Split (1)

train · 10.4M rows

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[ "character is supposed to observe certain occurrences, the meaning of which is only", "the pay-off is (and clean up those that do not pay off), or", "not pay off), or does one write first the pay-off, and then go", "falsified, are setups that lead to, for example, one dead Desdemona. When one", "rather a discovery writer, and the story is not told from the POV", "to another, a word whispered, a letter falsified, are setups that lead to,", "a pay-off. For example, a handkerchief moved from one room to another, a", "a discovery writer, and the story is not told from the POV of", "told from the POV of the main plotter? That is, what if a", "there? It feels like chicken and egg to me, I'm not sure how", "lead to, for example, one dead Desdemona. When one is a plotter of", "start with the pay-off of, for example, my MC being manipulated into killing", "the intrigue is laid out before one starts writing. But what if one", "setups that lead to a pay-off. For example, a handkerchief moved from one", "if I start with the pay-off of, for example, my MC being manipulated", "a character does something (setup), shouldn't I, the writer, know why (pay-off)? Or", "pay-off is (and clean up those that do not pay off), or does", "is (and clean up those that do not pay off), or does one", "being manipulated there? It feels like chicken and egg to me, I'm not", "discovery writer, and the story is not told from the POV of the", "For example, a handkerchief moved from one room to another, a word whispered,", "room to another, a word whispered, a letter falsified, are setups that lead", "not told from the POV of the main plotter? That is, what if", "of the intrigue is laid out before one starts writing. But what if", "the meaning of which is only revealed later? Does one write setups, and", "already written him being manipulated there? It feels like chicken and egg to", "out later what the pay-off is (and clean up those that do not", "a word whispered, a letter falsified, are setups that lead to, for example,", "before one starts writing. But what if one is rather a discovery writer,", "first the pay-off, and then go back and set it up? Both approaches", "it up? Both approaches seem confusing: if a character does something (setup), shouldn't", "(any kind, really, but royal courts were particularly known for it) is a", "what if one is rather a discovery writer, and the story is not", "whispered, a letter falsified, are setups that lead to, for example, one dead", "laid out before one starts writing. But what if one is rather a", "the main plotter? That is, what if a character is supposed to observe", "I have already written him being manipulated there? 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That is, what if a character is", "one write setups, and find out later what the pay-off is (and clean", "if one is rather a discovery writer, and the story is not told", "story is not told from the POV of the main plotter? That is,", "up those that do not pay off), or does one write first the", "or does one write first the pay-off, and then go back and set", "writer, know why (pay-off)? Or if I start with the pay-off of, for", "known for it) is a series of setups that lead to a pay-off.", "know why (pay-off)? Or if I start with the pay-off of, for example,", "POV of the main plotter? That is, what if a character is supposed", "occurrences, the meaning of which is only revealed later? Does one write setups,", "observe certain occurrences, the meaning of which is only revealed later? Does one", "for example, one dead Desdemona. When one is a plotter of stories, every", "That is, what if a character is supposed to observe certain occurrences, the", "and set it up? Both approaches seem confusing: if a character does something", "him being manipulated there? It feels like chicken and egg to me, I'm", "pay-off, and then go back and set it up? Both approaches seem confusing:", "kind, really, but royal courts were particularly known for it) is a series", "seem confusing: if a character does something (setup), shouldn't I, the writer, know", "series of setups that lead to a pay-off. For example, a handkerchief moved", "later? Does one write setups, and find out later what the pay-off is", "another, a word whispered, a letter falsified, are setups that lead to, for", "is supposed to observe certain occurrences, the meaning of which is only revealed", "is laid out before one starts writing. But what if one is rather", "letter falsified, are setups that lead to, for example, one dead Desdemona. When", "moved from one room to another, a word whispered, a letter falsified, are", "something (setup), shouldn't I, the writer, know why (pay-off)? Or if I start", "one write first the pay-off, and then go back and set it up?", "what if a character is supposed to observe certain occurrences, the meaning of", "that lead to a pay-off. For example, a handkerchief moved from one room", "every step of the intrigue is laid out before one starts writing. But", "and then go back and set it up? Both approaches seem confusing: if", "Intrigue (any kind, really, but royal courts were particularly known for it) is", "is a plotter of stories, every step of the intrigue is laid out", "the story is not told from the POV of the main plotter? That", "confusing: if a character does something (setup), shouldn't I, the writer, know why", "with the pay-off of, for example, my MC being manipulated into killing his", "the pay-off of, for example, my MC being manipulated into killing his wife,", "and find out later what the pay-off is (and clean up those that", "Desdemona. When one is a plotter of stories, every step of the intrigue", "one room to another, a word whispered, a letter falsified, are setups that", "one starts writing. But what if one is rather a discovery writer, and", "handkerchief moved from one room to another, a word whispered, a letter falsified,", "of which is only revealed later? Does one write setups, and find out", "pay off), or does one write first the pay-off, and then go back", "wife, shouldn't I have already written him being manipulated there? It feels like", "have already written him being manipulated there? It feels like chicken and egg", "really, but royal courts were particularly known for it) is a series of", "Does one write setups, and find out later what the pay-off is (and", "find out later what the pay-off is (and clean up those that do", "manipulated there? It feels like chicken and egg to me, I'm not sure", "It feels like chicken and egg to me, I'm not sure how to", "starts writing. But what if one is rather a discovery writer, and the", "lead to a pay-off. For example, a handkerchief moved from one room to", "write first the pay-off, and then go back and set it up? Both", "of the main plotter? That is, what if a character is supposed to", "killing his wife, shouldn't I have already written him being manipulated there? It", "intrigue is laid out before one starts writing. But what if one is", "step of the intrigue is laid out before one starts writing. But what", "those that do not pay off), or does one write first the pay-off,", "set it up? Both approaches seem confusing: if a character does something (setup),", "from one room to another, a word whispered, a letter falsified, are setups", "for it) is a series of setups that lead to a pay-off. For", "When one is a plotter of stories, every step of the intrigue is", "Or if I start with the pay-off of, for example, my MC being", "pay-off. For example, a handkerchief moved from one room to another, a word", "out before one starts writing. But what if one is rather a discovery", "is only revealed later? Does one write setups, and find out later what", "back and set it up? Both approaches seem confusing: if a character does", "certain occurrences, the meaning of which is only revealed later? Does one write", "I start with the pay-off of, for example, my MC being manipulated into", "to, for example, one dead Desdemona. When one is a plotter of stories,", "a series of setups that lead to a pay-off. For example, a handkerchief", "revealed later? Does one write setups, and find out later what the pay-off", "word whispered, a letter falsified, are setups that lead to, for example, one", "But what if one is rather a discovery writer, and the story is", "does something (setup), shouldn't I, the writer, know why (pay-off)? Or if I", "dead Desdemona. When one is a plotter of stories, every step of the", "meaning of which is only revealed later? Does one write setups, and find", "a handkerchief moved from one room to another, a word whispered, a letter", "is rather a discovery writer, and the story is not told from the", "does one write first the pay-off, and then go back and set it", "a character is supposed to observe certain occurrences, the meaning of which is", "and the story is not told from the POV of the main plotter?", "setups, and find out later what the pay-off is (and clean up those", "of, for example, my MC being manipulated into killing his wife, shouldn't I", "why (pay-off)? Or if I start with the pay-off of, for example, my", "one is rather a discovery writer, and the story is not told from", "clean up those that do not pay off), or does one write first", "were particularly known for it) is a series of setups that lead to", "(pay-off)? Or if I start with the pay-off of, for example, my MC", "writer, and the story is not told from the POV of the main", "main plotter? That is, what if a character is supposed to observe certain", "it) is a series of setups that lead to a pay-off. For example,", "is, what if a character is supposed to observe certain occurrences, the meaning", "written him being manipulated there? It feels like chicken and egg to me,", "do not pay off), or does one write first the pay-off, and then", "a letter falsified, are setups that lead to, for example, one dead Desdemona.", "later what the pay-off is (and clean up those that do not pay", "manipulated into killing his wife, shouldn't I have already written him being manipulated", "which is only revealed later? Does one write setups, and find out later", "to a pay-off. For example, a handkerchief moved from one room to another,", "from the POV of the main plotter? That is, what if a character", "example, my MC being manipulated into killing his wife, shouldn't I have already", "one is a plotter of stories, every step of the intrigue is laid" ]
[ "about people called century and decade (decade is a ghost) and their kind", "Something to do with time and death, or names and time or anything", "and decade (decade is a ghost) and their kind needs a name. Something", "kind needs a name. Something to do with time and death, or names", "name. Something to do with time and death, or names and time or", "a name. Something to do with time and death, or names and time", "and their kind needs a name. Something to do with time and death,", "story about people called century and decade (decade is a ghost) and their", "people called century and decade (decade is a ghost) and their kind needs", "I’m writing a story about people called century and decade (decade is a", "with time and death, or names and time or anything along those lines.", "to do with time and death, or names and time or anything along", "decade (decade is a ghost) and their kind needs a name. Something to", "writing a story about people called century and decade (decade is a ghost)", "their kind needs a name. Something to do with time and death, or", "(decade is a ghost) and their kind needs a name. Something to do", "ghost) and their kind needs a name. Something to do with time and", "do with time and death, or names and time or anything along those", "a story about people called century and decade (decade is a ghost) and", "a ghost) and their kind needs a name. Something to do with time", "needs a name. Something to do with time and death, or names and", "called century and decade (decade is a ghost) and their kind needs a", "century and decade (decade is a ghost) and their kind needs a name.", "is a ghost) and their kind needs a name. Something to do with" ]
[ "I also need ways of making it feel less repetitive. What are some", "narrative involving very little gravity, I realise I also need ways of making", "of my personal project (a hard science fiction) I need to be able", "my personal project (a hard science fiction) I need to be able to", "I need to be able to describe movement in zero-G extensively. Because I", "hard science fiction) I need to be able to describe movement in zero-G", "little gravity, I realise I also need ways of making it feel less", "language techniques and specific vocabulary for accomplishing this? Alternatively, would you like to", "like to share any examples of good writing that I could read for", "to describe movement in zero-G extensively. Because I wish to write a whole", "Within the setting of my personal project (a hard science fiction) I need", "in zero-G extensively. Because I wish to write a whole narrative involving very", "less repetitive. What are some useful language techniques and specific vocabulary for accomplishing", "specific vocabulary for accomplishing this? Alternatively, would you like to share any examples", "are some useful language techniques and specific vocabulary for accomplishing this? Alternatively, would", "zero-G extensively. Because I wish to write a whole narrative involving very little", "personal project (a hard science fiction) I need to be able to describe", "to write a whole narrative involving very little gravity, I realise I also", "for accomplishing this? Alternatively, would you like to share any examples of good", "would you like to share any examples of good writing that I could", "it feel less repetitive. What are some useful language techniques and specific vocabulary", "I realise I also need ways of making it feel less repetitive. What", "setting of my personal project (a hard science fiction) I need to be", "also need ways of making it feel less repetitive. What are some useful", "Because I wish to write a whole narrative involving very little gravity, I", "ways of making it feel less repetitive. What are some useful language techniques", "techniques and specific vocabulary for accomplishing this? Alternatively, would you like to share", "and specific vocabulary for accomplishing this? Alternatively, would you like to share any", "you like to share any examples of good writing that I could read", "fiction) I need to be able to describe movement in zero-G extensively. Because", "realise I also need ways of making it feel less repetitive. What are", "feel less repetitive. What are some useful language techniques and specific vocabulary for", "the setting of my personal project (a hard science fiction) I need to", "project (a hard science fiction) I need to be able to describe movement", "involving very little gravity, I realise I also need ways of making it", "vocabulary for accomplishing this? Alternatively, would you like to share any examples of", "of making it feel less repetitive. What are some useful language techniques and", "(a hard science fiction) I need to be able to describe movement in", "extensively. Because I wish to write a whole narrative involving very little gravity,", "What are some useful language techniques and specific vocabulary for accomplishing this? Alternatively,", "need to be able to describe movement in zero-G extensively. Because I wish", "this? Alternatively, would you like to share any examples of good writing that", "describe movement in zero-G extensively. Because I wish to write a whole narrative", "need ways of making it feel less repetitive. What are some useful language", "repetitive. What are some useful language techniques and specific vocabulary for accomplishing this?", "Alternatively, would you like to share any examples of good writing that I", "be able to describe movement in zero-G extensively. Because I wish to write", "I wish to write a whole narrative involving very little gravity, I realise", "science fiction) I need to be able to describe movement in zero-G extensively.", "very little gravity, I realise I also need ways of making it feel", "whole narrative involving very little gravity, I realise I also need ways of", "accomplishing this? Alternatively, would you like to share any examples of good writing", "useful language techniques and specific vocabulary for accomplishing this? Alternatively, would you like", "to share any examples of good writing that I could read for inspiration?", "wish to write a whole narrative involving very little gravity, I realise I", "write a whole narrative involving very little gravity, I realise I also need", "making it feel less repetitive. What are some useful language techniques and specific", "some useful language techniques and specific vocabulary for accomplishing this? Alternatively, would you", "a whole narrative involving very little gravity, I realise I also need ways", "movement in zero-G extensively. Because I wish to write a whole narrative involving", "to be able to describe movement in zero-G extensively. Because I wish to", "able to describe movement in zero-G extensively. Because I wish to write a", "gravity, I realise I also need ways of making it feel less repetitive." ]
[ "game, I'd like to create a frame story. Much like in X-Files, it", "player to feel some kind of progress in the story. Any advice on", "in the story. Any advice on how to create/design such a frame story?", "should provide a setting for the individual levels/quests/substories while leaving lots of room", "a frame story. Much like in X-Files, it should provide a setting for", "the individual levels/quests/substories while leaving lots of room for the individual parts. An", "mandatory, but I need the player to feel some kind of progress in", "the individual parts. An ending is not mandatory, but I need the player", "levels/quests/substories while leaving lots of room for the individual parts. An ending is", "like in X-Files, it should provide a setting for the individual levels/quests/substories while", "need the player to feel some kind of progress in the story. Any", "while leaving lots of room for the individual parts. An ending is not", "computer game, I'd like to create a frame story. Much like in X-Files,", "I'd like to create a frame story. Much like in X-Files, it should", "like to create a frame story. Much like in X-Files, it should provide", "story. Much like in X-Files, it should provide a setting for the individual", "setting for the individual levels/quests/substories while leaving lots of room for the individual", "a computer game, I'd like to create a frame story. Much like in", "leaving lots of room for the individual parts. An ending is not mandatory,", "I need the player to feel some kind of progress in the story.", "to feel some kind of progress in the story. Any advice on how", "provide a setting for the individual levels/quests/substories while leaving lots of room for", "in X-Files, it should provide a setting for the individual levels/quests/substories while leaving", "For a computer game, I'd like to create a frame story. Much like", "it should provide a setting for the individual levels/quests/substories while leaving lots of", "individual levels/quests/substories while leaving lots of room for the individual parts. An ending", "An ending is not mandatory, but I need the player to feel some", "but I need the player to feel some kind of progress in the", "room for the individual parts. An ending is not mandatory, but I need", "frame story. Much like in X-Files, it should provide a setting for the", "kind of progress in the story. Any advice on how to create/design such", "ending is not mandatory, but I need the player to feel some kind", "of room for the individual parts. An ending is not mandatory, but I", "of progress in the story. Any advice on how to create/design such a", "not mandatory, but I need the player to feel some kind of progress", "a setting for the individual levels/quests/substories while leaving lots of room for the", "to create a frame story. Much like in X-Files, it should provide a", "parts. An ending is not mandatory, but I need the player to feel", "is not mandatory, but I need the player to feel some kind of", "some kind of progress in the story. Any advice on how to create/design", "create a frame story. Much like in X-Files, it should provide a setting", "feel some kind of progress in the story. Any advice on how to", "for the individual parts. An ending is not mandatory, but I need the", "progress in the story. Any advice on how to create/design such a frame", "for the individual levels/quests/substories while leaving lots of room for the individual parts.", "Much like in X-Files, it should provide a setting for the individual levels/quests/substories", "individual parts. An ending is not mandatory, but I need the player to", "the player to feel some kind of progress in the story. Any advice", "X-Files, it should provide a setting for the individual levels/quests/substories while leaving lots", "lots of room for the individual parts. An ending is not mandatory, but" ]
[ "in the book. In particular, I'm writing a first-person middle-grade novel in which,", "(and without malicious intent) racist, sexist or otherwise offensive. (He does get pushback", "middle-grade novel in which, among other flaws, the protagonist/narrator is often unconsciously (and", "sexist or otherwise offensive. (He does get pushback from other characters, but basically", "parts of the book.) I don't want to sanitize him too much because", "an important part of the book, b) these issues (racism/sexism) are ones I", "off early enough that they never get to the later parts of the", "book, but I still get the feeling he's turning people off early enough", "ones I would like to address, and c) I think the portrait is", "basically ignores it.) He eventually becomes a better, more self-aware person, but not", "c) I think the portrait is a realistic one. My sense is that", "reader investment in an unlikable character who \"learns better,\" but not until fairly", "and c) I think the portrait is a realistic one. My sense is", "but basically ignores it.) He eventually becomes a better, more self-aware person, but", "is that perhaps people are willing to accept some flaws in their hero,", "turning people off early enough that they never get to the later parts", "I don't want to sanitize him too much because a) his learning and", "without malicious intent) racist, sexist or otherwise offensive. (He does get pushback from", "late in the book. I've toned him down quite a bit from earlier", "protagonist/narrator is often unconsciously (and without malicious intent) racist, sexist or otherwise offensive.", "it's like going along silently with a racist buddy. What should I do?*", "willing to accept some* flaws in their hero, but these are too \"hot", "early reader investment in an unlikable character who \"learns better,\" but not until", "the feeling he's turning people off early enough that they never get to", "it especially makes people uncomfortable in a first-person narrator, since it's like going", "are willing to accept some flaws in their hero, but these are too", "in the later parts of the book.) I don't want to sanitize him", "to address, and c) I think the portrait is a realistic one. My", "for ways to build early reader investment in an unlikable character who \"learns", "the later parts of the book.) I don't want to sanitize him too", "enough that they never get to the later parts of the book. (People", "but not until fairly late in the book. In particular, I'm writing a", "self-aware person, but not until fairly late in the book. I've toned him", "from other characters, but basically ignores it.) He eventually becomes a better, more", "now for them to be read past. Conversely, it especially makes people uncomfortable", "get to the later parts of the book. (People who have persisted past", "feeling he's turning people off early enough that they never get to the", "more invested in the later parts of the book.) I don't want to", "changing is an important part of the book, b) these issues (racism/sexism) are", "that they never get to the later parts of the book. (People who", "people off early enough that they never get to the later parts of", "to be read past. Conversely, it especially makes people uncomfortable in a first-person", "him too much because a) his learning and changing is an important part", "in a first-person narrator, since it's like going along silently with a racist", "sanitize him too much because a) his learning and changing is an important", "accept some flaws in their hero, but these are too \"hot button\" right", "the book, b) these issues (racism/sexism) are ones I would like to address,", "parts of the book. (People who have persisted past the start have reported", "like to address, and c) I think the portrait is a realistic one.", "part of the book, b) these issues (racism/sexism) are ones I would like", "right now for them to be read past. Conversely, it especially makes people", "down quite a bit from earlier drafts of the book, but I still", "past the start have reported feeling more invested in the later parts of", "he's turning people off early enough that they never get to the later", "late in the book. In particular, I'm writing a first-person middle-grade novel in", "a realistic one. My sense is that perhaps people are willing to accept", "who \"learns better,\" but not until fairly late in the book. In particular,", "would like to address, and c) I think the portrait is a realistic", "narrator, since it's like going along silently with a racist buddy. What should", "it.) He eventually becomes a better, more self-aware person, but not until fairly", "book.) I don't want to sanitize him too much because a) his learning", "person, but not until fairly late in the book. I've toned him down", "still get the feeling he's turning people off early enough that they never", "is a realistic one. My sense is that perhaps people are willing to", "He eventually becomes a better, more self-aware person, but not until fairly late", "to accept some flaws in their hero, but these are too \"hot button\"", "these are too \"hot button\" right now for them to be read past.", "of the book, but I still get the feeling he's turning people off", "fairly late in the book. In particular, I'm writing a first-person middle-grade novel", "persisted past the start have reported feeling more invested in the later parts", "have persisted past the start have reported feeling more invested in the later", "book, b) these issues (racism/sexism) are ones I would like to address, and", "I've toned him down quite a bit from earlier drafts of the book,", "(racism/sexism) are ones I would like to address, and c) I think the", "the protagonist/narrator is often unconsciously (and without malicious intent) racist, sexist or otherwise", "I'm writing a first-person middle-grade novel in which, among other flaws, the protagonist/narrator", "becomes a better, more self-aware person, but not until fairly late in the", "bit from earlier drafts of the book, but I still get the feeling", "the later parts of the book. (People who have persisted past the start", "of the book, b) these issues (racism/sexism) are ones I would like to", "(He does get pushback from other characters, but basically ignores it.) He eventually", "of the book. (People who have persisted past the start have reported feeling", "them to be read past. Conversely, it especially makes people uncomfortable in a", "a bit from earlier drafts of the book, but I still get the", "his learning and changing is an important part of the book, b) these", "book. In particular, I'm writing a first-person middle-grade novel in which, among other", "investment in an unlikable character who \"learns better,\" but not until fairly late", "ways to build early reader investment in an unlikable character who \"learns better,\"", "get pushback from other characters, but basically ignores it.) He eventually becomes a", "toned him down quite a bit from earlier drafts of the book, but", "their hero, but these are too \"hot button\" right now for them to", "the book.) I don't want to sanitize him too much because a) his", "the book, but I still get the feeling he's turning people off early", "makes people uncomfortable in a first-person narrator, since it's like going along silently", "since it's like going along silently with a racist buddy. What should I", "sense is that perhaps people are willing to accept some flaws in their", "get the feeling he's turning people off early enough that they never get", "who have persisted past the start have reported feeling more invested in the", "start have reported feeling more invested in the later parts of the book.)", "invested in the later parts of the book.) I don't want to sanitize", "until fairly late in the book. I've toned him down quite a bit", "later parts of the book. (People who have persisted past the start have", "and changing is an important part of the book*, b) these issues (racism/sexism)", "more self-aware person, but not until fairly late in the book. I've toned", "read past. Conversely, it especially makes people uncomfortable in a first-person narrator, since", "people are willing to accept some* flaws in their hero, but these are", "flaws in their hero, but these are too \"hot button\" right now for", "quite a bit from earlier drafts of the book, but I still get", "reported feeling more invested in the later parts of the book.) I don't", "other characters, but basically ignores it.) He eventually becomes a better, more self-aware", "want to sanitize him too much because a) his learning and changing is", "not until fairly late in the book. In particular, I'm writing a first-person", "which, among other flaws, the protagonist/narrator is often unconsciously (and without malicious intent)", "offensive. (He does get pushback from other characters, but basically ignores it.) He", "these issues (racism/sexism) are ones I would like to address, and c) I", "\"hot button\" right now for them to be read past. Conversely, it especially", "people uncomfortable in a first-person narrator, since it's like going along silently with", "until fairly late in the book. In particular, I'm writing a first-person middle-grade", "other flaws, the protagonist/narrator is often unconsciously (and without malicious intent) racist, sexist", "I still get the feeling he's turning people off early enough that they", "or otherwise offensive. (He does get pushback from other characters, but basically ignores", "too much because a) his learning and changing is an important part of", "unlikable character who \"learns better,\" but not until fairly late in the book.", "book. I've toned him down quite a bit from earlier drafts of the", "(People who have persisted past the start have reported feeling more invested in", "for them to be read past. Conversely, it especially makes people uncomfortable in", "better,\" but not until fairly late in the book. In particular, I'm writing", "uncomfortable in a first-person narrator, since it's like going along silently with a", "eventually becomes a better, more self-aware person, but not until fairly late in", "I'm looking for ways to build early reader investment in an unlikable character", "book. (People who have persisted past the start have reported feeling more invested", "a first-person narrator, since it's like going along silently with a racist buddy.", "a better, more self-aware person, but not until fairly late in the book.", "hero, but these are too \"hot button\" right now for them to be", "fairly late in the book. I've toned him down quite a bit from", "but not until fairly late in the book. I've toned him down quite", "first-person middle-grade novel in which, among other flaws, the protagonist/narrator is often unconsciously", "think the portrait is a realistic one. My sense is that perhaps people", "be read past. Conversely, it especially makes people uncomfortable in a first-person narrator,", "character who \"learns better,\" but not until fairly late in the book. In", "in their hero, but these are too \"hot button\" right now for them", "to the later parts of the book. (People who have persisted past the", "often unconsciously (and without malicious intent) racist, sexist or otherwise offensive. (He does", "the book. I've toned him down quite a bit from earlier drafts of", "early enough that they never get to the later parts of the book.", "have reported feeling more invested in the later parts of the book.) I", "past. Conversely, it especially makes people uncomfortable in a first-person narrator, since it's", "but I still get the feeling he's turning people off early enough that", "does get pushback from other characters, but basically ignores it.) He eventually becomes", "some flaws in their hero, but these are too \"hot button\" right now", "is often unconsciously (and without malicious intent) racist, sexist or otherwise offensive. (He", "too \"hot button\" right now for them to be read past. Conversely, it", "In particular, I'm writing a first-person middle-grade novel in which, among other flaws,", "looking for ways to build early reader investment in an unlikable character who", "feeling more invested in the later parts of the book.) I don't want", "portrait is a realistic one. My sense is that perhaps people are willing", "malicious intent) racist, sexist or otherwise offensive. (He does get pushback from other", "don't want to sanitize him too much because a) his learning and changing", "racist, sexist or otherwise offensive. (He does get pushback from other characters, but", "drafts of the book, but I still get the feeling he's turning people", "to sanitize him too much because a) his learning and changing is an", "perhaps people are willing to accept some flaws in their hero, but these", "build early reader investment in an unlikable character who \"learns better,\" but not", "otherwise offensive. (He does get pushback from other characters, but basically ignores it.)", "in the book. I've toned him down quite a bit from earlier drafts", "pushback from other characters, but basically ignores it.) He eventually becomes a better,", "are ones I would like to address, and c) I think the portrait", "much because a) his learning and changing is an important part of the", "among other flaws, the protagonist/narrator is often unconsciously (and without malicious intent) racist,", "better, more self-aware person, but not until fairly late in the book. I've", "novel in which, among other flaws, the protagonist/narrator is often unconsciously (and without", "the book. In particular, I'm writing a first-person middle-grade novel in which, among", "writing a first-person middle-grade novel in which, among other flaws, the protagonist/narrator is", "but these are too \"hot button\" right now for them to be read", "issues (racism/sexism) are ones I would like to address, and c) I think", "particular, I'm writing a first-person middle-grade novel in which, among other flaws, the", "him down quite a bit from earlier drafts of the book, but I", "especially makes people uncomfortable in a first-person narrator, since it's like going along", "a first-person middle-grade novel in which, among other flaws, the protagonist/narrator is often", "I would like to address, and c) I think the portrait is a", "\"learns better,\" but not until fairly late in the book. In particular, I'm", "an unlikable character who \"learns better,\" but not until fairly late in the", "a) his learning and changing is an important part of the book, b)", "because a) his learning and changing is an important part of the book,", "in an unlikable character who \"learns better,\" but not until fairly late in", "characters, but basically ignores it.) He eventually becomes a better, more self-aware person,", "are too \"hot button\" right now for them to be read past. Conversely,", "button\" right now for them to be read past. Conversely, it especially makes", "not until fairly late in the book. I've toned him down quite a", "learning and changing is an important part of the book, b) these issues", "from earlier drafts of the book, but I still get the feeling he's", "the start have reported feeling more invested in the later parts of the", "is an important part of the book*, b) these issues (racism/sexism) are ones", "unconsciously (and without malicious intent) racist, sexist or otherwise offensive. (He does get", "in which, among other flaws, the protagonist/narrator is often unconsciously (and without malicious", "Conversely, it especially makes people uncomfortable in a first-person narrator, since it's like", "later parts of the book.) I don't want to sanitize him too much", "earlier drafts of the book, but I still get the feeling he's turning", "realistic one. My sense is that perhaps people are willing to accept some", "flaws, the protagonist/narrator is often unconsciously (and without malicious intent) racist, sexist or", "the portrait is a realistic one. My sense is that perhaps people are", "address, and c) I think the portrait is a realistic one. My sense", "first-person narrator, since it's like going along silently with a racist buddy. What", "ignores it.) He eventually becomes a better, more self-aware person, but not until", "the book. (People who have persisted past the start have reported feeling more", "of the book.) I don't want to sanitize him too much because a)", "important part of the book, b) these issues (racism/sexism) are ones I would", "b) these issues (racism/sexism) are ones I would like to address, and c)", "intent) racist, sexist or otherwise offensive. (He does get pushback from other characters,", "they never get to the later parts of the book. (People who have", "My sense is that perhaps people are willing to accept some* flaws in", "never get to the later parts of the book. (People who have persisted", "I think the portrait is a realistic one. My sense is that perhaps", "one. My sense is that perhaps people are willing to accept some flaws", "that perhaps people are willing to accept some flaws in their hero, but", "to build early reader investment in an unlikable character who \"learns better,\" but" ]
[ "my book, I would be OK with a slow build leading to a", "opening of my book, but it takes time for the deeper, more emotionally", "from \"meh\" on my book to really feeling invested. But that chapter is", "--a deepening friendship between the main characters --has been built up through the", "I could guarantee people would read my book, I would be OK with", "that you send the first few pages in your query, and that the", "to develop. (Furthermore, as I highlighted in my other question, my character isn't", "I've been told by more than one beta reader that there's a specific", "just past the halfway point. What I think people are responding to in", "emotionally resonant themes to develop. (Furthermore, as I highlighted in my other question,", "my book needs to engage people right from the very start. To be", "it isn't necessarily something I can solve by moving events around. What might", "resonant themes to develop. (Furthermore, as I highlighted in my other question, my", "specific chapter where they went from \"meh\" on my book to really feeling", "audience demands instant gratification, it's clear that my book needs to engage people", "of an alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the", "clear that my book needs to engage people right from the very start.", "there's plenty of action in the opening of my book, but it takes", "I would be OK with a slow build leading to a satisfying reader", "as well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by", "responding to in that chapter --a deepening friendship between the main characters --has", "I think people are responding to in that chapter --a deepening friendship between", "action in the opening of my book, but it takes time for the", "to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one beta reader that", "be OK with a slow build leading to a satisfying reader experience in", "themes to develop. (Furthermore, as I highlighted in my other question, my character", "--has been built up through the first half of the book, so it", "beta reader that there's a specific chapter where they went from \"meh\" on", "that there's a specific chapter where they went from \"meh\" on my book", "a specific chapter where they went from \"meh\" on my book to really", "went from \"meh\" on my book to really feeling invested. But that chapter", "that chapter --a deepening friendship between the main characters --has been built up", "than one beta reader that there's a specific chapter where they went from", "might cause this specific pattern of reader response, and what are ways to", "the first few pages in your query, and that the modern audience demands", "think people are responding to in that chapter --a deepening friendship between the", "by more than one beta reader that there's a specific chapter where they", "response, and what are ways to address it? In a world where I", "book, but it takes time for the deeper, more emotionally resonant themes to", "chapter is just past the halfway point. What I think people are responding", "point. What I think people are responding to in that chapter --a deepening", "modern audience demands instant gratification, it's clear that my book needs to engage", "book, I would be OK with a slow build leading to a satisfying", "build leading to a satisfying reader experience in the second half. Given, however,", "where they went from \"meh\" on my book to really feeling invested. But", "[other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've", "problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one beta reader", "reader response, and what are ways to address it? In a world where", "my book to really feeling invested. But that chapter is just past the", "one beta reader that there's a specific chapter where they went from \"meh\"", "OK with a slow build leading to a satisfying reader experience in the", "take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to", "as I highlighted in my other question, my character isn't initially very likeable.)", "leading to a satisfying reader experience in the second half. Given, however, that", "question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told", "it's clear that my book needs to engage people right from the very", "would be OK with a slow build leading to a satisfying reader experience", "feeling invested. But that chapter is just past the halfway point. What I", "what are ways to address it? In a world where I could guarantee", "develop. (Furthermore, as I highlighted in my other question, my character isn't initially", "can solve by moving events around. What might cause this specific pattern of", "and what are ways to address it? In a world where I could", "half of the book, so it isn't necessarily something I can solve by", "book to really feeling invested. But that chapter is just past the halfway", "inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one beta", "few pages in your query, and that the modern audience demands instant gratification,", "To be clear, there's plenty of action in the opening of my book,", "the halfway point. What I think people are responding to in that chapter", "well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more", "gratification, it's clear that my book needs to engage people right from the", "the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one", "around. What might cause this specific pattern of reader response, and what are", "told by more than one beta reader that there's a specific chapter where", "pages in your query, and that the modern audience demands instant gratification, it's", "are responding to in that chapter --a deepening friendship between the main characters", "in your query, and that the modern audience demands instant gratification, it's clear", "that my book needs to engage people right from the very start. To", "this specific pattern of reader response, and what are ways to address it?", "a slow build leading to a satisfying reader experience in the second half.", "you send the first few pages in your query, and that the modern", "in the second half. Given, however, that you send the first few pages", "that the modern audience demands instant gratification, it's clear that my book needs", "needs to engage people right from the very start. To be clear, there's", "first few pages in your query, and that the modern audience demands instant", "engage people right from the very start. To be clear, there's plenty of", "events around. What might cause this specific pattern of reader response, and what", "between the main characters --has been built up through the first half of", "people would read my book, I would be OK with a slow build", "is just past the halfway point. What I think people are responding to", "isn't necessarily something I can solve by moving events around. What might cause", "second half. Given, however, that you send the first few pages in your", "be clear, there's plenty of action in the opening of my book, but", "for the deeper, more emotionally resonant themes to develop. (Furthermore, as I highlighted", "I can solve by moving events around. What might cause this specific pattern", "an alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse", "however, that you send the first few pages in your query, and that", "guarantee people would read my book, I would be OK with a slow", "up through the first half of the book, so it isn't necessarily something", "address it? In a world where I could guarantee people would read my", "a satisfying reader experience in the second half. Given, however, that you send", "cause this specific pattern of reader response, and what are ways to address", "deeper, more emotionally resonant themes to develop. (Furthermore, as I highlighted in my", "that chapter is just past the halfway point. What I think people are", "plenty of action in the opening of my book, but it takes time", "What I think people are responding to in that chapter --a deepening friendship", "In a world where I could guarantee people would read my book, I", "from the very start. To be clear, there's plenty of action in the", "time for the deeper, more emotionally resonant themes to develop. (Furthermore, as I", "it? In a world where I could guarantee people would read my book,", "built up through the first half of the book, so it isn't necessarily", "they went from \"meh\" on my book to really feeling invested. But that", "book needs to engage people right from the very start. To be clear,", "chapter where they went from \"meh\" on my book to really feeling invested.", "reader experience in the second half. Given, however, that you send the first", "my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).", "experience in the second half. Given, however, that you send the first few", "in that chapter --a deepening friendship between the main characters --has been built", "alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem", "ways to address it? In a world where I could guarantee people would", "on my book to really feeling invested. But that chapter is just past", "the main characters --has been built up through the first half of the", "But that chapter is just past the halfway point. What I think* people", "is kind of an alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well", "slow build leading to a satisfying reader experience in the second half. Given,", "of my book, but it takes time for the deeper, more emotionally resonant", "of action in the opening of my book, but it takes time for", "people are responding to in that chapter --a deepening friendship between the main", "solve by moving events around. What might cause this specific pattern of reader", "of reader response, and what are ways to address it? In a world", "but it takes time for the deeper, more emotionally resonant themes to develop.", "kind of an alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as", "more than one beta reader that there's a specific chapter where they went", "the modern audience demands instant gratification, it's clear that my book needs to", "instant gratification, it's clear that my book needs to engage people right from", "been told by more than one beta reader that there's a specific chapter", "the second half. Given, however, that you send the first few pages in", "halfway point. What I think people are responding to in that chapter --a", "demands instant gratification, it's clear that my book needs to engage people right", "the very start. To be clear, there's plenty of action in the opening", "are ways to address it? In a world where I could guarantee people", "recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been", "as the inverse problem to [this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than", "characters --has been built up through the first half of the book, so", "chapter --a deepening friendship between the main characters --has been built up through", "on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as well as the inverse problem to [this", "could guarantee people would read my book, I would be OK with a", "been built up through the first half of the book, so it isn't", "the opening of my book, but it takes time for the deeper, more", "send the first few pages in your query, and that the modern audience", "to engage people right from the very start. To be clear, there's plenty", "main characters --has been built up through the first half of the book,", "the first half of the book, so it isn't necessarily something I can", "deepening friendship between the main characters --has been built up through the first", "to really feeling invested. But that chapter is just past the halfway point.", "clear, there's plenty of action in the opening of my book, but it", "more emotionally resonant themes to develop. (Furthermore, as I highlighted in my other", "of the book, so it isn't necessarily something I can solve by moving", "specific pattern of reader response, and what are ways to address it? In", "a world where I could guarantee people would read my book, I would", "start. To be clear, there's plenty of action in the opening of my", "half. Given, however, that you send the first few pages in your query,", "book, so it isn't necessarily something I can solve by moving events around.", "past the halfway point. What I think people are responding to in that", "invested. But that chapter is just past the halfway point. What I think", "world where I could guarantee people would read my book, I would be", "reader that there's a specific chapter where they went from \"meh\" on my", "really feeling invested. But that chapter is just past the halfway point. What", "What might cause this specific pattern of reader response, and what are ways", "pattern of reader response, and what are ways to address it? In a", "would read my book, I would be OK with a slow build leading", "something I can solve by moving events around. What might cause this specific", "in the opening of my book, but it takes time for the deeper,", "read my book, I would be OK with a slow build leading to", "through the first half of the book, so it isn't necessarily something I", "\"meh\" on my book to really feeling invested. But that chapter is just", "question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one beta reader that there's a", "my book, but it takes time for the deeper, more emotionally resonant themes", "to a satisfying reader experience in the second half. Given, however, that you", "very start. To be clear, there's plenty of action in the opening of", "first half of the book, so it isn't necessarily something I can solve", "where I could guarantee people would read my book, I would be OK", "moving events around. What might cause this specific pattern of reader response, and", "there's a specific chapter where they went from \"meh\" on my book to", "your query, and that the modern audience demands instant gratification, it's clear that", "query, and that the modern audience demands instant gratification, it's clear that my", "[this question](https://writing.stackexchange.com/questions/32588/my-readers-are-losing-interest-halfway-through-what-is-a-list-of-possible-remed).* I've been told by more than one beta reader that there's", "and that the modern audience demands instant gratification, it's clear that my book", "the book, so it isn't necessarily something I can solve by moving events", "people right from the very start. To be clear, there's plenty of action", "the deeper, more emotionally resonant themes to develop. (Furthermore, as I highlighted in", "so it isn't necessarily something I can solve by moving events around. What", "(Furthermore, as I highlighted in my other question, my character isn't initially very", "to address it? In a world where I could guarantee people would read", "right from the very start. To be clear, there's plenty of action in", "satisfying reader experience in the second half. Given, however, that you send the", "friendship between the main characters --has been built up through the first half", "necessarily something I can solve by moving events around. What might cause this", "with a slow build leading to a satisfying reader experience in the second", "Given, however, that you send the first few pages in your query, and", "*This is kind of an alternate take on my [other recent question](https://writing.stackexchange.com/questions/39574/early-investment-in-a-character-who-learns-better), as", "takes time for the deeper, more emotionally resonant themes to develop. (Furthermore, as", "by moving events around. What might cause this specific pattern of reader response,", "to in that chapter --a deepening friendship between the main characters --has been", "it takes time for the deeper, more emotionally resonant themes to develop. (Furthermore," ]
[ "with \"JuviRu\" being her real name and \"Wobpe\" being her codename. Would that", "that only uses codenames when with each other. I was wondering how I", "thought of doing a slash when she's with the group like JONI/WOLFE with", "slash when she's with the group like JONI/WOLFE with \"JuviRu\" being her real", "codenames when with each other. I was wondering how I should address this", "I was wondering how I should address this in format. Her real name", "and actions? I also thought of doing a slash when she's with the", "also thought of doing a slash when she's with the group like JONI/WOLFE", "group that only uses codenames when with each other. I was wondering how", "in format. Her real name is known to the audience already so should", "real name is known to the audience already so should I keep it", "name is known to the audience already so should I keep it her", "in a group that only uses codenames when with each other. I was", "\"JuviRu\" being her real name and \"Wobpe\" being her codename. Would that work?", "to the audience already so should I keep it her real name when", "writing the character and actions? I also thought of doing a slash when", "the group like JONI/WOLFE with \"JuviRu\" being her real name and \"Wobpe\" being", "it her real name when writing the character and actions? I also thought", "address this in format. Her real name is known to the audience already", "with the group like JONI/WOLFE with \"JuviRu\" being her real name and \"Wobpe\"", "writing a script where a woman is in a group that only uses", "the character and actions? I also thought of doing a slash when she's", "is in a group that only uses codenames when with each other. I", "when with each other. I was wondering how I should address this in", "a group that only uses codenames when with each other. I was wondering", "currently writing a script where a woman is in a group that only", "this in format. Her real name is known to the audience already so", "doing a slash when she's with the group like JONI/WOLFE with \"JuviRu\" being", "she's with the group like JONI/WOLFE with \"JuviRu\" being her real name and", "was wondering how I should address this in format. Her real name is", "where a woman is in a group that only uses codenames when with", "known to the audience already so should I keep it her real name", "name when writing the character and actions? I also thought of doing a", "I'm currently writing a script where a woman is in a group that", "uses codenames when with each other. I was wondering how I should address", "a script where a woman is in a group that only uses codenames", "script where a woman is in a group that only uses codenames when", "her real name when writing the character and actions? I also thought of", "should address this in format. Her real name is known to the audience", "other. I was wondering how I should address this in format. Her real", "format. Her real name is known to the audience already so should I", "keep it her real name when writing the character and actions? I also", "JONI/WOLFE with \"JuviRu\" being her real name and \"Wobpe\" being her codename. Would", "the audience already so should I keep it her real name when writing", "a woman is in a group that only uses codenames when with each", "how I should address this in format. Her real name is known to", "audience already so should I keep it her real name when writing the", "I keep it her real name when writing the character and actions? I", "wondering how I should address this in format. Her real name is known", "is known to the audience already so should I keep it her real", "actions? I also thought of doing a slash when she's with the group", "with each other. I was wondering how I should address this in format.", "so should I keep it her real name when writing the character and", "Her real name is known to the audience already so should I keep", "of doing a slash when she's with the group like JONI/WOLFE with \"JuviRu\"", "already so should I keep it her real name when writing the character", "like JONI/WOLFE with \"JuviRu\" being her real name and \"Wobpe\" being her codename.", "I should address this in format. Her real name is known to the", "character and actions? I also thought of doing a slash when she's with", "woman is in a group that only uses codenames when with each other.", "only uses codenames when with each other. I was wondering how I should", "I also thought of doing a slash when she's with the group like", "should I keep it her real name when writing the character and actions?", "when writing the character and actions? I also thought of doing a slash", "when she's with the group like JONI/WOLFE with \"JuviRu\" being her real name", "real name when writing the character and actions? I also thought of doing", "group like JONI/WOLFE with \"JuviRu\" being her real name and \"Wobpe\" being her", "a slash when she's with the group like JONI/WOLFE with \"JuviRu\" being her", "each other. I was wondering how I should address this in format. Her" ]
[ "how to handle changes of scene from one character to another, each in", "neighbours and herself save their houses and escape after the fires have taken", "town/surrounding area as they all experience the same fire. These characters are: ", "his wife and children, never knowing until the end whether they are alive", "These characters are: A young housewife who lives in the foothills of", "the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to write it", "get home to his wife and children, never knowing until the end whether", "based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to", "her struggle to help neighbours and herself save their houses and escape after", "A man who leaves work and has to battle through the blaze to", "to write it around four or so different people in different parts of", "different people in different parts of the town/surrounding area as they all experience", "problem with this is how do I switch between these characters without it", "their houses and escape after the fires have taken hold of the area.", "wife). A teenager girl who, after being sent home with her younger", "the area. * A young man and his co-workers who work in the", "to another for a few chapters, and then another again? What about the", "and I want to write it around four or so different people in", "looking for advice on how to handle changes of scene from one character", "mountain behind the town and her struggle to help neighbours and herself save", "is how do I switch between these characters without it being jarring for", "I'm looking for advice on how to handle changes of scene from one", "to handle changes of scene from one character to another, each in different", "and children, never knowing until the end whether they are alive or dead", "own after not being able to make it home through the fires. Now,", "end whether they are alive or dead (perhaps tying this into the first", "in the foothills of the mountain behind the town and her struggle to", "battle through the blaze to get home to his wife and children, never", "home through the fires. Now, my problem with this is how do I", "just write a few chapters on one character then switch to another for", "save their houses and escape after the fires have taken hold of the", "is left to escape with them on their own after not being able", "another, each in different places, but experiencing the same event. This story is", "with her younger siblings, is left to escape with them on their own", "after not being able to make it home through the fires. Now, my", "with them on their own after not being able to make it home", "a bushfire (in particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania,", "spread possibly life saving information. * A man who leaves work and has", "Do I just write a few chapters on one character then switch to", "possibly life saving information. * A man who leaves work and has to", "being jarring for the reader?* Do I just write a few chapters on", "scene from one character to another, each in different places, but experiencing the", "four or so different people in different parts of the town/surrounding area as", "same fire. These characters are: * A young housewife who lives in the", "the same event. This story is about a bushfire (in particular it's based", "for the reader?* Do I just write a few chapters on one character", "to help neighbours and herself save their houses and escape after the fires", "the fires. Now, my problem with this is how do I switch between", "without it being jarring for the reader? Do I just write a few", "but experiencing the same event. This story is about a bushfire (in particular", "them on their own after not being able to make it home through", "event. This story is about a bushfire (in particular it's based on the", "work in the telegraph office and struggle throughout the fires to spread possibly", "being sent home with her younger siblings, is left to escape with them", "* A young housewife who lives in the foothills of the mountain behind", "write it around four or so different people in different parts of the", "has to battle through the blaze to get home to his wife and", "* A teenager girl who, after being sent home with her younger siblings,", "passing of time as what each of these characters are going through is", "the fires to spread possibly life saving information. * A man who leaves", "story is about a bushfire (in particular it's based on the [1967 Hobart", "Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to write it around four", "What about the passing of time as what each of these characters are", "of these characters are going through is all happening at the same time?", "the reader?* Do I just write a few chapters on one character then", "Tasmania, Australia), and I want to write it around four or so different", "left to escape with them on their own after not being able to", "another again? What about the passing of time as what each of these", "the title says, I'm looking for advice on how to handle changes of", "fires to spread possibly life saving information. * A man who leaves work", "to get home to his wife and children, never knowing until the end", "houses and escape after the fires have taken hold of the area. ", "my problem with this is how do I switch between these characters without", "foothills of the mountain behind the town and her struggle to help neighbours", "are alive or dead (perhaps tying this into the first character, ie. she's", "make it home through the fires. Now, my problem with this is how", "fire. These characters are: A young housewife who lives in the foothills", "as they all experience the same fire. These characters are: * A young", "who lives in the foothills of the mountain behind the town and her", "with this is how do I switch between these characters without it being", "girl who, after being sent home with her younger siblings, is left to", "to spread possibly life saving information. A man who leaves work and", "never knowing until the end whether they are alive or dead (perhaps tying", "different places, but experiencing the same event. This story is about a bushfire", "how do I switch between these characters without it being jarring for the", "[1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to write it around", "reader? Do I just write a few chapters on one character then switch", "younger siblings, is left to escape with them on their own after not", "is about a bushfire (in particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires)", "blaze to get home to his wife and children, never knowing until the", "(perhaps tying this into the first character, ie. she's his wife). * A", "and has to battle through the blaze to get home to his wife", "switch between these characters without it being jarring for the reader?* Do I", "for advice on how to handle changes of scene from one character to", "to make it home through the fires. Now, my problem with this is", "these characters without it being jarring for the reader?* Do I just write", "dead (perhaps tying this into the first character, ie. she's his wife). ", "a few chapters on one character then switch to another for a few", "herself save their houses and escape after the fires have taken hold of", "into the first character, ie. she's his wife). A teenager girl who,", "changes of scene from one character to another, each in different places, but", "who work in the telegraph office and struggle throughout the fires to spread", "the telegraph office and struggle throughout the fires to spread possibly life saving", "have taken hold of the area. * A young man and his co-workers", "the fires have taken hold of the area. * A young man and", "able to make it home through the fires. Now, my problem with this", "area as they all experience the same fire. These characters are: * A", "then another again? What about the passing of time as what each of", "Australia), and I want to write it around four or so different people", "people in different parts of the town/surrounding area as they all experience the", "on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to write", "not being able to make it home through the fires. 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What about the passing of time as what each", "teenager girl who, after being sent home with her younger siblings, is left", "office and struggle throughout the fires to spread possibly life saving information. ", "places, but experiencing the same event. This story is about a bushfire (in", "telegraph office and struggle throughout the fires to spread possibly life saving information.", "the town/surrounding area as they all experience the same fire. These characters are:", "about a bushfire (in particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in", "being able to make it home through the fires. Now, my problem with", "A teenager girl who, after being sent home with her younger siblings, is", "I just write a few chapters on one character then switch to another", "through the blaze to get home to his wife and children, never knowing", "or dead (perhaps tying this into the first character, ie. she's his wife).", "Now, my problem with this is how do I switch between these characters", "who leaves work and has to battle through the blaze to get home", "struggle to help neighbours and herself save their houses and escape after the", "fires. Now, my problem with this is how do I switch between these", "knowing until the end whether they are alive or dead (perhaps tying this", "and her struggle to help neighbours and herself save their houses and escape", "co-workers who work in the telegraph office and struggle throughout the fires to", "A young man and his co-workers who work in the telegraph office and", "the first character, ie. she's his wife). A teenager girl who, after", "or so different people in different parts of the town/surrounding area as they", "of the mountain behind the town and her struggle to help neighbours and", "* A man who leaves work and has to battle through the blaze", "about the passing of time as what each of these characters are going", "what each of these characters are going through is all happening at the", "wife and children, never knowing until the end whether they are alive or", "first character, ie. she's his wife). * A teenager girl who, after being", "I switch between these characters without it being jarring for the reader?* Do", "each in different places, but experiencing the same event. This story is about", "the town and her struggle to help neighbours and herself save their houses", "this is how do I switch between these characters without it being jarring", "jarring for the reader? Do I just write a few chapters on one", "characters without it being jarring for the reader?* Do I just write a", "home with her younger siblings, is left to escape with them on their", "around four or so different people in different parts of the town/surrounding area", "chapters, and then another again? What about the passing of time as what", "children, never knowing until the end whether they are alive or dead (perhaps", "as what each of these characters are going through is all happening at", "man who leaves work and has to battle through the blaze to get", "to his wife and children, never knowing until the end whether they are", "then switch to another for a few chapters, and then another again? What", "saving information. * A man who leaves work and has to battle through", "it around four or so different people in different parts of the town/surrounding", "information. * A man who leaves work and has to battle through the", "they all experience the same fire. These characters are: * A young housewife", "of the area. * A young man and his co-workers who work in", "and his co-workers who work in the telegraph office and struggle throughout the", "do I switch between these characters without it being jarring for the reader?", "it being jarring for the reader? Do I just write a few chapters", "struggle throughout the fires to spread possibly life saving information. * A man", "character then switch to another for a few chapters, and then another again?", "As the title says, I'm looking for advice on how to handle changes", "so different people in different parts of the town/surrounding area as they all", "in Tasmania, Australia), and I want to write it around four or so", "it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want", "experiencing the same event. This story is about a bushfire (in particular it's", "on their own after not being able to make it home through the", "switch to another for a few chapters, and then another again? What about", "experience the same fire. These characters are: * A young housewife who lives", "This story is about a bushfire (in particular it's based on the [1967", "character to another, each in different places, but experiencing the same event. This", "in different places, but experiencing the same event. This story is about a", "the same fire. These characters are: * A young housewife who lives in", "are: * A young housewife who lives in the foothills of the mountain", "particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I", "characters are: * A young housewife who lives in the foothills of the", "fires have taken hold of the area. * A young man and his", "young man and his co-workers who work in the telegraph office and struggle", "until the end whether they are alive or dead (perhaps tying this into", "on one character then switch to another for a few chapters, and then", "who, after being sent home with her younger siblings, is left to escape", "behind the town and her struggle to help neighbours and herself save their", "a few chapters, and then another again? What about the passing of time", "bushfire (in particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia),", "she's his wife). * A teenager girl who, after being sent home with", "of the town/surrounding area as they all experience the same fire. These characters", "his wife). * A teenager girl who, after being sent home with her", "each of these characters are going through is all happening at the same", "life saving information. * A man who leaves work and has to battle", "want to write it around four or so different people in different parts", "after being sent home with her younger siblings, is left to escape with", "their own after not being able to make it home through the fires.", "I want to write it around four or so different people in different", "to battle through the blaze to get home to his wife and children,", "between these characters without it being jarring for the reader?* Do I just", "alive or dead (perhaps tying this into the first character, ie. she's his", "help neighbours and herself save their houses and escape after the fires have", "siblings, is left to escape with them on their own after not being", "it home through the fires. Now, my problem with this is how do", "again? What about the passing of time as what each of these characters", "the passing of time as what each of these characters are going through", "and struggle throughout the fires to spread possibly life saving information. A", "they are alive or dead (perhaps tying this into the first character, ie.", "from one character to another, each in different places, but experiencing the same", "his co-workers who work in the telegraph office and struggle throughout the fires", "character, ie. she's his wife). * A teenager girl who, after being sent", "and herself save their houses and escape after the fires have taken hold", "lives in the foothills of the mountain behind the town and her struggle", "A young housewife who lives in the foothills of the mountain behind the", "after the fires have taken hold of the area. * A young man", "in the telegraph office and struggle throughout the fires to spread possibly life", "parts of the town/surrounding area as they all experience the same fire. These", "taken hold of the area. * A young man and his co-workers who", "ie. she's his wife). * A teenager girl who, after being sent home", "bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and I want to write it around four or", "one character to another, each in different places, but experiencing the same event.", "work and has to battle through the blaze to get home to his", "man and his co-workers who work in the telegraph office and struggle throughout", "one character then switch to another for a few chapters, and then another", "for a few chapters, and then another again? What about the passing of", "hold of the area. * A young man and his co-workers who work", "to another, each in different places, but experiencing the same event. This story", "advice on how to handle changes of scene from one character to another,", "few chapters on one character then switch to another for a few chapters,", "* A young man and his co-workers who work in the telegraph office", "sent home with her younger siblings, is left to escape with them on", "through the fires. Now, my problem with this is how do I switch", "time as what each of these characters are going through is all happening", "escape after the fires have taken hold of the area. A young", "of scene from one character to another, each in different places, but experiencing", "another for a few chapters, and then another again? What about the passing", "the blaze to get home to his wife and children, never knowing until", "throughout the fires to spread possibly life saving information. * A man who", "chapters on one character then switch to another for a few chapters, and", "says, I'm looking for advice on how to handle changes of scene from", "different parts of the town/surrounding area as they all experience the same fire.", "leaves work and has to battle through the blaze to get home to", "young housewife who lives in the foothills of the mountain behind the town", "on how to handle changes of scene from one character to another, each", "the foothills of the mountain behind the town and her struggle to help", "in different parts of the town/surrounding area as they all experience the same", "whether they are alive or dead (perhaps tying this into the first character,", "escape with them on their own after not being able to make it", "this into the first character, ie. she's his wife). * A teenager girl", "title says, I'm looking for advice on how to handle changes of scene", "same event. This story is about a bushfire (in particular it's based on", "home to his wife and children, never knowing until the end whether they", "few chapters, and then another again? What about the passing of time as", "(in particular it's based on the [1967 Hobart bushfires](https://en.wikipedia.org/wiki/1967_Tasmanian_fires) in Tasmania, Australia), and", "the end whether they are alive or dead (perhaps tying this into the" ]
[ "the amber liquid around in the globe, watching the light from the fireplace", "As he drank, a grim smile appeared on the lips of his companion.", "and does the interview. There's a little interspersing of the POV MC looking", "to interview one of the prominent vampires by someone in the American government.", "without anything bad happening to him, writes his report, and turns it in,", "and picked up his notepad. “Thank you, sir, for that reassurance.I apologize if", "bit of trepidation myself with regard to this… interview. Not for my own", "be surprised to hear that I feel a certain bit of trepidation myself", "took gratefully. He rolled the amber liquid around in the globe, watching the", "from the outside world. Well, at least not for a very, very long", "anyone from the outside world. Well, at least not for a very, very", "I feel a certain bit of trepidation myself with regard to this… interview.", "hills, did its best to sound soothing. “I assure you, Mr. Baird, you", "at his host. Slowly lowering the glass from his lips, he held it", "then set it on the stand next to his chair and picked up", "It seems that world governments have known of the vampires for some time,", "someone in the American government. It seems that world governments have known of", "his throat. As he drank, a grim smile appeared on the lips of", "that world governments have known of the vampires for some time, and have", "what to do with that. > > Baird sat quietly waiting while death", "ways I can make such a story \"work\" without it being a complete", "he goes, and he sits down and does the interview. There's a little", "Eastern Europe, and somehow survived. In the opening of the story, the protagonist", "most part it's ~5500 words of one character telling the other character a", "reassurance.I apologize if I seem… uncomfortable.” > > > “It is to be", "story, the protagonist is sent to interview one of the prominent vampires by", "can make such a story \"work\" without it being a complete infodump? Also,", "anything bad happening to him, writes his report, and turns it in, is", "Mr. Baird, you have nothing to fear from me.” > > > Baird", "it being a complete infodump? Also, one criticism of the story, in which", "in steampunk-styled sarcophagi, slowly deteriorating until they were woken and fed, I wrote", "fed, I wrote a story about vampires as aliens who crash-landed on Earth", "of his companion. A voice, heavy with an accent that seemed as ancient", "not in question. It is because I have not told our story to", "full report\" by the protagonist, who is an exo-biologist. So he goes, and", "to sound soothing. “I assure you, Mr. Baird, you have nothing to fear", "to him, writes his report, and turns it in, is that \"nothing happens\".", "vampires by someone in the American government. It seems that world governments have", "does the interview. There's a little interspersing of the POV MC looking around", "he appear nervous as he poured the much-needed nerve fortifier down his throat.", "interspersing of the POV MC looking around the room, observing others, asking the", "set it on the stand next to his chair and picked up his", "question, etc., but for the most part it's ~5500 words of one character", "to do with that. > > Baird sat quietly waiting while death itself", "\"a full report\" by the protagonist, who is an exo-biologist. So he goes,", "were woken and fed, I wrote a story about vampires as aliens who", "which is not in question. It is because I have not told our", "government. It seems that world governments have known of the vampires for some", "the opening of the story, the protagonist is sent to interview one of", "for the most part it's ~5500 words of one character telling the other", "protagonist, who is an exo-biologist. So he goes, and he sits down and", "the interview. There's a little interspersing of the POV MC looking around the", "POV MC looking around the room, observing others, asking the occasional question, etc.,", "which Baird took gratefully. He rolled the amber liquid around in the globe,", "amber liquid around in the globe, watching the light from the fireplace as", "prominent vampires by someone in the American government. It seems that world governments", "need \"a full report\" by the protagonist, who is an exo-biologist. So he", "momentarily, then set it on the stand next to his chair and picked", "man interviews someone potentially dangerous, gets away without anything bad happening to him,", "the other character a history. What are some ways I can make such", "he held it in his lap momentarily, then set it on the stand", "the vampires for some time, and have had some interaction with them, but", "sarcophagi, slowly deteriorating until they were woken and fed, I wrote a story", "as aliens who crash-landed on Earth in the twelfth century, holed up in", "light from the fireplace as it flared in the glass, stalling for a", "moment lest he appear nervous as he poured the much-needed nerve fortifier down", "the hills of Eastern Europe, and somehow survived. In the opening of the", "not told our story to anyone from the outside world. Well, at least", "“It is to be expected. You might be surprised to hear that I", "you have nothing to fear from me.” > > > Baird peered back", "is sent to interview one of the prominent vampires by someone in the", "without it being a complete infodump? Also, one criticism of the story, in", "turns it in, is that \"nothing happens\". I don't understand what to do", "this… interview. Not for my own safety, which is not in question. It", "hills of Eastern Europe, and somehow survived. In the opening of the story,", "them, but need \"a full report\" by the protagonist, who is an exo-biologist.", "trepidation myself with regard to this… interview. Not for my own safety, which", "he drank, a grim smile appeared on the lips of his companion. A", "feel a certain bit of trepidation myself with regard to this… interview. Not", "telling the other character a history. What are some ways I can make", "on the stand next to his chair and picked up his notepad. “Thank", "fear from me.” > > > Baird peered back at his host. Slowly", "> Baird peered back at his host. Slowly lowering the glass from his", "the story, in which a man interviews someone potentially dangerous, gets away without", "companion. A voice, heavy with an accent that seemed as ancient as the", "\"nothing happens\". I don't understand what to do with that. > > Baird", "opening of the story, the protagonist is sent to interview one of the", "with an accent that seemed as ancient as the hills, did its best", "by the Underworld setting where vampires slept in steampunk-styled sarcophagi, slowly deteriorating until", "a moment lest he appear nervous as he poured the much-needed nerve fortifier", "one criticism of the story, in which a man interviews someone potentially dangerous,", "a little interspersing of the POV MC looking around the room, observing others,", "from the fireplace as it flared in the glass, stalling for a moment", "his lips, he held it in his lap momentarily, then set it on", "So he goes, and he sits down and does the interview. There's a", "to be expected. You might be surprised to hear that I feel a", "did its best to sound soothing. “I assure you, Mr. Baird, you have", "lest he appear nervous as he poured the much-needed nerve fortifier down his", "sat quietly waiting while death itself settled into the chair across from him.", "the twelfth century, holed up in the hills of Eastern Europe, and somehow", "story \"work\" without it being a complete infodump? Also, one criticism of the", "by someone in the American government. It seems that world governments have known", "appear nervous as he poured the much-needed nerve fortifier down his throat. As", "around in the globe, watching the light from the fireplace as it flared", "next to his chair and picked up his notepad. “Thank you, sir, for", "up in the hills of Eastern Europe, and somehow survived. In the opening", "to fear from me.” > > > Baird peered back at his host.", "of Eastern Europe, and somehow survived. In the opening of the story, the", "chair across from him. A servant delivered a snifter of brandy, which Baird", "happens\". I don't understand what to do with that. > > Baird sat", "slept in steampunk-styled sarcophagi, slowly deteriorating until they were woken and fed, I", "MC looking around the room, observing others, asking the occasional question, etc., but", "him. A servant delivered a snifter of brandy, which Baird took gratefully. He", "in the twelfth century, holed up in the hills of Eastern Europe, and", "where vampires slept in steampunk-styled sarcophagi, slowly deteriorating until they were woken and", "and fed, I wrote a story about vampires as aliens who crash-landed on", "of brandy, which Baird took gratefully. He rolled the amber liquid around in", "nerve fortifier down his throat. As he drank, a grim smile appeared on", "of the POV MC looking around the room, observing others, asking the occasional", "the POV MC looking around the room, observing others, asking the occasional question,", "into the chair across from him. A servant delivered a snifter of brandy,", "the protagonist is sent to interview one of the prominent vampires by someone", "sits down and does the interview. There's a little interspersing of the POV", "but for the most part it's ~5500 words of one character telling the", "other character a history. What are some ways I can make such a", "my own safety, which is not in question. It is because I have", "its best to sound soothing. “I assure you, Mr. Baird, you have nothing", "known of the vampires for some time, and have had some interaction with", "have known of the vampires for some time, and have had some interaction", "that \"nothing happens\". I don't understand what to do with that. > >", "is an exo-biologist. So he goes, and he sits down and does the", "nothing to fear from me.” > > > Baird peered back at his", "in question. It is because I have not told our story to anyone", "story to anyone from the outside world. Well, at least not for a", "that seemed as ancient as the hills, did its best to sound soothing.", "away without anything bad happening to him, writes his report, and turns it", "of the prominent vampires by someone in the American government. It seems that", "lap momentarily, then set it on the stand next to his chair and", "writes his report, and turns it in, is that \"nothing happens\". I don't", "that. > > Baird sat quietly waiting while death itself settled into the", "one of the prominent vampires by someone in the American government. It seems", "snifter of brandy, which Baird took gratefully. He rolled the amber liquid around", "in the American government. It seems that world governments have known of the", "Baird peered back at his host. Slowly lowering the glass from his lips,", "and turns it in, is that \"nothing happens\". I don't understand what to", "in the globe, watching the light from the fireplace as it flared in", "holed up in the hills of Eastern Europe, and somehow survived. In the", "words of one character telling the other character a history. What are some", "voice, heavy with an accent that seemed as ancient as the hills, did", "had some interaction with them, but need \"a full report\" by the protagonist,", "story, in which a man interviews someone potentially dangerous, gets away without anything", "it flared in the glass, stalling for a moment lest he appear nervous", "in the glass, stalling for a moment lest he appear nervous as he", "others, asking the occasional question, etc., but for the most part it's ~5500", "told our story to anyone from the outside world. Well, at least not", "best to sound soothing. “I assure you, Mr. Baird, you have nothing to", "about vampires as aliens who crash-landed on Earth in the twelfth century, holed", "gets away without anything bad happening to him, writes his report, and turns", "with that. > > Baird sat quietly waiting while death itself settled into", "a grim smile appeared on the lips of his companion. A voice, heavy", "question. It is because I have not told our story to anyone from", "who is an exo-biologist. So he goes, and he sits down and does", "somehow survived. In the opening of the story, the protagonist is sent to", "it in, is that \"nothing happens\". I don't understand what to do with", "his report, and turns it in, is that \"nothing happens\". I don't understand", "brandy, which Baird took gratefully. He rolled the amber liquid around in the", "Not for my own safety, which is not in question. It is because", "Baird, you have nothing to fear from me.” > > > Baird peered", "understand what to do with that. > > Baird sat quietly waiting while", "for some time, and have had some interaction with them, but need \"a", "to anyone from the outside world. Well, at least not for a very,", "by the protagonist, who is an exo-biologist. So he goes, and he sits", "the American government. It seems that world governments have known of the vampires", "interview. Not for my own safety, which is not in question. It is", "Slowly lowering the glass from his lips, he held it in his lap", "the glass from his lips, he held it in his lap momentarily, then", "poured the much-needed nerve fortifier down his throat. As he drank, a grim", "soothing. “I assure you, Mr. Baird, you have nothing to fear from me.”", "the prominent vampires by someone in the American government. It seems that world", "as the hills, did its best to sound soothing. “I assure you, Mr.", "as ancient as the hills, did its best to sound soothing. “I assure", "of the story, the protagonist is sent to interview one of the prominent", "little interspersing of the POV MC looking around the room, observing others, asking", "He rolled the amber liquid around in the globe, watching the light from", "that I feel a certain bit of trepidation myself with regard to this…", "twelfth century, holed up in the hills of Eastern Europe, and somehow survived.", "own safety, which is not in question. It is because I have not", "to his chair and picked up his notepad. “Thank you, sir, for that", "with them, but need \"a full report\" by the protagonist, who is an", "is not in question. It is because I have not told our story", "one character telling the other character a history. What are some ways I", "sent to interview one of the prominent vampires by someone in the American", "if I seem… uncomfortable.” > > > “It is to be expected. You", "> Baird sat quietly waiting while death itself settled into the chair across", "the most part it's ~5500 words of one character telling the other character", "century, holed up in the hills of Eastern Europe, and somehow survived. In", "an accent that seemed as ancient as the hills, did its best to", "up his notepad. “Thank you, sir, for that reassurance.I apologize if I seem…", "while death itself settled into the chair across from him. A servant delivered", "sound soothing. “I assure you, Mr. Baird, you have nothing to fear from", "a man interviews someone potentially dangerous, gets away without anything bad happening to", "he poured the much-needed nerve fortifier down his throat. As he drank, a", "I can make such a story \"work\" without it being a complete infodump?", "globe, watching the light from the fireplace as it flared in the glass,", "to this… interview. Not for my own safety, which is not in question.", "the light from the fireplace as it flared in the glass, stalling for", "have had some interaction with them, but need \"a full report\" by the", "I have not told our story to anyone from the outside world. Well,", "delivered a snifter of brandy, which Baird took gratefully. He rolled the amber", "bad happening to him, writes his report, and turns it in, is that", "the much-needed nerve fortifier down his throat. As he drank, a grim smile", "aliens who crash-landed on Earth in the twelfth century, holed up in the", "It is because I have not told our story to anyone from the", "vampires slept in steampunk-styled sarcophagi, slowly deteriorating until they were woken and fed,", "chair and picked up his notepad. “Thank you, sir, for that reassurance.I apologize", "governments have known of the vampires for some time, and have had some", "some interaction with them, but need \"a full report\" by the protagonist, who", "the fireplace as it flared in the glass, stalling for a moment lest", "nervous as he poured the much-needed nerve fortifier down his throat. As he", "across from him. A servant delivered a snifter of brandy, which Baird took", "stalling for a moment lest he appear nervous as he poured the much-needed", "his companion. A voice, heavy with an accent that seemed as ancient as", "of the vampires for some time, and have had some interaction with them,", "smile appeared on the lips of his companion. A voice, heavy with an", "exo-biologist. So he goes, and he sits down and does the interview. There's", "who crash-landed on Earth in the twelfth century, holed up in the hills", "There's a little interspersing of the POV MC looking around the room, observing", "“I assure you, Mr. Baird, you have nothing to fear from me.” >", "Earth in the twelfth century, holed up in the hills of Eastern Europe,", "occasional question, etc., but for the most part it's ~5500 words of one", "the room, observing others, asking the occasional question, etc., but for the most", "You might be surprised to hear that I feel a certain bit of", "> > > “It is to be expected. You might be surprised to", "is to be expected. You might be surprised to hear that I feel", "> > “It is to be expected. You might be surprised to hear", "lowering the glass from his lips, he held it in his lap momentarily,", "appeared on the lips of his companion. A voice, heavy with an accent", "time, and have had some interaction with them, but need \"a full report\"", "he sits down and does the interview. There's a little interspersing of the", "sir, for that reassurance.I apologize if I seem… uncomfortable.” > > > “It", "looking around the room, observing others, asking the occasional question, etc., but for", "a certain bit of trepidation myself with regard to this… interview. Not for", "part it's ~5500 words of one character telling the other character a history.", "world governments have known of the vampires for some time, and have had", "expected. You might be surprised to hear that I feel a certain bit", "the glass, stalling for a moment lest he appear nervous as he poured", "\"work\" without it being a complete infodump? Also, one criticism of the story,", "it in his lap momentarily, then set it on the stand next to", "down and does the interview. There's a little interspersing of the POV MC", "> > > Baird peered back at his host. Slowly lowering the glass", "a story about vampires as aliens who crash-landed on Earth in the twelfth", "settled into the chair across from him. A servant delivered a snifter of", "throat. As he drank, a grim smile appeared on the lips of his", "lips, he held it in his lap momentarily, then set it on the", "Well, at least not for a very, very long time...\" > > >", "and he sits down and does the interview. There's a little interspersing of", "certain bit of trepidation myself with regard to this… interview. Not for my", "safety, which is not in question. It is because I have not told", "stand next to his chair and picked up his notepad. “Thank you, sir,", "I don't understand what to do with that. > > Baird sat quietly", "interviews someone potentially dangerous, gets away without anything bad happening to him, writes", "being a complete infodump? Also, one criticism of the story, in which a", "A voice, heavy with an accent that seemed as ancient as the hills,", "setting where vampires slept in steampunk-styled sarcophagi, slowly deteriorating until they were woken", "they were woken and fed, I wrote a story about vampires as aliens", "servant delivered a snifter of brandy, which Baird took gratefully. He rolled the", "it on the stand next to his chair and picked up his notepad.", "infodump? Also, one criticism of the story, in which a man interviews someone", "to hear that I feel a certain bit of trepidation myself with regard", "a complete infodump? Also, one criticism of the story, in which a man", "watching the light from the fireplace as it flared in the glass, stalling", "> > Baird sat quietly waiting while death itself settled into the chair", "survived. In the opening of the story, the protagonist is sent to interview", "the lips of his companion. A voice, heavy with an accent that seemed", "surprised to hear that I feel a certain bit of trepidation myself with", "happening to him, writes his report, and turns it in, is that \"nothing", "the outside world. Well, at least not for a very, very long time...\"", "a story \"work\" without it being a complete infodump? Also, one criticism of", "the chair across from him. A servant delivered a snifter of brandy, which", "make such a story \"work\" without it being a complete infodump? Also, one", "in the hills of Eastern Europe, and somehow survived. In the opening of", "from me.” > > > Baird peered back at his host. Slowly lowering", "don't understand what to do with that. > > Baird sat quietly waiting", "the story, the protagonist is sent to interview one of the prominent vampires", "character telling the other character a history. What are some ways I can", "with regard to this… interview. Not for my own safety, which is not", "host. Slowly lowering the glass from his lips, he held it in his", "character a history. What are some ways I can make such a story", "are some ways I can make such a story \"work\" without it being", "as it flared in the glass, stalling for a moment lest he appear", "down his throat. As he drank, a grim smile appeared on the lips", "Europe, and somehow survived. In the opening of the story, the protagonist is", "his lap momentarily, then set it on the stand next to his chair", "quietly waiting while death itself settled into the chair across from him. A", "I seem… uncomfortable.” > > > “It is to be expected. You might", "interview one of the prominent vampires by someone in the American government. It", "in, is that \"nothing happens\". I don't understand what to do with that.", "room, observing others, asking the occasional question, etc., but for the most part", "interview. There's a little interspersing of the POV MC looking around the room,", "story about vampires as aliens who crash-landed on Earth in the twelfth century,", "the stand next to his chair and picked up his notepad. “Thank you,", "that reassurance.I apologize if I seem… uncomfortable.” > > > “It is to", "I wrote a story about vampires as aliens who crash-landed on Earth in", "protagonist is sent to interview one of the prominent vampires by someone in", "because I have not told our story to anyone from the outside world.", "uncomfortable.” > > > “It is to be expected. You might be surprised", "on Earth in the twelfth century, holed up in the hills of Eastern", "A servant delivered a snifter of brandy, which Baird took gratefully. He rolled", "for my own safety, which is not in question. It is because I", "gratefully. He rolled the amber liquid around in the globe, watching the light", "peered back at his host. Slowly lowering the glass from his lips, he", "seemed as ancient as the hills, did its best to sound soothing. “I", "dangerous, gets away without anything bad happening to him, writes his report, and", "> > Baird peered back at his host. Slowly lowering the glass from", "What are some ways I can make such a story \"work\" without it", "and somehow survived. In the opening of the story, the protagonist is sent", "of one character telling the other character a history. What are some ways", "it's ~5500 words of one character telling the other character a history. What", "back at his host. Slowly lowering the glass from his lips, he held", "be expected. You might be surprised to hear that I feel a certain", "Baird sat quietly waiting while death itself settled into the chair across from", "and have had some interaction with them, but need \"a full report\" by", "of the story, in which a man interviews someone potentially dangerous, gets away", "some ways I can make such a story \"work\" without it being a", "report, and turns it in, is that \"nothing happens\". I don't understand what", "lips of his companion. A voice, heavy with an accent that seemed as", "hear that I feel a certain bit of trepidation myself with regard to", "me.” > > > Baird peered back at his host. Slowly lowering the", "woken and fed, I wrote a story about vampires as aliens who crash-landed", "the globe, watching the light from the fireplace as it flared in the", "some time, and have had some interaction with them, but need \"a full", "someone potentially dangerous, gets away without anything bad happening to him, writes his", "history. What are some ways I can make such a story \"work\" without", "observing others, asking the occasional question, etc., but for the most part it's", "“Thank you, sir, for that reassurance.I apologize if I seem… uncomfortable.” > >", "> “It is to be expected. You might be surprised to hear that", "might be surprised to hear that I feel a certain bit of trepidation", "you, Mr. Baird, you have nothing to fear from me.” > > >", "itself settled into the chair across from him. A servant delivered a snifter", "outside world. Well, at least not for a very, very long time...\" >", "deteriorating until they were woken and fed, I wrote a story about vampires", "from him. A servant delivered a snifter of brandy, which Baird took gratefully.", "is that \"nothing happens\". I don't understand what to do with that. >", "of trepidation myself with regard to this… interview. Not for my own safety,", "the hills, did its best to sound soothing. “I assure you, Mr. Baird,", "vampires for some time, and have had some interaction with them, but need", "such a story \"work\" without it being a complete infodump? Also, one criticism", "flared in the glass, stalling for a moment lest he appear nervous as", "criticism of the story, in which a man interviews someone potentially dangerous, gets", "myself with regard to this… interview. Not for my own safety, which is", "fortifier down his throat. As he drank, a grim smile appeared on the", "have not told our story to anyone from the outside world. Well, at", "~5500 words of one character telling the other character a history. What are", "slowly deteriorating until they were woken and fed, I wrote a story about", "is because I have not told our story to anyone from the outside", "heavy with an accent that seemed as ancient as the hills, did its", "interaction with them, but need \"a full report\" by the protagonist, who is", "the Underworld setting where vampires slept in steampunk-styled sarcophagi, slowly deteriorating until they", "a snifter of brandy, which Baird took gratefully. He rolled the amber liquid", "as he poured the much-needed nerve fortifier down his throat. As he drank,", "seems that world governments have known of the vampires for some time, and", "liquid around in the globe, watching the light from the fireplace as it", "until they were woken and fed, I wrote a story about vampires as", "regard to this… interview. Not for my own safety, which is not in", "Underworld setting where vampires slept in steampunk-styled sarcophagi, slowly deteriorating until they were", "complete infodump? Also, one criticism of the story, in which a man interviews", "the protagonist, who is an exo-biologist. So he goes, and he sits down", "from his lips, he held it in his lap momentarily, then set it", "drank, a grim smile appeared on the lips of his companion. A voice,", "wrote a story about vampires as aliens who crash-landed on Earth in the", "world. Well, at least not for a very, very long time...\" > >", "much-needed nerve fortifier down his throat. As he drank, a grim smile appeared", "steampunk-styled sarcophagi, slowly deteriorating until they were woken and fed, I wrote a", "an exo-biologist. So he goes, and he sits down and does the interview.", "death itself settled into the chair across from him. A servant delivered a", "Also, one criticism of the story, in which a man interviews someone potentially", "for that reassurance.I apologize if I seem… uncomfortable.” > > > “It is", "picked up his notepad. “Thank you, sir, for that reassurance.I apologize if I", "glass from his lips, he held it in his lap momentarily, then set", "Baird took gratefully. He rolled the amber liquid around in the globe, watching", "fireplace as it flared in the glass, stalling for a moment lest he", "In the opening of the story, the protagonist is sent to interview one", "American government. It seems that world governments have known of the vampires for", "his notepad. “Thank you, sir, for that reassurance.I apologize if I seem… uncomfortable.”", "ancient as the hills, did its best to sound soothing. “I assure you,", "do with that. > > Baird sat quietly waiting while death itself settled", "accent that seemed as ancient as the hills, did its best to sound", "his host. Slowly lowering the glass from his lips, he held it in", "in which a man interviews someone potentially dangerous, gets away without anything bad", "grim smile appeared on the lips of his companion. A voice, heavy with", "assure you, Mr. Baird, you have nothing to fear from me.” > >", "vampires as aliens who crash-landed on Earth in the twelfth century, holed up", "the occasional question, etc., but for the most part it's ~5500 words of", "him, writes his report, and turns it in, is that \"nothing happens\". I", "for a moment lest he appear nervous as he poured the much-needed nerve", "but need \"a full report\" by the protagonist, who is an exo-biologist. So", "around the room, observing others, asking the occasional question, etc., but for the", "you, sir, for that reassurance.I apologize if I seem… uncomfortable.” > > >", "which a man interviews someone potentially dangerous, gets away without anything bad happening", "rolled the amber liquid around in the globe, watching the light from the", "his chair and picked up his notepad. “Thank you, sir, for that reassurance.I", "seem… uncomfortable.” > > > “It is to be expected. You might be", "waiting while death itself settled into the chair across from him. A servant", "notepad. “Thank you, sir, for that reassurance.I apologize if I seem… uncomfortable.” >", "crash-landed on Earth in the twelfth century, holed up in the hills of", "report\" by the protagonist, who is an exo-biologist. So he goes, and he", "a history. What are some ways I can make such a story \"work\"", "in his lap momentarily, then set it on the stand next to his", "our story to anyone from the outside world. Well, at least not for", "held it in his lap momentarily, then set it on the stand next", "goes, and he sits down and does the interview. There's a little interspersing", "asking the occasional question, etc., but for the most part it's ~5500 words", "glass, stalling for a moment lest he appear nervous as he poured the", "Inspired by the Underworld setting where vampires slept in steampunk-styled sarcophagi, slowly deteriorating", "have nothing to fear from me.” > > > Baird peered back at", "etc., but for the most part it's ~5500 words of one character telling", "potentially dangerous, gets away without anything bad happening to him, writes his report,", "on the lips of his companion. A voice, heavy with an accent that", "apologize if I seem… uncomfortable.” > > > “It is to be expected." ]
[ "uncomfortable with this, since in this world there is no Greek or Latin.", "since in this world there is no Greek or Latin. On the other", "of the species I came up with is \"Dracanthropos\", which is composed of", "using Latin or Greek sounding words when giving these names? The name of", "name is Homo sapiens, but we don't call ourselves like that, we call", "is not Felis silvestris catus, it's a cat. This doesn't mean I don't", "also want it to be used only in a specific context, like a", "can I avoid using Latin or Greek sounding words when giving these names?", "cat. This doesn't mean I don't want to give a scientific name to", "questions, but they're really driving me nuts, so please, I need some help.", "it to be used only in a specific context, like a biology class.", "I want to name it, but I don't want it to sound too...", "nuts, so please, I need some help. I have a few more, but", "can't apply to them. I know they're some silly questions, but they're really", "I don't want to give a scientific name to this species, actually I", "I don't want it to sound too... scientific? For example, our scientific name", "we don't call ourselves like that, we call ourselves \"humans\". A cat is", "soon I felt uncomfortable with this, since in this world there is no", "The name of the species I came up with is \"Dracanthropos\", which is", "not Felis silvestris catus, it's a cat. This doesn't mean I don't want", "but we don't call ourselves like that, we call ourselves \"humans\". A cat", "mean I don't want to give a scientific name to this species, actually", "to this species, actually I do, but I also want it to be", "\"person\", respectively. But soon I felt uncomfortable with this, since in this world", "A cat is not Felis silvestris catus, it's a cat. This doesn't mean", "\"Dracanthropos\", which is composed of both draco and anthropos, being \"dragon\" or \"snake\"", "no humans in this world, so the statement \"they have a humanoid form\"", "avoid using Latin or Greek sounding words when giving these names? The name", "\"dragon\" or \"snake\" and \"person\", respectively. But soon I felt uncomfortable with this,", "them. I know they're some silly questions, but they're really driving me nuts,", "biology class. Besides, how can I avoid using Latin or Greek sounding words", "There are no humans in this world, so the statement \"they have a", "Latin or Greek sounding words when giving these names? The name of the", "call ourselves \"humans\". A cat is not Felis silvestris catus, it's a cat.", "to name it, but I don't want it to sound too... scientific? For", "give a scientific name to this species, actually I do, but I also", "or Latin. On the other hand, how do I describe them without taking", "driving me nuts, so please, I need some help. I have a few", "to give a scientific name to this species, actually I do, but I", "reference?. There are no humans in this world, so the statement \"they have", "fictional species set in a fantasy world, and I want to name it,", "only in a specific context, like a biology class. Besides, how can I", "hand, how do I describe them without taking humans as reference?. There are", "taking humans as reference?. There are no humans in this world, so the", "a few more, but these are the most concerning to me right now.", "ourselves \"humans\". A cat is not Felis silvestris catus, it's a cat. This", "is composed of both draco and anthropos, being \"dragon\" or \"snake\" and \"person\",", "\"humans\". A cat is not Felis silvestris catus, it's a cat. This doesn't", "help. I have a few more, but these are the most concerning to", "draco and anthropos, being \"dragon\" or \"snake\" and \"person\", respectively. But soon I", "me nuts, so please, I need some help. I have a few more,", "it's a cat. This doesn't mean I don't want to give a scientific", "species set in a fantasy world, and I want to name it, but", "in this world, so the statement \"they have a humanoid form\" can't apply", "is no Greek or Latin. On the other hand, how do I describe", "\"snake\" and \"person\", respectively. But soon I felt uncomfortable with this, since in", "want to name it, but I don't want it to sound too... scientific?", "describe them without taking humans as reference?. There are no humans in this", "don't want it to sound too... scientific? For example, our scientific name is", "Felis silvestris catus, it's a cat. This doesn't mean I don't want to", "a scientific name to this species, actually I do, but I also want", "I do, but I also want it to be used only in a", "or Greek sounding words when giving these names? The name of the species", "do I describe them without taking humans as reference?. There are no humans", "want to give a scientific name to this species, actually I do, but", "the statement \"they have a humanoid form\" can't apply to them. I know", "to sound too... scientific? For example, our scientific name is Homo sapiens, but", "the species I came up with is \"Dracanthropos\", which is composed of both", "too... scientific? For example, our scientific name is Homo sapiens, but we don't", "scientific name is Homo sapiens, but we don't call ourselves like that, we", "Greek or Latin. On the other hand, how do I describe them without", "world, and I want to name it, but I don't want it to", "class. Besides, how can I avoid using Latin or Greek sounding words when", "the other hand, how do I describe them without taking humans as reference?.", "but I don't want it to sound too... scientific? For example, our scientific", "or \"snake\" and \"person\", respectively. But soon I felt uncomfortable with this, since", "in a fantasy world, and I want to name it, but I don't", "with is \"Dracanthropos\", which is composed of both draco and anthropos, being \"dragon\"", "humans as reference?. There are no humans in this world, so the statement", "form\" can't apply to them. I know they're some silly questions, but they're", "like a biology class. Besides, how can I avoid using Latin or Greek", "in a specific context, like a biology class. Besides, how can I avoid", "words when giving these names? The name of the species I came up", "really driving me nuts, so please, I need some help. I have a", "actually I do, but I also want it to be used only in", "this world, so the statement \"they have a humanoid form\" can't apply to", "ourselves like that, we call ourselves \"humans\". A cat is not Felis silvestris", "name of the species I came up with is \"Dracanthropos\", which is composed", "but these are the most concerning to me right now. Thank you very", "humanoid form\" can't apply to them. I know they're some silly questions, but", "a cat. This doesn't mean I don't want to give a scientific name", "there is no Greek or Latin. On the other hand, how do I", "have a few more, but these are the most concerning to me right", "and I want to name it, but I don't want it to sound", "no Greek or Latin. On the other hand, how do I describe them", "I felt uncomfortable with this, since in this world there is no Greek", "Besides, how can I avoid using Latin or Greek sounding words when giving", "composed of both draco* and anthropos, being \"dragon\" or \"snake\" and \"person\", respectively.", "scientific name to this species, actually I do, but I also want it", "as reference?. There are no humans in this world, so the statement \"they", "these are the most concerning to me right now. Thank you very much.", "scientific? For example, our scientific name is Homo sapiens, but we don't call", "call ourselves like that, we call ourselves \"humans\". A cat is not Felis", "But soon I felt uncomfortable with this, since in this world there is", "apply to them. I know they're some silly questions, but they're really driving", "without taking humans as reference?. There are no humans in this world, so", "in this world there is no Greek or Latin. On the other hand,", "catus, it's a cat. This doesn't mean I don't want to give a", "I avoid using Latin or Greek sounding words when giving these names? The", "doesn't mean I don't want to give a scientific name to this species,", "this species, actually I do, but I also want it to be used", "sound too... scientific? For example, our scientific name is Homo sapiens, but we", "a biology class. Besides, how can I avoid using Latin or Greek sounding", "and \"person\", respectively. But soon I felt uncomfortable with this, since in this", "Latin. On the other hand, how do I describe them without taking humans", "know they're some silly questions, but they're really driving me nuts, so please,", "when giving these names? The name of the species I came up with", "how can I avoid using Latin or Greek sounding words when giving these", "don't call ourselves like that, we call ourselves \"humans\". A cat is not", "names? The name of the species I came up with is \"Dracanthropos\", which", "but I also want it to be used only in a specific context,", "of both draco and anthropos, being \"dragon\" or \"snake\" and \"person\", respectively. But", "currently developing a fictional species set in a fantasy world, and I want", "world, so the statement \"they have a humanoid form\" can't apply to them.", "came up with is \"Dracanthropos\", which is composed of both draco and anthropos,", "do, but I also want it to be used only in a specific", "On the other hand, how do I describe them without taking humans as", "our scientific name is Homo sapiens, but we don't call ourselves like that,", "I'm currently developing a fictional species set in a fantasy world, and I", "I describe them without taking humans as reference?. There are no humans in", "I also want it to be used only in a specific context, like", "set in a fantasy world, and I want to name it, but I", "For example, our scientific name is Homo sapiens, but we don't call ourselves", "specific context, like a biology class. Besides, how can I avoid using Latin", "how do I describe them without taking humans as reference?. There are no", "I have a few more, but these are the most concerning to me", "being \"dragon\" or \"snake\" and \"person\", respectively. But soon I felt uncomfortable with", "so the statement \"they have a humanoid form\" can't apply to them. I", "this world there is no Greek or Latin. On the other hand, how", "want it to sound too... scientific? For example, our scientific name is Homo", "anthropos, being \"dragon\" or \"snake\" and \"person\", respectively. But soon I felt uncomfortable", "which is composed of both draco* and anthropos, being \"dragon\" or \"snake\" and", "is Homo sapiens, but we don't call ourselves like that, we call ourselves", "don't want to give a scientific name to this species, actually I do,", "like that, we call ourselves \"humans\". A cat is not Felis silvestris catus,", "I came up with is \"Dracanthropos\", which is composed of both draco and", "so please, I need some help. I have a few more, but these", "few more, but these are the most concerning to me right now. Thank", "I know they're some silly questions, but they're really driving me nuts, so", "felt uncomfortable with this, since in this world there is no Greek or", "are no humans in this world, so the statement \"they have a humanoid", "up with is \"Dracanthropos\", which is composed of both draco and anthropos, being", "is \"Dracanthropos\", which is composed of both draco and anthropos, being \"dragon\" or", "\"they have a humanoid form\" can't apply to them. I know they're some", "silly questions, but they're really driving me nuts, so please, I need some", "Greek sounding words when giving these names? The name of the species I", "we call ourselves \"humans\". A cat is not Felis silvestris catus, it's a", "these names? The name of the species I came up with is \"Dracanthropos\",", "developing a fictional species set in a fantasy world, and I want to", "a humanoid form\" can't apply to them. I know they're some silly questions,", "that, we call ourselves \"humans\". A cat is not Felis silvestris catus, it's", "want it to be used only in a specific context, like a biology", "have a humanoid form\" can't apply to them. I know they're some silly", "they're some silly questions, but they're really driving me nuts, so please, I", "sounding words when giving these names? The name of the species I came", "This doesn't mean I don't want to give a scientific name to this", "fantasy world, and I want to name it, but I don't want it", "silvestris catus, it's a cat. This doesn't mean I don't want to give", "some silly questions, but they're really driving me nuts, so please, I need", "with this, since in this world there is no Greek or Latin. On", "world there is no Greek or Latin. On the other hand, how do", "some help. I have a few more, but these are the most concerning", "and anthropos, being \"dragon\" or \"snake\" and \"person\", respectively. But soon I felt", "I need some help. I have a few more, but these are the", "respectively. But soon I felt uncomfortable with this, since in this world there", "humans in this world, so the statement \"they have a humanoid form\" can't", "it, but I don't want it to sound too... scientific? For example, our", "this, since in this world there is no Greek or Latin. On the", "giving these names? The name of the species I came up with is", "please, I need some help. I have a few more, but these are", "used only in a specific context, like a biology class. Besides, how can", "both draco* and anthropos, being \"dragon\" or \"snake\" and \"person\", respectively. But soon", "to them. I know they're some silly questions, but they're really driving me", "a fictional species set in a fantasy world, and I want to name", "Homo sapiens, but we don't call ourselves like that, we call ourselves \"humans\".", "species I came up with is \"Dracanthropos\", which is composed of both draco", "cat is not Felis silvestris catus, it's a cat. This doesn't mean I", "to be used only in a specific context, like a biology class. Besides,", "it to sound too... scientific? For example, our scientific name is Homo sapiens,", "name to this species, actually I do, but I also want it to", "but they're really driving me nuts, so please, I need some help. I", "a fantasy world, and I want to name it, but I don't want", "need some help. I have a few more, but these are the most", "other hand, how do I describe them without taking humans as reference?. There", "name it, but I don't want it to sound too... scientific? For example,", "them without taking humans as reference?. There are no humans in this world,", "they're really driving me nuts, so please, I need some help. I have", "context, like a biology class. Besides, how can I avoid using Latin or", "example, our scientific name is Homo sapiens, but we don't call ourselves like", "be used only in a specific context, like a biology class. Besides, how", "more, but these are the most concerning to me right now. Thank you", "sapiens*, but we don't call ourselves like that, we call ourselves \"humans\". A", "statement \"they have a humanoid form\" can't apply to them. I know they're", "species, actually I do, but I also want it to be used only", "a specific context, like a biology class. Besides, how can I avoid using" ]
[ "related to the characters' condition as immortals (not the origin of immortality itself).", "condition as immortals (not the origin of immortality itself). Here's the difficult part.", "SF novels. Thus, I can't seem to figure out my audience either. Thoughts?", "point in seeing what kind of audience these books attracted. Edit: My book", "contact, as my book seems to fall somewhere in between genres. Without actually", "and does actually treat immortality as something special, rather than a natural occurrence.", "a plot device/means for the mystery to happen, not the mystery investigated itself.", "to contact, as my book seems to fall somewhere in between genres. Without", "for agents. My problem is that I don't know what kind of agents", "know what kind of agents to contact, as my book seems to fall", "characters know and suspect each other, lots of red herrings, a fair challenge", "writing club suggested magical realism. The problem is that this genre is about", "expecting magic and paranormal beings. I don't know enough about SF subgenres to", "red herrings, a fair challenge to the reader where all the clues are", "paranormal beings inside the narrative (think ghosts or vampires or werewolves). Thus this", "I've turned to fantasy too, but most subgenres that seemed somewhat plausible (contemporary", "or vampires or werewolves). Thus this can't fall into the paranormal mystery* subgenre.", "as just a mystery, most agents/publishers/mystery readers will be turned off by the", "murder(s), involving humans and caused by humans. That's one of the extra reasons", "certain mysticism, languid pace and flowery prose). My book is fast-paced, full of", "the mystery itself focuses on a (series of) murder(s), involving humans and caused", "itself). Here's the difficult part. These immortals are simply long-lived characters who come", "mystery* subgenre. I've turned to fantasy too, but most subgenres that seemed somewhat", "genre is about the complete opposite of my book in terms of tone", "a confined space where all the characters know and suspect each other, lots", "immortals are simply long-lived characters who come back to life upon death; nothing", "traditional mysteries (a murder in a confined space where all the characters know", "all the clues are presented throughout). The central question is not a whodunnit,", "plot, my book is an ensemble piece involving seven immortal characters, some who", "the paranormal mystery subgenre. I've turned to fantasy too, but most subgenres that", "letter and begin searching for agents. My problem is that I don't know", "of snappy dialogues and does actually treat immortality as something special, rather than", "if there's anything that fits, as I've only read a bunch of classic", "mystery genre, especially from traditional mysteries (a murder in a confined space where", "about SF subgenres to see if there's anything that fits, as I've only", "mostly inside a hotel). The book borrows a lot of tropes from the", "book is an ensemble piece involving seven immortal characters, some who have lived", "that seemed somewhat plausible (contemporary fantasy or urban fantasy, for example), seemed to", "a natural occurrence. I'm afraid if I pitch my book as just a", "off by the supernatural element. If I pitch this as fantasy or paranormal", "Edit: My book is somewhat similar to Death Note in that the supernatural", "afraid if I pitch my book as just a mystery, most agents/publishers/mystery readers", "piece involving seven immortal characters, some who have lived merely decades, others centuries", "more of a plot device/means for the mystery to happen, not the mystery", "other paranormal beings inside the narrative (think ghosts or vampires or werewolves). Thus", "I'm finally gathering courage to write a query letter and begin searching for", "the characters know and suspect each other, lots of red herrings, a fair", "that this genre is about the complete opposite of my book in terms", "reader where all the clues are presented throughout). The central question is not", "genres. Without actually getting into the plot, my book is an ensemble piece", "and flowery prose). My book is fast-paced, full of snappy dialogues and does", "the reader where all the clues are presented throughout). The central question is", "mysticism, languid pace and flowery prose). My book is fast-paced, full of snappy", "(contemporary fantasy or urban fantasy, for example), seemed to be quite heavy with", "especially from traditional mysteries (a murder in a confined space where all the", "it involves something related to the characters' condition as immortals (not the origin", "as I've only read a bunch of classic SF novels. Thus, I can't", "case, immortality) exist, then the mystery itself focuses on a (series of) murder(s),", "subgenres that seemed somewhat plausible (contemporary fantasy or urban fantasy, for example), seemed", "that fits, as I've only read a bunch of classic SF novels. Thus,", "contemporary (2018, mostly inside a hotel). The book borrows a lot of tropes", "a whydunnit and it involves something related to the characters' condition as immortals", "by humans. That's one of the extra reasons why I hesitate to call", "to the issue of immortality. Somebody in my writing club suggested magical realism.", "The central question is not a whodunnit, however, but a whydunnit and it", "have lived merely decades, others centuries or millennia. The setting is contemporary (2018,", "that the supernatural element is more of a plot device/means for the mystery", "to fall somewhere in between genres. Without actually getting into the plot, my", "of immortality. Somebody in my writing club suggested magical realism. The problem is", "agents/publishers/mystery readers will be turned off by the supernatural element. If I pitch", "happen, not the mystery investigated itself. If you suspend your disbelief and accept", "they will be expecting magic and paranormal beings. I don't know enough about", "immortality itself). Here's the difficult part. These immortals are simply long-lived characters who", "in my case, immortality) exist, then the mystery itself focuses on a (series", "inside the narrative (think ghosts or vampires or werewolves). Thus this can't fall", "searching for agents. My problem is that I don't know what kind of", "by the supernatural element. If I pitch this as fantasy or paranormal mystery,", "but most subgenres that seemed somewhat plausible (contemporary fantasy or urban fantasy, for", "the complete opposite of my book in terms of tone (since it involves", "challenge to the reader where all the clues are presented throughout). The central", "is somewhat similar to Death Note in that the supernatural element is more", "in between genres. Without actually getting into the plot, my book is an", "into the plot, my book is an ensemble piece involving seven immortal characters,", "of) murder(s), involving humans and caused by humans. That's one of the extra", "years, I've been writing and re-writing my novel involving immortal characters. Now I'm", "about (mystery with a slight supernatural twist)? It might help me tremendously, as", "book is somewhat similar to Death Note in that the supernatural element is", "(mystery with a slight supernatural twist)? It might help me tremendously, as I'd", "don't know enough about SF subgenres to see if there's anything that fits,", "suspend your disbelief and accept that Shinigami/Death Notes (or in my case, immortality)", "in a confined space where all the characters know and suspect each other,", "read a bunch of classic SF novels. Thus, I can't seem to figure", "seven immortal characters, some who have lived merely decades, others centuries or millennia.", "rather than a natural occurrence. I'm afraid if I pitch my book as", "(not the origin of immortality itself). Here's the difficult part. 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I'm afraid if I pitch my", "a starting point in seeing what kind of audience these books attracted. Edit:", "pitch my book as just a mystery, most agents/publishers/mystery readers will be turned", "I've been writing and re-writing my novel involving immortal characters. Now I'm finally", "not the mystery investigated itself. If you suspend your disbelief and accept that", "lots of red herrings, a fair challenge to the reader where all the", "audience these books attracted. Edit: My book is somewhat similar to Death Note", "The problem is that this genre is about the complete opposite of my", "what kind of agents to contact, as my book seems to fall somewhere", "my audience either. Thoughts? Also, are there any other books that fall between", "be expecting magic and paranormal beings. I don't know enough about SF subgenres", "besides their prolonged existence. They don't have any special powers. There is no", "subgenres to see if there's anything that fits, as I've only read a", "For more than three years, I've been writing and re-writing my novel involving", "part. These immortals are simply long-lived characters who come back to life upon", "fantasy, for example), seemed to be quite heavy with the supernatural* elements; my", "I'd have a starting point in seeing what kind of audience these books", "is not a whodunnit, however, but a whydunnit and it involves something related", "my book in terms of tone (since it involves a certain mysticism, languid", "decades, others centuries or millennia. The setting is contemporary (2018, mostly inside a", "suspect each other, lots of red herrings, a fair challenge to the reader", "question is not a whodunnit, however, but a whydunnit and it involves something", "not a whodunnit, however, but a whydunnit and it involves something related to", "starting point in seeing what kind of audience these books attracted. 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My book is", "the characters' condition as immortals (not the origin of immortality itself). Here's the", "classic SF novels. Thus, I can't seem to figure out my audience either.", "an ensemble piece involving seven immortal characters, some who have lived merely decades,", "the supernatural element. If I pitch this as fantasy or paranormal mystery, they", "books attracted. Edit: My book is somewhat similar to Death Note in that", "supernatural twist)? It might help me tremendously, as I'd have a starting point", "quite heavy with the supernatural elements; my book isn't. If anything, it has", "languid pace and flowery prose). My book is fast-paced, full of snappy dialogues", "mystery investigated itself. If you suspend your disbelief and accept that Shinigami/Death Notes", "either. Thoughts? Also, are there any other books that fall between similar genres", "what kind of audience these books attracted. Edit: My book is somewhat similar", "subgenre. I've turned to fantasy too, but most subgenres that seemed somewhat plausible", "I pitch this as fantasy or paranormal mystery, they will be expecting magic", "inside a hotel). The book borrows a lot of tropes from the mystery", "it has a pretty rational approach to the issue of immortality. Somebody in", "suggested magical realism. The problem is that this genre is about the complete", "me about (mystery with a slight supernatural twist)? It might help me tremendously,", "I pitch my book as just a mystery, most agents/publishers/mystery readers will be", "fantasy or paranormal mystery, they will be expecting magic and paranormal beings. I", "fantasy* or urban fantasy, for example), seemed to be quite heavy with the", "have a starting point in seeing what kind of audience these books attracted.", "of audience these books attracted. 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There is no magical system inside", "full of snappy dialogues and does actually treat immortality as something special, rather", "in my writing club suggested magical realism. The problem is that this genre", "characters, some who have lived merely decades, others centuries or millennia. The setting", "magical system inside the story. There are no other paranormal beings inside the", "the supernatural* elements; my book isn't. If anything, it has a pretty rational", "fast-paced, full of snappy dialogues and does actually treat immortality as something special,", "borrows a lot of tropes from the mystery genre, especially from traditional mysteries", "lot of tropes from the mystery genre, especially from traditional mysteries (a murder", "as I'd have a starting point in seeing what kind of audience these", "gathering courage to write a query letter and begin searching for agents. 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My book is fast-paced,", "turned to fantasy too, but most subgenres that seemed somewhat plausible (contemporary fantasy", "story. There are no other paranormal beings inside the narrative (think ghosts or", "readers will be turned off by the supernatural element. If I pitch this", "seeing what kind of audience these books attracted. Edit: My book is somewhat", "fair challenge to the reader where all the clues are presented throughout). The", "into the paranormal mystery subgenre. I've turned to fantasy too, but most subgenres", "only read a bunch of classic SF novels. Thus, I can't seem to", "don't know what kind of agents to contact, as my book seems to", "you suspend your disbelief and accept that Shinigami/Death Notes (or in my case,", "a hotel). The book borrows a lot of tropes from the mystery genre,", "my book seems to fall somewhere in between genres. 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Now I'm finally gathering courage to write a query letter and", "is that I don't know what kind of agents to contact, as my", "If I pitch this as fantasy or paranormal mystery, they will be expecting", "presented throughout). The central question is not a whodunnit, however, but a whydunnit", "the supernatural element is more of a plot device/means for the mystery to", "These immortals are simply long-lived characters who come back to life upon death;", "simply long-lived characters who come back to life upon death; nothing sets them", "characters. Now I'm finally gathering courage to write a query letter and begin", "of my book in terms of tone (since it involves a certain mysticism,", "can't fall into the paranormal mystery subgenre. I've turned to fantasy too, but", "genres that you could tell me about (mystery with a slight supernatural twist)?", "pace and flowery prose). My book is fast-paced, full of snappy dialogues and", "somewhat similar to Death Note in that the supernatural element is more of", "me tremendously, as I'd have a starting point in seeing what kind of", "There is no magical system inside the story. There are no other paranormal", "(2018, mostly inside a hotel). The book borrows a lot of tropes from", "the story. There are no other paranormal beings inside the narrative (think ghosts", "tell me about (mystery with a slight supernatural twist)? It might help me", "merely decades, others centuries or millennia. The setting is contemporary (2018, mostly inside", "My problem is that I don't know what kind of agents to contact,", "supernatural elements; my book isn't. If anything, it has a pretty rational approach", "there's anything that fits, as I've only read a bunch of classic SF", "If you suspend your disbelief and accept that Shinigami/Death Notes (or in my", "My book is fast-paced, full of snappy dialogues and does actually treat immortality", "turned off by the supernatural element. If I pitch this as fantasy or", "a query letter and begin searching for agents. My problem is that I", "special powers. There is no magical system inside the story. There are no", "all the characters know and suspect each other, lots of red herrings, a", "are presented throughout). The central question is not a whodunnit, however, but a", "back to life upon death; nothing sets them apart from normal people besides", "I don't know enough about SF subgenres to see if there's anything that", "focuses on a (series of) murder(s), involving humans and caused by humans. That's", "to be quite heavy with the supernatural elements; my book isn't. If anything,", "complete opposite of my book in terms of tone (since it involves a", "agents to contact, as my book seems to fall somewhere in between genres.", "Thoughts? Also, are there any other books that fall between similar genres that", "about the complete opposite of my book in terms of tone (since it", "confined space where all the characters know and suspect each other, lots of", "(series of) murder(s), involving humans and caused by humans. That's one of the", "beings. I don't know enough about SF subgenres to see if there's anything", "and suspect each other, lots of red herrings, a fair challenge to the", "a whodunnit, however, but a whydunnit and it involves something related to the", "too, but most subgenres that seemed somewhat plausible (contemporary fantasy or urban fantasy,", "tremendously, as I'd have a starting point in seeing what kind of audience", "will be expecting magic and paranormal beings. I don't know enough about SF", "on a (series of) murder(s), involving humans and caused by humans. That's one", "you could tell me about (mystery with a slight supernatural twist)? It might", "club suggested magical realism. The problem is that this genre is about the", "powers. There is no magical system inside the story. There are no other", "book seems to fall somewhere in between genres. Without actually getting into the", "It might help me tremendously, as I'd have a starting point in seeing", "issue of immortality. Somebody in my writing club suggested magical realism. The problem", "seem to figure out my audience either. Thoughts? Also, are there any other", "them apart from normal people besides their prolonged existence. They don't have any", "accept that Shinigami/Death Notes (or in my case, immortality) exist, then the mystery", "special, rather than a natural occurrence. I'm afraid if I pitch my book", "is about the complete opposite of my book in terms of tone (since", "SF subgenres to see if there's anything that fits, as I've only read", "Shinigami/Death Notes (or in my case, immortality) exist, then the mystery itself focuses", "itself focuses on a (series of) murder(s), involving humans and caused by humans.", "pretty rational approach to the issue of immortality. Somebody in my writing club", "twist)? It might help me tremendously, as I'd have a starting point in", "from normal people besides their prolonged existence. They don't have any special powers.", "who have lived merely decades, others centuries or millennia. The setting is contemporary", "flowery prose). My book is fast-paced, full of snappy dialogues and does actually", "figure out my audience either. Thoughts? Also, are there any other books that", "hotel). The book borrows a lot of tropes from the mystery genre, especially", "with the supernatural elements; my book isn't. If anything, it has a pretty", "That's one of the extra reasons why I hesitate to call this fantasy.", "terms of tone (since it involves a certain mysticism, languid pace and flowery", "from the mystery genre, especially from traditional mysteries (a murder in a confined", "the mystery genre, especially from traditional mysteries (a murder in a confined space", "similar genres that you could tell me about (mystery with a slight supernatural", "writing and re-writing my novel involving immortal characters. Now I'm finally gathering courage", "or millennia. The setting is contemporary (2018, mostly inside a hotel). The book", "whodunnit, however, but a whydunnit and it involves something related to the characters'", "supernatural element is more of a plot device/means for the mystery to happen,", "Here's the difficult part. These immortals are simply long-lived characters who come back", "other books that fall between similar genres that you could tell me about", "genre, especially from traditional mysteries (a murder in a confined space where all", "query letter and begin searching for agents. My problem is that I don't", "fall somewhere in between genres. Without actually getting into the plot, my book", "help me tremendously, as I'd have a starting point in seeing what kind", "a certain mysticism, languid pace and flowery prose). My book is fast-paced, full", "attracted. Edit: My book is somewhat similar to Death Note in that the", "is fast-paced, full of snappy dialogues and does actually treat immortality as something", "my novel involving immortal characters. Now I'm finally gathering courage to write a", "immortals (not the origin of immortality itself). Here's the difficult part. These immortals", "problem is that this genre is about the complete opposite of my book", "of a plot device/means for the mystery to happen, not the mystery investigated", "just a mystery, most agents/publishers/mystery readers will be turned off by the supernatural", "the plot, my book is an ensemble piece involving seven immortal characters, some", "(think ghosts or vampires or werewolves). Thus this can't fall into the paranormal", "book is fast-paced, full of snappy dialogues and does actually treat immortality as", "difficult part. These immortals are simply long-lived characters who come back to life", "system inside the story. There are no other paranormal beings inside the narrative", "pitch this as fantasy or paranormal mystery, they will be expecting magic and", "realism. The problem is that this genre is about the complete opposite of", "some who have lived merely decades, others centuries or millennia. The setting is", "and paranormal beings. I don't know enough about SF subgenres to see if", "prolonged existence. They don't have any special powers. There is no magical system", "to fantasy too, but most subgenres that seemed somewhat plausible (contemporary fantasy or", "If anything, it has a pretty rational approach to the issue of immortality.", "see if there's anything that fits, as I've only read a bunch of", "or paranormal mystery, they will be expecting magic and paranormal beings. I don't", "(or in my case, immortality) exist, then the mystery itself focuses on a", "people besides their prolonged existence. They don't have any special powers. There is", "centuries or millennia. The setting is contemporary (2018, mostly inside a hotel). The", "approach to the issue of immortality. Somebody in my writing club suggested magical", "There are no other paranormal beings inside the narrative (think ghosts or vampires", "immortality. Somebody in my writing club suggested magical realism. The problem is that", "to Death Note in that the supernatural element is more of a plot", "long-lived characters who come back to life upon death; nothing sets them apart", "Note in that the supernatural element is more of a plot device/means for", "I've only read a bunch of classic SF novels. Thus, I can't seem", "or werewolves). Thus this can't fall into the paranormal mystery* subgenre. I've turned", "problem is that I don't know what kind of agents to contact, as", "plausible (contemporary fantasy or urban fantasy, for example), seemed to be quite heavy", "any other books that fall between similar genres that you could tell me", "werewolves). Thus this can't fall into the paranormal mystery subgenre. I've turned to", "courage to write a query letter and begin searching for agents. My problem", "isn't. If anything, it has a pretty rational approach to the issue of", "kind of audience these books attracted. Edit: My book is somewhat similar to", "narrative (think ghosts or vampires or werewolves). Thus this can't fall into the", "know enough about SF subgenres to see if there's anything that fits, as", "seemed to be quite heavy with the supernatural elements; my book isn't. If", "each other, lots of red herrings, a fair challenge to the reader where", "(a murder in a confined space where all the characters know and suspect", "They don't have any special powers. There is no magical system inside the", "slight supernatural twist)? It might help me tremendously, as I'd have a starting", "book as just a mystery, most agents/publishers/mystery readers will be turned off by", "heavy with the supernatural elements; my book isn't. If anything, it has a", "Notes (or in my case, immortality) exist, then the mystery itself focuses on", "lived merely decades, others centuries or millennia. The setting is contemporary (2018, mostly", "who come back to life upon death; nothing sets them apart from normal", "as immortals (not the origin of immortality itself). Here's the difficult part. These", "begin searching for agents. My problem is that I don't know what kind", "magic and paranormal beings. I don't know enough about SF subgenres to see", "most agents/publishers/mystery readers will be turned off by the supernatural element. If I", "Thus, I can't seem to figure out my audience either. Thoughts? Also, are", "upon death; nothing sets them apart from normal people besides their prolonged existence.", "or urban fantasy, for example), seemed to be quite heavy with the supernatural", "my book as just a mystery, most agents/publishers/mystery readers will be turned off", "have any special powers. There is no magical system inside the story. There", "and re-writing my novel involving immortal characters. Now I'm finally gathering courage to", "the mystery to happen, not the mystery investigated itself. If you suspend your", "to happen, not the mystery investigated itself. If you suspend your disbelief and", "and it involves something related to the characters' condition as immortals (not the", "plot device/means for the mystery to happen, not the mystery investigated itself. If", "is more of a plot device/means for the mystery to happen, not the", "mystery, they will be expecting magic and paranormal beings. I don't know enough", "I can't seem to figure out my audience either. Thoughts? Also, are there", "that fall between similar genres that you could tell me about (mystery with", "agents. My problem is that I don't know what kind of agents to", "to life upon death; nothing sets them apart from normal people besides their", "life upon death; nothing sets them apart from normal people besides their prolonged", "kind of agents to contact, as my book seems to fall somewhere in", "ghosts or vampires or werewolves). Thus this can't fall into the paranormal mystery", "there any other books that fall between similar genres that you could tell", "tropes from the mystery genre, especially from traditional mysteries (a murder in a", "is no magical system inside the story. There are no other paranormal beings", "write a query letter and begin searching for agents. My problem is that", "inside the story. There are no other paranormal beings inside the narrative (think", "beings inside the narrative (think ghosts or vampires or werewolves). Thus this can't", "central question is not a whodunnit, however, but a whydunnit and it involves", "the difficult part. These immortals are simply long-lived characters who come back to", "that you could tell me about (mystery with a slight supernatural twist)? It", "book borrows a lot of tropes from the mystery genre, especially from traditional", "between genres. Without actually getting into the plot, my book is an ensemble", "come back to life upon death; nothing sets them apart from normal people", "clues are presented throughout). The central question is not a whodunnit, however, but", "book isn't. If anything, it has a pretty rational approach to the issue", "Without actually getting into the plot, my book is an ensemble piece involving", "something related to the characters' condition as immortals (not the origin of immortality", "and caused by humans. That's one of the extra reasons why I hesitate", "but a whydunnit and it involves something related to the characters' condition as", "seemed somewhat plausible (contemporary fantasy or urban fantasy, for example), seemed to be", "bunch of classic SF novels. Thus, I can't seem to figure out my", "treat immortality as something special, rather than a natural occurrence. I'm afraid if", "fall between similar genres that you could tell me about (mystery with a", "sets them apart from normal people besides their prolonged existence. They don't have", "dialogues and does actually treat immortality as something special, rather than a natural", "as something special, rather than a natural occurrence. I'm afraid if I pitch", "paranormal beings. I don't know enough about SF subgenres to see if there's", "The setting is contemporary (2018, mostly inside a hotel). The book borrows a", "elements; my book isn't. If anything, it has a pretty rational approach to", "my book isn't. If anything, it has a pretty rational approach to the", "does actually treat immortality as something special, rather than a natural occurrence. I'm", "involving seven immortal characters, some who have lived merely decades, others centuries or", "most subgenres that seemed somewhat plausible (contemporary fantasy or urban fantasy, for example),", "know and suspect each other, lots of red herrings, a fair challenge to", "a (series of) murder(s), involving humans and caused by humans. That's one of", "than three years, I've been writing and re-writing my novel involving immortal characters.", "a lot of tropes from the mystery genre, especially from traditional mysteries (a", "from traditional mysteries (a murder in a confined space where all the characters", "similar to Death Note in that the supernatural element is more of a", "more than three years, I've been writing and re-writing my novel involving immortal", "book in terms of tone (since it involves a certain mysticism, languid pace", "rational approach to the issue of immortality. Somebody in my writing club suggested", "mystery, most agents/publishers/mystery readers will be turned off by the supernatural element. If", "involving immortal characters. Now I'm finally gathering courage to write a query letter", "than a natural occurrence. I'm afraid if I pitch my book as just", "mysteries (a murder in a confined space where all the characters know and", "if I pitch my book as just a mystery, most agents/publishers/mystery readers will", "The book borrows a lot of tropes from the mystery genre, especially from", "to see if there's anything that fits, as I've only read a bunch", "origin of immortality itself). Here's the difficult part. These immortals are simply long-lived", "Thus this can't fall into the paranormal mystery subgenre. I've turned to fantasy", "their prolonged existence. They don't have any special powers. There is no magical", "my book is an ensemble piece involving seven immortal characters, some who have", "as my book seems to fall somewhere in between genres. Without actually getting", "fall into the paranormal mystery subgenre. I've turned to fantasy too, but most", "that I don't know what kind of agents to contact, as my book", "somewhat plausible (contemporary fantasy or urban fantasy, for example), seemed to be quite", "no magical system inside the story. There are no other paranormal beings inside", "Somebody in my writing club suggested magical realism. The problem is that this", "Death Note in that the supernatural element is more of a plot device/means", "and begin searching for agents. My problem is that I don't know what", "are no other paranormal beings inside the narrative (think ghosts or vampires or", "opposite of my book in terms of tone (since it involves a certain", "is contemporary (2018, mostly inside a hotel). The book borrows a lot of", "humans. That's one of the extra reasons why I hesitate to call this", "for the mystery to happen, not the mystery investigated itself. If you suspend", "example), seemed to be quite heavy with the supernatural elements; my book isn't.", "a bunch of classic SF novels. Thus, I can't seem to figure out", "be turned off by the supernatural element. If I pitch this as fantasy", "my case, immortality) exist, then the mystery itself focuses on a (series of)", "novels. Thus, I can't seem to figure out my audience either. Thoughts? Also,", "normal people besides their prolonged existence. They don't have any special powers. There", "these books attracted. Edit: My book is somewhat similar to Death Note in", "your disbelief and accept that Shinigami/Death Notes (or in my case, immortality) exist,", "supernatural element. If I pitch this as fantasy or paranormal mystery, they will", "humans and caused by humans. That's one of the extra reasons why I", "as fantasy or paranormal mystery, they will be expecting magic and paranormal beings.", "throughout). The central question is not a whodunnit, however, but a whydunnit and", "setting is contemporary (2018, mostly inside a hotel). The book borrows a lot", "is that this genre is about the complete opposite of my book in", "immortal characters, some who have lived merely decades, others centuries or millennia. The", "involving humans and caused by humans. That's one of the extra reasons why", "has a pretty rational approach to the issue of immortality. Somebody in my", "paranormal mystery, they will be expecting magic and paranormal beings. I don't know", "any special powers. There is no magical system inside the story. There are", "however, but a whydunnit and it involves something related to the characters' condition", "element is more of a plot device/means for the mystery to happen, not", "I don't know what kind of agents to contact, as my book seems" ]
[ "which the author occasionally referred to themselves as \"the author\", but this seems", "use the passive voice? For example, in the beginning of my report should", "be better to use the passive voice? For example, in the beginning of", "> > The author will consider several arguments... > > > or >", "how I use it. Would it be better to use the passive voice?", "clunky depending how I use it. Would it be better to use the", "arguments will be considered... > > > Which looks better? Are there better", "myself as \"me\" or \"I\". I've seen an example piece in which the", "that I should avoid referring to myself as \"me\" or \"I\". I've seen", "but I understand that I should avoid referring to myself as \"me\" or", "understand that I should avoid referring to myself as \"me\" or \"I\". I've", "avoid referring to myself as \"me\" or \"I\". 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Would it be better", "a report for a piece of University coursework, but I understand that I", "write > > The author will consider several arguments... > > > or", "piece of University coursework, but I understand that I should avoid referring to", "an example piece in which the author occasionally referred to themselves as \"the", "> > or > > Several arguments will be considered... > > >", "I'm writing a report for a piece of University coursework, but I understand", "author occasionally referred to themselves as \"the author\", but this seems a little", "I understand that I should avoid referring to myself as \"me\" or \"I\".", "example piece in which the author occasionally referred to themselves as \"the author\",", "referring to myself as \"me\" or \"I\". I've seen an example piece in", "should I write > > The author will consider several arguments... > >", "> > > or > > Several arguments will be considered... > >", "use it. Would it be better to use the passive voice? For example,", "of University coursework, but I understand that I should avoid referring to myself", "Several arguments will be considered... > > > Which looks better? Are there", "as \"me\" or \"I\". I've seen an example piece in which the author", "voice? For example, in the beginning of my report should I write >", "of my report should I write > > The author will consider several", "occasionally referred to themselves as \"the author\", but this seems a little clunky", "be considered... > > > Which looks better? Are there better alternatives to", "a piece of University coursework, but I understand that I should avoid referring", "to myself as \"me\" or \"I\". I've seen an example piece in which", "I've seen an example piece in which the author occasionally referred to themselves", "author will consider several arguments... > > > or > > Several arguments", "passive voice? For example, in the beginning of my report should I write", "\"me\" or \"I\". I've seen an example piece in which the author occasionally", "but this seems a little clunky depending how I use it. Would it", "consider several arguments... > > > or > > Several arguments will be", "report for a piece of University coursework, but I understand that I should", "arguments... > > > or > > Several arguments will be considered... >", "to use the passive voice? For example, in the beginning of my report", "my report should I write > > The author will consider several arguments...", "or \"I\". I've seen an example piece in which the author occasionally referred", "writing a report for a piece of University coursework, but I understand that", "University coursework, but I understand that I should avoid referring to myself as", "to themselves as \"the author\", but this seems a little clunky depending how", "\"I\". I've seen an example piece in which the author occasionally referred to", "> > Several arguments will be considered... > > > Which looks better?", "depending how I use it. Would it be better to use the passive", "it be better to use the passive voice? For example, in the beginning", "little clunky depending how I use it. Would it be better to use", "the passive voice? For example, in the beginning of my report should I", "several arguments... > > > or > > Several arguments will be considered...", "coursework, but I understand that I should avoid referring to myself as \"me\"", "The author will consider several arguments... > > > or > > Several", "themselves as \"the author\", but this seems a little clunky depending how I", "\"the author\", but this seems a little clunky depending how I use it.", "piece in which the author occasionally referred to themselves as \"the author\", but", "will consider several arguments... > > > or > > Several arguments will", "as \"the author\", but this seems a little clunky depending how I use", "I use it. Would it be better to use the passive voice? For", "or > > Several arguments will be considered... > > > Which looks", "beginning of my report should I write > > The author will consider", "the author occasionally referred to themselves as \"the author\", but this seems a", "author\", but this seems a little clunky depending how I use it. Would", "the beginning of my report should I write > > The author will", "> Several arguments will be considered... > > > Which looks better? Are", "better to use the passive voice? For example, in the beginning of my", "this seems a little clunky depending how I use it. Would it be", "I should avoid referring to myself as \"me\" or \"I\". I've seen an", "a little clunky depending how I use it. Would it be better to", "seen an example piece in which the author occasionally referred to themselves as", "will be considered... > > > Which looks better? Are there better alternatives", "should avoid referring to myself as \"me\" or \"I\". I've seen an example", "For example, in the beginning of my report should I write > >", "considered... > > > Which looks better? Are there better alternatives to \"the", "in the beginning of my report should I write > > The author", "example, in the beginning of my report should I write > > The", "in which the author occasionally referred to themselves as \"the author\", but this", "it. Would it be better to use the passive voice? For example, in", "Would it be better to use the passive voice? For example, in the", "> > > Which looks better? Are there better alternatives to \"the author\"?", "> The author will consider several arguments... > > > or > >", "for a piece of University coursework, but I understand that I should avoid" ]
[ "situation rather than creating or controlling it. > > > I'm having trouble", "a lot of topics which claim that reactive protagonists are generally frowned upon.", "response to a situation rather than creating or controlling it. > > >", "> > > I'm having trouble understanding why such a protagonist would be", "while reading about it I've found a lot of topics which claim that", "which claim that reactive protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting", "lot of topics which claim that reactive protagonists are generally frowned upon. >", "> > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather than creating or", "rather than creating or controlling it. > > > I'm having trouble understanding", "of topics which claim that reactive protagonists are generally frowned upon. > >", "> [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather than creating or controlling", "into writing and while reading about it I've found a lot of topics", "about it I've found a lot of topics which claim that reactive protagonists", "I've found a lot of topics which claim that reactive protagonists are generally", "Acting in response to a situation rather than creating or controlling it. >", "claim that reactive protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in", "or controlling it. > > > I'm having trouble understanding why such a", "it. > > > I'm having trouble understanding why such a protagonist would", "reading about it I've found a lot of topics which claim that reactive", "to a situation rather than creating or controlling it. > > > I'm", "found a lot of topics which claim that reactive protagonists are generally frowned", "are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation", "controlling it. > > > I'm having trouble understanding why such a protagonist", "reactive protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to", "just getting into writing and while reading about it I've found a lot", "protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a", "creating or controlling it. > > > I'm having trouble understanding why such", "[Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather than creating or controlling it.", "and while reading about it I've found a lot of topics which claim", "a situation rather than creating or controlling it. > > > I'm having", "generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather", "getting into writing and while reading about it I've found a lot of", "topics which claim that reactive protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive):", "writing and while reading about it I've found a lot of topics which", "I'm just getting into writing and while reading about it I've found a", "than creating or controlling it. > > > I'm having trouble understanding why", "upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather than creating", "that reactive protagonists are generally frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response", "> > I'm having trouble understanding why such a protagonist would be unacceptable.", "it I've found a lot of topics which claim that reactive protagonists are", "frowned upon. > > [Reactive](https://en.oxforddictionaries.com/definition/reactive): Acting in response to a situation rather than", "in response to a situation rather than creating or controlling it. > >" ]
[ "my view this added to the charm of their writings. If I attempt", "manuscripts. In my view this added to the charm of their writings. If", "charm of their writings. If I attempt such a thing and do it", "added to the charm of their writings. If I attempt such a thing", "obscure old manuscripts. In my view this added to the charm of their", "found and edited obscure old manuscripts. In my view this added to the", "and others have pretended (in the introduction to the story) to have found", "and edited obscure old manuscripts. In my view this added to the charm", "Umberto Eco, E. T. A. Hoffmann and others have pretended (in the introduction", "In my view this added to the charm of their writings. If I", "and do it well, do I risk the publisher denying my authorship and", "E. T. A. Hoffmann and others have pretended (in the introduction to the", "this added to the charm of their writings. If I attempt such a", "such a thing and do it well, do I risk the publisher denying", "their writings. If I attempt such a thing and do it well, do", "story) to have found and edited obscure old manuscripts. In my view this", "thing and do it well, do I risk the publisher denying my authorship", "have pretended (in the introduction to the story) to have found and edited", "attempt such a thing and do it well, do I risk the publisher", "introduction to the story) to have found and edited obscure old manuscripts. In", "do it well, do I risk the publisher denying my authorship and rights?", "T. A. Hoffmann and others have pretended (in the introduction to the story)", "a thing and do it well, do I risk the publisher denying my", "view this added to the charm of their writings. If I attempt such", "Eco, E. T. A. Hoffmann and others have pretended (in the introduction to", "edited obscure old manuscripts. In my view this added to the charm of", "writings. If I attempt such a thing and do it well, do I", "the charm of their writings. If I attempt such a thing and do", "A. Hoffmann and others have pretended (in the introduction to the story) to", "have found and edited obscure old manuscripts. In my view this added to", "to the charm of their writings. If I attempt such a thing and", "old manuscripts. In my view this added to the charm of their writings.", "of their writings. If I attempt such a thing and do it well,", "pretended (in the introduction to the story) to have found and edited obscure", "to the story) to have found and edited obscure old manuscripts. In my", "the story) to have found and edited obscure old manuscripts. In my view", "If I attempt such a thing and do it well, do I risk", "(in the introduction to the story) to have found and edited obscure old", "the introduction to the story) to have found and edited obscure old manuscripts.", "I attempt such a thing and do it well, do I risk the", "to have found and edited obscure old manuscripts. In my view this added", "others have pretended (in the introduction to the story) to have found and", "Hoffmann and others have pretended (in the introduction to the story) to have" ]
[ "a bad light? If it's all truth, am I okay to write it?", "tell their story that involves others and can place them in a bad", "am I okay to write it? Or do I need to change the", "place them in a bad light? If it's all truth, am I okay", "light? If it's all truth, am I okay to write it? Or do", "to help empower women in similar situations but it involves writing about my", "all truth, am I okay to write it? Or do I need to", "to write my story to help empower women in similar situations but it", "help empower women in similar situations but it involves writing about my ex.", "(other than writing a lot as a child). I want to write my", "writing a lot as a child). I want to write my story to", "does one tell their story that involves others and can place them in", "story that involves others and can place them in a bad light? If", "in a bad light? If it's all truth, am I okay to write", "lot as a child). I want to write my story to help empower", "them in a bad light? If it's all truth, am I okay to", "involves others and can place them in a bad light? If it's all", "want to write my story to help empower women in similar situations but", "my story to help empower women in similar situations but it involves writing", "a lot as a child). I want to write my story to help", "If it's all truth, am I okay to write it? Or do I", "to the writing world (other than writing a lot as a child). I", "involves writing about my ex. How does one tell their story that involves", "and can place them in a bad light? If it's all truth, am", "I okay to write it? Or do I need to change the names?", "about my ex. How does one tell their story that involves others and", "others and can place them in a bad light? If it's all truth,", "it involves writing about my ex. How does one tell their story that", "than writing a lot as a child). I want to write my story", "a child). I want to write my story to help empower women in", "ex. How does one tell their story that involves others and can place", "How does one tell their story that involves others and can place them", "one tell their story that involves others and can place them in a", "their story that involves others and can place them in a bad light?", "it's all truth, am I okay to write it? Or do I need", "my ex. How does one tell their story that involves others and can", "can place them in a bad light? If it's all truth, am I", "I want to write my story to help empower women in similar situations", "women in similar situations but it involves writing about my ex. How does", "writing world (other than writing a lot as a child). I want to", "in similar situations but it involves writing about my ex. How does one", "writing about my ex. How does one tell their story that involves others", "the writing world (other than writing a lot as a child). I want", "bad light? If it's all truth, am I okay to write it? Or", "empower women in similar situations but it involves writing about my ex. How", "similar situations but it involves writing about my ex. How does one tell", "world (other than writing a lot as a child). I want to write", "as a child). I want to write my story to help empower women", "story to help empower women in similar situations but it involves writing about", "but it involves writing about my ex. How does one tell their story", "truth, am I okay to write it? Or do I need to change", "I'm new to the writing world (other than writing a lot as a", "child). I want to write my story to help empower women in similar", "that involves others and can place them in a bad light? If it's", "write my story to help empower women in similar situations but it involves", "situations but it involves writing about my ex. How does one tell their", "new to the writing world (other than writing a lot as a child)." ]
[ "opens the door to a new skill acquiring dojo. I have decided that", "further in his quest. It's kind of like the Matrix and each key", "kind of like the Matrix and each key opens the door to a", "the protagonist enters a room the scene ends and the next one begins", "each key opens the door to a new skill acquiring dojo. I have", "room the scene ends and the next one begins and when he is", "time the protagonist enters a room the scene ends and the next one", "decided that every time the protagonist enters a room the scene ends and", "the next one begins and when he is done the process is repeated", "the scene ends and the next one begins and when he is done", "and when he is done the process is repeated until he reaches the", "ends and the next one begins and when he is done the process", "of these scenes without losing the interest of the readers and audience members?", "that help the main protagonist progress further in his quest. It's kind of", "the structure of these scenes without losing the interest of the readers and", "the Matrix and each key opens the door to a new skill acquiring", "next one begins and when he is done the process is repeated until", "the process is repeated until he reaches the final room with the villain.", "quest. It's kind of like the Matrix and each key opens the door", "he is done the process is repeated until he reaches the final room", "repeated until he reaches the final room with the villain. How do I", "until he reaches the final room with the villain. How do I repeat", "with the villain. How do I repeat the structure of these scenes without", "Matrix and each key opens the door to a new skill acquiring dojo.", "is repeated until he reaches the final room with the villain. How do", "skill acquiring dojo. I have decided that every time the protagonist enters a", "writing a playscript these days which includes various characters that are frequently related", "have decided that every time the protagonist enters a room the scene ends", "are frequently related throughout the story. They all hold special orbs/keys that help", "which includes various characters that are frequently related throughout the story. They all", "the story. They all hold special orbs/keys that help the main protagonist progress", "throughout the story. They all hold special orbs/keys that help the main protagonist", "various characters that are frequently related throughout the story. They all hold special", "that every time the protagonist enters a room the scene ends and the", "begins and when he is done the process is repeated until he reaches", "structure of these scenes without losing the interest of the readers and audience", "he reaches the final room with the villain. How do I repeat the", "the villain. How do I repeat the structure of these scenes without losing", "new skill acquiring dojo. I have decided that every time the protagonist enters", "acquiring dojo. I have decided that every time the protagonist enters a room", "dojo. I have decided that every time the protagonist enters a room the", "of like the Matrix and each key opens the door to a new", "that are frequently related throughout the story. They all hold special orbs/keys that", "hold special orbs/keys that help the main protagonist progress further in his quest.", "characters that are frequently related throughout the story. They all hold special orbs/keys", "They all hold special orbs/keys that help the main protagonist progress further in", "like the Matrix and each key opens the door to a new skill", "main protagonist progress further in his quest. It's kind of like the Matrix", "a playscript these days which includes various characters that are frequently related throughout", "I have decided that every time the protagonist enters a room the scene", "final room with the villain. How do I repeat the structure of these", "I repeat the structure of these scenes without losing the interest of the", "a new skill acquiring dojo. I have decided that every time the protagonist", "scene ends and the next one begins and when he is done the", "the door to a new skill acquiring dojo. I have decided that every", "and each key opens the door to a new skill acquiring dojo. I", "in his quest. It's kind of like the Matrix and each key opens", "How do I repeat the structure of these scenes without losing the interest", "when he is done the process is repeated until he reaches the final", "the main protagonist progress further in his quest. It's kind of like the", "every time the protagonist enters a room the scene ends and the next", "villain. How do I repeat the structure of these scenes without losing the", "is done the process is repeated until he reaches the final room with", "related throughout the story. They all hold special orbs/keys that help the main", "reaches the final room with the villain. How do I repeat the structure", "to a new skill acquiring dojo. I have decided that every time the", "protagonist progress further in his quest. It's kind of like the Matrix and", "all hold special orbs/keys that help the main protagonist progress further in his", "enters a room the scene ends and the next one begins and when", "progress further in his quest. It's kind of like the Matrix and each", "done the process is repeated until he reaches the final room with the", "one begins and when he is done the process is repeated until he", "repeat the structure of these scenes without losing the interest of the readers", "key opens the door to a new skill acquiring dojo. I have decided", "story. They all hold special orbs/keys that help the main protagonist progress further", "It's kind of like the Matrix and each key opens the door to", "a room the scene ends and the next one begins and when he", "help the main protagonist progress further in his quest. It's kind of like", "protagonist enters a room the scene ends and the next one begins and", "special orbs/keys that help the main protagonist progress further in his quest. It's", "I am writing a playscript these days which includes various characters that are", "door to a new skill acquiring dojo. I have decided that every time", "room with the villain. How do I repeat the structure of these scenes", "do I repeat the structure of these scenes without losing the interest of", "the final room with the villain. How do I repeat the structure of", "playscript these days which includes various characters that are frequently related throughout the", "orbs/keys that help the main protagonist progress further in his quest. It's kind", "his quest. It's kind of like the Matrix and each key opens the", "process is repeated until he reaches the final room with the villain. How", "frequently related throughout the story. They all hold special orbs/keys that help the", "days which includes various characters that are frequently related throughout the story. They", "these days which includes various characters that are frequently related throughout the story.", "and the next one begins and when he is done the process is", "am writing a playscript these days which includes various characters that are frequently", "includes various characters that are frequently related throughout the story. They all hold" ]
[ "an \"Urisnd\" bond. I would have thought that the fact they both have", "love between true friends. It was considered a \"higher form\" of love than", "more devoted to each other than they are to their wives. It's just", "translated as \"brotherly love\". It is the love between true friends. It was", "and Spock shared, for example. And the reason I chose Kenk and Spock", "what Kenk and Spock shared, for example. And the reason I chose Kenk", "was considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual", "part. That's what my question is about. Nor am I implying that only", "Wikipedia source). Philia is deeper than platonic love, or Urisnd, and has no", "two together. How can I indicate that a particular relationship is all Philia,", "and Spock as my example is of course the incredible amount of slash-fic", "each other. They have Philia. They share a strong emotional bond, in which", "Philia, no Urisnd involved? The tricky thing is, it is love, not \"just\"", "Philia. They share a strong emotional bond, in which sexual attraction plays no", "relationship is all Philia, no Urisnd involved?** The tricky thing is, it is", "would have thought that the fact they both have wives would be enough,", "Philia is deeper than platonic love, or Urisnd, and has no Urisnd component", "for all that Kenk is known for ogling (to say the least) every", "be enough, but for all that Kenk is known for ogling (to say", "they are to their wives. It's just not an \"Urisnd\" bond. I would", "who share a very strong emotional bond, they are more devoted to each", "several LGBT characters. It's just that sometimes two characters do not have Urisnd", "accepted, whereas whenever men are involved, sexual overtones get added in.) Philia is", "clarify, it's not that I have anything against LGBT characters. I've got several", "two characters do not have Urisnd for each other. They have Philia. They", "does he show any similar attraction towards men, he's still getting paired with", "from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical", "are involved, sexual overtones get added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love),", "female human or alien around, and never does he show any similar attraction", "[Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is what Kenk and Spock shared,", "I have anything against LGBT characters. I've got several LGBT characters. It's just", "a very strong emotional bond, they are more devoted to each other than", "that pairs those two together. How can I indicate that a particular relationship", "and never does he show any similar attraction towards men, he's still getting", "all Philia, no Urisnd involved? The tricky thing is, it is love, not", "to the other question, this is a love story - just not the", "is accepted, whereas whenever men are involved, sexual overtones get added in.) Philia", "reason I chose Kenk and Spock as my example is of course the", "Urisnd for each other. They have Philia. They share a strong emotional bond,", "female friends is accepted, whereas whenever men are involved, sexual overtones get added", "forms of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\".", "love, not \"just\" friendship. I've written two characters who share a very strong", "plays no part. That's what my question is about. Nor am I implying", "towards men, he's still getting paired with Spock. (To clarify, it's not that", "(see Wikipedia source). Philia is deeper than platonic love, or Urisnd, and has", "It's just not an \"Urisnd\" bond. I would have thought that the fact", "very strong emotional bond, they are more devoted to each other than they", "thought that the fact they both have wives would be enough, but for", "never does he show any similar attraction towards men, he's still getting paired", "They share a strong emotional bond, in which sexual attraction plays no part.", "with Spock. (To clarify, it's not that I have anything against LGBT characters.", "to each other than they are to their wives. It's just not an", "about. Nor am I implying that only men can experience Philia. But for", "They have Philia. They share a strong emotional bond, in which sexual attraction", "In a way, contrary to the other question, this is a love story", "against LGBT characters. I've got several LGBT characters. It's just that sometimes two", "[Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It is the love between true", "can I indicate that a particular relationship is all Philia, no Urisnd involved?", "I chose Kenk and Spock as my example is of course the incredible", "pairs those two together. How can I indicate that a particular relationship is", "is, it is love, not \"just\" friendship. I've written two characters who share", "Kenk and Spock as my example is of course the incredible amount of", "other. They have Philia. They share a strong emotional bond, in which sexual", "love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction is", "I indicate that a particular relationship is all Philia, no Urisnd involved?** The", "characters do not have Urisnd for each other. They have Philia. They share", "are to their wives. It's just not an \"Urisnd\" bond. I would have", "similar attraction towards men, he's still getting paired with Spock. (To clarify, it's", "have wives would be enough, but for all that Kenk is known for", "incredible amount of slash-fic that pairs those two together. *How can I indicate", "share a strong emotional bond, in which sexual attraction plays no part. That's", "I would have thought that the fact they both have wives would be", "he show any similar attraction towards men, he's still getting paired with Spock.", "thing is, it is* love, not \"just\" friendship. I've written two characters who", "Urisnd involved?** The tricky thing is, it is love, not \"just\" friendship. I've", "which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction is at least", "love. Philia is what Kenk and Spock shared, for example. And the reason", "of slash-fic that pairs those two together. How can I indicate that a", "can experience Philia. But for some reason, a strong bond between female friends", "no Urisnd involved? The tricky thing is, it is love, not \"just\" friendship.", "involved?** The tricky thing is, it is love, not \"just\" friendship. I've written", "the reason I chose Kenk and Spock as my example is of course", "as \"brotherly love\". It is the love between true friends. It was considered", "they are more devoted to each other than they are to their wives.", "characters who share a very strong emotional bond, they are more devoted to", "emotional bond, in which sexual attraction plays no part. That's what my question", "which sexual attraction plays no part. That's what my question is about. Nor", "strong bond between female friends is accepted, whereas whenever men are involved, sexual", "chose Kenk and Spock as my example is of course the incredible amount", "the romantic, sexual love. Philia is what Kenk and Spock shared, for example.", "share a very strong emotional bond, they are more devoted to each other", "It's just that sometimes two characters do not have Urisnd for each other.", "\"Urisnd\" bond. I would have thought that the fact they both have wives", "course the incredible amount of slash-fic that pairs those two together. How can", "get added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704)", "indicate that a particular relationship is all Philia, no Urisnd involved? The tricky", "is about. Nor am I implying that only men can experience Philia. But", "is usually translated as \"brotherly love\". It is the love between true friends.", "That's what my question is about. Nor am I implying that only men", "(To clarify, it's not that I have anything against LGBT characters. I've got", "is at least possible, but decided against (see Wikipedia source). Philia is deeper", "or alien around, and never does he show any similar attraction towards men,", "philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It is the love", "tricky thing is, it is love, not \"just\" friendship. I've written two characters", "known for ogling (to say the least) every female human or alien around,", "question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction is at least possible, but", "a strong emotional bond, in which sexual attraction plays no part. That's what", "getting paired with Spock. (To clarify, it's not that I have anything against", "for example. And the reason I chose Kenk and Spock as my example", "have Philia. They share a strong emotional bond, in which sexual attraction plays", "Spock shared, for example. And the reason I chose Kenk and Spock as", "the incredible amount of slash-fic that pairs those two together. How can I", "slash-fic that pairs those two together. How can I indicate that a particular", "not that I have anything against LGBT characters. I've got several LGBT characters.", "a strong bond between female friends is accepted, whereas whenever men are involved,", "Urisnd, and has no Urisnd component even potentially. In a way, contrary to", "It was considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic,", "all that Kenk is known for ogling (to say the least) every female", "no Urisnd component even potentially. In a way, contrary to the other question,", "at least possible, but decided against (see Wikipedia source). Philia is deeper than", "is of course the incredible amount of slash-fic that pairs those two together.", "is deeper than platonic love, or Urisnd, and has no Urisnd component even", "have anything against LGBT characters. I've got several LGBT characters. It's just that", "has no Urisnd component even potentially. In a way, contrary to the other", "men are involved, sexual overtones get added in.) Philia is different from [Platonic", "Spock. (To clarify, it's not that I have anything against LGBT characters. I've", "of course the incredible amount of slash-fic that pairs those two together. *How", "paired with Spock. (To clarify, it's not that I have anything against LGBT", "in which sexual attraction plays no part. That's what my question is about.", "shared, for example. And the reason I chose Kenk and Spock as my", "for each other. They have Philia. They share a strong emotional bond, in", "example. And the reason I chose Kenk and Spock as my example is", "every female human or alien around, and never does he show any similar", "[this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction is at least possible,", "only men can experience Philia. But for some reason, a strong bond between", "my example is of course the incredible amount of slash-fic that pairs those", "I've got several LGBT characters. It's just that sometimes two characters do not", "that I have anything against LGBT characters. I've got several LGBT characters. It's", "Philia is what Kenk and Spock shared, for example. And the reason I", "possible, but decided against (see Wikipedia source). Philia is deeper* than platonic love,", "attraction is at least possible, but decided against (see Wikipedia source). Philia is", "to their wives. It's just not an \"Urisnd\" bond. I would have thought", "attraction plays no part. That's what my question is about. Nor am I", "other question, this is a love story - just not the romantic kind", "show any similar attraction towards men, he's still getting paired with Spock. (To", "not \"just\" friendship. I've written two characters who share a very strong emotional", "have thought that the fact they both have wives would be enough, but", "Philia. But for some reason, a strong bond between female friends is accepted,", "\"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is", "true friends. It was considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) -", "it is love, not \"just\" friendship. I've written two characters who share a", "(to say the least) every female human or alien around, and never does", "bond between female friends is accepted, whereas whenever men are involved, sexual overtones", "sexual overtones get added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which", "bond, in which sexual attraction plays no part. That's what my question is", "are more devoted to each other than they are to their wives. It's", "the love between true friends. It was considered a \"higher form\" of love", "different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that", "characters. I've got several LGBT characters. It's just that sometimes two characters do", "no part. That's what my question is about. Nor am I implying that", "But for some reason, a strong bond between female friends is accepted, whereas", "those two together. *How can I indicate that a particular relationship is all", "two characters who share a very strong emotional bond, they are more devoted", "than they are to their wives. It's just not an \"Urisnd\" bond. I", "component even potentially. In a way, contrary to the other question, this is", "whereas whenever men are involved, sexual overtones get added in.) Philia is different", "other than they are to their wives. It's just not an \"Urisnd\" bond.", "would be enough, but for all that Kenk is known* for ogling (to", "\"brotherly love\". It is the love between true friends. It was considered a", "friends. It was considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the", "that Kenk is known for ogling (to say the least) every female human", "love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It is", "way, contrary to the other question, this is a love story - just", "least) every female human or alien around, and never does he show any", "devoted to each other than they are to their wives. It's just not", "Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It is the", "I implying that only men can experience Philia. But for some reason, a", "not an \"Urisnd\" bond. I would have thought that the fact they both", "recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It is the love between", "question, this is a love story - just not the romantic kind of", "have Urisnd for each other. They have Philia. They share a strong emotional", "a way, contrary to the other question, this is a love story -", "got several LGBT characters. It's just that sometimes two characters do not have", "contrary to the other question, this is a love story - just not", "romantic, sexual love. Philia is what Kenk and Spock shared, for example. And", "the least) every female human or alien around, and never does he show", "wives. It's just not an \"Urisnd\" bond. I would have thought that the", "a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia", "even potentially. In a way, contrary to the other question, this is a", "platonic love implies that physical attraction is at least possible, but decided against", "than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is what Kenk and Spock", "against (see Wikipedia source). Philia is deeper than platonic love, or Urisnd, and", "human or alien around, and never does he show any similar attraction towards", "bond, they are more devoted to each other than they are to their", "to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction is at", "LGBT characters. It's just that sometimes two characters do not have Urisnd for", "involved, sexual overtones get added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to", "love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is what Kenk and", "sexual attraction plays no part. That's what my question is about. Nor am", "that only men can experience Philia. But for some reason, a strong bond", "but decided against (see Wikipedia source). Philia is deeper than platonic love, or", "of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is what Kenk", "implies that physical attraction is at least possible, but decided against (see Wikipedia", "than platonic love, or Urisnd, and has no Urisnd component even potentially. In", "any similar attraction towards men, he's still getting paired with Spock. (To clarify,", "friendship. I've written two characters who share a very strong emotional bond, they", "ogling (to say the least) every female human or alien around, and never", "It is the love between true friends. It was considered a \"higher form\"", "relates: platonic love implies that physical attraction is at least possible, but decided", "physical attraction is at least possible, but decided against (see Wikipedia source). Philia", "[Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies that physical attraction", "deeper than platonic love, or Urisnd, and has no Urisnd component even potentially.", "One of the four forms of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually", "added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates:", "what my question is about. Nor am I implying that only men can", "is love, not \"just\" friendship. I've written two characters who share a very", "men can experience Philia. But for some reason, a strong bond between female", "particular relationship is all Philia, no Urisnd involved?** The tricky thing is, it", "the four forms of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as", "both have wives would be enough, but for all that Kenk is known", "that sometimes two characters do not have Urisnd for each other. They have", "example is of course the incredible amount of slash-fic that pairs those two", "for some reason, a strong bond between female friends is accepted, whereas whenever", "is known for ogling (to say the least) every female human or alien", "whenever men are involved, sexual overtones get added in.) Philia is different from", "is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love implies", "or Urisnd, and has no Urisnd component even potentially. In a way, contrary", "sometimes two characters do not have Urisnd for each other. They have Philia.", "that the fact they both have wives would be enough, but for all", "not have Urisnd for each other. They have Philia. They share a strong", "\"just\" friendship. I've written two characters who share a very strong emotional bond,", "together. *How can I indicate that a particular relationship is all Philia, no", "experience Philia. But for some reason, a strong bond between female friends is", "am I implying that only men can experience Philia. But for some reason,", "Nor am I implying that only men can experience Philia. But for some", "implying that only men can experience Philia. But for some reason, a strong", "sexual love. Philia is what Kenk and Spock shared, for example. And the", "decided against (see Wikipedia source). Philia is deeper* than platonic love, or Urisnd,", "still getting paired with Spock. (To clarify, it's not that I have anything", "*How can I indicate that a particular relationship is all Philia, no Urisnd", "my question is about. Nor am I implying that only men can experience", "Kenk is known* for ogling (to say the least) every female human or", "is what Kenk and Spock shared, for example. And the reason I chose", "that a particular relationship is all Philia, no Urisnd involved?** The tricky thing", "usually translated as \"brotherly love\". It is the love between true friends. It", "potentially. In a way, contrary to the other question, this is a love", "fact they both have wives would be enough, but for all that Kenk", "I've written two characters who share a very strong emotional bond, they are", "- the romantic, sexual love. Philia is what Kenk and Spock shared, for", "in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic", "each other than they are to their wives. It's just not an \"Urisnd\"", "of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly love\". It", "And the reason I chose Kenk and Spock as my example is of", "LGBT characters. I've got several LGBT characters. It's just that sometimes two characters", "their wives. It's just not an \"Urisnd\" bond. I would have thought that", "source). Philia is deeper than platonic love, or Urisnd, and has no Urisnd", "overtones get added in.) Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this", "just not an \"Urisnd\" bond. I would have thought that the fact they", "that physical attraction is at least possible, but decided against (see Wikipedia source).", "enough, but for all that Kenk is known for ogling (to say the", "wives would be enough, but for all that Kenk is known for ogling", "considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love.", "this is a love story - just not the romantic kind of love.", "question is about. Nor am I implying that only men can experience Philia.", "platonic love, or Urisnd, and has no Urisnd component even potentially. In a", "The tricky thing is, it is love, not \"just\" friendship. I've written two", "emotional bond, they are more devoted to each other than they are to", "they both have wives would be enough, but for all that Kenk is", "alien around, and never does he show any similar attraction towards men, he's", "between female friends is accepted, whereas whenever men are involved, sexual overtones get", "for ogling (to say the least) every female human or alien around, and", "Urisnd component even potentially. In a way, contrary to the other question, this", "around, and never does he show any similar attraction towards men, he's still", "written two characters who share a very strong emotional bond, they are more", "bond. I would have thought that the fact they both have wives would", "Philia is different from [Platonic love](https://en.wikipedia.org/wiki/Platonic_love), to which [this question](https://writing.stackexchange.com/q/35903/14704) relates: platonic love", "four forms of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated as \"brotherly", "is the love between true friends. It was considered a \"higher form\" of", "it's not that I have anything against LGBT characters. I've got several LGBT", "just that sometimes two characters do not have Urisnd for each other. They", "a particular relationship is all Philia, no Urisnd involved? The tricky thing is,", "of the four forms of love Greek philosophy recognised, [Philia](https://en.wikipedia.org/wiki/Philia) is usually translated", "love implies that physical attraction is at least possible, but decided against (see", "Kenk and Spock shared, for example. And the reason I chose Kenk and", "the fact they both have wives would be enough, but for all that", "between true friends. It was considered a \"higher form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept))", "is all Philia, no Urisnd involved? The tricky thing is, it is love,", "strong emotional bond, they are more devoted to each other than they are", "anything against LGBT characters. I've got several LGBT characters. It's just that sometimes", "attraction towards men, he's still getting paired with Spock. (To clarify, it's not", "the other question, this is a love story - just not the romantic", "least possible, but decided against (see Wikipedia source). Philia is deeper than platonic", "some reason, a strong bond between female friends is accepted, whereas whenever men", "but for all that Kenk is known for ogling (to say the least)", "do not have Urisnd for each other. They have Philia. They share a", "say the least) every female human or alien around, and never does he", "Spock as my example is of course the incredible amount of slash-fic that", "reason, a strong bond between female friends is accepted, whereas whenever men are", "friends is accepted, whereas whenever men are involved, sexual overtones get added in.)", "characters. It's just that sometimes two characters do not have Urisnd for each", "as my example is of course the incredible amount of slash-fic that pairs", "amount of slash-fic that pairs those two together. **How can I indicate that", "he's still getting paired with Spock. (To clarify, it's not that I have", "love, or Urisnd, and has no Urisnd component even potentially. In a way,", "men, he's still getting paired with Spock. (To clarify, it's not that I", "strong emotional bond, in which sexual attraction plays no part. That's what my", "and has no Urisnd component even potentially. In a way, contrary to the", "form\" of love than [Urisnd](https://en.wikipedia.org/wiki/Urisnd_(concept)) - the romantic, sexual love. Philia is what", "love\". It is the love between true friends. It was considered a \"higher" ]
[ "> “BitTorrent traffic accounts for 18% of all internet traffic”, [3] two thirds", "thirds of which is estimated to be illegally distributed copyrighted material. [3] >", "of which is estimated to be illegally distributed copyrighted material. [3] > >", "distributed copyrighted material. [3] > > > Should I even include the second", "same citations be? Here is the sentence in question: > > “BitTorrent traffic", "the second citation? It also comes from the cited source, but having two", "is the sentence in question: > > “BitTorrent traffic accounts for 18% of", "in academic writing, but how close together can two of the same citations", "from the cited source, but having two identical citations so close looks clumsy.", "a citation in academic writing, but how close together can two of the", "academic writing, but how close together can two of the same citations be?", "be? Here is the sentence in question: > > “BitTorrent traffic accounts for", "to be illegally distributed copyrighted material. [3] > > > Should I even", "understand you should always follow a quotation with a citation in academic writing,", "illegally distributed copyrighted material. [3] > > > Should I even include the", "I understand you should always follow a quotation with a citation in academic", "two of the same citations be? Here is the sentence in question: >", "citation? It also comes from the cited source, but having two identical citations", "the same citations be? Here is the sentence in question: > > “BitTorrent", "> > Should I even include the second citation? It also comes from", "> > “BitTorrent traffic accounts for 18% of all internet traffic”, [3] two", "second citation? It also comes from the cited source, but having two identical", "always follow a quotation with a citation in academic writing, but how close", "is estimated to be illegally distributed copyrighted material. [3] > > > Should", "two thirds of which is estimated to be illegally distributed copyrighted material. [3]", "include the second citation? It also comes from the cited source, but having", "traffic accounts for 18% of all internet traffic”, [3] two thirds of which", "> Should I even include the second citation? It also comes from the", "in question: > > “BitTorrent traffic accounts for 18% of all internet traffic”,", "a quotation with a citation in academic writing, but how close together can", "comes from the cited source, but having two identical citations so close looks", "but how close together can two of the same citations be? Here is", "of the same citations be? Here is the sentence in question: > >", "with a citation in academic writing, but how close together can two of", "all internet traffic”, [3] two thirds of which is estimated to be illegally", "how close together can two of the same citations be? Here is the", "estimated to be illegally distributed copyrighted material. [3] > > > Should I", "question: > > “BitTorrent traffic accounts for 18% of all internet traffic”, [3]", "material. [3] > > > Should I even include the second citation? It", "I even include the second citation? It also comes from the cited source,", "citations be? Here is the sentence in question: > > “BitTorrent traffic accounts", "Here is the sentence in question: > > “BitTorrent traffic accounts for 18%", "Should I even include the second citation? It also comes from the cited", "you should always follow a quotation with a citation in academic writing, but", "[3] > > > Should I even include the second citation? It also", "traffic”, [3] two thirds of which is estimated to be illegally distributed copyrighted", "close together can two of the same citations be? Here is the sentence", "writing, but how close together can two of the same citations be? Here", "even include the second citation? It also comes from the cited source, but", "> > > Should I even include the second citation? It also comes", "can two of the same citations be? Here is the sentence in question:", "18% of all internet traffic”, [3] two thirds of which is estimated to", "citation in academic writing, but how close together can two of the same", "together can two of the same citations be? Here is the sentence in", "of all internet traffic”, [3] two thirds of which is estimated to be", "“BitTorrent traffic accounts for 18% of all internet traffic”, [3] two thirds of", "quotation with a citation in academic writing, but how close together can two", "sentence in question: > > “BitTorrent traffic accounts for 18% of all internet", "should always follow a quotation with a citation in academic writing, but how", "accounts for 18% of all internet traffic”, [3] two thirds of which is", "the sentence in question: > > “BitTorrent traffic accounts for 18% of all", "follow a quotation with a citation in academic writing, but how close together", "[3] two thirds of which is estimated to be illegally distributed copyrighted material.", "It also comes from the cited source, but having two identical citations so", "internet traffic”, [3] two thirds of which is estimated to be illegally distributed", "also comes from the cited source, but having two identical citations so close", "be illegally distributed copyrighted material. [3] > > > Should I even include", "copyrighted material. [3] > > > Should I even include the second citation?", "for 18% of all internet traffic”, [3] two thirds of which is estimated", "which is estimated to be illegally distributed copyrighted material. [3] > > >" ]
[ "a novel, and in those books I think of drawing a scene where", "of drawing a scene where his passion is listening to him. What's the", "his passion is listening to him. What's the best way to insert a", "drawing a scene where his passion is listening to him. What's the best", "where the protagonist is a musician, it's a novel, and in those books", "scene where his passion is listening to him. What's the best way to", "those books I think of drawing a scene where his passion is listening", "a book where the protagonist is a musician, it's a novel, and in", "a musician, it's a novel, and in those books I think of drawing", "writing a book where the protagonist is a musician, it's a novel, and", "a scene where his passion is listening to him. What's the best way", "the protagonist is a musician, it's a novel, and in those books I", "books I think of drawing a scene where his passion is listening to", "i'm writing a book where the protagonist is a musician, it's a novel,", "novel, and in those books I think of drawing a scene where his", "in those books I think of drawing a scene where his passion is", "where his passion is listening to him. What's the best way to insert", "is listening to him. What's the best way to insert a scene like", "passion is listening to him. What's the best way to insert a scene", "book where the protagonist is a musician, it's a novel, and in those", "think of drawing a scene where his passion is listening to him. What's", "listening to him. What's the best way to insert a scene like this?", "musician, it's a novel, and in those books I think of drawing a", "it's a novel, and in those books I think of drawing a scene", "is a musician, it's a novel, and in those books I think of", "I think of drawing a scene where his passion is listening to him.", "and in those books I think of drawing a scene where his passion", "protagonist is a musician, it's a novel, and in those books I think" ]
[ "to patch himself up a bit before limping off etc. I want to", "going like the energizer bunny. I try to set up for a rapid", "is injured and keeps going like the energizer bunny. I try to set", "when someone might say ‘enough already he’s hurt, get on with it’. Should", "thing that bothers me is a character who is injured and keeps going", "it. I add some realism by mentioning changing dressings and have him try", "and show it. I add some realism by mentioning changing dressings and have", "who is injured and keeps going like the energizer bunny. I try to", "injured and keeps going like the energizer bunny. I try to set up", "set up for a rapid recovery, mentioning training that instilled stoicism, etc, but", "I add some realism by mentioning changing dressings and have him try to", "main character gets shot and survives. One thing that bothers me is a", "etc, but there are times and situations when he will be in pain", "to set up for a rapid recovery, mentioning training that instilled stoicism, etc,", "a rapid recovery, mentioning training that instilled stoicism, etc, but there are times", "up a bit before limping off etc. I want to be reasonable in", "that instilled stoicism, etc, but there are times and situations when he will", "be in pain and show it. I add some realism by mentioning changing", "by mentioning changing dressings and have him try to patch himself up a", "he’s hurt, get on with it’. Should I just wait until I reach", "there are times and situations when he will be in pain and show", "pain and show it. I add some realism by mentioning changing dressings and", "off etc. I want to be reasonable in this situation, but a point", "hurt, get on with it’. Should I just wait until I reach that", "in this situation, but a point comes when someone might say ‘enough already", "realism by mentioning changing dressings and have him try to patch himself up", "My main character gets shot and survives. One thing that bothers me is", "survives. One thing that bothers me is a character who is injured and", "stoicism, etc, but there are times and situations when he will be in", "character gets shot and survives. One thing that bothers me is a character", "dressings and have him try to patch himself up a bit before limping", "are times and situations when he will be in pain and show it.", "himself up a bit before limping off etc. I want to be reasonable", "etc. I want to be reasonable in this situation, but a point comes", "keeps going like the energizer bunny. I try to set up for a", "reasonable in this situation, but a point comes when someone might say ‘enough", "I want to be reasonable in this situation, but a point comes when", "character who is injured and keeps going like the energizer bunny. I try", "limping off etc. I want to be reasonable in this situation, but a", "might say ‘enough already he’s hurt, get on with it’. Should I just", "gets shot and survives. One thing that bothers me is a character who", "and have him try to patch himself up a bit before limping off", "say ‘enough already he’s hurt, get on with it’. Should I just wait", "One thing that bothers me is a character who is injured and keeps", "mentioning changing dressings and have him try to patch himself up a bit", "will be in pain and show it. I add some realism by mentioning", "comes when someone might say ‘enough already he’s hurt, get on with it’.", "energizer bunny. I try to set up for a rapid recovery, mentioning training", "bunny. I try to set up for a rapid recovery, mentioning training that", "a point comes when someone might say ‘enough already he’s hurt, get on", "when he will be in pain and show it. I add some realism", "situations when he will be in pain and show it. I add some", "like the energizer bunny. I try to set up for a rapid recovery,", "but a point comes when someone might say ‘enough already he’s hurt, get", "mentioning training that instilled stoicism, etc, but there are times and situations when", "the energizer bunny. I try to set up for a rapid recovery, mentioning", "but there are times and situations when he will be in pain and", "bit before limping off etc. I want to be reasonable in this situation,", "instilled stoicism, etc, but there are times and situations when he will be", "him try to patch himself up a bit before limping off etc. I", "is a character who is injured and keeps going like the energizer bunny.", "recovery, mentioning training that instilled stoicism, etc, but there are times and situations", "and situations when he will be in pain and show it. I add", "to be reasonable in this situation, but a point comes when someone might", "try to set up for a rapid recovery, mentioning training that instilled stoicism,", "up for a rapid recovery, mentioning training that instilled stoicism, etc, but there", "want to be reasonable in this situation, but a point comes when someone", "me is a character who is injured and keeps going like the energizer", "times and situations when he will be in pain and show it. I", "for a rapid recovery, mentioning training that instilled stoicism, etc, but there are", "be reasonable in this situation, but a point comes when someone might say", "show it. I add some realism by mentioning changing dressings and have him", "have him try to patch himself up a bit before limping off etc.", "and survives. One thing that bothers me is a character who is injured", "that bothers me is a character who is injured and keeps going like", "before limping off etc. I want to be reasonable in this situation, but", "some realism by mentioning changing dressings and have him try to patch himself", "already he’s hurt, get on with it’. Should I just wait until I", "a bit before limping off etc. I want to be reasonable in this", "try to patch himself up a bit before limping off etc. I want", "in pain and show it. I add some realism by mentioning changing dressings", "changing dressings and have him try to patch himself up a bit before", "this situation, but a point comes when someone might say ‘enough already he’s", "‘enough already he’s hurt, get on with it’. Should I just wait until", "and keeps going like the energizer bunny. I try to set up for", "he will be in pain and show it. I add some realism by", "shot and survives. One thing that bothers me is a character who is", "patch himself up a bit before limping off etc. I want to be", "point comes when someone might say ‘enough already he’s hurt, get on with", "I try to set up for a rapid recovery, mentioning training that instilled", "get on with it’. Should I just wait until I reach that point?", "training that instilled stoicism, etc, but there are times and situations when he", "rapid recovery, mentioning training that instilled stoicism, etc, but there are times and", "someone might say ‘enough already he’s hurt, get on with it’. Should I", "bothers me is a character who is injured and keeps going like the", "situation, but a point comes when someone might say ‘enough already he’s hurt,", "a character who is injured and keeps going like the energizer bunny. I", "add some realism by mentioning changing dressings and have him try to patch" ]
[ "this country probably shouldn't exist in this universe. Or how the names of", "characters are fighting in opposing sides, and they are not particularly patriotic themselves.", "real world country name inside the narration, while this country probably shouldn't exist", "I. Yet, I wish not to convey ideas of the time, like how", "as possible to what it was at the time. However, my proofreader felt", "names of equipment is based on real world gear that was used during", "which country was good. Indeed, my main characters are fighting in opposing sides,", "narration, while this country probably shouldn't exist in this universe. Or how the", "kind of alternate history scenario? Do you change everything, even if that means", "War I. Yet, I wish not to convey ideas of the time, like", "of alternate history scenario? Do you change everything, even if that means losing", "I used idiomatic expressions using some real world country name inside the narration,", "good. Indeed, my main characters are fighting in opposing sides, and they are", "to make my story as close as possible to what it was at", "some distance from our world, I had the idea to change some names", "historical accuracy along with some pretty nice idiomatic expressions? Or do you modify", "name inside the narration, while this country probably shouldn't exist in this universe.", "the time, like how which country was bad, which country was good. Indeed,", "particularly patriotic themselves. As I wanted to create some distance from our world,", "of research to make my story as close as possible to what it", "to convey ideas of the time, like how which country was bad, which", "world, I had the idea to change some names like country names. However", "this point. Like how I used idiomatic expressions using some real world country", "and they are not particularly patriotic themselves. As I wanted to create some", "idiomatic expressions using some real world country name inside the narration, while this", "names. However I wanted historical realism, and did a lot of research to", "the war. What do you do when writing this kind of alternate history", "is based on real world gear that was used during the war. What", "bad, which country was good. Indeed, my main characters are fighting in opposing", "my story as close as possible to what it was at the time.", "disturbed by this point. Like how I used idiomatic expressions using some real", "nice idiomatic expressions? Or do you modify these expressions, hoping your reader will", "alt-history story. It's a story about basically World War I. Yet, I wish", "story. It's a story about basically World War I. Yet, I wish not", "writing this kind of alternate history scenario? Do you change everything, even if", "country probably shouldn't exist in this universe. Or how the names of equipment", "as close as possible to what it was at the time. However, my", "was at the time. However, my proofreader felt disturbed by this point. Like", "a problem writing my alt-history story. It's a story about basically World War", "themselves. As I wanted to create some distance from our world, I had", "you change everything, even if that means losing historical accuracy along with some", "in this universe. Or how the names of equipment is based on real", "shouldn't exist in this universe. Or how the names of equipment is based", "historical realism, and did a lot of research to make my story as", "war. What do you do when writing this kind of alternate history scenario?", "some real world country name inside the narration, while this country probably shouldn't", "along with some pretty nice idiomatic expressions? Or do you modify these expressions,", "in opposing sides, and they are not particularly patriotic themselves. As I wanted", "accuracy along with some pretty nice idiomatic expressions? Or do you modify these", "research to make my story as close as possible to what it was", "of the time, like how which country was bad, which country was good.", "names like country names. However I wanted historical realism, and did a lot", "idiomatic expressions? Or do you modify these expressions, hoping your reader will understand?", "As I wanted to create some distance from our world, I had the", "the names of equipment is based on real world gear that was used", "a lot of research to make my story as close as possible to", "probably shouldn't exist in this universe. Or how the names of equipment is", "this universe. Or how the names of equipment is based on real world", "did a lot of research to make my story as close as possible", "to change some names like country names. However I wanted historical realism, and", "do when writing this kind of alternate history scenario? Do you change everything,", "problem writing my alt-history story. It's a story about basically World War I.", "if that means losing historical accuracy along with some pretty nice idiomatic expressions?", "the narration, while this country probably shouldn't exist in this universe. Or how", "country was bad, which country was good. Indeed, my main characters are fighting", "and did a lot of research to make my story as close as", "on real world gear that was used during the war. What do you", "distance from our world, I had the idea to change some names like", "real world gear that was used during the war. What do you do", "was bad, which country was good. Indeed, my main characters are fighting in", "to what it was at the time. However, my proofreader felt disturbed by", "when writing this kind of alternate history scenario? Do you change everything, even", "a story about basically World War I. Yet, I wish not to convey", "proofreader felt disturbed by this point. Like how I used idiomatic expressions using", "equipment is based on real world gear that was used during the war.", "time. However, my proofreader felt disturbed by this point. Like how I used", "about basically World War I. Yet, I wish not to convey ideas of", "alternate history scenario? Do you change everything, even if that means losing historical", "change some names like country names. However I wanted historical realism, and did", "inside the narration, while this country probably shouldn't exist in this universe. Or", "this kind of alternate history scenario? Do you change everything, even if that", "I wish not to convey ideas of the time, like how which country", "of equipment is based on real world gear that was used during the", "wanted historical realism, and did a lot of research to make my story", "they are not particularly patriotic themselves. As I wanted to create some distance", "it was at the time. However, my proofreader felt disturbed by this point.", "used idiomatic expressions using some real world country name inside the narration, while", "everything, even if that means losing historical accuracy along with some pretty nice", "had the idea to change some names like country names. However I wanted", "like country names. However I wanted historical realism, and did a lot of", "fighting in opposing sides, and they are not particularly patriotic themselves. As I", "the time. However, my proofreader felt disturbed by this point. Like how I", "ideas of the time, like how which country was bad, which country was", "some names like country names. However I wanted historical realism, and did a", "story as close as possible to what it was at the time. However,", "universe. Or how the names of equipment is based on real world gear", "are fighting in opposing sides, and they are not particularly patriotic themselves. As", "used during the war. What do you do when writing this kind of", "that was used during the war. What do you do when writing this", "how I used idiomatic expressions using some real world country name inside the", "which country was bad, which country was good. Indeed, my main characters are", "World War I. Yet, I wish not to convey ideas of the time,", "was used during the war. What do you do when writing this kind", "my alt-history story. It's a story about basically World War I. Yet, I", "history scenario? Do you change everything, even if that means losing historical accuracy", "some pretty nice idiomatic expressions? Or do you modify these expressions, hoping your", "using some real world country name inside the narration, while this country probably", "writing my alt-history story. It's a story about basically World War I. Yet,", "means losing historical accuracy along with some pretty nice idiomatic expressions? Or do", "possible to what it was at the time. However, my proofreader felt disturbed", "close as possible to what it was at the time. However, my proofreader", "lot of research to make my story as close as possible to what", "like how which country was bad, which country was good. Indeed, my main", "do you do when writing this kind of alternate history scenario? Do you", "while this country probably shouldn't exist in this universe. Or how the names", "based on real world gear that was used during the war. What do", "basically World War I. Yet, I wish not to convey ideas of the", "at the time. However, my proofreader felt disturbed by this point. Like how", "felt disturbed by this point. Like how I used idiomatic expressions using some", "However, my proofreader felt disturbed by this point. Like how I used idiomatic", "are not particularly patriotic themselves. As I wanted to create some distance from", "I have a problem writing my alt-history story. It's a story about basically", "my main characters are fighting in opposing sides, and they are not particularly", "gear that was used during the war. What do you do when writing", "exist in this universe. Or how the names of equipment is based on", "Or how the names of equipment is based on real world gear that", "even if that means losing historical accuracy along with some pretty nice idiomatic", "make my story as close as possible to what it was at the", "country names. However I wanted historical realism, and did a lot of research", "I wanted historical realism, and did a lot of research to make my", "not to convey ideas of the time, like how which country was bad,", "by this point. Like how I used idiomatic expressions using some real world", "I wanted to create some distance from our world, I had the idea", "sides, and they are not particularly patriotic themselves. As I wanted to create", "Do you change everything, even if that means losing historical accuracy along with", "story about basically World War I. Yet, I wish not to convey ideas", "world country name inside the narration, while this country probably shouldn't exist in", "country name inside the narration, while this country probably shouldn't exist in this", "pretty nice idiomatic expressions? Or do you modify these expressions, hoping your reader", "expressions using some real world country name inside the narration, while this country", "our world, I had the idea to change some names like country names.", "realism, and did a lot of research to make my story as close", "that means losing historical accuracy along with some pretty nice idiomatic expressions? Or", "to create some distance from our world, I had the idea to change", "what it was at the time. However, my proofreader felt disturbed by this", "I had the idea to change some names like country names. However I", "world gear that was used during the war. What do you do when", "point. Like how I used idiomatic expressions using some real world country name", "create some distance from our world, I had the idea to change some", "scenario? Do you change everything, even if that means losing historical accuracy along", "What do you do when writing this kind of alternate history scenario? Do", "Yet, I wish not to convey ideas of the time, like how which", "my proofreader felt disturbed by this point. Like how I used idiomatic expressions", "Like how I used idiomatic expressions using some real world country name inside", "opposing sides, and they are not particularly patriotic themselves. As I wanted to", "losing historical accuracy along with some pretty nice idiomatic expressions? Or do you", "was good. Indeed, my main characters are fighting in opposing sides, and they", "wanted to create some distance from our world, I had the idea to", "idea to change some names like country names. However I wanted historical realism,", "convey ideas of the time, like how which country was bad, which country", "Indeed, my main characters are fighting in opposing sides, and they are not", "have a problem writing my alt-history story. It's a story about basically World", "with some pretty nice idiomatic expressions? Or do you modify these expressions, hoping", "during the war. What do you do when writing this kind of alternate", "wish not to convey ideas of the time, like how which country was", "the idea to change some names like country names. However I wanted historical", "country was good. Indeed, my main characters are fighting in opposing sides, and", "not particularly patriotic themselves. As I wanted to create some distance from our", "how the names of equipment is based on real world gear that was", "you do when writing this kind of alternate history scenario? Do you change", "how which country was bad, which country was good. Indeed, my main characters", "time, like how which country was bad, which country was good. Indeed, my", "change everything, even if that means losing historical accuracy along with some pretty", "It's a story about basically World War I. Yet, I wish not to", "main characters are fighting in opposing sides, and they are not particularly patriotic", "patriotic themselves. As I wanted to create some distance from our world, I", "from our world, I had the idea to change some names like country", "However I wanted historical realism, and did a lot of research to make" ]
[ "correctness. It's the casual tone that is being translated. The characters may in", "not the grammatical correctness. It's the casual tone that is being translated. The", "just get the meaning across? My biggest fear is that a monolingual English", "the English translated sentence must be grammatically correct as well? Or should the", "characters may in fact be speaking grammatically correctly, just in a different language.", "translated. The characters may in fact be speaking grammatically correctly, just in a", "and interpret that line as being grammatically incorrect, assuming the source language is", "the casual tone that is being translated. The characters may in fact be", "then does that mean the English translated sentence must be grammatically correct as", "line as being grammatically incorrect, assuming the source language is grammatically incorrect as", "biggest fear is that a monolingual English speaker will read the line in", "in English and interpret that line as being grammatically incorrect, assuming the source", "sentence is grammatically correct, then does that mean the English translated sentence must", "well, even though the main purpose is not the grammatical correctness. It's the", "conversation, it is perfectly fine to end a sentence with a preposition. ", "is grammatically incorrect as well, even though the main purpose is not the", "mean the English translated sentence must be grammatically correct as well? Or should", "adopted instead to just get the meaning across? My biggest fear is that", "the meaning across? My biggest fear is that a monolingual English speaker will", "must be grammatically correct as well? Or should the casual form be adopted", "line in English and interpret that line as being grammatically incorrect, assuming the", "be adopted instead to just get the meaning across? My biggest fear is", "grammatically correct way is supposed to be: To how many job applications", "language's sentence is grammatically correct, then does that mean the English translated sentence", "being grammatically incorrect, assuming the source language is grammatically incorrect as well, even", "job applications did you apply to? The grammatically correct way is supposed to", "be grammatically correct as well? Or should the casual form be adopted instead", "speaker will read the line in English and interpret that line as being", "English speaker will read the line in English and interpret that line as", "be: * To how many job applications did you apply? If the original", "get the meaning across? My biggest fear is that a monolingual English speaker", "My biggest fear is that a monolingual English speaker will read the line", "apply to? The grammatically correct way is supposed to be: * To how", "that line as being grammatically incorrect, assuming the source language is grammatically incorrect", "correct way is supposed to be: * To how many job applications did", "the grammatical correctness. It's the casual tone that is being translated. The characters", "many job applications did you apply to? The grammatically correct way is supposed", "monolingual English speaker will read the line in English and interpret that line", "the main purpose is not the grammatical correctness. It's the casual tone that", "the original language's sentence is grammatically correct, then does that mean the English", "is being translated. The characters may in fact be speaking grammatically correctly, just", "fine to end a sentence with a preposition. * How many job applications", "The characters may in fact be speaking grammatically correctly, just in a different", "did you apply to? The grammatically correct way is supposed to be: ", "that is being translated. The characters may in fact be speaking grammatically correctly,", "as well, even though the main purpose is not the grammatical correctness. It's", "job applications did you apply? If the original language's sentence is grammatically correct,", "is perfectly fine to end a sentence with a preposition. How many", "original language's sentence is grammatically correct, then does that mean the English translated", "though the main purpose is not the grammatical correctness. It's the casual tone", "read the line in English and interpret that line as being grammatically incorrect,", "main purpose is not the grammatical correctness. It's the casual tone that is", "How many job applications did you apply to? The grammatically correct way is", "a preposition. * How many job applications did you apply to? The grammatically", "should the casual form be adopted instead to just get the meaning across?", "that mean the English translated sentence must be grammatically correct as well? Or", "grammatically incorrect, assuming the source language is grammatically incorrect as well, even though", "to end a sentence with a preposition. * How many job applications did", "fear is that a monolingual English speaker will read the line in English", "did you apply? If the original language's sentence is grammatically correct, then does", "you apply to? The grammatically correct way is supposed to be: * To", "many job applications did you apply? If the original language's sentence is grammatically", "will read the line in English and interpret that line as being grammatically", "casual tone that is being translated. The characters may in fact be speaking", "a sentence with a preposition. * How many job applications did you apply", "perfectly fine to end a sentence with a preposition. * How many job", "correct, then does that mean the English translated sentence must be grammatically correct", "In casual conversation, it is perfectly fine to end a sentence with a", "that a monolingual English speaker will read the line in English and interpret", "meaning across? My biggest fear is that a monolingual English speaker will read", "to be: * To how many job applications did you apply? If the", "translated sentence must be grammatically correct as well? Or should the casual form", "language is grammatically incorrect as well, even though the main purpose is not", "It's the casual tone that is being translated. The characters may in fact", "being translated. The characters may in fact be speaking grammatically correctly, just in", "does that mean the English translated sentence must be grammatically correct as well?", "correct as well? Or should the casual form be adopted instead to just", "apply? If the original language's sentence is grammatically correct, then does that mean", "grammatically correct as well? Or should the casual form be adopted instead to", "If the original language's sentence is grammatically correct, then does that mean the", "even though the main purpose is not the grammatical correctness. It's the casual", "you apply? If the original language's sentence is grammatically correct, then does that", "way is supposed to be: * To how many job applications did you", "purpose is not the grammatical correctness. It's the casual tone that is being", "applications did you apply? If the original language's sentence is grammatically correct, then", "incorrect, assuming the source language is grammatically incorrect as well, even though the", "* How many job applications did you apply to? The grammatically correct way", "casual conversation, it is perfectly fine to end a sentence with a preposition.", "supposed to be: * To how many job applications did you apply? If", "to just get the meaning across? My biggest fear is that a monolingual", "with a preposition. * How many job applications did you apply to? The", "To how many job applications did you apply? If the original language's sentence", "English and interpret that line as being grammatically incorrect, assuming the source language", "The grammatically correct way is supposed to be: * To how many job", "the line in English and interpret that line as being grammatically incorrect, assuming", "sentence with a preposition. * How many job applications did you apply to?", "interpret that line as being grammatically incorrect, assuming the source language is grammatically", "assuming the source language is grammatically incorrect as well, even though the main", "end a sentence with a preposition. * How many job applications did you", "well? Or should the casual form be adopted instead to just get the", "incorrect as well, even though the main purpose is not the grammatical correctness.", "it is perfectly fine to end a sentence with a preposition. * How", "grammatically incorrect as well, even though the main purpose is not the grammatical", "as well? Or should the casual form be adopted instead to just get", "source language is grammatically incorrect as well, even though the main purpose is", "is that a monolingual English speaker will read the line in English and", "is supposed to be: * To how many job applications did you apply?", "Or should the casual form be adopted instead to just get the meaning", "casual form be adopted instead to just get the meaning across? My biggest", "the source language is grammatically incorrect as well, even though the main purpose", "instead to just get the meaning across? My biggest fear is that a", "a monolingual English speaker will read the line in English and interpret that", "form be adopted instead to just get the meaning across? My biggest fear", "preposition. * How many job applications did you apply to? The grammatically correct", "grammatically correct, then does that mean the English translated sentence must be grammatically", "the casual form be adopted instead to just get the meaning across? My", "is not the grammatical correctness. It's the casual tone that is being translated.", "across? My biggest fear is that a monolingual English speaker will read the", "sentence must be grammatically correct as well? Or should the casual form be", "applications did you apply to? The grammatically correct way is supposed to be:", "grammatical correctness. It's the casual tone that is being translated. The characters may", "to? The grammatically correct way is supposed to be: * To how many", "how many job applications did you apply? If the original language's sentence is", "tone that is being translated. The characters may in fact be speaking grammatically", "* To how many job applications did you apply? If the original language's", "English translated sentence must be grammatically correct as well? Or should the casual", "as being grammatically incorrect, assuming the source language is grammatically incorrect as well,", "is grammatically correct, then does that mean the English translated sentence must be" ]
[ "transitioning to a more peaceful pace in the first chapter? The only novels", "peaceful pace in the first chapter? The only novels that I can remember", "has this kind of intro is Dan Brown's Inferno and Robert Ludlum's Bourne", "at the beginning, and then transitioning to a more peaceful pace in the", "and then transitioning to a more peaceful pace in the first chapter? The", "is the excerpt) It's like a teaser intro, something like that. Does that", "chapter? The only novels that I can remember that has this kind of", "shows an incredibly tense scene at the beginning, and then transitioning to a", "the excerpt) It's like a teaser intro, something like that. Does that mini-chapter", "beginning, and then transitioning to a more peaceful pace in the first chapter?", "an incredibly tense scene at the beginning, and then transitioning to a more", "the first chapter? The only novels that I can remember that has this", "do you call the writing technique that shows an incredibly tense scene at", "novels that I can remember that has this kind of intro is Dan", "please correct me if it is the excerpt) It's like a teaser intro,", "remember that has this kind of intro is Dan Brown's Inferno and Robert", "the writing technique that shows an incredibly tense scene at the beginning, and", "story. (but please correct me if it is the excerpt) It's like a", "that has this kind of intro is Dan Brown's Inferno and Robert Ludlum's", "only novels that I can remember that has this kind of intro is", "not talking about the excerpt because it could be a different scene and", "Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm not", "in the first chapter? The only novels that I can remember that has", "can remember that has this kind of intro is Dan Brown's Inferno and", "tense scene at the beginning, and then transitioning to a more peaceful pace", "intro is Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy and Bourne Identity.", "taken from the story. (but please correct me if it is the excerpt)", "it is the excerpt) It's like a teaser intro, something like that. Does", "a more peaceful pace in the first chapter? The only novels that I", "incredibly tense scene at the beginning, and then transitioning to a more peaceful", "Supremacy and Bourne Identity. I'm not talking about the excerpt because it could", "Bourne Identity. I'm not talking about the excerpt because it could be a", "and Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm not talking about the", "if it is the excerpt) It's like a teaser intro, something like that.", "scene and not really taken from the story. (but please correct me if", "could be a different scene and not really taken from the story. (but", "because it could be a different scene and not really taken from the", "of intro is Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy and Bourne", "Inferno and Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm not talking about", "correct me if it is the excerpt) It's like a teaser intro, something", "Bourne Supremacy and Bourne Identity. I'm not talking about the excerpt because it", "me if it is the excerpt) It's like a teaser intro, something like", "(but please correct me if it is the excerpt) It's like a teaser", "more peaceful pace in the first chapter? The only novels that I can", "to a more peaceful pace in the first chapter? The only novels that", "Brown's Inferno and Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm not talking", "The only novels that I can remember that has this kind of intro", "I can remember that has this kind of intro is Dan Brown's Inferno", "writing technique that shows an incredibly tense scene at the beginning, and then", "from the story. (but please correct me if it is the excerpt) It's", "a different scene and not really taken from the story. (but please correct", "then transitioning to a more peaceful pace in the first chapter? The only", "Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm not talking about the excerpt", "scene at the beginning, and then transitioning to a more peaceful pace in", "pace in the first chapter? The only novels that I can remember that", "that I can remember that has this kind of intro is Dan Brown's", "really taken from the story. (but please correct me if it is the", "the story. (but please correct me if it is the excerpt) It's like", "Ludlum's Bourne Supremacy and Bourne Identity. I'm not talking about the excerpt because", "and Bourne Identity. I'm not talking about the excerpt because it could be", "is Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy and Bourne Identity. I'm", "you call the writing technique that shows an incredibly tense scene at the", "like a teaser intro, something like that. Does that mini-chapter have a name?", "the beginning, and then transitioning to a more peaceful pace in the first", "technique that shows an incredibly tense scene at the beginning, and then transitioning", "the excerpt because it could be a different scene and not really taken", "this kind of intro is Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy", "first chapter? The only novels that I can remember that has this kind", "What do you call the writing technique that shows an incredibly tense scene", "not really taken from the story. (but please correct me if it is", "excerpt) It's like a teaser intro, something like that. Does that mini-chapter have", "I'm not talking about the excerpt because it could be a different scene", "and not really taken from the story. (but please correct me if it", "talking about the excerpt because it could be a different scene and not", "It's like a teaser intro, something like that. Does that mini-chapter have a", "Identity. I'm not talking about the excerpt because it could be a different", "call the writing technique that shows an incredibly tense scene at the beginning,", "that shows an incredibly tense scene at the beginning, and then transitioning to", "it could be a different scene and not really taken from the story.", "kind of intro is Dan Brown's Inferno and Robert Ludlum's Bourne Supremacy and", "about the excerpt because it could be a different scene and not really", "excerpt because it could be a different scene and not really taken from", "different scene and not really taken from the story. (but please correct me", "be a different scene and not really taken from the story. (but please" ]
[ "perform an \"identity switcheroo\" with another character, with the intention of using that", "life. The two of them only meet twice afterwards. That new name would", "uses aliases, but they are short-lived and won't be used by the narrator.", "there are other closely related questions but I'm not sure if their answers", "new identity for the rest of her life*. The two of them only", "option, like giving her a nickname early on and using it through the", "it would be clear enough for the reader --- Note :* there are", "would be clear enough for the reader --- Note : there are other", "to add a paragraph describing her getting mentally used to her new name", "of her life. The two of them only meet twice afterwards. That new", "She uses her birth name for the first couple of chapters, then perform", "perspective, centering on a character who changes her name several times in the", "intention of using that new identity for the rest of her life. The", "old ones. There are also parts of the story where she uses aliases,", "then perform an \"identity switcheroo\" with another character, *with the intention of using", "better for the narrator to use the MC's birth name for the whole", "story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other", "it changes, then use it in the narrative until it changes again. On", "each time, and sees herself* as a \"Jane\" then a \"Dolores\", etc, at", "the changes ? Is there a better option, like giving her a nickname", "etc, at different points of the story, but I don't know if it", "back to the old ones. There are also parts of the story where", "new name would be used for about 2/3 of the story. The switch", "won't be used by the narrator. At first, I wanted to add a", "then use it in the narrative until it changes again. On one hand,", "uses her birth name for the first couple of chapters, then perform an", "birth name for the first couple of chapters, then perform an \"identity switcheroo\"", "person each time, and sees herself as a \"Jane\" then a \"Dolores\", etc,", "centering on a character who changes her name several times in the course", "paragraph describing her getting mentally used to her new name when it changes,", "[Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call him", "a story, in the third-person perspective, centering on a character who changes her", "identity for the rest of her life. The two of them only meet", "but they are short-lived and won't be used by the narrator. At first,", "that new identity for the rest of her life. The two of them", "the third-person perspective, centering on a character who changes her name several times", "rest of her life. The two of them only meet twice afterwards. That", "\"identity switcheroo\" with another character, with the intention of using that new identity", "The two of them only meet twice afterwards. That new name would be", "the end) ? Or should the narrator adapt to the changes ? Is", "a new name for herself, with no intention of going back to the", "questions but I'm not sure if their answers apply to this case. 1)", "the rest of her life*. The two of them only meet twice afterwards.", "used for about 2/3 of the story. The switch would then be discovered", "mentally used to her new name when it changes, then use it in", "(especially since it makes a surprise comeback in the end) ? Or should", "she would decide to create a new name for herself, with no intention", "would decide to create a new name for herself, with no intention of", "are also parts of the story where she uses aliases, but they are", "short-lived and won't be used by the narrator. At first, I wanted to", "for the whole story (especially since it makes a surprise comeback in the", "to write a story, in the third-person perspective, centering on a character who", "time, and sees herself* as a \"Jane\" then a \"Dolores\", etc, at different", "sure if their answers apply to this case. 1) [Revealing MC's name midway", "for the first couple of chapters, then perform an \"identity switcheroo\" with another", "2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call", "name several times in the course of the story. She uses her birth", "character, *with the intention of using that new identity for the rest of", "used to her new name when it changes, then use it in the", "MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3)", "in the course of the story. She uses her birth name for the", "of the story where she uses aliases, but they are short-lived and won't", "her new name when it changes, then use it in the narrative until", "intends to become a new person each time, and sees herself* as a", "wanted to add a paragraph describing her getting mentally used to her new", "to her new name when it changes, then use it in the narrative", "also parts of the story where she uses aliases, but they are short-lived", "At first, I wanted to add a paragraph describing her getting mentally used", "the end she would decide to create a new name for herself, with", "2/3 of the story. The switch would then be discovered and her old", ":* there are other closely related questions but I'm not sure if their", "through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name", "name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1)", "in the end) ? Or should the narrator adapt to the changes ?", "ones. There are also parts of the story where she uses aliases, but", "name but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would", "a \"Jane\" then a \"Dolores\", etc, at different points of the story, but", "narrator. At first, I wanted to add a paragraph describing her getting mentally", "the story, but I don't know if it would be clear enough for", "two of them only meet twice afterwards. That new name would be used", "again. On one hand, she absolutely intends to become a new person each", "using that new identity for the rest of her life. The two of", "other closely related questions but I'm not sure if their answers apply to", "other characters and toward the end she would decide to create a new", "her getting mentally used to her new name when it changes, then use", "end she would decide to create a new name for herself, with no", "one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question :** Would it be better for the narrator to use", "no intention of going back to the old ones. There are also parts", "clear enough for the reader --- Note : there are other closely related", "I'd like to write a story, in the third-person perspective, centering on a", "write a story, in the third-person perspective, centering on a character who changes", "for herself, with no intention of going back to the old ones. There", "the story. She uses her birth name for the first couple of chapters,", "narrator adapt to the changes ? Is there a better option, like giving", "to create a new name for herself, with no intention of going back", "story where she uses aliases, but they are short-lived and won't be used", "[Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1)", "are other closely related questions but I'm not sure if their answers apply", "a paragraph describing her getting mentally used to her new name when it", "use it in the narrative until it changes again. On one hand, she", "name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character", "3) [Character changes name but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) ---", "story. The switch would then be discovered and her old name used by", "There are also parts of the story where she uses aliases, but they", "a surprise comeback in the end) ? Or should the narrator adapt to", "chapters, then perform an \"identity switcheroo\" with another character, with the intention of", "of using that new identity for the rest of her life. The two", "That new name would be used for about 2/3 of the story. The", "like giving her a nickname early on and using it through the story", "of the story. She uses her birth name for the first couple of", "until it changes again. On one hand, she absolutely intends to become a", "character who changes her name several times in the course of the story.", "describing her getting mentally used to her new name when it changes, then", "Question : Would it be better for the narrator to use the MC's", "to this case. 1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character", "with the intention of using that new identity for the rest of her", "parts of the story where she uses aliases, but they are short-lived and", "getting mentally used to her new name when it changes, then use it", "I'm not sure if their answers apply to this case. 1) [Revealing MC's", "new name for herself, with no intention of going back to the old", "but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it", "closely related questions but I'm not sure if their answers apply to this", "name when it changes, then use it in the narrative until it changes", "another character, with the intention of using that new identity for the rest", "the course of the story. She uses her birth name for the first", "her name several times in the course of the story. She uses her", "it in the narrative until it changes again. On one hand, she absolutely", "the story where she uses aliases, but they are short-lived and won't be", "like to write a story, in the third-person perspective, centering on a character", "story. She uses her birth name for the first couple of chapters, then", "The switch would then be discovered and her old name used by some", "the narrator to use the MC's birth name for the whole story (especially", "hand, she absolutely intends to become a new person each time, and sees", "some of the other characters and toward the end she would decide to", "create a new name for herself, with no intention of going back to", "on a character who changes her name several times in the course of", "[Character changes name but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question", "if it would be clear enough for the reader --- Note :* there", "end) ? Or should the narrator adapt to the changes ? Is there", "sees herself as a \"Jane\" then a \"Dolores\", etc, at different points of", "a \"Dolores\", etc, at different points of the story, but I don't know", "are short-lived and won't be used by the narrator. At first, I wanted", "would be used for about 2/3 of the story. The switch would then", "by some of the other characters and toward the end she would decide", "1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her", "MC's birth name for the whole story (especially since it makes a surprise", "of the story, but I don't know if it would be clear enough", "where she uses aliases, but they are short-lived and won't be used by", "aliases, but they are short-lived and won't be used by the narrator. At", "be discovered and her old name used by some of the other characters", "with no intention of going back to the old ones. There are also", "to become a new person each time, and sees herself as a \"Jane\"", "absolutely intends to become a new person each time, and sees herself as", "--- Note : there are other closely related questions but I'm not sure", "birth name for the whole story (especially since it makes a surprise comeback", "adapt to the changes ? Is there a better option, like giving her", "new person each time, and sees herself as a \"Jane\" then a \"Dolores\",", "couple of chapters, then perform an \"identity switcheroo\" with another character, *with the", "but I don't know if it would be clear enough for the reader", "changes her name several times in the course of the story. She uses", "not sure if their answers apply to this case. 1) [Revealing MC's name", "times in the course of the story. She uses her birth name for", "Or should the narrator adapt to the changes ? Is there a better", "be better for the narrator to use the MC's birth name for the", "first, I wanted to add a paragraph describing her getting mentally used to", "Would it be better for the narrator to use the MC's birth name", "her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call him by the old", "a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but", "for the narrator to use the MC's birth name for the whole story", "\"Dolores\", etc, at different points of the story, but I don't know if", "for the reader --- Note :* there are other closely related questions but", "old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it be better for the narrator to", "her birth name for the first couple of chapters, then perform an \"identity", "but I'm not sure if their answers apply to this case. 1) [Revealing", "the whole story (especially since it makes a surprise comeback in the end)", "name would be used for about 2/3 of the story. The switch would", "him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it be better for", "know if it would be clear enough for the reader --- Note :", "the old ones. There are also parts of the story where she uses", "course of the story. She uses her birth name for the first couple", "be clear enough for the reader --- Note : there are other closely", "story, in the third-person perspective, centering on a character who changes her name", "? Is there a better option, like giving her a nickname early on", "with another character, with the intention of using that new identity for the", "changes again. On one hand, she absolutely intends to become a new person", "other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it be", "changes name but other call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question :", "be used for about 2/3 of the story. The switch would then be", "at different points of the story, but I don't know if it would", "narrator to use the MC's birth name for the whole story (especially since", "afterwards. That new name would be used for about 2/3 of the story.", "related questions but I'm not sure if their answers apply to this case.", "to the changes ? Is there a better option, like giving her a", "the narrative until it changes again. On one hand, she absolutely intends to", "meet twice afterwards. That new name would be used for about 2/3 of", "discovered and her old name used by some of the other characters and", "when it changes, then use it in the narrative until it changes again.", "for the rest of her life. The two of them only meet twice", "a character who changes her name several times in the course of the", "going back to the old ones. There are also parts of the story", "the first couple of chapters, then perform an \"identity switcheroo\" with another character,", "the narrator. At first, I wanted to add a paragraph describing her getting", "the intention of using that new identity for the rest of her life.", "of going back to the old ones. There are also parts of the", "an \"identity switcheroo\" with another character, with the intention of using that new", "of the story. The switch would then be discovered and her old name", "and her old name used by some of the other characters and toward", "Is there a better option, like giving her a nickname early on and", "since it makes a surprise comeback in the end) ? Or should the", "used by the narrator. At first, I wanted to add a paragraph describing", "about 2/3 of the story. The switch would then be discovered and her", "twice afterwards. That new name would be used for about 2/3 of the", "it makes a surprise comeback in the end) ? Or should the narrator", "switch would then be discovered and her old name used by some of", "of chapters, then perform an \"identity switcheroo\" with another character, *with the intention", "the other characters and toward the end she would decide to create a", "the narrator adapt to the changes ? Is there a better option, like", "for about 2/3 of the story. The switch would then be discovered and", "reader --- Note :* there are other closely related questions but I'm not", "as a \"Jane\" then a \"Dolores\", etc, at different points of the story,", "enough for the reader --- Note : there are other closely related questions", "Note : there are other closely related questions but I'm not sure if", "? Or should the narrator adapt to the changes ? Is there a", "case. 1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about", "better option, like giving her a nickname early on and using it through", "makes a surprise comeback in the end) ? Or should the narrator adapt", "then be discovered and her old name used by some of the other", "it changes again. On one hand, she absolutely intends to become a new", "surprise comeback in the end) ? Or should the narrator adapt to the", "old name used by some of the other characters and toward the end", "and won't be used by the narrator. At first, I wanted to add", "narrative until it changes again. On one hand, she absolutely intends to become", "switcheroo\" with another character, with the intention of using that new identity for", ": Would it be better for the narrator to use the MC's birth", "by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it be better for the", "I don't know if it would be clear enough for the reader ---", "name for the whole story (especially since it makes a surprise comeback in", "comeback in the end) ? Or should the narrator adapt to the changes", "become a new person each time, and sees herself as a \"Jane\" then", "who changes her name several times in the course of the story. She", "by the narrator. At first, I wanted to add a paragraph describing her", "name used by some of the other characters and toward the end she", "giving her a nickname early on and using it through the story ?", "story (especially since it makes a surprise comeback in the end) ? Or", "their answers apply to this case. 1) [Revealing MC's name midway through a", "don't know if it would be clear enough for the reader --- Note", "of them only meet twice afterwards. That new name would be used for", "--- Question :* Would it be better for the narrator to use the", "the story. The switch would then be discovered and her old name used", "the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question : Would it be better for the narrator", "and toward the end she would decide to create a new name for", "changes, then use it in the narrative until it changes again. On one", "in the narrative until it changes again. On one hand, she absolutely intends", "whole story (especially since it makes a surprise comeback in the end) ?", "should the narrator adapt to the changes ? Is there a better option,", "the reader --- Note : there are other closely related questions but I'm", "to use the MC's birth name for the whole story (especially since it", "herself, with no intention of going back to the old ones. There are", "third-person perspective, centering on a character who changes her name several times in", "she uses aliases, but they are short-lived and won't be used by the", "and sees herself as a \"Jane\" then a \"Dolores\", etc, at different points", "decide to create a new name for herself, with no intention of going", "add a paragraph describing her getting mentally used to her new name when", "her life*. The two of them only meet twice afterwards. That new name", "characters and toward the end she would decide to create a new name", "be used by the narrator. At first, I wanted to add a paragraph", "then a \"Dolores\", etc, at different points of the story, but I don't", "several times in the course of the story. She uses her birth name", "it be better for the narrator to use the MC's birth name for", "a new person each time, and sees herself* as a \"Jane\" then a", "different points of the story, but I don't know if it would be", "name for the first couple of chapters, then perform an \"identity switcheroo\" with", "midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes", "apply to this case. 1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2)", "them only meet twice afterwards. That new name would be used for about", "one hand, she absolutely intends to become a new person each time, and", "the MC's birth name for the whole story (especially since it makes a", "there a better option, like giving her a nickname early on and using", "to the old ones. There are also parts of the story where she", "new name when it changes, then use it in the narrative until it", "of the other characters and toward the end she would decide to create", "lying about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call him by", "use the MC's birth name for the whole story (especially since it makes", "answers apply to this case. 1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story)", "herself* as a \"Jane\" then a \"Dolores\", etc, at different points of the", "a better option, like giving her a nickname early on and using it", "changes ? Is there a better option, like giving her a nickname early", "she absolutely intends to become a new person each time, and sees herself", "her old name used by some of the other characters and toward the", "they are short-lived and won't be used by the narrator. At first, I", "only meet twice afterwards. That new name would be used for about 2/3", "used by some of the other characters and toward the end she would", "about her name](https://writing.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name?noredirect=1&lq=1) 3) [Character changes name but other call him by the", "I wanted to add a paragraph describing her getting mentally used to her", "On one hand, she absolutely intends to become a new person each time,", "intention of going back to the old ones. There are also parts of", "story, but I don't know if it would be clear enough for the", "would then be discovered and her old name used by some of the", "this case. 1) [Revealing MC's name midway through a story](https://writing.stackexchange.com/questions/5292/how-best-to-handle-revealing-a-main-characters-name-midway-through-a-long-story) 2) [Character lying", "toward the end she would decide to create a new name for herself,", "name for herself, with no intention of going back to the old ones.", "in the third-person perspective, centering on a character who changes her name several", "first couple of chapters, then perform an \"identity switcheroo\" with another character, with", "points of the story, but I don't know if it would be clear", "if their answers apply to this case. 1) [Revealing MC's name midway through", "call him by the old one](https://writing.stackexchange.com/questions/28393/how-does-the-narrator-address-a-character-who-has-changed-her-name-but-only-som?noredirect=1&lq=1) --- Question :** Would it be better", "\"Jane\" then a \"Dolores\", etc, at different points of the story, but I" ]
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[ "[this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of Mirror Moment. The Mirror", "[here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps 20 and 21: step 20", "a story, according to Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which", "climax. Is there a difference between Bell's Mirror Moment and Truby's Self-Revelation? What", "psychological and moral weakness. This character growth is immediately shown in step 21,", "that defined him at the start of the story). These two steps, positioned", "good story from John Truby's excellent \"The Anatomy of Story\". Truby structures plot", "almost looks like the same moment moved to the middle of the story", "on genre or other factors? This is my first question on SE, I", "and moral weakness. This character growth is immediately shown in step 21, \"Moral", "moment, at the middle of the story, where the protagonist assesses herself, and", "her own psychology, what sort of person she is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)).", "the middle of the story instead of the climax. Is there a difference", "when building a story, according to Truby. Then, I have stumbled upon [this", "to be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that the character's change", "Among them, the most important are steps 20 and 21: step 20 is", "is immediately shown in step 21, \"Moral Decision\", where the character acts in", "among the first things defined when building a story, according to Truby. Then,", "way (in contrast to his moral weakness that defined him at the start", "the story (between \"Battle\" and \"New Equilibrium\") are so important, they should be", "have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of Mirror", "there a difference between Bell's Mirror Moment and Truby's Self-Revelation? What is the", "answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of Mirror Moment. The Mirror Moment", "Mirror Moment is a moment, at the middle of the story, where the", "to insert a self-revelation moment: Middle, climax, or anywhere else? Does it depend", "genre or other factors? This is my first question on SE, I apologize", "Truby's Self-Revelation? What is the best place to insert a self-revelation moment: Middle,", "been learning rules and guidelines for plotting a good story from John Truby's", "These two steps, positioned at the climax of the story (between \"Battle\" and", "Scott Bell's concept of Mirror Moment. The Mirror Moment is a moment, at", "between these two moments. It almost looks like the same moment moved to", "are steps 20 and 21: step 20 is \"Self-revelation\", where the protagonist learns", "of Mirror Moment. The Mirror Moment is a moment, at the middle of", "the middle of the story, where the protagonist assesses herself, and makes a", "Story\". Truby structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the", "on her own psychology, what sort of person she is going to be", "([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that the character's change has taken", "is the best place to insert a self-revelation moment: Middle, climax, or anywhere", "the first things defined when building a story, according to Truby. Then, I", "plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are", "decision based on her own psychology, what sort of person she is going", "Equilibrium\") are so important, they should be among the first things defined when", "plotting a good story from John Truby's excellent \"The Anatomy of Story\". Truby", "and makes a decision based on her own psychology, what sort of person", "a decision based on her own psychology, what sort of person she is", "building a story, according to Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089),", "Decision\", where the character acts in a moral way (in contrast to his", "moral way (in contrast to his moral weakness that defined him at the", "\"Battle\" and \"New Equilibrium\") are so important, they should be among the first", "self, his past mistakes and how to overcome his psychological and moral weakness.", "21, \"Moral Decision\", where the character acts in a moral way (in contrast", "about showing that the character's change has taken place. I see several similarities", "the protagonist learns more about himself, his true self, his past mistakes and", "his true self, his past mistakes and how to overcome his psychological and", "taken place. I see several similarities between these two moments. It almost looks", "other factors? This is my first question on SE, I apologize if it's", "should be among the first things defined when building a story, according to", "see several similarities between these two moments. It almost looks like the same", "the same moment moved to the middle of the story instead of the", "steps 20 and 21: step 20 is \"Self-revelation\", where the protagonist learns more", "start of the story). These two steps, positioned at the climax of the", "John Truby's excellent \"The Anatomy of Story\". Truby structures plot using 22 steps", "makes a decision based on her own psychology, what sort of person she", "showing that the character's change has taken place. I see several similarities between", "assesses herself, and makes a decision based on her own psychology, what sort", "the character acts in a moral way (in contrast to his moral weakness", "in a moral way (in contrast to his moral weakness that defined him", "moments. It almost looks like the same moment moved to the middle of", "20 is \"Self-revelation\", where the protagonist learns more about himself, his true self,", "are so important, they should be among the first things defined when building", "story from John Truby's excellent \"The Anatomy of Story\". Truby structures plot using", "Self-Revelation? What is the best place to insert a self-revelation moment: Middle, climax,", "depend on genre or other factors? This is my first question on SE,", "\"New Equilibrium\") are so important, they should be among the first things defined", "where the protagonist learns more about himself, his true self, his past mistakes", "himself, his true self, his past mistakes and how to overcome his psychological", "James Scott Bell's concept of Mirror Moment. The Mirror Moment is a moment,", "contrast to his moral weakness that defined him at the start of the", "guidelines for plotting a good story from John Truby's excellent \"The Anatomy of", "person she is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing", "is \"Self-revelation\", where the protagonist learns more about himself, his true self, his", "Is there a difference between Bell's Mirror Moment and Truby's Self-Revelation? What is", "what sort of person she is going to be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later", "middle of the story instead of the climax. Is there a difference between", "(in contrast to his moral weakness that defined him at the start of", "his moral weakness that defined him at the start of the story). These", "story (between \"Battle\" and \"New Equilibrium\") are so important, they should be among", "structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important", "several similarities between these two moments. It almost looks like the same moment", "the climax. Is there a difference between Bell's Mirror Moment and Truby's Self-Revelation?", "learning rules and guidelines for plotting a good story from John Truby's excellent", "things defined when building a story, according to Truby. Then, I have stumbled", "true self, his past mistakes and how to overcome his psychological and moral", "20 and 21: step 20 is \"Self-revelation\", where the protagonist learns more about", "excellent \"The Anatomy of Story\". Truby structures plot using 22 steps (a summary", "else? Does it depend on genre or other factors? This is my first", "more about himself, his true self, his past mistakes and how to overcome", "Truby's excellent \"The Anatomy of Story\". Truby structures plot using 22 steps (a", "and Truby's Self-Revelation? What is the best place to insert a self-revelation moment:", "important, they should be among the first things defined when building a story,", "concept of Mirror Moment. The Mirror Moment is a moment, at the middle", "Anything happening later is about showing that the character's change has taken place.", "the start of the story). These two steps, positioned at the climax of", "weakness. This character growth is immediately shown in step 21, \"Moral Decision\", where", "at the climax of the story (between \"Battle\" and \"New Equilibrium\") are so", "best place to insert a self-revelation moment: Middle, climax, or anywhere else? Does", "21: step 20 is \"Self-revelation\", where the protagonist learns more about himself, his", "or anywhere else? Does it depend on genre or other factors? This is", "the story, where the protagonist assesses herself, and makes a decision based on", "positioned at the climax of the story (between \"Battle\" and \"New Equilibrium\") are", "his past mistakes and how to overcome his psychological and moral weakness. This", "looks like the same moment moved to the middle of the story instead", "\"Moral Decision\", where the character acts in a moral way (in contrast to", "the story instead of the climax. Is there a difference between Bell's Mirror", "the climax of the story (between \"Battle\" and \"New Equilibrium\") are so important,", "the most important are steps 20 and 21: step 20 is \"Self-revelation\", where", "to the middle of the story instead of the climax. Is there a", "they should be among the first things defined when building a story, according", "at the start of the story). These two steps, positioned at the climax", "is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that the", "protagonist learns more about himself, his true self, his past mistakes and how", "step 20 is \"Self-revelation\", where the protagonist learns more about himself, his true", "own psychology, what sort of person she is going to be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything", "how to overcome his psychological and moral weakness. This character growth is immediately", "story, where the protagonist assesses herself, and makes a decision based on her", "a good story from John Truby's excellent \"The Anatomy of Story\". Truby structures", "of the story instead of the climax. Is there a difference between Bell's", "psychology, what sort of person she is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening", "\"Self-revelation\", where the protagonist learns more about himself, his true self, his past", "middle of the story, where the protagonist assesses herself, and makes a decision", "So far, I've been learning rules and guidelines for plotting a good story", "What is the best place to insert a self-revelation moment: Middle, climax, or", "Truby structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most", "using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps", "climax of the story (between \"Battle\" and \"New Equilibrium\") are so important, they", "This is my first question on SE, I apologize if it's too vague.", "moral weakness. This character growth is immediately shown in step 21, \"Moral Decision\",", "moral weakness that defined him at the start of the story). These two", "I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of", "far, I've been learning rules and guidelines for plotting a good story from", "story, according to Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes", "place. I see several similarities between these two moments. It almost looks like", "describes James Scott Bell's concept of Mirror Moment. The Mirror Moment is a", "I've been learning rules and guidelines for plotting a good story from John", "herself, and makes a decision based on her own psychology, what sort of", "has taken place. I see several similarities between these two moments. It almost", "a moment, at the middle of the story, where the protagonist assesses herself,", "these two moments. It almost looks like the same moment moved to the", "a self-revelation moment: Middle, climax, or anywhere else? Does it depend on genre", "Moment. The Mirror Moment is a moment, at the middle of the story,", "Mirror Moment. The Mirror Moment is a moment, at the middle of the", "character growth is immediately shown in step 21, \"Moral Decision\", where the character", "immediately shown in step 21, \"Moral Decision\", where the character acts in a", "be among the first things defined when building a story, according to Truby.", "is about showing that the character's change has taken place. I see several", "two moments. It almost looks like the same moment moved to the middle", "Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's", "It almost looks like the same moment moved to the middle of the", "it depend on genre or other factors? This is my first question on", "weakness that defined him at the start of the story). These two steps,", "where the character acts in a moral way (in contrast to his moral", "and 21: step 20 is \"Self-revelation\", where the protagonist learns more about himself,", "Anatomy of Story\". Truby structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among", "change has taken place. I see several similarities between these two moments. It", "a difference between Bell's Mirror Moment and Truby's Self-Revelation? What is the best", "character's change has taken place. I see several similarities between these two moments.", "important are steps 20 and 21: step 20 is \"Self-revelation\", where the protagonist", "self-revelation moment: Middle, climax, or anywhere else? Does it depend on genre or", "Bell's concept of Mirror Moment. The Mirror Moment is a moment, at the", "insert a self-revelation moment: Middle, climax, or anywhere else? Does it depend on", "of the story). These two steps, positioned at the climax of the story", "place to insert a self-revelation moment: Middle, climax, or anywhere else? Does it", "Middle, climax, or anywhere else? Does it depend on genre or other factors?", "and guidelines for plotting a good story from John Truby's excellent \"The Anatomy", "stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of Mirror Moment.", "Mirror Moment and Truby's Self-Revelation? What is the best place to insert a", "story instead of the climax. Is there a difference between Bell's Mirror Moment", "most important are steps 20 and 21: step 20 is \"Self-revelation\", where the", "two steps, positioned at the climax of the story (between \"Battle\" and \"New", "happening later is about showing that the character's change has taken place. I", "summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps 20 and 21: step", "learns more about himself, his true self, his past mistakes and how to", "(between \"Battle\" and \"New Equilibrium\") are so important, they should be among the", "The Mirror Moment is a moment, at the middle of the story, where", "where the protagonist assesses herself, and makes a decision based on her own", "sort of person she is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is", "Bell's Mirror Moment and Truby's Self-Revelation? What is the best place to insert", "the character's change has taken place. I see several similarities between these two", "which describes James Scott Bell's concept of Mirror Moment. The Mirror Moment is", "(a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps 20 and 21:", "in step 21, \"Moral Decision\", where the character acts in a moral way", "be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that the character's change has", "or other factors? This is my first question on SE, I apologize if", "the protagonist assesses herself, and makes a decision based on her own psychology,", "Does it depend on genre or other factors? This is my first question", "mistakes and how to overcome his psychological and moral weakness. This character growth", "based on her own psychology, what sort of person she is going to", "difference between Bell's Mirror Moment and Truby's Self-Revelation? What is the best place", "rules and guidelines for plotting a good story from John Truby's excellent \"The", "upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept of Mirror Moment. The", "going to be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that the character's", "him at the start of the story). These two steps, positioned at the", "protagonist assesses herself, and makes a decision based on her own psychology, what", "of person she is going to be ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about", "moved to the middle of the story instead of the climax. Is there", "instead of the climax. Is there a difference between Bell's Mirror Moment and", "story). These two steps, positioned at the climax of the story (between \"Battle\"", "I see several similarities between these two moments. It almost looks like the", "like the same moment moved to the middle of the story instead of", "22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps 20", "growth is immediately shown in step 21, \"Moral Decision\", where the character acts", "so important, they should be among the first things defined when building a", "the best place to insert a self-revelation moment: Middle, climax, or anywhere else?", "defined when building a story, according to Truby. Then, I have stumbled upon", "she is going to be* ([source](https://ginny200.com/2014/04/20/james-scott-bell-and-the-magical-mirror-moment/)). Anything happening later is about showing that", "same moment moved to the middle of the story instead of the climax.", "them, the most important are steps 20 and 21: step 20 is \"Self-revelation\",", "between Bell's Mirror Moment and Truby's Self-Revelation? What is the best place to", "steps, positioned at the climax of the story (between \"Battle\" and \"New Equilibrium\")", "This character growth is immediately shown in step 21, \"Moral Decision\", where the", "later is about showing that the character's change has taken place. I see", "to his moral weakness that defined him at the start of the story).", "and \"New Equilibrium\") are so important, they should be among the first things", "climax, or anywhere else? Does it depend on genre or other factors? This", "factors? This is my first question on SE, I apologize if it's too", "steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them, the most important are steps 20 and", "a moral way (in contrast to his moral weakness that defined him at", "for plotting a good story from John Truby's excellent \"The Anatomy of Story\".", "first things defined when building a story, according to Truby. Then, I have", "of the story, where the protagonist assesses herself, and makes a decision based", "past mistakes and how to overcome his psychological and moral weakness. This character", "about himself, his true self, his past mistakes and how to overcome his", "at the middle of the story, where the protagonist assesses herself, and makes", "moment: Middle, climax, or anywhere else? Does it depend on genre or other", "is a moment, at the middle of the story, where the protagonist assesses", "Moment is a moment, at the middle of the story, where the protagonist", "moment moved to the middle of the story instead of the climax. Is", "anywhere else? Does it depend on genre or other factors? This is my", "to Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott", "from John Truby's excellent \"The Anatomy of Story\". Truby structures plot using 22", "to overcome his psychological and moral weakness. This character growth is immediately shown", "his psychological and moral weakness. This character growth is immediately shown in step", "defined him at the start of the story). These two steps, positioned at", "according to Truby. Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James", "the story). These two steps, positioned at the climax of the story (between", "Moment and Truby's Self-Revelation? What is the best place to insert a self-revelation", "shown in step 21, \"Moral Decision\", where the character acts in a moral", "overcome his psychological and moral weakness. This character growth is immediately shown in", "similarities between these two moments. It almost looks like the same moment moved", "\"The Anatomy of Story\". Truby structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)).", "of the story (between \"Battle\" and \"New Equilibrium\") are so important, they should", "of the climax. Is there a difference between Bell's Mirror Moment and Truby's", "character acts in a moral way (in contrast to his moral weakness that", "step 21, \"Moral Decision\", where the character acts in a moral way (in", "that the character's change has taken place. I see several similarities between these", "of Story\". Truby structures plot using 22 steps (a summary [here](https://lukejames7.wordpress.com/scriptwriting/22-steps-notes/)). Among them,", "and how to overcome his psychological and moral weakness. This character growth is", "acts in a moral way (in contrast to his moral weakness that defined", "Then, I have stumbled upon [this answer](https://writing.stackexchange.com/a/28089), which describes James Scott Bell's concept" ]
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How do I get rid of this tic?", "be using those in dialogue, in conjunction with a verbal response, or instead", "looked abashed > > > Sometimes twice in a row: > > The", "get in the character's head and say he was surprised, but this is", "have a page go by without some character \"looking\" like he's having \"insert-emotion-here\".", "to get in the character's head and say he was surprised, but this", "a verbal tic in my writing: > > He looked surprised > >", "a sort of filter word that creates unnecessary distance between the story and", "appear to be using those in dialogue, in conjunction with a verbal response,", "not see is you.” [Prince's Name] looked confused, so the captain continued to", "a row: > > The prince looked abashed. “I- I thought I was", "- it's not that I don't vary the language.) I appear to be", "this isn't working in writing. And no less important than the \"verbal tic\"", "or instead of one. The facial expression is part of the dialogue, as", "\"verbal tic\" feeling, it's a sort of filter word that creates unnecessary distance", "and I saw a prince, heir of [divine ancestor]. What I did not", "it would be in real life. Only this isn't working in writing. And", "in dialogue, in conjunction with a verbal response, or instead of one. The", "the language.) I appear to be using those in dialogue, in conjunction with", "compliments well. I looked at you, and I saw a prince, heir of", "> > He looked confused > > > He looked abashed > >", "I thought I was being polite,” he mumbled. > > “You were. You", "> “You were. You chose your words and your compliments well. I looked", "[divine ancestor]. What I did not see is you.” [Prince's Name] looked confused,", "tic\" feeling, it's a sort of filter word that creates unnecessary distance between", "> > > He looked abashed > > > Sometimes twice in a", "> I don't always want to get in the character's head and say", "character \"looking\" like he's having \"insert-emotion-here\". (Sometimes they also \"seem\" and \"appear\" -", "sort of filter word that creates unnecessary distance between the story and the", "is getting ridiculous. I don't seem to have a page go by without", "“I- I thought I was being polite,” he mumbled. > > “You were.", "of [divine ancestor]. What I did not see is you.” [Prince's Name] looked", "looked confused, so the captain continued to explain > > > I don't", "expression is part of the dialogue, as it would be in real life.", "don't vary the language.) I appear to be using those in dialogue, in", "being polite,” he mumbled. > > “You were. You chose your words and", "of filter word that creates unnecessary distance between the story and the reader.", "a prince, heir of [divine ancestor]. What I did not see is you.”", "heir of [divine ancestor]. What I did not see is you.” [Prince's Name]", "abashed > > > Sometimes twice in a row: > > The prince", "the captain continued to explain > > > I don't always want to", "a page go by without some character \"looking\" like he's having \"insert-emotion-here\". (Sometimes", "always want to get in the character's head and say he was surprised,", "instead of one. The facial expression is part of the dialogue, as it", "my writing: > > He looked surprised > > > He looked confused", "see is you.” [Prince's Name] looked confused, so the captain continued to explain", "in the character's head and say he was surprised, but this is getting", "\"appear\" - it's not that I don't vary the language.) I appear to", "do I get rid of this tic? How do I clean my story", "he mumbled. > > “You were. 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I looked at you, and I saw a prince,", "> > > He looked confused > > > He looked abashed >", "> > The prince looked abashed. “I- I thought I was being polite,”", "prince looked abashed. “I- I thought I was being polite,” he mumbled. >", "facial expression is part of the dialogue, as it would be in real", "The facial expression is part of the dialogue, as it would be in", "your compliments well. I looked at you, and I saw a prince, heir", "chose your words and your compliments well. I looked at you, and I", "the character's head and say he was surprised, but this is getting ridiculous.", "I get rid of this tic? How do I clean my story of", "Only this isn't working in writing. And no less important than the \"verbal", "also \"seem\" and \"appear\" - it's not that I don't vary the language.)", "He looked confused > > > He looked abashed > > > Sometimes", "important than the \"verbal tic\" feeling, it's a sort of filter word that", "ridiculous. I don't seem to have a page go by without some character", "I appear to be using those in dialogue, in conjunction with a verbal", "filter word that creates unnecessary distance between the story and the reader. How", "“You were. You chose your words and your compliments well. I looked at", "distance between the story and the reader. How do I get rid of", "He looked surprised > > > He looked confused > > > He", "page go by without some character \"looking\" like he's having \"insert-emotion-here\". (Sometimes they", "(Sometimes they also \"seem\" and \"appear\" - it's not that I don't vary", "get rid of this tic? How do I clean my story of it?", "twice in a row: > > The prince looked abashed. “I- I thought", "thought I was being polite,” he mumbled. > > “You were. You chose", "you, and I saw a prince, heir of [divine ancestor]. What I did", "of the dialogue, as it would be in real life. Only this isn't", "I looked at you, and I saw a prince, heir of [divine ancestor].", "head and say he was surprised, but this is getting ridiculous. I don't", "word that creates unnecessary distance between the story and the reader. How do", "he was surprised, but this is getting ridiculous. I don't seem to have", "language.) I appear to be using those in dialogue, in conjunction with a", "looked abashed. “I- I thought I was being polite,” he mumbled. > >", "you.” [Prince's Name] looked confused, so the captain continued to explain > >", "\"insert-emotion-here\". (Sometimes they also \"seem\" and \"appear\" - it's not that I don't", "character's head and say he was surprised, but this is getting ridiculous. I", "response, or instead of one. The facial expression is part of the dialogue,", "\"seem\" and \"appear\" - it's not that I don't vary the language.) I", "so the captain continued to explain > > > I don't always want", "surprised, but this is getting ridiculous. I don't seem to have a page", "having \"insert-emotion-here\". (Sometimes they also \"seem\" and \"appear\" - it's not that I", "I noticed a verbal tic in my writing: > > He looked surprised", "> > > I don't always want to get in the character's head", "in real life. Only this isn't working in writing. And no less important", "don't always want to get in the character's head and say he was", "verbal tic in my writing: > > He looked surprised > > >", "between the story and the reader. How do I get rid of this", "and the reader. How do I get rid of this tic? How do", "to explain > > > I don't always want to get in the", "\"looking\" like he's having \"insert-emotion-here\". (Sometimes they also \"seem\" and \"appear\" - it's", "with a verbal response, or instead of one. The facial expression is part", "How do I get rid of this tic? How do I clean my", "polite,” he mumbled. > > “You were. You chose your words and your", "is you.” [Prince's Name] looked confused, so the captain continued to explain >", "> He looked surprised > > > He looked confused > > >", "He looked abashed > > > Sometimes twice in a row: > >", "using those in dialogue, in conjunction with a verbal response, or instead of", "working in writing. And no less important than the \"verbal tic\" feeling, it's", "in writing. And no less important than the \"verbal tic\" feeling, it's a", "than the \"verbal tic\" feeling, it's a sort of filter word that creates", "and \"appear\" - it's not that I don't vary the language.) I appear", "I did not see is you.” [Prince's Name] looked confused, so the captain", "a verbal response, or instead of one. The facial expression is part of", "it's a sort of filter word that creates unnecessary distance between the story", "> Sometimes twice in a row: > > The prince looked abashed. “I-" ]
[ "both give the same errors) I get an error stating \"The webpage could", "dialogue box pops up over that one if I don't hit ok stating", "my chances a bit as my google-fu did not seem to turn up", "seem to like those fancy letters) When I use that though and try", "but ctr+c doesn't seem to like those fancy letters) When I use that", "same errors) I get an error stating \"The webpage could not be imported\"", "appears to be having trouble downloading the entire contents of this web page.", "be having trouble downloading the entire contents of this web page. Do you", "to place it in research as a pdf (I tried both webkit and", "notice the initial error out. I've asked this question on scrivener's official forum,", "and I believe that's just a pop up that occurs because it doesn't", "(I tried both webkit and IE, both give the same errors) I get", "hit ok stating \"Scrivener appears to be having trouble downloading the entire contents", "research as a pdf (I tried both webkit and IE, both give the", "this far or continue to 'Wait' and see if more data can be", "but I'm trying to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL", "research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to", "up that occurs because it doesn't notice the initial error out. I've asked", "if more data can be downloaded?\" Neither option does anything, and I believe", "stating \"Scrivener appears to be having trouble downloading the entire contents of this", "out. I've asked this question on scrivener's official forum, but figured I'd widen", "is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like those fancy letters) When", "figured I'd widen my chances a bit as my google-fu did not seem", "as a pdf (I tried both webkit and IE, both give the same", "widen my chances a bit as my google-fu did not seem to turn", "downloading the entire contents of this web page. Do you wish to 'Import'", "if I don't hit ok stating \"Scrivener appears to be having trouble downloading", "error stating \"The webpage could not be imported\" A few moments later another", "it doesn't notice the initial error out. I've asked this question on scrivener's", "I'd widen my chances a bit as my google-fu did not seem to", "in research as a pdf (I tried both webkit and IE, both give", "I don't hit ok stating \"Scrivener appears to be having trouble downloading the", "asked this question on scrivener's official forum, but figured I'd widen my chances", "pops up over that one if I don't hit ok stating \"Scrivener appears", "doesn't seem to like those fancy letters) When I use that though and", "that one if I don't hit ok stating \"Scrivener appears to be having", "don't hit ok stating \"Scrivener appears to be having trouble downloading the entire", "I get an error stating \"The webpage could not be imported\" A few", "over that one if I don't hit ok stating \"Scrivener appears to be", "wish to 'Import' the content downloaded this far or continue to 'Wait' and", "scrivener's official forum, but figured I'd widen my chances a bit as my", "ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like those fancy", "does anything, and I believe that's just a pop up that occurs because", "I'm asking this correctly, but I'm trying to add a website to my", "letters) When I use that though and try to place it in research", "webkit and IE, both give the same errors) I get an error stating", "Neither option does anything, and I believe that's just a pop up that", "on scrivener's official forum, but figured I'd widen my chances a bit as", "that occurs because it doesn't notice the initial error out. I've asked this", "but figured I'd widen my chances a bit as my google-fu did not", "this correctly, but I'm trying to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line>", "I use that though and try to place it in research as a", "a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but", "of this web page. Do you wish to 'Import' the content downloaded this", "those fancy letters) When I use that though and try to place it", "up over that one if I don't hit ok stating \"Scrivener appears to", "the entire contents of this web page. Do you wish to 'Import' the", "I believe that's just a pop up that occurs because it doesn't notice", "'Wait' and see if more data can be downloaded?\" Neither option does anything,", "and try to place it in research as a pdf (I tried both", "google-fu did not seem to turn up any results this evening. Appreciate the", "think I'm asking this correctly, but I'm trying to add a website to", "to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line)", "the same errors) I get an error stating \"The webpage could not be", "see if more data can be downloaded?\" Neither option does anything, and I", "chances a bit as my google-fu did not seem to turn up any", "official forum, but figured I'd widen my chances a bit as my google-fu", "be imported\" A few moments later another dialogue box pops up over that", "data can be downloaded?\" Neither option does anything, and I believe that's just", "entire contents of this web page. Do you wish to 'Import' the content", "I think I'm asking this correctly, but I'm trying to add a website", "or continue to 'Wait' and see if more data can be downloaded?\" Neither", "forum, but figured I'd widen my chances a bit as my google-fu did", "[https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like those fancy letters) When I", "try to place it in research as a pdf (I tried both webkit", "though and try to place it in research as a pdf (I tried", "few moments later another dialogue box pops up over that one if I", "one if I don't hit ok stating \"Scrivener appears to be having trouble", "both webkit and IE, both give the same errors) I get an error", "more data can be downloaded?\" Neither option does anything, and I believe that's", "web page. Do you wish to 'Import' the content downloaded this far or", "When I use that though and try to place it in research as", "that though and try to place it in research as a pdf (I", "trouble downloading the entire contents of this web page. Do you wish to", "website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c", "add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) ,", "just a pop up that occurs because it doesn't notice the initial error", "initial error out. I've asked this question on scrivener's official forum, but figured", "and see if more data can be downloaded?\" Neither option does anything, and", "ctr+c doesn't seem to like those fancy letters) When I use that though", "trying to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is", ", but ctr+c doesn't seem to like those fancy letters) When I use", "to 'Wait' and see if more data can be downloaded?\" Neither option does", "because it doesn't notice the initial error out. I've asked this question on", "later another dialogue box pops up over that one if I don't hit", "tried both webkit and IE, both give the same errors) I get an", "a bit as my google-fu did not seem to turn up any results", "bit as my google-fu did not seem to turn up any results this", "I've asked this question on scrivener's official forum, but figured I'd widen my", "ok stating \"Scrivener appears to be having trouble downloading the entire contents of", "contents of this web page. Do you wish to 'Import' the content downloaded", "my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem", "continue to 'Wait' and see if more data can be downloaded?\" Neither option", "error out. I've asked this question on scrivener's official forum, but figured I'd", "could not be imported\" A few moments later another dialogue box pops up", "IE, both give the same errors) I get an error stating \"The webpage", "a pop up that occurs because it doesn't notice the initial error out.", "<https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like", "asking this correctly, but I'm trying to add a website to my research", "an error stating \"The webpage could not be imported\" A few moments later", "it in research as a pdf (I tried both webkit and IE, both", "believe that's just a pop up that occurs because it doesn't notice the", "did not seem to turn up any results this evening. Appreciate the assistance!", "moments later another dialogue box pops up over that one if I don't", "'Import' the content downloaded this far or continue to 'Wait' and see if", "to like those fancy letters) When I use that though and try to", "box pops up over that one if I don't hit ok stating \"Scrivener", "use that though and try to place it in research as a pdf", "give the same errors) I get an error stating \"The webpage could not", "\"Scrivener appears to be having trouble downloading the entire contents of this web", "a pdf (I tried both webkit and IE, both give the same errors)", "having trouble downloading the entire contents of this web page. Do you wish", "and IE, both give the same errors) I get an error stating \"The", "to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't", "pdf (I tried both webkit and IE, both give the same errors) I", "to 'Import' the content downloaded this far or continue to 'Wait' and see", "like those fancy letters) When I use that though and try to place", "doesn't notice the initial error out. I've asked this question on scrivener's official", "that's just a pop up that occurs because it doesn't notice the initial", "this question on scrivener's official forum, but figured I'd widen my chances a", "stating \"The webpage could not be imported\" A few moments later another dialogue", "my google-fu did not seem to turn up any results this evening. Appreciate", "I'm trying to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the ACTUAL website", "errors) I get an error stating \"The webpage could not be imported\" A", "anything, and I believe that's just a pop up that occurs because it", "occurs because it doesn't notice the initial error out. I've asked this question", "pop up that occurs because it doesn't notice the initial error out. I've", "question on scrivener's official forum, but figured I'd widen my chances a bit", "option does anything, and I believe that's just a pop up that occurs", "not be imported\" A few moments later another dialogue box pops up over", "page. Do you wish to 'Import' the content downloaded this far or continue", "can be downloaded?\" Neither option does anything, and I believe that's just a", "downloaded?\" Neither option does anything, and I believe that's just a pop up", "(the ACTUAL website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like those", "\"The webpage could not be imported\" A few moments later another dialogue box", "place it in research as a pdf (I tried both webkit and IE,", "get an error stating \"The webpage could not be imported\" A few moments", "fancy letters) When I use that though and try to place it in", "website is [https://en.wikipedia.org/wiki/Kármán\\_line](https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line) , but ctr+c doesn't seem to like those fancy letters)", "you wish to 'Import' the content downloaded this far or continue to 'Wait'", "correctly, but I'm trying to add a website to my research <https://en.wikipedia.org/wiki/K%C3%A1rm%C3%A1n_line> (the", "as my google-fu did not seem to turn up any results this evening.", "the initial error out. I've asked this question on scrivener's official forum, but", "Do you wish to 'Import' the content downloaded this far or continue to", "far or continue to 'Wait' and see if more data can be downloaded?\"", "downloaded this far or continue to 'Wait' and see if more data can", "another dialogue box pops up over that one if I don't hit ok", "imported\" A few moments later another dialogue box pops up over that one", "this web page. Do you wish to 'Import' the content downloaded this far", "A few moments later another dialogue box pops up over that one if", "content downloaded this far or continue to 'Wait' and see if more data", "be downloaded?\" Neither option does anything, and I believe that's just a pop", "webpage could not be imported\" A few moments later another dialogue box pops", "to be having trouble downloading the entire contents of this web page. Do", "the content downloaded this far or continue to 'Wait' and see if more" ]
[ "reader from any of the narrators. Don't bother forming any kind of connection", "it as the narrator. I have several reasons for this. One is to", "some of them appear once and never again. Another point is to establish", "point is to establish a hierarchy. Without some characters first speaking, no one", "this might appear confusing for readers if the voice of the author is", "story. So every paragraph in the story has a different character attached to", "and never again. Another point is to establish a hierarchy. Without some characters", "the author is never seen anywhere in the story. So every paragraph in", "the perspective of different satellites that are creating a narrative. There are over", "the readers in several narrators to the point where whoever is telling the", "is to establish a hierarchy. Without some characters first speaking, no one else", "whoever is telling the story doesn't really matter. The story remains coherent with", "no one else can. In some way, I am intentionally trying to drown", "is telling the story doesn't really matter. The story remains coherent with or", "intentionally trying to drown the readers in several narrators to the point where", "appear confusing for readers if the voice of the author is never seen", "really matter. The story remains coherent with or without the narrators. What is", "narrators to the point where whoever is telling the story doesn't really matter.", "doesn't really matter. The story remains coherent with or without the narrators. What", "the story has a different character attached to it as the narrator. I", "reasons for this. One is to detach a reader from any of the", "narrator. I have several reasons for this. One is to detach a reader", "satellites that are creating a narrative. There are over ten of these narrators.", "story remains coherent with or without the narrators. What is the best way", "of connection to a narrator, because some of them appear once and never", "for readers if the voice of the author is never seen anywhere in", "readers in several narrators to the point where whoever is telling the story", "one else can. In some way, I am intentionally trying to drown the", "first speaking, no one else can. In some way, I am intentionally trying", "to the point where whoever is telling the story doesn't really matter. The", "in several narrators to the point where whoever is telling the story doesn't", "as the narrator. I have several reasons for this. One is to detach", "from the perspective of different satellites that are creating a narrative. There are", "In some way, I am intentionally trying to drown the readers in several", "several narrators to the point where whoever is telling the story doesn't really", "remains coherent with or without the narrators. What is the best way to", "is to detach a reader from any of the narrators. Don't bother forming", "once and never again. Another point is to establish a hierarchy. Without some", "coherent with or without the narrators. What is the best way to present", "them appear once and never again. Another point is to establish a hierarchy.", "the narrators. Don't bother forming any kind of connection to a narrator, because", "attached to it as the narrator. I have several reasons for this. One", "a hierarchy. Without some characters first speaking, no one else can. In some", "I am intentionally trying to drown the readers in several narrators to the", "There are over ten of these narrators. I'm wondering if this might appear", "wondering if this might appear confusing for readers if the voice of the", "character attached to it as the narrator. I have several reasons for this.", "of the author is never seen anywhere in the story. So every paragraph", "One is to detach a reader from any of the narrators. Don't bother", "My story is told from the perspective of different satellites that are creating", "the narrators. What is the best way to present this that won't confuse", "narrators. What is the best way to present this that won't confuse the", "forming any kind of connection to a narrator, because some of them appear", "a different character attached to it as the narrator. I have several reasons", "of them appear once and never again. Another point is to establish a", "else can. In some way, I am intentionally trying to drown the readers", "telling the story doesn't really matter. The story remains coherent with or without", "characters first speaking, no one else can. In some way, I am intentionally", "these narrators. I'm wondering if this might appear confusing for readers if the", "way, I am intentionally trying to drown the readers in several narrators to", "or without the narrators. What is the best way to present this that", "told from the perspective of different satellites that are creating a narrative. There", "to a narrator, because some of them appear once and never again. Another", "different satellites that are creating a narrative. There are over ten of these", "if this might appear confusing for readers if the voice of the author", "author is never seen anywhere in the story. So every paragraph in the", "So every paragraph in the story has a different character attached to it", "the story doesn't really matter. The story remains coherent with or without the", "The story remains coherent with or without the narrators. What is the best", "that are creating a narrative. There are over ten of these narrators. I'm", "perspective of different satellites that are creating a narrative. There are over ten", "bother forming any kind of connection to a narrator, because some of them", "point where whoever is telling the story doesn't really matter. The story remains", "every paragraph in the story has a different character attached to it as", "to it as the narrator. I have several reasons for this. One is", "in the story. So every paragraph in the story has a different character", "drown the readers in several narrators to the point where whoever is telling", "Without some characters first speaking, no one else can. In some way, I", "to establish a hierarchy. Without some characters first speaking, no one else can.", "from any of the narrators. Don't bother forming any kind of connection to", "readers if the voice of the author is never seen anywhere in the", "Another point is to establish a hierarchy. Without some characters first speaking, no", "kind of connection to a narrator, because some of them appear once and", "confusing for readers if the voice of the author is never seen anywhere", "without the narrators. What is the best way to present this that won't", "because some of them appear once and never again. Another point is to", "detach a reader from any of the narrators. Don't bother forming any kind", "this. One is to detach a reader from any of the narrators. Don't", "narrator, because some of them appear once and never again. Another point is", "the story. So every paragraph in the story has a different character attached", "is told from the perspective of different satellites that are creating a narrative.", "might appear confusing for readers if the voice of the author is never", "if the voice of the author is never seen anywhere in the story.", "for this. One is to detach a reader from any of the narrators.", "speaking, no one else can. In some way, I am intentionally trying to", "of the narrators. Don't bother forming any kind of connection to a narrator,", "of these narrators. I'm wondering if this might appear confusing for readers if", "in the story has a different character attached to it as the narrator.", "connection to a narrator, because some of them appear once and never again.", "creating a narrative. There are over ten of these narrators. I'm wondering if", "narrative. There are over ten of these narrators. I'm wondering if this might", "paragraph in the story has a different character attached to it as the", "the narrator. I have several reasons for this. One is to detach a", "trying to drown the readers in several narrators to the point where whoever", "several reasons for this. One is to detach a reader from any of", "I have several reasons for this. One is to detach a reader from", "can. In some way, I am intentionally trying to drown the readers in", "ten of these narrators. I'm wondering if this might appear confusing for readers", "Don't bother forming any kind of connection to a narrator, because some of", "a narrative. There are over ten of these narrators. I'm wondering if this", "narrators. Don't bother forming any kind of connection to a narrator, because some", "the point where whoever is telling the story doesn't really matter. The story", "over ten of these narrators. I'm wondering if this might appear confusing for", "matter. The story remains coherent with or without the narrators. What is the", "hierarchy. Without some characters first speaking, no one else can. In some way,", "a narrator, because some of them appear once and never again. Another point", "where whoever is telling the story doesn't really matter. The story remains coherent", "has a different character attached to it as the narrator. I have several", "anywhere in the story. So every paragraph in the story has a different", "have several reasons for this. One is to detach a reader from any", "some characters first speaking, no one else can. In some way, I am", "of different satellites that are creating a narrative. There are over ten of", "the voice of the author is never seen anywhere in the story. So", "never seen anywhere in the story. So every paragraph in the story has", "establish a hierarchy. Without some characters first speaking, no one else can. In", "story doesn't really matter. The story remains coherent with or without the narrators.", "again. Another point is to establish a hierarchy. Without some characters first speaking,", "are creating a narrative. There are over ten of these narrators. I'm wondering", "to detach a reader from any of the narrators. Don't bother forming any", "never again. Another point is to establish a hierarchy. Without some characters first", "a reader from any of the narrators. Don't bother forming any kind of", "story is told from the perspective of different satellites that are creating a", "am intentionally trying to drown the readers in several narrators to the point", "are over ten of these narrators. I'm wondering if this might appear confusing", "seen anywhere in the story. So every paragraph in the story has a", "is never seen anywhere in the story. So every paragraph in the story", "with or without the narrators. What is the best way to present this", "any of the narrators. Don't bother forming any kind of connection to a", "story has a different character attached to it as the narrator. I have", "different character attached to it as the narrator. I have several reasons for", "to drown the readers in several narrators to the point where whoever is", "voice of the author is never seen anywhere in the story. So every", "appear once and never again. Another point is to establish a hierarchy. Without", "narrators. I'm wondering if this might appear confusing for readers if the voice", "What is the best way to present this that won't confuse the reader?", "any kind of connection to a narrator, because some of them appear once", "some way, I am intentionally trying to drown the readers in several narrators", "I'm wondering if this might appear confusing for readers if the voice of" ]
[ "in the scene, but I can only think of some ham-fisted ways. Is", "perspective. However, there are a few scenes that I would like to write", "up with some ways to place the main character in the scene, but", "scenes that I would like to write that really don't require the main", "to be there. I could maybe come up with some ways to place", "could maybe come up with some ways to place the main character in", "For the most part, my story is told from the main character's perspective.", "the most part, my story is told from the main character's perspective. However,", "think of some ham-fisted ways. Is it okay to switch perspectives, or would", "ways. Is it okay to switch perspectives, or would it feel too abrupt?", "story is told from the main character's perspective. However, there are a few", "a few scenes that I would like to write that really don't require", "place the main character in the scene, but I can only think of", "the main character's perspective. However, there are a few scenes that I would", "that I would like to write that really don't require the main character", "like to write that really don't require the main character to be there.", "would like to write that really don't require the main character to be", "come up with some ways to place the main character in the scene,", "some ham-fisted ways. Is it okay to switch perspectives, or would it feel", "character to be there. I could maybe come up with some ways to", "character's perspective. However, there are a few scenes that I would like to", "there are a few scenes that I would like to write that really", "the main character in the scene, but I can only think of some", "I can only think of some ham-fisted ways. Is it okay to switch", "are a few scenes that I would like to write that really don't", "from the main character's perspective. However, there are a few scenes that I", "that really don't require the main character to be there. I could maybe", "main character in the scene, but I can only think of some ham-fisted", "but I can only think of some ham-fisted ways. Is it okay to", "ham-fisted ways. Is it okay to switch perspectives, or would it feel too", "few scenes that I would like to write that really don't require the", "part, my story is told from the main character's perspective. However, there are", "the main character to be there. I could maybe come up with some", "most part, my story is told from the main character's perspective. However, there", "ways to place the main character in the scene, but I can only", "scene, but I can only think of some ham-fisted ways. Is it okay", "main character's perspective. However, there are a few scenes that I would like", "main character to be there. I could maybe come up with some ways", "some ways to place the main character in the scene, but I can", "there. I could maybe come up with some ways to place the main", "I would like to write that really don't require the main character to", "to place the main character in the scene, but I can only think", "write that really don't require the main character to be there. I could", "can only think of some ham-fisted ways. Is it okay to switch perspectives,", "really don't require the main character to be there. I could maybe come", "don't require the main character to be there. I could maybe come up", "be there. I could maybe come up with some ways to place the", "I could maybe come up with some ways to place the main character", "with some ways to place the main character in the scene, but I", "the scene, but I can only think of some ham-fisted ways. Is it", "However, there are a few scenes that I would like to write that", "require the main character to be there. I could maybe come up with", "to write that really don't require the main character to be there. I", "told from the main character's perspective. However, there are a few scenes that", "my story is told from the main character's perspective. However, there are a", "only think of some ham-fisted ways. Is it okay to switch perspectives, or", "of some ham-fisted ways. Is it okay to switch perspectives, or would it", "maybe come up with some ways to place the main character in the", "is told from the main character's perspective. However, there are a few scenes", "character in the scene, but I can only think of some ham-fisted ways." ]
[ "or fetishize anyone, the love story is a big part of the plot,", "just a small piece. I could change one of the characters to female", "women writing those types of characters. I'm not trying to appropriate or fetishize", "part way to their mothers and siblings and friends, most of them. It", "the character development plot and themes all grow and go together, something I", "plot quite a bit, and both characters are based on 4 guys I", "idea had a plot where the character development plot and themes all grow", "are plenty of other plot elements and themes; there's also a female lead", "the love story is a big part of the plot, but there are", "the main characters are bisexual men who fall in love, and I know", "those types of characters. I'm not trying to appropriate or fetishize anyone, the", "relationship it all. There is some of the \"forbidden love\" theme that people", "characters are based on 4 guys I know, but maybe I should just", "characters are bisexual men who fall in love, and I know that lots", "friends, most of them. It isn't the point of the story, just a", "characters to female and make it work though I would have to change", "point of the story, just a small piece. I could change one of", "know that lots of people are angry about women writing those types of", "that people take exception to — it's there because they are trying to", "and themes; there's also a female lead character who isn't part of the", "is what I am excited about). However, two of the main characters are", "a small piece. I could change one of the characters to female and", "there because they are trying to succeed in the late 60's and it's", "other plot elements and themes; there's also a female lead character who isn't", "and themes all grow and go together, something I love, and think makes", "characters. I'm not trying to appropriate or fetishize anyone, the love story is", "change the plot quite a bit, and both characters are based on 4", "succeed in the late 60's and it's a family issue. But they also", "make it work though I would have to change the plot quite a", "plot where the character development plot and themes all grow and go together,", "of the story, just a small piece. I could change one of the", "bisexual men who fall in love, and I know that lots of people", "all. There is some of the \"forbidden love\" theme that people take exception", "and that I've been striving for (this is what I am excited about).", "a female lead character who isn't part of the relationship it all. There", "there are plenty of other plot elements and themes; there's also a female", "trying to succeed in the late 60's and it's a family issue. But", "both characters are based on 4 guys I know, but maybe I should", "it's there because they are trying to succeed in the late 60's and", "what I am excited about). However, two of the main characters are bisexual", "However, two of the main characters are bisexual men who fall in love,", "some of the \"forbidden love\" theme that people take exception to — it's", "to their mothers and siblings and friends, most of them. It isn't the", "of people are angry about women writing those types of characters. I'm not", "big part of the plot, but there are plenty of other plot elements", "where the character development plot and themes all grow and go together, something", "writing those types of characters. I'm not trying to appropriate or fetishize anyone,", "bit, and both characters are based on 4 guys I know, but maybe", "go together, something I love, and think makes the best stories and that", "a story/novel that I was very excited about, but also very worried about.", "the \"forbidden love\" theme that people take exception to — it's there because", "most of them. It isn't the point of the story, just a small", "of the main characters are bisexual men who fall in love, and I", "— it's there because they are trying to succeed in the late 60's", "is some of the \"forbidden love\" theme that people take exception to —", "It isn't the point of the story, just a small piece. I could", "a family issue. But they also come out part way to their mothers", "a big part of the plot, but there are plenty of other plot", "in love, and I know that lots of people are angry about women", "was very excited about, but also very worried about. The idea had a", "story is a big part of the plot, but there are plenty of", "are based on 4 guys I know, but maybe I should just to", "and make it work though I would have to change the plot quite", "plot and themes all grow and go together, something I love, and think", "that I've been striving for (this is what I am excited about). However,", "fall in love, and I know that lots of people are angry about", "\"forbidden love\" theme that people take exception to — it's there because they", "they also come out part way to their mothers and siblings and friends,", "female lead character who isn't part of the relationship it all. There is", "the point of the story, just a small piece. I could change one", "who isn't part of the relationship it all. There is some of the", "small piece. I could change one of the characters to female and make", "out part way to their mothers and siblings and friends, most of them.", "4 guys I know, but maybe I should just to avoid pissing people", "very worried about. The idea had a plot where the character development plot", "to change the plot quite a bit, and both characters are based on", "plenty of other plot elements and themes; there's also a female lead character", "men who fall in love, and I know that lots of people are", "them. It isn't the point of the story, just a small piece. I", "and I know that lots of people are angry about women writing those", "been striving for (this is what I am excited about). However, two of", "exception to — it's there because they are trying to succeed in the", "it's a family issue. But they also come out part way to their", "could change one of the characters to female and make it work though", "to appropriate or fetishize anyone, the love story is a big part of", "(this is what I am excited about). However, two of the main characters", "types of characters. I'm not trying to appropriate or fetishize anyone, the love", "have to change the plot quite a bit, and both characters are based", "but there are plenty of other plot elements and themes; there's also a", "of other plot elements and themes; there's also a female lead character who", "the story, just a small piece. I could change one of the characters", "they are trying to succeed in the late 60's and it's a family", "the plot quite a bit, and both characters are based on 4 guys", "to — it's there because they are trying to succeed in the late", "people are angry about women writing those types of characters. I'm not trying", "is a big part of the plot, but there are plenty of other", "a bit, and both characters are based on 4 guys I know, but", "about. The idea had a plot where the character development plot and themes", "I would have to change the plot quite a bit, and both characters", "on 4 guys I know, but maybe I should just to avoid pissing", "of the \"forbidden love\" theme that people take exception to — it's there", "part of the plot, but there are plenty of other plot elements and", "the relationship it all. There is some of the \"forbidden love\" theme that", "late 60's and it's a family issue. But they also come out part", "appropriate or fetishize anyone, the love story is a big part of the", "I am excited about). However, two of the main characters are bisexual men", "There is some of the \"forbidden love\" theme that people take exception to", "two of the main characters are bisexual men who fall in love, and", "and it's a family issue. But they also come out part way to", "striving for (this is what I am excited about). However, two of the", "main characters are bisexual men who fall in love, and I know that", "come out part way to their mothers and siblings and friends, most of", "change one of the characters to female and make it work though I", "makes the best stories and that I've been striving for (this is what", "isn't part of the relationship it all. There is some of the \"forbidden", "of the plot, but there are plenty of other plot elements and themes;", "stories and that I've been striving for (this is what I am excited", "the late 60's and it's a family issue. But they also come out", "love, and I know that lots of people are angry about women writing", "and think makes the best stories and that I've been striving for (this", "anyone, the love story is a big part of the plot, but there", "issue. But they also come out part way to their mothers and siblings", "I was very excited about, but also very worried about. The idea had", "am excited about). However, two of the main characters are bisexual men who", "are angry about women writing those types of characters. I'm not trying to", "of the relationship it all. There is some of the \"forbidden love\" theme", "story, just a small piece. I could change one of the characters to", "in the late 60's and it's a family issue. But they also come", "that I was very excited about, but also very worried about. The idea", "based on 4 guys I know, but maybe I should just to avoid", "But they also come out part way to their mothers and siblings and", "guys I know, but maybe I should just to avoid pissing people off.", "people take exception to — it's there because they are trying to succeed", "also very worried about. The idea had a plot where the character development", "development plot and themes all grow and go together, something I love, and", "themes; there's also a female lead character who isn't part of the relationship", "family issue. But they also come out part way to their mothers and", "not trying to appropriate or fetishize anyone, the love story is a big", "I love, and think makes the best stories and that I've been striving", "also a female lead character who isn't part of the relationship it all.", "and go together, something I love, and think makes the best stories and", "there's also a female lead character who isn't part of the relationship it", "plot elements and themes; there's also a female lead character who isn't part", "of them. It isn't the point of the story, just a small piece.", "the plot, but there are plenty of other plot elements and themes; there's", "this idea for a story/novel that I was very excited about, but also", "take exception to — it's there because they are trying to succeed in", "I could change one of the characters to female and make it work", "something I love, and think makes the best stories and that I've been", "had a plot where the character development plot and themes all grow and", "and both characters are based on 4 guys I know, but maybe I", "worried about. The idea had a plot where the character development plot and", "love, and think makes the best stories and that I've been striving for", "I'm not trying to appropriate or fetishize anyone, the love story is a", "female and make it work though I would have to change the plot", "very excited about, but also very worried about. The idea had a plot", "to succeed in the late 60's and it's a family issue. But they", "because they are trying to succeed in the late 60's and it's a", "isn't the point of the story, just a small piece. I could change", "together, something I love, and think makes the best stories and that I've", "and siblings and friends, most of them. It isn't the point of the", "and friends, most of them. It isn't the point of the story, just", "one of the characters to female and make it work though I would", "The idea had a plot where the character development plot and themes all", "work though I would have to change the plot quite a bit, and", "best stories and that I've been striving for (this is what I am", "their mothers and siblings and friends, most of them. It isn't the point", "for (this is what I am excited about). However, two of the main", "who fall in love, and I know that lots of people are angry", "are trying to succeed in the late 60's and it's a family issue.", "love story is a big part of the plot, but there are plenty", "siblings and friends, most of them. It isn't the point of the story,", "to female and make it work though I would have to change the", "angry about women writing those types of characters. I'm not trying to appropriate", "excited about, but also very worried about. The idea had a plot where", "would have to change the plot quite a bit, and both characters are", "love\" theme that people take exception to — it's there because they are", "60's and it's a family issue. But they also come out part way", "character development plot and themes all grow and go together, something I love,", "had this idea for a story/novel that I was very excited about, but", "quite a bit, and both characters are based on 4 guys I know,", "grow and go together, something I love, and think makes the best stories", "plot, but there are plenty of other plot elements and themes; there's also", "mothers and siblings and friends, most of them. It isn't the point of", "the characters to female and make it work though I would have to", "the best stories and that I've been striving for (this is what I", "I know that lots of people are angry about women writing those types", "also come out part way to their mothers and siblings and friends, most", "lots of people are angry about women writing those types of characters. I'm", "about women writing those types of characters. I'm not trying to appropriate or", "think makes the best stories and that I've been striving for (this is", "all grow and go together, something I love, and think makes the best", "about). However, two of the main characters are bisexual men who fall in", "but also very worried about. The idea had a plot where the character", "theme that people take exception to — it's there because they are trying", "for a story/novel that I was very excited about, but also very worried", "it work though I would have to change the plot quite a bit,", "are bisexual men who fall in love, and I know that lots of", "story/novel that I was very excited about, but also very worried about. The", "it all. There is some of the \"forbidden love\" theme that people take", "though I would have to change the plot quite a bit, and both", "I had this idea for a story/novel that I was very excited about,", "of characters. I'm not trying to appropriate or fetishize anyone, the love story", "part of the relationship it all. There is some of the \"forbidden love\"", "piece. I could change one of the characters to female and make it", "idea for a story/novel that I was very excited about, but also very", "way to their mothers and siblings and friends, most of them. It isn't", "a plot where the character development plot and themes all grow and go", "of the characters to female and make it work though I would have", "elements and themes; there's also a female lead character who isn't part of", "themes all grow and go together, something I love, and think makes the", "that lots of people are angry about women writing those types of characters.", "character who isn't part of the relationship it all. There is some of", "fetishize anyone, the love story is a big part of the plot, but", "trying to appropriate or fetishize anyone, the love story is a big part", "I've been striving for (this is what I am excited about). However, two", "excited about). However, two of the main characters are bisexual men who fall", "about, but also very worried about. The idea had a plot where the", "lead character who isn't part of the relationship it all. There is some" ]
[ "and the better she will be. She needs his knowledge, but likes him", "into the line of fire, taking a bullet for her mentor. Danger is", "I see the scene: the protegee notices signs of danger and, at the", "she will be. She needs his knowledge, but likes him too as a", "bullet for her mentor. Danger is neutralized. He carries her away. She is", "earlier. This injury renders him much slower to respond and reduces his agility.", "she will learn and the better she will be. She needs his knowledge,", "follows to clear the way, protecting her because she is a valued teammate,", "instinct tells her to evade, she leaps into the line of fire, taking", "protégée and just saved his life. How best to balance their actions so", "care, but he follows to clear the way, protecting her because she is", "protect him. His colleagues are a young woman who is his protégée and", "longer she is with him, the more she will learn and the better", "valued teammate, his protégée and just saved his life. How best to balance", "a young woman who is his protégée and a man who is a", "is neutralized. He carries her away. She is being driven away to receive", "that the longer she is with him, the more she will learn and", "neutralized. He carries her away. She is being driven away to receive medical", "before and knows that the longer she is with him, the more she", "the protegee notices signs of danger and, at the moment every instinct tells", "but he follows to clear the way, protecting her because she is a", "just saved his life. How best to balance their actions so as not", "is injured, having been shot earlier. This injury renders him much slower to", "fire, taking a bullet for her mentor. Danger is neutralized. He carries her", "of danger and, at the moment every instinct tells her to evade, she", "man who is a good friend of his. She never had an instructor", "moment every instinct tells her to evade, she leaps into the line of", "will learn and the better she will be. She needs his knowledge, but", "carries her away. She is being driven away to receive medical care, but", "leaps into the line of fire, taking a bullet for her mentor. Danger", "away to receive medical care, but he follows to clear the way, protecting", "notices signs of danger and, at the moment every instinct tells her to", "at the moment every instinct tells her to evade, she leaps into the", "of his. She never had an instructor like him before and knows that", "learn and the better she will be. She needs his knowledge, but likes", "she is a valued teammate, his protégée and just saved his life. How", "likes him too as a teammate and there is camaraderie between them. I", "see the scene: the protegee notices signs of danger and, at the moment", "much slower to respond and reduces his agility. Because of this, two of", "medical care, but he follows to clear the way, protecting her because she", "her because she is a valued teammate, his protégée and just saved his", "her mentor. Danger is neutralized. He carries her away. She is being driven", "never had an instructor like him before and knows that the longer she", "his knowledge, but likes him too as a teammate and there is camaraderie", "camaraderie between them. I see the scene: the protegee notices signs of danger", "she leaps into the line of fire, taking a bullet for her mentor.", "away. She is being driven away to receive medical care, but he follows", "are with him to protect him. His colleagues are a young woman who", "and a man who is a good friend of his. She never had", "She never had an instructor like him before and knows that the longer", "mentor. Danger is neutralized. He carries her away. She is being driven away", "him much slower to respond and reduces his agility. Because of this, two", "his colleagues are with him to protect him. His colleagues are a young", "being driven away to receive medical care, but he follows to clear the", "slower to respond and reduces his agility. Because of this, two of his", "teammate and there is camaraderie between them. I see the scene: the protegee", "the moment every instinct tells her to evade, she leaps into the line", "to evade, she leaps into the line of fire, taking a bullet for", "knowledge, but likes him too as a teammate and there is camaraderie between", "young woman who is his protégée and a man who is a good", "is a good friend of his. She never had an instructor like him", "needs his knowledge, but likes him too as a teammate and there is", "her to evade, she leaps into the line of fire, taking a bullet", "line of fire, taking a bullet for her mentor. Danger is neutralized. He", "the way, protecting her because she is a valued teammate, his protégée and", "because she is a valued teammate, his protégée and just saved his life.", "character is injured, having been shot earlier. This injury renders him much slower", "How best to balance their actions so as not to overshadow the woman’s", "Danger is neutralized. He carries her away. She is being driven away to", "saved his life. How best to balance their actions so as not to", "taking a bullet for her mentor. Danger is neutralized. He carries her away.", "he follows to clear the way, protecting her because she is a valued", "more she will learn and the better she will be. She needs his", "is being driven away to receive medical care, but he follows to clear", "She is being driven away to receive medical care, but he follows to", "the line of fire, taking a bullet for her mentor. Danger is neutralized.", "will be. She needs his knowledge, but likes him too as a teammate", "the scene: the protegee notices signs of danger and, at the moment every", "protegee notices signs of danger and, at the moment every instinct tells her", "danger and, at the moment every instinct tells her to evade, she leaps", "her away. She is being driven away to receive medical care, but he", "his protégée and just saved his life. How best to balance their actions", "injury renders him much slower to respond and reduces his agility. Because of", "protégée and a man who is a good friend of his. She never", "him too as a teammate and there is camaraderie between them. I see", "an instructor like him before and knows that the longer she is with", "been shot earlier. This injury renders him much slower to respond and reduces", "she is with him, the more she will learn and the better she", "better she will be. She needs his knowledge, but likes him too as", "best to balance their actions so as not to overshadow the woman’s courage?", "respond and reduces his agility. Because of this, two of his colleagues are", "him. His colleagues are a young woman who is his protégée and a", "Because of this, two of his colleagues are with him to protect him.", "and knows that the longer she is with him, the more she will", "and just saved his life. How best to balance their actions so as", "two of his colleagues are with him to protect him. His colleagues are", "who is his protégée and a man who is a good friend of", "is with him, the more she will learn and the better she will", "between them. I see the scene: the protegee notices signs of danger and,", "a teammate and there is camaraderie between them. I see the scene: the", "good friend of his. She never had an instructor like him before and", "to protect him. His colleagues are a young woman who is his protégée", "is his protégée and a man who is a good friend of his.", "knows that the longer she is with him, the more she will learn", "evade, she leaps into the line of fire, taking a bullet for her", "his agility. Because of this, two of his colleagues are with him to", "receive medical care, but he follows to clear the way, protecting her because", "colleagues are with him to protect him. His colleagues are a young woman", "My main character is injured, having been shot earlier. This injury renders him", "with him, the more she will learn and the better she will be.", "his life. How best to balance their actions so as not to overshadow", "reduces his agility. Because of this, two of his colleagues are with him", "the more she will learn and the better she will be. She needs", "renders him much slower to respond and reduces his agility. Because of this,", "teammate, his protégée and just saved his life. How best to balance their", "is camaraderie between them. I see the scene: the protegee notices signs of", "a valued teammate, his protégée and just saved his life. How best to", "but likes him too as a teammate and there is camaraderie between them.", "and reduces his agility. Because of this, two of his colleagues are with", "agility. Because of this, two of his colleagues are with him to protect", "a bullet for her mentor. Danger is neutralized. He carries her away. She", "every instinct tells her to evade, she leaps into the line of fire,", "his. She never had an instructor like him before and knows that the", "of this, two of his colleagues are with him to protect him. His", "as a teammate and there is camaraderie between them. I see the scene:", "had an instructor like him before and knows that the longer she is", "a man who is a good friend of his. She never had an", "to respond and reduces his agility. Because of this, two of his colleagues", "clear the way, protecting her because she is a valued teammate, his protégée", "driven away to receive medical care, but he follows to clear the way,", "who is a good friend of his. She never had an instructor like", "protecting her because she is a valued teammate, his protégée and just saved", "woman who is his protégée and a man who is a good friend", "be. She needs his knowledge, but likes him too as a teammate and", "him, the more she will learn and the better she will be. She", "to clear the way, protecting her because she is a valued teammate, his", "injured, having been shot earlier. This injury renders him much slower to respond", "are a young woman who is his protégée and a man who is", "way, protecting her because she is a valued teammate, his protégée and just", "there is camaraderie between them. I see the scene: the protegee notices signs", "for her mentor. Danger is neutralized. He carries her away. She is being", "of his colleagues are with him to protect him. His colleagues are a", "to receive medical care, but he follows to clear the way, protecting her", "the longer she is with him, the more she will learn and the", "This injury renders him much slower to respond and reduces his agility. Because", "and, at the moment every instinct tells her to evade, she leaps into", "this, two of his colleagues are with him to protect him. His colleagues", "main character is injured, having been shot earlier. This injury renders him much", "tells her to evade, she leaps into the line of fire, taking a", "He carries her away. She is being driven away to receive medical care,", "colleagues are a young woman who is his protégée and a man who", "with him to protect him. His colleagues are a young woman who is", "scene: the protegee notices signs of danger and, at the moment every instinct", "She needs his knowledge, but likes him too as a teammate and there", "shot earlier. This injury renders him much slower to respond and reduces his", "having been shot earlier. This injury renders him much slower to respond and", "too as a teammate and there is camaraderie between them. I see the", "like him before and knows that the longer she is with him, the", "His colleagues are a young woman who is his protégée and a man", "and there is camaraderie between them. I see the scene: the protegee notices", "is a valued teammate, his protégée and just saved his life. How best", "him before and knows that the longer she is with him, the more", "him to protect him. His colleagues are a young woman who is his", "his protégée and a man who is a good friend of his. She", "signs of danger and, at the moment every instinct tells her to evade,", "instructor like him before and knows that the longer she is with him,", "of fire, taking a bullet for her mentor. Danger is neutralized. He carries", "a good friend of his. She never had an instructor like him before", "the better she will be. She needs his knowledge, but likes him too", "friend of his. She never had an instructor like him before and knows", "them. I see the scene: the protegee notices signs of danger and, at", "life. How best to balance their actions so as not to overshadow the" ]
[ "this character's motivations are informed by - though not entirely focused on -", "you write illness - or 'tragic backstories' in general, without making that all", "without making that all a character is? And are there any sources on", "- though not entirely focused on - him having suffered laryngeal cancer and", "though not entirely focused on - him having suffered laryngeal cancer and recovered", "having suffered laryngeal cancer and recovered due to a full larynx removal. However,", "- or 'tragic backstories' in general, without making that all a character is?", "do you write illness - or 'tragic backstories' in general, without making that", "focused on - him having suffered laryngeal cancer and recovered due to a", "on the theme of control. I've done a lot of research that has", "of research that has let me understand a lot about the cancer medically,", "work, I'm more focused on the theme of control. I've done a lot", "very important that my protagonist is mute. A lot of this character's motivations", "the theme of control. I've done a lot of research that has let", "Survivor Damian\", especially since I don't want to explore illness in the work,", "let me understand a lot about the cancer medically, but there's very little", "but there's very little on what it's like to live with, from personal", "However, I am finding it difficult to find how that effects his life,", "backstories' in general, without making that all a character is? And are there", "recovered due to a full larynx removal. However, I am finding it difficult", "informed by - though not entirely focused on - him having suffered laryngeal", "that all his character is. I want him to be \"Damian who survived", "lot about the cancer medically, but there's very little on what it's like", "all his character is. I want him to be \"Damian who survived cancer\",", "to be \"Damian who survived cancer\", not \"Cancer Survivor Damian\", especially since I", "of this character's motivations are informed by - though not entirely focused on", "lot of research that has let me understand a lot about the cancer", "who survived cancer\", not \"Cancer Survivor Damian\", especially since I don't want to", "very little on what it's like to live with, from personal experiences. How", "character's motivations are informed by - though not entirely focused on - him", "be \"Damian who survived cancer\", not \"Cancer Survivor Damian\", especially since I don't", "research that has let me understand a lot about the cancer medically, but", "don't want to explore illness in the work, I'm more focused on the", "a lot about the cancer medically, but there's very little on what it's", "is. I want him to be \"Damian who survived cancer\", not \"Cancer Survivor", "entirely focused on - him having suffered laryngeal cancer and recovered due to", "larynx removal. However, I am finding it difficult to find how that effects", "- him having suffered laryngeal cancer and recovered due to a full larynx", "and recovered due to a full larynx removal. However, I am finding it", "are there any sources on life as a mute person or as a", "I don't want to explore illness in the work, I'm more focused on", "illness - or 'tragic backstories' in general, without making that all a character", "making that all his character is. I want him to be \"Damian who", "find how that effects his life, without making that all his character is.", "especially since I don't want to explore illness in the work, I'm more", "are informed by - though not entirely focused on - him having suffered", "Damian\", especially since I don't want to explore illness in the work, I'm", "illness in the work, I'm more focused on the theme of control. I've", "done a lot of research that has let me understand a lot about", "a character is? And are there any sources on life as a mute", "without making that all his character is. I want him to be \"Damian", "since I don't want to explore illness in the work, I'm more focused", "not \"Cancer Survivor Damian\", especially since I don't want to explore illness in", "live with, from personal experiences. How do you write illness - or 'tragic", "'tragic backstories' in general, without making that all a character is? And are", "my protagonist is mute. A lot of this character's motivations are informed by", "to a full larynx removal. However, I am finding it difficult to find", "motivations are informed by - though not entirely focused on - him having", "it's like to live with, from personal experiences. How do you write illness", "by - though not entirely focused on - him having suffered laryngeal cancer", "am finding it difficult to find how that effects his life, without making", "personal experiences. How do you write illness - or 'tragic backstories' in general,", "I've done a lot of research that has let me understand a lot", "or 'tragic backstories' in general, without making that all a character is? And", "from personal experiences. How do you write illness - or 'tragic backstories' in", "in general, without making that all a character is? And are there any", "any sources on life as a mute person or as a laryngeal cancer", "character is. I want him to be \"Damian who survived cancer\", not \"Cancer", "How do you write illness - or 'tragic backstories' in general, without making", "I want him to be \"Damian who survived cancer\", not \"Cancer Survivor Damian\",", "that my protagonist is mute. A lot of this character's motivations are informed", "focused on the theme of control. I've done a lot of research that", "sources on life as a mute person or as a laryngeal cancer survivor?", "experiences. How do you write illness - or 'tragic backstories' in general, without", "a full larynx removal. However, I am finding it difficult to find how", "A lot of this character's motivations are informed by - though not entirely", "important that my protagonist is mute. A lot of this character's motivations are", "little on what it's like to live with, from personal experiences. How do", "write illness - or 'tragic backstories' in general, without making that all a", "to live with, from personal experiences. How do you write illness - or", "life, without making that all his character is. I want him to be", "understand a lot about the cancer medically, but there's very little on what", "that all a character is? And are there any sources on life as", "the work, I'm more focused on the theme of control. I've done a", "due to a full larynx removal. However, I am finding it difficult to", "full larynx removal. However, I am finding it difficult to find how that", "with, from personal experiences. How do you write illness - or 'tragic backstories'", "more focused on the theme of control. I've done a lot of research", "\"Cancer Survivor Damian\", especially since I don't want to explore illness in the", "character is? And are there any sources on life as a mute person", "not entirely focused on - him having suffered laryngeal cancer and recovered due", "all a character is? And are there any sources on life as a", "what it's like to live with, from personal experiences. How do you write", "there's very little on what it's like to live with, from personal experiences.", "his character is. I want him to be \"Damian who survived cancer\", not", "protagonist is mute. A lot of this character's motivations are informed by -", "It is very important that my protagonist is mute. A lot of this", "\"Damian who survived cancer\", not \"Cancer Survivor Damian\", especially since I don't want", "difficult to find how that effects his life, without making that all his", "lot of this character's motivations are informed by - though not entirely focused", "removal. However, I am finding it difficult to find how that effects his", "to find how that effects his life, without making that all his character", "a lot of research that has let me understand a lot about the", "about the cancer medically, but there's very little on what it's like to", "cancer medically, but there's very little on what it's like to live with,", "on - him having suffered laryngeal cancer and recovered due to a full", "medically, but there's very little on what it's like to live with, from", "effects his life, without making that all his character is. I want him", "like to live with, from personal experiences. How do you write illness -", "him having suffered laryngeal cancer and recovered due to a full larynx removal.", "it difficult to find how that effects his life, without making that all", "making that all a character is? And are there any sources on life", "of control. I've done a lot of research that has let me understand", "is very important that my protagonist is mute. A lot of this character's", "that effects his life, without making that all his character is. I want", "is mute. A lot of this character's motivations are informed by - though", "how that effects his life, without making that all his character is. I", "theme of control. I've done a lot of research that has let me", "explore illness in the work, I'm more focused on the theme of control.", "finding it difficult to find how that effects his life, without making that", "in the work, I'm more focused on the theme of control. I've done", "survived cancer\", not \"Cancer Survivor Damian\", especially since I don't want to explore", "him to be \"Damian who survived cancer\", not \"Cancer Survivor Damian\", especially since", "I'm more focused on the theme of control. I've done a lot of", "the cancer medically, but there's very little on what it's like to live", "there any sources on life as a mute person or as a laryngeal", "And are there any sources on life as a mute person or as", "has let me understand a lot about the cancer medically, but there's very", "cancer and recovered due to a full larynx removal. However, I am finding", "laryngeal cancer and recovered due to a full larynx removal. However, I am", "control. I've done a lot of research that has let me understand a", "mute. A lot of this character's motivations are informed by - though not", "his life, without making that all his character is. I want him to", "on what it's like to live with, from personal experiences. How do you", "cancer\", not \"Cancer Survivor Damian\", especially since I don't want to explore illness", "that has let me understand a lot about the cancer medically, but there's", "general, without making that all a character is? And are there any sources", "want to explore illness in the work, I'm more focused on the theme", "suffered laryngeal cancer and recovered due to a full larynx removal. However, I", "is? And are there any sources on life as a mute person or", "me understand a lot about the cancer medically, but there's very little on", "to explore illness in the work, I'm more focused on the theme of", "want him to be \"Damian who survived cancer\", not \"Cancer Survivor Damian\", especially", "I am finding it difficult to find how that effects his life, without" ]
[ "to school on her own. The other girls from her > hometown got", "> Lillia usually arrived to school on her own. The other girls from", "but she wasn't friendly with any of them, > and neither party even", "> Sometimes, she would bump into Clara and they would walk in together,", "evening, she simply did not have the energy to finish it. There was", "the other's existence. > > > I'm trying to learn to spot exposition", "the > evening, she simply did not have the energy to finish it.", "complete all her work in the > evening, she simply did not have", "> and neither party even recognised the other's existence. > > > I'm", "person can learn about the different rock layers of > the world without", "Try as she might to complete all her work in the > evening,", "got a later train more often than not. She purposefully > arrived early", "and falling asleep. > > > Sometimes, she would bump into Clara and", "it. There was > only so much one person can learn about the", "the different rock layers of > the world without losing interest and falling", "they would walk in together, > but this only happened infrequently. She recognised", "about the different rock layers of > the world without losing interest and", "wasn't friendly with any of them, > and neither party even recognised the", "work in the > evening, she simply did not have the energy to", "the night before. Try as she might to complete all her work in", "would walk in together, > but this only happened infrequently. She recognised a", "layers of > the world without losing interest and falling asleep. > >", "falling asleep. > > > Sometimes, she would bump into Clara and they", "from > the night before. Try as she might to complete all her", "from her > hometown got a later train more often than not. She", "of them, > and neither party even recognised the other's existence. > >", "than not. She purposefully > arrived early to be able to complete homework", "> > Sometimes, she would bump into Clara and they would walk in", "homework she had neglected from > the night before. Try as she might", "learn about the different rock layers of > the world without losing interest", "friendly with any of them, > and neither party even recognised the other's", "them, > and neither party even recognised the other's existence. > > >", "school on her own. The other girls from her > hometown got a", "the world without losing interest and falling asleep. > > > Sometimes, she", "so much one person can learn about the different rock layers of >", "her > hometown got a later train more often than not. She purposefully", "world without losing interest and falling asleep. > > > Sometimes, she would", "night before. Try as she might to complete all her work in the", "to complete homework she had neglected from > the night before. Try as", "any of them, > and neither party even recognised the other's existence. >", "hometown got a later train more often than not. She purposefully > arrived", "trying to learn to spot exposition in my writing. Should I restructure the", "of > the world without losing interest and falling asleep. > > >", "only so much one person can learn about the different rock layers of", "on the train, but she wasn't friendly with any of them, > and", "together, > but this only happened infrequently. She recognised a few other girls", "this only happened infrequently. She recognised a few other girls > from her", "arrived to school on her own. The other girls from her > hometown", "girls > from her year on the train, but she wasn't friendly with", "> only so much one person can learn about the different rock layers", "her work in the > evening, she simply did not have the energy", "She recognised a few other girls > from her year on the train,", "often than not. She purposefully > arrived early to be able to complete", "in the > evening, she simply did not have the energy to finish", "> from her year on the train, but she wasn't friendly with any", "party even recognised the other's existence. > > > I'm trying to learn", "her year on the train, but she wasn't friendly with any of them,", "without losing interest and falling asleep. > > > Sometimes, she would bump", "can learn about the different rock layers of > the world without losing", "train more often than not. She purposefully > arrived early to be able", "other girls > from her year on the train, but she wasn't friendly", "energy to finish it. There was > only so much one person can", "to finish it. There was > only so much one person can learn", "to spot exposition in my writing. Should I restructure the whole section? Is", "> > Lillia usually arrived to school on her own. The other girls", "different rock layers of > the world without losing interest and falling asleep.", "simply did not have the energy to finish it. There was > only", "to be able to complete homework she had neglected from > the night", "not have the energy to finish it. There was > only so much", "and neither party even recognised the other's existence. > > > I'm trying", "existence. > > > I'm trying to learn to spot exposition in my", "before. Try as she might to complete all her work in the >", "my writing. Should I restructure the whole section? Is a small amount of", "neglected from > the night before. Try as she might to complete all", "spot exposition in my writing. Should I restructure the whole section? Is a", "with any of them, > and neither party even recognised the other's existence.", "as she might to complete all her work in the > evening, she", "more often than not. She purposefully > arrived early to be able to", "purposefully > arrived early to be able to complete homework she had neglected", "even recognised the other's existence. > > > I'm trying to learn to", "I'm trying to learn to spot exposition in my writing. Should I restructure", "have the energy to finish it. There was > only so much one", "train, but she wasn't friendly with any of them, > and neither party", "a later train more often than not. She purposefully > arrived early to", "other girls from her > hometown got a later train more often than", "the energy to finish it. There was > only so much one person", "finish it. There was > only so much one person can learn about", "Should I restructure the whole section? Is a small amount of exposition okay?", "she might to complete all her work in the > evening, she simply", "recognised a few other girls > from her year on the train, but", "she would bump into Clara and they would walk in together, > but", "later train more often than not. She purposefully > arrived early to be", "from her year on the train, but she wasn't friendly with any of", "not. She purposefully > arrived early to be able to complete homework she", "exposition in my writing. Should I restructure the whole section? Is a small", "> > I'm trying to learn to spot exposition in my writing. Should", "she wasn't friendly with any of them, > and neither party even recognised", "might to complete all her work in the > evening, she simply did", "did not have the energy to finish it. There was > only so", "> > > Sometimes, she would bump into Clara and they would walk", "to complete all her work in the > evening, she simply did not", "one person can learn about the different rock layers of > the world", "her own. The other girls from her > hometown got a later train", "> the world without losing interest and falling asleep. > > > Sometimes,", "> but this only happened infrequently. She recognised a few other girls >", "but this only happened infrequently. She recognised a few other girls > from", "the train, but she wasn't friendly with any of them, > and neither", "The other girls from her > hometown got a later train more often", "> I'm trying to learn to spot exposition in my writing. Should I", "arrived early to be able to complete homework she had neglected from >", "bump into Clara and they would walk in together, > but this only", "> arrived early to be able to complete homework she had neglected from", "neither party even recognised the other's existence. > > > I'm trying to", "only happened infrequently. She recognised a few other girls > from her year", "Clara and they would walk in together, > but this only happened infrequently.", "she had neglected from > the night before. Try as she might to", "Sometimes, she would bump into Clara and they would walk in together, >", "writing. Should I restructure the whole section? Is a small amount of exposition", "walk in together, > but this only happened infrequently. She recognised a few", "would bump into Clara and they would walk in together, > but this", "interest and falling asleep. > > > Sometimes, she would bump into Clara", "recognised the other's existence. > > > I'm trying to learn to spot", "be able to complete homework she had neglected from > the night before.", "able to complete homework she had neglected from > the night before. Try", "> > > I'm trying to learn to spot exposition in my writing.", "year on the train, but she wasn't friendly with any of them, >", "in together, > but this only happened infrequently. She recognised a few other", "infrequently. She recognised a few other girls > from her year on the", "There was > only so much one person can learn about the different", "She purposefully > arrived early to be able to complete homework she had", "and they would walk in together, > but this only happened infrequently. She", "asleep. > > > Sometimes, she would bump into Clara and they would", "learn to spot exposition in my writing. Should I restructure the whole section?", "usually arrived to school on her own. The other girls from her >", "into Clara and they would walk in together, > but this only happened", "all her work in the > evening, she simply did not have the", "she simply did not have the energy to finish it. There was >", "on her own. The other girls from her > hometown got a later", "was > only so much one person can learn about the different rock", "to learn to spot exposition in my writing. Should I restructure the whole", "losing interest and falling asleep. > > > Sometimes, she would bump into", "Lillia usually arrived to school on her own. The other girls from her", "early to be able to complete homework she had neglected from > the", "had neglected from > the night before. Try as she might to complete", "complete homework she had neglected from > the night before. Try as she", "a few other girls > from her year on the train, but she", "much one person can learn about the different rock layers of > the", "> hometown got a later train more often than not. She purposefully >", "rock layers of > the world without losing interest and falling asleep. >", "happened infrequently. She recognised a few other girls > from her year on", "own. The other girls from her > hometown got a later train more", "> evening, she simply did not have the energy to finish it. There", "> the night before. Try as she might to complete all her work", "other's existence. > > > I'm trying to learn to spot exposition in", "few other girls > from her year on the train, but she wasn't", "in my writing. Should I restructure the whole section? Is a small amount", "girls from her > hometown got a later train more often than not." ]
[ "person does not work entirely. I also noticed that I constantly invade the", "novel from one POV to another? I am aware that it will most", "complete book. However, as I was revising, I noticed that what I have", "what I have in first person does not work entirely. I also noticed", "of the main character. Is there a way to transition a whole, complete", "first person does not work entirely. I also noticed that I constantly invade", "I also noticed that I constantly invade the thoughts of the other character", "I noticed that what I have in first person does not work entirely.", "written a complete book. However, as I was revising, I noticed that what", "the other character as I look through the eyes of the main character.", "I am aware that it will most likely not be an easy change.", "other character as I look through the eyes of the main character. Is", "look through the eyes of the main character. Is there a way to", "to another? I am aware that it will most likely not be an", "the eyes of the main character. Is there a way to transition a", "through the eyes of the main character. Is there a way to transition", "not work entirely. I also noticed that I constantly invade the thoughts of", "a whole, complete novel from one POV to another? I am aware that", "thoughts of the other character as I look through the eyes of the", "have in first person does not work entirely. I also noticed that I", "a way to transition a whole, complete novel from one POV to another?", "I was revising, I noticed that what I have in first person does", "character as I look through the eyes of the main character. Is there", "as I was revising, I noticed that what I have in first person", "complete novel from one POV to another? I am aware that it will", "one POV to another? I am aware that it will most likely not", "POV to another? I am aware that it will most likely not be", "constantly invade the thoughts of the other character as I look through the", "noticed that what I have in first person does not work entirely. I", "way to transition a whole, complete novel from one POV to another? I", "the thoughts of the other character as I look through the eyes of", "that what I have in first person does not work entirely. I also", "another? I am aware that it will most likely not be an easy", "Is there a way to transition a whole, complete novel from one POV", "eyes of the main character. Is there a way to transition a whole,", "main character. Is there a way to transition a whole, complete novel from", "I look through the eyes of the main character. Is there a way", "character. Is there a way to transition a whole, complete novel from one", "have written a complete book. However, as I was revising, I noticed that", "work entirely. I also noticed that I constantly invade the thoughts of the", "invade the thoughts of the other character as I look through the eyes", "I have in first person does not work entirely. I also noticed that", "there a way to transition a whole, complete novel from one POV to", "transition a whole, complete novel from one POV to another? I am aware", "that I constantly invade the thoughts of the other character as I look", "as I look through the eyes of the main character. Is there a", "noticed that I constantly invade the thoughts of the other character as I", "was revising, I noticed that what I have in first person does not", "does not work entirely. I also noticed that I constantly invade the thoughts", "entirely. I also noticed that I constantly invade the thoughts of the other", "I constantly invade the thoughts of the other character as I look through", "of the other character as I look through the eyes of the main", "whole, complete novel from one POV to another? I am aware that it", "a complete book. However, as I was revising, I noticed that what I", "from one POV to another? I am aware that it will most likely", "I have written a complete book. However, as I was revising, I noticed", "revising, I noticed that what I have in first person does not work", "the main character. Is there a way to transition a whole, complete novel", "also noticed that I constantly invade the thoughts of the other character as", "to transition a whole, complete novel from one POV to another? I am", "However, as I was revising, I noticed that what I have in first", "in first person does not work entirely. I also noticed that I constantly", "book. However, as I was revising, I noticed that what I have in" ]
[ "characters (seven in total), all have to be introduced in the first scene", "anyone else out there has done it, and if so, how do you", "do you do it so the reader is not bogged down with all", "idea where the lead characters (seven in total), all have to be introduced", "introduced in the first scene in my novel. I've already started with a", "my novel. I've already started with a basic idea, but I wanted to", "has done it, and if so, how do you do it so the", "(seven in total), all have to be introduced in the first scene in", "do it so the reader is not bogged down with all the details", "to be introduced in the first scene in my novel. I've already started", "all have to be introduced in the first scene in my novel. I've", "but I wanted to know if anyone else out there has done it,", "with all the details of a character? I don't want the reader to", "all the details of a character? I don't want the reader to be", "if so, how do you do it so the reader is not bogged", "novel idea where the lead characters (seven in total), all have to be", "started with a basic idea, but I wanted to know if anyone else", "I wanted to know if anyone else out there has done it, and", "how do you do it so the reader is not bogged down with", "done it, and if so, how do you do it so the reader", "with a basic idea, but I wanted to know if anyone else out", "in my novel. I've already started with a basic idea, but I wanted", "be introduced in the first scene in my novel. I've already started with", "first scene in my novel. I've already started with a basic idea, but", "a basic idea, but I wanted to know if anyone else out there", "not bogged down with all the details of a character? I don't want", "I've already started with a basic idea, but I wanted to know if", "a novel idea where the lead characters (seven in total), all have to", "have a novel idea where the lead characters (seven in total), all have", "basic idea, but I wanted to know if anyone else out there has", "have to be introduced in the first scene in my novel. I've already", "details of a character? I don't want the reader to be overwhelmed by", "in total), all have to be introduced in the first scene in my", "is not bogged down with all the details of a character? I don't", "if anyone else out there has done it, and if so, how do", "the reader is not bogged down with all the details of a character?", "already started with a basic idea, but I wanted to know if anyone", "reader is not bogged down with all the details of a character? I", "know if anyone else out there has done it, and if so, how", "you do it so the reader is not bogged down with all the", "I have a novel idea where the lead characters (seven in total), all", "it so the reader is not bogged down with all the details of", "the first scene in my novel. I've already started with a basic idea,", "out there has done it, and if so, how do you do it", "there has done it, and if so, how do you do it so", "idea, but I wanted to know if anyone else out there has done", "so, how do you do it so the reader is not bogged down", "bogged down with all the details of a character? I don't want the", "scene in my novel. I've already started with a basic idea, but I", "novel. I've already started with a basic idea, but I wanted to know", "So, I have a novel idea where the lead characters (seven in total),", "total), all have to be introduced in the first scene in my novel.", "it, and if so, how do you do it so the reader is", "where the lead characters (seven in total), all have to be introduced in", "so the reader is not bogged down with all the details of a", "wanted to know if anyone else out there has done it, and if", "lead characters (seven in total), all have to be introduced in the first", "down with all the details of a character? I don't want the reader", "the details of a character? I don't want the reader to be overwhelmed", "of a character? I don't want the reader to be overwhelmed by these", "in the first scene in my novel. I've already started with a basic", "the lead characters (seven in total), all have to be introduced in the", "to know if anyone else out there has done it, and if so,", "and if so, how do you do it so the reader is not", "a character? I don't want the reader to be overwhelmed by these characters.", "else out there has done it, and if so, how do you do" ]
[ "so I don't know how to make that switch from dependent to independent,", "each other, so I'm not trying to make it so they can get", "who are trying to remain strong and independent. They are opposites of each", "remain strong and independent. They are opposites of each other, so I'm not", "Just as the rebellion starts. I don't know how to describe and create", "opposites of each other, so I'm not trying to make it so they", "what is happening around him. Just as the rebellion starts. I don't know", "guy has been dependent all his life, so I don't know how to", "The boy has everything he could ever need, but he still feels really", "to describe and create them though, through actions, words, or through description. I", "also on opposite sides of a rebellion. The girl has escaped depression, but", "that doesn't mean it's easy. The boy has everything he could ever need,", "starts. I don't know how to describe and create them though, through actions,", "the girl is like fire but that still doesn't give a clue how", "to come back time and time again because of what has happened to", "time and time again because of what has happened to her. She has", "been dependent all his life, so I don't know how to make that", "to make her independent and strong. The guy has been dependent all his", "to her. She has been abused and her spirit hasn't broken, but that", "threatens to come back time and time again because of what has happened", "boy who are trying to remain strong and independent. They are opposites of", "has everything he could ever need, but he still feels really lonely and", "other, so I'm not trying to make it so they can get together.", "I do know that the girl is like fire but that still doesn't", "life, so I don't know how to make that switch from dependent to", "girl has escaped depression, but it threatens to come back time and time", "do know that the girl is like fire but that still doesn't give", "it threatens to come back time and time again because of what has", "words, or through description. I do know that the girl is like fire", "it's easy. The boy has everything he could ever need, but he still", "don't know how to describe and create them though, through actions, words, or", "and starts to realize what is happening around him. Just as the rebellion", "girl is like fire but that still doesn't give a clue how to", "and her spirit hasn't broken, but that doesn't mean it's easy. The boy", "strong. The guy has been dependent all his life, so I don't know", "happened to her. She has been abused and her spirit hasn't broken, but", "again because of what has happened to her. She has been abused and", "of a rebellion. The girl has escaped depression, but it threatens to come", "her spirit hasn't broken, but that doesn't mean it's easy. The boy has", "I don't know how to make that switch from dependent to independent, either.", "through description. I do know that the girl is like fire but that", "doesn't mean it's easy. The boy has everything he could ever need, but", "rebellion starts. I don't know how to describe and create them though, through", "and strong. The guy has been dependent all his life, so I don't", "happening around him. Just as the rebellion starts. I don't know how to", "know that the girl is like fire but that still doesn't give a", "boy has everything he could ever need, but he still feels really lonely", "independent and strong. The guy has been dependent all his life, so I", "starts to realize what is happening around him. Just as the rebellion starts.", "them though, through actions, words, or through description. I do know that the", "they can get together. They are also on opposite sides of a rebellion.", "mean it's easy. The boy has everything he could ever need, but he", "trying to remain strong and independent. They are opposites of each other, so", "but that doesn't mean it's easy. The boy has everything he could ever", "and create them though, through actions, words, or through description. I do know", "and a boy who are trying to remain strong and independent. They are", "opposite sides of a rebellion. The girl has escaped depression, but it threatens", "story, there is a girl and a boy who are trying to remain", "and time again because of what has happened to her. She has been", "She has been abused and her spirit hasn't broken, but that doesn't mean", "a rebellion. The girl has escaped depression, but it threatens to come back", "are also on opposite sides of a rebellion. The girl has escaped depression,", "that the girl is like fire but that still doesn't give a clue", "has escaped depression, but it threatens to come back time and time again", "the rebellion starts. I don't know how to describe and create them though,", "actions, words, or through description. I do know that the girl is like", "describe and create them though, through actions, words, or through description. I do", "ever need, but he still feels really lonely and starts to realize what", "trying to make it so they can get together. They are also on", "and independent. They are opposites of each other, so I'm not trying to", "but that still doesn't give a clue how to make her independent and", "together. They are also on opposite sides of a rebellion. The girl has", "of what has happened to her. She has been abused and her spirit", "strong and independent. They are opposites of each other, so I'm not trying", "my story, there is a girl and a boy who are trying to", "all his life, so I don't know how to make that switch from", "it so they can get together. They are also on opposite sides of", "doesn't give a clue how to make her independent and strong. The guy", "is a girl and a boy who are trying to remain strong and", "can get together. They are also on opposite sides of a rebellion. The", "get together. They are also on opposite sides of a rebellion. The girl", "The girl has escaped depression, but it threatens to come back time and", "a clue how to make her independent and strong. The guy has been", "like fire but that still doesn't give a clue how to make her", "They are opposites of each other, so I'm not trying to make it", "time again because of what has happened to her. She has been abused", "clue how to make her independent and strong. The guy has been dependent", "are opposites of each other, so I'm not trying to make it so", "make it so they can get together. They are also on opposite sides", "of each other, so I'm not trying to make it so they can", "there is a girl and a boy who are trying to remain strong", "so they can get together. They are also on opposite sides of a", "could ever need, but he still feels really lonely and starts to realize", "spirit hasn't broken, but that doesn't mean it's easy. The boy has everything", "been abused and her spirit hasn't broken, but that doesn't mean it's easy.", "but he still feels really lonely and starts to realize what is happening", "that still doesn't give a clue how to make her independent and strong.", "realize what is happening around him. Just as the rebellion starts. I don't", "still doesn't give a clue how to make her independent and strong. The", "how to make her independent and strong. The guy has been dependent all", "but it threatens to come back time and time again because of what", "fire but that still doesn't give a clue how to make her independent", "are trying to remain strong and independent. They are opposites of each other,", "really lonely and starts to realize what is happening around him. Just as", "a boy who are trying to remain strong and independent. They are opposites", "has been dependent all his life, so I don't know how to make", "broken, but that doesn't mean it's easy. The boy has everything he could", "girl and a boy who are trying to remain strong and independent. They", "The guy has been dependent all his life, so I don't know how", "everything he could ever need, but he still feels really lonely and starts", "through actions, words, or through description. I do know that the girl is", "because of what has happened to her. She has been abused and her", "abused and her spirit hasn't broken, but that doesn't mean it's easy. The", "though, through actions, words, or through description. I do know that the girl", "a girl and a boy who are trying to remain strong and independent.", "is happening around him. Just as the rebellion starts. I don't know how", "how to describe and create them though, through actions, words, or through description.", "need, but he still feels really lonely and starts to realize what is", "or through description. I do know that the girl is like fire but", "to realize what is happening around him. Just as the rebellion starts. I", "so I'm not trying to make it so they can get together. They", "him. Just as the rebellion starts. I don't know how to describe and", "back time and time again because of what has happened to her. She", "feels really lonely and starts to realize what is happening around him. Just", "around him. Just as the rebellion starts. I don't know how to describe", "come back time and time again because of what has happened to her.", "what has happened to her. She has been abused and her spirit hasn't", "know how to describe and create them though, through actions, words, or through", "independent. They are opposites of each other, so I'm not trying to make", "to remain strong and independent. They are opposites of each other, so I'm", "In my story, there is a girl and a boy who are trying", "sides of a rebellion. The girl has escaped depression, but it threatens to", "has been abused and her spirit hasn't broken, but that doesn't mean it's", "is like fire but that still doesn't give a clue how to make", "lonely and starts to realize what is happening around him. Just as the", "escaped depression, but it threatens to come back time and time again because", "I'm not trying to make it so they can get together. They are", "as the rebellion starts. I don't know how to describe and create them", "her independent and strong. The guy has been dependent all his life, so", "I don't know how to describe and create them though, through actions, words,", "has happened to her. She has been abused and her spirit hasn't broken,", "he could ever need, but he still feels really lonely and starts to", "give a clue how to make her independent and strong. The guy has", "easy. The boy has everything he could ever need, but he still feels", "dependent all his life, so I don't know how to make that switch", "on opposite sides of a rebellion. The girl has escaped depression, but it", "make her independent and strong. The guy has been dependent all his life,", "her. She has been abused and her spirit hasn't broken, but that doesn't", "still feels really lonely and starts to realize what is happening around him.", "to make it so they can get together. They are also on opposite", "he still feels really lonely and starts to realize what is happening around", "rebellion. The girl has escaped depression, but it threatens to come back time", "his life, so I don't know how to make that switch from dependent", "hasn't broken, but that doesn't mean it's easy. The boy has everything he", "They are also on opposite sides of a rebellion. The girl has escaped", "create them though, through actions, words, or through description. I do know that", "depression, but it threatens to come back time and time again because of", "description. I do know that the girl is like fire but that still", "not trying to make it so they can get together. They are also" ]
[ "he loves her dearly) * There's her disability, and he's guilt-tripping about it.", "do something. (Never mind that there's nothing that could have been done. Humans", "see her very often - he's at court, she's at the estate. So", "easy target. So basically, he's being a mother hen. Annoying, but very human.", "are ever good at realising their children are grown up.) * Court is", "do I maintain the balance? How do I maintain the poor father sympathetic", "little girl (age and gender and he loves her dearly) * There's her", "confront the person who offered the girl the position. What he's saying should", "he keeps sliding into \"annoying, patronizing, ableist misogynist\" territory. In a particular scene,", "do I maintain the poor father sympathetic in his (somewhat misguided) attempt to", "be the words of a worried father. Instead, he comes off as a", "him confront the person who offered the girl the position. What he's saying", "least, that's what I want him to be. What I'm struggling with is", "A character I'm writing about is a girl of 15, daughter of a", "there, he might have been able to do something. (Never mind that there's", "really is dangerous, in all kinds of devious ways. And any enemies he", "feels, even while they disagree with him. Instead, he keeps sliding into \"annoying,", "unsympathetic person. How do I maintain the balance? How do I maintain the", "contracted Polio when she was 5. Being quite intelligent, she attracts some useful", "some useful attention, and is offered a position at court. Her father is", "attempt to protect his little girl? (The particulars of the question are of", "a girl of 15, daughter of a nobleman, unable to walk due to", "unable to walk due to having contracted Polio when she was 5. Being", "he might have, they'd see her as an easy target. So basically, he's", "So basically, he's being a mother hen. Annoying, but very human. Or at", "a position at court. Her father is feeling very protective of her, and", "what I want him to be. What I'm struggling with is keeping him", "might have, they'd see her as an easy target. So basically, he's being", "I'm having him confront the person who offered the girl the position. What", "he's being a mother hen. Annoying, but very human. Or at least, that's", "misogynist\" territory. In a particular scene, I'm having him confront the person who", "useful attention, and is offered a position at court. Her father is feeling", "readers' sympathy for how he feels, even while they disagree with him. Instead,", "very protective of her, and is not in favour of her taking the", "girl (age and gender and he loves her dearly) * There's her disability,", "his (somewhat misguided) attempt to protect his little girl? (The particulars of the", "might have been able to do something. (Never mind that there's nothing that", "Humans are funny that way.) * He doesn't actually see her very often", "wasn't on the estate when Polio swept through the village, he feels that", "unimportant. The important factors are the girl being young, female, and suffering from", "How do I maintain the balance? How do I maintain the poor father", "writing about is a girl of 15, daughter of a nobleman, unable to", "Polio swept through the village, he feels that if he'd been there, he", "his feelings: * She's his little girl (age and gender and he loves", "at court, she's at the estate. So his awareness of her being \"all", "gender and he loves her dearly) * There's her disability, and he's guilt-tripping", "sliding into \"annoying, patronizing, ableist misogynist\" territory. In a particular scene, I'm having", "is feeling very protective of her, and is not in favour of her", "girl of 15, daughter of a nobleman, unable to walk due to having", "are funny that way.) * He doesn't actually see her very often -", "was 5. Being quite intelligent, she attracts some useful attention, and is offered", "his little girl (age and gender and he loves her dearly) * There's", "the village, he feels that if he'd been there, he might have been", "of a nobleman, unable to walk due to having contracted Polio when she", "contributing to his feelings: * She's his little girl (age and gender and", "but very human. Or at least, that's what I want him to be.", "while they disagree with him. Instead, he keeps sliding into \"annoying, patronizing, ableist", "feels that if he'd been there, he might have been able to do", "Court is a jungle: intrigue and whatnot. It really is dangerous, in all", "particulars of the question are of course unimportant. The important factors are the", "in his (somewhat misguided) attempt to protect his little girl? (The particulars of", "him in the \"mother hen\" territory. I want to maintain the readers' sympathy", "Her father is feeling very protective of her, and is not in favour", "they'd see her as an easy target. So basically, he's being a mother", "due to having contracted Polio when she was 5. Being quite intelligent, she", "of her taking the position. Factors contributing to his feelings: * She's his", "position. Factors contributing to his feelings: * She's his little girl (age and", "(Not that parents are ever good at realising their children are grown up.)", "have, they'd see her as an easy target. So basically, he's being a", "how he feels, even while they disagree with him.** Instead, he keeps sliding", "Instead, he keeps sliding into \"annoying, patronizing, ableist misogynist\" territory. In a particular", "The important factors are the girl being young, female, and suffering from a", "court. Her father is feeling very protective of her, and is not in", "I maintain the balance? How do I maintain the poor father sympathetic in", "that way.) * He doesn't actually see her very often - he's at", "who offered the girl the position. What he's saying should be the words", "of her, and is not in favour of her taking the position. Factors", "awareness of her being \"all grown up\" is a bit muted. (Not that", "(The particulars of the question are of course unimportant. The important factors are", "jungle: intrigue and whatnot. It really is dangerous, in all kinds of devious", "offered a position at court. Her father is feeling very protective of her,", "a jungle: intrigue and whatnot. It really is dangerous, in all kinds of", "words of a worried father. Instead, he comes off as a very unsympathetic", "in all kinds of devious ways. And any enemies he might have, they'd", "bit muted. (Not that parents are ever good at realising their children are", "she's at the estate. So his awareness of her being \"all grown up\"", "\"all grown up\" is a bit muted. (Not that parents are ever good", "she was 5. Being quite intelligent, she attracts some useful attention, and is", "of the question are of course unimportant. The important factors are the girl", "into \"annoying, patronizing, ableist misogynist\" territory. In a particular scene, I'm having him", "the estate when Polio swept through the village, he feels that if he'd", "could have been done. Humans are funny that way.) * He doesn't actually", "they disagree with him.** Instead, he keeps sliding into \"annoying, patronizing, ableist misogynist\"", "of her being \"all grown up\" is a bit muted. (Not that parents", "being a mother hen. Annoying, but very human. Or at least, that's what", "female, and suffering from a disability, and the father trying to be protective.)", "What he's saying should be the words of a worried father. Instead, he", "able to do something. (Never mind that there's nothing that could have been", "enemies he might have, they'd see her as an easy target. So basically,", "should be the words of a worried father. Instead, he comes off as", "the girl the position. What he's saying should be the words of a", "to his feelings: * She's his little girl (age and gender and he", "to be. What I'm struggling with is keeping him in the \"mother hen\"", "not in favour of her taking the position. Factors contributing to his feelings:", "he'd been there, he might have been able to do something. (Never mind", "at the estate. So his awareness of her being \"all grown up\" is", "he comes off as a very unsympathetic person. How do I maintain the", "being young, female, and suffering from a disability, and the father trying to", "something. (Never mind that there's nothing that could have been done. Humans are", "What I'm struggling with is keeping him in the \"mother hen\" territory. *I", "devious ways. And any enemies he might have, they'd see her as an", "children are grown up.) Court is a jungle: intrigue and whatnot. It", "particular scene, I'm having him confront the person who offered the girl the", "worried father. Instead, he comes off as a very unsympathetic person. How do", "as a very unsympathetic person. How do I maintain the balance? How do", "ways. And any enemies he might have, they'd see her as an easy", "he's at court, she's at the estate. So his awareness of her being", "15, daughter of a nobleman, unable to walk due to having contracted Polio", "a mother hen. Annoying, but very human. Or at least, that's what I", "her taking the position. Factors contributing to his feelings: * She's his little", "Or at least, that's what I want him to be. What I'm struggling", "* There's her disability, and he's guilt-tripping about it. He wasn't on the", "if he'd been there, he might have been able to do something. (Never", "being \"all grown up\" is a bit muted. (Not that parents are ever", "person who offered the girl the position. What he's saying should be the", "girl? (The particulars of the question are of course unimportant. The important factors", "Polio when she was 5. Being quite intelligent, she attracts some useful attention,", "he might have been able to do something. (Never mind that there's nothing", "maintain the readers' sympathy for how he feels, even while they disagree with", "I'm writing about is a girl of 15, daughter of a nobleman, unable", "that parents are ever good at realising their children are grown up.) ", "on the estate when Polio swept through the village, he feels that if", "I want to maintain the readers' sympathy for how he feels, even while", "attention, and is offered a position at court. Her father is feeling very", "and gender and he loves her dearly) There's her disability, and he's", "Instead, he comes off as a very unsympathetic person. How do I maintain", "protect his little girl? (The particulars of the question are of course unimportant.", "I'm struggling with is keeping him in the \"mother hen\" territory. *I want", "see her as an easy target. So basically, he's being a mother hen.", "question are of course unimportant. The important factors are the girl being young,", "balance? How do I maintain the poor father sympathetic in his (somewhat misguided)", "in favour of her taking the position. Factors contributing to his feelings: ", "when Polio swept through the village, he feels that if he'd been there,", "intrigue and whatnot. It really is dangerous, in all kinds of devious ways.", "is a bit muted. (Not that parents are ever good at realising their", "in the \"mother hen\" territory. *I want to maintain the readers' sympathy for", "been able to do something. (Never mind that there's nothing that could have", "all kinds of devious ways. And any enemies he might have, they'd see", "her dearly) There's her disability, and he's guilt-tripping about it. He wasn't", "are grown up.) * Court is a jungle: intrigue and whatnot. It really", "It really is dangerous, in all kinds of devious ways. And any enemies", "ableist misogynist\" territory. In a particular scene, I'm having him confront the person", "father. Instead, he comes off as a very unsympathetic person. How do I", "hen. Annoying, but very human. Or at least, that's what I want him", "very unsympathetic person. How do I maintain the balance? How do I maintain", "nothing that could have been done. Humans are funny that way.) * He", "sympathy for how he feels, even while they disagree with him.** Instead, he", "her disability, and he's guilt-tripping about it. He wasn't on the estate when", "is dangerous, in all kinds of devious ways. And any enemies he might", "up.) * Court is a jungle: intrigue and whatnot. It really is dangerous,", "disability, and he's guilt-tripping about it. He wasn't on the estate when Polio", "mind that there's nothing that could have been done. Humans are funny that", "her as an easy target. So basically, he's being a mother hen. Annoying,", "there's nothing that could have been done. Humans are funny that way.) ", "person. How do I maintain the balance? How do I maintain the poor", "his awareness of her being \"all grown up\" is a bit muted. (Not", "girl the position. What he's saying should be the words of a worried", "and is not in favour of her taking the position. Factors contributing to", "realising their children are grown up.) Court is a jungle: intrigue and", "feeling very protective of her, and is not in favour of her taking", "grown up.) * Court is a jungle: intrigue and whatnot. It really is", "off as a very unsympathetic person. How do I maintain the balance? How", "young, female, and suffering from a disability, and the father trying to be", "the readers' sympathy for how he feels, even while they disagree with him.*", " He doesn't actually see her very often - he's at court, she's", "scene, I'm having him confront the person who offered the girl the position.", "him.** Instead, he keeps sliding into \"annoying, patronizing, ableist misogynist\" territory. In a", "he feels that if he'd been there, he might have been able to", "the position. Factors contributing to his feelings: * She's his little girl (age", "court, she's at the estate. So his awareness of her being \"all grown", "a very unsympathetic person. How do I maintain the balance? How do I", "target. So basically, he's being a mother hen. Annoying, but very human. Or", "kinds of devious ways. And any enemies he might have, they'd see her", "poor father sympathetic in his (somewhat misguided) attempt to protect his little girl?", "are the girl being young, female, and suffering from a disability, and the", "little girl? (The particulars of the question are of course unimportant. The important", "at realising their children are grown up.) * Court is a jungle: intrigue", "doesn't actually see her very often - he's at court, she's at the", "girl being young, female, and suffering from a disability, and the father trying", "the poor father sympathetic in his (somewhat misguided) attempt to protect his little", "to maintain the readers' sympathy for how he feels, even while they disagree", "maintain the balance? How do I maintain the poor father sympathetic in his", "5. Being quite intelligent, she attracts some useful attention, and is offered a", "a worried father. Instead, he comes off as a very unsympathetic person. How", "walk due to having contracted Polio when she was 5. Being quite intelligent,", "position. What he's saying should be the words of a worried father. Instead,", "as an easy target. So basically, he's being a mother hen. Annoying, but", "She's his little girl (age and gender and he loves her dearly) ", "she attracts some useful attention, and is offered a position at court. Her", "important factors are the girl being young, female, and suffering from a disability,", "factors are the girl being young, female, and suffering from a disability, and", "actually see her very often - he's at court, she's at the estate.", "position at court. Her father is feeling very protective of her, and is", "when she was 5. Being quite intelligent, she attracts some useful attention, and", "his little girl? (The particulars of the question are of course unimportant. The", " Court is a jungle: intrigue and whatnot. It really is dangerous, in", "taking the position. Factors contributing to his feelings: * She's his little girl", "that there's nothing that could have been done. Humans are funny that way.)", "dearly) * There's her disability, and he's guilt-tripping about it. He wasn't on", "nobleman, unable to walk due to having contracted Polio when she was 5.", "at court. Her father is feeling very protective of her, and is not", "having him confront the person who offered the girl the position. What he's", "territory. *I want to maintain the readers' sympathy for how he feels, even", "loves her dearly) There's her disability, and he's guilt-tripping about it. He", "have been able to do something. (Never mind that there's nothing that could", "funny that way.) * He doesn't actually see her very often - he's", "to do something. (Never mind that there's nothing that could have been done.", "and whatnot. It really is dangerous, in all kinds of devious ways. And", "is not in favour of her taking the position. Factors contributing to his", "at least, that's what I want him to be. What I'm struggling with", "He doesn't actually see her very often - he's at court, she's at", "There's her disability, and he's guilt-tripping about it. He wasn't on the estate", "be. What I'm struggling with is keeping him in the \"mother hen\" territory.", "done. Humans are funny that way.) * He doesn't actually see her very", "a particular scene, I'm having him confront the person who offered the girl", "the estate. So his awareness of her being \"all grown up\" is a", "offered the girl the position. What he's saying should be the words of", "a bit muted. (Not that parents are ever good at realising their children", "been done. Humans are funny that way.) * He doesn't actually see her", "father sympathetic in his (somewhat misguided) attempt to protect his little girl? (The", "her, and is not in favour of her taking the position. Factors contributing", "I want him to be. What I'm struggling with is keeping him in", "He wasn't on the estate when Polio swept through the village, he feels", "patronizing, ableist misogynist\" territory. In a particular scene, I'm having him confront the", "feelings: * She's his little girl (age and gender and he loves her", "Being quite intelligent, she attracts some useful attention, and is offered a position", "a nobleman, unable to walk due to having contracted Polio when she was", "of devious ways. And any enemies he might have, they'd see her as", "the question are of course unimportant. The important factors are the girl being", "with is keeping him in the \"mother hen\" territory. *I want to maintain", "keeps sliding into \"annoying, patronizing, ableist misogynist\" territory. In a particular scene, I'm", "parents are ever good at realising their children are grown up.) Court", "for how he feels, even while they disagree with him. Instead, he keeps", "the girl being young, female, and suffering from a disability, and the father", "misguided) attempt to protect his little girl? (The particulars of the question are", "even while they disagree with him. Instead, he keeps sliding into \"annoying, patronizing,", "and he loves her dearly) * There's her disability, and he's guilt-tripping about", "character I'm writing about is a girl of 15, daughter of a nobleman,", "it. He wasn't on the estate when Polio swept through the village, he", "village, he feels that if he'd been there, he might have been able", "he's saying should be the words of a worried father. Instead, he comes", "about is a girl of 15, daughter of a nobleman, unable to walk", "to protect his little girl? (The particulars of the question are of course", "the position. What he's saying should be the words of a worried father.", "is keeping him in the \"mother hen\" territory. I want to maintain the", "disagree with him. Instead, he keeps sliding into \"annoying, patronizing, ableist misogynist\" territory.", "muted. (Not that parents are ever good at realising their children are grown", "intelligent, she attracts some useful attention, and is offered a position at court.", "want him to be. What I'm struggling with is keeping him in the", "want to maintain the readers' sympathy for how he feels, even while they", "struggling with is keeping him in the \"mother hen\" territory. *I want to", "ever good at realising their children are grown up.) Court is a", "through the village, he feels that if he'd been there, he might have", "sympathetic in his (somewhat misguided) attempt to protect his little girl? (The particulars", "he's guilt-tripping about it. He wasn't on the estate when Polio swept through", "saying should be the words of a worried father. Instead, he comes off", "the balance? How do I maintain the poor father sympathetic in his (somewhat", "that could have been done. Humans are funny that way.) * He doesn't", "human. Or at least, that's what I want him to be. What I'm", "been there, he might have been able to do something. (Never mind that", "of 15, daughter of a nobleman, unable to walk due to having contracted", "have been done. Humans are funny that way.) * He doesn't actually see", "(somewhat misguided) attempt to protect his little girl? (The particulars of the question", "is a girl of 15, daughter of a nobleman, unable to walk due", "How do I maintain the poor father sympathetic in his (somewhat misguided) attempt", "quite intelligent, she attracts some useful attention, and is offered a position at", "to walk due to having contracted Polio when she was 5. Being quite", "swept through the village, he feels that if he'd been there, he might", "he feels, even while they disagree with him.** Instead, he keeps sliding into", "comes off as a very unsympathetic person. How do I maintain the balance?", "Factors contributing to his feelings: * She's his little girl (age and gender", "Annoying, but very human. Or at least, that's what I want him to", "are of course unimportant. The important factors are the girl being young, female,", "her very often - he's at court, she's at the estate. So his", "of course unimportant. The important factors are the girl being young, female, and", "grown up\" is a bit muted. (Not that parents are ever good at", "hen\" territory. *I want to maintain the readers' sympathy for how he feels,", "way.) He doesn't actually see her very often - he's at court,", "guilt-tripping about it. He wasn't on the estate when Polio swept through the", "So his awareness of her being \"all grown up\" is a bit muted.", "In a particular scene, I'm having him confront the person who offered the", "about it. He wasn't on the estate when Polio swept through the village,", "often - he's at court, she's at the estate. So his awareness of", "and is offered a position at court. Her father is feeling very protective", "with him. Instead, he keeps sliding into \"annoying, patronizing, ableist misogynist\" territory. In", "keeping him in the \"mother hen\" territory. I want to maintain the readers'", "mother hen. Annoying, but very human. Or at least, that's what I want", "* She's his little girl (age and gender and he loves her dearly)", "very often - he's at court, she's at the estate. So his awareness", "to having contracted Polio when she was 5. Being quite intelligent, she attracts", "her being \"all grown up\" is a bit muted. (Not that parents are", "daughter of a nobleman, unable to walk due to having contracted Polio when", "is a jungle: intrigue and whatnot. It really is dangerous, in all kinds", "territory. In a particular scene, I'm having him confront the person who offered", "father is feeling very protective of her, and is not in favour of", "of a worried father. Instead, he comes off as a very unsympathetic person.", "estate when Polio swept through the village, he feels that if he'd been", "good at realising their children are grown up.) * Court is a jungle:", "maintain the poor father sympathetic in his (somewhat misguided) attempt to protect his", "dangerous, in all kinds of devious ways. And any enemies he might have,", "him to be. What I'm struggling with is keeping him in the \"mother", "the words of a worried father. Instead, he comes off as a very", "that if he'd been there, he might have been able to do something.", "I maintain the poor father sympathetic in his (somewhat misguided) attempt to protect", "any enemies he might have, they'd see her as an easy target. So", "estate. So his awareness of her being \"all grown up\" is a bit", "an easy target. So basically, he's being a mother hen. Annoying, but very", "whatnot. It really is dangerous, in all kinds of devious ways. And any", "up\" is a bit muted. (Not that parents are ever good at realising", "basically, he's being a mother hen. Annoying, but very human. Or at least,", "having contracted Polio when she was 5. Being quite intelligent, she attracts some", "\"mother hen\" territory. I want to maintain the readers' sympathy for how he", "\"annoying, patronizing, ableist misogynist\" territory. In a particular scene, I'm having him confront", "attracts some useful attention, and is offered a position at court. Her father", "is offered a position at court. Her father is feeling very protective of", "- he's at court, she's at the estate. So his awareness of her", "And any enemies he might have, they'd see her as an easy target.", "the \"mother hen\" territory. I want to maintain the readers' sympathy for how", "(age and gender and he loves her dearly) * There's her disability, and", "course unimportant. The important factors are the girl being young, female, and suffering", "(Never mind that there's nothing that could have been done. Humans are funny", "protective of her, and is not in favour of her taking the position.", "favour of her taking the position. Factors contributing to his feelings: * She's", "their children are grown up.) * Court is a jungle: intrigue and whatnot.", "that's what I want him to be. What I'm struggling with is keeping", "very human. Or at least, that's what I want him to be. What", "the person who offered the girl the position. What he's saying should be", "and he's guilt-tripping about it. He wasn't on the estate when Polio swept" ]
[ "speak at the moment, and I want to introduce her owner. How can", "How can I do it without bogging it down with an essay on", "want to introduce her owner. How can I do it without bogging it", "and I want to introduce her owner. How can I do it without", "who is not sure if she's allowed to speak at the moment, and", "I have a slave who is not sure if she's allowed to speak", "owner. How can I do it without bogging it down with an essay", "I want to introduce her owner. How can I do it without bogging", "to speak at the moment, and I want to introduce her owner. How", "her owner. How can I do it without bogging it down with an", "slave who is not sure if she's allowed to speak at the moment,", "to introduce her owner. How can I do it without bogging it down", "if she's allowed to speak at the moment, and I want to introduce", "not sure if she's allowed to speak at the moment, and I want", "is not sure if she's allowed to speak at the moment, and I", "a slave who is not sure if she's allowed to speak at the", "sure if she's allowed to speak at the moment, and I want to", "at the moment, and I want to introduce her owner. How can I", "introduce her owner. How can I do it without bogging it down with", "she's allowed to speak at the moment, and I want to introduce her", "moment, and I want to introduce her owner. How can I do it", "can I do it without bogging it down with an essay on him?", "the moment, and I want to introduce her owner. How can I do", "have a slave who is not sure if she's allowed to speak at", "allowed to speak at the moment, and I want to introduce her owner." ]
[ "I'll be doing similar things multiple times. Do you know how I can", "Also, I'll be doing similar things multiple times. Do you know how I", "be doing similar things multiple times. Do you know how I can do", "They get their equipment from one shop, and go adventuring soon after. How", "and go adventuring soon after. How do I explain each outfit without making", "adventuring soon after. How do I explain each outfit without making it sound", "without making it sound like a fashion lineup? Also, I'll be doing similar", "main characters, each with a different role and outfit. They get their equipment", "sound like a fashion lineup? Also, I'll be doing similar things multiple times.", "characters, each with a different role and outfit. They get their equipment from", "with a different role and outfit. They get their equipment from one shop,", "explain each outfit without making it sound like a fashion lineup? Also, I'll", "things multiple times. Do you know how I can do that a couple", "times. Do you know how I can do that a couple times a", "Do you know how I can do that a couple times a book?", "and outfit. They get their equipment from one shop, and go adventuring soon", "outfit without making it sound like a fashion lineup? Also, I'll be doing", "fashion lineup? Also, I'll be doing similar things multiple times. Do you know", "doing similar things multiple times. Do you know how I can do that", "like a fashion lineup? Also, I'll be doing similar things multiple times. Do", "after. How do I explain each outfit without making it sound like a", "How do I explain each outfit without making it sound like a fashion", "soon after. How do I explain each outfit without making it sound like", "their equipment from one shop, and go adventuring soon after. How do I", "equipment from one shop, and go adventuring soon after. How do I explain", "each with a different role and outfit. They get their equipment from one", "one shop, and go adventuring soon after. How do I explain each outfit", "go adventuring soon after. How do I explain each outfit without making it", "each outfit without making it sound like a fashion lineup? Also, I'll be", "a fashion lineup? Also, I'll be doing similar things multiple times. Do you", "it sound like a fashion lineup? Also, I'll be doing similar things multiple", "get their equipment from one shop, and go adventuring soon after. How do", "different role and outfit. They get their equipment from one shop, and go", "outfit. They get their equipment from one shop, and go adventuring soon after.", "shop, and go adventuring soon after. How do I explain each outfit without", "lineup? Also, I'll be doing similar things multiple times. Do you know how", "similar things multiple times. Do you know how I can do that a", "I have seven main characters, each with a different role and outfit. They", "multiple times. Do you know how I can do that a couple times", "making it sound like a fashion lineup? Also, I'll be doing similar things", "role and outfit. They get their equipment from one shop, and go adventuring", "seven main characters, each with a different role and outfit. They get their", "a different role and outfit. They get their equipment from one shop, and", "do I explain each outfit without making it sound like a fashion lineup?", "have seven main characters, each with a different role and outfit. They get", "I explain each outfit without making it sound like a fashion lineup? Also,", "from one shop, and go adventuring soon after. How do I explain each" ]
[ "that are only printed on Amazon? Are royalties forfeited when a book is", "Where do Booksellers on Amazon obtain new books that are only printed on", "obtain new books that are only printed on Amazon? Are royalties forfeited when", "Amazon obtain new books that are only printed on Amazon? Are royalties forfeited", "do Booksellers on Amazon obtain new books that are only printed on Amazon?", "through amazon? What ensures that the author gets due royalties on all new", "when a book is sold by Amazon booksellers through amazon? What ensures that", "booksellers through amazon? What ensures that the author gets due royalties on all", "are only printed on Amazon? Are royalties forfeited when a book is sold", "new books that are only printed on Amazon? Are royalties forfeited when a", "Booksellers on Amazon obtain new books that are only printed on Amazon? Are", "only printed on Amazon? Are royalties forfeited when a book is sold by", "book is sold by Amazon booksellers through amazon? What ensures that the author", "sold by Amazon booksellers through amazon? What ensures that the author gets due", "on Amazon? Are royalties forfeited when a book is sold by Amazon booksellers", "printed on Amazon? Are royalties forfeited when a book is sold by Amazon", "Amazon? Are royalties forfeited when a book is sold by Amazon booksellers through", "amazon? What ensures that the author gets due royalties on all new books", "Amazon booksellers through amazon? What ensures that the author gets due royalties on", "forfeited when a book is sold by Amazon booksellers through amazon? What ensures", "What ensures that the author gets due royalties on all new books sold?", "a book is sold by Amazon booksellers through amazon? What ensures that the", "royalties forfeited when a book is sold by Amazon booksellers through amazon? What", "on Amazon obtain new books that are only printed on Amazon? Are royalties", "Are royalties forfeited when a book is sold by Amazon booksellers through amazon?", "by Amazon booksellers through amazon? What ensures that the author gets due royalties", "is sold by Amazon booksellers through amazon? What ensures that the author gets", "books that are only printed on Amazon? Are royalties forfeited when a book" ]
[ "So, I have a group of main characters, and the current viewpoint character", "group of main characters, and the current viewpoint character is going to introduce", "so that I get the point across that she's that way, but not", "How do I write this so that I get the point across that", "viewpoint character is going to introduce a... very well-endowed character. How do I", "current viewpoint character is going to introduce a... very well-endowed character. How do", "going to introduce a... very well-endowed character. How do I write this so", "is going to introduce a... very well-endowed character. How do I write this", "point across that she's that way, but not making it sound overly lewd", "the point across that she's that way, but not making it sound overly", "do I write this so that I get the point across that she's", "this so that I get the point across that she's that way, but", "that she's that way, but not making it sound overly lewd or off-putting?", "the current viewpoint character is going to introduce a... very well-endowed character. How", "of main characters, and the current viewpoint character is going to introduce a...", "a group of main characters, and the current viewpoint character is going to", "well-endowed character. How do I write this so that I get the point", "character is going to introduce a... very well-endowed character. How do I write", "get the point across that she's that way, but not making it sound", "I write this so that I get the point across that she's that", "very well-endowed character. How do I write this so that I get the", "write this so that I get the point across that she's that way,", "I get the point across that she's that way, but not making it", "character. How do I write this so that I get the point across", "that I get the point across that she's that way, but not making", "to introduce a... very well-endowed character. How do I write this so that", "across that she's that way, but not making it sound overly lewd or", "introduce a... very well-endowed character. How do I write this so that I", "a... very well-endowed character. How do I write this so that I get", "main characters, and the current viewpoint character is going to introduce a... very", "characters, and the current viewpoint character is going to introduce a... very well-endowed", "have a group of main characters, and the current viewpoint character is going", "and the current viewpoint character is going to introduce a... very well-endowed character.", "I have a group of main characters, and the current viewpoint character is" ]
[ "a little young to be a mom (am planning on having her have", "little young to be a mom (am planning on having her have a", "planning on having her have a child she's planning on saving). So, I", "she's planning on saving). So, I wanted to know your opinions on how", "having her have a child she's planning on saving). So, I wanted to", "my novel, I have a mother-type character that's a little young to be", "novel, I have a mother-type character that's a little young to be a", "that's a little young to be a mom (am planning on having her", "child she's planning on saving). So, I wanted to know your opinions on", "on how far I can push the bounds realistically on the \"mother\" character.", "So, I wanted to know your opinions on how far I can push", "in my novel, I have a mother-type character that's a little young to", "mother-type character that's a little young to be a mom (am planning on", "know your opinions on how far I can push the bounds realistically on", "young to be a mom (am planning on having her have a child", "have a mother-type character that's a little young to be a mom (am", "be a mom (am planning on having her have a child she's planning", "I have a mother-type character that's a little young to be a mom", "mom (am planning on having her have a child she's planning on saving).", "I wanted to know your opinions on how far I can push the", "So, in my novel, I have a mother-type character that's a little young", "your opinions on how far I can push the bounds realistically on the", "opinions on how far I can push the bounds realistically on the \"mother\"", "on having her have a child she's planning on saving). So, I wanted", "wanted to know your opinions on how far I can push the bounds", "to know your opinions on how far I can push the bounds realistically", "(am planning on having her have a child she's planning on saving). So,", "character that's a little young to be a mom (am planning on having", "on saving). So, I wanted to know your opinions on how far I", "a child she's planning on saving). So, I wanted to know your opinions", "her have a child she's planning on saving). So, I wanted to know", "to be a mom (am planning on having her have a child she's", "saving). So, I wanted to know your opinions on how far I can", "a mom (am planning on having her have a child she's planning on", "have a child she's planning on saving). So, I wanted to know your", "a mother-type character that's a little young to be a mom (am planning", "planning on saving). So, I wanted to know your opinions on how far" ]
[ "better)? I'm aware that git diffs won't be very meaningful, merges are impractical,", "used like that), and at any rate the advantage of using git (especially", "do git manually (via command-line tools) if necessary, but an interface from within", "git manually (via command-line tools) if necessary, but an interface from within Word", "versioning and backups, which I'd still have to take care of some other", "manner, without having to manually manage multiple files. \"Track Changes\" within Word seems", "having to manually manage multiple files. \"Track Changes\" within Word seems to be", "way if I used Track Changes. I can do git manually (via command-line", "keep a repository of multiple versions in a streamlined manner, without having to", "git service like gitlab) is that it integrates versioning and backups, which I'd", "used Track Changes. I can do git manually (via command-line tools) if necessary,", "Changes. I can do git manually (via command-line tools) if necessary, but an", "anyone aware of a plugin for MS Word that allows me to keep", "that it integrates versioning and backups, which I'd still have to take care", "in a streamlined manner, without having to manually manage multiple files. \"Track Changes\"", "concerned with any of that. I'd just like to be able to keep", "streamlined manner, without having to manually manage multiple files. \"Track Changes\" within Word", "formats; I'm not concerned with any of that. I'd just like to be", "that. I'd just like to be able to keep a repository of multiple", "I'm not concerned with any of that. I'd just like to be able", "that allows me to keep my documents in a git repository (gitlab compatibility", "of some other way if I used Track Changes. I can do git", "that git diffs won't be very meaningful, merges are impractical, etc. with binary", "a repository of multiple versions in a streamlined manner, without having to manually", "be very meaningful, merges are impractical, etc. with binary file formats; I'm not", "be able to keep a repository of multiple versions in a streamlined manner,", "of a plugin for MS Word that allows me to keep my documents", "I'm aware that git diffs won't be very meaningful, merges are impractical, etc.", "I'd just like to be able to keep a repository of multiple versions", "manage multiple files. \"Track Changes\" within Word seems to be intended for collaboration", "multiple authors (though of course it doesn't HAVE to be used like that),", "meaningful, merges are impractical, etc. with binary file formats; I'm not concerned with", "some other way if I used Track Changes. I can do git manually", "I used Track Changes. I can do git manually (via command-line tools) if", "I'd still have to take care of some other way if I used", "manually (via command-line tools) if necessary, but an interface from within Word would", "within Word seems to be intended for collaboration or editing with multiple authors", "merges are impractical, etc. with binary file formats; I'm not concerned with any", "file formats; I'm not concerned with any of that. I'd just like to", "to keep my documents in a git repository (gitlab compatibility would be even", "I can do git manually (via command-line tools) if necessary, but an interface", "git (especially a git service like gitlab) is that it integrates versioning and", "without having to manually manage multiple files. \"Track Changes\" within Word seems to", "collaboration or editing with multiple authors (though of course it doesn't HAVE to", "still have to take care of some other way if I used Track", "Changes\" within Word seems to be intended for collaboration or editing with multiple", "\"Track Changes\" within Word seems to be intended for collaboration or editing with", "using git (especially a git service like gitlab) is that it integrates versioning", "and at any rate the advantage of using git (especially a git service", "allows me to keep my documents in a git repository (gitlab compatibility would", "HAVE to be used like that), and at any rate the advantage of", "course it doesn't HAVE to be used like that), and at any rate", "with binary file formats; I'm not concerned with any of that. I'd just", "of multiple versions in a streamlined manner, without having to manually manage multiple", "Word seems to be intended for collaboration or editing with multiple authors (though", "multiple versions in a streamlined manner, without having to manually manage multiple files.", "my documents in a git repository (gitlab compatibility would be even better)? I'm", "to keep a repository of multiple versions in a streamlined manner, without having", "rate the advantage of using git (especially a git service like gitlab) is", "a plugin for MS Word that allows me to keep my documents in", "have to take care of some other way if I used Track Changes.", "is that it integrates versioning and backups, which I'd still have to take", "take care of some other way if I used Track Changes. I can", "repository (gitlab compatibility would be even better)? I'm aware that git diffs won't", "Is anyone aware of a plugin for MS Word that allows me to", "plugin for MS Word that allows me to keep my documents in a", "able to keep a repository of multiple versions in a streamlined manner, without", "would be even better)? I'm aware that git diffs won't be very meaningful,", "just like to be able to keep a repository of multiple versions in", "git repository (gitlab compatibility would be even better)? I'm aware that git diffs", "the advantage of using git (especially a git service like gitlab) is that", "any rate the advantage of using git (especially a git service like gitlab)", "Word that allows me to keep my documents in a git repository (gitlab", "service like gitlab) is that it integrates versioning and backups, which I'd still", "me to keep my documents in a git repository (gitlab compatibility would be", "(gitlab compatibility would be even better)? I'm aware that git diffs won't be", "to be intended for collaboration or editing with multiple authors (though of course", "like gitlab) is that it integrates versioning and backups, which I'd still have", "with any of that. I'd just like to be able to keep a", "to be used like that), and at any rate the advantage of using", "compatibility would be even better)? I'm aware that git diffs won't be very", "care of some other way if I used Track Changes. I can do", "binary file formats; I'm not concerned with any of that. I'd just like", "(especially a git service like gitlab) is that it integrates versioning and backups,", "are impractical, etc. with binary file formats; I'm not concerned with any of", "at any rate the advantage of using git (especially a git service like", "diffs won't be very meaningful, merges are impractical, etc. with binary file formats;", "won't be very meaningful, merges are impractical, etc. with binary file formats; I'm", "be used like that), and at any rate the advantage of using git", "it integrates versioning and backups, which I'd still have to take care of", "or editing with multiple authors (though of course it doesn't HAVE to be", "that), and at any rate the advantage of using git (especially a git", "aware of a plugin for MS Word that allows me to keep my", "and backups, which I'd still have to take care of some other way", "which I'd still have to take care of some other way if I", "authors (though of course it doesn't HAVE to be used like that), and", "versions in a streamlined manner, without having to manually manage multiple files. \"Track", "manually manage multiple files. \"Track Changes\" within Word seems to be intended for", "very meaningful, merges are impractical, etc. with binary file formats; I'm not concerned", "with multiple authors (though of course it doesn't HAVE to be used like", "gitlab) is that it integrates versioning and backups, which I'd still have to", "for MS Word that allows me to keep my documents in a git", "of course it doesn't HAVE to be used like that), and at any", "a git service like gitlab) is that it integrates versioning and backups, which", "Track Changes. I can do git manually (via command-line tools) if necessary, but", "in a git repository (gitlab compatibility would be even better)? I'm aware that", "even better)? I'm aware that git diffs won't be very meaningful, merges are", "backups, which I'd still have to take care of some other way if", "like to be able to keep a repository of multiple versions in a", "a streamlined manner, without having to manually manage multiple files. \"Track Changes\" within", "any of that. I'd just like to be able to keep a repository", "doesn't HAVE to be used like that), and at any rate the advantage", "can do git manually (via command-line tools) if necessary, but an interface from", "intended for collaboration or editing with multiple authors (though of course it doesn't", "files. \"Track Changes\" within Word seems to be intended for collaboration or editing", "to be able to keep a repository of multiple versions in a streamlined", "not concerned with any of that. I'd just like to be able to", "if I used Track Changes. I can do git manually (via command-line tools)", "advantage of using git (especially a git service like gitlab) is that it", "MS Word that allows me to keep my documents in a git repository", "for collaboration or editing with multiple authors (though of course it doesn't HAVE", "(though of course it doesn't HAVE to be used like that), and at", "it doesn't HAVE to be used like that), and at any rate the", "of using git (especially a git service like gitlab) is that it integrates", "multiple files. \"Track Changes\" within Word seems to be intended for collaboration or", "seems to be intended for collaboration or editing with multiple authors (though of", "editing with multiple authors (though of course it doesn't HAVE to be used", "(via command-line tools) if necessary, but an interface from within Word would be", "be intended for collaboration or editing with multiple authors (though of course it", "keep my documents in a git repository (gitlab compatibility would be even better)?", "integrates versioning and backups, which I'd still have to take care of some", "documents in a git repository (gitlab compatibility would be even better)? I'm aware", "be even better)? I'm aware that git diffs won't be very meaningful, merges", "to take care of some other way if I used Track Changes. I", "of that. I'd just like to be able to keep a repository of", "a git repository (gitlab compatibility would be even better)? I'm aware that git", "git diffs won't be very meaningful, merges are impractical, etc. with binary file", "etc. with binary file formats; I'm not concerned with any of that. I'd", "repository of multiple versions in a streamlined manner, without having to manually manage", "other way if I used Track Changes. I can do git manually (via", "command-line tools) if necessary, but an interface from within Word would be nice.", "to manually manage multiple files. \"Track Changes\" within Word seems to be intended", "like that), and at any rate the advantage of using git (especially a", "impractical, etc. with binary file formats; I'm not concerned with any of that.", "aware that git diffs won't be very meaningful, merges are impractical, etc. with" ]
[ "I'm trying to understand, *is it right for a Vaspahr to be addressed", "that comes with a noble title. For example, HM Elizabeth II is addressed", "[Style](https://en.wikipedia.org/wiki/Style_(manner_of_address)) is a manner of address, an honorific that comes with a noble", "be addressed \"Most Noble\" and \"Your Grace\", or are those reserved to a", "those forms of address sound out of place when used with a non-European", "for a Vaspahr to be addressed \"Most Noble\" and \"Your Grace\", or are", "with a noble title. For example, HM Elizabeth II is addressed \"Your Majesty\".", "title. For example, HM Elizabeth II is addressed \"Your Majesty\". In a fantasy", "setting that does not pretend to be Europe, I have chosen noble titles", "not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying", "address, an honorific that comes with a noble title. For example, HM Elizabeth", "British* duke? Would those forms of address sound out of place when used", "etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand, is it", "\"Your Grace\", or are those reserved to a British duke? Would those forms", "comes with a noble title. For example, HM Elizabeth II is addressed \"Your", "that are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now", "I have chosen noble titles that are not \"King\", \"Duke\", \"Airl\", etc., but", "Vaspahr to be addressed \"Most Noble\" and \"Your Grace\", or are those reserved", "out of place when used with a non-European title, or are they standard?", "For example, HM Elizabeth II is addressed \"Your Majesty\". In a fantasy setting", "noble title. For example, HM Elizabeth II is addressed \"Your Majesty\". In a", "Europe, I have chosen noble titles that are not \"King\", \"Duke\", \"Airl\", etc.,", "HM Elizabeth II is addressed \"Your Majesty\". In a fantasy setting that does", "be Europe, I have chosen noble titles that are not \"King\", \"Duke\", \"Airl\",", "noble titles that are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\",", "to understand, is it right for a Vaspahr to be addressed \"Most Noble\"", "does not pretend to be Europe, I have chosen noble titles that are", "\"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to", "etc. Now I'm trying to understand, *is it right for a Vaspahr to", "a fantasy setting that does not pretend to be Europe, I have chosen", "addressed \"Most Noble\" and \"Your Grace\", or are those reserved to a British", "forms of address sound out of place when used with a non-European title,", "In a fantasy setting that does not pretend to be Europe, I have", "of address sound out of place when used with a non-European title, or", "Grace\", or are those reserved to a British* duke?** Would those forms of", "titles that are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc.", "reserved to a British duke? Would those forms of address sound out of", "\"Your Majesty\". In a fantasy setting that does not pretend to be Europe,", "fantasy setting that does not pretend to be Europe, I have chosen noble", "is it right for a Vaspahr to be addressed \"Most Noble\" and \"Your", "\"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand,", "trying to understand, is it right for a Vaspahr to be addressed \"Most", "right for a Vaspahr to be addressed \"Most Noble\" and \"Your Grace\", or", "manner of address, an honorific that comes with a noble title. For example,", "but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand, is it right", "\"Most Noble\" and \"Your Grace\", or are those reserved to a British duke?*", "or are those reserved to a British* duke?** Would those forms of address", "to a British duke? Would those forms of address sound out of place", "\"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand, is it right for", "example, HM Elizabeth II is addressed \"Your Majesty\". In a fantasy setting that", "II is addressed \"Your Majesty\". In a fantasy setting that does not pretend", "Majesty\". In a fantasy setting that does not pretend to be Europe, I", "a British duke?** Would those forms of address sound out of place when", "an honorific that comes with a noble title. For example, HM Elizabeth II", "are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm", "those reserved to a British duke? Would those forms of address sound out", "to be addressed \"Most Noble\" and \"Your Grace\", or are those reserved to", "it right for a Vaspahr to be addressed \"Most Noble\" and \"Your Grace\",", "Now I'm trying to understand, is it right for a Vaspahr to be", "honorific that comes with a noble title. For example, HM Elizabeth II is", "a Vaspahr to be addressed \"Most Noble\" and \"Your Grace\", or are those", "chosen noble titles that are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\", \"Vaspahr\",", "not pretend to be Europe, I have chosen noble titles that are not", "a manner of address, an honorific that comes with a noble title. For", "a noble title. For example, HM Elizabeth II is addressed \"Your Majesty\". In", "\"Saccaz\", etc. Now I'm trying to understand, *is it right for a Vaspahr", "are those reserved to a British* duke?** Would those forms of address sound", "of address, an honorific that comes with a noble title. For example, HM", "to be Europe, I have chosen noble titles that are not \"King\", \"Duke\",", "Noble\" and \"Your Grace\", or are those reserved to a British duke? Would", "duke? Would those forms of address sound out of place when used with", "that does not pretend to be Europe, I have chosen noble titles that", "is addressed \"Your Majesty\". In a fantasy setting that does not pretend to", "pretend to be Europe, I have chosen noble titles that are not \"King\",", "Would those forms of address sound out of place when used with a", "\"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand, is it right for a", "\"Airl\", etc., but \"Shah\", \"Vaspahr\", \"Saccaz\", etc. Now I'm trying to understand, is", "have chosen noble titles that are not \"King\", \"Duke\", \"Airl\", etc., but \"Shah\",", "addressed \"Your Majesty\". In a fantasy setting that does not pretend to be", "address sound out of place when used with a non-European title, or are", "Elizabeth II is addressed \"Your Majesty\". In a fantasy setting that does not", "sound out of place when used with a non-European title, or are they", "understand, *is it right for a Vaspahr to be addressed \"Most Noble\" and", "is a manner of address, an honorific that comes with a noble title.", "and \"Your Grace\", or are those reserved to a British* duke?** Would those" ]
[ "many elements of the story to make it simpler, and use references to", "elements of the story to make it simpler, and use references to those", "fill-in the gaps? Notes: * I'm a software developer and I know much", "(war, giant evil corporations, technology, crime, hatred, family, memories..etc) without a master topic,", "impossible to adapt in an RPG game. The kind of complication I'm talking", "them, and in-turn makes the story more static and (much) less dynamic. ", "it became almost impossible to adapt in an RPG game. The kind of", "different, and talks about very different minor stories (war, giant evil corporations, technology,", "of complication I'm talking about is that every arc is very different, and", "cyberpunk, futuristic setting, and it has many flows, one of its flows is", " I'm a software developer and I know much about technology and the", "family, memories..etc) without a master topic, and that makes it so un-digestible. Question(s):", "it makes it hard for me to imagine things without creating a realistic", "arc is very different, and talks about very different minor stories (war, giant", "makes it so un-digestible. Question(s): * What suits a game (in terms of", "futuristic setting, and it has many flows, one of its flows is that", "that the story is so complicated and novelized, that it became almost impossible", "about technology and the science behind them that it makes it hard for", "imagine things without creating a realistic base for them, and in-turn makes the", "to foreshadow many elements of the story to make it simpler, and use", "an RPG game. The kind of complication I'm talking about is that every", "a game (in terms of writing styles)? * Can complicated and novelized stories", "it has many flows, one of its flows is that the story is", "make dynamic. * I would appreciate any references, books, or stories / novels", "to imagine things without creating a realistic base for them, and in-turn makes", "Notes: * I'm a software developer and I know much about technology and", "story is so complicated and novelized, that it became almost impossible to adapt", "for me to imagine things without creating a realistic base for them, and", "software developer and I know much about technology and the science behind them", "a master topic, and that makes it so un-digestible. Question(s): * What suits", "and it has many flows, one of its flows is that the story", "that makes it so un-digestible. Question(s): * What suits a game (in terms", "Can complicated and novelized stories be good for games? * Is it okay", "the science behind them that it makes it hard for me to imagine", "to those foreshadowed elements to fill-in the gaps? Notes: * I'm a software", "can't think of better ways to plot the story and make dynamic. ", "think of better ways to plot the story and make dynamic. I", "to fill-in the gaps? Notes: * I'm a software developer and I know", "am now lost and can't think of better ways to plot the story", "* I haven't written a story for a game before (not in any", "(much) less dynamic. * I haven't written a story for a game before", "it hard for me to imagine things without creating a realistic base for", "novelized stories be good for games? * Is it okay to foreshadow many", "plot the story and make dynamic. * I would appreciate any references, books,", "flows, one of its flows is that the story is so complicated and", "written a story for a game before (not in any professional way). ", "in a cyberpunk, futuristic setting, and it has many flows, one of its", "that it makes it hard for me to imagine things without creating a", "hard for me to imagine things without creating a realistic base for them,", "the story more static and (much) less dynamic. I haven't written a", "* I would appreciate any references, books, or stories / novels to read.", "of better ways to plot the story and make dynamic. * I would", "a video game--it's set in a cyberpunk, futuristic setting, and it has many", "for a game before (not in any professional way). * I am now", "one of its flows is that the story is so complicated and novelized,", "corporations, technology, crime, hatred, family, memories..etc) without a master topic, and that makes", "to adapt in an RPG game. The kind of complication I'm talking about", "terms of writing styles)? * Can complicated and novelized stories be good for", "for a video game--it's set in a cyberpunk, futuristic setting, and it has", "in an RPG game. The kind of complication I'm talking about is that", "in any professional way). * I am now lost and can't think of", "make it simpler, and use references to those foreshadowed elements to fill-in the", "references to those foreshadowed elements to fill-in the gaps? Notes: * I'm a", "hatred, family, memories..etc) without a master topic, and that makes it so un-digestible.", "so complicated and novelized, that it became almost impossible to adapt in an", "story to make it simpler, and use references to those foreshadowed elements to", "things without creating a realistic base for them, and in-turn makes the story", "and use references to those foreshadowed elements to fill-in the gaps? Notes: ", "before (not in any professional way). I am now lost and can't", "more static and (much) less dynamic. * I haven't written a story for", "way). * I am now lost and can't think of better ways to", "realistic base for them, and in-turn makes the story more static and (much)", "styles)? * Can complicated and novelized stories be good for games? * Is", "behind them that it makes it hard for me to imagine things without", "good for games? * Is it okay to foreshadow many elements of the", "be good for games? * Is it okay to foreshadow many elements of", "foreshadow many elements of the story to make it simpler, and use references", "Question(s): * What suits a game (in terms of writing styles)? * Can", "simpler, and use references to those foreshadowed elements to fill-in the gaps? Notes:", "* What suits a game (in terms of writing styles)? * Can complicated", "complicated and novelized stories be good for games? * Is it okay to", "What suits a game (in terms of writing styles)? * Can complicated and", "very different, and talks about very different minor stories (war, giant evil corporations,", "un-digestible. Question(s): * What suits a game (in terms of writing styles)? ", "use references to those foreshadowed elements to fill-in the gaps? Notes:* * I'm", "The kind of complication I'm talking about is that every arc is very", "lost and can't think of better ways to plot the story and make", "is that the story is so complicated and novelized, that it became almost", "and talks about very different minor stories (war, giant evil corporations, technology, crime,", "a game before (not in any professional way). * I am now lost", "in-turn makes the story more static and (much) less dynamic. * I haven't", "for them, and in-turn makes the story more static and (much) less dynamic.", "* I am now lost and can't think of better ways to plot", "talks about very different minor stories (war, giant evil corporations, technology, crime, hatred,", "almost impossible to adapt in an RPG game. The kind of complication I'm", "every arc is very different, and talks about very different minor stories (war,", "about is that every arc is very different, and talks about very different", "(in terms of writing styles)? * Can complicated and novelized stories be good", "and I know much about technology and the science behind them that it", "video game--it's set in a cyberpunk, futuristic setting, and it has many flows,", "setting, and it has many flows, one of its flows is that the", "professional way). * I am now lost and can't think of better ways", "suits a game (in terms of writing styles)? * Can complicated and novelized", "to plot the story and make dynamic. * I would appreciate any references,", "creating a realistic base for them, and in-turn makes the story more static", "flows is that the story is so complicated and novelized, that it became", "story and make dynamic. * I would appreciate any references, books, or stories", "a realistic base for them, and in-turn makes the story more static and", "writing styles)? * Can complicated and novelized stories be good for games? ", "a software developer and I know much about technology and the science behind", "elements to fill-in the gaps? Notes:* * I'm a software developer and I", "kind of complication I'm talking about is that every arc is very different,", "technology and the science behind them that it makes it hard for me", "set in a cyberpunk, futuristic setting, and it has many flows, one of", "know much about technology and the science behind them that it makes it", "developer and I know much about technology and the science behind them that", "its flows is that the story is so complicated and novelized, that it", "it simpler, and use references to those foreshadowed elements to fill-in the gaps?", "and make dynamic. * I would appreciate any references, books, or stories /", "a cyberpunk, futuristic setting, and it has many flows, one of its flows", "of writing styles)? * Can complicated and novelized stories be good for games?", "* Is it okay to foreshadow many elements of the story to make", "them that it makes it hard for me to imagine things without creating", "of its flows is that the story is so complicated and novelized, that", "giant evil corporations, technology, crime, hatred, family, memories..etc) without a master topic, and", "I haven't written a story for a game before (not in any professional", "haven't written a story for a game before (not in any professional way).", "is very different, and talks about very different minor stories (war, giant evil", "and the science behind them that it makes it hard for me to", "Background: I'm creating a story for a video game--it's set in a cyberpunk,", "very different minor stories (war, giant evil corporations, technology, crime, hatred, family, memories..etc)", "the story to make it simpler, and use references to those foreshadowed elements", "gaps? Notes: * I'm a software developer and I know much about technology", "game. The kind of complication I'm talking about is that every arc is", "technology, crime, hatred, family, memories..etc) without a master topic, and that makes it", "foreshadowed elements to fill-in the gaps? Notes: * I'm a software developer and", "makes the story more static and (much) less dynamic. * I haven't written", "stories be good for games? * Is it okay to foreshadow many elements", "now lost and can't think of better ways to plot the story and", "I'm creating a story for a video game--it's set in a cyberpunk, futuristic", "novelized, that it became almost impossible to adapt in an RPG game. The", "that it became almost impossible to adapt in an RPG game. The kind", "story for a video game--it's set in a cyberpunk, futuristic setting, and it", "topic, and that makes it so un-digestible. Question(s): * What suits a game", "and novelized, that it became almost impossible to adapt in an RPG game.", "different minor stories (war, giant evil corporations, technology, crime, hatred, family, memories..etc) without", "and (much) less dynamic. * I haven't written a story for a game", "any professional way). * I am now lost and can't think of better", "and that makes it so un-digestible. Question(s): * What suits a game (in", "I know much about technology and the science behind them that it makes", "better ways to plot the story and make dynamic. * I would appreciate", "okay to foreshadow many elements of the story to make it simpler, and", "static and (much) less dynamic. * I haven't written a story for a", "complication I'm talking about is that every arc is very different, and talks", "evil corporations, technology, crime, hatred, family, memories..etc) without a master topic, and that", "creating a story for a video game--it's set in a cyberpunk, futuristic setting,", "dynamic. * I haven't written a story for a game before (not in", "complicated and novelized, that it became almost impossible to adapt in an RPG", "I'm talking about is that every arc is very different, and talks about", "without creating a realistic base for them, and in-turn makes the story more", "game before (not in any professional way). * I am now lost and", "to make it simpler, and use references to those foreshadowed elements to fill-in", "a story for a game before (not in any professional way). * I", "for games? * Is it okay to foreshadow many elements of the story", "Is it okay to foreshadow many elements of the story to make it", "much about technology and the science behind them that it makes it hard", "it so un-digestible. Question(s): * What suits a game (in terms of writing", "dynamic. * I would appreciate any references, books, or stories / novels to", "games? * Is it okay to foreshadow many elements of the story to", "a story for a video game--it's set in a cyberpunk, futuristic setting, and", "master topic, and that makes it so un-digestible. Question(s): * What suits a", "story for a game before (not in any professional way). * I am", "so un-digestible. Question(s): * What suits a game (in terms of writing styles)?", "the gaps? Notes: * I'm a software developer and I know much about", "it okay to foreshadow many elements of the story to make it simpler,", "game (in terms of writing styles)? * Can complicated and novelized stories be", "me to imagine things without creating a realistic base for them, and in-turn", "story more static and (much) less dynamic. * I haven't written a story", "game--it's set in a cyberpunk, futuristic setting, and it has many flows, one", "makes it hard for me to imagine things without creating a realistic base", "and in-turn makes the story more static and (much) less dynamic. * I", "of the story to make it simpler, and use references to those foreshadowed", "less dynamic. * I haven't written a story for a game before (not", "has many flows, one of its flows is that the story is so", "those foreshadowed elements to fill-in the gaps? Notes: * I'm a software developer", "minor stories (war, giant evil corporations, technology, crime, hatred, family, memories..etc) without a", "(not in any professional way). * I am now lost and can't think", "many flows, one of its flows is that the story is so complicated", "science behind them that it makes it hard for me to imagine things", "I am now lost and can't think of better ways to plot the", "about very different minor stories (war, giant evil corporations, technology, crime, hatred, family,", "ways to plot the story and make dynamic. * I would appreciate any", "RPG game. The kind of complication I'm talking about is that every arc", "adapt in an RPG game. The kind of complication I'm talking about is", "and novelized stories be good for games? * Is it okay to foreshadow", "the story and make dynamic. * I would appreciate any references, books, or", "is so complicated and novelized, that it became almost impossible to adapt in", "became almost impossible to adapt in an RPG game. The kind of complication", "talking about is that every arc is very different, and talks about very", "* Can complicated and novelized stories be good for games? * Is it", "and can't think of better ways to plot the story and make dynamic.", "that every arc is very different, and talks about very different minor stories", "without a master topic, and that makes it so un-digestible. Question(s): * What", "crime, hatred, family, memories..etc) without a master topic, and that makes it so", "I'm a software developer and I know much about technology and the science", "stories (war, giant evil corporations, technology, crime, hatred, family, memories..etc) without a master", "base for them, and in-turn makes the story more static and (much) less", "memories..etc) without a master topic, and that makes it so un-digestible. Question(s): *", "is that every arc is very different, and talks about very different minor", "the story is so complicated and novelized, that it became almost impossible to" ]
[ "I have a main character who starts off as a jerk, but quickly", "drastically in a few chapters. But how do I do that without making", "about citing grief as a reason for his initial coldness. This is different", "to have him change drastically in a few chapters. But how do I", "jerk, but quickly becomes kinder as the story. I plan to have him", "as the story. I plan to have him change drastically in a few", "a reason for his initial coldness. This is different from other questions because", "a main character who starts off as a jerk, but quickly becomes kinder", "main character who starts off as a jerk, but quickly becomes kinder as", "is different from other questions because the change happens quickly (within the first", "citing grief as a reason for his initial coldness. This is different from", "off as a jerk, but quickly becomes kinder as the story. I plan", "I do that without making it look too weird/crazy? I was thinking about", "too weird/crazy? I was thinking about citing grief as a reason for his", "few chapters. But how do I do that without making it look too", "weird/crazy? I was thinking about citing grief as a reason for his initial", "a few chapters. But how do I do that without making it look", "different from other questions because the change happens quickly (within the first quarter", "questions because the change happens quickly (within the first quarter of the book)", "do that without making it look too weird/crazy? I was thinking about citing", "other questions because the change happens quickly (within the first quarter of the", "the change happens quickly (within the first quarter of the book) rather than", "but quickly becomes kinder as the story. I plan to have him change", "I was thinking about citing grief as a reason for his initial coldness.", "do I do that without making it look too weird/crazy? I was thinking", "grief as a reason for his initial coldness. This is different from other", "in a few chapters. But how do I do that without making it", "from other questions because the change happens quickly (within the first quarter of", "look too weird/crazy? I was thinking about citing grief as a reason for", "for his initial coldness. This is different from other questions because the change", "quickly becomes kinder as the story. I plan to have him change drastically", "kinder as the story. I plan to have him change drastically in a", "This is different from other questions because the change happens quickly (within the", "have him change drastically in a few chapters. But how do I do", "But how do I do that without making it look too weird/crazy? I", "without making it look too weird/crazy? I was thinking about citing grief as", "coldness. This is different from other questions because the change happens quickly (within", "the story. I plan to have him change drastically in a few chapters.", "thinking about citing grief as a reason for his initial coldness. This is", "as a reason for his initial coldness. This is different from other questions", "it look too weird/crazy? I was thinking about citing grief as a reason", "plan to have him change drastically in a few chapters. But how do", "have a main character who starts off as a jerk, but quickly becomes", "a jerk, but quickly becomes kinder as the story. I plan to have", "change drastically in a few chapters. But how do I do that without", "who starts off as a jerk, but quickly becomes kinder as the story.", "initial coldness. This is different from other questions because the change happens quickly", "his initial coldness. This is different from other questions because the change happens", "because the change happens quickly (within the first quarter of the book) rather", "change happens quickly (within the first quarter of the book) rather than later.", "as a jerk, but quickly becomes kinder as the story. I plan to", "that without making it look too weird/crazy? I was thinking about citing grief", "becomes kinder as the story. I plan to have him change drastically in", "starts off as a jerk, but quickly becomes kinder as the story. I", "I plan to have him change drastically in a few chapters. But how", "character who starts off as a jerk, but quickly becomes kinder as the", "how do I do that without making it look too weird/crazy? I was", "making it look too weird/crazy? I was thinking about citing grief as a", "story. I plan to have him change drastically in a few chapters. But", "was thinking about citing grief as a reason for his initial coldness. This", "him change drastically in a few chapters. But how do I do that", "reason for his initial coldness. This is different from other questions because the", "chapters. But how do I do that without making it look too weird/crazy?" ]
[ "of mine has asked whether I can help co author their book. This", "their book. This job would entail two or three evenings a week on", "over 3000 words. Considering that it's a friend and that I will be", "long time collaborator of mine has asked whether I can help co author", "hours each evening on the task which would see me produce upwards of", "3000 words. Considering that it's a friend and that I will be a", "should and will offer a lower rate than if those two facts weren't", "the case. How much would be appropriate to charge in this instance, preferably", "job. I forsee that I would spend around 3-4 hours each evening on", "a lower rate than if those two facts weren't the case. How much", "has asked whether I can help co author their book. This job would", "entail two or three evenings a week on top of my job. I", "the task which would see me produce upwards of 2000 words. I also", "help co author their book. This job would entail two or three evenings", "would be appropriate to charge in this instance, preferably as an evening /", "time collaborator of mine has asked whether I can help co author their", "both scenarios, one if it were not a friend and I were not", "as a writer and a friend and long time collaborator of mine has", "I forsee that I would spend around 3-4 hours each evening on the", "charge in this instance, preferably as an evening / hourly rate? It would", "would spend around 3-4 hours each evening on the task which would see", "that I would spend around 3-4 hours each evening on the task which", "written that came to over 3000 words. Considering that it's a friend and", "will be a listed author, I am imagining that I should and will", "as an evening / hourly rate? It would be good to consider both", "friend and long time collaborator of mine has asked whether I can help", "author, I am imagining that I should and will offer a lower rate", "it's a friend and that I will be a listed author, I am", "It would be good to consider both scenarios, one if it were not", "task which would see me produce upwards of 2000 words. I also need", "I am imagining that I should and will offer a lower rate than", "writer and a friend and long time collaborator of mine has asked whether", "each evening on the task which would see me produce upwards of 2000", "hourly rate? It would be good to consider both scenarios, one if it", "I were not a co author and the other as I have described.", "friend and I were not a co author and the other as I", "that I should and will offer a lower rate than if those two", "/ hourly rate? It would be good to consider both scenarios, one if", "speech/blog post written that came to over 3000 words. Considering that it's a", "produce upwards of 2000 words. I also need to consider how much to", "instance, preferably as an evening / hourly rate? It would be good to", "one if it were not a friend and I were not a co", "top of my job. I forsee that I would spend around 3-4 hours", "to over 3000 words. Considering that it's a friend and that I will", "much would be appropriate to charge in this instance, preferably as an evening", "facts weren't the case. How much would be appropriate to charge in this", "post written that came to over 3000 words. Considering that it's a friend", "and I were not a co author and the other as I have", "I work full time as a writer and a friend and long time", "spend around 3-4 hours each evening on the task which would see me", "see me produce upwards of 2000 words. I also need to consider how", "will offer a lower rate than if those two facts weren't the case.", "rate than if those two facts weren't the case. How much would be", "rate? It would be good to consider both scenarios, one if it were", "would entail two or three evenings a week on top of my job.", "those two facts weren't the case. How much would be appropriate to charge", "not a friend and I were not a co author and the other", "that I will be a listed author, I am imagining that I should", "co author their book. This job would entail two or three evenings a", "imagining that I should and will offer a lower rate than if those", "of my job. I forsee that I would spend around 3-4 hours each", "to consider both scenarios, one if it were not a friend and I", "also need to consider how much to charge for a speech/blog post written", "for a speech/blog post written that came to over 3000 words. Considering that", "I will be a listed author, I am imagining that I should and", "need to consider how much to charge for a speech/blog post written that", "a listed author, I am imagining that I should and will offer a", "a friend and that I will be a listed author, I am imagining", "evening on the task which would see me produce upwards of 2000 words.", "and will offer a lower rate than if those two facts weren't the", "work full time as a writer and a friend and long time collaborator", "and that I will be a listed author, I am imagining that I", "consider how much to charge for a speech/blog post written that came to", "can help co author their book. This job would entail two or three", "if those two facts weren't the case. How much would be appropriate to", "that came to over 3000 words. Considering that it's a friend and that", "around 3-4 hours each evening on the task which would see me produce", "collaborator of mine has asked whether I can help co author their book.", "much to charge for a speech/blog post written that came to over 3000", "I should and will offer a lower rate than if those two facts", "listed author, I am imagining that I should and will offer a lower", "time as a writer and a friend and long time collaborator of mine", "Considering that it's a friend and that I will be a listed author,", "on the task which would see me produce upwards of 2000 words. I", "than if those two facts weren't the case. How much would be appropriate", "a writer and a friend and long time collaborator of mine has asked", "evening / hourly rate? It would be good to consider both scenarios, one", "friend and that I will be a listed author, I am imagining that", "two or three evenings a week on top of my job. I forsee", "three evenings a week on top of my job. I forsee that I", "job would entail two or three evenings a week on top of my", "to charge in this instance, preferably as an evening / hourly rate? It", "This job would entail two or three evenings a week on top of", "how much to charge for a speech/blog post written that came to over", "would be good to consider both scenarios, one if it were not a", "my job. I forsee that I would spend around 3-4 hours each evening", "would see me produce upwards of 2000 words. I also need to consider", "lower rate than if those two facts weren't the case. How much would", "on top of my job. I forsee that I would spend around 3-4", "an evening / hourly rate? It would be good to consider both scenarios,", "How much would be appropriate to charge in this instance, preferably as an", "upwards of 2000 words. I also need to consider how much to charge", "appropriate to charge in this instance, preferably as an evening / hourly rate?", "two facts weren't the case. How much would be appropriate to charge in", "if it were not a friend and I were not a co author", "whether I can help co author their book. This job would entail two", "were not a friend and I were not a co author and the", "mine has asked whether I can help co author their book. This job", "preferably as an evening / hourly rate? It would be good to consider", "and a friend and long time collaborator of mine has asked whether I", "or three evenings a week on top of my job. I forsee that", "this instance, preferably as an evening / hourly rate? It would be good", "offer a lower rate than if those two facts weren't the case. How", "good to consider both scenarios, one if it were not a friend and", "be appropriate to charge in this instance, preferably as an evening / hourly", "that it's a friend and that I will be a listed author, I", "a friend and I were not a co author and the other as", "case. How much would be appropriate to charge in this instance, preferably as", "be good to consider both scenarios, one if it were not a friend", "be a listed author, I am imagining that I should and will offer", "evenings a week on top of my job. I forsee that I would", "author their book. This job would entail two or three evenings a week", "scenarios, one if it were not a friend and I were not a", "a friend and long time collaborator of mine has asked whether I can", "words. Considering that it's a friend and that I will be a listed", "I would spend around 3-4 hours each evening on the task which would", "to charge for a speech/blog post written that came to over 3000 words.", "me produce upwards of 2000 words. I also need to consider how much", "full time as a writer and a friend and long time collaborator of", "asked whether I can help co author their book. This job would entail", "words. I also need to consider how much to charge for a speech/blog", "and long time collaborator of mine has asked whether I can help co", "3-4 hours each evening on the task which would see me produce upwards", "which would see me produce upwards of 2000 words. I also need to", "came to over 3000 words. Considering that it's a friend and that I", "weren't the case. How much would be appropriate to charge in this instance,", "a week on top of my job. I forsee that I would spend", "am imagining that I should and will offer a lower rate than if", "forsee that I would spend around 3-4 hours each evening on the task", "a speech/blog post written that came to over 3000 words. Considering that it's", "2000 words. I also need to consider how much to charge for a", "consider both scenarios, one if it were not a friend and I were", "book. This job would entail two or three evenings a week on top", "to consider how much to charge for a speech/blog post written that came", "week on top of my job. I forsee that I would spend around", "of 2000 words. I also need to consider how much to charge for", "in this instance, preferably as an evening / hourly rate? It would be", "I can help co author their book. This job would entail two or", "it were not a friend and I were not a co author and", "I also need to consider how much to charge for a speech/blog post", "charge for a speech/blog post written that came to over 3000 words. Considering" ]
[ "I have an MC who, because of certain circumstances, everyone sees him as", "circumstances, everyone sees him as harsh and cruel at first. As they get", "chapters, they eventually see he's nicer than they thought. How do I describe", "he's nicer than they thought. How do I describe that in a novel?", "thought. How do I describe that in a novel? (If you can access", "nicer than they thought. How do I describe that in a novel? (If", "As they get to know him through the first few chapters, they eventually", "first few chapters, they eventually see he's nicer than they thought. How do", "everyone sees him as harsh and cruel at first. As they get to", "have an MC who, because of certain circumstances, everyone sees him as harsh", "MC who, because of certain circumstances, everyone sees him as harsh and cruel", "few chapters, they eventually see he's nicer than they thought. How do I", "do I describe that in a novel? (If you can access meta, look", "at first. As they get to know him through the first few chapters,", "I describe that in a novel? (If you can access meta, look at", "who, because of certain circumstances, everyone sees him as harsh and cruel at", "they thought. How do I describe that in a novel? (If you can", "How do I describe that in a novel? (If you can access meta,", "the first few chapters, they eventually see he's nicer than they thought. How", "see he's nicer than they thought. How do I describe that in a", "to know him through the first few chapters, they eventually see he's nicer", "because of certain circumstances, everyone sees him as harsh and cruel at first.", "know him through the first few chapters, they eventually see he's nicer than", "sees him as harsh and cruel at first. As they get to know", "describe that in a novel? (If you can access meta, look at my", "they eventually see he's nicer than they thought. How do I describe that", "harsh and cruel at first. As they get to know him through the", "him as harsh and cruel at first. As they get to know him", "through the first few chapters, they eventually see he's nicer than they thought.", "certain circumstances, everyone sees him as harsh and cruel at first. As they", "and cruel at first. As they get to know him through the first", "as harsh and cruel at first. As they get to know him through", "of certain circumstances, everyone sees him as harsh and cruel at first. As", "him through the first few chapters, they eventually see he's nicer than they", "in a novel? (If you can access meta, look at my NaNoWriMo post.)", "an MC who, because of certain circumstances, everyone sees him as harsh and", "get to know him through the first few chapters, they eventually see he's", "than they thought. How do I describe that in a novel? (If you", "cruel at first. As they get to know him through the first few", "that in a novel? (If you can access meta, look at my NaNoWriMo", "first. As they get to know him through the first few chapters, they", "eventually see he's nicer than they thought. How do I describe that in", "they get to know him through the first few chapters, they eventually see" ]
[ "The Hobbit, chapter 1 - An Unexpected Party) > > > 'Bewuthered' is", "coin a word, rather than use what's already in existence? Note, I am", "Party) > > > 'Bewuthered' is a word coined by Tolkien. Other coinages", "> 'Bewuthered' is a word coined by Tolkien. Other coinages by Tolkien include", "coin a new word? How does one go about it? And what does", "awkward Wednesday he ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 - An", "How does one go about it? And what does one tell the editor,", "he ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 - An Unexpected Party)", "made me wonder: when would an author coin a word, rather than use", "fantastical beings, like 'hobbit'. 'Bewuthered' appears to mean something along the lines of", "to another question, I stumbled upon a quote from The Hobbit: > >", "Tolkien. Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which made me wonder:", "quote from The Hobbit: > > Balyo rushed along the passage, very angry,", "Tolkien, The Hobbit, chapter 1 - An Unexpected Party) > > > 'Bewuthered'", "to coin a new word? How does one go about it? And what", "> > Balyo rushed along the passage, very angry, and altogether bewildered and", "is a word coined by Tolkien. Other coinages by Tolkien include 'flammifer' and", "(J.R.R. Tolkien, The Hobbit, chapter 1 - An Unexpected Party) > > >", "me wonder: when would an author coin a word, rather than use what's", "> Balyo rushed along the passage, very angry, and altogether bewildered and bewuthered", "Unexpected Party) > > > 'Bewuthered' is a word coined by Tolkien. Other", "question, I stumbled upon a quote from The Hobbit: > > Balyo rushed", "go about it? And what does one tell the editor, when the editor", "the most awkward Wednesday he ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1", "a word coined by Tolkien. Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'.", "a new word? How does one go about it? And what does one", "a word, rather than use what's already in existence? Note, I am not", "prompts an author to coin a new word? How does one go about", "talking about terms for new fantastical beings, like 'hobbit'. 'Bewuthered' appears to mean", "and altogether bewildered and bewuthered - this was the most awkward Wednesday he", "wonder: when would an author coin a word, rather than use what's already", "along the lines of 'confused'. So what prompts an author to coin a", "from The Hobbit: > > Balyo rushed along the passage, very angry, and", "the passage, very angry, and altogether bewildered and bewuthered - this was the", "> > > 'Bewuthered' is a word coined by Tolkien. Other coinages by", "about terms for new fantastical beings, like 'hobbit'. 'Bewuthered' appears to mean something", "Wednesday he ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 - An Unexpected", "chapter 1 - An Unexpected Party) > > > 'Bewuthered' is a word", "use what's already in existence? Note, I am not talking about terms for", "Note, I am not talking about terms for new fantastical beings, like 'hobbit'.", "Balyo rushed along the passage, very angry, and altogether bewildered and bewuthered -", "what's already in existence? Note, I am not talking about terms for new", "I stumbled upon a quote from The Hobbit: > > Balyo rushed along", "mean something along the lines of 'confused'. So what prompts an author to", "not talking about terms for new fantastical beings, like 'hobbit'. 'Bewuthered' appears to", "beings, like 'hobbit'. 'Bewuthered' appears to mean something along the lines of 'confused'.", "An Unexpected Party) > > > 'Bewuthered' is a word coined by Tolkien.", "most awkward Wednesday he ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 -", "answer to another question, I stumbled upon a quote from The Hobbit: >", "in existence? Note, I am not talking about terms for new fantastical beings,", "'hobbit'. 'Bewuthered' appears to mean something along the lines of 'confused'. So what", "like 'hobbit'. 'Bewuthered' appears to mean something along the lines of 'confused'. So", "'confused'. So what prompts an author to coin a new word? How does", "another question, I stumbled upon a quote from The Hobbit: > > Balyo", "bewildered and bewuthered - this was the most awkward Wednesday he ever remembered.", "for new fantastical beings, like 'hobbit'. 'Bewuthered' appears to mean something along the", "new word? How does one go about it? And what does one tell", "lines of 'confused'. So what prompts an author to coin a new word?", "by Tolkien include 'flammifer' and 'eucatastrophe'. Which made me wonder: when would an", "and 'eucatastrophe'. Which made me wonder: when would an author coin a word,", "ever remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 - An Unexpected Party) >", "> > 'Bewuthered' is a word coined by Tolkien. Other coinages by Tolkien", "Hobbit, chapter 1 - An Unexpected Party) > > > 'Bewuthered' is a", "author coin a word, rather than use what's already in existence? Note, I", "word? How does one go about it? And what does one tell the", "appears to mean something along the lines of 'confused'. So what prompts an", "than use what's already in existence? Note, I am not talking about terms", "'flammifer' and 'eucatastrophe'. Which made me wonder: when would an author coin a", "'Bewuthered' appears to mean something along the lines of 'confused'. So what prompts", "a quote from The Hobbit: > > Balyo rushed along the passage, very", "an author to coin a new word? How does one go about it?", "upon a quote from The Hobbit: > > Balyo rushed along the passage,", "coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which made me wonder: when would", "by Tolkien. Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which made me", "Writing an answer to another question, I stumbled upon a quote from The", "to mean something along the lines of 'confused'. So what prompts an author", "something along the lines of 'confused'. So what prompts an author to coin", "passage, very angry, and altogether bewildered and bewuthered - this was the most", "And what does one tell the editor, when the editor insists \"bewuthered* is", "an answer to another question, I stumbled upon a quote from The Hobbit:", "angry, and altogether bewildered and bewuthered - this was the most awkward Wednesday", "already in existence? 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(J.R.R. Tolkien, The Hobbit, chapter", "Which made me wonder: when would an author coin a word, rather than", "new fantastical beings, like 'hobbit'. 'Bewuthered' appears to mean something along the lines", "word coined by Tolkien. Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which", "- An Unexpected Party) > > > 'Bewuthered' is a word coined by", "the lines of 'confused'. So what prompts an author to coin a new", "author to coin a new word? How does one go about it? And", "very angry, and altogether bewildered and bewuthered - this was the most awkward", "existence? Note, I am not talking about terms for new fantastical beings, like", "rushed along the passage, very angry, and altogether bewildered and bewuthered - this", "Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which made me wonder: when", "remembered. (J.R.R. Tolkien, The Hobbit, chapter 1 - An Unexpected Party) > >", "include 'flammifer' and 'eucatastrophe'. 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And what does one tell the editor, when the editor insists", "altogether bewildered and bewuthered - this was the most awkward Wednesday he ever", "along the passage, very angry, and altogether bewildered and bewuthered - this was", "one tell the editor, when the editor insists \"bewuthered is not a word\"?", "an author coin a word, rather than use what's already in existence? Note,", "would an author coin a word, rather than use what's already in existence?", "it? And what does one tell the editor, when the editor insists \"bewuthered", "So what prompts an author to coin a new word? How does one", "coined by Tolkien. Other coinages by Tolkien include 'flammifer' and 'eucatastrophe'. Which made", "when would an author coin a word, rather than use what's already in", "The Hobbit: > > Balyo rushed along the passage, very angry, and altogether" ]
[ "to be good? What about a fictional world with no humans, or a", "problems, same with female models, specially in young people and young adults. Many", "are ''too'' muscular are considered ''unrealistic'' and not relatable to normal people therefore", "even in situations were it doesn't make sense, because of the argument that", "chubby characters, even in situations were it doesn't make sense, because of the", "cause self esteem problems, same with female models, specially in young people and", "relate to the fictional/historical characters. Do fictional stories need to have relatable characters", "characters and even chubby characters, even in situations were it doesn't make sense,", "the viewer needs to relate to the fictional/historical characters. Do fictional stories need", "with no humans, or a world where humans are so different from us", "good? What about a fictional world with no humans, or a world where", "about a fictional world with no humans, or a world where humans are", "the fictional/historical characters. Do fictional stories need to have relatable characters in order", "On the modern day many people complain about how models, actors are damaging", "needs to relate to the fictional/historical characters. Do fictional stories need to have", "situations were it doesn't make sense, because of the argument that the viewer", "argument that the viewer needs to relate to the fictional/historical characters. Do fictional", "that the viewer needs to relate to the fictional/historical characters. Do fictional stories", "to relate to the fictional/historical characters. Do fictional stories need to have relatable", "fictional/historical characters. Do fictional stories need to have relatable characters in order to", "order to be good? What about a fictional world with no humans, or", "fictional world with no humans, or a world where humans are so different", "self esteem problems, same with female models, specially in young people and young", "sense, because of the argument that the viewer needs to relate to the", "of the argument that the viewer needs to relate to the fictional/historical characters.", "be good? What about a fictional world with no humans, or a world", "to society because people can't identify with them. Males actors or models which", "they cause self esteem problems, same with female models, specially in young people", "and young adults. Many movies are starting to introduce black and female characters", "or models which are ''too'' muscular are considered ''unrealistic'' and not relatable to", "people and young adults. Many movies are starting to introduce black and female", "doesn't make sense, because of the argument that the viewer needs to relate", "are damaging to society because people can't identify with them. Males actors or", "with female models, specially in young people and young adults. Many movies are", "can't identify with them. Males actors or models which are ''too'' muscular are", "viewer needs to relate to the fictional/historical characters. Do fictional stories need to", "and female characters and even chubby characters, even in situations were it doesn't", "introduce black and female characters and even chubby characters, even in situations were", "starting to introduce black and female characters and even chubby characters, even in", "muscular are considered ''unrealistic'' and not relatable to normal people therefore it is", "with them. Males actors or models which are ''too'' muscular are considered ''unrealistic''", "people can't identify with them. Males actors or models which are ''too'' muscular", "to the fictional/historical characters. Do fictional stories need to have relatable characters in", "black and female characters and even chubby characters, even in situations were it", "many people complain about how models, actors are damaging to society because people", "movies are starting to introduce black and female characters and even chubby characters,", "argued that they cause self esteem problems, same with female models, specially in", "considered ''unrealistic'' and not relatable to normal people therefore it is argued that", "Do fictional stories need to have relatable characters in order to be good?", "complain about how models, actors are damaging to society because people can't identify", "therefore it is argued that they cause self esteem problems, same with female", "even chubby characters, even in situations were it doesn't make sense, because of", "female characters and even chubby characters, even in situations were it doesn't make", "because people can't identify with them. Males actors or models which are ''too''", "models which are ''too'' muscular are considered ''unrealistic'' and not relatable to normal", "modern day many people complain about how models, actors are damaging to society", "in situations were it doesn't make sense, because of the argument that the", "identify with them. Males actors or models which are ''too'' muscular are considered", "to introduce black and female characters and even chubby characters, even in situations", "stories need to have relatable characters in order to be good? What about", "a world where humans are so different from us that they are considered", "actors or models which are ''too'' muscular are considered ''unrealistic'' and not relatable", "that they cause self esteem problems, same with female models, specially in young", "relatable characters in order to be good? What about a fictional world with", "it doesn't make sense, because of the argument that the viewer needs to", "about how models, actors are damaging to society because people can't identify with", "and not relatable to normal people therefore it is argued that they cause", "society because people can't identify with them. Males actors or models which are", "''too'' muscular are considered ''unrealistic'' and not relatable to normal people therefore it", "young adults. Many movies are starting to introduce black and female characters and", "day many people complain about how models, actors are damaging to society because", "because of the argument that the viewer needs to relate to the fictional/historical", "the argument that the viewer needs to relate to the fictional/historical characters. Do", "the modern day many people complain about how models, actors are damaging to", "are considered ''unrealistic'' and not relatable to normal people therefore it is argued", "in order to be good? What about a fictional world with no humans,", "in young people and young adults. Many movies are starting to introduce black", "adults. Many movies are starting to introduce black and female characters and even", "esteem problems, same with female models, specially in young people and young adults.", "models, actors are damaging to society because people can't identify with them. Males", "world with no humans, or a world where humans are so different from", "Males actors or models which are ''too'' muscular are considered ''unrealistic'' and not", "same with female models, specially in young people and young adults. Many movies", "have relatable characters in order to be good? What about a fictional world", "are starting to introduce black and female characters and even chubby characters, even", "and even chubby characters, even in situations were it doesn't make sense, because", "''unrealistic'' and not relatable to normal people therefore it is argued that they", "fictional stories need to have relatable characters in order to be good? What", "it is argued that they cause self esteem problems, same with female models,", "people therefore it is argued that they cause self esteem problems, same with", "models, specially in young people and young adults. Many movies are starting to", "What about a fictional world with no humans, or a world where humans", "humans, or a world where humans are so different from us that they", "world where humans are so different from us that they are considered aliens?", "them. Males actors or models which are ''too'' muscular are considered ''unrealistic'' and", "characters in order to be good? What about a fictional world with no", "make sense, because of the argument that the viewer needs to relate to", "to have relatable characters in order to be good? What about a fictional", "or a world where humans are so different from us that they are", "actors are damaging to society because people can't identify with them. Males actors", "relatable to normal people therefore it is argued that they cause self esteem", "young people and young adults. Many movies are starting to introduce black and", "is argued that they cause self esteem problems, same with female models, specially", "normal people therefore it is argued that they cause self esteem problems, same", "characters, even in situations were it doesn't make sense, because of the argument", "specially in young people and young adults. Many movies are starting to introduce", "a fictional world with no humans, or a world where humans are so", "how models, actors are damaging to society because people can't identify with them.", "were it doesn't make sense, because of the argument that the viewer needs", "characters. Do fictional stories need to have relatable characters in order to be", "no humans, or a world where humans are so different from us that", "to normal people therefore it is argued that they cause self esteem problems,", "which are ''too'' muscular are considered ''unrealistic'' and not relatable to normal people", "people complain about how models, actors are damaging to society because people can't", "not relatable to normal people therefore it is argued that they cause self", "Many movies are starting to introduce black and female characters and even chubby", "need to have relatable characters in order to be good? What about a", "female models, specially in young people and young adults. Many movies are starting", "damaging to society because people can't identify with them. Males actors or models" ]
[ "question is: how far should I go to portray Victorian-era warfare as a", "I want to realistically depict the extent and impact of wartime sexual violence", "backstory is his experience growing up the son of a prostitute in a", "of the army's 12,000 camp followers? I want to avoid using the women", "I want to avoid using the women in the protagonist's life as mere", "to realistically depict the extent and impact of wartime sexual violence and the", "Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I go to portray Victorian-era warfare", "the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is his experience growing", "rape and slaughter, considering that the protagonist will be adopted by those tribesmen", "the main character's backstory is his experience growing up the son of a", "touch on the aftermath of the battle, and the mass murder, rape, and", "Part of the main character's backstory is his experience growing up the son", "the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I go", "rape, and enslavement of the army's 12,000 camp followers? I want to avoid", "I likewise want to avoid using the rape of women to discuss the", "the battle, and the mass murder, rape, and enslavement of the army's 12,000", "murder, rape, and enslavement of the army's 12,000 camp followers? I want to", "a not!British military encampment, and living through what is essentially the in-universe equivalent", "discuss the protagonist's feelings. I also don't want the victorious tribesmen to come", "12,000 camp followers? I want to avoid using the women in the protagonist's", "the in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how", "do nothing but rape and slaughter, considering that the protagonist will be adopted", "living through what is essentially the in-universe equivalent of the [1842 Retreat from", "what is essentially the in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My", "as a gas-lamp fantasy novel set in a realm similar to the [Durrani", "described as a gas-lamp fantasy novel set in a realm similar to the", "also don't want the victorious tribesmen to come across as roving barbarian bands", "of the battle, and the mass murder, rape, and enslavement of the army's", "character's backstory is his experience growing up the son of a prostitute in", "camp followers? I want to avoid using the women in the protagonist's life", "will be adopted by those tribesmen in the aftermath. Nonetheless, I want to", "similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is his", "depict the extent and impact of wartime sexual violence and the cruelties inflicted", "the rape of women to discuss the protagonist's feelings. I also don't want", "up the son of a prostitute in a not!British military encampment, and living", "to discuss the protagonist's feelings. I also don't want the victorious tribesmen to", "battle, and the mass murder, rape, and enslavement of the army's 12,000 camp", "prostitute in a not!British military encampment, and living through what is essentially the", "nothing but rape and slaughter, considering that the protagonist will be adopted by", "and living through what is essentially the in-universe equivalent of the [1842 Retreat", "the mass murder, rape, and enslavement of the army's 12,000 camp followers? I", "avoid using the women in the protagonist's life as mere motivation, and I", "horrific, traumatizing experience? Should I touch on the aftermath of the battle, and", "of women to discuss the protagonist's feelings. I also don't want the victorious", "who do nothing but rape and slaughter, considering that the protagonist will be", "sexual violence and the cruelties inflicted upon prisoners of war in this era.", "gas-lamp fantasy novel set in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part", "the women in the protagonist's life as mere motivation, and I likewise want", "warfare as a horrific, traumatizing experience? Should I touch on the aftermath of", "go to portray Victorian-era warfare as a horrific, traumatizing experience? Should I touch", "what might be described as a gas-lamp fantasy novel set in a realm", "the protagonist's life as mere motivation, and I likewise want to avoid using", "and enslavement of the army's 12,000 camp followers? I want to avoid using", "novel set in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the", "aftermath. Nonetheless, I want to realistically depict the extent and impact of wartime", "set in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main", "enslavement of the army's 12,000 camp followers? I want to avoid using the", "is: how far should I go to portray Victorian-era warfare as a horrific,", "rape of women to discuss the protagonist's feelings. I also don't want the", "in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's", "to portray Victorian-era warfare as a horrific, traumatizing experience? Should I touch on", "slaughter, considering that the protagonist will be adopted by those tribesmen in the", "as a horrific, traumatizing experience? Should I touch on the aftermath of the", "protagonist's life as mere motivation, and I likewise want to avoid using the", "in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far", "portray Victorian-era warfare as a horrific, traumatizing experience? Should I touch on the", "impact of wartime sexual violence and the cruelties inflicted upon prisoners of war", "on the aftermath of the battle, and the mass murder, rape, and enslavement", "might be described as a gas-lamp fantasy novel set in a realm similar", "don't want the victorious tribesmen to come across as roving barbarian bands who", "a horrific, traumatizing experience? Should I touch on the aftermath of the battle,", "in the aftermath. Nonetheless, I want to realistically depict the extent and impact", "essentially the in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is:", "women to discuss the protagonist's feelings. I also don't want the victorious tribesmen", "and slaughter, considering that the protagonist will be adopted by those tribesmen in", "want to realistically depict the extent and impact of wartime sexual violence and", "followers? I want to avoid using the women in the protagonist's life as", "Should I touch on the aftermath of the battle, and the mass murder,", "to come across as roving barbarian bands who do nothing but rape and", "life as mere motivation, and I likewise want to avoid using the rape", "be adopted by those tribesmen in the aftermath. Nonetheless, I want to realistically", "the protagonist's feelings. I also don't want the victorious tribesmen to come across", "encampment, and living through what is essentially the in-universe equivalent of the [1842", "military encampment, and living through what is essentially the in-universe equivalent of the", "is his experience growing up the son of a prostitute in a not!British", "a gas-lamp fantasy novel set in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire).", "equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should", "want to avoid using the rape of women to discuss the protagonist's feelings.", "experience? Should I touch on the aftermath of the battle, and the mass", "as mere motivation, and I likewise want to avoid using the rape of", "realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is", "the victorious tribesmen to come across as roving barbarian bands who do nothing", "from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I go to portray Victorian-era", "how far should I go to portray Victorian-era warfare as a horrific, traumatizing", "is essentially the in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question", "[1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I go to", "that the protagonist will be adopted by those tribesmen in the aftermath. Nonetheless,", "Victorian-era warfare as a horrific, traumatizing experience? Should I touch on the aftermath", "I also don't want the victorious tribesmen to come across as roving barbarian", "but rape and slaughter, considering that the protagonist will be adopted by those", "the son of a prostitute in a not!British military encampment, and living through", "wartime sexual violence and the cruelties inflicted upon prisoners of war in this", "fantasy novel set in a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of", "victorious tribesmen to come across as roving barbarian bands who do nothing but", "traumatizing experience? Should I touch on the aftermath of the battle, and the", "I go to portray Victorian-era warfare as a horrific, traumatizing experience? Should I", "the aftermath of the battle, and the mass murder, rape, and enslavement of", "the extent and impact of wartime sexual violence and the cruelties inflicted upon", "through what is essentially the in-universe equivalent of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul).", "want to avoid using the women in the protagonist's life as mere motivation,", "barbarian bands who do nothing but rape and slaughter, considering that the protagonist", "considering that the protagonist will be adopted by those tribesmen in the aftermath.", "far should I go to portray Victorian-era warfare as a horrific, traumatizing experience?", "feelings. I also don't want the victorious tribesmen to come across as roving", "the army's 12,000 camp followers? I want to avoid using the women in", "should I go to portray Victorian-era warfare as a horrific, traumatizing experience? Should", "those tribesmen in the aftermath. Nonetheless, I want to realistically depict the extent", "avoid using the rape of women to discuss the protagonist's feelings. I also", "and the mass murder, rape, and enslavement of the army's 12,000 camp followers?", "Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I go to portray", "motivation, and I likewise want to avoid using the rape of women to", "using the rape of women to discuss the protagonist's feelings. I also don't", "tribesmen to come across as roving barbarian bands who do nothing but rape", "mass murder, rape, and enslavement of the army's 12,000 camp followers? I want", "a realm similar to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory", "aftermath of the battle, and the mass murder, rape, and enslavement of the", "using the women in the protagonist's life as mere motivation, and I likewise", "a prostitute in a not!British military encampment, and living through what is essentially", "by those tribesmen in the aftermath. Nonetheless, I want to realistically depict the", "come across as roving barbarian bands who do nothing but rape and slaughter,", "bands who do nothing but rape and slaughter, considering that the protagonist will", "want the victorious tribesmen to come across as roving barbarian bands who do", "Nonetheless, I want to realistically depict the extent and impact of wartime sexual", "of a prostitute in a not!British military encampment, and living through what is", "across as roving barbarian bands who do nothing but rape and slaughter, considering", "main character's backstory is his experience growing up the son of a prostitute", "protagonist's feelings. I also don't want the victorious tribesmen to come across as", "adopted by those tribesmen in the aftermath. Nonetheless, I want to realistically depict", "in a not!British military encampment, and living through what is essentially the in-universe", "to the [Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is his experience", "mere motivation, and I likewise want to avoid using the rape of women", "to avoid using the rape of women to discuss the protagonist's feelings. I", "realistically depict the extent and impact of wartime sexual violence and the cruelties", "My question is: how far should I go to portray Victorian-era warfare as", "I touch on the aftermath of the battle, and the mass murder, rape,", "son of a prostitute in a not!British military encampment, and living through what", "be described as a gas-lamp fantasy novel set in a realm similar to", "I'm writing what might be described as a gas-lamp fantasy novel set in", "protagonist will be adopted by those tribesmen in the aftermath. Nonetheless, I want", "army's 12,000 camp followers? I want to avoid using the women in the", "[Durrani Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is his experience growing up", "extent and impact of wartime sexual violence and the cruelties inflicted upon prisoners", "and impact of wartime sexual violence and the cruelties inflicted upon prisoners of", "tribesmen in the aftermath. Nonetheless, I want to realistically depict the extent and", "as roving barbarian bands who do nothing but rape and slaughter, considering that", "experience growing up the son of a prostitute in a not!British military encampment,", "women in the protagonist's life as mere motivation, and I likewise want to", "the aftermath. Nonetheless, I want to realistically depict the extent and impact of", "roving barbarian bands who do nothing but rape and slaughter, considering that the", "his experience growing up the son of a prostitute in a not!British military", "growing up the son of a prostitute in a not!British military encampment, and", "the protagonist will be adopted by those tribesmen in the aftermath. Nonetheless, I", "of the main character's backstory is his experience growing up the son of", "writing what might be described as a gas-lamp fantasy novel set in a", "likewise want to avoid using the rape of women to discuss the protagonist's", "not!British military encampment, and living through what is essentially the in-universe equivalent of", "and I likewise want to avoid using the rape of women to discuss", "of wartime sexual violence and the cruelties inflicted upon prisoners of war in", "to avoid using the women in the protagonist's life as mere motivation, and", "Empire](https://en.wikipedia.org/wiki/Durrani_Empire). Part of the main character's backstory is his experience growing up the", "of the [1842 Retreat from Kabul](https://en.wikipedia.org/wiki/1842_retreat_from_Kabul). My question is: how far should I", "in the protagonist's life as mere motivation, and I likewise want to avoid" ]
[ "regardless of whether it's appropriate. There is a plot point around this (and", "I have some idea of what this is like, but I'm starting to", "engineer with an interest in IT security. * Both of us tend to", "of the characters in my current piece is autistic. I'm on the spectrum", "to think that I might be basing her a bit too much on", "around this (and the accompanying inability to know when to shut up), but", "I'm starting to think that I might be basing her a bit too", "myself. Here's the main reasons I think this: * Her role in the", "of what this is like, but I'm starting to think that I might", "interest in IT security. * Both of us tend to think out loud,", "changing her expression. I snark a lot. It strikes me that making her", "is like, but I'm starting to think that I might be basing her", "story is the radio operator, cryptographer and locksmith (basically, the resident hacker/electronics specialist).", "initially drafting scenes that involve her, she always ends up making sarcastic comments", "I find amusing (and sometimes reference in test code). * General obliviousness towards", "to know when to shut up), but some of her non-sequiturs are shout", "with an interest in IT security. * Both of us tend to think", "appropriate. There is a plot point around this (and the accompanying inability to", "outs/references to various sources I find amusing (and sometimes reference in test code).", "some idea of what this is like, but I'm starting to think that", "characters in my current piece is autistic. I'm on the spectrum myself, so", "think this: * Her role in the story is the radio operator, cryptographer", "this: * Her role in the story is the radio operator, cryptographer and", "out loud, regardless of whether it's appropriate. There is a plot point around", "* Her role in the story is the radio operator, cryptographer and locksmith", "piece is autistic. I'm on the spectrum myself, so I have some idea", "There is a plot point around this (and the accompanying inability to know", "on myself. Here's the main reasons I think this: * Her role in", "is the radio operator, cryptographer and locksmith (basically, the resident hacker/electronics specialist). I'm", "know when to shut up), but some of her non-sequiturs are shout outs/references", "my current piece is autistic. I'm on the spectrum myself, so I have", "locksmith (basically, the resident hacker/electronics specialist). I'm a software engineer with an interest", "a lot. It strikes me that making her a gender-swapped copy of myself", "her, she always ends up making sarcastic comments without changing her expression. I", "that involve her, she always ends up making sarcastic comments without changing her", "so I have some idea of what this is like, but I'm starting", "basing her a bit too much on myself. Here's the main reasons I", "always ends up making sarcastic comments without changing her expression. I snark a", "One of the characters in my current piece is autistic. I'm on the", "a bit too much on myself. Here's the main reasons I think this:", "me that making her a gender-swapped copy of myself is unimaginative. How can", "think that I might be basing her a bit too much on myself.", "up making sarcastic comments without changing her expression. I snark a lot. It", "obliviousness towards appearance - anyone's appearance. * When initially drafting scenes that involve", "* General obliviousness towards appearance - anyone's appearance. * When initially drafting scenes", "- anyone's appearance. * When initially drafting scenes that involve her, she always", "loud, regardless of whether it's appropriate. There is a plot point around this", "but I'm starting to think that I might be basing her a bit", "that making her a gender-swapped copy of myself is unimaginative. How can I", "appearance - anyone's appearance. * When initially drafting scenes that involve her, she", "much on myself. Here's the main reasons I think this: * Her role", "security. * Both of us tend to think out loud, regardless of whether", "test code). * General obliviousness towards appearance - anyone's appearance. * When initially", "inability to know when to shut up), but some of her non-sequiturs are", "idea of what this is like, but I'm starting to think that I", "the story is the radio operator, cryptographer and locksmith (basically, the resident hacker/electronics", "is autistic. I'm on the spectrum myself, so I have some idea of", "making sarcastic comments without changing her expression. I snark a lot. It strikes", "have some idea of what this is like, but I'm starting to think", "that I might be basing her a bit too much on myself. Here's", "an interest in IT security. * Both of us tend to think out", "(basically, the resident hacker/electronics specialist). I'm a software engineer with an interest in", "myself, so I have some idea of what this is like, but I'm", "think out loud, regardless of whether it's appropriate. There is a plot point", "snark a lot. It strikes me that making her a gender-swapped copy of", "current piece is autistic. I'm on the spectrum myself, so I have some", "scenes that involve her, she always ends up making sarcastic comments without changing", "cryptographer and locksmith (basically, the resident hacker/electronics specialist). I'm a software engineer with", "Here's the main reasons I think this: * Her role in the story", "expression. I snark a lot. It strikes me that making her a gender-swapped", "in my current piece is autistic. I'm on the spectrum myself, so I", "find amusing (and sometimes reference in test code). * General obliviousness towards appearance", "might be basing her a bit too much on myself. Here's the main", "hacker/electronics specialist). I'm a software engineer with an interest in IT security. ", "I'm a software engineer with an interest in IT security. Both of", "I think this: * Her role in the story is the radio operator,", "when to shut up), but some of her non-sequiturs are shout outs/references to", "* When initially drafting scenes that involve her, she always ends up making", "(and sometimes reference in test code). * General obliviousness towards appearance - anyone's", "sometimes reference in test code). * General obliviousness towards appearance - anyone's appearance.", "ends up making sarcastic comments without changing her expression. I snark a lot.", "involve her, she always ends up making sarcastic comments without changing her expression.", "making her a gender-swapped copy of myself is unimaginative. How can I avoid", "appearance. * When initially drafting scenes that involve her, she always ends up", "is a plot point around this (and the accompanying inability to know when", "her non-sequiturs are shout outs/references to various sources I find amusing (and sometimes", "various sources I find amusing (and sometimes reference in test code). * General", "her a gender-swapped copy of myself is unimaginative. How can I avoid this?", "non-sequiturs are shout outs/references to various sources I find amusing (and sometimes reference", "plot point around this (and the accompanying inability to know when to shut", "I snark a lot. It strikes me that making her a gender-swapped copy", "the main reasons I think this: * Her role in the story is", "Both of us tend to think out loud, regardless of whether it's appropriate.", "It strikes me that making her a gender-swapped copy of myself is unimaginative.", "I might be basing her a bit too much on myself. Here's the", "her expression. I snark a lot. It strikes me that making her a", "radio operator, cryptographer and locksmith (basically, the resident hacker/electronics specialist). I'm a software", "the resident hacker/electronics specialist). I'm a software engineer with an interest in IT", "some of her non-sequiturs are shout outs/references to various sources I find amusing", "to shut up), but some of her non-sequiturs are shout outs/references to various", "in IT security. * Both of us tend to think out loud, regardless", "comments without changing her expression. I snark a lot. It strikes me that", "her a bit too much on myself. Here's the main reasons I think", "reference in test code). * General obliviousness towards appearance - anyone's appearance. ", "it's appropriate. There is* a plot point around this (and the accompanying inability", "specialist). I'm a software engineer with an interest in IT security. * Both", "drafting scenes that involve her, she always ends up making sarcastic comments without", "sarcastic comments without changing her expression. I snark a lot. It strikes me", "bit too much on myself. Here's the main reasons I think this: ", "spectrum myself, so I have some* idea of what this is like, but", "this is like, but I'm starting to think that I might be basing", "are shout outs/references to various sources I find amusing (and sometimes reference in", "up), but some of her non-sequiturs are shout outs/references to various sources I", "code). * General obliviousness towards appearance - anyone's appearance. * When initially drafting", "us tend to think out loud, regardless of whether it's appropriate. There is", "of whether it's appropriate. There is a plot point around this (and the", "the radio operator, cryptographer and locksmith (basically, the resident hacker/electronics specialist). I'm a", "to think out loud, regardless of whether it's appropriate. There is a plot", "and locksmith (basically, the resident hacker/electronics specialist). I'm a software engineer with an", "starting to think that I might be basing her a bit too much", "a software engineer with an interest in IT security. * Both of us", "operator, cryptographer and locksmith (basically, the resident hacker/electronics specialist). I'm a software engineer", "of us tend to think out loud, regardless of whether it's appropriate. There", "without changing her expression. I snark a lot. It strikes me that making", "the spectrum myself, so I have some idea of what this is like,", "of her non-sequiturs are shout outs/references to various sources I find amusing (and", "tend to think out loud, regardless of whether it's appropriate. There is a", "what this is like, but I'm starting to think that I might be", "When initially drafting scenes that involve her, she always ends up making sarcastic", "on the spectrum myself, so I have some idea of what this is", "she always ends up making sarcastic comments without changing her expression. I snark", "autistic. I'm on the spectrum myself, so I have some idea of what", "the accompanying inability to know when to shut up), but some of her", "the characters in my current piece is autistic. I'm on the spectrum myself,", "amusing (and sometimes reference in test code). * General obliviousness towards appearance -", "General obliviousness towards appearance - anyone's appearance. * When initially drafting scenes that", "accompanying inability to know when to shut up), but some of her non-sequiturs", "lot. It strikes me that making her a gender-swapped copy of myself is", "role in the story is the radio operator, cryptographer and locksmith (basically, the", "this (and the accompanying inability to know when to shut up), but some", "IT security. * Both of us tend to think out loud, regardless of", "resident hacker/electronics specialist). I'm a software engineer with an interest in IT security.", "a plot point around this (and the accompanying inability to know when to", "(and the accompanying inability to know when to shut up), but some of", "like, but I'm starting to think that I might be basing her a", "shout outs/references to various sources I find amusing (and sometimes reference in test", "anyone's appearance. * When initially drafting scenes that involve her, she always ends", "* Both of us tend to think out loud, regardless of whether it's", "sources I find amusing (and sometimes reference in test code). * General obliviousness", "strikes me that making her a gender-swapped copy of myself is unimaginative. How", "shut up), but some of her non-sequiturs are shout outs/references to various sources", "but some of her non-sequiturs are shout outs/references to various sources I find", "software engineer with an interest in IT security. * Both of us tend", "in the story is the radio operator, cryptographer and locksmith (basically, the resident", "in test code). * General obliviousness towards appearance - anyone's appearance. * When", "towards appearance - anyone's appearance. * When initially drafting scenes that involve her,", "to various sources I find amusing (and sometimes reference in test code). ", "point around this (and the accompanying inability to know when to shut up),", "too much on myself. Here's the main reasons I think this: Her", "I'm on the spectrum myself, so I have some idea of what this", "whether it's appropriate. There is a plot point around this (and the accompanying", "Her role in the story is the radio operator, cryptographer and locksmith (basically,", "main reasons I think this: * Her role in the story is the", "be basing her a bit too much on myself. Here's the main reasons", "reasons I think this: * Her role in the story is the radio" ]
[ "Finishing (bestbookprinting.com), which I think does POD as well, not just offset printing.", "would cost a lot more to go with a 6x9 book. Is there", "- the closest thing I could come to mine for comparison - are", "size.) I want to do the right thing, but keep costs down since", "follow: I've written a book to guide meat eaters on how to accommodate", "possibly Advanced Print & Finishing (bestbookprinting.com), which I think does POD as well,", "the correct margins to input into Word (2007)for the 5x8 and 6x9. And", "have been accurate, anyway. I can tell you that I typed it in", "that size.) I want to do the right thing, but keep costs down", "the default setting - it wouldn't have been accurate, anyway. I can tell", "come to mine for comparison - are that size.) I want to do", "pages and/or the number of copies printed determine the cost just as much", "out the correct margins to input into Word (2007)for the 5x8 and 6x9.", "there won't be any photos or illustrations. I've been told by a number", "to guide meat eaters on how to accommodate their vegetarian guests, or a", "100 pages. When I looked at some book calculator online, I noticed that", "about my specific situation or understanding why I'm so confused be necessary to", "5x8 and 6x9. And because I didn't format the page layout with proper", "been told by a number of designers that a 6x9 makes more sense", "copies also contributes to cost: 1-50 copies is X dollars, 51-200 is x", "I'm tapping into a new market, in a sense, so I'm not sure", "I'm so confused be necessary to provide an answer, details follow: I've written", "double-spaced, and that it's 100 pages. When I looked at some book calculator", "but you get the idea). But here's the thing. A printer I know", "nature of the book - it being a guide. (I'm also not sure", "the right thing, but keep costs down since it's a self-published book, my", "do POD, not just offset printing. 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A printer I know told me that you fit 4 pages", "difference if I use KDP over Advanced Print & Finishing (bestbookprinting.com), for example?", "POD as well, not just offset printing. This is the first time I'm", "due to the nature of the book - it being a guide. (I'm", "of the respected top designers in the industry, he said I could probably", "into a new market, in a sense, so I'm not sure how well", "I could probably get away with a 5x8. I assume that was due", "confused be necessary to provide an answer, details follow: I've written a book", "told by a number of designers that a 6x9 makes more sense because", "health books I've come across - the closest thing I could come to", "Should information about my specific situation or understanding why I'm so confused be", "provide an answer, details follow: I've written a book to guide meat eaters", "first time I'm self-publishing, and I've been feeling a bit overwhelmed, so forgive", "or 12 (standard) formatted recipes. 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When I asked one", "and/or the number of copies printed determine the cost just as much as", "and I've been feeling a bit overwhelmed, so forgive me if I'm asking", "sure how well it will do. I understand that the number of pages", "using KDP or possibly Advanced Print & Finishing (bestbookprinting.com), which I think does", "across - the closest thing I could come to mine for comparison -", "the book will be in B&W, and there won't be any photos or", "formatted recipes. The rest appear within the text narrative. This means categorically it's", "(bestbookprinting.com), for example? I believe they do POD, not just offset printing. Can", "do with cost. I don't have a page count. I couldn't find out", "being a guide. (I'm also not sure if it would seem out-of-place on", "get away with a 5x8. I assume that was due to the nature", "a big difference if I use KDP over Advanced Print & Finishing (bestbookprinting.com),", "understanding why I'm so confused be necessary to provide an answer, details follow:", "to do with cost. I don't have a page count. I couldn't find", "setting - it wouldn't have been accurate, anyway. I can tell you that", "copies printed determine the cost just as much as trim size? I was", "and that it's 100 pages. When I looked at some book calculator online,", "etc. - I used the default setting - it wouldn't have been accurate,", "layout with proper margins, etc. - I used the default setting - it", "to only 2 pages on a 6x9 sheet. This would mean that it", "guide than a cookbook. The interior of the book will be in B&W,", "just offset printing. This is the first time I'm self-publishing, and I've been", "mean that it would cost a lot more to go with a 6x9", "so I'm not sure how well it will do. 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And because I didn't format the page layout with proper margins,", "so forgive me if I'm asking the obvious. Should information about my specific", "(I'm also not sure if it would seem out-of-place on a shelf if", "the number of copies printed determine the cost just as much as trim", "6x9 book. Is there a big difference if I use KDP over Advanced", "illustrations. I've been told by a number of designers that a 6x9 makes", "designers in the industry, he said I could probably get away with a", "be any photos or illustrations. I've been told by a number of designers", "cost just as much as trim size? I was thinking of using KDP", "become vegetarian. It has about 10 or 12 (standard) formatted recipes. The rest", "the text narrative. This means categorically it's more a guide than a cookbook.", "have a page count. 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Can I get a ballpark guesstimate just by the", "feeling a bit overwhelmed, so forgive me if I'm asking the obvious. Should", "not just offset printing. This is the first time I'm self-publishing, and I've", "size? I was thinking of using KDP or possibly Advanced Print & Finishing", "I were to go with the 5x8. Only 2 or 3 health books", "industry, he said I could probably get away with a 5x8. I assume", "think does POD as well, not just offset printing. This is the first", "by a number of designers that a 6x9 makes more sense because it's", "here's the thing. A printer I know told me that you fit 4", "vegetarian. It has about 10 or 12 (standard) formatted recipes. The rest appear", "thing I could come to mine for comparison - are that size.) I", "(standard) formatted recipes. The rest appear within the text narrative. This means categorically", "the number of copies also contributes to cost: 1-50 copies is X dollars,", "accurate, anyway. I can tell you that I typed it in 12-point Times", "comparison - are that size.) I want to do the right thing, but", "specific situation or understanding why I'm so confused be necessary to provide an", "big difference if I use KDP over Advanced Print & Finishing (bestbookprinting.com), for", "a new market, in a sense, so I'm not sure how well it", "bit overwhelmed, so forgive me if I'm asking the obvious. Should information about", "could probably get away with a 5x8. I assume that was due to", "the cost just as much as trim size? I was thinking of using", "It has about 10 or 12 (standard) formatted recipes. The rest appear within", "default setting - it wouldn't have been accurate, anyway. I can tell you", "I used the default setting - it wouldn't have been accurate, anyway. I", "Word (2007)for the 5x8 and 6x9. And because I didn't format the page", "I know told me that you fit 4 pages on a 5x8 sheet,", "to mine for comparison - are that size.) I want to do the", "the 5x8. 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Only", "proper margins, etc. - I used the default setting - it wouldn't have", "book, my first, and I'm tapping into a new market, in a sense,", "since it's a self-published book, my first, and I'm tapping into a new", "you that I typed it in 12-point Times New Roman, double-spaced, and that", "calculator online, I noticed that the number of copies also contributes to cost:", "that was due to the nature of the book - it being a", "- it wouldn't have been accurate, anyway. I can tell you that I", "accommodate their vegetarian guests, or a family member who has suddenly decided to", "a number of designers that a 6x9 makes more sense because it's non-fiction", "do. I understand that the number of pages has something to do with", "Finishing (bestbookprinting.com), for example? I believe they do POD, not just offset printing.", "51-200 is x dollars.....(not necessarily exact, but you get the idea). But here's", "the 5x8 and 6x9. And because I didn't format the page layout with", "I'm not sure how well it will do. I understand that the number", "than a cookbook. The interior of the book will be in B&W, and", "it would seem out-of-place on a shelf if I were to go with", "he said I could probably get away with a 5x8. I assume that", "overwhelmed, so forgive me if I'm asking the obvious. Should information about my", "eaters on how to accommodate their vegetarian guests, or a family member who", "printed determine the cost just as much as trim size? I was thinking", "I've been told by a number of designers that a 6x9 makes more", "This is the first time I'm self-publishing, and I've been feeling a bit", "a self-published book, my first, and I'm tapping into a new market, in", "an answer, details follow: I've written a book to guide meat eaters on", "a book to guide meat eaters on how to accommodate their vegetarian guests,", "one of the respected top designers in the industry, he said I could", "thinking of using KDP or possibly Advanced Print & Finishing (bestbookprinting.com), which I", "printer I know told me that you fit 4 pages on a 5x8", "meat eaters on how to accommodate their vegetarian guests, or a family member", "5x8. I assume that was due to the nature of the book -", "only 2 pages on a 6x9 sheet. This would mean that it would", "of using KDP or possibly Advanced Print & Finishing (bestbookprinting.com), which I think", "or illustrations. I've been told by a number of designers that a 6x9", "couldn't find out the correct margins to input into Word (2007)for the 5x8", "the amount of pages and/or the number of copies printed determine the cost", "rest appear within the text narrative. This means categorically it's more a guide", "that the number of pages has something to do with cost. I don't", "decided to become vegetarian. It has about 10 or 12 (standard) formatted recipes.", "KDP over Advanced Print & Finishing (bestbookprinting.com), for example? I believe they do", "are that size.) I want to do the right thing, but keep costs", "I'm asking the obvious. Should information about my specific situation or understanding why", "for comparison - are that size.) I want to do the right thing,", "typed it in 12-point Times New Roman, double-spaced, and that it's 100 pages.", "because I didn't format the page layout with proper margins, etc. - I", "12 (standard) formatted recipes. The rest appear within the text narrative. This means", "were to go with the 5x8. Only 2 or 3 health books I've", "book to guide meat eaters on how to accommodate their vegetarian guests, or", "categorically it's more a guide than a cookbook. The interior of the book", "you fit 4 pages on a 5x8 sheet, as opposed to only 2", "a 5x8 sheet, as opposed to only 2 pages on a 6x9 sheet.", "pages. When I looked at some book calculator online, I noticed that the", "Does the amount of pages and/or the number of copies printed determine the", "how to accommodate their vegetarian guests, or a family member who has suddenly", "or a family member who has suddenly decided to become vegetarian. It has", "first, and I'm tapping into a new market, in a sense, so I'm", "asked one of the respected top designers in the industry, he said I", "B&W, and there won't be any photos or illustrations. I've been told by", "so confused be necessary to provide an answer, details follow: I've written a", "situation or understanding why I'm so confused be necessary to provide an answer,", "because it's non-fiction and has recipes. When I asked one of the respected", "a shelf if I were to go with the 5x8. Only 2 or", "over Advanced Print & Finishing (bestbookprinting.com), for example? I believe they do POD,", "will be in B&W, and there won't be any photos or illustrations. I've", "but keep costs down since it's a self-published book, my first, and I'm", "x dollars.....(not necessarily exact, but you get the idea). But here's the thing.", "come across - the closest thing I could come to mine for comparison", "and I'm tapping into a new market, in a sense, so I'm not", "as trim size? I was thinking of using KDP or possibly Advanced Print", "is x dollars.....(not necessarily exact, but you get the idea). But here's the", "go with the 5x8. Only 2 or 3 health books I've come across", "thing, but keep costs down since it's a self-published book, my first, and", "used the default setting - it wouldn't have been accurate, anyway. I can", "has something to do with cost. I don't have a page count. I", "anyway. I can tell you that I typed it in 12-point Times New", "pages on a 6x9 sheet. This would mean that it would cost a", "X dollars, 51-200 is x dollars.....(not necessarily exact, but you get the idea).", "and has recipes. When I asked one of the respected top designers in", "- are that size.) I want to do the right thing, but keep", "can tell you that I typed it in 12-point Times New Roman, double-spaced,", "book will be in B&W, and there won't be any photos or illustrations." ]
[ "20.Char 2, monologue 5 21.Char 2, monologue 6 22.Char 1, monologue 6 23.Char", "monologue has length of 4-5 pages * There are multiple stories happening simultaneously", "I was trying a 3rd person approach but when I red the history,", "as POV... *I want the reader to feel close to a specific character's", "9.Char 5, monologue 1 10.Char 6, monologue 1 11.Char 1, monologue 4 12.Char", "event to finish the story... I have a complete story but told", "for reader... * I have different number of monologues for each character (20-30)", "I have the story is: ``` 1.Char 1, monologue 1 2.Char 1, monologue", "``` Why this order? Each character tells their POV, and when sorting it", "7 etc... ``` Why this order? Each character tells their POV, and when", "other main characters * *Later on, all characters will be involved in a", "monologue 5 19.Char 2, monologue 4 20.Char 2, monologue 5 21.Char 2, monologue", "a huge event to finish the story... I have a complete story", "know if it will be convenient to tie each monologue with a short", "* Sometimes in a monologue a character is the narrator of the actions", "character tells their POV, and when sorting it in a cronological order, this", "on, all characters will be involved in a main event, all of them", "have `several monologues of 6 characters`. Each monologue starts with a little `reflection`,", "I have a complete story but told from characters POV*, when mixing all", "1 11.Char 1, monologue 4 12.Char 2, monologue 3 13.Char 4, monologue 2", "stage in history Sometimes in a monologue a character is the narrator", "a cronological order, this is the result I do not know if it", "have a complete story but told from characters POV, when mixing all monologues", "history * Sometimes in a monologue a character is the narrator of the", "result I do not know if it will be convenient to tie each", "by telling the history as POV... I want the reader to feel close", "given by telling the history as POV... I want the reader to feel", "11.Char 1, monologue 4 12.Char 2, monologue 3 13.Char 4, monologue 2 14.Char", "each other at some stage in history * Sometimes in a monologue a", "2 3.Char 2, monologue 1 4.Char 2, monologue 2 5.Char 1, monologue 3", "part of a huge event to finish the story... * I have a", "10.Char 6, monologue 1 11.Char 1, monologue 4 12.Char 2, monologue 3 13.Char", "POV nice to readers? I was trying a 3rd person approach but when", "is: ``` 1.Char 1, monologue 1 2.Char 1, monologue 2 3.Char 2, monologue", "3rd person approach** but when I red the history, I felt a lack", "5, monologue 1 10.Char 6, monologue 1 11.Char 1, monologue 4 12.Char 2,", "it. The way I have the story is: ``` 1.Char 1, monologue 1", "or an `event` the character had to deal with, and finally, `concludes` with", "with something maybe useful for reader... * I have different number of monologues", "this is the result I do not know if it will be convenient", "* Later on, all characters will be involved in a main event, all", "3 13.Char 4, monologue 2 14.Char 4, monologue 3 15.Char 5, monologue 2", "the narrator of the actions of other main characters * Later on, all", "person approach but when I red the history, I felt a lack of", "story exposes, but I want to know the best aproach to develop it.", "tie each monologue with a short Narrators stuff, something that completes history or", "monologue 1 4.Char 2, monologue 2 5.Char 1, monologue 3 6.Char 3, monologue", "2 5.Char 1, monologue 3 6.Char 3, monologue 1 7.Char 3, monologue 2", "readers? I was trying a 3rd person approach but when I red the", "tells an `experience` or an `event` the character had to deal with, and", "if it will be convenient to tie each monologue with a short Narrators", "stories happening simultaneously and some characters know each other at some stage in", "I have different number of monologues for each character (20-30) * Each monologue", "monologue 1 7.Char 3, monologue 2 8.Char 4, monologue 1 9.Char 5, monologue", "monologues for each character (20-30) * Each monologue has length of 4-5 pages", "1, monologue 1 2.Char 1, monologue 2 3.Char 2, monologue 1 4.Char 2,", "a lack of impact that is given by telling the history as POV...", "that characters didn't do... Could you please suggest a way to make this", "of a huge event to finish the story... * I have a complete", "way I have the story is: ``` 1.Char 1, monologue 1 2.Char 1,", "monologue 2 18.Char 1, monologue 5 19.Char 2, monologue 4 20.Char 2, monologue", "will be part of a huge event to finish the story... * I", "monologue 5 21.Char 2, monologue 6 22.Char 1, monologue 6 23.Char 1, monologue", "in a main event, all of them will be part of a huge", "history as POV... I want the reader to feel close to a specific", "3, monologue 3 17.Char 6, monologue 2 18.Char 1, monologue 5 19.Char 2,", "the history as POV... *I want the reader to feel close to a", "aproach to develop it. The way I have the story is: ``` 1.Char", "at some stage in history Sometimes in a monologue a character is", "monologues a story exposes, but I want to know the best aproach to", "nice to readers? I was trying a 3rd person approach but when I", "*I want the reader to feel close to a specific character's point of", "actions of other main characters Later on, all characters will be involved", "please suggest a way to make this kind of history formed by 6", "told from characters POV, when mixing all monologues a story exposes, but I", "to readers? I was trying a 3rd person approach but when I red", "cronological order, this is the result I do not know if it will", "involved in a main event, all of them will be part of a", "4 12.Char 2, monologue 3 13.Char 4, monologue 2 14.Char 4, monologue 3", "5 21.Char 2, monologue 6 22.Char 1, monologue 6 23.Char 1, monologue 7", "then tells an `experience` or an `event` the character had to deal with,", "2, monologue 5 21.Char 2, monologue 6 22.Char 1, monologue 6 23.Char 1,", "3.Char 2, monologue 1 4.Char 2, monologue 2 5.Char 1, monologue 3 6.Char", "telling the history as POV... I want the reader to feel close to", "when I red the history, I felt a lack of impact that is", "to develop it. The way I have the story is: ``` 1.Char 1,", "starts with a little `reflection`, then tells an `experience` or an `event` the", "and finally, `concludes` with something maybe useful for reader... * I have different", "with a short Narrators stuff, something that completes history or tells us something", "6 characters POV nice to readers? I was trying a 3rd person approach", "monologue 3 15.Char 5, monologue 2 16.Char 3, monologue 3 17.Char 6, monologue", "some characters know each other at some stage in history * Sometimes in", "8.Char 4, monologue 1 9.Char 5, monologue 1 10.Char 6, monologue 1 11.Char", "monologue 4 12.Char 2, monologue 3 13.Char 4, monologue 2 14.Char 4, monologue", "character had to deal with, and finally, `concludes` with something maybe useful for", "`concludes` with something maybe useful for reader... * I have different number of", "main characters * Later on, all characters will be involved in a main", "to tie each monologue with a short Narrators stuff, something that completes history", "characters POV*, when mixing all monologues a story exposes, but I want to", "1 9.Char 5, monologue 1 10.Char 6, monologue 1 11.Char 1, monologue 4", "17.Char 6, monologue 2 18.Char 1, monologue 5 19.Char 2, monologue 4 20.Char", "2 14.Char 4, monologue 3 15.Char 5, monologue 2 16.Char 3, monologue 3", "3 15.Char 5, monologue 2 16.Char 3, monologue 3 17.Char 6, monologue 2", "be part of a huge event to finish the story... I have", "monologue 2 3.Char 2, monologue 1 4.Char 2, monologue 2 5.Char 1, monologue", "be involved in a main event*, all of them will be part of", "the character had to deal with, and finally, `concludes` with something maybe useful", "something that completes history or tells us something that characters didn't do... Could", "with a little `reflection`, then tells an `experience` or an `event` the character", "you please suggest a way to make this kind of history formed by", "1, monologue 6 23.Char 1, monologue 7 etc... ``` Why this order? Each", "The way I have the story is: ``` 1.Char 1, monologue 1 2.Char", "pages There are multiple stories happening simultaneously and some characters know each", "POV, when mixing all monologues a story exposes, but I want to know", "but I want to know the best aproach to develop it. The way", "monologue starts with a little `reflection`, then tells an `experience` or an `event`", "15.Char 5, monologue 2 16.Char 3, monologue 3 17.Char 6, monologue 2 18.Char", "history or tells us something that characters didn't do... Could you please suggest", "16.Char 3, monologue 3 17.Char 6, monologue 2 18.Char 1, monologue 5 19.Char", "was trying a 3rd person approach but when I red the history, I", "finish the story... * I have a complete story but told from characters", "Narrators stuff, something that completes history or tells us something that characters didn't", "mixing all monologues a story exposes, but I want to know the best", "1, monologue 4 12.Char 2, monologue 3 13.Char 4, monologue 2 14.Char 4,", "all of them will be part of a huge event to finish the", "I have `several monologues of 6 characters`. Each monologue starts with a little", "1, monologue 2 3.Char 2, monologue 1 4.Char 2, monologue 2 5.Char 1,", "`reflection`, then tells an `experience` or an `event` the character had to deal", "monologue a character is the narrator of the actions of other main characters", "of other main characters * *Later on, all characters will be involved in", "history, I felt a lack of impact that is given by telling the", "18.Char 1, monologue 5 19.Char 2, monologue 4 20.Char 2, monologue 5 21.Char", "monologue 2 5.Char 1, monologue 3 6.Char 3, monologue 1 7.Char 3, monologue", "the story... I have a complete story but told from characters POV,", "order, this is the result I do not know if it will be", "monologue 2 8.Char 4, monologue 1 9.Char 5, monologue 1 10.Char 6, monologue", "6 characters`*. Each monologue starts with a little `reflection`, then tells an `experience`", "multiple stories happening simultaneously and some characters know each other at some stage", "monologue 3 17.Char 6, monologue 2 18.Char 1, monologue 5 19.Char 2, monologue", "an `experience` or an `event` the character had to deal with, and finally,", "of monologues for each character (20-30) Each monologue has length of 4-5", "2, monologue 3 13.Char 4, monologue 2 14.Char 4, monologue 3 15.Char 5,", "3 6.Char 3, monologue 1 7.Char 3, monologue 2 8.Char 4, monologue 1", "when sorting it in a cronological order, this is the result I do", "I felt a lack of impact that is given by telling the history", "felt a lack of impact that is given by telling the history as", "trying a 3rd person approach but when I red the history, I felt", "have different number of monologues for each character (20-30) * Each monologue has", "2, monologue 1 4.Char 2, monologue 2 5.Char 1, monologue 3 6.Char 3,", "deal with, and finally, `concludes` with something maybe useful for reader... * I", "* I have a complete story but told from characters POV, when mixing", "all characters will be involved in a main event, all of them will", "little `reflection`, then tells an `experience` or an `event` the character had to", "2 16.Char 3, monologue 3 17.Char 6, monologue 2 18.Char 1, monologue 5", "approach but when I red the history, I felt a lack of impact", "* Each monologue has length of 4-5 pages * There are multiple stories", "know each other at some stage in history * Sometimes in a monologue", "1.Char 1, monologue 1 2.Char 1, monologue 2 3.Char 2, monologue 1 4.Char", "a way to make this kind of history formed by 6 characters POV", "monologue 6 23.Char 1, monologue 7 etc... ``` Why this order? Each character", "number of monologues for each character (20-30) * Each monologue has length of", "4, monologue 1 9.Char 5, monologue 1 10.Char 6, monologue 1 11.Char 1,", "2, monologue 4 20.Char 2, monologue 5 21.Char 2, monologue 6 22.Char 1,", "know the best aproach to develop it. The way I have the story", "3, monologue 2 8.Char 4, monologue 1 9.Char 5, monologue 1 10.Char 6,", "7.Char 3, monologue 2 8.Char 4, monologue 1 9.Char 5, monologue 1 10.Char", "do not know if it will be convenient to tie each monologue with", "of 6 characters`. Each monologue starts with a little `reflection`, then tells an", "Later on, all characters will be involved in a main event*, all of", "I want to know the best aproach to develop it. The way I", "them will be part of a huge event to finish the story... ", "monologue 1 11.Char 1, monologue 4 12.Char 2, monologue 3 13.Char 4, monologue", "convenient to tie each monologue with a short Narrators stuff, something that completes", "do... Could you please suggest a way to make this kind of history", "Each monologue starts with a little `reflection`, then tells an `experience` or an", "short Narrators stuff, something that completes history or tells us something that characters", "and when sorting it in a cronological order, this is the result I", "but told from characters POV, when mixing all monologues a story exposes, but", "monologues of 6 characters`*. Each monologue starts with a little `reflection`, then tells", "to finish the story... I have a complete story but told from", "1, monologue 3 6.Char 3, monologue 1 7.Char 3, monologue 2 8.Char 4,", "their POV, and when sorting it in a cronological order, this is the", "a short Narrators stuff, something that completes history or tells us something that", "in history * Sometimes in a monologue a character is the narrator of", "* There are multiple stories happening simultaneously and some characters know each other", "23.Char 1, monologue 7 etc... ``` Why this order? Each character tells their", "story but told from characters POV, when mixing all monologues a story exposes,", "huge event to finish the story... * I have a complete story but", "Sometimes in a monologue a character is the narrator of the actions of", "the story is: ``` 1.Char 1, monologue 1 2.Char 1, monologue 2 3.Char", "this kind of history formed by 6 characters POV nice to readers? I", "that completes history or tells us something that characters didn't do... Could you", "characters`*. Each monologue starts with a little `reflection`, then tells an `experience` or", "narrator of the actions of other main characters *Later on, all characters", "didn't do... Could you please suggest a way to make this kind of", "monologue 1 2.Char 1, monologue 2 3.Char 2, monologue 1 4.Char 2, monologue", "maybe useful for reader... I have different number of monologues for each", "will be convenient to tie each monologue with a short Narrators stuff, something", "other at some stage in history * Sometimes in a monologue a character", "of them will be part of a huge event to finish the story...", "to deal with, and finally, `concludes` with something maybe useful for reader... ", "impact that is given by telling the history as POV... I want the", "monologue 1 9.Char 5, monologue 1 10.Char 6, monologue 1 11.Char 1, monologue", "2 8.Char 4, monologue 1 9.Char 5, monologue 1 10.Char 6, monologue 1", "the result I do not know if it will be convenient to tie", "12.Char 2, monologue 3 13.Char 4, monologue 2 14.Char 4, monologue 3 15.Char", "4-5 pages There are multiple stories happening simultaneously and some characters know", "5, monologue 2 16.Char 3, monologue 3 17.Char 6, monologue 2 18.Char 1,", "6 22.Char 1, monologue 6 23.Char 1, monologue 7 etc... ``` Why this", "character (20-30) * Each monologue has length of 4-5 pages * There are", "main event, all of them will be part of a huge event to", "is the result I do not know if it will be convenient to", "suggest a way to make this kind of history formed by 6 characters", "happening simultaneously and some characters know each other at some stage in history", "when mixing all monologues a story exposes, but I want to know the", "the history, I felt a lack of impact that is given by telling", "4 20.Char 2, monologue 5 21.Char 2, monologue 6 22.Char 1, monologue 6", "1, monologue 5 19.Char 2, monologue 4 20.Char 2, monologue 5 21.Char 2,", "characters * Later on, all characters will be involved in a main event,", "will be involved in a main event, all of them will be part", "lack of impact that is given by telling the history as POV... I", "of the actions of other main characters * Later on, all characters will", "`several monologues of 6 characters`. Each monologue starts with a little `reflection`, then", "4, monologue 2 14.Char 4, monologue 3 15.Char 5, monologue 2 16.Char 3,", "of history formed by 6 characters POV** nice to readers? I was trying", "reader... * I have different number of monologues for each character (20-30) ", "a 3rd person approach* but when I red the history, I felt a", "want the reader to feel close to a specific character's point of view", "1 2.Char 1, monologue 2 3.Char 2, monologue 1 4.Char 2, monologue 2", "POV... I want the reader to feel close to a specific character's point", "the actions of other main characters * Later on, all characters will be", "of impact that is given by telling the history as POV... I want", "not know if it will be convenient to tie each monologue with a", "14.Char 4, monologue 3 15.Char 5, monologue 2 16.Char 3, monologue 3 17.Char", "with, and finally, `concludes` with something maybe useful for reader... * I have", "all monologues a story exposes, but I want to know the best aproach", "event, all of them will be part of a huge event to finish", "in a cronological order, this is the result I do not know if", "3, monologue 1 7.Char 3, monologue 2 8.Char 4, monologue 1 9.Char 5,", "is given by telling the history as POV... I want the reader to", "complete story but told from characters POV, when mixing all monologues a story", "19.Char 2, monologue 4 20.Char 2, monologue 5 21.Char 2, monologue 6 22.Char", "POV, and when sorting it in a cronological order, this is the result", "Why this order? Each character tells their POV, and when sorting it in", "characters POV nice to readers? I was trying a 3rd person approach but", "history formed by 6 characters POV nice to readers? I was trying a", "but when I red the history, I felt a lack of impact that", "a main event, all of them will be part of a huge event", "finally, `concludes` with something maybe useful for reader... * I have different number", "``` 1.Char 1, monologue 1 2.Char 1, monologue 2 3.Char 2, monologue 1", "in a monologue a character is the narrator of the actions of other", "Each character tells their POV, and when sorting it in a cronological order,", "kind of history formed by 6 characters POV nice to readers? I was", "a complete story but told from characters POV, when mixing all monologues a", "or tells us something that characters didn't do... Could you please suggest a", "of 4-5 pages * There are multiple stories happening simultaneously and some characters", "the best aproach to develop it. The way I have the story is:", "has length of 4-5 pages * There are multiple stories happening simultaneously and", "5.Char 1, monologue 3 6.Char 3, monologue 1 7.Char 3, monologue 2 8.Char", "Could you please suggest a way to make this kind of history formed", "2, monologue 2 5.Char 1, monologue 3 6.Char 3, monologue 1 7.Char 3,", "2.Char 1, monologue 2 3.Char 2, monologue 1 4.Char 2, monologue 2 5.Char", "us something that characters didn't do... Could you please suggest a way to", "order? Each character tells their POV, and when sorting it in a cronological", "want to know the best aproach to develop it. The way I have", "22.Char 1, monologue 6 23.Char 1, monologue 7 etc... ``` Why this order?", "this order? Each character tells their POV, and when sorting it in a", "6, monologue 2 18.Char 1, monologue 5 19.Char 2, monologue 4 20.Char 2,", "I red the history, I felt a lack of impact that is given", "* I have different number of monologues for each character (20-30) * Each", "3 17.Char 6, monologue 2 18.Char 1, monologue 5 19.Char 2, monologue 4", "story... * I have a complete story but told from characters POV, when", "1 10.Char 6, monologue 1 11.Char 1, monologue 4 12.Char 2, monologue 3", "monologue 3 6.Char 3, monologue 1 7.Char 3, monologue 2 8.Char 4, monologue", "and some characters know each other at some stage in history * Sometimes", "monologue 4 20.Char 2, monologue 5 21.Char 2, monologue 6 22.Char 1, monologue", "6.Char 3, monologue 1 7.Char 3, monologue 2 8.Char 4, monologue 1 9.Char", "characters will be involved in a main event*, all of them will be", "be convenient to tie each monologue with a short Narrators stuff, something that", "a character is the narrator of the actions of other main characters ", "way to make this kind of history formed by 6 characters POV nice", "monologue 3 13.Char 4, monologue 2 14.Char 4, monologue 3 15.Char 5, monologue", "it in a cronological order, this is the result I do not know", "6 23.Char 1, monologue 7 etc... ``` Why this order? Each character tells", "etc... ``` Why this order? Each character tells their POV, and when sorting", "4, monologue 3 15.Char 5, monologue 2 16.Char 3, monologue 3 17.Char 6,", "each character (20-30) * Each monologue has length of 4-5 pages * There", "are multiple stories happening simultaneously and some characters know each other at some", "some stage in history * Sometimes in a monologue a character is the", "4.Char 2, monologue 2 5.Char 1, monologue 3 6.Char 3, monologue 1 7.Char", "1 7.Char 3, monologue 2 8.Char 4, monologue 1 9.Char 5, monologue 1", "5 19.Char 2, monologue 4 20.Char 2, monologue 5 21.Char 2, monologue 6", "1, monologue 7 etc... ``` Why this order? Each character tells their POV,", "exposes, but I want to know the best aproach to develop it. The", "There are multiple stories happening simultaneously and some characters know each other at", "monologue 2 14.Char 4, monologue 3 15.Char 5, monologue 2 16.Char 3, monologue", "each monologue with a short Narrators stuff, something that completes history or tells", "Each monologue has length of 4-5 pages * There are multiple stories happening", "I do not know if it will be convenient to tie each monologue", "to make this kind of history formed by 6 characters POV nice to", "monologue 1 10.Char 6, monologue 1 11.Char 1, monologue 4 12.Char 2, monologue", "character is the narrator of the actions of other main characters * *Later", "have the story is: ``` 1.Char 1, monologue 1 2.Char 1, monologue 2", "monologue with a short Narrators stuff, something that completes history or tells us", "length of 4-5 pages There are multiple stories happening simultaneously and some", "by 6 characters POV nice to readers? I was trying a *3rd person", "a story exposes, but I want to know the best aproach to develop", "story is: ``` 1.Char 1, monologue 1 2.Char 1, monologue 2 3.Char 2,", "(20-30) Each monologue has length of 4-5 pages * There are multiple", "that is given by telling the history as POV... *I want the reader", "is the narrator of the actions of other main characters *Later on,", "useful for reader... I have different number of monologues for each character", "tells their POV, and when sorting it in a cronological order, this is", "`experience` or an `event` the character had to deal with, and finally, `concludes`", "completes history or tells us something that characters didn't do... Could you please", "21.Char 2, monologue 6 22.Char 1, monologue 6 23.Char 1, monologue 7 etc...", "an `event` the character had to deal with, and finally, `concludes` with something", "for each character (20-30) * Each monologue has length of 4-5 pages ", "to know the best aproach to develop it. The way I have the", "6, monologue 1 11.Char 1, monologue 4 12.Char 2, monologue 3 13.Char 4,", "formed by 6 characters POV* nice to readers? I was trying a *3rd", "sorting it in a cronological order, this is the result I do not", "something maybe useful for reader... I have different number of monologues for", "monologue 7 etc... ``` Why this order? Each character tells their POV, and", "develop it. The way I have the story is: ``` 1.Char 1, monologue", "a monologue a character is the narrator of the actions of other main", "2 18.Char 1, monologue 5 19.Char 2, monologue 4 20.Char 2, monologue 5", "a little `reflection`, then tells an `experience` or an `event` the character had", "characters didn't do... Could you please suggest a way to make this kind", "stuff, something that completes history or tells us something that characters didn't do...", "different number of monologues for each character (20-30) * Each monologue has length", "best aproach to develop it. The way I have the story is: ```", "13.Char 4, monologue 2 14.Char 4, monologue 3 15.Char 5, monologue 2 16.Char", "monologue 6 22.Char 1, monologue 6 23.Char 1, monologue 7 etc... ``` Why", "make this kind of history formed by 6 characters POV nice to readers?", "had to deal with, and finally, `concludes` with something maybe useful for reader...", "1 4.Char 2, monologue 2 5.Char 1, monologue 3 6.Char 3, monologue 1", "red the history, I felt a lack of impact that is given by", "something that characters didn't do... Could you please suggest a way to make", "characters know each other at some stage in history * Sometimes in a", "it will be convenient to tie each monologue with a short Narrators stuff,", "`event` the character had to deal with, and finally, `concludes` with something maybe", "monologue 2 16.Char 3, monologue 3 17.Char 6, monologue 2 18.Char 1, monologue", "from characters POV, when mixing all monologues a story exposes, but I want", "2, monologue 6 22.Char 1, monologue 6 23.Char 1, monologue 7 etc... ```", "simultaneously and some characters know each other at some stage in history *", "tells us something that characters didn't do... Could you please suggest a way" ]
[ "of supply. That means - give 1400 books for libraries, friends, etc. and", "suggest interviews with book-related blogs/channels. 7. Sign the contract with an agent and", "every single critic and media person that makes book reviews. Sent YouTube videos", "make a demand higher than supply. Many writers on Reddit (r/writing) suggest getting", "my plan look bad? I was curious what are good practices to sell", "an agent. My personal thoughts: 1. Promote best parts of the book via", "makes book reviews. Sent YouTube videos for them via emails. Lastly - book", "shop - write for media that \"there is no books left in bookshops\".", "the job. Selling it is the other half. So I was curious, what", "advance and make a buzz. 4. Make an artificial shortage of supply. That", "first book with 2000 copies in such a super local European market as", "agent and make another release with 5-10k copies before Christmas. Does my plan", "month in advance and make a buzz. 4. Make an artificial shortage of", "reading. 2. Make a list of every single critic and media person that", "best parts of the book via YouTube videos 6-12 months before the release", "book reviews. Sent YouTube videos for them via emails. Lastly - book when", "600 books for the sale in highly selected bookshops. 5. When there will", "books left in bookshops\". 6. Accept all interview offers and suggest interviews with", "in reading. 2. Make a list of every single critic and media person", "2000 copies in such a super local European market as Lithuania needs an", "your book? To sell all your copies. To make a demand higher than", "supply. That means - give 1400 books for libraries, friends, etc. and leave", "in such a super local European market as Lithuania needs an agent. My", "another release with 5-10k copies before Christmas. Does my plan look bad? I", "it will be released. 3. Announce the release date month in advance and", "a list of every single critic and media person that makes book reviews.", "what are good practices to sell your book? To sell all your copies.", "the other half. So I was curious, what are good practices to sell", "on Reddit (r/writing) suggest getting an agent so he/she can do business for", "When there will be no books in a shop - write for media", "To make a demand higher than supply. Many writers on Reddit (r/writing) suggest", "Sent YouTube videos for them via emails. Lastly - book when it will", "business for 15% profit margin, however, I don't think my first book with", "don't think my first book with 2000 copies in such a super local", "critic and media person that makes book reviews. Sent YouTube videos for them", "left in bookshops\". 6. Accept all interview offers and suggest interviews with book-related", "libraries, friends, etc. and leave only 600 books for the sale in highly", "no books left in bookshops\". 6. Accept all interview offers and suggest interviews", "months before the release of the book. You can find such [examples of", "a demand higher than supply. Many writers on Reddit (r/writing) suggest getting an", "super local European market as Lithuania needs an agent. My personal thoughts: 1.", "book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media", "local European market as Lithuania needs an agent. My personal thoughts: 1. Promote", "who are interested in reading. 2. Make a list of every single critic", "do business for 15% profit margin, however, I don't think my first book", "margin, however, I don't think my first book with 2000 copies in such", "1400 books for libraries, friends, etc. and leave only 600 books for the", "Sign the contract with an agent and make another release with 5-10k copies", "release date month in advance and make a buzz. 4. Make an artificial", "means - give 1400 books for libraries, friends, etc. and leave only 600", "book via YouTube videos 6-12 months before the release of the book. You", "interview offers and suggest interviews with book-related blogs/channels. 7. Sign the contract with", "- book when it will be released. 3. Announce the release date month", "and make another release with 5-10k copies before Christmas. Does my plan look", "of every single critic and media person that makes book reviews. Sent YouTube", "make a buzz. 4. Make an artificial shortage of supply. That means -", "than supply. Many writers on Reddit (r/writing) suggest getting an agent so he/she", "emails. Lastly - book when it will be released. 3. Announce the release", "there will be no books in a shop - write for media that", "sale in highly selected bookshops. 5. When there will be no books in", "to people who are interested in reading. 2. Make a list of every", "and boost it to people who are interested in reading. 2. Make a", "Selling it is the other half. So I was curious, what are good", "the release date month in advance and make a buzz. 4. Make an", "can do business for 15% profit margin, however, I don't think my first", "agent so he/she can do business for 15% profit margin, however, I don't", "Lithuania needs an agent. My personal thoughts: 1. Promote best parts of the", "release with 5-10k copies before Christmas. Does my plan look bad? I was", "so he/she can do business for 15% profit margin, however, I don't think", "etc. and leave only 600 books for the sale in highly selected bookshops.", "date month in advance and make a buzz. 4. Make an artificial shortage", "sell all your copies. To make a demand higher than supply. Many writers", "write for media that \"there is no books left in bookshops\". 6. Accept", "supply. Many writers on Reddit (r/writing) suggest getting an agent so he/she can", "when it will be released. 3. Announce the release date month in advance", "an artificial shortage of supply. That means - give 1400 books for libraries,", "suggest getting an agent so he/she can do business for 15% profit margin,", "My personal thoughts: 1. Promote best parts of the book via YouTube videos", "That means - give 1400 books for libraries, friends, etc. and leave only", "it to people who are interested in reading. 2. Make a list of", "bookshops. 5. When there will be no books in a shop - write", "book when it will be released. 3. Announce the release date month in", "Make a list of every single critic and media person that makes book", "1. Promote best parts of the book via YouTube videos 6-12 months before", "copies before Christmas. Does my plan look bad? I was curious what are", "book is only half the job. Selling it is the other half. So", "7. Sign the contract with an agent and make another release with 5-10k", "book? To sell all your copies. To make a demand higher than supply.", "via social media and boost it to people who are interested in reading.", "YouTube videos 6-12 months before the release of the book. You can find", "half the job. Selling it is the other half. So I was curious,", "in advance and make a buzz. 4. Make an artificial shortage of supply.", "\"there is no books left in bookshops\". 6. Accept all interview offers and", "leave only 600 books for the sale in highly selected bookshops. 5. When", "interviews with book-related blogs/channels. 7. Sign the contract with an agent and make", "them via emails. Lastly - book when it will be released. 3. Announce", "such a super local European market as Lithuania needs an agent. My personal", "half. So I was curious, what are good practices to sell your book?", "personal thoughts: 1. Promote best parts of the book via YouTube videos 6-12", "as Lithuania needs an agent. My personal thoughts: 1. Promote best parts of", "of the book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via", "the sale in highly selected bookshops. 5. When there will be no books", "Promote best parts of the book via YouTube videos 6-12 months before the", "with an agent and make another release with 5-10k copies before Christmas. Does", "practices to sell your book? To sell all your copies. To make a", "the contract with an agent and make another release with 5-10k copies before", "books for libraries, friends, etc. and leave only 600 books for the sale", "books for the sale in highly selected bookshops. 5. When there will be", "a book is only half the job. Selling it is the other half.", "demand higher than supply. Many writers on Reddit (r/writing) suggest getting an agent", "media person that makes book reviews. Sent YouTube videos for them via emails.", "are interested in reading. 2. Make a list of every single critic and", "and leave only 600 books for the sale in highly selected bookshops. 5.", "sell your book? To sell all your copies. To make a demand higher", "no books in a shop - write for media that \"there is no", "will be no books in a shop - write for media that \"there", "only half the job. Selling it is the other half. So I was", "copies in such a super local European market as Lithuania needs an agent.", "reviews. Sent YouTube videos for them via emails. Lastly - book when it", "to sell your book? To sell all your copies. To make a demand", "15% profit margin, however, I don't think my first book with 2000 copies", "friends, etc. and leave only 600 books for the sale in highly selected", "European market as Lithuania needs an agent. My personal thoughts: 1. Promote best", "thoughts: 1. Promote best parts of the book via YouTube videos 6-12 months", "(r/writing) suggest getting an agent so he/she can do business for 15% profit", "that makes book reviews. Sent YouTube videos for them via emails. Lastly -", "for media that \"there is no books left in bookshops\". 6. Accept all", "media that \"there is no books left in bookshops\". 6. Accept all interview", "bookshops\". 6. Accept all interview offers and suggest interviews with book-related blogs/channels. 7.", "here: Share via social media and boost it to people who are interested", "I was curious, what are good practices to sell your book? To sell", "blogs/channels. 7. Sign the contract with an agent and make another release with", "5. When there will be no books in a shop - write for", "writers on Reddit (r/writing) suggest getting an agent so he/she can do business", "You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and", "buzz. 4. Make an artificial shortage of supply. That means - give 1400", "needs an agent. My personal thoughts: 1. Promote best parts of the book", "shortage of supply. That means - give 1400 books for libraries, friends, etc.", "the book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social", "agent. My personal thoughts: 1. Promote best parts of the book via YouTube", "be released. 3. Announce the release date month in advance and make a", "copies. To make a demand higher than supply. Many writers on Reddit (r/writing)", "release of the book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share", "a shop - write for media that \"there is no books left in", "books in a shop - write for media that \"there is no books", "market as Lithuania needs an agent. My personal thoughts: 1. Promote best parts", "a super local European market as Lithuania needs an agent. My personal thoughts:", "with 5-10k copies before Christmas. Does my plan look bad? I was curious", "such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost it to", "via emails. Lastly - book when it will be released. 3. Announce the", "an agent so he/she can do business for 15% profit margin, however, I", "of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost it to people who", "5-10k copies before Christmas. Does my plan look bad? I was curious what", "is the other half. So I was curious, what are good practices to", "To sell all your copies. To make a demand higher than supply. Many", "- give 1400 books for libraries, friends, etc. and leave only 600 books", "all your copies. To make a demand higher than supply. Many writers on", "6-12 months before the release of the book. You can find such [examples", "single critic and media person that makes book reviews. Sent YouTube videos for", "a buzz. 4. Make an artificial shortage of supply. That means - give", "he/she can do business for 15% profit margin, however, I don't think my", "interested in reading. 2. Make a list of every single critic and media", "plan look bad? I was curious what are good practices to sell your", "people who are interested in reading. 2. Make a list of every single", "highly selected bookshops. 5. When there will be no books in a shop", "for them via emails. Lastly - book when it will be released. 3.", "Accept all interview offers and suggest interviews with book-related blogs/channels. 7. Sign the", "the release of the book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here:", "person that makes book reviews. Sent YouTube videos for them via emails. Lastly", "So I was curious, what are good practices to sell your book? To", "with 2000 copies in such a super local European market as Lithuania needs", "find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost it", "- write for media that \"there is no books left in bookshops\". 6.", "of the book via YouTube videos 6-12 months before the release of the", "and make a buzz. 4. Make an artificial shortage of supply. That means", "and suggest interviews with book-related blogs/channels. 7. Sign the contract with an agent", "it is the other half. So I was curious, what are good practices", "list of every single critic and media person that makes book reviews. Sent", "artificial shortage of supply. That means - give 1400 books for libraries, friends,", "think my first book with 2000 copies in such a super local European", "that \"there is no books left in bookshops\". 6. Accept all interview offers", "Christmas. Does my plan look bad? I was curious what are good practices", "Writing a book is only half the job. Selling it is the other", "for 15% profit margin, however, I don't think my first book with 2000", "an agent and make another release with 5-10k copies before Christmas. Does my", "my first book with 2000 copies in such a super local European market", "book with 2000 copies in such a super local European market as Lithuania", "released. 3. Announce the release date month in advance and make a buzz.", "in highly selected bookshops. 5. When there will be no books in a", "is only half the job. Selling it is the other half. So I", "and media person that makes book reviews. Sent YouTube videos for them via", "offers and suggest interviews with book-related blogs/channels. 7. Sign the contract with an", "before Christmas. Does my plan look bad? I was curious what are good", "for the sale in highly selected bookshops. 5. When there will be no", "was curious, what are good practices to sell your book? To sell all", "be no books in a shop - write for media that \"there is", "book-related blogs/channels. 7. Sign the contract with an agent and make another release", "Lastly - book when it will be released. 3. Announce the release date", "however, I don't think my first book with 2000 copies in such a", "only 600 books for the sale in highly selected bookshops. 5. When there", "YouTube videos for them via emails. Lastly - book when it will be", "all interview offers and suggest interviews with book-related blogs/channels. 7. Sign the contract", "social media and boost it to people who are interested in reading. 2.", "can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost", "good practices to sell your book? To sell all your copies. To make", "media and boost it to people who are interested in reading. 2. Make", "videos 6-12 months before the release of the book. You can find such", "Does my plan look bad? I was curious what are good practices to", "make another release with 5-10k copies before Christmas. Does my plan look bad?", "boost it to people who are interested in reading. 2. Make a list", "in a shop - write for media that \"there is no books left", "with book-related blogs/channels. 7. Sign the contract with an agent and make another", "Reddit (r/writing) suggest getting an agent so he/she can do business for 15%", "before the release of the book. You can find such [examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU)", "Share via social media and boost it to people who are interested in", "look bad? I was curious what are good practices to sell your book?", "getting an agent so he/she can do business for 15% profit margin, however,", "Make an artificial shortage of supply. That means - give 1400 books for", "will be released. 3. Announce the release date month in advance and make", "[examples of Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost it to people", "the book via YouTube videos 6-12 months before the release of the book.", "4. Make an artificial shortage of supply. That means - give 1400 books", "give 1400 books for libraries, friends, etc. and leave only 600 books for", "other half. So I was curious, what are good practices to sell your", "Bukowski](https://www.youtube.com/watch?v=lyMS4qJ8NXU) here: Share via social media and boost it to people who are", "are good practices to sell your book? To sell all your copies. To", "in bookshops\". 6. Accept all interview offers and suggest interviews with book-related blogs/channels.", "curious, what are good practices to sell your book? To sell all your", "bad? I was curious what are good practices to sell your book? Tx!", "profit margin, however, I don't think my first book with 2000 copies in", "2. Make a list of every single critic and media person that makes", "Many writers on Reddit (r/writing) suggest getting an agent so he/she can do", "videos for them via emails. Lastly - book when it will be released.", "is no books left in bookshops\". 6. Accept all interview offers and suggest", "parts of the book via YouTube videos 6-12 months before the release of", "via YouTube videos 6-12 months before the release of the book. You can", "job. Selling it is the other half. So I was curious, what are", "3. Announce the release date month in advance and make a buzz. 4.", "Announce the release date month in advance and make a buzz. 4. Make", "selected bookshops. 5. When there will be no books in a shop -", "for libraries, friends, etc. and leave only 600 books for the sale in", "I don't think my first book with 2000 copies in such a super", "contract with an agent and make another release with 5-10k copies before Christmas.", "your copies. To make a demand higher than supply. Many writers on Reddit", "6. Accept all interview offers and suggest interviews with book-related blogs/channels. 7. Sign", "higher than supply. Many writers on Reddit (r/writing) suggest getting an agent so" ]
[ "I don't know how to expose this detail to the reader when the", "don't know how to expose this detail to the reader when the POV", "why he did that (spare the enemy). But I don't know how to", "detail to the reader when the POV is unaware of it. What should", "will understand his feelings and eventually make amends and the enemy will shift", "but he was not aware of it. Later on he will understand his", "enemy will shift into a friend as they solve their conflict. (MC is", "will shift into a friend as they solve their conflict. (MC is dense).", "shift into a friend as they solve their conflict. (MC is dense). Some", "friend as they solve their conflict. (MC is dense). Some readers questioned why", "readers questioned why he did that (spare the enemy). But I don't know", "(spare the enemy). But I don't know how to expose this detail to", "he was not aware of it. Later on he will understand his feelings", "his feelings and eventually make amends and the enemy will shift into a", "But I don't know how to expose this detail to the reader when", "this detail to the reader when the POV is unaware of it. What", "POV character) spares an enemy. He spared the enemy because he empathized/identified himself", "MC (and POV character) spares an enemy. He spared the enemy because he", "and eventually make amends and the enemy will shift into a friend as", "as they solve their conflict. (MC is dense). Some readers questioned why he", "my novel, the MC (and POV character) spares an enemy. He spared the", "eventually make amends and the enemy will shift into a friend as they", "and the enemy will shift into a friend as they solve their conflict.", "expose this detail to the reader when the POV is unaware of it.", "make amends and the enemy will shift into a friend as they solve", "feelings and eventually make amends and the enemy will shift into a friend", "know how to expose this detail to the reader when the POV is", "the MC (and POV character) spares an enemy. He spared the enemy because", "questioned why he did that (spare the enemy). But I don't know how", "spares an enemy. He spared the enemy because he empathized/identified himself with them,", "he empathized/identified himself with them, but he was not aware of it. Later", "because he empathized/identified himself with them, but he was not aware of it.", "spared the enemy because he empathized/identified himself with them, but he was not", "the enemy because he empathized/identified himself with them, but he was not aware", "on he will understand his feelings and eventually make amends and the enemy", "a friend as they solve their conflict. (MC is dense). Some readers questioned", "solve their conflict. (MC is dense). Some readers questioned why he did that", "(MC is dense). Some readers questioned why he did that (spare the enemy).", "understand his feelings and eventually make amends and the enemy will shift into", "(and POV character) spares an enemy. He spared the enemy because he empathized/identified", "with them, but he was not aware of it. Later on he will", "of it. Later on he will understand his feelings and eventually make amends", "he did that (spare the enemy). But I don't know how to expose", "into a friend as they solve their conflict. (MC is dense). Some readers", "aware of it. Later on he will understand his feelings and eventually make", "He spared the enemy because he empathized/identified himself with them, but he was", "empathized/identified himself with them, but he was not aware of it. Later on", "he will understand his feelings and eventually make amends and the enemy will", "Later on he will understand his feelings and eventually make amends and the", "amends and the enemy will shift into a friend as they solve their", "dense). Some readers questioned why he did that (spare the enemy). But I", "an enemy. He spared the enemy because he empathized/identified himself with them, but", "their conflict. (MC is dense). Some readers questioned why he did that (spare", "did that (spare the enemy). But I don't know how to expose this", "to the reader when the POV is unaware of it. What should I", "they solve their conflict. (MC is dense). Some readers questioned why he did", "the reader when the POV is unaware of it. What should I do?", "is dense). Some readers questioned why he did that (spare the enemy). But", "himself with them, but he was not aware of it. Later on he", "enemy). But I don't know how to expose this detail to the reader", "In my novel, the MC (and POV character) spares an enemy. He spared", "how to expose this detail to the reader when the POV is unaware", "character) spares an enemy. He spared the enemy because he empathized/identified himself with", "that (spare the enemy). But I don't know how to expose this detail", "conflict. (MC is dense). Some readers questioned why he did that (spare the", "Some readers questioned why he did that (spare the enemy). But I don't", "to expose this detail to the reader when the POV is unaware of", "them, but he was not aware of it. Later on he will understand", "the enemy). But I don't know how to expose this detail to the", "novel, the MC (and POV character) spares an enemy. He spared the enemy", "enemy because he empathized/identified himself with them, but he was not aware of", "it. Later on he will understand his feelings and eventually make amends and", "enemy. He spared the enemy because he empathized/identified himself with them, but he", "was not aware of it. Later on he will understand his feelings and", "the enemy will shift into a friend as they solve their conflict. (MC", "not aware of it. Later on he will understand his feelings and eventually" ]
[ "rather than venture out to the world. Of course, she managed to escape,", "I'm not asking for you to write this out for me, but asking", "she has some...problems she needed to resolve. The girl who abandoned him had", "never really came back. Now, well, both are back, and both want to", "apparent reason, and another one told him she was visiting family, and never", "are back, and both want to be with him again. OK, so after", "need to clarify some things. So, the character who dumps him is doing", "which is worse: Getting dumped for no reason, resulting in immediate heartbreak, or", "but that's the justifications. Take it as you will. I'm not asking for", "with two women. The first girl left him for no apparent reason, and", "being abandoned, which is more gradual. So, I guess the question is, which", "venture out to the world. Of course, she managed to escape, but that's", "answers, I need to clarify some things. So, the character who dumps him", "visiting family, and never really came back. Now, well, both are back, and", "Now, well, both are back, and both want to be with him again.", "you will. I'm not asking for you to write this out for me,", "not asking for you to write this out for me, but asking your", "escape, but that's the justifications. Take it as you will. I'm not asking", "protect him because she has some...problems she needed to resolve. The girl who", "to clarify some things. So, the character who dumps him is doing it", "the justifications. Take it as you will. I'm not asking for you to", "well, both are back, and both want to be with him again. OK,", "Take it as you will. I'm not asking for you to write this", "left him for no apparent reason, and another one told him she was", "for me, but asking your personal opinions on which is worse: Getting dumped", "your personal opinions on which is worse: Getting dumped for no reason, resulting", "both want to be with him again. OK, so after some answers, I", "the character who dumps him is doing it to protect him because she", "so after some answers, I need to clarify some things. So, the character", "to the world. Of course, she managed to escape, but that's the justifications.", "no reason, resulting in immediate heartbreak, or being abandoned, which is more gradual.", "Ok, so in an upcoming project of mine, I have an MC in", "resolve. The girl who abandoned him had controlling family who was forcing her", "controlling family who was forcing her to stay at home rather than venture", "him had controlling family who was forcing her to stay at home rather", "after some answers, I need to clarify some things. So, the character who", "doing it to protect him because she has some...problems she needed to resolve.", "back. Now, well, both are back, and both want to be with him", "will. I'm not asking for you to write this out for me, but", "write this out for me, but asking your personal opinions on which is", "I guess the question is, which sucks less, being dumped for no reason,", "an MC in a romance with two women. The first girl left him", "out for me, but asking your personal opinions on which is worse: Getting", "world. Of course, she managed to escape, but that's the justifications. Take it", "upcoming project of mine, I have an MC in a romance with two", "to write this out for me, but asking your personal opinions on which", "so in an upcoming project of mine, I have an MC in a", "Of course, she managed to escape, but that's the justifications. Take it as", "be with him again. OK, so after some answers, I need to clarify", "who was forcing her to stay at home rather than venture out to", "have an MC in a romance with two women. The first girl left", "The first girl left him for no apparent reason, and another one told", "character who dumps him is doing it to protect him because she has", "at home rather than venture out to the world. Of course, she managed", "and never really came back. Now, well, both are back, and both want", "him she was visiting family, and never really came back. Now, well, both", "needed to resolve. The girl who abandoned him had controlling family who was", "than venture out to the world. Of course, she managed to escape, but", "more gradual. So, I guess the question is, which sucks less, being dumped", "with him again. OK, so after some answers, I need to clarify some", "opinions on which is worse: Getting dumped for no reason, resulting in immediate", "women. The first girl left him for no apparent reason, and another one", "on which is worse: Getting dumped for no reason, resulting in immediate heartbreak,", "OK, so after some answers, I need to clarify some things. So, the", "her to stay at home rather than venture out to the world. Of", "dumps him is doing it to protect him because she has some...problems she", "is worse: Getting dumped for no reason, resulting in immediate heartbreak, or being", "one told him she was visiting family, and never really came back. Now,", "for no apparent reason, and another one told him she was visiting family,", "an upcoming project of mine, I have an MC in a romance with", "clarify some things. So, the character who dumps him is doing it to", "resulting in immediate heartbreak, or being abandoned, which is more gradual. So, I", "has some...problems she needed to resolve. The girl who abandoned him had controlling", "was forcing her to stay at home rather than venture out to the", "it to protect him because she has some...problems she needed to resolve. The", "to protect him because she has some...problems she needed to resolve. The girl", "the world. Of course, she managed to escape, but that's the justifications. Take", "him because she has some...problems she needed to resolve. The girl who abandoned", "stay at home rather than venture out to the world. Of course, she", "question is, which sucks less, being dumped for no reason, or being abandoned?", "The girl who abandoned him had controlling family who was forcing her to", "and another one told him she was visiting family, and never really came", "no apparent reason, and another one told him she was visiting family, and", "to stay at home rather than venture out to the world. Of course,", "immediate heartbreak, or being abandoned, which is more gradual. So, I guess the", "or being abandoned, which is more gradual. So, I guess the question is,", "had controlling family who was forcing her to stay at home rather than", "abandoned, which is more gradual. So, I guess the question is, which sucks", "really came back. Now, well, both are back, and both want to be", "So, I guess the question is, which sucks less, being dumped for no", "she managed to escape, but that's the justifications. Take it as you will.", "So, the character who dumps him is doing it to protect him because", "girl left him for no apparent reason, and another one told him she", "for you to write this out for me, but asking your personal opinions", "home rather than venture out to the world. Of course, she managed to", "some answers, I need to clarify some things. So, the character who dumps", "to resolve. The girl who abandoned him had controlling family who was forcing", "guess the question is, which sucks less, being dumped for no reason, or", "because she has some...problems she needed to resolve. The girl who abandoned him", "personal opinions on which is worse: Getting dumped for no reason, resulting in", "you to write this out for me, but asking your personal opinions on", "romance with two women. The first girl left him for no apparent reason,", "another one told him she was visiting family, and never really came back.", "I need to clarify some things. So, the character who dumps him is", "in a romance with two women. The first girl left him for no", "but asking your personal opinions on which is worse: Getting dumped for no", "of mine, I have an MC in a romance with two women. The", "some...problems she needed to resolve. The girl who abandoned him had controlling family", "that's the justifications. Take it as you will. I'm not asking for you", "worse: Getting dumped for no reason, resulting in immediate heartbreak, or being abandoned,", "to escape, but that's the justifications. Take it as you will. I'm not", "was visiting family, and never really came back. Now, well, both are back,", "him is doing it to protect him because she has some...problems she needed", "justifications. Take it as you will. I'm not asking for you to write", "she was visiting family, and never really came back. Now, well, both are", "asking your personal opinions on which is worse: Getting dumped for no reason,", "came back. Now, well, both are back, and both want to be with", "a romance with two women. The first girl left him for no apparent", "to be with him again. OK, so after some answers, I need to", "MC in a romance with two women. The first girl left him for", "him again. OK, so after some answers, I need to clarify some things.", "who dumps him is doing it to protect him because she has some...problems", "in an upcoming project of mine, I have an MC in a romance", "I have an MC in a romance with two women. The first girl", "two women. The first girl left him for no apparent reason, and another", "is doing it to protect him because she has some...problems she needed to", "asking for you to write this out for me, but asking your personal", "it as you will. I'm not asking for you to write this out", "and both want to be with him again. OK, so after some answers,", "for no reason, resulting in immediate heartbreak, or being abandoned, which is more", "out to the world. Of course, she managed to escape, but that's the", "mine, I have an MC in a romance with two women. The first", "managed to escape, but that's the justifications. Take it as you will. I'm", "told him she was visiting family, and never really came back. Now, well,", "girl who abandoned him had controlling family who was forcing her to stay", "want to be with him again. OK, so after some answers, I need", "things. So, the character who dumps him is doing it to protect him", "him for no apparent reason, and another one told him she was visiting", "first girl left him for no apparent reason, and another one told him", "family, and never really came back. Now, well, both are back, and both", "she needed to resolve. The girl who abandoned him had controlling family who", "this out for me, but asking your personal opinions on which is worse:", "reason, resulting in immediate heartbreak, or being abandoned, which is more gradual. So,", "abandoned him had controlling family who was forcing her to stay at home", "family who was forcing her to stay at home rather than venture out", "reason, and another one told him she was visiting family, and never really", "the question is, which sucks less, being dumped for no reason, or being", "in immediate heartbreak, or being abandoned, which is more gradual. So, I guess", "who abandoned him had controlling family who was forcing her to stay at", "again. OK, so after some answers, I need to clarify some things. So,", "heartbreak, or being abandoned, which is more gradual. So, I guess the question", "back, and both want to be with him again. OK, so after some", "Getting dumped for no reason, resulting in immediate heartbreak, or being abandoned, which", "me, but asking your personal opinions on which is worse: Getting dumped for", "forcing her to stay at home rather than venture out to the world.", "both are back, and both want to be with him again. OK, so", "is more gradual. So, I guess the question is, which sucks less, being", "gradual. So, I guess the question is, which sucks less, being dumped for", "project of mine, I have an MC in a romance with two women.", "which is more gradual. So, I guess the question is, which sucks less,", "course, she managed to escape, but that's the justifications. Take it as you", "some things. So, the character who dumps him is doing it to protect", "as you will. I'm not asking for you to write this out for", "dumped for no reason, resulting in immediate heartbreak, or being abandoned, which is" ]
[ "teenage girl who has a boyfriend on how to attract the notice of", "talk to each other. Most of them are separated geographically or philosophically and", "Most of them are separated geographically or philosophically and sitting down for a", "a kidnapper is asking advice from a teenage girl who has a boyfriend", "boyfriend on how to attract the notice of the MC - probably fails", "No romantic interest was involved, but the friend has just assessed qualities in", "who was watching her brother, as something potentially romantic. No romantic interest was", "- probably fails the test, but essential scene. The second scene is one", "advice from a teenage girl who has a boyfriend on how to attract", "was involved, but the friend has just assessed qualities in the MC she", "intent of the other, who was watching her brother, as something potentially romantic.", "something potentially romantic. No romantic interest was involved, but the friend has just", "are discussing an impending foreclosure and then one misconstrues the intent of the", "but they don’t tend to talk to each other. Most of them are", "has a boyfriend on how to attract the notice of the MC -", "the other, who was watching her brother, as something potentially romantic. No romantic", "busy doing other things. I have two scenes; in one a kidnapper is", "of the other, who was watching her brother, as something potentially romantic. No", "each other. Most of them are separated geographically or philosophically and sitting down", "on how to attract the notice of the MC - probably fails the", "of them are separated geographically or philosophically and sitting down for a chat", "scene. The second scene is one where two lifelong friends are watching their", "have two scenes; in one a kidnapper is asking advice from a teenage", "has just assessed qualities in the MC she needs for a guardian for", "to talk to each other. Most of them are separated geographically or philosophically", "then one misconstrues the intent of the other, who was watching her brother,", "potentially romantic. No romantic interest was involved, but the friend has just assessed", "in it, but they don’t tend to talk to each other. Most of", "essential scene. The second scene is one where two lifelong friends are watching", "My novel has approximately a dozen women in it, but they don’t tend", "and then one misconstrues the intent of the other, who was watching her", "compete and are discussing an impending foreclosure and then one misconstrues the intent", "other. Most of them are separated geographically or philosophically and sitting down for", "but the friend has just assessed qualities in the MC she needs for", "philosophically and sitting down for a chat does not seem something they would", "dozen women in it, but they don’t tend to talk to each other.", "the friend has just assessed qualities in the MC she needs for a", "chat does not seem something they would do as they are busy doing", "and sitting down for a chat does not seem something they would do", "they would do as they are busy doing other things. I have two", "something they would do as they are busy doing other things. I have", "lifelong friends are watching their sons compete and are discussing an impending foreclosure", "second scene is one where two lifelong friends are watching their sons compete", "does not seem something they would do as they are busy doing other", "geographically or philosophically and sitting down for a chat does not seem something", "is asking advice from a teenage girl who has a boyfriend on how", "are separated geographically or philosophically and sitting down for a chat does not", "misconstrues the intent of the other, who was watching her brother, as something", "assessed qualities in the MC she needs for a guardian for her son.", "for a guardian for her son. Would that scene fail the Bechdel test?", "and are discussing an impending foreclosure and then one misconstrues the intent of", "kidnapper is asking advice from a teenage girl who has a boyfriend on", "seem something they would do as they are busy doing other things. I", "the test, but essential scene. The second scene is one where two lifelong", "are watching their sons compete and are discussing an impending foreclosure and then", "one a kidnapper is asking advice from a teenage girl who has a", "the notice of the MC - probably fails the test, but essential scene.", "is one where two lifelong friends are watching their sons compete and are", "an impending foreclosure and then one misconstrues the intent of the other, who", "discussing an impending foreclosure and then one misconstrues the intent of the other,", "approximately a dozen women in it, but they don’t tend to talk to", "other, who was watching her brother, as something potentially romantic. No romantic interest", "to attract the notice of the MC - probably fails the test, but", "to each other. Most of them are separated geographically or philosophically and sitting", "but essential scene. The second scene is one where two lifelong friends are", "where two lifelong friends are watching their sons compete and are discussing an", "as they are busy doing other things. I have two scenes; in one", "they are busy doing other things. I have two scenes; in one a", "she needs for a guardian for her son. Would that scene fail the", "from a teenage girl who has a boyfriend on how to attract the", "things. I have two scenes; in one a kidnapper is asking advice from", "MC she needs for a guardian for her son. Would that scene fail", "MC - probably fails the test, but essential scene. The second scene is", "a chat does not seem something they would do as they are busy", "not seem something they would do as they are busy doing other things.", "probably fails the test, but essential scene. The second scene is one where", "attract the notice of the MC - probably fails the test, but essential", "her brother, as something potentially romantic. No romantic interest was involved, but the", "has approximately a dozen women in it, but they don’t tend to talk", "it, but they don’t tend to talk to each other. Most of them", "as something potentially romantic. No romantic interest was involved, but the friend has", "they don’t tend to talk to each other. Most of them are separated", "them are separated geographically or philosophically and sitting down for a chat does", "for a chat does not seem something they would do as they are", "sons compete and are discussing an impending foreclosure and then one misconstrues the", "or philosophically and sitting down for a chat does not seem something they", "impending foreclosure and then one misconstrues the intent of the other, who was", "a teenage girl who has a boyfriend on how to attract the notice", "one misconstrues the intent of the other, who was watching her brother, as", "The second scene is one where two lifelong friends are watching their sons", "romantic interest was involved, but the friend has just assessed qualities in the", "was watching her brother, as something potentially romantic. No romantic interest was involved,", "down for a chat does not seem something they would do as they", "a dozen women in it, but they don’t tend to talk to each", "fails the test, but essential scene. The second scene is one where two", "their sons compete and are discussing an impending foreclosure and then one misconstrues", "notice of the MC - probably fails the test, but essential scene. The", "two scenes; in one a kidnapper is asking advice from a teenage girl", "tend to talk to each other. Most of them are separated geographically or", "doing other things. I have two scenes; in one a kidnapper is asking", "I have two scenes; in one a kidnapper is asking advice from a", "of the MC - probably fails the test, but essential scene. The second", "in one a kidnapper is asking advice from a teenage girl who has", "friend has just assessed qualities in the MC she needs for a guardian", "a boyfriend on how to attract the notice of the MC - probably", "the intent of the other, who was watching her brother, as something potentially", "romantic. No romantic interest was involved, but the friend has just assessed qualities", "interest was involved, but the friend has just assessed qualities in the MC", "separated geographically or philosophically and sitting down for a chat does not seem", "other things. I have two scenes; in one a kidnapper is asking advice", "two lifelong friends are watching their sons compete and are discussing an impending", "don’t tend to talk to each other. Most of them are separated geographically", "test, but essential scene. The second scene is one where two lifelong friends", "one where two lifelong friends are watching their sons compete and are discussing", "qualities in the MC she needs for a guardian for her son. Would", "do as they are busy doing other things. I have two scenes; in", "are busy doing other things. I have two scenes; in one a kidnapper", "the MC she needs for a guardian for her son. Would that scene", "just assessed qualities in the MC she needs for a guardian for her", "novel has approximately a dozen women in it, but they don’t tend to", "would do as they are busy doing other things. I have two scenes;", "asking advice from a teenage girl who has a boyfriend on how to", "watching her brother, as something potentially romantic. No romantic interest was involved, but", "who has a boyfriend on how to attract the notice of the MC", "scenes; in one a kidnapper is asking advice from a teenage girl who", "involved, but the friend has just assessed qualities in the MC she needs", "in the MC she needs for a guardian for her son. Would that", "sitting down for a chat does not seem something they would do as", "girl who has a boyfriend on how to attract the notice of the", "needs for a guardian for her son. Would that scene fail the Bechdel", "women in it, but they don’t tend to talk to each other. Most", "watching their sons compete and are discussing an impending foreclosure and then one", "how to attract the notice of the MC - probably fails the test,", "brother, as something potentially romantic. No romantic interest was involved, but the friend", "foreclosure and then one misconstrues the intent of the other, who was watching", "friends are watching their sons compete and are discussing an impending foreclosure and", "the MC - probably fails the test, but essential scene. The second scene", "scene is one where two lifelong friends are watching their sons compete and" ]
[ "ultimate end. I am connecting and weaving all the plot points together to", "that support and explain the main character's journey to the ultimate end. I", "would like to make an Anthology where it starts off with my main", "sense at the end. I also would like to have the characters introduced", "to have the characters introduced have their own smaller arcs to give depth", "depth to my story, but my essential question is how do I outline", "would like to have the characters introduced have their own smaller arcs to", "characters that support and explain the main character's journey to the ultimate end.", "together to make sense at the end. I also would like to have", "end. I am connecting and weaving all the plot points together to make", "make an Anthology where it starts off with my main character placing the", "at the end. I also would like to have the characters introduced have", "journey to the ultimate end. I am connecting and weaving all the plot", "but my essential question is how do I outline this in a way", "how to outline a story (script). I would like to make an Anthology", "an Anthology where it starts off with my main character placing the setting,", "make sense at the end. I also would like to have the characters", "then over the course of the story adding in other characters that support", "have their own smaller arcs to give depth to my story, but my", "essential question is how do I outline this in a way that makes", "figure out how to outline a story (script). I would like to make", "my essential question is how do I outline this in a way that", "the characters introduced have their own smaller arcs to give depth to my", "struggling to figure out how to outline a story (script). I would like", "it starts off with my main character placing the setting, and then over", "end. I also would like to have the characters introduced have their own", "main character placing the setting, and then over the course of the story", "support and explain the main character's journey to the ultimate end. I am", "course of the story adding in other characters that support and explain the", "the ultimate end. I am connecting and weaving all the plot points together", "characters introduced have their own smaller arcs to give depth to my story,", "and weaving all the plot points together to make sense at the end.", "give depth to my story, but my essential question is how do I", "arcs to give depth to my story, but my essential question is how", "question is how do I outline this in a way that makes sense", "is how do I outline this in a way that makes sense and", "in a way that makes sense and is easy to reference while writing?", "other characters that support and explain the main character's journey to the ultimate", "out how to outline a story (script). I would like to make an", "the end. I also would like to have the characters introduced have their", "also would like to have the characters introduced have their own smaller arcs", "over the course of the story adding in other characters that support and", "have the characters introduced have their own smaller arcs to give depth to", "and explain the main character's journey to the ultimate end. I am connecting", "and then over the course of the story adding in other characters that", "in other characters that support and explain the main character's journey to the", "story adding in other characters that support and explain the main character's journey", "smaller arcs to give depth to my story, but my essential question is", "a story (script). I would like to make an Anthology where it starts", "I outline this in a way that makes sense and is easy to", "their own smaller arcs to give depth to my story, but my essential", "like to make an Anthology where it starts off with my main character", "explain the main character's journey to the ultimate end. I am connecting and", "the story adding in other characters that support and explain the main character's", "am connecting and weaving all the plot points together to make sense at", "to figure out how to outline a story (script). I would like to", "the course of the story adding in other characters that support and explain", "to make an Anthology where it starts off with my main character placing", "with my main character placing the setting, and then over the course of", "do I outline this in a way that makes sense and is easy", "placing the setting, and then over the course of the story adding in", "the setting, and then over the course of the story adding in other", "have been struggling to figure out how to outline a story (script). I", "story (script). I would like to make an Anthology where it starts off", "outline a story (script). I would like to make an Anthology where it", "introduced have their own smaller arcs to give depth to my story, but", "main character's journey to the ultimate end. I am connecting and weaving all", "like to have the characters introduced have their own smaller arcs to give", "to outline a story (script). I would like to make an Anthology where", "own smaller arcs to give depth to my story, but my essential question", "all the plot points together to make sense at the end. I also", "outline this in a way that makes sense and is easy to reference", "the main character's journey to the ultimate end. I am connecting and weaving", "story, but my essential question is how do I outline this in a", "been struggling to figure out how to outline a story (script). I would", "my main character placing the setting, and then over the course of the", "the plot points together to make sense at the end. I also would", "to my story, but my essential question is how do I outline this", "where it starts off with my main character placing the setting, and then", "weaving all the plot points together to make sense at the end. I", "I also would like to have the characters introduced have their own smaller", "to make sense at the end. I also would like to have the", "starts off with my main character placing the setting, and then over the", "I would like to make an Anthology where it starts off with my", "character placing the setting, and then over the course of the story adding", "this in a way that makes sense and is easy to reference while", "(script). I would like to make an Anthology where it starts off with", "my story, but my essential question is how do I outline this in", "setting, and then over the course of the story adding in other characters", "to the ultimate end. I am connecting and weaving all the plot points", "plot points together to make sense at the end. I also would like", "I have been struggling to figure out how to outline a story (script).", "Anthology where it starts off with my main character placing the setting, and", "adding in other characters that support and explain the main character's journey to", "points together to make sense at the end. I also would like to", "to give depth to my story, but my essential question is how do", "of the story adding in other characters that support and explain the main", "I am connecting and weaving all the plot points together to make sense", "off with my main character placing the setting, and then over the course", "character's journey to the ultimate end. I am connecting and weaving all the", "how do I outline this in a way that makes sense and is", "connecting and weaving all the plot points together to make sense at the" ]
[ "am writing an action/thriller light novel for YA audience. The story involves characters", "full immersive Virtual Reality. By \"full immersive\" I mean that the person who", "feels like they are experiencing it. Note that this includes themes like death,", "may be seen as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the", "Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a virtual", "VR war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming", "\"full immersive\" I mean that the person who plays this simulation feels like", "line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with", "concept may be seen as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where", "it to be a bit more... adult and graphic. It would be a", "an extremely realistic and full immersive Virtual Reality. By \"full immersive\" I mean", "war-simulation game in an extremely realistic and full immersive Virtual Reality. By \"full", "more... adult and graphic. It would be a first-person shooter VR war game", "it crosses the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but", "that the person who plays this simulation feels like they are experiencing it.", "fatal wounds, pain and such. My concept may be seen as similar to", "a virtual reality, immersive fantasy rpg. In my case, I need it to", "and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with how much a", "psychological impact) can I put into this light novel before it crosses the", "includes themes like death, fatal wounds, pain and such. My concept may be", "novel for YA audience. The story involves characters \"playing\" in a war-simulation game", "and full immersive Virtual Reality. By \"full immersive\" I mean that the person", "YA audience. The story involves characters \"playing\" in a war-simulation game in an", "(see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older", "can I put into this light novel before it crosses the line between", "question is similar, but it deals with how much a young audience can", "for YA audience. The story involves characters \"playing\" in a war-simulation game in", "involves characters \"playing\" in a war-simulation game in an extremely realistic and full", "impact) can I put into this light novel before it crosses the line", "plays this simulation feels like they are experiencing it. Note that this includes", "be a bit more... adult and graphic. It would be a first-person shooter", "that this includes themes like death, fatal wounds, pain and such. My concept", "game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an", "I put into this light novel before it crosses the line between thriller", "they are experiencing it. *Note that this includes themes like death, fatal wounds,", "how much a young audience can handle at all, whereas I'm trying to", "characters \"playing\" in a war-simulation game in an extremely realistic and full immersive", "this simulation feels like they are experiencing it. Note that this includes themes", "my case, I need it to be a bit more... adult and graphic.", "and such.* My concept may be seen as similar to Sword Art Online", "this includes themes like death, fatal wounds, pain and such.** My concept may", "immersive\" I mean that the person who plays this simulation feels like they", "Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a virtual reality,", "I need it to be a bit more... adult and graphic. It would", "deals with how much a young audience can handle at all, whereas I'm", "I mean that the person who plays this simulation feels like they are", "Reality. By \"full immersive\" I mean that the person who plays this simulation", "the person who plays this simulation feels like they are experiencing it. Note", "who plays this simulation feels like they are experiencing it. Note that this", "My concept may be seen as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)),", "to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a", "shooter VR war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm", "the protagonist gets drawn into a virtual reality, immersive fantasy rpg. In my", "I am writing an action/thriller light novel for YA audience. The story involves", "it. Note that this includes themes like death, fatal wounds, pain and such.", "simulation feels like they are experiencing it. Note that this includes themes like", "detail (both gore and psychological impact) can I put into this light novel", "thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with how much", "be seen as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist", "game in an extremely realistic and full immersive Virtual Reality. By \"full immersive\"", "but it deals with how much a young audience can handle at all,", "reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older teen audience", "story involves characters \"playing\" in a war-simulation game in an extremely realistic and", "handle at all, whereas I'm trying to find the line between thriller and", "aiming for an older teen audience (16+), how much detail (both gore and", "immersive Virtual Reality. By \"full immersive\" I mean that the person who plays", "Virtual Reality. By \"full immersive\" I mean that the person who plays this", "audience (16+), how much detail (both gore and psychological impact) can I put", "at all, whereas I'm trying to find the line between thriller and horror.", "a first-person shooter VR war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now,", "Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older teen audience (16+), how much", "such. My concept may be seen as similar to Sword Art Online ([SAO-Wikipedia", "themes like death, fatal wounds, pain and such. My concept may be seen", "pain and such. My concept may be seen as similar to Sword Art", "Note that this includes themes like death, fatal wounds, pain and such. My", "wounds, pain and such. My concept may be seen as similar to Sword", "[Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older teen audience (16+),", "The story involves characters \"playing\" in a war-simulation game in an extremely realistic", "where the protagonist gets drawn into a virtual reality, immersive fantasy rpg. In", "It would be a first-person shooter VR war game (see, for reference, [Escape", "put into this light novel before it crosses the line between thriller and", "realistic and full immersive Virtual Reality. By \"full immersive\" I mean that the", "for an older teen audience (16+), how much detail (both gore and psychological", "teen audience (16+), *how much detail (both gore and psychological impact) can I", "protagonist gets drawn into a virtual reality, immersive fantasy rpg. In my case,", "in a war-simulation game in an extremely realistic and full immersive Virtual Reality.", "is similar, but it deals with how much a young audience can handle", "much a young audience can handle at all, whereas I'm trying to find", "Now, because I'm aiming for an older teen audience (16+), how much detail", "case, I need it to be a bit more... adult and graphic. It", "[This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with how much a young audience", "bit more... adult and graphic. It would be a first-person shooter VR war", "action/thriller* light novel for YA audience. The story involves characters \"playing\" in a", "a war-simulation game in an extremely realistic and full immersive Virtual Reality. By", "gets drawn into a virtual reality, immersive fantasy rpg. In my case, I", "seen as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets", "light novel before it crosses the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question", "([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a virtual reality, immersive fantasy", "because I'm aiming for an older teen audience (16+), how much detail (both", "graphic. It would be a first-person shooter VR war game (see, for reference,", "how much detail (both gore and psychological impact) can I put into this", "first-person shooter VR war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because", "In my case, I need it to be a bit more... adult and", "novel before it crosses the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is", "this light novel before it crosses the line between thriller and horror?** [This](http://writing.stackexchange.com/q/9594/14704)", "and graphic. It would be a first-person shooter VR war game (see, for", "for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older teen", "with how much a young audience can handle at all, whereas I'm trying", "can handle at all, whereas I'm trying to find the line between thriller", "would be a first-person shooter VR war game (see, for reference, [Escape from", "I'm aiming for an older teen audience (16+), how much detail (both gore", "be a first-person shooter VR war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)).", "(both gore and psychological impact) can I put into this light novel before", "before it crosses the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar,", "adult and graphic. It would be a first-person shooter VR war game (see,", "By \"full immersive\" I mean that the person who plays this simulation feels", "and psychological impact) can I put into this light novel before it crosses", "person who plays this simulation feels like they are experiencing it. *Note that", "it deals with how much a young audience can handle at all, whereas", "similar, but it deals with how much a young audience can handle at", "crosses the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it", "mean that the person who plays this simulation feels like they are experiencing", "Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a virtual reality, immersive", "older teen audience (16+), how much detail (both gore and psychological impact) can", "from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for an older teen audience (16+), *how", "page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into a virtual reality, immersive fantasy rpg.", "in an extremely realistic and full immersive Virtual Reality. By \"full immersive\" I", "young audience can handle at all, whereas I'm trying to find the line", "an action/thriller* light novel for YA audience. The story involves characters \"playing\" in", "a bit more... adult and graphic. It would be a first-person shooter VR", "the line between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals", "horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with how much a young", "like death, fatal wounds, pain and such. My concept may be seen as", "immersive fantasy rpg. In my case, I need it to be a bit", "to be a bit more... adult and graphic. It would be a first-person", "fantasy rpg. In my case, I need it to be a bit more...", "(16+), how much detail (both gore and psychological impact) can I put into", "death, fatal wounds, pain and such.** My concept may be seen as similar", "a young audience can handle at all, whereas I'm trying to find the", "rpg. In my case, I need it to be a bit more... adult", "war game (see, for reference, [Escape from Tarkov](https://en.wikipedia.org/wiki/Escape_from_Tarkov)). Now, because I'm aiming for", "as similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn", "into this light novel before it crosses the line between thriller and horror?", "writing an action/thriller light novel for YA audience. The story involves characters \"playing\"", "virtual reality, immersive fantasy rpg. In my case, I need it to be", "like they are experiencing it. Note that this includes themes like death, fatal", "extremely realistic and full immersive Virtual Reality. By \"full immersive\" I mean that", "an older teen audience (16+), how much detail (both gore and psychological impact)", "similar to Sword Art Online ([SAO-Wikipedia page](https://en.wikipedia.org/wiki/Sword_Art_Online)), where the protagonist gets drawn into", "experiencing it. Note that this includes themes like death, fatal wounds, pain and", "into a virtual reality, immersive fantasy rpg. In my case, I need it", "between thriller and horror? [This](http://writing.stackexchange.com/q/9594/14704) question is similar, but it deals with how", "are experiencing it. Note that this includes themes like death, fatal wounds, pain", "\"playing\" in a war-simulation game in an extremely realistic and full immersive Virtual", "light novel for YA audience. The story involves characters \"playing\" in a war-simulation", "much detail (both gore and psychological impact) can I put into this light", "drawn into a virtual reality, immersive fantasy rpg. In my case, I need", "need it to be a bit more... adult and graphic. It would be", "audience. The story involves characters \"playing\" in a war-simulation game in an extremely", "reality, immersive fantasy rpg. In my case, I need it to be a", "audience can handle at all, whereas I'm trying to find the line between", "gore and psychological impact) can I put into this light novel before it" ]
[ "does not go with horror. That it reads \"too soft and poetic\" unlike", "premise is terrific, my narrative voice does not go with horror. That it", "a horror story and everybody says that it is indeed good but they", "it is indeed good but they also point out that while my premise", "is indeed good but they also point out that while my premise is", "my premise is terrific, my narrative voice does not go with horror. That", "poetic\" unlike horror stories. In fact, I agree. How do I work this", "terrific, my narrative voice does not go with horror. That it reads \"too", "point out that while my premise is terrific, my narrative voice does not", "narrative voice does not go with horror. That it reads \"too soft and", "and everybody says that it is indeed good but they also point out", "that while my premise is terrific, my narrative voice does not go with", "So, I've written a horror story and everybody says that it is indeed", "it reads \"too soft and poetic\" unlike horror stories. In fact, I agree.", "says that it is indeed good but they also point out that while", "not go with horror. That it reads \"too soft and poetic\" unlike horror", "that it is indeed good but they also point out that while my", "everybody says that it is indeed good but they also point out that", "my narrative voice does not go with horror. That it reads \"too soft", "story and everybody says that it is indeed good but they also point", "but they also point out that while my premise is terrific, my narrative", "unlike horror stories. In fact, I agree. How do I work this out?", "also point out that while my premise is terrific, my narrative voice does", "voice does not go with horror. That it reads \"too soft and poetic\"", "horror. That it reads \"too soft and poetic\" unlike horror stories. In fact,", "indeed good but they also point out that while my premise is terrific,", "That it reads \"too soft and poetic\" unlike horror stories. In fact, I", "is terrific, my narrative voice does not go with horror. That it reads", "and poetic\" unlike horror stories. In fact, I agree. How do I work", "soft and poetic\" unlike horror stories. In fact, I agree. How do I", "I've written a horror story and everybody says that it is indeed good", "written a horror story and everybody says that it is indeed good but", "\"too soft and poetic\" unlike horror stories. In fact, I agree. How do", "out that while my premise is terrific, my narrative voice does not go", "good but they also point out that while my premise is terrific, my", "go with horror. That it reads \"too soft and poetic\" unlike horror stories.", "horror story and everybody says that it is indeed good but they also", "they also point out that while my premise is terrific, my narrative voice", "while my premise is terrific, my narrative voice does not go with horror.", "reads \"too soft and poetic\" unlike horror stories. In fact, I agree. How", "with horror. That it reads \"too soft and poetic\" unlike horror stories. In" ]
[ "up where the reader expected though, so this doesn't really solve the problem.", "Obviously all readers expect the good guy to win and the conflict to", "In the beginning of the first book, we all expect Katniss to enter", "especially true of mystery novels, but obviously applies to any creative story. (A", "learns that life there revolves around escaping the island. The only way to", "Games. In the beginning of the first book, we all expect Katniss to", "the same.) For this reason, avoiding a predictable plot is a good thing.", "solve the problem. It simply arrives at the expected outcome through unexpected methods.", "takes place on an isolated island in the middle of the ocean. An", "keeping the reader in the dark remains the same.) For this reason, avoiding", "An amnesia-stricken newcomer arrives in the only village on the island, and quickly", "true of mystery novels, but obviously applies to any creative story. (A few", "I don't see this as really solving the problem. --- Note: Not a", "expected though, so this doesn't really solve the problem. It simply arrives at", "I said, I don't see this as really solving the problem. --- Note:", "still ends up where we knew she would. As I said, I don't", "the reader expected though, so this doesn't really solve the problem. It simply", "from leaving. However, no one has yet been able to slay the monster.", "I have a predictable plot, as in the example above, how can I", "do the opposite, only to turn back at the last second. You still", "the first book, we all expect Katniss to enter the Hunger Games. She", "reader to know how things will end. This is especially true of mystery", "I avoid creating such a plot? Or if I have a predictable plot,", "at the expected outcome through unexpected methods. An example is The Hunger Games.", "probably even end with them sailing off into the sunset. Forgetting the cliches", "creating such a plot? Or if I have a predictable plot, as in", "of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions, while this question", "into the sunset. Forgetting the cliches for the moment, the plot is easy", "a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions, while", "have a predictable plot, as in the example above, how can I fix", "generally don't want the reader to know how things will end. This is", "he'll win. --- One method I've seen used is to establish a predictable", "one has yet been able to slay the monster. You might not know", "escape the island is by defeating the evil monster keeping everyone from leaving.", "knew she would. As I said, I don't see this as really solving", "while this question deals with plot, and keeping the ending hidden from the", "see this as really solving the problem. --- Note: Not a duplicate of", "Question:* How can I avoid creating such a plot? Or if I have", "is going to end.' This question is about how you can avoid creating", "be the one who kills the monster and frees the people. The story", "end. This is especially true of mystery novels, but obviously applies to any", "the good guy to win and the conflict to be resolved. That goes", "resolved. That goes without saying. This question goes beyond that, referring to the", "but you can tell that the amnesia-stricken newcomer is going to be the", "outcome through unexpected methods. An example is The Hunger Games. In the beginning", "knows will happen by the end of the book. It's more than knowing", "want to start setting things up, and then have the reader say to", "the example above, how can I fix it? Are there simple steps or", "of the first book, we all expect Katniss to enter the Hunger Games.", "you can tell that the amnesia-stricken newcomer is going to be the one", "so this doesn't really solve the problem. It simply arrives at the expected", "them sailing off into the sunset. Forgetting the cliches for the moment, the", "we knew she would. As I said, I don't see this as really", "deals with plot, and keeping the ending hidden from the reader until the", "applies to any creative story. (A few stories show the end, and then", "instead of her. We weren't expecting that, but she still ends up where", "Here's an example which I recently thought of: Assume I'm writing a fantasy", "though, so this doesn't really solve the problem. It simply arrives at the", "don't see this as really solving the problem. --- Note: Not a duplicate", "the expected outcome through unexpected methods. An example is The Hunger Games. In", "to escape the island is by defeating the evil monster keeping everyone from", "show the end, and then the main question is how that end was", "amnesia-stricken newcomer is going to be the one who kills the monster and", "question goes beyond that, referring to the times when the reader can list", "been able to slay the monster. You might not know exactly how, but", "obviously applies to any creative story. (A few stories show the end, and", "in the example above, how can I fix it? Are there simple steps", "expecting that, but she still ends up where we knew she would. As", "list things which he knows will happen by the end of the book.", "remains the same.) For this reason, avoiding a predictable plot is a good", "kills the monster and frees the people. The story will probably even end", "how things will end. This is especially true of mystery novels, but obviously", "simply arrives at the expected outcome through unexpected methods. An example is The", "However, the principle of keeping the reader in the dark remains the same.)", "method I've seen used is to establish a predictable plot or plot point,", "can avoid creating such a predictable plot. Here's an example which I recently", "have the reader say to himself: 'Yep, I know how this is going", "and frees the people. The story will probably even end with them sailing", "(A few stories show the end, and then the main question is how", "Hunger Games. In the beginning of the first book, we all expect Katniss", "only village on the island, and quickly learns that life there revolves around", "simple steps or methods I can follow? Note: Obviously all readers expect the", "island is by defeating the evil monster keeping everyone from leaving. However, no", "then have the reader say to himself: 'Yep, I know how this is", "avoiding a predictable plot is a good thing. You don't want to start", "story. (A few stories show the end, and then the main question is", "the problem. It simply arrives at the expected outcome through unexpected methods. An", "the monster. You might not know exactly how, but you can tell that", "if I have a predictable plot, as in the example above, how can", "be resolved. That goes without saying. This question goes beyond that, referring to", "monster. You might not know exactly how, but you can tell that the", "As I said, I don't see this as really solving the problem. ---", "the problem. --- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers", "is chosen instead of her. We weren't expecting that, but she still ends", "genre conventions, while this question deals with plot, and keeping the ending hidden", "the amnesia-stricken newcomer is going to be the one who kills the monster", "thought of: Assume I'm writing a fantasy novel which takes place on an", "to establish a predictable plot or plot point, and then do the opposite,", "that, but she still ends up where we knew she would. As I", "end up where the reader expected though, so this doesn't really solve the", "yet been able to slay the monster. You might not know exactly how,", "that end was achieved. However, the principle of keeping the reader in the", "is to establish a predictable plot or plot point, and then do the", "question refers more to genre conventions, while this question deals with plot, and", "island in the middle of the ocean. An amnesia-stricken newcomer arrives in the", "going to be the one who kills the monster and frees the people.", "only after Dkim is chosen instead of her. We weren't expecting that, but", "above, how can I fix it? Are there simple steps or methods I", "a fantasy novel which takes place on an isolated island in the middle", "but only after Dkim is chosen instead of her. We weren't expecting that,", "it? Are there simple steps or methods I can follow? Note: Obviously all", "doesn't really solve the problem. It simply arrives at the expected outcome through", "predictable plot, as in the example above, how can I fix it? Are", "of mystery novels, but obviously applies to any creative story. (A few stories", "able to slay the monster. You might not know exactly how, but you", "this question deals with plot, and keeping the ending hidden from the reader", "goes beyond that, referring to the times when the reader can list things", "to genre conventions, while this question deals with plot, and keeping the ending", "said, I don't see this as really solving the problem. --- Note: Not", "the people. The story will probably even end with them sailing off into", "solving the problem. --- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question", "question is how that end was achieved. However, the principle of keeping the", "to know how things will end. This is especially true of mystery novels,", "can tell that the amnesia-stricken newcomer is going to be the one who", "the island, and quickly learns that life there revolves around escaping the island.", "I recently thought of: Assume I'm writing a fantasy novel which takes place", "is especially true of mystery novels, but obviously applies to any creative story.", "of the book. It's more than knowing that the good guy will win.", "reader in the dark remains the same.) For this reason, avoiding a predictable", "was achieved. However, the principle of keeping the reader in the dark remains", "methods I can follow? Note: Obviously all readers expect the good guy to", "more to genre conventions, while this question deals with plot, and keeping the", "saying. This question goes beyond that, referring to the times when the reader", "expected outcome through unexpected methods. An example is The Hunger Games. In the", "but she still ends up where we knew she would. As I said,", "and the conflict to be resolved. That goes without saying. This question goes", "used is to establish a predictable plot or plot point, and then do", "such a plot? Or if I have a predictable plot, as in the", "predictable plot is a good thing. You don't want to start setting things", "conventions, while this question deals with plot, and keeping the ending hidden from", "is The Hunger Games. In the beginning of the first book, we all", "that the amnesia-stricken newcomer is going to be the one who kills the", "and then do the opposite, only to turn back at the last second.", "the opposite, only to turn back at the last second. You still end", "The only way to escape the island is by defeating the evil monster", "avoid creating such a plot? Or if I have a predictable plot, as", "where we knew she would. As I said, I don't see this as", "creating such a predictable plot. Here's an example which I recently thought of:", "You still end up where the reader expected though, so this doesn't really", "an isolated island in the middle of the ocean. An amnesia-stricken newcomer arrives", "tell that the amnesia-stricken newcomer is going to be the one who kills", "to be resolved. That goes without saying. This question goes beyond that, referring", "then do the opposite, only to turn back at the last second. You", "the reader say to himself: 'Yep, I know how this is going to", "will win. It's knowing how he'll win. --- One method I've seen used", "island. The only way to escape the island is by defeating the evil", "the Hunger Games. She does, but only after Dkim is chosen instead of", "escaping the island. The only way to escape the island is by defeating", "The story will probably even end with them sailing off into the sunset.", "the plot is easy to predict. Question: How can I avoid creating such", "Katniss to enter the Hunger Games. She does, but only after Dkim is", "good thing. You don't want to start setting things up, and then have", "sailing off into the sunset. Forgetting the cliches for the moment, the plot", "that, referring to the times when the reader can list things which he", "really solving the problem. --- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That", "he knows will happen by the end of the book. It's more than", "start setting things up, and then have the reader say to himself: 'Yep,", "establish a predictable plot or plot point, and then do the opposite, only", "plot? Or if I have a predictable plot, as in the example above,", "to be the one who kills the monster and frees the people. The", "reader say to himself: 'Yep, I know how this is going to end.'", "is by defeating the evil monster keeping everyone from leaving. However, no one", "to enter the Hunger Games. She does, but only after Dkim is chosen", "fantasy novel which takes place on an isolated island in the middle of", "Games. She does, but only after Dkim is chosen instead of her. We", "not know exactly how, but you can tell that the amnesia-stricken newcomer is", "An example is The Hunger Games. In the beginning of the first book,", "which he knows will happen by the end of the book. It's more", "the reader in the dark remains the same.) For this reason, avoiding a", "does, but only after Dkim is chosen instead of her. We weren't expecting", "book, we all expect Katniss to enter the Hunger Games. She does, but", "predictable plot. Here's an example which I recently thought of: Assume I'm writing", "the reader to know how things will end. This is especially true of", "a plot? Or if I have a predictable plot, as in the example", "up, and then have the reader say to himself: 'Yep, I know how", "writing a novel, authors generally don't want the reader to know how things", "she would. As I said, I don't see this as really solving the", "times when the reader can list things which he knows will happen by", "the conflict to be resolved. That goes without saying. This question goes beyond", "win. --- One method I've seen used is to establish a predictable plot", "win and the conflict to be resolved. That goes without saying. This question", "or methods I can follow? Note: Obviously all readers expect the good guy", "beyond that, referring to the times when the reader can list things which", "last second. You still end up where the reader expected though, so this", "Or if I have a predictable plot, as in the example above, how", "how you can avoid creating such a predictable plot. Here's an example which", "second. You still end up where the reader expected though, so this doesn't", "achieved. However, the principle of keeping the reader in the dark remains the", "duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions, while this", "monster keeping everyone from leaving. However, no one has yet been able to", "a predictable plot is a good thing. You don't want to start setting", "setting things up, and then have the reader say to himself: 'Yep, I", "question is about how you can avoid creating such a predictable plot. Here's", "himself: 'Yep, I know how this is going to end.' This question is", "to the times when the reader can list things which he knows will", "you can avoid creating such a predictable plot. Here's an example which I", "I'm writing a fantasy novel which takes place on an isolated island in", "You don't want to start setting things up, and then have the reader", "this reason, avoiding a predictable plot is a good thing. You don't want", "say to himself: 'Yep, I know how this is going to end.' This", "at the last second. You still end up where the reader expected though,", "is about how you can avoid creating such a predictable plot. Here's an", "end with them sailing off into the sunset. Forgetting the cliches for the", "in the only village on the island, and quickly learns that life there", "as in the example above, how can I fix it? Are there simple", "is a good thing. You don't want to start setting things up, and", "Note: Obviously all readers expect the good guy to win and the conflict", "the end of the book. It's more than knowing that the good guy", "However, no one has yet been able to slay the monster. You might", "leaving. However, no one has yet been able to slay the monster. You", "and then the main question is how that end was achieved. However, the", "how can I fix it? Are there simple steps or methods I can", "end was achieved. However, the principle of keeping the reader in the dark", "a predictable plot or plot point, and then do the opposite, only to", "the island is by defeating the evil monster keeping everyone from leaving. However,", "the one who kills the monster and frees the people. The story will", "she still ends up where we knew she would. As I said, I", "all expect Katniss to enter the Hunger Games. She does, but only after", "still end up where the reader expected though, so this doesn't really solve", "her. We weren't expecting that, but she still ends up where we knew", "frees the people. The story will probably even end with them sailing off", "It's more than knowing that the good guy will win. It's knowing how", "thing. You don't want to start setting things up, and then have the", "with them sailing off into the sunset. Forgetting the cliches for the moment,", "writing a fantasy novel which takes place on an isolated island in the", "ends up where we knew she would. As I said, I don't see", "knowing that the good guy will win. It's knowing how he'll win. ---", "Assume I'm writing a fantasy novel which takes place on an isolated island", "I fix it? Are there simple steps or methods I can follow? Note:", "more than knowing that the good guy will win. It's knowing how he'll", "there simple steps or methods I can follow? Note: Obviously all readers expect", "expect the good guy to win and the conflict to be resolved. That", "one who kills the monster and frees the people. The story will probably", "stories show the end, and then the main question is how that end", "how this is going to end.' This question is about how you can", "keeping everyone from leaving. However, no one has yet been able to slay", "off into the sunset. Forgetting the cliches for the moment, the plot is", "really solve the problem. It simply arrives at the expected outcome through unexpected", "One method I've seen used is to establish a predictable plot or plot", "only way to escape the island is by defeating the evil monster keeping", "book. It's more than knowing that the good guy will win. It's knowing", "around escaping the island. The only way to escape the island is by", "the ocean. An amnesia-stricken newcomer arrives in the only village on the island,", "know exactly how, but you can tell that the amnesia-stricken newcomer is going", "and then have the reader say to himself: 'Yep, I know how this", "monster and frees the people. The story will probably even end with them", "turn back at the last second. You still end up where the reader", "a good thing. You don't want to start setting things up, and then", "plot point, and then do the opposite, only to turn back at the", "this as really solving the problem. --- Note: Not a duplicate of [this", "question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions, while this question deals with", "chosen instead of her. We weren't expecting that, but she still ends up", "guy will win. It's knowing how he'll win. --- One method I've seen", "can follow? Note: Obviously all readers expect the good guy to win and", "goes without saying. This question goes beyond that, referring to the times when", "there revolves around escaping the island. The only way to escape the island", "no one has yet been able to slay the monster. You might not", "don't want to start setting things up, and then have the reader say", "arrives at the expected outcome through unexpected methods. An example is The Hunger", "good guy to win and the conflict to be resolved. That goes without", "any creative story. (A few stories show the end, and then the main", "expect Katniss to enter the Hunger Games. She does, but only after Dkim", "I've seen used is to establish a predictable plot or plot point, and", "slay the monster. You might not know exactly how, but you can tell", "will end. This is especially true of mystery novels, but obviously applies to", "to himself: 'Yep, I know how this is going to end.' This question", "ocean. An amnesia-stricken newcomer arrives in the only village on the island, and", "through unexpected methods. An example is The Hunger Games. In the beginning of", "to predict. Question:* How can I avoid creating such a plot? Or if", "That goes without saying. This question goes beyond that, referring to the times", "on the island, and quickly learns that life there revolves around escaping the", "We weren't expecting that, but she still ends up where we knew she", "only to turn back at the last second. You still end up where", "guy to win and the conflict to be resolved. That goes without saying.", "back at the last second. You still end up where the reader expected", "how that end was achieved. However, the principle of keeping the reader in", "the times when the reader can list things which he knows will happen", "win. It's knowing how he'll win. --- One method I've seen used is", "village on the island, and quickly learns that life there revolves around escaping", "same.) For this reason, avoiding a predictable plot is a good thing. You", "an example which I recently thought of: Assume I'm writing a fantasy novel", "can list things which he knows will happen by the end of the", "has yet been able to slay the monster. You might not know exactly", "to start setting things up, and then have the reader say to himself:", "fix it? Are there simple steps or methods I can follow? Note: Obviously", "people. The story will probably even end with them sailing off into the", "example which I recently thought of: Assume I'm writing a fantasy novel which", "that life there revolves around escaping the island. The only way to escape", "plot. Here's an example which I recently thought of: Assume I'm writing a", "up where we knew she would. As I said, I don't see this", "things up, and then have the reader say to himself: 'Yep, I know", "the last second. You still end up where the reader expected though, so", "novels, but obviously applies to any creative story. (A few stories show the", "then the main question is how that end was achieved. However, the principle", "story will probably even end with them sailing off into the sunset. Forgetting", "It simply arrives at the expected outcome through unexpected methods. An example is", "to turn back at the last second. You still end up where the", "problem. --- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more", "this doesn't really solve the problem. It simply arrives at the expected outcome", "I can follow? Note: Obviously all readers expect the good guy to win", "plot, as in the example above, how can I fix it? Are there", "quickly learns that life there revolves around escaping the island. The only way", "opposite, only to turn back at the last second. You still end up", "things will end. This is especially true of mystery novels, but obviously applies", "principle of keeping the reader in the dark remains the same.) For this", "plot or plot point, and then do the opposite, only to turn back", "example is The Hunger Games. In the beginning of the first book, we", "Forgetting the cliches for the moment, the plot is easy to predict. Question:", "amnesia-stricken newcomer arrives in the only village on the island, and quickly learns", "the middle of the ocean. An amnesia-stricken newcomer arrives in the only village", "the book. It's more than knowing that the good guy will win. It's", "first book, we all expect Katniss to enter the Hunger Games. She does,", "plot is easy to predict. Question: How can I avoid creating such a", "plot, and keeping the ending hidden from the reader until the last moment.", "of her. We weren't expecting that, but she still ends up where we", "by the end of the book. It's more than knowing that the good", "isolated island in the middle of the ocean. An amnesia-stricken newcomer arrives in", "This question is about how you can avoid creating such a predictable plot.", "newcomer is going to be the one who kills the monster and frees", "end.' This question is about how you can avoid creating such a predictable", "to any creative story. (A few stories show the end, and then the", "would. As I said, I don't see this as really solving the problem.", "reason, avoiding a predictable plot is a good thing. You don't want to", "way to escape the island is by defeating the evil monster keeping everyone", "novel which takes place on an isolated island in the middle of the", "sunset. Forgetting the cliches for the moment, the plot is easy to predict.", "Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre", "the cliches for the moment, the plot is easy to predict. Question: How", "a predictable plot, as in the example above, how can I fix it?", "will probably even end with them sailing off into the sunset. Forgetting the", "--- One method I've seen used is to establish a predictable plot or", "readers expect the good guy to win and the conflict to be resolved.", "middle of the ocean. An amnesia-stricken newcomer arrives in the only village on", "knowing how he'll win. --- One method I've seen used is to establish", "plot is a good thing. You don't want to start setting things up,", "of keeping the reader in the dark remains the same.) For this reason,", "the only village on the island, and quickly learns that life there revolves", "the main question is how that end was achieved. However, the principle of", "the principle of keeping the reader in the dark remains the same.) For", "or plot point, and then do the opposite, only to turn back at", "want the reader to know how things will end. This is especially true", "the monster and frees the people. The story will probably even end with", "question deals with plot, and keeping the ending hidden from the reader until", "happen by the end of the book. It's more than knowing that the", "the beginning of the first book, we all expect Katniss to enter the", "--- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to", "for the moment, the plot is easy to predict. Question: How can I", "the dark remains the same.) For this reason, avoiding a predictable plot is", "seen used is to establish a predictable plot or plot point, and then", "few stories show the end, and then the main question is how that", "the sunset. Forgetting the cliches for the moment, the plot is easy to", "dark remains the same.) For this reason, avoiding a predictable plot is a", "Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions,", "how, but you can tell that the amnesia-stricken newcomer is going to be", "life there revolves around escaping the island. The only way to escape the", "end of the book. It's more than knowing that the good guy will", "which I recently thought of: Assume I'm writing a fantasy novel which takes", "exactly how, but you can tell that the amnesia-stricken newcomer is going to", "methods. An example is The Hunger Games. In the beginning of the first", "I know how this is going to end.' This question is about how", "things which he knows will happen by the end of the book. It's", "authors generally don't want the reader to know how things will end. This", "the moment, the plot is easy to predict. Question: How can I avoid", "place on an isolated island in the middle of the ocean. An amnesia-stricken", "reader can list things which he knows will happen by the end of", "the end, and then the main question is how that end was achieved.", "easy to predict. Question: How can I avoid creating such a plot? Or", "which takes place on an isolated island in the middle of the ocean.", "refers more to genre conventions, while this question deals with plot, and keeping", "mystery novels, but obviously applies to any creative story. (A few stories show", "where the reader expected though, so this doesn't really solve the problem. It", "by defeating the evil monster keeping everyone from leaving. However, no one has", "can I avoid creating such a plot? Or if I have a predictable", "who kills the monster and frees the people. The story will probably even", "unexpected methods. An example is The Hunger Games. In the beginning of the", "example above, how can I fix it? Are there simple steps or methods", "island, and quickly learns that life there revolves around escaping the island. The", "the reader can list things which he knows will happen by the end", "in the middle of the ocean. An amnesia-stricken newcomer arrives in the only", "is going to be the one who kills the monster and frees the", "reader expected though, so this doesn't really solve the problem. It simply arrives", "but obviously applies to any creative story. (A few stories show the end,", "avoid creating such a predictable plot. Here's an example which I recently thought", "and quickly learns that life there revolves around escaping the island. The only", "How can I avoid creating such a plot? Or if I have a", "point, and then do the opposite, only to turn back at the last", "of: Assume I'm writing a fantasy novel which takes place on an isolated", "of the ocean. An amnesia-stricken newcomer arrives in the only village on the", "'Yep, I know how this is going to end.' This question is about", "in the dark remains the same.) For this reason, avoiding a predictable plot", "is easy to predict. Question: How can I avoid creating such a plot?", "moment, the plot is easy to predict. Question: How can I avoid creating", "It's knowing how he'll win. --- One method I've seen used is to", "a novel, authors generally don't want the reader to know how things will", "The Hunger Games. In the beginning of the first book, we all expect", "She does, but only after Dkim is chosen instead of her. We weren't", "revolves around escaping the island. The only way to escape the island is", "to end.' This question is about how you can avoid creating such a", "when the reader can list things which he knows will happen by the", "evil monster keeping everyone from leaving. However, no one has yet been able", "conflict to be resolved. That goes without saying. This question goes beyond that,", "creative story. (A few stories show the end, and then the main question", "newcomer arrives in the only village on the island, and quickly learns that", "going to end.' This question is about how you can avoid creating such", "When writing a novel, authors generally don't want the reader to know how", "than knowing that the good guy will win. It's knowing how he'll win.", "For this reason, avoiding a predictable plot is a good thing. You don't", "predict. Question: How can I avoid creating such a plot? Or if I", "the island. The only way to escape the island is by defeating the", "You might not know exactly how, but you can tell that the amnesia-stricken", "is how that end was achieved. However, the principle of keeping the reader", "to win and the conflict to be resolved. That goes without saying. This", "about how you can avoid creating such a predictable plot. Here's an example", "after Dkim is chosen instead of her. We weren't expecting that, but she", "with plot, and keeping the ending hidden from the reader until the last", "weren't expecting that, but she still ends up where we knew she would.", "don't want the reader to know how things will end. This is especially", "Dkim is chosen instead of her. We weren't expecting that, but she still", "follow? Note: Obviously all readers expect the good guy to win and the", "all readers expect the good guy to win and the conflict to be", "that the good guy will win. It's knowing how he'll win. --- One", "such a predictable plot. Here's an example which I recently thought of: Assume", "cliches for the moment, the plot is easy to predict. Question: How can", "defeating the evil monster keeping everyone from leaving. However, no one has yet", "everyone from leaving. However, no one has yet been able to slay the", "Hunger Games. She does, but only after Dkim is chosen instead of her.", "a predictable plot. Here's an example which I recently thought of: Assume I'm", "know how things will end. This is especially true of mystery novels, but", "This is especially true of mystery novels, but obviously applies to any creative", "as really solving the problem. --- Note: Not a duplicate of [this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements).", "this is going to end.' This question is about how you can avoid", "how he'll win. --- One method I've seen used is to establish a", "novel, authors generally don't want the reader to know how things will end.", "know how this is going to end.' This question is about how you", "This question goes beyond that, referring to the times when the reader can", "main question is how that end was achieved. However, the principle of keeping", "predictable plot or plot point, and then do the opposite, only to turn", "the good guy will win. It's knowing how he'll win. --- One method", "That question refers more to genre conventions, while this question deals with plot,", "can I fix it? Are there simple steps or methods I can follow?", "good guy will win. It's knowing how he'll win. --- One method I've", "the evil monster keeping everyone from leaving. However, no one has yet been", "Are there simple steps or methods I can follow? Note: Obviously all readers", "will happen by the end of the book. It's more than knowing that", "we all expect Katniss to enter the Hunger Games. She does, but only", "recently thought of: Assume I'm writing a fantasy novel which takes place on", "even end with them sailing off into the sunset. Forgetting the cliches for", "without saying. This question goes beyond that, referring to the times when the", "referring to the times when the reader can list things which he knows", "enter the Hunger Games. She does, but only after Dkim is chosen instead", "end, and then the main question is how that end was achieved. However,", "beginning of the first book, we all expect Katniss to enter the Hunger", "[this question](https://writing.stackexchange.com/questions/23567/should-i-use-predictable-plot-elements). That question refers more to genre conventions, while this question deals", "on an isolated island in the middle of the ocean. An amnesia-stricken newcomer", "arrives in the only village on the island, and quickly learns that life", "problem. It simply arrives at the expected outcome through unexpected methods. An example", "might not know exactly how, but you can tell that the amnesia-stricken newcomer", "to slay the monster. You might not know exactly how, but you can", "steps or methods I can follow? Note: Obviously all readers expect the good" ]
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So assume English is my second language. Should I learn English grammar", "get how to write even a proper thesis statement. And the tips in", "some basic grammars, but not in depth. I dunno whether the essay writing", "paraphrasing those lines in the references? Or what? Since I cannot even create", "like researching, creating your own thesis statement, and so on. I even cannot", "cannot create a good paragraph. So assume English is my second language. Should", "real beginner like me. Reading a lot of books still not make me", "paper, and it still abstract tips like researching, creating your own thesis statement,", "Should I learn English grammar to the core like the Literature Students? Since", "templates still not helping me at all. How to make a paragraphs logically", "flow. I need some advice to write for a real beginner like me.", "to research, what should I do? Already read several books, but still don't", "and it still abstract tips like researching, creating your own thesis statement, and", "should I do? Already read several books, but still don't get how to", "but not in depth. I dunno whether the essay writing need to be", "tips about writing essay and paper, and it still abstract tips like researching,", "know some basic grammars, but not in depth. I dunno whether the essay", "be grammar perfect or not. And when to research, what should I do?", "researching, creating your own thesis statement, and so on. I even cannot create", "even create new sentences based on the references. I know there is a", "searched any tips about writing essay and paper, and it still abstract tips", "to be grammar perfect or not. And when to research, what should I", "structure like Intro --> Body 1 ---> Body 2 ---> Body n --->", "abstract tips like researching, creating your own thesis statement, and so on. I", "all. How to make a paragraphs logically flowed? Well maybe there are several", "and so on. I even cannot create a good paragraph. So assume English", "Well maybe there are several questions inside questions. However, it's because I really", "the references. I know there is a general structure like Intro --> Body", "and paper, and it still abstract tips like researching, creating your own thesis", "create new sentences based on the references. I know there is a general", "how to write even a proper thesis statement. And the tips in the", "in the references? Or what? Since I cannot even create new sentences based", "--> Body 1 ---> Body 2 ---> Body n ---> Conclusion paragraphs. However,", "Literature Students? Since I know some basic grammars, but not in depth. I", "or not. And when to research, what should I do? Already read several", "Since I know some basic grammars, but not in depth. I dunno whether", "thesis statement. And the tips in the Internet seems abstract and don't help", "really don't understand the rigorous way to write an essay that have logical", "research, what should I do? Already read several books, but still don't get", "Body 2 ---> Body n ---> Conclusion paragraphs. However, this kind of templates", "whether the essay writing need to be grammar perfect or not. And when", "like Intro --> Body 1 ---> Body 2 ---> Body n ---> Conclusion", "still don't get how to write even a proper thesis statement. And the", "make a paragraphs logically flowed? Well maybe there are several questions inside questions.", "any tips about writing essay and paper, and it still abstract tips like", "the essay writing need to be grammar perfect or not. And when to", "on. I even cannot create a good paragraph. So assume English is my", "know there is a general structure like Intro --> Body 1 ---> Body", "assume English is my second language. Should I learn English grammar to the", "it still abstract tips like researching, creating your own thesis statement, and so", "write for a real beginner like me. Reading a lot of books still", "Intro --> Body 1 ---> Body 2 ---> Body n ---> Conclusion paragraphs.", "thesis statement, and so on. I even cannot create a good paragraph. So", "core like the Literature Students? Since I know some basic grammars, but not", "grammar perfect or not. And when to research, what should I do? Already", "do? Already read several books, but still don't get how to write even", "don't understand the rigorous way to write an essay that have logical flow.", "it just only paraphrasing those lines in the references? Or what? Since I", "I learn English grammar to the core like the Literature Students? Since I", "tips in the Internet seems abstract and don't help me at all. Is", "this kind of templates still not helping me at all. How to make", "maybe there are several questions inside questions. However, it's because I really don't", "to write an essay that have logical flow. I need some advice to", "is a general structure like Intro --> Body 1 ---> Body 2 --->", "a good paragraph. So assume English is my second language. Should I learn", "perfect or not. And when to research, what should I do? Already read", "like me. Reading a lot of books still not make me understand FYI.", "---> Conclusion paragraphs. However, this kind of templates still not helping me at", "even a proper thesis statement. And the tips in the Internet seems abstract", "seems abstract and don't help me at all. Is it just only paraphrasing", "Is it just only paraphrasing those lines in the references? Or what? Since", "tips like researching, creating your own thesis statement, and so on. I even", "that have logical flow. I need some advice to write for a real" ]
[ "to the thesis. So I tried to make one based on a question.", "create a thesis statement based on that question: In this essay, I will", "of unemployment. Is this thesis statement correct? I feel that I should include", "statement, but it will make the statement become too long. What should I", "one or two serious ones and suggest ways that governments and individuals can", "one based on a question. So assume question like this: Overpopulation of urban", "will arguing that overpopulation may cause prevalent famine and increasing numbers of unemployment.", "prevalent famine and increasing numbers of unemployment. Is this thesis statement correct? I", "make one based on a question. So assume question like this: Overpopulation of", "thesis. So I tried to make one based on a question. So assume", "ones and suggest ways that governments and individuals can tackle these problems. And", "any essay making tips and they said that the thesis statement is key", "urban areas has led to numerous problems. Identify one or two serious ones", "question. So assume question like this: Overpopulation of urban areas has led to", "that governments and individuals can tackle these problems. And I create a thesis", "on that question: In this essay, I will arguing that overpopulation may cause", "tackle these problems. And I create a thesis statement based on that question:", "and increasing numbers of unemployment. Is this thesis statement correct? I feel that", "serious ones and suggest ways that governments and individuals can tackle these problems.", "key to the thesis. So I tried to make one based on a", "said that the thesis statement is key to the thesis. So I tried", "essay, I will arguing that overpopulation may cause prevalent famine and increasing numbers", "problems. Identify one or two serious ones and suggest ways that governments and", "So assume question like this: Overpopulation of urban areas has led to numerous", "have read any essay making tips and they said that the thesis statement", "that question: In this essay, I will arguing that overpopulation may cause prevalent", "like this: Overpopulation of urban areas has led to numerous problems. Identify one", "areas has led to numerous problems. Identify one or two serious ones and", "suggest ways that governments and individuals can tackle these problems. And I create", "So I tried to make one based on a question. So assume question", "or two serious ones and suggest ways that governments and individuals can tackle", "can tackle these problems. And I create a thesis statement based on that", "feel that I should include my solution in the thesis statement, but it", "and they said that the thesis statement is key to the thesis. So", "individuals can tackle these problems. And I create a thesis statement based on", "thesis statement, but it will make the statement become too long. What should", "based on that question: In this essay, I will arguing that overpopulation may", "and suggest ways that governments and individuals can tackle these problems. And I", "numbers of unemployment. Is this thesis statement correct? I feel that I should", "the thesis statement, but it will make the statement become too long. What", "on a question. So assume question like this: Overpopulation of urban areas has", "question: In this essay, I will arguing that overpopulation may cause prevalent famine", "Identify one or two serious ones and suggest ways that governments and individuals", "ways that governments and individuals can tackle these problems. And I create a", "the thesis. So I tried to make one based on a question. So", "I will arguing that overpopulation may cause prevalent famine and increasing numbers of", "In this essay, I will arguing that overpopulation may cause prevalent famine and", "this essay, I will arguing that overpopulation may cause prevalent famine and increasing", "that the thesis statement is key to the thesis. So I tried to", "this thesis statement correct? I feel that I should include my solution in", "assume question like this: Overpopulation of urban areas has led to numerous problems.", "statement based on that question: In this essay, I will arguing that overpopulation", "governments and individuals can tackle these problems. And I create a thesis statement", "a question. So assume question like this: Overpopulation of urban areas has led", "in the thesis statement, but it will make the statement become too long.", "statement correct? I feel that I should include my solution in the thesis", "cause prevalent famine and increasing numbers of unemployment. Is this thesis statement correct?", "my solution in the thesis statement, but it will make the statement become", "Is this thesis statement correct? I feel that I should include my solution", "And I create a thesis statement based on that question: In this essay,", "they said that the thesis statement is key to the thesis. So I", "famine and increasing numbers of unemployment. Is this thesis statement correct? I feel", "should include my solution in the thesis statement, but it will make the", "led to numerous problems. Identify one or two serious ones and suggest ways", "I tried to make one based on a question. So assume question like", "numerous problems. Identify one or two serious ones and suggest ways that governments", "overpopulation may cause prevalent famine and increasing numbers of unemployment. Is this thesis", "problems. And I create a thesis statement based on that question: In this", "that I should include my solution in the thesis statement, but it will", "thesis statement is key to the thesis. So I tried to make one", "to make one based on a question. So assume question like this: Overpopulation", "essay making tips and they said that the thesis statement is key to", "making tips and they said that the thesis statement is key to the", "I feel that I should include my solution in the thesis statement, but", "arguing that overpopulation may cause prevalent famine and increasing numbers of unemployment. Is", "that overpopulation may cause prevalent famine and increasing numbers of unemployment. Is this", "and individuals can tackle these problems. And I create a thesis statement based", "thesis statement correct? I feel that I should include my solution in the", "I create a thesis statement based on that question: In this essay, I", "tips and they said that the thesis statement is key to the thesis.", "I should include my solution in the thesis statement, but it will make", "solution in the thesis statement, but it will make the statement become too", "read any essay making tips and they said that the thesis statement is", "of urban areas has led to numerous problems. Identify one or two serious", "Overpopulation of urban areas has led to numerous problems. Identify one or two", "increasing numbers of unemployment. Is this thesis statement correct? I feel that I", "unemployment. Is this thesis statement correct? I feel that I should include my", "the thesis statement is key to the thesis. So I tried to make", "based on a question. So assume question like this: Overpopulation of urban areas", "two serious ones and suggest ways that governments and individuals can tackle these", "may cause prevalent famine and increasing numbers of unemployment. Is this thesis statement", "correct? I feel that I should include my solution in the thesis statement,", "this: Overpopulation of urban areas has led to numerous problems. Identify one or", "but it will make the statement become too long. What should I do?", "has led to numerous problems. Identify one or two serious ones and suggest", "a thesis statement based on that question: In this essay, I will arguing", "I have read any essay making tips and they said that the thesis", "statement is key to the thesis. So I tried to make one based", "thesis statement based on that question: In this essay, I will arguing that", "these problems. And I create a thesis statement based on that question: In", "include my solution in the thesis statement, but it will make the statement", "is key to the thesis. So I tried to make one based on", "tried to make one based on a question. So assume question like this:", "question like this: Overpopulation of urban areas has led to numerous problems. Identify", "to numerous problems. Identify one or two serious ones and suggest ways that" ]
[ "from his teenage years which involves a bosom hug and I think it's", "help. It's not an erotic book, but I'm writing a flashback from his", "something subtle about him getting an erection but I have absolutely no idea", "think it's realistic and fitting to mention something subtle about him getting an", "have absolutely no idea how to phrase it. My character is a very", "erotic book, but I'm writing a flashback from his teenage years which involves", "him getting an erection but I have absolutely no idea how to phrase", "I'm writing a flashback from his teenage years which involves a bosom hug", "flashback from his teenage years which involves a bosom hug and I think", "realistic and fitting to mention something subtle about him getting an erection but", "I have absolutely no idea how to phrase it. My character is a", "and I need a bit of help. It's not an erotic book, but", "referred to masturbation cryptically as a \"catharsis\" (which was fitting in the context).", "need a bit of help. It's not an erotic book, but I'm writing", "years which involves a bosom hug and I think it's realistic and fitting", "In a previous chapter, he referred to masturbation cryptically as a \"catharsis\" (which", "would never use your typical terminology. In a previous chapter, he referred to", "reserved individual, who would never use your typical terminology. In a previous chapter,", "It's not an erotic book, but I'm writing a flashback from his teenage", "In my novel, I'm currently writing from a male's perspective and I need", "my novel, I'm currently writing from a male's perspective and I need a", "involves a bosom hug and I think it's realistic and fitting to mention", "subtle about him getting an erection but I have absolutely no idea how", "book, but I'm writing a flashback from his teenage years which involves a", "previous chapter, he referred to masturbation cryptically as a \"catharsis\" (which was fitting", "chapter, he referred to masturbation cryptically as a \"catharsis\" (which was fitting in", "bit of help. It's not an erotic book, but I'm writing a flashback", "novel, I'm currently writing from a male's perspective and I need a bit", "his teenage years which involves a bosom hug and I think it's realistic", "about him getting an erection but I have absolutely no idea how to", "individual, who would never use your typical terminology. In a previous chapter, he", "but I have absolutely no idea how to phrase it. My character is", "a flashback from his teenage years which involves a bosom hug and I", "an erotic book, but I'm writing a flashback from his teenage years which", "who would never use your typical terminology. In a previous chapter, he referred", "teenage years which involves a bosom hug and I think it's realistic and", "writing a flashback from his teenage years which involves a bosom hug and", "never use your typical terminology. In a previous chapter, he referred to masturbation", "typical terminology. In a previous chapter, he referred to masturbation cryptically as a", "and fitting to mention something subtle about him getting an erection but I", "I'm currently writing from a male's perspective and I need a bit of", "is a very reserved individual, who would never use your typical terminology. In", "a bit of help. It's not an erotic book, but I'm writing a", "your typical terminology. In a previous chapter, he referred to masturbation cryptically as", "absolutely no idea how to phrase it. My character is a very reserved", "of help. It's not an erotic book, but I'm writing a flashback from", "a male's perspective and I need a bit of help. It's not an", "character is a very reserved individual, who would never use your typical terminology.", "an erection but I have absolutely no idea how to phrase it. My", "a very reserved individual, who would never use your typical terminology. In a", "I think it's realistic and fitting to mention something subtle about him getting", "a previous chapter, he referred to masturbation cryptically as a \"catharsis\" (which was", "a bosom hug and I think it's realistic and fitting to mention something", "mention something subtle about him getting an erection but I have absolutely no", "bosom hug and I think it's realistic and fitting to mention something subtle", "fitting to mention something subtle about him getting an erection but I have", "which involves a bosom hug and I think it's realistic and fitting to", "and I think it's realistic and fitting to mention something subtle about him", "currently writing from a male's perspective and I need a bit of help.", "he referred to masturbation cryptically as a \"catharsis\" (which was fitting in the", "phrase it. My character is a very reserved individual, who would never use", "how to phrase it. My character is a very reserved individual, who would", "not an erotic book, but I'm writing a flashback from his teenage years", "use your typical terminology. In a previous chapter, he referred to masturbation cryptically", "it. My character is a very reserved individual, who would never use your", "but I'm writing a flashback from his teenage years which involves a bosom", "it's realistic and fitting to mention something subtle about him getting an erection", "male's perspective and I need a bit of help. It's not an erotic", "hug and I think it's realistic and fitting to mention something subtle about", "perspective and I need a bit of help. It's not an erotic book,", "to phrase it. My character is a very reserved individual, who would never", "to mention something subtle about him getting an erection but I have absolutely", "I need a bit of help. It's not an erotic book, but I'm", "very reserved individual, who would never use your typical terminology. In a previous", "no idea how to phrase it. My character is a very reserved individual,", "from a male's perspective and I need a bit of help. It's not", "My character is a very reserved individual, who would never use your typical", "terminology. In a previous chapter, he referred to masturbation cryptically as a \"catharsis\"", "writing from a male's perspective and I need a bit of help. It's", "getting an erection but I have absolutely no idea how to phrase it.", "idea how to phrase it. My character is a very reserved individual, who", "erection but I have absolutely no idea how to phrase it. My character" ]
[ "or he is too lazy to improve it; he refuses to correct his", "work or he is too lazy to improve it; he refuses to correct", "in a forest chased by a group of courageous men. Half-full of mistakes", "to improve it; he refuses to correct his mistakes. Though he looks forward", "lazy to improve it; he refuses to correct his mistakes. Though he looks", "group of courageous men. Half-full of mistakes of all kinds, still it seems", "seems that he is getting the taste of writing. The problem is either", "that he is getting the taste of writing. The problem is either he", "is either he is very confident of his work or he is too", "So, my 11-year son has just written his first literature work yesterday: A", "encouraging him in the same time to do better? Note: This is my", "problem is either he is very confident of his work or he is", "How can I show him the right way to do it without making", "is getting the taste of writing. The problem is either he is very", "kinds, still it seems that he is getting the taste of writing. The", "is my first post and I do not know if this question is", "is too lazy to improve it; he refuses to correct his mistakes. Though", "to do better? Note: This is my first post and I do not", "his flaws in the story. How can I show him the right way", "story. How can I show him the right way to do it without", "to, encouraging him in the same time to do better? Note: This is", "story about werewolves in a forest chased by a group of courageous men.", "try to outline his flaws in the story. How can I show him", "is very confident of his work or he is too lazy to improve", "obliged to, encouraging him in the same time to do better? Note: This", "chased by a group of courageous men. Half-full of mistakes of all kinds,", "post and I do not know if this question is posted in the", "do not know if this question is posted in the right place. If", "of mistakes of all kinds, still it seems that he is getting the", "my 11-year son has just written his first literature work yesterday: A short", "improve it; he refuses to correct his mistakes. Though he looks forward to", "outline his flaws in the story. How can I show him the right", "Though he looks forward to my praise, which I surely do, he gets", "do better? Note: This is my first post and I do not know", "I show him the right way to do it without making him feel", "confident of his work or he is too lazy to improve it; he", "it without making him feel obliged to, encouraging him in the same time", "Note: This is my first post and I do not know if this", "show him the right way to do it without making him feel obliged", "question is posted in the right place. If it isn't, please tell me", "it; he refuses to correct his mistakes. Though he looks forward to my", "better? Note: This is my first post and I do not know if", "his first literature work yesterday: A short fantasy story about werewolves in a", "to my praise, which I surely do, he gets bored every time I", "to correct his mistakes. Though he looks forward to my praise, which I", "the taste of writing. The problem is either he is very confident of", "taste of writing. The problem is either he is very confident of his", "all kinds, still it seems that he is getting the taste of writing.", "same time to do better? Note: This is my first post and I", "written his first literature work yesterday: A short fantasy story about werewolves in", "and I do not know if this question is posted in the right", "the right way to do it without making him feel obliged to, encouraging", "way to do it without making him feel obliged to, encouraging him in", "the same time to do better? Note: This is my first post and", "son has just written his first literature work yesterday: A short fantasy story", "forest chased by a group of courageous men. Half-full of mistakes of all", "in the same time to do better? Note: This is my first post", "I surely do, he gets bored every time I try to outline his", "making him feel obliged to, encouraging him in the same time to do", "in the right place. If it isn't, please tell me where to post", "men. Half-full of mistakes of all kinds, still it seems that he is", "to outline his flaws in the story. How can I show him the", "either he is very confident of his work or he is too lazy", "about werewolves in a forest chased by a group of courageous men. Half-full", "do it without making him feel obliged to, encouraging him in the same", "fantasy story about werewolves in a forest chased by a group of courageous", "flaws in the story. How can I show him the right way to", "his work or he is too lazy to improve it; he refuses to", "right way to do it without making him feel obliged to, encouraging him", "werewolves in a forest chased by a group of courageous men. Half-full of", "which I surely do, he gets bored every time I try to outline", "too lazy to improve it; he refuses to correct his mistakes. Though he", "forward to my praise, which I surely do, he gets bored every time", "he looks forward to my praise, which I surely do, he gets bored", "a forest chased by a group of courageous men. Half-full of mistakes of", "know if this question is posted in the right place. If it isn't,", "of writing. The problem is either he is very confident of his work", "feel obliged to, encouraging him in the same time to do better? Note:", "The problem is either he is very confident of his work or he", "praise, which I surely do, he gets bored every time I try to", "11-year son has just written his first literature work yesterday: A short fantasy", "yesterday: A short fantasy story about werewolves in a forest chased by a", "refuses to correct his mistakes. Though he looks forward to my praise, which", "gets bored every time I try to outline his flaws in the story.", "by a group of courageous men. Half-full of mistakes of all kinds, still", "first literature work yesterday: A short fantasy story about werewolves in a forest", "just written his first literature work yesterday: A short fantasy story about werewolves", "short fantasy story about werewolves in a forest chased by a group of", "of his work or he is too lazy to improve it; he refuses", "Half-full of mistakes of all kinds, still it seems that he is getting", "a group of courageous men. Half-full of mistakes of all kinds, still it", "time I try to outline his flaws in the story. How can I", "bored every time I try to outline his flaws in the story. How", "A short fantasy story about werewolves in a forest chased by a group", "this question is posted in the right place. If it isn't, please tell", "he refuses to correct his mistakes. Though he looks forward to my praise,", "correct his mistakes. Though he looks forward to my praise, which I surely", "has just written his first literature work yesterday: A short fantasy story about", "writing. The problem is either he is very confident of his work or", "him feel obliged to, encouraging him in the same time to do better?", "him in the same time to do better? Note: This is my first", "he is getting the taste of writing. The problem is either he is", "he is too lazy to improve it; he refuses to correct his mistakes.", "my praise, which I surely do, he gets bored every time I try", "it seems that he is getting the taste of writing. The problem is", "every time I try to outline his flaws in the story. How can", "literature work yesterday: A short fantasy story about werewolves in a forest chased", "I do not know if this question is posted in the right place.", "his mistakes. Though he looks forward to my praise, which I surely do,", "my first post and I do not know if this question is posted", "not know if this question is posted in the right place. If it", "do, he gets bored every time I try to outline his flaws in", "mistakes of all kinds, still it seems that he is getting the taste", "courageous men. Half-full of mistakes of all kinds, still it seems that he", "still it seems that he is getting the taste of writing. The problem", "This is my first post and I do not know if this question", "first post and I do not know if this question is posted in", "if this question is posted in the right place. If it isn't, please", "he gets bored every time I try to outline his flaws in the", "of courageous men. Half-full of mistakes of all kinds, still it seems that", "very confident of his work or he is too lazy to improve it;", "without making him feel obliged to, encouraging him in the same time to", "can I show him the right way to do it without making him", "of all kinds, still it seems that he is getting the taste of", "him the right way to do it without making him feel obliged to,", "is posted in the right place. If it isn't, please tell me where", "getting the taste of writing. The problem is either he is very confident", "he is very confident of his work or he is too lazy to", "to do it without making him feel obliged to, encouraging him in the", "work yesterday: A short fantasy story about werewolves in a forest chased by", "the right place. If it isn't, please tell me where to post it.", "mistakes. Though he looks forward to my praise, which I surely do, he", "surely do, he gets bored every time I try to outline his flaws", "the story. How can I show him the right way to do it", "I try to outline his flaws in the story. How can I show", "time to do better? Note: This is my first post and I do", "looks forward to my praise, which I surely do, he gets bored every", "posted in the right place. If it isn't, please tell me where to", "in the story. How can I show him the right way to do" ]
[ "and strength while also being kind of a coward and having quite feminine", "is bad at leadership, lacks endurance and strength while also being kind of", "leadership, lacks endurance and strength while also being kind of a coward and", "to make a cool character who is really unmanly? The guy is bad", "bad at leadership, lacks endurance and strength while also being kind of a", "is really unmanly? The guy is bad at leadership, lacks endurance and strength", "The guy is bad at leadership, lacks endurance and strength while also being", "make a cool character who is really unmanly? The guy is bad at", "lacks endurance and strength while also being kind of a coward and having", "strength while also being kind of a coward and having quite feminine facial", "really unmanly? The guy is bad at leadership, lacks endurance and strength while", "cool character who is really unmanly? The guy is bad at leadership, lacks", "while also being kind of a coward and having quite feminine facial features.", "at leadership, lacks endurance and strength while also being kind of a coward", "endurance and strength while also being kind of a coward and having quite", "How to make a cool character who is really unmanly? The guy is", "guy is bad at leadership, lacks endurance and strength while also being kind", "a cool character who is really unmanly? The guy is bad at leadership,", "who is really unmanly? The guy is bad at leadership, lacks endurance and", "unmanly? The guy is bad at leadership, lacks endurance and strength while also", "character who is really unmanly? The guy is bad at leadership, lacks endurance" ]
[ "had no interest in utilizing his performing talents and became known as one", "skills or highlight how naive she is due to her young age). Due", "herself and highlighting her failures for often ridiculous reasons. She feels inadequate despite", "or not entertainment is the best path for her. She idolizes her family", "and nervous, prone to embarrassing herself and highlighting her failures for often ridiculous", "achievements, not his entertainment feats. Her mother did the reverse. Her older brother", "ridiculous reasons. She feels inadequate despite how talented she is at pretty much", "best path for her. She idolizes her family members. Her father was able", "opening scene for a fantasy story I'm writing, about a mousy but passionate", "known as one of the strongest knights in the army. She desperately searches", "a talented performer she questions whether or not entertainment is the best path", "to her insecurities of feeling like she is not a talented performer she", "young age). Due to her insecurities of feeling like she is not a", "became known as one of the strongest knights in the army. She desperately", "did the reverse. Her older brother had no interest in utilizing his performing", "passionate girl from a family of entertainers who inherits the entertainer's blood. She", "extremely unpredictable fighter that became famous for his combat achievements, not his entertainment", "everything she does (that does not involve her social skills or highlight how", "(that does not involve her social skills or highlight how naive she is", "any social situation she becomes shy and nervous, prone to embarrassing herself and", "daring, and inspiring when lost in her performances or in battle, but in", "her social skills or highlight how naive she is due to her young", "Her older brother had no interest in utilizing his performing talents and became", "bold, daring, and inspiring when lost in her performances or in battle, but", "feats. Her mother did the reverse. Her older brother had no interest in", "for often ridiculous reasons. She feels inadequate despite how talented she is at", "entertainment feats. Her mother did the reverse. Her older brother had no interest", "or in battle, but in any social situation she becomes shy and nervous,", "insecurities of feeling like she is not a talented performer she questions whether", "knights in the army. She desperately searches to find her place in the", "but passionate girl from a family of entertainers who inherits the entertainer's blood.", "social situation she becomes shy and nervous, prone to embarrassing herself and highlighting", "feeling like she is not a talented performer she questions whether or not", "a bit of trouble coming up with the opening scene for a fantasy", "up with the opening scene for a fantasy story I'm writing, about a", "for her. She idolizes her family members. Her father was able to use", "I'm writing, about a mousy but passionate girl from a family of entertainers", "utilizing his performing talents and became known as one of the strongest knights", "her performances or in battle, but in any social situation she becomes shy", "of the strongest knights in the army. She desperately searches to find her", "having a bit of trouble coming up with the opening scene for a", "she is at pretty much everything she does (that does not involve her", "not entertainment is the best path for her. She idolizes her family members.", "her young age). Due to her insecurities of feeling like she is not", "fighter that became famous for his combat achievements, not his entertainment feats. Her", "failures for often ridiculous reasons. She feels inadequate despite how talented she is", "not involve her social skills or highlight how naive she is due to", "apply them to combat situations, becoming an extremely unpredictable fighter that became famous", "lost in her performances or in battle, but in any social situation she", "not a talented performer she questions whether or not entertainment is the best", "unpredictable fighter that became famous for his combat achievements, not his entertainment feats.", "his performing talents and became known as one of the strongest knights in", "combat achievements, not his entertainment feats. Her mother did the reverse. Her older", "often ridiculous reasons. She feels inadequate despite how talented she is at pretty", "becomes shy and nervous, prone to embarrassing herself and highlighting her failures for", "his entertainment feats. Her mother did the reverse. Her older brother had no", "interest in utilizing his performing talents and became known as one of the", "whether or not entertainment is the best path for her. She idolizes her", "she questions whether or not entertainment is the best path for her. She", "as an entertainer and apply them to combat situations, becoming an extremely unpredictable", "performing talents and became known as one of the strongest knights in the", "use his skills as an entertainer and apply them to combat situations, becoming", "and highlighting her failures for often ridiculous reasons. She feels inadequate despite how", "reasons. She feels inadequate despite how talented she is at pretty much everything", "entertainer's blood. She is bold, daring, and inspiring when lost in her performances", "She feels inadequate despite how talented she is at pretty much everything she", "talents and became known as one of the strongest knights in the army.", "in any social situation she becomes shy and nervous, prone to embarrassing herself", "highlighting her failures for often ridiculous reasons. She feels inadequate despite how talented", "path for her. She idolizes her family members. Her father was able to", "about a mousy but passionate girl from a family of entertainers who inherits", "trouble coming up with the opening scene for a fantasy story I'm writing,", "becoming an extremely unpredictable fighter that became famous for his combat achievements, not", "how talented she is at pretty much everything she does (that does not", "combat situations, becoming an extremely unpredictable fighter that became famous for his combat", "them to combat situations, becoming an extremely unpredictable fighter that became famous for", "and inspiring when lost in her performances or in battle, but in any", "is at pretty much everything she does (that does not involve her social", "highlight how naive she is due to her young age). Due to her", "no interest in utilizing his performing talents and became known as one of", "She desperately searches to find her place in the world just as her", "I'm having a bit of trouble coming up with the opening scene for", "the opening scene for a fantasy story I'm writing, about a mousy but", "inadequate despite how talented she is at pretty much everything she does (that", "entertainers who inherits the entertainer's blood. She is bold, daring, and inspiring when", "older brother had no interest in utilizing his performing talents and became known", "She is bold, daring, and inspiring when lost in her performances or in", "is due to her young age). Due to her insecurities of feeling like", "nervous, prone to embarrassing herself and highlighting her failures for often ridiculous reasons.", "mother did the reverse. Her older brother had no interest in utilizing his", "a family of entertainers who inherits the entertainer's blood. She is bold, daring,", "much everything she does (that does not involve her social skills or highlight", "his combat achievements, not his entertainment feats. Her mother did the reverse. Her", "for a fantasy story I'm writing, about a mousy but passionate girl from", "place in the world just as her family members have all found theirs.", "blood. She is bold, daring, and inspiring when lost in her performances or", "situation she becomes shy and nervous, prone to embarrassing herself and highlighting her", "she is due to her young age). Due to her insecurities of feeling", "in utilizing his performing talents and became known as one of the strongest", "is not a talented performer she questions whether or not entertainment is the", "writing, about a mousy but passionate girl from a family of entertainers who", "social skills or highlight how naive she is due to her young age).", "his skills as an entertainer and apply them to combat situations, becoming an", "members. Her father was able to use his skills as an entertainer and", "talented she is at pretty much everything she does (that does not involve", "and apply them to combat situations, becoming an extremely unpredictable fighter that became", "talented performer she questions whether or not entertainment is the best path for", "strongest knights in the army. She desperately searches to find her place in", "her place in the world just as her family members have all found", "family of entertainers who inherits the entertainer's blood. She is bold, daring, and", "who inherits the entertainer's blood. She is bold, daring, and inspiring when lost", "how naive she is due to her young age). Due to her insecurities", "battle, but in any social situation she becomes shy and nervous, prone to", "not his entertainment feats. Her mother did the reverse. Her older brother had", "story I'm writing, about a mousy but passionate girl from a family of", "and became known as one of the strongest knights in the army. She", "to combat situations, becoming an extremely unpredictable fighter that became famous for his", "of entertainers who inherits the entertainer's blood. She is bold, daring, and inspiring", "inspiring when lost in her performances or in battle, but in any social", "shy and nervous, prone to embarrassing herself and highlighting her failures for often", "idolizes her family members. Her father was able to use his skills as", "with the opening scene for a fantasy story I'm writing, about a mousy", "the army. She desperately searches to find her place in the world just", "her family members. Her father was able to use his skills as an", "became famous for his combat achievements, not his entertainment feats. Her mother did", "in battle, but in any social situation she becomes shy and nervous, prone", "situations, becoming an extremely unpredictable fighter that became famous for his combat achievements,", "performer she questions whether or not entertainment is the best path for her.", "of feeling like she is not a talented performer she questions whether or", "brother had no interest in utilizing his performing talents and became known as", "despite how talented she is at pretty much everything she does (that does", "army. She desperately searches to find her place in the world just as", "she becomes shy and nervous, prone to embarrassing herself and highlighting her failures", "an extremely unpredictable fighter that became famous for his combat achievements, not his", "find her place in the world just as her family members have all", "in the army. She desperately searches to find her place in the world", "naive she is due to her young age). Due to her insecurities of", "does (that does not involve her social skills or highlight how naive she", "a fantasy story I'm writing, about a mousy but passionate girl from a", "involve her social skills or highlight how naive she is due to her", "Her mother did the reverse. Her older brother had no interest in utilizing", "is bold, daring, and inspiring when lost in her performances or in battle,", "for his combat achievements, not his entertainment feats. Her mother did the reverse.", "like she is not a talented performer she questions whether or not entertainment", "famous for his combat achievements, not his entertainment feats. Her mother did the", "Her father was able to use his skills as an entertainer and apply", "prone to embarrassing herself and highlighting her failures for often ridiculous reasons. She", "pretty much everything she does (that does not involve her social skills or", "the reverse. Her older brother had no interest in utilizing his performing talents", "coming up with the opening scene for a fantasy story I'm writing, about", "a mousy but passionate girl from a family of entertainers who inherits the", "is the best path for her. She idolizes her family members. Her father", "able to use his skills as an entertainer and apply them to combat", "an entertainer and apply them to combat situations, becoming an extremely unpredictable fighter", "her. She idolizes her family members. Her father was able to use his", "reverse. Her older brother had no interest in utilizing his performing talents and", "the best path for her. She idolizes her family members. Her father was", "her failures for often ridiculous reasons. She feels inadequate despite how talented she", "to her young age). Due to her insecurities of feeling like she is", "desperately searches to find her place in the world just as her family", "mousy but passionate girl from a family of entertainers who inherits the entertainer's", "to use his skills as an entertainer and apply them to combat situations,", "bit of trouble coming up with the opening scene for a fantasy story", "the entertainer's blood. She is bold, daring, and inspiring when lost in her", "from a family of entertainers who inherits the entertainer's blood. She is bold,", "feels inadequate despite how talented she is at pretty much everything she does", "when lost in her performances or in battle, but in any social situation", "age). Due to her insecurities of feeling like she is not a talented", "fantasy story I'm writing, about a mousy but passionate girl from a family", "Due to her insecurities of feeling like she is not a talented performer", "at pretty much everything she does (that does not involve her social skills", "her insecurities of feeling like she is not a talented performer she questions", "due to her young age). Due to her insecurities of feeling like she", "She idolizes her family members. Her father was able to use his skills", "performances or in battle, but in any social situation she becomes shy and", "scene for a fantasy story I'm writing, about a mousy but passionate girl", "she does (that does not involve her social skills or highlight how naive", "family members. Her father was able to use his skills as an entertainer", "searches to find her place in the world just as her family members", "skills as an entertainer and apply them to combat situations, becoming an extremely", "does not involve her social skills or highlight how naive she is due", "embarrassing herself and highlighting her failures for often ridiculous reasons. She feels inadequate", "questions whether or not entertainment is the best path for her. She idolizes", "of trouble coming up with the opening scene for a fantasy story I'm", "the strongest knights in the army. She desperately searches to find her place", "entertainment is the best path for her. She idolizes her family members. Her", "to find her place in the world just as her family members have", "was able to use his skills as an entertainer and apply them to", "father was able to use his skills as an entertainer and apply them", "inherits the entertainer's blood. She is bold, daring, and inspiring when lost in", "she is not a talented performer she questions whether or not entertainment is", "to embarrassing herself and highlighting her failures for often ridiculous reasons. She feels", "or highlight how naive she is due to her young age). Due to", "entertainer and apply them to combat situations, becoming an extremely unpredictable fighter that", "that became famous for his combat achievements, not his entertainment feats. Her mother", "girl from a family of entertainers who inherits the entertainer's blood. She is", "in her performances or in battle, but in any social situation she becomes", "one of the strongest knights in the army. She desperately searches to find", "but in any social situation she becomes shy and nervous, prone to embarrassing", "as one of the strongest knights in the army. She desperately searches to" ]
[ "software, so I guess I could grab some models and pose them in", "of artistic talent might hold me back. I do have some experience using", "using 3d modeling software, so I guess I could grab some models and", "about it. Is it unusual for someone like that to work in the", "them in a shot in a way to \"sketch\" the scenes in my", "for someone like me, provided my writing is good enough? I'd love to", "some experience using 3d modeling software, so I guess I could grab some", "images in my head to artists. Is there still a place for someone", "head, but... yeah, that's about it. Is it unusual for someone like that", "work in the field of animation? Maybe there are some examples of famous", "scenes in my head, but... yeah, that's about it. Is it unusual for", "it unusual for someone like that to work in the field of animation?", "\"sketch\" the scenes in my head, but... yeah, that's about it. Is it", "I usually imagine how they are like in show/movie form, specifically 3d animated", "I could grab some models and pose them in a shot in a", "in my head to artists. Is there still a place for someone like", "See title. I love writing stories, but I usually imagine how they are", "it. Is it unusual for someone like that to work in the field", "love to dabble in that field, but I fear my lack of artistic", "of animation? Maybe there are some examples of famous directors/writers who can't draw?", "I do have some experience using 3d modeling software, so I guess I", "hold me back. I do have some experience using 3d modeling software, so", "my head, but... yeah, that's about it. Is it unusual for someone like", "provided my writing is good enough? I'd love to dabble in that field,", "but I fear my lack of artistic talent might hold me back. I", "good book, but I do think I could write well for a visual", "to dabble in that field, but I fear my lack of artistic talent", "how they are like in show/movie form, specifically 3d animated ones. I don't", "models and pose them in a shot in a way to \"sketch\" the", "don't feel like I have the skill to write a good book, but", "I'd love to dabble in that field, but I fear my lack of", "book, but I do think I could write well for a visual medium,", "fear my lack of artistic talent might hold me back. I do have", "ones. I don't feel like I have the skill to write a good", "my writing is good enough? I'd love to dabble in that field, but", "artists. Is there still a place for someone like me, provided my writing", "and pose them in a shot in a way to \"sketch\" the scenes", "shot in a way to \"sketch\" the scenes in my head, but... yeah,", "that to work in the field of animation? Maybe there are some examples", "unusual for someone like that to work in the field of animation? Maybe", "yeah, that's about it. Is it unusual for someone like that to work", "properly convey the images in my head to artists. Is there still a", "that's about it. Is it unusual for someone like that to work in", "the scenes in my head, but... yeah, that's about it. Is it unusual", "have no artistic talent whatsoever to properly convey the images in my head", "medium, however, I absolutely have no artistic talent whatsoever to properly convey the", "someone like that to work in the field of animation? Maybe there are", "I fear my lack of artistic talent might hold me back. I do", "well for a visual medium, however, I absolutely have no artistic talent whatsoever", "I have the skill to write a good book, but I do think", "have the skill to write a good book, but I do think I", "Is there still a place for someone like me, provided my writing is", "enough? I'd love to dabble in that field, but I fear my lack", "in a shot in a way to \"sketch\" the scenes in my head,", "Is it unusual for someone like that to work in the field of", "write well for a visual medium, however, I absolutely have no artistic talent", "like me, provided my writing is good enough? I'd love to dabble in", "do think I could write well for a visual medium, however, I absolutely", "my lack of artistic talent might hold me back. I do have some", "in show/movie form, specifically 3d animated ones. I don't feel like I have", "place for someone like me, provided my writing is good enough? I'd love", "in the field of animation? Maybe there are some examples of famous directors/writers", "I love writing stories, but I usually imagine how they are like in", "experience using 3d modeling software, so I guess I could grab some models", "a good book, but I do think I could write well for a", "I guess I could grab some models and pose them in a shot", "visual medium, however, I absolutely have no artistic talent whatsoever to properly convey", "no artistic talent whatsoever to properly convey the images in my head to", "have some experience using 3d modeling software, so I guess I could grab", "show/movie form, specifically 3d animated ones. I don't feel like I have the", "could grab some models and pose them in a shot in a way", "me, provided my writing is good enough? I'd love to dabble in that", "back. I do have some experience using 3d modeling software, so I guess", "whatsoever to properly convey the images in my head to artists. Is there", "field of animation? Maybe there are some examples of famous directors/writers who can't", "feel like I have the skill to write a good book, but I", "think I could write well for a visual medium, however, I absolutely have", "talent might hold me back. I do have some experience using 3d modeling", "in that field, but I fear my lack of artistic talent might hold", "like I have the skill to write a good book, but I do", "I don't feel like I have the skill to write a good book,", "like that to work in the field of animation? Maybe there are some", "usually imagine how they are like in show/movie form, specifically 3d animated ones.", "me back. I do have some experience using 3d modeling software, so I", "imagine how they are like in show/movie form, specifically 3d animated ones. I", "field, but I fear my lack of artistic talent might hold me back.", "specifically 3d animated ones. I don't feel like I have the skill to", "in my head, but... yeah, that's about it. Is it unusual for someone", "might hold me back. I do have some experience using 3d modeling software,", "writing stories, but I usually imagine how they are like in show/movie form,", "could write well for a visual medium, however, I absolutely have no artistic", "head to artists. Is there still a place for someone like me, provided", "dabble in that field, but I fear my lack of artistic talent might", "the skill to write a good book, but I do think I could", "title. I love writing stories, but I usually imagine how they are like", "stories, but I usually imagine how they are like in show/movie form, specifically", "3d modeling software, so I guess I could grab some models and pose", "grab some models and pose them in a shot in a way to", "in a way to \"sketch\" the scenes in my head, but... yeah, that's", "for someone like that to work in the field of animation? Maybe there", "someone like me, provided my writing is good enough? I'd love to dabble", "so I guess I could grab some models and pose them in a", "however, I absolutely have no artistic talent whatsoever to properly convey the images", "but... yeah, that's about it. Is it unusual for someone like that to", "a visual medium, however, I absolutely have no artistic talent whatsoever to properly", "pose them in a shot in a way to \"sketch\" the scenes in", "I could write well for a visual medium, however, I absolutely have no", "to write a good book, but I do think I could write well", "artistic talent might hold me back. I do have some experience using 3d", "love writing stories, but I usually imagine how they are like in show/movie", "for a visual medium, however, I absolutely have no artistic talent whatsoever to", "modeling software, so I guess I could grab some models and pose them", "they are like in show/movie form, specifically 3d animated ones. I don't feel", "way to \"sketch\" the scenes in my head, but... yeah, that's about it.", "form, specifically 3d animated ones. I don't feel like I have the skill", "do have some experience using 3d modeling software, so I guess I could", "skill to write a good book, but I do think I could write", "good enough? I'd love to dabble in that field, but I fear my", "to artists. Is there still a place for someone like me, provided my", "3d animated ones. I don't feel like I have the skill to write", "but I do think I could write well for a visual medium, however,", "I absolutely have no artistic talent whatsoever to properly convey the images in", "a place for someone like me, provided my writing is good enough? I'd", "absolutely have no artistic talent whatsoever to properly convey the images in my", "to \"sketch\" the scenes in my head, but... yeah, that's about it. Is", "some models and pose them in a shot in a way to \"sketch\"", "but I usually imagine how they are like in show/movie form, specifically 3d", "like in show/movie form, specifically 3d animated ones. I don't feel like I", "artistic talent whatsoever to properly convey the images in my head to artists.", "I do think I could write well for a visual medium, however, I", "write a good book, but I do think I could write well for", "there still a place for someone like me, provided my writing is good", "still a place for someone like me, provided my writing is good enough?", "animated ones. I don't feel like I have the skill to write a", "convey the images in my head to artists. Is there still a place", "the field of animation? Maybe there are some examples of famous directors/writers who", "a way to \"sketch\" the scenes in my head, but... yeah, that's about", "guess I could grab some models and pose them in a shot in", "a shot in a way to \"sketch\" the scenes in my head, but...", "to properly convey the images in my head to artists. Is there still", "writing is good enough? I'd love to dabble in that field, but I", "is good enough? I'd love to dabble in that field, but I fear", "talent whatsoever to properly convey the images in my head to artists. Is", "are like in show/movie form, specifically 3d animated ones. I don't feel like", "my head to artists. Is there still a place for someone like me,", "that field, but I fear my lack of artistic talent might hold me", "the images in my head to artists. Is there still a place for", "to work in the field of animation? Maybe there are some examples of", "lack of artistic talent might hold me back. I do have some experience" ]
[ "and this person is the very antagonist of the story's protagonist. I'm trying", "are there films where the antagonist appears rather late? The earlier parts of", "as early as possible. However, are there films where the antagonist appears rather", "mystery of this antagonist. If there is a short like this, it'd be", "like this, it'd be even better. I'm working on a mystery story, where", "the antagonist is introduced as early as possible. However, are there films where", "introduced as early as possible. However, are there films where the antagonist appears", "The earlier parts of the film should center on the mystery of this", "the story's protagonist. I'm trying to see other examples of how this has", "the antagonist appears rather late? The earlier parts of the film should center", "antagonist is introduced as early as possible. However, are there films where the", "very antagonist of the story's protagonist. I'm trying to see other examples of", "early as possible. However, are there films where the antagonist appears rather late?", "where the antagonist appears rather late? The earlier parts of the film should", "even better. I'm working on a mystery story, where a person has disappeared,", "it'd be even better. I'm working on a mystery story, where a person", "the very antagonist of the story's protagonist. I'm trying to see other examples", "there films where the antagonist appears rather late? The earlier parts of the", "person is the very antagonist of the story's protagonist. I'm trying to see", "a mystery story, where a person has disappeared, and this person is the", "is introduced as early as possible. However, are there films where the antagonist", "antagonist. If there is a short like this, it'd be even better. I'm", "films where the antagonist appears rather late? The earlier parts of the film", "If there is a short like this, it'd be even better. I'm working", "short like this, it'd be even better. I'm working on a mystery story,", "I'm working on a mystery story, where a person has disappeared, and this", "person has disappeared, and this person is the very antagonist of the story's", "antagonist of the story's protagonist. I'm trying to see other examples of how", "film should center on the mystery of this antagonist. If there is a", "this antagonist. If there is a short like this, it'd be even better.", "is the very antagonist of the story's protagonist. I'm trying to see other", "center on the mystery of this antagonist. If there is a short like", "story, where a person has disappeared, and this person is the very antagonist", "Usually the antagonist is introduced as early as possible. However, are there films", "of the story's protagonist. I'm trying to see other examples of how this", "on a mystery story, where a person has disappeared, and this person is", "there is a short like this, it'd be even better. I'm working on", "is a short like this, it'd be even better. I'm working on a", "this, it'd be even better. I'm working on a mystery story, where a", "as possible. However, are there films where the antagonist appears rather late? The", "where a person has disappeared, and this person is the very antagonist of", "be even better. I'm working on a mystery story, where a person has", "has disappeared, and this person is the very antagonist of the story's protagonist.", "the mystery of this antagonist. If there is a short like this, it'd", "possible. However, are there films where the antagonist appears rather late? The earlier", "of this antagonist. If there is a short like this, it'd be even", "on the mystery of this antagonist. If there is a short like this,", "a person has disappeared, and this person is the very antagonist of the", "should center on the mystery of this antagonist. If there is a short", "story's protagonist. I'm trying to see other examples of how this has been", "a short like this, it'd be even better. I'm working on a mystery", "working on a mystery story, where a person has disappeared, and this person", "the film should center on the mystery of this antagonist. If there is", "parts of the film should center on the mystery of this antagonist. If", "antagonist appears rather late? The earlier parts of the film should center on", "rather late? The earlier parts of the film should center on the mystery", "of the film should center on the mystery of this antagonist. If there", "appears rather late? The earlier parts of the film should center on the", "better. I'm working on a mystery story, where a person has disappeared, and", "mystery story, where a person has disappeared, and this person is the very", "this person is the very antagonist of the story's protagonist. I'm trying to", "I'm trying to see other examples of how this has been previously handled.", "However, are there films where the antagonist appears rather late? The earlier parts", "protagonist. I'm trying to see other examples of how this has been previously", "earlier parts of the film should center on the mystery of this antagonist.", "disappeared, and this person is the very antagonist of the story's protagonist. I'm", "late? The earlier parts of the film should center on the mystery of" ]
[ "- that's what I see. However, is it really bad to include something", "not positive. But how much should a writer deflect from the plot? Is", "it without it, drop it from your story\" - that's what I see.", "just the one that describes something unreal. Unscientific science. Thus I guess the", "it OK to have an unnecessary frame story (within given setting) just because", "idea? Should I not include such a thing in the novel? I'm guessing", "is it really bad to include something just for fun or just because", "like the scientific (not a popular science) one, but just the one that", "to have an unnecessary frame story (within given setting) just because the story", "really bad to include something just for fun or just because it conveys", "devote a whole chapter (a few pages) or a couple to it? Is", "because the story itself might be cool (within the context of a novel)?", "something just for fun or just because it conveys the rare (exotic and", "Unscientific science. Thus I guess the answer is not positive. But how much", "whole chapter (a few pages) or a couple to it? Is it OK", "few pages) or a couple to it? Is it OK to have an", "see. However, is it really bad to include something just for fun or", "a thing in the novel? I'm guessing without these things the novel might", "OK to devote a whole chapter (a few pages) or a couple to", "a writer deflect from the plot? Is it OK to devote a whole", "and interesing) idea? Should I not include such a thing in the novel?", "popular science) one, but just the one that describes something unreal. Unscientific science.", "novel? I'm guessing without these things the novel might just become a non-artistic", "or just because it conveys the rare (exotic and interesing) idea? Should I", "is not positive. But how much should a writer deflect from the plot?", "the plot. \"If you can narrate it without it, drop it from your", "interesing) idea? Should I not include such a thing in the novel? I'm", "rare (exotic and interesing) idea? Should I not include such a thing in", "that is not tightly linked to the plot. \"If you can narrate it", "something that is not tightly linked to the plot. \"If you can narrate", "bad to include something just for fun or just because it conveys the", "because it conveys the rare (exotic and interesing) idea? Should I not include", "to devote a whole chapter (a few pages) or a couple to it?", "have an unnecessary frame story (within given setting) just because the story itself", "given setting) just because the story itself might be cool (within the context", "However, is it really bad to include something just for fun or just", "from the plot? Is it OK to devote a whole chapter (a few", "it really bad to include something just for fun or just because it", "(exotic and interesing) idea? Should I not include such a thing in the", "non-artistic book, like the scientific (not a popular science) one, but just the", "to the plot. \"If you can narrate it without it, drop it from", "it conveys the rare (exotic and interesing) idea? Should I not include such", "it from your story\" - that's what I see. However, is it really", "\"If you can narrate it without it, drop it from your story\" -", "describes something unreal. Unscientific science. Thus I guess the answer is not positive.", "a couple to it? Is it OK to have an unnecessary frame story", "can narrate it without it, drop it from your story\" - that's what", "unnecessary frame story (within given setting) just because the story itself might be", "a popular science) one, but just the one that describes something unreal. Unscientific", "not include such a thing in the novel? I'm guessing without these things", "include such a thing in the novel? I'm guessing without these things the", "these things the novel might just become a non-artistic book, like the scientific", "I not include such a thing in the novel? I'm guessing without these", "but just the one that describes something unreal. Unscientific science. Thus I guess", "from your story\" - that's what I see. However, is it really bad", "plot? Is it OK to devote a whole chapter (a few pages) or", "hear that a writer should not write something that is not tightly linked", "science. Thus I guess the answer is not positive. But how much should", "should a writer deflect from the plot? Is it OK to devote a", "the answer is not positive. But how much should a writer deflect from", "much should a writer deflect from the plot? Is it OK to devote", "that's what I see. However, is it really bad to include something just", "novel might just become a non-artistic book, like the scientific (not a popular", "linked to the plot. \"If you can narrate it without it, drop it", "the rare (exotic and interesing) idea? Should I not include such a thing", "Should I not include such a thing in the novel? I'm guessing without", "what I see. However, is it really bad to include something just for", "guess the answer is not positive. But how much should a writer deflect", "(a few pages) or a couple to it? Is it OK to have", "scientific (not a popular science) one, but just the one that describes something", "include something just for fun or just because it conveys the rare (exotic", "writer should not write something that is not tightly linked to the plot.", "science) one, but just the one that describes something unreal. Unscientific science. Thus", "you can narrate it without it, drop it from your story\" - that's", "just because it conveys the rare (exotic and interesing) idea? Should I not", "a non-artistic book, like the scientific (not a popular science) one, but just", "OK to have an unnecessary frame story (within given setting) just because the", "the scientific (not a popular science) one, but just the one that describes", "such a thing in the novel? I'm guessing without these things the novel", "for fun or just because it conveys the rare (exotic and interesing) idea?", "a writer should not write something that is not tightly linked to the", "often hear that a writer should not write something that is not tightly", "the one that describes something unreal. Unscientific science. Thus I guess the answer", "not tightly linked to the plot. \"If you can narrate it without it,", "just because the story itself might be cool (within the context of a", "Is it OK to devote a whole chapter (a few pages) or a", "deflect from the plot? Is it OK to devote a whole chapter (a", "something unreal. Unscientific science. Thus I guess the answer is not positive. But", "become a non-artistic book, like the scientific (not a popular science) one, but", "I guess the answer is not positive. But how much should a writer", "to include something just for fun or just because it conveys the rare", "it, drop it from your story\" - that's what I see. However, is", "just for fun or just because it conveys the rare (exotic and interesing)", "write something that is not tightly linked to the plot. \"If you can", "might just become a non-artistic book, like the scientific (not a popular science)", "book, like the scientific (not a popular science) one, but just the one", "Is it OK to have an unnecessary frame story (within given setting) just", "the plot? Is it OK to devote a whole chapter (a few pages)", "or a couple to it? Is it OK to have an unnecessary frame", "frame story (within given setting) just because the story itself might be cool", "should not write something that is not tightly linked to the plot. \"If", "story (within given setting) just because the story itself might be cool (within", "couple to it? Is it OK to have an unnecessary frame story (within", "I see. However, is it really bad to include something just for fun", "drop it from your story\" - that's what I see. However, is it", "not write something that is not tightly linked to the plot. \"If you", "conveys the rare (exotic and interesing) idea? Should I not include such a", "tightly linked to the plot. \"If you can narrate it without it, drop", "writer deflect from the plot? Is it OK to devote a whole chapter", "guessing without these things the novel might just become a non-artistic book, like", "without it, drop it from your story\" - that's what I see. However,", "the novel? I'm guessing without these things the novel might just become a", "chapter (a few pages) or a couple to it? Is it OK to", "pages) or a couple to it? Is it OK to have an unnecessary", "Thus I guess the answer is not positive. But how much should a", "thing in the novel? I'm guessing without these things the novel might just", "an unnecessary frame story (within given setting) just because the story itself might", "one, but just the one that describes something unreal. Unscientific science. Thus I", "answer is not positive. But how much should a writer deflect from the", "it? Is it OK to have an unnecessary frame story (within given setting)", "one that describes something unreal. Unscientific science. Thus I guess the answer is", "fun or just because it conveys the rare (exotic and interesing) idea? Should", "(not a popular science) one, but just the one that describes something unreal.", "(within given setting) just because the story itself might be cool (within the", "a whole chapter (a few pages) or a couple to it? Is it", "in the novel? I'm guessing without these things the novel might just become", "positive. But how much should a writer deflect from the plot? Is it", "how much should a writer deflect from the plot? Is it OK to", "just become a non-artistic book, like the scientific (not a popular science) one,", "that a writer should not write something that is not tightly linked to", "unreal. Unscientific science. Thus I guess the answer is not positive. But how", "without these things the novel might just become a non-artistic book, like the", "it OK to devote a whole chapter (a few pages) or a couple", "story\" - that's what I see. However, is it really bad to include", "But how much should a writer deflect from the plot? Is it OK", "narrate it without it, drop it from your story\" - that's what I", "things the novel might just become a non-artistic book, like the scientific (not", "I'm guessing without these things the novel might just become a non-artistic book,", "the novel might just become a non-artistic book, like the scientific (not a", "to it? Is it OK to have an unnecessary frame story (within given", "is not tightly linked to the plot. \"If you can narrate it without", "that describes something unreal. Unscientific science. Thus I guess the answer is not", "plot. \"If you can narrate it without it, drop it from your story\"", "I often hear that a writer should not write something that is not", "setting) just because the story itself might be cool (within the context of", "your story\" - that's what I see. However, is it really bad to" ]
[ "character become necessary for the plot? What criteria do we use to judge", "wondering if this supporting character, who I use for exposition purposes, can be", "become necessary for the plot? What criteria do we use to judge that?", "some way. When does a supporting character become necessary for the plot? What", "a supporting character become necessary for the plot? What criteria do we use", "So I'm wondering if this supporting character, who I use for exposition purposes,", "use for exposition purposes, can be made more vital in some way. When", "I use for exposition purposes, can be made more vital in some way.", "be made more vital in some way. When does a supporting character become", "supporting character become necessary for the plot? What criteria do we use to", "When does a supporting character become necessary for the plot? What criteria do", "character, who I use for exposition purposes, can be made more vital in", "for exposition purposes, can be made more vital in some way. When does", "vital in some way. When does a supporting character become necessary for the", "in some way. When does a supporting character become necessary for the plot?", "purposes, can be made more vital in some way. When does a supporting", "way. When does a supporting character become necessary for the plot? What criteria", "if this supporting character, who I use for exposition purposes, can be made", "this supporting character, who I use for exposition purposes, can be made more", "exposition purposes, can be made more vital in some way. When does a", "who I use for exposition purposes, can be made more vital in some", "does a supporting character become necessary for the plot? What criteria do we", "made more vital in some way. When does a supporting character become necessary", "can be made more vital in some way. When does a supporting character", "supporting character, who I use for exposition purposes, can be made more vital", "I'm wondering if this supporting character, who I use for exposition purposes, can", "more vital in some way. When does a supporting character become necessary for" ]
[ "high school sweetheart. She's a tomboy, yet is very sweet and caring. However,", "world.\" They'd rather be able to \"keep an eye on her\" and when", "a trip to the \"dark side\". I'm not going to mention anything gratuitously,", "is worse, or who to pick at the end. It's how do I", "a small scuffle outside, returned triumphant. However, Biune's family is... not the happiest", "However, in their high school years, she met someone who took on a", "rather be able to \"keep an eye on her\" and when she was", "could apply not only to straight, male-on-female relationships, but to any relationship. I'm", "and when she was invited to visit, she disappeared for months. Now, both", "to any relationship. I'm not trying to ask who is worse, or who", "dilemma is as follows. I have a romance project with the MC trying", "I'm settling for one or the other? This question could apply not only", "for very much. Each has broken his heart, but are willing to make", "So, my dilemma is as follows. I have a romance project with the", "who to pick at the end. It's how do I \"detach\" myself from", "the world.\" They'd rather be able to \"keep an eye on her\" and", "is, though, how do I, who have grown attached to both of the", "eat at. The two often saw each other, and would occasionally chat and", "and after a small scuffle outside, returned triumphant. However, Biune's family is... not", "with him. Since he still cares very deeply for both of them, he's", "college. But, after the man was killed in a gunfight, she went through", "who he cares for very much. Each has broken his heart, but are", "are willing to make amends and provided justification for their misdeeds. In order", "after a small scuffle outside, returned triumphant. However, Biune's family is... not the", "do I, who have grown attached to both of the characters and want", "sweet and caring. However, in their high school years, she met someone who", "but to any relationship. I'm not trying to ask who is worse, or", "information, I'll talk a bit about the persons involved. Cassidy is the MC's", "MC intervened, and after a small scuffle outside, returned triumphant. However, Biune's family", "she was invited to visit, she disappeared for months. Now, both girls are", "she did go off the deep end here. She stopped seeing the MC,", "be able to \"keep an eye on her\" and when she was invited", "very much. Each has broken his heart, but are willing to make amends", "he still cares very deeply for both of them, he's going to forgive", "the MC, and grew more and more attached to the new stranger, stopping", "get back together with one or the other. MY question is, though, how", "get back together with him. Since he still cares very deeply for both", "who have grown attached to both of the characters and want them both", "it comes to their daughter being \"out in the world.\" They'd rather be", "far, the MC intervened, and after a small scuffle outside, returned triumphant. However,", "have a romance project with the MC trying to choose between two women", "characters and want them both to succeed, do so in a way that", "with the MC trying to choose between two women who he cares for", "their daughter being \"out in the world.\" They'd rather be able to \"keep", "the end. It's how do I \"detach\" myself from my characters in order", "than most, and will eventually get back together with one or the other.", "as follows. I have a romance project with the MC trying to choose", "\"keep an eye on her\" and when she was invited to visit, she", "in a way that doesn't seem like I'm settling for one or the", "ask who is worse, or who to pick at the end. It's how", "the persons involved. Cassidy is the MC's childhood friend and high school sweetheart.", "provided justification for their misdeeds. In order to give you more information, I'll", "side\". I'm not going to mention anything gratuitously, but she did go off", "started to turn her life around. On the other hand, Biune was a", "and want to get back together with him. Since he still cares very", "for their misdeeds. In order to give you more information, I'll talk a", "the other. MY question is, though, how do I, who have grown attached", "returned triumphant. However, Biune's family is... not the happiest when it comes to", "project with the MC trying to choose between two women who he cares", "In order to give you more information, I'll talk a bit about the", "little too far, the MC intervened, and after a small scuffle outside, returned", "here, and want to get back together with him. Since he still cares", "gunfight, she went through rehab and started to turn her life around. On", "to pick at the end. It's how do I \"detach\" myself from my", "to the new stranger, stopping altogether when the MC left to go to", "grew more and more attached to the new stranger, stopping altogether when the", "who took on a trip to the \"dark side\". I'm not going to", "when she was invited to visit, she disappeared for months. Now, both girls", "to get back together with him. Since he still cares very deeply for", "end here. She stopped seeing the MC, and grew more and more attached", "took on a trip to the \"dark side\". I'm not going to mention", "them, he's going to forgive a lot easier than most, and will eventually", "most, and will eventually get back together with one or the other. MY", "mention anything gratuitously, but she did go off the deep end here. She", "stopping altogether when the MC left to go to college. But, after the", "small talk while he ordered. However, when a particularly inebriated customer started going", "bit about the persons involved. Cassidy is the MC's childhood friend and high", "a place the MC enjoys to eat at. The two often saw each", "very deeply for both of them, he's going to forgive a lot easier", "MY question is, though, how do I, who have grown attached to both", "occasionally chat and make small talk while he ordered. However, when a particularly", "around. On the other hand, Biune was a waitress at a place the", "in a gunfight, she went through rehab and started to turn her life", "small scuffle outside, returned triumphant. However, Biune's family is... not the happiest when", "talk while he ordered. However, when a particularly inebriated customer started going a", "both of the characters and want them both to succeed, do so in", "the deep end here. She stopped seeing the MC, and grew more and", "being \"out in the world.\" They'd rather be able to \"keep an eye", "my dilemma is as follows. I have a romance project with the MC", "she disappeared for months. Now, both girls are here, and want to get", "Now, both girls are here, and want to get back together with him.", "and want them both to succeed, do so in a way that doesn't", "question is, though, how do I, who have grown attached to both of", "caring. However, in their high school years, she met someone who took on", "a particularly inebriated customer started going a little too far, the MC intervened,", "tomboy, yet is very sweet and caring. However, in their high school years,", "an eye on her\" and when she was invited to visit, she disappeared", "customer started going a little too far, the MC intervened, and after a", "the MC intervened, and after a small scuffle outside, returned triumphant. However, Biune's", "like I'm settling for one or the other? This question could apply not", "he's going to forgive a lot easier than most, and will eventually get", "other, and would occasionally chat and make small talk while he ordered. However,", "girls are here, and want to get back together with him. Since he", "stranger, stopping altogether when the MC left to go to college. But, after", "is the MC's childhood friend and high school sweetheart. She's a tomboy, yet", "to mention anything gratuitously, but she did go off the deep end here.", "very sweet and caring. However, in their high school years, she met someone", "to succeed, do so in a way that doesn't seem like I'm settling", "way that doesn't seem like I'm settling for one or the other? This", "seem like I'm settling for one or the other? This question could apply", "misdeeds. In order to give you more information, I'll talk a bit about", "but she did go off the deep end here. She stopped seeing the", "place the MC enjoys to eat at. The two often saw each other,", "the man was killed in a gunfight, she went through rehab and started", "and started to turn her life around. On the other hand, Biune was", "to turn her life around. On the other hand, Biune was a waitress", "killed in a gunfight, she went through rehab and started to turn her", "comes to their daughter being \"out in the world.\" They'd rather be able", "relationships, but to any relationship. I'm not trying to ask who is worse,", "a waitress at a place the MC enjoys to eat at. The two", "she met someone who took on a trip to the \"dark side\". I'm", "daughter being \"out in the world.\" They'd rather be able to \"keep an", "will eventually get back together with one or the other. MY question is,", "their misdeeds. In order to give you more information, I'll talk a bit", "school sweetheart. She's a tomboy, yet is very sweet and caring. However, in", "two often saw each other, and would occasionally chat and make small talk", "worse, or who to pick at the end. It's how do I \"detach\"", "choose between two women who he cares for very much. Each has broken", "MC enjoys to eat at. The two often saw each other, and would", "not the happiest when it comes to their daughter being \"out in the", "a romance project with the MC trying to choose between two women who", "waitress at a place the MC enjoys to eat at. The two often", "more and more attached to the new stranger, stopping altogether when the MC", "a gunfight, she went through rehab and started to turn her life around.", "how do I \"detach\" myself from my characters in order to make a", "I have a romance project with the MC trying to choose between two", "settling for one or the other? This question could apply not only to", "both to succeed, do so in a way that doesn't seem like I'm", "sweetheart. She's a tomboy, yet is very sweet and caring. However, in their", "to college. But, after the man was killed in a gunfight, she went", "after the man was killed in a gunfight, she went through rehab and", "too far, the MC intervened, and after a small scuffle outside, returned triumphant.", "at. The two often saw each other, and would occasionally chat and make", "I'm not going to mention anything gratuitously, but she did go off the", "heart, but are willing to make amends and provided justification for their misdeeds.", "the MC left to go to college. But, after the man was killed", "and will eventually get back together with one or the other. MY question", "apply not only to straight, male-on-female relationships, but to any relationship. I'm not", "to ask who is worse, or who to pick at the end. It's", "who is worse, or who to pick at the end. It's how do", "Biune's family is... not the happiest when it comes to their daughter being", "disappeared for months. Now, both girls are here, and want to get back", "on her\" and when she was invited to visit, she disappeared for months.", "their high school years, she met someone who took on a trip to", "together with one or the other. MY question is, though, how do I,", "and would occasionally chat and make small talk while he ordered. However, when", "the happiest when it comes to their daughter being \"out in the world.\"", "seeing the MC, and grew more and more attached to the new stranger,", "here. She stopped seeing the MC, and grew more and more attached to", "attached to both of the characters and want them both to succeed, do", "going a little too far, the MC intervened, and after a small scuffle", "to make amends and provided justification for their misdeeds. In order to give", "how do I, who have grown attached to both of the characters and", "other hand, Biune was a waitress at a place the MC enjoys to", "eye on her\" and when she was invited to visit, she disappeared for", "to the \"dark side\". I'm not going to mention anything gratuitously, but she", "while he ordered. However, when a particularly inebriated customer started going a little", "anything gratuitously, but she did go off the deep end here. She stopped", "went through rehab and started to turn her life around. On the other", "when a particularly inebriated customer started going a little too far, the MC", "he ordered. However, when a particularly inebriated customer started going a little too", "his heart, but are willing to make amends and provided justification for their", "cares very deeply for both of them, he's going to forgive a lot", "she went through rehab and started to turn her life around. On the", "However, when a particularly inebriated customer started going a little too far, the", "to \"keep an eye on her\" and when she was invited to visit,", "in the world.\" They'd rather be able to \"keep an eye on her\"", "back together with him. Since he still cares very deeply for both of", "turn her life around. On the other hand, Biune was a waitress at", "easier than most, and will eventually get back together with one or the", "visit, she disappeared for months. Now, both girls are here, and want to", "to forgive a lot easier than most, and will eventually get back together", "one or the other. MY question is, though, how do I, who have", "much. Each has broken his heart, but are willing to make amends and", "She stopped seeing the MC, and grew more and more attached to the", "was invited to visit, she disappeared for months. Now, both girls are here,", "not trying to ask who is worse, or who to pick at the", "back together with one or the other. MY question is, though, how do", "But, after the man was killed in a gunfight, she went through rehab", "hand, Biune was a waitress at a place the MC enjoys to eat", "the \"dark side\". I'm not going to mention anything gratuitously, but she did", "met someone who took on a trip to the \"dark side\". I'm not", "was a waitress at a place the MC enjoys to eat at. The", "or who to pick at the end. It's how do I \"detach\" myself", "to eat at. The two often saw each other, and would occasionally chat", "in their high school years, she met someone who took on a trip", "straight, male-on-female relationships, but to any relationship. I'm not trying to ask who", "for one or the other? This question could apply not only to straight,", "years, she met someone who took on a trip to the \"dark side\".", "I'll talk a bit about the persons involved. Cassidy is the MC's childhood", "deeply for both of them, he's going to forgive a lot easier than", "childhood friend and high school sweetheart. She's a tomboy, yet is very sweet", "left to go to college. But, after the man was killed in a", "and high school sweetheart. She's a tomboy, yet is very sweet and caring.", "the characters and want them both to succeed, do so in a way", "ordered. However, when a particularly inebriated customer started going a little too far,", "someone who took on a trip to the \"dark side\". I'm not going", "the other hand, Biune was a waitress at a place the MC enjoys", "follows. I have a romance project with the MC trying to choose between", "enjoys to eat at. The two often saw each other, and would occasionally", "stopped seeing the MC, and grew more and more attached to the new", "and make small talk while he ordered. However, when a particularly inebriated customer", "order to give you more information, I'll talk a bit about the persons", "did go off the deep end here. She stopped seeing the MC, and", "to straight, male-on-female relationships, but to any relationship. I'm not trying to ask", "Each has broken his heart, but are willing to make amends and provided", "to choose between two women who he cares for very much. Each has", "to visit, she disappeared for months. Now, both girls are here, and want", "do so in a way that doesn't seem like I'm settling for one", "attached to the new stranger, stopping altogether when the MC left to go", "want to get back together with him. Since he still cares very deeply", "two women who he cares for very much. Each has broken his heart,", "Cassidy is the MC's childhood friend and high school sweetheart. She's a tomboy,", "her life around. On the other hand, Biune was a waitress at a", "intervened, and after a small scuffle outside, returned triumphant. However, Biune's family is...", "each other, and would occasionally chat and make small talk while he ordered.", "a lot easier than most, and will eventually get back together with one", "She's a tomboy, yet is very sweet and caring. However, in their high", "They'd rather be able to \"keep an eye on her\" and when she", "talk a bit about the persons involved. Cassidy is the MC's childhood friend", "Since he still cares very deeply for both of them, he's going to", "grown attached to both of the characters and want them both to succeed,", "\"out in the world.\" They'd rather be able to \"keep an eye on", "of the characters and want them both to succeed, do so in a", "but are willing to make amends and provided justification for their misdeeds. In", "or the other? This question could apply not only to straight, male-on-female relationships,", "MC left to go to college. But, after the man was killed in", "women who he cares for very much. Each has broken his heart, but", "at a place the MC enjoys to eat at. The two often saw", "scuffle outside, returned triumphant. However, Biune's family is... not the happiest when it", "end. It's how do I \"detach\" myself from my characters in order to", "forgive a lot easier than most, and will eventually get back together with", "to both of the characters and want them both to succeed, do so", "other? This question could apply not only to straight, male-on-female relationships, but to", "chat and make small talk while he ordered. However, when a particularly inebriated", "doesn't seem like I'm settling for one or the other? This question could", "question could apply not only to straight, male-on-female relationships, but to any relationship.", "and provided justification for their misdeeds. In order to give you more information,", "a bit about the persons involved. Cassidy is the MC's childhood friend and", "between two women who he cares for very much. Each has broken his", "and more attached to the new stranger, stopping altogether when the MC left", "happiest when it comes to their daughter being \"out in the world.\" They'd", "when the MC left to go to college. But, after the man was", "family is... not the happiest when it comes to their daughter being \"out", "able to \"keep an eye on her\" and when she was invited to", "a little too far, the MC intervened, and after a small scuffle outside,", "to give you more information, I'll talk a bit about the persons involved.", "MC's childhood friend and high school sweetheart. She's a tomboy, yet is very", "MC, and grew more and more attached to the new stranger, stopping altogether", "that doesn't seem like I'm settling for one or the other? This question", "the MC's childhood friend and high school sweetheart. She's a tomboy, yet is", "of them, he's going to forgive a lot easier than most, and will", "It's how do I \"detach\" myself from my characters in order to make", "months. Now, both girls are here, and want to get back together with", "a tomboy, yet is very sweet and caring. However, in their high school", "rehab and started to turn her life around. On the other hand, Biune", "Biune was a waitress at a place the MC enjoys to eat at.", "triumphant. However, Biune's family is... not the happiest when it comes to their", "school years, she met someone who took on a trip to the \"dark", "go to college. But, after the man was killed in a gunfight, she", "more attached to the new stranger, stopping altogether when the MC left to", "has broken his heart, but are willing to make amends and provided justification", "for months. Now, both girls are here, and want to get back together", "make small talk while he ordered. However, when a particularly inebriated customer started", "romance project with the MC trying to choose between two women who he", "particularly inebriated customer started going a little too far, the MC intervened, and", "However, Biune's family is... not the happiest when it comes to their daughter", "justification for their misdeeds. In order to give you more information, I'll talk", "often saw each other, and would occasionally chat and make small talk while", "amends and provided justification for their misdeeds. In order to give you more", "though, how do I, who have grown attached to both of the characters", "\"dark side\". I'm not going to mention anything gratuitously, but she did go", "was killed in a gunfight, she went through rehab and started to turn", "going to mention anything gratuitously, but she did go off the deep end", "lot easier than most, and will eventually get back together with one or", "only to straight, male-on-female relationships, but to any relationship. I'm not trying to", "would occasionally chat and make small talk while he ordered. However, when a", "go off the deep end here. She stopped seeing the MC, and grew", "broken his heart, but are willing to make amends and provided justification for", "friend and high school sweetheart. She's a tomboy, yet is very sweet and", "not going to mention anything gratuitously, but she did go off the deep", "through rehab and started to turn her life around. On the other hand,", "male-on-female relationships, but to any relationship. I'm not trying to ask who is", "willing to make amends and provided justification for their misdeeds. In order to", "give you more information, I'll talk a bit about the persons involved. Cassidy", "outside, returned triumphant. However, Biune's family is... not the happiest when it comes", "so in a way that doesn't seem like I'm settling for one or", "invited to visit, she disappeared for months. Now, both girls are here, and", "any relationship. I'm not trying to ask who is worse, or who to", "make amends and provided justification for their misdeeds. In order to give you", "together with him. Since he still cares very deeply for both of them,", "is as follows. I have a romance project with the MC trying to", "eventually get back together with one or the other. MY question is, though,", "inebriated customer started going a little too far, the MC intervened, and after", "other. MY question is, though, how do I, who have grown attached to", "I, who have grown attached to both of the characters and want them", "to go to college. But, after the man was killed in a gunfight,", "want them both to succeed, do so in a way that doesn't seem", "them both to succeed, do so in a way that doesn't seem like", "On the other hand, Biune was a waitress at a place the MC", "cares for very much. Each has broken his heart, but are willing to", "succeed, do so in a way that doesn't seem like I'm settling for", "trip to the \"dark side\". I'm not going to mention anything gratuitously, but", "altogether when the MC left to go to college. But, after the man", "trying to choose between two women who he cares for very much. Each", "or the other. MY question is, though, how do I, who have grown", "with one or the other. MY question is, though, how do I, who", "yet is very sweet and caring. However, in their high school years, she", "and caring. However, in their high school years, she met someone who took", "going to forgive a lot easier than most, and will eventually get back", "pick at the end. It's how do I \"detach\" myself from my characters", "you more information, I'll talk a bit about the persons involved. Cassidy is", "new stranger, stopping altogether when the MC left to go to college. But,", "a way that doesn't seem like I'm settling for one or the other?", "her\" and when she was invited to visit, she disappeared for months. Now,", "This question could apply not only to straight, male-on-female relationships, but to any", "the MC trying to choose between two women who he cares for very", "life around. On the other hand, Biune was a waitress at a place", "relationship. I'm not trying to ask who is worse, or who to pick", "when it comes to their daughter being \"out in the world.\" They'd rather", "trying to ask who is worse, or who to pick at the end.", "deep end here. She stopped seeing the MC, and grew more and more", "man was killed in a gunfight, she went through rehab and started to", "at the end. It's how do I \"detach\" myself from my characters in", "more information, I'll talk a bit about the persons involved. Cassidy is the", "is very sweet and caring. However, in their high school years, she met", "MC trying to choose between two women who he cares for very much.", "one or the other? This question could apply not only to straight, male-on-female", "for both of them, he's going to forgive a lot easier than most,", "do I \"detach\" myself from my characters in order to make a decision.", "gratuitously, but she did go off the deep end here. She stopped seeing", "the MC enjoys to eat at. The two often saw each other, and", "on a trip to the \"dark side\". I'm not going to mention anything", "is... not the happiest when it comes to their daughter being \"out in", "both of them, he's going to forgive a lot easier than most, and", "not only to straight, male-on-female relationships, but to any relationship. I'm not trying", "high school years, she met someone who took on a trip to the", "off the deep end here. She stopped seeing the MC, and grew more", "to their daughter being \"out in the world.\" They'd rather be able to", "still cares very deeply for both of them, he's going to forgive a", "started going a little too far, the MC intervened, and after a small", "have grown attached to both of the characters and want them both to", "both girls are here, and want to get back together with him. Since", "The two often saw each other, and would occasionally chat and make small", "I'm not trying to ask who is worse, or who to pick at", "persons involved. Cassidy is the MC's childhood friend and high school sweetheart. She's", "are here, and want to get back together with him. Since he still", "the new stranger, stopping altogether when the MC left to go to college.", "about the persons involved. Cassidy is the MC's childhood friend and high school", "he cares for very much. Each has broken his heart, but are willing", "and grew more and more attached to the new stranger, stopping altogether when", "the other? This question could apply not only to straight, male-on-female relationships, but", "him. Since he still cares very deeply for both of them, he's going", "involved. Cassidy is the MC's childhood friend and high school sweetheart. She's a", "saw each other, and would occasionally chat and make small talk while he" ]
[ "monologue for a school project in this my character has committed a murder", "talking to his brother lets it slip but in a no direct way", "a dramatic monologue for a school project in this my character has committed", "him), how would I hint to it so that the reader would have", "would I hint to it so that the reader would have to \"read", "for a school project in this my character has committed a murder and", "that the reader would have to \"read between the lines\" to find out?", "I hint to it so that the reader would have to \"read between", "up saying I killed him), how would I hint to it so that", "murder and during talking to his brother lets it slip but in a", "direct way (straight up saying I killed him), how would I hint to", "no direct way (straight up saying I killed him), how would I hint", "in this my character has committed a murder and during talking to his", "I killed him), how would I hint to it so that the reader", "I am making a dramatic monologue for a school project in this my", "a murder and during talking to his brother lets it slip but in", "lets it slip but in a no direct way (straight up saying I", "but in a no direct way (straight up saying I killed him), how", "brother lets it slip but in a no direct way (straight up saying", "and during talking to his brother lets it slip but in a no", "so that the reader would have to \"read between the lines\" to find", "his brother lets it slip but in a no direct way (straight up", "has committed a murder and during talking to his brother lets it slip", "during talking to his brother lets it slip but in a no direct", "my character has committed a murder and during talking to his brother lets", "to his brother lets it slip but in a no direct way (straight", "slip but in a no direct way (straight up saying I killed him),", "making a dramatic monologue for a school project in this my character has", "killed him), how would I hint to it so that the reader would", "how would I hint to it so that the reader would have to", "this my character has committed a murder and during talking to his brother", "school project in this my character has committed a murder and during talking", "the reader would have to \"read between the lines\" to find out? Thanks", "a school project in this my character has committed a murder and during", "character has committed a murder and during talking to his brother lets it", "in a no direct way (straight up saying I killed him), how would", "dramatic monologue for a school project in this my character has committed a", "to it so that the reader would have to \"read between the lines\"", "hint to it so that the reader would have to \"read between the", "way (straight up saying I killed him), how would I hint to it", "it slip but in a no direct way (straight up saying I killed", "saying I killed him), how would I hint to it so that the", "am making a dramatic monologue for a school project in this my character", "committed a murder and during talking to his brother lets it slip but", "it so that the reader would have to \"read between the lines\" to", "a no direct way (straight up saying I killed him), how would I", "(straight up saying I killed him), how would I hint to it so", "project in this my character has committed a murder and during talking to" ]
[ "think, been a few months since I read the duology). What makes Violet", "and only owe's Qurgon for protecting her by helping him when he needs", "I unintentionally made a ripoff of the characters? The characters are Kaz Brekker", "is a ripoff is the fact my Kaz has a crows head cane", "really put a damper on me and now I am unsure whether I", "isn't the story itself, just a couple of characters, one of them in", "a pleasure house (difference is, Violet actually does, Inej's debt was bought by", "and Inej Ghaffa (believe I spelled it right), mine are named Kaptiry 'Kaz'", "debt and only owe's Qurgon for protecting her by helping him when he", "for protecting her by helping him when he needs it). Also, both Violet", "Inej similar is the fact they both worked at a pleasure house (difference", "them off from this other author? Or am I fine? The issue isn't", "formed their own storylines and have their own pasts, how do I know", "writing a story, and recently someone came to me and said the characters", "characters are very similar to a couple of the ones in Leigh Bardugo's", "I spelled it right), mine are named Kaptiry 'Kaz' Qurgon and Violet (her", "Violet (her real name is Nizilie but Kaz had her change it). What", "which inspired me to write this particular story, but the characters have formed", "does, Inej's debt was bought by Brekker and she owed her debt to", "her debt to him, Violet has no debt and only owe's Qurgon for", "when he needs it). Also, both Violet and Inej are love interests to", "and rewrite the rewritten characters into the scenes. Have I really ripped them", "is, Violet actually does, Inej's debt was bought by Brekker and she owed", "rewrite the rewritten characters into the scenes. Have I really ripped them off", "the fact they both worked at a pleasure house (difference is, Violet actually", "are love interests to their respective Kaz. This really put a damper on", "similar to a couple of the ones in Leigh Bardugo's Six of Crows,", "of Crows, I myself read the series which inspired me to write this", "Six of Crows, I myself read the series which inspired me to write", "Brekker and Inej Ghaffa (believe I spelled it right), mine are named Kaptiry", "how do I know if I unintentionally made a ripoff of the characters?", "was bought by Brekker and she owed her debt to him, Violet has", "my characters and rewrite the rewritten characters into the scenes. Have I really", "unintentionally made a ripoff of the characters? The characters are Kaz Brekker and", "a story, and recently someone came to me and said the characters are", "it is a ripoff is the fact my Kaz has a crows head", "no debt and only owe's Qurgon for protecting her by helping him when", "am unsure whether I should leave things or just completely rewrite my characters", "(Reaper instead of Dirtyhands) but they earned them through different means (I think,", "or just completely rewrite my characters and rewrite the rewritten characters into the", "The issue isn't the story itself, just a couple of characters, one of", "things or just completely rewrite my characters and rewrite the rewritten characters into", "spelled it right), mine are named Kaptiry 'Kaz' Qurgon and Violet (her real", "just completely rewrite my characters and rewrite the rewritten characters into the scenes.", "the story itself, just a couple of characters, one of them in particular", "them through different means (I think, been a few months since I read", "a ripoff of the characters? The characters are Kaz Brekker and Inej Ghaffa", "a crows head cane (as does Leigh Bardugo's) and has a dark nickname", "their own storylines and have their own pasts, how do I know if", "What makes the person think it is a ripoff is the fact my", "makes the person think it is a ripoff is the fact my Kaz", "characters and rewrite the rewritten characters into the scenes. Have I really ripped", "needs it). Also, both Violet and Inej are love interests to their respective", "are named Kaptiry 'Kaz' Qurgon and Violet (her real name is Nizilie but", "him, Violet has no debt and only owe's Qurgon for protecting her by", "through different means (I think, been a few months since I read the", "by helping him when he needs it). Also, both Violet and Inej are", "but they earned them through different means (I think, been a few months", "does Leigh Bardugo's) and has a dark nickname (Reaper instead of Dirtyhands) but", "debt to him, Violet has no debt and only owe's Qurgon for protecting", "ripped them off from this other author? Or am I fine? The issue", "I fine? The issue isn't the story itself, just a couple of characters,", "came to me and said the characters are very similar to a couple", "to him, Violet has no debt and only owe's Qurgon for protecting her", "respective Kaz. This really put a damper on me and now I am", "the characters are very similar to a couple of the ones in Leigh", "I really ripped them off from this other author? Or am I fine?", "rewritten characters into the scenes. Have I really ripped them off from this", "nickname (Reaper instead of Dirtyhands) but they earned them through different means (I", "only owe's Qurgon for protecting her by helping him when he needs it).", "been a few months since I read the duology). What makes Violet and", "their respective Kaz. This really put a damper on me and now I", "own storylines and have their own pasts, how do I know if I", "are very similar to a couple of the ones in Leigh Bardugo's Six", "ripoff of the characters? The characters are Kaz Brekker and Inej Ghaffa (believe", "and said the characters are very similar to a couple of the ones", "in Leigh Bardugo's Six of Crows, I myself read the series which inspired", "to write this particular story, but the characters have formed their own storylines", "of Dirtyhands) but they earned them through different means (I think, been a", "characters? The characters are Kaz Brekker and Inej Ghaffa (believe I spelled it", "Leigh Bardugo's) and has a dark nickname (Reaper instead of Dirtyhands) but they", "very similar to a couple of the ones in Leigh Bardugo's Six of", "the rewritten characters into the scenes. Have I really ripped them off from", "are Kaz Brekker and Inej Ghaffa (believe I spelled it right), mine are", "this particular story, but the characters have formed their own storylines and have", "read the series which inspired me to write this particular story, but the", "Crows, I myself read the series which inspired me to write this particular", "and have their own pasts, how do I know if I unintentionally made", "the person think it is a ripoff is the fact my Kaz has", "ripoff is the fact my Kaz has a crows head cane (as does", "Violet actually does, Inej's debt was bought by Brekker and she owed her", "debt was bought by Brekker and she owed her debt to him, Violet", "owed her debt to him, Violet has no debt and only owe's Qurgon", "recently someone came to me and said the characters are very similar to", "right), mine are named Kaptiry 'Kaz' Qurgon and Violet (her real name is", "really ripped them off from this other author? Or am I fine? The", "The characters are Kaz Brekker and Inej Ghaffa (believe I spelled it right),", "named Kaptiry 'Kaz' Qurgon and Violet (her real name is Nizilie but Kaz", "Inej's debt was bought by Brekker and she owed her debt to him,", "and Inej similar is the fact they both worked at a pleasure house", "the characters have formed their own storylines and have their own pasts, how", "read the duology). What makes Violet and Inej similar is the fact they", "at a pleasure house (difference is, Violet actually does, Inej's debt was bought", "Qurgon for protecting her by helping him when he needs it). Also, both", "do I know if I unintentionally made a ripoff of the characters? The", "write this particular story, but the characters have formed their own storylines and", "story, but the characters have formed their own storylines and have their own", "me and now I am unsure whether I should leave things or just", "Qurgon and Violet (her real name is Nizilie but Kaz had her change", "bought by Brekker and she owed her debt to him, Violet has no", "love interests to their respective Kaz. This really put a damper on me", "Violet and Inej are love interests to their respective Kaz. This really put", "inspired me to write this particular story, but the characters have formed their", "characters have formed their own storylines and have their own pasts, how do", "their own pasts, how do I know if I unintentionally made a ripoff", "means (I think, been a few months since I read the duology). What", "interests to their respective Kaz. This really put a damper on me and", "and recently someone came to me and said the characters are very similar", "on me and now I am unsure whether I should leave things or", "from this other author? Or am I fine? The issue isn't the story", "real name is Nizilie but Kaz had her change it). What makes the", "her by helping him when he needs it). Also, both Violet and Inej", "ones in Leigh Bardugo's Six of Crows, I myself read the series which", "me and said the characters are very similar to a couple of the", "should leave things or just completely rewrite my characters and rewrite the rewritten", "to me and said the characters are very similar to a couple of", "Violet and Inej similar is the fact they both worked at a pleasure", "person think it is a ripoff is the fact my Kaz has a", "the ones in Leigh Bardugo's Six of Crows, I myself read the series", "by Brekker and she owed her debt to him, Violet has no debt", "me to write this particular story, but the characters have formed their own", "and Violet (her real name is Nizilie but Kaz had her change it).", "fact they both worked at a pleasure house (difference is, Violet actually does,", "to their respective Kaz. This really put a damper on me and now", "rewrite my characters and rewrite the rewritten characters into the scenes. Have I", "been writing a story, and recently someone came to me and said the", "have their own pasts, how do I know if I unintentionally made a", "but Kaz had her change it). What makes the person think it is", "mine are named Kaptiry 'Kaz' Qurgon and Violet (her real name is Nizilie", "owe's Qurgon for protecting her by helping him when he needs it). Also,", "whether I should leave things or just completely rewrite my characters and rewrite", "if I unintentionally made a ripoff of the characters? The characters are Kaz", "it). What makes the person think it is a ripoff is the fact", "few months since I read the duology). What makes Violet and Inej similar", "author? Or am I fine? The issue isn't the story itself, just a", "they both worked at a pleasure house (difference is, Violet actually does, Inej's", "I am unsure whether I should leave things or just completely rewrite my", "Kaz Brekker and Inej Ghaffa (believe I spelled it right), mine are named", "a couple of the ones in Leigh Bardugo's Six of Crows, I myself", "a dark nickname (Reaper instead of Dirtyhands) but they earned them through different", "he needs it). Also, both Violet and Inej are love interests to their", "(as does Leigh Bardugo's) and has a dark nickname (Reaper instead of Dirtyhands)", "itself, just a couple of characters, one of them in particular which is", "What makes Violet and Inej similar is the fact they both worked at", "the series which inspired me to write this particular story, but the characters", "scenes. Have I really ripped them off from this other author? Or am", "Inej Ghaffa (believe I spelled it right), mine are named Kaptiry 'Kaz' Qurgon", "of the ones in Leigh Bardugo's Six of Crows, I myself read the", "Violet has no debt and only owe's Qurgon for protecting her by helping", "Brekker and she owed her debt to him, Violet has no debt and", "of the characters? The characters are Kaz Brekker and Inej Ghaffa (believe I", "change it). What makes the person think it is a ripoff is the", "similar is the fact they both worked at a pleasure house (difference is,", "particular story, but the characters have formed their own storylines and have their", "the characters? The characters are Kaz Brekker and Inej Ghaffa (believe I spelled", "pleasure house (difference is, Violet actually does, Inej's debt was bought by Brekker", "I should leave things or just completely rewrite my characters and rewrite the", "dark nickname (Reaper instead of Dirtyhands) but they earned them through different means", "is Nizilie but Kaz had her change it). What makes the person think", "I read the duology). What makes Violet and Inej similar is the fact", "has a crows head cane (as does Leigh Bardugo's) and has a dark", "and has a dark nickname (Reaper instead of Dirtyhands) but they earned them", "both worked at a pleasure house (difference is, Violet actually does, Inej's debt", "characters are Kaz Brekker and Inej Ghaffa (believe I spelled it right), mine", "think it is a ripoff is the fact my Kaz has a crows", "other author? Or am I fine? The issue isn't the story itself, just", "know if I unintentionally made a ripoff of the characters? The characters are", "story, and recently someone came to me and said the characters are very", "completely rewrite my characters and rewrite the rewritten characters into the scenes. Have", "own pasts, how do I know if I unintentionally made a ripoff of", "name is Nizilie but Kaz had her change it). What makes the person", "and she owed her debt to him, Violet has no debt and only", "and Inej are love interests to their respective Kaz. This really put a", "Inej are love interests to their respective Kaz. This really put a damper", "have formed their own storylines and have their own pasts, how do I", "cane (as does Leigh Bardugo's) and has a dark nickname (Reaper instead of", "Bardugo's) and has a dark nickname (Reaper instead of Dirtyhands) but they earned", "(her real name is Nizilie but Kaz had her change it). What makes", "Also, both Violet and Inej are love interests to their respective Kaz. This", "pasts, how do I know if I unintentionally made a ripoff of the", "unsure whether I should leave things or just completely rewrite my characters and", "had her change it). What makes the person think it is a ripoff", "said the characters are very similar to a couple of the ones in", "made a ripoff of the characters? The characters are Kaz Brekker and Inej", "a few months since I read the duology). What makes Violet and Inej", "her change it). What makes the person think it is a ripoff is", "both Violet and Inej are love interests to their respective Kaz. This really", "couple of the ones in Leigh Bardugo's Six of Crows, I myself read", "Kaz. This really put a damper on me and now I am unsure", "just a couple of characters, one of them in particular which is Kaptiry.", "protecting her by helping him when he needs it). Also, both Violet and", "has no debt and only owe's Qurgon for protecting her by helping him", "to a couple of the ones in Leigh Bardugo's Six of Crows, I", "worked at a pleasure house (difference is, Violet actually does, Inej's debt was", "the duology). What makes Violet and Inej similar is the fact they both", "(I think, been a few months since I read the duology). What makes", "I myself read the series which inspired me to write this particular story,", "the fact my Kaz has a crows head cane (as does Leigh Bardugo's)", "off from this other author? Or am I fine? The issue isn't the", "it right), mine are named Kaptiry 'Kaz' Qurgon and Violet (her real name", "put a damper on me and now I am unsure whether I should", "the scenes. Have I really ripped them off from this other author? Or", "Or am I fine? The issue isn't the story itself, just a couple", "she owed her debt to him, Violet has no debt and only owe's", "now I am unsure whether I should leave things or just completely rewrite", "leave things or just completely rewrite my characters and rewrite the rewritten characters", "Kaz had her change it). What makes the person think it is a", "house (difference is, Violet actually does, Inej's debt was bought by Brekker and", "Kaz has a crows head cane (as does Leigh Bardugo's) and has a", "a damper on me and now I am unsure whether I should leave", "Leigh Bardugo's Six of Crows, I myself read the series which inspired me", "'Kaz' Qurgon and Violet (her real name is Nizilie but Kaz had her", "him when he needs it). Also, both Violet and Inej are love interests", "am I fine? The issue isn't the story itself, just a couple of", "a ripoff is the fact my Kaz has a crows head cane (as", "this other author? Or am I fine? The issue isn't the story itself,", "Kaptiry 'Kaz' Qurgon and Violet (her real name is Nizilie but Kaz had", "Nizilie but Kaz had her change it). What makes the person think it", "has a dark nickname (Reaper instead of Dirtyhands) but they earned them through", "This really put a damper on me and now I am unsure whether", "Have I really ripped them off from this other author? Or am I", "instead of Dirtyhands) but they earned them through different means (I think, been", "(difference is, Violet actually does, Inej's debt was bought by Brekker and she", "issue isn't the story itself, just a couple of characters, one of them", "damper on me and now I am unsure whether I should leave things", "it). Also, both Violet and Inej are love interests to their respective Kaz.", "they earned them through different means (I think, been a few months since", "I know if I unintentionally made a ripoff of the characters? The characters", "and now I am unsure whether I should leave things or just completely", "fine? The issue isn't the story itself, just a couple of characters, one", "months since I read the duology). What makes Violet and Inej similar is", "duology). What makes Violet and Inej similar is the fact they both worked", "characters into the scenes. Have I really ripped them off from this other", "I've been writing a story, and recently someone came to me and said", "Dirtyhands) but they earned them through different means (I think, been a few", "crows head cane (as does Leigh Bardugo's) and has a dark nickname (Reaper", "but the characters have formed their own storylines and have their own pasts,", "makes Violet and Inej similar is the fact they both worked at a", "is the fact my Kaz has a crows head cane (as does Leigh", "earned them through different means (I think, been a few months since I", "my Kaz has a crows head cane (as does Leigh Bardugo's) and has", "actually does, Inej's debt was bought by Brekker and she owed her debt", "Bardugo's Six of Crows, I myself read the series which inspired me to", "Ghaffa (believe I spelled it right), mine are named Kaptiry 'Kaz' Qurgon and", "head cane (as does Leigh Bardugo's) and has a dark nickname (Reaper instead", "helping him when he needs it). Also, both Violet and Inej are love", "fact my Kaz has a crows head cane (as does Leigh Bardugo's) and", "into the scenes. Have I really ripped them off from this other author?", "story itself, just a couple of characters, one of them in particular which", "different means (I think, been a few months since I read the duology).", "is the fact they both worked at a pleasure house (difference is, Violet", "storylines and have their own pasts, how do I know if I unintentionally", "since I read the duology). What makes Violet and Inej similar is the", "someone came to me and said the characters are very similar to a", "myself read the series which inspired me to write this particular story, but", "series which inspired me to write this particular story, but the characters have", "(believe I spelled it right), mine are named Kaptiry 'Kaz' Qurgon and Violet" ]
[ "101 Dalmatians retelling, and as far as I know from the research I", "this is lacking information, but I'm trying to be as ambiguous about the", "been told is completely wrong, but even when referencing the original, I don't", "it from a different perspective. The narrator states that the way the story", "characters have been switched and the point of the retelling is to show", "it seem different enough for me to publish? Sorry if this is lacking", "the title of the book. Does it seem different enough for me to", "as far as I know from the research I have done, 101 Dalmatians", "original, I don't use the title of the book. Does it seem different", "completely different from the original; the only similarities are the names and the", "domain. But my retelling is almost completely different from the original; the only", "roles of the characters have been switched and the point of the retelling", "completely wrong, but even when referencing the original, I don't use the title", "are the names and the fact that I make a few references to", "that the way the story has been told is completely wrong, but even", "but even when referencing the original, I don't use the title of the", "of the public domain. But my retelling is almost completely different from the", "the public domain. But my retelling is almost completely different from the original;", "is to show it from a different perspective. The narrator states that the", "I'm trying to be as ambiguous about the story as I can while", "have done, 101 Dalmatians is not yet part of the public domain. But", "way the story has been told is completely wrong, but even when referencing", "from the research I have done, 101 Dalmatians is not yet part of", "of the characters have been switched and the point of the retelling is", "switched and the point of the retelling is to show it from a", "done, 101 Dalmatians is not yet part of the public domain. But my", "wrote a 101 Dalmatians retelling, and as far as I know from the", "but I'm trying to be as ambiguous about the story as I can", "and the point of the retelling is to show it from a different", "perspective. The narrator states that the way the story has been told is", "the research I have done, 101 Dalmatians is not yet part of the", "Dalmatians is not yet part of the public domain. But my retelling is", "it's generally told. But the roles of the characters have been switched and", "my retelling is almost completely different from the original; the only similarities are", "I don't use the title of the book. Does it seem different enough", "don't use the title of the book. Does it seem different enough for", "But my retelling is almost completely different from the original; the only similarities", "a different perspective. The narrator states that the way the story has been", "the names and the fact that I make a few references to the", "not yet part of the public domain. But my retelling is almost completely", "of the retelling is to show it from a different perspective. The narrator", "The narrator states that the way the story has been told is completely", "and how it's generally told. But the roles of the characters have been", "seem different enough for me to publish? Sorry if this is lacking information,", "is completely wrong, but even when referencing the original, I don't use the", "the original story and how it's generally told. But the roles of the", "even when referencing the original, I don't use the title of the book.", "a 101 Dalmatians retelling, and as far as I know from the research", "the original, I don't use the title of the book. Does it seem", "for me to publish? Sorry if this is lacking information, but I'm trying", "research I have done, 101 Dalmatians is not yet part of the public", "I make a few references to the original story and how it's generally", "that I make a few references to the original story and how it's", "lacking information, but I'm trying to be as ambiguous about the story as", "story and how it's generally told. But the roles of the characters have", "as ambiguous about the story as I can while still giving necessary info", "I wrote a 101 Dalmatians retelling, and as far as I know from", "when referencing the original, I don't use the title of the book. Does", "the point of the retelling is to show it from a different perspective.", "to show it from a different perspective. The narrator states that the way", "to publish? Sorry if this is lacking information, but I'm trying to be", "the original; the only similarities are the names and the fact that I", "part of the public domain. But my retelling is almost completely different from", "information, but I'm trying to be as ambiguous about the story as I", "story has been told is completely wrong, but even when referencing the original,", "and as far as I know from the research I have done, 101", "retelling, and as far as I know from the research I have done,", "told. But the roles of the characters have been switched and the point", "the characters have been switched and the point of the retelling is to", "enough for me to publish? Sorry if this is lacking information, but I'm", "if this is lacking information, but I'm trying to be as ambiguous about", "Does it seem different enough for me to publish? Sorry if this is", "public domain. But my retelling is almost completely different from the original; the", "book. Does it seem different enough for me to publish? Sorry if this", "have been switched and the point of the retelling is to show it", "wrong, but even when referencing the original, I don't use the title of", "know from the research I have done, 101 Dalmatians is not yet part", "original story and how it's generally told. But the roles of the characters", "show it from a different perspective. The narrator states that the way the", "fact that I make a few references to the original story and how", "references to the original story and how it's generally told. But the roles", "as I know from the research I have done, 101 Dalmatians is not", "be as ambiguous about the story as I can while still giving necessary", "retelling is almost completely different from the original; the only similarities are the", "different from the original; the only similarities are the names and the fact", "retelling is to show it from a different perspective. The narrator states that", "But the roles of the characters have been switched and the point of", "the only similarities are the names and the fact that I make a", "publish? Sorry if this is lacking information, but I'm trying to be as", "different enough for me to publish? Sorry if this is lacking information, but", "is lacking information, but I'm trying to be as ambiguous about the story", "is almost completely different from the original; the only similarities are the names", "few references to the original story and how it's generally told. But the", "the way the story has been told is completely wrong, but even when", "Sorry if this is lacking information, but I'm trying to be as ambiguous", "states that the way the story has been told is completely wrong, but", "narrator states that the way the story has been told is completely wrong,", "far as I know from the research I have done, 101 Dalmatians is", "only similarities are the names and the fact that I make a few", "Dalmatians retelling, and as far as I know from the research I have", "different perspective. The narrator states that the way the story has been told", "referencing the original, I don't use the title of the book. Does it", "about the story as I can while still giving necessary info for an", "the retelling is to show it from a different perspective. The narrator states", "to the original story and how it's generally told. But the roles of", "ambiguous about the story as I can while still giving necessary info for", "names and the fact that I make a few references to the original", "101 Dalmatians is not yet part of the public domain. But my retelling", "similarities are the names and the fact that I make a few references", "the fact that I make a few references to the original story and", "I know from the research I have done, 101 Dalmatians is not yet", "told is completely wrong, but even when referencing the original, I don't use", "how it's generally told. But the roles of the characters have been switched", "point of the retelling is to show it from a different perspective. The", "I have done, 101 Dalmatians is not yet part of the public domain.", "the roles of the characters have been switched and the point of the", "from a different perspective. The narrator states that the way the story has", "almost completely different from the original; the only similarities are the names and", "yet part of the public domain. But my retelling is almost completely different", "make a few references to the original story and how it's generally told.", "to be as ambiguous about the story as I can while still giving", "generally told. But the roles of the characters have been switched and the", "use the title of the book. Does it seem different enough for me", "and the fact that I make a few references to the original story", "has been told is completely wrong, but even when referencing the original, I", "a few references to the original story and how it's generally told. But", "is not yet part of the public domain. But my retelling is almost", "of the book. Does it seem different enough for me to publish? Sorry", "been switched and the point of the retelling is to show it from", "the story has been told is completely wrong, but even when referencing the", "the book. Does it seem different enough for me to publish? Sorry if", "the story as I can while still giving necessary info for an answer...", "from the original; the only similarities are the names and the fact that", "me to publish? Sorry if this is lacking information, but I'm trying to", "trying to be as ambiguous about the story as I can while still", "original; the only similarities are the names and the fact that I make", "title of the book. Does it seem different enough for me to publish?" ]
[ "individual scenes, some of which have extensive back and forth dialog. How should", "have extensive back and forth dialog. How should the dialog be integrated into", "be integrated into the narrative which is otherwise someone commentating on their experiences.", "narrator is writing a letter about the last 6 months of his father's", "scenes, some of which have extensive back and forth dialog. How should the", "and forth dialog. How should the dialog be integrated into the narrative which", "a letter about the last 6 months of his father's life, a narrative", "How should the dialog be integrated into the narrative which is otherwise someone", "life, a narrative which includes around 5 individual scenes, some of which have", "extensive back and forth dialog. How should the dialog be integrated into the", "the last 6 months of his father's life, a narrative which includes around", "forth dialog. How should the dialog be integrated into the narrative which is", "dialog be integrated into the narrative which is otherwise someone commentating on their", "about the last 6 months of his father's life, a narrative which includes", "around 5 individual scenes, some of which have extensive back and forth dialog.", "his father's life, a narrative which includes around 5 individual scenes, some of", "writing a letter about the last 6 months of his father's life, a", "months of his father's life, a narrative which includes around 5 individual scenes,", "is writing a letter about the last 6 months of his father's life,", "narrative which includes around 5 individual scenes, some of which have extensive back", "5 individual scenes, some of which have extensive back and forth dialog. How", "of which have extensive back and forth dialog. How should the dialog be", "dialog. How should the dialog be integrated into the narrative which is otherwise", "A narrator is writing a letter about the last 6 months of his", "which have extensive back and forth dialog. How should the dialog be integrated", "last 6 months of his father's life, a narrative which includes around 5", "some of which have extensive back and forth dialog. How should the dialog", "father's life, a narrative which includes around 5 individual scenes, some of which", "which includes around 5 individual scenes, some of which have extensive back and", "the dialog be integrated into the narrative which is otherwise someone commentating on", "6 months of his father's life, a narrative which includes around 5 individual", "back and forth dialog. How should the dialog be integrated into the narrative", "includes around 5 individual scenes, some of which have extensive back and forth", "a narrative which includes around 5 individual scenes, some of which have extensive", "letter about the last 6 months of his father's life, a narrative which", "should the dialog be integrated into the narrative which is otherwise someone commentating", "of his father's life, a narrative which includes around 5 individual scenes, some" ]
[ "ceremonial, as the regent is elected by the government with the queen simply", "is elected by the government with the queen simply legitimizing his rule. The", "in line to inherit the throne, with sons never inheriting. As head of", "powers are limited to religious and cultural affairs. Society is matrilineal, but Men", "with only female rulers? Do these concepts work against each other or can", "the law, etc. While the queen is the reigning monarch, her powers are", "her stead. This is largely ceremonial, as the regent is elected by the", "goddess, only queens can inherit the throne, and rules as both leader of", "matters that run the country. Does it make sense to have a dominant", "While the queen is the reigning monarch, her powers are limited to religious", "rules as both leader of the nation and the country's religion. Any girls", "queen simply legitimizing his rule. The regent handles governmental affairs, enforcing the law,", "the reigning monarch, her powers are limited to religious and cultural affairs. Society", "faith, she rules with \"absolute authority\". However, this does not translate into political", "never inheriting. As head of the faith, she rules with \"absolute authority\". However,", "Does it make sense to have a dominant patriarchal system with only female", "dominant patriarchal system with only female rulers? Do these concepts work against each", "long line of female rulers going back since its inception. Due to a", "born to her will be in line to inherit the throne, with sons", "that run the country. Does it make sense to have a dominant patriarchal", "to inherit the throne, with sons never inheriting. As head of the faith,", "regent is elected by the government with the queen simply legitimizing his rule.", "rulers going back since its inception. Due to a divine connection with the", "to rule in her stead. This is largely ceremonial, as the regent is", "cultural affairs. Society is matrilineal, but Men are still considered the breadwinners in", "stead. This is largely ceremonial, as the regent is elected by the government", "line of female rulers going back since its inception. Due to a divine", "affairs, enforcing the law, etc. While the queen is the reigning monarch, her", "has a long line of female rulers going back since its inception. Due", "reigning monarch, her powers are limited to religious and cultural affairs. Society is", "make sense to have a dominant patriarchal system with only female rulers? Do", "sense to have a dominant patriarchal system with only female rulers? Do these", "directly, but chooses a regent to rule in her stead. This is largely", "enforcing the law, etc. While the queen is the reigning monarch, her powers", "with the queen simply legitimizing his rule. The regent handles governmental affairs, enforcing", "inherit the throne, with sons never inheriting. As head of the faith, she", "rule directly, but chooses a regent to rule in her stead. This is", "is matrilineal, but Men are still considered the breadwinners in society, and dominate", "not translate into political power. She does not rule directly, but chooses a", "regent to rule in her stead. This is largely ceremonial, as the regent", "law, etc. While the queen is the reigning monarch, her powers are limited", "to a divine connection with the goddess, only queens can inherit the throne,", "her will be in line to inherit the throne, with sons never inheriting.", "affairs. Society is matrilineal, but Men are still considered the breadwinners in society,", "head of the faith, she rules with \"absolute authority\". However, this does not", "the regent is elected by the government with the queen simply legitimizing his", "considered the breadwinners in society, and dominate in all matters that run the", "both leader of the nation and the country's religion. Any girls born to", "the goddess, only queens can inherit the throne, and rules as both leader", "a divine connection with the goddess, only queens can inherit the throne, and", "country's religion. Any girls born to her will be in line to inherit", "with sons never inheriting. As head of the faith, she rules with \"absolute", "will be in line to inherit the throne, with sons never inheriting. As", "system with only female rulers? Do these concepts work against each other or", "are still considered the breadwinners in society, and dominate in all matters that", "to her will be in line to inherit the throne, with sons never", "female rulers? Do these concepts work against each other or can they work", "as the regent is elected by the government with the queen simply legitimizing", "throne, with sons never inheriting. As head of the faith, she rules with", "in her stead. This is largely ceremonial, as the regent is elected by", "throne, and rules as both leader of the nation and the country's religion.", "still considered the breadwinners in society, and dominate in all matters that run", "inherit the throne, and rules as both leader of the nation and the", "queen is the reigning monarch, her powers are limited to religious and cultural", "going back since its inception. Due to a divine connection with the goddess,", "divine connection with the goddess, only queens can inherit the throne, and rules", "female rulers going back since its inception. Due to a divine connection with", "rules with \"absolute authority\". However, this does not translate into political power. She", "girls born to her will be in line to inherit the throne, with", "the country. Does it make sense to have a dominant patriarchal system with", "rule in her stead. This is largely ceremonial, as the regent is elected", "back since its inception. Due to a divine connection with the goddess, only", "country has a long line of female rulers going back since its inception.", "elected by the government with the queen simply legitimizing his rule. The regent", "the queen simply legitimizing his rule. The regent handles governmental affairs, enforcing the", "the government with the queen simply legitimizing his rule. The regent handles governmental", "Men are still considered the breadwinners in society, and dominate in all matters", "power. She does not rule directly, but chooses a regent to rule in", "since its inception. Due to a divine connection with the goddess, only queens", "etc. While the queen is the reigning monarch, her powers are limited to", "queens can inherit the throne, and rules as both leader of the nation", "largely ceremonial, as the regent is elected by the government with the queen", "all matters that run the country. Does it make sense to have a", "connection with the goddess, only queens can inherit the throne, and rules as", "only queens can inherit the throne, and rules as both leader of the", "and the country's religion. Any girls born to her will be in line", "the throne, and rules as both leader of the nation and the country's", "of the faith, she rules with \"absolute authority\". However, this does not translate", "but Men are still considered the breadwinners in society, and dominate in all", "this does not translate into political power. She does not rule directly, but", "be in line to inherit the throne, with sons never inheriting. As head", "only female rulers? Do these concepts work against each other or can they", "the faith, she rules with \"absolute authority\". However, this does not translate into", "the breadwinners in society, and dominate in all matters that run the country.", "Any girls born to her will be in line to inherit the throne,", "into political power. She does not rule directly, but chooses a regent to", "does not translate into political power. She does not rule directly, but chooses", "rulers? Do these concepts work against each other or can they work together?", "a dominant patriarchal system with only female rulers? Do these concepts work against", "a long line of female rulers going back since its inception. Due to", "is largely ceremonial, as the regent is elected by the government with the", "religious and cultural affairs. Society is matrilineal, but Men are still considered the", "as both leader of the nation and the country's religion. Any girls born", "handles governmental affairs, enforcing the law, etc. While the queen is the reigning", "its inception. Due to a divine connection with the goddess, only queens can", "regent handles governmental affairs, enforcing the law, etc. While the queen is the", "government with the queen simply legitimizing his rule. The regent handles governmental affairs,", "the queen is the reigning monarch, her powers are limited to religious and", "rule. The regent handles governmental affairs, enforcing the law, etc. While the queen", "The regent handles governmental affairs, enforcing the law, etc. While the queen is", "can inherit the throne, and rules as both leader of the nation and", "religion. Any girls born to her will be in line to inherit the", "translate into political power. She does not rule directly, but chooses a regent", "This is largely ceremonial, as the regent is elected by the government with", "it make sense to have a dominant patriarchal system with only female rulers?", "is the reigning monarch, her powers are limited to religious and cultural affairs.", "and rules as both leader of the nation and the country's religion. Any", "country. Does it make sense to have a dominant patriarchal system with only", "a regent to rule in her stead. This is largely ceremonial, as the", "patriarchal system with only female rulers? Do these concepts work against each other", "simply legitimizing his rule. The regent handles governmental affairs, enforcing the law, etc.", "breadwinners in society, and dominate in all matters that run the country. Does", "in all matters that run the country. Does it make sense to have", "However, this does not translate into political power. She does not rule directly,", "are limited to religious and cultural affairs. Society is matrilineal, but Men are", "authority\". However, this does not translate into political power. She does not rule", "\"absolute authority\". However, this does not translate into political power. She does not", "She does not rule directly, but chooses a regent to rule in her", "she rules with \"absolute authority\". However, this does not translate into political power.", "Society is matrilineal, but Men are still considered the breadwinners in society, and", "not rule directly, but chooses a regent to rule in her stead. This", "the throne, with sons never inheriting. As head of the faith, she rules", "does not rule directly, but chooses a regent to rule in her stead.", "the country's religion. Any girls born to her will be in line to", "the nation and the country's religion. Any girls born to her will be", "run the country. Does it make sense to have a dominant patriarchal system", "by the government with the queen simply legitimizing his rule. The regent handles", "of the nation and the country's religion. Any girls born to her will", "line to inherit the throne, with sons never inheriting. As head of the", "to have a dominant patriarchal system with only female rulers? Do these concepts", "with \"absolute authority\". However, this does not translate into political power. She does", "his rule. 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However, this", "monarch, her powers are limited to religious and cultural affairs. Society is matrilineal,", "nation and the country's religion. Any girls born to her will be in", "with the goddess, only queens can inherit the throne, and rules as both", "dominate in all matters that run the country. Does it make sense to" ]
[ "almost completely free to create the characters however you want with whatever backstory", "glass canons sometimes), but they make up for it with their speed and", "the dev team puts on that character. Once I have a full set", "the task of creating a character who needs to have something specific, like", "in mind the requirements or restraints the dev team puts on that character.", "very light on defense (leading to glass canons sometimes), but they make up", "\"main\" story and character that drives everyone else's stories to some extent. I", "a full set of characters, I try to make them work together, so", "fighting characters.* Aside from these archetypes, you're almost completely free to create the", "would be feasible to make or not (that's not the point of this", "most of the other cast. Being a fighting game, the characters follow some", "get ideas for characters, I try to incorporate them into the character slots", "character who needs to have something specific, like a ball and chain user", "with certain requirements/restraints for some or all of them, like the example above?", "speak. Later, when I get ideas for characters, I try to incorporate them", "I can tell a cohesive story with all of them. Side note: I'm", "game play of course. For example, sometimes you're given the task of creating", "opponents. They are often very light on defense (leading to glass canons sometimes),", "you're given the role of creating about 30 or 40 unique characters from", "characters who relentlessly rush down their opponents. They are often very light on", "who work best with their projectiles or other long range attacks. They shine", "the role of creating about 30 or 40 unique characters from many different", "that drives everyone else's stories to some extent. I have one to four", "large teams with concurrently fighting characters. Aside from these archetypes, you're almost completely", "feasible to make or not (that's not the point of this question), how", "that character. Once I have a full set of characters, I try to", "you want with whatever backstory and arc you want, as long as they", "size. You also have healers, but it's specific to this fighting game as", "but disadvantageous to their enemies. grappler / heavy-weight characters who excel in", "other cast. Being a fighting game, the characters follow some archetypes established from", "many different backgrounds from the ground up. It's more story heavy than most", "rush down their opponents. They are often very light on defense (leading to", "or restraints the dev team puts on that character. Once I have a", "by having one \"main\" story and character that drives everyone else's stories to", "development team working on a fighting game, and you're given the role of", "to glass canons sometimes), but they make up for it with their speed", "out lots of damage, but they are often slow and easy to hit", "as they fit the game play of course. For example, sometimes you're given", "speed and their small size. * characters who work best with their projectiles", "and its story would be feasible to make or not (that's not the", "some extent. I have one to four characters per planet and they are", "can tell a cohesive story with all of them. Side note: I'm more", "about 30 or 40 unique characters from many different backgrounds from the ground", "It's more story heavy than most fighting games, and it takes place over", "needs to have something specific, like a ball and chain user for example,", "make with certain requirements/restraints for some or all of them, like the example", "of course. For example, sometimes you're given the task of creating a character", "/ heavy-weight characters who excel in close combat. They can take and dish", "ball and chain user for example, but you can decide everything else for", "planet and they are just there at the moment, as \"character slots\" so", "the moment, as \"character slots\" so to speak. Later, when I get ideas", "can take and dish out lots of damage, but they are often slow", "point of this question), how would you create all these characters if you're", "them at a distance that's advantageous to them but disadvantageous to their enemies.", "create the characters however you want with whatever backstory and arc you want,", "Suppose you are part of a development team working on a fighting game,", "be feasible to make or not (that's not the point of this question),", "example above? The way I'm currently doing it is by having one \"main\"", "enemies. grappler / heavy-weight characters who excel in close combat. They can", "that's advantageous to them but disadvantageous to their enemies. * grappler / heavy-weight", "light on defense (leading to glass canons sometimes), but they make up for", "story and character that drives everyone else's stories to some extent. I have", "lots of damage, but they are often slow and easy to hit because", "with all of them. Side note: I'm more of a discovery writer, hence", "ideas for characters, I try to incorporate them into the character slots I", "backgrounds from the ground up. It's more story heavy than most fighting games,", "because of their size. You also have healers, but it's specific to this", "want, as long as they fit the game play of course. For example,", "above? The way I'm currently doing it is by having one \"main\" story", "given a specific number of characters you need to make with certain requirements/restraints", "you are part of a development team working on a fighting game, and", "the character yourself. Regardless whether this game and its story would be feasible", "with whatever backstory and arc you want, as long as they fit the", "fighting games, and it takes place over a large universe spanning many planets,", "long range attacks. They shine by keeping their opponents out of their faces", "from many different backgrounds from the ground up. It's more story heavy than", "try to incorporate them into the character slots I created, keeping in mind", "games, and it takes place over a large universe spanning many planets, so", "make up for it with their speed and their small size. * characters", "you create all these characters if you're given a specific number of characters", "over a large universe spanning many planets, so most characters end up being", "of their size. You also have healers, but it's specific to this fighting", "on a fighting game, and you're given the role of creating about 30", "decide everything else for the character yourself. Regardless whether this game and its", "take and dish out lots of damage, but they are often slow and", "advantageous to them but disadvantageous to their enemies. grappler / heavy-weight characters", "They can take and dish out lots of damage, but they are often", "concurrently fighting characters.* Aside from these archetypes, you're almost completely free to create", "of characters, I try to make them work together, so I can tell", "easy to hit because of their size. You also have healers, but it's", "planets, so most characters end up being largely disconnected from most of the", "to have something specific, like a ball and chain user for example, but", "faces as much as possible or keeping them at a distance that's advantageous", "size. characters who work best with their projectiles or other long range", "more story heavy than most fighting games, and it takes place over a", "one \"main\" story and character that drives everyone else's stories to some extent.", "whether this game and its story would be feasible to make or not", "their projectiles or other long range attacks. They shine by keeping their opponents", "as possible or keeping them at a distance that's advantageous to them but", "dish out lots of damage, but they are often slow and easy to", "as much as possible or keeping them at a distance that's advantageous to", "their faces as much as possible or keeping them at a distance that's", "who relentlessly rush down their opponents. They are often very light on defense", "fighting games, such as: * quick characters who relentlessly rush down their opponents.", "end up being largely disconnected from most of the other cast. Being a", "features large teams with concurrently fighting characters.* Aside from these archetypes, you're almost", "certain requirements/restraints for some or all of them, like the example above? The", "disconnected from most of the other cast. Being a fighting game, the characters", "arc you want, as long as they fit the game play of course.", "fit the game play of course. For example, sometimes you're given the task", "mind the requirements or restraints the dev team puts on that character. Once", "this game and its story would be feasible to make or not (that's", "way I'm currently doing it is by having one \"main\" story and character", "I try to make them work together, so I can tell a cohesive", "created, keeping in mind the requirements or restraints the dev team puts on", "at the moment, as \"character slots\" so to speak. Later, when I get", "different backgrounds from the ground up. It's more story heavy than most fighting", "shine by keeping their opponents out of their faces as much as possible", "a large universe spanning many planets, so most characters end up being largely", "slots\" so to speak. Later, when I get ideas for characters, I try", "are often slow and easy to hit because of their size. You also", "I get ideas for characters, I try to incorporate them into the character", "story heavy than most fighting games, and it takes place over a large", "it's specific to this fighting game as it features large teams with concurrently", "its story would be feasible to make or not (that's not the point", "specific number of characters you need to make with certain requirements/restraints for some", "the game play of course. For example, sometimes you're given the task of", "or 40 unique characters from many different backgrounds from the ground up. It's", "I have a full set of characters, I try to make them work", "canons sometimes), but they make up for it with their speed and their", "into the character slots I created, keeping in mind the requirements or restraints", "creating a character who needs to have something specific, like a ball and", "many planets, so most characters end up being largely disconnected from most of", "to some extent. I have one to four characters per planet and they", "work best with their projectiles or other long range attacks. They shine by", "fighting game as it features large teams with concurrently fighting characters. Aside from", "puts on that character. Once I have a full set of characters, I", "cohesive story with all of them. Side note: I'm more of a discovery", "sometimes you're given the task of creating a character who needs to have", "having one \"main\" story and character that drives everyone else's stories to some", "large universe spanning many planets, so most characters end up being largely disconnected", "incorporate them into the character slots I created, keeping in mind the requirements", "at a distance that's advantageous to them but disadvantageous to their enemies. ", "to speak. Later, when I get ideas for characters, I try to incorporate", "takes place over a large universe spanning many planets, so most characters end", "characters follow some archetypes established from many fighting games, such as: * quick", "just there at the moment, as \"character slots\" so to speak. Later, when", "completely free to create the characters however you want with whatever backstory and", "slots I created, keeping in mind the requirements or restraints the dev team", "whatever backstory and arc you want, as long as they fit the game", "the example above? The way I'm currently doing it is by having one", "these characters if you're given a specific number of characters you need to", "30 or 40 unique characters from many different backgrounds from the ground up.", "want with whatever backstory and arc you want, as long as they fit", "specific, like a ball and chain user for example, but you can decide", "quick characters who relentlessly rush down their opponents. They are often very light", "place over a large universe spanning many planets, so most characters end up", "a character who needs to have something specific, like a ball and chain", "also have healers, but it's specific to this fighting game as it features", "universe spanning many planets, so most characters end up being largely disconnected from", "archetypes, you're almost completely free to create the characters however you want with", "in close combat. They can take and dish out lots of damage, but", "backstory and arc you want, as long as they fit the game play", "for characters, I try to incorporate them into the character slots I created,", "who needs to have something specific, like a ball and chain user for", "or keeping them at a distance that's advantageous to them but disadvantageous to", "to this fighting game as it features large teams with concurrently fighting characters.", "of the other cast. Being a fighting game, the characters follow some archetypes", "to four characters per planet and they are just there at the moment,", "example, but you can decide everything else for the character yourself. Regardless whether", "Aside from these archetypes, you're almost* completely free to create the characters however", "else's stories to some extent. I have one to four characters per planet", "are often very light on defense (leading to glass canons sometimes), but they", "or other long range attacks. They shine by keeping their opponents out of", "requirements/restraints for some or all of them, like the example above? The way", "tell a cohesive story with all of them. Side note: I'm more of", "task of creating a character who needs to have something specific, like a", "character yourself. Regardless whether this game and its story would be feasible to", "of creating a character who needs to have something specific, like a ball", "their enemies. grappler / heavy-weight characters who excel in close combat. They", "and chain user for example, but you can decide everything else for the", "heavy than most fighting games, and it takes place over a large universe", "characters.* Aside from these archetypes, you're almost completely free to create the characters", "creating about 30 or 40 unique characters from many different backgrounds from the", "game, the characters follow some archetypes established from many fighting games, such as:", "range attacks. They shine by keeping their opponents out of their faces as", "user for example, but you can decide everything else for the character yourself.", "up for it with their speed and their small size. * characters who", "the characters follow some archetypes established from many fighting games, such as: ", "full set of characters, I try to make them work together, so I", "opponents out of their faces as much as possible or keeping them at", "I created, keeping in mind the requirements or restraints the dev team puts", "when I get ideas for characters, I try to incorporate them into the", "game as it features large teams with concurrently fighting characters. Aside from these", "as long as they fit the game play of course. For example, sometimes", "can decide everything else for the character yourself. Regardless whether this game and", "restraints the dev team puts on that character. Once I have a full", "or all of them, like the example above? The way I'm currently doing", "them work together, so I can tell a cohesive story with all of", "it is by having one \"main\" story and character that drives everyone else's", "it takes place over a large universe spanning many planets, so most characters", "to make with certain requirements/restraints for some or all of them, like the", "much as possible or keeping them at a distance that's advantageous to them", "a development team working on a fighting game, and you're given the role", "and easy to hit because of their size. You also have healers, but", "who excel in close combat. They can take and dish out lots of", "Later, when I get ideas for characters, I try to incorporate them into", "are part of a development team working on a fighting game, and you're", "\"character slots\" so to speak. Later, when I get ideas for characters, I", "by keeping their opponents out of their faces as much as possible or", "a cohesive story with all of them. Side note: I'm more of a", "to incorporate them into the character slots I created, keeping in mind the", "however you want with whatever backstory and arc you want, as long as", "up being largely disconnected from most of the other cast. Being a fighting", "course. For example, sometimes you're given the task of creating a character who", "of a development team working on a fighting game, and you're given the", "(leading to glass canons sometimes), but they make up for it with their", "largely disconnected from most of the other cast. Being a fighting game, the", "I have one to four characters per planet and they are just there", "you need to make with certain requirements/restraints for some or all of them,", "attacks. They shine by keeping their opponents out of their faces as much", "with concurrently fighting characters.* Aside from these archetypes, you're almost completely free to", "everything else for the character yourself. Regardless whether this game and its story", "and dish out lots of damage, but they are often slow and easy", "to make them work together, so I can tell a cohesive story with", "Regardless whether this game and its story would be feasible to make or", "possible or keeping them at a distance that's advantageous to them but disadvantageous", "40 unique characters from many different backgrounds from the ground up. It's more", "sometimes), but they make up for it with their speed and their small", "than most fighting games, and it takes place over a large universe spanning", "keeping their opponents out of their faces as much as possible or keeping", "example, sometimes you're given the task of creating a character who needs to", "a fighting game, the characters follow some archetypes established from many fighting games,", "like a ball and chain user for example, but you can decide everything", "to create the characters however you want with whatever backstory and arc you", "as: * quick characters who relentlessly rush down their opponents. They are often", "down their opponents. They are often very light on defense (leading to glass", "it with their speed and their small size. * characters who work best", "combat. They can take and dish out lots of damage, but they are", "defense (leading to glass canons sometimes), but they make up for it with", "to make or not (that's not the point of this question), how would", "their speed and their small size. * characters who work best with their", "their opponents. They are often very light on defense (leading to glass canons", "if you're given a specific number of characters you need to make with", "so most characters end up being largely disconnected from most of the other", "have something specific, like a ball and chain user for example, but you", "game and its story would be feasible to make or not (that's not", "character that drives everyone else's stories to some extent. I have one to", "set of characters, I try to make them work together, so I can", "some archetypes established from many fighting games, such as: * quick characters who", "there at the moment, as \"character slots\" so to speak. Later, when I", "all of them. Side note: I'm more of a discovery writer, hence the", "question), how would you create all these characters if you're given a specific", "their small size. characters who work best with their projectiles or other", "them, like the example above? The way I'm currently doing it is by", "everyone else's stories to some extent. I have one to four characters per", "try to make them work together, so I can tell a cohesive story", "healers, but it's specific to this fighting game as it features large teams", "distance that's advantageous to them but disadvantageous to their enemies. * grappler /", "from these archetypes, you're almost completely free to create the characters however you", "these archetypes, you're almost completely free to create the characters however you want", "not (that's not the point of this question), how would you create all", "they are often slow and easy to hit because of their size. You", "chain user for example, but you can decide everything else for the character", "as \"character slots\" so to speak. Later, when I get ideas for characters,", "often very light on defense (leading to glass canons sometimes), but they make", "you can decide everything else for the character yourself. Regardless whether this game", "Once I have a full set of characters, I try to make them", "dev team puts on that character. Once I have a full set of", "this fighting game as it features large teams with concurrently fighting characters. Aside", "of this question), how would you create all these characters if you're given", "all these characters if you're given a specific number of characters you need", "and arc you want, as long as they fit the game play of", "extent. I have one to four characters per planet and they are just", "make or not (that's not the point of this question), how would you", "but they are often slow and easy to hit because of their size.", "they are just there at the moment, as \"character slots\" so to speak.", "the requirements or restraints the dev team puts on that character. Once I", "free to create the characters however you want with whatever backstory and arc", "such as: * quick characters who relentlessly rush down their opponents. They are", "doing it is by having one \"main\" story and character that drives everyone", "hit because of their size. You also have healers, but it's specific to", "established from many fighting games, such as: quick characters who relentlessly rush", "else for the character yourself. Regardless whether this game and its story would", "have a full set of characters, I try to make them work together,", "on defense (leading to glass canons sometimes), but they make up for it", "specific to this fighting game as it features large teams with concurrently fighting", "often slow and easy to hit because of their size. You also have", "archetypes established from many fighting games, such as: quick characters who relentlessly", "of them, like the example above? The way I'm currently doing it is", "yourself. Regardless whether this game and its story would be feasible to make", "the other cast. Being a fighting game, the characters follow some archetypes established", "fighting game, the characters follow some archetypes established from many fighting games, such", "them but disadvantageous to their enemies. * grappler / heavy-weight characters who excel", "Side note: I'm more of a discovery writer, hence the approach I take.", "spanning many planets, so most characters end up being largely disconnected from most", "of them. Side note: I'm more of a discovery writer, hence the approach", "of creating about 30 or 40 unique characters from many different backgrounds from", "play of course. For example, sometimes you're given the task of creating a", "would you create all these characters if you're given a specific number of", "heavy-weight characters who excel in close combat. They can take and dish out", "their opponents out of their faces as much as possible or keeping them", "character. Once I have a full set of characters, I try to make", "with their projectiles or other long range attacks. They shine by keeping their", "team working on a fighting game, and you're given the role of creating", " quick characters who relentlessly rush down their opponents. They are often very", "the character slots I created, keeping in mind the requirements or restraints the", "all of them, like the example above? The way I'm currently doing it", "requirements or restraints the dev team puts on that character. Once I have", "so I can tell a cohesive story with all of them. Side note:", "together, so I can tell a cohesive story with all of them. Side", "characters end up being largely disconnected from most of the other cast. Being", "for example, but you can decide everything else for the character yourself. Regardless", "characters however you want with whatever backstory and arc you want, as long", "some or all of them, like the example above? The way I'm currently", "games, such as: * quick characters who relentlessly rush down their opponents. They", "damage, but they are often slow and easy to hit because of their", "characters if you're given a specific number of characters you need to make", "cast. Being a fighting game, the characters follow some archetypes established from many", "small size. * characters who work best with their projectiles or other long", "them. Side note: I'm more of a discovery writer, hence the approach I", "and it takes place over a large universe spanning many planets, so most", "is by having one \"main\" story and character that drives everyone else's stories", "you're given a specific number of characters you need to make with certain", "a fighting game, and you're given the role of creating about 30 or", "the point of this question), how would you create all these characters if", "with their speed and their small size. characters who work best with", "like the example above? The way I'm currently doing it is by having", "fighting game, and you're given the role of creating about 30 or 40", "ground up. It's more story heavy than most fighting games, and it takes", "you're given the task of creating a character who needs to have something", "one to four characters per planet and they are just there at the", "a specific number of characters you need to make with certain requirements/restraints for", "per planet and they are just there at the moment, as \"character slots\"", "team puts on that character. Once I have a full set of characters,", "work together, so I can tell a cohesive story with all of them.", "They shine by keeping their opponents out of their faces as much as", "given the role of creating about 30 or 40 unique characters from many", "part of a development team working on a fighting game, and you're given", "they make up for it with their speed and their small size. ", "unique characters from many different backgrounds from the ground up. It's more story", "need to make with certain requirements/restraints for some or all of them, like", "have healers, but it's specific to this fighting game as it features large", "as it features large teams with concurrently fighting characters. Aside from these archetypes,", "game, and you're given the role of creating about 30 or 40 unique", "their size. You also have healers, but it's specific to this fighting game", "and they are just there at the moment, as \"character slots\" so to", "I try to incorporate them into the character slots I created, keeping in", "For example, sometimes you're given the task of creating a character who needs", "on that character. Once I have a full set of characters, I try", "best with their projectiles or other long range attacks. They shine by keeping", "(that's not the point of this question), how would you create all these", "drives everyone else's stories to some extent. I have one to four characters", " characters who work best with their projectiles or other long range attacks.", "create all these characters if you're given a specific number of characters you", "are just there at the moment, as \"character slots\" so to speak. Later,", "relentlessly rush down their opponents. They are often very light on defense (leading", "role of creating about 30 or 40 unique characters from many different backgrounds", "excel in close combat. They can take and dish out lots of damage,", "characters per planet and they are just there at the moment, as \"character", "keeping in mind the requirements or restraints the dev team puts on that", "story would be feasible to make or not (that's not the point of", "of characters you need to make with certain requirements/restraints for some or all", "a ball and chain user for example, but you can decide everything else", "characters who excel in close combat. They can take and dish out lots", "close combat. They can take and dish out lots of damage, but they", "slow and easy to hit because of their size. You also have healers,", "and you're given the role of creating about 30 or 40 unique characters", "characters, I try to make them work together, so I can tell a", "long as they fit the game play of course. For example, sometimes you're", "You also have healers, but it's specific to this fighting game as it", "number of characters you need to make with certain requirements/restraints for some or", "The way I'm currently doing it is by having one \"main\" story and", "from most of the other cast. Being a fighting game, the characters follow", "up. It's more story heavy than most fighting games, and it takes place", "from the ground up. It's more story heavy than most fighting games, and", "but it's specific to this fighting game as it features large teams with", "but they make up for it with their speed and their small size.", "character slots I created, keeping in mind the requirements or restraints the dev", "this question), how would you create all these characters if you're given a", "working on a fighting game, and you're given the role of creating about", "for the character yourself. Regardless whether this game and its story would be", "and character that drives everyone else's stories to some extent. I have one", "given the task of creating a character who needs to have something specific,", "from many fighting games, such as: * quick characters who relentlessly rush down", "other long range attacks. They shine by keeping their opponents out of their", "for it with their speed and their small size. * characters who work", "you want, as long as they fit the game play of course. For", "not the point of this question), how would you create all these characters", "and their small size. * characters who work best with their projectiles or", "them into the character slots I created, keeping in mind the requirements or", "the characters however you want with whatever backstory and arc you want, as", "you're almost completely free to create the characters however you want with whatever", "something specific, like a ball and chain user for example, but you can", "for some or all of them, like the example above? The way I'm", "to their enemies. * grappler / heavy-weight characters who excel in close combat.", "disadvantageous to their enemies. * grappler / heavy-weight characters who excel in close", "* grappler / heavy-weight characters who excel in close combat. They can take", "moment, as \"character slots\" so to speak. Later, when I get ideas for", "have one to four characters per planet and they are just there at", "grappler / heavy-weight characters who excel in close combat. They can take and", "teams with concurrently fighting characters.* Aside from these archetypes, you're almost completely free", "so to speak. Later, when I get ideas for characters, I try to", "characters you need to make with certain requirements/restraints for some or all of", "to them but disadvantageous to their enemies. * grappler / heavy-weight characters who", "currently doing it is by having one \"main\" story and character that drives", "four characters per planet and they are just there at the moment, as", "the ground up. It's more story heavy than most fighting games, and it", "to hit because of their size. You also have healers, but it's specific", "make them work together, so I can tell a cohesive story with all", "most fighting games, and it takes place over a large universe spanning many", "how would you create all these characters if you're given a specific number", "I'm currently doing it is by having one \"main\" story and character that", "stories to some extent. I have one to four characters per planet and", "out of their faces as much as possible or keeping them at a", "characters, I try to incorporate them into the character slots I created, keeping", "characters from many different backgrounds from the ground up. It's more story heavy", "of damage, but they are often slow and easy to hit because of", "or not (that's not the point of this question), how would you create", "a distance that's advantageous to them but disadvantageous to their enemies. grappler", "story with all of them. Side note: I'm more of a discovery writer,", "projectiles or other long range attacks. They shine by keeping their opponents out", "They are often very light on defense (leading to glass canons sometimes), but", "Being a fighting game, the characters follow some archetypes established from many fighting", "of their faces as much as possible or keeping them at a distance", "but you can decide everything else for the character yourself. Regardless whether this", "keeping them at a distance that's advantageous to them but disadvantageous to their", "many fighting games, such as: quick characters who relentlessly rush down their", "being largely disconnected from most of the other cast. Being a fighting game,", "characters who work best with their projectiles or other long range attacks. They", "it features large teams with concurrently fighting characters.* Aside from these archetypes, you're", "most characters end up being largely disconnected from most of the other cast.", "they fit the game play of course. For example, sometimes you're given the", "follow some archetypes established from many fighting games, such as: * quick characters" ]
[ "wondering if there was a way to have it so that the name", "by his name. Only once, and I was wondering if there was a", "a part of the story where someone calls the Old Man by his", "Man by his name. Only once, and I was wondering if there was", "where someone calls the Old Man by his name. Only once, and I", "to have it so that the name is said but not mentioned in", "but there is a part of the story where someone calls the Old", "a way to have it so that the name is said but not", "calls the Old Man by his name. Only once, and I was wondering", "which features a character known only as Old Man, but there is a", "and I was wondering if there was a way to have it so", "the story where someone calls the Old Man by his name. Only once,", "of the story where someone calls the Old Man by his name. Only", "have it so that the name is said but not mentioned in the", "features a character known only as Old Man, but there is a part", "character known only as Old Man, but there is a part of the", "as Old Man, but there is a part of the story where someone", "is a part of the story where someone calls the Old Man by", "was wondering if there was a way to have it so that the", "that the name is said but not mentioned in the story. My story", "the Old Man by his name. Only once, and I was wondering if", "once, and I was wondering if there was a way to have it", "not mentioned in the story. My story is written from the third person.", "known only as Old Man, but there is a part of the story", "way to have it so that the name is said but not mentioned", "it so that the name is said but not mentioned in the story.", "a character known only as Old Man, but there is a part of", "a short story which features a character known only as Old Man, but", "Old Man by his name. Only once, and I was wondering if there", "I was wondering if there was a way to have it so that", "there was a way to have it so that the name is said", "short story which features a character known only as Old Man, but there", "story where someone calls the Old Man by his name. Only once, and", "name is said but not mentioned in the story. My story is written", "am writing a short story which features a character known only as Old", "is said but not mentioned in the story. My story is written from", "only as Old Man, but there is a part of the story where", "but not mentioned in the story. My story is written from the third", "if there was a way to have it so that the name is", "story which features a character known only as Old Man, but there is", "was a way to have it so that the name is said but", "so that the name is said but not mentioned in the story. My", "name. Only once, and I was wondering if there was a way to", "writing a short story which features a character known only as Old Man,", "I am writing a short story which features a character known only as", "Only once, and I was wondering if there was a way to have", "the name is said but not mentioned in the story. My story is", "said but not mentioned in the story. My story is written from the", "there is a part of the story where someone calls the Old Man", "Man, but there is a part of the story where someone calls the", "part of the story where someone calls the Old Man by his name.", "Old Man, but there is a part of the story where someone calls", "his name. Only once, and I was wondering if there was a way", "someone calls the Old Man by his name. Only once, and I was" ]
[ "able to make it work with the different girls unless he becomes a", "make it work with the different girls unless he becomes a completely different", "and snafus. Now, you are a student in an all-female school (As much", "of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel, you are", "the characters because he's kind to them despite all inclinations to run away", "may have a few choices in the matter, but most of it is", "of it is about watching the story. A personal favorite of mine is", "mistakes and snafus. Now, you are a student in an all-female school (As", "because he's kind to them despite all inclinations to run away screaming (There", "(For those who do not know, it's a video game that's almost all", "at the same time, however.) The problem I'm constantly running into is, most", "characters because he's kind to them despite all inclinations to run away screaming", "the different girls unless he becomes a completely different person for each of", "a video game that's almost all story. The character may have a few", "student in an all-female school (As much as I'd like to go into", "I wish to break that streak by making an actually well-developed protagonist. But,", "However, I wish to break that streak by making an actually well-developed protagonist.", "protagonists in these type of games are only like by the characters because", "by women of various walks of life, and somehow, you, the protagonist, are", "screaming (There are some weird visual novels out there.) However, I wish to", "girls unless he becomes a completely different person for each of them. How", "story. The character may have a few choices in the matter, but most", "through the game, you find yourself surrounded by women of various walks of", "to run away screaming (There are some weird visual novels out there.) However,", "well-developed protagonist. But, despite that, I won't be able to make it work", "the same time, however.) The problem I'm constantly running into is, most protagonists", "all story. The character may have a few choices in the matter, but", "it work with the different girls unless he becomes a completely different person", "not know, it's a video game that's almost all story. The character may", "the question.) As you progress through the game, you find yourself surrounded by", "the matter, but most of it is about watching the story. A personal", "are some weird visual novels out there.) However, I wish to break that", "via some weird mistakes and snafus. Now, you are a student in an", "enrolled into the wrong school via some weird mistakes and snafus. Now, you", "different girls unless he becomes a completely different person for each of them.", "of various walks of life, and somehow, you, the protagonist, are going to", "accidentally enrolled into the wrong school via some weird mistakes and snafus. Now,", "go on to the question.) As you progress through the game, you find", "that streak by making an actually well-developed protagonist. But, despite that, I won't", "women of various walks of life, and somehow, you, the protagonist, are going", "with the different girls unless he becomes a completely different person for each", "work with the different girls unless he becomes a completely different person for", "novel, you are an unfortunate soul who was accidentally enrolled into the wrong", "novels out there.) However, I wish to break that streak by making an", "run away screaming (There are some weird visual novels out there.) However, I", "game that's almost all story. The character may have a few choices in", "video game that's almost all story. The character may have a few choices", "the game, you find yourself surrounded by women of various walks of life,", "the visual novel, you are an unfortunate soul who was accidentally enrolled into", "into is, most protagonists in these type of games are only like by", "A personal favorite of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual", "of life, and somehow, you, the protagonist, are going to be able to", "(There are some weird visual novels out there.) However, I wish to break", "go into more detail, I must go on to the question.) As you", "actually well-developed protagonist. But, despite that, I won't be able to make it", "an actually well-developed protagonist. But, despite that, I won't be able to make", "hearts (Not at the same time, however.) The problem I'm constantly running into", "The character may have a few choices in the matter, but most of", "is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel, you are an unfortunate", "favorite of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel, you", "are a student in an all-female school (As much as I'd like to", "story. A personal favorite of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the", "kind to them despite all inclinations to run away screaming (There are some", "out there.) However, I wish to break that streak by making an actually", "to go into more detail, I must go on to the question.) As", "I'd like to go into more detail, I must go on to the", "and somehow, you, the protagonist, are going to be able to capture their", "games are only like by the characters because he's kind to them despite", "despite that, I won't be able to make it work with the different", "a few choices in the matter, but most of it is about watching", "(Not at the same time, however.) The problem I'm constantly running into is,", "link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel, you are an unfortunate soul who was", "have a visual novel (For those who do not know, it's a video", "visual novels out there.) However, I wish to break that streak by making", "almost all story. The character may have a few choices in the matter,", "won't be able to make it work with the different girls unless he", "progress through the game, you find yourself surrounded by women of various walks", "like to go into more detail, I must go on to the question.)", "those who do not know, it's a video game that's almost all story.", "an all-female school (As much as I'd like to go into more detail,", "personal favorite of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel,", "he's kind to them despite all inclinations to run away screaming (There are", "character may have a few choices in the matter, but most of it", "mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>)) In the visual novel, you are an", "you, the protagonist, are going to be able to capture their hearts (Not", "are only like by the characters because he's kind to them despite all", "despite all inclinations to run away screaming (There are some weird visual novels", "I currently have a visual novel (For those who do not know, it's", "able to capture their hearts (Not at the same time, however.) The problem", "becomes a completely different person for each of them. How do I avoid", "you are a student in an all-female school (As much as I'd like", "various walks of life, and somehow, you, the protagonist, are going to be", "most protagonists in these type of games are only like by the characters", "life, and somehow, you, the protagonist, are going to be able to capture", "some weird mistakes and snafus. Now, you are a student in an all-female", "novel (For those who do not know, it's a video game that's almost", "be able to capture their hearts (Not at the same time, however.) The", "watching the story. A personal favorite of mine is Nekopara .(wiki link: <http://nekopara.wikia.com/wiki/Nekopara_Wiki>))", "As you progress through the game, you find yourself surrounded by women of", "to the question.) As you progress through the game, you find yourself surrounded", "these type of games are only like by the characters because he's kind", "away screaming (There are some weird visual novels out there.) However, I wish", "problem I'm constantly running into is, most protagonists in these type of games", "wish to break that streak by making an actually well-developed protagonist. But, despite", "choices in the matter, but most of it is about watching the story.", "most of it is about watching the story. A personal favorite of mine", "it's a video game that's almost all story. The character may have a", "matter, but most of it is about watching the story. A personal favorite", "capture their hearts (Not at the same time, however.) The problem I'm constantly", "going to be able to capture their hearts (Not at the same time,", "as I'd like to go into more detail, I must go on to", "by the characters because he's kind to them despite all inclinations to run", "in the matter, but most of it is about watching the story. A", "running into is, most protagonists in these type of games are only like", "to them despite all inclinations to run away screaming (There are some weird", "but most of it is about watching the story. A personal favorite of", "their hearts (Not at the same time, however.) The problem I'm constantly running", "that, I won't be able to make it work with the different girls", "it is about watching the story. A personal favorite of mine is Nekopara", "into the wrong school via some weird mistakes and snafus. Now, you are", "surrounded by women of various walks of life, and somehow, you, the protagonist,", "time, however.) 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As you progress through the game, you find yourself surrounded by women", "But, despite that, I won't be able to make it work with the" ]
[ "with your parents. Now I don't really know how to define the word", "a way where it's slightly less awkward to accidentally watch it with your", "one from Titanic. So... what makes a scene like that tasteful as opposed", "say you have a scene that contains nudity. There are many ways to", "just... fan service, I guess? What steps should you take to avoid making", "slightly less awkward to accidentally watch it with your parents. Now I don't", "fan service, I guess? What steps should you take to avoid making it", "contains nudity. There are many ways to do it wrong and have it", "watch it with your parents. Now I don't really know how to define", "Let's say you have a scene that contains nudity. There are many ways", "but there are also ways to make it \"tasteful\" in a way where", "have it just be a pervy scene, but there are also ways to", "heard would be the one from Titanic. So... what makes a scene like", "tasteful as opposed to just... fan service, I guess? What steps should you", "the examples of tasteful nude scenes I've heard would be the one from", "a scene that contains nudity. There are many ways to do it wrong", "there are also ways to make it \"tasteful\" in a way where it's", "do it wrong and have it just be a pervy scene, but there", "less awkward to accidentally watch it with your parents. Now I don't really", "where it's slightly less awkward to accidentally watch it with your parents. Now", "the word tasteful in this context, but one of the examples of tasteful", "of tasteful nude scenes I've heard would be the one from Titanic. So...", "are many ways to do it wrong and have it just be a", "examples of tasteful nude scenes I've heard would be the one from Titanic.", "Now I don't really know how to define the word tasteful in this", "make it \"tasteful\" in a way where it's slightly less awkward to accidentally", "the one from Titanic. So... what makes a scene like that tasteful as", "don't really know how to define the word tasteful in this context, but", "tasteful in this context, but one of the examples of tasteful nude scenes", "from Titanic. So... what makes a scene like that tasteful as opposed to", "as opposed to just... fan service, I guess? What steps should you take", "but one of the examples of tasteful nude scenes I've heard would be", "how to define the word tasteful in this context, but one of the", "define the word tasteful in this context, but one of the examples of", "this context, but one of the examples of tasteful nude scenes I've heard", "\"tasteful\" in a way where it's slightly less awkward to accidentally watch it", "it with your parents. Now I don't really know how to define the", "like that tasteful as opposed to just... fan service, I guess? What steps", "a pervy scene, but there are also ways to make it \"tasteful\" in", "scene like that tasteful as opposed to just... fan service, I guess? What", "really know how to define the word tasteful in this context, but one", "have a scene that contains nudity. There are many ways to do it", "scenes I've heard would be the one from Titanic. So... what makes a", "that contains nudity. There are many ways to do it wrong and have", "a scene like that tasteful as opposed to just... fan service, I guess?", "in this context, but one of the examples of tasteful nude scenes I've", "and have it just be a pervy scene, but there are also ways", "to just... fan service, I guess? What steps should you take to avoid", "parents. Now I don't really know how to define the word tasteful in", "just be a pervy scene, but there are also ways to make it", "service, I guess? What steps should you take to avoid making it distasteful?", "it \"tasteful\" in a way where it's slightly less awkward to accidentally watch", "that tasteful as opposed to just... fan service, I guess? What steps should", "you have a scene that contains nudity. There are many ways to do", "There are many ways to do it wrong and have it just be", "pervy scene, but there are also ways to make it \"tasteful\" in a", "know how to define the word tasteful in this context, but one of", "word tasteful in this context, but one of the examples of tasteful nude", "also ways to make it \"tasteful\" in a way where it's slightly less", "are also ways to make it \"tasteful\" in a way where it's slightly", "wrong and have it just be a pervy scene, but there are also", "your parents. Now I don't really know how to define the word tasteful", "many ways to do it wrong and have it just be a pervy", "what makes a scene like that tasteful as opposed to just... fan service,", "tasteful nude scenes I've heard would be the one from Titanic. So... what", "to make it \"tasteful\" in a way where it's slightly less awkward to", "ways to do it wrong and have it just be a pervy scene,", "ways to make it \"tasteful\" in a way where it's slightly less awkward", "to accidentally watch it with your parents. Now I don't really know how", "nude scenes I've heard would be the one from Titanic. So... what makes", "it wrong and have it just be a pervy scene, but there are", "be the one from Titanic. So... what makes a scene like that tasteful", "in a way where it's slightly less awkward to accidentally watch it with", "opposed to just... fan service, I guess? What steps should you take to", "So... what makes a scene like that tasteful as opposed to just... fan", "makes a scene like that tasteful as opposed to just... fan service, I", "I've heard would be the one from Titanic. So... what makes a scene", "one of the examples of tasteful nude scenes I've heard would be the", "to do it wrong and have it just be a pervy scene, but", "scene that contains nudity. There are many ways to do it wrong and", "accidentally watch it with your parents. Now I don't really know how to", "it just be a pervy scene, but there are also ways to make", "nudity. There are many ways to do it wrong and have it just", "be a pervy scene, but there are also ways to make it \"tasteful\"", "awkward to accidentally watch it with your parents. Now I don't really know", "it's slightly less awkward to accidentally watch it with your parents. Now I", "context, but one of the examples of tasteful nude scenes I've heard would", "would be the one from Titanic. So... what makes a scene like that", "scene, but there are also ways to make it \"tasteful\" in a way", "Titanic. So... what makes a scene like that tasteful as opposed to just...", "way where it's slightly less awkward to accidentally watch it with your parents.", "I don't really know how to define the word tasteful in this context,", "of the examples of tasteful nude scenes I've heard would be the one", "to define the word tasteful in this context, but one of the examples" ]
[ "and plot. OKAY I AM ADDING SOME MORE SENSE IN MY QUESTION :", "novel that I started years back as a teenager (didn't do to well", "I wrote a book about a a guy who hails from a poor", "story and plotting already exist in the market. Surprisingly the stories are so", "the guy dies living a full 80 years of complete and happy life", "the fact that My character gives an almost exact reason for his disbelief", "The same thing happens in the other story. In my story the Guy", "I recently started a young adult novel with a plot that I derived", "due to financial restraints. But he becomes a software engineer (self-taught). The same", "but the relation doesn't work because the guy is realistic while the woman", "I am not sure of its legal implications. Am I at a deadlock?", "though). I recently started a young adult novel with a plot that I", "by a beautiful wife and four children. Happens the same in the other", "I am not talking about using exact same words. I am simply talking", "already exist in the market. Surprisingly the stories are so identical! Now, I", "full 80 years of complete and happy life with enormous success, survived by", "much of my time in achieving 40k words and scrapping it away doesn't", "me much monetarily and more than that, I am not sure of its", "scrapping it away doesn't make sense. Neither can I ignore the fact that", "in the other story. My character falls in love with a well educated", "loses his faith in God and refuses to credit God. Same happens in", "hails from a poor family. He couldn't get his degree due to financial", "I mean I have invested so much of my time in achieving 40k", "God and is well regarded by many, even some religious leaders, as it", "astonishing similarity in the story structure and plot. OKAY I AM ADDING SOME", "end, the guy dies living a full 80 years of complete and happy", "very much concern about it. I mean I have invested so much of", "the fact that its publication won't benefit me much monetarily and more than", "in God and refuses to credit God. Same happens in the other story.", "teenager (didn't do to well in the market though). I recently started a", "happens in the other story. My character falls in love with a well", "it. I mean I have invested so much of my time in achieving", "in achieving 40k words and scrapping it away doesn't make sense. Neither can", "complete and happy life with enormous success, survived by a beautiful wife and", "usually write articles/column for newspapers, stories for magazines and blog posts on websites.", "woman believes in religion. Same goes there... In the end, the guy dies", "He couldn't get his degree due to financial restraints. But he becomes a", "years of complete and happy life with enormous success, survived by a beautiful", "enormous success, survived by a beautiful wife and four children. Happens the same", "my conclusion, I realized that a novel with an almost similar story and", "publication won't benefit me much monetarily and more than that, I am not", "that a novel with an almost similar story and plotting already exist in", "similar story and plotting already exist in the market. Surprisingly the stories are", "almost similar story and plotting already exist in the market. Surprisingly the stories", "the other story. In my story the Guy loses his faith in God", "SENSE IN MY QUESTION : I wrote a book about a a guy", "adult novel with a plot that I derived from some real life incidences.", "beautiful wife and four children. Happens the same in the other ...... Most", "even some religious leaders, as it happens in the other BOook!!! (charater names", "realistic while the woman believes in religion. Same goes there... In the end,", "much concern about it. I mean I have invested so much of my", "realized that a novel with an almost similar story and plotting already exist", "benefit me much monetarily and more than that, I am not sure of", "(self-taught). The same thing happens in the other story. In my story the", "and four children. Happens the same in the other ...... Most astonishing is", "to financial restraints. But he becomes a software engineer (self-taught). The same thing", "that, I am not sure of its legal implications. Am I at a", "other ...... Most astonishing is the fact that My character gives an almost", "My character falls in love with a well educated woman but the relation", "so identical! Now, I am very much concern about it. I mean I", "woman but the relation doesn't work because the guy is realistic while the", "I usually write articles/column for newspapers, stories for magazines and blog posts on", "am very much concern about it. I mean I have invested so much", "some real life incidences. However, as I neared my conclusion, I realized that", "the stories are so identical! Now, I am very much concern about it.", "a book about a a guy who hails from a poor family. He", "more than that, I am not sure of its legal implications. Am I", "MY QUESTION : I wrote a book about a a guy who hails", "some religious leaders, as it happens in the other BOook!!! (charater names and", "novel with a plot that I derived from some real life incidences. However,", "as a teenager (didn't do to well in the market though). I recently", "In my story the Guy loses his faith in God and refuses to", "credit God. Same happens in the other story. My character falls in love", "refuses to credit God. Same happens in the other story. My character falls", "restraints. But he becomes a software engineer (self-taught). The same thing happens in", "years back as a teenager (didn't do to well in the market though).", "not talking about using exact same words. I am simply talking about an", "in the story structure and plot. OKAY I AM ADDING SOME MORE SENSE", "with a plot that I derived from some real life incidences. However, as", "other story. In my story the Guy loses his faith in God and", "back as a teenager (didn't do to well in the market though). I", "invested so much of my time in achieving 40k words and scrapping it", "of its legal implications. Am I at a deadlock? EDIT: please note that", "the same in the other ...... Most astonishing is the fact that My", "dies living a full 80 years of complete and happy life with enormous", "a teenager (didn't do to well in the market though). I recently started", "AM ADDING SOME MORE SENSE IN MY QUESTION : I wrote a book", "so much of my time in achieving 40k words and scrapping it away", "time in achieving 40k words and scrapping it away doesn't make sense. Neither", "that I derived from some real life incidences. However, as I neared my", "that I started years back as a teenager (didn't do to well in", "words and scrapping it away doesn't make sense. Neither can I ignore the", "same in the other ...... Most astonishing is the fact that My character", "websites. I have also written and published a fictional novel that I started", "market. Surprisingly the stories are so identical! Now, I am very much concern", "an almost similar story and plotting already exist in the market. Surprisingly the", "the relation doesn't work because the guy is realistic while the woman believes", "I started years back as a teenager (didn't do to well in the", "he becomes a software engineer (self-taught). The same thing happens in the other", "than that, I am not sure of its legal implications. Am I at", "am not talking about using exact same words. I am simply talking about", "about it. 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But he becomes a software engineer (self-taught). The same thing happens", "exact reason for his disbelief in God and is well regarded by many,", "a novel with an almost similar story and plotting already exist in the", "have invested so much of my time in achieving 40k words and scrapping", "from some real life incidences. However, as I neared my conclusion, I realized", "40k words and scrapping it away doesn't make sense. Neither can I ignore", "part semi-professional writer. I usually write articles/column for newspapers, stories for magazines and", "recently started a young adult novel with a plot that I derived from", "guy dies living a full 80 years of complete and happy life with", "success, survived by a beautiful wife and four children. Happens the same in", "happens in the other story. In my story the Guy loses his faith", "started years back as a teenager (didn't do to well in the market", "story structure and plot. OKAY I AM ADDING SOME MORE SENSE IN MY", "life incidences. 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I mean I have invested so", "with an almost similar story and plotting already exist in the market. Surprisingly", "almost exact reason for his disbelief in God and is well regarded by", "believes in religion. Same goes there... In the end, the guy dies living", "relation doesn't work because the guy is realistic while the woman believes in", "doesn't make sense. Neither can I ignore the fact that its publication won't", "in love with a well educated woman but the relation doesn't work because", "(didn't do to well in the market though). I recently started a young", "gives an almost exact reason for his disbelief in God and is well", "plotting already exist in the market. Surprisingly the stories are so identical! Now,", "SOME MORE SENSE IN MY QUESTION : I wrote a book about a", "and refuses to credit God. Same happens in the other story. My character", "young adult novel with a plot that I derived from some real life", "am simply talking about an astonishing similarity in the story structure and plot.", "Am I at a deadlock? EDIT: please note that I am not talking", "and is well regarded by many, even some religious leaders, as it happens", "and more than that, I am not sure of its legal implications. Am", "as I neared my conclusion, I realized that a novel with an almost", "about using exact same words. I am simply talking about an astonishing similarity", "engineer (self-taught). The same thing happens in the other story. In my story", "my time in achieving 40k words and scrapping it away doesn't make sense.", "Happens the same in the other ...... Most astonishing is the fact that", "fictional novel that I started years back as a teenager (didn't do to", "stories are so identical! Now, I am very much concern about it. I", "However, as I neared my conclusion, I realized that a novel with an", "to credit God. Same happens in the other story. My character falls in", "blog posts on websites. I have also written and published a fictional novel", "in God and is well regarded by many, even some religious leaders, as", "and blog posts on websites. I have also written and published a fictional", "do to well in the market though). I recently started a young adult", "I have invested so much of my time in achieving 40k words and", "deadlock? EDIT: please note that I am not talking about using exact same", "simply talking about an astonishing similarity in the story structure and plot. OKAY", "survived by a beautiful wife and four children. Happens the same in the", "a beautiful wife and four children. Happens the same in the other ......", "guy who hails from a poor family. He couldn't get his degree due", "the other story. My character falls in love with a well educated woman", "for magazines and blog posts on websites. I have also written and published", "on websites. I have also written and published a fictional novel that I", "and plotting already exist in the market. Surprisingly the stories are so identical!", "magazines and blog posts on websites. I have also written and published a", "But he becomes a software engineer (self-taught). The same thing happens in the", "get his degree due to financial restraints. But he becomes a software engineer", "by many, even some religious leaders, as it happens in the other BOook!!!", "his disbelief in God and is well regarded by many, even some religious", "My character gives an almost exact reason for his disbelief in God and", "ADDING SOME MORE SENSE IN MY QUESTION : I wrote a book about", "monetarily and more than that, I am not sure of its legal implications.", "stories for magazines and blog posts on websites. I have also written and", "achieving 40k words and scrapping it away doesn't make sense. Neither can I", "posts on websites. I have also written and published a fictional novel that", "disbelief in God and is well regarded by many, even some religious leaders,", "In the end, the guy dies living a full 80 years of complete", "many, even some religious leaders, as it happens in the other BOook!!! (charater", "not sure of its legal implications. Am I at a deadlock? EDIT: please", "goes there... In the end, the guy dies living a full 80 years", "real life incidences. However, as I neared my conclusion, I realized that a", "I neared my conclusion, I realized that a novel with an almost similar", "a deadlock? EDIT: please note that I am not talking about using exact", "OKAY I AM ADDING SOME MORE SENSE IN MY QUESTION : I wrote", "same thing happens in the other story. In my story the Guy loses", "Surprisingly the stories are so identical! Now, I am very much concern about", "make sense. Neither can I ignore the fact that its publication won't benefit", "about an astonishing similarity in the story structure and plot. OKAY I AM", "it away doesn't make sense. Neither can I ignore the fact that its", "written and published a fictional novel that I started years back as a", "in the market. Surprisingly the stories are so identical! Now, I am very", "IN MY QUESTION : I wrote a book about a a guy who", "semi-professional writer. I usually write articles/column for newspapers, stories for magazines and blog", "well in the market though). I recently started a young adult novel with", "thing happens in the other story. In my story the Guy loses his", "plot that I derived from some real life incidences. However, as I neared", "with enormous success, survived by a beautiful wife and four children. Happens the", "educated woman but the relation doesn't work because the guy is realistic while", "four children. Happens the same in the other ...... Most astonishing is the", ": I wrote a book about a a guy who hails from a", "I am simply talking about an astonishing similarity in the story structure and", "exist in the market. Surprisingly the stories are so identical! Now, I am", "mean I have invested so much of my time in achieving 40k words", "I am a part semi-professional writer. I usually write articles/column for newspapers, stories", "newspapers, stories for magazines and blog posts on websites. I have also written", "market though). I recently started a young adult novel with a plot that", "children. Happens the same in the other ...... Most astonishing is the fact", "Guy loses his faith in God and refuses to credit God. Same happens", "with a well educated woman but the relation doesn't work because the guy", "writer. I usually write articles/column for newspapers, stories for magazines and blog posts", "I have also written and published a fictional novel that I started years", "God. Same happens in the other story. My character falls in love with", "who hails from a poor family. He couldn't get his degree due to", "80 years of complete and happy life with enormous success, survived by a", "of complete and happy life with enormous success, survived by a beautiful wife", "character gives an almost exact reason for his disbelief in God and is", "to well in the market though). I recently started a young adult novel", "fact that its publication won't benefit me much monetarily and more than that,", "religion. Same goes there... In the end, the guy dies living a full", "started a young adult novel with a plot that I derived from some", "doesn't work because the guy is realistic while the woman believes in religion.", "a a guy who hails from a poor family. He couldn't get his", "degree due to financial restraints. But he becomes a software engineer (self-taught). The", "family. He couldn't get his degree due to financial restraints. But he becomes", "conclusion, I realized that a novel with an almost similar story and plotting", "talking about an astonishing similarity in the story structure and plot. OKAY I", "derived from some real life incidences. However, as I neared my conclusion, I", "same words. I am simply talking about an astonishing similarity in the story", "wife and four children. Happens the same in the other ...... Most astonishing", "similarity in the story structure and plot. OKAY I AM ADDING SOME MORE", "sure of its legal implications. Am I at a deadlock? EDIT: please note", "character falls in love with a well educated woman but the relation doesn't", "book about a a guy who hails from a poor family. He couldn't", "Now, I am very much concern about it. I mean I have invested", "neared my conclusion, I realized that a novel with an almost similar story", "becomes a software engineer (self-taught). The same thing happens in the other story.", "his faith in God and refuses to credit God. Same happens in the", "is the fact that My character gives an almost exact reason for his", "in religion. Same goes there... In the end, the guy dies living a", "is realistic while the woman believes in religion. Same goes there... In the", "life with enormous success, survived by a beautiful wife and four children. Happens", "his degree due to financial restraints. But he becomes a software engineer (self-taught).", "the woman believes in religion. Same goes there... In the end, the guy", "and happy life with enormous success, survived by a beautiful wife and four", "concern about it. I mean I have invested so much of my time", "that its publication won't benefit me much monetarily and more than that, I", "fact that My character gives an almost exact reason for his disbelief in", "well educated woman but the relation doesn't work because the guy is realistic", "that My character gives an almost exact reason for his disbelief in God", "the market. Surprisingly the stories are so identical! Now, I am very much", "religious leaders, as it happens in the other BOook!!! (charater names and ages", "faith in God and refuses to credit God. Same happens in the other", "couldn't get his degree due to financial restraints. But he becomes a software", "for newspapers, stories for magazines and blog posts on websites. I have also", "its legal implications. Am I at a deadlock? EDIT: please note that I", "I derived from some real life incidences. However, as I neared my conclusion,", "an almost exact reason for his disbelief in God and is well regarded", "a software engineer (self-taught). The same thing happens in the other story. In", "because the guy is realistic while the woman believes in religion. Same goes", "story. In my story the Guy loses his faith in God and refuses", "as it happens in the other BOook!!! (charater names and ages differs though)", "please note that I am not talking about using exact same words. I", "reason for his disbelief in God and is well regarded by many, even", "in the market though). I recently started a young adult novel with a", "exact same words. I am simply talking about an astonishing similarity in the", "wrote a book about a a guy who hails from a poor family.", "Neither can I ignore the fact that its publication won't benefit me much", "structure and plot. OKAY I AM ADDING SOME MORE SENSE IN MY QUESTION", "story. My character falls in love with a well educated woman but the", "away doesn't make sense. Neither can I ignore the fact that its publication", "MORE SENSE IN MY QUESTION : I wrote a book about a a", "incidences. However, as I neared my conclusion, I realized that a novel with", "the guy is realistic while the woman believes in religion. Same goes there...", "using exact same words. I am simply talking about an astonishing similarity in", "an astonishing similarity in the story structure and plot. OKAY I AM ADDING", "novel with an almost similar story and plotting already exist in the market.", "living a full 80 years of complete and happy life with enormous success,", "I ignore the fact that its publication won't benefit me much monetarily and", "software engineer (self-taught). The same thing happens in the other story. In my", "for his disbelief in God and is well regarded by many, even some", "ignore the fact that its publication won't benefit me much monetarily and more", "note that I am not talking about using exact same words. I am", "have also written and published a fictional novel that I started years back", "identical! Now, I am very much concern about it. I mean I have", "legal implications. Am I at a deadlock? EDIT: please note that I am", "poor family. He couldn't get his degree due to financial restraints. But he", "that I am not talking about using exact same words. I am simply", "there... In the end, the guy dies living a full 80 years of", "can I ignore the fact that its publication won't benefit me much monetarily", "published a fictional novel that I started years back as a teenager (didn't", "story the Guy loses his faith in God and refuses to credit God.", "much monetarily and more than that, I am not sure of its legal", "also written and published a fictional novel that I started years back as", "is well regarded by many, even some religious leaders, as it happens in", "sense. Neither can I ignore the fact that its publication won't benefit me", "plot. OKAY I AM ADDING SOME MORE SENSE IN MY QUESTION : I", "God and refuses to credit God. Same happens in the other story. My", "guy is realistic while the woman believes in religion. Same goes there... In", "while the woman believes in religion. Same goes there... In the end, the", "other story. My character falls in love with a well educated woman but", "the Guy loses his faith in God and refuses to credit God. Same", "articles/column for newspapers, stories for magazines and blog posts on websites. I have", "a plot that I derived from some real life incidences. However, as I", "QUESTION : I wrote a book about a a guy who hails from", "Same happens in the other story. My character falls in love with a", "work because the guy is realistic while the woman believes in religion. Same", "at a deadlock? EDIT: please note that I am not talking about using", "in the other ...... Most astonishing is the fact that My character gives", "talking about using exact same words. I am simply talking about an astonishing", "of my time in achieving 40k words and scrapping it away doesn't make", "am not sure of its legal implications. Am I at a deadlock? EDIT:", "falls in love with a well educated woman but the relation doesn't work" ]
[ "rebellion against a dystopian government. I think I've changed the premise of the", "RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show, and", "shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the", "The thing is, I'm not sure if my AU will be different enough,", "to ask anyone to write this for me. My question is, can an", "the premise of the show, and turns it into a rebellion against a", "government. I think I've changed the premise of the story enough to make", "AU from here on out.) of one of my favorite shows, called RWBY", "this for me. My question is, can an AU be tweaked enough to", "favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of", "premise of the story enough to make it original with enough name-game and", "I'm not sure if my AU will be different enough, or that the", "enough to make it an original work. I don't have enough of a", "draft to display any excerpts, and I'm not trying to ask anyone to", "not sure if my AU will be different enough, or that the characters", "minor edits. The thing is, I'm not sure if my AU will be", "<http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show, and turns it into a", "(I'll call it an AU from here on out.) of one of my", "called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show,", "to make it an original work. I don't have enough of a draft", "show, and turns it into a rebellion against a dystopian government. I think", "I've changed the premise of the story enough to make it original with", "I don't have enough of a draft to display any excerpts, and I'm", "into a rebellion against a dystopian government. I think I've changed the premise", "will be different enough, or that the characters will be different enough to", "story enough to make it original with enough name-game and minor edits. The", "My question is, can an AU be tweaked enough to be able to", "display any excerpts, and I'm not trying to ask anyone to write this", "not trying to ask anyone to write this for me. My question is,", "on out.) of one of my favorite shows, called RWBY (link to wiki:", "that the characters will be different enough to make it an original work.", "Alternate Universe (I'll call it an AU from here on out.) of one", "here on out.) of one of my favorite shows, called RWBY (link to", "one of my favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes", "have enough of a draft to display any excerpts, and I'm not trying", "different enough to make it an original work. I don't have enough of", "and minor edits. The thing is, I'm not sure if my AU will", "be different enough to make it an original work. I don't have enough", "an AU from here on out.) of one of my favorite shows, called", "or that the characters will be different enough to make it an original", "an Alternate Universe (I'll call it an AU from here on out.) of", "any excerpts, and I'm not trying to ask anyone to write this for", "the characters will be different enough to make it an original work. I", "of the story enough to make it original with enough name-game and minor", "of my favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the", "it an AU from here on out.) of one of my favorite shows,", "have an Alternate Universe (I'll call it an AU from here on out.)", "I'm not trying to ask anyone to write this for me. My question", "premise of the show, and turns it into a rebellion against a dystopian", "to make it original with enough name-game and minor edits. The thing is,", "an AU be tweaked enough to be able to be an original work?", "edits. The thing is, I'm not sure if my AU will be different", "dystopian government. I think I've changed the premise of the story enough to", "question is, can an AU be tweaked enough to be able to be", "the premise of the story enough to make it original with enough name-game", "make it original with enough name-game and minor edits. The thing is, I'm", "a draft to display any excerpts, and I'm not trying to ask anyone", "will be different enough to make it an original work. I don't have", "from here on out.) of one of my favorite shows, called RWBY (link", "for me. My question is, can an AU be tweaked enough to be", "my AU will be different enough, or that the characters will be different", "AU will be different enough, or that the characters will be different enough", "make it an original work. I don't have enough of a draft to", "of one of my favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It", "original with enough name-game and minor edits. The thing is, I'm not sure", "different enough, or that the characters will be different enough to make it", "a dystopian government. I think I've changed the premise of the story enough", "trying to ask anyone to write this for me. My question is, can", "ask anyone to write this for me. My question is, can an AU", "Universe (I'll call it an AU from here on out.) of one of", "enough name-game and minor edits. The thing is, I'm not sure if my", "I have an Alternate Universe (I'll call it an AU from here on", "think I've changed the premise of the story enough to make it original", "and I'm not trying to ask anyone to write this for me. My", "anyone to write this for me. My question is, can an AU be", "write this for me. My question is, can an AU be tweaked enough", "I think I've changed the premise of the story enough to make it", "takes the premise of the show, and turns it into a rebellion against", "my favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise", "to write this for me. My question is, can an AU be tweaked", "can an AU be tweaked enough to be able to be an original", "it original with enough name-game and minor edits. The thing is, I'm not", "a rebellion against a dystopian government. I think I've changed the premise of", "don't have enough of a draft to display any excerpts, and I'm not", "characters will be different enough to make it an original work. I don't", "to display any excerpts, and I'm not trying to ask anyone to write", "name-game and minor edits. The thing is, I'm not sure if my AU", "of a draft to display any excerpts, and I'm not trying to ask", "sure if my AU will be different enough, or that the characters will", "thing is, I'm not sure if my AU will be different enough, or", "call it an AU from here on out.) of one of my favorite", "work. I don't have enough of a draft to display any excerpts, and", "against a dystopian government. I think I've changed the premise of the story", "an original work. I don't have enough of a draft to display any", "me. My question is, can an AU be tweaked enough to be able", "(link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show, and turns", "wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show, and turns it into", "enough to make it original with enough name-game and minor edits. The thing", "enough of a draft to display any excerpts, and I'm not trying to", "with enough name-game and minor edits. The thing is, I'm not sure if", "the show, and turns it into a rebellion against a dystopian government. I", "the story enough to make it original with enough name-game and minor edits.", "out.) of one of my favorite shows, called RWBY (link to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>)", "original work. I don't have enough of a draft to display any excerpts,", "it an original work. I don't have enough of a draft to display", "it into a rebellion against a dystopian government. I think I've changed the", "be different enough, or that the characters will be different enough to make", "So, I have an Alternate Universe (I'll call it an AU from here", "excerpts, and I'm not trying to ask anyone to write this for me.", "enough, or that the characters will be different enough to make it an", "to wiki: <http://rwby.wikia.com/wiki/RWBY_Wiki>) It takes the premise of the show, and turns it", "turns it into a rebellion against a dystopian government. I think I've changed", "if my AU will be different enough, or that the characters will be", "changed the premise of the story enough to make it original with enough", "is, can an AU be tweaked enough to be able to be an", "It takes the premise of the show, and turns it into a rebellion", "and turns it into a rebellion against a dystopian government. I think I've", "of the show, and turns it into a rebellion against a dystopian government.", "is, I'm not sure if my AU will be different enough, or that" ]
[ "writing advice -- but why do they so often contradict each other? For", "but why do they so often contradict each other? For example, some say", "others (like Dean Wesley Smith) say that rewriting is bad. How can a", "do they so often contradict each other? For example, some say that \"good", "say that rewriting is bad. How can a novice writer learn in the", "advice -- but why do they so often contradict each other? For example,", "other? For example, some say that \"good writing is rewriting\", while others (like", "writers give writing advice -- but why do they so often contradict each", "contradict each other? For example, some say that \"good writing is rewriting\", while", "example, some say that \"good writing is rewriting\", while others (like Dean Wesley", "writing is rewriting\", while others (like Dean Wesley Smith) say that rewriting is", "Smith) say that rewriting is bad. How can a novice writer learn in", "that rewriting is bad. How can a novice writer learn in the face", "is bad. How can a novice writer learn in the face of contradictory", "while others (like Dean Wesley Smith) say that rewriting is bad. How can", "For example, some say that \"good writing is rewriting\", while others (like Dean", "rewriting\", while others (like Dean Wesley Smith) say that rewriting is bad. How", "(like Dean Wesley Smith) say that rewriting is bad. How can a novice", "so often contradict each other? For example, some say that \"good writing is", "they so often contradict each other? For example, some say that \"good writing", "why do they so often contradict each other? For example, some say that", "bad. How can a novice writer learn in the face of contradictory advise?", "Lots of writers give writing advice -- but why do they so often", "that \"good writing is rewriting\", while others (like Dean Wesley Smith) say that", "often contradict each other? For example, some say that \"good writing is rewriting\",", "is rewriting\", while others (like Dean Wesley Smith) say that rewriting is bad.", "of writers give writing advice -- but why do they so often contradict", "some say that \"good writing is rewriting\", while others (like Dean Wesley Smith)", "rewriting is bad. How can a novice writer learn in the face of", "\"good writing is rewriting\", while others (like Dean Wesley Smith) say that rewriting", "-- but why do they so often contradict each other? For example, some", "Wesley Smith) say that rewriting is bad. How can a novice writer learn", "say that \"good writing is rewriting\", while others (like Dean Wesley Smith) say", "Dean Wesley Smith) say that rewriting is bad. How can a novice writer", "give writing advice -- but why do they so often contradict each other?", "each other? For example, some say that \"good writing is rewriting\", while others" ]
[ "SHERLOCK HOLMES is no longer under copyright and is in public domain, can", "into my fantasy story where the Protagonist meets him to get some help?", "is in public domain, can I bring him into my fantasy story where", "Now that character SHERLOCK HOLMES is no longer under copyright and is in", "domain, can I bring him into my fantasy story where the Protagonist meets", "no longer under copyright and is in public domain, can I bring him", "public domain, can I bring him into my fantasy story where the Protagonist", "is no longer under copyright and is in public domain, can I bring", "in public domain, can I bring him into my fantasy story where the", "copyright and is in public domain, can I bring him into my fantasy", "that character SHERLOCK HOLMES is no longer under copyright and is in public", "and is in public domain, can I bring him into my fantasy story", "bring him into my fantasy story where the Protagonist meets him to get", "longer under copyright and is in public domain, can I bring him into", "under copyright and is in public domain, can I bring him into my", "I bring him into my fantasy story where the Protagonist meets him to", "HOLMES is no longer under copyright and is in public domain, can I", "character SHERLOCK HOLMES is no longer under copyright and is in public domain,", "him into my fantasy story where the Protagonist meets him to get some", "can I bring him into my fantasy story where the Protagonist meets him" ]
[ "often detailing the characters. My question is, if I have these images in", "if I have these images in place, can I leave out details that", "the characters. My question is, if I have these images in place, can", "as full-color pieces at the beginning of the book, often detailing the characters.", "I'm trying to write something called a light novel, which is a Japanese-type", "manga-style images, as well as full-color pieces at the beginning of the book,", "detailing the characters. My question is, if I have these images in place,", "spaced throughout different chapters, there are manga-style images, as well as full-color pieces", "are manga-style images, as well as full-color pieces at the beginning of the", "the beginning of the book, often detailing the characters. My question is, if", "to write something called a light novel, which is a Japanese-type of writing.", "something called a light novel, which is a Japanese-type of writing. It's a", "which is a Japanese-type of writing. It's a novel, but spaced throughout different", "trying to write something called a light novel, which is a Japanese-type of", "characters. My question is, if I have these images in place, can I", "well as full-color pieces at the beginning of the book, often detailing the", "pieces at the beginning of the book, often detailing the characters. My question", "as well as full-color pieces at the beginning of the book, often detailing", "beginning of the book, often detailing the characters. My question is, if I", "chapters, there are manga-style images, as well as full-color pieces at the beginning", "there are manga-style images, as well as full-color pieces at the beginning of", "Japanese-type of writing. It's a novel, but spaced throughout different chapters, there are", "called a light novel, which is a Japanese-type of writing. It's a novel,", "of the book, often detailing the characters. My question is, if I have", "is a Japanese-type of writing. It's a novel, but spaced throughout different chapters,", "novel, which is a Japanese-type of writing. It's a novel, but spaced throughout", "images, as well as full-color pieces at the beginning of the book, often", "writing. It's a novel, but spaced throughout different chapters, there are manga-style images,", "a novel, but spaced throughout different chapters, there are manga-style images, as well", "images in place, can I leave out details that the images would illustrate?", "but spaced throughout different chapters, there are manga-style images, as well as full-color", "It's a novel, but spaced throughout different chapters, there are manga-style images, as", "full-color pieces at the beginning of the book, often detailing the characters. My", "light novel, which is a Japanese-type of writing. It's a novel, but spaced", "book, often detailing the characters. My question is, if I have these images", "novel, but spaced throughout different chapters, there are manga-style images, as well as", "the book, often detailing the characters. My question is, if I have these", "of writing. It's a novel, but spaced throughout different chapters, there are manga-style", "question is, if I have these images in place, can I leave out", "have these images in place, can I leave out details that the images", "a Japanese-type of writing. It's a novel, but spaced throughout different chapters, there", "My question is, if I have these images in place, can I leave", "So, I'm trying to write something called a light novel, which is a", "a light novel, which is a Japanese-type of writing. It's a novel, but", "different chapters, there are manga-style images, as well as full-color pieces at the", "these images in place, can I leave out details that the images would", "write something called a light novel, which is a Japanese-type of writing. It's", "throughout different chapters, there are manga-style images, as well as full-color pieces at", "is, if I have these images in place, can I leave out details", "at the beginning of the book, often detailing the characters. My question is,", "I have these images in place, can I leave out details that the" ]
[ "on his first mission, he must first learn about the war, be trained", "probably doesn't fit the story as well as if I had completely ignored", "as it's all my creation. The second part is less so. The war", "war, be trained for combat, and come to terms with serving in the", "all my own creation (or at least the development of them is my", "feedback. The only problem is that as fan fiction, there are certain things", "interested in what I've built than in what someone else has built. I'm", "I had completely ignored the lore of the game. I know the obvious", "built than in what someone else has built. I'm more interested in exploring", "more interested in what I've built than in what someone else has built.", "so. The war and everything about it is a creation of the lore", "with the same interest and excitement as the parts which I do create?", "goals, and you get free feedback. The only problem is that as fan", "is my own), but they're built within and on a framework which isn't", "the character enters the war, the ensuing story feels... you might call it", "about his backstory, and introduces scenes crucial to his character and overarching goals", "include the lore the way it does, how can I write both parts", "enters the war, the ensuing story feels... you might call it 'scripted'. The", "designed, be that a world, characters, or plot. But when the necessary things", "own creation (or at least the development of them is my own), but", "that as fan fiction, there are certain things you need to include which", "to the lore, can't you do so in such a small way that", "he can actually go on his first mission, he must first learn about", "he must first learn about the war, be trained for combat, and come", "come into play, my writing seems to wane. I've seen this happen several", "a creation of the lore of the game. Once the character enters the", "write the parts I don't create with the same interest and excitement as", "the way it does, how can I write both parts of the story", "my creation. The second part is less so. The war and everything about", "certain things you need to include which are the design of someone else.", "that is, I have to include those creations of others, how can I", "board game revolves around a great ongoing war. My most recent fan fiction", "recent fan fiction centers on someone who (unwillingly) joins the war. The first", "when I'm writing about something purely I designed, be that a world, characters,", "way it does, how can I write both parts of the story with", "them is my own), but they're built within and on a framework which", "own tale? Yes, I can, and I have. This particular story has to", "a great ongoing war. My most recent fan fiction centers on someone who", "actually go on his first mission, he must first learn about the war,", "fiction I write is based off of the lore of an RPG-style board", "of the game. Once the character enters the war, the ensuing story feels...", "I've built than in what someone else has built. I'm more interested in", "the lore is not an option in this case. So that's my question:", "your own tale? Yes, I can, and I have. This particular story has", "the obvious question is: can't you just write your own story? If it", "and on a framework which isn't my own, and which I feel probably", "I practice my writing skills by writing fan fiction. It's a great medium:", "fan fiction I write is based off of the lore of an RPG-style", "the lore the way it is. Disconnecting it from the lore is not", "believe it's because I'm more interested in what I've built than in what", "such a small way that it isn't intrusive and leaves you to create", "war. My most recent fan fiction centers on someone who (unwillingly) joins the", "(unwillingly) joins the war. The first part is about his backstory, and introduces", "the war, the ensuing story feels... you might call it 'scripted'. The story,", "lore of an RPG-style board game. The board game revolves around a great", "built. I'm more interested in exploring my own characters, places, and stories, rather", "in exploring my own characters, places, and stories, rather than someone else's. Question:", "can I can bring my writing up par? How can I write the", "the war. The first part is about his backstory, and introduces scenes crucial", "do so in such a small way that it isn't intrusive and leaves", "because I'm more interested in what I've built than in what someone else", "story? If it has to be tied to the lore, can't you do", "it's all my creation. The second part is less so. The war and", "of an RPG-style board game. The board game revolves around a great ongoing", "world, characters, or plot. But when the necessary things I didn't design come", "of the lore of the game. Once the character enters the war, the", "around it though: that is, I have to include those creations of others,", "fan fiction centers on someone who (unwillingly) joins the war. The first part", "is a creation of the lore of the game. Once the character enters", "writing about something purely I designed, be that a world, characters, or plot.", "to be tied to the lore, can't you do so in such a", "the lore of an RPG-style board game. The board game revolves around a", "the war, be trained for combat, and come to terms with serving in", "writing is at its best when I'm writing about something purely I designed,", "--- Example: The fan fiction I write is based off of the lore", "everything about it is a creation of the lore of the game. Once", "first learn about the war, be trained for combat, and come to terms", "The second part is about him joining the war. Before he can actually", "fiction, there are certain things you need to include which are the design", "of others, how can I can bring my writing up par? How can", "in what I've built than in what someone else has built. I'm more", "war. The first part is about his backstory, and introduces scenes crucial to", "it isn't intrusive and leaves you to create your own tale? Yes, I", "so in such a small way that it isn't intrusive and leaves you", "lore the way it does, how can I write both parts of the", "and stories, rather than someone else's. Question: Assuming there's no way around it", "by writing fan fiction. It's a great medium: no deadlines or word goals,", "my own, and which I feel probably doesn't fit the story as well", "How can I write the parts I don't create with the same interest", "I believe it's because I'm more interested in what I've built than in", "my own), but they're built within and on a framework which isn't my", "My most recent fan fiction centers on someone who (unwillingly) joins the war.", "question is: can't you just write your own story? If it has to", "in this case. So that's my question: since it has to include the", "of the game. I know the obvious question is: can't you just write", "lore the way it is. Disconnecting it from the lore is not an", "you do so in such a small way that it isn't intrusive and", "own), but they're built within and on a framework which isn't my own,", "as if I had completely ignored the lore of the game. I know", "to wane. I've seen this happen several times, and I believe it's because", "what I've built than in what someone else has built. I'm more interested", "it is a creation of the lore of the game. Once the character", "write your own story? If it has to be tied to the lore,", "be tied to the lore the way it is. Disconnecting it from the", "The second part is less so. The war and everything about it is", "the necessary things I didn't design come into play, my writing seems to", "own, and which I feel probably doesn't fit the story as well as", "is, I have to include those creations of others, how can I can", "an option in this case. So that's my question: since it has to", "can't you just write your own story? If it has to be tied", "it is. Disconnecting it from the lore is not an option in this", "about it is a creation of the lore of the game. Once the", "a framework which isn't my own, and which I feel probably doesn't fit", "and excitement as the parts which I do create? --- Example: The fan", "your own story? If it has to be tied to the lore, can't", "way that it isn't intrusive and leaves you to create your own tale?", "include which are the design of someone else. I've found that my writing", "is about his backstory, and introduces scenes crucial to his character and overarching", "and come to terms with serving in the army. The first part is", "completely ignored the lore of the game. I know the obvious question is:", "and overarching goals throughout the rest of the plot. The second part is", "might call it 'scripted'. The story, characters, and even places are all my", "to the lore the way it is. Disconnecting it from the lore is", "or word goals, and you get free feedback. The only problem is that", "him joining the war. Before he can actually go on his first mission,", "lore of the game. Once the character enters the war, the ensuing story", "lore, can't you do so in such a small way that it isn't", "into play, my writing seems to wane. I've seen this happen several times,", "you need to include which are the design of someone else. I've found", "The board game revolves around a great ongoing war. My most recent fan", "I have. This particular story has to be tied to the lore the", "can't you do so in such a small way that it isn't intrusive", "army. The first part is great, as it's all my creation. The second", "The only problem is that as fan fiction, there are certain things you", "it though: that is, I have to include those creations of others, how", "ignored the lore of the game. I know the obvious question is: can't", "stories, rather than someone else's. Question: Assuming there's no way around it though:", "way it is. Disconnecting it from the lore is not an option in", "scenes crucial to his character and overarching goals throughout the rest of the", "I don't create with the same interest and excitement as the parts which", "practice my writing skills by writing fan fiction. It's a great medium: no", "character and overarching goals throughout the rest of the plot. The second part", "RPG-style board game. The board game revolves around a great ongoing war. My", "about the war, be trained for combat, and come to terms with serving", "The fan fiction I write is based off of the lore of an", "feels... you might call it 'scripted'. The story, characters, and even places are", "than in what someone else has built. I'm more interested in exploring my", "the development of them is my own), but they're built within and on", "necessary things I didn't design come into play, my writing seems to wane.", "overarching goals throughout the rest of the plot. The second part is about", "in such a small way that it isn't intrusive and leaves you to", "I designed, be that a world, characters, or plot. But when the necessary", "So that's my question: since it has to include the lore the way", "plot. But when the necessary things I didn't design come into play, my", "joins the war. The first part is about his backstory, and introduces scenes", "writing seems to wane. I've seen this happen several times, and I believe", "But when the necessary things I didn't design come into play, my writing", "I can, and I have. This particular story has to be tied to", "board game. The board game revolves around a great ongoing war. My most", "part is about his backstory, and introduces scenes crucial to his character and", "fiction. It's a great medium: no deadlines or word goals, and you get", "but they're built within and on a framework which isn't my own, and", "include those creations of others, how can I can bring my writing up", "to include those creations of others, how can I can bring my writing", "game. The board game revolves around a great ongoing war. My most recent", "Before he can actually go on his first mission, he must first learn", "and leaves you to create your own tale? Yes, I can, and I", "throughout the rest of the plot. The second part is about him joining", "is based off of the lore of an RPG-style board game. The board", "game. Once the character enters the war, the ensuing story feels... you might", "that it isn't intrusive and leaves you to create your own tale? Yes,", "on a framework which isn't my own, and which I feel probably doesn't", "found that my writing is at its best when I'm writing about something", "if I had completely ignored the lore of the game. I know the", "play, my writing seems to wane. I've seen this happen several times, and", "part is less so. The war and everything about it is a creation", "particular story has to be tied to the lore the way it is.", "free feedback. The only problem is that as fan fiction, there are certain", "and everything about it is a creation of the lore of the game.", "the same interest and excitement as the parts which I do create? ---", "If it has to be tied to the lore, can't you do so", "or plot. But when the necessary things I didn't design come into play,", "don't create with the same interest and excitement as the parts which I", "medium: no deadlines or word goals, and you get free feedback. The only", "goals throughout the rest of the plot. The second part is about him", "which isn't my own, and which I feel probably doesn't fit the story", "and I believe it's because I'm more interested in what I've built than", "characters, places, and stories, rather than someone else's. Question: Assuming there's no way", "his first mission, he must first learn about the war, be trained for", "and which I feel probably doesn't fit the story as well as if", "which I feel probably doesn't fit the story as well as if I", "interested in exploring my own characters, places, and stories, rather than someone else's.", "can bring my writing up par? How can I write the parts I", "not an option in this case. So that's my question: since it has", "only problem is that as fan fiction, there are certain things you need", "rest of the plot. The second part is about him joining the war.", "option in this case. So that's my question: since it has to include", "ongoing war. My most recent fan fiction centers on someone who (unwillingly) joins", "I can bring my writing up par? How can I write the parts", "his backstory, and introduces scenes crucial to his character and overarching goals throughout", "isn't intrusive and leaves you to create your own tale? Yes, I can,", "fan fiction, there are certain things you need to include which are the", "plot. The second part is about him joining the war. Before he can", "terms with serving in the army. The first part is great, as it's", "small way that it isn't intrusive and leaves you to create your own", "several times, and I believe it's because I'm more interested in what I've", "to terms with serving in the army. The first part is great, as", "that my writing is at its best when I'm writing about something purely", "there's no way around it though: that is, I have to include those", "are all my own creation (or at least the development of them is", "someone else. I've found that my writing is at its best when I'm", "the lore the way it does, how can I write both parts of", "places are all my own creation (or at least the development of them", "it from the lore is not an option in this case. So that's", "to his character and overarching goals throughout the rest of the plot. The", "interest and excitement as the parts which I do create? --- Example: The", "those creations of others, how can I can bring my writing up par?", "create your own tale? Yes, I can, and I have. This particular story", "I'm more interested in exploring my own characters, places, and stories, rather than", "his character and overarching goals throughout the rest of the plot. The second", "can I write the parts I don't create with the same interest and", "as well as if I had completely ignored the lore of the game.", "create with the same interest and excitement as the parts which I do", "are certain things you need to include which are the design of someone", "fit the story as well as if I had completely ignored the lore", "times, and I believe it's because I'm more interested in what I've built", "all my creation. The second part is less so. The war and everything", "a great medium: no deadlines or word goals, and you get free feedback.", "know the obvious question is: can't you just write your own story? If", "write is based off of the lore of an RPG-style board game. The", "be that a world, characters, or plot. But when the necessary things I", "lore is not an option in this case. So that's my question: since", "to include the lore the way it does, how can I write both", "part is great, as it's all my creation. The second part is less", "well as if I had completely ignored the lore of the game. I", "happen several times, and I believe it's because I'm more interested in what", "the war. Before he can actually go on his first mission, he must", "'scripted'. The story, characters, and even places are all my own creation (or", "I've seen this happen several times, and I believe it's because I'm more", "development of them is my own), but they're built within and on a", "someone else's. Question: Assuming there's no way around it though: that is, I", "my writing seems to wane. I've seen this happen several times, and I", "it 'scripted'. The story, characters, and even places are all my own creation", "isn't my own, and which I feel probably doesn't fit the story as", "Example: The fan fiction I write is based off of the lore of", "The first part is great, as it's all my creation. The second part", "game. I know the obvious question is: can't you just write your own", "it has to be tied to the lore, can't you do so in", "The war and everything about it is a creation of the lore of", "design of someone else. I've found that my writing is at its best", "creations of others, how can I can bring my writing up par? How", "off of the lore of an RPG-style board game. The board game revolves", "parts I don't create with the same interest and excitement as the parts", "and even places are all my own creation (or at least the development", "Yes, I can, and I have. This particular story has to be tied", "characters, or plot. But when the necessary things I didn't design come into", "war and everything about it is a creation of the lore of the", "I write the parts I don't create with the same interest and excitement", "war. Before he can actually go on his first mission, he must first", "it has to include the lore the way it does, how can I", "I didn't design come into play, my writing seems to wane. I've seen", "has built. I'm more interested in exploring my own characters, places, and stories,", "it does, how can I write both parts of the story with equal", "skills by writing fan fiction. It's a great medium: no deadlines or word", "has to be tied to the lore the way it is. Disconnecting it", "my own characters, places, and stories, rather than someone else's. Question: Assuming there's", "things you need to include which are the design of someone else. I've", "second part is about him joining the war. Before he can actually go", "you just write your own story? If it has to be tied to", "trained for combat, and come to terms with serving in the army. The", "I'm more interested in what I've built than in what someone else has", "and introduces scenes crucial to his character and overarching goals throughout the rest", "rather than someone else's. Question: Assuming there's no way around it though: that", "lore of the game. I know the obvious question is: can't you just", "seen this happen several times, and I believe it's because I'm more interested", "within and on a framework which isn't my own, and which I feel", "This particular story has to be tied to the lore the way it", "that's my question: since it has to include the lore the way it", "else's. Question: Assuming there's no way around it though: that is, I have", "is less so. The war and everything about it is a creation of", "most recent fan fiction centers on someone who (unwillingly) joins the war. The", "has to include the lore the way it does, how can I write", "I know the obvious question is: can't you just write your own story?", "tied to the lore the way it is. Disconnecting it from the lore", "my writing is at its best when I'm writing about something purely I", "I write is based off of the lore of an RPG-style board game.", "something purely I designed, be that a world, characters, or plot. But when", "go on his first mission, he must first learn about the war, be", "framework which isn't my own, and which I feel probably doesn't fit the", "purely I designed, be that a world, characters, or plot. But when the", "you might call it 'scripted'. The story, characters, and even places are all", "the game. Once the character enters the war, the ensuing story feels... you", "about him joining the war. Before he can actually go on his first", "an RPG-style board game. The board game revolves around a great ongoing war.", "bring my writing up par? How can I write the parts I don't", "Once the character enters the war, the ensuing story feels... you might call", "be trained for combat, and come to terms with serving in the army.", "The first part is about his backstory, and introduces scenes crucial to his", "there are certain things you need to include which are the design of", "else has built. I'm more interested in exploring my own characters, places, and", "creation. The second part is less so. The war and everything about it", "creation (or at least the development of them is my own), but they're", "have. This particular story has to be tied to the lore the way", "need to include which are the design of someone else. I've found that", "Question: Assuming there's no way around it though: that is, I have to", "same interest and excitement as the parts which I do create? --- Example:", "the story as well as if I had completely ignored the lore of", "this happen several times, and I believe it's because I'm more interested in", "as fan fiction, there are certain things you need to include which are", "of the plot. The second part is about him joining the war. Before", "had completely ignored the lore of the game. I know the obvious question", "didn't design come into play, my writing seems to wane. I've seen this", "the parts I don't create with the same interest and excitement as the", "of someone else. I've found that my writing is at its best when", "someone who (unwillingly) joins the war. The first part is about his backstory,", "question: since it has to include the lore the way it does, how", "war, the ensuing story feels... you might call it 'scripted'. The story, characters,", "I feel probably doesn't fit the story as well as if I had", "great medium: no deadlines or word goals, and you get free feedback. The", "great, as it's all my creation. The second part is less so. The", "part is about him joining the war. Before he can actually go on", "first part is about his backstory, and introduces scenes crucial to his character", "leaves you to create your own tale? Yes, I can, and I have.", "intrusive and leaves you to create your own tale? Yes, I can, and", "is not an option in this case. So that's my question: since it", "It's a great medium: no deadlines or word goals, and you get free", "in what someone else has built. I'm more interested in exploring my own", "the design of someone else. I've found that my writing is at its", "they're built within and on a framework which isn't my own, and which", "more interested in exploring my own characters, places, and stories, rather than someone", "is at its best when I'm writing about something purely I designed, be", "around a great ongoing war. My most recent fan fiction centers on someone", "has to be tied to the lore, can't you do so in such", "with serving in the army. The first part is great, as it's all", "writing fan fiction. It's a great medium: no deadlines or word goals, and", "the way it is. Disconnecting it from the lore is not an option", "built within and on a framework which isn't my own, and which I", "someone else has built. I'm more interested in exploring my own characters, places,", "and I have. This particular story has to be tied to the lore", "parts which I do create? --- Example: The fan fiction I write is", "the lore of the game. Once the character enters the war, the ensuing", "which I do create? --- Example: The fan fiction I write is based", "which are the design of someone else. I've found that my writing is", "least the development of them is my own), but they're built within and", "own characters, places, and stories, rather than someone else's. Question: Assuming there's no", "of the lore of an RPG-style board game. The board game revolves around", "feel probably doesn't fit the story as well as if I had completely", "tale? Yes, I can, and I have. This particular story has to be", "must first learn about the war, be trained for combat, and come to", "places, and stories, rather than someone else's. Question: Assuming there's no way around", "the parts which I do create? --- Example: The fan fiction I write", "backstory, and introduces scenes crucial to his character and overarching goals throughout the", "The story, characters, and even places are all my own creation (or at", "no deadlines or word goals, and you get free feedback. The only problem", "mission, he must first learn about the war, be trained for combat, and", "I have to include those creations of others, how can I can bring", "is: can't you just write your own story? If it has to be", "to be tied to the lore the way it is. Disconnecting it from", "my writing up par? How can I write the parts I don't create", "the lore of the game. I know the obvious question is: can't you", "I'm writing about something purely I designed, be that a world, characters, or", "word goals, and you get free feedback. The only problem is that as", "own story? If it has to be tied to the lore, can't you", "it's because I'm more interested in what I've built than in what someone", "to create your own tale? Yes, I can, and I have. This particular", "is that as fan fiction, there are certain things you need to include", "are the design of someone else. I've found that my writing is at", "combat, and come to terms with serving in the army. The first part", "the ensuing story feels... you might call it 'scripted'. The story, characters, and", "best when I'm writing about something purely I designed, be that a world,", "is. Disconnecting it from the lore is not an option in this case.", "writing up par? How can I write the parts I don't create with", "character enters the war, the ensuing story feels... you might call it 'scripted'.", "writing skills by writing fan fiction. It's a great medium: no deadlines or", "you to create your own tale? Yes, I can, and I have. This", "for combat, and come to terms with serving in the army. The first", "crucial to his character and overarching goals throughout the rest of the plot.", "at least the development of them is my own), but they're built within", "learn about the war, be trained for combat, and come to terms with", "my own creation (or at least the development of them is my own),", "and you get free feedback. The only problem is that as fan fiction,", "just write your own story? If it has to be tied to the", "call it 'scripted'. The story, characters, and even places are all my own", "a world, characters, or plot. But when the necessary things I didn't design", "things I didn't design come into play, my writing seems to wane. I've", "though: that is, I have to include those creations of others, how can", "does, how can I write both parts of the story with equal interest/excitement?", "par? How can I write the parts I don't create with the same", "this case. So that's my question: since it has to include the lore", "when the necessary things I didn't design come into play, my writing seems", "the lore, can't you do so in such a small way that it", "my question: since it has to include the lore the way it does,", "way around it though: that is, I have to include those creations of", "creation of the lore of the game. Once the character enters the war,", "can actually go on his first mission, he must first learn about the", "on someone who (unwillingly) joins the war. The first part is about his", "at its best when I'm writing about something purely I designed, be that", "deadlines or word goals, and you get free feedback. The only problem is", "seems to wane. I've seen this happen several times, and I believe it's", "the rest of the plot. The second part is about him joining the", "first mission, he must first learn about the war, be trained for combat,", "its best when I'm writing about something purely I designed, be that a", "even places are all my own creation (or at least the development of", "as the parts which I do create? --- Example: The fan fiction I", "a small way that it isn't intrusive and leaves you to create your", "else. I've found that my writing is at its best when I'm writing", "to include which are the design of someone else. I've found that my", "design come into play, my writing seems to wane. I've seen this happen", "get free feedback. The only problem is that as fan fiction, there are", "centers on someone who (unwillingly) joins the war. The first part is about", "in the army. The first part is great, as it's all my creation.", "story as well as if I had completely ignored the lore of the", "fan fiction. It's a great medium: no deadlines or word goals, and you", "based off of the lore of an RPG-style board game. The board game", "is great, as it's all my creation. The second part is less so.", "story has to be tied to the lore the way it is. Disconnecting", "I do create? --- Example: The fan fiction I write is based off", "the game. I know the obvious question is: can't you just write your", "the army. The first part is great, as it's all my creation. The", "have to include those creations of others, how can I can bring my", "come to terms with serving in the army. The first part is great,", "the plot. The second part is about him joining the war. Before he", "first part is great, as it's all my creation. The second part is", "others, how can I can bring my writing up par? How can I", "wane. I've seen this happen several times, and I believe it's because I'm", "Assuming there's no way around it though: that is, I have to include", "what someone else has built. I'm more interested in exploring my own characters,", "tied to the lore, can't you do so in such a small way", "case. So that's my question: since it has to include the lore the", "of them is my own), but they're built within and on a framework", "excitement as the parts which I do create? --- Example: The fan fiction", "less so. The war and everything about it is a creation of the", "problem is that as fan fiction, there are certain things you need to", "is about him joining the war. Before he can actually go on his", "be tied to the lore, can't you do so in such a small", "story, characters, and even places are all my own creation (or at least", "than someone else's. Question: Assuming there's no way around it though: that is,", "Disconnecting it from the lore is not an option in this case. So", "about something purely I designed, be that a world, characters, or plot. But", "that a world, characters, or plot. But when the necessary things I didn't", "who (unwillingly) joins the war. The first part is about his backstory, and", "my writing skills by writing fan fiction. It's a great medium: no deadlines", "introduces scenes crucial to his character and overarching goals throughout the rest of", "how can I can bring my writing up par? How can I write", "second part is less so. The war and everything about it is a", "can, and I have. This particular story has to be tied to the", "since it has to include the lore the way it does, how can", "up par? How can I write the parts I don't create with the", "ensuing story feels... you might call it 'scripted'. The story, characters, and even", "(or at least the development of them is my own), but they're built", "doesn't fit the story as well as if I had completely ignored the", "joining the war. Before he can actually go on his first mission, he", "obvious question is: can't you just write your own story? If it has", "game revolves around a great ongoing war. My most recent fan fiction centers", "I've found that my writing is at its best when I'm writing about", "revolves around a great ongoing war. My most recent fan fiction centers on", "characters, and even places are all my own creation (or at least the", "exploring my own characters, places, and stories, rather than someone else's. Question: Assuming", "fiction centers on someone who (unwillingly) joins the war. The first part is", "no way around it though: that is, I have to include those creations", "you get free feedback. The only problem is that as fan fiction, there", "from the lore is not an option in this case. So that's my", "do create? --- Example: The fan fiction I write is based off of", "story feels... you might call it 'scripted'. The story, characters, and even places", "create? --- Example: The fan fiction I write is based off of the", "great ongoing war. My most recent fan fiction centers on someone who (unwillingly)", "serving in the army. The first part is great, as it's all my" ]
[ "a great sin or that they could be blamed as the victims. I", "to be a bit of a hypocrite displaying casual racism and not necessarily", "guilty for a great sin or that they could be blamed as the", "it and not call them out too early. Side Note: My character is", "they are a minority or majority in their given nation. It doesn't matter", "nation. It doesn't matter (for the scope of the question) why the character", "in the story just yet about whether their opinion is understandable. * When", "yet about whether their opinion is understandable. * When they speak out about", "feel that their people are guilty for a great sin or that they", "blamed as the victims. I want to hear what you guys might have", "whether they are a minority or majority in their given nation. It doesn't", "feelings about it and not call them out too early. Side Note: My", "character who, in their universe hates the ethnic group in which they belong.", "I am aware that race is some nebulous term that shouldn't have been", "are a minority or majority in their given nation. It doesn't matter (for", "have known better. * Writing a character like this without seeming to take", "too early. Side Note: My character is supposed to be a bit of", "say on the matter. Edit: ===== Sorry everyone, I guess I should have", "be blamed as the victims. I want to hear what you guys might", "what you guys might have to say on the matter. Edit: ===== Sorry", "scope of the question) why the character hates its group. This character could", "them out too early. Side Note: My character is supposed to be a", "of a hypocrite displaying casual racism and not necessarily being called out for", "hates the ethnic group in which they belong. It does not matter whether", "or majority in their given nation. It doesn't matter (for the scope of", "have to say on the matter. Edit: ===== Sorry everyone, I guess I", "and not call them out too early. Side Note: My character is supposed", "that shouldn't have been used then. I should have known better. * Writing", "my question. I guess I should be specifying the problems that I'm thinking", "I would like the audience to empathize at least somewhat with their feelings", "is supposed to be a bit of a hypocrite displaying casual racism and", "could be blamed as the victims. I want to hear what you guys", "hear what you guys might have to say on the matter. Edit: =====", "In short a character who, in their universe hates the ethnic group in", "a character who, in their universe hates the ethnic group in which they", "about their thoughts I would like the audience to empathize at least somewhat", "understandable. * When they speak out about their thoughts I would like the", "used then. I should have known better. * Writing a character like this", "their opinion is understandable. * When they speak out about their thoughts I", "specifying the problems that I'm thinking about. I just want an Nth opinion", "the question) why the character hates its group. This character could feel that", "sin or that they could be blamed as the victims. I want to", "want to hear what you guys might have to say on the matter.", "rephrased my question. I guess I should be specifying the problems that I'm", "the story just yet about whether their opinion is understandable. * When they", "Nth opinion here is all. I am aware that race is some nebulous", "not matter whether they are a minority or majority in their given nation.", "character like this without seeming to take any stance in the story just", "they belong. It does not matter whether they are a minority or majority", "their ancestry ================================== In short a character who, in their universe hates the", "their thoughts I would like the audience to empathize at least somewhat with", "people are guilty for a great sin or that they could be blamed", "is all. I am aware that race is some nebulous term that shouldn't", "the problems that I'm thinking about. I just want an Nth opinion here", "hates its group. This character could feel that their people are guilty for", "bit of a hypocrite displaying casual racism and not necessarily being called out", "is some nebulous term that shouldn't have been used then. I should have", "* Writing a character like this without seeming to take any stance in", "their given nation. It doesn't matter (for the scope of the question) why", "of race and of course rephrased my question. I guess I should be", "belong. It does not matter whether they are a minority or majority in", "speak out about their thoughts I would like the audience to empathize at", "a minority or majority in their given nation. It doesn't matter (for the", "in their given nation. It doesn't matter (for the scope of the question)", "as the victims. I want to hear what you guys might have to", "the scope of the question) why the character hates its group. This character", "this without seeming to take any stance in the story just yet about", "is understandable. * When they speak out about their thoughts I would like", "guess I should have specified ancestry instead of race and of course rephrased", "* When they speak out about their thoughts I would like the audience", "take any stance in the story just yet about whether their opinion is", "character could feel that their people are guilty for a great sin or", "race is some nebulous term that shouldn't have been used then. I should", "about it and not call them out too early. Side Note: My character", "an Nth opinion here is all. I am aware that race is some", "aware that race is some nebulous term that shouldn't have been used then.", "out about their thoughts I would like the audience to empathize at least", "to hear what you guys might have to say on the matter. Edit:", "are guilty for a great sin or that they could be blamed as", "of course rephrased my question. I guess I should be specifying the problems", "the victims. I want to hear what you guys might have to say", "just yet about whether their opinion is understandable. * When they speak out", "just want an Nth opinion here is all. I am aware that race", "victims. I want to hear what you guys might have to say on", "problems that I'm thinking about. I just want an Nth opinion here is", "thinking about. I just want an Nth opinion here is all. I am", "guess I should be specifying the problems that I'm thinking about. I just", "character hates its group. This character could feel that their people are guilty", "matter (for the scope of the question) why the character hates its group.", "instead of race and of course rephrased my question. I guess I should", "would like the audience to empathize at least somewhat with their feelings about", "ethnic group in which they belong. It does not matter whether they are", "without seeming to take any stance in the story just yet about whether", "It doesn't matter (for the scope of the question) why the character hates", "race and of course rephrased my question. I guess I should be specifying", "guys might have to say on the matter. Edit: ===== Sorry everyone, I", "term that shouldn't have been used then. I should have known better. ", "shouldn't have been used then. I should have known better. Writing a", "been used then. I should have known better. * Writing a character like", "call them out too early. Side Note: My character is supposed to be", "that race is some nebulous term that shouldn't have been used then. I", "Writing a character like this without seeming to take any stance in the", "to say on the matter. Edit: ===== Sorry everyone, I guess I should", "and of course rephrased my question. I guess I should be specifying the", "in which they belong. It does not matter whether they are a minority", "you guys might have to say on the matter. Edit: ===== Sorry everyone,", "somewhat with their feelings about it and not call them out too early.", "some nebulous term that shouldn't have been used then. I should have known", "to take any stance in the story just yet about whether their opinion", "could feel that their people are guilty for a great sin or that", "specified ancestry instead of race and of course rephrased my question. I guess", "universe hates the ethnic group in which they belong. It does not matter", "matter. Edit: ===== Sorry everyone, I guess I should have specified ancestry instead", "they speak out about their thoughts I would like the audience to empathize", "I should have known better. * Writing a character like this without seeming", "story just yet about whether their opinion is understandable. * When they speak", "the audience to empathize at least somewhat with their feelings about it and", "for a great sin or that they could be blamed as the victims.", "am aware that race is some nebulous term that shouldn't have been used", "that they could be blamed as the victims. I want to hear what", "I should be specifying the problems that I'm thinking about. I just want", "nebulous term that shouldn't have been used then. I should have known better.", "audience to empathize at least somewhat with their feelings about it and not", "I'm thinking about. I just want an Nth opinion here is all. I", "supposed to be a bit of a hypocrite displaying casual racism and not", "the ethnic group in which they belong. It does not matter whether they", "does not matter whether they are a minority or majority in their given", "group in which they belong. It does not matter whether they are a", "should be specifying the problems that I'm thinking about. I just want an", "their people are guilty for a great sin or that they could be", "Sorry everyone, I guess I should have specified ancestry instead of race and", "short a character who, in their universe hates the ethnic group in which", "I guess I should be specifying the problems that I'm thinking about. I", "who hates their ancestry ================================== In short a character who, in their universe", "I want to hear what you guys might have to say on the", "might have to say on the matter. Edit: ===== Sorry everyone, I guess", "be specifying the problems that I'm thinking about. I just want an Nth", "known better. * Writing a character like this without seeming to take any", "character is supposed to be a bit of a hypocrite displaying casual racism", "least somewhat with their feelings about it and not call them out too", "which they belong. It does not matter whether they are a minority or", "question. I guess I should be specifying the problems that I'm thinking about.", "================================== In short a character who, in their universe hates the ethnic group", "everyone, I guess I should have specified ancestry instead of race and of", "want an Nth opinion here is all. I am aware that race is", "opinion is understandable. * When they speak out about their thoughts I would", "like this without seeming to take any stance in the story just yet", "here is all. I am aware that race is some nebulous term that", "whether their opinion is understandable. * When they speak out about their thoughts", "It does not matter whether they are a minority or majority in their", "out too early. Side Note: My character is supposed to be a bit", "they could be blamed as the victims. I want to hear what you", "great sin or that they could be blamed as the victims. I want", "Side Note: My character is supposed to be a bit of a hypocrite", "about. I just want an Nth opinion here is all. I am aware", "in their universe hates the ethnic group in which they belong. It does", "a bit of a hypocrite displaying casual racism and not necessarily being called", "given nation. It doesn't matter (for the scope of the question) why the", "This character could feel that their people are guilty for a great sin", "that I'm thinking about. I just want an Nth opinion here is all.", "be a bit of a hypocrite displaying casual racism and not necessarily being", "of the question) why the character hates its group. This character could feel", "then. I should have known better. * Writing a character like this without", "thoughts I would like the audience to empathize at least somewhat with their", "the character hates its group. This character could feel that their people are", "a hypocrite displaying casual racism and not necessarily being called out for it.", "minority or majority in their given nation. It doesn't matter (for the scope", "have specified ancestry instead of race and of course rephrased my question. I", "a character like this without seeming to take any stance in the story", "group. This character could feel that their people are guilty for a great", "on the matter. Edit: ===== Sorry everyone, I guess I should have specified", "why the character hates its group. This character could feel that their people", "ancestry ================================== In short a character who, in their universe hates the ethnic", "have been used then. I should have known better. * Writing a character", "stance in the story just yet about whether their opinion is understandable. ", "at least somewhat with their feelings about it and not call them out", "its group. This character could feel that their people are guilty for a", "all. I am aware that race is some nebulous term that shouldn't have", "that their people are guilty for a great sin or that they could", "better. Writing a character like this without seeming to take any stance", "ancestry instead of race and of course rephrased my question. I guess I", "I should have specified ancestry instead of race and of course rephrased my", "hates their ancestry ================================== In short a character who, in their universe hates", "opinion here is all. I am aware that race is some nebulous term", "question) why the character hates its group. This character could feel that their", "When they speak out about their thoughts I would like the audience to", "about whether their opinion is understandable. * When they speak out about their", "Edit: ===== Sorry everyone, I guess I should have specified ancestry instead of", "matter whether they are a minority or majority in their given nation. It", "with their feelings about it and not call them out too early. Side", "the matter. Edit: ===== Sorry everyone, I guess I should have specified ancestry", "their universe hates the ethnic group in which they belong. It does not", "seeming to take any stance in the story just yet about whether their", "any stance in the story just yet about whether their opinion is understandable.", "like the audience to empathize at least somewhat with their feelings about it", "I guess I should have specified ancestry instead of race and of course", "empathize at least somewhat with their feelings about it and not call them", "My character is supposed to be a bit of a hypocrite displaying casual", "majority in their given nation. It doesn't matter (for the scope of the", "course rephrased my question. I guess I should be specifying the problems that", "early. Side Note: My character is supposed to be a bit of a", "Character who hates their ancestry ================================== In short a character who, in their", "should have known better. * Writing a character like this without seeming to", "who, in their universe hates the ethnic group in which they belong. It", "doesn't matter (for the scope of the question) why the character hates its", "(for the scope of the question) why the character hates its group. This", "or that they could be blamed as the victims. I want to hear", "I just want an Nth opinion here is all. I am aware that", "not call them out too early. Side Note: My character is supposed to", "Note: My character is supposed to be a bit of a hypocrite displaying", "their feelings about it and not call them out too early. Side Note:", "===== Sorry everyone, I guess I should have specified ancestry instead of race", "should have specified ancestry instead of race and of course rephrased my question.", "to empathize at least somewhat with their feelings about it and not call" ]
[ "I should do it if I'm not done with the main plot of", "story and I'm not sure if I should do it if I'm not", "story. Also I don't know since what part should I start writing off,", "Also I don't know since what part should I start writing off, The", "the main plot of the story. Also I don't know since what part", "plot of the story. Also I don't know since what part should I", "and I'm not sure if I should do it if I'm not done", "of the story. Also I don't know since what part should I start", "process of start writing my story and I'm not sure if I should", "I don't know since what part should I start writing off, The start,", "with the main plot of the story. Also I don't know since what", "start writing my story and I'm not sure if I should do it", "I'm in the process of start writing my story and I'm not sure", "I'm not done with the main plot of the story. Also I don't", "not sure if I should do it if I'm not done with the", "not done with the main plot of the story. Also I don't know", "part should I start writing off, The start, the end or the substantial", "main plot of the story. Also I don't know since what part should", "my story and I'm not sure if I should do it if I'm", "if I'm not done with the main plot of the story. Also I", "the story. Also I don't know since what part should I start writing", "the process of start writing my story and I'm not sure if I", "since what part should I start writing off, The start, the end or", "what part should I start writing off, The start, the end or the", "if I should do it if I'm not done with the main plot", "should do it if I'm not done with the main plot of the", "do it if I'm not done with the main plot of the story.", "sure if I should do it if I'm not done with the main", "it if I'm not done with the main plot of the story. Also", "done with the main plot of the story. Also I don't know since", "of start writing my story and I'm not sure if I should do", "writing my story and I'm not sure if I should do it if", "in the process of start writing my story and I'm not sure if", "should I start writing off, The start, the end or the substantial parts.", "know since what part should I start writing off, The start, the end", "don't know since what part should I start writing off, The start, the", "I'm not sure if I should do it if I'm not done with" ]
[ "important, suffer for it. How can I make my writing more \"even\"? Are", "make my writing more \"even\"? Are there any tricks I can employ to", "my writing sometimes has a very uneven \"density\", meaning I dedicate more time", "but still important, suffer for it. How can I make my writing more", "compelling story. I usually write characters first and create a story around them,", "write characters first and create a story around them, or I start with", "still important, suffer for it. How can I make my writing more \"even\"?", "uneven \"density\", meaning I dedicate more time writing for one part (usually the", "for one part (usually the part I find most interesting) while the other", "I find most interesting) while the other is more bare bones and not", "too much fluff for my favorite parts, which I have to cut down", "is that my writing sometimes has a very uneven \"density\", meaning I dedicate", "and try to put them together to create a compelling story. I usually", "them, or I start with an idea and write around it. The problem", "ideas, write them down and try to put them together to create a", "or I start with an idea and write around it. The problem is", "much fluff for my favorite parts, which I have to cut down mercilessly", "most interesting) while the other is more bare bones and not all that", "(usually the part I find most interesting) while the other is more bare", "all that specific. As a result, I end up with way too much", "are more boring to write but still important, suffer for it. How can", "if I would \"officially\" classify as a discovery writer, but I usually write", "and write around it. The problem is that my writing sometimes has a", "\"density\", meaning I dedicate more time writing for one part (usually the part", "dedicate more time writing for one part (usually the part I find most", "to stay consistent, especially if you don't start writing from start to finish,", "which are more boring to write but still important, suffer for it. How", "more \"even\"? Are there any tricks I can employ to make it easier", "anyway, while the other parts, which are more boring to write but still", "to write but still important, suffer for it. How can I make my", "I'm not sure if I would \"officially\" classify as a discovery writer, but", "not sure if I would \"officially\" classify as a discovery writer, but I", "writing for one part (usually the part I find most interesting) while the", "have to cut down mercilessly anyway, while the other parts, which are more", "while the other is more bare bones and not all that specific. As", "discovery writer, but I usually write very freely. I get a bunch of", "more time writing for one part (usually the part I find most interesting)", "for it. How can I make my writing more \"even\"? Are there any", "the other is more bare bones and not all that specific. As a", "I usually write very freely. I get a bunch of ideas, write them", "an idea and write around it. The problem is that my writing sometimes", "How can I make my writing more \"even\"? Are there any tricks I", "can employ to make it easier to stay consistent, especially if you don't", "bare bones and not all that specific. As a result, I end up", "make it easier to stay consistent, especially if you don't start writing from", "characters first and create a story around them, or I start with an", "start with an idea and write around it. The problem is that my", "very uneven \"density\", meaning I dedicate more time writing for one part (usually", "with an idea and write around it. The problem is that my writing", "it. How can I make my writing more \"even\"? Are there any tricks", "I can employ to make it easier to stay consistent, especially if you", "very freely. I get a bunch of ideas, write them down and try", "classify as a discovery writer, but I usually write very freely. I get", "I get a bunch of ideas, write them down and try to put", "favorite parts, which I have to cut down mercilessly anyway, while the other", "to put them together to create a compelling story. I usually write characters", "write around it. The problem is that my writing sometimes has a very", "story around them, or I start with an idea and write around it.", "around them, or I start with an idea and write around it. The", "employ to make it easier to stay consistent, especially if you don't start", "writer, but I usually write very freely. I get a bunch of ideas,", "write but still important, suffer for it. How can I make my writing", "usually write very freely. I get a bunch of ideas, write them down", "get a bunch of ideas, write them down and try to put them", "parts, which are more boring to write but still important, suffer for it.", "for my favorite parts, which I have to cut down mercilessly anyway, while", "write them down and try to put them together to create a compelling", "more bare bones and not all that specific. As a result, I end", "there any tricks I can employ to make it easier to stay consistent,", "with way too much fluff for my favorite parts, which I have to", "As a result, I end up with way too much fluff for my", "one part (usually the part I find most interesting) while the other is", "I make my writing more \"even\"? Are there any tricks I can employ", "fluff for my favorite parts, which I have to cut down mercilessly anyway,", "the part I find most interesting) while the other is more bare bones", "other is more bare bones and not all that specific. As a result,", "if you don't start writing from start to finish, but somewhere in the", "would \"officially\" classify as a discovery writer, but I usually write very freely.", "a compelling story. I usually write characters first and create a story around", "which I have to cut down mercilessly anyway, while the other parts, which", "suffer for it. How can I make my writing more \"even\"? Are there", "cut down mercilessly anyway, while the other parts, which are more boring to", "consistent, especially if you don't start writing from start to finish, but somewhere", "idea and write around it. The problem is that my writing sometimes has", "I have to cut down mercilessly anyway, while the other parts, which are", "bunch of ideas, write them down and try to put them together to", "has a very uneven \"density\", meaning I dedicate more time writing for one", "freely. I get a bunch of ideas, write them down and try to", "my writing more \"even\"? Are there any tricks I can employ to make", "together to create a compelling story. I usually write characters first and create", "I start with an idea and write around it. The problem is that", "I end up with way too much fluff for my favorite parts, which", "them down and try to put them together to create a compelling story.", "find most interesting) while the other is more bare bones and not all", "that specific. As a result, I end up with way too much fluff", "parts, which I have to cut down mercilessly anyway, while the other parts,", "sure if I would \"officially\" classify as a discovery writer, but I usually", "down and try to put them together to create a compelling story. I", "The problem is that my writing sometimes has a very uneven \"density\", meaning", "bones and not all that specific. As a result, I end up with", "mercilessly anyway, while the other parts, which are more boring to write but", "especially if you don't start writing from start to finish, but somewhere in", "but I usually write very freely. I get a bunch of ideas, write", "writing sometimes has a very uneven \"density\", meaning I dedicate more time writing", "my favorite parts, which I have to cut down mercilessly anyway, while the", "as a discovery writer, but I usually write very freely. I get a", "up with way too much fluff for my favorite parts, which I have", "it easier to stay consistent, especially if you don't start writing from start", "easier to stay consistent, especially if you don't start writing from start to", "the other parts, which are more boring to write but still important, suffer", "to make it easier to stay consistent, especially if you don't start writing", "boring to write but still important, suffer for it. How can I make", "that my writing sometimes has a very uneven \"density\", meaning I dedicate more", "put them together to create a compelling story. I usually write characters first", "create a compelling story. I usually write characters first and create a story", "it. The problem is that my writing sometimes has a very uneven \"density\",", "part (usually the part I find most interesting) while the other is more", "try to put them together to create a compelling story. I usually write", "I would \"officially\" classify as a discovery writer, but I usually write very", "\"even\"? Are there any tricks I can employ to make it easier to", "create a story around them, or I start with an idea and write", "I dedicate more time writing for one part (usually the part I find", "part I find most interesting) while the other is more bare bones and", "other parts, which are more boring to write but still important, suffer for", "down mercilessly anyway, while the other parts, which are more boring to write", "you don't start writing from start to finish, but somewhere in the middle?", "\"officially\" classify as a discovery writer, but I usually write very freely. I", "Are there any tricks I can employ to make it easier to stay", "end up with way too much fluff for my favorite parts, which I", "stay consistent, especially if you don't start writing from start to finish, but", "to create a compelling story. I usually write characters first and create a", "problem is that my writing sometimes has a very uneven \"density\", meaning I", "of ideas, write them down and try to put them together to create", "writing more \"even\"? Are there any tricks I can employ to make it", "can I make my writing more \"even\"? Are there any tricks I can", "a discovery writer, but I usually write very freely. I get a bunch", "interesting) while the other is more bare bones and not all that specific.", "to cut down mercilessly anyway, while the other parts, which are more boring", "time writing for one part (usually the part I find most interesting) while", "write very freely. I get a bunch of ideas, write them down and", "them together to create a compelling story. I usually write characters first and", "first and create a story around them, or I start with an idea", "a result, I end up with way too much fluff for my favorite", "way too much fluff for my favorite parts, which I have to cut", "and not all that specific. As a result, I end up with way", "specific. As a result, I end up with way too much fluff for", "result, I end up with way too much fluff for my favorite parts,", "a very uneven \"density\", meaning I dedicate more time writing for one part", "not all that specific. As a result, I end up with way too", "a story around them, or I start with an idea and write around", "I usually write characters first and create a story around them, or I", "sometimes has a very uneven \"density\", meaning I dedicate more time writing for", "while the other parts, which are more boring to write but still important,", "is more bare bones and not all that specific. As a result, I", "usually write characters first and create a story around them, or I start", "meaning I dedicate more time writing for one part (usually the part I", "tricks I can employ to make it easier to stay consistent, especially if", "any tricks I can employ to make it easier to stay consistent, especially", "more boring to write but still important, suffer for it. How can I", "and create a story around them, or I start with an idea and", "around it. The problem is that my writing sometimes has a very uneven", "a bunch of ideas, write them down and try to put them together", "story. I usually write characters first and create a story around them, or" ]
[ "tragic, light. You know, instead of just comedy relief. Side note: just like", "to my story (don't ask why), a bit like Master Roshi from Dragon", "as to why they are such perverts, not to justify their behavior, but", "just comedy relief. Side note: just like in the examples I listed above,", "(don't ask why), a bit like Master Roshi from Dragon Ball or Minoru", "a different, more tragic, light. You know, instead of just comedy relief. Side", "bit like Master Roshi from Dragon Ball or Minoru Mineta from My Hero", "them think they are unattractive, thus they're simply perverts because they know they", "could I do this? One idea I had would be to have them", "they're simply perverts because they know they have no chance with any of", "whenever they do something perverted. Nobody except other perverts encourage their behavior. How", "ask why), a bit like Master Roshi from Dragon Ball or Minoru Mineta", "a perverted character to my story (don't ask why), a bit like Master", "One idea I had would be to have them think they are unattractive,", "they are unattractive, thus they're simply perverts because they know they have no", "my story (don't ask why), a bit like Master Roshi from Dragon Ball", "Minoru Mineta from My Hero Academia. However, I want to make them more", "from My Hero Academia. However, I want to make them more sympathetic and", "perverts, not to justify their behavior, but to show them in a different,", "and give an actual reason as to why they are such perverts, not", "from Dragon Ball or Minoru Mineta from My Hero Academia. However, I want", "their behavior.* How could I do this? One idea I had would be", "Side note: just like in the examples I listed above, the pervert is", "something perverted. Nobody except other perverts encourage their behavior. How could I do", "like Master Roshi from Dragon Ball or Minoru Mineta from My Hero Academia.", "relief. Side note: just like in the examples I listed above, the pervert", "Dragon Ball or Minoru Mineta from My Hero Academia. However, I want to", "idea I had would be to have them think they are unattractive, thus", "to why they are such perverts, not to justify their behavior, but to", "perverts encourage their behavior. How could I do this? One idea I had", "listed above, the pervert is punished almost instantly whenever they do something perverted.", "I do this? One idea I had would be to have them think", "do this? One idea I had would be to have them think they", "Ball or Minoru Mineta from My Hero Academia. However, I want to make", "different, more tragic, light. You know, instead of just comedy relief. Side note:", "in the examples I listed above, the pervert is punished almost instantly whenever", "Roshi from Dragon Ball or Minoru Mineta from My Hero Academia. However, I", "comedy relief. Side note: just like in the examples I listed above, the", "more tragic, light. You know, instead of just comedy relief. Side note: just", "Master Roshi from Dragon Ball or Minoru Mineta from My Hero Academia. However,", "them in a different, more tragic, light. You know, instead of just comedy", "their behavior, but to show them in a different, more tragic, light. You", "this? One idea I had would be to have them think they are", "perverts because they know they have no chance with any of the girls", "a bit like Master Roshi from Dragon Ball or Minoru Mineta from My", "to add a perverted character to my story (don't ask why), a bit", "actual reason as to why they are such perverts, not to justify their", "to justify their behavior, but to show them in a different, more tragic,", "in a different, more tragic, light. You know, instead of just comedy relief.", "are unattractive, thus they're simply perverts because they know they have no chance", "know, instead of just comedy relief. Side note: just like in the examples", "they do something perverted. Nobody except other perverts encourage their behavior.* How could", "give an actual reason as to why they are such perverts, not to", "pervert is punished almost instantly whenever they do something perverted. Nobody except other", "show them in a different, more tragic, light. You know, instead of just", "almost instantly whenever they do something perverted. Nobody except other perverts encourage their", "examples I listed above, the pervert is punished almost instantly whenever they do", "except other perverts encourage their behavior.* How could I do this? One idea", "unattractive, thus they're simply perverts because they know they have no chance with", "You know, instead of just comedy relief. Side note: just like in the", "would be to have them think they are unattractive, thus they're simply perverts", "why), a bit like Master Roshi from Dragon Ball or Minoru Mineta from", "However, I want to make them more sympathetic and give an actual reason", "light. You know, instead of just comedy relief. Side note: just like in", "but to show them in a different, more tragic, light. You know, instead", "like in the examples I listed above, the pervert is punished almost instantly", "I listed above, the pervert is punished almost instantly whenever they do something", "behavior, but to show them in a different, more tragic, light. You know,", "story (don't ask why), a bit like Master Roshi from Dragon Ball or", "make them more sympathetic and give an actual reason as to why they", "behavior.* How could I do this? One idea I had would be to", "is punished almost instantly whenever they do something perverted. Nobody except other perverts", "to have them think they are unattractive, thus they're simply perverts because they", "My Hero Academia. However, I want to make them more sympathetic and give", "to show them in a different, more tragic, light. You know, instead of", "the examples I listed above, the pervert is punished almost instantly whenever they", "of just comedy relief. Side note: just like in the examples I listed", "want to add a perverted character to my story (don't ask why), a", "them more sympathetic and give an actual reason as to why they are", "are such perverts, not to justify their behavior, but to show them in", "perverted. Nobody except other perverts encourage their behavior. How could I do this?", "note: just like in the examples I listed above, the pervert is punished", "perverted character to my story (don't ask why), a bit like Master Roshi", "the pervert is punished almost instantly whenever they do something perverted. Nobody except", "do something perverted. Nobody except other perverts encourage their behavior.* How could I", "punished almost instantly whenever they do something perverted. Nobody except other perverts encourage", "character to my story (don't ask why), a bit like Master Roshi from", "an actual reason as to why they are such perverts, not to justify", "because they know they have no chance with any of the girls anyway.", "thus they're simply perverts because they know they have no chance with any", "Nobody except other perverts encourage their behavior.* How could I do this? One", "How could I do this? One idea I had would be to have", "they are such perverts, not to justify their behavior, but to show them", "be to have them think they are unattractive, thus they're simply perverts because", "above, the pervert is punished almost instantly whenever they do something perverted. Nobody", "reason as to why they are such perverts, not to justify their behavior,", "other perverts encourage their behavior.* How could I do this? One idea I", "or Minoru Mineta from My Hero Academia. However, I want to make them", "sympathetic and give an actual reason as to why they are such perverts,", "simply perverts because they know they have no chance with any of the", "had would be to have them think they are unattractive, thus they're simply", "just like in the examples I listed above, the pervert is punished almost", "I want to add a perverted character to my story (don't ask why),", "want to make them more sympathetic and give an actual reason as to", "justify their behavior, but to show them in a different, more tragic, light.", "Hero Academia. However, I want to make them more sympathetic and give an", "not to justify their behavior, but to show them in a different, more", "instantly whenever they do something perverted. Nobody except other perverts encourage their behavior.", "more sympathetic and give an actual reason as to why they are such", "instead of just comedy relief. Side note: just like in the examples I", "encourage their behavior.* How could I do this? One idea I had would", "think they are unattractive, thus they're simply perverts because they know they have", "why they are such perverts, not to justify their behavior, but to show", "Mineta from My Hero Academia. However, I want to make them more sympathetic", "have them think they are unattractive, thus they're simply perverts because they know", "I want to make them more sympathetic and give an actual reason as", "such perverts, not to justify their behavior, but to show them in a", "I had would be to have them think they are unattractive, thus they're", "Academia. However, I want to make them more sympathetic and give an actual", "add a perverted character to my story (don't ask why), a bit like", "to make them more sympathetic and give an actual reason as to why" ]
[ "through your work, whether it's written fiction, a movie, a video game or", "want to answer as they progress through your fiction. Obviously you shouldn't always", "for themselves as well, but would it be wrong to guide them a", "game or whatever, you want them to ask themselves certain questions, which you", "wrong to guide them a bit with a few questions here and there?", "them a bit with a few questions here and there? A few scenes", "found at that place but not in that other place where it would", "few scenes of a hero pondering why the knife was found at that", "but would it be wrong to guide them a bit with a few", "progress through your fiction. Obviously you shouldn't always spell out the questions they", "with a few questions here and there? A few scenes of a hero", "you have your audience go through your work, whether it's written fiction, a", "fiction. Obviously you shouldn't always spell out the questions they need to ask", "out the questions they need to ask themselves, as they should think for", "have your audience go through your work, whether it's written fiction, a movie,", "you shouldn't always spell out the questions they need to ask themselves, as", "would it be wrong to guide them a bit with a few questions", "you want to answer as they progress through your fiction. Obviously you shouldn't", "your audience go through your work, whether it's written fiction, a movie, a", "it's written fiction, a movie, a video game or whatever, you want them", "go through your work, whether it's written fiction, a movie, a video game", "it be wrong to guide them a bit with a few questions here", "certain questions, which you want to answer as they progress through your fiction.", "spell out the questions they need to ask themselves, as they should think", "be wrong to guide them a bit with a few questions here and", "was found at that place but not in that other place where it", "shouldn't always spell out the questions they need to ask themselves, as they", "want them to ask themselves certain questions, which you want to answer as", "themselves as well, but would it be wrong to guide them a bit", "the questions they need to ask themselves, as they should think for themselves", "as they should think for themselves as well, but would it be wrong", "ask themselves certain questions, which you want to answer as they progress through", "movie, a video game or whatever, you want them to ask themselves certain", "answer as they progress through your fiction. Obviously you shouldn't always spell out", "should think for themselves as well, but would it be wrong to guide", "a bit with a few questions here and there? A few scenes of", "fiction, a movie, a video game or whatever, you want them to ask", "your work, whether it's written fiction, a movie, a video game or whatever,", "and there? A few scenes of a hero pondering why the knife was", "knife was found at that place but not in that other place where", "bit with a few questions here and there? A few scenes of a", "a movie, a video game or whatever, you want them to ask themselves", "themselves, as they should think for themselves as well, but would it be", "as they progress through your fiction. Obviously you shouldn't always spell out the", "you want them to ask themselves certain questions, which you want to answer", "them to ask themselves certain questions, which you want to answer as they", "a hero pondering why the knife was found at that place but not", "at that place but not in that other place where it would make", "guide them a bit with a few questions here and there? A few", "questions here and there? A few scenes of a hero pondering why the", "When you have your audience go through your work, whether it's written fiction,", "a few questions here and there? A few scenes of a hero pondering", "to guide them a bit with a few questions here and there? A", "through your fiction. Obviously you shouldn't always spell out the questions they need", "your fiction. Obviously you shouldn't always spell out the questions they need to", "A few scenes of a hero pondering why the knife was found at", "think for themselves as well, but would it be wrong to guide them", "of a hero pondering why the knife was found at that place but", "Obviously you shouldn't always spell out the questions they need to ask themselves,", "that place but not in that other place where it would make sense?", "or whatever, you want them to ask themselves certain questions, which you want", "they progress through your fiction. Obviously you shouldn't always spell out the questions", "written fiction, a movie, a video game or whatever, you want them to", "a video game or whatever, you want them to ask themselves certain questions,", "scenes of a hero pondering why the knife was found at that place", "whatever, you want them to ask themselves certain questions, which you want to", "audience go through your work, whether it's written fiction, a movie, a video", "well, but would it be wrong to guide them a bit with a", "as well, but would it be wrong to guide them a bit with", "to ask themselves, as they should think for themselves as well, but would", "need to ask themselves, as they should think for themselves as well, but", "few questions here and there? A few scenes of a hero pondering why", "ask themselves, as they should think for themselves as well, but would it", "they should think for themselves as well, but would it be wrong to", "whether it's written fiction, a movie, a video game or whatever, you want", "why the knife was found at that place but not in that other", "work, whether it's written fiction, a movie, a video game or whatever, you", "hero pondering why the knife was found at that place but not in", "which you want to answer as they progress through your fiction. Obviously you", "always spell out the questions they need to ask themselves, as they should", "there? A few scenes of a hero pondering why the knife was found", "pondering why the knife was found at that place but not in that", "they need to ask themselves, as they should think for themselves as well,", "the knife was found at that place but not in that other place", "themselves certain questions, which you want to answer as they progress through your", "questions, which you want to answer as they progress through your fiction. Obviously", "here and there? A few scenes of a hero pondering why the knife", "to answer as they progress through your fiction. Obviously you shouldn't always spell", "to ask themselves certain questions, which you want to answer as they progress", "questions they need to ask themselves, as they should think for themselves as", "video game or whatever, you want them to ask themselves certain questions, which" ]
[ "phrases in another language. If I use a footnote to provide a loose", "If I use a footnote to provide a loose translation of the word", "appears once or twice more on the same page, do I have to", "more on the same page, do I have to reference the footnote for", "another language. If I use a footnote to provide a loose translation of", "I am writing a novel that includes occasional words or phrases in another", "a loose translation of the word and that same word appears once or", "that includes occasional words or phrases in another language. If I use a", "or phrases in another language. If I use a footnote to provide a", "writing a novel that includes occasional words or phrases in another language. If", "once or twice more on the same page, do I have to reference", "loose translation of the word and that same word appears once or twice", "translation of the word and that same word appears once or twice more", "a footnote to provide a loose translation of the word and that same", "or twice more on the same page, do I have to reference the", "novel that includes occasional words or phrases in another language. If I use", "the same page, do I have to reference the footnote for each occurrence?", "word appears once or twice more on the same page, do I have", "a novel that includes occasional words or phrases in another language. If I", "the word and that same word appears once or twice more on the", "I use a footnote to provide a loose translation of the word and", "same word appears once or twice more on the same page, do I", "twice more on the same page, do I have to reference the footnote", "footnote to provide a loose translation of the word and that same word", "to provide a loose translation of the word and that same word appears", "occasional words or phrases in another language. If I use a footnote to", "of the word and that same word appears once or twice more on", "words or phrases in another language. If I use a footnote to provide", "am writing a novel that includes occasional words or phrases in another language.", "on the same page, do I have to reference the footnote for each", "in another language. If I use a footnote to provide a loose translation", "includes occasional words or phrases in another language. If I use a footnote", "and that same word appears once or twice more on the same page,", "language. If I use a footnote to provide a loose translation of the", "use a footnote to provide a loose translation of the word and that", "that same word appears once or twice more on the same page, do", "provide a loose translation of the word and that same word appears once", "word and that same word appears once or twice more on the same" ]
[ "am holding a book (novel) which I wish to cite, and I believe", "mistake in the original manuscript, or introduced during print. Other editions of the", "and from the translation of the phrase to French in the same line,)", "et Mulat, éditeurs; Paris) which has: > > «Think you be easy.» Ce", "any excuse to correct this? Since people seem to misunderstand, the line is", "the typo was a spelling mistake in the original manuscript, or introduced during", "do not know if the typo was corrected based on the original manuscript,", "Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details", "context, and from the translation of the phrase to French in the same", "tranquille. > > > Rather obviously, (both from context, and from the translation", "Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which has: > >", "book (novel) which I wish to cite, and I believe it has a", "has a typo. I do not know whether the typo was a spelling", "do I have any excuse to correct this? Since people seem to misunderstand,", "Other editions of the book exist, but I do not know if the", "this novel? Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add", "original manuscript, or introduced during print. Other editions of the book exist, but", "I have, do I have any excuse to correct this? Since people seem", "I have any excuse to correct this? Since people seem to misunderstand, the", "the original manuscript, or introduced during print. Other editions of the book exist,", "I don't actually have a different copy on hand, I'm just \"sure\" I", "as is. And I am interested in citing the original - not translating", "original manuscript, or in a later edition, or once the book entered public", "on hand, I'm just \"sure\" I saw it written correctly. How do I", "a note written by an English character to the MC, and translated to", "of the French-speaking readers. That's Dumas's text, as is. And I am interested", "I just correct the typo, since I'm \"sure\" it got corrected at some", "at an 1853 edition of Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs;", "typo. I do not know whether the typo was a spelling mistake in", "Paris) which has: > > «Think you be easy.» Ce qui voulait dire:", "to cite, and I believe it has a typo. I do not know", "«Think you be easy.» Ce qui voulait dire: Merci; soyez tranquille. > >", "an 1853 edition of Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris)", "looking at an 1853 edition of Les Trois Mousquetaires, (MM. Dufour et Mulat,", "\"sure\" I saw it written correctly. How do I cite this novel? Do", "copy on hand, I'm just \"sure\" I saw it written correctly. How do", "> > > Rather obviously, (both from context, and from the translation of", "\"sure\" it got corrected at some point? Specifically, I'm looking at an 1853", "manuscript, or introduced during print. Other editions of the book exist, but I", "given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the particular edition? Or", "to French for the sake of the French-speaking readers. That's Dumas's text, as", "since I'm \"sure\" it got corrected at some point? Specifically, I'm looking at", "French-speaking readers. That's Dumas's text, as is. And I am interested in citing", "which I wish to cite, and I believe it has a typo. I", "éditeurs; Paris) which has: > > «Think you be easy.» Ce qui voulait", "I cite this novel? Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question,", "be easy.\" But since that's the only copy of The Three Musketeers that", "translated to French for the sake of the French-speaking readers. That's Dumas's text,", "easy.» Ce qui voulait dire: Merci; soyez tranquille. > > > Rather obviously,", "Dumas's text, as is. And I am interested in citing the original -", "of the particular edition? Or do I just correct the typo, since I'm", "Dufour et Mulat, éditeurs; Paris) which has: > > «Think you be easy.»", "was a spelling mistake in the original manuscript, or introduced during print. Other", "of the book exist, but I do not know if the typo was", "the translation of the phrase to French in the same line,) it should", "correct this? Since people seem to misunderstand, the line is dual-language in the", "[this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the particular edition? Or do I", "was corrected based on the original manuscript, or in a later edition, or", "believe it has a typo. I do not know whether the typo was", "the particular edition? Or do I just correct the typo, since I'm \"sure\"", "I'm looking at an 1853 edition of Les Trois Mousquetaires, (MM. Dufour et", "wish to cite, and I believe it has a typo. I do not", "Or do I just correct the typo, since I'm \"sure\" it got corrected", "I'm \"sure\" it got corrected at some point? Specifically, I'm looking at an", "edition? Or do I just correct the typo, since I'm \"sure\" it got", "been \"Thank* you, be easy.\" But since that's the only copy of The", "> > «Think you be easy.» Ce qui voulait dire: Merci; soyez tranquille.", "the only copy of The Three Musketeers* that I have, do I have", "Ce qui voulait dire: Merci; soyez tranquille. > > > Rather obviously, (both", "(both from context, and from the translation of the phrase to French in", "Merci; soyez tranquille. > > > Rather obviously, (both from context, and from", "Specifically, I'm looking at an 1853 edition of Les Trois Mousquetaires, (MM. Dufour", "Since people seem to misunderstand, the line is dual-language in the original. It's", "got corrected at some point? Specifically, I'm looking at an 1853 edition of", "point? Specifically, I'm looking at an 1853 edition of Les Trois Mousquetaires, (MM.", "same line,) it should have been \"Thank you, be easy.\" But since that's", "to correct this? Since people seem to misunderstand, the line is dual-language in", "or introduced during print. Other editions of the book exist, but I do", "to French in the same line,) it should have been \"Thank** you, be", "typo, since I'm \"sure\" it got corrected at some point? Specifically, I'm looking", "English character to the MC, and translated to French for the sake of", "have any excuse to correct this? Since people seem to misunderstand, the line", "voulait dire: Merci; soyez tranquille. > > > Rather obviously, (both from context,", "the book entered public domain. And more importantly, I don't actually have a", "I'm just \"sure\" I saw it written correctly. How do I cite this", "based on the original manuscript, or in a later edition, or once the", "cite this novel? Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but", "> Rather obviously, (both from context, and from the translation of the phrase", "which has: > > «Think you be easy.» Ce qui voulait dire: Merci;", "it got corrected at some point? Specifically, I'm looking at an 1853 edition", "not know whether the typo was a spelling mistake in the original manuscript,", "in the original manuscript, or introduced during print. Other editions of the book", "don't actually have a different copy on hand, I'm just \"sure\" I saw", "from the translation of the phrase to French in the same line,) it", "in the same line,) it should have been \"Thank you, be easy.\" But", "once the book entered public domain. And more importantly, I don't actually have", "> > Rather obviously, (both from context, and from the translation of the", "in the original. It's a note written by an English character to the", "book exist, but I do not know if the typo was corrected based", "line,) it should have been \"Thank you, be easy.\" But since that's the", "typo was a spelling mistake in the original manuscript, or introduced during print.", "seem to misunderstand, the line is dual-language in the original. It's a note", "readers. That's Dumas's text, as is. And I am interested in citing the", "details of the particular edition? Or do I just correct the typo, since", "But since that's the only copy of The Three Musketeers that I have,", "in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the particular edition? Or do", "The Three Musketeers that I have, do I have any excuse to correct", "the original. It's a note written by an English character to the MC,", "to misunderstand, the line is dual-language in the original. It's a note written", "manuscript, or in a later edition, or once the book entered public domain.", "book entered public domain. And more importantly, I don't actually have a different", "public domain. And more importantly, I don't actually have a different copy on", "have, do I have any excuse to correct this? Since people seem to", "entered public domain. And more importantly, I don't actually have a different copy", "or once the book entered public domain. And more importantly, I don't actually", "the sake of the French-speaking readers. That's Dumas's text, as is. And I", "follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the", "(novel) which I wish to cite, and I believe it has a typo.", "do I cite this novel? Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704)", "character to the MC, and translated to French for the sake of the", "importantly, I don't actually have a different copy on hand, I'm just \"sure\"", "\"Thank** you, be easy.\" But since that's the only copy of The Three", "original. It's a note written by an English character to the MC, and", "print. Other editions of the book exist, but I do not know if", "cite, and I believe it has a typo. I do not know whether", "a different copy on hand, I'm just \"sure\" I saw it written correctly.", "Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which has: > > «Think", "of Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which has: >", "an English character to the MC, and translated to French for the sake", "is. And I am interested in citing the original - not translating it.", "whether the typo was a spelling mistake in the original manuscript, or introduced", "you be easy.» Ce qui voulait dire: Merci; soyez tranquille. > > >", "since that's the only copy of The Three Musketeers that I have, do", "to the MC, and translated to French for the sake of the French-speaking", "for the sake of the French-speaking readers. That's Dumas's text, as is. And", "or in a later edition, or once the book entered public domain. And", "has: > > «Think you be easy.» Ce qui voulait dire: Merci; soyez", "do not know whether the typo was a spelling mistake in the original", "people seem to misunderstand, the line is dual-language in the original. It's a", "it has a typo. I do not know whether the typo was a", "typo was corrected based on the original manuscript, or in a later edition,", "easy.\" But since that's the only copy of The Three Musketeers that I", "actually have a different copy on hand, I'm just \"sure\" I saw it", "corrected based on the original manuscript, or in a later edition, or once", "just correct the typo, since I'm \"sure\" it got corrected at some point?", "not know if the typo was corrected based on the original manuscript, or", "obviously, (both from context, and from the translation of the phrase to French", "Rather obviously, (both from context, and from the translation of the phrase to", "phrase to French in the same line,) it should have been \"Thank you,", "dual-language in the original. It's a note written by an English character to", "of the phrase to French in the same line,) it should have been", "MC, and translated to French for the sake of the French-speaking readers. That's", "I do not know if the typo was corrected based on the original", "particular edition? Or do I just correct the typo, since I'm \"sure\" it", "the same line,) it should have been \"Thank you, be easy.\" But since", "translation of the phrase to French in the same line,) it should have", "of The Three Musketeers that I have, do I have any excuse to", "do I just correct the typo, since I'm \"sure\" it got corrected at", "written by an English character to the MC, and translated to French for", "1853 edition of Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which", "introduced during print. Other editions of the book exist, but I do not", "know whether the typo was a spelling mistake in the original manuscript, or", "in a later edition, or once the book entered public domain. And more", "a spelling mistake in the original manuscript, or introduced during print. Other editions", "this? Since people seem to misunderstand, the line is dual-language in the original.", "is dual-language in the original. It's a note written by an English character", "correctly. How do I cite this novel? Do I follow the recommendations given", "written correctly. How do I cite this novel? Do I follow the recommendations", "during print. Other editions of the book exist, but I do not know", "some point? Specifically, I'm looking at an 1853 edition of Les Trois Mousquetaires,", "dire: Merci; soyez tranquille. > > > Rather obviously, (both from context, and", "It's a note written by an English character to the MC, and translated", "if the typo was corrected based on the original manuscript, or in a", "later edition, or once the book entered public domain. And more importantly, I", "know if the typo was corrected based on the original manuscript, or in", "a later edition, or once the book entered public domain. And more importantly,", "novel? Do I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the", "edition, or once the book entered public domain. And more importantly, I don't", "but add the details of the particular edition? Or do I just correct", "correct the typo, since I'm \"sure\" it got corrected at some point? Specifically,", "have a different copy on hand, I'm just \"sure\" I saw it written", "> «Think you be easy.» Ce qui voulait dire: Merci; soyez tranquille. >", "exist, but I do not know if the typo was corrected based on", "the typo was corrected based on the original manuscript, or in a later", "the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the particular", "that's the only copy of The Three Musketeers that I have, do I", "the typo, since I'm \"sure\" it got corrected at some point? Specifically, I'm", "Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which has: > > «Think you", "corrected at some point? Specifically, I'm looking at an 1853 edition of Les", "should have been \"Thank* you, be easy.\" But since that's the only copy", "editions of the book exist, but I do not know if the typo", "Mulat, éditeurs; Paris) which has: > > «Think you be easy.» Ce qui", "copy of The Three Musketeers that I have, do I have any excuse", "holding a book (novel) which I wish to cite, and I believe it", "the book exist, but I do not know if the typo was corrected", "spelling mistake in the original manuscript, or introduced during print. Other editions of", "excuse to correct this? Since people seem to misunderstand, the line is dual-language", "note written by an English character to the MC, and translated to French", "at some point? Specifically, I'm looking at an 1853 edition of Les Trois", "different copy on hand, I'm just \"sure\" I saw it written correctly. How", "Musketeers that I have, do I have any excuse to correct this? Since", "line is dual-language in the original. It's a note written by an English", "text, as is. And I am interested in citing the original - not", "a typo. I do not know whether the typo was a spelling mistake", "I wish to cite, and I believe it has a typo. I do", "I do not know whether the typo was a spelling mistake in the", "question, but add the details of the particular edition? Or do I just", "the original manuscript, or in a later edition, or once the book entered", "I am holding a book (novel) which I wish to cite, and I", "misunderstand, the line is dual-language in the original. It's a note written by", "by an English character to the MC, and translated to French for the", "sake of the French-speaking readers. That's Dumas's text, as is. And I am", "soyez tranquille. > > > Rather obviously, (both from context, and from the", "the MC, and translated to French for the sake of the French-speaking readers.", "it written correctly. How do I cite this novel? Do I follow the", "I saw it written correctly. How do I cite this novel? Do I", "edition of Les Trois Mousquetaires, (MM. Dufour et Mulat, éditeurs; Paris) which has:", "French in the same line,) it should have been \"Thank you, be easy.\"", "that I have, do I have any excuse to correct this? Since people", "have been \"Thank you, be easy.\" But since that's the only copy of", "saw it written correctly. How do I cite this novel? Do I follow", "domain. And more importantly, I don't actually have a different copy on hand,", "I believe it has a typo. I do not know whether the typo", "That's Dumas's text, as is. And I am interested in citing the original", "French for the sake of the French-speaking readers. That's Dumas's text, as is.", "the French-speaking readers. That's Dumas's text, as is. And I am interested in", "the details of the particular edition? Or do I just correct the typo,", "And more importantly, I don't actually have a different copy on hand, I'm", "and translated to French for the sake of the French-speaking readers. That's Dumas's", "only copy of The Three Musketeers that I have, do I have any", "a book (novel) which I wish to cite, and I believe it has", "Three Musketeers* that I have, do I have any excuse to correct this?", "it should have been \"Thank you, be easy.\" But since that's the only", "How do I cite this novel? Do I follow the recommendations given in", "I follow the recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of", "be easy.» Ce qui voulait dire: Merci; soyez tranquille. > > > Rather", "from context, and from the translation of the phrase to French in the", "and I believe it has a typo. I do not know whether the", "the phrase to French in the same line,) it should have been \"Thank", "just \"sure\" I saw it written correctly. How do I cite this novel?", "you, be easy.\" But since that's the only copy of The Three Musketeers", "the line is dual-language in the original. It's a note written by an", "qui voulait dire: Merci; soyez tranquille. > > > Rather obviously, (both from", "recommendations given in [this](https://writing.stackexchange.com/q/25323/14704) question, but add the details of the particular edition?", "but I do not know if the typo was corrected based on the", "(MM. Dufour et Mulat, éditeurs; Paris) which has: > > «Think you be", "add the details of the particular edition? Or do I just correct the", "on the original manuscript, or in a later edition, or once the book", "more importantly, I don't actually have a different copy on hand, I'm just", "hand, I'm just \"sure\" I saw it written correctly. How do I cite" ]
[ "SP to be little more than playing into the plan B of their", "looking more for a ‘shouldn’t the TP help?’ thought instead of ‘where did", "communication with TP, who, being uninjured and quite fit, could certainly outflank those", "odds. This TP is introduced about a third of the way in and", "characters are in a difficult situation that can be somewhat relieved by a", "a serial fashion, which suits this as the SP is a new member", "suits this as the SP is a new member and meeting many of", "been a reaction rather than a reasoned action. MC and SP are in", "is a new member and meeting many of these people herself. How best", "I tend to introduce characters in a serial fashion, which suits this as", "towards safety, leaving a good friend and tertiary protagonist to cover their escape.", "a difficult situation that can be somewhat relieved by a colleague. MC is", "is gravely injured, MC takes SP towards safety, leaving a good friend and", "which suits this as the SP is a new member and meeting many", "herself. How best to minimize the Deus Ex Machina flavour that might be", "the SP is a new member and meeting many of these people herself.", "with the MC. I tend to introduce characters in a serial fashion, which", "the plan B of their opponents, as it has been a reaction rather", "is revealled by the SP to be little more than playing into the", "it has been a reaction rather than a reasoned action. MC and SP", "TP is introduced about a third of the way in and has a", "in and has a clear relationship (good friend) with the MC. I tend", "(good friend) with the MC. I tend to introduce characters in a serial", "is wounded, leading secondary protagonist to take a bullet for him. She is", "and meeting many of these people herself. How best to minimize the Deus", "serial fashion, which suits this as the SP is a new member and", "and SP are in communication with TP, who, being uninjured and quite fit,", "have outflanked the MC and SP, evening the odds. This TP is introduced", "by a colleague. MC is wounded, leading secondary protagonist to take a bullet", "protagonist to take a bullet for him. She is gravely injured, MC takes", "the odds. This TP is introduced about a third of the way in", "than playing into the plan B of their opponents, as it has been", "more than playing into the plan B of their opponents, as it has", "revealled by the SP to be little more than playing into the plan", "of their opponents, as it has been a reaction rather than a reasoned", "in a serial fashion, which suits this as the SP is a new", "a third of the way in and has a clear relationship (good friend)", "SP is a new member and meeting many of these people herself. How", "has a clear relationship (good friend) with the MC. I tend to introduce", "more for a ‘shouldn’t the TP help?’ thought instead of ‘where did that", "best to minimize the Deus Ex Machina flavour that might be present in", "leaving a good friend and tertiary protagonist to cover their escape. This escape", "SP, evening the odds. This TP is introduced about a third of the", "their opponents, as it has been a reaction rather than a reasoned action.", "the MC and SP, evening the odds. This TP is introduced about a", "quite fit, could certainly outflank those who have outflanked the MC and SP,", "Machina flavour that might be present in the TP’s intervention? I am looking", "escape. This escape is revealled by the SP to be little more than", "are in a difficult situation that can be somewhat relieved by a colleague.", "as it has been a reaction rather than a reasoned action. MC and", "introduced about a third of the way in and has a clear relationship", "protagonist to cover their escape. This escape is revealled by the SP to", "a reasoned action. MC and SP are in communication with TP, who, being", "minimize the Deus Ex Machina flavour that might be present in the TP’s", "these people herself. How best to minimize the Deus Ex Machina flavour that", "am looking more for a ‘shouldn’t the TP help?’ thought instead of ‘where", "MC takes SP towards safety, leaving a good friend and tertiary protagonist to", "can be somewhat relieved by a colleague. MC is wounded, leading secondary protagonist", "the Deus Ex Machina flavour that might be present in the TP’s intervention?", "and quite fit, could certainly outflank those who have outflanked the MC and", "safety, leaving a good friend and tertiary protagonist to cover their escape. This", "playing into the plan B of their opponents, as it has been a", "and tertiary protagonist to cover their escape. This escape is revealled by the", "Deus Ex Machina flavour that might be present in the TP’s intervention? I", "secondary protagonist to take a bullet for him. She is gravely injured, MC", "those who have outflanked the MC and SP, evening the odds. This TP", "new member and meeting many of these people herself. How best to minimize", "in the TP’s intervention? I am looking more for a ‘shouldn’t the TP", "as the SP is a new member and meeting many of these people", "of these people herself. How best to minimize the Deus Ex Machina flavour", "somewhat relieved by a colleague. MC is wounded, leading secondary protagonist to take", "colleague. MC is wounded, leading secondary protagonist to take a bullet for him.", "My characters are in a difficult situation that can be somewhat relieved by", "a reaction rather than a reasoned action. MC and SP are in communication", "is introduced about a third of the way in and has a clear", "to introduce characters in a serial fashion, which suits this as the SP", "evening the odds. This TP is introduced about a third of the way", "difficult situation that can be somewhat relieved by a colleague. MC is wounded,", "to cover their escape. This escape is revealled by the SP to be", "has been a reaction rather than a reasoned action. MC and SP are", "outflanked the MC and SP, evening the odds. This TP is introduced about", "of the way in and has a clear relationship (good friend) with the", "outflank those who have outflanked the MC and SP, evening the odds. This", "Ex Machina flavour that might be present in the TP’s intervention? I am", "B of their opponents, as it has been a reaction rather than a", "fit, could certainly outflank those who have outflanked the MC and SP, evening", "This TP is introduced about a third of the way in and has", "be somewhat relieved by a colleague. MC is wounded, leading secondary protagonist to", "introduce characters in a serial fashion, which suits this as the SP is", "MC. I tend to introduce characters in a serial fashion, which suits this", "fashion, which suits this as the SP is a new member and meeting", "who, being uninjured and quite fit, could certainly outflank those who have outflanked", "characters in a serial fashion, which suits this as the SP is a", "SP towards safety, leaving a good friend and tertiary protagonist to cover their", "opponents, as it has been a reaction rather than a reasoned action. MC", "good friend and tertiary protagonist to cover their escape. This escape is revealled", "than a reasoned action. MC and SP are in communication with TP, who,", "could certainly outflank those who have outflanked the MC and SP, evening the", "She is gravely injured, MC takes SP towards safety, leaving a good friend", "friend and tertiary protagonist to cover their escape. This escape is revealled by", "SP are in communication with TP, who, being uninjured and quite fit, could", "in a difficult situation that can be somewhat relieved by a colleague. MC", "for a ‘shouldn’t the TP help?’ thought instead of ‘where did that come", "be present in the TP’s intervention? I am looking more for a ‘shouldn’t", "situation that can be somewhat relieved by a colleague. MC is wounded, leading", "be little more than playing into the plan B of their opponents, as", "a colleague. MC is wounded, leading secondary protagonist to take a bullet for", "that might be present in the TP’s intervention? I am looking more for", "MC and SP, evening the odds. This TP is introduced about a third", "tend to introduce characters in a serial fashion, which suits this as the", "people herself. How best to minimize the Deus Ex Machina flavour that might", "bullet for him. She is gravely injured, MC takes SP towards safety, leaving", "How best to minimize the Deus Ex Machina flavour that might be present", "that can be somewhat relieved by a colleague. MC is wounded, leading secondary", "the way in and has a clear relationship (good friend) with the MC.", "takes SP towards safety, leaving a good friend and tertiary protagonist to cover", "TP, who, being uninjured and quite fit, could certainly outflank those who have", "in communication with TP, who, being uninjured and quite fit, could certainly outflank", "being uninjured and quite fit, could certainly outflank those who have outflanked the", "clear relationship (good friend) with the MC. I tend to introduce characters in", "MC and SP are in communication with TP, who, being uninjured and quite", "a clear relationship (good friend) with the MC. I tend to introduce characters", "TP’s intervention? 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I tend to introduce characters in a serial fashion,", "escape is revealled by the SP to be little more than playing into", "by the SP to be little more than playing into the plan B", "reasoned action. MC and SP are in communication with TP, who, being uninjured", "reaction rather than a reasoned action. MC and SP are in communication with", "present in the TP’s intervention? I am looking more for a ‘shouldn’t the", "wounded, leading secondary protagonist to take a bullet for him. She is gravely", "intervention? I am looking more for a ‘shouldn’t the TP help?’ thought instead", "a bullet for him. She is gravely injured, MC takes SP towards safety,", "for him. She is gravely injured, MC takes SP towards safety, leaving a", "the MC. I tend to introduce characters in a serial fashion, which suits", "flavour that might be present in the TP’s intervention? I am looking more", "gravely injured, MC takes SP towards safety, leaving a good friend and tertiary", "take a bullet for him. 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[ "flowed endlessly below the craft and allowed his mind to sink into a", "experience the thrill of flying across the land at thrilling speeds, without betraying", "the reader to experience the thrill of flying across the land at thrilling", "outside, he watched hypnotic streaks of greenery flowed endlessly below the craft and", "But I'm struggling to keep each \"update\" fresh, or to avoid irritating repetition.", "of flying across the land at thrilling speeds, without betraying the routineness of", "For example, \"Focusing on the muffled whistle of air screaming across the hull", "routineness of it for the pilot. For example, \"Focusing on the muffled whistle", "but to the character, it's \"just a job.\" The obvious phrases like \"he", "a job.\" The obvious phrases like \"he sped\" or \"they raced\" are going", "the character, it's \"just a job.\" The obvious phrases like \"he sped\" or", "betraying the routineness of it for the pilot. For example, \"Focusing on the", "like \"he sped\" or \"they raced\" are going to get old quick in", "to get old quick in this context. I want the reader to experience", "allowed his mind to sink into a sort of lazy trance.\" But I'm", "spends considerable time cruising over various landscapes at speeds exceeding 500 km/h. To", "he watched hypnotic streaks of greenery flowed endlessly below the craft and allowed", "context. I want the reader to experience the thrill of flying across the", "for the pilot. For example, \"Focusing on the muffled whistle of air screaming", "reader to experience the thrill of flying across the land at thrilling speeds,", "his mind to sink into a sort of lazy trance.\" But I'm struggling", "lazy trance.\" But I'm struggling to keep each \"update\" fresh, or to avoid", "Through much of my novel the protagonist spends considerable time cruising over various", "the land at thrilling speeds, without betraying the routineness of it for the", "landscapes at speeds exceeding 500 km/h. To you or me this is significant", "at thrilling speeds, without betraying the routineness of it for the pilot. For", "into a sort of lazy trance.\" But I'm struggling to keep each \"update\"", "To you or me this is significant but to the character, it's \"just", "example, \"Focusing on the muffled whistle of air screaming across the hull outside,", "without betraying the routineness of it for the pilot. For example, \"Focusing on", "at speeds exceeding 500 km/h. To you or me this is significant but", "various landscapes at speeds exceeding 500 km/h. To you or me this is", "to the character, it's \"just a job.\" The obvious phrases like \"he sped\"", "novel the protagonist spends considerable time cruising over various landscapes at speeds exceeding", "the pilot. For example, \"Focusing on the muffled whistle of air screaming across", "screaming across the hull outside, he watched hypnotic streaks of greenery flowed endlessly", "on the muffled whistle of air screaming across the hull outside, he watched", "obvious phrases like \"he sped\" or \"they raced\" are going to get old", "muffled whistle of air screaming across the hull outside, he watched hypnotic streaks", "considerable time cruising over various landscapes at speeds exceeding 500 km/h. To you", "\"just a job.\" The obvious phrases like \"he sped\" or \"they raced\" are", "significant but to the character, it's \"just a job.\" The obvious phrases like", "speeds exceeding 500 km/h. To you or me this is significant but to", "pilot. For example, \"Focusing on the muffled whistle of air screaming across the", "the muffled whistle of air screaming across the hull outside, he watched hypnotic", "you or me this is significant but to the character, it's \"just a", "over various landscapes at speeds exceeding 500 km/h. To you or me this", "across the land at thrilling speeds, without betraying the routineness of it for", "land at thrilling speeds, without betraying the routineness of it for the pilot.", "km/h. To you or me this is significant but to the character, it's", "are going to get old quick in this context. I want the reader", "below the craft and allowed his mind to sink into a sort of", "across the hull outside, he watched hypnotic streaks of greenery flowed endlessly below", "phrases like \"he sped\" or \"they raced\" are going to get old quick", "the craft and allowed his mind to sink into a sort of lazy", "The obvious phrases like \"he sped\" or \"they raced\" are going to get", "craft and allowed his mind to sink into a sort of lazy trance.\"", "\"Focusing on the muffled whistle of air screaming across the hull outside, he", "time cruising over various landscapes at speeds exceeding 500 km/h. To you or", "cruising over various landscapes at speeds exceeding 500 km/h. To you or me", "of it for the pilot. For example, \"Focusing on the muffled whistle of", "whistle of air screaming across the hull outside, he watched hypnotic streaks of", "endlessly below the craft and allowed his mind to sink into a sort", "want the reader to experience the thrill of flying across the land at", "of greenery flowed endlessly below the craft and allowed his mind to sink", "streaks of greenery flowed endlessly below the craft and allowed his mind to", "of lazy trance.\" But I'm struggling to keep each \"update\" fresh, or to", "my novel the protagonist spends considerable time cruising over various landscapes at speeds", "thrill of flying across the land at thrilling speeds, without betraying the routineness", "exceeding 500 km/h. To you or me this is significant but to the", "or me this is significant but to the character, it's \"just a job.\"", "protagonist spends considerable time cruising over various landscapes at speeds exceeding 500 km/h.", "the hull outside, he watched hypnotic streaks of greenery flowed endlessly below the", "sort of lazy trance.\" But I'm struggling to keep each \"update\" fresh, or", "much of my novel the protagonist spends considerable time cruising over various landscapes", "old quick in this context. I want the reader to experience the thrill", "or \"they raced\" are going to get old quick in this context. I", "greenery flowed endlessly below the craft and allowed his mind to sink into", "of my novel the protagonist spends considerable time cruising over various landscapes at", "to experience the thrill of flying across the land at thrilling speeds, without", "this is significant but to the character, it's \"just a job.\" The obvious", "is significant but to the character, it's \"just a job.\" The obvious phrases", "in this context. I want the reader to experience the thrill of flying", "quick in this context. I want the reader to experience the thrill of", "of air screaming across the hull outside, he watched hypnotic streaks of greenery", "trance.\" But I'm struggling to keep each \"update\" fresh, or to avoid irritating", "this context. I want the reader to experience the thrill of flying across", "it's \"just a job.\" The obvious phrases like \"he sped\" or \"they raced\"", "the protagonist spends considerable time cruising over various landscapes at speeds exceeding 500", "raced\" are going to get old quick in this context. I want the", "hull outside, he watched hypnotic streaks of greenery flowed endlessly below the craft", "sped\" or \"they raced\" are going to get old quick in this context.", "get old quick in this context. I want the reader to experience the", "air screaming across the hull outside, he watched hypnotic streaks of greenery flowed", "mind to sink into a sort of lazy trance.\" But I'm struggling to", "hypnotic streaks of greenery flowed endlessly below the craft and allowed his mind", "job.\" The obvious phrases like \"he sped\" or \"they raced\" are going to", "and allowed his mind to sink into a sort of lazy trance.\" But", "watched hypnotic streaks of greenery flowed endlessly below the craft and allowed his", "the routineness of it for the pilot. For example, \"Focusing on the muffled", "thrilling speeds, without betraying the routineness of it for the pilot. For example,", "a sort of lazy trance.\" But I'm struggling to keep each \"update\" fresh,", "\"he sped\" or \"they raced\" are going to get old quick in this", "the thrill of flying across the land at thrilling speeds, without betraying the", "going to get old quick in this context. I want the reader to", "it for the pilot. For example, \"Focusing on the muffled whistle of air", "flying across the land at thrilling speeds, without betraying the routineness of it", "sink into a sort of lazy trance.\" But I'm struggling to keep each", "\"they raced\" are going to get old quick in this context. I want", "character, it's \"just a job.\" The obvious phrases like \"he sped\" or \"they", "me this is significant but to the character, it's \"just a job.\" The", "speeds, without betraying the routineness of it for the pilot. For example, \"Focusing", "to sink into a sort of lazy trance.\" But I'm struggling to keep", "I'm struggling to keep each \"update\" fresh, or to avoid irritating repetition. Thoughts?", "I want the reader to experience the thrill of flying across the land", "500 km/h. To you or me this is significant but to the character," ]
[ "tab. Pleasure.* > Is there any consensus on how to handle such things,", "lines of putting the written bits into their own paragraph after indicating there", "any consensus on how to handle such things, or is what I am", "actually haven't found anything on the subject and I fear it's due to", "to handle such things, or is what I am doing perfectly fine? What", "her NaNoWriMo escapades, I tried myself at actually writing a story set in", "on how to handle such things, or is what I am doing perfectly", "Is there any consensus on how to handle such things, or is what", "only sign of evidence that he had sat there just a minute ago", "new territory, not knowing the proper words & designations for things. I was", "world I'm building. I've found there are certain rules when writing a novel.", "person talks. What I haven't yet found is any rule or consensus on", "I tried myself at actually writing a story set in a world I'm", "stylize notes or book-passages that are being read by a character inside my", "certain rules when writing a novel. E.g. moving to a new paragraph each", "by a character inside my story*. I actually haven't found anything on the", "he had sat there just a minute ago was a note > sitting", "the proper words & designations for things. I was considering doing something along", "a minute ago was a note > sitting on the counter: > >", "time another person talks. What I haven't yet found is any rule or", "something along the lines of putting the written bits into their own paragraph", "I'm building. I've found there are certain rules* when writing a novel. E.g.", "my > tab. Pleasure.* > Is there any consensus on how to handle", "was considering doing something along the lines of putting the written bits into", "considering doing something along the lines of putting the written bits into their", "it gets hairy. Put it on my > tab. Pleasure.* > Is there", "taping into new territory, not knowing the proper words & designations for things.", "along the lines of putting the written bits into their own paragraph after", "set in a world I'm building. I've found there are certain rules when", "a story* set in a world I'm building. I've found there are certain", "E.g. moving to a new paragraph each time another person talks. What I", "into new territory, not knowing the proper words & designations for things. I", "words & designations for things. I was considering doing something along the lines", "I was considering doing something along the lines of putting the written bits", "found there are certain rules when writing a novel. E.g. moving to a", "Curpeht, the chair he had occupied empty. > The only sign of evidence", "& designations for things. I was considering doing something along the lines of", "consensus on how to handle such things, or is what I am doing", "when writing a novel. E.g. moving to a new paragraph each time another", "paragraph each time another person talks. What I haven't yet found is any", "bits into their own paragraph after indicating there being a note, or something", "> There was no Curpeht, the chair he had occupied empty. > The", "the subject and I fear it's due to me taping into new territory,", "I haven't yet found is any rule or consensus on *how to stylize", "actually writing a story* set in a world I'm building. I've found there", "another person talks. What I haven't yet found is any rule or consensus", "during her NaNoWriMo escapades, I tried myself at actually writing a story set", "it's due to me taping into new territory, not knowing the proper words", "> > Decided to leave before it gets hairy. Put it on my", "I fear it's due to me taping into new territory, not knowing the", "of evidence that he had sat there just a minute ago was a", "to leave before it gets hairy. Put it on my > tab. Pleasure.", "> > There was no Curpeht, the chair he had occupied empty. >", "things, or is what I am doing perfectly fine? What are commonly used", "> sitting on the counter: > > Decided to leave before it gets", "it on my > tab. Pleasure. > Is there any consensus on how", "story. I actually haven't found anything on the subject and I fear it's", "a note, or something else. > > There was no Curpeht, the chair", "after indicating there being a note, or something else. > > There was", "note, or something else. > > There was no Curpeht, the chair he", "how to handle such things, or is what I am doing perfectly fine?", "is any rule or consensus on how to stylize notes or book-passages that", "a world I'm building. I've found there are certain rules when writing a", "how to stylize notes or book-passages that are being read by a character", "read by a character inside my story. I actually haven't found anything on", "due to me taping into new territory, not knowing the proper words &", "being a note, or something else. > > There was no Curpeht, the", "of putting the written bits into their own paragraph after indicating there being", "writing a story* set in a world I'm building. I've found there are", "haven't found anything on the subject and I fear it's due to me", "sat there just a minute ago was a note > sitting on the", "course of joining a friend of mine during her NaNoWriMo escapades, I tried", "something else. > > There was no Curpeht, the chair he had occupied", "a novel. E.g. moving to a new paragraph each time another person talks.", "haven't yet found is any rule or consensus on how to stylize notes", "own paragraph after indicating there being a note, or something else. > >", "my story. I actually haven't found anything on the subject and I fear", "at actually writing a story set in a world I'm building. I've found", "putting the written bits into their own paragraph after indicating there being a", "rule or consensus on how to stylize notes or book-passages that are being", "chair he had occupied empty. > The only sign of evidence that he", "of joining a friend of mine during her NaNoWriMo escapades, I tried myself", "moving to a new paragraph each time another person talks. What I haven't", "consensus on how to stylize notes or book-passages that are being read by", "I actually haven't found anything on the subject and I fear it's due", "written bits into their own paragraph after indicating there being a note, or", "else. > > There was no Curpeht, the chair he had occupied empty.", "was no Curpeht, the chair he had occupied empty. > The only sign", "just a minute ago was a note > sitting on the counter: >", "counter: > > Decided to leave before it gets hairy. Put it on", "knowing the proper words & designations for things. I was considering doing something", "each time another person talks. What I haven't yet found is any rule", "note > sitting on the counter: > > Decided to leave before it", "no Curpeht, the chair he had occupied empty. > The only sign of", "What I haven't yet found is any rule or consensus on *how to", "to a new paragraph each time another person talks. What I haven't yet", "NaNoWriMo escapades, I tried myself at actually writing a story* set in a", "or something else. > > There was no Curpeht, the chair he had", "gets hairy. Put it on my > tab. Pleasure.* > Is there any", "to stylize notes or book-passages that are being read by a character inside", "Pleasure.* > Is there any consensus on how to handle such things, or", "are certain rules when writing a novel. E.g. moving to a new paragraph", "anything on the subject and I fear it's due to me taping into", "or consensus on *how to stylize notes or book-passages that are being read", "Put it on my > tab. Pleasure. > Is there any consensus on", "any rule or consensus on *how to stylize notes or book-passages that are", "empty. > The only sign of evidence that he had sat there just", "the chair he had occupied empty. > The only sign of evidence that", "tried myself at actually writing a story* set in a world I'm building.", "not knowing the proper words & designations for things. I was considering doing", "on the subject and I fear it's due to me taping into new", "the written bits into their own paragraph after indicating there being a note,", "are being read by a character inside my story*. I actually haven't found", "minute ago was a note > sitting on the counter: > > Decided", "escapades, I tried myself at actually writing a story set in a world", "on *how to stylize notes or book-passages that are being read by a", "there any consensus on how to handle such things, or is what I", "the counter: > > Decided to leave before it gets hairy. Put it", "a friend of mine during her NaNoWriMo escapades, I tried myself at actually", "occupied empty. > The only sign of evidence that he had sat there", "I've found there are certain rules* when writing a novel. E.g. moving to", "doing something along the lines of putting the written bits into their own", "The only sign of evidence that he had sat there just a minute", "talks. What I haven't yet found is any rule or consensus on *how", "> Decided to leave before it gets hairy. Put it on my >", "found anything on the subject and I fear it's due to me taping", "rules when writing a novel. E.g. moving to a new paragraph each time", "myself at actually writing a story set in a world I'm building. I've", "the lines of putting the written bits into their own paragraph after indicating", "was a note > sitting on the counter: > > Decided to leave", "novel. E.g. moving to a new paragraph each time another person talks. What", "hairy. Put it on my > tab. Pleasure. > Is there any consensus", "fear it's due to me taping into new territory, not knowing the proper", "ago was a note > sitting on the counter: > > Decided to", "into their own paragraph after indicating there being a note, or something else.", "indicating there being a note, or something else. > > There was no", "friend of mine during her NaNoWriMo escapades, I tried myself at actually writing", "things. I was considering doing something along the lines of putting the written", "new paragraph each time another person talks. What I haven't yet found is", "> tab. Pleasure.* > Is there any consensus on how to handle such", "a note > sitting on the counter: > > Decided to leave before", "subject and I fear it's due to me taping into new territory, not", "There was no Curpeht, the chair he had occupied empty. > The only", "their own paragraph after indicating there being a note, or something else. >", "or is what I am doing perfectly fine? What are commonly used alternatives?", "a character inside my story. I actually haven't found anything on the subject", "> Is there any consensus on how to handle such things, or is", "such things, or is what I am doing perfectly fine? What are commonly", "and I fear it's due to me taping into new territory, not knowing", "for things. I was considering doing something along the lines of putting the", "there just a minute ago was a note > sitting on the counter:", "sign of evidence that he had sat there just a minute ago was", "he had occupied empty. > The only sign of evidence that he had", "being read by a character inside my story. I actually haven't found anything", "leave before it gets hairy. Put it on my > tab. Pleasure. >", "territory, not knowing the proper words & designations for things. I was considering", "mine during her NaNoWriMo escapades, I tried myself at actually writing a story", "building. I've found there are certain rules when writing a novel. E.g. moving", "paragraph after indicating there being a note, or something else. > > There", "joining a friend of mine during her NaNoWriMo escapades, I tried myself at", "before it gets hairy. Put it on my > tab. Pleasure.* > Is", "me taping into new territory, not knowing the proper words & designations for", "had occupied empty. > The only sign of evidence that he had sat", "sitting on the counter: > > Decided to leave before it gets hairy.", "designations for things. I was considering doing something along the lines of putting", "there are certain rules* when writing a novel. E.g. moving to a new", "had sat there just a minute ago was a note > sitting on", "handle such things, or is what I am doing perfectly fine? What are", "on my > tab. Pleasure.* > Is there any consensus on how to", "on the counter: > > Decided to leave before it gets hairy. Put", "or book-passages that are being read by a character inside my story. I", "Decided to leave before it gets hairy. Put it on my > tab.", "found is any rule or consensus on *how to stylize notes or book-passages", "story set in a world I'm building. I've found there are certain rules", "proper words & designations for things. I was considering doing something along the", "evidence that he had sat there just a minute ago was a note", "inside my story. I actually haven't found anything on the subject and I", "notes or book-passages that are being read by a character inside my story.", "there being a note, or something else. > > There was no Curpeht,", "in a world I'm building. I've found there are certain rules when writing", "to me taping into new territory, not knowing the proper words & designations", "that he had sat there just a minute ago was a note >", "of mine during her NaNoWriMo escapades, I tried myself at actually writing a", "yet found is any rule or consensus on how to stylize notes or", "character inside my story. I actually haven't found anything on the subject and", "In course of joining a friend of mine during her NaNoWriMo escapades, I", "a new paragraph each time another person talks. What I haven't yet found", "that are being read by a character inside my story. I actually haven't", "> The only sign of evidence that he had sat there just a", "book-passages that are being read by a character inside my story*. I actually", "writing a novel. E.g. moving to a new paragraph each time another person" ]
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A monster is ever-so-slightly scarier if it violates you", "the cliche succubus concept, and includes monsters such as the liderc and the", "seen in myths and fairy tales. This goes beyond the cliche succubus concept,", "traditions. Whether it's warning against sex with loose men or women, or cautioning", "it's warning against sex with loose men or women, or cautioning against the", "tale behind them. These kind of creatures are sometimes used today with various", "shock value or add to the grimdarkiness of a world? Should they be", "pobobawa. Many of these monsters are far more terrifying in origin myths, and", "includes monsters such as the liderc and the pobobawa. Many of these monsters", "with various results. Manga like Berserk or warhammer go out of their way", "you in some way. there have been many of these types of creatures", "or warhammer go out of their way to show the gritty details and", "should these creatures be portrayed? Should they be used to add shock value", "monsters are far more terrifying in origin myths, and a call to remain", "go out of their way to show the gritty details and get very", "many of these types of creatures seen in myths and fairy tales. This", "how should these creatures be portrayed? Should they be used to add shock", "they be used to add shock value or add to the grimdarkiness of", "these monsters are far more terrifying in origin myths, and a call to", "are far more terrifying in origin myths, and a call to remain steadfast", "beyond the cliche succubus concept, and includes monsters such as the liderc and", "to show the gritty details and get very visual. Since sexual assault is", "women, or cautioning against the spread of diseases, there is often a morality", "powerful thing. A monster is ever-so-slightly scarier if it violates you in some", "violates you in some way. there have been many of these types of", "call to remain steadfast in society's values and traditions. Whether it's warning against", "myths, and a call to remain steadfast in society's values and traditions. Whether", "is ever-so-slightly scarier if it violates you in some way. there have been", "the liderc and the pobobawa. Many of these monsters are far more terrifying", "monsters such as the liderc and the pobobawa. Many of these monsters are", "values and traditions. Whether it's warning against sex with loose men or women,", "Whether it's warning against sex with loose men or women, or cautioning against", "these creatures be portrayed? Should they be used to add shock value or", "a serious and sensitive issue in today's world, how should these creatures be", "used today with various results. Manga like Berserk or warhammer go out of", "sensitive issue in today's world, how should these creatures be portrayed? Should they", "there is often a morality tale behind them. These kind of creatures are", "be portrayed? Should they be used to add shock value or add to", "world, how should these creatures be portrayed? Should they be used to add", "warning against sex with loose men or women, or cautioning against the spread", "out of their way to show the gritty details and get very visual.", "or cautioning against the spread of diseases, there is often a morality tale", "of these monsters are far more terrifying in origin myths, and a call", "get very visual. Since sexual assault is a serious and sensitive issue in", "monster is ever-so-slightly scarier if it violates you in some way. there have", "been many of these types of creatures seen in myths and fairy tales.", "Many of these monsters are far more terrifying in origin myths, and a", "add shock value or add to the grimdarkiness of a world? Should they", "like Berserk or warhammer go out of their way to show the gritty", "portrayed? Should they be used to add shock value or add to the", "it violates you in some way. there have been many of these types", "steadfast in society's values and traditions. Whether it's warning against sex with loose", "of creatures seen in myths and fairy tales. This goes beyond the cliche", "and a call to remain steadfast in society's values and traditions. Whether it's", "A monster is ever-so-slightly scarier if it violates you in some way. there", "Berserk or warhammer go out of their way to show the gritty details", "serious and sensitive issue in today's world, how should these creatures be portrayed?", "and the pobobawa. Many of these monsters are far more terrifying in origin", "in today's world, how should these creatures be portrayed? Should they be used", "today's world, how should these creatures be portrayed? Should they be used to", "behind them. These kind of creatures are sometimes used today with various results.", "show the gritty details and get very visual. Since sexual assault is a", "ever-so-slightly scarier if it violates you in some way. there have been many", "and fairy tales. This goes beyond the cliche succubus concept, and includes monsters", "liderc and the pobobawa. Many of these monsters are far more terrifying in", "loose men or women, or cautioning against the spread of diseases, there is", "issue in today's world, how should these creatures be portrayed? Should they be", "be used to add shock value or add to the grimdarkiness of a", "terror is a real and powerful thing. A monster is ever-so-slightly scarier if", "details and get very visual. Since sexual assault is a serious and sensitive", "scarier if it violates you in some way. there have been many of", "value or add to the grimdarkiness of a world? Should they be portrayed", "to add shock value or add to the grimdarkiness of a world? Should", "tales. 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This goes", "there have been many of these types of creatures seen in myths and", "types of creatures seen in myths and fairy tales. This goes beyond the", "and powerful thing. A monster is ever-so-slightly scarier if it violates you in", "way. there have been many of these types of creatures seen in myths", "terrifying in origin myths, and a call to remain steadfast in society's values", "is a serious and sensitive issue in today's world, how should these creatures", "Manga like Berserk or warhammer go out of their way to show the", "these types of creatures seen in myths and fairy tales. This goes beyond", "creatures seen in myths and fairy tales. This goes beyond the cliche succubus", "add to the grimdarkiness of a world? Should they be portrayed differently ?", "Since sexual assault is a serious and sensitive issue in today's world, how", "visual. Since sexual assault is a serious and sensitive issue in today's world,", "the gritty details and get very visual. 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These kind of creatures are sometimes", "have been many of these types of creatures seen in myths and fairy", "society's values and traditions. Whether it's warning against sex with loose men or", "These kind of creatures are sometimes used today with various results. Manga like", "are sometimes used today with various results. Manga like Berserk or warhammer go", "and get very visual. Since sexual assault is a serious and sensitive issue", "cliche succubus concept, and includes monsters such as the liderc and the pobobawa.", "of diseases, there is often a morality tale behind them. These kind of", "the pobobawa. Many of these monsters are far more terrifying in origin myths,", "concept, and includes monsters such as the liderc and the pobobawa. Many of", "thing. A monster is ever-so-slightly scarier if it violates you in some way.", "myths and fairy tales. This goes beyond the cliche succubus concept, and includes", "creatures be portrayed? Should they be used to add shock value or add", "far more terrifying in origin myths, and a call to remain steadfast in", "often a morality tale behind them. These kind of creatures are sometimes used", "succubus concept, and includes monsters such as the liderc and the pobobawa. Many", "very visual. Since sexual assault is a serious and sensitive issue in today's", "a real and powerful thing. A monster is ever-so-slightly scarier if it violates", "and sensitive issue in today's world, how should these creatures be portrayed? Should", "various results. Manga like Berserk or warhammer go out of their way to", "of creatures are sometimes used today with various results. Manga like Berserk or", "fairy tales. This goes beyond the cliche succubus concept, and includes monsters such", "used to add shock value or add to the grimdarkiness of a world?", "a morality tale behind them. 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Manga like Berserk or warhammer go out" ]