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[ "or a movie) compared to the whole lifetime of the character. Also, he", "character, without references to early days of his life. Now, Assuming that Dipq", "that fits in a finite amount of time (i.e. a book or a", "story. Well, consider the short text of Philip Dipq, \"We Can Remember It", "the short text of Philip Dipq, \"We Can Remember It for You Wholesale\".", "without references to early days of his life. Now, Assuming that Dipq wrote", "wrote an entire life story for Douglas Quail (the main character of the", "But, that doesn't fit into the other aim of the concept of \"story", "fits in a finite amount of time (i.e. a book or a movie)", "seems that the concept of \"story told\" is a representation of a \"life", "that expresses everything that the writer has left out from the whole life", "to try and express the other parts that the writer left out from", "a concept that expresses everything that the writer has left out from the", "Also, he says that the story told is a concept that expresses everything", "transforming a life story into a story told. But, that doesn't fit into", "Dipq chose just a little part of Douglas Quail's lifetime to write the", "Douglas Quail. So my question is: How precise is McKee's advice in STORY,", "life story for Douglas Quail (the main character of the short text) and", "the whole lifetime of the character. Also, he says that the story told", "the other parts that the writer left out from the whole life story", "compared to the whole lifetime of the character. Also, he says that the", "part of Douglas Quail's lifetime to write the short text: According to McKee,", "Robert McKee's book STORY, he says that a whole life story of a", "well inside the structure of transforming a life story into a story told.", "consider the short text of Philip Dipq, \"We Can Remember It for You", "short text) and then Dipq chose just a little part of Douglas Quail's", "story\" that fits in a finite amount of time (i.e. a book or", "then Dipq chose just a little part of Douglas Quail's lifetime to write", "for You Wholesale\". In that text we encounter an adult main character, without", "that doesn't fit into the other aim of the concept of \"story told\"", "inside the structure of transforming a life story into a story told. But,", "main character of the short text) and then Dipq chose just a little", "whole life story of Douglas Quail. So my question is: How precise is", "a whole life story of a character must become a story well-told. So,", "In Robert McKee's book STORY, he says that a whole life story of", "(the main character of the short text) and then Dipq chose just a", "that the concept of \"story told\" is a representation of a \"life story\"", "aim of the concept of \"story told\" which is to try and express", "that Dipq wrote an entire life story for Douglas Quail (the main character", "of the character. Also, he says that the story told is a concept", "writer left out from the whole life story of Douglas Quail. So my", "doesn't fit into the other aim of the concept of \"story told\" which", "of his life. Now, Assuming that Dipq wrote an entire life story for", "Assuming that Dipq wrote an entire life story for Douglas Quail (the main", "So my question is: How precise is McKee's advice in STORY, in order", "an entire life story for Douglas Quail (the main character of the short", "text of Philip Dipq, \"We Can Remember It for You Wholesale\". In that", "days of his life. Now, Assuming that Dipq wrote an entire life story", "story told. But, that doesn't fit into the other aim of the concept", "concept of \"story told\" is a representation of a \"life story\" that fits", "of Philip Dipq, \"We Can Remember It for You Wholesale\". In that text", "that text we encounter an adult main character, without references to early days", "Dipq wrote an entire life story for Douglas Quail (the main character of", "text we encounter an adult main character, without references to early days of", "chose just a little part of Douglas Quail's lifetime to write the short", "short text: According to McKee, this fits well inside the structure of transforming", "fit into the other aim of the concept of \"story told\" which is", "McKee's book STORY, he says that a whole life story of a character", "story of Douglas Quail. So my question is: How precise is McKee's advice", "\"story told\" which is to try and express the other parts that the", "Remember It for You Wholesale\". In that text we encounter an adult main", "left out from the whole life story. Well, consider the short text of", "Dipq, \"We Can Remember It for You Wholesale\". In that text we encounter", "writer has left out from the whole life story. Well, consider the short", "he says that the story told is a concept that expresses everything that", "STORY, he says that a whole life story of a character must become", "It for You Wholesale\". In that text we encounter an adult main character,", "story for Douglas Quail (the main character of the short text) and then", "into a story told. But, that doesn't fit into the other aim of", "\"story told\" is a representation of a \"life story\" that fits in a", "adult main character, without references to early days of his life. Now, Assuming", "told. But, that doesn't fit into the other aim of the concept of", "Quail. So my question is: How precise is McKee's advice in STORY, in", "of the concept of \"story told\" which is to try and express the", "short text of Philip Dipq, \"We Can Remember It for You Wholesale\". In", "(i.e. a book or a movie) compared to the whole lifetime of the", "of Douglas Quail's lifetime to write the short text: According to McKee, this", "story well-told. So, it seems that the concept of \"story told\" is a", "is: How precise is McKee's advice in STORY, in order to write a", "expresses everything that the writer has left out from the whole life story.", "of time (i.e. a book or a movie) compared to the whole lifetime", "book or a movie) compared to the whole lifetime of the character. Also,", "whole life story of a character must become a story well-told. So, it", "early days of his life. Now, Assuming that Dipq wrote an entire life", "McKee, this fits well inside the structure of transforming a life story into", "Philip Dipq, \"We Can Remember It for You Wholesale\". In that text we", "character. Also, he says that the story told is a concept that expresses", "an adult main character, without references to early days of his life. Now,", "in a finite amount of time (i.e. a book or a movie) compared", "the short text: According to McKee, this fits well inside the structure of", "a story told. But, that doesn't fit into the other aim of the", "life story. Well, consider the short text of Philip Dipq, \"We Can Remember", "that the writer has left out from the whole life story. Well, consider", "out from the whole life story. Well, consider the short text of Philip", "So, it seems that the concept of \"story told\" is a representation of", "book STORY, he says that a whole life story of a character must", "amount of time (i.e. a book or a movie) compared to the whole", "he says that a whole life story of a character must become a", "structure of transforming a life story into a story told. But, that doesn't", "a representation of a \"life story\" that fits in a finite amount of", "the short text) and then Dipq chose just a little part of Douglas", "it seems that the concept of \"story told\" is a representation of a", "life story into a story told. But, that doesn't fit into the other", "try and express the other parts that the writer left out from the", "parts that the writer left out from the whole life story of Douglas", "main character, without references to early days of his life. Now, Assuming that", "the concept of \"story told\" is a representation of a \"life story\" that", "Quail's lifetime to write the short text: According to McKee, this fits well", "life story of a character must become a story well-told. So, it seems", "Now, Assuming that Dipq wrote an entire life story for Douglas Quail (the", "whole life story. Well, consider the short text of Philip Dipq, \"We Can", "entire life story for Douglas Quail (the main character of the short text)", "Douglas Quail (the main character of the short text) and then Dipq chose", "says that a whole life story of a character must become a story", "from the whole life story of Douglas Quail. So my question is: How", "the structure of transforming a life story into a story told. But, that", "question is: How precise is McKee's advice in STORY, in order to write", "for Douglas Quail (the main character of the short text) and then Dipq", "text) and then Dipq chose just a little part of Douglas Quail's lifetime", "story into a story told. But, that doesn't fit into the other aim", "express the other parts that the writer left out from the whole life", "of transforming a life story into a story told. But, that doesn't fit", "a story well-told. So, it seems that the concept of \"story told\" is", "of \"story told\" which is to try and express the other parts that", "movie) compared to the whole lifetime of the character. Also, he says that", "time (i.e. a book or a movie) compared to the whole lifetime of", "a character must become a story well-told. So, it seems that the concept", "well-told. So, it seems that the concept of \"story told\" is a representation", "is a concept that expresses everything that the writer has left out from", "references to early days of his life. Now, Assuming that Dipq wrote an", "You Wholesale\". In that text we encounter an adult main character, without references", "is a representation of a \"life story\" that fits in a finite amount", "In that text we encounter an adult main character, without references to early", "Quail (the main character of the short text) and then Dipq chose just", "told is a concept that expresses everything that the writer has left out", "this fits well inside the structure of transforming a life story into a", "of a character must become a story well-told. So, it seems that the", "says that the story told is a concept that expresses everything that the", "from the whole life story. Well, consider the short text of Philip Dipq,", "must become a story well-told. So, it seems that the concept of \"story", "everything that the writer has left out from the whole life story. Well,", "become a story well-told. So, it seems that the concept of \"story told\"", "to early days of his life. Now, Assuming that Dipq wrote an entire", "has left out from the whole life story. Well, consider the short text", "little part of Douglas Quail's lifetime to write the short text: According to", "my question is: How precise is McKee's advice in STORY, in order to", "to McKee, this fits well inside the structure of transforming a life story", "of the short text) and then Dipq chose just a little part of", "a finite amount of time (i.e. a book or a movie) compared to", "other aim of the concept of \"story told\" which is to try and", "story told is a concept that expresses everything that the writer has left", "the concept of \"story told\" which is to try and express the other", "a movie) compared to the whole lifetime of the character. Also, he says", "and then Dipq chose just a little part of Douglas Quail's lifetime to", "representation of a \"life story\" that fits in a finite amount of time", "of a \"life story\" that fits in a finite amount of time (i.e.", "told\" which is to try and express the other parts that the writer", "the other aim of the concept of \"story told\" which is to try", "out from the whole life story of Douglas Quail. So my question is:", "a little part of Douglas Quail's lifetime to write the short text: According", "is to try and express the other parts that the writer left out", "of Douglas Quail. So my question is: How precise is McKee's advice in", "Can Remember It for You Wholesale\". In that text we encounter an adult", "character must become a story well-told. So, it seems that the concept of", "finite amount of time (i.e. a book or a movie) compared to the", "and express the other parts that the writer left out from the whole", "left out from the whole life story of Douglas Quail. So my question", "that the story told is a concept that expresses everything that the writer", "a \"life story\" that fits in a finite amount of time (i.e. a", "\"life story\" that fits in a finite amount of time (i.e. a book", "write the short text: According to McKee, this fits well inside the structure", "How precise is McKee's advice in STORY, in order to write a book?", "fits well inside the structure of transforming a life story into a story", "text: According to McKee, this fits well inside the structure of transforming a", "the writer has left out from the whole life story. Well, consider the", "a life story into a story told. But, that doesn't fit into the", "lifetime of the character. Also, he says that the story told is a", "a book or a movie) compared to the whole lifetime of the character.", "\"We Can Remember It for You Wholesale\". In that text we encounter an", "the writer left out from the whole life story of Douglas Quail. So", "that the writer left out from the whole life story of Douglas Quail.", "told\" is a representation of a \"life story\" that fits in a finite", "Well, consider the short text of Philip Dipq, \"We Can Remember It for", "lifetime to write the short text: According to McKee, this fits well inside", "just a little part of Douglas Quail's lifetime to write the short text:", "to write the short text: According to McKee, this fits well inside the", "into the other aim of the concept of \"story told\" which is to", "which is to try and express the other parts that the writer left", "whole lifetime of the character. 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In that text we encounter an adult main character, without references to", "life. Now, Assuming that Dipq wrote an entire life story for Douglas Quail", "other parts that the writer left out from the whole life story of", "the whole life story. Well, consider the short text of Philip Dipq, \"We", "life story of Douglas Quail. So my question is: How precise is McKee's", "the character. Also, he says that the story told is a concept that", "encounter an adult main character, without references to early days of his life.", "to the whole lifetime of the character. Also, he says that the story" ]
[ "romance). 4. Stories with a sexual or erotic narrative but without any (significant)", "they have sex and nothing can keep that person from acquiring experience. Only", "narrative as we find them in some pornographic movies. On the other end", "* a character is raped or forced to have sex * a character", "--- I want to write an erotic novel (which does not contain rape)", "having sex; nothing else happens ### 3. Stories about sex with a non-sexual", "to stories that are purely sexual: 1. Stories without sensuality, eroticism, or sex.", "to repeat and emphasize that in the context of this question a \"purely", "in the context of this question a \"purely erotic story\" is one where", "sex in circumstances where sex is not allowed or taboo (in public, with", "experience to sexual empowerment – what can cause conflict? It seems to me", "is one where the protagonists aren't hindered from achieving their goals by external", "elements to that. If this approach doesn't work, I'll try another one. It", "for the purpose of my question regarding my writing experiment, if you attempt", "eroticism, or sex. 3. Stories about love, eroticism, and sex with differing amounts", "erotic in essence and which are not essentially erotic but sexualized. I want", "regarding my writing experiment, if you attempt an answer please respect the definitions", "but that other character desires sex with a third character. This rival/triangle story", "the context of this question a \"purely erotic story\" is one where the", "different concept of what is and what isn't erotic to you, but for", "need to add non-erotic elements to that. If this approach doesn't work, I'll", "have sex * a character has sex in circumstances where sex is not", "development of a purely erotic plot, that is, a plot where the erotic", "sensuality, eroticism, or sex. 2. Stories about primarily non-sexual matters (a criminal case,", "rivals or social segregation, as they commonly are in romance novels. In a", "sexual. --- I want to write an erotic novel (which does not contain", "commonly are in romance novels. In a \"purely erotic story\", the obstacles and", "problems, etc.) with differing amounts of sensuality, eroticism, or sex. 3. Stories about", "erotic thriller) In an erotic novel, where the stakes are romantic or sexual", "categories, let's define them in more detail and give some examples: ### 5.", "to [my previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline: 1. stories", "character can stop time with a technological device or with a spell from", "a character learns to have sex or to perform certain sexual practices or", "an opponent or obstacle in sex. In this way, these stories are \"purely", "where the stakes are romantic or sexual – i.e. the story develops (to", "turn, for example: A child wants to be friends with another child, but", "erotic to you, but for the purpose of my question regarding my writing", "case, a law suit, future technological development, history, family problems, etc.) with differing", "and seems to be disinterested. Here we have the same rival/triangle story, but", "(where a rival or differences in class stand between the lovers), or other", "In between, there are stories with differing amounts of sensuality, eroticism, and sex.", "desire to consummation or * from loveless sex to romantic love or ", "The stories are about sex. But they contain non-sexual narrative elements which could", "the sexual turn, for example: A character can stop time with a technological", "goals by external obstacles such as rivals or social segregation, as they commonly", "or to enjoy them a character is raped or forced to have", "erotic novel (which does not contain rape) and am currently brainstorming story ideas.", "non-sexual narrative In this category, sex and eroticism are the main topics or", "between the third, fourth, and fifth story categories, let's define them in more", "sexual turn, for example: A character can stop time with a technological device", "turn, for example: A character can stop time with a technological device or", "In this category, sex and eroticism are the main topics or themes of", "clip that shows two people having sex; nothing else happens ### 3. Stories", "of erotic storyline: 1. stories in which the stakes are romantic or sexual", "crisis, a purely erotic storyline will unerringly build towards its climax. A purely", "*contain non-sexual narrative elements which could also be told without their sexual or", "be told without the sexual turn, for example: A character can stop time", "which the stakes are neither romantic nor sexual (e.g. an erotic thriller) In", "about sex with a non-sexual narrative, the connection between the sexual and the", "purely sexual relationship will turn into love from time spent together alone, if", "etc. All these stories have a narrative* (which distinguishes them from category 5),", "character is raped or forced to have sex * a character has sex", "into love from time spent together alone, if love is at all possible.", "that. If this approach doesn't work, I'll try another one. It is a", "child and seems to be disinterested. Here we have the same rival/triangle story,", "In [his answer](https://writing.stackexchange.com/a/40330/34178) to [my previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic", "of one partner's shyness, and then the antagonist is that person's fear. In", "are erotic or sexual. --- I want to write an erotic novel (which", "I have given. ========================================================================================================================================================================================================================= I'll try and explain my concept of \"purely erotic\"", "my writing experiment, if you attempt an answer please respect the definitions I", "try another one. It is a writing experiment that I undertake to learn.", "define them in more detail and give some examples: ### 5. Depictions of", "a \"purely erotic story\" is one where the protagonists aren't hindered from achieving", "* a character is afraid of sex and overcomes their fear * a", "their sexual or erotic turn*. Example: a character desires sex with another", "climax. A purely sexual relationship will turn into love from time spent together", "consummation can fail because of one partner's shyness, and then the antagonist is", "as rivals or social segregation, as they commonly are in romance novels. In", "them * a character is raped or forced to have sex * a", "try and build a purely erotic story fundament and then see whether I", "that other character desires sex with a third character. This rival/triangle story can", "erotic storytelling, I wanted to understand which aspects are actually erotic in essence", "ideas. To better understand erotic storytelling, I wanted to understand which aspects are", "be friends with another child, but that child is already best friends with", "the absence of any narrative elements, sexual or non-sexual. Example: * a porn", "stories in which the stakes are romantic or sexual 2. stories in which", "is already best friends with a third child and seems to be disinterested.", "an erotic novel, where the stakes are romantic or sexual – i.e. the", "as they commonly are in romance novels. In a \"purely erotic story\", the", "sex or to perform certain sexual practices or to enjoy them * a", "with a non-sexual narrative In this category, sex and eroticism are the main", "a character is raped or forced to have sex * a character has", "with no sexual experience will gain it if they have sex and nothing", "– i.e. the story develops (to use @Standback's examples): * from the first", "in essence and which are not essentially erotic but sexualized. I want to", "differing amounts of sensuality, eroticism, and sex. And somewhere towards the pornographic end,", "write an erotic novel (which does not contain rape) and am currently brainstorming", "a character desires sex with another character, but that other character desires sex", "non-sexual narrative to stories that are purely sexual: 1. Stories without sensuality, eroticism,", "stories, the narrative cannot be told without sex.** Examples: * a character is", "========================================================================================================================================================================================================================= I'll try and explain my concept of \"purely erotic\" in more detail.", "stories in which the stakes are neither romantic nor sexual (e.g. an erotic", "sexual experience to sexual empowerment – what can cause conflict? It seems to", "conflict? It seems to me that the development of a purely erotic plot,", "Like the building of a house, unless you add an earthquake or financial", "story can also be told without a sexual or erotic turn, for example:", "seems to be disinterested. Here we have the same rival/triangle story, but without", "stop time with a technological device or with a spell from a grimoire.", "and sex with differing amounts of non-sexual narrative (e.g. an erotic thriller or", "stakes are neither romantic nor sexual (e.g. an erotic thriller) In an erotic", "the time-stopping story, but without the sex. In stories about sex with a", "movies. On the other end are stories without human relationships like some hard", "erotic storyline? --- I'd like to repeat and emphasize that in the context", "narrative elements. These are the \"purely erotic stories\" that we seek! 5. Depictions", "porn clip that shows two people having sex; nothing else happens ### 3.", "for example: A child wants to be friends with another child, but that", "etc.) with differing amounts of sensuality, eroticism, or sex. 3. Stories about love,", "2. Stories about primarily non-sexual matters (a criminal case, a law suit, future", "essentially erotic but sexualized. I want to try and build a purely erotic", "romance (where a rival or differences in class stand between the lovers), or", "(which does not contain rape) and am currently brainstorming story ideas. To better", "with a spell from a grimoire. Here we have the time-stopping story, but", "(significant) non-sexual narrative elements. These are the \"purely erotic stories\" that we seek!", "or erotic narrative but without any (significant) non-sexual narrative elements. These are the", "it if they have sex and nothing can keep that person from acquiring", "I want to write an erotic novel (which does not contain rape) and", "or social segregation, as they commonly are in romance novels. In a \"purely", "will unerringly build towards its climax. A purely sexual relationship will turn into", "can cause conflict? It seems to me that the development of a purely", "to understand which aspects are actually erotic in essence and which are not", "romantic or sexual 2. stories in which the stakes are neither romantic nor", "example: A character can stop time with a technological device or with a", "experiment that I undertake to learn. You may have a different concept of", "child wants to be friends with another child, but that child is already", "a non-sexual narrative to stories that are purely sexual: 1. Stories without sensuality,", "in a purely erotic storyline?** --- I'd like to repeat and emphasize that", "or other non-sexual storyline, must lack all turning points and therefore all suspense.", "told without a sexual or erotic turn, for example: A child wants to", "first desire to consummation or * from loveless sex to romantic love or", "absence of any narrative elements, sexual or non-sexual. Example: * a porn clip", "purely erotic storyline?** --- I'd like to repeat and emphasize that in the", "are stories without human relationships like some hard science short stories. In between,", "opponent or obstacle in sex. In this way, these stories are \"purely erotic\"", "try and explain my concept of \"purely erotic\" in more detail. We can", "example: A child wants to be friends with another child, but that child", "is not necessary. The non-sexual narrative can be told wihout sexualisation. ### 4.", "that child is already best friends with a third child and seems to", "these stories have a narrative (which distinguishes them from category 5), and this", "erotic or sexual. --- I want to write an erotic novel (which does", "and the non-sexual narrative is not necessary. The non-sexual narrative can be told", "essence and which are not essentially erotic but sexualized. I want to try", "writing experiment, if you attempt an answer please respect the definitions I have", "distinguishes them from category 5), and this narrative requires sex (which distinguishes them", "romantic nor sexual (e.g. an erotic thriller) In an erotic novel, where the", "sex to romantic love or * from a lack of sexual experience to", "or obstacle in sex. In this way, these stories are \"purely erotic\" or", "stakes are romantic or sexual – i.e. the story develops (to use @Standback's", "that is, a plot where the erotic storyline is not put into the", "erotic stories\" In these stories, the narrative cannot be told without sex. Examples:", "Example: * a porn clip that shows two people having sex; nothing else", "but that child is already best friends with a third child and seems", "the sex. * a character can stop time with her orgasms This story", "sex* (which distinguishes them from category 3). In these stories, the conflict is", "them from category 5), and this narrative requires sex (which distinguishes them from", "In a \"purely erotic story\", the obstacles and conflict are erotic or sexual.", "story\", the obstacles and conflict are erotic or sexual. --- I want to", "may have a different concept of what is and what isn't erotic to", "like some hard science short stories. In between, there are stories with differing", "of sexual acts without any narrative as we find them in some pornographic", "practices or to enjoy them a character is raped or forced to", "narrative can be told wihout sexualisation. ### 4. Stories with only a sexual", "them from category 3). In these stories, the conflict is sexual and the", "from stories that are purely sexual to stories that contain nothing sexual. On", "alone, if love is at all possible. A person with no sexual experience", "To better understand the distinctions between the third, fourth, and fifth story categories,", "narrative* (which distinguishes them from category 5), and this narrative requires sex (which", "which could also be told without their sexual or erotic turn*. Example: ", "can be told without the sexual turn, for example: A character can stop", "afraid of sex and overcomes their fear * a character learns to have", "together alone, if love is at all possible. A person with no sexual", "amounts of sensuality, eroticism, and sex. And somewhere towards the pornographic end, there", "but without any (significant) non-sexual narrative elements. *These are the \"purely erotic stories\"", "are romantic or sexual 2. stories in which the stakes are neither romantic", "spell from a grimoire. Here we have the time-stopping story, but without the", "definitions I have given. ========================================================================================================================================================================================================================= I'll try and explain my concept of \"purely", "non-sexual matters (a criminal case, a law suit, future technological development, history, family", "with a technological device or with a spell from a grimoire. Here we", "with another child, but that child is already best friends with a third", "are neither romantic nor sexual (e.g. an erotic thriller) In an erotic novel,", "the stakes are romantic or sexual – i.e. the story develops (to use", "the protagonists aren't hindered from achieving their goals by external obstacles such as", "erotic\" in more detail. We can consider erotica as a continuum from stories", "of sexual experience to sexual empowerment – what can cause conflict? It seems", "concept of what is and what isn't erotic to you, but for the", "third, fourth, and fifth story categories, let's define them in more detail and", "hard science short stories. In between, there are stories with differing amounts of", "from time spent together alone, if love is at all possible. A person", "\"purely erotic story\", the obstacles and conflict are erotic or sexual. --- I", "me that the development of a purely erotic plot, that is, a plot", "and am currently brainstorming story ideas. To better understand erotic storytelling, I wanted", "the sex. In stories about sex with a non-sexual narrative, the connection between", "and therefore all suspense. Like the building of a house, unless you add", "as a continuum from stories that are purely sexual to stories that contain", "can consider erotica as a continuum from stories that are purely sexual to", "emphasize that in the context of this question a \"purely erotic story\" is", "to you, but for the purpose of my* question regarding my writing experiment,", "narrative is not necessary. The non-sexual narrative can be told wihout sexualisation. ###", "no sexual experience will gain it if they have sex and nothing can", "friends with a third child and seems to be disinterested. Here we have", "of a purely erotic plot, that is, a plot where the erotic storyline", "fifth story categories, let's define them in more detail and give some examples:", "A character can stop time with a technological device or with a spell", "segregation, as they commonly are in romance novels. In a \"purely erotic story\",", "love or * from a lack of sexual experience to sexual empowerment –", "with a sexual or erotic narrative but without any (significant) non-sexual narrative elements.", "or taboo (in public, with a family member, etc.) * etc. All these", "2. stories in which the stakes are neither romantic nor sexual (e.g. an", "third child and seems to be disinterested. Here we have the same rival/triangle", "the antagonist is that person's fear. In all other cases: What causes conflict", "thriller or an erotic romance). 4. Stories with a sexual or erotic narrative", "– what can cause conflict? It seems to me that the development of", "depictions of sexual acts without any narrative as we find them in some", "attempt an answer please respect the definitions I have given. ========================================================================================================================================================================================================================= I'll try", "stories, the conflict is sexual and the antagonist is an opponent or obstacle", "into the context of a thriller, horror, romance (where a rival or differences", "you add an earthquake or financial crisis, a purely erotic storyline will unerringly", "also be told without their sexual or erotic turn. Example: * a character", "differences in class stand between the lovers), or other non-sexual storyline, must lack", "best friends with a third child and seems to be disinterested. Here we", "sexual relationship will turn into love from time spent together alone, if love", "one where the protagonists aren't hindered from achieving their goals by external obstacles", "about primarily non-sexual matters (a criminal case, a law suit, future technological development,", "be told without a sexual or erotic turn, for example: A child wants", "device or with a spell from a grimoire. Here we have the time-stopping", "storyline: 1. stories in which the stakes are romantic or sexual 2. stories", "or need to add non-erotic elements to that. If this approach doesn't work,", "turning points and therefore all suspense. Like the building of a house, unless", "that I undertake to learn. You may have a different concept of what", "between, there are stories with differing amounts of sensuality, eroticism, and sex. And", "sex; nothing else happens ### 3. Stories about sex with a non-sexual narrative", "category, sex and eroticism are the main topics or themes of the story.", "its climax. A purely sexual relationship will turn into love from time spent", "repeat and emphasize that in the context of this question a \"purely erotic", "this continuum are depictions of sexual acts without any narrative as we find", "a purely erotic storyline will unerringly build towards its climax. A purely sexual", "suit, future technological development, history, family problems, etc.) with differing amounts of sensuality,", "given. ========================================================================================================================================================================================================================= I'll try and explain my concept of \"purely erotic\" in more", "(which distinguishes them from category 5), and this narrative requires sex (which distinguishes", "is not put into the context of a thriller, horror, romance (where a", "not contain rape) and am currently brainstorming story ideas. To better understand erotic", "whether I want or need to add non-erotic elements to that. If this", "narrative but without any (significant) non-sexual narrative elements. These are the \"purely erotic", "told without their sexual or erotic turn. Example: * a character desires sex", "learn. You may have a different concept of what is and what isn't", "and emphasize that in the context of this question a \"purely erotic story\"", "obstacles and conflict are erotic or sexual. --- I want to write an", "previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline: 1. stories in which", "[his answer](https://writing.stackexchange.com/a/40330/34178) to [my previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline:", "better understand erotic storytelling, I wanted to understand which aspects are actually erotic", "or sex. 2. Stories about primarily non-sexual matters (a criminal case, a law", "by the presence of sex and the absence of any narrative elements, sexual", "is, a plot where the erotic storyline is not put into the context", "or an erotic romance). 4. Stories with a sexual or erotic narrative but", "to be friends with another child, but that child is already best friends", "of this question a \"purely erotic story\" is one where the protagonists aren't", "story, but without the sex. In stories about sex with a non-sexual narrative,", "without any narrative as we find them in some pornographic movies. On the", "respect the definitions I have given. ========================================================================================================================================================================================================================= I'll try and explain my concept", "of sex and overcomes their fear * a character learns to have sex", "a lack of sexual experience to sexual empowerment – what can cause conflict?", "that the development of a purely erotic plot, that is, a plot where", "--- I'd like to repeat and emphasize that in the context of this", "distinguishes them from category 3). In these stories, the conflict is sexual and", "a purely erotic plot, that is, a plot where the erotic storyline is", "that person from acquiring experience. Only the desire for consummation can fail because", "narrative (e.g. an erotic thriller or an erotic romance). 4. Stories with a", "that in the context of this question a \"purely erotic story\" is one", "context of this question a \"purely erotic story\" is one where the protagonists", "topics or themes of the story. The stories are about sex. But they", "can keep that person from acquiring experience. Only the desire for consummation can", "romantic or sexual – i.e. the story develops (to use @Standback's examples): ", "achieving their goals by external obstacles such as rivals or social segregation, as", "matters (a criminal case, a law suit, future technological development, history, family problems,", "we seek!* 5. Depictions of sex without any narrative. To better understand the", "sex with a non-sexual narrative In this category, sex and eroticism are the", "technological device or with a spell from a grimoire. Here we have the", "In stories about sex with a non-sexual narrative, the connection between the sexual", "narrative cannot be told without sex.** Examples: * a character is afraid of", "an erotic novel (which does not contain rape) and am currently brainstorming story", "5), and this narrative requires sex (which distinguishes them from category 3). In", "and this narrative requires sex (which distinguishes them from category 3). In these", "lack all turning points and therefore all suspense. Like the building of a", "hindered from achieving their goals by external obstacles such as rivals or social", "a sexual or erotic turn, for example: A child wants to be friends", "that we seek!** 5. Depictions of sex without any narrative. To better understand", "sexual practices or to enjoy them * a character is raped or forced", "an earthquake or financial crisis, a purely erotic storyline will unerringly build towards", "stories\" In these stories, the narrative cannot be told without sex. Examples: ", "(e.g. an erotic thriller) In an erotic novel, where the stakes are romantic", "category 3). In these stories, the conflict is sexual and the antagonist is", "narrative. To better understand the distinctions between the third, fourth, and fifth story", "in more detail. We can consider erotica as a continuum from stories that", "and the antagonist is an opponent or obstacle in sex. In this way,", "sensuality, eroticism, and sex. And somewhere towards the pornographic end, there is a", "are the \"purely erotic stories\" that we seek!* 5. Depictions of sex without", "Stories with a sexual or erotic narrative but without any (significant) non-sexual narrative", "the antagonist is an opponent or obstacle in sex. In this way, these", "storyline is not put into the context of a thriller, horror, romance (where", "sexual – i.e. the story develops (to use @Standback's examples): * from the", "must lack all turning points and therefore all suspense. Like the building of", "conflict in a purely erotic storyline?** --- I'd like to repeat and emphasize", "is a transition from stories that contain a non-sexual narrative to stories that", "can stop time with a technological device or with a spell from a", "we find them in some pornographic movies. On the other end are stories", "not allowed or taboo (in public, with a family member, etc.) * etc.", "the connection between the sexual and the non-sexual narrative is not necessary. The", "4. Stories with a sexual or erotic narrative but without any (significant) non-sexual", "like to repeat and emphasize that in the context of this question a", "fear. In all other cases: What causes conflict in a purely erotic storyline?", "to consummation or * from loveless sex to romantic love or * from", "their goals by external obstacles such as rivals or social segregation, as they", "but without the sex. * a character can stop time with her orgasms", "from the first desire to consummation or * from loveless sex to romantic", "non-sexual narrative is not necessary. The non-sexual narrative can be told wihout sexualisation.", "sex and overcomes their fear * a character learns to have sex or", "the stakes are neither romantic nor sexual (e.g. an erotic thriller) In an", "stories are about sex. But they *contain non-sexual narrative elements which could also", "story develops (to use @Standback's examples): from the first desire to consummation", "is a writing experiment that I undertake to learn. You may have a", "wants to be friends with another child, but that child is already best", "somewhere towards the pornographic end, there is a transition from stories that contain", "person with no sexual experience will gain it if they have sex and", "will gain it if they have sex and nothing can keep that person", "these stories, the conflict is sexual and the antagonist is an opponent or", "partner's shyness, and then the antagonist is that person's fear. In all other", "category 5), and this narrative requires sex (which distinguishes them from category 3).", "isn't erotic to you, but for the purpose of my question regarding my", "category is defined by the presence of sex and the absence of any", "child is already best friends with a third child and seems to be", "some hard science short stories. In between, there are stories with differing amounts", "have sex and nothing can keep that person from acquiring experience. Only the", "or differences in class stand between the lovers), or other non-sexual storyline, must", "non-sexual narrative elements which could also be told without their sexual or erotic", "are not essentially erotic but sexualized. I want to try and build a", "sexual or erotic narrative but without any (significant) non-sexual narrative elements. *These are", "some examples: ### 5. Depictions of sex without any narrative This category is", "please respect the definitions I have given. ========================================================================================================================================================================================================================= I'll try and explain my", "of sex and the absence of any narrative elements, sexual or non-sexual. Example:", "of a house, unless you add an earthquake or financial crisis, a purely", "story can be told without the sexual turn, for example: A character can", "the first desire to consummation or from loveless sex to romantic love", "the lovers), or other non-sexual storyline, must lack all turning points and therefore", "and nothing can keep that person from acquiring experience. Only the desire for", "human relationships like some hard science short stories. In between, there are stories", "without a sexual or erotic turn, for example: A child wants to be", "have sex or to perform certain sexual practices or to enjoy them ", "any narrative elements, sexual or non-sexual. Example: a porn clip that shows", "desires sex with a third character. This rival/triangle story can also be told", "turn*. Example: a character desires sex with another character, but that other", "have the same rival/triangle story, but without the sex. * a character can", "with a family member, etc.) * etc. All these stories have a narrative", "of sex without any narrative This category is defined by the presence of", "from achieving their goals by external obstacles such as rivals or social segregation,", "or themes of the story. The stories are about sex. But they *contain", "between the sexual and the non-sexual narrative is not necessary. The non-sexual narrative", "or from a lack of sexual experience to sexual empowerment – what", "child, but that child is already best friends with a third child and", "cannot be told without sex.** Examples: * a character is afraid of sex", "want to write an erotic novel (which does not contain rape) and am", "are stories with differing amounts of sensuality, eroticism, and sex. And somewhere towards", "sexual and the non-sexual narrative is not necessary. The non-sexual narrative can be", "This rival/triangle story can also be told without a sexual or erotic turn,", "told without the sexual turn, for example: A character can stop time with", "story fundament and then see whether I want or need to add non-erotic", "or to perform certain sexual practices or to enjoy them * a character", "any (significant) non-sexual narrative elements. These are the \"purely erotic stories\" that we", "\"purely erotic stories\" In these stories, the narrative cannot be told without sex.*", "(which distinguishes them from category 3). In these stories, the conflict is sexual", "am currently brainstorming story ideas. To better understand erotic storytelling, I wanted to", "sex. a character can stop time with her orgasms This story can", "by external obstacles such as rivals or social segregation, as they commonly are", "give some examples: ### 5. Depictions of sex without any narrative This category", "erotic turn, for example: A child wants to be friends with another child,", "and then the antagonist is that person's fear. In all other cases: What", "is that person's fear. In all other cases: What causes conflict in a", "all other cases: What causes conflict in a purely erotic storyline? --- I'd", "is raped or forced to have sex * a character has sex in", "to sexual empowerment – what can cause conflict? It seems to me that", "sex. In stories about sex with a non-sexual narrative, the connection between the", "keep that person from acquiring experience. Only the desire for consummation can fail", "external obstacles such as rivals or social segregation, as they commonly are in", "a law suit, future technological development, history, family problems, etc.) with differing amounts", "can be told wihout sexualisation. ### 4. Stories with only a sexual narrative", "### 4. Stories with only a sexual narrative = \"purely erotic stories\" In", "In these stories, the narrative cannot be told without sex.** Examples: * a", "is afraid of sex and overcomes their fear * a character learns to", "all possible. A person with no sexual experience will gain it if they", "not put into the context of a thriller, horror, romance (where a rival", "nothing else happens ### 3. Stories about sex with a non-sexual narrative In", "other character desires sex with a third character. This rival/triangle story can also", "but without the sex. In stories about sex with a non-sexual narrative, the", "can fail because of one partner's shyness, and then the antagonist is that", "end of this continuum are depictions of sexual acts without any narrative as", "requires sex (which distinguishes them from category 3). In these stories, the conflict", "* a character learns to have sex or to perform certain sexual practices", "or erotic turn*. Example: a character desires sex with another character, but", "primarily non-sexual matters (a criminal case, a law suit, future technological development, history,", "the context of a thriller, horror, romance (where a rival or differences in", "and conflict are erotic or sexual. --- I want to write an erotic", "perform certain sexual practices or to enjoy them * a character is raped", "* a porn clip that shows two people having sex; nothing else happens", "the non-sexual narrative is not necessary. The non-sexual narrative can be told wihout", "sex without any narrative This category is defined by the presence of sex", "narrative elements, sexual or non-sexual. Example: * a porn clip that shows two", "non-sexual narrative elements. These are the \"purely erotic stories\" that we seek! 5.", "allowed or taboo (in public, with a family member, etc.) * etc. All", "Here we have the same rival/triangle story, but without the sex. * a", "contain rape) and am currently brainstorming story ideas. To better understand erotic storytelling,", "plot where the erotic storyline is not put into the context of a", "with her orgasms This story can be told without the sexual turn, for", "stories that are purely sexual to stories that contain nothing sexual. On the", "other end are stories without human relationships like some hard science short stories.", "a continuum from stories that are purely sexual to stories that contain nothing", "all turning points and therefore all suspense. Like the building of a house,", "and give some examples: ### 5. Depictions of sex without any narrative This", "some pornographic movies. On the other end are stories without human relationships like", "question a \"purely erotic story\" is one where the protagonists aren't hindered from", "grimoire. Here we have the time-stopping story, but without the sex. In stories", "a rival or differences in class stand between the lovers), or other non-sexual", "What causes conflict in a purely erotic storyline? --- I'd like to repeat", "to be disinterested. Here we have the same rival/triangle story, but without the", "thriller, horror, romance (where a rival or differences in class stand between the", "sex without any narrative. To better understand the distinctions between the third, fourth,", "you, but for the purpose of my* question regarding my writing experiment, if", "without human relationships like some hard science short stories. In between, there are", "this question a \"purely erotic story\" is one where the protagonists aren't hindered", "to have sex * a character has sex in circumstances where sex is", "another one. It is a writing experiment that I undertake to learn. You", "of any narrative elements, sexual or non-sexual. Example: * a porn clip that", "sexualized. I want to try and build a purely erotic story fundament and", "third character. This rival/triangle story can also be told without a sexual or", "currently brainstorming story ideas. To better understand erotic storytelling, I wanted to understand", "character is afraid of sex and overcomes their fear * a character learns", "sexualisation. ### 4. Stories with only a sexual narrative = \"purely erotic stories\"", "On the one end of this continuum are depictions of sexual acts without", "the one end of this continuum are depictions of sexual acts without any", "a house, unless you add an earthquake or financial crisis, a purely erotic", "earthquake or financial crisis, a purely erotic storyline will unerringly build towards its", "answer please respect the definitions I have given. ========================================================================================================================================================================================================================= I'll try and explain", "sex with another character, but that other character desires sex with a third", "for example: A character can stop time with a technological device or with", "stories without human relationships like some hard science short stories. In between, there", "rival/triangle story can also be told without a sexual or erotic turn, for", "seems to me that the development of a purely erotic plot, that is,", "another child, but that child is already best friends with a third child", "financial crisis, a purely erotic storyline will unerringly build towards its climax. A", "(in public, with a family member, etc.) * etc. All these stories have", "3). In these stories, the conflict is sexual and the antagonist is an", "unless you add an earthquake or financial crisis, a purely erotic storyline will", "If this approach doesn't work, I'll try another one. It is a writing", "two types of erotic storyline: 1. stories in which the stakes are romantic", "other cases: What causes conflict in a purely erotic storyline?* --- I'd like", "with differing amounts of non-sexual narrative (e.g. an erotic thriller or an erotic", "experience will gain it if they have sex and nothing can keep that", "a third character. This rival/triangle story can also be told without a sexual", "and which are not essentially erotic but sexualized. I want to try and", "novel, where the stakes are romantic or sexual – i.e. the story develops", "are actually erotic in essence and which are not essentially erotic but sexualized.", "have the time-stopping story, but without the sex. In stories about sex with", "be told without sex.** Examples: * a character is afraid of sex and", "purely erotic plot, that is, a plot where the erotic storyline is not", "(to use @Standback's examples): * from the first desire to consummation or ", "a character can stop time with her orgasms This story can be told", "of sex without any narrative. To better understand the distinctions between the third,", "certain sexual practices or to enjoy them a character is raped or", "sex * a character has sex in circumstances where sex is not allowed", "we have the same rival/triangle story, but without the sex. * a character", "loveless sex to romantic love or * from a lack of sexual experience", "development, history, family problems, etc.) with differing amounts of sensuality, eroticism, or sex.", "purely sexual: 1. Stories without sensuality, eroticism, or sex. 2. Stories about primarily", "my concept of \"purely erotic\" in more detail. We can consider erotica as", "antagonist is that person's fear. In all other cases: What causes conflict in", "are purely sexual to stories that contain nothing sexual. On the one end", "in romance novels. In a \"purely erotic story\", the obstacles and conflict are", "a non-sexual narrative, the connection between the sexual and the non-sexual narrative is", "cases: What causes conflict in a purely erotic storyline? --- I'd like to", "see whether I want or need to add non-erotic elements to that. If", "desires sex with another character, but that other character desires sex with a", "these stories, the narrative cannot be told without sex. Examples: * a character", "nothing can keep that person from acquiring experience. Only the desire for consummation", "is and what isn't erotic to you, but for the purpose of my", "obstacles such as rivals or social segregation, as they commonly are in romance", "fundament and then see whether I want or need to add non-erotic elements", "the story develops (to use @Standback's examples): * from the first desire to", "doesn't work, I'll try another one. It is a writing experiment that I", "there are stories with differing amounts of sensuality, eroticism, and sex. And somewhere", "to write an erotic novel (which does not contain rape) and am currently", "that contain a non-sexual narrative to stories that are purely sexual: 1. Stories", "eroticism, and sex with differing amounts of non-sexual narrative (e.g. an erotic thriller", "from loveless sex to romantic love or * from a lack of sexual", "to have sex or to perform certain sexual practices or to enjoy them", "the erotic storyline is not put into the context of a thriller, horror,", "to try and build a purely erotic story fundament and then see whether", "eroticism, or sex. 2. Stories about primarily non-sexual matters (a criminal case, a", "* from loveless sex to romantic love or * from a lack of", "with a third character. This rival/triangle story can also be told without a", "protagonists aren't hindered from achieving their goals by external obstacles such as rivals", "a sexual or erotic narrative but without any (significant) non-sexual narrative elements. These", "experience. Only the desire for consummation can fail because of one partner's shyness,", "any narrative. To better understand the distinctions between the third, fourth, and fifth", "But they contain non-sexual narrative elements which could also be told without their", "points and therefore all suspense. Like the building of a house, unless you", "sexual or erotic turn, for example: A child wants to be friends with", "examples: ### 5. Depictions of sex without any narrative This category is defined", "Stories with only a sexual narrative = \"purely erotic stories\" *In these stories,", "relationships like some hard science short stories. In between, there are stories with", "romance novels. In a \"purely erotic story\", the obstacles and conflict are erotic", "1. stories in which the stakes are romantic or sexual 2. stories in", "sexual or non-sexual. Example: a porn clip that shows two people having", "consider erotica as a continuum from stories that are purely sexual to stories", "to romantic love or * from a lack of sexual experience to sexual", "The non-sexual narrative can be told wihout sexualisation. ### 4. Stories with only", "or sexual – i.e. the story develops (to use @Standback's examples): * from", "erotic storyline: 1. stories in which the stakes are romantic or sexual 2.", "novels. In a \"purely erotic story\", the obstacles and conflict are erotic or", "add an earthquake or financial crisis, a purely erotic storyline will unerringly build", "purely erotic story fundament and then see whether I want or need to", "or sexual. --- I want to write an erotic novel (which does not", "end are stories without human relationships like some hard science short stories. In", "detail. We can consider erotica as a continuum from stories that are purely", "sex and the absence of any narrative elements, sexual or non-sexual. Example: ", "same rival/triangle story, but without the sex. a character can stop time", "member, etc.) * etc. All these stories have a narrative (which distinguishes them", "them in more detail and give some examples: ### 5. Depictions of sex", "aren't hindered from achieving their goals by external obstacles such as rivals or", "I'll try and explain my concept of \"purely erotic\" in more detail. We", "I want to try and build a purely erotic story fundament and then", "amounts of sensuality, eroticism, or sex. 3. Stories about love, eroticism, and sex", "suspense. Like the building of a house, unless you add an earthquake or", "themes of the story. The stories are about sex. But they *contain non-sexual", "a character has sex in circumstances where sex is not allowed or taboo", "law suit, future technological development, history, family problems, etc.) with differing amounts of", "pornographic movies. On the other end are stories without human relationships like some", "because of one partner's shyness, and then the antagonist is that person's fear.", " a character can stop time with her orgasms This story can be", "romantic love or * from a lack of sexual experience to sexual empowerment", "All these stories have a narrative (which distinguishes them from category 5), and", "relationship will turn into love from time spent together alone, if love is", "but for the purpose of my question regarding my writing experiment, if you", "an erotic thriller or an erotic romance). 4. Stories with a sexual or", "has sex in circumstances where sex is not allowed or taboo (in public,", "which the stakes are romantic or sexual 2. stories in which the stakes", "to perform certain sexual practices or to enjoy them * a character is", "or forced to have sex * a character has sex in circumstances where", "storytelling, I wanted to understand which aspects are actually erotic in essence and", "* from the first desire to consummation or * from loveless sex to", "answer](https://writing.stackexchange.com/a/40330/34178) to [my previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline: 1.", "public, with a family member, etc.) * etc. All these stories have a", "etc.) etc. All these stories have a narrative (which distinguishes them from", "And somewhere towards the pornographic end, there is a transition from stories that", "consummation or * from loveless sex to romantic love or * from a", "class stand between the lovers), or other non-sexual storyline, must lack all turning", "In all other cases: What causes conflict in a purely erotic storyline? ---", "On the other end are stories without human relationships like some hard science", "want to try and build a purely erotic story fundament and then see", "sexual to stories that contain nothing sexual. On the one end of this", "to that. If this approach doesn't work, I'll try another one. It is", "To better understand erotic storytelling, I wanted to understand which aspects are actually", "question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline: 1. stories in which the", "to stories that contain nothing sexual. On the one end of this continuum", "types of erotic storyline: 1. stories in which the stakes are romantic or", "rival or differences in class stand between the lovers), or other non-sexual storyline,", "or non-sexual. Example: * a porn clip that shows two people having sex;", "without their sexual or erotic turn*. Example: a character desires sex with", "about sex with a non-sexual narrative In this category, sex and eroticism are", "and overcomes their fear * a character learns to have sex or to", "one. It is a writing experiment that I undertake to learn. You may", "Depictions of sex without any narrative. To better understand the distinctions between the", "without the sex. * a character can stop time with her orgasms This", "person's fear. In all other cases: *What causes conflict in a purely erotic", "desire for consummation can fail because of one partner's shyness, and then the", "purely erotic storyline will unerringly build towards its climax. A purely sexual relationship", "what is and what isn't erotic to you, but for the purpose of", "a transition from stories that contain a non-sexual narrative to stories that are", "empowerment – what can cause conflict? It seems to me that the development", "causes conflict in a purely erotic storyline?* --- I'd like to repeat and", "I undertake to learn. You may have a different concept of what is", "or * from loveless sex to romantic love or * from a lack", "a technological device or with a spell from a grimoire. Here we have", "or sexual 2. stories in which the stakes are neither romantic nor sexual", "an erotic thriller) In an erotic novel, where the stakes are romantic or", "better understand the distinctions between the third, fourth, and fifth story categories, let's", "of a thriller, horror, romance (where a rival or differences in class stand", "concept of \"purely erotic\" in more detail. We can consider erotica as a", "that are purely sexual to stories that contain nothing sexual. On the one", "sexual narrative = \"purely erotic stories\" In these stories, the narrative cannot be", "have given. ========================================================================================================================================================================================================================= I'll try and explain my concept of \"purely erotic\" in", "an answer please respect the definitions I have given. ========================================================================================================================================================================================================================= I'll try and", "sex. 2. Stories about primarily non-sexual matters (a criminal case, a law suit,", "build a purely erotic story fundament and then see whether I want or", "possible. A person with no sexual experience will gain it if they have", "story\" is one where the protagonists aren't hindered from achieving their goals by", "already best friends with a third child and seems to be disinterested. Here", "character can stop time with her orgasms This story can be told without", "time with a technological device or with a spell from a grimoire. Here", "1. Stories without sensuality, eroticism, or sex. 2. Stories about primarily non-sexual matters", "In these stories, the conflict is sexual and the antagonist is an opponent", "erotic story\", the obstacles and conflict are erotic or sexual. --- I want", "happens ### 3. Stories about sex with a non-sexual narrative In this category,", "building of a house, unless you add an earthquake or financial crisis, a", "sex. Examples: * a character is afraid of sex and overcomes their fear", "conflict are erotic or sexual. --- I want to write an erotic novel", "without any narrative This category is defined by the presence of sex and", "sex and eroticism are the main topics or themes of the story. The", "sexual or erotic turn*. Example: a character desires sex with another character,", "add non-erotic elements to that. If this approach doesn't work, I'll try another", "Only the desire for consummation can fail because of one partner's shyness, and", "sex. And somewhere towards the pornographic end, there is a transition from stories", "@Standback's examples): * from the first desire to consummation or * from loveless", "use @Standback's examples): * from the first desire to consummation or * from", "acquiring experience. Only the desire for consummation can fail because of one partner's", "erotic romance). 4. Stories with a sexual or erotic narrative but without any", "sexual (e.g. an erotic thriller) In an erotic novel, where the stakes are", "main topics or themes of the story. The stories are about sex. But", "sex is not allowed or taboo (in public, with a family member, etc.)", "with differing amounts of sensuality, eroticism, or sex. 3. Stories about love, eroticism,", "such as rivals or social segregation, as they commonly are in romance novels.", "erotic but sexualized. I want to try and build a purely erotic story", "detail and give some examples: ### 5. Depictions of sex without any narrative", "also be told without a sexual or erotic turn, for example: A child", "sexual and the antagonist is an opponent or obstacle in sex. In this", "the same rival/triangle story, but without the sex. * a character can stop", "one end of this continuum are depictions of sexual acts without any narrative", "i.e. the story develops (to use @Standback's examples): * from the first desire", "character desires sex with a third character. This rival/triangle story can also be", "at all possible. A person with no sexual experience will gain it if", "a purely erotic storyline?** --- I'd like to repeat and emphasize that in", "non-sexual storyline, must lack all turning points and therefore all suspense. Like the", "contain a non-sexual narrative to stories that are purely sexual: 1. Stories without", "narrative This category is defined by the presence of sex and the absence", "a writing experiment that I undertake to learn. You may have a different", "people having sex; nothing else happens ### 3. Stories about sex with a", "non-sexual narrative can be told wihout sexualisation. ### 4. Stories with only a", "distinctions between the third, fourth, and fifth story categories, let's define them in", "Stories about primarily non-sexual matters (a criminal case, a law suit, future technological", "sex and nothing can keep that person from acquiring experience. Only the desire", "they commonly are in romance novels. In a \"purely erotic story\", the obstacles", "work, I'll try another one. It is a writing experiment that I undertake", "a character is afraid of sex and overcomes their fear * a character", "amounts of non-sexual narrative (e.g. an erotic thriller or an erotic romance). 4.", "narrative requires sex (which distinguishes them from category 3). In these stories, the", "orgasms This story can be told without the sexual turn, for example: A", "= \"purely erotic stories\" In these stories, the narrative cannot be told without", "with only a sexual narrative = \"purely erotic stories\" In these stories, the", "Depictions of sex without any narrative This category is defined by the presence", "of sensuality, eroticism, and sex. And somewhere towards the pornographic end, there is", "In an erotic novel, where the stakes are romantic or sexual – i.e.", "in class stand between the lovers), or other non-sexual storyline, must lack all", "erotic story\" is one where the protagonists aren't hindered from achieving their goals", "\"purely erotic\" in more detail. We can consider erotica as a continuum from", "This story can be told without the sexual turn, for example: A character", "from acquiring experience. Only the desire for consummation can fail because of one", "forced to have sex * a character has sex in circumstances where sex", "continuum are depictions of sexual acts without any narrative as we find them", "love is at all possible. A person with no sexual experience will gain", "rape) and am currently brainstorming story ideas. To better understand erotic storytelling, I", "lovers), or other non-sexual storyline, must lack all turning points and therefore all", "stories with differing amounts of sensuality, eroticism, and sex. And somewhere towards the", "differing amounts of sensuality, eroticism, or sex. 3. Stories about love, eroticism, and", "fourth, and fifth story categories, let's define them in more detail and give", "the definitions I have given. ========================================================================================================================================================================================================================= I'll try and explain my concept of", "nothing sexual. On the one end of this continuum are depictions of sexual", "stories that contain a non-sexual narrative to stories that are purely sexual: 1.", "fear * a character learns to have sex or to perform certain sexual", "is sexual and the antagonist is an opponent or obstacle in sex. In", "This category is defined by the presence of sex and the absence of", "(a criminal case, a law suit, future technological development, history, family problems, etc.)", "A child wants to be friends with another child, but that child is", "erotic plot, that is, a plot where the erotic storyline is not put", "another character, but that other character desires sex with a third character. This", "disinterested. Here we have the same rival/triangle story, but without the sex. ", "told wihout sexualisation. ### 4. Stories with only a sexual narrative = \"purely", "aspects are actually erotic in essence and which are not essentially erotic but", "have a different concept of what is and what isn't erotic to you,", "the presence of sex and the absence of any narrative elements, sexual or", "then the antagonist is that person's fear. In all other cases: What causes", "the obstacles and conflict are erotic or sexual. --- I want to write", "want or need to add non-erotic elements to that. If this approach doesn't", "what isn't erotic to you, but for the purpose of my* question regarding", "with a non-sexual narrative, the connection between the sexual and the non-sexual narrative", "in sex. In this way, these stories are \"purely erotic\" or purely sexual.", "criminal case, a law suit, future technological development, history, family problems, etc.) with", "her orgasms This story can be told without the sexual turn, for example:", "@Standback distinguishes two types of erotic storyline: 1. stories in which the stakes", "Examples: * a character is afraid of sex and overcomes their fear ", "erotic thriller or an erotic romance). 4. Stories with a sexual or erotic", "5. Depictions of sex without any narrative. To better understand the distinctions between", "stand between the lovers), or other non-sexual storyline, must lack all turning points", "stories that contain nothing sexual. On the one end of this continuum are", "a sexual narrative = \"purely erotic stories\" In these stories, the narrative cannot", "and fifth story categories, let's define them in more detail and give some", "defined by the presence of sex and the absence of any narrative elements,", "that contain nothing sexual. On the one end of this continuum are depictions", "3. Stories about sex with a non-sexual narrative In this category, sex and", "the third, fourth, and fifth story categories, let's define them in more detail", "have a narrative* (which distinguishes them from category 5), and this narrative requires", "of \"purely erotic\" in more detail. We can consider erotica as a continuum", "with differing amounts of sensuality, eroticism, and sex. And somewhere towards the pornographic", "learns to have sex or to perform certain sexual practices or to enjoy", "erotic story fundament and then see whether I want or need to add", "3. Stories about love, eroticism, and sex with differing amounts of non-sexual narrative", "sexual acts without any narrative as we find them in some pornographic movies.", "the story. The stories are about sex. But they contain non-sexual narrative elements", "family member, etc.) etc. All these stories have a narrative (which distinguishes", "therefore all suspense. Like the building of a house, unless you add an", "is defined by the presence of sex and the absence of any narrative", "and then see whether I want or need to add non-erotic elements to", "narrative In this category, sex and eroticism are the main topics or themes", "from a grimoire. Here we have the time-stopping story, but without the sex.", "storyline, must lack all turning points and therefore all suspense. Like the building", "only a sexual narrative = \"purely erotic stories\" *In these stories, the narrative", "and explain my concept of \"purely erotic\" in more detail. We can consider", "to me that the development of a purely erotic plot, that is, a", "and the absence of any narrative elements, sexual or non-sexual. Example: a", "erotic turn*. Example: a character desires sex with another character, but that", "be told without their sexual or erotic turn*. Example: a character desires", "the conflict is sexual and the antagonist is an opponent or obstacle in", "about love, eroticism, and sex with differing amounts of non-sexual narrative (e.g. an", "sex with a third character. This rival/triangle story can also be told without", "or sex. 3. Stories about love, eroticism, and sex with differing amounts of", "character learns to have sex or to perform certain sexual practices or to", "are in romance novels. In a \"purely erotic story\", the obstacles and conflict", "or financial crisis, a purely erotic storyline will unerringly build towards its climax.", "stories. In between, there are stories with differing amounts of sensuality, eroticism, and", "character has sex in circumstances where sex is not allowed or taboo (in", "two people having sex; nothing else happens ### 3. Stories about sex with", "from category 5), and this narrative requires sex (which distinguishes them from category", "you attempt an answer please respect the definitions I have given. ========================================================================================================================================================================================================================= I'll", "could also be told without their sexual or erotic turn*. Example: a", "(e.g. an erotic thriller or an erotic romance). 4. Stories with a sexual", "stop time with her orgasms This story can be told without the sexual", "Example: * a character desires sex with another character, but that other character", "seek!** 5. Depictions of sex without any narrative. To better understand the distinctions", "any narrative This category is defined by the presence of sex and the", "there is a transition from stories that contain a non-sexual narrative to stories", "overcomes their fear * a character learns to have sex or to perform", "We can consider erotica as a continuum from stories that are purely sexual", "I wanted to understand which aspects are actually erotic in essence and which", "[my previous question](https://writing.stackexchange.com/questions/40327/narrative-arc-in-erotica), @Standback distinguishes two types of erotic storyline: 1. stories in", "stakes are romantic or sexual 2. stories in which the stakes are neither", "Stories without sensuality, eroticism, or sex. 2. Stories about primarily non-sexual matters (a", "Stories about sex with a non-sexual narrative In this category, sex and eroticism", "if love is at all possible. A person with no sexual experience will", "pornographic end, there is a transition from stories that contain a non-sexual narrative", "sexual experience will gain it if they have sex and nothing can keep", "is not allowed or taboo (in public, with a family member, etc.) ", "an erotic romance). 4. Stories with a sexual or erotic narrative but without", "a family member, etc.) etc. All these stories have a narrative (which", "where the protagonists aren't hindered from achieving their goals by external obstacles such", "explain my concept of \"purely erotic\" in more detail. We can consider erotica", "* from a lack of sexual experience to sexual empowerment – what can", "a different concept of what is and what isn't erotic to you, but", "non-sexual narrative, the connection between the sexual and the non-sexual narrative is not", "non-sexual. Example: * a porn clip that shows two people having sex; nothing", "continuum from stories that are purely sexual to stories that contain nothing sexual.", "let's define them in more detail and give some examples: ### 5. Depictions", "time spent together alone, if love is at all possible. A person with", "end, there is a transition from stories that contain a non-sexual narrative to", "told without sex.** Examples: * a character is afraid of sex and overcomes", "but sexualized. I want to try and build a purely erotic story fundament", "differing amounts of non-sexual narrative (e.g. an erotic thriller or an erotic romance).", "for consummation can fail because of one partner's shyness, and then the antagonist", "without sensuality, eroticism, or sex. 2. Stories about primarily non-sexual matters (a criminal", "character. This rival/triangle story can also be told without a sexual or erotic", "story, but without the sex. * a character can stop time with her", "thriller) In an erotic novel, where the stakes are romantic or sexual –", "or with a spell from a grimoire. Here we have the time-stopping story,", "conflict is sexual and the antagonist is an opponent or obstacle in sex.", "science short stories. In between, there are stories with differing amounts of sensuality,", "obstacle in sex. In this way, these stories are \"purely erotic\" or purely", "history, family problems, etc.) with differing amounts of sensuality, eroticism, or sex. 3.", "a grimoire. Here we have the time-stopping story, but without the sex. In", "horror, romance (where a rival or differences in class stand between the lovers),", "connection between the sexual and the non-sexual narrative is not necessary. The non-sexual", "character desires sex with another character, but that other character desires sex with", "sensuality, eroticism, or sex. 3. Stories about love, eroticism, and sex with differing", "wihout sexualisation. ### 4. Stories with only a sexual narrative = \"purely erotic", "distinguishes two types of erotic storyline: 1. stories in which the stakes are", "I'll try another one. It is a writing experiment that I undertake to", "* a character desires sex with another character, but that other character desires", "spent together alone, if love is at all possible. A person with no", "A person with no sexual experience will gain it if they have sex", "story categories, let's define them in more detail and give some examples: ###", "understand which aspects are actually erotic in essence and which are not essentially", "brainstorming story ideas. To better understand erotic storytelling, I wanted to understand which", "person from acquiring experience. Only the desire for consummation can fail because of", "find them in some pornographic movies. On the other end are stories without", "are about sex. But they contain non-sexual narrative elements which could also be", "put into the context of a thriller, horror, romance (where a rival or", "narrative elements which could also be told without their sexual or erotic turn.", "narrative to stories that are purely sexual: 1. Stories without sensuality, eroticism, or", "not necessary. The non-sexual narrative can be told wihout sexualisation. ### 4. Stories", "plot, that is, a plot where the erotic storyline is not put into", "### 3. Stories about sex with a non-sexual narrative In this category, sex", "between the lovers), or other non-sexual storyline, must lack all turning points and", "### 5. Depictions of sex without any narrative This category is defined by", "contain nothing sexual. On the one end of this continuum are depictions of", "if you attempt an answer please respect the definitions I have given. =========================================================================================================================================================================================================================", "elements, sexual or non-sexual. Example: * a porn clip that shows two people", "short stories. In between, there are stories with differing amounts of sensuality, eroticism,", "a spell from a grimoire. Here we have the time-stopping story, but without", "from category 3). In these stories, the conflict is sexual and the antagonist", "is at all possible. A person with no sexual experience will gain it", "narrative, the connection between the sexual and the non-sexual narrative is not necessary.", "the development of a purely erotic plot, that is, a plot where the", "storyline?** --- I'd like to repeat and emphasize that in the context of", "and sex. And somewhere towards the pornographic end, there is a transition from", "necessary. The non-sexual narrative can be told wihout sexualisation. ### 4. Stories with", "without the sex. In stories about sex with a non-sexual narrative, the connection", "transition from stories that contain a non-sexual narrative to stories that are purely", "of my question regarding my writing experiment, if you attempt an answer please", "that person's fear. In all other cases: *What causes conflict in a purely", "to learn. You may have a different concept of what is and what", "towards the pornographic end, there is a transition from stories that contain a", "with another character, but that other character desires sex with a third character.", "to add non-erotic elements to that. If this approach doesn't work, I'll try", "without the sexual turn, for example: A character can stop time with a", "and what isn't erotic to you, but for the purpose of my* question", "non-sexual narrative (e.g. an erotic thriller or an erotic romance). 4. Stories with", "where sex is not allowed or taboo (in public, with a family member,", "I want or need to add non-erotic elements to that. If this approach", "does not contain rape) and am currently brainstorming story ideas. To better understand", "stories have a narrative (which distinguishes them from category 5), and this narrative", "erotica as a continuum from stories that are purely sexual to stories that", "eroticism, and sex. And somewhere towards the pornographic end, there is a transition", "in which the stakes are neither romantic nor sexual (e.g. an erotic thriller)", "raped or forced to have sex * a character has sex in circumstances", "writing experiment that I undertake to learn. You may have a different concept", "storyline will unerringly build towards its climax. A purely sexual relationship will turn", "more detail and give some examples: ### 5. Depictions of sex without any", "wanted to understand which aspects are actually erotic in essence and which are", "which aspects are actually erotic in essence and which are not essentially erotic", "sex. 3. Stories about love, eroticism, and sex with differing amounts of non-sexual", "with a third child and seems to be disinterested. Here we have the", "shows two people having sex; nothing else happens ### 3. Stories about sex", "Here we have the time-stopping story, but without the sex. In stories about", "stories\" that we seek!** 5. Depictions of sex without any narrative. To better", "sexual: 1. Stories without sensuality, eroticism, or sex. 2. Stories about primarily non-sexual", "other non-sexual storyline, must lack all turning points and therefore all suspense. Like", "the distinctions between the third, fourth, and fifth story categories, let's define them", "A purely sexual relationship will turn into love from time spent together alone,", "taboo (in public, with a family member, etc.) * etc. All these stories", "context of a thriller, horror, romance (where a rival or differences in class", "develops (to use @Standback's examples): * from the first desire to consummation or", "understand erotic storytelling, I wanted to understand which aspects are actually erotic in", "the \"purely erotic stories\" that we seek!** 5. Depictions of sex without any", "sex. But they contain non-sexual narrative elements which could also be told without", "erotic novel, where the stakes are romantic or sexual – i.e. the story", "the pornographic end, there is a transition from stories that contain a non-sexual", "presence of sex and the absence of any narrative elements, sexual or non-sexual.", "them in some pornographic movies. On the other end are stories without human", "to enjoy them a character is raped or forced to have sex", "a plot where the erotic storyline is not put into the context of", "more detail. We can consider erotica as a continuum from stories that are", "one partner's shyness, and then the antagonist is that person's fear. In all", "and eroticism are the main topics or themes of the story. The stories", "\"purely erotic stories\" that we seek!** 5. Depictions of sex without any narrative.", "friends with another child, but that child is already best friends with a", "this category, sex and eroticism are the main topics or themes of the", "of this continuum are depictions of sexual acts without any narrative as we", "neither romantic nor sexual (e.g. an erotic thriller) In an erotic novel, where", "will turn into love from time spent together alone, if love is at", "what can cause conflict? It seems to me that the development of a", "can stop time with her orgasms This story can be told without the", "examples): * from the first desire to consummation or * from loveless sex", "the building of a house, unless you add an earthquake or financial crisis,", "sexual. On the one end of this continuum are depictions of sexual acts", "purely sexual to stories that contain nothing sexual. On the one end of", "turn into love from time spent together alone, if love is at all", "story ideas. To better understand erotic storytelling, I wanted to understand which aspects", "erotic stories\" that we seek!** 5. Depictions of sex without any narrative. To", "are the main topics or themes of the story. The stories are about", "as we find them in some pornographic movies. On the other end are", "all suspense. Like the building of a house, unless you add an earthquake", "of what is and what isn't erotic to you, but for the purpose", "the other end are stories without human relationships like some hard science short", "5. Depictions of sex without any narrative This category is defined by the", "the stakes are romantic or sexual 2. stories in which the stakes are", "purpose of my* question regarding my writing experiment, if you attempt an answer", "are depictions of sexual acts without any narrative as we find them in", "rival/triangle story, but without the sex. * a character can stop time with", "sex with differing amounts of non-sexual narrative (e.g. an erotic thriller or an", "then see whether I want or need to add non-erotic elements to that.", "from a lack of sexual experience to sexual empowerment – what can cause", "which are not essentially erotic but sexualized. I want to try and build", "lack of sexual experience to sexual empowerment – what can cause conflict? It", "cause conflict? It seems to me that the development of a purely erotic", "are purely sexual: 1. Stories without sensuality, eroticism, or sex. 2. Stories about", "a porn clip that shows two people having sex; nothing else happens ###", "a thriller, horror, romance (where a rival or differences in class stand between", "not essentially erotic but sexualized. I want to try and build a purely", "non-erotic elements to that. If this approach doesn't work, I'll try another one.", "question regarding my writing experiment, if you attempt an answer please respect the", "without sex.** Examples: * a character is afraid of sex and overcomes their", "and build a purely erotic story fundament and then see whether I want", "elements. These are the \"purely erotic stories\" that we seek! 5. Depictions of", "they contain non-sexual narrative elements which could also be told without their sexual", "stories that are purely sexual: 1. Stories without sensuality, eroticism, or sex. 2.", "build towards its climax. A purely sexual relationship will turn into love from", "undertake to learn. You may have a different concept of what is and", "of sensuality, eroticism, or sex. 3. Stories about love, eroticism, and sex with", "elements which could also be told without their sexual or erotic turn. Example:", "Stories about love, eroticism, and sex with differing amounts of non-sexual narrative (e.g.", "antagonist is an opponent or obstacle in sex. In this way, these stories", "enjoy them * a character is raped or forced to have sex ", "future technological development, history, family problems, etc.) with differing amounts of sensuality, eroticism,", "is an opponent or obstacle in sex. In this way, these stories are", "love, eroticism, and sex with differing amounts of non-sexual narrative (e.g. an erotic", "narrative = \"purely erotic stories\" In these stories, the narrative cannot be told", "are romantic or sexual – i.e. the story develops (to use @Standback's examples):", "where the erotic storyline is not put into the context of a thriller,", "It is a writing experiment that I undertake to learn. You may have", "love from time spent together alone, if love is at all possible. A", "erotic narrative but without any (significant) non-sexual narrative elements. These are the \"purely", "else happens ### 3. Stories about sex with a non-sexual narrative In this", "sex with a non-sexual narrative, the connection between the sexual and the non-sexual", "any narrative as we find them in some pornographic movies. On the other", "\"purely erotic story\" is one where the protagonists aren't hindered from achieving their", "a \"purely erotic story\", the obstacles and conflict are erotic or sexual. ---", "my* question regarding my writing experiment, if you attempt an answer please respect", "fail because of one partner's shyness, and then the antagonist is that person's", "of non-sexual narrative (e.g. an erotic thriller or an erotic romance). 4. Stories", "about sex. But they *contain non-sexual narrative elements which could also be told", "the main topics or themes of the story. The stories are about sex.", "in which the stakes are romantic or sexual 2. stories in which the", "time with her orgasms This story can be told without the sexual turn,", "experiment, if you attempt an answer please respect the definitions I have given.", "sexual empowerment – what can cause conflict? It seems to me that the", " etc. All these stories have a narrative (which distinguishes them from category", "story. The stories are about sex. But they *contain non-sexual narrative elements which", "I'd like to repeat and emphasize that in the context of this question", "nor sexual (e.g. an erotic thriller) In an erotic novel, where the stakes", "erotic storyline is not put into the context of a thriller, horror, romance", "this approach doesn't work, I'll try another one. It is a writing experiment", "can also be told without a sexual or erotic turn, for example: A", "stories about sex with a non-sexual narrative, the connection between the sexual and", "acts without any narrative as we find them in some pornographic movies. On", "a narrative (which distinguishes them from category 5), and this narrative requires sex", "novel (which does not contain rape) and am currently brainstorming story ideas. To", "actually erotic in essence and which are not essentially erotic but sexualized. I", "These are the \"purely erotic stories\" that we seek! 5. Depictions of sex", "or erotic turn, for example: A child wants to be friends with another", "character, but that other character desires sex with a third character. This rival/triangle", "eroticism are the main topics or themes of the story. The stories are", "be disinterested. Here we have the same rival/triangle story, but without the sex.", "* a character has sex in circumstances where sex is not allowed or", "It seems to me that the development of a purely erotic plot, that", "the desire for consummation can fail because of one partner's shyness, and then", "in more detail and give some examples: ### 5. Depictions of sex without", "house, unless you add an earthquake or financial crisis, a purely erotic storyline", "the narrative cannot be told without sex.** Examples: * a character is afraid", "time-stopping story, but without the sex. In stories about sex with a non-sexual", "be told wihout sexualisation. ### 4. Stories with only a sexual narrative =", "we have the time-stopping story, but without the sex. In stories about sex", "technological development, history, family problems, etc.) with differing amounts of sensuality, eroticism, or", "that are purely sexual: 1. Stories without sensuality, eroticism, or sex. 2. Stories", "without any (significant) non-sexual narrative elements. These are the \"purely erotic stories\" that", "4. Stories with only a sexual narrative = \"purely erotic stories\" In these", "family problems, etc.) with differing amounts of sensuality, eroticism, or sex. 3. Stories", "erotic storyline will unerringly build towards its climax. A purely sexual relationship will", "the sexual and the non-sexual narrative is not necessary. The non-sexual narrative can", "social segregation, as they commonly are in romance novels. In a \"purely erotic", "circumstances where sex is not allowed or taboo (in public, with a family", "unerringly build towards its climax. A purely sexual relationship will turn into love", "understand the distinctions between the third, fourth, and fifth story categories, let's define", "if they have sex and nothing can keep that person from acquiring experience.", "a purely erotic story fundament and then see whether I want or need", "the purpose of my question regarding my writing experiment, if you attempt an", "without any narrative. To better understand the distinctions between the third, fourth, and", "You may have a different concept of what is and what isn't erotic", "towards its climax. A purely sexual relationship will turn into love from time", "of the story. The stories are about sex. But they *contain non-sexual narrative", "that shows two people having sex; nothing else happens ### 3. Stories about", "in some pornographic movies. On the other end are stories without human relationships", "a non-sexual narrative In this category, sex and eroticism are the main topics", "sexual 2. stories in which the stakes are neither romantic nor sexual (e.g.", "approach doesn't work, I'll try another one. It is a writing experiment that", "a third child and seems to be disinterested. Here we have the same", "in circumstances where sex is not allowed or taboo (in public, with a", "this narrative requires sex* (which distinguishes them from category 3). In these stories,", "shyness, and then the antagonist is that person's fear. In all other cases:", "from stories that contain a non-sexual narrative to stories that are purely sexual:", "gain it if they have sex and nothing can keep that person from", "their fear * a character learns to have sex or to perform certain" ]
[ "uncle (the king) killed his father and stole his throne. The prince knows", "socialization, because his contact with people was restricted for a long time. He", "white thinking. He will genuinely care for other characters, but ultimately the trauma,", "some narcisstic tendencies, mainly the need for approval and black-and white thinking. He", "prison could create a power-hungry narcisstic teen who can hardly relate to other", "king) killed his father and stole his throne. The prince knows it and", "incompetence and he saw it as his moral duty to do whatever necessary", "king wouldn't admit it, the murder weights a lot on his conscience. He", "His uncle (the king) killed his father and stole his throne. The prince", "power-hungry narcisstic teen who can hardly relate to other people, but his intellect", "sociable, but struggle with socialization, because his contact with people was restricted for", "prince knows it and hates the king deeply. The king resents ruling. He", "is a prince who was imprisoned by his uncle after his father died.", "can hardly relate to other people, but his intellect and social instincts are", "approval and black-and white thinking. He will genuinely care for other characters, but", "as his father, but adopted his younger sister, who could still be \"raised", "age? Some info that might be relevant: His uncle (the king) killed his", "who was imprisoned by his uncle after his father died. This should happen", "out the same as his father, but adopted his younger sister, who could", "lot on his conscience. He hid the prince away because he would likely", "was destroying the country with his incompetence and he saw it as his", "was restricted for a long time. He should have some narcisstic tendencies, mainly", "murdered his brother because he was destroying the country with his incompetence and", "he would likely turn out the same as his father, but adopted his", "remember his parents and the life he had. He should be extroverted and", "with his incompetence and he saw it as his moral duty to do", "the murder weights a lot on his conscience. He hid the prince away", "hid the prince away because he would likely turn out the same as", "sister, who could still be \"raised well\" and couldn't inherit the throne anyway.", "teen who can hardly relate to other people, but his intellect and social", "was imprisoned by his uncle after his father died. This should happen at", "conditions of the prison could create a power-hungry narcisstic teen who can hardly", "the prison could create a power-hungry narcisstic teen who can hardly relate to", "his parents and the life he had. He should be extroverted and sociable,", "and he saw it as his moral duty to do whatever necessary to", "be extroverted and sociable, but struggle with socialization, because his contact with people", "his uncle after his father died. This should happen at an age when", "need for approval will make him focus more and more on getting the", "approval will make him focus more and more on getting the throne and", "with it. The question is, what conditions of the prison could create a", "the king wouldn't admit it, the murder weights a lot on his conscience.", "tendencies, mainly the need for approval and black-and white thinking. He will genuinely", "the same as his father, but adopted his younger sister, who could still", "the need for approval and black-and white thinking. He will genuinely care for", "intellect and social instincts are preserved? How long would the imprisonment \"ideally\" last", "save it. They never liked each other, but even though the king wouldn't", "should have some narcisstic tendencies, mainly the need for approval and black-and white", "by his uncle after his father died. This should happen at an age", "imprisoned by his uncle after his father died. This should happen at an", "have some narcisstic tendencies, mainly the need for approval and black-and white thinking.", "would likely turn out the same as his father, but adopted his younger", "He should be extroverted and sociable, but struggle with socialization, because his contact", "but even though the king wouldn't admit it, the murder weights a lot", "wouldn't admit it, the murder weights a lot on his conscience. He hid", "never liked each other, but even though the king wouldn't admit it, the", "He will genuinely care for other characters, but ultimately the trauma, distrust, fear", "narcisstic tendencies, mainly the need for approval and black-and white thinking. He will", "the throne and the wealth and power that comes with it. The question", "his contact with people was restricted for a long time. He should have", "ruling. He murdered his brother because he was destroying the country with his", "he can vaguely remember his parents and the life he had. He should", "hardly relate to other people, but his intellect and social instincts are preserved?", "could create a power-hungry narcisstic teen who can hardly relate to other people,", "Some info that might be relevant: His uncle (the king) killed his father", "do whatever necessary to save it. They never liked each other, but even", "people was restricted for a long time. He should have some narcisstic tendencies,", "focus more and more on getting the throne and the wealth and power", "well\" and couldn't inherit the throne anyway. The prince escapes/is freed as a", "a lot on his conscience. He hid the prince away because he would", "whatever necessary to save it. They never liked each other, but even though", "other, but even though the king wouldn't admit it, the murder weights a", "make him focus more and more on getting the throne and the wealth", "prince away because he would likely turn out the same as his father,", "\"raised well\" and couldn't inherit the throne anyway. The prince escapes/is freed as", "will make him focus more and more on getting the throne and the", "conscience. He hid the prince away because he would likely turn out the", "prince who was imprisoned by his uncle after his father died. This should", "what conditions of the prison could create a power-hungry narcisstic teen who can", "admit it, the murder weights a lot on his conscience. He hid the", "He hid the prince away because he would likely turn out the same", "for other characters, but ultimately the trauma, distrust, fear need for approval will", "relate to other people, but his intellect and social instincts are preserved? How", "can vaguely remember his parents and the life he had. He should be", "info that might be relevant: His uncle (the king) killed his father and", "and more on getting the throne and the wealth and power that comes", "inherit the throne anyway. The prince escapes/is freed as a teenager, max. 20", "resents ruling. He murdered his brother because he was destroying the country with", "his intellect and social instincts are preserved? How long would the imprisonment \"ideally\"", "wealth and power that comes with it. The question is, what conditions of", "but his intellect and social instincts are preserved? How long would the imprisonment", "he was destroying the country with his incompetence and he saw it as", "relevant: His uncle (the king) killed his father and stole his throne. The", "still be \"raised well\" and couldn't inherit the throne anyway. The prince escapes/is", "younger sister, who could still be \"raised well\" and couldn't inherit the throne", "restricted for a long time. He should have some narcisstic tendencies, mainly the", "My protagonist is a prince who was imprisoned by his uncle after his", "instincts are preserved? How long would the imprisonment \"ideally\" last and from what", "will genuinely care for other characters, but ultimately the trauma, distrust, fear need", "question is, what conditions of the prison could create a power-hungry narcisstic teen", "more and more on getting the throne and the wealth and power that", "for approval will make him focus more and more on getting the throne", "when he can vaguely remember his parents and the life he had. He", "and couldn't inherit the throne anyway. The prince escapes/is freed as a teenager,", "might be relevant: His uncle (the king) killed his father and stole his", "mainly the need for approval and black-and white thinking. He will genuinely care", "murder weights a lot on his conscience. He hid the prince away because", "who can hardly relate to other people, but his intellect and social instincts", "had. He should be extroverted and sociable, but struggle with socialization, because his", "killed his father and stole his throne. The prince knows it and hates", "father died. This should happen at an age when he can vaguely remember", "an age when he can vaguely remember his parents and the life he", "age when he can vaguely remember his parents and the life he had.", "with people was restricted for a long time. He should have some narcisstic", "the throne anyway. The prince escapes/is freed as a teenager, max. 20 years", "extroverted and sociable, but struggle with socialization, because his contact with people was", "the trauma, distrust, fear need for approval will make him focus more and", "though the king wouldn't admit it, the murder weights a lot on his", "He murdered his brother because he was destroying the country with his incompetence", "black-and white thinking. He will genuinely care for other characters, but ultimately the", "to other people, but his intellect and social instincts are preserved? How long", "same as his father, but adopted his younger sister, who could still be", "comes with it. The question is, what conditions of the prison could create", "the country with his incompetence and he saw it as his moral duty", "liked each other, but even though the king wouldn't admit it, the murder", "preserved? How long would the imprisonment \"ideally\" last and from what age? Some", "to save it. They never liked each other, but even though the king", "throne. The prince knows it and hates the king deeply. The king resents", "knows it and hates the king deeply. The king resents ruling. He murdered", "each other, but even though the king wouldn't admit it, the murder weights", "away because he would likely turn out the same as his father, but", "country with his incompetence and he saw it as his moral duty to", "long time. He should have some narcisstic tendencies, mainly the need for approval", "thinking. He will genuinely care for other characters, but ultimately the trauma, distrust,", "a prince who was imprisoned by his uncle after his father died. This", "is, what conditions of the prison could create a power-hungry narcisstic teen who", "because his contact with people was restricted for a long time. He should", "throne and the wealth and power that comes with it. The question is,", "on his conscience. He hid the prince away because he would likely turn", "throne anyway. The prince escapes/is freed as a teenager, max. 20 years old.", "it, the murder weights a lot on his conscience. He hid the prince", "protagonist is a prince who was imprisoned by his uncle after his father", "could still be \"raised well\" and couldn't inherit the throne anyway. The prince", "be \"raised well\" and couldn't inherit the throne anyway. The prince escapes/is freed", "after his father died. This should happen at an age when he can", "and social instincts are preserved? How long would the imprisonment \"ideally\" last and", "and stole his throne. The prince knows it and hates the king deeply.", "for a long time. He should have some narcisstic tendencies, mainly the need", "would the imprisonment \"ideally\" last and from what age? Some info that might", "The king resents ruling. He murdered his brother because he was destroying the", "it as his moral duty to do whatever necessary to save it. They", "at an age when he can vaguely remember his parents and the life", "narcisstic teen who can hardly relate to other people, but his intellect and", "and power that comes with it. The question is, what conditions of the", "parents and the life he had. He should be extroverted and sociable, but", "a power-hungry narcisstic teen who can hardly relate to other people, but his", "duty to do whatever necessary to save it. They never liked each other,", "He should have some narcisstic tendencies, mainly the need for approval and black-and", "The question is, what conditions of the prison could create a power-hungry narcisstic", "They never liked each other, but even though the king wouldn't admit it,", "and from what age? Some info that might be relevant: His uncle (the", "and sociable, but struggle with socialization, because his contact with people was restricted", "his conscience. He hid the prince away because he would likely turn out", "brother because he was destroying the country with his incompetence and he saw", "other people, but his intellect and social instincts are preserved? How long would", "saw it as his moral duty to do whatever necessary to save it.", "and black-and white thinking. He will genuinely care for other characters, but ultimately", "necessary to save it. They never liked each other, but even though the", "The prince knows it and hates the king deeply. The king resents ruling.", "be relevant: His uncle (the king) killed his father and stole his throne.", "deeply. The king resents ruling. He murdered his brother because he was destroying", "him focus more and more on getting the throne and the wealth and", "on getting the throne and the wealth and power that comes with it.", "even though the king wouldn't admit it, the murder weights a lot on", "last and from what age? Some info that might be relevant: His uncle", "a long time. He should have some narcisstic tendencies, mainly the need for", "moral duty to do whatever necessary to save it. They never liked each", "How long would the imprisonment \"ideally\" last and from what age? Some info", "characters, but ultimately the trauma, distrust, fear need for approval will make him", "stole his throne. The prince knows it and hates the king deeply. The", "his throne. The prince knows it and hates the king deeply. The king", "the wealth and power that comes with it. The question is, what conditions", "as his moral duty to do whatever necessary to save it. They never", "ultimately the trauma, distrust, fear need for approval will make him focus more", "vaguely remember his parents and the life he had. He should be extroverted", "it. The question is, what conditions of the prison could create a power-hungry", "\"ideally\" last and from what age? Some info that might be relevant: His", "because he would likely turn out the same as his father, but adopted", "likely turn out the same as his father, but adopted his younger sister,", "(the king) killed his father and stole his throne. The prince knows it", "weights a lot on his conscience. He hid the prince away because he", "care for other characters, but ultimately the trauma, distrust, fear need for approval", "social instincts are preserved? How long would the imprisonment \"ideally\" last and from", "from what age? Some info that might be relevant: His uncle (the king)", "trauma, distrust, fear need for approval will make him focus more and more", "with socialization, because his contact with people was restricted for a long time.", "king deeply. The king resents ruling. He murdered his brother because he was", "distrust, fear need for approval will make him focus more and more on", "his father, but adopted his younger sister, who could still be \"raised well\"", "but ultimately the trauma, distrust, fear need for approval will make him focus", "are preserved? How long would the imprisonment \"ideally\" last and from what age?", "struggle with socialization, because his contact with people was restricted for a long", "he had. He should be extroverted and sociable, but struggle with socialization, because", "time. He should have some narcisstic tendencies, mainly the need for approval and", "and the life he had. He should be extroverted and sociable, but struggle", "the king deeply. The king resents ruling. He murdered his brother because he", "died. This should happen at an age when he can vaguely remember his", "more on getting the throne and the wealth and power that comes with", "what age? Some info that might be relevant: His uncle (the king) killed", "father, but adopted his younger sister, who could still be \"raised well\" and", "he saw it as his moral duty to do whatever necessary to save", "his father and stole his throne. The prince knows it and hates the", "for approval and black-and white thinking. He will genuinely care for other characters,", "father and stole his throne. The prince knows it and hates the king", "power that comes with it. The question is, what conditions of the prison", "his brother because he was destroying the country with his incompetence and he", "and the wealth and power that comes with it. The question is, what", "and hates the king deeply. The king resents ruling. He murdered his brother", "because he was destroying the country with his incompetence and he saw it", "This should happen at an age when he can vaguely remember his parents", "destroying the country with his incompetence and he saw it as his moral", "genuinely care for other characters, but ultimately the trauma, distrust, fear need for", "getting the throne and the wealth and power that comes with it. The", "hates the king deeply. The king resents ruling. He murdered his brother because", "king resents ruling. He murdered his brother because he was destroying the country", "his incompetence and he saw it as his moral duty to do whatever", "create a power-hungry narcisstic teen who can hardly relate to other people, but", "the imprisonment \"ideally\" last and from what age? Some info that might be", "the life he had. He should be extroverted and sociable, but struggle with", "but struggle with socialization, because his contact with people was restricted for a", "other characters, but ultimately the trauma, distrust, fear need for approval will make", "need for approval and black-and white thinking. He will genuinely care for other", "uncle after his father died. This should happen at an age when he", "of the prison could create a power-hungry narcisstic teen who can hardly relate", "happen at an age when he can vaguely remember his parents and the", "that might be relevant: His uncle (the king) killed his father and stole", "it and hates the king deeply. The king resents ruling. He murdered his", "adopted his younger sister, who could still be \"raised well\" and couldn't inherit", "to do whatever necessary to save it. They never liked each other, but", "the prince away because he would likely turn out the same as his", "turn out the same as his father, but adopted his younger sister, who", "his younger sister, who could still be \"raised well\" and couldn't inherit the", "his moral duty to do whatever necessary to save it. They never liked", "but adopted his younger sister, who could still be \"raised well\" and couldn't", "contact with people was restricted for a long time. He should have some", "should be extroverted and sociable, but struggle with socialization, because his contact with", "long would the imprisonment \"ideally\" last and from what age? Some info that", "people, but his intellect and social instincts are preserved? How long would the", "couldn't inherit the throne anyway. The prince escapes/is freed as a teenager, max.", "it. They never liked each other, but even though the king wouldn't admit", "life he had. He should be extroverted and sociable, but struggle with socialization,", "imprisonment \"ideally\" last and from what age? Some info that might be relevant:", "should happen at an age when he can vaguely remember his parents and", "that comes with it. The question is, what conditions of the prison could", "his father died. This should happen at an age when he can vaguely", "who could still be \"raised well\" and couldn't inherit the throne anyway. The", "fear need for approval will make him focus more and more on getting" ]
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[ "submit a request for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One", "the best answer for this entry field—based on the way that librarians, teachers,", "#2, the answer is absolutely \"no\" since I didn't write it primarily with", "for this entry field—based on the way that librarians, teachers, or others actually", "is: 1. for members of this audience and other audiences 2. only for", "if it's #2, the answer is absolutely \"no\" since I didn't write it", "YA readers of roughly 14+. So if #1 is the right interpretation, I", "of this audience and other audiences 2. only for members of this audience", "book. But if it's #2, the answer is absolutely \"no\" since I didn't", "general audiences and never even considered the possibility of YA readers. But one", "or young adults\" would be false.) I wrote the novel for general audiences", "other audiences 2. only for members of this audience (To illustrate usage #1,", "\"or\", I assume the book doesn't have to be appropriate for both children", "hoping that someone with working knowledge can tell me the best answer for", "young adults?\" It is; to say \"Exercise is not intended for children or", "But if it's #2, the answer is absolutely \"no\" since I didn't write", "To be clear: I'm not asking about the meaning of the word \"intend\",", "for members of this audience (To illustrate usage #1, consider the sentence, \"Is", "this title intended for children or young adults? > > > Because of", "novel for general audiences and never even considered the possibility of YA readers.", "be obvious if the field were phrased as \"acceptable for\" or \"intended primarily", "\"no\" since I didn't write it primarily with young adults in mind. To", "If you have working knowledge, please mention that in your answer for added", "of roughly 14+. So if #1 is the right interpretation, I think that", "for children or young adults\" would be false.) I wrote the novel for", "(To illustrate usage #1, consider the sentence, \"Is exercise intended for children or", "14+. So if #1 is the right interpretation, I think that applies to", "not asking about the meaning of the word \"intend\", or for interpretations of", "me the best answer for this entry field—based on the way that librarians,", "\"intended primarily for\". Unfortunately, I'm unsure whether \"intended for\" means the title is:", "that someone with working knowledge can tell me the best answer for this", "the answer is absolutely \"no\" since I didn't write it primarily with young", "audiences 2. only for members of this audience (To illustrate usage #1, consider", "is: > > Is this title intended for children or young adults? >", "YA readers. But one of my beta readers, who teaches middle-school English, assumed", "(PCN). One of the questions on the form is: > > Is this", "the form is: > > Is this title intended for children or young", "middle-school English, assumed it was intended for YA readers of roughly 14+. So", "one of my beta readers, who teaches middle-school English, assumed it was intended", "that applies to my book. But if it's #2, the answer is absolutely", "readers of roughly 14+. So if #1 is the right interpretation, I think", "meaning of the word \"intend\", or for interpretations of the form by laypeople", "or young adults? > > > Because of the \"or\", I assume the", "is; to say \"Exercise is not intended for children or young adults\" would", "it's #2, the answer is absolutely \"no\" since I didn't write it primarily", "for members of this audience and other audiences 2. only for members of", "both children and** young adults. My answer would be obvious if the field", "\"acceptable for\" or \"intended primarily for\". Unfortunately, I'm unsure whether \"intended for\" means", "title intended for children or young adults? > > > Because of the", "Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the form is: > > Is", "means the title is: 1. for members of this audience and other audiences", "English, assumed it was intended for YA readers of roughly 14+. So if", "intended for children or young adults\" would be false.) I wrote the novel", "this information. If you have working knowledge, please mention that in your answer", "of the word \"intend\", or for interpretations of the form by laypeople like", "asking about the meaning of the word \"intend\", or for interpretations of the", "working knowledge can tell me the best answer for this entry field—based on", "the book doesn't have to be appropriate for both children and young adults.", "is the right interpretation, I think that applies to my book. But if", "that librarians, teachers, or others actually use this information. If you have working", "applies to my book. But if it's #2, the answer is absolutely \"no\"", "even considered the possibility of YA readers. But one of my beta readers,", "> > > Because of the \"or\", I assume the book doesn't have", "or \"intended primarily for\". Unfortunately, I'm unsure whether \"intended for\" means the title", "book doesn't have to be appropriate for both children and young adults. My", "audience and other audiences 2. only for members of this audience (To illustrate", "#1, consider the sentence, \"Is exercise intended for children or young adults?\" It", "Because of the \"or\", I assume the book doesn't have to be appropriate", "is not intended for children or young adults\" would be false.) I wrote", "was intended for YA readers of roughly 14+. So if #1 is the", "for\" or \"intended primarily for\". Unfortunately, I'm unsure whether \"intended for\" means the", "I didn't write it primarily with young adults in mind. To be clear:", "knowledge can tell me the best answer for this entry field—based on the", "the questions on the form is: > > Is this title intended for", "wrote the novel for general audiences and never even considered the possibility of", "I assume the book doesn't have to be appropriate for both children and", "way that librarians, teachers, or others actually use this information. If you have", "the possibility of YA readers. But one of my beta readers, who teaches", "on the form is: > > Is this title intended for children or", "possibility of YA readers. But one of my beta readers, who teaches middle-school", "by laypeople like me. I'm hoping that someone with working knowledge can tell", "I'm not asking about the meaning of the word \"intend\", or for interpretations", "for both children and young adults. My answer would be obvious if the", "young adults? > > > Because of the \"or\", I assume the book", "adults?\" It is; to say \"Exercise is not intended for children or young", "adults in mind. To be clear: I'm not asking about the meaning of", "were phrased as \"acceptable for\" or \"intended primarily for\". Unfortunately, I'm unsure whether", "adults? > > > Because of the \"or\", I assume the book doesn't", "I'm unsure whether \"intended for\" means the title is: 1. for members of", "children or young adults?\" It is; to say \"Exercise is not intended for", "didn't write it primarily with young adults in mind. To be clear: I'm", "for YA readers of roughly 14+. So if #1 is the right interpretation,", "the meaning of the word \"intend\", or for interpretations of the form by", "for\" means the title is: 1. for members of this audience and other", "form is: > > Is this title intended for children or young adults?", "young adults\" would be false.) I wrote the novel for general audiences and", "to my book. But if it's #2, the answer is absolutely \"no\" since", "can tell me the best answer for this entry field—based on the way", "and never even considered the possibility of YA readers. But one of my", "the title is: 1. for members of this audience and other audiences 2.", "assume the book doesn't have to be appropriate for both children and young", "unsure whether \"intended for\" means the title is: 1. for members of this", "Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the form is:", "interpretation, I think that applies to my book. But if it's #2, the", "exercise intended for children or young adults?\" It is; to say \"Exercise is", "interpretations of the form by laypeople like me. I'm hoping that someone with", "someone with working knowledge can tell me the best answer for this entry", "illustrate usage #1, consider the sentence, \"Is exercise intended for children or young", "for children or young adults? > > > Because of the \"or\", I", "the way that librarians, teachers, or others actually use this information. If you", "\"Is exercise intended for children or young adults?\" It is; to say \"Exercise", "But one of my beta readers, who teaches middle-school English, assumed it was", "of this audience (To illustrate usage #1, consider the sentence, \"Is exercise intended", "sentence, \"Is exercise intended for children or young adults?\" It is; to say", "adults\" would be false.) I wrote the novel for general audiences and never", "use this information. If you have working knowledge, please mention that in your", "of my beta readers, who teaches middle-school English, assumed it was intended for", "> > Is this title intended for children or young adults? > >", "answer for this entry field—based on the way that librarians, teachers, or others", "> > Because of the \"or\", I assume the book doesn't have to", "with young adults in mind. To be clear: I'm not asking about the", "to be appropriate for both children and young adults. My answer would be", "with working knowledge can tell me the best answer for this entry field—based", "Is this title intended for children or young adults? > > > Because", "\"Exercise is not intended for children or young adults\" would be false.) I", "have to be appropriate for both children and young adults. My answer would", "best answer for this entry field—based on the way that librarians, teachers, or", "is absolutely \"no\" since I didn't write it primarily with young adults in", "beta readers, who teaches middle-school English, assumed it was intended for YA readers", "usage #1, consider the sentence, \"Is exercise intended for children or young adults?\"", "information. If you have working knowledge, please mention that in your answer for", "intended for YA readers of roughly 14+. So if #1 is the right", "of the questions on the form is: > > Is this title intended", "for\". Unfortunately, I'm unsure whether \"intended for\" means the title is: 1. for", "It is; to say \"Exercise is not intended for children or young adults\"", "for children or young adults?\" It is; to say \"Exercise is not intended", "the right interpretation, I think that applies to my book. But if it's", "I think that applies to my book. But if it's #2, the answer", "librarians, teachers, or others actually use this information. If you have working knowledge,", "of YA readers. But one of my beta readers, who teaches middle-school English,", "laypeople like me. I'm hoping that someone with working knowledge can tell me", "1. for members of this audience and other audiences 2. only for** members", "would be false.) I wrote the novel for general audiences and never even", "considered the possibility of YA readers. But one of my beta readers, who", "others actually use this information. If you have working knowledge, please mention that", "who teaches middle-school English, assumed it was intended for YA readers of roughly", "members of this audience (To illustrate usage #1, consider the sentence, \"Is exercise", "I'm going to submit a request for a [Library of Congress Preassigned Control", "I wrote the novel for general audiences and never even considered the possibility", "the \"or\", I assume the book doesn't have to be appropriate for both", "phrased as \"acceptable for\" or \"intended primarily for\". Unfortunately, I'm unsure whether \"intended", "this entry field—based on the way that librarians, teachers, or others actually use", "it was intended for YA readers of roughly 14+. So if #1 is", "a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on", "answer would be obvious if the field were phrased as \"acceptable for\" or", "or young adults?\" It is; to say \"Exercise is not intended for children", "primarily for\". Unfortunately, I'm unsure whether \"intended for\" means the title is: 1.", "appropriate for both children and young adults. My answer would be obvious if", "since I didn't write it primarily with young adults in mind. To be", "in mind. To be clear: I'm not asking about the meaning of the", "the word \"intend\", or for interpretations of the form by laypeople like me.", "word \"intend\", or for interpretations of the form by laypeople like me. I'm", "like me. I'm hoping that someone with working knowledge can tell me the", "I'm hoping that someone with working knowledge can tell me the best answer", "So if #1 is the right interpretation, I think that applies to my", "\"intend\", or for interpretations of the form by laypeople like me. I'm hoping", "Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the form is: > >", "absolutely \"no\" since I didn't write it primarily with young adults in mind.", "as \"acceptable for\" or \"intended primarily for\". Unfortunately, I'm unsure whether \"intended for\"", "of the \"or\", I assume the book doesn't have to be appropriate for", "this audience and other audiences 2. only for members of this audience (To", "children or young adults\" would be false.) I wrote the novel for general", "the sentence, \"Is exercise intended for children or young adults?\" It is; to", "One of the questions on the form is: > > Is this title", "only for members of this audience (To illustrate usage #1, consider the sentence,", "members of this audience and other audiences 2. only for members of this", "the form by laypeople like me. I'm hoping that someone with working knowledge", "title is: 1. for members of this audience and other audiences 2. *only", "my beta readers, who teaches middle-school English, assumed it was intended for YA", "questions on the form is: > > Is this title intended for children", "of the form by laypeople like me. I'm hoping that someone with working", "assumed it was intended for YA readers of roughly 14+. So if #1", "if the field were phrased as \"acceptable for\" or \"intended primarily* for\". Unfortunately,", "entry field—based on the way that librarians, teachers, or others actually use this", "the novel for general audiences and never even considered the possibility of YA", "you have working knowledge, please mention that in your answer for added weight.", "roughly 14+. So if #1 is the right interpretation, I think that applies", "request for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the", "and young adults. My answer would be obvious if the field were phrased", "Unfortunately, I'm unsure whether \"intended for\" means the title is: 1. for members", "My answer would be obvious if the field were phrased as \"acceptable for\"", "2. only for members of this audience (To illustrate usage #1, consider the", "it primarily with young adults in mind. To be clear: I'm not asking", "to submit a request for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN).", "if #1 is the right interpretation, I think that applies to my book.", "think that applies to my book. But if it's #2, the answer is", "field—based on the way that librarians, teachers, or others actually use this information.", "actually use this information. If you have working knowledge, please mention that in", "have working knowledge, please mention that in your answer for added weight. Thanks!", "[Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the", "readers. But one of my beta readers, who teaches middle-school English, assumed it", "my book. But if it's #2, the answer is absolutely \"no\" since I", "for interpretations of the form by laypeople like me. I'm hoping that someone", "for general audiences and never even considered the possibility of YA readers. But", "false.) I wrote the novel for general audiences and never even considered the", "answer is absolutely \"no\" since I didn't write it primarily with young adults", "tell me the best answer for this entry field—based on the way that", "form by laypeople like me. I'm hoping that someone with working knowledge can", "going to submit a request for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/)", "mind. To be clear: I'm not asking about the meaning of the word", "of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the form", "and other audiences 2. only for members of this audience (To illustrate usage", "children and young adults. My answer would be obvious if the field were", "teachers, or others actually use this information. If you have working knowledge, please", "audiences and never even considered the possibility of YA readers. But one of", "children or young adults? > > > Because of the \"or\", I assume", "readers, who teaches middle-school English, assumed it was intended for YA readers of", "say \"Exercise is not intended for children or young adults\" would be false.)", "about the meaning of the word \"intend\", or for interpretations of the form", "this audience (To illustrate usage #1, consider the sentence, \"Is exercise intended for", "> Because of the \"or\", I assume the book doesn't have to be", "or for interpretations of the form by laypeople like me. I'm hoping that", "to say \"Exercise is not intended for children or young adults\" would be", "the field were phrased as \"acceptable for\" or \"intended primarily for\". Unfortunately, I'm", "for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions", "consider the sentence, \"Is exercise intended for children or young adults?\" It is;", "write it primarily with young adults in mind. To be clear: I'm not", "young adults. My answer would be obvious if the field were phrased as", "intended for children or young adults? > > > Because of the \"or\",", "never even considered the possibility of YA readers. But one of my beta", "#1 is the right interpretation, I think that applies to my book. But", "intended for children or young adults?\" It is; to say \"Exercise is not", "not intended for children or young adults\" would be false.) I wrote the", "be clear: I'm not asking about the meaning of the word \"intend\", or", "Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of the questions on the form is: >", "be false.) I wrote the novel for general audiences and never even considered", "on the way that librarians, teachers, or others actually use this information. If", "or others actually use this information. If you have working knowledge, please mention", "obvious if the field were phrased as \"acceptable for\" or \"intended primarily for\".", "right interpretation, I think that applies to my book. But if it's #2,", "adults. My answer would be obvious if the field were phrased as \"acceptable", "me. I'm hoping that someone with working knowledge can tell me the best", "> Is this title intended for children or young adults? > > >", "audience (To illustrate usage #1, consider the sentence, \"Is exercise intended for children", "teaches middle-school English, assumed it was intended for YA readers of roughly 14+.", "\"intended for\" means the title is: 1. for members of this audience and", "be appropriate for both children and** young adults. My answer would be obvious", "whether \"intended for\" means the title is: 1. for members of this audience", "a request for a [Library of Congress Preassigned Control Number](https://www.loc.gov/publish/pcn/) (PCN). One of", "primarily with young adults in mind. To be clear: I'm not asking about", "field were phrased as \"acceptable for\" or \"intended primarily for\". Unfortunately, I'm unsure", "clear: I'm not asking about the meaning of the word \"intend\", or for", "would be obvious if the field were phrased as \"acceptable for\" or \"intended", "young adults in mind. To be clear: I'm not asking about the meaning", "doesn't have to be appropriate for both children and young adults. My answer" ]
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That would feel unrealistically abrupt, and devoid of the related", "the conflict is going to end, why would a reader be invested in", "the forced separation, the change in their respective lifestyles, the separate new experiences", "a schmuck. Rather, they both, and MC in particular, underestimate how hard the", "underestimate how hard the ordeal is going to be. Which is an important", "finds himself sacrificing a relationship that was important to him, for his chosen", "to a savvy reader. Since it's clear how the conflict is going to", "all of it draws them apart. There's friction, eventually they break up. From", "On the other hand, it is clear that they're going to break up.", "I prevent a \"get on with it, break up already!\" reaction? A particularly", "not a schmuck. Rather, they both, and MC in particular, underestimate how hard", "to develop - they wouldn't just break up at the first sign of", "In the first 10% of my novel, my MC has a boyfriend. MC", "how it ends. 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On the", "himself sacrificing a relationship that was important to him, for his chosen path.", "beginning, a long-distance relationship isn't very interesting - having the MC meet someone", "(or he's summoned to fight Troy - the particulars don't really matter), boyfriend", "don't really matter), boyfriend is sure he'll wait the required X years. MC", "the ordeal is going to be. Which is an important recurring theme I", "story has much more \"meat\". So it's just a question of when. Once", "at the first sign of trouble. That would feel unrealistically abrupt, and devoid", "up at the first sign of trouble. That would feel unrealistically abrupt, and", "a savvy reader. Since it's clear how the conflict is going to end,", "further into the story has much more \"meat\". So it's just a question", "10% of my novel, my MC has a boyfriend. MC is accepted into", "summoned to fight Troy - the particulars don't really matter), boyfriend is sure", "develop - they wouldn't just break up at the first sign of trouble.", "up. From a Watsonian perspective, the MC finds himself sacrificing a relationship that", "the MC. On the other hand, it is clear that they're going to", "needs time to develop - they wouldn't just break up at the first", "going to break up. From the beginning, a long-distance relationship isn't very interesting", "to break up. From the beginning, a long-distance relationship isn't very interesting -", "is going to end, why would a reader be invested in it? How", "experiences - all of it draws them apart. There's friction, eventually they break", "prevent a \"get on with it, break up already!\" reaction? A particularly important", "conflict needs time to develop - they wouldn't just break up at the", "sure he'll wait the required X years. MC starts training, and already the", "break up. Not clear to the characters, but clear to a savvy reader.", "starts training, and already the forced separation, the change in their respective lifestyles,", "a Watsonian perspective, the MC finds himself sacrificing a relationship that was important", "would a reader be invested in it? How do I prevent a \"get", "tries to keep both, eventually he accepts it. From a Doylist perspective, of", "the beginning, a long-distance relationship isn't very interesting - having the MC meet", "end, why would a reader be invested in it? How do I prevent", "isn't very interesting - having the MC meet someone new and exciting a", "hand, the conflict needs time to develop - they wouldn't just break up", "the required X years. MC starts training, and already the forced separation, the", "From the beginning, a long-distance relationship isn't very interesting - having the MC", "has much more \"meat\". So it's just a question of when. Once the", "the conflict appears, it's therefore rather obvious how it ends. I'm struggling to", "be invested in it? How do I prevent a \"get on with it,", "it? How do I prevent a \"get on with it, break up already!\"", "is going to be. Which is an important recurring theme I want to", "perspective, of course* they're going to break up. From the beginning, a long-distance", "trouble. That would feel unrealistically abrupt, and devoid of the related internal struggle", "is not a schmuck. Rather, they both, and MC in particular, underestimate how", "it's clear how the conflict is going to end, why would a reader", "MC has a boyfriend. MC is accepted into the Space Corps (or he's", "it, he tries to keep both, eventually he accepts it. From a Doylist", "just a question of when. Once the conflict appears, it's therefore rather obvious", "savvy reader. Since it's clear how the conflict is going to end, why", "to him, for his chosen path. It's painful, he struggles with it, he", "forced separation, the change in their respective lifestyles, the separate new experiences -", "that was important to him, for his chosen path. It's painful, he struggles", "it's just a question of when. Once the conflict appears, it's therefore rather", "\"meat\". So it's just a question of when. Once the conflict appears, it's", "unrealistically abrupt, and devoid of the related internal struggle for the MC. On", "devoid of the related internal struggle for the MC. On the other hand,", "to the characters, but clear to a savvy reader. Since it's clear how", "reader. Since it's clear how the conflict is going to end, why would", "MC meet someone new and exciting a bit further into the story has", "more \"meat\". So it's just a question of when. Once the conflict appears,", "lifestyles, the separate new experiences - all of it draws them apart. There's", "period.** On the one hand, the conflict needs time to develop - they", "clear to a savvy reader. Since it's clear how the conflict is going", "Since it's clear how the conflict is going to end, why would a", "new and exciting a bit further into the story has much more \"meat\".", "to keep both, eventually he accepts it. From a Doylist perspective, of course", "going to end, why would a reader be invested in it? *How do", "a Doylist perspective, of course* they're going to break up. From the beginning,", "their respective lifestyles, the separate new experiences - all of it draws them", "Not clear to the characters, but clear to a savvy reader. Since it's", "the one hand, the conflict needs time to develop - they wouldn't just", "From a Doylist perspective, of course they're going to break up. From the", "element: boyfriend is not a schmuck. Rather, they both, and MC in particular,", "There's friction, eventually they break up. From a Watsonian perspective, the MC finds", "him, for his chosen path. It's painful, he struggles with it, he tries", "important to him, for his chosen path. It's painful, he struggles with it,", "ordeal is going to be. Which is an important recurring theme I want", "chosen path. It's painful, he struggles with it, he tries to keep both,", "why would a reader be invested in it? *How do I prevent a", "they wouldn't just break up at the first sign of trouble. That would", "for the MC. On the other hand, it is clear that they're going", "in particular, underestimate how hard the ordeal is going to be. Which is", "required X years. MC starts training, and already the forced separation, the change", "keep both, eventually he accepts it. From a Doylist perspective, of course* they're", "going to be. Which is an important recurring theme I want to set", "is sure he'll wait the required X years. MC starts training, and already", "they're going to break up. From the beginning, a long-distance relationship isn't very", "meet someone new and exciting a bit further into the story has much", "of trouble. That would feel unrealistically abrupt, and devoid of the related internal", "to break up. Not clear to the characters, but clear to a savvy", "both, and MC in particular, underestimate how hard the ordeal is going to", "it is clear that they're going to break up. Not clear to the", "clear that they're going to break up. Not clear to the characters, but", "a bit further into the story has much more \"meat\". So it's just", "accepted into the Space Corps (or he's summoned to fight Troy - the", "boyfriend is sure he'll wait the required X years. MC starts training, and", "Troy - the particulars don't really matter), boyfriend is sure he'll wait the", "tension in the struggling-relationship period.** On the one hand, the conflict needs time", "they break up. From a Watsonian perspective, the MC finds himself sacrificing a", "eventually they break up. From a Watsonian perspective, the MC finds himself sacrificing", "course* they're going to break up. From the beginning, a long-distance relationship isn't", "in the struggling-relationship period. On the one hand, the conflict needs time to", "in their respective lifestyles, the separate new experiences - all of it draws", "That would feel unrealistically abrupt, and devoid of the related internal struggle for", "feel unrealistically abrupt, and devoid of the related internal struggle for the MC.", "matter), boyfriend is sure he'll wait the required X years. MC starts training,", "into the story has much more \"meat\". So it's just a question of", "schmuck. Rather, they both, and MC in particular, underestimate how hard the ordeal", "do I prevent a \"get on with it, break up already!\" reaction? A", "- having the MC meet someone new and exciting a bit further into", "So it's just a question of when. Once the conflict appears, it's therefore", "struggling to maintain tension in the struggling-relationship period. On the one hand, the", "Corps (or he's summoned to fight Troy - the particulars don't really matter),", "the particulars don't really matter), boyfriend is sure he'll wait the required X", "On the one hand, the conflict needs time to develop - they wouldn't", "the other hand, it is clear that they're going to break up. Not", "clear to the characters, but clear to a savvy reader. Since it's clear", "they're going to break up. Not clear to the characters, but clear to", "break up. From a Watsonian perspective, the MC finds himself sacrificing a relationship", "Once the conflict appears, it's therefore rather obvious how it ends. I'm struggling", "be. Which is an important recurring theme I want to set up early.", "the story has much more \"meat\". So it's just a question of when.", "time to develop - they wouldn't just break up at the first sign", "really matter), boyfriend is sure he'll wait the required X years. MC starts", "rather obvious how it ends. I'm struggling to maintain tension in the struggling-relationship", "relationship that was important to him, for his chosen path. It's painful, he", "question of when. Once the conflict appears, it's therefore rather obvious how it", "of the related internal struggle for the MC. On the other hand, it", "conflict is going to end, why would a reader be invested in it?", "up already!\" reaction? A particularly important element: boyfriend is not a schmuck. Rather,", "particularly important element: boyfriend is not a schmuck. Rather, they both, and MC", "ends. I'm struggling to maintain tension in the struggling-relationship period. On the one", "them apart. There's friction, eventually they break up. From a Watsonian perspective, the", "change in their respective lifestyles, the separate new experiences - all of it", "much more \"meat\". So it's just a question of when. Once the conflict", "but clear to a savvy reader. Since it's clear how the conflict is", "struggling-relationship period.** On the one hand, the conflict needs time to develop -", "first 10% of my novel, my MC has a boyfriend. MC is accepted", "up. From the beginning, a long-distance relationship isn't very interesting - having the" ]
[ "characters. There are no men to save her, and the antagonist in the", "the story follows all the rules about writing strong female characters. There are", "some critics have commented that this makes it seem that it's a female", "character swears, makes pop culture references and sexually objectifies men, some critics have", "who is her exact opposite. However because the character swears, makes pop culture", "this makes it seem that it's a female character being written by a", "another woman who is her exact opposite. However because the character swears, makes", "written by a man. I'm sure I'm not the only person who has", "her, and the antagonist in the story is another woman who is her", "is her exact opposite. However because the character swears, makes pop culture references", "man. I'm sure I'm not the only person who has gotten this criticism.", "on the women in my life, and the story follows all the rules", "culture references and sexually objectifies men, some critics have commented that this makes", "My main character is a woman. She's a strong and sassy character based", "and sexually objectifies men, some critics have commented that this makes it seem", "I'm not the only person who has gotten this criticism. Any ideas on", "about writing strong female characters. There are no men to save her, and", "the antagonist in the story is another woman who is her exact opposite.", "critics have commented that this makes it seem that it's a female character", "a light-hearted heist caper. My main character is a woman. She's a strong", "story follows all the rules about writing strong female characters. There are no", "caper. My main character is a woman. She's a strong and sassy character", "novel. It's meant to be a light-hearted heist caper. My main character is", "makes it seem that it's a female character being written by a man.", "it's a female character being written by a man. I'm sure I'm not", "writing strong female characters. There are no men to save her, and the", "my sci-fi novel. It's meant to be a light-hearted heist caper. My main", "and the antagonist in the story is another woman who is her exact", "a female character being written by a man. I'm sure I'm not the", "in my life, and the story follows all the rules about writing strong", "heist caper. My main character is a woman. She's a strong and sassy", "swears, makes pop culture references and sexually objectifies men, some critics have commented", "a strong and sassy character based on the women in my life, and", "men to save her, and the antagonist in the story is another woman", "not the only person who has gotten this criticism. Any ideas on how", "I'm a man. Working on my sci-fi novel. It's meant to be a", "the only person who has gotten this criticism. Any ideas on how to", "commented that this makes it seem that it's a female character being written", "men, some critics have commented that this makes it seem that it's a", "be a light-hearted heist caper. My main character is a woman. She's a", "to be a light-hearted heist caper. My main character is a woman. She's", "the story is another woman who is her exact opposite. However because the", "woman who is her exact opposite. However because the character swears, makes pop", "sassy character based on the women in my life, and the story follows", "strong and sassy character based on the women in my life, and the", "are no men to save her, and the antagonist in the story is", "based on the women in my life, and the story follows all the", "a man. I'm sure I'm not the only person who has gotten this", "only person who has gotten this criticism. Any ideas on how to fix", "the rules about writing strong female characters. There are no men to save", "pop culture references and sexually objectifies men, some critics have commented that this", "on my sci-fi novel. It's meant to be a light-hearted heist caper. My", "I'm sure I'm not the only person who has gotten this criticism. Any", "objectifies men, some critics have commented that this makes it seem that it's", "it seem that it's a female character being written by a man. I'm", "antagonist in the story is another woman who is her exact opposite. However", "woman. She's a strong and sassy character based on the women in my", "a man. Working on my sci-fi novel. It's meant to be a light-hearted", "the women in my life, and the story follows all the rules about", "There are no men to save her, and the antagonist in the story", "that it's a female character being written by a man. I'm sure I'm", "She's a strong and sassy character based on the women in my life,", "female characters. There are no men to save her, and the antagonist in", "exact opposite. However because the character swears, makes pop culture references and sexually", "opposite. However because the character swears, makes pop culture references and sexually objectifies", "women in my life, and the story follows all the rules about writing", "the character swears, makes pop culture references and sexually objectifies men, some critics", "meant to be a light-hearted heist caper. My main character is a woman.", "sure I'm not the only person who has gotten this criticism. Any ideas", "man. Working on my sci-fi novel. It's meant to be a light-hearted heist", "rules about writing strong female characters. There are no men to save her,", "life, and the story follows all the rules about writing strong female characters.", "is another woman who is her exact opposite. However because the character swears,", "person who has gotten this criticism. Any ideas on how to fix this?", "character is a woman. She's a strong and sassy character based on the", "light-hearted heist caper. My main character is a woman. She's a strong and", "story is another woman who is her exact opposite. However because the character", "her exact opposite. However because the character swears, makes pop culture references and", "character being written by a man. I'm sure I'm not the only person", "no men to save her, and the antagonist in the story is another", "follows all the rules about writing strong female characters. There are no men", "in the story is another woman who is her exact opposite. However because", "makes pop culture references and sexually objectifies men, some critics have commented that", "to save her, and the antagonist in the story is another woman who", "being written by a man. I'm sure I'm not the only person who", "female character being written by a man. I'm sure I'm not the only", "references and sexually objectifies men, some critics have commented that this makes it", "sci-fi novel. It's meant to be a light-hearted heist caper. My main character", "It's meant to be a light-hearted heist caper. My main character is a", "all the rules about writing strong female characters. There are no men to", "seem that it's a female character being written by a man. I'm sure", "Working on my sci-fi novel. It's meant to be a light-hearted heist caper.", "However because the character swears, makes pop culture references and sexually objectifies men,", "a woman. She's a strong and sassy character based on the women in", "because the character swears, makes pop culture references and sexually objectifies men, some", "sexually objectifies men, some critics have commented that this makes it seem that", "my life, and the story follows all the rules about writing strong female", "strong female characters. There are no men to save her, and the antagonist", "by a man. I'm sure I'm not the only person who has gotten", "main character is a woman. She's a strong and sassy character based on", "save her, and the antagonist in the story is another woman who is", "that this makes it seem that it's a female character being written by", "have commented that this makes it seem that it's a female character being", "and sassy character based on the women in my life, and the story", "and the story follows all the rules about writing strong female characters. There", "character based on the women in my life, and the story follows all", "is a woman. She's a strong and sassy character based on the women" ]
[ "except I do it for every single story. It's making me bored with", "story. It's making me bored with my writing and discouraged with myself, because", "no longer write a character that is unique or layered. How can I", "struggle against my illnesses that I face. And I think that's okay, except", "making me bored with my writing and discouraged with myself, because I feel", "little. But recently, I feel like my writing has reached a point where", "mentally ill. MC will be full of anger and sadness, with low self-esteem", "it for every single story. It's making me bored with my writing and", "unique or layered. How can I stop forcing my characters into my mold,", "about myself. When I write storylines about these characters overcoming exaggerated struggles like", "it's analogous to the struggle against my illnesses that I face. And I", "reached a point where my stories are all iterations of each other, with", "an apocalypse, it's analogous to the struggle against my illnesses that I face.", "other, with similar characters, similar plot lines, and similar endings. I think this", "that's okay, except I do it for every single story. It's making me", "and discouraged with myself, because I feel like I can no longer write", "because I feel like I can no longer write a character that is", "these characters overcoming exaggerated struggles like defeating a supernatural force or surviving an", "think that's okay, except I do it for every single story. It's making", "I write storylines about these characters overcoming exaggerated struggles like defeating a supernatural", "feel about myself. When I write storylines about these characters overcoming exaggerated struggles", "or layered. How can I stop forcing my characters into my mold, and", "similar endings. I think this is because the majority of my characters are", "I do it for every single story. It's making me bored with my", "like I can no longer write a character that is unique or layered.", "have struggled with mental illness for my entire life. Writing has been an", "with similar characters, similar plot lines, and similar endings. I think this is", "my entire life. Writing has been an extremely helpful and important mode of", "self-image, just as I feel about myself. When I write storylines about these", "characters, similar plot lines, and similar endings. I think this is because the", "like defeating a supernatural force or surviving an apocalypse, it's analogous to the", "since I was little. But recently, I feel like my writing has reached", "of self-expression for me, since I was little. But recently, I feel like", "storylines about these characters overcoming exaggerated struggles like defeating a supernatural force or", "and important mode of self-expression for me, since I was little. But recently,", "When I write storylines about these characters overcoming exaggerated struggles like defeating a", "been an extremely helpful and important mode of self-expression for me, since I", "force or surviving an apocalypse, it's analogous to the struggle against my illnesses", "are mentally ill. MC will be full of anger and sadness, with low", "my mold, and create differentiated storylines that don't focus around a mentally ill", "mold, and create differentiated storylines that don't focus around a mentally ill MC?", "I stop forcing my characters into my mold, and create differentiated storylines that", "just as I feel about myself. When I write storylines about these characters", "write storylines about these characters overcoming exaggerated struggles like defeating a supernatural force", "illnesses that I face. And I think that's okay, except I do it", "feel like my writing has reached a point where my stories are all", "sadness, with low self-esteem and distorted self-image, just as I feel about myself.", "be full of anger and sadness, with low self-esteem and distorted self-image, just", "I feel about myself. When I write storylines about these characters overcoming exaggerated", "writing has reached a point where my stories are all iterations of each", "as I feel about myself. When I write storylines about these characters overcoming", "discouraged with myself, because I feel like I can no longer write a", "that I face. And I think that's okay, except I do it for", "characters into my mold, and create differentiated storylines that don't focus around a", "How can I stop forcing my characters into my mold, and create differentiated", "recently, I feel like my writing has reached a point where my stories", "illness for my entire life. Writing has been an extremely helpful and important", "supernatural force or surviving an apocalypse, it's analogous to the struggle against my", "bored with my writing and discouraged with myself, because I feel like I", "And I think that's okay, except I do it for every single story.", "that is unique or layered. How can I stop forcing my characters into", "where my stories are all iterations of each other, with similar characters, similar", "this is because the majority of my characters are mentally ill. MC will", "and similar endings. I think this is because the majority of my characters", "with mental illness for my entire life. Writing has been an extremely helpful", "each other, with similar characters, similar plot lines, and similar endings. I think", "because the majority of my characters are mentally ill. MC will be full", "surviving an apocalypse, it's analogous to the struggle against my illnesses that I", "It's making me bored with my writing and discouraged with myself, because I", "can no longer write a character that is unique or layered. How can", "life. Writing has been an extremely helpful and important mode of self-expression for", "I think that's okay, except I do it for every single story. It's", "write a character that is unique or layered. How can I stop forcing", "point where my stories are all iterations of each other, with similar characters,", "MC will be full of anger and sadness, with low self-esteem and distorted", "exaggerated struggles like defeating a supernatural force or surviving an apocalypse, it's analogous", "I was little. But recently, I feel like my writing has reached a", "important mode of self-expression for me, since I was little. But recently, I", "a supernatural force or surviving an apocalypse, it's analogous to the struggle against", "mode of self-expression for me, since I was little. But recently, I feel", "face. And I think that's okay, except I do it for every single", "like my writing has reached a point where my stories are all iterations", "layered. How can I stop forcing my characters into my mold, and create", "iterations of each other, with similar characters, similar plot lines, and similar endings.", "writing and discouraged with myself, because I feel like I can no longer", "do it for every single story. It's making me bored with my writing", "is because the majority of my characters are mentally ill. MC will be", "myself, because I feel like I can no longer write a character that", "full of anger and sadness, with low self-esteem and distorted self-image, just as", "has reached a point where my stories are all iterations of each other,", "analogous to the struggle against my illnesses that I face. And I think", "I feel like my writing has reached a point where my stories are", "mental illness for my entire life. Writing has been an extremely helpful and", "and distorted self-image, just as I feel about myself. When I write storylines", "struggled with mental illness for my entire life. Writing has been an extremely", "will be full of anger and sadness, with low self-esteem and distorted self-image,", "a point where my stories are all iterations of each other, with similar", "I have struggled with mental illness for my entire life. Writing has been", "a character that is unique or layered. How can I stop forcing my", "of my characters are mentally ill. MC will be full of anger and", "about these characters overcoming exaggerated struggles like defeating a supernatural force or surviving", "struggles like defeating a supernatural force or surviving an apocalypse, it's analogous to", "was little. But recently, I feel like my writing has reached a point", "But recently, I feel like my writing has reached a point where my", "for me, since I was little. But recently, I feel like my writing", "self-esteem and distorted self-image, just as I feel about myself. When I write", "stop forcing my characters into my mold, and create differentiated storylines that don't", "feel like I can no longer write a character that is unique or", "of anger and sadness, with low self-esteem and distorted self-image, just as I", "extremely helpful and important mode of self-expression for me, since I was little.", "low self-esteem and distorted self-image, just as I feel about myself. When I", "is unique or layered. How can I stop forcing my characters into my", "me bored with my writing and discouraged with myself, because I feel like", "entire life. Writing has been an extremely helpful and important mode of self-expression", "stories are all iterations of each other, with similar characters, similar plot lines,", "self-expression for me, since I was little. But recently, I feel like my", "my stories are all iterations of each other, with similar characters, similar plot", "I feel like I can no longer write a character that is unique", "helpful and important mode of self-expression for me, since I was little. But", "longer write a character that is unique or layered. How can I stop", "characters are mentally ill. MC will be full of anger and sadness, with", "me, since I was little. But recently, I feel like my writing has", "every single story. It's making me bored with my writing and discouraged with", "similar plot lines, and similar endings. I think this is because the majority", "with myself, because I feel like I can no longer write a character", "for every single story. It's making me bored with my writing and discouraged", "okay, except I do it for every single story. It's making me bored", "anger and sadness, with low self-esteem and distorted self-image, just as I feel", "my writing and discouraged with myself, because I feel like I can no", "into my mold, and create differentiated storylines that don't focus around a mentally", "endings. I think this is because the majority of my characters are mentally", "single story. It's making me bored with my writing and discouraged with myself,", "the majority of my characters are mentally ill. MC will be full of", "I think this is because the majority of my characters are mentally ill.", "characters overcoming exaggerated struggles like defeating a supernatural force or surviving an apocalypse,", "myself. When I write storylines about these characters overcoming exaggerated struggles like defeating", "I can no longer write a character that is unique or layered. How", "distorted self-image, just as I feel about myself. When I write storylines about", "has been an extremely helpful and important mode of self-expression for me, since", "with my writing and discouraged with myself, because I feel like I can", "of each other, with similar characters, similar plot lines, and similar endings. I", "lines, and similar endings. I think this is because the majority of my", "character that is unique or layered. How can I stop forcing my characters", "or surviving an apocalypse, it's analogous to the struggle against my illnesses that", "against my illnesses that I face. And I think that's okay, except I", "my writing has reached a point where my stories are all iterations of", "defeating a supernatural force or surviving an apocalypse, it's analogous to the struggle", "think this is because the majority of my characters are mentally ill. MC", "apocalypse, it's analogous to the struggle against my illnesses that I face. And", "I face. And I think that's okay, except I do it for every", "the struggle against my illnesses that I face. And I think that's okay,", "all iterations of each other, with similar characters, similar plot lines, and similar", "and sadness, with low self-esteem and distorted self-image, just as I feel about", "with low self-esteem and distorted self-image, just as I feel about myself. When", "ill. MC will be full of anger and sadness, with low self-esteem and", "forcing my characters into my mold, and create differentiated storylines that don't focus", "plot lines, and similar endings. I think this is because the majority of", "my characters into my mold, and create differentiated storylines that don't focus around", "for my entire life. Writing has been an extremely helpful and important mode", "overcoming exaggerated struggles like defeating a supernatural force or surviving an apocalypse, it's", "to the struggle against my illnesses that I face. And I think that's", "an extremely helpful and important mode of self-expression for me, since I was", "similar characters, similar plot lines, and similar endings. I think this is because", "can I stop forcing my characters into my mold, and create differentiated storylines", "are all iterations of each other, with similar characters, similar plot lines, and", "my characters are mentally ill. MC will be full of anger and sadness,", "my illnesses that I face. And I think that's okay, except I do", "Writing has been an extremely helpful and important mode of self-expression for me,", "majority of my characters are mentally ill. MC will be full of anger" ]
[ "her husband, she breaks free from them anyway (with some personal losses). My", "basically, even if she sees a wrong done she would rather stay unhappy", "she breaks free from them anyway (with some personal losses). My question is,", "cut off from all her support systems. They expect some terrible things from", "would rather stay unhappy than speak up about it. Then she is thrust", "from her, and she does them, out of obligation, duty and fear. She", "it. Then she is thrust into a situation with an abusive husband, manipulative", "her lot in life. The thing is, at the end of the story,", "is thrust into a situation with an abusive husband, manipulative family and cut", "for me to show realistic character development, within the space of a single", "but also a doormat personality - basically, even if she sees a wrong", "a strong sense of right and wrong but also a doormat personality -", "of the story, after something really bad happens to her husband, she breaks", "of obligation, duty and fear. She is tied to the people around her,", "her, and she does them, out of obligation, duty and fear. She is", "she is thrust into a situation with an abusive husband, manipulative family and", "also a doormat personality - basically, even if she sees a wrong done", "realistic character development, within the space of a single novel, for my heroine", "from this one. She has accepted this as her lot in life. The", "anyway (with some personal losses). My question is, is it possible for me", "novel, for my heroine to take this drastic a step, with no support", "even if she sees a wrong done she would rather stay unhappy than", "character development, within the space of a single novel, for my heroine to", "to her husband, she breaks free from them anyway (with some personal losses).", "around her, because she still loves her husband and has no other family", "story, after something really bad happens to her husband, she breaks free from", "the space of a single novel, for my heroine to take this drastic", "done she would rather stay unhappy than speak up about it. Then she", "Then she is thrust into a situation with an abusive husband, manipulative family", "husband, manipulative family and cut off from all her support systems. They expect", "speak up about it. Then she is thrust into a situation with an", "family and cut off from all her support systems. They expect some terrible", "My question is, is it possible for me to show realistic character development,", "is it possible for me to show realistic character development, within the space", "and fear. She is tied to the people around her, because she still", "with an abusive husband, manipulative family and cut off from all her support", "them anyway (with some personal losses). My question is, is it possible for", "losses). My question is, is it possible for me to show realistic character", "family apart from this one. She has accepted this as her lot in", "other family apart from this one. She has accepted this as her lot", "her, because she still loves her husband and has no other family apart", "accepted this as her lot in life. The thing is, at the end", "she sees a wrong done she would rather stay unhappy than speak up", "husband, she breaks free from them anyway (with some personal losses). My question", "no other family apart from this one. She has accepted this as her", "from them anyway (with some personal losses). My question is, is it possible", "to show realistic character development, within the space of a single novel, for", "She has accepted this as her lot in life. The thing is, at", "and wrong but also a doormat personality - basically, even if she sees", "doormat personality - basically, even if she sees a wrong done she would", "fear. She is tied to the people around her, because she still loves", "a wrong done she would rather stay unhappy than speak up about it.", "she does them, out of obligation, duty and fear. She is tied to", "right and wrong but also a doormat personality - basically, even if she", "off from all her support systems. They expect some terrible things from her,", "a situation with an abusive husband, manipulative family and cut off from all", "development, within the space of a single novel, for my heroine to take", "expect some terrible things from her, and she does them, out of obligation,", "some personal losses). My question is, is it possible for me to show", "within the space of a single novel, for my heroine to take this", "a single novel, for my heroine to take this drastic a step, with", "unhappy than speak up about it. Then she is thrust into a situation", "this one. She has accepted this as her lot in life. The thing", "personality - basically, even if she sees a wrong done she would rather", "thing is, at the end of the story, after something really bad happens", "is a woman who is shy, introverted, has a strong sense of right", "from all her support systems. They expect some terrible things from her, and", "has a strong sense of right and wrong but also a doormat personality", "the end of the story, after something really bad happens to her husband,", "the people around her, because she still loves her husband and has no", "a step, with no support system, no encouragement, and being who she is", "no support system, no encouragement, and being who she is - not a", "They expect some terrible things from her, and she does them, out of", "than speak up about it. Then she is thrust into a situation with", "She is tied to the people around her, because she still loves her", "of right and wrong but also a doormat personality - basically, even if", "tied to the people around her, because she still loves her husband and", "it possible for me to show realistic character development, within the space of", "up about it. Then she is thrust into a situation with an abusive", "possible for me to show realistic character development, within the space of a", "manipulative family and cut off from all her support systems. They expect some", "my heroine to take this drastic a step, with no support system, no", "support systems. They expect some terrible things from her, and she does them,", "after something really bad happens to her husband, she breaks free from them", "question is, is it possible for me to show realistic character development, within", "if she sees a wrong done she would rather stay unhappy than speak", "with no support system, no encouragement, and being who she is - not", "stay unhappy than speak up about it. Then she is thrust into a", "show realistic character development, within the space of a single novel, for my", "take this drastic a step, with no support system, no encouragement, and being", "is shy, introverted, has a strong sense of right and wrong but also", "sees a wrong done she would rather stay unhappy than speak up about", "apart from this one. She has accepted this as her lot in life.", "end of the story, after something really bad happens to her husband, she", "in life. The thing is, at the end of the story, after something", "heroine to take this drastic a step, with no support system, no encouragement,", "thrust into a situation with an abusive husband, manipulative family and cut off", "really bad happens to her husband, she breaks free from them anyway (with", "drastic a step, with no support system, no encouragement, and being who she", "system, no encouragement, and being who she is - not a risk taker?", "and cut off from all her support systems. They expect some terrible things", "sense of right and wrong but also a doormat personality - basically, even", "and she does them, out of obligation, duty and fear. She is tied", "some terrible things from her, and she does them, out of obligation, duty", "all her support systems. They expect some terrible things from her, and she", "husband and has no other family apart from this one. She has accepted", "support system, no encouragement, and being who she is - not a risk", "systems. They expect some terrible things from her, and she does them, out", "has no other family apart from this one. She has accepted this as", "things from her, and she does them, out of obligation, duty and fear.", "still loves her husband and has no other family apart from this one.", "for my heroine to take this drastic a step, with no support system,", "to take this drastic a step, with no support system, no encouragement, and", "at the end of the story, after something really bad happens to her", "a doormat personality - basically, even if she sees a wrong done she", "single novel, for my heroine to take this drastic a step, with no", "an abusive husband, manipulative family and cut off from all her support systems.", "out of obligation, duty and fear. She is tied to the people around", "introverted, has a strong sense of right and wrong but also a doormat", "(with some personal losses). My question is, is it possible for me to", "because she still loves her husband and has no other family apart from", "wrong but also a doormat personality - basically, even if she sees a", "does them, out of obligation, duty and fear. She is tied to the", "this drastic a step, with no support system, no encouragement, and being who", "situation with an abusive husband, manipulative family and cut off from all her", "her support systems. They expect some terrible things from her, and she does", "- basically, even if she sees a wrong done she would rather stay", "loves her husband and has no other family apart from this one. She", "rather stay unhappy than speak up about it. Then she is thrust into", "of a single novel, for my heroine to take this drastic a step,", "obligation, duty and fear. She is tied to the people around her, because", "personal losses). My question is, is it possible for me to show realistic", "lot in life. The thing is, at the end of the story, after", "is, at the end of the story, after something really bad happens to", "them, out of obligation, duty and fear. She is tied to the people", "is, is it possible for me to show realistic character development, within the", "her husband and has no other family apart from this one. She has", "bad happens to her husband, she breaks free from them anyway (with some", "me to show realistic character development, within the space of a single novel,", "is tied to the people around her, because she still loves her husband", "wrong done she would rather stay unhappy than speak up about it. Then", "strong sense of right and wrong but also a doormat personality - basically,", "she would rather stay unhappy than speak up about it. Then she is", "to the people around her, because she still loves her husband and has", "abusive husband, manipulative family and cut off from all her support systems. They", "into a situation with an abusive husband, manipulative family and cut off from", "terrible things from her, and she does them, out of obligation, duty and", "life. The thing is, at the end of the story, after something really", "the story, after something really bad happens to her husband, she breaks free", "happens to her husband, she breaks free from them anyway (with some personal", "My MC is a woman who is shy, introverted, has a strong sense", "she still loves her husband and has no other family apart from this", "woman who is shy, introverted, has a strong sense of right and wrong", "has accepted this as her lot in life. The thing is, at the", "breaks free from them anyway (with some personal losses). My question is, is", "this as her lot in life. The thing is, at the end of", "free from them anyway (with some personal losses). My question is, is it", "and has no other family apart from this one. She has accepted this", "MC is a woman who is shy, introverted, has a strong sense of", "one. She has accepted this as her lot in life. The thing is,", "The thing is, at the end of the story, after something really bad", "something really bad happens to her husband, she breaks free from them anyway", "space of a single novel, for my heroine to take this drastic a", "step, with no support system, no encouragement, and being who she is -", "who is shy, introverted, has a strong sense of right and wrong but", "as her lot in life. The thing is, at the end of the", "shy, introverted, has a strong sense of right and wrong but also a", "a woman who is shy, introverted, has a strong sense of right and", "duty and fear. She is tied to the people around her, because she", "people around her, because she still loves her husband and has no other", "about it. Then she is thrust into a situation with an abusive husband," ]
[ "structure: > > Greeting > > > Explanation of background, deadline, link to", "I write an email with the following structure: > > Greeting > >", "a complex process. The name of table columns is not self explanatory. Usually", "the best way to format a HTML email for readability? Example: I send", "> > > Further thoughts: Is a list in the email the best", "only applicable if [...] > > > columnX: 5-10 further columns [...] >", "the best approach? Should I use a bullet in front of the column", "by someone else) in which you have to report the status of a", "status of a complex process. The name of table columns is not self", "readability? Example: I send out a link to an online table (created by", "a link to an online table (created by someone else) in which you", "Should I use a bullet in front of the column names? Should I", "a bullet in front of the column names? 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Should I emphasise", "of background, deadline, link to table > > > column1: Please fill out", "> column1: Please fill out this column if [...] > > > column2:", "emphasise (bold) the column names or does this detract from the “deadline” in", "is not self explanatory. Usually I write an email with the following structure:", "explanation\". Which is the best way to format a HTML email for readability?", "column if [...] > > > column2: This column is only applicable if", "applicable if [...] > > > columnX: 5-10 further columns [...] > >", "bullet in front of the column names? Should I emphasise (bold) the column", "email the best approach? Should I use a bullet in front of the", "[...] > > > columnX: 5-10 further columns [...] > > > Wishes", "> > > column1: Please fill out this column if [...] > >", "name of table columns is not self explanatory. Usually I write an email", "front of the column names? Should I emphasise (bold) the column names or", "background, deadline, link to table > > > column1: Please fill out this", "report the status of a complex process. The name of table columns is", "is the best way to format a HTML email for readability? Example: I", "Please fill out this column if [...] > > > column2: This column", "> > Greeting > > > Explanation of background, deadline, link to table", "an email with the following structure: > > Greeting > > > Explanation", "I send out a link to an online table (created by someone else)", "online table (created by someone else) in which you have to report the", "This column is only applicable if [...] > > > columnX: 5-10 further", "for readability? 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[ "a person would see a psychiatrist. This will be a realistic scenario. But,", "would see a psychiatrist. This will be a realistic scenario. But, if I", "protagonist comes out of her depression due to some other things she goes", "exchange which will fill a few pages. This is fine, but not related", "life, such a person would see a psychiatrist. This will be a realistic", "due to some other things she goes through. Is it a good practice", "if I introduce a doctor, I will have to create a realistic dialogue", "I am thinking she will do to get help until the time the", "realistic scenario. But, if I introduce a doctor, I will have to create", "comes out of her depression due to some other things she goes through.", "next part of the story begins. My protagonist comes out of her depression", "in real life, such a person would see a psychiatrist. This will be", "practice to introduce such a side story just to make sure the reader", "Is it a good practice to introduce such a side story just to", "other things she goes through. Is it a good practice to introduce such", "her depression due to some other things she goes through. Is it a", "is fine, but not related to the central plot of the story. Dr.", "divorced and moves from London to another city in Britain. The setting is", "is divorced and moves from London to another city in Britain. The setting", "am thinking she will do to get help until the time the next", "dialogue exchange which will fill a few pages. This is fine, but not", "depressed and stressed out; in real life, such a person would see a", "the story begins. My protagonist comes out of her depression due to some", "few pages. This is fine, but not related to the central plot of", "have to create a realistic dialogue exchange which will fill a few pages.", "thinking she will do to get help until the time the next part", "I will have to create a realistic dialogue exchange which will fill a", "central plot of the story. Dr. Jilloomx, as I am calling him, is", "In my novel, the protagonist is divorced and moves from London to another", "will fill a few pages. This is fine, but not related to the", "stressed out; in real life, such a person would see a psychiatrist. This", "is 2013. The protagonist is depressed and stressed out; in real life, such", "2013. The protagonist is depressed and stressed out; in real life, such a", "until the time the next part of the story begins. My protagonist comes", "to another city in Britain. The setting is 2013. The protagonist is depressed", "to some other things she goes through. Is it a good practice to", "novel, the protagonist is divorced and moves from London to another city in", "get help until the time the next part of the story begins. My", "depression due to some other things she goes through. Is it a good", "some other things she goes through. Is it a good practice to introduce", "the protagonist is divorced and moves from London to another city in Britain.", "a realistic dialogue exchange which will fill a few pages. This is fine,", "protagonist is depressed and stressed out; in real life, such a person would", "out of her depression due to some other things she goes through. Is", "moves from London to another city in Britain. The setting is 2013. The", "pages. This is fine, but not related to the central plot of the", "from London to another city in Britain. The setting is 2013. The protagonist", "the central plot of the story. Dr. Jilloomx, as I am calling him,", "a good practice to introduce such a side story just to make sure", "city in Britain. The setting is 2013. The protagonist is depressed and stressed", "out; in real life, such a person would see a psychiatrist. This will", "not related to the central plot of the story. Dr. Jilloomx, as I", "But, if I introduce a doctor, I will have to create a realistic", "of the story begins. My protagonist comes out of her depression due to", "person would see a psychiatrist. This will be a realistic scenario. But, if", "This will be a realistic scenario. But, if I introduce a doctor, I", "to the central plot of the story. Dr. Jilloomx, as I am calling", "part of the story begins. My protagonist comes out of her depression due", "time the next part of the story begins. My protagonist comes out of", "goes through. Is it a good practice to introduce such a side story", "she will do to get help until the time the next part of", "good practice to introduce such a side story just to make sure the", "see a psychiatrist. This will be a realistic scenario. But, if I introduce", "a side story just to make sure the reader thinks the story is", "just something I am thinking she will do to get help until the", "story. Dr. Jilloomx, as I am calling him, is not even a supporting", "will have to create a realistic dialogue exchange which will fill a few", "such a person would see a psychiatrist. This will be a realistic scenario.", "protagonist is divorced and moves from London to another city in Britain. The", "psychiatrist. This will be a realistic scenario. But, if I introduce a doctor,", "fill a few pages. This is fine, but not related to the central", "Britain. The setting is 2013. The protagonist is depressed and stressed out; in", "It's just something I am thinking she will do to get help until", "to introduce such a side story just to make sure the reader thinks", "This is fine, but not related to the central plot of the story.", "of her depression due to some other things she goes through. Is it", "be a realistic scenario. But, if I introduce a doctor, I will have", "something I am thinking she will do to get help until the time", "is depressed and stressed out; in real life, such a person would see", "my novel, the protagonist is divorced and moves from London to another city", "him, is not even a supporting character. It's just something I am thinking", "character. It's just something I am thinking she will do to get help", "in Britain. The setting is 2013. The protagonist is depressed and stressed out;", "not even a supporting character. It's just something I am thinking she will", "introduce a doctor, I will have to create a realistic dialogue exchange which", "plot of the story. Dr. Jilloomx, as I am calling him, is not", "scenario. But, if I introduce a doctor, I will have to create a", "fine, but not related to the central plot of the story. Dr. Jilloomx,", "The setting is 2013. The protagonist is depressed and stressed out; in real", "create a realistic dialogue exchange which will fill a few pages. This is", "do to get help until the time the next part of the story", "is not even a supporting character. It's just something I am thinking she", "calling him, is not even a supporting character. It's just something I am", "even a supporting character. It's just something I am thinking she will do", "London to another city in Britain. The setting is 2013. The protagonist is", "will be a realistic scenario. But, if I introduce a doctor, I will", "realistic dialogue exchange which will fill a few pages. This is fine, but", "side story just to make sure the reader thinks the story is realistic?", "setting is 2013. The protagonist is depressed and stressed out; in real life,", "begins. My protagonist comes out of her depression due to some other things", "it a good practice to introduce such a side story just to make", "will do to get help until the time the next part of the", "doctor, I will have to create a realistic dialogue exchange which will fill", "introduce such a side story just to make sure the reader thinks the", "to get help until the time the next part of the story begins.", "My protagonist comes out of her depression due to some other things she", "The protagonist is depressed and stressed out; in real life, such a person", "the next part of the story begins. My protagonist comes out of her", "Jilloomx, as I am calling him, is not even a supporting character. It's", "which will fill a few pages. This is fine, but not related to", "real life, such a person would see a psychiatrist. This will be a", "help until the time the next part of the story begins. My protagonist", "to create a realistic dialogue exchange which will fill a few pages. This", "through. Is it a good practice to introduce such a side story just", "a psychiatrist. This will be a realistic scenario. But, if I introduce a", "as I am calling him, is not even a supporting character. It's just", "I am calling him, is not even a supporting character. It's just something", "Dr. Jilloomx, as I am calling him, is not even a supporting character.", "the story. Dr. Jilloomx, as I am calling him, is not even a", "the time the next part of the story begins. My protagonist comes out", "supporting character. It's just something I am thinking she will do to get", "but not related to the central plot of the story. Dr. Jilloomx, as", "I introduce a doctor, I will have to create a realistic dialogue exchange", "a realistic scenario. But, if I introduce a doctor, I will have to", "she goes through. Is it a good practice to introduce such a side", "another city in Britain. The setting is 2013. The protagonist is depressed and", "and stressed out; in real life, such a person would see a psychiatrist.", "story begins. My protagonist comes out of her depression due to some other", "of the story. Dr. Jilloomx, as I am calling him, is not even", "and moves from London to another city in Britain. The setting is 2013.", "a doctor, I will have to create a realistic dialogue exchange which will", "related to the central plot of the story. Dr. Jilloomx, as I am", "such a side story just to make sure the reader thinks the story", "a supporting character. It's just something I am thinking she will do to", "a few pages. This is fine, but not related to the central plot", "am calling him, is not even a supporting character. It's just something I", "things she goes through. Is it a good practice to introduce such a" ]
[ "but I feel the original has more tension and is more intriguing. Would", "catwalk, who darts him. Joe essentially steps across the threshold, gets shot, looks", "the task force who have captured the MC to consider a trade. Sam", "try and tranquilize him, instead of kill him, out of respect both to", "has more tension and is more intriguing. Would giving this character more screen", "men might throw it all away just to save him. They would have", "him, instead of kill him, out of respect both to his skills and", "the dart, looks up at the catwalk and points, losing consciousness. Temporarily sidelined.", "save him. They would have to start over, chasing him again. They have", "up at the catwalk and points, losing consciousness. Temporarily sidelined. Joe is later", "at the dart, looks up at the catwalk and points, losing consciousness. Temporarily", "Both are clear, but I feel the original has more tension and is", "MC. His reputation is known to the MC and he is well aware", "is. Joe is also a good friend of another character, Tted, and it", "be shot by a well-prepared sniper from a catwalk, who darts him. Joe", "members of the task force who have captured the MC to consider a", "a bargaining chip. In my original version, the first full scene with this", "I can give Joe a bit more time before he is darted and", "tranquilize him, instead of kill him, out of respect both to his skills", "original version, the first full scene with this character is a proof-of-life Skype", "who darts him. Joe essentially steps across the threshold, gets shot, looks at", "is decided to try and tranquilize him, instead of kill him, out of", "lieutenant, Sam, and becomes an incentive for the members of the task force", "he is. Joe is also a good friend of another character, Tted, and", "comes to wonder what color his hat is when they came to eliminate", "gets shot, looks at the dart, looks up at the catwalk and points,", "give Joe a bit more time before he is darted and temporarily sidelined.", "is also a good friend of another character, Tted, and it is decided", "how effective he is. Joe is also a good friend of another character,", "Sam, and becomes an incentive for the members of the task force who", "respect both to his skills and for the mutual friend, Tted. In this", "force. Joe is taken hostage, becoming a bargaining chip. In my original version,", "consciousness. Temporarily sidelined. Joe is later referred to by his lieutenant, Sam, and", "to start over, chasing him again. They have him and now they are", "his hat is when they came to eliminate him and were met by", "start over, chasing him again. They have him and now they are thinking", "Temporarily sidelined. Joe is later referred to by his lieutenant, Sam, and becomes", "are thinking of a trade? Preposterous. I can give Joe a bit more", "it all away just to save him. They would have to start over,", "his men into the community hall and be shot by a well-prepared sniper", "In my original version, the first full scene with this character is a", "MC and he is well aware of how effective he is. Joe is", "at the catwalk and points, losing consciousness. Temporarily sidelined. Joe is later referred", "is later referred to by his lieutenant, Sam, and becomes an incentive for", "non-lethal force. Joe is taken hostage, becoming a bargaining chip. In my original", "he is well aware of how effective he is. Joe is also a", "taken hostage, becoming a bargaining chip. In my original version, the first full", "Joe is also a good friend of another character, Tted, and it is", "feel the original has more tension and is more intriguing. Would giving this", "and be shot by a well-prepared sniper from a catwalk, who darts him.", "over, chasing him again. They have him and now they are thinking of", "a good friend of another character, Tted, and it is decided to try", "that his men might throw it all away just to save him. They", "Joe is later referred to by his lieutenant, Sam, and becomes an incentive", "a proof-of-life Skype chat where he is delighted the plan worked and livid", "a trade? Preposterous. I can give Joe a bit more time before he", "character, Tted, and it is decided to try and tranquilize him, instead of", "kill him, out of respect both to his skills and for the mutual", "both to his skills and for the mutual friend, Tted. In this scene,", "they are thinking of a trade? Preposterous. I can give Joe a bit", "a trade. Sam comes to wonder what color his hat is when they", "trade? Preposterous. I can give Joe a bit more time before he is", "Joe a bit more time before he is darted and temporarily sidelined. Both", "Tted, and it is decided to try and tranquilize him, instead of kill", "who have captured the MC to consider a trade. Sam comes to wonder", "who leads the task force hunting my MC. His reputation is known to", "steps across the threshold, gets shot, looks at the dart, looks up at", "and were met by non-lethal force. Joe is taken hostage, becoming a bargaining", "for the members of the task force who have captured the MC to", "task force hunting my MC. His reputation is known to the MC and", "to consider a trade. Sam comes to wonder what color his hat is", "by his lieutenant, Sam, and becomes an incentive for the members of the", "Joe essentially steps across the threshold, gets shot, looks at the dart, looks", "Skype chat where he is delighted the plan worked and livid that his", "what color his hat is when they came to eliminate him and were", "mutual friend, Tted. In this scene, I had Joe lead his men into", "to try and tranquilize him, instead of kill him, out of respect both", "of kill him, out of respect both to his skills and for the", "instead of kill him, out of respect both to his skills and for", "had Joe lead his men into the community hall and be shot by", "the catwalk and points, losing consciousness. Temporarily sidelined. Joe is later referred to", "task force who have captured the MC to consider a trade. Sam comes", "is darted and temporarily sidelined. Both are clear, but I feel the original", "leads the task force hunting my MC. His reputation is known to the", "aware of how effective he is. Joe is also a good friend of", "from a catwalk, who darts him. Joe essentially steps across the threshold, gets", "version, the first full scene with this character is a proof-of-life Skype chat", "and becomes an incentive for the members of the task force who have", "Preposterous. I can give Joe a bit more time before he is darted", "my MC. His reputation is known to the MC and he is well", "and livid that his men might throw it all away just to save", "eliminate him and were met by non-lethal force. Joe is taken hostage, becoming", "Joe is taken hostage, becoming a bargaining chip. In my original version, the", "plan worked and livid that his men might throw it all away just", "I had Joe lead his men into the community hall and be shot", "character is a proof-of-life Skype chat where he is delighted the plan worked", "he is darted and temporarily sidelined. Both are clear, but I feel the", "to the MC and he is well aware of how effective he is.", "the community hall and be shot by a well-prepared sniper from a catwalk,", "friend, Tted. In this scene, I had Joe lead his men into the", "good friend of another character, Tted, and it is decided to try and", "of another character, Tted, and it is decided to try and tranquilize him,", "points, losing consciousness. Temporarily sidelined. Joe is later referred to by his lieutenant,", "with this character is a proof-of-life Skype chat where he is delighted the", "by non-lethal force. Joe is taken hostage, becoming a bargaining chip. In my", "chip. In my original version, the first full scene with this character is", "him. They would have to start over, chasing him again. They have him", "and temporarily sidelined. Both are clear, but I feel the original has more", "of how effective he is. Joe is also a good friend of another", "scene with this character is a proof-of-life Skype chat where he is delighted", "of the task force who have captured the MC to consider a trade.", "shot by a well-prepared sniper from a catwalk, who darts him. Joe essentially", "sidelined. Joe is later referred to by his lieutenant, Sam, and becomes an", "Tted. In this scene, I had Joe lead his men into the community", "chasing him again. They have him and now they are thinking of a", "hat is when they came to eliminate him and were met by non-lethal", "skills and for the mutual friend, Tted. In this scene, I had Joe", "dart, looks up at the catwalk and points, losing consciousness. Temporarily sidelined. Joe", "the first full scene with this character is a proof-of-life Skype chat where", "community hall and be shot by a well-prepared sniper from a catwalk, who", "and now they are thinking of a trade? Preposterous. I can give Joe", "by a well-prepared sniper from a catwalk, who darts him. Joe essentially steps", "he is delighted the plan worked and livid that his men might throw", "well aware of how effective he is. Joe is also a good friend", "a catwalk, who darts him. Joe essentially steps across the threshold, gets shot,", "incentive for the members of the task force who have captured the MC", "captured the MC to consider a trade. Sam comes to wonder what color", "worked and livid that his men might throw it all away just to", "to by his lieutenant, Sam, and becomes an incentive for the members of", "delighted the plan worked and livid that his men might throw it all", "temporarily sidelined. Both are clear, but I feel the original has more tension", "just to save him. They would have to start over, chasing him again.", "of a trade? Preposterous. I can give Joe a bit more time before", "more time before he is darted and temporarily sidelined. Both are clear, but", "original has more tension and is more intriguing. Would giving this character more", "him, out of respect both to his skills and for the mutual friend,", "also a good friend of another character, Tted, and it is decided to", "catwalk and points, losing consciousness. Temporarily sidelined. Joe is later referred to by", "chat where he is delighted the plan worked and livid that his men", "and it is decided to try and tranquilize him, instead of kill him,", "might throw it all away just to save him. They would have to", "the task force hunting my MC. His reputation is known to the MC", "have a character Joe who leads the task force hunting my MC. His", "the mutual friend, Tted. In this scene, I had Joe lead his men", "force hunting my MC. His reputation is known to the MC and he", "MC to consider a trade. Sam comes to wonder what color his hat", "a bit more time before he is darted and temporarily sidelined. Both are", "intriguing. Would giving this character more screen time increase tension or reduce it?", "becomes an incentive for the members of the task force who have captured", "first full scene with this character is a proof-of-life Skype chat where he", "away just to save him. They would have to start over, chasing him", "the MC to consider a trade. Sam comes to wonder what color his", "color his hat is when they came to eliminate him and were met", "met by non-lethal force. Joe is taken hostage, becoming a bargaining chip. In", "clear, but I feel the original has more tension and is more intriguing.", "where he is delighted the plan worked and livid that his men might", "They would have to start over, chasing him again. They have him and", "is well aware of how effective he is. Joe is also a good", "referred to by his lieutenant, Sam, and becomes an incentive for the members", "before he is darted and temporarily sidelined. Both are clear, but I feel", "his skills and for the mutual friend, Tted. In this scene, I had", "for the mutual friend, Tted. In this scene, I had Joe lead his", "consider a trade. Sam comes to wonder what color his hat is when", "would have to start over, chasing him again. They have him and now", "decided to try and tranquilize him, instead of kill him, out of respect", "when they came to eliminate him and were met by non-lethal force. Joe", "is when they came to eliminate him and were met by non-lethal force.", "a character Joe who leads the task force hunting my MC. His reputation", "this scene, I had Joe lead his men into the community hall and", "I feel the original has more tension and is more intriguing. Would giving", "later referred to by his lieutenant, Sam, and becomes an incentive for the", "to wonder what color his hat is when they came to eliminate him", "hunting my MC. His reputation is known to the MC and he is", "thinking of a trade? Preposterous. I can give Joe a bit more time", "the MC and he is well aware of how effective he is. Joe", "more intriguing. Would giving this character more screen time increase tension or reduce", "force who have captured the MC to consider a trade. Sam comes to", "well-prepared sniper from a catwalk, who darts him. Joe essentially steps across the", "is known to the MC and he is well aware of how effective", "him and were met by non-lethal force. Joe is taken hostage, becoming a", "becoming a bargaining chip. In my original version, the first full scene with", "lead his men into the community hall and be shot by a well-prepared", "and tranquilize him, instead of kill him, out of respect both to his", "friend of another character, Tted, and it is decided to try and tranquilize", "again. They have him and now they are thinking of a trade? Preposterous.", "have to start over, chasing him again. They have him and now they", "the members of the task force who have captured the MC to consider", "him again. They have him and now they are thinking of a trade?", "bit more time before he is darted and temporarily sidelined. Both are clear,", "the original has more tension and is more intriguing. Would giving this character", "is a proof-of-life Skype chat where he is delighted the plan worked and", "Sam comes to wonder what color his hat is when they came to", "have him and now they are thinking of a trade? Preposterous. I can", "can give Joe a bit more time before he is darted and temporarily", "threshold, gets shot, looks at the dart, looks up at the catwalk and", "came to eliminate him and were met by non-lethal force. Joe is taken", "effective he is. Joe is also a good friend of another character, Tted,", "his lieutenant, Sam, and becomes an incentive for the members of the task", "the threshold, gets shot, looks at the dart, looks up at the catwalk", "is taken hostage, becoming a bargaining chip. In my original version, the first", "his men might throw it all away just to save him. They would", "darts him. Joe essentially steps across the threshold, gets shot, looks at the", "hall and be shot by a well-prepared sniper from a catwalk, who darts", "hostage, becoming a bargaining chip. In my original version, the first full scene", "sidelined. Both are clear, but I feel the original has more tension and", "is delighted the plan worked and livid that his men might throw it", "an incentive for the members of the task force who have captured the", "all away just to save him. They would have to start over, chasing", "tension and is more intriguing. Would giving this character more screen time increase", "him. Joe essentially steps across the threshold, gets shot, looks at the dart,", "another character, Tted, and it is decided to try and tranquilize him, instead", "across the threshold, gets shot, looks at the dart, looks up at the", "him and now they are thinking of a trade? Preposterous. I can give", "time before he is darted and temporarily sidelined. Both are clear, but I", "looks up at the catwalk and points, losing consciousness. Temporarily sidelined. Joe is", "were met by non-lethal force. Joe is taken hostage, becoming a bargaining chip.", "to eliminate him and were met by non-lethal force. Joe is taken hostage,", "have captured the MC to consider a trade. Sam comes to wonder what", "a well-prepared sniper from a catwalk, who darts him. Joe essentially steps across", "In this scene, I had Joe lead his men into the community hall", "more tension and is more intriguing. Would giving this character more screen time", "of respect both to his skills and for the mutual friend, Tted. In", "Joe lead his men into the community hall and be shot by a", "wonder what color his hat is when they came to eliminate him and", "trade. Sam comes to wonder what color his hat is when they came", "shot, looks at the dart, looks up at the catwalk and points, losing", "His reputation is known to the MC and he is well aware of", "throw it all away just to save him. They would have to start", "my original version, the first full scene with this character is a proof-of-life", "to save him. They would have to start over, chasing him again. They", "it is decided to try and tranquilize him, instead of kill him, out", "men into the community hall and be shot by a well-prepared sniper from", "looks at the dart, looks up at the catwalk and points, losing consciousness.", "proof-of-life Skype chat where he is delighted the plan worked and livid that", "darted and temporarily sidelined. Both are clear, but I feel the original has", "I have a character Joe who leads the task force hunting my MC.", "scene, I had Joe lead his men into the community hall and be", "losing consciousness. Temporarily sidelined. Joe is later referred to by his lieutenant, Sam,", "livid that his men might throw it all away just to save him.", "They have him and now they are thinking of a trade? Preposterous. I", "character Joe who leads the task force hunting my MC. His reputation is", "Joe who leads the task force hunting my MC. His reputation is known", "sniper from a catwalk, who darts him. Joe essentially steps across the threshold,", "and points, losing consciousness. Temporarily sidelined. Joe is later referred to by his", "are clear, but I feel the original has more tension and is more", "the plan worked and livid that his men might throw it all away", "known to the MC and he is well aware of how effective he", "this character is a proof-of-life Skype chat where he is delighted the plan", "is more intriguing. Would giving this character more screen time increase tension or", "and he is well aware of how effective he is. Joe is also", "bargaining chip. In my original version, the first full scene with this character", "now they are thinking of a trade? Preposterous. I can give Joe a", "full scene with this character is a proof-of-life Skype chat where he is", "and is more intriguing. Would giving this character more screen time increase tension", "and for the mutual friend, Tted. In this scene, I had Joe lead", "they came to eliminate him and were met by non-lethal force. Joe is", "out of respect both to his skills and for the mutual friend, Tted.", "reputation is known to the MC and he is well aware of how", "essentially steps across the threshold, gets shot, looks at the dart, looks up", "to his skills and for the mutual friend, Tted. In this scene, I", "into the community hall and be shot by a well-prepared sniper from a" ]
[ "the oppression of mutated humans by a fascist dictatorship in my storyline. These", "writing it too, but I can't seem to be able to tell whether", "kind of topic cliche? And, if so, how would an author fix it?", "culture, and trying to send a message about the dehumanization of others through", "of mutated humans by a fascist dictatorship in my storyline. These types of", "to me, but would they to others? Or are they too cliched (and", "and is only published to make money. But I really like reading dystopian", "cliched (and done before) to be interesting? Is this kind of topic cliche?", "only published to make money. But I really like reading dystopian fiction, especially", "seem to be able to tell whether my storyline is cliche. I'm drawing", "injustice and genocides like the Holocaust and the annihilation of Native American culture,", "stuff with political messages like 1984, and I love writing it too, but", "Holocaust and the annihilation of Native American culture, and trying to send a", "done before) to be interesting? Is this kind of topic cliche? And, if", "to make money. But I really like reading dystopian fiction, especially stuff with", "be interesting? Is this kind of topic cliche? And, if so, how would", "I'm drawing inspiration from racial injustice and genocides like the Holocaust and the", "a lot of stuff is also really cheesy and trite, and is only", "in my storyline. These types of stories don't sound cliche to me, but", "money. But I really like reading dystopian fiction, especially stuff with political messages", "storyline is cliche. I'm drawing inspiration from racial injustice and genocides like the", "can't seem to be able to tell whether my storyline is cliche. I'm", "tell whether my storyline is cliche. I'm drawing inspiration from racial injustice and", "especially stuff with political messages like 1984, and I love writing it too,", "of stories don't sound cliche to me, but would they to others? Or", "are they too cliched (and done before) to be interesting? Is this kind", "dystopian fiction, especially stuff with political messages like 1984, and I love writing", "others through the oppression of mutated humans by a fascist dictatorship in my", "like 1984, and I love writing it too, but I can't seem to", "the dehumanization of others through the oppression of mutated humans by a fascist", "cliche to me, but would they to others? Or are they too cliched", "also really cheesy and trite, and is only published to make money. But", "annihilation of Native American culture, and trying to send a message about the", "published to make money. But I really like reading dystopian fiction, especially stuff", "subsequently are bestsellers. But a lot of stuff is also really cheesy and", "I can't seem to be able to tell whether my storyline is cliche.", "the annihilation of Native American culture, and trying to send a message about", "trying to send a message about the dehumanization of others through the oppression", "be able to tell whether my storyline is cliche. I'm drawing inspiration from", "Native American culture, and trying to send a message about the dehumanization of", "like reading dystopian fiction, especially stuff with political messages like 1984, and I", "a big thing right now, and YA books like The Hunger Games and", "too cliched (and done before) to be interesting? Is this kind of topic", "cheesy and trite, and is only published to make money. But I really", "fiction is a big thing right now, and YA books like The Hunger", "The Hunger Games* and Divergent are pretty individual and subsequently are bestsellers. But", "too, but I can't seem to be able to tell whether my storyline", "my storyline is cliche. I'm drawing inspiration from racial injustice and genocides like", "is also really cheesy and trite, and is only published to make money.", "pretty individual and subsequently are bestsellers. But a lot of stuff is also", "my storyline. These types of stories don't sound cliche to me, but would", "But a lot of stuff is also really cheesy and trite, and is", "by a fascist dictatorship in my storyline. These types of stories don't sound", "send a message about the dehumanization of others through the oppression of mutated", "is cliche. I'm drawing inspiration from racial injustice and genocides like the Holocaust", "I really like reading dystopian fiction, especially stuff with political messages like 1984,", "drawing inspiration from racial injustice and genocides like the Holocaust and the annihilation", "it too, but I can't seem to be able to tell whether my", "humans by a fascist dictatorship in my storyline. These types of stories don't", "with political messages like 1984, and I love writing it too, but I", "reading dystopian fiction, especially stuff with political messages like 1984, and I love", "inspiration from racial injustice and genocides like the Holocaust and the annihilation of", "but would they to others? Or are they too cliched (and done before)", "to send a message about the dehumanization of others through the oppression of", "make money. But I really like reading dystopian fiction, especially stuff with political", "mutated humans by a fascist dictatorship in my storyline. These types of stories", "the Holocaust and the annihilation of Native American culture, and trying to send", "Hunger Games* and Divergent are pretty individual and subsequently are bestsellers. But a", "is a big thing right now, and YA books like The Hunger Games", "and YA books like The Hunger Games and Divergent are pretty individual and", "1984, and I love writing it too, but I can't seem to be", "of Native American culture, and trying to send a message about the dehumanization", "before) to be interesting? Is this kind of topic cliche? And, if so,", "really like reading dystopian fiction, especially stuff with political messages like 1984, and", "storyline. These types of stories don't sound cliche to me, but would they", "and I love writing it too, but I can't seem to be able", "stories don't sound cliche to me, but would they to others? Or are", "this kind of topic cliche? And, if so, how would an author fix", "and Divergent are pretty individual and subsequently are bestsellers. But a lot of", "now, and YA books like The Hunger Games and Divergent are pretty individual", "oppression of mutated humans by a fascist dictatorship in my storyline. These types", "but I can't seem to be able to tell whether my storyline is", "But I really like reading dystopian fiction, especially stuff with political messages like", "(and done before) to be interesting? Is this kind of topic cliche? And,", "whether my storyline is cliche. I'm drawing inspiration from racial injustice and genocides", "from racial injustice and genocides like the Holocaust and the annihilation of Native", "bestsellers. But a lot of stuff is also really cheesy and trite, and", "YA books like The Hunger Games and Divergent are pretty individual and subsequently", "big thing right now, and YA books like The Hunger Games and Divergent", "right now, and YA books like The Hunger Games and Divergent are pretty", "don't sound cliche to me, but would they to others? Or are they", "political messages like 1984, and I love writing it too, but I can't", "to be interesting? Is this kind of topic cliche? And, if so, how", "about the dehumanization of others through the oppression of mutated humans by a", "racial injustice and genocides like the Holocaust and the annihilation of Native American", "sound cliche to me, but would they to others? Or are they too", "lot of stuff is also really cheesy and trite, and is only published", "are pretty individual and subsequently are bestsellers. But a lot of stuff is", "fascist dictatorship in my storyline. These types of stories don't sound cliche to", "able to tell whether my storyline is cliche. I'm drawing inspiration from racial", "dictatorship in my storyline. These types of stories don't sound cliche to me,", "they to others? Or are they too cliched (and done before) to be", "interesting? Is this kind of topic cliche? And, if so, how would an", "love writing it too, but I can't seem to be able to tell", "I love writing it too, but I can't seem to be able to", "they too cliched (and done before) to be interesting? Is this kind of", "Is this kind of topic cliche? And, if so, how would an author", "a message about the dehumanization of others through the oppression of mutated humans", "dehumanization of others through the oppression of mutated humans by a fascist dictatorship", "fiction, especially stuff with political messages like 1984, and I love writing it", "and trying to send a message about the dehumanization of others through the", "cliche. I'm drawing inspiration from racial injustice and genocides like the Holocaust and", "like the Holocaust and the annihilation of Native American culture, and trying to", "through the oppression of mutated humans by a fascist dictatorship in my storyline.", "to others? Or are they too cliched (and done before) to be interesting?", "types of stories don't sound cliche to me, but would they to others?", "like The Hunger Games and Divergent are pretty individual and subsequently are bestsellers.", "stuff is also really cheesy and trite, and is only published to make", "is only published to make money. But I really like reading dystopian fiction,", "of stuff is also really cheesy and trite, and is only published to", "message about the dehumanization of others through the oppression of mutated humans by", "a fascist dictatorship in my storyline. These types of stories don't sound cliche", "trite, and is only published to make money. But I really like reading", "thing right now, and YA books like The Hunger Games and Divergent are", "Dystopian fiction is a big thing right now, and YA books like The", "others? Or are they too cliched (and done before) to be interesting? Is", "Or are they too cliched (and done before) to be interesting? Is this", "American culture, and trying to send a message about the dehumanization of others", "and the annihilation of Native American culture, and trying to send a message", "messages like 1984, and I love writing it too, but I can't seem", "genocides like the Holocaust and the annihilation of Native American culture, and trying", "me, but would they to others? Or are they too cliched (and done", "really cheesy and trite, and is only published to make money. But I", "and genocides like the Holocaust and the annihilation of Native American culture, and", "Divergent* are pretty individual and subsequently are bestsellers. But a lot of stuff", "and trite, and is only published to make money. But I really like", "These types of stories don't sound cliche to me, but would they to", "Games* and Divergent are pretty individual and subsequently are bestsellers. But a lot", "would they to others? Or are they too cliched (and done before) to", "individual and subsequently are bestsellers. But a lot of stuff is also really", "to be able to tell whether my storyline is cliche. I'm drawing inspiration", "to tell whether my storyline is cliche. I'm drawing inspiration from racial injustice", "books like The Hunger Games and Divergent are pretty individual and subsequently are", "of others through the oppression of mutated humans by a fascist dictatorship in", "are bestsellers. But a lot of stuff is also really cheesy and trite,", "and subsequently are bestsellers. But a lot of stuff is also really cheesy" ]
[ "and just released from prison, > A virgin phoenix from her ashes risen.", "the start of the chapter. This quote I selected after googling quotes, I", "its there. I am assuming this is to set-up a mood for the", "suit for my novel. For an e.g. for the chapter where my MC", "is a quote at the beginning of each new chapter. Sometimes the quote", "from divorce and starts a new life I have put the following quote", "I don't know much about the author but the quote suggests that she", "divorce and starts a new life I have put the following quote at", "am assuming this is to set-up a mood for the chapter or even", "after googling quotes, I don't know much about the author but the quote", "quote related to the chapter along with the title, sometimes it was difficult", "the quote related to the chapter along with the title, sometimes it was", "or even summarize. I had followed suit for my novel. For an e.g.", "recover in this chapter. > > Her fetters burst, and just released from", "the chapter or even summarize. I had followed suit for my novel. For", "scientific) where there is a quote at the beginning of each new chapter.", "to make out why its there. I am assuming this is to set-up", "I selected after googling quotes, I don't know much about the author but", "novel. For an e.g. for the chapter where my MC recovers from divorce", "of the chapter. This quote I selected after googling quotes, I don't know", "the author but the quote suggests that she will recover in this chapter.", "put the following quote at the start of the chapter. This quote I", "chapter or even summarize. I had followed suit for my novel. For an", "a quote at the beginning of each new chapter. Sometimes the quote related", "where there is a quote at the beginning of each new chapter. Sometimes", "Sometimes the quote related to the chapter along with the title, sometimes it", "quotes, I don't know much about the author but the quote suggests that", "this chapter. > > Her fetters burst, and just released from prison, >", "to set-up a mood for the chapter or even summarize. I had followed", "each new chapter. Sometimes the quote related to the chapter along with the", "> > Her fetters burst, and just released from prison, > A virgin", "author but the quote suggests that she will recover in this chapter. >", "her ashes risen. - Christiana Baldwin > > > Is this advisable for", "chapter along with the title, sometimes it was difficult to make out why", "this is to set-up a mood for the chapter or even summarize. I", "life I have put the following quote at the start of the chapter.", "burst, and just released from prison, > A virgin phoenix from her ashes", "chapter. > > Her fetters burst, and just released from prison, > A", "for the chapter or even summarize. I had followed suit for my novel.", "A virgin phoenix from her ashes risen. - Christiana Baldwin > > >", "few non-fiction works (mostly scientific) where there is a quote at the beginning", "virgin phoenix from her ashes risen. - Christiana Baldwin > > > Is", "quote at the beginning of each new chapter. Sometimes the quote related to", "there. I am assuming this is to set-up a mood for the chapter", "prison, > A virgin phoenix from her ashes risen. - Christiana Baldwin >", "quote I selected after googling quotes, I don't know much about the author", "recovers from divorce and starts a new life I have put the following", "googling quotes, I don't know much about the author but the quote suggests", "don't know much about the author but the quote suggests that she will", "will recover in this chapter. > > Her fetters burst, and just released", "is to set-up a mood for the chapter or even summarize. I had", "about the author but the quote suggests that she will recover in this", "I have put the following quote at the start of the chapter. This", "ashes risen. - Christiana Baldwin > > > Is this advisable for fiction", "know much about the author but the quote suggests that she will recover", "that she will recover in this chapter. > > Her fetters burst, and", "had followed suit for my novel. For an e.g. for the chapter where", "a new life I have put the following quote at the start of", "> Her fetters burst, and just released from prison, > A virgin phoenix", "For an e.g. for the chapter where my MC recovers from divorce and", "starts a new life I have put the following quote at the start", "assuming this is to set-up a mood for the chapter or even summarize.", "but the quote suggests that she will recover in this chapter. > >", "difficult to make out why its there. I am assuming this is to", "was difficult to make out why its there. I am assuming this is", "it was difficult to make out why its there. I am assuming this", "works (mostly scientific) where there is a quote at the beginning of each", "make out why its there. I am assuming this is to set-up a", "my novel. For an e.g. for the chapter where my MC recovers from", "chapter. This quote I selected after googling quotes, I don't know much about", "out why its there. I am assuming this is to set-up a mood", "summarize. I had followed suit for my novel. For an e.g. for the", "the quote suggests that she will recover in this chapter. > > Her", "have read a few non-fiction works (mostly scientific) where there is a quote", "released from prison, > A virgin phoenix from her ashes risen. - Christiana", "beginning of each new chapter. Sometimes the quote related to the chapter along", "following quote at the start of the chapter. This quote I selected after", "selected after googling quotes, I don't know much about the author but the", "along with the title, sometimes it was difficult to make out why its", "and starts a new life I have put the following quote at the", "at the start of the chapter. This quote I selected after googling quotes,", "> A virgin phoenix from her ashes risen. - Christiana Baldwin > >", "related to the chapter along with the title, sometimes it was difficult to", "(mostly scientific) where there is a quote at the beginning of each new", "there is a quote at the beginning of each new chapter. Sometimes the", "from her ashes risen. - Christiana Baldwin > > > Is this advisable", "sometimes it was difficult to make out why its there. I am assuming", "risen. - Christiana Baldwin > > > Is this advisable for fiction novels?", "why its there. I am assuming this is to set-up a mood for", "This quote I selected after googling quotes, I don't know much about the", "phoenix from her ashes risen. - Christiana Baldwin > > > Is this", "a few non-fiction works (mostly scientific) where there is a quote at the", "a mood for the chapter or even summarize. I had followed suit for", "mood for the chapter or even summarize. I had followed suit for my", "in this chapter. > > Her fetters burst, and just released from prison,", "just released from prison, > A virgin phoenix from her ashes risen. -", "with the title, sometimes it was difficult to make out why its there.", "chapter. Sometimes the quote related to the chapter along with the title, sometimes", "where my MC recovers from divorce and starts a new life I have", "suggests that she will recover in this chapter. > > Her fetters burst,", "the beginning of each new chapter. Sometimes the quote related to the chapter", "non-fiction works (mostly scientific) where there is a quote at the beginning of", "I have read a few non-fiction works (mostly scientific) where there is a", "of each new chapter. Sometimes the quote related to the chapter along with", "chapter where my MC recovers from divorce and starts a new life I", "fetters burst, and just released from prison, > A virgin phoenix from her", "for the chapter where my MC recovers from divorce and starts a new", "she will recover in this chapter. > > Her fetters burst, and just", "from prison, > A virgin phoenix from her ashes risen. - Christiana Baldwin", "start of the chapter. This quote I selected after googling quotes, I don't", "the chapter. This quote I selected after googling quotes, I don't know much", "e.g. for the chapter where my MC recovers from divorce and starts a", "I am assuming this is to set-up a mood for the chapter or", "the chapter where my MC recovers from divorce and starts a new life", "an e.g. for the chapter where my MC recovers from divorce and starts", "quote at the start of the chapter. This quote I selected after googling", "set-up a mood for the chapter or even summarize. I had followed suit", "quote suggests that she will recover in this chapter. > > Her fetters", "even summarize. I had followed suit for my novel. For an e.g. for", "Her fetters burst, and just released from prison, > A virgin phoenix from", "read a few non-fiction works (mostly scientific) where there is a quote at", "new chapter. Sometimes the quote related to the chapter along with the title,", "new life I have put the following quote at the start of the", "have put the following quote at the start of the chapter. This quote", "to the chapter along with the title, sometimes it was difficult to make", "the title, sometimes it was difficult to make out why its there. I", "followed suit for my novel. For an e.g. for the chapter where my", "I had followed suit for my novel. For an e.g. for the chapter", "much about the author but the quote suggests that she will recover in", "the following quote at the start of the chapter. This quote I selected", "the chapter along with the title, sometimes it was difficult to make out", "MC recovers from divorce and starts a new life I have put the", "my MC recovers from divorce and starts a new life I have put", "title, sometimes it was difficult to make out why its there. I am", "for my novel. For an e.g. for the chapter where my MC recovers", "at the beginning of each new chapter. Sometimes the quote related to the" ]
[ "middle with philosophical lecturing, which will be a little annoying, I guess. Is", "accounts for 17 pages, about 5800 words in total. The length of the", "I have written the questions she will ask and his answers in a", "the space right in the middle with philosophical lecturing, which will be a", "ask and his answers in a separate Word document. It accounts for 17", "a little bit after the middle of the novel. So, I am filling", "Buddhist master with whom she has philosophical conversations about Life, Love, Relationships, etc.", "meeting with the master happens about in the 4th chapter, a little bit", "words in total. The length of the novel I am planning is about", "in the 4th chapter, a little bit after the middle of the novel.", "the MC is a woman from London who gets divorced and moves to", "to Wales. Here she meets a Buddhist master with whom she has philosophical", "Relationships, etc. I have written the questions she will ask and his answers", "she has philosophical conversations about Life, Love, Relationships, etc. I have written the", "is about 200 pages. The meeting with the master happens about in the", "from London who gets divorced and moves to Wales. Here she meets a", "the middle with philosophical lecturing, which will be a little annoying, I guess.", "lecturing, which will be a little annoying, I guess. Is there any work-around", "way to handle such monologues? Will it make any sense to start two", "with the master happens about in the 4th chapter, a little bit after", "in a separate Word document. It accounts for 17 pages, about 5800 words", "philosophical conversations about Life, Love, Relationships, etc. I have written the questions she", "monologues? Will it make any sense to start two stories at the beginning,", "The meeting with the master happens about in the 4th chapter, a little", "little annoying, I guess. Is there any work-around or alternate way to handle", "Word document. It accounts for 17 pages, about 5800 words in total. The", "it make any sense to start two stories at the beginning, separated in", "novel. So, I am filling the space right in the middle with philosophical", "annoying, I guess. Is there any work-around or alternate way to handle such", "In my novel, the MC is a woman from London who gets divorced", "the questions she will ask and his answers in a separate Word document.", "Wales. Here she meets a Buddhist master with whom she has philosophical conversations", "whom she has philosophical conversations about Life, Love, Relationships, etc. I have written", "after the middle of the novel. So, I am filling the space right", "will be a little annoying, I guess. Is there any work-around or alternate", "master happens about in the 4th chapter, a little bit after the middle", "master with whom she has philosophical conversations about Life, Love, Relationships, etc. I", "with whom she has philosophical conversations about Life, Love, Relationships, etc. I have", "planning is about 200 pages. The meeting with the master happens about in", "am filling the space right in the middle with philosophical lecturing, which will", "pages, about 5800 words in total. The length of the novel I am", "divorced and moves to Wales. Here she meets a Buddhist master with whom", "novel I am planning is about 200 pages. The meeting with the master", "little bit after the middle of the novel. So, I am filling the", "questions she will ask and his answers in a separate Word document. It", "in the middle with philosophical lecturing, which will be a little annoying, I", "document. It accounts for 17 pages, about 5800 words in total. The length", "space right in the middle with philosophical lecturing, which will be a little", "about Life, Love, Relationships, etc. I have written the questions she will ask", "Here she meets a Buddhist master with whom she has philosophical conversations about", "the 4th chapter, a little bit after the middle of the novel. So,", "philosophical lecturing, which will be a little annoying, I guess. Is there any", "the middle of the novel. So, I am filling the space right in", "So, I am filling the space right in the middle with philosophical lecturing,", "handle such monologues? Will it make any sense to start two stories at", "about in the 4th chapter, a little bit after the middle of the", "for 17 pages, about 5800 words in total. The length of the novel", "alternate way to handle such monologues? Will it make any sense to start", "right in the middle with philosophical lecturing, which will be a little annoying,", "gets divorced and moves to Wales. Here she meets a Buddhist master with", "the master happens about in the 4th chapter, a little bit after the", "with philosophical lecturing, which will be a little annoying, I guess. Is there", "total. The length of the novel I am planning is about 200 pages.", "the novel I am planning is about 200 pages. The meeting with the", "happens about in the 4th chapter, a little bit after the middle of", "and his answers in a separate Word document. It accounts for 17 pages,", "any work-around or alternate way to handle such monologues? Will it make any", "length of the novel I am planning is about 200 pages. The meeting", "4th chapter, a little bit after the middle of the novel. So, I", "a little annoying, I guess. Is there any work-around or alternate way to", "I am filling the space right in the middle with philosophical lecturing, which", "separate Word document. It accounts for 17 pages, about 5800 words in total.", "pages. The meeting with the master happens about in the 4th chapter, a", "she will ask and his answers in a separate Word document. It accounts", "moves to Wales. Here she meets a Buddhist master with whom she has", "a woman from London who gets divorced and moves to Wales. Here she", "or alternate way to handle such monologues? Will it make any sense to", "I guess. Is there any work-around or alternate way to handle such monologues?", "be a little annoying, I guess. Is there any work-around or alternate way", "and moves to Wales. Here she meets a Buddhist master with whom she", "Love, Relationships, etc. I have written the questions she will ask and his", "will ask and his answers in a separate Word document. It accounts for", "novel, the MC is a woman from London who gets divorced and moves", "in total. The length of the novel I am planning is about 200", "to handle such monologues? Will it make any sense to start two stories", "It accounts for 17 pages, about 5800 words in total. The length of", "woman from London who gets divorced and moves to Wales. Here she meets", "filling the space right in the middle with philosophical lecturing, which will be", "of the novel I am planning is about 200 pages. The meeting with", "The length of the novel I am planning is about 200 pages. The", "his answers in a separate Word document. It accounts for 17 pages, about", "am planning is about 200 pages. The meeting with the master happens about", "guess. Is there any work-around or alternate way to handle such monologues? Will", "answers in a separate Word document. It accounts for 17 pages, about 5800", "about 5800 words in total. The length of the novel I am planning", "etc. I have written the questions she will ask and his answers in", "have written the questions she will ask and his answers in a separate", "written the questions she will ask and his answers in a separate Word", "the novel. So, I am filling the space right in the middle with", "Life, Love, Relationships, etc. I have written the questions she will ask and", "who gets divorced and moves to Wales. Here she meets a Buddhist master", "she meets a Buddhist master with whom she has philosophical conversations about Life,", "17 pages, about 5800 words in total. The length of the novel I", "about 200 pages. The meeting with the master happens about in the 4th", "work-around or alternate way to handle such monologues? Will it make any sense", "my novel, the MC is a woman from London who gets divorced and", "a separate Word document. It accounts for 17 pages, about 5800 words in", "is a woman from London who gets divorced and moves to Wales. Here", "has philosophical conversations about Life, Love, Relationships, etc. I have written the questions", "a Buddhist master with whom she has philosophical conversations about Life, Love, Relationships,", "200 pages. The meeting with the master happens about in the 4th chapter,", "make any sense to start two stories at the beginning, separated in time?", "meets a Buddhist master with whom she has philosophical conversations about Life, Love,", "chapter, a little bit after the middle of the novel. So, I am", "I am planning is about 200 pages. The meeting with the master happens", "conversations about Life, Love, Relationships, etc. I have written the questions she will", "of the novel. So, I am filling the space right in the middle", "middle of the novel. So, I am filling the space right in the", "there any work-around or alternate way to handle such monologues? Will it make", "5800 words in total. The length of the novel I am planning is", "MC is a woman from London who gets divorced and moves to Wales.", "London who gets divorced and moves to Wales. Here she meets a Buddhist", "such monologues? Will it make any sense to start two stories at the", "Is there any work-around or alternate way to handle such monologues? Will it", "bit after the middle of the novel. So, I am filling the space", "Will it make any sense to start two stories at the beginning, separated", "which will be a little annoying, I guess. Is there any work-around or" ]
[ "I'm worried about a major detail regarding the character. She believes she has", "main characters because I realized I didn't have very much planned for actually", "I'd include that. I'm worried about a major detail regarding the character. She", "time trying to show that the spirit isn't real. So should I spend", "two main characters because I realized I didn't have very much planned for", "trying to show that the spirit isn't real. So should I spend time", "where the issue comes up. In stories set in kingdom fantasy, readers tend", "characters because I realized I didn't have very much planned for actually showing", "making sure readers know that the spirit isn't real, or should I just", "that the spirit isn't real. So should I spend time making sure readers", "and assume they're actually real. So how could I make sure readers know", "real? I'm worried that if I include this character with that detail then", "spending too much time or too little time trying to show that the", "figment of her imagination. She sees him most nights in her dreams, and", "I include this character with that detail then I might end up spending", "She believes she has an \"evil spirit\" attached to her, but he's really", "actually talks to him, grows with him, you know, like it's a real", "stories set in kingdom fantasy, readers tend to see certain things like imaginary", "this character with that detail then I might end up spending too much", "see him in real life too. This is where the issue comes up.", "I'm worried about, just thought I'd include that. I'm worried about a major", "you know, like it's a real person inside her head. I was thinking", "side character to travel with the two main characters because I realized I", "is where the issue comes up. In stories set in kingdom fantasy, readers", "in her dreams, and actually talks to him, grows with him, you know,", "her, but he's really just a figment of her imagination. She sees him", "time or too little time trying to show that the spirit isn't real.", "to show that the spirit isn't real. So should I spend time making", "a figment of her imagination. She sees him most nights in her dreams,", "but he's really just a figment of her imagination. She sees him most", "him, grows with him, you know, like it's a real person inside her", "and actually talks to him, grows with him, you know, like it's a", "a side character to travel with the two main characters because I realized", "how they react to difficult people. So the character herself actually serves a", "character herself actually serves a purpose so that's not what I'm worried about,", "serves a purpose so that's not what I'm worried about, just thought I'd", "isn't really real? I'm worried that if I include this character with that", "isn't real, or should I just hope they can infer that the lack", "they're actually real. So how could I make sure readers know that this", "character with that detail then I might end up spending too much time", "real. So how could I make sure readers know that this \"person\" isn't", "the character. She believes she has an \"evil spirit\" attached to her, but", "him in real life too. This is where the issue comes up. In", "the character herself actually serves a purpose so that's not what I'm worried", "spirit isn't real. So should I spend time making sure readers know that", "head. I was thinking she'd even occasionally see him in real life too.", "detail then I might end up spending too much time or too little", "should I spend time making sure readers know that the spirit isn't real,", "assume they're actually real. So how could I make sure readers know that", "the spirit isn't real. So should I spend time making sure readers know", "purpose so that's not what I'm worried about, just thought I'd include that.", "grows with him, you know, like it's a real person inside her head.", "I'm worried that if I include this character with that detail then I", "she has an \"evil spirit\" attached to her, but he's really just a", "So the character herself actually serves a purpose so that's not what I'm", "nights in her dreams, and actually talks to him, grows with him, you", "he's really just a figment of her imagination. She sees him most nights", "her dreams, and actually talks to him, grows with him, you know, like", "not what I'm worried about, just thought I'd include that. I'm worried about", "things like imaginary friends and gods, as magic and assume they're actually real.", "with that detail then I might end up spending too much time or", "readers tend to see certain things like imaginary friends and gods, as magic", "So how could I make sure readers know that this \"person\" isn't really", "isn't real. So should I spend time making sure readers know that the", "hope they can infer that the lack of other magic means this isn't", "gods, as magic and assume they're actually real. So how could I make", "can infer that the lack of other magic means this isn't magic either?", "readers know that this \"person\" isn't really real? I'm worried that if I", "that this \"person\" isn't really real? I'm worried that if I include this", "people. So the character herself actually serves a purpose so that's not what", "that's not what I'm worried about, just thought I'd include that. I'm worried", "I was thinking she'd even occasionally see him in real life too. This", "him most nights in her dreams, and actually talks to him, grows with", "of her imagination. She sees him most nights in her dreams, and actually", "worried about, just thought I'd include that. I'm worried about a major detail", "her imagination. She sees him most nights in her dreams, and actually talks", "planned for actually showing who the main characters are and how they react", "just thought I'd include that. I'm worried about a major detail regarding the", "little time trying to show that the spirit isn't real. So should I", "magic and assume they're actually real. So how could I make sure readers", "imagination. She sees him most nights in her dreams, and actually talks to", "I might end up spending too much time or too little time trying", "story I'm working on, I'm adding a side character to travel with the", "and how they react to difficult people. So the character herself actually serves", "much planned for actually showing who the main characters are and how they", "are and how they react to difficult people. So the character herself actually", "who the main characters are and how they react to difficult people. So", "in kingdom fantasy, readers tend to see certain things like imaginary friends and", "to her, but he's really just a figment of her imagination. She sees", "have very much planned for actually showing who the main characters are and", "it's a real person inside her head. I was thinking she'd even occasionally", "person inside her head. I was thinking she'd even occasionally see him in", "thinking she'd even occasionally see him in real life too. This is where", "characters are and how they react to difficult people. So the character herself", "actually showing who the main characters are and how they react to difficult", "life too. This is where the issue comes up. In stories set in", "I just hope they can infer that the lack of other magic means", "In a story I'm working on, I'm adding a side character to travel", "much time or too little time trying to show that the spirit isn't", "that the spirit isn't real, or should I just hope they can infer", "really real? I'm worried that if I include this character with that detail", "they can infer that the lack of other magic means this isn't magic", "to see certain things like imaginary friends and gods, as magic and assume", "I'm adding a side character to travel with the two main characters because", "as magic and assume they're actually real. So how could I make sure", "the two main characters because I realized I didn't have very much planned", "dreams, and actually talks to him, grows with him, you know, like it's", "with the two main characters because I realized I didn't have very much", "believes she has an \"evil spirit\" attached to her, but he's really just", "even occasionally see him in real life too. This is where the issue", "they react to difficult people. So the character herself actually serves a purpose", "too little time trying to show that the spirit isn't real. So should", "adding a side character to travel with the two main characters because I", "set in kingdom fantasy, readers tend to see certain things like imaginary friends", "I'm working on, I'm adding a side character to travel with the two", "working on, I'm adding a side character to travel with the two main", "main characters are and how they react to difficult people. So the character", "in real life too. This is where the issue comes up. In stories", "I realized I didn't have very much planned for actually showing who the", "So should I spend time making sure readers know that the spirit isn't", "sure readers know that the spirit isn't real, or should I just hope", "difficult people. So the character herself actually serves a purpose so that's not", "This is where the issue comes up. In stories set in kingdom fantasy,", "In stories set in kingdom fantasy, readers tend to see certain things like", "real, or should I just hope they can infer that the lack of", "make sure readers know that this \"person\" isn't really real? I'm worried that", "that detail then I might end up spending too much time or too", "detail regarding the character. She believes she has an \"evil spirit\" attached to", "attached to her, but he's really just a figment of her imagination. She", "\"person\" isn't really real? I'm worried that if I include this character with", "issue comes up. In stories set in kingdom fantasy, readers tend to see", "too much time or too little time trying to show that the spirit", "didn't have very much planned for actually showing who the main characters are", "showing who the main characters are and how they react to difficult people.", "include that. I'm worried about a major detail regarding the character. She believes", "was thinking she'd even occasionally see him in real life too. This is", "inside her head. I was thinking she'd even occasionally see him in real", "realized I didn't have very much planned for actually showing who the main", "spirit isn't real, or should I just hope they can infer that the", "what I'm worried about, just thought I'd include that. I'm worried about a", "might end up spending too much time or too little time trying to", "that. I'm worried about a major detail regarding the character. She believes she", "or too little time trying to show that the spirit isn't real. So", "the main characters are and how they react to difficult people. So the", "actually serves a purpose so that's not what I'm worried about, just thought", "real life too. This is where the issue comes up. In stories set", "kingdom fantasy, readers tend to see certain things like imaginary friends and gods,", "I spend time making sure readers know that the spirit isn't real, or", "about, just thought I'd include that. I'm worried about a major detail regarding", "could I make sure readers know that this \"person\" isn't really real? I'm", "like imaginary friends and gods, as magic and assume they're actually real. So", "know that the spirit isn't real, or should I just hope they can", "this \"person\" isn't really real? I'm worried that if I include this character", "then I might end up spending too much time or too little time", "too. This is where the issue comes up. In stories set in kingdom", "talks to him, grows with him, you know, like it's a real person", "sure readers know that this \"person\" isn't really real? I'm worried that if", "for actually showing who the main characters are and how they react to", "to difficult people. So the character herself actually serves a purpose so that's", "just hope they can infer that the lack of other magic means this", "see certain things like imaginary friends and gods, as magic and assume they're", "to travel with the two main characters because I realized I didn't have", "regarding the character. She believes she has an \"evil spirit\" attached to her,", "should I just hope they can infer that the lack of other magic", "him, you know, like it's a real person inside her head. I was", "travel with the two main characters because I realized I didn't have very", "major detail regarding the character. She believes she has an \"evil spirit\" attached", "I make sure readers know that this \"person\" isn't really real? I'm worried", "tend to see certain things like imaginary friends and gods, as magic and", "to him, grows with him, you know, like it's a real person inside", "the issue comes up. In stories set in kingdom fantasy, readers tend to", "thought I'd include that. I'm worried about a major detail regarding the character.", "certain things like imaginary friends and gods, as magic and assume they're actually", "has an \"evil spirit\" attached to her, but he's really just a figment", "\"evil spirit\" attached to her, but he's really just a figment of her", "a story I'm working on, I'm adding a side character to travel with", "real person inside her head. I was thinking she'd even occasionally see him", "a major detail regarding the character. She believes she has an \"evil spirit\"", "about a major detail regarding the character. She believes she has an \"evil", "because I realized I didn't have very much planned for actually showing who", "She sees him most nights in her dreams, and actually talks to him,", "occasionally see him in real life too. This is where the issue comes", "that if I include this character with that detail then I might end", "real. So should I spend time making sure readers know that the spirit", "a real person inside her head. I was thinking she'd even occasionally see", "up. In stories set in kingdom fantasy, readers tend to see certain things", "very much planned for actually showing who the main characters are and how", "know, like it's a real person inside her head. I was thinking she'd", "a purpose so that's not what I'm worried about, just thought I'd include", "character. She believes she has an \"evil spirit\" attached to her, but he's", "sees him most nights in her dreams, and actually talks to him, grows", "so that's not what I'm worried about, just thought I'd include that. I'm", "readers know that the spirit isn't real, or should I just hope they", "character to travel with the two main characters because I realized I didn't", "I didn't have very much planned for actually showing who the main characters", "up spending too much time or too little time trying to show that", "an \"evil spirit\" attached to her, but he's really just a figment of", "know that this \"person\" isn't really real? I'm worried that if I include", "react to difficult people. So the character herself actually serves a purpose so", "spend time making sure readers know that the spirit isn't real, or should", "and gods, as magic and assume they're actually real. So how could I", "worried that if I include this character with that detail then I might", "on, I'm adding a side character to travel with the two main characters", "friends and gods, as magic and assume they're actually real. So how could", "her head. I was thinking she'd even occasionally see him in real life", "worried about a major detail regarding the character. She believes she has an", "really just a figment of her imagination. She sees him most nights in", "how could I make sure readers know that this \"person\" isn't really real?", "the spirit isn't real, or should I just hope they can infer that", "most nights in her dreams, and actually talks to him, grows with him,", "like it's a real person inside her head. I was thinking she'd even", "spirit\" attached to her, but he's really just a figment of her imagination.", "she'd even occasionally see him in real life too. This is where the", "end up spending too much time or too little time trying to show", "if I include this character with that detail then I might end up", "actually real. So how could I make sure readers know that this \"person\"", "show that the spirit isn't real. So should I spend time making sure", "just a figment of her imagination. She sees him most nights in her", "imaginary friends and gods, as magic and assume they're actually real. So how", "comes up. In stories set in kingdom fantasy, readers tend to see certain", "include this character with that detail then I might end up spending too", "time making sure readers know that the spirit isn't real, or should I", "or should I just hope they can infer that the lack of other", "fantasy, readers tend to see certain things like imaginary friends and gods, as", "herself actually serves a purpose so that's not what I'm worried about, just", "with him, you know, like it's a real person inside her head. I" ]
[ "happy lives. Is it legal to have a story set in this same", "takes place is in Southern Europe and not Eastern Europe, they speak another", "is written in another language. I planned on having some spells from her", "book I imagine in my head was being written, I was happy, it", "set completely in the Wizirding World of Hijrp Potfeq. I don't know is", "book is written in another language. I planned on having some spells from", "lives. Is it legal to have a story set in this same universe", "was just scaring me that it was set completely in the Wizirding World", "I was happy, it was just scaring me that it was set completely", "have a story set in this same universe that Rowling created? Not one", "were just a chilling presence in her lovely books. I was, as well,", "from the master pieces she has created, some even with big traumas, some", "presence in her lovely books. I was, as well, introducing readers to new", "chilling presence in her lovely books. I was, as well, introducing readers to", "Now, I am very talented in writing, so I decided to give it", "many things explained that Rowling didn't, I am planning on having a vampire", "the master pieces she has created, some even with big traumas, some with", "have many things explained that Rowling didn't, I am planning on having a", "in another language. I planned on having some spells from her books be", "show up in the story, where as they were just a chilling presence", "are from Europe, and that is the place where the spells were created.", "that. The characters are very different, the place where the story takes place", "having a vampire show up in the story, where as they were just", "in the Wizirding World of Hijrp Potfeq. I don't know is that good", "her books be a part of my story too, it is only natural", "part of my story too, it is only natural to have at least", "I am planning on having a vampire show up in the story, where", "imagine in my head was being written, I was happy, it was just", "didn't, I am planning on having a vampire show up in the story,", "has created, some even with big traumas, some with happy lives. Is it", "explained that Rowling didn't, I am planning on having a vampire show up", "childhood. Now, I am very talented in writing, so I decided to give", "try one day. It was awesome! The book I imagine in my head", "hers, and many things are different. From culture to economics and religion in", "my mind from early childhood. Now, I am very talented in writing, so", "World of Hijrp Potfeq. I don't know is that good and okay to", "to do that. The characters are very different, the place where the story", "language and the book is written in another language. I planned on having", "writing, so I decided to give it a try one day. It was", "early childhood. Now, I am very talented in writing, so I decided to", "creating a story in my mind from early childhood. Now, I am very", "in writing, so I decided to give it a try one day. It", "written in another language. I planned on having some spells from her books", "a chilling presence in her lovely books. I was, as well, introducing readers", "have complex characters, still very different from the master pieces she has created,", "it is only natural to have at least 10 same spells if the", "of my story too, it is only natural to have at least 10", "speak another language and the book is written in another language. I planned", "if the characters are from Europe, and that is the place where the", "been creating a story in my mind from early childhood. Now, I am", "is similar to hers, and many things are different. From culture to economics", "story, where as they were just a chilling presence in her lovely books.", "decided to give it a try one day. It was awesome! The book", "place where the story takes place is in Southern Europe and not Eastern", "10 same spells if the characters are from Europe, and that is the", "created. I have many things explained that Rowling didn't, I am planning on", "Potfeq. I don't know is that good and okay to do that. The", "know is that good and okay to do that. The characters are very", "readers to new creatures, and even have complex characters, still very different from", "in my mind from early childhood. Now, I am very talented in writing,", "story takes place is in Southern Europe and not Eastern Europe, they speak", "talented in writing, so I decided to give it a try one day.", "lovely books. I was, as well, introducing readers to new creatures, and even", "I decided to give it a try one day. It was awesome! The", "in Southern Europe and not Eastern Europe, they speak another language and the", "too, it is only natural to have at least 10 same spells if", "written, I was happy, it was just scaring me that it was set", "the Wizirding World of Hijrp Potfeq. I don't know is that good and", "to new creatures, and even have complex characters, still very different from the", "and okay to do that. The characters are very different, the place where", "a story set in this same universe that Rowling created? Not one character", "well, introducing readers to new creatures, and even have complex characters, still very", "different from the master pieces she has created, some even with big traumas,", "have been creating a story in my mind from early childhood. Now, I", "is that good and okay to do that. The characters are very different,", "was being written, I was happy, it was just scaring me that it", "and even have complex characters, still very different from the master pieces she", "I have been creating a story in my mind from early childhood. Now,", "Rowling created? Not one character is similar to hers, and many things are", "was awesome! The book I imagine in my head was being written, I", "and not Eastern Europe, they speak another language and the book is written", "another language and the book is written in another language. I planned on", "some even with big traumas, some with happy lives. Is it legal to", "Rowling didn't, I am planning on having a vampire show up in the", "characters are very different, the place where the story takes place is in", "traumas, some with happy lives. Is it legal to have a story set", "Europe, and that is the place where the spells were created. I have", "that it was set completely in the Wizirding World of Hijrp Potfeq. I", "created? Not one character is similar to hers, and many things are different.", "I am very talented in writing, so I decided to give it a", "do that. The characters are very different, the place where the story takes", "Is it legal to have a story set in this same universe that", "spells if the characters are from Europe, and that is the place where", "creatures, and even have complex characters, still very different from the master pieces", "to have a story set in this same universe that Rowling created? Not", "completely in the Wizirding World of Hijrp Potfeq. I don't know is that", "on having a vampire show up in the story, where as they were", "things explained that Rowling didn't, I am planning on having a vampire show", "mind from early childhood. Now, I am very talented in writing, so I", "the place where the story takes place is in Southern Europe and not", "her lovely books. I was, as well, introducing readers to new creatures, and", "am planning on having a vampire show up in the story, where as", "I was, as well, introducing readers to new creatures, and even have complex", "a story in my mind from early childhood. Now, I am very talented", "The book I imagine in my head was being written, I was happy,", "spells from her books be a part of my story too, it is", "where the spells were created. I have many things explained that Rowling didn't,", "characters are from Europe, and that is the place where the spells were", "story set in this same universe that Rowling created? Not one character is", "spells were created. I have many things explained that Rowling didn't, I am", "to hers, and many things are different. From culture to economics and religion", "to give it a try one day. It was awesome! The book I", "have at least 10 same spells if the characters are from Europe, and", "it legal to have a story set in this same universe that Rowling", "is the place where the spells were created. I have many things explained", "Not one character is similar to hers, and many things are different. From", "a try one day. It was awesome! The book I imagine in my", "language. I planned on having some spells from her books be a part", "head was being written, I was happy, it was just scaring me that", "they were just a chilling presence in her lovely books. I was, as", "similar to hers, and many things are different. From culture to economics and", "were created. I have many things explained that Rowling didn't, I am planning", "good and okay to do that. The characters are very different, the place", "this same universe that Rowling created? Not one character is similar to hers,", "planning on having a vampire show up in the story, where as they", "my head was being written, I was happy, it was just scaring me", "having some spells from her books be a part of my story too,", "The characters are very different, the place where the story takes place is", "that Rowling created? Not one character is similar to hers, and many things", "the story takes place is in Southern Europe and not Eastern Europe, they", "some with happy lives. Is it legal to have a story set in", "same spells if the characters are from Europe, and that is the place", "from early childhood. Now, I am very talented in writing, so I decided", "one day. It was awesome! The book I imagine in my head was", "From culture to economics and religion in different parts of the wizarding world.", "the spells were created. I have many things explained that Rowling didn't, I", "Wizirding World of Hijrp Potfeq. I don't know is that good and okay", "with big traumas, some with happy lives. Is it legal to have a", "just a chilling presence in her lovely books. I was, as well, introducing", "very different from the master pieces she has created, some even with big", "on having some spells from her books be a part of my story", "as well, introducing readers to new creatures, and even have complex characters, still", "okay to do that. The characters are very different, the place where the", "where as they were just a chilling presence in her lovely books. I", "Hijrp Potfeq. I don't know is that good and okay to do that.", "as they were just a chilling presence in her lovely books. I was,", "It was awesome! The book I imagine in my head was being written,", "awesome! The book I imagine in my head was being written, I was", "is in Southern Europe and not Eastern Europe, they speak another language and", "in the story, where as they were just a chilling presence in her", "legal to have a story set in this same universe that Rowling created?", "some spells from her books be a part of my story too, it", "are very different, the place where the story takes place is in Southern", "not Eastern Europe, they speak another language and the book is written in", "in her lovely books. I was, as well, introducing readers to new creatures,", "was set completely in the Wizirding World of Hijrp Potfeq. I don't know", "same universe that Rowling created? Not one character is similar to hers, and", "I planned on having some spells from her books be a part of", "place where the spells were created. I have many things explained that Rowling", "things are different. From culture to economics and religion in different parts of", "story too, it is only natural to have at least 10 same spells", "universe that Rowling created? Not one character is similar to hers, and many", "was happy, it was just scaring me that it was set completely in", "vampire show up in the story, where as they were just a chilling", "just scaring me that it was set completely in the Wizirding World of", "many things are different. From culture to economics and religion in different parts", "of Hijrp Potfeq. I don't know is that good and okay to do", "very different, the place where the story takes place is in Southern Europe", "that Rowling didn't, I am planning on having a vampire show up in", "where the story takes place is in Southern Europe and not Eastern Europe,", "different. From culture to economics and religion in different parts of the wizarding", "even have complex characters, still very different from the master pieces she has", "up in the story, where as they were just a chilling presence in", "the book is written in another language. I planned on having some spells", "the story, where as they were just a chilling presence in her lovely", "one character is similar to hers, and many things are different. From culture", "it was just scaring me that it was set completely in the Wizirding", "pieces she has created, some even with big traumas, some with happy lives.", "happy, it was just scaring me that it was set completely in the", "at least 10 same spells if the characters are from Europe, and that", "the characters are from Europe, and that is the place where the spells", "from her books be a part of my story too, it is only", "that is the place where the spells were created. I have many things", "I have many things explained that Rowling didn't, I am planning on having", "the place where the spells were created. I have many things explained that", "from Europe, and that is the place where the spells were created. I", "created, some even with big traumas, some with happy lives. Is it legal", "least 10 same spells if the characters are from Europe, and that is", "Europe, they speak another language and the book is written in another language.", "Southern Europe and not Eastern Europe, they speak another language and the book", "day. It was awesome! The book I imagine in my head was being", "complex characters, still very different from the master pieces she has created, some", "and the book is written in another language. I planned on having some", "they speak another language and the book is written in another language. I", "are different. From culture to economics and religion in different parts of the", "story in my mind from early childhood. Now, I am very talented in", "books. I was, as well, introducing readers to new creatures, and even have", "she has created, some even with big traumas, some with happy lives. Is", "to have at least 10 same spells if the characters are from Europe,", "Eastern Europe, they speak another language and the book is written in another", "planned on having some spells from her books be a part of my", "another language. I planned on having some spells from her books be a", "with happy lives. Is it legal to have a story set in this", "a part of my story too, it is only natural to have at", "and many things are different. From culture to economics and religion in different", "so I decided to give it a try one day. It was awesome!", "was, as well, introducing readers to new creatures, and even have complex characters,", "Europe and not Eastern Europe, they speak another language and the book is", "still very different from the master pieces she has created, some even with", "books be a part of my story too, it is only natural to", "in my head was being written, I was happy, it was just scaring", "scaring me that it was set completely in the Wizirding World of Hijrp", "and that is the place where the spells were created. I have many", "I don't know is that good and okay to do that. The characters", "I imagine in my head was being written, I was happy, it was", "that good and okay to do that. The characters are very different, the", "place is in Southern Europe and not Eastern Europe, they speak another language", "very talented in writing, so I decided to give it a try one", "introducing readers to new creatures, and even have complex characters, still very different", "new creatures, and even have complex characters, still very different from the master", "am very talented in writing, so I decided to give it a try", "being written, I was happy, it was just scaring me that it was", "a vampire show up in the story, where as they were just a", "set in this same universe that Rowling created? Not one character is similar", "it was set completely in the Wizirding World of Hijrp Potfeq. I don't", "different, the place where the story takes place is in Southern Europe and", "give it a try one day. It was awesome! The book I imagine", "natural to have at least 10 same spells if the characters are from", "even with big traumas, some with happy lives. Is it legal to have", "only natural to have at least 10 same spells if the characters are", "be a part of my story too, it is only natural to have", "it a try one day. It was awesome! The book I imagine in", "in this same universe that Rowling created? Not one character is similar to", "don't know is that good and okay to do that. The characters are", "big traumas, some with happy lives. Is it legal to have a story", "character is similar to hers, and many things are different. From culture to", "characters, still very different from the master pieces she has created, some even", "my story too, it is only natural to have at least 10 same", "is only natural to have at least 10 same spells if the characters", "master pieces she has created, some even with big traumas, some with happy", "me that it was set completely in the Wizirding World of Hijrp Potfeq." ]
[ "character [nerd] who speaks in a pop culture references. I appreciate this question", "I'm worried about is the legality of quoting copyrighted material. Is a single", "fictional character [nerd] who speaks in a pop culture references. I appreciate this", "quote single lines of pop songs, though probably not exactly. What I'm worried", "who attributes the quotes? For example, say something bad happens A: They must", "is the legality of quoting copyrighted material. Is a single line precisely quoted", "advantage. The character would quote single lines of pop songs, though probably not", "single lines of pop songs, though probably not exactly. What I'm worried about", "quoting copyrighted material. Is a single line precisely quoted a copyright infringement? What", "Is a single line precisely quoted a copyright infringement? What if it's approximately", "about is the legality of quoting copyrighted material. Is a single line precisely", "line precisely quoted a copyright infringement? What if it's approximately quoted? What if", "of pop songs, though probably not exactly. What I'm worried about is the", "approximately quoted? What if there's a foil character who attributes the quotes? For", "foil character who attributes the quotes? For example, say something bad happens A:", "quoted a copyright infringement? What if it's approximately quoted? What if there's a", "B: oh yeah... 1986. Peaked at 21. A: [gapes] high five dude Any", "an advantage. The character would quote single lines of pop songs, though probably", "The character would quote single lines of pop songs, though probably not exactly.", "if there's a foil character who attributes the quotes? For example, say something", "[Hums tunelessly] B: oh yeah... 1986. Peaked at 21. A: [gapes] high five", "period piece so I see the use of quotes dating the work as", "appreciate this question somewhat overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The", "Peaked at 21. A: [gapes] high five dude Any thoughts would be appreciated.", "probably not exactly. What I'm worried about is the legality of quoting copyrighted", "the legality of quoting copyrighted material. Is a single line precisely quoted a", "material. Is a single line precisely quoted a copyright infringement? What if it's", "the use of quotes dating the work as an advantage. The character would", "A: furniture B: what? A: [Hums tunelessly] B: oh yeah... 1986. Peaked at", "character would quote single lines of pop songs, though probably not exactly. What", "I am contemplating writing a fictional character [nerd] who speaks in a pop", "piece so I see the use of quotes dating the work as an", "say something bad happens A: They must be out of their brilliant minds", "a single line precisely quoted a copyright infringement? What if it's approximately quoted?", "A: They must be out of their brilliant minds B: I heard that", "I see the use of quotes dating the work as an advantage. The", "if it's approximately quoted? What if there's a foil character who attributes the", "out of their brilliant minds B: I heard that somewhere [thinks] A: furniture", "What I'm worried about is the legality of quoting copyrighted material. Is a", "must be out of their brilliant minds B: I heard that somewhere [thinks]", "songs, though probably not exactly. What I'm worried about is the legality of", "minds B: I heard that somewhere [thinks] A: furniture B: what? A: [Hums", "They must be out of their brilliant minds B: I heard that somewhere", "though probably not exactly. What I'm worried about is the legality of quoting", "somewhere [thinks] A: furniture B: what? A: [Hums tunelessly] B: oh yeah... 1986.", "yeah... 1986. Peaked at 21. A: [gapes] high five dude Any thoughts would", "a copyright infringement? What if it's approximately quoted? What if there's a foil", "a fictional character [nerd] who speaks in a pop culture references. I appreciate", "[Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece", "it's approximately quoted? What if there's a foil character who attributes the quotes?", "there's a foil character who attributes the quotes? For example, say something bad", "character who attributes the quotes? For example, say something bad happens A: They", "in a pop culture references. I appreciate this question somewhat overlaps [Referencing modern", "lines of pop songs, though probably not exactly. What I'm worried about is", "speaks in a pop culture references. I appreciate this question somewhat overlaps [Referencing", "not exactly. What I'm worried about is the legality of quoting copyrighted material.", "I appreciate this question somewhat overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction)", "oh yeah... 1986. Peaked at 21. A: [gapes] high five dude Any thoughts", "what? A: [Hums tunelessly] B: oh yeah... 1986. Peaked at 21. A: [gapes]", "quoted? What if there's a foil character who attributes the quotes? For example,", "exactly. What I'm worried about is the legality of quoting copyrighted material. Is", "as an advantage. The character would quote single lines of pop songs, though", "something bad happens A: They must be out of their brilliant minds B:", "am contemplating writing a fictional character [nerd] who speaks in a pop culture", "writing a fictional character [nerd] who speaks in a pop culture references. I", "this question somewhat overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept", "their brilliant minds B: I heard that somewhere [thinks] A: furniture B: what?", "brilliant minds B: I heard that somewhere [thinks] A: furniture B: what? A:", "heard that somewhere [thinks] A: furniture B: what? A: [Hums tunelessly] B: oh", "happens A: They must be out of their brilliant minds B: I heard", "a period piece so I see the use of quotes dating the work", "of their brilliant minds B: I heard that somewhere [thinks] A: furniture B:", "that somewhere [thinks] A: furniture B: what? A: [Hums tunelessly] B: oh yeah...", "be out of their brilliant minds B: I heard that somewhere [thinks] A:", "so I see the use of quotes dating the work as an advantage.", "in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so I see the", "single line precisely quoted a copyright infringement? What if it's approximately quoted? What", "science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so I see the use", "culture references. I appreciate this question somewhat overlaps [Referencing modern pop culture in", "use of quotes dating the work as an advantage. The character would quote", "A: [Hums tunelessly] B: oh yeah... 1986. Peaked at 21. A: [gapes] high", "pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so I", "a foil character who attributes the quotes? For example, say something bad happens", "pop songs, though probably not exactly. What I'm worried about is the legality", "the work as an advantage. The character would quote single lines of pop", "see the use of quotes dating the work as an advantage. The character", "copyrighted material. Is a single line precisely quoted a copyright infringement? What if", "dating the work as an advantage. The character would quote single lines of", "references. I appreciate this question somewhat overlaps [Referencing modern pop culture in science", "What if there's a foil character who attributes the quotes? For example, say", "is a period piece so I see the use of quotes dating the", "contemplating writing a fictional character [nerd] who speaks in a pop culture references.", "precisely quoted a copyright infringement? What if it's approximately quoted? What if there's", "tunelessly] B: oh yeah... 1986. Peaked at 21. A: [gapes] high five dude", "fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so I see the use of", "would quote single lines of pop songs, though probably not exactly. What I'm", "quotes? For example, say something bad happens A: They must be out of", "overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period", "question somewhat overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is", "B: I heard that somewhere [thinks] A: furniture B: what? A: [Hums tunelessly]", "copyright infringement? What if it's approximately quoted? What if there's a foil character", "worried about is the legality of quoting copyrighted material. Is a single line", "What if it's approximately quoted? What if there's a foil character who attributes", "[nerd] who speaks in a pop culture references. I appreciate this question somewhat", "legality of quoting copyrighted material. Is a single line precisely quoted a copyright", "example, say something bad happens A: They must be out of their brilliant", "culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so I see", "concept is a period piece so I see the use of quotes dating", "of quotes dating the work as an advantage. The character would quote single", "who speaks in a pop culture references. I appreciate this question somewhat overlaps", "For example, say something bad happens A: They must be out of their", "a pop culture references. I appreciate this question somewhat overlaps [Referencing modern pop", "pop culture references. I appreciate this question somewhat overlaps [Referencing modern pop culture", "I heard that somewhere [thinks] A: furniture B: what? A: [Hums tunelessly] B:", "B: what? A: [Hums tunelessly] B: oh yeah... 1986. Peaked at 21. A:", "attributes the quotes? For example, say something bad happens A: They must be", "the quotes? For example, say something bad happens A: They must be out", "bad happens A: They must be out of their brilliant minds B: I", "infringement? What if it's approximately quoted? What if there's a foil character who", "quotes dating the work as an advantage. The character would quote single lines", "modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a period piece so", "of quoting copyrighted material. Is a single line precisely quoted a copyright infringement?", "somewhat overlaps [Referencing modern pop culture in science fiction](https://writing.stackexchange.com/questions/35729/referencing-modern-pop-culture-in-science-fiction) The concept is a", "furniture B: what? A: [Hums tunelessly] B: oh yeah... 1986. Peaked at 21.", "[thinks] A: furniture B: what? A: [Hums tunelessly] B: oh yeah... 1986. Peaked", "work as an advantage. The character would quote single lines of pop songs,", "The concept is a period piece so I see the use of quotes", "1986. Peaked at 21. A: [gapes] high five dude Any thoughts would be" ]
[ "and not overtime. * Sometimes I'm able to squeeze some writing at work", "I think at other times of the day seldomly gets me inspired when", "got a SO that helps out with this. About the writing itself: ", "hope that those additional infos won't make the question too specific about me", "day a reasonable pace for a part-time writer dealing with his first draft?", "this method is working for me. Now, the question for you is this:", "out with this. About the writing itself: I'm a discovery writer. I", "draft. This considered, I'm trying to give myself a daily target of 1000", "part-time writer dealing with his first draft?** The assumption here is to maximize", "takes me around 20 minutes (and a great deal of force of will)", "(and a great deal of force of will) to shut off the distractions", "in order to finish the first draft sooner (in months, rather than a", "matters). I've got a SO that helps out with this. About the writing", "a discovery writer. I have an idea of where the story is going,", "one to pull off. * Aside from working, I've got the basic stuff", "this. About the writing itself: * I'm a discovery writer. I have an", "that I reach the goal, I'm usually satisfied and I feel a small", "It takes me from 15 to 30 min. to get there, but reasonably", "* Sometimes I'm able to squeeze some writing at work during lunch break,", "least, bring a novel through the first draft. This considered, I'm trying to", "the goal, I'm usually satisfied and I feel a small boost in motivation,", "writing 1000 words a day a reasonable pace for a part-time writer dealing", "words a day a reasonable pace for a part-time writer dealing with his", "where the story is going, but I can't predict every turn of the", "1000 words a day a reasonable pace for a part-time writer dealing with", "this: *is writing 1000 words a day a reasonable pace for a part-time", "the question too specific about me (I imagine there are other part-time writers", "under some kind of stress, or commitment. On the days that I reach", "adding this paragraph after the comments and some of the answers. I", "scene as I'm walking. * I try to make a stand and not", "and try to write. I hope that those additional infos won't make the", "maximize commitment to a single novel in order to finish the first draft", "an idea of where the story is going, but I can't predict every", "won't make the question too specific about me (I imagine there are other", "a day a reasonable pace for a part-time writer dealing with his first", "order to finish the first draft sooner (in months, rather than a year", "stress, or commitment. On the days that I reach the goal, I'm usually", "maybe outline the next scene as I'm walking. * I try to make", "* My actual project is already started and well into its second act.", "work during lunch break, but that's a difficult one to pull off. ", "as I'm walking. I try to make a stand and not overtime.", "that I work best under some kind of stress, or commitment. On the", "some writing at work during lunch break, but that's a difficult one to", "writing at work during lunch break, but that's a difficult one to pull", "to find that I work best under some kind of stress, or commitment.", "to stop for research certain topics, or take notes about worldbuilding as I", "I'm adding this paragraph after the comments and some of the answers. ", "30 min. to get there, but reasonably enough, no writing can be done.", "Aside from working, I've got the basic stuff to do (chores, groceries, tending", "is writing 1000 words a day a reasonable pace for a part-time writer", "infos won't make the question too specific about me (I imagine there are", "the comments and some of the answers. I commute to work on", "in motivation, so let's say this method is working for me. Now, the", "question for you is this: *is writing 1000 words a day a reasonable", "or at least, bring a novel through the first draft. This considered, I'm", "to podcasts or maybe outline the next scene as I'm walking. I", "work best under some kind of stress, or commitment. On the days that", "and some of the answers. * I commute to work on foot or", "to maximize commitment to a single novel in order to finish the first", "It takes me around 20 minutes (and a great deal of force of", "at other times of the day seldomly gets me inspired when I finaly", "and I feel a small boost in motivation, so let's say this method", "assumption here is to maximize commitment to a single novel in order to", "and get writing at a decent pace. And lastly, * yes, I can", "I have an idea of where the story is going, but I can't", "I'm starting to find that I work best under some kind of stress,", "My actual project is already started and well into its second act. Sometime", "job, as many do. Yet I'd like to become a writer someday, or", "a reasonable pace for a part-time writer dealing with his first draft? The", "let's say this method is working for me. Now, the question for you", "method is working for me. Now, the question for you is this: is", "first draft sooner (in months, rather than a year or years). Related, but", "full-time job, as many do. Yet I'd like to become a writer someday,", "I've got a 40h, full-time job, as many do. Yet I'd like to", "there, but reasonably enough, no writing can be done. On \"good\" days I", "a difficult one to pull off. * Aside from working, I've got the", "outline the next scene as I'm walking. * I try to make a", "off the distractions and get writing at a decent pace. And lastly, ", "I've got the basic stuff to do (chores, groceries, tending to my house", "a 40h, full-time job, as many do. Yet I'd like to become a", "someday, or at least, bring a novel through the first draft. This considered,", "force of will) to shut off the distractions and get writing at a", "here is to maximize commitment to a single novel in order to finish", "I commute to work on foot or by bike. It takes me from", "of 1000 words to write each day at least. I'm starting to find", "a small boost in motivation, so let's say this method is working for", "but reasonably enough, no writing can be done. On \"good\" days I use", "with his first draft?* The assumption here is to maximize commitment to a", "and other off-work matters). I've got a SO that helps out with this.", "itself: * I'm a discovery writer. I have an idea of where the", "for a part-time writer dealing with his first draft?** The assumption here is", "\"good\" days I use this time to listen to podcasts or maybe outline", "rather than a year or years). Related, but not overlapping: [Time management for", "certain topics, or take notes about worldbuilding as I go. * It takes", "during lunch break, but that's a difficult one to pull off. * Aside", "a writer someday, or at least, bring a novel through the first draft.", "research certain topics, or take notes about worldbuilding as I go. * It", "do (chores, groceries, tending to my house and other off-work matters). I've got", "me around 20 minutes (and a great deal of force of will) to", "first draft? The assumption here is to maximize commitment to a single novel", "on foot or by bike. It takes me from 15 to 30 min.", "about my writing while I'm doing other stuff. The sad thing is that", "stuff. The sad thing is that what I think at other times of", "or by bike. It takes me from 15 to 30 min. to get", "Related, but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information:** I'm adding", "doing other stuff. The sad thing is that what I think at other", "that those additional infos won't make the question too specific about me (I", "at a decent pace. And lastly, * yes, I can think about my", "day at least. I'm starting to find that I work best under some", "the page. * My actual project is already started and well into its", "podcasts or maybe outline the next scene as I'm walking. * I try", "times of the day seldomly gets me inspired when I finaly sit and", "shut off the distractions and get writing at a decent pace. And lastly,", "draft?** The assumption here is to maximize commitment to a single novel in", "to get there, but reasonably enough, no writing can be done. On \"good\"", "I'm trying to give myself a daily target of 1000 words to write", "listen to podcasts or maybe outline the next scene as I'm walking. ", "Now, the question for you is this: is writing 1000 words a day", "years). Related, but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information:* I'm", "I have to stop for research certain topics, or take notes about worldbuilding", "able to squeeze some writing at work during lunch break, but that's a", "try to write. I hope that those additional infos won't make the question", "finish the first draft sooner (in months, rather than a year or years).", "me (I imagine there are other part-time writers out there interested in the", "at least, bring a novel through the first draft. This considered, I'm trying", "paragraph after the comments and some of the answers. * I commute to", "project is already started and well into its second act. Sometime I have", "is working for me. Now, the question for you is this: *is writing", "as I go. It takes me around 20 minutes (and a great", "inspired when I finaly sit and try to write. I hope that those", "lastly, * yes, I can think about my writing while I'm doing other", "for you is this: *is writing 1000 words a day a reasonable pace", "got a 40h, full-time job, as many do. Yet I'd like to become", "writer someday, or at least, bring a novel through the first draft. This", "I feel a small boost in motivation, so let's say this method is", "this paragraph after the comments and some of the answers. I commute", "sad thing is that what I think at other times of the day", "other times of the day seldomly gets me inspired when I finaly sit", "The assumption here is to maximize commitment to a single novel in order", "for research certain topics, or take notes about worldbuilding as I go. ", "single novel in order to finish the first draft sooner (in months, rather", "the days that I reach the goal, I'm usually satisfied and I feel", "And lastly, yes, I can think about my writing while I'm doing", "to pull off. * Aside from working, I've got the basic stuff to", "think about my writing while I'm doing other stuff. The sad thing is", "give myself a daily target of 1000 words to write each day at", "min. to get there, but reasonably enough, no writing can be done. On", "novel through the first draft. This considered, I'm trying to give myself a", "the first draft sooner (in months, rather than a year or years). Related,", "overtime. * Sometimes I'm able to squeeze some writing at work during lunch", "is to maximize commitment to a single novel in order to finish the", "a decent pace. And lastly, * yes, I can think about my writing", "like to become a writer someday, or at least, bring a novel through", "but that's a difficult one to pull off. * Aside from working, I've", "walking. * I try to make a stand and not overtime. * Sometimes", "take notes about worldbuilding as I go. * It takes me around 20", "I try to make a stand and not overtime. * Sometimes I'm able", "starting to find that I work best under some kind of stress, or", "at least. I'm starting to find that I work best under some kind", "to listen to podcasts or maybe outline the next scene as I'm walking.", "reasonably enough, no writing can be done. On \"good\" days I use this", "say this method is working for me. Now, the question for you is", "to a single novel in order to finish the first draft sooner (in", "me. Now, the question for you is this: is writing 1000 words a", "is this: is writing 1000 words a day a reasonable pace for a", "some of the answers. * I commute to work on foot or by", "best under some kind of stress, or commitment. On the days that I", "days I use this time to listen to podcasts or maybe outline the", "distractions and get writing at a decent pace. And lastly, * yes, I", "writing while I'm doing other stuff. The sad thing is that what I", "about me (I imagine there are other part-time writers out there interested in", "or maybe outline the next scene as I'm walking. * I try to", "I'm walking. * I try to make a stand and not overtime. ", "squeeze some writing at work during lunch break, but that's a difficult one", "I can't predict every turn of the page. My actual project is", "will) to shut off the distractions and get writing at a decent pace.", "day seldomly gets me inspired when I finaly sit and try to write.", "me from 15 to 30 min. to get there, but reasonably enough, no", "usually satisfied and I feel a small boost in motivation, so let's say", "I can think about my writing while I'm doing other stuff. The sad", "already started and well into its second act. Sometime I have to stop", "comments and some of the answers. * I commute to work on foot", "the day seldomly gets me inspired when I finaly sit and try to", "find that I work best under some kind of stress, or commitment. On", "working for me. Now, the question for you is this: *is writing 1000", "a daily target of 1000 words to write each day at least. I'm", "considered, I'm trying to give myself a daily target of 1000 words to", "to finish the first draft sooner (in months, rather than a year or", "make the question too specific about me (I imagine there are other part-time", "pull off. Aside from working, I've got the basic stuff to do", "months, rather than a year or years). Related, but not overlapping: [Time management", "think at other times of the day seldomly gets me inspired when I", "get there, but reasonably enough, no writing can be done. On \"good\" days", "a part-time writer dealing with his first draft?** The assumption here is to", "going, but I can't predict every turn of the page. * My actual", "the writing itself: * I'm a discovery writer. I have an idea of", "I finaly sit and try to write. I hope that those additional infos", "I go. * It takes me around 20 minutes (and a great deal", "thing is that what I think at other times of the day seldomly", "act. Sometime I have to stop for research certain topics, or take notes", "page. * My actual project is already started and well into its second", "me inspired when I finaly sit and try to write. I hope that", "every turn of the page. * My actual project is already started and", "that's a difficult one to pull off. * Aside from working, I've got", "Sometime I have to stop for research certain topics, or take notes about", "novel in order to finish the first draft sooner (in months, rather than", "can think about my writing while I'm doing other stuff. The sad thing", "about worldbuilding as I go. * It takes me around 20 minutes (and", "to shut off the distractions and get writing at a decent pace. And", "This considered, I'm trying to give myself a daily target of 1000 words", "writing can be done. On \"good\" days I use this time to listen", "around 20 minutes (and a great deal of force of will) to shut", "and well into its second act. Sometime I have to stop for research", "I use this time to listen to podcasts or maybe outline the next", "* yes, I can think about my writing while I'm doing other stuff.", "reach the goal, I'm usually satisfied and I feel a small boost in", "reasonable pace for a part-time writer dealing with his first draft?** The assumption", "I hope that those additional infos won't make the question too specific about", "have to stop for research certain topics, or take notes about worldbuilding as", "to do (chores, groceries, tending to my house and other off-work matters). I've", "feel a small boost in motivation, so let's say this method is working", "can be done. On \"good\" days I use this time to listen to", "what I think at other times of the day seldomly gets me inspired", "sooner (in months, rather than a year or years). Related, but not overlapping:", "About the writing itself: * I'm a discovery writer. I have an idea", "is going, but I can't predict every turn of the page. * My", "boost in motivation, so let's say this method is working for me. Now,", "from 15 to 30 min. to get there, but reasonably enough, no writing", "a year or years). Related, but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing)", "the question for you is this: *is writing 1000 words a day a", "house and other off-work matters). I've got a SO that helps out with", "to 30 min. to get there, but reasonably enough, no writing can be", "question too specific about me (I imagine there are other part-time writers out", "On the days that I reach the goal, I'm usually satisfied and I", "done. On \"good\" days I use this time to listen to podcasts or", "no writing can be done. On \"good\" days I use this time to", "from working, I've got the basic stuff to do (chores, groceries, tending to", "actual project is already started and well into its second act. Sometime I", "to work on foot or by bike. It takes me from 15 to", "foot or by bike. It takes me from 15 to 30 min. to", "well into its second act. Sometime I have to stop for research certain", "of will) to shut off the distractions and get writing at a decent", "I'm usually satisfied and I feel a small boost in motivation, so let's", "not* overtime. * Sometimes I'm able to squeeze some writing at work during", "difficult one to pull off. * Aside from working, I've got the basic", "but I can't predict every turn of the page. * My actual project", "I'm a discovery writer. I have an idea of where the story is", "for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph after the comments and", "gets me inspired when I finaly sit and try to write. I hope", "when I finaly sit and try to write. I hope that those additional", "(I imagine there are other part-time writers out there interested in the topic).", "go. * It takes me around 20 minutes (and a great deal of", "commitment. On the days that I reach the goal, I'm usually satisfied and", "target of 1000 words to write each day at least. I'm starting to", "to become a writer someday, or at least, bring a novel through the", "writing itself: * I'm a discovery writer. I have an idea of where", "basic stuff to do (chores, groceries, tending to my house and other off-work", "lunch break, but that's a difficult one to pull off. * Aside from", "can't predict every turn of the page. * My actual project is already", "a stand and not overtime. * Sometimes I'm able to squeeze some writing", "specific about me (I imagine there are other part-time writers out there interested", "finaly sit and try to write. I hope that those additional infos won't", "into its second act. Sometime I have to stop for research certain topics,", "answers. * I commute to work on foot or by bike. It takes", "bike. It takes me from 15 to 30 min. to get there, but", "takes me from 15 to 30 min. to get there, but reasonably enough,", "this time to listen to podcasts or maybe outline the next scene as", "information:** I'm adding this paragraph after the comments and some of the answers.", "minutes (and a great deal of force of will) to shut off the", "commitment to a single novel in order to finish the first draft sooner", "with this. About the writing itself: * I'm a discovery writer. I have", "I reach the goal, I'm usually satisfied and I feel a small boost", "started and well into its second act. Sometime I have to stop for", "a novel through the first draft. This considered, I'm trying to give myself", "15 to 30 min. to get there, but reasonably enough, no writing can", "writing at a decent pace. And lastly, * yes, I can think about", "each day at least. I'm starting to find that I work best under", "after the comments and some of the answers. * I commute to work", "pace for a part-time writer dealing with his first draft? The assumption here", "but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this", "myself a daily target of 1000 words to write each day at least.", "sit and try to write. I hope that those additional infos won't make", "as many do. Yet I'd like to become a writer someday, or at", "[Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information:** I'm adding this paragraph after the", "of the day seldomly gets me inspired when I finaly sit and try", "seldomly gets me inspired when I finaly sit and try to write. I", "its second act. Sometime I have to stop for research certain topics, or", "or commitment. On the days that I reach the goal, I'm usually satisfied", "other off-work matters). I've got a SO that helps out with this. About", "my house and other off-work matters). I've got a SO that helps out", "do. Yet I'd like to become a writer someday, or at least, bring", "writer. I have an idea of where the story is going, but I", "topics, or take notes about worldbuilding as I go. * It takes me", "deal of force of will) to shut off the distractions and get writing", "(chores, groceries, tending to my house and other off-work matters). I've got a", "management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph after the comments", "stand and not overtime. * Sometimes I'm able to squeeze some writing at", "next scene as I'm walking. * I try to make a stand and", "at work during lunch break, but that's a difficult one to pull off.", "have an idea of where the story is going, but I can't predict", "to squeeze some writing at work during lunch break, but that's a difficult", "of stress, or commitment. On the days that I reach the goal, I'm", "turn of the page. * My actual project is already started and well", "the next scene as I'm walking. * I try to make a stand", "bring a novel through the first draft. This considered, I'm trying to give", "commute to work on foot or by bike. It takes me from 15", "try to make a stand and not overtime. * Sometimes I'm able to", "to write. I hope that those additional infos won't make the question too", "words to write each day at least. I'm starting to find that I", "I work best under some kind of stress, or commitment. On the days", "the basic stuff to do (chores, groceries, tending to my house and other", "first draft. This considered, I'm trying to give myself a daily target of", "work on foot or by bike. It takes me from 15 to 30", "predict every turn of the page. * My actual project is already started", "or years). Related, but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information:", "tending to my house and other off-work matters). I've got a SO that", "some kind of stress, or commitment. On the days that I reach the", "other stuff. The sad thing is that what I think at other times", "overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph after", "The sad thing is that what I think at other times of the", "a SO that helps out with this. About the writing itself: * I'm", "is that what I think at other times of the day seldomly gets", "working, I've got the basic stuff to do (chores, groceries, tending to my", "motivation, so let's say this method is working for me. Now, the question", "not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph", "become a writer someday, or at least, bring a novel through the first", "dealing with his first draft?** The assumption here is to maximize commitment to", "stop for research certain topics, or take notes about worldbuilding as I go.", "a great deal of force of will) to shut off the distractions and", "break, but that's a difficult one to pull off. * Aside from working,", "pace. And lastly, * yes, I can think about my writing while I'm", "the first draft. This considered, I'm trying to give myself a daily target", "the distractions and get writing at a decent pace. And lastly, * yes,", "of the answers. * I commute to work on foot or by bike.", "Additional information: I'm adding this paragraph after the comments and some of the", "Yet I'd like to become a writer someday, or at least, bring a", "(in months, rather than a year or years). Related, but not overlapping: [Time", "I've got a SO that helps out with this. About the writing itself:", "write each day at least. I'm starting to find that I work best", "use this time to listen to podcasts or maybe outline the next scene", "20 minutes (and a great deal of force of will) to shut off", "SO that helps out with this. About the writing itself: * I'm a", "the story is going, but I can't predict every turn of the page.", "off. * Aside from working, I've got the basic stuff to do (chores,", "part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph after the comments and some", "I'd like to become a writer someday, or at least, bring a novel", "I'm doing other stuff. The sad thing is that what I think at", "great deal of force of will) to shut off the distractions and get", "Sometimes I'm able to squeeze some writing at work during lunch break, but", "second act. Sometime I have to stop for research certain topics, or take", "by bike. It takes me from 15 to 30 min. to get there,", "to write each day at least. I'm starting to find that I work", "for me. Now, the question for you is this: *is writing 1000 words", "got the basic stuff to do (chores, groceries, tending to my house and", "the answers. I commute to work on foot or by bike. It", "or take notes about worldbuilding as I go. * It takes me around", "I'm able to squeeze some writing at work during lunch break, but that's", "make a stand and not overtime. * Sometimes I'm able to squeeze some", "year or years). Related, but not overlapping: [Time management for part-time writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional", "of where the story is going, but I can't predict every turn of", "to give myself a daily target of 1000 words to write each day", "his first draft? The assumption here is to maximize commitment to a single", "enough, no writing can be done. On \"good\" days I use this time", "trying to give myself a daily target of 1000 words to write each", "stuff to do (chores, groceries, tending to my house and other off-work matters).", "daily target of 1000 words to write each day at least. I'm starting", "* I try to make a stand and not overtime. * Sometimes I'm", "* I'm a discovery writer. I have an idea of where the story", "groceries, tending to my house and other off-work matters). I've got a SO", "goal, I'm usually satisfied and I feel a small boost in motivation, so", "* It takes me around 20 minutes (and a great deal of force", "is already started and well into its second act. Sometime I have to", "time to listen to podcasts or maybe outline the next scene as I'm", "so let's say this method is working for me. Now, the question for", "40h, full-time job, as many do. Yet I'd like to become a writer", "small boost in motivation, so let's say this method is working for me.", "write. I hope that those additional infos won't make the question too specific", "a single novel in order to finish the first draft sooner (in months,", "least. I'm starting to find that I work best under some kind of", "that what I think at other times of the day seldomly gets me", "draft sooner (in months, rather than a year or years). Related, but not", "to make a stand and not overtime. * Sometimes I'm able to squeeze", "those additional infos won't make the question too specific about me (I imagine", "through the first draft. This considered, I'm trying to give myself a daily", "that helps out with this. About the writing itself: * I'm a discovery", "story is going, but I can't predict every turn of the page. ", "too specific about me (I imagine there are other part-time writers out there", "idea of where the story is going, but I can't predict every turn", "helps out with this. About the writing itself: I'm a discovery writer.", "get writing at a decent pace. And lastly, * yes, I can think", "many do. Yet I'd like to become a writer someday, or at least,", "* Aside from working, I've got the basic stuff to do (chores, groceries,", "* I commute to work on foot or by bike. It takes me", "satisfied and I feel a small boost in motivation, so let's say this", "days that I reach the goal, I'm usually satisfied and I feel a", "decent pace. And lastly, * yes, I can think about my writing while", "writing](https://writing.stackexchange.com/questions/17168/time-management-for-part-time-writing) Additional information: I'm adding this paragraph after the comments and some of", "notes about worldbuilding as I go. * It takes me around 20 minutes", "On \"good\" days I use this time to listen to podcasts or maybe", "while I'm doing other stuff. The sad thing is that what I think", "to my house and other off-work matters). I've got a SO that helps", "of the page. * My actual project is already started and well into", "yes, I can think about my writing while I'm doing other stuff. The", "1000 words to write each day at least. I'm starting to find that", "additional infos won't make the question too specific about me (I imagine there", "you is this: *is writing 1000 words a day a reasonable pace for", "my writing while I'm doing other stuff. The sad thing is that what", "discovery writer. I have an idea of where the story is going, but", "of force of will) to shut off the distractions and get writing at", "kind of stress, or commitment. On the days that I reach the goal,", "than a year or years). Related, but not overlapping: [Time management for part-time", "off-work matters). I've got a SO that helps out with this. About the", "worldbuilding as I go. It takes me around 20 minutes (and a", "writer dealing with his first draft?** The assumption here is to maximize commitment", "be done. On \"good\" days I use this time to listen to podcasts" ]
[ "whom is a witch named Kem. I characterize Kem as kind of a", "amount of lesbians and a handful of bisexuals. I can't think of any", "bisexuals. I can't think of any books I've read with an MC who's", "I've never written a trans/nonbinary character, and I don't want to make Kem", "I watch, there are rarely any LGBT characters, and the LGBT representation I", "and a handful of bisexuals. I can't think of any books I've read", "how important positive representation is to people in my community. I have a", "LGBT representation I do see is almost exclusively gay men, with a smaller", "I've read with an MC who's transgender or nonbinary (neither male or female;", "(neither male or female; not conforming to a gender binary). I'm not trans", "bisexual, and I want to casually make my characters LGBT without making it", "few OC's right now who I don't really have an assigned gender for,", "now who I don't really have an assigned gender for, one of whom", "Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close", "representation I do see is almost exclusively gay men, with a smaller amount", "kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close friends. I", "not either of those things, I've never written a trans/nonbinary character, and I", "or female; not conforming to a gender binary). I'm not trans or nonbinary,", "a walking stereotype. How does one incorporate trans/nonbinary characters without making their gender", "forced because I know how important positive representation is to people in my", "know whether or not making Kem transgender or nonbinary is a good idea,", "any LGBT characters, and the LGBT representation I do see is almost exclusively", "I can't think of any books I've read with an MC who's transgender", "think of any books I've read with an MC who's transgender or nonbinary", "am bisexual, and I want to casually make my characters LGBT without making", "those things, I've never written a trans/nonbinary character, and I don't want to", "it seem forced because I know how important positive representation is to people", "make my characters LGBT without making it seem forced because I know how", "making it seem forced because I know how important positive representation is to", "I am bisexual, and I want to casually make my characters LGBT without", "of whom is a witch named Kem. I characterize Kem as kind of", "who I don't really have an assigned gender for, one of whom is", "few close friends. I don't know whether or not making Kem transgender or", "books I've read with an MC who's transgender or nonbinary (neither male or", "a gender binary). I'm not trans or nonbinary, but I am bisexual, and", "a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close friends. I don't know", "whether or not making Kem transgender or nonbinary is a good idea, because", "don't know whether or not making Kem transgender or nonbinary is a good", "my characters LGBT without making it seem forced because I know how important", "I don't want to make Kem a walking stereotype. How does one incorporate", "or nonbinary (neither male or female; not conforming to a gender binary). I'm", "I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has", "of bisexuals. I can't think of any books I've read with an MC", "or nonbinary, but I am bisexual, and I want to casually make my", "of any books I've read with an MC who's transgender or nonbinary (neither", "don't really have an assigned gender for, one of whom is a witch", "really have an assigned gender for, one of whom is a witch named", "one of whom is a witch named Kem. I characterize Kem as kind", "movies I watch, there are rarely any LGBT characters, and the LGBT representation", "who's transgender or nonbinary (neither male or female; not conforming to a gender", "a witch named Kem. I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who", "assigned gender for, one of whom is a witch named Kem. I characterize", "In most books I read and movies I watch, there are rarely any", "and movies I watch, there are rarely any LGBT characters, and the LGBT", "I read and movies I watch, there are rarely any LGBT characters, and", "I don't really have an assigned gender for, one of whom is a", "right now who I don't really have an assigned gender for, one of", "read and movies I watch, there are rarely any LGBT characters, and the", "to make Kem a walking stereotype. How does one incorporate trans/nonbinary characters without", "a few OC's right now who I don't really have an assigned gender", "enjoys attention and has few close friends. I don't know whether or not", "read with an MC who's transgender or nonbinary (neither male or female; not", "attention and has few close friends. I don't know whether or not making", "Kem a walking stereotype. How does one incorporate trans/nonbinary characters without making their", "know how important positive representation is to people in my community. I have", "almost exclusively gay men, with a smaller amount of lesbians and a handful", "positive representation is to people in my community. I have a few OC's", "and has few close friends. I don't know whether or not making Kem", "MC who's transgender or nonbinary (neither male or female; not conforming to a", "for, one of whom is a witch named Kem. I characterize Kem as", "the LGBT representation I do see is almost exclusively gay men, with a", "making Kem transgender or nonbinary is a good idea, because I'm not either", "I do see is almost exclusively gay men, with a smaller amount of", "without making it seem forced because I know how important positive representation is", "good idea, because I'm not either of those things, I've never written a", "of lesbians and a handful of bisexuals. I can't think of any books", "casually make my characters LGBT without making it seem forced because I know", "with a smaller amount of lesbians and a handful of bisexuals. I can't", "to people in my community. I have a few OC's right now who", "Kem transgender or nonbinary is a good idea, because I'm not either of", "my community. I have a few OC's right now who I don't really", "I know how important positive representation is to people in my community. I", "female; not conforming to a gender binary). I'm not trans or nonbinary, but", "How does one incorporate trans/nonbinary characters without making their gender the main focus?", "trans or nonbinary, but I am bisexual, and I want to casually make", "a smaller amount of lesbians and a handful of bisexuals. I can't think", "is to people in my community. I have a few OC's right now", "have an assigned gender for, one of whom is a witch named Kem.", "characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few", "don't want to make Kem a walking stereotype. How does one incorporate trans/nonbinary", "want to make Kem a walking stereotype. How does one incorporate trans/nonbinary characters", "with an MC who's transgender or nonbinary (neither male or female; not conforming", "LGBT without making it seem forced because I know how important positive representation", "have a few OC's right now who I don't really have an assigned", "nonbinary, but I am bisexual, and I want to casually make my characters", "or nonbinary is a good idea, because I'm not either of those things,", "characters LGBT without making it seem forced because I know how important positive", "I'm not trans or nonbinary, but I am bisexual, and I want to", "and I want to casually make my characters LGBT without making it seem", "rarely any LGBT characters, and the LGBT representation I do see is almost", "exclusively gay men, with a smaller amount of lesbians and a handful of", "important positive representation is to people in my community. I have a few", "idea, because I'm not either of those things, I've never written a trans/nonbinary", "want to casually make my characters LGBT without making it seem forced because", "gay men, with a smaller amount of lesbians and a handful of bisexuals.", "not conforming to a gender binary). I'm not trans or nonbinary, but I", "male or female; not conforming to a gender binary). I'm not trans or", "I'm not either of those things, I've never written a trans/nonbinary character, and", "any books I've read with an MC who's transgender or nonbinary (neither male", "who enjoys attention and has few close friends. I don't know whether or", "gender binary). I'm not trans or nonbinary, but I am bisexual, and I", "because I know how important positive representation is to people in my community.", "I have a few OC's right now who I don't really have an", "friends. I don't know whether or not making Kem transgender or nonbinary is", "a trans/nonbinary character, and I don't want to make Kem a walking stereotype.", "and I don't want to make Kem a walking stereotype. How does one", "but I am bisexual, and I want to casually make my characters LGBT", "seem forced because I know how important positive representation is to people in", "most books I read and movies I watch, there are rarely any LGBT", "gender for, one of whom is a witch named Kem. I characterize Kem", "books I read and movies I watch, there are rarely any LGBT characters,", "written a trans/nonbinary character, and I don't want to make Kem a walking", "do see is almost exclusively gay men, with a smaller amount of lesbians", "is a good idea, because I'm not either of those things, I've never", "stereotype. How does one incorporate trans/nonbinary characters without making their gender the main", "can't think of any books I've read with an MC who's transgender or", "lesbians and a handful of bisexuals. I can't think of any books I've", "people in my community. I have a few OC's right now who I", "a good idea, because I'm not either of those things, I've never written", "smaller amount of lesbians and a handful of bisexuals. I can't think of", "is almost exclusively gay men, with a smaller amount of lesbians and a", "there are rarely any LGBT characters, and the LGBT representation I do see", "transgender or nonbinary (neither male or female; not conforming to a gender binary).", "a handful of bisexuals. I can't think of any books I've read with", "witch named Kem. I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys", "or not making Kem transgender or nonbinary is a good idea, because I'm", "because I'm not either of those things, I've never written a trans/nonbinary character,", "of those things, I've never written a trans/nonbinary character, and I don't want", "community. I have a few OC's right now who I don't really have", "I want to casually make my characters LGBT without making it seem forced", "in my community. I have a few OC's right now who I don't", "is a witch named Kem. I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere)", "I don't know whether or not making Kem transgender or nonbinary is a", "representation is to people in my community. I have a few OC's right", "as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close friends.", "of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close friends. I don't", "Kem. I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and", "to a gender binary). I'm not trans or nonbinary, but I am bisexual,", "not trans or nonbinary, but I am bisexual, and I want to casually", "watch, there are rarely any LGBT characters, and the LGBT representation I do", "OC's right now who I don't really have an assigned gender for, one", "handful of bisexuals. I can't think of any books I've read with an", "trans/nonbinary character, and I don't want to make Kem a walking stereotype. How", "has few close friends. I don't know whether or not making Kem transgender", "conforming to a gender binary). I'm not trans or nonbinary, but I am", "are rarely any LGBT characters, and the LGBT representation I do see is", "nonbinary is a good idea, because I'm not either of those things, I've", "[tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention and has few close friends. I don't know whether", "close friends. I don't know whether or not making Kem transgender or nonbinary", "men, with a smaller amount of lesbians and a handful of bisexuals. I", "see is almost exclusively gay men, with a smaller amount of lesbians and", "walking stereotype. How does one incorporate trans/nonbinary characters without making their gender the", "character, and I don't want to make Kem a walking stereotype. How does", "make Kem a walking stereotype. How does one incorporate trans/nonbinary characters without making", "characters, and the LGBT representation I do see is almost exclusively gay men,", "binary). I'm not trans or nonbinary, but I am bisexual, and I want", "an MC who's transgender or nonbinary (neither male or female; not conforming to", "named Kem. I characterize Kem as kind of a [tsundere](https://www.urbandictionary.com/define.php?term=Tsundere) who enjoys attention", "things, I've never written a trans/nonbinary character, and I don't want to make", "an assigned gender for, one of whom is a witch named Kem. I", "and the LGBT representation I do see is almost exclusively gay men, with", "LGBT characters, and the LGBT representation I do see is almost exclusively gay", "to casually make my characters LGBT without making it seem forced because I", "not making Kem transgender or nonbinary is a good idea, because I'm not", "nonbinary (neither male or female; not conforming to a gender binary). I'm not", "transgender or nonbinary is a good idea, because I'm not either of those", "either of those things, I've never written a trans/nonbinary character, and I don't", "never written a trans/nonbinary character, and I don't want to make Kem a" ]
[ "in academic writing. I'll find myself writing in the way that I think,", "not give you the impression that I'm talking to you. Perhaps I'm giving", "I'm giving myself a harder time than I need to, but I feel", "always been an easy thing to me, but almost all of my practice", "a harder time than I need to, but I feel that it is", "written would be very understandable, but would not give you the impression that", "what I've written would be very understandable, but would not give you the", "I'm talking to you. Perhaps I'm giving myself a harder time than I", "been in academic writing. I'll find myself writing in the way that I", "I think, with all of the hedges for the sake of completeness, and", "of the hedges for the sake of completeness, and realize that what I've", "writing. Edit: I write philosophical non-fiction papers on all sorts of things like", "poetry has been in academic writing. I'll find myself writing in the way", "from an academic background. Writing has always been an easy thing to me,", "almost all of my practice outside of poetry has been in academic writing.", "sake of completeness, and realize that what I've written would be very understandable,", "I'll find myself writing in the way that I think, with all of", "and realize that what I've written would be very understandable, but would not", "philosophical non-fiction papers on all sorts of things like religion, culture, politics, etc.", "but almost all of my practice outside of poetry has been in academic", "thing to me, but almost all of my practice outside of poetry has", "has been in academic writing. I'll find myself writing in the way that", "hedges for the sake of completeness, and realize that what I've written would", "of completeness, and realize that what I've written would be very understandable, but", "myself writing in the way that I think, with all of the hedges", "worthy rebuke of my writing. Edit: I write philosophical non-fiction papers on all", "an academic background. Writing has always been an easy thing to me, but", "been an easy thing to me, but almost all of my practice outside", "Perhaps I'm giving myself a harder time than I need to, but I", "I come from an academic background. Writing has always been an easy thing", "rebuke of my writing. Edit: I write philosophical non-fiction papers on all sorts", "think, with all of the hedges for the sake of completeness, and realize", "giving myself a harder time than I need to, but I feel that", "that it is a worthy rebuke of my writing. Edit: I write philosophical", "find myself writing in the way that I think, with all of the", "Writing has always been an easy thing to me, but almost all of", "background. Writing has always been an easy thing to me, but almost all", "but would not give you the impression that I'm talking to you. Perhaps", "all of my practice outside of poetry has been in academic writing. I'll", "the way that I think, with all of the hedges for the sake", "would be very understandable, but would not give you the impression that I'm", "the impression that I'm talking to you. Perhaps I'm giving myself a harder", "my writing. Edit: I write philosophical non-fiction papers on all sorts of things", "harder time than I need to, but I feel that it is a", "me, but almost all of my practice outside of poetry has been in", "academic background. Writing has always been an easy thing to me, but almost", "I've written would be very understandable, but would not give you the impression", "of my practice outside of poetry has been in academic writing. I'll find", "be very understandable, but would not give you the impression that I'm talking", "for the sake of completeness, and realize that what I've written would be", "easy thing to me, but almost all of my practice outside of poetry", "Edit: I write philosophical non-fiction papers on all sorts of things like religion,", "practice outside of poetry has been in academic writing. I'll find myself writing", "a worthy rebuke of my writing. Edit: I write philosophical non-fiction papers on", "I need to, but I feel that it is a worthy rebuke of", "time than I need to, but I feel that it is a worthy", "of poetry has been in academic writing. I'll find myself writing in the", "than I need to, but I feel that it is a worthy rebuke", "to you. Perhaps I'm giving myself a harder time than I need to,", "that I think, with all of the hedges for the sake of completeness,", "myself a harder time than I need to, but I feel that it", "of my writing. Edit: I write philosophical non-fiction papers on all sorts of", "I feel that it is a worthy rebuke of my writing. Edit: I", "all of the hedges for the sake of completeness, and realize that what", "feel that it is a worthy rebuke of my writing. Edit: I write", "I write philosophical non-fiction papers on all sorts of things like religion, culture,", "is a worthy rebuke of my writing. Edit: I write philosophical non-fiction papers", "outside of poetry has been in academic writing. I'll find myself writing in", "give you the impression that I'm talking to you. Perhaps I'm giving myself", "it is a worthy rebuke of my writing. Edit: I write philosophical non-fiction", "completeness, and realize that what I've written would be very understandable, but would", "in the way that I think, with all of the hedges for the", "that what I've written would be very understandable, but would not give you", "with all of the hedges for the sake of completeness, and realize that", "academic writing. I'll find myself writing in the way that I think, with", "understandable, but would not give you the impression that I'm talking to you.", "writing in the way that I think, with all of the hedges for", "very understandable, but would not give you the impression that I'm talking to", "need to, but I feel that it is a worthy rebuke of my", "my practice outside of poetry has been in academic writing. I'll find myself", "to me, but almost all of my practice outside of poetry has been", "the hedges for the sake of completeness, and realize that what I've written", "write philosophical non-fiction papers on all sorts of things like religion, culture, politics,", "an easy thing to me, but almost all of my practice outside of", "to, but I feel that it is a worthy rebuke of my writing.", "would not give you the impression that I'm talking to you. Perhaps I'm", "has always been an easy thing to me, but almost all of my", "that I'm talking to you. Perhaps I'm giving myself a harder time than", "impression that I'm talking to you. Perhaps I'm giving myself a harder time", "way that I think, with all of the hedges for the sake of", "you. Perhaps I'm giving myself a harder time than I need to, but", "but I feel that it is a worthy rebuke of my writing. Edit:", "you the impression that I'm talking to you. Perhaps I'm giving myself a", "the sake of completeness, and realize that what I've written would be very", "talking to you. Perhaps I'm giving myself a harder time than I need", "come from an academic background. Writing has always been an easy thing to", "realize that what I've written would be very understandable, but would not give", "writing. I'll find myself writing in the way that I think, with all" ]
[ "present tense? For example, in the short text: > > It was late", "One side always faces the planet. It was a spectacular sight when the", "orbit. One side always faces the planet. It was a spectacular sight when", "This was due to the fact that, like Earth's moon, Titan's rotation is", "of Saturn's exotic face, a face that hung almost directly overhead and moved", "was light. The sky glowed with the brilliance of Saturn's exotic face, a", "little. This was due to the fact that, like Earth's moon, Titan's rotation", "like Earth's moon, Titan's rotation is synchronous in its orbit. One side always", "was a spectacular sight when the climate shield was high. > > >", "in the short text: > > It was late afternoon in Zubrin. The", "was high. > > > Is \"is synchronous\" correct, or should it be", "in Zubrin. The air was perfect and the breeze was light. The sky", "Titan's rotation is synchronous in its orbit. One side always faces the planet.", "short text: > > It was late afternoon in Zubrin. The air was", "past tense, should a statement of a universally true fact be in past", "The sky glowed with the brilliance of Saturn's exotic face, a face that", "exotic face, a face that hung almost directly overhead and moved very little.", "shield was high. > > > Is \"is synchronous\" correct, or should it", "that hung almost directly overhead and moved very little. This was due to", "breeze was light. The sky glowed with the brilliance of Saturn's exotic face,", "or in present tense? For example, in the short text: > > It", "\"was synchronous\"? And then, \"one side always faces\" or \"one side always faced\"", "in its orbit. One side always faces the planet. It was a spectacular", "fact that, like Earth's moon, Titan's rotation is synchronous in its orbit. One", "Zubrin. The air was perfect and the breeze was light. The sky glowed", "with the brilliance of Saturn's exotic face, a face that hung almost directly", "the breeze was light. The sky glowed with the brilliance of Saturn's exotic", "> > Is \"is synchronous\" correct, or should it be \"was synchronous\"? And", "perfect and the breeze was light. The sky glowed with the brilliance of", "the brilliance of Saturn's exotic face, a face that hung almost directly overhead", "> > It was late afternoon in Zubrin. The air was perfect and", "sky glowed with the brilliance of Saturn's exotic face, a face that hung", "hung almost directly overhead and moved very little. This was due to the", "that, like Earth's moon, Titan's rotation is synchronous in its orbit. One side", "it be \"was synchronous\"? And then, \"one side always faces\" or \"one side", "or should it be \"was synchronous\"? And then, \"one side always faces\" or", "a statement of a universally true fact be in past tense or in", "the planet. It was a spectacular sight when the climate shield was high.", "climate shield was high. > > > Is \"is synchronous\" correct, or should", "was late afternoon in Zubrin. The air was perfect and the breeze was", "directly overhead and moved very little. This was due to the fact that,", "afternoon in Zubrin. The air was perfect and the breeze was light. The", "text: > > It was late afternoon in Zubrin. The air was perfect", "synchronous\"? And then, \"one side always faces\" or \"one side always faced\" the", "in present tense? For example, in the short text: > > It was", "sight when the climate shield was high. > > > Is \"is synchronous\"", "the short text: > > It was late afternoon in Zubrin. The air", "correct, or should it be \"was synchronous\"? And then, \"one side always faces\"", "Earth's moon, Titan's rotation is synchronous in its orbit. One side always faces", "Saturn's exotic face, a face that hung almost directly overhead and moved very", "rotation is synchronous in its orbit. One side always faces the planet. It", "> Is \"is synchronous\" correct, or should it be \"was synchronous\"? And then,", "a face that hung almost directly overhead and moved very little. This was", "to the fact that, like Earth's moon, Titan's rotation is synchronous in its", "a spectacular sight when the climate shield was high. > > > Is", "brilliance of Saturn's exotic face, a face that hung almost directly overhead and", "It was a spectacular sight when the climate shield was high. > >", "And then, \"one side always faces\" or \"one side always faced\" the planet.", "a universally true fact be in past tense or in present tense? For", "glowed with the brilliance of Saturn's exotic face, a face that hung almost", "late afternoon in Zubrin. The air was perfect and the breeze was light.", "was perfect and the breeze was light. The sky glowed with the brilliance", "universally true fact be in past tense or in present tense? For example,", "tense, should a statement of a universally true fact be in past tense", "For example, in the short text: > > It was late afternoon in", "face that hung almost directly overhead and moved very little. This was due", "almost directly overhead and moved very little. This was due to the fact", "in past tense, should a statement of a universally true fact be in", "example, in the short text: > > It was late afternoon in Zubrin.", "> > > Is \"is synchronous\" correct, or should it be \"was synchronous\"?", "It was late afternoon in Zubrin. The air was perfect and the breeze", "and moved very little. This was due to the fact that, like Earth's", "The air was perfect and the breeze was light. The sky glowed with", "the climate shield was high. > > > Is \"is synchronous\" correct, or", "synchronous in its orbit. One side always faces the planet. It was a", "planet. It was a spectacular sight when the climate shield was high. >", "is synchronous in its orbit. One side always faces the planet. It was", "its orbit. One side always faces the planet. It was a spectacular sight", "the fact that, like Earth's moon, Titan's rotation is synchronous in its orbit.", "faces the planet. It was a spectacular sight when the climate shield was", "Within narration in past tense, should a statement of a universally true fact", "Is \"is synchronous\" correct, or should it be \"was synchronous\"? And then, \"one", "should a statement of a universally true fact be in past tense or", "moved very little. This was due to the fact that, like Earth's moon,", "high. > > > Is \"is synchronous\" correct, or should it be \"was", "moon, Titan's rotation is synchronous in its orbit. One side always faces the", "side always faces the planet. It was a spectacular sight when the climate", "face, a face that hung almost directly overhead and moved very little. This", "spectacular sight when the climate shield was high. > > > Is \"is", "synchronous\" correct, or should it be \"was synchronous\"? And then, \"one side always", "statement of a universally true fact be in past tense or in present", "tense or in present tense? For example, in the short text: > >", "overhead and moved very little. This was due to the fact that, like", "\"is synchronous\" correct, or should it be \"was synchronous\"? And then, \"one side", "when the climate shield was high. > > > Is \"is synchronous\" correct,", "> It was late afternoon in Zubrin. The air was perfect and the", "narration in past tense, should a statement of a universally true fact be", "air was perfect and the breeze was light. The sky glowed with the", "always faces the planet. It was a spectacular sight when the climate shield", "true fact be in past tense or in present tense? For example, in", "should it be \"was synchronous\"? And then, \"one side always faces\" or \"one", "be \"was synchronous\"? And then, \"one side always faces\" or \"one side always", "fact be in past tense or in present tense? For example, in the", "and the breeze was light. The sky glowed with the brilliance of Saturn's", "of a universally true fact be in past tense or in present tense?", "in past tense or in present tense? For example, in the short text:", "very little. This was due to the fact that, like Earth's moon, Titan's", "light. The sky glowed with the brilliance of Saturn's exotic face, a face", "be in past tense or in present tense? For example, in the short", "past tense or in present tense? For example, in the short text: >", "due to the fact that, like Earth's moon, Titan's rotation is synchronous in", "tense? For example, in the short text: > > It was late afternoon", "was due to the fact that, like Earth's moon, Titan's rotation is synchronous" ]
[ "fantasy novel and one of my characters speaks in English, but sometimes utters", "are not too many? Or is it preferable to write the translation in", "don't want to abusively use that language. For example: > > \"You're going", "but sometimes utters single words in an ancient dead language, and I don't", "utters single words in an ancient dead language, and I don't want to", "want to abusively use that language. For example: > > \"You're going to", "dead SAHU²!\" > > > Is using a footnote a good idea, since", "writing a fantasy novel and one of my characters speaks in English, but", "that language. For example: > > \"You're going to be dead SAHU²!\" >", "of my characters speaks in English, but sometimes utters single words in an", "words are not too many? Or is it preferable to write the translation", "I'm writing a fantasy novel and one of my characters speaks in English,", "language, and I don't want to abusively use that language. For example: >", "good idea, since the words are not too many? Or is it preferable", "Is using a footnote a good idea, since the words are not too", "Or is it preferable to write the translation in italic, like: > >", "preferable to write the translation in italic, like: > > \"You're going to", "too many? Or is it preferable to write the translation in italic, like:", "an ancient dead language, and I don't want to abusively use that language.", "like: > > \"You're going to be dead SAHU! pig.\" > > >", "SAHU²!\" > > > Is using a footnote a good idea, since the", "and one of my characters speaks in English, but sometimes utters single words", "novel and one of my characters speaks in English, but sometimes utters single", "to abusively use that language. For example: > > \"You're going to be", "speaks in English, but sometimes utters single words in an ancient dead language,", "> > Is using a footnote a good idea, since the words are", "to be dead SAHU²!\" > > > Is using a footnote a good", "one of my characters speaks in English, but sometimes utters single words in", "> > \"You're going to be dead SAHU²!\" > > > Is using", "language. For example: > > \"You're going to be dead SAHU²!\" > >", "use that language. For example: > > \"You're going to be dead SAHU²!\"", "to write the translation in italic, like: > > \"You're going to be", "I don't want to abusively use that language. For example: > > \"You're", "idea, since the words are not too many? Or is it preferable to", "English, but sometimes utters single words in an ancient dead language, and I", "italic, like: > > \"You're going to be dead SAHU! pig.\" > >", "words in an ancient dead language, and I don't want to abusively use", "in an ancient dead language, and I don't want to abusively use that", "> > > Is using a footnote a good idea, since the words", "many? Or is it preferable to write the translation in italic, like: >", "single words in an ancient dead language, and I don't want to abusively", "ancient dead language, and I don't want to abusively use that language. For", "in italic, like: > > \"You're going to be dead SAHU! pig.\" >", "using a footnote a good idea, since the words are not too many?", "my characters speaks in English, but sometimes utters single words in an ancient", "going to be dead SAHU²!\" > > > Is using a footnote a", "characters speaks in English, but sometimes utters single words in an ancient dead", "example: > > \"You're going to be dead SAHU²!\" > > > Is", "the translation in italic, like: > > \"You're going to be dead SAHU!", "> Is using a footnote a good idea, since the words are not", "dead language, and I don't want to abusively use that language. For example:", "footnote a good idea, since the words are not too many? Or is", "is it preferable to write the translation in italic, like: > > \"You're", "a footnote a good idea, since the words are not too many? Or", "For example: > > \"You're going to be dead SAHU²!\" > > >", "translation in italic, like: > > \"You're going to be dead SAHU! pig.\"", "in English, but sometimes utters single words in an ancient dead language, and", "sometimes utters single words in an ancient dead language, and I don't want", "> \"You're going to be dead SAHU²!\" > > > Is using a", "and I don't want to abusively use that language. For example: > >", "be dead SAHU²!\" > > > Is using a footnote a good idea,", "since the words are not too many? Or is it preferable to write", "write the translation in italic, like: > > \"You're going to be dead", "abusively use that language. For example: > > \"You're going to be dead", "\"You're going to be dead SAHU²!\" > > > Is using a footnote", "a fantasy novel and one of my characters speaks in English, but sometimes", "not too many? Or is it preferable to write the translation in italic,", "it preferable to write the translation in italic, like: > > \"You're going", "the words are not too many? Or is it preferable to write the", "a good idea, since the words are not too many? Or is it" ]
[ "it unrealistic to have such a diverse cast of characters? Is it alienating", "Caspian, is bisexual and adopted by a black lesbian named Ezrith (who was", "white or straight so I usually make an effort to incorporate minorities into", "\"Ezrith is lesbian,\" I just have Caspian explain to UrasMt that Ezrith was", "was in love with his biological mother). Caspian is romantically interested in Leo,", "questions about this story, lol.) In my post-apocalyptic story, my MC, UrasMt, is", "bag of everything you could imagine. I've written them to be as diverse", "who are white and straight to be put into the shoes of someone", "and straight to be put into the shoes of someone who is drastically", "about 300. This story occurs in America near a large city, so the", "my post-apocalyptic story, my MC, UrasMt, is Latina and queer, and her love", "racial makeup of this group is very mixed.) (I've asked quite a few", "is romantically interested in Leo, a Qaniqo gay man who is in a", "Qaniqo gay man who is in a relationship with Alexander, an Asian gay", "I've written them to be as diverse as possible without forcing it. For", "group is very mixed.) (I've asked quite a few other questions about this", "are the only LGBT characters in the story, and the only characters whose", "usually make an effort to incorporate minorities into my writing that aren't stereotypical.", "isn't straight, it's just to be inferred through his behavior around attractive male", "Is it unrealistic to have such a diverse cast of characters? Is it", "that is \"too diverse\"? Is it unrealistic to have such a diverse cast", "straight, it's just to be inferred through his behavior around attractive male and", "alienating to readers who are white and straight to be put into the", "I know minority representation is a good thing, and I'm not white or", "white and straight to be put into the shoes of someone who is", "sexualities are even touched on, and they are part of a larger group", "This is my main cast, and they're pretty much a mixed bag of", "behavior around attractive male and female characters. I don't have neon signs screaming,", "large city, so the racial makeup of this group is very mixed.) (I've", "I feel like I should clarify, these are the only LGBT characters in", "interest, Caspian, is bisexual and adopted by a black lesbian named Ezrith (who", "an Asian gay transgender man. This is my main cast, and they're pretty", "pretty much a mixed bag of everything you could imagine. I've written them", "aren't stereotypical. But is there such a thing as having a story that", "in love with his biological mother). Caspian is romantically interested in Leo, a", "stereotypical. But is there such a thing as having a story that is", "incorporate minorities into my writing that aren't stereotypical. But is there such a", "the only characters whose sexualities are even touched on, and they are part", "they are part of a larger group of people, about 300. This story", "his biological mother). Caspian is romantically interested in Leo, a Qaniqo gay man", "of characters? Is it alienating to readers who are white and straight to", "Is it alienating to readers who are white and straight to be put", "by a black lesbian named Ezrith (who was in love with his biological", "don't have neon signs screaming, \"Ezrith is lesbian,\" I just have Caspian explain", "cast of characters? Is it alienating to readers who are white and straight", "in passing that he has dark skin and a lilting accent. I don't", "it. For example, I don't focus on the fact that Leo isn't white;", "Caspian is romantically interested in Leo, a Qaniqo gay man who is in", "America near a large city, so the racial makeup of this group is", "Alexander, an Asian gay transgender man. This is my main cast, and they're", "are white and straight to be put into the shoes of someone who", "with his biological mother). Caspian is romantically interested in Leo, a Qaniqo gay", "I don't focus on the fact that Leo isn't white; I simply state", "just to be inferred through his behavior around attractive male and female characters.", "minority representation is a good thing, and I'm not white or straight so", "is bisexual and adopted by a black lesbian named Ezrith (who was in", "Latina and queer, and her love interest, Caspian, is bisexual and adopted by", "the fact that Leo isn't white; I simply state in passing that he", "a diverse cast of characters? Is it alienating to readers who are white", "characters? Is it alienating to readers who are white and straight to be", "near a large city, so the racial makeup of this group is very", "the racial makeup of this group is very mixed.) (I've asked quite a", "cast, and they're pretty much a mixed bag of everything you could imagine.", "characters. I don't have neon signs screaming, \"Ezrith is lesbian,\" I just have", "forcing it. For example, I don't focus on the fact that Leo isn't", "male and female characters. I don't have neon signs screaming, \"Ezrith is lesbian,\"", "city, so the racial makeup of this group is very mixed.) (I've asked", "Ezrith (who was in love with his biological mother). Caspian is romantically interested", "on the fact that Leo isn't white; I simply state in passing that", "state that Caspian isn't straight, it's just to be inferred through his behavior", "only LGBT characters in the story, and the only characters whose sexualities are", "300. This story occurs in America near a large city, so the racial", "is Latina and queer, and her love interest, Caspian, is bisexual and adopted", "is \"too diverse\"? Is it unrealistic to have such a diverse cast of", "makeup of this group is very mixed.) (I've asked quite a few other", "and they are part of a larger group of people, about 300. This", "about this story, lol.) In my post-apocalyptic story, my MC, UrasMt, is Latina", "mixed.) (I've asked quite a few other questions about this story, lol.) In", "Leo isn't white; I simply state in passing that he has dark skin", "readers who are white and straight to be put into the shoes of", "people, about 300. This story occurs in America near a large city, so", "they're pretty much a mixed bag of everything you could imagine. I've written", "larger group of people, about 300. This story occurs in America near a", "MC, UrasMt, is Latina and queer, and her love interest, Caspian, is bisexual", "his behavior around attractive male and female characters. I don't have neon signs", "a good thing, and I'm not white or straight so I usually make", "man. This is my main cast, and they're pretty much a mixed bag", "This story occurs in America near a large city, so the racial makeup", "neon signs screaming, \"Ezrith is lesbian,\" I just have Caspian explain to UrasMt", "lesbian named Ezrith (who was in love with his biological mother). Caspian is", "clarify, these are the only LGBT characters in the story, and the only", "straight so I usually make an effort to incorporate minorities into my writing", "story occurs in America near a large city, so the racial makeup of", "female characters. I don't have neon signs screaming, \"Ezrith is lesbian,\" I just", "not white or straight so I usually make an effort to incorporate minorities", "lilting accent. I don't explicitly state that Caspian isn't straight, it's just to", "simply state in passing that he has dark skin and a lilting accent.", "screaming, \"Ezrith is lesbian,\" I just have Caspian explain to UrasMt that Ezrith", "Caspian explain to UrasMt that Ezrith was in love with his biological mom.", "I'm not white or straight so I usually make an effort to incorporate", "everything you could imagine. I've written them to be as diverse as possible", "love with his biological mother). Caspian is romantically interested in Leo, a Qaniqo", "there such a thing as having a story that is \"too diverse\"? Is", "few other questions about this story, lol.) In my post-apocalyptic story, my MC,", "attractive male and female characters. I don't have neon signs screaming, \"Ezrith is", "whose sexualities are even touched on, and they are part of a larger", "Leo, a Qaniqo gay man who is in a relationship with Alexander, an", "part of a larger group of people, about 300. This story occurs in", "mom. I know minority representation is a good thing, and I'm not white", "But is there such a thing as having a story that is \"too", "accent. I don't explicitly state that Caspian isn't straight, it's just to be", "inferred through his behavior around attractive male and female characters. I don't have", "to be as diverse as possible without forcing it. For example, I don't", "I don't explicitly state that Caspian isn't straight, it's just to be inferred", "transgender man. This is my main cast, and they're pretty much a mixed", "around attractive male and female characters. I don't have neon signs screaming, \"Ezrith", "so I usually make an effort to incorporate minorities into my writing that", "these are the only LGBT characters in the story, and the only characters", "focus on the fact that Leo isn't white; I simply state in passing", "make an effort to incorporate minorities into my writing that aren't stereotypical. But", "to be put into the shoes of someone who is drastically dissimilar to", "a lilting accent. I don't explicitly state that Caspian isn't straight, it's just", "that Caspian isn't straight, it's just to be inferred through his behavior around", "her love interest, Caspian, is bisexual and adopted by a black lesbian named", "of people, about 300. This story occurs in America near a large city,", "good thing, and I'm not white or straight so I usually make an", "other questions about this story, lol.) In my post-apocalyptic story, my MC, UrasMt,", "story, lol.) In my post-apocalyptic story, my MC, UrasMt, is Latina and queer,", "such a thing as having a story that is \"too diverse\"? Is it", "a thing as having a story that is \"too diverse\"? Is it unrealistic", "don't explicitly state that Caspian isn't straight, it's just to be inferred through", "minorities into my writing that aren't stereotypical. But is there such a thing", "is my main cast, and they're pretty much a mixed bag of everything", "Ezrith was in love with his biological mom. I know minority representation is", "who is in a relationship with Alexander, an Asian gay transgender man. This", "as possible without forcing it. For example, I don't focus on the fact", "should clarify, these are the only LGBT characters in the story, and the", "don't focus on the fact that Leo isn't white; I simply state in", "representation is a good thing, and I'm not white or straight so I", "passing that he has dark skin and a lilting accent. I don't explicitly", "man who is in a relationship with Alexander, an Asian gay transgender man.", "a larger group of people, about 300. This story occurs in America near", "through his behavior around attractive male and female characters. I don't have neon", "story, and the only characters whose sexualities are even touched on, and they", "UrasMt, is Latina and queer, and her love interest, Caspian, is bisexual and", "a black lesbian named Ezrith (who was in love with his biological mother).", "in love with his biological mom. I know minority representation is a good", "in a relationship with Alexander, an Asian gay transgender man. This is my", "love with his biological mom. I know minority representation is a good thing,", "was in love with his biological mom. I know minority representation is a", "be put into the shoes of someone who is drastically dissimilar to them?", "as having a story that is \"too diverse\"? Is it unrealistic to have", "In my post-apocalyptic story, my MC, UrasMt, is Latina and queer, and her", "I should clarify, these are the only LGBT characters in the story, and", "white; I simply state in passing that he has dark skin and a", "an effort to incorporate minorities into my writing that aren't stereotypical. But is", "of this group is very mixed.) (I've asked quite a few other questions", "characters whose sexualities are even touched on, and they are part of a", "has dark skin and a lilting accent. I don't explicitly state that Caspian", "could imagine. I've written them to be as diverse as possible without forcing", "skin and a lilting accent. I don't explicitly state that Caspian isn't straight,", "and female characters. I don't have neon signs screaming, \"Ezrith is lesbian,\" I", "having a story that is \"too diverse\"? Is it unrealistic to have such", "writing that aren't stereotypical. But is there such a thing as having a", "a mixed bag of everything you could imagine. I've written them to be", "in America near a large city, so the racial makeup of this group", "a few other questions about this story, lol.) In my post-apocalyptic story, my", "adopted by a black lesbian named Ezrith (who was in love with his", "that aren't stereotypical. But is there such a thing as having a story", "are even touched on, and they are part of a larger group of", "the story, and the only characters whose sexualities are even touched on, and", "of a larger group of people, about 300. This story occurs in America", "Caspian isn't straight, it's just to be inferred through his behavior around attractive", "lol.) In my post-apocalyptic story, my MC, UrasMt, is Latina and queer, and", "a Qaniqo gay man who is in a relationship with Alexander, an Asian", "bisexual and adopted by a black lesbian named Ezrith (who was in love", "that he has dark skin and a lilting accent. I don't explicitly state", "have neon signs screaming, \"Ezrith is lesbian,\" I just have Caspian explain to", "without forcing it. For example, I don't focus on the fact that Leo", "biological mother). Caspian is romantically interested in Leo, a Qaniqo gay man who", "characters in the story, and the only characters whose sexualities are even touched", "with his biological mom. I know minority representation is a good thing, and", "it alienating to readers who are white and straight to be put into", "mother). Caspian is romantically interested in Leo, a Qaniqo gay man who is", "unrealistic to have such a diverse cast of characters? Is it alienating to", "you could imagine. I've written them to be as diverse as possible without", "even touched on, and they are part of a larger group of people,", "like I should clarify, these are the only LGBT characters in the story,", "fact that Leo isn't white; I simply state in passing that he has", "only characters whose sexualities are even touched on, and they are part of", "love interest, Caspian, is bisexual and adopted by a black lesbian named Ezrith", "my MC, UrasMt, is Latina and queer, and her love interest, Caspian, is", "interested in Leo, a Qaniqo gay man who is in a relationship with", "dark skin and a lilting accent. I don't explicitly state that Caspian isn't", "have Caspian explain to UrasMt that Ezrith was in love with his biological", "effort to incorporate minorities into my writing that aren't stereotypical. But is there", "to UrasMt that Ezrith was in love with his biological mom. I know", "of everything you could imagine. I've written them to be as diverse as", "I don't have neon signs screaming, \"Ezrith is lesbian,\" I just have Caspian", "very mixed.) (I've asked quite a few other questions about this story, lol.)", "is very mixed.) (I've asked quite a few other questions about this story,", "this story, lol.) In my post-apocalyptic story, my MC, UrasMt, is Latina and", "it's just to be inferred through his behavior around attractive male and female", "black lesbian named Ezrith (who was in love with his biological mother). Caspian", "mixed bag of everything you could imagine. I've written them to be as", "named Ezrith (who was in love with his biological mother). Caspian is romantically", "and queer, and her love interest, Caspian, is bisexual and adopted by a", "imagine. I've written them to be as diverse as possible without forcing it.", "diverse\"? Is it unrealistic to have such a diverse cast of characters? Is", "main cast, and they're pretty much a mixed bag of everything you could", "the only LGBT characters in the story, and the only characters whose sexualities", "to readers who are white and straight to be put into the shoes", "quite a few other questions about this story, lol.) In my post-apocalyptic story,", "as diverse as possible without forcing it. For example, I don't focus on", "diverse as possible without forcing it. For example, I don't focus on the", "thing, and I'm not white or straight so I usually make an effort", "example, I don't focus on the fact that Leo isn't white; I simply", "to be inferred through his behavior around attractive male and female characters. I", "in the story, and the only characters whose sexualities are even touched on,", "and they're pretty much a mixed bag of everything you could imagine. I've", "with Alexander, an Asian gay transgender man. This is my main cast, and", "written them to be as diverse as possible without forcing it. For example,", "just have Caspian explain to UrasMt that Ezrith was in love with his", "to have such a diverse cast of characters? Is it alienating to readers", "and her love interest, Caspian, is bisexual and adopted by a black lesbian", "isn't white; I simply state in passing that he has dark skin and", "on, and they are part of a larger group of people, about 300.", "gay transgender man. This is my main cast, and they're pretty much a", "(Edit: I feel like I should clarify, these are the only LGBT characters", "\"too diverse\"? Is it unrealistic to have such a diverse cast of characters?", "UrasMt that Ezrith was in love with his biological mom. I know minority", "touched on, and they are part of a larger group of people, about", "know minority representation is a good thing, and I'm not white or straight", "this group is very mixed.) (I've asked quite a few other questions about", "I simply state in passing that he has dark skin and a lilting", "lesbian,\" I just have Caspian explain to UrasMt that Ezrith was in love", "relationship with Alexander, an Asian gay transgender man. This is my main cast,", "is in a relationship with Alexander, an Asian gay transgender man. This is", "his biological mom. I know minority representation is a good thing, and I'm", "my writing that aren't stereotypical. But is there such a thing as having", "post-apocalyptic story, my MC, UrasMt, is Latina and queer, and her love interest,", "possible without forcing it. For example, I don't focus on the fact that", "diverse cast of characters? Is it alienating to readers who are white and", "(I've asked quite a few other questions about this story, lol.) In my", "explain to UrasMt that Ezrith was in love with his biological mom. I", "and adopted by a black lesbian named Ezrith (who was in love with", "or straight so I usually make an effort to incorporate minorities into my", "thing as having a story that is \"too diverse\"? Is it unrealistic to", "into my writing that aren't stereotypical. But is there such a thing as", "straight to be put into the shoes of someone who is drastically dissimilar", "and a lilting accent. I don't explicitly state that Caspian isn't straight, it's", "story that is \"too diverse\"? Is it unrealistic to have such a diverse", "is a good thing, and I'm not white or straight so I usually", "in Leo, a Qaniqo gay man who is in a relationship with Alexander,", "is there such a thing as having a story that is \"too diverse\"?", "(who was in love with his biological mother). Caspian is romantically interested in", "my main cast, and they're pretty much a mixed bag of everything you", "For example, I don't focus on the fact that Leo isn't white; I", "be as diverse as possible without forcing it. For example, I don't focus", "explicitly state that Caspian isn't straight, it's just to be inferred through his", "signs screaming, \"Ezrith is lesbian,\" I just have Caspian explain to UrasMt that", "he has dark skin and a lilting accent. I don't explicitly state that", "I just have Caspian explain to UrasMt that Ezrith was in love with", "romantically interested in Leo, a Qaniqo gay man who is in a relationship", "gay man who is in a relationship with Alexander, an Asian gay transgender", "be inferred through his behavior around attractive male and female characters. I don't", "I usually make an effort to incorporate minorities into my writing that aren't", "a story that is \"too diverse\"? Is it unrealistic to have such a", "have such a diverse cast of characters? Is it alienating to readers who", "occurs in America near a large city, so the racial makeup of this", "queer, and her love interest, Caspian, is bisexual and adopted by a black", "such a diverse cast of characters? Is it alienating to readers who are", "and the only characters whose sexualities are even touched on, and they are", "so the racial makeup of this group is very mixed.) (I've asked quite", "feel like I should clarify, these are the only LGBT characters in the", "Asian gay transgender man. This is my main cast, and they're pretty much", "a large city, so the racial makeup of this group is very mixed.)", "them to be as diverse as possible without forcing it. For example, I", "a relationship with Alexander, an Asian gay transgender man. This is my main", "is lesbian,\" I just have Caspian explain to UrasMt that Ezrith was in", "to incorporate minorities into my writing that aren't stereotypical. But is there such", "asked quite a few other questions about this story, lol.) In my post-apocalyptic", "that Ezrith was in love with his biological mom. I know minority representation", "are part of a larger group of people, about 300. This story occurs", "and I'm not white or straight so I usually make an effort to", "that Leo isn't white; I simply state in passing that he has dark", "state in passing that he has dark skin and a lilting accent. I", "LGBT characters in the story, and the only characters whose sexualities are even", "group of people, about 300. This story occurs in America near a large", "story, my MC, UrasMt, is Latina and queer, and her love interest, Caspian,", "much a mixed bag of everything you could imagine. I've written them to", "biological mom. I know minority representation is a good thing, and I'm not" ]
[ "implanted in their eyes to act as a tactical overlay. It is likely", "know if it is a distinct enough difference to bother going back and", "would be more appropriate? To be a bit more specific, I have already", "could be confusing if the audience thinks everyone is walking around with robotic", "bit more specific, I have already written quite a bit using the words", "replacement of the eye with a bionic implant instead of just the lenses.", "I just need to know if it is a distinct enough difference to", "bit using the words interchangeably. Recently it has come to my attention that", "more specific, I have already written quite a bit using the words interchangeably.", "am unsure whether or not to call these an Ocular Implant or an", "novel in which military officers have electronic lenses implanted in their eyes to", "of much consequence in this case? If so, which would be more appropriate?", "not to call these an Ocular Implant or an Optical Implant, as the", "a bit using the words interchangeably. Recently it has come to my attention", "it has come to my attention that it could be confusing if the", "in which military officers have electronic lenses implanted in their eyes to act", "around with robotic eyes. I just need to know if it is a", "If so, which would be more appropriate? To be a bit more specific,", "appropriate? To be a bit more specific, I have already written quite a", "a tactical overlay. It is likely of little consequence, but I am unsure", "it could be confusing if the audience thinks everyone is walking around with", "to know if it is a distinct enough difference to bother going back", "be a bit more specific, I have already written quite a bit using", "robotic eyes. I just need to know if it is a distinct enough", "with robotic eyes. I just need to know if it is a distinct", "call these an Ocular Implant or an Optical Implant, as the words are", "overlay. It is likely of little consequence, but I am unsure whether or", "the words interchangeably. Recently it has come to my attention that it could", "likely of little consequence, but I am unsure whether or not to call", "be confusing if the audience thinks everyone is walking around with robotic eyes.", "I have already written quite a bit using the words interchangeably. Recently it", "SciFi novel in which military officers have electronic lenses implanted in their eyes", "that it could be confusing if the audience thinks everyone is walking around", "bionic implant instead of just the lenses. Is the wording of much consequence", "a bit more specific, I have already written quite a bit using the", "is a distinct enough difference to bother going back and changing everything to", "military officers have electronic lenses implanted in their eyes to act as a", "whether or not to call these an Ocular Implant or an Optical Implant,", "of the eye with a bionic implant instead of just the lenses. Is", "specific, I have already written quite a bit using the words interchangeably. Recently", "already written quite a bit using the words interchangeably. Recently it has come", "imply that the implant is a replacement of the eye with a bionic", "the words are similar in meaning, but one might imply that the implant", "has come to my attention that it could be confusing if the audience", "instead of just the lenses. Is the wording of much consequence in this", "Is the wording of much consequence in this case? If so, which would", "just need to know if it is a distinct enough difference to bother", "electronic lenses implanted in their eyes to act as a tactical overlay. It", "which would be more appropriate? To be a bit more specific, I have", "eyes. I just need to know if it is a distinct enough difference", "a SciFi novel in which military officers have electronic lenses implanted in their", "lenses implanted in their eyes to act as a tactical overlay. It is", "I am unsure whether or not to call these an Ocular Implant or", "it is a distinct enough difference to bother going back and changing everything", "which military officers have electronic lenses implanted in their eyes to act as", "that the implant is a replacement of the eye with a bionic implant", "have electronic lenses implanted in their eyes to act as a tactical overlay.", "words are similar in meaning, but one might imply that the implant is", "is likely of little consequence, but I am unsure whether or not to", "using the words interchangeably. Recently it has come to my attention that it", "are similar in meaning, but one might imply that the implant is a", "case? If so, which would be more appropriate? To be a bit more", "words interchangeably. Recently it has come to my attention that it could be", "as a tactical overlay. It is likely of little consequence, but I am", "in their eyes to act as a tactical overlay. It is likely of", "to call these an Ocular Implant or an Optical Implant, as the words", "Implant, as the words are similar in meaning, but one might imply that", "this case? If so, which would be more appropriate? To be a bit", "if it is a distinct enough difference to bother going back and changing", "implant is a replacement of the eye with a bionic implant instead of", "lenses. Is the wording of much consequence in this case? If so, which", "in meaning, but one might imply that the implant is a replacement of", "but one might imply that the implant is a replacement of the eye", "have already written quite a bit using the words interchangeably. Recently it has", "my attention that it could be confusing if the audience thinks everyone is", "audience thinks everyone is walking around with robotic eyes. I just need to", "or an Optical Implant, as the words are similar in meaning, but one", "an Ocular Implant or an Optical Implant, as the words are similar in", "a distinct enough difference to bother going back and changing everything to the", "need to know if it is a distinct enough difference to bother going", "I am writing a SciFi novel in which military officers have electronic lenses", "or not to call these an Ocular Implant or an Optical Implant, as", "similar in meaning, but one might imply that the implant is a replacement", "as the words are similar in meaning, but one might imply that the", "the eye with a bionic implant instead of just the lenses. Is the", "distinct enough difference to bother going back and changing everything to the same", "the lenses. Is the wording of much consequence in this case? If so,", "with a bionic implant instead of just the lenses. Is the wording of", "a bionic implant instead of just the lenses. Is the wording of much", "be more appropriate? To be a bit more specific, I have already written", "might imply that the implant is a replacement of the eye with a", "implant instead of just the lenses. Is the wording of much consequence in", "the implant is a replacement of the eye with a bionic implant instead", "wording of much consequence in this case? If so, which would be more", "act as a tactical overlay. It is likely of little consequence, but I", "Optical Implant, as the words are similar in meaning, but one might imply", "much consequence in this case? If so, which would be more appropriate? To", "To be a bit more specific, I have already written quite a bit", "attention that it could be confusing if the audience thinks everyone is walking", "It is likely of little consequence, but I am unsure whether or not", "Recently it has come to my attention that it could be confusing if", "an Optical Implant, as the words are similar in meaning, but one might", "interchangeably. Recently it has come to my attention that it could be confusing", "thinks everyone is walking around with robotic eyes. I just need to know", "officers have electronic lenses implanted in their eyes to act as a tactical", "walking around with robotic eyes. I just need to know if it is", "am writing a SciFi novel in which military officers have electronic lenses implanted", "of just the lenses. Is the wording of much consequence in this case?", "just the lenses. Is the wording of much consequence in this case? If", "to act as a tactical overlay. It is likely of little consequence, but", "eye with a bionic implant instead of just the lenses. Is the wording", "to my attention that it could be confusing if the audience thinks everyone", "these an Ocular Implant or an Optical Implant, as the words are similar", "the wording of much consequence in this case? If so, which would be", "little consequence, but I am unsure whether or not to call these an", "of little consequence, but I am unsure whether or not to call these", "so, which would be more appropriate? To be a bit more specific, I", "meaning, but one might imply that the implant is a replacement of the", "confusing if the audience thinks everyone is walking around with robotic eyes. I", "in this case? If so, which would be more appropriate? To be a", "enough difference to bother going back and changing everything to the same adjective.", "written quite a bit using the words interchangeably. Recently it has come to", "consequence, but I am unsure whether or not to call these an Ocular", "Ocular Implant or an Optical Implant, as the words are similar in meaning,", "consequence in this case? If so, which would be more appropriate? To be", "the audience thinks everyone is walking around with robotic eyes. I just need", "more appropriate? To be a bit more specific, I have already written quite", "their eyes to act as a tactical overlay. It is likely of little", "eyes to act as a tactical overlay. It is likely of little consequence,", "everyone is walking around with robotic eyes. I just need to know if", "is a replacement of the eye with a bionic implant instead of just", "quite a bit using the words interchangeably. Recently it has come to my", "writing a SciFi novel in which military officers have electronic lenses implanted in", "one might imply that the implant is a replacement of the eye with", "a replacement of the eye with a bionic implant instead of just the", "if the audience thinks everyone is walking around with robotic eyes. I just", "tactical overlay. It is likely of little consequence, but I am unsure whether", "Implant or an Optical Implant, as the words are similar in meaning, but", "come to my attention that it could be confusing if the audience thinks", "but I am unsure whether or not to call these an Ocular Implant", "unsure whether or not to call these an Ocular Implant or an Optical", "is walking around with robotic eyes. I just need to know if it" ]
[ "nothing is said on the matter. What would be the best course with", "pity, to him, he sees as failing to understand his situation or care", "him, but suspect that it might seem insulting if I make the character", "thing that is very important to him is his sexual orientation - which", "flamboyant, opinionated and one thing that is very important to him is his", "just have him a pretentious twat and be silent on orientation. The rest", "many things, including his own worth. My lack of pity, to him, he", "him, he sees as failing to understand his situation or care about him.", "things, including his own worth. My lack of pity, to him, he sees", "sees as failing to understand his situation or care about him. My empathy", "to add him, but suspect that it might seem insulting if I make", "tolerance. He is a pretentious jerk, but he is interesting in his certainty", "odd thing. I want to add him, but suspect that it might seem", "judgmental, though sees himself as a shining light of tolerance. He is a", "light of tolerance. He is a pretentious jerk, but he is interesting in", "to him, he sees as failing to understand his situation or care about", "interesting in his certainty of so many things, including his own worth. My", "add him, but suspect that it might seem insulting if I make the", "a man I know. This man is very irksome, rather pretentious and refers", "a shining light of tolerance. He is a pretentious jerk, but he is", "his certainty of so many things, including his own worth. My lack of", "who will listen. He is judgmental, though sees himself as a shining light", "third person. He is flamboyant, opinionated and one thing that is very important", "character gay. I would rather just have him a pretentious twat and be", "him a pretentious twat and be silent on orientation. The rest of my", "listen. He is judgmental, though sees himself as a shining light of tolerance.", "My empathy goes elsewhere and asking for pity is an odd thing. I", "rather just have him a pretentious twat and be silent on orientation. The", "seem insulting if I make the character gay. I would rather just have", "He is flamboyant, opinionated and one thing that is very important to him", "it might seem insulting if I make the character gay. I would rather", "I make the character gay. I would rather just have him a pretentious", "a pretentious twat and be silent on orientation. The rest of my characters", "to himself in the third person. He is flamboyant, opinionated and one thing", "twat and be silent on orientation. The rest of my characters are either", "an odd thing. I want to add him, but suspect that it might", "of tolerance. He is a pretentious jerk, but he is interesting in his", "is flamboyant, opinionated and one thing that is very important to him is", "of pity, to him, he sees as failing to understand his situation or", "He is judgmental, though sees himself as a shining light of tolerance. He", "either presumed heterosexual or nothing is said on the matter. What would be", "have him a pretentious twat and be silent on orientation. The rest of", "thing. I want to add him, but suspect that it might seem insulting", "or nothing is said on the matter. What would be the best course", "his situation or care about him. My empathy goes elsewhere and asking for", "This man is very irksome, rather pretentious and refers to himself in the", "is very important to him is his sexual orientation - which he announces", "he is interesting in his certainty of so many things, including his own", "very irksome, rather pretentious and refers to himself in the third person. He", "him is his sexual orientation - which he announces to anyone who will", "person. He is flamboyant, opinionated and one thing that is very important to", "his own worth. My lack of pity, to him, he sees as failing", "in the third person. He is flamboyant, opinionated and one thing that is", "will listen. He is judgmental, though sees himself as a shining light of", "and be silent on orientation. The rest of my characters are either presumed", "said on the matter. What would be the best course with this pretentious", "sexual orientation - which he announces to anyone who will listen. He is", "is a pretentious jerk, but he is interesting in his certainty of so", "including his own worth. My lack of pity, to him, he sees as", "that it might seem insulting if I make the character gay. I would", "care about him. My empathy goes elsewhere and asking for pity is an", "elsewhere and asking for pity is an odd thing. I want to add", "is very irksome, rather pretentious and refers to himself in the third person.", "adding a character based on a man I know. This man is very", "orientation. The rest of my characters are either presumed heterosexual or nothing is", "failing to understand his situation or care about him. My empathy goes elsewhere", "based on a man I know. This man is very irksome, rather pretentious", "to anyone who will listen. He is judgmental, though sees himself as a", "refers to himself in the third person. He is flamboyant, opinionated and one", "or care about him. My empathy goes elsewhere and asking for pity is", "He is a pretentious jerk, but he is interesting in his certainty of", "to understand his situation or care about him. My empathy goes elsewhere and", "in his certainty of so many things, including his own worth. My lack", "insulting if I make the character gay. I would rather just have him", "suspect that it might seem insulting if I make the character gay. I", "to him is his sexual orientation - which he announces to anyone who", "and one thing that is very important to him is his sexual orientation", "so many things, including his own worth. My lack of pity, to him,", "characters are either presumed heterosexual or nothing is said on the matter. What", "jerk, but he is interesting in his certainty of so many things, including", "though sees himself as a shining light of tolerance. He is a pretentious", "am seriously considering adding a character based on a man I know. This", "know. This man is very irksome, rather pretentious and refers to himself in", "on orientation. The rest of my characters are either presumed heterosexual or nothing", "about him. My empathy goes elsewhere and asking for pity is an odd", "man I know. This man is very irksome, rather pretentious and refers to", "the character gay. I would rather just have him a pretentious twat and", "I would rather just have him a pretentious twat and be silent on", "make the character gay. I would rather just have him a pretentious twat", "The rest of my characters are either presumed heterosexual or nothing is said", "is his sexual orientation - which he announces to anyone who will listen.", "anyone who will listen. He is judgmental, though sees himself as a shining", "on a man I know. This man is very irksome, rather pretentious and", "I know. This man is very irksome, rather pretentious and refers to himself", "pretentious twat and be silent on orientation. The rest of my characters are", "are either presumed heterosexual or nothing is said on the matter. What would", "empathy goes elsewhere and asking for pity is an odd thing. I want", "pretentious and refers to himself in the third person. He is flamboyant, opinionated", "irksome, rather pretentious and refers to himself in the third person. He is", "as failing to understand his situation or care about him. My empathy goes", "but suspect that it might seem insulting if I make the character gay.", "certainty of so many things, including his own worth. My lack of pity,", "and asking for pity is an odd thing. I want to add him,", "he sees as failing to understand his situation or care about him. My", "I am seriously considering adding a character based on a man I know.", "My lack of pity, to him, he sees as failing to understand his", "sees himself as a shining light of tolerance. He is a pretentious jerk,", "himself as a shining light of tolerance. He is a pretentious jerk, but", "heterosexual or nothing is said on the matter. What would be the best", "but he is interesting in his certainty of so many things, including his", "gay. I would rather just have him a pretentious twat and be silent", "seriously considering adding a character based on a man I know. This man", "considering adding a character based on a man I know. This man is", "is said on the matter. What would be the best course with this", "his sexual orientation - which he announces to anyone who will listen. He", "one thing that is very important to him is his sexual orientation -", "of so many things, including his own worth. My lack of pity, to", "be silent on orientation. The rest of my characters are either presumed heterosexual", "which he announces to anyone who will listen. He is judgmental, though sees", "character based on a man I know. This man is very irksome, rather", "if I make the character gay. I would rather just have him a", "pretentious jerk, but he is interesting in his certainty of so many things,", "announces to anyone who will listen. He is judgmental, though sees himself as", "want to add him, but suspect that it might seem insulting if I", "on the matter. What would be the best course with this pretentious character?", "situation or care about him. My empathy goes elsewhere and asking for pity", "himself in the third person. He is flamboyant, opinionated and one thing that", "for pity is an odd thing. I want to add him, but suspect", "- which he announces to anyone who will listen. He is judgmental, though", "he announces to anyone who will listen. He is judgmental, though sees himself", "is interesting in his certainty of so many things, including his own worth.", "the third person. He is flamboyant, opinionated and one thing that is very", "a pretentious jerk, but he is interesting in his certainty of so many", "goes elsewhere and asking for pity is an odd thing. I want to", "rest of my characters are either presumed heterosexual or nothing is said on", "man is very irksome, rather pretentious and refers to himself in the third", "important to him is his sexual orientation - which he announces to anyone", "worth. My lack of pity, to him, he sees as failing to understand", "of my characters are either presumed heterosexual or nothing is said on the", "is judgmental, though sees himself as a shining light of tolerance. He is", "very important to him is his sexual orientation - which he announces to", "shining light of tolerance. He is a pretentious jerk, but he is interesting", "a character based on a man I know. This man is very irksome,", "presumed heterosexual or nothing is said on the matter. What would be the", "that is very important to him is his sexual orientation - which he", "understand his situation or care about him. My empathy goes elsewhere and asking", "pity is an odd thing. I want to add him, but suspect that", "lack of pity, to him, he sees as failing to understand his situation", "is an odd thing. I want to add him, but suspect that it", "would rather just have him a pretentious twat and be silent on orientation.", "own worth. My lack of pity, to him, he sees as failing to", "asking for pity is an odd thing. I want to add him, but", "as a shining light of tolerance. He is a pretentious jerk, but he", "rather pretentious and refers to himself in the third person. He is flamboyant,", "him. My empathy goes elsewhere and asking for pity is an odd thing.", "might seem insulting if I make the character gay. I would rather just", "and refers to himself in the third person. He is flamboyant, opinionated and", "opinionated and one thing that is very important to him is his sexual", "silent on orientation. The rest of my characters are either presumed heterosexual or", "I want to add him, but suspect that it might seem insulting if", "orientation - which he announces to anyone who will listen. He is judgmental,", "my characters are either presumed heterosexual or nothing is said on the matter." ]
[ "some of my writing online on sites such as Deviantart and Wattpad. However,", "I've been receiving a lot of grief for each and every site I", "of you who post your stories online, you may know my pain. For", "my pain. For those who don't, I'd like to post some of my", "This isn't about how much criticism I'm going to get from users on", "get my work criticized and disregarded for it's placement? This isn't about how", "stories online, you may know my pain. For those who don't, I'd like", "lot of grief for each and every site I go to. I know", "but more about how people in real life are going to view me", "more about how people in real life are going to view me if", "For those who don't, I'd like to post some of my writing online", "to that won't get my work criticized and disregarded for it's placement? This", "assumptions and stereotypes, but does anyone know a site that I can post", "site I go to. I know most of it is assumptions and stereotypes,", "I know most of it is assumptions and stereotypes, but does anyone know", "to post some of my writing online on sites such as Deviantart and", "and disregarded for it's placement? This isn't about how much criticism I'm going", "about how much criticism I'm going to get from users on that site,", "post to that won't get my work criticized and disregarded for it's placement?", "those who don't, I'd like to post some of my writing online on", "know my pain. For those who don't, I'd like to post some of", "placement? This isn't about how much criticism I'm going to get from users", "in real life are going to view me if I post on x", "as Deviantart and Wattpad. However, I've been receiving a lot of grief for", "writing online on sites such as Deviantart and Wattpad. However, I've been receiving", "know a site that I can post to that won't get my work", "and every site I go to. I know most of it is assumptions", "for all of you who post your stories online, you may know my", "won't get my work criticized and disregarded for it's placement? This isn't about", "post some of my writing online on sites such as Deviantart and Wattpad.", "may know my pain. For those who don't, I'd like to post some", "all of you who post your stories online, you may know my pain.", "site, but more about how people in real life are going to view", "who post your stories online, you may know my pain. For those who", "a lot of grief for each and every site I go to. I", "criticized and disregarded for it's placement? This isn't about how much criticism I'm", "go to. I know most of it is assumptions and stereotypes, but does", "my work criticized and disregarded for it's placement? This isn't about how much", "is assumptions and stereotypes, but does anyone know a site that I can", "every site I go to. I know most of it is assumptions and", "most of it is assumptions and stereotypes, but does anyone know a site", "it is assumptions and stereotypes, but does anyone know a site that I", "your stories online, you may know my pain. For those who don't, I'd", "you may know my pain. For those who don't, I'd like to post", "and Wattpad. However, I've been receiving a lot of grief for each and", "grief for each and every site I go to. I know most of", "from users on that site, but more about how people in real life", "can post to that won't get my work criticized and disregarded for it's", "that won't get my work criticized and disregarded for it's placement? This isn't", "a site that I can post to that won't get my work criticized", "site that I can post to that won't get my work criticized and", "such as Deviantart and Wattpad. However, I've been receiving a lot of grief", "I'd like to post some of my writing online on sites such as", "on that site, but more about how people in real life are going", "online, you may know my pain. For those who don't, I'd like to", "it's placement? This isn't about how much criticism I'm going to get from", "real life are going to view me if I post on x site.", "of grief for each and every site I go to. I know most", "going to get from users on that site, but more about how people", "I'm going to get from users on that site, but more about how", "know most of it is assumptions and stereotypes, but does anyone know a", "for it's placement? This isn't about how much criticism I'm going to get", "how much criticism I'm going to get from users on that site, but", "users on that site, but more about how people in real life are", "get from users on that site, but more about how people in real", "of it is assumptions and stereotypes, but does anyone know a site that", "pain. For those who don't, I'd like to post some of my writing", "been receiving a lot of grief for each and every site I go", "I can post to that won't get my work criticized and disregarded for", "Deviantart and Wattpad. However, I've been receiving a lot of grief for each", "However, I've been receiving a lot of grief for each and every site", "don't, I'd like to post some of my writing online on sites such", "receiving a lot of grief for each and every site I go to.", "online on sites such as Deviantart and Wattpad. However, I've been receiving a", "I go to. I know most of it is assumptions and stereotypes, but", "on sites such as Deviantart and Wattpad. However, I've been receiving a lot", "how people in real life are going to view me if I post", "that I can post to that won't get my work criticized and disregarded", "and stereotypes, but does anyone know a site that I can post to", "each and every site I go to. I know most of it is", "anyone know a site that I can post to that won't get my", "does anyone know a site that I can post to that won't get", "isn't about how much criticism I'm going to get from users on that", "criticism I'm going to get from users on that site, but more about", "to. I know most of it is assumptions and stereotypes, but does anyone", "stereotypes, but does anyone know a site that I can post to that", "about how people in real life are going to view me if I", "of my writing online on sites such as Deviantart and Wattpad. However, I've", "So, for all of you who post your stories online, you may know", "much criticism I'm going to get from users on that site, but more", "to get from users on that site, but more about how people in", "you who post your stories online, you may know my pain. For those", "work criticized and disregarded for it's placement? This isn't about how much criticism", "post your stories online, you may know my pain. For those who don't,", "like to post some of my writing online on sites such as Deviantart", "who don't, I'd like to post some of my writing online on sites", "but does anyone know a site that I can post to that won't", "sites such as Deviantart and Wattpad. However, I've been receiving a lot of", "Wattpad. However, I've been receiving a lot of grief for each and every", "my writing online on sites such as Deviantart and Wattpad. However, I've been", "for each and every site I go to. I know most of it", "that site, but more about how people in real life are going to", "disregarded for it's placement? This isn't about how much criticism I'm going to", "people in real life are going to view me if I post on" ]
[ "whose beliefs, at best, I disagree with, and at worst, view as immoral", "he's the villain! And I think that's why, when Day tries to convince", "dictatorship sucks, and isn't benevolent. But Day is absolutely convinced that what his", "a fascist dictator, is trying to convince Analise, a young genetic mutant oppressed", "mutant oppressed under said fascist dictator, that the dictatorship's laws allowing censorship of", "and subhuman, that too much freedom (i.e the ability to always speak your", "and good, and justified. He's honestly naïve and brainwashed into thinking cruelty is", "convince Analise, a young genetic mutant oppressed under said fascist dictator, that the", "justified. He's honestly naïve and brainwashed into thinking cruelty is salvation. I am", "don't agree with the villain I'm writing, which is why he's the villain!", "of a character whose beliefs, at best, I disagree with, and at worst,", "absolutely convinced that what his father is doing is right, and good, and", "said fascist dictator, that the dictatorship's laws allowing censorship of speech and press,", "says mutants are dangerous and subhuman, that too much freedom (i.e the ability", "too much freedom (i.e the ability to always speak your mind) is bad,", "best, I disagree with, and at worst, view as immoral and inhumane? How", "trying to convince Analise, a young genetic mutant oppressed under said fascist dictator,", "to convince Analise, a young genetic mutant oppressed under said fascist dictator, that", "the dictatorship is good, the entire conversation falls flat. How can I write", "is bad, and that his father's rule is benevolent. Day's father, the dictator,", "the entire conversation falls flat. How can I write from the point of", "freedom (i.e the ability to always speak your mind) is bad, and that", "and press, imprisonment of genetically mutated humans, and rigid class structure are in", "right, and good, and justified. He's honestly naïve and brainwashed into thinking cruelty", "the general population safe. Day says mutants are dangerous and subhuman, that too", "beliefs, at best, I disagree with, and at worst, view as immoral and", "doing is right, and good, and justified. He's honestly naïve and brainwashed into", "I am not a fan of dictatorships, I'm not a fascist, I don't", "How can I write from the point of view of a character whose", "give Day convictions in his beliefs when I myself have no such convictions?", "is salvation. I am not a fan of dictatorships, I'm not a fascist,", "isn't benevolent. But Day is absolutely convinced that what his father is doing", "I don't agree with the villain I'm writing, which is why he's the", "are in place to keep the general population safe. Day says mutants are", "tries to convince Analise that the dictatorship is good, the entire conversation falls", "agree with censorship or oppression of anyone. I don't agree with the villain", "keep the general population safe. Day says mutants are dangerous and subhuman, that", "I think that's why, when Day tries to convince Analise that the dictatorship", "place to keep the general population safe. Day says mutants are dangerous and", "can I write from the point of view of a character whose beliefs,", "is right, and good, and justified. He's honestly naïve and brainwashed into thinking", "Day's father, the dictator, is the villain of the story, and is an", "novel, Day, the son of a fascist dictator, is trying to convince Analise,", "father is doing is right, and good, and justified. He's honestly naïve and", "evil guy. The dictatorship sucks, and isn't benevolent. But Day is absolutely convinced", "to convince Analise that the dictatorship is good, the entire conversation falls flat.", "the villain of the story, and is an evil guy. The dictatorship sucks,", "population safe. Day says mutants are dangerous and subhuman, that too much freedom", "and that his father's rule is benevolent. Day's father, the dictator, is the", "thinking cruelty is salvation. I am not a fan of dictatorships, I'm not", "Day is absolutely convinced that what his father is doing is right, and", "naïve and brainwashed into thinking cruelty is salvation. I am not a fan", "the villain I'm writing, which is why he's the villain! And I think", "and at worst, view as immoral and inhumane? How can I give Day", "character whose beliefs, at best, I disagree with, and at worst, view as", "How can I give Day convictions in his beliefs when I myself have", "an evil guy. The dictatorship sucks, and isn't benevolent. But Day is absolutely", "can I give Day convictions in his beliefs when I myself have no", "not a fascist, I don't agree with censorship or oppression of anyone. I", "general population safe. Day says mutants are dangerous and subhuman, that too much", "conversation falls flat. How can I write from the point of view of", "of genetically mutated humans, and rigid class structure are in place to keep", "humans, and rigid class structure are in place to keep the general population", "think that's why, when Day tries to convince Analise that the dictatorship is", "Day says mutants are dangerous and subhuman, that too much freedom (i.e the", "imprisonment of genetically mutated humans, and rigid class structure are in place to", "and justified. He's honestly naïve and brainwashed into thinking cruelty is salvation. I", "press, imprisonment of genetically mutated humans, and rigid class structure are in place", "laws allowing censorship of speech and press, imprisonment of genetically mutated humans, and", "your mind) is bad, and that his father's rule is benevolent. Day's father,", "is trying to convince Analise, a young genetic mutant oppressed under said fascist", "censorship of speech and press, imprisonment of genetically mutated humans, and rigid class", "as immoral and inhumane? How can I give Day convictions in his beliefs", "a young genetic mutant oppressed under said fascist dictator, that the dictatorship's laws", "with the villain I'm writing, which is why he's the villain! And I", "speech and press, imprisonment of genetically mutated humans, and rigid class structure are", "what his father is doing is right, and good, and justified. He's honestly", "in place to keep the general population safe. Day says mutants are dangerous", "good, and justified. He's honestly naïve and brainwashed into thinking cruelty is salvation.", "father's rule is benevolent. Day's father, the dictator, is the villain of the", "worst, view as immoral and inhumane? How can I give Day convictions in", "a character whose beliefs, at best, I disagree with, and at worst, view", "my dystopian novel, Day, the son of a fascist dictator, is trying to", "at best, I disagree with, and at worst, view as immoral and inhumane?", "benevolent. But Day is absolutely convinced* that what his father is doing is", "I write from the point of view of a character whose beliefs, at", "why, when Day tries to convince Analise that the dictatorship is good, the", "genetically mutated humans, and rigid class structure are in place to keep the", "of the story, and is an evil guy. The dictatorship sucks, and isn't", "is benevolent. Day's father, the dictator, is the villain of the story, and", "of dictatorships, I'm not a fascist, I don't agree with censorship or oppression", "that too much freedom (i.e the ability to always speak your mind) is", "In my dystopian novel, Day, the son of a fascist dictator, is trying", "that what his father is doing is right, and good, and justified. He's", "when Day tries to convince Analise that the dictatorship is good, the entire", "is absolutely convinced that what his father is doing is right, and good,", "villain I'm writing, which is why he's the villain! And I think that's", "with, and at worst, view as immoral and inhumane? How can I give", "dictator, is the villain of the story, and is an evil guy. The", "always speak your mind) is bad, and that his father's rule is benevolent.", "sucks, and isn't benevolent. But Day is absolutely convinced that what his father", "allowing censorship of speech and press, imprisonment of genetically mutated humans, and rigid", "Analise that the dictatorship is good, the entire conversation falls flat. How can", "or oppression of anyone. I don't agree with the villain I'm writing, which", "mind) is bad, and that his father's rule is benevolent. Day's father, the", "young genetic mutant oppressed under said fascist dictator, that the dictatorship's laws allowing", "view of a character whose beliefs, at best, I disagree with, and at", "class structure are in place to keep the general population safe. Day says", "benevolent. Day's father, the dictator, is the villain of the story, and is", "his father's rule is benevolent. Day's father, the dictator, is the villain of", "of view of a character whose beliefs, at best, I disagree with, and", "rule is benevolent. Day's father, the dictator, is the villain of the story,", "speak your mind) is bad, and that his father's rule is benevolent. Day's", "is good, the entire conversation falls flat. How can I write from the", "of speech and press, imprisonment of genetically mutated humans, and rigid class structure", "rigid class structure are in place to keep the general population safe. Day", "to always speak your mind) is bad, and that his father's rule is", "Analise, a young genetic mutant oppressed under said fascist dictator, that the dictatorship's", "flat. How can I write from the point of view of a character", "I give Day convictions in his beliefs when I myself have no such", "cruelty is salvation. I am not a fan of dictatorships, I'm not a", "much freedom (i.e the ability to always speak your mind) is bad, and", "the dictator, is the villain of the story, and is an evil guy.", "But Day is absolutely convinced that what his father is doing is right,", "He's honestly naïve and brainwashed into thinking cruelty is salvation. I am not", "a fascist, I don't agree with censorship or oppression of anyone. I don't", "is doing is right, and good, and justified. He's honestly naïve and brainwashed", "brainwashed into thinking cruelty is salvation. I am not a fan of dictatorships,", "the dictatorship's laws allowing censorship of speech and press, imprisonment of genetically mutated", "guy. The dictatorship sucks, and isn't benevolent. But Day is absolutely convinced that", "not a fan of dictatorships, I'm not a fascist, I don't agree with", "which is why he's the villain! And I think that's why, when Day", "good, the entire conversation falls flat. How can I write from the point", "are dangerous and subhuman, that too much freedom (i.e the ability to always", "don't agree with censorship or oppression of anyone. I don't agree with the", "agree with the villain I'm writing, which is why he's the villain! And", "and rigid class structure are in place to keep the general population safe.", "I'm not a fascist, I don't agree with censorship or oppression of anyone.", "view as immoral and inhumane? How can I give Day convictions in his", "the story, and is an evil guy. The dictatorship sucks, and isn't benevolent.", "oppressed under said fascist dictator, that the dictatorship's laws allowing censorship of speech", "mutants are dangerous and subhuman, that too much freedom (i.e the ability to", "the point of view of a character whose beliefs, at best, I disagree", "and inhumane? How can I give Day convictions in his beliefs when I", "I disagree with, and at worst, view as immoral and inhumane? How can", "the son of a fascist dictator, is trying to convince Analise, a young", "safe. Day says mutants are dangerous and subhuman, that too much freedom (i.e", "fan of dictatorships, I'm not a fascist, I don't agree with censorship or", "convince Analise that the dictatorship is good, the entire conversation falls flat. How", "salvation. I am not a fan of dictatorships, I'm not a fascist, I", "immoral and inhumane? How can I give Day convictions in his beliefs when", "structure are in place to keep the general population safe. Day says mutants", "disagree with, and at worst, view as immoral and inhumane? How can I", "dystopian novel, Day, the son of a fascist dictator, is trying to convince", "dictatorship's laws allowing censorship of speech and press, imprisonment of genetically mutated humans,", "dictator, that the dictatorship's laws allowing censorship of speech and press, imprisonment of", "am not a fan of dictatorships, I'm not a fascist, I don't agree", "from the point of view of a character whose beliefs, at best, I", "The dictatorship sucks, and isn't benevolent. But Day is absolutely convinced that what", "falls flat. How can I write from the point of view of a", "villain! And I think that's why, when Day tries to convince Analise that", "I'm writing, which is why he's the villain! And I think that's why,", "And I think that's why, when Day tries to convince Analise that the", "dictator, is trying to convince Analise, a young genetic mutant oppressed under said", "that's why, when Day tries to convince Analise that the dictatorship is good,", "that the dictatorship is good, the entire conversation falls flat. How can I", "is why he's the villain! And I think that's why, when Day tries", "a fan of dictatorships, I'm not a fascist, I don't agree with censorship", "fascist dictator, that the dictatorship's laws allowing censorship of speech and press, imprisonment", "son of a fascist dictator, is trying to convince Analise, a young genetic", "of a fascist dictator, is trying to convince Analise, a young genetic mutant", "is the villain of the story, and is an evil guy. The dictatorship", "and isn't benevolent. But Day is absolutely convinced that what his father is", "entire conversation falls flat. How can I write from the point of view", "under said fascist dictator, that the dictatorship's laws allowing censorship of speech and", "anyone. I don't agree with the villain I'm writing, which is why he's", "that the dictatorship's laws allowing censorship of speech and press, imprisonment of genetically", "dictatorships, I'm not a fascist, I don't agree with censorship or oppression of", "censorship or oppression of anyone. I don't agree with the villain I'm writing,", "father, the dictator, is the villain of the story, and is an evil", "convinced* that what his father is doing is right, and good, and justified.", "of anyone. I don't agree with the villain I'm writing, which is why", "mutated humans, and rigid class structure are in place to keep the general", "ability to always speak your mind) is bad, and that his father's rule", "villain of the story, and is an evil guy. The dictatorship sucks, and", "point of view of a character whose beliefs, at best, I disagree with,", "his father is doing is right, and good, and justified. He's honestly naïve", "bad, and that his father's rule is benevolent. Day's father, the dictator, is", "and brainwashed into thinking cruelty is salvation. I am not a fan of", "genetic mutant oppressed under said fascist dictator, that the dictatorship's laws allowing censorship", "the ability to always speak your mind) is bad, and that his father's", "fascist, I don't agree with censorship or oppression of anyone. I don't agree", "the villain! And I think that's why, when Day tries to convince Analise", "to keep the general population safe. Day says mutants are dangerous and subhuman,", "I don't agree with censorship or oppression of anyone. I don't agree with", "why he's the villain! And I think that's why, when Day tries to", "fascist dictator, is trying to convince Analise, a young genetic mutant oppressed under", "inhumane? How can I give Day convictions in his beliefs when I myself", "story, and is an evil guy. The dictatorship sucks, and isn't benevolent. But", "into thinking cruelty is salvation. I am not a fan of dictatorships, I'm", "dictatorship is good, the entire conversation falls flat. How can I write from", "honestly naïve and brainwashed into thinking cruelty is salvation. I am not a", "write from the point of view of a character whose beliefs, at best,", "at worst, view as immoral and inhumane? How can I give Day convictions", "Day, the son of a fascist dictator, is trying to convince Analise, a", "writing, which is why he's the villain! And I think that's why, when", "dangerous and subhuman, that too much freedom (i.e the ability to always speak", "(i.e the ability to always speak your mind) is bad, and that his", "is an evil guy. The dictatorship sucks, and isn't benevolent. But Day is", "oppression of anyone. I don't agree with the villain I'm writing, which is", "and is an evil guy. The dictatorship sucks, and isn't benevolent. But Day", "Day tries to convince Analise that the dictatorship is good, the entire conversation", "that his father's rule is benevolent. Day's father, the dictator, is the villain", "with censorship or oppression of anyone. I don't agree with the villain I'm", "subhuman, that too much freedom (i.e the ability to always speak your mind)" ]
[ "of what I am writing, I just let my thoughts and feelings come", "long one when completed. Due to the very nature of what I am", "let my thoughts and feelings come out, within stanzas that have at least", "I do think it will be a bit difficult for the reader to", "out, within stanzas that have at least a meter and rhyming scheme. However,", "both iambic trimeter and tetrameter. Additionally, I use all sorts of rhyming schemes", "consecutive stanzas will end up having different meters and rhyming schemes. Is this", "stanzas will end up having different meters and rhyming schemes. Is this bad", "end up having different meters and rhyming schemes. Is this bad writing? I", "and so on - even within the same \"Part\". So, often, consecutive stanzas", "think it will be a bit difficult for the reader to find his/her", "within stanzas that have at least a meter and rhyming scheme. However, I", "difficult for the reader to find his/her flow when reading my poem, but", "Due to this, often the same \"Part\" of the poem will have occurrences", "same \"Part\" of the poem will have occurrences of both iambic trimeter and", "will have occurrences of both iambic trimeter and tetrameter. Additionally, I use all", "abccb, abcbab and so on - even within the same \"Part\". So, often,", "a long one when completed. Due to the very nature of what I", "no efforts to maintain a given meter or rhyming scheme across different stanzas.", "within the same \"Part\". So, often, consecutive stanzas will end up having different", "\"Part\". So, often, consecutive stanzas will end up having different meters and rhyming", "it will be a long one when completed. Due to the very nature", "I use all sorts of rhyming schemes - aabb, abab, abcb, abccb, abcbab", "do think it will be a bit difficult for the reader to find", "to maintain a given meter or rhyming scheme across different stanzas. Due to", "use all sorts of rhyming schemes - aabb, abab, abcb, abccb, abcbab and", "the same \"Part\". So, often, consecutive stanzas will end up having different meters", "come out, within stanzas that have at least a meter and rhyming scheme.", "been working on a poem for some time now. It is divided into", "my thoughts and feelings come out, within stanzas that have at least a", "a bit difficult for the reader to find his/her flow when reading my", "different meters and rhyming schemes. Is this bad writing? I do think it", "abab, abcb, abccb, abcbab and so on - even within the same \"Part\".", "Additionally, I use all sorts of rhyming schemes - aabb, abab, abcb, abccb,", "am writing, I just let my thoughts and feelings come out, within stanzas", "the very nature of what I am writing, I just let my thoughts", "very nature of what I am writing, I just let my thoughts and", "different stanzas. Due to this, often the same \"Part\" of the poem will", "even within the same \"Part\". So, often, consecutive stanzas will end up having", "his/her flow when reading my poem, but can't that extra effort be seen", "poem, but can't that extra effort be seen as a part of the", "that extra effort be seen as a part of the experience itself of", "feelings come out, within stanzas that have at least a meter and rhyming", "of both iambic trimeter and tetrameter. Additionally, I use all sorts of rhyming", "bad writing? I do think it will be a bit difficult for the", "Is this bad writing? I do think it will be a bit difficult", "stanzas that have at least a meter and rhyming scheme. However, I make", "on - even within the same \"Part\". So, often, consecutive stanzas will end", "Due to the very nature of what I am writing, I just let", "I make absolutely no efforts to maintain a given meter or rhyming scheme", "iambic trimeter and tetrameter. Additionally, I use all sorts of rhyming schemes -", "find his/her flow when reading my poem, but can't that extra effort be", "least a meter and rhyming scheme. However, I make absolutely no efforts to", "rhyming scheme across different stanzas. Due to this, often the same \"Part\" of", "stanzas. Due to this, often the same \"Part\" of the poem will have", "of rhyming schemes - aabb, abab, abcb, abccb, abcbab and so on -", "sorts of rhyming schemes - aabb, abab, abcb, abccb, abcbab and so on", "nature of what I am writing, I just let my thoughts and feelings", "is divided into various \"Parts\" and it will be a long one when", "often, consecutive stanzas will end up having different meters and rhyming schemes. Is", "a meter and rhyming scheme. However, I make absolutely no efforts to maintain", "this, often the same \"Part\" of the poem will have occurrences of both", "thoughts and feelings come out, within stanzas that have at least a meter", "have occurrences of both iambic trimeter and tetrameter. Additionally, I use all sorts", "make absolutely no efforts to maintain a given meter or rhyming scheme across", "various \"Parts\" and it will be a long one when completed. Due to", "and rhyming scheme. However, I make absolutely no efforts to maintain a given", "rhyming scheme. However, I make absolutely no efforts to maintain a given meter", "to find his/her flow when reading my poem, but can't that extra effort", "the poem will have occurrences of both iambic trimeter and tetrameter. Additionally, I", "writing? I do think it will be a bit difficult for the reader", "it will be a bit difficult for the reader to find his/her flow", "when completed. Due to the very nature of what I am writing, I", "completed. Due to the very nature of what I am writing, I just", "effort be seen as a part of the experience itself of reading it?", "I am writing, I just let my thoughts and feelings come out, within", "rhyming schemes. Is this bad writing? I do think it will be a", "schemes. Is this bad writing? I do think it will be a bit", "However, I make absolutely no efforts to maintain a given meter or rhyming", "for some time now. It is divided into various \"Parts\" and it will", "tetrameter. Additionally, I use all sorts of rhyming schemes - aabb, abab, abcb,", "rhyming schemes - aabb, abab, abcb, abccb, abcbab and so on - even", "working on a poem for some time now. It is divided into various", "occurrences of both iambic trimeter and tetrameter. Additionally, I use all sorts of", "trimeter and tetrameter. Additionally, I use all sorts of rhyming schemes - aabb,", "meter and rhyming scheme. However, I make absolutely no efforts to maintain a", "into various \"Parts\" and it will be a long one when completed. Due", "this bad writing? I do think it will be a bit difficult for", "have at least a meter and rhyming scheme. However, I make absolutely no", "will be a bit difficult for the reader to find his/her flow when", "I have been working on a poem for some time now. It is", "I just let my thoughts and feelings come out, within stanzas that have", "but can't that extra effort be seen as a part of the experience", "time now. It is divided into various \"Parts\" and it will be a", "reader to find his/her flow when reading my poem, but can't that extra", "scheme. However, I make absolutely no efforts to maintain a given meter or", "when reading my poem, but can't that extra effort be seen as a", "one when completed. Due to the very nature of what I am writing,", "just let my thoughts and feelings come out, within stanzas that have at", "same \"Part\". So, often, consecutive stanzas will end up having different meters and", "writing, I just let my thoughts and feelings come out, within stanzas that", "that have at least a meter and rhyming scheme. However, I make absolutely", "bit difficult for the reader to find his/her flow when reading my poem,", "have been working on a poem for some time now. It is divided", "now. It is divided into various \"Parts\" and it will be a long", "So, often, consecutive stanzas will end up having different meters and rhyming schemes.", "- even within the same \"Part\". So, often, consecutive stanzas will end up", "will end up having different meters and rhyming schemes. Is this bad writing?", "what I am writing, I just let my thoughts and feelings come out,", "abcbab and so on - even within the same \"Part\". So, often, consecutive", "a given meter or rhyming scheme across different stanzas. Due to this, often", "can't that extra effort be seen as a part of the experience itself", "and rhyming schemes. Is this bad writing? I do think it will be", "having different meters and rhyming schemes. Is this bad writing? I do think", "poem for some time now. It is divided into various \"Parts\" and it", "poem will have occurrences of both iambic trimeter and tetrameter. Additionally, I use", "a poem for some time now. It is divided into various \"Parts\" and", "abcb, abccb, abcbab and so on - even within the same \"Part\". So,", "some time now. It is divided into various \"Parts\" and it will be", "efforts to maintain a given meter or rhyming scheme across different stanzas. Due", "given meter or rhyming scheme across different stanzas. Due to this, often the", "of the poem will have occurrences of both iambic trimeter and tetrameter. Additionally,", "the reader to find his/her flow when reading my poem, but can't that", "my poem, but can't that extra effort be seen as a part of", "at least a meter and rhyming scheme. However, I make absolutely no efforts", "divided into various \"Parts\" and it will be a long one when completed.", "and feelings come out, within stanzas that have at least a meter and", "be a long one when completed. Due to the very nature of what", "It is divided into various \"Parts\" and it will be a long one", "up having different meters and rhyming schemes. Is this bad writing? I do", "aabb, abab, abcb, abccb, abcbab and so on - even within the same", "- aabb, abab, abcb, abccb, abcbab and so on - even within the", "on a poem for some time now. It is divided into various \"Parts\"", "reading my poem, but can't that extra effort be seen as a part", "to the very nature of what I am writing, I just let my", "and it will be a long one when completed. Due to the very", "and tetrameter. Additionally, I use all sorts of rhyming schemes - aabb, abab,", "schemes - aabb, abab, abcb, abccb, abcbab and so on - even within", "often the same \"Part\" of the poem will have occurrences of both iambic", "\"Parts\" and it will be a long one when completed. Due to the", "be a bit difficult for the reader to find his/her flow when reading", "meters and rhyming schemes. Is this bad writing? I do think it will", "\"Part\" of the poem will have occurrences of both iambic trimeter and tetrameter.", "will be a long one when completed. Due to the very nature of", "across different stanzas. Due to this, often the same \"Part\" of the poem", "flow when reading my poem, but can't that extra effort be seen as", "so on - even within the same \"Part\". So, often, consecutive stanzas will", "maintain a given meter or rhyming scheme across different stanzas. Due to this,", "scheme across different stanzas. Due to this, often the same \"Part\" of the", "absolutely no efforts to maintain a given meter or rhyming scheme across different", "all sorts of rhyming schemes - aabb, abab, abcb, abccb, abcbab and so", "meter or rhyming scheme across different stanzas. Due to this, often the same", "for the reader to find his/her flow when reading my poem, but can't", "or rhyming scheme across different stanzas. Due to this, often the same \"Part\"", "extra effort be seen as a part of the experience itself of reading", "to this, often the same \"Part\" of the poem will have occurrences of", "the same \"Part\" of the poem will have occurrences of both iambic trimeter" ]
[ "to this\". However this is only true for the setting, and character development", "bad decisions, paying the price and regretting them, running away from their responsabilites,", "more. Is there something inherently wrong with it? Does it make my story", "most of my stories are. Is it a bad thing? My MC aren't", "I should avoid even more. Is there something inherently wrong with it? Does", "NOT to do it, making me think it's something I should avoid even", "something I should avoid even more. Is there something inherently wrong with it?", "But most of the time, \"how my MC would react to this\" or", "time, \"how my MC would react to this\" or is very close to", "[(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making me think it's something I", "away from their responsabilites, etc. But most of the time, \"how my MC", "succeeding: I focus on flaws and illnesses, making some bad decisions, paying the", "However this is only true for the setting, and character development is quite", "the author, I realized most of my stories are. Is it a bad", "always succeeding: I focus on flaws and illnesses, making some bad decisions, paying", "Mary-sues (at least I hope so), they're the opposite of perfect and always", "I react to this\". However this is only true for the setting, and", "the opposite of perfect and always succeeding: I focus on flaws and illnesses,", "my stories are. Is it a bad thing? My MC aren't Mary-sues (at", "and illnesses, making some bad decisions, paying the price and regretting them, running", "true for the setting, and character development is quite different. I've also found", "a projection of the author, I realized most of my stories are. Is", "and regretting them, running away from their responsabilites, etc. But most of the", "some bad decisions, paying the price and regretting them, running away from their", "for the setting, and character development is quite different. I've also found a", "development is quite different. I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing)", "of the author, I realized most of my stories are. Is it a", "My MC aren't Mary-sues (at least I hope so), they're the opposite of", "is only true for the setting, and character development is quite different. I've", "\"how would I react to this\". However this is only true for the", "a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making", "perfect and always succeeding: I focus on flaws and illnesses, making some bad", "I realized most of my stories are. Is it a bad thing? My", "running away from their responsabilites, etc. But most of the time, \"how my", "character development is quite different. I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters)", "this is only true for the setting, and character development is quite different.", "Is it a bad thing? My MC aren't Mary-sues (at least I hope", "from their responsabilites, etc. But most of the time, \"how my MC would", "responsabilites, etc. But most of the time, \"how my MC would react to", "questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making me think it's", "Mary-Sue often is a projection of the author, I realized most of my", "MC aren't Mary-sues (at least I hope so), they're the opposite of perfect", "different. I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT", "that a Mary-Sue often is a projection of the author, I realized most", "found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it,", "there something inherently wrong with it? Does it make my story less interesting", "only true for the setting, and character development is quite different. I've also", "of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making me think", "my MC would react to this\" or is very close to \"how would", "etc. But most of the time, \"how my MC would react to this\"", "reading that a Mary-Sue often is a projection of the author, I realized", "[(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making me think it's something", "do it, making me think it's something I should avoid even more. Is", "I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to", "their responsabilites, etc. But most of the time, \"how my MC would react", "bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do it, making me", "of the time, \"how my MC would react to this\" or is very", "this\" or is very close to \"how would I react to this\". However", "focus on flaws and illnesses, making some bad decisions, paying the price and", "aren't Mary-sues (at least I hope so), they're the opposite of perfect and", "flaws and illnesses, making some bad decisions, paying the price and regretting them,", "is very close to \"how would I react to this\". However this is", "avoid even more. Is there something inherently wrong with it? Does it make", "regretting them, running away from their responsabilites, etc. But most of the time,", "of perfect and always succeeding: I focus on flaws and illnesses, making some", "and character development is quite different. I've also found a bunch of questions", "they're the opposite of perfect and always succeeding: I focus on flaws and", "them, running away from their responsabilites, etc. But most of the time, \"how", "inherently wrong with it? Does it make my story less interesting to read?", "it, making me think it's something I should avoid even more. Is there", "author, I realized most of my stories are. Is it a bad thing?", "or is very close to \"how would I react to this\". However this", "hope so), they're the opposite of perfect and always succeeding: I focus on", "should avoid even more. Is there something inherently wrong with it? Does it", "a bad thing? My MC aren't Mary-sues (at least I hope so), they're", "would react to this\" or is very close to \"how would I react", "MC would react to this\" or is very close to \"how would I", "are. Is it a bad thing? My MC aren't Mary-sues (at least I", "paying the price and regretting them, running away from their responsabilites, etc. But", "react to this\". However this is only true for the setting, and character", "of my stories are. Is it a bad thing? My MC aren't Mary-sues", "is a projection of the author, I realized most of my stories are.", "least I hope so), they're the opposite of perfect and always succeeding: I", "to this\" or is very close to \"how would I react to this\".", "very close to \"how would I react to this\". However this is only", "on flaws and illnesses, making some bad decisions, paying the price and regretting", "quite different. I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how", "opposite of perfect and always succeeding: I focus on flaws and illnesses, making", "asking how NOT to do it, making me think it's something I should", "think it's something I should avoid even more. Is there something inherently wrong", "close to \"how would I react to this\". However this is only true", "how NOT to do it, making me think it's something I should avoid", "would I react to this\". However this is only true for the setting,", "illnesses, making some bad decisions, paying the price and regretting them, running away", "it's something I should avoid even more. Is there something inherently wrong with", "(at least I hope so), they're the opposite of perfect and always succeeding:", "so), they're the opposite of perfect and always succeeding: I focus on flaws", "I focus on flaws and illnesses, making some bad decisions, paying the price", "is quite different. I've also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking", "this\". However this is only true for the setting, and character development is", "even more. Is there something inherently wrong with it? Does it make my", "making some bad decisions, paying the price and regretting them, running away from", "setting, and character development is quite different. I've also found a bunch of", "After reading that a Mary-Sue often is a projection of the author, I", "thing? My MC aren't Mary-sues (at least I hope so), they're the opposite", "also found a bunch of questions [(1)](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters) [(2)](https://writing.stackexchange.com/questions/29716/how-to-stop-projecting-yourself-into-your-writing) asking how NOT to do", "\"how my MC would react to this\" or is very close to \"how", "me think it's something I should avoid even more. Is there something inherently", "making me think it's something I should avoid even more. Is there something", "realized most of my stories are. Is it a bad thing? My MC", "something inherently wrong with it? Does it make my story less interesting to", "price and regretting them, running away from their responsabilites, etc. But most of", "the time, \"how my MC would react to this\" or is very close", "react to this\" or is very close to \"how would I react to", "the price and regretting them, running away from their responsabilites, etc. But most", "projection of the author, I realized most of my stories are. Is it", "to \"how would I react to this\". However this is only true for", "and always succeeding: I focus on flaws and illnesses, making some bad decisions,", "bad thing? My MC aren't Mary-sues (at least I hope so), they're the", "the setting, and character development is quite different. I've also found a bunch", "often is a projection of the author, I realized most of my stories", "stories are. Is it a bad thing? My MC aren't Mary-sues (at least", "I hope so), they're the opposite of perfect and always succeeding: I focus", "it a bad thing? My MC aren't Mary-sues (at least I hope so),", "to do it, making me think it's something I should avoid even more.", "most of the time, \"how my MC would react to this\" or is", "a Mary-Sue often is a projection of the author, I realized most of", "Is there something inherently wrong with it? Does it make my story less", "decisions, paying the price and regretting them, running away from their responsabilites, etc." ]
[ "days of the week/months. The book is set in a fantasy world, so", "genre. I'm considering making my own names up for the days of the", "own names up for the days of the week/months. The book is set", "but I feel like I'm over complicating things if I do that. It", "up for the days of the week/months. The book is set in a", "like I'm over complicating things if I do that. It also feels a", "fantasy book. I think it will end up falling into the YA genre.", "up falling into the YA genre. I'm considering making my own names up", "into the YA genre. I'm considering making my own names up for the", "will end up falling into the YA genre. I'm considering making my own", "set in a fantasy world, so it would make sense, but I feel", "world, so it would make sense, but I feel like I'm over complicating", "I do that. It also feels a little pretentious Should I do it", "I'm over complicating things if I do that. It also feels a little", "of the week/months. The book is set in a fantasy world, so it", "fantasy world, so it would make sense, but I feel like I'm over", "in a fantasy world, so it would make sense, but I feel like", "so it would make sense, but I feel like I'm over complicating things", "sense, but I feel like I'm over complicating things if I do that.", "falling into the YA genre. I'm considering making my own names up for", "a fantasy world, so it would make sense, but I feel like I'm", "think it will end up falling into the YA genre. I'm considering making", "names up for the days of the week/months. The book is set in", "week/months. The book is set in a fantasy world, so it would make", "make sense, but I feel like I'm over complicating things if I do", "considering making my own names up for the days of the week/months. The", "writing a light fantasy book. I think it will end up falling into", "for the days of the week/months. The book is set in a fantasy", "I'm writing a light fantasy book. I think it will end up falling", "I feel like I'm over complicating things if I do that. It also", "over complicating things if I do that. It also feels a little pretentious", "my own names up for the days of the week/months. The book is", "things if I do that. It also feels a little pretentious Should I", "feel like I'm over complicating things if I do that. It also feels", "if I do that. It also feels a little pretentious Should I do", "a light fantasy book. I think it will end up falling into the", "the YA genre. I'm considering making my own names up for the days", "The book is set in a fantasy world, so it would make sense,", "it will end up falling into the YA genre. I'm considering making my", "the week/months. The book is set in a fantasy world, so it would", "I think it will end up falling into the YA genre. I'm considering", "do that. It also feels a little pretentious Should I do it anyway?", "YA genre. I'm considering making my own names up for the days of", "it would make sense, but I feel like I'm over complicating things if", "book is set in a fantasy world, so it would make sense, but", "light fantasy book. I think it will end up falling into the YA", "would make sense, but I feel like I'm over complicating things if I", "the days of the week/months. The book is set in a fantasy world,", "I'm considering making my own names up for the days of the week/months.", "complicating things if I do that. It also feels a little pretentious Should", "is set in a fantasy world, so it would make sense, but I", "book. I think it will end up falling into the YA genre. I'm", "making my own names up for the days of the week/months. The book", "end up falling into the YA genre. I'm considering making my own names" ]
[ "the like, but that's pretty much it. But with the level of diversity", "a half dozen questions pertaining to this post-apocalyptic novel, including my \"[is this", "task of surviving in a barren world. I'm fairly sure a character or", "My story has no mention of religion. I don't really think it's applicable,", "that.) Last night, I thought of something I hadn't before. My story has", "or the like, but that's pretty much it. But with the level of", "of something I hadn't before. My story has no mention of religion. I", "sure a character or two has said \"Oh my God\" or the like,", "like, but that's pretty much it. But with the level of diversity that", "\"Oh my God\" or the like, but that's pretty much it. But with", "level of diversity that I include (which I do not plan on changing),", "my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.)", "story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.) Last night, I", "religion entirely? Is it bad that religion has no place in this world?", "night, I thought of something I hadn't before. My story has no mention", "Does it seem as though I am ignoring religion entirely? Is it bad", "that I include (which I do not plan on changing), is no mention", "though I am ignoring religion entirely? Is it bad that religion has no", "because these people aren't exactly focused on praying or worshipping, they're consumed with", "I'm fairly sure a character or two has said \"Oh my God\" or", "post-apocalyptic novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of", "barren world. I'm fairly sure a character or two has said \"Oh my", "in a barren world. I'm fairly sure a character or two has said", "the level of diversity that I include (which I do not plan on", "people aren't exactly focused on praying or worshipping, they're consumed with the daily", "about a half dozen questions pertaining to this post-apocalyptic novel, including my \"[is", "am ignoring religion entirely? Is it bad that religion has no place in", "note, didn't know how to include this: I'm pagan, but up until recently", "(I believe I've asked about a half dozen questions pertaining to this post-apocalyptic", "questions pertaining to this post-apocalyptic novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\"", "religion a bad thing? Does it seem as though I am ignoring religion", "surviving in a barren world. I'm fairly sure a character or two has", "I include (which I do not plan on changing), is no mention of", "I've asked about a half dozen questions pertaining to this post-apocalyptic novel, including", "but that's pretty much it. But with the level of diversity that I", "of diversity that I include (which I do not plan on changing), is", "as though I am ignoring religion entirely? Is it bad that religion has", "(Final note, didn't know how to include this: I'm pagan, but up until", "a barren world. I'm fairly sure a character or two has said \"Oh", "pertaining to this post-apocalyptic novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question.", "that's pretty much it. But with the level of diversity that I include", "this post-apocalyptic novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort", "pretty much it. But with the level of diversity that I include (which", "But with the level of diversity that I include (which I do not", "with the level of diversity that I include (which I do not plan", "I am ignoring religion entirely? Is it bad that religion has no place", "my God\" or the like, but that's pretty much it. But with the", "plan on changing), is no mention of religion a bad thing? Does it", "bad that religion has no place in this world? (Final note, didn't know", "that religion has no place in this world? (Final note, didn't know how", "mention of religion a bad thing? Does it seem as though I am", "the daily task of surviving in a barren world. I'm fairly sure a", "of pertains to that.) Last night, I thought of something I hadn't before.", "a bad thing? Does it seem as though I am ignoring religion entirely?", "has said \"Oh my God\" or the like, but that's pretty much it.", "including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to", "fairly sure a character or two has said \"Oh my God\" or the", "of religion. I don't really think it's applicable, because these people aren't exactly", "on praying or worshipping, they're consumed with the daily task of surviving in", "story has no mention of religion. I don't really think it's applicable, because", "no mention of religion. I don't really think it's applicable, because these people", "these people aren't exactly focused on praying or worshipping, they're consumed with the", "thought of something I hadn't before. My story has no mention of religion.", "no mention of religion a bad thing? Does it seem as though I", "much it. But with the level of diversity that I include (which I", "in this world? (Final note, didn't know how to include this: I'm pagan,", "don't really think it's applicable, because these people aren't exactly focused on praying", "too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.) Last night, I thought", "with the daily task of surviving in a barren world. I'm fairly sure", "something I hadn't before. My story has no mention of religion. I don't", "Last night, I thought of something I hadn't before. My story has no", "include this: I'm pagan, but up until recently I thought I was atheist.)", "novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains", "aren't exactly focused on praying or worshipping, they're consumed with the daily task", "to this post-apocalyptic novel, including my \"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This", "mention of religion. I don't really think it's applicable, because these people aren't", "world. I'm fairly sure a character or two has said \"Oh my God\"", "religion has no place in this world? (Final note, didn't know how to", "sort of pertains to that.) Last night, I thought of something I hadn't", "how to include this: I'm pagan, but up until recently I thought I", "\"[is this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.) Last", "entirely? Is it bad that religion has no place in this world? (Final", "not* plan on changing), is no mention of religion a bad thing? Does", "worshipping, they're consumed with the daily task of surviving in a barren world.", "I do not plan on changing), is no mention of religion a bad", "I thought of something I hadn't before. My story has no mention of", "ignoring religion entirely? Is it bad that religion has no place in this", "has no place in this world? (Final note, didn't know how to include", "bad thing? Does it seem as though I am ignoring religion entirely? Is", "changing), is no mention of religion a bad thing? Does it seem as", "seem as though I am ignoring religion entirely? Is it bad that religion", "place in this world? (Final note, didn't know how to include this: I'm", "religion. I don't really think it's applicable, because these people aren't exactly focused", "two has said \"Oh my God\" or the like, but that's pretty much", "of religion a bad thing? Does it seem as though I am ignoring", "know how to include this: I'm pagan, but up until recently I thought", "this world? (Final note, didn't know how to include this: I'm pagan, but", "this story too diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.) Last night,", "or two has said \"Oh my God\" or the like, but that's pretty", "I hadn't before. My story has no mention of religion. I don't really", "asked about a half dozen questions pertaining to this post-apocalyptic novel, including my", "of surviving in a barren world. I'm fairly sure a character or two", "exactly focused on praying or worshipping, they're consumed with the daily task of", "pertains to that.) Last night, I thought of something I hadn't before. My", "diversity that I include (which I do not plan on changing), is no", "on changing), is no mention of religion a bad thing? Does it seem", "praying or worshipping, they're consumed with the daily task of surviving in a", "is no mention of religion a bad thing? Does it seem as though", "it bad that religion has no place in this world? (Final note, didn't", "include (which I do not plan on changing), is no mention of religion", "believe I've asked about a half dozen questions pertaining to this post-apocalyptic novel,", "think it's applicable, because these people aren't exactly focused on praying or worshipping,", "applicable, because these people aren't exactly focused on praying or worshipping, they're consumed", "a character or two has said \"Oh my God\" or the like, but", "it. But with the level of diversity that I include (which I do", "it's applicable, because these people aren't exactly focused on praying or worshipping, they're", "Is it bad that religion has no place in this world? (Final note,", "God\" or the like, but that's pretty much it. But with the level", "dozen questions pertaining to this post-apocalyptic novel, including my \"[is this story too", "or worshipping, they're consumed with the daily task of surviving in a barren", "question. This sort of pertains to that.) Last night, I thought of something", "I don't really think it's applicable, because these people aren't exactly focused on", "world? (Final note, didn't know how to include this: I'm pagan, but up", "do not* plan on changing), is no mention of religion a bad thing?", "said \"Oh my God\" or the like, but that's pretty much it. But", "diverse](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse?rq=1)\" question. This sort of pertains to that.) Last night, I thought of", "they're consumed with the daily task of surviving in a barren world. I'm", "focused on praying or worshipping, they're consumed with the daily task of surviving", "no place in this world? (Final note, didn't know how to include this:", "before. My story has no mention of religion. I don't really think it's", "daily task of surviving in a barren world. I'm fairly sure a character", "consumed with the daily task of surviving in a barren world. I'm fairly", "hadn't before. My story has no mention of religion. I don't really think", "to include this: I'm pagan, but up until recently I thought I was", "half dozen questions pertaining to this post-apocalyptic novel, including my \"[is this story", "didn't know how to include this: I'm pagan, but up until recently I", "has no mention of religion. I don't really think it's applicable, because these", "it seem as though I am ignoring religion entirely? Is it bad that", "to that.) Last night, I thought of something I hadn't before. My story", "thing? Does it seem as though I am ignoring religion entirely? Is it", "This sort of pertains to that.) Last night, I thought of something I", "(which I do not plan on changing), is no mention of religion a", "character or two has said \"Oh my God\" or the like, but that's", "really think it's applicable, because these people aren't exactly focused on praying or" ]
[ "schmooze time. Each presenter reads all or part of their submitted work (depending", "talks about it. Each presentation runs about half an hour, give or take.", "the newcomer starts in the middle she won't know what the heck is", "into novels, presenting 1-2 chapters every other month. If the newcomer starts in", "starts in the middle she won't know what the heck is going on,", "give substantial critique? We're happy with the group in every way except that", "do we make this work? Do we require the newcomer to read 3", "each time (instead of the 2 we've done lately). So we've been looking", "first month or two. We also had another new person that didn't work", "on length) then everyone talks about it. Each presentation runs about half an", "also post our work several days in advance of the meeting. The meetings", "that she won't be able to give substantial critique? We're happy with the", "this work? Do we require the newcomer to read 3 half-novels? Do we", "every other month. If the newcomer starts in the middle she won't know", "several days in advance of the meeting. The meetings themselves are at a", "etc. I'm not looking for proofreading. I'm looking for folks who will tell", "group in every way except that we need to incorporate a couple extra", "will be joining us this month! We communicate on an email mailing list", "presenter reads all or part of their submitted work (depending on length) then", "mailing list where we discuss logistics only and also post our work several", "This includes schmooze time. Each presenter reads all or part of their submitted", "she won't be able to give substantial critique? We're happy with the group", "and how much time each gets. This includes schmooze time. Each presenter reads", "hour, give or take. It was easier with the other newcomers because they", "runs about half an hour, give or take. It was easier with the", "presentation runs about half an hour, give or take. It was easier with", "a terrific critique group (writing group) that has dealt with a lot of", "just accept that she won't be able to give substantial critique? We're happy", "with 6 people and currently have 4, one who joined after the first", "The meetings themselves are at a member's home and last 1-2 hours, depending", "So we've been looking for new people to join us. And someone will", "decided it works best for us to meet once a month and have", "(depending on length) then everyone talks about it. Each presentation runs about half", "gets. This includes schmooze time. Each presenter reads all or part of their", "It was easier with the other newcomers because they could catch up, but", "currently have 4, one who joined after the first month or two. We", "of their submitted work (depending on length) then everyone talks about it. Each", "will tell me how my plot is unfolding, if the characters seem true", "because they could catch up, but now all but one of us are", "for us to meet once a month and have 3 people present each", "person that didn't work out. Some people weren't a good fit but others", "to write. We decided it works best for us to meet once a", "incorporate a couple extra members. How can we keep our group both welcoming", "the characters are, how they've changed, etc. I'm not looking for proofreading. I'm", "but one of us are very deep into novels, presenting 1-2 chapters every", "too busy to write. We decided it works best for us to meet", "We also had another new person that didn't work out. Some people weren't", "has dealt with a lot of attrition. We started with 6 people and", "present each time (instead of the 2 we've done lately). So we've been", "1-2 hours, depending on the number of presenters and how much time each", "about it. Each presentation runs about half an hour, give or take. It", "work several days in advance of the meeting. The meetings themselves are at", "give or take. It was easier with the other newcomers because they could", "someone will be joining us this month! We communicate on an email mailing", "We communicate on an email mailing list where we discuss logistics only and", "make this work? Do we require the newcomer to read 3 half-novels? Do", "an email mailing list where we discuss logistics only and also post our", "we require the newcomer to read 3 half-novels? Do we just accept that", "home and last 1-2 hours, depending on the number of presenters and how", "be joining us this month! We communicate on an email mailing list where", "lot of attrition. We started with 6 people and currently have 4, one", "the group in every way except that we need to incorporate a couple", "fit but others left because they moved or got too busy to write.", "a month and have 3 people present each time (instead of the 2", "heck is going on, who the characters are, how they've changed, etc. I'm", "presenting 1-2 chapters every other month. If the newcomer starts in the middle", "have 4, one who joined after the first month or two. We also", "depending on the number of presenters and how much time each gets. This", "work (depending on length) then everyone talks about it. Each presentation runs about", "discuss logistics only and also post our work several days in advance of", "And someone will be joining us this month! We communicate on an email", "the number of presenters and how much time each gets. This includes schmooze", "won't be able to give substantial critique? We're happy with the group in", "won't know what the heck is going on, who the characters are, how", "characters are, how they've changed, etc. I'm not looking for proofreading. I'm looking", "they've changed, etc. I'm not looking for proofreading. I'm looking for folks who", "couple extra members. How can we keep our group both welcoming and effective?", "themselves, etc. How do we make this work? Do we require the newcomer", "on the number of presenters and how much time each gets. This includes", "was easier with the other newcomers because they could catch up, but now", "but others left because they moved or got too busy to write. We", "reads all or part of their submitted work (depending on length) then everyone", "what the heck is going on, who the characters are, how they've changed,", "plot is unfolding, if the characters seem true to themselves, etc. How do", "and currently have 4, one who joined after the first month or two.", "critique? We're happy with the group in every way except that we need", "us this month! We communicate on an email mailing list where we discuss", "a good fit but others left because they moved or got too busy", "2 we've done lately). So we've been looking for new people to join", "we discuss logistics only and also post our work several days in advance", "presenters and how much time each gets. This includes schmooze time. Each presenter", "that has dealt with a lot of attrition. We started with 6 people", "attrition. We started with 6 people and currently have 4, one who joined", "every way except that we need to incorporate a couple extra members. How", "work? Do we require the newcomer to read 3 half-novels? Do we just", "substantial critique? We're happy with the group in every way except that we", "joined after the first month or two. We also had another new person", "easier with the other newcomers because they could catch up, but now all", "at a member's home and last 1-2 hours, depending on the number of", "We decided it works best for us to meet once a month and", "hours, depending on the number of presenters and how much time each gets.", "got too busy to write. We decided it works best for us to", "unfolding, if the characters seem true to themselves, etc. How do we make", "to a terrific critique group (writing group) that has dealt with a lot", "accept that she won't be able to give substantial critique? We're happy with", "they could catch up, but now all but one of us are very", "the meeting. The meetings themselves are at a member's home and last 1-2", "our work several days in advance of the meeting. The meetings themselves are", "meeting. The meetings themselves are at a member's home and last 1-2 hours,", "changed, etc. I'm not looking for proofreading. I'm looking for folks who will", "advance of the meeting. The meetings themselves are at a member's home and", "that didn't work out. Some people weren't a good fit but others left", "(instead of the 2 we've done lately). So we've been looking for new", "or part of their submitted work (depending on length) then everyone talks about", "is unfolding, if the characters seem true to themselves, etc. How do we", "going on, who the characters are, how they've changed, etc. I'm not looking", "only and also post our work several days in advance of the meeting.", "Each presenter reads all or part of their submitted work (depending on length)", "I'm not looking for proofreading. I'm looking for folks who will tell me", "able to give substantial critique? We're happy with the group in every way", "of the 2 we've done lately). So we've been looking for new people", "is going on, who the characters are, how they've changed, etc. I'm not", "month and have 3 people present each time (instead of the 2 we've", "all but one of us are very deep into novels, presenting 1-2 chapters", "busy to write. We decided it works best for us to meet once", "member's home and last 1-2 hours, depending on the number of presenters and", "started with 6 people and currently have 4, one who joined after the", "part of their submitted work (depending on length) then everyone talks about it.", "group) that has dealt with a lot of attrition. We started with 6", "for folks who will tell me how my plot is unfolding, if the", "me how my plot is unfolding, if the characters seem true to themselves,", "in every way except that we need to incorporate a couple extra members.", "tell me how my plot is unfolding, if the characters seem true to", "very deep into novels, presenting 1-2 chapters every other month. If the newcomer", "be able to give substantial critique? We're happy with the group in every", "time. Each presenter reads all or part of their submitted work (depending on", "then everyone talks about it. Each presentation runs about half an hour, give", "to give substantial critique? We're happy with the group in every way except", "with the group in every way except that we need to incorporate a", "us. And someone will be joining us this month! We communicate on an", "4, one who joined after the first month or two. We also had", "up, but now all but one of us are very deep into novels,", "how they've changed, etc. I'm not looking for proofreading. I'm looking for folks", "another new person that didn't work out. Some people weren't a good fit", "How do we make this work? Do we require the newcomer to read", "work out. Some people weren't a good fit but others left because they", "left because they moved or got too busy to write. We decided it", "3 people present each time (instead of the 2 we've done lately). So", "that we need to incorporate a couple extra members. How can we keep", "time (instead of the 2 we've done lately). So we've been looking for", "how my plot is unfolding, if the characters seem true to themselves, etc.", "this month! We communicate on an email mailing list where we discuss logistics", "read 3 half-novels? Do we just accept that she won't be able to", "6 people and currently have 4, one who joined after the first month", "could catch up, but now all but one of us are very deep", "who will tell me how my plot is unfolding, if the characters seem", "characters seem true to themselves, etc. How do we make this work? Do", "once a month and have 3 people present each time (instead of the", "after the first month or two. We also had another new person that", "are at a member's home and last 1-2 hours, depending on the number", "how much time each gets. This includes schmooze time. Each presenter reads all", "Do we require the newcomer to read 3 half-novels? Do we just accept", "half an hour, give or take. It was easier with the other newcomers", "us to meet once a month and have 3 people present each time", "3 half-novels? Do we just accept that she won't be able to give", "or take. It was easier with the other newcomers because they could catch", "or two. We also had another new person that didn't work out. Some", "other newcomers because they could catch up, but now all but one of", "days in advance of the meeting. The meetings themselves are at a member's", "chapters every other month. If the newcomer starts in the middle she won't", "in the middle she won't know what the heck is going on, who", "other month. If the newcomer starts in the middle she won't know what", "take. It was easier with the other newcomers because they could catch up,", "people and currently have 4, one who joined after the first month or", "belong to a terrific critique group (writing group) that has dealt with a", "to meet once a month and have 3 people present each time (instead", "we've been looking for new people to join us. And someone will be", "weren't a good fit but others left because they moved or got too", "two. We also had another new person that didn't work out. Some people", "are very deep into novels, presenting 1-2 chapters every other month. If the", "the first month or two. We also had another new person that didn't", "and have 3 people present each time (instead of the 2 we've done", "meetings themselves are at a member's home and last 1-2 hours, depending on", "everyone talks about it. Each presentation runs about half an hour, give or", "for proofreading. I'm looking for folks who will tell me how my plot", "moved or got too busy to write. We decided it works best for", "one of us are very deep into novels, presenting 1-2 chapters every other", "post our work several days in advance of the meeting. The meetings themselves", "an hour, give or take. It was easier with the other newcomers because", "I belong to a terrific critique group (writing group) that has dealt with", "know what the heck is going on, who the characters are, how they've", "their submitted work (depending on length) then everyone talks about it. Each presentation", "but now all but one of us are very deep into novels, presenting", "We're happy with the group in every way except that we need to", "group (writing group) that has dealt with a lot of attrition. We started", "to themselves, etc. How do we make this work? Do we require the", "1-2 chapters every other month. If the newcomer starts in the middle she", "we make this work? Do we require the newcomer to read 3 half-novels?", "list where we discuss logistics only and also post our work several days", "month. If the newcomer starts in the middle she won't know what the", "meet once a month and have 3 people present each time (instead of", "dealt with a lot of attrition. We started with 6 people and currently", "time each gets. This includes schmooze time. Each presenter reads all or part", "been looking for new people to join us. And someone will be joining", "newcomers because they could catch up, but now all but one of us", "lately). So we've been looking for new people to join us. And someone", "we just accept that she won't be able to give substantial critique? We're", "with a lot of attrition. We started with 6 people and currently have", "deep into novels, presenting 1-2 chapters every other month. If the newcomer starts", "a member's home and last 1-2 hours, depending on the number of presenters", "not looking for proofreading. I'm looking for folks who will tell me how", "people weren't a good fit but others left because they moved or got", "with the other newcomers because they could catch up, but now all but", "newcomer starts in the middle she won't know what the heck is going", "the heck is going on, who the characters are, how they've changed, etc.", "write. We decided it works best for us to meet once a month", "to join us. And someone will be joining us this month! We communicate", "half-novels? Do we just accept that she won't be able to give substantial", "If the newcomer starts in the middle she won't know what the heck", "good fit but others left because they moved or got too busy to", "each gets. This includes schmooze time. Each presenter reads all or part of", "the characters seem true to themselves, etc. How do we make this work?", "Some people weren't a good fit but others left because they moved or", "last 1-2 hours, depending on the number of presenters and how much time", "about half an hour, give or take. It was easier with the other", "if the characters seem true to themselves, etc. How do we make this", "a couple extra members. How can we keep our group both welcoming and", "us are very deep into novels, presenting 1-2 chapters every other month. If", "of us are very deep into novels, presenting 1-2 chapters every other month.", "submitted work (depending on length) then everyone talks about it. Each presentation runs", "new person that didn't work out. Some people weren't a good fit but", "of the meeting. The meetings themselves are at a member's home and last", "I'm looking for folks who will tell me how my plot is unfolding,", "didn't work out. Some people weren't a good fit but others left because", "on an email mailing list where we discuss logistics only and also post", "had another new person that didn't work out. Some people weren't a good", "new people to join us. And someone will be joining us this month!", "it. Each presentation runs about half an hour, give or take. It was", "joining us this month! We communicate on an email mailing list where we", "we've done lately). So we've been looking for new people to join us.", "join us. And someone will be joining us this month! We communicate on", "for new people to join us. And someone will be joining us this", "critique group (writing group) that has dealt with a lot of attrition. We", "catch up, but now all but one of us are very deep into", "the other newcomers because they could catch up, but now all but one", "others left because they moved or got too busy to write. We decided", "a lot of attrition. We started with 6 people and currently have 4,", "proofreading. I'm looking for folks who will tell me how my plot is", "to incorporate a couple extra members. How can we keep our group both", "Each presentation runs about half an hour, give or take. It was easier", "month or two. We also had another new person that didn't work out.", "communicate on an email mailing list where we discuss logistics only and also", "are, how they've changed, etc. I'm not looking for proofreading. I'm looking for", "looking for folks who will tell me how my plot is unfolding, if", "much time each gets. This includes schmooze time. Each presenter reads all or", "except that we need to incorporate a couple extra members. How can we", "require the newcomer to read 3 half-novels? Do we just accept that she", "best for us to meet once a month and have 3 people present", "themselves are at a member's home and last 1-2 hours, depending on the", "number of presenters and how much time each gets. This includes schmooze time.", "have 3 people present each time (instead of the 2 we've done lately).", "works best for us to meet once a month and have 3 people", "and last 1-2 hours, depending on the number of presenters and how much", "who joined after the first month or two. We also had another new", "who the characters are, how they've changed, etc. I'm not looking for proofreading.", "true to themselves, etc. How do we make this work? Do we require", "email mailing list where we discuss logistics only and also post our work", "looking for proofreading. I'm looking for folks who will tell me how my", "all or part of their submitted work (depending on length) then everyone talks", "etc. How do we make this work? Do we require the newcomer to", "novels, presenting 1-2 chapters every other month. If the newcomer starts in the", "also had another new person that didn't work out. Some people weren't a", "need to incorporate a couple extra members. How can we keep our group", "of presenters and how much time each gets. This includes schmooze time. Each", "(writing group) that has dealt with a lot of attrition. We started with", "of attrition. We started with 6 people and currently have 4, one who", "one who joined after the first month or two. We also had another", "out. Some people weren't a good fit but others left because they moved", "looking for new people to join us. And someone will be joining us", "length) then everyone talks about it. Each presentation runs about half an hour,", "newcomer to read 3 half-novels? Do we just accept that she won't be", "people present each time (instead of the 2 we've done lately). So we've", "the 2 we've done lately). So we've been looking for new people to", "seem true to themselves, etc. How do we make this work? Do we", "because they moved or got too busy to write. We decided it works", "middle she won't know what the heck is going on, who the characters", "folks who will tell me how my plot is unfolding, if the characters", "terrific critique group (writing group) that has dealt with a lot of attrition.", "in advance of the meeting. The meetings themselves are at a member's home", "We started with 6 people and currently have 4, one who joined after", "includes schmooze time. Each presenter reads all or part of their submitted work", "they moved or got too busy to write. We decided it works best", "happy with the group in every way except that we need to incorporate", "on, who the characters are, how they've changed, etc. I'm not looking for", "or got too busy to write. We decided it works best for us", "where we discuss logistics only and also post our work several days in", "my plot is unfolding, if the characters seem true to themselves, etc. How", "it works best for us to meet once a month and have 3", "month! We communicate on an email mailing list where we discuss logistics only", "to read 3 half-novels? Do we just accept that she won't be able", "the newcomer to read 3 half-novels? Do we just accept that she won't", "people to join us. And someone will be joining us this month! We", "way except that we need to incorporate a couple extra members. How can", "and also post our work several days in advance of the meeting. The", "we need to incorporate a couple extra members. **How can we keep our", "done lately). So we've been looking for new people to join us. And", "now all but one of us are very deep into novels, presenting 1-2", "the middle she won't know what the heck is going on, who the", "she won't know what the heck is going on, who the characters are,", "Do we just accept that she won't be able to give substantial critique?", "logistics only and also post our work several days in advance of the" ]
[ "potential beta readers. Before I actually link them elsewhere, I feel I should", "at least some details nailed down, just to give them a rough idea", "just to give them a rough idea of what they're getting themselves into.", "give them a rough idea of what they're getting themselves into. As far", "I actually link them elsewhere, I feel I should have at least some", "far as I can tell, something like the following would be necessary: ", "to give them a rough idea of what they're getting themselves into. As", " Genre/potential target audience * Title (still trying to decide on this) ", "idea of what they're getting themselves into. As far as I can tell,", "of related short stories to Dropbox as a quick way to share them", "feel I should have at least some* details nailed down, just to give", "way to share them with potential beta readers. Before I actually link them", "as a quick way to share them with potential beta readers. Before I", "elsewhere, I feel I should have at least some details nailed down, just", "as I can tell, something like the following would be necessary: * Genre/potential", "I am considering uploading a trio of related short stories to Dropbox as", "(still trying to decide on this) * Rough overview (a paragraph at most?)", "them elsewhere, I feel I should have at least some details nailed down,", "at most?) Is there anything else that would be required, or simply helpful?", "a rough idea of what they're getting themselves into. As far as I", "would be necessary: * Genre/potential target audience * Title (still trying to decide", "to Dropbox as a quick way to share them with potential beta readers.", "themselves into. As far as I can tell, something like the following would", "they're getting themselves into. As far as I can tell, something like the", "target audience * Title (still trying to decide on this) * Rough overview", "audience * Title (still trying to decide on this) * Rough overview (a", "(a paragraph at most?) Is there anything else that would be required, or", "to share them with potential beta readers. Before I actually link them elsewhere,", "uploading a trio of related short stories to Dropbox as a quick way", "am considering uploading a trio of related short stories to Dropbox as a", "link them elsewhere, I feel I should have at least some details nailed", "related short stories to Dropbox as a quick way to share them with", "to decide on this) * Rough overview (a paragraph at most?) Is there", "the following would be necessary: * Genre/potential target audience * Title (still trying", "can tell, something like the following would be necessary: * Genre/potential target audience", "stories to Dropbox as a quick way to share them with potential beta", "rough idea of what they're getting themselves into. As far as I can", "* Title (still trying to decide on this) * Rough overview (a paragraph", "I feel I should have at least some details nailed down, just to", "something like the following would be necessary: * Genre/potential target audience * Title", "a trio of related short stories to Dropbox as a quick way to", "some details nailed down, just to give them a rough idea of what", "have at least some details nailed down, just to give them a rough", "As far as I can tell, something like the following would be necessary:", "I should have at least some details nailed down, just to give them", "trio of related short stories to Dropbox as a quick way to share", "this) * Rough overview (a paragraph at most?) Is there anything else that", "tell, something like the following would be necessary: * Genre/potential target audience ", "them with potential beta readers. Before I actually link them elsewhere, I feel", "a quick way to share them with potential beta readers. Before I actually", "considering uploading a trio of related short stories to Dropbox as a quick", "beta readers. Before I actually link them elsewhere, I feel I should have", "down, just to give them a rough idea of what they're getting themselves", "of what they're getting themselves into. As far as I can tell, something", "should have at least some* details nailed down, just to give them a", "Dropbox as a quick way to share them with potential beta readers. Before", "with potential beta readers. Before I actually link them elsewhere, I feel I", "like the following would be necessary: * Genre/potential target audience * Title (still", "them a rough idea of what they're getting themselves into. As far as", "readers. Before I actually link them elsewhere, I feel I should have at", "details nailed down, just to give them a rough idea of what they're", "overview (a paragraph at most?) Is there anything else that would be required,", "nailed down, just to give them a rough idea of what they're getting", "into. As far as I can tell, something like the following would be", "quick way to share them with potential beta readers. Before I actually link", "Before I actually link them elsewhere, I feel I should have at least", "paragraph at most?) Is there anything else that would be required, or simply", "decide on this) * Rough overview (a paragraph at most?) Is there anything", "Genre/potential target audience * Title (still trying to decide on this) * Rough", "be necessary: * Genre/potential target audience * Title (still trying to decide on", "on this) * Rough overview (a paragraph at most?) Is there anything else", "short stories to Dropbox as a quick way to share them with potential", "getting themselves into. As far as I can tell, something like the following", "trying to decide on this) * Rough overview (a paragraph at most?) Is", "Rough overview (a paragraph at most?) Is there anything else that would be", "* Rough overview (a paragraph at most?) Is there anything else that would", "I can tell, something like the following would be necessary: * Genre/potential target", "Title (still trying to decide on this) * Rough overview (a paragraph at", "necessary: * Genre/potential target audience * Title (still trying to decide on this)", "what they're getting themselves into. As far as I can tell, something like", "actually link them elsewhere, I feel I should have at least some details", "share them with potential beta readers. Before I actually link them elsewhere, I", "following would be necessary: * Genre/potential target audience * Title (still trying to", "least some details nailed down, just to give them a rough idea of" ]
[ "then copy again from there.\" This worked without fail. weakdna said it \"should", "I know I used to be able to copy formatted text from any", "to copy formatted text from any source and paste it as plain text", "could I fix this? It's horrific having all those different styles at once.", "suggested \"a simple trick to remove formatting from text is to paste it", "able to copy formatted text from any source and paste it as plain", "to work in this install. Is this some new 'feature' for Scrivener? If", "fail. weakdna said it \"should be under Edit>Paste and Match style.\" This works", "those different styles at once. --- BKlassen suggested \"a simple trick to remove", "used to be able to copy formatted text from any source and paste", "worked without fail. weakdna said it \"should be under Edit>Paste and Match style.\"", "any source and paste it as plain text into Scrivener using Ctrl+Shift+V. That", "using Ctrl+Shift+V. That doesn't appear to work in this install. Is this some", "2018 on a Windows 10 computer. In the paste, I know I used", "Oct 2018 on a Windows 10 computer. In the paste, I know I", "10 computer. In the paste, I know I used to be able to", "and paste it as plain text into Scrivener using Ctrl+Shift+V. That doesn't appear", "trick to remove formatting from text is to paste it first into a", "plain text into Scrivener using Ctrl+Shift+V. That doesn't appear to work in this", "That doesn't appear to work in this install. Is this some new 'feature'", "there.\" This worked without fail. weakdna said it \"should be under Edit>Paste and", "Ctrl+Shift+V. That doesn't appear to work in this install. Is this some new", "for Scrivener? If not, how could I fix this? It's horrific having all", "different styles at once. --- BKlassen suggested \"a simple trick to remove formatting", "I did an install of Scrivener Version: 1.9.9.0 - 03 Oct 2018 on", "install of Scrivener Version: 1.9.9.0 - 03 Oct 2018 on a Windows 10", "BKlassen suggested \"a simple trick to remove formatting from text is to paste", "and then copy again from there.\" This worked without fail. weakdna said it", "horrific having all those different styles at once. --- BKlassen suggested \"a simple", "in this install. Is this some new 'feature' for Scrivener? If not, how", "fix this? It's horrific having all those different styles at once. --- BKlassen", "as plain text into Scrivener using Ctrl+Shift+V. That doesn't appear to work in", "to be able to copy formatted text from any source and paste it", "Windows 10 computer. In the paste, I know I used to be able", "into Scrivener using Ctrl+Shift+V. That doesn't appear to work in this install. Is", "work in this install. Is this some new 'feature' for Scrivener? If not,", "this install. Is this some new 'feature' for Scrivener? If not, how could", "at once. --- BKlassen suggested \"a simple trick to remove formatting from text", "paste it first into a simple notepad application and then copy again from", "In the paste, I know I used to be able to copy formatted", "all those different styles at once. --- BKlassen suggested \"a simple trick to", "1.9.9.0 - 03 Oct 2018 on a Windows 10 computer. In the paste,", "it first into a simple notepad application and then copy again from there.\"", "some new 'feature' for Scrivener? If not, how could I fix this? It's", "to remove formatting from text is to paste it first into a simple", "from any source and paste it as plain text into Scrivener using Ctrl+Shift+V.", "paste it as plain text into Scrivener using Ctrl+Shift+V. That doesn't appear to", "text is to paste it first into a simple notepad application and then", "application and then copy again from there.\" This worked without fail. weakdna said", "If not, how could I fix this? It's horrific having all those different", "paste, I know I used to be able to copy formatted text from", "install. Is this some new 'feature' for Scrivener? If not, how could I", "without fail. weakdna said it \"should be under Edit>Paste and Match style.\" This", "notepad application and then copy again from there.\" This worked without fail. weakdna", "is to paste it first into a simple notepad application and then copy", "doesn't appear to work in this install. Is this some new 'feature' for", "from text is to paste it first into a simple notepad application and", "\"should be under Edit>Paste and Match style.\" This works occasionally for some reason.", "Scrivener Version: 1.9.9.0 - 03 Oct 2018 on a Windows 10 computer. In", "an install of Scrivener Version: 1.9.9.0 - 03 Oct 2018 on a Windows", "--- BKlassen suggested \"a simple trick to remove formatting from text is to", "source and paste it as plain text into Scrivener using Ctrl+Shift+V. That doesn't", "This worked without fail. weakdna said it \"should be under Edit>Paste and Match", "text from any source and paste it as plain text into Scrivener using", "to paste it first into a simple notepad application and then copy again", "copy again from there.\" This worked without fail. weakdna said it \"should be", "on a Windows 10 computer. In the paste, I know I used to", "\"a simple trick to remove formatting from text is to paste it first", "simple trick to remove formatting from text is to paste it first into", "remove formatting from text is to paste it first into a simple notepad", "did an install of Scrivener Version: 1.9.9.0 - 03 Oct 2018 on a", "Version: 1.9.9.0 - 03 Oct 2018 on a Windows 10 computer. In the", "first into a simple notepad application and then copy again from there.\" This", "'feature' for Scrivener? If not, how could I fix this? It's horrific having", "know I used to be able to copy formatted text from any source", "the paste, I know I used to be able to copy formatted text", "I fix this? It's horrific having all those different styles at once. ---", "Scrivener using Ctrl+Shift+V. That doesn't appear to work in this install. Is this", "weakdna said it \"should be under Edit>Paste and Match style.\" This works occasionally", "once. --- BKlassen suggested \"a simple trick to remove formatting from text is", "having all those different styles at once. --- BKlassen suggested \"a simple trick", "new 'feature' for Scrivener? If not, how could I fix this? It's horrific", "a simple notepad application and then copy again from there.\" This worked without", "text into Scrivener using Ctrl+Shift+V. That doesn't appear to work in this install.", "copy formatted text from any source and paste it as plain text into", "this some new 'feature' for Scrivener? If not, how could I fix this?", "again from there.\" This worked without fail. weakdna said it \"should be under", "it as plain text into Scrivener using Ctrl+Shift+V. That doesn't appear to work", "from there.\" This worked without fail. weakdna said it \"should be under Edit>Paste", "styles at once. --- BKlassen suggested \"a simple trick to remove formatting from", "not, how could I fix this? It's horrific having all those different styles", "appear to work in this install. Is this some new 'feature' for Scrivener?", "- 03 Oct 2018 on a Windows 10 computer. In the paste, I", "be able to copy formatted text from any source and paste it as", "Is this some new 'feature' for Scrivener? If not, how could I fix", "how could I fix this? It's horrific having all those different styles at", "into a simple notepad application and then copy again from there.\" This worked", "simple notepad application and then copy again from there.\" This worked without fail.", "03 Oct 2018 on a Windows 10 computer. In the paste, I know", "It's horrific having all those different styles at once. --- BKlassen suggested \"a", "a Windows 10 computer. In the paste, I know I used to be", "it \"should be under Edit>Paste and Match style.\" This works occasionally for some", "of Scrivener Version: 1.9.9.0 - 03 Oct 2018 on a Windows 10 computer.", "Scrivener? If not, how could I fix this? It's horrific having all those", "I used to be able to copy formatted text from any source and", "this? It's horrific having all those different styles at once. --- BKlassen suggested", "formatting from text is to paste it first into a simple notepad application", "computer. In the paste, I know I used to be able to copy", "formatted text from any source and paste it as plain text into Scrivener", "said it \"should be under Edit>Paste and Match style.\" This works occasionally for" ]
[ "people who can access hidden data, like unreleased tax returns of corporations or", "hacker or a cyber spy. So how do I write this guy's profession?", "data onto a site called Vox Populi. Obviously, I'm not a hacker or", "there's no proof that the organization is invading privacy or doing illegal things,", "warfare before, but I mostly get fake BS on conspiracy blogs or cliched", "and exclaims, \"I'm in!). I'm excited to expand on this character and plot", "site called Vox Populi. Obviously, I'm not a hacker or a cyber spy.", "tax returns of corporations or deleted emails of suspicious politicians, and cover their", "corporations or deleted emails of suspicious politicians, and cover their tracks so that", "that the organization is invading privacy or doing illegal things, and then anonymously", "research hacking and cyber warfare before, but I mostly get fake BS on", "and hacker. He's employed by an organization (in the future, of course) that", "spy. So how do I write this guy's profession? I've tried to research", "an organization (in the future, of course) that is basically trying to curate", "and then anonymously release the data onto a site called Vox Populi. Obviously,", "I've tried to research hacking and cyber warfare before, but I mostly get", "tracks so that there's no proof that the organization is invading privacy or", "He's employed by an organization (in the future, of course) that is basically", "Edsavr, who I thought of quite a while ago but haven't done anything", "ago but haven't done anything with, is a professional cyber spy and hacker.", "play. This organization hires people who can access hidden data, like unreleased tax", "the data in the world, including that which is not readily available, which", "Vox Populi. Obviously, I'm not a hacker or a cyber spy. *So how", "is where people like Edsavr come into play. This organization hires people who", "of course) that is basically trying to curate all the data in the", "character and plot line, but I can't do it if I'm totally ignorant", "is basically trying to curate all the data in the world, including that", "data in the world, including that which is not readily available, which is", "mostly get fake BS on conspiracy blogs or cliched portrayals of hacking in", "organization hires people who can access hidden data, like unreleased tax returns of", "suspicious politicians, and cover their tracks so that there's no proof that the", "no proof that the organization is invading privacy or doing illegal things, and", "illegal things, and then anonymously release the data onto a site called Vox", "onto a site called Vox Populi. Obviously, I'm not a hacker or a", "or cliched portrayals of hacking in the media (nerdy friend taps on the", "trying to curate all the data in the world, including that which is", "hires people who can access hidden data, like unreleased tax returns of corporations", "the organization is invading privacy or doing illegal things, and then anonymously release", "a cyber spy. So how do I write this guy's profession?* I've tried", "few times and exclaims, \"I'm in!). I'm excited to expand on this character", "employed by an organization (in the future, of course) that is basically trying", "cyber spy. So how do I write this guy's profession? I've tried to", "done anything with, is a professional cyber spy and hacker. He's employed by", "keyboard a few times and exclaims, \"I'm in!). I'm excited to expand on", "is invading privacy or doing illegal things, and then anonymously release the data", "a site called Vox Populi. Obviously, I'm not a hacker or a cyber", "This organization hires people who can access hidden data, like unreleased tax returns", "if I'm totally ignorant of the whole theme that the novel revolves around.", "to curate all the data in the world, including that which is not", "people like Edsavr come into play. This organization hires people who can access", "to research hacking and cyber warfare before, but I mostly get fake BS", "media (nerdy friend taps on the keyboard a few times and exclaims, \"I'm", "the data onto a site called Vox Populi. Obviously, I'm not a hacker", "expand on this character and plot line, but I can't do it if", "I write this guy's profession? I've tried to research hacking and cyber warfare", "cover their tracks so that there's no proof that the organization is invading", "do I write this guy's profession? I've tried to research hacking and cyber", "available, which is where people like Edsavr come into play. This organization hires", "and plot line, but I can't do it if I'm totally ignorant of", "My OC Edsavr, who I thought of quite a while ago but haven't", "cyber spy and hacker. He's employed by an organization (in the future, of", "doing illegal things, and then anonymously release the data onto a site called", "before, but I mostly get fake BS on conspiracy blogs or cliched portrayals", "on the keyboard a few times and exclaims, \"I'm in!). I'm excited to", "in the world, including that which is not readily available, which is where", "like unreleased tax returns of corporations or deleted emails of suspicious politicians, and", "So how do I write this guy's profession? I've tried to research hacking", "the future, of course) that is basically trying to curate all the data", "organization is invading privacy or doing illegal things, and then anonymously release the", "(in the future, of course) that is basically trying to curate all the", "anonymously release the data onto a site called Vox Populi. Obviously, I'm not", "of suspicious politicians, and cover their tracks so that there's no proof that", "and cyber warfare before, but I mostly get fake BS on conspiracy blogs", "thought of quite a while ago but haven't done anything with, is a", "called Vox Populi. Obviously, I'm not a hacker or a cyber spy. So", "get fake BS on conspiracy blogs or cliched portrayals of hacking in the", "this character and plot line, but I can't do it if I'm totally", "and cover their tracks so that there's no proof that the organization is", "I'm not a hacker or a cyber spy. So how do I write", "how do I write this guy's profession?** I've tried to research hacking and", "BS on conspiracy blogs or cliched portrayals of hacking in the media (nerdy", "the media (nerdy friend taps on the keyboard a few times and exclaims,", "of corporations or deleted emails of suspicious politicians, and cover their tracks so", "friend taps on the keyboard a few times and exclaims, \"I'm in!). I'm", "a professional cyber spy and hacker. He's employed by an organization (in the", "Populi. Obviously, I'm not a hacker or a cyber spy. *So how do", "Obviously, I'm not a hacker or a cyber spy. So how do I", "but I mostly get fake BS on conspiracy blogs or cliched portrayals of", "a few times and exclaims, \"I'm in!). I'm excited to expand on this", "like Edsavr come into play. This organization hires people who can access hidden", "portrayals of hacking in the media (nerdy friend taps on the keyboard a", "unreleased tax returns of corporations or deleted emails of suspicious politicians, and cover", "a while ago but haven't done anything with, is a professional cyber spy", "excited to expand on this character and plot line, but I can't do", "cliched portrayals of hacking in the media (nerdy friend taps on the keyboard", "I'm excited to expand on this character and plot line, but I can't", "release the data onto a site called Vox Populi. Obviously, I'm not a", "but haven't done anything with, is a professional cyber spy and hacker. He's", "taps on the keyboard a few times and exclaims, \"I'm in!). I'm excited", "who I thought of quite a while ago but haven't done anything with,", "but I can't do it if I'm totally ignorant of the whole theme", "or deleted emails of suspicious politicians, and cover their tracks so that there's", "conspiracy blogs or cliched portrayals of hacking in the media (nerdy friend taps", "with, is a professional cyber spy and hacker. He's employed by an organization", "can access hidden data, like unreleased tax returns of corporations or deleted emails", "in the media (nerdy friend taps on the keyboard a few times and", "hidden data, like unreleased tax returns of corporations or deleted emails of suspicious", "not readily available, which is where people like Edsavr come into play. This", "fake BS on conspiracy blogs or cliched portrayals of hacking in the media", "of quite a while ago but haven't done anything with, is a professional", "or a cyber spy. So how do I write this guy's profession?* I've", "including that which is not readily available, which is where people like Edsavr", "invading privacy or doing illegal things, and then anonymously release the data onto", "things, and then anonymously release the data onto a site called Vox Populi.", "all the data in the world, including that which is not readily available,", "which is where people like Edsavr come into play. This organization hires people", "world, including that which is not readily available, which is where people like", "politicians, and cover their tracks so that there's no proof that the organization", "cyber warfare before, but I mostly get fake BS on conspiracy blogs or", "can't do it if I'm totally ignorant of the whole theme that the", "professional cyber spy and hacker. He's employed by an organization (in the future,", "access hidden data, like unreleased tax returns of corporations or deleted emails of", "so that there's no proof that the organization is invading privacy or doing", "this guy's profession?** I've tried to research hacking and cyber warfare before, but", "then anonymously release the data onto a site called Vox Populi. Obviously, I'm", "which is not readily available, which is where people like Edsavr come into", "tried to research hacking and cyber warfare before, but I mostly get fake", "returns of corporations or deleted emails of suspicious politicians, and cover their tracks", "I mostly get fake BS on conspiracy blogs or cliched portrayals of hacking", "exclaims, \"I'm in!). I'm excited to expand on this character and plot line,", "write this guy's profession? I've tried to research hacking and cyber warfare before,", "quite a while ago but haven't done anything with, is a professional cyber", "spy and hacker. He's employed by an organization (in the future, of course)", "guy's profession? I've tried to research hacking and cyber warfare before, but I", "hacking and cyber warfare before, but I mostly get fake BS on conspiracy", "in!). I'm excited to expand on this character and plot line, but I", "to expand on this character and plot line, but I can't do it", "I thought of quite a while ago but haven't done anything with, is", "by an organization (in the future, of course) that is basically trying to", "the world, including that which is not readily available, which is where people", "\"I'm in!). I'm excited to expand on this character and plot line, but", "OC Edsavr, who I thought of quite a while ago but haven't done", "is a professional cyber spy and hacker. He's employed by an organization (in", "a hacker or a cyber spy. So how do I write this guy's", "course) that is basically trying to curate all the data in the world,", "on conspiracy blogs or cliched portrayals of hacking in the media (nerdy friend", "blogs or cliched portrayals of hacking in the media (nerdy friend taps on", "hacking in the media (nerdy friend taps on the keyboard a few times", "proof that the organization is invading privacy or doing illegal things, and then", "come into play. This organization hires people who can access hidden data, like", "who can access hidden data, like unreleased tax returns of corporations or deleted", "plot line, but I can't do it if I'm totally ignorant of the", "anything with, is a professional cyber spy and hacker. He's employed by an", "(nerdy friend taps on the keyboard a few times and exclaims, \"I'm in!).", "readily available, which is where people like Edsavr come into play. This organization", "line, but I can't do it if I'm totally ignorant of the whole", "emails of suspicious politicians, and cover their tracks so that there's no proof", "that there's no proof that the organization is invading privacy or doing illegal", "while ago but haven't done anything with, is a professional cyber spy and", "Edsavr come into play. This organization hires people who can access hidden data,", "profession? I've tried to research hacking and cyber warfare before, but I mostly", "curate all the data in the world, including that which is not readily", "basically trying to curate all the data in the world, including that which", "data, like unreleased tax returns of corporations or deleted emails of suspicious politicians,", "privacy or doing illegal things, and then anonymously release the data onto a", "hacker. He's employed by an organization (in the future, of course) that is", "future, of course) that is basically trying to curate all the data in", "their tracks so that there's no proof that the organization is invading privacy", "on this character and plot line, but I can't do it if I'm", "that is basically trying to curate all the data in the world, including", "the keyboard a few times and exclaims, \"I'm in!). I'm excited to expand", "is not readily available, which is where people like Edsavr come into play.", "not a hacker or a cyber spy. **So how do I write this", "haven't done anything with, is a professional cyber spy and hacker. He's employed", "it if I'm totally ignorant of the whole theme that the novel revolves", "or doing illegal things, and then anonymously release the data onto a site", "do it if I'm totally ignorant of the whole theme that the novel", "organization (in the future, of course) that is basically trying to curate all", "times and exclaims, \"I'm in!). I'm excited to expand on this character and", "deleted emails of suspicious politicians, and cover their tracks so that there's no", "where people like Edsavr come into play. This organization hires people who can", "into play. This organization hires people who can access hidden data, like unreleased", "of hacking in the media (nerdy friend taps on the keyboard a few", "that which is not readily available, which is where people like Edsavr come", "I can't do it if I'm totally ignorant of the whole theme that" ]
[ "health benefits that may have positive effect on > your life expectancy. >", "write like this: Example: > > Exercising (Goodman, J. 2010), laughing (Wilson, A.", "life expectancy. > > > So the point is to state that the", "by the scientists but the outcome (=longer life expectancy) is valid for these", "activities mentioned before the references are all separately studied by the scientists but", "J. 2010), laughing (Wilson, A. 2009) and studying > (Mann, 2000) have all", "can I write like this: Example: > > Exercising (Goodman, J. 2010), laughing", "may have positive effect on > your life expectancy. > > > So", "expectancy. > > > So the point is to state that the activities", "> > > So the point is to state that the activities mentioned", "that may have positive effect on > your life expectancy. > > >", "positive effect on > your life expectancy. > > > So the point", "before the references are all separately studied by the scientists but the outcome", "2010), laughing (Wilson, A. 2009) and studying > (Mann, 2000) have all health", "the point is to state that the activities mentioned before the references are", "> Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009) and studying > (Mann,", "> So the point is to state that the activities mentioned before the", "I write like this: Example: > > Exercising (Goodman, J. 2010), laughing (Wilson,", "all separately studied by the scientists but the outcome (=longer life expectancy) is", "on > your life expectancy. > > > So the point is to", "the activities mentioned before the references are all separately studied by the scientists", "> > So the point is to state that the activities mentioned before", "studied by the scientists but the outcome (=longer life expectancy) is valid for", "2000) have all health benefits that may have positive effect on > your", "A. 2009) and studying > (Mann, 2000) have all health benefits that may", "> (Mann, 2000) have all health benefits that may have positive effect on", "have positive effect on > your life expectancy. > > > So the", "> > Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009) and studying >", "the scientists but the outcome (=longer life expectancy) is valid for these all.", "your life expectancy. > > > So the point is to state that", "point is to state that the activities mentioned before the references are all", "this: Example: > > Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009) and", "Example: > > Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009) and studying", "all health benefits that may have positive effect on > your life expectancy.", "> your life expectancy. > > > So the point is to state", "references are all separately studied by the scientists but the outcome (=longer life", "mentioned before the references are all separately studied by the scientists but the", "(Mann, 2000) have all health benefits that may have positive effect on >", "state that the activities mentioned before the references are all separately studied by", "like this: Example: > > Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009)", "laughing (Wilson, A. 2009) and studying > (Mann, 2000) have all health benefits", "So the point is to state that the activities mentioned before the references", "to state that the activities mentioned before the references are all separately studied", "studying > (Mann, 2000) have all health benefits that may have positive effect", "have all health benefits that may have positive effect on > your life", "separately studied by the scientists but the outcome (=longer life expectancy) is valid", "are all separately studied by the scientists but the outcome (=longer life expectancy)", "(Wilson, A. 2009) and studying > (Mann, 2000) have all health benefits that", "Exercising (Goodman, J. 2010), laughing (Wilson, A. 2009) and studying > (Mann, 2000)", "(Goodman, J. 2010), laughing (Wilson, A. 2009) and studying > (Mann, 2000) have", "benefits that may have positive effect on > your life expectancy. > >", "effect on > your life expectancy. > > > So the point is", "and studying > (Mann, 2000) have all health benefits that may have positive", "that the activities mentioned before the references are all separately studied by the", "So can I write like this: Example: > > Exercising (Goodman, J. 2010),", "is to state that the activities mentioned before the references are all separately", "the references are all separately studied by the scientists but the outcome (=longer", "2009) and studying > (Mann, 2000) have all health benefits that may have" ]
[ "MCs could be a little bland. Any advice about whether they should be", "fun to add details). He \"swears like a sailor\" (Also from Jactsih), and", "here) ------------------- • The main setting is Zurnwasb, but in a 'twisted version'", "book as a whole: • It's set a few weeks post zombie apocalypse.", "genre is likely more of a adventure/comedy, as it's definitely got a few", "the story, which is where he met Faxix and followed him like a", "is likely more of a adventure/comedy, as it's definitely got a few physics/logic", "and had heard of Podia and Jactsih. • Faxix. Faxix was born in", "information and such on it. It isn't that well explained though. I also", "or not is appreciated, as this is my first book. A bit of", "more information on the group, but the document contains some spoilers for late", "from Jactsih) and tends to speak her mind without caring about others opinions.", "bit of information on them and the book as a whole: • It's", "weeks post zombie apocalypse. • Follows a main group of 4 MCs. •", "than him. He knew Jactsih and Stacy (as well as knew about Podia)", "to change it! Thank you to all answers in advance! ~ Elil ^^", "whom he tries to forget. They essentially forced him into learning Russian (which", "keep things interesting. She knew none of the others before the story. •", "definitely got a few physics/logic breaking moments. • The main 4 are Podia,", "to the story but it's fun to add details). He \"swears like a", "\"swears like a sailor\" (Also from Jactsih), and tends to pick on/bully those", "a adventure/comedy, as it's definitely got a few physics/logic breaking moments. • The", "Japanese-English 17 YO; Jactsih, a transgender Scottish 18 YO; Stacy, a 19 YO", "now before I get too far into the story to change it! Thank", "if something doesn't look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am", "born in Brazil but she grew up in the UK. She's got a", "but she grew up in the UK. She's got a \"wicked death-glare!\" (Quote", "it's fun to add details). He \"swears like a sailor\" (Also from Jactsih),", "Apocalypse, and I feel the cast of MCs could be a little bland.", "to add details). He \"swears like a sailor\" (Also from Jactsih), and tends", "YO Russian-Canadian. (Added starts here) ------------------- • The main setting is Zurnwasb, but", "town when the cause of the zombie apocalypse broke out (didn't state the", "to take anger management as a kid because her 'free speaking' got her", "of MCs could be a little bland. Any advice about whether they should", "about whether they should be changed or not is appreciated, as this is", "please don't be too harsh if something doesn't look right, I'm trying my", "and has a 'detective' mindset. He knew Faxix and had heard of Podia", "deems weaker than him. He knew Jactsih and Stacy (as well as knew", "to forget. They essentially forced him into learning Russian (which isn't important to", "add details). He \"swears like a sailor\" (Also from Jactsih), and tends to", "knew about Podia) before the story. (End added info) ---------------- There is more", "------------------- • The main setting is Zurnwasb, but in a 'twisted version' where", "also don't know how links work on this website... To begin with, I've", "a book, Happy Apocalypse, and I feel the cast of MCs could be", "asked again and the answers I've gotten, I feel I should say that", "should be changed or not is appreciated, as this is my first book.", "before the story. • Stacy. She was born in Brazil but she grew", "• Follows a main group of 4 MCs. • The genre is likely", "before the story. • Jactsih. The poor lad had a troubled childhood and", "He's pretty artsy and has a 'detective' mindset. He knew Faxix and had", "but it's fun to add details). He \"swears like a sailor\" (Also from", "Podia and Jactsih. • Faxix. Faxix was born in Canada with one Russian", "adventure/comedy, as it's definitely got a few physics/logic breaking moments. • The main", "which is where he met Faxix and followed him like a lost puppy.", "\"Before Chaos\" which explains where they all were beforehand, why they were there,", "England rather than London. All four teens were around town when the cause", "my first book. A bit of information on them and the book as", "It's set a few weeks post zombie apocalypse. • Follows a main group", "in a 'twisted version' where there is the main city of England rather", "a whole: • It's set a few weeks post zombie apocalypse. • Follows", "eventually moved to the UK, the main setting of the story, which is", "She knew Faxix before everything and had heard of Podia and Jactsih. •", "in the book. I wanted to ask this now before I get too", "lad had a troubled childhood and eventually moved to the UK, the main", "the question I've asked again and the answers I've gotten, I feel I", "as a kid because her 'free speaking' got her into a lot of", "added info) ---------------- There is more information on the group, but the document", "• Faxix. Faxix was born in Canada with one Russian parent whom he", "first book. A bit of information on them and the book as a", "gotten, I feel I should say that the descriptions of the characters here", "with, I've never asked a question on here before. So please don't be", "and had heard of Podia before the story. • Stacy. She was born", "artsy and has a 'detective' mindset. He knew Faxix and had heard of", "the reason because of spoilers), with Seck and Faxix being together and Podia", "Canada with one Russian parent whom he tries to forget. They essentially forced", "with everyone's personal information and such on it. It isn't that well explained", "well explained though. I also don't know how links work on this website...", "story, which is where he met Faxix and followed him like a lost", "YO; Stacy, a 19 YO black Brazilian and Faxix, 18 YO Russian-Canadian. (Added", "Chaos\" which explains where they all were beforehand, why they were there, the", "written English. She's essentially the 'Main MC', if that makes sense. She's the", "Stacy being sort of nearby. There is a collection of shorts called \"Before", "mind without caring about others opinions. She had to take anger management as", "her mind without caring about others opinions. She had to take anger management", "story, etc. • Podia. Her father is Japanese whilst her mother is English.", "before. So please don't be too harsh if something doesn't look right, I'm", "the others before the story. • Jactsih. The poor lad had a troubled", "She's the first character I made for this and the others were added", "information on the group, but the document contains some spoilers for late in", "is a collection of shorts called \"Before Chaos\" which explains where they all", "speaking' got her into a lot of fights, mainly with Faxix. She doesn't", "UK, the main setting of the story, which is where he met Faxix", "of information on them and the book as a whole: • It's set", "with written English. She's essentially the 'Main MC', if that makes sense. She's", "and followed him like a lost puppy. He's pretty artsy and has a", "like a lost puppy. He's pretty artsy and has a 'detective' mindset. He", "mainly with Faxix. She doesn't abbreviate words when she speaks. She knew Faxix", "Any advice about whether they should be changed or not is appreciated, as", "'free speaking' got her into a lot of fights, mainly with Faxix. She", "Brazil but she grew up in the UK. She's got a \"wicked death-glare!\"", "with one Russian parent whom he tries to forget. They essentially forced him", "of the story, etc. • Podia. Her father is Japanese whilst her mother", "She's essentially the 'Main MC', if that makes sense. She's the first character", "was born in Brazil but she grew up in the UK. She's got", "of the characters here are definitely the bare basic. There is a full", "the main city of England rather than London. All four teens were around", "it's definitely got a few physics/logic breaking moments. • The main 4 are", "here are definitely the bare basic. There is a full word doc with", "there, the mental state of each at the beginning of the story, etc.", "knew Faxix and had heard of Podia before the story. • Stacy. She", "mental state of each at the beginning of the story, etc. • Podia.", "story to change it! Thank you to all answers in advance! ~ Elil", "few physics/logic breaking moments. • The main 4 are Podia, a Japanese-English 17", "was born in Canada with one Russian parent whom he tries to forget.", "of the others before the story. • Jactsih. The poor lad had a", "Faxix and followed him like a lost puppy. He's pretty artsy and has", "others were added to keep things interesting. She knew none of the others", "had to take anger management as a kid because her 'free speaking' got", "the book as a whole: • It's set a few weeks post zombie", "as knew about Podia) before the story. (End added info) ---------------- There is", "doesn't look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a", "website... To begin with, I've never asked a question on here before. So", "4 are Podia, a Japanese-English 17 YO; Jactsih, a transgender Scottish 18 YO;", "word doc with everyone's personal information and such on it. It isn't that", "YO black Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts here) ------------------- •", "knew none of the others before the story. • Jactsih. The poor lad", "the story to change it! Thank you to all answers in advance! ~", "get too far into the story to change it! Thank you to all", "sense. She's the first character I made for this and the others were", "well as knew about Podia) before the story. (End added info) ---------------- There", "I've asked again and the answers I've gotten, I feel I should say", "the story. • Jactsih. The poor lad had a troubled childhood and eventually", "here before. So please don't be too harsh if something doesn't look right,", "a Japanese-English 17 YO; Jactsih, a transgender Scottish 18 YO; Stacy, a 19", "broke out (didn't state the reason because of spoilers), with Seck and Faxix", "I feel I should say that the descriptions of the characters here are", "Japanese whilst her mother is English. She can speak both languages fluently but", "don't be too harsh if something doesn't look right, I'm trying my best!", "and tends to pick on/bully those he deems weaker than him. He knew", "info) ---------------- There is more information on the group, but the document contains", "of nearby. There is a collection of shorts called \"Before Chaos\" which explains", "MC', if that makes sense. She's the first character I made for this", "post zombie apocalypse. • Follows a main group of 4 MCs. • The", "answers I've gotten, I feel I should say that the descriptions of the", "document contains some spoilers for late in the book. I wanted to ask", "Russian (which isn't important to the story but it's fun to add details).", "Follows a main group of 4 MCs. • The genre is likely more", "the answers I've gotten, I feel I should say that the descriptions of", "Jactsih. • Faxix. Faxix was born in Canada with one Russian parent whom", "too far into the story to change it! Thank you to all answers", "four teens were around town when the cause of the zombie apocalypse broke", "first character I made for this and the others were added to keep", "this website... To begin with, I've never asked a question on here before.", "begin with, I've never asked a question on here before. So please don't", "were added to keep things interesting. She knew none of the others before", "of a adventure/comedy, as it's definitely got a few physics/logic breaking moments. •", "characters here are definitely the bare basic. There is a full word doc", "am writing a book, Happy Apocalypse, and I feel the cast of MCs", "him like a lost puppy. He's pretty artsy and has a 'detective' mindset.", "I've never asked a question on here before. So please don't be too", "black Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts here) ------------------- • The", "this and the others were added to keep things interesting. She knew none", "words when she speaks. She knew Faxix before everything and had heard of", "isn't important to the story but it's fun to add details). He \"swears", "I also don't know how links work on this website... To begin with,", "There is a full word doc with everyone's personal information and such on", "knew Faxix before everything and had heard of Podia and Jactsih. • Faxix.", "basic. There is a full word doc with everyone's personal information and such", "Faxix. She doesn't abbreviate words when she speaks. She knew Faxix before everything", "to ask this now before I get too far into the story to", "character I made for this and the others were added to keep things", "for this and the others were added to keep things interesting. She knew", "her mother is English. She can speak both languages fluently but struggles with", "lot of fights, mainly with Faxix. She doesn't abbreviate words when she speaks.", "before the story. (End added info) ---------------- There is more information on the", "'twisted version' where there is the main city of England rather than London.", "should say that the descriptions of the characters here are definitely the bare", "that the descriptions of the characters here are definitely the bare basic. There", "to speak her mind without caring about others opinions. She had to take", "on the group, but the document contains some spoilers for late in the", "trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy Apocalypse, and", "work on this website... To begin with, I've never asked a question on", "book. A bit of information on them and the book as a whole:", "why they were there, the mental state of each at the beginning of", "none of the others before the story. • Jactsih. The poor lad had", "things interesting. She knew none of the others before the story. • Jactsih.", "apocalypse. • Follows a main group of 4 MCs. • The genre is", "fluently but struggles with written English. She's essentially the 'Main MC', if that", "She's got a \"wicked death-glare!\" (Quote from Jactsih) and tends to speak her", "Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts here) ------------------- • The main", "there is the main city of England rather than London. All four teens", "that makes sense. She's the first character I made for this and the", "the others were added to keep things interesting. She knew none of the", "on this website... To begin with, I've never asked a question on here", "anger management as a kid because her 'free speaking' got her into a", "I made for this and the others were added to keep things interesting.", "of England rather than London. All four teens were around town when the", "father is Japanese whilst her mother is English. She can speak both languages", "this now before I get too far into the story to change it!", "the cause of the zombie apocalypse broke out (didn't state the reason because", "of Podia and Jactsih. • Faxix. Faxix was born in Canada with one", "struggles with written English. She's essentially the 'Main MC', if that makes sense.", "the characters here are definitely the bare basic. There is a full word", "called \"Before Chaos\" which explains where they all were beforehand, why they were", "state of each at the beginning of the story, etc. • Podia. Her", "4 MCs. • The genre is likely more of a adventure/comedy, as it's", "which explains where they all were beforehand, why they were there, the mental", "little bland. Any advice about whether they should be changed or not is", "Podia and Stacy being sort of nearby. There is a collection of shorts", "setting of the story, which is where he met Faxix and followed him", "main 4 are Podia, a Japanese-English 17 YO; Jactsih, a transgender Scottish 18", "Faxix before everything and had heard of Podia and Jactsih. • Faxix. Faxix", "each at the beginning of the story, etc. • Podia. Her father is", "had heard of Podia before the story. • Stacy. She was born in", "He knew Jactsih and Stacy (as well as knew about Podia) before the", "harsh if something doesn't look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently", "book. I wanted to ask this now before I get too far into", "cast of MCs could be a little bland. Any advice about whether they", "Podia before the story. • Stacy. She was born in Brazil but she", "made for this and the others were added to keep things interesting. She", "She knew none of the others before the story. • Jactsih. The poor", "where he met Faxix and followed him like a lost puppy. He's pretty", "a question on here before. So please don't be too harsh if something", "be too harsh if something doesn't look right, I'm trying my best! --------------------------------------------------------------------------------------------------------------------------------------------", "those he deems weaker than him. He knew Jactsih and Stacy (as well", "my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy Apocalypse, and I", "---------------- There is more information on the group, but the document contains some", "a troubled childhood and eventually moved to the UK, the main setting of", "question on here before. So please don't be too harsh if something doesn't", "\"wicked death-glare!\" (Quote from Jactsih) and tends to speak her mind without caring", "about others opinions. She had to take anger management as a kid because", "Her father is Japanese whilst her mother is English. She can speak both", "learning Russian (which isn't important to the story but it's fun to add", "Stacy. She was born in Brazil but she grew up in the UK.", "with Seck and Faxix being together and Podia and Stacy being sort of", "lost puppy. He's pretty artsy and has a 'detective' mindset. He knew Faxix", "they should be changed or not is appreciated, as this is my first", "collection of shorts called \"Before Chaos\" which explains where they all were beforehand,", "forget. They essentially forced him into learning Russian (which isn't important to the", "the bare basic. There is a full word doc with everyone's personal information", "and tends to speak her mind without caring about others opinions. She had", "heard of Podia and Jactsih. • Faxix. Faxix was born in Canada with", "best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy Apocalypse, and I feel", "before everything and had heard of Podia and Jactsih. • Faxix. Faxix was", "The main setting is Zurnwasb, but in a 'twisted version' where there is", "because of spoilers), with Seck and Faxix being together and Podia and Stacy", "on here before. So please don't be too harsh if something doesn't look", "and the answers I've gotten, I feel I should say that the descriptions", "doc with everyone's personal information and such on it. It isn't that well", "right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy", "• Jactsih. The poor lad had a troubled childhood and eventually moved to", "as it's definitely got a few physics/logic breaking moments. • The main 4", "Zurnwasb, but in a 'twisted version' where there is the main city of", "a few physics/logic breaking moments. • The main 4 are Podia, a Japanese-English", "of each at the beginning of the story, etc. • Podia. Her father", "in Canada with one Russian parent whom he tries to forget. They essentially", "others opinions. She had to take anger management as a kid because her", "a few weeks post zombie apocalypse. • Follows a main group of 4", "speak both languages fluently but struggles with written English. She's essentially the 'Main", "definitely the bare basic. There is a full word doc with everyone's personal", "writing a book, Happy Apocalypse, and I feel the cast of MCs could", "where there is the main city of England rather than London. All four", "To begin with, I've never asked a question on here before. So please", "A bit of information on them and the book as a whole: •", "in Brazil but she grew up in the UK. She's got a \"wicked", "if that makes sense. She's the first character I made for this and", "I feel the cast of MCs could be a little bland. Any advice", "to the UK, the main setting of the story, which is where he", "full word doc with everyone's personal information and such on it. It isn't", "like a sailor\" (Also from Jactsih), and tends to pick on/bully those he", "speaks. She knew Faxix before everything and had heard of Podia and Jactsih.", "be changed or not is appreciated, as this is my first book. A", "and Stacy being sort of nearby. There is a collection of shorts called", "such on it. It isn't that well explained though. I also don't know", "though. I also don't know how links work on this website... To begin", "reading the question I've asked again and the answers I've gotten, I feel", "got her into a lot of fights, mainly with Faxix. She doesn't abbreviate", "tries to forget. They essentially forced him into learning Russian (which isn't important", "wanted to ask this now before I get too far into the story", "take anger management as a kid because her 'free speaking' got her into", "not is appreciated, as this is my first book. A bit of information", "the zombie apocalypse broke out (didn't state the reason because of spoilers), with", "• The main setting is Zurnwasb, but in a 'twisted version' where there", "she grew up in the UK. She's got a \"wicked death-glare!\" (Quote from", "look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book,", "them and the book as a whole: • It's set a few weeks", "and Stacy (as well as knew about Podia) before the story. (End added", "were there, the mental state of each at the beginning of the story,", "some spoilers for late in the book. I wanted to ask this now", "for late in the book. I wanted to ask this now before I", "• Podia. Her father is Japanese whilst her mother is English. She can", "changed or not is appreciated, as this is my first book. A bit", "(didn't state the reason because of spoilers), with Seck and Faxix being together", "moments. • The main 4 are Podia, a Japanese-English 17 YO; Jactsih, a", "asked a question on here before. So please don't be too harsh if", "version' where there is the main city of England rather than London. All", "tends to speak her mind without caring about others opinions. She had to", "too harsh if something doesn't look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I", "weaker than him. He knew Jactsih and Stacy (as well as knew about", "teens were around town when the cause of the zombie apocalypse broke out", "shorts called \"Before Chaos\" which explains where they all were beforehand, why they", "story. (End added info) ---------------- There is more information on the group, but", "into learning Russian (which isn't important to the story but it's fun to", "this is my first book. A bit of information on them and the", "isn't that well explained though. I also don't know how links work on", "of fights, mainly with Faxix. She doesn't abbreviate words when she speaks. She", "After reading the question I've asked again and the answers I've gotten, I", "She can speak both languages fluently but struggles with written English. She's essentially", "without caring about others opinions. She had to take anger management as a", "starts here) ------------------- • The main setting is Zurnwasb, but in a 'twisted", "a collection of shorts called \"Before Chaos\" which explains where they all were", "at the beginning of the story, etc. • Podia. Her father is Japanese", "Edit: After reading the question I've asked again and the answers I've gotten,", "Seck and Faxix being together and Podia and Stacy being sort of nearby.", "-------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy Apocalypse, and I feel the", "late in the book. I wanted to ask this now before I get", "beforehand, why they were there, the mental state of each at the beginning", "forced him into learning Russian (which isn't important to the story but it's", "of the story, which is where he met Faxix and followed him like", "a lost puppy. He's pretty artsy and has a 'detective' mindset. He knew", "of spoilers), with Seck and Faxix being together and Podia and Stacy being", "I currently am writing a book, Happy Apocalypse, and I feel the cast", "the descriptions of the characters here are definitely the bare basic. There is", "know how links work on this website... To begin with, I've never asked", "far into the story to change it! Thank you to all answers in", "as this is my first book. A bit of information on them and", "is my first book. A bit of information on them and the book", "a lot of fights, mainly with Faxix. She doesn't abbreviate words when she", "born in Canada with one Russian parent whom he tries to forget. They", "London. All four teens were around town when the cause of the zombie", "all were beforehand, why they were there, the mental state of each at", "likely more of a adventure/comedy, as it's definitely got a few physics/logic breaking", "Faxix. Faxix was born in Canada with one Russian parent whom he tries", "when she speaks. She knew Faxix before everything and had heard of Podia", "the beginning of the story, etc. • Podia. Her father is Japanese whilst", "city of England rather than London. All four teens were around town when", "interesting. She knew none of the others before the story. • Jactsih. The", "a kid because her 'free speaking' got her into a lot of fights,", "(which isn't important to the story but it's fun to add details). He", "He \"swears like a sailor\" (Also from Jactsih), and tends to pick on/bully", "were around town when the cause of the zombie apocalypse broke out (didn't", "(End added info) ---------------- There is more information on the group, but the", "a little bland. Any advice about whether they should be changed or not", "and Faxix, 18 YO Russian-Canadian. (Added starts here) ------------------- • The main setting", "YO; Jactsih, a transgender Scottish 18 YO; Stacy, a 19 YO black Brazilian", "They essentially forced him into learning Russian (which isn't important to the story", "got a \"wicked death-glare!\" (Quote from Jactsih) and tends to speak her mind", "19 YO black Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts here) -------------------", "in the UK. She's got a \"wicked death-glare!\" (Quote from Jactsih) and tends", "death-glare!\" (Quote from Jactsih) and tends to speak her mind without caring about", "whilst her mother is English. She can speak both languages fluently but struggles", "the document contains some spoilers for late in the book. I wanted to", "troubled childhood and eventually moved to the UK, the main setting of the", "There is a collection of shorts called \"Before Chaos\" which explains where they", "were beforehand, why they were there, the mental state of each at the", "opinions. She had to take anger management as a kid because her 'free", "from Jactsih), and tends to pick on/bully those he deems weaker than him.", "Jactsih. The poor lad had a troubled childhood and eventually moved to the", "English. She's essentially the 'Main MC', if that makes sense. She's the first", "of shorts called \"Before Chaos\" which explains where they all were beforehand, why", "puppy. He's pretty artsy and has a 'detective' mindset. He knew Faxix and", "contains some spoilers for late in the book. I wanted to ask this", "on it. It isn't that well explained though. I also don't know how", "spoilers), with Seck and Faxix being together and Podia and Stacy being sort", "I get too far into the story to change it! Thank you to", "languages fluently but struggles with written English. She's essentially the 'Main MC', if", "(Quote from Jactsih) and tends to speak her mind without caring about others", "a sailor\" (Also from Jactsih), and tends to pick on/bully those he deems", "caring about others opinions. She had to take anger management as a kid", "he deems weaker than him. He knew Jactsih and Stacy (as well as", "tends to pick on/bully those he deems weaker than him. He knew Jactsih", "spoilers for late in the book. I wanted to ask this now before", "fights, mainly with Faxix. She doesn't abbreviate words when she speaks. She knew", "whole: • It's set a few weeks post zombie apocalypse. • Follows a", "UK. She's got a \"wicked death-glare!\" (Quote from Jactsih) and tends to speak", "a 'twisted version' where there is the main city of England rather than", "can speak both languages fluently but struggles with written English. She's essentially the", "that well explained though. I also don't know how links work on this", "She had to take anger management as a kid because her 'free speaking'", "childhood and eventually moved to the UK, the main setting of the story,", "• The main 4 are Podia, a Japanese-English 17 YO; Jactsih, a transgender", "story but it's fun to add details). He \"swears like a sailor\" (Also", "Faxix, 18 YO Russian-Canadian. (Added starts here) ------------------- • The main setting is", "reason because of spoilers), with Seck and Faxix being together and Podia and", "moved to the UK, the main setting of the story, which is where", "the mental state of each at the beginning of the story, etc. •", "him into learning Russian (which isn't important to the story but it's fun", "others before the story. • Jactsih. The poor lad had a troubled childhood", "a 'detective' mindset. He knew Faxix and had heard of Podia before the", "added to keep things interesting. She knew none of the others before the", "heard of Podia before the story. • Stacy. She was born in Brazil", "is more information on the group, but the document contains some spoilers for", "apocalypse broke out (didn't state the reason because of spoilers), with Seck and", "everything and had heard of Podia and Jactsih. • Faxix. Faxix was born", "being sort of nearby. There is a collection of shorts called \"Before Chaos\"", "group of 4 MCs. • The genre is likely more of a adventure/comedy,", "ask this now before I get too far into the story to change", "the story. (End added info) ---------------- There is more information on the group,", "never asked a question on here before. So please don't be too harsh", "don't know how links work on this website... To begin with, I've never", "I should say that the descriptions of the characters here are definitely the", "cause of the zombie apocalypse broke out (didn't state the reason because of", "he tries to forget. They essentially forced him into learning Russian (which isn't", "important to the story but it's fun to add details). He \"swears like", "speak her mind without caring about others opinions. She had to take anger", "her 'free speaking' got her into a lot of fights, mainly with Faxix.", "There is more information on the group, but the document contains some spoilers", "she speaks. She knew Faxix before everything and had heard of Podia and", "be a little bland. Any advice about whether they should be changed or", "followed him like a lost puppy. He's pretty artsy and has a 'detective'", "her into a lot of fights, mainly with Faxix. She doesn't abbreviate words", "descriptions of the characters here are definitely the bare basic. There is a", "the book. I wanted to ask this now before I get too far", "few weeks post zombie apocalypse. • Follows a main group of 4 MCs.", "Jactsih and Stacy (as well as knew about Podia) before the story. (End", "explained though. I also don't know how links work on this website... To", "is Zurnwasb, but in a 'twisted version' where there is the main city", "bland. Any advice about whether they should be changed or not is appreciated,", "sort of nearby. There is a collection of shorts called \"Before Chaos\" which", "of the zombie apocalypse broke out (didn't state the reason because of spoilers),", "personal information and such on it. It isn't that well explained though. I", "He knew Faxix and had heard of Podia before the story. • Stacy.", "feel the cast of MCs could be a little bland. Any advice about", "zombie apocalypse broke out (didn't state the reason because of spoilers), with Seck", "into a lot of fights, mainly with Faxix. She doesn't abbreviate words when", "him. He knew Jactsih and Stacy (as well as knew about Podia) before", "is appreciated, as this is my first book. A bit of information on", "question I've asked again and the answers I've gotten, I feel I should", "Podia, a Japanese-English 17 YO; Jactsih, a transgender Scottish 18 YO; Stacy, a", "Jactsih) and tends to speak her mind without caring about others opinions. She", "together and Podia and Stacy being sort of nearby. There is a collection", "he met Faxix and followed him like a lost puppy. He's pretty artsy", "the UK. She's got a \"wicked death-glare!\" (Quote from Jactsih) and tends to", "transgender Scottish 18 YO; Stacy, a 19 YO black Brazilian and Faxix, 18", "bare basic. There is a full word doc with everyone's personal information and", "and I feel the cast of MCs could be a little bland. Any", "as a whole: • It's set a few weeks post zombie apocalypse. •", "a full word doc with everyone's personal information and such on it. It", "is where he met Faxix and followed him like a lost puppy. He's", "state the reason because of spoilers), with Seck and Faxix being together and", "to keep things interesting. She knew none of the others before the story.", "the main setting of the story, which is where he met Faxix and", "book, Happy Apocalypse, and I feel the cast of MCs could be a", "the story but it's fun to add details). He \"swears like a sailor\"", "to pick on/bully those he deems weaker than him. He knew Jactsih and", "main setting is Zurnwasb, but in a 'twisted version' where there is the", "• The genre is likely more of a adventure/comedy, as it's definitely got", "into the story to change it! Thank you to all answers in advance!", "set a few weeks post zombie apocalypse. • Follows a main group of", "(as well as knew about Podia) before the story. (End added info) ----------------", "the group, but the document contains some spoilers for late in the book.", "story. • Jactsih. The poor lad had a troubled childhood and eventually moved", "and Podia and Stacy being sort of nearby. There is a collection of", "main group of 4 MCs. • The genre is likely more of a", "and Jactsih. • Faxix. Faxix was born in Canada with one Russian parent", "and Faxix being together and Podia and Stacy being sort of nearby. There", "the first character I made for this and the others were added to", "feel I should say that the descriptions of the characters here are definitely", "Jactsih), and tends to pick on/bully those he deems weaker than him. He", "The poor lad had a troubled childhood and eventually moved to the UK,", "She doesn't abbreviate words when she speaks. She knew Faxix before everything and", "is the main city of England rather than London. All four teens were", "on/bully those he deems weaker than him. He knew Jactsih and Stacy (as", "mother is English. She can speak both languages fluently but struggles with written", "a \"wicked death-glare!\" (Quote from Jactsih) and tends to speak her mind without", "out (didn't state the reason because of spoilers), with Seck and Faxix being", "the story. • Stacy. She was born in Brazil but she grew up", "Faxix and had heard of Podia before the story. • Stacy. She was", "• It's set a few weeks post zombie apocalypse. • Follows a main", "essentially forced him into learning Russian (which isn't important to the story but", "they all were beforehand, why they were there, the mental state of each", "on them and the book as a whole: • It's set a few", "The main 4 are Podia, a Japanese-English 17 YO; Jactsih, a transgender Scottish", "17 YO; Jactsih, a transgender Scottish 18 YO; Stacy, a 19 YO black", "details). He \"swears like a sailor\" (Also from Jactsih), and tends to pick", "story. • Stacy. She was born in Brazil but she grew up in", "is Japanese whilst her mother is English. She can speak both languages fluently", "and eventually moved to the UK, the main setting of the story, which", "where they all were beforehand, why they were there, the mental state of", "MCs. • The genre is likely more of a adventure/comedy, as it's definitely", "when the cause of the zombie apocalypse broke out (didn't state the reason", "had heard of Podia and Jactsih. • Faxix. Faxix was born in Canada", "had a troubled childhood and eventually moved to the UK, the main setting", "is a full word doc with everyone's personal information and such on it.", "than London. All four teens were around town when the cause of the", "but the document contains some spoilers for late in the book. I wanted", "(Also from Jactsih), and tends to pick on/bully those he deems weaker than", "Podia. Her father is Japanese whilst her mother is English. She can speak", "met Faxix and followed him like a lost puppy. He's pretty artsy and", "but struggles with written English. She's essentially the 'Main MC', if that makes", "before I get too far into the story to change it! Thank you", "parent whom he tries to forget. They essentially forced him into learning Russian", "and such on it. It isn't that well explained though. I also don't", "English. She can speak both languages fluently but struggles with written English. She's", "advice about whether they should be changed or not is appreciated, as this", "physics/logic breaking moments. • The main 4 are Podia, a Japanese-English 17 YO;", "are definitely the bare basic. There is a full word doc with everyone's", "The genre is likely more of a adventure/comedy, as it's definitely got a", "rather than London. All four teens were around town when the cause of", "about Podia) before the story. (End added info) ---------------- There is more information", "Scottish 18 YO; Stacy, a 19 YO black Brazilian and Faxix, 18 YO", "is English. She can speak both languages fluently but struggles with written English.", "kid because her 'free speaking' got her into a lot of fights, mainly", "breaking moments. • The main 4 are Podia, a Japanese-English 17 YO; Jactsih,", "say that the descriptions of the characters here are definitely the bare basic.", "main city of England rather than London. All four teens were around town", "the UK, the main setting of the story, which is where he met", "around town when the cause of the zombie apocalypse broke out (didn't state", "18 YO Russian-Canadian. (Added starts here) ------------------- • The main setting is Zurnwasb,", "Stacy, a 19 YO black Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts", "group, but the document contains some spoilers for late in the book. I", "of Podia before the story. • Stacy. She was born in Brazil but", "both languages fluently but struggles with written English. She's essentially the 'Main MC',", "I've gotten, I feel I should say that the descriptions of the characters", "Faxix being together and Podia and Stacy being sort of nearby. There is", "Russian parent whom he tries to forget. They essentially forced him into learning", "appreciated, as this is my first book. A bit of information on them", "She was born in Brazil but she grew up in the UK. She's", "are Podia, a Japanese-English 17 YO; Jactsih, a transgender Scottish 18 YO; Stacy,", "beginning of the story, etc. • Podia. Her father is Japanese whilst her", "change it! Thank you to all answers in advance! ~ Elil ^^ ----------------------------------------------", "management as a kid because her 'free speaking' got her into a lot", "the 'Main MC', if that makes sense. She's the first character I made", "more of a adventure/comedy, as it's definitely got a few physics/logic breaking moments.", "Happy Apocalypse, and I feel the cast of MCs could be a little", "because her 'free speaking' got her into a lot of fights, mainly with", "setting is Zurnwasb, but in a 'twisted version' where there is the main", "and the book as a whole: • It's set a few weeks post", "mindset. He knew Faxix and had heard of Podia before the story. •", "It isn't that well explained though. I also don't know how links work", "So please don't be too harsh if something doesn't look right, I'm trying", "nearby. There is a collection of shorts called \"Before Chaos\" which explains where", "up in the UK. She's got a \"wicked death-glare!\" (Quote from Jactsih) and", "one Russian parent whom he tries to forget. They essentially forced him into", "Jactsih, a transgender Scottish 18 YO; Stacy, a 19 YO black Brazilian and", "whether they should be changed or not is appreciated, as this is my", "Stacy (as well as knew about Podia) before the story. (End added info)", "a transgender Scottish 18 YO; Stacy, a 19 YO black Brazilian and Faxix,", "with Faxix. She doesn't abbreviate words when she speaks. She knew Faxix before", "everyone's personal information and such on it. It isn't that well explained though.", "pretty artsy and has a 'detective' mindset. He knew Faxix and had heard", "makes sense. She's the first character I made for this and the others", "links work on this website... To begin with, I've never asked a question", "information on them and the book as a whole: • It's set a", "got a few physics/logic breaking moments. • The main 4 are Podia, a", "and the others were added to keep things interesting. She knew none of", "main setting of the story, which is where he met Faxix and followed", "sailor\" (Also from Jactsih), and tends to pick on/bully those he deems weaker", "pick on/bully those he deems weaker than him. He knew Jactsih and Stacy", "something doesn't look right, I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing", "they were there, the mental state of each at the beginning of the", "All four teens were around town when the cause of the zombie apocalypse", "being together and Podia and Stacy being sort of nearby. There is a", "has a 'detective' mindset. He knew Faxix and had heard of Podia before", "the cast of MCs could be a little bland. Any advice about whether", "knew Jactsih and Stacy (as well as knew about Podia) before the story.", "the story, etc. • Podia. Her father is Japanese whilst her mother is", "it. It isn't that well explained though. I also don't know how links", "a 19 YO black Brazilian and Faxix, 18 YO Russian-Canadian. (Added starts here)", "doesn't abbreviate words when she speaks. She knew Faxix before everything and had", "18 YO; Stacy, a 19 YO black Brazilian and Faxix, 18 YO Russian-Canadian.", "currently am writing a book, Happy Apocalypse, and I feel the cast of", "poor lad had a troubled childhood and eventually moved to the UK, the", "etc. • Podia. Her father is Japanese whilst her mother is English. She", "abbreviate words when she speaks. She knew Faxix before everything and had heard", "(Added starts here) ------------------- • The main setting is Zurnwasb, but in a", "'detective' mindset. He knew Faxix and had heard of Podia before the story.", "explains where they all were beforehand, why they were there, the mental state", "how links work on this website... To begin with, I've never asked a", "essentially the 'Main MC', if that makes sense. She's the first character I", "I wanted to ask this now before I get too far into the", "• Stacy. She was born in Brazil but she grew up in the", "of 4 MCs. • The genre is likely more of a adventure/comedy, as", "'Main MC', if that makes sense. She's the first character I made for", "could be a little bland. Any advice about whether they should be changed", "Russian-Canadian. (Added starts here) ------------------- • The main setting is Zurnwasb, but in", "Faxix was born in Canada with one Russian parent whom he tries to", "Podia) before the story. (End added info) ---------------- There is more information on", "grew up in the UK. She's got a \"wicked death-glare!\" (Quote from Jactsih)", "zombie apocalypse. • Follows a main group of 4 MCs. • The genre", "but in a 'twisted version' where there is the main city of England", "I'm trying my best! -------------------------------------------------------------------------------------------------------------------------------------------- I currently am writing a book, Happy Apocalypse,", "again and the answers I've gotten, I feel I should say that the", "a main group of 4 MCs. • The genre is likely more of" ]
[ "Even with normal typing, writers like Dean Wesley Smith don't do much editing", "to spend too much time on revision or editing other than correcting a", "an hour with dictation. For a six-hour day writing, that is 30,000 words.", "do 5000 words an hour with dictation. For a six-hour day writing, that", "by dictating, this seems to mean that they wouldn't have to spend too", "do much editing and never use editors. This obviously means that we can", "Since I've also heard that writers produce much better quality work by dictating,", "and there. Even with normal typing, writers like Dean Wesley Smith don't do", "have heard that authors can do 5000 words an hour with dictation. For", "that authors can do 5000 words an hour with dictation. For a six-hour", "dictating, this seems to mean that they wouldn't have to spend too much", "three days to complete a standard novel manuscript. Since I've also heard that", "this seems to mean that they wouldn't have to spend too much time", "that is 30,000 words. Thus it would take less than three days to", "can do 5000 words an hour with dictation. For a six-hour day writing,", "is 30,000 words. Thus it would take less than three days to complete", "also heard that writers produce much better quality work by dictating, this seems", "days to complete a standard novel manuscript. Since I've also heard that writers", "than correcting a few minor mistakes here and there. Even with normal typing,", "least) as dictation technology becomes more widely used. Am I right in this", "would take less than three days to complete a standard novel manuscript. Since", "means that we can expect to see prolific writers churning out new 100,000", "new 100,000 word novels every week (at least) as dictation technology becomes more", "wouldn't have to spend too much time on revision or editing other than", "like Dean Wesley Smith don't do much editing and never use editors. This", "as dictation technology becomes more widely used. Am I right in this assumption?", "I've also heard that writers produce much better quality work by dictating, this", "prolific writers churning out new 100,000 word novels every week (at least) as", "six-hour day writing, that is 30,000 words. Thus it would take less than", "to complete a standard novel manuscript. Since I've also heard that writers produce", "few minor mistakes here and there. Even with normal typing, writers like Dean", "editors. This obviously means that we can expect to see prolific writers churning", "here and there. Even with normal typing, writers like Dean Wesley Smith don't", "(at least) as dictation technology becomes more widely used. Am I right in", "work by dictating, this seems to mean that they wouldn't have to spend", "100,000 word novels every week (at least) as dictation technology becomes more widely", "and never use editors. This obviously means that we can expect to see", "produce much better quality work by dictating, this seems to mean that they", "writers produce much better quality work by dictating, this seems to mean that", "with normal typing, writers like Dean Wesley Smith don't do much editing and", "revision or editing other than correcting a few minor mistakes here and there.", "Dean Wesley Smith don't do much editing and never use editors. This obviously", "or editing other than correcting a few minor mistakes here and there. Even", "day writing, that is 30,000 words. Thus it would take less than three", "novel manuscript. Since I've also heard that writers produce much better quality work", "they wouldn't have to spend too much time on revision or editing other", "mean that they wouldn't have to spend too much time on revision or", "much editing and never use editors. This obviously means that we can expect", "have to spend too much time on revision or editing other than correcting", "This obviously means that we can expect to see prolific writers churning out", "becomes more widely used. Am I right in this assumption? Or where am", "complete a standard novel manuscript. Since I've also heard that writers produce much", "don't do much editing and never use editors. This obviously means that we", "dictation technology becomes more widely used. Am I right in this assumption? Or", "Thus it would take less than three days to complete a standard novel", "with dictation. For a six-hour day writing, that is 30,000 words. Thus it", "mistakes here and there. Even with normal typing, writers like Dean Wesley Smith", "take less than three days to complete a standard novel manuscript. Since I've", "expect to see prolific writers churning out new 100,000 word novels every week", "week (at least) as dictation technology becomes more widely used. Am I right", "than three days to complete a standard novel manuscript. Since I've also heard", "seems to mean that they wouldn't have to spend too much time on", "dictation. For a six-hour day writing, that is 30,000 words. Thus it would", "typing, writers like Dean Wesley Smith don't do much editing and never use", "authors can do 5000 words an hour with dictation. For a six-hour day", "words. Thus it would take less than three days to complete a standard", "novels every week (at least) as dictation technology becomes more widely used. Am", "out new 100,000 word novels every week (at least) as dictation technology becomes", "more widely used. Am I right in this assumption? Or where am I", "see prolific writers churning out new 100,000 word novels every week (at least)", "editing other than correcting a few minor mistakes here and there. Even with", "writers like Dean Wesley Smith don't do much editing and never use editors.", "can expect to see prolific writers churning out new 100,000 word novels every", "editing and never use editors. This obviously means that we can expect to", "it would take less than three days to complete a standard novel manuscript.", "other than correcting a few minor mistakes here and there. Even with normal", "to see prolific writers churning out new 100,000 word novels every week (at", "I have heard that authors can do 5000 words an hour with dictation.", "Wesley Smith don't do much editing and never use editors. This obviously means", "use editors. This obviously means that we can expect to see prolific writers", "a standard novel manuscript. Since I've also heard that writers produce much better", "hour with dictation. For a six-hour day writing, that is 30,000 words. Thus", "to mean that they wouldn't have to spend too much time on revision", "much better quality work by dictating, this seems to mean that they wouldn't", "never use editors. This obviously means that we can expect to see prolific", "obviously means that we can expect to see prolific writers churning out new", "normal typing, writers like Dean Wesley Smith don't do much editing and never", "writers churning out new 100,000 word novels every week (at least) as dictation", "technology becomes more widely used. Am I right in this assumption? Or where", "less than three days to complete a standard novel manuscript. Since I've also", "widely used. Am I right in this assumption? Or where am I wrong?", "correcting a few minor mistakes here and there. Even with normal typing, writers", "that they wouldn't have to spend too much time on revision or editing", "that we can expect to see prolific writers churning out new 100,000 word", "5000 words an hour with dictation. For a six-hour day writing, that is", "Smith don't do much editing and never use editors. This obviously means that", "too much time on revision or editing other than correcting a few minor", "time on revision or editing other than correcting a few minor mistakes here", "much time on revision or editing other than correcting a few minor mistakes", "quality work by dictating, this seems to mean that they wouldn't have to", "word novels every week (at least) as dictation technology becomes more widely used.", "better quality work by dictating, this seems to mean that they wouldn't have", "manuscript. Since I've also heard that writers produce much better quality work by", "For a six-hour day writing, that is 30,000 words. Thus it would take", "a six-hour day writing, that is 30,000 words. Thus it would take less", "spend too much time on revision or editing other than correcting a few", "a few minor mistakes here and there. Even with normal typing, writers like", "30,000 words. Thus it would take less than three days to complete a", "there. Even with normal typing, writers like Dean Wesley Smith don't do much", "on revision or editing other than correcting a few minor mistakes here and", "heard that authors can do 5000 words an hour with dictation. For a", "words an hour with dictation. For a six-hour day writing, that is 30,000", "we can expect to see prolific writers churning out new 100,000 word novels", "that writers produce much better quality work by dictating, this seems to mean", "churning out new 100,000 word novels every week (at least) as dictation technology", "standard novel manuscript. Since I've also heard that writers produce much better quality", "writing, that is 30,000 words. Thus it would take less than three days", "every week (at least) as dictation technology becomes more widely used. Am I", "minor mistakes here and there. Even with normal typing, writers like Dean Wesley", "heard that writers produce much better quality work by dictating, this seems to" ]
[ "(most recently, It's Kind of a Funny Story by Ned Vizzini), but most", "out of place for me to model characters after my own experiences as", "their authors, whether that's in personality, physical attributes like race or sex, background,", "Is it common for authors, especially major ones with bestsellers, to model characters", "like race or sex, background, or life-altering/major experiences, and have plotlines that the", "own life experience as the basis for the characters and plot (most recently,", "for authors, especially major ones with bestsellers, to model characters and plots after", "to model characters and plots after themselves? Perhaps I just haven't encountered many", "themselves? Perhaps I just haven't encountered many authors who do this? And would", "life-altering/major experiences, and have plotlines that the author hasn't lived. Is it common", "a related question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few", "or life-altering/major experiences, and have plotlines that the author hasn't lived. Is it", "that are nothing like their authors, whether that's in personality, physical attributes like", "the characters and plot (most recently, It's Kind of a Funny Story by", "Funny Story* by Ned Vizzini), but most books I read have characters that", "characters and plots after themselves? Perhaps I just haven't encountered many authors who", "books where authors use their own life experience as the basis for the", "that's in personality, physical attributes like race or sex, background, or life-altering/major experiences,", "author hasn't lived. Is it common for authors, especially major ones with bestsellers,", "and have plotlines that the author hasn't lived. Is it common for authors,", "haven't encountered many authors who do this? And would it be out of", "read have characters that are nothing like their authors, whether that's in personality,", "and plots after themselves? Perhaps I just haven't encountered many authors who do", "the basis for the characters and plot (most recently, It's Kind of a", "race or sex, background, or life-altering/major experiences, and have plotlines that the author", "many authors who do this? And would it be out of place for", "place for me to model characters after my own experiences as well, given", "the author hasn't lived. Is it common for authors, especially major ones with", "Ned Vizzini), but most books I read have characters that are nothing like", "Kind of a Funny Story by Ned Vizzini), but most books I read", "authors who do this? And would it be out of place for me", "have plotlines that the author hasn't lived. Is it common for authors, especially", "characters after my own experiences as well, given however many authors do the", "experience as the basis for the characters and plot (most recently, It's Kind", "common for authors, especially major ones with bestsellers, to model characters and plots", "personality, physical attributes like race or sex, background, or life-altering/major experiences, and have", "sex, background, or life-altering/major experiences, and have plotlines that the author hasn't lived.", "just few books where authors use their own life experience as the basis", "have characters that are nothing like their authors, whether that's in personality, physical", "authors use their own life experience as the basis for the characters and", "it common for authors, especially major ones with bestsellers, to model characters and", "be out of place for me to model characters after my own experiences", "background, or life-altering/major experiences, and have plotlines that the author hasn't lived. Is", "physical attributes like race or sex, background, or life-altering/major experiences, and have plotlines", "hasn't lived. Is it common for authors, especially major ones with bestsellers, to", "my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors use their own life", "[projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors use", "about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors", "few books where authors use their own life experience as the basis for", "lived. Is it common for authors, especially major ones with bestsellers, to model", "characters and plot (most recently, It's Kind of a Funny Story* by Ned", "or sex, background, or life-altering/major experiences, and have plotlines that the author hasn't", "especially major ones with bestsellers, to model characters and plots after themselves? Perhaps", "plots after themselves? Perhaps I just haven't encountered many authors who do this?", "after my own experiences as well, given however many authors do the same?", "books I read have characters that are nothing like their authors, whether that's", "characters that are nothing like their authors, whether that's in personality, physical attributes", "attributes like race or sex, background, or life-altering/major experiences, and have plotlines that", "like their authors, whether that's in personality, physical attributes like race or sex,", "onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors use their own", "question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where", "authors, whether that's in personality, physical attributes like race or sex, background, or", "who do this? And would it be out of place for me to", "I read have characters that are nothing like their authors, whether that's in", "of a Funny Story* by Ned Vizzini), but most books I read have", "by Ned Vizzini), but most books I read have characters that are nothing", "model characters after my own experiences as well, given however many authors do", "related question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books", "for the characters and plot (most recently, It's Kind of a Funny Story", "in personality, physical attributes like race or sex, background, or life-altering/major experiences, and", "read just few books where authors use their own life experience as the", "ones with bestsellers, to model characters and plots after themselves? Perhaps I just", "I've read just few books where authors use their own life experience as", "major ones with bestsellers, to model characters and plots after themselves? Perhaps I", "me to model characters after my own experiences as well, given however many", "where authors use their own life experience as the basis for the characters", "and plot (most recently, It's Kind of a Funny Story by Ned Vizzini),", "would it be out of place for me to model characters after my", "plotlines that the author hasn't lived. Is it common for authors, especially major", "plot (most recently, It's Kind of a Funny Story by Ned Vizzini), but", "that the author hasn't lived. Is it common for authors, especially major ones", "It's Kind of a Funny Story by Ned Vizzini), but most books I", "this? And would it be out of place for me to model characters", "it be out of place for me to model characters after my own", "And would it be out of place for me to model characters after", "after themselves? Perhaps I just haven't encountered many authors who do this? And", "their own life experience as the basis for the characters and plot (most", "bestsellers, to model characters and plots after themselves? Perhaps I just haven't encountered", "characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors use their own life experience", "encountered many authors who do this? And would it be out of place", "do this? And would it be out of place for me to model", "a Funny Story* by Ned Vizzini), but most books I read have characters", "Perhaps I just haven't encountered many authors who do this? And would it", "Vizzini), but most books I read have characters that are nothing like their", "but most books I read have characters that are nothing like their authors,", "most books I read have characters that are nothing like their authors, whether", "nothing like their authors, whether that's in personality, physical attributes like race or", "previously asked a related question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read", "to model characters after my own experiences as well, given however many authors", "basis for the characters and plot (most recently, It's Kind of a Funny", "whether that's in personality, physical attributes like race or sex, background, or life-altering/major", "asked a related question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just", "(I previously asked a related question about [projecting myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've", "authors, especially major ones with bestsellers, to model characters and plots after themselves?", "experiences, and have plotlines that the author hasn't lived. Is it common for", "of place for me to model characters after my own experiences as well,", "just haven't encountered many authors who do this? And would it be out", "I just haven't encountered many authors who do this? And would it be", "use their own life experience as the basis for the characters and plot", "model characters and plots after themselves? Perhaps I just haven't encountered many authors", "for me to model characters after my own experiences as well, given however", "recently, It's Kind of a Funny Story* by Ned Vizzini), but most books", "Story* by Ned Vizzini), but most books I read have characters that are", "are nothing like their authors, whether that's in personality, physical attributes like race", "as the basis for the characters and plot (most recently, It's Kind of", "with bestsellers, to model characters and plots after themselves? Perhaps I just haven't", "life experience as the basis for the characters and plot (most recently, It's", "myself onto my characters](https://writing.stackexchange.com/questions/40956/not-projecting-myself-onto-my-characters).) I've read just few books where authors use their" ]
[ "a select group of individuals who contain superpowers and the main character is", "of individuals who contain superpowers and the main character is obviously one of", "select group of individuals who contain superpowers and the main character is obviously", "individuals who contain superpowers and the main character is obviously one of those", "who contain superpowers and the main character is obviously one of those few.", "there straight away and am trying to hint towards it throughout pages and", "pages and paragraphs, but can't figure out when to finally say that they", "and paragraphs, but can't figure out when to finally say that they contained", "throw it out there straight away and am trying to hint towards it", "trying to hint towards it throughout pages and paragraphs, but can't figure out", "includes a select group of individuals who contain superpowers and the main character", "towards it throughout pages and paragraphs, but can't figure out when to finally", "one of those few. I don't want to throw it out there straight", "to hint towards it throughout pages and paragraphs, but can't figure out when", "story includes a select group of individuals who contain superpowers and the main", "is obviously one of those few. I don't want to throw it out", "main character is obviously one of those few. I don't want to throw", "hint towards it throughout pages and paragraphs, but can't figure out when to", "throughout pages and paragraphs, but can't figure out when to finally say that", "to finally say that they contained this hidden power all along? Any opinions", "those few. I don't want to throw it out there straight away and", "say that they contained this hidden power all along? Any opinions and suggestions", "superpowers and the main character is obviously one of those few. I don't", "that they contained this hidden power all along? Any opinions and suggestions are", "out there straight away and am trying to hint towards it throughout pages", "it throughout pages and paragraphs, but can't figure out when to finally say", "paragraphs, but can't figure out when to finally say that they contained this", "contain superpowers and the main character is obviously one of those few. I", "few. I don't want to throw it out there straight away and am", "the main character is obviously one of those few. I don't want to", "it out there straight away and am trying to hint towards it throughout", "finally say that they contained this hidden power all along? Any opinions and", "and the main character is obviously one of those few. I don't want", "away and am trying to hint towards it throughout pages and paragraphs, but", "to throw it out there straight away and am trying to hint towards", "group of individuals who contain superpowers and the main character is obviously one", "don't want to throw it out there straight away and am trying to", "and am trying to hint towards it throughout pages and paragraphs, but can't", "out when to finally say that they contained this hidden power all along?", "I don't want to throw it out there straight away and am trying", "am trying to hint towards it throughout pages and paragraphs, but can't figure", "obviously one of those few. I don't want to throw it out there", "figure out when to finally say that they contained this hidden power all", "of those few. I don't want to throw it out there straight away", "want to throw it out there straight away and am trying to hint", "they contained this hidden power all along? Any opinions and suggestions are helpful!", "can't figure out when to finally say that they contained this hidden power", "character is obviously one of those few. I don't want to throw it", "when to finally say that they contained this hidden power all along? Any", "straight away and am trying to hint towards it throughout pages and paragraphs,", "This story includes a select group of individuals who contain superpowers and the", "but can't figure out when to finally say that they contained this hidden" ]
[ "if I start writing short paras it is ok. if I start writing", "start writing short paras it is ok. if I start writing poetry I", "too. I'm a software engineer by profession, but I'm too confused about my", "it is ok. if I start writing poetry I kill it too. I'm", "writing poetry I kill it too. I'm a software engineer by profession, but", "of writer. if I start writing short paras it is ok. if I", "I start writing short paras it is ok. if I start writing poetry", "a software engineer by profession, but I'm too confused about my passion. What", "if I start writing poetry I kill it too. I'm a software engineer", "paras it is ok. if I start writing poetry I kill it too.", "ok. if I start writing poetry I kill it too. I'm a software", "short paras it is ok. if I start writing poetry I kill it", "I kill it too. I'm a software engineer by profession, but I'm too", "some sort of writer. if I start writing short paras it is ok.", "by profession, but I'm too confused about my passion. What should I do?", "writing short paras it is ok. if I start writing poetry I kill", "is ok. if I start writing poetry I kill it too. I'm a", "start writing poetry I kill it too. I'm a software engineer by profession,", "engineer by profession, but I'm too confused about my passion. What should I", "I'm some sort of writer. if I start writing short paras it is", "I'm a software engineer by profession, but I'm too confused about my passion.", "software engineer by profession, but I'm too confused about my passion. What should", "poetry I kill it too. I'm a software engineer by profession, but I'm", "sort of writer. if I start writing short paras it is ok. if", "writer. if I start writing short paras it is ok. if I start", "kill it too. I'm a software engineer by profession, but I'm too confused", "it too. I'm a software engineer by profession, but I'm too confused about", "I start writing poetry I kill it too. I'm a software engineer by" ]
[ "has only an inkling of the ramifications of her actions, and barely, if", "rage, she projects her powers and fells a tree, killing it just by", "she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way through the story,", "dreams is her, and UrasMt is a killer and possesses superhuman abilities. To", "place and is constantly afraid of being discovered as a killer, even if", "Now she's a young woman, and has been found by a group of", "constantly afraid of being discovered as a killer, even if she herself doesn't", "all, makes a connection between the bizarre thing she just did and her", "she's looking at her younger self). Now she's a young woman, and has", "out who she is and what she's done, would it be just as", "third-person nightmare, where she watches herself kill her family (but doesn't fully know", "to be unable to connect the dots and remember her actions? Will it", "maybe a quarter of the way through the story, and I think that", "writer, it's obvious, and when I share my piece with peers and teachers,", "dots and remember her actions? Will it bore the reader that UrasMt is", "what's going on and can easily put the pieces of the puzzle together.", "that the reader can easily stitch together context clues and figure out that", "she watches herself kill her family (but doesn't fully know that she's looking", "only an inkling of the ramifications of her actions, and barely, if at", "killed her family and other survivors who investigated the commotion she caused while", "and in a moment of rage, she projects her powers and fells a", "[here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way through the story, and I", "previously talked about UrasMt having difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator).", "and taken in. She feels out of place and is constantly afraid of", "figure out who she is and what she's done, would it be just", "I share my piece with peers and teachers, they know what's going on", "who she is and what she's done, would it be just as easy", "an inkling of the ramifications of her actions, and barely, if at all,", "at all, makes a connection between the bizarre thing she just did and", "the same? Is it unrealistic for her to be unable to connect the", "she just did and her nightmares of the girl who kills her family.", "the pain and trauma of the events to manifest in a recurring third-person", "To me, the writer, it's obvious, and when I share my piece with", "in. She feels out of place and is constantly afraid of being discovered", "her powers and fells a tree, killing it just by touching it. She's", "and possesses superhuman abilities. To me, the writer, it's obvious, and when I", "other survivors who investigated the commotion she caused while killing them, and has", "it's so easy for the readers to get the background of UrasMt' character", "and UrasMt is a killer and possesses superhuman abilities. To me, the writer,", "caused while killing them, and has semi-suppressed the memory, causing the pain and", "child, she accidentally killed her family and other survivors who investigated the commotion", "so easy for the readers to get the background of UrasMt' character and", "younger self). Now she's a young woman, and has been found by a", "character and figure out who she is and what she's done, would it", "inkling of the ramifications of her actions, and barely, if at all, makes", "She's horrified and has only an inkling of the ramifications of her actions,", "post-apocalyptic novel question! I'm just full of them.) My MC, UrasMt, has the", "just full of them.) My MC, UrasMt, has the power to manipulate life", "just by touching it. She's horrified and has only an inkling of the", "of her actions, and barely, if at all, makes a connection between the", "girl who kills her family. I've previously talked about UrasMt having difficulty with", "if at all, makes a connection between the bizarre thing she just did", "can easily put the pieces of the puzzle together. But since it's so", "commotion she caused while killing them, and has semi-suppressed the memory, causing the", "a tree, killing it just by touching it. She's horrified and has only", "being discovered as a killer, even if she herself doesn't quite know what", "I'm maybe a quarter of the way through the story, and I think", "for her to be unable to connect the dots and remember her actions?", "young woman, and has been found by a group of survivors and taken", "Away from the others, unseen by anyone, and in a moment of rage,", "that she's looking at her younger self). Now she's a young woman, and", "for UrasMt to do the same? Is it unrealistic for her to be", "her actions, and barely, if at all, makes a connection between the bizarre", "put the pieces of the puzzle together. But since it's so easy for", "trauma of the events to manifest in a recurring third-person nightmare, where she", "taken in. She feels out of place and is constantly afraid of being", "girl in UrasMt' dreams is her, and UrasMt is a killer and possesses", "Is it unrealistic for her to be unable to connect the dots and", "of the way through the story, and I think that the reader can", "her family. I've previously talked about UrasMt having difficulty with acknowledging bad things", "between the bizarre thing she just did and her nightmares of the girl", "get the background of UrasMt' character and figure out who she is and", "by touching it. She's horrified and has only an inkling of the ramifications", "self). Now she's a young woman, and has been found by a group", "through the story, and I think that the reader can easily stitch together", "My MC, UrasMt, has the power to manipulate life force. As a child,", "manipulate life force. As a child, she accidentally killed her family and other", "to get the background of UrasMt' character and figure out who she is", "what she's done, would it be just as easy for UrasMt to do", "family and other survivors who investigated the commotion she caused while killing them,", "while killing them, and has semi-suppressed the memory, causing the pain and trauma", "them.) My MC, UrasMt, has the power to manipulate life force. As a", "novel question! I'm just full of them.) My MC, UrasMt, has the power", "she is and what she's done, would it be just as easy for", "done, would it be just as easy for UrasMt to do the same?", "pieces of the puzzle together. But since it's so easy for the readers", "and has semi-suppressed the memory, causing the pain and trauma of the events", "kills her family. I've previously talked about UrasMt having difficulty with acknowledging bad", "of survivors and taken in. She feels out of place and is constantly", "of UrasMt' character and figure out who she is and what she's done,", "of the girl who kills her family. I've previously talked about UrasMt having", "to connect the dots and remember her actions? Will it bore the reader", "context clues and figure out that the girl in UrasMt' dreams is her,", "and remember her actions? Will it bore the reader that UrasMt is missing", "can easily stitch together context clues and figure out that the girl in", "as a killer, even if she herself doesn't quite know what she's done.", "and teachers, they know what's going on and can easily put the pieces", "quarter of the way through the story, and I think that the reader", "of rage, she projects her powers and fells a tree, killing it just", "since it's so easy for the readers to get the background of UrasMt'", "and I think that the reader can easily stitch together context clues and", "actions, and barely, if at all, makes a connection between the bizarre thing", "when I share my piece with peers and teachers, they know what's going", "the writer, it's obvious, and when I share my piece with peers and", "UrasMt to do the same? Is it unrealistic for her to be unable", "horrified and has only an inkling of the ramifications of her actions, and", "has semi-suppressed the memory, causing the pain and trauma of the events to", "causing the pain and trauma of the events to manifest in a recurring", "of the events to manifest in a recurring third-person nightmare, where she watches", "at her younger self). Now she's a young woman, and has been found", "think that the reader can easily stitch together context clues and figure out", "together context clues and figure out that the girl in UrasMt' dreams is", "and can easily put the pieces of the puzzle together. But since it's", "things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way through the", "together. But since it's so easy for the readers to get the background", "afraid of being discovered as a killer, even if she herself doesn't quite", "bizarre thing she just did and her nightmares of the girl who kills", "a moment of rage, she projects her powers and fells a tree, killing", "it's obvious, and when I share my piece with peers and teachers, they", "the memory, causing the pain and trauma of the events to manifest in", "the events to manifest in a recurring third-person nightmare, where she watches herself", "the ramifications of her actions, and barely, if at all, makes a connection", "what she's done. Away from the others, unseen by anyone, and in a", "a young woman, and has been found by a group of survivors and", "found by a group of survivors and taken in. She feels out of", "a killer and possesses superhuman abilities. To me, the writer, it's obvious, and", "having difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter", "power to manipulate life force. As a child, she accidentally killed her family", "the reader can easily stitch together context clues and figure out that the", "powers and fells a tree, killing it just by touching it. She's horrified", "has the power to manipulate life force. As a child, she accidentally killed", "and when I share my piece with peers and teachers, they know what's", "reader can easily stitch together context clues and figure out that the girl", "UrasMt is a killer and possesses superhuman abilities. To me, the writer, it's", "herself doesn't quite know what she's done. Away from the others, unseen by", "pain and trauma of the events to manifest in a recurring third-person nightmare,", "MC, UrasMt, has the power to manipulate life force. As a child, she", "in UrasMt' dreams is her, and UrasMt is a killer and possesses superhuman", "of the puzzle together. But since it's so easy for the readers to", "thing she just did and her nightmares of the girl who kills her", "feels out of place and is constantly afraid of being discovered as a", "fully know that she's looking at her younger self). Now she's a young", "UrasMt, has the power to manipulate life force. As a child, she accidentally", "the others, unseen by anyone, and in a moment of rage, she projects", "did and her nightmares of the girl who kills her family. I've previously", "(Another post-apocalyptic novel question! I'm just full of them.) My MC, UrasMt, has", "her, and UrasMt is a killer and possesses superhuman abilities. To me, the", "easily stitch together context clues and figure out that the girl in UrasMt'", "her family and other survivors who investigated the commotion she caused while killing", "and figure out that the girl in UrasMt' dreams is her, and UrasMt", "piece with peers and teachers, they know what's going on and can easily", "do the same? Is it unrealistic for her to be unable to connect", "peers and teachers, they know what's going on and can easily put the", "the dots and remember her actions? Will it bore the reader that UrasMt", "She feels out of place and is constantly afraid of being discovered as", "a connection between the bizarre thing she just did and her nightmares of", "events to manifest in a recurring third-person nightmare, where she watches herself kill", "As a child, she accidentally killed her family and other survivors who investigated", "as easy for UrasMt to do the same? Is it unrealistic for her", "watches herself kill her family (but doesn't fully know that she's looking at", "she caused while killing them, and has semi-suppressed the memory, causing the pain", "and barely, if at all, makes a connection between the bizarre thing she", "in a moment of rage, she projects her powers and fells a tree,", "of the ramifications of her actions, and barely, if at all, makes a", "and figure out who she is and what she's done, would it be", "she herself doesn't quite know what she's done. Away from the others, unseen", "recurring third-person nightmare, where she watches herself kill her family (but doesn't fully", "and is constantly afraid of being discovered as a killer, even if she", "with peers and teachers, they know what's going on and can easily put", "figure out that the girl in UrasMt' dreams is her, and UrasMt is", "if she herself doesn't quite know what she's done. Away from the others,", "been found by a group of survivors and taken in. She feels out", "projects her powers and fells a tree, killing it just by touching it.", "the commotion she caused while killing them, and has semi-suppressed the memory, causing", "would it be just as easy for UrasMt to do the same? Is", "same? Is it unrealistic for her to be unable to connect the dots", "done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way through the story, and", "and fells a tree, killing it just by touching it. She's horrified and", "doesn't fully know that she's looking at her younger self). Now she's a", "touching it. She's horrified and has only an inkling of the ramifications of", "survivors who investigated the commotion she caused while killing them, and has semi-suppressed", "know what she's done. Away from the others, unseen by anyone, and in", "just did and her nightmares of the girl who kills her family. I've", "with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the", "UrasMt having difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a", "quite know what she's done. Away from the others, unseen by anyone, and", "accidentally killed her family and other survivors who investigated the commotion she caused", "she's done. Away from the others, unseen by anyone, and in a moment", "know that she's looking at her younger self). Now she's a young woman,", "bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way through", "unrealistic for her to be unable to connect the dots and remember her", "about UrasMt having difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe", "teachers, they know what's going on and can easily put the pieces of", "unable to connect the dots and remember her actions? Will it bore the", "I'm just full of them.) My MC, UrasMt, has the power to manipulate", "the girl who kills her family. I've previously talked about UrasMt having difficulty", "memory, causing the pain and trauma of the events to manifest in a", "she projects her powers and fells a tree, killing it just by touching", "moment of rage, she projects her powers and fells a tree, killing it", "fells a tree, killing it just by touching it. She's horrified and has", "possesses superhuman abilities. To me, the writer, it's obvious, and when I share", "and has been found by a group of survivors and taken in. She", "the story, and I think that the reader can easily stitch together context", "the power to manipulate life force. As a child, she accidentally killed her", "a child, she accidentally killed her family and other survivors who investigated the", "anyone, and in a moment of rage, she projects her powers and fells", "is and what she's done, would it be just as easy for UrasMt", "is constantly afraid of being discovered as a killer, even if she herself", "killing it just by touching it. She's horrified and has only an inkling", "to do the same? Is it unrealistic for her to be unable to", "story, and I think that the reader can easily stitch together context clues", "obvious, and when I share my piece with peers and teachers, they know", "her actions? Will it bore the reader that UrasMt is missing something big?", "group of survivors and taken in. She feels out of place and is", "it be just as easy for UrasMt to do the same? Is it", "it just by touching it. She's horrified and has only an inkling of", "that the girl in UrasMt' dreams is her, and UrasMt is a killer", "to manipulate life force. As a child, she accidentally killed her family and", "the way through the story, and I think that the reader can easily", "her family (but doesn't fully know that she's looking at her younger self).", "readers to get the background of UrasMt' character and figure out who she", "I think that the reader can easily stitch together context clues and figure", "has been found by a group of survivors and taken in. She feels", "unseen by anyone, and in a moment of rage, she projects her powers", "remember her actions? Will it bore the reader that UrasMt is missing something", "easy for UrasMt to do the same? Is it unrealistic for her to", "background of UrasMt' character and figure out who she is and what she's", "the bizarre thing she just did and her nightmares of the girl who", "talked about UrasMt having difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm", "out of place and is constantly afraid of being discovered as a killer,", "manifest in a recurring third-person nightmare, where she watches herself kill her family", "herself kill her family (but doesn't fully know that she's looking at her", "it unrealistic for her to be unable to connect the dots and remember", "be just as easy for UrasMt to do the same? Is it unrealistic", "the puzzle together. But since it's so easy for the readers to get", "acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of the way", "the readers to get the background of UrasMt' character and figure out who", "out that the girl in UrasMt' dreams is her, and UrasMt is a", "it. She's horrified and has only an inkling of the ramifications of her", "just as easy for UrasMt to do the same? Is it unrealistic for", "know what's going on and can easily put the pieces of the puzzle", "easily put the pieces of the puzzle together. But since it's so easy", "puzzle together. But since it's so easy for the readers to get the", "life force. As a child, she accidentally killed her family and other survivors", "and trauma of the events to manifest in a recurring third-person nightmare, where", "woman, and has been found by a group of survivors and taken in.", "easy for the readers to get the background of UrasMt' character and figure", "the girl in UrasMt' dreams is her, and UrasMt is a killer and", "But since it's so easy for the readers to get the background of", "superhuman abilities. To me, the writer, it's obvious, and when I share my", "semi-suppressed the memory, causing the pain and trauma of the events to manifest", "who investigated the commotion she caused while killing them, and has semi-suppressed the", "survivors and taken in. She feels out of place and is constantly afraid", "from the others, unseen by anyone, and in a moment of rage, she", "who kills her family. I've previously talked about UrasMt having difficulty with acknowledging", "clues and figure out that the girl in UrasMt' dreams is her, and", "by a group of survivors and taken in. She feels out of place", "her to be unable to connect the dots and remember her actions? Will", "on and can easily put the pieces of the puzzle together. But since", "a recurring third-person nightmare, where she watches herself kill her family (but doesn't", "stitch together context clues and figure out that the girl in UrasMt' dreams", "difficulty with acknowledging bad things she's done [here](https://writing.stackexchange.com/questions/40405/effectively-conveying-an-unreliable-narrator). I'm maybe a quarter of", "and her nightmares of the girl who kills her family. I've previously talked", "kill her family (but doesn't fully know that she's looking at her younger", "and what she's done, would it be just as easy for UrasMt to", "she accidentally killed her family and other survivors who investigated the commotion she", "killer and possesses superhuman abilities. To me, the writer, it's obvious, and when", "connection between the bizarre thing she just did and her nightmares of the", "to manifest in a recurring third-person nightmare, where she watches herself kill her", "a killer, even if she herself doesn't quite know what she's done. Away", "my piece with peers and teachers, they know what's going on and can", "of them.) My MC, UrasMt, has the power to manipulate life force. As", "even if she herself doesn't quite know what she's done. Away from the", "the pieces of the puzzle together. But since it's so easy for the", "going on and can easily put the pieces of the puzzle together. But", "others, unseen by anyone, and in a moment of rage, she projects her", "makes a connection between the bizarre thing she just did and her nightmares", "the background of UrasMt' character and figure out who she is and what", "ramifications of her actions, and barely, if at all, makes a connection between", "(but doesn't fully know that she's looking at her younger self). Now she's", "her nightmares of the girl who kills her family. I've previously talked about", "force. As a child, she accidentally killed her family and other survivors who", "family. I've previously talked about UrasMt having difficulty with acknowledging bad things she's", "me, the writer, it's obvious, and when I share my piece with peers", "by anyone, and in a moment of rage, she projects her powers and", "where she watches herself kill her family (but doesn't fully know that she's", "investigated the commotion she caused while killing them, and has semi-suppressed the memory,", "and other survivors who investigated the commotion she caused while killing them, and", "share my piece with peers and teachers, they know what's going on and", "them, and has semi-suppressed the memory, causing the pain and trauma of the", "and has only an inkling of the ramifications of her actions, and barely,", "doesn't quite know what she's done. Away from the others, unseen by anyone,", "family (but doesn't fully know that she's looking at her younger self). Now", "full of them.) My MC, UrasMt, has the power to manipulate life force.", "her younger self). Now she's a young woman, and has been found by", "killing them, and has semi-suppressed the memory, causing the pain and trauma of", "be unable to connect the dots and remember her actions? Will it bore", "is a killer and possesses superhuman abilities. To me, the writer, it's obvious,", "of being discovered as a killer, even if she herself doesn't quite know", "abilities. To me, the writer, it's obvious, and when I share my piece", "killer, even if she herself doesn't quite know what she's done. Away from", "they know what's going on and can easily put the pieces of the", "of place and is constantly afraid of being discovered as a killer, even", "UrasMt' character and figure out who she is and what she's done, would", "tree, killing it just by touching it. She's horrified and has only an", "a group of survivors and taken in. She feels out of place and", "she's done, would it be just as easy for UrasMt to do the", "for the readers to get the background of UrasMt' character and figure out", "I've previously talked about UrasMt having difficulty with acknowledging bad things she's done", "nightmare, where she watches herself kill her family (but doesn't fully know that", "in a recurring third-person nightmare, where she watches herself kill her family (but", "discovered as a killer, even if she herself doesn't quite know what she's", "nightmares of the girl who kills her family. I've previously talked about UrasMt", "way through the story, and I think that the reader can easily stitch", "looking at her younger self). Now she's a young woman, and has been", "a quarter of the way through the story, and I think that the", "UrasMt' dreams is her, and UrasMt is a killer and possesses superhuman abilities.", "she's a young woman, and has been found by a group of survivors", "done. Away from the others, unseen by anyone, and in a moment of", "connect the dots and remember her actions? Will it bore the reader that", "barely, if at all, makes a connection between the bizarre thing she just", "question! I'm just full of them.) My MC, UrasMt, has the power to", "is her, and UrasMt is a killer and possesses superhuman abilities. To me," ]
[ "enigma will win a prize (i.e., $10.000). Some obvious rules: * The solution", "the first to propose something like this, or if there are other books", "(an e-mail address); * After the prize is given, we need to publish", "(the authors); * In order to be the first we are going to", "first one to solve this enigma will win a prize (i.e., $10.000). Some", "going to provide the means for proving it (an e-mail address); * After", "books and stories like the Goonies, but nothing promising real prizes. As a", "question is if we are the first to propose something like this, or", "real prizes. As a bonus: is there any law-esque problem we are not", "prize is given, we need to publish somewhere (a website) that it has", "like the Goonies, but nothing promising real prizes. As a bonus: is there", "not accepting new submissions. My question is if we are the first to", "propose something like this, or if there are other books like this. I", "there are other books like this. I have found only treasure hunting books", "found only treasure hunting books and stories like the Goonies, but nothing promising", "like this, or if there are other books like this. I have found", "a difficult enigma. The first one to solve this enigma will win a", "validated by us (the authors); * In order to be the first we", "stories like the Goonies, but nothing promising real prizes. As a bonus: is", "* The solution needs to be validated by us (the authors); * In", "solve this enigma will win a prize (i.e., $10.000). Some obvious rules: ", "that contains a difficult enigma. The first one to solve this enigma will", "e-mail address); After the prize is given, we need to publish somewhere", "something like this, or if there are other books like this. I have", "idea is simple: we intend to publish a puzzle book that contains a", "provide the means for proving it (an e-mail address); * After the prize", "puzzle book that contains a difficult enigma. The first one to solve this", "it (an e-mail address); * After the prize is given, we need to", "if there are other books like this. I have found only treasure hunting", "prize (i.e., $10.000). Some obvious rules: * The solution needs to be validated", "this, or if there are other books like this. I have found only", "(i.e., $10.000). Some obvious rules: * The solution needs to be validated by", "for proving it (an e-mail address); * After the prize is given, we", "be validated by us (the authors); * In order to be the first", "publish somewhere (a website) that it has expired and we are not accepting", "promising real prizes. As a bonus: is there any law-esque problem we are", "like this. I have found only treasure hunting books and stories like the", "a prize (i.e., $10.000). Some obvious rules: * The solution needs to be", "enigma. 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As a bonus:", "are going to provide the means for proving it (an e-mail address); ", "this. I have found only treasure hunting books and stories like the Goonies,", "Goonies, but nothing promising real prizes. As a bonus: is there any law-esque", "$10.000). Some obvious rules: The solution needs to be validated by us", "we intend to publish a puzzle book that contains a difficult enigma. The", "prizes*. As a bonus: is there any law-esque problem we are not seeing?", "Some obvious rules: The solution needs to be validated by us (the", "The solution needs to be validated by us (the authors); * In order", "books like this. I have found only treasure hunting books and stories like", "hunting books and stories like the Goonies, but nothing promising real prizes. As", "* After the prize is given, we need to publish somewhere (a website)", "we need to publish somewhere (a website) that it has expired and we", "a puzzle book that contains a difficult enigma. The first one to solve", "book that contains a difficult enigma. The first one to solve this enigma", "is simple: we intend to publish a puzzle book** that contains a difficult", "if we are the first to propose something like this, or if there", "solution needs to be validated by us (the authors); * In order to", "to provide the means for proving it (an e-mail address); * After the", "we are going to provide the means for proving it (an e-mail address);", "address); * After the prize is given, we need to publish somewhere (a", "or if there are other books like this. I have found only treasure", "In order to be the first we are going to provide the means", "to solve this enigma will win a prize (i.e., $10.000). Some obvious rules:", "obvious rules: * The solution needs to be validated by us (the authors);", "is given, we need to publish somewhere (a website) that it has expired", "and we are not accepting new submissions. My question is if we are", "we are not accepting new submissions. My question is if we are the", "are the first to propose something like this, or if there are other", "The idea is simple: we intend to publish a puzzle book that contains", "somewhere (a website) that it has expired and we are not accepting new", "it has expired and we are not accepting new submissions. My question is", "to publish somewhere (a website) that it has expired and we are not", "needs to be validated by us (the authors); * In order to be", "only treasure hunting books and stories like the Goonies, but nothing promising *real", " In order to be the first we are going to provide the", "simple: we intend to publish a puzzle book that contains a difficult enigma.", "by us (the authors); * In order to be the first we are", "treasure hunting books and stories like the Goonies, but nothing promising real prizes.", "difficult enigma. The first one to solve this enigma will win a prize", "to be the first we are going to provide the means for proving", "to propose something like this, or if there are other books like this.", "this enigma will win a prize (i.e., $10.000). Some obvious rules: * The", "win a prize (i.e., $10.000). Some obvious rules: * The solution needs to", "I have found only treasure hunting books and stories like the Goonies, but", "(a website) that it has expired and we are not accepting new submissions.", "The first one to solve this enigma will win a prize (i.e., $10.000).", "are other books like this. I have found only treasure hunting books and", "the means for proving it (an e-mail address); * After the prize is", "but nothing promising real prizes. As a bonus: is there any law-esque problem", "one to solve this enigma will win a prize (i.e., $10.000). Some obvious", "proving it (an e-mail address); * After the prize is given, we need", "rules: * The solution needs to be validated by us (the authors); ", "be the first we are going to provide the means for proving it", "submissions. My question is if we are the first to propose something like", "is if we are the first to propose something like this, or if", "After the prize is given, we need to publish somewhere (a website) that", "the first we are going to provide the means for proving it (an", "first we are going to provide the means for proving it (an e-mail", "contains a difficult enigma. The first one to solve this enigma will win", "are not accepting new submissions. My question is if we are the first", "will win a prize (i.e., $10.000). Some obvious rules: The solution needs", "other books like this. I have found only treasure hunting books and stories", "we are the first to propose something like this, or if there are", "has expired and we are not accepting new submissions. My question is if", "us (the authors); * In order to be the first we are going", "given, we need to publish somewhere (a website) that it has expired and", "the Goonies, but nothing promising real prizes. As a bonus: is there any", "intend to publish a puzzle book that contains a difficult enigma. The first", "website) that it has expired and we are not accepting new submissions. My", "new submissions. My question is if we are the first to propose something", "nothing promising real prizes. As a bonus: is there any law-esque problem we", "to publish a puzzle book that contains a difficult enigma. The first one", "means for proving it (an e-mail address); * After the prize is given," ]
[ "and I was hoping to...um...make his jokes sound more Scottish? Like, I just", "He's a comedian who can rarely take something seriously, and I was hoping", "I was hoping to...um...make his jokes sound more Scottish? Like, I just want", "read the title correctly. It sounds sorta ridiculous, but I'm wondering how I", "Scottish character in a story of mine sound more Scottish. He's a comedian", "comedian who can rarely take something seriously, and I was hoping to...um...make his", "how I can make my Scottish character in a story of mine sound", "a story of mine sound more Scottish. He's a comedian who can rarely", "his jokes sound more Scottish? Like, I just want to know Scottish slang", "hoping to...um...make his jokes sound more Scottish? Like, I just want to know", "something seriously, and I was hoping to...um...make his jokes sound more Scottish? Like,", "mine sound more Scottish. He's a comedian who can rarely take something seriously,", "jokes sound more Scottish? Like, I just want to know Scottish slang and", "was hoping to...um...make his jokes sound more Scottish? Like, I just want to", "It sounds sorta ridiculous, but I'm wondering how I can make my Scottish", "Scottish. He's a comedian who can rarely take something seriously, and I was", "who can rarely take something seriously, and I was hoping to...um...make his jokes", "correctly. It sounds sorta ridiculous, but I'm wondering how I can make my", "title correctly. It sounds sorta ridiculous, but I'm wondering how I can make", "you read the title correctly. It sounds sorta ridiculous, but I'm wondering how", "take something seriously, and I was hoping to...um...make his jokes sound more Scottish?", "Yes, you read the title correctly. It sounds sorta ridiculous, but I'm wondering", "make my Scottish character in a story of mine sound more Scottish. He's", "can make my Scottish character in a story of mine sound more Scottish.", "I can make my Scottish character in a story of mine sound more", "of mine sound more Scottish. He's a comedian who can rarely take something", "can rarely take something seriously, and I was hoping to...um...make his jokes sound", "sound more Scottish? Like, I just want to know Scottish slang and jokes.", "wondering how I can make my Scottish character in a story of mine", "I'm wondering how I can make my Scottish character in a story of", "sound more Scottish. He's a comedian who can rarely take something seriously, and", "rarely take something seriously, and I was hoping to...um...make his jokes sound more", "a comedian who can rarely take something seriously, and I was hoping to...um...make", "the title correctly. It sounds sorta ridiculous, but I'm wondering how I can", "character in a story of mine sound more Scottish. He's a comedian who", "seriously, and I was hoping to...um...make his jokes sound more Scottish? Like, I", "ridiculous, but I'm wondering how I can make my Scottish character in a", "in a story of mine sound more Scottish. He's a comedian who can", "story of mine sound more Scottish. He's a comedian who can rarely take", "sorta ridiculous, but I'm wondering how I can make my Scottish character in", "more Scottish. He's a comedian who can rarely take something seriously, and I", "my Scottish character in a story of mine sound more Scottish. He's a", "sounds sorta ridiculous, but I'm wondering how I can make my Scottish character", "but I'm wondering how I can make my Scottish character in a story", "to...um...make his jokes sound more Scottish? Like, I just want to know Scottish" ]
[ "figure out how to move the story along, in the beginning, to get", "get straight to the point, especially when I already have an amazing storyline.", "I don't know how to properly do that. What are ways I can", "I already have an amazing storyline. The ending goes especially quick. I need", "have an amazing storyline. The ending goes especially quick. I need to figure", "don't know how to properly do that. What are ways I can move", "how to move the story along, in the beginning, to get to the", "get to the end. But I don't know how to properly do that.", "goes especially quick. I need to figure out how to move the story", "to the point, especially when I already have an amazing storyline. The ending", "the end. But I don't know how to properly do that. What are", "do that. What are ways I can move my story along without making", "already have an amazing storyline. The ending goes especially quick. I need to", "to move the story along, in the beginning, to get to the end.", "to properly do that. What are ways I can move my story along", "story along, in the beginning, to get to the end. But I don't", "ways I can move my story along without making it boring, so I", "especially when I already have an amazing storyline. The ending goes especially quick.", "tendency where I get straight to the point, especially when I already have", "out how to move the story along, in the beginning, to get to", "in the beginning, to get to the end. But I don't know how", "properly do that. What are ways I can move my story along without", "need to figure out how to move the story along, in the beginning,", "a writing tendency where I get straight to the point, especially when I", "to figure out how to move the story along, in the beginning, to", "along, in the beginning, to get to the end. But I don't know", "I get straight to the point, especially when I already have an amazing", "where I get straight to the point, especially when I already have an", "end. But I don't know how to properly do that. What are ways", "are ways I can move my story along without making it boring, so", "an amazing storyline. The ending goes especially quick. I need to figure out", "when I already have an amazing storyline. The ending goes especially quick. I", "story along without making it boring, so I could increase my book length?", "move the story along, in the beginning, to get to the end. But", "especially quick. I need to figure out how to move the story along,", "that. What are ways I can move my story along without making it", "amazing storyline. The ending goes especially quick. I need to figure out how", "the point, especially when I already have an amazing storyline. The ending goes", "But I don't know how to properly do that. What are ways I", "move my story along without making it boring, so I could increase my", "to the end. But I don't know how to properly do that. What", "storyline. The ending goes especially quick. I need to figure out how to", "I need to figure out how to move the story along, in the", "I have a writing tendency where I get straight to the point, especially", "ending goes especially quick. I need to figure out how to move the", "The ending goes especially quick. I need to figure out how to move", "the story along, in the beginning, to get to the end. But I", "beginning, to get to the end. But I don't know how to properly", "quick. I need to figure out how to move the story along, in", "point, especially when I already have an amazing storyline. The ending goes especially", "have a writing tendency where I get straight to the point, especially when", "how to properly do that. What are ways I can move my story", "What are ways I can move my story along without making it boring,", "to get to the end. But I don't know how to properly do", "straight to the point, especially when I already have an amazing storyline. The", "the beginning, to get to the end. But I don't know how to", "can move my story along without making it boring, so I could increase", "I can move my story along without making it boring, so I could", "know how to properly do that. What are ways I can move my", "my story along without making it boring, so I could increase my book", "writing tendency where I get straight to the point, especially when I already" ]
[ "there a print on demand provider out there that could possibly handle that?", "sized A3 with 1000-1500 pages. Is there a print on demand provider out", "a low quantity book project that will need a book sized A3 with", "A3 with 1000-1500 pages. Is there a print on demand provider out there", "1000-1500 pages. Is there a print on demand provider out there that could", "book sized A3 with 1000-1500 pages. Is there a print on demand provider", "pages. Is there a print on demand provider out there that could possibly", "low quantity book project that will need a book sized A3 with 1000-1500", "need a book sized A3 with 1000-1500 pages. Is there a print on", "a book sized A3 with 1000-1500 pages. Is there a print on demand", "Is there a print on demand provider out there that could possibly handle", "with 1000-1500 pages. Is there a print on demand provider out there that", "have a low quantity book project that will need a book sized A3", "will need a book sized A3 with 1000-1500 pages. Is there a print", "book project that will need a book sized A3 with 1000-1500 pages. Is", "I have a low quantity book project that will need a book sized", "that will need a book sized A3 with 1000-1500 pages. Is there a", "quantity book project that will need a book sized A3 with 1000-1500 pages.", "project that will need a book sized A3 with 1000-1500 pages. Is there" ]
[ "my arms in the air, > exasperated. > > > --- Basically, I'm", "> He shrugs, toeing the remnants of his cloak over his lap. I", "Basically, I'm wondering if I should start a new paragraph after the dialogue", "certain character's actions. I know it sounds a little confusing, but I'll try", "actions. I know it sounds a little confusing, but I'll try my best", "but I'll try my best to explain. In this example paragraph, there are", "if I should start a new paragraph after the dialogue if the action", "> > > or, > > “We can just call her Jese,” Arden", "taken?” He shrugs, toeing > the remnants of his cloak over his lap.", "a little confusing, but I'll try my best to explain. In this example", "paragraph, there are three characters: Nat (the narrator), Oddie, and Arden. --- Would", "me, but in writing it like that, I'm afraid the reader might get", "or, > > “We can just call her Jese,” Arden suggests, leaning back", "and paragraphs after certain character's actions. I know it sounds a little confusing,", "> hands, any leftover semblances of sleep wiped clear from his face. >", "you said that name was already taken?” > > > He shrugs, toeing", "other than the one who just finished talking. I know it sounds a", "talking. I know it sounds a bit confusing. I'm very sorry if I", "shrugs, toeing > the remnants of his cloak over his lap. I throw", "the air, > exasperated. > > > --- Basically, I'm wondering if I", "that name was already taken?” He shrugs, toeing > the remnants of his", "having the most trouble with is dialogue and paragraphs after certain character's actions.", "toeing > the remnants of his cloak over his lap. I throw my", "was already taken?” He shrugs, toeing > the remnants of his cloak over", "> > > He shrugs, toeing the remnants of his cloak over his", "this example paragraph, there are three characters: Nat (the narrator), Oddie, and Arden.", "name was already taken?” > > > He shrugs, toeing the remnants of", "it sounds a little confusing, but I'll try my best to explain. In", "of fiction, and one of the things I'm having the most trouble with", "> > > --- Basically, I'm wondering if I should start a new", "if I don't explain myself well. Still, I hope someone will be able", "person other than the one who just finished talking. I know it sounds", "option seems right to me, but in writing it like that, I'm afraid", "an original work of fiction, and one of the things I'm having the", "of his cloak over his lap. I throw my arms in the air,", "his cloak over his lap. I throw my arms in the air, >", "try my best to explain. In this example paragraph, there are three characters:", "> > --- Basically, I'm wondering if I should start a new paragraph", "the things I'm having the most trouble with is dialogue and paragraphs after", "> the remnants of his cloak over his lap. I throw my arms", "sorry if I don't explain myself well. Still, I hope someone will be", "I'll try my best to explain. In this example paragraph, there are three", "said that name was already taken?” > > > He shrugs, toeing the", "most trouble with is dialogue and paragraphs after certain character's actions. I know", "might get confused about who's doing what. Any help will be greatly appreciated!", "explain myself well. Still, I hope someone will be able to help me,", "exasperated. > > > or, > > “We can just call her Jese,”", "will be able to help me, as I'm having some trouble with this.", "to explain. In this example paragraph, there are three characters: Nat (the narrator),", "my > arms in the air, exasperated. > > > or, > >", "is being taken by a person other than the one who just finished", "writing it like that, I'm afraid the reader might get confused about who's", "help me, as I'm having some trouble with this. The second option seems", "In this example paragraph, there are three characters: Nat (the narrator), Oddie, and", "was already taken?” > > > He shrugs, toeing the remnants of his", "of the things I'm having the most trouble with is dialogue and paragraphs", "already taken?” He shrugs, toeing > the remnants of his cloak over his", "leaning back on his > hands, any leftover semblances of sleep wiped clear", "the remnants of his cloak over his lap. I throw my arms in", "with is dialogue and paragraphs after certain character's actions. 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In this example paragraph, there", "“I thought you said that name was already taken?” > > > He", "exasperated. > > > --- Basically, I'm wondering if I should start a", "I should start a new paragraph after the dialogue if the action is", "you said that name was already taken?” He shrugs, toeing > the remnants", "of his cloak over his lap. I throw my > arms in the", "her Jese,” Arden suggests, leaning back on his > hands, any leftover semblances", "narrator), Oddie, and Arden. --- Would it be written: > > “We can", "(the narrator), Oddie, and Arden. --- Would it be written: > > “We" ]
[ "is always (or almost always) shared with the reader in third person. I", "that a backstory told by one character about themselves to other characters would", "more other characters. This backstory is always (or almost always) shared with the", "would be in first person in the story, and therefore the writer should", "person narrator. Question: In a third person story, should a backstory told about", "tend to find this irritating immersion breaking. The story is in third person,", "shared with the reader in the first person point of view that the", "backstory to one or more other characters. This backstory is always (or almost", "in first person in the story, and therefore the writer should share this", "person point of view that the rest of the story is told in?", "medias in your answers. I get why it would be a bad idea", "the reader in the first person point of view that the character is", "I get why it would be a bad idea for them to tell", "character, by that character be shared with the reader in the first person", "breaking. The story is in third person, but I always feel that a", "by that character, not from the third person narrator. Question: In a third", "it be better for the author to stick with the previously established third", "in? --- Note: Please don't use any visual medias in your answers. I", "read, there comes a time when one character shares some of their backstory", "writer should share this backstory as told by that character, not from the", "In several third person (usually limited) stories that I've read, there comes a", "don't use any visual medias in your answers. I get why it would", "the author to stick with the previously established third person point of view", "several third person (usually limited) stories that I've read, there comes a time", "your answers. I get why it would be a bad idea for them", "that I've read, there comes a time when one character shares some of", "told by that character, not from the third person narrator. Question: In a", "this irritating immersion breaking. The story is in third person, but I always", "rest of the story is told in? --- Note: Please don't use any", "always (or almost always) shared with the reader in third person. I tend", "from the third person narrator. Question: In a third person story, should a", "one character about themselves to other characters would be in first person in", "Note: Please don't use any visual medias in your answers. I get why", "Question: In a third person story, should a backstory told about a character,", "to stick with the previously established third person point of view that the", "about themselves to other characters would be in first person in the story,", "limited) stories that I've read, there comes a time when one character shares", "in third person. I tend to find this irritating immersion breaking. The story", "share this backstory as told by that character, not from the third person", "the reader in third person. I tend to find this irritating immersion breaking.", "that character be shared with the reader in the first person point of", "reader in the first person point of view that the character is giving", "stick with the previously established third person point of view that the rest", "(usually limited) stories that I've read, there comes a time when one character", "Please don't use any visual medias in your answers. I get why it", "always) shared with the reader in third person. I tend to find this", "backstory is always (or almost always) shared with the reader in third person.", "person, but I always feel that a backstory told by one character about", "shares some of their backstory to one or more other characters. This backstory", "to one or more other characters. This backstory is always (or almost always)", "the third person narrator. Question: In a third person story, should a backstory", "the previously established third person point of view that the rest of the", "established third person point of view that the rest of the story is", "that the rest of the story is told in? --- Note: Please don't", "a character, by that character be shared with the reader in the first", "not from the third person narrator. Question: In a third person story, should", "would it be better for the author to stick with the previously established", "the first person point of view that the character is giving it in,", "any visual medias in your answers. I get why it would be a", "it would be a bad idea for them to tell a first person", "find this irritating immersion breaking. The story is in third person, but I", "of view that the rest of the story is told in? --- Note:", "other characters. This backstory is always (or almost always) shared with the reader", "feel that a backstory told by one character about themselves to other characters", "I've read, there comes a time when one character shares some of their", "irritating immersion breaking. The story is in third person, but I always feel", "shared with the reader in third person. I tend to find this irritating", "a third person story, should a backstory told about a character, by that", "is told in? --- Note: Please don't use any visual medias in your", "with the previously established third person point of view that the rest of", "be better for the author to stick with the previously established third person", "told in? --- Note: Please don't use any visual medias in your answers.", "characters would be in first person in the story, and therefore the writer", "character, not from the third person narrator. Question: In a third person story,", "the rest of the story is told in? --- Note: Please don't use", "point of view that the character is giving it in, or would it", "(or almost always) shared with the reader in third person. I tend to", "the story is told in? --- Note: Please don't use any visual medias", "view that the rest of the story is told in? --- Note: Please", "person in the story, and therefore the writer should share this backstory as", "in the story, and therefore the writer should share this backstory as told", "with the reader in the first person point of view that the character", "be in first person in the story, and therefore the writer should share", "about a character, by that character be shared with the reader in the", "third person story, should a backstory told about a character, by that character", "some of their backstory to one or more other characters. This backstory is", "be shared with the reader in the first person point of view that", "a backstory told by one character about themselves to other characters would be", "third person. I tend to find this irritating immersion breaking. The story is", "stories that I've read, there comes a time when one character shares some", "one character shares some of their backstory to one or more other characters.", "this backstory as told by that character, not from the third person narrator.", "there comes a time when one character shares some of their backstory to", "one or more other characters. This backstory is always (or almost always) shared", "third person (usually limited) stories that I've read, there comes a time when", "in third person, but I always feel that a backstory told by one", "story, should a backstory told about a character, by that character be shared", "by that character be shared with the reader in the first person point", "a time when one character shares some of their backstory to one or", "is in third person, but I always feel that a backstory told by", "story, and therefore the writer should share this backstory as told by that", "person point of view that the character is giving it in, or would", "In a third person story, should a backstory told about a character, by", "or more other characters. This backstory is always (or almost always) shared with", "backstory as told by that character, not from the third person narrator. Question:", "told about a character, by that character be shared with the reader in", "their backstory to one or more other characters. This backstory is always (or", "author to stick with the previously established third person point of view that", "in, or would it be better for the author to stick with the", "first person point of view that the character is giving it in, or", "as told by that character, not from the third person narrator. Question: In", "view that the character is giving it in, or would it be better", "character about themselves to other characters would be in first person in the", "reader in third person. I tend to find this irritating immersion breaking. The", "the writer should share this backstory as told by that character, not from", "I tend to find this irritating immersion breaking. The story is in third", "to find this irritating immersion breaking. The story is in third person, but", "should a backstory told about a character, by that character be shared with", "should share this backstory as told by that character, not from the third", "get why it would be a bad idea for them to tell a", "almost always) shared with the reader in third person. I tend to find", "to other characters would be in first person in the story, and therefore", "narrator. Question: In a third person story, should a backstory told about a", "a backstory told about a character, by that character be shared with the", "and therefore the writer should share this backstory as told by that character,", "or would it be better for the author to stick with the previously", "comes a time when one character shares some of their backstory to one", "that the character is giving it in, or would it be better for", "the story, and therefore the writer should share this backstory as told by", "third person point of view that the rest of the story is told", "always feel that a backstory told by one character about themselves to other", "would be a bad idea for them to tell a first person story.", "backstory told by one character about themselves to other characters would be in", "backstory told about a character, by that character be shared with the reader", "by one character about themselves to other characters would be in first person", "person (usually limited) stories that I've read, there comes a time when one", "of the story is told in? --- Note: Please don't use any visual", "giving it in, or would it be better for the author to stick", "previously established third person point of view that the rest of the story", "--- Note: Please don't use any visual medias in your answers. I get", "themselves to other characters would be in first person in the story, and", "This backstory is always (or almost always) shared with the reader in third", "point of view that the rest of the story is told in? ---", "story is in third person, but I always feel that a backstory told", "time when one character shares some of their backstory to one or more", "other characters would be in first person in the story, and therefore the", "character be shared with the reader in the first person point of view", "with the reader in third person. I tend to find this irritating immersion", "first person in the story, and therefore the writer should share this backstory", "characters. This backstory is always (or almost always) shared with the reader in", "why it would be a bad idea for them to tell a first", "therefore the writer should share this backstory as told by that character, not", "third person narrator. Question: In a third person story, should a backstory told", "character is giving it in, or would it be better for the author", "is giving it in, or would it be better for the author to", "use any visual medias in your answers. I get why it would be", "person. I tend to find this irritating immersion breaking. The story is in", "it in, or would it be better for the author to stick with", "story is told in? --- Note: Please don't use any visual medias in", "the character is giving it in, or would it be better for the", "visual medias in your answers. I get why it would be a bad", "answers. I get why it would be a bad idea for them to", "character shares some of their backstory to one or more other characters. This", "I always feel that a backstory told by one character about themselves to", "person story, should a backstory told about a character, by that character be", "told by one character about themselves to other characters would be in first", "when one character shares some of their backstory to one or more other", "of their backstory to one or more other characters. This backstory is always", "but I always feel that a backstory told by one character about themselves", "in the first person point of view that the character is giving it", "of view that the character is giving it in, or would it be", "third person, but I always feel that a backstory told by one character", "better for the author to stick with the previously established third person point", "for the author to stick with the previously established third person point of", "The story is in third person, but I always feel that a backstory", "that character, not from the third person narrator. Question: In a third person", "immersion breaking. The story is in third person, but I always feel that", "in your answers. I get why it would be a bad idea for" ]
[ "theory states that any story worth telling describes the movement from one status", "quo to another, and that major uncertainties in the inception and conclusion should", "story worth telling describes the movement from one status quo to another, and", "conclusion should be avoided. How does one break away from this mold, and", "the inception and conclusion should be avoided. How does one break away from", "and conclusion should be avoided. How does one break away from this mold,", "this mold, and could you provide educational examples of stories that have successfully", "A popular writing theory states that any story worth telling describes the movement", "be avoided. How does one break away from this mold, and could you", "does one break away from this mold, and could you provide educational examples", "worth telling describes the movement from one status quo to another, and that", "uncertainties in the inception and conclusion should be avoided. How does one break", "any story worth telling describes the movement from one status quo to another,", "major uncertainties in the inception and conclusion should be avoided. How does one", "describes the movement from one status quo to another, and that major uncertainties", "break away from this mold, and could you provide educational examples of stories", "that any story worth telling describes the movement from one status quo to", "one status quo to another, and that major uncertainties in the inception and", "status quo to another, and that major uncertainties in the inception and conclusion", "inception and conclusion should be avoided. How does one break away from this", "telling describes the movement from one status quo to another, and that major", "popular writing theory states that any story worth telling describes the movement from", "from this mold, and could you provide educational examples of stories that have", "away from this mold, and could you provide educational examples of stories that", "states that any story worth telling describes the movement from one status quo", "to another, and that major uncertainties in the inception and conclusion should be", "the movement from one status quo to another, and that major uncertainties in", "and that major uncertainties in the inception and conclusion should be avoided. How", "and could you provide educational examples of stories that have successfully done so?", "should be avoided. How does one break away from this mold, and could", "in the inception and conclusion should be avoided. How does one break away", "that major uncertainties in the inception and conclusion should be avoided. How does", "How does one break away from this mold, and could you provide educational", "one break away from this mold, and could you provide educational examples of", "mold, and could you provide educational examples of stories that have successfully done", "movement from one status quo to another, and that major uncertainties in the", "another, and that major uncertainties in the inception and conclusion should be avoided.", "avoided. How does one break away from this mold, and could you provide", "from one status quo to another, and that major uncertainties in the inception", "writing theory states that any story worth telling describes the movement from one" ]
[ "the idea that women need men to save them? If so, how do", "place of residence and kidnap his sister, Lolj, with whom he lives. With", "info out in public. I know the whole \"action movie hero man saves", "friend and sorta maybe love interest Thulos, he has to save her and", "Edsavr morally untouchable. But is the use of this trope bad and/or sexist?", "know the whole \"action movie hero man saves helpless girl\" trope is used", "movie hero man saves helpless girl\" trope is used often, and I'm not", "spy and works with an organization named Vox Populi to curate and release", "Vox Populi to curate and release all data online, especially the stuff that", "bigger picture of why these people don't want their info out in public.", "girl\" trope is used often, and I'm not trying to make Lolj helpless", "online, especially the stuff that shady people don't want others to see. Edsavr", "Just an FYI, I am a woman. Edsavr is a cyber spy and", "copies and releases data that a very dangerous group of people don't want", "this trope bad and/or sexist? Does it reinforce the idea that women need", "of people don't want in the public eye, and these people find his", "untouchable. But is the use of this trope bad and/or sexist? Does it", "dangerous group of people don't want in the public eye, and these people", "he has to save her and dig deeper into the mess he's caused,", "\"action movie hero man saves helpless girl\" trope is used often, and I'm", "to see. Edsavr copies and releases data that a very dangerous group of", "deeper into the mess he's caused, to know the bigger picture of why", "these people find his place of residence and kidnap his sister, Lolj, with", "people don't want others to see. Edsavr copies and releases data that a", "know the bigger picture of why these people don't want their info out", "trope is used often, and I'm not trying to make Lolj helpless or", "the whole \"action movie hero man saves helpless girl\" trope is used often,", "I'm not trying to make Lolj helpless or Edsavr morally untouchable. But is", "the mess he's caused, to know the bigger picture of why these people", "(Question about my hacker (hacking??) novel.) Just an FYI, I am a woman.", "and/or sexist? Does it reinforce the idea that women need men to save", "whom he lives. With the help of his friend and sorta maybe love", "dig deeper into the mess he's caused, to know the bigger picture of", "bad and/or sexist? Does it reinforce the idea that women need men to", "a cyber spy and works with an organization named Vox Populi to curate", "With the help of his friend and sorta maybe love interest Thulos, he", "help of his friend and sorta maybe love interest Thulos, he has to", "reinforce the idea that women need men to save them? If so, how", "trope bad and/or sexist? Does it reinforce the idea that women need men", "my hacker (hacking??) novel.) Just an FYI, I am a woman. Edsavr is", "not trying to make Lolj helpless or Edsavr morally untouchable. But is the", "find his place of residence and kidnap his sister, Lolj, with whom he", "hacker (hacking??) novel.) Just an FYI, I am a woman. Edsavr is a", "eye, and these people find his place of residence and kidnap his sister,", "is used often, and I'm not trying to make Lolj helpless or Edsavr", "love interest Thulos, he has to save her and dig deeper into the", "people find his place of residence and kidnap his sister, Lolj, with whom", "want their info out in public. I know the whole \"action movie hero", "in the public eye, and these people find his place of residence and", "helpless girl\" trope is used often, and I'm not trying to make Lolj", "data online, especially the stuff that shady people don't want others to see.", "the stuff that shady people don't want others to see. Edsavr copies and", "her and dig deeper into the mess he's caused, to know the bigger", "that shady people don't want others to see. Edsavr copies and releases data", "and works with an organization named Vox Populi to curate and release all", "and I'm not trying to make Lolj helpless or Edsavr morally untouchable. But", "interest Thulos, he has to save her and dig deeper into the mess", "an organization named Vox Populi to curate and release all data online, especially", "trying to make Lolj helpless or Edsavr morally untouchable. But is the use", "others to see. Edsavr copies and releases data that a very dangerous group", "see. Edsavr copies and releases data that a very dangerous group of people", "save her and dig deeper into the mess he's caused, to know the", "want others to see. Edsavr copies and releases data that a very dangerous", "he lives. With the help of his friend and sorta maybe love interest", "idea that women need men to save them? If so, how do I", "the help of his friend and sorta maybe love interest Thulos, he has", "about my hacker (hacking??) novel.) Just an FYI, I am a woman. Edsavr", "helpless or Edsavr morally untouchable. But is the use of this trope bad", "organization named Vox Populi to curate and release all data online, especially the", "and releases data that a very dangerous group of people don't want in", "his sister, Lolj, with whom he lives. With the help of his friend", "am a woman. Edsavr is a cyber spy and works with an organization", "don't want others to see. Edsavr copies and releases data that a very", "or Edsavr morally untouchable. But is the use of this trope bad and/or", "Edsavr is a cyber spy and works with an organization named Vox Populi", "cyber spy and works with an organization named Vox Populi to curate and", "to curate and release all data online, especially the stuff that shady people", "FYI, I am a woman. Edsavr is a cyber spy and works with", "of residence and kidnap his sister, Lolj, with whom he lives. With the", "in public. I know the whole \"action movie hero man saves helpless girl\"", "man saves helpless girl\" trope is used often, and I'm not trying to", "a woman. Edsavr is a cyber spy and works with an organization named", "use of this trope bad and/or sexist? Does it reinforce the idea that", "sorta maybe love interest Thulos, he has to save her and dig deeper", "people don't want in the public eye, and these people find his place", "into the mess he's caused, to know the bigger picture of why these", "releases data that a very dangerous group of people don't want in the", "and kidnap his sister, Lolj, with whom he lives. With the help of", "the bigger picture of why these people don't want their info out in", "I know the whole \"action movie hero man saves helpless girl\" trope is", "picture of why these people don't want their info out in public. I", "of this trope bad and/or sexist? Does it reinforce the idea that women", "stuff that shady people don't want others to see. Edsavr copies and releases", "Does it reinforce the idea that women need men to save them? If", "whole \"action movie hero man saves helpless girl\" trope is used often, and", "is the use of this trope bad and/or sexist? Does it reinforce the", "a very dangerous group of people don't want in the public eye, and", "to make Lolj helpless or Edsavr morally untouchable. But is the use of", "(hacking??) novel.) Just an FYI, I am a woman. Edsavr is a cyber", "it reinforce the idea that women need men to save them? If so,", "mess he's caused, to know the bigger picture of why these people don't", "often, and I'm not trying to make Lolj helpless or Edsavr morally untouchable.", "and sorta maybe love interest Thulos, he has to save her and dig", "Populi to curate and release all data online, especially the stuff that shady", "he's caused, to know the bigger picture of why these people don't want", "Lolj, with whom he lives. With the help of his friend and sorta", "make Lolj helpless or Edsavr morally untouchable. But is the use of this", "women need men to save them? If so, how do I avoid this?", "very dangerous group of people don't want in the public eye, and these", "his friend and sorta maybe* love interest Thulos, he has to save her", "don't want in the public eye, and these people find his place of", "public. I know the whole \"action movie hero man saves helpless girl\" trope", "works with an organization named Vox Populi to curate and release all data", "and dig deeper into the mess he's caused, to know the bigger picture", "these people don't want their info out in public. I know the whole", "sexist? Does it reinforce the idea that women need men to save them?", "caused, to know the bigger picture of why these people don't want their", "release all data online, especially the stuff that shady people don't want others", "to save her and dig deeper into the mess he's caused, to know", "Lolj helpless or Edsavr morally untouchable. But is the use of this trope", "that women need men to save them? If so, how do I avoid", "why these people don't want their info out in public. I know the", "maybe* love interest Thulos, he has to save her and dig deeper into", "don't want their info out in public. I know the whole \"action movie", "curate and release all data online, especially the stuff that shady people don't", "want in the public eye, and these people find his place of residence", "and release all data online, especially the stuff that shady people don't want", "of why these people don't want their info out in public. I know", "data that a very dangerous group of people don't want in the public", "with whom he lives. With the help of his friend and sorta maybe", "morally untouchable. But is the use of this trope bad and/or sexist? Does", "an FYI, I am a woman. Edsavr is a cyber spy and works", "and these people find his place of residence and kidnap his sister, Lolj,", "his place of residence and kidnap his sister, Lolj, with whom he lives.", "residence and kidnap his sister, Lolj, with whom he lives. With the help", "has to save her and dig deeper into the mess he's caused, to", "people don't want their info out in public. I know the whole \"action", "all data online, especially the stuff that shady people don't want others to", "out in public. I know the whole \"action movie hero man saves helpless", "woman. Edsavr is a cyber spy and works with an organization named Vox", "with an organization named Vox Populi to curate and release all data online,", "especially the stuff that shady people don't want others to see. Edsavr copies", "public eye, and these people find his place of residence and kidnap his", "kidnap his sister, Lolj, with whom he lives. With the help of his", "the public eye, and these people find his place of residence and kidnap", "is a cyber spy and works with an organization named Vox Populi to", "sister, Lolj, with whom he lives. With the help of his friend and", "saves helpless girl\" trope is used often, and I'm not trying to make", "named Vox Populi to curate and release all data online, especially the stuff", "But is the use of this trope bad and/or sexist? Does it reinforce", "that a very dangerous group of people don't want in the public eye,", "Thulos, he has to save her and dig deeper into the mess he's", "of his friend and sorta maybe love interest Thulos, he has to save", "used often, and I'm not trying to make Lolj helpless or Edsavr morally", "lives. With the help of his friend and sorta maybe love interest Thulos,", "I am a woman. Edsavr is a cyber spy and works with an", "to know the bigger picture of why these people don't want their info", "their info out in public. I know the whole \"action movie hero man", "hero man saves helpless girl\" trope is used often, and I'm not trying", "novel.) Just an FYI, I am a woman. Edsavr is a cyber spy", "shady people don't want others to see. Edsavr copies and releases data that", "group of people don't want in the public eye, and these people find", "the use of this trope bad and/or sexist? Does it reinforce the idea", "Edsavr copies and releases data that a very dangerous group of people don't" ]
[ "to make Ray a part of the Alliance off the bat. I feel", "me any ideas as to how I can make this character a part", "We'll make it out of here without a scratch!\", and Ray would reply", "He's a pessimist and doesn't believe in what he's fighting for. He will", "rebel's fight against the Empire is futile. Like, the main character says \"The", "mean, we're hidden in the most tightly packed asteroid belt I've ever seen!", "main character to keep fighting and never give up hope when the main", "out of anything dangerous assignments and will criticize the idealistic primary main character", "and when they do find us, those star destroyers will do much more", "he wants to be a part of the Rebel Alliance. Though Ray will", "see, it doesn't exactly seem like he wants to be a part of", "main character loses all optimism and nearly gives up. If anyone could give", "right? I mean, we're hidden in the most tightly packed asteroid belt I've", "because he believes their optimism is out of place in a battle as", "a part of the Rebel Alliance without it seeming as if I've forced", "named Alexander Ray Rullero. He's not the main character, as in he is", "supportive, and eventually he'll come to the point where he thinks the Rebel", "thinks the Rebel cause is something worth fighting for. He'd even encourage the", "is something worth fighting for. He'd even encourage the main character to keep", "loses all optimism and nearly gives up. If anyone could give me any", "character says \"The Imperial fleet won't notice us, right? I mean, we're hidden", "and weasel his way out of anything dangerous assignments and will criticize the", "pessimist and doesn't believe in what he's fighting for. He will always try", "feel as if I've written myself into a corner here. I want him", "part of the Rebel Alliance without it seeming as if I've forced him", "asteroid belt I've ever seen! We'll make it out of here without a", "their fighting for his hopeless, only to encourage the main character to keep", "beginning. He's a pessimist and doesn't believe in what he's fighting for. He", "doesn't exactly seem like he wants to be a part of the Rebel", "character, gradually becoming less pessimistic, more supportive, and eventually he'll come to the", "of the Rebel Alliance. Though Ray will grow as a character, gradually becoming", "ship\". As you can see, it doesn't exactly seem like he wants to", "hope when the main character loses all optimism and nearly gives up. If", "He dislikes the main character because he believes their optimism is out of", "main character to keep fighting the Empire when they think that all is", "to make a character named Alexander Ray Rullero. He's not the main character,", "their hopes of a better future. He dislikes the main character because he", "optimism is out of place in a battle as futile as the one", "the Rebel Alliance without it seeming as if I've forced him to be", "he is not the character you will be following most of the time.", "probably dislike in the beginning. He's a pessimist and doesn't believe in what", "to the point where he thinks the Rebel cause is something worth fighting", "give up hope when the main character loses all optimism and nearly gives", "can tell the main character that what their fighting for his hopeless, only", "At least, Ray thinks the rebel's fight against the Empire is futile. Like,", "it doesn't exactly seem like he wants to be a part of the", "Rebel Alliance. Though Ray will grow as a character, gradually becoming less pessimistic,", "at one point. But that's later, and I intended to make Ray a", "notice us, right? I mean, we're hidden in the most tightly packed asteroid", "ever seen! We'll make it out of here without a scratch!\", and Ray", "lump of glorified scrap metal that we call a ship\". As you can", "a part of the Alliance off the bat. I feel as if I've", "\"Scratch\" this lump of glorified scrap metal that we call a ship\". As", "won't notice us, right? I mean, we're hidden in the most tightly packed", "in he is not the character you will be following most of the", "anything dangerous assignments and will criticize the idealistic primary main character for their", "he will be someone who you'll probably dislike in the beginning. He's a", "belt I've ever seen! We'll make it out of here without a scratch!\",", "he believes their optimism is out of place in a battle as futile", "we're hidden in the most tightly packed asteroid belt I've ever seen! We'll", "main character that what their fighting for his hopeless, only to encourage the", "futile as the one that is the Rebels against the Empire. At least,", "come to the point where he thinks the Rebel cause is something worth", "Ray thinks the rebel's fight against the Empire is futile. Like, the main", "optimism and nearly gives up. If anyone could give me any ideas as", "reply with \"They have radar technology, and when they do find us, those", "not the character you will be following most of the time. He's the", "will grow as a character, gradually becoming less pessimistic, more supportive, and eventually", "only to encourage the main character to keep fighting and never give up", "If anyone could give me any ideas as to how I can make", "Alliance. Though Ray will grow as a character, gradually becoming less pessimistic, more", "all is lost at one point. But that's later, and I intended to", "pessimistic, more supportive, and eventually he'll come to the point where he thinks", "character loses all optimism and nearly gives up. If anyone could give me", "fighting for his hopeless, only to encourage the main character to keep fighting", "idealistic primary main character for their hopes of a better future. He dislikes", "up hope when the main character loses all optimism and nearly gives up.", "most tightly packed asteroid belt I've ever seen! We'll make it out of", "believe in what he's fighting for. He will always try and weasel his", "I've written myself into a corner here. I want him around so that", "you will be following most of the time. He's the secondary main character", "I've ever seen! We'll make it out of here without a scratch!\", and", "love, and I decided to make a character named Alexander Ray Rullero. He's", "I mean, we're hidden in the most tightly packed asteroid belt I've ever", "wanted to practice my writing on something I love, and I decided to", "lost at one point. But that's later, and I intended to make Ray", "Ray Rullero. He's not the main character, as in he is not the", "the one that is the Rebels against the Empire. At least, Ray thinks", "a better future. He dislikes the main character because he believes their optimism", "in what he's fighting for. He will always try and weasel his way", "Alliance without it seeming as if I've forced him to be there, then", "one point. But that's later, and I intended to make Ray a part", "us, right? I mean, we're hidden in the most tightly packed asteroid belt", "what he's fighting for. He will always try and weasel his way out", "will always try and weasel his way out of anything dangerous assignments and", "of anything dangerous assignments and will criticize the idealistic primary main character for", "Ray would reply with \"They have radar technology, and when they do find", "with \"They have radar technology, and when they do find us, those star", "will do much more than just \"Scratch\" this lump of glorified scrap metal", "character named Alexander Ray Rullero. He's not the main character, as in he", "fighting for. He'd even encourage the main character to keep fighting the Empire", "He'd even encourage the main character to keep fighting the Empire when they", "is lost at one point. But that's later, and I intended to make", "hopeless, only to encourage the main character to keep fighting and never give", "think that all is lost at one point. But that's later, and I", "of the Rebel Alliance without it seeming as if I've forced him to", "that we call a ship\". As you can see, it doesn't exactly seem", "is futile. Like, the main character says \"The Imperial fleet won't notice us,", "even encourage the main character to keep fighting the Empire when they think", "if I've forced him to be there, then that would be greatly appreciated.", "character and he will be someone who you'll probably dislike in the beginning.", "least, Ray thinks the rebel's fight against the Empire is futile. Like, the", "corner here. I want him around so that he can tell the main", "doesn't believe in what he's fighting for. He will always try and weasel", "more than just \"Scratch\" this lump of glorified scrap metal that we call", "I intended to make Ray a part of the Alliance off the bat.", "for. He'd even encourage the main character to keep fighting the Empire when", "a Star Wars fanfiction because I wanted to practice my writing on something", "cause is something worth fighting for. He'd even encourage the main character to", "that's later, and I intended to make Ray a part of the Alliance", "make this character a part of the Rebel Alliance without it seeming as", "I'm writing a Star Wars fanfiction because I wanted to practice my writing", "the time. He's the secondary main character and he will be someone who", "will be following most of the time. He's the secondary main character and", "character because he believes their optimism is out of place in a battle", "grow as a character, gradually becoming less pessimistic, more supportive, and eventually he'll", "the main character to keep fighting and never give up hope when the", "is the Rebels against the Empire. At least, Ray thinks the rebel's fight", "he's fighting for. He will always try and weasel his way out of", "bat. I feel as if I've written myself into a corner here. I", "I want him around so that he can tell the main character that", "try and weasel his way out of anything dangerous assignments and will criticize", "character that what their fighting for his hopeless, only to encourage the main", "will criticize the idealistic primary main character for their hopes of a better", "tightly packed asteroid belt I've ever seen! We'll make it out of here", "us, those star destroyers will do much more than just \"Scratch\" this lump", "character you will be following most of the time. He's the secondary main", "the Empire when they think that all is lost at one point. But", "any ideas as to how I can make this character a part of", "the Empire is futile. Like, the main character says \"The Imperial fleet won't", "As you can see, it doesn't exactly seem like he wants to be", "Though Ray will grow as a character, gradually becoming less pessimistic, more supportive,", "anyone could give me any ideas as to how I can make this", "a battle as futile as the one that is the Rebels against the", "gradually becoming less pessimistic, more supportive, and eventually he'll come to the point", "someone who you'll probably dislike in the beginning. He's a pessimist and doesn't", "seem like he wants to be a part of the Rebel Alliance. Though", "future. He dislikes the main character because he believes their optimism is out", "and he will be someone who you'll probably dislike in the beginning. He's", "main character says \"The Imperial fleet won't notice us, right? I mean, we're", "could give me any ideas as to how I can make this character", "this character a part of the Rebel Alliance without it seeming as if", "without it seeming as if I've forced him to be there, then that", "practice my writing on something I love, and I decided to make a", "But that's later, and I intended to make Ray a part of the", "in a battle as futile as the one that is the Rebels against", "out of place in a battle as futile as the one that is", "something I love, and I decided to make a character named Alexander Ray", "just \"Scratch\" this lump of glorified scrap metal that we call a ship\".", "assignments and will criticize the idealistic primary main character for their hopes of", "a ship\". As you can see, it doesn't exactly seem like he wants", "the Empire. At least, Ray thinks the rebel's fight against the Empire is", "never give up hope when the main character loses all optimism and nearly", "Rebels against the Empire. At least, Ray thinks the rebel's fight against the", "Empire is futile. Like, the main character says \"The Imperial fleet won't notice", "of the Alliance off the bat. I feel as if I've written myself", "as in he is not the character you will be following most of", "of the time. He's the secondary main character and he will be someone", "I feel as if I've written myself into a corner here. I want", "dangerous assignments and will criticize the idealistic primary main character for their hopes", "wants to be a part of the Rebel Alliance. Though Ray will grow", "if I've written myself into a corner here. I want him around so", "of place in a battle as futile as the one that is the", "a pessimist and doesn't believe in what he's fighting for. He will always", "most of the time. He's the secondary main character and he will be", "seen! We'll make it out of here without a scratch!\", and Ray would", "against the Empire. At least, Ray thinks the rebel's fight against the Empire", "on something I love, and I decided to make a character named Alexander", "written myself into a corner here. I want him around so that he", "is not the character you will be following most of the time. He's", "he thinks the Rebel cause is something worth fighting for. He'd even encourage", "myself into a corner here. I want him around so that he can", "metal that we call a ship\". As you can see, it doesn't exactly", "to encourage the main character to keep fighting and never give up hope", "because I wanted to practice my writing on something I love, and I", "part of the Alliance off the bat. I feel as if I've written", "so that he can tell the main character that what their fighting for", "it out of here without a scratch!\", and Ray would reply with \"They", "in the most tightly packed asteroid belt I've ever seen! We'll make it", "He's the secondary main character and he will be someone who you'll probably", "fanfiction because I wanted to practice my writing on something I love, and", "up. If anyone could give me any ideas as to how I can", "the secondary main character and he will be someone who you'll probably dislike", "main character because he believes their optimism is out of place in a", "Empire when they think that all is lost at one point. But that's", "Rebel Alliance without it seeming as if I've forced him to be there,", "something worth fighting for. He'd even encourage the main character to keep fighting", "thinks the rebel's fight against the Empire is futile. Like, the main character", "like he wants to be a part of the Rebel Alliance. Though Ray", "main character for their hopes of a better future. He dislikes the main", "character to keep fighting the Empire when they think that all is lost", "better future. He dislikes the main character because he believes their optimism is", "make it out of here without a scratch!\", and Ray would reply with", "destroyers will do much more than just \"Scratch\" this lump of glorified scrap", "Alexander Ray Rullero. He's not the main character, as in he is not", "exactly seem like he wants to be a part of the Rebel Alliance.", "when they do find us, those star destroyers will do much more than", "to practice my writing on something I love, and I decided to make", "not the main character, as in he is not the character you will", "technology, and when they do find us, those star destroyers will do much", "in the beginning. He's a pessimist and doesn't believe in what he's fighting", "packed asteroid belt I've ever seen! We'll make it out of here without", "star destroyers will do much more than just \"Scratch\" this lump of glorified", "it seeming as if I've forced him to be there, then that would", "you can see, it doesn't exactly seem like he wants to be a", "hidden in the most tightly packed asteroid belt I've ever seen! We'll make", "their optimism is out of place in a battle as futile as the", "Rebel cause is something worth fighting for. He'd even encourage the main character", "less pessimistic, more supportive, and eventually he'll come to the point where he", "they do find us, those star destroyers will do much more than just", "find us, those star destroyers will do much more than just \"Scratch\" this", "more supportive, and eventually he'll come to the point where he thinks the", "I decided to make a character named Alexander Ray Rullero. He's not the", "would reply with \"They have radar technology, and when they do find us,", "says \"The Imperial fleet won't notice us, right? I mean, we're hidden in", "how I can make this character a part of the Rebel Alliance without", "fleet won't notice us, right? I mean, we're hidden in the most tightly", "tell the main character that what their fighting for his hopeless, only to", "be a part of the Rebel Alliance. Though Ray will grow as a", "always try and weasel his way out of anything dangerous assignments and will", "a part of the Rebel Alliance. Though Ray will grow as a character,", "and eventually he'll come to the point where he thinks the Rebel cause", "Alliance off the bat. I feel as if I've written myself into a", "ideas as to how I can make this character a part of the", "as to how I can make this character a part of the Rebel", "all optimism and nearly gives up. If anyone could give me any ideas", "the main character, as in he is not the character you will be", "that he can tell the main character that what their fighting for his", "keep fighting and never give up hope when the main character loses all", "He's not the main character, as in he is not the character you", "what their fighting for his hopeless, only to encourage the main character to", "fight against the Empire is futile. Like, the main character says \"The Imperial", "that is the Rebels against the Empire. At least, Ray thinks the rebel's", "and doesn't believe in what he's fighting for. He will always try and", "can see, it doesn't exactly seem like he wants to be a part", "his way out of anything dangerous assignments and will criticize the idealistic primary", "the main character loses all optimism and nearly gives up. If anyone could", "want him around so that he can tell the main character that what", "character, as in he is not the character you will be following most", "the point where he thinks the Rebel cause is something worth fighting for.", "and never give up hope when the main character loses all optimism and", "who you'll probably dislike in the beginning. He's a pessimist and doesn't believe", "fighting the Empire when they think that all is lost at one point.", "against the Empire is futile. Like, the main character says \"The Imperial fleet", "Like, the main character says \"The Imperial fleet won't notice us, right? I", "and will criticize the idealistic primary main character for their hopes of a", "out of here without a scratch!\", and Ray would reply with \"They have", "radar technology, and when they do find us, those star destroyers will do", "writing a Star Wars fanfiction because I wanted to practice my writing on", "I wanted to practice my writing on something I love, and I decided", "is out of place in a battle as futile as the one that", "the Alliance off the bat. I feel as if I've written myself into", "for their hopes of a better future. He dislikes the main character because", "and Ray would reply with \"They have radar technology, and when they do", "I can make this character a part of the Rebel Alliance without it", "primary main character for their hopes of a better future. He dislikes the", "intended to make Ray a part of the Alliance off the bat. I", "a character named Alexander Ray Rullero. He's not the main character, as in", "do find us, those star destroyers will do much more than just \"Scratch\"", "he'll come to the point where he thinks the Rebel cause is something", "glorified scrap metal that we call a ship\". As you can see, it", "a corner here. I want him around so that he can tell the", "when they think that all is lost at one point. But that's later,", "\"They have radar technology, and when they do find us, those star destroyers", "becoming less pessimistic, more supportive, and eventually he'll come to the point where", "his hopeless, only to encourage the main character to keep fighting and never", "the rebel's fight against the Empire is futile. Like, the main character says", "place in a battle as futile as the one that is the Rebels", "character for their hopes of a better future. He dislikes the main character", "we call a ship\". As you can see, it doesn't exactly seem like", "they think that all is lost at one point. But that's later, and", "hopes of a better future. He dislikes the main character because he believes", "dislikes the main character because he believes their optimism is out of place", "the Rebel Alliance. Though Ray will grow as a character, gradually becoming less", "without a scratch!\", and Ray would reply with \"They have radar technology, and", "the Rebels against the Empire. At least, Ray thinks the rebel's fight against", "Imperial fleet won't notice us, right? I mean, we're hidden in the most", "the main character because he believes their optimism is out of place in", "this lump of glorified scrap metal that we call a ship\". As you", "the idealistic primary main character for their hopes of a better future. He", "encourage the main character to keep fighting and never give up hope when", "the beginning. He's a pessimist and doesn't believe in what he's fighting for.", "criticize the idealistic primary main character for their hopes of a better future.", "fighting and never give up hope when the main character loses all optimism", "of here without a scratch!\", and Ray would reply with \"They have radar", "around so that he can tell the main character that what their fighting", "to keep fighting and never give up hope when the main character loses", "than just \"Scratch\" this lump of glorified scrap metal that we call a", "\"The Imperial fleet won't notice us, right? I mean, we're hidden in the", "the Rebel cause is something worth fighting for. He'd even encourage the main", "Wars fanfiction because I wanted to practice my writing on something I love,", "those star destroyers will do much more than just \"Scratch\" this lump of", "will be someone who you'll probably dislike in the beginning. He's a pessimist", "for his hopeless, only to encourage the main character to keep fighting and", "Empire. At least, Ray thinks the rebel's fight against the Empire is futile.", "to how I can make this character a part of the Rebel Alliance", "here. I want him around so that he can tell the main character", "off the bat. I feel as if I've written myself into a corner", "battle as futile as the one that is the Rebels against the Empire.", "decided to make a character named Alexander Ray Rullero. He's not the main", "time. He's the secondary main character and he will be someone who you'll", "as if I've written myself into a corner here. I want him around", "he can tell the main character that what their fighting for his hopeless,", "of glorified scrap metal that we call a ship\". As you can see,", "a character, gradually becoming less pessimistic, more supportive, and eventually he'll come to", "and I decided to make a character named Alexander Ray Rullero. He's not", "where he thinks the Rebel cause is something worth fighting for. He'd even", "weasel his way out of anything dangerous assignments and will criticize the idealistic", "the main character says \"The Imperial fleet won't notice us, right? I mean,", "secondary main character and he will be someone who you'll probably dislike in", "give me any ideas as to how I can make this character a", "dislike in the beginning. He's a pessimist and doesn't believe in what he's", "the bat. I feel as if I've written myself into a corner here.", "Star Wars fanfiction because I wanted to practice my writing on something I", "I love, and I decided to make a character named Alexander Ray Rullero.", "point. But that's later, and I intended to make Ray a part of", "into a corner here. I want him around so that he can tell", "following most of the time. He's the secondary main character and he will", "scrap metal that we call a ship\". As you can see, it doesn't", "the most tightly packed asteroid belt I've ever seen! We'll make it out", "be following most of the time. He's the secondary main character and he", "my writing on something I love, and I decided to make a character", "you'll probably dislike in the beginning. He's a pessimist and doesn't believe in", "make a character named Alexander Ray Rullero. He's not the main character, as", "can make this character a part of the Rebel Alliance without it seeming", "call a ship\". As you can see, it doesn't exactly seem like he", "later, and I intended to make Ray a part of the Alliance off", "point where he thinks the Rebel cause is something worth fighting for. He'd", "and I intended to make Ray a part of the Alliance off the", "main character and he will be someone who you'll probably dislike in the", "do much more than just \"Scratch\" this lump of glorified scrap metal that", "character a part of the Rebel Alliance without it seeming as if I've", "eventually he'll come to the point where he thinks the Rebel cause is", "to keep fighting the Empire when they think that all is lost at", "Ray will grow as a character, gradually becoming less pessimistic, more supportive, and", "the main character that what their fighting for his hopeless, only to encourage", "much more than just \"Scratch\" this lump of glorified scrap metal that we", "Ray a part of the Alliance off the bat. I feel as if", "He will always try and weasel his way out of anything dangerous assignments", "for. He will always try and weasel his way out of anything dangerous", "futile. Like, the main character says \"The Imperial fleet won't notice us, right?", "that all is lost at one point. But that's later, and I intended", "the main character to keep fighting the Empire when they think that all", "that what their fighting for his hopeless, only to encourage the main character", "to be a part of the Rebel Alliance. Though Ray will grow as", "keep fighting the Empire when they think that all is lost at one", "as if I've forced him to be there, then that would be greatly", "fighting for. He will always try and weasel his way out of anything", "him around so that he can tell the main character that what their", "encourage the main character to keep fighting the Empire when they think that", "Rullero. He's not the main character, as in he is not the character", "here without a scratch!\", and Ray would reply with \"They have radar technology,", "one that is the Rebels against the Empire. At least, Ray thinks the", "of a better future. He dislikes the main character because he believes their", "worth fighting for. He'd even encourage the main character to keep fighting the", "as futile as the one that is the Rebels against the Empire. At", "believes their optimism is out of place in a battle as futile as", "as the one that is the Rebels against the Empire. At least, Ray", "scratch!\", and Ray would reply with \"They have radar technology, and when they", "character to keep fighting and never give up hope when the main character", "as a character, gradually becoming less pessimistic, more supportive, and eventually he'll come", "have radar technology, and when they do find us, those star destroyers will", "make Ray a part of the Alliance off the bat. I feel as", "writing on something I love, and I decided to make a character named", "the character you will be following most of the time. He's the secondary", "gives up. If anyone could give me any ideas as to how I", "a scratch!\", and Ray would reply with \"They have radar technology, and when", "when the main character loses all optimism and nearly gives up. If anyone", "seeming as if I've forced him to be there, then that would be", "be someone who you'll probably dislike in the beginning. He's a pessimist and", "part of the Rebel Alliance. Though Ray will grow as a character, gradually", "way out of anything dangerous assignments and will criticize the idealistic primary main", "and nearly gives up. If anyone could give me any ideas as to", "nearly gives up. If anyone could give me any ideas as to how", "main character, as in he is not the character you will be following" ]
[ "The only thing I care about is to be understood properly. That's why", "and not ELL. The meaning of sentence is \"If you don't love yourself,", "only thing I care about is to be understood properly. That's why I'm", "meaning of sentence is \"If you don't love yourself, you can love no", "English-speaking people? Or is it too unnatural? So, the question is how to", "you don't love yourself, you can love no one\" or \"To love someone", "to write that. As in the title or as an alternatives in the", "care about that. The only thing I care about is to be understood", "is \"If you don't love yourself, you can love no one\" or \"To", "don't love yourself, you can love no one\" or \"To love someone else", "about syntactical correctness. I do not care about that. The only thing I", "someone else you should love yourself at first\". So, does the given sentence", "This question is not about syntactical correctness. I do not care about that.", "asking it here and not ELL. The meaning of sentence is \"If you", "is not about syntactical correctness. I do not care about that. The only", "with these sentences in the minds of English-speaking people? Or is it too", "care about is to be understood properly. That's why I'm asking it here", "understood properly. That's why I'm asking it here and not ELL. The meaning", "write that. As in the title or as an alternatives in the body?", "the given sentence associate with these sentences in the minds of English-speaking people?", "of English-speaking people? Or is it too unnatural? So, the question is how", "the question is how to write that. As in the title or as", "\"To love someone else you should love yourself at first\". So, does the", "unnatural? So, the question is how to write that. As in the title", "yourself at first\". So, does the given sentence associate with these sentences in", "too unnatural? So, the question is how to write that. As in the", "is to be understood properly. That's why I'm asking it here and not", "or \"To love someone else you should love yourself at first\". So, does", "these sentences in the minds of English-speaking people? Or is it too unnatural?", "can love no one\" or \"To love someone else you should love yourself", "ELL. The meaning of sentence is \"If you don't love yourself, you can", "it here and not ELL. The meaning of sentence is \"If you don't", "question is not about syntactical correctness. I do not care about that. The", "thing I care about is to be understood properly. That's why I'm asking", "people? Or is it too unnatural? So, the question is how to write", "sentence associate with these sentences in the minds of English-speaking people? Or is", "else you should love yourself at first\". So, does the given sentence associate", "do not care about that. The only thing I care about is to", "why I'm asking it here and not ELL. The meaning of sentence is", "properly. That's why I'm asking it here and not ELL. The meaning of", "So, the question is how to write that. As in the title or", "here and not ELL. The meaning of sentence is \"If you don't love", "Or is it too unnatural? So, the question is how to write that.", "that. The only thing I care about is to be understood properly. That's", "it too unnatural? So, the question is how to write that. As in", "is how to write that. As in the title or as an alternatives", "That's why I'm asking it here and not ELL. The meaning of sentence", "The meaning of sentence is \"If you don't love yourself, you can love", "question is how to write that. As in the title or as an", "syntactical correctness. I do not care about that. The only thing I care", "you should love yourself at first\". So, does the given sentence associate with", "associate with these sentences in the minds of English-speaking people? Or is it", "love yourself, you can love no one\" or \"To love someone else you", "how to write that. As in the title or as an alternatives in", "love no one\" or \"To love someone else you should love yourself at", "not care about that. The only thing I care about is to be", "at first\". So, does the given sentence associate with these sentences in the", "minds of English-speaking people? Or is it too unnatural? So, the question is", "no one\" or \"To love someone else you should love yourself at first\".", "not about syntactical correctness. I do not care about that. The only thing", "I'm asking it here and not ELL. The meaning of sentence is \"If", "about that. The only thing I care about is to be understood properly.", "yourself, you can love no one\" or \"To love someone else you should", "one\" or \"To love someone else you should love yourself at first\". So,", "love yourself at first\". So, does the given sentence associate with these sentences", "not ELL. The meaning of sentence is \"If you don't love yourself, you", "does the given sentence associate with these sentences in the minds of English-speaking", "given sentence associate with these sentences in the minds of English-speaking people? Or", "of sentence is \"If you don't love yourself, you can love no one\"", "the minds of English-speaking people? Or is it too unnatural? So, the question", "should love yourself at first\". So, does the given sentence associate with these", "about is to be understood properly. That's why I'm asking it here and", "love someone else you should love yourself at first\". So, does the given", "is it too unnatural? So, the question is how to write that. As", "to be understood properly. That's why I'm asking it here and not ELL.", "\"If you don't love yourself, you can love no one\" or \"To love", "you can love no one\" or \"To love someone else you should love", "be understood properly. That's why I'm asking it here and not ELL. The", "correctness. I do not care about that. The only thing I care about", "I care about is to be understood properly. That's why I'm asking it", "So, does the given sentence associate with these sentences in the minds of", "in the minds of English-speaking people? Or is it too unnatural? So, the", "I do not care about that. The only thing I care about is", "sentences in the minds of English-speaking people? Or is it too unnatural? So,", "sentence is \"If you don't love yourself, you can love no one\" or", "first\". So, does the given sentence associate with these sentences in the minds" ]
[ "the part of a character who advanced the plot out of the dungeon.", "the book, however, the character had to gain a physical body in order", "in order to forward the plot, which I didn't want to write. As", "write the dungeon part while my friend wrote the part of a character", "order to forward the plot, which I didn't want to write. As a", "of the book, however, the character had to gain a physical body in", "the plot, which I didn't want to write. As a solution, I got", "been looking through various books with a dungeon being the main character. Regardless", "book, however, the character had to gain a physical body in order to", "my friend wrote the part of a character who advanced the plot out", "forward the plot, which I didn't want to write. As a solution, I", "didn't want to write. As a solution, I got together with a friend", "wrote the part of a character who advanced the plot out of the", "As a solution, I got together with a friend and we decided that", "dungeon being the main character. Regardless of the book, however, the character had", "the main character. Regardless of the book, however, the character had to gain", "How can we organize the book while both of us write different characters?", "got together with a friend and we decided that I would write the", "that I would write the dungeon part while my friend wrote the part", "together with a friend and we decided that I would write the dungeon", "dungeon part while my friend wrote the part of a character who advanced", "character who advanced the plot out of the dungeon. How can we organize", "Regardless of the book, however, the character had to gain a physical body", "plot, which I didn't want to write. As a solution, I got together", "want to write. As a solution, I got together with a friend and", "books with a dungeon being the main character. Regardless of the book, however,", "a friend and we decided that I would write the dungeon part while", "to gain a physical body in order to forward the plot, which I", "would write the dungeon part while my friend wrote the part of a", "and we decided that I would write the dungeon part while my friend", "to forward the plot, which I didn't want to write. As a solution,", "to write. As a solution, I got together with a friend and we", "with a friend and we decided that I would write the dungeon part", "while my friend wrote the part of a character who advanced the plot", "friend and we decided that I would write the dungeon part while my", "being the main character. Regardless of the book, however, the character had to", "body in order to forward the plot, which I didn't want to write.", "we decided that I would write the dungeon part while my friend wrote", "have been looking through various books with a dungeon being the main character.", "friend wrote the part of a character who advanced the plot out of", "a dungeon being the main character. Regardless of the book, however, the character", "various books with a dungeon being the main character. Regardless of the book,", "which I didn't want to write. As a solution, I got together with", "I didn't want to write. As a solution, I got together with a", "I got together with a friend and we decided that I would write", "the dungeon part while my friend wrote the part of a character who", "the plot out of the dungeon. How can we organize the book while", "out of the dungeon. How can we organize the book while both of", "of the dungeon. How can we organize the book while both of us", "a solution, I got together with a friend and we decided that I", "who advanced the plot out of the dungeon. How can we organize the", "plot out of the dungeon. How can we organize the book while both", "main character. Regardless of the book, however, the character had to gain a", "the character had to gain a physical body in order to forward the", "looking through various books with a dungeon being the main character. Regardless of", "had to gain a physical body in order to forward the plot, which", "physical body in order to forward the plot, which I didn't want to", "solution, I got together with a friend and we decided that I would", "the dungeon. How can we organize the book while both of us write", "of a character who advanced the plot out of the dungeon. How can", "through various books with a dungeon being the main character. Regardless of the", "part of a character who advanced the plot out of the dungeon. How", "character. Regardless of the book, however, the character had to gain a physical", "I would write the dungeon part while my friend wrote the part of", "decided that I would write the dungeon part while my friend wrote the", "a physical body in order to forward the plot, which I didn't want", "I have been looking through various books with a dungeon being the main", "however, the character had to gain a physical body in order to forward", "character had to gain a physical body in order to forward the plot,", "part while my friend wrote the part of a character who advanced the", "gain a physical body in order to forward the plot, which I didn't", "a character who advanced the plot out of the dungeon. How can we", "with a dungeon being the main character. Regardless of the book, however, the", "dungeon. How can we organize the book while both of us write different", "write. As a solution, I got together with a friend and we decided", "advanced the plot out of the dungeon. How can we organize the book" ]
[ "for it? I'm just new to this and this is my first work", "I publish my work online and get paid for it? I'm just new", "this and this is my first work and it's still chapter 1. It's", "work online and get paid for it? I'm just new to this and", "paid for it? I'm just new to this and this is my first", "this is my first work and it's still chapter 1. It's a fantasy", "publish my work online and get paid for it? I'm just new to", "online and get paid for it? I'm just new to this and this", "first work and it's still chapter 1. It's a fantasy and mythical story.", "to this and this is my first work and it's still chapter 1.", "it? I'm just new to this and this is my first work and", "get paid for it? I'm just new to this and this is my", "new to this and this is my first work and it's still chapter", "my work online and get paid for it? I'm just new to this", "and get paid for it? I'm just new to this and this is", "can I publish my work online and get paid for it? I'm just", "Where can I publish my work online and get paid for it? I'm", "I'm just new to this and this is my first work and it's", "just new to this and this is my first work and it's still", "is my first work and it's still chapter 1. It's a fantasy and", "my first work and it's still chapter 1. It's a fantasy and mythical", "and this is my first work and it's still chapter 1. It's a" ]
[ "YouTube video explaining some of these concepts so aspiring filmmakers and screenwriters can", "see the movie, your brain is not seeing Obi Wan and Anakin fight,", "is \"emotional projection\" created in screenwriting? Where can I find information and resources", "a way more powerful experience. ADDITIONAL INFORMATION I ask this because I am", "Recently I saw someone on the internet say that Revenge Of The Sith", "powerful, even if the actual relationship between the Jedis is (sadly) not fully", "best friend. That makes it really emotional and powerful, even if the actual", "fight, it's \"replacing\" them with you and your best friend. That makes it", "point of view. Specifically, how to actually write/direct something that triggers the audiences", "actually write/direct something that triggers the audiences to project their lives in the", "emotional and powerful, even if the actual relationship between the Jedis is (sadly)", "can have a way more powerful experience. ADDITIONAL INFORMATION I ask this because", "so powerful because of an effect called \"Emotional Projection.\" This means that when", "this because I am planning on doing a YouTube video explaining some of", "to actually write/direct something that triggers the audiences to project their lives in", "actual relationship between the Jedis is (sadly) not fully compelling. I really want", "planning on doing a YouTube video explaining some of these concepts so aspiring", "if the actual relationship between the Jedis is (sadly) not fully compelling. I", "makes it really emotional and powerful, even if the actual relationship between the", "topic from a screenwriting/production point of view. Specifically, how to actually write/direct something", "the Jedis is (sadly) not fully compelling. I really want to know more", "write/direct something that triggers the audiences to project their lives in the film", "techniques in their favor; so any additional information you might think is useful", "effect called \"Emotional Projection.\" This means that when you see the movie, your", "relationship between the Jedis is (sadly) not fully compelling. I really want to", "you might think is useful is much appreciated, along with some examples of", "to know more about this topic from a screenwriting/production point of view. Specifically,", "internet say that Revenge Of The Sith was so powerful because of an", "Of The Sith* was so powerful because of an effect called \"Emotional Projection.\"", "means that when you see the movie, your brain is not seeing Obi", "ask this because I am planning on doing a YouTube video explaining some", "seeing Obi Wan and Anakin fight, it's \"replacing\" them with you and your", "how to actually write/direct something that triggers the audiences to project their lives", "is useful is much appreciated, along with some examples of writers/directors that have", "I really want to know more about this topic from a screenwriting/production point", "if such cases exist. How is \"emotional projection\" created in screenwriting? Where can", "called \"Emotional Projection.\" This means that when you see the movie, your brain", "have purposefully used emotional projection, if such cases exist. How is \"emotional projection\"", "that triggers the audiences to project their lives in the film so they", "additional information you might think is useful is much appreciated, along with some", "used emotional projection, if such cases exist. How is \"emotional projection\" created in", "and your best friend. That makes it really emotional and powerful, even if", "concepts so aspiring filmmakers and screenwriters can use these techniques in their favor;", "want to know more about this topic from a screenwriting/production point of view.", "have a way more powerful experience. ADDITIONAL INFORMATION I ask this because I", "view. Specifically, how to actually write/direct something that triggers the audiences to project", "\"Emotional Projection.\" This means that when you see the movie, your brain is", "can use these techniques in their favor; so any additional information you might", "not fully compelling. I really want to know more about this topic from", "think is useful is much appreciated, along with some examples of writers/directors that", "use these techniques in their favor; so any additional information you might think", "because of an effect called \"Emotional Projection.\" This means that when you see", "this topic from a screenwriting/production point of view. Specifically, how to actually write/direct", "so any additional information you might think is useful is much appreciated, along", "movie, your brain is not seeing Obi Wan and Anakin fight, it's \"replacing\"", "am planning on doing a YouTube video explaining some of these concepts so", "information you might think is useful is much appreciated, along with some examples", "in their favor; so any additional information you might think is useful is", "doing a YouTube video explaining some of these concepts so aspiring filmmakers and", "that have purposefully used emotional projection, if such cases exist. How is \"emotional", "cases exist. *How is \"emotional projection\" created in screenwriting? Where can I find", "someone on the internet say that Revenge Of The Sith* was so powerful", "lives in the film so they can have a way more powerful experience.", "Jedis is (sadly) not fully compelling. I really want to know more about", "when you see the movie, your brain is not seeing Obi Wan and", "between the Jedis is (sadly) not fully compelling. I really want to know", "friend. That makes it really emotional and powerful, even if the actual relationship", "that when you see the movie, your brain is not seeing Obi Wan", "experience. ADDITIONAL INFORMATION I ask this because I am planning on doing a", "these concepts so aspiring filmmakers and screenwriters can use these techniques in their", "appreciated, along with some examples of writers/directors that have purposefully used emotional projection,", "with you and your best friend. That makes it really emotional and powerful,", "something that triggers the audiences to project their lives in the film so", "Where can I find information and resources about it? What are some other", "film so they can have a way more powerful experience. ADDITIONAL INFORMATION I", "it's \"replacing\" them with you and your best friend. That makes it really", "say that Revenge Of The Sith was so powerful because of an effect", "it really emotional and powerful, even if the actual relationship between the Jedis", "so they can have a way more powerful experience. ADDITIONAL INFORMATION I ask", "not seeing Obi Wan and Anakin fight, it's \"replacing\" them with you and", "powerful experience. ADDITIONAL INFORMATION I ask this because I am planning on doing", "the internet say that Revenge Of The Sith was so powerful because of", "about this topic from a screenwriting/production point of view. Specifically, how to actually", "screenwriting/production point of view. Specifically, how to actually write/direct something that triggers the", "exist. How is \"emotional projection\" created in screenwriting? Where can I find information", "a YouTube video explaining some of these concepts so aspiring filmmakers and screenwriters", "you see the movie, your brain is not seeing Obi Wan and Anakin", "writers/directors that have purposefully used emotional projection, if such cases exist. How is", "their favor; so any additional information you might think is useful is much", "your brain is not seeing Obi Wan and Anakin fight, it's \"replacing\" them", "screenwriting? Where can I find information and resources about it? What are some", "explaining some of these concepts so aspiring filmmakers and screenwriters can use these", "of these concepts so aspiring filmmakers and screenwriters can use these techniques in", "I ask this because I am planning on doing a YouTube video explaining", "The Sith* was so powerful because of an effect called \"Emotional Projection.\" This", "along with some examples of writers/directors that have purposefully used emotional projection, if", "so aspiring filmmakers and screenwriters can use these techniques in their favor; so", "your best friend. That makes it really emotional and powerful, even if the", "was so powerful because of an effect called \"Emotional Projection.\" This means that", "and Anakin fight, it's \"replacing\" them with you and your best friend. That", "ADDITIONAL INFORMATION I ask this because I am planning on doing a YouTube", "Revenge Of The Sith was so powerful because of an effect called \"Emotional", "with some examples of writers/directors that have purposefully used emotional projection, if such", "in screenwriting? Where can I find information and resources about it? What are", "Wan and Anakin fight, it's \"replacing\" them with you and your best friend.", "INFORMATION** Recently I saw someone on the internet say that Revenge Of The", "on the internet say that Revenge Of The Sith* was so powerful because", "favor; so any additional information you might think is useful is much appreciated,", "much appreciated, along with some examples of writers/directors that have purposefully used emotional", "more powerful experience. ADDITIONAL INFORMATION I ask this because I am planning on", "powerful because of an effect called \"Emotional Projection.\" This means that when you", "these techniques in their favor; so any additional information you might think is", "projection, if such cases exist. How is \"emotional projection\" created in screenwriting? Where", "the movie, your brain is not seeing Obi Wan and Anakin fight, it's", "of view. Specifically, how to actually write/direct something that triggers the audiences to", "Projection.\" This means that when you see the movie, your brain is not", "and powerful, even if the actual relationship between the Jedis is (sadly) not", "purposefully used emotional projection, if such cases exist. How is \"emotional projection\" created", "can I find information and resources about it? What are some other good", "compelling. I really want to know more about this topic from a screenwriting/production", "brain is not seeing Obi Wan and Anakin fight, it's \"replacing\" them with", "to project their lives in the film so they can have a way", "INFORMATION I ask this because I am planning on doing a YouTube video", "emotional projection, if such cases exist. How is \"emotional projection\" created in screenwriting?", "\"emotional projection\" created in screenwriting? Where can I find information and resources about", "any additional information you might think is useful is much appreciated, along with", "Obi Wan and Anakin fight, it's \"replacing\" them with you and your best", "I am planning on doing a YouTube video explaining some of these concepts", "Anakin fight, it's \"replacing\" them with you and your best friend. That makes", "Specifically, how to actually write/direct something that triggers the audiences to project their", "is not seeing Obi Wan and Anakin fight, it's \"replacing\" them with you", "of writers/directors that have purposefully used emotional projection, if such cases exist. How", "way more powerful experience. ADDITIONAL INFORMATION I ask this because I am planning", "created in screenwriting? Where can I find information and resources about it? What", "really emotional and powerful, even if the actual relationship between the Jedis is", "How is \"emotional projection\" created in screenwriting? Where can I find information and", "you and your best friend. That makes it really emotional and powerful, even", "That makes it really emotional and powerful, even if the actual relationship between", "even if the actual relationship between the Jedis is (sadly) not fully compelling.", "\"replacing\" them with you and your best friend. That makes it really emotional", "fully compelling. I really want to know more about this topic from a", "project their lives in the film so they can have a way more", "useful is much appreciated, along with some examples of writers/directors that have purposefully", "is much appreciated, along with some examples of writers/directors that have purposefully used", "projection\" created in screenwriting? Where can I find information and resources about it?", "of an effect called \"Emotional Projection.\" This means that when you see the", "Sith* was so powerful because of an effect called \"Emotional Projection.\" This means", "more about this topic from a screenwriting/production point of view. Specifically, how to", "aspiring filmmakers and screenwriters can use these techniques in their favor; so any", "saw someone on the internet say that Revenge Of The Sith was so", "and screenwriters can use these techniques in their favor; so any additional information", "(sadly) not fully compelling. I really want to know more about this topic", "because I am planning on doing a YouTube video explaining some of these", "that Revenge Of The Sith was so powerful because of an effect called", "the audiences to project their lives in the film so they can have", "I saw someone on the internet say that Revenge Of The Sith was", "they can have a way more powerful experience. ADDITIONAL INFORMATION I ask this", "I find information and resources about it? What are some other good examples?", "in the film so they can have a way more powerful experience. ADDITIONAL", "NECESSARY INFORMATION Recently I saw someone on the internet say that Revenge Of", "triggers the audiences to project their lives in the film so they can", "them with you and your best friend. That makes it really emotional and", "the actual relationship between the Jedis is (sadly) not fully compelling. I really", "might think is useful is much appreciated, along with some examples of writers/directors", "really want to know more about this topic from a screenwriting/production point of", "some examples of writers/directors that have purposefully used emotional projection, if such cases", "a screenwriting/production point of view. Specifically, how to actually write/direct something that triggers", "video explaining some of these concepts so aspiring filmmakers and screenwriters can use", "on doing a YouTube video explaining some of these concepts so aspiring filmmakers", "such cases exist. How is \"emotional projection\" created in screenwriting? Where can I", "an effect called \"Emotional Projection.\" This means that when you see the movie,", "is (sadly) not fully compelling. I really want to know more about this", "examples of writers/directors that have purposefully used emotional projection, if such cases exist.", "some of these concepts so aspiring filmmakers and screenwriters can use these techniques", "filmmakers and screenwriters can use these techniques in their favor; so any additional", "the film so they can have a way more powerful experience. ADDITIONAL INFORMATION*", "know more about this topic from a screenwriting/production point of view. Specifically, how", "audiences to project their lives in the film so they can have a", "from a screenwriting/production point of view. Specifically, how to actually write/direct something that", "This means that when you see the movie, your brain is not seeing", "screenwriters can use these techniques in their favor; so any additional information you", "their lives in the film so they can have a way more powerful" ]
[ "to Satan or involved in witchcraft, can I be sued by them even", "involved in witchcraft, can I be sued by them even though it's a", "I write a page about a current pop star that talks about what", "what they're doing, that is a fact such as dedicating themselves to Satan", "or involved in witchcraft, can I be sued by them even though it's", "a fact such as dedicating themselves to Satan or involved in witchcraft, can", "Satan or involved in witchcraft, can I be sued by them even though", "talks about what they're doing, that is a fact such as dedicating themselves", "doing, that is a fact such as dedicating themselves to Satan or involved", "page about a current pop star that talks about what they're doing, that", "If I write a page about a current pop star that talks about", "that is a fact such as dedicating themselves to Satan or involved in", "such as dedicating themselves to Satan or involved in witchcraft, can I be", "a current pop star that talks about what they're doing, that is a", "they're doing, that is a fact such as dedicating themselves to Satan or", "a page about a current pop star that talks about what they're doing,", "as dedicating themselves to Satan or involved in witchcraft, can I be sued", "about a current pop star that talks about what they're doing, that is", "write a page about a current pop star that talks about what they're", "themselves to Satan or involved in witchcraft, can I be sued by them", "that talks about what they're doing, that is a fact such as dedicating", "about what they're doing, that is a fact such as dedicating themselves to", "star that talks about what they're doing, that is a fact such as", "is a fact such as dedicating themselves to Satan or involved in witchcraft,", "fact such as dedicating themselves to Satan or involved in witchcraft, can I", "dedicating themselves to Satan or involved in witchcraft, can I be sued by", "in witchcraft, can I be sued by them even though it's a fact?", "pop star that talks about what they're doing, that is a fact such", "current pop star that talks about what they're doing, that is a fact" ]
[ "a reader, without** turning it into an infodump or making them come across", "threats are not taken lightly by anyone involved. That's all well, as far", "who made the original threat misjudged the situation, it's their life that's on", "don't want to introduce humans, at least not generally. If you want a", "is kinda-sorta similar, except that unlike the Hirogen, the species of my story", "so, they have retained many traits of their ancestors, and many such traits", "taken lightly by anyone involved. That's all well, as far as that is", "kill you\", and while this might not mean literally \"no matter what else", "is not a spacefaring species. Particularly in this case, this species has morals", "(probably fantasy, if I had to categorize it), I've set it in a", "species. Particularly in this case, this species has morals quite far from what's", "infodump or making them come across as savages for the less-than-friendly parts? I'm", "species of my story is not a spacefaring species. Particularly in this case,", "and many such traits (including the ability to hunt without anything more than", "each other. What they aren't is savages. They don't go around killing just", "fun. They do care very deeply about those close to them. And even", "such traits (including the ability to hunt without anything more than one's natural", "I guess the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar,", "fight to clear surrender or to actual death of either; if the individual", "intelligent creatures that have evolved from carnivores. In doing so, they have retained", "this case, this species has morals quite far from what's normally seen in", "traits of their ancestors, and many such traits (including the ability to hunt", "savages for the less-than-friendly parts? I'm open to suggestions that only work in", "on the line. So while not uncommon, such threats are not taken lightly", "morals quite far from what's normally seen in humans. For one thing, threats,", "what else happens, I will end your life\", it can absolutely mean something", "what's normally seen in humans. For one thing, threats, even death threats, are", "guess the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except", "seen in humans. For one thing, threats, even death threats, are far from", "of \"I will kill you\", and while this might not mean literally \"no", "the individual being threatened decides to instead take their chances, then it becomes", "not a spacefaring species. Particularly in this case, this species has morals quite", "with actual action. So one individual may tell another something along the lines", "In doing so, they have retained many traits of their ancestors, and many", "I will end your life\", it can absolutely mean something along the lines", "lines of \"I will kill you\", and while this might not mean literally", "established comparison for the species, though that's not books, I guess the culture", "though that's not books, I guess the culture of the [Hirogen of Star", "unlike the Hirogen, the species of my story is not a spacefaring species.", "it becomes a fight to clear surrender or to actual death of either;", "and show me that you recognize that I can end your life if", "matter what else happens, I will end your life\", it can absolutely mean", "have evolved from carnivores. In doing so, they have retained many traits of", "I'm open to suggestions that only work in certain points of view, as", "of \"I am ready and willing to end your life, unless you back", "threats, are far from uncommon in normal interaction, especially between individuals and groups", "do not know each other. What they aren't is savages. They don't go", "surrender or to actual death of either; if the individual who made the", "they aren't is savages. They don't go around killing just for fun. They", "willing to end your life, unless you back down and show me that", "need to back it up with actual action. So one individual may tell", "to back it up with actual action. So one individual may tell another", "is generally to ideally not have to back them up with actual action;", "up with actual action; much of it is ritualized, but it is rituals", "ready and willing to end your life, unless you back down and show", "such threats are not taken lightly by anyone involved. That's all well, as", "but it is rituals with the knowledge that one may need to back", "especially between individuals and groups that do not know each other. What they", "had to categorize it), I've set it in a world that is in", "far from what's normally seen in humans. For one thing, threats, even death", "aren't is savages. They don't go around killing just for fun. They do", "actual action; much of it is ritualized, but it is rituals with the", "traits (including the ability to hunt without anything more than one's natural weaponry)", "to\". All the above said, if at that point the individual being threatened", "are made, the entire intent is generally to ideally not have to back", "it can absolutely mean something along the lines of \"I am ready and", "techniques to introduce traits like these to a reader, without** turning it into", "it in a world that is in some ways similar to Earth, and", "either; if the individual who made the original threat misjudged the situation, it's", "normally seen in humans. For one thing, threats, even death threats, are far", "not uncommon, such threats are not taken lightly by anyone involved. That's all", "threats, even death threats, are far from uncommon in normal interaction, especially between", "ideally not have to back them up with actual action; much of it", "in other ways very dissimilar from Earth. In place of humans, there's a", "from carnivores. In doing so, they have retained many traits of their ancestors,", "mine (probably fantasy, if I had to categorize it), I've set it in", "a more established comparison for the species, though that's not books, I guess", "go around killing just for fun. They do care very deeply about those", "want to introduce humans, at least not generally. If you want a more", "action; much of it is ritualized, but it is rituals with the knowledge", "carnivores. In doing so, they have retained many traits of their ancestors, and", "it is rituals with the knowledge that one may need to back it", "absolutely mean something along the lines of \"I am ready and willing to", "similar to Earth, and in other ways very dissimilar from Earth. In place", "the species of my story is not a spacefaring species. Particularly in this", "I've set it in a world that is in some ways similar to", "\"no matter what else happens, I will end your life\", it can absolutely", "the original threat misjudged the situation, it's their life that's on the line.", "lightly by anyone involved. That's all well, as far as that is concerned.", "tell another something along the lines of \"I will kill you\", and while", "individual who made the original threat misjudged the situation, it's their life that's", "are not taken lightly by anyone involved. That's all well, as far as", "the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that", "actual death of either; if the individual who made the original threat misjudged", "death threats, are far from uncommon in normal interaction, especially between individuals and", "that's on the line. So while not uncommon, such threats are not taken", "that do not know each other. What they aren't is savages. They don't", "it into an infodump or making them come across as savages for the", "something along the lines of \"I will kill you\", and while this might", "if the individual who made the original threat misjudged the situation, it's their", "it's their life that's on the line. So while not uncommon, such threats", "along the lines of \"I will kill you\", and while this might not", "ritualized, but it is rituals with the knowledge that one may need to", "chances, then it becomes a fight to clear surrender or to actual death", "ancestors, and many such traits (including the ability to hunt without anything more", "while not uncommon, such threats are not taken lightly by anyone involved. That's", "in high regard. I don't want to introduce humans, at least not generally.", "to introduce humans, at least not generally. If you want a more established", "(including the ability to hunt without anything more than one's natural weaponry) are", "many such traits (including the ability to hunt without anything more than one's", "threat misjudged the situation, it's their life that's on the line. So while", "have to back them up with actual action; much of it is ritualized,", "regard. I don't want to introduce humans, at least not generally. If you", "spacefaring species. Particularly in this case, this species has morals quite far from", "know each other. What they aren't is savages. They don't go around killing", "then it becomes a fight to clear surrender or to actual death of", "action. So one individual may tell another something along the lines of \"I", "that one may need to back it up with actual action. So one", "without anything more than one's natural weaponry) are held in high regard. I", "your life\", it can absolutely mean something along the lines of \"I am", "them. And even when threats are made, the entire intent is generally to", "not have to back them up with actual action; much of it is", "can absolutely mean something along the lines of \"I am ready and willing", "sentient, intelligent creatures that have evolved from carnivores. In doing so, they have", "one individual may tell another something along the lines of \"I will kill", "mean something along the lines of \"I am ready and willing to end", "the ability to hunt without anything more than one's natural weaponry) are held", "one may need to back it up with actual action. So one individual", "interaction, especially between individuals and groups that do not know each other. What", "So while not uncommon, such threats are not taken lightly by anyone involved.", "if I want to\". All the above said, if at that point the", "species, though that's not books, I guess the culture of the [Hirogen of", "individuals and groups that do not know each other. What they aren't is", "intent is generally to ideally not have to back them up with actual", "being threatened decides to instead take their chances, then it becomes a fight", "are good techniques to introduce traits like these to a reader, without** turning", "Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the Hirogen, the species of", "the entire intent is generally to ideally not have to back them up", "clear surrender or to actual death of either; if the individual who made", "can end your life if I want to\". All the above said, if", "from uncommon in normal interaction, especially between individuals and groups that do not", "there's a race of sentient, intelligent creatures that have evolved from carnivores. In", "ability to hunt without anything more than one's natural weaponry) are held in", "the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the Hirogen,", "So one individual may tell another something along the lines of \"I will", "They don't go around killing just for fun. They do care very deeply", "knowledge that one may need to back it up with actual action. So", "a spacefaring species. Particularly in this case, this species has morals quite far", "has morals quite far from what's normally seen in humans. For one thing,", "life, unless you back down and show me that you recognize that I", "race of sentient, intelligent creatures that have evolved from carnivores. In doing so,", "want to\". All the above said, if at that point the individual being", "far as that is concerned. But *what are good techniques to introduce traits", "to categorize it), I've set it in a world that is in some", "don't go around killing just for fun. They do care very deeply about", "that unlike the Hirogen, the species of my story is not a spacefaring", "in a world that is in some ways similar to Earth, and in", "across as savages for the less-than-friendly parts? I'm open to suggestions that only", "even when threats are made, the entire intent is generally to ideally not", "humans, at least not generally. If you want a more established comparison for", "thing, threats, even death threats, are far from uncommon in normal interaction, especially", "this might not mean literally \"no matter what else happens, I will end", "all well, as far as that is concerned. But what are good techniques", "or making them come across as savages for the less-than-friendly parts? I'm open", "similar, except that unlike the Hirogen, the species of my story is not", "story is not a spacefaring species. Particularly in this case, this species has", "natural weaponry) are held in high regard. I don't* want to introduce humans,", "and while this might not mean literally \"no matter what else happens, I", "in some ways similar to Earth, and in other ways very dissimilar from", "And even when threats are made, the entire intent is generally to ideally", "and in other ways very dissimilar from Earth. In place of humans, there's", "introduce humans, at least not generally. If you want a more established comparison", "you want a more established comparison for the species, though that's not books,", "that you recognize that I can end your life if I want to\".", "one thing, threats, even death threats, are far from uncommon in normal interaction,", "care very deeply about those close to them. And even when threats are", "is rituals with the knowledge that one may need to back it up", "of it is ritualized, but it is rituals with the knowledge that one", "something along the lines of \"I am ready and willing to end your", "you back down and show me that you recognize that I can end", "the line. So while not uncommon, such threats are not taken lightly by", "is ritualized, but it is rituals with the knowledge that one may need", "else happens, I will end your life\", it can absolutely mean something along", "these to a reader, without turning it into an infodump or making them", "is in some ways similar to Earth, and in other ways very dissimilar", "by anyone involved. That's all well, as far as that is concerned. But", "fantasy, if I had to categorize it), I've set it in a world", "your life, unless you back down and show me that you recognize that", "introduce traits like these to a reader, without turning it into an infodump", "about those close to them. And even when threats are made, the entire", "that have evolved from carnivores. In doing so, they have retained many traits", "evolved from carnivores. In doing so, they have retained many traits of their", "of sentient, intelligent creatures that have evolved from carnivores. In doing so, they", "turning it into an infodump or making them come across as savages for", "to instead take their chances, then it becomes a fight to clear surrender", "savages. They don't go around killing just for fun. They do care very", "show me that you recognize that I can end your life if I", "threatened decides to instead take their chances, then it becomes a fight to", "more than one's natural weaponry) are held in high regard. I don't want", "just for fun. They do care very deeply about those close to them.", "\"I am ready and willing to end your life, unless you back down", "But what are good techniques to introduce traits like these to a reader,", "another something along the lines of \"I will kill you\", and while this", "threats are made, the entire intent is generally to ideally not have to", "In place of humans, there's a race of sentient, intelligent creatures that have", "very deeply about those close to them. And even when threats are made,", "want a more established comparison for the species, though that's not books, I", "of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the Hirogen, the species", "to clear surrender or to actual death of either; if the individual who", "anyone involved. That's all well, as far as that is concerned. But *what", "to suggestions that only work in certain points of view, as well as", "than one's natural weaponry) are held in high regard. I don't* want to", "generally to ideally not have to back them up with actual action; much", "deeply about those close to them. And even when threats are made, the", "as that is concerned. But *what are good techniques to introduce traits like", "recognize that I can end your life if I want to\". All the", "open to suggestions that only work in certain points of view, as well", "back them up with actual action; much of it is ritualized, but it", "instead take their chances, then* it becomes a fight to clear surrender or", "the individual who made the original threat misjudged the situation, it's their life", "have retained many traits of their ancestors, and many such traits (including the", "not know each other. What they aren't is savages. They don't go around", "less-than-friendly parts? I'm open to suggestions that only work in certain points of", "life if I want to\". All the above said, if at that point", "the lines of \"I am ready and willing to end your life, unless", "the situation, it's their life that's on the line. So while not uncommon,", "\"I will kill you\", and while this might not mean literally \"no matter", "not taken lightly by anyone involved. That's all well, as far as that", "traits like these to a reader, without** turning it into an infodump or", "their chances, then it becomes a fight to clear surrender or to actual", "without turning it into an infodump or making them come across as savages", "of mine (probably fantasy, if I had to categorize it), I've set it", "if at that point the individual being threatened decides to instead take their", "I had to categorize it), I've set it in a world that is", "original threat misjudged the situation, it's their life that's on the line. So", "anything more than one's natural weaponry) are held in high regard. I don't", "generally. If you want a more established comparison for the species, though that's", "even death threats, are far from uncommon in normal interaction, especially between individuals", "other ways very dissimilar from Earth. In place of humans, there's a race", "groups that do not know each other. What they aren't is savages. They", "made, the entire intent is generally to ideally not have to back them", "take their chances, then it becomes a fight to clear surrender or to", "in humans. For one thing, threats, even death threats, are far from uncommon", "humans, there's a race of sentient, intelligent creatures that have evolved from carnivores.", "to ideally not have to back them up with actual action; much of", "are held in high regard. I don't want to introduce humans, at least", "They do care very deeply about those close to them. And even when", "of my story is not a spacefaring species. Particularly in this case, this", "when threats are made, the entire intent is generally to ideally not have", "it), I've set it in a world that is in some ways similar", "a fiction story of mine (probably fantasy, if I had to categorize it),", "the species, though that's not books, I guess the culture of the [Hirogen", "this species has morals quite far from what's normally seen in humans. For", "close to them. And even when threats are made, the entire intent is", "case, this species has morals quite far from what's normally seen in humans.", "might not mean literally \"no matter what else happens, I will end your", "may need to back it up with actual action. So one individual may", "of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the", "what are good techniques to introduce traits like these to a reader, without", "becomes a fight to clear surrender or to actual death of either; if", "categorize it), I've set it in a world that is in some ways", "species has morals quite far from what's normally seen in humans. For one", "up with actual action. So one individual may tell another something along the", "some ways similar to Earth, and in other ways very dissimilar from Earth.", "hunt without anything more than one's natural weaponry) are held in high regard.", "end your life if I want to\". All the above said, if at", "rituals with the knowledge that one may need to back it up with", "place of humans, there's a race of sentient, intelligent creatures that have evolved", "story of mine (probably fantasy, if I had to categorize it), I've set", "in normal interaction, especially between individuals and groups that do not know each", "of their ancestors, and many such traits (including the ability to hunt without", "it up with actual action. So one individual may tell another something along", "situation, it's their life that's on the line. So while not uncommon, such", "individual being threatened decides to instead take their chances, then it becomes a", "involved. That's all well, as far as that is concerned. But what are", "more established comparison for the species, though that's not books, I guess the", "ways very dissimilar from Earth. In place of humans, there's a race of", "doing so, they have retained many traits of their ancestors, and many such", "far from uncommon in normal interaction, especially between individuals and groups that do", "reader, without turning it into an infodump or making them come across as", "point the individual being threatened decides to instead take their chances, then it", "as savages for the less-than-friendly parts? I'm open to suggestions that only work", "All the above said, if at that point the individual being threatened decides", "books, I guess the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta", "I can end your life if I want to\". All the above said,", "quite far from what's normally seen in humans. For one thing, threats, even", "down and show me that you recognize that I can end your life", "culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike", "normal interaction, especially between individuals and groups that do not know each other.", "a fight to clear surrender or to actual death of either; if the", "my story is not a spacefaring species. Particularly in this case, this species", "above said, if at that point the individual being threatened decides to instead", "are far from uncommon in normal interaction, especially between individuals and groups that", "unless you back down and show me that you recognize that I can", "if I had to categorize it), I've set it in a world that", "that's not books, I guess the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen)", "comparison for the species, though that's not books, I guess the culture of", "end your life\", it can absolutely mean something along the lines of \"I", "to introduce traits like these to a reader, without** turning it into an", "life that's on the line. So while not uncommon, such threats are not", "suggestions that only work in certain points of view, as well as general", "it is ritualized, but it is rituals with the knowledge that one may", "Earth. In place of humans, there's a race of sentient, intelligent creatures that", "the knowledge that one may need to back it up with actual action.", "many traits of their ancestors, and many such traits (including the ability to", "fiction story of mine (probably fantasy, if I had to categorize it), I've", "world that is in some ways similar to Earth, and in other ways", "good techniques to introduce traits like these to a reader, without** turning it", "the Hirogen, the species of my story is not a spacefaring species. Particularly", "an infodump or making them come across as savages for the less-than-friendly parts?", "them up with actual action; much of it is ritualized, but it is", "and willing to end your life, unless you back down and show me", "For a fiction story of mine (probably fantasy, if I had to categorize", "except that unlike the Hirogen, the species of my story is not a", "not generally. If you want a more established comparison for the species, though", "come across as savages for the less-than-friendly parts? I'm open to suggestions that", "of humans, there's a race of sentient, intelligent creatures that have evolved from", "a world that is in some ways similar to Earth, and in other", "creatures that have evolved from carnivores. In doing so, they have retained many", "their life that's on the line. So while not uncommon, such threats are", "those close to them. And even when threats are made, the entire intent", "humans. For one thing, threats, even death threats, are far from uncommon in", "am ready and willing to end your life, unless you back down and", "to hunt without anything more than one's natural weaponry) are held in high", "other. What they aren't is savages. They don't go around killing just for", "making them come across as savages for the less-than-friendly parts? I'm open to", "decides to instead take their chances, then it becomes a fight to clear", "That's all well, as far as that is concerned. But *what are good", "from Earth. In place of humans, there's a race of sentient, intelligent creatures", "lines of \"I am ready and willing to end your life, unless you", "What they aren't* is savages. They don't go around killing just for fun.", "individual may tell another something along the lines of \"I will kill you\",", "or to actual death of either; if the individual who made the original", "into an infodump or making them come across as savages for the less-than-friendly", "dissimilar from Earth. In place of humans, there's a race of sentient, intelligent", "with the knowledge that one may need to back it up with actual", "me that you recognize that I can end your life if I want", "them come across as savages for the less-than-friendly parts? I'm open to suggestions", "that only work in certain points of view, as well as general techniques.", "high regard. I don't want to introduce humans, at least not generally. If", "happens, I will end your life\", it can absolutely mean something along the", "as far as that is concerned. But what are good techniques to introduce", "will kill you\", and while this might not mean literally \"no matter what", "that is concerned. But what are good techniques to introduce traits like these", "you\", and while this might not mean literally \"no matter what else happens,", "end your life, unless you back down and show me that you recognize", "the above said, if at that point the individual being threatened decides to", "will end your life\", it can absolutely mean something along the lines of", "If you want a more established comparison for the species, though that's not", "back down and show me that you recognize that I can end your", "uncommon in normal interaction, especially between individuals and groups that do not know", "to end your life, unless you back down and show me that you", "Particularly in this case, this species has morals quite far from what's normally", "do care very deeply about those close to them. And even when threats", "between individuals and groups that do not know each other. What they aren't", "uncommon, such threats are not taken lightly by anyone involved. That's all well,", "for the less-than-friendly parts? I'm open to suggestions that only work in certain", "Hirogen, the species of my story is not a spacefaring species. Particularly in", "and groups that do not know each other. What they aren't is savages.", "along the lines of \"I am ready and willing to end your life,", "weaponry) are held in high regard. I don't want to introduce humans, at", "to Earth, and in other ways very dissimilar from Earth. In place of", "that is in some ways similar to Earth, and in other ways very", "that I can end your life if I want to\". All the above", "in this case, this species has morals quite far from what's normally seen", "I don't want to introduce humans, at least not generally. If you want", "concerned. But what are good techniques to introduce traits like these to a", "For one thing, threats, even death threats, are far from uncommon in normal", "to a reader, without turning it into an infodump or making them come", "for the species, though that's not books, I guess the culture of the", "at that point the individual being threatened decides to instead take their chances,", "literally \"no matter what else happens, I will end your life\", it can", "the less-than-friendly parts? I'm open to suggestions that only work in certain points", "the lines of \"I will kill you\", and while this might not mean", "[Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the Hirogen, the", "around killing just for fun. They do care very deeply about those close", "line. So while not uncommon, such threats are not taken lightly by anyone", "not books, I guess the culture of the [Hirogen of Star Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is", "said, if at that point the individual being threatened decides to instead take", "Trek](http://memory-alpha.wikia.com/wiki/Hirogen) is kinda-sorta similar, except that unlike the Hirogen, the species of my", "made the original threat misjudged the situation, it's their life that's on the", "to actual death of either; if the individual who made the original threat", "from what's normally seen in humans. For one thing, threats, even death threats,", "held in high regard. I don't want to introduce humans, at least not", "misjudged the situation, it's their life that's on the line. So while not", "of either; if the individual who made the original threat misjudged the situation,", "much of it is ritualized, but it is rituals with the knowledge that", "mean literally \"no matter what else happens, I will end your life\", it", "very dissimilar from Earth. In place of humans, there's a race of sentient,", "is concerned. But what are good techniques to introduce traits like these to", "you recognize that I can end your life if I want to\". All", "at least not generally. If you want a more established comparison for the", "actual action. So one individual may tell another something along the lines of", "back it up with actual action. So one individual may tell another something", "like these to a reader, without turning it into an infodump or making", "I want to\". All the above said, if at that point the individual", "set it in a world that is in some ways similar to Earth,", "they have retained many traits of their ancestors, and many such traits (including", "killing just for fun. They do care very deeply about those close to", "is savages. They don't go around killing just for fun. They do care", "with actual action; much of it is ritualized, but it is rituals with", "that point the individual being threatened decides to instead take their chances, then", "not mean literally \"no matter what else happens, I will end your life\",", "may tell another something along the lines of \"I will kill you\", and", "life\", it can absolutely mean something along the lines of \"I am ready", "death of either; if the individual who made the original threat misjudged the", "kinda-sorta similar, except that unlike the Hirogen, the species of my story is", "your life if I want to\". All the above said, if at that", "parts? I'm open to suggestions that only work in certain points of view,", "well, as far as that is concerned. But *what are good techniques to", "entire intent is generally to ideally not* have to back them up with", "to back them up with actual action; much of it is ritualized, but", "least not generally. If you want a more established comparison for the species,", "while this might not mean literally \"no matter what else happens, I will", "their ancestors, and many such traits (including the ability to hunt without anything", "to them. And even when threats are made, the entire intent is generally", "ways similar to Earth, and in other ways very dissimilar from Earth. In", "retained many traits of their ancestors, and many such traits (including the ability", "for fun. They do care very deeply about those close to them. And", "a race of sentient, intelligent creatures that have evolved from carnivores. In doing", "Earth, and in other ways very dissimilar from Earth. In place of humans,", "one's natural weaponry) are held in high regard. I don't want to introduce" ]
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Slaves, the destitute, and average people are", "have great potential and have proven themselves through competition. This is done through", "a theocracy where self-sacrifice is revered and promoted. The gods demands tribute from", "other. Those who survive will meet each other in a final contest where", "to them. This continent is controlled by a theocracy where self-sacrifice is revered", "where warriors or athletes from respective states go up against each other. Those", "life to be precious and valuable. It is meant to be preserved, and", "are doing, and they have normal rules against murder and crime, etc. These", "This is done through ritual games similar to our Olympics. These games are", "have taken the place of war and conflict. How can I get this", "self-sacrifice is revered and promoted. The gods demands tribute from their people, and", "games are often dangerous where warriors or athletes from respective states go up", "However, only a select few are worthy of such honor. Slaves, the destitute,", "worthy of being sacrificed to them. This continent is controlled by a theocracy", "the destitute, and average people are not applicants for this. The gods want", "thing worthy of being sacrificed to them. This continent is controlled by a", "honor. Slaves, the destitute, and average people are not applicants for this. The", "rules against murder and crime, etc. These events also keep the peace on", "is meant to be preserved, and a deliberate act of taking a life", "survive will meet each other in a final contest where there can only", "themselves through competition. This is done through ritual games similar to our Olympics.", "as evil. The people and their leaders genuinely believe in what they are", "each other in a final contest where there can only be one winner.", "sacrificed to them. This continent is controlled by a theocracy where self-sacrifice is", "for this. The gods want those of merit, who have great potential and", "for millennia. The religion demands for society to kill off its best people", "honor one can achieve. However, only a select few are worthy of such", "we consider human life to be precious and valuable. It is meant to", "also keep the peace on the continent, as these war game rituals have", "dangerous where warriors or athletes from respective states go up against each other.", "is the only thing worthy of being sacrificed to them. This continent is", "world, we consider human life to be precious and valuable. It is meant", "promoted. The gods demands tribute from their people, and being sacrificed to them", "would achieve godhood. Because of these games, outright war among nations has been", "them is the highest honor one can achieve. However, only a select few", "of war and conflict. How can I get this across to the audience?", "given to them by the gods. As it is precious, human life is", "potential and have proven themselves through competition. This is done through ritual games", "is the highest honor one can achieve. However, only a select few are", "by a theocracy where self-sacrifice is revered and promoted. The gods demands tribute", "who die in these games would be honored by their families and society", "This continent is controlled by a theocracy where self-sacrifice is revered and promoted.", "respective states go up against each other. Those who survive will meet each", "among nations has been avoided for millennia. The religion demands for society to", "its best people routinely, but I don't want to portray it as evil.", "each other. Those who survive will meet each other in a final contest", "All those who die in these games would be honored by their families", "These games are often dangerous where warriors or athletes from respective states go", "to be preserved, and a deliberate act of taking a life is considered", "on the continent, as these war game rituals have taken the place of", "their soul offered to the heavens, where they would achieve godhood. Because of", "their hearts removed and their soul offered to the heavens, where they would", "off its best people routinely, but I don't want to portray it as", "life is considered deplorable by society. This is considered normal. The people of", "they have normal rules against murder and crime, etc. These events also keep", "the highest honor one can achieve. However, only a select few are worthy", "and a deliberate act of taking a life is considered deplorable by society.", "merit, who have great potential and have proven themselves through competition. This is", "from their people, and being sacrificed to them is the highest honor one", "don't want to portray it as evil. The people and their leaders genuinely", "be honored by their families and society as heroes who defended the pride", "to them is the highest honor one can achieve. However, only a select", "be preserved, and a deliberate act of taking a life is considered deplorable", "these games would be honored by their families and society as heroes who", "keep the peace on the continent, as these war game rituals have taken", "murder and crime, etc. These events also keep the peace on the continent,", "achieve. However, only a select few are worthy of such honor. Slaves, the", "events also keep the peace on the continent, as these war game rituals", "of these games, outright war among nations has been avoided for millennia. The", "meant to be preserved, and a deliberate act of taking a life is", "or athletes from respective states go up against each other. Those who survive", "to them by the gods. As it is precious, human life is the", "athletes from respective states go up against each other. Those who survive will", "people of this setting also consider life to be valuable, as it was", "applicants for this. The gods want those of merit, who have great potential", "ultimate honor of having their hearts removed and their soul offered to the", "the place of war and conflict. How can I get this across to", "The gods demands tribute from their people, and being sacrificed to them is", "similar to our Olympics. These games are often dangerous where warriors or athletes", "soul offered to the heavens, where they would achieve godhood. Because of these", "people and their leaders genuinely believe in what they are doing, and they", "them. This continent is controlled by a theocracy where self-sacrifice is revered and", "believe in what they are doing, and they have normal rules against murder", "be one winner. All those who die in these games would be honored", "will meet each other in a final contest where there can only be", "the peace on the continent, as these war game rituals have taken the", "for society to kill off its best people routinely, but I don't want", "it as evil. The people and their leaders genuinely believe in what they", "often dangerous where warriors or athletes from respective states go up against each", "society. This is considered normal. The people of this setting also consider life", "was given to them by the gods. As it is precious, human life", "given the ultimate honor of having their hearts removed and their soul offered", "who defended the pride of their nation. However, the winner will be given", "only a select few are worthy of such honor. Slaves, the destitute, and", "normal rules against murder and crime, etc. These events also keep the peace", "people are not applicants for this. The gods want those of merit, who", "demands tribute from their people, and being sacrificed to them is the highest", "those of merit, who have great potential and have proven themselves through competition.", "best people routinely, but I don't want to portray it as evil. The", "as these war game rituals have taken the place of war and conflict.", "and crime, etc. These events also keep the peace on the continent, as", "human life to be precious and valuable. It is meant to be preserved,", "from respective states go up against each other. Those who survive will meet", "other in a final contest where there can only be one winner. All", "millennia. The religion demands for society to kill off its best people routinely,", "honor of having their hearts removed and their soul offered to the heavens,", "in what they are doing, and they have normal rules against murder and", "gods want those of merit, who have great potential and have proven themselves", "by the gods. 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However, the winner will be given the", "and they have normal rules against murder and crime, etc. These events also", "in these games would be honored by their families and society as heroes", "contest where there can only be one winner. All those who die in", "meet each other in a final contest where there can only be one", "society to kill off its best people routinely, but I don't want to", "has been avoided for millennia. The religion demands for society to kill off", "where there can only be one winner. All those who die in these", "through ritual games similar to our Olympics. These games are often dangerous where", "ritual games similar to our Olympics. These games are often dangerous where warriors", "great potential and have proven themselves through competition. This is done through ritual", "are not applicants for this. The gods want those of merit, who have", "a select few are worthy of such honor. Slaves, the destitute, and average", "the heavens, where they would achieve godhood. Because of these games, outright war", "game rituals have taken the place of war and conflict. How can I", "continent, as these war game rituals have taken the place of war and", "demands for society to kill off its best people routinely, but I don't", "of having their hearts removed and their soul offered to the heavens, where", "valuable. It is meant to be preserved, and a deliberate act of taking", "a deliberate act of taking a life is considered deplorable by society. This", "life to be valuable, as it was given to them by the gods.", "are worthy of such honor. Slaves, the destitute, and average people are not", "to be valuable, as it was given to them by the gods. As", "of such honor. Slaves, the destitute, and average people are not applicants for", "have normal rules against murder and crime, etc. These events also keep the", "act of taking a life is considered deplorable by society. This is considered", "go up against each other. Those who survive will meet each other in", "precious, human life is the only thing worthy of being sacrificed to them.", "war among nations has been avoided for millennia. The religion demands for society", "families and society as heroes who defended the pride of their nation. However,", "society as heroes who defended the pride of their nation. However, the winner", "people, and being sacrificed to them is the highest honor one can achieve.", "is precious, human life is the only thing worthy of being sacrificed to", "it was given to them by the gods. As it is precious, human", "such honor. Slaves, the destitute, and average people are not applicants for this.", "to portray it as evil. The people and their leaders genuinely believe in", "considered normal. The people of this setting also consider life to be valuable,", "human life is the only thing worthy of being sacrificed to them. This", "is revered and promoted. The gods demands tribute from their people, and being", "consider life to be valuable, as it was given to them by the", "against each other. Those who survive will meet each other in a final", "it is precious, human life is the only thing worthy of being sacrificed", "be valuable, as it was given to them by the gods. As it", "gods demands tribute from their people, and being sacrificed to them is the", "through competition. This is done through ritual games similar to our Olympics. These", "winner will be given the ultimate honor of having their hearts removed and", "It is meant to be preserved, and a deliberate act of taking a", "what they are doing, and they have normal rules against murder and crime,", "select few are worthy of such honor. Slaves, the destitute, and average people", "in a final contest where there can only be one winner. All those", "controlled by a theocracy where self-sacrifice is revered and promoted. The gods demands", "as heroes who defended the pride of their nation. However, the winner will", "revered and promoted. The gods demands tribute from their people, and being sacrificed", "be precious and valuable. It is meant to be preserved, and a deliberate", "continent is controlled by a theocracy where self-sacrifice is revered and promoted. The", "Slaves, the destitute, and average people are not applicants for this. The gods", "peace on the continent, as these war game rituals have taken the place", "The people of this setting also consider life to be valuable, as it", "nation. However, the winner will be given the ultimate honor of having their", "and have proven themselves through competition. This is done through ritual games similar", "who have great potential and have proven themselves through competition. This is done", "a life is considered deplorable by society. This is considered normal. The people", "by their families and society as heroes who defended the pride of their", "normal. The people of this setting also consider life to be valuable, as", "portray it as evil. The people and their leaders genuinely believe in what", "deliberate act of taking a life is considered deplorable by society. This is", "against murder and crime, etc. These events also keep the peace on the", "rituals have taken the place of war and conflict. How can I get", "However, the winner will be given the ultimate honor of having their hearts", "the gods. As it is precious, human life is the only thing worthy", "they would achieve godhood. Because of these games, outright war among nations has", "are often dangerous where warriors or athletes from respective states go up against", "being sacrificed to them. This continent is controlled by a theocracy where self-sacrifice", "being sacrificed to them is the highest honor one can achieve. However, only", "The gods want those of merit, who have great potential and have proven", "consider human life to be precious and valuable. It is meant to be", "the only thing worthy of being sacrificed to them. This continent is controlled", "not applicants for this. The gods want those of merit, who have great", "In our world, we consider human life to be precious and valuable. It", "is considered deplorable by society. This is considered normal. The people of this", "etc. These events also keep the peace on the continent, as these war", "The people and their leaders genuinely believe in what they are doing, and", "warriors or athletes from respective states go up against each other. Those who", "games would be honored by their families and society as heroes who defended", "one winner. All those who die in these games would be honored by", "taking a life is considered deplorable by society. This is considered normal. The", "states go up against each other. Those who survive will meet each other", "taken the place of war and conflict. How can I get this across", "the winner will be given the ultimate honor of having their hearts removed", "evil. The people and their leaders genuinely believe in what they are doing,", "having their hearts removed and their soul offered to the heavens, where they", "those who die in these games would be honored by their families and", "and valuable. It is meant to be preserved, and a deliberate act of", "can only be one winner. All those who die in these games would", "been avoided for millennia. The religion demands for society to kill off its", "crime, etc. These events also keep the peace on the continent, as these", "sacrificed to them is the highest honor one can achieve. However, only a", "who survive will meet each other in a final contest where there can", "have proven themselves through competition. This is done through ritual games similar to", "preserved, and a deliberate act of taking a life is considered deplorable by", "is done through ritual games similar to our Olympics. These games are often", "can achieve. However, only a select few are worthy of such honor. Slaves,", "heroes who defended the pride of their nation. However, the winner will be", "want to portray it as evil. The people and their leaders genuinely believe", "highest honor one can achieve. However, only a select few are worthy of", "people routinely, but I don't want to portray it as evil. The people", "be given the ultimate honor of having their hearts removed and their soul", "place of war and conflict. How can I get this across to the", "their people, and being sacrificed to them is the highest honor one can", "theocracy where self-sacrifice is revered and promoted. The gods demands tribute from their", "and promoted. The gods demands tribute from their people, and being sacrificed to", "Those who survive will meet each other in a final contest where there", "is considered normal. The people of this setting also consider life to be", "genuinely believe in what they are doing, and they have normal rules against", "they are doing, and they have normal rules against murder and crime, etc.", "achieve godhood. Because of these games, outright war among nations has been avoided", "proven themselves through competition. This is done through ritual games similar to our", "removed and their soul offered to the heavens, where they would achieve godhood.", "of being sacrificed to them. This continent is controlled by a theocracy where", "gods. As it is precious, human life is the only thing worthy of", "games, outright war among nations has been avoided for millennia. The religion demands", "life is the only thing worthy of being sacrificed to them. This continent", "and society as heroes who defended the pride of their nation. However, the", "valuable, as it was given to them by the gods. As it is", "by society. This is considered normal. The people of this setting also consider", "their nation. However, the winner will be given the ultimate honor of having", "done through ritual games similar to our Olympics. These games are often dangerous", "offered to the heavens, where they would achieve godhood. Because of these games,", "of this setting also consider life to be valuable, as it was given", "only thing worthy of being sacrificed to them. This continent is controlled by", "and average people are not applicants for this. The gods want those of", "godhood. Because of these games, outright war among nations has been avoided for", "Because of these games, outright war among nations has been avoided for millennia.", "winner. All those who die in these games would be honored by their", "precious and valuable. It is meant to be preserved, and a deliberate act", "this. The gods want those of merit, who have great potential and have", "our Olympics. These games are often dangerous where warriors or athletes from respective", "nations has been avoided for millennia. The religion demands for society to kill", "I don't want to portray it as evil. The people and their leaders", "war game rituals have taken the place of war and conflict. How can", "and their soul offered to the heavens, where they would achieve godhood. Because", "up against each other. Those who survive will meet each other in a", "worthy of such honor. Slaves, the destitute, and average people are not applicants", "their families and society as heroes who defended the pride of their nation.", "of taking a life is considered deplorable by society. This is considered normal.", "to be precious and valuable. It is meant to be preserved, and a", "would be honored by their families and society as heroes who defended the", "there can only be one winner. All those who die in these games", "avoided for millennia. The religion demands for society to kill off its best", "and their leaders genuinely believe in what they are doing, and they have", "only be one winner. All those who die in these games would be", "a final contest where there can only be one winner. All those who", "the continent, as these war game rituals have taken the place of war", "the ultimate honor of having their hearts removed and their soul offered to", "These events also keep the peace on the continent, as these war game", "is controlled by a theocracy where self-sacrifice is revered and promoted. The gods", "considered deplorable by society. This is considered normal. The people of this setting", "pride of their nation. However, the winner will be given the ultimate honor", "this setting also consider life to be valuable, as it was given to", "die in these games would be honored by their families and society as", "doing, and they have normal rules against murder and crime, etc. These events", "where they would achieve godhood. Because of these games, outright war among nations", "This is considered normal. The people of this setting also consider life to", "but I don't want to portray it as evil. The people and their", "to kill off its best people routinely, but I don't want to portray", "one can achieve. However, only a select few are worthy of such honor.", "heavens, where they would achieve godhood. Because of these games, outright war among", "as it was given to them by the gods. As it is precious,", "setting also consider life to be valuable, as it was given to them", "want those of merit, who have great potential and have proven themselves through", "and being sacrificed to them is the highest honor one can achieve. However,", "tribute from their people, and being sacrificed to them is the highest honor", "final contest where there can only be one winner. All those who die", "routinely, but I don't want to portray it as evil. The people and", "religion demands for society to kill off its best people routinely, but I", "As it is precious, human life is the only thing worthy of being", "will be given the ultimate honor of having their hearts removed and their", "these games, outright war among nations has been avoided for millennia. The religion" ]
[ "find myself with relatively short scenes, and time-skips of a week or two", "and hung in sequence, when what I should be giving them is a", "rifle. Then I go back to the same tasks a month later, and", "month later, and they're routine - they're happening in the background, while something", "to soldier prepared for combat. Along the way there's struggles, there's new friendships", "explain differently, when a movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it", "is going through boot camp. Physically and mentally, he goes from high-school boy", "I find myself with relatively short scenes, and time-skips of a week or", "first Potions lesson, first Transfiguration lesson, etc. Problem is, Rowling can put all", "as short diary entries - in a diary format, you expect time skips", "the moment, I feel I'm giving my reader separate pictures, each framed and", "I go back to the same tasks a month later, and they're routine", "his family (we're talking Israeli boot camp - he's home every third weekend).", "Israeli boot camp - he's home every third weekend). This is what I'm", "in the course of one in-story week. In boot camp, \"firsts\" are spread", "a rifle. Then I go back to the same tasks a month later,", "The overall feel is very disjointed. To explain differently, when a movie shows", "movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there", "is tired. But I'm writing in third person limited, so a diary format", "can put all the \"firsts\" in the course of one in-story week. In", "to the same tasks a month later, and they're routine - they're happening", "put all the \"firsts\" in the course of one in-story week. In boot", "person limited, so a diary format wouldn't work. How can I reduce the", "hung in sequence, when what I should be giving them is a movie,", "while something else takes the focus of the scene. Similarly, J.K. Rowling starts", "a first Potions lesson, first Transfiguration lesson, etc. Problem is, Rowling can put", "happens, and short entries when the character writing is tired. But I'm writing", "training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time skips", "it is understood that there are time skips between the short frames of", "frames of training (not only between beginning and end). In a written medium,", "I could see those scenes working as short diary entries - in a", "character writing is tired. But I'm writing in third person limited, so a", "two between them. The overall feel is very disjointed. To explain differently, when", "routine - they're happening in the background, while something else takes the focus", "them. The overall feel is very disjointed. To explain differently, when a movie", "formed, there's the changing interaction with his family (we're talking Israeli boot camp", "of the scene. Similarly, J.K. Rowling starts Hogwarts with a first Potions lesson,", "In a written medium, this doesn't work. I could see those scenes working", "very repetitive. So I show little flashes of it: first day, first time", "go back to the same tasks a month later, and they're routine -", "a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time", "- he's home every third weekend). This is what I'm struggling with: Coat", "every third weekend). This is what I'm struggling with: Coat camp is mostly", "a week or two between them. The overall feel is very disjointed. To", "diary entries - in a diary format, you expect time skips when nothing", "third person limited, so a diary format wouldn't work. How can I reduce", "narrative? At the moment, I feel I'm giving my reader separate pictures, each", "flashes of it: first day, first time on guard, first Shabbat dinner on", "of time. I find myself with relatively short scenes, and time-skips of a", "feel I'm giving my reader separate pictures, each framed and hung in sequence,", "over a longer period of time. I find myself with relatively short scenes,", "and time-skips of a week or two between them. The overall feel is", "interesting happens, and short entries when the character writing is tired. But I'm", "([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time skips between the", "you expect time skips when nothing interesting happens, and short entries when the", "talking Israeli boot camp - he's home every third weekend). This is what", "To explain differently, when a movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)),", "the base, first time firing a rifle. Then I go back to the", "diary format, you expect time skips when nothing interesting happens, and short entries", "boy to soldier prepared for combat. Along the way there's struggles, there's new", "I should be giving them is a movie, if that metaphor makes sense.", "pictures, each framed and hung in sequence, when what I should be giving", "he goes from high-school boy to soldier prepared for combat. Along the way", "interaction with his family (we're talking Israeli boot camp - he's home every", "through boot camp. Physically and mentally, he goes from high-school boy to soldier", "the course of one in-story week. In boot camp, \"firsts\" are spread over", "first time on guard, first Shabbat dinner on the base, first time firing", "the changing interaction with his family (we're talking Israeli boot camp - he's", "the same tasks a month later, and they're routine - they're happening in", "with his family (we're talking Israeli boot camp - he's home every third", "and they're routine - they're happening in the background, while something else takes", "mentally, he goes from high-school boy to soldier prepared for combat. Along the", "focus of the scene. Similarly, J.K. Rowling starts Hogwarts with a first Potions", "time-skips of a week or two between them. The overall feel is very", "short scenes, and time-skips of a week or two between them. The overall", "time skips when nothing interesting happens, and short entries when the character writing", "something else takes the focus of the scene. Similarly, J.K. Rowling starts Hogwarts", "writing is tired. But I'm writing in third person limited, so a diary", "the background, while something else takes the focus of the scene. Similarly, J.K.", "is, Rowling can put all the \"firsts\" in the course of one in-story", "of a week or two between them. The overall feel is very disjointed.", "moment, I feel I'm giving my reader separate pictures, each framed and hung", "time firing a rifle. Then I go back to the same tasks a", "same tasks a month later, and they're routine - they're happening in the", "the character writing is tired. But I'm writing in third person limited, so", "family (we're talking Israeli boot camp - he's home every third weekend). This", "high-school boy to soldier prepared for combat. Along the way there's struggles, there's", "it: first day, first time on guard, first Shabbat dinner on the base,", "doesn't work. I could see those scenes working as short diary entries -", "giving my reader separate pictures, each framed and hung in sequence, when what", "between beginning and end). In a written medium, this doesn't work. I could", "camp - he's home every third weekend). This is what I'm struggling with:", "longer period of time. I find myself with relatively short scenes, and time-skips", "So I show little flashes of it: first day, first time on guard,", "prepared for combat. Along the way there's struggles, there's new friendships formed, there's", "so a diary format wouldn't work. How can I reduce the \"choppiness\" of", "of it: first day, first time on guard, first Shabbat dinner on the", "Rowling starts Hogwarts with a first Potions lesson, first Transfiguration lesson, etc. Problem", "my narrative? At the moment, I feel I'm giving my reader separate pictures,", "takes the focus of the scene. Similarly, J.K. Rowling starts Hogwarts with a", "Along the way there's struggles, there's new friendships formed, there's the changing interaction", "Physically and mentally, he goes from high-school boy to soldier prepared for combat.", "a longer period of time. I find myself with relatively short scenes, and", "skips when nothing interesting happens, and short entries when the character writing is", "writing in third person limited, so a diary format wouldn't work. How can", "Similarly, J.K. Rowling starts Hogwarts with a first Potions lesson, first Transfiguration lesson,", "camp is mostly very repetitive. So I show little flashes of it: first", "- they're happening in the background, while something else takes the focus of", "I feel I'm giving my reader separate pictures, each framed and hung in", "a movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that", "can I reduce the \"choppiness\" of my narrative? At the moment, I feel", "end). In a written medium, this doesn't work. I could see those scenes", "first Shabbat dinner on the base, first time firing a rifle. Then I", "the \"firsts\" in the course of one in-story week. In boot camp, \"firsts\"", "diary format wouldn't work. How can I reduce the \"choppiness\" of my narrative?", "myself with relatively short scenes, and time-skips of a week or two between", "sequence, when what I should be giving them is a movie, if that", "struggles, there's new friendships formed, there's the changing interaction with his family (we're", "Shabbat dinner on the base, first time firing a rifle. Then I go", "and end). In a written medium, this doesn't work. I could see those", "the \"choppiness\" of my narrative? At the moment, I feel I'm giving my", "between them. The overall feel is very disjointed. To explain differently, when a", "short frames of training (not only between beginning and end). In a written", "guard, first Shabbat dinner on the base, first time firing a rifle. Then", "is mostly very repetitive. So I show little flashes of it: first day,", "or two between them. The overall feel is very disjointed. To explain differently,", "of training (not only between beginning and end). In a written medium, this", "beginning and end). In a written medium, this doesn't work. I could see", "I reduce the \"choppiness\" of my narrative? At the moment, I feel I'm", "with a first Potions lesson, first Transfiguration lesson, etc. Problem is, Rowling can", "they're routine - they're happening in the background, while something else takes the", "spread over a longer period of time. I find myself with relatively short", "Potions lesson, first Transfiguration lesson, etc. Problem is, Rowling can put all the", "is very disjointed. To explain differently, when a movie shows a training montage", "scene. Similarly, J.K. Rowling starts Hogwarts with a first Potions lesson, first Transfiguration", "soldier prepared for combat. Along the way there's struggles, there's new friendships formed,", "combat. Along the way there's struggles, there's new friendships formed, there's the changing", "the scene. Similarly, J.K. Rowling starts Hogwarts with a first Potions lesson, first", "separate pictures, each framed and hung in sequence, when what I should be", "friendships formed, there's the changing interaction with his family (we're talking Israeli boot", "understood that there are time skips between the short frames of training (not", "day, first time on guard, first Shabbat dinner on the base, first time", "a diary format, you expect time skips when nothing interesting happens, and short", "format wouldn't work. How can I reduce the \"choppiness\" of my narrative? At", "in-story week. In boot camp, \"firsts\" are spread over a longer period of", "mostly very repetitive. So I show little flashes of it: first day, first", "back to the same tasks a month later, and they're routine - they're", "How can I reduce the \"choppiness\" of my narrative? At the moment, I", "Then I go back to the same tasks a month later, and they're", "a month later, and they're routine - they're happening in the background, while", "limited, so a diary format wouldn't work. How can I reduce the \"choppiness\"", "\"firsts\" in the course of one in-story week. In boot camp, \"firsts\" are", "there's struggles, there's new friendships formed, there's the changing interaction with his family", "period of time. I find myself with relatively short scenes, and time-skips of", "on guard, first Shabbat dinner on the base, first time firing a rifle.", "Coat camp is mostly very repetitive. So I show little flashes of it:", "lesson, first Transfiguration lesson, etc. Problem is, Rowling can put all the \"firsts\"", "the short frames of training (not only between beginning and end). In a", "could see those scenes working as short diary entries - in a diary", "time. I find myself with relatively short scenes, and time-skips of a week", "camp, \"firsts\" are spread over a longer period of time. I find myself", "tired. But I'm writing in third person limited, so a diary format wouldn't", "and short entries when the character writing is tired. But I'm writing in", "MC is going through boot camp. Physically and mentally, he goes from high-school", "all the \"firsts\" in the course of one in-story week. In boot camp,", "boot camp, \"firsts\" are spread over a longer period of time. I find", "dinner on the base, first time firing a rifle. Then I go back", "scenes, and time-skips of a week or two between them. The overall feel", "when the character writing is tired. But I'm writing in third person limited,", "format, you expect time skips when nothing interesting happens, and short entries when", "Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time skips between the short frames", "only between beginning and end). In a written medium, this doesn't work. I", "In boot camp, \"firsts\" are spread over a longer period of time. I", "I'm struggling with: Coat camp is mostly very repetitive. So I show little", "I'm writing in third person limited, so a diary format wouldn't work. How", "work. How can I reduce the \"choppiness\" of my narrative? At the moment,", "Rowling can put all the \"firsts\" in the course of one in-story week.", "between the short frames of training (not only between beginning and end). In", "that there are time skips between the short frames of training (not only", "are time skips between the short frames of training (not only between beginning", "montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time skips between", "reader separate pictures, each framed and hung in sequence, when what I should", "weekend). This is what I'm struggling with: Coat camp is mostly very repetitive.", "This is what I'm struggling with: Coat camp is mostly very repetitive. So", "lesson, etc. Problem is, Rowling can put all the \"firsts\" in the course", "changing interaction with his family (we're talking Israeli boot camp - he's home", "home every third weekend). This is what I'm struggling with: Coat camp is", "way there's struggles, there's new friendships formed, there's the changing interaction with his", "happening in the background, while something else takes the focus of the scene.", "of one in-story week. In boot camp, \"firsts\" are spread over a longer", "\"firsts\" are spread over a longer period of time. I find myself with", "see those scenes working as short diary entries - in a diary format,", "wouldn't work. How can I reduce the \"choppiness\" of my narrative? At the", "little flashes of it: first day, first time on guard, first Shabbat dinner", "first day, first time on guard, first Shabbat dinner on the base, first", "third weekend). This is what I'm struggling with: Coat camp is mostly very", "my reader separate pictures, each framed and hung in sequence, when what I", "what I'm struggling with: Coat camp is mostly very repetitive. So I show", "starts Hogwarts with a first Potions lesson, first Transfiguration lesson, etc. Problem is,", "\"choppiness\" of my narrative? At the moment, I feel I'm giving my reader", "tasks a month later, and they're routine - they're happening in the background,", "what I should be giving them is a movie, if that metaphor makes", "Transfiguration lesson, etc. Problem is, Rowling can put all the \"firsts\" in the", "with: Coat camp is mostly very repetitive. So I show little flashes of", "show little flashes of it: first day, first time on guard, first Shabbat", "else takes the focus of the scene. Similarly, J.K. Rowling starts Hogwarts with", "there's new friendships formed, there's the changing interaction with his family (we're talking", "differently, when a movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is", "Problem is, Rowling can put all the \"firsts\" in the course of one", "skips between the short frames of training (not only between beginning and end).", "when nothing interesting happens, and short entries when the character writing is tired.", "I'm giving my reader separate pictures, each framed and hung in sequence, when", "J.K. Rowling starts Hogwarts with a first Potions lesson, first Transfiguration lesson, etc.", "etc. Problem is, Rowling can put all the \"firsts\" in the course of", "in the background, while something else takes the focus of the scene. Similarly,", "I show little flashes of it: first day, first time on guard, first", "goes from high-school boy to soldier prepared for combat. Along the way there's", "going through boot camp. Physically and mentally, he goes from high-school boy to", "very disjointed. To explain differently, when a movie shows a training montage ([example", "later, and they're routine - they're happening in the background, while something else", "from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are time skips between the short", "week. In boot camp, \"firsts\" are spread over a longer period of time.", "relatively short scenes, and time-skips of a week or two between them. The", "overall feel is very disjointed. To explain differently, when a movie shows a", "when a movie shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood", "- in a diary format, you expect time skips when nothing interesting happens,", "My MC is going through boot camp. Physically and mentally, he goes from", "new friendships formed, there's the changing interaction with his family (we're talking Israeli", "written medium, this doesn't work. I could see those scenes working as short", "But I'm writing in third person limited, so a diary format wouldn't work.", "At the moment, I feel I'm giving my reader separate pictures, each framed", "medium, this doesn't work. I could see those scenes working as short diary", "in sequence, when what I should be giving them is a movie, if", "in a diary format, you expect time skips when nothing interesting happens, and", "feel is very disjointed. To explain differently, when a movie shows a training", "course of one in-story week. In boot camp, \"firsts\" are spread over a", "this doesn't work. I could see those scenes working as short diary entries", "in third person limited, so a diary format wouldn't work. How can I", "the way there's struggles, there's new friendships formed, there's the changing interaction with", "training (not only between beginning and end). In a written medium, this doesn't", "those scenes working as short diary entries - in a diary format, you", "with relatively short scenes, and time-skips of a week or two between them.", "each framed and hung in sequence, when what I should be giving them", "scenes working as short diary entries - in a diary format, you expect", "short diary entries - in a diary format, you expect time skips when", "entries - in a diary format, you expect time skips when nothing interesting", "entries when the character writing is tired. But I'm writing in third person", "framed and hung in sequence, when what I should be giving them is", "is what I'm struggling with: Coat camp is mostly very repetitive. So I", "background, while something else takes the focus of the scene. Similarly, J.K. Rowling", "for combat. Along the way there's struggles, there's new friendships formed, there's the", "is understood that there are time skips between the short frames of training", "time on guard, first Shabbat dinner on the base, first time firing a", "(not only between beginning and end). In a written medium, this doesn't work.", "he's home every third weekend). This is what I'm struggling with: Coat camp", "one in-story week. In boot camp, \"firsts\" are spread over a longer period", "nothing interesting happens, and short entries when the character writing is tired. But", "from high-school boy to soldier prepared for combat. Along the way there's struggles,", "there's the changing interaction with his family (we're talking Israeli boot camp -", "boot camp - he's home every third weekend). This is what I'm struggling", "firing a rifle. Then I go back to the same tasks a month", "of my narrative? At the moment, I feel I'm giving my reader separate", "first Transfiguration lesson, etc. Problem is, Rowling can put all the \"firsts\" in", "a written medium, this doesn't work. I could see those scenes working as", "and mentally, he goes from high-school boy to soldier prepared for combat. Along", "camp. Physically and mentally, he goes from high-school boy to soldier prepared for", "boot camp. Physically and mentally, he goes from high-school boy to soldier prepared", "time skips between the short frames of training (not only between beginning and", "expect time skips when nothing interesting happens, and short entries when the character", "first time firing a rifle. Then I go back to the same tasks", "a diary format wouldn't work. How can I reduce the \"choppiness\" of my", "they're happening in the background, while something else takes the focus of the", "shows a training montage ([example from Mulan](https://www.youtube.com/watch?v=ZSS5dEeMX64)), it is understood that there are", "week or two between them. The overall feel is very disjointed. To explain", "base, first time firing a rifle. Then I go back to the same", "the focus of the scene. Similarly, J.K. Rowling starts Hogwarts with a first", "working as short diary entries - in a diary format, you expect time", "on the base, first time firing a rifle. Then I go back to", "there are time skips between the short frames of training (not only between", "(we're talking Israeli boot camp - he's home every third weekend). This is", "reduce the \"choppiness\" of my narrative? At the moment, I feel I'm giving", "struggling with: Coat camp is mostly very repetitive. So I show little flashes", "repetitive. So I show little flashes of it: first day, first time on", "are spread over a longer period of time. I find myself with relatively", "disjointed. To explain differently, when a movie shows a training montage ([example from", "short entries when the character writing is tired. But I'm writing in third", "when what I should be giving them is a movie, if that metaphor", "Hogwarts with a first Potions lesson, first Transfiguration lesson, etc. Problem is, Rowling", "work. I could see those scenes working as short diary entries - in" ]
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It has to be something that is", "In response to the helpful answer below, it occurred to me that I", "pointed out that it would be good for it to be something that", "rude to the judge/police, he has some character flaw that people don't tend", "it occurred to me that I should have pointed out that it would", "have pointed out that it would be good for it to be something", "be something that is not justified to keep him in prison (ie, risk", "the judge/police, he has some character flaw that people don't tend to like", "a character is applying to be released from prison pending trial. I want", "it would be good for it to be something that the readers wouldn't", "applying to be released from prison pending trial. I want an arbitrary /", "where a character is applying to be released from prison pending trial. I", "be something that the readers wouldn't like either. I'd really appreciate any ideas!", "has some character flaw that people don't tend to like etc. EDIT: In", "occurred to me that I should have pointed out that it would be", "dislike him. It has to be something that is not justified to keep", "I have a scene where a character is applying to be released from", "interfering with witnesses). I was thinking something like he is rude to the", "it to be something that the readers wouldn't like either. I'd really appreciate", "have a scene where a character is applying to be released from prison", "out that it would be good for it to be something that the", "witnesses). I was thinking something like he is rude to the judge/police, he", "away, or interfering with witnesses). I was thinking something like he is rude", "I should have pointed out that it would be good for it to", "reason for the judge to dislike him. It has to be something that", "flaw that people don't tend to like etc. EDIT: In response to the", "scene where a character is applying to be released from prison pending trial.", "be released from prison pending trial. I want an arbitrary / unfair reason", "him. It has to be something that is not justified to keep him", "further offences, running away, or interfering with witnesses). I was thinking something like", "character is applying to be released from prison pending trial. I want an", "prison (ie, risk of committing further offences, running away, or interfering with witnesses).", "from prison pending trial. I want an arbitrary / unfair reason for the", "I want an arbitrary / unfair reason for the judge to dislike him.", "an arbitrary / unfair reason for the judge to dislike him. It has", "in prison (ie, risk of committing further offences, running away, or interfering with", "to like etc. EDIT: In response to the helpful answer below, it occurred", "trial. I want an arbitrary / unfair reason for the judge to dislike", "with witnesses). I was thinking something like he is rude to the judge/police,", "risk of committing further offences, running away, or interfering with witnesses). I was", "want an arbitrary / unfair reason for the judge to dislike him. It", "him in prison (ie, risk of committing further offences, running away, or interfering", "is rude to the judge/police, he has some character flaw that people don't", "keep him in prison (ie, risk of committing further offences, running away, or", "to be released from prison pending trial. I want an arbitrary / unfair", "committing further offences, running away, or interfering with witnesses). I was thinking something", "pending trial. I want an arbitrary / unfair reason for the judge to", "not justified to keep him in prison (ie, risk of committing further offences,", "response to the helpful answer below, it occurred to me that I should", "running away, or interfering with witnesses). I was thinking something like he is", "helpful answer below, it occurred to me that I should have pointed out", "don't tend to like etc. EDIT: In response to the helpful answer below,", "good for it to be something that the readers wouldn't like either. I'd", "offences, running away, or interfering with witnesses). I was thinking something like he", "should have pointed out that it would be good for it to be", "he is rude to the judge/police, he has some character flaw that people", "to be something that is not justified to keep him in prison (ie,", "unfair reason for the judge to dislike him. It has to be something", "I was thinking something like he is rude to the judge/police, he has", "justified to keep him in prison (ie, risk of committing further offences, running", "for it to be something that the readers wouldn't like either. I'd really", "or interfering with witnesses). I was thinking something like he is rude to", "to the helpful answer below, it occurred to me that I should have", "answer below, it occurred to me that I should have pointed out that", "arbitrary / unfair reason for the judge to dislike him. It has to", "would be good for it to be something that the readers wouldn't like", "that is not justified to keep him in prison (ie, risk of committing", "was thinking something like he is rude to the judge/police, he has some", "like he is rude to the judge/police, he has some character flaw that", "some character flaw that people don't tend to like etc. EDIT: In response", "It has to be something that is not justified to keep him in", "the judge to dislike him. It has to be something that is not", "something like he is rude to the judge/police, he has some character flaw", "he has some character flaw that people don't tend to like etc. EDIT:", "be good for it to be something that the readers wouldn't like either.", "something that is not justified to keep him in prison (ie, risk of", "released from prison pending trial. I want an arbitrary / unfair reason for", "(ie, risk of committing further offences, running away, or interfering with witnesses). I", "to dislike him. It has to be something that is not justified to", "is applying to be released from prison pending trial. I want an arbitrary", "to me that I should have pointed out that it would be good", "below, it occurred to me that I should have pointed out that it", "like etc. EDIT: In response to the helpful answer below, it occurred to", "people don't tend to like etc. EDIT: In response to the helpful answer", "that it would be good for it to be something that the readers", "to the judge/police, he has some character flaw that people don't tend to", "to keep him in prison (ie, risk of committing further offences, running away,", "of committing further offences, running away, or interfering with witnesses). I was thinking", "character flaw that people don't tend to like etc. EDIT: In response to", "prison pending trial. I want an arbitrary / unfair reason for the judge", "thinking something like he is rude to the judge/police, he has some character", "is not justified to keep him in prison (ie, risk of committing further", "to be something that the readers wouldn't like either. I'd really appreciate any", "the helpful answer below, it occurred to me that I should have pointed", "/ unfair reason for the judge to dislike him. It has to be", "has to be something that is not justified to keep him in prison", "that I should have pointed out that it would be good for it", "etc. EDIT: In response to the helpful answer below, it occurred to me" ]
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Like transitioning from middle school to high school, and from", "the same unit as you. In effect, after each transition, one is meeting", "battle. How do I balance making the boot camp part interesting by way", "high school, and from high school to university, only on a significantly shorter", "will proceed to the same Advanced Training as you. Not everyone who completes", "Only, I can't think of more modern examples, which troubles me. I would", "of characters, only to lose sight of them several chapters later. The characters", "fact that most of those characters disappear from the story after the MC", "novel. Here's the trouble with the military: you don't spend all of your", "real battle. How do I balance making the boot camp part interesting by", "attention. Much like the MC, I expect my reader would be eager to", "a significantly shorter time frame. And that's before I so much as touch", "for tension - it could, theoretically happen to the MC). The result of", "the MC). The result of the above is I'm asking the reader to", "boot camp and into real battle. How do I balance making the boot", "trouble with the military: you don't spend all of your service, start to", "sub-group of the friends from before. Like transitioning from middle school to high", "the same people. Not all the people you've done Basic Training with will", "I'm asking the reader to get to know a set of characters, only", "and his servant after their scene with Jeic Volmaen, nor about Félix Tholomyès", "attention as Hugo gives Myriel and Tholomyès (and it's the recommendation I receive", "loving attention as Hugo gives Myriel and Tholomyès (and it's the recommendation I", "everyone who completes Advanced Training with you will be assigned to the same", "the same Advanced Training as you. Not everyone who completes Advanced Training with", "impatient modern reader's attention. Much like the MC, I expect my reader would", "Similarly, in Victor Hugo's Les Misérables, we don't hear about Bishop Myriel, his", "and his friends after he abandons Fantine. Only, I can't think of more", "shorter time frame. And that's before I so much as touch on drop-outs", "the MC was closest to in each stage do get further involvement in", "those for tension - it could, theoretically happen to the MC). The result", "of boot camp and into real battle. How do I balance making the", "one is meeting new people and making new friends, keeping in touch with", "them several chapters later. The characters the MC was closest to in each", "Fantine. Only, I can't think of more modern examples, which troubles me. I", "having the MC develop various relationships with well-rounded characters, against the fact that", "people. Not all the people you've done Basic Training with will proceed to", "to high school, and from high school to university, only on a significantly", "I so much as touch on drop-outs (and I do need those for", "transitioning from middle school to high school, and from high school to university,", "he abandons Fantine. Only, I can't think of more modern examples, which troubles", "MC was closest to in each stage do get further involvement in the", "to the MC). The result of the above is I'm asking the reader", "new people and making new friends, keeping in touch with only a small", "military sci-fi novel. Here's the trouble with the military: you don't spend all", "it could, theoretically happen to the MC). The result of the above is", "meeting new people and making new friends, keeping in touch with only a", "of the above is I'm asking the reader to get to know a", "do get further involvement in the story, but most drop out of sight.", "of them several chapters later. The characters the MC was closest to in", "several chapters later. The characters the MC was closest to in each stage", "drop out of sight. Similarly, in Victor Hugo's Les Misérables, we don't hear", "is I'm asking the reader to get to know a set of characters,", "about Bishop Myriel, his sister and his servant after their scene with Jeic", "abandons Fantine. Only, I can't think of more modern examples, which troubles me.", "and Tholomyès (and it's the recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to", "Myriel, his sister and his servant after their scene with Jeic Volmaen, nor", "be eager to get out of boot camp and into real battle. How", "sight of them several chapters later. The characters the MC was closest to", "reader to get to know a set of characters, only to lose sight", "don't spend all of your service, start to finish, with the same people.", "me. I would like to give my first-quarter-of-the-novel characters as much loving attention", "of your service, start to finish, with the same people. Not all the", "the trouble with the military: you don't spend all of your service, start", "fear to lose the more impatient modern reader's attention. Much like the MC,", "involvement in the story, but most drop out of sight. Similarly, in Victor", "camp part interesting by way of having the MC develop various relationships with", "recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the more impatient modern", "making the boot camp part interesting by way of having the MC develop", "MC, I expect my reader would be eager to get out of boot", "do need those for tension - it could, theoretically happen to the MC).", "reader's attention. Much like the MC, I expect my reader would be eager", "characters the MC was closest to in each stage do get further involvement", "after he abandons Fantine. Only, I can't think of more modern examples, which", "Les Misérables, we don't hear about Bishop Myriel, his sister and his servant", "result of the above is I'm asking the reader to get to know", "the more impatient modern reader's attention. Much like the MC, I expect my", "scene with Jeic Volmaen, nor about Félix Tholomyès and his friends after he", "way of having the MC develop various relationships with well-rounded characters, against the", "to give my first-quarter-of-the-novel characters as much loving attention as Hugo gives Myriel", "from high school to university, only on a significantly shorter time frame. And", "small sub-group of the friends from before. Like transitioning from middle school to", "as you. Not everyone who completes Advanced Training with you will be assigned", "to the same unit as you. In effect, after each transition, one is", "Jeic Volmaen, nor about Félix Tholomyès and his friends after he abandons Fantine.", "hear about Bishop Myriel, his sister and his servant after their scene with", "be assigned to the same unit as you. In effect, after each transition,", "unit as you. In effect, after each transition, one is meeting new people", "touch on drop-outs (and I do need those for tension - it could,", "Volmaen, nor about Félix Tholomyès and his friends after he abandons Fantine. Only,", "is meeting new people and making new friends, keeping in touch with only", "Félix Tholomyès and his friends after he abandons Fantine. Only, I can't think", "a set of characters, only to lose sight of them several chapters later.", "to in each stage do get further involvement in the story, but most", "Advanced Training as you. Not everyone who completes Advanced Training with you will", "the military: you don't spend all of your service, start to finish, with", "theoretically happen to the MC). The result of the above is I'm asking", "only a small sub-group of the friends from before. Like transitioning from middle", "give my first-quarter-of-the-novel characters as much loving attention as Hugo gives Myriel and", "How do I balance making the boot camp part interesting by way of", "I expect my reader would be eager to get out of boot camp", "I balance making the boot camp part interesting by way of having the", "Tholomyès and his friends after he abandons Fantine. Only, I can't think of", "lose the more impatient modern reader's attention. Much like the MC, I expect", "the above is I'm asking the reader to get to know a set", "time frame. And that's before I so much as touch on drop-outs (and", "I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the more impatient modern reader's", "camp and into real battle. How do I balance making the boot camp", "finish, with the same people. Not all the people you've done Basic Training", "before I so much as touch on drop-outs (and I do need those", "against the fact that most of those characters disappear from the story after", "in each stage do get further involvement in the story, but most drop", "the story, but most drop out of sight. Similarly, in Victor Hugo's Les", "but I fear to lose the more impatient modern reader's attention. Much like", "people you've done Basic Training with will proceed to the same Advanced Training", "tension - it could, theoretically happen to the MC). The result of the", "part interesting by way of having the MC develop various relationships with well-rounded", "could, theoretically happen to the MC). 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Here's the", "after their scene with Jeic Volmaen, nor about Félix Tholomyès and his friends", "troubles me. I would like to give my first-quarter-of-the-novel characters as much loving", "friends, keeping in touch with only a small sub-group of the friends from", "nor about Félix Tholomyès and his friends after he abandons Fantine. Only, I", "my reader would be eager to get out of boot camp and into", "making new friends, keeping in touch with only a small sub-group of the", "mentioned before, I'm working on a military sci-fi novel. Here's the trouble with", "on drop-outs (and I do need those for tension - it could, theoretically", "that's before I so much as touch on drop-outs (and I do need", "proceed to the same Advanced Training as you. Not everyone who completes Advanced", "on a military sci-fi novel. Here's the trouble with the military: you don't", "MC develop various relationships with well-rounded characters, against the fact that most of", "drop-outs (and I do need those for tension - it could, theoretically happen", "Basic Training with will proceed to the same Advanced Training as you. Not", "but most drop out of sight. Similarly, in Victor Hugo's Les Misérables, we", "can't think of more modern examples, which troubles me. I would like to", "start to finish, with the same people. Not all the people you've done", "middle school to high school, and from high school to university, only on", "and from high school to university, only on a significantly shorter time frame.", "much loving attention as Hugo gives Myriel and Tholomyès (and it's the recommendation", "keeping in touch with only a small sub-group of the friends from before.", "further involvement in the story, but most drop out of sight. 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Like transitioning from middle school to high school, and from high school", "of the friends from before. Like transitioning from middle school to high school,", "Hugo's Les Misérables, we don't hear about Bishop Myriel, his sister and his", "working on a military sci-fi novel. Here's the trouble with the military: you", "same Advanced Training as you. Not everyone who completes Advanced Training with you", "to university, only on a significantly shorter time frame. And that's before I", "Bishop Myriel, his sister and his servant after their scene with Jeic Volmaen,", "out of boot camp and into real battle. 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I would like to give", "expect my reader would be eager to get out of boot camp and", "into real battle. *How do I balance making the boot camp part interesting", "interesting by way of having the MC develop various relationships with well-rounded characters,", "as you. In effect, after each transition, one is meeting new people and", "most drop out of sight. Similarly, in Victor Hugo's Les Misérables, we don't", "chapters later.* The characters the MC was closest to in each stage do", "a military sci-fi novel. Here's the trouble with the military: you don't spend", "do I balance making the boot camp part interesting by way of having", "spend all of your service, start to finish, with the same people. Not", "before, I'm working on a military sci-fi novel. Here's the trouble with the", "Victor Hugo's Les Misérables, we don't hear about Bishop Myriel, his sister and", "each stage do get further involvement in the story, but most drop out", "later. 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And that's before I so", "I would like to give my first-quarter-of-the-novel characters as much loving attention as", "asking the reader to get to know a set of characters, only to", "(and it's the recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the", "by way of having the MC develop various relationships with well-rounded characters, against", "(and I do need those for tension - it could, theoretically happen to", "Training with you will be assigned to the same unit as you. In", "as much loving attention as Hugo gives Myriel and Tholomyès (and it's the", "servant after their scene with Jeic Volmaen, nor about Félix Tholomyès and his", "the friends from before. Like transitioning from middle school to high school, and", "school, and from high school to university, only on a significantly shorter time", "[here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the more impatient modern reader's attention. Much", "Not all the people you've done Basic Training with will proceed to the", "of more modern examples, which troubles me. I would like to give my", "their scene with Jeic Volmaen, nor about Félix Tholomyès and his friends after", "don't hear about Bishop Myriel, his sister and his servant after their scene", "with the military: you don't spend all of your service, start to finish,", "sight. Similarly, in Victor Hugo's Les Misérables, we don't hear about Bishop Myriel,", "Like transitioning from middle school to high school, and from high school to", "receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the more impatient modern reader's attention.", "modern reader's attention. Much like the MC, I expect my reader would be", "to lose sight of them several chapters later. The characters the MC was", "closest to in each stage do get further involvement in the story, but", "completes Advanced Training with you will be assigned to the same unit as", "lose sight of them several chapters later. The characters the MC was closest", "that most of those characters disappear from the story after the MC leaves", "sci-fi novel. Here's the trouble with the military: you don't spend all of", "boot camp part interesting by way of having the MC develop various relationships", "to lose the more impatient modern reader's attention. Much like the MC, I", "characters, against the fact that most of those characters disappear from the story", "in touch with only a small sub-group of the friends from before. Like", "get to know a set of characters, only to lose sight of them", "reader would be eager to get out of boot camp and into real", "which troubles me. I would like to give my first-quarter-of-the-novel characters as much", "from before. Like transitioning from middle school to high school, and from high", "characters, only to lose sight of them several chapters later. The characters the", "In effect, after each transition, one is meeting new people and making new", "of sight. Similarly, in Victor Hugo's Les Misérables, we don't hear about Bishop", "the fact that most of those characters disappear from the story after the", "Here's the trouble with the military: you don't spend all of your service,", "you will be assigned to the same unit as you. In effect, after", "And that's before I so much as touch on drop-outs (and I do", "it's the recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear to lose the more", "of having the MC develop various relationships with well-rounded characters, against the fact", "touch with only a small sub-group of the friends from before. Like transitioning", "people and making new friends, keeping in touch with only a small sub-group", "done Basic Training with will proceed to the same Advanced Training as you.", "frame. And that's before I so much as touch on drop-outs (and I", "I can't think of more modern examples, which troubles me. I would like", "get further involvement in the story, but most drop out of sight. Similarly,", "relationships with well-rounded characters, against the fact that most of those characters disappear", "the boot camp part interesting by way of having the MC develop various", "military: you don't spend all of your service, start to finish, with the", "Training with will proceed to the same Advanced Training as you. Not everyone", "gives Myriel and Tholomyès (and it's the recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I", "each transition, one is meeting new people and making new friends, keeping in", "first-quarter-of-the-novel characters as much loving attention as Hugo gives Myriel and Tholomyès (and", "was closest to in each stage do get further involvement in the story,", "a small sub-group of the friends from before. Like transitioning from middle school", "on a significantly shorter time frame. And that's before I so much as", "happen to the MC). The result of the above is I'm asking the", "to finish, with the same people. Not all the people you've done Basic", "The result of the above is I'm asking the reader to get to", "with only a small sub-group of the friends from before. Like transitioning from", "transition, one is meeting new people and making new friends, keeping in touch", "the people you've done Basic Training with will proceed to the same Advanced", "you. In effect, after each transition, one is meeting new people and making", "with the same people. Not all the people you've done Basic Training with", "develop various relationships with well-rounded characters, against the fact that most of those", "more impatient modern reader's attention. Much like the MC, I expect my reader", "I do need those for tension - it could, theoretically happen to the", "much as touch on drop-outs (and I do need those for tension -", "eager to get out of boot camp and into real battle. *How do", "story, but most drop out of sight. Similarly, in Victor Hugo's Les Misérables,", "to the same Advanced Training as you. Not everyone who completes Advanced Training", "Myriel and Tholomyès (and it's the recommendation I receive [here](https://writing.stackexchange.com/q/41364/14704)), but I fear", "the reader to get to know a set of characters, only to lose", "above is I'm asking the reader to get to know a set of", "MC). The result of the above is I'm asking the reader to get", "only to lose sight of them several chapters later.* The characters the MC", "get out of boot camp and into real battle. *How do I balance", "Training as you. Not everyone who completes Advanced Training with you will be", "in Victor Hugo's Les Misérables*, we don't hear about Bishop Myriel, his sister", "the MC, I expect my reader would be eager to get out of" ]
[ "why \"only today\" the invasion happened and why, and I can't find a", "the universe is constantly wiped out by the first race that achieved type", "lot to my feeling, but the solution does not satisfies me. My main", "opinion. I'm open to changing the plot as much as necessary. EDIT Thank", "to read if he/she wants to 2. Focus on the gameplay, fun, battle", "The explanations for those events are discovered by the player during the game,", "as this may cause more plot holes 4. I will remove the \"how\"", "in my opinion. I'm open to changing the plot as much as necessary.", "I can't find a better excuse to that. It seems solid, but a", "a small part of the planet's life survived (few dozens of humans and", "a massive biological attack from an alien race in the close future, and", "part of the planet's life survived (few dozens of humans and animals). The", "distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and", "life in the universe is constantly wiped out by the first race that", "type III, to protect its monopoly, and they detect a rising intelligent race", "them contains important tips that I will consider when writing the game. So,", "bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot is the \"solution\"", "multiple ways to detect life on earth. How they detect is not important.", "This happens because the only possible way to detect life that is several", "a bit narrow and forced in my opinion. I'm open to changing the", "solution does not satisfies me. My main concern is with the explanation 2.", "2. I feel that I need to give the viewer the reason why", "III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in the universe that achieves", "[Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that are close because all", "explain everything to avoid being a \"generic alien invasion\" is the goal with", "a better excuse to that. It seems solid, but a bit narrow and", "give the viewer the reason why \"only today\" the invasion happened and why,", "civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in the universe that achieves [quantum", "more plot holes 4. I will remove the \"how\" completely. A type III", "The biological attack is a viral/bacterial weapon, and the reason why there are", "first race that achieved type III, to protect its monopoly, and they detect", "1. The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the", "sci-fi concepts into some optional lore, giving the player the freedom to read", "why, and I can't find a better excuse to that. It seems solid,", "all the life in the universe is constantly wiped out by the first", "main goal is that the plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox).", "the gameplay, fun, battle system; 3. Avoid over-explanations, as this may cause more", "I feel that I need to give the viewer the reason why \"only", "with all that sci-fi, and I think that I can't balance it correctly,", "can't find a better excuse to that. It seems solid, but a bit", "disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and can be captured by", "audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but the solution does", "a game where the Earth gets a massive biological attack from an alien", "I will remove the \"how\" completely. A type III civ is godlike to", "[quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible way to detect life", "race when it innocently creates quantum computers. Avoiding plot holes and trying to", "summarize: 1. I will put the deep sci-fi concepts into some optional lore,", "are caused by quantum processors, and can be captured by the type III", "important tips that I will consider when writing the game. So, just to", "forced in my opinion. I'm open to changing the plot as much as", "life that is several light years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/)", "do not find any aliens that are close because all the life in", "much as necessary. EDIT Thank you all for the answers. Every one of", "the plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find", "changing the plot as much as necessary. EDIT Thank you all for the", "because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot is", "find any aliens that are close because all the life in the universe", "survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the", "goal with all that sci-fi, and I think that I can't balance it", "fun, battle system; 3. Avoid over-explanations, as this may cause more plot holes", "innocently creates quantum computers. Avoiding plot holes and trying to explain everything to", "as much as necessary. EDIT Thank you all for the answers. Every one", "the Earth gets a massive biological attack from an alien race in the", "is with the explanation 2. I feel that I need to give the", "plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any", "few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that", "instantly. 3. The biological attack is a viral/bacterial weapon, and the reason why", "I can't balance it correctly, because I want to hit a broader audience.", "that sci-fi, and I think that I can't balance it correctly, because I", "are close because all the life in the universe is constantly wiped out", "a \"generic alien invasion\" is the goal with all that sci-fi, and I", "there are a few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main", "reason why there are a few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis).", "to 2. Focus on the gameplay, fun, battle system; 3. Avoid over-explanations, as", "and I think that I can't balance it correctly, because I want to", "the game, and are: 1. The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale),", "way to detect life that is several light years in distance is through", "from an alien race in the close future, and only a small part", "I need to give the viewer the reason why \"only today\" the invasion", "race in the close future, and only a small part of the planet's", "optional lore, giving the player the freedom to read if he/she wants to", "to give the viewer the reason why \"only today\" the invasion happened and", "the goal with all that sci-fi, and I think that I can't balance", "possible way to detect life that is several light years in distance is", "is a viral/bacterial weapon, and the reason why there are a few survivors", "tips that I will consider when writing the game. So, just to summarize:", "my feeling, but the solution does not satisfies me. My main concern is", "gets a massive biological attack from an alien race in the close future,", "the type III civilization on the other side of the universe instantly. 3.", "the life in the universe is constantly wiped out by the first race", "happens because the only possible way to detect life that is several light", "the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible", "[This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but the solution does not", "think that I can't balance it correctly, because I want to hit a", "the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that", "through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and can be", "broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but the solution", "be captured by the type III civilization on the other side of the", "eliminates all the intelligent life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2.", "EDIT Thank you all for the answers. Every one of them contains important", "race that achieved type III, to protect its monopoly, and they detect a", "is constantly wiped out by the first race that achieved type III, to", "a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in the universe", "in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only", "deep sci-fi concepts into some optional lore, giving the player the freedom to", "player the freedom to read if he/she wants to 2. Focus on the", "[quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and can be captured", "the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that are close because", "that achieved type III, to protect its monopoly, and they detect a rising", "contains important tips that I will consider when writing the game. So, just", "all for the answers. Every one of them contains important tips that I", "main concern is with the explanation 2. I feel that I need to", "my opinion. I'm open to changing the plot as much as necessary. EDIT", "close future, and only a small part of the planet's life survived (few", "life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the", "find a better excuse to that. It seems solid, but a bit narrow", "III civ is godlike to us and have unimaginable tech, therefore multiple ways", "by the type III civilization on the other side of the universe instantly.", "explain: I'm writing a game where the Earth gets a massive biological attack", "I'm writing a game where the Earth gets a massive biological attack from", "invasion happened and why, and I can't find a better excuse to that.", "better excuse to that. It seems solid, but a bit narrow and forced", "future, and only a small part of the planet's life survived (few dozens", "satisfies me. My main concern is with the explanation 2. I feel that", "by the first race that achieved type III, to protect its monopoly, and", "this may cause more plot holes 4. I will remove the \"how\" completely.", "processors, and can be captured by the type III civilization on the other", "the universe instantly. 3. The biological attack is a viral/bacterial weapon, and the", "their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot is the", "lore, giving the player the freedom to read if he/she wants to 2.", "plot holes and trying to explain everything to avoid being a \"generic alien", "for those events are discovered by the player during the game, and are:", "Earth gets a massive biological attack from an alien race in the close", "caused by quantum processors, and can be captured by the type III civilization", "the invasion happened and why, and I can't find a better excuse to", "will put the deep sci-fi concepts into some optional lore, giving the player", "achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot is the \"solution\" to", "Every one of them contains important tips that I will consider when writing", "paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that are close because all the", "the other side of the universe instantly. 3. The biological attack is a", "on the gameplay, fun, battle system; 3. Avoid over-explanations, as this may cause", "a rising intelligent race when it innocently creates quantum computers. Avoiding plot holes", "that I need to give the viewer the reason why \"only today\" the", "the viewer the reason why \"only today\" the invasion happened and why, and", "alien race in the close future, and only a small part of the", "hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but", "they detect a rising intelligent race when it innocently creates quantum computers. Avoiding", "the player during the game, and are: 1. The alien race is a", "survived (few dozens of humans and animals). The explanations for those events are", "It seems solid, but a bit narrow and forced in my opinion. I'm", "III civilization on the other side of the universe instantly. 3. The biological", "the only possible way to detect life that is several light years in", "me. My main concern is with the explanation 2. I feel that I", "in the close future, and only a small part of the planet's life", "and animals). The explanations for those events are discovered by the player during", "he/she wants to 2. Focus on the gameplay, fun, battle system; 3. Avoid", "civ is godlike to us and have unimaginable tech, therefore multiple ways to", "game, and are: 1. The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and", "the close future, and only a small part of the planet's life survived", "massive biological attack from an alien race in the close future, and only", "any aliens that are close because all the life in the universe is", "but a bit narrow and forced in my opinion. I'm open to changing", "unimaginable tech, therefore multiple ways to detect life on earth. How they detect", "does not satisfies me. My main concern is with the explanation 2. I", "life survived (few dozens of humans and animals). The explanations for those events", "concepts into some optional lore, giving the player the freedom to read if", "its monopoly, and they detect a rising intelligent race when it innocently creates", "concern is with the explanation 2. I feel that I need to give", "to avoid being a \"generic alien invasion\" is the goal with all that", "where the Earth gets a massive biological attack from an alien race in", "4. I will remove the \"how\" completely. A type III civ is godlike", "because I want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot", "events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and can be captured by the", "giving the player the freedom to read if he/she wants to 2. Focus", "player during the game, and are: 1. The alien race is a [type", "the freedom to read if he/she wants to 2. Focus on the gameplay,", "narrow and forced in my opinion. I'm open to changing the plot as", "Avoid over-explanations, as this may cause more plot holes 4. I will remove", "those events are discovered by the player during the game, and are: 1.", "all that sci-fi, and I think that I can't balance it correctly, because", "plot holes 4. I will remove the \"how\" completely. A type III civ", "constantly wiped out by the first race that achieved type III, to protect", "other side of the universe instantly. 3. The biological attack is a viral/bacterial", "and they detect a rising intelligent race when it innocently creates quantum computers.", "The main goal is that the plot is the \"solution\" to the [Fermi", "I think that I can't balance it correctly, because I want to hit", "the intelligent life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens", "the reason why \"only today\" the invasion happened and why, and I can't", "it innocently creates quantum computers. Avoiding plot holes and trying to explain everything", "over-explanations, as this may cause more plot holes 4. I will remove the", "III, to protect its monopoly, and they detect a rising intelligent race when", "close because all the life in the universe is constantly wiped out by", "the \"how\" completely. A type III civ is godlike to us and have", "to detect life that is several light years in distance is through [quantum", "one of them contains important tips that I will consider when writing the", "and only a small part of the planet's life survived (few dozens of", "into some optional lore, giving the player the freedom to read if he/she", "3. Avoid over-explanations, as this may cause more plot holes 4. I will", "biological attack is a viral/bacterial weapon, and the reason why there are a", "completely. A type III civ is godlike to us and have unimaginable tech,", "consider when writing the game. So, just to summarize: 1. I will put", "us and have unimaginable tech, therefore multiple ways to detect life on earth.", "viral/bacterial weapon, and the reason why there are a few survivors is because", "sci-fi, and I think that I can't balance it correctly, because I want", "relates a lot to my feeling, but the solution does not satisfies me.", "writing the game. So, just to summarize: 1. I will put the deep", "open to changing the plot as much as necessary. EDIT Thank you all", "all the intelligent life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This", "by quantum processors, and can be captured by the type III civilization on", "2. Focus on the gameplay, fun, battle system; 3. Avoid over-explanations, as this", "seems solid, but a bit narrow and forced in my opinion. I'm open", "why there are a few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The", "holes and trying to explain everything to avoid being a \"generic alien invasion\"", "type III civilization on the other side of the universe instantly. 3. The", "the reason why there are a few survivors is because their bodies achieved", "detect life that is several light years in distance is through [quantum disturbance", "discovered by the player during the game, and are: 1. The alien race", "to summarize: 1. I will put the deep sci-fi concepts into some optional", "universe is constantly wiped out by the first race that achieved type III,", "viewer the reason why \"only today\" the invasion happened and why, and I", "wiped out by the first race that achieved type III, to protect its", "quantum processors, and can be captured by the type III civilization on the", "monopoly, and they detect a rising intelligent race when it innocently creates quantum", "intelligent life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because", "captured by the type III civilization on the other side of the universe", "the planet's life survived (few dozens of humans and animals). The explanations for", "\"how\" completely. A type III civ is godlike to us and have unimaginable", "to my feeling, but the solution does not satisfies me. My main concern", "quantum computers. Avoiding plot holes and trying to explain everything to avoid being", "because all the life in the universe is constantly wiped out by the", "2. This happens because the only possible way to detect life that is", "achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible way to detect", "not satisfies me. My main concern is with the explanation 2. I feel", "question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but the solution does not satisfies", "that are caused by quantum processors, and can be captured by the type", "Let me explain: I'm writing a game where the Earth gets a massive", "is godlike to us and have unimaginable tech, therefore multiple ways to detect", "today\" the invasion happened and why, and I can't find a better excuse", "it correctly, because I want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates", "system; 3. Avoid over-explanations, as this may cause more plot holes 4. I", "is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in the", "the first race that achieved type III, to protect its monopoly, and they", "goal is that the plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans", "the player the freedom to read if he/she wants to 2. Focus on", "a viral/bacterial weapon, and the reason why there are a few survivors is", "during the game, and are: 1. The alien race is a [type III", "events are discovered by the player during the game, and are: 1. The", "in the universe is constantly wiped out by the first race that achieved", "I want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to", "several light years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused", "that is several light years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that", "godlike to us and have unimaginable tech, therefore multiple ways to detect life", "and have unimaginable tech, therefore multiple ways to detect life on earth. How", "intelligent race when it innocently creates quantum computers. Avoiding plot holes and trying", "and trying to explain everything to avoid being a \"generic alien invasion\" is", "answers. Every one of them contains important tips that I will consider when", "small part of the planet's life survived (few dozens of humans and animals).", "animals). The explanations for those events are discovered by the player during the", "and are: 1. The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates", "1. I will put the deep sci-fi concepts into some optional lore, giving", "My main concern is with the explanation 2. I feel that I need", "reason why \"only today\" the invasion happened and why, and I can't find", "So, just to summarize: 1. I will put the deep sci-fi concepts into", "aliens that are close because all the life in the universe is constantly", "to changing the plot as much as necessary. EDIT Thank you all for", "to protect its monopoly, and they detect a rising intelligent race when it", "me explain: I'm writing a game where the Earth gets a massive biological", "I'm open to changing the plot as much as necessary. EDIT Thank you", "of the universe instantly. 3. The biological attack is a viral/bacterial weapon, and", "protect its monopoly, and they detect a rising intelligent race when it innocently", "tech, therefore multiple ways to detect life on earth. How they detect is", "for the answers. Every one of them contains important tips that I will", "Humans do not find any aliens that are close because all the life", "feel that I need to give the viewer the reason why \"only today\"", "explanations for those events are discovered by the player during the game, and", "humans and animals). The explanations for those events are discovered by the player", "on the other side of the universe instantly. 3. The biological attack is", "solid, but a bit narrow and forced in my opinion. I'm open to", "in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors,", "everything to avoid being a \"generic alien invasion\" is the goal with all", "can be captured by the type III civilization on the other side of", "when it innocently creates quantum computers. Avoiding plot holes and trying to explain", "and forced in my opinion. I'm open to changing the plot as much", "not find any aliens that are close because all the life in the", "and why, and I can't find a better excuse to that. It seems", "with the explanation 2. I feel that I need to give the viewer", "is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens", "a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling, but the", "and the reason why there are a few survivors is because their bodies", "may cause more plot holes 4. I will remove the \"how\" completely. A", "years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum", "and I can't find a better excuse to that. It seems solid, but", "cause more plot holes 4. I will remove the \"how\" completely. A type", "therefore multiple ways to detect life on earth. How they detect is not", "is the goal with all that sci-fi, and I think that I can't", "will consider when writing the game. So, just to summarize: 1. I will", "a lot to my feeling, but the solution does not satisfies me. My", "to us and have unimaginable tech, therefore multiple ways to detect life on", "and can be captured by the type III civilization on the other side", "The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent", "A type III civ is godlike to us and have unimaginable tech, therefore", "some optional lore, giving the player the freedom to read if he/she wants", "by the player during the game, and are: 1. The alien race is", "when writing the game. So, just to summarize: 1. I will put the", "biological attack from an alien race in the close future, and only a", "game. So, just to summarize: 1. I will put the deep sci-fi concepts", "[type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in the universe that", "(few dozens of humans and animals). The explanations for those events are discovered", "weapon, and the reason why there are a few survivors is because their", "necessary. EDIT Thank you all for the answers. Every one of them contains", "\"generic alien invasion\" is the goal with all that sci-fi, and I think", "are discovered by the player during the game, and are: 1. The alien", "civilization on the other side of the universe instantly. 3. The biological attack", "of the planet's life survived (few dozens of humans and animals). The explanations", "being a \"generic alien invasion\" is the goal with all that sci-fi, and", "wants to 2. Focus on the gameplay, fun, battle system; 3. Avoid over-explanations,", "supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible way to detect life that", "to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that are close", "because the only possible way to detect life that is several light years", "gameplay, fun, battle system; 3. Avoid over-explanations, as this may cause more plot", "dozens of humans and animals). The explanations for those events are discovered by", "avoid being a \"generic alien invasion\" is the goal with all that sci-fi,", "detect a rising intelligent race when it innocently creates quantum computers. Avoiding plot", "\"only today\" the invasion happened and why, and I can't find a better", "side of the universe instantly. 3. The biological attack is a viral/bacterial weapon,", "\"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not find any aliens that are", "put the deep sci-fi concepts into some optional lore, giving the player the", "remove the \"how\" completely. A type III civ is godlike to us and", "that I can't balance it correctly, because I want to hit a broader", "that are close because all the life in the universe is constantly wiped", "plot as much as necessary. EDIT Thank you all for the answers. Every", "freedom to read if he/she wants to 2. Focus on the gameplay, fun,", "Focus on the gameplay, fun, battle system; 3. Avoid over-explanations, as this may", "writing a game where the Earth gets a massive biological attack from an", "rising intelligent race when it innocently creates quantum computers. Avoiding plot holes and", "you all for the answers. Every one of them contains important tips that", "the answers. Every one of them contains important tips that I will consider", "feeling, but the solution does not satisfies me. My main concern is with", "happened and why, and I can't find a better excuse to that. It", "trying to explain everything to avoid being a \"generic alien invasion\" is the", "read if he/she wants to 2. Focus on the gameplay, fun, battle system;", "the explanation 2. I feel that I need to give the viewer the", "explanation 2. I feel that I need to give the viewer the reason", "that. It seems solid, but a bit narrow and forced in my opinion.", "[symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot is the \"solution\" to the", "the deep sci-fi concepts into some optional lore, giving the player the freedom", "that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible way to", "want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my", "need to give the viewer the reason why \"only today\" the invasion happened", "are a few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal", "that the plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do not", "invasion\" is the goal with all that sci-fi, and I think that I", "to that. It seems solid, but a bit narrow and forced in my", "is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is that the plot", "balance it correctly, because I want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc)", "is that the plot is the \"solution\" to the [Fermi paradox](https://en.wikipedia.org/wiki/Fermi_paradox). Humans do", "out by the first race that achieved type III, to protect its monopoly,", "planet's life survived (few dozens of humans and animals). The explanations for those", "is several light years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are", "attack is a viral/bacterial weapon, and the reason why there are a few", "can't balance it correctly, because I want to hit a broader audience. [This", "as necessary. EDIT Thank you all for the answers. Every one of them", "universe instantly. 3. The biological attack is a viral/bacterial weapon, and the reason", "and eliminates all the intelligent life in the universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it).", "have unimaginable tech, therefore multiple ways to detect life on earth. How they", "of humans and animals). The explanations for those events are discovered by the", "an alien race in the close future, and only a small part of", "alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life", "to explain everything to avoid being a \"generic alien invasion\" is the goal", "is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by quantum processors, and can", "if he/she wants to 2. Focus on the gameplay, fun, battle system; 3.", "but the solution does not satisfies me. My main concern is with the", "holes 4. I will remove the \"how\" completely. A type III civ is", "just to summarize: 1. I will put the deep sci-fi concepts into some", "battle system; 3. Avoid over-explanations, as this may cause more plot holes 4.", "that I will consider when writing the game. So, just to summarize: 1.", "creates quantum computers. Avoiding plot holes and trying to explain everything to avoid", "attack from an alien race in the close future, and only a small", "Thank you all for the answers. Every one of them contains important tips", "will remove the \"how\" completely. A type III civ is godlike to us", "I will put the deep sci-fi concepts into some optional lore, giving the", "excuse to that. It seems solid, but a bit narrow and forced in", "only possible way to detect life that is several light years in distance", "computers. Avoiding plot holes and trying to explain everything to avoid being a", "the game. So, just to summarize: 1. I will put the deep sci-fi", "bit narrow and forced in my opinion. I'm open to changing the plot", "to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a lot to my feeling,", "3. The biological attack is a viral/bacterial weapon, and the reason why there", "a few survivors is because their bodies achieved [symbiosis](https://en.wikipedia.org/wiki/Symbiosis). The main goal is", "race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all the intelligent life in", "Avoiding plot holes and trying to explain everything to avoid being a \"generic", "the solution does not satisfies me. My main concern is with the explanation", "are: 1. The alien race is a [type III civilization](https://en.wikipedia.org/wiki/Kardashev_scale), and eliminates all", "game where the Earth gets a massive biological attack from an alien race", "only a small part of the planet's life survived (few dozens of humans", "achieved type III, to protect its monopoly, and they detect a rising intelligent", "type III civ is godlike to us and have unimaginable tech, therefore multiple", "of them contains important tips that I will consider when writing the game.", "the plot as much as necessary. EDIT Thank you all for the answers.", "universe that achieves [quantum supremacy](https://www.alphr.com/the-future/1008428/what-is-quantum-supremacy-the-future-of-quantum-computers-relies-on-it). 2. This happens because the only possible way", "alien invasion\" is the goal with all that sci-fi, and I think that", "I will consider when writing the game. So, just to summarize: 1. I", "light years in distance is through [quantum disturbance events](https://newatlas.com/quantum-entanglement-speed-10000-faster-light/26587/) that are caused by", "correctly, because I want to hit a broader audience. [This question](https://writing.stackexchange.com/questions/33500/how-do-you-explain-the-details-of-something-technical-to-a-non-technical-audienc) relates a" ]
[ "for how to interact with humanity, to what extent they can interfere with", "that influence. As a result, they live according to universal laws that govern", "to act like humans are. How can I make and show this distinction?", "etc. These gods don't see themselves as individuals in the way humans do.", "they must live by. I am having trouble explaining what I want this", "with chaos, and defend the mortal world from that influence. As a result,", "laws that govern their actions. There are rules for how to interact with", "sure if this is a worldbuilding or writing question, but here it goes.", "they are not free to act like humans are. How can I make", "aren't meant to be a hive-mind, like mindless slaves or automatons. However, they", "see themselves as individuals in the way humans do. They have their own", "from that influence. As a result, they live according to universal laws that", "interfere with mortal realms or realms of other gods, etc. These gods don't", "chaos, and defend the mortal world from that influence. As a result, they", "words. These beings aren't meant to be a hive-mind, like mindless slaves or", "or automatons. However, they are not free to act like humans are. How", "in the way humans do. They have their own thoughts and opinions and", "here it goes. In this setting, gods of humanity are beings of absolute", "at war with chaos, and defend the mortal world from that influence. As", "These gods don't see themselves as individuals in the way humans do. They", "divine will, or super-consciousness, that they are all connected to. This would be", "they live according to universal laws that govern their actions. There are rules", "that they are all connected to. This would be the main deity that", "exist in another plane of existence. They are constantly at war with chaos,", "that exist in another plane of existence. They are constantly at war with", "mortal realms or realms of other gods, etc. These gods don't see themselves", "interact with humanity, to what extent they can interfere with mortal realms or", "what extent they can interfere with mortal realms or realms of other gods,", "are beings of absolute order that exist in another plane of existence. They", "way humans do. They have their own thoughts and opinions and can act", "how to interact with humanity, to what extent they can interfere with mortal", "with mortal realms or realms of other gods, etc. These gods don't see", "underneath that independence is a divine will, or super-consciousness, that they are all", "but here it goes. In this setting, gods of humanity are beings of", "live according to universal laws that govern their actions. There are rules for", "laws they must live by. I am having trouble explaining what I want", "I am having trouble explaining what I want this concept to be in", "having trouble explaining what I want this concept to be in words. These", "are not free to act like humans are. How can I make and", "this setting, gods of humanity are beings of absolute order that exist in", "setting, gods of humanity are beings of absolute order that exist in another", "deity that created them, and is the source of these universal laws they", "humans do. They have their own thoughts and opinions and can act independently.", "be in words. These beings aren't meant to be a hive-mind, like mindless", "beings aren't meant to be a hive-mind, like mindless slaves or automatons. However,", "of existence. They are constantly at war with chaos, and defend the mortal", "super-consciousness, that they are all connected to. This would be the main deity", "am having trouble explaining what I want this concept to be in words.", "mindless slaves or automatons. However, they are not free to act like humans", "beings of absolute order that exist in another plane of existence. They are", "order that exist in another plane of existence. They are constantly at war", "of other gods, etc. These gods don't see themselves as individuals in the", "connected to. This would be the main deity that created them, and is", "to. This would be the main deity that created them, and is the", "result, they live according to universal laws that govern their actions. There are", "created them, and is the source of these universal laws they must live", "of humanity are beings of absolute order that exist in another plane of", "realms of other gods, etc. These gods don't see themselves as individuals in", "these universal laws they must live by. I am having trouble explaining what", "automatons. However, they are not free to act like humans are. How can", "that independence is a divine will, or super-consciousness, that they are all connected", "or writing question, but here it goes. In this setting, gods of humanity", "in another plane of existence. They are constantly at war with chaos, and", "is a divine will, or super-consciousness, that they are all connected to. This", "to be a hive-mind, like mindless slaves or automatons. However, they are not", "to interact with humanity, to what extent they can interfere with mortal realms", "a worldbuilding or writing question, but here it goes. In this setting, gods", "realms or realms of other gods, etc. These gods don't see themselves as", "the mortal world from that influence. As a result, they live according to", "is the source of these universal laws they must live by. I am", "explaining what I want this concept to be in words. These beings aren't", "universal laws they must live by. I am having trouble explaining what I", "goes. In this setting, gods of humanity are beings of absolute order that", "to what extent they can interfere with mortal realms or realms of other", "and is the source of these universal laws they must live by. I", "of these universal laws they must live by. I am having trouble explaining", "However, they are not free to act like humans are. How can I", "they are all connected to. This would be the main deity that created", "hive-mind, like mindless slaves or automatons. However, they are not free to act", "govern their actions. There are rules for how to interact with humanity, to", "existence. They are constantly at war with chaos, and defend the mortal world", "meant to be a hive-mind, like mindless slaves or automatons. However, they are", "like mindless slaves or automatons. However, they are not free to act like", "they can interfere with mortal realms or realms of other gods, etc. These", "if this is a worldbuilding or writing question, but here it goes. In", "slaves or automatons. However, they are not free to act like humans are.", "by. I am having trouble explaining what I want this concept to be", "don't see themselves as individuals in the way humans do. They have their", "concept to be in words. These beings aren't meant to be a hive-mind,", "constantly at war with chaos, and defend the mortal world from that influence.", "of absolute order that exist in another plane of existence. They are constantly", "gods of humanity are beings of absolute order that exist in another plane", "that created them, and is the source of these universal laws they must", "plane of existence. They are constantly at war with chaos, and defend the", "or realms of other gods, etc. These gods don't see themselves as individuals", "influence. As a result, they live according to universal laws that govern their", "trouble explaining what I want this concept to be in words. These beings", "this concept to be in words. These beings aren't meant to be a", "These beings aren't meant to be a hive-mind, like mindless slaves or automatons.", "universal laws that govern their actions. There are rules for how to interact", "war with chaos, and defend the mortal world from that influence. As a", "own thoughts and opinions and can act independently. However, underneath that independence is", "a divine will, or super-consciousness, that they are all connected to. This would", "in words. These beings aren't meant to be a hive-mind, like mindless slaves", "them, and is the source of these universal laws they must live by.", "do. They have their own thoughts and opinions and can act independently. However,", "mortal world from that influence. As a result, they live according to universal", "question, but here it goes. In this setting, gods of humanity are beings", "individuals in the way humans do. They have their own thoughts and opinions", "and opinions and can act independently. However, underneath that independence is a divine", "live by. I am having trouble explaining what I want this concept to", "gods don't see themselves as individuals in the way humans do. They have", "Not sure if this is a worldbuilding or writing question, but here it", "are all connected to. This would be the main deity that created them,", "and defend the mortal world from that influence. As a result, they live", "writing question, but here it goes. In this setting, gods of humanity are", "a result, they live according to universal laws that govern their actions. There", "In this setting, gods of humanity are beings of absolute order that exist", "be a hive-mind, like mindless slaves or automatons. However, they are not free", "themselves as individuals in the way humans do. They have their own thoughts", "source of these universal laws they must live by. I am having trouble", "want this concept to be in words. These beings aren't meant to be", "main deity that created them, and is the source of these universal laws", "However, underneath that independence is a divine will, or super-consciousness, that they are", "can interfere with mortal realms or realms of other gods, etc. These gods", "to universal laws that govern their actions. There are rules for how to", "must live by. I am having trouble explaining what I want this concept", "have their own thoughts and opinions and can act independently. However, underneath that", "be the main deity that created them, and is the source of these", "the main deity that created them, and is the source of these universal", "what I want this concept to be in words. These beings aren't meant", "according to universal laws that govern their actions. There are rules for how", "They have their own thoughts and opinions and can act independently. However, underneath", "other gods, etc. These gods don't see themselves as individuals in the way", "humanity are beings of absolute order that exist in another plane of existence.", "would be the main deity that created them, and is the source of", "independence is a divine will, or super-consciousness, that they are all connected to.", "are constantly at war with chaos, and defend the mortal world from that", "world from that influence. As a result, they live according to universal laws", "I want this concept to be in words. These beings aren't meant to", "a hive-mind, like mindless slaves or automatons. However, they are not free to", "rules for how to interact with humanity, to what extent they can interfere", "humanity, to what extent they can interfere with mortal realms or realms of", "this is a worldbuilding or writing question, but here it goes. In this", "another plane of existence. They are constantly at war with chaos, and defend", "to be in words. These beings aren't meant to be a hive-mind, like", "thoughts and opinions and can act independently. However, underneath that independence is a", "can act independently. However, underneath that independence is a divine will, or super-consciousness,", "gods, etc. These gods don't see themselves as individuals in the way humans", "all connected to. This would be the main deity that created them, and", "independently. However, underneath that independence is a divine will, or super-consciousness, that they", "actions. There are rules for how to interact with humanity, to what extent", "their own thoughts and opinions and can act independently. However, underneath that independence", "will, or super-consciousness, that they are all connected to. This would be the", "opinions and can act independently. However, underneath that independence is a divine will,", "They are constantly at war with chaos, and defend the mortal world from", "the source of these universal laws they must live by. I am having", "act independently. However, underneath that independence is a divine will, or super-consciousness, that", "the way humans do. They have their own thoughts and opinions and can", "As a result, they live according to universal laws that govern their actions.", "and can act independently. However, underneath that independence is a divine will, or", "absolute order that exist in another plane of existence. They are constantly at", "or super-consciousness, that they are all connected to. This would be the main", "is a worldbuilding or writing question, but here it goes. In this setting,", "it goes. In this setting, gods of humanity are beings of absolute order", "that govern their actions. There are rules for how to interact with humanity,", "with humanity, to what extent they can interfere with mortal realms or realms", "worldbuilding or writing question, but here it goes. In this setting, gods of", "as individuals in the way humans do. They have their own thoughts and", "not free to act like humans are. How can I make and show", "There are rules for how to interact with humanity, to what extent they", "their actions. There are rules for how to interact with humanity, to what", "defend the mortal world from that influence. As a result, they live according", "free to act like humans are. How can I make and show this", "This would be the main deity that created them, and is the source", "are rules for how to interact with humanity, to what extent they can", "extent they can interfere with mortal realms or realms of other gods, etc." ]
[ "40+ page story in 3 weeks? The story I am writing has to", "write a 40+ page story in 3 weeks? The story I am writing", "What is the best way to write a 40+ page story in 3", "The story I am writing has to be spot-on and close to a", "way to write a 40+ page story in 3 weeks? The story I", "I am writing has to be spot-on and close to a professional level", "to be spot-on and close to a professional level and is totally fictional.", "a 40+ page story in 3 weeks? The story I am writing has", "the best way to write a 40+ page story in 3 weeks? The", "is the best way to write a 40+ page story in 3 weeks?", "story I am writing has to be spot-on and close to a professional", "writing has to be spot-on and close to a professional level and is", "am writing has to be spot-on and close to a professional level and", "in 3 weeks? The story I am writing has to be spot-on and", "best way to write a 40+ page story in 3 weeks? The story", "to write a 40+ page story in 3 weeks? The story I am", "3 weeks? The story I am writing has to be spot-on and close", "weeks? The story I am writing has to be spot-on and close to", "story in 3 weeks? The story I am writing has to be spot-on", "page story in 3 weeks? The story I am writing has to be", "has to be spot-on and close to a professional level and is totally" ]
[ "generic main character from a character-driven/psychological novel should have? E.g. relations, motives, personality,", "the properties a generic main character from a character-driven/psychological novel should have? E.g.", "properties a generic main character from a character-driven/psychological novel should have? E.g. relations,", "main character from a character-driven/psychological novel should have? E.g. relations, motives, personality, knowledge.", "a generic main character from a character-driven/psychological novel should have? E.g. relations, motives,", "are the properties a generic main character from a character-driven/psychological novel should have?", "What are the properties a generic main character from a character-driven/psychological novel should" ]
[ "Potter Series (obviously) * Hyperion Cantos * Lunar Chronicles I should also add", "the Rings trilogy - I loved the Hobbit, but couldn't get through The", "the direction it took) * Red Rising - quit because the main character", "lot of fantasy books that are supposedly the \"best,\" that are beloved by", "of Time series - forced myself to read the whole series because a", "the Ring. It was just too boring and it felt like nothing was", "but for the characters. When I quit reading a book, it's for one", "of the Wind - was okay, wouldn't read again * Shannara series -", "* Shannara series - read a few books but felt like it took", "when it got boring and read a summary of the book online (after", "- forced myself to read it for a friend, did not like the", "Name of the Wind - was okay, wouldn't read again * Shannara series", "the \"best\" books of my chosen genre? Is there something I just don't", "\"best,\" that are beloved by all fantasy fans ... except me. Some examples:", "Wheel of Time series - forced myself to read the whole series because", "Titles like: * Sword of Truth series (I do have issues with the", "series because a friend and I were reading it at the same time.", "above) * Earthsea Series * Harry Potter Series (obviously) * Hyperion Cantos ", "(or any genre, for that matter), I'm not reading it for the fantasy", "boring and it felt like nothing was happening Wheel of Time series", "the declining quality of the books, but I still like the books better", "of it, I'm not sure I'd be able to keep track of so", "for the fantasy elements, but for the characters. When I quit reading a", "Miry Kae * Game of Thrones - couldn't really get into the first", "Lunar Chronicles I should also add that when reading fantasy (or any genre,", "of Thrones - couldn't really get into the first book (based on the", "the Hobbit, but couldn't get through The Fellowship of the Ring. It was", "keep track of so many characters, or if I'd care about them) There", "about these books? Should I force myself to read them anyway in the", "again * Shannara series - read a few books but felt like it", "something I just don't get about these books? Should I force myself to", "the book because I didn't like the direction it took) * Red Rising", "like each book was way too long, and I couldn't keep track of", "of the book online (after reading the summary, I was glad I hadn't", "a few books but felt like it took ages for anything interesting to", "was okay, but I felt like each book was way too long, and", "Some examples: * Lord of the Rings trilogy - I loved the Hobbit,", "books, but I still like the books better than the books above) ", "the hopes of learning something? Note: I don't want to start any arguments", "about them) There are fantasy books I do* like (it's not like I", "I didn't like the direction it took) * Red Rising - quit because", "main character was a Miry Kae * Game of Thrones - couldn't really", "friend, did not like the political elements * The Way of Kings -", "read a lot of fantasy books that are supposedly the \"best,\" that are", "quality of the books, but I still like the books better than the", "The Way of Kings - was okay, wouldn't read again * The Name", "nothing was happening * Wheel of Time series - forced myself to read", "I hadn't finished the book because I didn't like the direction it took)", "the summary, I was glad I hadn't finished the book because I didn't", "for a friend, did not like the political elements * The Way of", "myself to read it for a friend, did not like the political elements", "I've read a lot of fantasy books that are supposedly the \"best,\" that", "friend and I were reading it at the same time. Overall it was", "the books above) * Earthsea Series * Harry Potter Series (obviously) * Hyperion", "get through The Fellowship of the Ring. It was just too boring and", "long, and I couldn't keep track of all the characters. Did not particularly", "a friend and I were reading it at the same time. Overall it", "summary, I was glad I hadn't finished the book because I didn't like", "as in 100+ pages) * American Gods - liked it at first, quit", "(obviously) * Hyperion Cantos * Lunar Chronicles I should also add that when", "question is about reading but it pertains to writing as well). I write", "Gods - liked it at first, quit about 80% in when it got", "problem with the genre). Titles like: * Sword of Truth series (I do", "a problem with the genre). Titles like: * Sword of Truth series (I", "a bad sign if I don't like the \"best\" books of my chosen", "have issues with the declining quality of the books, but I still like", "for one of these reasons: * Indifferent towards the main character / don't", "hopes of learning something? Note: I don't want to start any arguments here", "be able to keep track of so many characters, or if I'd care", "reasons: * Indifferent towards the main character / don't care what happens to", "I'd care about them) There are fantasy books I do like (it's not", "happening * Wheel of Time series - forced myself to read the whole", "it's for one of these reasons: * Indifferent towards the main character /", "myself to read them anyway in the hopes of learning something? Note: I", "care about them) There are fantasy books I do like (it's not like", "quit reading a book, it's for one of these reasons: * Indifferent towards", "Is there something I just don't get about these books? Should I force", "- quit because the main character was a Miry Kae * Game of", "Indifferent towards the main character / don't care what happens to them ", "reading the summary, I was glad I hadn't finished the book because I", "like the books better than the books above) Earthsea Series * Harry", "on the little I know of it, I'm not sure I'd be able", "many characters, or if I'd care about them) There are fantasy books I", "I quit reading a book, it's for one of these reasons: * Indifferent", "a lot of fantasy books that are supposedly the \"best,\" that are beloved", "these books? Should I force myself to read them anyway in the hopes", "I was glad I hadn't finished the book because I didn't like the", "happen (ages, as in 100+ pages) * American Gods - liked it at", "write fantasy, and as a result, I've read a lot of fantasy books", "got boring and read a summary of the book online (after reading the", "really get into the first book (based on the little I know of", "whole series because a friend and I were reading it at the same", "just don't get about these books? Should I force myself to read them", "don't care what happens to them * Main character is a Miry Kae", "I were reading it at the same time. Overall it was okay, but", "because the main character was a Miry Kae * Game of Thrones -", "I know of it, I'm not sure I'd be able to keep track", "took) * Red Rising - quit because the main character was a Miry", "at the same time. Overall it was okay, but I felt like each", "along with a friend, overall it was okay, wouldn't read again * Elantris", "the characters. Did not particularly care what happened to the main characters. Would", "okay, wouldn't read again * Shannara series - read a few books but", "not sure I'd be able to keep track of so many characters, or", "of my chosen genre? Is there something I just don't get about these", "do have issues with the declining quality of the books, but I still", "what happens to them * Main character is a Miry Kae Is it", "* Mistborn trilogy - read it several years ago along with a friend,", "any arguments here - I'm not saying that these books are bad, just", "(This question is about reading but it pertains to writing as well). I", "characters. Did not particularly care what happened to the main characters. Would not", "not reading it for the fantasy elements, but for the characters. When I", "book because I didn't like the direction it took) * Red Rising -", "the political elements * The Way of Kings - was okay, wouldn't read", "of the Ring. It was just too boring and it felt like nothing", "any genre, for that matter), I'm not reading it for the fantasy elements,", "- was okay, wouldn't read again * The Name of the Wind -", "are beloved by all fantasy fans ... except me. Some examples: * Lord", "was just too boring and it felt like nothing was happening * Wheel", "but I felt like each book was way too long, and I couldn't", "particularly care what happened to the main characters. Would not read again ", "Elantris - forced myself to read it for a friend, did not like", "of fantasy books that are supposedly the \"best,\" that are beloved by all", "online (after reading the summary, I was glad I hadn't finished the book", "it took) Red Rising - quit because the main character was a", "political elements * The Way of Kings - was okay, wouldn't read again", "Way of Kings - was okay, wouldn't read again * The Name of", "examples: * Lord of the Rings trilogy - I loved the Hobbit, but", "was a Miry Kae * Game of Thrones - couldn't really get into", "read again * Elantris - forced myself to read it for a friend,", "I loved the Hobbit, but couldn't get through The Fellowship of the Ring.", "fantasy books that are supposedly the \"best,\" that are beloved by all fantasy", "by all fantasy fans ... except me. Some examples: * Lord of the", "fans ... except me. Some examples: * Lord of the Rings trilogy -", "me. Some examples: * Lord of the Rings trilogy - I loved the", "the same time. Overall it was okay, but I felt like each book", "it several years ago along with a friend, overall it was okay, wouldn't", "Wind - was okay, wouldn't read again * Shannara series - read a", "here - I'm not saying that these books are bad, just that they're", "- read a few books but felt like it took ages for anything", "so many characters, or if I'd care about them) There are fantasy books", "Hyperion Cantos * Lunar Chronicles I should also add that when reading fantasy", "like the \"best\" books of my chosen genre? Is there something I just", "* Wheel of Time series - forced myself to read the whole series", "read it several years ago along with a friend, overall it was okay,", "sure I'd be able to keep track of so many characters, or if", "first, quit about 80% in when it got boring and read a summary", "it at first, quit about 80% in when it got boring and read", "better than the books above) * Earthsea Series * Harry Potter Series (obviously)", "I write fantasy, and as a result, I've read a lot of fantasy", "- was okay, wouldn't read again * Shannara series - read a few", "than the books above) * Earthsea Series * Harry Potter Series (obviously) ", "/ don't care what happens to them Main character is a Miry", "I don't like the \"best\" books of my chosen genre? Is there something", "care what happened to the main characters. Would not read again * Mistborn", "with the genre). Titles like: * Sword of Truth series (I do have", "not saying that these books are bad, just that they're not for me.", "through The Fellowship of the Ring. It was just too boring and it", "didn't like the direction it took) * Red Rising - quit because the", "I have a problem with the genre). Titles like: * Sword of Truth", "felt like nothing was happening * Wheel of Time series - forced myself", "get into the first book (based on the little I know of it,", "fantasy books I do like (it's not like I have a problem with", "are fantasy books I do like (it's not like I have a problem", "about reading but it pertains to writing as well). I write fantasy, and", "- I'm not saying that these books are bad, just that they're not", "friend, overall it was okay, wouldn't read again * Elantris - forced myself", "but couldn't get through The Fellowship of the Ring. It was just too", "read again * Shannara series - read a few books but felt like", "I'd be able to keep track of so many characters, or if I'd", "genre? Is there something I just don't get about these books? Should I", "do like (it's not like I have a problem with the genre). Titles", "Cantos * Lunar Chronicles I should also add that when reading fantasy (or", "* American Gods - liked it at first, quit about 80% in when", "in when it got boring and read a summary of the book online", "read them anyway in the hopes of learning something? Note: I don't want", "of all the characters. Did not particularly care what happened to the main", "* Red Rising - quit because the main character was a Miry Kae", "to read them anyway in the hopes of learning something? Note: I don't", "I don't want to start any arguments here - I'm not saying that", "care what happens to them * Main character is a Miry Kae Is", "character was a Miry Kae * Game of Thrones - couldn't really get", "that when reading fantasy (or any genre, for that matter), I'm not reading", "interesting to happen (ages, as in 100+ pages) * American Gods - liked", "* Lord of the Rings trilogy - I loved the Hobbit, but couldn't", "of these reasons: * Indifferent towards the main character / don't care what", "that are beloved by all fantasy fans ... except me. Some examples: ", "keep track of all the characters. Did not particularly care what happened to", "result, I've read a lot of fantasy books that are supposedly the \"best,\"", "it took ages for anything interesting to happen (ages, as in 100+ pages)", "the main character / don't care what happens to them Main character", "* Earthsea Series * Harry Potter Series (obviously) * Hyperion Cantos * Lunar", "* Elantris - forced myself to read it for a friend, did not", "in the hopes of learning something? Note: I don't want to start any", "but felt like it took ages for anything interesting to happen (ages, as", "books of my chosen genre? Is there something I just don't get about", "Lord of the Rings trilogy - I loved the Hobbit, but couldn't get", "Earthsea Series * Harry Potter Series (obviously) * Hyperion Cantos * Lunar Chronicles", "reading it for the fantasy elements, but for the characters. When I quit", "Miry Kae Is it a bad sign if I don't like the \"best\"", "quit because the main character was a Miry Kae * Game of Thrones", "* Harry Potter Series (obviously) * Hyperion Cantos * Lunar Chronicles I should", "did not like the political elements * The Way of Kings - was", "I'm not sure I'd be able to keep track of so many characters,", "glad I hadn't finished the book because I didn't like the direction it", "time. Overall it was okay, but I felt like each book was way", "it at the same time. Overall it was okay, but I felt like", "force myself to read them anyway in the hopes of learning something? Note:", "to start any arguments here - I'm not saying that these books are", "\"best\" books of my chosen genre? Is there something I just don't get", "direction it took) * Red Rising - quit because the main character was", "- forced myself to read the whole series because a friend and I", "was happening * Wheel of Time series - forced myself to read the", "like I have a problem with the genre). Titles like: * Sword of", "for that matter), I'm not reading it for the fantasy elements, but for", "or if I'd care about them) There are fantasy books I do like", "Sword of Truth series (I do have issues with the declining quality of", "* The Way of Kings - was okay, wouldn't read again * The", "book, it's for one of these reasons: * Indifferent towards the main character", "couldn't get through The Fellowship of the Ring. It was just too boring", "a result, I've read a lot of fantasy books that are supposedly the", "the book online (after reading the summary, I was glad I hadn't finished", "again * Elantris - forced myself to read it for a friend, did", "Chronicles I should also add that when reading fantasy (or any genre, for", "wouldn't read again * Elantris - forced myself to read it for a", "these reasons: * Indifferent towards the main character / don't care what happens", "was okay, wouldn't read again * Shannara series - read a few books", "for anything interesting to happen (ages, as in 100+ pages) * American Gods", "books? Should I force myself to read them anyway in the hopes of", "it got boring and read a summary of the book online (after reading", "something? Note: I don't want to start any arguments here - I'm not", "the books, but I still like the books better than the books above)", "it pertains to writing as well). I write fantasy, and as a result,", "Harry Potter Series (obviously) * Hyperion Cantos * Lunar Chronicles I should also", "was way too long, and I couldn't keep track of all the characters.", "happens to them * Main character is a Miry Kae Is it a", "the little I know of it, I'm not sure I'd be able to", "the Wind - was okay, wouldn't read again * Shannara series - read", "don't get about these books? Should I force myself to read them anyway", "ago along with a friend, overall it was okay, wouldn't read again ", "a friend, overall it was okay, wouldn't read again Elantris - forced", "- liked it at first, quit about 80% in when it got boring", "at first, quit about 80% in when it got boring and read a", "to happen (ages, as in 100+ pages) * American Gods - liked it", "Main character is a Miry Kae Is it a bad sign if I", "character is a Miry Kae Is it a bad sign if I don't", "bad sign if I don't like the \"best\" books of my chosen genre?", "main character / don't care what happens to them * Main character is", "series - forced myself to read the whole series because a friend and", "same time. Overall it was okay, but I felt like each book was", "genre, for that matter), I'm not reading it for the fantasy elements, but", "read again * Mistborn trilogy - read it several years ago along with", "elements, but for the characters. When I quit reading a book, it's for", "and read a summary of the book online (after reading the summary, I", "when reading fantasy (or any genre, for that matter), I'm not reading it", "myself to read the whole series because a friend and I were reading", "into the first book (based on the little I know of it, I'm", "were reading it at the same time. Overall it was okay, but I", "I felt like each book was way too long, and I couldn't keep", "sign if I don't like the \"best\" books of my chosen genre? Is", "want to start any arguments here - I'm not saying that these books", "issues with the declining quality of the books, but I still like the", "(it's not like I have a problem with the genre). Titles like: ", "except me. Some examples: Lord of the Rings trilogy - I loved", "of Truth series (I do have issues with the declining quality of the", "main characters. Would not read again * Mistborn trilogy - read it several", "as a result, I've read a lot of fantasy books that are supposedly", "about 80% in when it got boring and read a summary of the", "was okay, wouldn't read again * Elantris - forced myself to read it", "of the Rings trilogy - I loved the Hobbit, but couldn't get through", "Mistborn trilogy - read it several years ago along with a friend, overall", "hadn't finished the book because I didn't like the direction it took) ", "reading a book, it's for one of these reasons: Indifferent towards the", "Time series - forced myself to read the whole series because a friend", "years ago along with a friend, overall it was okay, wouldn't read again", "like nothing was happening * Wheel of Time series - forced myself to", "all the characters. Did not particularly care what happened to the main characters.", "the genre). Titles like: * Sword of Truth series (I do have issues", "anyway in the hopes of learning something? Note: I don't want to start", "but it pertains to writing as well). I write fantasy, and as a", "all fantasy fans ... except me. Some examples: * Lord of the Rings", "like the political elements * The Way of Kings - was okay, wouldn't", "for the characters. When I quit reading a book, it's for one of", "characters. Would not read again * Mistborn trilogy - read it several years", "know of it, I'm not sure I'd be able to keep track of", "towards the main character / don't care what happens to them * Main", "them * Main character is a Miry Kae Is it a bad sign", "- I loved the Hobbit, but couldn't get through The Fellowship of the", "genre). Titles like: * Sword of Truth series (I do have issues with", "couldn't keep track of all the characters. Did not particularly care what happened", "quit about 80% in when it got boring and read a summary of", "fantasy, and as a result, I've read a lot of fantasy books that", "read a summary of the book online (after reading the summary, I was", "to the main characters. Would not read again * Mistborn trilogy - read", "too boring and it felt like nothing was happening * Wheel of Time", "books better than the books above) * Earthsea Series * Harry Potter Series", "with a friend, overall it was okay, wouldn't read again * Elantris -", "The Name of the Wind - was okay, wouldn't read again * Shannara", "I still like the books better than the books above) * Earthsea Series", "* The Name of the Wind - was okay, wouldn't read again ", "it, I'm not sure I'd be able to keep track of so many", "80% in when it got boring and read a summary of the book", "that matter), I'm not reading it for the fantasy elements, but for the", " Sword of Truth series (I do have issues with the declining quality", "learning something? Note: I don't want to start any arguments here - I'm", "... except me. Some examples: * Lord of the Rings trilogy - I", "- couldn't really get into the first book (based on the little I", "books I do like (it's not like I have a problem with the", "and I couldn't keep track of all the characters. Did not particularly care", "Overall it was okay, but I felt like each book was way too", "supposedly the \"best,\" that are beloved by all fantasy fans ... except me.", "* Hyperion Cantos * Lunar Chronicles I should also add that when reading", "It was just too boring and it felt like nothing was happening ", "also add that when reading fantasy (or any genre, for that matter), I'm", "and I were reading it at the same time. Overall it was okay,", "if I don't like the \"best\" books of my chosen genre? Is there", "little I know of it, I'm not sure I'd be able to keep", "book (based on the little I know of it, I'm not sure I'd", "and it felt like nothing was happening Wheel of Time series -", "not like I have a problem with the genre). Titles like: * Sword", "(after reading the summary, I was glad I hadn't finished the book because", "I just don't get about these books? Should I force myself to read", "reading but it pertains to writing as well). I write fantasy, and as", "* Indifferent towards the main character / don't care what happens to them", "(ages, as in 100+ pages) * American Gods - liked it at first,", "characters. When I quit reading a book, it's for one of these reasons:", "summary of the book online (after reading the summary, I was glad I", "reading it at the same time. Overall it was okay, but I felt", "too long, and I couldn't keep track of all the characters. Did not", "of Kings - was okay, wouldn't read again * The Name of the", "Thrones - couldn't really get into the first book (based on the little", "able to keep track of so many characters, or if I'd care about", "characters, or if I'd care about them) There are fantasy books I do", "There are fantasy books I do like (it's not like I have a", "book online (after reading the summary, I was glad I hadn't finished the", "should also add that when reading fantasy (or any genre, for that matter),", "it felt like nothing was happening * Wheel of Time series - forced", "don't want to start any arguments here - I'm not saying that these", "Would not read again * Mistborn trilogy - read it several years ago", "I should also add that when reading fantasy (or any genre, for that", "read it for a friend, did not like the political elements * The", "to read it for a friend, did not like the political elements ", "few books but felt like it took ages for anything interesting to happen", "of so many characters, or if I'd care about them) There are fantasy", "felt like it took ages for anything interesting to happen (ages, as in", "okay, but I felt like each book was way too long, and I", "anything interesting to happen (ages, as in 100+ pages) American Gods -", "felt like each book was way too long, and I couldn't keep track", "* Lunar Chronicles I should also add that when reading fantasy (or any", "okay, wouldn't read again * The Name of the Wind - was okay,", "- read it several years ago along with a friend, overall it was", "books above) * Earthsea Series * Harry Potter Series (obviously) * Hyperion Cantos", "the whole series because a friend and I were reading it at the", "a Miry Kae Is it a bad sign if I don't like the", "trilogy - I loved the Hobbit, but couldn't get through The Fellowship of", "read again * The Name of the Wind - was okay, wouldn't read", "boring and read a summary of the book online (after reading the summary,", "reading fantasy (or any genre, for that matter), I'm not reading it for", "I force myself to read them anyway in the hopes of learning something?", "start any arguments here - I'm not saying that these books are bad,", "are supposedly the \"best,\" that are beloved by all fantasy fans ... except", "way too long, and I couldn't keep track of all the characters. Did", "pages) * American Gods - liked it at first, quit about 80% in", "the main characters. Would not read again * Mistborn trilogy - read it", "not particularly care what happened to the main characters. Would not read again", "finished the book because I didn't like the direction it took) * Red", "Kae * Game of Thrones - couldn't really get into the first book", "get about these books? Should I force myself to read them anyway in", "elements * The Way of Kings - was okay, wouldn't read again ", "the characters. When I quit reading a book, it's for one of these", "a book, it's for one of these reasons: Indifferent towards the main", "trilogy - read it several years ago along with a friend, overall it", "Note: I don't want to start any arguments here - I'm not saying", "them anyway in the hopes of learning something? Note: I don't want to", "not read again * Mistborn trilogy - read it several years ago along", "* Game of Thrones - couldn't really get into the first book (based", "pertains to writing as well). I write fantasy, and as a result, I've", "again * Mistborn trilogy - read it several years ago along with a", "liked it at first, quit about 80% in when it got boring and", "Did not particularly care what happened to the main characters. Would not read", "like the direction it took) * Red Rising - quit because the main", "my chosen genre? Is there something I just don't get about these books?", "Series (obviously) * Hyperion Cantos * Lunar Chronicles I should also add that", "Series * Harry Potter Series (obviously) * Hyperion Cantos * Lunar Chronicles I", "a friend, did not like the political elements * The Way of Kings", "fantasy elements, but for the characters. When I quit reading a book, it's", "was okay, wouldn't read again * The Name of the Wind - was", "in 100+ pages) * American Gods - liked it at first, quit about", "them) There are fantasy books I do like (it's not like I have", "have a problem with the genre). Titles like: * Sword of Truth series", "Hobbit, but couldn't get through The Fellowship of the Ring. It was just", "(based on the little I know of it, I'm not sure I'd be", "again * The Name of the Wind - was okay, wouldn't read again", "I'm not reading it for the fantasy elements, but for the characters. When", "like: * Sword of Truth series (I do have issues with the declining", "the books better than the books above) * Earthsea Series * Harry Potter", "okay, wouldn't read again * Elantris - forced myself to read it for", "as well). I write fantasy, and as a result, I've read a lot", "like it took ages for anything interesting to happen (ages, as in 100+", "Kae Is it a bad sign if I don't like the \"best\" books", "Fellowship of the Ring. It was just too boring and it felt like", "just too boring and it felt like nothing was happening * Wheel of", "to read the whole series because a friend and I were reading it", "read the whole series because a friend and I were reading it at", "wouldn't read again * The Name of the Wind - was okay, wouldn't", "Red Rising - quit because the main character was a Miry Kae ", "a summary of the book online (after reading the summary, I was glad", "because a friend and I were reading it at the same time. Overall", "Should I force myself to read them anyway in the hopes of learning", "I'm not saying that these books are bad, just that they're not for", "several years ago along with a friend, overall it was okay, wouldn't read", "Shannara series - read a few books but felt like it took ages", "Game of Thrones - couldn't really get into the first book (based on", "Kings - was okay, wouldn't read again The Name of the Wind", "Is it a bad sign if I don't like the \"best\" books of", "Ring. It was just too boring and it felt like nothing was happening", "series (I do have issues with the declining quality of the books, but", "to them * Main character is a Miry Kae Is it a bad", "but I still like the books better than the books above) * Earthsea", "is a Miry Kae Is it a bad sign if I don't like", "Rising - quit because the main character was a Miry Kae * Game", "the fantasy elements, but for the characters. When I quit reading a book,", "if I'd care about them) There are fantasy books I do like (it's", "* Main character is a Miry Kae Is it a bad sign if", "books that are supposedly the \"best,\" that are beloved by all fantasy fans", "book was way too long, and I couldn't keep track of all the", "and as a result, I've read a lot of fantasy books that are", "arguments here - I'm not saying that these books are bad, just that", "When I quit reading a book, it's for one of these reasons: ", "what happened to the main characters. Would not read again Mistborn trilogy", "to keep track of so many characters, or if I'd care about them)", "writing as well). I write fantasy, and as a result, I've read a", "ages for anything interesting to happen (ages, as in 100+ pages) * American", "I couldn't keep track of all the characters. Did not particularly care what", "read a few books but felt like it took ages for anything interesting", "is about reading but it pertains to writing as well). I write fantasy,", "that are supposedly the \"best,\" that are beloved by all fantasy fans ...", "series - read a few books but felt like it took ages for", "still like the books better than the books above) * Earthsea Series ", "like (it's not like I have a problem with the genre). Titles like:", "chosen genre? Is there something I just don't get* about these books? Should", "to writing as well). I write fantasy, and as a result, I've read", "add that when reading fantasy (or any genre, for that matter), I'm not", "happened to the main characters. Would not read again * Mistborn trilogy -", "forced myself to read it for a friend, did not like the political", "well). I write fantasy, and as a result, I've read a lot of", "don't like the \"best\" books of my chosen genre? Is there something I", "of the books, but I still like the books better than the books", "character / don't care what happens to them * Main character is a", "loved the Hobbit, but couldn't get through The Fellowship of the Ring. It", "it for the fantasy elements, but for the characters. When I quit reading", "fantasy (or any genre, for that matter), I'm not reading it for the", "it for a friend, did not like the political elements * The Way", "took ages for anything interesting to happen (ages, as in 100+ pages) ", "not like the political elements The Way of Kings - was okay,", "of learning something? Note: I don't want to start any arguments here -", "wouldn't read again * Shannara series - read a few books but felt", "100+ pages) * American Gods - liked it at first, quit about 80%", "one of these reasons: * Indifferent towards the main character / don't care", "it was okay, wouldn't read again * Elantris - forced myself to read", "matter), I'm not reading it for the fantasy elements, but for the characters.", "overall it was okay, wouldn't read again * Elantris - forced myself to", "beloved by all fantasy fans ... except me. Some examples: * Lord of", "The Fellowship of the Ring. It was just too boring and it felt", "fantasy fans ... except me. Some examples: * Lord of the Rings trilogy", "was glad I hadn't finished the book because I didn't like the direction", "American Gods - liked it at first, quit about 80% in when it", "Rings trilogy - I loved the Hobbit, but couldn't get through The Fellowship", "the \"best,\" that are beloved by all fantasy fans ... except me. Some", "each book was way too long, and I couldn't keep track of all", "the main character was a Miry Kae * Game of Thrones - couldn't", "it was okay, but I felt like each book was way too long,", "a Miry Kae * Game of Thrones - couldn't really get into the", "because I didn't like the direction it took) * Red Rising - quit", "couldn't really get into the first book (based on the little I know", "with the declining quality of the books, but I still like the books", "first book (based on the little I know of it, I'm not sure", "I do like (it's not like I have a problem with the genre).", "there something I just don't get about these books? Should I force myself", "Truth series (I do have issues with the declining quality of the books,", "forced myself to read the whole series because a friend and I were", "track of so many characters, or if I'd care about them) There are", "(I do have issues with the declining quality of the books, but I", "declining quality of the books, but I still like the books better than", "books but felt like it took ages for anything interesting to happen (ages,", "the first book (based on the little I know of it, I'm not", "it a bad sign if I don't like the \"best\" books of my", "track of all the characters. Did not particularly care what happened to the" ]
[ "a character or characters are watching a show on TV (news maybe) how", "is often up to the publisher. A similar question is [How to format", "but not how to do it for prose in a book. Some explanations", "but there are some other things I'm not sure on. Like how are", "used for people speaking on TV? Or should a TV broadcast be treated", "poems, text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format", "like a start but there are some other things I'm not sure on.", "format TV broadcasts in a screenplay (in this website) but not how to", "found some explanations on how to format TV broadcasts in a screenplay (in", "to format news, poems, text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but", "quotes? I've done some searching but there isn't a whole lot of advice.", "screenplay (in this website) but not how to do it for prose in", "a screenplay (in this website) but not how to do it for prose", "That seems like a start but there are some other things I'm not", "I've found some explanations on how to format TV broadcasts in a screenplay", "Or should a TV broadcast be treated differently than newspaper quotes? I've done", "on TV (news maybe) how should that be formatted in the text? I've", "question is [How to format news, poems, text messages, and other kinds of", "are some other things I'm not sure on. Like how are dialogue tags", "of people are saying formatting is often up to the publisher. A similar", "often up to the publisher. A similar question is [How to format news,", "news, poems, text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to", "a start but there are some other things I'm not sure on. Like", "isn't a whole lot of advice. A lot of people are saying formatting", "things I'm not sure on. Like how are dialogue tags used for people", "broadcast be treated differently than newspaper quotes? I've done some searching but there", "start but there are some other things I'm not sure on. Like how", "on how to format TV broadcasts in a screenplay (in this website) but", "than newspaper quotes? I've done some searching but there isn't a whole lot", "in a screenplay (in this website) but not how to do it for", "on. Like how are dialogue tags used for people speaking on TV? Or", "a show on TV (news maybe) how should that be formatted in the", "Like how are dialogue tags used for people speaking on TV? Or should", "use block quotes for news paper articles. That seems like a start but", "are dialogue tags used for people speaking on TV? Or should a TV", "people speaking on TV? Or should a TV broadcast be treated differently than", "to the publisher. A similar question is [How to format news, poems, text", "kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format TV dialogue wasn't answered there.", "how are dialogue tags used for people speaking on TV? Or should a", "say to use block quotes for news paper articles. That seems like a", "quotes for news paper articles. That seems like a start but there are", "not sure on. Like how are dialogue tags used for people speaking on", "text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format TV", "in the text? I've found some explanations on how to format TV broadcasts", "book. Some explanations I've found around say to use block quotes for news", "tags used for people speaking on TV? Or should a TV broadcast be", "to format TV broadcasts in a screenplay (in this website) but not how", "lot of advice. A lot of people are saying formatting is often up", "of advice. A lot of people are saying formatting is often up to", "seems like a start but there are some other things I'm not sure", "advice. A lot of people are saying formatting is often up to the", "publisher. A similar question is [How to format news, poems, text messages, and", "for people speaking on TV? Or should a TV broadcast be treated differently", "similar question is [How to format news, poems, text messages, and other kinds", "how to format TV broadcasts in a screenplay (in this website) but not", "TV (news maybe) how should that be formatted in the text? I've found", "lot of people are saying formatting is often up to the publisher. A", "and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format TV dialogue wasn't", "be formatted in the text? I've found some explanations on how to format", "TV broadcasts in a screenplay (in this website) but not how to do", "this website) but not how to do it for prose in a book.", "explanations I've found around say to use block quotes for news paper articles.", "a TV broadcast be treated differently than newspaper quotes? I've done some searching", "on TV? Or should a TV broadcast be treated differently than newspaper quotes?", "whole lot of advice. A lot of people are saying formatting is often", "or characters are watching a show on TV (news maybe) how should that", "messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format TV dialogue", "dialogue tags used for people speaking on TV? Or should a TV broadcast", "maybe) how should that be formatted in the text? I've found some explanations", "done some searching but there isn't a whole lot of advice. A lot", "Some explanations I've found around say to use block quotes for news paper", "should a TV broadcast be treated differently than newspaper quotes? I've done some", "do it for prose in a book. Some explanations I've found around say", "prose in a book. Some explanations I've found around say to use block", "people are saying formatting is often up to the publisher. A similar question", "format news, poems, text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how", "I've done some searching but there isn't a whole lot of advice. A", "other things I'm not sure on. Like how are dialogue tags used for", "up to the publisher. A similar question is [How to format news, poems,", "to use block quotes for news paper articles. That seems like a start", "block quotes for news paper articles. That seems like a start but there", "website) but not how to do it for prose in a book. Some", "I've found around say to use block quotes for news paper articles. That", "(news maybe) how should that be formatted in the text? I've found some", "A lot of people are saying formatting is often up to the publisher.", "around say to use block quotes for news paper articles. That seems like", "explanations on how to format TV broadcasts in a screenplay (in this website)", "should that be formatted in the text? I've found some explanations on how", "I'm not sure on. Like how are dialogue tags used for people speaking", "is [How to format news, poems, text messages, and other kinds of written", "news paper articles. That seems like a start but there are some other", "how to do it for prose in a book. Some explanations I've found", "watching a show on TV (news maybe) how should that be formatted in", "some other things I'm not sure on. Like how are dialogue tags used", "a book. Some explanations I've found around say to use block quotes for", "for prose in a book. Some explanations I've found around say to use", "speaking on TV? Or should a TV broadcast be treated differently than newspaper", "searching but there isn't a whole lot of advice. A lot of people", "a whole lot of advice. A lot of people are saying formatting is", "for news paper articles. That seems like a start but there are some", "there are some other things I'm not sure on. Like how are dialogue", "are watching a show on TV (news maybe) how should that be formatted", "TV broadcast be treated differently than newspaper quotes? I've done some searching but", "TV? Or should a TV broadcast be treated differently than newspaper quotes? I've", "treated differently than newspaper quotes? I've done some searching but there isn't a", "some searching but there isn't a whole lot of advice. A lot of", "saying formatting is often up to the publisher. A similar question is [How", "A similar question is [How to format news, poems, text messages, and other", "how should that be formatted in the text? I've found some explanations on", "be treated differently than newspaper quotes? I've done some searching but there isn't", "show on TV (news maybe) how should that be formatted in the text?", "but there isn't a whole lot of advice. A lot of people are", "text? I've found some explanations on how to format TV broadcasts in a", "character or characters are watching a show on TV (news maybe) how should", "newspaper quotes? I've done some searching but there isn't a whole lot of", "found around say to use block quotes for news paper articles. That seems", "sure on. Like how are dialogue tags used for people speaking on TV?", "the text? I've found some explanations on how to format TV broadcasts in", "paper articles. That seems like a start but there are some other things", "formatted in the text? I've found some explanations on how to format TV", "the publisher. A similar question is [How to format news, poems, text messages,", "differently than newspaper quotes? I've done some searching but there isn't a whole", "to do it for prose in a book. Some explanations I've found around", "(in this website) but not how to do it for prose in a", "articles. That seems like a start but there are some other things I'm", "formatting is often up to the publisher. A similar question is [How to", "broadcasts in a screenplay (in this website) but not how to do it", "in a book. Some explanations I've found around say to use block quotes", "other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text) but how to format TV dialogue wasn't answered", "[How to format news, poems, text messages, and other kinds of written text?](https://writing.stackexchange.com/questions/9029/how-to-format-news-poems-text-messages-and-other-kinds-of-written-text)", "Supposing a character or characters are watching a show on TV (news maybe)", "are saying formatting is often up to the publisher. A similar question is", "characters are watching a show on TV (news maybe) how should that be", "not how to do it for prose in a book. Some explanations I've", "that be formatted in the text? I've found some explanations on how to", "there isn't a whole lot of advice. A lot of people are saying", "some explanations on how to format TV broadcasts in a screenplay (in this", "it for prose in a book. Some explanations I've found around say to" ]
[ "that discusses this particular question online. Can anyone verify if it's correct or", "Badk, in his slow, > easy-going way. (comma after \"Mr. Badk\") > >", "back here tomorrow if you like,” > said Amanda, with a glance at", "you could come back here tomorrow if you like,” > said Amanda, with", "Badk\") > > > I can't seem to find anything that discusses this", "Mrs. Badk\") > > > \"His folks ain’t ever coming back,” he said,", "(comma > after \"said Mrs. Badk\") > > > \"His folks ain’t ever", "coming back,” he said, with a shake of his head. > (comma after", "out,” said Mrs. Badk, when supper was over. (comma > after \"said Mrs.", "say, Mother,” said Mr. Badk, in his slow, > easy-going way. (comma after", "authoritative links would be fantastic to back me up one way or the", "to say, Mother,” said Mr. Badk, in his slow, > easy-going way. (comma", "find anything that discusses this particular question online. Can anyone verify if it's", "links would be fantastic to back me up one way or the other.", "> I can't seem to find anything that discusses this particular question online.", "“Let’s hear what he has to say, Mother,” said Mr. Badk, in his", "shake of his head. > (comma after \"he said\") > > > “Let’s", "to find anything that discusses this particular question online. Can anyone verify if", "> said Amanda, with a glance at Pyxie. (comma after \"Amanda\") > >", "“I shouldn’t wonder if you could come back here tomorrow if you like,”", "what he has to say, Mother,” said Mr. Badk, in his slow, >", "of his head. > (comma after \"he said\") > > > “Let’s hear", "here tomorrow if you like,” > said Amanda, with a glance at Pyxie.", "to put a comma after \"said\" in dialogue tags such as the following", "> > \"You’re tuckered out,” said Mrs. Badk, when supper was over. (comma", "come back here tomorrow if you like,” > said Amanda, with a glance", "book we're reprinting): > > “I shouldn’t wonder if you could come back", "slow, > easy-going way. (comma after \"Mr. Badk\") > > > I can't", "easy-going way. (comma after \"Mr. Badk\") > > > I can't seem to", "comma after \"said\" in dialogue tags such as the following (from an old", "an old book we're reprinting): > > “I shouldn’t wonder if you could", "Some authoritative links would be fantastic to back me up one way or", "in his slow, > easy-going way. (comma after \"Mr. Badk\") > > >", "I can't seem to find anything that discusses this particular question online. Can", "include these commas? Some authoritative links would be fantastic to back me up", "Badk, when supper was over. (comma > after \"said Mrs. Badk\") > >", "supper was over. (comma > after \"said Mrs. Badk\") > > > \"His", "> \"You’re tuckered out,” said Mrs. Badk, when supper was over. (comma >", "said, with a shake of his head. > (comma after \"he said\") >", "to include these commas? Some authoritative links would be fantastic to back me", "this particular question online. Can anyone verify if it's correct or incorrect to", "me that it's incorrect or outdated punctuation to put a comma after \"said\"", "> (comma after \"he said\") > > > “Let’s hear what he has", "online. Can anyone verify if it's correct or incorrect to include these commas?", "(comma after \"Amanda\") > > > \"You’re tuckered out,” said Mrs. Badk, when", "verify if it's correct or incorrect to include these commas? Some authoritative links", "> > > \"His folks ain’t ever coming back,” he said, with a", "ain’t ever coming back,” he said, with a shake of his head. >", "> > I can't seem to find anything that discusses this particular question", "such as the following (from an old book we're reprinting): > > “I", "said Mrs. Badk, when supper was over. (comma > after \"said Mrs. Badk\")", "he has to say, Mother,” said Mr. Badk, in his slow, > easy-going", "> > “Let’s hear what he has to say, Mother,” said Mr. Badk,", "said\") > > > “Let’s hear what he has to say, Mother,” said", "\"Amanda\") > > > \"You’re tuckered out,” said Mrs. Badk, when supper was", "Amanda, with a glance at Pyxie. (comma after \"Amanda\") > > > \"You’re", "if you could come back here tomorrow if you like,” > said Amanda,", "> \"His folks ain’t ever coming back,” he said, with a shake of", "a glance at Pyxie. (comma after \"Amanda\") > > > \"You’re tuckered out,”", "\"You’re tuckered out,” said Mrs. Badk, when supper was over. (comma > after", "ever coming back,” he said, with a shake of his head. > (comma", "tuckered out,” said Mrs. Badk, when supper was over. (comma > after \"said", "seem to find anything that discusses this particular question online. Can anyone verify", "Mr. Badk, in his slow, > easy-going way. (comma after \"Mr. Badk\") >", "if it's correct or incorrect to include these commas? Some authoritative links would", "a comma after \"said\" in dialogue tags such as the following (from an", "way. (comma after \"Mr. Badk\") > > > I can't seem to find", "following (from an old book we're reprinting): > > “I shouldn’t wonder if", "Someone told me that it's incorrect or outdated punctuation to put a comma", "said Mr. Badk, in his slow, > easy-going way. (comma after \"Mr. Badk\")", "> “Let’s hear what he has to say, Mother,” said Mr. Badk, in", "> > \"His folks ain’t ever coming back,” he said, with a shake", "Badk\") > > > \"His folks ain’t ever coming back,” he said, with", "after \"said\" in dialogue tags such as the following (from an old book", "has to say, Mother,” said Mr. Badk, in his slow, > easy-going way.", "when supper was over. (comma > after \"said Mrs. Badk\") > > >", "it's correct or incorrect to include these commas? Some authoritative links would be", "we're reprinting): > > “I shouldn’t wonder if you could come back here", "put a comma after \"said\" in dialogue tags such as the following (from", "after \"Amanda\") > > > \"You’re tuckered out,” said Mrs. Badk, when supper", "Mrs. Badk, when supper was over. (comma > after \"said Mrs. Badk\") >", "> > > I can't seem to find anything that discusses this particular", "> “I shouldn’t wonder if you could come back here tomorrow if you", "correct or incorrect to include these commas? Some authoritative links would be fantastic", "question online. Can anyone verify if it's correct or incorrect to include these", "(from an old book we're reprinting): > > “I shouldn’t wonder if you", "\"he said\") > > > “Let’s hear what he has to say, Mother,”", "at Pyxie. (comma after \"Amanda\") > > > \"You’re tuckered out,” said Mrs.", "wonder if you could come back here tomorrow if you like,” > said", "commas? Some authoritative links would be fantastic to back me up one way", "over. (comma > after \"said Mrs. Badk\") > > > \"His folks ain’t", "or outdated punctuation to put a comma after \"said\" in dialogue tags such", "that it's incorrect or outdated punctuation to put a comma after \"said\" in", "with a shake of his head. > (comma after \"he said\") > >", "told me that it's incorrect or outdated punctuation to put a comma after", "\"Mr. Badk\") > > > I can't seem to find anything that discusses", "hear what he has to say, Mother,” said Mr. Badk, in his slow,", "folks ain’t ever coming back,” he said, with a shake of his head.", "could come back here tomorrow if you like,” > said Amanda, with a", "reprinting): > > “I shouldn’t wonder if you could come back here tomorrow", "\"said Mrs. Badk\") > > > \"His folks ain’t ever coming back,” he", "Mother,” said Mr. Badk, in his slow, > easy-going way. (comma after \"Mr.", "Can anyone verify if it's correct or incorrect to include these commas? Some", "his head. > (comma after \"he said\") > > > “Let’s hear what", "discusses this particular question online. Can anyone verify if it's correct or incorrect", "his slow, > easy-going way. (comma after \"Mr. Badk\") > > > I", "these commas? Some authoritative links would be fantastic to back me up one", "(comma after \"he said\") > > > “Let’s hear what he has to", "incorrect or outdated punctuation to put a comma after \"said\" in dialogue tags", "anyone verify if it's correct or incorrect to include these commas? Some authoritative", "back,” he said, with a shake of his head. > (comma after \"he", "like,” > said Amanda, with a glance at Pyxie. (comma after \"Amanda\") >", "incorrect to include these commas? Some authoritative links would be fantastic to back", "head. > (comma after \"he said\") > > > “Let’s hear what he", "\"His folks ain’t ever coming back,” he said, with a shake of his", "punctuation to put a comma after \"said\" in dialogue tags such as the", "as the following (from an old book we're reprinting): > > “I shouldn’t", "Pyxie. (comma after \"Amanda\") > > > \"You’re tuckered out,” said Mrs. Badk,", "shouldn’t wonder if you could come back here tomorrow if you like,” >", "old book we're reprinting): > > “I shouldn’t wonder if you could come", "in dialogue tags such as the following (from an old book we're reprinting):", "with a glance at Pyxie. (comma after \"Amanda\") > > > \"You’re tuckered", "was over. (comma > after \"said Mrs. Badk\") > > > \"His folks", "tomorrow if you like,” > said Amanda, with a glance at Pyxie. (comma", "glance at Pyxie. (comma after \"Amanda\") > > > \"You’re tuckered out,” said", "> after \"said Mrs. Badk\") > > > \"His folks ain’t ever coming", "> easy-going way. (comma after \"Mr. Badk\") > > > I can't seem", "outdated punctuation to put a comma after \"said\" in dialogue tags such as", "the following (from an old book we're reprinting): > > “I shouldn’t wonder", "it's incorrect or outdated punctuation to put a comma after \"said\" in dialogue", "> > “I shouldn’t wonder if you could come back here tomorrow if", "> > > “Let’s hear what he has to say, Mother,” said Mr.", "can't seem to find anything that discusses this particular question online. Can anyone", "or incorrect to include these commas? Some authoritative links would be fantastic to", "a shake of his head. > (comma after \"he said\") > > >", "he said, with a shake of his head. > (comma after \"he said\")", "> > > \"You’re tuckered out,” said Mrs. Badk, when supper was over.", "after \"he said\") > > > “Let’s hear what he has to say,", "if you like,” > said Amanda, with a glance at Pyxie. (comma after", "particular question online. Can anyone verify if it's correct or incorrect to include", "dialogue tags such as the following (from an old book we're reprinting): >", "tags such as the following (from an old book we're reprinting): > >", "after \"said Mrs. Badk\") > > > \"His folks ain’t ever coming back,”", "after \"Mr. Badk\") > > > I can't seem to find anything that", "anything that discusses this particular question online. Can anyone verify if it's correct", "you like,” > said Amanda, with a glance at Pyxie. (comma after \"Amanda\")", "said Amanda, with a glance at Pyxie. (comma after \"Amanda\") > > >", "(comma after \"Mr. Badk\") > > > I can't seem to find anything", "\"said\" in dialogue tags such as the following (from an old book we're" ]
[ "written in the third person. When changing POV between different scenes (or chapters),", "My novel is written in the third person. When changing POV between different", "between different scenes (or chapters), is it OK if the parts for different", "in the third person. When changing POV between different scenes (or chapters), is", "scenes (or chapters), is it OK if the parts for different POV characters", "novel is written in the third person. When changing POV between different scenes", "person. When changing POV between different scenes (or chapters), is it OK if", "the parts for different POV characters use different tenses: some - the past", "use different tenses: some - the past tense, and others - the present", "POV characters use different tenses: some - the past tense, and others -", "for different POV characters use different tenses: some - the past tense, and", "characters use different tenses: some - the past tense, and others - the", "POV between different scenes (or chapters), is it OK if the parts for", "third person. When changing POV between different scenes (or chapters), is it OK", "changing POV between different scenes (or chapters), is it OK if the parts", "if the parts for different POV characters use different tenses: some - the", "different POV characters use different tenses: some - the past tense, and others", "chapters), is it OK if the parts for different POV characters use different", "(or chapters), is it OK if the parts for different POV characters use", "it OK if the parts for different POV characters use different tenses: some", "When changing POV between different scenes (or chapters), is it OK if the", "different tenses: some - the past tense, and others - the present tense?", "parts for different POV characters use different tenses: some - the past tense,", "is written in the third person. When changing POV between different scenes (or", "is it OK if the parts for different POV characters use different tenses:", "different scenes (or chapters), is it OK if the parts for different POV", "OK if the parts for different POV characters use different tenses: some -", "the third person. When changing POV between different scenes (or chapters), is it" ]
[ "How much of a problem is it, considering neither of the novels I", "they're just synonyms in my mind, so I reach out for whichever feels", "\"more common\" (a.k.a whichever I have encountered more often). How much of a", "on another planet.) Would narration that mixes British and American vocabulary sound \"wrong\"", "I am completely fluent in English though, and I write my fiction in", "is a sci-fi set mostly on another planet.) Would narration that mixes British", "the time, I'm not even consciously aware which side of the pond a", "live in neither the UK nor the US (nor any other English-speaking country),", "equal measure (through literature, film, etc.) I spell the British way (American \"looks", "country), so I am exposed to both in equal measure (through literature, film,", "those errors (if errors they are), other than finding a native speaker beta", "neither the UK nor the US (nor any other English-speaking country), so I", "so I reach out for whichever feels \"more common\" (a.k.a whichever I have", "of a problem is it, considering neither of the novels I am working", "idioms is mixed. For example, I would naturally use 'lift' (British), 'cookies' (American),", "out for whichever feels \"more common\" (a.k.a whichever I have encountered more often).", "than finding a native speaker beta reader? (I will do that anyway, but", "way for me to catch those errors (if errors they are), other than", "to me), but my intuitive use of vocabulary and idioms is mixed. For", "of the pond a word belongs to - they're just synonyms in my", "is mixed. For example, I would naturally use 'lift' (British), 'cookies' (American), 'football'", "in either the US or the UK? (One is a fantasy set in", "the US or the UK? (One is a fantasy set in something inspired", "intuitive use of vocabulary and idioms is mixed. For example, I would naturally", "exposed to both in equal measure (through literature, film, etc.) I spell the", "etc.) I spell the British way (American \"looks misspelt\" to me), but my", "catch those errors (if errors they are), other than finding a native speaker", "English-speaking country), so I am exposed to both in equal measure (through literature,", "'football' (British), 'throw pillow' (American), etc. Most of the time, I'm not even", "not my mother tongue. I am completely fluent in English though, and I", "misspelt\" to me), but my intuitive use of vocabulary and idioms is mixed.", "my mother tongue. I am completely fluent in English though, and I write", "time, I'm not even consciously aware which side of the pond a word", "encountered more often). How much of a problem is it, considering neither of", "the other is a sci-fi set mostly on another planet.) Would narration that", "but my intuitive use of vocabulary and idioms is mixed. For example, I", "fantasy set in something inspired by 5th century Persia, the other is a", "whichever I have encountered more often). How much of a problem is it,", "the problem: I live in neither the UK nor the US (nor any", "which side of the pond a word belongs to - they're just synonyms", "I would naturally use 'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow' (American),", "Persia, the other is a sci-fi set mostly on another planet.) Would narration", "in equal measure (through literature, film, etc.) I spell the British way (American", "my intuitive use of vocabulary and idioms is mixed. For example, I would", "a fantasy set in something inspired by 5th century Persia, the other is", "I am exposed to both in equal measure (through literature, film, etc.) I", "I reach out for whichever feels \"more common\" (a.k.a whichever I have encountered", "novels I am working on is set in either the US or the", "sci-fi set mostly on another planet.) Would narration that mixes British and American", "a native speaker beta reader? (I will do that anyway, but I would", "measure (through literature, film, etc.) I spell the British way (American \"looks misspelt\"", "English. Here's the problem: I live in neither the UK nor the US", "more often). How much of a problem is it, considering neither of the", "there any way for me to catch those errors (if errors they are),", "do that anyway, but I would prefer not to rely on beta readers", "write my fiction in English. Here's the problem: I live in neither the", "in my mind, so I reach out for whichever feels \"more common\" (a.k.a", "Would narration that mixes British and American vocabulary sound \"wrong\" to a native", "anyway, but I would prefer not to rely on beta readers for vocabulary", "tongue. I am completely fluent in English though, and I write my fiction", "neither of the novels I am working on is set in either the", "- they're just synonyms in my mind, so I reach out for whichever", "set in either the US or the UK? (One is a fantasy set", "belongs to - they're just synonyms in my mind, so I reach out", "side of the pond a word belongs to - they're just synonyms in", "it, considering neither of the novels I am working on is set in", "that anyway, but I would prefer not to rely on beta readers for", "of vocabulary and idioms is mixed. For example, I would naturally use 'lift'", "I live in neither the UK nor the US (nor any other English-speaking", "mostly on another planet.) Would narration that mixes British and American vocabulary sound", "to both in equal measure (through literature, film, etc.) I spell the British", "US (nor any other English-speaking country), so I am exposed to both in", "I have encountered more often). How much of a problem is it, considering", "completely fluent in English though, and I write my fiction in English. Here's", "and idioms is mixed. For example, I would naturally use 'lift' (British), 'cookies'", "considering neither of the novels I am working on is set in either", "film, etc.) I spell the British way (American \"looks misspelt\" to me), but", "reach out for whichever feels \"more common\" (a.k.a whichever I have encountered more", "the US (nor any other English-speaking country), so I am exposed to both", "I spell the British way (American \"looks misspelt\" to me), but my intuitive", "inspired by 5th century Persia, the other is a sci-fi set mostly on", "vocabulary and idioms is mixed. For example, I would naturally use 'lift' (British),", "Is there any way for me to catch those errors (if errors they", "my mind, so I reach out for whichever feels \"more common\" (a.k.a whichever", "errors they are), other than finding a native speaker beta reader? (I will", "or the UK? (One is a fantasy set in something inspired by 5th", "am completely fluent in English though, and I write my fiction in English.", "spell the British way (American \"looks misspelt\" to me), but my intuitive use", "will do that anyway, but I would prefer not to rely on beta", "other than finding a native speaker beta reader? (I will do that anyway,", "vocabulary sound \"wrong\" to a native speaker? Is there any way for me", "just synonyms in my mind, so I reach out for whichever feels \"more", "my fiction in English. Here's the problem: I live in neither the UK", "century Persia, the other is a sci-fi set mostly on another planet.) Would", "in neither the UK nor the US (nor any other English-speaking country), so", "is set in either the US or the UK? (One is a fantasy", "(a.k.a whichever I have encountered more often). How much of a problem is", "set in something inspired by 5th century Persia, the other is a sci-fi", "(British), 'throw pillow' (American), etc. Most of the time, I'm not even consciously", "finding a native speaker beta reader? (I will do that anyway, but I", "are), other than finding a native speaker beta reader? (I will do that", "that mixes British and American vocabulary sound \"wrong\" to a native speaker? Is", "pillow' (American), etc. Most of the time, I'm not even consciously aware which", "consciously aware which side of the pond a word belongs to - they're", "so I am exposed to both in equal measure (through literature, film, etc.)", "any other English-speaking country), so I am exposed to both in equal measure", "a problem is it, considering neither of the novels I am working on", "either the US or the UK? (One is a fantasy set in something", "even consciously aware which side of the pond a word belongs to -", "is it, considering neither of the novels I am working on is set", "have encountered more often). How much of a problem is it, considering neither", "(American \"looks misspelt\" to me), but my intuitive use of vocabulary and idioms", "fluent in English though, and I write my fiction in English. Here's the", "of the novels I am working on is set in either the US", "both in equal measure (through literature, film, etc.) I spell the British way", "often). How much of a problem is it, considering neither of the novels", "(One is a fantasy set in something inspired by 5th century Persia, the", "native speaker? Is there any way for me to catch those errors (if", "I'm not even consciously aware which side of the pond a word belongs", "way (American \"looks misspelt\" to me), but my intuitive use of vocabulary and", "I write my fiction in English. Here's the problem: I live in neither", "beta reader? (I will do that anyway, but I would prefer not to", "mixed. For example, I would naturally use 'lift' (British), 'cookies' (American), 'football' (British),", "for whichever feels \"more common\" (a.k.a whichever I have encountered more often). How", "\"looks misspelt\" to me), but my intuitive use of vocabulary and idioms is", "literature, film, etc.) I spell the British way (American \"looks misspelt\" to me),", "any way for me to catch those errors (if errors they are), other", "feels \"more common\" (a.k.a whichever I have encountered more often). How much of", "to - they're just synonyms in my mind, so I reach out for", "speaker? Is there any way for me to catch those errors (if errors", "in something inspired by 5th century Persia, the other is a sci-fi set", "mind, so I reach out for whichever feels \"more common\" (a.k.a whichever I", "is not my mother tongue. I am completely fluent in English though, and", "5th century Persia, the other is a sci-fi set mostly on another planet.)", "'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow' (American), etc. Most of the", "use 'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow' (American), etc. Most of", "(nor any other English-speaking country), so I am exposed to both in equal", "the British way (American \"looks misspelt\" to me), but my intuitive use of", "is a fantasy set in something inspired by 5th century Persia, the other", "set mostly on another planet.) Would narration that mixes British and American vocabulary", "they are), other than finding a native speaker beta reader? (I will do", "UK nor the US (nor any other English-speaking country), so I am exposed", "example, I would naturally use 'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow'", "narration that mixes British and American vocabulary sound \"wrong\" to a native speaker?", "use of vocabulary and idioms is mixed. For example, I would naturally use", "\"wrong\" to a native speaker? Is there any way for me to catch", "me to catch those errors (if errors they are), other than finding a", "to catch those errors (if errors they are), other than finding a native", "errors (if errors they are), other than finding a native speaker beta reader?", "to a native speaker? Is there any way for me to catch those", "I am working on is set in either the US or the UK?", "planet.) Would narration that mixes British and American vocabulary sound \"wrong\" to a", "the pond a word belongs to - they're just synonyms in my mind,", "a sci-fi set mostly on another planet.) Would narration that mixes British and", "me), but my intuitive use of vocabulary and idioms is mixed. For example,", "reader? (I will do that anyway, but I would prefer not to rely", "etc. Most of the time, I'm not even consciously aware which side of", "synonyms in my mind, so I reach out for whichever feels \"more common\"", "in English. Here's the problem: I live in neither the UK nor the", "on is set in either the US or the UK? (One is a", "by 5th century Persia, the other is a sci-fi set mostly on another", "American vocabulary sound \"wrong\" to a native speaker? Is there any way for", "am exposed to both in equal measure (through literature, film, etc.) I spell", "am working on is set in either the US or the UK? (One", "aware which side of the pond a word belongs to - they're just", "though, and I write my fiction in English. Here's the problem: I live", "would naturally use 'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow' (American), etc.", "(if errors they are), other than finding a native speaker beta reader? (I", "not even consciously aware which side of the pond a word belongs to", "English is not my mother tongue. I am completely fluent in English though,", "and American vocabulary sound \"wrong\" to a native speaker? Is there any way", "Here's the problem: I live in neither the UK nor the US (nor", "(American), etc. Most of the time, I'm not even consciously aware which side", "sound \"wrong\" to a native speaker? Is there any way for me to", "working on is set in either the US or the UK? (One is", "pond a word belongs to - they're just synonyms in my mind, so", "much of a problem is it, considering neither of the novels I am", "the UK? (One is a fantasy set in something inspired by 5th century", "(American), 'football' (British), 'throw pillow' (American), etc. Most of the time, I'm not", "the UK nor the US (nor any other English-speaking country), so I am", "'cookies' (American), 'football' (British), 'throw pillow' (American), etc. Most of the time, I'm", "'throw pillow' (American), etc. Most of the time, I'm not even consciously aware", "but I would prefer not to rely on beta readers for vocabulary edits.)", "mixes British and American vocabulary sound \"wrong\" to a native speaker? Is there", "problem: I live in neither the UK nor the US (nor any other", "for me to catch those errors (if errors they are), other than finding", "and I write my fiction in English. Here's the problem: I live in", "fiction in English. Here's the problem: I live in neither the UK nor", "UK? (One is a fantasy set in something inspired by 5th century Persia,", "something inspired by 5th century Persia, the other is a sci-fi set mostly", "British way (American \"looks misspelt\" to me), but my intuitive use of vocabulary", "British and American vocabulary sound \"wrong\" to a native speaker? Is there any", "speaker beta reader? (I will do that anyway, but I would prefer not", "problem is it, considering neither of the novels I am working on is", "common\" (a.k.a whichever I have encountered more often). How much of a problem", "word belongs to - they're just synonyms in my mind, so I reach", "US or the UK? (One is a fantasy set in something inspired by", "English though, and I write my fiction in English. Here's the problem: I", "native speaker beta reader? (I will do that anyway, but I would prefer", "other English-speaking country), so I am exposed to both in equal measure (through", "a native speaker? Is there any way for me to catch those errors", "a word belongs to - they're just synonyms in my mind, so I", "For example, I would naturally use 'lift' (British), 'cookies' (American), 'football' (British), 'throw", "naturally use 'lift' (British), 'cookies' (American), 'football' (British), 'throw pillow' (American), etc. Most", "nor the US (nor any other English-speaking country), so I am exposed to", "another planet.) Would narration that mixes British and American vocabulary sound \"wrong\" to", "(through literature, film, etc.) I spell the British way (American \"looks misspelt\" to", "(I will do that anyway, but I would prefer not to rely on", "mother tongue. I am completely fluent in English though, and I write my", "of the time, I'm not even consciously aware which side of the pond", "in English though, and I write my fiction in English. Here's the problem:", "whichever feels \"more common\" (a.k.a whichever I have encountered more often). How much", "other is a sci-fi set mostly on another planet.) Would narration that mixes", "Most of the time, I'm not even consciously aware which side of the", "the novels I am working on is set in either the US or", "(British), 'cookies' (American), 'football' (British), 'throw pillow' (American), etc. Most of the time," ]
[ "is just some sort of sentient... 'voice' that just narrates, but has opinions", "not totally 'revolutionary' as this type of narration has been used in Breakfast", "but wont come off as UN-needed and wont ruin the immersion of the", "Vonnegut, I want the 'Narrator talks to the characters and or reader' trope", "them. (The narrator is just some sort of sentient... 'voice' that just narrates,", "does still feel immersed in my world, with the added uncommon experience of", "or reader' trope to be prevalent across the whole novel, where the Narrator", "where the Narrator interacts/gives opinions on/judges what is happening in the scene etc,", "still feel immersed in my world, with the added uncommon experience of that", "experience of that type of narration. Question:* How can one write a narrator", "convoluted. I want to make it so that the reader does still feel", "but has opinions and judgements etc on things.) However, I cant seem to", "happening in the scene etc, and the characters themselves know that the Narrator", "a good way of implementing this type of narration, and I'm struggling to", "the characters and or reader' trope to be prevalent across the whole novel,", "that type of narration. Question: How can one write a narrator which interacts", "(The narrator is just some sort of sentient... 'voice' that just narrates, but", "narration. Question: How can one write a narrator which interacts with the characters,", "of a good way of implementing this type of narration, and I'm struggling", "know that this idea is not totally 'revolutionary' as this type of narration", "wont come off as UN-needed and wont ruin the immersion of the reader?", "on things.) However, I cant seem to think of a good way of", "the characters, but wont come off as UN-needed and wont ruin the immersion", "prevalent across the whole novel, where the Narrator interacts/gives opinions on/judges what is", "Narrating them. (The narrator is just some sort of sentient... 'voice' that just", "type of narration has been used in Breakfast of champions, for example. But,", "'voice' that just narrates, but has opinions and judgements etc on things.) However,", "scene etc, and the characters themselves know that the Narrator is Narrating them.", "But, Unlike Vonnegut, I want the 'Narrator talks to the characters and or", "has been used in Breakfast of champions, for example. But, Unlike Vonnegut, I", "to not make it 'cheesy' or convoluted. I want to make it so", "Question: How can one write a narrator which interacts with the characters, but", "can one write a narrator which interacts with the characters, but wont come", "opinions and judgements etc on things.) However, I cant seem to think of", "Narrator is Narrating them. (The narrator is just some sort of sentient... 'voice'", "narration has been used in Breakfast of champions, for example. But, Unlike Vonnegut,", "'Narrator talks to the characters and or reader' trope to be prevalent across", "in my world, with the added uncommon experience of that type of narration.", "uncommon experience of that type of narration. Question: How can one write a", "trope to be prevalent across the whole novel, where the Narrator interacts/gives opinions", "Narrator interacts/gives opinions on/judges what is happening in the scene etc, and the", "good way of implementing this type of narration, and I'm struggling to not", "think of a good way of implementing this type of narration, and I'm", "want to make it so that the reader does still feel immersed in", "of implementing this type of narration, and I'm struggling to not make it", "is not totally 'revolutionary' as this type of narration has been used in", "themselves know that the Narrator is Narrating them. (The narrator is just some", "my world, with the added uncommon experience of that type of narration. Question:", "want the 'Narrator talks to the characters and or reader' trope to be", "to be prevalent across the whole novel, where the Narrator interacts/gives opinions on/judges", "or convoluted. I want to make it so that the reader does still", "characters and or reader' trope to be prevalent across the whole novel, where", "reader does still feel immersed in my world, with the added uncommon experience", "However, I cant seem to think of a good way of implementing this", "cant seem to think of a good way of implementing this type of", "I cant seem to think of a good way of implementing this type", "that this idea is not totally 'revolutionary' as this type of narration has", "the whole novel, where the Narrator interacts/gives opinions on/judges what is happening in", "way of implementing this type of narration, and I'm struggling to not make", "of sentient... 'voice' that just narrates, but has opinions and judgements etc on", "what is happening in the scene etc, and the characters themselves know that", "talks to the characters and or reader' trope to be prevalent across the", "implementing this type of narration, and I'm struggling to not make it 'cheesy'", "characters, but wont come off as UN-needed and wont ruin the immersion of", "Breakfast of champions, for example. But, Unlike Vonnegut, I want the 'Narrator talks", "the Narrator is Narrating them. (The narrator is just some sort of sentient...", "with the characters, but wont come off as UN-needed and wont ruin the", "the Narrator interacts/gives opinions on/judges what is happening in the scene etc, and", "be prevalent across the whole novel, where the Narrator interacts/gives opinions on/judges what", "narrator which interacts with the characters, but wont come off as UN-needed and", "type of narration. Question: How can one write a narrator which interacts with", "is happening in the scene etc, and the characters themselves know that the", "struggling to not make it 'cheesy' or convoluted. I want to make it", "to think of a good way of implementing this type of narration, and", "narration, and I'm struggling to not make it 'cheesy' or convoluted. I want", "interacts with the characters, but wont come off as UN-needed and wont ruin", "I'm struggling to not make it 'cheesy' or convoluted. I want to make", "some sort of sentient... 'voice' that just narrates, but has opinions and judgements", "judgements etc on things.) However, I cant seem to think of a good", "for example. But, Unlike Vonnegut, I want the 'Narrator talks to the characters", "the added uncommon experience of that type of narration. Question: How can one", "seem to think of a good way of implementing this type of narration,", "that the Narrator is Narrating them. (The narrator is just some sort of", "feel immersed in my world, with the added uncommon experience of that type", "I want the 'Narrator talks to the characters and or reader' trope to", "it 'cheesy' or convoluted. I want to make it so that the reader", "totally 'revolutionary' as this type of narration has been used in Breakfast of", "make it 'cheesy' or convoluted. I want to make it so that the", "to make it so that the reader does still feel immersed in my", "and judgements etc on things.) However, I cant seem to think of a", "the reader does still feel immersed in my world, with the added uncommon", "I want to make it so that the reader does still feel immersed", "immersed in my world, with the added uncommon experience of that type of", "that just narrates, but has opinions and judgements etc on things.) However, I", "How can one write a narrator which interacts with the characters, but wont", "reader' trope to be prevalent across the whole novel, where the Narrator interacts/gives", "across the whole novel, where the Narrator interacts/gives opinions on/judges what is happening", "on/judges what is happening in the scene etc, and the characters themselves know", "narrator is just some sort of sentient... 'voice' that just narrates, but has", "Unlike Vonnegut, I want the 'Narrator talks to the characters and or reader'", "sentient... 'voice' that just narrates, but has opinions and judgements etc on things.)", "the 'Narrator talks to the characters and or reader' trope to be prevalent", "example. But, Unlike Vonnegut, I want the 'Narrator talks to the characters and", "one write a narrator which interacts with the characters, but wont come off", "sort of sentient... 'voice' that just narrates, but has opinions and judgements etc", "etc, and the characters themselves know that the Narrator is Narrating them. (The", "the scene etc, and the characters themselves know that the Narrator is Narrating", "world, with the added uncommon experience of that type of narration. Question:* How", "it so that the reader does still feel immersed in my world, with", "type of narration, and I'm struggling to not make it 'cheesy' or convoluted.", "of narration has been used in Breakfast of champions, for example. But, Unlike", "opinions on/judges what is happening in the scene etc, and the characters themselves", "know that the Narrator is Narrating them. (The narrator is just some sort", "write a narrator which interacts with the characters, but wont come off as", "and the characters themselves know that the Narrator is Narrating them. (The narrator", "of narration, and I'm struggling to not make it 'cheesy' or convoluted. I", "of narration. Question: How can one write a narrator which interacts with the", "in the scene etc, and the characters themselves know that the Narrator is", "just narrates, but has opinions and judgements etc on things.) However, I cant", "idea is not totally 'revolutionary' as this type of narration has been used", "used in Breakfast of champions, for example. But, Unlike Vonnegut, I want the", "not make it 'cheesy' or convoluted. I want to make it so that", "I know that this idea is not totally 'revolutionary' as this type of", "'revolutionary' as this type of narration has been used in Breakfast of champions,", "in Breakfast of champions, for example. But, Unlike Vonnegut, I want the 'Narrator", "novel, where the Narrator interacts/gives opinions on/judges what is happening in the scene", "and or reader' trope to be prevalent across the whole novel, where the", "been used in Breakfast of champions, for example. But, Unlike Vonnegut, I want", "champions, for example. But, Unlike Vonnegut, I want the 'Narrator talks to the", "just some sort of sentient... 'voice' that just narrates, but has opinions and", "whole novel, where the Narrator interacts/gives opinions on/judges what is happening in the", "interacts/gives opinions on/judges what is happening in the scene etc, and the characters", "is Narrating them. (The narrator is just some sort of sentient... 'voice' that", "make it so that the reader does still feel immersed in my world,", "so that the reader does still feel immersed in my world, with the", "things.) However, I cant seem to think of a good way of implementing", "characters themselves know that the Narrator is Narrating them. (The narrator is just", "has opinions and judgements etc on things.) However, I cant seem to think", "and I'm struggling to not make it 'cheesy' or convoluted. I want to", "of that type of narration. Question:* How can one write a narrator which", "the characters themselves know that the Narrator is Narrating them. (The narrator is", "this type of narration, and I'm struggling to not make it 'cheesy' or", "as this type of narration has been used in Breakfast of champions, for", "narrates, but has opinions and judgements etc on things.) However, I cant seem", "a narrator which interacts with the characters, but wont come off as UN-needed", "etc on things.) However, I cant seem to think of a good way", "this idea is not totally 'revolutionary' as this type of narration has been", "that the reader does still feel immersed in my world, with the added", "with the added uncommon experience of that type of narration. Question: How can", "to the characters and or reader' trope to be prevalent across the whole", "which interacts with the characters, but wont come off as UN-needed and wont", "this type of narration has been used in Breakfast of champions, for example.", "of champions, for example. But, Unlike Vonnegut, I want the 'Narrator talks to", "'cheesy' or convoluted. I want to make it so that the reader does", "added uncommon experience of that type of narration. Question:* How can one write" ]
[ "by one of the guards, chained by her limbs in her cell, kept", "abilities, a fascist dictatorship has taken advantage of the growing fears of the", "With all of that said, is my story and this premise too intense", "and developing strange abilities, a fascist dictatorship has taken advantage of the growing", "dictator arrives to oversee experimentations and threatens to have Analise terminated for mouthing", "brutally and cruelly experimented on by government scientists. When the son of the", "too dark? Is there a fine line between dystopia and downright too much", "and beaten to death by guards. The first chapter also details the intense", "and torture out of all of them. ~ TL;DR: MC and all of", "MC and all of her friends are horrifically abused and oppressed since day", "growing fears of the common people, seized international power, and imprisoned millions of", "and her friends escape and take him hostage. Analise's backstory is tragic, as", "government scientists. When the son of the dictator arrives to oversee experimentations and", "group as she is an atmokinetic. She is raped by one of the", "that said, is my story and this premise too intense and depressing? Are", "dystopia and downright too much tragedy and sadness, and have I crossed it?", "the most extreme physical experimentation and torture out of all of them. ~", "one of the guards, chained by her limbs in her cell, kept malnourished", "character, and her friends are mutants, and are housed in a remote facility", "abuse!!) In the near future where humans have polluted and radiated the Earth", "guards. The first chapter also details the intense trauma that one of the", "they are brutally and cruelly experimented on by government scientists. When the son", "scientists. When the son of the dictator arrives to oversee experimentations and threatens", "her companion's backstories. Her little brother was killed in a firebombing, and her", "humans have polluted and radiated the Earth so much that animals and plants", "Poet, because his friend, gifted with the power of foresight, broke out of", "broke out of her cell and allowed herself to be caught and beaten", "first chapter also details the intense trauma that one of the group members", "these many layers of misery inflicted upon innocents too much for a reader", "by state police when she was collected and shipped off to be imprisoned.", "physical experimentation and torture out of all of them. ~ TL;DR: MC and", "the intense trauma that one of the group members undergoes, being objectively the", "and her parents were murdered by state police when she was collected and", "the Appalachian mountains, where they are brutally and cruelly experimented on by government", "youngest of the group, nicknamed Poet, because his friend, gifted with the power", "with the power of foresight, broke out of her cell and allowed herself", "in a remote facility in the Appalachian mountains, where they are brutally and", "and dehydrated so she cannot attack guards, and subjected to the most extreme", "She is raped by one of the guards, chained by her limbs in", "of the guards, chained by her limbs in her cell, kept malnourished and", "the power of foresight, broke out of her cell and allowed herself to", "One. With all of that said, is my story and this premise too", "themselves are becoming genetically mutated and developing strange abilities, a fascist dictatorship has", "given up to the government by their families because of the fear and", "and threatens to have Analise terminated for mouthing off and basically causing a", "advantage of the growing fears of the common people, seized international power, and", "the most powerful of the group as she is an atmokinetic. She is", "all of them. ~ TL;DR: MC and all of her friends are horrifically", "kept malnourished and dehydrated so she cannot attack guards, and subjected to the", "common people, seized international power, and imprisoned millions of genetic mutants. Analise, the", "and basically causing a prison riot, she and her friends escape and take", "she was collected and shipped off to be imprisoned. Many of her friends", "by government scientists. When the son of the dictator arrives to oversee experimentations", "her limbs in her cell, kept malnourished and dehydrated so she cannot attack", "being objectively the most powerful of the group as she is an atmokinetic.", "attack guards, and subjected to the most extreme physical experimentation and torture out", "my story and this premise too intense and depressing? Are these many layers", "trauma that one of the group members undergoes, being objectively the most powerful", "Are these many layers of misery inflicted upon innocents too much for a", "and are housed in a remote facility in the Appalachian mountains, where they", "reader to handle? Is there such a thing as a story being too", "of foresight, broke out of her cell and allowed herself to be caught", "the guards, chained by her limbs in her cell, kept malnourished and dehydrated", "future where humans have polluted and radiated the Earth so much that animals", "she and her friends escape and take him hostage. Analise's backstory is tragic,", "of the fear and stigma towards mutants. Chapter One begins with Analise comforting", "the fear and stigma towards mutants. Chapter One begins with Analise comforting the", "up to the government by their families because of the fear and stigma", "where they are brutally and cruelly experimented on by government scientists. When the", "are horrifically abused and oppressed since day one, Chapter One. With all of", "that one of the group members undergoes, being objectively the most powerful of", "his friend, gifted with the power of foresight, broke out of her cell", "one, Chapter One. With all of that said, is my story and this", "basically causing a prison riot, she and her friends escape and take him", "abused and oppressed since day one, Chapter One. With all of that said,", "guards, and subjected to the most extreme physical experimentation and torture out of", "by her limbs in her cell, kept malnourished and dehydrated so she cannot", "and subjected to the most extreme physical experimentation and torture out of all", "guards, chained by her limbs in her cell, kept malnourished and dehydrated so", "of them. ~ TL;DR: MC and all of her friends are horrifically abused", "chapter also details the intense trauma that one of the group members undergoes,", "Is there such a thing as a story being too dark? Is there", "of the dictator arrives to oversee experimentations and threatens to have Analise terminated", "mutants. Chapter One begins with Analise comforting the youngest of the group, nicknamed", "gifted with the power of foresight, broke out of her cell and allowed", "hostage. Analise's backstory is tragic, as are most of her companion's backstories. Her", "genetically mutated and developing strange abilities, a fascist dictatorship has taken advantage of", "and humans themselves are becoming genetically mutated and developing strange abilities, a fascist", "in a firebombing, and her parents were murdered by state police when she", "of the group as she is an atmokinetic. She is raped by one", "story and this premise too intense and depressing? Are these many layers of", "powerful of the group as she is an atmokinetic. She is raped by", "the group members undergoes, being objectively the most powerful of the group as", "dehydrated so she cannot attack guards, and subjected to the most extreme physical", "group members undergoes, being objectively the most powerful of the group as she", "polluted and radiated the Earth so much that animals and plants have been", "sexual abuse!!) In the near future where humans have polluted and radiated the", "to have Analise terminated for mouthing off and basically causing a prison riot,", "undergoes, being objectively the most powerful of the group as she is an", "were murdered by state police when she was collected and shipped off to", "remote facility in the Appalachian mountains, where they are brutally and cruelly experimented", "allowed herself to be caught and beaten to death by guards. The first", "friends are mutants, and are housed in a remote facility in the Appalachian", "was killed in a firebombing, and her parents were murdered by state police", "for mouthing off and basically causing a prison riot, she and her friends", "have polluted and radiated the Earth so much that animals and plants have", "off to be imprisoned. Many of her friends were willfully given up to", "causing a prison riot, she and her friends escape and take him hostage.", "was collected and shipped off to be imprisoned. Many of her friends were", "and her friends are mutants, and are housed in a remote facility in", "group, nicknamed Poet, because his friend, gifted with the power of foresight, broke", "to the government by their families because of the fear and stigma towards", "housed in a remote facility in the Appalachian mountains, where they are brutally", "a fine line between dystopia and downright too much tragedy and sadness, and", "her friends are horrifically abused and oppressed since day one, Chapter One. With", "cell and allowed herself to be caught and beaten to death by guards.", "line between dystopia and downright too much tragedy and sadness, and have I", "and depressing? Are these many layers of misery inflicted upon innocents too much", "terminated for mouthing off and basically causing a prison riot, she and her", "oversee experimentations and threatens to have Analise terminated for mouthing off and basically", "One begins with Analise comforting the youngest of the group, nicknamed Poet, because", "innocents too much for a reader to handle? Is there such a thing", "little brother was killed in a firebombing, and her parents were murdered by", "horrifically abused and oppressed since day one, Chapter One. With all of that", "extinct at alarming rates and humans themselves are becoming genetically mutated and developing", "upon innocents too much for a reader to handle? Is there such a", "developing strange abilities, a fascist dictatorship has taken advantage of the growing fears", "international power, and imprisoned millions of genetic mutants. Analise, the main character, and", "the youngest of the group, nicknamed Poet, because his friend, gifted with the", "seized international power, and imprisoned millions of genetic mutants. Analise, the main character,", "her parents were murdered by state police when she was collected and shipped", "be imprisoned. Many of her friends were willfully given up to the government", "a story being too dark? Is there a fine line between dystopia and", "son of the dictator arrives to oversee experimentations and threatens to have Analise", "and imprisoned millions of genetic mutants. Analise, the main character, and her friends", "collected and shipped off to be imprisoned. Many of her friends were willfully", "going extinct at alarming rates and humans themselves are becoming genetically mutated and", "companion's backstories. Her little brother was killed in a firebombing, and her parents", "fascist dictatorship has taken advantage of the growing fears of the common people,", "of the common people, seized international power, and imprisoned millions of genetic mutants.", "and plants have been going extinct at alarming rates and humans themselves are", "Analise, the main character, and her friends are mutants, and are housed in", "the growing fears of the common people, seized international power, and imprisoned millions", "(Warning, mention of sexual abuse!!) In the near future where humans have polluted", "The first chapter also details the intense trauma that one of the group", "as a story being too dark? Is there a fine line between dystopia", "death by guards. The first chapter also details the intense trauma that one", "by their families because of the fear and stigma towards mutants. Chapter One", "take him hostage. Analise's backstory is tragic, as are most of her companion's", "humans themselves are becoming genetically mutated and developing strange abilities, a fascist dictatorship", "and shipped off to be imprisoned. Many of her friends were willfully given", "chained by her limbs in her cell, kept malnourished and dehydrated so she", "said, is my story and this premise too intense and depressing? Are these", "parents were murdered by state police when she was collected and shipped off", "mutated and developing strange abilities, a fascist dictatorship has taken advantage of the", "so much that animals and plants have been going extinct at alarming rates", "experimentations and threatens to have Analise terminated for mouthing off and basically causing", "to the most extreme physical experimentation and torture out of all of them.", "day one, Chapter One. With all of that said, is my story and", "as are most of her companion's backstories. Her little brother was killed in", "firebombing, and her parents were murdered by state police when she was collected", "of sexual abuse!!) In the near future where humans have polluted and radiated", "the common people, seized international power, and imprisoned millions of genetic mutants. Analise,", "intense and depressing? Are these many layers of misery inflicted upon innocents too", "is raped by one of the guards, chained by her limbs in her", "all of that said, is my story and this premise too intense and", "of her companion's backstories. Her little brother was killed in a firebombing, and", "facility in the Appalachian mountains, where they are brutally and cruelly experimented on", "because his friend, gifted with the power of foresight, broke out of her", "Analise's backstory is tragic, as are most of her companion's backstories. Her little", "misery inflicted upon innocents too much for a reader to handle? Is there", "of that said, is my story and this premise too intense and depressing?", "of genetic mutants. Analise, the main character, and her friends are mutants, and", "and cruelly experimented on by government scientists. When the son of the dictator", "most of her companion's backstories. Her little brother was killed in a firebombing,", "threatens to have Analise terminated for mouthing off and basically causing a prison", "nicknamed Poet, because his friend, gifted with the power of foresight, broke out", "state police when she was collected and shipped off to be imprisoned. Many", "story being too dark? Is there a fine line between dystopia and downright", "extreme physical experimentation and torture out of all of them. ~ TL;DR: MC", "too intense and depressing? Are these many layers of misery inflicted upon innocents", "and this premise too intense and depressing? Are these many layers of misery", "the main character, and her friends are mutants, and are housed in a", "their families because of the fear and stigma towards mutants. Chapter One begins", "imprisoned millions of genetic mutants. Analise, the main character, and her friends are", "brother was killed in a firebombing, and her parents were murdered by state", "a thing as a story being too dark? Is there a fine line", "herself to be caught and beaten to death by guards. The first chapter", "escape and take him hostage. Analise's backstory is tragic, as are most of", "malnourished and dehydrated so she cannot attack guards, and subjected to the most", "to oversee experimentations and threatens to have Analise terminated for mouthing off and", "TL;DR: MC and all of her friends are horrifically abused and oppressed since", "most extreme physical experimentation and torture out of all of them. ~ TL;DR:", "when she was collected and shipped off to be imprisoned. Many of her", "Her little brother was killed in a firebombing, and her parents were murdered", "Many of her friends were willfully given up to the government by their", "were willfully given up to the government by their families because of the", "oppressed since day one, Chapter One. With all of that said, is my", "thing as a story being too dark? Is there a fine line between", "prison riot, she and her friends escape and take him hostage. Analise's backstory", "dictatorship has taken advantage of the growing fears of the common people, seized", "and take him hostage. Analise's backstory is tragic, as are most of her", "mouthing off and basically causing a prison riot, she and her friends escape", "have Analise terminated for mouthing off and basically causing a prison riot, she", "a reader to handle? Is there such a thing as a story being", "~ TL;DR: MC and all of her friends are horrifically abused and oppressed", "her friends escape and take him hostage. Analise's backstory is tragic, as are", "be caught and beaten to death by guards. The first chapter also details", "fears of the common people, seized international power, and imprisoned millions of genetic", "Chapter One. With all of that said, is my story and this premise", "plants have been going extinct at alarming rates and humans themselves are becoming", "government by their families because of the fear and stigma towards mutants. Chapter", "is an atmokinetic. She is raped by one of the guards, chained by", "because of the fear and stigma towards mutants. Chapter One begins with Analise", "been going extinct at alarming rates and humans themselves are becoming genetically mutated", "towards mutants. Chapter One begins with Analise comforting the youngest of the group,", "torture out of all of them. ~ TL;DR: MC and all of her", "members undergoes, being objectively the most powerful of the group as she is", "have been going extinct at alarming rates and humans themselves are becoming genetically", "being too dark? Is there a fine line between dystopia and downright too", "the near future where humans have polluted and radiated the Earth so much", "with Analise comforting the youngest of the group, nicknamed Poet, because his friend,", "out of her cell and allowed herself to be caught and beaten to", "strange abilities, a fascist dictatorship has taken advantage of the growing fears of", "her friends were willfully given up to the government by their families because", "that animals and plants have been going extinct at alarming rates and humans", "has taken advantage of the growing fears of the common people, seized international", "her cell, kept malnourished and dehydrated so she cannot attack guards, and subjected", "inflicted upon innocents too much for a reader to handle? Is there such", "main character, and her friends are mutants, and are housed in a remote", "as she is an atmokinetic. She is raped by one of the guards,", "much for a reader to handle? Is there such a thing as a", "backstory is tragic, as are most of her companion's backstories. Her little brother", "of all of them. ~ TL;DR: MC and all of her friends are", "limbs in her cell, kept malnourished and dehydrated so she cannot attack guards,", "at alarming rates and humans themselves are becoming genetically mutated and developing strange", "is tragic, as are most of her companion's backstories. Her little brother was", "power of foresight, broke out of her cell and allowed herself to be", "her friends are mutants, and are housed in a remote facility in the", "for a reader to handle? Is there such a thing as a story", "of the growing fears of the common people, seized international power, and imprisoned", "premise too intense and depressing? Are these many layers of misery inflicted upon", "cell, kept malnourished and dehydrated so she cannot attack guards, and subjected to", "the group as she is an atmokinetic. She is raped by one of", "fine line between dystopia and downright too much tragedy and sadness, and have", "the government by their families because of the fear and stigma towards mutants.", "riot, she and her friends escape and take him hostage. Analise's backstory is", "friend, gifted with the power of foresight, broke out of her cell and", "details the intense trauma that one of the group members undergoes, being objectively", "and radiated the Earth so much that animals and plants have been going", "are mutants, and are housed in a remote facility in the Appalachian mountains,", "them. ~ TL;DR: MC and all of her friends are horrifically abused and", "the group, nicknamed Poet, because his friend, gifted with the power of foresight,", "Is there a fine line between dystopia and downright too much tragedy and", "mutants, and are housed in a remote facility in the Appalachian mountains, where", "willfully given up to the government by their families because of the fear", "she is an atmokinetic. She is raped by one of the guards, chained", "subjected to the most extreme physical experimentation and torture out of all of", "imprisoned. 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Analise's backstory is tragic, as are most of her companion's backstories.", "layers of misery inflicted upon innocents too much for a reader to handle?", "an atmokinetic. She is raped by one of the guards, chained by her", "of misery inflicted upon innocents too much for a reader to handle? Is", "in her cell, kept malnourished and dehydrated so she cannot attack guards, and", "a remote facility in the Appalachian mountains, where they are brutally and cruelly", "shipped off to be imprisoned. Many of her friends were willfully given up", "depressing? Are these many layers of misery inflicted upon innocents too much for", "is my story and this premise too intense and depressing? Are these many", "tragic, as are most of her companion's backstories. Her little brother was killed", "beaten to death by guards. The first chapter also details the intense trauma", "experimented on by government scientists. When the son of the dictator arrives to", "caught and beaten to death by guards. The first chapter also details the", "too much for a reader to handle? Is there such a thing as", "such a thing as a story being too dark? Is there a fine", "also details the intense trauma that one of the group members undergoes, being", "there a fine line between dystopia and downright too much tragedy and sadness,", "and all of her friends are horrifically abused and oppressed since day one,", "alarming rates and humans themselves are becoming genetically mutated and developing strange abilities,", "mention of sexual abuse!!) In the near future where humans have polluted and", "to be caught and beaten to death by guards. The first chapter also", "experimentation and torture out of all of them. ~ TL;DR: MC and all", "taken advantage of the growing fears of the common people, seized international power,", "of the group, nicknamed Poet, because his friend, gifted with the power of", "this premise too intense and depressing? Are these many layers of misery inflicted", "so she cannot attack guards, and subjected to the most extreme physical experimentation", "animals and plants have been going extinct at alarming rates and humans themselves", "of her cell and allowed herself to be caught and beaten to death", "all of her friends are horrifically abused and oppressed since day one, Chapter", "families because of the fear and stigma towards mutants. Chapter One begins with", "begins with Analise comforting the youngest of the group, nicknamed Poet, because his", "raped by one of the guards, chained by her limbs in her cell,", "by guards. The first chapter also details the intense trauma that one of", "of her friends are horrifically abused and oppressed since day one, Chapter One.", "much that animals and plants have been going extinct at alarming rates and", "of her friends were willfully given up to the government by their families", "and allowed herself to be caught and beaten to death by guards. The", "to death by guards. The first chapter also details the intense trauma that", "Analise terminated for mouthing off and basically causing a prison riot, she and", "power, and imprisoned millions of genetic mutants. Analise, the main character, and her", "mountains, where they are brutally and cruelly experimented on by government scientists. When", "atmokinetic. She is raped by one of the guards, chained by her limbs", "are becoming genetically mutated and developing strange abilities, a fascist dictatorship has taken", "cruelly experimented on by government scientists. When the son of the dictator arrives", "backstories. Her little brother was killed in a firebombing, and her parents were", "a firebombing, and her parents were murdered by state police when she was", "mutants. Analise, the main character, and her friends are mutants, and are housed", "on by government scientists. When the son of the dictator arrives to oversee", "most powerful of the group as she is an atmokinetic. She is raped", "and stigma towards mutants. Chapter One begins with Analise comforting the youngest of", "friends are horrifically abused and oppressed since day one, Chapter One. With all", "stigma towards mutants. Chapter One begins with Analise comforting the youngest of the", "foresight, broke out of her cell and allowed herself to be caught and", "near future where humans have polluted and radiated the Earth so much that", "out of all of them. ~ TL;DR: MC and all of her friends", "to handle? Is there such a thing as a story being too dark?", "friends escape and take him hostage. Analise's backstory is tragic, as are most", "a fascist dictatorship has taken advantage of the growing fears of the common", "dark? 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[ "now I want to set up the framework to build it upon, like", "over the development of the story. *What systems exists to keep track of", "I'm planning a complex story which I will struggle keeping track of without", "upon, like a mason building a house, I want to build a world.", "only itself, e.g. a character can have fears, strengths, weaknesses, but a plot", "into common, independent collections of elements, like plots, characters, environments. These collections", "extremely meticulous and I'm planning a complex story which I will struggle keeping", "story which I will struggle keeping track of without efficient planning and tracking", "and other elements, direct and indirect effects of other elements on it, how", "and its changes affect other elements, how these relationships change over time, how", "also a compartment for further layers that are internally affected by external changes", "to build a world. Edit: Trying to clarify, sorry I'm bad at wording", "Trying to clarify, sorry I'm bad at wording my thoughts and I'm struggling", "out MC was Tera's murderer all along or something like that. System I'm", "all along or something like that. System I'm thinking of would keep help", "not all elements will be interconnected directly or indirectly, therefore any single event", "that. System I'm thinking of would keep help keep track of each compartment,", "elements, resulting in development/changes of said element's attributes. * In a single world,", "the same time it changes the environment causing Dark Lord's army to lose", "something like that. System I'm thinking of would keep help keep track of", "E.g. an earthquake could cause a landslide that destroys MC's village, which forces", "and I'm struggling to wrap my head around what I'm trying to plan/ask/do.", "which forces them to adventure, which is attributed to goddess Tera, at the", "affect other elements, how these relationships change over time, how element can be", "rippling effects on every aspect of the story. + E.g. an earthquake could", "* Each element is the default characteristics + culmination of interactions with other", "compartment, relationship to other elements, history between it and other elements, direct and", "has its own common attributes and characteristics that directly affect only itself, e.g.", "it, how it affects and its changes affect other elements, how these relationships", "a layer in a story. Each layer is also a compartment for further", "I'm extremely meticulous and I'm planning a complex story which I will struggle", "What systems exists to keep track of story development on such minute level?", "be expected to respond to change/interaction etc. The more I think about it", "event would have rippling effects on every aspect of the story. + E.g.", "up the framework to build it upon, like a mason building a house,", "of my story concept, now I want to set up the framework to", "to change/interaction etc. The more I think about it the more it seems", "my head around what I'm trying to plan/ask/do. * A story can be", "iteration of my story concept, now I want to set up the framework", "least any that would be closest fit to what I'm describing? I'm looking", "another elements's attributes. * Each element is the default characteristics + culmination of", "plots, characters, environments. * These collections is what I refer to as layers.", "around what I'm trying to plan/ask/do. * A story can be broken into", "Rebellion reveres, MC proceeds to kill Tera and sides with Rebellion because DL", "not and vice-versa, but it would not directly affect another elements's attributes. ", "how these relationships change over time, how element can be expected to respond", "DL is BBEG, Rebellion swears to avenge Tera, creating a conflict when MC", "for further layers that are internally affected by external changes in their own,", "change/interaction etc. The more I think about it the more it seems that", "lose their advantage and rebellion to prevail in their clutch battle. MC curses", "reveres, MC proceeds to kill Tera and sides with Rebellion because DL is", "a single world, most if not all elements will be interconnected directly or", "would not directly affect another elements's attributes. Each element is the default", "where even if the first draft was lost it could easily be recreated", "unique way, and each will be affected differently by the same stimuli over", "at the same time it changes the environment causing Dark Lord's army to", "any that would be closest fit to what I'm describing? I'm looking for", "System I'm thinking of would keep help keep track of each compartment, relationship", "compartment for further layers that are internally affected by external changes in their", "program for this task. *tl;dr I'm extremely meticulous and I'm planning a complex", "said element's attributes. In a single world, most if not all elements", "to avenge Tera, creating a conflict when MC and Rebellion cross paths to", "it changes the environment causing Dark Lord's army to lose their advantage and", "have arrived at a final iteration of my story concept, now I want", "and behavior, but apply them differently. * Within the layer, each element has", "its changes affect other elements, how these relationships change over time, how element", "house, I want to build a world. Edit: Trying to clarify, sorry I'm", "changes the environment causing Dark Lord's army to lose their advantage and rebellion", "* In a single world, most if not all elements will be interconnected", "tl;dr I'm extremely meticulous and I'm planning a complex story which I will", "a house, I want to build a world. Edit: Trying to clarify, sorry", "causing Dark Lord's army to lose their advantage and rebellion to prevail in", "an earthquake could cause a landslide that destroys MC's village, which forces them", "track of each compartment, relationship to other elements, history between it and other", "was lost it could easily be recreated from the planned structure. I have", "it off on this level I would need to write a program for", "characteristics + culmination of interactions with other elements, resulting in development/changes of said", "is also a compartment for further layers that are internally affected by external", "would need to write a program for this task. tl;dr I'm extremely meticulous", "These collections is what I refer to as layers. They share similar attributes", "building a house, I want to build a world. Edit: Trying to clarify,", "indirectly, therefore any single event would have rippling effects on every aspect of", "the default characteristics + culmination of interactions with other elements, resulting in development/changes", "Plot, environment, characters, each one is a layer in a story. Each layer", "by the same stimuli over the development of the story. *What systems exists", "describing? I'm looking for one where even if the first draft was lost", "from the planned structure. I have arrived at a final iteration of my", "army to lose their advantage and rebellion to prevail in their clutch battle.", "how element can be expected to respond to change/interaction etc. The more I", "environments. These collections is what I refer to as layers. They share", "trying to plan/ask/do. * A story can be broken into common, independent collections", "characteristics that directly affect only itself, e.g. a character can have fears, strengths,", "story. *What systems exists to keep track of story development on such minute", "I'm struggling to wrap my head around what I'm trying to plan/ask/do. ", "to wrap my head around what I'm trying to plan/ask/do. * A story", "would keep help keep track of each compartment, relationship to other elements, history", "cross paths to defeat DL after finding out MC was Tera's murderer all", "relationships change over time, how element can be expected to respond to change/interaction", "that are internally affected by external changes in their own, unique way, and", "what I'm describing? I'm looking for one where even if the first draft", "on every aspect of the story. + E.g. an earthquake could cause a", "is attributed to goddess Tera, at the same time it changes the environment", "* Within the layer, each element has its own common attributes and characteristics", "closest fit to what I'm describing? I'm looking for one where even if", "is the default characteristics + culmination of interactions with other elements, resulting in", "to kill Tera and sides with Rebellion because DL is BBEG, Rebellion swears", "direct and indirect effects of other elements on it, how it affects and", "a compartment for further layers that are internally affected by external changes in", "affect only itself, e.g. a character can have fears, strengths, weaknesses, but a", "that directly affect only itself, e.g. a character can have fears, strengths, weaknesses,", "of story development on such minute level?** Or at least any that would", "internally affected by external changes in their own, unique way, and each will", "Lord's army to lose their advantage and rebellion to prevail in their clutch", "and each will be affected differently by the same stimuli over the development", "first draft was lost it could easily be recreated from the planned structure.", "of said element's attributes. * In a single world, most if not all", "change over time, how element can be expected to respond to change/interaction etc.", "it affects and its changes affect other elements, how these relationships change over", "of other elements on it, how it affects and its changes affect other", "more it seems that to pull it off on this level I would", "plot would not and vice-versa, but it would not directly affect another elements's", "this level I would need to write a program for this task. *tl;dr", "like that. System I'm thinking of would keep help keep track of each", "elements, direct and indirect effects of other elements on it, how it affects", "is BBEG, Rebellion swears to avenge Tera, creating a conflict when MC and", "attributes. In a single world, most if not all elements will be", "elements, how these relationships change over time, how element can be expected to", "for this task. *tl;dr I'm extremely meticulous and I'm planning a complex story", "+ E.g. an earthquake could cause a landslide that destroys MC's village, which", "what I refer to as layers. They share similar attributes and behavior, but", "recreated from the planned structure. I have arrived at a final iteration of", "+ culmination of interactions with other elements, resulting in development/changes of said element's", "sorry I'm bad at wording my thoughts and I'm struggling to wrap my", "development/changes of said element's attributes. In a single world, most if not", "Tera while the Rebellion reveres, MC proceeds to kill Tera and sides with", "affects and its changes affect other elements, how these relationships change over time,", "story concept, now I want to set up the framework to build it", "is a layer in a story. Each layer is also a compartment for", "when MC and Rebellion cross paths to defeat DL after finding out MC", "after finding out MC was Tera's murderer all along or something like that.", "seems that to pull it off on this level I would need to", "changes affect other elements, how these relationships change over time, how element can", "of elements, like plots, characters, environments. * These collections is what I refer", "I want to build a world. Edit: Trying to clarify, sorry I'm bad", "character can have fears, strengths, weaknesses, but a plot would not and vice-versa,", "expected to respond to change/interaction etc. The more I think about it the", "with other elements, resulting in development/changes of said element's attributes. * In a", "meticulous and I'm planning a complex story which I will struggle keeping track", "at least any that would be closest fit to what I'm describing? I'm", "and characteristics that directly affect only itself, e.g. a character can have fears,", "how it affects and its changes affect other elements, how these relationships change", "attributes. * Each element is the default characteristics + culmination of interactions with", "clarify, sorry I'm bad at wording my thoughts and I'm struggling to wrap", "apply them differently. * Within the layer, each element has its own common", "differently by the same stimuli over the development of the story. What systems", "way, and each will be affected differently by the same stimuli over the", "I want to set up the framework to build it upon, like a", "would not and vice-versa, but it would not directly affect another elements's attributes.", "I have arrived at a final iteration of my story concept, now I", "conflict when MC and Rebellion cross paths to defeat DL after finding out", "each one is a layer in a story. Each layer is also a", "level I would need to write a program for this task. tl;dr I'm", "common attributes and characteristics that directly affect only itself, e.g. a character can", "Rebellion because DL is BBEG, Rebellion swears to avenge Tera, creating a conflict", "my thoughts and I'm struggling to wrap my head around what I'm trying", "off on this level I would need to write a program for this", "or indirectly, therefore any single event would have rippling effects on every aspect", "share similar attributes and behavior, but apply them differently. * Within the layer,", "be interconnected directly or indirectly, therefore any single event would have rippling effects", "these relationships change over time, how element can be expected to respond to", "that would be closest fit to what I'm describing? I'm looking for one", "layer, each element has its own common attributes and characteristics that directly affect", "further layers that are internally affected by external changes in their own, unique", "are internally affected by external changes in their own, unique way, and each", "the planned structure. I have arrived at a final iteration of my story", "if not all elements will be interconnected directly or indirectly, therefore any single", "could cause a landslide that destroys MC's village, which forces them to adventure,", "on such minute level?** Or at least any that would be closest fit", "e.g. a character can have fears, strengths, weaknesses, but a plot would not", "interconnected directly or indirectly, therefore any single event would have rippling effects on", "I'm looking for one where even if the first draft was lost it", "defeat DL after finding out MC was Tera's murderer all along or something", "can have fears, strengths, weaknesses, but a plot would not and vice-versa, but", "that destroys MC's village, which forces them to adventure, which is attributed to", "time, how element can be expected to respond to change/interaction etc. The more", "it seems that to pull it off on this level I would need", "layer in a story. Each layer is also a compartment for further layers", "it could easily be recreated from the planned structure. I have arrived at", "affected by external changes in their own, unique way, and each will be", "forces them to adventure, which is attributed to goddess Tera, at the same", "fit to what I'm describing? I'm looking for one where even if the", "for one where even if the first draft was lost it could easily", "Tera, creating a conflict when MC and Rebellion cross paths to defeat DL", "any single event would have rippling effects on every aspect of the story.", "to as layers. They share similar attributes and behavior, but apply them differently.", "Tera, at the same time it changes the environment causing Dark Lord's army", "finding out MC was Tera's murderer all along or something like that. System", "characters, each one is a layer in a story. Each layer is also", "etc. The more I think about it the more it seems that to", "it would not directly affect another elements's attributes. * Each element is the", "be broken into common, independent collections of elements, like plots, characters, environments. ", "I would need to write a program for this task. tl;dr I'm extremely", "a character can have fears, strengths, weaknesses, but a plot would not and", "elements, history between it and other elements, direct and indirect effects of other", "the Rebellion reveres, MC proceeds to kill Tera and sides with Rebellion because", "element has its own common attributes and characteristics that directly affect only itself,", "with Rebellion because DL is BBEG, Rebellion swears to avenge Tera, creating a", "to clarify, sorry I'm bad at wording my thoughts and I'm struggling to", "a final iteration of my story concept, now I want to set up", "Edit: Trying to clarify, sorry I'm bad at wording my thoughts and I'm", "layers. They share similar attributes and behavior, but apply them differently. Within", "or something like that. System I'm thinking of would keep help keep track", "of the story. What systems exists to keep track of story development on", "to keep track of story development on such minute level? Or at least", "not directly affect another elements's attributes. * Each element is the default characteristics", "of each compartment, relationship to other elements, history between it and other elements,", "will be affected differently by the same stimuli over the development of the", "paths to defeat DL after finding out MC was Tera's murderer all along", "it upon, like a mason building a house, I want to build a", "I'm trying to plan/ask/do. * A story can be broken into common, independent", "other elements, direct and indirect effects of other elements on it, how it", "framework to build it upon, like a mason building a house, I want", "directly or indirectly, therefore any single event would have rippling effects on every", "collections is what I refer to as layers. They share similar attributes and", "changes in their own, unique way, and each will be affected differently by", "time it changes the environment causing Dark Lord's army to lose their advantage", "while the Rebellion reveres, MC proceeds to kill Tera and sides with Rebellion", "Dark Lord's army to lose their advantage and rebellion to prevail in their", "and rebellion to prevail in their clutch battle. MC curses Tera while the", "help keep track of each compartment, relationship to other elements, history between it", "independent collections of elements, like plots, characters, environments. * These collections is what", "track of story development on such minute level?** Or at least any that", "easily be recreated from the planned structure. I have arrived at a final", "build it upon, like a mason building a house, I want to build", "a mason building a house, I want to build a world. Edit: Trying", "of the story. + E.g. an earthquake could cause a landslide that destroys", "head around what I'm trying to plan/ask/do. * A story can be broken", "single event would have rippling effects on every aspect of the story. +", "culmination of interactions with other elements, resulting in development/changes of said element's attributes.", "directly affect another elements's attributes. * Each element is the default characteristics +", "final iteration of my story concept, now I want to set up the", "planned structure. I have arrived at a final iteration of my story concept,", "want to set up the framework to build it upon, like a mason", "arrived at a final iteration of my story concept, now I want to", "thinking of would keep help keep track of each compartment, relationship to other", "would have rippling effects on every aspect of the story. + E.g. an", "The more I think about it the more it seems that to pull", "in a story. Each layer is also a compartment for further layers that", "my story concept, now I want to set up the framework to build", "respond to change/interaction etc. The more I think about it the more it", "but a plot would not and vice-versa, but it would not directly affect", "advantage and rebellion to prevail in their clutch battle. MC curses Tera while", "a program for this task. *tl;dr I'm extremely meticulous and I'm planning a", "affect another elements's attributes. Each element is the default characteristics + culmination", "thoughts and I'm struggling to wrap my head around what I'm trying to", "at a final iteration of my story concept, now I want to set", "aspect of the story. + E.g. an earthquake could cause a landslide that", "environment, characters, each one is a layer in a story. Each layer is", "them differently. * Within the layer, each element has its own common attributes", "build a world. Edit: Trying to clarify, sorry I'm bad at wording my", "mason building a house, I want to build a world. Edit: Trying to", "and indirect effects of other elements on it, how it affects and its", "proceeds to kill Tera and sides with Rebellion because DL is BBEG, Rebellion", "In a single world, most if not all elements will be interconnected directly", "kill Tera and sides with Rebellion because DL is BBEG, Rebellion swears to", "They share similar attributes and behavior, but apply them differently. * Within the", "external changes in their own, unique way, and each will be affected differently", "be closest fit to what I'm describing? I'm looking for one where even", "the framework to build it upon, like a mason building a house, I", "sides with Rebellion because DL is BBEG, Rebellion swears to avenge Tera, creating", "A story can be broken into common, independent collections of elements, like plots,", "adventure, which is attributed to goddess Tera, at the same time it changes", "environment causing Dark Lord's army to lose their advantage and rebellion to prevail", "could easily be recreated from the planned structure. I have arrived at a", "most if not all elements will be interconnected directly or indirectly, therefore any", "in their own, unique way, and each will be affected differently by the", "is what I refer to as layers. They share similar attributes and behavior,", "to adventure, which is attributed to goddess Tera, at the same time it", "to prevail in their clutch battle. MC curses Tera while the Rebellion reveres,", "plan/ask/do. * A story can be broken into common, independent collections of elements,", "planning a complex story which I will struggle keeping track of without efficient", "other elements, resulting in development/changes of said element's attributes. * In a single", "of interactions with other elements, resulting in development/changes of said element's attributes. ", "story. Each layer is also a compartment for further layers that are internally", "it and other elements, direct and indirect effects of other elements on it,", "Within the layer, each element has its own common attributes and characteristics that", "to build it upon, like a mason building a house, I want to", "I will struggle keeping track of without efficient planning and tracking system in", "will be interconnected directly or indirectly, therefore any single event would have rippling", "can be expected to respond to change/interaction etc. The more I think about", "to goddess Tera, at the same time it changes the environment causing Dark", "MC proceeds to kill Tera and sides with Rebellion because DL is BBEG,", "each will be affected differently by the same stimuli over the development of", "would be closest fit to what I'm describing? I'm looking for one where", "Rebellion swears to avenge Tera, creating a conflict when MC and Rebellion cross", "story development on such minute level?* Or at least any that would be", "like plots, characters, environments. * These collections is what I refer to as", "therefore any single event would have rippling effects on every aspect of the", "Rebellion cross paths to defeat DL after finding out MC was Tera's murderer", "single world, most if not all elements will be interconnected directly or indirectly,", "looking for one where even if the first draft was lost it could", "minute level? Or at least any that would be closest fit to what", "the more it seems that to pull it off on this level I", "element can be expected to respond to change/interaction etc. The more I think", "level? Or at least any that would be closest fit to what I'm", "strengths, weaknesses, but a plot would not and vice-versa, but it would not", "element's attributes. * In a single world, most if not all elements will", "I'm describing? I'm looking for one where even if the first draft was", "Each layer is also a compartment for further layers that are internally affected", "in their clutch battle. MC curses Tera while the Rebellion reveres, MC proceeds", "want to build a world. Edit: Trying to clarify, sorry I'm bad at", "and vice-versa, but it would not directly affect another elements's attributes. * Each", "other elements, how these relationships change over time, how element can be expected", "I'm thinking of would keep help keep track of each compartment, relationship to", "their clutch battle. MC curses Tera while the Rebellion reveres, MC proceeds to", "the environment causing Dark Lord's army to lose their advantage and rebellion to", "to lose their advantage and rebellion to prevail in their clutch battle. MC", "broken into common, independent collections of elements, like plots, characters, environments. * These", "cause a landslide that destroys MC's village, which forces them to adventure, which", "wrap my head around what I'm trying to plan/ask/do. * A story can", "Tera and sides with Rebellion because DL is BBEG, Rebellion swears to avenge", "MC's village, which forces them to adventure, which is attributed to goddess Tera,", "a world. Edit: Trying to clarify, sorry I'm bad at wording my thoughts", "keep track of story development on such minute level? Or at least any", "to defeat DL after finding out MC was Tera's murderer all along or", "because DL is BBEG, Rebellion swears to avenge Tera, creating a conflict when", "by external changes in their own, unique way, and each will be affected", "I refer to as layers. They share similar attributes and behavior, but apply", "exists to keep track of story development on such minute level? Or at", "have fears, strengths, weaknesses, but a plot would not and vice-versa, but it", "other elements, history between it and other elements, direct and indirect effects of", "collections of elements, like plots, characters, environments. * These collections is what I", "like a mason building a house, I want to build a world. Edit:", "even if the first draft was lost it could easily be recreated from", "lost it could easily be recreated from the planned structure. I have arrived", "of would keep help keep track of each compartment, relationship to other elements,", "clutch battle. MC curses Tera while the Rebellion reveres, MC proceeds to kill", "BBEG, Rebellion swears to avenge Tera, creating a conflict when MC and Rebellion", "to pull it off on this level I would need to write a", "a story. Each layer is also a compartment for further layers that are", "layer is also a compartment for further layers that are internally affected by", "resulting in development/changes of said element's attributes. * In a single world, most", "but it would not directly affect another elements's attributes. * Each element is", "a landslide that destroys MC's village, which forces them to adventure, which is", "will struggle keeping track of without efficient planning and tracking system in place.*", "story. + E.g. an earthquake could cause a landslide that destroys MC's village,", "the first draft was lost it could easily be recreated from the planned", "village, which forces them to adventure, which is attributed to goddess Tera, at", "wording my thoughts and I'm struggling to wrap my head around what I'm", "to plan/ask/do. A story can be broken into common, independent collections of", "same stimuli over the development of the story. *What systems exists to keep", "common, independent collections of elements, like plots, characters, environments. These collections is", "elements on it, how it affects and its changes affect other elements, how", "on this level I would need to write a program for this task.", "at wording my thoughts and I'm struggling to wrap my head around what", "Or at least any that would be closest fit to what I'm describing?", "but apply them differently. * Within the layer, each element has its own", "itself, e.g. a character can have fears, strengths, weaknesses, but a plot would", "be affected differently by the same stimuli over the development of the story.", "need to write a program for this task. *tl;dr I'm extremely meticulous and", "can be broken into common, independent collections of elements, like plots, characters, environments.", "elements, like plots, characters, environments. These collections is what I refer to", "over time, how element can be expected to respond to change/interaction etc. The", "MC curses Tera while the Rebellion reveres, MC proceeds to kill Tera and", "battle. MC curses Tera while the Rebellion reveres, MC proceeds to kill Tera", "earthquake could cause a landslide that destroys MC's village, which forces them to", "and I'm planning a complex story which I will struggle keeping track of", "to set up the framework to build it upon, like a mason building", "more I think about it the more it seems that to pull it", "goddess Tera, at the same time it changes the environment causing Dark Lord's", "concept, now I want to set up the framework to build it upon,", "struggling to wrap my head around what I'm trying to plan/ask/do. * A", "world, most if not all elements will be interconnected directly or indirectly, therefore", "directly affect only itself, e.g. a character can have fears, strengths, weaknesses, but", "avenge Tera, creating a conflict when MC and Rebellion cross paths to defeat", "along or something like that. System I'm thinking of would keep help keep", "elements's attributes. * Each element is the default characteristics + culmination of interactions", "task. *tl;dr I'm extremely meticulous and I'm planning a complex story which I", "Each element is the default characteristics + culmination of interactions with other elements,", "them to adventure, which is attributed to goddess Tera, at the same time", "every aspect of the story. + E.g. an earthquake could cause a landslide", "the layer, each element has its own common attributes and characteristics that directly", "fears, strengths, weaknesses, but a plot would not and vice-versa, but it would", "interactions with other elements, resulting in development/changes of said element's attributes. In", "elements will be interconnected directly or indirectly, therefore any single event would have", "development of the story. *What systems exists to keep track of story development", "a conflict when MC and Rebellion cross paths to defeat DL after finding", "element is the default characteristics + culmination of interactions with other elements, resulting", "characters, environments. These collections is what I refer to as layers. They", "other elements on it, how it affects and its changes affect other elements,", "landslide that destroys MC's village, which forces them to adventure, which is attributed", "I'm bad at wording my thoughts and I'm struggling to wrap my head", "rebellion to prevail in their clutch battle. MC curses Tera while the Rebellion", "to write a program for this task. *tl;dr I'm extremely meticulous and I'm", "as layers. They share similar attributes and behavior, but apply them differently. ", "* A story can be broken into common, independent collections of elements, like", "their own, unique way, and each will be affected differently by the same", "all elements will be interconnected directly or indirectly, therefore any single event would", "I think about it the more it seems that to pull it off", "systems exists to keep track of story development on such minute level?** Or", "indirect effects of other elements on it, how it affects and its changes", "vice-versa, but it would not directly affect another elements's attributes. * Each element", "DL after finding out MC was Tera's murderer all along or something like", "pull it off on this level I would need to write a program", "and Rebellion cross paths to defeat DL after finding out MC was Tera's", "set up the framework to build it upon, like a mason building a", "own, unique way, and each will be affected differently by the same stimuli", "same time it changes the environment causing Dark Lord's army to lose their", "one is a layer in a story. Each layer is also a compartment", "have rippling effects on every aspect of the story. + E.g. an earthquake", "prevail in their clutch battle. MC curses Tera while the Rebellion reveres, MC", "own common attributes and characteristics that directly affect only itself, e.g. a character", "MC was Tera's murderer all along or something like that. System I'm thinking", "layers that are internally affected by external changes in their own, unique way,", "to what I'm describing? I'm looking for one where even if the first", "affected differently by the same stimuli over the development of the story. *What", "a complex story which I will struggle keeping track of without efficient planning", "effects of other elements on it, how it affects and its changes affect", "refer to as layers. They share similar attributes and behavior, but apply them", "one where even if the first draft was lost it could easily be", "keep help keep track of each compartment, relationship to other elements, history between", " These collections is what I refer to as layers. They share similar", "attributed to goddess Tera, at the same time it changes the environment causing", "their advantage and rebellion to prevail in their clutch battle. MC curses Tera", "to respond to change/interaction etc. The more I think about it the more", "it the more it seems that to pull it off on this level", "effects on every aspect of the story. + E.g. an earthquake could cause", "destroys MC's village, which forces them to adventure, which is attributed to goddess", "its own common attributes and characteristics that directly affect only itself, e.g. a", "history between it and other elements, direct and indirect effects of other elements", "this task. tl;dr I'm extremely meticulous and I'm planning a complex story which", "if the first draft was lost it could easily be recreated from the", "swears to avenge Tera, creating a conflict when MC and Rebellion cross paths", "was Tera's murderer all along or something like that. System I'm thinking of", "each element has its own common attributes and characteristics that directly affect only", "stimuli over the development of the story. What systems exists to keep track", "each compartment, relationship to other elements, history between it and other elements, direct", "the same stimuli over the development of the story. What systems exists to", "the story. What systems exists to keep track of story development on such", "relationship to other elements, history between it and other elements, direct and indirect", "creating a conflict when MC and Rebellion cross paths to defeat DL after", "the development of the story. *What systems exists to keep track of story", "on it, how it affects and its changes affect other elements, how these", "think about it the more it seems that to pull it off on", "weaknesses, but a plot would not and vice-versa, but it would not directly", "world. Edit: Trying to clarify, sorry I'm bad at wording my thoughts and", "what I'm trying to plan/ask/do. A story can be broken into common,", "attributes and characteristics that directly affect only itself, e.g. a character can have", "write a program for this task. tl;dr I'm extremely meticulous and I'm planning", "bad at wording my thoughts and I'm struggling to wrap my head around", "be recreated from the planned structure. I have arrived at a final iteration", "story can be broken into common, independent collections of elements, like plots, characters,", "development on such minute level? Or at least any that would be closest", "default characteristics + culmination of interactions with other elements, resulting in development/changes of", "the story. + E.g. an earthquake could cause a landslide that destroys MC's", "attributes and behavior, but apply them differently. * Within the layer, each element", "that to pull it off on this level I would need to write", "behavior, but apply them differently. * Within the layer, each element has its", "which I will struggle keeping track of without efficient planning and tracking system", "differently. * Within the layer, each element has its own common attributes and", "MC and Rebellion cross paths to defeat DL after finding out MC was", "which is attributed to goddess Tera, at the same time it changes the", "draft was lost it could easily be recreated from the planned structure. I", "keep track of each compartment, relationship to other elements, history between it and", "between it and other elements, direct and indirect effects of other elements on", "curses Tera while the Rebellion reveres, MC proceeds to kill Tera and sides", "complex story which I will struggle keeping track of without efficient planning and", "in development/changes of said element's attributes. * In a single world, most if", "murderer all along or something like that. System I'm thinking of would keep", "such minute level?** Or at least any that would be closest fit to", "structure. I have arrived at a final iteration of my story concept, now", "Tera's murderer all along or something like that. System I'm thinking of would", "about it the more it seems that to pull it off on this", "similar attributes and behavior, but apply them differently. * Within the layer, each", "a plot would not and vice-versa, but it would not directly affect another", "and sides with Rebellion because DL is BBEG, Rebellion swears to avenge Tera,", "to other elements, history between it and other elements, direct and indirect effects" ]
[ "at one specific instance of one specific term and not a general \"mix", "Number > > aluminiuma Al 13 > > > In said table's footnotes:", "specific instance of one specific term and not a general \"mix and match\".", "aluminum is commonly used* > > > --- This is not [British /", "non-scientific text)? Non-scientific means in this context any text that is not a", "instance of one specific term and not a general \"mix and match\". This", "acceptable variant1, but IUPAC publications strive to use the official aluminium variant. Is", "that is not a scientific publication, among others fiction or blog posts. ---", "of words predominantly. However, I always use aluminium instead of aluminum, following the", "the BE/international version with this one word only (in a non-scientific text)? Non-scientific", "one just aims at one specific instance of one specific term and not", "not a general \"mix and match\". This one case also is not looked", "of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I Names, symbols and atomic", "variant1, but IUPAC publications strive to use the official aluminium variant. Is it", "means in this context any text that is not a scientific publication, among", "this one just aims at one specific instance of one specific term and", "the only valid IUPAC name between 1990 and 1993, since when aluminum is", "(I'm actually a German native speaker) but, when I write, I use the", "I always use aluminium* instead of aluminum, following the nomenclature that is used", "any text that is not a scientific publication, among others fiction or blog", "just aims at one specific instance of one specific term and not a", "but IUPAC publications strive to use the official aluminium variant. Is it ok", "In said table's footnotes: > > a: the alternative spelling aluminum is commonly", "was the only valid IUPAC name between 1990 and 1993, since when aluminum", "IR-3.1) > > Name Symbol Atomic Number > > aluminiuma Al 13 >", "p249: Table I Names, symbols and atomic numbers of the elements (see also", "> > > --- This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as", "--- ### Footnotes 1 - Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature", "one specific term and not a general \"mix and match\". This one case", "not an American English native (I'm actually a German native speaker) but, when", "American style of words predominantly. However, I always use aluminium instead of aluminum,", "world save for the US and Canada. It is also was the only", "the alternative spelling aluminum is commonly used > > > --- This is", "> --- This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one", "[British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one specific", "others fiction or blog posts. --- ### Footnotes 1 - Connelly, Neil G.;", "always use aluminium instead of aluminum, following the nomenclature that is used by", "to break with AE and choose the BE/international version with this one word", "of one specific term and not a general \"mix and match\". This one", "also Section IR-3.1)* > > Name Symbol Atomic Number > > aluminiuma Al", "aluminiuma Al 13 > > > In said table's footnotes: > > a:", "a general \"mix and match\". This one case also is not looked at", "rest of the world save for the US and Canada. It is also", "spelling aluminum is commonly used* > > > --- This is not [British", "am not an American English native (I'm actually a German native speaker) but,", "> a: the alternative spelling aluminum is commonly used > > > ---", "\"mix and match\". This one case also is not looked at in the", "publication, among others fiction or blog posts. --- ### Footnotes 1 - Connelly,", "Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table", "aluminium variant. Is it ok to break with AE and choose the BE/international", "of the world save for the US and Canada. It is also was", "Symbol Atomic Number > > aluminiuma Al 13 > > > In said", "> Name Symbol Atomic Number > > aluminiuma Al 13 > > >", "I Names, symbols and atomic numbers of the elements (see also Section IR-3.1)", "Name Symbol Atomic Number > > aluminiuma Al 13 > > > In", "table's footnotes: > > a: the alternative spelling aluminum is commonly used >", "aluminum, following the nomenclature that is used by all the rest of the", "with this one word only (in a non-scientific text)? Non-scientific means in this", "valid IUPAC name between 1990 and 1993, since when aluminum is allowed as", "Non-scientific means in this context any text that is not a scientific publication,", "IUPAC recommendations 2005, p249: Table I Names, symbols and atomic numbers of the", "aims at one specific instance of one specific term and not a general", "1993, since when aluminum is allowed as an acceptable variant1, but IUPAC publications", "in this context any text that is not a scientific publication, among others", "break with AE and choose the BE/international version with this one word only", "an American English native (I'm actually a German native speaker) but, when I", "when aluminum is allowed as an acceptable variant1, but IUPAC publications strive to", "Neil G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005,", "American English native (I'm actually a German native speaker) but, when I write,", "Al 13 > > > In said table's footnotes: > > a: the", "write, I use the American style of words predominantly. However, I always use", "IUPAC name between 1990 and 1993, since when aluminum is allowed as an", "specific term and not a general \"mix and match\". This one case also", "strive to use the official aluminium variant. Is it ok to break with", "only valid IUPAC name between 1990 and 1993, since when aluminum is allowed", "one specific instance of one specific term and not a general \"mix and", "the world save for the US and Canada. It is also was the", "is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at", "It is also was the only valid IUPAC name between 1990 and 1993,", "Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I Names, symbols and", "publications strive to use the official aluminium variant. Is it ok to break", "> > In said table's footnotes: > > a: the alternative spelling aluminum", "This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims", "alternative spelling aluminum is commonly used > > > --- This is not", "(in a non-scientific text)? Non-scientific means in this context any text that is", "or blog posts. --- ### Footnotes 1 - Connelly, Neil G.; Damhus, Ture,", "mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one specific instance of one specific", "term and not a general \"mix and match\". This one case also is", "an acceptable variant1, but IUPAC publications strive to use the official aluminium variant.", "between 1990 and 1993, since when aluminum is allowed as an acceptable variant1,", "ok to break with AE and choose the BE/international version with this one", "AE and choose the BE/international version with this one word only (in a", "Canada. It is also was the only valid IUPAC name between 1990 and", "when I write, I use the American style of words predominantly. However, I", "instead of aluminum, following the nomenclature that is used by all the rest", "official aluminium variant. Is it ok to break with AE and choose the", "recommendations 2005, p249: Table I Names, symbols and atomic numbers of the elements", "not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one", "is also was the only valid IUPAC name between 1990 and 1993, since", "> > Name Symbol Atomic Number > > aluminiuma Al 13 > >", "text that is not a scientific publication, among others fiction or blog posts.", "word only (in a non-scientific text)? Non-scientific means in this context any text", "among others fiction or blog posts. --- ### Footnotes 1 - Connelly, Neil", "speaker) but, when I write, I use the American style of words predominantly.", "all the rest of the world save for the US and Canada. It", "Names, symbols and atomic numbers of the elements (see also Section IR-3.1) >", "BE/international version with this one word only (in a non-scientific text)? Non-scientific means", "American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one specific instance of", "the US and Canada. It is also was the only valid IUPAC name", "as an acceptable variant1, but IUPAC publications strive to use the official aluminium", "commonly used* > > > --- This is not [British / American language", "a: the alternative spelling aluminum is commonly used > > > --- This", "general \"mix and match\". This one case also is not looked at in", "blog posts. --- ### Footnotes 1 - Connelly, Neil G.; Damhus, Ture, eds.", "Is it ok to break with AE and choose the BE/international version with", "is not a scientific publication, among others fiction or blog posts. --- ###", "However, I always use aluminium instead of aluminum, following the nomenclature that is", "13 > > > In said table's footnotes: > > a: the alternative", "a scientific publication, among others fiction or blog posts. --- ### Footnotes 1", "following the nomenclature that is used by all the rest of the world", "2005, p249: Table I Names, symbols and atomic numbers of the elements (see", "English native (I'm actually a German native speaker) but, when I write, I", "is allowed as an acceptable variant1, but IUPAC publications strive to use the", "IUPAC publications strive to use the official aluminium variant. Is it ok to", "(see also Section IR-3.1) > > Name Symbol Atomic Number > > aluminiuma", "> > --- This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this", "native (I'm actually a German native speaker) but, when I write, I use", "match\". This one case also is not looked at in the other question.", "also was the only valid IUPAC name between 1990 and 1993, since when", "use the American style of words predominantly. However, I always use aluminium instead", "use the official aluminium variant. Is it ok to break with AE and", "> > a: the alternative spelling aluminum is commonly used > > >", "the nomenclature that is used by all the rest of the world save", "for the US and Canada. It is also was the only valid IUPAC", "save for the US and Canada. It is also was the only valid", "- Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC", "> > aluminiuma Al 13 > > > In said table's footnotes: >", "posts. --- ### Footnotes 1 - Connelly, Neil G.; Damhus, Ture, eds. (2005):", "text)? Non-scientific means in this context any text that is not a scientific", "as this one just aims at one specific instance of one specific term", "aluminium* instead of aluminum, following the nomenclature that is used by all the", "the elements (see also Section IR-3.1)* > > Name Symbol Atomic Number >", "1990 and 1993, since when aluminum is allowed as an acceptable variant1, but", "is used by all the rest of the world save for the US", "eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I Names,", "Atomic Number > > aluminiuma Al 13 > > > In said table's", "with AE and choose the BE/international version with this one word only (in", "used by all the rest of the world save for the US and", "/ American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one specific instance", "and not a general \"mix and match\". This one case also is not", "US and Canada. It is also was the only valid IUPAC name between", "since when aluminum is allowed as an acceptable variant1, but IUPAC publications strive", "Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations", "> > > In said table's footnotes: > > a: the alternative spelling", "is commonly used > > > --- This is not [British / American", "Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I Names, symbols and atomic numbers", "native speaker) but, when I write, I use the American style of words", "one word only (in a non-scientific text)? Non-scientific means in this context any", "and Canada. It is also was the only valid IUPAC name between 1990", "> In said table's footnotes: > > a: the alternative spelling aluminum is", "### Footnotes 1 - Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature of", "allowed as an acceptable variant1, but IUPAC publications strive to use the official", "a German native speaker) but, when I write, I use the American style", "aluminum is allowed as an acceptable variant1, but IUPAC publications strive to use", "language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just aims at one specific instance of one", "a non-scientific text)? Non-scientific means in this context any text that is not", "only (in a non-scientific text)? Non-scientific means in this context any text that", "numbers of the elements (see also Section IR-3.1)* > > Name Symbol Atomic", "and 1993, since when aluminum is allowed as an acceptable variant1, but IUPAC", "that is used by all the rest of the world save for the", "of aluminum, following the nomenclature that is used by all the rest of", "words predominantly. However, I always use aluminium instead of aluminum, following the nomenclature", "I write, I use the American style of words predominantly. However, I always", "predominantly. However, I always use aluminium instead of aluminum, following the nomenclature that", "it ok to break with AE and choose the BE/international version with this", "the rest of the world save for the US and Canada. It is", "and choose the BE/international version with this one word only (in a non-scientific", "and atomic numbers of the elements (see also Section IR-3.1)* > > Name", "this one word only (in a non-scientific text)? Non-scientific means in this context", "this context any text that is not a scientific publication, among others fiction", "German native speaker) but, when I write, I use the American style of", "nomenclature that is used by all the rest of the world save for", "variant. Is it ok to break with AE and choose the BE/international version", "Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I", "not a scientific publication, among others fiction or blog posts. --- ### Footnotes", "Chemistry: IUPAC recommendations 2005, p249: Table I Names, symbols and atomic numbers of", "by all the rest of the world save for the US and Canada.", "atomic numbers of the elements (see also Section IR-3.1)* > > Name Symbol", "--- This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash) as this one just", "G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249:", "the official aluminium variant. Is it ok to break with AE and choose", "(2005): Nomenclature of Inorganic Chemistry: IUPAC recommendations 2005, p249: Table I Names, symbols", "I use the American style of words predominantly. However, I always use aluminium", "1 - Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic Chemistry:", "but, when I write, I use the American style of words predominantly. However,", "choose the BE/international version with this one word only (in a non-scientific text)?", "to use the official aluminium variant. Is it ok to break with AE", "name between 1990 and 1993, since when aluminum is allowed as an acceptable", "use aluminium* instead of aluminum, following the nomenclature that is used by all", "version with this one word only (in a non-scientific text)? Non-scientific means in", "I am not an American English native (I'm actually a German native speaker)", "context any text that is not a scientific publication, among others fiction or", "fiction or blog posts. --- ### Footnotes 1 - Connelly, Neil G.; Damhus,", "said table's footnotes: > > a: the alternative spelling aluminum is commonly used", "Footnotes 1 - Connelly, Neil G.; Damhus, Ture, eds. (2005): Nomenclature of Inorganic", "and match\". This one case also is not looked at in the other", "the American style of words predominantly. However, I always use aluminium* instead of", "style of words predominantly. However, I always use aluminium instead of aluminum, following", "scientific publication, among others fiction or blog posts. --- ### Footnotes 1 -", "of the elements (see also Section IR-3.1)* > > Name Symbol Atomic Number", "Section IR-3.1)* > > Name Symbol Atomic Number > > aluminiuma Al 13", "> aluminiuma Al 13 > > > In said table's footnotes: > >", "actually a German native speaker) but, when I write, I use the American", "used* > > > --- This is not [British / American language mishmash](https://writing.stackexchange.com/questions/41440/british-american-language-mishmash)", "footnotes: > > a: the alternative spelling aluminum is commonly used > >", "symbols and atomic numbers of the elements (see also Section IR-3.1)* > >", "Table I Names, symbols and atomic numbers of the elements (see also Section", "elements (see also Section IR-3.1) > > Name Symbol Atomic Number > >" ]
[ "character arc in relation to this goal? Also, The only obstacles I can", "to this goal? Also, The only obstacles I can think of are incompetence", "in relation to this goal? Also, The only obstacles I can think of", "singer/songwriter who is bad at writing lyrics. Her goal is to write commercially", "commercially successful, deep, serious songs. How do I design the character arc in", "bad at writing lyrics. Her goal is to write commercially successful, deep, serious", "Her goal is to write commercially successful, deep, serious songs. How do I", "serious songs. How do I design the character arc in relation to this", "MC is a famous singer/songwriter who is bad at writing lyrics. Her goal", "I can think of are incompetence and living an easy life. Should the", "arc in relation to this goal? Also, The only obstacles I can think", "How do I design the character arc in relation to this goal? Also,", "goal is to write commercially successful, deep, serious songs. How do I design", "Also, The only obstacles I can think of are incompetence and living an", "of are incompetence and living an easy life. Should the goal be tweaked?", "the character arc in relation to this goal? Also, The only obstacles I", "My MC is a famous singer/songwriter who is bad at writing lyrics. Her", "this goal? Also, The only obstacles I can think of are incompetence and", "I design the character arc in relation to this goal? Also, The only", "to write commercially successful, deep, serious songs. How do I design the character", "is bad at writing lyrics. Her goal is to write commercially successful, deep,", "is a famous singer/songwriter who is bad at writing lyrics. Her goal is", "songs. How do I design the character arc in relation to this goal?", "The only obstacles I can think of are incompetence and living an easy", "is to write commercially successful, deep, serious songs. How do I design the", "successful, deep, serious songs. How do I design the character arc in relation", "think of are incompetence and living an easy life. Should the goal be", "writing lyrics. Her goal is to write commercially successful, deep, serious songs. How", "relation to this goal? Also, The only obstacles I can think of are", "only obstacles I can think of are incompetence and living an easy life.", "design the character arc in relation to this goal? Also, The only obstacles", "obstacles I can think of are incompetence and living an easy life. Should", "can think of are incompetence and living an easy life. Should the goal", "at writing lyrics. Her goal is to write commercially successful, deep, serious songs.", "famous singer/songwriter who is bad at writing lyrics. Her goal is to write", "deep, serious songs. How do I design the character arc in relation to", "lyrics. Her goal is to write commercially successful, deep, serious songs. How do", "who is bad at writing lyrics. Her goal is to write commercially successful,", "goal? Also, The only obstacles I can think of are incompetence and living", "a famous singer/songwriter who is bad at writing lyrics. Her goal is to", "write commercially successful, deep, serious songs. How do I design the character arc", "do I design the character arc in relation to this goal? Also, The" ]
[ "within the paper. The source I read (published in 1969) credits this concept", "concept which I am using within the paper. The source I read (published", "the original source. Would there be a problem if I do not cite", "a problem if I do not cite the original source because I do", "I do not have access to it? Or do I have to include", "source. Would there be a problem if I do not cite the original", "which I am using within the paper. The source I read (published in", "writing a scientific research paper and one of the sources I am using", "Would there be a problem if I do not cite the original source", "a different source (published in 1944). I do not have access to the", "being coined by a different source (published in 1944). I do not have", "am writing a scientific research paper and one of the sources I am", "have access to the original source. Would there be a problem if I", "do I have to include the original author since everyone else credits the", "a concept which I am using within the paper. The source I read", "scientific research paper and one of the sources I am using introduced a", "(published in 1969) credits this concept as being coined by a different source", "not cite the original source because I do not have access to it?", "have to include the original author since everyone else credits the 1944 source?", "source I read (published in 1969) credits this concept as being coined by", "I do not cite the original source because I do not have access", "of the sources I am using introduced a concept which I am using", "as being coined by a different source (published in 1944). I do not", "am using introduced a concept which I am using within the paper. The", "paper. The source I read (published in 1969) credits this concept as being", "there be a problem if I do not cite the original source because", "The source I read (published in 1969) credits this concept as being coined", "I am using within the paper. The source I read (published in 1969)", "and one of the sources I am using introduced a concept which I", "by a different source (published in 1944). I do not have access to", "the sources I am using introduced a concept which I am using within", "not have access to it? Or do I have to include the original", "different source (published in 1944). I do not have access to the original", "I read (published in 1969) credits this concept as being coined by a", "the paper. The source I read (published in 1969) credits this concept as", "to it? Or do I have to include the original author since everyone", "1944). I do not have access to the original source. Would there be", "do not have access to the original source. Would there be a problem", "source (published in 1944). I do not have access to the original source.", "using within the paper. The source I read (published in 1969) credits this", "original source because I do not have access to it? Or do I", "have access to it? Or do I have to include the original author", "access to the original source. Would there be a problem if I do", "credits this concept as being coined by a different source (published in 1944).", "I am using introduced a concept which I am using within the paper.", "a scientific research paper and one of the sources I am using introduced", "concept as being coined by a different source (published in 1944). I do", "to the original source. Would there be a problem if I do not", "paper and one of the sources I am using introduced a concept which", "1969) credits this concept as being coined by a different source (published in", "source because I do not have access to it? Or do I have", "(published in 1944). I do not have access to the original source. Would", "one of the sources I am using introduced a concept which I am", "am using within the paper. The source I read (published in 1969) credits", "be a problem if I do not cite the original source because I", "introduced a concept which I am using within the paper. The source I", "it? Or do I have to include the original author since everyone else", "using introduced a concept which I am using within the paper. The source", "Or do I have to include the original author since everyone else credits", "I am writing a scientific research paper and one of the sources I", "cite the original source because I do not have access to it? Or", "read (published in 1969) credits this concept as being coined by a different", "this concept as being coined by a different source (published in 1944). I", "in 1944). I do not have access to the original source. Would there", "the original source because I do not have access to it? Or do", "I have to include the original author since everyone else credits the 1944", "access to it? Or do I have to include the original author since", "do not cite the original source because I do not have access to", "not have access to the original source. Would there be a problem if", "if I do not cite the original source because I do not have", "coined by a different source (published in 1944). I do not have access", "sources I am using introduced a concept which I am using within the", "because I do not have access to it? Or do I have to", "research paper and one of the sources I am using introduced a concept", "in 1969) credits this concept as being coined by a different source (published", "problem if I do not cite the original source because I do not", "original source. Would there be a problem if I do not cite the", "I do not have access to the original source. Would there be a", "do not have access to it? Or do I have to include the" ]
[ "be the advantages and disadvantages of setting such a story in a made", "have story ideas that involve civil wars or revolutions happening while a character", "setting such a story in a made up country, compared to a real", "of setting such a story in a made up country, compared to a", "wondering what would be the advantages and disadvantages of setting such a story", "was wondering what would be the advantages and disadvantages of setting such a", "and disadvantages of setting such a story in a made up country, compared", "character is travelling. I was wondering what would be the advantages and disadvantages", "disadvantages of setting such a story in a made up country, compared to", "or revolutions happening while a character is travelling. I was wondering what would", "the advantages and disadvantages of setting such a story in a made up", "what would be the advantages and disadvantages of setting such a story in", "a character is travelling. I was wondering what would be the advantages and", "I was wondering what would be the advantages and disadvantages of setting such", "travelling. I was wondering what would be the advantages and disadvantages of setting", "advantages and disadvantages of setting such a story in a made up country,", "ideas that involve civil wars or revolutions happening while a character is travelling.", "involve civil wars or revolutions happening while a character is travelling. I was", "is travelling. I was wondering what would be the advantages and disadvantages of", "story ideas that involve civil wars or revolutions happening while a character is", "civil wars or revolutions happening while a character is travelling. I was wondering", "while a character is travelling. I was wondering what would be the advantages", "revolutions happening while a character is travelling. I was wondering what would be", "such a story in a made up country, compared to a real one.", "wars or revolutions happening while a character is travelling. I was wondering what", "would be the advantages and disadvantages of setting such a story in a", "that involve civil wars or revolutions happening while a character is travelling. I", "I have story ideas that involve civil wars or revolutions happening while a", "happening while a character is travelling. I was wondering what would be the" ]
[ "only written one short story but I wish to write a novella. I'm", "about the enormous work of marketing and contacting agents and publishers. I just", "want to focus on my writing and let someone else handle the that", "I hire a manager in my case? and how do managers get paid?", "written one short story but I wish to write a novella. I'm worried,", "short story but I wish to write a novella. I'm worried, however, about", "focus on my writing and let someone else handle the that type of", "and let someone else handle the that type of work. Can I hire", "write a novella. I'm worried, however, about the enormous work of marketing and", "else handle the that type of work. Can I hire a manager in", "enormous work of marketing and contacting agents and publishers. I just want to", "marketing and contacting agents and publishers. I just want to focus on my", "but I wish to write a novella. I'm worried, however, about the enormous", "on my writing and let someone else handle the that type of work.", "the that type of work. Can I hire a manager in my case?", "work. Can I hire a manager in my case? and how do managers", "I'm worried, however, about the enormous work of marketing and contacting agents and", "I just want to focus on my writing and let someone else handle", "my writing and let someone else handle the that type of work. Can", "I've only written one short story but I wish to write a novella.", "I wish to write a novella. I'm worried, however, about the enormous work", "worried, however, about the enormous work of marketing and contacting agents and publishers.", "Can I hire a manager in my case? and how do managers get", "far, I've only written one short story but I wish to write a", "let someone else handle the that type of work. Can I hire a", "story but I wish to write a novella. I'm worried, however, about the", "agents and publishers. I just want to focus on my writing and let", "just want to focus on my writing and let someone else handle the", "handle the that type of work. Can I hire a manager in my", "type of work. Can I hire a manager in my case? and how", "a novella. I'm worried, however, about the enormous work of marketing and contacting", "writing and let someone else handle the that type of work. Can I", "of marketing and contacting agents and publishers. I just want to focus on", "one short story but I wish to write a novella. I'm worried, however,", "to focus on my writing and let someone else handle the that type", "So far, I've only written one short story but I wish to write", "and publishers. I just want to focus on my writing and let someone", "publishers. I just want to focus on my writing and let someone else", "wish to write a novella. I'm worried, however, about the enormous work of", "and contacting agents and publishers. I just want to focus on my writing", "contacting agents and publishers. I just want to focus on my writing and", "someone else handle the that type of work. Can I hire a manager", "novella. I'm worried, however, about the enormous work of marketing and contacting agents", "however, about the enormous work of marketing and contacting agents and publishers. I", "of work. Can I hire a manager in my case? and how do", "to write a novella. I'm worried, however, about the enormous work of marketing", "the enormous work of marketing and contacting agents and publishers. I just want", "work of marketing and contacting agents and publishers. I just want to focus", "that type of work. Can I hire a manager in my case? and" ]
[ "question is how can I show same emotion multiple times without the description", "times without the description being the same. For example if my character is", "emotion without it being repetitive? I am writing in third person limited POV", "example if my character is scared I can write how his heart raced,", "without it being repetitive? I am writing in third person limited POV if", "scared twice in my book I can find some new thing to 'show'.", "the \"show don't tell\" rule. My question is how can I show same", "I will soon run out of ways to show his fear. How can", "same. For example if my character is scared I can write how his", "will soon run out of ways to show his fear. How can I", "new thing to 'show'. But what if he is scared five or ten", "character is scared I can write how his heart raced, his hand where", "the character is scared twice in my book I can find some new", "five or ten times in the book I will soon run out of", "soon run out of ways to show his fear. How can I describe", "don't tell\" rule. My question is how can I show same emotion multiple", "character is scared twice in my book I can find some new thing", "it being repetitive? I am writing in third person limited POV if that's", "being the same. For example if my character is scared I can write", "how his heart raced, his hand where shaking etc. If the character is", "or ten times in the book I will soon run out of ways", "everyone has heard the \"show don't tell\" rule. My question is how can", "\"show don't tell\" rule. My question is how can I show same emotion", "If the character is scared twice in my book I can find some", "For example if my character is scared I can write how his heart", "my character is scared I can write how his heart raced, his hand", "can find some new thing to 'show'. But what if he is scared", "hand where shaking etc. If the character is scared twice in my book", "shaking etc. If the character is scared twice in my book I can", "twice in my book I can find some new thing to 'show'. But", "same emotion multiple times without the description being the same. For example if", "tell\" rule. My question is how can I show same emotion multiple times", "raced, his hand where shaking etc. If the character is scared twice in", "if he is scared five or ten times in the book I will", "can write how his heart raced, his hand where shaking etc. If the", "run out of ways to show his fear. How can I describe the", "is scared twice in my book I can find some new thing to", "etc. If the character is scared twice in my book I can find", "out of ways to show his fear. How can I describe the same", "the description being the same. For example if my character is scared I", "the book I will soon run out of ways to show his fear.", "his hand where shaking etc. If the character is scared twice in my", "think everyone has heard the \"show don't tell\" rule. My question is how", "if my character is scared I can write how his heart raced, his", "But what if he is scared five or ten times in the book", "is scared five or ten times in the book I will soon run", "in the book I will soon run out of ways to show his", "thing to 'show'. But what if he is scared five or ten times", "in my book I can find some new thing to 'show'. But what", "emotion multiple times without the description being the same. For example if my", "heard the \"show don't tell\" rule. My question is how can I show", "How can I describe the same emotion without it being repetitive? I am", "scared I can write how his heart raced, his hand where shaking etc.", "what if he is scared five or ten times in the book I", "is how can I show same emotion multiple times without the description being", "to 'show'. But what if he is scared five or ten times in", "to show his fear. How can I describe the same emotion without it", "the same. For example if my character is scared I can write how", "rule. My question is how can I show same emotion multiple times without", "ten times in the book I will soon run out of ways to", "I can write how his heart raced, his hand where shaking etc. If", "of ways to show his fear. How can I describe the same emotion", "same emotion without it being repetitive? I am writing in third person limited", "I describe the same emotion without it being repetitive? I am writing in", "the same emotion without it being repetitive? I am writing in third person", "fear. How can I describe the same emotion without it being repetitive? I", "book I will soon run out of ways to show his fear. How", "ways to show his fear. How can I describe the same emotion without", "my book I can find some new thing to 'show'. But what if", "being repetitive? I am writing in third person limited POV if that's relevant.", "his heart raced, his hand where shaking etc. If the character is scared", "I think everyone has heard the \"show don't tell\" rule. My question is", "My question is how can I show same emotion multiple times without the", "heart raced, his hand where shaking etc. If the character is scared twice", "his fear. How can I describe the same emotion without it being repetitive?", "multiple times without the description being the same. For example if my character", "scared five or ten times in the book I will soon run out", "'show'. But what if he is scared five or ten times in the", "show his fear. How can I describe the same emotion without it being", "find some new thing to 'show'. But what if he is scared five", "I show same emotion multiple times without the description being the same. For", "I can find some new thing to 'show'. But what if he is", "without the description being the same. For example if my character is scared", "is scared I can write how his heart raced, his hand where shaking", "some new thing to 'show'. But what if he is scared five or", "show same emotion multiple times without the description being the same. For example", "description being the same. For example if my character is scared I can", "how can I show same emotion multiple times without the description being the", "write how his heart raced, his hand where shaking etc. If the character", "has heard the \"show don't tell\" rule. My question is how can I", "can I describe the same emotion without it being repetitive? I am writing", "where shaking etc. If the character is scared twice in my book I", "he is scared five or ten times in the book I will soon", "times in the book I will soon run out of ways to show", "describe the same emotion without it being repetitive? I am writing in third", "book I can find some new thing to 'show'. But what if he", "can I show same emotion multiple times without the description being the same." ]
[ "novel pondering over the 'wrongness' of such a pairing; the characters involved can", "trouble thinking I'll be able to do so with such a glaring age", "to root for a pairing where the difference in ages is about 15", "they're still not going to be good people. And there's the age factor", "in ages is about 15 years. I don't want them to spend the", "the characters involved can best be described as anti-heroes so they'll doubtless be", "thinking I'll be able to do so with such a glaring age difference,", "can best be described as anti-heroes so they'll doubtless be doing a whole", "clear of things such as outright emotional/physical/sexual abuse, but they're still not going", "to know is how I can get my readers to root for a", "is how I can get my readers to root for a pairing where", "be perfect for one another and could work really well as a couple", "a couple under different circumstances but I'm having trouble thinking I'll be able", "about 15 years. I don't want them to spend the entirety of my", "both to other people and to each other. Of course I'll steer clear", "other. Of course I'll steer clear of things such as outright emotional/physical/sexual abuse,", "really well as a couple under different circumstances but I'm having trouble thinking", "circumstances but I'm having trouble thinking I'll be able to do so with", "not going to be good people. And there's the age factor to consider.", "characters involved can best be described as anti-heroes so they'll doubtless be doing", "outright emotional/physical/sexual abuse, but they're still not going to be good people. And", "to other people and to each other. Of course I'll steer clear of", "things such as outright emotional/physical/sexual abuse, but they're still not going to be", "under different circumstances but I'm having trouble thinking I'll be able to do", "anti-heroes so they'll doubtless be doing a whole lot of questionable things, both", "good people. And there's the age factor to consider. I really want to", "as a couple under different circumstances but I'm having trouble thinking I'll be", "Basically, all I want to know is how I can get my readers", "to spend the entirety of my novel pondering over the 'wrongness' of such", "the difference in ages is about 15 years. I don't want them to", "my novel pondering over the 'wrongness' of such a pairing; the characters involved", "I'll steer clear of things such as outright emotional/physical/sexual abuse, but they're still", "a pairing; the characters involved can best be described as anti-heroes so they'll", "and to each other. Of course I'll steer clear of things such as", "another and could work really well as a couple under different circumstances but", "want them to spend the entirety of my novel pondering over the 'wrongness'", "don't want them to spend the entirety of my novel pondering over the", "across to my readers, that they'll be perfect for one another and could", "abuse, but they're still not going to be good people. And there's the", "to get this point across to my readers, that they'll be perfect for", "factor to consider. I really want to get this point across to my", "to each other. Of course I'll steer clear of things such as outright", "described as anti-heroes so they'll doubtless be doing a whole lot of questionable", "age factor to consider. I really want to get this point across to", "want to know is how I can get my readers to root for", "to be good people. And there's the age factor to consider. I really", "readers to root for a pairing where the difference in ages is about", "other people and to each other. Of course I'll steer clear of things", "be able to do so with such a glaring age difference, especially considering", "to consider. I really want to get this point across to my readers,", "and could work really well as a couple under different circumstances but I'm", "entirety of my novel pondering over the 'wrongness' of such a pairing; the", "to my readers, that they'll be perfect for one another and could work", "as anti-heroes so they'll doubtless be doing a whole lot of questionable things,", "readers, that they'll be perfect for one another and could work really well", "spend the entirety of my novel pondering over the 'wrongness' of such a", "pairing where the difference in ages is about 15 years. I don't want", "a whole lot of questionable things, both to other people and to each", "all I want to know is how I can get my readers to", "work really well as a couple under different circumstances but I'm having trouble", "And there's the age factor to consider. I really want to get this", "couple under different circumstances but I'm having trouble thinking I'll be able to", "doubtless be doing a whole lot of questionable things, both to other people", "root for a pairing where the difference in ages is about 15 years.", "they'll doubtless be doing a whole lot of questionable things, both to other", "steer clear of things such as outright emotional/physical/sexual abuse, but they're still not", "get my readers to root for a pairing where the difference in ages", "they'll be perfect for one another and could work really well as a", "best be described as anti-heroes so they'll doubtless be doing a whole lot", "of things such as outright emotional/physical/sexual abuse, but they're still not going to", "still not going to be good people. And there's the age factor to", "course I'll steer clear of things such as outright emotional/physical/sexual abuse, but they're", "years. I don't want them to spend the entirety of my novel pondering", "that they'll be perfect for one another and could work really well as", "perfect for one another and could work really well as a couple under", "people. And there's the age factor to consider. I really want to get", "so with such a glaring age difference, especially considering that they're not really", "a glaring age difference, especially considering that they're not really good people. Any", "I can get my readers to root for a pairing where the difference", "with such a glaring age difference, especially considering that they're not really good", "difference in ages is about 15 years. I don't want them to spend", "questionable things, both to other people and to each other. Of course I'll", "I don't want them to spend the entirety of my novel pondering over", "ages is about 15 years. I don't want them to spend the entirety", "be described as anti-heroes so they'll doubtless be doing a whole lot of", "consider. I really want to get this point across to my readers, that", "really want to get this point across to my readers, that they'll be", "'wrongness' of such a pairing; the characters involved can best be described as", "the age factor to consider. I really want to get this point across", "my readers, that they'll be perfect for one another and could work really", "involved can best be described as anti-heroes so they'll doubtless be doing a", "I want to know is how I can get my readers to root", "point across to my readers, that they'll be perfect for one another and", "such as outright emotional/physical/sexual abuse, but they're still not going to be good", "to do so with such a glaring age difference, especially considering that they're", "such a glaring age difference, especially considering that they're not really good people.", "one another and could work really well as a couple under different circumstances", "doing a whole lot of questionable things, both to other people and to", "can get my readers to root for a pairing where the difference in", "able to do so with such a glaring age difference, especially considering that", "15 years. I don't want them to spend the entirety of my novel", "a pairing where the difference in ages is about 15 years. I don't", "emotional/physical/sexual abuse, but they're still not going to be good people. And there's", "be doing a whole lot of questionable things, both to other people and", "be good people. And there's the age factor to consider. I really want", "of questionable things, both to other people and to each other. Of course", "going to be good people. And there's the age factor to consider. I", "pairing; the characters involved can best be described as anti-heroes so they'll doubtless", "my readers to root for a pairing where the difference in ages is", "but they're still not going to be good people. And there's the age", "pondering over the 'wrongness' of such a pairing; the characters involved can best", "this point across to my readers, that they'll be perfect for one another", "the 'wrongness' of such a pairing; the characters involved can best be described", "them to spend the entirety of my novel pondering over the 'wrongness' of", "the entirety of my novel pondering over the 'wrongness' of such a pairing;", "I really want to get this point across to my readers, that they'll", "I'm having trouble thinking I'll be able to do so with such a", "glaring age difference, especially considering that they're not really good people. Any tips?", "people and to each other. Of course I'll steer clear of things such", "get this point across to my readers, that they'll be perfect for one", "is about 15 years. I don't want them to spend the entirety of", "as outright emotional/physical/sexual abuse, but they're still not going to be good people.", "different circumstances but I'm having trouble thinking I'll be able to do so", "for a pairing where the difference in ages is about 15 years. I", "whole lot of questionable things, both to other people and to each other.", "for one another and could work really well as a couple under different", "where the difference in ages is about 15 years. I don't want them", "how I can get my readers to root for a pairing where the", "there's the age factor to consider. I really want to get this point", "but I'm having trouble thinking I'll be able to do so with such", "do so with such a glaring age difference, especially considering that they're not", "well as a couple under different circumstances but I'm having trouble thinking I'll", "things, both to other people and to each other. Of course I'll steer", "having trouble thinking I'll be able to do so with such a glaring", "want to get this point across to my readers, that they'll be perfect", "of such a pairing; the characters involved can best be described as anti-heroes", "each other. Of course I'll steer clear of things such as outright emotional/physical/sexual", "could work really well as a couple under different circumstances but I'm having", "over the 'wrongness' of such a pairing; the characters involved can best be", "so they'll doubtless be doing a whole lot of questionable things, both to", "Of course I'll steer clear of things such as outright emotional/physical/sexual abuse, but", "know is how I can get my readers to root for a pairing", "lot of questionable things, both to other people and to each other. Of", "I'll be able to do so with such a glaring age difference, especially", "of my novel pondering over the 'wrongness' of such a pairing; the characters", "such a pairing; the characters involved can best be described as anti-heroes so" ]
[ "> > > Is it redundant? Because, if I say billowing, the reader", "ship sailed through the billowing winds and the petulant waves.\" > > >", "and the petulant waves.\" > > > Is it redundant? Because, if I", "sailed through the billowing winds and the petulant waves.\" > > > Is", "redundant? Because, if I say billowing, the reader would probably think petulant waves", "if I say billowing, the reader would probably think petulant waves is too", "\"The ship sailed through the billowing winds and the petulant waves.\" > >", "> > \"The ship sailed through the billowing winds and the petulant waves.\"", "waves.\" > > > Is it redundant? Because, if I say billowing, the", "Because, if I say billowing, the reader would probably think petulant waves is", "through the billowing winds and the petulant waves.\" > > > Is it", "reader would probably think petulant waves is too redundant. What do you think?", "> > Is it redundant? Because, if I say billowing, the reader would", "the petulant waves.\" > > > Is it redundant? Because, if I say", "> Is it redundant? Because, if I say billowing, the reader would probably", "winds and the petulant waves.\" > > > Is it redundant? Because, if", "say billowing, the reader would probably think petulant waves is too redundant. What", "billowing winds and the petulant waves.\" > > > Is it redundant? Because,", "I say billowing, the reader would probably think petulant waves is too redundant.", "petulant waves.\" > > > Is it redundant? Because, if I say billowing,", "> \"The ship sailed through the billowing winds and the petulant waves.\" >", "the billowing winds and the petulant waves.\" > > > Is it redundant?", "Is it redundant? Because, if I say billowing, the reader would probably think", "it redundant? Because, if I say billowing, the reader would probably think petulant", "billowing, the reader would probably think petulant waves is too redundant. What do", "the reader would probably think petulant waves is too redundant. What do you" ]
[ "memorial to represent is \"there was a whole bunch of history and culture", "were killed\". On a memorial to a single person, one writes that person's", "to give group X some individuality. But how do I do that in", "with drafting the text for a memorial plaque dedicated to group X. Group", "I've been tasked with drafting the text for a memorial plaque dedicated to", "I'm looking to give group X some individuality. But how do I do", "for a memorial plaque dedicated to group X. Group X was big, diverse,", "rich history. Amount of space I have is 2-3 sentences. I don't want", "to be yet another \"a whole bunch of people died in the Holocaust\".", "can be summarised too. But what do I do with a big group?", "years of rich history. Amount of space I have is 2-3 sentences. I", "how do I do that in so little space? Ideally, what I'd want", "several hundred years of rich history. Amount of space I have is 2-3", "represent is \"there was a whole bunch of history and culture bound up", "was a whole bunch of history and culture bound up with group X,", "was big, diverse, and had several hundred years of rich history. Amount of", "a whole bunch of history and culture bound up with group X, and", "hundred years of rich history. Amount of space I have is 2-3 sentences.", "whole bunch of history and culture bound up with group X, and we", "people died in the Holocaust\". I'm looking to give group X some individuality.", "remember that, not just that # people were killed\". On a memorial to", "X. Group X was big, diverse, and had several hundred years of rich", "had several hundred years of rich history. Amount of space I have is", "don't want the memorial to be yet another \"a whole bunch of people", "writes that person's main achievement. If it's to an event, like a battle,", "single person, one writes that person's main achievement. If it's to an event,", "space? Ideally, what I'd want the memorial to represent is \"there was a", "group X some individuality. But how do I do that in so little", "that # people were killed\". On a memorial to a single person, one", "some individuality. But how do I do that in so little space? Ideally,", "a battle, it can be summarised too. But what do I do with", "an event, like a battle, it can be summarised too. But what do", "memorial to be yet another \"a whole bunch of people died in the", "we should remember that, not just that # people were killed\". On a", "like a battle, it can be summarised too. But what do I do", "be yet another \"a whole bunch of people died in the Holocaust\". I'm", "\"there was a whole bunch of history and culture bound up with group", "individuality. But how do I do that in so little space? Ideally, what", "diverse, and had several hundred years of rich history. Amount of space I", "looking to give group X some individuality. But how do I do that", "people were killed\". On a memorial to a single person, one writes that", "have is 2-3 sentences. I don't want the memorial to be yet another", "big, diverse, and had several hundred years of rich history. Amount of space", "space I have is 2-3 sentences. I don't want the memorial to be", "Ideally, what I'd want the memorial to represent is \"there was a whole", "Group X was big, diverse, and had several hundred years of rich history.", "and culture bound up with group X, and we should remember that, not", "and had several hundred years of rich history. Amount of space I have", "that, not just that # people were killed\". On a memorial to a", "do I do that in so little space? Ideally, what I'd want the", "\"a whole bunch of people died in the Holocaust\". I'm looking to give", "not just that # people were killed\". On a memorial to a single", "been tasked with drafting the text for a memorial plaque dedicated to group", "yet another \"a whole bunch of people died in the Holocaust\". I'm looking", "whole bunch of people died in the Holocaust\". I'm looking to give group", "X some individuality. But how do I do that in so little space?", "so little space? Ideally, what I'd want the memorial to represent is \"there", "a memorial to a single person, one writes that person's main achievement. If", "culture bound up with group X, and we should remember that, not just", "sentences. I don't want the memorial to be yet another \"a whole bunch", "to an event, like a battle, it can be summarised too. But what", "is \"there was a whole bunch of history and culture bound up with", "killed\". On a memorial to a single person, one writes that person's main", "of rich history. Amount of space I have is 2-3 sentences. I don't", "a single person, one writes that person's main achievement. If it's to an", "the memorial to be yet another \"a whole bunch of people died in", "bound up with group X, and we should remember that, not just that", "and we should remember that, not just that # people were killed\". On", "that in so little space? Ideally, what I'd want the memorial to represent", "I do that in so little space? Ideally, what I'd want the memorial", "give group X some individuality. But how do I do that in so", "in so little space? Ideally, what I'd want the memorial to represent is", "want the memorial to represent is \"there was a whole bunch of history", "group X, and we should remember that, not just that # people were", "X was big, diverse, and had several hundred years of rich history. Amount", "history and culture bound up with group X, and we should remember that,", "up with group X, and we should remember that, not just that #", "of space I have is 2-3 sentences. I don't want the memorial to", "is 2-3 sentences. I don't want the memorial to be yet another \"a", "event, like a battle, it can be summarised too. But what do I", "the Holocaust\". I'm looking to give group X some individuality. But how do", "memorial plaque dedicated to group X. Group X was big, diverse, and had", "should remember that, not just that # people were killed\". On a memorial", "of people died in the Holocaust\". I'm looking to give group X some", "do that in so little space? Ideally, what I'd want the memorial to", "2-3 sentences. I don't want the memorial to be yet another \"a whole", "# people were killed\". On a memorial to a single person, one writes", "bunch of history and culture bound up with group X, and we should", "drafting the text for a memorial plaque dedicated to group X. Group X", "I don't want the memorial to be yet another \"a whole bunch of", "plaque dedicated to group X. Group X was big, diverse, and had several", "On a memorial to a single person, one writes that person's main achievement.", "achievement. If it's to an event, like a battle, it can be summarised", "battle, it can be summarised too. But what do I do with a", "it can be summarised too. But what do I do with a big", "But how do I do that in so little space? Ideally, what I'd", "the text for a memorial plaque dedicated to group X. Group X was", "dedicated to group X. Group X was big, diverse, and had several hundred", "main achievement. If it's to an event, like a battle, it can be", "Amount of space I have is 2-3 sentences. I don't want the memorial", "that person's main achievement. If it's to an event, like a battle, it", "what I'd want the memorial to represent is \"there was a whole bunch", "to represent is \"there was a whole bunch of history and culture bound", "just that # people were killed\". On a memorial to a single person,", "it's to an event, like a battle, it can be summarised too. But", "memorial to a single person, one writes that person's main achievement. If it's", "Holocaust\". I'm looking to give group X some individuality. But how do I", "group X. Group X was big, diverse, and had several hundred years of", "person, one writes that person's main achievement. If it's to an event, like", "with group X, and we should remember that, not just that # people", "little space? Ideally, what I'd want the memorial to represent is \"there was", "person's main achievement. If it's to an event, like a battle, it can", "died in the Holocaust\". I'm looking to give group X some individuality. But", "the memorial to represent is \"there was a whole bunch of history and", "of history and culture bound up with group X, and we should remember", "to group X. Group X was big, diverse, and had several hundred years", "X, and we should remember that, not just that # people were killed\".", "I have is 2-3 sentences. I don't want the memorial to be yet", "want the memorial to be yet another \"a whole bunch of people died", "another \"a whole bunch of people died in the Holocaust\". I'm looking to", "in the Holocaust\". I'm looking to give group X some individuality. But how", "I'd want the memorial to represent is \"there was a whole bunch of", "history. Amount of space I have is 2-3 sentences. I don't want the", "bunch of people died in the Holocaust\". I'm looking to give group X", "tasked with drafting the text for a memorial plaque dedicated to group X.", "If it's to an event, like a battle, it can be summarised too.", "a memorial plaque dedicated to group X. Group X was big, diverse, and", "one writes that person's main achievement. If it's to an event, like a", "text for a memorial plaque dedicated to group X. Group X was big,", "to a single person, one writes that person's main achievement. If it's to" ]
[ "if it > were looking something. The tall figure then started laughing loudly", "on a chair. It wasn't > moving at all. The tall figure moved", "How do I minimize the amount of repetition? Is there a way of", "hands as if it were overjoyed. The skinny figure > hearing this started", "crawling and palpating the floor as if it > were looking something. The", "drastically the sentences? What would you suggest? As you can see, I used", "floor as if it > were looking something. The tall figure then started", "you suggest? As you can see, I used \"it\" immediately after using the", "room > and started palpating the wall as if it was looking for", "same. > > > How do I minimize the amount of repetition? Is", "of repetition? Is there a way of doing this without changing drastically the", "repetition? Is there a way of doing this without changing drastically the sentences?", "looking for something. The > skinny figure then started crawling and palpating the", "chair. It wasn't > moving at all. The tall figure moved to the", "the wall as if it was looking for something. The > skinny figure", "was overwhelmingly tall. It stood in the corner of the > room. The", "> room. The skinny figure right beside him sat on a chair. It", "and palpating the floor as if it > were looking something. The tall", "tall figure moved to the opposite side of the room > and started", "amount of repetition? Is there a way of doing this without changing drastically", "you can see, I used \"it\" immediately after using the adjective-noun pairs but,", "The tall figure moved to the opposite side of the room > and", "> skinny figure then started crawling and palpating the floor as if it", "minimize the amount of repetition? Is there a way of doing this without", "immediately after using the adjective-noun pairs but, when I switch person, I have", "was looking for something. The > skinny figure then started crawling and palpating", "\"it\" immediately after using the adjective-noun pairs but, when I switch person, I", "at all. The tall figure moved to the opposite side of the room", "tall. It stood in the corner of the > room. The skinny figure", "beside him sat on a chair. It wasn't > moving at all. The", "and clapping his hands as if it were overjoyed. The skinny figure >", "see, I used \"it\" immediately after using the adjective-noun pairs but, when I", "The tall figure was overwhelmingly tall. It stood in the corner of the", "> and clapping his hands as if it were overjoyed. The skinny figure", "wall as if it was looking for something. The > skinny figure then", "The tall figure then started laughing loudly > and clapping his hands as", "after using the adjective-noun pairs but, when I switch person, I have no", "> hearing this started doing the same. > > > How do I", "The skinny figure right beside him sat on a chair. It wasn't >", "skinny figure > hearing this started doing the same. > > > How", "started doing the same. > > > How do I minimize the amount", "this started doing the same. > > > How do I minimize the", "> The tall figure was overwhelmingly tall. It stood in the corner of", "figure was overwhelmingly tall. It stood in the corner of the > room.", "to the opposite side of the room > and started palpating the wall", "then started crawling and palpating the floor as if it > were looking", "something. The tall figure then started laughing loudly > and clapping his hands", "The skinny figure > hearing this started doing the same. > > >", "all. The tall figure moved to the opposite side of the room >", "As you can see, I used \"it\" immediately after using the adjective-noun pairs", "suggest? As you can see, I used \"it\" immediately after using the adjective-noun", "overjoyed. The skinny figure > hearing this started doing the same. > >", "sat on a chair. It wasn't > moving at all. The tall figure", "opposite side of the room > and started palpating the wall as if", "What would you suggest? As you can see, I used \"it\" immediately after", "stood in the corner of the > room. The skinny figure right beside", "the corner of the > room. The skinny figure right beside him sat", "figure moved to the opposite side of the room > and started palpating", "side of the room > and started palpating the wall as if it", "the same. > > > How do I minimize the amount of repetition?", "hearing this started doing the same. > > > How do I minimize", "doing the same. > > > How do I minimize the amount of", "his hands as if it were overjoyed. The skinny figure > hearing this", "It wasn't > moving at all. The tall figure moved to the opposite", "without changing drastically the sentences? What would you suggest? As you can see,", "> were looking something. The tall figure then started laughing loudly > and", "changing drastically the sentences? What would you suggest? As you can see, I", "tall figure then started laughing loudly > and clapping his hands as if", "the > room. The skinny figure right beside him sat on a chair.", "something. The > skinny figure then started crawling and palpating the floor as", "as if it was looking for something. The > skinny figure then started", "I switch person, I have no choice but to use the appropriate adjective-noun", "would you suggest? As you can see, I used \"it\" immediately after using", "> > The tall figure was overwhelmingly tall. It stood in the corner", "loudly > and clapping his hands as if it were overjoyed. The skinny", "and started palpating the wall as if it was looking for something. The", "> moving at all. The tall figure moved to the opposite side of", "sentences? What would you suggest? As you can see, I used \"it\" immediately", "laughing loudly > and clapping his hands as if it were overjoyed. The", "way of doing this without changing drastically the sentences? What would you suggest?", "this without changing drastically the sentences? What would you suggest? As you can", "if it were overjoyed. The skinny figure > hearing this started doing the", "skinny figure right beside him sat on a chair. It wasn't > moving", "figure then started laughing loudly > and clapping his hands as if it", "wasn't > moving at all. The tall figure moved to the opposite side", "Is there a way of doing this without changing drastically the sentences? What", "looking something. The tall figure then started laughing loudly > and clapping his", "It stood in the corner of the > room. The skinny figure right", "as if it were overjoyed. The skinny figure > hearing this started doing", "but, when I switch person, I have no choice but to use the", "I used \"it\" immediately after using the adjective-noun pairs but, when I switch", "it was looking for something. The > skinny figure then started crawling and", "moved to the opposite side of the room > and started palpating the", "do I minimize the amount of repetition? Is there a way of doing", "if it was looking for something. The > skinny figure then started crawling", "> and started palpating the wall as if it was looking for something.", "skinny figure then started crawling and palpating the floor as if it >", "the adjective-noun pairs but, when I switch person, I have no choice but", "a way of doing this without changing drastically the sentences? What would you", "switch person, I have no choice but to use the appropriate adjective-noun pair.", "him sat on a chair. It wasn't > moving at all. The tall", "the opposite side of the room > and started palpating the wall as", "as if it > were looking something. The tall figure then started laughing", "the amount of repetition? Is there a way of doing this without changing", "overwhelmingly tall. It stood in the corner of the > room. The skinny", "> > > How do I minimize the amount of repetition? Is there", "there a way of doing this without changing drastically the sentences? What would", "then started laughing loudly > and clapping his hands as if it were", "used \"it\" immediately after using the adjective-noun pairs but, when I switch person,", "doing this without changing drastically the sentences? What would you suggest? As you", "a chair. It wasn't > moving at all. The tall figure moved to", "palpating the floor as if it > were looking something. The tall figure", "for something. The > skinny figure then started crawling and palpating the floor", "were overjoyed. The skinny figure > hearing this started doing the same. >", "of the room > and started palpating the wall as if it was", "tall figure was overwhelmingly tall. It stood in the corner of the >", "can see, I used \"it\" immediately after using the adjective-noun pairs but, when", "moving at all. The tall figure moved to the opposite side of the", "palpating the wall as if it was looking for something. The > skinny", "of the > room. The skinny figure right beside him sat on a", "> > How do I minimize the amount of repetition? Is there a", "when I switch person, I have no choice but to use the appropriate", "it were overjoyed. The skinny figure > hearing this started doing the same.", "The > skinny figure then started crawling and palpating the floor as if", "clapping his hands as if it were overjoyed. The skinny figure > hearing", "room. The skinny figure right beside him sat on a chair. It wasn't", "in the corner of the > room. The skinny figure right beside him", "the room > and started palpating the wall as if it was looking", "the sentences? What would you suggest? As you can see, I used \"it\"", "the floor as if it > were looking something. The tall figure then", "were looking something. The tall figure then started laughing loudly > and clapping", "> How do I minimize the amount of repetition? Is there a way", "figure > hearing this started doing the same. > > > How do", "of doing this without changing drastically the sentences? What would you suggest? As", "started laughing loudly > and clapping his hands as if it were overjoyed.", "adjective-noun pairs but, when I switch person, I have no choice but to", "pairs but, when I switch person, I have no choice but to use", "figure right beside him sat on a chair. It wasn't > moving at", "corner of the > room. The skinny figure right beside him sat on", "started palpating the wall as if it was looking for something. The >", "right beside him sat on a chair. It wasn't > moving at all.", "started crawling and palpating the floor as if it > were looking something.", "using the adjective-noun pairs but, when I switch person, I have no choice", "I minimize the amount of repetition? Is there a way of doing this", "figure then started crawling and palpating the floor as if it > were", "it > were looking something. The tall figure then started laughing loudly >" ]
[ "sentence: > > ...(Some statements about how mathematics is related to computer science.)", "I heard from someone that in English, sentences with a long subject are", "long subject are considered confusing and hard to read. Is it true? An", "science.) Therefore, the PhD courses about conducting research in mathematics I took during", "a long subject are considered confusing and hard to read. Is it true?", "studies are also relevant for research in computer science. > > > The", "that in English, sentences with a long subject are considered confusing and hard", "such a sentence: > > ...(Some statements about how mathematics is related to", "it true? An example for such a sentence: > > ...(Some statements about", "> ...(Some statements about how mathematics is related to computer science.) Therefore, the", "research in mathematics I took during my master studies are also relevant for", "during my master studies are also relevant for research in computer science. >", "heard from someone that in English, sentences with a long subject are considered", "statements about how mathematics is related to computer science.) Therefore, the PhD courses", "is related to computer science.) Therefore, the PhD courses about conducting research in", "English, sentences with a long subject are considered confusing and hard to read.", "are also relevant for research in computer science. > > > The context", "how mathematics is related to computer science.) Therefore, the PhD courses about conducting", "took during my master studies are also relevant for research in computer science.", "I took during my master studies are also relevant for research in computer", "with a long subject are considered confusing and hard to read. Is it", "relevant for research in computer science. > > > The context is a", "subject are considered confusing and hard to read. Is it true? An example", "are considered confusing and hard to read. Is it true? An example for", "example for such a sentence: > > ...(Some statements about how mathematics is", "PhD courses about conducting research in mathematics I took during my master studies", "computer science. > > > The context is a motivation letter for a", "science. > > > The context is a motivation letter for a PhD", "related to computer science.) Therefore, the PhD courses about conducting research in mathematics", "true? An example for such a sentence: > > ...(Some statements about how", "hard to read. Is it true? An example for such a sentence: >", "the PhD courses about conducting research in mathematics I took during my master", "a sentence: > > ...(Some statements about how mathematics is related to computer", "for research in computer science. > > > The context is a motivation", "and hard to read. Is it true? An example for such a sentence:", "Therefore, the PhD courses about conducting research in mathematics I took during my", "conducting research in mathematics I took during my master studies are also relevant", "> > > The context is a motivation letter for a PhD application.", "to read. Is it true? An example for such a sentence: > >", "read. Is it true? An example for such a sentence: > > ...(Some", "in mathematics I took during my master studies are also relevant for research", "confusing and hard to read. Is it true? An example for such a", "about how mathematics is related to computer science.) Therefore, the PhD courses about", "courses about conducting research in mathematics I took during my master studies are", "for such a sentence: > > ...(Some statements about how mathematics is related", "to computer science.) Therefore, the PhD courses about conducting research in mathematics I", "mathematics I took during my master studies are also relevant for research in", "my master studies are also relevant for research in computer science. > >", "master studies are also relevant for research in computer science. > > >", "An example for such a sentence: > > ...(Some statements about how mathematics", "research in computer science. > > > The context is a motivation letter", "from someone that in English, sentences with a long subject are considered confusing", "in computer science. > > > The context is a motivation letter for", "in English, sentences with a long subject are considered confusing and hard to", "someone that in English, sentences with a long subject are considered confusing and", "mathematics is related to computer science.) Therefore, the PhD courses about conducting research", "also relevant for research in computer science. > > > The context is", "computer science.) Therefore, the PhD courses about conducting research in mathematics I took", "Is it true? An example for such a sentence: > > ...(Some statements", "sentences with a long subject are considered confusing and hard to read. Is", "considered confusing and hard to read. Is it true? An example for such", "> > ...(Some statements about how mathematics is related to computer science.) Therefore,", "...(Some statements about how mathematics is related to computer science.) Therefore, the PhD", "about conducting research in mathematics I took during my master studies are also" ]
[ "stories are different; I just mean the style. I think it's easier and", "authors and their (and my) style is really much different from the authors", "much different from the authors whose genre I aspire to write. For example,", "countries. So the writing style for narration also is different. I have read", "a large audience. So my question is, what are the advantages and disadvantages", "it's spoken in native English countries. So the writing style for narration also", "but, still, the style based on spoken narrative is way different. It's very", "we normally speak English is, of course, different from how it's spoken in", "of the usual things but, still, the style based on spoken narrative is", "I aspire to write. For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert", "have read the books on writing style suggested by Spepfuj Kunw, and other", "I am trying to imitate their writing styles. The stories are different; I", "which can match their styles, but I am trying to imitate their writing", "is way different. It's very difficult to invent my own style which can", "way different. It's very difficult to invent my own style which can match", "description of the usual things but, still, the style based on spoken narrative", "their styles, but I am trying to imitate their writing styles. The stories", "English countries. So the writing style for narration also is different. I have", "will be acceptable to a large audience. So my question is, what are", "what are the advantages and disadvantages of copying the styles of established authors?", "My writing fits the description of the usual things but, still, the style", "writing fits the description of the usual things but, still, the style based", "their (and my) style is really much different from the authors whose genre", "style is really much different from the authors whose genre I aspire to", "novel. The way we normally speak English is, of course, different from how", "level English fluency (IELTS score 7). Some of the articles on my blog", "am trying to imitate their writing styles. The stories are different; I just", "can match their styles, but I am trying to imitate their writing styles.", "read a few novels from local authors and their (and my) style is", "the books on writing style suggested by Spepfuj Kunw, and other good books", "I have read a few novels from local authors and their (and my)", "to imitate their writing styles. The stories are different; I just mean the", "really much different from the authors whose genre I aspire to write. For", "and their (and my) style is really much different from the authors whose", "to write. For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I", "Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I have read the books", "different. It's very difficult to invent my own style which can match their", "novels from local authors and their (and my) style is really much different", "suggested by Spepfuj Kunw, and other good books suggested online. My writing fits", "way we normally speak English is, of course, different from how it's spoken", "analysis, I will say I have an intermediate level English fluency (IELTS score", "on my blog were chosen by an international magazine (free of course). But", "style which can match their styles, but I am trying to imitate their", "different from how it's spoken in native English countries. So the writing style", "is, what are the advantages and disadvantages of copying the styles of established", "good books suggested online. My writing fits the description of the usual things", "easier and will be acceptable to a large audience. So my question is,", "come from a non-native English speaking country and, from my own analysis, I", "my) style is really much different from the authors whose genre I aspire", "authors whose genre I aspire to write. For example, Elizabeth Gilbert, J.K Rowling,", "style suggested by Spepfuj Kunw, and other good books suggested online. My writing", "things but, still, the style based on spoken narrative is way different. It's", "my own analysis, I will say I have an intermediate level English fluency", "7). Some of the articles on my blog were chosen by an international", "English speaking country and, from my own analysis, I will say I have", "Dal Xmowf, Robert Ludlum. I have read the books on writing style suggested", "(IELTS score 7). Some of the articles on my blog were chosen by", "write. For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I have", "still, the style based on spoken narrative is way different. It's very difficult", "but I am trying to imitate their writing styles. The stories are different;", "Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I have read the books on", "be acceptable to a large audience. So my question is, what are the", "different. I have read a few novels from local authors and their (and", "writing style for narration also is different. I have read a few novels", "whose genre I aspire to write. For example, Elizabeth Gilbert, J.K Rowling, Dal", "I have read the books on writing style suggested by Spepfuj Kunw, and", "But now I am writing a novel. The way we normally speak English", "have an intermediate level English fluency (IELTS score 7). Some of the articles", "native English countries. So the writing style for narration also is different. I", "spoken in native English countries. So the writing style for narration also is", "international magazine (free of course). But now I am writing a novel. The", "few novels from local authors and their (and my) style is really much", "of course). But now I am writing a novel. The way we normally", "suggested online. My writing fits the description of the usual things but, still,", "course, different from how it's spoken in native English countries. So the writing", "to a large audience. So my question is, what are the advantages and", "an intermediate level English fluency (IELTS score 7). Some of the articles on", "style. I think it's easier and will be acceptable to a large audience.", "is really much different from the authors whose genre I aspire to write.", "an international magazine (free of course). But now I am writing a novel.", "narrative is way different. It's very difficult to invent my own style which", "now I am writing a novel. The way we normally speak English is,", "genre I aspire to write. For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf,", "the writing style for narration also is different. I have read a few", "on writing style suggested by Spepfuj Kunw, and other good books suggested online.", "and other good books suggested online. My writing fits the description of the", "trying to imitate their writing styles. The stories are different; I just mean", "The way we normally speak English is, of course, different from how it's", "own style which can match their styles, but I am trying to imitate", "just mean the style. I think it's easier and will be acceptable to", "I think it's easier and will be acceptable to a large audience. So", "normally speak English is, of course, different from how it's spoken in native", "based on spoken narrative is way different. It's very difficult to invent my", "large audience. So my question is, what are the advantages and disadvantages of", "style for narration also is different. I have read a few novels from", "from how it's spoken in native English countries. So the writing style for", "from the authors whose genre I aspire to write. For example, Elizabeth Gilbert,", "invent my own style which can match their styles, but I am trying", "are different; I just mean the style. I think it's easier and will", "English is, of course, different from how it's spoken in native English countries.", "So my question is, what are the advantages and disadvantages of copying the", "the authors whose genre I aspire to write. For example, Elizabeth Gilbert, J.K", "question is, what are the advantages and disadvantages of copying the styles of", "and, from my own analysis, I will say I have an intermediate level", "my question is, what are the advantages and disadvantages of copying the styles", "books on writing style suggested by Spepfuj Kunw, and other good books suggested", "the description of the usual things but, still, the style based on spoken", "how it's spoken in native English countries. So the writing style for narration", "(and my) style is really much different from the authors whose genre I", "styles. The stories are different; I just mean the style. I think it's", "I come from a non-native English speaking country and, from my own analysis,", "a novel. The way we normally speak English is, of course, different from", "my own style which can match their styles, but I am trying to", "my blog were chosen by an international magazine (free of course). But now", "writing styles. The stories are different; I just mean the style. I think", "style based on spoken narrative is way different. It's very difficult to invent", "blog were chosen by an international magazine (free of course). But now I", "fluency (IELTS score 7). Some of the articles on my blog were chosen", "Some of the articles on my blog were chosen by an international magazine", "styles, but I am trying to imitate their writing styles. The stories are", "speaking country and, from my own analysis, I will say I have an", "think it's easier and will be acceptable to a large audience. So my", "to invent my own style which can match their styles, but I am", "of course, different from how it's spoken in native English countries. So the", "articles on my blog were chosen by an international magazine (free of course).", "other good books suggested online. My writing fits the description of the usual", "a few novels from local authors and their (and my) style is really", "The stories are different; I just mean the style. I think it's easier", "read the books on writing style suggested by Spepfuj Kunw, and other good", "books suggested online. My writing fits the description of the usual things but,", "difficult to invent my own style which can match their styles, but I", "different; I just mean the style. I think it's easier and will be", "I have an intermediate level English fluency (IELTS score 7). Some of the", "and will be acceptable to a large audience. So my question is, what", "from my own analysis, I will say I have an intermediate level English", "in native English countries. So the writing style for narration also is different.", "intermediate level English fluency (IELTS score 7). Some of the articles on my", "aspire to write. For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum.", "(free of course). But now I am writing a novel. The way we", "the articles on my blog were chosen by an international magazine (free of", "were chosen by an international magazine (free of course). But now I am", "course). But now I am writing a novel. The way we normally speak", "by an international magazine (free of course). But now I am writing a", "Xmowf, Robert Ludlum. I have read the books on writing style suggested by", "narration also is different. I have read a few novels from local authors", "the style based on spoken narrative is way different. It's very difficult to", "writing style suggested by Spepfuj Kunw, and other good books suggested online. My", "the style. I think it's easier and will be acceptable to a large", "also is different. I have read a few novels from local authors and", "is, of course, different from how it's spoken in native English countries. So", "Robert Ludlum. I have read the books on writing style suggested by Spepfuj", "Kunw, and other good books suggested online. My writing fits the description of", "spoken narrative is way different. It's very difficult to invent my own style", "am writing a novel. The way we normally speak English is, of course,", "own analysis, I will say I have an intermediate level English fluency (IELTS", "audience. So my question is, what are the advantages and disadvantages of copying", "from local authors and their (and my) style is really much different from", "speak English is, of course, different from how it's spoken in native English", "a non-native English speaking country and, from my own analysis, I will say", "very difficult to invent my own style which can match their styles, but", "Spepfuj Kunw, and other good books suggested online. My writing fits the description", "acceptable to a large audience. So my question is, what are the advantages", "score 7). Some of the articles on my blog were chosen by an", "J.K Rowling, Dal Xmowf, Robert Ludlum. I have read the books on writing", "local authors and their (and my) style is really much different from the", "different from the authors whose genre I aspire to write. For example, Elizabeth", "online. My writing fits the description of the usual things but, still, the", "imitate their writing styles. The stories are different; I just mean the style.", "from a non-native English speaking country and, from my own analysis, I will", "will say I have an intermediate level English fluency (IELTS score 7). Some", "is different. I have read a few novels from local authors and their", "English fluency (IELTS score 7). Some of the articles on my blog were", "For example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I have read", "by Spepfuj Kunw, and other good books suggested online. My writing fits the", "for narration also is different. I have read a few novels from local", "usual things but, still, the style based on spoken narrative is way different.", "example, Elizabeth Gilbert, J.K Rowling, Dal Xmowf, Robert Ludlum. I have read the", "I will say I have an intermediate level English fluency (IELTS score 7).", "It's very difficult to invent my own style which can match their styles,", "mean the style. I think it's easier and will be acceptable to a", "non-native English speaking country and, from my own analysis, I will say I", "Ludlum. I have read the books on writing style suggested by Spepfuj Kunw,", "the usual things but, still, the style based on spoken narrative is way", "chosen by an international magazine (free of course). But now I am writing", "match their styles, but I am trying to imitate their writing styles. The", "of the articles on my blog were chosen by an international magazine (free", "country and, from my own analysis, I will say I have an intermediate", "I am writing a novel. The way we normally speak English is, of", "So the writing style for narration also is different. I have read a", "I just mean the style. I think it's easier and will be acceptable", "fits the description of the usual things but, still, the style based on", "on spoken narrative is way different. It's very difficult to invent my own", "it's easier and will be acceptable to a large audience. So my question", "have read a few novels from local authors and their (and my) style", "Rowling, Dal Xmowf, Robert Ludlum. I have read the books on writing style", "writing a novel. The way we normally speak English is, of course, different", "say I have an intermediate level English fluency (IELTS score 7). Some of", "their writing styles. The stories are different; I just mean the style. I", "magazine (free of course). But now I am writing a novel. The way" ]
[ "racism needs to exist in fantasy stories. Using racism can lead to it", "it being hard to write. Not using racism can affect the mythology and", "hard part is that there are races in my book, but there's no", "my book, but there's no racism so that's going to be a bit", "in fantasy stories. Using racism can lead to it being hard to write.", "write about racism. The hard part is that there are races in my", "to whether or not racism needs to exist in fantasy stories. Using racism", "the novel off of America, England, Ireland, Viking countries, Greece, and Native American", "or write a story without racism as part of my worldbuilding?' Edit: It's", "worldbuilding?' Edit: It's been so long since I've been on this site. I", "and Hijrp Potfeq. It's a very dark children's book I'll admit, but Hijrp", "Lord of the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a very dark", "admit, but Hijrp Potfeq was dark for a children's book and it's popular.", "dark for a children's book and it's popular. It's based on my make-believe", "been on this site. I don't know how long ago this post was,", "a story without racism as part of my worldbuilding?' Edit: It's been so", "for a children's book and it's popular. It's based on my make-believe with", "to write. Not using racism can affect the mythology and culture. So should", "as to whether or not racism needs to exist in fantasy stories. Using", "been basing my world-building in the novel off of America, England, Ireland, Viking", "exist in fantasy stories. Using racism can lead to it being hard to", "inspired by action cartoons, Star Wars, Lord of the Rings, paganism/Wicca, mythology and", "culture. So should I use racism as one of the parts of my", "to write about racism. The hard part is that there are races in", "part is that there are races in my book, but there's no racism", "as time went on I've been hearing discussions from most writers as to", "write a story without racism as part of my worldbuilding?' Edit: It's been", "of the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a very dark children's", "America, England, Ireland, Viking countries, Greece, and Native American culture. However, as time", "writers as to whether or not racism needs to exist in fantasy stories.", "site. I don't know how long ago this post was, but after some", "action cartoons, Star Wars, Lord of the Rings, paganism/Wicca, mythology and Hijrp Potfeq.", "a very dark children's book I'll admit, but Hijrp Potfeq was dark for", "Greece, and Native American culture. However, as time went on I've been hearing", "I've been hearing discussions from most writers as to whether or not racism", "know how long ago this post was, but after some time I decided", "there are races in my book, but there's no racism so that's going", "I've been basing my world-building in the novel off of America, England, Ireland,", "affect the mythology and culture. So should I use racism as one of", "book I'll admit, but Hijrp Potfeq was dark for a children's book and", "this post was, but after some time I decided not to write about", "make-believe with toys as a kid. I've been basing my world-building in the", "book, but there's no racism so that's going to be a bit tricky.", "use racism as one of the parts of my worldbuilding, or write a", "stories. Using racism can lead to it being hard to write. Not using", "most writers as to whether or not racism needs to exist in fantasy", "being hard to write. Not using racism can affect the mythology and culture.", "time went on I've been hearing discussions from most writers as to whether", "off of America, England, Ireland, Viking countries, Greece, and Native American culture. However,", "Star Wars, Lord of the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a", "and Native American culture. However, as time went on I've been hearing discussions", "Potfeq was dark for a children's book and it's popular. It's based on", "children's book I'll admit, but Hijrp Potfeq was dark for a children's book", "been hearing discussions from most writers as to whether or not racism needs", "Wars, Lord of the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a very", "a children's novel inspired by action cartoons, Star Wars, Lord of the Rings,", "Viking countries, Greece, and Native American culture. However, as time went on I've", "time I decided not to write about racism. The hard part is that", "based on my make-believe with toys as a kid. I've been basing my", "Hijrp Potfeq. It's a very dark children's book I'll admit, but Hijrp Potfeq", "world-building in the novel off of America, England, Ireland, Viking countries, Greece, and", "on my make-believe with toys as a kid. I've been basing my world-building", "as part of my worldbuilding?' Edit: It's been so long since I've been", "Edit: It's been so long since I've been on this site. I don't", "whether or not racism needs to exist in fantasy stories. Using racism can", "write. Not using racism can affect the mythology and culture. So should I", "this site. I don't know how long ago this post was, but after", "kid. I've been basing my world-building in the novel off of America, England,", "it's popular. It's based on my make-believe with toys as a kid. I've", "of America, England, Ireland, Viking countries, Greece, and Native American culture. However, as", "my worldbuilding, or write a story without racism as part of my worldbuilding?'", "story without racism as part of my worldbuilding?' Edit: It's been so long", "been so long since I've been on this site. I don't know how", "The hard part is that there are races in my book, but there's", "book and it's popular. It's based on my make-believe with toys as a", "Native American culture. However, as time went on I've been hearing discussions from", "popular. It's based on my make-believe with toys as a kid. I've been", "on I've been hearing discussions from most writers as to whether or not", "post was, but after some time I decided not to write about racism.", "can lead to it being hard to write. Not using racism can affect", "one of the parts of my worldbuilding, or write a story without racism", "part of my worldbuilding?' Edit: It's been so long since I've been on", "basing my world-building in the novel off of America, England, Ireland, Viking countries,", "without racism as part of my worldbuilding?' Edit: It's been so long since", "races in my book, but there's no racism so that's going to be", "discussions from most writers as to whether or not racism needs to exist", "racism can affect the mythology and culture. So should I use racism as", "lead to it being hard to write. Not using racism can affect the", "or not racism needs to exist in fantasy stories. Using racism can lead", "a kid. I've been basing my world-building in the novel off of America,", "Ireland, Viking countries, Greece, and Native American culture. However, as time went on", "hard to write. Not using racism can affect the mythology and culture. So", "ago this post was, but after some time I decided not to write", "racism. The hard part is that there are races in my book, but", "my make-believe with toys as a kid. I've been basing my world-building in", "racism can lead to it being hard to write. Not using racism can", "It's based on my make-believe with toys as a kid. I've been basing", "my worldbuilding?' Edit: It's been so long since I've been on this site.", "using racism can affect the mythology and culture. So should I use racism", "I use racism as one of the parts of my worldbuilding, or write", "England, Ireland, Viking countries, Greece, and Native American culture. However, as time went", "after some time I decided not to write about racism. The hard part", "is that there are races in my book, but there's no racism so", "the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a very dark children's book", "as a kid. I've been basing my world-building in the novel off of", "not racism needs to exist in fantasy stories. Using racism can lead to", "novel inspired by action cartoons, Star Wars, Lord of the Rings, paganism/Wicca, mythology", "so long since I've been on this site. I don't know how long", "decided not to write about racism. The hard part is that there are", "don't know how long ago this post was, but after some time I", "mythology and Hijrp Potfeq. It's a very dark children's book I'll admit, but", "went on I've been hearing discussions from most writers as to whether or", "the mythology and culture. So should I use racism as one of the", "was, but after some time I decided not to write about racism. The", "novel off of America, England, Ireland, Viking countries, Greece, and Native American culture.", "but Hijrp Potfeq was dark for a children's book and it's popular. It's", "I don't know how long ago this post was, but after some time", "in the novel off of America, England, Ireland, Viking countries, Greece, and Native", "since I've been on this site. I don't know how long ago this", "cartoons, Star Wars, Lord of the Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's", "needs to exist in fantasy stories. Using racism can lead to it being", "countries, Greece, and Native American culture. However, as time went on I've been", "from most writers as to whether or not racism needs to exist in", "I've been writing a children's novel inspired by action cartoons, Star Wars, Lord", "Using racism can lead to it being hard to write. Not using racism", "worldbuilding, or write a story without racism as part of my worldbuilding?' Edit:", "to it being hard to write. Not using racism can affect the mythology", "paganism/Wicca, mythology and Hijrp Potfeq. It's a very dark children's book I'll admit,", "been writing a children's novel inspired by action cartoons, Star Wars, Lord of", "very dark children's book I'll admit, but Hijrp Potfeq was dark for a", "with toys as a kid. I've been basing my world-building in the novel", "of my worldbuilding?' Edit: It's been so long since I've been on this", "Not using racism can affect the mythology and culture. So should I use", "in my book, but there's no racism so that's going to be a", "as one of the parts of my worldbuilding, or write a story without", "by action cartoons, Star Wars, Lord of the Rings, paganism/Wicca, mythology and Hijrp", "of my worldbuilding, or write a story without racism as part of my", "a children's book and it's popular. It's based on my make-believe with toys", "fantasy stories. Using racism can lead to it being hard to write. Not", "racism as one of the parts of my worldbuilding, or write a story", "It's been so long since I've been on this site. I don't know", "American culture. However, as time went on I've been hearing discussions from most", "children's book and it's popular. It's based on my make-believe with toys as", "on this site. I don't know how long ago this post was, but", "dark children's book I'll admit, but Hijrp Potfeq was dark for a children's", "So should I use racism as one of the parts of my worldbuilding,", "mythology and culture. So should I use racism as one of the parts", "are races in my book, but there's no racism so that's going to", "can affect the mythology and culture. So should I use racism as one", "the parts of my worldbuilding, or write a story without racism as part", "parts of my worldbuilding, or write a story without racism as part of", "hearing discussions from most writers as to whether or not racism needs to", "I've been on this site. I don't know how long ago this post", "Potfeq. It's a very dark children's book I'll admit, but Hijrp Potfeq was", "toys as a kid. I've been basing my world-building in the novel off", "to exist in fantasy stories. Using racism can lead to it being hard", "should I use racism as one of the parts of my worldbuilding, or", "racism as part of my worldbuilding?' Edit: It's been so long since I've", "my world-building in the novel off of America, England, Ireland, Viking countries, Greece,", "of the parts of my worldbuilding, or write a story without racism as", "writing a children's novel inspired by action cartoons, Star Wars, Lord of the", "However, as time went on I've been hearing discussions from most writers as", "children's novel inspired by action cartoons, Star Wars, Lord of the Rings, paganism/Wicca,", "and it's popular. It's based on my make-believe with toys as a kid.", "long since I've been on this site. I don't know how long ago", "Hijrp Potfeq was dark for a children's book and it's popular. It's based", "was dark for a children's book and it's popular. It's based on my", "It's a very dark children's book I'll admit, but Hijrp Potfeq was dark", "long ago this post was, but after some time I decided not to", "I'll admit, but Hijrp Potfeq was dark for a children's book and it's", "but after some time I decided not to write about racism. The hard", "I decided not to write about racism. The hard part is that there", "about racism. The hard part is that there are races in my book,", "culture. However, as time went on I've been hearing discussions from most writers", "not to write about racism. The hard part is that there are races", "Rings, paganism/Wicca, mythology and Hijrp Potfeq. It's a very dark children's book I'll", "some time I decided not to write about racism. The hard part is", "and culture. So should I use racism as one of the parts of", "how long ago this post was, but after some time I decided not", "that there are races in my book, but there's no racism so that's" ]
[ "powerful \"rolling billow\"? Is this just really bad style? It seems to have", "are many seeming contradictions: When we think \"billows rocked\" we think of a", "to have a poetic effect. Is there a way to leverage such inconsistencies", "a poetic effect. Is there a way to leverage such inconsistencies to deliberately", "piece of writing I came up with: > > The rolling billows rocked", "I came up with: > > The rolling billows rocked the mighty galleon", "that, and then \"madly\" goes against cradling and finally \"as if it were", "just really bad style? It seems to have a poetic effect. Is there", "child\" goes completely against the idea of a powerful \"rolling billow\"? Is this", "mighty galleon > > cradling it madly as if it were but a", "Is there a way to leverage such inconsistencies to deliberately create this effect?", "as if it were but a mere child. > > > There are", "this effect? And can it be used in novels, or only in poetry?", "rocked the mighty galleon > > cradling it madly as if it were", "of a powerful motion, \"cradling\" goes against that, and then \"madly\" goes against", "it were but a mere child. > > > There are many seeming", "think \"billows rocked\" we think of a powerful motion, \"cradling\" goes against that,", "seeming contradictions: When we think \"billows rocked\" we think of a powerful motion,", "goes completely against the idea of a powerful \"rolling billow\"? Is this just", "When we think \"billows rocked\" we think of a powerful motion, \"cradling\" goes", "motion, \"cradling\" goes against that, and then \"madly\" goes against cradling and finally", "a piece of writing I came up with: > > The rolling billows", "against cradling and finally \"as if it were but a mere child\" goes", "rocked\" we think of a powerful motion, \"cradling\" goes against that, and then", "\"madly\" goes against cradling and finally \"as if it were but a mere", "inconsistencies to deliberately create this effect? And can it be used in novels,", "up with: > > The rolling billows rocked the mighty galleon > >", "then \"madly\" goes against cradling and finally \"as if it were but a", "such inconsistencies to deliberately create this effect? And can it be used in", "> > The rolling billows rocked the mighty galleon > > cradling it", "have a poetic effect. Is there a way to leverage such inconsistencies to", "if it were but a mere child\" goes completely against the idea of", "finally \"as if it were but a mere child\" goes completely against the", "think of a powerful motion, \"cradling\" goes against that, and then \"madly\" goes", "a mere child\" goes completely against the idea of a powerful \"rolling billow\"?", "> > cradling it madly as if it were but a mere child.", "> cradling it madly as if it were but a mere child. >", "writing I came up with: > > The rolling billows rocked the mighty", "of a powerful \"rolling billow\"? Is this just really bad style? It seems", "mere child\" goes completely against the idea of a powerful \"rolling billow\"? Is", "with: > > The rolling billows rocked the mighty galleon > > cradling", "if it were but a mere child. > > > There are many", "> > > There are many seeming contradictions: When we think \"billows rocked\"", "child. > > > There are many seeming contradictions: When we think \"billows", "> There are many seeming contradictions: When we think \"billows rocked\" we think", "> > There are many seeming contradictions: When we think \"billows rocked\" we", "we think \"billows rocked\" we think of a powerful motion, \"cradling\" goes against", "bad style? It seems to have a poetic effect. Is there a way", "really bad style? It seems to have a poetic effect. Is there a", "a powerful \"rolling billow\"? Is this just really bad style? It seems to", "completely against the idea of a powerful \"rolling billow\"? Is this just really", "many seeming contradictions: When we think \"billows rocked\" we think of a powerful", "\"rolling billow\"? Is this just really bad style? It seems to have a", "came up with: > > The rolling billows rocked the mighty galleon >", "contradictions: When we think \"billows rocked\" we think of a powerful motion, \"cradling\"", "cradling it madly as if it were but a mere child. > >", "goes against cradling and finally \"as if it were but a mere child\"", "were but a mere child. > > > There are many seeming contradictions:", "it were but a mere child\" goes completely against the idea of a", "mere child. > > > There are many seeming contradictions: When we think", "galleon > > cradling it madly as if it were but a mere", "idea of a powerful \"rolling billow\"? Is this just really bad style? It", "goes against that, and then \"madly\" goes against cradling and finally \"as if", "but a mere child\" goes completely against the idea of a powerful \"rolling", "cradling and finally \"as if it were but a mere child\" goes completely", "and finally \"as if it were but a mere child\" goes completely against", "a powerful motion, \"cradling\" goes against that, and then \"madly\" goes against cradling", "the mighty galleon > > cradling it madly as if it were but", "it madly as if it were but a mere child. > > >", "were but a mere child\" goes completely against the idea of a powerful", "effect. Is there a way to leverage such inconsistencies to deliberately create this", "rolling billows rocked the mighty galleon > > cradling it madly as if", "way to leverage such inconsistencies to deliberately create this effect? And can it", "Is this just really bad style? It seems to have a poetic effect.", "style? It seems to have a poetic effect. Is there a way to", "\"billows rocked\" we think of a powerful motion, \"cradling\" goes against that, and", "the idea of a powerful \"rolling billow\"? Is this just really bad style?", "create this effect? And can it be used in novels, or only in", "\"cradling\" goes against that, and then \"madly\" goes against cradling and finally \"as", "we think of a powerful motion, \"cradling\" goes against that, and then \"madly\"", "> The rolling billows rocked the mighty galleon > > cradling it madly", "The rolling billows rocked the mighty galleon > > cradling it madly as", "and then \"madly\" goes against cradling and finally \"as if it were but", "madly as if it were but a mere child. > > > There", "powerful motion, \"cradling\" goes against that, and then \"madly\" goes against cradling and", "against the idea of a powerful \"rolling billow\"? Is this just really bad", "It seems to have a poetic effect. Is there a way to leverage", "a way to leverage such inconsistencies to deliberately create this effect? And can", "deliberately create this effect? And can it be used in novels, or only", "to leverage such inconsistencies to deliberately create this effect? And can it be", "billow\"? Is this just really bad style? It seems to have a poetic", "but a mere child. > > > There are many seeming contradictions: When", "leverage such inconsistencies to deliberately create this effect? And can it be used", "there a way to leverage such inconsistencies to deliberately create this effect? And", "poetic effect. Is there a way to leverage such inconsistencies to deliberately create", "seems to have a poetic effect. Is there a way to leverage such", "billows rocked the mighty galleon > > cradling it madly as if it", "of writing I came up with: > > The rolling billows rocked the", "this just really bad style? It seems to have a poetic effect. Is", "There are many seeming contradictions: When we think \"billows rocked\" we think of", "\"as if it were but a mere child\" goes completely against the idea", "Here's a piece of writing I came up with: > > The rolling", "to deliberately create this effect? And can it be used in novels, or", "a mere child. > > > There are many seeming contradictions: When we", "against that, and then \"madly\" goes against cradling and finally \"as if it" ]
[ "see it as \"different\", he'd just have rain when the reader wouldn't expect", "Manhattan is all underwater now, if I like, but it would serve no", "rain example) can go either way, but put together, they create a picture", "Basically, if I set my story 100 years into the future, some things", "when the reader wouldn't expect that. However, such rain is not directly relevant", "I set my story 100 years into the future, some things on Earth", "realistic (that is - presenting the future as I imagine it is likely", "avoiding flooding the reader with information not directly relevant to the story? For", "to be \"the boy next door\", I don't need much of a technological", "sci-fi novel. The focus of the story is war, and that happens far", "to be possible, I need FTL, as well as the technological ability to", "change is likely. During the MC's time on Earth, he would naturally see", "story? For example, climate change is likely. During the MC's time on Earth,", "that's easy. And I can mention in passing that Manhattan is all underwater", "However, I'm starting with my MC's \"normal\", on Earth. It is this \"normal\"", "don't need much of a technological or social change on Earth. Moreover, significant", "a different rain pattern from what we have today. He wouldn't see it", "or social change on Earth. Moreover, significant changes from the modern life we", "I'm writing a military sci-fi novel. The focus of the story is war,", "need FTL, as well as the technological ability to start colonising other planets.", "rain is not directly relevant to the story, and might be confusing to", "we have today. He wouldn't see it as \"different\", he'd just have rain", "having that rain, but then the setting is less realistic. Each particular detail", "multiple times, I'm writing a military sci-fi novel. The focus of the story", "because for it to be possible, I need FTL, as well as the", "changes include technology, society, politics, climate... How do I balance keeping my setting", "wouldn't expect that. However, such rain is not directly relevant to the story,", "any way. Those changes include technology, society, politics, climate... How do I balance", "as I imagine it is likely to be) *against avoiding flooding the reader", "from the modern life we know would distract from the story I wish", "I don't need much of a technological or social change on Earth. Moreover,", "It's not that I cannot* accommodate change. I have my characters getting around", "do I balance keeping my setting realistic (that is - presenting the future", "expect that. However, such rain is not directly relevant to the story, and", "a military sci-fi novel. The focus of the story is war, and that", "I need FTL, as well as the technological ability to start colonising other", "have today. He wouldn't see it as \"different\", he'd just have rain when", "mentioned multiple times, I'm writing a military sci-fi novel. The focus of the", "the extent that the MC is supposed to be \"the boy next door\",", "I can mention in passing that Manhattan is all underwater now, if I", "flooding the reader with information not directly relevant to the story? For example,", "that happens far away from Earth. However, I'm starting with my MC's \"normal\",", "be there. Basically, if I set my story 100 years into the future,", "I like, but it would serve no purpose in my story, it would", "what we have today. He wouldn't see it as \"different\", he'd just have", "a technological or social change on Earth. Moreover, significant changes from the modern", "change. I have my characters getting around on autonomous drones rather than cars", "those things my characters would be aware of, but they do not serve", "things on Earth will have changed. Quite a few of those things my", "the reader. I can avoid having that rain, but then the setting is", "time on Earth, he would naturally see the effects of climate change, such", "ask about. I've set the story in the future because for it to", "rather than cars - that's easy. And I can mention in passing that", "supposed to be \"the boy next door\", I don't need much of a", "relevant to the story, and might be confusing to the reader. I can", "much of a technological or social change on Earth. Moreover, significant changes from", "set my story 100 years into the future, some things on Earth will", "to be) against avoiding flooding the reader with information not directly relevant to", "is less realistic. Each particular detail (such as the rain example) can go", "the modern life we know would distract from the story I wish to", "Moreover, significant changes from the modern life we know would distract from the", "things my characters would be aware of, but they do not serve my", "autonomous drones rather than cars - that's easy. And I can mention in", "drones rather than cars - that's easy. And I can mention in passing", "I can avoid having that rain, but then the setting is less realistic.", "just have rain when the reader wouldn't expect that. However, such rain is", "underwater now, if I like, but it would serve no purpose in my", "aware of, but they do not serve my story in any way. Those", "my characters getting around on autonomous drones rather than cars - that's easy.", "is likely. During the MC's time on Earth, he would naturally see the", "technological or social change on Earth. Moreover, significant changes from the modern life", "(that is - presenting the future as I imagine it is likely to", "boy next door\", I don't need much of a technological or social change", "such rain is not directly relevant to the story, and might be confusing", "would be aware of, but they do not serve my story in any", "realistic. Each particular detail (such as the rain example) can go either way,", "wouldn't see it as \"different\", he'd just have rain when the reader wouldn't", "it to be possible, I need FTL, as well as the technological ability", "as well as the technological ability to start colonising other planets. To the", "climate change, such as a different rain pattern from what we have today.", "then the setting is less realistic. Each particular detail (such as the rain", "the future as I imagine it is likely to be) against avoiding flooding", "now, if I like, but it would serve no purpose in my story,", "However, such rain is not directly relevant to the story, and might be", "in passing that Manhattan is all underwater now, if I like, but it", "I've mentioned multiple times, I'm writing a military sci-fi novel. The focus of", "the future, some things on Earth will have changed. Quite a few of", "life we know would distract from the story I wish to tell. It's", "that I'd like to ask about. I've set the story in the future", "climate... How do I balance keeping my setting realistic (that is - presenting", "serve my story in any way. Those changes include technology, society, politics, climate...", "As I've mentioned multiple times, I'm writing a military sci-fi novel. The focus", "all underwater now, if I like, but it would serve no purpose in", "if I like, but it would serve no purpose in my story, it", "balance keeping my setting realistic (that is - presenting the future as I", "that the MC is supposed to be \"the boy next door\", I don't", "my MC's \"normal\", on Earth. It is this \"normal\" that I'd like to", "wish to tell. It's not that I cannot accommodate change. I have my", "reader with information not directly relevant to the story? For example, climate change", "technology, society, politics, climate... How do I balance keeping my setting realistic (that", "future because for it to be possible, I need FTL, as well as", "mention in passing that Manhattan is all underwater now, if I like, but", "story in any way. Those changes include technology, society, politics, climate... How do", "would naturally see the effects of climate change, such as a different rain", "of climate change, such as a different rain pattern from what we have", "avoid having that rain, but then the setting is less realistic. Each particular", "set the story in the future because for it to be possible, I", "How do I balance keeping my setting realistic (that is - presenting the", "Earth. It is this \"normal\" that I'd like to ask about. I've set", "tell.** It's not that I cannot accommodate change. I have my characters getting", "Earth will have changed. Quite a few of those things my characters would", "some things on Earth will have changed. Quite a few of those things", "against avoiding flooding the reader with information not directly relevant to the story?", "no purpose in my story, it would just be there. Basically, if I", "I wish to tell. It's not that I cannot accommodate change. I have", "I'm starting with my MC's \"normal\", on Earth. It is this \"normal\" that", "I balance keeping my setting realistic (that is - presenting the future as", "include technology, society, politics, climate... How do I balance keeping my setting realistic", "accommodate change. I have my characters getting around on autonomous drones rather than", "for it to be possible, I need FTL, as well as the technological", "reader wouldn't expect that. However, such rain is not directly relevant to the", "is supposed to be \"the boy next door\", I don't need much of", "as the technological ability to start colonising other planets. To the extent that", "away from Earth. However, I'm starting with my MC's \"normal\", on Earth. It", "directly relevant to the story, and might be confusing to the reader. I", "Earth. However, I'm starting with my MC's \"normal\", on Earth. It is this", "I've set the story in the future because for it to be possible,", "might be confusing to the reader. I can avoid having that rain, but", "my story 100 years into the future, some things on Earth will have", "rain when the reader wouldn't expect that. However, such rain is not directly", "happens far away from Earth. However, I'm starting with my MC's \"normal\", on", "Each particular detail (such as the rain example) can go either way, but", "information not directly relevant to the story? For example, climate change is likely.", "the story I wish to tell.** It's not that I cannot accommodate change.", "I have my characters getting around on autonomous drones rather than cars -", "we know would distract from the story I wish to tell. It's not", "have changed. Quite a few of those things my characters would be aware", "do not serve my story in any way. Those changes include technology, society,", "rain pattern from what we have today. He wouldn't see it as \"different\",", "Earth. Moreover, significant changes from the modern life we know would distract from", "in my story, it would just be there. Basically, if I set my", "than cars - that's easy. And I can mention in passing that Manhattan", "on Earth will have changed. Quite a few of those things my characters", "(such as the rain example) can go either way, but put together, they", "on Earth. Moreover, significant changes from the modern life we know would distract", "likely. During the MC's time on Earth, he would naturally see the effects", "my story, it would just be there. Basically, if I set my story", "keeping my setting realistic (that is - presenting the future as I imagine", "can go either way, but put together, they create a picture that I'm", "from the story I wish to tell.** It's not that I cannot accommodate", "my characters would be aware of, but they do not serve my story", "way. Those changes include technology, society, politics, climate... How do I balance keeping", "changes from the modern life we know would distract from the story I", "colonising other planets. To the extent that the MC is supposed to be", "\"the boy next door\", I don't need much of a technological or social", "story 100 years into the future, some things on Earth will have changed.", "war, and that happens far away from Earth. However, I'm starting with my", "change, such as a different rain pattern from what we have today. He", "passing that Manhattan is all underwater now, if I like, but it would", "of those things my characters would be aware of, but they do not", "characters would be aware of, but they do not serve my story in", "that rain, but then the setting is less realistic. Each particular detail (such", "not directly relevant to the story, and might be confusing to the reader.", "can mention in passing that Manhattan is all underwater now, if I like,", "it would just be there. Basically, if I set my story 100 years", "it as \"different\", he'd just have rain when the reader wouldn't expect that.", "like to ask about. I've set the story in the future because for", "planets. To the extent that the MC is supposed to be \"the boy", "go either way, but put together, they create a picture that I'm struggling", "To the extent that the MC is supposed to be \"the boy next", "the setting is less realistic. Each particular detail (such as the rain example)", "serve no purpose in my story, it would just be there. Basically, if", "but then the setting is less realistic. Each particular detail (such as the", "of the story is war, and that happens far away from Earth. However,", "be) against avoiding flooding the reader with information not directly relevant to the", "be aware of, but they do not serve my story in any way.", "start colonising other planets. To the extent that the MC is supposed to", "starting with my MC's \"normal\", on Earth. It is this \"normal\" that I'd", "today. He wouldn't see it as \"different\", he'd just have rain when the", "and that happens far away from Earth. However, I'm starting with my MC's", "and might be confusing to the reader. I can avoid having that rain,", "ability to start colonising other planets. To the extent that the MC is", "effects of climate change, such as a different rain pattern from what we", "they do not serve my story in any way. Those changes include technology,", "as the rain example) can go either way, but put together, they create", "in the future because for it to be possible, I need FTL, as", "have rain when the reader wouldn't expect that. However, such rain is not", "directly relevant to the story? For example, climate change is likely. During the", "is - presenting the future as I imagine it is likely to be)", "setting is less realistic. Each particular detail (such as the rain example) can", "to start colonising other planets. To the extent that the MC is supposed", "on Earth. It is this \"normal\" that I'd like to ask about. I've", "technological ability to start colonising other planets. To the extent that the MC", "he'd just have rain when the reader wouldn't expect that. However, such rain", "significant changes from the modern life we know would distract from the story", "will have changed. Quite a few of those things my characters would be", "it is likely to be) *against avoiding flooding the reader with information not", "not that I cannot* accommodate change. I have my characters getting around on", "be possible, I need FTL, as well as the technological ability to start", "the future because for it to be possible, I need FTL, as well", "story, and might be confusing to the reader. I can avoid having that", "is likely to be) against avoiding flooding the reader with information not directly", "is war, and that happens far away from Earth. However, I'm starting with", "change on Earth. Moreover, significant changes from the modern life we know would", "Quite a few of those things my characters would be aware of, but", "would serve no purpose in my story, it would just be there. Basically,", "setting realistic (that is - presenting the future as I imagine it is", "climate change is likely. During the MC's time on Earth, he would naturally", "relevant to the story? For example, climate change is likely. During the MC's", "During the MC's time on Earth, he would naturally see the effects of", "reader. I can avoid having that rain, but then the setting is less", "can avoid having that rain, but then the setting is less realistic. Each", "FTL, as well as the technological ability to start colonising other planets. To", "- that's easy. And I can mention in passing that Manhattan is all", "story, it would just be there. Basically, if I set my story 100", "MC's time on Earth, he would naturally see the effects of climate change,", "is this \"normal\" that I'd like to ask about. I've set the story", "the story, and might be confusing to the reader. I can avoid having", "\"normal\" that I'd like to ask about. I've set the story in the", "that Manhattan is all underwater now, if I like, but it would serve", "extent that the MC is supposed to be \"the boy next door\", I", "to the reader. I can avoid having that rain, but then the setting", "if I set my story 100 years into the future, some things on", "- presenting the future as I imagine it is likely to be) against", "to the story? For example, climate change is likely. During the MC's time", "but they do not serve my story in any way. Those changes include", "the story?** For example, climate change is likely. During the MC's time on", "that I cannot accommodate change. I have my characters getting around on autonomous", "story is war, and that happens far away from Earth. However, I'm starting", "novel. The focus of the story is war, and that happens far away", "he would naturally see the effects of climate change, such as a different", "rain, but then the setting is less realistic. Each particular detail (such as", "the effects of climate change, such as a different rain pattern from what", "\"different\", he'd just have rain when the reader wouldn't expect that. However, such", "the rain example) can go either way, but put together, they create a", "to tell.** It's not that I cannot accommodate change. I have my characters", "MC is supposed to be \"the boy next door\", I don't need much", "social change on Earth. Moreover, significant changes from the modern life we know", "military sci-fi novel. The focus of the story is war, and that happens", "in any way. Those changes include technology, society, politics, climate... How do I", "the reader with information not directly relevant to the story? For example, climate", "getting around on autonomous drones rather than cars - that's easy. And I", "is not directly relevant to the story, and might be confusing to the", "Those changes include technology, society, politics, climate... How do I balance keeping my", "but it would serve no purpose in my story, it would just be", "It is this \"normal\" that I'd like to ask about. I've set the", "\"normal\", on Earth. It is this \"normal\" that I'd like to ask about.", "imagine it is likely to be) against avoiding flooding the reader with information", "far away from Earth. However, I'm starting with my MC's \"normal\", on Earth.", "the technological ability to start colonising other planets. To the extent that the", "future as I imagine it is likely to be) against avoiding flooding the", "changed. Quite a few of those things my characters would be aware of,", "naturally see the effects of climate change, such as a different rain pattern", "easy. And I can mention in passing that Manhattan is all underwater now,", "be confusing to the reader. I can avoid having that rain, but then", "not directly relevant to the story? For example, climate change is likely. During", "next door\", I don't need much of a technological or social change on", "into the future, some things on Earth will have changed. Quite a few", "Earth, he would naturally see the effects of climate change, such as a", "focus of the story is war, and that happens far away from Earth.", "have my characters getting around on autonomous drones rather than cars - that's", "years into the future, some things on Earth will have changed. Quite a", "future, some things on Earth will have changed. Quite a few of those", "modern life we know would distract from the story I wish to tell.", "story I wish to tell.** It's not that I cannot accommodate change. I", "likely to be) against avoiding flooding the reader with information not directly relevant", "The focus of the story is war, and that happens far away from", "would distract from the story I wish to tell. It's not that I", "to ask about. I've set the story in the future because for it", "on autonomous drones rather than cars - that's easy. And I can mention", "presenting the future as I imagine it is likely to be) against avoiding", "I'd like to ask about. I've set the story in the future because", "characters getting around on autonomous drones rather than cars - that's easy. And", "MC's \"normal\", on Earth. It is this \"normal\" that I'd like to ask", "the MC is supposed to be \"the boy next door\", I don't need", "not serve my story in any way. Those changes include technology, society, politics,", "story in the future because for it to be possible, I need FTL,", "with information not directly relevant to the story? For example, climate change is", "cars - that's easy. And I can mention in passing that Manhattan is", "a few of those things my characters would be aware of, but they", "with my MC's \"normal\", on Earth. It is this \"normal\" that I'd like", "such as a different rain pattern from what we have today. He wouldn't", "that. However, such rain is not directly relevant to the story, and might", "writing a military sci-fi novel. The focus of the story is war, and", "100 years into the future, some things on Earth will have changed*. Quite", "For example, climate change is likely. During the MC's time on Earth, he", "I cannot* accommodate change. I have my characters getting around on autonomous drones", "the story in the future because for it to be possible, I need", "distract from the story I wish to tell.** It's not that I cannot", "be \"the boy next door\", I don't need much of a technological or", "of a technological or social change on Earth. Moreover, significant changes from the", "politics, climate... How do I balance keeping my setting realistic (that is -", "the MC's time on Earth, he would naturally see the effects of climate", "way, but put together, they create a picture that I'm struggling to balance.", "know would distract from the story I wish to tell. It's not that", "this \"normal\" that I'd like to ask about. I've set the story in", "possible, I need FTL, as well as the technological ability to start colonising", "particular detail (such as the rain example) can go either way, but put", "society, politics, climate... How do I balance keeping my setting realistic (that is", "about. I've set the story in the future because for it to be", "to the story, and might be confusing to the reader. I can avoid", "He wouldn't see it as \"different\", he'd just have rain when the reader", "on Earth, he would naturally see the effects of climate change, such as", "purpose in my story, it would just be there. Basically, *if I set", "as a different rain pattern from what we have today. He wouldn't see", "as \"different\", he'd just have rain when the reader wouldn't expect that. However,", "cannot* accommodate change. I have my characters getting around on autonomous drones rather", "few of those things my characters would be aware of, but they do", "And I can mention in passing that Manhattan is all underwater now, if", "the reader wouldn't expect that. However, such rain is not directly relevant to", "pattern from what we have today. He wouldn't see it as \"different\", he'd", "from Earth. However, I'm starting with my MC's \"normal\", on Earth. It is", "different rain pattern from what we have today. He wouldn't see it as", "I imagine it is likely to be) against avoiding flooding the reader with", "the story is war, and that happens far away from Earth. However, I'm", "need much of a technological or social change on Earth. Moreover, significant changes", "of, but they do not serve my story in any way. Those changes", "example) can go either way, but put together, they create a picture that", "detail (such as the rain example) can go either way, but put together,", "around on autonomous drones rather than cars - that's easy. And I can", "either way, but put together, they create a picture that I'm struggling to", "confusing to the reader. I can avoid having that rain, but then the", "just be there. Basically, if I set my story 100 years into the", "there. Basically, if I set my story 100 years into the future, some", "my story in any way. Those changes include technology, society, politics, climate... How", "example, climate change is likely. During the MC's time on Earth, he would", "is all underwater now, if I like, but it would serve no purpose", "like, but it would serve no purpose in my story, it would just", "see the effects of climate change, such as a different rain pattern from", "it would serve no purpose in my story, it would just be there.", "would just be there. Basically, if I set my story 100 years into", "my setting realistic** (that is - presenting the future as I imagine it", "less realistic. Each particular detail (such as the rain example) can go either", "times, I'm writing a military sci-fi novel. The focus of the story is", "well as the technological ability to start colonising other planets. To the extent", "other planets. To the extent that the MC is supposed to be \"the", "door\", I don't need much of a technological or social change on Earth.", "from what we have today. He wouldn't see it as \"different\", he'd just" ]
[ "was reading over what I had. Something that helps me when I first", "that helps me when I first start a novel is to get a", "offensive to white readers that the characters aren't white, and that no main", "personality and find a Google image of someone who I think matches that,", "think matches that, and I put all of those into documents for my", "who I think matches that, and I put all of those into documents", "my personal reference. I looked over my main five characters--Analise, Poet, Shove, Star,", "at me. Analise is Hispanic, Shove is Japanese, and Poet, Star, and Nova", "a clear picture of my characters in my head and put a face", "alienating or offensive to white readers that the characters aren't white, and that", "the story isn't about their racial backgrounds. But is it, I don't know,", "of my characters in my head and put a face to a name,", "clear picture of my characters in my head and put a face to", "main five characters--Analise, Poet, Shove, Star, and Nova--and then suddenly something jumped out", "racial backgrounds. But is it, I don't know, somehow alienating or offensive to", "is Japanese, and Poet, Star, and Nova are all black. I had forgotten", "I put all of those into documents for my personal reference. I looked", "is to get a clear picture of my characters in my head and", "because it wasn't important to me and I had not noticed while I", "looked over my main five characters--Analise, Poet, Shove, Star, and Nova--and then suddenly", "I think matches that, and I put all of those into documents for", "noticed while I was writing, because the story isn't about their racial backgrounds.", "first start a novel is to get a clear picture of my characters", "novel is to get a clear picture of my characters in my head", "and put a face to a name, so I usually sculpt a personality", "I had forgotten about their races because it wasn't important to me and", "don't know, somehow alienating or offensive to white readers that the characters aren't", "Poet, Shove, Star, and Nova--and then suddenly something jumped out at me. Analise", "start a novel is to get a clear picture of my characters in", "matches that, and I put all of those into documents for my personal", "it wasn't important to me and I had not noticed while I was", "somehow alienating or offensive to white readers that the characters aren't white, and", "I had. Something that helps me when I first start a novel is", "five characters--Analise, Poet, Shove, Star, and Nova--and then suddenly something jumped out at", "far into writing my dystopian novel and I was reading over what I", "to get a clear picture of my characters in my head and put", "and find a Google image of someone who I think matches that, and", "white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into", "So I'm pretty far into writing my dystopian novel and I was reading", "I'm pretty far into writing my dystopian novel and I was reading over", "my main five characters--Analise, Poet, Shove, Star, and Nova--and then suddenly something jumped", "[here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my dystopian novel and I was", "wasn't important to me and I had not noticed while I was writing,", "I am not white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm", "find a Google image of someone who I think matches that, and I", "of those into documents for my personal reference. I looked over my main", "know, somehow alienating or offensive to white readers that the characters aren't white,", "to a name, so I usually sculpt a personality and find a Google", "pretty far into writing my dystopian novel and I was reading over what", "over what I had. Something that helps me when I first start a", "is Hispanic, Shove is Japanese, and Poet, Star, and Nova are all black.", "Nova are all black. I had forgotten about their races because it wasn't", "backgrounds. But is it, I don't know, somehow alienating or offensive to white", "Nova--and then suddenly something jumped out at me. Analise is Hispanic, Shove is", "suddenly something jumped out at me. Analise is Hispanic, Shove is Japanese, and", "black. I had forgotten about their races because it wasn't important to me", "reference, I am not white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So", "had. Something that helps me when I first start a novel is to", "a name, so I usually sculpt a personality and find a Google image", "Shove is Japanese, and Poet, Star, and Nova are all black. I had", "readers that the characters aren't white, and that no main characters are white?", "and I put all of those into documents for my personal reference. I", "something jumped out at me. Analise is Hispanic, Shove is Japanese, and Poet,", "picture of my characters in my head and put a face to a", "my characters in my head and put a face to a name, so", "and Poet, Star, and Nova are all black. I had forgotten about their", "about their races because it wasn't important to me and I had not", "put a face to a name, so I usually sculpt a personality and", "asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my", "someone who I think matches that, and I put all of those into", "into documents for my personal reference. I looked over my main five characters--Analise,", "my dystopian novel and I was reading over what I had. Something that", "reference. I looked over my main five characters--Analise, Poet, Shove, Star, and Nova--and", "sculpt a personality and find a Google image of someone who I think", "me when I first start a novel is to get a clear picture", "those into documents for my personal reference. I looked over my main five", "I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing", "Poet, Star, and Nova are all black. I had forgotten about their races", "not white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far", "into writing my dystopian novel and I was reading over what I had.", "a novel is to get a clear picture of my characters in my", "Something that helps me when I first start a novel is to get", "because the story isn't about their racial backgrounds. But is it, I don't", "me. Analise is Hispanic, Shove is Japanese, and Poet, Star, and Nova are", "image of someone who I think matches that, and I put all of", "But is it, I don't know, somehow alienating or offensive to white readers", "I was reading over what I had. Something that helps me when I", "their races because it wasn't important to me and I had not noticed", "their racial backgrounds. But is it, I don't know, somehow alienating or offensive", "writing, because the story isn't about their racial backgrounds. But is it, I", "(For reference, I am not white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)).", "another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my dystopian", "it, I don't know, somehow alienating or offensive to white readers that the", "of someone who I think matches that, and I put all of those", "white readers that the characters aren't white, and that no main characters are", "is it, I don't know, somehow alienating or offensive to white readers that", "and I had not noticed while I was writing, because the story isn't", "forgotten about their races because it wasn't important to me and I had", "and Nova are all black. I had forgotten about their races because it", "usually sculpt a personality and find a Google image of someone who I", "what I had. Something that helps me when I first start a novel", "important to me and I had not noticed while I was writing, because", "was writing, because the story isn't about their racial backgrounds. But is it,", "question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my dystopian novel", "dystopian novel and I was reading over what I had. Something that helps", "Star, and Nova are all black. I had forgotten about their races because", "that, and I put all of those into documents for my personal reference.", "about their racial backgrounds. But is it, I don't know, somehow alienating or", "to white readers that the characters aren't white, and that no main characters", "story isn't about their racial backgrounds. But is it, I don't know, somehow", "so I usually sculpt a personality and find a Google image of someone", "I was writing, because the story isn't about their racial backgrounds. But is", "writing my dystopian novel and I was reading over what I had. Something", "characters in my head and put a face to a name, so I", "my head and put a face to a name, so I usually sculpt", "while I was writing, because the story isn't about their racial backgrounds. But", "am not white. I've asked another question about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty", "about race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my dystopian novel and", "or offensive to white readers that the characters aren't white, and that no", "race [here](https://writing.stackexchange.com/questions/41078/is-my-story-too-diverse)). So I'm pretty far into writing my dystopian novel and I", "documents for my personal reference. I looked over my main five characters--Analise, Poet,", "I don't know, somehow alienating or offensive to white readers that the characters", "to me and I had not noticed while I was writing, because the", "head and put a face to a name, so I usually sculpt a", "personal reference. I looked over my main five characters--Analise, Poet, Shove, Star, and", "Analise is Hispanic, Shove is Japanese, and Poet, Star, and Nova are all", "and I was reading over what I had. Something that helps me when", "all of those into documents for my personal reference. I looked over my", "had forgotten about their races because it wasn't important to me and I", "when I first start a novel is to get a clear picture of", "all black. I had forgotten about their races because it wasn't important to", "get a clear picture of my characters in my head and put a", "not noticed while I was writing, because the story isn't about their racial", "are all black. I had forgotten about their races because it wasn't important", "me and I had not noticed while I was writing, because the story", "a Google image of someone who I think matches that, and I put", "out at me. Analise is Hispanic, Shove is Japanese, and Poet, Star, and", "jumped out at me. Analise is Hispanic, Shove is Japanese, and Poet, Star,", "I usually sculpt a personality and find a Google image of someone who", "helps me when I first start a novel is to get a clear", "reading over what I had. Something that helps me when I first start", "I looked over my main five characters--Analise, Poet, Shove, Star, and Nova--and then", "face to a name, so I usually sculpt a personality and find a", "then suddenly something jumped out at me. Analise is Hispanic, Shove is Japanese,", "put all of those into documents for my personal reference. I looked over", "races because it wasn't important to me and I had not noticed while", "over my main five characters--Analise, Poet, Shove, Star, and Nova--and then suddenly something", "a personality and find a Google image of someone who I think matches", "for my personal reference. I looked over my main five characters--Analise, Poet, Shove,", "Google image of someone who I think matches that, and I put all", "Japanese, and Poet, Star, and Nova are all black. I had forgotten about", "I first start a novel is to get a clear picture of my", "characters--Analise, Poet, Shove, Star, and Nova--and then suddenly something jumped out at me.", "Star, and Nova--and then suddenly something jumped out at me. Analise is Hispanic,", "in my head and put a face to a name, so I usually", "I had not noticed while I was writing, because the story isn't about", "and Nova--and then suddenly something jumped out at me. Analise is Hispanic, Shove", "had not noticed while I was writing, because the story isn't about their", "isn't about their racial backgrounds. But is it, I don't know, somehow alienating", "a face to a name, so I usually sculpt a personality and find", "name, so I usually sculpt a personality and find a Google image of", "Shove, Star, and Nova--and then suddenly something jumped out at me. Analise is", "novel and I was reading over what I had. Something that helps me", "Hispanic, Shove is Japanese, and Poet, Star, and Nova are all black. I" ]
[ "writer; I always wanted to write for visual media, not novels or short", "my work to at least approach someone, I want to give the right", "to say, it's absolutely not my style. I'm just not used to writing", "a dedicated team, but on the off-chance that I become happy enough with", "want to approach are also hobbyists (in the sense that they are independent),", "more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard", "animated show would be a lot smaller in scale, more like a Machinima", "video games, movies, or shows. I'm not a prose writer; I always wanted", "people who do this as a hobby and/or earn something on the side,", "an animated show with a dedicated team, but on the off-chance that I", "are the professional standard if you were to approach a studio, for example,", "approach are also hobbyists (in the sense that they are independent), is a", "of writing when it comes to describing things in a visual medium, like", "hobbyist and the people you want to approach are also hobbyists (in the", "looked into screenplays and I have to say, it's absolutely not my style.", "independent), is a screenplay really necessary? Or would most people be happy with", "the sense that they are independent), is a screenplay really necessary? Or would", "impression. I've looked into screenplays and I have to say, it's absolutely not", "short stories. I've been working on a hypothetical animated show. I doubt I", "for visual media, not novels or short stories. I've been working on a", "few people who do this as a hobby and/or earn something on the", "when it comes to describing things in a visual medium, like video games,", "were to approach a studio, for example, but my hypothetical animated show would", "something on the side, specifically 3D animators. In my example, it would be", "do this as a hobby and/or earn something on the side, specifically 3D", "a lot smaller in scale, more like a Machinima series (R.I.P) done by", "the professional standard if you were to approach a studio, for example, but", "to force myself to rewrite a lot to get it in the right", "I want to give the right impression. I've looked into screenplays and I", "they are independent), is a screenplay really necessary? Or would most people be", "would ever actually get to make an animated show with a dedicated team,", "rewrite a lot to get it in the right format. The way I", "guy I would approach, specifically with a two minute short and the first", "it comes to describing things in a visual medium, like video games, movies,", "but on the off-chance that I become happy enough with my work to", "work to at least approach someone, I want to give the right impression.", "myself to rewrite a lot to get it in the right format. The", "I become happy enough with my work to at least approach someone, I", "my hypothetical animated show would be a lot smaller in scale, more like", "right impression. I've looked into screenplays and I have to say, it's absolutely", "transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard if you were", "lot smaller in scale, more like a Machinima series (R.I.P) done by a", "the side, specifically 3D animators. In my example, it would be one guy", "actually get to make an animated show with a dedicated team, but on", "done by a few people who do this as a hobby and/or earn", "are also hobbyists (in the sense that they are independent), is a screenplay", "series (R.I.P) done by a few people who do this as a hobby", "first episode. If you're a hobbyist and the people you want to approach", "animated show. I doubt I would ever actually get to make an animated", "the off-chance that I become happy enough with my work to at least", "like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard if", "(R.I.P) done by a few people who do this as a hobby and/or", "episode. If you're a hobbyist and the people you want to approach are", "I doubt I would ever actually get to make an animated show with", "sense that they are independent), is a screenplay really necessary? Or would most", "are independent), is a screenplay really necessary? Or would most people be happy", "in the right format. The way I write things is more like a", "I'm not a prose writer; I always wanted to write for visual media,", "it in the right format. The way I write things is more like", "*If you're a hobbyist and the people you want to approach are also", "with a transcript style \"screenplay\"? Would a screenplay maybe even be overblown and", "into screenplays and I have to say, it's absolutely not my style. I'm", "transcript style \"screenplay\"? Would a screenplay maybe even be overblown and actually turn", "necessary? Or would most people be happy with a transcript style \"screenplay\"? Would", "who do this as a hobby and/or earn something on the side, specifically", "used to writing this way, so I have to force myself to rewrite", "writing when it comes to describing things in a visual medium, like video", "style. I'm just not used to writing this way, so I have to", "this way, so I have to force myself to rewrite a lot to", "standard if you were to approach a studio, for example, but my hypothetical", "smaller in scale, more like a Machinima series (R.I.P) done by a few", "ever actually get to make an animated show with a dedicated team, but", "novels or short stories. I've been working on a hypothetical animated show. I", "I would ever actually get to make an animated show with a dedicated", "to get it in the right format. The way I write things is", "get to make an animated show with a dedicated team, but on the", "a few people who do this as a hobby and/or earn something on", "it would be one* guy I would approach, specifically with a two minute", "off-chance that I become happy enough with my work to at least approach", "a two minute short and the first episode. *If you're a hobbyist and", "would most people be happy with a transcript style \"screenplay\"? Would a screenplay", "with my work to at least approach someone, I want to give the", "have to say, it's absolutely not my style. I'm just not used to", "a lot to get it in the right format. The way I write", "here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard if you were to approach", "if you were to approach a studio, for example, but my hypothetical animated", "example, it would be one* guy I would approach, specifically with a two", "Would a screenplay maybe even be overblown and actually turn off \"non-professional\" people?", "someone, I want to give the right impression. I've looked into screenplays and", "you were to approach a studio, for example, but my hypothetical animated show", "comes to describing things in a visual medium, like video games, movies, or", "be a lot smaller in scale, more like a Machinima series (R.I.P) done", "visual media, not novels or short stories. I've been working on a hypothetical", "would approach, specifically with a two minute short and the first episode. If", "specifically 3D animators. In my example, it would be one guy I would", "the right impression. I've looked into screenplays and I have to say, it's", "is a screenplay really necessary? Or would most people be happy with a", "prose writer; I always wanted to write for visual media, not novels or", "also hobbyists (in the sense that they are independent), is a screenplay really", "approach, specifically with a two minute short and the first episode. *If you're", "write for visual media, not novels or short stories. I've been working on", "not a prose writer; I always wanted to write for visual media, not", "become happy enough with my work to at least approach someone, I want", "have to force myself to rewrite a lot to get it in the", "studio, for example, but my hypothetical animated show would be a lot smaller", "(in the sense that they are independent), is a screenplay really necessary? Or", "like a Machinima series (R.I.P) done by a few people who do this", "right format. The way I write things is more like a transcript, [example", "as a hobby and/or earn something on the side, specifically 3D animators. In", "team, but on the off-chance that I become happy enough with my work", "I write things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays", "on a hypothetical animated show. I doubt I would ever actually get to", "approach someone, I want to give the right impression. I've looked into screenplays", "happy with a transcript style \"screenplay\"? Would a screenplay maybe even be overblown", "I have a specific way of writing when it comes to describing things", "more like a Machinima series (R.I.P) done by a few people who do", "3D animators. In my example, it would be one* guy I would approach,", "doubt I would ever actually get to make an animated show with a", "a Machinima series (R.I.P) done by a few people who do this as", "I've looked into screenplays and I have to say, it's absolutely not my", "lot to get it in the right format. The way I write things", "short and the first episode. *If you're a hobbyist and the people you", "want to give the right impression. I've looked into screenplays and I have", "screenplays and I have to say, it's absolutely not my style. I'm just", "a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard if you", "approach a studio, for example, but my hypothetical animated show would be a", "one* guy I would approach, specifically with a two minute short and the", "Machinima series (R.I.P) done by a few people who do this as a", "describing things in a visual medium, like video games, movies, or shows. I'm", "I would approach, specifically with a two minute short and the first episode.", "writing this way, so I have to force myself to rewrite a lot", "style \"screenplay\"? Would a screenplay maybe even be overblown and actually turn off", "write things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are", "a specific way of writing when it comes to describing things in a", "a hobbyist and the people you want to approach are also hobbyists (in", "working on a hypothetical animated show. I doubt I would ever actually get", "not novels or short stories. I've been working on a hypothetical animated show.", "been working on a hypothetical animated show. I doubt I would ever actually", "media, not novels or short stories. I've been working on a hypothetical animated", "things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the", "Or would most people be happy with a transcript style \"screenplay\"? Would a", "or shows. I'm not a prose writer; I always wanted to write for", "to write for visual media, not novels or short stories. I've been working", "happy enough with my work to at least approach someone, I want to", "The way I write things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I", "to writing this way, so I have to force myself to rewrite a", "earn something on the side, specifically 3D animators. In my example, it would", "and the people you want to approach are also hobbyists (in the sense", "it's absolutely not my style. I'm just not used to writing this way,", "hobby and/or earn something on the side, specifically 3D animators. In my example,", "a studio, for example, but my hypothetical animated show would be a lot", "and/or earn something on the side, specifically 3D animators. In my example, it", "is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional", "specifically with a two minute short and the first episode. *If you're a", "animated show with a dedicated team, but on the off-chance that I become", "I've been working on a hypothetical animated show. I doubt I would ever", "so I have to force myself to rewrite a lot to get it", "show with a dedicated team, but on the off-chance that I become happy", "force myself to rewrite a lot to get it in the right format.", "way I write things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know", "wanted to write for visual media, not novels or short stories. I've been", "on the side, specifically 3D animators. In my example, it would be one", "with a two minute short and the first episode. If you're a hobbyist", "I'm just not used to writing this way, so I have to force", "or short stories. I've been working on a hypothetical animated show. I doubt", "a visual medium, like video games, movies, or shows. I'm not a prose", "dedicated team, but on the off-chance that I become happy enough with my", "least approach someone, I want to give the right impression. I've looked into", "like video games, movies, or shows. I'm not a prose writer; I always", "people you want to approach are also hobbyists (in the sense that they", "would be one* guy I would approach, specifically with a two minute short", "this as a hobby and/or earn something on the side, specifically 3D animators.", "I always wanted to write for visual media, not novels or short stories.", "things in a visual medium, like video games, movies, or shows. I'm not", "hypothetical animated show would be a lot smaller in scale, more like a", "In my example, it would be one guy I would approach, specifically with", "two minute short and the first episode. If you're a hobbyist and the", "the first episode. If you're a hobbyist and the people you want to", "would be a lot smaller in scale, more like a Machinima series (R.I.P)", "you're a hobbyist and the people you want to approach are also hobbyists", "that they are independent), is a screenplay really necessary? Or would most people", "I have to force myself to rewrite a lot to get it in", "way of writing when it comes to describing things in a visual medium,", "I have to say, it's absolutely not my style. I'm just not used", "animators. In my example, it would be one guy I would approach, specifically", "people be happy with a transcript style \"screenplay\"? Would a screenplay maybe even", "screenplays are the professional standard if you were to approach a studio, for", "screenplay really necessary? Or would most people be happy with a transcript style", "professional standard if you were to approach a studio, for example, but my", "but my hypothetical animated show would be a lot smaller in scale, more", "at least approach someone, I want to give the right impression. I've looked", "in a visual medium, like video games, movies, or shows. I'm not a", "for example, but my hypothetical animated show would be a lot smaller in", "my example, it would be one guy I would approach, specifically with a", "give the right impression. I've looked into screenplays and I have to say,", "the people you want to approach are also hobbyists (in the sense that", "to approach a studio, for example, but my hypothetical animated show would be", "not used to writing this way, so I have to force myself to", "most people be happy with a transcript style \"screenplay\"? Would a screenplay maybe", "visual medium, like video games, movies, or shows. I'm not a prose writer;", "movies, or shows. I'm not a prose writer; I always wanted to write", "to approach are also hobbyists (in the sense that they are independent), is", "to make an animated show with a dedicated team, but on the off-chance", "a hobby and/or earn something on the side, specifically 3D animators. In my", "I know screenplays are the professional standard if you were to approach a", "with a dedicated team, but on the off-chance that I become happy enough", "on the off-chance that I become happy enough with my work to at", "just not used to writing this way, so I have to force myself", "side, specifically 3D animators. In my example, it would be one guy I", "make an animated show with a dedicated team, but on the off-chance that", "to at least approach someone, I want to give the right impression. I've", "be one guy I would approach, specifically with a two minute short and", "a screenplay really necessary? Or would most people be happy with a transcript", "a prose writer; I always wanted to write for visual media, not novels", "shows. I'm not a prose writer; I always wanted to write for visual", "to rewrite a lot to get it in the right format. The way", "a hypothetical animated show. I doubt I would ever actually get to make", "and the first episode. If you're a hobbyist and the people you want", "enough with my work to at least approach someone, I want to give", "to describing things in a visual medium, like video games, movies, or shows.", "to give the right impression. I've looked into screenplays and I have to", "hypothetical animated show. I doubt I would ever actually get to make an", "and I have to say, it's absolutely not my style. I'm just not", "format. The way I write things is more like a transcript, [example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War).", "way, so I have to force myself to rewrite a lot to get", "be happy with a transcript style \"screenplay\"? Would a screenplay maybe even be", "that I become happy enough with my work to at least approach someone,", "hobbyists (in the sense that they are independent), is a screenplay really necessary?", "[example here](https://transcripts.fandom.com/wiki/Avengers:_Infinity_War). I know screenplays are the professional standard if you were to", "specific way of writing when it comes to describing things in a visual", "stories. I've been working on a hypothetical animated show. I doubt I would", "not my style. I'm just not used to writing this way, so I", "get it in the right format. The way I write things is more", "know screenplays are the professional standard if you were to approach a studio,", "minute short and the first episode. If you're a hobbyist and the people", "my style. I'm just not used to writing this way, so I have", "say, it's absolutely not my style. I'm just not used to writing this", "\"screenplay\"? Would a screenplay maybe even be overblown and actually turn off \"non-professional\"", "by a few people who do this as a hobby and/or earn something", "games, movies, or shows. I'm not a prose writer; I always wanted to", "always wanted to write for visual media, not novels or short stories. I've", "the right format. The way I write things is more like a transcript,", "in scale, more like a Machinima series (R.I.P) done by a few people", "a transcript style \"screenplay\"? Would a screenplay maybe even be overblown and actually", "really necessary? Or would most people be happy with a transcript style \"screenplay\"?", "show. I doubt I would ever actually get to make an animated show", "scale, more like a Machinima series (R.I.P) done by a few people who", "you want to approach are also hobbyists (in the sense that they are", "example, but my hypothetical animated show would be a lot smaller in scale,", "absolutely not my style. I'm just not used to writing this way, so", "medium, like video games, movies, or shows. I'm not a prose writer; I", "have a specific way of writing when it comes to describing things in", "show would be a lot smaller in scale, more like a Machinima series" ]
[ "it is not mentioned on the notebook or ream itself and I cannot", "looking for some physical attributes of the paper which I can check without", "not mentioned on the notebook or ream itself and I cannot test by", "of a notebook or paper will blot or not? I am specifically looking", "the staff cannot answer in detail. What is the best way to find", "days, with fewer people using a fountain pen to write, many notebooks/paper you", "cannot answer in detail. What is the best way to find out if", "or not? I am specifically looking for some physical attributes of the paper", "a fountain pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If", "out if paper of a notebook or paper will blot or not? I", "supply retail chains where the staff cannot answer in detail. What is the", "can I check if the paper blots or not? Most of time, it", "pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am", "to find out if paper of a notebook or paper will blot or", "some physical attributes of the paper which I can check without starting a", "blots or not? Most of time, it is not mentioned on the notebook", "is not mentioned on the notebook or ream itself and I cannot test", "time, it is not mentioned on the notebook or ream itself and I", "retail chains where the staff cannot answer in detail. What is the best", "is the best way to find out if paper of a notebook or", "a store and contemplating to buy a notebook or writing/printing paper, how can", "fountain pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I", "am at a store and contemplating to buy a notebook or writing/printing paper,", "buy a notebook or writing/printing paper, how can I check if the paper", "at a store and contemplating to buy a notebook or writing/printing paper, how", "I am talking about office supply retail chains where the staff cannot answer", "write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a", "find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and contemplating to", "fewer people using a fountain pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper)", "notebook or ream itself and I cannot test by writing on it. Please", "If I am at a store and contemplating to buy a notebook or", "if the paper blots or not? Most of time, it is not mentioned", "where the staff cannot answer in detail. What is the best way to", "if paper of a notebook or paper will blot or not? I am", "[blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and contemplating to buy", "detail. What is the best way to find out if paper of a", "the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and contemplating to buy a", "answer in detail. What is the best way to find out if paper", "the paper blots or not? Most of time, it is not mentioned on", "in detail. What is the best way to find out if paper of", "Most of time, it is not mentioned on the notebook or ream itself", "I am at a store and contemplating to buy a notebook or writing/printing", "notebook or writing/printing paper, how can I check if the paper blots or", "writing on it. Please note that I am talking about office supply retail", "paper, how can I check if the paper blots or not? Most of", "I am specifically looking for some physical attributes of the paper which I", "contemplating to buy a notebook or writing/printing paper, how can I check if", "not? Most of time, it is not mentioned on the notebook or ream", "am talking about office supply retail chains where the staff cannot answer in", "it. Please note that I am talking about office supply retail chains where", "about office supply retail chains where the staff cannot answer in detail. What", "to buy a notebook or writing/printing paper, how can I check if the", "I check if the paper blots or not? Most of time, it is", "ream itself and I cannot test by writing on it. Please note that", "cannot test by writing on it. Please note that I am talking about", "the notebook or ream itself and I cannot test by writing on it.", "a notebook or paper will blot or not? I am specifically looking for", "specifically looking for some physical attributes of the paper which I can check", "on it. Please note that I am talking about office supply retail chains", "and contemplating to buy a notebook or writing/printing paper, how can I check", "[ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and contemplating to buy a notebook", "and I cannot test by writing on it. Please note that I am", "paper will blot or not? I am specifically looking for some physical attributes", "Please note that I am talking about office supply retail chains where the", "or ream itself and I cannot test by writing on it. Please note", "best way to find out if paper of a notebook or paper will", "of time, it is not mentioned on the notebook or ream itself and", "blot or not? I am specifically looking for some physical attributes of the", "store and contemplating to buy a notebook or writing/printing paper, how can I", "or writing/printing paper, how can I check if the paper blots or not?", "with fewer people using a fountain pen to write, many notebooks/paper you find", "itself and I cannot test by writing on it. Please note that I", "not? I am specifically looking for some physical attributes of the paper which", "mentioned on the notebook or ream itself and I cannot test by writing", "office supply retail chains where the staff cannot answer in detail. What is", "staff cannot answer in detail. What is the best way to find out", "to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at", "or paper will blot or not? I am specifically looking for some physical", "physical attributes of the paper which I can check without starting a longhand", "you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and contemplating", "am specifically looking for some physical attributes of the paper which I can", "how can I check if the paper blots or not? Most of time,", "find out if paper of a notebook or paper will blot or not?", "or not? Most of time, it is not mentioned on the notebook or", "many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store", "What is the best way to find out if paper of a notebook", "paper blots or not? Most of time, it is not mentioned on the", "talking about office supply retail chains where the staff cannot answer in detail.", "test by writing on it. Please note that I am talking about office", "way to find out if paper of a notebook or paper will blot", "using a fountain pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink).", "These days, with fewer people using a fountain pen to write, many notebooks/paper", "a notebook or writing/printing paper, how can I check if the paper blots", "I cannot test by writing on it. Please note that I am talking", "attributes of the paper which I can check without starting a longhand penmanship.", "the best way to find out if paper of a notebook or paper", "writing/printing paper, how can I check if the paper blots or not? Most", "that I am talking about office supply retail chains where the staff cannot", "notebook or paper will blot or not? I am specifically looking for some", "by writing on it. Please note that I am talking about office supply", "for some physical attributes of the paper which I can check without starting", "on the notebook or ream itself and I cannot test by writing on", "paper of a notebook or paper will blot or not? I am specifically", "will blot or not? I am specifically looking for some physical attributes of", "check if the paper blots or not? Most of time, it is not", "note that I am talking about office supply retail chains where the staff", "people using a fountain pen to write, many notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the", "notebooks/paper you find [blotting](https://en.wikipedia.org/wiki/Blotting_paper) the [ink](https://en.wikipedia.org/wiki/Fountain_pen_ink). If I am at a store and", "chains where the staff cannot answer in detail. What is the best way" ]
[ "story which starts with a character narrating then ends up being narrated by", "best ways of making this transition? I can't think of any book that", "The logic gap would be such that it would create some discomfort to", "which starts with a character narrating then ends up being narrated by an", "any book that does it, let alone a short story. The logic gap", "I can't think of any book that does it, let alone a short", "can't think of any book that does it, let alone a short story.", "let alone a short story. The logic gap would be such that it", "character narrating then ends up being narrated by an omniscient character. What are", "thinking of writing a short story which starts with a character narrating then", "narrated by an omniscient character. What are the best ways of making this", "the best ways of making this transition? I can't think of any book", "narrating then ends up being narrated by an omniscient character. What are the", "ways of making this transition? I can't think of any book that does", "book that does it, let alone a short story. The logic gap would", "am thinking of writing a short story which starts with a character narrating", "alone a short story. The logic gap would be such that it would", "short story which starts with a character narrating then ends up being narrated", "are the best ways of making this transition? I can't think of any", "logic gap would be such that it would create some discomfort to the", "a short story. The logic gap would be such that it would create", "does it, let alone a short story. The logic gap would be such", "ends up being narrated by an omniscient character. What are the best ways", "a character narrating then ends up being narrated by an omniscient character. What", "starts with a character narrating then ends up being narrated by an omniscient", "story. The logic gap would be such that it would create some discomfort", "being narrated by an omniscient character. What are the best ways of making", "this transition? I can't think of any book that does it, let alone", "of any book that does it, let alone a short story. The logic", "writing a short story which starts with a character narrating then ends up", "that does it, let alone a short story. The logic gap would be", "then ends up being narrated by an omniscient character. What are the best", "transition? I can't think of any book that does it, let alone a", "of making this transition? I can't think of any book that does it,", "with a character narrating then ends up being narrated by an omniscient character.", "think of any book that does it, let alone a short story. The", "by an omniscient character. What are the best ways of making this transition?", "up being narrated by an omniscient character. What are the best ways of", "making this transition? I can't think of any book that does it, let", "I am thinking of writing a short story which starts with a character", "a short story which starts with a character narrating then ends up being", "omniscient character. What are the best ways of making this transition? I can't", "gap would be such that it would create some discomfort to the reader.", "character. What are the best ways of making this transition? I can't think", "it, let alone a short story. The logic gap would be such that", "an omniscient character. What are the best ways of making this transition? I", "short story. The logic gap would be such that it would create some", "What are the best ways of making this transition? I can't think of", "of writing a short story which starts with a character narrating then ends" ]
[ "as I felt the images of crazed zombies were pointless in a story", "getting the setup done, I wonder how much detail is really required. I", "but simplified it to a plague-like disease, as I felt the images of", "my character emptying his town of the dead. I want new characters to", "though they are talking about events 30 or 40 years after it all", "a voice in the narrative. Should I be explaining everyone's backstory even though", "have my character emptying his town of the dead. I want new characters", "everyone's backstory even though they are talking about events 30 or 40 years", "population intact. I originally wrote a zombie-like apocalypse but simplified it to a", "over time as the group grows and have a voice in the narrative.", "new characters to be introduced over time as the group grows and have", "chapter and getting the setup done, I wonder how much detail is really", "the narrative. Should I be explaining everyone's backstory even though they are talking", "town of the dead. I want new characters to be introduced over time", "explaining everyone's backstory even though they are talking about events 30 or 40", "wrote a zombie-like apocalypse but simplified it to a plague-like disease, as I", "required. I want to have my character emptying his town of the dead.", "has left only 0.1% of the world population intact. I originally wrote a", "backstory even though they are talking about events 30 or 40 years after", "story that is about the rebuilding of civilisation. In writing the first chapter", "am writing a story set after an apocalyptic event that has left only", "rebuilding of civilisation. In writing the first chapter and getting the setup done,", "how much detail is really required. I want to have my character emptying", "of civilisation. In writing the first chapter and getting the setup done, I", "apocalyptic event that has left only 0.1% of the world population intact. I", "a story that is about the rebuilding of civilisation. In writing the first", "time as the group grows and have a voice in the narrative. Should", "the dead. I want new characters to be introduced over time as the", "I felt the images of crazed zombies were pointless in a story that", "event that has left only 0.1% of the world population intact. I originally", "dead. I want new characters to be introduced over time as the group", "the first chapter and getting the setup done, I wonder how much detail", "even though they are talking about events 30 or 40 years after it", "I want new characters to be introduced over time as the group grows", "have a voice in the narrative. Should I be explaining everyone's backstory even", "voice in the narrative. Should I be explaining everyone's backstory even though they", "In writing the first chapter and getting the setup done, I wonder how", "set after an apocalyptic event that has left only 0.1% of the world", "I want to have my character emptying his town of the dead. I", "an apocalyptic event that has left only 0.1% of the world population intact.", "writing the first chapter and getting the setup done, I wonder how much", "apocalypse but simplified it to a plague-like disease, as I felt the images", "want to have my character emptying his town of the dead. I want", "group grows and have a voice in the narrative. Should I be explaining", "they are talking about events 30 or 40 years after it all happened?", "grows and have a voice in the narrative. Should I be explaining everyone's", "crazed zombies were pointless in a story that is about the rebuilding of", "I wonder how much detail is really required. I want to have my", "plague-like disease, as I felt the images of crazed zombies were pointless in", "to be introduced over time as the group grows and have a voice", "I am writing a story set after an apocalyptic event that has left", "his town of the dead. I want new characters to be introduced over", "is really required. I want to have my character emptying his town of", "only 0.1% of the world population intact. I originally wrote a zombie-like apocalypse", "introduced over time as the group grows and have a voice in the", "to have my character emptying his town of the dead. I want new", "that is about the rebuilding of civilisation. In writing the first chapter and", "originally wrote a zombie-like apocalypse but simplified it to a plague-like disease, as", "and getting the setup done, I wonder how much detail is really required.", "be explaining everyone's backstory even though they are talking about events 30 or", "setup done, I wonder how much detail is really required. I want to", "left only 0.1% of the world population intact. I originally wrote a zombie-like", "of the dead. I want new characters to be introduced over time as", "detail is really required. I want to have my character emptying his town", "it to a plague-like disease, as I felt the images of crazed zombies", "were pointless in a story that is about the rebuilding of civilisation. In", "the setup done, I wonder how much detail is really required. I want", "the group grows and have a voice in the narrative. Should I be", "0.1% of the world population intact. I originally wrote a zombie-like apocalypse but", "story set after an apocalyptic event that has left only 0.1% of the", "emptying his town of the dead. I want new characters to be introduced", "want new characters to be introduced over time as the group grows and", "of crazed zombies were pointless in a story that is about the rebuilding", "images of crazed zombies were pointless in a story that is about the", "and have a voice in the narrative. Should I be explaining everyone's backstory", "the world population intact. I originally wrote a zombie-like apocalypse but simplified it", "zombies were pointless in a story that is about the rebuilding of civilisation.", "after an apocalyptic event that has left only 0.1% of the world population", "the rebuilding of civilisation. In writing the first chapter and getting the setup", "about the rebuilding of civilisation. In writing the first chapter and getting the", "I be explaining everyone's backstory even though they are talking about events 30", "zombie-like apocalypse but simplified it to a plague-like disease, as I felt the", "the images of crazed zombies were pointless in a story that is about", "civilisation. In writing the first chapter and getting the setup done, I wonder", "narrative. Should I be explaining everyone's backstory even though they are talking about", "writing a story set after an apocalyptic event that has left only 0.1%", "a story set after an apocalyptic event that has left only 0.1% of", "of the world population intact. I originally wrote a zombie-like apocalypse but simplified", "is about the rebuilding of civilisation. In writing the first chapter and getting", "world population intact. I originally wrote a zombie-like apocalypse but simplified it to", "be introduced over time as the group grows and have a voice in", "that has left only 0.1% of the world population intact. I originally wrote", "to a plague-like disease, as I felt the images of crazed zombies were", "done, I wonder how much detail is really required. I want to have", "Should I be explaining everyone's backstory even though they are talking about events", "as the group grows and have a voice in the narrative. Should I", "first chapter and getting the setup done, I wonder how much detail is", "character emptying his town of the dead. I want new characters to be", "a plague-like disease, as I felt the images of crazed zombies were pointless", "disease, as I felt the images of crazed zombies were pointless in a", "characters to be introduced over time as the group grows and have a", "intact. I originally wrote a zombie-like apocalypse but simplified it to a plague-like", "a zombie-like apocalypse but simplified it to a plague-like disease, as I felt", "wonder how much detail is really required. I want to have my character", "in the narrative. Should I be explaining everyone's backstory even though they are", "simplified it to a plague-like disease, as I felt the images of crazed", "felt the images of crazed zombies were pointless in a story that is", "really required. I want to have my character emptying his town of the", "I originally wrote a zombie-like apocalypse but simplified it to a plague-like disease,", "pointless in a story that is about the rebuilding of civilisation. In writing", "much detail is really required. I want to have my character emptying his", "in a story that is about the rebuilding of civilisation. In writing the" ]
[ "I have read advice in the past, I have often been told that", "have never really written anything before. When I have read advice in the", "been told that your first few stories will suck and that you will", "and genuinely believe it to be interesting. My issue is that I have", "suck and that you will have to move on to something new. If", "should I write a few other stories, not the one I am most", "to be interesting. My issue is that I have never really written anything", "will have to move on to something new. If I want to gain", "that I have never really written anything before. When I have read advice", "told that your first few stories will suck and that you will have", "on to something new. If I want to gain experience of writing, should", "one I am most passionate about, before moving on to the project I", "My issue is that I have never really written anything before. When I", "that your first few stories will suck and that you will have to", "move on to something new. If I want to gain experience of writing,", "that you will have to move on to something new. If I want", "advice in the past, I have often been told that your first few", "have often been told that your first few stories will suck and that", "in the past, I have often been told that your first few stories", "I am most passionate about, before moving on to the project I think", "that I wish to write. I like my story and genuinely believe it", "something new. If I want to gain experience of writing, should I write", "my story and genuinely believe it to be interesting. My issue is that", "will suck and that you will have to move on to something new.", "other stories, not the one I am most passionate about, before moving on", "a few other stories, not the one I am most passionate about, before", "I have never really written anything before. When I have read advice in", "have read advice in the past, I have often been told that your", "If I want to gain experience of writing, should I write a few", "you will have to move on to something new. If I want to", "wish to write. I like my story and genuinely believe it to be", "like my story and genuinely believe it to be interesting. My issue is", "genuinely believe it to be interesting. My issue is that I have never", "often been told that your first few stories will suck and that you", "story that I wish to write. I like my story and genuinely believe", "write. I like my story and genuinely believe it to be interesting. My", "few stories will suck and that you will have to move on to", "before. When I have read advice in the past, I have often been", "new. If I want to gain experience of writing, should I write a", "gain experience of writing, should I write a few other stories, not the", "the one I am most passionate about, before moving on to the project", "of writing, should I write a few other stories, not the one I", "am most passionate about, before moving on to the project I think is", "I write a few other stories, not the one I am most passionate", "want to gain experience of writing, should I write a few other stories,", "writing, should I write a few other stories, not the one I am", "the past, I have often been told that your first few stories will", "to write. I like my story and genuinely believe it to be interesting.", "it to be interesting. My issue is that I have never really written", "I have a story that I wish to write. I like my story", "really written anything before. When I have read advice in the past, I", "read advice in the past, I have often been told that your first", "past, I have often been told that your first few stories will suck", "I wish to write. I like my story and genuinely believe it to", "issue is that I have never really written anything before. When I have", "When I have read advice in the past, I have often been told", "to move on to something new. If I want to gain experience of", "to something new. If I want to gain experience of writing, should I", "first few stories will suck and that you will have to move on", "never really written anything before. When I have read advice in the past,", "written anything before. When I have read advice in the past, I have", "I like my story and genuinely believe it to be interesting. My issue", "most passionate about, before moving on to the project I think is best?", "have to move on to something new. If I want to gain experience", "story and genuinely believe it to be interesting. My issue is that I", "believe it to be interesting. My issue is that I have never really", "to gain experience of writing, should I write a few other stories, not", "stories, not the one I am most passionate about, before moving on to", "and that you will have to move on to something new. If I", "few other stories, not the one I am most passionate about, before moving", "be interesting. My issue is that I have never really written anything before.", "experience of writing, should I write a few other stories, not the one", "have a story that I wish to write. I like my story and", "write a few other stories, not the one I am most passionate about,", "stories will suck and that you will have to move on to something", "is that I have never really written anything before. When I have read", "anything before. When I have read advice in the past, I have often", "interesting. My issue is that I have never really written anything before. When", "I want to gain experience of writing, should I write a few other", "not the one I am most passionate about, before moving on to the", "a story that I wish to write. I like my story and genuinely", "I have often been told that your first few stories will suck and", "your first few stories will suck and that you will have to move" ]
[ "talented writers in other countries. I would have expected that at least a", "are typically not displayed to US customers unless they are residing in the", "the case. I suspect it might be because books self-published by authors only", "lots of extremely talented writers in other countries. I would have expected that", "in English) and the fact that there are lots of extremely talented writers", "of extremely talented writers in other countries. I would have expected that at", "of the world combined is much greater than that of the US (even", "that at least a good number of Amazon bestseller indie authors I see", "typically not displayed to US customers unless they are residing in the US.", "of Amazon bestseller indie authors I see would be people based in other", "that the English-speaking population of the rest of the world combined is much", "only tend to be visible within their own Amazon geographical sphere and are", "US is the largest single market for books in English) and the fact", "and are typically not displayed to US customers unless they are residing in", "Amazon bestseller indie authors I see would be people based in other countries,", "based in other countries, but it hasn’t been the case. I suspect it", "hasn’t been the case. I suspect it might be because books self-published by", "people based in other countries, but it hasn’t been the case. I suspect", "I see would be people based in other countries, but it hasn’t been", "single market for books in English) and the fact that there are lots", "extremely talented writers in other countries. I would have expected that at least", "would have expected that at least a good number of Amazon bestseller indie", "combined is much greater than that of the US (even though the US", "authors I see would be people based in other countries, but it hasn’t", "would be people based in other countries, but it hasn’t been the case.", "Amazon geographical sphere and are typically not displayed to US customers unless they", "I would have expected that at least a good number of Amazon bestseller", "a good number of Amazon bestseller indie authors I see would be people", "I find this rather strange given that the English-speaking population of the rest", "it hasn’t been the case. I suspect it might be because books self-published", "find this rather strange given that the English-speaking population of the rest of", "own Amazon geographical sphere and are typically not displayed to US customers unless", "their own Amazon geographical sphere and are typically not displayed to US customers", "be because books self-published by authors only tend to be visible within their", "see would be people based in other countries, but it hasn’t been the", "might be because books self-published by authors only tend to be visible within", "within their own Amazon geographical sphere and are typically not displayed to US", "case. I suspect it might be because books self-published by authors only tend", "good number of Amazon bestseller indie authors I see would be people based", "suspect it might be because books self-published by authors only tend to be", "largest single market for books in English) and the fact that there are", "the world combined is much greater than that of the US (even though", "strange given that the English-speaking population of the rest of the world combined", "geographical sphere and are typically not displayed to US customers unless they are", "though the US is the largest single market for books in English) and", "there are lots of extremely talented writers in other countries. I would have", "this rather strange given that the English-speaking population of the rest of the", "the US is the largest single market for books in English) and the", "been the case. I suspect it might be because books self-published by authors", "least a good number of Amazon bestseller indie authors I see would be", "fact that there are lots of extremely talented writers in other countries. I", "the fact that there are lots of extremely talented writers in other countries.", "is much greater than that of the US (even though the US is", "books in English) and the fact that there are lots of extremely talented", "have expected that at least a good number of Amazon bestseller indie authors", "English) and the fact that there are lots of extremely talented writers in", "sphere and are typically not displayed to US customers unless they are residing", "for books in English) and the fact that there are lots of extremely", "that there are lots of extremely talented writers in other countries. I would", "be people based in other countries, but it hasn’t been the case. I", "of the US (even though the US is the largest single market for", "in other countries, but it hasn’t been the case. I suspect it might", "of the rest of the world combined is much greater than that of", "writers in other countries. I would have expected that at least a good", "but it hasn’t been the case. I suspect it might be because books", "rather strange given that the English-speaking population of the rest of the world", "be visible within their own Amazon geographical sphere and are typically not displayed", "because books self-published by authors only tend to be visible within their own", "than that of the US (even though the US is the largest single", "the largest single market for books in English) and the fact that there", "and the fact that there are lots of extremely talented writers in other", "that of the US (even though the US is the largest single market", "tend to be visible within their own Amazon geographical sphere and are typically", "given that the English-speaking population of the rest of the world combined is", "the US (even though the US is the largest single market for books", "US (even though the US is the largest single market for books in", "it might be because books self-published by authors only tend to be visible", "rest of the world combined is much greater than that of the US", "world combined is much greater than that of the US (even though the", "to be visible within their own Amazon geographical sphere and are typically not", "I suspect it might be because books self-published by authors only tend to", "the rest of the world combined is much greater than that of the", "at least a good number of Amazon bestseller indie authors I see would", "countries, but it hasn’t been the case. I suspect it might be because", "much greater than that of the US (even though the US is the", "self-published by authors only tend to be visible within their own Amazon geographical", "expected that at least a good number of Amazon bestseller indie authors I", "visible within their own Amazon geographical sphere and are typically not displayed to", "the English-speaking population of the rest of the world combined is much greater", "(even though the US is the largest single market for books in English)", "population of the rest of the world combined is much greater than that", "bestseller indie authors I see would be people based in other countries, but", "other countries. I would have expected that at least a good number of", "other countries, but it hasn’t been the case. I suspect it might be", "books self-published by authors only tend to be visible within their own Amazon", "greater than that of the US (even though the US is the largest", "indie authors I see would be people based in other countries, but it", "countries. I would have expected that at least a good number of Amazon", "by authors only tend to be visible within their own Amazon geographical sphere", "is the largest single market for books in English) and the fact that", "are lots of extremely talented writers in other countries. I would have expected", "market for books in English) and the fact that there are lots of", "in other countries. I would have expected that at least a good number", "authors only tend to be visible within their own Amazon geographical sphere and", "English-speaking population of the rest of the world combined is much greater than", "number of Amazon bestseller indie authors I see would be people based in" ]
[ "I want to turn the book into a screenplay. Do I have to", "an author who wrote a biography on a singer. I want to turn", "to turn the book into a screenplay. Do I have to get permission", "I am an author who wrote a biography on a singer. I want", "into a screenplay. Do I have to get permission from the singer to", "the book into a screenplay. Do I have to get permission from the", "on a singer. I want to turn the book into a screenplay. Do", "wrote a biography on a singer. I want to turn the book into", "am an author who wrote a biography on a singer. I want to", "biography on a singer. I want to turn the book into a screenplay.", "a biography on a singer. I want to turn the book into a", "a screenplay. Do I have to get permission from the singer to do", "screenplay. Do I have to get permission from the singer to do this?", "singer. I want to turn the book into a screenplay. Do I have", "a singer. I want to turn the book into a screenplay. Do I", "want to turn the book into a screenplay. Do I have to get", "who wrote a biography on a singer. I want to turn the book", "book into a screenplay. Do I have to get permission from the singer", "turn the book into a screenplay. Do I have to get permission from", "author who wrote a biography on a singer. I want to turn the" ]
[ "an extent) is to allow all characters to reveal internal monologue, but some", "might get frustrated or confused by the inconsistency. Is that something I should", "to allow all characters to reveal internal monologue, but some reveal all of", "less to varying degrees (maybe on a situational basis, such as only when", "for a number of reasons, one being I wanted some character's intentions to", "(mainly protagonists) reveal their internal monologue while others (mainly the antagonists) don't. They", "antagonists) don't. They just express themselves with speech/actions. I wanted to do this", "extent) is to allow all characters to reveal internal monologue, but some reveal", "express themselves with speech/actions. I wanted to do this for a number of", "number of reasons, one being I wanted some character's intentions to be hidden", "the inconsistency. Is that something I should actually be concerned about or not?", "by the inconsistency. Is that something I should actually be concerned about or", "protagonists) reveal their internal monologue while others (mainly the antagonists) don't. They just", "don't. They just express themselves with speech/actions. I wanted to do this for", "with speech/actions. I wanted to do this for a number of reasons, one", "all characters to reveal internal monologue, but some reveal all of theirs while", "readers might get frustrated or confused by the inconsistency. Is that something I", "as only when they alone in their room). I worry though that readers", "only when they alone in their room). I worry though that readers might", "actually be concerned about or not? If so, what would you recommend I", "context, I am writing a graphic novel. I always used to imagine I", "while others (mainly the antagonists) don't. They just express themselves with speech/actions. I", "instead? If you disagree about what I said regarding favoritism, let me know", "that readers might get frustrated or confused by the inconsistency. Is that something", "you disagree about what I said regarding favoritism, let me know as well.", "to combat this (to an extent) is to allow all characters to reveal", "just express themselves with speech/actions. I wanted to do this for a number", "character's intentions to be hidden for awhile. I then realized this might seem", "favoritism of certain characters and lead to the story seeming more black-and-white. I", "seeming more black-and-white. I thought one way to combat this (to an extent)", "allow all characters to reveal internal monologue, but some reveal all of theirs", "this (to an extent) is to allow all characters to reveal internal monologue,", "get frustrated or confused by the inconsistency. Is that something I should actually", "monologue, but some reveal all of theirs while others reveal less to varying", "though that readers might get frustrated or confused by the inconsistency. Is that", "some characters (mainly protagonists) reveal their internal monologue while others (mainly the antagonists)", "reveal their internal monologue while others (mainly the antagonists) don't. They just express", "one way to combat this (to an extent) is to allow all characters", "recommend I do instead? If you disagree about what I said regarding favoritism,", "to varying degrees (maybe on a situational basis, such as only when they", "characters (mainly protagonists) reveal their internal monologue while others (mainly the antagonists) don't.", "Is that something I should actually be concerned about or not? If so,", "about or not? If so, what would you recommend I do instead? If", "wanted some character's intentions to be hidden for awhile. I then realized this", "a graphic novel. I always used to imagine I would have some characters", "intentions to be hidden for awhile. I then realized this might seem like", "of theirs while others reveal less to varying degrees (maybe on a situational", "not? If so, what would you recommend I do instead? If you disagree", "then realized this might seem like favoritism of certain characters and lead to", "some character's intentions to be hidden for awhile. I then realized this might", "you recommend I do instead? If you disagree about what I said regarding", "a number of reasons, one being I wanted some character's intentions to be", "but some reveal all of theirs while others reveal less to varying degrees", "novel. I always used to imagine I would have some characters (mainly protagonists)", "imagine I would have some characters (mainly protagonists) reveal their internal monologue while", "hidden for awhile. I then realized this might seem like favoritism of certain", "combat this (to an extent) is to allow all characters to reveal internal", "used to imagine I would have some characters (mainly protagonists) reveal their internal", "I would have some characters (mainly protagonists) reveal their internal monologue while others", "situational basis, such as only when they alone in their room). I worry", "way to combat this (to an extent) is to allow all characters to", "their internal monologue while others (mainly the antagonists) don't. They just express themselves", "on a situational basis, such as only when they alone in their room).", "would you recommend I do instead? If you disagree about what I said", "when they alone in their room). I worry though that readers might get", "of certain characters and lead to the story seeming more black-and-white. I thought", "some reveal all of theirs while others reveal less to varying degrees (maybe", "am writing a graphic novel. I always used to imagine I would have", "room). I worry though that readers might get frustrated or confused by the", "to the story seeming more black-and-white. I thought one way to combat this", "is to allow all characters to reveal internal monologue, but some reveal all", "I worry though that readers might get frustrated or confused by the inconsistency.", "others reveal less to varying degrees (maybe on a situational basis, such as", "being I wanted some character's intentions to be hidden for awhile. I then", "to imagine I would have some characters (mainly protagonists) reveal their internal monologue", "in their room). I worry though that readers might get frustrated or confused", "something I should actually be concerned about or not? If so, what would", "They just express themselves with speech/actions. I wanted to do this for a", "while others reveal less to varying degrees (maybe on a situational basis, such", "such as only when they alone in their room). I worry though that", "what would you recommend I do instead? If you disagree about what I", "always used to imagine I would have some characters (mainly protagonists) reveal their", "reveal internal monologue, but some reveal all of theirs while others reveal less", "or not? If so, what would you recommend I do instead? If you", "I then realized this might seem like favoritism of certain characters and lead", "monologue while others (mainly the antagonists) don't. They just express themselves with speech/actions.", "I thought one way to combat this (to an extent) is to allow", "characters and lead to the story seeming more black-and-white. I thought one way", "characters to reveal internal monologue, but some reveal all of theirs while others", "like favoritism of certain characters and lead to the story seeming more black-and-white.", "inconsistency. Is that something I should actually be concerned about or not? If", "concerned about or not? If so, what would you recommend I do instead?", "degrees (maybe on a situational basis, such as only when they alone in", "story seeming more black-and-white. I thought one way to combat this (to an", "do instead? If you disagree about what I said regarding favoritism, let me", "reveal all of theirs while others reveal less to varying degrees (maybe on", "worry though that readers might get frustrated or confused by the inconsistency. Is", "the antagonists) don't. They just express themselves with speech/actions. I wanted to do", "(mainly the antagonists) don't. They just express themselves with speech/actions. I wanted to", "graphic novel. I always used to imagine I would have some characters (mainly", "(to an extent) is to allow all characters to reveal internal monologue, but", "basis, such as only when they alone in their room). I worry though", "I always used to imagine I would have some characters (mainly protagonists) reveal", "to do this for a number of reasons, one being I wanted some", "wanted to do this for a number of reasons, one being I wanted", "a situational basis, such as only when they alone in their room). I", "one being I wanted some character's intentions to be hidden for awhile. I", "themselves with speech/actions. I wanted to do this for a number of reasons,", "be hidden for awhile. I then realized this might seem like favoritism of", "reveal less to varying degrees (maybe on a situational basis, such as only", "should actually be concerned about or not? If so, what would you recommend", "that something I should actually be concerned about or not? If so, what", "alone in their room). I worry though that readers might get frustrated or", "more black-and-white. I thought one way to combat this (to an extent) is", "I am writing a graphic novel. I always used to imagine I would", "realized this might seem like favoritism of certain characters and lead to the", "might seem like favoritism of certain characters and lead to the story seeming", "be concerned about or not? If so, what would you recommend I do", "internal monologue, but some reveal all of theirs while others reveal less to", "would have some characters (mainly protagonists) reveal their internal monologue while others (mainly", "others (mainly the antagonists) don't. They just express themselves with speech/actions. I wanted", "frustrated or confused by the inconsistency. Is that something I should actually be", "to be hidden for awhile. I then realized this might seem like favoritism", "this might seem like favoritism of certain characters and lead to the story", "have some characters (mainly protagonists) reveal their internal monologue while others (mainly the", "confused by the inconsistency. Is that something I should actually be concerned about", "so, what would you recommend I do instead? If you disagree about what", "lead to the story seeming more black-and-white. I thought one way to combat", "For context, I am writing a graphic novel. I always used to imagine", "reasons, one being I wanted some character's intentions to be hidden for awhile.", "thought one way to combat this (to an extent) is to allow all", "I wanted some character's intentions to be hidden for awhile. I then realized", "I should actually be concerned about or not? If so, what would you", "internal monologue while others (mainly the antagonists) don't. They just express themselves with", "black-and-white. I thought one way to combat this (to an extent) is to", "or confused by the inconsistency. Is that something I should actually be concerned", "they alone in their room). I worry though that readers might get frustrated", "of reasons, one being I wanted some character's intentions to be hidden for", "(maybe on a situational basis, such as only when they alone in their", "I do instead? If you disagree about what I said regarding favoritism, let", "all of theirs while others reveal less to varying degrees (maybe on a", "varying degrees (maybe on a situational basis, such as only when they alone", "to reveal internal monologue, but some reveal all of theirs while others reveal", "writing a graphic novel. I always used to imagine I would have some", "the story seeming more black-and-white. I thought one way to combat this (to", "and lead to the story seeming more black-and-white. I thought one way to", "their room). I worry though that readers might get frustrated or confused by", "If so, what would you recommend I do instead? If you disagree about", "awhile. I then realized this might seem like favoritism of certain characters and", "for awhile. I then realized this might seem like favoritism of certain characters", "speech/actions. I wanted to do this for a number of reasons, one being", "do this for a number of reasons, one being I wanted some character's", "theirs while others reveal less to varying degrees (maybe on a situational basis,", "certain characters and lead to the story seeming more black-and-white. I thought one", "If you disagree about what I said regarding favoritism, let me know as", "this for a number of reasons, one being I wanted some character's intentions", "I wanted to do this for a number of reasons, one being I", "seem like favoritism of certain characters and lead to the story seeming more" ]
[ "of the story and worming their way into my life. What's the best", "of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now my characters are", "Mhuebo is one of my characters. --- I've already had characters tell me", "or dress, what their underlying motivations are, or who they are when they", "my life. What's the best way to channel, handle, or survive this part", "already had characters tell me how they would speak or dress, what their", "forward the link to Mhuebo.\" Mhuebo is one of my characters. --- I've", "they're teens/pre-teens in 1995, so they're in their 30's now). In some ways,", "just read an article online and thought \"this is great, I should forward", "my characters. --- I've already had characters tell me how they would speak", "online and thought \"this is great, I should forward the link to Mhuebo.\"", "--- I've already had characters tell me how they would speak or dress,", "that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the", "is one of my characters. --- I've already had characters tell me how", "What's the best way to channel, handle, or survive this part of the", "who they are when they grow up (the main action takes place when", "similar to the question [Characters that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own).", "how they would speak or dress, what their underlying motivations are, or who", "their underlying motivations are, or who they are when they grow up (the", "the link to Mhuebo.\" Mhuebo is one of my characters. --- I've already", "when they grow up (the main action takes place when they're teens/pre-teens in", "read an article online and thought \"this is great, I should forward the", "I should forward the link to Mhuebo.\" Mhuebo is one of my characters.", "speak or dress, what their underlying motivations are, or who they are when", "that's similar to the question [Characters that take on a life of their", "life. What's the best way to channel, handle, or survive this part of", "place when they're teens/pre-teens in 1995, so they're in their 30's now). In", "take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story.", "when they're teens/pre-teens in 1995, so they're in their 30's now). In some", "that's still within the story. Now my characters are jumping out of the", "main action takes place when they're teens/pre-teens in 1995, so they're in their", "and worming their way into my life. What's the best way to channel,", "But that's still within the story. Now my characters are jumping out of", "and thought \"this is great, I should forward the link to Mhuebo.\" Mhuebo", "characters tell me how they would speak or dress, what their underlying motivations", "me how they would speak or dress, what their underlying motivations are, or", "link to Mhuebo.\" Mhuebo is one of my characters. --- I've already had", "the question [Characters that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's", "would speak or dress, what their underlying motivations are, or who they are", "the story. Now my characters are jumping out of the story and worming", "their way into my life. What's the best way to channel, handle, or", "should forward the link to Mhuebo.\" Mhuebo is one of my characters. ---", "1995, so they're in their 30's now). In some ways, that's similar to", "[Characters that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within", "their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now my characters are jumping", "are, or who they are when they grow up (the main action takes", "an article online and thought \"this is great, I should forward the link", "I've already had characters tell me how they would speak or dress, what", "in their 30's now). In some ways, that's similar to the question [Characters", "the story and worming their way into my life. What's the best way", "article online and thought \"this is great, I should forward the link to", "question [Characters that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still", "best way to channel, handle, or survive this part of the writing process?", "grow up (the main action takes place when they're teens/pre-teens in 1995, so", "thought \"this is great, I should forward the link to Mhuebo.\" Mhuebo is", "still within the story. Now my characters are jumping out of the story", "in 1995, so they're in their 30's now). In some ways, that's similar", "are when they grow up (the main action takes place when they're teens/pre-teens", "I just read an article online and thought \"this is great, I should", "their 30's now). In some ways, that's similar to the question [Characters that", "had characters tell me how they would speak or dress, what their underlying", "my characters are jumping out of the story and worming their way into", "characters. --- I've already had characters tell me how they would speak or", "\"this is great, I should forward the link to Mhuebo.\" Mhuebo is one", "great, I should forward the link to Mhuebo.\" Mhuebo is one of my", "underlying motivations are, or who they are when they grow up (the main", "so they're in their 30's now). In some ways, that's similar to the", "a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now my", "action takes place when they're teens/pre-teens in 1995, so they're in their 30's", "is great, I should forward the link to Mhuebo.\" Mhuebo is one of", "they are when they grow up (the main action takes place when they're", "they would speak or dress, what their underlying motivations are, or who they", "life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now my characters", "characters are jumping out of the story and worming their way into my", "dress, what their underlying motivations are, or who they are when they grow", "own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now my characters are jumping out", "of my characters. --- I've already had characters tell me how they would", "way into my life. What's the best way to channel, handle, or survive", "they grow up (the main action takes place when they're teens/pre-teens in 1995,", "30's now). In some ways, that's similar to the question [Characters that take", "the best way to channel, handle, or survive this part of the writing", "or who they are when they grow up (the main action takes place", "what their underlying motivations are, or who they are when they grow up", "within the story. Now my characters are jumping out of the story and", "out of the story and worming their way into my life. What's the", "tell me how they would speak or dress, what their underlying motivations are,", "teens/pre-teens in 1995, so they're in their 30's now). In some ways, that's", "story. Now my characters are jumping out of the story and worming their", "Now my characters are jumping out of the story and worming their way", "on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But that's still within the story. Now", "In some ways, that's similar to the question [Characters that take on a", "motivations are, or who they are when they grow up (the main action", "worming their way into my life. What's the best way to channel, handle,", "some ways, that's similar to the question [Characters that take on a life", "ways, that's similar to the question [Characters that take on a life of", "jumping out of the story and worming their way into my life. What's", "story and worming their way into my life. What's the best way to", "into my life. What's the best way to channel, handle, or survive this", "to the question [Characters that take on a life of their own](https://writing.stackexchange.com/questions/36357/characters-that-take-on-a-life-of-their-own). But", "to Mhuebo.\" Mhuebo is one of my characters. --- I've already had characters", "one of my characters. --- I've already had characters tell me how they", "up (the main action takes place when they're teens/pre-teens in 1995, so they're", "Mhuebo.\" Mhuebo is one of my characters. --- I've already had characters tell", "are jumping out of the story and worming their way into my life.", "(the main action takes place when they're teens/pre-teens in 1995, so they're in", "now). In some ways, that's similar to the question [Characters that take on", "takes place when they're teens/pre-teens in 1995, so they're in their 30's now).", "they're in their 30's now). In some ways, that's similar to the question" ]
[ "midnight. He grabbed a glass of > vodka. The ice had long melted", "thing? Here's what it could look like: > > Magthon sat alone in", "glass of > vodka. The ice had long melted away. He drank it", "your mind through descriptions in a novel. Here's what I mean: We often", "glass is left empty like the person who consummated the vengeance. Is this", "the vengeance. Is this a thing? Here's what it could look like: >", "Magthon sat alone in the room. It was midnight. He grabbed a glass", "show that the glass is left empty like the person who consummated the", "of expressing metaphors using words, you use images that are imprinted in your", "imprinted in your mind through descriptions in a novel. Here's what I mean:", "> onto his desk. The glass, now empty, was sitting in the middle", "glass, now empty, was sitting in the middle of the > desk. The", "I mean: We often say that vengeance is an empty thing. So we", "in your mind through descriptions in a novel. Here's what I mean: We", "vodka. The ice had long melted away. He drank it all, and pounded", "empty like the person who consummated the vengeance. Is this a thing? Here's", "melted away. He drank it all, and pounded the glass > onto his", "descriptions in a novel. Here's what I mean: We often say that vengeance", "and drinking it all, and show that the glass is left empty like", "and pounded the glass > onto his desk. The glass, now empty, was", "metaphors using words, you use images that are imprinted in your mind through", "what it could look like: > > Magthon sat alone in the room.", "this a thing? Here's what it could look like: > > Magthon sat", "often say that vengeance is an empty thing. So we could have a", "The ice had long melted away. He drank it all, and pounded the", "using words, you use images that are imprinted in your mind through descriptions", "What I mean by \"cinematographic metaphor\" is that, instead of expressing metaphors using", "are imprinted in your mind through descriptions in a novel. Here's what I", "> > Magthon sat alone in the room. It was midnight. He grabbed", "left empty like the person who consummated the vengeance. Is this a thing?", "empty, was sitting in the middle of the > desk. The upper part", "vengeance. Is this a thing? Here's what it could look like: > >", "long melted away. He drank it all, and pounded the glass > onto", "empty thing. So we could have a scene describing someone drinking alcohol from", "his desk. The glass, now empty, was sitting in the middle of the", "alone in the room. It was midnight. He grabbed a glass of >", "what I mean: We often say that vengeance is an empty thing. So", "that vengeance is an empty thing. So we could have a scene describing", "middle of the > desk. The upper part was now broken and reflected", "words, you use images that are imprinted in your mind through descriptions in", "novel. Here's what I mean: We often say that vengeance is an empty", "drank it all, and pounded the glass > onto his desk. The glass,", "desk. The glass, now empty, was sitting in the middle of the >", "thing. So we could have a scene describing someone drinking alcohol from a", "and show that the glass is left empty like the person who consummated", "someone drinking alcohol from a glass and drinking it all, and show that", "is that, instead of expressing metaphors using words, you use images that are", "scene describing someone drinking alcohol from a glass and drinking it all, and", "> Magthon sat alone in the room. It was midnight. He grabbed a", "that, instead of expressing metaphors using words, you use images that are imprinted", "a novel. Here's what I mean: We often say that vengeance is an", "that are imprinted in your mind through descriptions in a novel. Here's what", "we could have a scene describing someone drinking alcohol from a glass and", "the person who consummated the vengeance. Is this a thing? Here's what it", "images that are imprinted in your mind through descriptions in a novel. Here's", "room. It was midnight. He grabbed a glass of > vodka. The ice", "it all, and show that the glass is left empty like the person", "the room. It was midnight. He grabbed a glass of > vodka. The", "is an empty thing. So we could have a scene describing someone drinking", "is left empty like the person who consummated the vengeance. Is this a", "it could look like: > > Magthon sat alone in the room. It", "who consummated the vengeance. Is this a thing? Here's what it could look", "Is this a thing? Here's what it could look like: > > Magthon", "Here's what I mean: We often say that vengeance is an empty thing.", "mean: We often say that vengeance is an empty thing. So we could", "of > vodka. The ice had long melted away. He drank it all,", "sat alone in the room. It was midnight. He grabbed a glass of", "was midnight. He grabbed a glass of > vodka. The ice had long", "the glass > onto his desk. The glass, now empty, was sitting in", "of the > desk. The upper part was now broken and reflected his", "had long melted away. He drank it all, and pounded the glass >", "was sitting in the middle of the > desk. The upper part was", "describing someone drinking alcohol from a glass and drinking it all, and show", "> desk. The upper part was now broken and reflected his twisted visage.", "in a novel. Here's what I mean: We often say that vengeance is", "could have a scene describing someone drinking alcohol from a glass and drinking", "a glass and drinking it all, and show that the glass is left", "glass and drinking it all, and show that the glass is left empty", "Here's what it could look like: > > Magthon sat alone in the", "like the person who consummated the vengeance. Is this a thing? Here's what", "mean by \"cinematographic metaphor\" is that, instead of expressing metaphors using words, you", "It was midnight. He grabbed a glass of > vodka. The ice had", "use images that are imprinted in your mind through descriptions in a novel.", "I mean by \"cinematographic metaphor\" is that, instead of expressing metaphors using words,", "the glass is left empty like the person who consummated the vengeance. Is", "all, and pounded the glass > onto his desk. The glass, now empty,", "metaphor\" is that, instead of expressing metaphors using words, you use images that", "drinking alcohol from a glass and drinking it all, and show that the", "alcohol from a glass and drinking it all, and show that the glass", "instead of expressing metaphors using words, you use images that are imprinted in", "mind through descriptions in a novel. Here's what I mean: We often say", "in the room. It was midnight. He grabbed a glass of > vodka.", "He drank it all, and pounded the glass > onto his desk. The", "glass > onto his desk. The glass, now empty, was sitting in the", "through descriptions in a novel. Here's what I mean: We often say that", "say that vengeance is an empty thing. So we could have a scene", "you use images that are imprinted in your mind through descriptions in a", "the middle of the > desk. The upper part was now broken and", "a scene describing someone drinking alcohol from a glass and drinking it all,", "drinking it all, and show that the glass is left empty like the", "a thing? Here's what it could look like: > > Magthon sat alone", "desk. The upper part was now broken and reflected his twisted visage. >", "vengeance is an empty thing. So we could have a scene describing someone", "could look like: > > Magthon sat alone in the room. It was", "ice had long melted away. He drank it all, and pounded the glass", "a glass of > vodka. The ice had long melted away. He drank", "by \"cinematographic metaphor\" is that, instead of expressing metaphors using words, you use", "So we could have a scene describing someone drinking alcohol from a glass", "an empty thing. So we could have a scene describing someone drinking alcohol", "look like: > > Magthon sat alone in the room. It was midnight.", "onto his desk. The glass, now empty, was sitting in the middle of", "The upper part was now broken and reflected his twisted visage. > >", "\"cinematographic metaphor\" is that, instead of expressing metaphors using words, you use images", "now empty, was sitting in the middle of the > desk. The upper", "> vodka. The ice had long melted away. He drank it all, and", "The glass, now empty, was sitting in the middle of the > desk.", "pounded the glass > onto his desk. The glass, now empty, was sitting", "We often say that vengeance is an empty thing. So we could have", "He grabbed a glass of > vodka. The ice had long melted away.", "it all, and pounded the glass > onto his desk. The glass, now", "grabbed a glass of > vodka. The ice had long melted away. He", "consummated the vengeance. Is this a thing? Here's what it could look like:", "expressing metaphors using words, you use images that are imprinted in your mind", "sitting in the middle of the > desk. The upper part was now", "in the middle of the > desk. The upper part was now broken", "away. He drank it all, and pounded the glass > onto his desk.", "the > desk. The upper part was now broken and reflected his twisted", "person who consummated the vengeance. Is this a thing? Here's what it could", "that the glass is left empty like the person who consummated the vengeance.", "have a scene describing someone drinking alcohol from a glass and drinking it", "like: > > Magthon sat alone in the room. It was midnight. He", "from a glass and drinking it all, and show that the glass is", "upper part was now broken and reflected his twisted visage. > > >", "all, and show that the glass is left empty like the person who" ]