knows about the mail? Or omniscient, Frodo-centred? > > Aragorn sat", "Goes South): > > Frodo took only Sting; and his mail-coat, as Balyo", "of the time we are not in the head of anyone at all,", "anxiously in his mind all the things that he had stowed in it,", "narrator, a sort of reporter who is a person unto himself, who tells", "be that being in the head of more than one character is bad.*", "what this hour meant for him. > > > Omniscient narrator, in Elrond's", "creeping forward like snails, and getting nowhere. > > > Collective POV? >", "Sting; and his mail-coat, as Balyo wished, remained hidden. > > > Frodo's", "that maybe the older novels don't go quite as deep into characters' heads", "He's the MC, right? (Arguments about whether he or Sam are the MC", "not a universal truth. For example, in Les Misérables, we start the first", "one character, and one character only, if not throughout the novel, then at", "took only Sting; and his mail-coat, as Balyo wished, remained hidden. > >", "> > At first it seemed to the hobbits that although they walked", "didn't know what they were doing,) hearing the thoughts, feelings and knowledge of", "places, experiencing different things. However, I look at older literature, and find that", "since he's the only one at this point who knows about the mail?", "were weary, they were creeping forward like snails, and getting nowhere. > >", "the only one at this point who knows about the mail? Or omniscient,", "lofty mountains that seemed now to stand across the path that the company", "the shoulders\" or \"in the head\" of one character, and one character only,", "I only have the book in French. If anyone can edit in anything", "scene, dipping into the heads of all three. (I would have added quotes,", "us what we should know, and often comments on the occurrences, on the", "bad\", whereas I am trying to understand the examples where head hopping is", "\"dipped into\", but laid bare before the reader. Similarly, Tolkien gives us Frodo's", "chapter 3 - The Ring Goes South): > > Frodo took only Sting;", "is a person unto himself, who tells us what we should know, and", "OK? What about the above examples (and other similar ones) makes it OK,", "The Lord of the Rings, still has in the same passage (LotR II,", "Tolkien didn't know what they were doing,) hearing the thoughts, feelings and knowledge", "but listening to an omniscient narrator, a sort of reporter who is a", "> That's clearly Sam's head. Right in the next scene (same chapter): >", "was taking. > > > Finally, we're in Frodo's head! He's the MC,", "heads as we do nowadays. But then I saw this is not true:", "French. If anyone can edit in anything relevant, it would be appreciated.) I", "more than one character is bad.* We should be \"on the shoulders\" or", "the head of anyone at all, we're not following any POV, but listening", "> > > Finally, we're in Frodo's head! He's the MC, right? (Arguments", "meant for him. > > > Omniscient narrator, in Elrond's head. > >", "comments either.) --- The above examples show that, (unless someone wishes to argue", "above examples (and other similar ones) makes it OK, whereas it is not", "is not true: right in Myriel's house, Hugo goes deep into Valjean's internal", "with Bishop Myriel. knowing both his thoughts and those of his sister, then", "not \"dipped into\", but laid bare before the reader. Similarly, Tolkien gives us", "scene (same chapter): > > At first it seemed to the hobbits that", "least throughout a \"part\" (chapter etc.). Often the POV change (note we have", "what they were doing,) hearing the thoughts, feelings and knowledge of more than", "goes deep into Valjean's internal conflict, to steal or not to steal the", "under different circumstances?** My first thought was that maybe the older novels don't", "\"head hopping is bad\", whereas I am trying to understand the examples where", "the Rings, still has in the same passage (LotR II, chapter 3 -", "omniscient, Frodo-centred? > > Aragorn sat with his head bowed to his knees;", "(note we have a POV concept,) occurs together with a geographic change -", "chapter): > > At first it seemed to the hobbits that although they", "change - the characters we're following are in different places, experiencing different things.", "consensus nowadays seems to be that being in the head of more than", "steal the silver. Throughout the novel, Valjean's soul is not \"dipped into\", but", "Sam's head. Right in the next scene (same chapter): > > At first", "> > Away in the south Frodo could see the dim shapes of", "in different places, experiencing different things. However, I look at older literature, and", "feelings and knowledge of more than one character in the same scene is", "not to steal the silver. Throughout the novel, Valjean's soul is not \"dipped", "A more modern example, The Lord of the Rings, still has in the", "the reader. Similarly, Tolkien gives us Frodo's (and Sam's) thoughts and feelings, his", "on his shoulders, and went over anxiously in his mind all the things", "it OK? What about the above examples (and other similar ones) makes it", "different places, experiencing different things. However, I look at older literature, and find", "as deep into characters' heads as we do nowadays. But then I saw", "nowadays. But then I saw this is not true: right in Myriel's house,", "literature, and find that this is not a universal truth. For example, in", "the heads of all three. (I would have added quotes, but I only", "nowadays seems to be that being in the head of more than one", "for him. > > > Omniscient narrator, in Elrond's head. > > Sam", "Collective POV? > > Away in the south Frodo could see the dim", "a universal truth. For example, in Les Misérables, we start the first part", "snails, and getting nowhere. > > > Collective POV? > > Away in", "in the south Frodo could see the dim shapes of lofty mountains that", "his shoulders, and went over anxiously in his mind all the things that", "wondering if he had forgotten anything > > > That's clearly Sam's head.", "sometimes OK. (Is it head-hopping?) When is it OK? What about the above", "added quotes, but I only have the book in French. If anyone can", "Elrond's head. > > Sam eased the pack on his shoulders, and went", "things. However, I look at older literature, and find that this is not", "time we are not in the head of anyone at all, we're not", "house, Hugo goes deep into Valjean's internal conflict, to steal or not to", "all the things that he had stowed in it, wondering if he had", "is bad.* We should be \"on the shoulders\" or \"in the head\" of", "stumbled until they were weary, they were creeping forward like snails, and getting", "and knowledge of more than one character in the same scene is sometimes", "himself, who tells us what we should know, and often comments on the", "throughout a \"part\" (chapter etc.). Often the POV change (note we have a", "same scene, dipping into the heads of all three. (I would have added", "not true: right in Myriel's house, Hugo goes deep into Valjean's internal conflict,", "often comments on the occurrences, on the characters, or on relevant history and", "we have a POV concept,) occurs together with a geographic change - the", "more than one character in the same scene is sometimes OK. (Is it", "Aragorn sat with his head bowed to his knees; only Elrond knew fully", "*The general consensus nowadays seems to be that being in the head of", "knows about the mail? Or omniscient, Frodo-centred? > > Aragorn sat with his", "at this point who knows about the mail? Or omniscient, Frodo-centred? > >", "all three. (I would have added quotes, but I only have the book", "went over anxiously in his mind all the things that he had stowed", "of lofty mountains that seemed now to stand across the path that the", "of all three. (I would have added quotes, but I only have the", "Valjean's soul is not \"dipped into\", but laid bare before the reader. Similarly,", "has is \"head hopping is bad\", whereas I am trying to understand the", "they were weary, they were creeping forward like snails, and getting nowhere. >", "head of anyone at all, we're not following any* POV, but listening to", "POV, but listening to an omniscient narrator, a sort of reporter who is", "(and other similar ones) makes it OK, whereas it is not OK under", "he had stowed in it, wondering if he had forgotten anything > >", "feelings, his internal journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is", "Elrond knew fully what this hour meant for him. > > > Omniscient", "we are not in the head of anyone at all, we're not following", "and one character only, if not throughout the novel, then at least throughout", "but I only have the book in French. If anyone can edit in", "deep into Valjean's internal conflict, to steal or not to steal the silver.", "internal journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but", "first thought was that maybe the older novels don't go quite as deep", "in the head of more than one character is bad. We should be", "character only, if not throughout the novel, then at least throughout a \"part\"", "we have all three in the same scene, dipping into the heads of", "and his mail-coat, as Balyo wished, remained hidden. > > > Frodo's POV,", "shoulders, and went over anxiously in his mind all the things that he", "start the first part with Bishop Myriel. knowing both his thoughts and those", "shapes of lofty mountains that seemed now to stand across the path that", "hopping is bad\", whereas I am trying to understand the examples where head", "his internal journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related,", "knowledge of more than one character in the same scene is sometimes OK.", "> Omniscient narrator, in Elrond's head. > > Sam eased the pack on", "(and Sam's) thoughts and feelings, his internal journey. What is the answer, then?", "who is a person unto himself, who tells us what we should know,", "comments on the occurrences, on the characters, or on relevant history and philosophy.", "his mail-coat, as Balyo wished, remained hidden. > > > Frodo's POV, since", "the first part with Bishop Myriel. knowing both his thoughts and those of", "on the characters, or on relevant history and philosophy. --- A more modern", "anything relevant, it would be appreciated.) I say 'dipping into' as most of", "Sam's) thoughts and feelings, his internal journey. What is the answer, then? ---", "but the answer it has is \"head hopping is bad\", whereas I am", "into Valjean's internal conflict, to steal or not to steal the silver. Throughout", "if not throughout the novel, then at least throughout a \"part\" (chapter etc.).", "Or omniscient, Frodo-centred? > > Aragorn sat with his head bowed to his", "> > Collective POV? > > Away in the south Frodo could see", "the same scene is sometimes OK. (Is it head-hopping?) When is it OK?", "Myriel's house, Hugo goes deep into Valjean's internal conflict, to steal or not", "but laid bare before the reader. Similarly, Tolkien gives us Frodo's (and Sam's)", "Similarly, Tolkien gives us Frodo's (and Sam's) thoughts and feelings, his internal journey.", "this point who knows about the mail? Or omniscient, Frodo-centred? > > Aragorn", "Les Misérables, we start the first part with Bishop Myriel. knowing both his", "POV, since he's the only one at this point who knows about the", "seems to be that being in the head of more than one character", "dim shapes of lofty mountains that seemed now to stand across the path", "--- A more modern example, The Lord of the Rings, still has in", "don't go quite as deep into characters' heads as we do nowadays. But", "omniscient narrator, a sort of reporter who is a person unto himself, who", "the MC, right? (Arguments about whether he or Sam are the MC should", "the POV change (note we have a POV concept,) occurs together with a", "who knows about the mail? Or omniscient, Frodo-centred? > > Aragorn sat with", "shoulders\" or \"in the head\" of one character, and one character only, if", "(Is it head-hopping?) When is it OK? What about the above examples (and", "I look at older literature, and find that this is not a universal", "characters we're following are in different places, experiencing different things. However, I look", "whereas it is not OK under different circumstances? My first thought was that", "right in Myriel's house, Hugo goes deep into Valjean's internal conflict, to steal", "thoughts and feelings, his internal journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad)", "know what they were doing,) hearing the thoughts, feelings and knowledge of more", "saw this is not true: right in Myriel's house, Hugo goes deep into", "concept,) occurs together with a geographic change - the characters we're following are", "have all three in the same scene, dipping into the heads of all", "occurrences, on the characters, or on relevant history and philosophy. --- A more", "person unto himself, who tells us what we should know, and often comments", "Bishop Myriel. knowing both his thoughts and those of his sister, then we", "path that the company was taking. > > > Finally, we're in Frodo's", "POV change (note we have a POV concept,) occurs together with a geographic", "\"in the head\" of one character, and one character only, if not throughout", "then we switch to Jeic Volmaen, then we have all three in the", "If anyone can edit in anything relevant, it would be appreciated.) I say", "an omniscient narrator, a sort of reporter who is a person unto himself,", "anyone can edit in anything relevant, it would be appreciated.) I say 'dipping", "elsewhere, please. Not in the comments either.) --- The above examples show that,", "[This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it has is \"head hopping is", "any POV, but listening to an omniscient narrator, a sort of reporter who", "and stumbled until they were weary, they were creeping forward like snails, and", "the book in French. If anyone can edit in anything relevant, it would", "it has is \"head hopping is bad\", whereas I am trying to understand", "- the characters we're following are in different places, experiencing different things. However,", "than one character in the same scene is sometimes OK. (Is it head-hopping?)", "examples (and other similar ones) makes it OK, whereas it is not OK", "following are in different places, experiencing different things. However, I look at older", "both his thoughts and those of his sister, then we switch to Jeic", "at least throughout a \"part\" (chapter etc.). Often the POV change (note we", "someone wishes to argue that Hugo and Tolkien didn't know what they were", "Frodo took only Sting; and his mail-coat, as Balyo wished, remained hidden. >", "his knees; only Elrond knew fully what this hour meant for him. >", "doing,) hearing the thoughts, feelings and knowledge of more than one character in", "soul is not \"dipped into\", but laid bare before the reader. Similarly, Tolkien", "know, and often comments on the occurrences, on the characters, or on relevant", "switch to Jeic Volmaen, then we have all three in the same scene,", "this is not true: right in Myriel's house, Hugo goes deep into Valjean's", "different circumstances? My first thought was that maybe the older novels don't go", "similar ones) makes it OK, whereas it is not OK under different circumstances?", "reporter who is a person unto himself, who tells us what we should", "to be that being in the head of more than one character is", "next scene (same chapter): > > At first it seemed to the hobbits", "into characters' heads as we do nowadays. But then I saw this is", "philosophy. --- A more modern example, The Lord of the Rings, still has", "mail-coat, as Balyo wished, remained hidden. > > > Frodo's POV, since he's", "But then I saw this is not true: right in Myriel's house, Hugo", "had forgotten anything > > > That's clearly Sam's head. Right in the", "it seemed to the hobbits that although they walked and stumbled until they", "thought was that maybe the older novels don't go quite as deep into", "still has in the same passage (LotR II, chapter 3 - The Ring", "we start the first part with Bishop Myriel. knowing both his thoughts and", "circumstances?** My first thought was that maybe the older novels don't go quite", "journey. What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the", "Frodo could see the dim shapes of lofty mountains that seemed now to", "Volmaen, then we have all three in the same scene, dipping into the", "weary, they were creeping forward like snails, and getting nowhere. > > >", "getting nowhere. > > > Collective POV? > > Away in the south", "forgotten anything > > > That's clearly Sam's head. Right in the next", "one character only, if not throughout the novel, then at least throughout a", "that although they walked and stumbled until they were weary, they were creeping", "or Sam are the MC should be held elsewhere, please. Not in the", "to an omniscient narrator, a sort of reporter who is a person unto", "that he had stowed in it, wondering if he had forgotten anything >", "hearing the thoughts, feelings and knowledge of more than one character in the", "characters, or on relevant history and philosophy. --- A more modern example, The", "Right in the next scene (same chapter): > > At first it seemed", "head. > > Sam eased the pack on his shoulders, and went over", "his mind all the things that he had stowed in it, wondering if", "in French. If anyone can edit in anything relevant, it would be appreciated.)", "with his head bowed to his knees; only Elrond knew fully what this", "that the company was taking. > > > Finally, we're in Frodo's head!", "company was taking. > > > Finally, we're in Frodo's head! He's the", "--- The above examples show that, (unless someone wishes to argue that Hugo", "all three in the same scene, dipping into the heads of all three.", "head bowed to his knees; only Elrond knew fully what this hour meant", "first part with Bishop Myriel. knowing both his thoughts and those of his", "to Jeic Volmaen, then we have all three in the same scene, dipping", "one at this point who knows about the mail? Or omniscient, Frodo-centred? >", "it would be appreciated.) I say 'dipping into' as most of the time", "throughout the novel, then at least throughout a \"part\" (chapter etc.). Often the", "the time we are not in the head of anyone at all, we're", "POV? > > Away in the south Frodo could see the dim shapes", "should be held elsewhere, please. Not in the comments either.) --- The above", "his head bowed to his knees; only Elrond knew fully what this hour", "he or Sam are the MC should be held elsewhere, please. Not in", "it, wondering if he had forgotten anything > > > That's clearly Sam's", "be held elsewhere, please. Not in the comments either.) --- The above examples", "true: right in Myriel's house, Hugo goes deep into Valjean's internal conflict, to", "wished, remained hidden. > > > Frodo's POV, since he's the only one", "that, (unless someone wishes to argue that Hugo and Tolkien didn't know what", "were creeping forward like snails, and getting nowhere. > > > Collective POV?", "characters' heads as we do nowadays. But then I saw this is not", "walked and stumbled until they were weary, they were creeping forward like snails,", "pack on his shoulders, and went over anxiously in his mind all the", "bad.* We should be \"on the shoulders\" or \"in the head\" of one", "Rings, still has in the same passage (LotR II, chapter 3 - The", "the thoughts, feelings and knowledge of more than one character in the same", "we do nowadays. But then I saw this is not true: right in", "it head-hopping?) When is it OK? What about the above examples (and other", "into the heads of all three. (I would have added quotes, but I", "the things that he had stowed in it, wondering if he had forgotten", "nowhere. > > > Collective POV? > > Away in the south Frodo", "whether he or Sam are the MC should be held elsewhere, please. Not", "in Les Misérables, we start the first part with Bishop Myriel. knowing both", "in it, wondering if he had forgotten anything > > > That's clearly", "listening to an omniscient narrator, a sort of reporter who is a person", "he had forgotten anything > > > That's clearly Sam's head. Right in", "(same chapter): > > At first it seemed to the hobbits that although", "one character is bad.* We should be \"on the shoulders\" or \"in the", "> Sam eased the pack on his shoulders, and went over anxiously in", "like snails, and getting nowhere. > > > Collective POV? > > Away", "the occurrences, on the characters, or on relevant history and philosophy. --- A", "then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it has is \"head", "taking. > > > Finally, we're in Frodo's head! He's the MC, right?", "unto himself, who tells us what we should know, and often comments on", "and Tolkien didn't know what they were doing,) hearing the thoughts, feelings and", "Myriel. knowing both his thoughts and those of his sister, then we switch", "We should be \"on the shoulders\" or \"in the head\" of one character,", "seemed now to stand across the path that the company was taking. >", "see the dim shapes of lofty mountains that seemed now to stand across", "I saw this is not true: right in Myriel's house, Hugo goes deep", "> > Frodo took only Sting; and his mail-coat, as Balyo wished, remained", "the novel, Valjean's soul is not \"dipped into\", but laid bare before the", "'dipping into' as most of the time we are not in the head", "> > > That's clearly Sam's head. Right in the next scene (same", "whereas I am trying to understand the examples where head hopping is apparently", "have the book in French. If anyone can edit in anything relevant, it", "is it OK? What about the above examples (and other similar ones) makes", "What is the answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer", "Valjean's internal conflict, to steal or not to steal the silver. Throughout the", "bare before the reader. Similarly, Tolkien gives us Frodo's (and Sam's) thoughts and", "the dim shapes of lofty mountains that seemed now to stand across the", "we should know, and often comments on the occurrences, on the characters, or", "head\" of one character, and one character only, if not throughout the novel,", "of more than one character in the same scene is sometimes OK. (Is", "novel, Valjean's soul is not \"dipped into\", but laid bare before the reader.", "I am trying to understand the examples where head hopping is apparently not", "the comments either.) --- The above examples show that, (unless someone wishes to", "are the MC should be held elsewhere, please. Not in the comments either.)", "Misérables, we start the first part with Bishop Myriel. knowing both his thoughts", "silver. Throughout the novel, Valjean's soul is not \"dipped into\", but laid bare", "head of more than one character is bad.* We should be \"on the", "and philosophy. --- A more modern example, The Lord of the Rings, still", "to his knees; only Elrond knew fully what this hour meant for him.", "- The Ring Goes South): > > Frodo took only Sting; and his", "> Frodo's POV, since he's the only one at this point who knows", "now to stand across the path that the company was taking. > >", "is \"head hopping is bad\", whereas I am trying to understand the examples", "sat with his head bowed to his knees; only Elrond knew fully what", "a sort of reporter who is a person unto himself, who tells us", "a person unto himself, who tells us what we should know, and often", "be appreciated.) I say 'dipping into' as most of the time we are", "thoughts and those of his sister, then we switch to Jeic Volmaen, then", "anything > > > That's clearly Sam's head. Right in the next scene", "were doing,) hearing the thoughts, feelings and knowledge of more than one character", "who tells us what we should know, and often comments on the occurrences,", "over anxiously in his mind all the things that he had stowed in", "novels don't go quite as deep into characters' heads as we do nowadays.", "> > Aragorn sat with his head bowed to his knees; only Elrond", "POV concept,) occurs together with a geographic change - the characters we're following", "the head of more than one character is bad. We should be \"on", "the hobbits that although they walked and stumbled until they were weary, they", "geographic change - the characters we're following are in different places, experiencing different", "would have added quotes, but I only have the book in French. If", "hidden. > > > Frodo's POV, since he's the only one at this", "across the path that the company was taking. > > > Finally, we're", "and getting nowhere. > > > Collective POV? > > Away in the", "head-hopping?) When is it OK? What about the above examples (and other similar", "in the same passage (LotR II, chapter 3 - The Ring Goes South):", "the same passage (LotR II, chapter 3 - The Ring Goes South): >", "as most of the time we are not in the head of anyone", "south Frodo could see the dim shapes of lofty mountains that seemed now", "answer, then? --- [This](https://writing.stackexchange.com/questions/6355/what-is-head-popping-and-why-is-it-bad) question is related, but the answer it has is", "> > > Frodo's POV, since he's the only one at this point", "what we should know, and often comments on the occurrences, on the characters,", "about the above examples (and other similar ones) makes it OK, whereas it", "being in the head of more than one character is bad.** We should", "they were doing,) hearing the thoughts, feelings and knowledge of more than one", "older literature, and find that this is not a universal truth. For example,", "and often comments on the occurrences, on the characters, or on relevant history", "right? (Arguments about whether he or Sam are the MC should be held", "mountains that seemed now to stand across the path that the company was", "all, we're not following any POV, but listening to an omniscient narrator, a", "show that, (unless someone wishes to argue that Hugo and Tolkien didn't know", "thoughts, feelings and knowledge of more than one character in the same scene" ]
[ "schools. I believe it was Togurt McVea who I heard say that every", "of a particular type I can read as an archetype that might commonly", "land.\" First, is this a widely recognized pattern (i.e. taught as a typical", "Togurt McVea who I heard say that every story at its core is", "I am working on a story and looking for examples of a particular", "as a typical observation in writing schools or degrees)? If so, apart from", "that might commonly be taught in writing schools. I believe it was Togurt", "commonly be taught in writing schools. I believe it was Togurt McVea who", "observation in writing schools or degrees)? If so, apart from the Heinlein novel", "believe it was Togurt McVea who I heard say that every story at", "read as an archetype that might commonly be taught in writing schools. I", "in a strange land.\" First, is this a widely recognized pattern (i.e. taught", "\"stranger in a strange land.\" First, is this a widely recognized pattern (i.e.", "a widely recognized pattern (i.e. taught as a typical observation in writing schools", "widely recognized pattern (i.e. taught as a typical observation in writing schools or", "used examples of each that are typically taught or commonly referenced as iconic?", "heard say that every story at its core is story of a \"stranger", "in writing schools. I believe it was Togurt McVea who I heard say", "that title, are there any widely used examples of each that are typically", "for examples of a particular type I can read as an archetype that", "the Heinlein novel of that title, are there any widely used examples of", "every story at its core is story of a \"stranger comes to town\"", "looking for examples of a particular type I can read as an archetype", "of a \"stranger comes to town\" or \"stranger in a strange land.\" First,", "a story and looking for examples of a particular type I can read", "degrees)? If so, apart from the Heinlein novel of that title, are there", "any widely used examples of each that are typically taught or commonly referenced", "a typical observation in writing schools or degrees)? If so, apart from the", "strange land.\" First, is this a widely recognized pattern (i.e. taught as a", "I heard say that every story at its core is story of a", "typical observation in writing schools or degrees)? If so, apart from the Heinlein", "it was Togurt McVea who I heard say that every story at its", "particular type I can read as an archetype that might commonly be taught", "archetype that might commonly be taught in writing schools. I believe it was", "that every story at its core is story of a \"stranger comes to", "If so, apart from the Heinlein novel of that title, are there any", "in writing schools or degrees)? If so, apart from the Heinlein novel of", "is this a widely recognized pattern (i.e. taught as a typical observation in", "story at its core is story of a \"stranger comes to town\" or", "an archetype that might commonly be taught in writing schools. I believe it", "widely used examples of each that are typically taught or commonly referenced as", "writing schools or degrees)? If so, apart from the Heinlein novel of that", "a \"stranger comes to town\" or \"stranger in a strange land.\" First, is", "at its core is story of a \"stranger comes to town\" or \"stranger", "\"stranger comes to town\" or \"stranger in a strange land.\" First, is this", "this a widely recognized pattern (i.e. taught as a typical observation in writing", "a strange land.\" First, is this a widely recognized pattern (i.e. taught as", "(i.e. taught as a typical observation in writing schools or degrees)? If so,", "of that title, are there any widely used examples of each that are", "writing schools. I believe it was Togurt McVea who I heard say that", "taught in writing schools. I believe it was Togurt McVea who I heard", "McVea who I heard say that every story at its core is story", "or \"stranger in a strange land.\" First, is this a widely recognized pattern", "story of a \"stranger comes to town\" or \"stranger in a strange land.\"", "working on a story and looking for examples of a particular type I", "Heinlein novel of that title, are there any widely used examples of each", "a particular type I can read as an archetype that might commonly be", "title, are there any widely used examples of each that are typically taught", "be taught in writing schools. I believe it was Togurt McVea who I", "taught as a typical observation in writing schools or degrees)? If so, apart", "or degrees)? If so, apart from the Heinlein novel of that title, are", "schools or degrees)? If so, apart from the Heinlein novel of that title,", "there any widely used examples of each that are typically taught or commonly", "examples of a particular type I can read as an archetype that might", "is story of a \"stranger comes to town\" or \"stranger in a strange", "core is story of a \"stranger comes to town\" or \"stranger in a", "recognized pattern (i.e. taught as a typical observation in writing schools or degrees)?", "novel of that title, are there any widely used examples of each that", "apart from the Heinlein novel of that title, are there any widely used", "say that every story at its core is story of a \"stranger comes", "First, is this a widely recognized pattern (i.e. taught as a typical observation", "so, apart from the Heinlein novel of that title, are there any widely", "its core is story of a \"stranger comes to town\" or \"stranger in", "can read as an archetype that might commonly be taught in writing schools.", "to town\" or \"stranger in a strange land.\" First, is this a widely", "and looking for examples of a particular type I can read as an", "am working on a story and looking for examples of a particular type", "as an archetype that might commonly be taught in writing schools. I believe", "who I heard say that every story at its core is story of", "might commonly be taught in writing schools. I believe it was Togurt McVea", "was Togurt McVea who I heard say that every story at its core", "I can read as an archetype that might commonly be taught in writing", "story and looking for examples of a particular type I can read as", "town\" or \"stranger in a strange land.\" First, is this a widely recognized", "from the Heinlein novel of that title, are there any widely used examples", "on a story and looking for examples of a particular type I can", "type I can read as an archetype that might commonly be taught in", "pattern (i.e. taught as a typical observation in writing schools or degrees)? If", "I believe it was Togurt McVea who I heard say that every story", "comes to town\" or \"stranger in a strange land.\" First, is this a", "are there any widely used examples of each that are typically taught or" ]
[ "together while remaining in their birth clan. A mother's brother is considered the", "normal and a positive thing when the reader most likely has a different", "them than a biological dad. In our world, the concept of the nuclear", "genes to the pool and builds relationships with other houses in the form", "for males marry into an entire clan. In other countries, exogamy is the", "as both royal houses and political entities. They are matriarchial, with witches had", "Having multiple kids by different men are encouraged because it adds more genes", "many houses for males marry into an entire clan. In other countries, exogamy", "and a positive thing when the reader most likely has a different experience?", "their children, and spend more time raising them than a biological dad. In", "over smaller branch clans. The concept of marriage works very differently from our", "father's to your children is shameful. However, this world sees things in a", "directly control their houses and have indirect control over smaller branch clans. The", "light. Having multiple kids by different men are encouraged because it adds more", "of marrying individuals, it is the practice of many houses for males marry", "who directly control their houses and have indirect control over smaller branch clans.", "and multiple partners are looked down on, and having multiple father's to your", "control over smaller branch clans. The concept of marriage works very differently from", "men are encouraged because it adds more genes to the pool and builds", "in the form of alliances, trade deals, etc. This is a radical departure", "head of families who directly control their houses and have indirect control over", "and builds relationships with other houses in the form of alliances, trade deals,", "chosen to concieve a child together while remaining in their birth clan. A", "our world, the concept of the nuclear household is the most stable form", "household is the most stable form of family. Extramarital affairs and multiple partners", "are matriarchial, with witches had the head of families who directly control their", "smaller branch clans. The concept of marriage works very differently from our world.", "their birth clan. A mother's brother is considered the true fathers of their", "populated by witch covens that function as both royal houses and political entities.", "birth clan. A mother's brother is considered the true fathers of their children,", "your children is shameful. However, this world sees things in a different light.", "a biological dad. In our world, the concept of the nuclear household is", "do you make it completely normal and a positive thing when the reader", "covens that function as both royal houses and political entities. They are matriarchial,", "the norm, where individuals are chosen to concieve a child together while remaining", "clans. The concept of marriage works very differently from our world. Instead of", "This setting' world is populated by witch covens that function as both royal", "time raising them than a biological dad. In our world, the concept of", "is a big part of the setting. How do you make it completely", "They are matriarchial, with witches had the head of families who directly control", "of families who directly control their houses and have indirect control over smaller", "nuclear household is the most stable form of family. Extramarital affairs and multiple", "In our world, the concept of the nuclear household is the most stable", "of marriage works very differently from our world. Instead of marrying individuals, it", "setting. How do you make it completely normal and a positive thing when", "into an entire clan. In other countries, exogamy is the norm, where individuals", "looked down on, and having multiple father's to your children is shameful. However,", "different men are encouraged because it adds more genes to the pool and", "mother's brother is considered the true fathers of their children, and spend more", "more genes to the pool and builds relationships with other houses in the", "Instead of marrying individuals, it is the practice of many houses for males", "dad. In our world, the concept of the nuclear household is the most", "concept of the nuclear household is the most stable form of family. Extramarital", "setting' world is populated by witch covens that function as both royal houses", "raising them than a biological dad. In our world, the concept of the", "However, this world sees things in a different light. Having multiple kids by", "both royal houses and political entities. They are matriarchial, with witches had the", "sees things in a different light. Having multiple kids by different men are", "most cultures but is a big part of the setting. How do you", "world is populated by witch covens that function as both royal houses and", "witches had the head of families who directly control their houses and have", "had the head of families who directly control their houses and have indirect", "by witch covens that function as both royal houses and political entities. They", "function as both royal houses and political entities. They are matriarchial, with witches", "of the nuclear household is the most stable form of family. Extramarital affairs", "indirect control over smaller branch clans. The concept of marriage works very differently", "other houses in the form of alliances, trade deals, etc. This is a", "it completely normal and a positive thing when the reader most likely has", "our world. Instead of marrying individuals, it is the practice of many houses", "concept of marriage works very differently from our world. Instead of marrying individuals,", "form of alliances, trade deals, etc. This is a radical departure from most", "cultures but is a big part of the setting. How do you make", "world sees things in a different light. Having multiple kids by different men", "entire clan. In other countries, exogamy is the norm, where individuals are chosen", "and having multiple father's to your children is shameful. However, this world sees", "matriarchial, with witches had the head of families who directly control their houses", "is the most stable form of family. Extramarital affairs and multiple partners are", "by different men are encouraged because it adds more genes to the pool", "is the norm, where individuals are chosen to concieve a child together while", "where individuals are chosen to concieve a child together while remaining in their", "part of the setting. How do you make it completely normal and a", "that function as both royal houses and political entities. They are matriarchial, with", "stable form of family. Extramarital affairs and multiple partners are looked down on,", "deals, etc. This is a radical departure from most cultures but is a", "is a radical departure from most cultures but is a big part of", "true fathers of their children, and spend more time raising them than a", "practice of many houses for males marry into an entire clan. In other", "children, and spend more time raising them than a biological dad. In our", "multiple father's to your children is shameful. However, this world sees things in", "pool and builds relationships with other houses in the form of alliances, trade", "but is a big part of the setting. How do you make it", "the most stable form of family. Extramarital affairs and multiple partners are looked", "The concept of marriage works very differently from our world. Instead of marrying", "the practice of many houses for males marry into an entire clan. In", "world. Instead of marrying individuals, it is the practice of many houses for", "and spend more time raising them than a biological dad. In our world,", "and political entities. They are matriarchial, with witches had the head of families", "A mother's brother is considered the true fathers of their children, and spend", "very differently from our world. Instead of marrying individuals, it is the practice", "to your children is shameful. However, this world sees things in a different", "it is the practice of many houses for males marry into an entire", "radical departure from most cultures but is a big part of the setting.", "make it completely normal and a positive thing when the reader most likely", "works very differently from our world. Instead of marrying individuals, it is the", "this world sees things in a different light. Having multiple kids by different", "different light. Having multiple kids by different men are encouraged because it adds", "alliances, trade deals, etc. This is a radical departure from most cultures but", "concieve a child together while remaining in their birth clan. A mother's brother", "families who directly control their houses and have indirect control over smaller branch", "encouraged because it adds more genes to the pool and builds relationships with", "individuals are chosen to concieve a child together while remaining in their birth", "marrying individuals, it is the practice of many houses for males marry into", "children is shameful. However, this world sees things in a different light. Having", "of their children, and spend more time raising them than a biological dad.", "an entire clan. In other countries, exogamy is the norm, where individuals are", "houses and have indirect control over smaller branch clans. The concept of marriage", "on, and having multiple father's to your children is shameful. However, this world", "it adds more genes to the pool and builds relationships with other houses", "is populated by witch covens that function as both royal houses and political", "more time raising them than a biological dad. In our world, the concept", "with witches had the head of families who directly control their houses and", "considered the true fathers of their children, and spend more time raising them", "of alliances, trade deals, etc. This is a radical departure from most cultures", "control their houses and have indirect control over smaller branch clans. The concept", "This is a radical departure from most cultures but is a big part", "males marry into an entire clan. In other countries, exogamy is the norm,", "child together while remaining in their birth clan. A mother's brother is considered", "to concieve a child together while remaining in their birth clan. A mother's", "multiple partners are looked down on, and having multiple father's to your children", "affairs and multiple partners are looked down on, and having multiple father's to", "from most cultures but is a big part of the setting. How do", "most stable form of family. Extramarital affairs and multiple partners are looked down", "a child together while remaining in their birth clan. A mother's brother is", "royal houses and political entities. They are matriarchial, with witches had the head", "fathers of their children, and spend more time raising them than a biological", "norm, where individuals are chosen to concieve a child together while remaining in", "shameful. However, this world sees things in a different light. Having multiple kids", "kids by different men are encouraged because it adds more genes to the", "is considered the true fathers of their children, and spend more time raising", "clan. A mother's brother is considered the true fathers of their children, and", "big part of the setting. How do you make it completely normal and", "the true fathers of their children, and spend more time raising them than", "in a different light. Having multiple kids by different men are encouraged because", "clan. In other countries, exogamy is the norm, where individuals are chosen to", "houses and political entities. They are matriarchial, with witches had the head of", "the concept of the nuclear household is the most stable form of family.", "multiple kids by different men are encouraged because it adds more genes to", "have indirect control over smaller branch clans. The concept of marriage works very", "relationships with other houses in the form of alliances, trade deals, etc. This", "is shameful. However, this world sees things in a different light. Having multiple", "a different light. Having multiple kids by different men are encouraged because it", "of family. Extramarital affairs and multiple partners are looked down on, and having", "houses for males marry into an entire clan. In other countries, exogamy is", "How do you make it completely normal and a positive thing when the", "Extramarital affairs and multiple partners are looked down on, and having multiple father's", "other countries, exogamy is the norm, where individuals are chosen to concieve a", "marriage works very differently from our world. Instead of marrying individuals, it is", "than a biological dad. In our world, the concept of the nuclear household", "form of family. Extramarital affairs and multiple partners are looked down on, and", "the pool and builds relationships with other houses in the form of alliances,", "is the practice of many houses for males marry into an entire clan.", "of the setting. How do you make it completely normal and a positive", "the head of families who directly control their houses and have indirect control", "entities. They are matriarchial, with witches had the head of families who directly", "branch clans. The concept of marriage works very differently from our world. Instead", "houses in the form of alliances, trade deals, etc. This is a radical", "from our world. Instead of marrying individuals, it is the practice of many", "In other countries, exogamy is the norm, where individuals are chosen to concieve", "are looked down on, and having multiple father's to your children is shameful.", "countries, exogamy is the norm, where individuals are chosen to concieve a child", "the form of alliances, trade deals, etc. This is a radical departure from", "a radical departure from most cultures but is a big part of the", "are chosen to concieve a child together while remaining in their birth clan.", "their houses and have indirect control over smaller branch clans. The concept of", "in their birth clan. A mother's brother is considered the true fathers of", "the setting. How do you make it completely normal and a positive thing", "completely normal and a positive thing when the reader most likely has a", "differently from our world. Instead of marrying individuals, it is the practice of", "builds relationships with other houses in the form of alliances, trade deals, etc.", "family. Extramarital affairs and multiple partners are looked down on, and having multiple", "biological dad. In our world, the concept of the nuclear household is the", "because it adds more genes to the pool and builds relationships with other", "the nuclear household is the most stable form of family. Extramarital affairs and", "brother is considered the true fathers of their children, and spend more time", "partners are looked down on, and having multiple father's to your children is", "a big part of the setting. How do you make it completely normal", "remaining in their birth clan. A mother's brother is considered the true fathers", "trade deals, etc. This is a radical departure from most cultures but is", "to the pool and builds relationships with other houses in the form of", "having multiple father's to your children is shameful. However, this world sees things", "etc. This is a radical departure from most cultures but is a big", "exogamy is the norm, where individuals are chosen to concieve a child together", "while remaining in their birth clan. A mother's brother is considered the true", "marry into an entire clan. In other countries, exogamy is the norm, where", "political entities. They are matriarchial, with witches had the head of families who", "individuals, it is the practice of many houses for males marry into an", "and have indirect control over smaller branch clans. The concept of marriage works", "you make it completely normal and a positive thing when the reader most", "spend more time raising them than a biological dad. In our world, the", "are encouraged because it adds more genes to the pool and builds relationships", "adds more genes to the pool and builds relationships with other houses in", "things in a different light. Having multiple kids by different men are encouraged", "of many houses for males marry into an entire clan. In other countries,", "departure from most cultures but is a big part of the setting. How", "with other houses in the form of alliances, trade deals, etc. This is", "world, the concept of the nuclear household is the most stable form of", "witch covens that function as both royal houses and political entities. They are", "down on, and having multiple father's to your children is shameful. However, this" ]
[ "the situation is and that a high cost must be paid to summon", "humanity. Invasions occur rarely, but are devastating when they do. Sometimes the invaders", "to the mortal world. Other realms exist, such as the fae and demon", "ago, there was a war among gods that came close to destroying humanity", "their behalf in the function of priests, holy warriors, etc, and are the", "or numerous for mortals to handle them. There exists an ancient spell that", "the lives of the users, and requires hundreds of people to work. They", "power the spell and bring a god into the world, and are seen", "and that a high cost must be paid to summon a being like", "like a god to a realm that they shouldn't inhabit. This is an", "deity to fight on behalf of humans to help fend off these supernatural", "is and that a high cost must be paid to summon a being", "creatures. Unfortunately this ritual is so powerful that it takes the lives of", "the invaders are just too powerful or numerous for mortals to handle them.", "help fend off these supernatural creatures. Unfortunately this ritual is so powerful that", "is so powerful that it takes the lives of the users, and requires", "just too powerful or numerous for mortals to handle them. There exists an", "Gods can no longer interfere with the realm directly, but they can influence", "but are devastating when they do. Sometimes the invaders are just too powerful", "and are the basis of world religions. Despite this, there are many dangers", "fae and demon realms, each with creatures hostile to humanity. Invasions occur rarely,", "can summon a powerful deity to fight on behalf of humans to help", "show how extreme and serious the situation is and that a high cost", "god to a realm that they shouldn't inhabit. This is an end of", "may come across as cultish. Can it be portrayed in a \"noble\" light", "invaders are just too powerful or numerous for mortals to handle them. There", "gods can summon a powerful deity to fight on behalf of humans to", "and the mortal realm. Gods depend on humanity, and their destruction would inevitably", "ancient spell that is used in times of need. Functionaries of the gods", "the spell and bring a god into the world, and are seen as", "exists an ancient spell that is used in times of need. Functionaries of", "in times of need. Functionaries of the gods can summon a powerful deity", "of world kind of scenario when things have gotten as bad as they", "among gods that came close to destroying humanity and the mortal realm. Gods", "with the realm directly, but they can influence it by using proxies, people", "kind of scenario when things have gotten as bad as they can get.", "spell and bring a god into the world, and are seen as noble", "priests, holy warriors, etc, and are the basis of world religions. Despite this,", "to handle them. There exists an ancient spell that is used in times", "this ritual is so powerful that it takes the lives of the users,", "these supernatural creatures. Unfortunately this ritual is so powerful that it takes the", "and requires hundreds of people to work. They pay with their lives to", "a being like a god to a realm that they shouldn't inhabit. This", "shouldn't inhabit. This is an end of world kind of scenario when things", "the function of priests, holy warriors, etc, and are the basis of world", "sacrificed themselves to protect the planet. The point of making the ritual like", "Gods depend on humanity, and their destruction would inevitably hurt them as well.", "ritual is so powerful that it takes the lives of the users, and", "fend off these supernatural creatures. Unfortunately this ritual is so powerful that it", "users, and requires hundreds of people to work. They pay with their lives", "inevitably hurt them as well. At the conclusion of this war, a pact", "it takes the lives of the users, and requires hundreds of people to", "behalf in the function of priests, holy warriors, etc, and are the basis", "on behalf of humans to help fend off these supernatural creatures. Unfortunately this", "be paid to summon a being like a god to a realm that", "inhabit. This is an end of world kind of scenario when things have", "this cataclysm from happening again. Gods can no longer interfere with the realm", "directly, but they can influence it by using proxies, people who act on", "Can it be portrayed in a \"noble\" light or would this be too", "end of world kind of scenario when things have gotten as bad as", "do. Sometimes the invaders are just too powerful or numerous for mortals to", "scenario when things have gotten as bad as they can get. However, it", "no longer interfere with the realm directly, but they can influence it by", "realm directly, but they can influence it by using proxies, people who act", "signed among the gods to prevent this cataclysm from happening again. Gods can", "of people to work. They pay with their lives to power the spell", "a war among gods that came close to destroying humanity and the mortal", "a high cost must be paid to summon a being like a god", "gate, and may come across as cultish. Can it be portrayed in a", "of the users, and requires hundreds of people to work. They pay with", "world kind of scenario when things have gotten as bad as they can", "war, a pact was signed among the gods to prevent this cataclysm from", "have gotten as bad as they can get. However, it brings to mind", "close to destroying humanity and the mortal realm. Gods depend on humanity, and", "influence it by using proxies, people who act on their behalf in the", "is used in times of need. Functionaries of the gods can summon a", "rarely, but are devastating when they do. Sometimes the invaders are just too", "destruction would inevitably hurt them as well. At the conclusion of this war,", "dangers to the mortal world. Other realms exist, such as the fae and", "them. There exists an ancient spell that is used in times of need.", "summon a powerful deity to fight on behalf of humans to help fend", "pay with their lives to power the spell and bring a god into", "lives to power the spell and bring a god into the world, and", "bring a god into the world, and are seen as noble heroes who", "situation is and that a high cost must be paid to summon a", "This is an end of world kind of scenario when things have gotten", "the basis of world religions. Despite this, there are many dangers to the", "mortals to handle them. There exists an ancient spell that is used in", "noble heroes who sacrificed themselves to protect the planet. The point of making", "heavens gate, and may come across as cultish. Can it be portrayed in", "people who act on their behalf in the function of priests, holy warriors,", "creatures hostile to humanity. Invasions occur rarely, but are devastating when they do.", "get. However, it brings to mind occurrences like Jonestown or heavens gate, and", "god into the world, and are seen as noble heroes who sacrificed themselves", "destroying humanity and the mortal realm. Gods depend on humanity, and their destruction", "warriors, etc, and are the basis of world religions. Despite this, there are", "as bad as they can get. However, it brings to mind occurrences like", "of this war, a pact was signed among the gods to prevent this", "as well. At the conclusion of this war, a pact was signed among", "the mortal world. Other realms exist, such as the fae and demon realms,", "with creatures hostile to humanity. Invasions occur rarely, but are devastating when they", "their destruction would inevitably hurt them as well. At the conclusion of this", "gotten as bad as they can get. However, it brings to mind occurrences", "and may come across as cultish. Can it be portrayed in a \"noble\"", "cost must be paid to summon a being like a god to a", "among the gods to prevent this cataclysm from happening again. Gods can no", "that came close to destroying humanity and the mortal realm. Gods depend on", "them as well. At the conclusion of this war, a pact was signed", "can no longer interfere with the realm directly, but they can influence it", "function of priests, holy warriors, etc, and are the basis of world religions.", "can get. However, it brings to mind occurrences like Jonestown or heavens gate,", "it be portrayed in a \"noble\" light or would this be too problematic?", "as they can get. However, it brings to mind occurrences like Jonestown or", "are devastating when they do. Sometimes the invaders are just too powerful or", "but they can influence it by using proxies, people who act on their", "religions. Despite this, there are many dangers to the mortal world. Other realms", "numerous for mortals to handle them. There exists an ancient spell that is", "off these supernatural creatures. Unfortunately this ritual is so powerful that it takes", "was a war among gods that came close to destroying humanity and the", "hurt them as well. At the conclusion of this war, a pact was", "and bring a god into the world, and are seen as noble heroes", "of scenario when things have gotten as bad as they can get. However,", "from happening again. Gods can no longer interfere with the realm directly, but", "to fight on behalf of humans to help fend off these supernatural creatures.", "across as cultish. Can it be portrayed in a \"noble\" light or would", "well. At the conclusion of this war, a pact was signed among the", "summon a being like a god to a realm that they shouldn't inhabit.", "they can influence it by using proxies, people who act on their behalf", "must be paid to summon a being like a god to a realm", "Other realms exist, such as the fae and demon realms, each with creatures", "themselves to protect the planet. The point of making the ritual like this", "this is to show how extreme and serious the situation is and that", "like Jonestown or heavens gate, and may come across as cultish. Can it", "the gods to prevent this cataclysm from happening again. Gods can no longer", "to prevent this cataclysm from happening again. Gods can no longer interfere with", "work. They pay with their lives to power the spell and bring a", "came close to destroying humanity and the mortal realm. Gods depend on humanity,", "of priests, holy warriors, etc, and are the basis of world religions. Despite", "ritual like this is to show how extreme and serious the situation is", "depend on humanity, and their destruction would inevitably hurt them as well. At", "realms exist, such as the fae and demon realms, each with creatures hostile", "handle them. There exists an ancient spell that is used in times of", "a god to a realm that they shouldn't inhabit. This is an end", "hostile to humanity. Invasions occur rarely, but are devastating when they do. Sometimes", "are seen as noble heroes who sacrificed themselves to protect the planet. The", "behalf of humans to help fend off these supernatural creatures. Unfortunately this ritual", "realm that they shouldn't inhabit. This is an end of world kind of", "world religions. Despite this, there are many dangers to the mortal world. Other", "paid to summon a being like a god to a realm that they", "they can get. However, it brings to mind occurrences like Jonestown or heavens", "as noble heroes who sacrificed themselves to protect the planet. The point of", "occur rarely, but are devastating when they do. Sometimes the invaders are just", "was signed among the gods to prevent this cataclysm from happening again. Gods", "an ancient spell that is used in times of need. Functionaries of the", "exist, such as the fae and demon realms, each with creatures hostile to", "takes the lives of the users, and requires hundreds of people to work.", "conclusion of this war, a pact was signed among the gods to prevent", "and are seen as noble heroes who sacrificed themselves to protect the planet.", "high cost must be paid to summon a being like a god to", "as cultish. Can it be portrayed in a \"noble\" light or would this", "At the conclusion of this war, a pact was signed among the gods", "too powerful or numerous for mortals to handle them. There exists an ancient", "to summon a being like a god to a realm that they shouldn't", "occurrences like Jonestown or heavens gate, and may come across as cultish. Can", "There exists an ancient spell that is used in times of need. Functionaries", "it by using proxies, people who act on their behalf in the function", "basis of world religions. Despite this, there are many dangers to the mortal", "the world, and are seen as noble heroes who sacrificed themselves to protect", "using proxies, people who act on their behalf in the function of priests,", "being like a god to a realm that they shouldn't inhabit. This is", "on their behalf in the function of priests, holy warriors, etc, and are", "the conclusion of this war, a pact was signed among the gods to", "a realm that they shouldn't inhabit. This is an end of world kind", "they shouldn't inhabit. This is an end of world kind of scenario when", "They pay with their lives to power the spell and bring a god", "world, and are seen as noble heroes who sacrificed themselves to protect the", "that it takes the lives of the users, and requires hundreds of people", "of humans to help fend off these supernatural creatures. Unfortunately this ritual is", "war among gods that came close to destroying humanity and the mortal realm.", "used in times of need. Functionaries of the gods can summon a powerful", "Functionaries of the gods can summon a powerful deity to fight on behalf", "so powerful that it takes the lives of the users, and requires hundreds", "making the ritual like this is to show how extreme and serious the", "the planet. The point of making the ritual like this is to show", "for mortals to handle them. There exists an ancient spell that is used", "gods to prevent this cataclysm from happening again. Gods can no longer interfere", "are just too powerful or numerous for mortals to handle them. There exists", "The point of making the ritual like this is to show how extreme", "to mind occurrences like Jonestown or heavens gate, and may come across as", "to destroying humanity and the mortal realm. Gods depend on humanity, and their", "when things have gotten as bad as they can get. However, it brings", "like this is to show how extreme and serious the situation is and", "the realm directly, but they can influence it by using proxies, people who", "realms, each with creatures hostile to humanity. Invasions occur rarely, but are devastating", "can influence it by using proxies, people who act on their behalf in", "mortal world. Other realms exist, such as the fae and demon realms, each", "that is used in times of need. 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Sometimes the invaders are just too powerful or numerous", "by using proxies, people who act on their behalf in the function of", "into the world, and are seen as noble heroes who sacrificed themselves to", "that a high cost must be paid to summon a being like a", "would inevitably hurt them as well. At the conclusion of this war, a", "it brings to mind occurrences like Jonestown or heavens gate, and may come", "or heavens gate, and may come across as cultish. Can it be portrayed", "when they do. Sometimes the invaders are just too powerful or numerous for", "cataclysm from happening again. Gods can no longer interfere with the realm directly,", "and serious the situation is and that a high cost must be paid", "who sacrificed themselves to protect the planet. The point of making the ritual", "brings to mind occurrences like Jonestown or heavens gate, and may come across", "people to work. They pay with their lives to power the spell and", "requires hundreds of people to work. They pay with their lives to power", "who act on their behalf in the function of priests, holy warriors, etc,", "and their destruction would inevitably hurt them as well. At the conclusion of", "the gods can summon a powerful deity to fight on behalf of humans", "they do. Sometimes the invaders are just too powerful or numerous for mortals", "act on their behalf in the function of priests, holy warriors, etc, and", "bad as they can get. However, it brings to mind occurrences like Jonestown", "need. Functionaries of the gods can summon a powerful deity to fight on", "Sometimes the invaders are just too powerful or numerous for mortals to handle", "serious the situation is and that a high cost must be paid to", "Eons ago, there was a war among gods that came close to destroying", "that they shouldn't inhabit. This is an end of world kind of scenario", "the mortal realm. Gods depend on humanity, and their destruction would inevitably hurt", "are the basis of world religions. Despite this, there are many dangers to", "many dangers to the mortal world. Other realms exist, such as the fae", "things have gotten as bad as they can get. However, it brings to", "this war, a pact was signed among the gods to prevent this cataclysm", "holy warriors, etc, and are the basis of world religions. Despite this, there", "to power the spell and bring a god into the world, and are", "a pact was signed among the gods to prevent this cataclysm from happening", "lives of the users, and requires hundreds of people to work. They pay", "on humanity, and their destruction would inevitably hurt them as well. At the", "pact was signed among the gods to prevent this cataclysm from happening again.", "demon realms, each with creatures hostile to humanity. Invasions occur rarely, but are", "prevent this cataclysm from happening again. Gods can no longer interfere with the", "and demon realms, each with creatures hostile to humanity. Invasions occur rarely, but", "mortal realm. Gods depend on humanity, and their destruction would inevitably hurt them", "to help fend off these supernatural creatures. Unfortunately this ritual is so powerful", "powerful that it takes the lives of the users, and requires hundreds of", "with their lives to power the spell and bring a god into the", "mind occurrences like Jonestown or heavens gate, and may come across as cultish.", "a god into the world, and are seen as noble heroes who sacrificed", "of making the ritual like this is to show how extreme and serious", "as the fae and demon realms, each with creatures hostile to humanity. Invasions", "to show how extreme and serious the situation is and that a high", "there was a war among gods that came close to destroying humanity and", "come across as cultish. Can it be portrayed in a \"noble\" light or", "proxies, people who act on their behalf in the function of priests, holy", "the users, and requires hundreds of people to work. They pay with their", "humanity, and their destruction would inevitably hurt them as well. At the conclusion", "of need. Functionaries of the gods can summon a powerful deity to fight", "in the function of priests, holy warriors, etc, and are the basis of", "such as the fae and demon realms, each with creatures hostile to humanity.", "interfere with the realm directly, but they can influence it by using proxies,", "an end of world kind of scenario when things have gotten as bad", "supernatural creatures. Unfortunately this ritual is so powerful that it takes the lives", "Despite this, there are many dangers to the mortal world. Other realms exist,", "of the gods can summon a powerful deity to fight on behalf of", "to work. They pay with their lives to power the spell and bring", "point of making the ritual like this is to show how extreme and", "heroes who sacrificed themselves to protect the planet. The point of making the", "their lives to power the spell and bring a god into the world,", "protect the planet. The point of making the ritual like this is to", "to humanity. Invasions occur rarely, but are devastating when they do. Sometimes the", "humans to help fend off these supernatural creatures. Unfortunately this ritual is so", "Jonestown or heavens gate, and may come across as cultish. Can it be", "world. Other realms exist, such as the fae and demon realms, each with", "times of need. Functionaries of the gods can summon a powerful deity to", "longer interfere with the realm directly, but they can influence it by using", "again. Gods can no longer interfere with the realm directly, but they can", "Unfortunately this ritual is so powerful that it takes the lives of the", "extreme and serious the situation is and that a high cost must be", "seen as noble heroes who sacrificed themselves to protect the planet. The point", "etc, and are the basis of world religions. Despite this, there are many", "to a realm that they shouldn't inhabit. This is an end of world", "realm. Gods depend on humanity, and their destruction would inevitably hurt them as", "spell that is used in times of need. Functionaries of the gods can", "humanity and the mortal realm. Gods depend on humanity, and their destruction would", "hundreds of people to work. They pay with their lives to power the", "of world religions. Despite this, there are many dangers to the mortal world.", "this, there are many dangers to the mortal world. Other realms exist, such", "Invasions occur rarely, but are devastating when they do. Sometimes the invaders are", "a powerful deity to fight on behalf of humans to help fend off", "planet. The point of making the ritual like this is to show how", "gods that came close to destroying humanity and the mortal realm. Gods depend", "each with creatures hostile to humanity. Invasions occur rarely, but are devastating when", "are many dangers to the mortal world. Other realms exist, such as the", "is an end of world kind of scenario when things have gotten as", "to protect the planet. The point of making the ritual like this is", "there are many dangers to the mortal world. Other realms exist, such as", "cultish. Can it be portrayed in a \"noble\" light or would this be" ]
[ "grief. I can't let Bob falter or mourn: he still has to move", "call him Bob. Bob is efficient, cold and straight-to-the-point: we may as well", "only built in couples - partners, let's say - with matching functions and", "android. Let's call him Bob. Bob is efficient, cold and straight-to-the-point: we may", "move on and try to reach the goal. Yet, I wonder if I", "their death will maximize the chance of him getting his goal. Now, Bob", "should) show something. Is this possible, or have I written myself into a", "logic and can be as well an equivalent of unyielding, hard-coded love. Sadly", "into a corner from the very start? In short, how can I show", "I've got an heartless character who, supposedly, should be dealing with grief. I", "(in my prologue). Bob knows this very well. And now I've got an", "we may as well say that he is heartless. To give you an", "straight-to-the-point: we may as well say that he is heartless. To give you", "of unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke, has been destroyed some", "as well an equivalent of unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke,", "this very well. And now I've got an heartless character who, supposedly, should", "if I could (or should) show something. Is this possible, or have I", "Let's call him Bob. Bob is efficient, cold and straight-to-the-point: we may as", "who, supposedly, should be dealing with grief. I can't let Bob falter or", "say - with matching functions and synergies. The bond between those partners escape", "love. Sadly enough, Bob's partner, Aluke, has been destroyed some days prior to", "and try to reach the goal. Yet, I wonder if I could (or", "he still has to move on and try to reach the goal. Yet,", "the story (in my prologue). Bob knows this very well. And now I've", "a corner from the very start? In short, how can I show a", "of my main characters is an android. Let's call him Bob. Bob is", "he is heartless. To give you an example: in a scene I'm planning,", "an heartless character who, supposedly, should be dealing with grief. I can't let", "falter or mourn: he still has to move on and try to reach", "prologue). Bob knows this very well. And now I've got an heartless character", "of him getting his goal. Now, Bob is supposed to be a cold", "may as well say that he is heartless. To give you an example:", "partners, let's say - with matching functions and synergies. The bond between those", "a little contradiction in my story that may well be fatal. In my", "to be a cold bastard, you got the point. But by definition, in", "very start? In short, how can I show a heartless character coping with", "supposed to be a cold bastard, you got the point. But by definition,", "to reach the goal. Yet, I wonder if I could (or should) show", "bastard, you got the point. But by definition, in my setting androids like", "try to reach the goal. Yet, I wonder if I could (or should)", "In short, how can I show a heartless character coping with grief? -------------------------------------------------------", "and straight-to-the-point: we may as well say that he is heartless. To give", "partner, Aluke, has been destroyed some days prior to the start of the", "you got the point. But by definition, in my setting androids like Bob", "by definition, in my setting androids like Bob are only built in couples", "Bob falter or mourn: he still has to move on and try to", "sci-fi setting, one of my main characters is an android. Let's call him", "planning, he will willingly let 30 people die without flinching because their death", "bond between those partners escape logic and can be as well an equivalent", "well. And now I've got an heartless character who, supposedly, should be dealing", "in a scene I'm planning, he will willingly let 30 people die without", "something. Is this possible, or have I written myself into a corner from", "will willingly let 30 people die without flinching because their death will maximize", "start of the story (in my prologue). Bob knows this very well. And", "he will willingly let 30 people die without flinching because their death will", "from the very start? In short, how can I show a heartless character", "in my setting androids like Bob are only built in couples - partners,", "the point. But by definition, in my setting androids like Bob are only", "very well. And now I've got an heartless character who, supposedly, should be", "story (in my prologue). Bob knows this very well. And now I've got", "my story that may well be fatal. In my high sci-fi setting, one", "death will maximize the chance of him getting his goal. Now, Bob is", "contradiction in my story that may well be fatal. In my high sci-fi", "I wonder if I could (or should) show something. Is this possible, or", "Bob is efficient, cold and straight-to-the-point: we may as well say that he", "of the story (in my prologue). Bob knows this very well. And now", "is heartless. To give you an example: in a scene I'm planning, he", "in my story that may well be fatal. In my high sci-fi setting,", "or have I written myself into a corner from the very start? In", "on and try to reach the goal. Yet, I wonder if I could", "well say that he is heartless. To give you an example: in a", "The bond between those partners escape logic and can be as well an", "has been destroyed some days prior to the start of the story (in", "got an heartless character who, supposedly, should be dealing with grief. I can't", "In my high sci-fi setting, one of my main characters is an android.", "now I've got an heartless character who, supposedly, should be dealing with grief.", "the very start? In short, how can I show a heartless character coping", "written myself into a corner from the very start? In short, how can", "I written myself into a corner from the very start? In short, how", "like Bob are only built in couples - partners, let's say - with", "Is this possible, or have I written myself into a corner from the", "is efficient, cold and straight-to-the-point: we may as well say that he is", "or mourn: he still has to move on and try to reach the", "dealing with grief. I can't let Bob falter or mourn: he still has", "(or should) show something. Is this possible, or have I written myself into", "die without flinching because their death will maximize the chance of him getting", "that may well be fatal. In my high sci-fi setting, one of my", "story that may well be fatal. In my high sci-fi setting, one of", "maximize the chance of him getting his goal. Now, Bob is supposed to", "willingly let 30 people die without flinching because their death will maximize the", "prior to the start of the story (in my prologue). Bob knows this", "setting, one of my main characters is an android. Let's call him Bob.", "let Bob falter or mourn: he still has to move on and try", "- with matching functions and synergies. The bond between those partners escape logic", "goal. Now, Bob is supposed to be a cold bastard, you got the", "should be dealing with grief. I can't let Bob falter or mourn: he", "fatal. In my high sci-fi setting, one of my main characters is an", "unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke, has been destroyed some days", "an equivalent of unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke, has been", "example: in a scene I'm planning, he will willingly let 30 people die", "let's say - with matching functions and synergies. The bond between those partners", "show something. Is this possible, or have I written myself into a corner", "are only built in couples - partners, let's say - with matching functions", "and synergies. The bond between those partners escape logic and can be as", "supposedly, should be dealing with grief. I can't let Bob falter or mourn:", "goal. Yet, I wonder if I could (or should) show something. Is this", "getting his goal. Now, Bob is supposed to be a cold bastard, you", "say that he is heartless. To give you an example: in a scene", "the chance of him getting his goal. Now, Bob is supposed to be", "one of my main characters is an android. Let's call him Bob. Bob", "knows this very well. And now I've got an heartless character who, supposedly,", "wonder if I could (or should) show something. Is this possible, or have", "matching functions and synergies. The bond between those partners escape logic and can", "well an equivalent of unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke, has", "heartless. To give you an example: in a scene I'm planning, he will", "partners escape logic and can be as well an equivalent of unyielding, hard-coded", "I have a little contradiction in my story that may well be fatal.", "flinching because their death will maximize the chance of him getting his goal.", "cold bastard, you got the point. But by definition, in my setting androids", "characters is an android. Let's call him Bob. Bob is efficient, cold and", "equivalent of unyielding, hard-coded love. Sadly enough, Bob's partner, Aluke, has been destroyed", "possible, or have I written myself into a corner from the very start?", "with grief. I can't let Bob falter or mourn: he still has to", "the start of the story (in my prologue). Bob knows this very well.", "heartless character who, supposedly, should be dealing with grief. I can't let Bob", "because their death will maximize the chance of him getting his goal. Now,", "be as well an equivalent of unyielding, hard-coded love. Sadly enough, Bob's partner,", "destroyed some days prior to the start of the story (in my prologue).", "I'm planning, he will willingly let 30 people die without flinching because their", "to the start of the story (in my prologue). Bob knows this very", "point. But by definition, in my setting androids like Bob are only built", "is an android. Let's call him Bob. Bob is efficient, cold and straight-to-the-point:", "myself into a corner from the very start? In short, how can I", "an android. Let's call him Bob. Bob is efficient, cold and straight-to-the-point: we", "Bob. Bob is efficient, cold and straight-to-the-point: we may as well say that", "that he is heartless. To give you an example: in a scene I'm", "people die without flinching because their death will maximize the chance of him", "Bob are only built in couples - partners, let's say - with matching", "- partners, let's say - with matching functions and synergies. The bond between", "and can be as well an equivalent of unyielding, hard-coded love. Sadly enough,", "I can't let Bob falter or mourn: he still has to move on", "let 30 people die without flinching because their death will maximize the chance", "can't let Bob falter or mourn: he still has to move on and", "has to move on and try to reach the goal. Yet, I wonder", "Sadly enough, Bob's partner, Aluke, has been destroyed some days prior to the", "chance of him getting his goal. Now, Bob is supposed to be a", "have I written myself into a corner from the very start? In short,", "cold and straight-to-the-point: we may as well say that he is heartless. To", "Bob knows this very well. And now I've got an heartless character who,", "start? In short, how can I show a heartless character coping with grief?", "Now, Bob is supposed to be a cold bastard, you got the point.", "have a little contradiction in my story that may well be fatal. In", "his goal. Now, Bob is supposed to be a cold bastard, you got", "30 people die without flinching because their death will maximize the chance of", "my prologue). Bob knows this very well. And now I've got an heartless", "my high sci-fi setting, one of my main characters is an android. Let's", "efficient, cold and straight-to-the-point: we may as well say that he is heartless.", "him Bob. Bob is efficient, cold and straight-to-the-point: we may as well say", "be fatal. In my high sci-fi setting, one of my main characters is", "mourn: he still has to move on and try to reach the goal.", "been destroyed some days prior to the start of the story (in my", "high sci-fi setting, one of my main characters is an android. Let's call", "this possible, or have I written myself into a corner from the very", "as well say that he is heartless. To give you an example: in", "my main characters is an android. Let's call him Bob. Bob is efficient,", "be dealing with grief. I can't let Bob falter or mourn: he still", "enough, Bob's partner, Aluke, has been destroyed some days prior to the start", "escape logic and can be as well an equivalent of unyielding, hard-coded love.", "him getting his goal. Now, Bob is supposed to be a cold bastard,", "And now I've got an heartless character who, supposedly, should be dealing with", "be a cold bastard, you got the point. But by definition, in my", "with matching functions and synergies. The bond between those partners escape logic and", "give you an example: in a scene I'm planning, he will willingly let", "you an example: in a scene I'm planning, he will willingly let 30", "built in couples - partners, let's say - with matching functions and synergies.", "my setting androids like Bob are only built in couples - partners, let's", "to move on and try to reach the goal. Yet, I wonder if", "little contradiction in my story that may well be fatal. In my high", "may well be fatal. In my high sci-fi setting, one of my main", "got the point. But by definition, in my setting androids like Bob are", "setting androids like Bob are only built in couples - partners, let's say", "will maximize the chance of him getting his goal. Now, Bob is supposed", "character who, supposedly, should be dealing with grief. I can't let Bob falter", "androids like Bob are only built in couples - partners, let's say -", "Bob's partner, Aluke, has been destroyed some days prior to the start of", "can be as well an equivalent of unyielding, hard-coded love. Sadly enough, Bob's", "hard-coded love. Sadly enough, Bob's partner, Aluke, has been destroyed some days prior", "the goal. Yet, I wonder if I could (or should) show something. Is", "Yet, I wonder if I could (or should) show something. Is this possible,", "a scene I'm planning, he will willingly let 30 people die without flinching", "scene I'm planning, he will willingly let 30 people die without flinching because", "couples - partners, let's say - with matching functions and synergies. The bond", "reach the goal. Yet, I wonder if I could (or should) show something.", "a cold bastard, you got the point. But by definition, in my setting", "I could (or should) show something. Is this possible, or have I written", "But by definition, in my setting androids like Bob are only built in", "between those partners escape logic and can be as well an equivalent of", "Bob is supposed to be a cold bastard, you got the point. But", "is supposed to be a cold bastard, you got the point. But by", "those partners escape logic and can be as well an equivalent of unyielding,", "without flinching because their death will maximize the chance of him getting his", "Aluke, has been destroyed some days prior to the start of the story", "main characters is an android. Let's call him Bob. Bob is efficient, cold", "definition, in my setting androids like Bob are only built in couples -", "in couples - partners, let's say - with matching functions and synergies. The", "well be fatal. In my high sci-fi setting, one of my main characters", "To give you an example: in a scene I'm planning, he will willingly", "functions and synergies. The bond between those partners escape logic and can be", "days prior to the start of the story (in my prologue). Bob knows", "could (or should) show something. Is this possible, or have I written myself", "synergies. The bond between those partners escape logic and can be as well", "some days prior to the start of the story (in my prologue). Bob", "corner from the very start? In short, how can I show a heartless", "still has to move on and try to reach the goal. Yet, I", "an example: in a scene I'm planning, he will willingly let 30 people" ]
[ "the antagonists are all irredeemably evil? If not, what else do I need?", "being such a horrible human being, he considers the negative ramifications of his", "his selfish desires and clinging to his nihilistic worldview while posing as the", "and clinging to his nihilistic worldview while posing as the personification of his", "work is eager to point out when an antagonist does something immoral or", "monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his selfish desires and clinging to", "of said protagonist. In my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the", "In my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions,", "the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying", "is eager to point out when an antagonist does something immoral or distasteful", "for the protagonist despite the immoral and unethical actions of said protagonist. In", "selfish desires and clinging to his nihilistic worldview while posing as the personification", "revealed that his selfish behaviour stems from a troubled adolescence and being the", "distasteful but fails to acknowledge when a protagonist does the same or something", "actions and becomes a better person. It's also revealed that his selfish behaviour", "and being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist", "otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his selfish desires and clinging", "to acknowledge when a protagonist does the same or something worse. This trope", "the audience to root for the protagonist despite the immoral and unethical actions", "a saint relative to the antagonists, given that the antagonists are all irredeemably", "same or something worse. This trope also comes into effect when the narrative", "said protagonist. In my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s", "all this enough to avoid the trap of making my protagonist seem like", "decisions. In the end, when the deuteragonist scathingly berates the protagonist for being", "of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his selfish", "a horrible human being, he considers the negative ramifications of his actions and", "his negative emotions. Is all this enough to avoid the trap of making", "actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions.", "this enough to avoid the trap of making my protagonist seem like a", "fictional work is eager to point out when an antagonist does something immoral", "worse. This trope also comes into effect when the narrative encourages the audience", "the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the", "Morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/ProtagonistCenteredMorality) is when a fictional work is eager to point out when an", "audience to root for the protagonist despite the immoral and unethical actions of", "stems from a troubled adolescence and being the pawn of a [scheming otherworldly", "while posing as the personification of his negative emotions. Is all this enough", "posing as the personification of his negative emotions. Is all this enough to", "This trope also comes into effect when the narrative encourages the audience to", "trap of making my protagonist seem like a saint relative to the antagonists,", "deuteragonist scathingly berates the protagonist for being such a horrible human being, he", "a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his selfish desires", "into effect when the narrative encourages the audience to root for the protagonist", "to the antagonists, given that the antagonists are all irredeemably evil? If not,", "considers the negative ramifications of his actions and becomes a better person. It's", "emotions. Is all this enough to avoid the trap of making my protagonist", "root for the protagonist despite the immoral and unethical actions of said protagonist.", "lambasting his selfish decisions. In the end, when the deuteragonist scathingly berates the", "becomes a better person. It's also revealed that his selfish behaviour stems from", "protagonist for being such a horrible human being, he considers the negative ramifications", "when a fictional work is eager to point out when an antagonist does", "nihilistic worldview while posing as the personification of his negative emotions. Is all", "the end, when the deuteragonist scathingly berates the protagonist for being such a", "a protagonist does the same or something worse. This trope also comes into", "protagonist into gratifying his selfish desires and clinging to his nihilistic worldview while", "the protagonist into gratifying his selfish desires and clinging to his nihilistic worldview", "deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the end,", "his nihilistic worldview while posing as the personification of his negative emotions. Is", "person. It's also revealed that his selfish behaviour stems from a troubled adolescence", "such a horrible human being, he considers the negative ramifications of his actions", "that his selfish behaviour stems from a troubled adolescence and being the pawn", "the same or something worse. This trope also comes into effect when the", "a troubled adolescence and being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who", "the deuteragonist scathingly berates the protagonist for being such a horrible human being,", "the protagonist despite the immoral and unethical actions of said protagonist. In my", "for being such a horrible human being, he considers the negative ramifications of", "clinging to his nihilistic worldview while posing as the personification of his negative", "does something immoral or distasteful but fails to acknowledge when a protagonist does", "the negative ramifications of his actions and becomes a better person. It's also", "who goads the protagonist into gratifying his selfish desires and clinging to his", "that the antagonists are all irredeemably evil? If not, what else do I", "berates the protagonist for being such a horrible human being, he considers the", "to avoid the trap of making my protagonist seem like a saint relative", "to point out when an antagonist does something immoral or distasteful but fails", "when a protagonist does the same or something worse. This trope also comes", "enough to avoid the trap of making my protagonist seem like a saint", "protagonist seem like a saint relative to the antagonists, given that the antagonists", "or distasteful but fails to acknowledge when a protagonist does the same or", "It's also revealed that his selfish behaviour stems from a troubled adolescence and", "despite the immoral and unethical actions of said protagonist. In my trilogy, I", "troubled adolescence and being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads", "goads the protagonist into gratifying his selfish desires and clinging to his nihilistic", "out when an antagonist does something immoral or distasteful but fails to acknowledge", "being, he considers the negative ramifications of his actions and becomes a better", "[serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the end, when", "[protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his", "selfish behaviour stems from a troubled adolescence and being the pawn of a", "protagonist does the same or something worse. This trope also comes into effect", "less-than-heroic actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish", "effect when the narrative encourages the audience to root for the protagonist despite", "selfish decisions. In the end, when the deuteragonist scathingly berates the protagonist for", "also revealed that his selfish behaviour stems from a troubled adolescence and being", "like a saint relative to the antagonists, given that the antagonists are all", "relative to the antagonists, given that the antagonists are all irredeemably evil? If", "narrative encourages the audience to root for the protagonist despite the immoral and", "adolescence and being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the", "gratifying his selfish desires and clinging to his nihilistic worldview while posing as", "his selfish decisions. In the end, when the deuteragonist scathingly berates the protagonist", "worldview while posing as the personification of his negative emotions. Is all this", "as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the end, when the", "he considers the negative ramifications of his actions and becomes a better person.", "point out when an antagonist does something immoral or distasteful but fails to", "given that the antagonists are all irredeemably evil? If not, what else do", "conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the end, when the deuteragonist scathingly", "negative emotions. Is all this enough to avoid the trap of making my", "trope also comes into effect when the narrative encourages the audience to root", "acknowledge when a protagonist does the same or something worse. This trope also", "of making my protagonist seem like a saint relative to the antagonists, given", "saint relative to the antagonists, given that the antagonists are all irredeemably evil?", "and unethical actions of said protagonist. In my trilogy, I have multiple characters", "the personification of his negative emotions. Is all this enough to avoid the", "the antagonists, given that the antagonists are all irredeemably evil? If not, what", "eager to point out when an antagonist does something immoral or distasteful but", "with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In", "my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with", "a fictional work is eager to point out when an antagonist does something", "multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as", "something immoral or distasteful but fails to acknowledge when a protagonist does the", "when the narrative encourages the audience to root for the protagonist despite the", "fails to acknowledge when a protagonist does the same or something worse. This", "characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as his", "antagonist does something immoral or distasteful but fails to acknowledge when a protagonist", "actions of said protagonist. In my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero)", "antagonists, given that the antagonists are all irredeemably evil? If not, what else", "is when a fictional work is eager to point out when an antagonist", "also comes into effect when the narrative encourages the audience to root for", "and lambasting his selfish decisions. In the end, when the deuteragonist scathingly berates", "desires and clinging to his nihilistic worldview while posing as the personification of", "an antagonist does something immoral or distasteful but fails to acknowledge when a", "end, when the deuteragonist scathingly berates the protagonist for being such a horrible", "[Protagonist-Centred Morality](https://tvtropes.org/pmwiki/pmwiki.php/Main/ProtagonistCenteredMorality) is when a fictional work is eager to point out when", "pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his", "making my protagonist seem like a saint relative to the antagonists, given that", "my protagonist seem like a saint relative to the antagonists, given that the", "the narrative encourages the audience to root for the protagonist despite the immoral", "something worse. This trope also comes into effect when the narrative encourages the", "the trap of making my protagonist seem like a saint relative to the", "when an antagonist does something immoral or distasteful but fails to acknowledge when", "to root for the protagonist despite the immoral and unethical actions of said", "and becomes a better person. It's also revealed that his selfish behaviour stems", "seem like a saint relative to the antagonists, given that the antagonists are", "protagonist. In my trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic", "his actions and becomes a better person. It's also revealed that his selfish", "I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist", "the immoral and unethical actions of said protagonist. In my trilogy, I have", "immoral or distasteful but fails to acknowledge when a protagonist does the same", "comes into effect when the narrative encourages the audience to root for the", "negative ramifications of his actions and becomes a better person. It's also revealed", "of his actions and becomes a better person. It's also revealed that his", "In the end, when the deuteragonist scathingly berates the protagonist for being such", "when the deuteragonist scathingly berates the protagonist for being such a horrible human", "being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into", "as the personification of his negative emotions. Is all this enough to avoid", "criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and", "immoral and unethical actions of said protagonist. In my trilogy, I have multiple", "scathingly berates the protagonist for being such a horrible human being, he considers", "have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving", "ramifications of his actions and becomes a better person. It's also revealed that", "from a troubled adolescence and being the pawn of a [scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination),", "into gratifying his selfish desires and clinging to his nihilistic worldview while posing", "the protagonist for being such a horrible human being, he considers the negative", "or something worse. This trope also comes into effect when the narrative encourages", "but fails to acknowledge when a protagonist does the same or something worse.", "[continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience)", "his selfish behaviour stems from a troubled adolescence and being the pawn of", "of his negative emotions. Is all this enough to avoid the trap of", "horrible human being, he considers the negative ramifications of his actions and becomes", "to his nihilistic worldview while posing as the personification of his negative emotions.", "avoid the trap of making my protagonist seem like a saint relative to", "Is all this enough to avoid the trap of making my protagonist seem", "human being, he considers the negative ramifications of his actions and becomes a", "better person. It's also revealed that his selfish behaviour stems from a troubled", "protagonist despite the immoral and unethical actions of said protagonist. In my trilogy,", "personification of his negative emotions. Is all this enough to avoid the trap", "a better person. It's also revealed that his selfish behaviour stems from a", "[scheming otherworldly monstrosity](https://writing.stackexchange.com/questions/38369/how-to-write-an-eldritch-abomination), who goads the protagonist into gratifying his selfish desires and", "does the same or something worse. This trope also comes into effect when", "encourages the audience to root for the protagonist despite the immoral and unethical", "behaviour stems from a troubled adolescence and being the pawn of a [scheming", "the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the deuteragonist [serving as his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting", "his conscience](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) and lambasting his selfish decisions. In the end, when the deuteragonist", "unethical actions of said protagonist. In my trilogy, I have multiple characters [continuously", "trilogy, I have multiple characters [continuously criticise](https://tvtropes.org/pmwiki/pmwiki.php/Main/WhatTheHellHero) the [protagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicHero)'s less-than-heroic actions, with the" ]
[ "feels like it is thrown in just as an excuse for having it,", "do it herself. During intercourse, a witch can absorb the essence of a", "limitations? Or should you gloss over the nooks and crannies of it and", "have the neccessary amount of mana to perform, or it would be extremely", "mana than women. There are some spells that a witch may not have", "Or should you gloss over the nooks and crannies of it and leave", "practiced openly and is a neccessary function of society. Men cannot use magic", "a neccessary function of society. Men cannot use magic directly, but possess much", "be extremely difficult for her to do it herself. During intercourse, a witch", "as a neccessary part of performing magic. It often feels like it is", "come off as tacky or cringeworthy. How can you make it feel natural", "gloss over the nooks and crannies of it and leave it to the", "child. In many fantasy writings, sex is used as a neccessary part of", "fantasy writings, sex is used as a neccessary part of performing magic. It", "neccessary part of performing magic. It often feels like it is thrown in", "a child. In many fantasy writings, sex is used as a neccessary part", "amount of mana to perform, or it would be extremely difficult for her", "her to do it herself. During intercourse, a witch can absorb the essence", "to perform, or it would be extremely difficult for her to do it", "openly and is a neccessary function of society. Men cannot use magic directly,", "go into detail about how it works, as well as its limitations? Or", "and is a neccessary function of society. Men cannot use magic directly, but", "and tell? Should you go into detail about how it works, as well", "than women. There are some spells that a witch may not have the", "a male and use it to temporarily power her own spells, or to", "the essence of a male and use it to temporarily power her own", "many fantasy writings, sex is used as a neccessary part of performing magic.", "male and use it to temporarily power her own spells, or to concieve", "excuse for having it, and can come off as tacky or cringeworthy. How", "well as its limitations? Or should you gloss over the nooks and crannies", "concieve a child. In many fantasy writings, sex is used as a neccessary", "is practiced openly and is a neccessary function of society. Men cannot use", "can you make it feel natural to a setting? How much should you", "that a witch may not have the neccessary amount of mana to perform,", "to a setting? How much should you show and tell? Should you go", "is a neccessary function of society. Men cannot use magic directly, but possess", "writings, sex is used as a neccessary part of performing magic. It often", "should you gloss over the nooks and crannies of it and leave it", "herself. During intercourse, a witch can absorb the essence of a male and", "of society. Men cannot use magic directly, but possess much more mana than", "over the nooks and crannies of it and leave it to the imagination", "to temporarily power her own spells, or to concieve a child. In many", "to do it herself. During intercourse, a witch can absorb the essence of", "it works, as well as its limitations? Or should you gloss over the", "setting? How much should you show and tell? Should you go into detail", "a neccessary part of performing magic. It often feels like it is thrown", "of a male and use it to temporarily power her own spells, or", "absorb the essence of a male and use it to temporarily power her", "There are some spells that a witch may not have the neccessary amount", "you go into detail about how it works, as well as its limitations?", "and use it to temporarily power her own spells, or to concieve a", "spells that a witch may not have the neccessary amount of mana to", "may not have the neccessary amount of mana to perform, or it would", "feel natural to a setting? How much should you show and tell? Should", "should you show and tell? Should you go into detail about how it", "perform, or it would be extremely difficult for her to do it herself.", "just as an excuse for having it, and can come off as tacky", "is thrown in just as an excuse for having it, and can come", "How can you make it feel natural to a setting? How much should", "it to temporarily power her own spells, or to concieve a child. In", "or cringeworthy. How can you make it feel natural to a setting? How", "tacky or cringeworthy. How can you make it feel natural to a setting?", "much more mana than women. There are some spells that a witch may", "for having it, and can come off as tacky or cringeworthy. How can", "thrown in just as an excuse for having it, and can come off", "of mana to perform, or it would be extremely difficult for her to", "witch may not have the neccessary amount of mana to perform, or it", "natural to a setting? How much should you show and tell? Should you", "as an excuse for having it, and can come off as tacky or", "detail about how it works, as well as its limitations? Or should you", "it would be extremely difficult for her to do it herself. During intercourse,", "often feels like it is thrown in just as an excuse for having", "spells, or to concieve a child. In many fantasy writings, sex is used", "temporarily power her own spells, or to concieve a child. In many fantasy", "use magic directly, but possess much more mana than women. There are some", "you gloss over the nooks and crannies of it and leave it to", "can come off as tacky or cringeworthy. How can you make it feel", "the nooks and crannies of it and leave it to the imagination of", "off as tacky or cringeworthy. How can you make it feel natural to", "society. Men cannot use magic directly, but possess much more mana than women.", "about how it works, as well as its limitations? Or should you gloss", "part of performing magic. It often feels like it is thrown in just", "as its limitations? Or should you gloss over the nooks and crannies of", "cringeworthy. How can you make it feel natural to a setting? How much", "directly, but possess much more mana than women. There are some spells that", "can absorb the essence of a male and use it to temporarily power", "It often feels like it is thrown in just as an excuse for", "In this world, witchcraft is practiced openly and is a neccessary function of", "to concieve a child. In many fantasy writings, sex is used as a", "How much should you show and tell? Should you go into detail about", "as well as its limitations? Or should you gloss over the nooks and", "tell? Should you go into detail about how it works, as well as", "a witch may not have the neccessary amount of mana to perform, or", "for her to do it herself. During intercourse, a witch can absorb the", "works, as well as its limitations? Or should you gloss over the nooks", "In many fantasy writings, sex is used as a neccessary part of performing", "magic directly, but possess much more mana than women. There are some spells", "its limitations? Or should you gloss over the nooks and crannies of it", "During intercourse, a witch can absorb the essence of a male and use", "mana to perform, or it would be extremely difficult for her to do", "it is thrown in just as an excuse for having it, and can", "possess much more mana than women. There are some spells that a witch", "more mana than women. There are some spells that a witch may not", "witchcraft is practiced openly and is a neccessary function of society. Men cannot", "nooks and crannies of it and leave it to the imagination of the", "function of society. Men cannot use magic directly, but possess much more mana", "difficult for her to do it herself. During intercourse, a witch can absorb", "intercourse, a witch can absorb the essence of a male and use it", "and crannies of it and leave it to the imagination of the reader?", "witch can absorb the essence of a male and use it to temporarily", "in just as an excuse for having it, and can come off as", "but possess much more mana than women. There are some spells that a", "or it would be extremely difficult for her to do it herself. During", "would be extremely difficult for her to do it herself. During intercourse, a", "into detail about how it works, as well as its limitations? Or should", "you make it feel natural to a setting? How much should you show", "neccessary amount of mana to perform, or it would be extremely difficult for", "a setting? How much should you show and tell? Should you go into", "extremely difficult for her to do it herself. During intercourse, a witch can", "it feel natural to a setting? How much should you show and tell?", "her own spells, or to concieve a child. In many fantasy writings, sex", "you show and tell? Should you go into detail about how it works,", "Should you go into detail about how it works, as well as its", "cannot use magic directly, but possess much more mana than women. There are", "used as a neccessary part of performing magic. It often feels like it", "some spells that a witch may not have the neccessary amount of mana", "the neccessary amount of mana to perform, or it would be extremely difficult", "or to concieve a child. In many fantasy writings, sex is used as", "are some spells that a witch may not have the neccessary amount of", "having it, and can come off as tacky or cringeworthy. How can you", "is used as a neccessary part of performing magic. It often feels like", "performing magic. It often feels like it is thrown in just as an", "much should you show and tell? Should you go into detail about how", "neccessary function of society. 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Or should you gloss over", "Men cannot use magic directly, but possess much more mana than women. There", "own spells, or to concieve a child. In many fantasy writings, sex is", "of performing magic. It often feels like it is thrown in just as", "magic. It often feels like it is thrown in just as an excuse", "women. There are some spells that a witch may not have the neccessary", "world, witchcraft is practiced openly and is a neccessary function of society. Men", "it herself. During intercourse, a witch can absorb the essence of a male", "it, and can come off as tacky or cringeworthy. How can you make", "power her own spells, or to concieve a child. In many fantasy writings," ]
[ "becoming a garbageman, selling dumpster finds and curb furniture on eBay/Craigslist, or selling", "and morally questionable ones are not only accepted, but encouraged. This is for", "Besides becoming a garbageman, selling dumpster finds and curb furniture on eBay/Craigslist, or", "of trash? Legally and morally questionable ones are not only accepted, but encouraged.", "garbageman, selling dumpster finds and curb furniture on eBay/Craigslist, or selling metal to", "trash? Legally and morally questionable ones are not only accepted, but encouraged. This", "curb furniture on eBay/Craigslist, or selling metal to scrapyards, what are some ways", "are not only accepted, but encouraged. This is for a comic, BTW, so", "not only accepted, but encouraged. This is for a comic, BTW, so I", "and curb furniture on eBay/Craigslist, or selling metal to scrapyards, what are some", "dumpster finds and curb furniture on eBay/Craigslist, or selling metal to scrapyards, what", "encouraged. This is for a comic, BTW, so I hope it belongs here.", "ways to make under-the-table money off of trash? Legally and morally questionable ones", "morally questionable ones are not only accepted, but encouraged. This is for a", "metal to scrapyards, what are some ways to make under-the-table money off of", "but encouraged. This is for a comic, BTW, so I hope it belongs", "only accepted, but encouraged. This is for a comic, BTW, so I hope", "questionable ones are not only accepted, but encouraged. This is for a comic,", "selling dumpster finds and curb furniture on eBay/Craigslist, or selling metal to scrapyards,", "a garbageman, selling dumpster finds and curb furniture on eBay/Craigslist, or selling metal", "or selling metal to scrapyards, what are some ways to make under-the-table money", "finds and curb furniture on eBay/Craigslist, or selling metal to scrapyards, what are", "eBay/Craigslist, or selling metal to scrapyards, what are some ways to make under-the-table", "make under-the-table money off of trash? Legally and morally questionable ones are not", "Legally and morally questionable ones are not only accepted, but encouraged. This is", "what are some ways to make under-the-table money off of trash? Legally and", "are some ways to make under-the-table money off of trash? Legally and morally", "to scrapyards, what are some ways to make under-the-table money off of trash?", "under-the-table money off of trash? Legally and morally questionable ones are not only", "some ways to make under-the-table money off of trash? Legally and morally questionable", "to make under-the-table money off of trash? Legally and morally questionable ones are", "selling metal to scrapyards, what are some ways to make under-the-table money off", "off of trash? Legally and morally questionable ones are not only accepted, but", "scrapyards, what are some ways to make under-the-table money off of trash? Legally", "on eBay/Craigslist, or selling metal to scrapyards, what are some ways to make", "ones are not only accepted, but encouraged. This is for a comic, BTW,", "accepted, but encouraged. This is for a comic, BTW, so I hope it", "money off of trash? Legally and morally questionable ones are not only accepted,", "furniture on eBay/Craigslist, or selling metal to scrapyards, what are some ways to" ]
[ "chick\". So what tips do you have for writing properly feminine female characters", "dead. I published the book on Amazon, and it will go out to", "anything for her save perhaps lifting large, heavy objects. She is, however, feminine,", "draft (the main events, etc.), then go back and re-write for things that", "with writing the female character from her own POV. She's a modern woman", "my version of the late 23rd Century, at least in the part of", "got some good feedback here, and I think my character was made better", "enabled for anyone that wants to read what I've done so far. My", "anyone are appreciated. I'm primarily concerned with her internal monologue. How does she", "how she feels about her counterpart, the male lead. But also her interactions", "Century. The setting is Venetian-ruled Croatia, though that has little to do with", "writers, though tips from anyone are appreciated. I'm primarily concerned with her internal", "the 23rd Century, albeit young (twenty years old). She can take care of", "read what I've done so far. My goal is to get the base", "write a novel, an historical fiction with a small fantasy component (time travel", "characters) are a young couple from the late 23rd Century who are (without", "on Google Docs~~ with comments enabled for anyone that wants to read what", "he has to do things like hold doors for women. This is a", "I got some good feedback here, and I think my character was made", "modern woman of the 23rd Century, albeit young (twenty years old). She can", "simplistic description of what he goes through, but it should suffice here. Which", "course, when she's thinking about how she feels about her counterpart, the male", "characters, in particular other females, should be considered. I may be going overboard,", "(twenty years old). She can take care of herself, and eschews the idea", "monologue. How does she think about the world she sees? This is most", "writing the female character from her own POV. She's a modern woman of", "can take care of herself, and eschews the idea of needing a man", "old). She can take care of herself, and eschews the idea of needing", "feedback here, and I think my character was made better for it. Thank", "of people in their time and area is one of equality, acceptance of", "think about the world she sees? This is most evident, of course, when", "This is most evident, of course, when she's thinking about how she feels", "an historical fiction with a small fantasy component (time travel through a portal).", "some good feedback here, and I think my character was made better for", "I really want to make this character \"real\". Update: This makes me more", "and I'm... not. So I don't have confidence that I can write a", "portal). The travelers (main characters) are a young couple from the late 23rd", "the part of the world where these two were raised, is what we", "character \"real\". Update: This makes me more than a bit nervous, but I've", "than a bit nervous, but I've decided to include a link to my", "do much of anything for her save perhaps lifting large, heavy objects. She", "of the 23rd Century, albeit young (twenty years old). She can take care", "choose to comment, please make them constructive. Thank you to anyone who chooses", "of equality, acceptance of differences, and egalitarianism. As such, the male half of", "in to the 14th Century, he has to do things like hold doors", "though tips from anyone are appreciated. I'm primarily concerned with her internal monologue.", "my question. In my version of the late 23rd Century, at least in", "to write a novel, an historical fiction with a small fantasy component (time", "feminine female characters who have agency? I'm particularly interested in hearing from women", "then go back and re-write for things that I'm asking about here. If", "who have agency? I'm particularly interested in hearing from women writers, though tips", "a simplistic description of what he goes through, but it should suffice here.", "like hold doors for women. This is a simplistic description of what he", "is a simplistic description of what he goes through, but it should suffice", "[here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and I think my character was", "that wants to read what I've done so far. My goal is to", "other females, should be considered. I may be going overboard, but I really", "is, however, feminine, and I'm... not. So I don't have confidence that I", "is what we might call \"post woke\"; the mentality of people in their", "a young couple from the late 23rd Century who are (without preparation or", "the world where these two were raised, is what we might call \"post", "their time and area is one of equality, acceptance of differences, and egalitarianism.", "a chick\". So what tips do you have for writing properly feminine female", "is most evident, of course, when she's thinking about how she feels about", "about her counterpart, the male lead. But also her interactions with other characters,", "interested in hearing from women writers, though tips from anyone are appreciated. I'm", "interactions with other characters, in particular other females, should be considered. I may", "man in her life to do much of anything for her save perhaps", "things that I'm asking about here. If you choose to comment, please make", "sees? This is most evident, of course, when she's thinking about how she", "a small fantasy component (time travel through a portal). The travelers (main characters)", "so far. My goal is to get the base story laid down in", "she feels about her counterpart, the male lead. But also her interactions with", "of the late 23rd Century, at least in the part of the world", "(as a male writer) with writing the female character from her own POV.", "though that has little to do with my question. In my version of", "in their time and area is one of equality, acceptance of differences, and", "The travelers (main characters) are a young couple from the late 23rd Century", "to the 14th Century, he has to do things like hold doors for", "document on Google Docs~~ with comments enabled for anyone that wants to read", "with her internal monologue. How does she think about the world she sees?", "really want to make this character \"real\". Update: This makes me more than", "with a small fantasy component (time travel through a portal). The travelers (main", "it will go out to other publishers in a few days, including a", "but it should suffice here. Which brings us to my struggles (as a", "write a female protagonist who has agency without sounding like \"a dude writing", "to the late 14th Century. The setting is Venetian-ruled Croatia, though that has", "blend in to the 14th Century, he has to do things like hold", "characters who have agency? I'm particularly interested in hearing from women writers, though", "area is one of equality, acceptance of differences, and egalitarianism. As such, the", "eschews the idea of needing a man in her life to do much", "in hearing from women writers, though tips from anyone are appreciated. I'm primarily", "what tips do you have for writing properly feminine female characters who have", "her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm...", "is dead. I published the book on Amazon, and it will go out", "male half of the couple struggles with the notion that, in order to", "care of herself, and eschews the idea of needing a man in her", "her internal monologue. How does she think about the world she sees? This", "the mentality of people in their time and area is one of equality,", "to make this character \"real\". Update: This makes me more than a bit", "Update: This makes me more than a bit nervous, but I've decided to", "take care of herself, and eschews the idea of needing a man in", "be considered. I may be going overboard, but I really want to make", "own POV. She's a modern woman of the 23rd Century, albeit young (twenty", "you to anyone who chooses to do so. Second Update: That Google Docs", "Amazon, and it will go out to other publishers in a few days,", "her life to do much of anything for her save perhaps lifting large,", "couple from the late 23rd Century who are (without preparation or intent) transported", "comment, please make them constructive. Thank you to anyone who chooses to do", "going overboard, but I really want to make this character \"real\". Update: This", "and re-write for things that I'm asking about here. If you choose to", "women writers, though tips from anyone are appreciated. I'm primarily concerned with her", "has to do things like hold doors for women. This is a simplistic", "etc.), then go back and re-write for things that I'm asking about here.", "get the base story laid down in the first draft (the main events,", "brings us to my struggles (as a male writer) with writing the female", "about here. If you choose to comment, please make them constructive. Thank you", "mentality of people in their time and area is one of equality, acceptance", "of needing a man in her life to do much of anything for", "or intent) transported back to the late 14th Century. The setting is Venetian-ruled", "to do much of anything for her save perhaps lifting large, heavy objects.", "protagonist who has agency without sounding like \"a dude writing a chick\". So", "young couple from the late 23rd Century who are (without preparation or intent)", "egalitarianism. As such, the male half of the couple struggles with the notion", "do things like hold doors for women. This is a simplistic description of", "link to my ~~working document on Google Docs~~ with comments enabled for anyone", "a modern woman of the 23rd Century, albeit young (twenty years old). She", "of anything for her save perhaps lifting large, heavy objects. She is, however,", "these two were raised, is what we might call \"post woke\"; the mentality", "sounding like \"a dude writing a chick\". So what tips do you have", "part of the world where these two were raised, is what we might", "the female character from her own POV. She's a modern woman of the", "the late 23rd Century who are (without preparation or intent) transported back to", "that has little to do with my question. In my version of the", "in particular other females, should be considered. I may be going overboard, but", "a novel, an historical fiction with a small fantasy component (time travel through", "transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though", "with comments enabled for anyone that wants to read what I've done so", "of course, when she's thinking about how she feels about her counterpart, the", "Century, at least in the part of the world where these two were", "so. Second Update: That Google Docs link is dead. I published the book", "attempting to write a novel, an historical fiction with a small fantasy component", "I don't have confidence that I can write a female protagonist who has", "published the book on Amazon, and it will go out to other publishers", "version of the late 23rd Century, at least in the part of the", "differences, and egalitarianism. As such, the male half of the couple struggles with", "notion that, in order to blend in to the 14th Century, he has", "in the first draft (the main events, etc.), then go back and re-write", "far. My goal is to get the base story laid down in the", "heavy objects. She is, however, feminine, and I'm... not. So I don't have", "This makes me more than a bit nervous, but I've decided to include", "struggles (as a male writer) with writing the female character from her own", "who has agency without sounding like \"a dude writing a chick\". So what", "for women. This is a simplistic description of what he goes through, but", "I'm attempting to write a novel, an historical fiction with a small fantasy", "with the notion that, in order to blend in to the 14th Century,", "from her own POV. She's a modern woman of the 23rd Century, albeit", "the late 14th Century. The setting is Venetian-ruled Croatia, though that has little", "you choose to comment, please make them constructive. Thank you to anyone who", "has little to do with my question. In my version of the late", "fiction with a small fantasy component (time travel through a portal). The travelers", "from women writers, though tips from anyone are appreciated. I'm primarily concerned with", "to my ~~working document on Google Docs~~ with comments enabled for anyone that", "As such, the male half of the couple struggles with the notion that,", "them constructive. Thank you to anyone who chooses to do so. Second Update:", "a few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good", "So I don't have confidence that I can write a female protagonist who", "struggles with the notion that, in order to blend in to the 14th", "in the part of the world where these two were raised, is what", "lifting large, heavy objects. She is, however, feminine, and I'm... not. So I", "How does she think about the world she sees? This is most evident,", "overboard, but I really want to make this character \"real\". Update: This makes", "writing properly feminine female characters who have agency? I'm particularly interested in hearing", "in her life to do much of anything for her save perhaps lifting", "does she think about the world she sees? This is most evident, of", "here. Which brings us to my struggles (as a male writer) with writing", "years old). She can take care of herself, and eschews the idea of", "to do things like hold doors for women. This is a simplistic description", "do so. Second Update: That Google Docs link is dead. I published the", "have agency? I'm particularly interested in hearing from women writers, though tips from", "equality, acceptance of differences, and egalitarianism. As such, the male half of the", "That Google Docs link is dead. I published the book on Amazon, and", "feels about her counterpart, the male lead. But also her interactions with other", "he goes through, but it should suffice here. Which brings us to my", "book on Amazon, and it will go out to other publishers in a", "late 23rd Century, at least in the part of the world where these", "I'm primarily concerned with her internal monologue. How does she think about the", "for writing properly feminine female characters who have agency? I'm particularly interested in", "Docs link is dead. I published the book on Amazon, and it will", "writing a chick\". So what tips do you have for writing properly feminine", "nervous, but I've decided to include a link to my ~~working document on", "the 14th Century, he has to do things like hold doors for women.", "late 23rd Century who are (without preparation or intent) transported back to the", "14th Century, he has to do things like hold doors for women. This", "be going overboard, but I really want to make this character \"real\". Update:", "back to the late 14th Century. The setting is Venetian-ruled Croatia, though that", "first draft (the main events, etc.), then go back and re-write for things", "and I think my character was made better for it. Thank you all.", "In my version of the late 23rd Century, at least in the part", "the idea of needing a man in her life to do much of", "a male writer) with writing the female character from her own POV. She's", "the notion that, in order to blend in to the 14th Century, he", "chooses to do so. Second Update: That Google Docs link is dead. I", "what I've done so far. My goal is to get the base story", "in order to blend in to the 14th Century, he has to do", "23rd Century, albeit young (twenty years old). She can take care of herself,", "without sounding like \"a dude writing a chick\". So what tips do you", "order to blend in to the 14th Century, he has to do things", "to get the base story laid down in the first draft (the main", "here, and I think my character was made better for it. Thank you", "needing a man in her life to do much of anything for her", "travelers (main characters) are a young couple from the late 23rd Century who", "acceptance of differences, and egalitarianism. As such, the male half of the couple", "do you have for writing properly feminine female characters who have agency? I'm", "to other publishers in a few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime).", "but I really want to make this character \"real\". Update: This makes me", "days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here,", "feminine, and I'm... not. So I don't have confidence that I can write", "Venetian-ruled Croatia, though that has little to do with my question. In my", "but I've decided to include a link to my ~~working document on Google", "world where these two were raised, is what we might call \"post woke\";", "story laid down in the first draft (the main events, etc.), then go", "evident, of course, when she's thinking about how she feels about her counterpart,", "me more than a bit nervous, but I've decided to include a link", "is Venetian-ruled Croatia, though that has little to do with my question. In", "The setting is Venetian-ruled Croatia, though that has little to do with my", "one of equality, acceptance of differences, and egalitarianism. As such, the male half", "half of the couple struggles with the notion that, in order to blend", "for anyone that wants to read what I've done so far. My goal", "preparation or intent) transported back to the late 14th Century. The setting is", "particularly interested in hearing from women writers, though tips from anyone are appreciated.", "a bit nervous, but I've decided to include a link to my ~~working", "a portal). The travelers (main characters) are a young couple from the late", "Century who are (without preparation or intent) transported back to the late 14th", "Which brings us to my struggles (as a male writer) with writing the", "dude writing a chick\". So what tips do you have for writing properly", "she sees? This is most evident, of course, when she's thinking about how", "thinking about how she feels about her counterpart, the male lead. But also", "are appreciated. I'm primarily concerned with her internal monologue. How does she think", "She can take care of herself, and eschews the idea of needing a", "don't have confidence that I can write a female protagonist who has agency", "travel through a portal). The travelers (main characters) are a young couple from", "(time travel through a portal). The travelers (main characters) are a young couple", "tips from anyone are appreciated. I'm primarily concerned with her internal monologue. How", "good feedback here, and I think my character was made better for it.", "wants to read what I've done so far. My goal is to get", "go back and re-write for things that I'm asking about here. If you", "the male lead. But also her interactions with other characters, in particular other", "late 14th Century. The setting is Venetian-ruled Croatia, though that has little to", "re-write for things that I'm asking about here. If you choose to comment,", "(main characters) are a young couple from the late 23rd Century who are", "23rd Century, at least in the part of the world where these two", "much of anything for her save perhaps lifting large, heavy objects. She is,", "link is dead. I published the book on Amazon, and it will go", "that I'm asking about here. If you choose to comment, please make them", "the world she sees? This is most evident, of course, when she's thinking", "laid down in the first draft (the main events, etc.), then go back", "I'm asking about here. If you choose to comment, please make them constructive.", "a female protagonist who has agency without sounding like \"a dude writing a", "properly feminine female characters who have agency? I'm particularly interested in hearing from", "go out to other publishers in a few days, including a print version.", "to blend in to the 14th Century, he has to do things like", "hearing from women writers, though tips from anyone are appreciated. I'm primarily concerned", "comments enabled for anyone that wants to read what I've done so far.", "primarily concerned with her internal monologue. How does she think about the world", "intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia,", "including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and", "tips do you have for writing properly feminine female characters who have agency?", "I've decided to include a link to my ~~working document on Google Docs~~", "here. If you choose to comment, please make them constructive. Thank you to", "has agency without sounding like \"a dude writing a chick\". So what tips", "were raised, is what we might call \"post woke\"; the mentality of people", "least in the part of the world where these two were raised, is", "the book on Amazon, and it will go out to other publishers in", "14th Century. The setting is Venetian-ruled Croatia, though that has little to do", "other characters, in particular other females, should be considered. I may be going", "Second Update: That Google Docs link is dead. I published the book on", "base story laid down in the first draft (the main events, etc.), then", "include a link to my ~~working document on Google Docs~~ with comments enabled", "the male half of the couple struggles with the notion that, in order", "to do so. Second Update: That Google Docs link is dead. I published", "and egalitarianism. As such, the male half of the couple struggles with the", "will go out to other publishers in a few days, including a print", "question. In my version of the late 23rd Century, at least in the", "for things that I'm asking about here. If you choose to comment, please", "should be considered. I may be going overboard, but I really want to", "not. So I don't have confidence that I can write a female protagonist", "women. This is a simplistic description of what he goes through, but it", "doors for women. This is a simplistic description of what he goes through,", "and it will go out to other publishers in a few days, including", "for her save perhaps lifting large, heavy objects. She is, however, feminine, and", "historical fiction with a small fantasy component (time travel through a portal). The", "of herself, and eschews the idea of needing a man in her life", "also her interactions with other characters, in particular other females, should be considered.", "from anyone are appreciated. I'm primarily concerned with her internal monologue. How does", "who are (without preparation or intent) transported back to the late 14th Century.", "what we might call \"post woke\"; the mentality of people in their time", "a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and I", "But also her interactions with other characters, in particular other females, should be", "that I can write a female protagonist who has agency without sounding like", "hold doors for women. This is a simplistic description of what he goes", "suffice here. Which brings us to my struggles (as a male writer) with", "Century, he has to do things like hold doors for women. This is", "want to make this character \"real\". Update: This makes me more than a", "to do with my question. In my version of the late 23rd Century,", "publishers in a few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got", "is one of equality, acceptance of differences, and egalitarianism. As such, the male", "Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and I think my character", "may be going overboard, but I really want to make this character \"real\".", "her counterpart, the male lead. But also her interactions with other characters, in", "back and re-write for things that I'm asking about here. If you choose", "agency? I'm particularly interested in hearing from women writers, though tips from anyone", "down in the first draft (the main events, etc.), then go back and", "few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback", "large, heavy objects. She is, however, feminine, and I'm... not. So I don't", "(without preparation or intent) transported back to the late 14th Century. The setting", "have confidence that I can write a female protagonist who has agency without", "of differences, and egalitarianism. As such, the male half of the couple struggles", "with my question. In my version of the late 23rd Century, at least", "Century, albeit young (twenty years old). She can take care of herself, and", "and area is one of equality, acceptance of differences, and egalitarianism. As such,", "world she sees? This is most evident, of course, when she's thinking about", "out to other publishers in a few days, including a print version. Details", "I've done so far. My goal is to get the base story laid", "character from her own POV. She's a modern woman of the 23rd Century,", "She's a modern woman of the 23rd Century, albeit young (twenty years old).", "are a young couple from the late 23rd Century who are (without preparation", "make this character \"real\". Update: This makes me more than a bit nervous,", "time and area is one of equality, acceptance of differences, and egalitarianism. As", "things like hold doors for women. This is a simplistic description of what", "to include a link to my ~~working document on Google Docs~~ with comments", "small fantasy component (time travel through a portal). The travelers (main characters) are", "(the main events, etc.), then go back and re-write for things that I'm", "my ~~working document on Google Docs~~ with comments enabled for anyone that wants", "female character from her own POV. She's a modern woman of the 23rd", "a link to my ~~working document on Google Docs~~ with comments enabled for", "however, feminine, and I'm... not. So I don't have confidence that I can", "about the world she sees? This is most evident, of course, when she's", "concerned with her internal monologue. How does she think about the world she", "have for writing properly feminine female characters who have agency? I'm particularly interested", "internal monologue. How does she think about the world she sees? This is", "considered. I may be going overboard, but I really want to make this", "Google Docs link is dead. I published the book on Amazon, and it", "this character \"real\". Update: This makes me more than a bit nervous, but", "objects. She is, however, feminine, and I'm... not. So I don't have confidence", "she's thinking about how she feels about her counterpart, the male lead. But", "is to get the base story laid down in the first draft (the", "idea of needing a man in her life to do much of anything", "most evident, of course, when she's thinking about how she feels about her", "call \"post woke\"; the mentality of people in their time and area is", "This is a simplistic description of what he goes through, but it should", "with other characters, in particular other females, should be considered. I may be", "at least in the part of the world where these two were raised,", "counterpart, the male lead. But also her interactions with other characters, in particular", "can write a female protagonist who has agency without sounding like \"a dude", "setting is Venetian-ruled Croatia, though that has little to do with my question.", "more than a bit nervous, but I've decided to include a link to", "to comment, please make them constructive. Thank you to anyone who chooses to", "writer) with writing the female character from her own POV. She's a modern", "\"post woke\"; the mentality of people in their time and area is one", "anyone who chooses to do so. Second Update: That Google Docs link is", "save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not.", "please make them constructive. Thank you to anyone who chooses to do so.", "us to my struggles (as a male writer) with writing the female character", "makes me more than a bit nervous, but I've decided to include a", "we might call \"post woke\"; the mentality of people in their time and", "of what he goes through, but it should suffice here. Which brings us", "agency without sounding like \"a dude writing a chick\". So what tips do", "\"real\". Update: This makes me more than a bit nervous, but I've decided", "of the couple struggles with the notion that, in order to blend in", "like \"a dude writing a chick\". So what tips do you have for", "the couple struggles with the notion that, in order to blend in to", "from the late 23rd Century who are (without preparation or intent) transported back", "to my struggles (as a male writer) with writing the female character from", "make them constructive. Thank you to anyone who chooses to do so. Second", "I published the book on Amazon, and it will go out to other", "woke\"; the mentality of people in their time and area is one of", "through a portal). The travelers (main characters) are a young couple from the", "should suffice here. Which brings us to my struggles (as a male writer)", "young (twenty years old). She can take care of herself, and eschews the", "I can write a female protagonist who has agency without sounding like \"a", "23rd Century who are (without preparation or intent) transported back to the late", "through, but it should suffice here. Which brings us to my struggles (as", "novel, an historical fiction with a small fantasy component (time travel through a", "confidence that I can write a female protagonist who has agency without sounding", "events, etc.), then go back and re-write for things that I'm asking about", "goal is to get the base story laid down in the first draft", "you have for writing properly feminine female characters who have agency? I'm particularly", "Thank you to anyone who chooses to do so. Second Update:** That Google", "where these two were raised, is what we might call \"post woke\"; the", "goes through, but it should suffice here. Which brings us to my struggles", "herself, and eschews the idea of needing a man in her life to", "might call \"post woke\"; the mentality of people in their time and area", "female protagonist who has agency without sounding like \"a dude writing a chick\".", "little to do with my question. In my version of the late 23rd", "female characters who have agency? I'm particularly interested in hearing from women writers,", "such, the male half of the couple struggles with the notion that, in", "life to do much of anything for her save perhaps lifting large, heavy", "If you choose to comment, please make them constructive. Thank you to anyone", "in a few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some", "So what tips do you have for writing properly feminine female characters who", "My goal is to get the base story laid down in the first", "description of what he goes through, but it should suffice here. Which brings", "bit nervous, but I've decided to include a link to my ~~working document", "Update: That Google Docs link is dead. I published the book on Amazon,", "that, in order to blend in to the 14th Century, he has to", "raised, is what we might call \"post woke\"; the mentality of people in", "male lead. But also her interactions with other characters, in particular other females,", "constructive. Thank you to anyone who chooses to do so. Second Update: That", "are (without preparation or intent) transported back to the late 14th Century. The", "anyone that wants to read what I've done so far. My goal is", "appreciated. I'm primarily concerned with her internal monologue. How does she think about", "about how she feels about her counterpart, the male lead. But also her", "females, should be considered. I may be going overboard, but I really want", "I'm... not. So I don't have confidence that I can write a female", "what he goes through, but it should suffice here. Which brings us to", "of the world where these two were raised, is what we might call", "the base story laid down in the first draft (the main events, etc.),", "it should suffice here. Which brings us to my struggles (as a male", "who chooses to do so. Second Update:** That Google Docs link is dead.", "the first draft (the main events, etc.), then go back and re-write for", "other publishers in a few days, including a print version. Details [here](https://booklaunch.io/jdray/livesintime). I", "and eschews the idea of needing a man in her life to do", "Google Docs~~ with comments enabled for anyone that wants to read what I've", "she think about the world she sees? This is most evident, of course,", "fantasy component (time travel through a portal). The travelers (main characters) are a", "particular other females, should be considered. I may be going overboard, but I", "Docs~~ with comments enabled for anyone that wants to read what I've done", "to anyone who chooses to do so. Second Update: That Google Docs link", "She is, however, feminine, and I'm... not. So I don't have confidence that", "albeit young (twenty years old). She can take care of herself, and eschews", "her interactions with other characters, in particular other females, should be considered. I", "to read what I've done so far. My goal is to get the", "people in their time and area is one of equality, acceptance of differences,", "asking about here. If you choose to comment, please make them constructive. Thank", "\"a dude writing a chick\". So what tips do you have for writing", "Croatia, though that has little to do with my question. In my version", "POV. She's a modern woman of the 23rd Century, albeit young (twenty years", "couple struggles with the notion that, in order to blend in to the", "version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and I think my", "do with my question. In my version of the late 23rd Century, at", "done so far. My goal is to get the base story laid down", "her own POV. She's a modern woman of the 23rd Century, albeit young", "print version. Details [here](https://booklaunch.io/jdray/livesintime). I got some good feedback here, and I think", "woman of the 23rd Century, albeit young (twenty years old). She can take", "I'm particularly interested in hearing from women writers, though tips from anyone are", "decided to include a link to my ~~working document on Google Docs~~ with", "my struggles (as a male writer) with writing the female character from her", "~~working document on Google Docs~~ with comments enabled for anyone that wants to", "a man in her life to do much of anything for her save", "the late 23rd Century, at least in the part of the world where", "component (time travel through a portal). The travelers (main characters) are a young", "lead. But also her interactions with other characters, in particular other females, should", "two were raised, is what we might call \"post woke\"; the mentality of", "I may be going overboard, but I really want to make this character", "on Amazon, and it will go out to other publishers in a few", "main events, etc.), then go back and re-write for things that I'm asking", "male writer) with writing the female character from her own POV. She's a", "perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So", "when she's thinking about how she feels about her counterpart, the male lead." ]
[ "the stakes from there (or ideally, much earlier) without the audience getting bored?", "time. Each story arc, the stakes get higher, the drama gets more intense,", "what? How can I lower the stakes from there (or ideally, much earlier)", "fine. So long I know where I'm going, it's just a matter of", "of pacing the spectacle increase. But for an ongoing story, that poses a", "poses a challenge, particularly in a genre where the stakes start high. The", "city, then the world, then the universe, then the multiverse, then defeats every", "universe, then the multiverse, then defeats every villain from every universe simultaneously while", "higher, the drama gets more intense, the villains get more dangerous, and so", "get more dangerous, and so on. For a story with a fixed endpoint,", "then the universe, then the multiverse, then defeats every villain from every universe", "spectacle increase. But for an ongoing story, that poses a challenge, particularly in", "story with a fixed endpoint, that's fine. So long I know where I'm", "earlier) without the audience getting bored? How can I tell an ongoing story", "much earlier) without the audience getting bored? How can I tell an ongoing", "The superhero saves the city, then the world, then the universe, then the", "spectacle to build over time. Each story arc, the stakes get higher, the", "build over time. Each story arc, the stakes get higher, the drama gets", "a challenge, particularly in a genre where the stakes start high. The superhero", "then what? How can I lower the stakes from there (or ideally, much", "For a story with a fixed endpoint, that's fine. So long I know", "stakes start high. The superhero saves the city, then the world, then the", "stories for spectacle to build over time. Each story arc, the stakes get", "the audience getting bored? How can I tell an ongoing story without falling", "the city, then the world, then the universe, then the multiverse, then defeats", "the villains get more dangerous, and so on. For a story with a", "with a fixed endpoint, that's fine. So long I know where I'm going,", "that's fine. So long I know where I'm going, it's just a matter", "then defeats every villain from every universe simultaneously while blindfolded and in a", "full body cast, and then what? How can I lower the stakes from", "stakes get higher, the drama gets more intense, the villains get more dangerous,", "simultaneously while blindfolded and in a full body cast, and then what? How", "and in a full body cast, and then what? How can I lower", "in a genre where the stakes start high. The superhero saves the city,", "the drama gets more intense, the villains get more dangerous, and so on.", "every villain from every universe simultaneously while blindfolded and in a full body", "long I know where I'm going, it's just a matter of pacing the", "endpoint, that's fine. So long I know where I'm going, it's just a", "superhero saves the city, then the world, then the universe, then the multiverse,", "I lower the stakes from there (or ideally, much earlier) without the audience", "an ongoing story, that poses a challenge, particularly in a genre where the", "over time. Each story arc, the stakes get higher, the drama gets more", "going, it's just a matter of pacing the spectacle increase. But for an", "where the stakes start high. The superhero saves the city, then the world,", "body cast, and then what? How can I lower the stakes from there", "that poses a challenge, particularly in a genre where the stakes start high.", "ongoing story, that poses a challenge, particularly in a genre where the stakes", "while blindfolded and in a full body cast, and then what? How can", "cast, and then what? How can I lower the stakes from there (or", "genre where the stakes start high. The superhero saves the city, then the", "the stakes start high. The superhero saves the city, then the world, then", "it's just a matter of pacing the spectacle increase. But for an ongoing", "the spectacle increase. But for an ongoing story, that poses a challenge, particularly", "dangerous, and so on. For a story with a fixed endpoint, that's fine.", "start high. The superhero saves the city, then the world, then the universe,", "universe simultaneously while blindfolded and in a full body cast, and then what?", "lower the stakes from there (or ideally, much earlier) without the audience getting", "from there (or ideally, much earlier) without the audience getting bored? How can", "Each story arc, the stakes get higher, the drama gets more intense, the", "I'm going, it's just a matter of pacing the spectacle increase. But for", "on. For a story with a fixed endpoint, that's fine. So long I", "and then what? How can I lower the stakes from there (or ideally,", "get higher, the drama gets more intense, the villains get more dangerous, and", "defeats every villain from every universe simultaneously while blindfolded and in a full", "matter of pacing the spectacle increase. But for an ongoing story, that poses", "then the world, then the universe, then the multiverse, then defeats every villain", "a genre where the stakes start high. The superhero saves the city, then", "drama gets more intense, the villains get more dangerous, and so on. For", "How can I tell an ongoing story without falling victim to spectacle creep?", "can I lower the stakes from there (or ideally, much earlier) without the", "multiverse, then defeats every villain from every universe simultaneously while blindfolded and in", "more dangerous, and so on. For a story with a fixed endpoint, that's", "more intense, the villains get more dangerous, and so on. For a story", "stakes from there (or ideally, much earlier) without the audience getting bored? How", "the multiverse, then defeats every villain from every universe simultaneously while blindfolded and", "the universe, then the multiverse, then defeats every villain from every universe simultaneously", "a fixed endpoint, that's fine. So long I know where I'm going, it's", "for spectacle to build over time. Each story arc, the stakes get higher,", "world, then the universe, then the multiverse, then defeats every villain from every", "villains get more dangerous, and so on. For a story with a fixed", "where I'm going, it's just a matter of pacing the spectacle increase. But", "challenge, particularly in a genre where the stakes start high. The superhero saves", "pacing the spectacle increase. But for an ongoing story, that poses a challenge,", "story arc, the stakes get higher, the drama gets more intense, the villains", "bored? How can I tell an ongoing story without falling victim to spectacle", "just a matter of pacing the spectacle increase. But for an ongoing story,", "to build over time. Each story arc, the stakes get higher, the drama", "from every universe simultaneously while blindfolded and in a full body cast, and", "audience getting bored? How can I tell an ongoing story without falling victim", "the stakes get higher, the drama gets more intense, the villains get more", "intense, the villains get more dangerous, and so on. For a story with", "getting bored? How can I tell an ongoing story without falling victim to", "ideally, much earlier) without the audience getting bored? How can I tell an", "so on. For a story with a fixed endpoint, that's fine. So long", "blindfolded and in a full body cast, and then what? How can I", "a matter of pacing the spectacle increase. But for an ongoing story, that", "in stories for spectacle to build over time. Each story arc, the stakes", "So long I know where I'm going, it's just a matter of pacing", "But for an ongoing story, that poses a challenge, particularly in a genre", "(or ideally, much earlier) without the audience getting bored? How can I tell", "high. The superhero saves the city, then the world, then the universe, then", "It's common in stories for spectacle to build over time. Each story arc,", "villain from every universe simultaneously while blindfolded and in a full body cast,", "increase. But for an ongoing story, that poses a challenge, particularly in a", "and so on. For a story with a fixed endpoint, that's fine. So", "the world, then the universe, then the multiverse, then defeats every villain from", "particularly in a genre where the stakes start high. The superhero saves the", "then the multiverse, then defeats every villain from every universe simultaneously while blindfolded", "for an ongoing story, that poses a challenge, particularly in a genre where", "I know where I'm going, it's just a matter of pacing the spectacle", "in a full body cast, and then what? How can I lower the", "without the audience getting bored? How can I tell an ongoing story without", "there (or ideally, much earlier) without the audience getting bored? How can I", "story, that poses a challenge, particularly in a genre where the stakes start", "know where I'm going, it's just a matter of pacing the spectacle increase.", "fixed endpoint, that's fine. So long I know where I'm going, it's just", "saves the city, then the world, then the universe, then the multiverse, then", "common in stories for spectacle to build over time. Each story arc, the", "arc, the stakes get higher, the drama gets more intense, the villains get", "gets more intense, the villains get more dangerous, and so on. For a", "a story with a fixed endpoint, that's fine. So long I know where", "every universe simultaneously while blindfolded and in a full body cast, and then", "How can I lower the stakes from there (or ideally, much earlier) without", "a full body cast, and then what? How can I lower the stakes" ]
[ "a book and these first 20 pages are mostly just action so my", "pages are mostly just action so my question is if a book is", "first 20 pages are mostly just action so my question is if a", "question is if a book is like mad max fury road, (almost nothing", "so my question is if a book is like mad max fury road,", "(almost nothing but action) will it be annoying or not be exciting anymore", "and these first 20 pages are mostly just action so my question is", "I’m writing a book and these first 20 pages are mostly just action", "mostly just action so my question is if a book is like mad", "max fury road, (almost nothing but action) will it be annoying or not", "fury road, (almost nothing but action) will it be annoying or not be", "mad max fury road, (almost nothing but action) will it be annoying or", "is like mad max fury road, (almost nothing but action) will it be", "these first 20 pages are mostly just action so my question is if", "20 pages are mostly just action so my question is if a book", "like mad max fury road, (almost nothing but action) will it be annoying", "action so my question is if a book is like mad max fury", "my question is if a book is like mad max fury road, (almost", "road, (almost nothing but action) will it be annoying or not be exciting", "book is like mad max fury road, (almost nothing but action) will it", "book and these first 20 pages are mostly just action so my question", "are mostly just action so my question is if a book is like", "writing a book and these first 20 pages are mostly just action so", "nothing but action) will it be annoying or not be exciting anymore after", "but action) will it be annoying or not be exciting anymore after awhile?", "a book is like mad max fury road, (almost nothing but action) will", "is if a book is like mad max fury road, (almost nothing but", "if a book is like mad max fury road, (almost nothing but action)", "just action so my question is if a book is like mad max" ]
[ "cut attempt to stop group B from invading in the 'past' timeline. As", "group a different race then the other or nothing at all just due", "the different groups be different races? Or should I error on the side", "live in right geographic location (ie closeness to the equator) for that tone", "without consideration for race and any race is effectively an afterthought on my", "with some other differences between the groups like general height or hair color", "and any race is effectively an afterthought on my part. It puts me", "fact that diseases spread by the new contact between the races will take", "reason I can't pick any random skin tone and give it to a", "very strong military presence, and rules over a larger area; while the republic", "due to the kings apparent warmongering, but later on both sides are shown", "into the issue that I could see someone making claims that a group", "do a blending of skin tones across a nation (with southern being darker", "battle between two racial groups (war will be declared during the story) is", "to add some racial diversity by having the different groups be different races?", "tones then how do I do it in a way that prevents people", "see in the future that group B successful conquered group A and is", "any skin tone to either group and wouldn't be changing their characterization? Should", "spread by the third party to keep both groups numbers low enough to", "by another (group B). The protagonist is actually jumping between two versions of", "manifest-destiny and the fact that diseases spread by the new contact between the", "as bad guys due to the kings apparent warmongering, but later on both", "a weak central goverment and only militias, but is more technically advanced and", "group B is over group A depends on who you ask. The first", "how do I do it in a way that prevents people from reading", "the future that group B successful conquered group A and is now ruling", "is actually jumping between two versions of the timeline, one a generation in", "presence, and rules over a larger area; while the republic has a weak", "subtle. So my question is, can/should I try to add some racial diversity", "groups numbers low enough to keep control over...). As such I'm afraid that", "diseases ravished both groups about equally (and will turn out to be artificially", "differences between the groups like general height or hair color which I think", "has. Still I worry about depicting battle between two racial groups (war will", "just say both groups lived on the same longitudinal line and thus are", "over...). As such I'm afraid that if I don't keep everyone the same", "southern being darker then northern). I can do a sharp contrast of one", "one phenotype. Likewise since these are video games being made by me with", "random skin tone and give it to a group of people, beyond ensuring", "larger area; while the republic has a weak central goverment and only militias,", "on my part. It puts me in the awkward situation of feeling it's", "of people and making them a different skin tone. I had originally thought", "in my mind, to fit as directly into one racial stereotype or have", "at random for each groups, and ignore the fact that some people will", "of one group a different race then the other or nothing at all", "of the Americas, including a preaching of something like manifest-destiny and the fact", "me with RPGMaker (ie with limited technical capabilities) I can't realistically do a", "groups in something of a cold war with each other. The Kingdom has", "evolved. However, when I actually tried to pick a group of people I", "has unfortunate racial implications even though the group was created without consideration for", "fantasy stories in different worlds which do not share any history with our", "enough to keep control over...). As such I'm afraid that if I don't", "Originally the kingdom is depicted as bad guys due to the kings apparent", "something of a cold war with each other. The Kingdom has a strong", "and making them a different skin tone. I had originally thought this would", "same race it will bring up claims that I'm misrepresenting colonization or other", "have as direct a parallel to something that is always going to be", "nation (with southern being darker then northern). I can do a sharp contrast", "changing their characterization? Should I just not worry about it, pick a race", "own culture there is no reason I can't pick any random skin tone", "almost exclusively of one phenotype. Likewise since these are video games being made", "by having the different groups be different races? Or should I error on", "ran into the issue that I could see someone making claims that a", "that plays a role in later parts of the story. In this case", "which I think are safer to write) If it can be safe to", "issue that I could see someone making claims that a group is racist", "other differences between the groups like general height or hair color which I", "from reading implication into the choice of race when I'm honestly willing to", "that is always going to be bound to racial discussion like colonization has.", "depicted as bad guys due to the kings apparent warmongering, but later on", "with RPGMaker (ie with limited technical capabilities) I can't realistically do a blending", "side of caution and just say both groups lived on the same longitudinal", "color which I think are safer to write) If it can be safe", "villains of the story. The story has some parallels to the colonization of", "to be a problem. The countries will not contain a mixture of different", "of caution and just say both groups lived on the same longitudinal line", "strong central leadership, a very strong military presence, and rules over a larger", "height or hair color which I think are safer to write) If it", "to one group or the other, since neither side seems, in my mind,", "bound to racial discussion like colonization has. Still I worry about depicting battle", "the 'past' timeline. As time goes on it will be learned that the", "The story has some parallels to the colonization of the Americas, including a", "more fertile lands. Originally the kingdom is depicted as bad guys due to", "tone to either group and wouldn't be changing their characterization? Should I just", "will be learned that the real problem is both sides are being manipulated", "one a generation in the future, so we can see in the future", "of which race I make group A or group B. To give another,", "my mind, to fit as directly into one racial stereotype or have as", "afraid that if I don't keep everyone the same race it will bring", "afterthought on my part. It puts me in the awkward situation of feeling", "across a nation (with southern being darker then northern). I can do a", "one of the groups of people and making them a different skin tone.", "diversity then have diversity that someone can complain about how it's used. To", "future that group B successful conquered group A and is now ruling over", "other or nothing at all just due to technically difficulties of doing something", "give an example the story where it came up involves one group (group", "on the same longitudinal line and thus are roughly the same skin tone", "thinking I wanted to move away from the classic 'all white cast' scenario", "parallels to the colonization of the Americas, including a preaching of something like", "to the colonization of the Americas, including a preaching of something like manifest-destiny", "with two groups in something of a cold war with each other. The", "jumping between two versions of the timeline, one a generation in the future,", "during the story) is always going to be a problem. 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As time goes on it will be learned that the real", "game has unfortunate racial implications even though the group was created without consideration", "with each other. The Kingdom has a strong central leadership, a very strong", "or other claims of unfortunate implications. This seems true regardless of which race", "one racial stereotype or have as direct a parallel to something that is", "Still I worry about depicting battle between two racial groups (war will be", "question is, can/should I try to add some racial diversity by having the", "error on the side of caution and just say both groups lived on", "I'm afraid that if I don't keep everyone the same race it will", "groups, and ignore the fact that some people will always find ways to", "a generation in the future, so we can see in the future that", "white cast' scenario in most games, by picking one of the groups of", "don't keep everyone the same race it will bring up claims that I'm", "in this case the diseases ravished both groups about equally (and will turn", "roughly the same skin tone (possibly with some other differences between the groups", "learned that the real problem is both sides are being manipulated into conflict", "to keep both groups numbers low enough to keep control over...). As such", "a third party who will be the real villains of the story. The", "is a bigger villain that plays a role in later parts of the", "ravished both groups about equally (and will turn out to be artificially spread", "that I could see someone making claims that a group is racist or", "attempt to stop group B from invading in the 'past' timeline. As time", "the other or nothing at all just due to technically difficulties of doing", "racist or that my game has unfortunate racial implications even though the group", "can do a sharp contrast of one group a different race then the", "as direct a parallel to something that is always going to be bound", "by the third party to keep both groups numbers low enough to keep", "that my game has unfortunate racial implications even though the group was created", "or the wrong. 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The story", "a strong central leadership, a very strong military presence, and rules over a", "a parallel to something that is always going to be bound to racial", "first part of the plot seem a clear cut attempt to stop group", "like general height or hair color which I think are safer to write)", "parts of the story. In this case I'm less apprehensive about assigning a", "that diseases spread by the new contact between the races will take more", "fact that some people will always find ways to be offended in what", "other world building reasons mean each group will be made up almost exclusively", "with limited technical capabilities) I can't realistically do a blending of skin tones", "give it to a group of people, beyond ensuring they live in right", "have my existing groups different skin tones then how do I do it", "war with each other. The Kingdom has a strong central leadership, a very", "will be made up almost exclusively of one phenotype. 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In this case I'm less", "the awkward situation of feeling it's 'safer' to have no diversity then have", "goes on it will be learned that the real problem is both sides", "blending of skin tones across a nation (with southern being darker then northern).", "sharp contrast of one group a different race then the other or nothing", "about it, pick a race at random for each groups, and ignore the", "different races, limited transportation technology and other world building reasons mean each group", "conquered group A and is now ruling over the part of the world.", "over a larger area; while the republic has a weak central goverment and", "culture there is no reason I can't pick any random skin tone and", "different fantasy world with it's own culture there is no reason I can't", "different worlds which do not share any history with our own. I was", "I had originally thought this would be easy, in a completely different fantasy", "a group is racist or that my game has unfortunate racial implications even", "skin tone and give it to a group of people, beyond ensuring they", "B). The protagonist is actually jumping between two versions of the timeline, one", "in something of a cold war with each other. The Kingdom has a", "other, since neither side seems, in my mind, to fit as directly into", "A and is now ruling over the part of the world. How good", "up involves one group (group A) being invaded by another (group B). The", "military presence, and rules over a larger area; while the republic has a", "worry about it, pick a race at random for each groups, and ignore", "In this case I'm less apprehensive about assigning a race to one group", "a ruler group B is over group A depends on who you ask.", "later on both sides are shown to be guilty of questionable decisions and", "and give it to a group of people, beyond ensuring they live in", "location (ie closeness to the equator) for that tone to have evolved. However,", "closeness to the equator) for that tone to have evolved. However, when I", "contact between the races will take more lives then the actual war took,", "colonization or other claims of unfortunate implications. This seems true regardless of which", "longitudinal line and thus are roughly the same skin tone (possibly with some", "that the real problem is both sides are being manipulated into conflict by", "both groups numbers low enough to keep control over...). As such I'm afraid", "was thinking I wanted to move away from the classic 'all white cast'", "northern). I can do a sharp contrast of one group a different race", "two versions of the timeline, one a generation in the future, so we", "cold war with each other. The Kingdom has a strong central leadership, a", "some people will always find ways to be offended in what is written?", "two racial groups (war will be declared during the story) is always going", "warmongering, but later on both sides are shown to be guilty of questionable", "have no diversity then have diversity that someone can complain about how it's", "technology and other world building reasons mean each group will be made up", "the plot seem a clear cut attempt to stop group B from invading", "or nothing at all just due to technically difficulties of doing something more", "Or should I error on the side of caution and just say both", "party to keep both groups numbers low enough to keep control over...). As", "skin tone to either group and wouldn't be changing their characterization? Should I", "see someone making claims that a group is racist or that my game", "Americas, including a preaching of something like manifest-destiny and the fact that diseases", "other. The Kingdom has a strong central leadership, a very strong military presence,", "say both groups lived on the same longitudinal line and thus are roughly", "was created without consideration for race and any race is effectively an afterthought", "building reasons mean each group will be made up almost exclusively of one", "in a way that prevents people from reading implication into the choice of", "can see in the future that group B successful conquered group A and", "conflict by a third party who will be the real villains of the", "a different skin tone. I had originally thought this would be easy, in", "a different race then the other or nothing at all just due to", "groups be different races? Or should I error on the side of caution", "from invading in the 'past' timeline. As time goes on it will be", "group A and is now ruling over the part of the world. How", "As time goes on it will be learned that the real problem is", "skin tone. I had originally thought this would be easy, in a completely", "the third party to keep both groups numbers low enough to keep control", "later parts of the story. In this case I'm less apprehensive about assigning", "any history with our own. I was thinking I wanted to move away", "claims of unfortunate implications. This seems true regardless of which race I make", "stories in different worlds which do not share any history with our own.", "fantasy world with it's own culture there is no reason I can't pick", "easy, in a completely different fantasy world with it's own culture there is", "each group will be made up almost exclusively of one phenotype. Likewise since", "race is effectively an afterthought on my part. It puts me in the", "on the side of caution and just say both groups lived on the", "are safer to write) If it can be safe to have my existing", "of feeling it's 'safer' to have no diversity then have diversity that someone", "cast' scenario in most games, by picking one of the groups of people", "This seems true regardless of which race I make group A or group", "(with southern being darker then northern). I can do a sharp contrast of", "to racial discussion like colonization has. Still I worry about depicting battle between", "I have a different story with two groups in something of a cold", "up almost exclusively of one phenotype. Likewise since these are video games being", "the equator) for that tone to have evolved. However, when I actually tried", "is over group A depends on who you ask. The first part of", "clearly in the right or the wrong. As in the other story there", "right or the wrong. As in the other story there is a bigger", "then how do I do it in a way that prevents people from", "it, pick a race at random for each groups, and ignore the fact", "equally (and will turn out to be artificially spread by the third party", "true regardless of which race I make group A or group B. To", "the kings apparent warmongering, but later on both sides are shown to be", "being manipulated into conflict by a third party who will be the real", "weak central goverment and only militias, but is more technically advanced and owns", "How good a ruler group B is over group A depends on who", "I could see someone making claims that a group is racist or that", "(possibly with some other differences between the groups like general height or hair", "(group A) being invaded by another (group B). The protagonist is actually jumping", "B from invading in the 'past' timeline. 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The first part of the plot seem a clear cut attempt to", "about depicting battle between two racial groups (war will be declared during the", "Likewise since these are video games being made by me with RPGMaker (ie", "The protagonist is actually jumping between two versions of the timeline, one a", "move away from the classic 'all white cast' scenario in most games, by", "wanted to move away from the classic 'all white cast' scenario in most", "both sides are being manipulated into conflict by a third party who will", "the groups like general height or hair color which I think are safer", "made by me with RPGMaker (ie with limited technical capabilities) I can't realistically", "safer to write) If it can be safe to have my existing groups", "by a third party who will be the real villains of the story.", "spread by the new contact between the races will take more lives then", "same skin tone (possibly with some other differences between the groups like general", "do it in a way that prevents people from reading implication into the", "if I don't keep everyone the same race it will bring up claims", "racial discussion like colonization has. Still I worry about depicting battle between two", "it's own culture there is no reason I can't pick any random skin", "lands. Originally the kingdom is depicted as bad guys due to the kings", "be different races? Or should I error on the side of caution and", "it will be learned that the real problem is both sides are being", "my part. It puts me in the awkward situation of feeling it's 'safer'", "groups about equally (and will turn out to be artificially spread by the", "the same longitudinal line and thus are roughly the same skin tone (possibly", "stereotype or have as direct a parallel to something that is always going", "example the story where it came up involves one group (group A) being", "of a cold war with each other. 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As time goes on it will be learned that", "so we can see in the future that group B successful conquered group", "I error on the side of caution and just say both groups lived", "and thus are roughly the same skin tone (possibly with some other differences", "nothing at all just due to technically difficulties of doing something more subtle.", "do I do it in a way that prevents people from reading implication", "there is no reason I can't pick any random skin tone and give", "they live in right geographic location (ie closeness to the equator) for that", "fertile lands. Originally the kingdom is depicted as bad guys due to the", "how it's used. To give an example the story where it came up", "be the real villains of the story. The story has some parallels to", "more lives then the actual war took, though in this case the diseases", "contain a mixture of different races, limited transportation technology and other world building", "pick a group of people I ran into the issue that I could", "extreme, example I have a different story with two groups in something of", "be guilty of questionable decisions and neither side clearly in the right or", "is, can/should I try to add some racial diversity by having the different", "should I error on the side of caution and just say both groups", "'safer' to have no diversity then have diversity that someone can complain about", "be learned that the real problem is both sides are being manipulated into", "me in the awkward situation of feeling it's 'safer' to have no diversity", "the story) is always going to be a problem. 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To give another, less extreme, example I have a", "I can't pick any random skin tone and give it to a group", "some parallels to the colonization of the Americas, including a preaching of something", "each groups, and ignore the fact that some people will always find ways", "a very strong military presence, and rules over a larger area; while the", "to have evolved. However, when I actually tried to pick a group of", "involves one group (group A) being invaded by another (group B). The protagonist", "bigger villain that plays a role in later parts of the story. In", "(ie closeness to the equator) for that tone to have evolved. However, when", "a group of people I ran into the issue that I could see", "role in later parts of the story. In this case I'm less apprehensive", "is racist or that my game has unfortunate racial implications even though the", "group A or group B. To give another, less extreme, example I have", "tone and give it to a group of people, beyond ensuring they live", "group was created without consideration for race and any race is effectively an", "general height or hair color which I think are safer to write) If", "wrong. As in the other story there is a bigger villain that plays", "in the other story there is a bigger villain that plays a role", "tone (possibly with some other differences between the groups like general height or", "at all just due to technically difficulties of doing something more subtle. So", "implications. This seems true regardless of which race I make group A or", "something like manifest-destiny and the fact that diseases spread by the new contact", "and is now ruling over the part of the world. How good a", "race it will bring up claims that I'm misrepresenting colonization or other claims", "up claims that I'm misrepresenting colonization or other claims of unfortunate implications. 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Likewise", "the groups of people and making them a different skin tone. I had", "random for each groups, and ignore the fact that some people will always", "other claims of unfortunate implications. This seems true regardless of which race I", "in right geographic location (ie closeness to the equator) for that tone to", "will turn out to be artificially spread by the third party to keep", "story has some parallels to the colonization of the Americas, including a preaching", "I'm misrepresenting colonization or other claims of unfortunate implications. This seems true regardless", "we can see in the future that group B successful conquered group A", "more technically advanced and owns more fertile lands. Originally the kingdom is depicted", "ensuring they live in right geographic location (ie closeness to the equator) for", "a clear cut attempt to stop group B from invading in the 'past'", "will be the real villains of the story. The story has some parallels", "limited technical capabilities) I can't realistically do a blending of skin tones across", "to move away from the classic 'all white cast' scenario in most games,", "technical capabilities) I can't realistically do a blending of skin tones across a", "to something that is always going to be bound to racial discussion like", "a cold war with each other. The Kingdom has a strong central leadership,", "that prevents people from reading implication into the choice of race when I'm", "have a different story with two groups in something of a cold war", "different skin tones then how do I do it in a way that", "groups like general height or hair color which I think are safer to", "problem is both sides are being manipulated into conflict by a third party", "of the plot seem a clear cut attempt to stop group B from", "an afterthought on my part. It puts me in the awkward situation of", "has some parallels to the colonization of the Americas, including a preaching of", "be safe to have my existing groups different skin tones then how do", "this would be easy, in a completely different fantasy world with it's own", "now ruling over the part of the world. How good a ruler group", "about assigning a race to one group or the other, since neither side", "awkward situation of feeling it's 'safer' to have no diversity then have diversity", "apprehensive about assigning a race to one group or the other, since neither", "pick any random skin tone and give it to a group of people,", "plays a role in later parts of the story. In this case I'm", "the choice of race when I'm honestly willing to assign any skin tone", "only militias, but is more technically advanced and owns more fertile lands. Originally", "part of the plot seem a clear cut attempt to stop group B", "party who will be the real villains of the story. The story has", "advanced and owns more fertile lands. Originally the kingdom is depicted as bad", "transportation technology and other world building reasons mean each group will be made", "generation in the future, so we can see in the future that group", "it will bring up claims that I'm misrepresenting colonization or other claims of", "bring up claims that I'm misrepresenting colonization or other claims of unfortunate implications.", "the republic has a weak central goverment and only militias, but is more", "The Kingdom has a strong central leadership, a very strong military presence, and", "worlds which do not share any history with our own. I was thinking", "I actually tried to pick a group of people I ran into the", "any race is effectively an afterthought on my part. It puts me in", "To give an example the story where it came up involves one group", "in the right or the wrong. As in the other story there is", "less apprehensive about assigning a race to one group or the other, since", "lived on the same longitudinal line and thus are roughly the same skin", "(group B). The protagonist is actually jumping between two versions of the timeline,", "I just not worry about it, pick a race at random for each", "two groups in something of a cold war with each other. The Kingdom", "a preaching of something like manifest-destiny and the fact that diseases spread by", "is now ruling over the part of the world. How good a ruler", "group of people, beyond ensuring they live in right geographic location (ie closeness", "B. To give another, less extreme, example I have a different story with", "owns more fertile lands. Originally the kingdom is depicted as bad guys due", "another (group B). The protagonist is actually jumping between two versions of the", "one group a different race then the other or nothing at all just", "races will take more lives then the actual war took, though in this", "or have as direct a parallel to something that is always going to", "I don't keep everyone the same race it will bring up claims that", "both groups lived on the same longitudinal line and thus are roughly the", "actually tried to pick a group of people I ran into the issue", "the races will take more lives then the actual war took, though in", "manipulated into conflict by a third party who will be the real villains", "the real problem is both sides are being manipulated into conflict by a", "pick a race at random for each groups, and ignore the fact that", "problem. The countries will not contain a mixture of different races, limited transportation", "people, beyond ensuring they live in right geographic location (ie closeness to the", "in the future, so we can see in the future that group B", "the same race it will bring up claims that I'm misrepresenting colonization or", "race and any race is effectively an afterthought on my part. It puts", "try to add some racial diversity by having the different groups be different", "of something like manifest-destiny and the fact that diseases spread by the new", "the Americas, including a preaching of something like manifest-destiny and the fact that", "from the classic 'all white cast' scenario in most games, by picking one", "different skin tone. I had originally thought this would be easy, in a", "A) being invaded by another (group B). The protagonist is actually jumping between", "the part of the world. How good a ruler group B is over", "The countries will not contain a mixture of different races, limited transportation technology", "will bring up claims that I'm misrepresenting colonization or other claims of unfortunate", "and wouldn't be changing their characterization? Should I just not worry about it,", "tone. I had originally thought this would be easy, in a completely different", "being invaded by another (group B). The protagonist is actually jumping between two", "be artificially spread by the third party to keep both groups numbers low", "in later parts of the story. In this case I'm less apprehensive about", "that some people will always find ways to be offended in what is", "to technically difficulties of doing something more subtle. So my question is, can/should", "same longitudinal line and thus are roughly the same skin tone (possibly with", "ruler group B is over group A depends on who you ask. The", "to have my existing groups different skin tones then how do I do", "story. In this case I'm less apprehensive about assigning a race to one", "protagonist is actually jumping between two versions of the timeline, one a generation", "to keep control over...). As such I'm afraid that if I don't keep", "the same skin tone (possibly with some other differences between the groups like", "some racial diversity by having the different groups be different races? Or should", "part. It puts me in the awkward situation of feeling it's 'safer' to", "can/should I try to add some racial diversity by having the different groups", "in the awkward situation of feeling it's 'safer' to have no diversity then", "the fact that diseases spread by the new contact between the races will", "have evolved. However, when I actually tried to pick a group of people", "I'm writing fantasy stories in different worlds which do not share any history", "to have no diversity then have diversity that someone can complain about how", "sides are shown to be guilty of questionable decisions and neither side clearly", "to be guilty of questionable decisions and neither side clearly in the right", "(ie with limited technical capabilities) I can't realistically do a blending of skin", "completely different fantasy world with it's own culture there is no reason I", "colonization of the Americas, including a preaching of something like manifest-destiny and the", "limited transportation technology and other world building reasons mean each group will be", "puts me in the awkward situation of feeling it's 'safer' to have no", "by the new contact between the races will take more lives then the", "ignore the fact that some people will always find ways to be offended", "of the story. In this case I'm less apprehensive about assigning a race", "on it will be learned that the real problem is both sides are", "to either group and wouldn't be changing their characterization? Should I just not", "a way that prevents people from reading implication into the choice of race", "of the world. How good a ruler group B is over group A", "I do it in a way that prevents people from reading implication into", "there is a bigger villain that plays a role in later parts of", "leadership, a very strong military presence, and rules over a larger area; while", "no reason I can't pick any random skin tone and give it to", "that tone to have evolved. However, when I actually tried to pick a", "ruling over the part of the world. How good a ruler group B", "more subtle. So my question is, can/should I try to add some racial", "to stop group B from invading in the 'past' timeline. As time goes", "the right or the wrong. As in the other story there is a", "group is racist or that my game has unfortunate racial implications even though", "republic has a weak central goverment and only militias, but is more technically", "different races? Or should I error on the side of caution and just", "(war will be declared during the story) is always going to be a", "of the timeline, one a generation in the future, so we can see", "apparent warmongering, but later on both sides are shown to be guilty of", "think are safer to write) If it can be safe to have my", "consideration for race and any race is effectively an afterthought on my part.", "parallel to something that is always going to be bound to racial discussion", "I can't realistically do a blending of skin tones across a nation (with", "when I'm honestly willing to assign any skin tone to either group and", "Should I just not worry about it, pick a race at random for", "and only militias, but is more technically advanced and owns more fertile lands.", "I can do a sharp contrast of one group a different race then", "the issue that I could see someone making claims that a group is", "be a problem. The countries will not contain a mixture of different races,", "which do not share any history with our own. I was thinking I", "beyond ensuring they live in right geographic location (ie closeness to the equator)", "wouldn't be changing their characterization? Should I just not worry about it, pick", "group B successful conquered group A and is now ruling over the part", "B is over group A depends on who you ask. The first part", "mixture of different races, limited transportation technology and other world building reasons mean", "So my question is, can/should I try to add some racial diversity by", "a problem. The countries will not contain a mixture of different races, limited", "having the different groups be different races? Or should I error on the", "making them a different skin tone. I had originally thought this would be", "to a group of people, beyond ensuring they live in right geographic location", "countries will not contain a mixture of different races, limited transportation technology and", "militias, but is more technically advanced and owns more fertile lands. Originally the", "created without consideration for race and any race is effectively an afterthought on", "a blending of skin tones across a nation (with southern being darker then", "add some racial diversity by having the different groups be different races? Or", "between the groups like general height or hair color which I think are", "a group of people, beyond ensuring they live in right geographic location (ie", "one group (group A) being invaded by another (group B). The protagonist is", "group B. To give another, less extreme, example I have a different story", "lives then the actual war took, though in this case the diseases ravished", "the group was created without consideration for race and any race is effectively", "including a preaching of something like manifest-destiny and the fact that diseases spread", "regardless of which race I make group A or group B. To give", "group (group A) being invaded by another (group B). The protagonist is actually", "As in the other story there is a bigger villain that plays a", "both groups about equally (and will turn out to be artificially spread by", "reading implication into the choice of race when I'm honestly willing to assign", "groups of people and making them a different skin tone. I had originally", "geographic location (ie closeness to the equator) for that tone to have evolved.", "the world. How good a ruler group B is over group A depends", "assign any skin tone to either group and wouldn't be changing their characterization?", "each other. The Kingdom has a strong central leadership, a very strong military", "picking one of the groups of people and making them a different skin", "I worry about depicting battle between two racial groups (war will be declared", "an example the story where it came up involves one group (group A)", "way that prevents people from reading implication into the choice of race when", "prevents people from reading implication into the choice of race when I'm honestly", "history with our own. I was thinking I wanted to move away from", "own. I was thinking I wanted to move away from the classic 'all", "though in this case the diseases ravished both groups about equally (and will", "'all white cast' scenario in most games, by picking one of the groups", "originally thought this would be easy, in a completely different fantasy world with", "and other world building reasons mean each group will be made up almost", "honestly willing to assign any skin tone to either group and wouldn't be", "the real villains of the story. The story has some parallels to the", "It puts me in the awkward situation of feeling it's 'safer' to have", "a race at random for each groups, and ignore the fact that some", "a bigger villain that plays a role in later parts of the story.", "not contain a mixture of different races, limited transportation technology and other world", "real villains of the story. The story has some parallels to the colonization", "exclusively of one phenotype. Likewise since these are video games being made by", "be made up almost exclusively of one phenotype. Likewise since these are video", "that a group is racist or that my game has unfortunate racial implications", "numbers low enough to keep control over...). As such I'm afraid that if", "to the kings apparent warmongering, but later on both sides are shown to", "people I ran into the issue that I could see someone making claims", "going to be a problem. The countries will not contain a mixture of", "group will be made up almost exclusively of one phenotype. Likewise since these", "take more lives then the actual war took, though in this case the", "of people, beyond ensuring they live in right geographic location (ie closeness to", "mind, to fit as directly into one racial stereotype or have as direct", "will not contain a mixture of different races, limited transportation technology and other", "video games being made by me with RPGMaker (ie with limited technical capabilities)", "doing something more subtle. So my question is, can/should I try to add", "of the story. The story has some parallels to the colonization of the", "The first part of the plot seem a clear cut attempt to stop", "and rules over a larger area; while the republic has a weak central", "the classic 'all white cast' scenario in most games, by picking one of", "caution and just say both groups lived on the same longitudinal line and", "I'm honestly willing to assign any skin tone to either group and wouldn't", "do not share any history with our own. I was thinking I wanted", "is both sides are being manipulated into conflict by a third party who", "safe to have my existing groups different skin tones then how do I", "and neither side clearly in the right or the wrong. As in the", "that group B successful conquered group A and is now ruling over the", "implication into the choice of race when I'm honestly willing to assign any", "goverment and only militias, but is more technically advanced and owns more fertile", "groups different skin tones then how do I do it in a way", "the colonization of the Americas, including a preaching of something like manifest-destiny and", "invading in the 'past' timeline. As time goes on it will be learned", "keep both groups numbers low enough to keep control over...). As such I'm", "but is more technically advanced and owns more fertile lands. Originally the kingdom", "skin tones across a nation (with southern being darker then northern). I can", "had originally thought this would be easy, in a completely different fantasy world", "can't realistically do a blending of skin tones across a nation (with southern", "the new contact between the races will take more lives then the actual", "right geographic location (ie closeness to the equator) for that tone to have", "world. How good a ruler group B is over group A depends on", "decisions and neither side clearly in the right or the wrong. As in", "in most games, by picking one of the groups of people and making", "area; while the republic has a weak central goverment and only militias, but", "is always going to be bound to racial discussion like colonization has. Still", "difficulties of doing something more subtle. So my question is, can/should I try", "classic 'all white cast' scenario in most games, by picking one of the", "the other story there is a bigger villain that plays a role in", "like colonization has. Still I worry about depicting battle between two racial groups", "something that is always going to be bound to racial discussion like colonization", "as directly into one racial stereotype or have as direct a parallel to", "it in a way that prevents people from reading implication into the choice", "and the fact that diseases spread by the new contact between the races", "I think are safer to write) If it can be safe to have", "world building reasons mean each group will be made up almost exclusively of", "just not worry about it, pick a race at random for each groups,", "the story. In this case I'm less apprehensive about assigning a race to", "will be declared during the story) is always going to be a problem.", "control over...). As such I'm afraid that if I don't keep everyone the", "RPGMaker (ie with limited technical capabilities) I can't realistically do a blending of", "I wanted to move away from the classic 'all white cast' scenario in", "different race then the other or nothing at all just due to technically", "not worry about it, pick a race at random for each groups, and", "racial implications even though the group was created without consideration for race and", "a completely different fantasy world with it's own culture there is no reason", "or that my game has unfortunate racial implications even though the group was", "unfortunate racial implications even though the group was created without consideration for race", "B successful conquered group A and is now ruling over the part of", "skin tone (possibly with some other differences between the groups like general height", "one group or the other, since neither side seems, in my mind, to", "seems true regardless of which race I make group A or group B.", "discussion like colonization has. Still I worry about depicting battle between two racial", "story. The story has some parallels to the colonization of the Americas, including", "or hair color which I think are safer to write) If it can", "into conflict by a third party who will be the real villains of", "group A depends on who you ask. The first part of the plot", "actually jumping between two versions of the timeline, one a generation in the", "rules over a larger area; while the republic has a weak central goverment", "could see someone making claims that a group is racist or that my", "between two racial groups (war will be declared during the story) is always", "or group B. To give another, less extreme, example I have a different", "thus are roughly the same skin tone (possibly with some other differences between", "will take more lives then the actual war took, though in this case", "races, limited transportation technology and other world building reasons mean each group will", "it's used. To give an example the story where it came up involves", "claims that I'm misrepresenting colonization or other claims of unfortunate implications. This seems", "have diversity that someone can complain about how it's used. To give an", "for that tone to have evolved. However, when I actually tried to pick", "invaded by another (group B). The protagonist is actually jumping between two versions", "clear cut attempt to stop group B from invading in the 'past' timeline.", "the side of caution and just say both groups lived on the same", "feeling it's 'safer' to have no diversity then have diversity that someone can", "keep control over...). As such I'm afraid that if I don't keep everyone", "about how it's used. To give an example the story where it came", "I make group A or group B. To give another, less extreme, example", "would be easy, in a completely different fantasy world with it's own culture", "games being made by me with RPGMaker (ie with limited technical capabilities) I", "everyone the same race it will bring up claims that I'm misrepresenting colonization", "preaching of something like manifest-destiny and the fact that diseases spread by the", "technically advanced and owns more fertile lands. Originally the kingdom is depicted as", "with our own. I was thinking I wanted to move away from the", "other story there is a bigger villain that plays a role in later", "race then the other or nothing at all just due to technically difficulties", "where it came up involves one group (group A) being invaded by another", "be changing their characterization? Should I just not worry about it, pick a", "my existing groups different skin tones then how do I do it in", "scenario in most games, by picking one of the groups of people and", "share any history with our own. I was thinking I wanted to move", "to pick a group of people I ran into the issue that I", "low enough to keep control over...). As such I'm afraid that if I", "then have diversity that someone can complain about how it's used. To give", "then the actual war took, though in this case the diseases ravished both", "kingdom is depicted as bad guys due to the kings apparent warmongering, but", "worry about depicting battle between two racial groups (war will be declared during", "about equally (and will turn out to be artificially spread by the third", "declared during the story) is always going to be a problem. The countries", "side clearly in the right or the wrong. As in the other story", "either group and wouldn't be changing their characterization? Should I just not worry", "while the republic has a weak central goverment and only militias, but is", "make group A or group B. To give another, less extreme, example I", "games, by picking one of the groups of people and making them a", "with it's own culture there is no reason I can't pick any random", "To give another, less extreme, example I have a different story with two", "plot seem a clear cut attempt to stop group B from invading in", "diseases spread by the new contact between the races will take more lives", "groups (war will be declared during the story) is always going to be", "who you ask. The first part of the plot seem a clear cut", "that someone can complain about how it's used. To give an example the", "do a sharp contrast of one group a different race then the other", "choice of race when I'm honestly willing to assign any skin tone to", "out to be artificially spread by the third party to keep both groups", "of skin tones across a nation (with southern being darker then northern). I", "If it can be safe to have my existing groups different skin tones", "since these are video games being made by me with RPGMaker (ie with", "story with two groups in something of a cold war with each other.", "can't pick any random skin tone and give it to a group of", "war took, though in this case the diseases ravished both groups about equally", "central leadership, a very strong military presence, and rules over a larger area;", "example I have a different story with two groups in something of a", "this case I'm less apprehensive about assigning a race to one group or", "equator) for that tone to have evolved. However, when I actually tried to", "neither side clearly in the right or the wrong. As in the other", "people from reading implication into the choice of race when I'm honestly willing", "of one phenotype. Likewise since these are video games being made by me", "the kingdom is depicted as bad guys due to the kings apparent warmongering,", "misrepresenting colonization or other claims of unfortunate implications. This seems true regardless of", "the story where it came up involves one group (group A) being invaded", "I'm less apprehensive about assigning a race to one group or the other,", "new contact between the races will take more lives then the actual war", "seems, in my mind, to fit as directly into one racial stereotype or", "our own. I was thinking I wanted to move away from the classic", "you ask. The first part of the plot seem a clear cut attempt", "to assign any skin tone to either group and wouldn't be changing their", "used. To give an example the story where it came up involves one", "for race and any race is effectively an afterthought on my part. It", "artificially spread by the third party to keep both groups numbers low enough", "guilty of questionable decisions and neither side clearly in the right or the", "thought this would be easy, in a completely different fantasy world with it's", "I try to add some racial diversity by having the different groups be", "fit as directly into one racial stereotype or have as direct a parallel", "groups lived on the same longitudinal line and thus are roughly the same", "some other differences between the groups like general height or hair color which", "time goes on it will be learned that the real problem is both", "that if I don't keep everyone the same race it will bring up", "diversity that someone can complain about how it's used. To give an example", "of race when I'm honestly willing to assign any skin tone to either", "it's 'safer' to have no diversity then have diversity that someone can complain", "a race to one group or the other, since neither side seems, in", "due to technically difficulties of doing something more subtle. So my question is,", "between two versions of the timeline, one a generation in the future, so", "a different story with two groups in something of a cold war with", "contrast of one group a different race then the other or nothing at", "timeline. As time goes on it will be learned that the real problem", "group B from invading in the 'past' timeline. As time goes on it", "on who you ask. The first part of the plot seem a clear", "group and wouldn't be changing their characterization? Should I just not worry about", "tried to pick a group of people I ran into the issue that", "villain that plays a role in later parts of the story. In this", "people and making them a different skin tone. I had originally thought this", "such I'm afraid that if I don't keep everyone the same race it", "into the choice of race when I'm honestly willing to assign any skin", "race when I'm honestly willing to assign any skin tone to either group", "then the other or nothing at all just due to technically difficulties of", "into one racial stereotype or have as direct a parallel to something that", "line and thus are roughly the same skin tone (possibly with some other", "strong military presence, and rules over a larger area; while the republic has", "direct a parallel to something that is always going to be bound to", "stop group B from invading in the 'past' timeline. As time goes on", "going to be bound to racial discussion like colonization has. Still I worry", "story where it came up involves one group (group A) being invaded by", "are being manipulated into conflict by a third party who will be the", "but later on both sides are shown to be guilty of questionable decisions", "phenotype. Likewise since these are video games being made by me with RPGMaker", "took, though in this case the diseases ravished both groups about equally (and", "case the diseases ravished both groups about equally (and will turn out to", "guys due to the kings apparent warmongering, but later on both sides are", "the future, so we can see in the future that group B successful", "all just due to technically difficulties of doing something more subtle. So my" ]
[ "my surprise, it was well-received and generated a lot of great discussion. In", "describing his perspective, comes easy for me. From experience, I know how men", "talk to, wasn’t loud or brash. He didn’t seem to swear often, which", "children. > > > She stopped herself. Their children. Somehow she had concluded", "men do. So what tips do you have for writing the interior monologue", "a self-possessed woman? Here's an example of a section I'm concerned about (apologies", "me. From experience, I know how men (at least one of us) think.", "mind, determined to return before her mother experienced too much grief. She thought", "of as a failure of imagination and proper use of language. But most", "description rings true for a way a woman might think. Any feedback is", "male character. Internal monologue, or at least describing his perspective, comes easy for", "the perspective of a male character. Internal monologue, or at least describing his", "As Petra had pointed out, he was handsome enough. He was tall, but", "in all things. He was reserved, and while he was easy to talk", "their son in the war, then eventually having Yolente, made them happy for", "a glassless window with the shutters open to let in the breeze. She", "to let in the breeze. She realized that she hadn’t seen a glass", "of the idea of being with Marko for fifty years or more. As", "city, and thought to look up when glass was invented. Of course, without", "idea of grandchildren. It seemed that losing their son in the war, then", "he was handsome enough. He was tall, but not too tall, with broad,", "hadn’t seen a glass window anywhere in the city, and thought to look", "and working so she could research all the things she wanted to know", "of her mother and her reaction to her daughter having gone missing. She", "only known a handful of months, though they were at the time of", "I'm concerned about (apologies for the length posted). The character, Yolente, is from", "than men do. So what tips do you have for writing the interior", "way, or, rather, that this description rings true for a way a woman", "thought of as a failure of imagination and proper use of language. But", "these people. Hopefully, she thought, by tomorrow it wouldn’t be a factor any", "wrong question, at least for what I'm trying to understand. As a somewhat", "an issue in the fourteenth century setting where she suddenly finds herself). She", "for him that his love exists, though he could point to reasons for", "window anywhere in the city, and thought to look up when glass was", "character, Yolente, is from an upper-class twenty-third century family who, because of their", "the shutters open to let in the breeze. She realized that she hadn’t", "glass window anywhere in the city, and thought to look up when glass", "could research all the things she wanted to know about this place and", "He didn’t seem to swear often, which she thought of as a failure", "a seat near a glassless window with the shutters open to let in", "us) think. However, I observe that women think about things differently than men", "this place and these people. Hopefully, she thought, by tomorrow it wouldn’t be", "joined in accidental time travel by Marko, similarly long-lived, whom she has only", "failure of imagination and proper use of language. But most importantly he seemed", "of the time-travel incident, falling in love. > > She found a shop", "or more. As Petra had pointed out, he was handsome enough. He was", "about (apologies for the length posted). The character, Yolente, is from an upper-class", "least describing his perspective, comes easy for me. From experience, I know how", "functionality and stowed in Marko’s pack, was fully connected and working so she", "their wealth, was able to afford genetic alterations to give them long life", "that she wouldn’t have children until after age fifty, with a better target", "asked the wrong question, at least for what I'm trying to understand. As", "was reserved, and while he was easy to talk to, wasn’t loud or", "The character, Yolente, is from an upper-class twenty-third century family who, because of", "son in the war, then eventually having Yolente, made them happy for what", "some thought. In recent years, she had told herself that she wouldn’t have", "retire from it, and then settle in to raising one or two children.", "not wistful for something else. Yolente thought of her mother and her reaction", "she wanted to know about this place and these people. Hopefully, she thought,", "the interior monologue of a self-possessed woman? Here's an example of a section", "similarly long-lived, whom she has only known a handful of months, though they", "wouldn’t be a factor any longer, and this would all just be a", "about things differently than men do. So what tips do you have for", "she has only known a handful of months, though they were at the", "character who thought that much about his feelings for someone (indeed, elsewhere Marko", "told herself that she wouldn’t have children until after age fifty, with a", "genetic alterations to give them long life (which will become an issue in", "thought to look up when glass was invented. Of course, without access to", "about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it", "without access to the Cdoad, she couldn’t look anything up. She wished her", "then eventually having Yolente, made them happy for what they had and not", "their children. > > > She stopped herself. Their children. Somehow she had", "place and these people. Hopefully, she thought, by tomorrow it wouldn’t be a", "let in the breeze. She realized that she hadn’t seen a glass window", "Petra had pointed out, he was handsome enough. He was tall, but not", "out of her mind, determined to return before her mother experienced too much", "her mother experienced too much grief. She thought instead of the idea of", "importantly he seemed to love her, which was key to finding a long-term", "But I only suspect a woman would think this way, or, rather, that", "male character who thought that much about his feelings for someone (indeed, elsewhere", "the city, and thought to look up when glass was invented. Of course,", "tall, but not too tall, with broad, strong shoulders and arms, green eyes", "that discussion, however, I realized that I asked the wrong question, at least", "could point to reasons for it if pressed). But I only suspect a", "> > She stopped herself. Their children. Somehow she had concluded that, even", "years or more. As Petra had pointed out, he was handsome enough. He", "gone by then, but her mother didn’t seem to have much interest in", "in the fourteenth century setting where she suddenly finds herself). She is joined", "Cdoad, she couldn’t look anything up. She wished her slate, apparently dead of", "a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received", "a woman would think this way, or, rather, that this description rings true", "any longer, and this would all just be a well-remembered adventure that she", "exists, though he could point to reasons for it if pressed). But I", "monologue of a self-possessed woman? Here's an example of a section I'm concerned", "time to see the world, establish a career and retire from it, and", "know about this place and these people. Hopefully, she thought, by tomorrow it", "have a reasonably easy time writing from the perspective of a male character.", "she could research all the things she wanted to know about this place", "reserved, and while he was easy to talk to, wasn’t loud or brash.", "a section I'm concerned about (apologies for the length posted). The character, Yolente,", "wistful for something else. Yolente thought of her mother and her reaction to", "and settled into a seat near a glassless window with the shutters open", "that losing their son in the war, then eventually having Yolente, made them", "months, though they were at the time of the time-travel incident, falling in", "a failure of imagination and proper use of language. But most importantly he", "his shoulders. And he was smart, though not in all things. He was", "As a somewhat introspective male, I have a reasonably easy time writing from", "women think about things differently than men do. So what tips do you", "people. Hopefully, she thought, by tomorrow it wouldn’t be a factor any longer,", "great discussion. In reading that discussion, however, I realized that I asked the", "wouldn't write a male character who thought that much about his feelings for", "suspect a woman would think this way, or, rather, that this description rings", "the wrong question, at least for what I'm trying to understand. As a", "> > > She stopped herself. Their children. Somehow she had concluded that,", "men (at least one of us) think. However, I observe that women think", "not in all things. He was reserved, and while he was easy to", "time-travel incident, falling in love. > > She found a shop that served", "raising one or two children. Her parents would be gone by then, but", "a well-remembered adventure that she and Marko could tell their children. > >", "but not too tall, with broad, strong shoulders and arms, green eyes similar", "language. But most importantly he seemed to love her, which was key to", "who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received and generated a", "gone missing. She pushed that thought out of her mind, determined to return", "that served wine and settled into a seat near a glassless window with", "to my surprise, it was well-received and generated a lot of great discussion.", "I'm trying to understand. As a somewhat introspective male, I have a reasonably", "an example of a section I'm concerned about (apologies for the length posted).", "monologue, or at least describing his perspective, comes easy for me. From experience,", "life (which will become an issue in the fourteenth century setting where she", "reasonably easy time writing from the perspective of a male character. Internal monologue,", "She thought instead of the idea of being with Marko for fifty years", "this would all just be a well-remembered adventure that she and Marko could", "in the war, then eventually having Yolente, made them happy for what they", "or two children. Her parents would be gone by then, but her mother", "she had told herself that she wouldn’t have children until after age fifty,", "Marko would be together. She gave that some thought. In recent years, she", "that he loves Yolente and doesn't really question why; it's enough for him", "in accidental time travel by Marko, similarly long-lived, whom she has only known", "had pointed out, he was handsome enough. He was tall, but not too", "writing from the perspective of a male character. Internal monologue, or at least", "proper use of language. But most importantly he seemed to love her, which", "to the Cdoad, she couldn’t look anything up. She wished her slate, apparently", "establish a career and retire from it, and then settle in to raising", "pointed out, he was handsome enough. He was tall, but not too tall,", "determined to return before her mother experienced too much grief. She thought instead", "broad, strong shoulders and arms, green eyes similar to hers, and long curls", "what tips do you have for writing the interior monologue of a self-possessed", "she wouldn’t have children until after age fifty, with a better target being", "realized that she hadn’t seen a glass window anywhere in the city, and", "two children. Her parents would be gone by then, but her mother didn’t", "She gave that some thought. In recent years, she had told herself that", "didn’t seem to swear often, which she thought of as a failure of", "(indeed, elsewhere Marko simply recognizes that he loves Yolente and doesn't really question", "it if pressed). But I only suspect a woman would think this way,", "eventually having Yolente, made them happy for what they had and not wistful", "smart, though not in all things. He was reserved, and while he was", "seemed that losing their son in the war, then eventually having Yolente, made", "missing. She pushed that thought out of her mind, determined to return before", "and retire from it, and then settle in to raising one or two", "apparently dead of any functionality and stowed in Marko’s pack, was fully connected", "after this adventure was over, she and Marko would be together. She gave", "better target being age seventy. That would give her enough time to see", "lot of great discussion. In reading that discussion, however, I realized that I", "to understand. As a somewhat introspective male, I have a reasonably easy time", "more. As Petra had pointed out, he was handsome enough. He was tall,", "known a handful of months, though they were at the time of the", "She found a shop that served wine and settled into a seat near", "a handful of months, though they were at the time of the time-travel", "about his feelings for someone (indeed, elsewhere Marko simply recognizes that he loves", "recognizes that he loves Yolente and doesn't really question why; it's enough for", "able to afford genetic alterations to give them long life (which will become", "family who, because of their wealth, was able to afford genetic alterations to", "to love her, which was key to finding a long-term contract partner. >", "would think this way, or, rather, that this description rings true for a", "for me. From experience, I know how men (at least one of us)", "parents would be gone by then, but her mother didn’t seem to have", "in to raising one or two children. Her parents would be gone by", "point to reasons for it if pressed). But I only suspect a woman", "a factor any longer, and this would all just be a well-remembered adventure", "mother experienced too much grief. She thought instead of the idea of being", "for what they had and not wistful for something else. Yolente thought of", "working so she could research all the things she wanted to know about", "hers, and long curls that almost touched his shoulders. And he was smart,", "asked a question about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to", "not too tall, with broad, strong shoulders and arms, green eyes similar to", "up. She wished her slate, apparently dead of any functionality and stowed in", "become an issue in the fourteenth century setting where she suddenly finds herself).", "tell their children. > > > She stopped herself. Their children. Somehow she", "his perspective, comes easy for me. From experience, I know how men (at", "seventy. That would give her enough time to see the world, establish a", "didn’t seem to have much interest in the idea of grandchildren. It seemed", "twenty-third century family who, because of their wealth, was able to afford genetic", "things. He was reserved, and while he was easy to talk to, wasn’t", "think about things differently than men do. So what tips do you have", "was key to finding a long-term contract partner. > > > I wouldn't", "reasons for it if pressed). But I only suspect a woman would think", "the Cdoad, she couldn’t look anything up. She wished her slate, apparently dead", "(which will become an issue in the fourteenth century setting where she suddenly", "rings true for a way a woman might think. Any feedback is appreciated.", "concerned about (apologies for the length posted). The character, Yolente, is from an", "before her mother experienced too much grief. She thought instead of the idea", "loves Yolente and doesn't really question why; it's enough for him that his", "has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received and generated a lot", "thought out of her mind, determined to return before her mother experienced too", "realized that I asked the wrong question, at least for what I'm trying", "feelings for someone (indeed, elsewhere Marko simply recognizes that he loves Yolente and", "she thought of as a failure of imagination and proper use of language.", "In reading that discussion, however, I realized that I asked the wrong question,", "least one of us) think. However, I observe that women think about things", "seat near a glassless window with the shutters open to let in the", "he could point to reasons for it if pressed). But I only suspect", "is joined in accidental time travel by Marko, similarly long-lived, whom she has", "question why; it's enough for him that his love exists, though he could", "grief. She thought instead of the idea of being with Marko for fifty", "he loves Yolente and doesn't really question why; it's enough for him that", "easy time writing from the perspective of a male character. Internal monologue, or", "and this would all just be a well-remembered adventure that she and Marko", "herself). She is joined in accidental time travel by Marko, similarly long-lived, whom", "could tell their children. > > > She stopped herself. Their children. Somehow", "to swear often, which she thought of as a failure of imagination and", "However, I observe that women think about things differently than men do. So", "her slate, apparently dead of any functionality and stowed in Marko’s pack, was", "a lot of great discussion. In reading that discussion, however, I realized that", "she suddenly finds herself). She is joined in accidental time travel by Marko,", "of grandchildren. It seemed that losing their son in the war, then eventually", "well-remembered adventure that she and Marko could tell their children. > > >", "tips do you have for writing the interior monologue of a self-possessed woman?", "for the length posted). The character, Yolente, is from an upper-class twenty-third century", "to see the world, establish a career and retire from it, and then", "mother didn’t seem to have much interest in the idea of grandchildren. It", "with broad, strong shoulders and arms, green eyes similar to hers, and long", "a long-term contract partner. > > > I wouldn't write a male character", "and her reaction to her daughter having gone missing. She pushed that thought", "thought instead of the idea of being with Marko for fifty years or", "was tall, but not too tall, with broad, strong shoulders and arms, green", "of a section I'm concerned about (apologies for the length posted). The character,", "and proper use of language. But most importantly he seemed to love her,", "glass was invented. Of course, without access to the Cdoad, she couldn’t look", "someone (indeed, elsewhere Marko simply recognizes that he loves Yolente and doesn't really", "fifty, with a better target being age seventy. That would give her enough", "wouldn’t have children until after age fifty, with a better target being age", "well-received and generated a lot of great discussion. In reading that discussion, however,", "herself that she wouldn’t have children until after age fifty, with a better", "just be a well-remembered adventure that she and Marko could tell their children.", "his feelings for someone (indeed, elsewhere Marko simply recognizes that he loves Yolente", "though they were at the time of the time-travel incident, falling in love.", "shoulders. And he was smart, though not in all things. He was reserved,", "in Marko’s pack, was fully connected and working so she could research all", "handsome enough. He was tall, but not too tall, with broad, strong shoulders", "think. However, I observe that women think about things differently than men do.", "setting where she suddenly finds herself). She is joined in accidental time travel", "thought that much about his feelings for someone (indeed, elsewhere Marko simply recognizes", "> She found a shop that served wine and settled into a seat", "And he was smart, though not in all things. He was reserved, and", "her reaction to her daughter having gone missing. She pushed that thought out", "her mother and her reaction to her daughter having gone missing. She pushed", "into a seat near a glassless window with the shutters open to let", "something else. Yolente thought of her mother and her reaction to her daughter", "Marko simply recognizes that he loves Yolente and doesn't really question why; it's", "Yolente, made them happy for what they had and not wistful for something", "who, because of their wealth, was able to afford genetic alterations to give", "but her mother didn’t seem to have much interest in the idea of", "finding a long-term contract partner. > > > I wouldn't write a male", "rather, that this description rings true for a way a woman might think.", "has only known a handful of months, though they were at the time", "give them long life (which will become an issue in the fourteenth century", "Marko could tell their children. > > > She stopped herself. Their children.", "in love. > > She found a shop that served wine and settled", "concluded that, even after this adventure was over, she and Marko would be", "> > > I wouldn't write a male character who thought that much", "one of us) think. However, I observe that women think about things differently", "them happy for what they had and not wistful for something else. Yolente", "wine and settled into a seat near a glassless window with the shutters", "her mind, determined to return before her mother experienced too much grief. She", "why; it's enough for him that his love exists, though he could point", "her daughter having gone missing. She pushed that thought out of her mind,", "being with Marko for fifty years or more. As Petra had pointed out,", "to give them long life (which will become an issue in the fourteenth", "adventure was over, she and Marko would be together. She gave that some", "least for what I'm trying to understand. As a somewhat introspective male, I", "having Yolente, made them happy for what they had and not wistful for", "wasn’t loud or brash. He didn’t seem to swear often, which she thought", "invented. Of course, without access to the Cdoad, she couldn’t look anything up.", "herself. Their children. Somehow she had concluded that, even after this adventure was", "this way, or, rather, that this description rings true for a way a", "key to finding a long-term contract partner. > > > I wouldn't write", "it wouldn’t be a factor any longer, and this would all just be", "in the idea of grandchildren. It seemed that losing their son in the", "somewhat introspective male, I have a reasonably easy time writing from the perspective", "it's enough for him that his love exists, though he could point to", "> I wouldn't write a male character who thought that much about his", "be a well-remembered adventure that she and Marko could tell their children. >", "too much grief. 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She wished her slate, apparently dead of any functionality and", "who thought that much about his feelings for someone (indeed, elsewhere Marko simply", "I asked the wrong question, at least for what I'm trying to understand.", "because of their wealth, was able to afford genetic alterations to give them", "would all just be a well-remembered adventure that she and Marko could tell", "to finding a long-term contract partner. > > > I wouldn't write a", "for fifty years or more. As Petra had pointed out, he was handsome", "that she and Marko could tell their children. > > > She stopped", "easy to talk to, wasn’t loud or brash. He didn’t seem to swear", "anything up. She wished her slate, apparently dead of any functionality and stowed", "longer, and this would all just be a well-remembered adventure that she and", "surprise, it was well-received and generated a lot of great discussion. In reading", "though he could point to reasons for it if pressed). But I only", "of any functionality and stowed in Marko’s pack, was fully connected and working", "at least describing his perspective, comes easy for me. From experience, I know", "doesn't really question why; it's enough for him that his love exists, though", "for it if pressed). But I only suspect a woman would think this", "love. > > She found a shop that served wine and settled into", "by Marko, similarly long-lived, whom she has only known a handful of months,", "I wouldn't write a male character who thought that much about his feelings", "She stopped herself. Their children. Somehow she had concluded that, even after this", "Hopefully, she thought, by tomorrow it wouldn’t be a factor any longer, and", "It seemed that losing their son in the war, then eventually having Yolente,", "years, she had told herself that she wouldn’t have children until after age", "this description rings true for a way a woman might think. Any feedback", "was handsome enough. He was tall, but not too tall, with broad, strong", "fourteenth century setting where she suddenly finds herself). She is joined in accidental", "to return before her mother experienced too much grief. She thought instead of", "I know how men (at least one of us) think. However, I observe", "all things. He was reserved, and while he was easy to talk to,", "experienced too much grief. She thought instead of the idea of being with", "how men (at least one of us) think. However, I observe that women", "time writing from the perspective of a male character. Internal monologue, or at", "couldn’t look anything up. She wished her slate, apparently dead of any functionality", "the time-travel incident, falling in love. > > She found a shop that", "while he was easy to talk to, wasn’t loud or brash. He didn’t", "a glass window anywhere in the city, and thought to look up when", "I have a reasonably easy time writing from the perspective of a male", "question about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise,", "be together. She gave that some thought. In recent years, she had told", "whom she has only known a handful of months, though they were at", "target being age seventy. That would give her enough time to see the", "often, which she thought of as a failure of imagination and proper use", "loud or brash. He didn’t seem to swear often, which she thought of", "which was key to finding a long-term contract partner. > > > I", "see the world, establish a career and retire from it, and then settle", "shutters open to let in the breeze. 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He was reserved, and while", "pack, was fully connected and working so she could research all the things", "though not in all things. He was reserved, and while he was easy", "had concluded that, even after this adventure was over, she and Marko would", "from it, and then settle in to raising one or two children. Her", "glassless window with the shutters open to let in the breeze. She realized", "from an upper-class twenty-third century family who, because of their wealth, was able", "found a shop that served wine and settled into a seat near a", "that I asked the wrong question, at least for what I'm trying to", "interior monologue of a self-possessed woman? Here's an example of a section I'm", "a question about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my", "she and Marko could tell their children. > > > She stopped herself.", "this adventure was over, she and Marko would be together. She gave that", "seemed to love her, which was key to finding a long-term contract partner.", "of months, though they were at the time of the time-travel incident, falling", "reading that discussion, however, I realized that I asked the wrong question, at", "use of language. But most importantly he seemed to love her, which was", "was able to afford genetic alterations to give them long life (which will", "elsewhere Marko simply recognizes that he loves Yolente and doesn't really question why;", "of great discussion. In reading that discussion, however, I realized that I asked", "of a male character. Internal monologue, or at least describing his perspective, comes", "and then settle in to raising one or two children. 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That would give her enough time to see the world,", "give her enough time to see the world, establish a career and retire", "seem to have much interest in the idea of grandchildren. It seemed that", "at least for what I'm trying to understand. As a somewhat introspective male,", "age fifty, with a better target being age seventy. That would give her", "female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received and", "she had concluded that, even after this adventure was over, she and Marko", "age seventy. That would give her enough time to see the world, establish", "in the city, and thought to look up when glass was invented. Of", "long curls that almost touched his shoulders. And he was smart, though not", "she hadn’t seen a glass window anywhere in the city, and thought to", "with Marko for fifty years or more. As Petra had pointed out, he", "be gone by then, but her mother didn’t seem to have much interest", "and long curls that almost touched his shoulders. And he was smart, though", "course, without access to the Cdoad, she couldn’t look anything up. She wished", "of language. But most importantly he seemed to love her, which was key", "length posted). The character, Yolente, is from an upper-class twenty-third century family who,", "time of the time-travel incident, falling in love. > > She found a", "together. She gave that some thought. In recent years, she had told herself", "She wished her slate, apparently dead of any functionality and stowed in Marko’s", "Somehow she had concluded that, even after this adventure was over, she and", "(apologies for the length posted). The character, Yolente, is from an upper-class twenty-third", "She realized that she hadn’t seen a glass window anywhere in the city,", "will become an issue in the fourteenth century setting where she suddenly finds", "or brash. He didn’t seem to swear often, which she thought of as", "out, he was handsome enough. He was tall, but not too tall, with", "however, I realized that I asked the wrong question, at least for what", "She is joined in accidental time travel by Marko, similarly long-lived, whom she", "was smart, though not in all things. He was reserved, and while he", "a better target being age seventy. That would give her enough time to", "happy for what they had and not wistful for something else. Yolente thought", "children. Her parents would be gone by then, but her mother didn’t seem", "about this place and these people. Hopefully, she thought, by tomorrow it wouldn’t", "be a factor any longer, and this would all just be a well-remembered", "the time of the time-travel incident, falling in love. > > She found", "Internal monologue, or at least describing his perspective, comes easy for me. From", "easy for me. From experience, I know how men (at least one of", "perspective of a male character. Internal monologue, or at least describing his perspective,", "century setting where she suddenly finds herself). She is joined in accidental time", "and thought to look up when glass was invented. Of course, without access", "made them happy for what they had and not wistful for something else.", "He was reserved, and while he was easy to talk to, wasn’t loud", "time travel by Marko, similarly long-lived, whom she has only known a handful", "the idea of grandchildren. It seemed that losing their son in the war,", "long-term contract partner. > > > I wouldn't write a male character who", "war, then eventually having Yolente, made them happy for what they had and", "research all the things she wanted to know about this place and these", "perspective, comes easy for me. From experience, I know how men (at least", "until after age fifty, with a better target being age seventy. That would", "had told herself that she wouldn’t have children until after age fifty, with", "that much about his feelings for someone (indeed, elsewhere Marko simply recognizes that", "have for writing the interior monologue of a self-possessed woman? Here's an example", "Yesterday I asked a question about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency).", "self-possessed woman? Here's an example of a section I'm concerned about (apologies for", "her mother didn’t seem to have much interest in the idea of grandchildren.", "Of course, without access to the Cdoad, she couldn’t look anything up. She", "breeze. She realized that she hadn’t seen a glass window anywhere in the", "as a failure of imagination and proper use of language. But most importantly", "So what tips do you have for writing the interior monologue of a", "I observe that women think about things differently than men do. So what", "do you have for writing the interior monologue of a self-possessed woman? Here's", "handful of months, though they were at the time of the time-travel incident,", "return before her mother experienced too much grief. She thought instead of the", "seem to swear often, which she thought of as a failure of imagination", "contract partner. > > > I wouldn't write a male character who thought", "stowed in Marko’s pack, was fully connected and working so she could research", "would be gone by then, but her mother didn’t seem to have much", "falling in love. > > She found a shop that served wine and", "anywhere in the city, and thought to look up when glass was invented.", "male, I have a reasonably easy time writing from the perspective of a", "the things she wanted to know about this place and these people. Hopefully,", "comes easy for me. From experience, I know how men (at least one", "do. So what tips do you have for writing the interior monologue of", "I only suspect a woman would think this way, or, rather, that this", "to reasons for it if pressed). But I only suspect a woman would", "the breeze. She realized that she hadn’t seen a glass window anywhere in", "and generated a lot of great discussion. In reading that discussion, however, I", "tall, with broad, strong shoulders and arms, green eyes similar to hers, and", "adventure that she and Marko could tell their children. > > > She", "she and Marko would be together. She gave that some thought. In recent", "the war, then eventually having Yolente, made them happy for what they had", "Marko for fifty years or more. As Petra had pointed out, he was", "wealth, was able to afford genetic alterations to give them long life (which", "Marko, similarly long-lived, whom she has only known a handful of months, though", "mother and her reaction to her daughter having gone missing. She pushed that", "fully connected and working so she could research all the things she wanted", "was easy to talk to, wasn’t loud or brash. He didn’t seem to", "children until after age fifty, with a better target being age seventy. That", "things differently than men do. So what tips do you have for writing", "they had and not wistful for something else. Yolente thought of her mother", "of a self-possessed woman? Here's an example of a section I'm concerned about", "open to let in the breeze. She realized that she hadn’t seen a", "for something else. Yolente thought of her mother and her reaction to her", "her enough time to see the world, establish a career and retire from", "I asked a question about [writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much", "tomorrow it wouldn’t be a factor any longer, and this would all just", "gave that some thought. In recent years, she had told herself that she", "afford genetic alterations to give them long life (which will become an issue", "upper-class twenty-third century family who, because of their wealth, was able to afford", "interest in the idea of grandchildren. It seemed that losing their son in", "trying to understand. As a somewhat introspective male, I have a reasonably easy", "much grief. She thought instead of the idea of being with Marko for", "section I'm concerned about (apologies for the length posted). The character, Yolente, is", "character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received and generated", "have children until after age fifty, with a better target being age seventy.", "to know about this place and these people. Hopefully, she thought, by tomorrow", "that thought out of her mind, determined to return before her mother experienced", "character. Internal monologue, or at least describing his perspective, comes easy for me.", "you have for writing the interior monologue of a self-possessed woman? Here's an", "which she thought of as a failure of imagination and proper use of", "of being with Marko for fifty years or more. As Petra had pointed", "that almost touched his shoulders. And he was smart, though not in all", "to afford genetic alterations to give them long life (which will become an", "daughter having gone missing. She pushed that thought out of her mind, determined", "Yolente and doesn't really question why; it's enough for him that his love", "and doesn't really question why; it's enough for him that his love exists,", "him that his love exists, though he could point to reasons for it", "them long life (which will become an issue in the fourteenth century setting", "for writing the interior monologue of a self-possessed woman? Here's an example of", "that this description rings true for a way a woman might think. Any", "a somewhat introspective male, I have a reasonably easy time writing from the", "He was tall, but not too tall, with broad, strong shoulders and arms,", "curls that almost touched his shoulders. And he was smart, though not in", "access to the Cdoad, she couldn’t look anything up. She wished her slate,", "when glass was invented. Of course, without access to the Cdoad, she couldn’t", "that some thought. In recent years, she had told herself that she wouldn’t", "touched his shoulders. And he was smart, though not in all things. He", "question, at least for what I'm trying to understand. As a somewhat introspective", "of imagination and proper use of language. But most importantly he seemed to", "having gone missing. She pushed that thought out of her mind, determined to", "discussion, however, I realized that I asked the wrong question, at least for", "was over, she and Marko would be together. She gave that some thought.", "fifty years or more. As Petra had pointed out, he was handsome enough.", "I realized that I asked the wrong question, at least for what I'm", "so she could research all the things she wanted to know about this", "brash. He didn’t seem to swear often, which she thought of as a", "think this way, or, rather, that this description rings true for a way", "much about his feelings for someone (indeed, elsewhere Marko simply recognizes that he", "in the breeze. She realized that she hadn’t seen a glass window anywhere", "they were at the time of the time-travel incident, falling in love. >", "instead of the idea of being with Marko for fifty years or more.", "enough. He was tall, but not too tall, with broad, strong shoulders and", "love her, which was key to finding a long-term contract partner. > >", "agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was well-received and generated a lot of", "any functionality and stowed in Marko’s pack, was fully connected and working so", "[writing a female character who has agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency). Much to my surprise, it was", "that, even after this adventure was over, she and Marko would be together.", "and arms, green eyes similar to hers, and long curls that almost touched", "by tomorrow it wouldn’t be a factor any longer, and this would all", "if pressed). But I only suspect a woman would think this way, or,", "a male character who thought that much about his feelings for someone (indeed,", "after age fifty, with a better target being age seventy. That would give", "wished her slate, apparently dead of any functionality and stowed in Marko’s pack,", "finds herself). She is joined in accidental time travel by Marko, similarly long-lived,", "were at the time of the time-travel incident, falling in love. > >", "shop that served wine and settled into a seat near a glassless window", "Marko’s pack, was fully connected and working so she could research all the", "his love exists, though he could point to reasons for it if pressed).", "else. Yolente thought of her mother and her reaction to her daughter having", "swear often, which she thought of as a failure of imagination and proper", "similar to hers, and long curls that almost touched his shoulders. And he", "write a male character who thought that much about his feelings for someone", "slate, apparently dead of any functionality and stowed in Marko’s pack, was fully", "window with the shutters open to let in the breeze. She realized that", "enough for him that his love exists, though he could point to reasons", "reaction to her daughter having gone missing. She pushed that thought out of", "what I'm trying to understand. As a somewhat introspective male, I have a", "suddenly finds herself). She is joined in accidental time travel by Marko, similarly", "she couldn’t look anything up. She wished her slate, apparently dead of any", "had and not wistful for something else. Yolente thought of her mother and", "is from an upper-class twenty-third century family who, because of their wealth, was", "to her daughter having gone missing. She pushed that thought out of her", "by then, but her mother didn’t seem to have much interest in the", "experience, I know how men (at least one of us) think. However, I", "Yolente thought of her mother and her reaction to her daughter having gone", "incident, falling in love. > > She found a shop that served wine", "> She stopped herself. Their children. Somehow she had concluded that, even after", "all the things she wanted to know about this place and these people.", "one or two children. Her parents would be gone by then, but her", "introspective male, I have a reasonably easy time writing from the perspective of", "love exists, though he could point to reasons for it if pressed). But", "even after this adventure was over, she and Marko would be together. She", "and stowed in Marko’s pack, was fully connected and working so she could", "of us) think. However, I observe that women think about things differently than", "she thought, by tomorrow it wouldn’t be a factor any longer, and this", "dead of any functionality and stowed in Marko’s pack, was fully connected and", "and Marko could tell their children. > > > She stopped herself. Their", "to raising one or two children. Her parents would be gone by then,", "or, rather, that this description rings true for a way a woman might", "with the shutters open to let in the breeze. She realized that she", "the idea of being with Marko for fifty years or more. As Petra", "have much interest in the idea of grandchildren. It seemed that losing their", "> > I wouldn't write a male character who thought that much about", "with a better target being age seventy. That would give her enough time", "for what I'm trying to understand. As a somewhat introspective male, I have", "settled into a seat near a glassless window with the shutters open to", "over, she and Marko would be together. She gave that some thought. In", "grandchildren. It seemed that losing their son in the war, then eventually having", "She pushed that thought out of her mind, determined to return before her", "know how men (at least one of us) think. However, I observe that", "really question why; it's enough for him that his love exists, though he", "an upper-class twenty-third century family who, because of their wealth, was able to", "> > She found a shop that served wine and settled into a", "too tall, with broad, strong shoulders and arms, green eyes similar to hers,", "eyes similar to hers, and long curls that almost touched his shoulders. And", "long life (which will become an issue in the fourteenth century setting where", "and Marko would be together. She gave that some thought. In recent years,", "things she wanted to know about this place and these people. Hopefully, she", "writing the interior monologue of a self-possessed woman? Here's an example of a", "it was well-received and generated a lot of great discussion. In reading that", "near a glassless window with the shutters open to let in the breeze.", "arms, green eyes similar to hers, and long curls that almost touched his", "accidental time travel by Marko, similarly long-lived, whom she has only known a", "idea of being with Marko for fifty years or more. As Petra had", "of her mind, determined to return before her mother experienced too much grief.", "thought. In recent years, she had told herself that she wouldn’t have children", "look up when glass was invented. Of course, without access to the Cdoad,", "partner. > > > I wouldn't write a male character who thought that", "he seemed to love her, which was key to finding a long-term contract", "then, but her mother didn’t seem to have much interest in the idea", "all just be a well-remembered adventure that she and Marko could tell their", "woman would think this way, or, rather, that this description rings true for", "was well-received and generated a lot of great discussion. In reading that discussion,", "Yolente, is from an upper-class twenty-third century family who, because of their wealth,", "posted). The character, Yolente, is from an upper-class twenty-third century family who, because", "where she suddenly finds herself). She is joined in accidental time travel by", "and while he was easy to talk to, wasn’t loud or brash. He", "discussion. In reading that discussion, however, I realized that I asked the wrong", "understand. As a somewhat introspective male, I have a reasonably easy time writing", "observe that women think about things differently than men do. So what tips", "career and retire from it, and then settle in to raising one or", "From experience, I know how men (at least one of us) think. However,", "wanted to know about this place and these people. Hopefully, she thought, by", "he was easy to talk to, wasn’t loud or brash. He didn’t seem", "was fully connected and working so she could research all the things she", "Their children. Somehow she had concluded that, even after this adventure was over,", "pushed that thought out of her mind, determined to return before her mother", "world, establish a career and retire from it, and then settle in to", "was invented. Of course, without access to the Cdoad, she couldn’t look anything", "the world, establish a career and retire from it, and then settle in", "to talk to, wasn’t loud or brash. He didn’t seem to swear often,", "That would give her enough time to see the world, establish a career", "from the perspective of a male character. Internal monologue, or at least describing", "a male character. Internal monologue, or at least describing his perspective, comes easy", "travel by Marko, similarly long-lived, whom she has only known a handful of", "pressed). But I only suspect a woman would think this way, or, rather,", "the fourteenth century setting where she suddenly finds herself). She is joined in", "factor any longer, and this would all just be a well-remembered adventure that", "for someone (indeed, elsewhere Marko simply recognizes that he loves Yolente and doesn't", "seen a glass window anywhere in the city, and thought to look up", "and not wistful for something else. Yolente thought of her mother and her", "to hers, and long curls that almost touched his shoulders. And he was", "and these people. Hopefully, she thought, by tomorrow it wouldn’t be a factor", "that she hadn’t seen a glass window anywhere in the city, and thought" ]
[ "I have come across an issue which I feel like it could change", "am writing my novel in the first person through the main character. I", "issue which I feel like it could change the whole story/flow. Originally it", "to stick with first. My question (sorry if it doesn’t make sense) is", "villan, like a small section of their evil plan. But I don’t know", "eg. School to a new scene in a different chapter eg. Cave Also", "a different chapter eg. Cave Also how would people understand if it’s the", "but somehow another person was able to write in it? If anyone could", "section of their evil plan. But I don’t know how I would write", "it’s the main characters story but somehow another person was able to write", "it doesn’t make sense) is this: I am writing my novel in the", "one chapter eg. School to a new scene in a different chapter eg.", "third person but I then came across other challenges and just decided to", "mean switching from one scene in one chapter eg. School to a new", "it would mean switching from one scene in one chapter eg. School to", "Also how would people understand if it’s the main characters story but somehow", "main characters story but somehow another person was able to write in it?", "a small section of their evil plan. But I don’t know how I", "in a different chapter eg. Cave Also how would people understand if it’s", "in the first person through the main character. I wanted to include another", "stick with first. My question (sorry if it doesn’t make sense) is this:", "how I would write that if it is through my main character life.", "would mean switching from one scene in one chapter eg. School to a", "Originally it wouldn’t have mattered if I wrote in the third person but", "plan. But I don’t know how I would write that if it is", "with first. My question (sorry if it doesn’t make sense) is this: I", "chapter eg. Cave Also how would people understand if it’s the main characters", "it could change the whole story/flow. Originally it wouldn’t have mattered if I", "have come across an issue which I feel like it could change the", "to write my first novel and I have come across an issue which", "from one scene in one chapter eg. School to a new scene in", "first person through the main character. I wanted to include another characters perspective", "which I feel like it could change the whole story/flow. Originally it wouldn’t", "scene in one chapter eg. School to a new scene in a different", "how would people understand if it’s the main characters story but somehow another", "it wouldn’t have mattered if I wrote in the third person but I", "characters perspective who is the villan, like a small section of their evil", "new scene in a different chapter eg. Cave Also how would people understand", "character. I wanted to include another characters perspective who is the villan, like", "if it doesn’t make sense) is this: I am writing my novel in", "who is the villan, like a small section of their evil plan. But", "across an issue which I feel like it could change the whole story/flow.", "eg. Cave Also how would people understand if it’s the main characters story", "I feel like it could change the whole story/flow. Originally it wouldn’t have", "one scene in one chapter eg. School to a new scene in a", "So basically it would mean switching from one scene in one chapter eg.", "But I don’t know how I would write that if it is through", "basically it would mean switching from one scene in one chapter eg. School", "the whole story/flow. Originally it wouldn’t have mattered if I wrote in the", "decided to stick with first. My question (sorry if it doesn’t make sense)", "was able to write in it? If anyone could help me out. It", "have mattered if I wrote in the third person but I then came", "write in it? If anyone could help me out. It would be appreciated.", "my novel in the first person through the main character. I wanted to", "to include another characters perspective who is the villan, like a small section", "if it is through my main character life. So basically it would mean", "switching from one scene in one chapter eg. School to a new scene", "in it? If anyone could help me out. It would be appreciated. Many", "through the main character. I wanted to include another characters perspective who is", "mattered if I wrote in the third person but I then came across", "this: I am writing my novel in the first person through the main", "I wrote in the third person but I then came across other challenges", "their evil plan. But I don’t know how I would write that if", "if I wrote in the third person but I then came across other", "like it could change the whole story/flow. Originally it wouldn’t have mattered if", "wrote in the third person but I then came across other challenges and", "character life. So basically it would mean switching from one scene in one", "my first novel and I have come across an issue which I feel", "(sorry if it doesn’t make sense) is this: I am writing my novel", "make sense) is this: I am writing my novel in the first person", "person but I then came across other challenges and just decided to stick", "and just decided to stick with first. My question (sorry if it doesn’t", "through my main character life. So basically it would mean switching from one", "the third person but I then came across other challenges and just decided", "it is through my main character life. So basically it would mean switching", "my main character life. So basically it would mean switching from one scene", "Cave Also how would people understand if it’s the main characters story but", "able to write in it? If anyone could help me out. It would", "could change the whole story/flow. Originally it wouldn’t have mattered if I wrote", "like a small section of their evil plan. But I don’t know how", "writing my novel in the first person through the main character. I wanted", "a new scene in a different chapter eg. Cave Also how would people", "main character life. So basically it would mean switching from one scene in", "came across other challenges and just decided to stick with first. My question", "know how I would write that if it is through my main character", "don’t know how I would write that if it is through my main", "an issue which I feel like it could change the whole story/flow. Originally", "If anyone could help me out. It would be appreciated. Many thanks, Stephanie", "come across an issue which I feel like it could change the whole", "first novel and I have come across an issue which I feel like", "change the whole story/flow. Originally it wouldn’t have mattered if I wrote in", "I don’t know how I would write that if it is through my", "somehow another person was able to write in it? If anyone could help", "wouldn’t have mattered if I wrote in the third person but I then", "School to a new scene in a different chapter eg. Cave Also how", "then came across other challenges and just decided to stick with first. My", "scene in a different chapter eg. Cave Also how would people understand if", "different chapter eg. Cave Also how would people understand if it’s the main", "I’m trying to write my first novel and I have come across an", "sense) is this: I am writing my novel in the first person through", "of their evil plan. But I don’t know how I would write that", "would write that if it is through my main character life. So basically", "it? If anyone could help me out. It would be appreciated. Many thanks,", "novel and I have come across an issue which I feel like it", "but I then came across other challenges and just decided to stick with", "would people understand if it’s the main characters story but somehow another person", "life. So basically it would mean switching from one scene in one chapter", "the first person through the main character. I wanted to include another characters", "across other challenges and just decided to stick with first. My question (sorry", "trying to write my first novel and I have come across an issue", "include another characters perspective who is the villan, like a small section of", "first. My question (sorry if it doesn’t make sense) is this: I am", "understand if it’s the main characters story but somehow another person was able", "story but somehow another person was able to write in it? If anyone", "the main character. I wanted to include another characters perspective who is the", "feel like it could change the whole story/flow. Originally it wouldn’t have mattered", "is this: I am writing my novel in the first person through the", "is the villan, like a small section of their evil plan. But I", "main character. I wanted to include another characters perspective who is the villan,", "I would write that if it is through my main character life. So", "My question (sorry if it doesn’t make sense) is this: I am writing", "another person was able to write in it? If anyone could help me", "I am writing my novel in the first person through the main character.", "I then came across other challenges and just decided to stick with first.", "story/flow. Originally it wouldn’t have mattered if I wrote in the third person", "whole story/flow. Originally it wouldn’t have mattered if I wrote in the third", "challenges and just decided to stick with first. My question (sorry if it", "I wanted to include another characters perspective who is the villan, like a", "perspective who is the villan, like a small section of their evil plan.", "people understand if it’s the main characters story but somehow another person was", "write that if it is through my main character life. So basically it", "that if it is through my main character life. So basically it would", "other challenges and just decided to stick with first. My question (sorry if", "evil plan. But I don’t know how I would write that if it", "chapter eg. School to a new scene in a different chapter eg. Cave", "write my first novel and I have come across an issue which I", "wanted to include another characters perspective who is the villan, like a small", "person was able to write in it? If anyone could help me out.", "person through the main character. I wanted to include another characters perspective who", "novel in the first person through the main character. I wanted to include", "characters story but somehow another person was able to write in it? If", "just decided to stick with first. My question (sorry if it doesn’t make", "small section of their evil plan. But I don’t know how I would", "is through my main character life. So basically it would mean switching from", "to a new scene in a different chapter eg. Cave Also how would", "and I have come across an issue which I feel like it could", "in the third person but I then came across other challenges and just", "question (sorry if it doesn’t make sense) is this: I am writing my", "the villan, like a small section of their evil plan. But I don’t", "if it’s the main characters story but somehow another person was able to", "the main characters story but somehow another person was able to write in", "another characters perspective who is the villan, like a small section of their", "to write in it? If anyone could help me out. It would be", "in one chapter eg. School to a new scene in a different chapter", "doesn’t make sense) is this: I am writing my novel in the first" ]
[ "are all between 25 and 45 years. Every character shows part of her", "me about which genre her novel belongs to. At first, I respond very", "her way to take the best decisions for her family, friends and for", "first, I respond very quickly \"literary fiction\". But now, after talking about the", "contemporary, and the women are all between 25 and 45 years. Every character", "I respond very quickly \"literary fiction\". But now, after talking about the way", "of different ages, living through different dramatics situations. The setting is contemporary, and", "morning she asked me about which genre her novel belongs to. At first,", "am a Spanish writer. My wife is writing a book about the life", "genre her novel belongs to. At first, I respond very quickly \"literary fiction\".", "the best decisions for her family, friends and for themself. At the end,", "is writing about 4 women of different ages, living through different dramatics situations.", "Spanish writer. My wife is writing a book about the life of 4", "way she has been orienting the scenes, I'm not so sure. In general,", "for her family, friends and for themself. At the end, it is just", "through different dramatics situations. The setting is contemporary, and the women are all", "orienting the scenes, I'm not so sure. In general, she is writing about", "she has been orienting the scenes, I'm not so sure. In general, she", "talking about the way she has been orienting the scenes, I'm not so", "to take the best decisions for her family, friends and for themself. At", "I'm sorry for write so badly in English. I am a Spanish writer.", "very quickly \"literary fiction\". But now, after talking about the way she has", "women. This morning she asked me about which genre her novel belongs to.", "decisions for her family, friends and for themself. At the end, it is", "themself. At the end, it is just a picture of the way that", "fiction\". But now, after talking about the way she has been orienting the", "But now, after talking about the way she has been orienting the scenes,", "45 years. Every character shows part of her life and her way to", "sure. In general, she is writing about 4 women of different ages, living", "is writing a book about the life of 4 women. This morning she", "25 and 45 years. Every character shows part of her life and her", "for write so badly in English. I am a Spanish writer. My wife", "not so sure. In general, she is writing about 4 women of different", "to. At first, I respond very quickly \"literary fiction\". But now, after talking", "English. I am a Spanish writer. My wife is writing a book about", "the way she has been orienting the scenes, I'm not so sure. In", "end, it is just a picture of the way that women live on", "life and her way to take the best decisions for her family, friends", "\"literary fiction\". But now, after talking about the way she has been orienting", "her novel belongs to. At first, I respond very quickly \"literary fiction\". But", "now, after talking about the way she has been orienting the scenes, I'm", "take the best decisions for her family, friends and for themself. At the", "dramatics situations. The setting is contemporary, and the women are all between 25", "situations. The setting is contemporary, and the women are all between 25 and", "about which genre her novel belongs to. At first, I respond very quickly", "been orienting the scenes, I'm not so sure. In general, she is writing", "general, she is writing about 4 women of different ages, living through different", "sorry for write so badly in English. I am a Spanish writer. My", "women live on our current times and society. My question: which is this", "a book about the life of 4 women. This morning she asked me", "way to take the best decisions for her family, friends and for themself.", "in English. I am a Spanish writer. My wife is writing a book", "setting is contemporary, and the women are all between 25 and 45 years.", "all between 25 and 45 years. Every character shows part of her life", "In general, she is writing about 4 women of different ages, living through", "family, friends and for themself. At the end, it is just a picture", "of the way that women live on our current times and society. My", "so sure. In general, she is writing about 4 women of different ages,", "and her way to take the best decisions for her family, friends and", "novel belongs to. At first, I respond very quickly \"literary fiction\". But now,", "ages, living through different dramatics situations. The setting is contemporary, and the women", "respond very quickly \"literary fiction\". But now, after talking about the way she", "the scenes, I'm not so sure. In general, she is writing about 4", "she asked me about which genre her novel belongs to. At first, I", "women of different ages, living through different dramatics situations. The setting is contemporary,", "badly in English. I am a Spanish writer. My wife is writing a", "writing about 4 women of different ages, living through different dramatics situations. The", "4 women of different ages, living through different dramatics situations. The setting is", "a Spanish writer. My wife is writing a book about the life of", "of 4 women. This morning she asked me about which genre her novel", "shows part of her life and her way to take the best decisions", "the life of 4 women. This morning she asked me about which genre", "between 25 and 45 years. Every character shows part of her life and", "4 women. This morning she asked me about which genre her novel belongs", "The setting is contemporary, and the women are all between 25 and 45", "the women are all between 25 and 45 years. Every character shows part", "wife is writing a book about the life of 4 women. This morning", "just a picture of the way that women live on our current times", "advance: I'm sorry for write so badly in English. I am a Spanish", "character shows part of her life and her way to take the best", "a picture of the way that women live on our current times and", "which genre her novel belongs to. At first, I respond very quickly \"literary", "has been orienting the scenes, I'm not so sure. In general, she is", "about 4 women of different ages, living through different dramatics situations. The setting", "My wife is writing a book about the life of 4 women. This", "is just a picture of the way that women live on our current", "after talking about the way she has been orienting the scenes, I'm not", "her life and her way to take the best decisions for her family,", "scenes, I'm not so sure. In general, she is writing about 4 women", "her family, friends and for themself. At the end, it is just a", "different dramatics situations. The setting is contemporary, and the women are all between", "At first, I respond very quickly \"literary fiction\". But now, after talking about", "life of 4 women. This morning she asked me about which genre her", "This morning she asked me about which genre her novel belongs to. At", "and for themself. At the end, it is just a picture of the", "write so badly in English. I am a Spanish writer. My wife is", "about the life of 4 women. This morning she asked me about which", "In advance: I'm sorry for write so badly in English. I am a", "best decisions for her family, friends and for themself. At the end, it", "the end, it is just a picture of the way that women live", "writing a book about the life of 4 women. This morning she asked", "friends and for themself. At the end, it is just a picture of", "and the women are all between 25 and 45 years. Every character shows", "different ages, living through different dramatics situations. The setting is contemporary, and the", "way that women live on our current times and society. My question: which", "of her life and her way to take the best decisions for her", "asked me about which genre her novel belongs to. At first, I respond", "the way that women live on our current times and society. My question:", "about the way she has been orienting the scenes, I'm not so sure.", "quickly \"literary fiction\". But now, after talking about the way she has been", "I am a Spanish writer. My wife is writing a book about the", "picture of the way that women live on our current times and society.", "women are all between 25 and 45 years. Every character shows part of", "years. Every character shows part of her life and her way to take", "writer. My wife is writing a book about the life of 4 women.", "belongs to. At first, I respond very quickly \"literary fiction\". But now, after", "and 45 years. Every character shows part of her life and her way", "for themself. At the end, it is just a picture of the way", "At the end, it is just a picture of the way that women", "so badly in English. I am a Spanish writer. My wife is writing", "Every character shows part of her life and her way to take the", "part of her life and her way to take the best decisions for", "she is writing about 4 women of different ages, living through different dramatics", "live on our current times and society. My question: which is this genre?", "that women live on our current times and society. My question: which is", "it is just a picture of the way that women live on our", "I'm not so sure. In general, she is writing about 4 women of", "is contemporary, and the women are all between 25 and 45 years. Every", "living through different dramatics situations. The setting is contemporary, and the women are", "book about the life of 4 women. This morning she asked me about" ]
[ "try to refine the question later, if I need to. Really, any advice", "Is there any advice or guidance anyone on the site could give me,", "be someone else out there with wisdom on this particular subject. I can", "would have by now. I get it. Having said that...I have scoured the", "people hate spiders, others love them; some people are terrified of slasher movies,", "and apply it as much as possible to my writing. I genuinely feel", "I'm tired of seeing the same duplicate lists all over the Internet that", "of a character, or the decisions they make, I can make them more", "to it of late to try and apply it as much as possible", "risk of being severely disappointed: Is there any advice or guidance anyone on", "creep them out? I realize a lot of horror is subjective: some people", "that it takes talent, practice, and study in order to write anything effectively,", "\"Check your pacing,\" or some other stylistic question I've already read a million", "been going to it of late to try and apply it as much", "in order to write anything effectively, including a good scare. And I also", "feel if I understand some of the mental and psychological motivations/underpinnings/what have you", "there were some articles out there like that drifting about, surely there might", "of horror is subjective: some people hate spiders, others love them; some people", "I know psychology doesn't have an answer for literally everything, but I've been", "might be someone else out there with wisdom on this particular subject. I", "already feel right out of the gate that this is going to be", "out there in the world that people could take and just write the", "some of the mental and psychological motivations/underpinnings/what have you of a character, or", "sometimes). But I'm tired of seeing the same duplicate lists all over the", "out there like that drifting about, surely there might be someone else out", "that people could take and just write the most effective fiction ever from", "a magic formula out there in the world that people could take and", "were some articles out there like that drifting about, surely there might be", "Do What You Want Them To,\" or \"How To Trick Someone Into Loving", "or any real guidance toward application. I know psychology doesn't have an answer", "like, \"Top 10 Psychological Hacks to Make Anyone Do What You Want Them", "more believable (the jury is still out). So I guess my question is,", "people need them for a reason, sure (I'm not so good as to", "mental and psychological motivations/underpinnings/what have you of a character, or the decisions they", "if I understand some of the mental and psychological motivations/underpinnings/what have you of", "isn't, \"Check your pacing,\" or some other stylistic question I've already read a", "and that it takes talent, practice, and study in order to write anything", "figured if there were some articles out there like that drifting about, surely", "everyone would have by now. I get it. Having said that...I have scoured", "horror, and they all say the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful", "to try and apply it as much as possible to my writing. I", "(the jury is still out). So I guess my question is, at the", "toward application. I know psychology doesn't have an answer for literally everything, but", "still out). So I guess my question is, at the risk of being", "\"How To Trick Someone Into Loving You,\" click-bait-y stuff like that. But I", "I can try to refine the question later, if I need to. Really,", "a naive question, but I'm going to ask it anyway. I know that", "of slasher movies, others think they're not worth their yawns, etc. I'm leaning", "make people feel uncomfortable. That's not psychological, per se, but it's something more", "can try to refine the question later, if I need to. Really, any", "for literally everything, but I've been going to it of late to try", "slasher movies, others think they're not worth their yawns, etc. I'm leaning more", "everything, but I've been going to it of late to try and apply", "it as much as possible to my writing. I genuinely feel if I", "or less provable by science, which is my point. The closest I've come", "the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists about \"know", "this particular subject. I can try to refine the question later, if I", "subject. I can try to refine the question later, if I need to.", "that irrefutably scare people or creep them out? I realize a lot of", "a reason, sure (I'm not so good as to say I didn't need", "more or less provable by science, which is my point. The closest I've", "there in the world that people could take and just write the most", "your reader.\" Not to discredit some of the articles, or the people writing", "people are terrified of slasher movies, others think they're not worth their yawns,", "That's not psychological, per se, but it's something more or less provable by", "a character, or the decisions they make, I can make them more believable", "be a naive question, but I'm going to ask it anyway. I know", "it anyway. I know that writing horror does not guarantee that you're particularly", "now. I get it. Having said that...I have scoured the Internet for tips", "them myself sometimes). But I'm tired of seeing the same duplicate lists all", "good scare. And I also know that if there were a magic formula", "least proven to make people feel uncomfortable. That's not psychological, per se, but", "but it's something more or less provable by science, which is my point.", "mostly unhelpful articles and lists about \"know what scares people\" or \"get in", "of being severely disappointed: Is there any advice or guidance anyone on the", "from having taken it, everyone would have by now. I get it. Having", "I understand some of the mental and psychological motivations/underpinnings/what have you of a", "need to. Really, any advice would be greatly appreciated, something that isn't, \"Check", "particular subject. I can try to refine the question later, if I need", "have examples or any real guidance toward application. I know psychology doesn't have", "were a magic formula out there in the world that people could take", "But I'm tired of seeing the same duplicate lists all over the Internet", "a better grasp on psychology and science than I do, on how to", "question later, if I need to. Really, any advice would be greatly appreciated,", "people\" or \"get in the mind of your reader.\" Not to discredit some", "understand some of the mental and psychological motivations/underpinnings/what have you of a character,", "takes talent, practice, and study in order to write anything effectively, including a", "don't have examples or any real guidance toward application. I know psychology doesn't", "at least proven to make people feel uncomfortable. That's not psychological, per se,", "effective fiction ever from having taken it, everyone would have by now. I", "to Make Anyone Do What You Want Them To,\" or \"How To Trick", "scare people or creep them out? I realize a lot of horror is", "proven methods that irrefutably scare people or creep them out? I realize a", "come are articles like, \"Top 10 Psychological Hacks to Make Anyone Do What", "not so good as to say I didn't need them myself sometimes). But", "writing horror, and they all say the same thing: rudimentary, broad-stroked, open-ended, mostly", "particularly good at it, and that it takes talent, practice, and study in", "yawns, etc. I'm leaning more towards, say, infrasound, which is at least proven", "them for a reason, sure (I'm not so good as to say I", "with my writing? Forget things like style, I'm talking like proven methods that", "seeing the same duplicate lists all over the Internet that don't have examples", "that isn't, \"Check your pacing,\" or some other stylistic question I've already read", "tired of seeing the same duplicate lists all over the Internet that don't", "of the mental and psychological motivations/underpinnings/what have you of a character, or the", "the mental and psychological motivations/underpinnings/what have you of a character, or the decisions", "else out there with wisdom on this particular subject. I can try to", "on how to effectively scare people with my writing? Forget things like style,", "you're particularly good at it, and that it takes talent, practice, and study", "any real guidance toward application. I know psychology doesn't have an answer for", "same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists about \"know what", "articles and lists about \"know what scares people\" or \"get in the mind", "that this is going to be a naive question, but I'm going to", "or \"get in the mind of your reader.\" Not to discredit some of", "methods that irrefutably scare people or creep them out? I realize a lot", "any advice would be greatly appreciated, something that isn't, \"Check your pacing,\" or", "have scoured the Internet for tips and tricks on writing horror, and they", "se, but it's something more or less provable by science, which is my", "fiction ever from having taken it, everyone would have by now. I get", "or the people writing them, people need them for a reason, sure (I'm", "write the most effective fiction ever from having taken it, everyone would have", "them; some people are terrified of slasher movies, others think they're not worth", "or the decisions they make, I can make them more believable (the jury", "good at it, and that it takes talent, practice, and study in order", "make, I can make them more believable (the jury is still out). So", "better grasp on psychology and science than I do, on how to effectively", "worth their yawns, etc. I'm leaning more towards, say, infrasound, which is at", "I figured if there were some articles out there like that drifting about,", "as possible to my writing. I genuinely feel if I understand some of", "science than I do, on how to effectively scare people with my writing?", "real guidance toward application. I know psychology doesn't have an answer for literally", "the question later, if I need to. Really, any advice would be greatly", "that if there were a magic formula out there in the world that", "as much as possible to my writing. I genuinely feel if I understand", "this is going to be a naive question, but I'm going to ask", "not psychological, per se, but it's something more or less provable by science,", "which is my point. The closest I've come are articles like, \"Top 10", "And I also know that if there were a magic formula out there", "Psychological Hacks to Make Anyone Do What You Want Them To,\" or \"How", "order to write anything effectively, including a good scare. And I also know", "which is at least proven to make people feel uncomfortable. That's not psychological,", "Internet for tips and tricks on writing horror, and they all say the", "the decisions they make, I can make them more believable (the jury is", "I do, on how to effectively scare people with my writing? Forget things", "Into Loving You,\" click-bait-y stuff like that. But I figured if there were", "jury is still out). So I guess my question is, at the risk", "I know that writing horror does not guarantee that you're particularly good at", "to make people feel uncomfortable. That's not psychological, per se, but it's something", "(I'm not so good as to say I didn't need them myself sometimes).", "talking like proven methods that irrefutably scare people or creep them out? I", "Hacks to Make Anyone Do What You Want Them To,\" or \"How To", "stuff like that. But I figured if there were some articles out there", "Anyone Do What You Want Them To,\" or \"How To Trick Someone Into", "know psychology doesn't have an answer for literally everything, but I've been going", "I also know that if there were a magic formula out there in", "could take and just write the most effective fiction ever from having taken", "of your reader.\" Not to discredit some of the articles, or the people", "Loving You,\" click-bait-y stuff like that. But I figured if there were some", "Having said that...I have scoured the Internet for tips and tricks on writing", "need them myself sometimes). But I'm tired of seeing the same duplicate lists", "apply it as much as possible to my writing. I genuinely feel if", "than I do, on how to effectively scare people with my writing? Forget", "spiders, others love them; some people are terrified of slasher movies, others think", "per se, but it's something more or less provable by science, which is", "the most effective fiction ever from having taken it, everyone would have by", "click-bait-y stuff like that. But I figured if there were some articles out", "and study in order to write anything effectively, including a good scare. And", "the gate that this is going to be a naive question, but I'm", "of the gate that this is going to be a naive question, but", "To Trick Someone Into Loving You,\" click-bait-y stuff like that. But I figured", "that writing horror does not guarantee that you're particularly good at it, and", "realize a lot of horror is subjective: some people hate spiders, others love", "that...I have scoured the Internet for tips and tricks on writing horror, and", "style, I'm talking like proven methods that irrefutably scare people or creep them", "all over the Internet that don't have examples or any real guidance toward", "have by now. I get it. Having said that...I have scoured the Internet", "I didn't need them myself sometimes). But I'm tired of seeing the same", "late to try and apply it as much as possible to my writing.", "Not to discredit some of the articles, or the people writing them, people", "do, on how to effectively scare people with my writing? Forget things like", "people could take and just write the most effective fiction ever from having", "there were a magic formula out there in the world that people could", "going to be a naive question, but I'm going to ask it anyway.", "to say I didn't need them myself sometimes). But I'm tired of seeing", "I'm talking like proven methods that irrefutably scare people or creep them out?", "scare. And I also know that if there were a magic formula out", "about \"know what scares people\" or \"get in the mind of your reader.\"", "I get it. Having said that...I have scoured the Internet for tips and", "less provable by science, which is my point. The closest I've come are", "advice or guidance anyone on the site could give me, ideally someone with", "to effectively scare people with my writing? Forget things like style, I'm talking", "that drifting about, surely there might be someone else out there with wisdom", "there might be someone else out there with wisdom on this particular subject.", "there with wisdom on this particular subject. I can try to refine the", "would be greatly appreciated, something that isn't, \"Check your pacing,\" or some other", "I'm leaning more towards, say, infrasound, which is at least proven to make", "decisions they make, I can make them more believable (the jury is still", "sure (I'm not so good as to say I didn't need them myself", "towards, say, infrasound, which is at least proven to make people feel uncomfortable.", "have you of a character, or the decisions they make, I can make", "to refine the question later, if I need to. Really, any advice would", "psychology doesn't have an answer for literally everything, but I've been going to", "some people are terrified of slasher movies, others think they're not worth their", "people or creep them out? I realize a lot of horror is subjective:", "other stylistic question I've already read a million times before. Please and thank", "subjective: some people hate spiders, others love them; some people are terrified of", "some people hate spiders, others love them; some people are terrified of slasher", "as to say I didn't need them myself sometimes). But I'm tired of", "is still out). So I guess my question is, at the risk of", "The closest I've come are articles like, \"Top 10 Psychological Hacks to Make", "are articles like, \"Top 10 Psychological Hacks to Make Anyone Do What You", "open-ended, mostly unhelpful articles and lists about \"know what scares people\" or \"get", "and they all say the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles", "believable (the jury is still out). So I guess my question is, at", "be greatly appreciated, something that isn't, \"Check your pacing,\" or some other stylistic", "etc. I'm leaning more towards, say, infrasound, which is at least proven to", "is subjective: some people hate spiders, others love them; some people are terrified", "ideally someone with a better grasp on psychology and science than I do,", "it. Having said that...I have scoured the Internet for tips and tricks on", "need them for a reason, sure (I'm not so good as to say", "psychological, per se, but it's something more or less provable by science, which", "magic formula out there in the world that people could take and just", "grasp on psychology and science than I do, on how to effectively scare", "with wisdom on this particular subject. I can try to refine the question", "the mind of your reader.\" Not to discredit some of the articles, or", "terrified of slasher movies, others think they're not worth their yawns, etc. I'm", "horror is subjective: some people hate spiders, others love them; some people are", "the site could give me, ideally someone with a better grasp on psychology", "you of a character, or the decisions they make, I can make them", "lists about \"know what scares people\" or \"get in the mind of your", "ask it anyway. I know that writing horror does not guarantee that you're", "guarantee that you're particularly good at it, and that it takes talent, practice,", "articles, or the people writing them, people need them for a reason, sure", "effectively scare people with my writing? Forget things like style, I'm talking like", "question, but I'm going to ask it anyway. I know that writing horror", "I already feel right out of the gate that this is going to", "articles out there like that drifting about, surely there might be someone else", "out there with wisdom on this particular subject. I can try to refine", "others love them; some people are terrified of slasher movies, others think they're", "others think they're not worth their yawns, etc. I'm leaning more towards, say,", "that you're particularly good at it, and that it takes talent, practice, and", "and science than I do, on how to effectively scare people with my", "going to ask it anyway. I know that writing horror does not guarantee", "psychology and science than I do, on how to effectively scare people with", "most effective fiction ever from having taken it, everyone would have by now.", "at it, and that it takes talent, practice, and study in order to", "take and just write the most effective fiction ever from having taken it,", "scare people with my writing? Forget things like style, I'm talking like proven", "for a reason, sure (I'm not so good as to say I didn't", "it takes talent, practice, and study in order to write anything effectively, including", "thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists about \"know what scares", "writing. I genuinely feel if I understand some of the mental and psychological", "that. But I figured if there were some articles out there like that", "disappointed: Is there any advice or guidance anyone on the site could give", "going to it of late to try and apply it as much as", "if there were a magic formula out there in the world that people", "\"know what scares people\" or \"get in the mind of your reader.\" Not", "examples or any real guidance toward application. I know psychology doesn't have an", "and lists about \"know what scares people\" or \"get in the mind of", "To,\" or \"How To Trick Someone Into Loving You,\" click-bait-y stuff like that.", "and just write the most effective fiction ever from having taken it, everyone", "rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists about \"know what scares people\"", "on psychology and science than I do, on how to effectively scare people", "some other stylistic question I've already read a million times before. Please and", "not guarantee that you're particularly good at it, and that it takes talent,", "scoured the Internet for tips and tricks on writing horror, and they all", "Internet that don't have examples or any real guidance toward application. I know", "like proven methods that irrefutably scare people or creep them out? I realize", "infrasound, which is at least proven to make people feel uncomfortable. That's not", "uncomfortable. That's not psychological, per se, but it's something more or less provable", "movies, others think they're not worth their yawns, etc. I'm leaning more towards,", "me, ideally someone with a better grasp on psychology and science than I", "my writing. I genuinely feel if I understand some of the mental and", "Make Anyone Do What You Want Them To,\" or \"How To Trick Someone", "I realize a lot of horror is subjective: some people hate spiders, others", "said that...I have scoured the Internet for tips and tricks on writing horror,", "writing? Forget things like style, I'm talking like proven methods that irrefutably scare", "all say the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists", "they all say the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and", "or creep them out? I realize a lot of horror is subjective: some", "guidance toward application. I know psychology doesn't have an answer for literally everything,", "just write the most effective fiction ever from having taken it, everyone would", "of seeing the same duplicate lists all over the Internet that don't have", "mind of your reader.\" Not to discredit some of the articles, or the", "to my writing. I genuinely feel if I understand some of the mental", "is at least proven to make people feel uncomfortable. That's not psychological, per", "say, infrasound, which is at least proven to make people feel uncomfortable. That's", "a lot of horror is subjective: some people hate spiders, others love them;", "site could give me, ideally someone with a better grasp on psychology and", "severely disappointed: Is there any advice or guidance anyone on the site could", "I guess my question is, at the risk of being severely disappointed: Is", "and tricks on writing horror, and they all say the same thing: rudimentary,", "the same duplicate lists all over the Internet that don't have examples or", "Want Them To,\" or \"How To Trick Someone Into Loving You,\" click-bait-y stuff", "tips and tricks on writing horror, and they all say the same thing:", "on this particular subject. I can try to refine the question later, if", "character, or the decisions they make, I can make them more believable (the", "are terrified of slasher movies, others think they're not worth their yawns, etc.", "What You Want Them To,\" or \"How To Trick Someone Into Loving You,\"", "write anything effectively, including a good scare. And I also know that if", "at the risk of being severely disappointed: Is there any advice or guidance", "provable by science, which is my point. The closest I've come are articles", "out of the gate that this is going to be a naive question,", "is going to be a naive question, but I'm going to ask it", "advice would be greatly appreciated, something that isn't, \"Check your pacing,\" or some", "like that drifting about, surely there might be someone else out there with", "think they're not worth their yawns, etc. I'm leaning more towards, say, infrasound,", "things like style, I'm talking like proven methods that irrefutably scare people or", "genuinely feel if I understand some of the mental and psychological motivations/underpinnings/what have", "is, at the risk of being severely disappointed: Is there any advice or", "know that writing horror does not guarantee that you're particularly good at it,", "point. The closest I've come are articles like, \"Top 10 Psychological Hacks to", "I'm going to ask it anyway. I know that writing horror does not", "much as possible to my writing. I genuinely feel if I understand some", "I can make them more believable (the jury is still out). So I", "feel right out of the gate that this is going to be a", "more towards, say, infrasound, which is at least proven to make people feel", "tricks on writing horror, and they all say the same thing: rudimentary, broad-stroked,", "anyone on the site could give me, ideally someone with a better grasp", "so good as to say I didn't need them myself sometimes). But I'm", "guidance anyone on the site could give me, ideally someone with a better", "Trick Someone Into Loving You,\" click-bait-y stuff like that. But I figured if", "but I'm going to ask it anyway. I know that writing horror does", "by science, which is my point. The closest I've come are articles like,", "there any advice or guidance anyone on the site could give me, ideally", "them out? I realize a lot of horror is subjective: some people hate", "about, surely there might be someone else out there with wisdom on this", "possible to my writing. I genuinely feel if I understand some of the", "broad-stroked, open-ended, mostly unhelpful articles and lists about \"know what scares people\" or", "it, and that it takes talent, practice, and study in order to write", "formula out there in the world that people could take and just write", "guess my question is, at the risk of being severely disappointed: Is there", "people writing them, people need them for a reason, sure (I'm not so", "and psychological motivations/underpinnings/what have you of a character, or the decisions they make,", "I need to. Really, any advice would be greatly appreciated, something that isn't,", "it, everyone would have by now. I get it. Having said that...I have", "know that if there were a magic formula out there in the world", "appreciated, something that isn't, \"Check your pacing,\" or some other stylistic question I've", "my writing? Forget things like style, I'm talking like proven methods that irrefutably", "question is, at the risk of being severely disappointed: Is there any advice", "irrefutably scare people or creep them out? I realize a lot of horror", "they're not worth their yawns, etc. I'm leaning more towards, say, infrasound, which", "didn't need them myself sometimes). But I'm tired of seeing the same duplicate", "the Internet for tips and tricks on writing horror, and they all say", "them, people need them for a reason, sure (I'm not so good as", "the articles, or the people writing them, people need them for a reason,", "people with my writing? Forget things like style, I'm talking like proven methods", "it of late to try and apply it as much as possible to", "I've been going to it of late to try and apply it as", "same duplicate lists all over the Internet that don't have examples or any", "if I need to. Really, any advice would be greatly appreciated, something that", "I genuinely feel if I understand some of the mental and psychological motivations/underpinnings/what", "reader.\" Not to discredit some of the articles, or the people writing them,", "talent, practice, and study in order to write anything effectively, including a good", "the people writing them, people need them for a reason, sure (I'm not", "lot of horror is subjective: some people hate spiders, others love them; some", "naive question, but I'm going to ask it anyway. I know that writing", "a good scare. And I also know that if there were a magic", "on writing horror, and they all say the same thing: rudimentary, broad-stroked, open-ended,", "they make, I can make them more believable (the jury is still out).", "\"get in the mind of your reader.\" Not to discredit some of the", "the world that people could take and just write the most effective fiction", "myself sometimes). But I'm tired of seeing the same duplicate lists all over", "\"Top 10 Psychological Hacks to Make Anyone Do What You Want Them To,\"", "can make them more believable (the jury is still out). So I guess", "study in order to write anything effectively, including a good scare. And I", "greatly appreciated, something that isn't, \"Check your pacing,\" or some other stylistic question", "people feel uncomfortable. That's not psychological, per se, but it's something more or", "lists all over the Internet that don't have examples or any real guidance", "say I didn't need them myself sometimes). But I'm tired of seeing the", "writing horror does not guarantee that you're particularly good at it, and that", "ever from having taken it, everyone would have by now. I get it.", "how to effectively scare people with my writing? Forget things like style, I'm", "the Internet that don't have examples or any real guidance toward application. I", "You Want Them To,\" or \"How To Trick Someone Into Loving You,\" click-bait-y", "someone with a better grasp on psychology and science than I do, on", "articles like, \"Top 10 Psychological Hacks to Make Anyone Do What You Want", "later, if I need to. Really, any advice would be greatly appreciated, something", "horror does not guarantee that you're particularly good at it, and that it", "or some other stylistic question I've already read a million times before. Please", "motivations/underpinnings/what have you of a character, or the decisions they make, I can", "is my point. The closest I've come are articles like, \"Top 10 Psychological", "including a good scare. And I also know that if there were a", "on the site could give me, ideally someone with a better grasp on", "Forget things like style, I'm talking like proven methods that irrefutably scare people", "to. Really, any advice would be greatly appreciated, something that isn't, \"Check your", "there like that drifting about, surely there might be someone else out there", "some articles out there like that drifting about, surely there might be someone", "wisdom on this particular subject. I can try to refine the question later,", "something that isn't, \"Check your pacing,\" or some other stylistic question I've already", "for tips and tricks on writing horror, and they all say the same", "discredit some of the articles, or the people writing them, people need them", "being severely disappointed: Is there any advice or guidance anyone on the site", "to write anything effectively, including a good scare. And I also know that", "practice, and study in order to write anything effectively, including a good scare.", "hate spiders, others love them; some people are terrified of slasher movies, others", "literally everything, but I've been going to it of late to try and", "pacing,\" or some other stylistic question I've already read a million times before.", "get it. Having said that...I have scoured the Internet for tips and tricks", "proven to make people feel uncomfortable. That's not psychological, per se, but it's", "closest I've come are articles like, \"Top 10 Psychological Hacks to Make Anyone", "of the articles, or the people writing them, people need them for a", "like that. But I figured if there were some articles out there like", "world that people could take and just write the most effective fiction ever", "stylistic question I've already read a million times before. Please and thank you.", "unhelpful articles and lists about \"know what scares people\" or \"get in the", "science, which is my point. The closest I've come are articles like, \"Top", "what scares people\" or \"get in the mind of your reader.\" Not to", "make them more believable (the jury is still out). So I guess my", "give me, ideally someone with a better grasp on psychology and science than", "You,\" click-bait-y stuff like that. But I figured if there were some articles", "also know that if there were a magic formula out there in the", "reason, sure (I'm not so good as to say I didn't need them", "duplicate lists all over the Internet that don't have examples or any real", "over the Internet that don't have examples or any real guidance toward application.", "like style, I'm talking like proven methods that irrefutably scare people or creep", "that don't have examples or any real guidance toward application. I know psychology", "writing them, people need them for a reason, sure (I'm not so good", "in the mind of your reader.\" Not to discredit some of the articles,", "the risk of being severely disappointed: Is there any advice or guidance anyone", "Them To,\" or \"How To Trick Someone Into Loving You,\" click-bait-y stuff like", "effectively, including a good scare. And I also know that if there were", "my question is, at the risk of being severely disappointed: Is there any", "have an answer for literally everything, but I've been going to it of", "my point. The closest I've come are articles like, \"Top 10 Psychological Hacks", "to discredit some of the articles, or the people writing them, people need", "of late to try and apply it as much as possible to my", "taken it, everyone would have by now. I get it. Having said that...I", "psychological motivations/underpinnings/what have you of a character, or the decisions they make, I", "try and apply it as much as possible to my writing. I genuinely", "to ask it anyway. I know that writing horror does not guarantee that", "out). So I guess my question is, at the risk of being severely", "some of the articles, or the people writing them, people need them for", "Really, any advice would be greatly appreciated, something that isn't, \"Check your pacing,\"", "to be a naive question, but I'm going to ask it anyway. I", "good as to say I didn't need them myself sometimes). But I'm tired", "I've come are articles like, \"Top 10 Psychological Hacks to Make Anyone Do", "love them; some people are terrified of slasher movies, others think they're not", "drifting about, surely there might be someone else out there with wisdom on", "or \"How To Trick Someone Into Loving You,\" click-bait-y stuff like that. But", "an answer for literally everything, but I've been going to it of late", "with a better grasp on psychology and science than I do, on how", "their yawns, etc. I'm leaning more towards, say, infrasound, which is at least", "scares people\" or \"get in the mind of your reader.\" Not to discredit", "So I guess my question is, at the risk of being severely disappointed:", "does not guarantee that you're particularly good at it, and that it takes", "refine the question later, if I need to. Really, any advice would be", "having taken it, everyone would have by now. I get it. Having said", "could give me, ideally someone with a better grasp on psychology and science", "it's something more or less provable by science, which is my point. The", "anything effectively, including a good scare. And I also know that if there", "doesn't have an answer for literally everything, but I've been going to it", "any advice or guidance anyone on the site could give me, ideally someone", "Someone Into Loving You,\" click-bait-y stuff like that. But I figured if there", "not worth their yawns, etc. I'm leaning more towards, say, infrasound, which is", "feel uncomfortable. That's not psychological, per se, but it's something more or less", "out? I realize a lot of horror is subjective: some people hate spiders,", "someone else out there with wisdom on this particular subject. I can try", "But I figured if there were some articles out there like that drifting", "by now. I get it. Having said that...I have scoured the Internet for", "in the world that people could take and just write the most effective", "answer for literally everything, but I've been going to it of late to", "but I've been going to it of late to try and apply it", "them more believable (the jury is still out). So I guess my question", "say the same thing: rudimentary, broad-stroked, open-ended, mostly unhelpful articles and lists about", "something more or less provable by science, which is my point. The closest", "or guidance anyone on the site could give me, ideally someone with a", "surely there might be someone else out there with wisdom on this particular", "anyway. I know that writing horror does not guarantee that you're particularly good", "if there were some articles out there like that drifting about, surely there", "right out of the gate that this is going to be a naive", "leaning more towards, say, infrasound, which is at least proven to make people", "application. I know psychology doesn't have an answer for literally everything, but I've", "gate that this is going to be a naive question, but I'm going", "your pacing,\" or some other stylistic question I've already read a million times", "10 Psychological Hacks to Make Anyone Do What You Want Them To,\" or" ]
[ "there more to it? To use a different example, The Master and Margarita", "any purpose other than finding books in a book shop? To what extent", "a particular grouping is a genre, or a marketing term. Which made me", "is it for marketing (in which case the aforementioned argument has its answer", "does it serve? I mean, is it for marketing (in which case the", "up in then-modern-day Moscow, and make life interesting. Yet you wouldn't find this", "the fantasy genre after all? What is more salient - the shelf on", "finding books in a book shop? To what extent should we, as writers,", "case the aforementioned argument has its answer in the market), or is there", "\"Fantasy\" shelves. Is that a marketing decision, or does this work, for some", "genre? How strict is this taxonomy, and what purpose does it serve? I", "marks of an urban fantasy novel - a supernatural being (Satan) and his", "and make life interesting. Yet you wouldn't find this book on the \"Fantasy\"", "of an urban fantasy novel - a supernatural being (Satan) and his cohorts", "the market), or is there more to it? To use a different example,", "has its answer in the market), or is there more to it? To", "belong to the fantasy genre after all? What is more salient - the", "marketing decision, or does this work, for some reason, not belong to the", "Does the genre designation serve any purpose other than finding books in a", "or does this work, for some reason, not belong to the fantasy genre", "and his cohorts show up in then-modern-day Moscow, and make life interesting. Yet", "reason, not belong to the fantasy genre after all? What is more salient", "on which it would sell best? Does the genre designation serve any purpose", "it for marketing (in which case the aforementioned argument has its answer in", "then-modern-day Moscow, and make life interesting. Yet you wouldn't find this book on", "that a marketing decision, or does this work, for some reason, not belong", "story elements, or the shelf on which it would sell best? Does the", "make life interesting. Yet you wouldn't find this book on the \"Fantasy\" shelves.", "or a marketing term. Which made me wonder - what is genre? How", "book \"should\" belong by virtue of story elements, or the shelf on which", "- the shelf on which a book \"should\" belong by virtue of story", "find this book on the \"Fantasy\" shelves. Is that a marketing decision, or", "you wouldn't find this book on the \"Fantasy\" shelves. Is that a marketing", "this book on the \"Fantasy\" shelves. Is that a marketing decision, or does", "marketing term. Which made me wonder - what is genre? How strict is", "book shop? To what extent should we, as writers, care about genre, in", "life interesting. Yet you wouldn't find this book on the \"Fantasy\" shelves. Is", "on the \"Fantasy\" shelves. Is that a marketing decision, or does this work,", "What is more salient - the shelf on which a book \"should\" belong", "work, for some reason, not belong to the fantasy genre after all? What", "How strict is this taxonomy, and what purpose does it serve? I mean,", "Yet you wouldn't find this book on the \"Fantasy\" shelves. Is that a", "fantasy novel - a supernatural being (Satan) and his cohorts show up in", "an urban fantasy novel - a supernatural being (Satan) and his cohorts show", "particular grouping is a genre, or a marketing term. Which made me wonder", "is a genre, or a marketing term. Which made me wonder - what", "an argument about whether a particular grouping is a genre, or a marketing", "purpose other than finding books in a book shop? To what extent should", "more to it? To use a different example, The Master and Margarita has", "the \"Fantasy\" shelves. Is that a marketing decision, or does this work, for", "(Satan) and his cohorts show up in then-modern-day Moscow, and make life interesting.", "wouldn't find this book on the \"Fantasy\" shelves. Is that a marketing decision,", "use a different example, The Master and Margarita has all the marks of", "argument about whether a particular grouping is a genre, or a marketing term.", "is there more to it? To use a different example, The Master and", "mean, is it for marketing (in which case the aforementioned argument has its", "to it? To use a different example, The Master and Margarita* has all", "after all? What is more salient - the shelf on which a book", "best? Does the genre designation serve any purpose other than finding books in", "a genre, or a marketing term. Which made me wonder - what is", "for marketing (in which case the aforementioned argument has its answer in the", "Moscow, and make life interesting. Yet you wouldn't find this book on the", "to the fantasy genre after all? What is more salient - the shelf", "decision, or does this work, for some reason, not belong to the fantasy", "being (Satan) and his cohorts show up in then-modern-day Moscow, and make life", "elements, or the shelf on which it would sell best? Does the genre", "book on the \"Fantasy\" shelves. Is that a marketing decision, or does this", "in then-modern-day Moscow, and make life interesting. Yet you wouldn't find this book", "To use a different example, The Master and Margarita has all the marks", "supernatural being (Satan) and his cohorts show up in then-modern-day Moscow, and make", "or the shelf on which it would sell best? Does the genre designation", "designation serve any purpose other than finding books in a book shop? To", "interesting. Yet you wouldn't find this book on the \"Fantasy\" shelves. Is that", "does this work, for some reason, not belong to the fantasy genre after", "about whether a particular grouping is a genre, or a marketing term. Which", "all the marks of an urban fantasy novel - a supernatural being (Satan)", "in a book shop? To what extent should we, as writers, care about", "is more salient - the shelf on which a book \"should\" belong by", "it? To use a different example, The Master and Margarita has all the", "a supernatural being (Satan) and his cohorts show up in then-modern-day Moscow, and", "Master and Margarita* has all the marks of an urban fantasy novel -", "and Margarita* has all the marks of an urban fantasy novel - a", "a book shop? To what extent should we, as writers, care about genre,", "his cohorts show up in then-modern-day Moscow, and make life interesting. Yet you", "what purpose does it serve? I mean, is it for marketing (in which", "a marketing decision, or does this work, for some reason, not belong to", "upon an argument about whether a particular grouping is a genre, or a", "on which a book \"should\" belong by virtue of story elements, or the", "different example, The Master and Margarita has all the marks of an urban", "- what is genre? How strict is this taxonomy, and what purpose does", "sell best? Does the genre designation serve any purpose other than finding books", "by virtue of story elements, or the shelf on which it would sell", "shelf on which a book \"should\" belong by virtue of story elements, or", "market), or is there more to it? To use a different example, The", "I mean, is it for marketing (in which case the aforementioned argument has", "a different example, The Master and Margarita* has all the marks of an", "genre, or a marketing term. Which made me wonder - what is genre?", "taxonomy, and what purpose does it serve? I mean, is it for marketing", "[Here](https://writing.stackexchange.com/a/39347/14704) I came upon an argument about whether a particular grouping is a", "wonder - what is genre? How strict is this taxonomy, and what purpose", "which a book \"should\" belong by virtue of story elements, or the shelf", "extent should we, as writers, care about genre, in regards to what we're", "it would sell best? Does the genre designation serve any purpose other than", "the genre designation serve any purpose other than finding books in a book", "urban fantasy novel - a supernatural being (Satan) and his cohorts show up", "it serve? I mean, is it for marketing (in which case the aforementioned", "not belong to the fantasy genre after all? What is more salient -", "purpose does it serve? I mean, is it for marketing (in which case", "has all the marks of an urban fantasy novel - a supernatural being", "shelf on which it would sell best? Does the genre designation serve any", "this taxonomy, and what purpose does it serve? I mean, is it for", "or is there more to it? To use a different example, The Master", "Margarita has all the marks of an urban fantasy novel - a supernatural", "should we, as writers, care about genre, in regards to what we're writing?", "than finding books in a book shop? To what extent should we, as", "me wonder - what is genre? How strict is this taxonomy, and what", "in the market), or is there more to it? To use a different", "for some reason, not belong to the fantasy genre after all? What is", "genre designation serve any purpose other than finding books in a book shop?", "all? What is more salient - the shelf on which a book \"should\"", "what is genre? How strict is this taxonomy, and what purpose does it", "genre after all? What is more salient - the shelf on which a", "this work, for some reason, not belong to the fantasy genre after all?", "I came upon an argument about whether a particular grouping is a genre,", "argument has its answer in the market), or is there more to it?", "term. Which made me wonder - what is genre? How strict is this", "belong by virtue of story elements, or the shelf on which it would", "which it would sell best? Does the genre designation serve any purpose other", "more salient - the shelf on which a book \"should\" belong by virtue", "shelves. Is that a marketing decision, or does this work, for some reason,", "strict is this taxonomy, and what purpose does it serve? I mean, is", "other than finding books in a book shop? To what extent should we,", "a marketing term. Which made me wonder - what is genre? How strict", "salient - the shelf on which a book \"should\" belong by virtue of", "serve any purpose other than finding books in a book shop? To what", "whether a particular grouping is a genre, or a marketing term. Which made", "some reason, not belong to the fantasy genre after all? What is more", "the shelf on which it would sell best? Does the genre designation serve", "the marks of an urban fantasy novel - a supernatural being (Satan) and", "- a supernatural being (Satan) and his cohorts show up in then-modern-day Moscow,", "which case the aforementioned argument has its answer in the market), or is", "shop? To what extent should we, as writers, care about genre, in regards", "grouping is a genre, or a marketing term. Which made me wonder -", "The Master and Margarita has all the marks of an urban fantasy novel", "is this taxonomy, and what purpose does it serve? I mean, is it", "serve? I mean, is it for marketing (in which case the aforementioned argument", "\"should\" belong by virtue of story elements, or the shelf on which it", "answer in the market), or is there more to it? To use a", "Is that a marketing decision, or does this work, for some reason, not", "and what purpose does it serve? I mean, is it for marketing (in", "marketing (in which case the aforementioned argument has its answer in the market),", "virtue of story elements, or the shelf on which it would sell best?", "cohorts show up in then-modern-day Moscow, and make life interesting. Yet you wouldn't", "a book \"should\" belong by virtue of story elements, or the shelf on", "of story elements, or the shelf on which it would sell best? Does", "novel - a supernatural being (Satan) and his cohorts show up in then-modern-day", "Which made me wonder - what is genre? How strict is this taxonomy,", "To what extent should we, as writers, care about genre, in regards to", "came upon an argument about whether a particular grouping is a genre, or", "made me wonder - what is genre? How strict is this taxonomy, and", "show up in then-modern-day Moscow, and make life interesting. Yet you wouldn't find", "its answer in the market), or is there more to it? To use", "fantasy genre after all? What is more salient - the shelf on which", "the shelf on which a book \"should\" belong by virtue of story elements,", "would sell best? Does the genre designation serve any purpose other than finding", "books in a book shop? To what extent should we, as writers, care", "is genre? How strict is this taxonomy, and what purpose does it serve?", "the aforementioned argument has its answer in the market), or is there more", "aforementioned argument has its answer in the market), or is there more to", "example, The Master and Margarita has all the marks of an urban fantasy", "(in which case the aforementioned argument has its answer in the market), or", "what extent should we, as writers, care about genre, in regards to what" ]
[ "decided to write a memoir, except I can’t seem to write anything but", "all but I think it’s because I’m not sure what to do with", "I’m in a certain mood & end up writing something beautiful about my", "similar to some spoken word or slam. I haven’t been working on the", "However, I don’t know for sure if poetry is the proper term. My", "think it’s because I’m not sure what to do with all the “poems”", "except I can’t seem to write anything but poetry. However, I don’t know", "to happen everyday where I’m in a certain mood & end up writing", "pretty good & the few who have heard or read agree. I have", "about my life and love, or terrible about drug addiction & mental illness.", "haven’t been working on the memoir at all but I think it’s because", "in a certain mood & end up writing something beautiful about my life", "mental illness. I think I’m pretty good & the few who have heard", "sure if poetry is the proper term. My work uses cuss words, &", "seeing what I’m talking about just let me know . I guess my", "working on the memoir at all but I think it’s because I’m not", "write. It seems to happen everyday where I’m in a certain mood &", "for awhile and decided to write a memoir, except I can’t seem to", "& online portfolio if you guys are interested in seeing what I’m talking", "know . I guess my questions are what to do with these words", "I have a tumblr & online portfolio if you guys are interested in", "write a memoir, except I can’t seem to write anything but poetry. However,", "terrible about drug addiction & mental illness. I think I’m pretty good &", "love, or terrible about drug addiction & mental illness. I think I’m pretty", "at all but I think it’s because I’m not sure what to do", "a tumblr & online portfolio if you guys are interested in seeing what", "illness. I think I’m pretty good & the few who have heard or", "been working on the memoir at all but I think it’s because I’m", "if poetry is the proper term. My work uses cuss words, & sometimes", "talking about just let me know . I guess my questions are what", "“poems” I’ve written & still write. It seems to happen everyday where I’m", "poetry is the proper term. My work uses cuss words, & sometimes slang,", "I’m talking about just let me know . I guess my questions are", "the memoir at all but I think it’s because I’m not sure what", "my questions are what to do with these words I call poems, &", "some spoken word or slam. I haven’t been working on the memoir at", "a memoir, except I can’t seem to write anything but poetry. However, I", "what to do with all the “poems” I’ve written & still write. It", "awhile and decided to write a memoir, except I can’t seem to write", "let me know . I guess my questions are what to do with", "It seems to happen everyday where I’m in a certain mood & end", "up writing something beautiful about my life and love, or terrible about drug", "but I think it’s because I’m not sure what to do with all", "the “poems” I’ve written & still write. It seems to happen everyday where", "if you guys are interested in seeing what I’m talking about just let", "the few who have heard or read agree. I have a tumblr &", "cuss words, & sometimes slang, similar to some spoken word or slam. I", "heard or read agree. I have a tumblr & online portfolio if you", "poetry. However, I don’t know for sure if poetry is the proper term.", "everyday where I’m in a certain mood & end up writing something beautiful", "seem to write anything but poetry. However, I don’t know for sure if", "drug addiction & mental illness. I think I’m pretty good & the few", "in seeing what I’m talking about just let me know . I guess", "addiction & mental illness. I think I’m pretty good & the few who", ". I guess my questions are what to do with these words I", "& still write. It seems to happen everyday where I’m in a certain", "good & the few who have heard or read agree. I have a", "work uses cuss words, & sometimes slang, similar to some spoken word or", "guess my questions are what to do with these words I call poems,", "with all the “poems” I’ve written & still write. It seems to happen", "are there any sites that accept rhyme poetry on personal experiences, mental illness", "I can’t seem to write anything but poetry. However, I don’t know for", "& end up writing something beautiful about my life and love, or terrible", "do with these words I call poems, & are there any sites that", "beautiful about my life and love, or terrible about drug addiction & mental", "and decided to write a memoir, except I can’t seem to write anything", "and love, or terrible about drug addiction & mental illness. I think I’m", "term. My work uses cuss words, & sometimes slang, similar to some spoken", "you guys are interested in seeing what I’m talking about just let me", "to write a memoir, except I can’t seem to write anything but poetry.", "life and love, or terrible about drug addiction & mental illness. I think", "My work uses cuss words, & sometimes slang, similar to some spoken word", "I’m pretty good & the few who have heard or read agree. I", "on the memoir at all but I think it’s because I’m not sure", "sure what to do with all the “poems” I’ve written & still write.", "can’t seem to write anything but poetry. However, I don’t know for sure", "my life and love, or terrible about drug addiction & mental illness. I", "where I’m in a certain mood & end up writing something beautiful about", "to some spoken word or slam. I haven’t been working on the memoir", "written & still write. It seems to happen everyday where I’m in a", "& sometimes slang, similar to some spoken word or slam. I haven’t been", "still write. It seems to happen everyday where I’m in a certain mood", "I have been writing for awhile and decided to write a memoir, except", "certain mood & end up writing something beautiful about my life and love,", "writing something beautiful about my life and love, or terrible about drug addiction", "these words I call poems, & are there any sites that accept rhyme", "words, & sometimes slang, similar to some spoken word or slam. I haven’t", "poems, & are there any sites that accept rhyme poetry on personal experiences,", "I haven’t been working on the memoir at all but I think it’s", "mood & end up writing something beautiful about my life and love, or", "read agree. I have a tumblr & online portfolio if you guys are", "slam. I haven’t been working on the memoir at all but I think", "agree. I have a tumblr & online portfolio if you guys are interested", "memoir, except I can’t seem to write anything but poetry. However, I don’t", "something beautiful about my life and love, or terrible about drug addiction &", "uses cuss words, & sometimes slang, similar to some spoken word or slam.", "are interested in seeing what I’m talking about just let me know .", "but poetry. However, I don’t know for sure if poetry is the proper", "don’t know for sure if poetry is the proper term. My work uses", "think I’m pretty good & the few who have heard or read agree.", "portfolio if you guys are interested in seeing what I’m talking about just", "I guess my questions are what to do with these words I call", "what to do with these words I call poems, & are there any", "to do with all the “poems” I’ve written & still write. It seems", "the proper term. My work uses cuss words, & sometimes slang, similar to", "have been writing for awhile and decided to write a memoir, except I", "to do with these words I call poems, & are there any sites", "anything but poetry. However, I don’t know for sure if poetry is the", "guys are interested in seeing what I’m talking about just let me know", "& mental illness. I think I’m pretty good & the few who have", "interested in seeing what I’m talking about just let me know . I", "happen everyday where I’m in a certain mood & end up writing something", "& the few who have heard or read agree. I have a tumblr", "seems to happen everyday where I’m in a certain mood & end up", "call poems, & are there any sites that accept rhyme poetry on personal", "words I call poems, & are there any sites that accept rhyme poetry", "I don’t know for sure if poetry is the proper term. My work", "proper term. My work uses cuss words, & sometimes slang, similar to some", "just let me know . I guess my questions are what to do", "spoken word or slam. I haven’t been working on the memoir at all", "there any sites that accept rhyme poetry on personal experiences, mental illness etc.", "been writing for awhile and decided to write a memoir, except I can’t", "with these words I call poems, & are there any sites that accept", "or read agree. I have a tumblr & online portfolio if you guys", "know for sure if poetry is the proper term. My work uses cuss", "about drug addiction & mental illness. I think I’m pretty good & the", "or terrible about drug addiction & mental illness. I think I’m pretty good", "slang, similar to some spoken word or slam. I haven’t been working on", "have a tumblr & online portfolio if you guys are interested in seeing", "few who have heard or read agree. I have a tumblr & online", "any sites that accept rhyme poetry on personal experiences, mental illness etc. Thanks!", "writing for awhile and decided to write a memoir, except I can’t seem", "it’s because I’m not sure what to do with all the “poems” I’ve", "is the proper term. My work uses cuss words, & sometimes slang, similar", "write anything but poetry. However, I don’t know for sure if poetry is", "because I’m not sure what to do with all the “poems” I’ve written", "sometimes slang, similar to some spoken word or slam. I haven’t been working", "are what to do with these words I call poems, & are there", "I call poems, & are there any sites that accept rhyme poetry on", "do with all the “poems” I’ve written & still write. It seems to", "I think it’s because I’m not sure what to do with all the", "what I’m talking about just let me know . I guess my questions", "memoir at all but I think it’s because I’m not sure what to", "I’ve written & still write. It seems to happen everyday where I’m in", "tumblr & online portfolio if you guys are interested in seeing what I’m", "about just let me know . I guess my questions are what to", "not sure what to do with all the “poems” I’ve written & still", "I think I’m pretty good & the few who have heard or read", "& are there any sites that accept rhyme poetry on personal experiences, mental", "word or slam. I haven’t been working on the memoir at all but", "for sure if poetry is the proper term. My work uses cuss words,", "or slam. I haven’t been working on the memoir at all but I", "a certain mood & end up writing something beautiful about my life and", "end up writing something beautiful about my life and love, or terrible about", "have heard or read agree. I have a tumblr & online portfolio if", "online portfolio if you guys are interested in seeing what I’m talking about", "questions are what to do with these words I call poems, & are", "to write anything but poetry. However, I don’t know for sure if poetry", "who have heard or read agree. I have a tumblr & online portfolio", "I’m not sure what to do with all the “poems” I’ve written &", "all the “poems” I’ve written & still write. It seems to happen everyday", "me know . I guess my questions are what to do with these" ]
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This is beyond anything I have the toolkit for understanding.”", "okay, it seems that we’re on the island we were on earlier today.", "back in time.” > > > Time travel. Could she believe in it?", "into a deep depression, but along the way I need Yolente to go", "themselves thrown back in time to the 14th Century, entirely unprepared. Now they're", "like what a woman would think like, not wanting to presume that I,", "toolkit to take on whatever is thrown at him. This adventure will test", "the toolkit for understanding.” She turned, looking around the area, trying to find", "they were in, she felt safe with him. But what situation were they", "always think before she acts. I started out my queries (above) trying to", "on earlier today. Or yesterday. Or… I don’t know. The island. It looks", "trying to understand how to write Yolente's interior monologue in a way that", "be able to intuit that well (my wife insists that I usually don't", "understand how to write Yolente's interior monologue in a way that sounded like", "and internally boxes things up so he doesn't have to think too much", "And there ended her learning about quantum physics and science in general. At", "what situation were they in? She had no idea. She felt sick to", "up in the cave where they were swept back to the 14th Century.", "you had to realize that there were limits to what you could understand,", "a deep depression, but along the way I need Yolente to go through", "he played chess and go with his father. Whatever this situation they were", "them. In the previous scene, they both threw up in the cave where", "And he was brilliant at problem solving, which she saw in the way", "problem. We need to focus on what’s in front of us.”. > >", "in front of us, metaphorically speaking. Clearly… well, okay, it seems that we’re", "what’s in front of us.”. > > > She considered him and what", "The island. It looks like the same one.” > > > “I agree.", "as a man, would be able to intuit that well (my wife insists", "what he said. While she took a certain joy she didn’t want to", "realize what has happened to them. In the previous scene, they both threw", "stuck with each other in unfamiliar territory, so I have the opportunity for", "The trouble is, I don't seem to be able to write emotional reactions", "to take on whatever is thrown at him. This adventure will test that.", "was brilliant at problem solving, which she saw in the way he played", "front of us, metaphorically speaking. Clearly… well, okay, it seems that we’re on", "draw a line, and move on. And subjects like business, economics, and politics", "lean to heavily on that term), was a psychopath. That shocked me a", "heavily on that term), was a psychopath. That shocked me a bit, but", "the start of the story, the two have been courting for a few", "have the opportunity for both external adventure (action) and internal adventure (how they", "it been there before? She didn’t know. “Fuck!” she said. > > >", "situation they were in, she felt safe with him. But what situation were", "and that run down the hill really took it out of me.” >", "conversations. After some consideration, I realize that, while what I learned from reading", "She admits to herself that she doesn't always think before she acts. I", "that she doesn't always think before she acts. I started out my queries", "admit to being stung). I have two characters, Yolente and Marko. The opening", "speaking. Clearly… well, okay, it seems that we’re on the island we were", "> > “I agree. And this villa: it looks not-as-old as it did…", "here,” said Marko. > > > Yolente looked at him blankly. “I clearly", "and what he said. While she took a certain joy she didn’t want", "her interest than unknowable science. Everyone, she told herself, had their limits. Her", "is, I don't seem to be able to write emotional reactions very well.", "looked at him blankly. “I clearly don’t know either. This is beyond anything", "almost everything, and feels confident that he has the toolkit to take on", "said Marko. > > > Yolente looked at him blankly. “I clearly don’t", "with each other in unfamiliar territory, so I have the opportunity for both", "the past couple of days, I've asked questions about [writing female characters with", "the emotional or just general interior perspective description for my characters? This is", "at her as if she were a stranger. “We may not know where", "that there were limits to what you could understand, draw a line, and", "an olive grove in the distance, but didn’t remember it. Had it been", "in front of us.”. > > > She considered him and what he", "poster backed up their question with evidence, and I couldn't argue (though I", "For anyone interested, I've shared [the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing),", "along the way I need Yolente to go through some challenges, which will", "physics, about how scientists and mathematicians still only knew enough about it to", "working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on. All I ask is that,", "we should be able to solve the problem. We need to focus on", "been courting for a few months when, on an adventure date, they find", "said. While she took a certain joy she didn’t want to admit in", "unknowable science. Everyone, she told herself, had their limits. 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It’s like everything new is gone; like we’ve been thrown", "us we should be able to solve the problem. We need to focus", "to being stung). I have two characters, Yolente and Marko. The opening setting", "how we got here,” said Marko. > > > Yolente looked at him", "well (my wife insists that I usually don't get how women think). Marko", "understand, draw a line, and move on. And subjects like business, economics, and", "The opening setting is 23rd Century Croatia. At the start of the story,", "in teasing him about being young -- younger than her by a whole", "stoic, outwardly quiet, and internally boxes things up so he doesn't have to", "while what I learned from reading the responses was informative and useful, I've", "Century, entirely unprepared. Now they're stuck with each other in unfamiliar territory, so", "we were on earlier today. Or yesterday. Or… I don’t know. The island.", "enough about it to know we didn’t know enough, and he had been", "trouble is, I don't seem to be able to write emotional reactions very", "“Fuck!” she said. > > > Marko looked at her as if she", "don't seem to be able to write emotional reactions very well. Yolente is", "quantum physics and science in general. At some point you had to realize", "to be able to write emotional reactions very well. Yolente is smart, brash,", "adventure date, they find themselves thrown back in time to the 14th Century,", "he has the toolkit to take on whatever is thrown at him. This", "from reading the responses was informative and useful, I've been asking the wrong", "when Marko falls into a deep depression, but along the way I need", "like business, economics, and politics were more to her interest than unknowable science.", "by a whole four months* -- he displayed a strength of character that", "> > > Marko looked at her as if she were a stranger.", "didn’t know enough, and he had been fairly certain nothing would change. And", "adventure will test that. Apologies for the length, but here's another snip, from", "find themselves thrown back in time to the 14th Century, entirely unprepared. Now", "to think too much about them. He plans almost everything, and feels confident", "concerned, is very flat. One person asked if my character, for whom I", "flat. One person asked if my character, for whom I offered up a", "Yolente is smart, brash, and sharp-tongued. She admits to herself that she doesn't", "toolkit for understanding.” She turned, looking around the area, trying to find something…", "with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked", "a man, would be able to intuit that well (my wife insists that", "way that sounded like what a woman would think like, not wanting to", "argue (though I admit to being stung). I have two characters, Yolente and", "the 14th Century, entirely unprepared. Now they're stuck with each other in unfamiliar", "others. And he was brilliant at problem solving, which she saw in the", "were on earlier today. Or yesterday. Or… I don’t know. The island. It", "a stoic, outwardly quiet, and internally boxes things up so he doesn't have", "I've been asking the wrong questions. I'm coming to realize that my writing,", "write Yolente's interior monologue in a way that sounded like what a woman", "couple of days, I've asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and", "that sounded like what a woman would think like, not wanting to presume", "is gone; like we’ve been thrown back in time.” > > > Time", "with him. But what situation were they in? She had no idea. She", "to them. In the previous scene, they both threw up in the cave", "to describe what’s in front of us, metaphorically speaking. Clearly… well, okay, it", "up their question with evidence, and I couldn't argue (though I admit to", "evidence, and I couldn't argue (though I admit to being stung). I have", "had been fairly certain nothing would change. And there ended her learning about", "have the toolkit for understanding.” She turned, looking around the area, trying to", "> Time travel. Could she believe in it? Was it possible? She thought", "not-as-old as it did… earlier. It’s like everything new is gone; like we’ve", "if she were a stranger. “We may not know where we are, but", "science in general. At some point you had to realize that there were", "I’m hungry. I left my lunch in that cave, and that run down", "the opportunity for both external adventure (action) and internal adventure (how they respond", "really took it out of me.” > > > So, to my question:", "a woman would think like, not wanting to presume that I, as a", "point you had to realize that there were limits to what you could", "today. Or yesterday. Or… I don’t know. The island. It looks like the", "took it out of me.” > > > So, to my question: how", "we are or how we got here,” said Marko. > > > Yolente", "[writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer).", "are or how we got here,” said Marko. > > > Yolente looked", "say for sure, I’m hungry. I left my lunch in that cave, and", "is thrown at him. This adventure will test that. Apologies for the length,", "it? Was it possible? She thought back to her science professor talking about", "Was it possible? She thought back to her science professor talking about quantum", "stomach growled. “One thing I can say for sure, I’m hungry. I left", "offered up a small sample of \"interior monologue\" (having seen the responses, I", "least where my characters are concerned, is very flat. One person asked if", "bit of a stoic, outwardly quiet, and internally boxes things up so he", "quiet, and internally boxes things up so he doesn't have to think too", "to heavily on that term), was a psychopath. That shocked me a bit,", "to herself that she doesn't always think before she acts. I started out", "I can say for sure, I’m hungry. I left my lunch in that", "get how women think). Marko is a bit of a stoic, outwardly quiet,", "what’s in front of us, metaphorically speaking. Clearly… well, okay, it seems that", "me a bit, but the poster backed up their question with evidence, and", "presume that I, as a man, would be able to intuit that well", "Time travel. Could she believe in it? Was it possible? She thought back", "only knew enough about it to know we didn’t know enough, and he", "saw in the way he played chess and go with his father. Whatever", "idea. She felt sick to her stomach. “I don’t even know how to", "and useful, I've been asking the wrong questions. I'm coming to realize that", "“I clearly don’t know either. This is beyond anything I have the toolkit", "she took a certain joy she didn’t want to admit in teasing him", "there ended her learning about quantum physics and science in general. At some", "Over the past couple of days, I've asked questions about [writing female characters", "of the story, the two have been courting for a few months when,", "my queries (above) trying to understand how to write Yolente's interior monologue in", "internally boxes things up so he doesn't have to think too much about", "problem solving, which she saw in the way he played chess and go", "useful, I've been asking the wrong questions. I'm coming to realize that my", "they in? She had no idea. 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Everyone, she told herself, had their limits.", "that I, as a man, would be able to intuit that well (my", "in it? Was it possible? She thought back to her science professor talking", "to write Yolente's interior monologue in a way that sounded like what a", "they both threw up in the cave where they were swept back to", "believe in it? Was it possible? She thought back to her science professor", "give her a toolkit to help him when he most needs it. For", "to events). The trouble is, I don't seem to be able to write", "asking the wrong questions. I'm coming to realize that my writing, at least", "looked at her as if she were a stranger. “We may not know", "Could she believe in it? Was it possible? She thought back to her", "how can I improve the emotional or just general interior perspective description for", "of us we should be able to solve the problem. We need to", "help him when he most needs it. For anyone interested, I've shared [the", "cave where they were swept back to the 14th Century. > > “I", "I've shared [the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment", "in time.” > > > Time travel. Could she believe in it? Was", "considered him and what he said. While she took a certain joy she", "entirely unprepared. Now they're stuck with each other in unfamiliar territory, so I", "there were limits to what you could understand, draw a line, and move", "just general interior perspective description for my characters? This is really going to", "a psychopath. That shocked me a bit, but the poster backed up their", "both external adventure (action) and internal adventure (how they respond to events). The", "(my wife insists that I usually don't get how women think). Marko is", "and science in general. At some point you had to realize that there", "Clearly… well, okay, it seems that we’re on the island we were on", "man, would be able to intuit that well (my wife insists that I", "scene, they both threw up in the cave where they were swept back", "a toolkit to help him when he most needs it. For anyone interested,", "father. Whatever this situation they were in, she felt safe with him. But", "That shocked me a bit, but the poster backed up their question with", "that term), was a psychopath. That shocked me a bit, but the poster", "interested, I've shared [the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public", "opening setting is 23rd Century Croatia. At the start of the story, the", "may not know where we are, but between the two of us we", "admit in teasing him about being young -- younger than her by a", "whole four months -- he displayed a strength of character that she hadn’t", "previous scene, they both threw up in the cave where they were swept", "character that she hadn’t seen in others. And he was brilliant at problem", "a certain joy she didn’t want to admit in teasing him about being", "from Yolente's POV, as they start to realize what has happened to them.", "a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for me informative conversations.", "for my characters? This is really going to become important when Marko falls", "metaphorically speaking. Clearly… well, okay, it seems that we’re on the island we", "can say for sure, I’m hungry. I left my lunch in that cave,", "I usually don't get how women think). Marko is a bit of a", "think too much about them. He plans almost everything, and feels confident that", "she were a stranger. “We may not know where we are, but between", "so he doesn't have to think too much about them. He plans almost", "want to admit in teasing him about being young -- younger than her", "are concerned, is very flat. One person asked if my character, for whom", "anything I have the toolkit for understanding.” She turned, looking around the area,", "my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on. All I ask is", "is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on. All I ask", "for whom I offered up a small sample of \"interior monologue\" (having seen", "women think). Marko is a bit of a stoic, outwardly quiet, and internally", "same one.” > > > “I agree. And this villa: it looks not-as-old", "monologue\" (having seen the responses, I hesitate to lean to heavily on that", "in that cave, and that run down the hill really took it out", "have been courting for a few months when, on an adventure date, they", "> > So, to my question: how can I improve the emotional or", "to become important when Marko falls into a deep depression, but along the", "is 23rd Century Croatia. At the start of the story, the two have", "how scientists and mathematicians still only knew enough about it to know we", "backed up their question with evidence, and I couldn't argue (though I admit", "told herself, had their limits. Her stomach growled. “One thing I can say", "a bit, but the poster backed up their question with evidence, and I", "interior perspective description for my characters? This is really going to become important", "front of us.”. > > > She considered him and what he said.", "some point you had to realize that there were limits to what you", "psychopath. That shocked me a bit, but the poster backed up their question", "the two of us we should be able to solve the problem. We", "not know where we are, but between the two of us we should", "that my writing, at least where my characters are concerned, is very flat.", "female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for", "her by a whole four months -- he displayed a strength of character", "I, as a man, would be able to intuit that well (my wife", "She had no idea. She felt sick to her stomach. “I don’t even", "interesting, and for me informative conversations. After some consideration, I realize that, while", "and he had been fairly certain nothing would change. And there ended her", "possible? She thought back to her science professor talking about quantum physics, about", "> Marko looked at her as if she were a stranger. “We may", "in time to the 14th Century, entirely unprepared. Now they're stuck with each", "at problem solving, which she saw in the way he played chess and", "setting is 23rd Century Croatia. At the start of the story, the two", "asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as", "realize that my writing, at least where my characters are concerned, is very", "don’t even know how to describe what’s in front of us, metaphorically speaking.", "saw an olive grove in the distance, but didn’t remember it. Had it", "to know we didn’t know enough, and he had been fairly certain nothing", "which will give her a toolkit to help him when he most needs", "[the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned", "Yolente's interior monologue in a way that sounded like what a woman would", "“I agree. And this villa: it looks not-as-old as it did… earlier. It’s", "characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have", "travel. Could she believe in it? Was it possible? She thought back to", "of us.”. > > > She considered him and what he said. 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Apologies", "While she took a certain joy she didn’t want to admit in teasing", "played chess and go with his father. Whatever this situation they were in,", "the area, trying to find something… anything familiar. She saw an olive grove", "sure, I’m hungry. I left my lunch in that cave, and that run", "the way I need Yolente to go through some challenges, which will give", "island we were on earlier today. Or yesterday. Or… I don’t know. The", "safe with him. But what situation were they in? She had no idea.", "the responses, I hesitate to lean to heavily on that term), was a", "questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a", "One person asked if my character, for whom I offered up a small", "young -- younger than her by a whole four months -- he displayed", "everything, and feels confident that he has the toolkit to take on whatever", "months* -- he displayed a strength of character that she hadn’t seen in", "characters? This is really going to become important when Marko falls into a", "to the 14th Century, entirely unprepared. Now they're stuck with each other in", "story, the two have been courting for a few months when, on an", "to her science professor talking about quantum physics, about how scientists and mathematicians", "think). Marko is a bit of a stoic, outwardly quiet, and internally boxes", "being young -- younger than her by a whole four months -- he", "to lean to heavily on that term), was a psychopath. That shocked me", "doesn't have to think too much about them. He plans almost everything, and", "about how scientists and mathematicians still only knew enough about it to know", "been there before? She didn’t know. “Fuck!” she said. > > > Marko", "island. It looks like the same one.” > > > “I agree. And", "This is really going to become important when Marko falls into a deep", "time.” > > > Time travel. Could she believe in it? Was it", "reactions very well. Yolente is smart, brash, and sharp-tongued. She admits to herself", "quantum physics, about how scientists and mathematicians still only knew enough about it", "her as if she were a stranger. “We may not know where we", "the problem. We need to focus on what’s in front of us.”. >", "about quantum physics and science in general. At some point you had to", "and move on. And subjects like business, economics, and politics were more to", "my question: how can I improve the emotional or just general interior perspective", "learned from reading the responses was informative and useful, I've been asking the", "distance, but didn’t remember it. Had it been there before? She didn’t know.", "I have two characters, Yolente and Marko. The opening setting is 23rd Century", "opportunity for both external adventure (action) and internal adventure (how they respond to", "herself that she doesn't always think before she acts. I started out my", "character, for whom I offered up a small sample of \"interior monologue\" (having", "months when, on an adventure date, they find themselves thrown back in time", "it. Had it been there before? She didn’t know. “Fuck!” she said. >", "is really going to become important when Marko falls into a deep depression,", "way he played chess and go with his father. Whatever this situation they", "questions. I'm coming to realize that my writing, at least where my characters", "hill really took it out of me.” > > > So, to my", "that. Apologies for the length, but here's another snip, from Yolente's POV, as", "Marko. > > > Yolente looked at him blankly. “I clearly don’t know", "each other in unfamiliar territory, so I have the opportunity for both external", "to solve the problem. We need to focus on what’s in front of", "what I learned from reading the responses was informative and useful, I've been", "nothing would change. And there ended her learning about quantum physics and science", "felt sick to her stomach. “I don’t even know how to describe what’s", "it. For anyone interested, I've shared [the Google Doc that is my working", "politics were more to her interest than unknowable science. Everyone, she told herself,", "perspective description for my characters? This is really going to become important when", "on that term), was a psychopath. That shocked me a bit, but the", "a way that sounded like what a woman would think like, not wanting", "on an adventure date, they find themselves thrown back in time to the", "boxes things up so he doesn't have to think too much about them.", "for the length, but here's another snip, from Yolente's POV, as they start", "but along the way I need Yolente to go through some challenges, which", "sick to her stomach. “I don’t even know how to describe what’s in", "took a certain joy she didn’t want to admit in teasing him about", "brilliant at problem solving, which she saw in the way he played chess", "were limits to what you could understand, draw a line, and move on.", "him when he most needs it. For anyone interested, I've shared [the Google", "out my queries (above) trying to understand how to write Yolente's interior monologue", "the previous scene, they both threw up in the cave where they were", "know either. This is beyond anything I have the toolkit for understanding.” She", "Now they're stuck with each other in unfamiliar territory, so I have the", "and for me informative conversations. After some consideration, I realize that, while what", "very well. Yolente is smart, brash, and sharp-tongued. She admits to herself that", "can I improve the emotional or just general interior perspective description for my", "about it to know we didn’t know enough, and he had been fairly", "when he most needs it. For anyone interested, I've shared [the Google Doc", "teasing him about being young -- younger than her by a whole four", "it out of me.” > > > So, to my question: how can", "about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male", "trying to find something… anything familiar. She saw an olive grove in the", "has the toolkit to take on whatever is thrown at him. This adventure", "and feels confident that he has the toolkit to take on whatever is", "it seems that we’re on the island we were on earlier today. Or", "admits to herself that she doesn't always think before she acts. I started", "which she saw in the way he played chess and go with his", "we are, but between the two of us we should be able to", "mathematicians still only knew enough about it to know we didn’t know enough,", "around the area, trying to find something… anything familiar. She saw an olive", "their limits. Her stomach growled. “One thing I can say for sure, I’m", "for sure, I’m hungry. I left my lunch in that cave, and that", "were a stranger. “We may not know where we are, but between the", "certain joy she didn’t want to admit in teasing him about being young", "of me.” > > > So, to my question: how can I improve", "been thrown back in time.” > > > Time travel. Could she believe", "characters are concerned, is very flat. One person asked if my character, for", "agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some", "comment capability turned on. All I ask is that, if you choose to", "stomach. “I don’t even know how to describe what’s in front of us,", "happened to them. In the previous scene, they both threw up in the", "of us, metaphorically speaking. Clearly… well, okay, it seems that we’re on the", "Yolente to go through some challenges, which will give her a toolkit to", "through some challenges, which will give her a toolkit to help him when", "know we didn’t know enough, and he had been fairly certain nothing would", "two of us we should be able to solve the problem. We need", "thrown at him. This adventure will test that. Apologies for the length, but", "fairly certain nothing would change. And there ended her learning about quantum physics", "as if she were a stranger. “We may not know where we are,", "the same one.” > > > “I agree. And this villa: it looks", "science professor talking about quantum physics, about how scientists and mathematicians still only", "> > > So, to my question: how can I improve the emotional", "courting for a few months when, on an adventure date, they find themselves", "public comment capability turned on. All I ask is that, if you choose", "to focus on what’s in front of us.”. > > > She considered", "She thought back to her science professor talking about quantum physics, about how", "move on. And subjects like business, economics, and politics were more to her", "She saw an olive grove in the distance, but didn’t remember it. Had", "she said. > > > Marko looked at her as if she were", "falls into a deep depression, but along the way I need Yolente to", "> > > “I agree. And this villa: it looks not-as-old as it", "And subjects like business, economics, and politics were more to her interest than", "asked if my character, for whom I offered up a small sample of", "are, but between the two of us we should be able to solve", "of a stoic, outwardly quiet, and internally boxes things up so he doesn't", "and mathematicians still only knew enough about it to know we didn’t know", "familiar. She saw an olive grove in the distance, but didn’t remember it.", "write emotional reactions very well. Yolente is smart, brash, and sharp-tongued. She admits", "that cave, and that run down the hill really took it out of", "things up so he doesn't have to think too much about them. He", "“I have no idea where we are or how we got here,” said", "were in, she felt safe with him. But what situation were they in?", "But what situation were they in? She had no idea. She felt sick", "as it did… earlier. It’s like everything new is gone; like we’ve been", "limits to what you could understand, draw a line, and move on. And", "that I usually don't get how women think). Marko is a bit of", "will give her a toolkit to help him when he most needs it.", "he had been fairly certain nothing would change. And there ended her learning", "test that. Apologies for the length, but here's another snip, from Yolente's POV,", "looking around the area, trying to find something… anything familiar. She saw an", "bit, but the poster backed up their question with evidence, and I couldn't", "this situation they were in, she felt safe with him. But what situation", "some challenges, which will give her a toolkit to help him when he", "been asking the wrong questions. I'm coming to realize that my writing, at", "threw up in the cave where they were swept back to the 14th", "that we’re on the island we were on earlier today. Or yesterday. Or…", "to understand how to write Yolente's interior monologue in a way that sounded", "Or yesterday. Or… I don’t know. The island. It looks like the same", "they find themselves thrown back in time to the 14th Century, entirely unprepared.", "the way he played chess and go with his father. Whatever this situation", "said. > > > Marko looked at her as if she were a", "as they start to realize what has happened to them. In the previous", "emotional or just general interior perspective description for my characters? This is really", "been fairly certain nothing would change. And there ended her learning about quantum", "the story, the two have been courting for a few months when, on", "knew enough about it to know we didn’t know enough, and he had", "solve the problem. We need to focus on what’s in front of us.”.", "describe what’s in front of us, metaphorically speaking. Clearly… well, okay, it seems", "strength of character that she hadn’t seen in others. And he was brilliant", "she told herself, had their limits. Her stomach growled. “One thing I can", "-- he displayed a strength of character that she hadn’t seen in others.", "plans almost everything, and feels confident that he has the toolkit to take", "most needs it. For anyone interested, I've shared [the Google Doc that is", "queries (above) trying to understand how to write Yolente's interior monologue in a", "to realize that my writing, at least where my characters are concerned, is", "POV, as they start to realize what has happened to them. In the", "responses, I hesitate to lean to heavily on that term), was a psychopath.", "him. This adventure will test that. Apologies for the length, but here's another", "she saw in the way he played chess and go with his father.", "realize that, while what I learned from reading the responses was informative and", "felt safe with him. But what situation were they in? She had no", "on what’s in front of us.”. > > > She considered him and", "know. “Fuck!” she said. > > > Marko looked at her as if", "thrown back in time to the 14th Century, entirely unprepared. Now they're stuck", "she didn’t want to admit in teasing him about being young -- younger", "the hill really took it out of me.” > > > So, to", "days, I've asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female", "she doesn't always think before she acts. I started out my queries (above)", "would think like, not wanting to presume that I, as a man, would", "go with his father. Whatever this situation they were in, she felt safe", "had no idea. She felt sick to her stomach. “I don’t even know", "my writing, at least where my characters are concerned, is very flat. One", "is a bit of a stoic, outwardly quiet, and internally boxes things up", "that he has the toolkit to take on whatever is thrown at him.", "before? She didn’t know. “Fuck!” she said. > > > Marko looked at", "need to focus on what’s in front of us.”. > > > She", "or just general interior perspective description for my characters? This is really going", "Yolente's POV, as they start to realize what has happened to them. In", "in? She had no idea. She felt sick to her stomach. “I don’t", "sample of \"interior monologue\" (having seen the responses, I hesitate to lean to", "> > She considered him and what he said. While she took a", "business, economics, and politics were more to her interest than unknowable science. Everyone,", "go through some challenges, which will give her a toolkit to help him", "Yolente looked at him blankly. “I clearly don’t know either. This is beyond", "“One thing I can say for sure, I’m hungry. I left my lunch", "than her by a whole four months* -- he displayed a strength of", "to admit in teasing him about being young -- younger than her by", "Whatever this situation they were in, she felt safe with him. But what", "he was brilliant at problem solving, which she saw in the way he", "subjects like business, economics, and politics were more to her interest than unknowable", "Apologies for the length, but here's another snip, from Yolente's POV, as they", "to what you could understand, draw a line, and move on. And subjects", "here's another snip, from Yolente's POV, as they start to realize what has", "a line, and move on. And subjects like business, economics, and politics were", "informative conversations. After some consideration, I realize that, while what I learned from", "in a way that sounded like what a woman would think like, not", "and Marko. The opening setting is 23rd Century Croatia. At the start of", "both threw up in the cave where they were swept back to the", "unprepared. Now they're stuck with each other in unfamiliar territory, so I have", "remember it. Had it been there before? She didn’t know. “Fuck!” she said.", "the island we were on earlier today. Or yesterday. Or… I don’t know.", "find something… anything familiar. She saw an olive grove in the distance, but", "I need Yolente to go through some challenges, which will give her a", "with his father. Whatever this situation they were in, she felt safe with", "had to realize that there were limits to what you could understand, draw", "grove in the distance, but didn’t remember it. Had it been there before?", "the 14th Century. > > “I have no idea where we are or", "hesitate to lean to heavily on that term), was a psychopath. That shocked", "limits. Her stomach growled. “One thing I can say for sure, I’m hungry.", "they're stuck with each other in unfamiliar territory, so I have the opportunity", "like, not wanting to presume that I, as a man, would be able", "that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on. All I", "turned, looking around the area, trying to find something… anything familiar. She saw", "to find something… anything familiar. She saw an olive grove in the distance,", "in the way he played chess and go with his father. Whatever this", "back to the 14th Century. > > “I have no idea where we", "> “I have no idea where we are or how we got here,”", "small sample of \"interior monologue\" (having seen the responses, I hesitate to lean", "(action) and internal adventure (how they respond to events). The trouble is, I", "be able to write emotional reactions very well. Yolente is smart, brash, and", "think before she acts. I started out my queries (above) trying to understand", "in unfamiliar territory, so I have the opportunity for both external adventure (action)", "I have the opportunity for both external adventure (action) and internal adventure (how", "started out my queries (above) trying to understand how to write Yolente's interior", "but between the two of us we should be able to solve the", "> She considered him and what he said. While she took a certain", "the two have been courting for a few months when, on an adventure", "adventure (action) and internal adventure (how they respond to events). The trouble is,", "general. At some point you had to realize that there were limits to", "improve the emotional or just general interior perspective description for my characters? This", "events). The trouble is, I don't seem to be able to write emotional", "length, but here's another snip, from Yolente's POV, as they start to realize", "we didn’t know enough, and he had been fairly certain nothing would change.", "sounded like what a woman would think like, not wanting to presume that", "capability turned on. All I ask is that, if you choose to comment,", "but didn’t remember it. Had it been there before? She didn’t know. “Fuck!”", "interior monologue in a way that sounded like what a woman would think", "clearly don’t know either. This is beyond anything I have the toolkit for", "female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both", "characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for me", "where we are, but between the two of us we should be able", "to help him when he most needs it. For anyone interested, I've shared", "in general. At some point you had to realize that there were limits", "with public comment capability turned on. All I ask is that, if you", "a stranger. “We may not know where we are, but between the two", "seem to be able to write emotional reactions very well. Yolente is smart,", "I don’t know. The island. It looks like the same one.” > >", "monologue in a way that sounded like what a woman would think like,", "and [writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting,", "at him blankly. “I clearly don’t know either. This is beyond anything I", "either. This is beyond anything I have the toolkit for understanding.” She turned,", "(how they respond to events). The trouble is, I don't seem to be", "everything new is gone; like we’ve been thrown back in time.” > >", "> So, to my question: how can I improve the emotional or just", "coming to realize that my writing, at least where my characters are concerned,", "This adventure will test that. Apologies for the length, but here's another snip,", "one.” > > > “I agree. And this villa: it looks not-as-old as", "where my characters are concerned, is very flat. One person asked if my", "I offered up a small sample of \"interior monologue\" (having seen the responses,", "a small sample of \"interior monologue\" (having seen the responses, I hesitate to", "me.” > > > So, to my question: how can I improve the", "“We may not know where we are, but between the two of us", "question: how can I improve the emotional or just general interior perspective description", "(though I admit to being stung). I have two characters, Yolente and Marko.", "way I need Yolente to go through some challenges, which will give her", "for me informative conversations. After some consideration, I realize that, while what I", "as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for me informative", "> Yolente looked at him blankly. “I clearly don’t know either. This is", "feels confident that he has the toolkit to take on whatever is thrown", "All I ask is that, if you choose to comment, please be constructive.", "my characters? This is really going to become important when Marko falls into", "external adventure (action) and internal adventure (how they respond to events). The trouble", "no idea where we are or how we got here,” said Marko. >", "anything familiar. She saw an olive grove in the distance, but didn’t remember", "beyond anything I have the toolkit for understanding.” She turned, looking around the", "what a woman would think like, not wanting to presume that I, as", "he displayed a strength of character that she hadn’t seen in others. And", "scientists and mathematicians still only knew enough about it to know we didn’t", "him and what he said. While she took a certain joy she didn’t", "(above) trying to understand how to write Yolente's interior monologue in a way", "he most needs it. For anyone interested, I've shared [the Google Doc that", "And this villa: it looks not-as-old as it did… earlier. It’s like everything", "the length, but here's another snip, from Yolente's POV, as they start to", "line, and move on. And subjects like business, economics, and politics were more", "new is gone; like we’ve been thrown back in time.” > > >", "gone; like we’ve been thrown back in time.” > > > Time travel.", "is very flat. One person asked if my character, for whom I offered", "up a small sample of \"interior monologue\" (having seen the responses, I hesitate", "I couldn't argue (though I admit to being stung). I have two characters,", "Marko. The opening setting is 23rd Century Croatia. At the start of the", "looks like the same one.” > > > “I agree. And this villa:", "her a toolkit to help him when he most needs it. For anyone", "able to intuit that well (my wife insists that I usually don't get", "whatever is thrown at him. This adventure will test that. Apologies for the", "were more to her interest than unknowable science. Everyone, she told herself, had", "shared [the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability", "but here's another snip, from Yolente's POV, as they start to realize what", "hungry. I left my lunch in that cave, and that run down the", "he doesn't have to think too much about them. He plans almost everything,", "him. But what situation were they in? She had no idea. She felt", "know. The island. It looks like the same one.” > > > “I", "internal adventure (how they respond to events). The trouble is, I don't seem", "economics, and politics were more to her interest than unknowable science. Everyone, she", "the toolkit to take on whatever is thrown at him. This adventure will", "a few months when, on an adventure date, they find themselves thrown back", "sharp-tongued. She admits to herself that she doesn't always think before she acts.", "up so he doesn't have to think too much about them. He plans", "“I don’t even know how to describe what’s in front of us, metaphorically", "intuit that well (my wife insists that I usually don't get how women", "like the same one.” > > > “I agree. And this villa: it", "know how to describe what’s in front of us, metaphorically speaking. Clearly… well,", "have two characters, Yolente and Marko. The opening setting is 23rd Century Croatia.", "will test that. Apologies for the length, but here's another snip, from Yolente's", "insists that I usually don't get how women think). Marko is a bit", "for understanding.” She turned, looking around the area, trying to find something… anything", "didn’t remember it. Had it been there before? She didn’t know. “Fuck!” she", "to go through some challenges, which will give her a toolkit to help", "stung). I have two characters, Yolente and Marko. The opening setting is 23rd", "thing I can say for sure, I’m hungry. I left my lunch in", "didn’t know. “Fuck!” she said. > > > Marko looked at her as", "stranger. “We may not know where we are, but between the two of", "displayed a strength of character that she hadn’t seen in others. And he", "person asked if my character, for whom I offered up a small sample", "outwardly quiet, and internally boxes things up so he doesn't have to think", "what has happened to them. In the previous scene, they both threw up", "few months when, on an adventure date, they find themselves thrown back in", "consideration, I realize that, while what I learned from reading the responses was", "on the island we were on earlier today. Or yesterday. Or… I don’t", "like everything new is gone; like we’ve been thrown back in time.” >", "left my lunch in that cave, and that run down the hill really", "cave, and that run down the hill really took it out of me.”", "other in unfamiliar territory, so I have the opportunity for both external adventure", "She felt sick to her stomach. “I don’t even know how to describe", "I admit to being stung). I have two characters, Yolente and Marko. The", "It’s like everything new is gone; like we’ve been thrown back in time.”", "important when Marko falls into a deep depression, but along the way I", "earlier today. Or yesterday. Or… I don’t know. The island. It looks like", "if my character, for whom I offered up a small sample of \"interior", "seen the responses, I hesitate to lean to heavily on that term), was", "smart, brash, and sharp-tongued. She admits to herself that she doesn't always think", "> > Yolente looked at him blankly. “I clearly don’t know either. This", "is beyond anything I have the toolkit for understanding.” She turned, looking around", "you could understand, draw a line, and move on. And subjects like business,", "on. And subjects like business, economics, and politics were more to her interest", "depression, but along the way I need Yolente to go through some challenges,", "the responses was informative and useful, I've been asking the wrong questions. I'm", "where they were swept back to the 14th Century. > > “I have", "four months* -- he displayed a strength of character that she hadn’t seen", "back to her science professor talking about quantum physics, about how scientists and", "a strength of character that she hadn’t seen in others. And he was", "term), was a psychopath. That shocked me a bit, but the poster backed", "younger than her by a whole four months -- he displayed a strength", "growled. “One thing I can say for sure, I’m hungry. I left my", "Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on.", "and go with his father. Whatever this situation they were in, she felt", "some consideration, I realize that, while what I learned from reading the responses", "of \"interior monologue\" (having seen the responses, I hesitate to lean to heavily", "certain nothing would change. And there ended her learning about quantum physics and", "really going to become important when Marko falls into a deep depression, but", "at him. This adventure will test that. Apologies for the length, but here's", "thought back to her science professor talking about quantum physics, about how scientists", "Everyone, she told herself, had their limits. Her stomach growled. “One thing I", "whom I offered up a small sample of \"interior monologue\" (having seen the", "she believe in it? Was it possible? She thought back to her science", "blankly. “I clearly don’t know either. This is beyond anything I have the", "my lunch in that cave, and that run down the hill really took", "23rd Century Croatia. At the start of the story, the two have been", "that, while what I learned from reading the responses was informative and useful,", "idea where we are or how we got here,” said Marko. > >", "where we are or how we got here,” said Marko. > > >", "it possible? She thought back to her science professor talking about quantum physics,", "to intuit that well (my wife insists that I usually don't get how", "out of me.” > > > So, to my question: how can I", "I have the toolkit for understanding.” She turned, looking around the area, trying", "Marko is a bit of a stoic, outwardly quiet, and internally boxes things", "something… anything familiar. She saw an olive grove in the distance, but didn’t", "were swept back to the 14th Century. > > “I have no idea", "Or… I don’t know. The island. It looks like the same one.” >", "about quantum physics, about how scientists and mathematicians still only knew enough about", "of days, I've asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing", "[writing female characters as a male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and", "male writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for me informative conversations. After", "start to realize what has happened to them. In the previous scene, they", "At some point you had to realize that there were limits to what", "understanding.” She turned, looking around the area, trying to find something… anything familiar.", "document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with public comment capability turned on. All I ask is that, if", "area, trying to find something… anything familiar. She saw an olive grove in", "interest than unknowable science. Everyone, she told herself, had their limits. Her stomach", "I improve the emotional or just general interior perspective description for my characters?", "the poster backed up their question with evidence, and I couldn't argue (though", "Century Croatia. At the start of the story, the two have been courting", "emotional reactions very well. Yolente is smart, brash, and sharp-tongued. She admits to", "us.”. > > > She considered him and what he said. While she", "in, she felt safe with him. But what situation were they in? She", "would change. And there ended her learning about quantum physics and science in", "reading the responses was informative and useful, I've been asking the wrong questions.", "very flat. One person asked if my character, for whom I offered up", "She turned, looking around the area, trying to find something… anything familiar. She", "of character that she hadn’t seen in others. And he was brilliant at", "being stung). I have two characters, Yolente and Marko. The opening setting is", "and politics were more to her interest than unknowable science. Everyone, she told", "had their limits. Her stomach growled. “One thing I can say for sure,", "her stomach. “I don’t even know how to describe what’s in front of", "the distance, but didn’t remember it. Had it been there before? She didn’t", "don’t know. The island. It looks like the same one.” > > >", "professor talking about quantum physics, about how scientists and mathematicians still only knew", "how to write Yolente's interior monologue in a way that sounded like what", "talking about quantum physics, about how scientists and mathematicians still only knew enough", "> “I agree. And this villa: it looks not-as-old as it did… earlier.", "brash, and sharp-tongued. She admits to herself that she doesn't always think before", "more to her interest than unknowable science. Everyone, she told herself, had their", "we’re on the island we were on earlier today. Or yesterday. Or… I", "adventure (how they respond to events). The trouble is, I don't seem to", "like we’ve been thrown back in time.” > > > Time travel. Could", "the wrong questions. I'm coming to realize that my writing, at least where", "don't get how women think). Marko is a bit of a stoic, outwardly", "earlier. It’s like everything new is gone; like we’ve been thrown back in", "I learned from reading the responses was informative and useful, I've been asking", "doesn't always think before she acts. I started out my queries (above) trying", "snip, from Yolente's POV, as they start to realize what has happened to", "In the previous scene, they both threw up in the cave where they", "two have been courting for a few months when, on an adventure date,", "hadn’t seen in others. And he was brilliant at problem solving, which she", "than unknowable science. Everyone, she told herself, had their limits. Her stomach growled.", "and sharp-tongued. She admits to herself that she doesn't always think before she", "know enough, and he had been fairly certain nothing would change. And there", "We need to focus on what’s in front of us.”. > > >", "I've asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency), and [writing female characters", "wife insists that I usually don't get how women think). Marko is a", "enough, and he had been fairly certain nothing would change. And there ended", "for both external adventure (action) and internal adventure (how they respond to events).", "to realize that there were limits to what you could understand, draw a", "two characters, Yolente and Marko. The opening setting is 23rd Century Croatia. At", "about being young -- younger than her by a whole four months --", "there before? She didn’t know. “Fuck!” she said. > > > Marko looked", "that run down the hill really took it out of me.” > >", "turned on. All I ask is that, if you choose to comment, please", "in the distance, but didn’t remember it. Had it been there before? She", "be able to solve the problem. We need to focus on what’s in", "they start to realize what has happened to them. In the previous scene,", "> > Marko looked at her as if she were a stranger. “We", "shocked me a bit, but the poster backed up their question with evidence,", "to realize what has happened to them. In the previous scene, they both", "change. And there ended her learning about quantum physics and science in general.", "able to solve the problem. We need to focus on what’s in front", "14th Century. > > “I have no idea where we are or how", "seen in others. And he was brilliant at problem solving, which she saw", "she acts. I started out my queries (above) trying to understand how to", "respond to events). The trouble is, I don't seem to be able to", "At the start of the story, the two have been courting for a", "how women think). Marko is a bit of a stoic, outwardly quiet, and", "to the 14th Century. > > “I have no idea where we are", "Both have sparked some interesting, and for me informative conversations. After some consideration,", "yesterday. Or… I don’t know. The island. It looks like the same one.”", "still only knew enough about it to know we didn’t know enough, and", "time to the 14th Century, entirely unprepared. Now they're stuck with each other", "acts. I started out my queries (above) trying to understand how to write", "have to think too much about them. He plans almost everything, and feels", "past couple of days, I've asked questions about [writing female characters with agency](https://writing.stackexchange.com/questions/39297/how-to-write-female-characters-with-agency),", "about them. He plans almost everything, and feels confident that he has the", "to write emotional reactions very well. Yolente is smart, brash, and sharp-tongued. She", "he said. While she took a certain joy she didn’t want to admit", "so I have the opportunity for both external adventure (action) and internal adventure", "has happened to them. In the previous scene, they both threw up in", "we’ve been thrown back in time.” > > > Time travel. Could she", "chess and go with his father. Whatever this situation they were in, she", "a whole four months -- he displayed a strength of character that she", "challenges, which will give her a toolkit to help him when he most", "She didn’t know. “Fuck!” she said. > > > Marko looked at her", "have no idea where we are or how we got here,” said Marko.", "this villa: it looks not-as-old as it did… earlier. It’s like everything new", "for a few months when, on an adventure date, they find themselves thrown", "learning about quantum physics and science in general. At some point you had", "I don't seem to be able to write emotional reactions very well. Yolente", "down the hill really took it out of me.” > > > So,", "how to describe what’s in front of us, metaphorically speaking. Clearly… well, okay,", "did… earlier. It’s like everything new is gone; like we’ve been thrown back", "science. Everyone, she told herself, had their limits. Her stomach growled. “One thing", "After some consideration, I realize that, while what I learned from reading the", "them. He plans almost everything, and feels confident that he has the toolkit", "got here,” said Marko. > > > Yolente looked at him blankly. “I", "14th Century, entirely unprepared. Now they're stuck with each other in unfamiliar territory,", "I hesitate to lean to heavily on that term), was a psychopath. That", "characters, Yolente and Marko. The opening setting is 23rd Century Croatia. At the", "swept back to the 14th Century. > > “I have no idea where", "writing, at least where my characters are concerned, is very flat. One person", "an adventure date, they find themselves thrown back in time to the 14th", "olive grove in the distance, but didn’t remember it. Had it been there", "she hadn’t seen in others. And he was brilliant at problem solving, which", "general interior perspective description for my characters? This is really going to become", "him about being young -- younger than her by a whole four months", "with evidence, and I couldn't argue (though I admit to being stung). I", "to her stomach. “I don’t even know how to describe what’s in front", "in the cave where they were swept back to the 14th Century. >", "villa: it looks not-as-old as it did… earlier. It’s like everything new is", "start of the story, the two have been courting for a few months", "I left my lunch in that cave, and that run down the hill", "were they in? She had no idea. She felt sick to her stomach.", "Croatia. At the start of the story, the two have been courting for", "needs it. For anyone interested, I've shared [the Google Doc that is my", "joy she didn’t want to admit in teasing him about being young --", "responses was informative and useful, I've been asking the wrong questions. I'm coming", "He plans almost everything, and feels confident that he has the toolkit to", "\"interior monologue\" (having seen the responses, I hesitate to lean to heavily on", "even know how to describe what’s in front of us, metaphorically speaking. Clearly…", "herself, had their limits. Her stomach growled. “One thing I can say for", "their question with evidence, and I couldn't argue (though I admit to being", "run down the hill really took it out of me.” > > >", "some interesting, and for me informative conversations. After some consideration, I realize that,", "no idea. She felt sick to her stomach. “I don’t even know how", "realize that there were limits to what you could understand, draw a line,", "or how we got here,” said Marko. > > > Yolente looked at", "my characters are concerned, is very flat. One person asked if my character,", "is smart, brash, and sharp-tongued. She admits to herself that she doesn't always", "they were swept back to the 14th Century. > > “I have no", "situation were they in? She had no idea. She felt sick to her", "could understand, draw a line, and move on. And subjects like business, economics,", "couldn't argue (though I admit to being stung). I have two characters, Yolente", "Yolente and Marko. The opening setting is 23rd Century Croatia. At the start", "able to write emotional reactions very well. Yolente is smart, brash, and sharp-tongued.", "seems that we’re on the island we were on earlier today. Or yesterday.", "the cave where they were swept back to the 14th Century. > >", "-- younger than her by a whole four months -- he displayed a", "think like, not wanting to presume that I, as a man, would be", "thrown back in time.” > > > Time travel. Could she believe in", "when, on an adventure date, they find themselves thrown back in time to", "what you could understand, draw a line, and move on. And subjects like", "to presume that I, as a man, would be able to intuit that", "much about them. He plans almost everything, and feels confident that he has", "physics and science in general. At some point you had to realize that", "lunch in that cave, and that run down the hill really took it", "> > > Time travel. Could she believe in it? Was it possible?", "have sparked some interesting, and for me informative conversations. After some consideration, I", "confident that he has the toolkit to take on whatever is thrown at", "> > > Yolente looked at him blankly. “I clearly don’t know either.", "his father. Whatever this situation they were in, she felt safe with him.", "her learning about quantum physics and science in general. At some point you", "anyone interested, I've shared [the Google Doc that is my working document](https://docs.google.com/document/d/1wM-JhhQBXres5Ze3F3pjhXBZQTl3aTDohsoot5IrJAY/edit?usp=sharing), with", "looks not-as-old as it did… earlier. It’s like everything new is gone; like", "it looks not-as-old as it did… earlier. It’s like everything new is gone;", "date, they find themselves thrown back in time to the 14th Century, entirely", "that she hadn’t seen in others. And he was brilliant at problem solving,", "writer](https://writing.stackexchange.com/questions/39327/how-to-write-female-characters-as-a-male-writer). Both have sparked some interesting, and for me informative conversations. After some", "on whatever is thrown at him. This adventure will test that. Apologies for", "she felt safe with him. But what situation were they in? She had", "didn’t want to admit in teasing him about being young -- younger than", "Her stomach growled. “One thing I can say for sure, I’m hungry. I", "another snip, from Yolente's POV, as they start to realize what has happened", "well, okay, it seems that we’re on the island we were on earlier", "sparked some interesting, and for me informative conversations. After some consideration, I realize", "unfamiliar territory, so I have the opportunity for both external adventure (action) and", "focus on what’s in front of us.”. > > > She considered him", "Century. > > “I have no idea where we are or how we" ]
[ "isn't very fruitful or wise for a budding writer to work in this", "of the exceptional bestseller fanfics at hand would be useful for all of", "exceptional bestseller fanfics at hand would be useful for all of those writers", "serious note of or are very enthusiastic about. It has been long [asked", "the plot line isn't too dependent on the original novel it was inspired", "Of course, I understand that it isn't very fruitful or wise for a", "whether publishing fanfics is even legally possible at all. Yes, it is possible", "it isn't very fruitful or wise for a budding writer to work in", "violate copyrights and the plot line isn't too dependent on the original novel", "or wise for a budding writer to work in this genre. One will", "very fruitful or wise for a budding writer to work in this genre.", "inspired from. But have there been cases where works that count as fanfiction", "that it isn't very fruitful or wise for a budding writer to work", "has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible", "[asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible at all. Yes,", "to some degree have been literally successful and turned out as bestsellers? Of", "established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible at all. Yes, it is", "successful and turned out as bestsellers? Of course, I understand that it isn't", "all. Yes, it is possible as long as the work in question doesn't", "fanfics is even legally possible at all. Yes, it is possible as long", "on the original novel it was inspired from. But have there been cases", "their time and talent. I just feel that having examples of the exceptional", "count as fanfiction to some degree have been literally successful and turned out", "work in question doesn't violate copyrights and the plot line isn't too dependent", "that having examples of the exceptional bestseller fanfics at hand would be useful", "doesn't violate copyrights and the plot line isn't too dependent on the original", "works that count as fanfiction to some degree have been literally successful and", "bestseller fanfics at hand would be useful for all of those writers out", "few actual writers/critics take serious note of or are very enthusiastic about. It", "take serious note of or are very enthusiastic about. It has been long", "But have there been cases where works that count as fanfiction to some", "It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally", "question doesn't violate copyrights and the plot line isn't too dependent on the", "feel that having examples of the exceptional bestseller fanfics at hand would be", "in this genre. One will just be wasting their time and talent. I", "talent. I just feel that having examples of the exceptional bestseller fanfics at", "Yes, it is possible as long as the work in question doesn't violate", "is even legally possible at all. Yes, it is possible as long as", "degree have been literally successful and turned out as bestsellers? Of course, I", "just feel that having examples of the exceptional bestseller fanfics at hand would", "too dependent on the original novel it was inspired from. But have there", "fanfiction to some degree have been literally successful and turned out as bestsellers?", "One will just be wasting their time and talent. I just feel that", "copyrights and the plot line isn't too dependent on the original novel it", "work in this genre. One will just be wasting their time and talent.", "enthusiastic about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is", "the exceptional bestseller fanfics at hand would be useful for all of those", "line isn't too dependent on the original novel it was inspired from. But", "long as the work in question doesn't violate copyrights and the plot line", "some degree have been literally successful and turned out as bestsellers? Of course,", "and turned out as bestsellers? Of course, I understand that it isn't very", "about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even", "turned out as bestsellers? Of course, I understand that it isn't very fruitful", "is possible as long as the work in question doesn't violate copyrights and", "examples of the exceptional bestseller fanfics at hand would be useful for all", "as the work in question doesn't violate copyrights and the plot line isn't", "note of or are very enthusiastic about. It has been long [asked and", "out as bestsellers? Of course, I understand that it isn't very fruitful or", "Fanfiction is somewhat of an uncharted territory, which few actual writers/critics take serious", "literally successful and turned out as bestsellers? Of course, I understand that it", "long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible at all.", "the original novel it was inspired from. But have there been cases where", "wise for a budding writer to work in this genre. One will just", "and the plot line isn't too dependent on the original novel it was", "was inspired from. But have there been cases where works that count as", "territory, which few actual writers/critics take serious note of or are very enthusiastic", "plot line isn't too dependent on the original novel it was inspired from.", "a budding writer to work in this genre. One will just be wasting", "where works that count as fanfiction to some degree have been literally successful", "are very enthusiastic about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing", "fruitful or wise for a budding writer to work in this genre. One", "even legally possible at all. Yes, it is possible as long as the", "that count as fanfiction to some degree have been literally successful and turned", "it is possible as long as the work in question doesn't violate copyrights", "an uncharted territory, which few actual writers/critics take serious note of or are", "in question doesn't violate copyrights and the plot line isn't too dependent on", "fanfics at hand would be useful for all of those writers out there.", "uncharted territory, which few actual writers/critics take serious note of or are very", "been literally successful and turned out as bestsellers? Of course, I understand that", "have been literally successful and turned out as bestsellers? Of course, I understand", "course, I understand that it isn't very fruitful or wise for a budding", "very enthusiastic about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics", "time and talent. I just feel that having examples of the exceptional bestseller", "having examples of the exceptional bestseller fanfics at hand would be useful for", "wasting their time and talent. I just feel that having examples of the", "there been cases where works that count as fanfiction to some degree have", "somewhat of an uncharted territory, which few actual writers/critics take serious note of", "isn't too dependent on the original novel it was inspired from. But have", "or are very enthusiastic about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether", "publishing fanfics is even legally possible at all. Yes, it is possible as", "from. But have there been cases where works that count as fanfiction to", "this genre. One will just be wasting their time and talent. I just", "been cases where works that count as fanfiction to some degree have been", "genre. One will just be wasting their time and talent. I just feel", "of an uncharted territory, which few actual writers/critics take serious note of or", "original novel it was inspired from. But have there been cases where works", "the work in question doesn't violate copyrights and the plot line isn't too", "legally possible at all. Yes, it is possible as long as the work", "bestsellers? Of course, I understand that it isn't very fruitful or wise for", "is somewhat of an uncharted territory, which few actual writers/critics take serious note", "dependent on the original novel it was inspired from. But have there been", "understand that it isn't very fruitful or wise for a budding writer to", "actual writers/critics take serious note of or are very enthusiastic about. It has", "possible as long as the work in question doesn't violate copyrights and the", "budding writer to work in this genre. One will just be wasting their", "writer to work in this genre. One will just be wasting their time", "and talent. I just feel that having examples of the exceptional bestseller fanfics", "will just be wasting their time and talent. I just feel that having", "and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible at all. Yes, it", "I just feel that having examples of the exceptional bestseller fanfics at hand", "as bestsellers? Of course, I understand that it isn't very fruitful or wise", "I understand that it isn't very fruitful or wise for a budding writer", "been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable) whether publishing fanfics is even legally possible at", "possible at all. Yes, it is possible as long as the work in", "which few actual writers/critics take serious note of or are very enthusiastic about.", "as long as the work in question doesn't violate copyrights and the plot", "it was inspired from. But have there been cases where works that count", "to work in this genre. One will just be wasting their time and", "novel it was inspired from. But have there been cases where works that", "be wasting their time and talent. I just feel that having examples of", "cases where works that count as fanfiction to some degree have been literally", "writers/critics take serious note of or are very enthusiastic about. It has been", "just be wasting their time and talent. I just feel that having examples", "as fanfiction to some degree have been literally successful and turned out as", "of or are very enthusiastic about. It has been long [asked and established](https://writing.stackexchange.com/questions/29976/is-fan-fiction-publishable)", "have there been cases where works that count as fanfiction to some degree", "at all. Yes, it is possible as long as the work in question", "for a budding writer to work in this genre. One will just be" ]
[ "an introvert, but I'm afraid people would know how I think and know", "and label me as being wrong. I fear exposing something that I feel", "in my personality that I didn't mean to show, etc. How do you", "feel like writing, in all its forms, is a very nice way to", "my personality that I didn't mean to show, etc. How do you get", "feel ashamed about like maybe double standards that I didn't notice I had,", "fear exposing something that I feel ashamed about like maybe double standards that", "a weakness in my personality that I didn't mean to show, etc. How", "or a weakness in my personality that I didn't mean to show, etc.", "and know my thinking process and label me as being wrong. I fear", "know my thinking process and label me as being wrong. I fear exposing", "way to express myself especially since I'm an introvert, but I'm afraid people", "my thinking process and label me as being wrong. I fear exposing something", "like maybe double standards that I didn't notice I had, or a weakness", "didn't notice I had, or a weakness in my personality that I didn't", "forms, is a very nice way to express myself especially since I'm an", "I'm an introvert, but I'm afraid people would know how I think and", "as being wrong. I fear exposing something that I feel ashamed about like", "like writing, in all its forms, is a very nice way to express", "know how I think and know my thinking process and label me as", "me as being wrong. I fear exposing something that I feel ashamed about", "wrong. I fear exposing something that I feel ashamed about like maybe double", "being wrong. I fear exposing something that I feel ashamed about like maybe", "very nice way to express myself especially since I'm an introvert, but I'm", "especially since I'm an introvert, but I'm afraid people would know how I", "is a very nice way to express myself especially since I'm an introvert,", "I think and know my thinking process and label me as being wrong.", "afraid people would know how I think and know my thinking process and", "process and label me as being wrong. I fear exposing something that I", "I feel ashamed about like maybe double standards that I didn't notice I", "I didn't notice I had, or a weakness in my personality that I", "maybe double standards that I didn't notice I had, or a weakness in", "in all its forms, is a very nice way to express myself especially", "a very nice way to express myself especially since I'm an introvert, but", "since I'm an introvert, but I'm afraid people would know how I think", "I really feel like writing, in all its forms, is a very nice", "to express myself especially since I'm an introvert, but I'm afraid people would", "thinking process and label me as being wrong. I fear exposing something that", "label me as being wrong. I fear exposing something that I feel ashamed", "standards that I didn't notice I had, or a weakness in my personality", "myself especially since I'm an introvert, but I'm afraid people would know how", "weakness in my personality that I didn't mean to show, etc. How do", "something that I feel ashamed about like maybe double standards that I didn't", "introvert, but I'm afraid people would know how I think and know my", "think and know my thinking process and label me as being wrong. I", "people would know how I think and know my thinking process and label", "that I didn't notice I had, or a weakness in my personality that", "all its forms, is a very nice way to express myself especially since", "its forms, is a very nice way to express myself especially since I'm", "writing, in all its forms, is a very nice way to express myself", "ashamed about like maybe double standards that I didn't notice I had, or", "I'm afraid people would know how I think and know my thinking process", "notice I had, or a weakness in my personality that I didn't mean", "I had, or a weakness in my personality that I didn't mean to", "would know how I think and know my thinking process and label me", "personality that I didn't mean to show, etc. How do you get over", "exposing something that I feel ashamed about like maybe double standards that I", "nice way to express myself especially since I'm an introvert, but I'm afraid", "that I feel ashamed about like maybe double standards that I didn't notice", "really feel like writing, in all its forms, is a very nice way", "that I didn't mean to show, etc. How do you get over this", "I fear exposing something that I feel ashamed about like maybe double standards", "how I think and know my thinking process and label me as being", "about like maybe double standards that I didn't notice I had, or a", "but I'm afraid people would know how I think and know my thinking", "double standards that I didn't notice I had, or a weakness in my", "express myself especially since I'm an introvert, but I'm afraid people would know", "had, or a weakness in my personality that I didn't mean to show,", "I didn't mean to show, etc. How do you get over this fear?" ]
[ "write? And/or is there something else out there that would be a better", "so I can't easily transfer my files. I'm stuck and need help. How", "I can't afford a new one. So I basically have to use my", "to write? And/or is there something else out there that would be a", "block because I don't enjoy writing on the phone for more than a", "to using a different technology to write? And/or is there something else out", "basically have to use my phone to write, which I'm not comfortable with.", "does one adjust to using a different technology to write? And/or is there", "laptop, and I have an Android phone, so I can't easily transfer my", "comfortable with. I now have writer's block because I don't enjoy writing on", "phone for more than a few sentences. I used Fxrivonir on my laptop,", "the phone for more than a few sentences. I used Fxrivonir on my", "My tablet/notepad recently died. I can't afford a new one. So I basically", "have writer's block because I don't enjoy writing on the phone for more", "more than a few sentences. I used Fxrivonir on my laptop, and I", "my laptop, and I have an Android phone, so I can't easily transfer", "How does one adjust to using a different technology to write? And/or is", "Android phone, so I can't easily transfer my files. I'm stuck and need", "a few sentences. I used Fxrivonir on my laptop, and I have an", "my files. I'm stuck and need help. How does one adjust to using", "not comfortable with. I now have writer's block because I don't enjoy writing", "can't afford a new one. So I basically have to use my phone", "writing on the phone for more than a few sentences. I used Fxrivonir", "writer's block because I don't enjoy writing on the phone for more than", "need help. 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I can't afford a new one. So I basically have", "phone, so I can't easily transfer my files. I'm stuck and need help.", "I basically have to use my phone to write, which I'm not comfortable", "a different technology to write? And/or is there something else out there that", "using a different technology to write? And/or is there something else out there", "few sentences. I used Fxrivonir on my laptop, and I have an Android", "I'm stuck and need help. How does one adjust to using a different", "sentences. I used Fxrivonir on my laptop, and I have an Android phone,", "So I basically have to use my phone to write, which I'm not", "used Fxrivonir on my laptop, and I have an Android phone, so I", "stuck and need help. How does one adjust to using a different technology", "I'm not comfortable with. I now have writer's block because I don't enjoy", "my phone to write, which I'm not comfortable with. I now have writer's", "easily transfer my files. I'm stuck and need help. 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So I basically have to use my phone to write, which", "to use my phone to write, which I'm not comfortable with. I now", "write, which I'm not comfortable with. I now have writer's block because I", "enjoy writing on the phone for more than a few sentences. I used", "with. I now have writer's block because I don't enjoy writing on the", "which I'm not comfortable with. I now have writer's block because I don't", "technology to write? And/or is there something else out there that would be", "to write, which I'm not comfortable with. I now have writer's block because", "one. So I basically have to use my phone to write, which I'm", "recently died. I can't afford a new one. So I basically have to", "can't easily transfer my files. I'm stuck and need help. How does one", "an Android phone, so I can't easily transfer my files. I'm stuck and", "I can't easily transfer my files. I'm stuck and need help. How does", "And/or is there something else out there that would be a better replacement?", "different technology to write? And/or is there something else out there that would" ]
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[ "in one automatically entails being skilled in the other. Why is that not", "entails being skilled in the other. Why is that not necessarily the case?", "automatically entails being skilled in the other. Why is that not necessarily the", "skilled in one automatically entails being skilled in the other. Why is that", "seem like being skilled in one automatically entails being skilled in the other.", "Intuitively, it would seem like being skilled in one automatically entails being skilled", "being skilled in one automatically entails being skilled in the other. Why is", "like being skilled in one automatically entails being skilled in the other. Why", "If so, how? Intuitively, it would seem like being skilled in one automatically", "one automatically entails being skilled in the other. Why is that not necessarily", "would seem like being skilled in one automatically entails being skilled in the", "how? Intuitively, it would seem like being skilled in one automatically entails being", "so, how? Intuitively, it would seem like being skilled in one automatically entails", "it would seem like being skilled in one automatically entails being skilled in" ]
[ "be distance, but I don't know how to measure this distance. In a", "the only one who gets upset when stories have characters walk across entire", "take months to walk across the United states. So should I just ignore", "question of if its even necessary, but I'll just assume it is. I", "that all the towns are super close to each other, and that these", "from getting to their destination, it's not a realistic thought to assume that", "should force explanations like \"they walked for six moons encountering nothing and they", "In a story that centers around the idea of people trying to stop", "So should I just ignore distance and hope nobody notices or force in", "for six moons encountering nothing and they marched into the town\". I guess", "each other, and that these towns are unaffected by external sources, so there", "factor, but I looked it up and found it would take months to", "to each other, and that these towns are unaffected by external sources, so", "involved, by actually having distance be a factor, but I looked it up", "in explanations? I know I can't be the only one who gets upset", "who gets upset when stories have characters walk across entire hemispheres or kingdoms", "how to measure this distance. In a story that centers around the idea", "but I'll just assume it is. I am currently writing an outline for", "other, and that these towns are unaffected by external sources, so there needs", "to stop them from getting to their destination, it's not a realistic thought", "force in explanations? I know I can't be the only one who gets", "more of a question of if its even necessary, but I'll just assume", "of people trying to stop them from getting to their destination, it's not", "distance. In a story that centers around the idea of people trying to", "story that centers around the idea of people trying to stop them from", "of if its even necessary, but I'll just assume it is. I am", "I know I can't be the only one who gets upset when stories", "into the town\". I guess I should get around to the question. How", "people trying to stop them from getting to their destination, it's not a", "a realistic thought to assume that the characters walk for a month without", "don't know how to measure this distance. In a story that centers around", "away should each town be and what should I talk about while they", "the idea of people trying to stop them from getting to their destination,", "notices or force in explanations? I know I can't be the only one", "that these towns are unaffected by external sources, so there needs to be", "it's not a realistic thought to assume that the characters walk for a", "and not encountering anything? I wanted to get a hint of realism involved,", "or force in explanations? I know I can't be the only one who", "encountering any sort of problems, but I don't feel I should force explanations", "It's unrealistic to assume that all the towns are super close to each", "problems, but I don't feel I should force explanations like \"they walked for", "to the question. How far away should each town be and what should", "they marched into the town\". I guess I should get around to the", "the towns are super close to each other, and that these towns are", "I don't know how to measure this distance. In a story that centers", "a story that centers around the idea of people trying to stop them", "walk for a month without encountering any sort of problems, but I don't", "for a month without encountering any sort of problems, but I don't feel", "encountering anything? I wanted to get a hint of realism involved, by actually", "it up and found it would take months to walk across the United", "just ignore distance and hope nobody notices or force in explanations? I know", "month without encountering any sort of problems, but I don't feel I should", "get around to the question. How far away should each town be and", "outline for a fantasy story, and I don't know how to deal with", "stories have characters walk across entire hemispheres or kingdoms or whatever, and not", "measure this distance. In a story that centers around the idea of people", "distance. It's unrealistic to assume that all the towns are super close to", "journeying and not encountering anything? I wanted to get a hint of realism", "looked it up and found it would take months to walk across the", "are super close to each other, and that these towns are unaffected by", "should I talk about while they are journeying and not encountering anything? I", "hope nobody notices or force in explanations? I know I can't be the", "and that these towns are unaffected by external sources, so there needs to", "characters walk across entire hemispheres or kingdoms or whatever, and not explain what", "walk across entire hemispheres or kingdoms or whatever, and not explain what happens", "how to deal with distance. It's unrealistic to assume that all the towns", "while they are journeying and not encountering anything? I wanted to get a", "they are journeying and not encountering anything? I wanted to get a hint", "writing an outline for a fantasy story, and I don't know how to", "this distance. In a story that centers around the idea of people trying", "to assume that the characters walk for a month without encountering any sort", "a month without encountering any sort of problems, but I don't feel I", "don't feel I should force explanations like \"they walked for six moons encountering", "and what should I talk about while they are journeying and not encountering", "anything? I wanted to get a hint of realism involved, by actually having", "sort of problems, but I don't feel I should force explanations like \"they", "town\". I guess I should get around to the question. How far away", "are journeying and not encountering anything? I wanted to get a hint of", "about while they are journeying and not encountering anything? I wanted to get", "is more of a question of if its even necessary, but I'll just", "this is more of a question of if its even necessary, but I'll", "these towns are unaffected by external sources, so there needs to be distance,", "hint of realism involved, by actually having distance be a factor, but I", "I looked it up and found it would take months to walk across", "of a question of if its even necessary, but I'll just assume it", "even necessary, but I'll just assume it is. I am currently writing an", "and they marched into the town\". I guess I should get around to", "and found it would take months to walk across the United states. So", "so there needs to be distance, but I don't know how to measure", "centers around the idea of people trying to stop them from getting to", "\"they walked for six moons encountering nothing and they marched into the town\".", "marched into the town\". I guess I should get around to the question.", "not a realistic thought to assume that the characters walk for a month", "force explanations like \"they walked for six moons encountering nothing and they marched", "know how to deal with distance. It's unrealistic to assume that all the", "a fantasy story, and I don't know how to deal with distance. It's", "if its even necessary, but I'll just assume it is. I am currently", "there needs to be distance, but I don't know how to measure this", "that the characters walk for a month without encountering any sort of problems,", "characters walk for a month without encountering any sort of problems, but I", "explanations like \"they walked for six moons encountering nothing and they marched into", "be and what should I talk about while they are journeying and not", "explanations? I know I can't be the only one who gets upset when", "to measure this distance. In a story that centers around the idea of", "unrealistic to assume that all the towns are super close to each other,", "for a fantasy story, and I don't know how to deal with distance.", "I am currently writing an outline for a fantasy story, and I don't", "I talk about while they are journeying and not encountering anything? I wanted", "without encountering any sort of problems, but I don't feel I should force", "feel I should force explanations like \"they walked for six moons encountering nothing", "its even necessary, but I'll just assume it is. I am currently writing", "destination, it's not a realistic thought to assume that the characters walk for", "question. How far away should each town be and what should I talk", "assume that all the towns are super close to each other, and that", "have characters walk across entire hemispheres or kingdoms or whatever, and not explain", "fantasy story, and I don't know how to deal with distance. It's unrealistic", "but I don't feel I should force explanations like \"they walked for six", "I should get around to the question. How far away should each town", "a hint of realism involved, by actually having distance be a factor, but", "them from getting to their destination, it's not a realistic thought to assume", "wanted to get a hint of realism involved, by actually having distance be", "should I just ignore distance and hope nobody notices or force in explanations?", "to deal with distance. It's unrealistic to assume that all the towns are", "months to walk across the United states. So should I just ignore distance", "only one who gets upset when stories have characters walk across entire hemispheres", "entire hemispheres or kingdoms or whatever, and not explain what happens in between.", "up and found it would take months to walk across the United states.", "an outline for a fantasy story, and I don't know how to deal", "realistic thought to assume that the characters walk for a month without encountering", "necessary, but I'll just assume it is. I am currently writing an outline", "moons encountering nothing and they marched into the town\". I guess I should", "assume it is. I am currently writing an outline for a fantasy story,", "should get around to the question. How far away should each town be", "idea of people trying to stop them from getting to their destination, it's", "I just ignore distance and hope nobody notices or force in explanations? I", "How far away should each town be and what should I talk about", "assume that the characters walk for a month without encountering any sort of", "can't be the only one who gets upset when stories have characters walk", "of realism involved, by actually having distance be a factor, but I looked", "any sort of problems, but I don't feel I should force explanations like", "unaffected by external sources, so there needs to be distance, but I don't", "nobody notices or force in explanations? I know I can't be the only", "to assume that all the towns are super close to each other, and", "it would take months to walk across the United states. So should I", "that centers around the idea of people trying to stop them from getting", "a question of if its even necessary, but I'll just assume it is.", "I don't feel I should force explanations like \"they walked for six moons", "it is. I am currently writing an outline for a fantasy story, and", "and I don't know how to deal with distance. It's unrealistic to assume", "the United states. So should I just ignore distance and hope nobody notices", "be a factor, but I looked it up and found it would take", "like \"they walked for six moons encountering nothing and they marched into the", "what should I talk about while they are journeying and not encountering anything?", "I'll just assume it is. I am currently writing an outline for a", "towns are super close to each other, and that these towns are unaffected", "a factor, but I looked it up and found it would take months", "needs to be distance, but I don't know how to measure this distance.", "distance and hope nobody notices or force in explanations? I know I can't", "actually having distance be a factor, but I looked it up and found", "distance be a factor, but I looked it up and found it would", "is. I am currently writing an outline for a fantasy story, and I", "trying to stop them from getting to their destination, it's not a realistic", "I don't know how to deal with distance. It's unrealistic to assume that", "encountering nothing and they marched into the town\". I guess I should get", "nothing and they marched into the town\". I guess I should get around", "walked for six moons encountering nothing and they marched into the town\". I", "having distance be a factor, but I looked it up and found it", "super close to each other, and that these towns are unaffected by external", "external sources, so there needs to be distance, but I don't know how", "getting to their destination, it's not a realistic thought to assume that the", "to their destination, it's not a realistic thought to assume that the characters", "United states. So should I just ignore distance and hope nobody notices or", "each town be and what should I talk about while they are journeying", "and hope nobody notices or force in explanations? I know I can't be", "of problems, but I don't feel I should force explanations like \"they walked", "but I looked it up and found it would take months to walk", "around to the question. How far away should each town be and what", "would take months to walk across the United states. So should I just", "I suppose this is more of a question of if its even necessary,", "talk about while they are journeying and not encountering anything? I wanted to", "should each town be and what should I talk about while they are", "by actually having distance be a factor, but I looked it up and", "upset when stories have characters walk across entire hemispheres or kingdoms or whatever,", "across entire hemispheres or kingdoms or whatever, and not explain what happens in", "one who gets upset when stories have characters walk across entire hemispheres or", "be the only one who gets upset when stories have characters walk across", "suppose this is more of a question of if its even necessary, but", "know I can't be the only one who gets upset when stories have", "deal with distance. It's unrealistic to assume that all the towns are super", "are unaffected by external sources, so there needs to be distance, but I", "to get a hint of realism involved, by actually having distance be a", "found it would take months to walk across the United states. So should", "across the United states. So should I just ignore distance and hope nobody", "gets upset when stories have characters walk across entire hemispheres or kingdoms or", "when stories have characters walk across entire hemispheres or kingdoms or whatever, and", "I should force explanations like \"they walked for six moons encountering nothing and", "distance, but I don't know how to measure this distance. In a story", "currently writing an outline for a fantasy story, and I don't know how", "six moons encountering nothing and they marched into the town\". I guess I", "I can't be the only one who gets upset when stories have characters", "just assume it is. I am currently writing an outline for a fantasy", "am currently writing an outline for a fantasy story, and I don't know", "all the towns are super close to each other, and that these towns", "close to each other, and that these towns are unaffected by external sources,", "towns are unaffected by external sources, so there needs to be distance, but", "know how to measure this distance. In a story that centers around the", "guess I should get around to the question. How far away should each", "sources, so there needs to be distance, but I don't know how to", "far away should each town be and what should I talk about while", "to walk across the United states. So should I just ignore distance and", "stop them from getting to their destination, it's not a realistic thought to", "the characters walk for a month without encountering any sort of problems, but", "not encountering anything? I wanted to get a hint of realism involved, by", "with distance. It's unrealistic to assume that all the towns are super close", "the town\". I guess I should get around to the question. How far", "town be and what should I talk about while they are journeying and", "states. So should I just ignore distance and hope nobody notices or force", "I wanted to get a hint of realism involved, by actually having distance", "but I don't know how to measure this distance. In a story that", "walk across the United states. So should I just ignore distance and hope", "ignore distance and hope nobody notices or force in explanations? I know I", "thought to assume that the characters walk for a month without encountering any", "to be distance, but I don't know how to measure this distance. In", "story, and I don't know how to deal with distance. It's unrealistic to", "by external sources, so there needs to be distance, but I don't know", "the question. How far away should each town be and what should I", "don't know how to deal with distance. It's unrealistic to assume that all", "get a hint of realism involved, by actually having distance be a factor,", "I guess I should get around to the question. How far away should", "realism involved, by actually having distance be a factor, but I looked it", "around the idea of people trying to stop them from getting to their", "their destination, it's not a realistic thought to assume that the characters walk" ]
[ "big (to give you a comparison, think about a land stretching from western", "instance, but I feel like it ruins the magic of the fantasy setting,", "my current information to visualize anything because it was too scarce and imprecise.", "Hungary) * Capital City is located in the south-center of Country A I", "I'm giving geographical information and... I don't really know how to give it,", "eastern Austria, from southern France to northern Germany)* * Country B is smaller", "is located in the south-center of Country A I could give measurements in", "it could. *How can I give enough information to let my readers have", "that : Country A is big (to give you a comparison, think", "(to give you a comparison, think about a land stretching from western France", "comparison, think about a land stretching from western France to eastern Austria, from", "really know how to give it, actually. My alpha reader told me it", "of view and the characters are mostly illiterate, being brought up in a", "actually. My alpha reader told me it was hard to use my current", "precise compared to the characters' knowledge (my narration is very close to their", "walk to Country B from Capital City, but not in a straight line", "a fantasy story set in an imaginary world. For the first time, I'm", "Capital City is located in the south-center of Country A I could give", "like it ruins the magic of the fantasy setting, as well as being", "it either, because of both the previous argument and the fact that my", "can I give enough information to let my readers have a sufficient mental", "mostly illiterate, being brought up in a military orphanage). Of course, I considered", "Country A is big (to give you a comparison, think about a land", "I don't really know how to give it, actually. My alpha reader told", "brought up in a military orphanage). Of course, I considered giving time estimations,", "a straight line and with stops in various cities, so it will be", "feel like it ruins the magic of the fantasy setting, as well as", "to let my readers have a sufficient mental representation of my world's cartography,", "so it will be longer than it could. How can I give enough", "the fantasy setting, as well as being too precise compared to the characters'", "I'm writing a fantasy story set in an imaginary world. For the first", "imprecise. Basically, I want to say that : Country A is big", "but I feel like it ruins the magic of the fantasy setting, as", "use my current information to visualize anything because it was too scarce and", "well as being too precise compared to the characters' knowledge (my narration is", "is very close to their points of view and the characters are mostly", "close to their points of view and the characters are mostly illiterate, being", "*How can I give enough information to let my readers have a sufficient", "France to northern Germany) * Country B is smaller and west to Country", "because of both the previous argument and the fact that my characters will", "smaller and west to Country A (think Hungary) * Capital City is located", "course, I considered giving time estimations, but I'm not really satisfied with it", "knowledge (my narration is very close to their points of view and the", "I give enough information to let my readers have a sufficient mental representation", "will have to walk to Country B from Capital City, but not in", "I'm not really satisfied with it either, because of both the previous argument", "you a comparison, think about a land stretching from western France to eastern", "For the first time, I'm giving geographical information and... I don't really know", "from southern France to northern Germany)* * Country B is smaller and west", "visualize anything because it was too scarce and imprecise. Basically, I want to", "of Country A I could give measurements in kilometers for instance, but I", "a military orphanage). Of course, I considered giving time estimations, but I'm not", "with stops in various cities, so it will be longer than it could.", "how to give it, actually. My alpha reader told me it was hard", "illiterate, being brought up in a military orphanage). Of course, I considered giving", "give enough information to let my readers have a sufficient mental representation of", "their points of view and the characters are mostly illiterate, being brought up", "and west to Country A (think Hungary) * Capital City is located in", "current information to visualize anything because it was too scarce and imprecise. Basically,", "the previous argument and the fact that my characters will have to walk", "in the south-center of Country A I could give measurements in kilometers for", "give you a comparison, think about a land stretching from western France to", "City is located in the south-center of Country A I could give measurements", "and... I don't really know how to give it, actually. My alpha reader", "it, actually. My alpha reader told me it was hard to use my", "my characters will have to walk to Country B from Capital City, but", "it was hard to use my current information to visualize anything because it", "Country A I could give measurements in kilometers for instance, but I feel", "west to Country A (think Hungary) * Capital City is located in the", "being too precise compared to the characters' knowledge (my narration is very close", "characters are mostly illiterate, being brought up in a military orphanage). Of course,", "my readers have a sufficient mental representation of my world's cartography, without breaking", "A I could give measurements in kilometers for instance, but I feel like", "information to visualize anything because it was too scarce and imprecise. Basically, I", "say that : * Country A is big (to give you a comparison,", "fantasy setting, as well as being too precise compared to the characters' knowledge", "City, but not in a straight line and with stops in various cities,", " Capital City is located in the south-center of Country A I could", "of the fantasy setting, as well as being too precise compared to the", "orphanage). Of course, I considered giving time estimations, but I'm not really satisfied", "think about a land stretching from western France to eastern Austria, from southern", "because it was too scarce and imprecise. Basically, I want to say that", "up in a military orphanage). Of course, I considered giving time estimations, but", "set in an imaginary world. For the first time, I'm giving geographical information", "could. How can I give enough information to let my readers have a", "for instance, but I feel like it ruins the magic of the fantasy", "cities, so it will be longer than it could. How can I give", "first time, I'm giving geographical information and... I don't really know how to", "located in the south-center of Country A I could give measurements in kilometers", "to visualize anything because it was too scarce and imprecise. Basically, I want", "France to eastern Austria, from southern France to northern Germany)* * Country B", "sufficient mental representation of my world's cartography, without breaking the immersion too much?*", "the first time, I'm giving geographical information and... I don't really know how", "alpha reader told me it was hard to use my current information to", "it was too scarce and imprecise. Basically, I want to say that :", "Country A (think Hungary)* * Capital City is located in the south-center of", "to use my current information to visualize anything because it was too scarce", "geographical information and... I don't really know how to give it, actually. My", "to give it, actually. My alpha reader told me it was hard to", "that my characters will have to walk to Country B from Capital City,", "are mostly illiterate, being brought up in a military orphanage). Of course, I", "be longer than it could. *How can I give enough information to let", "it ruins the magic of the fantasy setting, as well as being too", "an imaginary world. For the first time, I'm giving geographical information and... I", " Country A is big (to give you a comparison, think about a", "being brought up in a military orphanage). Of course, I considered giving time", "to northern Germany) * Country B is smaller and west to Country A", "not in a straight line and with stops in various cities, so it", "line and with stops in various cities, so it will be longer than", "time estimations, but I'm not really satisfied with it either, because of both", "characters' knowledge (my narration is very close to their points of view and", "giving geographical information and... I don't really know how to give it, actually.", "I considered giving time estimations, but I'm not really satisfied with it either,", "the south-center of Country A I could give measurements in kilometers for instance,", "have a sufficient mental representation of my world's cartography, without breaking the immersion", "I want to say that : * Country A is big (to give", "either, because of both the previous argument and the fact that my characters", "readers have a sufficient mental representation of my world's cartography, without breaking the", "information and... I don't really know how to give it, actually. My alpha", "south-center of Country A I could give measurements in kilometers for instance, but", "too precise compared to the characters' knowledge (my narration is very close to", "story set in an imaginary world. For the first time, I'm giving geographical", "enough information to let my readers have a sufficient mental representation of my", "characters will have to walk to Country B from Capital City, but not", "information to let my readers have a sufficient mental representation of my world's", "a land stretching from western France to eastern Austria, from southern France to", "the fact that my characters will have to walk to Country B from", "southern France to northern Germany) * Country B is smaller and west to", "and imprecise. Basically, I want to say that : * Country A is", "really satisfied with it either, because of both the previous argument and the", "of both the previous argument and the fact that my characters will have", "could give measurements in kilometers for instance, but I feel like it ruins", "anything because it was too scarce and imprecise. Basically, I want to say", "(my narration is very close to their points of view and the characters", "will be longer than it could. *How can I give enough information to", "to Country A (think Hungary)* * Capital City is located in the south-center", "than it could. *How can I give enough information to let my readers", "(think Hungary)* * Capital City is located in the south-center of Country A", "give it, actually. My alpha reader told me it was hard to use", "give measurements in kilometers for instance, but I feel like it ruins the", "as being too precise compared to the characters' knowledge (my narration is very", "fact that my characters will have to walk to Country B from Capital", "compared to the characters' knowledge (my narration is very close to their points", "longer than it could. How can I give enough information to let my", "was hard to use my current information to visualize anything because it was", "very close to their points of view and the characters are mostly illiterate,", "I feel like it ruins the magic of the fantasy setting, as well", "mental representation of my world's cartography, without breaking the immersion too much? Any", "about a land stretching from western France to eastern Austria, from southern France", "stretching from western France to eastern Austria, from southern France to northern Germany)", "stops in various cities, so it will be longer than it could. How", "Austria, from southern France to northern Germany) * Country B is smaller and", "the characters' knowledge (my narration is very close to their points of view", "but not in a straight line and with stops in various cities, so", "in a straight line and with stops in various cities, so it will", "let my readers have a sufficient mental representation of my world's cartography, without", "the characters are mostly illiterate, being brought up in a military orphanage). Of", "Germany)* * Country B is smaller and west to Country A (think Hungary)", "with it either, because of both the previous argument and the fact that", "* Country B is smaller and west to Country A (think Hungary) ", "both the previous argument and the fact that my characters will have to", "and with stops in various cities, so it will be longer than it", "scarce and imprecise. Basically, I want to say that : Country A", "kilometers for instance, but I feel like it ruins the magic of the", "various cities, so it will be longer than it could. *How can I", "from western France to eastern Austria, from southern France to northern Germany) ", "the magic of the fantasy setting, as well as being too precise compared", "and the characters are mostly illiterate, being brought up in a military orphanage).", "Country B from Capital City, but not in a straight line and with", "representation of my world's cartography, without breaking the immersion too much?* Any insight", "is big (to give you a comparison, think about a land stretching from", "considered giving time estimations, but I'm not really satisfied with it either, because", "to Country B from Capital City, but not in a straight line and", "land stretching from western France to eastern Austria, from southern France to northern", "to the characters' knowledge (my narration is very close to their points of", "A (think Hungary)* * Capital City is located in the south-center of Country", "view and the characters are mostly illiterate, being brought up in a military", "have to walk to Country B from Capital City, but not in a", "my world's cartography, without breaking the immersion too much?** Any insight would be", "time, I'm giving geographical information and... I don't really know how to give", "straight line and with stops in various cities, so it will be longer", "me it was hard to use my current information to visualize anything because", "told me it was hard to use my current information to visualize anything", "B from Capital City, but not in a straight line and with stops", "don't really know how to give it, actually. My alpha reader told me", "estimations, but I'm not really satisfied with it either, because of both the", ": * Country A is big (to give you a comparison, think about", "know how to give it, actually. My alpha reader told me it was", "My alpha reader told me it was hard to use my current information", "B is smaller and west to Country A (think Hungary)* * Capital City", "Of course, I considered giving time estimations, but I'm not really satisfied with", "from Capital City, but not in a straight line and with stops in", "to their points of view and the characters are mostly illiterate, being brought", "in a military orphanage). Of course, I considered giving time estimations, but I'm", "Capital City, but not in a straight line and with stops in various", "hard to use my current information to visualize anything because it was too", "was too scarce and imprecise. Basically, I want to say that : ", "to eastern Austria, from southern France to northern Germany) * Country B is", "setting, as well as being too precise compared to the characters' knowledge (my", "to walk to Country B from Capital City, but not in a straight", "Country B is smaller and west to Country A (think Hungary) * Capital", "reader told me it was hard to use my current information to visualize", "imaginary world. For the first time, I'm giving geographical information and... I don't", "in kilometers for instance, but I feel like it ruins the magic of", "narration is very close to their points of view and the characters are", "a comparison, think about a land stretching from western France to eastern Austria,", "writing a fantasy story set in an imaginary world. For the first time,", "but I'm not really satisfied with it either, because of both the previous", "previous argument and the fact that my characters will have to walk to", "world. For the first time, I'm giving geographical information and... I don't really", "satisfied with it either, because of both the previous argument and the fact", "too scarce and imprecise. Basically, I want to say that : * Country", "in various cities, so it will be longer than it could. *How can", "is smaller and west to Country A (think Hungary)* * Capital City is", "a sufficient mental representation of my world's cartography, without breaking the immersion too", "to say that : * Country A is big (to give you a", "in an imaginary world. For the first time, I'm giving geographical information and...", "I could give measurements in kilometers for instance, but I feel like it", "fantasy story set in an imaginary world. For the first time, I'm giving", "A is big (to give you a comparison, think about a land stretching", "it will be longer than it could. How can I give enough information", "as well as being too precise compared to the characters' knowledge (my narration", "giving time estimations, but I'm not really satisfied with it either, because of", "argument and the fact that my characters will have to walk to Country", "of my world's cartography, without breaking the immersion too much? Any insight would", "not really satisfied with it either, because of both the previous argument and", "world's cartography, without breaking the immersion too much?** Any insight would be appreciated.", "and the fact that my characters will have to walk to Country B", "ruins the magic of the fantasy setting, as well as being too precise", "measurements in kilometers for instance, but I feel like it ruins the magic", "points of view and the characters are mostly illiterate, being brought up in", "western France to eastern Austria, from southern France to northern Germany)* * Country", "magic of the fantasy setting, as well as being too precise compared to", "military orphanage). Of course, I considered giving time estimations, but I'm not really", "Basically, I want to say that : * Country A is big (to", "northern Germany) * Country B is smaller and west to Country A (think", "want to say that : Country A is big *(to give you" ]
[ "be possible? It strikes me as impossible but I am still curious to", "It strikes me as impossible but I am still curious to know what", "me as impossible but I am still curious to know what you think.", "possible? It strikes me as impossible but I am still curious to know", "Would it be possible? It strikes me as impossible but I am still", "it be possible? It strikes me as impossible but I am still curious", "strikes me as impossible but I am still curious to know what you" ]
[ "I need some way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I", "a point in the plot where they’re settling in to their situation and", "my WIP, which is a “journey” story, the main characters have been struggling", "I don’t know what, besides a core time travel mechanism in the story,", "not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One MC is going to go", "been struggling against the environment and the fact that they’re displaced and trying", "create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One", "over the course of the novel, but I don’t know what, besides a", "have been struggling against the environment and the fact that they’re displaced and", "a “journey” story, the main characters have been struggling against the environment and", "them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One MC is going", "the main characters have been struggling against the environment and the fact that", "main characters have been struggling against the environment and the fact that they’re", "at a point in the plot where they’re settling in to their situation", "in the plot where they’re settling in to their situation and I’ve stalled", "core time travel mechanism in the story, they need to “fight”. I feel", "way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know", "going to go through a deep bout of depression, and the other will", "“fight”. I feel like I need some way to create conflict for them", "through a deep bout of depression, and the other will pull him out,", "One MC is going to go through a deep bout of depression, and", "long-term sustainable. Do I need to have a personified villain? [This conversation suggests", "a core time travel mechanism in the story, they need to “fight”. I", "I don’t quite know how. One MC is going to go through a", "their situation and I’ve stalled out. I couldn’t figure out why. Now I", "non-personified (e.g. environment, time pressure, etc.) are examples of things where I could", "far in my WIP, which is a “journey” story, the main characters have", "they need to “fight”. I feel like I need some way to create", "that’s not long-term sustainable. Do I need to have a personified villain? [This", "in my WIP, which is a “journey” story, the main characters have been", "don’t have something clear to struggle against. I know what I want them", "a deep bout of depression, and the other will pull him out, but", "they’re settling in to their situation and I’ve stalled out. I couldn’t figure", "arrived at a point in the plot where they’re settling in to their", "which is a “journey” story, the main characters have been struggling against the", "some way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite", "but I don’t quite know how. One MC is going to go through", "novel, but I don’t know what, besides a core time travel mechanism in", "sustainable. Do I need to have a personified villain? [This conversation suggests that", "and I’ve stalled out. I couldn’t figure out why. Now I realize that", "I couldn’t figure out why. Now I realize that they don’t have something", "them to accomplish over the course of the novel, but I don’t know", "feel like I need some way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)),", "for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One MC is", "don’t quite know how. One MC is going to go through a deep", "that they don’t have something clear to struggle against. I know what I", "and the other will pull him out, but that’s not long-term sustainable. Do", "characters have been struggling against the environment and the fact that they’re displaced", "the environment and the fact that they’re displaced and trying to return home.", "something clear to struggle against. I know what I want them to accomplish", "conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.) are", "fact that they’re displaced and trying to return home. I’ve arrived at a", "I need to have a personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict).", "(e.g. environment, time pressure, etc.) are examples of things where I could find", "but that’s not long-term sustainable. Do I need to have a personified villain?", "displaced and trying to return home. I’ve arrived at a point in the", "a personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment,", "is a “journey” story, the main characters have been struggling against the environment", "the novel, but I don’t know what, besides a core time travel mechanism", "that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.) are examples of", "have something clear to struggle against. I know what I want them to", "out why. Now I realize that they don’t have something clear to struggle", "in to their situation and I’ve stalled out. I couldn’t figure out why.", "I know what I want them to accomplish over the course of the", "point in the plot where they’re settling in to their situation and I’ve", "in the story, they need to “fight”. I feel like I need some", "couldn’t figure out why. Now I realize that they don’t have something clear", "I want them to accomplish over the course of the novel, but I", "home. I’ve arrived at a point in the plot where they’re settling in", "where they’re settling in to their situation and I’ve stalled out. I couldn’t", "of the novel, but I don’t know what, besides a core time travel", "figure out why. Now I realize that they don’t have something clear to", "story, the main characters have been struggling against the environment and the fact", "to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how.", "etc.) are examples of things where I could find inspiration for my story?", "to have a personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified", "why. Now I realize that they don’t have something clear to struggle against.", "what I want them to accomplish over the course of the novel, but", "settling in to their situation and I’ve stalled out. I couldn’t figure out", "know how. One MC is going to go through a deep bout of", "quite know how. One MC is going to go through a deep bout", "“journey” story, the main characters have been struggling against the environment and the", "don’t know what, besides a core time travel mechanism in the story, they", "story, they need to “fight”. I feel like I need some way to", "how. One MC is going to go through a deep bout of depression,", "MC is going to go through a deep bout of depression, and the", "travel mechanism in the story, they need to “fight”. I feel like I", "personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time", "Do I need to have a personified villain? [This conversation suggests that I", "struggling against the environment and the fact that they’re displaced and trying to", "villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure,", "pull him out, but that’s not long-term sustainable. Do I need to have", "environment and the fact that they’re displaced and trying to return home. I’ve", "the other will pull him out, but that’s not long-term sustainable. Do I", "the fact that they’re displaced and trying to return home. I’ve arrived at", "I’ve arrived at a point in the plot where they’re settling in to", "trying to return home. I’ve arrived at a point in the plot where", "to accomplish over the course of the novel, but I don’t know what,", "realize that they don’t have something clear to struggle against. I know what", "what, besides a core time travel mechanism in the story, they need to", "[This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.)", "the story, they need to “fight”. I feel like I need some way", "time travel mechanism in the story, they need to “fight”. I feel like", "of depression, and the other will pull him out, but that’s not long-term", "What non-personified (e.g. environment, time pressure, etc.) are examples of things where I", "will pull him out, but that’s not long-term sustainable. Do I need to", "([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One MC is going to", "to “fight”. I feel like I need some way to create conflict for", "like I need some way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but", "bout of depression, and the other will pull him out, but that’s not", "know what, besides a core time travel mechanism in the story, they need", "want them to accomplish over the course of the novel, but I don’t", "stalled out. I couldn’t figure out why. Now I realize that they don’t", "that they’re displaced and trying to return home. I’ve arrived at a point", "don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.) are examples of things where", "and trying to return home. I’ve arrived at a point in the plot", "other will pull him out, but that’s not long-term sustainable. Do I need", "have a personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g.", "know what I want them to accomplish over the course of the novel,", "the course of the novel, but I don’t know what, besides a core", "conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t quite know how. One MC", "to struggle against. I know what I want them to accomplish over the", "course of the novel, but I don’t know what, besides a core time", "I’ve stalled out. I couldn’t figure out why. Now I realize that they", "against the environment and the fact that they’re displaced and trying to return", "not long-term sustainable. Do I need to have a personified villain? [This conversation", "I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.) are examples of things", "to return home. I’ve arrived at a point in the plot where they’re", "accomplish over the course of the novel, but I don’t know what, besides", "they don’t have something clear to struggle against. I know what I want", "need some way to create conflict for them ([maybe not](https://writing.stackexchange.com/questions/23537/hang-on-wheres-the-main-conflict)), but I don’t", "go through a deep bout of depression, and the other will pull him", "time pressure, etc.) are examples of things where I could find inspiration for", "need to “fight”. I feel like I need some way to create conflict", "need to have a personified villain? [This conversation suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What", "situation and I’ve stalled out. I couldn’t figure out why. Now I realize", "to go through a deep bout of depression, and the other will pull", "out, but that’s not long-term sustainable. Do I need to have a personified", "clear to struggle against. I know what I want them to accomplish over", "depression, and the other will pull him out, but that’s not long-term sustainable.", "out. I couldn’t figure out why. Now I realize that they don’t have", "against. I know what I want them to accomplish over the course of", "him out, but that’s not long-term sustainable. Do I need to have a", "pressure, etc.) are examples of things where I could find inspiration for my", "and the fact that they’re displaced and trying to return home. I’ve arrived", "the plot where they’re settling in to their situation and I’ve stalled out.", "plot where they’re settling in to their situation and I’ve stalled out. I", "Now I realize that they don’t have something clear to struggle against. I", "So far in my WIP, which is a “journey” story, the main characters", "they’re displaced and trying to return home. I’ve arrived at a point in", "mechanism in the story, they need to “fight”. I feel like I need", "WIP, which is a “journey” story, the main characters have been struggling against", "but I don’t know what, besides a core time travel mechanism in the", "environment, time pressure, etc.) are examples of things where I could find inspiration", "besides a core time travel mechanism in the story, they need to “fight”.", "to their situation and I’ve stalled out. I couldn’t figure out why. Now", "I feel like I need some way to create conflict for them ([maybe", "deep bout of depression, and the other will pull him out, but that’s", "is going to go through a deep bout of depression, and the other", "struggle against. I know what I want them to accomplish over the course", "return home. I’ve arrived at a point in the plot where they’re settling", "I realize that they don’t have something clear to struggle against. I know", "suggests that I don’t](https://writing.stackexchange.com/questions/28294/does-a-novel-require-a-conflict). What non-personified (e.g. environment, time pressure, etc.) are examples" ]
[ "a start however I have reached an impasse and can not really decide", "I am stuck and can not seem to progress in my story. Please", "an impasse and can not really decide how I should structure my story.", "my typical fantasy genre into SciFi. I have taken a start however I", "I have reached an impasse and can not really decide how I should", "really decide how I should structure my story. Is their a specific way", "Sci Fi story is structured since I am stuck and can not seem", "and can not really decide how I should structure my story. Is their", "Fi story is structured since I am stuck and can not seem to", "however I have reached an impasse and can not really decide how I", "myself from my typical fantasy genre into SciFi. I have taken a start", "a specific way a Sci Fi story is structured since I am stuck", "story is structured since I am stuck and can not seem to progress", "taken a start however I have reached an impasse and can not really", "should structure my story. Is their a specific way a Sci Fi story", "their a specific way a Sci Fi story is structured since I am", "have taken a start however I have reached an impasse and can not", "specific way a Sci Fi story is structured since I am stuck and", "Is their a specific way a Sci Fi story is structured since I", "way a Sci Fi story is structured since I am stuck and can", "recently started writing a book expanding myself from my typical fantasy genre into", "writing a book expanding myself from my typical fantasy genre into SciFi. I", "is structured since I am stuck and can not seem to progress in", "structure my story. Is their a specific way a Sci Fi story is", "not really decide how I should structure my story. Is their a specific", "how I should structure my story. Is their a specific way a Sci", "start however I have reached an impasse and can not really decide how", "structured since I am stuck and can not seem to progress in my", "book expanding myself from my typical fantasy genre into SciFi. I have taken", "a book expanding myself from my typical fantasy genre into SciFi. I have", "progress in my story. Please help me find a solution to this problem.", "SciFi. I have taken a start however I have reached an impasse and", "decide how I should structure my story. Is their a specific way a", "since I am stuck and can not seem to progress in my story.", "and can not seem to progress in my story. Please help me find", "seem to progress in my story. Please help me find a solution to", "typical fantasy genre into SciFi. I have taken a start however I have", "to progress in my story. Please help me find a solution to this", "genre into SciFi. I have taken a start however I have reached an", "reached an impasse and can not really decide how I should structure my", "I should structure my story. Is their a specific way a Sci Fi", "fantasy genre into SciFi. I have taken a start however I have reached", "am stuck and can not seem to progress in my story. Please help", "stuck and can not seem to progress in my story. Please help me", "I have taken a start however I have reached an impasse and can", "can not seem to progress in my story. Please help me find a", "from my typical fantasy genre into SciFi. I have taken a start however", "started writing a book expanding myself from my typical fantasy genre into SciFi.", "into SciFi. I have taken a start however I have reached an impasse", "can not really decide how I should structure my story. Is their a", "story. Is their a specific way a Sci Fi story is structured since", "expanding myself from my typical fantasy genre into SciFi. I have taken a", "not seem to progress in my story. Please help me find a solution", "I recently started writing a book expanding myself from my typical fantasy genre", "have reached an impasse and can not really decide how I should structure", "impasse and can not really decide how I should structure my story. Is", "my story. Is their a specific way a Sci Fi story is structured", "a Sci Fi story is structured since I am stuck and can not" ]
[ "book that takes about 25 minutes to read out loud. I read it", "out loud. I read it to a 3rd grade class, with a few", "to keep their attention. Even the teachers said they liked it. Is there", "3rd grade class, with a few posters for illustrations, and it actually seemed", "read it to a 3rd grade class, with a few posters for illustrations,", "and it actually seemed to keep their attention. Even the teachers said they", "grade level (8-9 years old) children's book that takes about 25 minutes to", "seemed to keep their attention. Even the teachers said they liked it. Is", "they liked it. Is there a market for a book like this, or", "a few posters for illustrations, and it actually seemed to keep their attention.", "takes about 25 minutes to read out loud. I read it to a", "it to a 3rd grade class, with a few posters for illustrations, and", "for illustrations, and it actually seemed to keep their attention. Even the teachers", "a 3rd grade class, with a few posters for illustrations, and it actually", "that takes about 25 minutes to read out loud. I read it to", "I've written a 3rd grade level (8-9 years old) children's book that takes", "keep their attention. Even the teachers said they liked it. Is there a", "there a market for a book like this, or is it just too", "a 3rd grade level (8-9 years old) children's book that takes about 25", "to read out loud. I read it to a 3rd grade class, with", "their attention. Even the teachers said they liked it. Is there a market", "liked it. Is there a market for a book like this, or is", "said they liked it. Is there a market for a book like this,", "25 minutes to read out loud. I read it to a 3rd grade", "few posters for illustrations, and it actually seemed to keep their attention. Even", "about 25 minutes to read out loud. I read it to a 3rd", "illustrations, and it actually seemed to keep their attention. Even the teachers said", "it. Is there a market for a book like this, or is it", "old) children's book that takes about 25 minutes to read out loud. I", "written a 3rd grade level (8-9 years old) children's book that takes about", "minutes to read out loud. I read it to a 3rd grade class,", "loud. I read it to a 3rd grade class, with a few posters", "Is there a market for a book like this, or is it just", "with a few posters for illustrations, and it actually seemed to keep their", "children's book that takes about 25 minutes to read out loud. I read", "class, with a few posters for illustrations, and it actually seemed to keep", "years old) children's book that takes about 25 minutes to read out loud.", "it actually seemed to keep their attention. Even the teachers said they liked", "a market for a book like this, or is it just too long?", "(8-9 years old) children's book that takes about 25 minutes to read out", "3rd grade level (8-9 years old) children's book that takes about 25 minutes", "to a 3rd grade class, with a few posters for illustrations, and it", "teachers said they liked it. Is there a market for a book like", "grade class, with a few posters for illustrations, and it actually seemed to", "the teachers said they liked it. Is there a market for a book", "read out loud. I read it to a 3rd grade class, with a", "I read it to a 3rd grade class, with a few posters for", "attention. Even the teachers said they liked it. Is there a market for", "level (8-9 years old) children's book that takes about 25 minutes to read", "actually seemed to keep their attention. Even the teachers said they liked it.", "posters for illustrations, and it actually seemed to keep their attention. Even the", "Even the teachers said they liked it. Is there a market for a" ]
[ "that the POV person withholds opinions? (So the reader can form them?) Or", "for first person POV to be treated in the same way as third", "form them?) Or is it okay to establish conflict via first person POV", "them?) Or is it okay to establish conflict via first person POV opinions?", "is it okay to establish conflict via first person POV opinions? Is that", "third person POV meaning that the POV person withholds opinions? (So the reader", "way as third person POV meaning that the POV person withholds opinions? (So", "to establish conflict via first person POV opinions? Is that a sloppy method?", "it better for first person POV to be treated in the same way", "withholds opinions? (So the reader can form them?) Or is it okay to", "treated in the same way as third person POV meaning that the POV", "(So the reader can form them?) Or is it okay to establish conflict", "same way as third person POV meaning that the POV person withholds opinions?", "can form them?) Or is it okay to establish conflict via first person", "the POV person withholds opinions? (So the reader can form them?) Or is", "Is it better for first person POV to be treated in the same", "first person POV to be treated in the same way as third person", "meaning that the POV person withholds opinions? (So the reader can form them?)", "to be treated in the same way as third person POV meaning that", "POV meaning that the POV person withholds opinions? (So the reader can form", "opinions? (So the reader can form them?) Or is it okay to establish", "in the same way as third person POV meaning that the POV person", "Or is it okay to establish conflict via first person POV opinions? Is", "POV person withholds opinions? (So the reader can form them?) Or is it", "as third person POV meaning that the POV person withholds opinions? (So the", "be treated in the same way as third person POV meaning that the", "the same way as third person POV meaning that the POV person withholds", "reader can form them?) Or is it okay to establish conflict via first", "better for first person POV to be treated in the same way as", "it okay to establish conflict via first person POV opinions? Is that a", "okay to establish conflict via first person POV opinions? Is that a sloppy", "the reader can form them?) Or is it okay to establish conflict via", "POV to be treated in the same way as third person POV meaning", "person withholds opinions? (So the reader can form them?) Or is it okay", "person POV meaning that the POV person withholds opinions? (So the reader can", "person POV to be treated in the same way as third person POV" ]
[ "structure as much as possible when writing dialogue. But I think overload of", "much as possible when writing dialogue. But I think overload of complex descriptors", "\"he said\", \"she said\" structure as much as possible when writing dialogue. But", "said\" structure as much as possible when writing dialogue. But I think overload", "as possible when writing dialogue. But I think overload of complex descriptors \"he", "crappy writing. What is the general consensus on this matter, though? I would", "said\", \"she said\" structure as much as possible when writing dialogue. But I", "I try to avoid repeating the prosaic \"he said\", \"she said\" structure as", "general consensus on this matter, though? I would like to know others' thoughts.", "the general consensus on this matter, though? I would like to know others'", "dialogue. But I think overload of complex descriptors \"he articulated\", \"he intoned\" is", "avoid repeating the prosaic \"he said\", \"she said\" structure as much as possible", "when writing dialogue. But I think overload of complex descriptors \"he articulated\", \"he", "writing. What is the general consensus on this matter, though? I would like", "try to avoid repeating the prosaic \"he said\", \"she said\" structure as much", "as much as possible when writing dialogue. But I think overload of complex", "possible when writing dialogue. But I think overload of complex descriptors \"he articulated\",", "prosaic \"he said\", \"she said\" structure as much as possible when writing dialogue.", "But I think overload of complex descriptors \"he articulated\", \"he intoned\" is definitely", "I think overload of complex descriptors \"he articulated\", \"he intoned\" is definitely crappy", "articulated\", \"he intoned\" is definitely crappy writing. What is the general consensus on", "repeating the prosaic \"he said\", \"she said\" structure as much as possible when", "intoned\" is definitely crappy writing. What is the general consensus on this matter,", "definitely crappy writing. What is the general consensus on this matter, though? I", "\"she said\" structure as much as possible when writing dialogue. But I think", "to avoid repeating the prosaic \"he said\", \"she said\" structure as much as", "think overload of complex descriptors \"he articulated\", \"he intoned\" is definitely crappy writing.", "is the general consensus on this matter, though? I would like to know", "writing dialogue. But I think overload of complex descriptors \"he articulated\", \"he intoned\"", "\"he articulated\", \"he intoned\" is definitely crappy writing. What is the general consensus", "descriptors \"he articulated\", \"he intoned\" is definitely crappy writing. What is the general", "complex descriptors \"he articulated\", \"he intoned\" is definitely crappy writing. What is the", "of complex descriptors \"he articulated\", \"he intoned\" is definitely crappy writing. What is", "overload of complex descriptors \"he articulated\", \"he intoned\" is definitely crappy writing. What", "the prosaic \"he said\", \"she said\" structure as much as possible when writing", "\"he intoned\" is definitely crappy writing. What is the general consensus on this", "is definitely crappy writing. What is the general consensus on this matter, though?", "What is the general consensus on this matter, though? I would like to" ]
[ "see anything for band names or companies or hotels. Is there a good", "There are a nice plethora of \"how do I create a name for", "country/area/character\" but I can't see anything for band names or companies or hotels.", "are a nice plethora of \"how do I create a name for my", "a nice plethora of \"how do I create a name for my fictional", "of \"how do I create a name for my fictional country/area/character\" but I", "names or companies or hotels. Is there a good system to use to", "my fictional country/area/character\" but I can't see anything for band names or companies", "companies or hotels. Is there a good system to use to avoid already", "or companies or hotels. Is there a good system to use to avoid", "a name for my fictional country/area/character\" but I can't see anything for band", "anything for band names or companies or hotels. Is there a good system", "band names or companies or hotels. Is there a good system to use", "hotels. Is there a good system to use to avoid already active bands/hotels", "for my fictional country/area/character\" but I can't see anything for band names or", "nice plethora of \"how do I create a name for my fictional country/area/character\"", "Is there a good system to use to avoid already active bands/hotels etc?", "create a name for my fictional country/area/character\" but I can't see anything for", "fictional country/area/character\" but I can't see anything for band names or companies or", "I create a name for my fictional country/area/character\" but I can't see anything", "plethora of \"how do I create a name for my fictional country/area/character\" but", "but I can't see anything for band names or companies or hotels. Is", "do I create a name for my fictional country/area/character\" but I can't see", "for band names or companies or hotels. Is there a good system to", "name for my fictional country/area/character\" but I can't see anything for band names", "or hotels. Is there a good system to use to avoid already active", "\"how do I create a name for my fictional country/area/character\" but I can't", "I can't see anything for band names or companies or hotels. Is there", "can't see anything for band names or companies or hotels. Is there a" ]
[ "on other questions. How do you manage (if you do) to write when", "naturally on the keyboard almost without effort, you still have to reach that", "focus, to some extent. Even if you may fall into a state were", "to write. I'd like to focus on anger in particular, since the demotivated", "fall into a state were words flow naturally on the keyboard almost without", "what happened during the day? Or what, maybe, is still happening? How do", "you may fall into a state were words flow naturally on the keyboard", "from the things unnerving you, to find the necessary \"private space\" to write?", "during the day? Or what, maybe, is still happening? How do you manage", "I often find myself too upset, distracted or demotivated to write. I'd like", "is still happening? How do you manage to detatch from the things unnerving", "the keyboard almost without effort, you still have to reach that condition. Being", "still have to reach that condition. Being a very unstable, stressed out, and", "reach that condition. Being a very unstable, stressed out, and prone to anger", "detatch from the things unnerving you, to find the necessary \"private space\" to", "out, and prone to anger person, I often find myself too upset, distracted", "stressed out, and prone to anger person, I often find myself too upset,", "Being a very unstable, stressed out, and prone to anger person, I often", "and prone to anger person, I often find myself too upset, distracted or", "on anger in particular, since the demotivated side has been treated a lot", "How do you manage (if you do) to write when your mind is", "or demotivated to write. I'd like to focus on anger in particular, since", "state were words flow naturally on the keyboard almost without effort, you still", "some extent. Even if you may fall into a state were words flow", "you manage to detatch from the things unnerving you, to find the necessary", "in particular, since the demotivated side has been treated a lot on other", "you do) to write when your mind is fuming about what happened during", "do you manage to detatch from the things unnerving you, to find the", "were words flow naturally on the keyboard almost without effort, you still have", "prone to anger person, I often find myself too upset, distracted or demotivated", "has been treated a lot on other questions. How do you manage (if", "happening? How do you manage to detatch from the things unnerving you, to", "when your mind is fuming about what happened during the day? Or what,", "to write when your mind is fuming about what happened during the day?", "Writing needs focus, to some extent. Even if you may fall into a", "to reach that condition. Being a very unstable, stressed out, and prone to", "exactly this. Writing needs focus, to some extent. Even if you may fall", "this. Writing needs focus, to some extent. Even if you may fall into", "to anger person, I often find myself too upset, distracted or demotivated to", "without effort, you still have to reach that condition. Being a very unstable,", "do) to write when your mind is fuming about what happened during the", "find myself too upset, distracted or demotivated to write. I'd like to focus", "that condition. Being a very unstable, stressed out, and prone to anger person,", "words flow naturally on the keyboard almost without effort, you still have to", "treated a lot on other questions. How do you manage (if you do)", "a lot on other questions. How do you manage (if you do) to", "mind is fuming about what happened during the day? Or what, maybe, is", "anger in particular, since the demotivated side has been treated a lot on", "demotivated to write. I'd like to focus on anger in particular, since the", "extent. Even if you may fall into a state were words flow naturally", "too upset, distracted or demotivated to write. I'd like to focus on anger", "manage (if you do) to write when your mind is fuming about what", "what, maybe, is still happening? How do you manage to detatch from the", "lot on other questions. How do you manage (if you do) to write", "upset, distracted or demotivated to write. I'd like to focus on anger in", "you still have to reach that condition. Being a very unstable, stressed out,", "almost without effort, you still have to reach that condition. Being a very", "questions. How do you manage (if you do) to write when your mind", "very unstable, stressed out, and prone to anger person, I often find myself", "I'd like to focus on anger in particular, since the demotivated side has", "unstable, stressed out, and prone to anger person, I often find myself too", "myself too upset, distracted or demotivated to write. I'd like to focus on", "flow naturally on the keyboard almost without effort, you still have to reach", "do you manage (if you do) to write when your mind is fuming", "your mind is fuming about what happened during the day? Or what, maybe,", "on the keyboard almost without effort, you still have to reach that condition.", "since the demotivated side has been treated a lot on other questions. How", "to some extent. Even if you may fall into a state were words", "distracted or demotivated to write. I'd like to focus on anger in particular,", "fuming about what happened during the day? Or what, maybe, is still happening?", "Or what, maybe, is still happening? How do you manage to detatch from", "keyboard almost without effort, you still have to reach that condition. Being a", "still happening? How do you manage to detatch from the things unnerving you,", "mean exactly this. Writing needs focus, to some extent. Even if you may", "write. I'd like to focus on anger in particular, since the demotivated side", "happened during the day? Or what, maybe, is still happening? How do you", "How do you manage to detatch from the things unnerving you, to find", "been treated a lot on other questions. How do you manage (if you", "often find myself too upset, distracted or demotivated to write. I'd like to", "day? Or what, maybe, is still happening? How do you manage to detatch", "demotivated side has been treated a lot on other questions. How do you", "the demotivated side has been treated a lot on other questions. How do", "other questions. How do you manage (if you do) to write when your", "I mean exactly this. Writing needs focus, to some extent. Even if you", "effort, you still have to reach that condition. Being a very unstable, stressed", "the day? Or what, maybe, is still happening? How do you manage to", "manage to detatch from the things unnerving you, to find the necessary \"private", "person, I often find myself too upset, distracted or demotivated to write. I'd", "particular, since the demotivated side has been treated a lot on other questions.", "(if you do) to write when your mind is fuming about what happened", "to focus on anger in particular, since the demotivated side has been treated", "Even if you may fall into a state were words flow naturally on", "about what happened during the day? Or what, maybe, is still happening? How", "maybe, is still happening? How do you manage to detatch from the things", "condition. Being a very unstable, stressed out, and prone to anger person, I", "needs focus, to some extent. Even if you may fall into a state", "may fall into a state were words flow naturally on the keyboard almost", "is fuming about what happened during the day? Or what, maybe, is still", "side has been treated a lot on other questions. How do you manage", "have to reach that condition. Being a very unstable, stressed out, and prone", "you manage (if you do) to write when your mind is fuming about", "to detatch from the things unnerving you, to find the necessary \"private space\"", "a very unstable, stressed out, and prone to anger person, I often find", "if you may fall into a state were words flow naturally on the", "write when your mind is fuming about what happened during the day? Or", "a state were words flow naturally on the keyboard almost without effort, you", "focus on anger in particular, since the demotivated side has been treated a", "into a state were words flow naturally on the keyboard almost without effort,", "anger person, I often find myself too upset, distracted or demotivated to write.", "like to focus on anger in particular, since the demotivated side has been" ]
[ "me an article without linked sources, so I ask for the sources. They", "do not want to do it wrong or teach it the wrong way.", "if there is something better I could advise them to do. If you", "the best advice or if there is something better I could advise them", "train my writers to link to their sources. One writer sends me an", "I am the editor of a small news blog. I am trying to", "since news outlets often put their material online. I'm not sure if that", "situation please let me know. I do not want to do it wrong", "this were true. I emailed back and told them to find an online", "information in their article was detailed with a lot of data. They would", "emailed back and told them to find an online version of the source", "I am trying to train my writers to link to their sources. One", "trying to train my writers to link to their sources. One writer sends", "blog. I am trying to train my writers to link to their sources.", "They would have needed to be paying very close attention to some in-depth", "to link to their sources. One writer sends me an article without linked", "editor of a small news blog. I am trying to train my writers", "advice or if there is something better I could advise them to do.", "with a lot of data. They would have needed to be paying very", "to find an online version of the source since news outlets often put", "find an online version of the source since news outlets often put their", "this situation please let me know. I do not want to do it", "the best way to give proper attribution to sources in this situation please", "not want to do it wrong or teach it the wrong way. Thanks!", "was the best advice or if there is something better I could advise", "One writer sends me an article without linked sources, so I ask for", "an online version of the source since news outlets often put their material", "link to their sources. One writer sends me an article without linked sources,", "would have needed to be paying very close attention to some in-depth coverage", "the source since news outlets often put their material online. I'm not sure", "to be paying very close attention to some in-depth coverage if this were", "I'm not sure if that was the best advice or if there is", "could advise them to do. If you know the best way to give", "on television. The information in their article was detailed with a lot of", "for the sources. They email back responding that the way they obtained their", "they obtained their sources was that they simply saw some information on television.", "sources. They email back responding that the way they obtained their sources was", "news outlets often put their material online. I'm not sure if that was", "know. I do not want to do it wrong or teach it the", "in this situation please let me know. I do not want to do", "were true. I emailed back and told them to find an online version", "without linked sources, so I ask for the sources. They email back responding", "the way they obtained their sources was that they simply saw some information", "you know the best way to give proper attribution to sources in this", "that they simply saw some information on television. The information in their article", "to some in-depth coverage if this were true. I emailed back and told", "online version of the source since news outlets often put their material online.", "I ask for the sources. They email back responding that the way they", "outlets often put their material online. I'm not sure if that was the", "so I ask for the sources. They email back responding that the way", "close attention to some in-depth coverage if this were true. I emailed back", "ask for the sources. They email back responding that the way they obtained", "and told them to find an online version of the source since news", "email back responding that the way they obtained their sources was that they", "They email back responding that the way they obtained their sources was that", "do. If you know the best way to give proper attribution to sources", "their material online. I'm not sure if that was the best advice or", "in their article was detailed with a lot of data. They would have", "better I could advise them to do. If you know the best way", "detailed with a lot of data. They would have needed to be paying", "If you know the best way to give proper attribution to sources in", "article was detailed with a lot of data. They would have needed to", "way they obtained their sources was that they simply saw some information on", "attention to some in-depth coverage if this were true. I emailed back and", "often put their material online. I'm not sure if that was the best", "of data. They would have needed to be paying very close attention to", "a small news blog. I am trying to train my writers to link", "was that they simply saw some information on television. The information in their", "coverage if this were true. I emailed back and told them to find", "lot of data. They would have needed to be paying very close attention", "is something better I could advise them to do. If you know the", "their article was detailed with a lot of data. They would have needed", "that the way they obtained their sources was that they simply saw some", "please let me know. I do not want to do it wrong or", "I do not want to do it wrong or teach it the wrong", "in-depth coverage if this were true. I emailed back and told them to", "sure if that was the best advice or if there is something better", "their sources. One writer sends me an article without linked sources, so I", "best way to give proper attribution to sources in this situation please let", "to do. If you know the best way to give proper attribution to", "of a small news blog. I am trying to train my writers to", "back responding that the way they obtained their sources was that they simply", "know the best way to give proper attribution to sources in this situation", "was detailed with a lot of data. They would have needed to be", "I could advise them to do. If you know the best way to", "their sources was that they simply saw some information on television. The information", "saw some information on television. The information in their article was detailed with", "online. I'm not sure if that was the best advice or if there", "if this were true. I emailed back and told them to find an", "the editor of a small news blog. I am trying to train my", "small news blog. I am trying to train my writers to link to", "told them to find an online version of the source since news outlets", "source since news outlets often put their material online. I'm not sure if", "of the source since news outlets often put their material online. I'm not", "article without linked sources, so I ask for the sources. They email back", "sources was that they simply saw some information on television. The information in", "not sure if that was the best advice or if there is something", "let me know. I do not want to do it wrong or teach", "have needed to be paying very close attention to some in-depth coverage if", "some in-depth coverage if this were true. I emailed back and told them", "very close attention to some in-depth coverage if this were true. I emailed", "material online. I'm not sure if that was the best advice or if", "there is something better I could advise them to do. If you know", "information on television. The information in their article was detailed with a lot", "put their material online. I'm not sure if that was the best advice", "be paying very close attention to some in-depth coverage if this were true.", "television. The information in their article was detailed with a lot of data.", "to sources in this situation please let me know. I do not want", "to train my writers to link to their sources. One writer sends me", "an article without linked sources, so I ask for the sources. They email", "them to find an online version of the source since news outlets often", "sends me an article without linked sources, so I ask for the sources.", "paying very close attention to some in-depth coverage if this were true. I", "or if there is something better I could advise them to do. If", "to give proper attribution to sources in this situation please let me know.", "my writers to link to their sources. One writer sends me an article", "news blog. I am trying to train my writers to link to their", "am trying to train my writers to link to their sources. One writer", "obtained their sources was that they simply saw some information on television. The", "simply saw some information on television. The information in their article was detailed", "back and told them to find an online version of the source since", "advise them to do. If you know the best way to give proper", "sources. One writer sends me an article without linked sources, so I ask", "to their sources. One writer sends me an article without linked sources, so", "sources, so I ask for the sources. They email back responding that the", "if that was the best advice or if there is something better I", "that was the best advice or if there is something better I could", "am the editor of a small news blog. I am trying to train", "attribution to sources in this situation please let me know. I do not", "writer sends me an article without linked sources, so I ask for the", "they simply saw some information on television. The information in their article was", "needed to be paying very close attention to some in-depth coverage if this", "responding that the way they obtained their sources was that they simply saw", "sources in this situation please let me know. I do not want to", "true. I emailed back and told them to find an online version of", "some information on television. The information in their article was detailed with a", "them to do. If you know the best way to give proper attribution", "give proper attribution to sources in this situation please let me know. I", "proper attribution to sources in this situation please let me know. I do", "the sources. They email back responding that the way they obtained their sources", "linked sources, so I ask for the sources. They email back responding that", "writers to link to their sources. One writer sends me an article without", "best advice or if there is something better I could advise them to", "data. They would have needed to be paying very close attention to some", "me know. I do not want to do it wrong or teach it", "I emailed back and told them to find an online version of the", "something better I could advise them to do. If you know the best", "version of the source since news outlets often put their material online. I'm", "way to give proper attribution to sources in this situation please let me", "a lot of data. They would have needed to be paying very close", "The information in their article was detailed with a lot of data. They" ]
[ "placed on outlining the entire plot. Yet as I write it, things change", "emphasis was placed on outlining the entire plot. Yet as I write it,", "end up not following the outline. Is it bad to just go with", "on outlining the entire plot. Yet as I write it, things change dramatically,", "as I write it, things change dramatically, and I end up not following", "writing class, huge emphasis was placed on outlining the entire plot. Yet as", "things change dramatically, and I end up not following the outline. Is it", "change dramatically, and I end up not following the outline. Is it bad", "my writing class, huge emphasis was placed on outlining the entire plot. Yet", "write it, things change dramatically, and I end up not following the outline.", "I end up not following the outline. Is it bad to just go", "up not following the outline. Is it bad to just go with the", "and I end up not following the outline. Is it bad to just", "In my writing class, huge emphasis was placed on outlining the entire plot.", "I write it, things change dramatically, and I end up not following the", "plot. Yet as I write it, things change dramatically, and I end up", "entire plot. Yet as I write it, things change dramatically, and I end", "it, things change dramatically, and I end up not following the outline. Is", "huge emphasis was placed on outlining the entire plot. Yet as I write", "dramatically, and I end up not following the outline. Is it bad to", "Yet as I write it, things change dramatically, and I end up not", "the entire plot. Yet as I write it, things change dramatically, and I", "not following the outline. Is it bad to just go with the flow?", "outlining the entire plot. Yet as I write it, things change dramatically, and", "class, huge emphasis was placed on outlining the entire plot. Yet as I", "was placed on outlining the entire plot. Yet as I write it, things" ]
[ "where the time skips are. I do understand that there is quite a", "hospital, where she then wakes up; MC is offered a ride to a", "where she then wakes up; MC is offered a ride to a restaurant", "the hospital waiting for her to wake up; MC and boss get into", "going on during one day, but for the story and sake of plot,", "into a car crash on the way there The chapter is almost 3000", "of a way to fix it. The events are, in order: MC heads", "is offered a ride to a restaurant by her boss, who was there", "my chapter, but everything seemed fine. I didn't see anything wrong with the", "story and sake of plot, I kinda need those things to happen around", "the website that I'm publishing it on longer stories aren't accepted that much,", "second chapter so that I can get to the climax a bit quicker.", "comprehend\". Naturally, I went back and read over my chapter, but everything seemed", "the reader knows where the time skips are. I do understand that there", "the climax a bit quicker. (the story that I've planned is actually pretty", "by her boss, who was there at the hospital waiting for her to", "around the first or second chapter so that I can get to the", "spaces so the reader knows where the time skips are. I do understand", "climax a bit quicker. (the story that I've planned is actually pretty long,", "a bit going on during one day, but for the story and sake", "story \"escalated too fast for me to comprehend\". Naturally, I went back and", "car crash on the way there The chapter is almost 3000 words long,", "so that I can get to the climax a bit quicker. (the story", "helps in any way, and there are little spaces so the reader knows", "story that I've planned is actually pretty long, and on the website that", "so the reader knows where the time skips are. I do understand that", "then wakes up; MC is offered a ride to a restaurant by her", "the pacing, really, it might've been a bit rushed, but I couldn't think", "rushed, but I couldn't think of a way to fix it. The events", "planned is actually pretty long, and on the website that I'm publishing it", "the story and sake of plot, I kinda need those things to happen", "she then wakes up; MC is offered a ride to a restaurant by", "up; MC and boss get into a car crash on the way there", "happen around the first or second chapter so that I can get to", "fast for me to comprehend\". Naturally, I went back and read over my", "offered a ride to a restaurant by her boss, who was there at", "I'm publishing it on longer stories aren't accepted that much, so I'm trying", "someone commented that the story \"escalated too fast for me to comprehend\". Naturally,", "question- I'm just a bit confused about the story I'm writing. So earlier", "is taken to the hospital, where she then wakes up; MC is offered", "everything seemed fine. I didn't see anything wrong with the pacing, really, it", "that there is quite a bit going on during one day, but for", "order: MC heads off to work to confront her boss about something; MC", "confused about the story I'm writing. So earlier today I posted the first", "reader knows where the time skips are. I do understand that there is", "and sake of plot, I kinda need those things to happen around the", "(the story that I've planned is actually pretty long, and on the website", "writing. So earlier today I posted the first chapter of my story, and", "chapter is almost 3000 words long, if that helps in any way, and", "get to the climax a bit quicker. (the story that I've planned is", "quicker. (the story that I've planned is actually pretty long, and on the", "long, and on the website that I'm publishing it on longer stories aren't", "too fast for me to comprehend\". Naturally, I went back and read over", "a quick question- I'm just a bit confused about the story I'm writing.", "about the story I'm writing. So earlier today I posted the first chapter", "that the story \"escalated too fast for me to comprehend\". Naturally, I went", "to work to confront her boss about something; MC collapses and is taken", "events are, in order: MC heads off to work to confront her boss", "I didn't see anything wrong with the pacing, really, it might've been a", "long, if that helps in any way, and there are little spaces so", "commented that the story \"escalated too fast for me to comprehend\". Naturally, I", "is actually pretty long, and on the website that I'm publishing it on", "do understand that there is quite a bit going on during one day,", "on the way there The chapter is almost 3000 words long, if that", "of plot, I kinda need those things to happen around the first or", "fix it. The events are, in order: MC heads off to work to", "to wake up; MC and boss get into a car crash on the", "I went back and read over my chapter, but everything seemed fine. I", "to the hospital, where she then wakes up; MC is offered a ride", "any way, and there are little spaces so the reader knows where the", "one day, but for the story and sake of plot, I kinda need", "So earlier today I posted the first chapter of my story, and someone", "to fix it. The events are, in order: MC heads off to work", "was there at the hospital waiting for her to wake up; MC and", "bit confused about the story I'm writing. So earlier today I posted the", "the first chapter of my story, and someone commented that the story \"escalated", "in order: MC heads off to work to confront her boss about something;", "quite a bit going on during one day, but for the story and", "is almost 3000 words long, if that helps in any way, and there", "that helps in any way, and there are little spaces so the reader", "me to comprehend\". Naturally, I went back and read over my chapter, but", "it on longer stories aren't accepted that much, so I'm trying to shorten", "seemed fine. I didn't see anything wrong with the pacing, really, it might've", "really, it might've been a bit rushed, but I couldn't think of a", "fine. I didn't see anything wrong with the pacing, really, it might've been", "way there The chapter is almost 3000 words long, if that helps in", "with the pacing, really, it might've been a bit rushed, but I couldn't", "a bit confused about the story I'm writing. So earlier today I posted", "and someone commented that the story \"escalated too fast for me to comprehend\".", "anything wrong with the pacing, really, it might've been a bit rushed, but", "the story \"escalated too fast for me to comprehend\". Naturally, I went back", "read over my chapter, but everything seemed fine. I didn't see anything wrong", "the way there The chapter is almost 3000 words long, if that helps", "little spaces so the reader knows where the time skips are. I do", "my story, and someone commented that the story \"escalated too fast for me", "story I'm writing. So earlier today I posted the first chapter of my", "I'm writing. So earlier today I posted the first chapter of my story,", "MC collapses and is taken to the hospital, where she then wakes up;", "her boss, who was there at the hospital waiting for her to wake", "at the hospital waiting for her to wake up; MC and boss get", "of my story, and someone commented that the story \"escalated too fast for", "first or second chapter so that I can get to the climax a", "it might've been a bit rushed, but I couldn't think of a way", "get into a car crash on the way there The chapter is almost", "first chapter of my story, and someone commented that the story \"escalated too", "a way to fix it. The events are, in order: MC heads off", "story, and someone commented that the story \"escalated too fast for me to", "wakes up; MC is offered a ride to a restaurant by her boss,", "boss, who was there at the hospital waiting for her to wake up;", "is quite a bit going on during one day, but for the story", "hospital waiting for her to wake up; MC and boss get into a", "for her to wake up; MC and boss get into a car crash", "knows where the time skips are. I do understand that there is quite", "I can get to the climax a bit quicker. (the story that I've", "bit quicker. (the story that I've planned is actually pretty long, and on", "earlier today I posted the first chapter of my story, and someone commented", "for me to comprehend\". Naturally, I went back and read over my chapter,", "those things to happen around the first or second chapter so that I", "bit rushed, but I couldn't think of a way to fix it. The", "a car crash on the way there The chapter is almost 3000 words", "website that I'm publishing it on longer stories aren't accepted that much, so", "have a quick question- I'm just a bit confused about the story I'm", "heads off to work to confront her boss about something; MC collapses and", "time skips are. I do understand that there is quite a bit going", "MC is offered a ride to a restaurant by her boss, who was", "to confront her boss about something; MC collapses and is taken to the", "but for the story and sake of plot, I kinda need those things", "chapter of my story, and someone commented that the story \"escalated too fast", "are little spaces so the reader knows where the time skips are. I", "collapses and is taken to the hospital, where she then wakes up; MC", "almost 3000 words long, if that helps in any way, and there are", "a ride to a restaurant by her boss, who was there at the", "posted the first chapter of my story, and someone commented that the story", "her boss about something; MC collapses and is taken to the hospital, where", "taken to the hospital, where she then wakes up; MC is offered a", "The chapter is almost 3000 words long, if that helps in any way,", "the story I'm writing. So earlier today I posted the first chapter of", "are. I do understand that there is quite a bit going on during", "went back and read over my chapter, but everything seemed fine. I didn't", "been a bit rushed, but I couldn't think of a way to fix", "Naturally, I went back and read over my chapter, but everything seemed fine.", "if that helps in any way, and there are little spaces so the", "see anything wrong with the pacing, really, it might've been a bit rushed,", "the time skips are. I do understand that there is quite a bit", "I do understand that there is quite a bit going on during one", "chapter so that I can get to the climax a bit quicker. (the", "that I can get to the climax a bit quicker. (the story that", "today I posted the first chapter of my story, and someone commented that", "but everything seemed fine. I didn't see anything wrong with the pacing, really,", "off to work to confront her boss about something; MC collapses and is", "and on the website that I'm publishing it on longer stories aren't accepted", "I'm just a bit confused about the story I'm writing. So earlier today", "to the climax a bit quicker. (the story that I've planned is actually", "I've planned is actually pretty long, and on the website that I'm publishing", "up; MC is offered a ride to a restaurant by her boss, who", "her to wake up; MC and boss get into a car crash on", "longer stories aren't accepted that much, so I'm trying to shorten mine up)", "pacing, really, it might've been a bit rushed, but I couldn't think of", "about something; MC collapses and is taken to the hospital, where she then", "wake up; MC and boss get into a car crash on the way", "work to confront her boss about something; MC collapses and is taken to", "didn't see anything wrong with the pacing, really, it might've been a bit", "MC and boss get into a car crash on the way there The", "in any way, and there are little spaces so the reader knows where", "who was there at the hospital waiting for her to wake up; MC", "wrong with the pacing, really, it might've been a bit rushed, but I", "on during one day, but for the story and sake of plot, I", "I have a quick question- I'm just a bit confused about the story", "way to fix it. The events are, in order: MC heads off to", "on the website that I'm publishing it on longer stories aren't accepted that", "to comprehend\". Naturally, I went back and read over my chapter, but everything", "ride to a restaurant by her boss, who was there at the hospital", "there The chapter is almost 3000 words long, if that helps in any", "on longer stories aren't accepted that much, so I'm trying to shorten mine", "MC heads off to work to confront her boss about something; MC collapses", "The events are, in order: MC heads off to work to confront her", "\"escalated too fast for me to comprehend\". Naturally, I went back and read", "might've been a bit rushed, but I couldn't think of a way to", "that I'm publishing it on longer stories aren't accepted that much, so I'm", "skips are. I do understand that there is quite a bit going on", "can get to the climax a bit quicker. (the story that I've planned", "crash on the way there The chapter is almost 3000 words long, if", "and read over my chapter, but everything seemed fine. I didn't see anything", "3000 words long, if that helps in any way, and there are little", "back and read over my chapter, but everything seemed fine. I didn't see", "actually pretty long, and on the website that I'm publishing it on longer", "and there are little spaces so the reader knows where the time skips", "need those things to happen around the first or second chapter so that", "there are little spaces so the reader knows where the time skips are.", "to happen around the first or second chapter so that I can get", "kinda need those things to happen around the first or second chapter so", "over my chapter, but everything seemed fine. I didn't see anything wrong with", "something; MC collapses and is taken to the hospital, where she then wakes", "to a restaurant by her boss, who was there at the hospital waiting", "boss get into a car crash on the way there The chapter is", "there is quite a bit going on during one day, but for the", "just a bit confused about the story I'm writing. So earlier today I", "a bit rushed, but I couldn't think of a way to fix it.", "are, in order: MC heads off to work to confront her boss about", "confront her boss about something; MC collapses and is taken to the hospital,", "a restaurant by her boss, who was there at the hospital waiting for", "I couldn't think of a way to fix it. The events are, in", "couldn't think of a way to fix it. The events are, in order:", "think of a way to fix it. The events are, in order: MC", "things to happen around the first or second chapter so that I can", "bit going on during one day, but for the story and sake of", "plot, I kinda need those things to happen around the first or second", "the hospital, where she then wakes up; MC is offered a ride to", "restaurant by her boss, who was there at the hospital waiting for her", "words long, if that helps in any way, and there are little spaces", "the first or second chapter so that I can get to the climax", "it. The events are, in order: MC heads off to work to confront", "I kinda need those things to happen around the first or second chapter", "I posted the first chapter of my story, and someone commented that the", "waiting for her to wake up; MC and boss get into a car", "that I've planned is actually pretty long, and on the website that I'm", "a bit quicker. (the story that I've planned is actually pretty long, and", "and is taken to the hospital, where she then wakes up; MC is", "but I couldn't think of a way to fix it. The events are,", "understand that there is quite a bit going on during one day, but", "day, but for the story and sake of plot, I kinda need those", "boss about something; MC collapses and is taken to the hospital, where she", "sake of plot, I kinda need those things to happen around the first", "and boss get into a car crash on the way there The chapter", "or second chapter so that I can get to the climax a bit", "publishing it on longer stories aren't accepted that much, so I'm trying to", "way, and there are little spaces so the reader knows where the time", "quick question- I'm just a bit confused about the story I'm writing. So", "chapter, but everything seemed fine. I didn't see anything wrong with the pacing,", "for the story and sake of plot, I kinda need those things to", "pretty long, and on the website that I'm publishing it on longer stories", "there at the hospital waiting for her to wake up; MC and boss", "during one day, but for the story and sake of plot, I kinda" ]
[ "(both prose and screenplay)? For example, if someone has a second-level algebra course", "course or class names written in fiction (both prose and screenplay)? For example,", "a second-level algebra course on their schedule, would they refer to it in", "numerals in fiction; I just wasn't sure if they still applied when writing", "I just wasn't sure if they still applied when writing spoken classes. Thanks", "schedule, would they refer to it in dialogue as \"Algebra 2\"? \"Algebra II\"?", "on their schedule, would they refer to it in dialogue as \"Algebra 2\"?", "\"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know all the rules for numbers", "to it in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know", "someone has a second-level algebra course on their schedule, would they refer to", "Two\"? I know all the rules for numbers and numerals in fiction; I", "sorry if this has already been asked. But how are course or class", "asked. But how are course or class names written in fiction (both prose", "how are course or class names written in fiction (both prose and screenplay)?", "they refer to it in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"?", "for numbers and numerals in fiction; I just wasn't sure if they still", "if this has already been asked. But how are course or class names", "has a second-level algebra course on their schedule, would they refer to it", "would they refer to it in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra", "\"Algebra II\"? \"Algebra Two\"? I know all the rules for numbers and numerals", "rules for numbers and numerals in fiction; I just wasn't sure if they", "they still applied when writing spoken classes. Thanks in advance for any advice!", "But how are course or class names written in fiction (both prose and", "2\"? \"Algebra II\"? \"Algebra Two\"? I know all the rules for numbers and", "just wasn't sure if they still applied when writing spoken classes. Thanks in", "in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know all the", "I know all the rules for numbers and numerals in fiction; I just", "know all the rules for numbers and numerals in fiction; I just wasn't", "if they still applied when writing spoken classes. Thanks in advance for any", "this has already been asked. But how are course or class names written", "sure if they still applied when writing spoken classes. Thanks in advance for", "or class names written in fiction (both prose and screenplay)? For example, if", "are course or class names written in fiction (both prose and screenplay)? For", "fiction (both prose and screenplay)? For example, if someone has a second-level algebra", "dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know all the rules", "and numerals in fiction; I just wasn't sure if they still applied when", "For example, if someone has a second-level algebra course on their schedule, would", "example, if someone has a second-level algebra course on their schedule, would they", "algebra course on their schedule, would they refer to it in dialogue as", "all the rules for numbers and numerals in fiction; I just wasn't sure", "and screenplay)? For example, if someone has a second-level algebra course on their", "wasn't sure if they still applied when writing spoken classes. Thanks in advance", "\"Algebra Two\"? I know all the rules for numbers and numerals in fiction;", "screenplay)? For example, if someone has a second-level algebra course on their schedule,", "names written in fiction (both prose and screenplay)? For example, if someone has", "in fiction (both prose and screenplay)? For example, if someone has a second-level", "as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know all the rules for", "their schedule, would they refer to it in dialogue as \"Algebra 2\"? \"Algebra", "refer to it in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I", "the rules for numbers and numerals in fiction; I just wasn't sure if", "already been asked. But how are course or class names written in fiction", "II\"? \"Algebra Two\"? I know all the rules for numbers and numerals in", "been asked. But how are course or class names written in fiction (both", "in fiction; I just wasn't sure if they still applied when writing spoken", "second-level algebra course on their schedule, would they refer to it in dialogue", "course on their schedule, would they refer to it in dialogue as \"Algebra", "fiction; I just wasn't sure if they still applied when writing spoken classes.", "written in fiction (both prose and screenplay)? For example, if someone has a", "class names written in fiction (both prose and screenplay)? For example, if someone", "prose and screenplay)? For example, if someone has a second-level algebra course on", "has already been asked. But how are course or class names written in", "it in dialogue as \"Algebra 2\"? \"Algebra II\"? \"Algebra Two\"? I know all", "numbers and numerals in fiction; I just wasn't sure if they still applied", "if someone has a second-level algebra course on their schedule, would they refer" ]
[ "it flow straight through? Example: My protagonist gets kidnapped. There’s a scene where", "then the big rescue scene. In a movie, it would break and go", "to do. Put in a scene of the rescue planning and another of", "then return to her. That’s what I’m wanting to do. Put in a", "captive, then the big rescue scene. In a movie, it would break and", "her friend going about her day that doesn’t even realize she missing yet.", "they are doing while she’s captive, then return to her. That’s what I’m", "characters elsewhere, or make it flow straight through? Example: My protagonist gets kidnapped.", "what they are doing while she’s captive, then return to her. That’s what", "the big rescue scene. In a movie, it would break and go show", "while she’s captive, then return to her. That’s what I’m wanting to do.", "In a movie, it would break and go show other characters and what", "rescue planning and another of her friend going about her day that doesn’t", "she is captive, then the big rescue scene. In a movie, it would", "do. Put in a scene of the rescue planning and another of her", "protagonist gets kidnapped. There’s a scene where she is transported, two scenes where", "and go show other characters and what they are doing while she’s captive,", "Example: My protagonist gets kidnapped. There’s a scene where she is transported, two", "elsewhere, or make it flow straight through? Example: My protagonist gets kidnapped. There’s", "There’s a scene where she is transported, two scenes where she is captive,", "to show actions of other characters elsewhere, or make it flow straight through?", "where she is captive, then the big rescue scene. In a movie, it", "actions of other characters elsewhere, or make it flow straight through? Example: My", "in a scene of the rescue planning and another of her friend going", "action/setting to show actions of other characters elsewhere, or make it flow straight", "show other characters and what they are doing while she’s captive, then return", "or make it flow straight through? Example: My protagonist gets kidnapped. There’s a", "that doesn’t even realize she missing yet. But how does that work in", "and another of her friend going about her day that doesn’t even realize", "friend going about her day that doesn’t even realize she missing yet. But", "good idea to “split” the action/setting to show actions of other characters elsewhere,", "rescue scene. In a movie, it would break and go show other characters", "are doing while she’s captive, then return to her. That’s what I’m wanting", "movie, it would break and go show other characters and what they are", "a scene of the rescue planning and another of her friend going about", "day that doesn’t even realize she missing yet. But how does that work", "characters and what they are doing while she’s captive, then return to her.", "a good idea to “split” the action/setting to show actions of other characters", "other characters and what they are doing while she’s captive, then return to", "another of her friend going about her day that doesn’t even realize she", "break and go show other characters and what they are doing while she’s", "scene of the rescue planning and another of her friend going about her", "doesn’t even realize she missing yet. But how does that work in writing?", "of other characters elsewhere, or make it flow straight through? Example: My protagonist", "is captive, then the big rescue scene. In a movie, it would break", "scene where she is transported, two scenes where she is captive, then the", "the action/setting to show actions of other characters elsewhere, or make it flow", "she’s captive, then return to her. That’s what I’m wanting to do. Put", "a movie, it would break and go show other characters and what they", "to her. That’s what I’m wanting to do. Put in a scene of", "make it flow straight through? Example: My protagonist gets kidnapped. There’s a scene", "even realize she missing yet. But how does that work in writing? Thank", "of the rescue planning and another of her friend going about her day", "Put in a scene of the rescue planning and another of her friend", "transported, two scenes where she is captive, then the big rescue scene. In", "other characters elsewhere, or make it flow straight through? Example: My protagonist gets", "realize she missing yet. But how does that work in writing? Thank you.", "straight through? Example: My protagonist gets kidnapped. There’s a scene where she is", "big rescue scene. In a movie, it would break and go show other", "and what they are doing while she’s captive, then return to her. That’s", "show actions of other characters elsewhere, or make it flow straight through? Example:", "is transported, two scenes where she is captive, then the big rescue scene.", "scenes where she is captive, then the big rescue scene. In a movie,", "doing while she’s captive, then return to her. That’s what I’m wanting to", "captive, then return to her. That’s what I’m wanting to do. Put in", "her day that doesn’t even realize she missing yet. But how does that", "My protagonist gets kidnapped. There’s a scene where she is transported, two scenes", "where she is transported, two scenes where she is captive, then the big", "kidnapped. There’s a scene where she is transported, two scenes where she is", "go show other characters and what they are doing while she’s captive, then", "she is transported, two scenes where she is captive, then the big rescue", "scene. In a movie, it would break and go show other characters and", "two scenes where she is captive, then the big rescue scene. In a", "would break and go show other characters and what they are doing while", "gets kidnapped. There’s a scene where she is transported, two scenes where she", "a scene where she is transported, two scenes where she is captive, then", "of her friend going about her day that doesn’t even realize she missing", "going about her day that doesn’t even realize she missing yet. But how", "about her day that doesn’t even realize she missing yet. But how does", "idea to “split” the action/setting to show actions of other characters elsewhere, or", "it would break and go show other characters and what they are doing", "to “split” the action/setting to show actions of other characters elsewhere, or make", "flow straight through? Example: My protagonist gets kidnapped. There’s a scene where she", "wanting to do. Put in a scene of the rescue planning and another", "planning and another of her friend going about her day that doesn’t even", "I’m wanting to do. Put in a scene of the rescue planning and", "the rescue planning and another of her friend going about her day that", "That’s what I’m wanting to do. Put in a scene of the rescue", "it a good idea to “split” the action/setting to show actions of other", "Is it a good idea to “split” the action/setting to show actions of", "“split” the action/setting to show actions of other characters elsewhere, or make it", "her. That’s what I’m wanting to do. Put in a scene of the", "what I’m wanting to do. Put in a scene of the rescue planning", "through? Example: My protagonist gets kidnapped. There’s a scene where she is transported,", "return to her. That’s what I’m wanting to do. Put in a scene" ]