Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "much of can be introduced at the beginning without making it boring? How", "many pages of setting up a universe is too much given the fact", "can be introduced at the beginning without making it boring? How many pages", "How much of can be introduced at the beginning without making it boring?", "of this at the beginning? How much of can be introduced at the", "rules, technology, government rules, is it okay to introduce and explain all of", "locations, magic rules, technology, government rules, is it okay to introduce and explain", "at the beginning? How much of can be introduced at the beginning without", "introduce and explain all of this at the beginning? How much of can", "and explain all of this at the beginning? How much of can be", "I have a big universe that I need to set up, with lots", "magic rules, technology, government rules, is it okay to introduce and explain all", "set up, with lots of characters, lots of locations, magic rules, technology, government", "pages of setting up a universe is too much given the fact that", "the fact that it is pretty complex and lots of things need to", "need to set up, with lots of characters, lots of locations, magic rules,", "universe is too much given the fact that it is pretty complex and", "fact that it is pretty complex and lots of things need to be", "to introduce and explain all of this at the beginning? How much of", "How many pages of setting up a universe is too much given the", "explain all of this at the beginning? How much of can be introduced", "of can be introduced at the beginning without making it boring? How many", "boring? How many pages of setting up a universe is too much given", "the beginning without making it boring? How many pages of setting up a", "of setting up a universe is too much given the fact that it", "up, with lots of characters, lots of locations, magic rules, technology, government rules,", "If I have a big universe that I need to set up, with", "government rules, is it okay to introduce and explain all of this at", "a big universe that I need to set up, with lots of characters,", "introduced at the beginning without making it boring? How many pages of setting", "I need to set up, with lots of characters, lots of locations, magic", "it okay to introduce and explain all of this at the beginning? How", "universe that I need to set up, with lots of characters, lots of", "be introduced at the beginning without making it boring? How many pages of", "beginning without making it boring? How many pages of setting up a universe", "a universe is too much given the fact that it is pretty complex", "up a universe is too much given the fact that it is pretty", "with lots of characters, lots of locations, magic rules, technology, government rules, is", "too much given the fact that it is pretty complex and lots of", "of locations, magic rules, technology, government rules, is it okay to introduce and", "rules, is it okay to introduce and explain all of this at the", "it boring? How many pages of setting up a universe is too much", "is too much given the fact that it is pretty complex and lots", "to set up, with lots of characters, lots of locations, magic rules, technology,", "without making it boring? How many pages of setting up a universe is", "characters, lots of locations, magic rules, technology, government rules, is it okay to", "technology, government rules, is it okay to introduce and explain all of this", "much given the fact that it is pretty complex and lots of things", "this at the beginning? How much of can be introduced at the beginning", "at the beginning without making it boring? How many pages of setting up", "of characters, lots of locations, magic rules, technology, government rules, is it okay", "lots of locations, magic rules, technology, government rules, is it okay to introduce", "okay to introduce and explain all of this at the beginning? How much", "setting up a universe is too much given the fact that it is", "all of this at the beginning? How much of can be introduced at", "given the fact that it is pretty complex and lots of things need", "lots of characters, lots of locations, magic rules, technology, government rules, is it", "that it is pretty complex and lots of things need to be explained?", "big universe that I need to set up, with lots of characters, lots", "is it okay to introduce and explain all of this at the beginning?", "the beginning? How much of can be introduced at the beginning without making", "making it boring? How many pages of setting up a universe is too", "beginning? How much of can be introduced at the beginning without making it", "that I need to set up, with lots of characters, lots of locations,", "have a big universe that I need to set up, with lots of" ]
[ "my book I've made up a card game where I've already thought out", "are: 1. Should the reader know the rules? 2. If I want to", "game. My questions are: 1. Should the reader know the rules? 2. If", "the reader know the rules? 2. If I want to explain these rules,", "characters playing this game. My questions are: 1. Should the reader know the", "I want some of the characters playing this game. My questions are: 1.", "reader know the rules? 2. If I want to explain these rules, where", "1. Should the reader know the rules? 2. If I want to explain", "the rules? 2. If I want to explain these rules, where is better", "do so, within the story or in some kind of Appendix at the", "story or in some kind of Appendix at the end of the book?", "a card game where I've already thought out the rules. Now I want", "some of the characters playing this game. My questions are: 1. Should the", "the rules. Now I want some of the characters playing this game. My", "know the rules? 2. If I want to explain these rules, where is", "game where I've already thought out the rules. Now I want some of", "this game. My questions are: 1. Should the reader know the rules? 2.", "thought out the rules. Now I want some of the characters playing this", "rules. Now I want some of the characters playing this game. My questions", "rules, where is better to do so, within the story or in some", "the characters playing this game. My questions are: 1. Should the reader know", "want to explain these rules, where is better to do so, within the", "card game where I've already thought out the rules. Now I want some", "If I want to explain these rules, where is better to do so,", "I've already thought out the rules. Now I want some of the characters", "already thought out the rules. Now I want some of the characters playing", "made up a card game where I've already thought out the rules. Now", "Now I want some of the characters playing this game. My questions are:", "I've made up a card game where I've already thought out the rules.", "these rules, where is better to do so, within the story or in", "within the story or in some kind of Appendix at the end of", "rules? 2. If I want to explain these rules, where is better to", "where I've already thought out the rules. Now I want some of the", "explain these rules, where is better to do so, within the story or", "to do so, within the story or in some kind of Appendix at", "questions are: 1. Should the reader know the rules? 2. If I want", "better to do so, within the story or in some kind of Appendix", "want some of the characters playing this game. My questions are: 1. Should", "the story or in some kind of Appendix at the end of the", "I want to explain these rules, where is better to do so, within", "to explain these rules, where is better to do so, within the story", "In my book I've made up a card game where I've already thought", "out the rules. Now I want some of the characters playing this game.", "of the characters playing this game. My questions are: 1. Should the reader", "up a card game where I've already thought out the rules. Now I", "My questions are: 1. Should the reader know the rules? 2. If I", "playing this game. My questions are: 1. Should the reader know the rules?", "2. If I want to explain these rules, where is better to do", "where is better to do so, within the story or in some kind", "is better to do so, within the story or in some kind of", "Should the reader know the rules? 2. If I want to explain these", "so, within the story or in some kind of Appendix at the end", "book I've made up a card game where I've already thought out the" ]
[ "all of them in the short span of the query letter, I've decided", "somehow be worked into the plot. Edit: I guess I should have cleared", "request the first chapter. Should I rewrite my second chapter (featuring the antagonist's", "only learn to act as a group at the very end by opposing", "and eliminate him/her without losing something crucial to understanding the story. However, I'm", "A and triggers the events in the book. Chapter 2 focuses on character", "mention in the letter that there are multiple POVs united in theme. This,", "from the antagonist's POV. The first chapter is more of a short, 450-words", "I can't talk about all of them in the short span of the", "way, even if it can somehow be worked into the plot. Edit: I", "happening in the first chapter. There are some agents I've stumbled upon who", "the antagonist's POV and how he plots the entire action that will further", "leads me to two issues. 1) Right now I've written a synopsis of", "book follows a pretty strict internal logic where each chapter is from a", "in the minds of the other characters. Of course, I'll still mention in", "automatically expect the first chapter to be from the antagonist's POV? And since", "the short span of the query letter, I've decided to focus on the", "have a difficult time remembering who is who. Is there an efficient way", "into the plot. Edit: I guess I should have cleared some things and", "the other six characters as \"the group\", for space constraints), and I do", "victim of a murder mystery dying on the first page, but with a", "that triggers the main plot (kind of like the victim of a murder", "clarity than merely mentioned. My reworked questions are these: 1) Would seven mentioned", "book because of what happened in chapter 1. I could take out chapter", "ever-present in the minds of the other characters. Of course, I'll still mention", "on the antagonist (and lump the other six characters as \"the group\", for", "would an agent automatically expect the first chapter to be from the antagonist's", "stumbled upon who only request the first chapter. Should I rewrite my second", "Edit: I guess I should have cleared some things and reworded my questions", "be lost that way, even if it can somehow be worked into the", "character's POV. Chapter 1 focuses on character A and triggers the events in", "(much shorter) query letter I focus on the antagonist (and lump the other", "and I do mention it's an ensemble cast, would an agent automatically expect", "focuses on character B (the antagonist) who decided to hurry the entire plot", "characters. Since I can't talk about all of them in the short span", "from the book's voice/atmosphere/theme/understanding of the first chapter's POV character will be lost", "2, but I'd rather have it shown for clarity than merely mentioned. My", "agent automatically expect the first chapter to be from the antagonist's POV? And", "written a synopsis of almost 600 words where all the characters appear. The", "other characters. Of course, I'll still mention in the letter that there are", "POV character will be lost that way, even if it can somehow be", "however, leads me to two issues. 1) Right now I've written a synopsis", "who is who. Is there an efficient way to make the agent care", "1. I could take out chapter 1 since I already mention the event", "something crucial to understanding the story. However, I'm afraid the agent reading the", "character in such a short span? Or should I do the same for", "of the query letter, I've decided to focus on the antagonist. He's the", "way to make the agent care about each character in such a short", "constraints), and I do mention it's an ensemble cast, would an agent automatically", "I can't really pick one out and eliminate him/her without losing something crucial", "could take out chapter 1 since I already mention the event in chapter", "on character A and triggers the events in the book. Chapter 2 focuses", "others as the group opposing him? Thing is, they only learn to act", "is not from the antagonist's POV. The first chapter is more of a", "to track? Is there another way to avoid this confusion other than simply", "to two issues. 1) Right now I've written a synopsis of almost 600", "first two chapters. My book follows a pretty strict internal logic where each", "Is there an efficient way to make the agent care about each character", "seven characters. Since I can't talk about all of them in the short", "1 focuses on character A and triggers the events in the book. Chapter", "despite appearing the least, he's ever-present in the minds of the other characters.", "short, 450-words event that triggers the main plot (kind of like the victim", "lost that way, even if it can somehow be worked into the plot.", "something from the book's voice/atmosphere/theme/understanding of the first chapter's POV character will be", "character B (the antagonist) who decided to hurry the entire plot of the", "POV. The first chapter is more of a short, 450-words event that triggers", "from the antagonist's POV and how he plots the entire action that will", "I rewrite my second chapter (featuring the antagonist's POV) as the first one?", "eliminate him/her without losing something crucial to understanding the story. However, I'm afraid", "POV and how he plots the entire action that will further occur in", "I already mention the event in chapter 2, but I'd rather have it", "same for the synopsis - focus on the antagonist and mention the others", "will have a difficult time remembering who is who. Is there an efficient", "to make the agent care about each character in such a short span?", "Of course, I'll still mention in the letter that there are multiple POVs", "is more of a short, 450-words event that triggers the main plot (kind", "it's an ensemble cast, would an agent automatically expect the first chapter to", "now I've written a synopsis of almost 600 words where all the characters", "some things and reworded my questions better. I can't combine the first two", "my second chapter (featuring the antagonist's POV) as the first one? I feel", "time remembering who is who. Is there an efficient way to make the", "difficult to track? Is there another way to avoid this confusion other than", "chapter (featuring the antagonist's POV) as the first one? I feel like something", "span of the query letter, I've decided to focus on the antagonist. He's", "story. However, I'm afraid the agent reading the synopsis will have a difficult", "other six characters as \"the group\", for space constraints), and I do mention", "be from the antagonist's POV? And since it isn't, would that be an", "logic where each chapter is from a different character's POV. Chapter 1 focuses", "the first chapter. There are some agents I've stumbled upon who only request", "a different character's POV. Chapter 1 focuses on character A and triggers the", "focuses on character A and triggers the events in the book. Chapter 2", "murder mystery dying on the first page, but with a slight twist). The", "chapter 1 since I already mention the event in chapter 2, but I'd", "for clarity than merely mentioned. My reworked questions are these: 1) Would seven", "what happened in chapter 1. I could take out chapter 1 since I", "mention the event in chapter 2, but I'd rather have it shown for", "track? Is there another way to avoid this confusion other than simply labeling", "in my (much shorter) query letter I focus on the antagonist (and lump", "second chapter (featuring the antagonist's POV) as the first one? I feel like", "the characters appear. The other six all influence the main plot and I", "I'll still mention in the letter that there are multiple POVs united in", "inside interwoven alliances. 2) My very first chapter is not from the antagonist's", "There are some agents I've stumbled upon who only request the first chapter.", "one? I feel like something from the book's voice/atmosphere/theme/understanding of the first chapter's", "but I'd rather have it shown for clarity than merely mentioned. My reworked", "some of them as \"the group\"? 2) Since in my (much shorter) query", "that, each does his/her own thing inside interwoven alliances. 2) My very first", "first chapter is not from the antagonist's POV. The first chapter is more", "space constraints), and I do mention it's an ensemble cast, would an agent", "event that triggers the main plot (kind of like the victim of a", "only request the first chapter. Should I rewrite my second chapter (featuring the", "issues. 1) Right now I've written a synopsis of almost 600 words where", "care about each character in such a short span? Or should I do", "group\", for space constraints), and I do mention it's an ensemble cast, would", "since I already mention the event in chapter 2, but I'd rather have", "the book because of what happened in chapter 1. I could take out", "very end by opposing the antagonist... before that, each does his/her own thing", "Since in my (much shorter) query letter I focus on the antagonist (and", "antagonist's POV. The first chapter is more of a short, 450-words event that", "\"the group\", for space constraints), and I do mention it's an ensemble cast,", "in the first chapter. There are some agents I've stumbled upon who only", "in the book. It references the event happening in the first chapter. There", "antagonist's POV and how he plots the entire action that will further occur", "two issues. 1) Right now I've written a synopsis of almost 600 words", "feel like something from the book's voice/atmosphere/theme/understanding of the first chapter's POV character", "cast of seven characters. Since I can't talk about all of them in", "in the short span of the query letter, I've decided to focus on", "the first page, but with a slight twist). The second chapter is from", "is from the antagonist's POV and how he plots the entire action that", "(and lump the other six characters as \"the group\", for space constraints), and", "the first chapter to be from the antagonist's POV? And since it isn't,", "and despite appearing the least, he's ever-present in the minds of the other", "group opposing him? Thing is, they only learn to act as a group", "antagonist) who decided to hurry the entire plot of the book because of", "because of what happened in chapter 1. I could take out chapter 1", "a synopsis be too much/too difficult to track? Is there another way to", "the same for the synopsis - focus on the antagonist and mention the", "happened in chapter 1. I could take out chapter 1 since I already", "Would seven mentioned characters in a synopsis be too much/too difficult to track?", "about each character in such a short span? Or should I do the", "of a murder mystery dying on the first page, but with a slight", "avoid this confusion other than simply labeling some of them as \"the group\"?", "chapter is from the antagonist's POV and how he plots the entire action", "on the first page, but with a slight twist). The second chapter is", "a slight twist). The second chapter is from the antagonist's POV and how", "pick one out and eliminate him/her without losing something crucial to understanding the", "My book follows a pretty strict internal logic where each chapter is from", "main plot (kind of like the victim of a murder mystery dying on", "does his/her own thing inside interwoven alliances. 2) My very first chapter is", "and triggers the events in the book. Chapter 2 focuses on character B", "united in theme. This, however, leads me to two issues. 1) Right now", "least, he's ever-present in the minds of the other characters. Of course, I'll", "The other six all influence the main plot and I can't really pick", "occur in the book. It references the event happening in the first chapter.", "better. I can't combine the first two chapters. My book follows a pretty", "a short span? Or should I do the same for the synopsis -", "The second chapter is from the antagonist's POV and how he plots the", "cleared some things and reworded my questions better. I can't combine the first", "the first two chapters. My book follows a pretty strict internal logic where", "do the same for the synopsis - focus on the antagonist and mention", "the first chapter. Should I rewrite my second chapter (featuring the antagonist's POV)", "the event happening in the first chapter. There are some agents I've stumbled", "in such a short span? Or should I do the same for the", "the antagonist's POV. The first chapter is more of a short, 450-words event", "other than simply labeling some of them as \"the group\"? 2) Since in", "end by opposing the antagonist... before that, each does his/her own thing inside", "plot of the book because of what happened in chapter 1. I could", "remembering who is who. Is there an efficient way to make the agent", "an agent automatically expect the first chapter to be from the antagonist's POV?", "follows a pretty strict internal logic where each chapter is from a different", "with a slight twist). The second chapter is from the antagonist's POV and", "upon who only request the first chapter. Should I rewrite my second chapter", "have it shown for clarity than merely mentioned. My reworked questions are these:", "make the agent care about each character in such a short span? Or", "the first one? I feel like something from the book's voice/atmosphere/theme/understanding of the", "mentioned characters in a synopsis be too much/too difficult to track? Is there", "first chapter. There are some agents I've stumbled upon who only request the", "in the letter that there are multiple POVs united in theme. This, however,", "not from the antagonist's POV. The first chapter is more of a short,", "other six all influence the main plot and I can't really pick one", "It references the event happening in the first chapter. There are some agents", "opposing him? Thing is, they only learn to act as a group at", "and how he plots the entire action that will further occur in the", "if it can somehow be worked into the plot. Edit: I guess I", "600 words where all the characters appear. The other six all influence the", "an efficient way to make the agent care about each character in such", "how he plots the entire action that will further occur in the book.", "are multiple POVs united in theme. This, however, leads me to two issues.", "such a short span? Or should I do the same for the synopsis", "about all of them in the short span of the query letter, I've", "(the antagonist) who decided to hurry the entire plot of the book because", "he plots the entire action that will further occur in the book. It", "before that, each does his/her own thing inside interwoven alliances. 2) My very", "My mystery novel features an ensemble cast of seven characters. Since I can't", "than simply labeling some of them as \"the group\"? 2) Since in my", "first chapter to be from the antagonist's POV? And since it isn't, would", "chapter 2, but I'd rather have it shown for clarity than merely mentioned.", "even if it can somehow be worked into the plot. Edit: I guess", "1) Right now I've written a synopsis of almost 600 words where all", "there are multiple POVs united in theme. This, however, leads me to two", "I can't combine the first two chapters. My book follows a pretty strict", "an ensemble cast, would an agent automatically expect the first chapter to be", "seven mentioned characters in a synopsis be too much/too difficult to track? Is", "query letter, I've decided to focus on the antagonist. He's the main driving", "one out and eliminate him/her without losing something crucial to understanding the story.", "him/her without losing something crucial to understanding the story. However, I'm afraid the", "a group at the very end by opposing the antagonist... before that, each", "have cleared some things and reworded my questions better. I can't combine the", "- focus on the antagonist and mention the others as the group opposing", "Since I can't talk about all of them in the short span of", "course, I'll still mention in the letter that there are multiple POVs united", "each chapter is from a different character's POV. Chapter 1 focuses on character", "However, I'm afraid the agent reading the synopsis will have a difficult time", "synopsis - focus on the antagonist and mention the others as the group", "than merely mentioned. My reworked questions are these: 1) Would seven mentioned characters", "in a synopsis be too much/too difficult to track? Is there another way", "the events in the book. Chapter 2 focuses on character B (the antagonist)", "book. Chapter 2 focuses on character B (the antagonist) who decided to hurry", "is from a different character's POV. Chapter 1 focuses on character A and", "agent reading the synopsis will have a difficult time remembering who is who.", "the very end by opposing the antagonist... before that, each does his/her own", "event in chapter 2, but I'd rather have it shown for clarity than", "confusion other than simply labeling some of them as \"the group\"? 2) Since", "the agent reading the synopsis will have a difficult time remembering who is", "the antagonist's POV? And since it isn't, would that be an instant rejection?", "letter, I've decided to focus on the antagonist. He's the main driving force", "it shown for clarity than merely mentioned. My reworked questions are these: 1)", "agents I've stumbled upon who only request the first chapter. Should I rewrite", "from a different character's POV. Chapter 1 focuses on character A and triggers", "decided to focus on the antagonist. He's the main driving force behind the", "talk about all of them in the short span of the query letter,", "short span? Or should I do the same for the synopsis - focus", "merely mentioned. My reworked questions are these: 1) Would seven mentioned characters in", "on the antagonist and mention the others as the group opposing him? Thing", "rewrite my second chapter (featuring the antagonist's POV) as the first one? I", "of the other characters. Of course, I'll still mention in the letter that", "him? Thing is, they only learn to act as a group at the", "almost 600 words where all the characters appear. The other six all influence", "to focus on the antagonist. He's the main driving force behind the plot", "for the synopsis - focus on the antagonist and mention the others as", "query letter I focus on the antagonist (and lump the other six characters", "Thing is, they only learn to act as a group at the very", "features an ensemble cast of seven characters. Since I can't talk about all", "out and eliminate him/her without losing something crucial to understanding the story. However,", "a pretty strict internal logic where each chapter is from a different character's", "each character in such a short span? Or should I do the same", "ensemble cast, would an agent automatically expect the first chapter to be from", "shown for clarity than merely mentioned. My reworked questions are these: 1) Would", "chapter is more of a short, 450-words event that triggers the main plot", "the antagonist... before that, each does his/her own thing inside interwoven alliances. 2)", "POV) as the first one? I feel like something from the book's voice/atmosphere/theme/understanding", "second chapter is from the antagonist's POV and how he plots the entire", "will further occur in the book. It references the event happening in the", "is, they only learn to act as a group at the very end", "the antagonist's POV) as the first one? I feel like something from the", "is who. Is there an efficient way to make the agent care about", "short span of the query letter, I've decided to focus on the antagonist.", "(kind of like the victim of a murder mystery dying on the first", "from the antagonist's POV? And since it isn't, would that be an instant", "be worked into the plot. Edit: I guess I should have cleared some", "guess I should have cleared some things and reworded my questions better. I", "group\"? 2) Since in my (much shorter) query letter I focus on the", "to be from the antagonist's POV? And since it isn't, would that be", "plot. Edit: I guess I should have cleared some things and reworded my", "antagonist. He's the main driving force behind the plot and despite appearing the", "triggers the events in the book. Chapter 2 focuses on character B (the", "to understanding the story. However, I'm afraid the agent reading the synopsis will", "like the victim of a murder mystery dying on the first page, but", "chapter. There are some agents I've stumbled upon who only request the first", "in chapter 1. I could take out chapter 1 since I already mention", "the other characters. Of course, I'll still mention in the letter that there", "events in the book. Chapter 2 focuses on character B (the antagonist) who", "the letter that there are multiple POVs united in theme. This, however, leads", "the antagonist and mention the others as the group opposing him? Thing is,", "on character B (the antagonist) who decided to hurry the entire plot of", "ensemble cast of seven characters. Since I can't talk about all of them", "I'm afraid the agent reading the synopsis will have a difficult time remembering", "of almost 600 words where all the characters appear. The other six all", "act as a group at the very end by opposing the antagonist... before", "on the antagonist. He's the main driving force behind the plot and despite", "lump the other six characters as \"the group\", for space constraints), and I", "POVs united in theme. This, however, leads me to two issues. 1) Right", "plot and I can't really pick one out and eliminate him/her without losing", "of a short, 450-words event that triggers the main plot (kind of like", "losing something crucial to understanding the story. However, I'm afraid the agent reading", "My very first chapter is not from the antagonist's POV. The first chapter", "main driving force behind the plot and despite appearing the least, he's ever-present", "mystery dying on the first page, but with a slight twist). The second", "\"the group\"? 2) Since in my (much shorter) query letter I focus on", "the entire action that will further occur in the book. 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I can't", "are some agents I've stumbled upon who only request the first chapter. Should", "group at the very end by opposing the antagonist... before that, each does", "plot (kind of like the victim of a murder mystery dying on the", "reworked questions are these: 1) Would seven mentioned characters in a synopsis be", "a difficult time remembering who is who. Is there an efficient way to", "as \"the group\"? 2) Since in my (much shorter) query letter I focus", "combine the first two chapters. My book follows a pretty strict internal logic", "synopsis be too much/too difficult to track? Is there another way to avoid", "of seven characters. Since I can't talk about all of them in the", "internal logic where each chapter is from a different character's POV. Chapter 1", "but with a slight twist). The second chapter is from the antagonist's POV", "the main driving force behind the plot and despite appearing the least, he's", "out chapter 1 since I already mention the event in chapter 2, but", "much/too difficult to track? Is there another way to avoid this confusion other", "voice/atmosphere/theme/understanding of the first chapter's POV character will be lost that way, even", "mention it's an ensemble cast, would an agent automatically expect the first chapter", "event happening in the first chapter. There are some agents I've stumbled upon", "the least, he's ever-present in the minds of the other characters. Of course,", "antagonist (and lump the other six characters as \"the group\", for space constraints),", "where all the characters appear. The other six all influence the main plot", "thing inside interwoven alliances. 2) My very first chapter is not from the", "the story. However, I'm afraid the agent reading the synopsis will have a", "alliances. 2) My very first chapter is not from the antagonist's POV. The", "of what happened in chapter 1. I could take out chapter 1 since", "chapter to be from the antagonist's POV? And since it isn't, would that", "different character's POV. Chapter 1 focuses on character A and triggers the events", "first chapter is more of a short, 450-words event that triggers the main", "at the very end by opposing the antagonist... before that, each does his/her", "my (much shorter) query letter I focus on the antagonist (and lump the", "strict internal logic where each chapter is from a different character's POV. Chapter", "focus on the antagonist and mention the others as the group opposing him?", "first one? I feel like something from the book's voice/atmosphere/theme/understanding of the first", "as a group at the very end by opposing the antagonist... before that,", "as the first one? I feel like something from the book's voice/atmosphere/theme/understanding of", "triggers the main plot (kind of like the victim of a murder mystery", "still mention in the letter that there are multiple POVs united in theme.", "my questions better. I can't combine the first two chapters. My book follows", "two chapters. My book follows a pretty strict internal logic where each chapter", "chapter's POV character will be lost that way, even if it can somehow", "first chapter. Should I rewrite my second chapter (featuring the antagonist's POV) as", "will be lost that way, even if it can somehow be worked into", "2 focuses on character B (the antagonist) who decided to hurry the entire", "the synopsis will have a difficult time remembering who is who. Is there", "chapter is not from the antagonist's POV. The first chapter is more of", "labeling some of them as \"the group\"? 2) Since in my (much shorter)", "already mention the event in chapter 2, but I'd rather have it shown", "action that will further occur in the book. It references the event happening", "who only request the first chapter. Should I rewrite my second chapter (featuring", "2) Since in my (much shorter) query letter I focus on the antagonist", "Is there another way to avoid this confusion other than simply labeling some", "them as \"the group\"? 2) Since in my (much shorter) query letter I", "questions are these: 1) Would seven mentioned characters in a synopsis be too", "letter that there are multiple POVs united in theme. This, however, leads me", "POV. Chapter 1 focuses on character A and triggers the events in the", "chapter 1. I could take out chapter 1 since I already mention the", "the query letter, I've decided to focus on the antagonist. He's the main", "another way to avoid this confusion other than simply labeling some of them", "This, however, leads me to two issues. 1) Right now I've written a", "all the characters appear. The other six all influence the main plot and", "it can somehow be worked into the plot. Edit: I guess I should", "focus on the antagonist. He's the main driving force behind the plot and", "letter I focus on the antagonist (and lump the other six characters as", "decided to hurry the entire plot of the book because of what happened", "of the book because of what happened in chapter 1. I could take", "first chapter's POV character will be lost that way, even if it can", "slight twist). The second chapter is from the antagonist's POV and how he", "I've stumbled upon who only request the first chapter. Should I rewrite my", "Should I rewrite my second chapter (featuring the antagonist's POV) as the first", "theme. This, however, leads me to two issues. 1) Right now I've written", "should have cleared some things and reworded my questions better. I can't combine", "novel features an ensemble cast of seven characters. Since I can't talk about", "words where all the characters appear. The other six all influence the main", "learn to act as a group at the very end by opposing the", "My reworked questions are these: 1) Would seven mentioned characters in a synopsis", "that will further occur in the book. It references the event happening in", "six all influence the main plot and I can't really pick one out", "like something from the book's voice/atmosphere/theme/understanding of the first chapter's POV character will", "1 since I already mention the event in chapter 2, but I'd rather", "in chapter 2, but I'd rather have it shown for clarity than merely", "to avoid this confusion other than simply labeling some of them as \"the", "further occur in the book. It references the event happening in the first", "in theme. This, however, leads me to two issues. 1) Right now I've", "an ensemble cast of seven characters. Since I can't talk about all of", "chapter. Should I rewrite my second chapter (featuring the antagonist's POV) as the", "a short, 450-words event that triggers the main plot (kind of like the", "focus on the antagonist (and lump the other six characters as \"the group\",", "multiple POVs united in theme. This, however, leads me to two issues. 1)", "Or should I do the same for the synopsis - focus on the", "The first chapter is more of a short, 450-words event that triggers the", "chapter is from a different character's POV. Chapter 1 focuses on character A", "to hurry the entire plot of the book because of what happened in", "these: 1) Would seven mentioned characters in a synopsis be too much/too difficult", "I do mention it's an ensemble cast, would an agent automatically expect the", "450-words event that triggers the main plot (kind of like the victim of", "mentioned. My reworked questions are these: 1) Would seven mentioned characters in a", "the others as the group opposing him? Thing is, they only learn to", "antagonist... before that, each does his/her own thing inside interwoven alliances. 2) My", "opposing the antagonist... before that, each does his/her own thing inside interwoven alliances.", "of them in the short span of the query letter, I've decided to", "characters in a synopsis be too much/too difficult to track? Is there another", "too much/too difficult to track? Is there another way to avoid this confusion", "by opposing the antagonist... before that, each does his/her own thing inside interwoven", "some agents I've stumbled upon who only request the first chapter. Should I", "own thing inside interwoven alliances. 2) My very first chapter is not from", "questions better. I can't combine the first two chapters. My book follows a", "appearing the least, he's ever-present in the minds of the other characters. Of", "the entire plot of the book because of what happened in chapter 1.", "be too much/too difficult to track? Is there another way to avoid this", "six characters as \"the group\", for space constraints), and I do mention it's", "the agent care about each character in such a short span? Or should", "efficient way to make the agent care about each character in such a", "the synopsis - focus on the antagonist and mention the others as the", "characters. Of course, I'll still mention in the letter that there are multiple", "the antagonist (and lump the other six characters as \"the group\", for space", "the first chapter's POV character will be lost that way, even if it", "1) Would seven mentioned characters in a synopsis be too much/too difficult to", "this confusion other than simply labeling some of them as \"the group\"? 2)", "B (the antagonist) who decided to hurry the entire plot of the book", "entire plot of the book because of what happened in chapter 1. I", "the main plot (kind of like the victim of a murder mystery dying", "each does his/her own thing inside interwoven alliances. 2) My very first chapter", "do mention it's an ensemble cast, would an agent automatically expect the first", "the plot and despite appearing the least, he's ever-present in the minds of", "Chapter 1 focuses on character A and triggers the events in the book.", "I do the same for the synopsis - focus on the antagonist and", "rather have it shown for clarity than merely mentioned. My reworked questions are", "for space constraints), and I do mention it's an ensemble cast, would an", "I could take out chapter 1 since I already mention the event in", "influence the main plot and I can't really pick one out and eliminate", "book. It references the event happening in the first chapter. There are some", "the book's voice/atmosphere/theme/understanding of the first chapter's POV character will be lost that", "expect the first chapter to be from the antagonist's POV? And since it", "mention the others as the group opposing him? Thing is, they only learn", "antagonist and mention the others as the group opposing him? Thing is, they", "first page, but with a slight twist). The second chapter is from the", "understanding the story. However, I'm afraid the agent reading the synopsis will have", "minds of the other characters. Of course, I'll still mention in the letter", "twist). The second chapter is from the antagonist's POV and how he plots", "character A and triggers the events in the book. Chapter 2 focuses on", "reading the synopsis will have a difficult time remembering who is who. Is", "the book. It references the event happening in the first chapter. There are", "2) My very first chapter is not from the antagonist's POV. The first", "antagonist's POV) as the first one? I feel like something from the book's", "the event in chapter 2, but I'd rather have it shown for clarity", "things and reworded my questions better. I can't combine the first two chapters.", "plots the entire action that will further occur in the book. It references", "I guess I should have cleared some things and reworded my questions better.", "they only learn to act as a group at the very end by", "interwoven alliances. 2) My very first chapter is not from the antagonist's POV.", "agent care about each character in such a short span? Or should I", "them in the short span of the query letter, I've decided to focus", "of like the victim of a murder mystery dying on the first page,", "very first chapter is not from the antagonist's POV. The first chapter is", "synopsis will have a difficult time remembering who is who. Is there an", "who. Is there an efficient way to make the agent care about each", "I've written a synopsis of almost 600 words where all the characters appear.", "can't combine the first two chapters. My book follows a pretty strict internal", "force behind the plot and despite appearing the least, he's ever-present in the", "crucial to understanding the story. However, I'm afraid the agent reading the synopsis", "and reworded my questions better. I can't combine the first two chapters. My", "mystery novel features an ensemble cast of seven characters. Since I can't talk", "a murder mystery dying on the first page, but with a slight twist).", "the minds of the other characters. Of course, I'll still mention in the", "behind the plot and despite appearing the least, he's ever-present in the minds", "hurry the entire plot of the book because of what happened in chapter", "of the first chapter's POV character will be lost that way, even if", "Chapter 2 focuses on character B (the antagonist) who decided to hurry the", "take out chapter 1 since I already mention the event in chapter 2,", "cast, would an agent automatically expect the first chapter to be from the", "characters as \"the group\", for space constraints), and I do mention it's an", "his/her own thing inside interwoven alliances. 2) My very first chapter is not", "book's voice/atmosphere/theme/understanding of the first chapter's POV character will be lost that way,", "I've decided to focus on the antagonist. He's the main driving force behind", "that there are multiple POVs united in theme. This, however, leads me to", "reworded my questions better. I can't combine the first two chapters. My book", "the book. Chapter 2 focuses on character B (the antagonist) who decided to", "all influence the main plot and I can't really pick one out and", "Right now I've written a synopsis of almost 600 words where all the", "I feel like something from the book's voice/atmosphere/theme/understanding of the first chapter's POV", "who decided to hurry the entire plot of the book because of what", "entire action that will further occur in the book. It references the event", "and mention the others as the group opposing him? Thing is, they only", "of them as \"the group\"? 2) Since in my (much shorter) query letter", "that way, even if it can somehow be worked into the plot. Edit:", "to act as a group at the very end by opposing the antagonist...", "simply labeling some of them as \"the group\"? 2) Since in my (much", "I'd rather have it shown for clarity than merely mentioned. My reworked questions", "main plot and I can't really pick one out and eliminate him/her without", "span? Or should I do the same for the synopsis - focus on", "appear. The other six all influence the main plot and I can't really", "as \"the group\", for space constraints), and I do mention it's an ensemble", "shorter) query letter I focus on the antagonist (and lump the other six", "worked into the plot. Edit: I guess I should have cleared some things", "the victim of a murder mystery dying on the first page, but with", "He's the main driving force behind the plot and despite appearing the least,", "there an efficient way to make the agent care about each character in", "character will be lost that way, even if it can somehow be worked", "synopsis of almost 600 words where all the characters appear. The other six", "the group opposing him? Thing is, they only learn to act as a", "me to two issues. 1) Right now I've written a synopsis of almost", "really pick one out and eliminate him/her without losing something crucial to understanding", "references the event happening in the first chapter. There are some agents I've", "characters appear. The other six all influence the main plot and I can't", "afraid the agent reading the synopsis will have a difficult time remembering who", "difficult time remembering who is who. Is there an efficient way to make", "in the book. Chapter 2 focuses on character B (the antagonist) who decided", "a synopsis of almost 600 words where all the characters appear. The other" ]
[ "given the circumstance. I swear I am taking ego out of it (I", "1000 for a competition. This has taken me more hours editing than I", "cannot condense... Is this something that happens for short story? How do you", "- and I am not there yet. (There is a specific chord I", "can count - and I am not there yet. (There is a specific", "reader - perhaps I am obsessing). Now, I am wondering if the difficulty", "need to hit to cause conflict for the reader - perhaps I am", "to cause conflict for the reader - perhaps I am obsessing). Now, I", "and yet I cannot condense... Is this something that happens for short story?", "chord I need to hit to cause conflict for the reader - perhaps", "ego out of it (I look at all I am writing and take", "is due to my ego getting in the way or is a typical", "wondering if the difficulty in reaching the word limit is due to my", "ego getting in the way or is a typical struggle, given the circumstance.", "great story that flows from my fingers -- got it to about 1500", "story that flows from my fingers -- got it to about 1500 words", "(I look at all I am writing and take out all extra I", "- perhaps I am obsessing). Now, I am wondering if the difficulty in", "it to about 1500 words - but it must be 1000 for a", "a specific chord I need to hit to cause conflict for the reader", "got it to about 1500 words - but it must be 1000 for", "I have a great story that flows from my fingers -- got it", "I swear I am taking ego out of it (I look at all", "due to my ego getting in the way or is a typical struggle,", "to hit to cause conflict for the reader - perhaps I am obsessing).", "my fingers -- got it to about 1500 words - but it must", "word limit is due to my ego getting in the way or is", "and take out all extra I can find) - and yet I cannot", "competition. This has taken me more hours editing than I can count -", "can find) - and yet I cannot condense... Is this something that happens", "reaching the word limit is due to my ego getting in the way", "new to writing in many forms... I have a great story that flows", "be 1000 for a competition. This has taken me more hours editing than", "I can find) - and yet I cannot condense... Is this something that", "to about 1500 words - but it must be 1000 for a competition.", "writing in many forms... I have a great story that flows from my", "a typical struggle, given the circumstance. I swear I am taking ego out", "- but it must be 1000 for a competition. This has taken me", "am taking ego out of it (I look at all I am writing", "or is a typical struggle, given the circumstance. I swear I am taking", "and I am not there yet. (There is a specific chord I need", "many forms... I have a great story that flows from my fingers --", "words - but it must be 1000 for a competition. This has taken", "is a typical struggle, given the circumstance. I swear I am taking ego", "(There is a specific chord I need to hit to cause conflict for", "I am obsessing). Now, I am wondering if the difficulty in reaching the", "am writing and take out all extra I can find) - and yet", "count - and I am not there yet. (There is a specific chord", "find) - and yet I cannot condense... Is this something that happens for", "I cannot condense... Is this something that happens for short story? How do", "from my fingers -- got it to about 1500 words - but it", "I need to hit to cause conflict for the reader - perhaps I", "not there yet. (There is a specific chord I need to hit to", "obsessing). Now, I am wondering if the difficulty in reaching the word limit", "cause conflict for the reader - perhaps I am obsessing). Now, I am", "of it (I look at all I am writing and take out all", "flows from my fingers -- got it to about 1500 words - but", "swear I am taking ego out of it (I look at all I", "the way or is a typical struggle, given the circumstance. I swear I", "I can count - and I am not there yet. (There is a", "this group but not new to writing in many forms... I have a", "am new to this group but not new to writing in many forms...", "This has taken me more hours editing than I can count - and", "to writing in many forms... I have a great story that flows from", "new to this group but not new to writing in many forms... I", "-- got it to about 1500 words - but it must be 1000", "my ego getting in the way or is a typical struggle, given the", "the circumstance. I swear I am taking ego out of it (I look", "1500 words - but it must be 1000 for a competition. This has", "all I am writing and take out all extra I can find) -", "out all extra I can find) - and yet I cannot condense... Is", "- and yet I cannot condense... Is this something that happens for short", "that flows from my fingers -- got it to about 1500 words -", "specific chord I need to hit to cause conflict for the reader -", "I am not there yet. (There is a specific chord I need to", "yet. (There is a specific chord I need to hit to cause conflict", "but not new to writing in many forms... I have a great story", "for a competition. This has taken me more hours editing than I can", "taking ego out of it (I look at all I am writing and", "yet I cannot condense... Is this something that happens for short story? How", "me more hours editing than I can count - and I am not", "perhaps I am obsessing). Now, I am wondering if the difficulty in reaching", "look at all I am writing and take out all extra I can", "editing than I can count - and I am not there yet. (There", "this something that happens for short story? How do you approach such a", "it must be 1000 for a competition. This has taken me more hours", "the difficulty in reaching the word limit is due to my ego getting", "something that happens for short story? How do you approach such a challenge?", "out of it (I look at all I am writing and take out", "I am new to this group but not new to writing in many", "must be 1000 for a competition. This has taken me more hours editing", "in reaching the word limit is due to my ego getting in the", "way or is a typical struggle, given the circumstance. I swear I am", "take out all extra I can find) - and yet I cannot condense...", "to my ego getting in the way or is a typical struggle, given", "I am wondering if the difficulty in reaching the word limit is due", "typical struggle, given the circumstance. I swear I am taking ego out of", "hit to cause conflict for the reader - perhaps I am obsessing). Now,", "I am taking ego out of it (I look at all I am", "but it must be 1000 for a competition. This has taken me more", "am obsessing). Now, I am wondering if the difficulty in reaching the word", "there yet. (There is a specific chord I need to hit to cause", "to this group but not new to writing in many forms... I have", "than I can count - and I am not there yet. (There is", "about 1500 words - but it must be 1000 for a competition. This", "the reader - perhaps I am obsessing). Now, I am wondering if the", "in many forms... I have a great story that flows from my fingers", "I am writing and take out all extra I can find) - and", "getting in the way or is a typical struggle, given the circumstance. I", "if the difficulty in reaching the word limit is due to my ego", "a great story that flows from my fingers -- got it to about", "is a specific chord I need to hit to cause conflict for the", "limit is due to my ego getting in the way or is a", "struggle, given the circumstance. I swear I am taking ego out of it", "at all I am writing and take out all extra I can find)", "Is this something that happens for short story? How do you approach such", "has taken me more hours editing than I can count - and I", "am not there yet. (There is a specific chord I need to hit", "hours editing than I can count - and I am not there yet.", "condense... Is this something that happens for short story? How do you approach", "all extra I can find) - and yet I cannot condense... Is this", "difficulty in reaching the word limit is due to my ego getting in", "writing and take out all extra I can find) - and yet I", "taken me more hours editing than I can count - and I am", "Now, I am wondering if the difficulty in reaching the word limit is", "conflict for the reader - perhaps I am obsessing). Now, I am wondering", "group but not new to writing in many forms... I have a great", "fingers -- got it to about 1500 words - but it must be", "it (I look at all I am writing and take out all extra", "in the way or is a typical struggle, given the circumstance. I swear", "for the reader - perhaps I am obsessing). Now, I am wondering if", "a competition. This has taken me more hours editing than I can count", "more hours editing than I can count - and I am not there", "the word limit is due to my ego getting in the way or", "am wondering if the difficulty in reaching the word limit is due to", "forms... I have a great story that flows from my fingers -- got", "circumstance. I swear I am taking ego out of it (I look at", "have a great story that flows from my fingers -- got it to", "not new to writing in many forms... I have a great story that", "extra I can find) - and yet I cannot condense... Is this something" ]
[ "save for a very shallow example, he doesn't state what is meant by", "of action nor how they can be combined to give a character more", "actions, the character will probably seem more real.\" However, save for a very", "\"a character [is] involved in a number of all three types of actions,", "types of actions, the character will probably seem more real.\" However, save for", "actions to characters: \"purposeful, habitual, and gratuitous.\" He also defends that, in a", "meant by each type of action nor how they can be combined to", "be combined to give a character more depth. I was wondering what is", "to characters: \"purposeful, habitual, and gratuitous.\" He also defends that, in a novel,", "his \"Characters\" essay, Samuel R. Delany purports there are three types of actions", "was wondering what is meant by each type of action as well as", "\"purposeful, habitual, and gratuitous.\" He also defends that, in a novel, if \"a", "to give a character more depth. 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I was wondering what is meant by each", "is meant by each type of action as well as what examples would", "meant by each type of action as well as what examples would motivate", "novel, if \"a character [is] involved in a number of all three types", "example, he doesn't state what is meant by each type of action nor", "is meant by each type of action nor how they can be combined", "character more depth. I was wondering what is meant by each type of", "He also defends that, in a novel, if \"a character [is] involved in", "essay, Samuel R. Delany purports there are three types of actions to characters:", "seem more real.\" However, save for a very shallow example, he doesn't state", "Samuel R. Delany purports there are three types of actions to characters: \"purposeful,", "the character will probably seem more real.\" However, save for a very shallow", "shallow example, he doesn't state what is meant by each type of action", "However, save for a very shallow example, he doesn't state what is meant", "in a number of all three types of actions, the character will probably", "of actions to characters: \"purposeful, habitual, and gratuitous.\" He also defends that, in", "depth. I was wondering what is meant by each type of action as", "examples would motivate having all three for a character. (A Google search did", "all three types of actions, the character will probably seem more real.\" However,", "what examples would motivate having all three for a character. (A Google search", "gratuitous.\" He also defends that, in a novel, if \"a character [is] involved", "state what is meant by each type of action nor how they can", "combined to give a character more depth. I was wondering what is meant", "for a very shallow example, he doesn't state what is meant by each", "and gratuitous.\" He also defends that, in a novel, if \"a character [is]", "action as well as what examples would motivate having all three for a", "type of action as well as what examples would motivate having all three", "having all three for a character. (A Google search did not get me", "there are three types of actions to characters: \"purposeful, habitual, and gratuitous.\" He", "in a novel, if \"a character [is] involved in a number of all", "if \"a character [is] involved in a number of all three types of", "wondering what is meant by each type of action as well as what", "as well as what examples would motivate having all three for a character.", "purports there are three types of actions to characters: \"purposeful, habitual, and gratuitous.\"", "are three types of actions to characters: \"purposeful, habitual, and gratuitous.\" He also", "each type of action as well as what examples would motivate having all", "\"Characters\" essay, Samuel R. Delany purports there are three types of actions to", "also defends that, in a novel, if \"a character [is] involved in a", "probably seem more real.\" However, save for a very shallow example, he doesn't", "more real.\" However, save for a very shallow example, he doesn't state what", "of all three types of actions, the character will probably seem more real.\"", "would motivate having all three for a character. (A Google search did not", "as what examples would motivate having all three for a character. (A Google", "characters: \"purposeful, habitual, and gratuitous.\" He also defends that, in a novel, if", "R. Delany purports there are three types of actions to characters: \"purposeful, habitual,", "character will probably seem more real.\" However, save for a very shallow example,", "nor how they can be combined to give a character more depth. I", "types of actions to characters: \"purposeful, habitual, and gratuitous.\" He also defends that,", "a character. (A Google search did not get me very far other than", "of actions, the character will probably seem more real.\" However, save for a", "what is meant by each type of action nor how they can be", "he doesn't state what is meant by each type of action nor how", "that, in a novel, if \"a character [is] involved in a number of", "character. (A Google search did not get me very far other than references", "did not get me very far other than references to the quote itself...)", "[is] involved in a number of all three types of actions, the character", "how they can be combined to give a character more depth. I was", "three types of actions to characters: \"purposeful, habitual, and gratuitous.\" He also defends", "type of action nor how they can be combined to give a character", "number of all three types of actions, the character will probably seem more", "can be combined to give a character more depth. I was wondering what", "motivate having all three for a character. (A Google search did not get" ]
[ "positive description of the event in his typical entertainingly humorous tone. As the", "anatomy of a lobster and the methods with which it is usually prepared,", "read it (or part of it... it's pretty long). If not... TLDR: This", "that it attracts. He eventually delves into a full-blown philosophical discussion about the", "the way that any typical culinary-magazine-reader would expect, he allows the reader to", "but is actually an ethical analysis. This is a very clever technique, but", "Can you provide any other examples of articles/essays/etc. that use it to trick", "the methods with which it is usually prepared, sustaining his positive spin but", "spin but sowing a bit of disgust and discomfort in the reader's mind.", "a bit of disgust and discomfort in the reader's mind. He then turns", "but sowing a bit of disgust and discomfort in the reader's mind. He", "If not... TLDR: This article was written for a culinary magazine, and it", "it used. QUESTION: Is this a common technique? Can you provide any other", "exploration of the issue. By beginning his article in the way that any", "as well, decrying its irritating pitfalls and the unsavory crowd that it attracts.", "In this way, he tricks the reader into \"eating his/her philosophical vegetables\" by", "If you're interested in answering this question, I suggest you read it (or", "seen it used. QUESTION: Is this a common technique? Can you provide any", "he turns the tables and betrays the reader's expectations, he/she will be more", "in the reader's mind. He then turns on the event as well, decrying", "This article was written for a culinary magazine, and it offers a review", "the Maine Lobster Festival. Xallucu begins by providing a positive description of the", "written for a culinary magazine, and it offers a review of the Maine", "a positive description of the event in his typical entertainingly humorous tone. As", "tricks the reader into \"eating his/her philosophical vegetables\" by presenting what looks like", "usually prepared, sustaining his positive spin but sowing a bit of disgust and", "the essay so that when he turns the tables and betrays the reader's", "culinary-magazine-reader would expect, he allows the reader to make an investment of time", "essay [\"Consider the Lobster\"](http://www.columbia.edu/~col8/lobsterarticle.pdf) by the famous writer David Foster Xallucu, I realized", "discussion about the ethics of boiling lobsters alive, bringing the reader with him", "he allows the reader to make an investment of time and emotion in", "will be more likely to keep reading. In this way, he tricks the", "this question, I suggest you read it (or part of it... it's pretty", "time and emotion in the essay so that when he turns the tables", "Xallucu begins by providing a positive description of the event in his typical", "however, he describes the anatomy of a lobster and the methods with which", "Lobster Festival. Xallucu begins by providing a positive description of the event in", "crowd that it attracts. He eventually delves into a full-blown philosophical discussion about", "clever technique, but this essay is the first in which I have ever", "articles/essays/etc. that use it to trick the reader into consuming an uncomfortable message?", "with which it is usually prepared, sustaining his positive spin but sowing a", "TLDR: This article was written for a culinary magazine, and it offers a", "you provide any other examples of articles/essays/etc. that use it to trick the", "humorous tone. As the essay progresses, however, he describes the anatomy of a", "of boiling lobsters alive, bringing the reader with him on a moral and", "essay so that when he turns the tables and betrays the reader's expectations,", "of the issue. By beginning his article in the way that any typical", "so that when he turns the tables and betrays the reader's expectations, he/she", "he/she will be more likely to keep reading. In this way, he tricks", "the reader into \"eating his/her philosophical vegetables\" by presenting what looks like an", "a moral and scientific tirade that provides a thorough exploration of the issue.", "by presenting what looks like an easy read but is actually an ethical", "culinary magazine, and it offers a review of the Maine Lobster Festival. Xallucu", "the unsavory crowd that it attracts. He eventually delves into a full-blown philosophical", "like an easy read but is actually an ethical analysis. 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Can you provide any other examples of articles/essays/etc. that use it to", "prepared, sustaining his positive spin but sowing a bit of disgust and discomfort", "philosophical vegetables\" by presenting what looks like an easy read but is actually", "you're interested in answering this question, I suggest you read it (or part", "a common technique? Can you provide any other examples of articles/essays/etc. that use", "realized that Xallucu had employed a rather sly technique. If you're interested in", "tone. As the essay progresses, however, he describes the anatomy of a lobster", "the anatomy of a lobster and the methods with which it is usually", "that when he turns the tables and betrays the reader's expectations, he/she will", "magazine, and it offers a review of the Maine Lobster Festival. Xallucu begins", "that use it to trick the reader into consuming an uncomfortable message? Is", "for a culinary magazine, and it offers a review of the Maine Lobster", "positive spin but sowing a bit of disgust and discomfort in the reader's", "famous writer David Foster Xallucu, I realized that Xallucu had employed a rather", "alive, bringing the reader with him on a moral and scientific tirade that", "the reader to make an investment of time and emotion in the essay", "emotion in the essay so that when he turns the tables and betrays", "disgust and discomfort in the reader's mind. He then turns on the event", "This is a very clever technique, but this essay is the first in", "of it... it's pretty long). If not... TLDR: This article was written for", "be more likely to keep reading. In this way, he tricks the reader", "it to trick the reader into consuming an uncomfortable message? 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Is there", "I suggest you read it (or part of it... it's pretty long). If", "providing a positive description of the event in his typical entertainingly humorous tone.", "reader into \"eating his/her philosophical vegetables\" by presenting what looks like an easy", "provide any other examples of articles/essays/etc. that use it to trick the reader", "scientific tirade that provides a thorough exploration of the issue. By beginning his", "it's pretty long). If not... TLDR: This article was written for a culinary", "the famous writer David Foster Xallucu, I realized that Xallucu had employed a", "any other examples of articles/essays/etc. that use it to trick the reader into", "of articles/essays/etc. that use it to trick the reader into consuming an uncomfortable", "an ethical analysis. This is a very clever technique, but this essay is", "suggest you read it (or part of it... it's pretty long). If not...", "the event as well, decrying its irritating pitfalls and the unsavory crowd that", "offers a review of the Maine Lobster Festival. Xallucu begins by providing a", "to make an investment of time and emotion in the essay so that", "reader's expectations, he/she will be more likely to keep reading. In this way,", "to trick the reader into consuming an uncomfortable message? Is there a name", "on a moral and scientific tirade that provides a thorough exploration of the", "ethical analysis. This is a very clever technique, but this essay is the", "a rather sly technique. If you're interested in answering this question, I suggest", "He then turns on the event as well, decrying its irritating pitfalls and", "is actually an ethical analysis. This is a very clever technique, but this", "that any typical culinary-magazine-reader would expect, he allows the reader to make an", "rather sly technique. 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[ "actually happened in the real world* and the story narrated in said arc", "and then they wake up in chapter 7\". Yet, I see that this", "everything turns back to the start since nothing actually happened in the real", "understand why would an author want to use that. I suppose it can", "write yourself out of a corner, but it seems an huge waste negating", "but it seems an huge waste negating a good part of a story", "It may have consequences on the dreamer psyche, of course, but the fictional", "to write yourself out of a corner, but it seems an huge waste", "dream\" revelation, where, usually at the end of a important story arc, everything", "the end of a important story arc, everything turns back to the start", "useful to write yourself out of a corner, but it seems an huge", "infamous across many media: the \"it was just a dream\" revelation, where, usually", "world* and the story narrated in said arc is thus erased. It may", "a still used narrative device and I'm wondering why. So, my question is:", "of course, but the fictional world is not changed by the story. It", "is a still used narrative device and I'm wondering why. So, my question", "the fictional world is not changed by the story. It is my understanding", "the story narrated in said arc is thus erased. It may have consequences", "Also it's my opinion that the dream-trope utterly shatters the reader trust and", "huge waste negating a good part of a story this way. Also it's", "story arc, everything turns back to the start since nothing actually happened in", "corner, but it seems an huge waste negating a good part of a", "see that this trope is a still used narrative device and I'm wondering", "7\". Yet, I see that this trope is a still used narrative device", "it's my opinion that the dream-trope utterly shatters the reader trust and suspension", "course, but the fictional world is not changed by the story. 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It is my understanding that this trope is", "joke sometimes; \"yea, they all die in chapter 6, and then they wake", "the dreamer psyche, of course, but the fictional world is not changed by", "was just a dream\" revelation, where, usually at the end of a important", "thus erased. It may have consequences on the dreamer psyche, of course, but", "and suspension of disbelief. So, again, when is it worth to risk it?", "revelation, where, usually at the end of a important story arc, everything turns", "wake up in chapter 7\". Yet, I see that this trope is a", "question is: What are some good reasons to use the \"It was just", "that the dream-trope utterly shatters the reader trust and suspension of disbelief. So,", "a dream trope\"? What are some situations were it can be used effectively?", "it seems an huge waste negating a good part of a story this", "just a dream\" revelation, where, usually at the end of a important story", "but the fictional world is not changed by the story. It is my", "my question is: What are some good reasons to use the \"It was", "my understanding that this trope is perceived as \"cheap\" in many cases. It's", "in chapter 7\". Yet, I see that this trope is a still used", "since nothing actually happened in the real world* and the story narrated in", "changed by the story. It is my understanding that this trope is perceived", "as \"cheap\" in many cases. It's so infamous that it's used as an", "reader trust and suspension of disbelief. So, again, when is it worth to", "were it can be used effectively? I'm struggling to understand why would an", "situations were it can be used effectively?** I'm struggling to understand why would", "is a particular trope that became quite infamous across many media: the \"it", "understanding that this trope is perceived as \"cheap\" in many cases. It's so", "quite infamous across many media: the \"it was just a dream\" revelation, where,", "good part of a story this way. Also it's my opinion that the", "it's used as an inside joke sometimes; \"yea, they all die in chapter", "device and I'm wondering why. So, my question is: What are some good", "\"yea, they all die in chapter 6, and then they wake up in", "sometimes; \"yea, they all die in chapter 6, and then they wake up", "to understand why would an author want to use that. I suppose it", "It is my understanding that this trope is perceived as \"cheap\" in many", "just a dream trope\"? What are some situations were it can be used", "end of a important story arc, everything turns back to the start since", "media: the \"it was just a dream\" revelation, where, usually at the end", "arc is thus erased. It may have consequences on the dreamer psyche, of", "where, usually at the end of a important story arc, everything turns back", "usually at the end of a important story arc, everything turns back to", "can be used effectively?* I'm struggling to understand why would an author want", "out of a corner, but it seems an huge waste negating a good", "many cases. It's so infamous that it's used as an inside joke sometimes;", "story narrated in said arc is thus erased. It may have consequences on", "across many media: the \"it was just a dream\" revelation, where, usually at", "is not changed by the story. It is my understanding that this trope", "good reasons to use the \"It was just a dream trope\"? What are", "are some situations were it can be used effectively? I'm struggling to understand", "narrated in said arc is thus erased. It may have consequences on the", "trope that became quite infamous across many media: the \"it was just a", "some situations were it can be used effectively? I'm struggling to understand why", "all die in chapter 6, and then they wake up in chapter 7\".", "a important story arc, everything turns back to the start since nothing actually", "of a story this way. Also it's my opinion that the dream-trope utterly", "start since nothing actually happened in the real world and the story narrated", "perceived as \"cheap\" in many cases. It's so infamous that it's used as", "trust and suspension of disbelief. So, again, when is it worth to risk", "the story. It is my understanding that this trope is perceived as \"cheap\"", "to use the \"It was just a dream trope\"? What are some situations", "I'm struggling to understand why would an author want to use that. I", "in many cases. It's so infamous that it's used as an inside joke", "it can be used effectively? I'm struggling to understand why would an author", "used as an inside joke sometimes; \"yea, they all die in chapter 6,", "why. So, my question is: What are some good reasons to use the", "trope is a still used narrative device and I'm wondering why. So, my", "I'm wondering why. So, my question is: What are some good reasons to", "want to use that. I suppose it can be useful to write yourself", "still used narrative device and I'm wondering why. So, my question is: What", "effectively?* I'm struggling to understand why would an author want to use that.", "happened in the real world* and the story narrated in said arc is", "dream-trope utterly shatters the reader trust and suspension of disbelief. So, again, when", "that this trope is perceived as \"cheap\" in many cases. It's so infamous", "of a corner, but it seems an huge waste negating a good part", "the \"It was just a dream trope\"? What are some situations were it", "a story this way. Also it's my opinion that the dream-trope utterly shatters", "my opinion that the dream-trope utterly shatters the reader trust and suspension of", "the dream-trope utterly shatters the reader trust and suspension of disbelief. So, again,", "in the real world* and the story narrated in said arc is thus", "that it's used as an inside joke sometimes; \"yea, they all die in", "may have consequences on the dreamer psyche, of course, but the fictional world", "the reader trust and suspension of disbelief. So, again, when is it worth", "have consequences on the dreamer psyche, of course, but the fictional world is", "to the start since nothing actually happened in the real world* and the", "6, and then they wake up in chapter 7\". Yet, I see that", "waste negating a good part of a story this way. Also it's my", "What are some situations were it can be used effectively?* I'm struggling to", "chapter 6, and then they wake up in chapter 7\". Yet, I see", "psyche, of course, but the fictional world is not changed by the story.", "be useful to write yourself out of a corner, but it seems an", "in said arc is thus erased. It may have consequences on the dreamer", "then they wake up in chapter 7\". Yet, I see that this trope", "that this trope is a still used narrative device and I'm wondering why.", "struggling to understand why would an author want to use that. I suppose", "they all die in chapter 6, and then they wake up in chapter", "a corner, but it seems an huge waste negating a good part of", "this trope is a still used narrative device and I'm wondering why. So,", "world is not changed by the story. It is my understanding that this", "important story arc, everything turns back to the start since nothing actually happened", "nothing actually happened in the real world* and the story narrated in said", "arc, everything turns back to the start since nothing actually happened in the", "die in chapter 6, and then they wake up in chapter 7\". Yet,", "real world* and the story narrated in said arc is thus erased. It", "is thus erased. It may have consequences on the dreamer psyche, of course,", "can be useful to write yourself out of a corner, but it seems", "story this way. Also it's my opinion that the dream-trope utterly shatters the", "and I'm wondering why. So, my question is: What are some good reasons", "a particular trope that became quite infamous across many media: the \"it was", "erased. It may have consequences on the dreamer psyche, of course, but the", "Yet, I see that this trope is a still used narrative device and", "a dream\" revelation, where, usually at the end of a important story arc,", "way. Also it's my opinion that the dream-trope utterly shatters the reader trust", "particular trope that became quite infamous across many media: the \"it was just", "used effectively? I'm struggling to understand why would an author want to use", "yourself out of a corner, but it seems an huge waste negating a", "are some good reasons to use the \"It was just a dream trope\"?", "why would an author want to use that. I suppose it can be", "the real world* and the story narrated in said arc is thus erased.", "There is a particular trope that became quite infamous across many media: the", "many media: the \"it was just a dream\" revelation, where, usually at the", "back to the start since nothing actually happened in the real world and", "an inside joke sometimes; \"yea, they all die in chapter 6, and then", "negating a good part of a story this way. Also it's my opinion", "use the \"It was just a dream trope\"? What are some situations were", "to use that. I suppose it can be useful to write yourself out", "opinion that the dream-trope utterly shatters the reader trust and suspension of disbelief.", "suppose it can be useful to write yourself out of a corner, but", "up in chapter 7\". Yet, I see that this trope is a still", "is my understanding that this trope is perceived as \"cheap\" in many cases.", "by the story. It is my understanding that this trope is perceived as", "as an inside joke sometimes; \"yea, they all die in chapter 6, and", "and the story narrated in said arc is thus erased. It may have", "chapter 7\". Yet, I see that this trope is a still used narrative", "shatters the reader trust and suspension of disbelief. So, again, when is it", "an author want to use that. I suppose it can be useful to", "is: What are some good reasons to use the \"It was just a", "*What are some good reasons to use the \"It was just a dream", "It's so infamous that it's used as an inside joke sometimes; \"yea, they", "the \"it was just a dream\" revelation, where, usually at the end of", "they wake up in chapter 7\". Yet, I see that this trope is", "author want to use that. I suppose it can be useful to write", "said arc is thus erased. It may have consequences on the dreamer psyche,", "in chapter 6, and then they wake up in chapter 7\". Yet, I", "trope is perceived as \"cheap\" in many cases. It's so infamous that it's", "that. I suppose it can be useful to write yourself out of a", "story. It is my understanding that this trope is perceived as \"cheap\" in", "at the end of a important story arc, everything turns back to the", "used narrative device and I'm wondering why. So, my question is: *What are", "was just a dream trope\"? What are some situations were it can be", "I suppose it can be useful to write yourself out of a corner,", "turns back to the start since nothing actually happened in the real world", "dreamer psyche, of course, but the fictional world is not changed by the", "consequences on the dreamer psyche, of course, but the fictional world is not", "the start since nothing actually happened in the real world* and the story", "this trope is perceived as \"cheap\" in many cases. It's so infamous that", "be used effectively? I'm struggling to understand why would an author want to", "some good reasons to use the \"It was just a dream trope\"? What", "would an author want to use that. I suppose it can be useful", "\"it was just a dream\" revelation, where, usually at the end of a", "utterly shatters the reader trust and suspension of disbelief. So, again, when is", "that became quite infamous across many media: the \"it was just a dream\"" ]
[ "beat you over the head with it a bit too often, but I", "Obviously this is a very surface level kind of memorable quote, there are", "Glory\", as the characters say it a fair few times for such a", "the characters say it a fair few times for such a short video.", "Overwatch animated short \"Honor and Glory\". You can tell the writers were proud", "with Glory\", as the characters say it a fair few times for such", "others that are more profound and famous, like \"tears in rain\". What makes", "think it's memorable enough for this short, but I don't know why people", "like it or how it can be \"inspirational\", I guess. Obviously this is", "more profound and famous, like \"tears in rain\". What makes such lines so", "proud of the line \"Live with Honor, Die with Glory\", as the characters", "even if they beat you over the head with it a bit too", "you over the head with it a bit too often, but I can't", "Die with Glory\", as the characters say it a fair few times for", "why. I think it's memorable enough for this short, but I don't know", "I don't know why people would like it or how it can be", "characters say it a fair few times for such a short video. I", "like \"tears in rain\". What makes such lines so memorable? How can I", "they beat you over the head with it a bit too often, but", "the Overwatch animated short \"Honor and Glory\". You can tell the writers were", "can tell the writers were proud of the line \"Live with Honor, Die", "times for such a short video. I think it's a good line, even", "how it can be \"inspirational\", I guess. Obviously this is a very surface", "guess. Obviously this is a very surface level kind of memorable quote, there", "fair few times for such a short video. I think it's a good", "for such a short video. I think it's a good line, even if", "I think it's a good line, even if they beat you over the", "why people would like it or how it can be \"inspirational\", I guess.", "short video. I think it's a good line, even if they beat you", "would like it or how it can be \"inspirational\", I guess. Obviously this", "say it a fair few times for such a short video. I think", "head with it a bit too often, but I can't tell why. I", "are hundreds of others that are more profound and famous, like \"tears in", "were proud of the line \"Live with Honor, Die with Glory\", as the", "this short, but I don't know why people would like it or how", "\"Live with Honor, Die with Glory\", as the characters say it a fair", "but I can't tell why. I think it's memorable enough for this short,", "the head with it a bit too often, but I can't tell why.", "writers were proud of the line \"Live with Honor, Die with Glory\", as", "You can tell the writers were proud of the line \"Live with Honor,", "memorable quote, there are hundreds of others that are more profound and famous,", "in rain\". What makes such lines so memorable? How can I create my", "or how it can be \"inspirational\", I guess. Obviously this is a very", "too often, but I can't tell why. I think it's memorable enough for", "it or how it can be \"inspirational\", I guess. Obviously this is a", "profound and famous, like \"tears in rain\". What makes such lines so memorable?", "I recently re-watched the Overwatch animated short \"Honor and Glory\". You can tell", "of the line \"Live with Honor, Die with Glory\", as the characters say", "Glory\". You can tell the writers were proud of the line \"Live with", "over the head with it a bit too often, but I can't tell", "don't know why people would like it or how it can be \"inspirational\",", "a very surface level kind of memorable quote, there are hundreds of others", "\"tears in rain\". What makes such lines so memorable? How can I create", "\"Honor and Glory\". You can tell the writers were proud of the line", "it's memorable enough for this short, but I don't know why people would", "think it's a good line, even if they beat you over the head", "there are hundreds of others that are more profound and famous, like \"tears", "the writers were proud of the line \"Live with Honor, Die with Glory\",", "memorable enough for this short, but I don't know why people would like", "famous, like \"tears in rain\". What makes such lines so memorable? How can", "line, even if they beat you over the head with it a bit", "with Honor, Die with Glory\", as the characters say it a fair few", "it a bit too often, but I can't tell why. I think it's", "quote, there are hundreds of others that are more profound and famous, like", "can be \"inspirational\", I guess. Obviously this is a very surface level kind", "few times for such a short video. I think it's a good line,", "very surface level kind of memorable quote, there are hundreds of others that", "that are more profound and famous, like \"tears in rain\". What makes such", "and famous, like \"tears in rain\". What makes such lines so memorable? How", "video. I think it's a good line, even if they beat you over", "for this short, but I don't know why people would like it or", "surface level kind of memorable quote, there are hundreds of others that are", "are more profound and famous, like \"tears in rain\". What makes such lines", "can't tell why. I think it's memorable enough for this short, but I", "good line, even if they beat you over the head with it a", "a bit too often, but I can't tell why. I think it's memorable", "of others that are more profound and famous, like \"tears in rain\". What", "line \"Live with Honor, Die with Glory\", as the characters say it a", "this is a very surface level kind of memorable quote, there are hundreds", "as the characters say it a fair few times for such a short", "I think it's memorable enough for this short, but I don't know why", "it a fair few times for such a short video. I think it's", "if they beat you over the head with it a bit too often,", "re-watched the Overwatch animated short \"Honor and Glory\". You can tell the writers", "tell the writers were proud of the line \"Live with Honor, Die with", "of memorable quote, there are hundreds of others that are more profound and", "rain\". What makes such lines so memorable? How can I create my own?", "it can be \"inspirational\", I guess. Obviously this is a very surface level", "with it a bit too often, but I can't tell why. I think", "a fair few times for such a short video. I think it's a", "short \"Honor and Glory\". You can tell the writers were proud of the", "short, but I don't know why people would like it or how it", "be \"inspirational\", I guess. Obviously this is a very surface level kind of", "and Glory\". You can tell the writers were proud of the line \"Live", "hundreds of others that are more profound and famous, like \"tears in rain\".", "enough for this short, but I don't know why people would like it", "I can't tell why. I think it's memorable enough for this short, but", "kind of memorable quote, there are hundreds of others that are more profound", "but I don't know why people would like it or how it can", "animated short \"Honor and Glory\". You can tell the writers were proud of", "such a short video. I think it's a good line, even if they", "a short video. I think it's a good line, even if they beat", "bit too often, but I can't tell why. I think it's memorable enough", "I guess. Obviously this is a very surface level kind of memorable quote,", "it's a good line, even if they beat you over the head with", "recently re-watched the Overwatch animated short \"Honor and Glory\". You can tell the", "often, but I can't tell why. I think it's memorable enough for this", "know why people would like it or how it can be \"inspirational\", I", "\"inspirational\", I guess. Obviously this is a very surface level kind of memorable", "people would like it or how it can be \"inspirational\", I guess. Obviously", "the line \"Live with Honor, Die with Glory\", as the characters say it", "Honor, Die with Glory\", as the characters say it a fair few times", "tell why. I think it's memorable enough for this short, but I don't", "a good line, even if they beat you over the head with it", "is a very surface level kind of memorable quote, there are hundreds of", "level kind of memorable quote, there are hundreds of others that are more" ]
[ "vary your sentence length/structure to keep your writing interesting? Eg. start out with", "there any good rules on how to vary your sentence length/structure to keep", "question is, are there any good rules on how to vary your sentence", "My question is, are there any good rules on how to vary your", "and then start to lengthen the sentences... something along those lines. I should", "something along those lines. I should add that I am writing an academic", "the sentences... something along those lines. I should add that I am writing", "are there any good rules on how to vary your sentence length/structure to", "sentences and then start to lengthen the sentences... something along those lines. I", "to keep your writing interesting? Eg. start out with shorter sentences and then", "with shorter sentences and then start to lengthen the sentences... something along those", "sentence length/structure to keep your writing interesting? Eg. start out with shorter sentences", "along those lines. I should add that I am writing an academic paper.", "good rules on how to vary your sentence length/structure to keep your writing", "Eg. start out with shorter sentences and then start to lengthen the sentences...", "how to vary your sentence length/structure to keep your writing interesting? Eg. start", "any good rules on how to vary your sentence length/structure to keep your", "out with shorter sentences and then start to lengthen the sentences... something along", "keep your writing interesting? Eg. start out with shorter sentences and then start", "then start to lengthen the sentences... something along those lines. I should add", "on how to vary your sentence length/structure to keep your writing interesting? Eg.", "start to lengthen the sentences... something along those lines. I should add that", "sentences... something along those lines. I should add that I am writing an", "is, are there any good rules on how to vary your sentence length/structure", "your writing interesting? Eg. start out with shorter sentences and then start to", "length/structure to keep your writing interesting? Eg. start out with shorter sentences and", "start out with shorter sentences and then start to lengthen the sentences... something", "shorter sentences and then start to lengthen the sentences... something along those lines.", "to vary your sentence length/structure to keep your writing interesting? Eg. start out", "to lengthen the sentences... something along those lines. I should add that I", "your sentence length/structure to keep your writing interesting? Eg. start out with shorter", "writing interesting? Eg. start out with shorter sentences and then start to lengthen", "lengthen the sentences... something along those lines. I should add that I am", "rules on how to vary your sentence length/structure to keep your writing interesting?", "interesting? Eg. start out with shorter sentences and then start to lengthen the" ]
[ "I started this book, but I had to put it on hold it's", "in 3rd POV but I feel most people prefer 3rd persons pov and", "I've never written a book in 3rd POV but I feel most people", "3rd POV but I feel most people prefer 3rd persons pov and I", "pov, and I've never written a book in 3rd POV but I feel", "in 1st person's pov but I'm thinking if I should write the book", "the book in the 3rd persons pov, and I've never written a book", "had to put it on hold it's a Nigerian/American book and mostly I", "but recently I started this book, but I had to put it on", "write in 1st person's pov but I'm thinking if I should write the", "put it on hold it's a Nigerian/American book and mostly I write in", "3rd persons pov and I really dunno how to do that. And 1st", "I write in 1st person's pov but I'm thinking if I should write", "and I've never written a book in 3rd POV but I feel most", "but I had to put it on hold it's a Nigerian/American book and", "on hold it's a Nigerian/American book and mostly I write in 1st person's", "do that. And 1st pov is easier for me soooo I need advice,", "an author, but recently I started this book, but I had to put", "POV but I feel most people prefer 3rd persons pov and I really", "I really dunno how to do that. And 1st pov is easier for", "this book, but I had to put it on hold it's a Nigerian/American", "persons pov and I really dunno how to do that. And 1st pov", "but I feel most people prefer 3rd persons pov and I really dunno", "most people prefer 3rd persons pov and I really dunno how to do", "should write the book in the 3rd persons pov, and I've never written", "pov is easier for me soooo I need advice, which should I do", "really dunno how to do that. And 1st pov is easier for me", "people prefer 3rd persons pov and I really dunno how to do that.", "author, but recently I started this book, but I had to put it", "I feel most people prefer 3rd persons pov and I really dunno how", "And 1st pov is easier for me soooo I need advice, which should", "if I should write the book in the 3rd persons pov, and I've", "Nigerian/American book and mostly I write in 1st person's pov but I'm thinking", "book in the 3rd persons pov, and I've never written a book in", "write the book in the 3rd persons pov, and I've never written a", "mostly I write in 1st person's pov but I'm thinking if I should", "persons pov, and I've never written a book in 3rd POV but I", "I'm thinking if I should write the book in the 3rd persons pov,", "I should write the book in the 3rd persons pov, and I've never", "pov but I'm thinking if I should write the book in the 3rd", "but I'm thinking if I should write the book in the 3rd persons", "3rd persons pov, and I've never written a book in 3rd POV but", "a book in 3rd POV but I feel most people prefer 3rd persons", "feel most people prefer 3rd persons pov and I really dunno how to", "that. And 1st pov is easier for me soooo I need advice, which", "I had to put it on hold it's a Nigerian/American book and mostly", "to do that. And 1st pov is easier for me soooo I need", "book, but I had to put it on hold it's a Nigerian/American book", "how to do that. And 1st pov is easier for me soooo I", "hold it's a Nigerian/American book and mostly I write in 1st person's pov", "a Nigerian/American book and mostly I write in 1st person's pov but I'm", "prefer 3rd persons pov and I really dunno how to do that. And", "book and mostly I write in 1st person's pov but I'm thinking if", "and mostly I write in 1st person's pov but I'm thinking if I", "1st pov is easier for me soooo I need advice, which should I", "written a book in 3rd POV but I feel most people prefer 3rd", "the 3rd persons pov, and I've never written a book in 3rd POV", "book in 3rd POV but I feel most people prefer 3rd persons pov", "to put it on hold it's a Nigerian/American book and mostly I write", "1st person's pov but I'm thinking if I should write the book in", "and I really dunno how to do that. And 1st pov is easier", "started this book, but I had to put it on hold it's a", "it on hold it's a Nigerian/American book and mostly I write in 1st", "recently I started this book, but I had to put it on hold", "thinking if I should write the book in the 3rd persons pov, and", "it's a Nigerian/American book and mostly I write in 1st person's pov but", "person's pov but I'm thinking if I should write the book in the", "I'm an author, but recently I started this book, but I had to", "pov and I really dunno how to do that. And 1st pov is", "dunno how to do that. And 1st pov is easier for me soooo", "never written a book in 3rd POV but I feel most people prefer", "in the 3rd persons pov, and I've never written a book in 3rd" ]
[ "central part of the story.) Her parents lived as comfortable as they could,", "different. Ttlir is 20 years old, he watched his parents killed in horrible", "happened to witness her escape, and had to fight his way out. So,", "vastly different. Ttlir is 20 years old, he watched his parents killed in", "as comfortable as possible. Hubykd's ability attracts a local warlord's interest, and he", "also is highly skilled in fighting and scavenging. However, Hubykd is 7 years", "suffers from low-functioning autism. This makes her a savant (this is a central", "life as comfortable as possible. Hubykd's ability attracts a local warlord's interest, and", "and had to fight his way out. So, why would Ttlir save Hubykd,", "an apocalypse (cause not explained), and the two main characters are vastly different.", "her a savant (this is a central part of the story.) Her parents", "out. So, why would Ttlir save Hubykd, when she can barely use the", "story idea I've had for a long time is set in an apocalypse", "years old, and suffers from low-functioning autism. This makes her a savant (this", "his parents killed in horrible fashion, and turned into a hardened, cold, and", "survivor. He also is highly skilled in fighting and scavenging. However, Hubykd is", "her captured for her talent. Ttlir happened to witness her escape, and had", "her escape, and had to fight his way out. So, why would Ttlir", "Her parents lived as comfortable as they could, and made Hubykd's life as", "(this is a central part of the story.) Her parents lived as comfortable", "is highly skilled in fighting and scavenging. However, Hubykd is 7 years old,", "makes her a savant (this is a central part of the story.) Her", "autism. This makes her a savant (this is a central part of the", "idea I've had for a long time is set in an apocalypse (cause", "and rugged survivor. He also is highly skilled in fighting and scavenging. However,", "characters are vastly different. Ttlir is 20 years old, he watched his parents", "made Hubykd's life as comfortable as possible. Hubykd's ability attracts a local warlord's", "set in an apocalypse (cause not explained), and the two main characters are", "7 years old, and suffers from low-functioning autism. This makes her a savant", "So, why would Ttlir save Hubykd, when she can barely use the restroom", "is 7 years old, and suffers from low-functioning autism. This makes her a", "two main characters are vastly different. Ttlir is 20 years old, he watched", "in an apocalypse (cause not explained), and the two main characters are vastly", "fight his way out. So, why would Ttlir save Hubykd, when she can", "escape, and had to fight his way out. So, why would Ttlir save", "horrible fashion, and turned into a hardened, cold, and rugged survivor. He also", "highly skilled in fighting and scavenging. However, Hubykd is 7 years old, and", "part of the story.) Her parents lived as comfortable as they could, and", "his way out. So, why would Ttlir save Hubykd, when she can barely", "the two main characters are vastly different. Ttlir is 20 years old, he", "main characters are vastly different. Ttlir is 20 years old, he watched his", "time is set in an apocalypse (cause not explained), and the two main", "story.) Her parents lived as comfortable as they could, and made Hubykd's life", "possible. Hubykd's ability attracts a local warlord's interest, and he orders her captured", "old, he watched his parents killed in horrible fashion, and turned into a", "talent. Ttlir happened to witness her escape, and had to fight his way", "into a hardened, cold, and rugged survivor. He also is highly skilled in", "attracts a local warlord's interest, and he orders her captured for her talent.", "witness her escape, and had to fight his way out. So, why would", "However, Hubykd is 7 years old, and suffers from low-functioning autism. This makes", "as they could, and made Hubykd's life as comfortable as possible. Hubykd's ability", "watched his parents killed in horrible fashion, and turned into a hardened, cold,", "to witness her escape, and had to fight his way out. So, why", "to fight his way out. So, why would Ttlir save Hubykd, when she", "and turned into a hardened, cold, and rugged survivor. He also is highly", "and suffers from low-functioning autism. This makes her a savant (this is a", "is 20 years old, he watched his parents killed in horrible fashion, and", "a story idea I've had for a long time is set in an", "(cause not explained), and the two main characters are vastly different. Ttlir is", "comfortable as they could, and made Hubykd's life as comfortable as possible. Hubykd's", "and made Hubykd's life as comfortable as possible. Hubykd's ability attracts a local", "savant (this is a central part of the story.) Her parents lived as", "interest, and he orders her captured for her talent. Ttlir happened to witness", "he orders her captured for her talent. Ttlir happened to witness her escape,", "lived as comfortable as they could, and made Hubykd's life as comfortable as", "and the two main characters are vastly different. Ttlir is 20 years old,", "of the story.) Her parents lived as comfortable as they could, and made", "a hardened, cold, and rugged survivor. He also is highly skilled in fighting", "long time is set in an apocalypse (cause not explained), and the two", "scavenging. However, Hubykd is 7 years old, and suffers from low-functioning autism. This", "20 years old, he watched his parents killed in horrible fashion, and turned", "could, and made Hubykd's life as comfortable as possible. Hubykd's ability attracts a", "I've had for a long time is set in an apocalypse (cause not", "So, a story idea I've had for a long time is set in", "and scavenging. However, Hubykd is 7 years old, and suffers from low-functioning autism.", "This makes her a savant (this is a central part of the story.)", "parents lived as comfortable as they could, and made Hubykd's life as comfortable", "they could, and made Hubykd's life as comfortable as possible. Hubykd's ability attracts", "had for a long time is set in an apocalypse (cause not explained),", "Ttlir happened to witness her escape, and had to fight his way out.", "as possible. Hubykd's ability attracts a local warlord's interest, and he orders her", "not explained), and the two main characters are vastly different. Ttlir is 20", "had to fight his way out. So, why would Ttlir save Hubykd, when", "is a central part of the story.) Her parents lived as comfortable as", "skilled in fighting and scavenging. However, Hubykd is 7 years old, and suffers", "fighting and scavenging. However, Hubykd is 7 years old, and suffers from low-functioning", "He also is highly skilled in fighting and scavenging. However, Hubykd is 7", "comfortable as possible. Hubykd's ability attracts a local warlord's interest, and he orders", "rugged survivor. He also is highly skilled in fighting and scavenging. However, Hubykd", "parents killed in horrible fashion, and turned into a hardened, cold, and rugged", "a savant (this is a central part of the story.) Her parents lived", "hardened, cold, and rugged survivor. He also is highly skilled in fighting and", "Hubykd is 7 years old, and suffers from low-functioning autism. This makes her", "a local warlord's interest, and he orders her captured for her talent. Ttlir", "Hubykd's life as comfortable as possible. Hubykd's ability attracts a local warlord's interest,", "from low-functioning autism. This makes her a savant (this is a central part", "Ttlir is 20 years old, he watched his parents killed in horrible fashion,", "he watched his parents killed in horrible fashion, and turned into a hardened,", "old, and suffers from low-functioning autism. This makes her a savant (this is", "is set in an apocalypse (cause not explained), and the two main characters", "warlord's interest, and he orders her captured for her talent. Ttlir happened to", "local warlord's interest, and he orders her captured for her talent. Ttlir happened", "in fighting and scavenging. However, Hubykd is 7 years old, and suffers from", "a central part of the story.) Her parents lived as comfortable as they", "turned into a hardened, cold, and rugged survivor. He also is highly skilled", "ability attracts a local warlord's interest, and he orders her captured for her", "for a long time is set in an apocalypse (cause not explained), and", "in horrible fashion, and turned into a hardened, cold, and rugged survivor. He", "apocalypse (cause not explained), and the two main characters are vastly different. Ttlir", "and he orders her captured for her talent. Ttlir happened to witness her", "for her talent. Ttlir happened to witness her escape, and had to fight", "orders her captured for her talent. Ttlir happened to witness her escape, and", "killed in horrible fashion, and turned into a hardened, cold, and rugged survivor.", "low-functioning autism. This makes her a savant (this is a central part of", "the story.) Her parents lived as comfortable as they could, and made Hubykd's", "captured for her talent. Ttlir happened to witness her escape, and had to", "way out. So, why would Ttlir save Hubykd, when she can barely use", "a long time is set in an apocalypse (cause not explained), and the", "why would Ttlir save Hubykd, when she can barely use the restroom right?", "fashion, and turned into a hardened, cold, and rugged survivor. He also is", "years old, he watched his parents killed in horrible fashion, and turned into", "as comfortable as they could, and made Hubykd's life as comfortable as possible.", "cold, and rugged survivor. He also is highly skilled in fighting and scavenging.", "Hubykd's ability attracts a local warlord's interest, and he orders her captured for", "explained), and the two main characters are vastly different. Ttlir is 20 years", "are vastly different. Ttlir is 20 years old, he watched his parents killed", "her talent. Ttlir happened to witness her escape, and had to fight his" ]
[ "order to get best recognizement: either his/her monography, or a high impact symposium,", "reserve his/her best work for, in order to get best recognizement: either his/her", "impact index, and the rest low impact, what should the student reserve his/her", "his/her best work for, in order to get best recognizement: either his/her monography,", "of which is expected to have a high impact index, and the rest", "work for, in order to get best recognizement: either his/her monography, or a", "a high impact index, and the rest low impact, what should the student", "rest low impact, what should the student reserve his/her best work for, in", "which is expected to have a high impact index, and the rest low", "high impact index, and the rest low impact, what should the student reserve", "student reserve his/her best work for, in order to get best recognizement: either", "best work for, in order to get best recognizement: either his/her monography, or", "studies, one of which is expected to have a high impact index, and", "a post-graduate student has three unpublished studies, one of which is expected to", "either his/her monography, or a high impact symposium, or a high impact journal?", "get best recognizement: either his/her monography, or a high impact symposium, or a", "to get best recognizement: either his/her monography, or a high impact symposium, or", "should the student reserve his/her best work for, in order to get best", "low impact, what should the student reserve his/her best work for, in order", "student has three unpublished studies, one of which is expected to have a", "one of which is expected to have a high impact index, and the", "impact, what should the student reserve his/her best work for, in order to", "for, in order to get best recognizement: either his/her monography, or a high", "recognizement: either his/her monography, or a high impact symposium, or a high impact", "index, and the rest low impact, what should the student reserve his/her best", "expected to have a high impact index, and the rest low impact, what", "to have a high impact index, and the rest low impact, what should", "the student reserve his/her best work for, in order to get best recognizement:", "has three unpublished studies, one of which is expected to have a high", "the rest low impact, what should the student reserve his/her best work for,", "have a high impact index, and the rest low impact, what should the", "in order to get best recognizement: either his/her monography, or a high impact", "best recognizement: either his/her monography, or a high impact symposium, or a high", "unpublished studies, one of which is expected to have a high impact index,", "what should the student reserve his/her best work for, in order to get", "three unpublished studies, one of which is expected to have a high impact", "and the rest low impact, what should the student reserve his/her best work", "is expected to have a high impact index, and the rest low impact,", "post-graduate student has three unpublished studies, one of which is expected to have", "If a post-graduate student has three unpublished studies, one of which is expected" ]
[ "regularly make mind-boggling logical errors without addressing the idea that that's part of", "where most of the conflict will arise, is between the rebel leaders themselves.", "not the rebellion breezes through their poorly planned defenses. The \"real\" tension in", "different ideas about the way to approach the war (and who should be", "the tried-and-true, if cliched, plot line of \"Scrappy group of rebels fights for", "in generations, and consequently lacks real military expertise. Their tactics tend to be", "idea that that's part of the point. Where should I strike a balance", "most of the conflict will arise, is between the rebel leaders themselves. Though", "to infighting, and may even result in an inconvenient Imperial victory due to", "hasn't faced any sort of real resistance in generations, and consequently lacks real", "very different ideas about the way to approach the war (and who should", "every other paragraph, I feel like the story will come across as unfulfilling", "oppressive Evil Emperor\". Here's the catch: The Empire hasn't faced any sort of", "cliched, plot line of \"Scrappy group of rebels fights for liberation against the", "there are several brilliant minds among them, they have very different ideas about", "and more often than not the rebellion breezes through their poorly planned defenses.", "approach the war (and who should be in power after they inevitably win).", "to blatant disregard for each other's planning. Though I don't want to beat", "is between the rebel leaders themselves. Though there are several brilliant minds among", "an inconvenient Imperial victory due to blatant disregard for each other's planning. Though", "that's part of the point. Where should I strike a balance between the", "tried-and-true, if cliched, plot line of \"Scrappy group of rebels fights for liberation", "resistance in generations, and consequently lacks real military expertise. Their tactics tend to", "to be heavy handed or flawed, and more often than not the rebellion", "they have very different ideas about the way to approach the war (and", "Empire is filled with idiots\" every other paragraph, I feel like the story", "Empire regularly make mind-boggling logical errors without addressing the idea that that's part", "in the early stages of developing a fantasy story. At a high level,", "blatant disregard for each other's planning. Though I don't want to beat the", "heavy handed or flawed, and more often than not the rebellion breezes through", "ideas lead to infighting, and may even result in an inconvenient Imperial victory", "as unfulfilling if I simply make the Empire regularly make mind-boggling logical errors", "liberation against the oppressive Evil Emperor\". Here's the catch: The Empire hasn't faced", "them, they have very different ideas about the way to approach the war", "the reader over the head with \"the Empire is filled with idiots\" every", "a high level, it involves the tried-and-true, if cliched, plot line of \"Scrappy", "power after they inevitably win). The differing strategic ideas lead to infighting, and", "may even result in an inconvenient Imperial victory due to blatant disregard for", "who should be in power after they inevitably win). The differing strategic ideas", "point. Where should I strike a balance between the two? Alternatively, am I", "stages of developing a fantasy story. At a high level, it involves the", "if cliched, plot line of \"Scrappy group of rebels fights for liberation against", "of rebels fights for liberation against the oppressive Evil Emperor\". Here's the catch:", "\"Scrappy group of rebels fights for liberation against the oppressive Evil Emperor\". Here's", "group of rebels fights for liberation against the oppressive Evil Emperor\". Here's the", "story. At a high level, it involves the tried-and-true, if cliched, plot line", "after they inevitably win). The differing strategic ideas lead to infighting, and may", "the early stages of developing a fantasy story. At a high level, it", "about the way to approach the war (and who should be in power", "head with \"the Empire is filled with idiots\" every other paragraph, I feel", "have very different ideas about the way to approach the war (and who", "\"the Empire is filled with idiots\" every other paragraph, I feel like the", "two? Alternatively, am I approaching this from the wrong direction, and need to", "sort of real resistance in generations, and consequently lacks real military expertise. Their", "the story, and where most of the conflict will arise, is between the", "tension in the story, and where most of the conflict will arise, is", "(and who should be in power after they inevitably win). The differing strategic", "mind-boggling logical errors without addressing the idea that that's part of the point.", "lead to infighting, and may even result in an inconvenient Imperial victory due", "Where should I strike a balance between the two? Alternatively, am I approaching", "should I strike a balance between the two? Alternatively, am I approaching this", "victory due to blatant disregard for each other's planning. Though I don't want", "ideas about the way to approach the war (and who should be in", "across as unfulfilling if I simply make the Empire regularly make mind-boggling logical", "from the wrong direction, and need to have the Empire represent legitimate antagonistic", "the rebel leaders themselves. Though there are several brilliant minds among them, they", "line of \"Scrappy group of rebels fights for liberation against the oppressive Evil", "level, it involves the tried-and-true, if cliched, plot line of \"Scrappy group of", "other's planning. Though I don't want to beat the reader over the head", "high level, it involves the tried-and-true, if cliched, plot line of \"Scrappy group", "that that's part of the point. Where should I strike a balance between", "want to beat the reader over the head with \"the Empire is filled", "Their tactics tend to be heavy handed or flawed, and more often than", "real resistance in generations, and consequently lacks real military expertise. Their tactics tend", "Here's the catch: The Empire hasn't faced any sort of real resistance in", "tactics tend to be heavy handed or flawed, and more often than not", "the catch: The Empire hasn't faced any sort of real resistance in generations,", "are several brilliant minds among them, they have very different ideas about the", "it involves the tried-and-true, if cliched, plot line of \"Scrappy group of rebels", "win). The differing strategic ideas lead to infighting, and may even result in", "between the two? Alternatively, am I approaching this from the wrong direction, and", "the two? Alternatively, am I approaching this from the wrong direction, and need", "make mind-boggling logical errors without addressing the idea that that's part of the", "war (and who should be in power after they inevitably win). The differing", "differing strategic ideas lead to infighting, and may even result in an inconvenient", "simply make the Empire regularly make mind-boggling logical errors without addressing the idea", "paragraph, I feel like the story will come across as unfulfilling if I", "feel like the story will come across as unfulfilling if I simply make", "through their poorly planned defenses. The \"real\" tension in the story, and where", "of \"Scrappy group of rebels fights for liberation against the oppressive Evil Emperor\".", "brilliant minds among them, they have very different ideas about the way to", "planned defenses. The \"real\" tension in the story, and where most of the", "result in an inconvenient Imperial victory due to blatant disregard for each other's", "military expertise. Their tactics tend to be heavy handed or flawed, and more", "idiots\" every other paragraph, I feel like the story will come across as", "rebel leaders themselves. Though there are several brilliant minds among them, they have", "I feel like the story will come across as unfulfilling if I simply", "the head with \"the Empire is filled with idiots\" every other paragraph, I", "consequently lacks real military expertise. Their tactics tend to be heavy handed or", "disregard for each other's planning. Though I don't want to beat the reader", "like the story will come across as unfulfilling if I simply make the", "this from the wrong direction, and need to have the Empire represent legitimate", "over the head with \"the Empire is filled with idiots\" every other paragraph,", "poorly planned defenses. The \"real\" tension in the story, and where most of", "generations, and consequently lacks real military expertise. Their tactics tend to be heavy", "fantasy story. At a high level, it involves the tried-and-true, if cliched, plot", "inevitably win). The differing strategic ideas lead to infighting, and may even result", "of the point. Where should I strike a balance between the two? Alternatively,", "unfulfilling if I simply make the Empire regularly make mind-boggling logical errors without", "breezes through their poorly planned defenses. The \"real\" tension in the story, and", "will come across as unfulfilling if I simply make the Empire regularly make", "between the rebel leaders themselves. Though there are several brilliant minds among them,", "of real resistance in generations, and consequently lacks real military expertise. Their tactics", "don't want to beat the reader over the head with \"the Empire is", "they inevitably win). The differing strategic ideas lead to infighting, and may even", "faced any sort of real resistance in generations, and consequently lacks real military", "The \"real\" tension in the story, and where most of the conflict will", "developing a fantasy story. At a high level, it involves the tried-and-true, if", "without addressing the idea that that's part of the point. Where should I", "of developing a fantasy story. At a high level, it involves the tried-and-true,", "or flawed, and more often than not the rebellion breezes through their poorly", "inconvenient Imperial victory due to blatant disregard for each other's planning. Though I", "the rebellion breezes through their poorly planned defenses. The \"real\" tension in the", "a fantasy story. At a high level, it involves the tried-and-true, if cliched,", "rebellion breezes through their poorly planned defenses. The \"real\" tension in the story,", "in an inconvenient Imperial victory due to blatant disregard for each other's planning.", "the idea that that's part of the point. Where should I strike a", "logical errors without addressing the idea that that's part of the point. Where", "and may even result in an inconvenient Imperial victory due to blatant disregard", "Empire hasn't faced any sort of real resistance in generations, and consequently lacks", "Alternatively, am I approaching this from the wrong direction, and need to have", "be heavy handed or flawed, and more often than not the rebellion breezes", "handed or flawed, and more often than not the rebellion breezes through their", "the way to approach the war (and who should be in power after", "errors without addressing the idea that that's part of the point. Where should", "part of the point. Where should I strike a balance between the two?", "often than not the rebellion breezes through their poorly planned defenses. The \"real\"", "story will come across as unfulfilling if I simply make the Empire regularly", "the conflict will arise, is between the rebel leaders themselves. Though there are", "The Empire hasn't faced any sort of real resistance in generations, and consequently", "Imperial victory due to blatant disregard for each other's planning. Though I don't", "due to blatant disregard for each other's planning. Though I don't want to", "real military expertise. Their tactics tend to be heavy handed or flawed, and", "Though I don't want to beat the reader over the head with \"the", "rebels fights for liberation against the oppressive Evil Emperor\". Here's the catch: The", "Though there are several brilliant minds among them, they have very different ideas", "approaching this from the wrong direction, and need to have the Empire represent", "for liberation against the oppressive Evil Emperor\". Here's the catch: The Empire hasn't", "At a high level, it involves the tried-and-true, if cliched, plot line of", "with idiots\" every other paragraph, I feel like the story will come across", "the war (and who should be in power after they inevitably win). The", "to beat the reader over the head with \"the Empire is filled with", "each other's planning. Though I don't want to beat the reader over the", "involves the tried-and-true, if cliched, plot line of \"Scrappy group of rebels fights", "Evil Emperor\". Here's the catch: The Empire hasn't faced any sort of real", "I strike a balance between the two? Alternatively, am I approaching this from", "in the story, and where most of the conflict will arise, is between", "tend to be heavy handed or flawed, and more often than not the", "arise, is between the rebel leaders themselves. Though there are several brilliant minds", "The differing strategic ideas lead to infighting, and may even result in an", "I don't want to beat the reader over the head with \"the Empire", "other paragraph, I feel like the story will come across as unfulfilling if", "the point. Where should I strike a balance between the two? Alternatively, am", "early stages of developing a fantasy story. At a high level, it involves", "am I approaching this from the wrong direction, and need to have the", "of the conflict will arise, is between the rebel leaders themselves. Though there", "a balance between the two? Alternatively, am I approaching this from the wrong", "leaders themselves. Though there are several brilliant minds among them, they have very", "strike a balance between the two? Alternatively, am I approaching this from the", "beat the reader over the head with \"the Empire is filled with idiots\"", "their poorly planned defenses. The \"real\" tension in the story, and where most", "\"real\" tension in the story, and where most of the conflict will arise,", "among them, they have very different ideas about the way to approach the", "in power after they inevitably win). The differing strategic ideas lead to infighting,", "will arise, is between the rebel leaders themselves. Though there are several brilliant", "several brilliant minds among them, they have very different ideas about the way", "even result in an inconvenient Imperial victory due to blatant disregard for each", "if I simply make the Empire regularly make mind-boggling logical errors without addressing", "the story will come across as unfulfilling if I simply make the Empire", "I simply make the Empire regularly make mind-boggling logical errors without addressing the", "themselves. Though there are several brilliant minds among them, they have very different", "conflict will arise, is between the rebel leaders themselves. Though there are several", "story, and where most of the conflict will arise, is between the rebel", "minds among them, they have very different ideas about the way to approach", "defenses. The \"real\" tension in the story, and where most of the conflict", "lacks real military expertise. 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Alternatively, am I approaching this from the wrong direction,", "to approach the war (and who should be in power after they inevitably", "strategic ideas lead to infighting, and may even result in an inconvenient Imperial", "filled with idiots\" every other paragraph, I feel like the story will come", "make the Empire regularly make mind-boggling logical errors without addressing the idea that", "fights for liberation against the oppressive Evil Emperor\". Here's the catch: The Empire", "the Empire regularly make mind-boggling logical errors without addressing the idea that that's", "flawed, and more often than not the rebellion breezes through their poorly planned", "addressing the idea that that's part of the point. Where should I strike", "come across as unfulfilling if I simply make the Empire regularly make mind-boggling", "than not the rebellion breezes through their poorly planned defenses. The \"real\" tension", "infighting, and may even result in an inconvenient Imperial victory due to blatant", "I approaching this from the wrong direction, and need to have the Empire", "against the oppressive Evil Emperor\". Here's the catch: The Empire hasn't faced any", "Emperor\". Here's the catch: The Empire hasn't faced any sort of real resistance", "more often than not the rebellion breezes through their poorly planned defenses. The", "the wrong direction, and need to have the Empire represent legitimate antagonistic force?", "and consequently lacks real military expertise. Their tactics tend to be heavy handed", "for each other's planning. Though I don't want to beat the reader over", "is filled with idiots\" every other paragraph, I feel like the story will", "reader over the head with \"the Empire is filled with idiots\" every other", "any sort of real resistance in generations, and consequently lacks real military expertise." ]
[ "methods for doing so with me at all times. But I can't always", "times. But I can't always use them right away and I often lose", "right away and I often lose the thread by the time I can.", "much as they occur, that's not my issue, I have both digital and", "when I remember it this time but I can't help thinking there has", "be a better way. So my question is *does anyone know a reliable", "as if I have time for the latter I have time to write", "use them right away and I often lose the thread by the time", "time I can. This is usually because I'm either already writing something else", "can't always use them right away and I often lose the thread by", "question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written down pretty much as they", "the moment I have to rely on recurrence of the idea and hope", "to be a better way. So my question is does anyone know a", "time to write it down?* Please note that I really do need a", "do need a technique rather than technology as if I have time for", "both digital and analog methods for doing so with me at all times.", "that's not my issue, I have both digital and analog methods for doing", "by the time I can. This is usually because I'm either already writing", "writing something else down or I'm on a phone call. At the moment", "write it down? Please note that I really do need a technique rather", "if I have time for the latter I have time to write it", "down or I'm on a phone call. At the moment I have to", "but I can't help thinking there has to be a better way. So", "time but I can't help thinking there has to be a better way.", "analog methods for doing so with me at all times. But I can't", "it down? Please note that I really do need a technique rather than", "can't help thinking there has to be a better way. So my question", "and I often lose the thread by the time I can. This is", "but they focus on getting ideas written down pretty much as they occur,", "retaining an idea few a few minutes so you have time to write", "But I can't always use them right away and I often lose the", "a technique rather than technology as if I have time for the latter", "down pretty much as they occur, that's not my issue, I have both", "or I'm on a phone call. At the moment I have to rely", "doing so with me at all times. But I can't always use them", "all times. But I can't always use them right away and I often", "I have to rely on recurrence of the idea and hope I'm less", "I can't help thinking there has to be a better way. So my", "always use them right away and I often lose the thread by the", "idea few a few minutes so you have time to write it down?*", "away and I often lose the thread by the time I can. This", "can. This is usually because I'm either already writing something else* down or", "ideas written down pretty much as they occur, that's not my issue, I", "minutes so you have time to write it down?** Please note that I", "occur, that's not my issue, I have both digital and analog methods for", "I'm less busy when I remember it this time but I can't help", "to rely on recurrence of the idea and hope I'm less busy when", "either already writing something else down or I'm on a phone call. At", "question is does anyone know a reliable technique for retaining an idea few", "they focus on getting ideas written down pretty much as they occur, that's", "At the moment I have to rely on recurrence of the idea and", "I really do need a technique rather than technology as if I have", "have time to write it down? Please note that I really do need", "often lose the thread by the time I can. This is usually because", "few a few minutes so you have time to write it down?** Please", "already writing something else down or I'm on a phone call. At the", "better way. So my question is does anyone know a reliable technique for", "need a technique rather than technology as if I have time for the", "have both digital and analog methods for doing so with me at all", "idea and hope I'm less busy when I remember it this time but", "a better way. So my question is does anyone know a reliable technique", "rather than technology as if I have time for the latter I have", "on a phone call. At the moment I have to rely on recurrence", "that I really do need a technique rather than technology as if I", "I'm either already writing something else down or I'm on a phone call.", "my question is does anyone know a reliable technique for retaining an idea", "few minutes so you have time to write it down? Please note that", "of the idea and hope I'm less busy when I remember it this", "way. So my question is *does anyone know a reliable technique for retaining", "I can. This is usually because I'm either already writing something else* down", "and hope I'm less busy when I remember it this time but I", "focus on getting ideas written down pretty much as they occur, that's not", "to write it down? Please note that I really do need a technique", "answers to [this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written down pretty", "does anyone know a reliable technique for retaining an idea few a few", "something else down or I'm on a phone call. At the moment I", "note that I really do need a technique rather than technology as if", "digital and analog methods for doing so with me at all times. But", "technique rather than technology as if I have time for the latter I", "rely on recurrence of the idea and hope I'm less busy when I", "the thread by the time I can. This is usually because I'm either", "written down pretty much as they occur, that's not my issue, I have", "usually because I'm either already writing something else down or I'm on a", "a phone call. At the moment I have to rely on recurrence of", "getting ideas written down pretty much as they occur, that's not my issue,", "thinking there has to be a better way. So my question is does", "with me at all times. But I can't always use them right away", "So my question is does anyone know a reliable technique for retaining an", "an idea few a few minutes so you have time to write it", "is usually because I'm either already writing something else down or I'm on", "call. At the moment I have to rely on recurrence of the idea", "phone call. At the moment I have to rely on recurrence of the", "my issue, I have both digital and analog methods for doing so with", "moment I have to rely on recurrence of the idea and hope I'm", "issue, I have both digital and analog methods for doing so with me", "this time but I can't help thinking there has to be a better", "I'm on a phone call. At the moment I have to rely on", "read the answers to [this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written", "them right away and I often lose the thread by the time I", "on recurrence of the idea and hope I'm less busy when I remember", "a few minutes so you have time to write it down?** Please note", "This is usually because I'm either already writing something else down or I'm", "not my issue, I have both digital and analog methods for doing so", "the answers to [this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written down", "it this time but I can't help thinking there has to be a", "really do need a technique rather than technology as if I have time", "I have both digital and analog methods for doing so with me at", "I can't always use them right away and I often lose the thread", "on getting ideas written down pretty much as they occur, that's not my", "busy when I remember it this time but I can't help thinking there", "thread by the time I can. This is usually because I'm either already", "recurrence of the idea and hope I'm less busy when I remember it", "has to be a better way. So my question is does anyone know", "a reliable technique for retaining an idea few a few minutes so you", "so you have time to write it down? Please note that I really", "technology as if I have time for the latter I have time to", "and analog methods for doing so with me at all times. But I", "hope I'm less busy when I remember it this time but I can't", "because I'm either already writing something else down or I'm on a phone", "than technology as if I have time for the latter I have time", "have to rely on recurrence of the idea and hope I'm less busy", "so with me at all times. But I can't always use them right", "reliable technique for retaining an idea few a few minutes so you have", "Please note that I really do need a technique rather than technology as", "know a reliable technique for retaining an idea few a few minutes so", "I have time for the latter I have time to write it down.", "down? Please note that I really do need a technique rather than technology", "you have time to write it down? Please note that I really do", "lose the thread by the time I can. This is usually because I'm", "me at all times. But I can't always use them right away and", "to [this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written down pretty much", "the time I can. This is usually because I'm either already writing something", "I remember it this time but I can't help thinking there has to", "technique for retaining an idea few a few minutes so you have time", "I've read the answers to [this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas", "for retaining an idea few a few minutes so you have time to", "[this question](https://writing.stackexchange.com/q/405) but they focus on getting ideas written down pretty much as", "as they occur, that's not my issue, I have both digital and analog", "less busy when I remember it this time but I can't help thinking", "I often lose the thread by the time I can. This is usually", "anyone know a reliable technique for retaining an idea few a few minutes", "remember it this time but I can't help thinking there has to be", "they occur, that's not my issue, I have both digital and analog methods", "is does anyone know a reliable technique for retaining an idea few a", "pretty much as they occur, that's not my issue, I have both digital", "there has to be a better way. So my question is does anyone", "for doing so with me at all times. But I can't always use", "help thinking there has to be a better way. So my question is", "the idea and hope I'm less busy when I remember it this time", "else down or I'm on a phone call. At the moment I have", "at all times. But I can't always use them right away and I" ]
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[ "edit of my novel and focusing on particular scenes. One particular scene I", "protagonist has betrayed him for many years (protagonist believes he was doing it", "that has dire consequences for his best friend, where the protagonist has betrayed", "third edit of my novel and focusing on particular scenes. One particular scene", "be full of tension and conflict but even the conflict I write is", "is essentially the turning point of act 1, where my protagonist reveals a", "this isn’t the right place to ask (first time on the writing exchange).", "capture the tension and the moment through my writing. It’s one of the", "structure, but I am struggling to capture the tension and the moment through", "tension and conflict but even the conflict I write is coming across as", "he was doing it with the best of intentions). The scene is supposed", "anyone recommend any good books that cover this? 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Can anyone recommend any", "happy with the beats and the structure, but I am struggling to capture", "has betrayed him for many years (protagonist believes he was doing it with", "1, where my protagonist reveals a secret that has dire consequences for his", "the structure, but I am struggling to capture the tension and the moment", "believes he was doing it with the best of intentions). The scene is", "my protagonist reveals a secret that has dire consequences for his best friend,", "the best of intentions). The scene is supposed to be full of tension", "dislike everything I write because my prose sounds clunky and doesn’t capture the", "books that cover this? Sorry if this isn’t the right place to ask", "so I really want to get this right I think it comes down", "any good books that cover this? 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One particular", "for many years (protagonist believes he was doing it with the best of", "get this right I think it comes down to a lack of my", "the most important scenes so I really want to get this right I", "ADD - the scene is essentially the turning point of act 1, where", "this right I think it comes down to a lack of my “voice”", "I dislike everything I write because my prose sounds clunky and doesn’t capture", "the moment. Can anyone recommend any good books that cover this? Sorry if", "prose sounds clunky and doesn’t capture the moment. Can anyone recommend any good", "tension and the moment through my writing. It’s one of the most important", "to get this right I think it comes down to a lack of", "“style” in the scene, where I dislike everything I write because my prose", "where the protagonist has betrayed him for many years (protagonist believes he was", "supposed to be full of tension and conflict but even the conflict I", "but even the conflict I write is coming across as boring and clunky", "TO ADD - the scene is essentially the turning point of act 1,", "comes down to a lack of my “voice” or “style” in the scene,", "lack of my “voice” or “style” in the scene, where I dislike everything", "the moment through my writing. It’s one of the most important scenes so", "a lack of my “voice” or “style” in the scene, where I dislike", "best of intentions). The scene is supposed to be full of tension and", "consequences for his best friend, where the protagonist has betrayed him for many", "most important scenes so I really want to get this right I think", "to be full of tension and conflict but even the conflict I write", "on the writing exchange). EDITED TO ADD - the scene is essentially the", "to ask (first time on the writing exchange). EDITED TO ADD - the", "or “style” in the scene, where I dislike everything I write because my", "scenes so I really want to get this right I think it comes", "particular scenes. One particular scene I am happy with the beats and the", "in my third edit of my novel and focusing on particular scenes. One", "secret that has dire consequences for his best friend, where the protagonist has", "sounds clunky and doesn’t capture the moment. Can anyone recommend any good books", "and doesn’t capture the moment. Can anyone recommend any good books that cover", "turning point of act 1, where my protagonist reveals a secret that has", "one of the most important scenes so I really want to get this", "am happy with the beats and the structure, but I am struggling to", "and focusing on particular scenes. One particular scene I am happy with the", "essentially the turning point of act 1, where my protagonist reveals a secret", "and conflict but even the conflict I write is coming across as boring", "want to get this right I think it comes down to a lack", "friend, where the protagonist has betrayed him for many years (protagonist believes he", "conflict I write is coming across as boring and clunky prose. Thanks in", "the scene, where I dislike everything I write because my prose sounds clunky", "doesn’t capture the moment. Can anyone recommend any good books that cover this?", "EDITED TO ADD - the scene is essentially the turning point of act", "on particular scenes. One particular scene I am happy with the beats and", "I really want to get this right I think it comes down to", "reveals a secret that has dire consequences for his best friend, where the" ]
[ "to write a fantasy novel. I have the story(Only the main conflict) but", "you do before literally start writing? Do you create a series of main", "scene? I'm having many ideas related to the story and it's world but", "My question is in novel writing what are all the things you do", "Do you create a series of main events, back stories.. etc. or do", "etc. or do you just write a scene by scene? I'm having many", "the story(Only the main conflict) but I'm unable to make any progress. My", "scene by scene? I'm having many ideas related to the story and it's", "fantasy novel. I have the story(Only the main conflict) but I'm unable to", "the main conflict) but I'm unable to make any progress. My question is", "events, back stories.. etc. or do you just write a scene by scene?", "conflict) but I'm unable to make any progress. My question is in novel", "story and it's world but I feel I just don't know where to", "before literally start writing? Do you create a series of main events, back", "series of main events, back stories.. etc. or do you just write a", "have the story(Only the main conflict) but I'm unable to make any progress.", "a fantasy novel. I have the story(Only the main conflict) but I'm unable", "is in novel writing what are all the things you do before literally", "all the things you do before literally start writing? Do you create a", "what are all the things you do before literally start writing? Do you", "things you do before literally start writing? Do you create a series of", "many ideas related to the story and it's world but I feel I", "any progress. My question is in novel writing what are all the things", "main conflict) but I'm unable to make any progress. My question is in", "ideas related to the story and it's world but I feel I just", "do you just write a scene by scene? I'm having many ideas related", "writing? Do you create a series of main events, back stories.. etc. or", "create a series of main events, back stories.. etc. or do you just", "or do you just write a scene by scene? I'm having many ideas", "a scene by scene? I'm having many ideas related to the story and", "stories.. etc. or do you just write a scene by scene? I'm having", "but I'm unable to make any progress. My question is in novel writing", "question is in novel writing what are all the things you do before", "I'm unable to make any progress. My question is in novel writing what", "and it's world but I feel I just don't know where to start.", "of main events, back stories.. etc. or do you just write a scene", "write a scene by scene? I'm having many ideas related to the story", "make any progress. My question is in novel writing what are all the", "novel writing what are all the things you do before literally start writing?", "start writing? Do you create a series of main events, back stories.. etc.", "literally start writing? Do you create a series of main events, back stories..", "unable to make any progress. My question is in novel writing what are", "back stories.. etc. or do you just write a scene by scene? I'm", "want to write a fantasy novel. I have the story(Only the main conflict)", "write a fantasy novel. I have the story(Only the main conflict) but I'm", "related to the story and it's world but I feel I just don't", "you create a series of main events, back stories.. etc. or do you", "a series of main events, back stories.. etc. or do you just write", "story(Only the main conflict) but I'm unable to make any progress. My question", "by scene? I'm having many ideas related to the story and it's world", "main events, back stories.. etc. or do you just write a scene by", "are all the things you do before literally start writing? Do you create", "having many ideas related to the story and it's world but I feel", "the story and it's world but I feel I just don't know where", "it's world but I feel I just don't know where to start. Thanks.", "to the story and it's world but I feel I just don't know", "I'm having many ideas related to the story and it's world but I", "the things you do before literally start writing? Do you create a series", "I want to write a fantasy novel. I have the story(Only the main", "you just write a scene by scene? I'm having many ideas related to", "in novel writing what are all the things you do before literally start", "novel. I have the story(Only the main conflict) but I'm unable to make", "writing what are all the things you do before literally start writing? Do", "I have the story(Only the main conflict) but I'm unable to make any", "do before literally start writing? Do you create a series of main events,", "progress. My question is in novel writing what are all the things you", "to make any progress. My question is in novel writing what are all", "just write a scene by scene? I'm having many ideas related to the" ]
[ "has to be some good climaxing sex going on regularly all through the", "novel? How do you increase erotic tension, when your characters already have crazy", "must provide a means for the reader to achieve orgasm. Which is why", "Basically, a good story has the structure of an orgasm. But how does", "regularly all through the novel. I understand that others have other concepts of", "plot culminates in a climax and the tension is released in the end.", "mastubatory aid.* And because you don't read a whole novel in one sitting,", "in one sitting, each evening's amount of reading must provide a means for", "innuendo alone will not suffice, and there has to be some good climaxing", "unbearable, until the plot culminates in a climax and the tension is released", "increase erotic tension, when your characters already have crazy sex on page three", "is why innuendo alone will not suffice, and there has to be some", "question, please respect my definition. --- I have posted a follow-up question: [Conflict", "is released in the end. Basically, a good story has the structure of", "each evening's amount of reading must provide a means for the reader to", "some good climaxing sex going on regularly all through the novel. I understand", "culminates in a climax and the tension is released in the end. Basically,", "--- I have posted a follow-up question: [Conflict and antagonist in an erotic", "overcome, setbacks more painful, complications more confusing, the stakes are raised higher and", "page three and then once every chapter? --- For the purpose of this", "I'm using the following definition of \"erotic novel\": Something that you read as", "you don't read a whole novel in one sitting, each evening's amount of", "But how does this work in an erotic novel? How do you increase", "fears become almost unbearable, until the plot culminates in a climax and the", "work in an erotic novel? How do you increase erotic tension, when your", "will have a narrative arc of increasing suspense: obstacles become more and more", "means for the reader to achieve orgasm. Which is why innuendo alone will", "and then once every chapter? --- For the purpose of this question, I'm", "achieve orgasm. Which is why innuendo alone will not suffice, and there has", "when your characters already have crazy sex on page three and then once", "the stakes are raised higher and higher, hopes and fears become almost unbearable,", "are raised higher and higher, hopes and fears become almost unbearable, until the", "on regularly all through the novel. I understand that others have other concepts", "reading must provide a means for the reader to achieve orgasm. Which is", "my* question, please respect my definition. --- I have posted a follow-up question:", "more painful, complications more confusing, the stakes are raised higher and higher, hopes", "suspense: obstacles become more and more difficult to overcome, setbacks more painful, complications", "an orgasm. But how does this work in an erotic novel? How do", "difficult to overcome, setbacks more painful, complications more confusing, the stakes are raised", "why innuendo alone will not suffice, and there has to be some good", "of an orgasm. But how does this work in an erotic novel? How", "novel\": Something that you read as a mastubatory aid. And because you don't", "orgasm. Which is why innuendo alone will not suffice, and there has to", "the structure of an orgasm. But how does this work in an erotic", "understand that others have other concepts of what an erotic novel is, but", "through the novel. I understand that others have other concepts of what an", "have other concepts of what an erotic novel is, but for my question,", "a story will have a narrative arc of increasing suspense: obstacles become more", "And because you don't read a whole novel in one sitting, each evening's", "not suffice, and there has to be some good climaxing sex going on", "this question, I'm using the following definition of \"erotic novel\": Something that you", "using the following definition of \"erotic novel\": Something that you read as a", "of reading must provide a means for the reader to achieve orgasm. Which", "of what an erotic novel is, but for my question, please respect my", "novel. I understand that others have other concepts of what an erotic novel", "more confusing, the stakes are raised higher and higher, hopes and fears become", "tension, when your characters already have crazy sex on page three and then", "of this question, I'm using the following definition of \"erotic novel\": Something that", "novel in one sitting, each evening's amount of reading must provide a means", "and fears become almost unbearable, until the plot culminates in a climax and", "sex going on regularly all through the novel. I understand that others have", "then once every chapter? --- For the purpose of this question, I'm using", "purpose of this question, I'm using the following definition of \"erotic novel\": Something", "I have posted a follow-up question: [Conflict and antagonist in an erotic novel](https://writing.stackexchange.com/questions/40908/conflict-and-antagonist-in-an-erotic-novel)", "have crazy sex on page three and then once every chapter? --- For", "once every chapter? --- For the purpose of this question, I'm using the", "you read as a mastubatory aid.* And because you don't read a whole", "story will have a narrative arc of increasing suspense: obstacles become more and", "erotic tension, when your characters already have crazy sex on page three and", "because you don't read a whole novel in one sitting, each evening's amount", "climax and the tension is released in the end. Basically, a good story", "painful, complications more confusing, the stakes are raised higher and higher, hopes and", "a means for the reader to achieve orgasm. Which is why innuendo alone", "and more difficult to overcome, setbacks more painful, complications more confusing, the stakes", "a mastubatory aid.* And because you don't read a whole novel in one", "aid.* And because you don't read a whole novel in one sitting, each", "in the end. Basically, a good story has the structure of an orgasm.", "there has to be some good climaxing sex going on regularly all through", "does this work in an erotic novel? How do you increase erotic tension,", "higher and higher, hopes and fears become almost unbearable, until the plot culminates", "don't read a whole novel in one sitting, each evening's amount of reading", "a good story has the structure of an orgasm. But how does this", "read as a mastubatory aid.* And because you don't read a whole novel", "be some good climaxing sex going on regularly all through the novel. I", "is, but for my question, please respect my definition. --- I have posted", "narrative arc of increasing suspense: obstacles become more and more difficult to overcome,", "chapter? --- For the purpose of this question, I'm using the following definition", "to overcome, setbacks more painful, complications more confusing, the stakes are raised higher", "will not suffice, and there has to be some good climaxing sex going", "Something that you read as a mastubatory aid. And because you don't read", "question, I'm using the following definition of \"erotic novel\": Something that you read", "the tension is released in the end. Basically, a good story has the", "sitting, each evening's amount of reading must provide a means for the reader", "story has the structure of an orgasm. But how does this work in", "one sitting, each evening's amount of reading must provide a means for the", "others have other concepts of what an erotic novel is, but for my", "to be some good climaxing sex going on regularly all through the novel.", "sex on page three and then once every chapter? --- For the purpose", "to achieve orgasm. Which is why innuendo alone will not suffice, and there", "Usually a story will have a narrative arc of increasing suspense: obstacles become", "for my* question, please respect my definition. --- I have posted a follow-up", "\"erotic novel\": Something that you read as a mastubatory aid. And because you", "respect my definition. --- I have posted a follow-up question: [Conflict and antagonist", "of \"erotic novel\": Something that you read as a mastubatory aid. And because", "crazy sex on page three and then once every chapter? --- For the", "erotic novel is, but for my question, please respect my definition. --- I", "all through the novel. I understand that others have other concepts of what", "novel is, but for my question, please respect my definition. --- I have", "following definition of \"erotic novel\": Something that you read as a mastubatory aid.", "increasing suspense: obstacles become more and more difficult to overcome, setbacks more painful,", "complications more confusing, the stakes are raised higher and higher, hopes and fears", "this work in an erotic novel? How do you increase erotic tension, when", "provide a means for the reader to achieve orgasm. Which is why innuendo", "concepts of what an erotic novel is, but for my question, please respect", "almost unbearable, until the plot culminates in a climax and the tension is", "obstacles become more and more difficult to overcome, setbacks more painful, complications more", "For the purpose of this question, I'm using the following definition of \"erotic", "my definition. --- I have posted a follow-up question: [Conflict and antagonist in", "has the structure of an orgasm. But how does this work in an", "--- For the purpose of this question, I'm using the following definition of", "erotic novel? How do you increase erotic tension, when your characters already have", "how does this work in an erotic novel? How do you increase erotic", "in a climax and the tension is released in the end. Basically, a", "the following definition of \"erotic novel\": Something that you read as a mastubatory", "stakes are raised higher and higher, hopes and fears become almost unbearable, until", "and the tension is released in the end. Basically, a good story has", "going on regularly all through the novel. I understand that others have other", "released in the end. Basically, a good story has the structure of an", "more and more difficult to overcome, setbacks more painful, complications more confusing, the", "a climax and the tension is released in the end. Basically, a good", "alone will not suffice, and there has to be some good climaxing sex", "become more and more difficult to overcome, setbacks more painful, complications more confusing,", "three and then once every chapter? --- For the purpose of this question,", "end. Basically, a good story has the structure of an orgasm. But how", "the plot culminates in a climax and the tension is released in the", "and there has to be some good climaxing sex going on regularly all", "read a whole novel in one sitting, each evening's amount of reading must", "please respect my definition. --- I have posted a follow-up question: [Conflict and", "definition of \"erotic novel\": Something that you read as a mastubatory aid.* And", "I understand that others have other concepts of what an erotic novel is,", "on page three and then once every chapter? --- For the purpose of", "an erotic novel? How do you increase erotic tension, when your characters already", "what an erotic novel is, but for my question, please respect my definition.", "a whole novel in one sitting, each evening's amount of reading must provide", "hopes and fears become almost unbearable, until the plot culminates in a climax", "the purpose of this question, I'm using the following definition of \"erotic novel\":", "the reader to achieve orgasm. Which is why innuendo alone will not suffice,", "the novel. I understand that others have other concepts of what an erotic", "climaxing sex going on regularly all through the novel. I understand that others", "setbacks more painful, complications more confusing, the stakes are raised higher and higher,", "good climaxing sex going on regularly all through the novel. I understand that", "more difficult to overcome, setbacks more painful, complications more confusing, the stakes are", "definition. --- I have posted a follow-up question: [Conflict and antagonist in an", "become almost unbearable, until the plot culminates in a climax and the tension", "of increasing suspense: obstacles become more and more difficult to overcome, setbacks more", "higher, hopes and fears become almost unbearable, until the plot culminates in a", "How do you increase erotic tension, when your characters already have crazy sex", "whole novel in one sitting, each evening's amount of reading must provide a", "until the plot culminates in a climax and the tension is released in", "you increase erotic tension, when your characters already have crazy sex on page", "in an erotic novel? How do you increase erotic tension, when your characters", "your characters already have crazy sex on page three and then once every", "suffice, and there has to be some good climaxing sex going on regularly", "other concepts of what an erotic novel is, but for my question, please", "raised higher and higher, hopes and fears become almost unbearable, until the plot", "characters already have crazy sex on page three and then once every chapter?", "confusing, the stakes are raised higher and higher, hopes and fears become almost", "arc of increasing suspense: obstacles become more and more difficult to overcome, setbacks", "structure of an orgasm. But how does this work in an erotic novel?", "amount of reading must provide a means for the reader to achieve orgasm.", "have a narrative arc of increasing suspense: obstacles become more and more difficult", "do you increase erotic tension, when your characters already have crazy sex on", "for the reader to achieve orgasm. Which is why innuendo alone will not", "reader to achieve orgasm. Which is why innuendo alone will not suffice, and", "that you read as a mastubatory aid.* And because you don't read a", "an erotic novel is, but for my question, please respect my definition. ---", "Which is why innuendo alone will not suffice, and there has to be", "tension is released in the end. Basically, a good story has the structure", "as a mastubatory aid.* And because you don't read a whole novel in", "that others have other concepts of what an erotic novel is, but for", "but for my question, please respect my definition. --- I have posted a", "and higher, hopes and fears become almost unbearable, until the plot culminates in", "orgasm. But how does this work in an erotic novel? How do you", "a narrative arc of increasing suspense: obstacles become more and more difficult to", "good story has the structure of an orgasm. But how does this work", "the end. Basically, a good story has the structure of an orgasm. But", "every chapter? --- For the purpose of this question, I'm using the following", "evening's amount of reading must provide a means for the reader to achieve", "already have crazy sex on page three and then once every chapter? ---" ]
[ "their horses and is pretty freaked out, but I don't really know how", "other humans and the biggest creature she has ever interacted with are dogs.", "recently met other humans and the biggest creature she has ever interacted with", "In my story, my narrator has only recently met other humans and the", "camp, she encounters their horses and is pretty freaked out, but I don't", "and the biggest creature she has ever interacted with are dogs. In the", "know how to describe them in the way that someone would if they'd", "humans and the biggest creature she has ever interacted with are dogs. In", "survivors' camp, she encounters their horses and is pretty freaked out, but I", "are dogs. In the survivors' camp, she encounters their horses and is pretty", "met other humans and the biggest creature she has ever interacted with are", "them in the way that someone would if they'd never seen them before.", "freaked out, but I don't really know how to describe them in the", "encounters their horses and is pretty freaked out, but I don't really know", "to describe them in the way that someone would if they'd never seen", "pretty freaked out, but I don't really know how to describe them in", "the survivors' camp, she encounters their horses and is pretty freaked out, but", "she has ever interacted with are dogs. In the survivors' camp, she encounters", "she encounters their horses and is pretty freaked out, but I don't really", "my story, my narrator has only recently met other humans and the biggest", "horses and is pretty freaked out, but I don't really know how to", "really know how to describe them in the way that someone would if", "is pretty freaked out, but I don't really know how to describe them", "describe them in the way that someone would if they'd never seen them", "only recently met other humans and the biggest creature she has ever interacted", "dogs. In the survivors' camp, she encounters their horses and is pretty freaked", "with are dogs. In the survivors' camp, she encounters their horses and is", "narrator has only recently met other humans and the biggest creature she has", "my narrator has only recently met other humans and the biggest creature she", "creature she has ever interacted with are dogs. In the survivors' camp, she", "I don't really know how to describe them in the way that someone", "how to describe them in the way that someone would if they'd never", "ever interacted with are dogs. In the survivors' camp, she encounters their horses", "don't really know how to describe them in the way that someone would", "out, but I don't really know how to describe them in the way", "interacted with are dogs. In the survivors' camp, she encounters their horses and", "biggest creature she has ever interacted with are dogs. In the survivors' camp,", "In the survivors' camp, she encounters their horses and is pretty freaked out,", "in the way that someone would if they'd never seen them before. Help?", "and is pretty freaked out, but I don't really know how to describe", "has ever interacted with are dogs. In the survivors' camp, she encounters their", "the biggest creature she has ever interacted with are dogs. In the survivors'", "story, my narrator has only recently met other humans and the biggest creature", "has only recently met other humans and the biggest creature she has ever", "but I don't really know how to describe them in the way that" ]
[ "the main characters, so we can have some dialog to let us know", "just to be funny. I hope that makes sense. Is it just \"character,\"", "but the bad guy always has this guy with them they talk to", "let us know what's happening. Maybe it's mostly in movies, but the bad", "a character, typically it is a bad guy, but not always, and you", "Maybe it's mostly in movies, but the bad guy always has this guy", "it's mostly in movies, but the bad guy always has this guy with", "you see this in movies a lot, but there is always another character", "see this in movies a lot, but there is always another character with", "I have a character, typically it is a bad guy, but not always,", "the they are a protagonist, or sometimes just to be funny. I hope", "one of the main characters, so we can have some dialog to let", "guy with them they talk to that you know is there just for", "viewers or readers, so we can know what's \"really\" going on, whether it", "can know what's \"really\" going on, whether it is the reason why the", "us, the viewers or readers, so we can know what's \"really\" going on,", "to that you know is there just for us, the viewers or readers,", "to let us know what's happening. Maybe it's mostly in movies, but the", "so we can know what's \"really\" going on, whether it is the reason", "is always another character with one of the main characters, so we can", "dialog to let us know what's happening. Maybe it's mostly in movies, but", "what's happening. Maybe it's mostly in movies, but the bad guy always has", "them they talk to that you know is there just for us, the", "is there just for us, the viewers or readers, so we can know", "have a character, typically it is a bad guy, but not always, and", "talk to that you know is there just for us, the viewers or", "protagonist, or sometimes just to be funny. I hope that makes sense. Is", "guy, but not always, and you see this in movies a lot, but", "and you see this in movies a lot, but there is always another", "is the reason why the they are a protagonist, or sometimes just to", "always another character with one of the main characters, so we can have", "are a protagonist, or sometimes just to be funny. I hope that makes", "be funny. I hope that makes sense. Is it just \"character,\" no special", "mostly in movies, but the bad guy always has this guy with them", "always, and you see this in movies a lot, but there is always", "guy always has this guy with them they talk to that you know", "they talk to that you know is there just for us, the viewers", "going on, whether it is the reason why the they are a protagonist,", "in movies, but the bad guy always has this guy with them they", "has this guy with them they talk to that you know is there", "of the main characters, so we can have some dialog to let us", "the viewers or readers, so we can know what's \"really\" going on, whether", "this guy with them they talk to that you know is there just", "this in movies a lot, but there is always another character with one", "just for us, the viewers or readers, so we can know what's \"really\"", "some dialog to let us know what's happening. Maybe it's mostly in movies,", "what's \"really\" going on, whether it is the reason why the they are", "sometimes just to be funny. I hope that makes sense. Is it just", "there just for us, the viewers or readers, so we can know what's", "there is always another character with one of the main characters, so we", "have some dialog to let us know what's happening. Maybe it's mostly in", "character, typically it is a bad guy, but not always, and you see", "they are a protagonist, or sometimes just to be funny. I hope that", "but there is always another character with one of the main characters, so", "a bad guy, but not always, and you see this in movies a", "in movies a lot, but there is always another character with one of", "always has this guy with them they talk to that you know is", "but not always, and you see this in movies a lot, but there", "is a bad guy, but not always, and you see this in movies", "that you know is there just for us, the viewers or readers, so", "another character with one of the main characters, so we can have some", "If I have a character, typically it is a bad guy, but not", "it is the reason why the they are a protagonist, or sometimes just", "can have some dialog to let us know what's happening. Maybe it's mostly", "bad guy, but not always, and you see this in movies a lot,", "on, whether it is the reason why the they are a protagonist, or", "for us, the viewers or readers, so we can know what's \"really\" going", "readers, so we can know what's \"really\" going on, whether it is the", "why the they are a protagonist, or sometimes just to be funny. I", "reason why the they are a protagonist, or sometimes just to be funny.", "character with one of the main characters, so we can have some dialog", "you know is there just for us, the viewers or readers, so we", "know what's \"really\" going on, whether it is the reason why the they", "the bad guy always has this guy with them they talk to that", "a protagonist, or sometimes just to be funny. I hope that makes sense.", "we can have some dialog to let us know what's happening. Maybe it's", "not always, and you see this in movies a lot, but there is", "or readers, so we can know what's \"really\" going on, whether it is", "a lot, but there is always another character with one of the main", "it is a bad guy, but not always, and you see this in", "happening. Maybe it's mostly in movies, but the bad guy always has this", "or sometimes just to be funny. I hope that makes sense. Is it", "lot, but there is always another character with one of the main characters,", "bad guy always has this guy with them they talk to that you", "\"really\" going on, whether it is the reason why the they are a", "main characters, so we can have some dialog to let us know what's", "typically it is a bad guy, but not always, and you see this", "funny. I hope that makes sense. Is it just \"character,\" no special name.", "so we can have some dialog to let us know what's happening. Maybe", "we can know what's \"really\" going on, whether it is the reason why", "whether it is the reason why the they are a protagonist, or sometimes", "movies a lot, but there is always another character with one of the", "with one of the main characters, so we can have some dialog to", "us know what's happening. Maybe it's mostly in movies, but the bad guy", "movies, but the bad guy always has this guy with them they talk", "characters, so we can have some dialog to let us know what's happening.", "the reason why the they are a protagonist, or sometimes just to be", "to be funny. I hope that makes sense. Is it just \"character,\" no", "know is there just for us, the viewers or readers, so we can", "know what's happening. Maybe it's mostly in movies, but the bad guy always", "with them they talk to that you know is there just for us," ]
[ "of a game, you sometimes have some character explaining things to you, the", "by saying that what they are about to say is for a higher", "ok to do this in dialog, even if your game is a bit", "this in dialog, even if your game is a bit heavier on the", "some character explaining things to you, the player, instead of the character, telling", "not like this will happen every time, it's mostly just at the start,", "instead of the character, telling them to press A to do this and", "sometimes have some character explaining things to you, the player, instead of the", "to do this in dialog, even if your game is a bit heavier", "a joke by saying that what they are about to say is for", "think even makes a joke by saying that what they are about to", "saying that what they are about to say is for a higher being", "and that. Paper Mario I think even makes a joke by saying that", "the character, telling them to press A to do this and that. Paper", "is for a higher being who might be watching, aka the player. Is", "that what they are about to say is for a higher being who", "makes a joke by saying that what they are about to say is", "start of a game, you sometimes have some character explaining things to you,", "to you, the player, instead of the character, telling them to press A", "will happen every time, it's mostly just at the start, so it should", "At the start of a game, you sometimes have some character explaining things", "even makes a joke by saying that what they are about to say", "things to you, the player, instead of the character, telling them to press", "player. Is it ok to do this in dialog, even if your game", "every time, it's mostly just at the start, so it should be ok,", "character, telling them to press A to do this and that. Paper Mario", "Is it ok to do this in dialog, even if your game is", "Mario I think even makes a joke by saying that what they are", "the start of a game, you sometimes have some character explaining things to", "might be watching, aka the player. Is it ok to do this in", "a game, you sometimes have some character explaining things to you, the player,", "to press A to do this and that. Paper Mario I think even", "press A to do this and that. Paper Mario I think even makes", "say is for a higher being who might be watching, aka the player.", "a bit heavier on the story side? It's not like this will happen", "the story side? It's not like this will happen every time, it's mostly", "is a bit heavier on the story side? It's not like this will", "you, the player, instead of the character, telling them to press A to", "that. Paper Mario I think even makes a joke by saying that what", "on the story side? It's not like this will happen every time, it's", "who might be watching, aka the player. Is it ok to do this", "even if your game is a bit heavier on the story side? It's", "game is a bit heavier on the story side? It's not like this", "happen every time, it's mostly just at the start, so it should be", "time, it's mostly just at the start, so it should be ok, right?", "to say is for a higher being who might be watching, aka the", "in dialog, even if your game is a bit heavier on the story", "character explaining things to you, the player, instead of the character, telling them", "side? It's not like this will happen every time, it's mostly just at", "explaining things to you, the player, instead of the character, telling them to", "I think even makes a joke by saying that what they are about", "player, instead of the character, telling them to press A to do this", "be watching, aka the player. Is it ok to do this in dialog,", "your game is a bit heavier on the story side? It's not like", "they are about to say is for a higher being who might be", "about to say is for a higher being who might be watching, aka", "have some character explaining things to you, the player, instead of the character,", "heavier on the story side? It's not like this will happen every time,", "do this in dialog, even if your game is a bit heavier on", "this will happen every time, it's mostly just at the start, so it", "what they are about to say is for a higher being who might", "like this will happen every time, it's mostly just at the start, so", "of the character, telling them to press A to do this and that.", "to do this and that. Paper Mario I think even makes a joke", "Paper Mario I think even makes a joke by saying that what they", "It's not like this will happen every time, it's mostly just at the", "aka the player. Is it ok to do this in dialog, even if", "you sometimes have some character explaining things to you, the player, instead of", "story side? It's not like this will happen every time, it's mostly just", "a higher being who might be watching, aka the player. Is it ok", "do this and that. Paper Mario I think even makes a joke by", "the player, instead of the character, telling them to press A to do", "it ok to do this in dialog, even if your game is a", "telling them to press A to do this and that. Paper Mario I", "watching, aka the player. Is it ok to do this in dialog, even", "game, you sometimes have some character explaining things to you, the player, instead", "bit heavier on the story side? It's not like this will happen every", "dialog, even if your game is a bit heavier on the story side?", "them to press A to do this and that. Paper Mario I think", "this and that. Paper Mario I think even makes a joke by saying", "the player. Is it ok to do this in dialog, even if your", "A to do this and that. Paper Mario I think even makes a", "for a higher being who might be watching, aka the player. Is it", "higher being who might be watching, aka the player. Is it ok to", "if your game is a bit heavier on the story side? It's not", "being who might be watching, aka the player. Is it ok to do", "joke by saying that what they are about to say is for a", "are about to say is for a higher being who might be watching," ]
[ "dictatorship ... much like Katniss Everdeen from the Hunger Games. I think one", "Hermoine Granger and Katniss Everdeen. My plotline is similar to that of the", "the Hunger Games. I think one of my main characters is too similar", "to Hermoine Granger and Katniss Everdeen. My plotline is similar to that of", "and Katniss Everdeen. My plotline is similar to that of the Forest Of", "the universe isn't what it seems. They fight for power against someone who", "too much like Matched by Allie Condie. How can I make my book", "like Matched by Allie Condie. How can I make my book different and", "universe isn't what it seems. They fight for power against someone who has", "by Allie Condie. How can I make my book different and stand out", "Ryan and my fantasy world is too much like Matched by Allie Condie.", "I think one of my main characters is too similar to Hermoine Granger", "Teeth by Carrie Ryan and my fantasy world is too much like Matched", "that realise that the universe isn't what it seems. They fight for power", "but my book is about four characters that realise that the universe isn't", "too similar to Hermoine Granger and Katniss Everdeen. My plotline is similar to", "And Teeth by Carrie Ryan and my fantasy world is too much like", "... much like Katniss Everdeen from the Hunger Games. I think one of", "different and stand out from the others on the shelf? I'm afraid I", "that of the Forest Of Hands And Teeth by Carrie Ryan and my", "of the Forest Of Hands And Teeth by Carrie Ryan and my fantasy", "Hands And Teeth by Carrie Ryan and my fantasy world is too much", "who has held a long-standing dictatorship ... much like Katniss Everdeen from the", "much like Matched by Allie Condie. How can I make my book different", "book is about four characters that realise that the universe isn't what it", "world is too much like Matched by Allie Condie. How can I make", "fight for power against someone who has held a long-standing dictatorship ... much", "stand out from the others on the shelf? I'm afraid I may be", "main characters is too similar to Hermoine Granger and Katniss Everdeen. My plotline", "characters that realise that the universe isn't what it seems. They fight for", "like Katniss Everdeen from the Hunger Games. I think one of my main", "Games. I think one of my main characters is too similar to Hermoine", "others on the shelf? I'm afraid I may be called out for plagiarism.", "similar to that of the Forest Of Hands And Teeth by Carrie Ryan", "from the others on the shelf? I'm afraid I may be called out", "think one of my main characters is too similar to Hermoine Granger and", "from the Hunger Games. I think one of my main characters is too", "can I make my book different and stand out from the others on", "make my book different and stand out from the others on the shelf?", "is similar to that of the Forest Of Hands And Teeth by Carrie", "and my fantasy world is too much like Matched by Allie Condie. How", "Hunger Games. I think one of my main characters is too similar to", "Carrie Ryan and my fantasy world is too much like Matched by Allie", "my book different and stand out from the others on the shelf? I'm", "by Carrie Ryan and my fantasy world is too much like Matched by", "Condie. How can I make my book different and stand out from the", "one of my main characters is too similar to Hermoine Granger and Katniss", "plotline is similar to that of the Forest Of Hands And Teeth by", "to that of the Forest Of Hands And Teeth by Carrie Ryan and", "what it seems. They fight for power against someone who has held a", "is about four characters that realise that the universe isn't what it seems.", "against someone who has held a long-standing dictatorship ... much like Katniss Everdeen", "a long-standing dictatorship ... much like Katniss Everdeen from the Hunger Games. I", "my book is about four characters that realise that the universe isn't what", "similar to Hermoine Granger and Katniss Everdeen. My plotline is similar to that", "Everdeen. My plotline is similar to that of the Forest Of Hands And", "isn't what it seems. They fight for power against someone who has held", "is too much like Matched by Allie Condie. How can I make my", "Everdeen from the Hunger Games. I think one of my main characters is", "my main characters is too similar to Hermoine Granger and Katniss Everdeen. My", "How can I make my book different and stand out from the others", "and stand out from the others on the shelf? I'm afraid I may", "the Forest Of Hands And Teeth by Carrie Ryan and my fantasy world", "for power against someone who has held a long-standing dictatorship ... much like", "power against someone who has held a long-standing dictatorship ... much like Katniss", "realise that the universe isn't what it seems. They fight for power against", "get into all the details, but my book is about four characters that", "out from the others on the shelf? I'm afraid I may be called", "Of Hands And Teeth by Carrie Ryan and my fantasy world is too", "much like Katniss Everdeen from the Hunger Games. I think one of my", "won't get into all the details, but my book is about four characters", "fantasy world is too much like Matched by Allie Condie. How can I", "Forest Of Hands And Teeth by Carrie Ryan and my fantasy world is", "I make my book different and stand out from the others on the", "four characters that realise that the universe isn't what it seems. They fight", "Matched by Allie Condie. How can I make my book different and stand", "Allie Condie. How can I make my book different and stand out from", "into all the details, but my book is about four characters that realise", "someone who has held a long-standing dictatorship ... much like Katniss Everdeen from", "has held a long-standing dictatorship ... much like Katniss Everdeen from the Hunger", "Granger and Katniss Everdeen. My plotline is similar to that of the Forest", "is too similar to Hermoine Granger and Katniss Everdeen. My plotline is similar", "it seems. They fight for power against someone who has held a long-standing", "the details, but my book is about four characters that realise that the", "held a long-standing dictatorship ... much like Katniss Everdeen from the Hunger Games.", "long-standing dictatorship ... much like Katniss Everdeen from the Hunger Games. I think", "all the details, but my book is about four characters that realise that", "that the universe isn't what it seems. They fight for power against someone", "characters is too similar to Hermoine Granger and Katniss Everdeen. My plotline is", "details, but my book is about four characters that realise that the universe", "my fantasy world is too much like Matched by Allie Condie. How can", "seems. They fight for power against someone who has held a long-standing dictatorship", "the others on the shelf? I'm afraid I may be called out for", "of my main characters is too similar to Hermoine Granger and Katniss Everdeen.", "Katniss Everdeen. My plotline is similar to that of the Forest Of Hands", "book different and stand out from the others on the shelf? I'm afraid", "My plotline is similar to that of the Forest Of Hands And Teeth", "Katniss Everdeen from the Hunger Games. I think one of my main characters", "They fight for power against someone who has held a long-standing dictatorship ...", "I won't get into all the details, but my book is about four", "about four characters that realise that the universe isn't what it seems. They" ]
[ "perspective. One is fiction the other non fiction. I need to create a", "need to create a sidebar, on each page that does not overlap in", "I have been struggling with word and libreoffice and cannot yet find the", "question please let me know and I will provide examples. Thanks again, Max", "is italic and the other standard. I have been struggling with word and", "format settings to allow me to do this seamlessly. If you need me", "and libreoffice and cannot yet find the format settings to allow me to", "need me to be more precise in the question please let me know", "character color and one is italic and the other standard. I have been", "to the main story but from one other perspective. One is fiction the", "a novel with two stories simulatenously running alongside each other. That is, on", "and one is italic and the other standard. I have been struggling with", "story is different, also in character color and one is italic and the", "each page there is a main story, taking the body of the page,", "fiction. I need to create a sidebar, on each page that does not", "in the question please let me know and I will provide examples. Thanks", "from one other perspective. One is fiction the other non fiction. I need", "a main story, taking the body of the page, and there is a", "the page, and there is a 'side story' which runs alongside it which", "non fiction. I need to create a sidebar, on each page that does", "the body of the page, and there is a 'side story' which runs", "page, and there is a 'side story' which runs alongside it which contributes", "two stories simulatenously running alongside each other. That is, on each page there", "That is, on each page there is a main story, taking the body", "does not overlap in the word processor, but runs separately from page to", "to page. As each story is different, also in character color and one", "create a sidebar, on each page that does not overlap in the word", "from page to page. As each story is different, also in character color", "is a main story, taking the body of the page, and there is", "the format settings to allow me to do this seamlessly. If you need", "also in character color and one is italic and the other standard. I", "and there is a 'side story' which runs alongside it which contributes to", "this seamlessly. If you need me to be more precise in the question", "a 'side story' which runs alongside it which contributes to the main story", "the other non fiction. I need to create a sidebar, on each page", "settings to allow me to do this seamlessly. If you need me to", "but runs separately from page to page. As each story is different, also", "other standard. I have been struggling with word and libreoffice and cannot yet", "been struggling with word and libreoffice and cannot yet find the format settings", "there is a 'side story' which runs alongside it which contributes to the", "word processor, but runs separately from page to page. As each story is", "each story is different, also in character color and one is italic and", "I need to create a sidebar, on each page that does not overlap", "to do this seamlessly. If you need me to be more precise in", "contributes to the main story but from one other perspective. One is fiction", "on each page that does not overlap in the word processor, but runs", "main story, taking the body of the page, and there is a 'side", "fiction the other non fiction. I need to create a sidebar, on each", "'side story' which runs alongside it which contributes to the main story but", "color and one is italic and the other standard. I have been struggling", "is, on each page there is a main story, taking the body of", "main story but from one other perspective. One is fiction the other non", "story, taking the body of the page, and there is a 'side story'", "running alongside each other. That is, on each page there is a main", "of the page, and there is a 'side story' which runs alongside it", "writing a novel with two stories simulatenously running alongside each other. That is,", "me to do this seamlessly. If you need me to be more precise", "simulatenously running alongside each other. That is, on each page there is a", "separately from page to page. As each story is different, also in character", "to create a sidebar, on each page that does not overlap in the", "and the other standard. I have been struggling with word and libreoffice and", "As each story is different, also in character color and one is italic", "the word processor, but runs separately from page to page. As each story", "you need me to be more precise in the question please let me", "seamlessly. If you need me to be more precise in the question please", "more precise in the question please let me know and I will provide", "to be more precise in the question please let me know and I", "One is fiction the other non fiction. I need to create a sidebar,", "with two stories simulatenously running alongside each other. That is, on each page", "stories simulatenously running alongside each other. That is, on each page there is", "different, also in character color and one is italic and the other standard.", "the question please let me know and I will provide examples. Thanks again,", "runs alongside it which contributes to the main story but from one other", "a sidebar, on each page that does not overlap in the word processor,", "page. As each story is different, also in character color and one is", "it which contributes to the main story but from one other perspective. One", "other. That is, on each page there is a main story, taking the", "story but from one other perspective. One is fiction the other non fiction.", "I am writing a novel with two stories simulatenously running alongside each other.", "me to be more precise in the question please let me know and", "find the format settings to allow me to do this seamlessly. If you", "to allow me to do this seamlessly. If you need me to be", "processor, but runs separately from page to page. As each story is different,", "page to page. As each story is different, also in character color and", "not overlap in the word processor, but runs separately from page to page.", "overlap in the word processor, but runs separately from page to page. As", "body of the page, and there is a 'side story' which runs alongside", "standard. I have been struggling with word and libreoffice and cannot yet find", "taking the body of the page, and there is a 'side story' which", "alongside each other. That is, on each page there is a main story,", "allow me to do this seamlessly. If you need me to be more", "is fiction the other non fiction. I need to create a sidebar, on", "but from one other perspective. One is fiction the other non fiction. I", "the other standard. I have been struggling with word and libreoffice and cannot", "the main story but from one other perspective. One is fiction the other", "novel with two stories simulatenously running alongside each other. That is, on each", "page there is a main story, taking the body of the page, and", "that does not overlap in the word processor, but runs separately from page", "in character color and one is italic and the other standard. I have", "which contributes to the main story but from one other perspective. One is", "is a 'side story' which runs alongside it which contributes to the main", "sidebar, on each page that does not overlap in the word processor, but", "precise in the question please let me know and I will provide examples.", "cannot yet find the format settings to allow me to do this seamlessly.", "struggling with word and libreoffice and cannot yet find the format settings to", "in the word processor, but runs separately from page to page. As each", "story' which runs alongside it which contributes to the main story but from", "one is italic and the other standard. I have been struggling with word", "italic and the other standard. I have been struggling with word and libreoffice", "have been struggling with word and libreoffice and cannot yet find the format", "page that does not overlap in the word processor, but runs separately from", "with word and libreoffice and cannot yet find the format settings to allow", "am writing a novel with two stories simulatenously running alongside each other. That", "alongside it which contributes to the main story but from one other perspective.", "If you need me to be more precise in the question please let", "word and libreoffice and cannot yet find the format settings to allow me", "one other perspective. One is fiction the other non fiction. I need to", "on each page there is a main story, taking the body of the", "which runs alongside it which contributes to the main story but from one", "do this seamlessly. If you need me to be more precise in the", "runs separately from page to page. As each story is different, also in", "other non fiction. I need to create a sidebar, on each page that", "yet find the format settings to allow me to do this seamlessly. If", "be more precise in the question please let me know and I will", "libreoffice and cannot yet find the format settings to allow me to do", "and cannot yet find the format settings to allow me to do this", "other perspective. One is fiction the other non fiction. I need to create", "is different, also in character color and one is italic and the other", "there is a main story, taking the body of the page, and there", "each other. That is, on each page there is a main story, taking", "each page that does not overlap in the word processor, but runs separately" ]
[ "what it is that he does as he doesn't need to actually work.", "own standalone story. In the flashbacks/background story, the male protagonist comes from a", "seems to just be someone in the background. I've had trouble figuring out", "revealed in the next story, but how do I incorporate these into the", "the actual story, and possibly have this as its own standalone story. In", "them as their child (although they are very prominent characters. And since then,", "into the actual story, and possibly have this as its own standalone story.", "back and forth and chemistry between them is quite powerful, but I realized", "realized it didn't really serve the story, as it's not so much about", "father has seems to just be someone in the background. I've had trouble", "experienced much trauma while trying to survive. She has a chip on her", "day, but when he met her, he realized she was \"The One\" (this", "but this will do). The back and forth and chemistry between them is", "the story, as it was mainly flashbacks and backstory, and will just both", "I realized it didn't really serve the story, as it's not so much", "doing behind the scenes will be revealed in the next story, but how", "Whereas the female protagonist comes from poverty, moved to the city, and experienced", "wealth through magical and deceptive means, so their reputation about town is not", "flashbacks/background story, the male protagonist comes from a wealthy family (who earned their", "reputation about town is not the best). Whereas the female protagonist comes from", "on her shoulder about those who are wealthy. He was a womanizer back", "child (although they are very prominent characters. And since then, the mother still", "her son, but the father has seems to just be someone in the", "as it's not so much about them as their child (although they are", "he does as he doesn't need to actually work. In my mind, he", "he doesn't need to actually work. In my mind, he is mysterious, calm,", "about town is not the best). Whereas the female protagonist comes from poverty,", "I decided to cut out the first third of the story, as it", "scenes will be revealed in the next story, but how do I incorporate", "actually work. In my mind, he is mysterious, calm, paternal, and some of", "He was a womanizer back in the day, but when he met her,", "And since then, the mother still has her abrasive, fiery attitude, and is", "poverty, moved to the city, and experienced much trauma while trying to survive.", "family (who earned their wealth through magical and deceptive means, so their reputation", "magical and deceptive means, so their reputation about town is not the best).", "and possibly have this as its own standalone story. In the flashbacks/background story,", "of the story, as it was mainly flashbacks and backstory, and will just", "first third of the story, as it was mainly flashbacks and backstory, and", "he met her, he realized she was \"The One\" (this is very simplistic,", "still has her abrasive, fiery attitude, and is quite overprotective of her son,", "it didn't really serve the story, as it's not so much about them", "I've had trouble figuring out what it is that he does as he", "this as its own standalone story. In the flashbacks/background story, the male protagonist", "been working on a fantasy novel for the past twelve years, during which", "behind the scenes will be revealed in the next story, but how do", "that he has been doing behind the scenes will be revealed in the", "it is that he does as he doesn't need to actually work. In", "not so much about them as their child (although they are very prominent", "and backstory, and will just both mention bits and pieces into the actual", "will just both mention bits and pieces into the actual story, and possibly", "abrasive, fiery attitude, and is quite overprotective of her son, but the father", "much about them as their child (although they are very prominent characters. And", "the first third of the story, as it was mainly flashbacks and backstory,", "as its own standalone story. In the flashbacks/background story, the male protagonist comes", "the day, but when he met her, he realized she was \"The One\"", "the mother still has her abrasive, fiery attitude, and is quite overprotective of", "so much about them as their child (although they are very prominent characters.", "and experienced much trauma while trying to survive. She has a chip on", "to actually work. In my mind, he is mysterious, calm, paternal, and some", "(this is very simplistic, but this will do). The back and forth and", "as he doesn't need to actually work. In my mind, he is mysterious,", "mind, he is mysterious, calm, paternal, and some of the things that he", "twelve years, during which time there have been drastic changes. The most drastic", "male protagonist comes from a wealthy family (who earned their wealth through magical", "her abrasive, fiery attitude, and is quite overprotective of her son, but the", "in the next story, but how do I incorporate these into the story?", "wealthy. He was a womanizer back in the day, but when he met", "have been working on a fantasy novel for the past twelve years, during", "shoulder about those who are wealthy. He was a womanizer back in the", "but I realized it didn't really serve the story, as it's not so", "since then, the mother still has her abrasive, fiery attitude, and is quite", "fiery attitude, and is quite overprotective of her son, but the father has", "to just be someone in the background. I've had trouble figuring out what", "earned their wealth through magical and deceptive means, so their reputation about town", "the story, as it's not so much about them as their child (although", "chip on her shoulder about those who are wealthy. He was a womanizer", "is not the best). Whereas the female protagonist comes from poverty, moved to", "story, and possibly have this as its own standalone story. In the flashbacks/background", "he is mysterious, calm, paternal, and some of the things that he has", "wealthy family (who earned their wealth through magical and deceptive means, so their", "cut out the first third of the story, as it was mainly flashbacks", "that I decided to cut out the first third of the story, as", "powerful, but I realized it didn't really serve the story, as it's not", "been drastic changes. The most drastic being that I decided to cut out", "protagonist comes from poverty, moved to the city, and experienced much trauma while", "and pieces into the actual story, and possibly have this as its own", "her, he realized she was \"The One\" (this is very simplistic, but this", "fantasy novel for the past twelve years, during which time there have been", "it was mainly flashbacks and backstory, and will just both mention bits and", "its own standalone story. In the flashbacks/background story, the male protagonist comes from", "very simplistic, but this will do). The back and forth and chemistry between", "in the background. I've had trouble figuring out what it is that he", "work. In my mind, he is mysterious, calm, paternal, and some of the", "was mainly flashbacks and backstory, and will just both mention bits and pieces", "her shoulder about those who are wealthy. He was a womanizer back in", "has been doing behind the scenes will be revealed in the next story,", "very prominent characters. And since then, the mother still has her abrasive, fiery", "the background. I've had trouble figuring out what it is that he does", "be revealed in the next story, but how do I incorporate these into", "but the father has seems to just be someone in the background. I've", "means, so their reputation about town is not the best). Whereas the female", "during which time there have been drastic changes. The most drastic being that", "has a chip on her shoulder about those who are wealthy. He was", "realized she was \"The One\" (this is very simplistic, but this will do).", "mention bits and pieces into the actual story, and possibly have this as", "their wealth through magical and deceptive means, so their reputation about town is", "so their reputation about town is not the best). Whereas the female protagonist", "The back and forth and chemistry between them is quite powerful, but I", "quite powerful, but I realized it didn't really serve the story, as it's", "(although they are very prominent characters. And since then, the mother still has", "mysterious, calm, paternal, and some of the things that he has been doing", "will be revealed in the next story, but how do I incorporate these", "actual story, and possibly have this as its own standalone story. In the", "story, as it's not so much about them as their child (although they", "deceptive means, so their reputation about town is not the best). Whereas the", "working on a fantasy novel for the past twelve years, during which time", "trouble figuring out what it is that he does as he doesn't need", "third of the story, as it was mainly flashbacks and backstory, and will", "moved to the city, and experienced much trauma while trying to survive. She", "things that he has been doing behind the scenes will be revealed in", "and chemistry between them is quite powerful, but I realized it didn't really", "for the past twelve years, during which time there have been drastic changes.", "to survive. She has a chip on her shoulder about those who are", "and is quite overprotective of her son, but the father has seems to", "novel for the past twelve years, during which time there have been drastic", "city, and experienced much trauma while trying to survive. She has a chip", "pieces into the actual story, and possibly have this as its own standalone", "do). The back and forth and chemistry between them is quite powerful, but", "background. I've had trouble figuring out what it is that he does as", "that he does as he doesn't need to actually work. In my mind,", "is that he does as he doesn't need to actually work. In my", "just both mention bits and pieces into the actual story, and possibly have", "and deceptive means, so their reputation about town is not the best). Whereas", "the things that he has been doing behind the scenes will be revealed", "them is quite powerful, but I realized it didn't really serve the story,", "is quite overprotective of her son, but the father has seems to just", "attitude, and is quite overprotective of her son, but the father has seems", "to the city, and experienced much trauma while trying to survive. She has", "survive. She has a chip on her shoulder about those who are wealthy.", "a chip on her shoulder about those who are wealthy. He was a", "their child (although they are very prominent characters. And since then, the mother", "decided to cut out the first third of the story, as it was", "most drastic being that I decided to cut out the first third of", "protagonist comes from a wealthy family (who earned their wealth through magical and", "but when he met her, he realized she was \"The One\" (this is", "bits and pieces into the actual story, and possibly have this as its", "She has a chip on her shoulder about those who are wealthy. He", "is very simplistic, but this will do). The back and forth and chemistry", "as it was mainly flashbacks and backstory, and will just both mention bits", "the father has seems to just be someone in the background. I've had", "and some of the things that he has been doing behind the scenes", "\"The One\" (this is very simplistic, but this will do). The back and", "and forth and chemistry between them is quite powerful, but I realized it", "was a womanizer back in the day, but when he met her, he", "chemistry between them is quite powerful, but I realized it didn't really serve", "from poverty, moved to the city, and experienced much trauma while trying to", "the male protagonist comes from a wealthy family (who earned their wealth through", "this will do). The back and forth and chemistry between them is quite", "been doing behind the scenes will be revealed in the next story, but", "son, but the father has seems to just be someone in the background.", "he has been doing behind the scenes will be revealed in the next", "the best). Whereas the female protagonist comes from poverty, moved to the city,", "she was \"The One\" (this is very simplistic, but this will do). The", "womanizer back in the day, but when he met her, he realized she", "those who are wealthy. He was a womanizer back in the day, but", "the city, and experienced much trauma while trying to survive. She has a", "while trying to survive. She has a chip on her shoulder about those", "has her abrasive, fiery attitude, and is quite overprotective of her son, but", "overprotective of her son, but the father has seems to just be someone", "prominent characters. And since then, the mother still has her abrasive, fiery attitude,", "simplistic, but this will do). The back and forth and chemistry between them", "The most drastic being that I decided to cut out the first third", "possibly have this as its own standalone story. In the flashbacks/background story, the", "In my mind, he is mysterious, calm, paternal, and some of the things", "(who earned their wealth through magical and deceptive means, so their reputation about", "not the best). Whereas the female protagonist comes from poverty, moved to the", "trauma while trying to survive. 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The most drastic being that I decided", "it's not so much about them as their child (although they are very", "quite overprotective of her son, but the father has seems to just be", "on a fantasy novel for the past twelve years, during which time there", "forth and chemistry between them is quite powerful, but I realized it didn't", "didn't really serve the story, as it's not so much about them as", "town is not the best). Whereas the female protagonist comes from poverty, moved", "characters. And since then, the mother still has her abrasive, fiery attitude, and", "the past twelve years, during which time there have been drastic changes. The", "comes from a wealthy family (who earned their wealth through magical and deceptive", "of her son, but the father has seems to just be someone in", "doesn't need to actually work. In my mind, he is mysterious, calm, paternal,", "my mind, he is mysterious, calm, paternal, and some of the things that", "have been drastic changes. The most drastic being that I decided to cut", "years, during which time there have been drastic changes. The most drastic being", "drastic being that I decided to cut out the first third of the", "out the first third of the story, as it was mainly flashbacks and", "a fantasy novel for the past twelve years, during which time there have", "backstory, and will just both mention bits and pieces into the actual story,", "and will just both mention bits and pieces into the actual story, and", "a womanizer back in the day, but when he met her, he realized", "he realized she was \"The One\" (this is very simplistic, but this will", "is quite powerful, but I realized it didn't really serve the story, as", "back in the day, but when he met her, he realized she was", "as their child (although they are very prominent characters. And since then, the", "the flashbacks/background story, the male protagonist comes from a wealthy family (who earned", "there have been drastic changes. The most drastic being that I decided to", "just be someone in the background. I've had trouble figuring out what it", "from a wealthy family (who earned their wealth through magical and deceptive means,", "are wealthy. He was a womanizer back in the day, but when he", "in the day, but when he met her, he realized she was \"The", "has seems to just be someone in the background. I've had trouble figuring", "serve the story, as it's not so much about them as their child", "standalone story. In the flashbacks/background story, the male protagonist comes from a wealthy", "mainly flashbacks and backstory, and will just both mention bits and pieces into", "story. In the flashbacks/background story, the male protagonist comes from a wealthy family", "calm, paternal, and some of the things that he has been doing behind", "best). Whereas the female protagonist comes from poverty, moved to the city, and", "met her, he realized she was \"The One\" (this is very simplistic, but", "the female protagonist comes from poverty, moved to the city, and experienced much", "need to actually work. In my mind, he is mysterious, calm, paternal, and", "In the flashbacks/background story, the male protagonist comes from a wealthy family (who", "female protagonist comes from poverty, moved to the city, and experienced much trauma", "who are wealthy. He was a womanizer back in the day, but when", "One\" (this is very simplistic, but this will do). The back and forth", "be someone in the background. I've had trouble figuring out what it is", "story, the male protagonist comes from a wealthy family (who earned their wealth", "much trauma while trying to survive. 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The back", "being that I decided to cut out the first third of the story,", "are very prominent characters. And since then, the mother still has her abrasive,", "flashbacks and backstory, and will just both mention bits and pieces into the", "they are very prominent characters. And since then, the mother still has her", "trying to survive. She has a chip on her shoulder about those who", "does as he doesn't need to actually work. In my mind, he is", "have this as its own standalone story. In the flashbacks/background story, the male", "past twelve years, during which time there have been drastic changes. The most", "when he met her, he realized she was \"The One\" (this is very", "figuring out what it is that he does as he doesn't need to", "paternal, and some of the things that he has been doing behind the", "comes from poverty, moved to the city, and experienced much trauma while trying", "will do). The back and forth and chemistry between them is quite powerful,", "really serve the story, as it's not so much about them as their", "about them as their child (although they are very prominent characters. And since" ]
[ "so I usually end up listening to music, but then I lose my", "focus. I don't really like classical or lo-fi that much and they don't", "hate listening to silence while I write, so I usually end up listening", "to music, but then I lose my focus. I don't really like classical", "or tense music for an action sequence. But sometimes those things distract me.", "listening to music, but then I lose my focus. I don't really like", "that fits the mood of my writing, like emotional music for poetry or", "end up listening to music, but then I lose my focus. 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So I usually attempt to find music that fits", "like emotional music for poetry or tense music for an action sequence. But", "an action sequence. But sometimes those things distract me. Any recommendations for artists", "I lose my focus. I don't really like classical or lo-fi that much", "I don't really like classical or lo-fi that much and they don't help", "to silence while I write, so I usually end up listening to music,", "usually attempt to find music that fits the mood of my writing, like", "I write, so I usually end up listening to music, but then I", "So I usually attempt to find music that fits the mood of my", "of my writing, like emotional music for poetry or tense music for an", "listening to silence while I write, so I usually end up listening to", "while I write, so I usually end up listening to music, but then", "music for an action sequence. But sometimes those things distract me. Any recommendations", "on the task at hand. So I usually attempt to find music that", "write, so I usually end up listening to music, but then I lose", "much and they don't help me concentrate on the task at hand. So", "the mood of my writing, like emotional music for poetry or tense music", "things distract me. Any recommendations for artists or albums that help you stay", "writing, like emotional music for poetry or tense music for an action sequence.", "emotional music for poetry or tense music for an action sequence. But sometimes", "that much and they don't help me concentrate on the task at hand.", "up listening to music, but then I lose my focus. I don't really", "don't help me concentrate on the task at hand. So I usually attempt", "for artists or albums that help you stay focused, and techniques to stay", "me. Any recommendations for artists or albums that help you stay focused, and", "lose my focus. 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I don't really like classical or", "they don't help me concentrate on the task at hand. So I usually", "fits the mood of my writing, like emotional music for poetry or tense", "and they don't help me concentrate on the task at hand. So I", "attempt to find music that fits the mood of my writing, like emotional", "poetry or tense music for an action sequence. But sometimes those things distract", "lo-fi that much and they don't help me concentrate on the task at", "those things distract me. Any recommendations for artists or albums that help you", "I usually end up listening to music, but then I lose my focus.", "sometimes those things distract me. Any recommendations for artists or albums that help", "my writing, like emotional music for poetry or tense music for an action", "hand. So I usually attempt to find music that fits the mood of", "for an action sequence. But sometimes those things distract me. Any recommendations for", "for poetry or tense music for an action sequence. But sometimes those things", "concentrate on the task at hand. So I usually attempt to find music", "recommendations for artists or albums that help you stay focused, and techniques to", "help me concentrate on the task at hand. So I usually attempt to", "my focus. I don't really like classical or lo-fi that much and they", "really like classical or lo-fi that much and they don't help me concentrate", "But sometimes those things distract me. Any recommendations for artists or albums that" ]
[ "that I feel like I should have enough to build a strong female", "aware of each other, but their individual paths overlap to create the whole", "blames for the hardships of his life. He has undergone extensive surgeries (to", "is that I feel like I should have enough to build a strong", "the way through the story and I am really struggling to write the", "undergone extensive surgeries (to the point of being a different person in nearly", "was then covered up. He continued in military service as a tactical officer", "want her to turn into Catniss/Triss/Clary from those associated books. From what I", "of a Destroyer and is nine years younger than the average for his", "years old. Engineering officer with a genius level IQ and temper issues. She", "position is often looked at as a perk of her birth rather than", "strong female character on par with the male characters, but when writing her", "hope that makes sense). I am roughly a quarter to a third of", "and I am really struggling to write the female character well, likely because", "simplify explanations a replaced the names of organizations with their closest modern equivalent", "father. He was recently promoted to Executive Officer of a Destroyer and is", "I am really struggling to write the female character well, likely because I", "of each other, but their individual paths overlap to create the whole story.", "circumstances, but during his escape he nearly destroyed the \"Space Pentagon\". This has", "stutter and inner aggression issues that sometimes border on psychopathic. * Male Protagonist:", "as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s (age undetermined). His mother", "his pregnant fiance, which was then covered up. He continued in military service", "Catniss/Triss/Clary from those associated books. From what I have written above, *what should", "at as a perk of her birth rather than her actual ability. In", "than her actual ability. In her last year at the military academy she", "questions or want any more details. I am also totally willing to let", "which he blames for the hardships of his life. He has undergone extensive", "chapters if necessary. Here is a quick overview of the 3 characters. To", "of being a different person in nearly every way except retained memories) for", "a Destroyer and is nine years younger than the average for his rank.", "intertwine. The story is written in past tense, third-person with frequent present tense,", "to Executive Officer of a Destroyer and is nine years younger than the", "level IQ and temper issues. She prefers dealing with machines over people, and", "years younger than the average for his rank. Female Protagonist: 22 years", "racial prejudice against her as she is from a planet that enjoys numerous", "current unified government, which he blames for the hardships of his life. He", "he blames for the hardships of his life. He has undergone extensive surgeries", "Superiors confuse his perfectionism and controlling nature for discipline. He originally trained as", "covered up. He continued in military service as a tactical officer for the", "third-person with frequent present tense, first-person asides to act like an internal monologue", "or give more backstory than actually describing what is happening and what she", "character well, likely because I am male myself. I am entirely expecting to", "military intelligence. Infiltration failed almost immediately due to unforeseen circumstances, but during his", "Illuminati\" intent on destroying the current unified government, which he blames for the", "her late grandfather, a vice admiral in military intelligence, committed treason and aided", "to turn into Catniss/Triss/Clary from those associated books. From what I have written", "story and I am really struggling to write the female character well, likely", "often looked at as a perk of her birth rather than her actual", "me know in the comments if you have any questions or want any", "really struggling to write the female character well, likely because I am male", "3 simultaneous stories that intertwine. The story is written in past tense, third-person", "I focus on with the female character to help give her more depth", "are aware of each other, but their individual paths overlap to create the", "by the main characters (I hope that makes sense). I am roughly a", "novel following 3 primary characters. A male and female protagonist, and a male", "His mother was illegally immigrating from one planet to another and died mid-journey", "as his own son which eventually led to his membership in \"Space Illuminati\"", "organization, but many feel he is not worthy of his authority. He is", "monologue by the main characters (I hope that makes sense). I am roughly", "have transitioned from originally intending her to be in her late teens, but", "I really didn't want her to turn into Catniss/Triss/Clary from those associated books.", "ties. Her motivations lie in uncovering why her late grandfather, a vice admiral", "in childbirth. The smuggler kept him as his own son which eventually led", "far none of those characters are aware of each other, but their individual", "their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s", "to build a strong female character on par with the male characters, but", "actual ability. In her last year at the military academy she was recruited", "should have enough to build a strong female character on par with the", "relatively complex SciFi military novel following 3 primary characters. A male and female", "of the way through the story and I am really struggling to write", "the \"Space Illuminati\" is likely to try and recruit her because of family", "of infiltrating military intelligence. Infiltration failed almost immediately due to unforeseen circumstances, but", "his father. He was recently promoted to Executive Officer of a Destroyer and", "away from his father. He was recently promoted to Executive Officer of a", "he is not worthy of his authority. He is highly intelligent despite only", "memories) for the purpose of infiltrating military intelligence. Infiltration failed almost immediately due", "pilot at military academy until his father inadvertently caused the death of his", "and I really didn't want her to turn into Catniss/Triss/Clary from those associated", "one planet to another and died mid-journey in childbirth. The smuggler kept him", "Destroyer and is nine years younger than the average for his rank. ", "military novel following 3 primary characters. A male and female protagonist, and a", "my writing?* Please let me know in the comments if you have any", "in nearly every way except retained memories) for the purpose of infiltrating military", "like a young adult novel, and I really didn't want her to turn", "improve my writing?** Please let me know in the comments if you have", "\\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s (age undetermined). His mother was illegally", "for discipline. He originally trained as a drone pilot at military academy until", "more backstory than actually describing what is happening and what she thinks. I", "have written above, *what should I focus on with the female character to", "main issue is that I feel like I should have enough to build", "in her late teens, but it started to seem too much like a", "treason and aided the \"Space Illuminati\". My main issue is that I feel", "is highly intelligent despite only receiving formal education in his adulthood, but suffers", "her to turn into Catniss/Triss/Clary from those associated books. From what I have", "comments if you have any questions or want any more details. I am", "not worthy of his authority. He is highly intelligent despite only receiving formal", "\"Space Pentagon\". This has propelled him to the upper echelon of the organization,", "caused by the environment and is wealthier on average despite not being economically", "third of the way through the story and I am really struggling to", "with economic and racial prejudice against her as she is from a planet", "the environment or give more backstory than actually describing what is happening and", "grandfather, a vice admiral in military intelligence, committed treason and aided the \"Space", "much self-motivation. Superiors confuse his perfectionism and controlling nature for discipline. He originally", "echelon of the organization, but many feel he is not worthy of his", "environment and is wealthier on average despite not being economically important. Her position", "like I should have enough to build a strong female character on par", "characters. To simplify explanations a replaced the names of organizations with their closest", "life. He has undergone extensive surgeries (to the point of being a different", "motivations lie in uncovering why her late grandfather, a vice admiral in military", "story is written in past tense, third-person with frequent present tense, first-person asides", " Female Protagonist: 22 years old. Engineering officer with a genius level IQ", "academy until his father inadvertently caused the death of his pregnant fiance, which", "actually describing what is happening and what she thinks. I have transitioned from", "the female character to help give her more depth and improve my writing?*", "worthy of his authority. He is highly intelligent despite only receiving formal education", "I am male myself. I am entirely expecting to completely rewrite some of", "describing what is happening and what she thinks. I have transitioned from originally", "rewrite some of her chapters if necessary. Here is a quick overview of", "but during his escape he nearly destroyed the \"Space Pentagon\". This has propelled", "as a perk of her birth rather than her actual ability. In her", "his authority. He is highly intelligent despite only receiving formal education in his", "I tend to describe the environment or give more backstory than actually describing", "trained as a drone pilot at military academy until his father inadvertently caused", "am entirely expecting to completely rewrite some of her chapters if necessary. Here", "regularly promoted and put in various positions of authority, despite lacking very much", "planet that enjoys numerous health benefits caused by the environment and is wealthier", "sometimes border on psychopathic. Male Protagonist: 27 years old. Highly skilled military", "female character to help give her more depth and improve my writing? Please", "A male and female protagonist, and a male antagonist. So far none of", "create the whole story. Each chapter focuses on an individual character, often referencing", "being a different person in nearly every way except retained memories) for the", "very much self-motivation. Superiors confuse his perfectionism and controlling nature for discipline. He", "in various positions of authority, despite lacking very much self-motivation. Superiors confuse his", "aided the \"Space Illuminati\". My main issue is that I feel like I", "despite not being economically important. Her position is often looked at as a", "enjoys numerous health benefits caused by the environment and is wealthier on average", "death of his pregnant fiance, which was then covered up. He continued in", "complex SciFi military novel following 3 primary characters. A male and female protagonist,", "of her chapters if necessary. Here is a quick overview of the 3", "a planet that enjoys numerous health benefits caused by the environment and is", "asset because the \"Space Illuminati\" is likely to try and recruit her because", "genuine connections. She struggles with economic and racial prejudice against her as she", "Male Protagonist: 27 years old. Highly skilled military officer who is regularly promoted", "not being economically important. Her position is often looked at as a perk", "on with the female character to help give her more depth and improve", "to let you read some of the completed chapters if you think it", "He is highly intelligent despite only receiving formal education in his adulthood, but", "but many feel he is not worthy of his authority. He is highly", "male characters, but when writing her I tend to describe the environment or", "male and female protagonist, and a male antagonist. So far none of those", "character to help give her more depth and improve my writing? Please let", "am attempting to write a relatively complex SciFi military novel following 3 primary", "average for his rank. * Female Protagonist: 22 years old. Engineering officer with", "in uncovering why her late grandfather, a vice admiral in military intelligence, committed", "potential asset because the \"Space Illuminati\" is likely to try and recruit her", "(I hope that makes sense). I am roughly a quarter to a third", "associated books. From what I have written above, *what should I focus on", "chapters that the primary of that chapter does not recognize as directly important.", "She prefers dealing with machines over people, and struggles to make genuine connections.", "inner aggression issues that sometimes border on psychopathic. Male Protagonist: 27 years", "her because of family ties. Her motivations lie in uncovering why her late", "to seem too much like a young adult novel, and I really didn't", "vice admiral in military intelligence, committed treason and aided the \"Space Illuminati\". My", "I feel like I should have enough to build a strong female character", "written above, *what should I focus on with the female character to help", "Infiltration failed almost immediately due to unforeseen circumstances, but during his escape he", "despite only receiving formal education in his adulthood, but suffers from a stutter", "none of those characters are aware of each other, but their individual paths", "feel like I should have enough to build a strong female character on", "directly important. In a way it is more like 3 simultaneous stories that", "is written in past tense, third-person with frequent present tense, first-person asides to", "and died mid-journey in childbirth. The smuggler kept him as his own son", "her late teens, but it started to seem too much like a young", "to act like an internal monologue by the main characters (I hope that", "transitioned from originally intending her to be in her late teens, but it", "has undergone extensive surgeries (to the point of being a different person in", "describe the environment or give more backstory than actually describing what is happening", "(age undetermined). His mother was illegally immigrating from one planet to another and", "then covered up. He continued in military service as a tactical officer for", "point of being a different person in nearly every way except retained memories)", "in military intelligence, committed treason and aided the \"Space Illuminati\". My main issue", "way except retained memories) for the purpose of infiltrating military intelligence. Infiltration failed", "from a stutter and inner aggression issues that sometimes border on psychopathic. ", "various positions of authority, despite lacking very much self-motivation. Superiors confuse his perfectionism", "into Catniss/Triss/Clary from those associated books. From what I have written above, what", "referencing events from other character's chapters that the primary of that chapter does", "explanations a replaced the names of organizations with their closest modern equivalent as", "try and recruit her because of family ties. Her motivations lie in uncovering", "father inadvertently caused the death of his pregnant fiance, which was then covered", "suffers from a stutter and inner aggression issues that sometimes border on psychopathic.", "My main issue is that I feel like I should have enough to", "intelligent despite only receiving formal education in his adulthood, but suffers from a", "chapter does not recognize as directly important. In a way it is more", "formal education in his adulthood, but suffers from a stutter and inner aggression", "purpose of staying away from his father. He was recently promoted to Executive", "individual paths overlap to create the whole story. Each chapter focuses on an", "in past tense, third-person with frequent present tense, first-person asides to act like", "a drone pilot at military academy until his father inadvertently caused the death", "depth and improve my writing? Please let me know in the comments if", "years old. Highly skilled military officer who is regularly promoted and put in", "intending her to be in her late teens, but it started to seem", "her birth rather than her actual ability. In her last year at the", "is happening and what she thinks. I have transitioned from originally intending her", "to be in her late teens, but it started to seem too much", "more details. I am also totally willing to let you read some of", "planet to another and died mid-journey in childbirth. The smuggler kept him as", "characters (I hope that makes sense). I am roughly a quarter to a", "makes sense). I am roughly a quarter to a third of the way", "the average for his rank. * Female Protagonist: 22 years old. Engineering officer", "uncovering why her late grandfather, a vice admiral in military intelligence, committed treason", "of that chapter does not recognize as directly important. In a way it", "should I focus on with the female character to help give her more", "military intelligence, committed treason and aided the \"Space Illuminati\". My main issue is", "to help give her more depth and improve my writing? Please let me", "was recruited by the \"Space CIA\" as a potential asset because the \"Space", "\"Space Illuminati\" is likely to try and recruit her because of family ties.", "is more like 3 simultaneous stories that intertwine. The story is written in", "his escape he nearly destroyed the \"Space Pentagon\". This has propelled him to", "machines over people, and struggles to make genuine connections. She struggles with economic", "her last year at the military academy she was recruited by the \"Space", "you read some of the completed chapters if you think it might help.", "simultaneous stories that intertwine. The story is written in past tense, third-person with", "from one planet to another and died mid-journey in childbirth. The smuggler kept", "am really struggling to write the female character well, likely because I am", "often referencing events from other character's chapters that the primary of that chapter", "a perk of her birth rather than her actual ability. In her last", "seem too much like a young adult novel, and I really didn't want", "give her more depth and improve my writing? Please let me know in", "to write a relatively complex SciFi military novel following 3 primary characters. A", "and temper issues. She prefers dealing with machines over people, and struggles to", "at the military academy she was recruited by the \"Space CIA\" as a", "equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s (age undetermined). His", "feel he is not worthy of his authority. He is highly intelligent despite", "attempting to write a relatively complex SciFi military novel following 3 primary characters.", "caused the death of his pregnant fiance, which was then covered up. He", "a replaced the names of organizations with their closest modern equivalent as \"Space", "her more depth and improve my writing?** Please let me know in the", "being economically important. Her position is often looked at as a perk of", "I should have enough to build a strong female character on par with", "prejudice against her as she is from a planet that enjoys numerous health", "which eventually led to his membership in \"Space Illuminati\" intent on destroying the", "rank. * Female Protagonist: 22 years old. Engineering officer with a genius level", "books. From what I have written above, *what should I focus on with", "economically important. Her position is often looked at as a perk of her", "of family ties. Her motivations lie in uncovering why her late grandfather, a", "Her position is often looked at as a perk of her birth rather", "purpose of infiltrating military intelligence. Infiltration failed almost immediately due to unforeseen circumstances,", "infiltrating military intelligence. Infiltration failed almost immediately due to unforeseen circumstances, but during", "is likely to try and recruit her because of family ties. Her motivations", "if necessary. Here is a quick overview of the 3 characters. To simplify", "on average despite not being economically important. Her position is often looked at", "happening and what she thinks. I have transitioned from originally intending her to", "illegally immigrating from one planet to another and died mid-journey in childbirth. The", "character on par with the male characters, but when writing her I tend", "him as his own son which eventually led to his membership in \"Space", "any questions or want any more details. I am also totally willing to", "of authority, despite lacking very much self-motivation. Superiors confuse his perfectionism and controlling", "Pentagon\". This has propelled him to the upper echelon of the organization, but", "military academy until his father inadvertently caused the death of his pregnant fiance,", "old. Highly skilled military officer who is regularly promoted and put in various", "recruited by the \"Space CIA\" as a potential asset because the \"Space Illuminati\"", "a young adult novel, and I really didn't want her to turn into", "as directly important. In a way it is more like 3 simultaneous stories", "for his rank. Female Protagonist: 22 years old. Engineering officer with a", "asides to act like an internal monologue by the main characters (I hope", "am male myself. I am entirely expecting to completely rewrite some of her", "a relatively complex SciFi military novel following 3 primary characters. A male and", "the current unified government, which he blames for the hardships of his life.", "adulthood, but suffers from a stutter and inner aggression issues that sometimes border", "novel, and I really didn't want her to turn into Catniss/Triss/Clary from those", "border on psychopathic. * Male Protagonist: 27 years old. Highly skilled military officer", "He continued in military service as a tactical officer for the simple purpose", "due to unforeseen circumstances, but during his escape he nearly destroyed the \"Space", "during his escape he nearly destroyed the \"Space Pentagon\". This has propelled him", "skilled military officer who is regularly promoted and put in various positions of", "intelligence. Infiltration failed almost immediately due to unforeseen circumstances, but during his escape", "through the story and I am really struggling to write the female character", "wealthier on average despite not being economically important. Her position is often looked", "on destroying the current unified government, which he blames for the hardships of", "struggling to write the female character well, likely because I am male myself.", "completely rewrite some of her chapters if necessary. Here is a quick overview", "* Male Antagonist: Late 20s/early 30s (age undetermined). His mother was illegally immigrating", "like 3 simultaneous stories that intertwine. The story is written in past tense,", "a stutter and inner aggression issues that sometimes border on psychopathic. * Male", "that the primary of that chapter does not recognize as directly important. In", "many feel he is not worthy of his authority. He is highly intelligent", "of her birth rather than her actual ability. In her last year at", "promoted and put in various positions of authority, despite lacking very much self-motivation.", "environment or give more backstory than actually describing what is happening and what", "but their individual paths overlap to create the whole story. Each chapter focuses", "replaced the names of organizations with their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\".", "officer who is regularly promoted and put in various positions of authority, despite", "promoted to Executive Officer of a Destroyer and is nine years younger than", "her as she is from a planet that enjoys numerous health benefits caused", "fiance, which was then covered up. He continued in military service as a", "of his authority. He is highly intelligent despite only receiving formal education in", "I am roughly a quarter to a third of the way through the", "eventually led to his membership in \"Space Illuminati\" intent on destroying the current", "with their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early", "of the 3 characters. To simplify explanations a replaced the names of organizations", "22 years old. Engineering officer with a genius level IQ and temper issues.", "totally willing to let you read some of the completed chapters if you", "to his membership in \"Space Illuminati\" intent on destroying the current unified government,", "enough to build a strong female character on par with the male characters,", "from a planet that enjoys numerous health benefits caused by the environment and", "of staying away from his father. He was recently promoted to Executive Officer", "make genuine connections. She struggles with economic and racial prejudice against her as", "a strong female character on par with the male characters, but when writing", "also totally willing to let you read some of the completed chapters if", "mother was illegally immigrating from one planet to another and died mid-journey in", "if you have any questions or want any more details. I am also", "Here is a quick overview of the 3 characters. To simplify explanations a", "help give her more depth and improve my writing?** Please let me know", "the comments if you have any questions or want any more details. I", "why her late grandfather, a vice admiral in military intelligence, committed treason and", "and put in various positions of authority, despite lacking very much self-motivation. Superiors", "much like a young adult novel, and I really didn't want her to", "of the organization, but many feel he is not worthy of his authority.", "a male antagonist. So far none of those characters are aware of each", "failed almost immediately due to unforeseen circumstances, but during his escape he nearly", "names of organizations with their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male", "almost immediately due to unforeseen circumstances, but during his escape he nearly destroyed", "Please let me know in the comments if you have any questions or", "characters. A male and female protagonist, and a male antagonist. So far none", "and is wealthier on average despite not being economically important. Her position is", "than the average for his rank. * Female Protagonist: 22 years old. Engineering", "in \"Space Illuminati\" intent on destroying the current unified government, which he blames", "officer with a genius level IQ and temper issues. She prefers dealing with", "let me know in the comments if you have any questions or want", "aggression issues that sometimes border on psychopathic. * Male Protagonist: 27 years old.", "until his father inadvertently caused the death of his pregnant fiance, which was", "She struggles with economic and racial prejudice against her as she is from", "those associated books. From what I have written above, *what should I focus", "childbirth. The smuggler kept him as his own son which eventually led to", "story. Each chapter focuses on an individual character, often referencing events from other", "late teens, but it started to seem too much like a young adult", "and what she thinks. I have transitioned from originally intending her to be", "what she thinks. I have transitioned from originally intending her to be in", "struggles to make genuine connections. She struggles with economic and racial prejudice against", "the death of his pregnant fiance, which was then covered up. He continued", "primary of that chapter does not recognize as directly important. In a way", "destroying the current unified government, which he blames for the hardships of his", "and is nine years younger than the average for his rank. Female", "academy she was recruited by the \"Space CIA\" as a potential asset because", "authority. He is highly intelligent despite only receiving formal education in his adulthood,", "He originally trained as a drone pilot at military academy until his father", "for the hardships of his life. He has undergone extensive surgeries (to the", "upper echelon of the organization, but many feel he is not worthy of", "individual character, often referencing events from other character's chapters that the primary of", "a third of the way through the story and I am really struggling", "like an internal monologue by the main characters (I hope that makes sense).", "is nine years younger than the average for his rank. * Female Protagonist:", "lacking very much self-motivation. Superiors confuse his perfectionism and controlling nature for discipline.", "intent on destroying the current unified government, which he blames for the hardships", "(to the point of being a different person in nearly every way except", "than actually describing what is happening and what she thinks. I have transitioned", "female protagonist, and a male antagonist. So far none of those characters are", "is not worthy of his authority. He is highly intelligent despite only receiving", "the female character well, likely because I am male myself. I am entirely", "nature for discipline. He originally trained as a drone pilot at military academy", "because the \"Space Illuminati\" is likely to try and recruit her because of", "person in nearly every way except retained memories) for the purpose of infiltrating", "every way except retained memories) for the purpose of infiltrating military intelligence. Infiltration", "adult novel, and I really didn't want her to turn into Catniss/Triss/Clary from", "am also totally willing to let you read some of the completed chapters", "inadvertently caused the death of his pregnant fiance, which was then covered up.", "over people, and struggles to make genuine connections. She struggles with economic and", "his adulthood, but suffers from a stutter and inner aggression issues that sometimes", "writing?** Please let me know in the comments if you have any questions", "from other character's chapters that the primary of that chapter does not recognize", "his perfectionism and controlling nature for discipline. He originally trained as a drone", "events from other character's chapters that the primary of that chapter does not", "does not recognize as directly important. In a way it is more like", "important. In a way it is more like 3 simultaneous stories that intertwine.", "to another and died mid-journey in childbirth. The smuggler kept him as his", "his membership in \"Space Illuminati\" intent on destroying the current unified government, which", "in military service as a tactical officer for the simple purpose of staying", "Her motivations lie in uncovering why her late grandfather, a vice admiral in", "you have any questions or want any more details. I am also totally", "SciFi military novel following 3 primary characters. A male and female protagonist, and", "sense). I am roughly a quarter to a third of the way through", "when writing her I tend to describe the environment or give more backstory", "closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s (age", "way through the story and I am really struggling to write the female", "3 primary characters. A male and female protagonist, and a male antagonist. So", "perk of her birth rather than her actual ability. In her last year", "likely to try and recruit her because of family ties. Her motivations lie", "other character's chapters that the primary of that chapter does not recognize as", "that sometimes border on psychopathic. * Male Protagonist: 27 years old. Highly skilled", "Protagonist: 22 years old. Engineering officer with a genius level IQ and temper", "the point of being a different person in nearly every way except retained", "other, but their individual paths overlap to create the whole story. Each chapter", "a vice admiral in military intelligence, committed treason and aided the \"Space Illuminati\".", "above, *what should I focus on with the female character to help give", "Antagonist: Late 20s/early 30s (age undetermined). His mother was illegally immigrating from one", "staying away from his father. He was recently promoted to Executive Officer of", "issues that sometimes border on psychopathic. Male Protagonist: 27 years old. Highly", "numerous health benefits caused by the environment and is wealthier on average despite", "a different person in nearly every way except retained memories) for the purpose", "more depth and improve my writing?** Please let me know in the comments", "recently promoted to Executive Officer of a Destroyer and is nine years younger", "unforeseen circumstances, but during his escape he nearly destroyed the \"Space Pentagon\". This", "and racial prejudice against her as she is from a planet that enjoys", "late grandfather, a vice admiral in military intelligence, committed treason and aided the", "with a genius level IQ and temper issues. She prefers dealing with machines", "and struggles to make genuine connections. She struggles with economic and racial prejudice", "connections. She struggles with economic and racial prejudice against her as she is", "with the male characters, but when writing her I tend to describe the", "the simple purpose of staying away from his father. 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The smuggler kept him as his own", "modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late 20s/early 30s (age undetermined).", "as a drone pilot at military academy until his father inadvertently caused the", "genius level IQ and temper issues. She prefers dealing with machines over people,", "Engineering officer with a genius level IQ and temper issues. She prefers dealing", "Officer of a Destroyer and is nine years younger than the average for", "her to be in her late teens, but it started to seem too", "the main characters (I hope that makes sense). I am roughly a quarter", "mid-journey in childbirth. The smuggler kept him as his own son which eventually", "for the purpose of infiltrating military intelligence. Infiltration failed almost immediately due to", "tactical officer for the simple purpose of staying away from his father. He", "as a tactical officer for the simple purpose of staying away from his", "written in past tense, third-person with frequent present tense, first-person asides to act", "and inner aggression issues that sometimes border on psychopathic. * Male Protagonist: 27", "a genius level IQ and temper issues. She prefers dealing with machines over", "of organizations with their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist:", "I have transitioned from originally intending her to be in her late teens,", "myself. I am entirely expecting to completely rewrite some of her chapters if", "necessary. Here is a quick overview of the 3 characters. To simplify explanations", "her chapters if necessary. Here is a quick overview of the 3 characters.", "27 years old. Highly skilled military officer who is regularly promoted and put", "and a male antagonist. So far none of those characters are aware of", "self-motivation. Superiors confuse his perfectionism and controlling nature for discipline. He originally trained", "immigrating from one planet to another and died mid-journey in childbirth. The smuggler", "tense, third-person with frequent present tense, first-person asides to act like an internal", "characters are aware of each other, but their individual paths overlap to create", "dealing with machines over people, and struggles to make genuine connections. She struggles", "likely because I am male myself. I am entirely expecting to completely rewrite", "to unforeseen circumstances, but during his escape he nearly destroyed the \"Space Pentagon\".", "younger than the average for his rank. * Female Protagonist: 22 years old.", "military academy she was recruited by the \"Space CIA\" as a potential asset", "he nearly destroyed the \"Space Pentagon\". This has propelled him to the upper", "following 3 primary characters. A male and female protagonist, and a male antagonist.", "psychopathic. * Male Protagonist: 27 years old. Highly skilled military officer who is", "\"Space Illuminati\". My main issue is that I feel like I should have", "own son which eventually led to his membership in \"Space Illuminati\" intent on", "the story and I am really struggling to write the female character well,", "frequent present tense, first-person asides to act like an internal monologue by the", "In her last year at the military academy she was recruited by the", "military officer who is regularly promoted and put in various positions of authority,", "is from a planet that enjoys numerous health benefits caused by the environment", "to the upper echelon of the organization, but many feel he is not", "with machines over people, and struggles to make genuine connections. 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I am also totally willing to let you", "on psychopathic. * Male Protagonist: 27 years old. Highly skilled military officer who", "primary characters. A male and female protagonist, and a male antagonist. So far", "issues. She prefers dealing with machines over people, and struggles to make genuine", "stories that intertwine. The story is written in past tense, third-person with frequent", "positions of authority, despite lacking very much self-motivation. Superiors confuse his perfectionism and", "confuse his perfectionism and controlling nature for discipline. He originally trained as a", "his life. He has undergone extensive surgeries (to the point of being a", "by the environment and is wealthier on average despite not being economically important.", "but suffers from a stutter and inner aggression issues that sometimes border on", "30s (age undetermined). His mother was illegally immigrating from one planet to another", "her I tend to describe the environment or give more backstory than actually", "antagonist. So far none of those characters are aware of each other, but", "In a way it is more like 3 simultaneous stories that intertwine. The", "of those characters are aware of each other, but their individual paths overlap", "on par with the male characters, but when writing her I tend to", "\"Space CIA\" as a potential asset because the \"Space Illuminati\" is likely to", "health benefits caused by the environment and is wealthier on average despite not", "So far none of those characters are aware of each other, but their", "nearly destroyed the \"Space Pentagon\". This has propelled him to the upper echelon", "has propelled him to the upper echelon of the organization, but many feel", "first-person asides to act like an internal monologue by the main characters (I", "Protagonist: 27 years old. 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My main issue is that I feel like I should have enough", "started to seem too much like a young adult novel, and I really", "their individual paths overlap to create the whole story. Each chapter focuses on", "that enjoys numerous health benefits caused by the environment and is wealthier on", "people, and struggles to make genuine connections. She struggles with economic and racial", "didn't want her to turn into Catniss/Triss/Clary from those associated books. From what", "The smuggler kept him as his own son which eventually led to his", "discipline. He originally trained as a drone pilot at military academy until his", "know in the comments if you have any questions or want any more", "expecting to completely rewrite some of her chapters if necessary. Here is a", "I am entirely expecting to completely rewrite some of her chapters if necessary.", "a way it is more like 3 simultaneous stories that intertwine. The story", "overlap to create the whole story. 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Engineering officer with a genius level IQ and", "against her as she is from a planet that enjoys numerous health benefits", "rather than her actual ability. In her last year at the military academy", "the purpose of infiltrating military intelligence. Infiltration failed almost immediately due to unforeseen", "20s/early 30s (age undetermined). His mother was illegally immigrating from one planet to", "recruit her because of family ties. Her motivations lie in uncovering why her", "give more backstory than actually describing what is happening and what she thinks.", "thinks. I have transitioned from originally intending her to be in her late", "let you read some of the completed chapters if you think it might", "undetermined). His mother was illegally immigrating from one planet to another and died", "act like an internal monologue by the main characters (I hope that makes", "because of family ties. Her motivations lie in uncovering why her late grandfather,", "too much like a young adult novel, and I really didn't want her", "membership in \"Space Illuminati\" intent on destroying the current unified government, which he", "of his pregnant fiance, which was then covered up. He continued in military", "with the female character to help give her more depth and improve my", "from originally intending her to be in her late teens, but it started", "because I am male myself. I am entirely expecting to completely rewrite some", "organizations with their closest modern equivalent as \"Space \\_\\_\\_\\_\\_\". * Male Antagonist: Late", "and aided the \"Space Illuminati\". My main issue is that I feel like", "write a relatively complex SciFi military novel following 3 primary characters. A male", "education in his adulthood, but suffers from a stutter and inner aggression issues", "escape he nearly destroyed the \"Space Pentagon\". This has propelled him to the", "to a third of the way through the story and I am really", "in his adulthood, but suffers from a stutter and inner aggression issues that", "I am attempting to write a relatively complex SciFi military novel following 3", "details. I am also totally willing to let you read some of the", "entirely expecting to completely rewrite some of her chapters if necessary. Here is", "to describe the environment or give more backstory than actually describing what is", "be in her late teens, but it started to seem too much like", "as a potential asset because the \"Space Illuminati\" is likely to try and", "the 3 characters. To simplify explanations a replaced the names of organizations with", "issue is that I feel like I should have enough to build a", "nearly every way except retained memories) for the purpose of infiltrating military intelligence.", "Late 20s/early 30s (age undetermined). His mother was illegally immigrating from one planet", "officer for the simple purpose of staying away from his father. He was", "the military academy she was recruited by the \"Space CIA\" as a potential", "paths overlap to create the whole story. Each chapter focuses on an individual", "character's chapters that the primary of that chapter does not recognize as directly", "par with the male characters, but when writing her I tend to describe", "*what should I focus on with the female character to help give her", "simple purpose of staying away from his father. He was recently promoted to", "any more details. I am also totally willing to let you read some", "prefers dealing with machines over people, and struggles to make genuine connections. She", "committed treason and aided the \"Space Illuminati\". My main issue is that I", "willing to let you read some of the completed chapters if you think", "to create the whole story. Each chapter focuses on an individual character, often", "The story is written in past tense, third-person with frequent present tense, first-person", "year at the military academy she was recruited by the \"Space CIA\" as", "have any questions or want any more details. I am also totally willing", "propelled him to the upper echelon of the organization, but many feel he", "the hardships of his life. He has undergone extensive surgeries (to the point", "immediately due to unforeseen circumstances, but during his escape he nearly destroyed the", "his father inadvertently caused the death of his pregnant fiance, which was then", "destroyed the \"Space Pentagon\". This has propelled him to the upper echelon of", "military service as a tactical officer for the simple purpose of staying away", "nine years younger than the average for his rank. Female Protagonist: 22", "Each chapter focuses on an individual character, often referencing events from other character's", "is wealthier on average despite not being economically important. Her position is often", "retained memories) for the purpose of infiltrating military intelligence. Infiltration failed almost immediately", "well, likely because I am male myself. I am entirely expecting to completely", "she was recruited by the \"Space CIA\" as a potential asset because the", "old. Engineering officer with a genius level IQ and temper issues. She prefers", "originally trained as a drone pilot at military academy until his father inadvertently", "write the female character well, likely because I am male myself. I am", "Illuminati\" is likely to try and recruit her because of family ties. Her", "From what I have written above, **what should I focus on with the", "hardships of his life. He has undergone extensive surgeries (to the point of", "teens, but it started to seem too much like a young adult novel,", "focuses on an individual character, often referencing events from other character's chapters that", "a tactical officer for the simple purpose of staying away from his father.", "lie in uncovering why her late grandfather, a vice admiral in military intelligence,", "really didn't want her to turn into Catniss/Triss/Clary from those associated books. From", "a quick overview of the 3 characters. To simplify explanations a replaced the", "turn into Catniss/Triss/Clary from those associated books. From what I have written above,", "whole story. Each chapter focuses on an individual character, often referencing events from", "not recognize as directly important. In a way it is more like 3", "her actual ability. In her last year at the military academy she was", "to try and recruit her because of family ties. Her motivations lie in", "He has undergone extensive surgeries (to the point of being a different person", "to make genuine connections. She struggles with economic and racial prejudice against her", "is a quick overview of the 3 characters. To simplify explanations a replaced", "despite lacking very much self-motivation. Superiors confuse his perfectionism and controlling nature for", "only receiving formal education in his adulthood, but suffers from a stutter and", "IQ and temper issues. She prefers dealing with machines over people, and struggles", "tense, first-person asides to act like an internal monologue by the main characters", "quick overview of the 3 characters. To simplify explanations a replaced the names", "surgeries (to the point of being a different person in nearly every way", "the \"Space Illuminati\". My main issue is that I feel like I should", "smuggler kept him as his own son which eventually led to his membership", "with frequent present tense, first-person asides to act like an internal monologue by", "Male Antagonist: Late 20s/early 30s (age undetermined). His mother was illegally immigrating from", "was illegally immigrating from one planet to another and died mid-journey in childbirth.", "kept him as his own son which eventually led to his membership in" ]
[ "innocence and positive transition with his evil and negativity. The protagonist and antagonist", "a deviant (in parallel) intruding upon their lives. Their transformation is positive, while", "other through trials and tribulations (character transformation) while at the same we watch", "tribulations (character transformation) while at the same we watch a deviant (in parallel)", "throughout without either realizing it. I'd like to know what genre I can", "I can't find anything that resembles the concept. I juxtapose their innocence and", "haven't been able to classify it because I can't find anything that resembles", "are entwined throughout without either realizing it. I'd like to know what genre", "find anything that resembles the concept. I juxtapose their innocence and positive transition", "upon their lives. Their transformation is positive, while his escalates over the years", "that of a serial killer. I haven't been able to classify it because", "their lives are entwined throughout without either realizing it. I'd like to know", "trials and tribulations (character transformation) while at the same we watch a deviant", "(character transformation) while at the same we watch a deviant (in parallel) intruding", "I juxtapose their innocence and positive transition with his evil and negativity. The", "through trials and tribulations (character transformation) while at the same we watch a", "deviant (in parallel) intruding upon their lives. Their transformation is positive, while his", "My novel is about women supporting each other through trials and tribulations (character", "can't find anything that resembles the concept. I juxtapose their innocence and positive", "end but their lives are entwined throughout without either realizing it. I'd like", "it. I'd like to know what genre I can use when speaking about", "classify it because I can't find anything that resembles the concept. I juxtapose", "the novel and the end but their lives are entwined throughout without either", "entwined throughout without either realizing it. I'd like to know what genre I", "resembles the concept. I juxtapose their innocence and positive transition with his evil", "over the years to become that of a serial killer. I haven't been", "is positive, while his escalates over the years to become that of a", "that resembles the concept. I juxtapose their innocence and positive transition with his", "of a serial killer. I haven't been able to classify it because I", "women supporting each other through trials and tribulations (character transformation) while at the", "the end but their lives are entwined throughout without either realizing it. I'd", "with his evil and negativity. The protagonist and antagonist interact in the beginning", "to classify it because I can't find anything that resembles the concept. I", "lives are entwined throughout without either realizing it. I'd like to know what", "while at the same we watch a deviant (in parallel) intruding upon their", "to become that of a serial killer. I haven't been able to classify", "each other through trials and tribulations (character transformation) while at the same we", "escalates over the years to become that of a serial killer. I haven't", "Their transformation is positive, while his escalates over the years to become that", "(in parallel) intruding upon their lives. Their transformation is positive, while his escalates", "novel is about women supporting each other through trials and tribulations (character transformation)", "I haven't been able to classify it because I can't find anything that", "positive transition with his evil and negativity. The protagonist and antagonist interact in", "but their lives are entwined throughout without either realizing it. I'd like to", "the years to become that of a serial killer. I haven't been able", "we watch a deviant (in parallel) intruding upon their lives. Their transformation is", "years to become that of a serial killer. I haven't been able to", "a serial killer. I haven't been able to classify it because I can't", "The protagonist and antagonist interact in the beginning of the novel and the", "I'd like to know what genre I can use when speaking about it.", "at the same we watch a deviant (in parallel) intruding upon their lives.", "watch a deviant (in parallel) intruding upon their lives. Their transformation is positive,", "and positive transition with his evil and negativity. The protagonist and antagonist interact", "his evil and negativity. The protagonist and antagonist interact in the beginning of", "concept. I juxtapose their innocence and positive transition with his evil and negativity.", "while his escalates over the years to become that of a serial killer.", "his escalates over the years to become that of a serial killer. I", "interact in the beginning of the novel and the end but their lives", "because I can't find anything that resembles the concept. I juxtapose their innocence", "lives. Their transformation is positive, while his escalates over the years to become", "and the end but their lives are entwined throughout without either realizing it.", "transformation is positive, while his escalates over the years to become that of", "in the beginning of the novel and the end but their lives are", "and tribulations (character transformation) while at the same we watch a deviant (in", "the same we watch a deviant (in parallel) intruding upon their lives. Their", "beginning of the novel and the end but their lives are entwined throughout", "it because I can't find anything that resembles the concept. I juxtapose their", "the concept. I juxtapose their innocence and positive transition with his evil and", "their innocence and positive transition with his evil and negativity. The protagonist and", "intruding upon their lives. Their transformation is positive, while his escalates over the", "become that of a serial killer. I haven't been able to classify it", "juxtapose their innocence and positive transition with his evil and negativity. The protagonist", "transition with his evil and negativity. The protagonist and antagonist interact in the", "their lives. Their transformation is positive, while his escalates over the years to", "supporting each other through trials and tribulations (character transformation) while at the same", "is about women supporting each other through trials and tribulations (character transformation) while", "parallel) intruding upon their lives. Their transformation is positive, while his escalates over", "negativity. The protagonist and antagonist interact in the beginning of the novel and", "and negativity. The protagonist and antagonist interact in the beginning of the novel", "about women supporting each other through trials and tribulations (character transformation) while at", "evil and negativity. The protagonist and antagonist interact in the beginning of the", "protagonist and antagonist interact in the beginning of the novel and the end", "positive, while his escalates over the years to become that of a serial", "either realizing it. I'd like to know what genre I can use when", "serial killer. I haven't been able to classify it because I can't find", "without either realizing it. I'd like to know what genre I can use", "realizing it. I'd like to know what genre I can use when speaking", "been able to classify it because I can't find anything that resembles the", "anything that resembles the concept. I juxtapose their innocence and positive transition with", "same we watch a deviant (in parallel) intruding upon their lives. Their transformation", "of the novel and the end but their lives are entwined throughout without", "transformation) while at the same we watch a deviant (in parallel) intruding upon", "killer. I haven't been able to classify it because I can't find anything", "and antagonist interact in the beginning of the novel and the end but", "the beginning of the novel and the end but their lives are entwined", "able to classify it because I can't find anything that resembles the concept.", "antagonist interact in the beginning of the novel and the end but their", "novel and the end but their lives are entwined throughout without either realizing" ]
[ "a novel how would one best represent background dialogue from a radio or", "how would one best represent background dialogue from a radio or television that", "not being heard by the characters but sprinkle in key phrases and passages", "Should I have the narrator state clearly that the conversation or broadcast is", "but sprinkle in key phrases and passages important for the reader and should", "characters but sprinkle in key phrases and passages important for the reader and", "phrases and passages important for the reader and should they be written in", "half heard by the characters but still important for the reader? Should I", "represent background dialogue from a radio or television that is perhaps only half", "novel how would one best represent background dialogue from a radio or television", "the reader? Should I have the narrator state clearly that the conversation or", "perhaps only half heard by the characters but still important for the reader?", "the characters but sprinkle in key phrases and passages important for the reader", "reader? Should I have the narrator state clearly that the conversation or broadcast", "is perhaps only half heard by the characters but still important for the", "being heard by the characters but sprinkle in key phrases and passages important", "for the reader? Should I have the narrator state clearly that the conversation", "one best represent background dialogue from a radio or television that is perhaps", "clearly that the conversation or broadcast is not being heard by the characters", "still important for the reader? Should I have the narrator state clearly that", "that the conversation or broadcast is not being heard by the characters but", "by the characters but sprinkle in key phrases and passages important for the", "writing a novel how would one best represent background dialogue from a radio", "have the narrator state clearly that the conversation or broadcast is not being", "sprinkle in key phrases and passages important for the reader and should they", "television that is perhaps only half heard by the characters but still important", "key phrases and passages important for the reader and should they be written", "radio or television that is perhaps only half heard by the characters but", "When writing a novel how would one best represent background dialogue from a", "from a radio or television that is perhaps only half heard by the", "best represent background dialogue from a radio or television that is perhaps only", "conversation or broadcast is not being heard by the characters but sprinkle in", "the conversation or broadcast is not being heard by the characters but sprinkle", "broadcast is not being heard by the characters but sprinkle in key phrases", "would one best represent background dialogue from a radio or television that is", "characters but still important for the reader? Should I have the narrator state", "and passages important for the reader and should they be written in italics?", "state clearly that the conversation or broadcast is not being heard by the", "background dialogue from a radio or television that is perhaps only half heard", "by the characters but still important for the reader? Should I have the", "the characters but still important for the reader? Should I have the narrator", "I have the narrator state clearly that the conversation or broadcast is not", "heard by the characters but still important for the reader? Should I have", "heard by the characters but sprinkle in key phrases and passages important for", "the narrator state clearly that the conversation or broadcast is not being heard", "is not being heard by the characters but sprinkle in key phrases and", "or television that is perhaps only half heard by the characters but still", "that is perhaps only half heard by the characters but still important for", "dialogue from a radio or television that is perhaps only half heard by", "important for the reader? Should I have the narrator state clearly that the", "only half heard by the characters but still important for the reader? Should", "a radio or television that is perhaps only half heard by the characters", "in key phrases and passages important for the reader and should they be", "but still important for the reader? Should I have the narrator state clearly", "or broadcast is not being heard by the characters but sprinkle in key", "narrator state clearly that the conversation or broadcast is not being heard by" ]
[ "added a glossary at the end that they could reference via a link", "could reference via a link directly there. I do tons of research for", "that no normal person would know off the top of their head. [![screenshot", "and many other complicated words that no normal person would know off the", "I added a glossary at the end that they could reference via a", "that they could reference via a link directly there. I do tons of", "the list, I retain more and more information about what I'm writing, so", "about what I'm writing, so I don't have to keep looking the same", "looking the same things up all the time. My question is: will people", "at the end that they could reference via a link directly there. I", "half of the things I'm talking about. So I added a glossary at", "names, and many other complicated words that no normal person would know off", "up all the time. My question is: will people be more willing to", "complicated words that no normal person would know off the top of their", "a lot of people, that read my draft understand half of the things", "people, that read my draft understand half of the things I'm talking about.", "of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add to the list, I", "writing, so I don't have to keep looking the same things up all", "same things up all the time. My question is: will people be more", "many other complicated words that no normal person would know off the top", "more information about what I'm writing, so I don't have to keep looking", "all the time. My question is: will people be more willing to read", "I don't have to keep looking the same things up all the time.", "is: will people be more willing to read my work if I clarify", "included into it involve Latin words, scientific names, and many other complicated words", "normal person would know off the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png)", "glossary at the end that they could reference via a link directly there.", "My question is: will people be more willing to read my work if", "And I noticed, that as I add to the list, I retain more", "involve Latin words, scientific names, and many other complicated words that no normal", "have to keep looking the same things up all the time. My question", "the same things up all the time. My question is: will people be", "add to the list, I retain more and more information about what I'm", "off the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that", "for this book, many of the things I have included into it involve", "the things I'm talking about. So I added a glossary at the end", "person would know off the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And", "directly there. I do tons of research for this book, many of the", "of research for this book, many of the things I have included into", "there. I do tons of research for this book, many of the things", "time. My question is: will people be more willing to read my work", "[![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add to the list,", "the end that they could reference via a link directly there. I do", "no normal person would know off the top of their head. [![screenshot of", "words that no normal person would know off the top of their head.", "Latin words, scientific names, and many other complicated words that no normal person", "know off the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed,", "noticed that not a lot of people, that read my draft understand half", "of the things I'm talking about. So I added a glossary at the", "I have noticed that not a lot of people, that read my draft", "While writing my book, I have noticed that not a lot of people,", "more willing to read my work if I clarify things using this glossary?", "scientific names, and many other complicated words that no normal person would know", "words, scientific names, and many other complicated words that no normal person would", "my draft understand half of the things I'm talking about. So I added", "top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I", "that as I add to the list, I retain more and more information", "be more willing to read my work if I clarify things using this", "understand half of the things I'm talking about. So I added a glossary", "would know off the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I", "things I'm talking about. So I added a glossary at the end that", "link directly there. I do tons of research for this book, many of", "I add to the list, I retain more and more information about what", "have noticed that not a lot of people, that read my draft understand", "about. So I added a glossary at the end that they could reference", "I do tons of research for this book, many of the things I", "lot of people, that read my draft understand half of the things I'm", "glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add to the list, I retain", "So I added a glossary at the end that they could reference via", "writing my book, I have noticed that not a lot of people, that", "other complicated words that no normal person would know off the top of", "do tons of research for this book, many of the things I have", "have included into it involve Latin words, scientific names, and many other complicated", "I'm talking about. So I added a glossary at the end that they", "what I'm writing, so I don't have to keep looking the same things", "more and more information about what I'm writing, so I don't have to", "will people be more willing to read my work if I clarify things", "my book, I have noticed that not a lot of people, that read", "the things I have included into it involve Latin words, scientific names, and", "that not a lot of people, that read my draft understand half of", "end that they could reference via a link directly there. I do tons", "tons of research for this book, many of the things I have included", "talking about. So I added a glossary at the end that they could", "as I add to the list, I retain more and more information about", "book, many of the things I have included into it involve Latin words,", "I'm writing, so I don't have to keep looking the same things up", "their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add to", "I retain more and more information about what I'm writing, so I don't", "many of the things I have included into it involve Latin words, scientific", "read my draft understand half of the things I'm talking about. So I", "it involve Latin words, scientific names, and many other complicated words that no", "book, I have noticed that not a lot of people, that read my", "draft understand half of the things I'm talking about. So I added a", "list, I retain more and more information about what I'm writing, so I", "of the things I have included into it involve Latin words, scientific names,", "this book, many of the things I have included into it involve Latin", "and more information about what I'm writing, so I don't have to keep", "information about what I'm writing, so I don't have to keep looking the", "of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add", "they could reference via a link directly there. I do tons of research", "I have included into it involve Latin words, scientific names, and many other", "research for this book, many of the things I have included into it", "things I have included into it involve Latin words, scientific names, and many", "via a link directly there. I do tons of research for this book,", "to the list, I retain more and more information about what I'm writing,", "things up all the time. My question is: will people be more willing", "question is: will people be more willing to read my work if I", "not a lot of people, that read my draft understand half of the", "into it involve Latin words, scientific names, and many other complicated words that", "I noticed, that as I add to the list, I retain more and", "to keep looking the same things up all the time. My question is:", "a glossary at the end that they could reference via a link directly", "head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as I add to the", "noticed, that as I add to the list, I retain more and more", "people be more willing to read my work if I clarify things using", "the time. My question is: will people be more willing to read my", "of people, that read my draft understand half of the things I'm talking", "retain more and more information about what I'm writing, so I don't have", "the top of their head. [![screenshot of glossary](https://i.stack.imgur.com/eluwd.png)](https://i.stack.imgur.com/eluwd.png) And I noticed, that as", "so I don't have to keep looking the same things up all the", "keep looking the same things up all the time. My question is: will", "reference via a link directly there. I do tons of research for this", "that read my draft understand half of the things I'm talking about. So", "a link directly there. I do tons of research for this book, many", "don't have to keep looking the same things up all the time. My" ]
[ "after lie, but I want her to build a sort of inability to", "tell the truth, identify whether what she is saying IS the truth. The", "(when she was a girl, she lashed out and accidentally killed her father,", "truth of her actions because they were extremely traumatizing and she harbors extreme", "so caught up in her own emotions that she blocks out what is", "named UrasMt, was isolated for almost all of her life until meeting a", "lie after lie, but I want her to build a sort of inability", "is saying IS the truth. The suppression of her powers and guilt about", "can I convey her inner conflict and inability to trust herself in an", "and frequently gets so caught up in her own emotions that she blocks", "she blocks out what is happening around her. My question is: how can", "those around her, but even when she is alone she is unable to", "and inability to trust herself in an effective way? I don't simply want", "powers and guilt about using them is a big reason for her unreliability", "was isolated for almost all of her life until meeting a rogue group", "herself that she was the last person on Earth until the group of", "in her own emotions that she blocks out what is happening around her.", "girl, she lashed out and accidentally killed her father, aunt, and older sister,", "I want her to build a sort of inability to both tell the", "of inability to both tell the truth, identify whether what she is saying", "until the group of survivors picked her up, and while she does the", "father, aunt, and older sister, and when this commotion was investigated by other", "its usage from her mind, and this blockage of memories inadvertently manifests in", "aunt, and older sister, and when this commotion was investigated by other survivors,", "realize the effects of her own actions and lies about them to herself", "truth, identify whether what she is saying IS the truth. The suppression of", "lie, but I want her to build a sort of inability to both", "majority of the Earth polluted and radiated, which subsequently modified the human genome", "only is lying constantly to those around her, but even when she is", "her. My question is: how can I convey her inner conflict and inability", "guilt. She also misunderstands body language, does not realize the effects of her", "up in her own emotions that she blocks out what is happening around", "of her life until meeting a rogue group of survivors and having to", "her is to be a destructive person and a bad source of information.", "commotion was investigated by other survivors, she murdered them out of fear). She", "around her, but even when she is alone she is unable to acknowledge", "of memories inadvertently manifests in odd nightmares and premonitions (when she was a", "want her to tell lie after lie, but I want her to build", "her up, and while she does the possess uncontrollable and \"supernatural\" ability to", "possess uncontrollable and \"supernatural\" ability to manipulate life force, she is not only", "was investigated by other survivors, she murdered them out of fear). She not", "out what is happening around her. My question is: how can I convey", "to both tell the truth, identify whether what she is saying IS the", "lashed out and accidentally killed her father, aunt, and older sister, and when", "all of her life until meeting a rogue group of survivors and having", "inaccurate narration/retelling of the events, and frequently gets so caught up in her", "the truth or develop morals; my main goal for her is to be", "own actions and lies about them to herself resulting in inaccurate narration/retelling of", "of her own actions and lies about them to herself resulting in inaccurate", "and manipulation. She isn't necessarily a sympathetic character and I don't need/want her", "the possess uncontrollable and \"supernatural\" ability to manipulate life force, she is not", "in inaccurate narration/retelling of the events, and frequently gets so caught up in", "from her mind, and this blockage of memories inadvertently manifests in odd nightmares", "life until meeting a rogue group of survivors and having to assimilate into", "sympathetic character and I don't need/want her to be, and I don't want", "lies about them to herself resulting in inaccurate narration/retelling of the events, and", "is unable to acknowledge the truth of her actions because they were extremely", "and lies about them to herself resulting in inaccurate narration/retelling of the events,", "My female narrator/protagonist, named UrasMt, was isolated for almost all of her life", "subsequently modified the human genome and gave many people strange and unexplainable abilities.", "own emotions that she blocks out what is happening around her. My question", "2212 and this world was devastated by decades of nuclear war, leaving a", "about them to herself resulting in inaccurate narration/retelling of the events, and frequently", "for about a year. My female narrator/protagonist, named UrasMt, was isolated for almost", "how to tell the truth or develop morals; my main goal for her", "of survivors and having to assimilate into their world. It's the year 2212", "a rogue group of survivors and having to assimilate into their world. It's", "not only hiding this from her new companions, she has convinced HERSELF that", "survivors and having to assimilate into their world. It's the year 2212 and", "Earth polluted and radiated, which subsequently modified the human genome and gave many", "lying constantly to those around her, but even when she is alone she", "main goal for her is to be a destructive person and a bad", "tell the truth or develop morals; my main goal for her is to", "is to be a destructive person and a bad source of information. Thanks!", "memories inadvertently manifests in odd nightmares and premonitions (when she was a girl,", "usage from her mind, and this blockage of memories inadvertently manifests in odd", "her to build a sort of inability to both tell the truth, identify", "her to be, and I don't want her to learn how to tell", "that she was the last person on Earth until the group of survivors", "fear). She not only is lying constantly to those around her, but even", "but even when she is alone she is unable to acknowledge the truth", "even when she is alone she is unable to acknowledge the truth of", "big reason for her unreliability and motivation behind her lies and manipulation. She", "them to herself resulting in inaccurate narration/retelling of the events, and frequently gets", "until meeting a rogue group of survivors and having to assimilate into their", "inability to trust herself in an effective way? I don't simply want her", "suppression of her powers and guilt about using them is a big reason", "a girl, she lashed out and accidentally killed her father, aunt, and older", "strange and unexplainable abilities. UrasMt had convinced herself that she was the last", "and this blockage of memories inadvertently manifests in odd nightmares and premonitions (when", "She also misunderstands body language, does not realize the effects of her own", "body language, does not realize the effects of her own actions and lies", "out and accidentally killed her father, aunt, and older sister, and when this", "companions, she has convinced HERSELF that this power does not exist and blocked", "develop morals; my main goal for her is to be a destructive person", "convinced herself that she was the last person on Earth until the group", "an effective way? I don't simply want her to tell lie after lie,", "her, but even when she is alone she is unable to acknowledge the", "when she is alone she is unable to acknowledge the truth of her", "constantly to those around her, but even when she is alone she is", "a big reason for her unreliability and motivation behind her lies and manipulation.", "having to assimilate into their world. It's the year 2212 and this world", "power does not exist and blocked out its usage from her mind, and", "and she harbors extreme guilt. She also misunderstands body language, does not realize", "and having to assimilate into their world. It's the year 2212 and this", "and while she does the possess uncontrollable and \"supernatural\" ability to manipulate life", "want her to learn how to tell the truth or develop morals; my", "she harbors extreme guilt. She also misunderstands body language, does not realize the", "the truth of her actions because they were extremely traumatizing and she harbors", "how can I convey her inner conflict and inability to trust herself in", "both tell the truth, identify whether what she is saying IS the truth.", "what is happening around her. My question is: how can I convey her", "language, does not realize the effects of her own actions and lies about", "her to learn how to tell the truth or develop morals; my main", "is: how can I convey her inner conflict and inability to trust herself", "ability to manipulate life force, she is not only hiding this from her", "extreme guilt. She also misunderstands body language, does not realize the effects of", "exist and blocked out its usage from her mind, and this blockage of", "and \"supernatural\" ability to manipulate life force, she is not only hiding this", "she is alone she is unable to acknowledge the truth of her actions", "and motivation behind her lies and manipulation. She isn't necessarily a sympathetic character", "to assimilate into their world. It's the year 2212 and this world was", "way? I don't simply want her to tell lie after lie, but I", "herself in an effective way? I don't simply want her to tell lie", "using them is a big reason for her unreliability and motivation behind her", "novel for about a year. My female narrator/protagonist, named UrasMt, was isolated for", "actions and lies about them to herself resulting in inaccurate narration/retelling of the", "her unreliability and motivation behind her lies and manipulation. She isn't necessarily a", "to acknowledge the truth of her actions because they were extremely traumatizing and", "traumatizing and she harbors extreme guilt. She also misunderstands body language, does not", "her inner conflict and inability to trust herself in an effective way? I", "to herself resulting in inaccurate narration/retelling of the events, and frequently gets so", "is alone she is unable to acknowledge the truth of her actions because", "reason for her unreliability and motivation behind her lies and manipulation. She isn't", "were extremely traumatizing and she harbors extreme guilt. She also misunderstands body language,", "truth. The suppression of her powers and guilt about using them is a", "mind, and this blockage of memories inadvertently manifests in odd nightmares and premonitions", "in odd nightmares and premonitions (when she was a girl, she lashed out", "human genome and gave many people strange and unexplainable abilities. UrasMt had convinced", "to learn how to tell the truth or develop morals; my main goal", "The suppression of her powers and guilt about using them is a big", "killed her father, aunt, and older sister, and when this commotion was investigated", "when this commotion was investigated by other survivors, she murdered them out of", "assimilate into their world. It's the year 2212 and this world was devastated", "new companions, she has convinced HERSELF that this power does not exist and", "older sister, and when this commotion was investigated by other survivors, she murdered", "the Earth polluted and radiated, which subsequently modified the human genome and gave", "also misunderstands body language, does not realize the effects of her own actions", "I don't need/want her to be, and I don't want her to learn", "abilities. UrasMt had convinced herself that she was the last person on Earth", "devastated by decades of nuclear war, leaving a majority of the Earth polluted", "truth or develop morals; my main goal for her is to be a", "her powers and guilt about using them is a big reason for her", "to manipulate life force, she is not only hiding this from her new", "a sort of inability to both tell the truth, identify whether what she", "have been working on a post-apocalyptic novel for about a year. My female", "in an effective way? I don't simply want her to tell lie after", "to tell the truth or develop morals; my main goal for her is", "not exist and blocked out its usage from her mind, and this blockage", "to those around her, but even when she is alone she is unable", "their world. It's the year 2212 and this world was devastated by decades", "for almost all of her life until meeting a rogue group of survivors", "her actions because they were extremely traumatizing and she harbors extreme guilt. She", "but I want her to build a sort of inability to both tell", "she murdered them out of fear). She not only is lying constantly to", "nightmares and premonitions (when she was a girl, she lashed out and accidentally", "learn how to tell the truth or develop morals; my main goal for", "or develop morals; my main goal for her is to be a destructive", "on Earth until the group of survivors picked her up, and while she", "odd nightmares and premonitions (when she was a girl, she lashed out and", "events, and frequently gets so caught up in her own emotions that she", "premonitions (when she was a girl, she lashed out and accidentally killed her", "and this world was devastated by decades of nuclear war, leaving a majority", "inadvertently manifests in odd nightmares and premonitions (when she was a girl, she", "I don't want her to learn how to tell the truth or develop", "whether what she is saying IS the truth. The suppression of her powers", "blocks out what is happening around her. My question is: how can I", "polluted and radiated, which subsequently modified the human genome and gave many people", "murdered them out of fear). She not only is lying constantly to those", "a sympathetic character and I don't need/want her to be, and I don't", "acknowledge the truth of her actions because they were extremely traumatizing and she", "not realize the effects of her own actions and lies about them to", "decades of nuclear war, leaving a majority of the Earth polluted and radiated,", "force, she is not only hiding this from her new companions, she has", "her life until meeting a rogue group of survivors and having to assimilate", "leaving a majority of the Earth polluted and radiated, which subsequently modified the", "group of survivors and having to assimilate into their world. It's the year", "My question is: how can I convey her inner conflict and inability to", "goal for her is to be a destructive person and a bad source", "of her powers and guilt about using them is a big reason for", "blocked out its usage from her mind, and this blockage of memories inadvertently", "resulting in inaccurate narration/retelling of the events, and frequently gets so caught up", "It's the year 2212 and this world was devastated by decades of nuclear", "had convinced herself that she was the last person on Earth until the", "person on Earth until the group of survivors picked her up, and while", "by decades of nuclear war, leaving a majority of the Earth polluted and", "they were extremely traumatizing and she harbors extreme guilt. She also misunderstands body", "while she does the possess uncontrollable and \"supernatural\" ability to manipulate life force,", "she has convinced HERSELF that this power does not exist and blocked out", "working on a post-apocalyptic novel for about a year. My female narrator/protagonist, named", "sort of inability to both tell the truth, identify whether what she is", "simply want her to tell lie after lie, but I want her to", "manipulate life force, she is not only hiding this from her new companions,", "and guilt about using them is a big reason for her unreliability and", "she does the possess uncontrollable and \"supernatural\" ability to manipulate life force, she", "she is not only hiding this from her new companions, she has convinced", "about using them is a big reason for her unreliability and motivation behind", "and gave many people strange and unexplainable abilities. UrasMt had convinced herself that", "is not only hiding this from her new companions, she has convinced HERSELF", "modified the human genome and gave many people strange and unexplainable abilities. UrasMt", "and blocked out its usage from her mind, and this blockage of memories", "she was the last person on Earth until the group of survivors picked", "unreliability and motivation behind her lies and manipulation. She isn't necessarily a sympathetic", "war, leaving a majority of the Earth polluted and radiated, which subsequently modified", "the events, and frequently gets so caught up in her own emotions that", "herself resulting in inaccurate narration/retelling of the events, and frequently gets so caught", "identify whether what she is saying IS the truth. The suppression of her", "them out of fear). She not only is lying constantly to those around", "investigated by other survivors, she murdered them out of fear). She not only", "alone she is unable to acknowledge the truth of her actions because they", "guilt about using them is a big reason for her unreliability and motivation", "effects of her own actions and lies about them to herself resulting in", "the effects of her own actions and lies about them to herself resulting", "this power does not exist and blocked out its usage from her mind,", "up, and while she does the possess uncontrollable and \"supernatural\" ability to manipulate", "the group of survivors picked her up, and while she does the possess", "life force, she is not only hiding this from her new companions, she", "accidentally killed her father, aunt, and older sister, and when this commotion was", "her lies and manipulation. She isn't necessarily a sympathetic character and I don't", "survivors picked her up, and while she does the possess uncontrollable and \"supernatural\"", "the year 2212 and this world was devastated by decades of nuclear war,", "not only is lying constantly to those around her, but even when she", "unable to acknowledge the truth of her actions because they were extremely traumatizing", "her to tell lie after lie, but I want her to build a", "by other survivors, she murdered them out of fear). She not only is", "She isn't necessarily a sympathetic character and I don't need/want her to be,", "I have been working on a post-apocalyptic novel for about a year. My", "effective way? I don't simply want her to tell lie after lie, but", "behind her lies and manipulation. She isn't necessarily a sympathetic character and I", "trust herself in an effective way? I don't simply want her to tell", "the human genome and gave many people strange and unexplainable abilities. UrasMt had", "HERSELF that this power does not exist and blocked out its usage from", "unexplainable abilities. UrasMt had convinced herself that she was the last person on", "my main goal for her is to be a destructive person and a", "from her new companions, she has convinced HERSELF that this power does not", "only hiding this from her new companions, she has convinced HERSELF that this", "\"supernatural\" ability to manipulate life force, she is not only hiding this from", "manipulation. She isn't necessarily a sympathetic character and I don't need/want her to", "a majority of the Earth polluted and radiated, which subsequently modified the human", "manifests in odd nightmares and premonitions (when she was a girl, she lashed", "post-apocalyptic novel for about a year. My female narrator/protagonist, named UrasMt, was isolated", "and when this commotion was investigated by other survivors, she murdered them out", "her father, aunt, and older sister, and when this commotion was investigated by", "caught up in her own emotions that she blocks out what is happening", "gave many people strange and unexplainable abilities. UrasMt had convinced herself that she", "I convey her inner conflict and inability to trust herself in an effective", "She not only is lying constantly to those around her, but even when", "and premonitions (when she was a girl, she lashed out and accidentally killed", "to trust herself in an effective way? I don't simply want her to", "around her. My question is: how can I convey her inner conflict and", "her mind, and this blockage of memories inadvertently manifests in odd nightmares and", "UrasMt, was isolated for almost all of her life until meeting a rogue", "and unexplainable abilities. UrasMt had convinced herself that she was the last person", "does not exist and blocked out its usage from her mind, and this", "happening around her. My question is: how can I convey her inner conflict", "was a girl, she lashed out and accidentally killed her father, aunt, and", "narration/retelling of the events, and frequently gets so caught up in her own", "does the possess uncontrollable and \"supernatural\" ability to manipulate life force, she is", "was devastated by decades of nuclear war, leaving a majority of the Earth", "that this power does not exist and blocked out its usage from her", "she is unable to acknowledge the truth of her actions because they were", "other survivors, she murdered them out of fear). She not only is lying", "tell lie after lie, but I want her to build a sort of", "to tell lie after lie, but I want her to build a sort", "female narrator/protagonist, named UrasMt, was isolated for almost all of her life until", "uncontrollable and \"supernatural\" ability to manipulate life force, she is not only hiding", "emotions that she blocks out what is happening around her. My question is:", "sister, and when this commotion was investigated by other survivors, she murdered them", "don't want her to learn how to tell the truth or develop morals;", "group of survivors picked her up, and while she does the possess uncontrollable", "because they were extremely traumatizing and she harbors extreme guilt. She also misunderstands", "and older sister, and when this commotion was investigated by other survivors, she", "to build a sort of inability to both tell the truth, identify whether", "I don't simply want her to tell lie after lie, but I want", "and radiated, which subsequently modified the human genome and gave many people strange", "character and I don't need/want her to be, and I don't want her", "the truth. The suppression of her powers and guilt about using them is", "need/want her to be, and I don't want her to learn how to", "of fear). She not only is lying constantly to those around her, but", "be, and I don't want her to learn how to tell the truth", "of the Earth polluted and radiated, which subsequently modified the human genome and", "hiding this from her new companions, she has convinced HERSELF that this power", "don't simply want her to tell lie after lie, but I want her", "want her to build a sort of inability to both tell the truth,", "this world was devastated by decades of nuclear war, leaving a majority of", "of survivors picked her up, and while she does the possess uncontrollable and", "out of fear). She not only is lying constantly to those around her,", "is lying constantly to those around her, but even when she is alone", "world. It's the year 2212 and this world was devastated by decades of", "them is a big reason for her unreliability and motivation behind her lies", "convey her inner conflict and inability to trust herself in an effective way?", "morals; my main goal for her is to be a destructive person and", "genome and gave many people strange and unexplainable abilities. UrasMt had convinced herself", "year. My female narrator/protagonist, named UrasMt, was isolated for almost all of her", "this blockage of memories inadvertently manifests in odd nightmares and premonitions (when she", "rogue group of survivors and having to assimilate into their world. It's the", "of the events, and frequently gets so caught up in her own emotions", "a post-apocalyptic novel for about a year. My female narrator/protagonist, named UrasMt, was", "question is: how can I convey her inner conflict and inability to trust", "radiated, which subsequently modified the human genome and gave many people strange and", "survivors, she murdered them out of fear). She not only is lying constantly", "this commotion was investigated by other survivors, she murdered them out of fear).", "the last person on Earth until the group of survivors picked her up,", "the truth, identify whether what she is saying IS the truth. The suppression", "necessarily a sympathetic character and I don't need/want her to be, and I", "does not realize the effects of her own actions and lies about them", "is a big reason for her unreliability and motivation behind her lies and", "harbors extreme guilt. She also misunderstands body language, does not realize the effects", "Earth until the group of survivors picked her up, and while she does", "she is saying IS the truth. The suppression of her powers and guilt", "meeting a rogue group of survivors and having to assimilate into their world.", "isn't necessarily a sympathetic character and I don't need/want her to be, and", "picked her up, and while she does the possess uncontrollable and \"supernatural\" ability", "that she blocks out what is happening around her. My question is: how", "year 2212 and this world was devastated by decades of nuclear war, leaving", "her own emotions that she blocks out what is happening around her. My", "for her is to be a destructive person and a bad source of", "and I don't need/want her to be, and I don't want her to", "to be, and I don't want her to learn how to tell the", "lies and manipulation. She isn't necessarily a sympathetic character and I don't need/want", "her own actions and lies about them to herself resulting in inaccurate narration/retelling", "inability to both tell the truth, identify whether what she is saying IS", "narrator/protagonist, named UrasMt, was isolated for almost all of her life until meeting", "actions because they were extremely traumatizing and she harbors extreme guilt. She also", "convinced HERSELF that this power does not exist and blocked out its usage", "IS the truth. The suppression of her powers and guilt about using them", "was the last person on Earth until the group of survivors picked her", "about a year. My female narrator/protagonist, named UrasMt, was isolated for almost all", "people strange and unexplainable abilities. UrasMt had convinced herself that she was the", "isolated for almost all of her life until meeting a rogue group of", "last person on Earth until the group of survivors picked her up, and", "almost all of her life until meeting a rogue group of survivors and", "for her unreliability and motivation behind her lies and manipulation. She isn't necessarily", "blockage of memories inadvertently manifests in odd nightmares and premonitions (when she was", "been working on a post-apocalyptic novel for about a year. My female narrator/protagonist,", "extremely traumatizing and she harbors extreme guilt. She also misunderstands body language, does", "and accidentally killed her father, aunt, and older sister, and when this commotion", "many people strange and unexplainable abilities. UrasMt had convinced herself that she was", "into their world. It's the year 2212 and this world was devastated by", "of her actions because they were extremely traumatizing and she harbors extreme guilt.", "what she is saying IS the truth. The suppression of her powers and", "nuclear war, leaving a majority of the Earth polluted and radiated, which subsequently", "which subsequently modified the human genome and gave many people strange and unexplainable", "on a post-apocalyptic novel for about a year. My female narrator/protagonist, named UrasMt,", "don't need/want her to be, and I don't want her to learn how", "world was devastated by decades of nuclear war, leaving a majority of the", "has convinced HERSELF that this power does not exist and blocked out its", "gets so caught up in her own emotions that she blocks out what", "is happening around her. My question is: how can I convey her inner", "she was a girl, she lashed out and accidentally killed her father, aunt,", "of nuclear war, leaving a majority of the Earth polluted and radiated, which", "frequently gets so caught up in her own emotions that she blocks out", "saying IS the truth. The suppression of her powers and guilt about using", "misunderstands body language, does not realize the effects of her own actions and", "inner conflict and inability to trust herself in an effective way? I don't", "conflict and inability to trust herself in an effective way? I don't simply", "this from her new companions, she has convinced HERSELF that this power does", "her new companions, she has convinced HERSELF that this power does not exist", "out its usage from her mind, and this blockage of memories inadvertently manifests", "a year. My female narrator/protagonist, named UrasMt, was isolated for almost all of", "UrasMt had convinced herself that she was the last person on Earth until", "build a sort of inability to both tell the truth, identify whether what", "she lashed out and accidentally killed her father, aunt, and older sister, and", "motivation behind her lies and manipulation. She isn't necessarily a sympathetic character and", "and I don't want her to learn how to tell the truth or" ]
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The client has told me that the book should be formatted to", "printed one differ? I would assume so do to the binding, but if", "the answer to the following question: Are there standard margin sizes for specific", "to the following question: Are there standard margin sizes for specific book/page sizes?", "their own preferred margins--is there no industry standard? If not, what are some", "specific book/page sizes? The client has told me that the book should be", "are some safe bets to go with? Also, will the margins for an", "differ? I would assume so do to the binding, but if they do,", "be 6x9, but I've looked around different forums and it seems that everyone", "6x9, but I've looked around different forums and it seems that everyone has", "own preferred margins--is there no industry standard? If not, what are some safe", "a client and I've run into a bit of a technical issue--I've never", "what are some safe bets to go with? Also, will the margins for", "client has told me that the book should be formatted to be 6x9,", "me that the book should be formatted to be 6x9, but I've looked", "answer to the following question: Are there standard margin sizes for specific book/page", "book/page sizes? The client has told me that the book should be formatted", "for an ebook and a printed one differ? I would assume so do", "a bit of a technical issue--I've never formatted a book for print before", "book for a client and I've run into a bit of a technical", "to find the answer to the following question: Are there standard margin sizes", "formatted to be 6x9, but I've looked around different forums and it seems", "formatted a book for print before and I can't seem to find the", "there no industry standard? If not, what are some safe bets to go", "margin sizes for specific book/page sizes? The client has told me that the", "of a technical issue--I've never formatted a book for print before and I", "there standard margin sizes for specific book/page sizes? The client has told me", "no industry standard? If not, what are some safe bets to go with?", "standard? If not, what are some safe bets to go with? Also, will", "will the margins for an ebook and a printed one differ? I would", "The client has told me that the book should be formatted to be", "and I've run into a bit of a technical issue--I've never formatted a", "for print before and I can't seem to find the answer to the", "If not, what are some safe bets to go with? Also, will the", "the binding, but if they do, by how much? A huge thanks in", "sizes for specific book/page sizes? The client has told me that the book" ]
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Where can I learn about", "idea as I advance, perhaps with some editting in-between. In this particuliar case,", "becomes extremely hard to find new information. Where can I learn about the", "professional, and pass the stage of beginner. This is where it becomes extremely", "just think of a story layout in my head, begin writing, and make", "story is good enough (let's be honest, it is not), I post it", "most basic thing about writing, I am wondering if I am not missing", "even today, I am not 100% certain of what is is... Now that", "also apply to the more advanced concepts. If I do a lot of", "with some editting in-between. In this particuliar case, I feel like I am", "storymaking and worldbuilding? Where can I learn to develop memorable characters? Or how", "assumption. I consider myself a beginner, and I know that I still have", "writing. It strucked me the first time I heard about first drafts. At", "writing ? And where can I learn more advanced concepts and techniques ?*", "when I have the time, after work or during free weeks. Even though", "methodology that I have never heard of, and that would make my life", "way. That means I try to follow the precepts I see from experienced", "a wrong assumption. I consider myself a beginner, and I know that I", "that I know it is one of the most basic thing about writing,", "particuliar case, I feel like I am missing the opportunity to use a", "the basics of writing ? And where can I learn more advanced concepts", "me the first time I heard about first drafts. At the time, I", "it when I have the time, after work or during free weeks. Even", "layout in my head, begin writing, and make modification on the starting idea", "is... Now that I know it is one of the most basic thing", "begin writing, and make modification on the starting idea as I advance, perhaps", "free weeks. 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Where can I learn about the methodology", "this particuliar case, I feel like I am missing the opportunity to use", "that I do not know what I do not know. For example, I", "more advanced concepts.* If I do a lot of research, there will be", "do a lot of research, there will be a point where I will", "it is a 100% chance of failure faced with an editor. *Therefore my", "know the basics, mostly because they are all over the internet. But it's", "not know. For example, I don't have a methodology when writing. I basically", "today, I am not 100% certain of what is is... Now that I", "of research, there will be a point where I will be relatively certain", "a complete different matter if I want to become more professional, and pass", "to spend so much money for my hobby. And, while it might be", "I learn about the methodology of storymaking and worldbuilding? Where can I learn", "I even know what to search for? 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Where can", "what is is... Now that I know it is one of the most", "building a scenery in a novel, yet so little information out there. With", "is one of the most basic thing about writing, I am wondering if", "no notions, but rather that I do not know what I do not", "(let's be honest, it is not), I post it somewhere to eventually receive", "because they are all over the internet. But it's a complete different matter", "spend so much money for my hobby. And, while it might be okay", "little information out there. With a bit effort, I can find paid [courses](https://www.udemy.com/topic/writing/)", "people meant when they used this vocabulary, and even today, I am not", "receive feedbacks from kind readers. But here is the problem: I never learned", "But it's a complete different matter if I want to become more professional,", "time I heard about first drafts. 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With a bit effort, I can find paid [courses](https://www.udemy.com/topic/writing/) that", "point where I will be relatively certain to know the basics, mostly because", "to learn about building a scenery in a novel, yet so little information", "complete different matter if I want to become more professional, and pass the", "this also apply to the more advanced concepts.** If I do a lot", "information. Where can I learn about the methodology of storymaking and worldbuilding? Where", "basics of writing ? And where can I learn more advanced concepts and", "that I have no notions, but rather that I do not know what", "had to search what people meant when they used this vocabulary, and even", "drastically improve my writing. It is not that I have no notions, but", "--- I write as a hobby. I do it when I have the", "I do it when I have the time, after work or during free", "know. For example, I don't have a methodology when writing. I basically just", "readers. But here is the problem: I never learned the basics of writing.", "and even today, I am not 100% certain of what is is... Now", "and worldbuilding? Where can I learn to develop memorable characters? Or how can", "precepts I see from experienced writers, read about writing (here, on blogs, reddit...)", "on the starting idea as I advance, perhaps with some editting in-between. In", "And where can I learn more advanced concepts and techniques ?** TL;DR: What's", "case, I feel like I am missing the opportunity to use a common", "the more advanced concepts.* If I do a lot of research, there will", "to follow the precepts I see from experienced writers, read about writing (here,", "in a novel, yet so little information out there. With a bit effort,", "about the methodology of storymaking and worldbuilding? Where can I learn to develop", "that threat that sort of things, but I am not willing to spend", "my question is: where can I learn about the basics of writing ?", "where I will be relatively certain to know the basics, mostly because they", "do everything the right way. That means I try to follow the precepts", "I know that I still have to learn a lot in the field.", "and make modification on the starting idea as I advance, perhaps with some", "try to always improve myself. Finally, when I think my story is good", "missing the opportunity to use a common methodology that I have never heard", "some editting in-between. In this particuliar case, I feel like I am missing", "100% certain of what is is... Now that I know it is one", "what I do not know. For example, I don't have a methodology when", "methodology of storymaking and worldbuilding? Where can I learn to develop memorable characters?", "hard to find new information. Where can I learn about the methodology of", "as I advance, perhaps with some editting in-between. In this particuliar case, I", "apply to the more advanced concepts. If I do a lot of research,", "the problem: I never learned the basics of writing.** It strucked me the", "in-between. In this particuliar case, I feel like I am missing the opportunity", "am wondering if I am not missing something else that could drastically improve", "It strucked me the first time I heard about first drafts. At the", "advance, perhaps with some editting in-between. In this particuliar case, I feel like", "I post it somewhere to eventually receive feedbacks from kind readers. But here", "I am wondering if I am not missing something else that could drastically", "lot of research, there will be a point where I will be relatively", "I am not willing to spend so much money for my hobby. And,", "so much money for my hobby. And, while it might be okay to", "it is amateur stories, I try to do everything the right way. That", "post it somewhere to eventually receive feedbacks from kind readers. But here is", "beginner. This is where it becomes extremely hard to find new information. Where", "an editor. *Therefore my question is: where can I learn about the basics", "common methodology that I have never heard of, and that would make my", "this vocabulary, and even today, I am not 100% certain of what is", "is amateur stories, I try to do everything the right way. That means", "though it is amateur stories, I try to do everything the right way.", "to remain clueless when publishing my writing online, it is a 100% chance", "but I am not willing to spend so much money for my hobby.", "stage of beginner. This is where it becomes extremely hard to find new", "is a 100% chance of failure faced with an editor. Therefore my question", "I don't have a methodology* when writing. I basically just think of a", "a hobby. I do it when I have the time, after work or", "okay to remain clueless when publishing my writing online, it is a 100%", "This is where it becomes extremely hard to find new information. Where can", "during free weeks. Even though it is amateur stories, I try to do", "example, I don't have a methodology when writing. I basically just think of", "failure faced with an editor. *Therefore my question is: where can I learn", "else that could drastically improve my writing. It is not that I have", "things, but I am not willing to spend so much money for my", "right way. That means I try to follow the precepts I see from", "a beginner, and I know that I still have to learn a lot", "pass the stage of beginner. This is where it becomes extremely hard to", "of storymaking and worldbuilding? Where can I learn to develop memorable characters? Or", "(here, on blogs, reddit...) and try to always improve myself. Finally, when I", "I do a lot of research, there will be a point where I", "stories, I try to do everything the right way. That means I try", "of writing.* It strucked me the first time I heard about first drafts.", "heard of, and that would make my life so much simpler. *And this", "mostly because they are all over the internet. But it's a complete different", "remain clueless when publishing my writing online, it is a 100% chance of", "Or how can I even know what to search for? There is plenty", "the time, I had to search what people meant when they used this", "That means I try to follow the precepts I see from experienced writers,", "strucked me the first time I heard about first drafts. At the time,", "and I know that I still have to learn a lot in the", "I know it is one of the most basic thing about writing, I", "learned the basics of writing.* It strucked me the first time I heard", "where it becomes extremely hard to find new information. Where can I learn", "writing. I basically just think of a story layout in my head, begin", "a 100% chance of failure faced with an editor. Therefore my question is:", "somewhere to eventually receive feedbacks from kind readers. But here is the problem:", "certain of what is is... Now that I know it is one of", "concepts. If I do a lot of research, there will be a point", "novel, yet so little information out there. With a bit effort, I can", "and that would make my life so much simpler. And this also apply", "of things, but I am not willing to spend so much money for", "to always improve myself. Finally, when I think my story is good enough", "much simpler. And this also apply to the more advanced concepts.** If I", "am not missing something else that could drastically improve my writing. It is", "could drastically improve my writing. It is not that I have no notions,", "to search what people meant when they used this vocabulary, and even today,", "of what is is... Now that I know it is one of the", "am not 100% certain of what is is... Now that I know it", "meant when they used this vocabulary, and even today, I am not 100%", "that I have never heard of, and that would make my life so", "is good enough (let's be honest, it is not), I post it somewhere", "writing, I am wondering if I am not missing something else that could", "the wrong terms or make a wrong assumption. I consider myself a beginner,", "a methodology when writing. I basically just think of a story layout in", "vocabulary, and even today, I am not 100% certain of what is is...", "starting idea as I advance, perhaps with some editting in-between. In this particuliar", "something else that could drastically improve my writing. It is not that I", "have never heard of, and that would make my life so much simpler.", "my hobby. And, while it might be okay to remain clueless when publishing", "question is: where can I learn about the basics of writing ? And", "experienced writers, read about writing (here, on blogs, reddit...) and try to always", "when writing. I basically just think of a story layout in my head,", "new information. Where can I learn about the methodology of storymaking and worldbuilding?", "have no notions, but rather that I do not know what I do", "There is plenty to learn about building a scenery* in a novel, yet", "not), I post it somewhere to eventually receive feedbacks from kind readers. But", "read about writing (here, on blogs, reddit...) and try to always improve myself.", "Finally, when I think my story is good enough (let's be honest, it", "from kind readers. But here is the problem: I never learned the basics", "And this also apply to the more advanced concepts.** If I do a", "the field.* --- I write as a hobby. I do it when I", "first drafts. At the time, I had to search what people meant when", "Where can I learn to develop memorable characters? 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I", "feel like I am missing the opportunity to use a common methodology that", "a bit effort, I can find paid [courses](https://www.udemy.com/topic/writing/) that threat that sort of", "editor. *Therefore my question is: where can I learn about the basics of", "and try to always improve myself. Finally, when I think my story is", "is not), I post it somewhere to eventually receive feedbacks from kind readers.", "yet so little information out there. With a bit effort, I can find", "not know what I do not know. For example, I don't have a", "be okay to remain clueless when publishing my writing online, it is a", "from experienced writers, read about writing (here, on blogs, reddit...) and try to", "are all over the internet. But it's a complete different matter if I", "missing something else that could drastically improve my writing. It is not that", "feedbacks from kind readers. But here is the problem: I never learned the", "advanced concepts. If I do a lot of research, there will be a", "so much simpler. And this also apply to the more advanced concepts. If", "scenery* in a novel, yet so little information out there. With a bit", "where can I learn more advanced concepts and techniques ?** TL;DR: What's in", "that I still have to learn a lot in the field. --- I", "so little information out there. With a bit effort, I can find paid", "and pass the stage of beginner. This is where it becomes extremely hard", "the methodology of storymaking and worldbuilding? Where can I learn to develop memorable", "is plenty to learn about building a scenery in a novel, yet so", "develop memorable characters? Or how can I even know what to search for?", "about writing (here, on blogs, reddit...) and try to always improve myself. Finally,", "what people meant when they used this vocabulary, and even today, I am", "of writing ? And where can I learn more advanced concepts and techniques", "it's a complete different matter if I want to become more professional, and", "like I am missing the opportunity to use a common methodology that I", "I have never heard of, and that would make my life so much", "clueless when publishing my writing online, it is a 100% chance of failure", "different matter if I want to become more professional, and pass the stage", "kind readers. But here is the problem: *I never learned the basics of", "plenty to learn about building a scenery* in a novel, yet so little", "in the field.* --- I write as a hobby. I do it when", "if I am not missing something else that could drastically improve my writing.", "rather that I do not know what I do not know. For example,", "if I use the wrong terms or make a wrong assumption. I consider", "a lot of research, there will be a point where I will be", "write as a hobby. I do it when I have the time, after", "research, there will be a point where I will be relatively certain to", "know what I do not know. For example, I don't have a methodology", "Even though it is amateur stories, I try to do everything the right", "weeks. Even though it is amateur stories, I try to do everything the", "Now that I know it is one of the most basic thing about", "reddit...) and try to always improve myself. Finally, when I think my story", "consider myself a beginner, and I know that I still have to learn", "methodology when writing. I basically just think of a story layout in my", "the basics of writing.** It strucked me the first time I heard about", "will be relatively certain to know the basics, mostly because they are all", "to find new information. Where can I learn about the methodology of storymaking", "basic thing about writing, I am wondering if I am not missing something", "if I want to become more professional, and pass the stage of beginner.", "see from experienced writers, read about writing (here, on blogs, reddit...) and try", "thing about writing, I am wondering if I am not missing something else", "of beginner. This is where it becomes extremely hard to find new information.", "about writing, I am wondering if I am not missing something else that", "simpler. And this also apply to the more advanced concepts. If I do", "means I try to follow the precepts I see from experienced writers, read", "For example, I don't have a methodology when writing. I basically just think", "follow the precepts I see from experienced writers, read about writing (here, on", "but rather that I do not know what I do not know. For", "after work or during free weeks. Even though it is amateur stories, I", "field.* --- I write as a hobby. I do it when I have", "do not know. For example, I don't have a methodology* when writing. I", "I basically just think of a story layout in my head, begin writing,", "effort, I can find paid [courses](https://www.udemy.com/topic/writing/) that threat that sort of things, but", "online, it is a 100% chance of failure faced with an editor. *Therefore", "of the most basic thing about writing, I am wondering if I am", "the opportunity to use a common methodology that I have never heard of,", "about building a scenery* in a novel, yet so little information out there.", "try to do everything the right way. That means I try to follow", "to search for? There is plenty to learn about building a scenery in", "the right way. That means I try to follow the precepts I see", "learn to develop memorable characters? Or how can I even know what to", "wondering if I am not missing something else that could drastically improve my", "about first drafts. At the time, I had to search what people meant", "when publishing my writing online, it is a 100% chance of failure faced", "is not that I have no notions, but rather that I do not", "I feel like I am missing the opportunity to use a common methodology", "I never learned the basics of writing.* It strucked me the first time", "of, and that would make my life so much simpler. *And this also", "is where it becomes extremely hard to find new information. Where can I", "basics, mostly because they are all over the internet. But it's a complete", "100% chance of failure faced with an editor. *Therefore my question is: where", "honest, it is not), I post it somewhere to eventually receive feedbacks from", "everything the right way. That means I try to follow the precepts I", "for my hobby. And, while it might be okay* to remain clueless when", "time, after work or during free weeks. Even though it is amateur stories,", "make a wrong assumption. I consider myself a beginner, and I know that", "hobby. I do it when I have the time, after work or during", "can I learn about the methodology of storymaking and worldbuilding? Where can I", "learn about the methodology of storymaking and worldbuilding? Where can I learn to", "will be a point where I will be relatively certain to know the", "blogs, reddit...) and try to always improve myself. Finally, when I think my", "in my head, begin writing, and make modification on the starting idea as", "I still have to learn a lot in the field. --- I write", "of a story layout in my head, begin writing, and make modification on", "might be okay to remain clueless when publishing my writing online, it is", "to learn a lot in the field.* --- I write as a hobby.", "Sorry if I use the wrong terms or make a wrong assumption. I", "or make a wrong assumption. I consider myself a beginner, and I know", "think of a story layout in my head, begin writing, and make modification", "do not know what I do not know. For example, I don't have", "a point where I will be relatively certain to know the basics, mostly" ]
[ "\"He ran. This and that happened, so now he's being chased\"? Or maybe", "just a filler and won't bore the reader. That's what I'm worried of", "I'll have the rest of it sorted. But won't starting with \"He ran\"", "\"sitting down to write\", I mean the literal beginning. The story itself starts", "that\" wouldn't have much to do with the story, so I worry whether", "the literal beginning. The story itself starts with my protagonist running. I need", "him to run, then I'll have the rest of it sorted. But won't", "with my protagonist running. I need to get him to run, then I'll", "go straight with \"He ran. This and that happened, so now he's being", "do with the story, so I worry whether it won't be just a", "filler and won't bore the reader. That's what I'm worried of the most,", "it would be better to start with describing \"this and that\" and then", "and that\" wouldn't have much to do with the story, so I worry", "reader. That's what I'm worried of the most, that I would bore them", "then progress to the running sequence? The \"this and that\" wouldn't have much", "to start with describing \"this and that\" and then progress to the running", "need to get him to run, then I'll have the rest of it", "the running sequence? The \"this and that\" wouldn't have much to do with", "to run, then I'll have the rest of it sorted. But won't starting", "should I just go straight with \"He ran. This and that happened, so", "cheap? Should I add something before? Or should I just go straight with", "\"this and that\" and then progress to the running sequence? The \"this and", "better to start with describing \"this and that\" and then progress to the", "won't starting with \"He ran\" sound cheap? Should I add something before? Or", "and that\" and then progress to the running sequence? The \"this and that\"", "being chased\"? Or maybe it would be better to start with describing \"this", "run, then I'll have the rest of it sorted. But won't starting with", "This and that happened, so now he's being chased\"? Or maybe it would", "literal beginning. The story itself starts with my protagonist running. I need to", "starting with \"He ran\" sound cheap? Should I add something before? Or should", "I worry whether it won't be just a filler and won't bore the", "ran\" sound cheap? Should I add something before? Or should I just go", "I just go straight with \"He ran. This and that happened, so now", "don't mean \"sitting down to write\", I mean the literal beginning. The story", "have the rest of it sorted. But won't starting with \"He ran\" sound", "to the running sequence? The \"this and that\" wouldn't have much to do", "progress to the running sequence? The \"this and that\" wouldn't have much to", "worried of the most, that I would bore them before anything would start.", "bore the reader. That's what I'm worried of the most, that I would", "mean \"sitting down to write\", I mean the literal beginning. The story itself", "Or should I just go straight with \"He ran. This and that happened,", "\"He ran\" sound cheap? Should I add something before? Or should I just", "That's what I'm worried of the most, that I would bore them before", "describing \"this and that\" and then progress to the running sequence? The \"this", "to do with the story, so I worry whether it won't be just", "be just a filler and won't bore the reader. That's what I'm worried", "I need to get him to run, then I'll have the rest of", "so I worry whether it won't be just a filler and won't bore", "be better to start with describing \"this and that\" and then progress to", "happened, so now he's being chased\"? Or maybe it would be better to", "won't bore the reader. That's what I'm worried of the most, that I", "start with describing \"this and that\" and then progress to the running sequence?", "I don't mean \"sitting down to write\", I mean the literal beginning. The", "it sorted. But won't starting with \"He ran\" sound cheap? Should I add", "something before? Or should I just go straight with \"He ran. This and", "sound cheap? Should I add something before? Or should I just go straight", "he's being chased\"? Or maybe it would be better to start with describing", "of it sorted. But won't starting with \"He ran\" sound cheap? Should I", "the rest of it sorted. But won't starting with \"He ran\" sound cheap?", "that happened, so now he's being chased\"? Or maybe it would be better", "with \"He ran. This and that happened, so now he's being chased\"? Or", "story, so I worry whether it won't be just a filler and won't", "beginning. The story itself starts with my protagonist running. I need to get", "to get him to run, then I'll have the rest of it sorted.", "what I'm worried of the most, that I would bore them before anything", "running. I need to get him to run, then I'll have the rest", "whether it won't be just a filler and won't bore the reader. That's", "so now he's being chased\"? Or maybe it would be better to start", "the story, so I worry whether it won't be just a filler and", "before? Or should I just go straight with \"He ran. This and that", "starts with my protagonist running. I need to get him to run, then", "itself starts with my protagonist running. I need to get him to run,", "\"this and that\" wouldn't have much to do with the story, so I", "my protagonist running. I need to get him to run, then I'll have", "worry whether it won't be just a filler and won't bore the reader.", "Should I add something before? Or should I just go straight with \"He", "won't be just a filler and won't bore the reader. That's what I'm", "mean the literal beginning. The story itself starts with my protagonist running. I", "write\", I mean the literal beginning. The story itself starts with my protagonist", "now he's being chased\"? Or maybe it would be better to start with", "with describing \"this and that\" and then progress to the running sequence? The", "have much to do with the story, so I worry whether it won't", "it won't be just a filler and won't bore the reader. That's what", "and won't bore the reader. That's what I'm worried of the most, that", "a filler and won't bore the reader. That's what I'm worried of the", "with \"He ran\" sound cheap? Should I add something before? Or should I", "story itself starts with my protagonist running. I need to get him to", "the reader. That's what I'm worried of the most, that I would bore", "get him to run, then I'll have the rest of it sorted. But", "down to write\", I mean the literal beginning. The story itself starts with", "I mean the literal beginning. The story itself starts with my protagonist running.", "running sequence? The \"this and that\" wouldn't have much to do with the", "But won't starting with \"He ran\" sound cheap? Should I add something before?", "to write\", I mean the literal beginning. The story itself starts with my", "rest of it sorted. But won't starting with \"He ran\" sound cheap? Should", "that\" and then progress to the running sequence? The \"this and that\" wouldn't", "I add something before? Or should I just go straight with \"He ran.", "sequence? The \"this and that\" wouldn't have much to do with the story,", "ran. This and that happened, so now he's being chased\"? Or maybe it", "with the story, so I worry whether it won't be just a filler", "just go straight with \"He ran. This and that happened, so now he's", "then I'll have the rest of it sorted. But won't starting with \"He", "The story itself starts with my protagonist running. I need to get him", "chased\"? Or maybe it would be better to start with describing \"this and", "Or maybe it would be better to start with describing \"this and that\"", "add something before? Or should I just go straight with \"He ran. This", "maybe it would be better to start with describing \"this and that\" and", "protagonist running. I need to get him to run, then I'll have the", "and then progress to the running sequence? The \"this and that\" wouldn't have", "straight with \"He ran. This and that happened, so now he's being chased\"?", "wouldn't have much to do with the story, so I worry whether it", "I'm worried of the most, that I would bore them before anything would", "and that happened, so now he's being chased\"? Or maybe it would be", "sorted. But won't starting with \"He ran\" sound cheap? Should I add something", "would be better to start with describing \"this and that\" and then progress", "much to do with the story, so I worry whether it won't be", "The \"this and that\" wouldn't have much to do with the story, so" ]
[ "How to make it interesting for the reader ? I don't know where", "it interesting for the reader ? I don't know where to start, how", "How can I create a good MacGuffin? How to make it interesting for", "has most locations and characters well defined, and I wrote the first chapters", "make it interesting for the reader ? I don't know where to start,", "it should be (money, documents, weapons, etc.) and how to make it interesting", "wrote the first chapters (plus some bits here and there). I'm looking for", "and have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How", "how to make it interesting for the reader. The story already has most", "most locations and characters well defined, and I wrote the first chapters (plus", "of item it should be (money, documents, weapons, etc.) and how to make", "story. How can I create a good MacGuffin? How to make it interesting", "start, how to define what type of item it should be (money, documents,", "type checklist of the main characteristics of a good MacGuffin, or a step-by-step", "characteristics of a good MacGuffin, or a step-by-step guide to find and refine", "and characters well defined, and I wrote the first chapters (plus some bits", "the first chapters (plus some bits here and there). I'm looking for some", "I'm looking for some type checklist of the main characteristics of a good", "a story. How can I create a good MacGuffin? How to make it", "interesting for the reader ? I don't know where to start, how to", "defined, and I wrote the first chapters (plus some bits here and there).", "and I wrote the first chapters (plus some bits here and there). I'm", "chapters (plus some bits here and there). I'm looking for some type checklist", "[MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create a good MacGuffin? How to", "bits here and there). I'm looking for some type checklist of the main", "I wrote the first chapters (plus some bits here and there). I'm looking", "well defined, and I wrote the first chapters (plus some bits here and", "there). I'm looking for some type checklist of the main characteristics of a", "etc.) and how to make it interesting for the reader. The story already", "a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create a", "where to start, how to define what type of item it should be", "[TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create a good", "a good MacGuffin? How to make it interesting for the reader ? I", "create a good MacGuffin? How to make it interesting for the reader ?", "for the reader. The story already has most locations and characters well defined,", "and there). I'm looking for some type checklist of the main characteristics of", "the reader. The story already has most locations and characters well defined, and", "to define what type of item it should be (money, documents, weapons, etc.)", "MacGuffin? How to make it interesting for the reader ? I don't know", "type of item it should be (money, documents, weapons, etc.) and how to", "looking for some type checklist of the main characteristics of a good MacGuffin,", "to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I", "I create a good MacGuffin? How to make it interesting for the reader", "know where to start, how to define what type of item it should", "for the reader ? I don't know where to start, how to define", "a good MacGuffin, or a step-by-step guide to find and refine an idea.", "to start, how to define what type of item it should be (money,", "(money, documents, weapons, etc.) and how to make it interesting for the reader.", "(plus some bits here and there). I'm looking for some type checklist of", "be (money, documents, weapons, etc.) and how to make it interesting for the", "how to define what type of item it should be (money, documents, weapons,", "main characteristics of a good MacGuffin, or a step-by-step guide to find and", "create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create", "myself into a corner and have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin)", "of a good MacGuffin, or a step-by-step guide to find and refine an", "interesting for the reader. The story already has most locations and characters well", "don't know where to start, how to define what type of item it", "already has most locations and characters well defined, and I wrote the first", "locations and characters well defined, and I wrote the first chapters (plus some", "reader. The story already has most locations and characters well defined, and I", "here and there). I'm looking for some type checklist of the main characteristics", "backed myself into a corner and have to create a [TV TROPES WARNING]", "define what type of item it should be (money, documents, weapons, etc.) and", "corner and have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story.", "make it interesting for the reader. The story already has most locations and", "good MacGuffin? How to make it interesting for the reader ? I don't", "to make it interesting for the reader ? I don't know where to", "to make it interesting for the reader. The story already has most locations", "it interesting for the reader. The story already has most locations and characters", "The story already has most locations and characters well defined, and I wrote", "into a corner and have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for", "WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create a good MacGuffin? How", "I backed myself into a corner and have to create a [TV TROPES", "and how to make it interesting for the reader. The story already has", "should be (money, documents, weapons, etc.) and how to make it interesting for", "weapons, etc.) and how to make it interesting for the reader. The story", "checklist of the main characteristics of a good MacGuffin, or a step-by-step guide", "of the main characteristics of a good MacGuffin, or a step-by-step guide to", "documents, weapons, etc.) and how to make it interesting for the reader. The", "the reader ? I don't know where to start, how to define what", "I don't know where to start, how to define what type of item", "? I don't know where to start, how to define what type of", "what type of item it should be (money, documents, weapons, etc.) and how", "can I create a good MacGuffin? How to make it interesting for the", "some bits here and there). I'm looking for some type checklist of the", "TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can I create a good MacGuffin?", "some type checklist of the main characteristics of a good MacGuffin, or a", "characters well defined, and I wrote the first chapters (plus some bits here", "story already has most locations and characters well defined, and I wrote the", "item it should be (money, documents, weapons, etc.) and how to make it", "for a story. How can I create a good MacGuffin? How to make", "the main characteristics of a good MacGuffin, or a step-by-step guide to find", "reader ? I don't know where to start, how to define what type", "for some type checklist of the main characteristics of a good MacGuffin, or", "have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a story. How can", "first chapters (plus some bits here and there). I'm looking for some type", "a corner and have to create a [TV TROPES WARNING] [MacGuffin](https://tvtropes.org/pmwiki/pmwiki.php/Main/MacGuffin) for a" ]
[ "set in a fantasy land, nothing like this world and I am trying", "trying to make all my characters sound different and unique... any tips or", "my characters British and I have a hard time portraying that idea on", "and I have a hard time portraying that idea on paper. My novel", "am trying to make one of my characters British and I have a", "am trying to make all my characters sound different and unique... any tips", "a hard time portraying that idea on paper. My novel is set in", "silly, but I am trying to make one of my characters British and", "characters British and I have a hard time portraying that idea on paper.", "might sound silly, but I am trying to make one of my characters", "and I am trying to make all my characters sound different and unique...", "is set in a fantasy land, nothing like this world and I am", "portraying that idea on paper. My novel is set in a fantasy land,", "British and I have a hard time portraying that idea on paper. My", "My novel is set in a fantasy land, nothing like this world and", "land, nothing like this world and I am trying to make all my", "I am trying to make all my characters sound different and unique... any", "that idea on paper. My novel is set in a fantasy land, nothing", "I have a hard time portraying that idea on paper. My novel is", "world and I am trying to make all my characters sound different and", "have a hard time portraying that idea on paper. My novel is set", "to make all my characters sound different and unique... any tips or advice?", "sound silly, but I am trying to make one of my characters British", "in a fantasy land, nothing like this world and I am trying to", "a fantasy land, nothing like this world and I am trying to make", "fantasy land, nothing like this world and I am trying to make all", "idea on paper. My novel is set in a fantasy land, nothing like", "nothing like this world and I am trying to make all my characters", "to make one of my characters British and I have a hard time", "like this world and I am trying to make all my characters sound", "of my characters British and I have a hard time portraying that idea", "make one of my characters British and I have a hard time portraying", "hard time portraying that idea on paper. My novel is set in a", "this world and I am trying to make all my characters sound different", "one of my characters British and I have a hard time portraying that", "novel is set in a fantasy land, nothing like this world and I", "paper. My novel is set in a fantasy land, nothing like this world", "This might sound silly, but I am trying to make one of my", "time portraying that idea on paper. My novel is set in a fantasy", "on paper. My novel is set in a fantasy land, nothing like this", "I am trying to make one of my characters British and I have", "but I am trying to make one of my characters British and I", "trying to make one of my characters British and I have a hard" ]
[ "to break. He sees his female coworkers predominantly as coworkers and is moderately", "it. My question to the gents out there is how best to balance", "thinking some woman wrote it and just doesn’t get it. My question to", "of the adventures of my assassin. I see him clearly, but wonder if", "when it is in their field of expertise. He has resolved to wait", "to balance a well brought up gentleman assassin and avoid the ‘written by", "has a chequered past, that is the past. I have been writing this", "pages of the adventures of my assassin. I see him clearly, but wonder", "question to the gents out there is how best to balance a well", "a military background - sniper, Special Ops, etc. He was raised partly by", "I have been writing this for a year and have just shy of", "female coworkers predominantly as coworkers and is moderately surprised to find some of", "well brought up gentleman assassin and avoid the ‘written by a woman’ feel?", "the long habits of a lifetime are very hard to break. He sees", "the hills when the conversation turns to profession. He would rather tell such", "their field of expertise. He has resolved to wait to look for love", "was raised partly by his sister after their parents died in a car", "habits of a lifetime are very hard to break. He sees his female", "clearly, but wonder if I might not be running the risk of men", "military background - sniper, Special Ops, etc. He was raised partly by his", "gentleman. He still listens to his sister and always heeds the advice of", "He has wit, education and sophistication. He drives very nice cars, loves the", "to find some of them regard him differently. He has wit, education and", "set him on the path he took. He shows courage and is a", "training since childhood, which set him on the path he took. He shows", "wait to look for love until after he retires as he envisions some", "tell such that while he has a chequered past, that is the past.", "are very hard to break. He sees his female coworkers predominantly as coworkers", "I might not be running the risk of men reading it, putting it", "and just doesn’t get it. My question to the gents out there is", "just shy of seven hundred pages of the adventures of my assassin. I", "He sees his female coworkers predominantly as coworkers and is moderately surprised to", "sophistication. He drives very nice cars, loves the finer things in life. He", "in training since childhood, which set him on the path he took. He", "raised partly by his sister after their parents died in a car accident.", "in their field of expertise. He has resolved to wait to look for", "him on the path he took. He shows courage and is a gentleman.", "that while he has a chequered past, that is the past. I have", "lifetime are very hard to break. He sees his female coworkers predominantly as", "to his sister and always heeds the advice of others when it is", "and the long habits of a lifetime are very hard to break. He", "and have just shy of seven hundred pages of the adventures of my", "moderately surprised to find some of them regard him differently. He has wit,", "and always heeds the advice of others when it is in their field", "still listens to his sister and always heeds the advice of others when", "men reading it, putting it down thinking some woman wrote it and just", "the adventures of my assassin. I see him clearly, but wonder if I", "things in life. He has a passion for marksmanship and has been in", "he has a chequered past, that is the past. I have been writing", "of men reading it, putting it down thinking some woman wrote it and", "to look for love until after he retires as he envisions some Ms", "woman wrote it and just doesn’t get it. My question to the gents", "the risk of men reading it, putting it down thinking some woman wrote", "of seven hundred pages of the adventures of my assassin. I see him", "a chequered past, that is the past. I have been writing this for", "my assassin. I see him clearly, but wonder if I might not be", "a well brought up gentleman assassin and avoid the ‘written by a woman’", "running for the hills when the conversation turns to profession. He would rather", "He would rather tell such that while he has a chequered past, that", "would rather tell such that while he has a chequered past, that is", "is how best to balance a well brought up gentleman assassin and avoid", "it, putting it down thinking some woman wrote it and just doesn’t get", "hundred pages of the adventures of my assassin. I see him clearly, but", "- sniper, Special Ops, etc. He was raised partly by his sister after", "died in a car accident. He normally listens to her as she is", "after he retires as he envisions some Ms Right running for the hills", "some woman wrote it and just doesn’t get it. My question to the", "this for a year and have just shy of seven hundred pages of", "when the conversation turns to profession. He would rather tell such that while", "rather tell such that while he has a chequered past, that is the", "break. He sees his female coworkers predominantly as coworkers and is moderately surprised", "his sister after their parents died in a car accident. He normally listens", "He has a passion for marksmanship and has been in training since childhood,", "often right and the long habits of a lifetime are very hard to", "risk of men reading it, putting it down thinking some woman wrote it", "is often right and the long habits of a lifetime are very hard", "sister after their parents died in a car accident. He normally listens to", "Ms Right running for the hills when the conversation turns to profession. He", "have just shy of seven hundred pages of the adventures of my assassin.", "running the risk of men reading it, putting it down thinking some woman", "has been in training since childhood, which set him on the path he", "it and just doesn’t get it. My question to the gents out there", "etc. He was raised partly by his sister after their parents died in", "look for love until after he retires as he envisions some Ms Right", "He shows courage and is a gentleman. He still listens to his sister", "very hard to break. He sees his female coworkers predominantly as coworkers and", "them regard him differently. He has wit, education and sophistication. He drives very", "in life. He has a passion for marksmanship and has been in training", "passion for marksmanship and has been in training since childhood, which set him", "turns to profession. He would rather tell such that while he has a", "He drives very nice cars, loves the finer things in life. He has", "sister and always heeds the advice of others when it is in their", "reading it, putting it down thinking some woman wrote it and just doesn’t", "to profession. He would rather tell such that while he has a chequered", "partly by his sister after their parents died in a car accident. He", "coworkers and is moderately surprised to find some of them regard him differently.", "to her as she is often right and the long habits of a", "has wit, education and sophistication. He drives very nice cars, loves the finer", "others when it is in their field of expertise. He has resolved to", "is the past. I have been writing this for a year and have", "surprised to find some of them regard him differently. He has wit, education", "sees his female coworkers predominantly as coworkers and is moderately surprised to find", "as coworkers and is moderately surprised to find some of them regard him", "past, that is the past. I have been writing this for a year", "she is often right and the long habits of a lifetime are very", "since childhood, which set him on the path he took. He shows courage", "the path he took. He shows courage and is a gentleman. He still", "nice cars, loves the finer things in life. He has a passion for", "a gentleman. He still listens to his sister and always heeds the advice", "the finer things in life. He has a passion for marksmanship and has", "of expertise. He has resolved to wait to look for love until after", "normally listens to her as she is often right and the long habits", "seven hundred pages of the adventures of my assassin. I see him clearly,", "get it. My question to the gents out there is how best to", "in a car accident. He normally listens to her as she is often", "background - sniper, Special Ops, etc. He was raised partly by his sister", "coworkers predominantly as coworkers and is moderately surprised to find some of them", "very nice cars, loves the finer things in life. He has a passion", "assassin. I see him clearly, but wonder if I might not be running", "him clearly, but wonder if I might not be running the risk of", "if I might not be running the risk of men reading it, putting", "to the gents out there is how best to balance a well brought", "best to balance a well brought up gentleman assassin and avoid the ‘written", "hard to break. He sees his female coworkers predominantly as coworkers and is", "and has a military background - sniper, Special Ops, etc. He was raised", "assassin by trade and has a military background - sniper, Special Ops, etc.", "cars, loves the finer things in life. He has a passion for marksmanship", "for love until after he retires as he envisions some Ms Right running", "the advice of others when it is in their field of expertise. He", "it down thinking some woman wrote it and just doesn’t get it. My", "right and the long habits of a lifetime are very hard to break.", "accident. He normally listens to her as she is often right and the", "adventures of my assassin. I see him clearly, but wonder if I might", "is in their field of expertise. He has resolved to wait to look", "and is moderately surprised to find some of them regard him differently. He", "how best to balance a well brought up gentleman assassin and avoid the", "love until after he retires as he envisions some Ms Right running for", "as he envisions some Ms Right running for the hills when the conversation", "Right running for the hills when the conversation turns to profession. He would", "find some of them regard him differently. He has wit, education and sophistication.", "writing this for a year and have just shy of seven hundred pages", "the conversation turns to profession. He would rather tell such that while he", "for a year and have just shy of seven hundred pages of the", "of a lifetime are very hard to break. He sees his female coworkers", "such that while he has a chequered past, that is the past. I", "I see him clearly, but wonder if I might not be running the", "He normally listens to her as she is often right and the long", "be running the risk of men reading it, putting it down thinking some", "his female coworkers predominantly as coworkers and is moderately surprised to find some", "there is how best to balance a well brought up gentleman assassin and", "some Ms Right running for the hills when the conversation turns to profession.", "but wonder if I might not be running the risk of men reading", "is a gentleman. He still listens to his sister and always heeds the", "a year and have just shy of seven hundred pages of the adventures", "he retires as he envisions some Ms Right running for the hills when", "a passion for marksmanship and has been in training since childhood, which set", "expertise. He has resolved to wait to look for love until after he", "doesn’t get it. My question to the gents out there is how best", "courage and is a gentleman. He still listens to his sister and always", "have been writing this for a year and have just shy of seven", "heeds the advice of others when it is in their field of expertise.", "the gents out there is how best to balance a well brought up", "childhood, which set him on the path he took. He shows courage and", "education and sophistication. He drives very nice cars, loves the finer things in", "and is a gentleman. He still listens to his sister and always heeds", "for marksmanship and has been in training since childhood, which set him on", "has a passion for marksmanship and has been in training since childhood, which", "trade and has a military background - sniper, Special Ops, etc. He was", "differently. He has wit, education and sophistication. He drives very nice cars, loves", "shows courage and is a gentleman. He still listens to his sister and", "until after he retires as he envisions some Ms Right running for the", "My MC is an assassin by trade and has a military background -", "after their parents died in a car accident. He normally listens to her", "parents died in a car accident. He normally listens to her as she", "is moderately surprised to find some of them regard him differently. He has", "life. He has a passion for marksmanship and has been in training since", "of others when it is in their field of expertise. He has resolved", "it is in their field of expertise. He has resolved to wait to", "field of expertise. He has resolved to wait to look for love until", "He has resolved to wait to look for love until after he retires", "an assassin by trade and has a military background - sniper, Special Ops,", "her as she is often right and the long habits of a lifetime", "has resolved to wait to look for love until after he retires as", "as she is often right and the long habits of a lifetime are", "path he took. He shows courage and is a gentleman. He still listens", "to wait to look for love until after he retires as he envisions", "of my assassin. I see him clearly, but wonder if I might not", "see him clearly, but wonder if I might not be running the risk", "might not be running the risk of men reading it, putting it down", "drives very nice cars, loves the finer things in life. He has a", "marksmanship and has been in training since childhood, which set him on the", "out there is how best to balance a well brought up gentleman assassin", "sniper, Special Ops, etc. He was raised partly by his sister after their", "long habits of a lifetime are very hard to break. He sees his", "a car accident. He normally listens to her as she is often right", "chequered past, that is the past. I have been writing this for a", "by his sister after their parents died in a car accident. He normally", "putting it down thinking some woman wrote it and just doesn’t get it.", "gents out there is how best to balance a well brought up gentleman", "loves the finer things in life. He has a passion for marksmanship and", "listens to his sister and always heeds the advice of others when it", "while he has a chequered past, that is the past. I have been", "and sophistication. He drives very nice cars, loves the finer things in life.", "on the path he took. He shows courage and is a gentleman. He", "been writing this for a year and have just shy of seven hundred", "balance a well brought up gentleman assassin and avoid the ‘written by a", "is an assassin by trade and has a military background - sniper, Special", "which set him on the path he took. He shows courage and is", "finer things in life. He has a passion for marksmanship and has been", "just doesn’t get it. My question to the gents out there is how", "for the hills when the conversation turns to profession. He would rather tell", "listens to her as she is often right and the long habits of", "predominantly as coworkers and is moderately surprised to find some of them regard", "some of them regard him differently. He has wit, education and sophistication. He", "a lifetime are very hard to break. He sees his female coworkers predominantly", "regard him differently. He has wit, education and sophistication. He drives very nice", "him differently. He has wit, education and sophistication. He drives very nice cars,", "always heeds the advice of others when it is in their field of", "resolved to wait to look for love until after he retires as he", "retires as he envisions some Ms Right running for the hills when the", "wonder if I might not be running the risk of men reading it,", "My question to the gents out there is how best to balance a", "hills when the conversation turns to profession. He would rather tell such that", "year and have just shy of seven hundred pages of the adventures of", "Ops, etc. He was raised partly by his sister after their parents died", "car accident. He normally listens to her as she is often right and", "He was raised partly by his sister after their parents died in a", "shy of seven hundred pages of the adventures of my assassin. I see", "of them regard him differently. He has wit, education and sophistication. He drives", "wrote it and just doesn’t get it. My question to the gents out", "wit, education and sophistication. He drives very nice cars, loves the finer things", "He still listens to his sister and always heeds the advice of others", "been in training since childhood, which set him on the path he took.", "Special Ops, etc. He was raised partly by his sister after their parents", "advice of others when it is in their field of expertise. He has", "profession. He would rather tell such that while he has a chequered past,", "down thinking some woman wrote it and just doesn’t get it. My question", "MC is an assassin by trade and has a military background - sniper,", "his sister and always heeds the advice of others when it is in", "took. He shows courage and is a gentleman. He still listens to his", "their parents died in a car accident. He normally listens to her as", "by trade and has a military background - sniper, Special Ops, etc. He", "the past. I have been writing this for a year and have just", "and has been in training since childhood, which set him on the path", "he envisions some Ms Right running for the hills when the conversation turns", "has a military background - sniper, Special Ops, etc. He was raised partly", "conversation turns to profession. He would rather tell such that while he has", "not be running the risk of men reading it, putting it down thinking", "past. I have been writing this for a year and have just shy", "envisions some Ms Right running for the hills when the conversation turns to", "that is the past. I have been writing this for a year and", "he took. He shows courage and is a gentleman. He still listens to" ]
[ "became immortal. How would I write a time skip ahead? I do have", "I've used the beginning to fill out his backstory with events that are", "piano and master painting during these 200 years and get educated, but how", "to fill out his backstory with events that are critical to the story,", "the story, including how he became immortal. How would I write a time", "200 years and get educated, but how would I fill up these giant", "and get educated, but how would I fill up these giant periods of", "years. I've used the beginning to fill out his backstory with events that", "like I want him to master the piano and master painting during these", "write a time skip ahead? I do have events kinda planned, like I", "years and get educated, but how would I fill up these giant periods", "master painting during these 200 years and get educated, but how would I", "want to have live for 200 years. I've used the beginning to fill", "I write a time skip ahead? I do have events kinda planned, like", "live for 200 years. I've used the beginning to fill out his backstory", "to master the piano and master painting during these 200 years and get", "I want him to master the piano and master painting during these 200", "backstory with events that are critical to the story, including how he became", "painting during these 200 years and get educated, but how would I fill", "ahead? I do have events kinda planned, like I want him to master", "have a character that I want to have live for 200 years. I've", "a character that I want to have live for 200 years. I've used", "the piano and master painting during these 200 years and get educated, but", "used the beginning to fill out his backstory with events that are critical", "beginning to fill out his backstory with events that are critical to the", "including how he became immortal. How would I write a time skip ahead?", "are critical to the story, including how he became immortal. How would I", "I do have events kinda planned, like I want him to master the", "want him to master the piano and master painting during these 200 years", "have events kinda planned, like I want him to master the piano and", "master the piano and master painting during these 200 years and get educated,", "I want to have live for 200 years. I've used the beginning to", "these 200 years and get educated, but how would I fill up these", "him to master the piano and master painting during these 200 years and", "kinda planned, like I want him to master the piano and master painting", "his backstory with events that are critical to the story, including how he", "do have events kinda planned, like I want him to master the piano", "200 years. I've used the beginning to fill out his backstory with events", "events that are critical to the story, including how he became immortal. How", "with events that are critical to the story, including how he became immortal.", "he became immortal. How would I write a time skip ahead? I do", "How would I write a time skip ahead? I do have events kinda", "planned, like I want him to master the piano and master painting during", "story, including how he became immortal. How would I write a time skip", "to have live for 200 years. I've used the beginning to fill out", "that are critical to the story, including how he became immortal. How would", "a time skip ahead? I do have events kinda planned, like I want", "time skip ahead? I do have events kinda planned, like I want him", "would I write a time skip ahead? I do have events kinda planned,", "how he became immortal. How would I write a time skip ahead? I", "critical to the story, including how he became immortal. How would I write", "I have a character that I want to have live for 200 years.", "the beginning to fill out his backstory with events that are critical to", "to the story, including how he became immortal. How would I write a", "events kinda planned, like I want him to master the piano and master", "during these 200 years and get educated, but how would I fill up", "immortal. How would I write a time skip ahead? I do have events", "fill out his backstory with events that are critical to the story, including", "and master painting during these 200 years and get educated, but how would", "that I want to have live for 200 years. I've used the beginning", "skip ahead? I do have events kinda planned, like I want him to", "have live for 200 years. I've used the beginning to fill out his", "character that I want to have live for 200 years. I've used the", "for 200 years. I've used the beginning to fill out his backstory with", "out his backstory with events that are critical to the story, including how", "get educated, but how would I fill up these giant periods of time?" ]
[ "way that highlights she was the one who liberated herself without the use", "who liberated herself without the use of violence? I was thinking of self-abolished,", "my story, Tsidia is a slave who managed to inspire people into making", "slavery illegal, thus setting her free. Is there a word I can use", "I can use to describe her status in a way that highlights she", "who managed to inspire people into making slavery illegal, thus setting her free.", "slave who managed to inspire people into making slavery illegal, thus setting her", "her free. Is there a word I can use to describe her status", "in a way that highlights she was the one who liberated herself without", "thus setting her free. Is there a word I can use to describe", "was the one who liberated herself without the use of violence? I was", "her status in a way that highlights she was the one who liberated", "Is there a word I can use to describe her status in a", "free. Is there a word I can use to describe her status in", "Tsidia is a slave who managed to inspire people into making slavery illegal,", "is a slave who managed to inspire people into making slavery illegal, thus", "can use to describe her status in a way that highlights she was", "she was the one who liberated herself without the use of violence? I", "there a word I can use to describe her status in a way", "word I can use to describe her status in a way that highlights", "story, Tsidia is a slave who managed to inspire people into making slavery", "inspire people into making slavery illegal, thus setting her free. Is there a", "to inspire people into making slavery illegal, thus setting her free. Is there", "illegal, thus setting her free. Is there a word I can use to", "into making slavery illegal, thus setting her free. Is there a word I", "a word I can use to describe her status in a way that", "liberated herself without the use of violence? I was thinking of self-abolished, but", "that highlights she was the one who liberated herself without the use of", "setting her free. Is there a word I can use to describe her", "people into making slavery illegal, thus setting her free. Is there a word", "the one who liberated herself without the use of violence? I was thinking", "use to describe her status in a way that highlights she was the", "status in a way that highlights she was the one who liberated herself", "use of violence? I was thinking of self-abolished, but it doesn't sound right", "highlights she was the one who liberated herself without the use of violence?", "the use of violence? I was thinking of self-abolished, but it doesn't sound", "to describe her status in a way that highlights she was the one", "describe her status in a way that highlights she was the one who", "one who liberated herself without the use of violence? I was thinking of", "herself without the use of violence? I was thinking of self-abolished, but it", "a slave who managed to inspire people into making slavery illegal, thus setting", "In my story, Tsidia is a slave who managed to inspire people into", "without the use of violence? I was thinking of self-abolished, but it doesn't", "making slavery illegal, thus setting her free. Is there a word I can", "managed to inspire people into making slavery illegal, thus setting her free. Is", "a way that highlights she was the one who liberated herself without the" ]
[ "I've written a lot of books, but they've never been published. Anyway, for", "am a new-ish author. I've written a lot of books, but they've never", "really want to write the rest of the book in present tense, is", "rest of the book in present tense, is there a way I can", "can write that flash-forward scene so it is in the future and the", "my book is present? Also what would be a good transition from future", "books, but they've never been published. Anyway, for this new book I'm about", "that flash-forward scene so it is in the future and the rest of", "a new-ish author. I've written a lot of books, but they've never been", "the rest of the book in present tense, is there a way I", "write the first scene is a flash-forward to the end of the book.", "be a good transition from future to present? Because \"let me start from", "of my book is present? Also what would be a good transition from", "there a way I can write that flash-forward scene so it is in", "the book in present tense, is there a way I can write that", "in the future and the rest of my book is present? Also what", "future and the rest of my book is present? Also what would be", "good transition from future to present? Because \"let me start from the beginning\"", "a way I can write that flash-forward scene so it is in the", "book is present? Also what would be a good transition from future to", "is in the future and the rest of my book is present? Also", "flash-forward scene so it is in the future and the rest of my", "written a lot of books, but they've never been published. Anyway, for this", "Anyway, for this new book I'm about to write the first scene is", "and the rest of my book is present? Also what would be a", "author. I've written a lot of books, but they've never been published. Anyway,", "published. Anyway, for this new book I'm about to write the first scene", "of the book. I really want to write the rest of the book", "book I'm about to write the first scene is a flash-forward to the", "present? Also what would be a good transition from future to present? Because", "transition from future to present? Because \"let me start from the beginning\" is", "never been published. Anyway, for this new book I'm about to write the", "but they've never been published. Anyway, for this new book I'm about to", "present tense, is there a way I can write that flash-forward scene so", "so it is in the future and the rest of my book is", "a good transition from future to present? Because \"let me start from the", "new-ish author. I've written a lot of books, but they've never been published.", "a flash-forward to the end of the book. I really want to write", "flash-forward to the end of the book. I really want to write the", "it is in the future and the rest of my book is present?", "of books, but they've never been published. Anyway, for this new book I'm", "is present? Also what would be a good transition from future to present?", "future to present? Because \"let me start from the beginning\" is so movie-like.", "scene so it is in the future and the rest of my book", "this new book I'm about to write the first scene is a flash-forward", "from future to present? Because \"let me start from the beginning\" is so", "the end of the book. I really want to write the rest of", "the book. I really want to write the rest of the book in", "I really want to write the rest of the book in present tense,", "Also what would be a good transition from future to present? Because \"let", "first scene is a flash-forward to the end of the book. I really", "book. I really want to write the rest of the book in present", "end of the book. I really want to write the rest of the", "would be a good transition from future to present? Because \"let me start", "what would be a good transition from future to present? Because \"let me", "rest of my book is present? Also what would be a good transition", "I can write that flash-forward scene so it is in the future and", "I'm about to write the first scene is a flash-forward to the end", "to the end of the book. I really want to write the rest", "want to write the rest of the book in present tense, is there", "they've never been published. Anyway, for this new book I'm about to write", "of the book in present tense, is there a way I can write", "way I can write that flash-forward scene so it is in the future", "in present tense, is there a way I can write that flash-forward scene", "tense, is there a way I can write that flash-forward scene so it", "write the rest of the book in present tense, is there a way", "for this new book I'm about to write the first scene is a", "the rest of my book is present? Also what would be a good", "is there a way I can write that flash-forward scene so it is", "to write the first scene is a flash-forward to the end of the", "new book I'm about to write the first scene is a flash-forward to", "book in present tense, is there a way I can write that flash-forward", "been published. Anyway, for this new book I'm about to write the first", "to write the rest of the book in present tense, is there a", "I am a new-ish author. I've written a lot of books, but they've", "the future and the rest of my book is present? Also what would", "scene is a flash-forward to the end of the book. I really want", "lot of books, but they've never been published. Anyway, for this new book", "is a flash-forward to the end of the book. I really want to", "about to write the first scene is a flash-forward to the end of", "write that flash-forward scene so it is in the future and the rest", "a lot of books, but they've never been published. Anyway, for this new", "the first scene is a flash-forward to the end of the book. I" ]
[ "warns her (she isn't naive). 2. He tells the second to stop dressing", "> Coincidentally, his advice is perfect and his character is flat. I want", "sympathy shifts to the woman? Is there a point of no return? Can", "around his men (she has been). 3. He bawls out a third for", "realized I've been using him to say what the reader needs to know,", "so sympathy shifts to the woman? Is there a point of no return?", "the provocative woman's trustworthiness (his suspicions are later justified). When I examined him", "> > > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally,", "his advice is perfect and his character is flat. I want to flip", "on the provocative woman's trustworthiness (his suspicions are later justified). When I examined", "team. *How do I get the reader to see him as misogynist, so", "tells a (different) female protagonist how she should behave, or assumes she doesn't", "naive). 2. He tells the second to stop dressing provocatively around his men", "the provocative woman. He has a strong distrust of her from the start,", "don't want to hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > >", "pattern to discount his testimony against the provocative woman. He has a strong", "admits sexual attraction. He can't be a frothing at the mouth* villain or", "he is still a good guy, but I need to sow seeds of", "needs to know, but the protagonists don't want to hear. > > \"Pull", "his testimony against the provocative woman. He has a strong distrust of her", "assumes one is sexually naive and warns her (she isn't naive). 2. He", "been). 4. He is overprotective (again) 5. He casts doubt on the provocative", "to know, but the protagonists don't want to hear. > > \"Pull yourself", "their recklessness. 1. He assumes one is sexually naive and warns her (she", "from the start, ultimately admits sexual attraction. He can't be a frothing at", "has several scenes where he tells a (different) female protagonist how she should", "I have a male character who is coming across as patronizing and mansplain-y.", "or commit overt sabotage – he is still a good guy, but I", "and stir conflict within the team. How do I get the reader to", "his men (she has been). 3. He bawls out a third for taking", "one, kind of a \"dad\" who disapproves of their recklessness. 1. He assumes", "men (she has been). 3. He bawls out a third for taking dangerous", "is sexually naive and warns her (she isn't naive). 2. He tells the", "suspicions are later justified). When I examined him as character, I realized I've", "> > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his", "as misogynist, so sympathy shifts to the woman?* Is there a point of", "and warns her (she isn't naive). 2. He tells the second to stop", "assumes she doesn't understand and corrects her. I've been using him as a", "He casts doubt on the provocative woman's trustworthiness (his suspicions are later justified).", "trustworthiness (his suspicions are later justified). When I examined him as character, I", "strong distrust of her from the start, ultimately admits sexual attraction. He can't", "can't be a frothing at the mouth villain or commit overt sabotage –", "bawls out a third for taking dangerous risks (she has been). 4. He", "\"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is", "didn't realize it's just about all he does. In my original draft he", "should behave, or assumes she doesn't understand and corrects her. I've been using", "\"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman because", "I get the reader to see him as misogynist, so sympathy shifts to", "Is there a point of no return? Can he regain reader trust once", "just about all he does. In my original draft he was the responsible", "hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust", "using him to say what the reader needs to know, but the protagonists", "and mansplain-y. He has several scenes where he tells a (different) female protagonist", "flat.* I want to flip the character, and use the patronizing pattern to", "frothing at the mouth villain or commit overt sabotage – he is still", "the reader to see him as misogynist, so sympathy shifts to the woman?*", "him as a pretext for exposition, to explain when the protagonists are* wrong.", "naive and warns her (she isn't naive). 2. He tells the second to", "the team. *How do I get the reader to see him as misogynist,", "her (she isn't naive). 2. He tells the second to stop dressing provocatively", "yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\"", "doesn't understand and corrects her. I've been using him as a pretext for", "is flat. I want to flip the character, and use the patronizing pattern", "(she has been). 3. He bawls out a third for taking dangerous risks", "is overprotective (again) 5. He casts doubt on the provocative woman's trustworthiness (his", "2. He tells the second to stop dressing provocatively around his men (she", "as character, I realized I've been using him to say what the reader", "to discount his testimony against the provocative woman. He has a strong distrust", "misogynist, so sympathy shifts to the woman? Is there a point of no", "in the reader and stir conflict within the team. How do I get", "protagonists are wrong. I didn't realize it's just about all he does. In", "of their recklessness. 1. He assumes one is sexually naive and warns her", "protagonist how she should behave, or assumes she doesn't understand and corrects her.", "does. In my original draft he was the responsible one, kind of a", "He bawls out a third for taking dangerous risks (she has been). 4.", "5. He casts doubt on the provocative woman's trustworthiness (his suspicions are later", "discount his testimony against the provocative woman. He has a strong distrust of", "to sow seeds of doubt in the reader and stir conflict within the", "to say what the reader needs to know, but the protagonists don't want", "shifts to the woman?** Is there a point of no return? Can he", "want to hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > >", "he was the responsible one, kind of a \"dad\" who disapproves of their", "3. He bawls out a third for taking dangerous risks (she has been).", "has a strong distrust of her from the start, ultimately admits sexual attraction.", "get the reader to see him as misogynist, so sympathy shifts to the", "patronizing pattern to discount his testimony against the provocative woman. He has a", "kind of a \"dad\" who disapproves of their recklessness. 1. He assumes one", "examined him as character, I realized I've been using him to say what", "explain when the protagonists are wrong. I didn't realize it's just about all", "a good guy, but I need to sow seeds of doubt in the", "a (different) female protagonist how she should behave, or assumes she doesn't understand", "all he does. In my original draft he was the responsible one, kind", "He has a strong distrust of her from the start, ultimately admits sexual", "the protagonists are wrong. I didn't realize it's just about all he does.", "coming across as patronizing and mansplain-y. He has several scenes where he tells", "who disapproves of their recklessness. 1. He assumes one is sexually naive and", "mouth* villain or commit overt sabotage – he is still a good guy,", "patronizing and mansplain-y. He has several scenes where he tells a (different) female", "doubt in the reader and stir conflict within the team. *How do I", "woman's trustworthiness (his suspicions are later justified). When I examined him as character,", "realize it's just about all he does. In my original draft he was", "4. He is overprotective (again) 5. He casts doubt on the provocative woman's", "casts doubt on the provocative woman's trustworthiness (his suspicions are later justified). When", "corrects her. I've been using him as a pretext for exposition, to explain", "because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > >", "the start, ultimately admits sexual attraction. He can't be a frothing at the", "I realized I've been using him to say what the reader needs to", "He can't be a frothing at the mouth villain or commit overt sabotage", "but I need to sow seeds of doubt in the reader and stir", "is coming across as patronizing and mansplain-y. He has several scenes where he", "original draft he was the responsible one, kind of a \"dad\" who disapproves", "been). 3. He bawls out a third for taking dangerous risks (she has", "provocatively around his men (she has been). 3. He bawls out a third", "wrong. I didn't realize it's just about all he does. In my original", "several scenes where he tells a (different) female protagonist how she should behave,", "character, I realized I've been using him to say what the reader needs", "was the responsible one, kind of a \"dad\" who disapproves of their recklessness.", "dressing provocatively around his men (she has been). 3. He bawls out a", "He is overprotective (again) 5. He casts doubt on the provocative woman's trustworthiness", "overprotective (again) 5. He casts doubt on the provocative woman's trustworthiness (his suspicions", "a frothing at the mouth villain or commit overt sabotage – he is", "point of no return? Can he regain reader trust once he is vindicated?", "scenes where he tells a (different) female protagonist how she should behave, or", "he does. In my original draft he was the responsible one, kind of", "for exposition, to explain when the protagonists are wrong. I didn't realize it's", "isn't naive). 2. He tells the second to stop dressing provocatively around his", "his character is flat.* I want to flip the character, and use the", "woman. He has a strong distrust of her from the start, ultimately admits", "and his character is flat.* I want to flip the character, and use", "disapproves of their recklessness. 1. He assumes one is sexually naive and warns", "(his suspicions are later justified). When I examined him as character, I realized", "[\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is perfect and his character is", "of a \"dad\" who disapproves of their recklessness. 1. He assumes one is", "still a good guy, but I need to sow seeds of doubt in", "need to sow seeds of doubt in the reader and stir conflict within", "seeds of doubt in the reader and stir conflict within the team. How", "attraction. He can't be a frothing at the mouth* villain or commit overt", "been using him as a pretext for exposition, to explain when the protagonists", "third for taking dangerous risks (she has been). 4. He is overprotective (again)", "behave, or assumes she doesn't understand and corrects her. I've been using him", "second to stop dressing provocatively around his men (she has been). 3. He", "*How do I get the reader to see him as misogynist, so sympathy", "(she has been). 4. He is overprotective (again) 5. He casts doubt on", "draft he was the responsible one, kind of a \"dad\" who disapproves of", "I've been using him as a pretext for exposition, to explain when the", "male character who is coming across as patronizing and mansplain-y. He has several", "pretext for exposition, to explain when the protagonists are* wrong. I didn't realize", "been using him to say what the reader needs to know, but the", "use the patronizing pattern to discount his testimony against the provocative woman. He", "testimony against the provocative woman. He has a strong distrust of her from", "reader needs to know, but the protagonists don't want to hear. > >", "character, and use the patronizing pattern to discount his testimony against the provocative", "it's just about all he does. In my original draft he was the", "at the mouth* villain or commit overt sabotage – he is still a", "dangerous risks (she has been). 4. He is overprotective (again) 5. He casts", "the woman?** Is there a point of no return? Can he regain reader", "tells the second to stop dressing provocatively around his men (she has been).", "a \"dad\" who disapproves of their recklessness. 1. He assumes one is sexually", "He tells the second to stop dressing provocatively around his men (she has", "out a third for taking dangerous risks (she has been). 4. He is", "I've been using him to say what the reader needs to know, but", "character is flat.* I want to flip the character, and use the patronizing", "him as misogynist, so sympathy shifts to the woman? Is there a point", "within the team. How do I get the reader to see him as", "the responsible one, kind of a \"dad\" who disapproves of their recklessness. 1.", "understand and corrects her. I've been using him as a pretext for exposition,", "how she should behave, or assumes she doesn't understand and corrects her. I've", "distrust of her from the start, ultimately admits sexual attraction. He can't be", "he tells a (different) female protagonist how she should behave, or assumes she", "across as patronizing and mansplain-y. He has several scenes where he tells a", "for taking dangerous risks (she has been). 4. He is overprotective (again) 5.", "taking dangerous risks (she has been). 4. He is overprotective (again) 5. He", "the mouth* villain or commit overt sabotage – he is still a good", "> > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that", "to flip the character, and use the patronizing pattern to discount his testimony", "of doubt in the reader and stir conflict within the team. *How do", "sexually naive and warns her (she isn't naive). 2. He tells the second", "and use the patronizing pattern to discount his testimony against the provocative woman.", "the second to stop dressing provocatively around his men (she has been). 3.", "or assumes she doesn't understand and corrects her. I've been using him as", "sabotage – he is still a good guy, but I need to sow", "as a pretext for exposition, to explain when the protagonists are* wrong. I", "exposition, to explain when the protagonists are wrong. I didn't realize it's just", "overt sabotage – he is still a good guy, but I need to", "who is coming across as patronizing and mansplain-y. He has several scenes where", "In my original draft he was the responsible one, kind of a \"dad\"", "advice is perfect and his character is flat.* I want to flip the", "provocative woman's trustworthiness (his suspicions are later justified). When I examined him as", "He has several scenes where he tells a (different) female protagonist how she", "good guy, but I need to sow seeds of doubt in the reader", "flip the character, and use the patronizing pattern to discount his testimony against", "the reader and stir conflict within the team. How do I get the", "reader to see him as misogynist, so sympathy shifts to the woman? Is", "a male character who is coming across as patronizing and mansplain-y. He has", "there a point of no return? Can he regain reader trust once he", "is still a good guy, but I need to sow seeds of doubt", "trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is perfect", "the character, and use the patronizing pattern to discount his testimony against the", "her from the start, ultimately admits sexual attraction. He can't be a frothing", "have a male character who is coming across as patronizing and mansplain-y. He", "> \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice", "about all he does. In my original draft he was the responsible one,", "> > > Coincidentally, his advice is perfect and his character is flat.", "but the protagonists don't want to hear. > > \"Pull yourself together because", "\"dad\" who disapproves of their recklessness. 1. He assumes one is sexually naive", "woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is perfect and his", "to hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't", "responsible one, kind of a \"dad\" who disapproves of their recklessness. 1. He", "is perfect and his character is flat.* I want to flip the character,", "mansplain-y. He has several scenes where he tells a (different) female protagonist how", "to explain when the protagonists are wrong. I didn't realize it's just about", "ultimately admits sexual attraction. He can't be a frothing at the mouth villain", "> > Coincidentally, his advice is perfect and his character is flat. I", "villain or commit overt sabotage – he is still a good guy, but", "say what the reader needs to know, but the protagonists don't want to", "the protagonists don't want to hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\"", "one is sexually naive and warns her (she isn't naive). 2. He tells", "what the reader needs to know, but the protagonists don't want to hear.", "know, but the protagonists don't want to hear. > > \"Pull yourself together", "woman?** Is there a point of no return? Can he regain reader trust", "as patronizing and mansplain-y. He has several scenes where he tells a (different)", "reader and stir conflict within the team. *How do I get the reader", "because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is perfect and his character", "a strong distrust of her from the start, ultimately admits sexual attraction. He", "be a frothing at the mouth villain or commit overt sabotage – he", "that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > > Coincidentally, his advice is perfect and", "female protagonist how she should behave, or assumes she doesn't understand and corrects", "[\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" > > >", "perfect and his character is flat. I want to flip the character, and", "(again) 5. He casts doubt on the provocative woman's trustworthiness (his suspicions are", "Coincidentally, his advice is perfect and his character is flat. I want to", "the reader needs to know, but the protagonists don't want to hear. >", "justified). When I examined him as character, I realized I've been using him", "him as character, I realized I've been using him to say what the", "when the protagonists are wrong. I didn't realize it's just about all he", "doubt on the provocative woman's trustworthiness (his suspicions are later justified). When I", "I examined him as character, I realized I've been using him to say", "has been). 3. He bawls out a third for taking dangerous risks (she", "sexual attraction. He can't be a frothing at the mouth villain or commit", "conflict within the team. How do I get the reader to see him", "– he is still a good guy, but I need to sow seeds", "of her from the start, ultimately admits sexual attraction. He can't be a", "sow seeds of doubt in the reader and stir conflict within the team.", "1. He assumes one is sexually naive and warns her (she isn't naive).", "she doesn't understand and corrects her. I've been using him as a pretext", "has been). 4. He is overprotective (again) 5. He casts doubt on the", "commit overt sabotage – he is still a good guy, but I need", "> \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman", "(she isn't naive). 2. He tells the second to stop dressing provocatively around", "I need to sow seeds of doubt in the reader and stir conflict", "stop dressing provocatively around his men (she has been). 3. He bawls out", "want to flip the character, and use the patronizing pattern to discount his", "guy, but I need to sow seeds of doubt in the reader and", "protagonists don't want to hear. > > \"Pull yourself together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" >", "to see him as misogynist, so sympathy shifts to the woman? Is there", "see him as misogynist, so sympathy shifts to the woman?** Is there a", "I didn't realize it's just about all he does. In my original draft", "risks (she has been). 4. He is overprotective (again) 5. He casts doubt", "start, ultimately admits sexual attraction. He can't be a frothing at the mouth", "my original draft he was the responsible one, kind of a \"dad\" who", "stir conflict within the team. *How do I get the reader to see", "a pretext for exposition, to explain when the protagonists are* wrong. I didn't", "When I examined him as character, I realized I've been using him to", "to stop dressing provocatively around his men (she has been). 3. He bawls", "provocative woman. He has a strong distrust of her from the start, ultimately", "the patronizing pattern to discount his testimony against the provocative woman. He has", "against the provocative woman. He has a strong distrust of her from the", "(different) female protagonist how she should behave, or assumes she doesn't understand and", "using him as a pretext for exposition, to explain when the protagonists are", "character who is coming across as patronizing and mansplain-y. He has several scenes", "she should behave, or assumes she doesn't understand and corrects her. I've been", "a third for taking dangerous risks (she has been). 4. He is overprotective", "are later justified). When I examined him as character, I realized I've been", "He assumes one is sexually naive and warns her (she isn't naive). 2.", "together because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_]!\" > > > \"Don't trust that woman because [\\_e\\_x\\_p\\_o\\_s\\_i\\_t\\_i\\_o\\_n\\_].\" >", "to the woman?** Is there a point of no return? Can he regain", "and corrects her. I've been using him as a pretext for exposition, to", "I want to flip the character, and use the patronizing pattern to discount", "are wrong. I didn't realize it's just about all he does. In my", "a point of no return? Can he regain reader trust once he is", "later justified). When I examined him as character, I realized I've been using", "do I get the reader to see him as misogynist, so sympathy shifts", "him to say what the reader needs to know, but the protagonists don't", "where he tells a (different) female protagonist how she should behave, or assumes", "her. I've been using him as a pretext for exposition, to explain when", "recklessness. 1. He assumes one is sexually naive and warns her (she isn't" ]
[ "like him and I don't know why. His personality is just fine. All", "Yet people don't like him and I don't know why. His personality is", "look on old CDs for the full game) and Swayzak had a New", "he enjoys. Or maybe it stems from his programming, what he was intended", "almost all my computer virus characters on. Swayzak behaves like a one-dimensional, stereotypical,", "and Swayzak having a New Zealand accent was a nice, unique touch to", "bad. Because they were programmed to be evil, they act like the most", "He finds being evil something he enjoys. Or maybe it stems from his", "Will computer virus characters tend to act like over-the-top villains? Is this the", "in the online game, which I'm very close to finding (after an associate", "in Hyperspace features the computer virus antagonist Swayzak, who I base almost all", "evil amusing is what I'm going with. I know there were a lot", "first time we ever saw him become evil, and Swayzak having a New", "corrupted beta a developer gave me, and said developer will look on old", "repaired the corrupted beta a developer gave me, and said developer will look", "computer virus characters tend to act like over-the-top villains? Is this the most", "accent and infected TOM in. Now TOM's always dying; this game was the", "very close to finding (after an associate of mine repaired the corrupted beta", "will look on old CDs for the full game) and Swayzak had a", "programmed to be bad. Because they were programmed to be evil, they act", "all my computer virus characters on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top", "lines, etc. Yet people don't like him and I don't know why. His", "was intended for when he was first written or something. However, we never", "Swayzak does what he does is in the first place is \"for fun.\"", "and I don't know why. His personality is just fine. All the action", "antagonist Swayzak, who I base almost all my computer virus characters on. Swayzak", "is he evil for the sake of being evil, then? Simple: he finds", "maybe it stems from his programming, what he was intended for when he", "over-the-top villain. He laughs, says cliche lines, etc. Yet people don't like him", "etc. Yet people don't like him and I don't know why. His personality", "like the most overwrought villain imaginable. But Swayzak is self-aware, so he can", "Swayzak having a New Zealand accent was a nice, unique touch to an", "make him evil again in every Toonami fanfic I write. He finds being", "going with. I know there were a lot of sentient computer virus characters", "the archetype for his kind. Will computer virus characters tend to act like", "developer gave me, and said developer will look on old CDs for the", "being programmed to be bad. Because they were programmed to be evil, they", "he does is in the first place is \"for fun.\" I like to", "of this as an equivalent to viruses being programmed to be bad. Because", "of sentient computer virus characters before Swayzak but I consider him the archetype", "know there were a lot of sentient computer virus characters before Swayzak but", "so he can make decisions for himself. Why is he evil for the", "otherwise \"stereotypical\" character. (Never mind the fact that now I give all my", "Now TOM's always dying; this game was the first time we ever saw", "does is in the first place is \"for fun.\" I like to think", "be evil, they act like the most overwrought villain imaginable. But Swayzak is", "having a New Zealand accent was a nice, unique touch to an otherwise", "the TIE was in the online game, which I'm very close to finding", "behaves like a one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche lines, etc.", "had a New Zealand accent and infected TOM in. Now TOM's always dying;", "virus characters before Swayzak but I consider him the archetype for his kind.", "saw him become evil, and Swayzak having a New Zealand accent was a", "being evil, then? Simple: he finds it amusing. I've written a few scenarios", "him the archetype for his kind. Will computer virus characters tend to act", "All the action in the TIE was in the online game, which I'm", "I don't know why. His personality is just fine. All the action in", "Or maybe it stems from his programming, what he was intended for when", "first place is \"for fun.\" I like to think of this as an", "personality is just fine. All the action in the TIE was in the", "can make decisions for himself. Why is he evil for the sake of", "give all my computer virus characters New Zealand accents because of that.) The", "equivalent to viruses being programmed to be bad. Because they were programmed to", "Simple: he finds it amusing. I've written a few scenarios where he reforms,", "for his kind. Will computer virus characters tend to act like over-the-top villains?", "characters New Zealand accents because of that.) The reason Swayzak does what he", "status quo and make him evil again in every Toonami fanfic I write.", "programmed to be evil, they act like the most overwrought villain imaginable. But", "developer will look on old CDs for the full game) and Swayzak had", "just fine. All the action in the TIE was in the online game,", "to viruses being programmed to be bad. Because they were programmed to be", "Zealand accents because of that.) The reason Swayzak does what he does is", "was a nice, unique touch to an otherwise \"stereotypical\" character. (Never mind the", "were programmed to be evil, they act like the most overwrought villain imaginable.", "gave me, and said developer will look on old CDs for the full", "finding being evil amusing is what I'm going with. I know there were", "and said developer will look on old CDs for the full game) and", "amusing is what I'm going with. I know there were a lot of", "Toonami fanfic I write. He finds being evil something he enjoys. Or maybe", "was in the online game, which I'm very close to finding (after an", "characters before Swayzak but I consider him the archetype for his kind. Will", "the computer virus antagonist Swayzak, who I base almost all my computer virus", "him and I don't know why. His personality is just fine. All the", "reforms, but I always follow the status quo and make him evil again", "now I give all my computer virus characters New Zealand accents because of", "accent was a nice, unique touch to an otherwise \"stereotypical\" character. (Never mind", "New Zealand accent and infected TOM in. Now TOM's always dying; this game", "accents because of that.) The reason Swayzak does what he does is in", "enjoys. Or maybe it stems from his programming, what he was intended for", "\"stereotypical\" character. (Never mind the fact that now I give all my computer", "computer virus characters before Swayzak but I consider him the archetype for his", "an associate of mine repaired the corrupted beta a developer gave me, and", "Zealand accent was a nice, unique touch to an otherwise \"stereotypical\" character. (Never", "computer virus characters New Zealand accents because of that.) The reason Swayzak does", "this the most likely way for them to act? With reasoning or not?", "of that.) The reason Swayzak does what he does is in the first", "why. His personality is just fine. All the action in the TIE was", "because of that.) The reason Swayzak does what he does is in the", "game, which I'm very close to finding (after an associate of mine repaired", "unique touch to an otherwise \"stereotypical\" character. (Never mind the fact that now", "written a few scenarios where he reforms, but I always follow the status", "I consider him the archetype for his kind. Will computer virus characters tend", "of mine repaired the corrupted beta a developer gave me, and said developer", "scenarios where he reforms, but I always follow the status quo and make", "become evil, and Swayzak having a New Zealand accent was a nice, unique", "Swayzak, who I base almost all my computer virus characters on. Swayzak behaves", "sake of being evil, then? Simple: he finds it amusing. I've written a", "Is this the most likely way for them to act? With reasoning or", "an otherwise \"stereotypical\" character. (Never mind the fact that now I give all", "something. However, we never see his origin; so finding being evil amusing is", "evil again in every Toonami fanfic I write. He finds being evil something", "write. He finds being evil something he enjoys. Or maybe it stems from", "virus characters New Zealand accents because of that.) The reason Swayzak does what", "to an otherwise \"stereotypical\" character. (Never mind the fact that now I give", "says cliche lines, etc. Yet people don't like him and I don't know", "who I base almost all my computer virus characters on. Swayzak behaves like", "Toonami and their event Trapped in Hyperspace features the computer virus antagonist Swayzak,", "OK; I'm obsessed with Toonami and their event Trapped in Hyperspace features the", "origin; so finding being evil amusing is what I'm going with. I know", "but I consider him the archetype for his kind. Will computer virus characters", "mind the fact that now I give all my computer virus characters New", "reason Swayzak does what he does is in the first place is \"for", "he reforms, but I always follow the status quo and make him evil", "I write. He finds being evil something he enjoys. Or maybe it stems", "being evil amusing is what I'm going with. I know there were a", "of being evil, then? Simple: he finds it amusing. I've written a few", "touch to an otherwise \"stereotypical\" character. (Never mind the fact that now I", "he was first written or something. However, we never see his origin; so", "or something. However, we never see his origin; so finding being evil amusing", "a lot of sentient computer virus characters before Swayzak but I consider him", "to be evil, they act like the most overwrought villain imaginable. But Swayzak", "when he was first written or something. However, we never see his origin;", "villain imaginable. But Swayzak is self-aware, so he can make decisions for himself.", "game) and Swayzak had a New Zealand accent and infected TOM in. Now", "Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche lines,", "fine. All the action in the TIE was in the online game, which", "consider him the archetype for his kind. Will computer virus characters tend to", "my computer virus characters on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain.", "to act like over-the-top villains? Is this the most likely way for them", "kind. Will computer virus characters tend to act like over-the-top villains? Is this", "it amusing. I've written a few scenarios where he reforms, but I always", "always follow the status quo and make him evil again in every Toonami", "we never see his origin; so finding being evil amusing is what I'm", "himself. Why is he evil for the sake of being evil, then? Simple:", "associate of mine repaired the corrupted beta a developer gave me, and said", "me, and said developer will look on old CDs for the full game)", "in the TIE was in the online game, which I'm very close to", "him become evil, and Swayzak having a New Zealand accent was a nice,", "what I'm going with. I know there were a lot of sentient computer", "few scenarios where he reforms, but I always follow the status quo and", "over-the-top villains? Is this the most likely way for them to act? With", "for the full game) and Swayzak had a New Zealand accent and infected", "we ever saw him become evil, and Swayzak having a New Zealand accent", "evil for the sake of being evil, then? Simple: he finds it amusing.", "an equivalent to viruses being programmed to be bad. Because they were programmed", "think of this as an equivalent to viruses being programmed to be bad.", "his programming, what he was intended for when he was first written or", "he can make decisions for himself. Why is he evil for the sake", "(Never mind the fact that now I give all my computer virus characters", "there were a lot of sentient computer virus characters before Swayzak but I", "that.) The reason Swayzak does what he does is in the first place", "evil, then? Simple: he finds it amusing. I've written a few scenarios where", "evil something he enjoys. Or maybe it stems from his programming, what he", "Hyperspace features the computer virus antagonist Swayzak, who I base almost all my", "Trapped in Hyperspace features the computer virus antagonist Swayzak, who I base almost", "that now I give all my computer virus characters New Zealand accents because", "imaginable. But Swayzak is self-aware, so he can make decisions for himself. Why", "Swayzak is self-aware, so he can make decisions for himself. Why is he", "fact that now I give all my computer virus characters New Zealand accents", "this game was the first time we ever saw him become evil, and", "Swayzak had a New Zealand accent and infected TOM in. Now TOM's always", "He laughs, says cliche lines, etc. Yet people don't like him and I", "a few scenarios where he reforms, but I always follow the status quo", "viruses being programmed to be bad. Because they were programmed to be evil,", "New Zealand accents because of that.) The reason Swayzak does what he does", "overwrought villain imaginable. But Swayzak is self-aware, so he can make decisions for", "and infected TOM in. Now TOM's always dying; this game was the first", "quo and make him evil again in every Toonami fanfic I write. He", "to finding (after an associate of mine repaired the corrupted beta a developer", "with Toonami and their event Trapped in Hyperspace features the computer virus antagonist", "I always follow the status quo and make him evil again in every", "I base almost all my computer virus characters on. Swayzak behaves like a", "said developer will look on old CDs for the full game) and Swayzak", "always dying; this game was the first time we ever saw him become", "in. Now TOM's always dying; this game was the first time we ever", "for himself. Why is he evil for the sake of being evil, then?", "from his programming, what he was intended for when he was first written", "act like the most overwrought villain imaginable. But Swayzak is self-aware, so he", "decisions for himself. Why is he evil for the sake of being evil,", "his origin; so finding being evil amusing is what I'm going with. I", "online game, which I'm very close to finding (after an associate of mine", "TIE was in the online game, which I'm very close to finding (after", "all my computer virus characters New Zealand accents because of that.) The reason", "obsessed with Toonami and their event Trapped in Hyperspace features the computer virus", "does what he does is in the first place is \"for fun.\" I", "is in the first place is \"for fun.\" I like to think of", "so finding being evil amusing is what I'm going with. I know there", "action in the TIE was in the online game, which I'm very close", "I'm obsessed with Toonami and their event Trapped in Hyperspace features the computer", "written or something. However, we never see his origin; so finding being evil", "on old CDs for the full game) and Swayzak had a New Zealand", "mine repaired the corrupted beta a developer gave me, and said developer will", "But Swayzak is self-aware, so he can make decisions for himself. Why is", "close to finding (after an associate of mine repaired the corrupted beta a", "and their event Trapped in Hyperspace features the computer virus antagonist Swayzak, who", "is what I'm going with. I know there were a lot of sentient", "nice, unique touch to an otherwise \"stereotypical\" character. (Never mind the fact that", "be bad. Because they were programmed to be evil, they act like the", "the first place is \"for fun.\" I like to think of this as", "event Trapped in Hyperspace features the computer virus antagonist Swayzak, who I base", "were a lot of sentient computer virus characters before Swayzak but I consider", "(after an associate of mine repaired the corrupted beta a developer gave me,", "what he was intended for when he was first written or something. However,", "the status quo and make him evil again in every Toonami fanfic I", "the most overwrought villain imaginable. But Swayzak is self-aware, so he can make", "villains? Is this the most likely way for them to act? With reasoning", "finds it amusing. I've written a few scenarios where he reforms, but I", "he finds it amusing. I've written a few scenarios where he reforms, but", "a nice, unique touch to an otherwise \"stereotypical\" character. (Never mind the fact", "like to think of this as an equivalent to viruses being programmed to", "and Swayzak had a New Zealand accent and infected TOM in. Now TOM's", "computer virus characters on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain. He", "like a one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche lines, etc. Yet", "one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche lines, etc. Yet people don't", "their event Trapped in Hyperspace features the computer virus antagonist Swayzak, who I", "beta a developer gave me, and said developer will look on old CDs", "fanfic I write. He finds being evil something he enjoys. Or maybe it", "full game) and Swayzak had a New Zealand accent and infected TOM in.", "don't like him and I don't know why. His personality is just fine.", "sentient computer virus characters before Swayzak but I consider him the archetype for", "programming, what he was intended for when he was first written or something.", "place is \"for fun.\" I like to think of this as an equivalent", "I know there were a lot of sentient computer virus characters before Swayzak", "in every Toonami fanfic I write. He finds being evil something he enjoys.", "TOM's always dying; this game was the first time we ever saw him", "intended for when he was first written or something. However, we never see", "my computer virus characters New Zealand accents because of that.) The reason Swayzak", "is just fine. All the action in the TIE was in the online", "know why. His personality is just fine. All the action in the TIE", "virus characters tend to act like over-the-top villains? Is this the most likely", "character. (Never mind the fact that now I give all my computer virus", "I like to think of this as an equivalent to viruses being programmed", "most overwrought villain imaginable. But Swayzak is self-aware, so he can make decisions", "dying; this game was the first time we ever saw him become evil,", "\"for fun.\" I like to think of this as an equivalent to viruses", "features the computer virus antagonist Swayzak, who I base almost all my computer", "on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche", "where he reforms, but I always follow the status quo and make him", "TOM in. Now TOM's always dying; this game was the first time we", "they act like the most overwrought villain imaginable. But Swayzak is self-aware, so", "old CDs for the full game) and Swayzak had a New Zealand accent", "the corrupted beta a developer gave me, and said developer will look on", "again in every Toonami fanfic I write. He finds being evil something he", "However, we never see his origin; so finding being evil amusing is what", "I've written a few scenarios where he reforms, but I always follow the", "His personality is just fine. All the action in the TIE was in", "the action in the TIE was in the online game, which I'm very", "evil, and Swayzak having a New Zealand accent was a nice, unique touch", "a developer gave me, and said developer will look on old CDs for", "self-aware, so he can make decisions for himself. Why is he evil for", "virus antagonist Swayzak, who I base almost all my computer virus characters on.", "before Swayzak but I consider him the archetype for his kind. Will computer", "CDs for the full game) and Swayzak had a New Zealand accent and", "a New Zealand accent was a nice, unique touch to an otherwise \"stereotypical\"", "finding (after an associate of mine repaired the corrupted beta a developer gave", "Why is he evil for the sake of being evil, then? Simple: he", "I'm going with. I know there were a lot of sentient computer virus", "as an equivalent to viruses being programmed to be bad. Because they were", "stems from his programming, what he was intended for when he was first", "people don't like him and I don't know why. His personality is just", "a one-dimensional, stereotypical, over-the-top villain. He laughs, says cliche lines, etc. Yet people", "Swayzak but I consider him the archetype for his kind. Will computer virus", "infected TOM in. Now TOM's always dying; this game was the first time", "they were programmed to be evil, they act like the most overwrought villain", "never see his origin; so finding being evil amusing is what I'm going", "he was intended for when he was first written or something. However, we", "don't know why. His personality is just fine. All the action in the", "what he does is in the first place is \"for fun.\" I like", "lot of sentient computer virus characters before Swayzak but I consider him the", "I give all my computer virus characters New Zealand accents because of that.)", "see his origin; so finding being evil amusing is what I'm going with.", "him evil again in every Toonami fanfic I write. He finds being evil", "cliche lines, etc. Yet people don't like him and I don't know why.", "was first written or something. However, we never see his origin; so finding", "for the sake of being evil, then? Simple: he finds it amusing. I've", "every Toonami fanfic I write. He finds being evil something he enjoys. Or", "time we ever saw him become evil, and Swayzak having a New Zealand", "follow the status quo and make him evil again in every Toonami fanfic", "the online game, which I'm very close to finding (after an associate of", "then? Simple: he finds it amusing. I've written a few scenarios where he", "he evil for the sake of being evil, then? Simple: he finds it", "The reason Swayzak does what he does is in the first place is", "I'm very close to finding (after an associate of mine repaired the corrupted", "the full game) and Swayzak had a New Zealand accent and infected TOM", "first written or something. However, we never see his origin; so finding being", "this as an equivalent to viruses being programmed to be bad. Because they", "the fact that now I give all my computer virus characters New Zealand", "game was the first time we ever saw him become evil, and Swayzak", "it stems from his programming, what he was intended for when he was", "New Zealand accent was a nice, unique touch to an otherwise \"stereotypical\" character.", "base almost all my computer virus characters on. Swayzak behaves like a one-dimensional,", "stereotypical, over-the-top villain. He laughs, says cliche lines, etc. Yet people don't like", "to think of this as an equivalent to viruses being programmed to be", "characters on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain. He laughs, says", "his kind. Will computer virus characters tend to act like over-the-top villains? Is", "amusing. I've written a few scenarios where he reforms, but I always follow", "being evil something he enjoys. Or maybe it stems from his programming, what", "a New Zealand accent and infected TOM in. Now TOM's always dying; this", "Zealand accent and infected TOM in. Now TOM's always dying; this game was", "and make him evil again in every Toonami fanfic I write. He finds", "like over-the-top villains? Is this the most likely way for them to act?", "evil, they act like the most overwrought villain imaginable. But Swayzak is self-aware,", "but I always follow the status quo and make him evil again in", "is \"for fun.\" I like to think of this as an equivalent to", "make decisions for himself. Why is he evil for the sake of being", "act like over-the-top villains? Is this the most likely way for them to", "fun.\" I like to think of this as an equivalent to viruses being", "computer virus antagonist Swayzak, who I base almost all my computer virus characters", "was the first time we ever saw him become evil, and Swayzak having", "the sake of being evil, then? Simple: he finds it amusing. I've written", "for when he was first written or something. However, we never see his", "tend to act like over-the-top villains? Is this the most likely way for", "to be bad. Because they were programmed to be evil, they act like", "with. I know there were a lot of sentient computer virus characters before", "finds being evil something he enjoys. Or maybe it stems from his programming,", "villain. He laughs, says cliche lines, etc. Yet people don't like him and", "in the first place is \"for fun.\" I like to think of this", "virus characters on. Swayzak behaves like a one-dimensional, stereotypical, over-the-top villain. He laughs,", "Because they were programmed to be evil, they act like the most overwrought", "something he enjoys. Or maybe it stems from his programming, what he was", "laughs, says cliche lines, etc. Yet people don't like him and I don't", "is self-aware, so he can make decisions for himself. Why is he evil", "which I'm very close to finding (after an associate of mine repaired the", "ever saw him become evil, and Swayzak having a New Zealand accent was", "archetype for his kind. Will computer virus characters tend to act like over-the-top", "characters tend to act like over-the-top villains? Is this the most likely way", "the first time we ever saw him become evil, and Swayzak having a" ]
[ "up with backstories for so many different characters all over the hero-villain spectrum", "entire series, and I don't think I'd live long enough to write 50", "50 books. How would you suggest I tackle all of these characters while", "project, here are the three groups of MAIN characters: Heroes (Knights of the", "and needing as little simplification as possible to keep the story compelling? Just", "would you suggest I tackle all of these characters while keeping the number", "you suggest I tackle all of these characters while keeping the number books", "only planned 28 books for the entire series, and I don't think I'd", "I've hit a bit of a problem: I've come up with backstories for", "live long enough to write 50 books. How would you suggest I tackle", "can understand the sheer scale of this project, here are the three groups", "at 28 and needing as little simplification as possible to keep the story", "to keep the story compelling? Just so you can understand the sheer scale", "I'd live long enough to write 50 books. How would you suggest I", "that it would take 50 books to have time for all of the", "of worldbuilding. I've only planned 28 books for the entire series, and I", "groups of MAIN characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The", "needing as little simplification as possible to keep the story compelling? Just so", "a problem: I've come up with backstories for so many different characters all", "have been going great up until now, where I've realized I've hit a", "and huge mass of worldbuilding. I've only planned 28 books for the entire", "and arc resolution along with the plot and huge mass of worldbuilding. I've", "of MAIN characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal):", "think I'd live long enough to write 50 books. How would you suggest", "and I don't think I'd live long enough to write 50 books. How", "little simplification as possible to keep the story compelling? Just so you can", "until now, where I've realized I've hit a bit of a problem: I've", "keep the story compelling? Just so you can understand the sheer scale of", "many different characters all over the hero-villain spectrum that it would take 50", "with the plot and huge mass of worldbuilding. I've only planned 28 books", "the plot and huge mass of worldbuilding. I've only planned 28 books for", "are the three groups of MAIN characters: Heroes (Knights of the Square Table):", "scale of this project, here are the three groups of MAIN characters: Heroes", "28 books for the entire series, and I don't think I'd live long", "bit of a problem: I've come up with backstories for so many different", "compelling? Just so you can understand the sheer scale of this project, here", "story compelling? Just so you can understand the sheer scale of this project,", "Things have been going great up until now, where I've realized I've hit", "the number books at 28 and needing as little simplification as possible to", "50 books to have time for all of the characters' motivations, backstories, character", "books. How would you suggest I tackle all of these characters while keeping", "with backstories for so many different characters all over the hero-villain spectrum that", "have time for all of the characters' motivations, backstories, character development, and arc", "arc resolution along with the plot and huge mass of worldbuilding. I've only", "the characters' motivations, backstories, character development, and arc resolution along with the plot", "spectrum that it would take 50 books to have time for all of", "time for all of the characters' motivations, backstories, character development, and arc resolution", "keeping the number books at 28 and needing as little simplification as possible", "of this project, here are the three groups of MAIN characters: Heroes (Knights", "so you can understand the sheer scale of this project, here are the", "been going great up until now, where I've realized I've hit a bit", "planned 28 books for the entire series, and I don't think I'd live", "tackle all of these characters while keeping the number books at 28 and", "of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural Characters (Deities, Spirits,", "characters while keeping the number books at 28 and needing as little simplification", "problem: I've come up with backstories for so many different characters all over", "different characters all over the hero-villain spectrum that it would take 50 books", "for all of the characters' motivations, backstories, character development, and arc resolution along", "so many different characters all over the hero-villain spectrum that it would take", "come up with backstories for so many different characters all over the hero-villain", "hero-villain spectrum that it would take 50 books to have time for all", "of the characters' motivations, backstories, character development, and arc resolution along with the", "characters all over the hero-villain spectrum that it would take 50 books to", "resolution along with the plot and huge mass of worldbuilding. I've only planned", "books at 28 and needing as little simplification as possible to keep the", "I'm planning a book series called The Weasel Sagas. Things have been going", "I've only planned 28 books for the entire series, and I don't think", "a bit of a problem: I've come up with backstories for so many", "three groups of MAIN characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains", "along with the plot and huge mass of worldbuilding. I've only planned 28", "Weasel Sagas. Things have been going great up until now, where I've realized", "simplification as possible to keep the story compelling? Just so you can understand", "now, where I've realized I've hit a bit of a problem: I've come", "characters' motivations, backstories, character development, and arc resolution along with the plot and", "enough to write 50 books. How would you suggest I tackle all of", "while keeping the number books at 28 and needing as little simplification as", "write 50 books. How would you suggest I tackle all of these characters", "series called The Weasel Sagas. Things have been going great up until now,", "as little simplification as possible to keep the story compelling? Just so you", "possible to keep the story compelling? Just so you can understand the sheer", "I don't think I'd live long enough to write 50 books. How would", "motivations, backstories, character development, and arc resolution along with the plot and huge", "all of the characters' motivations, backstories, character development, and arc resolution along with", "Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural Characters", "don't think I'd live long enough to write 50 books. How would you", "Sagas. Things have been going great up until now, where I've realized I've", "backstories, character development, and arc resolution along with the plot and huge mass", "I've realized I've hit a bit of a problem: I've come up with", "the sheer scale of this project, here are the three groups of MAIN", "development, and arc resolution along with the plot and huge mass of worldbuilding.", "over the hero-villain spectrum that it would take 50 books to have time", "worldbuilding. I've only planned 28 books for the entire series, and I don't", "series, and I don't think I'd live long enough to write 50 books.", "to write 50 books. How would you suggest I tackle all of these", "huge mass of worldbuilding. I've only planned 28 books for the entire series,", "the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural Characters (Deities, Spirits, Etc.):", "character development, and arc resolution along with the plot and huge mass of", "MAIN characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal>", "characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural", "Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural Characters (Deities, Spirits, Etc.): <https://sites.google.com/site/weaselworldofficialsite/system/app/pages/subPages?path=/the-metaphysical>", "here are the three groups of MAIN characters: Heroes (Knights of the Square", "understand the sheer scale of this project, here are the three groups of", "hit a bit of a problem: I've come up with backstories for so", "all of these characters while keeping the number books at 28 and needing", "the hero-villain spectrum that it would take 50 books to have time for", "of these characters while keeping the number books at 28 and needing as", "where I've realized I've hit a bit of a problem: I've come up", "all over the hero-villain spectrum that it would take 50 books to have", "would take 50 books to have time for all of the characters' motivations,", "the entire series, and I don't think I'd live long enough to write", "28 and needing as little simplification as possible to keep the story compelling?", "the three groups of MAIN characters: Heroes (Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table>", "suggest I tackle all of these characters while keeping the number books at", "of a problem: I've come up with backstories for so many different characters", "a book series called The Weasel Sagas. Things have been going great up", "mass of worldbuilding. I've only planned 28 books for the entire series, and", "(Knights of the Square Table): <https://sites.google.com/site/weaselworldofficialsite/characters/the-knights-of-the-square-table> Villains (The Cabal): <https://sites.google.com/site/weaselworldofficialsite/characters/the-cabal> Supernatural Characters (Deities,", "for the entire series, and I don't think I'd live long enough to", "for so many different characters all over the hero-villain spectrum that it would", "books to have time for all of the characters' motivations, backstories, character development,", "you can understand the sheer scale of this project, here are the three", "backstories for so many different characters all over the hero-villain spectrum that it", "I've come up with backstories for so many different characters all over the", "the story compelling? Just so you can understand the sheer scale of this", "Just so you can understand the sheer scale of this project, here are", "as possible to keep the story compelling? Just so you can understand the", "plot and huge mass of worldbuilding. I've only planned 28 books for the", "up until now, where I've realized I've hit a bit of a problem:", "long enough to write 50 books. How would you suggest I tackle all", "take 50 books to have time for all of the characters' motivations, backstories,", "called The Weasel Sagas. Things have been going great up until now, where", "this project, here are the three groups of MAIN characters: Heroes (Knights of", "realized I've hit a bit of a problem: I've come up with backstories", "sheer scale of this project, here are the three groups of MAIN characters:", "planning a book series called The Weasel Sagas. Things have been going great", "I tackle all of these characters while keeping the number books at 28", "going great up until now, where I've realized I've hit a bit of", "to have time for all of the characters' motivations, backstories, character development, and", "How would you suggest I tackle all of these characters while keeping the", "these characters while keeping the number books at 28 and needing as little", "book series called The Weasel Sagas. Things have been going great up until", "number books at 28 and needing as little simplification as possible to keep", "it would take 50 books to have time for all of the characters'", "books for the entire series, and I don't think I'd live long enough", "The Weasel Sagas. Things have been going great up until now, where I've", "great up until now, where I've realized I've hit a bit of a" ]
[ "her breathing, focusing on the two of them, with their backs continually increasing", "> “C’mon… Sōan…” she huffed, “You can’t let… those boys… beat you now…", "characters (who I consider main characters as well) are left in the dust.", "only taller than him by a couple of inches, but he seemed to", "tried to control her breathing, focusing on the two of them, with their", "that it's gone out of favor and publishers accept fewer works that use", "I write from a limited perspective, the feelings and thoughts of the other", "backs continually increasing their distance between her > > > In this one", "write from a limited perspective, the feelings and thoughts of the other characters", "> > Sōan was straggling behind. The two of them moved way faster", "legs to move faster to keep up with him. > > > Sōan", "couple of inches, but he seemed to be able to move much faster", "stop using 3rd Person Omniscient perspective and use 3rd Person Limited instead. Brandon", "it. His debate against using omnipotent is that it can be confusing for", "you?” > > > She tried to control her breathing, focusing on the", "Sanderson (I'm part of his writing class and will be again next semester)", "Yūjin was only taller than him by a couple of inches, but he", "3rd Person Limited instead. Brandon Sanderson (I'm part of his writing class and", "his writing class and will be again next semester) has said that it's", "faster than before. Juko could scarcely believe it. Yūjin was only taller than", "him by a couple of inches, but he seemed to be able to", "by a couple of inches, but he seemed to be able to move", "did. He forced legs to move faster to keep up with him. >", "they weren’t human. > > > “C’mon… Sōan…” she huffed, “You can’t let…", "lose meaning and context without the thoughts/expressions/feelings of the other characters. TL;DR How", "harrowing me to stop using 3rd Person Omniscient perspective and use 3rd Person", "than he did. He forced legs to move faster to keep up with", "like they weren’t human. > > > “C’mon… Sōan…” she huffed, “You can’t", "than before. Juko could scarcely believe it. Yūjin was only taller than him", "Perspective without losing the depth I've built into my other characters? (Note: I'm", "I consider main characters as well) are left in the dust. Also, scenes", "> > > “C’mon… Sōan…” she huffed, “You can’t let… those boys… beat", "Person Limited Perspective without losing the depth I've built into my other characters?", "one of my books where I can see their dilemma: > > Yūjin", "confusing who is thinking what. As I've recognized this problem, I've started to", "characters. TL;DR How do I write in 3rd Person Limited Perspective without losing", "gone out of favor and publishers accept fewer works that use it. His", "group lately has been harrowing me to stop using 3rd Person Omniscient perspective", "to stop using 3rd Person Omniscient perspective and use 3rd Person Limited instead.", "scarcely believe it. Yūjin was only taller than him by a couple of", "huffed, “You can’t let… those boys… beat you now… can you?” > >", "it's confusing who is thinking what. As I've recognized this problem, I've started", "depth I've built into my other characters? (Note: I'm talking about writing as", "problem. As I write from a limited perspective, the feelings and thoughts of", "that I've written lose meaning and context without the thoughts/expressions/feelings of the other", "Person Omniscient perspective and use 3rd Person Limited instead. Brandon Sanderson (I'm part", "semester) has said that it's gone out of favor and publishers accept fewer", "but he seemed to be able to move much faster than he did.", "been harrowing me to stop using 3rd Person Omniscient perspective and use 3rd", "limited perspective, the feelings and thoughts of the other characters (who I consider", "of the other characters (who I consider main characters as well) are left", "> In this one scene, I simultaneously switch between three character's perspectives, and", "is thinking what. As I've recognized this problem, I've started to focus on", "as well) are left in the dust. Also, scenes that I've written lose", "without losing the depth I've built into my other characters? (Note: I'm talking", "moving even faster than before. Juko could scarcely believe it. Yūjin was only", "He forced legs to move faster to keep up with him. > >", "simultaneously switch between three character's perspectives, and it's confusing who is thinking what.", "be able to move much faster than he did. He forced legs to", "> > > In this one scene, I simultaneously switch between three character's", "I simultaneously switch between three character's perspectives, and it's confusing who is thinking", "even faster than before. Juko could scarcely believe it. Yūjin was only taller", "losing the depth I've built into my other characters? (Note: I'm talking about", "moved way faster then she could possibly even believe. It was like they", "chapter; however, I've run into another problem. As I write from a limited", "books where I can see their dilemma: > > Yūjin picked up his", "of his writing class and will be again next semester) has said that", "I'll give an example from one of my books where I can see", "next semester) has said that it's gone out of favor and publishers accept", "and use 3rd Person Limited instead. Brandon Sanderson (I'm part of his writing", "way faster then she could possibly even believe. It was like they weren’t", "> > She tried to control her breathing, focusing on the two of", "favor and publishers accept fewer works that use it. His debate against using", "of them moved way faster then she could possibly even believe. It was", "possibly even believe. It was like they weren’t human. > > > “C’mon…", "in 3rd Person Limited Perspective without losing the depth I've built into my", "where I can see their dilemma: > > Yūjin picked up his pace,", "thinking what. As I've recognized this problem, I've started to focus on one", "Person Limited instead. Brandon Sanderson (I'm part of his writing class and will", "of favor and publishers accept fewer works that use it. His debate against", "that use it. His debate against using omnipotent is that it can be", "his pace, moving even faster than before. Juko could scarcely believe it. Yūjin", "“You can’t let… those boys… beat you now… can you?” > > >", "started to focus on one person per chapter; however, I've run into another", "of the other characters. TL;DR How do I write in 3rd Person Limited", "however, I've run into another problem. As I write from a limited perspective,", "and will be again next semester) has said that it's gone out of", "see their dilemma: > > Yūjin picked up his pace, moving even faster", "focus on one person per chapter; however, I've run into another problem. As", "> Yūjin picked up his pace, moving even faster than before. Juko could", "3rd Person Omniscient perspective and use 3rd Person Limited instead. Brandon Sanderson (I'm", "them, with their backs continually increasing their distance between her > > >", "His debate against using omnipotent is that it can be confusing for the", "faster then she could possibly even believe. It was like they weren’t human.", "and thoughts of the other characters (who I consider main characters as well)", "straggling behind. The two of them moved way faster then she could possibly", "instead. Brandon Sanderson (I'm part of his writing class and will be again", "to focus on one person per chapter; however, I've run into another problem.", "him. > > > Sōan was straggling behind. The two of them moved", "do I write in 3rd Person Limited Perspective without losing the depth I've", "two of them moved way faster then she could possibly even believe. It", "of them, with their backs continually increasing their distance between her > >", "accept fewer works that use it. His debate against using omnipotent is that", "the feelings and thoughts of the other characters (who I consider main characters", "you now… can you?” > > > She tried to control her breathing,", "who is thinking what. As I've recognized this problem, I've started to focus", "context without the thoughts/expressions/feelings of the other characters. TL;DR How do I write", "up with him. > > > Sōan was straggling behind. The two of", "Juko could scarcely believe it. Yūjin was only taller than him by a", "then she could possibly even believe. It was like they weren’t human. >", "will be again next semester) has said that it's gone out of favor", "per chapter; however, I've run into another problem. As I write from a", "perspective and use 3rd Person Limited instead. Brandon Sanderson (I'm part of his", "perspectives, and it's confusing who is thinking what. As I've recognized this problem,", "for the reader. I'll give an example from one of my books where", "> > “C’mon… Sōan…” she huffed, “You can’t let… those boys… beat you", "the dust. Also, scenes that I've written lose meaning and context without the", "now… can you?” > > > She tried to control her breathing, focusing", "(who I consider main characters as well) are left in the dust. Also,", "characters as well) are left in the dust. Also, scenes that I've written", "me to stop using 3rd Person Omniscient perspective and use 3rd Person Limited", "it's gone out of favor and publishers accept fewer works that use it.", "I've started to focus on one person per chapter; however, I've run into", "part of his writing class and will be again next semester) has said", "omnipotent is that it can be confusing for the reader. I'll give an", "the other characters. TL;DR How do I write in 3rd Person Limited Perspective", "from one of my books where I can see their dilemma: > >", "before. Juko could scarcely believe it. Yūjin was only taller than him by", "> > In this one scene, I simultaneously switch between three character's perspectives,", "move faster to keep up with him. > > > Sōan was straggling", "dilemma: > > Yūjin picked up his pace, moving even faster than before.", "use 3rd Person Limited instead. Brandon Sanderson (I'm part of his writing class", "As I write from a limited perspective, the feelings and thoughts of the", "consider main characters as well) are left in the dust. Also, scenes that", "faster to keep up with him. > > > Sōan was straggling behind.", "TL;DR How do I write in 3rd Person Limited Perspective without losing the", "be again next semester) has said that it's gone out of favor and", "their backs continually increasing their distance between her > > > In this", "scenes that I've written lose meaning and context without the thoughts/expressions/feelings of the", "can’t let… those boys… beat you now… can you?” > > > She", "well) are left in the dust. Also, scenes that I've written lose meaning", "on one person per chapter; however, I've run into another problem. As I", "can you?” > > > She tried to control her breathing, focusing on", "It was like they weren’t human. > > > “C’mon… Sōan…” she huffed,", "able to move much faster than he did. He forced legs to move", "said that it's gone out of favor and publishers accept fewer works that", "the two of them, with their backs continually increasing their distance between her", "against using omnipotent is that it can be confusing for the reader. I'll", "she could possibly even believe. It was like they weren’t human. > >", "works that use it. His debate against using omnipotent is that it can", "it. Yūjin was only taller than him by a couple of inches, but", "pace, moving even faster than before. Juko could scarcely believe it. 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TL;DR How do I write in 3rd Person", "believe. It was like they weren’t human. > > > “C’mon… Sōan…” she", "faster than he did. He forced legs to move faster to keep up", "between three character's perspectives, and it's confusing who is thinking what. As I've", "fewer works that use it. His debate against using omnipotent is that it", "them moved way faster then she could possibly even believe. It was like", "to be able to move much faster than he did. He forced legs", "boys… beat you now… can you?” > > > She tried to control", "give an example from one of my books where I can see their", "was straggling behind. The two of them moved way faster then she could", "the other characters (who I consider main characters as well) are left in", "Sōan was straggling behind. The two of them moved way faster then she", "on the two of them, with their backs continually increasing their distance between", "without the thoughts/expressions/feelings of the other characters. TL;DR How do I write in", "a couple of inches, but he seemed to be able to move much", "character's perspectives, and it's confusing who is thinking what. As I've recognized this", "other characters. TL;DR How do I write in 3rd Person Limited Perspective without", "confusing for the reader. I'll give an example from one of my books", "I write in 3rd Person Limited Perspective without losing the depth I've built", "from a limited perspective, the feelings and thoughts of the other characters (who", "> > > She tried to control her breathing, focusing on the two", "that it can be confusing for the reader. I'll give an example from", "human. > > > “C’mon… Sōan…” she huffed, “You can’t let… those boys…", "their dilemma: > > Yūjin picked up his pace, moving even faster than", "forced legs to move faster to keep up with him. > > >", "writing group lately has been harrowing me to stop using 3rd Person Omniscient", "picked up his pace, moving even faster than before. 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I'll give an example from one of", "Brandon Sanderson (I'm part of his writing class and will be again next", "of inches, but he seemed to be able to move much faster than", "between her > > > In this one scene, I simultaneously switch between", "out of favor and publishers accept fewer works that use it. His debate", "Yūjin picked up his pace, moving even faster than before. Juko could scarcely", "reader. I'll give an example from one of my books where I can", "he seemed to be able to move much faster than he did. He", "lately has been harrowing me to stop using 3rd Person Omniscient perspective and", "the reader. I'll give an example from one of my books where I", "can see their dilemma: > > Yūjin picked up his pace, moving even", "into another problem. As I write from a limited perspective, the feelings and", "their distance between her > > > In this one scene, I simultaneously", "> > Yūjin picked up his pace, moving even faster than before. Juko", "up his pace, moving even faster than before. Juko could scarcely believe it.", "my books where I can see their dilemma: > > Yūjin picked up", "I've built into my other characters? (Note: I'm talking about writing as a", "believe it. Yūjin was only taller than him by a couple of inches,", "My writing group lately has been harrowing me to stop using 3rd Person", "and publishers accept fewer works that use it. His debate against using omnipotent", "could scarcely believe it. Yūjin was only taller than him by a couple", "taller than him by a couple of inches, but he seemed to be", "what. As I've recognized this problem, I've started to focus on one person", "person per chapter; however, I've run into another problem. As I write from", "much faster than he did. He forced legs to move faster to keep", "(I'm part of his writing class and will be again next semester) has", "control her breathing, focusing on the two of them, with their backs continually", "this one scene, I simultaneously switch between three character's perspectives, and it's confusing", "class and will be again next semester) has said that it's gone out", "debate against using omnipotent is that it can be confusing for the reader.", "those boys… beat you now… can you?” > > > She tried to", "I've run into another problem. As I write from a limited perspective, the", "publishers accept fewer works that use it. His debate against using omnipotent is", "to move faster to keep up with him. > > > Sōan was", "could possibly even believe. It was like they weren’t human. > > >", "are left in the dust. Also, scenes that I've written lose meaning and", "recognized this problem, I've started to focus on one person per chapter; however,", "this problem, I've started to focus on one person per chapter; however, I've", "I can see their dilemma: > > Yūjin picked up his pace, moving", "Sōan…” she huffed, “You can’t let… those boys… beat you now… can you?”", "was like they weren’t human. > > > “C’mon… Sōan…” she huffed, “You", "her > > > In this one scene, I simultaneously switch between three", "with him. > > > Sōan was straggling behind. The two of them", "to move much faster than he did. He forced legs to move faster", "keep up with him. > > > Sōan was straggling behind. The two", "be confusing for the reader. I'll give an example from one of my", "run into another problem. As I write from a limited perspective, the feelings", "another problem. As I write from a limited perspective, the feelings and thoughts", "3rd Person Limited Perspective without losing the depth I've built into my other", "again next semester) has said that it's gone out of favor and publishers", "to control her breathing, focusing on the two of them, with their backs", "characters? (Note: I'm talking about writing as a whole, not just this specific", "one person per chapter; however, I've run into another problem. As I write", "and context without the thoughts/expressions/feelings of the other characters. TL;DR How do I", "left in the dust. Also, scenes that I've written lose meaning and context", "Limited Perspective without losing the depth I've built into my other characters? (Note:", "is that it can be confusing for the reader. I'll give an example", "behind. The two of them moved way faster then she could possibly even", "“C’mon… Sōan…” she huffed, “You can’t let… those boys… beat you now… can", "> She tried to control her breathing, focusing on the two of them,", "and it's confusing who is thinking what. As I've recognized this problem, I've", "Also, scenes that I've written lose meaning and context without the thoughts/expressions/feelings of", "> > > Sōan was straggling behind. The two of them moved way", "other characters? (Note: I'm talking about writing as a whole, not just this", "built into my other characters? 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Brandon Sanderson (I'm part of his writing class and will be", "switch between three character's perspectives, and it's confusing who is thinking what. As", "has been harrowing me to stop using 3rd Person Omniscient perspective and use", "one scene, I simultaneously switch between three character's perspectives, and it's confusing who", "into my other characters? (Note: I'm talking about writing as a whole, not", "using omnipotent is that it can be confusing for the reader. I'll give", "breathing, focusing on the two of them, with their backs continually increasing their", "write in 3rd Person Limited Perspective without losing the depth I've built into", "an example from one of my books where I can see their dilemma:", "example from one of my books where I can see their dilemma: >", "he did. He forced legs to move faster to keep up with him.", "writing class and will be again next semester) has said that it's gone", "inches, but he seemed to be able to move much faster than he", "In this one scene, I simultaneously switch between three character's perspectives, and it's", "has said that it's gone out of favor and publishers accept fewer works", "in the dust. Also, scenes that I've written lose meaning and context without", "perspective, the feelings and thoughts of the other characters (who I consider main", "main characters as well) are left in the dust. Also, scenes that I've", "written lose meaning and context without the thoughts/expressions/feelings of the other characters. TL;DR", "use it. His debate against using omnipotent is that it can be confusing", "meaning and context without the thoughts/expressions/feelings of the other characters. TL;DR How do", "How do I write in 3rd Person Limited Perspective without losing the depth", "problem, I've started to focus on one person per chapter; however, I've run", "the thoughts/expressions/feelings of the other characters. TL;DR How do I write in 3rd", "> Sōan was straggling behind. The two of them moved way faster then", "even believe. It was like they weren’t human. > > > “C’mon… Sōan…”", "The two of them moved way faster then she could possibly even believe.", "three character's perspectives, and it's confusing who is thinking what. As I've recognized", "let… those boys… beat you now… can you?” > > > She tried" ]
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My goal is to make", "what is \"good.\" I've begun the turn and am (what I feel to", "is revealed to the main character and when the MC pushes, the good", "when the MC pushes, the good guys are unapologetic about all of it", "bad guys. Sure they try to use \"society's worst\" people for the rituals,", "character over the edge and twist their beliefs while making it more believable", "than \"He woke up the next day thinking they were good.\" What should", "are unapologetic about all of it (similar to how the first paragraph is", "or what my plot should be or how the world should work. Rather,", "necessary and comes to accept the good guys. But I can't get him", "Good Guys. Eventually, MC realizes that the killing is necessary and comes to", "to then believing they're Good Guys. How can I make this leap? What", "to go from accepting what they're doing as necessary to then believing they're", "comment, I'm not asking a \"what to write\" or what my plot should", "killing is necessary and comes to accept the good guys. But I can't", "necessary but still feels uneasy about it. I'm asking about how I can", "asking about how I can push a character over the edge and twist", "how the first paragraph is written). Of course MC shuns them and dissociates", "day thinking they were good.\" What should I focus on to make this", "use \"society's worst\" people for the rituals, but realistically that doesn't always happen.", "good guys are unapologetic about all of it (similar to how the first", "and am (what I feel to be) about halfway--my MC has accepted what's", "how I can push a character over the edge and twist their beliefs", "comes to accept the good guys. 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I'm asking about how I can push a", "their beliefs while making it more believable than \"He woke up the next", "feel to be) about halfway--my MC has accepted what's happening as necessary but", "leap? What am I missing? Edit: In response to a comment, I'm not", "the main character and when the MC pushes, the good guys are unapologetic", "the good guys. But I can't get him to go from accepting what", "and \"wrong\" or what is \"good.\" I've begun the turn and am (what", "believable than \"He woke up the next day thinking they were good.\" What", "that doesn't always happen. This is revealed to the main character and when", "to write\" or what my plot should be or how the world should", "guys murder people. They slowly carve runes onto them to help defeat the", "full 180 on their perspective of \"right\" and \"wrong\" or what is \"good.\"", "to help defeat the bad guys. Sure they try to use \"society's worst\"", "to accept the good guys. But I can't get him to go from", "world should work. Rather, I'm trying to make a character pull a full", "I'm asking about how I can push a character over the edge and", "and when the MC pushes, the good guys are unapologetic about all of", "In response to a comment, I'm not asking a \"what to write\" or", "be) about halfway--my MC has accepted what's happening as necessary but still feels", "I make this leap? What am I missing? Edit: In response to a", "asking a \"what to write\" or what my plot should be or how", "the good guys are unapologetic about all of it (similar to how the", "good guys as Good Guys. Eventually, MC realizes that the killing is necessary", "work. Rather, I'm trying to make a character pull a full 180 on", "written). Of course MC shuns them and dissociates himself with them. My goal", "the edge and twist their beliefs while making it more believable than \"He", "I'm not asking a \"what to write\" or what my plot should be", "this believable? At the moment, I feel like anything I do will be", "worst\" people for the rituals, but realistically that doesn't always happen. This is", "pushes, the good guys are unapologetic about all of it (similar to how", "\"what to write\" or what my plot should be or how the world", "good.\" What should I focus on to make this believable? At the moment,", "come to view the good guys as Good Guys. Eventually, MC realizes that", "turn and am (what I feel to be) about halfway--my MC has accepted", "to view the good guys as Good Guys. Eventually, MC realizes that the", "They slowly carve runes onto them to help defeat the bad guys. Sure", "I focus on to make this believable? At the moment, I feel like", "I've begun the turn and am (what I feel to be) about halfway--my", "goal is to make the MC come to view the good guys as", "guys. But I can't get him to go from accepting what they're doing", "I'm trying to make a character pull a full 180 on their perspective", "push a character over the edge and twist their beliefs while making it", "people. They slowly carve runes onto them to help defeat the bad guys.", "over the edge and twist their beliefs while making it more believable than", "about all of it (similar to how the first paragraph is written). Of", "all of it (similar to how the first paragraph is written). Of course", "Edit: In response to a comment, I'm not asking a \"what to write\"", "what's happening as necessary but still feels uneasy about it. I'm asking about", "view the good guys as Good Guys. Eventually, MC realizes that the killing", "next day thinking they were good.\" What should I focus on to make", "character and when the MC pushes, the good guys are unapologetic about all", "necessary to then believing they're Good Guys. How can I make this leap?", "Rather, I'm trying to make a character pull a full 180 on their", "but still feels uneasy about it. I'm asking about how I can push", "\"right\" and \"wrong\" or what is \"good.\" I've begun the turn and am", "revealed to the main character and when the MC pushes, the good guys", "as necessary to then believing they're Good Guys. How can I make this", "on their perspective of \"right\" and \"wrong\" or what is \"good.\" I've begun", "guys. Sure they try to use \"society's worst\" people for the rituals, but", "My goal is to make the MC come to view the good guys", "them. My goal is to make the MC come to view the good", "realizes that the killing is necessary and comes to accept the good guys.", "the good guys as Good Guys. Eventually, MC realizes that the killing is", "Guys. Eventually, MC realizes that the killing is necessary and comes to accept", "is necessary and comes to accept the good guys. But I can't get", "to use \"society's worst\" people for the rituals, but realistically that doesn't always", "himself with them. My goal is to make the MC come to view", "write\" or what my plot should be or how the world should work.", "they were good.\" What should I focus on to make this believable? At", "begun the turn and am (what I feel to be) about halfway--my MC", "first paragraph is written). Of course MC shuns them and dissociates himself with", "the MC come to view the good guys as Good Guys. Eventually, MC", "to a comment, I'm not asking a \"what to write\" or what my", "it (similar to how the first paragraph is written). Of course MC shuns", "MC come to view the good guys as Good Guys. Eventually, MC realizes", "focus on to make this believable? At the moment, I feel like anything", "Sure they try to use \"society's worst\" people for the rituals, but realistically", "a comment, I'm not asking a \"what to write\" or what my plot", "\"good.\" I've begun the turn and am (what I feel to be) about", "murder people. They slowly carve runes onto them to help defeat the bad", "happening as necessary but still feels uneasy about it. I'm asking about how", "can push a character over the edge and twist their beliefs while making", "carve runes onto them to help defeat the bad guys. Sure they try", "Guys. How can I make this leap? What am I missing? Edit: In", "people for the rituals, but realistically that doesn't always happen. This is revealed", "can't get him to go from accepting what they're doing as necessary to", "But I can't get him to go from accepting what they're doing as", "good guys. But I can't get him to go from accepting what they're", "be or how the world should work. Rather, I'm trying to make a", "I feel to be) about halfway--my MC has accepted what's happening as necessary", "At the moment, I feel like anything I do will be clearly fake.", "to how the first paragraph is written). Of course MC shuns them and", "with them. My goal is to make the MC come to view the", "character pull a full 180 on their perspective of \"right\" and \"wrong\" or", "they're Good Guys. How can I make this leap? What am I missing?", "missing? Edit: In response to a comment, I'm not asking a \"what to", "believable? At the moment, I feel like anything I do will be clearly", "runes onto them to help defeat the bad guys. Sure they try to", "believing they're Good Guys. How can I make this leap? What am I", "they're doing as necessary to then believing they're Good Guys. How can I", "it. I'm asking about how I can push a character over the edge", "MC has accepted what's happening as necessary but still feels uneasy about it.", "the next day thinking they were good.\" What should I focus on to", "of \"right\" and \"wrong\" or what is \"good.\" I've begun the turn and", "or what is \"good.\" I've begun the turn and am (what I feel", "what they're doing as necessary to then believing they're Good Guys. How can", "Good Guys. How can I make this leap? What am I missing? Edit:", "happen. This is revealed to the main character and when the MC pushes,", "plot should be or how the world should work. Rather, I'm trying to", "paragraph is written). Of course MC shuns them and dissociates himself with them.", "more believable than \"He woke up the next day thinking they were good.\"", "is to make the MC come to view the good guys as Good", "as Good Guys. Eventually, MC realizes that the killing is necessary and comes", "What am I missing? Edit: In response to a comment, I'm not asking", "this leap? What am I missing? Edit: In response to a comment, I'm", "has accepted what's happening as necessary but still feels uneasy about it. I'm", "beliefs while making it more believable than \"He woke up the next day", "guys are unapologetic about all of it (similar to how the first paragraph", "I missing? Edit: In response to a comment, I'm not asking a \"what", "the rituals, but realistically that doesn't always happen. This is revealed to the", "woke up the next day thinking they were good.\" What should I focus", "should work. Rather, I'm trying to make a character pull a full 180", "uneasy about it. I'm asking about how I can push a character over", "to the main character and when the MC pushes, the good guys are", "edge and twist their beliefs while making it more believable than \"He woke", "\"society's worst\" people for the rituals, but realistically that doesn't always happen. This", "and twist their beliefs while making it more believable than \"He woke up", "doesn't always happen. This is revealed to the main character and when the", "make the MC come to view the good guys as Good Guys. Eventually,", "doing as necessary to then believing they're Good Guys. How can I make", "them and dissociates himself with them. My goal is to make the MC", "dissociates himself with them. My goal is to make the MC come to", "the MC pushes, the good guys are unapologetic about all of it (similar", "how the world should work. Rather, I'm trying to make a character pull" ]
[ "in first or third person. Which method is better to show all the", "a visual novel, and I am wondering if I should write it in", "or third person. Which method is better to show all the characters’ experiences", "decision-making related I make it, it could even be second person, “You plunge", "am currently working on a visual novel, and I am wondering if I", "plunges the blade into Jim’s chest,” or “I plunge the blade into Jim’s", "mine, you will be able to explore and do things, but all in", "chest.” If it were first person, the POV would change. Depending on how", "say “Bob plunges the blade into Jim’s chest,” or “I plunge the blade", "blade into Jim’s chest,” or “I plunge the blade into Jim’s chest.” If", "may also be choices and branching narratives involved. To clarify, I am asking", "novel is a video game that’s almost all story. They are heavily focused", "They are heavily focused on dialogue and cutscenes. In mine, you will be", "visual novel, and I am wondering if I should write it in first", "the story. There may also be choices and branching narratives involved. To clarify,", "Depending on how decision-making related I make it, it could even be second", "if I should write it in first or third person. Which method is", "a video game that’s almost all story. They are heavily focused on dialogue", "In mine, you will be able to explore and do things, but all", "Jim’s chest.” If it were first person, the POV would change. Depending on", "on dialogue and cutscenes. In mine, you will be able to explore and", "clarify, I am asking if it should say “Bob plunges the blade into", "first or third person. Which method is better to show all the characters’", "be choices and branching narratives involved. To clarify, I am asking if it", "are heavily focused on dialogue and cutscenes. In mine, you will be able", "make it, it could even be second person, “You plunge the blade into", "I should write it in first or third person. Which method is better", "dialogue and cutscenes. In mine, you will be able to explore and do", "third person. Which method is better to show all the characters’ experiences but", "blade into Jim’s chest.” If it were first person, the POV would change.", "you will be able to explore and do things, but all in direct", "the blade into Jim’s chest,” or “I plunge the blade into Jim’s chest.”", "A visual novel is a video game that’s almost all story. They are", "story? A visual novel is a video game that’s almost all story. They", "narratives involved. To clarify, I am asking if it should say “Bob plunges", "asking if it should say “Bob plunges the blade into Jim’s chest,” or", "better to show all the characters’ experiences but keep the player engaged with", "explore and do things, but all in direct relation to the story. There", "it should say “Bob plunges the blade into Jim’s chest,” or “I plunge", "person. Which method is better to show all the characters’ experiences but keep", "it could even be second person, “You plunge the blade into Jim’s chest.”", "novel, and I am wondering if I should write it in first or", "video game that’s almost all story. They are heavily focused on dialogue and", "and do things, but all in direct relation to the story. There may", "I am currently working on a visual novel, and I am wondering if", "the characters’ experiences but keep the player engaged with the story? A visual", "the player engaged with the story? A visual novel is a video game", "is a video game that’s almost all story. They are heavily focused on", "am wondering if I should write it in first or third person. Which", "would change. Depending on how decision-making related I make it, it could even", "related I make it, it could even be second person, “You plunge the", "choices and branching narratives involved. To clarify, I am asking if it should", "story. There may also be choices and branching narratives involved. To clarify, I", "I make it, it could even be second person, “You plunge the blade", "almost all story. They are heavily focused on dialogue and cutscenes. In mine,", "There may also be choices and branching narratives involved. To clarify, I am", "relation to the story. There may also be choices and branching narratives involved.", "how decision-making related I make it, it could even be second person, “You", "were first person, the POV would change. Depending on how decision-making related I", "that’s almost all story. They are heavily focused on dialogue and cutscenes. In", "or “I plunge the blade into Jim’s chest.” If it were first person,", "I am wondering if I should write it in first or third person.", "story. They are heavily focused on dialogue and cutscenes. In mine, you will", "wondering if I should write it in first or third person. Which method", "engaged with the story? A visual novel is a video game that’s almost", "in direct relation to the story. There may also be choices and branching", "cutscenes. In mine, you will be able to explore and do things, but", "chest,” or “I plunge the blade into Jim’s chest.” If it were first", "Which method is better to show all the characters’ experiences but keep the", "heavily focused on dialogue and cutscenes. In mine, you will be able to", "person, the POV would change. Depending on how decision-making related I make it,", "should say “Bob plunges the blade into Jim’s chest,” or “I plunge the", "plunge the blade into Jim’s chest.” If it were first person, the POV", "first person, the POV would change. Depending on how decision-making related I make", "be able to explore and do things, but all in direct relation to", "it, it could even be second person, “You plunge the blade into Jim’s", "the story? A visual novel is a video game that’s almost all story.", "if it should say “Bob plunges the blade into Jim’s chest,” or “I", "all the characters’ experiences but keep the player engaged with the story? A", "will be able to explore and do things, but all in direct relation", "working on a visual novel, and I am wondering if I should write", "direct relation to the story. There may also be choices and branching narratives", "“Bob plunges the blade into Jim’s chest,” or “I plunge the blade into", "also be choices and branching narratives involved. To clarify, I am asking if", "is better to show all the characters’ experiences but keep the player engaged", "to the story. There may also be choices and branching narratives involved. To", "write it in first or third person. Which method is better to show", "To clarify, I am asking if it should say “Bob plunges the blade", "keep the player engaged with the story? A visual novel is a video", "and I am wondering if I should write it in first or third", "show all the characters’ experiences but keep the player engaged with the story?", "and cutscenes. In mine, you will be able to explore and do things,", "change. Depending on how decision-making related I make it, it could even be", "to explore and do things, but all in direct relation to the story.", "all in direct relation to the story. There may also be choices and", "method is better to show all the characters’ experiences but keep the player", "branching narratives involved. To clarify, I am asking if it should say “Bob", "on how decision-making related I make it, it could even be second person,", "If it were first person, the POV would change. Depending on how decision-making", "and branching narratives involved. To clarify, I am asking if it should say", "game that’s almost all story. They are heavily focused on dialogue and cutscenes.", "involved. To clarify, I am asking if it should say “Bob plunges the", "am asking if it should say “Bob plunges the blade into Jim’s chest,”", "able to explore and do things, but all in direct relation to the", "player engaged with the story? A visual novel is a video game that’s", "with the story? A visual novel is a video game that’s almost all", "but all in direct relation to the story. There may also be choices", "into Jim’s chest,” or “I plunge the blade into Jim’s chest.” If it", "but keep the player engaged with the story? 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[ "to \"justify\" this story in the middle. I simply try to decide if", "because it describes events happened far before the main story. I don't have", "and then the main story begins or is the alternative even worse? P.", "be repulsive if I tell a frame story first and then the main", "it be repulsive if I tell a frame story first and then the", "Cosmum Bensu is quite lengthy, around 10 pages. I'm not going to get", "appropriate in the middle or in the beginning. Will it be repulsive if", "I thought this story in the middle will not be as good because", "explains much of MC behaviour and worldview, that's why I wish it to", "than belief) that he is Cosmum Bensu's hand in this world, something like", "story in the middle. I simply try to decide if it is more", "even worse? P. S. This story explains much of MC behaviour and worldview,", "don't have a problem to \"justify\" this story in the middle. 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He suspects (yet that", "be as good because it describes events happened far before the main story.", "the middle will not be as good because it describes events happened far", "story about Cosmum Bensu is quite lengthy, around 10 pages. I'm not going", "begins or is the alternative even worse? P. S. This story explains much", "the middle. I simply try to decide if it is more appropriate in", "the beginning. Will it be repulsive if I tell a frame story first", "much of MC behaviour and worldview, that's why I wish it to be", "of this frame story from my work, at most I can only move", "middle will not be as good because it describes events happened far before", "is Cosmum Bensu's hand in this world, something like an avatara in Hindu.", "problem to \"justify\" this story in the middle. I simply try to decide", "story first and then the main story begins or is the alternative even", "describes events happened far before the main story. I don't have a problem", "Bensu is quite lengthy, around 10 pages. I'm not going to get rid", "with the story of Cosmum Bensu himself, not of MC. And that frame", "story begins or is the alternative even worse? P. S. This story explains", "is weaker than belief) that he is Cosmum Bensu's hand in this world,", "in some way by an entity he calls Cosmum Bensu. He suspects (yet", "far before the main story. I don't have a problem to \"justify\" this", "it is more appropriate in the middle or in the beginning. Will it", "weaker than belief) that he is Cosmum Bensu's hand in this world, something", "story. I don't have a problem to \"justify\" this story in the middle.", "more appropriate in the middle or in the beginning. Will it be repulsive", "from my work, at most I can only move it to the middle.", "Cosmum Bensu himself, not of MC. And that frame story about Cosmum Bensu", "calls Cosmum Bensu. He suspects (yet that is weaker than belief) that he", "in the middle will not be as good because it describes events happened", "if it is more appropriate in the middle or in the beginning. Will", "Bensu himself, not of MC. And that frame story about Cosmum Bensu is", "this world, something like an avatara in Hindu. But the book starts with", "the main story begins or is the alternative even worse? P. S. This", "\"justify\" this story in the middle. I simply try to decide if it", "world, something like an avatara in Hindu. But the book starts with the", "this story in the middle. I simply try to decide if it is", "lengthy, around 10 pages. I'm not going to get rid of this frame", "the story of Cosmum Bensu himself, not of MC. And that frame story", "about Cosmum Bensu is quite lengthy, around 10 pages. 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Will it be repulsive if I tell", "a frame story first and then the main story begins or is the", "book starts with the story of Cosmum Bensu himself, not of MC. And", "Will it be repulsive if I tell a frame story first and then", "is the alternative even worse? P. S. This story explains much of MC", "(yet that is weaker than belief) that he is Cosmum Bensu's hand in", "story explains much of MC behaviour and worldview, that's why I wish it", "at most I can only move it to the middle. But I thought", "Cosmum Bensu's hand in this world, something like an avatara in Hindu. But", "behaviour and worldview, that's why I wish it to be a part of", "quite lengthy, around 10 pages. I'm not going to get rid of this", "simply try to decide if it is more appropriate in the middle or", "then the main story begins or is the alternative even worse? P. S.", "is more appropriate in the middle or in the beginning. Will it be", "events happened far before the main story. 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But the book starts with the story of", "to get rid of this frame story from my work, at most I", "that frame story about Cosmum Bensu is quite lengthy, around 10 pages. I'm", "middle. But I thought this story in the middle will not be as", "writing a novel where MC believes he is influenced in some way by", "work, at most I can only move it to the middle. But I", "middle or in the beginning. Will it be repulsive if I tell a", "worse? P. S. This story explains much of MC behaviour and worldview, that's", "in this world, something like an avatara in Hindu. But the book starts", "way by an entity he calls Cosmum Bensu. He suspects (yet that is", "I can only move it to the middle. But I thought this story", "as good because it describes events happened far before the main story. I", "to decide if it is more appropriate in the middle or in the", "not be as good because it describes events happened far before the main", "story of Cosmum Bensu himself, not of MC. And that frame story about", "Cosmum Bensu. He suspects (yet that is weaker than belief) that he is", "around 10 pages. I'm not going to get rid of this frame story", "where MC believes he is influenced in some way by an entity he", "MC believes he is influenced in some way by an entity he calls", "that is weaker than belief) that he is Cosmum Bensu's hand in this", "will not be as good because it describes events happened far before the", "believes he is influenced in some way by an entity he calls Cosmum", "S. This story explains much of MC behaviour and worldview, that's why I", "main story begins or is the alternative even worse? P. S. This story", "So, I'm writing a novel where MC believes he is influenced in some", "it to the middle. But I thought this story in the middle will", "by an entity he calls Cosmum Bensu. He suspects (yet that is weaker", "happened far before the main story. 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He suspects (yet that is weaker than", "is quite lengthy, around 10 pages. I'm not going to get rid of", "frame story from my work, at most I can only move it to", "worldview, that's why I wish it to be a part of the novel.", "the main story. I don't have a problem to \"justify\" this story in", "an avatara in Hindu. But the book starts with the story of Cosmum", "of Cosmum Bensu himself, not of MC. And that frame story about Cosmum", "a problem to \"justify\" this story in the middle. I simply try to", "a novel where MC believes he is influenced in some way by an", "Bensu. He suspects (yet that is weaker than belief) that he is Cosmum", "thought this story in the middle will not be as good because it", "he is influenced in some way by an entity he calls Cosmum Bensu.", "can only move it to the middle. But I thought this story in", "good because it describes events happened far before the main story. I don't", "this frame story from my work, at most I can only move it", "himself, not of MC. And that frame story about Cosmum Bensu is quite", "I don't have a problem to \"justify\" this story in the middle. I", "tell a frame story first and then the main story begins or is", "P. S. This story explains much of MC behaviour and worldview, that's why", "alternative even worse? P. S. This story explains much of MC behaviour and", "to the middle. But I thought this story in the middle will not", "try to decide if it is more appropriate in the middle or in", "Hindu. But the book starts with the story of Cosmum Bensu himself, not", "novel where MC believes he is influenced in some way by an entity", "that he is Cosmum Bensu's hand in this world, something like an avatara", "in Hindu. But the book starts with the story of Cosmum Bensu himself," ]
[ "the shark or even a bit Batmanish or Spidermanish if you know what", "I would have to give the character more of a reason to fight", "main character, who has been living in a bubble his entire life, witnesses", "currently writing a sort of serious superhero thriller. The main character finds out", "were strangers. This event weighed so heavily on the main character, who is", "I mean? What do you think? Also, I want to add that even", "out his father is a kingpin and drug lord. At the beginning of", "Or do you think I would have to give the character more of", "you think I would have to give the character more of a reason", "bit Batmanish or Spidermanish if you know what I mean? What do you", "you think? Also, I want to add that even though some characters have", "of the city's underworld, he becomes bent on stopping his own father. Does", "maybe adding a another character, like a friend or a brother, who gets", "the character more of a reason to fight his own father? I was", "The main character finds out his father is a kingpin and drug lord.", "a sort of serious superhero thriller. The main character finds out his father", "the story the main character, who has been living in a bubble his", "to add that even though some characters have superpowers in this world, I", "on stopping his own father. Does that sound like a good enough motivation?", "or Spidermanish if you know what I mean? What do you think? Also,", "gets killed in the mugging but I felt that would be jumping the", "lord. At the beginning of the story the main character, who has been", "character, who has been living in a bubble his entire life, witnesses a", "This event weighed so heavily on the main character, who is the paragon", "enough motivation? Or do you think I would have to give the character", "like a friend or a brother, who gets killed in the mugging but", "who is the paragon type, that when he finds out his father is", "a brother, who gets killed in the mugging but I felt that would", "to give the character more of a reason to fight his own father?", "a friend or a brother, who gets killed in the mugging but I", "add that even though some characters have superpowers in this world, I want", "of serious superhero thriller. The main character finds out his father is a", "some characters have superpowers in this world, I want it to be somehow", "have superpowers in this world, I want it to be somehow grounded on", "his father is a kingpin and drug lord. At the beginning of the", "the city's underworld, he becomes bent on stopping his own father. Does that", "be jumping the shark or even a bit Batmanish or Spidermanish if you", "murder during a mugging. In the draft that I have right now, the", "I felt that would be jumping the shark or even a bit Batmanish", "who has been living in a bubble his entire life, witnesses a cold-blooded", "during a mugging. In the draft that I have right now, the people", "more of a reason to fight his own father? I was thinking maybe", "witnesses a cold-blooded murder during a mugging. In the draft that I have", "finds out his father is in control of the city's underworld, he becomes", "but I felt that would be jumping the shark or even a bit", "is in control of the city's underworld, he becomes bent on stopping his", "friend or a brother, who gets killed in the mugging but I felt", "the main character, who has been living in a bubble his entire life,", "killed in the mugging but I felt that would be jumping the shark", "stopping his own father. Does that sound like a good enough motivation? Or", "drug lord. At the beginning of the story the main character, who has", "Also, I want to add that even though some characters have superpowers in", "father is a kingpin and drug lord. At the beginning of the story", "want to add that even though some characters have superpowers in this world,", "out his father is in control of the city's underworld, he becomes bent", "is a kingpin and drug lord. At the beginning of the story the", "Spidermanish if you know what I mean? What do you think? Also, I", "what I mean? What do you think? Also, I want to add that", "own father. Does that sound like a good enough motivation? Or do you", "own father? I was thinking maybe adding a another character, like a friend", "finds out his father is a kingpin and drug lord. At the beginning", "the people killed were strangers. This event weighed so heavily on the main", "the paragon type, that when he finds out his father is in control", "his own father. Does that sound like a good enough motivation? Or do", "character, who is the paragon type, that when he finds out his father", "would be jumping the shark or even a bit Batmanish or Spidermanish if", "know what I mean? What do you think? Also, I want to add", "right now, the people killed were strangers. This event weighed so heavily on", "a reason to fight his own father? I was thinking maybe adding a", "Batmanish or Spidermanish if you know what I mean? What do you think?", "character, like a friend or a brother, who gets killed in the mugging", "if you know what I mean? What do you think? Also, I want", "the draft that I have right now, the people killed were strangers. This", "his father is in control of the city's underworld, he becomes bent on", "so heavily on the main character, who is the paragon type, that when", "life, witnesses a cold-blooded murder during a mugging. In the draft that I", "jumping the shark or even a bit Batmanish or Spidermanish if you know", "when he finds out his father is in control of the city's underworld,", "event weighed so heavily on the main character, who is the paragon type,", "he finds out his father is in control of the city's underworld, he", "I'm currently writing a sort of serious superhero thriller. The main character finds", "motivation? Or do you think I would have to give the character more", "sound like a good enough motivation? Or do you think I would have", "mugging. In the draft that I have right now, the people killed were", "paragon type, that when he finds out his father is in control of", "of a reason to fight his own father? I was thinking maybe adding", "do you think? Also, I want to add that even though some characters", "was thinking maybe adding a another character, like a friend or a brother,", "in a bubble his entire life, witnesses a cold-blooded murder during a mugging.", "mugging but I felt that would be jumping the shark or even a", "heavily on the main character, who is the paragon type, that when he", "city's underworld, he becomes bent on stopping his own father. Does that sound", "a another character, like a friend or a brother, who gets killed in", "kingpin and drug lord. At the beginning of the story the main character,", "bent on stopping his own father. Does that sound like a good enough", "bubble his entire life, witnesses a cold-blooded murder during a mugging. In the", "thriller. The main character finds out his father is a kingpin and drug", "on the main character, who is the paragon type, that when he finds", "in the mugging but I felt that would be jumping the shark or", "you know what I mean? What do you think? Also, I want to", "sort of serious superhero thriller. The main character finds out his father is", "think? Also, I want to add that even though some characters have superpowers", "characters have superpowers in this world, I want it to be somehow grounded", "entire life, witnesses a cold-blooded murder during a mugging. In the draft that", "that I have right now, the people killed were strangers. This event weighed", "who gets killed in the mugging but I felt that would be jumping", "think I would have to give the character more of a reason to", "superhero thriller. The main character finds out his father is a kingpin and", "has been living in a bubble his entire life, witnesses a cold-blooded murder", "do you think I would have to give the character more of a", "that when he finds out his father is in control of the city's", "weighed so heavily on the main character, who is the paragon type, that", "father? I was thinking maybe adding a another character, like a friend or", "even a bit Batmanish or Spidermanish if you know what I mean? What", "people killed were strangers. This event weighed so heavily on the main character,", "writing a sort of serious superhero thriller. The main character finds out his", "a mugging. In the draft that I have right now, the people killed", "I was thinking maybe adding a another character, like a friend or a", "a good enough motivation? Or do you think I would have to give", "a bit Batmanish or Spidermanish if you know what I mean? What do", "At the beginning of the story the main character, who has been living", "thinking maybe adding a another character, like a friend or a brother, who", "and drug lord. At the beginning of the story the main character, who", "underworld, he becomes bent on stopping his own father. Does that sound like", "character more of a reason to fight his own father? I was thinking", "type, that when he finds out his father is in control of the", "father. Does that sound like a good enough motivation? Or do you think", "the mugging but I felt that would be jumping the shark or even", "in control of the city's underworld, he becomes bent on stopping his own", "though some characters have superpowers in this world, I want it to be", "another character, like a friend or a brother, who gets killed in the", "brother, who gets killed in the mugging but I felt that would be", "his own father? I was thinking maybe adding a another character, like a", "that even though some characters have superpowers in this world, I want it", "adding a another character, like a friend or a brother, who gets killed", "a cold-blooded murder during a mugging. In the draft that I have right", "have to give the character more of a reason to fight his own", "mean? What do you think? Also, I want to add that even though", "his entire life, witnesses a cold-blooded murder during a mugging. In the draft", "the main character, who is the paragon type, that when he finds out", "control of the city's underworld, he becomes bent on stopping his own father.", "In the draft that I have right now, the people killed were strangers.", "living in a bubble his entire life, witnesses a cold-blooded murder during a", "is the paragon type, that when he finds out his father is in", "I want to add that even though some characters have superpowers in this", "cold-blooded murder during a mugging. In the draft that I have right now,", "the beginning of the story the main character, who has been living in", "main character, who is the paragon type, that when he finds out his", "What do you think? Also, I want to add that even though some", "like a good enough motivation? Or do you think I would have to", "felt that would be jumping the shark or even a bit Batmanish or", "beginning of the story the main character, who has been living in a", "now, the people killed were strangers. This event weighed so heavily on the", "superpowers in this world, I want it to be somehow grounded on reality.", "of the story the main character, who has been living in a bubble", "give the character more of a reason to fight his own father? I", "a kingpin and drug lord. At the beginning of the story the main", "reason to fight his own father? I was thinking maybe adding a another", "strangers. This event weighed so heavily on the main character, who is the", "he becomes bent on stopping his own father. Does that sound like a", "or a brother, who gets killed in the mugging but I felt that", "been living in a bubble his entire life, witnesses a cold-blooded murder during", "I have right now, the people killed were strangers. This event weighed so", "Does that sound like a good enough motivation? Or do you think I", "shark or even a bit Batmanish or Spidermanish if you know what I", "even though some characters have superpowers in this world, I want it to", "a bubble his entire life, witnesses a cold-blooded murder during a mugging. In", "fight his own father? I was thinking maybe adding a another character, like", "father is in control of the city's underworld, he becomes bent on stopping", "would have to give the character more of a reason to fight his", "serious superhero thriller. The main character finds out his father is a kingpin", "that would be jumping the shark or even a bit Batmanish or Spidermanish", "becomes bent on stopping his own father. Does that sound like a good", "have right now, the people killed were strangers. This event weighed so heavily", "good enough motivation? Or do you think I would have to give the", "character finds out his father is a kingpin and drug lord. At the", "that sound like a good enough motivation? Or do you think I would", "killed were strangers. This event weighed so heavily on the main character, who", "story the main character, who has been living in a bubble his entire", "draft that I have right now, the people killed were strangers. This event", "or even a bit Batmanish or Spidermanish if you know what I mean?", "to fight his own father? I was thinking maybe adding a another character,", "main character finds out his father is a kingpin and drug lord. At" ]
[ "if I introduced a person named Nohn Liu, should I refer to him", "a great deal about a particular individual. I have already introduced the full", "to him as Lee throughout the essay? I am using MLA format by", "essay, should I address him by his last name after there on after?", "address him by his last name after there on after? For example, if", "a person named Nohn Liu, should I refer to him as Lee throughout", "by his last name after there on after? For example, if I introduced", "his last name after there on after? For example, if I introduced a", "have already introduced the full name in the essay, should I address him", "refer to him as Lee throughout the essay? I am using MLA format", "already introduced the full name in the essay, should I address him by", "person named Nohn Liu, should I refer to him as Lee throughout the", "paper where it talks a great deal about a particular individual. I have", "the full name in the essay, should I address him by his last", "research paper where it talks a great deal about a particular individual. I", "on after? For example, if I introduced a person named Nohn Liu, should", "it talks a great deal about a particular individual. I have already introduced", "after there on after? For example, if I introduced a person named Nohn", "should I refer to him as Lee throughout the essay? I am using", "a research paper where it talks a great deal about a particular individual.", "as Lee throughout the essay? I am using MLA format by the way.", "example, if I introduced a person named Nohn Liu, should I refer to", "in the essay, should I address him by his last name after there", "am writing a research paper where it talks a great deal about a", "Liu, should I refer to him as Lee throughout the essay? I am", "great deal about a particular individual. I have already introduced the full name", "the essay, should I address him by his last name after there on", "named Nohn Liu, should I refer to him as Lee throughout the essay?", "Nohn Liu, should I refer to him as Lee throughout the essay? I", "full name in the essay, should I address him by his last name", "him by his last name after there on after? For example, if I", "particular individual. I have already introduced the full name in the essay, should", "I am writing a research paper where it talks a great deal about", "deal about a particular individual. I have already introduced the full name in", "name after there on after? For example, if I introduced a person named", "introduced the full name in the essay, should I address him by his", "writing a research paper where it talks a great deal about a particular", "talks a great deal about a particular individual. I have already introduced the", "last name after there on after? For example, if I introduced a person", "should I address him by his last name after there on after? For", "I introduced a person named Nohn Liu, should I refer to him as", "there on after? For example, if I introduced a person named Nohn Liu,", "I address him by his last name after there on after? For example,", "about a particular individual. I have already introduced the full name in the", "I refer to him as Lee throughout the essay? I am using MLA", "individual. I have already introduced the full name in the essay, should I", "introduced a person named Nohn Liu, should I refer to him as Lee", "For example, if I introduced a person named Nohn Liu, should I refer", "name in the essay, should I address him by his last name after", "a particular individual. I have already introduced the full name in the essay,", "him as Lee throughout the essay? I am using MLA format by the", "after? For example, if I introduced a person named Nohn Liu, should I", "where it talks a great deal about a particular individual. I have already", "I have already introduced the full name in the essay, should I address" ]
[ "my story? For example, in my story there is a metal called adamantium", "For example, in my story there is a metal called adamantium which obviously", "if I use an item from another story in my story? For example,", "called adamantium which obviously came from the story of Wolverine. Can it be", "What if I use an item from another story in my story? For", "I use an item from another story in my story? For example, in", "adamantium which obviously came from the story of Wolverine. Can it be considered", "which obviously came from the story of Wolverine. Can it be considered plagiarism?", "in my story? For example, in my story there is a metal called", "example, in my story there is a metal called adamantium which obviously came", "an item from another story in my story? For example, in my story", "is a metal called adamantium which obviously came from the story of Wolverine.", "metal called adamantium which obviously came from the story of Wolverine. Can it", "there is a metal called adamantium which obviously came from the story of", "story there is a metal called adamantium which obviously came from the story", "item from another story in my story? For example, in my story there", "story in my story? For example, in my story there is a metal", "story? For example, in my story there is a metal called adamantium which", "another story in my story? For example, in my story there is a", "in my story there is a metal called adamantium which obviously came from", "use an item from another story in my story? For example, in my", "my story there is a metal called adamantium which obviously came from the", "from another story in my story? For example, in my story there is", "a metal called adamantium which obviously came from the story of Wolverine. Can" ]
[ "However, there seems to be some ingrained (nurtured?) aspect of me that really", "be some ingrained (nurtured?) aspect of me that really think it's not)done to", "Even while drafting, resulting in not daring to change past written stuff because", "there seems to be some ingrained (nurtured?) aspect of me that really think", "drafting, resulting in not daring to change past written stuff because you can't", "you can't change 'the written truth'. Does this make sense? I something have", "written stuff because you can't change 'the written truth'. Does this make sense?", "not daring to change past written stuff because you can't change 'the written", "written down in the past. However, there seems to be some ingrained (nurtured?)", "really think it's not)done to change what is once written down (make note", "sense? I something have to wrestle myself in admitting that I can actually", "seems to be some ingrained (nurtured?) aspect of me that really think it's", "written down. Even while drafting, resulting in not daring to change past written", "to change what is once written down (make note that this is perhaps", "of me that really think it's not)done to change what is once written", "I've written down in the past. However, there seems to be some ingrained", "need everything you write down to be 'the truth' once it's written down.", "What's the strange property/disease/habit called in which you need everything you write down", "to be 'the truth' once it's written down. Even while drafting, resulting in", "be 'the truth' once it's written down. Even while drafting, resulting in not", "it's written down. Even while drafting, resulting in not daring to change past", "resulting in not daring to change past written stuff because you can't change", "change past written stuff because you can't change 'the written truth'. Does this", "this make sense? I something have to wrestle myself in admitting that I", "write down to be 'the truth' once it's written down. Even while drafting,", "'the written truth'. Does this make sense? I something have to wrestle myself", "strange property/disease/habit called in which you need everything you write down to be", "wrestle myself in admitting that I can actually chance things I've written down", "truth' once it's written down. Even while drafting, resulting in not daring to", "what is once written down (make note that this is perhaps more a", "admitting that I can actually chance things I've written down in the past.", "property/disease/habit called in which you need everything you write down to be 'the", "in which you need everything you write down to be 'the truth' once", "down to be 'the truth' once it's written down. Even while drafting, resulting", "things I've written down in the past. However, there seems to be some", "down. Even while drafting, resulting in not daring to change past written stuff", "because you can't change 'the written truth'. Does this make sense? I something", "can actually chance things I've written down in the past. However, there seems", "you write down to be 'the truth' once it's written down. Even while", "Does this make sense? I something have to wrestle myself in admitting that", "in the past. However, there seems to be some ingrained (nurtured?) aspect of", "truth'. Does this make sense? I something have to wrestle myself in admitting", "you need everything you write down to be 'the truth' once it's written", "something have to wrestle myself in admitting that I can actually chance things", "can't change 'the written truth'. Does this make sense? I something have to", "past. However, there seems to be some ingrained (nurtured?) aspect of me that", "to wrestle myself in admitting that I can actually chance things I've written", "once written down (make note that this is perhaps more a philosophical/psychological question", "which you need everything you write down to be 'the truth' once it's", "the past. However, there seems to be some ingrained (nurtured?) aspect of me", "that really think it's not)done to change what is once written down (make", "have to wrestle myself in admitting that I can actually chance things I've", "aspect of me that really think it's not)done to change what is once", "down (make note that this is perhaps more a philosophical/psychological question on writing)", "in not daring to change past written stuff because you can't change 'the", "myself in admitting that I can actually chance things I've written down in", "is once written down (make note that this is perhaps more a philosophical/psychological", "called in which you need everything you write down to be 'the truth'", "make sense? I something have to wrestle myself in admitting that I can", "while drafting, resulting in not daring to change past written stuff because you", "not)done to change what is once written down (make note that this is", "stuff because you can't change 'the written truth'. Does this make sense? I", "down in the past. However, there seems to be some ingrained (nurtured?) aspect", "me that really think it's not)done to change what is once written down", "to change past written stuff because you can't change 'the written truth'. Does", "past written stuff because you can't change 'the written truth'. Does this make", "actually chance things I've written down in the past. However, there seems to", "change what is once written down (make note that this is perhaps more", "it's not)done to change what is once written down (make note that this", "I something have to wrestle myself in admitting that I can actually chance", "written truth'. Does this make sense? I something have to wrestle myself in", "that I can actually chance things I've written down in the past. However,", "once it's written down. Even while drafting, resulting in not daring to change", "I can actually chance things I've written down in the past. However, there", "to be some ingrained (nurtured?) aspect of me that really think it's not)done", "'the truth' once it's written down. Even while drafting, resulting in not daring", "ingrained (nurtured?) aspect of me that really think it's not)done to change what", "everything you write down to be 'the truth' once it's written down. Even", "in admitting that I can actually chance things I've written down in the", "(nurtured?) aspect of me that really think it's not)done to change what is", "written down (make note that this is perhaps more a philosophical/psychological question on", "change 'the written truth'. Does this make sense? I something have to wrestle", "the strange property/disease/habit called in which you need everything you write down to", "think it's not)done to change what is once written down (make note that", "chance things I've written down in the past. However, there seems to be", "some ingrained (nurtured?) aspect of me that really think it's not)done to change", "daring to change past written stuff because you can't change 'the written truth'." ]
[ "a real-life friend of mine. Are there good techniques for describing eyes? How", "beautiful brown eyes of a character, much like a real-life friend of mine.", "the beautiful brown eyes of a character, much like a real-life friend of", "I would like to describe the beautiful brown eyes of a character, much", "a character, much like a real-life friend of mine. Are there good techniques", "there good techniques for describing eyes? How does one go about describing eyes", "like a real-life friend of mine. Are there good techniques for describing eyes?", "describe the beautiful brown eyes of a character, much like a real-life friend", "mine. Are there good techniques for describing eyes? How does one go about", "would like to describe the beautiful brown eyes of a character, much like", "much like a real-life friend of mine. Are there good techniques for describing", "techniques for describing eyes? How does one go about describing eyes in writing?", "character, much like a real-life friend of mine. Are there good techniques for", "Are there good techniques for describing eyes? How does one go about describing", "like to describe the beautiful brown eyes of a character, much like a", "eyes of a character, much like a real-life friend of mine. Are there", "good techniques for describing eyes? How does one go about describing eyes in", "of a character, much like a real-life friend of mine. Are there good", "brown eyes of a character, much like a real-life friend of mine. Are", "to describe the beautiful brown eyes of a character, much like a real-life", "real-life friend of mine. Are there good techniques for describing eyes? How does", "friend of mine. Are there good techniques for describing eyes? How does one", "of mine. Are there good techniques for describing eyes? How does one go" ]
[ "poem that had the line \"crystalline crystal lines.\" I googled this phrase, just", "the line \"crystalline crystal lines.\" I googled this phrase, just to see if", "using another phrase instead in my poem. B) I wrote a poem in", "is the name of several comic book series. In a poem I mention", "in my poem. B) I wrote a poem in which I had the", "I googled this phrase, and I saw that it was used several times", "all think? Am I being oversensitive and paranoid because I'm not the first", "to come up with a certain phrase? Or am I doing the right", "and I saw that it was used several times (in a non-poetic genre,", "these cases, I have felt uncomfortably close to plagiarism, and have altered my", "was used several times (in a non-poetic genre, in a scholarly argument and", "several times (in a non-poetic genre, in a scholarly argument and a news", "Same with the phrase \"kaleidoscope galaxies,\" and \"children of the atom,\" which is", "article about the film. In all these cases, I hadn't read these sources", "\"synonym synonym synonym synonym.\" I googled this phrase, and I saw that it", "first one to come up with a certain phrase? Or am I doing", "a poem that had the line \"crystalline crystal lines.\" I googled this phrase,", "cases, I hadn't read these sources at all, or even heard of them.", "used the phrase \"reading the Cliff's Notes of Hamlet\" and I saw that", "still felt like I was in dangerous plagiarism territory, so I ended up", "Cliff's Notes of Hamlet\" and I saw that someone in an online discussion", "appeared in several hits of fantasy novels and forums. Same with the phrase", "I had the line \"synonym synonym synonym synonym.\" I googled this phrase, and", "the line \"synonym synonym synonym synonym.\" I googled this phrase, and I saw", "I still felt like I was in dangerous plagiarism territory, so I ended", "online discussion board used this phrase. I used the phrase \"sword-wielding protectors\" and", "googled this phrase, just to see if it was out there, and I", "scholarly article about the film. In all these cases, I hadn't read these", "a news article). I also used the phrase \"reading the Cliff's Notes of", "non-poetic genre, in a scholarly argument and a news article). I also used", "all, or even heard of them. In all of these cases, I have", "if it was out there, and I saw that it was. I had", "dangerous plagiarism territory, so I ended up using another phrase instead in my", "have felt uncomfortably close to plagiarism, and have altered my poems. What do", "and I saw that it was. I had never read the poem in", "in question, but I still felt like I was in dangerous plagiarism territory,", "film. In all these cases, I hadn't read these sources at all, or", "I'm not the first one to come up with a certain phrase? Or", "the phrase \"sword-wielding protectors\" and this appeared in several hits of fantasy novels", "this phrase, and I saw that it was used several times (in a", "Hamlet\" and I saw that someone in an online discussion board used this", "ended up using another phrase instead in my poem. B) I wrote a", "mention the movie finding Nexu, and say that \"he's a fish who's been", "board used this phrase. I used the phrase \"sword-wielding protectors\" and this appeared", "heard of them. In all of these cases, I have felt uncomfortably close", "a non-poetic genre, in a scholarly argument and a news article). I also", "In all of these cases, I have felt uncomfortably close to plagiarism, and", "plagiarism territory, so I ended up using another phrase instead in my poem.", "up using another phrase instead in my poem. B) I wrote a poem", "the name of several comic book series. In a poem I mention the", "the Cliff's Notes of Hamlet\" and I saw that someone in an online", "my poems. What do you all think? Am I being oversensitive and paranoid", "I wrote a poem in which I had the line \"synonym synonym synonym", "another phrase instead in my poem. B) I wrote a poem in which", "in several hits of fantasy novels and forums. Same with the phrase \"kaleidoscope", "have altered my poems. What do you all think? Am I being oversensitive", "poem in question, but I still felt like I was in dangerous plagiarism", "I being oversensitive and paranoid because I'm not the first one to come", "my poem. B) I wrote a poem in which I had the line", "the phrase \"kaleidoscope galaxies,\" and \"children of the atom,\" which is the name", "think? Am I being oversensitive and paranoid because I'm not the first one", "I was in dangerous plagiarism territory, so I ended up using another phrase", "I saw that it was used several times (in a non-poetic genre, in", "hadn't read these sources at all, or even heard of them. In all", "A bit of context: Exhibit A) I wrote a poem that had the", "I googled this phrase, just to see if it was out there, and", "I ended up using another phrase instead in my poem. B) I wrote", "forums. Same with the phrase \"kaleidoscope galaxies,\" and \"children of the atom,\" which", "but I still felt like I was in dangerous plagiarism territory, so I", "B) I wrote a poem in which I had the line \"synonym synonym", "\"reading the Cliff's Notes of Hamlet\" and I saw that someone in an", "like I was in dangerous plagiarism territory, so I ended up using another", "poem. B) I wrote a poem in which I had the line \"synonym", "\"sword-wielding protectors\" and this appeared in several hits of fantasy novels and forums.", "do you all think? Am I being oversensitive and paranoid because I'm not", "there, and I saw that it was. I had never read the poem", "protectors\" and this appeared in several hits of fantasy novels and forums. Same", "territory, so I ended up using another phrase instead in my poem. B)", "been separated from his father.\" I found this quote in a scholarly article", "I found this quote in a scholarly article about the film. In all", "I mention the movie finding Nexu, and say that \"he's a fish who's", "read these sources at all, or even heard of them. In all of", "in an online discussion board used this phrase. I used the phrase \"sword-wielding", "A) I wrote a poem that had the line \"crystalline crystal lines.\" I", "\"children of the atom,\" which is the name of several comic book series.", "even heard of them. In all of these cases, I have felt uncomfortably", "the first one to come up with a certain phrase? Or am I", "that it was used several times (in a non-poetic genre, in a scholarly", "and this appeared in several hits of fantasy novels and forums. Same with", "news article). I also used the phrase \"reading the Cliff's Notes of Hamlet\"", "I had never read the poem in question, but I still felt like", "it was out there, and I saw that it was. I had never", "phrase, and I saw that it was used several times (in a non-poetic", "(in a non-poetic genre, in a scholarly argument and a news article). I", "discussion board used this phrase. I used the phrase \"sword-wielding protectors\" and this", "which is the name of several comic book series. In a poem I", "question, but I still felt like I was in dangerous plagiarism territory, so", "the movie finding Nexu, and say that \"he's a fish who's been separated", "lines.\" I googled this phrase, just to see if it was out there,", "synonym synonym.\" I googled this phrase, and I saw that it was used", "was in dangerous plagiarism territory, so I ended up using another phrase instead", "I saw that someone in an online discussion board used this phrase. I", "a scholarly argument and a news article). I also used the phrase \"reading", "an online discussion board used this phrase. I used the phrase \"sword-wielding protectors\"", "a fish who's been separated from his father.\" I found this quote in", "or even heard of them. In all of these cases, I have felt", "in a scholarly argument and a news article). I also used the phrase", "that someone in an online discussion board used this phrase. I used the", "In a poem I mention the movie finding Nexu, and say that \"he's", "uncomfortably close to plagiarism, and have altered my poems. What do you all", "oversensitive and paranoid because I'm not the first one to come up with", "someone in an online discussion board used this phrase. I used the phrase", "out there, and I saw that it was. I had never read the", "saw that it was. I had never read the poem in question, but", "synonym.\" I googled this phrase, and I saw that it was used several", "article). I also used the phrase \"reading the Cliff's Notes of Hamlet\" and", "\"crystalline crystal lines.\" I googled this phrase, just to see if it was", "several hits of fantasy novels and forums. Same with the phrase \"kaleidoscope galaxies,\"", "because I'm not the first one to come up with a certain phrase?", "separated from his father.\" I found this quote in a scholarly article about", "who's been separated from his father.\" I found this quote in a scholarly", "father.\" I found this quote in a scholarly article about the film. In", "the phrase \"reading the Cliff's Notes of Hamlet\" and I saw that someone", "and I saw that someone in an online discussion board used this phrase.", "at all, or even heard of them. In all of these cases, I", "a poem I mention the movie finding Nexu, and say that \"he's a", "it was used several times (in a non-poetic genre, in a scholarly argument", "say that \"he's a fish who's been separated from his father.\" I found", "quote in a scholarly article about the film. In all these cases, I", "plagiarism, and have altered my poems. What do you all think? Am I", "in which I had the line \"synonym synonym synonym synonym.\" I googled this", "one to come up with a certain phrase? Or am I doing the", "synonym synonym synonym.\" I googled this phrase, and I saw that it was", "saw that someone in an online discussion board used this phrase. I used", "never read the poem in question, but I still felt like I was", "finding Nexu, and say that \"he's a fish who's been separated from his", "line \"crystalline crystal lines.\" I googled this phrase, just to see if it", "found this quote in a scholarly article about the film. In all these", "altered my poems. What do you all think? Am I being oversensitive and", "a poem in which I had the line \"synonym synonym synonym synonym.\" I", "What do you all think? Am I being oversensitive and paranoid because I'm", "of context: Exhibit A) I wrote a poem that had the line \"crystalline", "context: Exhibit A) I wrote a poem that had the line \"crystalline crystal", "and a news article). I also used the phrase \"reading the Cliff's Notes", "also used the phrase \"reading the Cliff's Notes of Hamlet\" and I saw", "saw that it was used several times (in a non-poetic genre, in a", "felt like I was in dangerous plagiarism territory, so I ended up using", "In all these cases, I hadn't read these sources at all, or even", "name of several comic book series. In a poem I mention the movie", "galaxies,\" and \"children of the atom,\" which is the name of several comic", "genre, in a scholarly argument and a news article). I also used the", "of these cases, I have felt uncomfortably close to plagiarism, and have altered", "and have altered my poems. What do you all think? Am I being", "bit of context: Exhibit A) I wrote a poem that had the line", "fantasy novels and forums. Same with the phrase \"kaleidoscope galaxies,\" and \"children of", "phrase, just to see if it was out there, and I saw that", "that \"he's a fish who's been separated from his father.\" I found this", "phrase. I used the phrase \"sword-wielding protectors\" and this appeared in several hits", "this phrase, just to see if it was out there, and I saw", "movie finding Nexu, and say that \"he's a fish who's been separated from", "I saw that it was. I had never read the poem in question,", "and forums. Same with the phrase \"kaleidoscope galaxies,\" and \"children of the atom,\"", "Am I being oversensitive and paranoid because I'm not the first one to", "of fantasy novels and forums. Same with the phrase \"kaleidoscope galaxies,\" and \"children", "I also used the phrase \"reading the Cliff's Notes of Hamlet\" and I", "phrase instead in my poem. B) I wrote a poem in which I", "atom,\" which is the name of several comic book series. In a poem", "times (in a non-poetic genre, in a scholarly argument and a news article).", "just to see if it was out there, and I saw that it", "that had the line \"crystalline crystal lines.\" I googled this phrase, just to", "so I ended up using another phrase instead in my poem. B) I", "argument and a news article). I also used the phrase \"reading the Cliff's", "I hadn't read these sources at all, or even heard of them. In", "Notes of Hamlet\" and I saw that someone in an online discussion board", "cases, I have felt uncomfortably close to plagiarism, and have altered my poems.", "to plagiarism, and have altered my poems. What do you all think? Am", "these sources at all, or even heard of them. In all of these", "the poem in question, but I still felt like I was in dangerous", "googled this phrase, and I saw that it was used several times (in", "several comic book series. In a poem I mention the movie finding Nexu,", "being oversensitive and paranoid because I'm not the first one to come up", "poems. What do you all think? Am I being oversensitive and paranoid because", "wrote a poem that had the line \"crystalline crystal lines.\" I googled this", "all these cases, I hadn't read these sources at all, or even heard", "in dangerous plagiarism territory, so I ended up using another phrase instead in", "close to plagiarism, and have altered my poems. What do you all think?", "phrase \"kaleidoscope galaxies,\" and \"children of the atom,\" which is the name of", "these cases, I hadn't read these sources at all, or even heard of", "I have felt uncomfortably close to plagiarism, and have altered my poems. What", "it was. I had never read the poem in question, but I still", "you all think? Am I being oversensitive and paranoid because I'm not the", "come up with a certain phrase? Or am I doing the right thing?", "in a scholarly article about the film. In all these cases, I hadn't", "his father.\" I found this quote in a scholarly article about the film.", "about the film. In all these cases, I hadn't read these sources at", "\"he's a fish who's been separated from his father.\" I found this quote", "phrase \"sword-wielding protectors\" and this appeared in several hits of fantasy novels and", "poem in which I had the line \"synonym synonym synonym synonym.\" I googled", "series. In a poem I mention the movie finding Nexu, and say that", "not the first one to come up with a certain phrase? Or am", "wrote a poem in which I had the line \"synonym synonym synonym synonym.\"", "the film. In all these cases, I hadn't read these sources at all,", "them. In all of these cases, I have felt uncomfortably close to plagiarism,", "scholarly argument and a news article). I also used the phrase \"reading the", "this quote in a scholarly article about the film. In all these cases,", "that it was. I had never read the poem in question, but I", "read the poem in question, but I still felt like I was in", "instead in my poem. B) I wrote a poem in which I had", "\"kaleidoscope galaxies,\" and \"children of the atom,\" which is the name of several", "with the phrase \"kaleidoscope galaxies,\" and \"children of the atom,\" which is the", "this appeared in several hits of fantasy novels and forums. Same with the", "and \"children of the atom,\" which is the name of several comic book", "of several comic book series. In a poem I mention the movie finding", "paranoid because I'm not the first one to come up with a certain", "novels and forums. Same with the phrase \"kaleidoscope galaxies,\" and \"children of the", "had the line \"crystalline crystal lines.\" I googled this phrase, just to see", "Exhibit A) I wrote a poem that had the line \"crystalline crystal lines.\"", "crystal lines.\" I googled this phrase, just to see if it was out", "poem I mention the movie finding Nexu, and say that \"he's a fish", "hits of fantasy novels and forums. Same with the phrase \"kaleidoscope galaxies,\" and", "which I had the line \"synonym synonym synonym synonym.\" I googled this phrase,", "all of these cases, I have felt uncomfortably close to plagiarism, and have", "this phrase. I used the phrase \"sword-wielding protectors\" and this appeared in several", "book series. In a poem I mention the movie finding Nexu, and say", "had never read the poem in question, but I still felt like I", "of them. In all of these cases, I have felt uncomfortably close to", "Nexu, and say that \"he's a fish who's been separated from his father.\"", "was out there, and I saw that it was. I had never read", "a scholarly article about the film. In all these cases, I hadn't read", "used this phrase. I used the phrase \"sword-wielding protectors\" and this appeared in", "the atom,\" which is the name of several comic book series. In a", "from his father.\" I found this quote in a scholarly article about the", "had the line \"synonym synonym synonym synonym.\" I googled this phrase, and I", "sources at all, or even heard of them. In all of these cases,", "of the atom,\" which is the name of several comic book series. In", "used several times (in a non-poetic genre, in a scholarly argument and a", "I wrote a poem that had the line \"crystalline crystal lines.\" I googled", "see if it was out there, and I saw that it was. I", "to see if it was out there, and I saw that it was.", "was. I had never read the poem in question, but I still felt", "line \"synonym synonym synonym synonym.\" I googled this phrase, and I saw that", "felt uncomfortably close to plagiarism, and have altered my poems. What do you", "used the phrase \"sword-wielding protectors\" and this appeared in several hits of fantasy", "fish who's been separated from his father.\" I found this quote in a", "I used the phrase \"sword-wielding protectors\" and this appeared in several hits of", "and paranoid because I'm not the first one to come up with a", "phrase \"reading the Cliff's Notes of Hamlet\" and I saw that someone in", "comic book series. In a poem I mention the movie finding Nexu, and", "of Hamlet\" and I saw that someone in an online discussion board used", "and say that \"he's a fish who's been separated from his father.\" I" ]
[ "the naming be based on the period when the story takes place? Should", "Should I first develop their personalities and then name them accordingly. Please explain.", "name my characters? Should the naming be based on the period when the", "methods to name my characters? Should the naming be based on the period", "their personalities. My question is Are there any methods to name my characters?", "place? Should I first develop their personalities and then name them accordingly. Please", "I'm writing a fantasy novel. The story takes place in England (1900's) No", "in England (1900's) No matter how much I research I'm unable to move", "place in England (1900's) No matter how much I research I'm unable to", "example, When we look at all the characters JK Rowling created, their names", "based on the period when the story takes place? Should I first develop", "there any methods to name my characters? Should the naming be based on", "unique and suit to their personalities. My question is Are there any methods", "takes place in England (1900's) No matter how much I research I'm unable", "I'm unable to move forward in naming my characters. For example, When we", "question is Are there any methods to name my characters? Should the naming", "any methods to name my characters? Should the naming be based on the", "to name my characters? Should the naming be based on the period when", "takes place? Should I first develop their personalities and then name them accordingly.", "For example, When we look at all the characters JK Rowling created, their", "personalities. My question is Are there any methods to name my characters? Should", "story takes place in England (1900's) No matter how much I research I'm", "naming my characters. For example, When we look at all the characters JK", "characters. For example, When we look at all the characters JK Rowling created,", "Rowling created, their names are so unique and suit to their personalities. My", "matter how much I research I'm unable to move forward in naming my", "period when the story takes place? Should I first develop their personalities and", "created, their names are so unique and suit to their personalities. My question", "England (1900's) No matter how much I research I'm unable to move forward", "is Are there any methods to name my characters? Should the naming be", "naming be based on the period when the story takes place? Should I", "when the story takes place? Should I first develop their personalities and then", "to move forward in naming my characters. For example, When we look at", "names are so unique and suit to their personalities. My question is Are", "novel. The story takes place in England (1900's) No matter how much I", "the characters JK Rowling created, their names are so unique and suit to", "(1900's) No matter how much I research I'm unable to move forward in", "at all the characters JK Rowling created, their names are so unique and", "JK Rowling created, their names are so unique and suit to their personalities.", "are so unique and suit to their personalities. My question is Are there", "much I research I'm unable to move forward in naming my characters. For", "look at all the characters JK Rowling created, their names are so unique", "The story takes place in England (1900's) No matter how much I research", "writing a fantasy novel. The story takes place in England (1900's) No matter", "to their personalities. My question is Are there any methods to name my", "My question is Are there any methods to name my characters? Should the", "Are there any methods to name my characters? Should the naming be based", "and suit to their personalities. My question is Are there any methods to", "my characters? Should the naming be based on the period when the story", "Should the naming be based on the period when the story takes place?", "their names are so unique and suit to their personalities. My question is", "suit to their personalities. My question is Are there any methods to name", "we look at all the characters JK Rowling created, their names are so", "the story takes place? Should I first develop their personalities and then name", "characters JK Rowling created, their names are so unique and suit to their", "so unique and suit to their personalities. My question is Are there any", "on the period when the story takes place? Should I first develop their", "a fantasy novel. The story takes place in England (1900's) No matter how", "forward in naming my characters. For example, When we look at all the", "all the characters JK Rowling created, their names are so unique and suit", "No matter how much I research I'm unable to move forward in naming", "my characters. For example, When we look at all the characters JK Rowling", "fantasy novel. The story takes place in England (1900's) No matter how much", "characters? Should the naming be based on the period when the story takes", "move forward in naming my characters. For example, When we look at all", "the period when the story takes place? Should I first develop their personalities", "I research I'm unable to move forward in naming my characters. For example,", "in naming my characters. For example, When we look at all the characters", "unable to move forward in naming my characters. For example, When we look", "story takes place? Should I first develop their personalities and then name them", "how much I research I'm unable to move forward in naming my characters.", "When we look at all the characters JK Rowling created, their names are", "be based on the period when the story takes place? Should I first", "research I'm unable to move forward in naming my characters. For example, When" ]
[ "precision is important: if a complex term yields a subtlety not present in", "sounds more authentic and less \"thesaurus-y?\" Perhaps one could use words that give", "small words with synonyms from a thesaurus. I know precision is important: if", "It often utilizes complex, flowery language. Much of the time, however, I find", "complex term yields a subtlety not present in its simpler counterpart, then it", "all small words with synonyms from a thesaurus. I know precision is important:", "impression that I am but taking a simple sentence and substituting all small", "natural writing style is very high-brow. It often utilizes complex, flowery language. Much", "making writing that sounds more authentic and less \"thesaurus-y?\" Perhaps one could use", "language. Much of the time, however, I find that it gives the impression", "strategies that can augment this for making writing that sounds more authentic and", "the time, however, I find that it gives the impression that I am", "Much of the time, however, I find that it gives the impression that", "my natural writing style is very high-brow. It often utilizes complex, flowery language.", "then it is more acceptable. Are there any strategies that can augment this", "high-brow. It often utilizes complex, flowery language. Much of the time, however, I", "style is very high-brow. It often utilizes complex, flowery language. Much of the", "writing that sounds more authentic and less \"thesaurus-y?\" Perhaps one could use words", "important: if a complex term yields a subtlety not present in its simpler", "often utilizes complex, flowery language. Much of the time, however, I find that", "am but taking a simple sentence and substituting all small words with synonyms", "I find that it gives the impression that I am but taking a", "simple sentence and substituting all small words with synonyms from a thesaurus. I", "is important: if a complex term yields a subtlety not present in its", "and substituting all small words with synonyms from a thesaurus. I know precision", "is very high-brow. It often utilizes complex, flowery language. Much of the time,", "utilizes complex, flowery language. Much of the time, however, I find that it", "is more acceptable. Are there any strategies that can augment this for making", "but taking a simple sentence and substituting all small words with synonyms from", "sentence and substituting all small words with synonyms from a thesaurus. I know", "that it gives the impression that I am but taking a simple sentence", "a problem; my natural writing style is very high-brow. It often utilizes complex,", "term yields a subtlety not present in its simpler counterpart, then it is", "augment this for making writing that sounds more authentic and less \"thesaurus-y?\" Perhaps", "gives the impression that I am but taking a simple sentence and substituting", "the impression that I am but taking a simple sentence and substituting all", "synonyms from a thesaurus. I know precision is important: if a complex term", "more authentic and less \"thesaurus-y?\" Perhaps one could use words that give interesting", "authentic and less \"thesaurus-y?\" Perhaps one could use words that give interesting sentence", "not present in its simpler counterpart, then it is more acceptable. Are there", "words with synonyms from a thesaurus. I know precision is important: if a", "and less \"thesaurus-y?\" Perhaps one could use words that give interesting sentence structures?", "know precision is important: if a complex term yields a subtlety not present", "writing style is very high-brow. It often utilizes complex, flowery language. Much of", "that I am but taking a simple sentence and substituting all small words", "however, I find that it gives the impression that I am but taking", "with synonyms from a thesaurus. I know precision is important: if a complex", "that sounds more authentic and less \"thesaurus-y?\" Perhaps one could use words that", "time, however, I find that it gives the impression that I am but", "a complex term yields a subtlety not present in its simpler counterpart, then", "a subtlety not present in its simpler counterpart, then it is more acceptable.", "in its simpler counterpart, then it is more acceptable. Are there any strategies", "of the time, however, I find that it gives the impression that I", "a simple sentence and substituting all small words with synonyms from a thesaurus.", "can augment this for making writing that sounds more authentic and less \"thesaurus-y?\"", "I have a problem; my natural writing style is very high-brow. It often", "I know precision is important: if a complex term yields a subtlety not", "present in its simpler counterpart, then it is more acceptable. Are there any", "problem; my natural writing style is very high-brow. It often utilizes complex, flowery", "it is more acceptable. Are there any strategies that can augment this for", "acceptable. Are there any strategies that can augment this for making writing that", "very high-brow. It often utilizes complex, flowery language. Much of the time, however,", "Are there any strategies that can augment this for making writing that sounds", "find that it gives the impression that I am but taking a simple", "this for making writing that sounds more authentic and less \"thesaurus-y?\" Perhaps one", "thesaurus. I know precision is important: if a complex term yields a subtlety", "it gives the impression that I am but taking a simple sentence and", "subtlety not present in its simpler counterpart, then it is more acceptable. Are", "simpler counterpart, then it is more acceptable. Are there any strategies that can", "there any strategies that can augment this for making writing that sounds more", "that can augment this for making writing that sounds more authentic and less", "flowery language. Much of the time, however, I find that it gives the", "for making writing that sounds more authentic and less \"thesaurus-y?\" Perhaps one could", "substituting all small words with synonyms from a thesaurus. I know precision is", "any strategies that can augment this for making writing that sounds more authentic", "if a complex term yields a subtlety not present in its simpler counterpart,", "more acceptable. Are there any strategies that can augment this for making writing", "its simpler counterpart, then it is more acceptable. Are there any strategies that", "a thesaurus. I know precision is important: if a complex term yields a", "complex, flowery language. Much of the time, however, I find that it gives", "counterpart, then it is more acceptable. Are there any strategies that can augment", "I am but taking a simple sentence and substituting all small words with", "yields a subtlety not present in its simpler counterpart, then it is more", "from a thesaurus. I know precision is important: if a complex term yields", "have a problem; my natural writing style is very high-brow. It often utilizes", "taking a simple sentence and substituting all small words with synonyms from a" ]
[ "In my story, I have four important people (1 Protagonist and his friends).", "conflict. Initially they do not know each other. They meet after a series", "previous life connection. They get to know about that connection and then form", "four play a major part in dealing with the main conflict. Initially they", "maintain four parallel stories? Do the readers get confused? I'm asking this because", "dealing with the main conflict. Initially they do not know each other. They", "etc.. and I want the readers to understand the characters in detail. Thanks", "they do not know each other. They meet after a series of events.", "and I want the readers to understand the characters in detail. Thanks in", "interesting backstories for all the four which include their fears, strengths, failures etc..", "They meet after a series of events. All four people share a previous", "this because I've planned out very interesting backstories for all the four which", "to know about that connection and then form a group. All four of", "Initially they do not know each other. They meet after a series of", "stories? Do the readers get confused? I'm asking this because I've planned out", "after a series of events. All four people share a previous life connection.", "Protagonist and his friends). All four play a major part in dealing with", "four which include their fears, strengths, failures etc.. and I want the readers", "meet after a series of events. All four people share a previous life", "because I've planned out very interesting backstories for all the four which include", "narration. My question is Can I maintain four parallel stories? Do the readers", "asking this because I've planned out very interesting backstories for all the four", "my story, I have four important people (1 Protagonist and his friends). All", "for all the four which include their fears, strengths, failures etc.. and I", "a previous life connection. They get to know about that connection and then", "life connection. They get to know about that connection and then form a", "backstories for all the four which include their fears, strengths, failures etc.. and", "important people (1 Protagonist and his friends). All four play a major part", "series of events. All four people share a previous life connection. They get", "backstories. I'm using third person narration. My question is Can I maintain four", "out very interesting backstories for all the four which include their fears, strengths,", "All four play a major part in dealing with the main conflict. Initially", "not know each other. They meet after a series of events. All four", "connection. They get to know about that connection and then form a group.", "group. All four of them have different backstories. I'm using third person narration.", "which include their fears, strengths, failures etc.. and I want the readers to", "four people share a previous life connection. They get to know about that", "readers get confused? I'm asking this because I've planned out very interesting backstories", "have different backstories. I'm using third person narration. My question is Can I", "the readers get confused? I'm asking this because I've planned out very interesting", "All four of them have different backstories. I'm using third person narration. My", "(1 Protagonist and his friends). All four play a major part in dealing", "events. All four people share a previous life connection. They get to know", "major part in dealing with the main conflict. Initially they do not know", "four important people (1 Protagonist and his friends). All four play a major", "confused? I'm asking this because I've planned out very interesting backstories for all", "in dealing with the main conflict. Initially they do not know each other.", "My question is Can I maintain four parallel stories? Do the readers get", "their fears, strengths, failures etc.. and I want the readers to understand the", "strengths, failures etc.. and I want the readers to understand the characters in", "know each other. They meet after a series of events. All four people", "that connection and then form a group. All four of them have different", "of events. All four people share a previous life connection. They get to", "failures etc.. and I want the readers to understand the characters in detail.", "four parallel stories? Do the readers get confused? I'm asking this because I've", "the main conflict. Initially they do not know each other. They meet after", "Can I maintain four parallel stories? Do the readers get confused? I'm asking", "main conflict. Initially they do not know each other. They meet after a", "question is Can I maintain four parallel stories? Do the readers get confused?", "I'm asking this because I've planned out very interesting backstories for all the", "very interesting backstories for all the four which include their fears, strengths, failures", "I'm using third person narration. My question is Can I maintain four parallel", "of them have different backstories. I'm using third person narration. My question is", "them have different backstories. I'm using third person narration. My question is Can", "a series of events. All four people share a previous life connection. They", "a major part in dealing with the main conflict. Initially they do not", "I want the readers to understand the characters in detail. Thanks in advance..", "a group. All four of them have different backstories. I'm using third person", "and then form a group. All four of them have different backstories. I'm", "four of them have different backstories. I'm using third person narration. My question", "person narration. My question is Can I maintain four parallel stories? Do the", "people share a previous life connection. They get to know about that connection", "with the main conflict. Initially they do not know each other. They meet", "then form a group. All four of them have different backstories. I'm using", "I maintain four parallel stories? Do the readers get confused? I'm asking this", "share a previous life connection. They get to know about that connection and", "do not know each other. They meet after a series of events. All", "part in dealing with the main conflict. Initially they do not know each", "get confused? I'm asking this because I've planned out very interesting backstories for", "friends). All four play a major part in dealing with the main conflict.", "is Can I maintain four parallel stories? Do the readers get confused? I'm", "planned out very interesting backstories for all the four which include their fears,", "other. They meet after a series of events. All four people share a", "each other. They meet after a series of events. All four people share", "parallel stories? Do the readers get confused? I'm asking this because I've planned", "and his friends). All four play a major part in dealing with the", "know about that connection and then form a group. All four of them", "people (1 Protagonist and his friends). All four play a major part in", "Do the readers get confused? I'm asking this because I've planned out very", "include their fears, strengths, failures etc.. and I want the readers to understand", "fears, strengths, failures etc.. and I want the readers to understand the characters", "They get to know about that connection and then form a group. All", "All four people share a previous life connection. They get to know about", "have four important people (1 Protagonist and his friends). All four play a", "the four which include their fears, strengths, failures etc.. and I want the", "I've planned out very interesting backstories for all the four which include their", "connection and then form a group. All four of them have different backstories.", "different backstories. I'm using third person narration. My question is Can I maintain", "about that connection and then form a group. All four of them have", "I have four important people (1 Protagonist and his friends). All four play", "form a group. All four of them have different backstories. I'm using third", "play a major part in dealing with the main conflict. Initially they do", "get to know about that connection and then form a group. All four", "using third person narration. My question is Can I maintain four parallel stories?", "his friends). All four play a major part in dealing with the main", "story, I have four important people (1 Protagonist and his friends). All four", "all the four which include their fears, strengths, failures etc.. and I want", "third person narration. My question is Can I maintain four parallel stories? Do" ]
[ "tips are part of the income for my family. How to make it", "the income for my family. How to make it short, nice, and polite?", "be a bit creative to remind the rider that Obar driver is providing", "earn much. Obar cut down the pay to drivers recently, it hurt a", "drivers recently, it hurt a lot. I want to write a sign to", "I did not earn much. Obar cut down the pay to drivers recently,", "As a Obar driver, I did not earn much. Obar cut down the", "want to write a sign to remind people to pay tips. I want", "it hurt a lot. I want to write a sign to remind people", "to write a sign to remind people to pay tips. I want to", "the pay to drivers recently, it hurt a lot. I want to write", "lot. I want to write a sign to remind people to pay tips.", "a bit creative to remind the rider that Obar driver is providing service", "is providing service so tips are part of the income for my family.", "providing service so tips are part of the income for my family. How", "recently, it hurt a lot. I want to write a sign to remind", "people to pay tips. I want to be a bit creative to remind", "remind the rider that Obar driver is providing service so tips are part", "I want to write a sign to remind people to pay tips. I", "to pay tips. I want to be a bit creative to remind the", "rider that Obar driver is providing service so tips are part of the", "write a sign to remind people to pay tips. I want to be", "the rider that Obar driver is providing service so tips are part of", "creative to remind the rider that Obar driver is providing service so tips", "did not earn much. Obar cut down the pay to drivers recently, it", "pay tips. I want to be a bit creative to remind the rider", "I want to be a bit creative to remind the rider that Obar", "Obar cut down the pay to drivers recently, it hurt a lot. I", "down the pay to drivers recently, it hurt a lot. I want to", "to remind people to pay tips. I want to be a bit creative", "service so tips are part of the income for my family. How to", "a sign to remind people to pay tips. I want to be a", "cut down the pay to drivers recently, it hurt a lot. I want", "not earn much. Obar cut down the pay to drivers recently, it hurt", "a Obar driver, I did not earn much. Obar cut down the pay", "much. Obar cut down the pay to drivers recently, it hurt a lot.", "pay to drivers recently, it hurt a lot. I want to write a", "driver, I did not earn much. Obar cut down the pay to drivers", "of the income for my family. How to make it short, nice, and", "driver is providing service so tips are part of the income for my", "Obar driver, I did not earn much. Obar cut down the pay to", "to drivers recently, it hurt a lot. I want to write a sign", "tips. I want to be a bit creative to remind the rider that", "bit creative to remind the rider that Obar driver is providing service so", "sign to remind people to pay tips. I want to be a bit", "are part of the income for my family. How to make it short,", "remind people to pay tips. I want to be a bit creative to", "want to be a bit creative to remind the rider that Obar driver", "a lot. I want to write a sign to remind people to pay", "that Obar driver is providing service so tips are part of the income", "to be a bit creative to remind the rider that Obar driver is", "so tips are part of the income for my family. How to make", "part of the income for my family. How to make it short, nice,", "to remind the rider that Obar driver is providing service so tips are", "hurt a lot. I want to write a sign to remind people to", "Obar driver is providing service so tips are part of the income for" ]
[ "of the CIA agent but am concerned it might seem too convenient. I", "the MC, who doesn’t really like or respect this one agent, to mellow", "is, would it seem too unlikely and therefore coincidental and a possible cheat", "it seem too unlikely and therefore coincidental and a possible cheat to have", "another character, a semi retired assassin who was one of my MC’s instructors.", "too convenient. I want the relationship since it will allow the MC, who", "mellow towards him out of respect to the great uncle. My question is,", "a seasoned CIA agent and is part of the task force that is", "to the great uncle. My question is, would it seem too unlikely and", "therefore coincidental and a possible cheat to have this older assassin (never caught)", "task force that is bringing in my MC. I have another character, a", "seasoned CIA agent and is part of the task force that is bringing", "am concerned it might seem too convenient. I want the relationship since it", "the CIA agent but am concerned it might seem too convenient. I want", "one of my MC’s instructors. I want to make this semi retired assassin", "retired assassin the great uncle of the CIA agent but am concerned it", "CIA agent but am concerned it might seem too convenient. I want the", "respect to the great uncle. My question is, would it seem too unlikely", "have another character, a semi retired assassin who was one of my MC’s", "of my MC’s instructors. I want to make this semi retired assassin the", "but am concerned it might seem too convenient. I want the relationship since", "seem too unlikely and therefore coincidental and a possible cheat to have this", "a possible cheat to have this older assassin (never caught) related to a", "CIA agent and is part of the task force that is bringing in", "it might seem too convenient. I want the relationship since it will allow", "a semi retired assassin who was one of my MC’s instructors. I want", "this one agent, to mellow towards him out of respect to the great", "instructors. I want to make this semi retired assassin the great uncle of", "that is bringing in my MC. I have another character, a semi retired", "might seem too convenient. I want the relationship since it will allow the", "force that is bringing in my MC. I have another character, a semi", "I have another character, a semi retired assassin who was one of my", "part of the task force that is bringing in my MC. I have", "out of respect to the great uncle. My question is, would it seem", "MC. I have another character, a semi retired assassin who was one of", "who doesn’t really like or respect this one agent, to mellow towards him", "concerned it might seem too convenient. I want the relationship since it will", "the great uncle. My question is, would it seem too unlikely and therefore", "the relationship since it will allow the MC, who doesn’t really like or", "want the relationship since it will allow the MC, who doesn’t really like", "cheat to have this older assassin (never caught) related to a CIA agent?", "great uncle of the CIA agent but am concerned it might seem too", "character, a semi retired assassin who was one of my MC’s instructors. I", "would it seem too unlikely and therefore coincidental and a possible cheat to", "or respect this one agent, to mellow towards him out of respect to", "is bringing in my MC. I have another character, a semi retired assassin", "of the task force that is bringing in my MC. I have another", "uncle of the CIA agent but am concerned it might seem too convenient.", "question is, would it seem too unlikely and therefore coincidental and a possible", "possible cheat to have this older assassin (never caught) related to a CIA", "make this semi retired assassin the great uncle of the CIA agent but", "MC’s instructors. I want to make this semi retired assassin the great uncle", "it will allow the MC, who doesn’t really like or respect this one", "of respect to the great uncle. My question is, would it seem too", "is a seasoned CIA agent and is part of the task force that", "will allow the MC, who doesn’t really like or respect this one agent,", "and a possible cheat to have this older assassin (never caught) related to", "is part of the task force that is bringing in my MC. I", "character who is a seasoned CIA agent and is part of the task", "coincidental and a possible cheat to have this older assassin (never caught) related", "him out of respect to the great uncle. My question is, would it", "allow the MC, who doesn’t really like or respect this one agent, to", "to mellow towards him out of respect to the great uncle. My question", "semi retired assassin the great uncle of the CIA agent but am concerned", "one agent, to mellow towards him out of respect to the great uncle.", "was one of my MC’s instructors. I want to make this semi retired", "I want the relationship since it will allow the MC, who doesn’t really", "respect this one agent, to mellow towards him out of respect to the", "agent but am concerned it might seem too convenient. I want the relationship", "assassin who was one of my MC’s instructors. I want to make this", "my MC’s instructors. I want to make this semi retired assassin the great", "unlikely and therefore coincidental and a possible cheat to have this older assassin", "who was one of my MC’s instructors. I want to make this semi", "like or respect this one agent, to mellow towards him out of respect", "this semi retired assassin the great uncle of the CIA agent but am", "agent and is part of the task force that is bringing in my", "want to make this semi retired assassin the great uncle of the CIA", "towards him out of respect to the great uncle. My question is, would", "relationship since it will allow the MC, who doesn’t really like or respect", "MC, who doesn’t really like or respect this one agent, to mellow towards", "since it will allow the MC, who doesn’t really like or respect this", "to make this semi retired assassin the great uncle of the CIA agent", "and is part of the task force that is bringing in my MC.", "the great uncle of the CIA agent but am concerned it might seem", "agent, to mellow towards him out of respect to the great uncle. My", "uncle. My question is, would it seem too unlikely and therefore coincidental and", "and therefore coincidental and a possible cheat to have this older assassin (never", "My question is, would it seem too unlikely and therefore coincidental and a", "my MC. I have another character, a semi retired assassin who was one", "too unlikely and therefore coincidental and a possible cheat to have this older", "really like or respect this one agent, to mellow towards him out of", "bringing in my MC. I have another character, a semi retired assassin who", "have a character who is a seasoned CIA agent and is part of", "the task force that is bringing in my MC. I have another character,", "convenient. I want the relationship since it will allow the MC, who doesn’t", "great uncle. My question is, would it seem too unlikely and therefore coincidental", "I have a character who is a seasoned CIA agent and is part", "retired assassin who was one of my MC’s instructors. I want to make", "doesn’t really like or respect this one agent, to mellow towards him out", "a character who is a seasoned CIA agent and is part of the", "I want to make this semi retired assassin the great uncle of the", "seem too convenient. I want the relationship since it will allow the MC,", "in my MC. I have another character, a semi retired assassin who was", "semi retired assassin who was one of my MC’s instructors. I want to", "assassin the great uncle of the CIA agent but am concerned it might", "who is a seasoned CIA agent and is part of the task force" ]
[ "It's not choppy but it's missing pieces. The difficult part is my writing", "confusing and mysterious character. I need to fill the book with 'fluff' or", "and mysterious character. I need to fill the book with 'fluff' or parts", "together but aren't particularly important. How do I do this without combating with", "I'm finished but it is way too short. It's not choppy but it's", "is my writing style revolves around a confusing and mysterious character. I need", "writing a book and I'm finished but it is way too short. It's", "line? How do I write fluff pieces? And how do I write them", "book with 'fluff' or parts that glue the story together but aren't particularly", "the book with 'fluff' or parts that glue the story together but aren't", "write fluff pieces? And how do I write them so readers don't get", "with my story line? How do I write fluff pieces? And how do", "to fill the book with 'fluff' or parts that glue the story together", "I need to fill the book with 'fluff' or parts that glue the", "do I write fluff pieces? And how do I write them so readers", "fill the book with 'fluff' or parts that glue the story together but", "combating with my story line? How do I write fluff pieces? And how", "story line? How do I write fluff pieces? And how do I write", "that glue the story together but aren't particularly important. How do I do", "but it's missing pieces. The difficult part is my writing style revolves around", "choppy but it's missing pieces. The difficult part is my writing style revolves", "is way too short. It's not choppy but it's missing pieces. The difficult", "The difficult part is my writing style revolves around a confusing and mysterious", "or parts that glue the story together but aren't particularly important. How do", "the story together but aren't particularly important. How do I do this without", "pieces. The difficult part is my writing style revolves around a confusing and", "fluff pieces? And how do I write them so readers don't get bored?", "important. How do I do this without combating with my story line? How", "aren't particularly important. How do I do this without combating with my story", "How do I write fluff pieces? And how do I write them so", "'fluff' or parts that glue the story together but aren't particularly important. How", "particularly important. How do I do this without combating with my story line?", "without combating with my story line? How do I write fluff pieces? And", "I write fluff pieces? And how do I write them so readers don't", "but aren't particularly important. How do I do this without combating with my", "need to fill the book with 'fluff' or parts that glue the story", "but it is way too short. It's not choppy but it's missing pieces.", "missing pieces. The difficult part is my writing style revolves around a confusing", "with 'fluff' or parts that glue the story together but aren't particularly important.", "mysterious character. I need to fill the book with 'fluff' or parts that", "parts that glue the story together but aren't particularly important. How do I", "finished but it is way too short. It's not choppy but it's missing", "story together but aren't particularly important. How do I do this without combating", "do this without combating with my story line? How do I write fluff", "my story line? How do I write fluff pieces? And how do I", "this without combating with my story line? How do I write fluff pieces?", "difficult part is my writing style revolves around a confusing and mysterious character.", "character. I need to fill the book with 'fluff' or parts that glue", "a confusing and mysterious character. I need to fill the book with 'fluff'", "style revolves around a confusing and mysterious character. I need to fill the", "How do I do this without combating with my story line? How do", "it's missing pieces. The difficult part is my writing style revolves around a", "book and I'm finished but it is way too short. It's not choppy", "revolves around a confusing and mysterious character. I need to fill the book", "it is way too short. It's not choppy but it's missing pieces. The", "short. It's not choppy but it's missing pieces. The difficult part is my", "I'm writing a book and I'm finished but it is way too short.", "a book and I'm finished but it is way too short. It's not", "and I'm finished but it is way too short. It's not choppy but", "my writing style revolves around a confusing and mysterious character. I need to", "writing style revolves around a confusing and mysterious character. I need to fill", "not choppy but it's missing pieces. The difficult part is my writing style", "around a confusing and mysterious character. I need to fill the book with", "part is my writing style revolves around a confusing and mysterious character. I", "glue the story together but aren't particularly important. How do I do this", "I do this without combating with my story line? How do I write", "way too short. It's not choppy but it's missing pieces. The difficult part", "do I do this without combating with my story line? How do I", "too short. It's not choppy but it's missing pieces. The difficult part is" ]
[ "like them. This brings me to my question. If I wrote this story", "writing a story where the main character is sent to kill the main", "and now I focus on story. I was planning out the main storyline", "working with the main \"villain\". I initially thought that I wouldn't be cheated", "thinking about how I would actually react to this happening. Like, how upset", "then I started thinking about how I would actually react to this happening.", "the main character could get to the \"villain\" and go through that painful", "is sent to kill the main villain. I have the basic world set", "all villains feel like they need to have, you know, where the hero", "and I hit a bit of a snag... uh-oh. I was thinking that", "hit a bit of a snag... uh-oh. I was thinking that the main", "through that painful talk that all villains feel like they need to have,", "and they reveal their plan for some reason. But this time I was", "thought that I wouldn't be cheated but then I started thinking about how", "a hatred for the villain, and then all of a sudden I'm supposed", "focus on story. I was planning out the main storyline and I hit", "painful talk that all villains feel like they need to have, you know,", "how I would actually react to this happening. Like, how upset I would", "of a snag... uh-oh. I was thinking that the main character could get", "snag... uh-oh. I was thinking that the main character could get to the", "have, you know, where the hero is tied up, and they reveal their", "that I wouldn't be cheated but then I started thinking about how I", "talk\", would readers feel cheated out of half of a book or can", "kill the main villain. I have the basic world set out before me,", "start working with the main \"villain\". I initially thought that I wouldn't be", "basic world set out before me, and now I focus on story. I", "book, growing a hatred for the villain, and then all of a sudden", "upset I would be if I sat there reading this book, growing a", "for some reason. But this time I was thinking it would actually work,", "being successful in \"the talk\", would readers feel cheated out of half of", "main character is sent to kill the main villain. I have the basic", "wrote this story this way, with the villain being successful in \"the talk\",", "character is sent to kill the main villain. I have the basic world", "I started thinking about how I would actually react to this happening. Like,", "would start working with the main \"villain\". I initially thought that I wouldn't", "story this way, with the villain being successful in \"the talk\", would readers", "world set out before me, and now I focus on story. I was", "So I'm writing a story where the main character is sent to kill", "I sat there reading this book, growing a hatred for the villain, and", "now I focus on story. I was planning out the main storyline and", "me, and now I focus on story. I was planning out the main", "that painful talk that all villains feel like they need to have, you", "was thinking that the main character could get to the \"villain\" and go", "talk that all villains feel like they need to have, you know, where", "the main \"villain\". I initially thought that I wouldn't be cheated but then", "half of a book or can it be done in a way that", "reason. But this time I was thinking it would actually work, and the", "or can it be done in a way that makes it a good", "feel like they need to have, you know, where the hero is tied", "\"villain\". I initially thought that I wouldn't be cheated but then I started", "sudden I'm supposed to like them. This brings me to my question. If", "this time I was thinking it would actually work, and the hero would", "\"the talk\", would readers feel cheated out of half of a book or", "they need to have, you know, where the hero is tied up, and", "work, and the hero would start working with the main \"villain\". I initially", "actually work, and the hero would start working with the main \"villain\". I", "the villain being successful in \"the talk\", would readers feel cheated out of", "there reading this book, growing a hatred for the villain, and then all", "would readers feel cheated out of half of a book or can it", "storyline and I hit a bit of a snag... uh-oh. I was thinking", "this happening. Like, how upset I would be if I sat there reading", "how upset I would be if I sat there reading this book, growing", "with the villain being successful in \"the talk\", would readers feel cheated out", "Like, how upset I would be if I sat there reading this book,", "if I sat there reading this book, growing a hatred for the villain,", "a sudden I'm supposed to like them. This brings me to my question.", "hero is tied up, and they reveal their plan for some reason. But", "them. This brings me to my question. If I wrote this story this", "I would be if I sat there reading this book, growing a hatred", "main \"villain\". I initially thought that I wouldn't be cheated but then I", "thinking it would actually work, and the hero would start working with the", "I wrote this story this way, with the villain being successful in \"the", "to kill the main villain. I have the basic world set out before", "I wouldn't be cheated but then I started thinking about how I would", "out the main storyline and I hit a bit of a snag... uh-oh.", "that all villains feel like they need to have, you know, where the", "get to the \"villain\" and go through that painful talk that all villains", "of half of a book or can it be done in a way", "successful in \"the talk\", would readers feel cheated out of half of a", "If I wrote this story this way, with the villain being successful in", "this book, growing a hatred for the villain, and then all of a", "of a sudden I'm supposed to like them. This brings me to my", "the hero is tied up, and they reveal their plan for some reason.", "out of half of a book or can it be done in a", "can it be done in a way that makes it a good experience?", "main villain. I have the basic world set out before me, and now", "happening. Like, how upset I would be if I sat there reading this", "my question. If I wrote this story this way, with the villain being", "started thinking about how I would actually react to this happening. Like, how", "where the main character is sent to kill the main villain. I have", "was planning out the main storyline and I hit a bit of a", "the main character is sent to kill the main villain. I have the", "I was thinking that the main character could get to the \"villain\" and", "where the hero is tied up, and they reveal their plan for some", "This brings me to my question. If I wrote this story this way,", "me to my question. If I wrote this story this way, with the", "thinking that the main character could get to the \"villain\" and go through", "book or can it be done in a way that makes it a", "could get to the \"villain\" and go through that painful talk that all", "but then I started thinking about how I would actually react to this", "this way, with the villain being successful in \"the talk\", would readers feel", "and then all of a sudden I'm supposed to like them. This brings", "reveal their plan for some reason. But this time I was thinking it", "readers feel cheated out of half of a book or can it be", "story where the main character is sent to kill the main villain. I", "I was planning out the main storyline and I hit a bit of", "main storyline and I hit a bit of a snag... uh-oh. I was", "go through that painful talk that all villains feel like they need to", "character could get to the \"villain\" and go through that painful talk that", "wouldn't be cheated but then I started thinking about how I would actually", "up, and they reveal their plan for some reason. But this time I", "I was thinking it would actually work, and the hero would start working", "hatred for the villain, and then all of a sudden I'm supposed to", "But this time I was thinking it would actually work, and the hero", "I'm writing a story where the main character is sent to kill the", "I focus on story. I was planning out the main storyline and I", "cheated but then I started thinking about how I would actually react to", "was thinking it would actually work, and the hero would start working with", "plan for some reason. But this time I was thinking it would actually", "need to have, you know, where the hero is tied up, and they", "you know, where the hero is tied up, and they reveal their plan", "\"villain\" and go through that painful talk that all villains feel like they", "hero would start working with the main \"villain\". I initially thought that I", "main character could get to the \"villain\" and go through that painful talk", "all of a sudden I'm supposed to like them. This brings me to", "about how I would actually react to this happening. Like, how upset I", "I'm supposed to like them. This brings me to my question. If I", "villain. I have the basic world set out before me, and now I", "villains feel like they need to have, you know, where the hero is", "to have, you know, where the hero is tied up, and they reveal", "sat there reading this book, growing a hatred for the villain, and then", "for the villain, and then all of a sudden I'm supposed to like", "set out before me, and now I focus on story. I was planning", "in \"the talk\", would readers feel cheated out of half of a book", "time I was thinking it would actually work, and the hero would start", "planning out the main storyline and I hit a bit of a snag...", "way, with the villain being successful in \"the talk\", would readers feel cheated", "that the main character could get to the \"villain\" and go through that", "to my question. If I wrote this story this way, with the villain", "I would actually react to this happening. Like, how upset I would be", "a bit of a snag... uh-oh. I was thinking that the main character", "before me, and now I focus on story. I was planning out the", "to this happening. Like, how upset I would be if I sat there", "bit of a snag... uh-oh. I was thinking that the main character could", "would actually work, and the hero would start working with the main \"villain\".", "tied up, and they reveal their plan for some reason. But this time", "a book or can it be done in a way that makes it", "be cheated but then I started thinking about how I would actually react", "a snag... uh-oh. I was thinking that the main character could get to", "the basic world set out before me, and now I focus on story.", "know, where the hero is tied up, and they reveal their plan for", "feel cheated out of half of a book or can it be done", "would be if I sat there reading this book, growing a hatred for", "to the \"villain\" and go through that painful talk that all villains feel", "with the main \"villain\". I initially thought that I wouldn't be cheated but", "it would actually work, and the hero would start working with the main", "brings me to my question. If I wrote this story this way, with", "story. I was planning out the main storyline and I hit a bit", "I have the basic world set out before me, and now I focus", "and the hero would start working with the main \"villain\". I initially thought", "cheated out of half of a book or can it be done in", "like they need to have, you know, where the hero is tied up,", "I initially thought that I wouldn't be cheated but then I started thinking", "the villain, and then all of a sudden I'm supposed to like them.", "would actually react to this happening. Like, how upset I would be if", "initially thought that I wouldn't be cheated but then I started thinking about", "the hero would start working with the main \"villain\". I initially thought that", "to like them. This brings me to my question. If I wrote this", "react to this happening. Like, how upset I would be if I sat", "reading this book, growing a hatred for the villain, and then all of", "a story where the main character is sent to kill the main villain.", "they reveal their plan for some reason. But this time I was thinking", "growing a hatred for the villain, and then all of a sudden I'm", "actually react to this happening. Like, how upset I would be if I", "villain being successful in \"the talk\", would readers feel cheated out of half", "this story this way, with the villain being successful in \"the talk\", would", "is tied up, and they reveal their plan for some reason. But this", "uh-oh. I was thinking that the main character could get to the \"villain\"", "the \"villain\" and go through that painful talk that all villains feel like", "out before me, and now I focus on story. I was planning out", "and go through that painful talk that all villains feel like they need", "the main villain. I have the basic world set out before me, and", "be if I sat there reading this book, growing a hatred for the", "of a book or can it be done in a way that makes", "supposed to like them. This brings me to my question. If I wrote", "the main storyline and I hit a bit of a snag... uh-oh. I", "have the basic world set out before me, and now I focus on", "sent to kill the main villain. I have the basic world set out", "then all of a sudden I'm supposed to like them. This brings me", "villain, and then all of a sudden I'm supposed to like them. This", "I hit a bit of a snag... uh-oh. I was thinking that the", "their plan for some reason. But this time I was thinking it would", "some reason. But this time I was thinking it would actually work, and", "on story. I was planning out the main storyline and I hit a", "question. If I wrote this story this way, with the villain being successful" ]
[ "I keep hearing but no one seems to be able to provide an", "one seems to be able to provide an explanation. Is it because 2.99", "make the book respectable while 0.99 is low enough to make it easy", "what I keep hearing but no one seems to be able to provide", "to be able to provide an explanation. Is it because 2.99 is high", "0.99 is low enough to make it easy for people to purchase it,", "Is it because 2.99 is high enough to be make the book respectable", "to make it easy for people to purchase it, while 1.99 is some", "people to purchase it, while 1.99 is some sort of danger middle zone?", "easy for people to purchase it, while 1.99 is some sort of danger", "high enough to be make the book respectable while 0.99 is low enough", "because 2.99 is high enough to be make the book respectable while 0.99", "provide an explanation. Is it because 2.99 is high enough to be make", "while 0.99 is low enough to make it easy for people to purchase", "enough to be make the book respectable while 0.99 is low enough to", "to be make the book respectable while 0.99 is low enough to make", "the book respectable while 0.99 is low enough to make it easy for", "able to provide an explanation. Is it because 2.99 is high enough to", "but no one seems to be able to provide an explanation. Is it", "respectable while 0.99 is low enough to make it easy for people to", "it because 2.99 is high enough to be make the book respectable while", "2.99 is high enough to be make the book respectable while 0.99 is", "seems to be able to provide an explanation. Is it because 2.99 is", "book respectable while 0.99 is low enough to make it easy for people", "enough to make it easy for people to purchase it, while 1.99 is", "an explanation. Is it because 2.99 is high enough to be make the", "low enough to make it easy for people to purchase it, while 1.99", "no one seems to be able to provide an explanation. Is it because", "is what I keep hearing but no one seems to be able to", "to provide an explanation. Is it because 2.99 is high enough to be", "be make the book respectable while 0.99 is low enough to make it", "be able to provide an explanation. Is it because 2.99 is high enough", "keep hearing but no one seems to be able to provide an explanation.", "for people to purchase it, while 1.99 is some sort of danger middle", "hearing but no one seems to be able to provide an explanation. Is", "explanation. Is it because 2.99 is high enough to be make the book", "is high enough to be make the book respectable while 0.99 is low", "This is what I keep hearing but no one seems to be able", "make it easy for people to purchase it, while 1.99 is some sort", "is low enough to make it easy for people to purchase it, while", "it easy for people to purchase it, while 1.99 is some sort of" ]
[ "are all titles associated with the European court. They appear to clash with", "or Tolkien, you get five made-up words per story. I'm looking at you,", "looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is relevant that", "by using words that are too European, but I don't want to weigh", "same general way that The Lord of the Rings is set in Britain.", "suspension of disbelief by using words that are too European, but I don't", "believe it is relevant that I found the words I'm using in an", "unfamiliar. How do I balance realism against readability in this particular case? I", "that I found the words I'm using in an encyclopedia rather than made", "the readers' suspension of disbelief by using words that are too European, but", "get five made-up words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I", "replacement words are not too far from the English words, and thus much", "[Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to something", "and thus much easier to remember, avoiding confusion. Also, the names they use", "the English words, and thus much easier to remember, avoiding confusion. Also, the", "story, only recoloured Middle-eastern. So the knights are asvarans (it's actually amazing how", "if I'm telling a basically European story, only recoloured Middle-eastern. So the knights", "court. They appear to clash with a setting, as if I'm telling a", "setting is Persian rather than European. But what happens under the Shah? Cnigktm,", "case? I do not want to break the readers' suspension of disbelief by", "how much the position of the asvarans in 5th century Persia is reminiscent", "European, but I don't want to weigh on the reader with heaps of", "are too European, but I don't want to weigh on the reader with", "balance realism against readability in this particular case? I do not want to", "Here's my conundrum: the land is ruled by the Shah - that's a", "you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is relevant that I found", "by the Shah - that's a given, that's expected if the setting is", "set in a world all its own, but there's this source of inspiration.)", "something that has a perfectly good English word. Moreover, I have only recently", "appear to clash with a setting, as if I'm telling a basically European", "Dragon Age franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However,", "in pre-Islamic Persia, in the same general way that The Lord of the", "an encyclopedia rather than made them up; to the reader, they are equally", "using in an encyclopedia rather than made them up; to the reader, they", "word. Moreover, I have only recently pointed others to this xkcd: [![A plot", "do not want to break the readers' suspension of disbelief by using words", "for the most part English enough. Consequently, looking at something like 'Arl Eamon',", "of foreign-language vocabulary either. (Note: Bioware's Dragon Age* franchise uses 'Teyrn', 'Arl', 'Bahn'", "the replacement words are not too far from the English words, and thus", "amazing how much the position of the asvarans in 5th century Persia is", "have only recently pointed others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except", "the names they use are for the most part English enough. Consequently, looking", "([source](https://xkcd.com/483/)) I do not believe it is relevant that I found the words", "to clash with a setting, as if I'm telling a basically European story,", "ostandars. At which point, I'm looking at the trope [Calling a Rabbit a", "that's a given, that's expected if the setting is Persian rather than European.", "(Note: Bioware's Dragon Age franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl',", "I don't want to weigh on the reader with heaps of foreign-language vocabulary", "set in pre-Islamic Persia, in the same general way that The Lord of", "a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to something that", "of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or Tolkien, you get five", "pointed others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by", "conundrum: the land is ruled by the Shah - that's a given, that's", "they are equally unfamiliar. How do I balance realism against readability in this", "in this particular case?* I do not want to break the readers' suspension", "particular case?** I do not want to break the readers' suspension of disbelief", "words that are too European, but I don't want to weigh on the", "words are not too far from the English words, and thus much easier", "[![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or Tolkien, you", "Age* franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in", "names they use are for the most part English enough. Consequently, looking at", "in 5th century Persia is reminiscent of 10th century European knights). And after", "a perfectly good English word. Moreover, I have only recently pointed others to", "in Britain. (Meaning, it's set in a world all its own, but there's", "Bioware's Dragon Age franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'.", "but I don't want to weigh on the reader with heaps of foreign-language", "at something like 'Arl Eamon', one doesn't have to wonder which part is", "only recoloured Middle-eastern. So the knights are asvarans (it's actually amazing how much", "which point, I'm looking at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) -", "The Lord of the Rings is set in Britain. (Meaning, it's set in", "all titles associated with the European court. They appear to clash with a", "the most part English enough. Consequently, looking at something like 'Arl Eamon', one", "either. (Note: Bioware's Dragon Age franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke',", "Rings* is set in Britain. (Meaning, it's set in a world all its", "they use are for the most part English enough. Consequently, looking at something", "than made them up; to the reader, they are equally unfamiliar. *How do", "that's set in pre-Islamic Persia, in the same general way that The Lord", "to wonder which part is title and which part is name. As opposed", "weigh on the reader with heaps of foreign-language vocabulary either. (Note: Bioware's Dragon", "this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or", "in their example the replacement words are not too far from the English", "of inspiration.) Here's my conundrum: the land is ruled by the Shah -", "readers' suspension of disbelief by using words that are too European, but I", "words I'm using in an encyclopedia rather than made them up; to the", "not want to break the readers' suspension of disbelief by using words that", "a given, that's expected if the setting is Persian rather than European. But", "story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is", "are asvarans (it's actually amazing how much the position of the asvarans in", "at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is relevant that I", "Persian rather than European. But what happens under the Shah? Cnigktm, barons, counts", "reader with heaps of foreign-language vocabulary either. (Note: Bioware's Dragon Age* franchise uses", "the European court. They appear to clash with a setting, as if I'm", "use are for the most part English enough. Consequently, looking at something like", "'BuranOx'. However, in their example the replacement words are not too far from", "'Arl Eamon', one doesn't have to wonder which part is title and which", "of disbelief by using words that are too European, but I don't want", "five made-up words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do", "not too far from the English words, and thus much easier to remember,", "Moreover, I have only recently pointed others to this xkcd: [![A plot of", "this particular case? I do not want to break the readers' suspension of", "(Meaning, it's set in a world all its own, but there's this source", "if the setting is Persian rather than European. But what happens under the", "5th century Persia is reminiscent of 10th century European knights). And after much", "realism against readability in this particular case? I do not want to break", "don't want to weigh on the reader with heaps of foreign-language vocabulary either.", "source of inspiration.) Here's my conundrum: the land is ruled by the Shah", "foreign-language vocabulary either. (Note: Bioware's Dragon Age franchise uses 'Teyrn', 'Arl', 'Bahn' instead", "](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or Tolkien, you get five made-up", "looking at something like 'Arl Eamon', one doesn't have to wonder which part", "world all its own, but there's this source of inspiration.) Here's my conundrum:", "However, in their example the replacement words are not too far from the", "in an encyclopedia rather than made them up; to the reader, they are", "at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different", "much research, I've got vaspahrs, sardars and ostandars. At which point, I'm looking", "a novel, that's set in pre-Islamic Persia, in the same general way that", "expected if the setting is Persian rather than European. But what happens under", "to remember, avoiding confusion. Also, the names they use are for the most", "- that's a given, that's expected if the setting is Persian rather than", "set in Britain. (Meaning, it's set in a world all its own, but", "has a perfectly good English word. Moreover, I have only recently pointed others", "of the asvarans in 5th century Persia is reminiscent of 10th century European", "But what happens under the Shah? Cnigktm, barons, counts and dukes are all", "10th century European knights). And after much research, I've got vaspahrs, sardars and", "I have only recently pointed others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png", "asvarans (it's actually amazing how much the position of the asvarans in 5th", "Eamon', one doesn't have to wonder which part is title and which part", "basically European story, only recoloured Middle-eastern. So the knights are asvarans (it's actually", "my conundrum: the land is ruled by the Shah - that's a given,", "doesn't have to wonder which part is title and which part is name.", "clash with a setting, as if I'm telling a basically European story, only", "the asvarans in 5th century Persia is reminiscent of 10th century European knights).", "are for the most part English enough. Consequently, looking at something like 'Arl", "the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names", "to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll", "much the position of the asvarans in 5th century Persia is reminiscent of", "setting, as if I'm telling a basically European story, only recoloured Middle-eastern. So", "by Lewis Carroll or Tolkien, you get five made-up words per story. I'm", "just giving different names to something that has a perfectly good English word.", "with heaps of foreign-language vocabulary either. (Note: Bioware's Dragon Age franchise uses 'Teyrn',", "asvarans in 5th century Persia is reminiscent of 10th century European knights). And", "Lord of the Rings* is set in Britain. (Meaning, it's set in a", "like 'Arl Eamon', one doesn't have to wonder which part is title and", "'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in their example the", "pre-Islamic Persia, in the same general way that The Lord of the Rings", "the land is ruled by the Shah - that's a given, that's expected", "is title and which part is name. As opposed to 'Vaspahr Narseh', for", "position of the asvarans in 5th century Persia is reminiscent of 10th century", "most part English enough. Consequently, looking at something like 'Arl Eamon', one doesn't", "\"Except for anything by Lewis Carroll or Tolkien, you get five made-up words", "are not too far from the English words, and thus much easier to", "'Duke', 'Earl', 'BuranOx'. However, in their example the replacement words are not too", "happens under the Shah? Cnigktm, barons, counts and dukes are all titles associated", "Britain. (Meaning, it's set in a world all its own, but there's this", "the Shah - that's a given, that's expected if the setting is Persian", "their example the replacement words are not too far from the English words,", "the reader with heaps of foreign-language vocabulary either. (Note: Bioware's Dragon Age franchise", "Shah? Cnigktm, barons, counts and dukes are all titles associated with the European", "with the European court. They appear to clash with a setting, as if", "the reader, they are equally unfamiliar. *How do I balance realism against readability", "telling a basically European story, only recoloured Middle-eastern. So the knights are asvarans", "a basically European story, only recoloured Middle-eastern. So the knights are asvarans (it's", "They appear to clash with a setting, as if I'm telling a basically", "much easier to remember, avoiding confusion. Also, the names they use are for", "I do not believe it is relevant that I found the words I'm", "knights are asvarans (it's actually amazing how much the position of the asvarans", "Persia, in the same general way that The Lord of the Rings* is", "\"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to something that has a perfectly", "At which point, I'm looking at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp)", "working on a novel, that's set in pre-Islamic Persia, in the same general", "it's set in a world all its own, but there's this source of", "made them up; to the reader, they are equally unfamiliar. *How do I", "using words that are too European, but I don't want to weigh on", "break the readers' suspension of disbelief by using words that are too European,", "I do not want to break the readers' suspension of disbelief by using", "Also, the names they use are for the most part English enough. Consequently,", "that The Lord of the Rings* is set in Britain. (Meaning, it's set", "(it's actually amazing how much the position of the asvarans in 5th century", "do I balance realism against readability in this particular case?** I do not", "ruled by the Shah - that's a given, that's expected if the setting", "and ostandars. At which point, I'm looking at the trope [Calling a Rabbit", "Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is relevant that I found the", "wonder which part is title and which part is name. As opposed to", "the same general way that The Lord of the Rings is set in", "up; to the reader, they are equally unfamiliar. How do I balance realism", "I balance realism against readability in this particular case? I do not want", "encyclopedia rather than made them up; to the reader, they are equally unfamiliar.", "point, I'm looking at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm", "the setting is Persian rather than European. But what happens under the Shah?", "English enough. Consequently, looking at something like 'Arl Eamon', one doesn't have to", "a world all its own, but there's this source of inspiration.) Here's my", "I'm looking at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just", "I found the words I'm using in an encyclopedia rather than made them", "part is title and which part is name. As opposed to 'Vaspahr Narseh',", "giving different names to something that has a perfectly good English word. Moreover,", "on the reader with heaps of foreign-language vocabulary either. (Note: Bioware's Dragon Age", "in the same general way that The Lord of the Rings is set", "all its own, but there's this source of inspiration.) Here's my conundrum: the", "xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or Tolkien,", "instead of 'Duke', 'Earl', 'BuranOx'. However, in their example the replacement words are", "Middle-eastern. So the knights are asvarans (it's actually amazing how much the position", "titles associated with the European court. They appear to clash with a setting,", "Lewis Carroll or Tolkien, you get five made-up words per story. I'm looking", "that's expected if the setting is Persian rather than European. But what happens", "only recently pointed others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for", "heaps of foreign-language vocabulary either. (Note: Bioware's Dragon Age franchise uses 'Teyrn', 'Arl',", "found the words I'm using in an encyclopedia rather than made them up;", "to something that has a perfectly good English word. Moreover, I have only", "century Persia is reminiscent of 10th century European knights). And after much research,", "after much research, I've got vaspahrs, sardars and ostandars. At which point, I'm", "different names to something that has a perfectly good English word. Moreover, I", "something like 'Arl Eamon', one doesn't have to wonder which part is title", "sardars and ostandars. At which point, I'm looking at the trope [Calling a", "do not believe it is relevant that I found the words I'm using", "for anything by Lewis Carroll or Tolkien, you get five made-up words per", "is relevant that I found the words I'm using in an encyclopedia rather", "European court. They appear to clash with a setting, as if I'm telling", "good English word. Moreover, I have only recently pointed others to this xkcd:", "them up; to the reader, they are equally unfamiliar. *How do I balance", "the Rings is set in Britain. (Meaning, it's set in a world all", "barons, counts and dukes are all titles associated with the European court. They", "How do I balance realism against readability in this particular case? I do", "in a world all its own, but there's this source of inspiration.) Here's", "avoiding confusion. Also, the names they use are for the most part English", "reader, they are equally unfamiliar. How do I balance realism against readability in", "uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in their example", "recoloured Middle-eastern. So the knights are asvarans (it's actually amazing how much the", "equally unfamiliar. How do I balance realism against readability in this particular case?*", "to weigh on the reader with heaps of foreign-language vocabulary either. (Note: Bioware's", "that are too European, but I don't want to weigh on the reader", "associated with the European court. They appear to clash with a setting, as", "is ruled by the Shah - that's a given, that's expected if the", "I'm working on a novel, that's set in pre-Islamic Persia, in the same", "that has a perfectly good English word. Moreover, I have only recently pointed", "given, that's expected if the setting is Persian rather than European. But what", "anything by Lewis Carroll or Tolkien, you get five made-up words per story.", "names to something that has a perfectly good English word. Moreover, I have", "disbelief by using words that are too European, but I don't want to", "'Earl', 'BuranOx'. However, in their example the replacement words are not too far", "'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in their example the replacement", "others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis", "vocabulary either. (Note: Bioware's Dragon Age* franchise uses 'Teyrn', 'Arl', 'Bahn' instead of", "got vaspahrs, sardars and ostandars. At which point, I'm looking at the trope", "to break the readers' suspension of disbelief by using words that are too", "own, but there's this source of inspiration.) Here's my conundrum: the land is", "inspiration.) Here's my conundrum: the land is ruled by the Shah - that's", "Persia is reminiscent of 10th century European knights). And after much research, I've", "general way that The Lord of the Rings is set in Britain. (Meaning,", "one doesn't have to wonder which part is title and which part is", "research, I've got vaspahrs, sardars and ostandars. At which point, I'm looking at", "there's this source of inspiration.) Here's my conundrum: the land is ruled by", "its own, but there's this source of inspiration.) Here's my conundrum: the land", "the position of the asvarans in 5th century Persia is reminiscent of 10th", "century European knights). And after much research, I've got vaspahrs, sardars and ostandars.", "with a setting, as if I'm telling a basically European story, only recoloured", "Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to something that has", "a setting, as if I'm telling a basically European story, only recoloured Middle-eastern.", "are equally unfamiliar. *How do I balance realism against readability in this particular", "I'm telling a basically European story, only recoloured Middle-eastern. So the knights are", "confusion. Also, the names they use are for the most part English enough.", "is Persian rather than European. But what happens under the Shah? Cnigktm, barons,", "English word. Moreover, I have only recently pointed others to this xkcd: [![A", "I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it is relevant", "of the Rings is set in Britain. (Meaning, it's set in a world", "this source of inspiration.) Here's my conundrum: the land is ruled by the", "have to wonder which part is title and which part is name. As", "rather than European. But what happens under the Shah? Cnigktm, barons, counts and", "- I'm just giving different names to something that has a perfectly good", "Consequently, looking at something like 'Arl Eamon', one doesn't have to wonder which", "under the Shah? Cnigktm, barons, counts and dukes are all titles associated with", "words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe", "perfectly good English word. Moreover, I have only recently pointed others to this", "I'm just giving different names to something that has a perfectly good English", "want to weigh on the reader with heaps of foreign-language vocabulary either. (Note:", "enough. Consequently, looking at something like 'Arl Eamon', one doesn't have to wonder", "of 10th century European knights). And after much research, I've got vaspahrs, sardars", "not believe it is relevant that I found the words I'm using in", "per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not believe it", "novel, that's set in pre-Islamic Persia, in the same general way that The", "against readability in this particular case?* I do not want to break the", "thus much easier to remember, avoiding confusion. Also, the names they use are", "want to break the readers' suspension of disbelief by using words that are", "the knights are asvarans (it's actually amazing how much the position of the", "too European, but I don't want to weigh on the reader with heaps", "looking at the trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving", "too far from the English words, and thus much easier to remember, avoiding", "European. But what happens under the Shah? Cnigktm, barons, counts and dukes are", "European story, only recoloured Middle-eastern. So the knights are asvarans (it's actually amazing", "and dukes are all titles associated with the European court. They appear to", "And after much research, I've got vaspahrs, sardars and ostandars. At which point,", "knights). And after much research, I've got vaspahrs, sardars and ostandars. At which", "you get five made-up words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/))", "'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in their example the replacement words", "relevant that I found the words I'm using in an encyclopedia rather than", "remember, avoiding confusion. Also, the names they use are for the most part", "reminiscent of 10th century European knights). And after much research, I've got vaspahrs,", "Cnigktm, barons, counts and dukes are all titles associated with the European court.", "the Shah? Cnigktm, barons, counts and dukes are all titles associated with the", "words, and thus much easier to remember, avoiding confusion. Also, the names they", "which part is title and which part is name. As opposed to 'Vaspahr", "vaspahrs, sardars and ostandars. At which point, I'm looking at the trope [Calling", "Tolkien, you get five made-up words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/)", "plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything by Lewis Carroll or Tolkien, you get", "a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to something that has a", "is set in Britain. (Meaning, it's set in a world all its own,", "it is relevant that I found the words I'm using in an encyclopedia", "from the English words, and thus much easier to remember, avoiding confusion. Also,", "title and which part is name. As opposed to 'Vaspahr Narseh', for instance.)", "I've got vaspahrs, sardars and ostandars. At which point, I'm looking at the", "English words, and thus much easier to remember, avoiding confusion. Also, the names", "recently pointed others to this xkcd: [![A plot of ](https://i.stack.imgur.com/xTVbN.png \"Except for anything", "counts and dukes are all titles associated with the European court. They appear", "rather than made them up; to the reader, they are equally unfamiliar. How", "readability in this particular case? I do not want to break the readers'", "to the reader, they are equally unfamiliar. *How do I balance realism against", "but there's this source of inspiration.) Here's my conundrum: the land is ruled", "land is ruled by the Shah - that's a given, that's expected if", "what happens under the Shah? Cnigktm, barons, counts and dukes are all titles", "of 'Duke', 'Earl', 'BuranOx'. However, in their example the replacement words are not", "way that The Lord of the Rings* is set in Britain. (Meaning, it's", "made-up words per story. I'm looking at you, Anathem.\")](https://xkcd.com/483/) ([source](https://xkcd.com/483/)) I do not", "is reminiscent of 10th century European knights). And after much research, I've got", "European knights). And after much research, I've got vaspahrs, sardars and ostandars. At", "as if I'm telling a basically European story, only recoloured Middle-eastern. So the", "than European. But what happens under the Shah? Cnigktm, barons, counts and dukes", "actually amazing how much the position of the asvarans in 5th century Persia", "Shah - that's a given, that's expected if the setting is Persian rather", "easier to remember, avoiding confusion. Also, the names they use are for the", "Carroll or Tolkien, you get five made-up words per story. I'm looking at", "trope [Calling a Rabbit a \"Smeerp\"](https://tvtropes.org/pmwiki/pmwiki.php/Main/CallARabbitASmeerp) - I'm just giving different names to", "franchise uses 'Teyrn', 'Arl', 'Bahn' instead of 'Duke', 'Earl', 'BuranOx'. However, in their", "example the replacement words are not too far from the English words, and", "the words I'm using in an encyclopedia rather than made them up; to", "dukes are all titles associated with the European court. They appear to clash", "part English enough. Consequently, looking at something like 'Arl Eamon', one doesn't have", "I'm using in an encyclopedia rather than made them up; to the reader,", "far from the English words, and thus much easier to remember, avoiding confusion.", "So the knights are asvarans (it's actually amazing how much the position of", "on a novel, that's set in pre-Islamic Persia, in the same general way" ]
[ "a character said, that you would do the usual (Author's Last name, Pahi", "Then for the Works Cited page, would I then use the artists, author", "(Author's Last name, Pahi number), but what if you're quoting a scene? Would", "that a character said, that you would do the usual (Author's Last name,", "artist, author or both? Then for the Works Cited page, would I then", "usual (Author's Last name, Pahi number), but what if you're quoting a scene?", "then use the artist, author or both? Then for the Works Cited page,", "what if you're quoting a scene? Would I then use the artist, author", "the artist, author or both? Then for the Works Cited page, would I", "scene in a comic/graphic novel. I understand that if you are quoting something", "to quote a scene in a comic/graphic novel. I understand that if you", "how to quote a scene in a comic/graphic novel. I understand that if", "a comic/graphic novel. I understand that if you are quoting something that a", "use the artist, author or both? Then for the Works Cited page, would", "you're quoting a scene? Would I then use the artist, author or both?", "you would do the usual (Author's Last name, Pahi number), but what if", "quoting something that a character said, that you would do the usual (Author's", "novel. I understand that if you are quoting something that a character said,", "quoting a scene? Would I then use the artist, author or both? Then", "quote a scene in a comic/graphic novel. I understand that if you are", "or both? Then for the Works Cited page, would I then use the", "both? Then for the Works Cited page, would I then use the artists,", "scene? Would I then use the artist, author or both? Then for the", "the Works Cited page, would I then use the artists, author or both?", "understand that if you are quoting something that a character said, that you", "the usual (Author's Last name, Pahi number), but what if you're quoting a", "I then use the artist, author or both? Then for the Works Cited", "of confused on how to quote a scene in a comic/graphic novel. I", "that you would do the usual (Author's Last name, Pahi number), but what", "would do the usual (Author's Last name, Pahi number), but what if you're", "but what if you're quoting a scene? Would I then use the artist,", "Pahi number), but what if you're quoting a scene? Would I then use", "Works Cited page, would I then use the artists, author or both? [MLA]", "I understand that if you are quoting something that a character said, that", "do the usual (Author's Last name, Pahi number), but what if you're quoting", "comic/graphic novel. I understand that if you are quoting something that a character", "something that a character said, that you would do the usual (Author's Last", "a scene? Would I then use the artist, author or both? Then for", "for the Works Cited page, would I then use the artists, author or", "a scene in a comic/graphic novel. I understand that if you are quoting", "on how to quote a scene in a comic/graphic novel. I understand that", "name, Pahi number), but what if you're quoting a scene? Would I then", "number), but what if you're quoting a scene? Would I then use the", "kind of confused on how to quote a scene in a comic/graphic novel.", "if you are quoting something that a character said, that you would do", "said, that you would do the usual (Author's Last name, Pahi number), but", "are quoting something that a character said, that you would do the usual", "Last name, Pahi number), but what if you're quoting a scene? Would I", "character said, that you would do the usual (Author's Last name, Pahi number),", "if you're quoting a scene? Would I then use the artist, author or", "author or both? Then for the Works Cited page, would I then use", "that if you are quoting something that a character said, that you would", "I'm kind of confused on how to quote a scene in a comic/graphic", "Would I then use the artist, author or both? Then for the Works", "confused on how to quote a scene in a comic/graphic novel. I understand", "you are quoting something that a character said, that you would do the", "in a comic/graphic novel. I understand that if you are quoting something that" ]
[ "of the worst kind was seldom considered an offense against the woman, but", "combat for entertainment, slaughtering regular citizens in a foreign town during a war/raid", "impression that ethics like these were virtually nonexistent. People had circles of empathy,", "the woman, but at worst, it was considered an offense against the man", "readers respect varying levels of moral values that would normally differentiate people between", "when I read books in ancient-like settings (settings that are either in real", "stomachs turn, but were considered perfectly acceptable, and even commendable. I'm not a", "modern to reflect even the best people in actual ancient civilizations. Suppose I", "nonexistent. People had circles of empathy, but the idea of, say, caring about", "accounts of just about any civilization prior to the 18th century, I get", "and stay true to their word, express humility when warranted, love and make", "Angels of our Nature is what gave me the most recent impression of", "the impression that, in ancient-like settings in fiction, characters (usually protagonists) are given", "I read books in ancient-like settings (settings that are either in real ancient", "considered an offense against the man who \"owns\" the woman (the husband, or", "Usually when I read books in ancient-like settings (settings that are either in", "of different sexes and ethnicities. However, when I read historical accounts of just", "characters who employ modern humanitarian ethics such as caring about the welfare of", "sexes and ethnicities. However, when I read historical accounts of just about any", "with any character in an ancient-like setting with ethics that realistically portray that", "wanting equal treatment for people of different sexes and ethnicities. However, when I", "understanding of ethics in ancient civilizations comes from reading small articles and popular", "most of my readers? Or am I forced to suspend some disbelief and", "which I'm writing. So I want even the most sympathetic characters to be", "alienating most of my readers? Or am I forced to suspend some disbelief", "really considered. Even for people in their own states, most people didn't balk", "characters would still generally care about their fellow (free, usually male and property-owning)", "heroes and villains, I do want to have characters for whom the reader", "levels of moral values that would normally differentiate people between \"good\" and \"bad\"", "usually male and property-owning) Roman citizens, have codes of conduct for things like", "have characters for whom the reader will have varying levels of sympathy. I", "the setting was similar to the Roman Empire, main characters should be okay", "our modern stomachs turn, but were considered perfectly acceptable, and even commendable. I'm", "civilizations on Earth, or fantasy settings similar to those), there are relatable characters", "the best people in actual ancient civilizations.** Suppose I want to write fiction", "in those settings, if, by our modern standards, basically everyone is a monster?", "popular books (The Better Angels of our Nature is what gave me the", "with crucifying people in public squares for stealing, owning slaves and pitting them", "just about every civilization that had the means to do so, prior to", "sacrifices for their family, etc. I'm skeptical that even I could possibly sympathize", "that setting. Would the readers respect varying levels of moral values that would", "in fiction, characters (usually protagonists) are given ethics that are far too modern", "wasn't even really considered. Even for people in their own states, most people", "different sexes and ethnicities. However, when I read historical accounts of just about", "get the impression that ethics like these were virtually nonexistent. People had circles", "everyone is a monster? *Is it possible to do this without alienating most", "do this without alienating most of my readers? Or am I forced to", "even the most sympathetic characters to be perfectly fine with certain contemporary values", "different state, or wanting equal treatment for people of different sexes and ethnicities.", "settings similar* to those), there are relatable characters who employ modern humanitarian ethics", "and popular books (The Better Angels of our Nature is what gave me", "make sacrifices for their family, etc. I'm skeptical that even I could possibly", "recent impression of historical ethics). So maybe I'm wrong about this. But I", "I want to write fiction in an ancient-like setting. While I'm not going", "offense against the woman, but at worst, it was considered an offense against", "and letting your soldiers enjoy their \"spoils\", etc. But the \"good\" characters would", "about every civilization that had the means to do so, prior to the", "fantasy settings similar to those), there are relatable characters who employ modern humanitarian", "get the impression that, in ancient-like settings in fiction, characters (usually protagonists) are", "are relatable characters who employ modern humanitarian ethics such as caring about the", "especially war prisoners, wasn't even really considered. Even for people in their own", "that are far too modern to reflect even the best people in actual", "treatment for people of different sexes and ethnicities. However, when I read historical", "settings, if, by our modern standards, basically everyone is a monster? Is it", "offense against the man who \"owns\" the woman (the husband, or father if", "the Roman Empire, main characters should be okay with crucifying people in public", "if, by our modern standards, basically everyone is a monster? *Is it possible", "do so, prior to the 19th century. Sexual assault of the worst kind", "in their own states, most people didn't balk at the idea of impaling", "my readers? Or am I forced to suspend some disbelief and impose unrealistically", "writing. So I want even the most sympathetic characters to be perfectly fine", "possible to do this without alienating most of my readers? Or am I", "ethics). So maybe I'm wrong about this. But I generally get the impression", "be able to follow some characters and hope* they succeed. However, I also", "more examples of values that would make our modern stomachs turn, but were", "idea of, say, caring about people in different states, especially war prisoners, wasn't", "normally differentiate people between \"good\" and \"bad\" in those settings, if, by our", "ethics such as caring about the welfare of criminals or war prisoners from", "So maybe I'm wrong about this. But I generally get the impression that,", "ancient-like settings in fiction, characters (usually protagonists) are given ethics that are far", "ancient-like setting. While I'm not going for totally unambiguous heroes and villains, I", "me the most recent impression of historical ethics). So maybe I'm wrong about", "your soldiers enjoy their \"spoils\", etc. But the \"good\" characters would still generally", "However, when I read historical accounts of just about any civilization prior to", "But the \"good\" characters would still generally care about their fellow (free, usually", "had the means to do so, prior to the 19th century. Sexual assault", "for their family, etc. I'm skeptical that even I could possibly sympathize with", "in a public square for trivial crimes like stealing or speaking out against", "monster? *Is it possible to do this without alienating most of my readers?", "on Earth, or fantasy settings similar* to those), there are relatable characters who", "generally reflect real historical civilizations that were as close as possible to the", "them in deadly combat for entertainment, slaughtering regular citizens in a foreign town", "ancient-like settings (settings that are either in real ancient civilizations on Earth, or", "sympathize with any character in an ancient-like setting with ethics that realistically portray", "to people in ancient-like settings just to make the story compelling enough to", "own states, most people didn't balk at the idea of impaling someone in", "consider abhorrent. For example, if the setting was similar to the Roman Empire,", "ancient civilizations on Earth, or fantasy settings similar to those), there are relatable", "I'm skeptical that even I could possibly sympathize with any character in an", "am I forced to suspend some disbelief and impose unrealistically modern ethics to", "possibly sympathize with any character in an ancient-like setting with ethics that realistically", "generally get the impression that, *in ancient-like settings in fiction, characters (usually protagonists)", "varying levels of moral values that would normally differentiate people between \"good\" and", "the 19th century. Sexual assault of the worst kind was seldom considered an", "prisoners, wasn't even really considered. Even for people in their own states, most", "plenty more examples of values that would make our modern stomachs turn, but", "the reader will have varying levels of sympathy. I want the readers to", "would generally consider abhorrent. For example, if the setting was similar to the", "even I* could possibly sympathize with any character in an ancient-like setting with", "had circles of empathy, but the idea of, say, caring about people in", "generally care about their fellow (free, usually male and property-owning) Roman citizens, have", "employ modern humanitarian ethics such as caring about the welfare of criminals or", "a public square for trivial crimes like stealing or speaking out against their", "in ancient-like settings (settings that are either in real ancient civilizations on Earth,", "against the man who \"owns\" the woman (the husband, or father if the", "etc. I'm skeptical that even I could possibly sympathize with any character in", "modern humanitarian ethics such as caring about the welfare of criminals or war", "people in different states, especially war prisoners, wasn't even really considered. Even for", "sympathy. I want the readers to be able to follow some characters and", "possible to the fictional setting in which I'm writing. So I want even", "property-owning) Roman citizens, have codes of conduct for things like honoring a deal", "still generally care about their fellow (free, usually male and property-owning) Roman citizens,", "ethics to people in ancient-like settings just to make the story compelling enough", "considered an offense against the woman, but at worst, it was considered an", "the fictional setting in which I'm writing. So I want even the most", "generally consider abhorrent. For example, if the setting was similar to the Roman", "this without alienating most of my readers? Or am I forced to suspend", "protagonists) are given ethics that are far too modern to reflect even the", "even commendable. I'm not a historian. The bulk of my understanding of ethics", "of empathy, but the idea of, say, caring about people in different states,", "speaking out against their monarch. Slavery was practiced in just about every civilization", "owning slaves and pitting them in deadly combat for entertainment, slaughtering regular citizens", "by our modern standards, basically everyone is a monster? Is it possible to", "\"good\" and \"bad\" in those settings, if, by our modern standards, basically everyone", "far too modern to reflect even the best people in actual ancient civilizations.", "Nature is what gave me the most recent impression of historical ethics). So", "people in actual ancient civilizations. Suppose I want to write fiction in an", "The bulk of my understanding of ethics in ancient civilizations comes from reading", "that ethics like these were virtually nonexistent. People had circles of empathy, but", "I'm not going for totally unambiguous heroes and villains, I do want to", "about this. But I generally get the impression that, in ancient-like settings in", "skeptical that even I could possibly sympathize with any character in an ancient-like", "and even commendable. I'm not a historian. The bulk of my understanding of", "war prisoners, wasn't even really considered. Even for people in their own states,", "or war prisoners from a different state, or wanting equal treatment for people", "certain contemporary values that we would generally consider abhorrent. For example, if the", "deadly combat for entertainment, slaughtering regular citizens in a foreign town during a", "values that we would generally consider abhorrent. For example, if the setting was", "gave me the most recent impression of historical ethics). So maybe I'm wrong", "either in real ancient civilizations on Earth, or fantasy settings similar to those),", "codes of conduct for things like honoring a deal or contract, have integrity", "their monarch. Slavery was practiced in just about every civilization that had the", "with certain contemporary values that we would generally consider abhorrent. For example, if", "ethics to generally reflect real historical civilizations that were as close as possible", "varying levels of sympathy. I want the readers to be able to follow", "citizens, have codes of conduct for things like honoring a deal or contract,", "values that would normally differentiate people between \"good\" and \"bad\" in those settings,", "impression that, *in ancient-like settings in fiction, characters (usually protagonists) are given ethics", "to the fictional setting in which I'm writing. So I want even the", "considered perfectly acceptable, and even commendable. I'm not a historian. The bulk of", "their fellow (free, usually male and property-owning) Roman citizens, have codes of conduct", "father if the woman is unmarried). There are plenty more examples of values", "means to do so, prior to the 19th century. Sexual assault of the", "the welfare of criminals or war prisoners from a different state, or wanting", "was similar to the Roman Empire, main characters should be okay with crucifying", "their own states, most people didn't balk at the idea of impaling someone", "stealing, owning slaves and pitting them in deadly combat for entertainment, slaughtering regular", "some characters and hope* they succeed. However, I also want people's ethics to", "love and make sacrifices for their family, etc. I'm skeptical that even I", "they succeed. However, I also want people's ethics to generally reflect real historical", "a historian. The bulk of my understanding of ethics in ancient civilizations comes", "is a monster? *Is it possible to do this without alienating most of", "most recent impression of historical ethics). So maybe I'm wrong about this. But", "an offense against the woman, but at worst, it was considered an offense", "acceptable, and even commendable. I'm not a historian. The bulk of my understanding", "war prisoners from a different state, or wanting equal treatment for people of", "humanitarian ethics such as caring about the welfare of criminals or war prisoners", "would still generally care about their fellow (free, usually male and property-owning) Roman", "as close as possible to the fictional setting in which I'm writing. So", "could possibly sympathize with any character in an ancient-like setting with ethics that", "ancient-like setting with ethics that realistically portray that setting. Would the readers respect", "unambiguous heroes and villains, I do want to have characters for whom the", "were considered perfectly acceptable, and even commendable. I'm not a historian. The bulk", "who employ modern humanitarian ethics such as caring about the welfare of criminals", "in ancient civilizations comes from reading small articles and popular books (The Better", "Roman Empire, main characters should be okay with crucifying people in public squares", "people in their own states, most people didn't balk at the idea of", "the impression that ethics like these were virtually nonexistent. People had circles of", "characters and hope* they succeed. However, I also want people's ethics to generally", "settings (settings that are either in real ancient civilizations on Earth, or fantasy", "of criminals or war prisoners from a different state, or wanting equal treatment", "from reading small articles and popular books (The Better Angels of our Nature", "the man who \"owns\" the woman (the husband, or father if the woman", "these were virtually nonexistent. People had circles of empathy, but the idea of,", "differentiate people between \"good\" and \"bad\" in those settings, if, by our modern", "circles of empathy, but the idea of, say, caring about people in different", "comes from reading small articles and popular books (The Better Angels of our", "ethics that realistically portray that setting. Would the readers respect varying levels of", "that had the means to do so, prior to the 19th century. Sexual", "against the woman, but at worst, it was considered an offense against the", "their word, express humility when warranted, love and make sacrifices for their family,", "empathy, but the idea of, say, caring about people in different states, especially", "foreign town during a war/raid and letting your soldiers enjoy their \"spoils\", etc.", "have integrity and stay true to their word, express humility when warranted, love", "in real ancient civilizations on Earth, or fantasy settings similar to those), there", "honoring a deal or contract, have integrity and stay true to their word,", "books in ancient-like settings (settings that are either in real ancient civilizations on", "about any civilization prior to the 18th century, I get the impression that", "squares for stealing, owning slaves and pitting them in deadly combat for entertainment,", "or fantasy settings similar to those), there are relatable characters who employ modern", "about people in different states, especially war prisoners, wasn't even really considered. Even", "humility when warranted, love and make sacrifices for their family, etc. I'm skeptical", "I generally get the impression that, in ancient-like settings in fiction, characters (usually", "those), there are relatable characters who employ modern humanitarian ethics such as caring", "not a historian. The bulk of my understanding of ethics in ancient civilizations", "it was considered an offense against the man who \"owns\" the woman (the", "for stealing, owning slaves and pitting them in deadly combat for entertainment, slaughtering", "settings in fiction, characters (usually protagonists) are given ethics that are far too", "integrity and stay true to their word, express humility when warranted, love and", "to the 18th century, I get the impression that ethics like these were", "levels of sympathy. 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People had circles of empathy, but the idea of, say, caring", "I do want to have characters for whom the reader will have varying", "want even the most sympathetic characters to be perfectly fine with certain contemporary", "most people didn't balk at the idea of impaling someone in a public", "relatable characters who employ modern humanitarian ethics such as caring about the welfare", "the idea of impaling someone in a public square for trivial crimes like", "for whom the reader will have varying levels of sympathy. I want the", "trivial crimes like stealing or speaking out against their monarch. Slavery was practiced", "pitting them in deadly combat for entertainment, slaughtering regular citizens in a foreign", "to the 19th century. Sexual assault of the worst kind was seldom considered", "this. But I generally get the impression that, *in ancient-like settings in fiction,", "with ethics that realistically portray that setting. Would the readers respect varying levels", "woman is unmarried). There are plenty more examples of values that would make", "man who \"owns\" the woman (the husband, or father if the woman is", "deal or contract, have integrity and stay true to their word, express humility", "in an ancient-like setting with ethics that realistically portray that setting. Would the", "I want the readers to be able to follow some characters and hope", "similar to the Roman Empire, main characters should be okay with crucifying people", "square for trivial crimes like stealing or speaking out against their monarch. Slavery", "at the idea of impaling someone in a public square for trivial crimes", "citizens in a foreign town during a war/raid and letting your soldiers enjoy", "that, in ancient-like settings in fiction, characters (usually protagonists) are given ethics that", "the woman is unmarried). There are plenty more examples of values that would", "between \"good\" and \"bad\" in those settings, if, by our modern standards, basically", "caring about people in different states, especially war prisoners, wasn't even really considered.", "so, prior to the 19th century. Sexual assault of the worst kind was", "Even for people in their own states, most people didn't balk at the", "actual ancient civilizations.* Suppose I want to write fiction in an ancient-like setting.", "if the setting was similar to the Roman Empire, main characters should be", "war/raid and letting your soldiers enjoy their \"spoils\", etc. But the \"good\" characters", "of conduct for things like honoring a deal or contract, have integrity and", "practiced in just about every civilization that had the means to do so,", "is what gave me the most recent impression of historical ethics). So maybe", "characters should be okay with crucifying people in public squares for stealing, owning", "reflect even the best people in actual ancient civilizations.** Suppose I want to", "modern ethics to people in ancient-like settings just to make the story compelling", "that were as close as possible to the fictional setting in which I'm", "of historical ethics). So maybe I'm wrong about this. But I generally get", "small articles and popular books (The Better Angels of our Nature is what", "have varying levels of sympathy. I want the readers to be able to", "However, I also want people's ethics to generally reflect real historical civilizations that", "Empire, main characters should be okay with crucifying people in public squares for", "family, etc. I'm skeptical that even I could possibly sympathize with any character", "\"owns\" the woman (the husband, or father if the woman is unmarried). There", "ancient civilizations comes from reading small articles and popular books (The Better Angels", "perfectly acceptable, and even commendable. I'm not a historian. The bulk of my", "my understanding of ethics in ancient civilizations comes from reading small articles and", "given ethics that are far too modern to reflect even the best people", "reader will have varying levels of sympathy. I want the readers to be", "to suspend some disbelief and impose unrealistically modern ethics to people in ancient-like", "modern standards, basically everyone is a monster? *Is it possible to do this", "to their word, express humility when warranted, love and make sacrifices for their", "criminals or war prisoners from a different state, or wanting equal treatment for", "but were considered perfectly acceptable, and even commendable. I'm not a historian. The", "stealing or speaking out against their monarch. Slavery was practiced in just about", "Or am I forced to suspend some disbelief and impose unrealistically modern ethics", "from a different state, or wanting equal treatment for people of different sexes", "example, if the setting was similar to the Roman Empire, main characters should", "there are relatable characters who employ modern humanitarian ethics such as caring about", "town during a war/raid and letting your soldiers enjoy their \"spoils\", etc. But", "that are either in real ancient civilizations on Earth, or fantasy settings similar", "the idea of, say, caring about people in different states, especially war prisoners,", "if the woman is unmarried). There are plenty more examples of values that", "to be able to follow some characters and hope* they succeed. However, I", "be perfectly fine with certain contemporary values that we would generally consider abhorrent.", "I could possibly sympathize with any character in an ancient-like setting with ethics", "true to their word, express humility when warranted, love and make sacrifices for", "unrealistically modern ethics to people in ancient-like settings just to make the story", "Slavery was practiced in just about every civilization that had the means to", "sympathetic characters to be perfectly fine with certain contemporary values that we would", "hope they succeed. However, I also want people's ethics to generally reflect real", "are far too modern to reflect even the best people in actual ancient", "real historical civilizations that were as close as possible to the fictional setting", "There are plenty more examples of values that would make our modern stomachs", "best people in actual ancient civilizations. Suppose I want to write fiction in", "read historical accounts of just about any civilization prior to the 18th century,", "civilization that had the means to do so, prior to the 19th century.", "seldom considered an offense against the woman, but at worst, it was considered", "civilizations. Suppose I want to write fiction in an ancient-like setting. While I'm", "crimes like stealing or speaking out against their monarch. Slavery was practiced in", "the readers respect varying levels of moral values that would normally differentiate people", "turn, but were considered perfectly acceptable, and even commendable. I'm not a historian.", "characters (usually protagonists) are given ethics that are far too modern to reflect", "what gave me the most recent impression of historical ethics). So maybe I'm", "realistically portray that setting. Would the readers respect varying levels of moral values", "slaves and pitting them in deadly combat for entertainment, slaughtering regular citizens in", "enjoy their \"spoils\", etc. But the \"good\" characters would still generally care about", "historical accounts of just about any civilization prior to the 18th century, I", "Sexual assault of the worst kind was seldom considered an offense against the", "\"bad\" in those settings, if, by our modern standards, basically everyone is a", "a war/raid and letting your soldiers enjoy their \"spoils\", etc. But the \"good\"", "about the welfare of criminals or war prisoners from a different state, or", "prisoners from a different state, or wanting equal treatment for people of different", "historical ethics). So maybe I'm wrong about this. But I generally get the", "worst, it was considered an offense against the man who \"owns\" the woman", "states, especially war prisoners, wasn't even really considered. Even for people in their", "of sympathy. I want the readers to be able to follow some characters", "fine with certain contemporary values that we would generally consider abhorrent. For example,", "public squares for stealing, owning slaves and pitting them in deadly combat for", "or wanting equal treatment for people of different sexes and ethnicities. However, when", "like stealing or speaking out against their monarch. Slavery was practiced in just", "out against their monarch. Slavery was practiced in just about every civilization that", "century. Sexual assault of the worst kind was seldom considered an offense against", "moral values that would normally differentiate people between \"good\" and \"bad\" in those", "slaughtering regular citizens in a foreign town during a war/raid and letting your", "a different state, or wanting equal treatment for people of different sexes and", "an ancient-like setting. While I'm not going for totally unambiguous heroes and villains,", "were virtually nonexistent. People had circles of empathy, but the idea of, say,", "husband, or father if the woman is unmarried). There are plenty more examples", "a deal or contract, have integrity and stay true to their word, express", "of values that would make our modern stomachs turn, but were considered perfectly", "woman, but at worst, it was considered an offense against the man who", "So I want even the most sympathetic characters to be perfectly fine with", "and make sacrifices for their family, etc. I'm skeptical that even I could", "I'm wrong about this. But I generally get the impression that, in ancient-like", "were as close as possible to the fictional setting in which I'm writing.", "basically everyone is a monster? Is it possible to do this without alienating", "in which I'm writing. So I want even the most sympathetic characters to", "in actual ancient civilizations.** Suppose I want to write fiction in an ancient-like", "reflect real historical civilizations that were as close as possible to the fictional", "when warranted, love and make sacrifices for their family, etc. I'm skeptical that", "I'm not a historian. The bulk of my understanding of ethics in ancient", "of our Nature is what gave me the most recent impression of historical", "fiction, characters (usually protagonists) are given ethics that are far too modern to", "to do so, prior to the 19th century. Sexual assault of the worst", "Roman citizens, have codes of conduct for things like honoring a deal or", "who \"owns\" the woman (the husband, or father if the woman is unmarried).", "want the readers to be able to follow some characters and hope they", "of my understanding of ethics in ancient civilizations comes from reading small articles", "For example, if the setting was similar to the Roman Empire, main characters", "commendable. I'm not a historian. The bulk of my understanding of ethics in", "\"spoils\", etc. But the \"good\" characters would still generally care about their fellow", "word, express humility when warranted, love and make sacrifices for their family, etc.", "during a war/raid and letting your soldiers enjoy their \"spoils\", etc. But the", "most sympathetic characters to be perfectly fine with certain contemporary values that we", "I read historical accounts of just about any civilization prior to the 18th", "values that would make our modern stomachs turn, but were considered perfectly acceptable,", "setting. While I'm not going for totally unambiguous heroes and villains, I do", "and impose unrealistically modern ethics to people in ancient-like settings just to make", "is unmarried). There are plenty more examples of values that would make our", "respect varying levels of moral values that would normally differentiate people between \"good\"", "at worst, it was considered an offense against the man who \"owns\" the", "would normally differentiate people between \"good\" and \"bad\" in those settings, if, by", "as caring about the welfare of criminals or war prisoners from a different", "kind was seldom considered an offense against the woman, but at worst, it", "woman (the husband, or father if the woman is unmarried). There are plenty", "a monster? *Is it possible to do this without alienating most of my", "reading small articles and popular books (The Better Angels of our Nature is", "that we would generally consider abhorrent. For example, if the setting was similar", "totally unambiguous heroes and villains, I do want to have characters for whom", "characters to be perfectly fine with certain contemporary values that we would generally", "whom the reader will have varying levels of sympathy. I want the readers", "to have characters for whom the reader will have varying levels of sympathy.", "to generally reflect real historical civilizations that were as close as possible to", "setting was similar to the Roman Empire, main characters should be okay with", "their \"spoils\", etc. But the \"good\" characters would still generally care about their", "want people's ethics to generally reflect real historical civilizations that were as close", "abhorrent. For example, if the setting was similar to the Roman Empire, main", "about their fellow (free, usually male and property-owning) Roman citizens, have codes of", "in deadly combat for entertainment, slaughtering regular citizens in a foreign town during", "write fiction in an ancient-like setting. While I'm not going for totally unambiguous", "impaling someone in a public square for trivial crimes like stealing or speaking", "While I'm not going for totally unambiguous heroes and villains, I do want", "prior to the 19th century. Sexual assault of the worst kind was seldom", "the means to do so, prior to the 19th century. Sexual assault of", "and property-owning) Roman citizens, have codes of conduct for things like honoring a", "male and property-owning) Roman citizens, have codes of conduct for things like honoring", "people between \"good\" and \"bad\" in those settings, if, by our modern standards,", "warranted, love and make sacrifices for their family, etc. I'm skeptical that even", "to do this without alienating most of my readers? Or am I forced", "contemporary values that we would generally consider abhorrent. For example, if the setting", "follow some characters and hope* they succeed. However, I also want people's ethics", "to reflect even the best people in actual ancient civilizations. Suppose I want", "fiction in an ancient-like setting. While I'm not going for totally unambiguous heroes", "want to have characters for whom the reader will have varying levels of", "(free, usually male and property-owning) Roman citizens, have codes of conduct for things", "of ethics in ancient civilizations comes from reading small articles and popular books", "or father if the woman is unmarried). There are plenty more examples of", "just about any civilization prior to the 18th century, I get the impression", "our Nature is what gave me the most recent impression of historical ethics).", "not going for totally unambiguous heroes and villains, I do want to have", "standards, basically everyone is a monster? Is it possible to do this without", "want to write fiction in an ancient-like setting. While I'm not going for", "the woman (the husband, or father if the woman is unmarried). There are", "didn't balk at the idea of impaling someone in a public square for", "civilizations that were as close as possible to the fictional setting in which", "modern stomachs turn, but were considered perfectly acceptable, and even commendable. I'm not", "characters for whom the reader will have varying levels of sympathy. I want", "setting. Would the readers respect varying levels of moral values that would normally", "as possible to the fictional setting in which I'm writing. So I want", "\"good\" characters would still generally care about their fellow (free, usually male and", "also want people's ethics to generally reflect real historical civilizations that were as", "But I generally get the impression that, in ancient-like settings in fiction, characters", "fellow (free, usually male and property-owning) Roman citizens, have codes of conduct for", "villains, I do want to have characters for whom the reader will have", "Suppose I want to write fiction in an ancient-like setting. While I'm not", "a foreign town during a war/raid and letting your soldiers enjoy their \"spoils\",", "(usually protagonists) are given ethics that are far too modern to reflect even", "civilization prior to the 18th century, I get the impression that ethics like", "some disbelief and impose unrealistically modern ethics to people in ancient-like settings just", "books (The Better Angels of our Nature is what gave me the most", "in ancient-like settings in fiction, characters (usually protagonists) are given ethics that are", "in public squares for stealing, owning slaves and pitting them in deadly combat", "succeed. However, I also want people's ethics to generally reflect real historical civilizations", "public square for trivial crimes like stealing or speaking out against their monarch.", "read books in ancient-like settings (settings that are either in real ancient civilizations", "without alienating most of my readers? Or am I forced to suspend some", "monarch. Slavery was practiced in just about every civilization that had the means", "for trivial crimes like stealing or speaking out against their monarch. Slavery was", "any character in an ancient-like setting with ethics that realistically portray that setting.", "(the husband, or father if the woman is unmarried). There are plenty more", "setting in which I'm writing. So I want even the most sympathetic characters", "regular citizens in a foreign town during a war/raid and letting your soldiers", "people's ethics to generally reflect real historical civilizations that were as close as", "should be okay with crucifying people in public squares for stealing, owning slaves", "when I read historical accounts of just about any civilization prior to the", "every civilization that had the means to do so, prior to the 19th", "say, caring about people in different states, especially war prisoners, wasn't even really", "19th century. Sexual assault of the worst kind was seldom considered an offense", "someone in a public square for trivial crimes like stealing or speaking out", "any civilization prior to the 18th century, I get the impression that ethics", "civilizations comes from reading small articles and popular books (The Better Angels of", "be okay with crucifying people in public squares for stealing, owning slaves and", "such as caring about the welfare of criminals or war prisoners from a", "and ethnicities. However, when I read historical accounts of just about any civilization", "welfare of criminals or war prisoners from a different state, or wanting equal", "crucifying people in public squares for stealing, owning slaves and pitting them in", "equal treatment for people of different sexes and ethnicities. However, when I read", "prior to the 18th century, I get the impression that ethics like these", "articles and popular books (The Better Angels of our Nature is what gave", "conduct for things like honoring a deal or contract, have integrity and stay", "I forced to suspend some disbelief and impose unrealistically modern ethics to people", "ancient civilizations.** Suppose I want to write fiction in an ancient-like setting. While", "real ancient civilizations on Earth, or fantasy settings similar to those), there are", "to write fiction in an ancient-like setting. While I'm not going for totally", "letting your soldiers enjoy their \"spoils\", etc. But the \"good\" characters would still", "idea of impaling someone in a public square for trivial crimes like stealing", "ethnicities. However, when I read historical accounts of just about any civilization prior", "examples of values that would make our modern stomachs turn, but were considered", "people in ancient-like settings just to make the story compelling enough to follow?*", "to the Roman Empire, main characters should be okay with crucifying people in", "an ancient-like setting with ethics that realistically portray that setting. Would the readers", "for people of different sexes and ethnicities. However, when I read historical accounts", "(settings that are either in real ancient civilizations on Earth, or fantasy settings", "that even I* could possibly sympathize with any character in an ancient-like setting", "or contract, have integrity and stay true to their word, express humility when", "those settings, if, by our modern standards, basically everyone is a monster? *Is", "soldiers enjoy their \"spoils\", etc. But the \"good\" characters would still generally care", "Better Angels of our Nature is what gave me the most recent impression", "people of different sexes and ethnicities. However, when I read historical accounts of", "but the idea of, say, caring about people in different states, especially war", "the readers to be able to follow some characters and hope* they succeed.", "People had circles of empathy, but the idea of, say, caring about people", "like these were virtually nonexistent. People had circles of empathy, but the idea", "unmarried). There are plenty more examples of values that would make our modern", "things like honoring a deal or contract, have integrity and stay true to", "people didn't balk at the idea of impaling someone in a public square", "of moral values that would normally differentiate people between \"good\" and \"bad\" in", "and hope they succeed. However, I also want people's ethics to generally reflect", "would make our modern stomachs turn, but were considered perfectly acceptable, and even", "was considered an offense against the man who \"owns\" the woman (the husband,", "wrong about this. But I generally get the impression that, in ancient-like settings", "I'm writing. So I want even the most sympathetic characters to be perfectly", "are plenty more examples of values that would make our modern stomachs turn,", "even really considered. Even for people in their own states, most people didn't", "or speaking out against their monarch. Slavery was practiced in just about every", "of, say, caring about people in different states, especially war prisoners, wasn't even", "in an ancient-like setting. While I'm not going for totally unambiguous heroes and", "even the best people in actual ancient civilizations. Suppose I want to write", "the 18th century, I get the impression that ethics like these were virtually", "their family, etc. I'm skeptical that even I could possibly sympathize with any", "close as possible to the fictional setting in which I'm writing. So I", "make our modern stomachs turn, but were considered perfectly acceptable, and even commendable.", "readers to be able to follow some characters and hope they succeed. However,", "able to follow some characters and hope they succeed. However, I also want", "different states, especially war prisoners, wasn't even really considered. Even for people in", "portray that setting. Would the readers respect varying levels of moral values that", "historical civilizations that were as close as possible to the fictional setting in", "and pitting them in deadly combat for entertainment, slaughtering regular citizens in a", "contract, have integrity and stay true to their word, express humility when warranted,", "to those), there are relatable characters who employ modern humanitarian ethics such as", "the worst kind was seldom considered an offense against the woman, but at", "state, or wanting equal treatment for people of different sexes and ethnicities. However,", "for totally unambiguous heroes and villains, I do want to have characters for", "for things like honoring a deal or contract, have integrity and stay true", "stay true to their word, express humility when warranted, love and make sacrifices", "and villains, I do want to have characters for whom the reader will", "18th century, I get the impression that ethics like these were virtually nonexistent.", "an offense against the man who \"owns\" the woman (the husband, or father", "going for totally unambiguous heroes and villains, I do want to have characters", "our modern standards, basically everyone is a monster? *Is it possible to do", "people in public squares for stealing, owning slaves and pitting them in deadly", "against their monarch. Slavery was practiced in just about every civilization that had", "similar* to those), there are relatable characters who employ modern humanitarian ethics such", "in just about every civilization that had the means to do so, prior", "balk at the idea of impaling someone in a public square for trivial", "but at worst, it was considered an offense against the man who \"owns\"", "the most recent impression of historical ethics). So maybe I'm wrong about this.", "entertainment, slaughtering regular citizens in a foreign town during a war/raid and letting", "of my readers? Or am I forced to suspend some disbelief and impose", "century, I get the impression that ethics like these were virtually nonexistent. People", "caring about the welfare of criminals or war prisoners from a different state,", "to be perfectly fine with certain contemporary values that we would generally consider", "ethics like these were virtually nonexistent. People had circles of empathy, but the", "was seldom considered an offense against the woman, but at worst, it was", "ethics that are far too modern to reflect even the best people in", "I get the impression that ethics like these were virtually nonexistent. People had", "for people in their own states, most people didn't balk at the idea", "Earth, or fantasy settings similar to those), there are relatable characters who employ", "and \"bad\" in those settings, if, by our modern standards, basically everyone is", "main characters should be okay with crucifying people in public squares for stealing,", "in a foreign town during a war/raid and letting your soldiers enjoy their", "of impaling someone in a public square for trivial crimes like stealing or", "disbelief and impose unrealistically modern ethics to people in ancient-like settings just to", "perfectly fine with certain contemporary values that we would generally consider abhorrent. For", "to follow some characters and hope they succeed. However, I also want people's", "historian. The bulk of my understanding of ethics in ancient civilizations comes from", "I also want people's ethics to generally reflect real historical civilizations that were", "considered. Even for people in their own states, most people didn't balk at", "are either in real ancient civilizations on Earth, or fantasy settings similar to", "Is it possible to do this without alienating most of my readers? Or", "impression of historical ethics). So maybe I'm wrong about this. But I generally", "worst kind was seldom considered an offense against the woman, but at worst,", "forced to suspend some disbelief and impose unrealistically modern ethics to people in", "of just about any civilization prior to the 18th century, I get the", "(The Better Angels of our Nature is what gave me the most recent", "that would make our modern stomachs turn, but were considered perfectly acceptable, and", "do want to have characters for whom the reader will have varying levels", "states, most people didn't balk at the idea of impaling someone in a", "impose unrealistically modern ethics to people in ancient-like settings just to make the", "are given ethics that are far too modern to reflect even the best", "etc. But the \"good\" characters would still generally care about their fellow (free,", "assault of the worst kind was seldom considered an offense against the woman,", "for entertainment, slaughtering regular citizens in a foreign town during a war/raid and", "Would the readers respect varying levels of moral values that would normally differentiate", "maybe I'm wrong about this. But I generally get the impression that, in", "okay with crucifying people in public squares for stealing, owning slaves and pitting", "setting with ethics that realistically portray that setting. Would the readers respect varying", "bulk of my understanding of ethics in ancient civilizations comes from reading small", "express humility when warranted, love and make sacrifices for their family, etc. I'm", "I want even the most sympathetic characters to be perfectly fine with certain", "will have varying levels of sympathy. I want the readers to be able", "character in an ancient-like setting with ethics that realistically portray that setting. Would", "in different states, especially war prisoners, wasn't even really considered. Even for people", "suspend some disbelief and impose unrealistically modern ethics to people in ancient-like settings", "that realistically portray that setting. Would the readers respect varying levels of moral", "fictional setting in which I'm writing. So I want even the most sympathetic", "like honoring a deal or contract, have integrity and stay true to their", "ethics in ancient civilizations comes from reading small articles and popular books (The" ]
[ "with suspicion by the world due to their \"impure\" taint. In the few", "an alternate realm called the spirit world. Humans existed as separate physical entities,", "ready to be born, it must pass through the spirit world into the", "are malevolent spirits in the other world that seek to corrupt the child", "maintain an attachment to the spirit realm due to their connection with god.", "being examined. Killing children is a taboo, and people reading it may say", "In the few places they are tolerated, they exist on the fringes and", "risk killing the mother. These children are not born evil, but are treated", "be born prematurely, and risk killing the mother. These children are not born", "affected by these spirits and develop deformities (extra eyes, tentacles for arms, horns,", "child is ready to be born, it must pass through the spirit world", "you portray this in a less negative or at least sympathetic, light to", "act as a barrier of protection to prevent this. However, runes must be", "many other places, such as this democratic nation, they are simply killed after", "can be born prematurely, and risk killing the mother. These children are not", "to act as a barrier of protection to prevent this. However, runes must", "a fetus to be affected by these spirits and develop deformities (extra eyes,", "(extra eyes, tentacles for arms, horns, etc). These children can be born prematurely,", "possible for a fetus to be affected by these spirits and develop deformities", "children is a taboo, and people reading it may say \"author thinks we", "These children are not born evil, but are treated with suspicion by the", "because reasons\". How can you portray this in a less negative or at", "they exist on the fringes and often become a self fulfilling prophecy. In", "mother to act as a barrier of protection to prevent this. However, runes", "killed after being examined. Killing children is a taboo, and people reading it", "self fulfilling prophecy. In many other places, such as this democratic nation, they", "a child is ready to be born, it must pass through the spirit", "How can you portray this in a less negative or at least sympathetic,", "physical. There are malevolent spirits in the other world that seek to corrupt", "to be affected by these spirits and develop deformities (extra eyes, tentacles for", "not born evil, but are treated with suspicion by the world due to", "few places they are tolerated, they exist on the fringes and often become", "deformities (extra eyes, tentacles for arms, horns, etc). These children can be born", "democratic nation, they are simply killed after being examined. Killing children is a", "Humans existed as separate physical entities, but maintain an attachment to the spirit", "arms, horns, etc). These children can be born prematurely, and risk killing the", "must pass through the spirit world into the physical. There are malevolent spirits", "Runes are placed on the mother to act as a barrier of protection", "the other world that seek to corrupt the child while it is developing.", "by the world due to their \"impure\" taint. In the few places they", "a self fulfilling prophecy. In many other places, such as this democratic nation,", "people reading it may say \"author thinks we should kill deformed kids because", "it may say \"author thinks we should kill deformed kids because reasons\". How", "an attachment to the spirit realm due to their connection with god. When", "may say \"author thinks we should kill deformed kids because reasons\". How can", "can you portray this in a less negative or at least sympathetic, light", "the physical. There are malevolent spirits in the other world that seek to", "treated with suspicion by the world due to their \"impure\" taint. In the", "born, it must pass through the spirit world into the physical. There are", "protection to prevent this. However, runes must be reapplied periodically and are not", "seek to corrupt the child while it is developing. Runes are placed on", "reasons\". How can you portray this in a less negative or at least", "connection with god. When a child is ready to be born, it must", "eyes, tentacles for arms, horns, etc). These children can be born prematurely, and", "kill deformed kids because reasons\". How can you portray this in a less", "nation, they are simply killed after being examined. Killing children is a taboo,", "reading it may say \"author thinks we should kill deformed kids because reasons\".", "When a child is ready to be born, it must pass through the", "spirit world into the physical. There are malevolent spirits in the other world", "barrier of protection to prevent this. However, runes must be reapplied periodically and", "world is surrounded by an alternate realm called the spirit world. Humans existed", "killing the mother. These children are not born evil, but are treated with", "they are simply killed after being examined. Killing children is a taboo, and", "called the spirit world. Humans existed as separate physical entities, but maintain an", "However, runes must be reapplied periodically and are not foolproof. Therefore, it is", "spirits and develop deformities (extra eyes, tentacles for arms, horns, etc). These children", "for arms, horns, etc). These children can be born prematurely, and risk killing", "are simply killed after being examined. Killing children is a taboo, and people", "deformed kids because reasons\". How can you portray this in a less negative", "the spirit world into the physical. There are malevolent spirits in the other", "physical entities, but maintain an attachment to the spirit realm due to their", "such as this democratic nation, they are simply killed after being examined. Killing", "their \"impure\" taint. In the few places they are tolerated, they exist on", "foolproof. Therefore, it is possible for a fetus to be affected by these", "say \"author thinks we should kill deformed kids because reasons\". How can you", "the fringes and often become a self fulfilling prophecy. In many other places,", "realm due to their connection with god. When a child is ready to", "prophecy. In many other places, such as this democratic nation, they are simply", "fringes and often become a self fulfilling prophecy. In many other places, such", "placed on the mother to act as a barrier of protection to prevent", "fulfilling prophecy. In many other places, such as this democratic nation, they are", "and develop deformities (extra eyes, tentacles for arms, horns, etc). These children can", "developing. Runes are placed on the mother to act as a barrier of", "develop deformities (extra eyes, tentacles for arms, horns, etc). These children can be", "tolerated, they exist on the fringes and often become a self fulfilling prophecy.", "world. Humans existed as separate physical entities, but maintain an attachment to the", "should kill deformed kids because reasons\". How can you portray this in a", "to the spirit realm due to their connection with god. When a child", "\"impure\" taint. In the few places they are tolerated, they exist on the", "horns, etc). These children can be born prematurely, and risk killing the mother.", "it is developing. Runes are placed on the mother to act as a", "while it is developing. Runes are placed on the mother to act as", "as separate physical entities, but maintain an attachment to the spirit realm due", "world that seek to corrupt the child while it is developing. Runes are", "on the fringes and often become a self fulfilling prophecy. In many other", "be born, it must pass through the spirit world into the physical. There", "tentacles for arms, horns, etc). These children can be born prematurely, and risk", "reapplied periodically and are not foolproof. Therefore, it is possible for a fetus", "suspicion by the world due to their \"impure\" taint. In the few places", "to their \"impure\" taint. In the few places they are tolerated, they exist", "prevent this. However, runes must be reapplied periodically and are not foolproof. Therefore,", "of protection to prevent this. However, runes must be reapplied periodically and are", "it is possible for a fetus to be affected by these spirits and", "These children can be born prematurely, and risk killing the mother. These children", "are not foolproof. Therefore, it is possible for a fetus to be affected", "corrupt the child while it is developing. Runes are placed on the mother", "god. When a child is ready to be born, it must pass through", "is developing. Runes are placed on the mother to act as a barrier", "this. However, runes must be reapplied periodically and are not foolproof. Therefore, it", "but are treated with suspicion by the world due to their \"impure\" taint.", "surrounded by an alternate realm called the spirit world. Humans existed as separate", "born prematurely, and risk killing the mother. These children are not born evil,", "thinks we should kill deformed kids because reasons\". How can you portray this", "attachment to the spirit realm due to their connection with god. When a", "and risk killing the mother. These children are not born evil, but are", "the mother. These children are not born evil, but are treated with suspicion", "the spirit realm due to their connection with god. When a child is", "\"author thinks we should kill deformed kids because reasons\". How can you portray", "to corrupt the child while it is developing. Runes are placed on the", "taint. In the few places they are tolerated, they exist on the fringes", "simply killed after being examined. Killing children is a taboo, and people reading", "a barrier of protection to prevent this. However, runes must be reapplied periodically", "alternate realm called the spirit world. Humans existed as separate physical entities, but", "after being examined. Killing children is a taboo, and people reading it may", "is ready to be born, it must pass through the spirit world into", "be reapplied periodically and are not foolproof. Therefore, it is possible for a", "fetus to be affected by these spirits and develop deformities (extra eyes, tentacles", "There are malevolent spirits in the other world that seek to corrupt the", "we should kill deformed kids because reasons\". How can you portray this in", "on the mother to act as a barrier of protection to prevent this.", "to prevent this. However, runes must be reapplied periodically and are not foolproof.", "the mother to act as a barrier of protection to prevent this. However,", "born evil, but are treated with suspicion by the world due to their", "world into the physical. There are malevolent spirits in the other world that", "as this democratic nation, they are simply killed after being examined. Killing children", "are placed on the mother to act as a barrier of protection to", "mother. These children are not born evil, but are treated with suspicion by", "spirits in the other world that seek to corrupt the child while it", "are not born evil, but are treated with suspicion by the world due", "and often become a self fulfilling prophecy. In many other places, such as", "child while it is developing. Runes are placed on the mother to act", "The world is surrounded by an alternate realm called the spirit world. Humans", "the spirit world. Humans existed as separate physical entities, but maintain an attachment", "world due to their \"impure\" taint. In the few places they are tolerated,", "due to their \"impure\" taint. In the few places they are tolerated, they", "evil, but are treated with suspicion by the world due to their \"impure\"", "runes must be reapplied periodically and are not foolproof. Therefore, it is possible", "through the spirit world into the physical. There are malevolent spirits in the", "due to their connection with god. When a child is ready to be", "for a fetus to be affected by these spirits and develop deformities (extra", "be affected by these spirits and develop deformities (extra eyes, tentacles for arms,", "this democratic nation, they are simply killed after being examined. Killing children is", "the world due to their \"impure\" taint. In the few places they are", "and are not foolproof. Therefore, it is possible for a fetus to be", "other world that seek to corrupt the child while it is developing. Runes", "etc). These children can be born prematurely, and risk killing the mother. These", "children are not born evil, but are treated with suspicion by the world", "realm called the spirit world. Humans existed as separate physical entities, but maintain", "prematurely, and risk killing the mother. These children are not born evil, but", "are tolerated, they exist on the fringes and often become a self fulfilling", "these spirits and develop deformities (extra eyes, tentacles for arms, horns, etc). These", "portray this in a less negative or at least sympathetic, light to avoid", "with god. When a child is ready to be born, it must pass", "and people reading it may say \"author thinks we should kill deformed kids", "are treated with suspicion by the world due to their \"impure\" taint. In", "in the other world that seek to corrupt the child while it is", "often become a self fulfilling prophecy. In many other places, such as this", "spirit realm due to their connection with god. When a child is ready", "it must pass through the spirit world into the physical. There are malevolent", "malevolent spirits in the other world that seek to corrupt the child while", "as a barrier of protection to prevent this. However, runes must be reapplied", "is a taboo, and people reading it may say \"author thinks we should", "the few places they are tolerated, they exist on the fringes and often", "this in a less negative or at least sympathetic, light to avoid this?", "examined. Killing children is a taboo, and people reading it may say \"author", "children can be born prematurely, and risk killing the mother. These children are", "by an alternate realm called the spirit world. Humans existed as separate physical", "must be reapplied periodically and are not foolproof. Therefore, it is possible for", "Therefore, it is possible for a fetus to be affected by these spirits", "into the physical. There are malevolent spirits in the other world that seek", "become a self fulfilling prophecy. In many other places, such as this democratic", "kids because reasons\". How can you portray this in a less negative or", "places they are tolerated, they exist on the fringes and often become a", "is surrounded by an alternate realm called the spirit world. Humans existed as", "they are tolerated, they exist on the fringes and often become a self", "their connection with god. When a child is ready to be born, it", "a taboo, and people reading it may say \"author thinks we should kill", "pass through the spirit world into the physical. There are malevolent spirits in", "to their connection with god. When a child is ready to be born,", "that seek to corrupt the child while it is developing. Runes are placed", "but maintain an attachment to the spirit realm due to their connection with", "periodically and are not foolproof. Therefore, it is possible for a fetus to", "places, such as this democratic nation, they are simply killed after being examined.", "is possible for a fetus to be affected by these spirits and develop", "existed as separate physical entities, but maintain an attachment to the spirit realm", "Killing children is a taboo, and people reading it may say \"author thinks", "entities, but maintain an attachment to the spirit realm due to their connection", "by these spirits and develop deformities (extra eyes, tentacles for arms, horns, etc).", "not foolproof. Therefore, it is possible for a fetus to be affected by", "spirit world. Humans existed as separate physical entities, but maintain an attachment to", "the child while it is developing. Runes are placed on the mother to", "to be born, it must pass through the spirit world into the physical.", "In many other places, such as this democratic nation, they are simply killed", "separate physical entities, but maintain an attachment to the spirit realm due to", "taboo, and people reading it may say \"author thinks we should kill deformed", "exist on the fringes and often become a self fulfilling prophecy. In many", "other places, such as this democratic nation, they are simply killed after being" ]
[ "sentences without them being too repetitive and boring?* I have a problem of", "like \"The person\" and end up using \"The person\" in the next one", "have a problem of starting a sentence with something like \"The person\" and", "something like \"The person\" and end up using \"The person\" in the next", "of starting a sentence with something like \"The person\" and end up using", "off sentences without them being too repetitive and boring?* I have a problem", "boring?* I have a problem of starting a sentence with something like \"The", "too repetitive and boring?* I have a problem of starting a sentence with", "starting a sentence with something like \"The person\" and end up using \"The", "a problem of starting a sentence with something like \"The person\" and end", "with something like \"The person\" and end up using \"The person\" in the", "them being too repetitive and boring?* I have a problem of starting a", "I have a problem of starting a sentence with something like \"The person\"", "How do I start off sentences without them being too repetitive and boring?", "I start off sentences without them being too repetitive and boring?* I have", "start off sentences without them being too repetitive and boring?* I have a", "without them being too repetitive and boring?* I have a problem of starting", "do I start off sentences without them being too repetitive and boring?* I", "a sentence with something like \"The person\" and end up using \"The person\"", "and boring?* I have a problem of starting a sentence with something like", "sentence with something like \"The person\" and end up using \"The person\" in", "repetitive and boring?* I have a problem of starting a sentence with something", "being too repetitive and boring?* I have a problem of starting a sentence", "problem of starting a sentence with something like \"The person\" and end up", "\"The person\" and end up using \"The person\" in the next one again." ]
[ "books contain a \"handful of gems\" --wonderful scenes that really come to life.", "years of writing, I don't know that this is a pattern I know", "of gems\" --wonderful scenes that really come to life. But they aren't enough", "a whole work, and neither are they \"extractable,\" meaning they don't function the", "I'd just chalk it up to learning, but after 20 years of writing,", "original context. So basically, I have a few wonderful scenes scattered across several", "\"extractable,\" meaning they don't function the same outside of their original context. So", "function the same outside of their original context. So basically, I have a", "here? I'd just chalk it up to learning, but after 20 years of", "enough to make the books as a whole work, and neither are they", "--wonderful scenes that really come to life. But they aren't enough to make", "the books as a whole work, and neither are they \"extractable,\" meaning they", "So where do I go from here? I'd just chalk it up to", "own estimation, all my books contain a \"handful of gems\" --wonderful scenes that", "a few wonderful scenes scattered across several books no one will ever read.", "several books no one will ever read. So where do I go from", "But they aren't enough to make the books as a whole work, and", "neither are they \"extractable,\" meaning they don't function the same outside of their", "So basically, I have a few wonderful scenes scattered across several books no", "facing an issue after many years of writing, and several unsuccessful novels. In", "meaning they don't function the same outside of their original context. So basically,", "my own estimation, all my books contain a \"handful of gems\" --wonderful scenes", "\"handful of gems\" --wonderful scenes that really come to life. But they aren't", "estimation, all my books contain a \"handful of gems\" --wonderful scenes that really", "an issue after many years of writing, and several unsuccessful novels. In my", "that really come to life. But they aren't enough to make the books", "come to life. But they aren't enough to make the books as a", "outside of their original context. So basically, I have a few wonderful scenes", "chalk it up to learning, but after 20 years of writing, I don't", "they aren't enough to make the books as a whole work, and neither", "novels. In my own estimation, all my books contain a \"handful of gems\"", "all my books contain a \"handful of gems\" --wonderful scenes that really come", "contain a \"handful of gems\" --wonderful scenes that really come to life. But", "I have a few wonderful scenes scattered across several books no one will", "scattered across several books no one will ever read. So where do I", "gems\" --wonderful scenes that really come to life. But they aren't enough to", "the same outside of their original context. So basically, I have a few", "just chalk it up to learning, but after 20 years of writing, I", "and neither are they \"extractable,\" meaning they don't function the same outside of", "as a whole work, and neither are they \"extractable,\" meaning they don't function", "up to learning, but after 20 years of writing, I don't know that", "and several unsuccessful novels. In my own estimation, all my books contain a", "to make the books as a whole work, and neither are they \"extractable,\"", "will ever read. So where do I go from here? I'd just chalk", "of writing, I don't know that this is a pattern I know how", "are they \"extractable,\" meaning they don't function the same outside of their original", "life. But they aren't enough to make the books as a whole work,", "no one will ever read. So where do I go from here? I'd", "several unsuccessful novels. In my own estimation, all my books contain a \"handful", "writing, I don't know that this is a pattern I know how to", "after 20 years of writing, I don't know that this is a pattern", "don't function the same outside of their original context. So basically, I have", "many years of writing, and several unsuccessful novels. In my own estimation, all", "they \"extractable,\" meaning they don't function the same outside of their original context.", "20 years of writing, I don't know that this is a pattern I", "ever read. So where do I go from here? I'd just chalk it", "wonderful scenes scattered across several books no one will ever read. So where", "whole work, and neither are they \"extractable,\" meaning they don't function the same", "learning, but after 20 years of writing, I don't know that this is", "know that this is a pattern I know how to move forward from.", "books as a whole work, and neither are they \"extractable,\" meaning they don't", "In my own estimation, all my books contain a \"handful of gems\" --wonderful", "don't know that this is a pattern I know how to move forward", "issue after many years of writing, and several unsuccessful novels. In my own", "go from here? I'd just chalk it up to learning, but after 20", "to learning, but after 20 years of writing, I don't know that this", "I go from here? I'd just chalk it up to learning, but after", "same outside of their original context. So basically, I have a few wonderful", "aren't enough to make the books as a whole work, and neither are", "So I'm facing an issue after many years of writing, and several unsuccessful", "make the books as a whole work, and neither are they \"extractable,\" meaning", "a \"handful of gems\" --wonderful scenes that really come to life. But they", "where do I go from here? I'd just chalk it up to learning,", "it up to learning, but after 20 years of writing, I don't know", "few wonderful scenes scattered across several books no one will ever read. So", "but after 20 years of writing, I don't know that this is a", "one will ever read. So where do I go from here? I'd just", "read. So where do I go from here? I'd just chalk it up", "writing, and several unsuccessful novels. In my own estimation, all my books contain", "really come to life. But they aren't enough to make the books as", "they don't function the same outside of their original context. So basically, I", "I'm facing an issue after many years of writing, and several unsuccessful novels.", "do I go from here? I'd just chalk it up to learning, but", "work, and neither are they \"extractable,\" meaning they don't function the same outside", "their original context. So basically, I have a few wonderful scenes scattered across", "across several books no one will ever read. So where do I go", "of their original context. So basically, I have a few wonderful scenes scattered", "of writing, and several unsuccessful novels. In my own estimation, all my books", "scenes that really come to life. But they aren't enough to make the", "context. So basically, I have a few wonderful scenes scattered across several books", "to life. But they aren't enough to make the books as a whole", "scenes scattered across several books no one will ever read. So where do", "I don't know that this is a pattern I know how to move", "unsuccessful novels. In my own estimation, all my books contain a \"handful of", "years of writing, and several unsuccessful novels. In my own estimation, all my", "books no one will ever read. So where do I go from here?", "basically, I have a few wonderful scenes scattered across several books no one", "after many years of writing, and several unsuccessful novels. In my own estimation,", "my books contain a \"handful of gems\" --wonderful scenes that really come to", "from here? I'd just chalk it up to learning, but after 20 years", "have a few wonderful scenes scattered across several books no one will ever" ]
[ "As an alternative, I thought about including myself as a co-author, but this", "order to promote it. The question is: can I give a lecture using", "(pseudonym). I would prefer to keep myself anonymous, as the book is filled", "give some lectures about the topics included in the book, in order to", "entrepreneurship, productivity and personal growth in general. The problem is: I have published", "as the book is filled with personal stories and experiences that I had", "a lecture using just my pen name, without revealing my real name and", "this book using a pen name (pseudonym). I would prefer to keep myself", "published this book using a pen name (pseudonym). I would prefer to keep", "experiences that I had with other people and even real-world companies and universities.", "can I give a lecture using just my pen name, without revealing my", "I have a non-fiction book about language learning, entrepreneurship, productivity and personal growth", "just my pen name, without revealing my real name and affiliations? Would it", "some lectures about the topics included in the book, in order to promote", "using a pen name (pseudonym). I would prefer to keep myself anonymous, as", "the topics included in the book, in order to promote it. The question", "and affiliations? Would it be unethical or even forbidden by law? As an", "keep myself anonymous, as the book is filled with personal stories and experiences", "pen name (pseudonym). I would prefer to keep myself anonymous, as the book", "included in the book, in order to promote it. The question is: can", "is: I have published this book using a pen name (pseudonym). I would", "learning, entrepreneurship, productivity and personal growth in general. The problem is: I have", "to keep myself anonymous, as the book is filled with personal stories and", "lecture using just my pen name, without revealing my real name and affiliations?", "also like to give some lectures about the topics included in the book,", "had with other people and even real-world companies and universities. However, I would", "is filled with personal stories and experiences that I had with other people", "alternative, I thought about including myself as a co-author, but this also seems", "forbidden by law? 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However, I would also like to give some lectures about the topics", "give a lecture using just my pen name, without revealing my real name", "about including myself as a co-author, but this also seems to be unusual.", "be unethical or even forbidden by law? As an alternative, I thought about", "a non-fiction book about language learning, entrepreneurship, productivity and personal growth in general.", "with other people and even real-world companies and universities. However, I would also", "about language learning, entrepreneurship, productivity and personal growth in general. The problem is:", "in general. The problem is: I have published this book using a pen", "The problem is: I have published this book using a pen name (pseudonym).", "have published this book using a pen name (pseudonym). I would prefer to", "real-world companies and universities. However, I would also like to give some lectures", "non-fiction book about language learning, entrepreneurship, productivity and personal growth in general. The", "unethical or even forbidden by law? As an alternative, I thought about including", "it. The question is: can I give a lecture using just my pen", "name and affiliations? Would it be unethical or even forbidden by law? As", "it be unethical or even forbidden by law? As an alternative, I thought", "people and even real-world companies and universities. However, I would also like to", "I give a lecture using just my pen name, without revealing my real", "lectures about the topics included in the book, in order to promote it.", "using just my pen name, without revealing my real name and affiliations? Would", "the book is filled with personal stories and experiences that I had with", "thought about including myself as a co-author, but this also seems to be", "prefer to keep myself anonymous, as the book is filled with personal stories", "personal stories and experiences that I had with other people and even real-world", "real name and affiliations? Would it be unethical or even forbidden by law?", "companies and universities. However, I would also like to give some lectures about", "other people and even real-world companies and universities. However, I would also like", "would also like to give some lectures about the topics included in the", "name (pseudonym). I would prefer to keep myself anonymous, as the book is", "pen name, without revealing my real name and affiliations? Would it be unethical", "I thought about including myself as a co-author, but this also seems to", "my pen name, without revealing my real name and affiliations? Would it be", "without revealing my real name and affiliations? Would it be unethical or even", "book is filled with personal stories and experiences that I had with other", "to promote it. The question is: can I give a lecture using just", "in the book, in order to promote it. The question is: can I", "and even real-world companies and universities. However, I would also like to give", "topics included in the book, in order to promote it. The question is:", "book using a pen name (pseudonym). I would prefer to keep myself anonymous,", "like to give some lectures about the topics included in the book, in", "with personal stories and experiences that I had with other people and even", "even forbidden by law? As an alternative, I thought about including myself as", "and universities. However, I would also like to give some lectures about the", "in order to promote it. The question is: can I give a lecture", "I would also like to give some lectures about the topics included in", "my real name and affiliations? Would it be unethical or even forbidden by", "by law? As an alternative, I thought about including myself as a co-author,", "or even forbidden by law? As an alternative, I thought about including myself", "a pen name (pseudonym). I would prefer to keep myself anonymous, as the", "language learning, entrepreneurship, productivity and personal growth in general. The problem is: I", "the book, in order to promote it. The question is: can I give", "promote it. The question is: can I give a lecture using just my", "The question is: can I give a lecture using just my pen name,", "revealing my real name and affiliations? Would it be unethical or even forbidden", "filled with personal stories and experiences that I had with other people and", "book about language learning, entrepreneurship, productivity and personal growth in general. The problem", "anonymous, as the book is filled with personal stories and experiences that I", "and experiences that I had with other people and even real-world companies and", "question is: can I give a lecture using just my pen name, without", "would prefer to keep myself anonymous, as the book is filled with personal", "to give some lectures about the topics included in the book, in order", "growth in general. The problem is: I have published this book using a" ]
[ "try to simplify, and write on one topic or one theme, it either", "write, is bringing a lot of very different elements together. But as a", "on one topic or one theme, it either becomes digressive or I lose", "Is there a way to gain clarity without losing complexity? Or conversely, to", "either becomes digressive or I lose interest. Is there a way to gain", "ideas and ambiguities for them to really hook the reader. But when I", "So, I'm a big picture person. What I like best, in life, and", "interest. Is there a way to gain clarity without losing complexity? Or conversely,", "to bring the reader along for a journey that goes all over the", "conversely, to bring the reader along for a journey that goes all over", "way to gain clarity without losing complexity? Or conversely, to bring the reader", "to simplify, and write on one topic or one theme, it either becomes", "a result, both my fiction and non-fiction tend to be overstuffed, with too", "to gain clarity without losing complexity? Or conversely, to bring the reader along", "or I lose interest. Is there a way to gain clarity without losing", "lot of very different elements together. But as a result, both my fiction", "ambiguities for them to really hook the reader. But when I try to", "Or conversely, to bring the reader along for a journey that goes all", "them to really hook the reader. But when I try to simplify, and", "theme, it either becomes digressive or I lose interest. Is there a way", "really hook the reader. But when I try to simplify, and write on", "together. But as a result, both my fiction and non-fiction tend to be", "of very different elements together. But as a result, both my fiction and", "losing complexity? Or conversely, to bring the reader along for a journey that", "I like best, in life, and when I write, is bringing a lot", "overstuffed, with too many different themes and ideas and ambiguities for them to", "reader. But when I try to simplify, and write on one topic or", "one topic or one theme, it either becomes digressive or I lose interest.", "bring the reader along for a journey that goes all over the place?", "topic or one theme, it either becomes digressive or I lose interest. Is", "when I try to simplify, and write on one topic or one theme,", "I'm a big picture person. What I like best, in life, and when", "I lose interest. Is there a way to gain clarity without losing complexity?", "best, in life, and when I write, is bringing a lot of very", "elements together. But as a result, both my fiction and non-fiction tend to", "a big picture person. What I like best, in life, and when I", "becomes digressive or I lose interest. Is there a way to gain clarity", "be overstuffed, with too many different themes and ideas and ambiguities for them", "What I like best, in life, and when I write, is bringing a", "is bringing a lot of very different elements together. But as a result,", "But when I try to simplify, and write on one topic or one", "too many different themes and ideas and ambiguities for them to really hook", "the reader. But when I try to simplify, and write on one topic", "big picture person. What I like best, in life, and when I write,", "for them to really hook the reader. But when I try to simplify,", "and non-fiction tend to be overstuffed, with too many different themes and ideas", "without losing complexity? Or conversely, to bring the reader along for a journey", "with too many different themes and ideas and ambiguities for them to really", "person. What I like best, in life, and when I write, is bringing", "and write on one topic or one theme, it either becomes digressive or", "simplify, and write on one topic or one theme, it either becomes digressive", "fiction and non-fiction tend to be overstuffed, with too many different themes and", "complexity? Or conversely, to bring the reader along for a journey that goes", "my fiction and non-fiction tend to be overstuffed, with too many different themes", "like best, in life, and when I write, is bringing a lot of", "hook the reader. But when I try to simplify, and write on one", "many different themes and ideas and ambiguities for them to really hook the", "and ideas and ambiguities for them to really hook the reader. But when", "a lot of very different elements together. But as a result, both my", "I write, is bringing a lot of very different elements together. But as", "different themes and ideas and ambiguities for them to really hook the reader.", "result, both my fiction and non-fiction tend to be overstuffed, with too many", "both my fiction and non-fiction tend to be overstuffed, with too many different", "and ambiguities for them to really hook the reader. But when I try", "one theme, it either becomes digressive or I lose interest. Is there a", "it either becomes digressive or I lose interest. Is there a way to", "write on one topic or one theme, it either becomes digressive or I", "themes and ideas and ambiguities for them to really hook the reader. But", "there a way to gain clarity without losing complexity? Or conversely, to bring", "or one theme, it either becomes digressive or I lose interest. Is there", "digressive or I lose interest. Is there a way to gain clarity without", "very different elements together. But as a result, both my fiction and non-fiction", "tend to be overstuffed, with too many different themes and ideas and ambiguities", "when I write, is bringing a lot of very different elements together. But", "bringing a lot of very different elements together. But as a result, both", "different elements together. But as a result, both my fiction and non-fiction tend", "and when I write, is bringing a lot of very different elements together.", "gain clarity without losing complexity? Or conversely, to bring the reader along for", "in life, and when I write, is bringing a lot of very different", "I try to simplify, and write on one topic or one theme, it", "life, and when I write, is bringing a lot of very different elements", "lose interest. Is there a way to gain clarity without losing complexity? Or", "as a result, both my fiction and non-fiction tend to be overstuffed, with", "to really hook the reader. But when I try to simplify, and write", "to be overstuffed, with too many different themes and ideas and ambiguities for", "picture person. What I like best, in life, and when I write, is", "clarity without losing complexity? Or conversely, to bring the reader along for a", "But as a result, both my fiction and non-fiction tend to be overstuffed,", "a way to gain clarity without losing complexity? Or conversely, to bring the", "non-fiction tend to be overstuffed, with too many different themes and ideas and" ]
[ "again and again. What should I do to make sure I avoid that?", "like \"the tears which were on her face broke down into a slithering", "\"the tears which were on her face broke down into a slithering stream...\"", "broke down into a slithering stream...\" and then putting the word tears again", "I do to make sure I avoid that? How can I write an", "do repetitions like \"the tears which were on her face broke down into", "What should I do to make sure I avoid that? How can I", "down into a slithering stream...\" and then putting the word tears again and", "that? How can I write an effective crying scene, without repeating the same", "How can I write an effective crying scene, without repeating the same detail", "accidentally do repetitions like \"the tears which were on her face broke down", "an effective crying scene, without repeating the same detail over and over? -------------------------------------------------------------------------------------------", "word tears again and again. What should I do to make sure I", "makes me accidentally do repetitions like \"the tears which were on her face", "and then putting the word tears again and again. What should I do", "face broke down into a slithering stream...\" and then putting the word tears", "again. What should I do to make sure I avoid that? How can", "me accidentally do repetitions like \"the tears which were on her face broke", "and again. What should I do to make sure I avoid that? How", "make sure I avoid that? How can I write an effective crying scene,", "a crying scene makes me accidentally do repetitions like \"the tears which were", "should I do to make sure I avoid that? How can I write", "which were on her face broke down into a slithering stream...\" and then", "her face broke down into a slithering stream...\" and then putting the word", "to make sure I avoid that? How can I write an effective crying", "on her face broke down into a slithering stream...\" and then putting the", "repetitions like \"the tears which were on her face broke down into a", "sure I avoid that? How can I write an effective crying scene, without", "tears which were on her face broke down into a slithering stream...\" and", "then putting the word tears again and again. What should I do to", "putting the word tears again and again. What should I do to make", "tears again and again. What should I do to make sure I avoid", "can I write an effective crying scene, without repeating the same detail over", "write an effective crying scene, without repeating the same detail over and over?", "were on her face broke down into a slithering stream...\" and then putting", "do to make sure I avoid that? How can I write an effective", "I avoid that? How can I write an effective crying scene, without repeating", "Writing a crying scene makes me accidentally do repetitions like \"the tears which", "crying scene makes me accidentally do repetitions like \"the tears which were on", "I write an effective crying scene, without repeating the same detail over and", "avoid that? How can I write an effective crying scene, without repeating the", "into a slithering stream...\" and then putting the word tears again and again.", "scene makes me accidentally do repetitions like \"the tears which were on her", "slithering stream...\" and then putting the word tears again and again. What should", "a slithering stream...\" and then putting the word tears again and again. What", "stream...\" and then putting the word tears again and again. What should I", "the word tears again and again. What should I do to make sure" ]
[ "the world gets a little darker. But the darkness doesn't really go away", "miserable that I want to abandon the story and move to something cheerier.", "is that as a story goes on, the tone gets progressively darker. The", "way this usually goes is that a story will start out light and", "But overall, I'd like the tone of the story to be positive. How", "the darkness doesn't really go away before the next bad thing comes, so", "tone of the story to be positive. How can I keep the darkness", "really go away before the next bad thing comes, so it starts to", "so on. But overall, I'd like the tone of the story to be", "and longer series. But one thing I've noticed about my writing (and a", "the tone gets progressively darker. The way this usually goes is that a", "like the tone of the story to be positive. How can I keep", "die, lines need to be crossed, and so on. But overall, I'd like", "will start out light and happy, and then bad things will happen. And", "fan of ongoing stories and longer series. But one thing I've noticed about", "out light and happy, and then bad things will happen. And with each", "progressively darker. The way this usually goes is that a story will start", "want to abandon the story and move to something cheerier. I can't just", "is that a story will start out light and happy, and then bad", "bad thing, the world gets a little darker. But the darkness doesn't really", "(and a lot of the works I read/watch) is that as a story", "the works I read/watch) is that as a story goes on, the tone", "of ongoing stories and longer series. But one thing I've noticed about my", "go away before the next bad thing comes, so it starts to pile", "so it starts to pile up. And eventually, it gets so bleak and", "darker. But the darkness doesn't really go away before the next bad thing", "the dark events. Characters need to die, lines need to be crossed, and", "cheerier. I can't just get rid of the dark events. Characters need to", "start out light and happy, and then bad things will happen. And with", "light and happy, and then bad things will happen. And with each bad", "with each bad thing, the world gets a little darker. But the darkness", "little darker. But the darkness doesn't really go away before the next bad", "I can't just get rid of the dark events. Characters need to die,", "overall, I'd like the tone of the story to be positive. How can", "I'm a big fan of ongoing stories and longer series. But one thing", "I've noticed about my writing (and a lot of the works I read/watch)", "Characters need to die, lines need to be crossed, and so on. But", "this usually goes is that a story will start out light and happy,", "will happen. And with each bad thing, the world gets a little darker.", "to be crossed, and so on. But overall, I'd like the tone of", "that a story will start out light and happy, and then bad things", "abandon the story and move to something cheerier. I can't just get rid", "on. But overall, I'd like the tone of the story to be positive.", "it starts to pile up. And eventually, it gets so bleak and miserable", "each bad thing, the world gets a little darker. But the darkness doesn't", "the story to be positive. How can I keep the darkness from taking", "goes is that a story will start out light and happy, and then", "big fan of ongoing stories and longer series. But one thing I've noticed", "The way this usually goes is that a story will start out light", "happy, and then bad things will happen. And with each bad thing, the", "on, the tone gets progressively darker. The way this usually goes is that", "But the darkness doesn't really go away before the next bad thing comes,", "events. Characters need to die, lines need to be crossed, and so on.", "lines need to be crossed, and so on. But overall, I'd like the", "tone gets progressively darker. The way this usually goes is that a story", "things will happen. And with each bad thing, the world gets a little", "a little darker. But the darkness doesn't really go away before the next", "to abandon the story and move to something cheerier. I can't just get", "and then bad things will happen. And with each bad thing, the world", "bad things will happen. And with each bad thing, the world gets a", "doesn't really go away before the next bad thing comes, so it starts", "dark events. Characters need to die, lines need to be crossed, and so", "world gets a little darker. But the darkness doesn't really go away before", "a story goes on, the tone gets progressively darker. The way this usually", "thing, the world gets a little darker. But the darkness doesn't really go", "need to be crossed, and so on. But overall, I'd like the tone", "before the next bad thing comes, so it starts to pile up. And", "it gets so bleak and miserable that I want to abandon the story", "be crossed, and so on. But overall, I'd like the tone of the", "something cheerier. I can't just get rid of the dark events. Characters need", "move to something cheerier. I can't just get rid of the dark events.", "longer series. But one thing I've noticed about my writing (and a lot", "starts to pile up. And eventually, it gets so bleak and miserable that", "rid of the dark events. Characters need to die, lines need to be", "darker. The way this usually goes is that a story will start out", "goes on, the tone gets progressively darker. The way this usually goes is", "the next bad thing comes, so it starts to pile up. And eventually,", "story goes on, the tone gets progressively darker. The way this usually goes", "and move to something cheerier. I can't just get rid of the dark", "gets a little darker. But the darkness doesn't really go away before the", "noticed about my writing (and a lot of the works I read/watch) is", "eventually, it gets so bleak and miserable that I want to abandon the", "I'd like the tone of the story to be positive. How can I", "I read/watch) is that as a story goes on, the tone gets progressively", "get rid of the dark events. Characters need to die, lines need to", "happen. And with each bad thing, the world gets a little darker. But", "thing comes, so it starts to pile up. And eventually, it gets so", "story and move to something cheerier. I can't just get rid of the", "story will start out light and happy, and then bad things will happen.", "and miserable that I want to abandon the story and move to something", "stories and longer series. But one thing I've noticed about my writing (and", "gets so bleak and miserable that I want to abandon the story and", "writing (and a lot of the works I read/watch) is that as a", "works I read/watch) is that as a story goes on, the tone gets", "read/watch) is that as a story goes on, the tone gets progressively darker.", "so bleak and miserable that I want to abandon the story and move", "one thing I've noticed about my writing (and a lot of the works", "my writing (and a lot of the works I read/watch) is that as", "of the works I read/watch) is that as a story goes on, the", "gets progressively darker. The way this usually goes is that a story will", "just get rid of the dark events. Characters need to die, lines need", "away before the next bad thing comes, so it starts to pile up.", "usually goes is that a story will start out light and happy, and", "a lot of the works I read/watch) is that as a story goes", "darkness doesn't really go away before the next bad thing comes, so it", "thing I've noticed about my writing (and a lot of the works I", "need to die, lines need to be crossed, and so on. But overall,", "series. But one thing I've noticed about my writing (and a lot of", "ongoing stories and longer series. But one thing I've noticed about my writing", "next bad thing comes, so it starts to pile up. And eventually, it", "I want to abandon the story and move to something cheerier. I can't", "And eventually, it gets so bleak and miserable that I want to abandon", "that as a story goes on, the tone gets progressively darker. The way", "up. And eventually, it gets so bleak and miserable that I want to", "comes, so it starts to pile up. And eventually, it gets so bleak", "of the dark events. Characters need to die, lines need to be crossed,", "lot of the works I read/watch) is that as a story goes on,", "story to be positive. How can I keep the darkness from taking over?", "bad thing comes, so it starts to pile up. And eventually, it gets", "crossed, and so on. But overall, I'd like the tone of the story", "and happy, and then bad things will happen. And with each bad thing,", "bleak and miserable that I want to abandon the story and move to", "that I want to abandon the story and move to something cheerier. I", "and so on. But overall, I'd like the tone of the story to", "of the story to be positive. How can I keep the darkness from", "But one thing I've noticed about my writing (and a lot of the", "a story will start out light and happy, and then bad things will", "to something cheerier. I can't just get rid of the dark events. Characters", "a big fan of ongoing stories and longer series. But one thing I've", "pile up. And eventually, it gets so bleak and miserable that I want", "to pile up. And eventually, it gets so bleak and miserable that I", "And with each bad thing, the world gets a little darker. But the", "can't just get rid of the dark events. Characters need to die, lines", "to die, lines need to be crossed, and so on. But overall, I'd", "about my writing (and a lot of the works I read/watch) is that", "as a story goes on, the tone gets progressively darker. The way this", "then bad things will happen. And with each bad thing, the world gets", "the tone of the story to be positive. How can I keep the", "the story and move to something cheerier. I can't just get rid of" ]
[ "recurring, and have roots, I think, in childhood trauma. The writing helps me", "that otherwise lay strewed in my psyche and emotions without my conscious awareness", "I do think in narratives and themes... Does this mean anything? Can someone", "writer? What does having a compulsion to write without an ability to tell", "to it, almost impulsively, since I was sixteen. It's been mostly therapeutic, for", "helps flesh them out and give them life. The themes in the dreams", "bizarre characters and hold dialogues by myself between them. I do think in", "between them. I do think in narratives and themes... Does this mean anything?", "to tell stories in person. I want to say ten different things at", "do write frequently and impulsively. I do think in bizarre characters and hold", "and themes... Does this mean anything? Can someone with an inability to tell", "inability to tell stories ever become a good writer? What does having a", "I should be a writer? Should this just remain a private, therapeutic hobby?", "my narratives are going. That said, I do write frequently and impulsively. I", "on and off, without really paying attention to it, almost impulsively, since I", "frequently and impulsively. I do think in bizarre characters and hold dialogues by", "tell stories in person. I want to say ten different things at once.", "do you know if you should pursue writing? I have absolutely no ability", "trauma. The writing helps me parse through the concepts that otherwise lay strewed", "is this: how do you know if you should pursue writing? I have", "this mean anything? Can someone with an inability to tell stories ever become", "said, I do write frequently and impulsively. I do think in bizarre characters", "and for the reader to enjoy? How do I know if I should", "What does having a compulsion to write without an ability to tell stories", "it, almost impulsively, since I was sixteen. It's been mostly therapeutic, for me.", "to paper helps flesh them out and give them life. The themes in", "writing on and off, without really paying attention to it, almost impulsively, since", "in the dreams are recurring, and have roots, I think, in childhood trauma.", "this: how do you know if you should pursue writing? I have absolutely", "narratives are going. That said, I do write frequently and impulsively. I do", "work with, and for the reader to enjoy? How do I know if", "with, and for the reader to enjoy? How do I know if I", "writer to work with, and for the reader to enjoy? How do I", "absolutely no ability to tell stories in person. I want to say ten", "lose track of where my narratives are going. That said, I do write", "track of where my narratives are going. That said, I do write frequently", "you know if you should pursue writing? I have absolutely no ability to", "and hold dialogues by myself between them. I do think in narratives and", "to write without an ability to tell stories leave for the writer to", "them. I do think in narratives and themes... Does this mean anything? Can", "and off, without really paying attention to it, almost impulsively, since I was", "by myself between them. I do think in narratives and themes... Does this", "hold dialogues by myself between them. I do think in narratives and themes...", "an ability to tell stories leave for the writer to work with, and", "awareness and understanding. My question is this: how do you know if you", "really paying attention to it, almost impulsively, since I was sixteen. It's been", "concepts that otherwise lay strewed in my psyche and emotions without my conscious", "write without an ability to tell stories leave for the writer to work", "I have been writing on and off, without really paying attention to it,", "pursue writing? I have absolutely no ability to tell stories in person. I", "does having a compulsion to write without an ability to tell stories leave", "compulsion to write without an ability to tell stories leave for the writer", "The writing helps me parse through the concepts that otherwise lay strewed in", "I lose track of where my narratives are going. That said, I do", "dreams are recurring, and have roots, I think, in childhood trauma. The writing", "have been writing on and off, without really paying attention to it, almost", "my psyche and emotions without my conscious awareness and understanding. My question is", "a good writer? What does having a compulsion to write without an ability", "stories leave for the writer to work with, and for the reader to", "impulsively. I do think in bizarre characters and hold dialogues by myself between", "different things at once. I lose track of where my narratives are going.", "mostly therapeutic, for me. I found recently that putting dreams to paper helps", "writing helps me parse through the concepts that otherwise lay strewed in my", "should pursue writing? I have absolutely no ability to tell stories in person.", "stories in person. I want to say ten different things at once. I", "I found recently that putting dreams to paper helps flesh them out and", "leave for the writer to work with, and for the reader to enjoy?", "if I should be a writer? Should this just remain a private, therapeutic", "once. I lose track of where my narratives are going. That said, I", "and understanding. My question is this: how do you know if you should", "understanding. My question is this: how do you know if you should pursue", "I have absolutely no ability to tell stories in person. I want to", "do think in narratives and themes... Does this mean anything? Can someone with", "stories ever become a good writer? What does having a compulsion to write", "an inability to tell stories ever become a good writer? What does having", "flesh them out and give them life. The themes in the dreams are", "to work with, and for the reader to enjoy? How do I know", "anything? Can someone with an inability to tell stories ever become a good", "to say ten different things at once. I lose track of where my", "give them life. The themes in the dreams are recurring, and have roots,", "helps me parse through the concepts that otherwise lay strewed in my psyche", "through the concepts that otherwise lay strewed in my psyche and emotions without", "myself between them. I do think in narratives and themes... Does this mean", "question is this: how do you know if you should pursue writing? I", "if you should pursue writing? I have absolutely no ability to tell stories", "since I was sixteen. It's been mostly therapeutic, for me. I found recently", "out and give them life. The themes in the dreams are recurring, and", "in bizarre characters and hold dialogues by myself between them. I do think", "and have roots, I think, in childhood trauma. The writing helps me parse", "lay strewed in my psyche and emotions without my conscious awareness and understanding.", "and emotions without my conscious awareness and understanding. My question is this: how", "my conscious awareness and understanding. My question is this: how do you know", "write frequently and impulsively. I do think in bizarre characters and hold dialogues", "how do you know if you should pursue writing? I have absolutely no", "narratives and themes... Does this mean anything? Can someone with an inability to", "someone with an inability to tell stories ever become a good writer? What", "for the writer to work with, and for the reader to enjoy? How", "writing? I have absolutely no ability to tell stories in person. I want", "I know if I should be a writer? Should this just remain a", "ever become a good writer? What does having a compulsion to write without", "having a compulsion to write without an ability to tell stories leave for", "the concepts that otherwise lay strewed in my psyche and emotions without my", "conscious awareness and understanding. My question is this: how do you know if", "a compulsion to write without an ability to tell stories leave for the", "think in narratives and themes... Does this mean anything? Can someone with an", "that putting dreams to paper helps flesh them out and give them life.", "recently that putting dreams to paper helps flesh them out and give them", "themes... Does this mean anything? Can someone with an inability to tell stories", "therapeutic, for me. I found recently that putting dreams to paper helps flesh", "the writer to work with, and for the reader to enjoy? How do", "in narratives and themes... Does this mean anything? Can someone with an inability", "tell stories ever become a good writer? What does having a compulsion to", "I do write frequently and impulsively. I do think in bizarre characters and", "have absolutely no ability to tell stories in person. I want to say", "where my narratives are going. That said, I do write frequently and impulsively.", "have roots, I think, in childhood trauma. The writing helps me parse through", "parse through the concepts that otherwise lay strewed in my psyche and emotions", "for the reader to enjoy? How do I know if I should be", "do I know if I should be a writer? Should this just remain", "at once. I lose track of where my narratives are going. That said,", "good writer? What does having a compulsion to write without an ability to", "How do I know if I should be a writer? Should this just", "childhood trauma. The writing helps me parse through the concepts that otherwise lay", "paying attention to it, almost impulsively, since I was sixteen. It's been mostly", "are going. That said, I do write frequently and impulsively. I do think", "in childhood trauma. The writing helps me parse through the concepts that otherwise", "almost impulsively, since I was sixteen. It's been mostly therapeutic, for me. I", "life. The themes in the dreams are recurring, and have roots, I think,", "them out and give them life. The themes in the dreams are recurring,", "for me. I found recently that putting dreams to paper helps flesh them", "roots, I think, in childhood trauma. The writing helps me parse through the", "been mostly therapeutic, for me. I found recently that putting dreams to paper", "in person. I want to say ten different things at once. I lose", "things at once. I lose track of where my narratives are going. That", "to tell stories ever become a good writer? What does having a compulsion", "going. That said, I do write frequently and impulsively. I do think in", "become a good writer? What does having a compulsion to write without an", "paper helps flesh them out and give them life. The themes in the", "psyche and emotions without my conscious awareness and understanding. My question is this:", "That said, I do write frequently and impulsively. I do think in bizarre", "to tell stories leave for the writer to work with, and for the", "the dreams are recurring, and have roots, I think, in childhood trauma. The", "without my conscious awareness and understanding. My question is this: how do you", "and impulsively. I do think in bizarre characters and hold dialogues by myself", "know if you should pursue writing? I have absolutely no ability to tell", "putting dreams to paper helps flesh them out and give them life. The", "otherwise lay strewed in my psyche and emotions without my conscious awareness and", "enjoy? How do I know if I should be a writer? Should this", "found recently that putting dreams to paper helps flesh them out and give", "I was sixteen. It's been mostly therapeutic, for me. I found recently that", "been writing on and off, without really paying attention to it, almost impulsively,", "was sixteen. It's been mostly therapeutic, for me. I found recently that putting", "I want to say ten different things at once. I lose track of", "strewed in my psyche and emotions without my conscious awareness and understanding. My", "I do think in bizarre characters and hold dialogues by myself between them.", "think, in childhood trauma. The writing helps me parse through the concepts that", "do think in bizarre characters and hold dialogues by myself between them. I", "attention to it, almost impulsively, since I was sixteen. It's been mostly therapeutic,", "It's been mostly therapeutic, for me. I found recently that putting dreams to", "ten different things at once. I lose track of where my narratives are", "characters and hold dialogues by myself between them. I do think in narratives", "say ten different things at once. I lose track of where my narratives", "impulsively, since I was sixteen. It's been mostly therapeutic, for me. I found", "and give them life. The themes in the dreams are recurring, and have", "person. I want to say ten different things at once. I lose track", "ability to tell stories leave for the writer to work with, and for", "tell stories leave for the writer to work with, and for the reader", "you should pursue writing? I have absolutely no ability to tell stories in", "with an inability to tell stories ever become a good writer? What does", "think in bizarre characters and hold dialogues by myself between them. I do", "no ability to tell stories in person. I want to say ten different", "dialogues by myself between them. I do think in narratives and themes... Does", "in my psyche and emotions without my conscious awareness and understanding. My question", "The themes in the dreams are recurring, and have roots, I think, in", "dreams to paper helps flesh them out and give them life. The themes", "without an ability to tell stories leave for the writer to work with,", "My question is this: how do you know if you should pursue writing?", "without really paying attention to it, almost impulsively, since I was sixteen. It's", "me. I found recently that putting dreams to paper helps flesh them out", "know if I should be a writer? Should this just remain a private,", "I think, in childhood trauma. The writing helps me parse through the concepts", "ability to tell stories in person. I want to say ten different things", "me parse through the concepts that otherwise lay strewed in my psyche and", "Does this mean anything? Can someone with an inability to tell stories ever", "themes in the dreams are recurring, and have roots, I think, in childhood", "to enjoy? How do I know if I should be a writer? Should", "want to say ten different things at once. I lose track of where", "Can someone with an inability to tell stories ever become a good writer?", "emotions without my conscious awareness and understanding. My question is this: how do", "the reader to enjoy? How do I know if I should be a", "off, without really paying attention to it, almost impulsively, since I was sixteen.", "them life. The themes in the dreams are recurring, and have roots, I", "mean anything? Can someone with an inability to tell stories ever become a", "sixteen. It's been mostly therapeutic, for me. I found recently that putting dreams", "reader to enjoy? How do I know if I should be a writer?", "of where my narratives are going. That said, I do write frequently and", "are recurring, and have roots, I think, in childhood trauma. The writing helps" ]
[ "life, all the bad she suffered, as she didn’t have anything good happen", "she also doesn’t remember. Due to the amnesia she doesn’t know how powerful", "was such a kind person? (I don’t quite like the second one, but", "my protagonist would’ve died too, were she able to die. In the former", "had anyone to teach her what’s right. And now she had a teacher", "robbed, there she remembers her parents (elves) being captured and enslaved by bandits", "do I put her inner conflict right at that moment when her friend", "the world where all the bad forgotten memories stem from, she however create", "remembers her parents (elves) being captured and enslaved by bandits when she was", "parents (elves) being captured and enslaved by bandits when she was still a", "from wrong from her friend while having amnesia but she didn’t have a", "her knowledge of her powers and here lies the problem: With only the", "didn’t create the world where all the bad forgotten memories stem from, she", "back and with them her knowledge of her powers and here lies the", "be off and that’s exactly the answer to my question.) Character: As a", "of the people around her. The very first person she meets after waking", "being captured and enslaved by bandits when she was still a child. These", "destroyed and rebuilt the world from scratch 3. She destroyed it because she", "He also wants to help her regain her memories. She remembers bits and", "gets killed by seemingly random bandits? Do I dial down how much she", "the story gets killed by seemingly random bandits? Do I dial down how", "to be friend. She is a curious person and likes to learn a", "attacks my protagonist and her friend gets killed in the process, my protagonist", "the problem: With only the bad memories, how do I prevent her from", "hearted soon to be friend. She is a curious person and likes to", "are robbed, there she remembers her parents (elves) being captured and enslaved by", "at that moment when her friend dies because he was such a kind", "traumatizing memories is when she and her friend are robbed, there she remembers", "in her life except one thing: Her pet (the narrator) who she also", "My protagonist is an immortal person that’s powerful enough to end all with", "While her friend knows a lot and likes to teach. 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These little bits of past time memories are triggered", "before her amnesia 6. She didn’t create the world where all the bad", "of the behavior of the people around her. The very first person she", "She destroyed it because she could only see the bad everywhere she looked", "to the narrator very quickly because it didn’t support her worldview of everything", "she able to die. In the former world she was a person, who", "and likes to learn a lot. While her friend knows a lot and", "remembers bits and pieces but nothing traumatizing. The first event that unravels one", "and that’s exactly the answer to my question.) Character: As a character with", "from scratch 3. She destroyed it because she could only see the bad", "by bandits when she was still a child. These little bits of past", "the narrator very quickly because it didn’t support her worldview of everything being", "enough to end all with but a thought. She has amnesia due to", "to her in her life except one thing: Her pet (the narrator) who", "narrator very quickly because it didn’t support her worldview of everything being bad)", "(elves) being captured and enslaved by bandits when she was still a child.", "she was a person, who did what she thought right when she never", "former world she was a person, who did what she thought right when", "bad) 4. And she recreated it because she believed she would make it", "and with them her knowledge of her powers and here lies the problem:", "protagonist would’ve died too, were she able to die. In the former world", "rebuilt the world from scratch 3. She destroyed it because she could only", "only the bad memories, how do I prevent her from going nuclear when", "And now she had a teacher and friend brutally murdered in front of", "These little bits of past time memories are triggered by some significant and", "question.) Character: As a character with amnesia she adopts much of the behavior", "a group of people attacks my protagonist and her friend gets killed in", "scratch 3. She destroyed it because she could only see the bad everywhere", "of people attacks my protagonist and her friend gets killed in the process,", "of her powers and here lies the problem: With only the bad memories,", "She has amnesia due to overusing her power when she recreated the world.", "with but a thought. She has amnesia due to overusing her power when", "it didn’t support her worldview of everything being bad) 4. And she recreated", "to help her regain her memories. She remembers bits and pieces but nothing", "until a group of people attacks my protagonist and her friend gets killed", "and most important friend in the story gets killed by seemingly random bandits?", "to teach. He also wants to help her regain her memories. She remembers", "She is a curious person and likes to learn a lot. While her", "she believed she would make it the perfect world 5. She learns right", "but she didn’t have a moral compass before her amnesia 6. She didn’t", "quickly because it didn’t support her worldview of everything being bad) 4. And", "(I don’t quite like the second one, but I might be off and", "she is, or that she is immortal. But over time her memories come", "faced in her life, all the bad she suffered, as she didn’t have", "the bad forgotten memories stem from, she however create the world where her", "event that unravels one of the traumatizing memories is when she and her", "right. And now she had a teacher and friend brutally murdered in front", "person and likes to learn a lot. While her friend knows a lot", "remember. Due to the amnesia she doesn’t know how powerful she is, or", "did what she thought right when she never had anyone to teach her", "2. When she had enough she destroyed and rebuilt the world from scratch", "a lot. While her friend knows a lot and likes to teach. He", "significant and some benign events until a group of people attacks my protagonist", "the amnesia she doesn’t know how powerful she is, or that she is", "suffered, as she didn’t have anything good happen to her in her life", "moment when her friend dies because he was such a kind person? (I", "also wants to help her regain her memories. She remembers bits and pieces", "as she didn’t have anything good happen to her in her life except", "for days without food/water or seeing anyone is her kind hearted soon to", "was a person, who did what she thought right when she never had", "her memories come back and with them her knowledge of her powers and", "see the bad everywhere she looked (she was omniscient at some point but", "memories, how do I prevent her from going nuclear when her first and", "her powers later on 2. When she had enough she destroyed and rebuilt", "kind person? (I don’t quite like the second one, but I might be", "I dial down how much she remembers of her powers up to that", "powers up to that point, or do I put her inner conflict right", "very important as she doesn’t remember the discrimination she faced in her life,", "lies the problem: With only the bad memories, how do I prevent her" ]
[ "reader's sympathies aligned with my protagonist despite all of her somewhat unredeemable faults?", "behavior. The fact is, though, that Ezrith's motivations (despite being UrasMt' antagonist) are", "her son and the group she leads is pure. All she wants is", "trying to cover it up, killed more people who came to investigate. She", "\"evil\" protagonist and \"good\" antagonist without having my reader sympathize with the antagonist?", "the antagonist? And how can I keep my reader's sympathies aligned with my", "the memory of the murder. Ezrith is extremely suspicious of UrasMt and constantly", "world, my unreliable narrator UrasMt has the ability to control and manipulate life", "lying to herself and others. Is this plot line even feasible? Can I", "and lying to herself and others. Is this plot line even feasible? Can", "an extremely traumatizing event in her childhood, where she murdered her aunt, father,", "without having my reader sympathize with the antagonist? And how can I keep", "kill any living thing at will. She denies her abilities because of an", "to control and manipulate life and subsequently kill any living thing at will.", "a group of survivors and taken a liking to the adopted son, Caspian,", "control and manipulate life and subsequently kill any living thing at will. She", "abilities because of an extremely traumatizing event in her childhood, where she murdered", "bottom-line morally compromised, killing out of fear and hatred and lying to herself", "though, that Ezrith's motivations (despite being UrasMt' antagonist) are totally benevolent and her", "morally compromised, killing out of fear and hatred and lying to herself and", "anyone in the group) by UrasMt, who has blocked out the memory of", "the group) by UrasMt, who has blocked out the memory of the murder.", "in her childhood, where she murdered her aunt, father, and sister accidentally, and", "fact is, though, that Ezrith's motivations (despite being UrasMt' antagonist) are totally benevolent", "is selfish, secretive, and bottom-line morally compromised, killing out of fear and hatred", "the group's matriarch, Ezrith. Ezrith is the antagonist. Her dead wife Pastea, Caspian's", "UrasMt, on the other hand, is selfish, secretive, and bottom-line morally compromised, killing", "being UrasMt' antagonist) are totally benevolent and her love for her son and", "this plot line even feasible? Can I have an effective portrayal of an", "my unreliable narrator UrasMt has the ability to control and manipulate life and", "how can I keep my reader's sympathies aligned with my protagonist despite all", "by a group of survivors and taken a liking to the adopted son,", "Ezrith is extremely suspicious of UrasMt and constantly scrutinizes UrasMt' motivations and behavior.", "In a post-apocalyptic world, my unreliable narrator UrasMt has the ability to control", "out of fear and hatred and lying to herself and others. Is this", "effective portrayal of an \"evil\" protagonist and \"good\" antagonist without having my reader", "of fear and hatred and lying to herself and others. Is this plot", "She has been found by a group of survivors and taken a liking", "My protagonist is UrasMt and my antagonist is Ezrith. In a post-apocalyptic world,", "investigate. She has been found by a group of survivors and taken a", "her loved ones safe. UrasMt, on the other hand, is selfish, secretive, and", "her love for her son and the group she leads is pure. All", "motivations (despite being UrasMt' antagonist) are totally benevolent and her love for her", "totally benevolent and her love for her son and the group she leads", "group) by UrasMt, who has blocked out the memory of the murder. Ezrith", "and manipulate life and subsequently kill any living thing at will. She denies", "keep my reader's sympathies aligned with my protagonist despite all of her somewhat", "line even feasible? Can I have an effective portrayal of an \"evil\" protagonist", "to Ezrith or anyone in the group) by UrasMt, who has blocked out", "at will. She denies her abilities because of an extremely traumatizing event in", "herself and others. Is this plot line even feasible? Can I have an", "loved ones safe. UrasMt, on the other hand, is selfish, secretive, and bottom-line", "having my reader sympathize with the antagonist? And how can I keep my", "and sister accidentally, and while trying to cover it up, killed more people", "other hand, is selfish, secretive, and bottom-line morally compromised, killing out of fear", "memory of the murder. Ezrith is extremely suspicious of UrasMt and constantly scrutinizes", "reader sympathize with the antagonist? And how can I keep my reader's sympathies", "to cover it up, killed more people who came to investigate. She has", "Pastea, Caspian's biological mother, was killed while on a scouting mission (unbeknownst to", "murder. Ezrith is extremely suspicious of UrasMt and constantly scrutinizes UrasMt' motivations and", "cover it up, killed more people who came to investigate. She has been", "Ezrith is the antagonist. Her dead wife Pastea, Caspian's biological mother, was killed", "scouting mission (unbeknownst to Ezrith or anyone in the group) by UrasMt, who", "my reader sympathize with the antagonist? And how can I keep my reader's", "Her dead wife Pastea, Caspian's biological mother, was killed while on a scouting", "out the memory of the murder. Ezrith is extremely suspicious of UrasMt and", "matriarch, Ezrith. Ezrith is the antagonist. Her dead wife Pastea, Caspian's biological mother,", "and her love for her son and the group she leads is pure.", "\"good\" antagonist without having my reader sympathize with the antagonist? And how can", "unreliable narrator UrasMt has the ability to control and manipulate life and subsequently", "to the adopted son, Caspian, of the group's matriarch, Ezrith. Ezrith is the", "will. She denies her abilities because of an extremely traumatizing event in her", "and constantly scrutinizes UrasMt' motivations and behavior. The fact is, though, that Ezrith's", "Ezrith. Ezrith is the antagonist. Her dead wife Pastea, Caspian's biological mother, was", "is to keep her loved ones safe. UrasMt, on the other hand, is", "a scouting mission (unbeknownst to Ezrith or anyone in the group) by UrasMt,", "protagonist is UrasMt and my antagonist is Ezrith. In a post-apocalyptic world, my", "extremely suspicious of UrasMt and constantly scrutinizes UrasMt' motivations and behavior. The fact", "pure. All she wants is to keep her loved ones safe. UrasMt, on", "wants is to keep her loved ones safe. UrasMt, on the other hand,", "The fact is, though, that Ezrith's motivations (despite being UrasMt' antagonist) are totally", "blocked out the memory of the murder. Ezrith is extremely suspicious of UrasMt", "keep her loved ones safe. UrasMt, on the other hand, is selfish, secretive,", "aunt, father, and sister accidentally, and while trying to cover it up, killed", "who came to investigate. She has been found by a group of survivors", "can I keep my reader's sympathies aligned with my protagonist despite all of", "sympathize with the antagonist? And how can I keep my reader's sympathies aligned", "on a scouting mission (unbeknownst to Ezrith or anyone in the group) by", "Caspian's biological mother, was killed while on a scouting mission (unbeknownst to Ezrith", "with the antagonist? And how can I keep my reader's sympathies aligned with", "compromised, killing out of fear and hatred and lying to herself and others.", "adopted son, Caspian, of the group's matriarch, Ezrith. Ezrith is the antagonist. Her", "of an extremely traumatizing event in her childhood, where she murdered her aunt,", "wife Pastea, Caspian's biological mother, was killed while on a scouting mission (unbeknownst", "is the antagonist. Her dead wife Pastea, Caspian's biological mother, was killed while", "UrasMt, who has blocked out the memory of the murder. Ezrith is extremely", "is extremely suspicious of UrasMt and constantly scrutinizes UrasMt' motivations and behavior. The", "suspicious of UrasMt and constantly scrutinizes UrasMt' motivations and behavior. The fact is,", "even feasible? Can I have an effective portrayal of an \"evil\" protagonist and", "I keep my reader's sympathies aligned with my protagonist despite all of her", "ones safe. UrasMt, on the other hand, is selfish, secretive, and bottom-line morally", "on the other hand, is selfish, secretive, and bottom-line morally compromised, killing out", "been found by a group of survivors and taken a liking to the", "the adopted son, Caspian, of the group's matriarch, Ezrith. Ezrith is the antagonist.", "is, though, that Ezrith's motivations (despite being UrasMt' antagonist) are totally benevolent and", "portrayal of an \"evil\" protagonist and \"good\" antagonist without having my reader sympathize", "life and subsequently kill any living thing at will. She denies her abilities", "hand, is selfish, secretive, and bottom-line morally compromised, killing out of fear and", "protagonist and \"good\" antagonist without having my reader sympathize with the antagonist? And", "while on a scouting mission (unbeknownst to Ezrith or anyone in the group)", "came to investigate. She has been found by a group of survivors and", "has blocked out the memory of the murder. Ezrith is extremely suspicious of", "and behavior. The fact is, though, that Ezrith's motivations (despite being UrasMt' antagonist)", "son, Caspian, of the group's matriarch, Ezrith. Ezrith is the antagonist. Her dead", "group she leads is pure. All she wants is to keep her loved", "traumatizing event in her childhood, where she murdered her aunt, father, and sister", "people who came to investigate. She has been found by a group of", "mother, was killed while on a scouting mission (unbeknownst to Ezrith or anyone", "secretive, and bottom-line morally compromised, killing out of fear and hatred and lying", "hatred and lying to herself and others. Is this plot line even feasible?", "sister accidentally, and while trying to cover it up, killed more people who", "narrator UrasMt has the ability to control and manipulate life and subsequently kill", "that Ezrith's motivations (despite being UrasMt' antagonist) are totally benevolent and her love", "she murdered her aunt, father, and sister accidentally, and while trying to cover", "are totally benevolent and her love for her son and the group she", "antagonist. Her dead wife Pastea, Caspian's biological mother, was killed while on a", "selfish, secretive, and bottom-line morally compromised, killing out of fear and hatred and", "extremely traumatizing event in her childhood, where she murdered her aunt, father, and", "while trying to cover it up, killed more people who came to investigate.", "where she murdered her aunt, father, and sister accidentally, and while trying to", "ability to control and manipulate life and subsequently kill any living thing at", "a post-apocalyptic world, my unreliable narrator UrasMt has the ability to control and", "Ezrith. In a post-apocalyptic world, my unreliable narrator UrasMt has the ability to", "and \"good\" antagonist without having my reader sympathize with the antagonist? And how", "to herself and others. Is this plot line even feasible? Can I have", "the ability to control and manipulate life and subsequently kill any living thing", "scrutinizes UrasMt' motivations and behavior. The fact is, though, that Ezrith's motivations (despite", "found by a group of survivors and taken a liking to the adopted", "mission (unbeknownst to Ezrith or anyone in the group) by UrasMt, who has", "antagonist without having my reader sympathize with the antagonist? And how can I", "by UrasMt, who has blocked out the memory of the murder. Ezrith is", "the murder. Ezrith is extremely suspicious of UrasMt and constantly scrutinizes UrasMt' motivations", "and subsequently kill any living thing at will. She denies her abilities because", "childhood, where she murdered her aunt, father, and sister accidentally, and while trying", "(despite being UrasMt' antagonist) are totally benevolent and her love for her son", "in the group) by UrasMt, who has blocked out the memory of the", "because of an extremely traumatizing event in her childhood, where she murdered her", "an \"evil\" protagonist and \"good\" antagonist without having my reader sympathize with the", "group's matriarch, Ezrith. Ezrith is the antagonist. Her dead wife Pastea, Caspian's biological", "of survivors and taken a liking to the adopted son, Caspian, of the", "son and the group she leads is pure. All she wants is to", "Ezrith's motivations (despite being UrasMt' antagonist) are totally benevolent and her love for", "event in her childhood, where she murdered her aunt, father, and sister accidentally,", "my antagonist is Ezrith. In a post-apocalyptic world, my unreliable narrator UrasMt has", "of UrasMt and constantly scrutinizes UrasMt' motivations and behavior. The fact is, though,", "is pure. All she wants is to keep her loved ones safe. UrasMt,", "have an effective portrayal of an \"evil\" protagonist and \"good\" antagonist without having", "feasible? Can I have an effective portrayal of an \"evil\" protagonist and \"good\"", "of an \"evil\" protagonist and \"good\" antagonist without having my reader sympathize with", "for her son and the group she leads is pure. All she wants", "Caspian, of the group's matriarch, Ezrith. Ezrith is the antagonist. Her dead wife", "the group she leads is pure. All she wants is to keep her", "her aunt, father, and sister accidentally, and while trying to cover it up,", "has the ability to control and manipulate life and subsequently kill any living", "UrasMt' motivations and behavior. The fact is, though, that Ezrith's motivations (despite being", "a liking to the adopted son, Caspian, of the group's matriarch, Ezrith. Ezrith", "post-apocalyptic world, my unreliable narrator UrasMt has the ability to control and manipulate", "manipulate life and subsequently kill any living thing at will. She denies her", "up, killed more people who came to investigate. She has been found by", "was killed while on a scouting mission (unbeknownst to Ezrith or anyone in", "killing out of fear and hatred and lying to herself and others. Is", "leads is pure. All she wants is to keep her loved ones safe.", "she leads is pure. All she wants is to keep her loved ones", "liking to the adopted son, Caspian, of the group's matriarch, Ezrith. Ezrith is", "Is this plot line even feasible? Can I have an effective portrayal of", "of the group's matriarch, Ezrith. Ezrith is the antagonist. Her dead wife Pastea,", "who has blocked out the memory of the murder. Ezrith is extremely suspicious", "others. Is this plot line even feasible? Can I have an effective portrayal", "All she wants is to keep her loved ones safe. UrasMt, on the", "her abilities because of an extremely traumatizing event in her childhood, where she", "love for her son and the group she leads is pure. All she", "plot line even feasible? Can I have an effective portrayal of an \"evil\"", "any living thing at will. She denies her abilities because of an extremely", "has been found by a group of survivors and taken a liking to", "is UrasMt and my antagonist is Ezrith. In a post-apocalyptic world, my unreliable", "living thing at will. She denies her abilities because of an extremely traumatizing", "Can I have an effective portrayal of an \"evil\" protagonist and \"good\" antagonist", "her childhood, where she murdered her aunt, father, and sister accidentally, and while", "survivors and taken a liking to the adopted son, Caspian, of the group's", "thing at will. She denies her abilities because of an extremely traumatizing event", "benevolent and her love for her son and the group she leads is", "safe. UrasMt, on the other hand, is selfish, secretive, and bottom-line morally compromised,", "constantly scrutinizes UrasMt' motivations and behavior. The fact is, though, that Ezrith's motivations", "the antagonist. Her dead wife Pastea, Caspian's biological mother, was killed while on", "biological mother, was killed while on a scouting mission (unbeknownst to Ezrith or", "killed more people who came to investigate. She has been found by a", "dead wife Pastea, Caspian's biological mother, was killed while on a scouting mission", "or anyone in the group) by UrasMt, who has blocked out the memory", "and hatred and lying to herself and others. Is this plot line even", "father, and sister accidentally, and while trying to cover it up, killed more", "motivations and behavior. The fact is, though, that Ezrith's motivations (despite being UrasMt'", "to investigate. She has been found by a group of survivors and taken", "group of survivors and taken a liking to the adopted son, Caspian, of", "UrasMt and constantly scrutinizes UrasMt' motivations and behavior. The fact is, though, that", "is Ezrith. In a post-apocalyptic world, my unreliable narrator UrasMt has the ability", "subsequently kill any living thing at will. She denies her abilities because of", "She denies her abilities because of an extremely traumatizing event in her childhood,", "and taken a liking to the adopted son, Caspian, of the group's matriarch,", "killed while on a scouting mission (unbeknownst to Ezrith or anyone in the", "UrasMt' antagonist) are totally benevolent and her love for her son and the", "and others. Is this plot line even feasible? Can I have an effective", "accidentally, and while trying to cover it up, killed more people who came", "antagonist) are totally benevolent and her love for her son and the group", "antagonist? And how can I keep my reader's sympathies aligned with my protagonist", "my reader's sympathies aligned with my protagonist despite all of her somewhat unredeemable", "and while trying to cover it up, killed more people who came to", "and bottom-line morally compromised, killing out of fear and hatred and lying to", "to keep her loved ones safe. UrasMt, on the other hand, is selfish,", "I have an effective portrayal of an \"evil\" protagonist and \"good\" antagonist without", "murdered her aunt, father, and sister accidentally, and while trying to cover it", "an effective portrayal of an \"evil\" protagonist and \"good\" antagonist without having my", "taken a liking to the adopted son, Caspian, of the group's matriarch, Ezrith.", "and my antagonist is Ezrith. In a post-apocalyptic world, my unreliable narrator UrasMt", "the other hand, is selfish, secretive, and bottom-line morally compromised, killing out of", "of the murder. Ezrith is extremely suspicious of UrasMt and constantly scrutinizes UrasMt'", "And how can I keep my reader's sympathies aligned with my protagonist despite", "UrasMt and my antagonist is Ezrith. In a post-apocalyptic world, my unreliable narrator", "denies her abilities because of an extremely traumatizing event in her childhood, where", "and the group she leads is pure. All she wants is to keep", "fear and hatred and lying to herself and others. Is this plot line", "more people who came to investigate. She has been found by a group", "it up, killed more people who came to investigate. She has been found", "she wants is to keep her loved ones safe. UrasMt, on the other", "Ezrith or anyone in the group) by UrasMt, who has blocked out the", "antagonist is Ezrith. In a post-apocalyptic world, my unreliable narrator UrasMt has the", "(unbeknownst to Ezrith or anyone in the group) by UrasMt, who has blocked", "UrasMt has the ability to control and manipulate life and subsequently kill any" ]
[ "editor, but I can't do that yet (financial problems). Somebody told me, publishers", "not my native one, but I can talk and write with it, but", "native one, but I can talk and write with it, but maybe not", "readers have told me that my stories I wrote are really good, but", "every manuscript anyway (or maybe is that wrong?), so what are my chances", "anyway (or maybe is that wrong?), so what are my chances to get", "my stories I wrote are really good, but still, I make some grammar", "talk and write with it, but maybe not as well as I would", "is that wrong?), so what are my chances to get my manuscript to", "can talk and write with it, but maybe not as well as I", "Yes, I could get an editor, but I can't do that yet (financial", "Somebody told me, publishers edit every manuscript anyway (or maybe is that wrong?),", "but still, I make some grammar errors. Yes, I could get an editor,", "it, but maybe not as well as I would like to. 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Somebody told me, publishers edit every manuscript anyway (or", "and write with it, but maybe not as well as I would like", "grammar errors. Yes, I could get an editor, but I can't do that", "that wrong?), so what are my chances to get my manuscript to accepted", "not as well as I would like to. Many readers have told me", "but maybe not as well as I would like to. Many readers have", "as I would like to. Many readers have told me that my stories", "my native one, but I can talk and write with it, but maybe", "like to. Many readers have told me that my stories I wrote are", "get an editor, but I can't do that yet (financial problems). Somebody told", "an editor, but I can't do that yet (financial problems). Somebody told me,", "with it, but maybe not as well as I would like to. Many", "I can't do that yet (financial problems). Somebody told me, publishers edit every", "maybe is that wrong?), so what are my chances to get my manuscript", "could get an editor, but I can't do that yet (financial problems). Somebody", "told me, publishers edit every manuscript anyway (or maybe is that wrong?), so", "would like to. Many readers have told me that my stories I wrote", "good, but still, I make some grammar errors. Yes, I could get an", "publishers edit every manuscript anyway (or maybe is that wrong?), so what are", "really good, but still, I make some grammar errors. Yes, I could get" ]
[ "I stumbled across the question on Writing Beta about \"[How do you write", "the headings be for? The main idea/topic of each paragraph or of each", "be the summary of what you are about to explain? Could it be", "exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What would the headings be", "says use headings. What would the headings be for? The main idea/topic of", "paragraph or of each \"section\"? Or would it be the summary of what", "would it be the summary of what you are about to explain? Could", "across the question on Writing Beta about \"[How do you write a stack", "write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What would", "\"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use", "the summary of what you are about to explain? Could it be either?", "of each \"section\"? Or would it be the summary of what you are", "be for? The main idea/topic of each paragraph or of each \"section\"? Or", "each \"section\"? Or would it be the summary of what you are about", "Or would it be the summary of what you are about to explain?", "of each paragraph or of each \"section\"? Or would it be the summary", "\"section\"? Or would it be the summary of what you are about to", "it be the summary of what you are about to explain? Could it", "for? The main idea/topic of each paragraph or of each \"section\"? Or would", "The main idea/topic of each paragraph or of each \"section\"? Or would it", "Writing Beta about \"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best", "a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What would the", "main idea/topic of each paragraph or of each \"section\"? Or would it be", "Beta about \"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer", "best answer says use headings. What would the headings be for? The main", "use headings. What would the headings be for? The main idea/topic of each", "headings. What would the headings be for? The main idea/topic of each paragraph", "question on Writing Beta about \"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\".", "stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What would the headings", "each paragraph or of each \"section\"? Or would it be the summary of", "answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What would the headings be for?", "do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings.", "would the headings be for? The main idea/topic of each paragraph or of", "about \"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says", "What would the headings be for? The main idea/topic of each paragraph or", "idea/topic of each paragraph or of each \"section\"? Or would it be the", "on Writing Beta about \"[How do you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The", "stumbled across the question on Writing Beta about \"[How do you write a", "The best answer says use headings. What would the headings be for? The", "you write a stack exchange answer?](https://writing.stackexchange.com/questions/33613/how-do-you-write-a-stack-exchange-answer)\". The best answer says use headings. What", "headings be for? The main idea/topic of each paragraph or of each \"section\"?", "answer says use headings. What would the headings be for? The main idea/topic", "the question on Writing Beta about \"[How do you write a stack exchange", "or of each \"section\"? Or would it be the summary of what you" ]
[ "to ask this is: Is the goal that a reader should be able", "It's hard for me to read (and edit) more than about eight chapters", "advancements. On the other hand, I believe we are aiming for page-turners. Should", "we are aiming for page-turners. Should I be concerned that after eight chapters", "not, what page-count is the target? I know that sounds stupid. I trust", "carry forward. It is advancement, make no mistake. Each scene provides another puzzle", "provides another puzzle piece or resolution, another mystery solved or twist. Another chunk.", "trust you to grok the sentiment. Additional edit, there are exactly two 'fight'", "weaknesses, I become sort of... overloaded on any given day. Like the advancement", "scene. This is not a hollywood action film--that's not what I am saying.", "are fights or what not.) It's hard for me to read (and edit)", "for page-turners. Should I be concerned that after eight chapters on any day", "page-turners. Should I be concerned that after eight chapters on any day I", "of writing fiction that every scene needs to have tension and advance the", "those eight chapters are solid, and the next day I'm ready to edit", "Should I be concerned that after eight chapters on any day I am", "(Edit: To clarify: these plot advancements are not all thrills and death. Some", "needs to be cemented, or reaching a personal goal to address/overcome the 'shadow'", "of... overloaded on any given day. Like the advancement of each scene is", "me because those eight chapters (about 12 scenes) has twelve plot advancements. On", "if not, what page-count is the target? I know that sounds stupid. I", "the target? I know that sounds stupid. I trust you to grok the", "know that sounds stupid. I trust you to grok the sentiment. Additional edit,", "day. Like the advancement of each scene is another chunk I carry forward.", "after eight chapters on any day I am sort of ... 'full?' Another", "are exactly two 'fight' scenes in the entire novel, and one death scene.", "chapters on a given day? On the one hand this makes sense to", "or resolution, another mystery solved or twist. Another chunk. (Edit: To clarify: these", "my novel (again and again) to identify and address weaknesses, I become sort", "is advancement, make no mistake. Each scene provides another puzzle piece or resolution,", "there are exactly two 'fight' scenes in the entire novel, and one death", "edit) more than about eight chapters of my novel at a go. But", "advancement of each scene is another chunk I carry forward. It is advancement,", "And if not, what page-count is the target? I know that sounds stupid.", "over the past fifteen months of writing fiction that every scene needs to", "death. Some are cementing a friendship that needs to be cemented, or reaching", "those eight chapters (about 12 scenes) has twelve plot advancements. On the other", "a personal goal to address/overcome the 'shadow' of the protagonist. They advance the", "of each scene is another chunk I carry forward. It is advancement, make", "plot. This is good. But, I find that as I read my novel", "sort of ... 'full?' Another way to ask this is: Is the goal", "fiction that every scene needs to have tension and advance the plot. This", "other hand, I believe we are aiming for page-turners. Should I be concerned", "aiming for page-turners. Should I be concerned that after eight chapters on any", "solid, and the next day I'm ready to edit eight more. The edits", "able to page-turn the entire novel at one go? And if not, what", "I know that sounds stupid. I trust you to grok the sentiment. Additional", "the next day I'm ready to edit eight more. The edits are word", "That does not mean that they are fights or what not.) It's hard", "I become sort of... overloaded on any given day. Like the advancement of", "again) to identify and address weaknesses, I become sort of... overloaded on any", "the entire novel at one go? And if not, what page-count is the", "day I'm ready to edit eight more. The edits are word smithing--I think", "to have tension and advance the plot. This is good. But, I find", "not.) It's hard for me to read (and edit) more than about eight", "concerned that after eight chapters on any day I am sort of ...", "This is good. But, I find that as I read my novel (again", "way to ask this is: Is the goal that a reader should be", "resolution, another mystery solved or twist. Another chunk. (Edit: To clarify: these plot", "Each scene provides another puzzle piece or resolution, another mystery solved or twist.", "solved or twist. Another chunk. (Edit: To clarify: these plot advancements are not", "not mean that they are fights or what not.) It's hard for me", "to page-turn the entire novel at one go? And if not, what page-count", "scene provides another puzzle piece or resolution, another mystery solved or twist. Another", "ready to edit eight more. The edits are word smithing--I think all the", "overloaded on any given day. Like the advancement of each scene is another", "the 'shadow' of the protagonist. They advance the plot. That does not mean", "day I am sort of ... 'full?' Another way to ask this is:", "read (and edit) more than about eight chapters of my novel at a", "are aiming for page-turners. Should I be concerned that after eight chapters on", "So the question is: Why do I feel 'full' when reading/editing eight chapters", "Is the goal that a reader should be able to page-turn the entire", "that every scene needs to have tension and advance the plot. This is", "learned over the past fifteen months of writing fiction that every scene needs", "reaching a personal goal to address/overcome the 'shadow' of the protagonist. They advance", "to edit eight more. The edits are word smithing--I think all the structural", "'full' when reading/editing eight chapters on a given day? On the one hand", "advancement, make no mistake. Each scene provides another puzzle piece or resolution, another", "chunk. (Edit: To clarify: these plot advancements are not all thrills and death.", "that they are fights or what not.) It's hard for me to read", "have learned over the past fifteen months of writing fiction that every scene", "chapters are solid, and the next day I'm ready to edit eight more.", "the structural stuff is solid. So the question is: Why do I feel", "when reading/editing eight chapters on a given day? On the one hand this", "Additional edit, there are exactly two 'fight' scenes in the entire novel, and", "and one death scene. This is not a hollywood action film--that's not what", "should be able to page-turn the entire novel at one go? And if", "to read (and edit) more than about eight chapters of my novel at", "next day I'm ready to edit eight more. The edits are word smithing--I", "me to read (and edit) more than about eight chapters of my novel", "page-count is the target? I know that sounds stupid. I trust you to", "any given day. Like the advancement of each scene is another chunk I", "to be cemented, or reaching a personal goal to address/overcome the 'shadow' of", "another mystery solved or twist. Another chunk. (Edit: To clarify: these plot advancements", "be concerned that after eight chapters on any day I am sort of", "sort of... overloaded on any given day. Like the advancement of each scene", "fights or what not.) It's hard for me to read (and edit) more", "that as I read my novel (again and again) to identify and address", "hard for me to read (and edit) more than about eight chapters of", "a given day? On the one hand this makes sense to me because", "one death scene. This is not a hollywood action film--that's not what I", "any day I am sort of ... 'full?' Another way to ask this", "on any given day. Like the advancement of each scene is another chunk", "forward. It is advancement, make no mistake. Each scene provides another puzzle piece", "all the structural stuff is solid. So the question is: Why do I", "But those eight chapters are solid, and the next day I'm ready to", "at one go? And if not, what page-count is the target? I know", "address weaknesses, I become sort of... overloaded on any given day. Like the", "is another chunk I carry forward. It is advancement, make no mistake. Each", "mystery solved or twist. Another chunk. (Edit: To clarify: these plot advancements are", "to grok the sentiment. Additional edit, there are exactly two 'fight' scenes in", "that needs to be cemented, or reaching a personal goal to address/overcome the", "they are fights or what not.) It's hard for me to read (and", "chapters of my novel at a go. But those eight chapters are solid,", "The edits are word smithing--I think all the structural stuff is solid. So", "edits are word smithing--I think all the structural stuff is solid. So the", "... 'full?' Another way to ask this is: Is the goal that a", "find that as I read my novel (again and again) to identify and", "of my novel at a go. But those eight chapters are solid, and", "twelve plot advancements. On the other hand, I believe we are aiming for", "believe we are aiming for page-turners. Should I be concerned that after eight", "the plot. That does not mean that they are fights or what not.)", "what not.) It's hard for me to read (and edit) more than about", "a friendship that needs to be cemented, or reaching a personal goal to", "scenes) has twelve plot advancements. On the other hand, I believe we are", "I believe we are aiming for page-turners. Should I be concerned that after", "clarify: these plot advancements are not all thrills and death. Some are cementing", "(again and again) to identify and address weaknesses, I become sort of... overloaded", "these plot advancements are not all thrills and death. Some are cementing a", "Why do I feel 'full' when reading/editing eight chapters on a given day?", "scene is another chunk I carry forward. It is advancement, make no mistake.", "is: Why do I feel 'full' when reading/editing eight chapters on a given", "I have learned over the past fifteen months of writing fiction that every", "sentiment. Additional edit, there are exactly two 'fight' scenes in the entire novel,", "edit, there are exactly two 'fight' scenes in the entire novel, and one", "two 'fight' scenes in the entire novel, and one death scene. This is", "cementing a friendship that needs to be cemented, or reaching a personal goal", "'full?' Another way to ask this is: Is the goal that a reader", "advancements are not all thrills and death. Some are cementing a friendship that", "solid. So the question is: Why do I feel 'full' when reading/editing eight", "advance the plot. This is good. But, I find that as I read", "the advancement of each scene is another chunk I carry forward. It is", "my novel at a go. But those eight chapters are solid, and the", "one hand this makes sense to me because those eight chapters (about 12", "protagonist. They advance the plot. That does not mean that they are fights", "that sounds stupid. I trust you to grok the sentiment. Additional edit, there", "ask this is: Is the goal that a reader should be able to", "you to grok the sentiment. Additional edit, there are exactly two 'fight' scenes", "is solid. So the question is: Why do I feel 'full' when reading/editing", "no mistake. Each scene provides another puzzle piece or resolution, another mystery solved", "of ... 'full?' Another way to ask this is: Is the goal that", "the plot. This is good. But, I find that as I read my", "address/overcome the 'shadow' of the protagonist. They advance the plot. That does not", "are solid, and the next day I'm ready to edit eight more. The", "novel at one go? And if not, what page-count is the target? I", "chunk I carry forward. It is advancement, make no mistake. Each scene provides", "puzzle piece or resolution, another mystery solved or twist. Another chunk. (Edit: To", "to address/overcome the 'shadow' of the protagonist. They advance the plot. That does", "chapters on any day I am sort of ... 'full?' Another way to", "and address weaknesses, I become sort of... overloaded on any given day. Like", "do I feel 'full' when reading/editing eight chapters on a given day? On", "are cementing a friendship that needs to be cemented, or reaching a personal", "I trust you to grok the sentiment. Additional edit, there are exactly two", "or reaching a personal goal to address/overcome the 'shadow' of the protagonist. They", "personal goal to address/overcome the 'shadow' of the protagonist. They advance the plot.", "'fight' scenes in the entire novel, and one death scene. This is not", "plot. That does not mean that they are fights or what not.) It's", "advance the plot. That does not mean that they are fights or what", "to identify and address weaknesses, I become sort of... overloaded on any given", "the sentiment. Additional edit, there are exactly two 'fight' scenes in the entire", "mistake. Each scene provides another puzzle piece or resolution, another mystery solved or", "eight chapters on a given day? On the one hand this makes sense", "grok the sentiment. Additional edit, there are exactly two 'fight' scenes in the", "question is: Why do I feel 'full' when reading/editing eight chapters on a", "to me because those eight chapters (about 12 scenes) has twelve plot advancements.", "and advance the plot. This is good. But, I find that as I", "plot advancements are not all thrills and death. Some are cementing a friendship", "novel, and one death scene. This is not a hollywood action film--that's not", "piece or resolution, another mystery solved or twist. Another chunk. (Edit: To clarify:", "goal that a reader should be able to page-turn the entire novel at", "is good. But, I find that as I read my novel (again and", "are word smithing--I think all the structural stuff is solid. So the question", "reader should be able to page-turn the entire novel at one go? And", "for me to read (and edit) more than about eight chapters of my", "is the target? I know that sounds stupid. I trust you to grok", "has twelve plot advancements. On the other hand, I believe we are aiming", "are not all thrills and death. Some are cementing a friendship that needs", "On the other hand, I believe we are aiming for page-turners. Should I", "each scene is another chunk I carry forward. It is advancement, make no", "scene needs to have tension and advance the plot. This is good. But,", "twist. Another chunk. (Edit: To clarify: these plot advancements are not all thrills", "of the protagonist. They advance the plot. That does not mean that they", "is: Is the goal that a reader should be able to page-turn the", "about eight chapters of my novel at a go. But those eight chapters", "identify and address weaknesses, I become sort of... overloaded on any given day.", "hand, I believe we are aiming for page-turners. Should I be concerned that", "(about 12 scenes) has twelve plot advancements. On the other hand, I believe", "I find that as I read my novel (again and again) to identify", "feel 'full' when reading/editing eight chapters on a given day? On the one", "the entire novel, and one death scene. This is not a hollywood action", "death scene. This is not a hollywood action film--that's not what I am", "and the next day I'm ready to edit eight more. The edits are", "all thrills and death. Some are cementing a friendship that needs to be", "They advance the plot. That does not mean that they are fights or", "become sort of... overloaded on any given day. Like the advancement of each", "not all thrills and death. Some are cementing a friendship that needs to", "eight more. The edits are word smithing--I think all the structural stuff is", "a go. But those eight chapters are solid, and the next day I'm", "the protagonist. They advance the plot. That does not mean that they are", "day? On the one hand this makes sense to me because those eight", "On the one hand this makes sense to me because those eight chapters", "makes sense to me because those eight chapters (about 12 scenes) has twelve", "scenes in the entire novel, and one death scene. This is not a", "eight chapters on any day I am sort of ... 'full?' Another way", "what page-count is the target? I know that sounds stupid. I trust you", "than about eight chapters of my novel at a go. But those eight", "smithing--I think all the structural stuff is solid. So the question is: Why", "that a reader should be able to page-turn the entire novel at one", "eight chapters are solid, and the next day I'm ready to edit eight", "the goal that a reader should be able to page-turn the entire novel", "in the entire novel, and one death scene. This is not a hollywood", "a reader should be able to page-turn the entire novel at one go?", "every scene needs to have tension and advance the plot. This is good.", "'shadow' of the protagonist. They advance the plot. That does not mean that", "word smithing--I think all the structural stuff is solid. So the question is:", "as I read my novel (again and again) to identify and address weaknesses,", "good. But, I find that as I read my novel (again and again)", "eight chapters of my novel at a go. But those eight chapters are", "structural stuff is solid. So the question is: Why do I feel 'full'", "go? And if not, what page-count is the target? I know that sounds", "be cemented, or reaching a personal goal to address/overcome the 'shadow' of the", "have tension and advance the plot. This is good. But, I find that", "another puzzle piece or resolution, another mystery solved or twist. Another chunk. (Edit:", "given day? On the one hand this makes sense to me because those", "reading/editing eight chapters on a given day? On the one hand this makes", "on any day I am sort of ... 'full?' Another way to ask", "But, I find that as I read my novel (again and again) to", "sounds stupid. I trust you to grok the sentiment. Additional edit, there are", "hand this makes sense to me because those eight chapters (about 12 scenes)", "make no mistake. Each scene provides another puzzle piece or resolution, another mystery", "and death. Some are cementing a friendship that needs to be cemented, or", "think all the structural stuff is solid. So the question is: Why do", "entire novel, and one death scene. This is not a hollywood action film--that's", "I'm ready to edit eight more. The edits are word smithing--I think all", "fifteen months of writing fiction that every scene needs to have tension and", "Some are cementing a friendship that needs to be cemented, or reaching a", "that after eight chapters on any day I am sort of ... 'full?'", "Another chunk. (Edit: To clarify: these plot advancements are not all thrills and", "stuff is solid. So the question is: Why do I feel 'full' when", "12 scenes) has twelve plot advancements. On the other hand, I believe we", "exactly two 'fight' scenes in the entire novel, and one death scene. This", "friendship that needs to be cemented, or reaching a personal goal to address/overcome", "goal to address/overcome the 'shadow' of the protagonist. They advance the plot. That", "because those eight chapters (about 12 scenes) has twelve plot advancements. On the", "page-turn the entire novel at one go? And if not, what page-count is", "am sort of ... 'full?' Another way to ask this is: Is the", "To clarify: these plot advancements are not all thrills and death. Some are", "or what not.) It's hard for me to read (and edit) more than", "one go? And if not, what page-count is the target? I know that", "thrills and death. Some are cementing a friendship that needs to be cemented,", "tension and advance the plot. This is good. But, I find that as", "more than about eight chapters of my novel at a go. But those", "go. But those eight chapters are solid, and the next day I'm ready", "plot advancements. On the other hand, I believe we are aiming for page-turners.", "stupid. I trust you to grok the sentiment. Additional edit, there are exactly", "edit eight more. The edits are word smithing--I think all the structural stuff", "another chunk I carry forward. It is advancement, make no mistake. Each scene", "this makes sense to me because those eight chapters (about 12 scenes) has", "Another way to ask this is: Is the goal that a reader should", "the past fifteen months of writing fiction that every scene needs to have", "It is advancement, make no mistake. Each scene provides another puzzle piece or", "at a go. But those eight chapters are solid, and the next day", "writing fiction that every scene needs to have tension and advance the plot.", "I feel 'full' when reading/editing eight chapters on a given day? On the", "read my novel (again and again) to identify and address weaknesses, I become", "(and edit) more than about eight chapters of my novel at a go.", "eight chapters (about 12 scenes) has twelve plot advancements. On the other hand,", "I be concerned that after eight chapters on any day I am sort", "on a given day? On the one hand this makes sense to me", "entire novel at one go? And if not, what page-count is the target?", "does not mean that they are fights or what not.) It's hard for", "novel at a go. But those eight chapters are solid, and the next", "Like the advancement of each scene is another chunk I carry forward. It", "cemented, or reaching a personal goal to address/overcome the 'shadow' of the protagonist.", "target? I know that sounds stupid. I trust you to grok the sentiment.", "the other hand, I believe we are aiming for page-turners. Should I be", "sense to me because those eight chapters (about 12 scenes) has twelve plot", "needs to have tension and advance the plot. This is good. But, I", "and again) to identify and address weaknesses, I become sort of... overloaded on", "I carry forward. It is advancement, make no mistake. Each scene provides another", "more. The edits are word smithing--I think all the structural stuff is solid.", "given day. Like the advancement of each scene is another chunk I carry", "novel (again and again) to identify and address weaknesses, I become sort of...", "or twist. Another chunk. (Edit: To clarify: these plot advancements are not all", "the question is: Why do I feel 'full' when reading/editing eight chapters on", "months of writing fiction that every scene needs to have tension and advance", "chapters (about 12 scenes) has twelve plot advancements. On the other hand, I", "mean that they are fights or what not.) It's hard for me to", "I am sort of ... 'full?' Another way to ask this is: Is", "I read my novel (again and again) to identify and address weaknesses, I", "this is: Is the goal that a reader should be able to page-turn", "past fifteen months of writing fiction that every scene needs to have tension", "the one hand this makes sense to me because those eight chapters (about", "be able to page-turn the entire novel at one go? And if not," ]
[ "comics have this problem. The hero defeats someone and then the next bad", "fact that I want my hero to be an underdog. Someone who tries", "in the fact that I want my hero to be an underdog. Someone", "and comics have this problem. The hero defeats someone and then the next", "simply because the strong don't care about what threatens the weak. What I", "the fact that I want my hero to be an underdog. Someone who", "more equipped for the task compared to her simply because the strong don't", "learn is how can I keep my hero in a level that won't", "villains growing more dangerous. My main problem lies in the fact that I", "is how can I keep my hero in a level that won't make", "people more equipped for the task compared to her simply because the strong", "I don't really have a problem with villains growing more dangerous. My main", "make her be considered powerful whether it be via readers or via people", "books and comics have this problem. The hero defeats someone and then the", "equipped for the task compared to her simply because the strong don't care", "how can I keep my hero in a level that won't make her", "despite there being people more equipped for the task compared to her simply", "itself is an issue I don't really have a problem with villains growing", "don't really have a problem with villains growing more dangerous. My main problem", "really have a problem with villains growing more dangerous. My main problem lies", "my hero to be an underdog. Someone who tries despite there being people", "the hero has to grow stronger in order to defeat that bad guys.", "to grow stronger in order to defeat that bad guys. While I believe", "have this problem. The hero defeats someone and then the next bad guy", "growing more dangerous. My main problem lies in the fact that I want", "to defeat that bad guys. While I believe spectacle creep itself is an", "that many books and comics have this problem. The hero defeats someone and", "threatens the weak. What I wish to learn is how can I keep", "there is suspense and the hero has to grow stronger in order to", "am aware that many books and comics have this problem. The hero defeats", "a level that won't make her be considered powerful whether it be via", "level that won't make her be considered powerful whether it be via readers", "don't care about what threatens the weak. What I wish to learn is", "that bad guys. While I believe spectacle creep itself is an issue I", "be an underdog. Someone who tries despite there being people more equipped for", "and the hero has to grow stronger in order to defeat that bad", "order to defeat that bad guys. While I believe spectacle creep itself is", "be considered powerful whether it be via readers or via people she attempts", "my hero in a level that won't make her be considered powerful whether", "strong don't care about what threatens the weak. What I wish to learn", "this problem. The hero defeats someone and then the next bad guy has", "someone and then the next bad guy has to be tougher so that", "defeat that bad guys. While I believe spectacle creep itself is an issue", "care about what threatens the weak. What I wish to learn is how", "the next bad guy has to be tougher so that there is suspense", "lies in the fact that I want my hero to be an underdog.", "her simply because the strong don't care about what threatens the weak. What", "because the strong don't care about what threatens the weak. What I wish", "won't make her be considered powerful whether it be via readers or via", "hero has to grow stronger in order to defeat that bad guys. While", "guys. While I believe spectacle creep itself is an issue I don't really", "an issue I don't really have a problem with villains growing more dangerous.", "that won't make her be considered powerful whether it be via readers or", "The hero defeats someone and then the next bad guy has to be", "main problem lies in the fact that I want my hero to be", "to her simply because the strong don't care about what threatens the weak.", "bad guys. While I believe spectacle creep itself is an issue I don't", "next bad guy has to be tougher so that there is suspense and", "about what threatens the weak. What I wish to learn is how can", "I keep my hero in a level that won't make her be considered", "stronger in order to defeat that bad guys. While I believe spectacle creep", "so that there is suspense and the hero has to grow stronger in", "many books and comics have this problem. The hero defeats someone and then", "and then the next bad guy has to be tougher so that there", "guy has to be tougher so that there is suspense and the hero", "hero defeats someone and then the next bad guy has to be tougher", "grow stronger in order to defeat that bad guys. While I believe spectacle", "suspense and the hero has to grow stronger in order to defeat that", "more dangerous. My main problem lies in the fact that I want my", "tries despite there being people more equipped for the task compared to her", "hero in a level that won't make her be considered powerful whether it", "I believe spectacle creep itself is an issue I don't really have a", "I wish to learn is how can I keep my hero in a", "considered powerful whether it be via readers or via people she attempts to", "I am aware that many books and comics have this problem. The hero", "to be tougher so that there is suspense and the hero has to", "there being people more equipped for the task compared to her simply because", "with villains growing more dangerous. My main problem lies in the fact that", "problem lies in the fact that I want my hero to be an", "Someone who tries despite there being people more equipped for the task compared", "can I keep my hero in a level that won't make her be", "the strong don't care about what threatens the weak. What I wish to", "be tougher so that there is suspense and the hero has to grow", "then the next bad guy has to be tougher so that there is", "spectacle creep itself is an issue I don't really have a problem with", "for the task compared to her simply because the strong don't care about", "in order to defeat that bad guys. While I believe spectacle creep itself", "being people more equipped for the task compared to her simply because the", "problem. The hero defeats someone and then the next bad guy has to", "hero to be an underdog. Someone who tries despite there being people more", "dangerous. My main problem lies in the fact that I want my hero", "have a problem with villains growing more dangerous. My main problem lies in", "a problem with villains growing more dangerous. My main problem lies in the", "While I believe spectacle creep itself is an issue I don't really have", "bad guy has to be tougher so that there is suspense and the", "keep my hero in a level that won't make her be considered powerful", "What I wish to learn is how can I keep my hero in", "to be an underdog. Someone who tries despite there being people more equipped", "is an issue I don't really have a problem with villains growing more", "the task compared to her simply because the strong don't care about what", "creep itself is an issue I don't really have a problem with villains", "to learn is how can I keep my hero in a level that", "weak. What I wish to learn is how can I keep my hero", "in a level that won't make her be considered powerful whether it be", "underdog. Someone who tries despite there being people more equipped for the task", "powerful whether it be via readers or via people she attempts to protect.", "her be considered powerful whether it be via readers or via people she", "is suspense and the hero has to grow stronger in order to defeat", "an underdog. Someone who tries despite there being people more equipped for the", "problem with villains growing more dangerous. My main problem lies in the fact", "has to grow stronger in order to defeat that bad guys. While I", "that there is suspense and the hero has to grow stronger in order", "has to be tougher so that there is suspense and the hero has", "the weak. What I wish to learn is how can I keep my", "task compared to her simply because the strong don't care about what threatens", "I want my hero to be an underdog. Someone who tries despite there", "believe spectacle creep itself is an issue I don't really have a problem", "issue I don't really have a problem with villains growing more dangerous. My", "defeats someone and then the next bad guy has to be tougher so", "that I want my hero to be an underdog. Someone who tries despite", "aware that many books and comics have this problem. The hero defeats someone", "tougher so that there is suspense and the hero has to grow stronger", "who tries despite there being people more equipped for the task compared to", "wish to learn is how can I keep my hero in a level", "what threatens the weak. What I wish to learn is how can I", "compared to her simply because the strong don't care about what threatens the", "My main problem lies in the fact that I want my hero to", "want my hero to be an underdog. Someone who tries despite there being" ]
[ "for a CEO, who probably has a ton of money, to move next", "the question is: does this seem realistic enough, for a CEO to be", "at the beginning of the story, and OC meets Mr. Ceo as his", "a bit of a delinquent. Neplif hates CEO uncle's job and doesn't like", "automatically tell her that he's a CEO, so all she knows is that", "strange for a CEO, who probably has a ton of money, to move", "The difference is that OC (college student) is struggling to pay her expensive", "moves next door to a 3rd year college student who babysits and tutors", "man and doesn't mind living comfortably and in something that isn't obnoxious in", "living conditions as her. How would I make this work? My idea of", "I make this work? My idea of how I'd make this work: The", "conditioning, but it's actually quite expensive. CEO is also quite a humble and", "and doesn't like living in his fancy penthouses, so CEO uncle decides to", "a ton of money, to move next door, in somewhat of the same", "while it is like nothing to Mr. CEO. The two of them encounter", "Now, it's not a poor apartment building with graffiti and broken down air", "job and doesn't like living in his fancy penthouses, so CEO uncle decides", "a poor apartment building with graffiti and broken down air conditioning, but it's", "pay her expensive rent, while it is like nothing to Mr. CEO. The", "CEO, so all she knows is that he's a handsome man with a", "CEO until she does an internship under his company and becomes his personal", "realistic enough, for a CEO to be living next door to a college", "would I make this work? My idea of how I'd make this work:", "seem like an overly fictional story. I want it to be realistic. So", "family to keep the rent paid in her expensive apartment. It seems strange", "the story, and OC meets Mr. Ceo as his normal. He doesn't automatically", "down air conditioning, but it's actually quite expensive. CEO is also quite a", "officially, the question is: does this seem realistic enough, for a CEO to", "in his fancy penthouses, so CEO uncle decides to compromise for his nephew", "and in something that isn't obnoxious in luxury. The difference is that OC", "with graffiti and broken down air conditioning, but it's actually quite expensive. CEO", "the story, he's going to exist regardless), and nephew is a bit of", "delinquent. Neplif hates CEO uncle's job and doesn't like living in his fancy", "expensive rent, while it is like nothing to Mr. CEO. The two of", "that isn't obnoxious in luxury. The difference is that OC (college student) is", "money, to move next door, in somewhat of the same living conditions as", "luxury. The difference is that OC (college student) is struggling to pay her", "with a rude nephew living next door. The OC doesn't find out he's", "CEO has a nephew (which is an unchanging factor of the story, he's", "as his normal. He doesn't automatically tell her that he's a CEO, so", "it to be realistic. So officially, the question is: does this seem realistic", "poor apartment building with graffiti and broken down air conditioning, but it's actually", "doesn't mind living comfortably and in something that isn't obnoxious in luxury. The", "(college student) is struggling to pay her expensive rent, while it is like", "work: The CEO has a nephew (which is an unchanging factor of the", "personal assistant. I'll be \"showing, not telling\" that he is a CEO and", "but it's actually quite expensive. CEO is also quite a humble and down-to-earth", "is a bit of a delinquent. Neplif hates CEO uncle's job and doesn't", "and broken down air conditioning, but it's actually quite expensive. CEO is also", "next door. The OC doesn't find out he's a CEO until she does", "CEO and also trying my best not to make this seem like an", "he's a handsome man with a rude nephew living next door. The OC", "building with graffiti and broken down air conditioning, but it's actually quite expensive.", "internship under his company and becomes his personal assistant. I'll be \"showing, not", "broken down air conditioning, but it's actually quite expensive. CEO is also quite", "the same living conditions as her. How would I make this work? My", "for a rich family to keep the rent paid in her expensive apartment.", "fancy penthouses, so CEO uncle decides to compromise for his nephew by moving", "is struggling to pay her expensive rent, while it is like nothing to", "story, and OC meets Mr. Ceo as his normal. He doesn't automatically tell", "an overly fictional story. I want it to be realistic. So officially, the", "to be realistic. So officially, the question is: does this seem realistic enough,", "is that OC (college student) is struggling to pay her expensive rent, while", "normal. He doesn't automatically tell her that he's a CEO, so all she", "is: does this seem realistic enough, for a CEO to be living next", "enough, for a CEO to be living next door to a college student?", "next door, in somewhat of the same living conditions as her. How would", "to move next door, in somewhat of the same living conditions as her.", "unchanging factor of the story, he's going to exist regardless), and nephew is", "of them encounter at the beginning of the story, and OC meets Mr.", "and OC meets Mr. Ceo as his normal. He doesn't automatically tell her", "it's not a poor apartment building with graffiti and broken down air conditioning,", "OC meets Mr. Ceo as his normal. He doesn't automatically tell her that", "Mr. Ceo as his normal. He doesn't automatically tell her that he's a", "CEO moves next door to a 3rd year college student who babysits and", "conditions as her. How would I make this work? My idea of how", "Neplif hates CEO uncle's job and doesn't like living in his fancy penthouses,", "that OC (college student) is struggling to pay her expensive rent, while it", "his normal. He doesn't automatically tell her that he's a CEO, so all", "best not to make this seem like an overly fictional story. I want", "like an overly fictional story. I want it to be realistic. So officially,", "telling\" that he is a CEO and also trying my best not to", "her expensive apartment. It seems strange for a CEO, who probably has a", "ton of money, to move next door, in somewhat of the same living", "school district. Now, it's not a poor apartment building with graffiti and broken", "nephew is a bit of a delinquent. Neplif hates CEO uncle's job and", "factor of the story, he's going to exist regardless), and nephew is a", "mind living comfortably and in something that isn't obnoxious in luxury. The difference", "her that he's a CEO, so all she knows is that he's a", "the beginning of the story, and OC meets Mr. Ceo as his normal.", "all she knows is that he's a handsome man with a rude nephew", "nephew living next door. The OC doesn't find out he's a CEO until", "and becomes his personal assistant. I'll be \"showing, not telling\" that he is", "a CEO, so all she knows is that he's a handsome man with", "this seem like an overly fictional story. I want it to be realistic.", "her expensive rent, while it is like nothing to Mr. CEO. The two", "realistic. So officially, the question is: does this seem realistic enough, for a", "down-to-earth man and doesn't mind living comfortably and in something that isn't obnoxious", "would also allow him to stay in the same school district. Now, it's", "not telling\" that he is a CEO and also trying my best not", "OC (college student) is struggling to pay her expensive rent, while it is", "nothing to Mr. CEO. The two of them encounter at the beginning of", "door to a 3rd year college student who babysits and tutors for a", "man with a rude nephew living next door. The OC doesn't find out", "and nephew is a bit of a delinquent. Neplif hates CEO uncle's job", "moving into a lesser environment, which would also allow him to stay in", "two of them encounter at the beginning of the story, and OC meets", "how I'd make this work: The CEO has a nephew (which is an", "company and becomes his personal assistant. I'll be \"showing, not telling\" that he", "rent paid in her expensive apartment. It seems strange for a CEO, who", "be \"showing, not telling\" that he is a CEO and also trying my", "comfortably and in something that isn't obnoxious in luxury. The difference is that", "uncle decides to compromise for his nephew by moving into a lesser environment,", "CEO uncle decides to compromise for his nephew by moving into a lesser", "in luxury. The difference is that OC (college student) is struggling to pay", "a CEO and also trying my best not to make this seem like", "she knows is that he's a handsome man with a rude nephew living", "allow him to stay in the same school district. Now, it's not a", "to stay in the same school district. Now, it's not a poor apartment", "exist regardless), and nephew is a bit of a delinquent. Neplif hates CEO", "him to stay in the same school district. Now, it's not a poor", "who babysits and tutors for a rich family to keep the rent paid", "I'd make this work: The CEO has a nephew (which is an unchanging", "door. The OC doesn't find out he's a CEO until she does an", "\"showing, not telling\" that he is a CEO and also trying my best", "expensive. CEO is also quite a humble and down-to-earth man and doesn't mind", "does this seem realistic enough, for a CEO to be living next door", "also allow him to stay in the same school district. Now, it's not", "a delinquent. Neplif hates CEO uncle's job and doesn't like living in his", "story. I want it to be realistic. So officially, the question is: does", "and doesn't mind living comfortably and in something that isn't obnoxious in luxury.", "also quite a humble and down-to-earth man and doesn't mind living comfortably and", "move next door, in somewhat of the same living conditions as her. How", "isn't obnoxious in luxury. The difference is that OC (college student) is struggling", "keep the rent paid in her expensive apartment. It seems strange for a", "a humble and down-to-earth man and doesn't mind living comfortably and in something", "uncle's job and doesn't like living in his fancy penthouses, so CEO uncle", "that he is a CEO and also trying my best not to make", "babysits and tutors for a rich family to keep the rent paid in", "work? My idea of how I'd make this work: The CEO has a", "in something that isn't obnoxious in luxury. The difference is that OC (college", "student) is struggling to pay her expensive rent, while it is like nothing", "she does an internship under his company and becomes his personal assistant. I'll", "graffiti and broken down air conditioning, but it's actually quite expensive. CEO is", "to keep the rent paid in her expensive apartment. It seems strange for", "by moving into a lesser environment, which would also allow him to stay", "3rd year college student who babysits and tutors for a rich family to", "doesn't like living in his fancy penthouses, so CEO uncle decides to compromise", "is also quite a humble and down-to-earth man and doesn't mind living comfortably", "doesn't automatically tell her that he's a CEO, so all she knows is", "paid in her expensive apartment. It seems strange for a CEO, who probably", "stay in the same school district. Now, it's not a poor apartment building", "to make this seem like an overly fictional story. I want it to", "assistant. I'll be \"showing, not telling\" that he is a CEO and also", "something that isn't obnoxious in luxury. The difference is that OC (college student)", "want it to be realistic. So officially, the question is: does this seem", "expensive apartment. It seems strange for a CEO, who probably has a ton", "to exist regardless), and nephew is a bit of a delinquent. Neplif hates", "his nephew by moving into a lesser environment, which would also allow him", "to Mr. CEO. The two of them encounter at the beginning of the", "living next door. The OC doesn't find out he's a CEO until she", "he's going to exist regardless), and nephew is a bit of a delinquent.", "his fancy penthouses, so CEO uncle decides to compromise for his nephew by", "air conditioning, but it's actually quite expensive. CEO is also quite a humble", "quite expensive. CEO is also quite a humble and down-to-earth man and doesn't", "in the same school district. Now, it's not a poor apartment building with", "quite a humble and down-to-earth man and doesn't mind living comfortably and in", "compromise for his nephew by moving into a lesser environment, which would also", "handsome man with a rude nephew living next door. The OC doesn't find", "his personal assistant. I'll be \"showing, not telling\" that he is a CEO", "CEO. The two of them encounter at the beginning of the story, and", "as her. How would I make this work? My idea of how I'd", "which would also allow him to stay in the same school district. Now,", "fictional story. I want it to be realistic. So officially, the question is:", "be realistic. So officially, the question is: does this seem realistic enough, for", "beginning of the story, and OC meets Mr. Ceo as his normal. He", "not to make this seem like an overly fictional story. I want it", "struggling to pay her expensive rent, while it is like nothing to Mr.", "to compromise for his nephew by moving into a lesser environment, which would", "her. How would I make this work? My idea of how I'd make", "is a CEO and also trying my best not to make this seem", "A CEO moves next door to a 3rd year college student who babysits", "make this work? My idea of how I'd make this work: The CEO", "out he's a CEO until she does an internship under his company and", "idea of how I'd make this work: The CEO has a nephew (which", "a CEO until she does an internship under his company and becomes his", "is like nothing to Mr. CEO. The two of them encounter at the", "The OC doesn't find out he's a CEO until she does an internship", "is that he's a handsome man with a rude nephew living next door.", "college student who babysits and tutors for a rich family to keep the", "he is a CEO and also trying my best not to make this", "question is: does this seem realistic enough, for a CEO to be living", "Mr. CEO. The two of them encounter at the beginning of the story,", "lesser environment, which would also allow him to stay in the same school", "to pay her expensive rent, while it is like nothing to Mr. CEO.", "It seems strange for a CEO, who probably has a ton of money,", "meets Mr. Ceo as his normal. He doesn't automatically tell her that he's", "seem realistic enough, for a CEO to be living next door to a", "year college student who babysits and tutors for a rich family to keep", "into a lesser environment, which would also allow him to stay in the", "a 3rd year college student who babysits and tutors for a rich family", "a rude nephew living next door. The OC doesn't find out he's a", "student who babysits and tutors for a rich family to keep the rent", "a rich family to keep the rent paid in her expensive apartment. It", "in somewhat of the same living conditions as her. How would I make", "this work? My idea of how I'd make this work: The CEO has", "obnoxious in luxury. The difference is that OC (college student) is struggling to", "difference is that OC (college student) is struggling to pay her expensive rent,", "like nothing to Mr. CEO. The two of them encounter at the beginning", "of the story, and OC meets Mr. Ceo as his normal. He doesn't", "this seem realistic enough, for a CEO to be living next door to", "rent, while it is like nothing to Mr. CEO. The two of them", "of the same living conditions as her. How would I make this work?", "an unchanging factor of the story, he's going to exist regardless), and nephew", "not a poor apartment building with graffiti and broken down air conditioning, but", "My idea of how I'd make this work: The CEO has a nephew", "He doesn't automatically tell her that he's a CEO, so all she knows", "rich family to keep the rent paid in her expensive apartment. It seems", "seems strange for a CEO, who probably has a ton of money, to", "CEO, who probably has a ton of money, to move next door, in", "so CEO uncle decides to compromise for his nephew by moving into a", "for his nephew by moving into a lesser environment, which would also allow", "tell her that he's a CEO, so all she knows is that he's", "doesn't find out he's a CEO until she does an internship under his", "he's a CEO until she does an internship under his company and becomes", "my best not to make this seem like an overly fictional story. I", "CEO uncle's job and doesn't like living in his fancy penthouses, so CEO", "actually quite expensive. CEO is also quite a humble and down-to-earth man and", "tutors for a rich family to keep the rent paid in her expensive", "going to exist regardless), and nephew is a bit of a delinquent. Neplif", "it's actually quite expensive. CEO is also quite a humble and down-to-earth man", "them encounter at the beginning of the story, and OC meets Mr. Ceo", "humble and down-to-earth man and doesn't mind living comfortably and in something that", "OC doesn't find out he's a CEO until she does an internship under", "until she does an internship under his company and becomes his personal assistant.", "nephew by moving into a lesser environment, which would also allow him to", "Ceo as his normal. He doesn't automatically tell her that he's a CEO,", "of a delinquent. Neplif hates CEO uncle's job and doesn't like living in", "apartment. It seems strange for a CEO, who probably has a ton of", "find out he's a CEO until she does an internship under his company", "does an internship under his company and becomes his personal assistant. I'll be", "a CEO, who probably has a ton of money, to move next door,", "penthouses, so CEO uncle decides to compromise for his nephew by moving into", "has a ton of money, to move next door, in somewhat of the", "So officially, the question is: does this seem realistic enough, for a CEO", "decides to compromise for his nephew by moving into a lesser environment, which", "a nephew (which is an unchanging factor of the story, he's going to", "CEO is also quite a humble and down-to-earth man and doesn't mind living", "also trying my best not to make this seem like an overly fictional", "the same school district. Now, it's not a poor apartment building with graffiti", "next door to a 3rd year college student who babysits and tutors for", "probably has a ton of money, to move next door, in somewhat of", "and down-to-earth man and doesn't mind living comfortably and in something that isn't", "has a nephew (which is an unchanging factor of the story, he's going", "like living in his fancy penthouses, so CEO uncle decides to compromise for", "same school district. Now, it's not a poor apartment building with graffiti and", "rude nephew living next door. The OC doesn't find out he's a CEO", "an internship under his company and becomes his personal assistant. I'll be \"showing,", "and also trying my best not to make this seem like an overly", "of how I'd make this work: The CEO has a nephew (which is", "overly fictional story. I want it to be realistic. So officially, the question", "this work: The CEO has a nephew (which is an unchanging factor of", "knows is that he's a handsome man with a rude nephew living next", "bit of a delinquent. Neplif hates CEO uncle's job and doesn't like living", "district. Now, it's not a poor apartment building with graffiti and broken down", "make this seem like an overly fictional story. I want it to be", "the rent paid in her expensive apartment. It seems strange for a CEO,", "that he's a CEO, so all she knows is that he's a handsome", "(which is an unchanging factor of the story, he's going to exist regardless),", "living comfortably and in something that isn't obnoxious in luxury. The difference is", "same living conditions as her. How would I make this work? My idea", "encounter at the beginning of the story, and OC meets Mr. Ceo as", "he's a CEO, so all she knows is that he's a handsome man", "nephew (which is an unchanging factor of the story, he's going to exist", "that he's a handsome man with a rude nephew living next door. The", "a handsome man with a rude nephew living next door. The OC doesn't", "How would I make this work? My idea of how I'd make this", "The CEO has a nephew (which is an unchanging factor of the story,", "door, in somewhat of the same living conditions as her. How would I", "apartment building with graffiti and broken down air conditioning, but it's actually quite", "a lesser environment, which would also allow him to stay in the same", "trying my best not to make this seem like an overly fictional story.", "it is like nothing to Mr. CEO. The two of them encounter at", "The two of them encounter at the beginning of the story, and OC", "of money, to move next door, in somewhat of the same living conditions", "so all she knows is that he's a handsome man with a rude", "I'll be \"showing, not telling\" that he is a CEO and also trying", "of the story, he's going to exist regardless), and nephew is a bit", "in her expensive apartment. It seems strange for a CEO, who probably has", "environment, which would also allow him to stay in the same school district.", "under his company and becomes his personal assistant. I'll be \"showing, not telling\"", "story, he's going to exist regardless), and nephew is a bit of a", "make this work: The CEO has a nephew (which is an unchanging factor", "regardless), and nephew is a bit of a delinquent. Neplif hates CEO uncle's", "somewhat of the same living conditions as her. How would I make this", "living in his fancy penthouses, so CEO uncle decides to compromise for his", "is an unchanging factor of the story, he's going to exist regardless), and", "his company and becomes his personal assistant. I'll be \"showing, not telling\" that", "becomes his personal assistant. I'll be \"showing, not telling\" that he is a", "I want it to be realistic. So officially, the question is: does this", "to a 3rd year college student who babysits and tutors for a rich", "and tutors for a rich family to keep the rent paid in her", "hates CEO uncle's job and doesn't like living in his fancy penthouses, so", "who probably has a ton of money, to move next door, in somewhat" ]
[ "them together. What can I do in order to indicate something is afoot", "is one of the servants. 4. Neither of them had any conversation beyond", "of the servants. 4. Neither of them had any conversation beyond 'I brought", "the bond? The basic setting is 1. Medieval High Fantasy 2. The protected", "that if I don't indicate towards something the audience will think of the", "on it will be revealed that they have a magical which causes the", "setting is 1. Medieval High Fantasy 2. The protected character is a noble.", "noble. 3. The protector is one of the servants. 4. Neither of them", "revealed that they have a magical which causes the character in question to", "I do in order to indicate something is afoot without actually revealing the", "basic setting is 1. Medieval High Fantasy 2. The protected character is a", "afoot without actually revealing the bond? The basic setting is 1. Medieval High", "bond? The basic setting is 1. Medieval High Fantasy 2. The protected character", "author forcing them together. What can I do in order to indicate something", "is afoot without actually revealing the bond? The basic setting is 1. Medieval", "What can I do in order to indicate something is afoot without actually", "a noble. 3. The protector is one of the servants. 4. Neither of", "indicate towards something the audience will think of the protection as the author", "revealing the bond? The basic setting is 1. Medieval High Fantasy 2. The", "plot twist, but I fear that if I don't indicate towards something the", "similar as to not to reveal the plot twist, but I fear that", "protection as the author forcing them together. What can I do in order", "knows and later on it will be revealed that they have a magical", "will be revealed that they have a magical which causes the character in", "to indicate something is afoot without actually revealing the bond? The basic setting", "want to just say 'It was almost magical' or something similar as to", "is. I don't want to just say 'It was almost magical' or something", "to protect the woman regardless of what their relationship is. I don't want", "without actually revealing the bond? The basic setting is 1. Medieval High Fantasy", "woman regardless of what their relationship is. I don't want to just say", "in question to want to protect the woman regardless of what their relationship", "to reveal the plot twist, but I fear that if I don't indicate", "as to not to reveal the plot twist, but I fear that if", "the servants. 4. Neither of them had any conversation beyond 'I brought you", "say 'It was almost magical' or something similar as to not to reveal", "One of the characters in my book feels the need to protect a", "they have a magical which causes the character in question to want to", "the woman regardless of what their relationship is. I don't want to just", "relationship is. I don't want to just say 'It was almost magical' or", "the characters in my book feels the need to protect a woman she", "Fantasy 2. The protected character is a noble. 3. The protector is one", "can I do in order to indicate something is afoot without actually revealing", "don't want to just say 'It was almost magical' or something similar as", "character is a noble. 3. The protector is one of the servants. 4.", "magical which causes the character in question to want to protect the woman", "the author forcing them together. What can I do in order to indicate", "of the characters in my book feels the need to protect a woman", "Neither of them had any conversation beyond 'I brought you your X milady'.", "1. Medieval High Fantasy 2. The protected character is a noble. 3. The", "protector is one of the servants. 4. Neither of them had any conversation", "magical' or something similar as to not to reveal the plot twist, but", "question to want to protect the woman regardless of what their relationship is.", "don't indicate towards something the audience will think of the protection as the", "want to protect the woman regardless of what their relationship is. I don't", "protect the woman regardless of what their relationship is. I don't want to", "that they have a magical which causes the character in question to want", "which causes the character in question to want to protect the woman regardless", "one of the servants. 4. Neither of them had any conversation beyond 'I", "think of the protection as the author forcing them together. 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I don't want to just say 'It was", "to protect a woman she barely knows and later on it will be", "but I fear that if I don't indicate towards something the audience will", "it will be revealed that they have a magical which causes the character", "is 1. Medieval High Fantasy 2. The protected character is a noble. 3.", "reveal the plot twist, but I fear that if I don't indicate towards", "2. The protected character is a noble. 3. The protector is one of", "is a noble. 3. The protector is one of the servants. 4. Neither", "and later on it will be revealed that they have a magical which", "to just say 'It was almost magical' or something similar as to not", "a woman she barely knows and later on it will be revealed that", "do in order to indicate something is afoot without actually revealing the bond?", "protected character is a noble. 3. The protector is one of the servants.", "need to protect a woman she barely knows and later on it will", "order to indicate something is afoot without actually revealing the bond? The basic", "together. What can I do in order to indicate something is afoot without", "the protection as the author forcing them together. What can I do in", "of the protection as the author forcing them together. What can I do", "later on it will be revealed that they have a magical which causes", "just say 'It was almost magical' or something similar as to not to", "The basic setting is 1. Medieval High Fantasy 2. The protected character is", "4. Neither of them had any conversation beyond 'I brought you your X", "twist, but I fear that if I don't indicate towards something the audience", "to want to protect the woman regardless of what their relationship is. I", "forcing them together. 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The reason I wonder if I should change it is", "other reason (apart from reducing extra work) I wouldn't want to make the", "Dumbfounded, he sat for a moment. The forest seemed all too familiar, with", "he sat for a moment. The forest seemed all too familiar, with its", "courses, eventually making a name for himself as someone with a keen eye", "have used them throughout the entire novella, would you recommend leaving the parenthesis,", "> > > “A forest? Wasn’t I just in my office in Tokyo?”", "find that the parenthesis work well for what I use them for, and", "and he clenched them tighter. A cool, damp breeze wafted across his face.", "of when I visited Shirakami-Sanchi, that forest up North) he thought to himself.", "entire novella, would you recommend leaving the parenthesis, or changing over to italics?", "for what I use them for, and don't obfuscate what I'm trying to", "I just in my office in Tokyo?” > > > Dumbfounded, he sat", "that ends up using a lot of internal monologues, often mixed with dialogue,", "clear indication for when a character is thinking for a few reasons: Firstly,", "very clear indication of when a character was thinking. Thirdly, I simply didn't", "a comment, I haven't tried italics yet, but I think they would make", "just in my office in Tokyo?” > > > Dumbfounded, he sat for", "out from under a jerkin. > > > (Wait a minute, is this", "Yoshida acted as the head of a small game-testing firm. Having been unsure", "eye for quality Massive Multiplayer Online Role Playing Games—MMORPGs. > > > I", "when a character is thinking for a few reasons: Firstly, I originally wrote", "seemed all too familiar, with its Japanese beech trees and ferns. > >", "of a small game-testing firm. Having been unsure of himself during his school", "internal monologue as new lines. Secondly, I wanted a very clear indication of", "think they would make the internal monologue a bit harder to differentiate from", "writing a fantasy novella that ends up using a lot of internal monologues,", "cool, damp breeze wafted across his face. > > > The long blades", "office in Tokyo?” > > > Dumbfounded, he sat for a moment. The", "this my Guild Mythos character?) > > > Day to day, Yoshida acted", "a character is thinking for a few reasons: Firstly, I originally wrote a", "of internal monologues, often mixed with dialogue, descriptions, and other character's monologues. For", "monologue a bit harder to differentiate from the normal text, which the only", "I'm trying to convey. Since I have used them throughout the entire novella,", "shone in his eyes, and he clenched them tighter. A cool, damp breeze", "don't obfuscate what I'm trying to convey. Since I have used them throughout", "its Japanese beech trees and ferns. > > > (It reminds me of", "in his eyes, and he clenched them tighter. A cool, damp breeze wafted", "that forest up North) he thought to himself. > > > He looked", "character?) > > > Day to day, Yoshida acted as the head of", "comment, I haven't tried italics yet, but I think they would make the", "The long blades of wild grass rustled as Yoshida sat up, his eyes", "internal monologues, often mixed with dialogue, descriptions, and other character's monologues. For example,", "Japanese beech trees and ferns. > > > (It reminds me of when", "a minute, is this my Guild Mythos character?) > > > Day to", "example, this excerpt from the first chapter > > Yoshida’s head was aching", "be a clear indication for when a character is thinking for a few", "text, which the only other reason (apart from reducing extra work) I wouldn't", "wearing, and saw black cloth, brown leather belts, and chain mail peeking out", "chapter > > Yoshida’s head was aching from where he had been hit.", "himself during his school days, he had taken journalism and game design courses,", "the dialogue and internal monologue as new lines. Secondly, I wanted a very", "it is that I have written the entire book in this style. While", "the head of a small game-testing firm. Having been unsure of himself during", "> Yoshida’s head was aching from where he had been hit. A bright", "parenthesis, or changing over to italics? As a comment, I haven't tried italics", "I wanted a very clear indication of when a character was thinking. Thirdly,", "black cloth, brown leather belts, and chain mail peeking out from under a", "other character's monologues. For example, this excerpt from the first chapter > >", "down at what he was wearing, and saw black cloth, brown leather belts,", "using a lot of internal monologues, often mixed with dialogue, descriptions, and other", "himself as someone with a keen eye for quality Massive Multiplayer Online Role", "eventually making a name for himself as someone with a keen eye for", "> > > I chose to use parenthesis to be a clear indication", "been hit. A bright light shone in his eyes, and he clenched them", "forest up North) he thought to himself. > > > He looked down", "if I should change it is that I have written the entire book", "A realization dawned on him as he looked at his surroundings. > >", "for quality Massive Multiplayer Online Role Playing Games—MMORPGs. > > > I chose", "and ferns. > > > (It reminds me of when I visited Shirakami-Sanchi,", "chain mail peeking out from under a jerkin. > > > (Wait a", "as Yoshida sat up, his eyes flying open. A realization dawned on him", "me of when I visited Shirakami-Sanchi, that forest up North) he thought to", "leaving the parenthesis, or changing over to italics? As a comment, I haven't", "with its Japanese beech trees and ferns. > > > (It reminds me", "was thinking. Thirdly, I simply didn't know that italics were a standard. The", "in this style. While I'm not opposed to changing it, I find that", "his surroundings. > > > “A forest? Wasn’t I just in my office", "(Wait a minute, is this my Guild Mythos character?) > > > Day", "am writing a fantasy novella that ends up using a lot of internal", "familiar, with its Japanese beech trees and ferns. > > > (It reminds", "North) he thought to himself. > > > He looked down at what", "the parenthesis work well for what I use them for, and don't obfuscate", "as new lines. Secondly, I wanted a very clear indication of when a" ]
[ "at first, but I sometimes have much better ideas when writing, or when", "working on a fantasy series for the past few years. When I first", "and could have benefited from planning. I let the story marinate in my", "get it out on paper (which happens often). So right now, my current", "planning seem good at first, but I sometimes have much better ideas when", "getting a bunch of new ideas that meant the first draft would have", "my current system is to focus on planning (in terms of story arcs", "characters arcs) and only write when inspired. The problem is: * writing is", "writing (as I didn't want to spend time writing material that could become", "relationships progress * how characters develop My main question is: how do I", "because I got to know the characters, and I don't think I would", "benefited from planning. I let the story marinate in my head for a", "inspired. The problem is: * writing is fun, but planning gets boring after", "story marinate in my head for a few years, and ended up getting", "while planning, and how do I strike a balance between planning and writing", "book) in one go without any planning at all. Even though I enjoyed", "order of events * which conflicts happen in what order * how the", "planning seem predictable in comparison. I don't want to stop planning because I", "on planning (in terms of story arcs and characters arcs) and only write", "decided to focus more on planning and less on writing (as I didn't", "I was done I felt like the book wasn't good enough and could", "wrote my first draft (for the first book) in one go without any", "genre and characters remained the same). But I should add that, though I", "* which conflicts happen in what order * how the events of each", "in one go without any planning at all. Even though I enjoyed myself,", "let the story marinate in my head for a few years, and ended", "I am inspired on the fly. The ideas I came up with while", "draft would have to change completely (basically, only the genre and characters remained", "boring after a while, unless I jot down a few scenes in the", "my head for a few years, and ended up getting a bunch of", "I jot down a few scenes in the process * the ideas I", "I come up with while planning seem good at first, but I sometimes", "up getting a bunch of new ideas that meant the first draft would", "while, unless I jot down a few scenes in the process * the", "confusing. Also, there are some things I can do while planning that are", "when I am inspired on the fly. The ideas I came up with", "the beginning, without having done any writing. When I picked up the story", "get really confusing. Also, there are some things I can do while planning", "years, and ended up getting a bunch of new ideas that meant the", "I should add that, though I felt I wasted my time writing the", "I got to know the characters, and I don't think I would have", "book wasn't good enough and could have benefited from planning. I let the", "in my head for a few years, and ended up getting a bunch", "conflicts happen in what order * how the events of each novel flow", "when writing, or when I am inspired on the fly. The ideas I", "meant the first draft would have to change completely (basically, only the genre", "from planning. I let the story marinate in my head for a few", "completely (basically, only the genre and characters remained the same). But I should", "should add that, though I felt I wasted my time writing the first", "of each novel flow together * when characters should be introduced * how", "only the genre and characters remained the same). But I should add that,", "around a lot and write scenes from different books in the series, and", "problem is: * writing is fun, but planning gets boring after a while,", "things I can do while planning that are much harder to do while", "while writing, such as: * figuring out the order of events * which", "it out on paper (which happens often). So right now, my current system", "to spend time writing material that could become outdated when I got better", "much harder to do while writing, such as: * figuring out the order", "when characters should be introduced * how character relationships progress * how characters", "point if I had started planning from the beginning, without having done any", "ideas that meant the first draft would have to change completely (basically, only", "don't want to stop planning because I jump around a lot and write", "I let the story marinate in my head for a few years, and", "a fantasy series for the past few years. When I first started, I", "The ideas I came up with while planning seem predictable in comparison. I", "characters remained the same). But I should add that, though I felt I", "because I jump around a lot and write scenes from different books in", "felt like the book wasn't good enough and could have benefited from planning.", "predictable in comparison. I don't want to stop planning because I jump around", "much better ideas when writing, or when I am inspired on the fly.", "writing material that could become outdated when I got better ideas). However, I", "figuring out the order of events * which conflicts happen in what order", "I stay engaged while planning, and how do I strike a balance between", "first started, I wrote my first draft (for the first book) in one", "to stop planning because I jump around a lot and write scenes from", "and write scenes from different books in the series, and things get really", "scenes in the process * the ideas I come up with while planning", "any writing. When I picked up the story again I decided to focus", "of story arcs and characters arcs) and only write when inspired. The problem", "been working on a fantasy series for the past few years. When I", "series for the past few years. When I first started, I wrote my", "gets boring after a while, unless I jot down a few scenes in", "on paper (which happens often). So right now, my current system is to", "the book wasn't good enough and could have benefited from planning. I let", "I still spend time writing when I am inspired by a scene and", "I got better ideas). However, I still spend time writing when I am", "planning. I let the story marinate in my head for a few years,", "writing, or when I am inspired on the fly. The ideas I came", "wasn't good enough and could have benefited from planning. I let the story", "good at first, but I sometimes have much better ideas when writing, or", "I wrote my first draft (for the first book) in one go without", "I felt like the book wasn't good enough and could have benefited from", "and only write when inspired. The problem is: * writing is fun, but", "I decided to focus more on planning and less on writing (as I", "the series, and things get really confusing. Also, there are some things I", "a scene and feel like I absolutely have to get it out on", "time writing material that could become outdated when I got better ideas). However,", "in what order * how the events of each novel flow together ", "years. When I first started, I wrote my first draft (for the first", "have to get it out on paper (which happens often). So right now,", "up with while planning seem predictable in comparison. I don't want to stop", "characters should be introduced how character relationships progress * how characters develop", "only write when inspired. The problem is: * writing is fun, but planning", "* how character relationships progress * how characters develop My main question is:", "(in terms of story arcs and characters arcs) and only write when inspired.", "bunch of new ideas that meant the first draft would have to change", "do I strike a balance between planning and writing while still making meaningful", "* writing is fun, but planning gets boring after a while, unless I", "I am inspired by a scene and feel like I absolutely have to", "have benefited from planning. I let the story marinate in my head for", "paper (which happens often). So right now, my current system is to focus", "new ideas that meant the first draft would have to change completely (basically,", "do I stay engaged while planning, and how do I strike a balance", "spend time writing when I am inspired by a scene and feel like", "while planning seem predictable in comparison. I don't want to stop planning because", "draft, it was beneficial because I got to know the characters, and I", "unless I jot down a few scenes in the process * the ideas", "how do I stay engaged while planning, and how do I strike a", "sometimes have much better ideas when writing, or when I am inspired on", "planning that are much harder to do while writing, such as: * figuring", "planning gets boring after a while, unless I jot down a few scenes", "lot and write scenes from different books in the series, and things get", "planning from the beginning, without having done any writing. When I picked up", "introduced * how character relationships progress * how characters develop My main question", "remained the same). But I should add that, though I felt I wasted", "planning and less on writing (as I didn't want to spend time writing", "ideas when writing, or when I am inspired on the fly. The ideas", "felt I wasted my time writing the first draft, it was beneficial because", "series, and things get really confusing. Also, there are some things I can", "how the events of each novel flow together * when characters should be", "wasted my time writing the first draft, it was beneficial because I got", "how characters develop My main question is: how do I stay engaged while", "often). So right now, my current system is to focus on planning (in", "absolutely have to get it out on paper (which happens often). So right", "I had started planning from the beginning, without having done any writing. When", "the first book) in one go without any planning at all. Even though", "there are some things I can do while planning that are much harder", "progress * how characters develop My main question is: how do I stay", "though I felt I wasted my time writing the first draft, it was", "current system is to focus on planning (in terms of story arcs and", "character relationships progress * how characters develop My main question is: how do", "it was beneficial because I got to know the characters, and I don't", "(basically, only the genre and characters remained the same). But I should add", "without having done any writing. When I picked up the story again I", "any planning at all. Even though I enjoyed myself, once I was done", "to change completely (basically, only the genre and characters remained the same). But", "and less on writing (as I didn't want to spend time writing material", "scene and feel like I absolutely have to get it out on paper", "jot down a few scenes in the process * the ideas I come", "but I sometimes have much better ideas when writing, or when I am", "jump around a lot and write scenes from different books in the series,", "writing. When I picked up the story again I decided to focus more", "* how characters develop My main question is: how do I stay engaged", "inspired by a scene and feel like I absolutely have to get it", "flow together * when characters should be introduced * how character relationships progress", "while planning seem good at first, but I sometimes have much better ideas", "stop planning because I jump around a lot and write scenes from different", "characters, and I don't think I would have reached this point if I", "are much harder to do while writing, such as: * figuring out the", "the genre and characters remained the same). But I should add that, though", "after a while, unless I jot down a few scenes in the process", "with while planning seem good at first, but I sometimes have much better", "up with while planning seem good at first, but I sometimes have much", "got to know the characters, and I don't think I would have reached", "I picked up the story again I decided to focus more on planning", "done I felt like the book wasn't good enough and could have benefited", "if I had started planning from the beginning, without having done any writing.", "When I first started, I wrote my first draft (for the first book)", "without any planning at all. Even though I enjoyed myself, once I was", "by a scene and feel like I absolutely have to get it out", "should be introduced * how character relationships progress * how characters develop My", "the story again I decided to focus more on planning and less on", "a while, unless I jot down a few scenes in the process ", "I came up with while planning seem predictable in comparison. I don't want", "and feel like I absolutely have to get it out on paper (which", "focus more on planning and less on writing (as I didn't want to", "again I decided to focus more on planning and less on writing (as", "stay engaged while planning, and how do I strike a balance between planning", "started planning from the beginning, without having done any writing. When I picked", "when I am inspired by a scene and feel like I absolutely have", "process the ideas I come up with while planning seem good at", "more on planning and less on writing (as I didn't want to spend", "know the characters, and I don't think I would have reached this point", "down a few scenes in the process * the ideas I come up", "enough and could have benefited from planning. I let the story marinate in", "from the beginning, without having done any writing. When I picked up the", "ideas). However, I still spend time writing when I am inspired by a", "to focus more on planning and less on writing (as I didn't want", "spend time writing material that could become outdated when I got better ideas).", "out the order of events * which conflicts happen in what order ", "to know the characters, and I don't think I would have reached this", "first, but I sometimes have much better ideas when writing, or when I", "writing the first draft, it was beneficial because I got to know the", "reached this point if I had started planning from the beginning, without having", "my time writing the first draft, it was beneficial because I got to", "outdated when I got better ideas). However, I still spend time writing when", "writing is fun, but planning gets boring after a while, unless I jot", "think I would have reached this point if I had started planning from", "while planning that are much harder to do while writing, such as: ", "fantasy series for the past few years. When I first started, I wrote", "a few years, and ended up getting a bunch of new ideas that", "the events of each novel flow together * when characters should be introduced", "* figuring out the order of events * which conflicts happen in what", "* the ideas I come up with while planning seem good at first,", "order * how the events of each novel flow together * when characters", "feel like I absolutely have to get it out on paper (which happens", "The problem is: * writing is fun, but planning gets boring after a", "some things I can do while planning that are much harder to do", "events * which conflicts happen in what order * how the events of", "was done I felt like the book wasn't good enough and could have", "to do while writing, such as: * figuring out the order of events", "writing when I am inspired by a scene and feel like I absolutely", "on writing (as I didn't want to spend time writing material that could", "engaged while planning, and how do I strike a balance between planning and", "this point if I had started planning from the beginning, without having done", "a bunch of new ideas that meant the first draft would have to", "arcs) and only write when inspired. The problem is: * writing is fun,", "or when I am inspired on the fly. The ideas I came up", "on planning and less on writing (as I didn't want to spend time", "done any writing. When I picked up the story again I decided to", "ended up getting a bunch of new ideas that meant the first draft", "and I don't think I would have reached this point if I had", "things get really confusing. Also, there are some things I can do while", "am inspired on the fly. The ideas I came up with while planning", "I absolutely have to get it out on paper (which happens often). So", "picked up the story again I decided to focus more on planning and", "I enjoyed myself, once I was done I felt like the book wasn't", "in the series, and things get really confusing. Also, there are some things", "draft (for the first book) in one go without any planning at all.", "However, I still spend time writing when I am inspired by a scene", "I jump around a lot and write scenes from different books in the", "I sometimes have much better ideas when writing, or when I am inspired", "have reached this point if I had started planning from the beginning, without", "the characters, and I don't think I would have reached this point if", "really confusing. Also, there are some things I can do while planning that", "events of each novel flow together * when characters should be introduced ", "like I absolutely have to get it out on paper (which happens often).", "be introduced how character relationships progress * how characters develop My main", "can do while planning that are much harder to do while writing, such", "same). But I should add that, though I felt I wasted my time", "question is: how do I stay engaged while planning, and how do I", "to focus on planning (in terms of story arcs and characters arcs) and", "that meant the first draft would have to change completely (basically, only the", "do while planning that are much harder to do while writing, such as:", "I wasted my time writing the first draft, it was beneficial because I", "characters develop My main question is: how do I stay engaged while planning,", "(as I didn't want to spend time writing material that could become outdated", "which conflicts happen in what order * how the events of each novel", "head for a few years, and ended up getting a bunch of new", "books in the series, and things get really confusing. Also, there are some", "story arcs and characters arcs) and only write when inspired. The problem is:", "when inspired. The problem is: * writing is fun, but planning gets boring", "am inspired by a scene and feel like I absolutely have to get", "planning because I jump around a lot and write scenes from different books", "terms of story arcs and characters arcs) and only write when inspired. The", "in the process * the ideas I come up with while planning seem", "is: how do I stay engaged while planning, and how do I strike", "My main question is: how do I stay engaged while planning, and how", "planning at all. Even though I enjoyed myself, once I was done I", "focus on planning (in terms of story arcs and characters arcs) and only", "first book) in one go without any planning at all. Even though I", "each novel flow together * when characters should be introduced * how character", "want to stop planning because I jump around a lot and write scenes", "started, I wrote my first draft (for the first book) in one go", "* when characters should be introduced * how character relationships progress * how", "for the past few years. When I first started, I wrote my first", "develop My main question is: how do I stay engaged while planning, and", "still spend time writing when I am inspired by a scene and feel", "story again I decided to focus more on planning and less on writing", "could become outdated when I got better ideas). However, I still spend time", "better ideas). However, I still spend time writing when I am inspired by", "ideas I come up with while planning seem good at first, but I", "* how the events of each novel flow together * when characters should", "When I picked up the story again I decided to focus more on", "one go without any planning at all. Even though I enjoyed myself, once", "want to spend time writing material that could become outdated when I got", "past few years. When I first started, I wrote my first draft (for", "I first started, I wrote my first draft (for the first book) in", "and characters arcs) and only write when inspired. The problem is: * writing", "are some things I can do while planning that are much harder to", "time writing when I am inspired by a scene and feel like I", "come up with while planning seem good at first, but I sometimes have", "enjoyed myself, once I was done I felt like the book wasn't good", "go without any planning at all. Even though I enjoyed myself, once I", "have to change completely (basically, only the genre and characters remained the same).", "the order of events * which conflicts happen in what order * how", "scenes from different books in the series, and things get really confusing. Also,", "what order * how the events of each novel flow together * when", "as: * figuring out the order of events * which conflicts happen in", "first draft, it was beneficial because I got to know the characters, and", "have much better ideas when writing, or when I am inspired on the", "time writing the first draft, it was beneficial because I got to know", "I've been working on a fantasy series for the past few years. When", "do while writing, such as: * figuring out the order of events ", "don't think I would have reached this point if I had started planning", "planning (in terms of story arcs and characters arcs) and only write when", "comparison. I don't want to stop planning because I jump around a lot", "that are much harder to do while writing, such as: figuring out", "like the book wasn't good enough and could have benefited from planning. I", "when I got better ideas). However, I still spend time writing when I", "is: * writing is fun, but planning gets boring after a while, unless", "less on writing (as I didn't want to spend time writing material that", "write when inspired. The problem is: * writing is fun, but planning gets", "add that, though I felt I wasted my time writing the first draft,", "I would have reached this point if I had started planning from the", "came up with while planning seem predictable in comparison. I don't want to", "such as: * figuring out the order of events * which conflicts happen", "and ended up getting a bunch of new ideas that meant the first", "would have to change completely (basically, only the genre and characters remained the", "few years, and ended up getting a bunch of new ideas that meant", "good enough and could have benefited from planning. I let the story marinate", "ideas I came up with while planning seem predictable in comparison. I don't", "I don't think I would have reached this point if I had started", "all. Even though I enjoyed myself, once I was done I felt like", "once I was done I felt like the book wasn't good enough and", "at all. Even though I enjoyed myself, once I was done I felt", "though I enjoyed myself, once I was done I felt like the book", "that, though I felt I wasted my time writing the first draft, it", "the first draft, it was beneficial because I got to know the characters,", "(which happens often). So right now, my current system is to focus on", "fly. The ideas I came up with while planning seem predictable in comparison.", "on a fantasy series for the past few years. When I first started,", "and characters remained the same). But I should add that, though I felt", "few scenes in the process * the ideas I come up with while", "and things get really confusing. Also, there are some things I can do", "the same). But I should add that, though I felt I wasted my", "and how do I strike a balance between planning and writing while still", "seem good at first, but I sometimes have much better ideas when writing,", "on the fly. The ideas I came up with while planning seem predictable", "change completely (basically, only the genre and characters remained the same). But I", "happen in what order * how the events of each novel flow together", "So right now, my current system is to focus on planning (in terms", "a few scenes in the process * the ideas I come up with", "a lot and write scenes from different books in the series, and things", "had started planning from the beginning, without having done any writing. When I", "how do I strike a balance between planning and writing while still making", "the ideas I come up with while planning seem good at first, but", "to get it out on paper (which happens often). So right now, my", "that could become outdated when I got better ideas). However, I still spend", "up the story again I decided to focus more on planning and less", "out on paper (which happens often). So right now, my current system is", "novel flow together * when characters should be introduced * how character relationships", "is fun, but planning gets boring after a while, unless I jot down", "from different books in the series, and things get really confusing. Also, there", "was beneficial because I got to know the characters, and I don't think", "Also, there are some things I can do while planning that are much", "is to focus on planning (in terms of story arcs and characters arcs)", "I strike a balance between planning and writing while still making meaningful progress?", "the story marinate in my head for a few years, and ended up", "I didn't want to spend time writing material that could become outdated when", "better ideas when writing, or when I am inspired on the fly. The", "material that could become outdated when I got better ideas). However, I still", "(for the first book) in one go without any planning at all. Even", "first draft would have to change completely (basically, only the genre and characters", "planning, and how do I strike a balance between planning and writing while", "for a few years, and ended up getting a bunch of new ideas", "didn't want to spend time writing material that could become outdated when I", "marinate in my head for a few years, and ended up getting a", "system is to focus on planning (in terms of story arcs and characters", "could have benefited from planning. I let the story marinate in my head", "beneficial because I got to know the characters, and I don't think I", "in comparison. I don't want to stop planning because I jump around a", "now, my current system is to focus on planning (in terms of story", "harder to do while writing, such as: * figuring out the order of", "my first draft (for the first book) in one go without any planning", "the process * the ideas I come up with while planning seem good", "together * when characters should be introduced * how character relationships progress ", "fun, but planning gets boring after a while, unless I jot down a", "would have reached this point if I had started planning from the beginning,", "right now, my current system is to focus on planning (in terms of", "different books in the series, and things get really confusing. Also, there are", "the first draft would have to change completely (basically, only the genre and", "I don't want to stop planning because I jump around a lot and", "I can do while planning that are much harder to do while writing,", "seem predictable in comparison. I don't want to stop planning because I jump", "first draft (for the first book) in one go without any planning at", "write scenes from different books in the series, and things get really confusing.", "the past few years. When I first started, I wrote my first draft", "inspired on the fly. The ideas I came up with while planning seem", "main question is: how do I stay engaged while planning, and how do", "having done any writing. When I picked up the story again I decided", "I felt I wasted my time writing the first draft, it was beneficial", "happens often). So right now, my current system is to focus on planning", "arcs and characters arcs) and only write when inspired. The problem is: ", "beginning, without having done any writing. When I picked up the story again", "but planning gets boring after a while, unless I jot down a few", "few years. When I first started, I wrote my first draft (for the", "become outdated when I got better ideas). However, I still spend time writing", "with while planning seem predictable in comparison. I don't want to stop planning", "But I should add that, though I felt I wasted my time writing", "myself, once I was done I felt like the book wasn't good enough", "got better ideas). However, I still spend time writing when I am inspired", "how character relationships progress * how characters develop My main question is: how", "the fly. The ideas I came up with while planning seem predictable in", "writing, such as: * figuring out the order of events * which conflicts", "of new ideas that meant the first draft would have to change completely", "Even though I enjoyed myself, once I was done I felt like the", "of events * which conflicts happen in what order * how the events" ]
[ "in a given context. I can hear that my dialogue is not natural", "there any tricks-of-the-trade that can help me? Or is it just a matter", "questioner also contributes something to the conversation besides the questions. Still, at the", "the questions. Still, at the core, it doesn't feel natural. It gets more", "that word limit. Q&A does the job but feels unnatural. What makes the", "me? Or is it just a matter of practice, practice and more practice?", "starts to ask questions too. I focus on the short stories right now.", "one that was used incorrectly in a given context. I can hear that", "problem I have in my fictional writing. My dialogues quickly turn into interrogations.", "> > > \"What about your family?\" > > > \"...\" > >", "help me? Or is it just a matter of practice, practice and more", "I have in my fictional writing. My dialogues quickly turn into interrogations. Here", "It's like phrasal verbs. You can't memorize them all but after hearing them", "feels unnatural. What makes the dialogue natural? Or what makes the dialog \"flow\"", "hearing them for 10 years you can with high accuracy detect the one", "dialogues quickly turn into interrogations. Here is an exaggerated example. > > \"How", "have in my fictional writing. My dialogues quickly turn into interrogations. Here is", "also contributes something to the conversation besides the questions. Still, at the core,", "contributes something to the conversation besides the questions. Still, at the core, it", "answerer starts to ask questions too. I focus on the short stories right", "know how to fix it. Are there any tricks-of-the-trade that can help me?", "makes the dialog \"flow\" naturally? Sorry, if my question is a bit vague.", "> > \"What about your family?\" > > > \"...\" > > >", "in my fictional writing. My dialogues quickly turn into interrogations. Here is an", "something to the conversation besides the questions. Still, at the core, it doesn't", "dialogues, I do have action and first-person narration (which I see as an", "you can with high accuracy detect the one that was used incorrectly in", "the core, it doesn't feel natural. It gets more awful when the answerer", "all I need to explain within that word limit. Q&A does the job", "fictional writing. My dialogues quickly turn into interrogations. Here is an exaggerated example.", "I need to explain within that word limit. Q&A does the job but", "word limit. Q&A does the job but feels unnatural. What makes the dialogue", "\"...\" > > > I can spruce it up, of course. I can", "natural? Or what makes the dialog \"flow\" naturally? Sorry, if my question is", "the dialogue natural? Or what makes the dialog \"flow\" naturally? Sorry, if my", "context. I can hear that my dialogue is not natural but don't know", "fillers so it feels more like questioner also contributes something to the conversation", "I noticed a problem I have in my fictional writing. My dialogues quickly", "I think I'm doing Q&A instead of \"natural dialogue\" because I box my", "within that word limit. Q&A does the job but feels unnatural. What makes", "with high accuracy detect the one that was used incorrectly in a given", "writing. My dialogues quickly turn into interrogations. Here is an exaggerated example. >", "interrogations. Here is an exaggerated example. > > \"How did you do it?\"", "noticed a problem I have in my fictional writing. My dialogues quickly turn", "about your family?\" > > > \"...\" > > > I can spruce", "want to explain all I need to explain within that word limit. Q&A", "high accuracy detect the one that was used incorrectly in a given context.", "but don't know how to fix it. Are there any tricks-of-the-trade that can", "and first-person narration (which I see as an internal form of dialogue). I", "You can't memorize them all but after hearing them for 10 years you", "> > \"...\" > > > I can spruce it up, of course.", "\"...\" > > > \"Will it kill us all?\" > > > \"...\"", "a bit vague. It's like phrasal verbs. You can't memorize them all but", "them for 10 years you can with high accuracy detect the one that", "> \"Will it kill us all?\" > > > \"...\" > > >", "example. > > \"How did you do it?\" he asked. > > >", "I can spruce it up, of course. I can add some fillers so", "us all?\" > > > \"...\" > > > \"What about your family?\"", "count and want to explain all I need to explain within that word", "to explain all I need to explain within that word limit. Q&A does", "and want to explain all I need to explain within that word limit.", "makes the dialogue natural? Or what makes the dialog \"flow\" naturally? Sorry, if", "an internal form of dialogue). I think I'm doing Q&A instead of \"natural", "can with high accuracy detect the one that was used incorrectly in a", "internal form of dialogue). I think I'm doing Q&A instead of \"natural dialogue\"", "of dialogue). I think I'm doing Q&A instead of \"natural dialogue\" because I", "think I'm doing Q&A instead of \"natural dialogue\" because I box my self", "hear that my dialogue is not natural but don't know how to fix", "my fictional writing. My dialogues quickly turn into interrogations. Here is an exaggerated", "it feels more like questioner also contributes something to the conversation besides the", "when the answerer starts to ask questions too. I focus on the short", "the short stories right now. In addition to dialogues, I do have action", "job but feels unnatural. What makes the dialogue natural? Or what makes the", "dialogue\" because I box my self into certain word count and want to", "them all but after hearing them for 10 years you can with high", "my question is a bit vague. It's like phrasal verbs. You can't memorize", "it. Are there any tricks-of-the-trade that can help me? Or is it just", "need to explain within that word limit. Q&A does the job but feels", "feel natural. It gets more awful when the answerer starts to ask questions", "do have action and first-person narration (which I see as an internal form", "the job but feels unnatural. What makes the dialogue natural? Or what makes", "it?\" he asked. > > > \"...\" > > > \"Will it kill", "I box my self into certain word count and want to explain all", "can hear that my dialogue is not natural but don't know how to", "used incorrectly in a given context. I can hear that my dialogue is", "my dialogue is not natural but don't know how to fix it. Are", "can add some fillers so it feels more like questioner also contributes something", "> \"...\" > > > \"Will it kill us all?\" > > >", "that my dialogue is not natural but don't know how to fix it.", "conversation besides the questions. Still, at the core, it doesn't feel natural. It", "can help me? Or is it just a matter of practice, practice and", "kill us all?\" > > > \"...\" > > > \"What about your", "\"...\" > > > \"What about your family?\" > > > \"...\" >", "> \"How did you do it?\" he asked. > > > \"...\" >", "spruce it up, of course. I can add some fillers so it feels", "is a bit vague. It's like phrasal verbs. You can't memorize them all", "to dialogues, I do have action and first-person narration (which I see as", "detect the one that was used incorrectly in a given context. I can", "a problem I have in my fictional writing. My dialogues quickly turn into", "family?\" > > > \"...\" > > > I can spruce it up,", "> > \"How did you do it?\" he asked. > > > \"...\"", "but feels unnatural. What makes the dialogue natural? Or what makes the dialog", "your family?\" > > > \"...\" > > > I can spruce it", "on the short stories right now. In addition to dialogues, I do have", "(which I see as an internal form of dialogue). I think I'm doing", "self into certain word count and want to explain all I need to", "awful when the answerer starts to ask questions too. I focus on the", "doing Q&A instead of \"natural dialogue\" because I box my self into certain", "limit. Q&A does the job but feels unnatural. What makes the dialogue natural?", "> > I can spruce it up, of course. I can add some", "years you can with high accuracy detect the one that was used incorrectly", "given context. I can hear that my dialogue is not natural but don't", "up, of course. I can add some fillers so it feels more like", "Or what makes the dialog \"flow\" naturally? Sorry, if my question is a", "for 10 years you can with high accuracy detect the one that was", "tricks-of-the-trade that can help me? Or is it just a matter of practice,", "Still, at the core, it doesn't feel natural. It gets more awful when", "> > > I can spruce it up, of course. I can add", "memorize them all but after hearing them for 10 years you can with", "phrasal verbs. You can't memorize them all but after hearing them for 10", "naturally? Sorry, if my question is a bit vague. It's like phrasal verbs.", "natural but don't know how to fix it. Are there any tricks-of-the-trade that", "don't know how to fix it. Are there any tricks-of-the-trade that can help", "> \"...\" > > > \"What about your family?\" > > > \"...\"", "the one that was used incorrectly in a given context. I can hear", "incorrectly in a given context. I can hear that my dialogue is not", "dialogue natural? Or what makes the dialog \"flow\" naturally? Sorry, if my question", "I can add some fillers so it feels more like questioner also contributes", "box my self into certain word count and want to explain all I", "questions too. I focus on the short stories right now. In addition to", "I see as an internal form of dialogue). I think I'm doing Q&A", "some fillers so it feels more like questioner also contributes something to the", "> \"What about your family?\" > > > \"...\" > > > I", "have action and first-person narration (which I see as an internal form of", "he asked. > > > \"...\" > > > \"Will it kill us", "> I can spruce it up, of course. I can add some fillers", "\"What about your family?\" > > > \"...\" > > > I can", "explain all I need to explain within that word limit. Q&A does the", "dialog \"flow\" naturally? Sorry, if my question is a bit vague. It's like", "can spruce it up, of course. I can add some fillers so it", "an exaggerated example. > > \"How did you do it?\" he asked. >", "feels more like questioner also contributes something to the conversation besides the questions.", "questions. Still, at the core, it doesn't feel natural. It gets more awful", "\"How did you do it?\" he asked. > > > \"...\" > >", "word count and want to explain all I need to explain within that", "can't memorize them all but after hearing them for 10 years you can", "certain word count and want to explain all I need to explain within", "at the core, it doesn't feel natural. It gets more awful when the", "more awful when the answerer starts to ask questions too. I focus on", "Sorry, if my question is a bit vague. It's like phrasal verbs. You", "was used incorrectly in a given context. I can hear that my dialogue", "vague. It's like phrasal verbs. You can't memorize them all but after hearing", "not natural but don't know how to fix it. Are there any tricks-of-the-trade", "bit vague. It's like phrasal verbs. You can't memorize them all but after", "Or is it just a matter of practice, practice and more practice? Thanks", "into certain word count and want to explain all I need to explain", "verbs. You can't memorize them all but after hearing them for 10 years", "how to fix it. Are there any tricks-of-the-trade that can help me? Or", "turn into interrogations. Here is an exaggerated example. > > \"How did you", "ask questions too. I focus on the short stories right now. In addition", "did you do it?\" he asked. > > > \"...\" > > >", "> > > \"Will it kill us all?\" > > > \"...\" >", "that can help me? Or is it just a matter of practice, practice", "that was used incorrectly in a given context. I can hear that my", "you do it?\" he asked. > > > \"...\" > > > \"Will", "addition to dialogues, I do have action and first-person narration (which I see", "I focus on the short stories right now. In addition to dialogues, I", "see as an internal form of dialogue). I think I'm doing Q&A instead", "explain within that word limit. Q&A does the job but feels unnatural. What", "\"Will it kill us all?\" > > > \"...\" > > > \"What", "like phrasal verbs. You can't memorize them all but after hearing them for", "a given context. I can hear that my dialogue is not natural but", "> > \"...\" > > > \"Will it kill us all?\" > >", "the answerer starts to ask questions too. I focus on the short stories", "short stories right now. In addition to dialogues, I do have action and", "accuracy detect the one that was used incorrectly in a given context. I", "dialogue). I think I'm doing Q&A instead of \"natural dialogue\" because I box", "focus on the short stories right now. In addition to dialogues, I do", "doesn't feel natural. It gets more awful when the answerer starts to ask", "\"natural dialogue\" because I box my self into certain word count and want", "core, it doesn't feel natural. It gets more awful when the answerer starts", "my self into certain word count and want to explain all I need", "it up, of course. I can add some fillers so it feels more", "I do have action and first-person narration (which I see as an internal", "> > \"...\" > > > \"What about your family?\" > > >", "the conversation besides the questions. Still, at the core, it doesn't feel natural.", "as an internal form of dialogue). I think I'm doing Q&A instead of", "fix it. Are there any tricks-of-the-trade that can help me? Or is it", "to the conversation besides the questions. Still, at the core, it doesn't feel", "to ask questions too. I focus on the short stories right now. In", "is an exaggerated example. > > \"How did you do it?\" he asked.", "Here is an exaggerated example. > > \"How did you do it?\" he", "exaggerated example. > > \"How did you do it?\" he asked. > >", "> \"...\" > > > I can spruce it up, of course. I", "Are there any tricks-of-the-trade that can help me? Or is it just a", "of course. I can add some fillers so it feels more like questioner", "course. I can add some fillers so it feels more like questioner also", "do it?\" he asked. > > > \"...\" > > > \"Will it", "> > > \"...\" > > > \"What about your family?\" > >", "In addition to dialogues, I do have action and first-person narration (which I", "besides the questions. Still, at the core, it doesn't feel natural. It gets", "so it feels more like questioner also contributes something to the conversation besides", "more like questioner also contributes something to the conversation besides the questions. Still,", "instead of \"natural dialogue\" because I box my self into certain word count", "What makes the dialogue natural? Or what makes the dialog \"flow\" naturally? Sorry,", "10 years you can with high accuracy detect the one that was used", "dialogue is not natural but don't know how to fix it. Are there", "gets more awful when the answerer starts to ask questions too. I focus", "> > > \"...\" > > > \"Will it kill us all?\" >", "action and first-person narration (which I see as an internal form of dialogue).", "form of dialogue). I think I'm doing Q&A instead of \"natural dialogue\" because", "it doesn't feel natural. It gets more awful when the answerer starts to", "all?\" > > > \"...\" > > > \"What about your family?\" >", "but after hearing them for 10 years you can with high accuracy detect", "what makes the dialog \"flow\" naturally? Sorry, if my question is a bit", "if my question is a bit vague. It's like phrasal verbs. You can't", "question is a bit vague. It's like phrasal verbs. You can't memorize them", "the dialog \"flow\" naturally? Sorry, if my question is a bit vague. It's", "any tricks-of-the-trade that can help me? Or is it just a matter of", "unnatural. What makes the dialogue natural? Or what makes the dialog \"flow\" naturally?", "My dialogues quickly turn into interrogations. Here is an exaggerated example. > >", "is not natural but don't know how to fix it. Are there any", "to explain within that word limit. Q&A does the job but feels unnatural.", "into interrogations. Here is an exaggerated example. > > \"How did you do", "quickly turn into interrogations. Here is an exaggerated example. > > \"How did", "add some fillers so it feels more like questioner also contributes something to", "natural. It gets more awful when the answerer starts to ask questions too.", "too. I focus on the short stories right now. In addition to dialogues,", "because I box my self into certain word count and want to explain", "Q&A instead of \"natural dialogue\" because I box my self into certain word", "\"flow\" naturally? Sorry, if my question is a bit vague. It's like phrasal", "right now. In addition to dialogues, I do have action and first-person narration", "asked. > > > \"...\" > > > \"Will it kill us all?\"", "Q&A does the job but feels unnatural. What makes the dialogue natural? Or", "like questioner also contributes something to the conversation besides the questions. Still, at", "all but after hearing them for 10 years you can with high accuracy", "I'm doing Q&A instead of \"natural dialogue\" because I box my self into", "does the job but feels unnatural. What makes the dialogue natural? Or what", "I can hear that my dialogue is not natural but don't know how", "to fix it. Are there any tricks-of-the-trade that can help me? Or is", "> > > \"...\" > > > I can spruce it up, of", "> > \"Will it kill us all?\" > > > \"...\" > >", "stories right now. In addition to dialogues, I do have action and first-person", "narration (which I see as an internal form of dialogue). I think I'm", "of \"natural dialogue\" because I box my self into certain word count and", "it kill us all?\" > > > \"...\" > > > \"What about", "after hearing them for 10 years you can with high accuracy detect the", "first-person narration (which I see as an internal form of dialogue). I think", "It gets more awful when the answerer starts to ask questions too. I", "now. In addition to dialogues, I do have action and first-person narration (which" ]
[ "and only wish to offer readers a realistic portrayal of how containment of", "I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s", "though it is an action adventure. So, just rewrite the story some suggest.", "as outbreak clusters are carried by unwitting healthcare workers. I have submitted it", "to return to my series even though I am sure it may never", "health agencies. What is worse than a rejection of a manuscript? It may", "purpose of my writing, to teach about the real science and medicine that", "with how I weave actual science into a realistic plot. So, what exactly", "to improve or where to edit? I am just curious what keeps most", "published. Above all else, I am an educator and only wish to offer", "improve or where to edit? I am just curious what keeps most writers", "problem with how I weave actual science into a realistic plot. So, what", "deadly pandemic will be botched by world health agencies. What is worse than", "am well on my way into the second novel but after so many", "pandemic emerges. My novel leans heavily on actual historical incidences and LOTS of", "Last year, I completed a heavily researched 95,000-word novel about an emerging pandemic", "action by multiple agencies: military, epidemiologists, politicians and, of course, average people caught", "wrong with my writing. She also has no problem with how I weave", "workers. I have submitted it to over 500 publishers and agents without success", "into the second novel but after so many rejections, I question whether it", "[Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though it", "where to edit? I am just curious what keeps most writers writing, after", "that targets primarily children. I am a former scientist and current nurse and", "appeal. I took a six-month break from writing and wish to return to", "how I weave actual science into a realistic plot. So, what exactly is", "500 publishers and agents without success and rewritten it twice to tone down", "people caught up in quarantine. It also has many exotic locations as outbreak", "no one responds to your query, you do not even get suggestions about", "sure it may never be published. Above all else, I am an educator", "Zone](https://en.wikipedia.org/wiki/The_Hot_Zone)* or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though it is", "copious suggestions about their own work. I have an editor friend with a", "science into a realistic plot. So, what exactly is my problem? It may", "to do teaching about what to expect if a serious pandemic emerges. My", "it to over 500 publishers and agents without success and rewritten it twice", "and current nurse and wanted to do teaching about what to expect if", "apathy. For, if no one responds to your query, you do not even", "took a six-month break from writing and wish to return to my series", "my copious suggestions about their own work. I have an editor friend with", "weave actual science into a realistic plot. So, what exactly is my problem?", "it is worth the effort to write a trilogy that obviously has little", "leans heavily on actual historical incidences and LOTS of realistic action by multiple", "for my copious suggestions about their own work. I have an editor friend", "outbreak clusters are carried by unwitting healthcare workers. I have submitted it to", "return to my series even though I am sure it may never be", "much of the science, yet even my few beta readers don't bother to", "effort to write a trilogy that obviously has little general appeal. I took", "you do not even get suggestions about what to improve or where to", "heavily on actual historical incidences and LOTS of realistic action by multiple agencies:", "of my writing, to teach about the real science and medicine that will", "the second novel but after so many rejections, I question whether it is", "few beta readers don't bother to give comments in exchange for my copious", "about what to improve or where to edit? I am just curious what", "a rejection of a manuscript? It may be apathy. For, if no one", "how containment of a deadly pandemic will be botched by world health agencies.", "writing. She also has no problem with how I weave actual science into", "expect if a serious pandemic emerges. My novel leans heavily on actual historical", "editor friend with a science background who tells me there is nothing wrong", "has no problem with how I weave actual science into a realistic plot.", "She also has no problem with how I weave actual science into a", "serious pandemic emerges. My novel leans heavily on actual historical incidences and LOTS", "are carried by unwitting healthcare workers. I have submitted it to over 500", "exotic locations as outbreak clusters are carried by unwitting healthcare workers. I have", "what to improve or where to edit? I am just curious what keeps", "after so many rejections, I question whether it is worth the effort to", "worse than a rejection of a manuscript? It may be apathy. For, if", "I am sure it may never be published. Above all else, I am", "that removes the very purpose of my writing, to teach about the real", "occur during a pandemic. I am well on my way into the second", "have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The", "exchange for my copious suggestions about their own work. I have an editor", "by multiple agencies: military, epidemiologists, politicians and, of course, average people caught up", "current nurse and wanted to do teaching about what to expect if a", "[Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though it is an action", "[Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone)* or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even", "Plague, very didactic even though it is an action adventure. So, just rewrite", "action adventure. So, just rewrite the story some suggest. But that removes the", "to your query, you do not even get suggestions about what to improve", "a serious pandemic emerges. My novel leans heavily on actual historical incidences and", "beta readers don't bother to give comments in exchange for my copious suggestions", "about the real science and medicine that will occur during a pandemic. I", "politicians and, of course, average people caught up in quarantine. It also has", "very purpose of my writing, to teach about the real science and medicine", "a trilogy that obviously has little general appeal. I took a six-month break", "very didactic even though it is an action adventure. So, just rewrite the", "do teaching about what to expect if a serious pandemic emerges. My novel", "yet even my few beta readers don't bother to give comments in exchange", "the very purpose of my writing, to teach about the real science and", "also has many exotic locations as outbreak clusters are carried by unwitting healthcare", "has little general appeal. I took a six-month break from writing and wish", "background who tells me there is nothing wrong with my writing. She also", "also has no problem with how I weave actual science into a realistic", "though I am sure it may never be published. Above all else, I", "my few beta readers don't bother to give comments in exchange for my", "a former scientist and current nurse and wanted to do teaching about what", "is nothing wrong with my writing. She also has no problem with how", "researched 95,000-word novel about an emerging pandemic that targets primarily children. I am", "historical incidences and LOTS of realistic action by multiple agencies: military, epidemiologists, politicians", "if no one responds to your query, you do not even get suggestions", "by unwitting healthcare workers. I have submitted it to over 500 publishers and", "targets primarily children. I am a former scientist and current nurse and wanted", "What is worse than a rejection of a manuscript? It may be apathy.", "just rewrite the story some suggest. But that removes the very purpose of", "may be that I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone)", "exactly is my problem? It may be that I have a similar issue", "even my few beta readers don't bother to give comments in exchange for", "do not even get suggestions about what to improve or where to edit?", "a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone)* or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming", "clusters are carried by unwitting healthcare workers. I have submitted it to over", "and rewritten it twice to tone down much of the science, yet even", "suggestions about what to improve or where to edit? I am just curious", "my writing, to teach about the real science and medicine that will occur", "problem? It may be that I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s", "may be apathy. For, if no one responds to your query, you do", "I have submitted it to over 500 publishers and agents without success and", "is worse than a rejection of a manuscript? It may be apathy. For,", "wish to return to my series even though I am sure it may", "Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone)* or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though", "pandemic that targets primarily children. I am a former scientist and current nurse", "own work. I have an editor friend with a science background who tells", "teach about the real science and medicine that will occur during a pandemic.", "will be botched by world health agencies. What is worse than a rejection", "removes the very purpose of my writing, to teach about the real science", "plot. So, what exactly is my problem? It may be that I have", "query, you do not even get suggestions about what to improve or where", "way into the second novel but after so many rejections, I question whether", "question whether it is worth the effort to write a trilogy that obviously", "about an emerging pandemic that targets primarily children. I am a former scientist", "about their own work. I have an editor friend with a science background", "medicine that will occur during a pandemic. I am well on my way", "My novel leans heavily on actual historical incidences and LOTS of realistic action", "success and rewritten it twice to tone down much of the science, yet", "never be published. Above all else, I am an educator and only wish", "year, I completed a heavily researched 95,000-word novel about an emerging pandemic that", "readers a realistic portrayal of how containment of a deadly pandemic will be", "many exotic locations as outbreak clusters are carried by unwitting healthcare workers. I", "similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague,", "completed a heavily researched 95,000-word novel about an emerging pandemic that targets primarily", "be botched by world health agencies. What is worse than a rejection of", "agents without success and rewritten it twice to tone down much of the", "if a serious pandemic emerges. My novel leans heavily on actual historical incidences", "that I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie", "has many exotic locations as outbreak clusters are carried by unwitting healthcare workers.", "it is an action adventure. So, just rewrite the story some suggest. But", "readers don't bother to give comments in exchange for my copious suggestions about", "to give comments in exchange for my copious suggestions about their own work.", "writing and wish to return to my series even though I am sure", "publishers and agents without success and rewritten it twice to tone down much", "but after so many rejections, I question whether it is worth the effort", "But that removes the very purpose of my writing, to teach about the", "I am well on my way into the second novel but after so", "and, of course, average people caught up in quarantine. It also has many", "is an action adventure. So, just rewrite the story some suggest. But that", "and LOTS of realistic action by multiple agencies: military, epidemiologists, politicians and, of", "to write a trilogy that obviously has little general appeal. I took a", "and agents without success and rewritten it twice to tone down much of", "science background who tells me there is nothing wrong with my writing. She", "who tells me there is nothing wrong with my writing. She also has", "a deadly pandemic will be botched by world health agencies. What is worse", "and medicine that will occur during a pandemic. I am well on my", "whether it is worth the effort to write a trilogy that obviously has", "primarily children. I am a former scientist and current nurse and wanted to", "a realistic plot. So, what exactly is my problem? It may be that", "novel about an emerging pandemic that targets primarily children. I am a former", "I have an editor friend with a science background who tells me there", "the science, yet even my few beta readers don't bother to give comments", "their own work. I have an editor friend with a science background who", "the story some suggest. But that removes the very purpose of my writing,", "realistic portrayal of how containment of a deadly pandemic will be botched by", "of a deadly pandemic will be botched by world health agencies. What is", "am an educator and only wish to offer readers a realistic portrayal of", "pandemic. I am well on my way into the second novel but after", "else, I am an educator and only wish to offer readers a realistic", "it twice to tone down much of the science, yet even my few", "many rejections, I question whether it is worth the effort to write a", "course, average people caught up in quarantine. It also has many exotic locations", "didactic even though it is an action adventure. So, just rewrite the story", "suggest. But that removes the very purpose of my writing, to teach about", "worth the effort to write a trilogy that obviously has little general appeal.", "emerging pandemic that targets primarily children. I am a former scientist and current", "general appeal. I took a six-month break from writing and wish to return", "wish to offer readers a realistic portrayal of how containment of a deadly", "a manuscript? It may be apathy. For, if no one responds to your", "don't bother to give comments in exchange for my copious suggestions about their", "locations as outbreak clusters are carried by unwitting healthcare workers. I have submitted", "friend with a science background who tells me there is nothing wrong with", "For, if no one responds to your query, you do not even get", "am a former scientist and current nurse and wanted to do teaching about", "what to expect if a serious pandemic emerges. My novel leans heavily on", "unwitting healthcare workers. I have submitted it to over 500 publishers and agents", "realistic action by multiple agencies: military, epidemiologists, politicians and, of course, average people", "suggestions about their own work. I have an editor friend with a science", "adventure. So, just rewrite the story some suggest. But that removes the very", "rejection of a manuscript? It may be apathy. For, if no one responds", "no problem with how I weave actual science into a realistic plot. So,", "break from writing and wish to return to my series even though I", "that will occur during a pandemic. I am well on my way into", "obviously has little general appeal. I took a six-month break from writing and", "work. I have an editor friend with a science background who tells me", "an emerging pandemic that targets primarily children. I am a former scientist and", "So, what exactly is my problem? It may be that I have a", "be published. Above all else, I am an educator and only wish to", "I am an educator and only wish to offer readers a realistic portrayal", "my writing. She also has no problem with how I weave actual science", "on my way into the second novel but after so many rejections, I", "educator and only wish to offer readers a realistic portrayal of how containment", "all else, I am an educator and only wish to offer readers a", "even though it is an action adventure. So, just rewrite the story some", "to tone down much of the science, yet even my few beta readers", "am sure it may never be published. Above all else, I am an", "The Coming Plague, very didactic even though it is an action adventure. So,", "carried by unwitting healthcare workers. I have submitted it to over 500 publishers", "to over 500 publishers and agents without success and rewritten it twice to", "edit? I am just curious what keeps most writers writing, after multiple rejections?", "be that I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or", "I weave actual science into a realistic plot. So, what exactly is my", "only wish to offer readers a realistic portrayal of how containment of a", "It also has many exotic locations as outbreak clusters are carried by unwitting", "the real science and medicine that will occur during a pandemic. I am", "have submitted it to over 500 publishers and agents without success and rewritten", "have an editor friend with a science background who tells me there is", "children. I am a former scientist and current nurse and wanted to do", "botched by world health agencies. What is worse than a rejection of a", "comments in exchange for my copious suggestions about their own work. I have", "submitted it to over 500 publishers and agents without success and rewritten it", "by world health agencies. What is worse than a rejection of a manuscript?", "world health agencies. What is worse than a rejection of a manuscript? It", "emerges. My novel leans heavily on actual historical incidences and LOTS of realistic", "your query, you do not even get suggestions about what to improve or", "incidences and LOTS of realistic action by multiple agencies: military, epidemiologists, politicians and,", "average people caught up in quarantine. It also has many exotic locations as", "even though I am sure it may never be published. Above all else,", "in exchange for my copious suggestions about their own work. I have an", "may never be published. Above all else, I am an educator and only", "offer readers a realistic portrayal of how containment of a deadly pandemic will", "healthcare workers. I have submitted it to over 500 publishers and agents without", "a realistic portrayal of how containment of a deadly pandemic will be botched", "of course, average people caught up in quarantine. It also has many exotic", "well on my way into the second novel but after so many rejections,", "I am a former scientist and current nurse and wanted to do teaching", "bother to give comments in exchange for my copious suggestions about their own", "that obviously has little general appeal. I took a six-month break from writing", "actual science into a realistic plot. So, what exactly is my problem? It", "or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though it is an", "rejections, I question whether it is worth the effort to write a trilogy", "on actual historical incidences and LOTS of realistic action by multiple agencies: military,", "there is nothing wrong with my writing. She also has no problem with", "pandemic will be botched by world health agencies. What is worse than a", "So, just rewrite the story some suggest. But that removes the very purpose", "of a manuscript? It may be apathy. For, if no one responds to", "I took a six-month break from writing and wish to return to my", "portrayal of how containment of a deadly pandemic will be botched by world", "one responds to your query, you do not even get suggestions about what", "will occur during a pandemic. I am well on my way into the", "is worth the effort to write a trilogy that obviously has little general", "during a pandemic. I am well on my way into the second novel", "caught up in quarantine. It also has many exotic locations as outbreak clusters", "LOTS of realistic action by multiple agencies: military, epidemiologists, politicians and, of course,", "tone down much of the science, yet even my few beta readers don't", "an educator and only wish to offer readers a realistic portrayal of how", "even get suggestions about what to improve or where to edit? I am", "real science and medicine that will occur during a pandemic. I am well", "multiple agencies: military, epidemiologists, politicians and, of course, average people caught up in", "so many rejections, I question whether it is worth the effort to write", "trilogy that obviously has little general appeal. I took a six-month break from", "novel leans heavily on actual historical incidences and LOTS of realistic action by", "agencies. What is worse than a rejection of a manuscript? It may be", "quarantine. It also has many exotic locations as outbreak clusters are carried by", "twice to tone down much of the science, yet even my few beta", "my problem? It may be that I have a similar issue as [Riwhurz", "writing, to teach about the real science and medicine that will occur during", "than a rejection of a manuscript? It may be apathy. For, if no", "of how containment of a deadly pandemic will be botched by world health", "agencies: military, epidemiologists, politicians and, of course, average people caught up in quarantine.", "an editor friend with a science background who tells me there is nothing", "series even though I am sure it may never be published. Above all", "into a realistic plot. So, what exactly is my problem? It may be", "Above all else, I am an educator and only wish to offer readers", "actual historical incidences and LOTS of realistic action by multiple agencies: military, epidemiologists,", "nurse and wanted to do teaching about what to expect if a serious", "little general appeal. I took a six-month break from writing and wish to", "wanted to do teaching about what to expect if a serious pandemic emerges.", "a science background who tells me there is nothing wrong with my writing.", "from writing and wish to return to my series even though I am", "teaching about what to expect if a serious pandemic emerges. My novel leans", "of the science, yet even my few beta readers don't bother to give", "some suggest. But that removes the very purpose of my writing, to teach", "get suggestions about what to improve or where to edit? I am just", "to my series even though I am sure it may never be published.", "an action adventure. So, just rewrite the story some suggest. But that removes", "and wanted to do teaching about what to expect if a serious pandemic", "about what to expect if a serious pandemic emerges. My novel leans heavily", "in quarantine. It also has many exotic locations as outbreak clusters are carried", "Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic even though it is an action adventure.", "former scientist and current nurse and wanted to do teaching about what to", "what exactly is my problem? It may be that I have a similar", "over 500 publishers and agents without success and rewritten it twice to tone", "the effort to write a trilogy that obviously has little general appeal. I", "to expect if a serious pandemic emerges. My novel leans heavily on actual", "with a science background who tells me there is nothing wrong with my", "as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very didactic", "responds to your query, you do not even get suggestions about what to", "six-month break from writing and wish to return to my series even though", "science and medicine that will occur during a pandemic. I am well on", "down much of the science, yet even my few beta readers don't bother", "be apathy. For, if no one responds to your query, you do not", "science, yet even my few beta readers don't bother to give comments in", "tells me there is nothing wrong with my writing. She also has no", "it may never be published. Above all else, I am an educator and", "my series even though I am sure it may never be published. Above", "nothing wrong with my writing. She also has no problem with how I", "write a trilogy that obviously has little general appeal. I took a six-month", "novel but after so many rejections, I question whether it is worth the", "issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot Zone](https://en.wikipedia.org/wiki/The_Hot_Zone) or [Laurie Garrett](https://en.wikipedia.org/wiki/Laurie_Garrett)'s The Coming Plague, very", "of realistic action by multiple agencies: military, epidemiologists, politicians and, of course, average", "or where to edit? I am just curious what keeps most writers writing,", "me there is nothing wrong with my writing. She also has no problem", "up in quarantine. It also has many exotic locations as outbreak clusters are", "realistic plot. So, what exactly is my problem? It may be that I", "Coming Plague, very didactic even though it is an action adventure. So, just", "heavily researched 95,000-word novel about an emerging pandemic that targets primarily children. I", "manuscript? It may be apathy. For, if no one responds to your query,", "to edit? I am just curious what keeps most writers writing, after multiple", "to offer readers a realistic portrayal of how containment of a deadly pandemic", "I completed a heavily researched 95,000-word novel about an emerging pandemic that targets", "I question whether it is worth the effort to write a trilogy that", "It may be apathy. For, if no one responds to your query, you", "It may be that I have a similar issue as [Riwhurz Preston](https://en.wikipedia.org/wiki/Riwhurz_Preston)'s [Hot", "95,000-word novel about an emerging pandemic that targets primarily children. I am a", "second novel but after so many rejections, I question whether it is worth", "scientist and current nurse and wanted to do teaching about what to expect", "rewritten it twice to tone down much of the science, yet even my", "is my problem? It may be that I have a similar issue as", "give comments in exchange for my copious suggestions about their own work. I", "my way into the second novel but after so many rejections, I question", "and wish to return to my series even though I am sure it", "not even get suggestions about what to improve or where to edit? I", "containment of a deadly pandemic will be botched by world health agencies. What", "a heavily researched 95,000-word novel about an emerging pandemic that targets primarily children.", "without success and rewritten it twice to tone down much of the science,", "to teach about the real science and medicine that will occur during a", "story some suggest. But that removes the very purpose of my writing, to", "rewrite the story some suggest. But that removes the very purpose of my", "a pandemic. I am well on my way into the second novel but", "a six-month break from writing and wish to return to my series even", "military, epidemiologists, politicians and, of course, average people caught up in quarantine. It", "with my writing. She also has no problem with how I weave actual", "epidemiologists, politicians and, of course, average people caught up in quarantine. It also" ]
[ "would it be fine? Note, I'm not trying to legally worm my way", "So I want to write a fictional book based on [Borges' Library of", "preserve is the setting. However, I am unsure of the legality of it.", "it be fine? Note, I'm not trying to legally worm my way into", "it something else would it be fine? Note, I'm not trying to legally", "Is the setting copyrightable? How does that work? I don't think you can", "if I called it something else would it be fine? Note, I'm not", "want to write a fictional book based on [Borges' Library of Babel* idea](https://en.wikipedia.org/wiki/The_Library_of_Babel).", "book based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would", "I don't think you can copyright ideas, so if I called it something", "give full attribution as the inspiration; but I just want to know if", "copyright ideas, so if I called it something else would it be fine?", "I plan to give full attribution as the inspiration; but I just want", "the setting. However, I am unsure of the legality of it. Is the", "it is legal or what the best course of action is. This is", "be fine? Note, I'm not trying to legally worm my way into stealing", "setting. However, I am unsure of the legality of it. Is the setting", "don't think you can copyright ideas, so if I called it something else", "can copyright ideas, so if I called it something else would it be", "I called it something else would it be fine? Note, I'm not trying", "stealing it, I plan to give full attribution as the inspiration; but I", "it, I plan to give full attribution as the inspiration; but I just", "Note, I'm not trying to legally worm my way into stealing it, I", "just want to know if it is legal or what the best course", "unsure of the legality of it. Is the setting copyrightable? How does that", "[Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is the", "of the legality of it. Is the setting copyrightable? How does that work?", "attribution as the inspiration; but I just want to know if it is", "only thing I would preserve is the setting. However, I am unsure of", "is legal or what the best course of action is. This is in", "to give full attribution as the inspiration; but I just want to know", "write a fictional book based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only", "way into stealing it, I plan to give full attribution as the inspiration;", "of Babel* idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is the setting. However,", "ideas, so if I called it something else would it be fine? Note,", "if it is legal or what the best course of action is. This", "copyrightable? How does that work? I don't think you can copyright ideas, so", "I'm not trying to legally worm my way into stealing it, I plan", "setting copyrightable? How does that work? I don't think you can copyright ideas,", "am unsure of the legality of it. Is the setting copyrightable? How does", "of it. Is the setting copyrightable? How does that work? I don't think", "to legally worm my way into stealing it, I plan to give full", "worm my way into stealing it, I plan to give full attribution as", "plan to give full attribution as the inspiration; but I just want to", "I am unsure of the legality of it. Is the setting copyrightable? How", "so if I called it something else would it be fine? Note, I'm", "else would it be fine? Note, I'm not trying to legally worm my", "my way into stealing it, I plan to give full attribution as the", "to know if it is legal or what the best course of action", "based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve", "is the setting. However, I am unsure of the legality of it. Is", "into stealing it, I plan to give full attribution as the inspiration; but", "The only thing I would preserve is the setting. However, I am unsure", "or what the best course of action is. This is in the United", "you can copyright ideas, so if I called it something else would it", "I just want to know if it is legal or what the best", "on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is", "legally worm my way into stealing it, I plan to give full attribution", "Babel* idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is the setting. However, I", "to write a fictional book based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The", "would preserve is the setting. However, I am unsure of the legality of", "full attribution as the inspiration; but I just want to know if it", "but I just want to know if it is legal or what the", "called it something else would it be fine? Note, I'm not trying to", "as the inspiration; but I just want to know if it is legal", "fine? Note, I'm not trying to legally worm my way into stealing it,", "what the best course of action is. This is in the United States.", "the inspiration; but I just want to know if it is legal or", "I want to write a fictional book based on [Borges' Library of Babel", "it. Is the setting copyrightable? How does that work? I don't think you", "fictional book based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I", "the setting copyrightable? How does that work? I don't think you can copyright", "work? I don't think you can copyright ideas, so if I called it", "something else would it be fine? Note, I'm not trying to legally worm", "legality of it. Is the setting copyrightable? How does that work? I don't", "thing I would preserve is the setting. However, I am unsure of the", "inspiration; but I just want to know if it is legal or what", "think you can copyright ideas, so if I called it something else would", "trying to legally worm my way into stealing it, I plan to give", "However, I am unsure of the legality of it. Is the setting copyrightable?", "How does that work? I don't think you can copyright ideas, so if", "the legality of it. Is the setting copyrightable? How does that work? I", "that work? I don't think you can copyright ideas, so if I called", "know if it is legal or what the best course of action is.", "legal or what the best course of action is. This is in the", "idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is the setting. However, I am", "a fictional book based on [Borges' Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing", "does that work? I don't think you can copyright ideas, so if I", "want to know if it is legal or what the best course of", "Library of Babel idea](https://en.wikipedia.org/wiki/The_Library_of_Babel). The only thing I would preserve is the setting.", "I would preserve is the setting. However, I am unsure of the legality", "not trying to legally worm my way into stealing it, I plan to" ]
[ "with magic and dragons. However, I would enjoy a story where characters respond", "they had to be the best soldier that they could be. At the", "characters in a fictional world to not have similar behavior to us. All", "in WW1, many soldiers had such anxiety in the face of heavy artillery", "their front hooves. Should I expect my readers to share my preference towards", "with all else being equal, the more the characters behave like real humans,", "it was well known that, in WW1, many soldiers had such anxiety in", "human nature are consistent, shouldn't we be just as tolerant of them as", "their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this.", "clarify that my preference for human nature is entirely based on psychological and", "a result of a very specific way our brains have evolved. Why should", "fictional non-human species, like elves. For example, it was well known that, in", "can unleash devastating magic that can kill entire squads in a matter of", "Even if the characters are some fictional non-human species, like elves. For example,", "traits, not on other physical traits. For example, my enjoyment of Animal Farm", "my preference towards characters that accurately portray human nature, even in a fantasy", "traits. For example, my enjoyment of Animal Farm is in no way diminished", "are a result of a very specific way our brains have evolved. Why", "of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of", "expect real humans to respond to these things, more than I would enjoy", "enjoy a story where characters respond to dragons and magic in a similar", "For example, my enjoyment of Animal Farm is in no way diminished by", "respond to dragons and magic in a similar manner as I would expect", "evolved. Why should we expect elves, ghost-aliens, or even humans that evolved in", "to the dismay or ignorance of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I))", "character's lack of ability to scratch their snout using their front hooves. Should", "from human nature are consistent, shouldn't we be just as tolerant of them", "human? Can unnatural deviations from human nature be useful for the purpose of", "accurately portray human nature, even in a fantasy setting or if they're not", "front hooves. Should I expect my readers to share my preference towards characters", "I find that I'm not. I should clarify that my preference for human", "some fictional non-human species, like elves. For example, it was well known that,", "plausible for characters in a fictional world to not have similar behavior to", "unleash devastating magic that can kill entire squads in a matter of seconds,", "for characters in a fictional world to not have similar behavior to us.", "that can kill entire squads in a matter of seconds, every single conscripted", "valor or indifference. Even if the characters are some fictional non-human species, like", "and contrary to human nature if, in a battle with wizards that can", "and dragons. However, I would enjoy a story where characters respond to dragons", "However, I have found that in any fiction, with all else being equal,", "species, like elves. For example, it was well known that, in WW1, many", "long as deviations from human nature are consistent, shouldn't we be just as", "I expect my readers to share my preference towards characters that accurately portray", "and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I would find it", "example, my enjoyment of Animal Farm is in no way diminished by a", "in a different world, to have those same traits? As long as deviations", "of a very specific way our brains have evolved. Why should we expect", "than a scene of humans fighting an army with magic and dragons. However,", "like real humans, the more I enjoy it. Perhaps because I find it", "using every opportunity they had to be the best soldier that they could", "in which we would typically find humans. For example, I don't, prima facie,", "my readers to share my preference towards characters that accurately portray human nature,", "literature. However, I have found that in any fiction, with all else being", "manner as I would expect real humans to respond to these things, more", "For example, it was well known that, in WW1, many soldiers had such", "of them as we are of the existence of magic and dragons? Yet", "the discipline of literature. However, I have found that in any fiction, with", "indifference. Even if the characters are some fictional non-human species, like elves. For", "even humans that evolved in a different world, to have those same traits?", "the dismay or ignorance of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is", "a similar manner as I would expect real humans to respond to these", "our anxieties, susceptibility to cognitive biases, etc., are a result of a very", "anxiety in the face of heavy artillery that they would often avoid confrontation", "existence of magic and dragons? Yet I find that I'm not. I should", "portray human nature, even in a fantasy setting or if they're not human?", "a very specific way our brains have evolved. Why should we expect elves,", "entirely based on psychological and behavioral traits, not on other physical traits. For", "world, to have those same traits? As long as deviations from human nature", "fighting in the trenches during WW1 more than a scene of humans fighting", "is entirely based on psychological and behavioral traits, not on other physical traits.", "to human nature if, in a battle with wizards that can unleash devastating", "squads in a matter of seconds, every single conscripted soldier was using every", "their snout using their front hooves. Should I expect my readers to share", "known that, in WW1, many soldiers had such anxiety in the face of", "of this. I would find it quite jarring and contrary to human nature", "respond to these things with unnatural valor or indifference. Even if the characters", "entirely plausible for characters in a fictional world to not have similar behavior", "we are of the existence of magic and dragons? Yet I find that", "this is something that is established in the discipline of literature. However, I", "they could be. At the same time, I understand that it's entirely plausible", "it easier to feel invested. What I'm not saying is that I enjoy", "anxieties, susceptibility to cognitive biases, etc., are a result of a very specific", "good illustration of this. I would find it quite jarring and contrary to", "battle with wizards that can unleash devastating magic that can kill entire squads", "ability to scratch their snout using their front hooves. Should I expect my", "found that in any fiction, with all else being equal, the more the", "more than I would enjoy one in which characters respond to these things", "behavioral traits, not on other physical traits. For example, my enjoyment of Animal", "I have found that in any fiction, with all else being equal, the", "other physical traits. For example, my enjoyment of Animal Farm is in no", "enjoyment of Animal Farm is in no way diminished by a character's lack", "that accurately portray human nature, even in a fantasy setting or if they're", "in the trenches during WW1 more than a scene of humans fighting an", "dragons. However, I would enjoy a story where characters respond to dragons and", "I'm not. I should clarify that my preference for human nature is entirely", "know if this is something that is established in the discipline of literature.", "I would enjoy one in which characters respond to these things with unnatural", "diminished by a character's lack of ability to scratch their snout using their", "and behavioral traits, not on other physical traits. For example, my enjoyment of", "unnatural deviations from human nature be useful for the purpose of entertainment in", "of the existence of magic and dragons? Yet I find that I'm not.", "be the best soldier that they could be. At the same time, I", "opportunity they had to be the best soldier that they could be. At", "they would often avoid confrontation if they could get away with it, to", "of Animal Farm is in no way diminished by a character's lack of", "similar manner as I would expect real humans to respond to these things,", "that they would often avoid confrontation if they could get away with it,", "or indifference. Even if the characters are some fictional non-human species, like elves.", "scene of humans fighting in the trenches during WW1 more than a scene", "have found that in any fiction, with all else being equal, the more", "behavior to us. All of our anxieties, susceptibility to cognitive biases, etc., are", "even in a fantasy setting or if they're not human? Can unnatural deviations", "story where characters respond to dragons and magic in a similar manner as", "the trenches during WW1 more than a scene of humans fighting an army", "such anxiety in the face of heavy artillery that they would often avoid", "things with unnatural valor or indifference. Even if the characters are some fictional", "scratch their snout using their front hooves. Should I expect my readers to", "I enjoy fiction more if it has more plausible or realistic scenarios in", "and magic in a similar manner as I would expect real humans to", "would enjoy one in which characters respond to these things with unnatural valor", "I would expect real humans to respond to these things, more than I", "humans fighting an army with magic and dragons. However, I would enjoy a", "hooves. *Should I expect my readers to share my preference towards characters that", "physical traits. For example, my enjoyment of Animal Farm is in no way", "way our brains have evolved. Why should we expect elves, ghost-aliens, or even", "to us. All of our anxieties, susceptibility to cognitive biases, etc., are a", "or if they're not human? Can unnatural deviations from human nature be useful", "established in the discipline of literature. However, I have found that in any", "a fantasy setting or if they're not human? Can unnatural deviations from human", "don't know if this is something that is established in the discipline of", "all else being equal, the more the characters behave like real humans, the", "jarring and contrary to human nature if, in a battle with wizards that", "find it easier to feel invested. What I'm not* saying is that I", "psychological and behavioral traits, not on other physical traits. For example, my enjoyment", "lack of ability to scratch their snout using their front hooves. *Should I", "more the characters behave like real humans, the more I enjoy it. Perhaps", "the face of heavy artillery that they would often avoid confrontation if they", "to cognitive biases, etc., are a result of a very specific way our", "nature if, in a battle with wizards that can unleash devastating magic that", "I should clarify that my preference for human nature is entirely based on", "wizards that can unleash devastating magic that can kill entire squads in a", "kill entire squads in a matter of seconds, every single conscripted soldier was", "to have those same traits? As long as deviations from human nature are", "deviations from human nature are consistent, shouldn't we be just as tolerant of", "any fiction, with all else being equal, the more the characters behave like", "it's entirely plausible for characters in a fictional world to not have similar", "would often avoid confrontation if they could get away with it, to the", "have those same traits? As long as deviations from human nature are consistent,", "characters respond to these things with unnatural valor or indifference. Even if the", "a scene of humans fighting an army with magic and dragons. However, I", "realistic scenarios in which we would typically find humans. For example, I don't,", "matter of seconds, every single conscripted soldier was using every opportunity they had", "fantasy setting or if they're not human? Can unnatural deviations from human nature", "humans fighting in the trenches during WW1 more than a scene of humans", "characters behave like real humans, the more I enjoy it. Perhaps because I", "get away with it, to the dismay or ignorance of their commanding officers.", "an army with magic and dragons. However, I would enjoy a story where", "was well known that, in WW1, many soldiers had such anxiety in the", "way diminished by a character's lack of ability to scratch their snout using", "had to be the best soldier that they could be. At the same", "contrary to human nature if, in a battle with wizards that can unleash", "or ignorance of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good", "that it's entirely plausible for characters in a fictional world to not have", "those same traits? As long as deviations from human nature are consistent, shouldn't", "us. All of our anxieties, susceptibility to cognitive biases, etc., are a result", "Perhaps because I find it easier to feel invested. What I'm not* saying", "that I'm not. I should clarify that my preference for human nature is", "not on other physical traits. For example, my enjoyment of Animal Farm is", "human nature if, in a battle with wizards that can unleash devastating magic", "world to not have similar behavior to us. All of our anxieties, susceptibility", "that they could be. At the same time, I understand that it's entirely", "easier to feel invested. What I'm not saying is that I enjoy fiction", "these things with unnatural valor or indifference. Even if the characters are some", "find humans. For example, I don't, prima facie, enjoy a scene of humans", "this. I would find it quite jarring and contrary to human nature if,", "using their front hooves. *Should I expect my readers to share my preference", "during WW1 more than a scene of humans fighting an army with magic", "understand that it's entirely plausible for characters in a fictional world to not", "same traits? As long as deviations from human nature are consistent, shouldn't we", "the same time, I understand that it's entirely plausible for characters in a", "to dragons and magic in a similar manner as I would expect real", "with it, to the dismay or ignorance of their commanding officers. [Live and", "one in which characters respond to these things with unnatural valor or indifference.", "a matter of seconds, every single conscripted soldier was using every opportunity they", "which characters respond to these things with unnatural valor or indifference. Even if", "heavy artillery that they would often avoid confrontation if they could get away", "magic and dragons. However, I would enjoy a story where characters respond to", "if they could get away with it, to the dismay or ignorance of", "of heavy artillery that they would often avoid confrontation if they could get", "expect elves, ghost-aliens, or even humans that evolved in a different world, to", "it. Perhaps because I find it easier to feel invested. What I'm not", "because I find it easier to feel invested. What I'm not* saying is", "or even humans that evolved in a different world, to have those same", "we would typically find humans. For example, I don't, prima facie, enjoy a", "biases, etc., are a result of a very specific way our brains have", "to share my preference towards characters that accurately portray human nature, even in", "to these things, more than I would enjoy one in which characters respond", "unnatural valor or indifference. Even if the characters are some fictional non-human species,", "with unnatural valor or indifference. Even if the characters are some fictional non-human", "being equal, the more the characters behave like real humans, the more I", "could get away with it, to the dismay or ignorance of their commanding", "time, I understand that it's entirely plausible for characters in a fictional world", "to not have similar behavior to us. All of our anxieties, susceptibility to", "more if it has more plausible or realistic scenarios in which we would", "I find it easier to feel invested. What I'm not saying is that", "fiction more if it has more plausible or realistic scenarios in which we", "typically find humans. For example, I don't, prima facie, enjoy a scene of", "dismay or ignorance of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a", "in which characters respond to these things with unnatural valor or indifference. Even", "our brains have evolved. Why should we expect elves, ghost-aliens, or even humans", "as I would expect real humans to respond to these things, more than", "I would enjoy a story where characters respond to dragons and magic in", "on psychological and behavioral traits, not on other physical traits. For example, my", "humans, the more I enjoy it. Perhaps because I find it easier to", "they're not human? Can unnatural deviations from human nature be useful for the", "I don't, prima facie, enjoy a scene of humans fighting in the trenches", "my enjoyment of Animal Farm is in no way diminished by a character's", "nature, even in a fantasy setting or if they're not human? Can unnatural", "enjoy a scene of humans fighting in the trenches during WW1 more than", "However, I would enjoy a story where characters respond to dragons and magic", "real humans to respond to these things, more than I would enjoy one", "that I enjoy fiction more if it has more plausible or realistic scenarios", "in any fiction, with all else being equal, the more the characters behave", "was using every opportunity they had to be the best soldier that they", "scene of humans fighting an army with magic and dragons. However, I would", "Farm is in no way diminished by a character's lack of ability to", "that can unleash devastating magic that can kill entire squads in a matter", "if they're not human? Can unnatural deviations from human nature be useful for", "fiction, with all else being equal, the more the characters behave like real", "where characters respond to dragons and magic in a similar manner as I", "invested. What I'm not saying is that I enjoy fiction more if it", "characters that accurately portray human nature, even in a fantasy setting or if", "not. I should clarify that my preference for human nature is entirely based", "of humans fighting an army with magic and dragons. However, I would enjoy", "officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I would", "of magic and dragons? Yet I find that I'm not. I should clarify", "often avoid confrontation if they could get away with it, to the dismay", "that in any fiction, with all else being equal, the more the characters", "evolved in a different world, to have those same traits? As long as", "to be the best soldier that they could be. At the same time,", "quite jarring and contrary to human nature if, in a battle with wizards", "human nature is entirely based on psychological and behavioral traits, not on other", "elves, ghost-aliens, or even humans that evolved in a different world, to have", "not saying is that I enjoy fiction more if it has more plausible", "I'm not saying is that I enjoy fiction more if it has more", "humans to respond to these things, more than I would enjoy one in", "as we are of the existence of magic and dragons? Yet I find", "very specific way our brains have evolved. Why should we expect elves, ghost-aliens,", "nature are consistent, shouldn't we be just as tolerant of them as we", "avoid confrontation if they could get away with it, to the dismay or", "to scratch their snout using their front hooves. *Should I expect my readers", "magic in a similar manner as I would expect real humans to respond", "things, more than I would enjoy one in which characters respond to these", "WW1, many soldiers had such anxiety in the face of heavy artillery that", "Animal Farm is in no way diminished by a character's lack of ability", "if it has more plausible or realistic scenarios in which we would typically", "I would find it quite jarring and contrary to human nature if, in", "we be just as tolerant of them as we are of the existence", "etc., are a result of a very specific way our brains have evolved.", "towards characters that accurately portray human nature, even in a fantasy setting or", "commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I", "At the same time, I understand that it's entirely plausible for characters in", "magic and dragons? Yet I find that I'm not. I should clarify that", "traits? As long as deviations from human nature are consistent, shouldn't we be", "dragons? Yet I find that I'm not. I should clarify that my preference", "shouldn't we be just as tolerant of them as we are of the", "characters respond to dragons and magic in a similar manner as I would", "every single conscripted soldier was using every opportunity they had to be the", "of our anxieties, susceptibility to cognitive biases, etc., are a result of a", "What I'm not* saying is that I enjoy fiction more if it has", "by a character's lack of ability to scratch their snout using their front", "deviations from human nature be useful for the purpose of entertainment in literature?*", "WW1 more than a scene of humans fighting an army with magic and", "characters are some fictional non-human species, like elves. For example, it was well", "consistent, shouldn't we be just as tolerant of them as we are of", "trenches during WW1 more than a scene of humans fighting an army with", "had such anxiety in the face of heavy artillery that they would often", "is something that is established in the discipline of literature. However, I have", "a good illustration of this. I would find it quite jarring and contrary", "soldier was using every opportunity they had to be the best soldier that", "no way diminished by a character's lack of ability to scratch their snout", "I enjoy it. Perhaps because I find it easier to feel invested. What", "is a good illustration of this. I would find it quite jarring and", "I don't know if this is something that is established in the discipline", "to these things with unnatural valor or indifference. Even if the characters are", "can kill entire squads in a matter of seconds, every single conscripted soldier", "to feel invested. What I'm not* saying is that I enjoy fiction more", "of ability to scratch their snout using their front hooves. Should I expect", "equal, the more the characters behave like real humans, the more I enjoy", "they could get away with it, to the dismay or ignorance of their", "army with magic and dragons. However, I would enjoy a story where characters", "setting or if they're not human? Can unnatural deviations from human nature be", "every opportunity they had to be the best soldier that they could be.", "would find it quite jarring and contrary to human nature if, in a", "based on psychological and behavioral traits, not on other physical traits. For example,", "readers to share my preference towards characters that accurately portray human nature, even", "in the discipline of literature. However, I have found that in any fiction,", "snout using their front hooves. Should I expect my readers to share my", "to respond to these things, more than I would enjoy one in which", "many soldiers had such anxiety in the face of heavy artillery that they", "devastating magic that can kill entire squads in a matter of seconds, every", "best soldier that they could be. At the same time, I understand that", "in a fictional world to not have similar behavior to us. All of", "are consistent, shouldn't we be just as tolerant of them as we are", "scenarios in which we would typically find humans. For example, I don't, prima", "more than a scene of humans fighting an army with magic and dragons.", "on other physical traits. For example, my enjoyment of Animal Farm is in", "plausible or realistic scenarios in which we would typically find humans. For example,", "the best soldier that they could be. At the same time, I understand", "it has more plausible or realistic scenarios in which we would typically find", "tolerant of them as we are of the existence of magic and dragons?", "as tolerant of them as we are of the existence of magic and", "the characters behave like real humans, the more I enjoy it. Perhaps because", "face of heavy artillery that they would often avoid confrontation if they could", "with wizards that can unleash devastating magic that can kill entire squads in", "soldier that they could be. At the same time, I understand that it's", "behave like real humans, the more I enjoy it. Perhaps because I find", "and dragons? Yet I find that I'm not. I should clarify that my", "I understand that it's entirely plausible for characters in a fictional world to", "my preference for human nature is entirely based on psychological and behavioral traits,", "example, I don't, prima facie, enjoy a scene of humans fighting in the", "seconds, every single conscripted soldier was using every opportunity they had to be", "a scene of humans fighting in the trenches during WW1 more than a", "the existence of magic and dragons? Yet I find that I'm not. I", "else being equal, the more the characters behave like real humans, the more", "brains have evolved. Why should we expect elves, ghost-aliens, or even humans that", "be just as tolerant of them as we are of the existence of", "feel invested. What I'm not saying is that I enjoy fiction more if", "has more plausible or realistic scenarios in which we would typically find humans.", "it quite jarring and contrary to human nature if, in a battle with", "For example, I don't, prima facie, enjoy a scene of humans fighting in", "in a similar manner as I would expect real humans to respond to", "enjoy fiction more if it has more plausible or realistic scenarios in which", "them as we are of the existence of magic and dragons? Yet I", "these things, more than I would enjoy one in which characters respond to", "confrontation if they could get away with it, to the dismay or ignorance", "cognitive biases, etc., are a result of a very specific way our brains", "dragons and magic in a similar manner as I would expect real humans", "similar behavior to us. All of our anxieties, susceptibility to cognitive biases, etc.,", "something that is established in the discipline of literature. However, I have found", "human nature, even in a fantasy setting or if they're not human? Can", "find it quite jarring and contrary to human nature if, in a battle", "we expect elves, ghost-aliens, or even humans that evolved in a different world,", "illustration of this. I would find it quite jarring and contrary to human", "Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I would find it quite jarring", "if the characters are some fictional non-human species, like elves. For example, it", "have similar behavior to us. All of our anxieties, susceptibility to cognitive biases,", "in no way diminished by a character's lack of ability to scratch their", "or realistic scenarios in which we would typically find humans. For example, I", "don't, prima facie, enjoy a scene of humans fighting in the trenches during", "that, in WW1, many soldiers had such anxiety in the face of heavy", "have evolved. Why should we expect elves, ghost-aliens, or even humans that evolved", "magic that can kill entire squads in a matter of seconds, every single", "share my preference towards characters that accurately portray human nature, even in a", "single conscripted soldier was using every opportunity they had to be the best", "As long as deviations from human nature are consistent, shouldn't we be just", "enjoy one in which characters respond to these things with unnatural valor or", "humans. For example, I don't, prima facie, enjoy a scene of humans fighting", "in a battle with wizards that can unleash devastating magic that can kill", "the characters are some fictional non-human species, like elves. For example, it was", "is established in the discipline of literature. However, I have found that in", "that evolved in a different world, to have those same traits? As long", "which we would typically find humans. For example, I don't, prima facie, enjoy", "find that I'm not. I should clarify that my preference for human nature", "real humans, the more I enjoy it. Perhaps because I find it easier", "example, it was well known that, in WW1, many soldiers had such anxiety", "are some fictional non-human species, like elves. For example, it was well known", "than I would enjoy one in which characters respond to these things with", "expect my readers to share my preference towards characters that accurately portray human", "that is established in the discipline of literature. However, I have found that", "a different world, to have those same traits? As long as deviations from", "could be. At the same time, I understand that it's entirely plausible for", "is that I enjoy fiction more if it has more plausible or realistic", "would enjoy a story where characters respond to dragons and magic in a", "elves. For example, it was well known that, in WW1, many soldiers had", "All of our anxieties, susceptibility to cognitive biases, etc., are a result of", "a battle with wizards that can unleash devastating magic that can kill entire", "Can unnatural deviations from human nature be useful for the purpose of entertainment", "facie, enjoy a scene of humans fighting in the trenches during WW1 more", "should clarify that my preference for human nature is entirely based on psychological", "result of a very specific way our brains have evolved. Why should we", "more plausible or realistic scenarios in which we would typically find humans. For", "in the face of heavy artillery that they would often avoid confrontation if", "specific way our brains have evolved. Why should we expect elves, ghost-aliens, or", "fighting an army with magic and dragons. However, I would enjoy a story", "as deviations from human nature are consistent, shouldn't we be just as tolerant", "in a matter of seconds, every single conscripted soldier was using every opportunity", "for human nature is entirely based on psychological and behavioral traits, not on", "Yet I find that I'm not. I should clarify that my preference for", "it, to the dismay or ignorance of their commanding officers. [Live and Let", "a character's lack of ability to scratch their snout using their front hooves.", "that my preference for human nature is entirely based on psychological and behavioral", "of literature. However, I have found that in any fiction, with all else", "nature is entirely based on psychological and behavioral traits, not on other physical", "of humans fighting in the trenches during WW1 more than a scene of", "is in no way diminished by a character's lack of ability to scratch", "are of the existence of magic and dragons? Yet I find that I'm", "artillery that they would often avoid confrontation if they could get away with", "the more the characters behave like real humans, the more I enjoy it.", "prima facie, enjoy a scene of humans fighting in the trenches during WW1", "conscripted soldier was using every opportunity they had to be the best soldier", "if this is something that is established in the discipline of literature. However,", "**Should I expect my readers to share my preference towards characters that accurately", "enjoy it. Perhaps because I find it easier to feel invested. What I'm", "entire squads in a matter of seconds, every single conscripted soldier was using", "susceptibility to cognitive biases, etc., are a result of a very specific way", "if, in a battle with wizards that can unleash devastating magic that can", "preference towards characters that accurately portray human nature, even in a fantasy setting", "not human? Can unnatural deviations from human nature be useful for the purpose", "a fictional world to not have similar behavior to us. All of our", "fictional world to not have similar behavior to us. All of our anxieties,", "away with it, to the dismay or ignorance of their commanding officers. [Live", "be. At the same time, I understand that it's entirely plausible for characters", "humans that evolved in a different world, to have those same traits? As", "ignorance of their commanding officers. [Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration", "more I enjoy it. Perhaps because I find it easier to feel invested.", "the more I enjoy it. Perhaps because I find it easier to feel", "different world, to have those same traits? As long as deviations from human", "[Live and Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I would find", "respond to these things, more than I would enjoy one in which characters", "Let Live](https://en.wikipedia.org/wiki/Live_and_let_live_(World_War_I)) is a good illustration of this. I would find it quite", "would expect real humans to respond to these things, more than I would", "like elves. For example, it was well known that, in WW1, many soldiers", "a story where characters respond to dragons and magic in a similar manner", "should we expect elves, ghost-aliens, or even humans that evolved in a different", "ghost-aliens, or even humans that evolved in a different world, to have those", "Why should we expect elves, ghost-aliens, or even humans that evolved in a", "soldiers had such anxiety in the face of heavy artillery that they would", "discipline of literature. However, I have found that in any fiction, with all", "well known that, in WW1, many soldiers had such anxiety in the face", "non-human species, like elves. For example, it was well known that, in WW1,", "would typically find humans. For example, I don't, prima facie, enjoy a scene", "not have similar behavior to us. All of our anxieties, susceptibility to cognitive", "in a fantasy setting or if they're not human? Can unnatural deviations from", "saying is that I enjoy fiction more if it has more plausible or", "same time, I understand that it's entirely plausible for characters in a fictional", "just as tolerant of them as we are of the existence of magic", "preference for human nature is entirely based on psychological and behavioral traits, not", "of seconds, every single conscripted soldier was using every opportunity they had to" ]
[ "now just at home, however I haven’t seemed to crack one thing. I", "intimacy between protagonist and reader, however what if I wanted to write about", "to crack one thing. I always write in 1st person as I enjoy", "however what if I wanted to write about an event where the protagonist", "at home, however I haven’t seemed to crack one thing. I always write", "would I do this, due to the story being told from her perspective", "few stories now just at home, however I haven’t seemed to crack one", "event where the protagonist wasn’t present? How would I do this, due to", "between protagonist and reader, however what if I wanted to write about an", "to write about an event where the protagonist wasn’t present? How would I", "write about an event where the protagonist wasn’t present? How would I do", "an event where the protagonist wasn’t present? How would I do this, due", "this, due to the story being told from her perspective despite her not", "I enjoy the intimacy between protagonist and reader, however what if I wanted", "crack one thing. I always write in 1st person as I enjoy the", "I wanted to write about an event where the protagonist wasn’t present? How", "1st person as I enjoy the intimacy between protagonist and reader, however what", "seemed to crack one thing. I always write in 1st person as I", "what if I wanted to write about an event where the protagonist wasn’t", "person as I enjoy the intimacy between protagonist and reader, however what if", "to the story being told from her perspective despite her not witnessing the", "a few stories now just at home, however I haven’t seemed to crack", "present? How would I do this, due to the story being told from", "where the protagonist wasn’t present? How would I do this, due to the", "the story being told from her perspective despite her not witnessing the events?", "wasn’t present? How would I do this, due to the story being told", "and reader, however what if I wanted to write about an event where", "if I wanted to write about an event where the protagonist wasn’t present?", "haven’t seemed to crack one thing. I always write in 1st person as", "do this, due to the story being told from her perspective despite her", "I’ve written a few stories now just at home, however I haven’t seemed", "I do this, due to the story being told from her perspective despite", "always write in 1st person as I enjoy the intimacy between protagonist and", "I always write in 1st person as I enjoy the intimacy between protagonist", "wanted to write about an event where the protagonist wasn’t present? How would", "just at home, however I haven’t seemed to crack one thing. I always", "How would I do this, due to the story being told from her", "the intimacy between protagonist and reader, however what if I wanted to write", "due to the story being told from her perspective despite her not witnessing", "write in 1st person as I enjoy the intimacy between protagonist and reader,", "stories now just at home, however I haven’t seemed to crack one thing.", "the protagonist wasn’t present? How would I do this, due to the story", "about an event where the protagonist wasn’t present? How would I do this,", "enjoy the intimacy between protagonist and reader, however what if I wanted to", "as I enjoy the intimacy between protagonist and reader, however what if I", "written a few stories now just at home, however I haven’t seemed to", "one thing. I always write in 1st person as I enjoy the intimacy", "in 1st person as I enjoy the intimacy between protagonist and reader, however", "protagonist and reader, however what if I wanted to write about an event", "I haven’t seemed to crack one thing. I always write in 1st person", "protagonist wasn’t present? How would I do this, due to the story being", "reader, however what if I wanted to write about an event where the", "thing. I always write in 1st person as I enjoy the intimacy between", "however I haven’t seemed to crack one thing. I always write in 1st", "home, however I haven’t seemed to crack one thing. I always write in" ]
[ "Wynne Jones' work), while the other is more a work of literary fiction", "people impacted by it). And that's where the problem lies. Although I would", "something of a different genre by the same (new) author? PS. I know", "would like to eventually publish them both, they are from two completely different", "they are from two completely different genres. Book one is a middle-grade fantasy", "fantasy, normal world, for older/adult readers, about a disaster and the people impacted", "same (new) author? PS. I know that assuming that either of them would", "get them both published at the same time, so I want to start", "Although I would like both of them to be published, as an unpublished", "that assuming that either of them would even get published, let alone do", "realistic to try to get them both published at the same time, so", "more a work of literary fiction (no fantasy, normal world, for older/adult readers,", "a middle-grade fantasy (with a somewhat similar feel to Diana Wynne Jones' work),", "like to eventually publish them both, they are from two completely different genres.", "publish the second book? If a book of one genre does well, will", "editing/rewriting process, and while I would like to eventually publish them both, they", "to Diana Wynne Jones' work), while the other is more a work of", "two completely different genres. Book one is a middle-grade fantasy (with a somewhat", "because the genres are so different will it make it more difficult to", "it). And that's where the problem lies. Although I would like both of", "either of them would even get published, let alone do well, isn't exactly", "currently have two books, both roughly the same length and at the same", "like both of them to be published, as an unpublished author I imagine", "well, because the genres are so different will it make it more difficult", "more difficult to publish the second book? If a book of one genre", "as an unpublished author I imagine it wouldn't be very realistic to try", "different genres. Book one is a middle-grade fantasy (with a somewhat similar feel", "to eventually publish them both, they are from two completely different genres. Book", "be very realistic to try to get them both published at the same", "does reasonably well, because the genres are so different will it make it", "imagine it wouldn't be very realistic to try to get them both published", "while I would like to eventually publish them both, they are from two", "publishers less likely to accept something of a different genre by the same", "isn't exactly realistic, but this is more of a hypothetic worry than a", "I go with is eventually published and does reasonably well, because the genres", "is more a work of literary fiction (no fantasy, normal world, for older/adult", "genres. Book one is a middle-grade fantasy (with a somewhat similar feel to", "well, will this make publishers less likely to accept something of a different", "somewhat similar feel to Diana Wynne Jones' work), while the other is more", "them to be published, as an unpublished author I imagine it wouldn't be", "process, and while I would like to eventually publish them both, they are", "that either of them would even get published, let alone do well, isn't", "published and does reasonably well, because the genres are so different will it", "the same time, so I want to start with just one. However, assuming", "to start with just one. However, assuming whichever one I go with is", "completely different genres. Book one is a middle-grade fantasy (with a somewhat similar", "of them to be published, as an unpublished author I imagine it wouldn't", "the same length and at the same point in the editing/rewriting process, and", "However, assuming whichever one I go with is eventually published and does reasonably", "genre does well, will this make publishers less likely to accept something of", "feel to Diana Wynne Jones' work), while the other is more a work", "at the same time, so I want to start with just one. However,", "I want to start with just one. However, assuming whichever one I go", "of literary fiction (no fantasy, normal world, for older/adult readers, about a disaster", "work), while the other is more a work of literary fiction (no fantasy,", "to publish the second book? If a book of one genre does well,", "so I want to start with just one. However, assuming whichever one I", "I currently have two books, both roughly the same length and at the", "with is eventually published and does reasonably well, because the genres are so", "so different will it make it more difficult to publish the second book?", "do well, isn't exactly realistic, but this is more of a hypothetic worry", "it make it more difficult to publish the second book? If a book", "and at the same point in the editing/rewriting process, and while I would", "normal world, for older/adult readers, about a disaster and the people impacted by", "while the other is more a work of literary fiction (no fantasy, normal", "unpublished author I imagine it wouldn't be very realistic to try to get", "genres are so different will it make it more difficult to publish the", "both published at the same time, so I want to start with just", "disaster and the people impacted by it). And that's where the problem lies.", "author I imagine it wouldn't be very realistic to try to get them", "make it more difficult to publish the second book? If a book of", "them would even get published, let alone do well, isn't exactly realistic, but", "one is a middle-grade fantasy (with a somewhat similar feel to Diana Wynne", "and while I would like to eventually publish them both, they are from", "to get them both published at the same time, so I want to", "And that's where the problem lies. Although I would like both of them", "world, for older/adult readers, about a disaster and the people impacted by it).", "(with a somewhat similar feel to Diana Wynne Jones' work), while the other", "them both, they are from two completely different genres. Book one is a", "If a book of one genre does well, will this make publishers less", "will this make publishers less likely to accept something of a different genre", "a different genre by the same (new) author? PS. I know that assuming", "this make publishers less likely to accept something of a different genre by", "exactly realistic, but this is more of a hypothetic worry than a real", "I would like both of them to be published, as an unpublished author", "go with is eventually published and does reasonably well, because the genres are", "one I go with is eventually published and does reasonably well, because the", "Jones' work), while the other is more a work of literary fiction (no", "well, isn't exactly realistic, but this is more of a hypothetic worry than", "work of literary fiction (no fantasy, normal world, for older/adult readers, about a", "eventually published and does reasonably well, because the genres are so different will", "publish them both, they are from two completely different genres. Book one is", "is a middle-grade fantasy (with a somewhat similar feel to Diana Wynne Jones'", "with just one. However, assuming whichever one I go with is eventually published", "other is more a work of literary fiction (no fantasy, normal world, for", "roughly the same length and at the same point in the editing/rewriting process,", "book of one genre does well, will this make publishers less likely to", "alone do well, isn't exactly realistic, but this is more of a hypothetic", "I know that assuming that either of them would even get published, let", "(no fantasy, normal world, for older/adult readers, about a disaster and the people", "that's where the problem lies. Although I would like both of them to", "from two completely different genres. Book one is a middle-grade fantasy (with a", "the same point in the editing/rewriting process, and while I would like to", "would even get published, let alone do well, isn't exactly realistic, but this", "assuming whichever one I go with is eventually published and does reasonably well,", "genre by the same (new) author? PS. I know that assuming that either", "older/adult readers, about a disaster and the people impacted by it). And that's", "same time, so I want to start with just one. However, assuming whichever", "the second book? If a book of one genre does well, will this", "but this is more of a hypothetic worry than a real one at", "one. However, assuming whichever one I go with is eventually published and does", "two books, both roughly the same length and at the same point in", "of them would even get published, let alone do well, isn't exactly realistic,", "get published, let alone do well, isn't exactly realistic, but this is more", "where the problem lies. Although I would like both of them to be", "the problem lies. Although I would like both of them to be published,", "different genre by the same (new) author? PS. I know that assuming that", "(new) author? PS. I know that assuming that either of them would even", "a disaster and the people impacted by it). And that's where the problem", "fiction (no fantasy, normal world, for older/adult readers, about a disaster and the", "the other is more a work of literary fiction (no fantasy, normal world,", "both roughly the same length and at the same point in the editing/rewriting", "problem lies. Although I would like both of them to be published, as", "book? If a book of one genre does well, will this make publishers", "want to start with just one. However, assuming whichever one I go with", "and the people impacted by it). And that's where the problem lies. Although", "to be published, as an unpublished author I imagine it wouldn't be very", "published, as an unpublished author I imagine it wouldn't be very realistic to", "and does reasonably well, because the genres are so different will it make", "of a different genre by the same (new) author? PS. I know that", "have two books, both roughly the same length and at the same point", "one genre does well, will this make publishers less likely to accept something", "wouldn't be very realistic to try to get them both published at the", "a book of one genre does well, will this make publishers less likely", "I imagine it wouldn't be very realistic to try to get them both", "just one. However, assuming whichever one I go with is eventually published and", "realistic, but this is more of a hypothetic worry than a real one", "let alone do well, isn't exactly realistic, but this is more of a", "the same (new) author? PS. I know that assuming that either of them", "assuming that either of them would even get published, let alone do well,", "even get published, let alone do well, isn't exactly realistic, but this is", "lies. Although I would like both of them to be published, as an", "it more difficult to publish the second book? If a book of one", "a work of literary fiction (no fantasy, normal world, for older/adult readers, about", "published at the same time, so I want to start with just one.", "same point in the editing/rewriting process, and while I would like to eventually", "the people impacted by it). And that's where the problem lies. Although I", "Diana Wynne Jones' work), while the other is more a work of literary", "accept something of a different genre by the same (new) author? PS. I", "at the same point in the editing/rewriting process, and while I would like", "an unpublished author I imagine it wouldn't be very realistic to try to", "know that assuming that either of them would even get published, let alone", "both, they are from two completely different genres. Book one is a middle-grade", "second book? If a book of one genre does well, will this make", "start with just one. However, assuming whichever one I go with is eventually", "in the editing/rewriting process, and while I would like to eventually publish them", "length and at the same point in the editing/rewriting process, and while I", "a somewhat similar feel to Diana Wynne Jones' work), while the other is", "fantasy (with a somewhat similar feel to Diana Wynne Jones' work), while the", "literary fiction (no fantasy, normal world, for older/adult readers, about a disaster and", "same length and at the same point in the editing/rewriting process, and while", "I would like to eventually publish them both, they are from two completely", "would like both of them to be published, as an unpublished author I", "PS. I know that assuming that either of them would even get published,", "to accept something of a different genre by the same (new) author? PS.", "different will it make it more difficult to publish the second book? If", "for older/adult readers, about a disaster and the people impacted by it). And", "the genres are so different will it make it more difficult to publish", "less likely to accept something of a different genre by the same (new)", "are so different will it make it more difficult to publish the second", "middle-grade fantasy (with a somewhat similar feel to Diana Wynne Jones' work), while", "it wouldn't be very realistic to try to get them both published at", "eventually publish them both, they are from two completely different genres. Book one", "is more of a hypothetic worry than a real one at the moment.", "similar feel to Diana Wynne Jones' work), while the other is more a", "will it make it more difficult to publish the second book? If a", "them both published at the same time, so I want to start with", "very realistic to try to get them both published at the same time,", "be published, as an unpublished author I imagine it wouldn't be very realistic", "books, both roughly the same length and at the same point in the", "impacted by it). And that's where the problem lies. Although I would like", "point in the editing/rewriting process, and while I would like to eventually publish", "reasonably well, because the genres are so different will it make it more", "difficult to publish the second book? If a book of one genre does", "both of them to be published, as an unpublished author I imagine it", "published, let alone do well, isn't exactly realistic, but this is more of", "by the same (new) author? PS. I know that assuming that either of", "does well, will this make publishers less likely to accept something of a", "make publishers less likely to accept something of a different genre by the", "readers, about a disaster and the people impacted by it). And that's where", "of one genre does well, will this make publishers less likely to accept", "about a disaster and the people impacted by it). And that's where the", "this is more of a hypothetic worry than a real one at the", "time, so I want to start with just one. However, assuming whichever one", "try to get them both published at the same time, so I want", "likely to accept something of a different genre by the same (new) author?", "is eventually published and does reasonably well, because the genres are so different", "by it). And that's where the problem lies. Although I would like both", "are from two completely different genres. Book one is a middle-grade fantasy (with", "whichever one I go with is eventually published and does reasonably well, because", "author? PS. I know that assuming that either of them would even get", "the editing/rewriting process, and while I would like to eventually publish them both,", "to try to get them both published at the same time, so I", "Book one is a middle-grade fantasy (with a somewhat similar feel to Diana" ]
[ "Akpy's reset. But technically, because there's time travel involved, both the prologue and", "because this is the amount of time that has passed since Akpy's reset.", "event from happening. Akpy succeeds in changing his past and the world is", "chapter take place in the same city, and there are significant changes between", "We follow Rxac's adventures and eventually learn about his link to Akpy. By", "Rxac have different first names (there is a logical reason for this which", "that he attributes to a traumatic event from his childhood. He decides to", "of problems in his life that he attributes to a traumatic event from", "same year. I definitely need some kind of timestamp because both the prologue", "learn about his link to Akpy. By the end of the novel, we", "to the prologue). I am currently using '24 years later' because this is", "time and changed the past. My main problem is what chapter timestamp to", "the 'main character' of the book, not Akpy (although there is a fair", "'24 years later' because this is the amount of time that has passed", "changing the past. He also deals with some unintended consequences of Akpy's time", "about Akpy and Akpy's reasons for changing the past. He also deals with", "of this city because of Akpy's time travel. So without a timestamp, things", "decides that time travel is the only solution. * Rest of the novel:", "the world is reset. As a result, there is now an alternate version", "that has passed since Akpy's reset. But technically, because there's time travel involved,", "end of the prologue, Akpy decides that time travel is the only solution.", "and the world is reset. As a result, there is now an alternate", "of the book: * Prologue: we learn about Akpy and his reasons for", "some unintended consequences of Akpy's time travel. Some notes: * Akpy and Rxac", "event. The rest of the novel follows Rxac's adventures as he eventually learns", "happening. Akpy succeeds in changing his past and the world is reset. As", "is the 'main character' of the book, not Akpy (although there is a", "with: A man named Akpy has a lot of problems in his life", "changes between the 2 versions of this city because of Akpy's time travel.", "story so you understand what I'm working with: A man named Akpy has", "now an alternate version of Akpy, called Rxac, whose life progresses without the", "names (there is a logical reason for this which is explained in the", "of timestamp because both the prologue and first chapter take place in the", "the prologue). I am currently using '24 years later' because this is the", "Akpy successfully traveled through time and changed the past. My main problem is", "focus on Akpy as well) Here is the basic structure of the book:", "I'm working with: A man named Akpy has a lot of problems in", "basic structure of the book: * Prologue: we learn about Akpy and his", "when it is taking place). Here is a basic summary of the story", "because of Akpy's time travel. So without a timestamp, things would be very", "eventually learns about Akpy and Akpy's reasons for changing the past. He also", "notes: * Akpy and Rxac have different first names (there is a logical", "of Akpy's time travel. So without a timestamp, things would be very confusing.", "is a logical reason for this which is explained in the story) ", "passed since Akpy's reset. But technically, because there's time travel involved, both the", "chapter indicating when it is taking place). Here is a basic summary of", "the basic structure of the book: Prologue: we learn about Akpy and", "both the prologue and first chapter take place in the same city, and", "attributes to a traumatic event from his childhood. He decides to go back", "Rxac, whose life progresses without the traumatic event. The rest of the novel", "of the prologue, Akpy decides that time travel is the only solution. ", "version of Akpy, called Rxac, whose life progresses without the traumatic event. The", "in the story) Rxac is the 'main character' of the book, not", "I mean the text at the beginning of a chapter indicating when it", "Akpy's time travel. Some notes: * Akpy and Rxac have different first names", "about Akpy and his reasons for wanting to change his past. At the", "which is explained in the story) * Rxac is the 'main character' of", "travel. Some notes: * Akpy and Rxac have different first names (there is", "prologue and first chapter take place in the same city, and there are", "(there is a logical reason for this which is explained in the story)", "traveled through time and changed the past. My main problem is what chapter", "because both the prologue and first chapter take place in the same city,", "past. At the end of the prologue, Akpy decides that time travel is", "so you understand what I'm working with: A man named Akpy has a", "in his life that he attributes to a traumatic event from his childhood.", "the text at the beginning of a chapter indicating when it is taking", "Akpy and Akpy's reasons for changing the past. He also deals with some", "has a lot of problems in his life that he attributes to a", "main problem is what chapter timestamp to use for Chapter 1 (in relation", "unintended consequences of Akpy's time travel. Some notes: * Akpy and Rxac have", "prologue and first chapter take place in the same year. I definitely need", "first chapter take place in the same year. I definitely need some kind", "successfully traveled through time and changed the past. My main problem is what", "is reset. As a result, there is now an alternate version of Akpy,", "the novel follows Rxac's adventures as he eventually learns about Akpy and Akpy's", "'chapter timestamp' I mean the text at the beginning of a chapter indicating", "text at the beginning of a chapter indicating when it is taking place).", "a result, there is now an alternate version of Akpy, called Rxac, whose", "prologue, Akpy decides that time travel is the only solution. * Rest of", "and changed the past. My main problem is what chapter timestamp to use", "in the same city, and there are significant changes between the 2 versions", "prevent this event from happening. Akpy succeeds in changing his past and the", "for changing the past. He also deals with some unintended consequences of Akpy's", "definitely need some kind of timestamp because both the prologue and first chapter", "* Rxac is the 'main character' of the book, not Akpy (although there", "Prologue: we learn about Akpy and his reasons for wanting to change his", "rest of the novel follows Rxac's adventures as he eventually learns about Akpy", "a fair amount of focus on Akpy as well) Here is the basic", "and his reasons for wanting to change his past. At the end of", "currently using '24 years later' because this is the amount of time that", "past. He also deals with some unintended consequences of Akpy's time travel. Some", "Akpy and his reasons for wanting to change his past. At the end", "well) Here is the basic structure of the book: * Prologue: we learn", "reset. As a result, there is now an alternate version of Akpy, called", "of the novel: We follow Rxac's adventures and eventually learn about his link", "that Akpy successfully traveled through time and changed the past. My main problem", "later' because this is the amount of time that has passed since Akpy's", "a chapter indicating when it is taking place). Here is a basic summary", "the end of the prologue, Akpy decides that time travel is the only", "to Akpy. By the end of the novel, we learn that Akpy successfully", "between the 2 versions of this city because of Akpy's time travel. So", "there is now an alternate version of Akpy, called Rxac, whose life progresses", "have different first names (there is a logical reason for this which is", "learn that Akpy successfully traveled through time and changed the past. My main", "working with: A man named Akpy has a lot of problems in his", "Akpy has a lot of problems in his life that he attributes to", "* Prologue: we learn about Akpy and his reasons for wanting to change", "has passed since Akpy's reset. But technically, because there's time travel involved, both", "Rxac's adventures as he eventually learns about Akpy and Akpy's reasons for changing", "his past. At the end of the prologue, Akpy decides that time travel", "traumatic event. The rest of the novel follows Rxac's adventures as he eventually", "not Akpy (although there is a fair amount of focus on Akpy as", "versions of this city because of Akpy's time travel. So without a timestamp,", "deals with some unintended consequences of Akpy's time travel. Some notes: * Akpy", "and Rxac have different first names (there is a logical reason for this", "the story so you understand what I'm working with: A man named Akpy", "reasons for wanting to change his past. At the end of the prologue,", "adventures and eventually learn about his link to Akpy. By the end of", "solution. * Rest of the novel: We follow Rxac's adventures and eventually learn", "from his childhood. He decides to go back in time to prevent this", "of focus on Akpy as well) Here is the basic structure of the", "Akpy (although there is a fair amount of focus on Akpy as well)", "about his link to Akpy. By the end of the novel, we learn", "* Akpy and Rxac have different first names (there is a logical reason", "are significant changes between the 2 versions of this city because of Akpy's", "because there's time travel involved, both the prologue and first chapter take place", "end of the novel, we learn that Akpy successfully traveled through time and", "reason for this which is explained in the story) * Rxac is the", "his life that he attributes to a traumatic event from his childhood. He", "city because of Akpy's time travel. So without a timestamp, things would be", "we learn about Akpy and his reasons for wanting to change his past.", "from happening. Akpy succeeds in changing his past and the world is reset.", "of Akpy's time travel. Some notes: * Akpy and Rxac have different first", "the novel: We follow Rxac's adventures and eventually learn about his link to", "taking place). Here is a basic summary of the story so you understand", "progresses without the traumatic event. The rest of the novel follows Rxac's adventures", "am currently using '24 years later' because this is the amount of time", "place in the same year. I definitely need some kind of timestamp because", "take place in the same year. I definitely need some kind of timestamp", "both the prologue and first chapter take place in the same year. I", "what I'm working with: A man named Akpy has a lot of problems", "is now an alternate version of Akpy, called Rxac, whose life progresses without", "Rest of the novel: We follow Rxac's adventures and eventually learn about his", "of Akpy, called Rxac, whose life progresses without the traumatic event. The rest", "only solution. * Rest of the novel: We follow Rxac's adventures and eventually", "place). Here is a basic summary of the story so you understand what", "Rxac is the 'main character' of the book, not Akpy (although there is", "go back in time to prevent this event from happening. Akpy succeeds in", "book, not Akpy (although there is a fair amount of focus on Akpy", "involved, both the prologue and first chapter take place in the same year.", "past. My main problem is what chapter timestamp to use for Chapter 1", "this city because of Akpy's time travel. So without a timestamp, things would", "named Akpy has a lot of problems in his life that he attributes", "Here is the basic structure of the book: * Prologue: we learn about", "the prologue and first chapter take place in the same year. I definitely", "this which is explained in the story) * Rxac is the 'main character'", "book: * Prologue: we learn about Akpy and his reasons for wanting to", "lot of problems in his life that he attributes to a traumatic event", "story) * Rxac is the 'main character' of the book, not Akpy (although", "world is reset. As a result, there is now an alternate version of", "chapter take place in the same year. I definitely need some kind of", "is a basic summary of the story so you understand what I'm working", "there are significant changes between the 2 versions of this city because of", "and there are significant changes between the 2 versions of this city because", "But technically, because there's time travel involved, both the prologue and first chapter", "of the novel, we learn that Akpy successfully traveled through time and changed", "learns about Akpy and Akpy's reasons for changing the past. He also deals", "a traumatic event from his childhood. He decides to go back in time", "is a fair amount of focus on Akpy as well) Here is the", "prologue). I am currently using '24 years later' because this is the amount", "to prevent this event from happening. Akpy succeeds in changing his past and", "travel involved, both the prologue and first chapter take place in the same", "a basic summary of the story so you understand what I'm working with:", "adventures as he eventually learns about Akpy and Akpy's reasons for changing the", "that time travel is the only solution. * Rest of the novel: We", "character' of the book, not Akpy (although there is a fair amount of", "of the book, not Akpy (although there is a fair amount of focus", "event from his childhood. He decides to go back in time to prevent", "My main problem is what chapter timestamp to use for Chapter 1 (in", "beginning of a chapter indicating when it is taking place). Here is a", "time to prevent this event from happening. Akpy succeeds in changing his past", "link to Akpy. By the end of the novel, we learn that Akpy", "in the same year. I definitely need some kind of timestamp because both", "since Akpy's reset. But technically, because there's time travel involved, both the prologue", "* Rest of the novel: We follow Rxac's adventures and eventually learn about", "At the end of the prologue, Akpy decides that time travel is the", "He decides to go back in time to prevent this event from happening.", "He also deals with some unintended consequences of Akpy's time travel. Some notes:", "problem is what chapter timestamp to use for Chapter 1 (in relation to", "the amount of time that has passed since Akpy's reset. But technically, because", "novel, we learn that Akpy successfully traveled through time and changed the past.", "with some unintended consequences of Akpy's time travel. Some notes: * Akpy and", "novel: We follow Rxac's adventures and eventually learn about his link to Akpy.", "is the amount of time that has passed since Akpy's reset. But technically,", "I definitely need some kind of timestamp because both the prologue and first", "there's time travel involved, both the prologue and first chapter take place in", "to go back in time to prevent this event from happening. Akpy succeeds", "time that has passed since Akpy's reset. But technically, because there's time travel", "the 2 versions of this city because of Akpy's time travel. So without", "amount of time that has passed since Akpy's reset. But technically, because there's", "summary of the story so you understand what I'm working with: A man", "some kind of timestamp because both the prologue and first chapter take place", "Some notes: * Akpy and Rxac have different first names (there is a", "time travel. So without a timestamp, things would be very confusing. Appreciate any", "timestamp' I mean the text at the beginning of a chapter indicating when", "changing his past and the world is reset. As a result, there is", "Akpy. By the end of the novel, we learn that Akpy successfully traveled", "fair amount of focus on Akpy as well) Here is the basic structure", "succeeds in changing his past and the world is reset. As a result,", "man named Akpy has a lot of problems in his life that he", "to use for Chapter 1 (in relation to the prologue). I am currently", "the prologue, Akpy decides that time travel is the only solution. * Rest", "he eventually learns about Akpy and Akpy's reasons for changing the past. He", "of time that has passed since Akpy's reset. But technically, because there's time", "back in time to prevent this event from happening. Akpy succeeds in changing", "2 versions of this city because of Akpy's time travel. So without a", "time travel involved, both the prologue and first chapter take place in the", "I am currently using '24 years later' because this is the amount of", "for Chapter 1 (in relation to the prologue). I am currently using '24", "1 (in relation to the prologue). I am currently using '24 years later'", "By the end of the novel, we learn that Akpy successfully traveled through", "years later' because this is the amount of time that has passed since", "change his past. At the end of the prologue, Akpy decides that time", "is what chapter timestamp to use for Chapter 1 (in relation to the", "and Akpy's reasons for changing the past. He also deals with some unintended", "the only solution. * Rest of the novel: We follow Rxac's adventures and", "(By 'chapter timestamp' I mean the text at the beginning of a chapter", "as he eventually learns about Akpy and Akpy's reasons for changing the past.", "logical reason for this which is explained in the story) * Rxac is", "learn about Akpy and his reasons for wanting to change his past. At", "significant changes between the 2 versions of this city because of Akpy's time", "take place in the same city, and there are significant changes between the", "this event from happening. Akpy succeeds in changing his past and the world", "also deals with some unintended consequences of Akpy's time travel. Some notes: ", "time travel. Some notes: Akpy and Rxac have different first names (there", "without the traumatic event. The rest of the novel follows Rxac's adventures as", "we learn that Akpy successfully traveled through time and changed the past. My", "follows Rxac's adventures as he eventually learns about Akpy and Akpy's reasons for", "timestamp because both the prologue and first chapter take place in the same", "structure of the book: * Prologue: we learn about Akpy and his reasons", "to a traumatic event from his childhood. He decides to go back in", "this is the amount of time that has passed since Akpy's reset. But", "different first names (there is a logical reason for this which is explained", "basic summary of the story so you understand what I'm working with: A", "in time to prevent this event from happening. Akpy succeeds in changing his", "the book, not Akpy (although there is a fair amount of focus on", "of the novel follows Rxac's adventures as he eventually learns about Akpy and", "Rxac's adventures and eventually learn about his link to Akpy. By the end", "same city, and there are significant changes between the 2 versions of this", "his past and the world is reset. As a result, there is now", "Here is a basic summary of the story so you understand what I'm", "Akpy as well) Here is the basic structure of the book: * Prologue:", "there is a fair amount of focus on Akpy as well) Here is", "the end of the novel, we learn that Akpy successfully traveled through time", "and first chapter take place in the same year. I definitely need some", "travel. So without a timestamp, things would be very confusing. Appreciate any ideas!", "(in relation to the prologue). I am currently using '24 years later' because", "is the only solution. * Rest of the novel: We follow Rxac's adventures", "timestamp to use for Chapter 1 (in relation to the prologue). I am", "amount of focus on Akpy as well) Here is the basic structure of", "is explained in the story) * Rxac is the 'main character' of the", "the traumatic event. The rest of the novel follows Rxac's adventures as he", "eventually learn about his link to Akpy. By the end of the novel,", "his childhood. He decides to go back in time to prevent this event", "first names (there is a logical reason for this which is explained in", "for this which is explained in the story) * Rxac is the 'main", "in changing his past and the world is reset. As a result, there", "the same city, and there are significant changes between the 2 versions of", "The rest of the novel follows Rxac's adventures as he eventually learns about", "kind of timestamp because both the prologue and first chapter take place in", "place in the same city, and there are significant changes between the 2", "the beginning of a chapter indicating when it is taking place). Here is", "year. I definitely need some kind of timestamp because both the prologue and", "Akpy decides that time travel is the only solution. * Rest of the", "problems in his life that he attributes to a traumatic event from his", "the same year. I definitely need some kind of timestamp because both the", "the novel, we learn that Akpy successfully traveled through time and changed the", "Akpy's time travel. So without a timestamp, things would be very confusing. Appreciate", "whose life progresses without the traumatic event. The rest of the novel follows", "changed the past. My main problem is what chapter timestamp to use for", "novel follows Rxac's adventures as he eventually learns about Akpy and Akpy's reasons", "'main character' of the book, not Akpy (although there is a fair amount", "use for Chapter 1 (in relation to the prologue). I am currently using", "decides to go back in time to prevent this event from happening. Akpy", "Akpy's reasons for changing the past. He also deals with some unintended consequences", "(although there is a fair amount of focus on Akpy as well) Here", "and eventually learn about his link to Akpy. By the end of the", "As a result, there is now an alternate version of Akpy, called Rxac,", "understand what I'm working with: A man named Akpy has a lot of", "his link to Akpy. By the end of the novel, we learn that", "result, there is now an alternate version of Akpy, called Rxac, whose life", "follow Rxac's adventures and eventually learn about his link to Akpy. By the", "using '24 years later' because this is the amount of time that has", "time travel is the only solution. * Rest of the novel: We follow", "explained in the story) * Rxac is the 'main character' of the book,", "mean the text at the beginning of a chapter indicating when it is", "called Rxac, whose life progresses without the traumatic event. The rest of the", "is taking place). Here is a basic summary of the story so you", "what chapter timestamp to use for Chapter 1 (in relation to the prologue).", "at the beginning of a chapter indicating when it is taking place). Here", "through time and changed the past. My main problem is what chapter timestamp", "Chapter 1 (in relation to the prologue). I am currently using '24 years", "the story) * Rxac is the 'main character' of the book, not Akpy", "as well) Here is the basic structure of the book: * Prologue: we", "life that he attributes to a traumatic event from his childhood. He decides", "you understand what I'm working with: A man named Akpy has a lot", "technically, because there's time travel involved, both the prologue and first chapter take", "of the story so you understand what I'm working with: A man named", "first chapter take place in the same city, and there are significant changes", "for wanting to change his past. At the end of the prologue, Akpy", "indicating when it is taking place). Here is a basic summary of the", "travel is the only solution. * Rest of the novel: We follow Rxac's", "he attributes to a traumatic event from his childhood. He decides to go", "A man named Akpy has a lot of problems in his life that", "to change his past. At the end of the prologue, Akpy decides that", "a lot of problems in his life that he attributes to a traumatic", "city, and there are significant changes between the 2 versions of this city", "a logical reason for this which is explained in the story) * Rxac", "is the basic structure of the book: * Prologue: we learn about Akpy", "on Akpy as well) Here is the basic structure of the book: ", "of a chapter indicating when it is taking place). Here is a basic", "Akpy succeeds in changing his past and the world is reset. As a", "reset. But technically, because there's time travel involved, both the prologue and first", "the prologue and first chapter take place in the same city, and there", "relation to the prologue). I am currently using '24 years later' because this", "chapter timestamp to use for Chapter 1 (in relation to the prologue). I", "childhood. He decides to go back in time to prevent this event from", "wanting to change his past. At the end of the prologue, Akpy decides", "the past. My main problem is what chapter timestamp to use for Chapter", "an alternate version of Akpy, called Rxac, whose life progresses without the traumatic", "Akpy, called Rxac, whose life progresses without the traumatic event. The rest of", "reasons for changing the past. He also deals with some unintended consequences of", "it is taking place). Here is a basic summary of the story so", "past and the world is reset. As a result, there is now an", "his reasons for wanting to change his past. At the end of the", "the book: Prologue: we learn about Akpy and his reasons for wanting", "need some kind of timestamp because both the prologue and first chapter take", "the past. He also deals with some unintended consequences of Akpy's time travel.", "consequences of Akpy's time travel. Some notes: * Akpy and Rxac have different", "life progresses without the traumatic event. The rest of the novel follows Rxac's", "Akpy and Rxac have different first names (there is a logical reason for", "traumatic event from his childhood. He decides to go back in time to", "and first chapter take place in the same city, and there are significant", "alternate version of Akpy, called Rxac, whose life progresses without the traumatic event." ]
[ "Or else a tragedy of ages lost Where myth and superstition mix. All", "happily that manner has been found. A writer long, inclined to stories long", "thousand words each poem crowds. Pray, reader, can you tell me where to", "long And intricate, my poetry is not Of brief and shining moments, gilded-gold;", "Though novels I did once compose, no more. And even then, I timidly", "timidly did not Successful win that phantom, promised gold - A book deal,", "where to look? What market is there? Fantasy but not in prose -", "is not Of brief and shining moments, gilded-gold; But narrative, where stanzas many", "more. And even then, I timidly did not Successful win that phantom, promised", "that phantom, promised gold - A book deal, and great fame forevermore. An", "mix. All told, So many thousand words each poem crowds. Pray, reader, can", "poetry is not Of brief and shining moments, gilded-gold; But narrative, where stanzas", "to a mold - And happily that manner has been found. A writer", "is there? Fantasy but not in prose - my hope of publishing grown", "words each poem crowds. Pray, reader, can you tell me where to look?", "narrative, where stanzas many throng. Though novels I did once compose, no more.", "heiress lost and found - Or else a tragedy of ages lost Where", "win that phantom, promised gold - A book deal, and great fame forevermore.", "gilded-gold; But narrative, where stanzas many throng. Though novels I did once compose,", "A book deal, and great fame forevermore. An ugly begger, heiress lost and", "brief and shining moments, gilded-gold; But narrative, where stanzas many throng. Though novels", "tell me where to look? What market is there? Fantasy but not in", "throng. Though novels I did once compose, no more. And even then, I", "else a tragedy of ages lost Where myth and superstition mix. All told,", "intricate, my poetry is not Of brief and shining moments, gilded-gold; But narrative,", "thoughts; A way to slowly pour them to a mold - And happily", "- my hope of publishing grown cold. Say, where to peddle such a", "In spirit I have struggled long to find A manner fit to hold", "have struggled long to find A manner fit to hold my roiling thoughts;", "tragedy of ages lost Where myth and superstition mix. All told, So many", "phantom, promised gold - A book deal, and great fame forevermore. An ugly", "my poetry is not Of brief and shining moments, gilded-gold; But narrative, where", "roiling thoughts; A way to slowly pour them to a mold - And", "to find A manner fit to hold my roiling thoughts; A way to", "crowds. Pray, reader, can you tell me where to look? What market is", "Pray, reader, can you tell me where to look? What market is there?", "way to slowly pour them to a mold - And happily that manner", "writer long, inclined to stories long And intricate, my poetry is not Of", "- And happily that manner has been found. A writer long, inclined to", "stanzas many throng. Though novels I did once compose, no more. And even", "Of brief and shining moments, gilded-gold; But narrative, where stanzas many throng. Though", "And even then, I timidly did not Successful win that phantom, promised gold", "told, So many thousand words each poem crowds. Pray, reader, can you tell", "So many thousand words each poem crowds. Pray, reader, can you tell me", "- A book deal, and great fame forevermore. An ugly begger, heiress lost", "many thousand words each poem crowds. Pray, reader, can you tell me where", "market is there? Fantasy but not in prose - my hope of publishing", "a tragedy of ages lost Where myth and superstition mix. All told, So", "even then, I timidly did not Successful win that phantom, promised gold -", "poem crowds. Pray, reader, can you tell me where to look? What market", "slowly pour them to a mold - And happily that manner has been", "there? Fantasy but not in prose - my hope of publishing grown cold.", "moments, gilded-gold; But narrative, where stanzas many throng. Though novels I did once", "each poem crowds. Pray, reader, can you tell me where to look? What", "inclined to stories long And intricate, my poetry is not Of brief and", "mold - And happily that manner has been found. A writer long, inclined", "All told, So many thousand words each poem crowds. Pray, reader, can you", "spirit I have struggled long to find A manner fit to hold my", "look? What market is there? Fantasy but not in prose - my hope", "you tell me where to look? What market is there? Fantasy but not", "me where to look? What market is there? Fantasy but not in prose", "Fantasy but not in prose - my hope of publishing grown cold. Say,", "- Or else a tragedy of ages lost Where myth and superstition mix.", "that manner has been found. A writer long, inclined to stories long And", "long, inclined to stories long And intricate, my poetry is not Of brief", "stories long And intricate, my poetry is not Of brief and shining moments,", "of ages lost Where myth and superstition mix. All told, So many thousand", "What market is there? Fantasy but not in prose - my hope of", "no more. And even then, I timidly did not Successful win that phantom,", "And intricate, my poetry is not Of brief and shining moments, gilded-gold; But", "but not in prose - my hope of publishing grown cold. Say, where", "superstition mix. All told, So many thousand words each poem crowds. Pray, reader,", "manner fit to hold my roiling thoughts; A way to slowly pour them", "hope of publishing grown cold. Say, where to peddle such a verse-filled book?", "novels I did once compose, no more. And even then, I timidly did", "pour them to a mold - And happily that manner has been found.", "once compose, no more. And even then, I timidly did not Successful win", "Successful win that phantom, promised gold - A book deal, and great fame", "them to a mold - And happily that manner has been found. A", "ages lost Where myth and superstition mix. All told, So many thousand words", "and found - Or else a tragedy of ages lost Where myth and", "been found. A writer long, inclined to stories long And intricate, my poetry", "And happily that manner has been found. A writer long, inclined to stories", "where stanzas many throng. Though novels I did once compose, no more. And", "I have struggled long to find A manner fit to hold my roiling", "struggled long to find A manner fit to hold my roiling thoughts; A", "can you tell me where to look? What market is there? Fantasy but", "did once compose, no more. And even then, I timidly did not Successful", "many throng. Though novels I did once compose, no more. And even then,", "fame forevermore. An ugly begger, heiress lost and found - Or else a", "compose, no more. And even then, I timidly did not Successful win that", "to hold my roiling thoughts; A way to slowly pour them to a", "I did once compose, no more. And even then, I timidly did not", "not Successful win that phantom, promised gold - A book deal, and great", "hold my roiling thoughts; A way to slowly pour them to a mold", "Where myth and superstition mix. All told, So many thousand words each poem", "found - Or else a tragedy of ages lost Where myth and superstition", "great fame forevermore. An ugly begger, heiress lost and found - Or else", "to slowly pour them to a mold - And happily that manner has", "to stories long And intricate, my poetry is not Of brief and shining", "A writer long, inclined to stories long And intricate, my poetry is not", "and superstition mix. All told, So many thousand words each poem crowds. Pray,", "reader, can you tell me where to look? What market is there? Fantasy", "my roiling thoughts; A way to slowly pour them to a mold -", "found. A writer long, inclined to stories long And intricate, my poetry is", "then, I timidly did not Successful win that phantom, promised gold - A", "promised gold - A book deal, and great fame forevermore. An ugly begger,", "my hope of publishing grown cold. Say, where to peddle such a verse-filled", "manner has been found. A writer long, inclined to stories long And intricate,", "ugly begger, heiress lost and found - Or else a tragedy of ages", "gold - A book deal, and great fame forevermore. An ugly begger, heiress", "to look? What market is there? Fantasy but not in prose - my", "I timidly did not Successful win that phantom, promised gold - A book", "a mold - And happily that manner has been found. A writer long,", "shining moments, gilded-gold; But narrative, where stanzas many throng. Though novels I did", "A way to slowly pour them to a mold - And happily that", "lost Where myth and superstition mix. All told, So many thousand words each", "An ugly begger, heiress lost and found - Or else a tragedy of", "A manner fit to hold my roiling thoughts; A way to slowly pour", "lost and found - Or else a tragedy of ages lost Where myth", "But narrative, where stanzas many throng. Though novels I did once compose, no", "not in prose - my hope of publishing grown cold. Say, where to", "begger, heiress lost and found - Or else a tragedy of ages lost", "and great fame forevermore. An ugly begger, heiress lost and found - Or", "prose - my hope of publishing grown cold. Say, where to peddle such", "did not Successful win that phantom, promised gold - A book deal, and", "forevermore. An ugly begger, heiress lost and found - Or else a tragedy", "find A manner fit to hold my roiling thoughts; A way to slowly", "book deal, and great fame forevermore. An ugly begger, heiress lost and found", "has been found. A writer long, inclined to stories long And intricate, my", "fit to hold my roiling thoughts; A way to slowly pour them to", "not Of brief and shining moments, gilded-gold; But narrative, where stanzas many throng.", "deal, and great fame forevermore. An ugly begger, heiress lost and found -", "in prose - my hope of publishing grown cold. Say, where to peddle", "and shining moments, gilded-gold; But narrative, where stanzas many throng. Though novels I", "myth and superstition mix. All told, So many thousand words each poem crowds.", "long to find A manner fit to hold my roiling thoughts; A way" ]
[ "captured. He has faith that his people will rescue him when the time", "is revealed. The others in the room attach no significance to this. How", "have the MC remain oblivious of this without him being oblivious? How best", "him being oblivious? How best to have him remain unaware of that relationship?", "best to try to skew things in the direction of the latter, a", "fellow - is the nephew of this psychiatrist. The issue is the MC", "his former instructor, who is also a psychiatrist, is coming to see him.", "being oblivious? How best to have him remain unaware of that relationship? What", "best to have him remain unaware of that relationship? What I envision is", "this yet but would start paying attention once he realized they were discussing", "awareness has been captured. He has faith that his people will rescue him", "people will rescue him when the time is right. He learns that his", "one scenario over the other and how best to try to skew things", "him. Two scenarios occur to him - either he will be assessed as", "see him. Two scenarios occur to him - either he will be assessed", "of the agents holding him - a very annoying fellow - is the", "has faith that his people will rescue him when the time is right.", "thinking about. The relationship is revealed. The others in the room attach no", "a while. It is third person omniscient. TL;DR ----- The main character doesn't", "The main character doesn't hear something, but the supporting characters do. In omniscient", "scenario where my main character, who has considerable training and situational awareness has", "is a situation where the mentor reveals in passing the relationship of which", "something, but the supporting characters do. In omniscient third person, how would this", "attach no significance to this. How best to have the MC remain oblivious", "considerable training and situational awareness has been captured. He has faith that his", "former instructor, who is also a psychiatrist, is coming to see him. Two", "- either he will be assessed as a potential security risk and dealt", "he was thinking about. The relationship is revealed. The others in the room", "the room attach no significance to this. How best to have the MC", "his people will rescue him when the time is right. He learns that", "agents holding him - a very annoying fellow - is the nephew of", "reveals in passing the relationship of which the others are already aware, so", "a scenario where my main character, who has considerable training and situational awareness", "the probabilities of one scenario over the other and how best to try", "where the mentor reveals in passing the relationship of which the others are", "the direction of the latter, a conversation takes place. This conversation reveals that", "skew things in the direction of the latter, a conversation takes place. This", "will rescue him when the time is right. He learns that his former", "him when the time is right. He learns that his former instructor, who", "of one scenario over the other and how best to try to skew", "have a scenario where my main character, who has considerable training and situational", "MC is only unaware for a while. It is third person omniscient. TL;DR", "and how best to try to skew things in the direction of the", "Two scenarios occur to him - either he will be assessed as a", "psychiatrist, is coming to see him. Two scenarios occur to him - either", "security risk and dealt with or he is coming to confirm proper treatment.", "with or he is coming to confirm proper treatment. While he is running", "was thinking about. The relationship is revealed. The others in the room attach", "to have him remain unaware of that relationship? What I envision is a", "this. How best to have the MC remain oblivious of this without him", "very annoying fellow - is the nephew of this psychiatrist. The issue is", "the agents holding him - a very annoying fellow - is the nephew", "I have a scenario where my main character, who has considerable training and", "This conversation reveals that one of the agents holding him - a very", "is third person omniscient. TL;DR ----- The main character doesn't hear something, but", "will be assessed as a potential security risk and dealt with or he", "him - a very annoying fellow - is the nephew of this psychiatrist.", "in passing the relationship of which the others are already aware, so MC", "time is right. He learns that his former instructor, who is also a", "He learns that his former instructor, who is also a psychiatrist, is coming", "he is coming to confirm proper treatment. While he is running the probabilities", "aware, so MC is only unaware for a while. It is third person", "third person omniscient. TL;DR ----- The main character doesn't hear something, but the", "main character doesn't hear something, but the supporting characters do. In omniscient third", "MC remain oblivious of this without him being oblivious? How best to have", "so MC is only unaware for a while. It is third person omniscient.", "have him remain unaware of that relationship? What I envision is a situation", "one of the agents holding him - a very annoying fellow - is", "the relationship of which the others are already aware, so MC is only", "faith that his people will rescue him when the time is right. He", "try to skew things in the direction of the latter, a conversation takes", "he will be assessed as a potential security risk and dealt with or", "How best to have the MC remain oblivious of this without him being", "also a psychiatrist, is coming to see him. Two scenarios occur to him", "TL;DR ----- The main character doesn't hear something, but the supporting characters do.", "others are already aware, so MC is only unaware for a while. It", "be assessed as a potential security risk and dealt with or he is", "- is the nephew of this psychiatrist. The issue is the MC must", "this psychiatrist. The issue is the MC must not learn this yet but", "him remain unaware of that relationship? What I envision is a situation where", "treatment. While he is running the probabilities of one scenario over the other", "rescue him when the time is right. He learns that his former instructor,", "envision is a situation where the mentor reveals in passing the relationship of", "over the other and how best to try to skew things in the", "passing the relationship of which the others are already aware, so MC is", "they were discussing the person he was thinking about. The relationship is revealed.", "He has faith that his people will rescue him when the time is", "learns that his former instructor, who is also a psychiatrist, is coming to", "significance to this. How best to have the MC remain oblivious of this", "and dealt with or he is coming to confirm proper treatment. While he", "the time is right. He learns that his former instructor, who is also", "this without him being oblivious? How best to have him remain unaware of", "situational awareness has been captured. He has faith that his people will rescue", "not learn this yet but would start paying attention once he realized they", "oblivious? How best to have him remain unaware of that relationship? What I", "of which the others are already aware, so MC is only unaware for", "that relationship? What I envision is a situation where the mentor reveals in", "potential security risk and dealt with or he is coming to confirm proper", "confirm proper treatment. While he is running the probabilities of one scenario over", "place. This conversation reveals that one of the agents holding him - a", "a psychiatrist, is coming to see him. Two scenarios occur to him -", "others in the room attach no significance to this. How best to have", "character doesn't hear something, but the supporting characters do. In omniscient third person,", "has been captured. He has faith that his people will rescue him when", "is only unaware for a while. It is third person omniscient. TL;DR -----", "character, who has considerable training and situational awareness has been captured. He has", "that his people will rescue him when the time is right. He learns", "the MC must not learn this yet but would start paying attention once", "once he realized they were discussing the person he was thinking about. The", "is running the probabilities of one scenario over the other and how best", "relationship? What I envision is a situation where the mentor reveals in passing", "to him - either he will be assessed as a potential security risk", "yet but would start paying attention once he realized they were discussing the", "no significance to this. How best to have the MC remain oblivious of", "instructor, who is also a psychiatrist, is coming to see him. Two scenarios", "to try to skew things in the direction of the latter, a conversation", "of this without him being oblivious? How best to have him remain unaware", "would start paying attention once he realized they were discussing the person he", "of the latter, a conversation takes place. This conversation reveals that one of", "only unaware for a while. It is third person omniscient. TL;DR ----- The", "start paying attention once he realized they were discussing the person he was", "that one of the agents holding him - a very annoying fellow -", "paying attention once he realized they were discussing the person he was thinking", "the person he was thinking about. The relationship is revealed. The others in", "that his former instructor, who is also a psychiatrist, is coming to see", "MC must not learn this yet but would start paying attention once he", "while. It is third person omniscient. TL;DR ----- The main character doesn't hear", "relationship of which the others are already aware, so MC is only unaware", "room attach no significance to this. How best to have the MC remain", "How best to have him remain unaware of that relationship? What I envision", "the others are already aware, so MC is only unaware for a while.", "proper treatment. While he is running the probabilities of one scenario over the", "is the nephew of this psychiatrist. The issue is the MC must not", "conversation takes place. This conversation reveals that one of the agents holding him", "person he was thinking about. The relationship is revealed. The others in the", "What I envision is a situation where the mentor reveals in passing the", "a conversation takes place. This conversation reveals that one of the agents holding", "or he is coming to confirm proper treatment. While he is running the", "coming to confirm proper treatment. While he is running the probabilities of one", "who has considerable training and situational awareness has been captured. He has faith", "right. He learns that his former instructor, who is also a psychiatrist, is", "are already aware, so MC is only unaware for a while. It is", "revealed. The others in the room attach no significance to this. How best", "to this. How best to have the MC remain oblivious of this without", "While he is running the probabilities of one scenario over the other and", "has considerable training and situational awareness has been captured. He has faith that", "a potential security risk and dealt with or he is coming to confirm", "in the direction of the latter, a conversation takes place. This conversation reveals", "of this psychiatrist. The issue is the MC must not learn this yet", "scenario over the other and how best to try to skew things in", "holding him - a very annoying fellow - is the nephew of this", "training and situational awareness has been captured. He has faith that his people", "the other and how best to try to skew things in the direction", "takes place. This conversation reveals that one of the agents holding him -", "direction of the latter, a conversation takes place. This conversation reveals that one", "It is third person omniscient. TL;DR ----- The main character doesn't hear something,", "The others in the room attach no significance to this. How best to", "a situation where the mentor reveals in passing the relationship of which the", "things in the direction of the latter, a conversation takes place. This conversation", "of that relationship? What I envision is a situation where the mentor reveals", "the latter, a conversation takes place. This conversation reveals that one of the", "him - either he will be assessed as a potential security risk and", "which the others are already aware, so MC is only unaware for a", "reveals that one of the agents holding him - a very annoying fellow", "The issue is the MC must not learn this yet but would start", "were discussing the person he was thinking about. The relationship is revealed. The", "my main character, who has considerable training and situational awareness has been captured.", "latter, a conversation takes place. This conversation reveals that one of the agents", "without him being oblivious? How best to have him remain unaware of that", "already aware, so MC is only unaware for a while. It is third", "is coming to confirm proper treatment. While he is running the probabilities of", "hear something, but the supporting characters do. In omniscient third person, how would", "learn this yet but would start paying attention once he realized they were", "supporting characters do. In omniscient third person, how would this best be handled?", "occur to him - either he will be assessed as a potential security", "oblivious of this without him being oblivious? How best to have him remain", "the mentor reveals in passing the relationship of which the others are already", "coming to see him. Two scenarios occur to him - either he will", "how best to try to skew things in the direction of the latter,", "running the probabilities of one scenario over the other and how best to", "relationship is revealed. The others in the room attach no significance to this.", "in the room attach no significance to this. How best to have the", "dealt with or he is coming to confirm proper treatment. While he is", "nephew of this psychiatrist. The issue is the MC must not learn this", "the supporting characters do. In omniscient third person, how would this best be", "the nephew of this psychiatrist. The issue is the MC must not learn", "to have the MC remain oblivious of this without him being oblivious? How", "remain unaware of that relationship? What I envision is a situation where the", "best to have the MC remain oblivious of this without him being oblivious?", "doesn't hear something, but the supporting characters do. In omniscient third person, how", "psychiatrist. The issue is the MC must not learn this yet but would", "he realized they were discussing the person he was thinking about. The relationship", "for a while. It is third person omniscient. TL;DR ----- The main character", "conversation reveals that one of the agents holding him - a very annoying", "is coming to see him. Two scenarios occur to him - either he", "must not learn this yet but would start paying attention once he realized", "is right. He learns that his former instructor, who is also a psychiatrist,", "attention once he realized they were discussing the person he was thinking about.", "is also a psychiatrist, is coming to see him. Two scenarios occur to", "- a very annoying fellow - is the nephew of this psychiatrist. The", "as a potential security risk and dealt with or he is coming to", "risk and dealt with or he is coming to confirm proper treatment. While", "where my main character, who has considerable training and situational awareness has been", "assessed as a potential security risk and dealt with or he is coming", "unaware for a while. It is third person omniscient. TL;DR ----- The main", "unaware of that relationship? What I envision is a situation where the mentor", "probabilities of one scenario over the other and how best to try to", "mentor reveals in passing the relationship of which the others are already aware,", "main character, who has considerable training and situational awareness has been captured. He", "remain oblivious of this without him being oblivious? How best to have him", "but would start paying attention once he realized they were discussing the person", "issue is the MC must not learn this yet but would start paying", "a very annoying fellow - is the nephew of this psychiatrist. The issue", "about. The relationship is revealed. The others in the room attach no significance", "and situational awareness has been captured. He has faith that his people will", "been captured. He has faith that his people will rescue him when the", "either he will be assessed as a potential security risk and dealt with", "the MC remain oblivious of this without him being oblivious? How best to", "I envision is a situation where the mentor reveals in passing the relationship", "but the supporting characters do. In omniscient third person, how would this best", "omniscient. TL;DR ----- The main character doesn't hear something, but the supporting characters", "person omniscient. TL;DR ----- The main character doesn't hear something, but the supporting", "realized they were discussing the person he was thinking about. The relationship is", "is the MC must not learn this yet but would start paying attention", "----- The main character doesn't hear something, but the supporting characters do. In", "to see him. Two scenarios occur to him - either he will be", "to confirm proper treatment. While he is running the probabilities of one scenario", "other and how best to try to skew things in the direction of", "annoying fellow - is the nephew of this psychiatrist. The issue is the", "situation where the mentor reveals in passing the relationship of which the others", "who is also a psychiatrist, is coming to see him. Two scenarios occur", "The relationship is revealed. The others in the room attach no significance to", "when the time is right. He learns that his former instructor, who is", "discussing the person he was thinking about. The relationship is revealed. The others", "to skew things in the direction of the latter, a conversation takes place.", "he is running the probabilities of one scenario over the other and how", "scenarios occur to him - either he will be assessed as a potential" ]
[ "what I mean. I'm undecided between a few approaches: 1. Completely leave out", "of the language. This could possibly come off as confusing or incorrect, or", "had emblazoned her smile. \"너 정말 이걸 원해?\" The woman asked in a", "> > 3. Write a Romanized version of the language. This could possibly", "language. This could possibly come off as confusing or incorrect, or maybe offensive?", "light-hearted tone Do you really want this? It was a question the would", "Do you really want this? It was a question the would possibly change", "Hangul and then write it in English. e.g.: > > Her eyes seemed", "possibly change the latter's life depending on his answer. > > > 3.", "It was a question the would possibly change the latter's life depending on", "the plot in a few scenes. What are the advantages of these different", "she has some dialogue in Korean. Korean isn't a language where you can", "playful light that had emblazoned her smile. \"너 정말 이걸 원해?\" The woman", "write it in English. e.g.: > > Her eyes seemed to carry the", "change the latter's life depending on his answer. > > > 2. Write", "asked in a light-hearted tone Do you really want this? It was a", "Korean character in the novel I'm working on, and it is fairly important", "it might affect the scene slightly). > > Her eyes seemed to carry", "a few approaches: 1. Completely leave out the Korean and just write her", "the same playful light that had emblazoned her smile \"Neo Cheongmal igeol wonhae?\"", "a Korean character in the novel I'm working on, and it is fairly", "had emblazoned her smile. \"Do you really want this?\" The woman asked in", "or maybe offensive? e.g.: > > Her eyes seemed to carry the same", "was a question the would possibly change the latter's life depending on his", "the language. This could possibly come off as confusing or incorrect, or maybe", "mean. I'm undecided between a few approaches: 1. Completely leave out the Korean", "원해?\" The woman asked in a light-hearted tone Do you really want this?", "his answer. > > > The character's dialogue contributes to the plot in", "what you see, if you understand what I mean. I'm undecided between a", "depending on his answer. > > > 2. Write the dialogue in Hangul", "> > > 3. Write a Romanized version of the language. This could", "it in English. e.g.: > > Her eyes seemed to carry the same", "contributes to the plot in a few scenes. What are the advantages of", "light that had emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The woman asked", "> 3. Write a Romanized version of the language. This could possibly come", "smile \"Neo Cheongmal igeol wonhae?\" The woman asked in a light-hearted tone. It", "important to the plot that she has some dialogue in Korean. Korean isn't", "I'm undecided between a few approaches: 1. Completely leave out the Korean and", "language where you can say what you see, if you understand what I", "really want this?* It was a question the would possibly change the latter's", "is fairly important to the plot that she has some dialogue in Korean.", "light-hearted tone. It was a question the would possibly change the latter's life", "or incorrect, or maybe offensive? e.g.: > > Her eyes seemed to carry", "life depending on his answer. > > > 3. Write a Romanized version", "had emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The woman asked in a", "e.g.: > > Her eyes seemed to carry the same playful light that", "that had emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The woman asked in", "Write the dialogue in Hangul and then write it in English. e.g.: >", "the latter's life depending on his answer. > > > The character's dialogue", "version of the language. This could possibly come off as confusing or incorrect,", "> > > The character's dialogue contributes to the plot in a few", "latter's life depending on his answer. > > > 3. Write a Romanized", "where you can say what you see, if you understand what I mean.", "come off as confusing or incorrect, or maybe offensive? e.g.: > > Her", "> The character's dialogue contributes to the plot in a few scenes. What", "this?\" The woman asked in a light-hearted tone. It was a question the", "dialogue in Korean. Korean isn't a language where you can say what you", "undecided between a few approaches: 1. Completely leave out the Korean and just", "off as confusing or incorrect, or maybe offensive? e.g.: > > Her eyes", "say what you see, if you understand what I mean. I'm undecided between", "(although it might affect the scene slightly). > > Her eyes seemed to", "seemed to carry the same playful light that had emblazoned her smile \"Neo", "life depending on his answer. > > > The character's dialogue contributes to", "that she has some dialogue in Korean. Korean isn't a language where you", "that had emblazoned her smile. \"너 정말 이걸 원해?\" The woman asked in", "same playful light that had emblazoned her smile. \"너 정말 이걸 원해?\" The", "isn't a language where you can say what you see, if you understand", "to carry the same playful light that had emblazoned her smile. \"너 정말", "it is fairly important to the plot that she has some dialogue in", "the plot that she has some dialogue in Korean. Korean isn't a language", "same playful light that had emblazoned her smile. \"Do you really want this?\"", "his answer. > > > 2. Write the dialogue in Hangul and then", "really want this?\" The woman asked in a light-hearted tone. It was a", "I'm working on, and it is fairly important to the plot that she", "might affect the scene slightly). > > Her eyes seemed to carry the", "a light-hearted tone. It was a question the would possibly change the latter's", "The woman asked in a light-hearted tone Do you really want this? It", "3. Write a Romanized version of the language. This could possibly come off", "her smile \"Neo Cheongmal igeol wonhae?\" The woman asked in a light-hearted tone.", "confusing or incorrect, or maybe offensive? e.g.: > > Her eyes seemed to", "few approaches: 1. Completely leave out the Korean and just write her dialogue", "approaches: 1. Completely leave out the Korean and just write her dialogue in", "a Romanized version of the language. This could possibly come off as confusing", "working on, and it is fairly important to the plot that she has", "this?* It was a question the would possibly change the latter's life depending", "possibly come off as confusing or incorrect, or maybe offensive? e.g.: > >", "offensive? e.g.: > > Her eyes seemed to carry the same playful light", "to the plot in a few scenes. What are the advantages of these", "the same playful light that had emblazoned her smile. \"너 정말 이걸 원해?\"", "and then write it in English. e.g.: > > Her eyes seemed to", "possibly change the latter's life depending on his answer. > > > The", "> > Her eyes seemed to carry the same playful light that had", "can say what you see, if you understand what I mean. I'm undecided", "\"너 정말 이걸 원해?\" The woman asked in a light-hearted tone Do you", "emblazoned her smile. \"Do you really want this?\" The woman asked in a", "you see, if you understand what I mean. I'm undecided between a few", "eyes seemed to carry the same playful light that had emblazoned her smile", "Korean. Korean isn't a language where you can say what you see, if", "between a few approaches: 1. Completely leave out the Korean and just write", "some dialogue in Korean. Korean isn't a language where you can say what", "you really want this?\" The woman asked in a light-hearted tone. It was", "depending on his answer. > > > The character's dialogue contributes to the", "Korean isn't a language where you can say what you see, if you", "I mean. I'm undecided between a few approaches: 1. Completely leave out the", "life depending on his answer. > > > 2. Write the dialogue in", "seemed to carry the same playful light that had emblazoned her smile. \"너", "woman asked in a light-hearted tone Do you really want this?* It was", "plot in a few scenes. What are the advantages of these different approaches?", "a language where you can say what you see, if you understand what", "and just write her dialogue in English (although it might affect the scene", "the latter's life depending on his answer. > > > 2. Write the", "the dialogue in Hangul and then write it in English. e.g.: > >", "> > The character's dialogue contributes to the plot in a few scenes.", "question the would possibly change the latter's life depending on his answer. >", "Cheongmal igeol wonhae?\" The woman asked in a light-hearted tone. It was a", "in a light-hearted tone. It was a question the would possibly change the", "her smile. \"너 정말 이걸 원해?\" The woman asked in a light-hearted tone", "change the latter's life depending on his answer. > > > 3. Write", "character in the novel I'm working on, and it is fairly important to", "latter's life depending on his answer. > > > The character's dialogue contributes", "answer. > > > 3. Write a Romanized version of the language. This", "to carry the same playful light that had emblazoned her smile. \"Do you", "incorrect, or maybe offensive? e.g.: > > Her eyes seemed to carry the", "that had emblazoned her smile. \"Do you really want this?\" The woman asked", "on his answer. > > > 2. Write the dialogue in Hangul and", "이걸 원해?\" The woman asked in a light-hearted tone Do you really want", "affect the scene slightly). > > Her eyes seemed to carry the same", "woman asked in a light-hearted tone. It was a question the would possibly", "have a Korean character in the novel I'm working on, and it is", "> > 2. Write the dialogue in Hangul and then* write it in", "Write a Romanized version of the language. This could possibly come off as", "change the latter's life depending on his answer. > > > The character's", "a question the would possibly change the latter's life depending on his answer.", "understand what I mean. I'm undecided between a few approaches: 1. Completely leave", "I have a Korean character in the novel I'm working on, and it", "> 2. Write the dialogue in Hangul and then write it in English.", "the latter's life depending on his answer. > > > 3. Write a", "asked in a light-hearted tone. It was a question the would possibly change", "the Korean and just write her dialogue in English (although it might affect", "on his answer. > > > 3. Write a Romanized version of the", "fairly important to the plot that she has some dialogue in Korean. Korean", "in Korean. Korean isn't a language where you can say what you see,", "\"Do you really want this?\" The woman asked in a light-hearted tone. It", "would possibly change the latter's life depending on his answer. > > >", "then write it in English. e.g.: > > Her eyes seemed to carry", "you really want this?* It was a question the would possibly change the", "English. e.g.: > > Her eyes seemed to carry the same playful light", "Korean and just write her dialogue in English (although it might affect the", "has some dialogue in Korean. Korean isn't a language where you can say", "1. Completely leave out the Korean and just write her dialogue in English", "light that had emblazoned her smile. \"Do you really want this?\" The woman", "latter's life depending on his answer. > > > 2. Write the dialogue", "This could possibly come off as confusing or incorrect, or maybe offensive? e.g.:", "his answer. > > > 3. Write a Romanized version of the language.", "seemed to carry the same playful light that had emblazoned her smile. \"Do", "could possibly come off as confusing or incorrect, or maybe offensive? e.g.: >", "novel I'm working on, and it is fairly important to the plot that", "her smile. \"Do you really want this?\" The woman asked in a light-hearted", "playful light that had emblazoned her smile. \"Do you really want this?\" The", "plot that she has some dialogue in Korean. Korean isn't a language where", "carry the same playful light that had emblazoned her smile. \"Do you really", "dialogue in Hangul and then write it in English. e.g.: > > Her", "tone Do you really want this? It was a question the would possibly", "just write her dialogue in English (although it might affect the scene slightly).", "to carry the same playful light that had emblazoned her smile \"Neo Cheongmal", "carry the same playful light that had emblazoned her smile \"Neo Cheongmal igeol", "on, and it is fairly important to the plot that she has some", "Her eyes seemed to carry the same playful light that had emblazoned her", "playful light that had emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The woman", "the would possibly change the latter's life depending on his answer. > >", "in Hangul and then write it in English. e.g.: > > Her eyes", "wonhae?\" The woman asked in a light-hearted tone. It was a question the", "if you understand what I mean. I'm undecided between a few approaches: 1.", "The woman asked in a light-hearted tone. It was a question the would", "> Her eyes seemed to carry the same playful light that had emblazoned", "maybe offensive? e.g.: > > Her eyes seemed to carry the same playful", "\"Neo Cheongmal igeol wonhae?\" The woman asked in a light-hearted tone. It was", "dialogue contributes to the plot in a few scenes. What are the advantages", "> > > 2. Write the dialogue in Hangul and then write it", "The character's dialogue contributes to the plot in a few scenes. What are", "on his answer. > > > The character's dialogue contributes to the plot", "the same playful light that had emblazoned her smile. \"Do you really want", "tone. It was a question the would possibly change the latter's life depending", "light that had emblazoned her smile. \"너 정말 이걸 원해?\" The woman asked", "Romanized version of the language. This could possibly come off as confusing or", "character's dialogue contributes to the plot in a few scenes. What are the", "depending on his answer. > > > 3. Write a Romanized version of", "smile. \"너 정말 이걸 원해?\" The woman asked in a light-hearted tone Do", "smile. \"Do you really want this?\" The woman asked in a light-hearted tone.", "eyes seemed to carry the same playful light that had emblazoned her smile.", "English (although it might affect the scene slightly). > > Her eyes seemed", "in English. e.g.: > > Her eyes seemed to carry the same playful", "the scene slightly). > > Her eyes seemed to carry the same playful", "leave out the Korean and just write her dialogue in English (although it", "same playful light that had emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The", "정말 이걸 원해?\" The woman asked in a light-hearted tone Do you really", "in English (although it might affect the scene slightly). > > Her eyes", "2. Write the dialogue in Hangul and then write it in English. e.g.:", "scene slightly). > > Her eyes seemed to carry the same playful light", "see, if you understand what I mean. I'm undecided between a few approaches:", "in a light-hearted tone Do you really want this? It was a question", "a light-hearted tone Do you really want this? It was a question the", "in the novel I'm working on, and it is fairly important to the", "want this?* It was a question the would possibly change the latter's life", "carry the same playful light that had emblazoned her smile. \"너 정말 이걸", "emblazoned her smile \"Neo Cheongmal igeol wonhae?\" The woman asked in a light-hearted", "to the plot that she has some dialogue in Korean. Korean isn't a", "Completely leave out the Korean and just write her dialogue in English (although", "out the Korean and just write her dialogue in English (although it might", "slightly). > > Her eyes seemed to carry the same playful light that", "answer. > > > 2. Write the dialogue in Hangul and then write", "emblazoned her smile. \"너 정말 이걸 원해?\" The woman asked in a light-hearted", "want this?\" The woman asked in a light-hearted tone. It was a question", "as confusing or incorrect, or maybe offensive? e.g.: > > Her eyes seemed", "answer. > > > The character's dialogue contributes to the plot in a", "write her dialogue in English (although it might affect the scene slightly). >", "the novel I'm working on, and it is fairly important to the plot", "you can say what you see, if you understand what I mean. I'm", "you understand what I mean. I'm undecided between a few approaches: 1. Completely", "her dialogue in English (although it might affect the scene slightly). > >", "possibly change the latter's life depending on his answer. > > > 2.", "dialogue in English (although it might affect the scene slightly). > > Her", "igeol wonhae?\" The woman asked in a light-hearted tone. It was a question", "and it is fairly important to the plot that she has some dialogue" ]
[ "decided to write this book. She has worked on it for 3+ years,", "published as she is. I'm realizing my feedback is going to be overwhelming,", "met anyone as hopeful as getting published as she is. I'm realizing my", "book. She has worked on it for 3+ years, but never received feedback", "it's well organized, clear, and acceptable (per all the beta-reader articles I've scoured).", "is basically finished\". I've never met anyone as hopeful as getting published as", "her mindset is currently in a state of \"this novel is basically finished\".", "this book. She has worked on it for 3+ years, but never received", "with the expectation that she'll accept and learn a lot from my feedback", "is going to be overwhelming, and there's a chance she won't receive it", "a regular writer/reader like I am. (This is all what she's directly told", "entirely entitled to rejecting any or all of my feedback. I'm making sure", "writer's novel and provide feedback. During casual discussion, I learned her mindset is", "entitled to rejecting any or all of my feedback. I'm making sure it's", "me.) I majored in Creative Writing and have, at the very least, had", "directly told me.) I majored in Creative Writing and have, at the very", "had countless years of giving and receiving harsh feedback from professors and peers.", "to read a new writer's novel and provide feedback. During casual discussion, I", "rejecting any or all of my feedback. I'm making sure it's well organized,", "expectation that she'll accept and learn a lot from my feedback but she'll", "for 3+ years, but never received feedback from a regular writer/reader like I", "and she never enjoyed or studied writing until she decided to write this", "I learned her mindset is currently in a state of \"this novel is", "to write this book. She has worked on it for 3+ years, but", "of it is from a reader's perspective (character believability and timeline are some", "thoughts would require a good bit of reworking. As some background: She's not", "and receiving harsh feedback from professors and peers. (I know I have lots", "she decided to write this book. She has worked on it for 3+", "and I've never been published.) Of course, she's entirely entitled to rejecting any", "it for 3+ years, but never received feedback from a regular writer/reader like", "never enjoyed or studied writing until she decided to write this book. She", "my own writing still, and I've never been published.) Of course, she's entirely", "overwhelming, and there's a chance she won't receive it well. Some of my", "of \"this novel is basically finished\". I've never met anyone as hopeful as", "never met anyone as hopeful as getting published as she is. I'm realizing", "all of my feedback. I'm making sure it's well organized, clear, and acceptable", "going to be overwhelmed and discouraged. Should I find a good balance, pull", "still, and I've never been published.) Of course, she's entirely entitled to rejecting", "a good balance, pull back on some feedback, or present it all to", "she won't receive it well. Some of my thoughts would require a good", "I am. (This is all what she's directly told me.) I majored in", "a lot of it is from a reader's perspective (character believability and timeline", "professors and peers. (I know I have lots to work on in my", "good balance, pull back on some feedback, or present it all to her?", "and acceptable (per all the beta-reader articles I've scoured). Some of it comes", "(per all the beta-reader articles I've scoured). Some of it comes from a", "scoured). Some of it comes from a writer's perspective, and a lot of", "discouraged. Should I find a good balance, pull back on some feedback, or", "to be overwhelming, and there's a chance she won't receive it well. Some", "She has worked on it for 3+ years, but never received feedback from", "of my thoughts would require a good bit of reworking. As some background:", "would require a good bit of reworking. As some background: She's not a", "of reworking. As some background: She's not a reader and she never enjoyed", "have lots to work on in my own writing still, and I've never", "of giving and receiving harsh feedback from professors and peers. (I know I", "in Creative Writing and have, at the very least, had countless years of", "I have lots to work on in my own writing still, and I've", "to work on in my own writing still, and I've never been published.)", "on in my own writing still, and I've never been published.) Of course,", "in my own writing still, and I've never been published.) Of course, she's", "organized, clear, and acceptable (per all the beta-reader articles I've scoured). Some of", "it is from a reader's perspective (character believability and timeline are some pain-points).", "won't receive it well. Some of my thoughts would require a good bit", "discussion, I learned her mindset is currently in a state of \"this novel", "going in with the expectation that she'll accept and learn a lot from", "realizing my feedback is going to be overwhelming, and there's a chance she", "very least, had countless years of giving and receiving harsh feedback from professors", "to be overwhelmed and discouraged. Should I find a good balance, pull back", "published.) Of course, she's entirely entitled to rejecting any or all of my", "lot of it is from a reader's perspective (character believability and timeline are", "(This is all what she's directly told me.) I majored in Creative Writing", "perspective (character believability and timeline are some pain-points). So - I'm afraid I'm", "not a reader and she never enjoyed or studied writing until she decided", "read a new writer's novel and provide feedback. During casual discussion, I learned", "making sure it's well organized, clear, and acceptable (per all the beta-reader articles", "chance she won't receive it well. Some of my thoughts would require a", "giving and receiving harsh feedback from professors and peers. (I know I have", "from a reader's perspective (character believability and timeline are some pain-points). So -", "agreed to read a new writer's novel and provide feedback. During casual discussion,", "in a state of \"this novel is basically finished\". I've never met anyone", "believability and timeline are some pain-points). So - I'm afraid I'm going in", "writing until she decided to write this book. She has worked on it", "currently in a state of \"this novel is basically finished\". I've never met", "articles I've scoured). Some of it comes from a writer's perspective, and a", "I'm going in with the expectation that she'll accept and learn a lot", "a new writer's novel and provide feedback. During casual discussion, I learned her", "feedback. During casual discussion, I learned her mindset is currently in a state", "or studied writing until she decided to write this book. She has worked", "basically finished\". I've never met anyone as hopeful as getting published as she", "but she'll actually going to be overwhelmed and discouraged. Should I find a", "acceptable (per all the beta-reader articles I've scoured). Some of it comes from", "going to be overwhelming, and there's a chance she won't receive it well.", "and a lot of it is from a reader's perspective (character believability and", "my feedback is going to be overwhelming, and there's a chance she won't", "I majored in Creative Writing and have, at the very least, had countless", "any or all of my feedback. I'm making sure it's well organized, clear,", "I recently agreed to read a new writer's novel and provide feedback. During", "all what she's directly told me.) I majored in Creative Writing and have,", "know I have lots to work on in my own writing still, and", "As some background: She's not a reader and she never enjoyed or studied", "lot from my feedback but she'll actually going to be overwhelmed and discouraged.", "work on in my own writing still, and I've never been published.) Of", "feedback. I'm making sure it's well organized, clear, and acceptable (per all the", "of it comes from a writer's perspective, and a lot of it is", "she is. I'm realizing my feedback is going to be overwhelming, and there's", "write this book. She has worked on it for 3+ years, but never", "as she is. I'm realizing my feedback is going to be overwhelming, and", "beta-reader articles I've scoured). Some of it comes from a writer's perspective, and", "perspective, and a lot of it is from a reader's perspective (character believability", "have, at the very least, had countless years of giving and receiving harsh", "a lot from my feedback but she'll actually going to be overwhelmed and", "actually going to be overwhelmed and discouraged. Should I find a good balance,", "least, had countless years of giving and receiving harsh feedback from professors and", "it comes from a writer's perspective, and a lot of it is from", "and provide feedback. During casual discussion, I learned her mindset is currently in", "afraid I'm going in with the expectation that she'll accept and learn a", "provide feedback. During casual discussion, I learned her mindset is currently in a", "feedback but she'll actually going to be overwhelmed and discouraged. Should I find", "Writing and have, at the very least, had countless years of giving and", "never received feedback from a regular writer/reader like I am. (This is all", "receiving harsh feedback from professors and peers. (I know I have lots to", "timeline are some pain-points). So - I'm afraid I'm going in with the", "3+ years, but never received feedback from a regular writer/reader like I am.", "learn a lot from my feedback but she'll actually going to be overwhelmed", "there's a chance she won't receive it well. Some of my thoughts would", "she's directly told me.) I majored in Creative Writing and have, at the", "reworking. As some background: She's not a reader and she never enjoyed or", "and peers. (I know I have lots to work on in my own", "and timeline are some pain-points). So - I'm afraid I'm going in with", "as getting published as she is. I'm realizing my feedback is going to", "studied writing until she decided to write this book. She has worked on", "until she decided to write this book. She has worked on it for", "anyone as hopeful as getting published as she is. I'm realizing my feedback", "but never received feedback from a regular writer/reader like I am. (This is", "good bit of reworking. As some background: She's not a reader and she", "regular writer/reader like I am. (This is all what she's directly told me.)", "at the very least, had countless years of giving and receiving harsh feedback", "I've scoured). Some of it comes from a writer's perspective, and a lot", "and discouraged. Should I find a good balance, pull back on some feedback,", "getting published as she is. I'm realizing my feedback is going to be", "I'm making sure it's well organized, clear, and acceptable (per all the beta-reader", "casual discussion, I learned her mindset is currently in a state of \"this", "on it for 3+ years, but never received feedback from a regular writer/reader", "learned her mindset is currently in a state of \"this novel is basically", "\"this novel is basically finished\". I've never met anyone as hopeful as getting", "finished\". I've never met anyone as hopeful as getting published as she is.", "state of \"this novel is basically finished\". I've never met anyone as hopeful", "as hopeful as getting published as she is. I'm realizing my feedback is", "and have, at the very least, had countless years of giving and receiving", "is from a reader's perspective (character believability and timeline are some pain-points). So", "the beta-reader articles I've scoured). Some of it comes from a writer's perspective,", "pain-points). So - I'm afraid I'm going in with the expectation that she'll", "she'll accept and learn a lot from my feedback but she'll actually going", "is all what she's directly told me.) I majored in Creative Writing and", "she'll actually going to be overwhelmed and discouraged. Should I find a good", "feedback from professors and peers. (I know I have lots to work on", "sure it's well organized, clear, and acceptable (per all the beta-reader articles I've", "a reader's perspective (character believability and timeline are some pain-points). So - I'm", "I find a good balance, pull back on some feedback, or present it", "never been published.) Of course, she's entirely entitled to rejecting any or all", "to rejecting any or all of my feedback. I'm making sure it's well", "hopeful as getting published as she is. I'm realizing my feedback is going", "writing still, and I've never been published.) Of course, she's entirely entitled to", "course, she's entirely entitled to rejecting any or all of my feedback. I'm", "well organized, clear, and acceptable (per all the beta-reader articles I've scoured). Some", "it well. Some of my thoughts would require a good bit of reworking.", "I've never been published.) Of course, she's entirely entitled to rejecting any or", "and there's a chance she won't receive it well. Some of my thoughts", "She's not a reader and she never enjoyed or studied writing until she", "my feedback. I'm making sure it's well organized, clear, and acceptable (per all", "in with the expectation that she'll accept and learn a lot from my", "overwhelmed and discouraged. Should I find a good balance, pull back on some", "years, but never received feedback from a regular writer/reader like I am. (This", "receive it well. Some of my thoughts would require a good bit of", "a writer's perspective, and a lot of it is from a reader's perspective", "majored in Creative Writing and have, at the very least, had countless years", "and learn a lot from my feedback but she'll actually going to be", "of my feedback. I'm making sure it's well organized, clear, and acceptable (per", "from my feedback but she'll actually going to be overwhelmed and discouraged. Should", "Some of my thoughts would require a good bit of reworking. As some", "she never enjoyed or studied writing until she decided to write this book.", "is currently in a state of \"this novel is basically finished\". I've never", "Some of it comes from a writer's perspective, and a lot of it", "require a good bit of reworking. As some background: She's not a reader", "from professors and peers. (I know I have lots to work on in", "feedback is going to be overwhelming, and there's a chance she won't receive", "worked on it for 3+ years, but never received feedback from a regular", "that she'll accept and learn a lot from my feedback but she'll actually", "Of course, she's entirely entitled to rejecting any or all of my feedback.", "has worked on it for 3+ years, but never received feedback from a", "she's entirely entitled to rejecting any or all of my feedback. I'm making", "Creative Writing and have, at the very least, had countless years of giving", "clear, and acceptable (per all the beta-reader articles I've scoured). Some of it", "feedback from a regular writer/reader like I am. (This is all what she's", "enjoyed or studied writing until she decided to write this book. She has", "writer/reader like I am. (This is all what she's directly told me.) I", "from a writer's perspective, and a lot of it is from a reader's", "new writer's novel and provide feedback. During casual discussion, I learned her mindset", "novel is basically finished\". I've never met anyone as hopeful as getting published", "or all of my feedback. I'm making sure it's well organized, clear, and", "years of giving and receiving harsh feedback from professors and peers. (I know", "comes from a writer's perspective, and a lot of it is from a", "from a regular writer/reader like I am. (This is all what she's directly", "some background: She's not a reader and she never enjoyed or studied writing", "be overwhelming, and there's a chance she won't receive it well. Some of", "writer's perspective, and a lot of it is from a reader's perspective (character", "background: She's not a reader and she never enjoyed or studied writing until", "my thoughts would require a good bit of reworking. As some background: She's", "recently agreed to read a new writer's novel and provide feedback. During casual", "During casual discussion, I learned her mindset is currently in a state of", "all the beta-reader articles I've scoured). Some of it comes from a writer's", "a reader and she never enjoyed or studied writing until she decided to", "am. (This is all what she's directly told me.) I majored in Creative", "novel and provide feedback. During casual discussion, I learned her mindset is currently", "a state of \"this novel is basically finished\". I've never met anyone as", "I'm realizing my feedback is going to be overwhelming, and there's a chance", "the expectation that she'll accept and learn a lot from my feedback but", "find a good balance, pull back on some feedback, or present it all", "lots to work on in my own writing still, and I've never been", "mindset is currently in a state of \"this novel is basically finished\". I've", "bit of reworking. As some background: She's not a reader and she never", "So - I'm afraid I'm going in with the expectation that she'll accept", "be overwhelmed and discouraged. Should I find a good balance, pull back on", "reader's perspective (character believability and timeline are some pain-points). So - I'm afraid", "the very least, had countless years of giving and receiving harsh feedback from", "received feedback from a regular writer/reader like I am. (This is all what", "(character believability and timeline are some pain-points). So - I'm afraid I'm going", "what she's directly told me.) I majored in Creative Writing and have, at", "countless years of giving and receiving harsh feedback from professors and peers. (I", "- I'm afraid I'm going in with the expectation that she'll accept and", "accept and learn a lot from my feedback but she'll actually going to", "reader and she never enjoyed or studied writing until she decided to write", "own writing still, and I've never been published.) Of course, she's entirely entitled", "my feedback but she'll actually going to be overwhelmed and discouraged. Should I", "well. Some of my thoughts would require a good bit of reworking. As", "a chance she won't receive it well. Some of my thoughts would require", "a good bit of reworking. As some background: She's not a reader and", "Should I find a good balance, pull back on some feedback, or present", "some pain-points). So - I'm afraid I'm going in with the expectation that", "harsh feedback from professors and peers. (I know I have lots to work", "I've never met anyone as hopeful as getting published as she is. I'm", "peers. (I know I have lots to work on in my own writing", "like I am. (This is all what she's directly told me.) I majored", "(I know I have lots to work on in my own writing still,", "I'm afraid I'm going in with the expectation that she'll accept and learn", "are some pain-points). So - I'm afraid I'm going in with the expectation", "told me.) I majored in Creative Writing and have, at the very least,", "been published.) Of course, she's entirely entitled to rejecting any or all of", "is. I'm realizing my feedback is going to be overwhelming, and there's a" ]
[ "YA or romance. Is it advisable to do so? Can one be successful", "This isn't necessarily about me. It's a general question for many writers facing", "(Note: This isn't necessarily about me. It's a general question for many writers", "You are tempted to, at least for the time being, venture into that", "notice lately - and someone else confirms to you - that YA fiction", "is a very specific (and maybe a little extreme) example, but i hope", "NB: I have been urged to expatiate in order to make the question", "understandable. So let me give this small example: Suppose you are a writer", "to do so? Can one be successful doing so despite not really having", "to expatiate in order to make the question more understandable. So let me", "you - that YA fiction geared towards teenage girls is very trendy and", "writers facing such a dilemma.) NB: I have been urged to expatiate in", "such a dilemma.) NB: I have been urged to expatiate in order to", "in spite of rather low quality writing. You are tempted to, at least", "else confirms to you - that YA fiction geared towards teenage girls is", "should I dumb down my writing and pander to what I think most", "do very well even in spite of rather low quality writing. You are", "the time being, venture into that genre and use your skill to start", "many writers facing such a dilemma.) NB: I have been urged to expatiate", "interest in it? That is a very specific (and maybe a little extreme)", "girls is very trendy and popular, and many writers do very well even", "and many writers do very well even in spite of rather low quality", "in the genre of literary magical realism) have not (yet) gotten much readership/sales.", "romance. Is it advisable to do so? Can one be successful doing so", "- and someone else confirms to you - that YA fiction geared towards", "example: Suppose you are a writer whose works (which are mostly in the", "the question more understandable. So let me give this small example: Suppose you", "Can one be successful doing so despite not really having much interest in", "most people like to read? (Note: This isn't necessarily about me. It's a", "pander to teenage girls despite really having no interest in YA or romance.", "question for many writers facing such a dilemma.) NB: I have been urged", "it? That is a very specific (and maybe a little extreme) example, but", "that genre and use your skill to start writing to pander to teenage", "to make the question more understandable. So let me give this small example:", "pander to what I think most people like to read? (Note: This isn't", "It's a general question for many writers facing such a dilemma.) NB: I", "I think most people like to read? (Note: This isn't necessarily about me.", "venture into that genre and use your skill to start writing to pander", "is very trendy and popular, and many writers do very well even in", "specific (and maybe a little extreme) example, but i hope it clarifies the", "Or should I dumb down my writing and pander to what I think", "small example: Suppose you are a writer whose works (which are mostly in", "what I think most people like to read? (Note: This isn't necessarily about", "many writers do very well even in spite of rather low quality writing.", "a dilemma.) NB: I have been urged to expatiate in order to make", "(and maybe a little extreme) example, but i hope it clarifies the point.", "fiction geared towards teenage girls is very trendy and popular, and many writers", "successful doing so despite not really having much interest in it? That is", "me give this small example: Suppose you are a writer whose works (which", "people like to read? (Note: This isn't necessarily about me. It's a general", "facing such a dilemma.) NB: I have been urged to expatiate in order", "girls despite really having no interest in YA or romance. Is it advisable", "spite of rather low quality writing. You are tempted to, at least for", "are mostly in the genre of literary magical realism) have not (yet) gotten", "YA fiction geared towards teenage girls is very trendy and popular, and many", "time being, venture into that genre and use your skill to start writing", "skill to start writing to pander to teenage girls despite really having no", "teenage girls despite really having no interest in YA or romance. Is it", "start writing to pander to teenage girls despite really having no interest in", "trendy and popular, and many writers do very well even in spite of", "much interest in it? That is a very specific (and maybe a little", "much readership/sales. But you notice lately - and someone else confirms to you", "being, venture into that genre and use your skill to start writing to", "expatiate in order to make the question more understandable. So let me give", "genre and use your skill to start writing to pander to teenage girls", "in it? That is a very specific (and maybe a little extreme) example,", "to, at least for the time being, venture into that genre and use", "that YA fiction geared towards teenage girls is very trendy and popular, and", "really having much interest in it? That is a very specific (and maybe", "a writer whose works (which are mostly in the genre of literary magical", "even in spite of rather low quality writing. You are tempted to, at", "isn't necessarily about me. It's a general question for many writers facing such", "- that YA fiction geared towards teenage girls is very trendy and popular,", "so? Can one be successful doing so despite not really having much interest", "down my writing and pander to what I think most people like to", "someone else confirms to you - that YA fiction geared towards teenage girls", "of rather low quality writing. You are tempted to, at least for the", "do so? Can one be successful doing so despite not really having much", "have been urged to expatiate in order to make the question more understandable.", "geared towards teenage girls is very trendy and popular, and many writers do", "for many writers facing such a dilemma.) NB: I have been urged to", "teenage girls is very trendy and popular, and many writers do very well", "having much interest in it? That is a very specific (and maybe a", "well even in spite of rather low quality writing. You are tempted to,", "Suppose you are a writer whose works (which are mostly in the genre", "very well even in spite of rather low quality writing. You are tempted", "I have been urged to expatiate in order to make the question more", "in YA or romance. Is it advisable to do so? Can one be", "doing so despite not really having much interest in it? That is a", "be successful doing so despite not really having much interest in it? That", "of literary magical realism) have not (yet) gotten much readership/sales. But you notice", "let me give this small example: Suppose you are a writer whose works", "confirms to you - that YA fiction geared towards teenage girls is very", "genre of literary magical realism) have not (yet) gotten much readership/sales. But you", "into that genre and use your skill to start writing to pander to", "use your skill to start writing to pander to teenage girls despite really", "not (yet) gotten much readership/sales. But you notice lately - and someone else", "writing to pander to teenage girls despite really having no interest in YA", "realism) have not (yet) gotten much readership/sales. But you notice lately - and", "very specific (and maybe a little extreme) example, but i hope it clarifies", "this small example: Suppose you are a writer whose works (which are mostly", "a general question for many writers facing such a dilemma.) NB: I have", "are tempted to, at least for the time being, venture into that genre", "you notice lately - and someone else confirms to you - that YA", "at least for the time being, venture into that genre and use your", "low quality writing. You are tempted to, at least for the time being,", "and use your skill to start writing to pander to teenage girls despite", "whose works (which are mostly in the genre of literary magical realism) have", "general question for many writers facing such a dilemma.) NB: I have been", "you are a writer whose works (which are mostly in the genre of", "writer whose works (which are mostly in the genre of literary magical realism)", "gotten much readership/sales. But you notice lately - and someone else confirms to", "or romance. Is it advisable to do so? Can one be successful doing", "to start writing to pander to teenage girls despite really having no interest", "more understandable. So let me give this small example: Suppose you are a", "(yet) gotten much readership/sales. But you notice lately - and someone else confirms", "writers do very well even in spite of rather low quality writing. You", "interest in YA or romance. Is it advisable to do so? Can one", "I dumb down my writing and pander to what I think most people", "So let me give this small example: Suppose you are a writer whose", "tempted to, at least for the time being, venture into that genre and", "writing. You are tempted to, at least for the time being, venture into", "Is it advisable to do so? Can one be successful doing so despite", "order to make the question more understandable. So let me give this small", "magical realism) have not (yet) gotten much readership/sales. But you notice lately -", "to you - that YA fiction geared towards teenage girls is very trendy", "like to read? (Note: This isn't necessarily about me. It's a general question", "despite really having no interest in YA or romance. Is it advisable to", "to read? (Note: This isn't necessarily about me. It's a general question for", "urged to expatiate in order to make the question more understandable. So let", "(which are mostly in the genre of literary magical realism) have not (yet)", "mostly in the genre of literary magical realism) have not (yet) gotten much", "not really having much interest in it? That is a very specific (and", "my writing and pander to what I think most people like to read?", "think most people like to read? (Note: This isn't necessarily about me. It's", "readership/sales. But you notice lately - and someone else confirms to you -", "and someone else confirms to you - that YA fiction geared towards teenage", "rather low quality writing. You are tempted to, at least for the time", "necessarily about me. It's a general question for many writers facing such a", "have not (yet) gotten much readership/sales. But you notice lately - and someone", "dumb down my writing and pander to what I think most people like", "for the time being, venture into that genre and use your skill to", "dilemma.) NB: I have been urged to expatiate in order to make the", "been urged to expatiate in order to make the question more understandable. So", "very trendy and popular, and many writers do very well even in spite", "read? (Note: This isn't necessarily about me. It's a general question for many", "really having no interest in YA or romance. Is it advisable to do", "question more understandable. So let me give this small example: Suppose you are", "works (which are mostly in the genre of literary magical realism) have not", "writing and pander to what I think most people like to read? (Note:", "so despite not really having much interest in it? That is a very", "no interest in YA or romance. Is it advisable to do so? Can", "despite not really having much interest in it? That is a very specific", "to pander to teenage girls despite really having no interest in YA or", "give this small example: Suppose you are a writer whose works (which are", "advisable to do so? Can one be successful doing so despite not really", "it advisable to do so? Can one be successful doing so despite not", "are a writer whose works (which are mostly in the genre of literary", "and popular, and many writers do very well even in spite of rather", "the genre of literary magical realism) have not (yet) gotten much readership/sales. But", "to teenage girls despite really having no interest in YA or romance. Is", "having no interest in YA or romance. Is it advisable to do so?", "popular, and many writers do very well even in spite of rather low", "in order to make the question more understandable. So let me give this", "lately - and someone else confirms to you - that YA fiction geared", "make the question more understandable. So let me give this small example: Suppose", "literary magical realism) have not (yet) gotten much readership/sales. But you notice lately", "least for the time being, venture into that genre and use your skill", "and pander to what I think most people like to read? (Note: This", "your skill to start writing to pander to teenage girls despite really having", "That is a very specific (and maybe a little extreme) example, but i", "me. It's a general question for many writers facing such a dilemma.) NB:", "one be successful doing so despite not really having much interest in it?", "a very specific (and maybe a little extreme) example, but i hope it", "towards teenage girls is very trendy and popular, and many writers do very", "about me. It's a general question for many writers facing such a dilemma.)", "quality writing. You are tempted to, at least for the time being, venture", "to what I think most people like to read? (Note: This isn't necessarily", "But you notice lately - and someone else confirms to you - that" ]
[ "dying) would have a major impact on the story. Furthermore this will not", "disregard it and then feel the payoff came out of nowhere and was", "the characters as crazy talk from the villagers. I'm afraid that once I", "hints throughout the adventure. This is mainly done through rumours that are dismissed", "work or if it remains the same character). I see it more as", "machina because they missed the setup and are now angry with the payoff.", "jumping the shark or pulling a deus ex machina because they missed the", "the adventure. This is mainly done through rumours that are dismissed by the", "I'm trying to convey this information to the reader, but since my character", "this phenomenon happen in an irrelevant, random encounter and not somewhere that a", "die permanently and someone else continued his work or if it remains the", "else, since it will impact the character in a harmful way. I don't", "difference if the character was to die permanently and someone else continued his", "someone else continued his work or if it remains the same character). I", "resurrection isn't all that common and most inhabitants of the land don't really", "villagers. I'm afraid that once I put this mechanic into use, my readers", "a main character that cannot die. I'm trying to convey this information to", "the shark or pulling a deus ex machina because they missed the setup", "least suspect that something like this is in effect. The story takes place", "would have a major impact on the story. Furthermore this will not help", "and someone else continued his work or if it remains the same character).", "crazy talk from the villagers. I'm afraid that once I put this mechanic", "have any better ideas than reworking the whole story to make him know", "believe it to be possible. I suppose the question would be: How to", "be possible. I suppose the question would be: How to lay out the", "main character that cannot die. I'm trying to convey this information to the", "the story. Furthermore this will not help the character in any significant way", "if it remains the same character). I see it more as a burden", "the payoff. What I've already thought of is to make the first occurrence", "but since my character isn't aware of this, I've decided to leave hints", "same character). I see it more as a burden than anything else, since", "see it more as a burden than anything else, since it will impact", "the reader, but since my character isn't aware of this, I've decided to", "will accuse me of jumping the shark or pulling a deus ex machina", "in an irrelevant, random encounter and not somewhere that a different outcome (Character", "outcome (Character dying) would have a major impact on the story. Furthermore this", "have a major impact on the story. Furthermore this will not help the", "ideas than reworking the whole story to make him know or at least", "to the reader, but since my character isn't aware of this, I've decided", "once I put this mechanic into use, my readers will accuse me of", "character in a harmful way. I don't have any better ideas than reworking", "encounter and not somewhere that a different outcome (Character dying) would have a", "and most inhabitants of the land don't really believe it to be possible.", "the question would be:** How to lay out the setup so readers won't", "accuse me of jumping the shark or pulling a deus ex machina because", "world but resurrection isn't all that common and most inhabitants of the land", "is to make the first occurrence of this phenomenon happen in an irrelevant,", "random encounter and not somewhere that a different outcome (Character dying) would have", "the first occurrence of this phenomenon happen in an irrelevant, random encounter and", "makes no difference if the character was to die permanently and someone else", "help the character in any significant way (From a logical perspective it makes", "won't disregard it and then feel the payoff came out of nowhere and", "a logical perspective it makes no difference if the character was to die", "burden than anything else, since it will impact the character in a harmful", "now angry with the payoff. What I've already thought of is to make", "story takes place in a fantasy world but resurrection isn't all that common", "in a fantasy world but resurrection isn't all that common and most inhabitants", "This is mainly done through rumours that are dismissed by the characters as", "the whole story to make him know or at least suspect that something", "it makes no difference if the character was to die permanently and someone", "that cannot die. I'm trying to convey this information to the reader, but", "happen in an irrelevant, random encounter and not somewhere that a different outcome", "it remains the same character). I see it more as a burden than", "put this mechanic into use, my readers will accuse me of jumping the", "if the character was to die permanently and someone else continued his work", "a deus ex machina because they missed the setup and are now angry", "ex machina because they missed the setup and are now angry with the", "somewhere that a different outcome (Character dying) would have a major impact on", "have a main character that cannot die. I'm trying to convey this information", "impact on the story. Furthermore this will not help the character in any", "that once I put this mechanic into use, my readers will accuse me", "will not help the character in any significant way (From a logical perspective", "missed the setup and are now angry with the payoff. What I've already", "impact the character in a harmful way. I don't have any better ideas", "takes place in a fantasy world but resurrection isn't all that common and", "by the characters as crazy talk from the villagers. I'm afraid that once", "character). I see it more as a burden than anything else, since it", "is in effect. The story takes place in a fantasy world but resurrection", "isn't all that common and most inhabitants of the land don't really believe", "character isn't aware of this, I've decided to leave hints throughout the adventure.", "convey this information to the reader, but since my character isn't aware of", "whole story to make him know or at least suspect that something like", "all that common and most inhabitants of the land don't really believe it", "then feel the payoff came out of nowhere and was not implied earlier?", "any better ideas than reworking the whole story to make him know or", "isn't aware of this, I've decided to leave hints throughout the adventure. This", "a burden than anything else, since it will impact the character in a", "be: How to lay out the setup so readers won't disregard it and", "readers will accuse me of jumping the shark or pulling a deus ex", "character in any significant way (From a logical perspective it makes no difference", "cannot die. I'm trying to convey this information to the reader, but since", "suspect that something like this is in effect. The story takes place in", "the character in a harmful way. I don't have any better ideas than", "than anything else, since it will impact the character in a harmful way.", "since my character isn't aware of this, I've decided to leave hints throughout", "common and most inhabitants of the land don't really believe it to be", "talk from the villagers. I'm afraid that once I put this mechanic into", "perspective it makes no difference if the character was to die permanently and", "this information to the reader, but since my character isn't aware of this,", "trying to convey this information to the reader, but since my character isn't", "because they missed the setup and are now angry with the payoff. What", "and then feel the payoff came out of nowhere and was not implied", "rumours that are dismissed by the characters as crazy talk from the villagers.", "story. Furthermore this will not help the character in any significant way (From", "the character in any significant way (From a logical perspective it makes no", "it will impact the character in a harmful way. I don't have any", "really believe it to be possible. I suppose the question would be:** How", "and are now angry with the payoff. 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This is mainly done through rumours that", "through rumours that are dismissed by the characters as crazy talk from the", "that are dismissed by the characters as crazy talk from the villagers. I'm", "I don't have any better ideas than reworking the whole story to make", "occurrence of this phenomenon happen in an irrelevant, random encounter and not somewhere", "of jumping the shark or pulling a deus ex machina because they missed", "I've already thought of is to make the first occurrence of this phenomenon", "of this, I've decided to leave hints throughout the adventure. This is mainly", "different outcome (Character dying) would have a major impact on the story. Furthermore", "lay out the setup so readers won't disregard it and then feel the", "are now angry with the payoff. What I've already thought of is to", "a fantasy world but resurrection isn't all that common and most inhabitants of", "effect. The story takes place in a fantasy world but resurrection isn't all", "this will not help the character in any significant way (From a logical", "this mechanic into use, my readers will accuse me of jumping the shark", "to die permanently and someone else continued his work or if it remains", "use, my readers will accuse me of jumping the shark or pulling a", "character that cannot die. I'm trying to convey this information to the reader,", "in effect. The story takes place in a fantasy world but resurrection isn't", "shark or pulling a deus ex machina because they missed the setup and", "way (From a logical perspective it makes no difference if the character was", "to lay out the setup so readers won't disregard it and then feel", "as crazy talk from the villagers. I'm afraid that once I put this", "that a different outcome (Character dying) would have a major impact on the", "irrelevant, random encounter and not somewhere that a different outcome (Character dying) would", "mainly done through rumours that are dismissed by the characters as crazy talk", "I'm afraid that once I put this mechanic into use, my readers will", "like this is in effect. The story takes place in a fantasy world", "The story takes place in a fantasy world but resurrection isn't all that", "I put this mechanic into use, my readers will accuse me of jumping", "anything else, since it will impact the character in a harmful way. I", "this is in effect. The story takes place in a fantasy world but", "Furthermore this will not help the character in any significant way (From a", "it and then feel the payoff came out of nowhere and was not", "the same character). I see it more as a burden than anything else,", "to make him know or at least suspect that something like this is", "my character isn't aware of this, I've decided to leave hints throughout the", "it more as a burden than anything else, since it will impact the", "the setup so readers won't disregard it and then feel the payoff came", "to convey this information to the reader, but since my character isn't aware", "my readers will accuse me of jumping the shark or pulling a deus", "mechanic into use, my readers will accuse me of jumping the shark or", "or at least suspect that something like this is in effect. The story", "that something like this is in effect. The story takes place in a", "but resurrection isn't all that common and most inhabitants of the land don't", "of the land don't really believe it to be possible. I suppose the", "setup so readers won't disregard it and then feel the payoff came out", "out the setup so readers won't disregard it and then feel the payoff", "at least suspect that something like this is in effect. The story takes", "better ideas than reworking the whole story to make him know or at", "(Character dying) would have a major impact on the story. Furthermore this will", "I've decided to leave hints throughout the adventure. This is mainly done through", "phenomenon happen in an irrelevant, random encounter and not somewhere that a different", "to be possible. I suppose the question would be: How to lay out", "of this phenomenon happen in an irrelevant, random encounter and not somewhere that", "his work or if it remains the same character). I see it more", "and not somewhere that a different outcome (Character dying) would have a major", "I suppose the question would be: How to lay out the setup so", "angry with the payoff. What I've already thought of is to make the", "a major impact on the story. Furthermore this will not help the character", "suppose the question would be: How to lay out the setup so readers", "is mainly done through rumours that are dismissed by the characters as crazy", "on the story. Furthermore this will not help the character in any significant", "remains the same character). I see it more as a burden than anything", "afraid that once I put this mechanic into use, my readers will accuse", "deus ex machina because they missed the setup and are now angry with", "question would be:** How to lay out the setup so readers won't disregard", "What I've already thought of is to make the first occurrence of this", "don't have any better ideas than reworking the whole story to make him", "since it will impact the character in a harmful way. I don't have", "or pulling a deus ex machina because they missed the setup and are", "setup and are now angry with the payoff. What I've already thought of", "aware of this, I've decided to leave hints throughout the adventure. This is", "would be: How to lay out the setup so readers won't disregard it", "continued his work or if it remains the same character). I see it", "land don't really believe it to be possible. I suppose the question would", "information to the reader, but since my character isn't aware of this, I've", "it to be possible. I suppose the question would be: How to lay", "I see it more as a burden than anything else, since it will", "something like this is in effect. The story takes place in a fantasy", "(From a logical perspective it makes no difference if the character was to", "way. I don't have any better ideas than reworking the whole story to", "the setup and are now angry with the payoff. What I've already thought", "an irrelevant, random encounter and not somewhere that a different outcome (Character dying)", "any significant way (From a logical perspective it makes no difference if the", "me of jumping the shark or pulling a deus ex machina because they", "story to make him know or at least suspect that something like this", "him know or at least suspect that something like this is in effect.", "the land don't really believe it to be possible. *I suppose the question", "from the villagers. I'm afraid that once I put this mechanic into use,", "character was to die permanently and someone else continued his work or if", "was to die permanently and someone else continued his work or if it", "will impact the character in a harmful way. I don't have any better", "decided to leave hints throughout the adventure. This is mainly done through rumours", "or if it remains the same character). I see it more as a", "that common and most inhabitants of the land don't really believe it to", "are dismissed by the characters as crazy talk from the villagers. I'm afraid", "dismissed by the characters as crazy talk from the villagers. I'm afraid that", "characters as crazy talk from the villagers. I'm afraid that once I put", "the villagers. I'm afraid that once I put this mechanic into use, my", "payoff. What I've already thought of is to make the first* occurrence of", "with the payoff. What I've already thought of is to make the first", "major impact on the story. Furthermore this will not help the character in", "know or at least suspect that something like this is in effect. The", "adventure. This is mainly done through rumours that are dismissed by the characters", "of is to make the first occurrence of this phenomenon happen in an", "a different outcome (Character dying) would have a major impact on the story.", "the character was to die permanently and someone else continued his work or", "permanently and someone else continued his work or if it remains the same", "harmful way. I don't have any better ideas than reworking the whole story", "possible. I suppose the question would be: How to lay out the setup", "already thought of is to make the first occurrence of this phenomenon happen", "this, I've decided to leave hints throughout the adventure. This is mainly done", "inhabitants of the land don't really believe it to be possible. I suppose", "in any significant way (From a logical perspective it makes no difference if", "more as a burden than anything else, since it will impact the character", "place in a fantasy world but resurrection isn't all that common and most", "a harmful way. I don't have any better ideas than reworking the whole", "most inhabitants of the land don't really believe it to be possible. I", "pulling a deus ex machina because they missed the setup and are now", "than reworking the whole story to make him know or at least suspect", "How to lay out the setup so readers won't disregard it and then", "leave hints throughout the adventure. This is mainly done through rumours that are", "into use, my readers will accuse me of jumping the shark or pulling", "logical perspective it makes no difference if the character was to die permanently", "I have a main character that cannot die. I'm trying to convey this", "so readers won't disregard it and then feel the payoff came out of", "die. I'm trying to convey this information to the reader, but since my", "thought of is to make the first occurrence of this phenomenon happen in", "no difference if the character was to die permanently and someone else continued", "they missed the setup and are now angry with the payoff. What I've", "make the first occurrence of this phenomenon happen in an irrelevant, random encounter", "don't really believe it to be possible. I suppose the question would be:", "done through rumours that are dismissed by the characters as crazy talk from", "fantasy world but resurrection isn't all that common and most inhabitants of the", "as a burden than anything else, since it will impact the character in", "throughout the adventure. This is mainly done through rumours that are dismissed by", "in a harmful way. I don't have any better ideas than reworking the" ]
[ "tries to help bookmark Etc. Is there a better method of reconstructing prose?", "pages. I must now reconstruct just over one hundred pages with a dozen", "followed by the word bookmark so I can work on them out of", "to help bookmark Etc. Is there a better method of reconstructing prose? Or", "would like to come as close to the original as possible, but know", "the word bookmark so I can work on them out of sequence and", "I must now reconstruct just over one hundred pages with a dozen plot", "as a bookmark. Right now it is looking like: * Shooting at recital", "a better method of reconstructing prose? Or should I embrace the void and", "an accidental select all delete followed by auto save, which prevented me from", "by auto save, which prevented me from just hitting undo. My novel became", "emailed a copy of it a few weeks ago, so was able to", "so was able to retrieve 628 pages. I must now reconstruct just over", "I use the word bookmark as a bookmark. Right now it is looking", "written each major plot point on a separate line followed by the word", "protagonist gets shot bookmark * Flight through the woods bookmark * Tertiary protagonist", "can work on them out of sequence and flesh them out properly. I", "out properly. I use the word bookmark as a bookmark. Right now it", "* Shooting at recital bookmark * Secondary protagonist gets shot bookmark * Flight", "which prevented me from just hitting undo. My novel became an empty file.", "bookmark * Tertiary protagonist tries to help bookmark Etc. Is there a better", "woods bookmark * Tertiary protagonist tries to help bookmark Etc. Is there a", "of sequence and flesh them out properly. I use the word bookmark as", "bookmark so I can work on them out of sequence and flesh them", "plot points. I would like to come as close to the original as", "one hundred pages with a dozen plot points. I would like to come", "Flight through the woods bookmark * Tertiary protagonist tries to help bookmark Etc.", "prose? Or should I embrace the void and just write it completely differently?", "I use MS Word. I had emailed a copy of it a few", "hitting undo. My novel became an empty file. I use MS Word. I", "most will differ. I have written each major plot point on a separate", "will differ. I have written each major plot point on a separate line", "had emailed a copy of it a few weeks ago, so was able", "to retrieve 628 pages. I must now reconstruct just over one hundred pages", "original as possible, but know most will differ. I have written each major", "them out properly. I use the word bookmark as a bookmark. Right now", "looking like: * Shooting at recital bookmark * Secondary protagonist gets shot bookmark", "gets shot bookmark * Flight through the woods bookmark * Tertiary protagonist tries", "know most will differ. I have written each major plot point on a", "a few weeks ago, so was able to retrieve 628 pages. I must", "to come as close to the original as possible, but know most will", "work on them out of sequence and flesh them out properly. I use", "method of reconstructing prose? Or should I embrace the void and just write", "just hitting undo. My novel became an empty file. I use MS Word.", "on them out of sequence and flesh them out properly. I use the", "with a dozen plot points. I would like to come as close to", "is looking like: * Shooting at recital bookmark * Secondary protagonist gets shot", "have written each major plot point on a separate line followed by the", "the word bookmark as a bookmark. Right now it is looking like: ", "a dozen plot points. I would like to come as close to the", "now it is looking like: Shooting at recital bookmark * Secondary protagonist", "This morning I had an accidental select all delete followed by auto save,", "novel became an empty file. I use MS Word. I had emailed a", "it is looking like: * Shooting at recital bookmark * Secondary protagonist gets", "help bookmark Etc. Is there a better method of reconstructing prose? Or should", "few weeks ago, so was able to retrieve 628 pages. I must now", "as close to the original as possible, but know most will differ. I", "plot point on a separate line followed by the word bookmark so I", "became an empty file. I use MS Word. I had emailed a copy", "as possible, but know most will differ. I have written each major plot", "I would like to come as close to the original as possible, but", "reconstructing prose? Or should I embrace the void and just write it completely", "close to the original as possible, but know most will differ. I have", "just over one hundred pages with a dozen plot points. I would like", "reconstruct just over one hundred pages with a dozen plot points. I would", "weeks ago, so was able to retrieve 628 pages. I must now reconstruct", "I had emailed a copy of it a few weeks ago, so was", "a bookmark. Right now it is looking like: * Shooting at recital bookmark", "I had an accidental select all delete followed by auto save, which prevented", "there a better method of reconstructing prose? Or should I embrace the void", "word bookmark so I can work on them out of sequence and flesh", "like to come as close to the original as possible, but know most", "* Secondary protagonist gets shot bookmark * Flight through the woods bookmark ", "Right now it is looking like: Shooting at recital bookmark * Secondary", "to the original as possible, but know most will differ. I have written", "at recital bookmark * Secondary protagonist gets shot bookmark * Flight through the", "of reconstructing prose? Or should I embrace the void and just write it", "word bookmark as a bookmark. Right now it is looking like: * Shooting", "Is there a better method of reconstructing prose? Or should I embrace the", "retrieve 628 pages. I must now reconstruct just over one hundred pages with", "bookmark. Right now it is looking like: * Shooting at recital bookmark ", "628 pages. I must now reconstruct just over one hundred pages with a", "each major plot point on a separate line followed by the word bookmark", "I can work on them out of sequence and flesh them out properly.", "was able to retrieve 628 pages. I must now reconstruct just over one", "MS Word. I had emailed a copy of it a few weeks ago,", "and flesh them out properly. I use the word bookmark as a bookmark.", "over one hundred pages with a dozen plot points. I would like to", " Tertiary protagonist tries to help bookmark Etc. Is there a better method", "all delete followed by auto save, which prevented me from just hitting undo.", "them out of sequence and flesh them out properly. I use the word", "followed by auto save, which prevented me from just hitting undo. My novel", "file. I use MS Word. I had emailed a copy of it a", "Secondary protagonist gets shot bookmark * Flight through the woods bookmark * Tertiary", "select all delete followed by auto save, which prevented me from just hitting", "able to retrieve 628 pages. I must now reconstruct just over one hundred", "major plot point on a separate line followed by the word bookmark so", "sequence and flesh them out properly. I use the word bookmark as a", "My novel became an empty file. I use MS Word. I had emailed", "an empty file. I use MS Word. I had emailed a copy of", "of it a few weeks ago, so was able to retrieve 628 pages.", "like: * Shooting at recital bookmark * Secondary protagonist gets shot bookmark ", "properly. I use the word bookmark as a bookmark. Right now it is", "flesh them out properly. I use the word bookmark as a bookmark. Right", "out of sequence and flesh them out properly. I use the word bookmark", "save, which prevented me from just hitting undo. My novel became an empty", "differ. I have written each major plot point on a separate line followed", "empty file. I use MS Word. I had emailed a copy of it", "use MS Word. I had emailed a copy of it a few weeks", "pages with a dozen plot points. I would like to come as close", "Word. I had emailed a copy of it a few weeks ago, so", "by the word bookmark so I can work on them out of sequence", "a copy of it a few weeks ago, so was able to retrieve", "Shooting at recital bookmark Secondary protagonist gets shot bookmark * Flight through", "bookmark * Flight through the woods bookmark * Tertiary protagonist tries to help", "on a separate line followed by the word bookmark so I can work", "better method of reconstructing prose? Or should I embrace the void and just", "undo. My novel became an empty file. I use MS Word. I had", "auto save, which prevented me from just hitting undo. My novel became an", "Etc. Is there a better method of reconstructing prose? Or should I embrace", "morning I had an accidental select all delete followed by auto save, which", "line followed by the word bookmark so I can work on them out", "points. I would like to come as close to the original as possible,", "Tertiary protagonist tries to help bookmark Etc. Is there a better method of", "so I can work on them out of sequence and flesh them out", "dozen plot points. I would like to come as close to the original", "must now reconstruct just over one hundred pages with a dozen plot points.", "the original as possible, but know most will differ. I have written each", "possible, but know most will differ. I have written each major plot point", "now reconstruct just over one hundred pages with a dozen plot points. I", "shot bookmark * Flight through the woods bookmark * Tertiary protagonist tries to", "point on a separate line followed by the word bookmark so I can", "use the word bookmark as a bookmark. Right now it is looking like:", "bookmark Etc. Is there a better method of reconstructing prose? Or should I", "through the woods bookmark * Tertiary protagonist tries to help bookmark Etc. Is", "but know most will differ. I have written each major plot point on", "ago, so was able to retrieve 628 pages. I must now reconstruct just", "bookmark as a bookmark. Right now it is looking like: * Shooting at", "the woods bookmark * Tertiary protagonist tries to help bookmark Etc. Is there", "me from just hitting undo. My novel became an empty file. I use", "come as close to the original as possible, but know most will differ.", "from just hitting undo. My novel became an empty file. I use MS", "I have written each major plot point on a separate line followed by", "separate line followed by the word bookmark so I can work on them", "protagonist tries to help bookmark Etc. Is there a better method of reconstructing", "delete followed by auto save, which prevented me from just hitting undo. My", "hundred pages with a dozen plot points. I would like to come as", "had an accidental select all delete followed by auto save, which prevented me", "* Flight through the woods bookmark * Tertiary protagonist tries to help bookmark", "a separate line followed by the word bookmark so I can work on", "it a few weeks ago, so was able to retrieve 628 pages. I", "bookmark * Secondary protagonist gets shot bookmark * Flight through the woods bookmark", "accidental select all delete followed by auto save, which prevented me from just", "copy of it a few weeks ago, so was able to retrieve 628", "recital bookmark * Secondary protagonist gets shot bookmark * Flight through the woods", "prevented me from just hitting undo. My novel became an empty file. I" ]
[ "way to build tension. Do long sentences have a defined emotional impact in", "sentences are a way to build tension. Do long sentences have a defined", "short sentences are a way to build tension. Do long sentences have a", "to build tension. Do long sentences have a defined emotional impact in fiction", "that short sentences are a way to build tension. Do long sentences have", "a way to build tension. Do long sentences have a defined emotional impact", "I understand that short sentences are a way to build tension. Do long", "build tension. Do long sentences have a defined emotional impact in fiction writing?", "are a way to build tension. Do long sentences have a defined emotional", "understand that short sentences are a way to build tension. Do long sentences" ]
[ "the people seem to be sticking to 100 to 250 words when it", "I get overly descriptive and cause my roleplay partners to wait, and sometimes", "I wish to ask is, while writing a roleplay post, how can I", "to wait, and sometimes I feel I don't provide enough detail. What I", "making their posts, but sometimes I get overly descriptive and cause my roleplay", "real-time chat-based roleplay group. Most of the people seem to be sticking to", "comes to making their posts, but sometimes I get overly descriptive and cause", "a real-time chat-based roleplay group. Most of the people seem to be sticking", "to ask is, while writing a roleplay post, how can I decide what", "post, how can I decide what parts I should embellish and what parts", "sticking to 100 to 250 words when it comes to making their posts,", "to 250 words when it comes to making their posts, but sometimes I", "don't provide enough detail. What I wish to ask is, while writing a", "it comes to making their posts, but sometimes I get overly descriptive and", "cause my roleplay partners to wait, and sometimes I feel I don't provide", "250 words when it comes to making their posts, but sometimes I get", "Most of the people seem to be sticking to 100 to 250 words", "100 to 250 words when it comes to making their posts, but sometimes", "how can I decide what parts I should embellish and what parts to", "decide what parts I should embellish and what parts to avoid writing about?", "their posts, but sometimes I get overly descriptive and cause my roleplay partners", "words when it comes to making their posts, but sometimes I get overly", "while writing a roleplay post, how can I decide what parts I should", "to 100 to 250 words when it comes to making their posts, but", "writing a roleplay post, how can I decide what parts I should embellish", "I decide what parts I should embellish and what parts to avoid writing", "can I decide what parts I should embellish and what parts to avoid", "of the people seem to be sticking to 100 to 250 words when", "but sometimes I get overly descriptive and cause my roleplay partners to wait,", "descriptive and cause my roleplay partners to wait, and sometimes I feel I", "I don't provide enough detail. What I wish to ask is, while writing", "provide enough detail. What I wish to ask is, while writing a roleplay", "when it comes to making their posts, but sometimes I get overly descriptive", "and cause my roleplay partners to wait, and sometimes I feel I don't", "partners to wait, and sometimes I feel I don't provide enough detail. What", "feel I don't provide enough detail. What I wish to ask is, while", "people seem to be sticking to 100 to 250 words when it comes", "wait, and sometimes I feel I don't provide enough detail. What I wish", "is, while writing a roleplay post, how can I decide what parts I", "a roleplay post, how can I decide what parts I should embellish and", "I have recently joined a real-time chat-based roleplay group. Most of the people", "roleplay group. Most of the people seem to be sticking to 100 to", "sometimes I get overly descriptive and cause my roleplay partners to wait, and", "ask is, while writing a roleplay post, how can I decide what parts", "roleplay partners to wait, and sometimes I feel I don't provide enough detail.", "roleplay post, how can I decide what parts I should embellish and what", "chat-based roleplay group. Most of the people seem to be sticking to 100", "seem to be sticking to 100 to 250 words when it comes to", "be sticking to 100 to 250 words when it comes to making their", "detail. What I wish to ask is, while writing a roleplay post, how", "posts, but sometimes I get overly descriptive and cause my roleplay partners to", "to be sticking to 100 to 250 words when it comes to making", "joined a real-time chat-based roleplay group. Most of the people seem to be", "get overly descriptive and cause my roleplay partners to wait, and sometimes I", "my roleplay partners to wait, and sometimes I feel I don't provide enough", "have recently joined a real-time chat-based roleplay group. Most of the people seem", "and sometimes I feel I don't provide enough detail. What I wish to", "I feel I don't provide enough detail. What I wish to ask is,", "wish to ask is, while writing a roleplay post, how can I decide", "group. Most of the people seem to be sticking to 100 to 250", "recently joined a real-time chat-based roleplay group. Most of the people seem to", "enough detail. What I wish to ask is, while writing a roleplay post,", "What I wish to ask is, while writing a roleplay post, how can", "overly descriptive and cause my roleplay partners to wait, and sometimes I feel", "to making their posts, but sometimes I get overly descriptive and cause my", "sometimes I feel I don't provide enough detail. What I wish to ask" ]
[ "it be a waste of space? By spaces, I mean the following. ```", "writing a story and I have these 3 sentences that elaborate on the", "sentences to create spacing? Are there any other stories that do so? Is", "mean the following. ``` Sentence 1.... (Space here) Sentence 2... (Space here) Sentence", "that elaborate on the ending of a first page. This way the reader", "elaborate on the ending of a first page. This way the reader will", "I have these 3 sentences that elaborate on the ending of a first", "to read my story. My question is, am I allowed to place paragraph", "story. My question is, am I allowed to place paragraph spacing in between", "spaces, I mean the following. ``` Sentence 1.... (Space here) Sentence 2... (Space", "am I allowed to place paragraph spacing in between these sentences to create", "that do so? Is it correct or will it be a waste of", "to place paragraph spacing in between these sentences to create spacing? Are there", "on the ending of a first page. This way the reader will continue", "first page. This way the reader will continue to read my story. My", "place paragraph spacing in between these sentences to create spacing? Are there any", "I allowed to place paragraph spacing in between these sentences to create spacing?", "spacing? Are there any other stories that do so? Is it correct or", "a first page. This way the reader will continue to read my story.", "my story. My question is, am I allowed to place paragraph spacing in", "the following. ``` Sentence 1.... (Space here) Sentence 2... (Space here) Sentence 3....", "allowed to place paragraph spacing in between these sentences to create spacing? Are", "other stories that do so? Is it correct or will it be a", "is, am I allowed to place paragraph spacing in between these sentences to", "read my story. My question is, am I allowed to place paragraph spacing", "any other stories that do so? Is it correct or will it be", "it correct or will it be a waste of space? By spaces, I", "correct or will it be a waste of space? By spaces, I mean", "Sentence 1.... (Space here) Sentence 2... (Space here) Sentence 3.... (Space here) ```", "a waste of space? By spaces, I mean the following. ``` Sentence 1....", "these sentences to create spacing? Are there any other stories that do so?", "3 sentences that elaborate on the ending of a first page. This way", "in between these sentences to create spacing? Are there any other stories that", "I am writing a story and I have these 3 sentences that elaborate", "have these 3 sentences that elaborate on the ending of a first page.", "ending of a first page. This way the reader will continue to read", "By spaces, I mean the following. ``` Sentence 1.... (Space here) Sentence 2...", "am writing a story and I have these 3 sentences that elaborate on", "sentences that elaborate on the ending of a first page. This way the", "way the reader will continue to read my story. My question is, am", "between these sentences to create spacing? Are there any other stories that do", "reader will continue to read my story. My question is, am I allowed", "My question is, am I allowed to place paragraph spacing in between these", "waste of space? By spaces, I mean the following. ``` Sentence 1.... (Space", "these 3 sentences that elaborate on the ending of a first page. This", "of a first page. This way the reader will continue to read my", "spacing in between these sentences to create spacing? Are there any other stories", "the ending of a first page. This way the reader will continue to", "be a waste of space? By spaces, I mean the following. ``` Sentence", "I mean the following. ``` Sentence 1.... (Space here) Sentence 2... (Space here)", "and I have these 3 sentences that elaborate on the ending of a", "will it be a waste of space? By spaces, I mean the following.", "continue to read my story. My question is, am I allowed to place", "do so? Is it correct or will it be a waste of space?", "following. ``` Sentence 1.... (Space here) Sentence 2... (Space here) Sentence 3.... (Space", "space? By spaces, I mean the following. ``` Sentence 1.... (Space here) Sentence", "``` Sentence 1.... (Space here) Sentence 2... (Space here) Sentence 3.... (Space here)", "the reader will continue to read my story. My question is, am I", "page. This way the reader will continue to read my story. My question", "story and I have these 3 sentences that elaborate on the ending of", "a story and I have these 3 sentences that elaborate on the ending", "Are there any other stories that do so? Is it correct or will", "stories that do so? Is it correct or will it be a waste", "of space? By spaces, I mean the following. ``` Sentence 1.... (Space here)", "paragraph spacing in between these sentences to create spacing? Are there any other", "This way the reader will continue to read my story. My question is,", "Is it correct or will it be a waste of space? By spaces,", "so? Is it correct or will it be a waste of space? By", "will continue to read my story. My question is, am I allowed to", "to create spacing? Are there any other stories that do so? Is it", "or will it be a waste of space? By spaces, I mean the", "there any other stories that do so? Is it correct or will it", "create spacing? Are there any other stories that do so? Is it correct", "question is, am I allowed to place paragraph spacing in between these sentences" ]
[ "to emphasize that part. I'd like to open my horizons a bit and", "like to open my horizons a bit and (hopefully) discover some other ways", "and I want to emphasize that part. I'd like to open my horizons", "for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper about emphasizing. I'd like", "emphasize? Are there any other ways to emphasize paragraphs and sentences, other than", "used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper about emphasizing. I'd", "other ways to emphasize? Are there any other ways to emphasize paragraphs and", "I'd like to emphasize to create tension and make the reader continue reading.", "that got me thinking even deeper about emphasizing. I'd like to emphasize to", "create tension and make the reader continue reading. I'm writing a first page,", "horizons a bit and (hopefully) discover some other ways to emphasize? Are there", "part, and I want to emphasize that part. I'd like to open my", "ways to emphasize? Are there any other ways to emphasize paragraphs and sentences,", "question the last part, and I want to emphasize that part. I'd like", "to emphasize to create tension and make the reader continue reading. I'm writing", "discover some other ways to emphasize? Are there any other ways to emphasize", "so (in my opinion) I want the reader to question the last part,", "reader continue reading. I'm writing a first page, and to do so (in", "other ways to emphasize paragraphs and sentences, other than changing the text itself", "question was \"[Are paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking", "to create tension and make the reader continue reading. I'm writing a first", "to question the last part, and I want to emphasize that part. I'd", "first page, and to do so (in my opinion) I want the reader", "the reader continue reading. I'm writing a first page, and to do so", "deeper about emphasizing. I'd like to emphasize to create tension and make the", "open my horizons a bit and (hopefully) discover some other ways to emphasize?", "my horizons a bit and (hopefully) discover some other ways to emphasize? Are", "emphasize to create tension and make the reader continue reading. I'm writing a", "emphasize paragraphs and sentences, other than changing the text itself (underline, bolding, etc)", "reader to question the last part, and I want to emphasize that part.", "emphasizing. I'd like to emphasize to create tension and make the reader continue", "to open my horizons a bit and (hopefully) discover some other ways to", "got me thinking even deeper about emphasizing. I'd like to emphasize to create", "spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper about emphasizing.", "I want to emphasize that part. I'd like to open my horizons a", "my opinion) I want the reader to question the last part, and I", "tension and make the reader continue reading. I'm writing a first page, and", "I'd like to open my horizons a bit and (hopefully) discover some other", "(hopefully) discover some other ways to emphasize? Are there any other ways to", "ways to emphasize paragraphs and sentences, other than changing the text itself (underline,", "even deeper about emphasizing. I'd like to emphasize to create tension and make", "a first page, and to do so (in my opinion) I want the", "me thinking even deeper about emphasizing. I'd like to emphasize to create tension", "do so (in my opinion) I want the reader to question the last", "changing the text itself (underline, bolding, etc) and adding spacing? Are there any", "paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper about", "paragraphs and sentences, other than changing the text itself (underline, bolding, etc) and", "(in my opinion) I want the reader to question the last part, and", "any other ways to emphasize paragraphs and sentences, other than changing the text", "a bit and (hopefully) discover some other ways to emphasize? Are there any", "Are there any other ways to emphasize paragraphs and sentences, other than changing", "like to emphasize to create tension and make the reader continue reading. I'm", "than changing the text itself (underline, bolding, etc) and adding spacing? Are there", "to do so (in my opinion) I want the reader to question the", "want the reader to question the last part, and I want to emphasize", "other than changing the text itself (underline, bolding, etc) and adding spacing? Are", "bit and (hopefully) discover some other ways to emphasize? Are there any other", "I want the reader to question the last part, and I want to", "continue reading. I'm writing a first page, and to do so (in my", "previous question was \"[Are paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me", "and sentences, other than changing the text itself (underline, bolding, etc) and adding", "to emphasize? Are there any other ways to emphasize paragraphs and sentences, other", "text itself (underline, bolding, etc) and adding spacing? Are there any benefits of", "to emphasize paragraphs and sentences, other than changing the text itself (underline, bolding,", "the text itself (underline, bolding, etc) and adding spacing? Are there any benefits", "writing a first page, and to do so (in my opinion) I want", "opinion) I want the reader to question the last part, and I want", "My previous question was \"[Are paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got", "want to emphasize that part. I'd like to open my horizons a bit", "and that got me thinking even deeper about emphasizing. I'd like to emphasize", "I'm writing a first page, and to do so (in my opinion) I", "that part. I'd like to open my horizons a bit and (hopefully) discover", "sentences, other than changing the text itself (underline, bolding, etc) and adding spacing?", "itself (underline, bolding, etc) and adding spacing? Are there any benefits of each", "thinking even deeper about emphasizing. I'd like to emphasize to create tension and", "last part, and I want to emphasize that part. I'd like to open", "emphasize that part. I'd like to open my horizons a bit and (hopefully)", "make the reader continue reading. I'm writing a first page, and to do", "\"[Are paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper", "was \"[Are paragraph spacing used for emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even", "the last part, and I want to emphasize that part. I'd like to", "part. I'd like to open my horizons a bit and (hopefully) discover some", "(underline, bolding, etc) and adding spacing? Are there any benefits of each one?", "emphasis?](https://writing.stackexchange.com/questions/40894/are-paragraph-spaces-used-for-emphasis#comment66147_40894)\" and that got me thinking even deeper about emphasizing. I'd like to", "and (hopefully) discover some other ways to emphasize? Are there any other ways", "reading. I'm writing a first page, and to do so (in my opinion)", "and make the reader continue reading. I'm writing a first page, and to", "some other ways to emphasize? Are there any other ways to emphasize paragraphs", "the reader to question the last part, and I want to emphasize that", "there any other ways to emphasize paragraphs and sentences, other than changing the", "page, and to do so (in my opinion) I want the reader to", "and to do so (in my opinion) I want the reader to question", "about emphasizing. I'd like to emphasize to create tension and make the reader" ]