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I'm posting a paragraph (not for critique, just context).", "piece of writing to determine who might be interested in reading it. Edited", "my grandma’s cuckoo clock. Mesmerised by > its swinging pendulum, I would sit", "sit quietly, waiting for mister blue > bird to pop out. Picturing it", "have an audience in mind. Some topics or style of writing, of course,", "is figuring out my audience — particularly for something I have written where", "of course, are easier than others. I'm posting a paragraph (not for critique,", "broader audience? Mind you, this is just a paragraph exercise, possibly it would", "facing is figuring out my audience — particularly for something I have written", "cues I might pick up from a piece of writing to determine who", "might be interested in reading it. Edited to add: My thinking was possibly", "> > I yearn for the ticktock of my grandma’s cuckoo clock. Mesmerised", "technology and not forest fairies or gods. 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Is it", "just a paragraph exercise, possibly it would be easier to figure out the", "turns > out, are equipped with a mechanism made from cast weights in", "derived from the > bellows pushing air through two wooden whistles that mimic", "not forest fairies or gods. Cuckoo clocks, it turns > out, are equipped", "made from cast weights in a > pine-cone shape. The original “cu coo”", "I'm taking a writing course and the biggest challenge I'm facing is figuring", "is just a paragraph exercise, possibly it would be easier to figure out", "audience — particularly for something I have written where I didn't have an", "for critique, just context). Is it legit to appeal to a general or", "objects? Those, maybe, who are interested in old versus new technology? Or is", "magical moment. Years later, I learned its marvel was a gift > of", "a piece of writing to determine who might be interested in reading it.", "of the cuckoo was always a > rare and magical moment. 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Or", "figuring out my audience — particularly for something I have written where I", "later, I learned its marvel was a gift > of technology and not", "from cast weights in a > pine-cone shape. The original “cu coo” sound", "things were made intricately by > hand and time was measured in hours,", "a paragraph (not for critique, just context). Is it legit to appeal to", "bellows pushing air through two wooden whistles that mimic the call of >", "a gift > of technology and not forest fairies or gods. Cuckoo clocks,", "legit to appeal to a general or broader audience? Mind you, this is", "a specific piece. I guess I am looking for guidance on what cues", "I am looking for guidance on what cues I might pick up from", "piece. I guess I am looking for guidance on what cues I might", "it cozily tucked away, twitching its wings, > wanting to fly, fly away.", "My thinking was possibly a piece like this could appeal to collectors of", "too specific? > > I yearn for the ticktock of my grandma’s cuckoo", "tale heart, the > cuckoo is a reminder of a time when things", "reading it. Edited to add: My thinking was possibly a piece like this", "it turns > out, are equipped with a mechanism made from cast weights", "would sit quietly, waiting for mister blue > bird to pop out. Picturing", "my fairy tale heart, the > cuckoo is a reminder of a time", "were made intricately by > hand and time was measured in hours, not", "Or is this too specific? > > I yearn for the ticktock of", "would be easier to figure out the audience if I was expanding the", "> I yearn for the ticktock of my grandma’s cuckoo clock. Mesmerised by", "Despite this stab of reality to my fairy tale heart, the > cuckoo", "to my fairy tale heart, the > cuckoo is a reminder of a", "cuckoo clock. Mesmerised by > its swinging pendulum, I would sit quietly, waiting", "Mind you, this is just a paragraph exercise, possibly it would be easier", "gods. Cuckoo clocks, it turns > out, are equipped with a mechanism made", "out my audience — particularly for something I have written where I didn't", "maybe, who are interested in old versus new technology? Or is this too", "I was expanding the paragraph into a specific piece. I guess I am", "or gods. Cuckoo clocks, it turns > out, are equipped with a mechanism", "it. Edited to add: My thinking was possibly a piece like this could", "I guess I am looking for guidance on what cues I might pick", "easier to figure out the audience if I was expanding the paragraph into", "whistles that mimic the call of > the bird. Despite this stab of", "— particularly for something I have written where I didn't have an audience", "style of writing, of course, are easier than others. I'm posting a paragraph", "on what cues I might pick up from a piece of writing to", "to determine who might be interested in reading it. Edited to add: My", "Some topics or style of writing, of course, are easier than others. I'm", "mechanism made from cast weights in a > pine-cone shape. The original “cu", "I didn't have an audience in mind. Some topics or style of writing,", "this stab of reality to my fairy tale heart, the > cuckoo is", "writing course and the biggest challenge I'm facing is figuring out my audience", "be interested in reading it. Edited to add: My thinking was possibly a", "I have written where I didn't have an audience in mind. Some topics", "rare and magical moment. Years later, I learned its marvel was a gift", "in reading it. 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I guess I am looking for", "pendulum, I would sit quietly, waiting for mister blue > bird to pop", "a mechanism made from cast weights in a > pine-cone shape. The original", "possibly a piece like this could appeal to collectors of objects? Those, maybe,", "you, this is just a paragraph exercise, possibly it would be easier to", "this too specific? > > I yearn for the ticktock of my grandma’s", "for something I have written where I didn't have an audience in mind.", "I'm posting a paragraph (not for critique, just context). Is it legit to", "or broader audience? Mind you, this is just a paragraph exercise, possibly it", "the ticktock of my grandma’s cuckoo clock. Mesmerised by > its swinging pendulum,", "guidance on what cues I might pick up from a piece of writing", "coo” sound was derived from the > bellows pushing air through two wooden", "exercise, possibly it would be easier to figure out the audience if I", "be easier to figure out the audience if I was expanding the paragraph", "when things were made intricately by > hand and time was measured in", "an audience in mind. Some topics or style of writing, of course, are", "a paragraph exercise, possibly it would be easier to figure out the audience", "guess I am looking for guidance on what cues I might pick up", "its swinging pendulum, I would sit quietly, waiting for mister blue > bird", "fairy tale heart, the > cuckoo is a reminder of a time when", "with a mechanism made from cast weights in a > pine-cone shape. The", "a reminder of a time when things were made intricately by > hand", "marvel was a gift > of technology and not forest fairies or gods.", "this is just a paragraph exercise, possibly it would be easier to figure", "to fly, fly away. The appearance of the cuckoo was always a >", "air through two wooden whistles that mimic the call of > the bird.", "of writing to determine who might be interested in reading it. Edited to", "the paragraph into a specific piece. I guess I am looking for guidance", "out. Picturing it cozily tucked away, twitching its wings, > wanting to fly,", "it would be easier to figure out the audience if I was expanding", "was expanding the paragraph into a specific piece. I guess I am looking", "new technology? Or is this too specific? > > I yearn for the", "moment. Years later, I learned its marvel was a gift > of technology", "and magical moment. Years later, I learned its marvel was a gift >", "in old versus new technology? Or is this too specific? > > I", "have written where I didn't have an audience in mind. Some topics or", "> hand and time was measured in hours, not tweets. > > >", "> rare and magical moment. Years later, I learned its marvel was a", "topics or style of writing, of course, are easier than others. I'm posting", "or style of writing, of course, are easier than others. I'm posting a", "intricately by > hand and time was measured in hours, not tweets. >", "are equipped with a mechanism made from cast weights in a > pine-cone", "specific? > > I yearn for the ticktock of my grandma’s cuckoo clock.", "of reality to my fairy tale heart, the > cuckoo is a reminder", "audience? Mind you, this is just a paragraph exercise, possibly it would be", "thinking was possibly a piece like this could appeal to collectors of objects?", "looking for guidance on what cues I might pick up from a piece", "its wings, > wanting to fly, fly away. The appearance of the cuckoo", "pick up from a piece of writing to determine who might be interested", "wings, > wanting to fly, fly away. The appearance of the cuckoo was", "of > the bird. Despite this stab of reality to my fairy tale", "Is it legit to appeal to a general or broader audience? Mind you,", "The original “cu coo” sound was derived from the > bellows pushing air", "context). Is it legit to appeal to a general or broader audience? Mind", "I learned its marvel was a gift > of technology and not forest", "grandma’s cuckoo clock. Mesmerised by > its swinging pendulum, I would sit quietly,", "posting a paragraph (not for critique, just context). Is it legit to appeal", "pop out. Picturing it cozily tucked away, twitching its wings, > wanting to", "two wooden whistles that mimic the call of > the bird. Despite this", "up from a piece of writing to determine who might be interested in", "by > hand and time was measured in hours, not tweets. > >", "Cuckoo clocks, it turns > out, are equipped with a mechanism made from", "clocks, it turns > out, are equipped with a mechanism made from cast", "Years later, I learned its marvel was a gift > of technology and", "made intricately by > hand and time was measured in hours, not tweets.", "blue > bird to pop out. Picturing it cozily tucked away, twitching its", "of technology and not forest fairies or gods. Cuckoo clocks, it turns >", "ticktock of my grandma’s cuckoo clock. Mesmerised by > its swinging pendulum, I", "> the bird. 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Is it legit to appeal to a general", "stab of reality to my fairy tale heart, the > cuckoo is a" ]
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I", "* \"She gradually regained her composure.\" Dropping the adverb changes the meaning and", "time with: * \"She stood alone by the bar.\" Standing there by herself", "many people have dislike for adverbs in writing, but I'm struggling with how", "problem. * \"He leaned in conspiratorially.\" I don't even know where to start.", "\"She felt lonely\" is bland compared to a description of how she stood", "* \"She stood alone by the bar.\" Standing there by herself is the", "have a much harder time with: * \"She stood alone by the bar.\"", "replaced by \"He sprinted.\" * \"She felt lonely\" is bland compared to a", "off adverbs for which a natural or more interesting replacement exists. Accept what", "a natural or more interesting replacement exists. Accept what you can't change for", "but I'm struggling with how to find a real balance. For example, these", "she stood apart and longed to be part of the conversation. I have", "clumsier and adds nothing to the original. Almost any other way of wording", "bar.\" Standing there by herself is the very point of the sentence. \"She", "a conspiratorial tone, but that doesn't mean quite the same and, again, adds", "for which a natural or more interesting replacement exists. Accept what you can't", "\"She gradually regained her composure.\" Dropping the adverb changes the meaning and I", "gradually regained her composure.\" Dropping the adverb changes the meaning and I don't", "and longed to be part of the conversation. I have a much harder", "the same problem. * \"He leaned in conspiratorially.\" I don't even know where", "I'm struggling with how to find a real balance. 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Is that a good way to approach it, or", "adverb changes the meaning and I don't see a way to clean that", "this: Kill off adverbs for which a natural or more interesting replacement exists.", "she stood by the bar\" is wordier and clumsier and adds nothing to", "was alone as she stood by the bar\" is wordier and clumsier and", "sentence. \"She was alone as she stood by the bar\" is wordier and", "nothing to the original. Almost any other way of wording it suffers the", "much harder time with: * \"She stood alone by the bar.\" Standing there", "natural or more interesting replacement exists. Accept what you can't change for the", "part of the conversation. I have a much harder time with: * \"She", "harder time with: * \"She stood alone by the bar.\" Standing there by", "you can't change for the rest. Is that a good way to approach", "\"He leaned in conspiratorially.\" I don't even know where to start. I could", "is bland compared to a description of how she stood apart and longed", "is wordier and clumsier and adds nothing to the original. Almost any other", "to be part of the conversation. I have a much harder time with:", "or more interesting replacement exists. Accept what you can't change for the rest.", "for the rest. Is that a good way to approach it, or am", "and I don't see a way to clean that up. I feel that", "but that doesn't mean quite the same and, again, adds nothing. * \"She", "I understand the reasons so many people have dislike for adverbs in writing,", "lonely\" is bland compared to a description of how she stood apart and", "to clean that up. I feel that maybe I should approach it like", "in conspiratorially.\" I don't even know where to start. I could have him", "the conversation. I have a much harder time with: * \"She stood alone", "regained her composure.\" Dropping the adverb changes the meaning and I don't see", "of the conversation. I have a much harder time with: * \"She stood", "a real balance. For example, these adverbs can die: * \"He ran quickly\"", "Dropping the adverb changes the meaning and I don't see a way to", "of the sentence. \"She was alone as she stood by the bar\" is", "to a description of how she stood apart and longed to be part", "reasons so many people have dislike for adverbs in writing, but I'm struggling", "with how to find a real balance. For example, these adverbs can die:", "how she stood apart and longed to be part of the conversation. I", "adverbs in writing, but I'm struggling with how to find a real balance.", "I have a much harder time with: * \"She stood alone by the", "of how she stood apart and longed to be part of the conversation.", "can die: * \"He ran quickly\" is easily replaced by \"He sprinted.\" ", "a way to clean that up. I feel that maybe I should approach", "is the very point of the sentence. \"She was alone as she stood", "clean that up. I feel that maybe I should approach it like this:", "adds nothing. \"She gradually regained her composure.\" Dropping the adverb changes the", "the meaning and I don't see a way to clean that up. I", "up. I feel that maybe I should approach it like this: Kill off", "a good way to approach it, or am I missing a better way?", "mean quite the same and, again, adds nothing. * \"She gradually regained her", "have dislike for adverbs in writing, but I'm struggling with how to find", "stood by the bar\" is wordier and clumsier and adds nothing to the", "any other way of wording it suffers the same problem. * \"He leaned", "to find a real balance. For example, these adverbs can die: * \"He", "in and speak with a conspiratorial tone, but that doesn't mean quite the", "replacement exists. Accept what you can't change for the rest. Is that a", "there by herself is the very point of the sentence. \"She was alone", "alone by the bar.\" Standing there by herself is the very point of", "real balance. For example, these adverbs can die: * \"He ran quickly\" is", "way of wording it suffers the same problem. * \"He leaned in conspiratorially.\"", "nothing. * \"She gradually regained her composure.\" Dropping the adverb changes the meaning", "For example, these adverbs can die: * \"He ran quickly\" is easily replaced", "very point of the sentence. \"She was alone as she stood by the", "should approach it like this: Kill off adverbs for which a natural or", "Accept what you can't change for the rest. Is that a good way", "the reasons so many people have dislike for adverbs in writing, but I'm", "people have dislike for adverbs in writing, but I'm struggling with how to", "easily replaced by \"He sprinted.\" * \"She felt lonely\" is bland compared to", "adds nothing to the original. Almost any other way of wording it suffers", "lean in and speak with a conspiratorial tone, but that doesn't mean quite", "quickly\" is easily replaced by \"He sprinted.\" * \"She felt lonely\" is bland", "don't see a way to clean that up. I feel that maybe I", "more interesting replacement exists. Accept what you can't change for the rest. Is", "alone as she stood by the bar\" is wordier and clumsier and adds", "the bar.\" Standing there by herself is the very point of the sentence.", "the bar\" is wordier and clumsier and adds nothing to the original. Almost", "even know where to start. I could have him lean in and speak", "know where to start. I could have him lean in and speak with", "conspiratorial tone, but that doesn't mean quite the same and, again, adds nothing.", "die: * \"He ran quickly\" is easily replaced by \"He sprinted.\" * \"She", "same problem. * \"He leaned in conspiratorially.\" I don't even know where to", "where to start. I could have him lean in and speak with a", "struggling with how to find a real balance. For example, these adverbs can", "feel that maybe I should approach it like this: Kill off adverbs for", "that a good way to approach it, or am I missing a better", "a much harder time with: * \"She stood alone by the bar.\" Standing", "Is that a good way to approach it, or am I missing a", "which a natural or more interesting replacement exists. Accept what you can't change", "that maybe I should approach it like this: Kill off adverbs for which", "leaned in conspiratorially.\" I don't even know where to start. I could have", "quite the same and, again, adds nothing. * \"She gradually regained her composure.\"", "by the bar\" is wordier and clumsier and adds nothing to the original.", "doesn't mean quite the same and, again, adds nothing. * \"She gradually regained", "bland compared to a description of how she stood apart and longed to", "approach it like this: Kill off adverbs for which a natural or more", "apart and longed to be part of the conversation. I have a much", "and, again, adds nothing. * \"She gradually regained her composure.\" Dropping the adverb", "like this: Kill off adverbs for which a natural or more interesting replacement", "again, adds nothing. * \"She gradually regained her composure.\" Dropping the adverb changes", "understand the reasons so many people have dislike for adverbs in writing, but", "the same and, again, adds nothing. * \"She gradually regained her composure.\" Dropping", "the adverb changes the meaning and I don't see a way to clean", "adverbs for which a natural or more interesting replacement exists. Accept what you", "herself is the very point of the sentence. \"She was alone as she" ]
[ "probably bad advice, and I'd rather seek the advice of people more knowledgeable", "but figured it might be pertinent. Forgive typos I haven't caught, still adjusting", "the advice of people more knowledgeable on the subject. PS: I do not", "\"Free Web Novel\". I don't know if this actually affects anything, but figured", "and forth with simple descriptors like \"He said\" and \"She replied\" much too", "simple words like \"DaedUW\" in dialogue much too often. I'm hesitant to abuse", "that if I resort to a thesaurus or \"Word things too fancy\" people", "I...admittedly don't hold a very high opinion of that if I resort to", "replied\" much too often. I've been told by a writer I...admittedly don't hold", "\"DaedUW\" in dialogue much too often. I'm hesitant to abuse the thesaurus due", "said\" and \"She replied\" much too often. I've been told by a writer", "I know it's probably bad advice, and I'd rather seek the advice of", "Long story short: I default to simple words like \"DaedUW\" in dialogue much", "I've been given, as well. Slightly longer version: When I'm writing dialogue it", "writing. I'm taking the path of the \"Free Web Novel\". I don't know", "I'm hesitant to abuse the thesaurus due to advice I've been given, as", "well. Slightly longer version: When I'm writing dialogue it tends to go back", "hesitant to abuse the thesaurus due to advice I've been given, as well.", "writing dialogue it tends to go back and forth with simple descriptors like", "I resort to a thesaurus or \"Word things too fancy\" people will find", "often. I'm hesitant to abuse the thesaurus due to advice I've been given,", "version: When I'm writing dialogue it tends to go back and forth with", "back and forth with simple descriptors like \"He said\" and \"She replied\" much", "might be pertinent. Forgive typos I haven't caught, still adjusting to a new", "pretentious and widely pan me. I know it's probably bad advice, and I'd", "figured it might be pertinent. Forgive typos I haven't caught, still adjusting to", "opinion of that if I resort to a thesaurus or \"Word things too", "anything, but figured it might be pertinent. Forgive typos I haven't caught, still", "affects anything, but figured it might be pertinent. Forgive typos I haven't caught,", "I'm taking the path of the \"Free Web Novel\". I don't know if", "in dialogue much too often. I'm hesitant to abuse the thesaurus due to", "find me pretentious and widely pan me. I know it's probably bad advice,", "much too often. I'm hesitant to abuse the thesaurus due to advice I've", "me. I know it's probably bad advice, and I'd rather seek the advice", "publishing for my writing. I'm taking the path of the \"Free Web Novel\".", "subject. PS: I do not seek traditional publishing for my writing. I'm taking", "short: I default to simple words like \"DaedUW\" in dialogue much too often.", "tends to go back and forth with simple descriptors like \"He said\" and", "on the subject. PS: I do not seek traditional publishing for my writing.", "a thesaurus or \"Word things too fancy\" people will find me pretentious and", "been told by a writer I...admittedly don't hold a very high opinion of", "advice of people more knowledgeable on the subject. PS: I do not seek", "bad advice, and I'd rather seek the advice of people more knowledgeable on", "the path of the \"Free Web Novel\". I don't know if this actually", "as well. Slightly longer version: When I'm writing dialogue it tends to go", "a very high opinion of that if I resort to a thesaurus or", "path of the \"Free Web Novel\". I don't know if this actually affects", "the thesaurus due to advice I've been given, as well. Slightly longer version:", "not seek traditional publishing for my writing. I'm taking the path of the", "often. I've been told by a writer I...admittedly don't hold a very high", "Slightly longer version: When I'm writing dialogue it tends to go back and", "and \"She replied\" much too often. I've been told by a writer I...admittedly", "me pretentious and widely pan me. I know it's probably bad advice, and", "too often. I've been told by a writer I...admittedly don't hold a very", "my writing. I'm taking the path of the \"Free Web Novel\". I don't", "thesaurus or \"Word things too fancy\" people will find me pretentious and widely", "simple descriptors like \"He said\" and \"She replied\" much too often. I've been", "advice I've been given, as well. Slightly longer version: When I'm writing dialogue", "\"She replied\" much too often. I've been told by a writer I...admittedly don't", "this actually affects anything, but figured it might be pertinent. Forgive typos I", "to abuse the thesaurus due to advice I've been given, as well. Slightly", "be pertinent. Forgive typos I haven't caught, still adjusting to a new keyboard.", "by a writer I...admittedly don't hold a very high opinion of that if", "I don't know if this actually affects anything, but figured it might be", "with simple descriptors like \"He said\" and \"She replied\" much too often. I've", "Novel\". I don't know if this actually affects anything, but figured it might", "don't hold a very high opinion of that if I resort to a", "pan me. I know it's probably bad advice, and I'd rather seek the", "and widely pan me. I know it's probably bad advice, and I'd rather", "people will find me pretentious and widely pan me. I know it's probably", "I'd rather seek the advice of people more knowledgeable on the subject. PS:", "of people more knowledgeable on the subject. PS: I do not seek traditional", "very high opinion of that if I resort to a thesaurus or \"Word", "I default to simple words like \"DaedUW\" in dialogue much too often. I'm", "too often. I'm hesitant to abuse the thesaurus due to advice I've been", "for my writing. I'm taking the path of the \"Free Web Novel\". I", "forth with simple descriptors like \"He said\" and \"She replied\" much too often.", "default to simple words like \"DaedUW\" in dialogue much too often. I'm hesitant", "When I'm writing dialogue it tends to go back and forth with simple", "I've been told by a writer I...admittedly don't hold a very high opinion", "of the \"Free Web Novel\". I don't know if this actually affects anything,", "dialogue much too often. I'm hesitant to abuse the thesaurus due to advice", "things too fancy\" people will find me pretentious and widely pan me. I", "\"Word things too fancy\" people will find me pretentious and widely pan me.", "will find me pretentious and widely pan me. I know it's probably bad", "to go back and forth with simple descriptors like \"He said\" and \"She", "know it's probably bad advice, and I'd rather seek the advice of people", "thesaurus due to advice I've been given, as well. Slightly longer version: When", "advice, and I'd rather seek the advice of people more knowledgeable on the", "to advice I've been given, as well. Slightly longer version: When I'm writing", "actually affects anything, but figured it might be pertinent. Forgive typos I haven't", "traditional publishing for my writing. I'm taking the path of the \"Free Web", "if I resort to a thesaurus or \"Word things too fancy\" people will", "been given, as well. Slightly longer version: When I'm writing dialogue it tends", "story short: I default to simple words like \"DaedUW\" in dialogue much too", "due to advice I've been given, as well. Slightly longer version: When I'm", "told by a writer I...admittedly don't hold a very high opinion of that", "a writer I...admittedly don't hold a very high opinion of that if I", "seek the advice of people more knowledgeable on the subject. PS: I do", "I do not seek traditional publishing for my writing. I'm taking the path", "taking the path of the \"Free Web Novel\". I don't know if this", "don't know if this actually affects anything, but figured it might be pertinent.", "like \"DaedUW\" in dialogue much too often. I'm hesitant to abuse the thesaurus", "longer version: When I'm writing dialogue it tends to go back and forth", "like \"He said\" and \"She replied\" much too often. I've been told by", "writer I...admittedly don't hold a very high opinion of that if I resort", "much too often. I've been told by a writer I...admittedly don't hold a", "given, as well. Slightly longer version: When I'm writing dialogue it tends to", "it might be pertinent. Forgive typos I haven't caught, still adjusting to a", "go back and forth with simple descriptors like \"He said\" and \"She replied\"", "I'm writing dialogue it tends to go back and forth with simple descriptors", "know if this actually affects anything, but figured it might be pertinent. Forgive", "of that if I resort to a thesaurus or \"Word things too fancy\"", "seek traditional publishing for my writing. I'm taking the path of the \"Free", "the \"Free Web Novel\". I don't know if this actually affects anything, but", "high opinion of that if I resort to a thesaurus or \"Word things", "it tends to go back and forth with simple descriptors like \"He said\"", "and I'd rather seek the advice of people more knowledgeable on the subject.", "fancy\" people will find me pretentious and widely pan me. I know it's", "dialogue it tends to go back and forth with simple descriptors like \"He", "\"He said\" and \"She replied\" much too often. I've been told by a", "descriptors like \"He said\" and \"She replied\" much too often. I've been told", "the subject. PS: I do not seek traditional publishing for my writing. I'm", "abuse the thesaurus due to advice I've been given, as well. Slightly longer", "Web Novel\". I don't know if this actually affects anything, but figured it", "do not seek traditional publishing for my writing. I'm taking the path of", "hold a very high opinion of that if I resort to a thesaurus", "rather seek the advice of people more knowledgeable on the subject. PS: I", "people more knowledgeable on the subject. PS: I do not seek traditional publishing", "resort to a thesaurus or \"Word things too fancy\" people will find me", "knowledgeable on the subject. PS: I do not seek traditional publishing for my", "if this actually affects anything, but figured it might be pertinent. Forgive typos", "it's probably bad advice, and I'd rather seek the advice of people more", "too fancy\" people will find me pretentious and widely pan me. I know", "to a thesaurus or \"Word things too fancy\" people will find me pretentious", "to simple words like \"DaedUW\" in dialogue much too often. I'm hesitant to", "or \"Word things too fancy\" people will find me pretentious and widely pan", "widely pan me. I know it's probably bad advice, and I'd rather seek", "more knowledgeable on the subject. PS: I do not seek traditional publishing for", "PS: I do not seek traditional publishing for my writing. I'm taking the", "words like \"DaedUW\" in dialogue much too often. I'm hesitant to abuse the" ]
[ "what I've noticed in books, but in fanfiction, I can see people using", "mix past and present tenses in generally past narration, but I remember my", "narration, but I remember my professor telling me that one should stick to", "a hobby and I'm a bit confused about tenses. In Russian, it's normal", "I felt something wet on my cheek. Can it be that I’m… crying?", "is in the past and the very next one is in the present.", "story with a frequent mixture of tenses? I assume it wouldn't if they", "that sometimes it's logical to mix them within one sentence, I just wonder", "assume it wouldn't if they mix them, but I want to be sure.", "English as a hobby and I'm a bit confused about tenses. In Russian,", "In Russian, it's normal to mix past and present tenses in generally past", "fanfiction stories from Russian into English as a hobby and I'm a bit", "but in fanfiction, I can see people using both of them like one", "in the past and the very next one is in the present. I", "fanfiction, I can see people using both of them like one sentence is", "the dialogues: > > I felt something wet on my cheek. Can it", "one sentence is in the past and the very next one is in", "and I'm a bit confused about tenses. In Russian, it's normal to mix", "it's logical to mix them within one sentence, I just wonder if it", "I just wonder if it works the same for the whole thing. Would", "both of them like one sentence is in the past and the very", "the whole thing. Would it be confusing for native speakers to read a", "tenses in generally past narration, but I remember my professor telling me that", "not the dialogues: > > I felt something wet on my cheek. Can", "crying? As I caught myself thinking of it, I ran my hand over", "of tenses? I assume it wouldn't if they mix them, but I want", "caught myself thinking of it, I ran my hand over the cheek. >", "can see people using both of them like one sentence is in the", "I'm a bit confused about tenses. In Russian, it's normal to mix past", "tenses. In Russian, it's normal to mix past and present tenses in generally", "I remember my professor telling me that one should stick to past tense", "know that sometimes it's logical to mix them within one sentence, I just", "works the same for the whole thing. Would it be confusing for native", "words, not the dialogues: > > I felt something wet on my cheek.", "read a story with a frequent mixture of tenses? I assume it wouldn't", "in the present. I know that sometimes it's logical to mix them within", "in English. And that's what I've noticed in books, but in fanfiction, I", "logical to mix them within one sentence, I just wonder if it works", "confused about tenses. In Russian, it's normal to mix past and present tenses", "remember my professor telling me that one should stick to past tense in", "the past and the very next one is in the present. I know", "books, but in fanfiction, I can see people using both of them like", "it's normal to mix past and present tenses in generally past narration, but", "bit confused about tenses. In Russian, it's normal to mix past and present", "wouldn't if they mix them, but I want to be sure. Note that", "telling me that one should stick to past tense in English. And that's", "me that one should stick to past tense in English. And that's what", "want to be sure. Note that I mean an author's words, not the", "them within one sentence, I just wonder if it works the same for", "the present. I know that sometimes it's logical to mix them within one", "next one is in the present. I know that sometimes it's logical to", "present tenses in generally past narration, but I remember my professor telling me", "frequent mixture of tenses? I assume it wouldn't if they mix them, but", "> > I felt something wet on my cheek. Can it be that", "and the very next one is in the present. I know that sometimes", "to mix past and present tenses in generally past narration, but I remember", "I know that sometimes it's logical to mix them within one sentence, I", "mean an author's words, not the dialogues: > > I felt something wet", "a bit confused about tenses. In Russian, it's normal to mix past and", "from Russian into English as a hobby and I'm a bit confused about", "it be confusing for native speakers to read a story with a frequent", "of them like one sentence is in the past and the very next", "I want to be sure. Note that I mean an author's words, not", "I translate fanfiction stories from Russian into English as a hobby and I'm", "should stick to past tense in English. And that's what I've noticed in", "thing. Would it be confusing for native speakers to read a story with", "hobby and I'm a bit confused about tenses. In Russian, it's normal to", "same for the whole thing. Would it be confusing for native speakers to", "sure. Note that I mean an author's words, not the dialogues: > >", "using both of them like one sentence is in the past and the", "sometimes it's logical to mix them within one sentence, I just wonder if", "author's words, not the dialogues: > > I felt something wet on my", "the very next one is in the present. I know that sometimes it's", "if they mix them, but I want to be sure. Note that I", "As I caught myself thinking of it, I ran my hand over the", "translate fanfiction stories from Russian into English as a hobby and I'm a", "a story with a frequent mixture of tenses? I assume it wouldn't if", "it be that I’m… crying? As I caught myself thinking of it, I", "Note that I mean an author's words, not the dialogues: > > I", "for native speakers to read a story with a frequent mixture of tenses?", "to mix them within one sentence, I just wonder if it works the", "Can it be that I’m… crying? As I caught myself thinking of it,", "wet on my cheek. Can it be that I’m… crying? As I caught", "see people using both of them like one sentence is in the past", "as a hobby and I'm a bit confused about tenses. In Russian, it's", "native speakers to read a story with a frequent mixture of tenses? I", "that I mean an author's words, not the dialogues: > > I felt", "my cheek. Can it be that I’m… crying? As I caught myself thinking", "past narration, but I remember my professor telling me that one should stick", "English. And that's what I've noticed in books, but in fanfiction, I can", "to read a story with a frequent mixture of tenses? I assume it", "within one sentence, I just wonder if it works the same for the", "Would it be confusing for native speakers to read a story with a", "just wonder if it works the same for the whole thing. Would it", "them like one sentence is in the past and the very next one", "confusing for native speakers to read a story with a frequent mixture of", "it wouldn't if they mix them, but I want to be sure. Note", "mixture of tenses? I assume it wouldn't if they mix them, but I", "> I felt something wet on my cheek. Can it be that I’m…", "my professor telling me that one should stick to past tense in English.", "one sentence, I just wonder if it works the same for the whole", "I caught myself thinking of it, I ran my hand over the cheek.", "Russian, it's normal to mix past and present tenses in generally past narration,", "sentence, I just wonder if it works the same for the whole thing.", "in books, but in fanfiction, I can see people using both of them", "whole thing. Would it be confusing for native speakers to read a story", "a frequent mixture of tenses? I assume it wouldn't if they mix them,", "noticed in books, but in fanfiction, I can see people using both of", "on my cheek. Can it be that I’m… crying? As I caught myself", "but I remember my professor telling me that one should stick to past", "but I want to be sure. Note that I mean an author's words,", "wonder if it works the same for the whole thing. Would it be", "sentence is in the past and the very next one is in the", "in fanfiction, I can see people using both of them like one sentence", "them, but I want to be sure. Note that I mean an author's", "that's what I've noticed in books, but in fanfiction, I can see people", "mix them, but I want to be sure. Note that I mean an", "an author's words, not the dialogues: > > I felt something wet on", "Russian into English as a hobby and I'm a bit confused about tenses.", "generally past narration, but I remember my professor telling me that one should", "be sure. Note that I mean an author's words, not the dialogues: >", "the same for the whole thing. Would it be confusing for native speakers", "for the whole thing. Would it be confusing for native speakers to read", "dialogues: > > I felt something wet on my cheek. Can it be", "cheek. Can it be that I’m… crying? As I caught myself thinking of", "that I’m… crying? As I caught myself thinking of it, I ran my", "professor telling me that one should stick to past tense in English. And", "they mix them, but I want to be sure. Note that I mean", "I’m… crying? As I caught myself thinking of it, I ran my hand", "in generally past narration, but I remember my professor telling me that one", "to be sure. Note that I mean an author's words, not the dialogues:", "people using both of them like one sentence is in the past and", "I can see people using both of them like one sentence is in", "like one sentence is in the past and the very next one is", "it works the same for the whole thing. Would it be confusing for", "past and present tenses in generally past narration, but I remember my professor", "to past tense in English. And that's what I've noticed in books, but", "I mean an author's words, not the dialogues: > > I felt something", "mix them within one sentence, I just wonder if it works the same", "felt something wet on my cheek. Can it be that I’m… crying? As", "thinking of it, I ran my hand over the cheek. > > >", "something wet on my cheek. Can it be that I’m… crying? As I", "into English as a hobby and I'm a bit confused about tenses. In", "and present tenses in generally past narration, but I remember my professor telling", "past tense in English. And that's what I've noticed in books, but in", "with a frequent mixture of tenses? I assume it wouldn't if they mix", "stick to past tense in English. And that's what I've noticed in books,", "And that's what I've noticed in books, but in fanfiction, I can see", "tense in English. And that's what I've noticed in books, but in fanfiction,", "present. I know that sometimes it's logical to mix them within one sentence,", "speakers to read a story with a frequent mixture of tenses? I assume", "if it works the same for the whole thing. Would it be confusing", "be that I’m… crying? As I caught myself thinking of it, I ran", "is in the present. I know that sometimes it's logical to mix them", "one is in the present. I know that sometimes it's logical to mix", "be confusing for native speakers to read a story with a frequent mixture", "stories from Russian into English as a hobby and I'm a bit confused", "tenses? I assume it wouldn't if they mix them, but I want to", "I assume it wouldn't if they mix them, but I want to be", "past and the very next one is in the present. I know that", "myself thinking of it, I ran my hand over the cheek. > >", "about tenses. In Russian, it's normal to mix past and present tenses in", "one should stick to past tense in English. And that's what I've noticed", "normal to mix past and present tenses in generally past narration, but I", "that one should stick to past tense in English. And that's what I've", "very next one is in the present. I know that sometimes it's logical", "I've noticed in books, but in fanfiction, I can see people using both" ]
[ "describe the physiological responses of very dark-skinned people? I suppose you can just", "up there, away from the equator. So, it is no wonder that the", "is no wonder that the English language will reflect this. * He was", "(\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I", "and the English people live way up there, away from the equator. So,", "English language will reflect this. * He was a tall, pale man. ", "The English language evolves from the English people, and the English people live", "skin\") 浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated", "people, and the Chinese people live in a geographically large region. It has", "an English speaker's POV. The original Chinese version is very descriptive on a", "in English contexts on sickly-looking people. Now, my big problem is this: how", "It has its own vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly skin\")", "I think that 脸色蜡蜡黄 has to do with East Asian/Chinese physiology, describing the", "live in a geographically large region. It has its own vocabulary to describe", "The original Chinese version is very descriptive on a physical level, but a", "live way up there, away from the equator. So, it is no wonder", "with fright. The Chinese language evolves from the Chinese people, and the Chinese", "be meaningless. I think that 脸色蜡蜡黄 has to do with East Asian/Chinese physiology,", "East Asian/Chinese physiology, describing the sickly East Asian face in the same way", "describe the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white as", "and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize that", "physiological responses of very dark-skinned people? I suppose you can just describe a", "English, I realize that I am forced to describe a person's face from", "realize that I am forced to describe a person's face from an English", "think that 脸色蜡蜡黄 has to do with East Asian/Chinese physiology, describing the sickly", "(\"red cheeks\") Translated into English, I realize that I am forced to describe", "the sickly East Asian face in the same way pale is being used", "sickly-looking people. Now, my big problem is this: how to describe the physiological", "the equator. So, it is no wonder that the English language will reflect", "well, sickly or weak. The person cannot be pale, as paleness implies pale", "paleness implies pale skin color as well as physical health status of the", "problem is this: how to describe the physiological responses of very dark-skinned people?", "He was a tall, pale man. * She looked pale and sickly. ", "weak. The person cannot be pale, as paleness implies pale skin color as", "level, but a literal English translation would be meaningless. I think that 脸色蜡蜡黄", "language will reflect this. He was a tall, pale man. * She", "eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize that I am", "Asian face in the same way pale is being used in English contexts", "this: how to describe the physiological responses of very dark-skinned people? I suppose", "Chinese people live in a geographically large region. It has its own vocabulary", "Now, my big problem is this: how to describe the physiological responses of", "big problem is this: how to describe the physiological responses of very dark-skinned", "vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as", "but a literal English translation would be meaningless. I think that 脸色蜡蜡黄 has", "person cannot be pale, as paleness implies pale skin color as well as", "I am forced to describe a person's face from an English speaker's POV.", "* 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize that I am forced", "English people live way up there, away from the equator. So, it is", "used in English contexts on sickly-looking people. Now, my big problem is this:", "from the Chinese people, and the Chinese people live in a geographically large", "suppose you can just describe a sickly, dark-skinned person as, well, sickly or", "physiology, describing the sickly East Asian face in the same way pale is", "I suppose you can just describe a sickly, dark-skinned person as, well, sickly", "the English people live way up there, away from the equator. So, it", "language evolves from the English people, and the English people live way up", "So, it is no wonder that the English language will reflect this. ", " 皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\", \"very light skin\") ", "with East Asian/Chinese physiology, describing the sickly East Asian face in the same", "language evolves from the Chinese people, and the Chinese people live in a", "people. Now, my big problem is this: how to describe the physiological responses", "geographically large region. It has its own vocabulary to describe the face. ", "pale man. * She looked pale and sickly. * He turned pale with", "from an English speaker's POV. The original Chinese version is very descriptive on", "meaningless. I think that 脸色蜡蜡黄 has to do with East Asian/Chinese physiology, describing", "reflect this. * He was a tall, pale man. * She looked pale", "to describe the physiological responses of very dark-skinned people? I suppose you can", "a geographically large region. It has its own vocabulary to describe the face.", "eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize", "a literal English translation would be meaningless. I think that 脸色蜡蜡黄 has to", "describing the sickly East Asian face in the same way pale is being", "pale is being used in English contexts on sickly-looking people. Now, my big", "dark-skinned person as, well, sickly or weak. The person cannot be pale, as", "light skin\") * 浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\")", "or weak. The person cannot be pale, as paleness implies pale skin color", "is very descriptive on a physical level, but a literal English translation would", "* 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\",", "He turned pale with fright. The Chinese language evolves from the Chinese people,", "is being used in English contexts on sickly-looking people. Now, my big problem", "people live way up there, away from the equator. So, it is no", "as paleness implies pale skin color as well as physical health status of", "cheeks\") Translated into English, I realize that I am forced to describe a", "on a physical level, but a literal English translation would be meaningless. I", "pale with fright. The Chinese language evolves from the Chinese people, and the", "and the Chinese people live in a geographically large region. It has its", "I realize that I am forced to describe a person's face from an", "can just describe a sickly, dark-skinned person as, well, sickly or weak. The", "English translation would be meaningless. I think that 脸色蜡蜡黄 has to do with", "man. * She looked pale and sickly. * He turned pale with fright.", "to describe the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white", "English contexts on sickly-looking people. Now, my big problem is this: how to", "脸色蜡蜡黄 has to do with East Asian/Chinese physiology, describing the sickly East Asian", "it is no wonder that the English language will reflect this. * He", "English people, and the English people live way up there, away from the", "East Asian face in the same way pale is being used in English", "\"very light skin\") * 浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red", "way pale is being used in English contexts on sickly-looking people. Now, my", "红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize that I am forced to", "sickly, dark-skinned person as, well, sickly or weak. The person cannot be pale,", "* She looked pale and sickly. * He turned pale with fright. The", "people, and the English people live way up there, away from the equator.", "* He was a tall, pale man. * She looked pale and sickly.", "脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\", \"very", "evolves from the English people, and the English people live way up there,", "as snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows and big", "looked pale and sickly. * He turned pale with fright. The Chinese language", "snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows and big eyes\")", "its own vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白", "of very dark-skinned people? I suppose you can just describe a sickly, dark-skinned", "the Chinese people live in a geographically large region. It has its own", "POV. The original Chinese version is very descriptive on a physical level, but", "sickly East Asian face in the same way pale is being used in", "cannot be pale, as paleness implies pale skin color as well as physical", "describe a sickly, dark-skinned person as, well, sickly or weak. The person cannot", "my big problem is this: how to describe the physiological responses of very", "(\"sickly skin\") * 皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\", \"very light", "that I am forced to describe a person's face from an English speaker's", "face in the same way pale is being used in English contexts on", "white as snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows and", "the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white as snow\",", "very descriptive on a physical level, but a literal English translation would be", "in the same way pale is being used in English contexts on sickly-looking", "be pale, as paleness implies pale skin color as well as physical health", "She looked pale and sickly. * He turned pale with fright. The Chinese", "皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼", "* He turned pale with fright. The Chinese language evolves from the Chinese", "sickly. * He turned pale with fright. The Chinese language evolves from the", "big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English, I realize that I", "(\"skin as white as snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense", "into English, I realize that I am forced to describe a person's face", "the English language will reflect this. * He was a tall, pale man.", "face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin as white as snow\", \"snowy-white", "face from an English speaker's POV. The original Chinese version is very descriptive", "Translated into English, I realize that I am forced to describe a person's", "equator. So, it is no wonder that the English language will reflect this.", "a person's face from an English speaker's POV. The original Chinese version is", "skin\") * 皮肤雪白 (\"skin as white as snow\", \"snowy-white skin\", \"very light skin\")", "that 脸色蜡蜡黄 has to do with East Asian/Chinese physiology, describing the sickly East", "the physiological responses of very dark-skinned people? I suppose you can just describe", "you can just describe a sickly, dark-skinned person as, well, sickly or weak.", "wonder that the English language will reflect this. * He was a tall,", "just describe a sickly, dark-skinned person as, well, sickly or weak. The person", "the English people, and the English people live way up there, away from", "evolves from the Chinese people, and the Chinese people live in a geographically", "no wonder that the English language will reflect this. * He was a", "from the English people, and the English people live way up there, away", "a tall, pale man. * She looked pale and sickly. * He turned", "Chinese people, and the Chinese people live in a geographically large region. It", "浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into English,", "the same way pale is being used in English contexts on sickly-looking people.", "people live in a geographically large region. It has its own vocabulary to", "and sickly. * He turned pale with fright. The Chinese language evolves from", "has to do with East Asian/Chinese physiology, describing the sickly East Asian face", "sickly or weak. The person cannot be pale, as paleness implies pale skin", "The person cannot be pale, as paleness implies pale skin color as well", "in a geographically large region. It has its own vocabulary to describe the", "forced to describe a person's face from an English speaker's POV. The original", "how to describe the physiological responses of very dark-skinned people? I suppose you", "being used in English contexts on sickly-looking people. Now, my big problem is", "original Chinese version is very descriptive on a physical level, but a literal", "is this: how to describe the physiological responses of very dark-skinned people? I", "people? I suppose you can just describe a sickly, dark-skinned person as, well,", "* 浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋 (\"red cheeks\") Translated into", "version is very descriptive on a physical level, but a literal English translation", "pale and sickly. * He turned pale with fright. The Chinese language evolves", "\"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows and big eyes\") ", "to do with East Asian/Chinese physiology, describing the sickly East Asian face in", "fright. The Chinese language evolves from the Chinese people, and the Chinese people", "describe a person's face from an English speaker's POV. The original Chinese version", "responses of very dark-skinned people? I suppose you can just describe a sickly,", "contexts on sickly-looking people. Now, my big problem is this: how to describe", "literal English translation would be meaningless. I think that 脸色蜡蜡黄 has to do", "pale, as paleness implies pale skin color as well as physical health status", "will reflect this. He was a tall, pale man. * She looked", "away from the equator. So, it is no wonder that the English language", "that the English language will reflect this. * He was a tall, pale", "English language evolves from the English people, and the English people live way", "turned pale with fright. The Chinese language evolves from the Chinese people, and", "own vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly skin\") * 皮肤雪白 (\"skin", "am forced to describe a person's face from an English speaker's POV. The", "implies pale skin color as well as physical health status of the person.", "do with East Asian/Chinese physiology, describing the sickly East Asian face in the", "same way pale is being used in English contexts on sickly-looking people. Now,", "to describe a person's face from an English speaker's POV. The original Chinese", "The Chinese language evolves from the Chinese people, and the Chinese people live", "a sickly, dark-skinned person as, well, sickly or weak. The person cannot be", "region. It has its own vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly", "this. * He was a tall, pale man. * She looked pale and", "would be meaningless. I think that 脸色蜡蜡黄 has to do with East Asian/Chinese", "very dark-skinned people? I suppose you can just describe a sickly, dark-skinned person", "was a tall, pale man. * She looked pale and sickly. * He", "skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows and big eyes\") * 红彤彤的小脸蛋", "dark-skinned people? I suppose you can just describe a sickly, dark-skinned person as,", "physical level, but a literal English translation would be meaningless. I think that", "there, away from the equator. So, it is no wonder that the English", "Asian/Chinese physiology, describing the sickly East Asian face in the same way pale", "on sickly-looking people. Now, my big problem is this: how to describe the", "the Chinese people, and the Chinese people live in a geographically large region.", "as white as snow\", \"snowy-white skin\", \"very light skin\") * 浓眉大眼 (\"dense eyebrows", "descriptive on a physical level, but a literal English translation would be meaningless.", "large region. It has its own vocabulary to describe the face. * 脸色蜡蜡黄", "tall, pale man. * She looked pale and sickly. * He turned pale", "Chinese language evolves from the Chinese people, and the Chinese people live in", "a physical level, but a literal English translation would be meaningless. I think", "person as, well, sickly or weak. The person cannot be pale, as paleness", "from the equator. So, it is no wonder that the English language will", "translation would be meaningless. I think that 脸色蜡蜡黄 has to do with East", "has its own vocabulary to describe the face. * 脸色蜡蜡黄 (\"sickly skin\") ", "as, well, sickly* or weak. The person cannot be pale, as paleness implies", "way up there, away from the equator. So, it is no wonder that", "person's face from an English speaker's POV. The original Chinese version is very", "English speaker's POV. The original Chinese version is very descriptive on a physical", "Chinese version is very descriptive on a physical level, but a literal English", "speaker's POV. The original Chinese version is very descriptive on a physical level," ]
[ "in the proper mind set. But my biggest problem is that I make", "Thus I walk away, having made a bigger mess and no progress. How", "walk away, having made a bigger mess and no progress. How can I", "set. But my biggest problem is that I make more changes on what's", "I constantly re-read my work before writing again. It helps me get in", "that I make more changes on what's already there that I don't get", "changes on what's already there that I don't get further along in story.", "I make more changes on what's already there that I don't get further", "in story. Thus I walk away, having made a bigger mess and no", "make more changes on what's already there that I don't get further along", "me get in the proper mind set. But my biggest problem is that", "story. Thus I walk away, having made a bigger mess and no progress.", "work before writing again. It helps me get in the proper mind set.", "biggest problem is that I make more changes on what's already there that", "before writing again. It helps me get in the proper mind set. But", "more changes on what's already there that I don't get further along in", "having made a bigger mess and no progress. How can I change this", "the proper mind set. But my biggest problem is that I make more", "on what's already there that I don't get further along in story. Thus", "writing again. It helps me get in the proper mind set. But my", "already there that I don't get further along in story. Thus I walk", "is that I make more changes on what's already there that I don't", "constantly re-read my work before writing again. It helps me get in the", "made a bigger mess and no progress. How can I change this process?", "away, having made a bigger mess and no progress. How can I change", "mind set. But my biggest problem is that I make more changes on", "proper mind set. But my biggest problem is that I make more changes", "along in story. Thus I walk away, having made a bigger mess and", "my biggest problem is that I make more changes on what's already there", "get further along in story. Thus I walk away, having made a bigger", "It helps me get in the proper mind set. But my biggest problem", "further along in story. Thus I walk away, having made a bigger mess", "problem is that I make more changes on what's already there that I", "don't get further along in story. Thus I walk away, having made a", "that I don't get further along in story. Thus I walk away, having", "I don't get further along in story. Thus I walk away, having made", "But my biggest problem is that I make more changes on what's already", "re-read my work before writing again. It helps me get in the proper", "my work before writing again. It helps me get in the proper mind", "helps me get in the proper mind set. But my biggest problem is", "get in the proper mind set. But my biggest problem is that I", "what's already there that I don't get further along in story. Thus I", "again. It helps me get in the proper mind set. But my biggest", "there that I don't get further along in story. Thus I walk away,", "I walk away, having made a bigger mess and no progress. How can" ]
[ "their preference regarding the amount of description they expect to find in a", "based. Everyone has their preference regarding the amount of description they expect to", "to point B in a very straightforward way, which provides only the essential", "this question as it is dangerously close to be opinion based. Everyone has", "to the narration. That said, what tips and tricks one can use to", "be opinion based. Everyone has their preference regarding the amount of description they", "to go from point A to point B in a very straightforward way,", "I favor) to describe things lengthily. I tend to go from point A", "a first person narrator, as I find it more dynamic and more personal.", "from point A to point B in a very straightforward way, which provides", "straightforward way, which provides only the essential information and does not add much", "provides only the essential information and does not add much to the narration.", "tips and tricks one can use to force oneself to describe more, and", "go from point A to point B in a very straightforward way, which", "style I favor) to describe things lengthily. I tend to go from point", "tricks one can use to force oneself to describe more, and in a", "is dangerously close to be opinion based. Everyone has their preference regarding the", "describe things lengthily. I tend to go from point A to point B", "and tricks one can use to force oneself to describe more, and in", "as it is dangerously close to be opinion based. Everyone has their preference", "However, I'm having a hard time (no matter the style I favor) to", "narrator, as I find it more dynamic and more personal. However, I'm having", "preference regarding the amount of description they expect to find in a work", "to describe things lengthily. I tend to go from point A to point", "having a hard time (no matter the style I favor) to describe things", "work of fiction. I tend to write with a first person narrator, as", "information and does not add much to the narration. That said, what tips", "with a first person narrator, as I find it more dynamic and more", "person narrator, as I find it more dynamic and more personal. However, I'm", "narration. That said, what tips and tricks one can use to force oneself", "one can use to force oneself to describe more, and in a more", "hard time (no matter the style I favor) to describe things lengthily. I", "B in a very straightforward way, which provides only the essential information and", "I tend to write with a first person narrator, as I find it", "essential information and does not add much to the narration. That said, what", "they expect to find in a work of fiction. I tend to write", "in a work of fiction. I tend to write with a first person", "time (no matter the style I favor) to describe things lengthily. I tend", "as I find it more dynamic and more personal. However, I'm having a", "the amount of description they expect to find in a work of fiction.", "tend to go from point A to point B in a very straightforward", "regarding the amount of description they expect to find in a work of", "to find in a work of fiction. I tend to write with a", "dynamic and more personal. However, I'm having a hard time (no matter the", "only the essential information and does not add much to the narration. That", "very straightforward way, which provides only the essential information and does not add", "can use to force oneself to describe more, and in a more extensive", "the style I favor) to describe things lengthily. I tend to go from", "which provides only the essential information and does not add much to the", "the essential information and does not add much to the narration. That said,", "Everyone has their preference regarding the amount of description they expect to find", "the phrasing of this question as it is dangerously close to be opinion", "to write with a first person narrator, as I find it more dynamic", "it more dynamic and more personal. However, I'm having a hard time (no", "That said, what tips and tricks one can use to force oneself to", "opinion based. Everyone has their preference regarding the amount of description they expect", "a hard time (no matter the style I favor) to describe things lengthily.", "does not add much to the narration. That said, what tips and tricks", "description they expect to find in a work of fiction. I tend to", "dangerously close to be opinion based. Everyone has their preference regarding the amount", "of description they expect to find in a work of fiction. I tend", "way, which provides only the essential information and does not add much to", "more personal. However, I'm having a hard time (no matter the style I", "personal. However, I'm having a hard time (no matter the style I favor)", "I tend to go from point A to point B in a very", "of fiction. I tend to write with a first person narrator, as I", "point B in a very straightforward way, which provides only the essential information", "close to be opinion based. Everyone has their preference regarding the amount of", "said, what tips and tricks one can use to force oneself to describe", "I find it more dynamic and more personal. However, I'm having a hard", "phrasing of this question as it is dangerously close to be opinion based.", "and more personal. However, I'm having a hard time (no matter the style", "to be opinion based. Everyone has their preference regarding the amount of description", "point A to point B in a very straightforward way, which provides only", "amount of description they expect to find in a work of fiction. I", "matter the style I favor) to describe things lengthily. I tend to go", "lengthily. I tend to go from point A to point B in a", "it is dangerously close to be opinion based. Everyone has their preference regarding", "add much to the narration. That said, what tips and tricks one can", "careful with the phrasing of this question as it is dangerously close to", "and does not add much to the narration. That said, what tips and", "more dynamic and more personal. However, I'm having a hard time (no matter", "a very straightforward way, which provides only the essential information and does not", "expect to find in a work of fiction. I tend to write with", "the narration. That said, what tips and tricks one can use to force", "I'm careful with the phrasing of this question as it is dangerously close", "(no matter the style I favor) to describe things lengthily. I tend to", "not add much to the narration. That said, what tips and tricks one", "what tips and tricks one can use to force oneself to describe more,", "much to the narration. That said, what tips and tricks one can use", "write with a first person narrator, as I find it more dynamic and", "find in a work of fiction. I tend to write with a first", "use to force oneself to describe more, and in a more extensive way?", "has their preference regarding the amount of description they expect to find in", "I'm having a hard time (no matter the style I favor) to describe", "fiction. I tend to write with a first person narrator, as I find", "tend to write with a first person narrator, as I find it more", "things lengthily. I tend to go from point A to point B in", "find it more dynamic and more personal. However, I'm having a hard time", "A to point B in a very straightforward way, which provides only the", "question as it is dangerously close to be opinion based. Everyone has their", "in a very straightforward way, which provides only the essential information and does", "with the phrasing of this question as it is dangerously close to be", "first person narrator, as I find it more dynamic and more personal. However,", "of this question as it is dangerously close to be opinion based. Everyone", "favor) to describe things lengthily. I tend to go from point A to", "a work of fiction. I tend to write with a first person narrator," ]
[ "in a similar situation. My novel is a science fiction about the coming-of-age", "by an hostile, powerful entity. This thing had to happen for several reasons,", "myself in a similar situation. My novel is a science fiction about the", "powerful entity. This thing had to happen for several reasons, but it didn't", "lot to to meet) and keep developing the existing ones. But I can't", "a duplicate question. I've seen, for reference [ [How long can a first", "fire if I won't have time to cook it. What's worse, it feels", "of a young woman searching for her lost mother (as cliché as it", "in the middle of the second act; there's little point in adding more", "It has recently hitten 120k words. While this is a nice thing per-se", "I had a major climax recently which ended with the death of a", "my MC, killed by an hostile, powerful entity. This thing had to happen", "She should find her mother eventually in the third act, where I plan", "each is not an option, since it would make even less sense structure-wise,", "novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is a little more specific.", "to to meet) and keep developing the existing ones. But I can't think", "option would be stop minding the word count and just keep on writing", "a brief moment of respite, then another, possibly bigger, climax, and I have", "those factors and by my own desire to finish the first draft as", "I'm under the impression that 100k / 120k words are enough for a", "as possible, to get a little breathing space and, of course, start the", "wasting someone's time. After all, I'm (at least) in the middle of the", "had to describe the point I'm in actually, I'd say \"somewhere in the", "some sort of rational way to help me understand, and eventually decide, what", "actually, I'd say \"somewhere in the second act\". I had a major climax", "in actually, I'd say \"somewhere in the second act\". I had a major", "act\". I had a major climax recently which ended with the death of", "more scenes if they will eventually be erased in the editing process. Of", "could make her reach the goal after the climax and close the second", "up and (hopefully) use the wide array of open questions and possibilities in", "I can't even conjure up in my mind. Splitting the work in two", "the story and the idea that it is incomplete, and forever will be", "feel almost like I'm wasting someone's time. After all, I'm (at least) in", "can't even conjure up in my mind. Splitting the work in two books", "to my MC, killed by an hostile, powerful entity. This thing had to", "sensation confirmed by my alpha-reader). The other option would be stop minding the", "time. After all, I'm (at least) in the middle of the second act;", "eventually in the third act, where I plan to close the novel. I", "since it would make even less sense structure-wise, and I have bigger things", "is not an option, since it would make even less sense structure-wise, and", "even conjure up in my mind. Splitting the work in two books by", "for reference [ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I", "a little more specific. I find myself in a similar situation. My novel", "a good package and the feeling that something is inevitably missing. --- Reading", "the novel. I could make her reach the goal after the climax and", "hitten 120k words. While this is a nice thing per-se (I never got", "I'm satisfied. This poses other problems, though. As far as my understanding of", "confirmed by my alpha-reader). The other option would be stop minding the word", "two books by 90k words each is not an option, since it would", "similar situation. My novel is a science fiction about the coming-of-age journey of", "by my alpha-reader). The other option would be stop minding the word count", "seen, for reference [ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet", "done), I could introduce new characters (there are a lot to to meet)", "in an eventual sequel. So, summing up: Is there some sort of rational", "though. As far as my understanding of story structure goes, a climax should", "is inevitably missing. --- Reading questions here I'm under the impression that 100k", "by my own desire to finish the first draft as soon as possible,", "But I can't think of a way to raise the tension up again;", "to finish the story and the idea that it is incomplete, and forever", "in a good package and the feeling that something is inevitably missing. ---", "of rational way to help me understand, and eventually decide, what are the", "the second act here. I could wrap things up and (hopefully) use the", "lot gets trimmed in the editing process. I'm not against editing, of course,", "wide array of open questions and possibilities in my very large setting to", "explore the setting more (there is a lot to be done), I could", "as soon as possible, to get a little breathing space and, of course,", "it would feel rushed (a sensation confirmed by my alpha-reader). The other option", "--- TL,DR: I'm stuck between wanting to finish the story and the idea", "(there are a lot to to meet) and keep developing the existing ones.", "story structure goes, a climax should be followed by a brief moment of", "finish the novel and wrap it up in a good package and the", "thing had to happen for several reasons, but it didn't take my MC", "for several reasons, but it didn't take my MC closer to her goal.", "is a lot to be done), I could introduce new characters (there are", "can't think of a way to raise the tension up again; and if", "but bear with me for a minute. I've probably been influenced by those", "of a character very close to my MC, killed by an hostile, powerful", "process. I'm not against editing, of course, but bear with me for a", "isn't raising, I feel almost like I'm wasting someone's time. After all, I'm", "up again; and if the tension isn't raising, I feel almost like I'm", "reference [ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think", "goal. She should find her mother eventually in the third act, where I", "the tension up again; and if the tension isn't raising, I feel almost", "act; there's little point in adding more meat to the fire if I", "As far as my understanding of story structure goes, a climax should be", "my understanding of the plot can't seem to agree. If I had to", "as my understanding of story structure goes, a climax should be followed by", "and by my own desire to finish the first draft as soon as", "a lot to be done), I could introduce new characters (there are a", "wrap it up in a good package and the feeling that something is", "several reasons, but it didn't take my MC closer to her goal. She", "by a brief moment of respite, then another, possibly bigger, climax, and I", "under the impression that 100k / 120k words are enough for a first", "I could make her reach the goal after the climax and close the", "if they will eventually be erased in the editing process. Of course, there", "exercise, but the thought somewhat blocks me. --- TL,DR: I'm stuck between wanting", "it is incomplete, and forever will be without another 40k words that I", "less sense structure-wise, and I have bigger things to explore in an eventual", "summing up: Is there some sort of rational way to help me understand,", "I'm not against editing, of course, but bear with me for a minute.", "possibilities in my very large setting to think of a sequel. But I", "a young woman searching for her lost mother (as cliché as it sounds)", "I could introduce new characters (there are a lot to to meet) and", "of the second act; there's little point in adding more meat to the", "least) in the middle of the second act; there's little point in adding", "and (hopefully) use the wide array of open questions and possibilities in my", "but it didn't take my MC closer to her goal. She should find", "my understanding of story structure goes, a climax should be followed by a", "the thought somewhat blocks me. --- TL,DR: I'm stuck between wanting to finish", "Is there some sort of rational way to help me understand, and eventually", "and, of course, start the first revision. While this makes complete sense (maybe", "course, there is value in exercise, but the thought somewhat blocks me. ---", "unwelcoming setting. It has recently hitten 120k words. While this is a nice", "rushed (a sensation confirmed by my alpha-reader). The other option would be stop", "to agree. If I had to describe the point I'm in actually, I'd", "make even less sense structure-wise, and I have bigger things to explore in", "science fiction about the coming-of-age journey of a young woman searching for her", "off the feeling that it would feel rushed (a sensation confirmed by my", "conjure up in my mind. Splitting the work in two books by 90k", "shake off the feeling that it would feel rushed (a sensation confirmed by", "a nice thing per-se (I never got this far, this good), I'm stuck", "close the novel. I could make her reach the goal after the climax", "coming-of-age journey of a young woman searching for her lost mother (as cliché", "to finish the first draft as soon as possible, to get a little", "could introduce new characters (there are a lot to to meet) and keep", "character very close to my MC, killed by an hostile, powerful entity. This", "mother eventually in the third act, where I plan to close the novel.", "While this makes complete sense (maybe marketing-wise), my understanding of the plot can't", "this makes complete sense (maybe marketing-wise), my understanding of the plot can't seem", "that 100k / 120k words are enough for a first novel. Worse, that", "large setting to think of a sequel. But I can't shake off the", "(there is a lot to be done), I could introduce new characters (there", "of the plot can't seem to agree. If I had to describe the", "/ 120k words are enough for a first novel. Worse, that a lot", "start the first revision. While this makes complete sense (maybe marketing-wise), my understanding", "the third act, where I plan to close the novel. I could make", "her lost mother (as cliché as it sounds) in a very large, unwelcoming", "been influenced by those factors and by my own desire to finish the", "The other option would be stop minding the word count and just keep", "there's little point in adding more meat to the fire if I won't", "the desire to finish the novel and wrap it up in a good", "be stop minding the word count and just keep on writing until I'm", "sense (maybe marketing-wise), my understanding of the plot can't seem to agree. If", "inevitably missing. --- Reading questions here I'm under the impression that 100k /", "mind. Splitting the work in two books by 90k words each is not", "to help me understand, and eventually decide, what are the next steps to", "erased in the editing process. Of course, there is value in exercise, but", "up: Is there some sort of rational way to help me understand, and", "the word count and just keep on writing until I'm satisfied. This poses", "the existing ones. But I can't think of a way to raise the", "] yet I think my situation is a little more specific. I find", "idea how to make that. I could explore the setting more (there is", "ended with the death of a character very close to my MC, killed", "are a lot to to meet) and keep developing the existing ones. But", "writing more scenes if they will eventually be erased in the editing process.", "almost like I'm wasting someone's time. After all, I'm (at least) in the", "I think my situation is a little more specific. I find myself in", "should find her mother eventually in the third act, where I plan to", "desire to finish the novel and wrap it up in a good package", "package and the feeling that something is inevitably missing. --- Reading questions here", "problems, though. As far as my understanding of story structure goes, a climax", "characters (there are a lot to to meet) and keep developing the existing", "open questions and possibilities in my very large setting to think of a", "have time to cook it. What's worse, it feels useless writing more scenes", "existing ones. But I can't think of a way to raise the tension", "up in my mind. Splitting the work in two books by 90k words", "the novel and wrap it up in a good package and the feeling", "between wanting to finish the story and the idea that it is incomplete,", "course, start the first revision. While this makes complete sense (maybe marketing-wise), my", "editing, of course, but bear with me for a minute. I've probably been", "between the desire to finish the novel and wrap it up in a", "I've probably been influenced by those factors and by my own desire to", "complete sense (maybe marketing-wise), my understanding of the plot can't seem to agree.", "--- Reading questions here I'm under the impression that 100k / 120k words", "the setting more (there is a lot to be done), I could introduce", "I'm in actually, I'd say \"somewhere in the second act\". I had a", "it didn't take my MC closer to her goal. She should find her", "words each is not an option, since it would make even less sense", "plot can't seem to agree. If I had to describe the point I'm", "with me for a minute. I've probably been influenced by those factors and", "recently hitten 120k words. While this is a nice thing per-se (I never", "scenes if they will eventually be erased in the editing process. Of course,", "new characters (there are a lot to to meet) and keep developing the", "editing process. I'm not against editing, of course, but bear with me for", "without another 40k words that I can't even conjure up in my mind.", "an option, since it would make even less sense structure-wise, and I have", "(a sensation confirmed by my alpha-reader). The other option would be stop minding", "desire to finish the first draft as soon as possible, to get a", "her mother eventually in the third act, where I plan to close the", "stuck between wanting to finish the story and the idea that it is", "poses other problems, though. As far as my understanding of story structure goes,", "Splitting the work in two books by 90k words each is not an", "the coming-of-age journey of a young woman searching for her lost mother (as", "this far, this good), I'm stuck between the desire to finish the novel", "bigger things to explore in an eventual sequel. So, summing up: Is there", "there some sort of rational way to help me understand, and eventually decide,", "death of a character very close to my MC, killed by an hostile,", "and possibilities in my very large setting to think of a sequel. But", "soon as possible, to get a little breathing space and, of course, start", "(as cliché as it sounds) in a very large, unwelcoming setting. It has", "questions here I'm under the impression that 100k / 120k words are enough", "books by 90k words each is not an option, since it would make", "the wide array of open questions and possibilities in my very large setting", "no idea how to make that. I could explore the setting more (there", "another 40k words that I can't even conjure up in my mind. Splitting", "there is value in exercise, but the thought somewhat blocks me. --- TL,DR:", "minute. I've probably been influenced by those factors and by my own desire", "feeling that it would feel rushed (a sensation confirmed by my alpha-reader). The", "possibly bigger, climax, and I have no idea how to make that. I", "bigger, climax, and I have no idea how to make that. I could", "first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is a little more", "to take? When do you decide that it's time to close your story", "the feeling that it would feel rushed (a sensation confirmed by my alpha-reader).", "by those factors and by my own desire to finish the first draft", "searching for her lost mother (as cliché as it sounds) in a very", "keep on writing until I'm satisfied. This poses other problems, though. As far", "I could explore the setting more (there is a lot to be done),", "I'm wasting someone's time. After all, I'm (at least) in the middle of", "When do you decide that it's time to close your story (as a", "the feeling that something is inevitably missing. --- Reading questions here I'm under", "take my MC closer to her goal. She should find her mother eventually", "in exercise, but the thought somewhat blocks me. --- TL,DR: I'm stuck between", "draft as soon as possible, to get a little breathing space and, of", "the first revision. While this makes complete sense (maybe marketing-wise), my understanding of", "they will eventually be erased in the editing process. Of course, there is", "can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is a", "my MC closer to her goal. She should find her mother eventually in", "meat to the fire if I won't have time to cook it. What's", "in a very large, unwelcoming setting. It has recently hitten 120k words. While", "I find myself in a similar situation. My novel is a science fiction", "not against editing, of course, but bear with me for a minute. I've", "explore in an eventual sequel. So, summing up: Is there some sort of", "be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is a little more specific. I", "where I plan to close the novel. I could make her reach the", "first revision. While this makes complete sense (maybe marketing-wise), my understanding of the", "with the death of a character very close to my MC, killed by", "won't have time to cook it. What's worse, it feels useless writing more", "me for a minute. I've probably been influenced by those factors and by", "probably been influenced by those factors and by my own desire to finish", "gets trimmed in the editing process. I'm not against editing, of course, but", "a science fiction about the coming-of-age journey of a young woman searching for", "to describe the point I'm in actually, I'd say \"somewhere in the second", "MC closer to her goal. She should find her mother eventually in the", "useless writing more scenes if they will eventually be erased in the editing", "like I'm wasting someone's time. After all, I'm (at least) in the middle", "course, but bear with me for a minute. I've probably been influenced by", "Reading questions here I'm under the impression that 100k / 120k words are", "words are enough for a first novel. Worse, that a lot gets trimmed", "agree. If I had to describe the point I'm in actually, I'd say", "young woman searching for her lost mother (as cliché as it sounds) in", "good), I'm stuck between the desire to finish the novel and wrap it", "goes, a climax should be followed by a brief moment of respite, then", "point in adding more meat to the fire if I won't have time", "marketing-wise), my understanding of the plot can't seem to agree. If I had", "I'm stuck between the desire to finish the novel and wrap it up", "to finish the novel and wrap it up in a good package and", "a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is a little", "alpha-reader). The other option would be stop minding the word count and just", "eventually be erased in the editing process. Of course, there is value in", "a way to raise the tension up again; and if the tension isn't", "writing until I'm satisfied. This poses other problems, though. As far as my", "brief moment of respite, then another, possibly bigger, climax, and I have no", "sounds) in a very large, unwelcoming setting. It has recently hitten 120k words.", "is a nice thing per-se (I never got this far, this good), I'm", "setting to think of a sequel. But I can't shake off the feeling", "more (there is a lot to be done), I could introduce new characters", "story and the idea that it is incomplete, and forever will be without", "her goal. She should find her mother eventually in the third act, where", "revision. While this makes complete sense (maybe marketing-wise), my understanding of the plot", "wrap things up and (hopefully) use the wide array of open questions and", "for her lost mother (as cliché as it sounds) in a very large,", "work in two books by 90k words each is not an option, since", "If I had to describe the point I'm in actually, I'd say \"somewhere", "a character very close to my MC, killed by an hostile, powerful entity.", "be done), I could introduce new characters (there are a lot to to", "to think of a sequel. But I can't shake off the feeling that", "mother (as cliché as it sounds) in a very large, unwelcoming setting. It", "the editing process. I'm not against editing, of course, but bear with me", "seem to agree. If I had to describe the point I'm in actually,", "to meet) and keep developing the existing ones. But I can't think of", "way to raise the tension up again; and if the tension isn't raising,", "not an option, since it would make even less sense structure-wise, and I", "think my situation is a little more specific. I find myself in a", "middle of the second act; there's little point in adding more meat to", "that it is incomplete, and forever will be without another 40k words that", "help me understand, and eventually decide, what are the next steps to take?", "I could wrap things up and (hopefully) use the wide array of open", "120k words are enough for a first novel. Worse, that a lot gets", "count and just keep on writing until I'm satisfied. This poses other problems,", "of respite, then another, possibly bigger, climax, and I have no idea how", "little point in adding more meat to the fire if I won't have", "developing the existing ones. But I can't think of a way to raise", "then another, possibly bigger, climax, and I have no idea how to make", "second act; there's little point in adding more meat to the fire if", "a sequel. But I can't shake off the feeling that it would feel", "duplicate question. I've seen, for reference [ [How long can a first novel", "if I won't have time to cook it. What's worse, it feels useless", "about the coming-of-age journey of a young woman searching for her lost mother", "array of open questions and possibilities in my very large setting to think", "long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation is", "idea that it is incomplete, and forever will be without another 40k words", "and the feeling that something is inevitably missing. --- Reading questions here I'm", "something is inevitably missing. --- Reading questions here I'm under the impression that", "can't seem to agree. If I had to describe the point I'm in", "here. I could wrap things up and (hopefully) use the wide array of", "per-se (I never got this far, this good), I'm stuck between the desire", "word count and just keep on writing until I'm satisfied. This poses other", "reach the goal after the climax and close the second act here. I", "rational way to help me understand, and eventually decide, what are the next", "an eventual sequel. So, summing up: Is there some sort of rational way", "and close the second act here. I could wrap things up and (hopefully)", "a first novel. Worse, that a lot gets trimmed in the editing process.", "far, this good), I'm stuck between the desire to finish the novel and", "and wrap it up in a good package and the feeling that something", "Of course, there is value in exercise, but the thought somewhat blocks me.", "I have no idea how to make that. I could explore the setting", "My novel is a science fiction about the coming-of-age journey of a young", "make her reach the goal after the climax and close the second act", "novel. I could make her reach the goal after the climax and close", "I can't think of a way to raise the tension up again; and", "MC, killed by an hostile, powerful entity. This thing had to happen for", "a lot gets trimmed in the editing process. I'm not against editing, of", "never got this far, this good), I'm stuck between the desire to finish", "a little breathing space and, of course, start the first revision. While this", "raise the tension up again; and if the tension isn't raising, I feel", "the tension isn't raising, I feel almost like I'm wasting someone's time. After", "again; and if the tension isn't raising, I feel almost like I'm wasting", "to make that. I could explore the setting more (there is a lot", "be a duplicate question. I've seen, for reference [ [How long can a", "process. Of course, there is value in exercise, but the thought somewhat blocks", "understanding of the plot can't seem to agree. If I had to describe", "moment of respite, then another, possibly bigger, climax, and I have no idea", "make that. I could explore the setting more (there is a lot to", "had to happen for several reasons, but it didn't take my MC closer", "missing. --- Reading questions here I'm under the impression that 100k / 120k", "setting more (there is a lot to be done), I could introduce new", "\"somewhere in the second act\". I had a major climax recently which ended", "the first draft as soon as possible, to get a little breathing space", "ones. But I can't think of a way to raise the tension up", "may be a duplicate question. I've seen, for reference [ [How long can", "climax and close the second act here. I could wrap things up and", "a lot to to meet) and keep developing the existing ones. But I", "wanting to finish the story and the idea that it is incomplete, and", "thing per-se (I never got this far, this good), I'm stuck between the", "are enough for a first novel. Worse, that a lot gets trimmed in", "I feel almost like I'm wasting someone's time. After all, I'm (at least)", "the fire if I won't have time to cook it. What's worse, it", "large, unwelcoming setting. It has recently hitten 120k words. While this is a", "in adding more meat to the fire if I won't have time to", "is a science fiction about the coming-of-age journey of a young woman searching", "fiction about the coming-of-age journey of a young woman searching for her lost", "option, since it would make even less sense structure-wise, and I have bigger", "satisfied. This poses other problems, though. As far as my understanding of story", "that something is inevitably missing. --- Reading questions here I'm under the impression", "blocks me. --- TL,DR: I'm stuck between wanting to finish the story and", "So, summing up: Is there some sort of rational way to help me", "and eventually decide, what are the next steps to take? When do you", "realize this may be a duplicate question. I've seen, for reference [ [How", "and keep developing the existing ones. But I can't think of a way", "sense structure-wise, and I have bigger things to explore in an eventual sequel.", "TL,DR: I'm stuck between wanting to finish the story and the idea that", "feeling that something is inevitably missing. --- Reading questions here I'm under the", "could wrap things up and (hopefully) use the wide array of open questions", "things up and (hopefully) use the wide array of open questions and possibilities", "a major climax recently which ended with the death of a character very", "of a sequel. But I can't shake off the feeling that it would", "enough for a first novel. Worse, that a lot gets trimmed in the", "the plot can't seem to agree. If I had to describe the point", "in my mind. Splitting the work in two books by 90k words each", "what are the next steps to take? When do you decide that it's", "lot to be done), I could introduce new characters (there are a lot", "somewhat blocks me. --- TL,DR: I'm stuck between wanting to finish the story", "things to explore in an eventual sequel. So, summing up: Is there some", "find myself in a similar situation. My novel is a science fiction about", "that a lot gets trimmed in the editing process. I'm not against editing,", "specific. I find myself in a similar situation. My novel is a science", "up in a good package and the feeling that something is inevitably missing.", "and the idea that it is incomplete, and forever will be without another", "sort of rational way to help me understand, and eventually decide, what are", "me understand, and eventually decide, what are the next steps to take? When", "first novel. Worse, that a lot gets trimmed in the editing process. I'm", "get a little breathing space and, of course, start the first revision. While", "more meat to the fire if I won't have time to cook it.", "for a first novel. Worse, that a lot gets trimmed in the editing", "This thing had to happen for several reasons, but it didn't take my", "have bigger things to explore in an eventual sequel. So, summing up: Is", "100k / 120k words are enough for a first novel. Worse, that a", "didn't take my MC closer to her goal. She should find her mother", "I plan to close the novel. I could make her reach the goal", "in the editing process. Of course, there is value in exercise, but the", "the editing process. Of course, there is value in exercise, but the thought", "situation is a little more specific. I find myself in a similar situation.", "understand, and eventually decide, what are the next steps to take? When do", "killed by an hostile, powerful entity. This thing had to happen for several", "to explore in an eventual sequel. So, summing up: Is there some sort", "other problems, though. As far as my understanding of story structure goes, a", "eventual sequel. So, summing up: Is there some sort of rational way to", "This poses other problems, though. As far as my understanding of story structure", "act here. I could wrap things up and (hopefully) use the wide array", "my own desire to finish the first draft as soon as possible, to", "could explore the setting more (there is a lot to be done), I", "stop minding the word count and just keep on writing until I'm satisfied.", "After all, I'm (at least) in the middle of the second act; there's", "adding more meat to the fire if I won't have time to cook", "this is a nice thing per-se (I never got this far, this good),", "the work in two books by 90k words each is not an option,", "factors and by my own desire to finish the first draft as soon", "my situation is a little more specific. I find myself in a similar", "I have bigger things to explore in an eventual sequel. So, summing up:", "in the second act\". I had a major climax recently which ended with", "novel is a science fiction about the coming-of-age journey of a young woman", "I'd say \"somewhere in the second act\". I had a major climax recently", "think of a sequel. But I can't shake off the feeling that it", "(maybe marketing-wise), my understanding of the plot can't seem to agree. If I", "finish the story and the idea that it is incomplete, and forever will", "it. What's worse, it feels useless writing more scenes if they will eventually", "my very large setting to think of a sequel. But I can't shake", "structure-wise, and I have bigger things to explore in an eventual sequel. So,", "and I have bigger things to explore in an eventual sequel. So, summing", "far as my understanding of story structure goes, a climax should be followed", "have no idea how to make that. I could explore the setting more", "the middle of the second act; there's little point in adding more meat", "the goal after the climax and close the second act here. I could", "understanding of story structure goes, a climax should be followed by a brief", "act, where I plan to close the novel. I could make her reach", "I can't shake off the feeling that it would feel rushed (a sensation", "very large, unwelcoming setting. It has recently hitten 120k words. While this is", "after the climax and close the second act here. I could wrap things", "is value in exercise, but the thought somewhat blocks me. --- TL,DR: I'm", "possible, to get a little breathing space and, of course, start the first", "to raise the tension up again; and if the tension isn't raising, I", "steps to take? When do you decide that it's time to close your", "120k words. While this is a nice thing per-se (I never got this", "little more specific. I find myself in a similar situation. My novel is", "as it sounds) in a very large, unwelcoming setting. It has recently hitten", "it up in a good package and the feeling that something is inevitably", "are the next steps to take? When do you decide that it's time", "lost mother (as cliché as it sounds) in a very large, unwelcoming setting.", "a climax should be followed by a brief moment of respite, then another,", "point I'm in actually, I'd say \"somewhere in the second act\". I had", "be followed by a brief moment of respite, then another, possibly bigger, climax,", "followed by a brief moment of respite, then another, possibly bigger, climax, and", "minding the word count and just keep on writing until I'm satisfied. This", "tension isn't raising, I feel almost like I'm wasting someone's time. After all,", "it would make even less sense structure-wise, and I have bigger things to", "reasons, but it didn't take my MC closer to her goal. She should", "will be without another 40k words that I can't even conjure up in", "be without another 40k words that I can't even conjure up in my", "(I never got this far, this good), I'm stuck between the desire to", "against editing, of course, but bear with me for a minute. I've probably", "journey of a young woman searching for her lost mother (as cliché as", "feels useless writing more scenes if they will eventually be erased in the", "a very large, unwelcoming setting. It has recently hitten 120k words. While this", "finish the first draft as soon as possible, to get a little breathing", "in the third act, where I plan to close the novel. I could", "Worse, that a lot gets trimmed in the editing process. I'm not against", "in my very large setting to think of a sequel. But I can't", "novel and wrap it up in a good package and the feeling that", "to be done), I could introduce new characters (there are a lot to", "stuck between the desire to finish the novel and wrap it up in", "time to cook it. What's worse, it feels useless writing more scenes if", "be erased in the editing process. Of course, there is value in exercise,", "eventually decide, what are the next steps to take? When do you decide", "plan to close the novel. I could make her reach the goal after", "[ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my", "it sounds) in a very large, unwelcoming setting. It has recently hitten 120k", "other option would be stop minding the word count and just keep on", "the second act; there's little point in adding more meat to the fire", "What's worse, it feels useless writing more scenes if they will eventually be", "(hopefully) use the wide array of open questions and possibilities in my very", "someone's time. After all, I'm (at least) in the middle of the second", "forever will be without another 40k words that I can't even conjure up", "until I'm satisfied. This poses other problems, though. As far as my understanding", "setting. It has recently hitten 120k words. While this is a nice thing", "got this far, this good), I'm stuck between the desire to finish the", "which ended with the death of a character very close to my MC,", "cook it. What's worse, it feels useless writing more scenes if they will", "editing process. Of course, there is value in exercise, but the thought somewhat", "decide, what are the next steps to take? When do you decide that", "a minute. I've probably been influenced by those factors and by my own", "way to help me understand, and eventually decide, what are the next steps", "even less sense structure-wise, and I have bigger things to explore in an", "would feel rushed (a sensation confirmed by my alpha-reader). The other option would", "my mind. Splitting the work in two books by 90k words each is", "bear with me for a minute. I've probably been influenced by those factors", "the point I'm in actually, I'd say \"somewhere in the second act\". I", "that I can't even conjure up in my mind. Splitting the work in", "sequel. But I can't shake off the feeling that it would feel rushed", "that it would feel rushed (a sensation confirmed by my alpha-reader). The other", "to close the novel. I could make her reach the goal after the", "would be stop minding the word count and just keep on writing until", "close to my MC, killed by an hostile, powerful entity. This thing had", "another, possibly bigger, climax, and I have no idea how to make that.", "had a major climax recently which ended with the death of a character", "if the tension isn't raising, I feel almost like I'm wasting someone's time.", "cliché as it sounds) in a very large, unwelcoming setting. It has recently", "climax, and I have no idea how to make that. I could explore", "40k words that I can't even conjure up in my mind. Splitting the", "little breathing space and, of course, start the first revision. While this makes", "and I have no idea how to make that. I could explore the", "is a little more specific. I find myself in a similar situation. My", "climax recently which ended with the death of a character very close to", "raising, I feel almost like I'm wasting someone's time. After all, I'm (at", "[How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ] yet I think my situation", "but the thought somewhat blocks me. --- TL,DR: I'm stuck between wanting to", "an hostile, powerful entity. This thing had to happen for several reasons, but", "all, I'm (at least) in the middle of the second act; there's little", "very large setting to think of a sequel. But I can't shake off", "third act, where I plan to close the novel. I could make her", "by 90k words each is not an option, since it would make even", "90k words each is not an option, since it would make even less", "should be followed by a brief moment of respite, then another, possibly bigger,", "novel. Worse, that a lot gets trimmed in the editing process. I'm not", "to cook it. What's worse, it feels useless writing more scenes if they", "value in exercise, but the thought somewhat blocks me. --- TL,DR: I'm stuck", "thought somewhat blocks me. --- TL,DR: I'm stuck between wanting to finish the", "worse, it feels useless writing more scenes if they will eventually be erased", "the second act\". I had a major climax recently which ended with the", "on writing until I'm satisfied. This poses other problems, though. As far as", "next steps to take? When do you decide that it's time to close", "and forever will be without another 40k words that I can't even conjure", "situation. My novel is a science fiction about the coming-of-age journey of a", "I'm (at least) in the middle of the second act; there's little point", "you decide that it's time to close your story (as a discovery writer)?", "to get a little breathing space and, of course, start the first revision.", "words that I can't even conjure up in my mind. Splitting the work", "say \"somewhere in the second act\". I had a major climax recently which", "But I can't shake off the feeling that it would feel rushed (a", "describe the point I'm in actually, I'd say \"somewhere in the second act\".", "for a minute. I've probably been influenced by those factors and by my", "first draft as soon as possible, to get a little breathing space and,", "climax should be followed by a brief moment of respite, then another, possibly", "to the fire if I won't have time to cook it. What's worse,", "makes complete sense (maybe marketing-wise), my understanding of the plot can't seem to", "that. I could explore the setting more (there is a lot to be", "feel rushed (a sensation confirmed by my alpha-reader). The other option would be", "close the second act here. I could wrap things up and (hopefully) use", "is incomplete, and forever will be without another 40k words that I can't", "goal after the climax and close the second act here. I could wrap", "I realize this may be a duplicate question. I've seen, for reference [", "space and, of course, start the first revision. While this makes complete sense", "very close to my MC, killed by an hostile, powerful entity. This thing", "major climax recently which ended with the death of a character very close", "of course, but bear with me for a minute. I've probably been influenced", "just keep on writing until I'm satisfied. This poses other problems, though. As", "structure goes, a climax should be followed by a brief moment of respite,", "I won't have time to cook it. What's worse, it feels useless writing", "find her mother eventually in the third act, where I plan to close", "to her goal. She should find her mother eventually in the third act,", "I've seen, for reference [ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be) ]", "how to make that. I could explore the setting more (there is a", "sequel. So, summing up: Is there some sort of rational way to help", "While this is a nice thing per-se (I never got this far, this", "use the wide array of open questions and possibilities in my very large", "would make even less sense structure-wise, and I have bigger things to explore", "more specific. I find myself in a similar situation. My novel is a", "introduce new characters (there are a lot to to meet) and keep developing", "hostile, powerful entity. This thing had to happen for several reasons, but it", "of a way to raise the tension up again; and if the tension", "(at least) in the middle of the second act; there's little point in", "has recently hitten 120k words. While this is a nice thing per-se (I", "do you decide that it's time to close your story (as a discovery", "the climax and close the second act here. I could wrap things up", "respite, then another, possibly bigger, climax, and I have no idea how to", "closer to her goal. She should find her mother eventually in the third", "keep developing the existing ones. But I can't think of a way to", "can't shake off the feeling that it would feel rushed (a sensation confirmed", "question. I've seen, for reference [ [How long can a first novel be?](https://writing.stackexchange.com/questions/21900/how-long-can-a-first-novel-be)", "good package and the feeling that something is inevitably missing. --- Reading questions", "own desire to finish the first draft as soon as possible, to get", "tension up again; and if the tension isn't raising, I feel almost like", "of open questions and possibilities in my very large setting to think of", "it feels useless writing more scenes if they will eventually be erased in", "the idea that it is incomplete, and forever will be without another 40k", "the next steps to take? When do you decide that it's time to", "nice thing per-se (I never got this far, this good), I'm stuck between", "breathing space and, of course, start the first revision. While this makes complete", "the death of a character very close to my MC, killed by an", "questions and possibilities in my very large setting to think of a sequel.", "in two books by 90k words each is not an option, since it", "of story structure goes, a climax should be followed by a brief moment", "trimmed in the editing process. I'm not against editing, of course, but bear", "second act\". I had a major climax recently which ended with the death", "here I'm under the impression that 100k / 120k words are enough for", "and just keep on writing until I'm satisfied. This poses other problems, though.", "I had to describe the point I'm in actually, I'd say \"somewhere in", "recently which ended with the death of a character very close to my", "her reach the goal after the climax and close the second act here.", "happen for several reasons, but it didn't take my MC closer to her", "influenced by those factors and by my own desire to finish the first", "the impression that 100k / 120k words are enough for a first novel.", "and if the tension isn't raising, I feel almost like I'm wasting someone's", "think of a way to raise the tension up again; and if the", "a similar situation. My novel is a science fiction about the coming-of-age journey", "will eventually be erased in the editing process. Of course, there is value", "in the editing process. I'm not against editing, of course, but bear with", "impression that 100k / 120k words are enough for a first novel. Worse,", "this good), I'm stuck between the desire to finish the novel and wrap", "meet) and keep developing the existing ones. But I can't think of a", "incomplete, and forever will be without another 40k words that I can't even", "of course, start the first revision. While this makes complete sense (maybe marketing-wise),", "to happen for several reasons, but it didn't take my MC closer to", "my alpha-reader). The other option would be stop minding the word count and", "I'm stuck between wanting to finish the story and the idea that it", "yet I think my situation is a little more specific. I find myself", "me. --- TL,DR: I'm stuck between wanting to finish the story and the", "second act here. I could wrap things up and (hopefully) use the wide", "woman searching for her lost mother (as cliché as it sounds) in a", "this may be a duplicate question. I've seen, for reference [ [How long", "take? When do you decide that it's time to close your story (as", "entity. This thing had to happen for several reasons, but it didn't take", "words. While this is a nice thing per-se (I never got this far," ]
[ "vivid storytelling in English? I know that some authors have at least played", "went** in at the door, the bright condition of the fire, the shining", "for a brief part (a couple of paragraphs at most) into the Present.", "use of past and present tenses: Usually, texts are written in Imperfect, which", "is even noted where this happens. But let's instead focus on modern English.", "switch of tenses as often translated as it is fixed, in scientific texts", "in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical", "in the decanters, the patterns of the glasses and plates, the faint sweet", "at the door, the bright condition of the fire, the shining of the", "46-59. Here: p.46 [2] - Churluq Yicrans, The Personal History, Adventures, Experience and", "thing that can be properly used to express a shift to more vivid", "this happens. But let's instead focus on modern English. *Is historical Present a", "decanters, the patterns of the glasses and plates, the faint sweet smell of", "in Imperfect, which is the 'simple past', with things that are before that", "> > In translations, this switch of tenses as often translated as it", "(1931), pp. 46-59. Here: p.46 [2] - Churluq Yicrans, The Personal History, Adventures,", "has a rather peculiar use of past and present tenses: Usually, texts are", "Murdstone’s dress, and our black clothes. Mr. Chillip *is* in the room, and", "at least played with this, for example, Churluq Yicrans in Dived Copperfield -", "> > If the funeral had been yesterday, I could not recollect it", "This is called Historical Present, which is usually... > > ...used in vivid", "faint sweet smell of cake, the odour of Miss Murdstone’s dress, and our", "clearly speaks about the past but switches for a brief part (a couple", "put the verbs in bold, and those in present in bold and italics:", "the past but switches for a brief part (a couple of paragraphs at", "even noted where this happens. But let's instead focus on modern English. Is", "at times get my fingers on Latin texts. Latin has a rather peculiar", "can be properly used to express a shift to more vivid storytelling in", "a shift to more vivid storytelling in English? I know that some authors", "texts it is even noted where this happens. But let's instead focus on", "Latin texts. Latin has a rather peculiar use of past and present tenses:", "cake, the odour of Miss Murdstone’s dress, and our black clothes. Mr. Chillip", "called Historical Present, which is usually... > > ...used in vivid or dramatic", "present tenses: Usually, texts are written in Imperfect, which is the 'simple past',", "are before that written in Perfect or Plusquamperfect. Now, at times there comes", "that clearly speaks about the past but switches for a brief part (a", "switches for a brief part (a couple of paragraphs at most) into the", "Experience and Observation of Dived Copperfield the Younger of Blunderstone Rookery* aka Dived", "in present in bold and italics: > > If the funeral had* been", "to me. > > > \"And how is Master Dived?\" he *says, kindly.", "[[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses and their Function in Latin,", "played with this, for example, Churluq Yicrans in Dived Copperfield* - note the", "spotting, I put the verbs in bold, and those in present in bold", "storytelling in English? I know that some authors have at least played with", "a brief part (a couple of paragraphs at most) into the Present. This", "(a couple of paragraphs at most) into the Present. This is called Historical", "bold and italics: > > If the funeral had** been yesterday, I could", "I know that some authors have at least played with this, for example,", "pp. 46-59. Here: p.46 [2] - Churluq Yicrans, The Personal History, Adventures, Experience", "recollect it better. The very air of the best parlour, when I went", "26 #1 (1931), pp. 46-59. Here: p.46 [2] - Churluq Yicrans, The Personal", "kindly. > > > I cannot *tell* him very well. I *give* him", "and their Function in Latin, in Classical Philology* Vol 26 #1 (1931), pp.", "present in bold and italics: > > If the funeral had been yesterday,", "example, Churluq Yicrans in Dived Copperfield - note the switch. For easier spotting,", "him my hand, which he *holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)]", "me. > > > \"And how is Master Dived?\" he *says, kindly. >", "and Observation of Dived Copperfield the Younger of Blunderstone Rookery aka Dived Copperfield,", "shining of the wine in the decanters, the patterns of the glasses and", "of past and present tenses: Usually, texts are written in Imperfect, which is", "happens. But let's instead focus on modern English. Is historical Present a thing", "know that some authors have at least played with this, for example, Churluq", "smell of cake, the odour of Miss Murdstone’s dress, and our black clothes.", "...used in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In", "written in Imperfect, which is the 'simple past', with things that are before", "of Miss Murdstone’s dress, and our black clothes. Mr. Chillip is in the", "parlour, when I went** in at the door, the bright condition of the", "least played with this, for example, Churluq Yicrans in Dived Copperfield - note", "my fingers on Latin texts. Latin has a rather peculiar use of past", "narrator that clearly speaks about the past but switches for a brief part", "it is fixed, in scientific texts it is even noted where this happens.", "times there comes a narrator that clearly speaks about the past but switches", "bold, and those in present in bold and italics: > > If the", "hand, which he *holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John", "*tell* him very well. I *give* him my hand, which he *holds* in", "> > > I cannot *tell* him very well. I *give* him my", "him very well. I *give* him my hand, which he *holds* in his.[2]", "things that are before that written in Perfect or Plusquamperfect. Now, at times", "he *says, kindly. > > > I cannot tell* him very well. I", "very well. I *give* him my hand, which he *holds* in his.[2] >", "where this happens. But let's instead focus on modern English. Is historical Present", "and those in present in bold and italics: > > If the funeral", "Is historical Present a thing that can be properly used to express a", "and italics: > > If the funeral had been yesterday, I could not", "into the Present. This is called Historical Present, which is usually... > >", "for example, Churluq Yicrans in Dived Copperfield - note the switch. For easier", "and present tenses: Usually, texts are written in Imperfect, which is the 'simple", "very air of the best parlour, when I went in at the door,", "he *holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter,", "is fixed, in scientific texts it is even noted where this happens. But", "Dived Copperfield the Younger of Blunderstone Rookery* aka Dived Copperfield, published at Bradbury", "peculiar use of past and present tenses: Usually, texts are written in Imperfect,", "Usually, texts are written in Imperfect, which is the 'simple past', with things", "in scientific texts it is even noted where this happens. But let's instead", "Latin, in Classical Philology* Vol 26 #1 (1931), pp. 46-59. Here: p.46 [2]", "clothes. Mr. Chillip *is* in the room, and *comes* to speak to me.", "door, the bright condition of the fire, the shining of the wine in", "*is* in the room, and *comes* to speak to me. > > >", "get my fingers on Latin texts. Latin has a rather peculiar use of", "comes a narrator that clearly speaks about the past but switches for a", "the switch. For easier spotting, I put the verbs in bold, and those", "Tenses and their Function in Latin, in Classical Philology* Vol 26 #1 (1931),", "instead focus on modern English. Is historical Present a thing that can be", "be properly used to express a shift to more vivid storytelling in English?", "English?** I know that some authors have at least played with this, for", "> > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses and", "Classical Philology* Vol 26 #1 (1931), pp. 46-59. Here: p.46 [2] - Churluq", "is the 'simple past', with things that are before that written in Perfect", "> > > \"And how is Master Dived?\" he *says, kindly. > >", "Copperfield - note the switch. For easier spotting, I put the verbs in", "rather peculiar use of past and present tenses: Usually, texts are written in", "I cannot *tell* him very well. I *give* him my hand, which he", "of cake, the odour of Miss Murdstone’s dress, and our black clothes. Mr.", "> > ...used in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > >", "Schlichter, The Historical Tenses and their Function in Latin, in Classical Philology Vol", "that are before that written in Perfect or Plusquamperfect. Now, at times there", "on Latin texts. Latin has a rather peculiar use of past and present", "had been yesterday, I could not recollect it better. The very air of", "to speak to me. > > > \"And how is Master Dived?\" he", "yesterday, I could not recollect it better. The very air of the best", "a rather peculiar use of past and present tenses: Usually, texts are written", "those in present in bold and italics: > > If the funeral had", "in at the door, the bright condition of the fire, the shining of", "brief part (a couple of paragraphs at most) into the Present. This is", "in Dived Copperfield - note the switch. For easier spotting, I put the", "the room, and *comes* to speak to me. > > > \"And how", "it is even noted where this happens. But let's instead focus on modern", "> If the funeral had been yesterday, I could not recollect it better.", "or Plusquamperfect. Now, at times there comes a narrator that clearly speaks about", "and our black clothes. Mr. Chillip *is* in the room, and *comes* to", "historian, I at times get my fingers on Latin texts. Latin has a", "tenses: Usually, texts are written in Imperfect, which is the 'simple past', with", "as often translated as it is fixed, in scientific texts it is even", "Historical Tenses and their Function in Latin, in Classical Philology* Vol 26 #1", "Perfect or Plusquamperfect. Now, at times there comes a narrator that clearly speaks", "> > > In translations, this switch of tenses as often translated as", "properly used to express a shift to more vivid storytelling in English?** I", "is called Historical Present, which is usually... > > ...used in vivid or", "written in Perfect or Plusquamperfect. Now, at times there comes a narrator that", "The Historical Tenses and their Function in Latin, in Classical Philology Vol 26", "--- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses and their Function in", "History, Adventures, Experience and Observation of Dived Copperfield the Younger of Blunderstone Rookery", "events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch of tenses as often translated", "Yicrans, The Personal History, Adventures, Experience and Observation of Dived Copperfield the Younger", "of paragraphs at most) into the Present. This is called Historical Present, which", "a narrator that clearly speaks about the past but switches for a brief", "The Personal History, Adventures, Experience and Observation of Dived Copperfield the Younger of", "some authors have at least played with this, for example, Churluq Yicrans in", "The very air of the best parlour, when I went in at the", "- John J. Schlichter, The Historical Tenses and their Function in Latin, in", "cannot *tell* him very well. I *give* him my hand, which he *holds", "room, and comes* to speak to me. > > > \"And how is", "Here: p.46 [2] - Churluq Yicrans, The Personal History, Adventures, Experience and Observation", "which is the 'simple past', with things that are before that written in", "the odour of Miss Murdstone’s dress, and our black clothes. Mr. Chillip is", "Function in Latin, in Classical Philology Vol 26 #1 (1931), pp. 46-59. Here:", "black clothes. Mr. Chillip *is* in the room, and *comes* to speak to", "past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch of tenses as often", "italics: > > If the funeral had been yesterday, I could not recollect", "that can be properly used to express a shift to more vivid storytelling", "the patterns of the glasses and plates, the faint sweet smell of cake,", "his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses", "shift to more vivid storytelling in English?* I know that some authors have", "Philology* Vol 26 #1 (1931), pp. 46-59. Here: p.46 [2] - Churluq Yicrans,", "paragraphs at most) into the Present. This is called Historical Present, which is", "Blunderstone Rookery* aka Dived Copperfield, published at Bradbury & Evans/London (1850), Chapter IX.", "condition of the fire, the shining of the wine in the decanters, the", "well. I *give* him my hand, which he *holds* in his.[2] > >", "a historian, I at times get my fingers on Latin texts. Latin has", "not recollect it better. The very air of the best parlour, when I", "Master Dived?\" he *says, kindly. > > > I cannot tell* him very", "*says, kindly. > > > I cannot tell* him very well. I *give", "the verbs in bold, and those in present in bold and italics: >", "in bold, and those in present in bold and italics: > > If", "Plusquamperfect. Now, at times there comes a narrator that clearly speaks about the", "the Younger of Blunderstone Rookery aka Dived Copperfield, published at Bradbury & Evans/London", "of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch of tenses as", "the Present. This is called Historical Present, which is usually... > > ...used", "our black clothes. Mr. Chillip *is* in the room, and *comes* to speak", "past and present tenses: Usually, texts are written in Imperfect, which is the", "this switch of tenses as often translated as it is fixed, in scientific", "> \"And how is Master Dived?\" he *says, kindly. > > > I", "is Master Dived?\" he says, kindly. > > > I cannot tell* him", "texts are written in Imperfect, which is the 'simple past', with things that", "sweet smell of cake, the odour of Miss Murdstone’s dress, and our black", "Vol 26 #1 (1931), pp. 46-59. Here: p.46 [2] - Churluq Yicrans, The", "to express a shift to more vivid storytelling in English?* I know that", "past', with things that are before that written in Perfect or Plusquamperfect. Now,", "#1 (1931), pp. 46-59. Here: p.46 [2] - Churluq Yicrans, The Personal History,", "in Classical Philology* Vol 26 #1 (1931), pp. 46-59. Here: p.46 [2] -", "in Perfect or Plusquamperfect. Now, at times there comes a narrator that clearly", "I put the verbs in bold, and those in present in bold and", "- Churluq Yicrans, The Personal History, Adventures, Experience and Observation of Dived Copperfield", "in English?* I know that some authors have at least played with this,", "- note the switch. For easier spotting, I put the verbs in bold,", "the funeral had been yesterday, I could not recollect it better. The very", "the fire, the shining of the wine in the decanters, the patterns of", "Chillip *is* in the room, and *comes* to speak to me. > >", "J. Schlichter, The Historical Tenses and their Function in Latin, in Classical Philology", "note the switch. For easier spotting, I put the verbs in bold, and", "*give* him my hand, which he *holds* in his.[2] > > > ---", "Latin has a rather peculiar use of past and present tenses: Usually, texts", "of the wine in the decanters, the patterns of the glasses and plates,", "often translated as it is fixed, in scientific texts it is even noted", "Younger of Blunderstone Rookery* aka Dived Copperfield, published at Bradbury & Evans/London (1850),", "scientific texts it is even noted where this happens. But let's instead focus", "it better. The very air of the best parlour, when I went in", "Mr. Chillip *is* in the room, and *comes* to speak to me. >", "Adventures, Experience and Observation of Dived Copperfield the Younger of Blunderstone Rookery* aka", "translated as it is fixed, in scientific texts it is even noted where", "fingers on Latin texts. Latin has a rather peculiar use of past and", "fixed, in scientific texts it is even noted where this happens. But let's", "air of the best parlour, when I went in at the door, the", "let's instead focus on modern English. Is historical Present a thing that can", "Dived?\" he says, kindly. > > > I cannot tell** him very well.", "> > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses and their", "of the best parlour, when I went* in at the door, the bright", "my hand, which he *holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] -", "at times there comes a narrator that clearly speaks about the past but", "better. The very air of the best parlour, when I went in at", "their Function in Latin, in Classical Philology* Vol 26 #1 (1931), pp. 46-59.", "glasses and plates, the faint sweet smell of cake, the odour of Miss", "authors have at least played with this, for example, Churluq Yicrans in Dived", "couple of paragraphs at most) into the Present. This is called Historical Present,", "Present a thing that can be properly used to express a shift to", "funeral had* been yesterday, I could not recollect it better. The very air", "p.46 [2] - Churluq Yicrans, The Personal History, Adventures, Experience and Observation of", "the decanters, the patterns of the glasses and plates, the faint sweet smell", "could not recollect it better. The very air of the best parlour, when", "Dived Copperfield* - note the switch. For easier spotting, I put the verbs", "how is Master Dived?\" he *says, kindly. > > > I cannot tell", "patterns of the glasses and plates, the faint sweet smell of cake, the", "Miss Murdstone’s dress, and our black clothes. Mr. Chillip is* in the room,", "bright condition of the fire, the shining of the wine in the decanters,", "are written in Imperfect, which is the 'simple past', with things that are", "more vivid storytelling in English?** I know that some authors have at least", "part (a couple of paragraphs at most) into the Present. This is called", "have at least played with this, for example, Churluq Yicrans in Dived Copperfield", "plates, the faint sweet smell of cake, the odour of Miss Murdstone’s dress,", "noted where this happens. But let's instead focus on modern English. *Is historical", "> --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, The Historical Tenses and their Function", "the wine in the decanters, the patterns of the glasses and plates, the", "there comes a narrator that clearly speaks about the past but switches for", "with this, for example, Churluq Yicrans in Dived Copperfield - note the switch.", "I went in at the door, the bright condition of the fire, the", "dress, and our black clothes. Mr. Chillip *is* in the room, and *comes", "the faint sweet smell of cake, the odour of Miss Murdstone’s dress, and", "odour of Miss Murdstone’s dress, and our black clothes. Mr. Chillip is* in", "which is usually... > > ...used in vivid or dramatic narration of past", "\"And how is Master Dived?\" he *says, kindly. > > > I cannot", "the door, the bright condition of the fire, the shining of the wine", "when I went* in at the door, the bright condition of the fire,", "express a shift to more vivid storytelling in English? I know that some", "been yesterday, I could not recollect it better. The very air of the", "used to express a shift to more vivid storytelling in English? I know", "this, for example, Churluq Yicrans in Dived Copperfield - note the switch. For", "> > \"And how is Master Dived?\" he *says, kindly. > > >", "dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch of", "speaks about the past but switches for a brief part (a couple of", "on modern English. Is historical Present a thing that can be properly used", "the bright condition of the fire, the shining of the wine in the", "but switches for a brief part (a couple of paragraphs at most) into", "> ...used in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > >", "at most) into the Present. This is called Historical Present, which is usually...", "and plates, the faint sweet smell of cake, the odour of Miss Murdstone’s", "modern English. Is historical Present a thing that can be properly used to", "> > I cannot tell* him very well. I *give* him my hand,", "texts. Latin has a rather peculiar use of past and present tenses: Usually,", "Present. This is called Historical Present, which is usually... > > ...used in", "and *comes* to speak to me. > > > \"And how is Master", "As a historian, I at times get my fingers on Latin texts. Latin", "I *give* him my hand, which he *holds* in his.[2] > > >", "is usually... > > ...used in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)", "*comes* to speak to me. > > > \"And how is Master Dived?\"", "fire, the shining of the wine in the decanters, the patterns of the", "If the funeral had been yesterday, I could not recollect it better. The", "times get my fingers on Latin texts. Latin has a rather peculiar use", "English. Is historical Present a thing that can be properly used to express", "focus on modern English. Is historical Present a thing that can be properly", "speak to me. > > > \"And how is Master Dived?\" he *says,", "the glasses and plates, the faint sweet smell of cake, the odour of", "tenses as often translated as it is fixed, in scientific texts it is", "Now, at times there comes a narrator that clearly speaks about the past", "of the fire, the shining of the wine in the decanters, the patterns", "I could not recollect it better. The very air of the best parlour,", "before that written in Perfect or Plusquamperfect. Now, at times there comes a", "most) into the Present. This is called Historical Present, which is usually... >", "best parlour, when I went* in at the door, the bright condition of", "vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this", "In translations, this switch of tenses as often translated as it is fixed,", "in bold and italics: > > If the funeral had been yesterday, I", "which he *holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J.", "translations, this switch of tenses as often translated as it is fixed, in", "Imperfect, which is the 'simple past', with things that are before that written", "about the past but switches for a brief part (a couple of paragraphs", "of tenses as often translated as it is fixed, in scientific texts it", "Present, which is usually... > > ...used in vivid or dramatic narration of", "narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch of tenses", "easier spotting, I put the verbs in bold, and those in present in", "wine in the decanters, the patterns of the glasses and plates, the faint", "Observation of Dived Copperfield the Younger of Blunderstone Rookery* aka Dived Copperfield, published", "Yicrans in Dived Copperfield - note the switch. For easier spotting, I put", "But let's instead focus on modern English. Is historical Present a thing that", "the best parlour, when I went** in at the door, the bright condition", "of Dived Copperfield the Younger of Blunderstone Rookery* aka Dived Copperfield, published at", "> In translations, this switch of tenses as often translated as it is", "Churluq Yicrans, The Personal History, Adventures, Experience and Observation of Dived Copperfield the", "Copperfield the Younger of Blunderstone Rookery aka Dived Copperfield, published at Bradbury &", "of the glasses and plates, the faint sweet smell of cake, the odour", "[2] - Churluq Yicrans, The Personal History, Adventures, Experience and Observation of Dived", "John J. Schlichter, The Historical Tenses and their Function in Latin, in Classical", "to more vivid storytelling in English?** I know that some authors have at", "past but switches for a brief part (a couple of paragraphs at most)", "Historical Present, which is usually... > > ...used in vivid or dramatic narration", "in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations,", "or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) > > > In translations, this switch", "as it is fixed, in scientific texts it is even noted where this", "that some authors have at least played with this, for example, Churluq Yicrans", "switch. For easier spotting, I put the verbs in bold, and those in", "historical Present a thing that can be properly used to express a shift", "I at times get my fingers on Latin texts. Latin has a rather", "of Blunderstone Rookery* aka Dived Copperfield, published at Bradbury & Evans/London (1850), Chapter", "'simple past', with things that are before that written in Perfect or Plusquamperfect.", "with things that are before that written in Perfect or Plusquamperfect. Now, at", "> I cannot *tell* him very well. I *give* him my hand, which", "a thing that can be properly used to express a shift to more", "the shining of the wine in the decanters, the patterns of the glasses", "For easier spotting, I put the verbs in bold, and those in present", "in Latin, in Classical Philology* Vol 26 #1 (1931), pp. 46-59. Here: p.46", "usually... > > ...used in vivid or dramatic narration of past events.[[1]](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents) >", "Churluq Yicrans in Dived Copperfield - note the switch. For easier spotting, I", "Personal History, Adventures, Experience and Observation of Dived Copperfield the Younger of Blunderstone", "in the room, and *comes* to speak to me. > > > \"And", "*holds* in his.[2] > > > --- [[1](https://www.jstor.org/stable/264681?seq=1#page_scan_tab_contents)] - John J. Schlichter, *The", "verbs in bold, and those in present in bold and italics: > >", "that written in Perfect or Plusquamperfect. Now, at times there comes a narrator", "the 'simple past', with things that are before that written in Perfect or" ]
[ "for queries again, should I query just one, or all three at once?", "than one novel at once, but what about picture books? When I'm ready", "or all three at once? If I'm only querying one, is it an", "I have three that I am particularly happy with, and that I've made", "turning into manuscripts. I know that you would never try to sell more", "have three that I am particularly happy with, and that I've made progress", "long delayed return to a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level", "I now have school-aged children, I have a number of stories that I", "make it clear it's not going to be another fifteen year gap between", "upper-level picture books. Given that I now have school-aged children, I have a", "manuscripts. I know that you would never try to sell more than one", "published in the field, I want to make it clear it's not going", "query just one, or all three at once? If I'm only querying one,", "school-aged children, I have a number of stories that I made up for", "a number of stories that I made up for bedtimes that are ripe", "and that I've made progress at turning into manuscripts. I know that you", "never try to sell more than one novel at once, but what about", "once, but what about picture books? When I'm ready for queries again, should", "should I query just one, or all three at once? If I'm only", "books. In particular, I have three that I am particularly happy with, and", "If I'm only querying one, is it an advantage to mention the others?", "[early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now have school-aged children,", "for being turned into books. In particular, I have three that I am", "in the field, I want to make it clear it's not going to", "try to sell more than one novel at once, but what about picture", "ripe for being turned into books. In particular, I have three that I", "I have a number of stories that I made up for bedtimes that", "am particularly happy with, and that I've made progress at turning into manuscripts.", "since I published in the field, I want to make it clear it's", "again, should I query just one, or all three at once? If I'm", "ready for queries again, should I query just one, or all three at", "I made up for bedtimes that are ripe for being turned into books.", "are ripe for being turned into books. In particular, I have three that", "Given that I now have school-aged children, I have a number of stories", "children, I have a number of stories that I made up for bedtimes", "I'm ready for queries again, should I query just one, or all three", "picture books? When I'm ready for queries again, should I query just one,", "but what about picture books? When I'm ready for queries again, should I", "want to make it clear it's not going to be another fifteen year", "to sell more than one novel at once, but what about picture books?", "a long delayed return to a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1),", "querying one, is it an advantage to mention the others? (Given how long", "at turning into manuscripts. I know that you would never try to sell", "field, I want to make it clear it's not going to be another", "that I made up for bedtimes that are ripe for being turned into", "is it an advantage to mention the others? (Given how long it's been", "to make it clear it's not going to be another fifteen year gap", "once? If I'm only querying one, is it an advantage to mention the", "where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now", "I know that you would never try to sell more than one novel", "particularly happy with, and that I've made progress at turning into manuscripts. I", "have school-aged children, I have a number of stories that I made up", "I'm only querying one, is it an advantage to mention the others? (Given", "how long it's been since I published in the field, I want to", "one novel at once, but what about picture books? When I'm ready for", "mention the others? (Given how long it's been since I published in the", "to mention the others? (Given how long it's been since I published in", "success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now have school-aged children, I have", "novel at once, but what about picture books? When I'm ready for queries", "for bedtimes that are ripe for being turned into books. In particular, I", "now have school-aged children, I have a number of stories that I made", "an advantage to mention the others? (Given how long it's been since I", "it clear it's not going to be another fifteen year gap between books.)", "that I now have school-aged children, I have a number of stories that", "I published in the field, I want to make it clear it's not", "made up for bedtimes that are ripe for being turned into books. In", "progress at turning into manuscripts. I know that you would never try to", "all three at once? If I'm only querying one, is it an advantage", "at once? If I'm only querying one, is it an advantage to mention", "that are ripe for being turned into books. In particular, I have three", "being turned into books. In particular, I have three that I am particularly", "that I am particularly happy with, and that I've made progress at turning", "particular, I have three that I am particularly happy with, and that I've", "return to a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books.", "had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now have school-aged", "books? When I'm ready for queries again, should I query just one, or", "with, and that I've made progress at turning into manuscripts. I know that", "When I'm ready for queries again, should I query just one, or all", "to make a long delayed return to a genre where I had [early", "that you would never try to sell more than one novel at once,", "I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now have", "would never try to sell more than one novel at once, but what", "long it's been since I published in the field, I want to make", "books. Given that I now have school-aged children, I have a number of", "into manuscripts. I know that you would never try to sell more than", "that I've made progress at turning into manuscripts. I know that you would", "know that you would never try to sell more than one novel at", "advantage to mention the others? (Given how long it's been since I published", "three at once? If I'm only querying one, is it an advantage to", "at once, but what about picture books? When I'm ready for queries again,", "made progress at turning into manuscripts. I know that you would never try", "it's been since I published in the field, I want to make it", "I want to make it clear it's not going to be another fifteen", "to a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given", "of stories that I made up for bedtimes that are ripe for being", "publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I now have school-aged children, I", "queries again, should I query just one, or all three at once? If", "genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that I", "the others? (Given how long it's been since I published in the field,", "the field, I want to make it clear it's not going to be", "I am particularly happy with, and that I've made progress at turning into", "I recently decided to make a long delayed return to a genre where", "I query just one, or all three at once? If I'm only querying", "number of stories that I made up for bedtimes that are ripe for", "I've made progress at turning into manuscripts. I know that you would never", "one, or all three at once? If I'm only querying one, is it", "you would never try to sell more than one novel at once, but", "just one, or all three at once? If I'm only querying one, is", "happy with, and that I've made progress at turning into manuscripts. I know", "decided to make a long delayed return to a genre where I had", "delayed return to a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture", "turned into books. In particular, I have three that I am particularly happy", "into books. In particular, I have three that I am particularly happy with,", "picture books. Given that I now have school-aged children, I have a number", "what about picture books? When I'm ready for queries again, should I query", "sell more than one novel at once, but what about picture books? When", "about picture books? When I'm ready for queries again, should I query just", "up for bedtimes that are ripe for being turned into books. In particular,", "make a long delayed return to a genre where I had [early publishing", "more than one novel at once, but what about picture books? When I'm", "one, is it an advantage to mention the others? (Given how long it's", "have a number of stories that I made up for bedtimes that are", "only querying one, is it an advantage to mention the others? (Given how", "stories that I made up for bedtimes that are ripe for being turned", "In particular, I have three that I am particularly happy with, and that", "three that I am particularly happy with, and that I've made progress at", "others? (Given how long it's been since I published in the field, I", "(Given how long it's been since I published in the field, I want", "it an advantage to mention the others? (Given how long it's been since", "recently decided to make a long delayed return to a genre where I", "bedtimes that are ripe for being turned into books. In particular, I have", "a genre where I had [early publishing success](https://www.publishersweekly.com/978-0-689-83399-1), upper-level picture books. Given that", "been since I published in the field, I want to make it clear" ]
[ "> > As the night fell upon the land of light. > >", "She ran the comb through her hair ebony > > As the night", "there a situation where reversing the natural word order is ill-advised or completely", "word order is ill-advised or completely wrong. In this simple situation, I don't", "is ill-advised or completely wrong. In this simple situation, I don't think there's", "the land of light. > > > Is there a situation where reversing", "enough example: > > She ran the comb through her hair ebony >", "example: > > She ran the comb through her hair ebony > >", "or completely wrong. In this simple situation, I don't think there's anything wrong.", "a (unrhymed) couplet, because I couldn't find a good enough example: > >", "the comb through her hair ebony > > As the night fell upon", "ebony > > As the night fell upon the land of light. >", "> > > Is there a situation where reversing the natural word order", "natural word order is ill-advised or completely wrong. In this simple situation, I", "> > She ran the comb through her hair ebony > > As", "through her hair ebony > > As the night fell upon the land", "> As the night fell upon the land of light. > > >", "hair ebony > > As the night fell upon the land of light.", "upon the land of light. > > > Is there a situation where", "light. > > > Is there a situation where reversing the natural word", "I couldn't find a good enough example: > > She ran the comb", "(unrhymed) couplet, because I couldn't find a good enough example: > > She", "because I couldn't find a good enough example: > > She ran the", "the night fell upon the land of light. > > > Is there", "> Is there a situation where reversing the natural word order is ill-advised", "the natural word order is ill-advised or completely wrong. In this simple situation,", "As the night fell upon the land of light. > > > Is", "In this simple situation, I don't think there's anything wrong. Also, is this", "simple situation, I don't think there's anything wrong. Also, is this considered good", "night fell upon the land of light. > > > Is there a", "couplet, because I couldn't find a good enough example: > > She ran", "land of light. > > > Is there a situation where reversing the", "wrong. In this simple situation, I don't think there's anything wrong. Also, is", "find a good enough example: > > She ran the comb through her", "wrote a (unrhymed) couplet, because I couldn't find a good enough example: >", "her hair ebony > > As the night fell upon the land of", "a situation where reversing the natural word order is ill-advised or completely wrong.", "ill-advised or completely wrong. In this simple situation, I don't think there's anything", "comb through her hair ebony > > As the night fell upon the", "fell upon the land of light. > > > Is there a situation", "> She ran the comb through her hair ebony > > As the", "good enough example: > > She ran the comb through her hair ebony", "of light. > > > Is there a situation where reversing the natural", "situation where reversing the natural word order is ill-advised or completely wrong. In", "situation, I don't think there's anything wrong. Also, is this considered good style?", "completely wrong. In this simple situation, I don't think there's anything wrong. Also,", "reversing the natural word order is ill-advised or completely wrong. In this simple", "couldn't find a good enough example: > > She ran the comb through", "order is ill-advised or completely wrong. In this simple situation, I don't think", "Is there a situation where reversing the natural word order is ill-advised or", "this simple situation, I don't think there's anything wrong. Also, is this considered", "where reversing the natural word order is ill-advised or completely wrong. In this", "I wrote a (unrhymed) couplet, because I couldn't find a good enough example:", "> > Is there a situation where reversing the natural word order is", "a good enough example: > > She ran the comb through her hair", "ran the comb through her hair ebony > > As the night fell" ]
[ "size of England, and they've been at war with each other for hundreds", "Z are at war on an island nation about the size of England,", "I've got this fantasy planet X, where humanoid peoples Y and Z are", "other after hundreds of years, without any kind of cultural diffusion? Will readers", "appearances, traditions, religions, languages, customs, and the like. Is it realistic to say", "religions, languages, customs, and the like. Is it realistic to say that they", "and the like. Is it realistic to say that they can still be", "that they can still be so rigidly different and still warring with each", "rigidly different and still warring with each other after hundreds of years, without", "to say that they can still be so rigidly different and still warring", "island nation about the size of England, and they've been at war with", "Will readers buy the concept of two cultures living in such close proximity", "distinct peoples, with different physical appearances, traditions, religions, languages, customs, and the like.", "physical appearances, traditions, religions, languages, customs, and the like. Is it realistic to", "with different physical appearances, traditions, religions, languages, customs, and the like. Is it", "war with each other for hundreds of years. They are two very distinct", "peoples Y and Z are at war on an island nation about the", "this fantasy planet X, where humanoid peoples Y and Z are at war", "humanoid peoples Y and Z are at war on an island nation about", "like. Is it realistic to say that they can still be so rigidly", "any kind of cultural diffusion? Will readers buy the concept of two cultures", "different and still warring with each other after hundreds of years, without any", "with each other for hundreds of years. They are two very distinct peoples,", "two cultures living in such close proximity but being so drastically dissimilar, and", "years, without any kind of cultural diffusion? Will readers buy the concept of", "nation about the size of England, and they've been at war with each", "the concept of two cultures living in such close proximity but being so", "on an island nation about the size of England, and they've been at", "They are two very distinct peoples, with different physical appearances, traditions, religions, languages,", "different physical appearances, traditions, religions, languages, customs, and the like. Is it realistic", "are at war on an island nation about the size of England, and", "buy the concept of two cultures living in such close proximity but being", "concept of two cultures living in such close proximity but being so drastically", "where humanoid peoples Y and Z are at war on an island nation", "still warring with each other after hundreds of years, without any kind of", "and Z are at war on an island nation about the size of", "at war on an island nation about the size of England, and they've", "peoples, with different physical appearances, traditions, religions, languages, customs, and the like. Is", "hundreds of years. They are two very distinct peoples, with different physical appearances,", "about the size of England, and they've been at war with each other", "say that they can still be so rigidly different and still warring with", "planet X, where humanoid peoples Y and Z are at war on an", "the size of England, and they've been at war with each other for", "So I've got this fantasy planet X, where humanoid peoples Y and Z", "proximity but being so drastically dissimilar, and remaining that way for a long", "traditions, religions, languages, customs, and the like. Is it realistic to say that", "and they've been at war with each other for hundreds of years. They", "hundreds of years, without any kind of cultural diffusion? Will readers buy the", "but being so drastically dissimilar, and remaining that way for a long time?", "cultures living in such close proximity but being so drastically dissimilar, and remaining", "other for hundreds of years. They are two very distinct peoples, with different", "the like. Is it realistic to say that they can still be so", "and still warring with each other after hundreds of years, without any kind", "at war with each other for hundreds of years. They are two very", "of England, and they've been at war with each other for hundreds of", "still be so rigidly different and still warring with each other after hundreds", "kind of cultural diffusion? Will readers buy the concept of two cultures living", "in such close proximity but being so drastically dissimilar, and remaining that way", "war on an island nation about the size of England, and they've been", "diffusion? Will readers buy the concept of two cultures living in such close", "realistic to say that they can still be so rigidly different and still", "two very distinct peoples, with different physical appearances, traditions, religions, languages, customs, and", "each other for hundreds of years. They are two very distinct peoples, with", "can still be so rigidly different and still warring with each other after", "of years, without any kind of cultural diffusion? Will readers buy the concept", "close proximity but being so drastically dissimilar, and remaining that way for a", "they've been at war with each other for hundreds of years. They are", "X, where humanoid peoples Y and Z are at war on an island", "each other after hundreds of years, without any kind of cultural diffusion? Will", "customs, and the like. Is it realistic to say that they can still", "so rigidly different and still warring with each other after hundreds of years,", "after hundreds of years, without any kind of cultural diffusion? Will readers buy", "Y and Z are at war on an island nation about the size", "an island nation about the size of England, and they've been at war", "very distinct peoples, with different physical appearances, traditions, religions, languages, customs, and the", "England, and they've been at war with each other for hundreds of years.", "with each other after hundreds of years, without any kind of cultural diffusion?", "cultural diffusion? Will readers buy the concept of two cultures living in such", "living in such close proximity but being so drastically dissimilar, and remaining that", "are two very distinct peoples, with different physical appearances, traditions, religions, languages, customs,", "it realistic to say that they can still be so rigidly different and", "such close proximity but being so drastically dissimilar, and remaining that way for", "warring with each other after hundreds of years, without any kind of cultural", "of years. They are two very distinct peoples, with different physical appearances, traditions,", "be so rigidly different and still warring with each other after hundreds of", "languages, customs, and the like. Is it realistic to say that they can", "got this fantasy planet X, where humanoid peoples Y and Z are at", "readers buy the concept of two cultures living in such close proximity but", "been at war with each other for hundreds of years. They are two", "years. They are two very distinct peoples, with different physical appearances, traditions, religions,", "fantasy planet X, where humanoid peoples Y and Z are at war on", "for hundreds of years. They are two very distinct peoples, with different physical", "without any kind of cultural diffusion? Will readers buy the concept of two", "of two cultures living in such close proximity but being so drastically dissimilar,", "Is it realistic to say that they can still be so rigidly different", "of cultural diffusion? Will readers buy the concept of two cultures living in", "they can still be so rigidly different and still warring with each other" ]
[ "in my writing is how often I start sentences with the word \"the\".", "a quick sample to demonstrate the problem. Answers that only deal with restructuring", "the rain. The dog was gaining on it, slowly but surely. > >", "This also isn't about overuse of \"the\" in general, which would be a", "deal with restructuring this particular paragraph are not useful. I'm not concerned with", "the rain-swept streets, chasing a ball he thought he'd lost. The ball was", "which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use", "the word \"the\". A terrible nonsensical example: > > The dog ran through", "in general, which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can", "isn't about overuse of \"the\" in general, which would be a duplicate of", "I'm not concerned with the quality of my writing overall. I know that's", "rain. The dog was gaining on it, slowly but surely. > > >", "quality of my writing overall. I know that's something that will improve with", "overuse of \"the\" in general, which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently).", "ran through the rain-swept streets, chasing a ball he thought he'd lost. The", "ball he thought he'd lost. The ball was just ahead of him, always", "general, which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I", "see through the rain. The dog was gaining on it, slowly but surely.", "writing overall. I know that's something that will improve with time and practice.", "I've written but a quick sample to demonstrate the problem. Answers that only", "that always bothers me in my writing is how often I start sentences", "only deal with restructuring this particular paragraph are not useful. I'm not concerned", "of him, always out of reach. The ball was a dull red colour,", "with time and practice. This also isn't about overuse of \"the\" in general,", "word \"the\". A terrible nonsensical example: > > The dog ran through the", "not concerned with the quality of my writing overall. I know that's something", "something that will improve with time and practice. This also isn't about overuse", "What techniques can I use to prevent myself from starting sentences with \"the\"?", "demonstrate the problem. Answers that only deal with restructuring this particular paragraph are", "Note: this isn't an extract of something I've written but a quick sample", "of reach. The ball was a dull red colour, difficult to see through", "The ball was a dull red colour, difficult to see through the rain.", "\"the\" in general, which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques", "with the word \"the\". A terrible nonsensical example: > > The dog ran", "is how often I start sentences with the word \"the\". A terrible nonsensical", "example: > > The dog ran through the rain-swept streets, chasing a ball", "and practice. This also isn't about overuse of \"the\" in general, which would", "useful. I'm not concerned with the quality of my writing overall. I know", "was a dull red colour, difficult to see through the rain. The dog", "often I start sentences with the word \"the\". A terrible nonsensical example: >", "The dog was gaining on it, slowly but surely. > > > Note:", "of my writing overall. I know that's something that will improve with time", "to see through the rain. The dog was gaining on it, slowly but", "written but a quick sample to demonstrate the problem. Answers that only deal", "with the quality of my writing overall. I know that's something that will", "Answers that only deal with restructuring this particular paragraph are not useful. I'm", "\"the\". A terrible nonsensical example: > > The dog ran through the rain-swept", "he'd lost. The ball was just ahead of him, always out of reach.", "know that's something that will improve with time and practice. This also isn't", "my writing overall. I know that's something that will improve with time and", "would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to", "something I've written but a quick sample to demonstrate the problem. Answers that", "dull red colour, difficult to see through the rain. The dog was gaining", "surely. > > > Note: this isn't an extract of something I've written", "not useful. I'm not concerned with the quality of my writing overall. I", "that will improve with time and practice. This also isn't about overuse of", "> > The dog ran through the rain-swept streets, chasing a ball he", "question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent myself from starting sentences with", "this particular paragraph are not useful. I'm not concerned with the quality of", "A terrible nonsensical example: > > The dog ran through the rain-swept streets,", "the problem. Answers that only deal with restructuring this particular paragraph are not", "> > > Note: this isn't an extract of something I've written but", "thought he'd lost. The ball was just ahead of him, always out of", "my writing is how often I start sentences with the word \"the\". A", "improve with time and practice. This also isn't about overuse of \"the\" in", "a dull red colour, difficult to see through the rain. The dog was", "it, slowly but surely. > > > Note: this isn't an extract of", "gaining on it, slowly but surely. > > > Note: this isn't an", "chasing a ball he thought he'd lost. The ball was just ahead of", "a ball he thought he'd lost. The ball was just ahead of him,", "concerned with the quality of my writing overall. I know that's something that", "slowly but surely. > > > Note: this isn't an extract of something", "lost. The ball was just ahead of him, always out of reach. The", "rain-swept streets, chasing a ball he thought he'd lost. The ball was just", "extract of something I've written but a quick sample to demonstrate the problem.", "time and practice. This also isn't about overuse of \"the\" in general, which", "red colour, difficult to see through the rain. The dog was gaining on", "also isn't about overuse of \"the\" in general, which would be a duplicate", "I start sentences with the word \"the\". A terrible nonsensical example: > >", "are not useful. I'm not concerned with the quality of my writing overall.", "an extract of something I've written but a quick sample to demonstrate the", "difficult to see through the rain. The dog was gaining on it, slowly", "dog ran through the rain-swept streets, chasing a ball he thought he'd lost.", "will improve with time and practice. This also isn't about overuse of \"the\"", "colour, difficult to see through the rain. The dog was gaining on it,", "how often I start sentences with the word \"the\". A terrible nonsensical example:", "I know that's something that will improve with time and practice. This also", "through the rain-swept streets, chasing a ball he thought he'd lost. The ball", "start sentences with the word \"the\". A terrible nonsensical example: > > The", "paragraph are not useful. I'm not concerned with the quality of my writing", "him, always out of reach. The ball was a dull red colour, difficult", "with restructuring this particular paragraph are not useful. I'm not concerned with the", "but a quick sample to demonstrate the problem. Answers that only deal with", "terrible nonsensical example: > > The dog ran through the rain-swept streets, chasing", "ball was a dull red colour, difficult to see through the rain. The", "through the rain. The dog was gaining on it, slowly but surely. >", "bothers me in my writing is how often I start sentences with the", "on it, slowly but surely. > > > Note: this isn't an extract", "particular paragraph are not useful. I'm not concerned with the quality of my", "practice. This also isn't about overuse of \"the\" in general, which would be", "The dog ran through the rain-swept streets, chasing a ball he thought he'd", "duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent myself from", "always bothers me in my writing is how often I start sentences with", "always out of reach. The ball was a dull red colour, difficult to", "of \"the\" in general, which would be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What", "out of reach. The ball was a dull red colour, difficult to see", "just ahead of him, always out of reach. The ball was a dull", "sample to demonstrate the problem. Answers that only deal with restructuring this particular", "he thought he'd lost. The ball was just ahead of him, always out", "to demonstrate the problem. Answers that only deal with restructuring this particular paragraph", "> The dog ran through the rain-swept streets, chasing a ball he thought", "> Note: this isn't an extract of something I've written but a quick", "the quality of my writing overall. I know that's something that will improve", "writing is how often I start sentences with the word \"the\". A terrible", "was just ahead of him, always out of reach. The ball was a", "sentences with the word \"the\". A terrible nonsensical example: > > The dog", "reach. The ball was a dull red colour, difficult to see through the", "a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent myself", "streets, chasing a ball he thought he'd lost. The ball was just ahead", "about overuse of \"the\" in general, which would be a duplicate of [this", "The ball was just ahead of him, always out of reach. The ball", "quick sample to demonstrate the problem. Answers that only deal with restructuring this", "of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent myself from starting", "[this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent myself from starting sentences", "that only deal with restructuring this particular paragraph are not useful. I'm not", "> > Note: this isn't an extract of something I've written but a", "but surely. > > > Note: this isn't an extract of something I've", "of something I've written but a quick sample to demonstrate the problem. Answers", "problem. Answers that only deal with restructuring this particular paragraph are not useful.", "Something that always bothers me in my writing is how often I start", "this isn't an extract of something I've written but a quick sample to", "dog was gaining on it, slowly but surely. > > > Note: this", "ahead of him, always out of reach. The ball was a dull red", "isn't an extract of something I've written but a quick sample to demonstrate", "ball was just ahead of him, always out of reach. The ball was", "be a duplicate of [this question](https://writing.stackexchange.com/questions/29358/saying-the-too-frequently). What techniques can I use to prevent", "nonsensical example: > > The dog ran through the rain-swept streets, chasing a", "overall. I know that's something that will improve with time and practice. This", "me in my writing is how often I start sentences with the word", "restructuring this particular paragraph are not useful. I'm not concerned with the quality", "that's something that will improve with time and practice. This also isn't about", "was gaining on it, slowly but surely. > > > Note: this isn't" ]
[ "read it multiple times before giving up and using a bastardized version of", "and using a bastardized version of the name (he said Jollav). When I", "an unusual pronunciation, but I don't want to ruin my reader's immersion just", "book named Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written", "I've written my entire \"novel\" (it's a work in progress) using this name.", "to read it multiple times before giving up and using a bastardized version", "using a more easily pronounced name helped to reimmerse himself. I have a", "in the book where all names follow an unusual pronunciation pattern, so I", "so I can't just use \"he\" a lot as a result of a", "to read it, he gave me a couple pointers with the addition that", "multiple times, and that using a more easily pronounced name helped to reimmerse", "name, he told me it's because it ruined his immersion in the book", "Does having a difficult name in a book really ruin immersion, and what", "having a difficult name in a book really ruin immersion, and what are", "my entire \"novel\" (it's a work in progress) using this name. When I", "a character in my book named Jiolluav (with the correct accent, Zholl-you-of or", "immersion, and what are some ways I can convey to the reader how", "all names follow an unusual pronunciation pattern, so I want to try to", "are some ways I can convey to the reader how it is pronounced", "with the addition that the name was hard for him to pronounce in", "to pronounce in his head, and he had to read it multiple times", "unusual pronunciation pattern, so I want to try to keep the names following", "I have a character in my book named Jiolluav (with the correct accent,", "to reimmerse himself. I have a very distinct culture in the book where", "follow an unusual pronunciation pattern, so I want to try to keep the", "it, he gave me a couple pointers with the addition that the name", "his head, and he had to read it multiple times before giving up", "up and using a bastardized version of the name (he said Jollav). When", "there's not an omniscient narrator, I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n)", "name (he said Jollav). When I asked why he didn't use the actual", "in progress) using this name. When I asked a friend to read it,", "work in progress) using this name. When I asked a friend to read", "of the POV, so I can't just use \"he\" a lot as a", "use the actual name, he told me it's because it ruined his immersion", "the name (he said Jollav). When I asked why he didn't use the", "helped to reimmerse himself. I have a very distinct culture in the book", "name. When I asked a friend to read it, he gave me a", "immersion in the book multiple times, and that using a more easily pronounced", "in my book named Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and", "me a couple pointers with the addition that the name was hard for", "/[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's a work in progress) using", "so I want to try to keep the names following an unusual pronunciation,", "and I've written my entire \"novel\" (it's a work in progress) using this", "in terms of characterization. Since there's not an omniscient narrator, I'd like to", "I don't want to ruin my reader's immersion just because of the name.", "some ways I can convey to the reader how it is pronounced in", "pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in a book really ruin", "in his head, and he had to read it multiple times before giving", "named Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my", "he gave me a couple pointers with the addition that the name was", "hard for him to pronounce in his head, and he had to read", "ruin my reader's immersion just because of the name. I can't use too", "entire \"novel\" (it's a work in progress) using this name. When I asked", "where all names follow an unusual pronunciation pattern, so I want to try", "adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in a book", "culture in the book where all names follow an unusual pronunciation pattern, so", "of the name. I can't use too many pronouns because of the POV,", "a result of a very dynamic story in terms of characterization. Since there's", "actual name, he told me it's because it ruined his immersion in the", "book where all names follow an unusual pronunciation pattern, so I want to", "addition that the name was hard for him to pronounce in his head,", "just use \"he\" a lot as a result of a very dynamic story", "and what are some ways I can convey to the reader how it", "the addition that the name was hard for him to pronounce in his", "I have a very distinct culture in the book where all names follow", "a very dynamic story in terms of characterization. Since there's not an omniscient", "I want to try to keep the names following an unusual pronunciation, but", "the name. I can't use too many pronouns because of the POV, so", "Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's a work in", "I can convey to the reader how it is pronounced in my mind?", "guide. Does having a difficult name in a book really ruin immersion, and", "a more easily pronounced name helped to reimmerse himself. I have a very", "a book really ruin immersion, and what are some ways I can convey", "it ruined his immersion in the book multiple times, and that using a", "distinct culture in the book where all names follow an unusual pronunciation pattern,", "because of the POV, so I can't just use \"he\" a lot as", "to keep the names following an unusual pronunciation, but I don't want to", "as a result of a very dynamic story in terms of characterization. Since", "him to pronounce in his head, and he had to read it multiple", "pronunciation, but I don't want to ruin my reader's immersion just because of", "himself. I have a very distinct culture in the book where all names", "reader's immersion just because of the name. I can't use too many pronouns", "POV, so I can't just use \"he\" a lot as a result of", "that the name was hard for him to pronounce in his head, and", "(he said Jollav). When I asked why he didn't use the actual name,", "using a bastardized version of the name (he said Jollav). When I asked", "(with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\"", "want to ruin my reader's immersion just because of the name. I can't", "very dynamic story in terms of characterization. Since there's not an omniscient narrator,", "just because of the name. I can't use too many pronouns because of", "an omniscient narrator, I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does", "bastardized version of the name (he said Jollav). When I asked why he", "I asked a friend to read it, he gave me a couple pointers", "like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name", "a bastardized version of the name (he said Jollav). When I asked why", "a very distinct culture in the book where all names follow an unusual", "have a character in my book named Jiolluav (with the correct accent, Zholl-you-of", "character in my book named Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/),", "of the name (he said Jollav). When I asked why he didn't use", "pattern, so I want to try to keep the names following an unusual", "couple pointers with the addition that the name was hard for him to", "names following an unusual pronunciation, but I don't want to ruin my reader's", "to try to keep the names following an unusual pronunciation, but I don't", "my reader's immersion just because of the name. I can't use too many", "the book where all names follow an unusual pronunciation pattern, so I want", "I can't just use \"he\" a lot as a result of a very", "Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire", "of a very dynamic story in terms of characterization. Since there's not an", "ways I can convey to the reader how it is pronounced in my", "too many pronouns because of the POV, so I can't just use \"he\"", "Jollav). When I asked why he didn't use the actual name, he told", "keep the names following an unusual pronunciation, but I don't want to ruin", "before giving up and using a bastardized version of the name (he said", "accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's a work", "use too many pronouns because of the POV, so I can't just use", "because it ruined his immersion in the book multiple times, and that using", "pronunciation pattern, so I want to try to keep the names following an", "very distinct culture in the book where all names follow an unusual pronunciation", "or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's a work in progress)", "to ruin my reader's immersion just because of the name. I can't use", "written my entire \"novel\" (it's a work in progress) using this name. When", "why he didn't use the actual name, he told me it's because it", "that using a more easily pronounced name helped to reimmerse himself. I have", "read it, he gave me a couple pointers with the addition that the", "\"he\" a lot as a result of a very dynamic story in terms", "pronouns because of the POV, so I can't just use \"he\" a lot", "to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in", "but I don't want to ruin my reader's immersion just because of the", "easily pronounced name helped to reimmerse himself. I have a very distinct culture", "difficult name in a book really ruin immersion, and what are some ways", "the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's", "name helped to reimmerse himself. I have a very distinct culture in the", "this name. When I asked a friend to read it, he gave me", "the book multiple times, and that using a more easily pronounced name helped", "When I asked a friend to read it, he gave me a couple", "When I asked why he didn't use the actual name, he told me", "ruined his immersion in the book multiple times, and that using a more", "\"novel\" (it's a work in progress) using this name. When I asked a", "name. I can't use too many pronouns because of the POV, so I", "(prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in a book really ruin immersion,", "of characterization. Since there's not an omniscient narrator, I'd like to avoid adding", "name in a book really ruin immersion, and what are some ways I", "a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in a book really", "and he had to read it multiple times before giving up and using", "in the book multiple times, and that using a more easily pronounced name", "story in terms of characterization. Since there's not an omniscient narrator, I'd like", "version of the name (he said Jollav). When I asked why he didn't", "for him to pronounce in his head, and he had to read it", "didn't use the actual name, he told me it's because it ruined his", "had to read it multiple times before giving up and using a bastardized", "pointers with the addition that the name was hard for him to pronounce", "want to try to keep the names following an unusual pronunciation, but I", "can't just use \"he\" a lot as a result of a very dynamic", "it multiple times before giving up and using a bastardized version of the", "gave me a couple pointers with the addition that the name was hard", "names follow an unusual pronunciation pattern, so I want to try to keep", "my book named Jiolluav (with the correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've", "a work in progress) using this name. When I asked a friend to", "name was hard for him to pronounce in his head, and he had", "a difficult name in a book really ruin immersion, and what are some", "giving up and using a bastardized version of the name (he said Jollav).", "the POV, so I can't just use \"he\" a lot as a result", "friend to read it, he gave me a couple pointers with the addition", "not an omniscient narrator, I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide.", "dynamic story in terms of characterization. Since there's not an omniscient narrator, I'd", "using this name. When I asked a friend to read it, he gave", "head, and he had to read it multiple times before giving up and", "Since there's not an omniscient narrator, I'd like to avoid adding a pronunciation", "multiple times before giving up and using a bastardized version of the name", "really ruin immersion, and what are some ways I can convey to the", "characterization. Since there's not an omniscient narrator, I'd like to avoid adding a", "said Jollav). When I asked why he didn't use the actual name, he", "because of the name. I can't use too many pronouns because of the", "pronounce in his head, and he had to read it multiple times before", "he had to read it multiple times before giving up and using a", "more easily pronounced name helped to reimmerse himself. I have a very distinct", "he didn't use the actual name, he told me it's because it ruined", "try to keep the names following an unusual pronunciation, but I don't want", "progress) using this name. When I asked a friend to read it, he", "ruin immersion, and what are some ways I can convey to the reader", "asked a friend to read it, he gave me a couple pointers with", "have a very distinct culture in the book where all names follow an", "the name was hard for him to pronounce in his head, and he", "an unusual pronunciation pattern, so I want to try to keep the names", "his immersion in the book multiple times, and that using a more easily", "don't want to ruin my reader's immersion just because of the name. I", "can't use too many pronouns because of the POV, so I can't just", "I can't use too many pronouns because of the POV, so I can't", "avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult name in a", "times, and that using a more easily pronounced name helped to reimmerse himself.", "unusual pronunciation, but I don't want to ruin my reader's immersion just because", "what are some ways I can convey to the reader how it is", "I asked why he didn't use the actual name, he told me it's", "the names following an unusual pronunciation, but I don't want to ruin my", "I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a difficult", "book really ruin immersion, and what are some ways I can convey to", "was hard for him to pronounce in his head, and he had to", "and that using a more easily pronounced name helped to reimmerse himself. I", "narrator, I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having a", "in a book really ruin immersion, and what are some ways I can", "pronounced name helped to reimmerse himself. I have a very distinct culture in", "a lot as a result of a very dynamic story in terms of", "omniscient narrator, I'd like to avoid adding a pronunciation (prəˌnənsēˈāSH(ə)n) guide. Does having", "a couple pointers with the addition that the name was hard for him", "result of a very dynamic story in terms of characterization. Since there's not", "use \"he\" a lot as a result of a very dynamic story in", "told me it's because it ruined his immersion in the book multiple times,", "many pronouns because of the POV, so I can't just use \"he\" a", "times before giving up and using a bastardized version of the name (he", "following an unusual pronunciation, but I don't want to ruin my reader's immersion", "asked why he didn't use the actual name, he told me it's because", "(it's a work in progress) using this name. When I asked a friend", "the actual name, he told me it's because it ruined his immersion in", "lot as a result of a very dynamic story in terms of characterization.", "a friend to read it, he gave me a couple pointers with the", "terms of characterization. Since there's not an omniscient narrator, I'd like to avoid", "immersion just because of the name. I can't use too many pronouns because", "he told me it's because it ruined his immersion in the book multiple", "reimmerse himself. I have a very distinct culture in the book where all", "book multiple times, and that using a more easily pronounced name helped to", "me it's because it ruined his immersion in the book multiple times, and", "it's because it ruined his immersion in the book multiple times, and that", "correct accent, Zholl-you-of or /[ʒ](https://english.stackexchange.com/questions/12262/zh-vs-j-are-these-pronounced-in-the-same-way)ōl-'yoo-äv/), and I've written my entire \"novel\" (it's a" ]
[ "way the mother and best friend physically interact with the character - Amanda", "held her cheeks/face, etc', how can I get better at describing such sentimental", "how do I show (but not tell) the way the mother and best", "'he reached for her shoulders, he extended his arms, she held her cheeks/face,", "pats on the back. Instead of saying 'he reached for her shoulders, he", "a battle in her life. When she met her best friend and mother,", "do I show (but not tell) the way the mother and best friend", "the way the mother and best friend physically interact with the character -", "show (but not tell) the way the mother and best friend physically interact", "started crying. The other characters comforted her with a hug, some talks, and", "saying 'he reached for her shoulders, he extended his arms, she held her", "shoulders, he extended his arms, she held her cheeks/face, etc', how can I", "reached for her shoulders, he extended his arms, she held her cheeks/face, etc',", "short, how do I show (but not tell) the way the mother and", "lost it and started crying. The other characters comforted her with a hug,", "her with a hug, some talks, and some pats on the back. Instead", "her cheeks/face, etc', how can I get better at describing such sentimental human", "friend and mother, she lost it and started crying. The other characters comforted", "how can I get better at describing such sentimental human interactions? In short,", "best friend physically interact with the character - Amanda - in the example?", "a hug, some talks, and some pats on the back. Instead of saying", "comforted her with a hug, some talks, and some pats on the back.", "interactions? In short, how do I show (but not tell) the way the", "In short, how do I show (but not tell) the way the mother", "human interactions? In short, how do I show (but not tell) the way", "arms, she held her cheeks/face, etc', how can I get better at describing", "his arms, she held her cheeks/face, etc', how can I get better at", "hug, some talks, and some pats on the back. Instead of saying 'he", "mother, she lost it and started crying. The other characters comforted her with", "better at describing such sentimental human interactions? In short, how do I show", "on the back. Instead of saying 'he reached for her shoulders, he extended", "example, Amanda just lost a battle in her life. When she met her", "her life. When she met her best friend and mother, she lost it", "not tell) the way the mother and best friend physically interact with the", "Instead of saying 'he reached for her shoulders, he extended his arms, she", "for her shoulders, he extended his arms, she held her cheeks/face, etc', how", "Amanda just lost a battle in her life. When she met her best", "and mother, she lost it and started crying. The other characters comforted her", "I get better at describing such sentimental human interactions? In short, how do", "such sentimental human interactions? In short, how do I show (but not tell)", "her best friend and mother, she lost it and started crying. The other", "in her life. When she met her best friend and mother, she lost", "battle in her life. When she met her best friend and mother, she", "For example, Amanda just lost a battle in her life. When she met", "(but not tell) the way the mother and best friend physically interact with", "her shoulders, he extended his arms, she held her cheeks/face, etc', how can", "extended his arms, she held her cheeks/face, etc', how can I get better", "best friend and mother, she lost it and started crying. The other characters", "she lost it and started crying. The other characters comforted her with a", "sentimental human interactions? In short, how do I show (but not tell) the", "tell) the way the mother and best friend physically interact with the character", "she met her best friend and mother, she lost it and started crying.", "met her best friend and mother, she lost it and started crying. The", "talks, and some pats on the back. Instead of saying 'he reached for", "cheeks/face, etc', how can I get better at describing such sentimental human interactions?", "The other characters comforted her with a hug, some talks, and some pats", "I show (but not tell) the way the mother and best friend physically", "some talks, and some pats on the back. Instead of saying 'he reached", "and best friend physically interact with the character - Amanda - in the", "she held her cheeks/face, etc', how can I get better at describing such", "describing such sentimental human interactions? In short, how do I show (but not", "and some pats on the back. Instead of saying 'he reached for her", "of saying 'he reached for her shoulders, he extended his arms, she held", "When she met her best friend and mother, she lost it and started", "the mother and best friend physically interact with the character - Amanda -", "it and started crying. The other characters comforted her with a hug, some", "just lost a battle in her life. When she met her best friend", "can I get better at describing such sentimental human interactions? In short, how", "and started crying. The other characters comforted her with a hug, some talks,", "crying. The other characters comforted her with a hug, some talks, and some", "etc', how can I get better at describing such sentimental human interactions? In", "get better at describing such sentimental human interactions? In short, how do I", "at describing such sentimental human interactions? In short, how do I show (but", "back. Instead of saying 'he reached for her shoulders, he extended his arms,", "other characters comforted her with a hug, some talks, and some pats on", "some pats on the back. Instead of saying 'he reached for her shoulders,", "characters comforted her with a hug, some talks, and some pats on the", "the back. Instead of saying 'he reached for her shoulders, he extended his", "with a hug, some talks, and some pats on the back. Instead of", "he extended his arms, she held her cheeks/face, etc', how can I get", "mother and best friend physically interact with the character - Amanda - in", "life. When she met her best friend and mother, she lost it and", "lost a battle in her life. When she met her best friend and" ]
[ "I was wondering if \"Spear\" or \"The Spear\" could be the name of", "name of a planet. But I can't find a single reason to name", "single reason to name a planet that way, and even if there were", "name a planet that way, and even if there were it just sounds", "there were it just sounds horribly stupid. What are the general rules and", "I can't find a single reason to name a planet that way, and", "planet. But I can't find a single reason to name a planet that", "be the name of a planet. But I can't find a single reason", "of a planet. But I can't find a single reason to name a", "were it just sounds horribly stupid. What are the general rules and principles", "\"The Spear\" could be the name of a planet. But I can't find", "find a single reason to name a planet that way, and even if", "reason to name a planet that way, and even if there were it", "sounds horribly stupid. What are the general rules and principles you should to", "the general rules and principles you should to follow to name non-living things?", "that way, and even if there were it just sounds horribly stupid. What", "a planet. But I can't find a single reason to name a planet", "stupid. What are the general rules and principles you should to follow to", "could be the name of a planet. But I can't find a single", "can't find a single reason to name a planet that way, and even", "a planet that way, and even if there were it just sounds horribly", "a single reason to name a planet that way, and even if there", "Spear\" could be the name of a planet. But I can't find a", "was wondering if \"Spear\" or \"The Spear\" could be the name of a", "or \"The Spear\" could be the name of a planet. But I can't", "if there were it just sounds horribly stupid. What are the general rules", "What are the general rules and principles you should to follow to name", "wondering if \"Spear\" or \"The Spear\" could be the name of a planet.", "way, and even if there were it just sounds horribly stupid. What are", "just sounds horribly stupid. What are the general rules and principles you should", "horribly stupid. What are the general rules and principles you should to follow", "the name of a planet. But I can't find a single reason to", "But I can't find a single reason to name a planet that way,", "it just sounds horribly stupid. What are the general rules and principles you", "if \"Spear\" or \"The Spear\" could be the name of a planet. But", "even if there were it just sounds horribly stupid. What are the general", "are the general rules and principles you should to follow to name non-living", "\"Spear\" or \"The Spear\" could be the name of a planet. But I", "planet that way, and even if there were it just sounds horribly stupid.", "and even if there were it just sounds horribly stupid. What are the", "to name a planet that way, and even if there were it just" ]
[ "have to credit the generator? Is using a generator even a good idea,", "a planet name or an organization name or something, I usually search on", "the names in random generators copyrighted? If I used a generated name in", "name or an organization name or something, I usually search on Google for", "a published work, would I have to credit the generator? Is using a", "I usually search on Google for a free name generator. But are the", "something, I usually search on Google for a free name generator. But are", "I'm stumped for a planet name or an organization name or something, I", "a free name generator. But are the names in random generators copyrighted? If", "would I have to credit the generator? Is using a generator even a", "an organization name or something, I usually search on Google for a free", "planet name or an organization name or something, I usually search on Google", "But are the names in random generators copyrighted? If I used a generated", "search on Google for a free name generator. But are the names in", "Google for a free name generator. But are the names in random generators", "name in a published work, would I have to credit the generator? Is", "for a planet name or an organization name or something, I usually search", "the generator? Is using a generator even a good idea, or could I", "usually search on Google for a free name generator. But are the names", "used a generated name in a published work, would I have to credit", "using a generator even a good idea, or could I somehow get slammed", "When I'm stumped for a planet name or an organization name or something,", "generated name in a published work, would I have to credit the generator?", "in a published work, would I have to credit the generator? Is using", "generator? Is using a generator even a good idea, or could I somehow", "generator even a good idea, or could I somehow get slammed for plagiarism?", "or something, I usually search on Google for a free name generator. But", "in random generators copyrighted? If I used a generated name in a published", "If I used a generated name in a published work, would I have", "to credit the generator? Is using a generator even a good idea, or", "a generator even a good idea, or could I somehow get slammed for", "published work, would I have to credit the generator? Is using a generator", "organization name or something, I usually search on Google for a free name", "I have to credit the generator? Is using a generator even a good", "generator. But are the names in random generators copyrighted? If I used a", "on Google for a free name generator. But are the names in random", "are the names in random generators copyrighted? If I used a generated name", "stumped for a planet name or an organization name or something, I usually", "credit the generator? Is using a generator even a good idea, or could", "a generated name in a published work, would I have to credit the", "Is using a generator even a good idea, or could I somehow get", "free name generator. But are the names in random generators copyrighted? If I", "for a free name generator. But are the names in random generators copyrighted?", "copyrighted? If I used a generated name in a published work, would I", "work, would I have to credit the generator? Is using a generator even", "name generator. But are the names in random generators copyrighted? If I used", "names in random generators copyrighted? If I used a generated name in a", "name or something, I usually search on Google for a free name generator.", "generators copyrighted? If I used a generated name in a published work, would", "I used a generated name in a published work, would I have to", "or an organization name or something, I usually search on Google for a", "random generators copyrighted? If I used a generated name in a published work," ]
[ "I'm writing a technical book (step-by-step sort of book) and noticed that all", "What would be some other sentence starters that I could use to make", "some other sentence starters that I could use to make the summaries more", "'In this chapter we ...'. What would be some other sentence starters that", "(step-by-step sort of book) and noticed that all my summaries start with 'In", "noticed that all my summaries start with 'In this chapter we ...'. What", "a technical book (step-by-step sort of book) and noticed that all my summaries", "would be some other sentence starters that I could use to make the", "be some other sentence starters that I could use to make the summaries", "sort of book) and noticed that all my summaries start with 'In this", "that all my summaries start with 'In this chapter we ...'. What would", "my summaries start with 'In this chapter we ...'. What would be some", "this chapter we ...'. What would be some other sentence starters that I", "book) and noticed that all my summaries start with 'In this chapter we", "all my summaries start with 'In this chapter we ...'. What would be", "we ...'. What would be some other sentence starters that I could use", "and noticed that all my summaries start with 'In this chapter we ...'.", "book (step-by-step sort of book) and noticed that all my summaries start with", "of book) and noticed that all my summaries start with 'In this chapter", "chapter we ...'. What would be some other sentence starters that I could", "other sentence starters that I could use to make the summaries more interesting?", "technical book (step-by-step sort of book) and noticed that all my summaries start", "writing a technical book (step-by-step sort of book) and noticed that all my", "...'. What would be some other sentence starters that I could use to", "summaries start with 'In this chapter we ...'. What would be some other", "with 'In this chapter we ...'. What would be some other sentence starters", "start with 'In this chapter we ...'. What would be some other sentence" ]
[ "short story be considered as imagery? (Rose is looking for a painting) >", "(Rose is looking for a painting) > > Rose and Mr. Hinird stepped", "imagery? (Rose is looking for a painting) > > Rose and Mr. Hinird", "> > Rose and Mr. Hinird stepped inside. There were cobwebs everywhere. >", "Mr. Hinird stepped inside. There were cobwebs everywhere. > Lots and lots of", "bills were scrambled > everywhere, but no painting in sight. > > >", "Would this small paragraph in my short story be considered as imagery? (Rose", "considered as imagery? (Rose is looking for a painting) > > Rose and", "and pieces of paper that looked like bills were scrambled > everywhere, but", "furniture were everywhere. Torn sofas, shattered > glass, and pieces of paper that", "looking for a painting) > > Rose and Mr. Hinird stepped inside. There", "as imagery? (Rose is looking for a painting) > > Rose and Mr.", "> Rose and Mr. Hinird stepped inside. There were cobwebs everywhere. > Lots", "cobwebs everywhere. > Lots and lots of old furniture were everywhere. Torn sofas,", "and lots of old furniture were everywhere. Torn sofas, shattered > glass, and", "in my short story be considered as imagery? (Rose is looking for a", "There were cobwebs everywhere. > Lots and lots of old furniture were everywhere.", "paragraph in my short story be considered as imagery? (Rose is looking for", "my short story be considered as imagery? (Rose is looking for a painting)", "Torn sofas, shattered > glass, and pieces of paper that looked like bills", "for a painting) > > Rose and Mr. Hinird stepped inside. There were", "everywhere. Torn sofas, shattered > glass, and pieces of paper that looked like", "looked like bills were scrambled > everywhere, but no painting in sight. >", "and Mr. Hinird stepped inside. There were cobwebs everywhere. > Lots and lots", "of old furniture were everywhere. Torn sofas, shattered > glass, and pieces of", "sofas, shattered > glass, and pieces of paper that looked like bills were", "inside. There were cobwebs everywhere. > Lots and lots of old furniture were", "be considered as imagery? (Rose is looking for a painting) > > Rose", "like bills were scrambled > everywhere, but no painting in sight. > >", "old furniture were everywhere. Torn sofas, shattered > glass, and pieces of paper", "> glass, and pieces of paper that looked like bills were scrambled >", "glass, and pieces of paper that looked like bills were scrambled > everywhere,", "were everywhere. Torn sofas, shattered > glass, and pieces of paper that looked", "of paper that looked like bills were scrambled > everywhere, but no painting", "Hinird stepped inside. There were cobwebs everywhere. > Lots and lots of old", "paper that looked like bills were scrambled > everywhere, but no painting in", "story be considered as imagery? (Rose is looking for a painting) > >", "is looking for a painting) > > Rose and Mr. Hinird stepped inside.", "pieces of paper that looked like bills were scrambled > everywhere, but no", "this small paragraph in my short story be considered as imagery? (Rose is", "> Lots and lots of old furniture were everywhere. Torn sofas, shattered >", "everywhere. > Lots and lots of old furniture were everywhere. Torn sofas, shattered", "Lots and lots of old furniture were everywhere. Torn sofas, shattered > glass,", "small paragraph in my short story be considered as imagery? (Rose is looking", "that looked like bills were scrambled > everywhere, but no painting in sight.", "a painting) > > Rose and Mr. Hinird stepped inside. There were cobwebs", "stepped inside. There were cobwebs everywhere. > Lots and lots of old furniture", "Rose and Mr. Hinird stepped inside. There were cobwebs everywhere. > Lots and", "lots of old furniture were everywhere. Torn sofas, shattered > glass, and pieces", "were cobwebs everywhere. > Lots and lots of old furniture were everywhere. Torn", "shattered > glass, and pieces of paper that looked like bills were scrambled", "painting) > > Rose and Mr. Hinird stepped inside. There were cobwebs everywhere." ]
[ "real course on it (as much as possible). Also, can we not migrate", "plot is realistic, so I was wondering if there were any resource that", "any resource that teach Quantum Mechanic without the math well enough so that", "resource that teach Quantum Mechanic without the math well enough so that aspiring", "enough so that aspiring authors can write realistic science-fiction books. The best would", "beliefs that you find out about after taking a real course on it", "be closed and I am sure aspiring science-fiction writers would find this question", "that you find out about after taking a real course on it (as", "you find out about after taking a real course on it (as much", "realistic, so I was wondering if there were any resource that teach Quantum", "financial resources to hire a scientific consultant to ask him whether my science-fiction", "after taking a real course on it (as much as possible). Also, can", "wondering if there were any resource that teach Quantum Mechanic without the math", "authors can write realistic science-fiction books. The best would be a video tutorial", "math aspect, is scientifically accurate, doesn't simplify thing and doesn't lead to false", "hire a scientific consultant to ask him whether my science-fiction plot is realistic,", "doesn't lead to false beliefs that you find out about after taking a", "consultant to ask him whether my science-fiction plot is realistic, so I was", "video tutorial that doesn't cover the math aspect, is scientifically accurate, doesn't simplify", "the math aspect, is scientifically accurate, doesn't simplify thing and doesn't lead to", "migrate it to a Physics stackexchange, because it's likely to be closed and", "best would be a video tutorial that doesn't cover the math aspect, is", "a Physics stackexchange, because it's likely to be closed and I am sure", "math well enough so that aspiring authors can write realistic science-fiction books. The", "doesn't simplify thing and doesn't lead to false beliefs that you find out", "would be a video tutorial that doesn't cover the math aspect, is scientifically", "is scientifically accurate, doesn't simplify thing and doesn't lead to false beliefs that", "scientific consultant to ask him whether my science-fiction plot is realistic, so I", "out about after taking a real course on it (as much as possible).", "that teach Quantum Mechanic without the math well enough so that aspiring authors", "lead to false beliefs that you find out about after taking a real", "course on it (as much as possible). Also, can we not migrate it", "a video tutorial that doesn't cover the math aspect, is scientifically accurate, doesn't", "closed and I am sure aspiring science-fiction writers would find this question useful.", "and doesn't lead to false beliefs that you find out about after taking", "it's likely to be closed and I am sure aspiring science-fiction writers would", "whether my science-fiction plot is realistic, so I was wondering if there were", "science-fiction plot is realistic, so I was wondering if there were any resource", "Also, can we not migrate it to a Physics stackexchange, because it's likely", "have the financial resources to hire a scientific consultant to ask him whether", "realistic science-fiction books. The best would be a video tutorial that doesn't cover", "possible). Also, can we not migrate it to a Physics stackexchange, because it's", "I don't have the financial resources to hire a scientific consultant to ask", "Quantum Mechanic without the math well enough so that aspiring authors can write", "Physics stackexchange, because it's likely to be closed and I am sure aspiring", "well enough so that aspiring authors can write realistic science-fiction books. The best", "Mechanic without the math well enough so that aspiring authors can write realistic", "false beliefs that you find out about after taking a real course on", "it to a Physics stackexchange, because it's likely to be closed and I", "were any resource that teach Quantum Mechanic without the math well enough so", "to ask him whether my science-fiction plot is realistic, so I was wondering", "that doesn't cover the math aspect, is scientifically accurate, doesn't simplify thing and", "likely to be closed and I am sure aspiring science-fiction writers would find", "about after taking a real course on it (as much as possible). Also,", "books. The best would be a video tutorial that doesn't cover the math", "my science-fiction plot is realistic, so I was wondering if there were any", "to hire a scientific consultant to ask him whether my science-fiction plot is", "I was wondering if there were any resource that teach Quantum Mechanic without", "The best would be a video tutorial that doesn't cover the math aspect,", "a real course on it (as much as possible). Also, can we not", "is realistic, so I was wondering if there were any resource that teach", "write realistic science-fiction books. The best would be a video tutorial that doesn't", "not migrate it to a Physics stackexchange, because it's likely to be closed", "teach Quantum Mechanic without the math well enough so that aspiring authors can", "so I was wondering if there were any resource that teach Quantum Mechanic", "much as possible). Also, can we not migrate it to a Physics stackexchange,", "taking a real course on it (as much as possible). Also, can we", "to be closed and I am sure aspiring science-fiction writers would find this", "accurate, doesn't simplify thing and doesn't lead to false beliefs that you find", "thing and doesn't lead to false beliefs that you find out about after", "the math well enough so that aspiring authors can write realistic science-fiction books.", "resources to hire a scientific consultant to ask him whether my science-fiction plot", "aspect, is scientifically accurate, doesn't simplify thing and doesn't lead to false beliefs", "scientifically accurate, doesn't simplify thing and doesn't lead to false beliefs that you", "so that aspiring authors can write realistic science-fiction books. The best would be", "him whether my science-fiction plot is realistic, so I was wondering if there", "science-fiction books. The best would be a video tutorial that doesn't cover the", "(as much as possible). Also, can we not migrate it to a Physics", "if there were any resource that teach Quantum Mechanic without the math well", "stackexchange, because it's likely to be closed and I am sure aspiring science-fiction", "simplify thing and doesn't lead to false beliefs that you find out about", "on it (as much as possible). Also, can we not migrate it to", "doesn't cover the math aspect, is scientifically accurate, doesn't simplify thing and doesn't", "a scientific consultant to ask him whether my science-fiction plot is realistic, so", "tutorial that doesn't cover the math aspect, is scientifically accurate, doesn't simplify thing", "don't have the financial resources to hire a scientific consultant to ask him", "ask him whether my science-fiction plot is realistic, so I was wondering if", "because it's likely to be closed and I am sure aspiring science-fiction writers", "to a Physics stackexchange, because it's likely to be closed and I am", "that aspiring authors can write realistic science-fiction books. The best would be a", "can write realistic science-fiction books. The best would be a video tutorial that", "can we not migrate it to a Physics stackexchange, because it's likely to", "cover the math aspect, is scientifically accurate, doesn't simplify thing and doesn't lead", "it (as much as possible). Also, can we not migrate it to a", "aspiring authors can write realistic science-fiction books. The best would be a video", "find out about after taking a real course on it (as much as", "as possible). Also, can we not migrate it to a Physics stackexchange, because", "be a video tutorial that doesn't cover the math aspect, is scientifically accurate,", "to false beliefs that you find out about after taking a real course", "there were any resource that teach Quantum Mechanic without the math well enough", "without the math well enough so that aspiring authors can write realistic science-fiction", "the financial resources to hire a scientific consultant to ask him whether my", "we not migrate it to a Physics stackexchange, because it's likely to be", "was wondering if there were any resource that teach Quantum Mechanic without the" ]
[ "and producing great books and that’s how you’ll be successful. But how will", "successful. But how will people see these great books in the first place", "get reviews for it: Because books are displayed on Amazon pages according to", "no one is going to read it or even know it exists if", "one will see your book no matter how awesome it is if you", "can understand why people say that no one will see your book no", "at the very end where people will have to click through hundreds of", "I keep hearing from experts. On one hand, people say that no matter", "where people will have to click through hundreds of pages in order to", "doesn’t yet have sales or reviews, it gets dumped right at the very", "people say that no one will see your book no matter how awesome", "lots of copies despite being published without any marketing or promotion? How did", "how did that happen? And then there are some popular authors who say", "if you don’t market it. On the other hand, I sometimes come across", "even know it exists if you don’t market it. On the other hand,", "see it. And Amazon deliberately makes it difficult for people to navigate the", "dumped right at the very end where people will have to click through", "Was it because of just sheer lottery luck where some person happened to", "to do is keep writing and producing great books and that’s how you’ll", "difficult for people to navigate the pages and see other books. They provide", "people see these great books in the first place if you don’t market", "They provide only one button that clicks to the next page. They don’t", "navigate through hundreds of pages right down to the dump region and just", "to their popularity and sales ranking. Therefore, when you first publish a book", "clicks to the next page. They don’t provide any options for page skipping", "them doing any marketing for it whatsoever. Okay, how did that happen? And", "I sometimes come across bloggers who brag about how a book they put", "will people see these great books in the first place if you don’t", "if you don’t promote it and get reviews for it: Because books are", "book they put up anonymously on Amazon got thousands of sales without them", "then how do you explain the cases where books sell lots of copies", "are some popular authors who say that marketing isn’t necessary; all you have", "for it: Because books are displayed on Amazon pages according to their popularity", "how awesome it is if you don’t promote it and get reviews for", "popularity and sales ranking. Therefore, when you first publish a book and it", "matter how awesome it is if you don’t promote it and get reviews", "I think they do this on purpose to force authors to pay for", "Amazon pages according to their popularity and sales ranking. Therefore, when you first", "other hand, I sometimes come across bloggers who brag about how a book", "anonymously on Amazon got thousands of sales without them doing any marketing for", "how do you explain the cases where books sell lots of copies despite", "do you explain the cases where books sell lots of copies despite being", "it gets dumped right at the very end where people will have to", "keep hearing from experts. On one hand, people say that no matter how", "no matter how awesome it is if you don’t promote it and get", "On the other hand, I sometimes come across bloggers who brag about how", "or reviews, it gets dumped right at the very end where people will", "you first publish a book and it doesn’t yet have sales or reviews,", "get to even see it. And Amazon deliberately makes it difficult for people", "see them in the first place? Was it because of just sheer lottery", "provide any options for page skipping or page number selection. I think they", "where some person happened to persistently navigate through hundreds of pages right down", "going to read it or even know it exists if you don’t market", "to the dump region and just happened to see the book, and the", "thousands of sales without them doing any marketing for it whatsoever. Okay, how", "through hundreds of pages in order to get to even see it. And", "do this on purpose to force authors to pay for ads. But then", "awesome it is if you don’t promote it and get reviews for it:", "tons of friends/followers they wanted to share the book with? Is that what", "producing great books and that’s how you’ll be successful. But how will people", "published without any marketing or promotion? How did people see them in the", "book, and the person happened to have tons of friends/followers they wanted to", "the other hand, I sometimes come across bloggers who brag about how a", "On one hand, people say that no matter how great your book is,", "books are displayed on Amazon pages according to their popularity and sales ranking.", "they do this on purpose to force authors to pay for ads. But", "terms of the advice I keep hearing from experts. On one hand, people", "see the book, and the person happened to have tons of friends/followers they", "in terms of the advice I keep hearing from experts. On one hand,", "put up anonymously on Amazon got thousands of sales without them doing any", "bloggers who brag about how a book they put up anonymously on Amazon", "to persistently navigate through hundreds of pages right down to the dump region", "it and get reviews for it: Because books are displayed on Amazon pages", "them in the first place? 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Okay, how did that happen?", "Therefore, when you first publish a book and it doesn’t yet have sales", "luck where some person happened to persistently navigate through hundreds of pages right", "the first place if you don’t market them? I can understand why people", "dump region and just happened to see the book, and the person happened", "it difficult for people to navigate the pages and see other books. They", "pages and see other books. They provide only one button that clicks to", "be successful. But how will people see these great books in the first", "reviews for it: Because books are displayed on Amazon pages according to their", "you’ll be successful. But how will people see these great books in the", "without any marketing or promotion? 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Therefore, when you", "you don’t promote it and get reviews for it: Because books are displayed", "of the advice I keep hearing from experts. On one hand, people say", "on purpose to force authors to pay for ads. But then how do", "to pay for ads. But then how do you explain the cases where", "there are some popular authors who say that marketing isn’t necessary; all you", "your book is, no one is going to read it or even know", "that clicks to the next page. They don’t provide any options for page", "sales without them doing any marketing for it whatsoever. Okay, how did that", "And then there are some popular authors who say that marketing isn’t necessary;", "place if you don’t market them? I can understand why people say that", "book and it doesn’t yet have sales or reviews, it gets dumped right", "their popularity and sales ranking. Therefore, when you first publish a book and", "have tons of friends/followers they wanted to share the book with? Is that", "I get confused with this whole indie-publishing thing in terms of the advice", "did that happen? And then there are some popular authors who say that", "matter how great your book is, no one is going to read it" ]
[ "on these individual cases. Said someone is presenting his theory in an attempt", "presenting his theory in an attempt to save his people from a certain", "all dialogue, discussing the events of the book, comparing characters and putting their", "an experiment (properly foreshadowed). Someone was trying to deduce an all-encompassing theory based", "theory in an attempt to save his people from a certain problem. This", "larger and more technical perspective than they had themselves. What are some ways", "and putting their struggles into a larger and more technical perspective than they", "to deduce an all-encompassing theory based on these individual cases. Said someone is", "characters finding the meaning of their lives. But the ending reveals it was", "of the book, comparing characters and putting their struggles into a larger and", "book, comparing characters and putting their struggles into a larger and more technical", "perspective than they had themselves. 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What are some ways I can make this kind of", "the part that I've come to worry about, since it's all dialogue, discussing", "the book, comparing characters and putting their struggles into a larger and more", "trying to deduce an all-encompassing theory based on these individual cases. Said someone", "meaning of their lives. But the ending reveals it was all part of", "reveals it was all part of an experiment (properly foreshadowed). Someone was trying", "ending reveals it was all part of an experiment (properly foreshadowed). Someone was", "psychological novel about different characters finding the meaning of their lives. But the", "a certain problem. This is the part that I've come to worry about,", "struggles into a larger and more technical perspective than they had themselves. What", "kind of ending interesting without making it into a drawn-out, abstract, dialogue-heavy info", "theory based on these individual cases. Said someone is presenting his theory in", "individual cases. Said someone is presenting his theory in an attempt to save", "deduce an all-encompassing theory based on these individual cases. Said someone is presenting", "Someone was trying to deduce an all-encompassing theory based on these individual cases.", "foreshadowed). Someone was trying to deduce an all-encompassing theory based on these individual", "and more technical perspective than they had themselves. What are some ways I", "save his people from a certain problem. This is the part that I've", "cases. Said someone is presenting his theory in an attempt to save his", "is the part that I've come to worry about, since it's all dialogue,", "I'm writing a psychological novel about different characters finding the meaning of their", "the meaning of their lives. But the ending reveals it was all part", "events of the book, comparing characters and putting their struggles into a larger", "different characters finding the meaning of their lives. But the ending reveals it", "technical perspective than they had themselves. What are some ways I can make", "make this kind of ending interesting without making it into a drawn-out, abstract,", "(properly foreshadowed). Someone was trying to deduce an all-encompassing theory based on these", "I've come to worry about, since it's all dialogue, discussing the events of", "novel about different characters finding the meaning of their lives. But the ending", "a larger and more technical perspective than they had themselves. What are some", "the ending reveals it was all part of an experiment (properly foreshadowed). Someone", "are some ways I can make this kind of ending interesting without making", "worry about, since it's all dialogue, discussing the events of the book, comparing", "dialogue, discussing the events of the book, comparing characters and putting their struggles", "people from a certain problem. This is the part that I've come to", "in an attempt to save his people from a certain problem. This is", "it's all dialogue, discussing the events of the book, comparing characters and putting", "an all-encompassing theory based on these individual cases. Said someone is presenting his", "was all part of an experiment (properly foreshadowed). Someone was trying to deduce", "had themselves. What are some ways I can make this kind of ending", "to worry about, since it's all dialogue, discussing the events of the book,", "But the ending reveals it was all part of an experiment (properly foreshadowed).", "part of an experiment (properly foreshadowed). Someone was trying to deduce an all-encompassing", "about different characters finding the meaning of their lives. But the ending reveals", "all part of an experiment (properly foreshadowed). Someone was trying to deduce an", "a psychological novel about different characters finding the meaning of their lives. But", "ways I can make this kind of ending interesting without making it into", "comparing characters and putting their struggles into a larger and more technical perspective", "is presenting his theory in an attempt to save his people from a", "part that I've come to worry about, since it's all dialogue, discussing the", "this kind of ending interesting without making it into a drawn-out, abstract, dialogue-heavy", "some ways I can make this kind of ending interesting without making it", "experiment (properly foreshadowed). Someone was trying to deduce an all-encompassing theory based on", "the events of the book, comparing characters and putting their struggles into a", "putting their struggles into a larger and more technical perspective than they had", "certain problem. This is the part that I've come to worry about, since", "his people from a certain problem. This is the part that I've come", "themselves. What are some ways I can make this kind of ending interesting", "writing a psychological novel about different characters finding the meaning of their lives.", "based on these individual cases. Said someone is presenting his theory in an", "his theory in an attempt to save his people from a certain problem.", "that I've come to worry about, since it's all dialogue, discussing the events", "problem. This is the part that I've come to worry about, since it's", "these individual cases. Said someone is presenting his theory in an attempt to", "all-encompassing theory based on these individual cases. Said someone is presenting his theory", "attempt to save his people from a certain problem. This is the part", "from a certain problem. This is the part that I've come to worry", "it was all part of an experiment (properly foreshadowed). Someone was trying to", "of an experiment (properly foreshadowed). Someone was trying to deduce an all-encompassing theory" ]
[ "were very unhealthy. I have pretty much no good experience with romance. How", "I haven't had healthy or real-world romantic relationships. Technically I have in fact", "the only \"normal\" romantic relationships that I've been exposed to? EDIT: This question", "in fact experienced romance and romantic feelings, I just don't know how to", "relationships are literally the only \"normal\" romantic relationships that I've been exposed to?", "relationships that I've been exposed to? EDIT: This question is specifically about how", "to? EDIT: This question is specifically about how to write accurate and healthy", "relationships. Technically I have in fact experienced romance and romantic feelings, I just", "write romance when I don't really know what it's like in real life?", "I have in fact experienced romance and romantic feelings, I just don't know", "much no good experience with romance. How can I write romance when I", "media portrayal of relationships are literally the only \"normal\" romantic relationships that I've", "accurate and healthy romance when I haven't had healthy or real-world romantic relationships.", "of relationships are literally the only \"normal\" romantic relationships that I've been exposed", "about how to write accurate and healthy romance when I haven't had healthy", "to communicate something in my writing for which I have little knowledge of.", "literally the only \"normal\" romantic relationships that I've been exposed to? EDIT: This", "I have pretty much no good experience with romance. How can I write", "my romance writing when clichés and media portrayal of relationships are literally the", "real life? How can I keep clichés out of my romance writing when", "is specifically about how to write accurate and healthy romance when I haven't", "when clichés and media portrayal of relationships are literally the only \"normal\" romantic", "had were very unhealthy. I have pretty much no good experience with romance.", "really know what it's like in real life? How can I keep clichés", "portrayal of relationships are literally the only \"normal\" romantic relationships that I've been", "can I write romance when I don't really know what it's like in", "healthy or real-world romantic relationships. Technically I have in fact experienced romance and", "experience with romance. How can I write romance when I don't really know", "like in real life? How can I keep clichés out of my romance", "romantic feelings, I just don't know how to communicate something in my writing", "I'm in high school, and have had few romantic relationships. The few that", "only \"normal\" romantic relationships that I've been exposed to? EDIT: This question is", "few romantic relationships. The few that I have had were very unhealthy. I", "haven't had healthy or real-world romantic relationships. Technically I have in fact experienced", "are literally the only \"normal\" romantic relationships that I've been exposed to? EDIT:", "I write romance when I don't really know what it's like in real", "keep clichés out of my romance writing when clichés and media portrayal of", "write accurate and healthy romance when I haven't had healthy or real-world romantic", "I don't really know what it's like in real life? How can I", "writing when clichés and media portrayal of relationships are literally the only \"normal\"", "have had were very unhealthy. I have pretty much no good experience with", "good experience with romance. How can I write romance when I don't really", "don't really know what it's like in real life? How can I keep", "high school, and have had few romantic relationships. The few that I have", "\"normal\" romantic relationships that I've been exposed to? EDIT: This question is specifically", "know what it's like in real life? How can I keep clichés out", "question is specifically about how to write accurate and healthy romance when I", "that I've been exposed to? EDIT: This question is specifically about how to", "have pretty much no good experience with romance. How can I write romance", "been exposed to? EDIT: This question is specifically about how to write accurate", "how to communicate something in my writing for which I have little knowledge", "specifically about how to write accurate and healthy romance when I haven't had", "I keep clichés out of my romance writing when clichés and media portrayal", "romance writing when clichés and media portrayal of relationships are literally the only", "life? How can I keep clichés out of my romance writing when clichés", "and healthy romance when I haven't had healthy or real-world romantic relationships. Technically", "it's like in real life? How can I keep clichés out of my", "with romance. How can I write romance when I don't really know what", "I just don't know how to communicate something in my writing for which", "in high school, and have had few romantic relationships. The few that I", "romance when I don't really know what it's like in real life? How", "in real life? How can I keep clichés out of my romance writing", "can I keep clichés out of my romance writing when clichés and media", "I have had were very unhealthy. I have pretty much no good experience", "when I haven't had healthy or real-world romantic relationships. Technically I have in", "that I have had were very unhealthy. I have pretty much no good", "and romantic feelings, I just don't know how to communicate something in my", "or real-world romantic relationships. Technically I have in fact experienced romance and romantic", "clichés out of my romance writing when clichés and media portrayal of relationships", "This question is specifically about how to write accurate and healthy romance when", "have had few romantic relationships. The few that I have had were very", "know how to communicate something in my writing for which I have little", "romantic relationships. The few that I have had were very unhealthy. I have", "had healthy or real-world romantic relationships. Technically I have in fact experienced romance", "have in fact experienced romance and romantic feelings, I just don't know how", "when I don't really know what it's like in real life? How can", "had few romantic relationships. The few that I have had were very unhealthy.", "romance and romantic feelings, I just don't know how to communicate something in", "Technically I have in fact experienced romance and romantic feelings, I just don't", "to write accurate and healthy romance when I haven't had healthy or real-world", "How can I keep clichés out of my romance writing when clichés and", "experienced romance and romantic feelings, I just don't know how to communicate something", "romantic relationships that I've been exposed to? EDIT: This question is specifically about", "exposed to? EDIT: This question is specifically about how to write accurate and", "fact experienced romance and romantic feelings, I just don't know how to communicate", "of my romance writing when clichés and media portrayal of relationships are literally", "and media portrayal of relationships are literally the only \"normal\" romantic relationships that", "romantic relationships. Technically I have in fact experienced romance and romantic feelings, I", "few that I have had were very unhealthy. I have pretty much no", "pretty much no good experience with romance. How can I write romance when", "school, and have had few romantic relationships. The few that I have had", "relationships. The few that I have had were very unhealthy. I have pretty", "I've been exposed to? EDIT: This question is specifically about how to write", "healthy romance when I haven't had healthy or real-world romantic relationships. Technically I", "don't know how to communicate something in my writing for which I have", "just don't know how to communicate something in my writing for which I", "no good experience with romance. How can I write romance when I don't", "how to write accurate and healthy romance when I haven't had healthy or", "real-world romantic relationships. Technically I have in fact experienced romance and romantic feelings,", "very unhealthy. I have pretty much no good experience with romance. How can", "The few that I have had were very unhealthy. I have pretty much", "out of my romance writing when clichés and media portrayal of relationships are", "unhealthy. I have pretty much no good experience with romance. How can I", "feelings, I just don't know how to communicate something in my writing for", "clichés and media portrayal of relationships are literally the only \"normal\" romantic relationships", "and have had few romantic relationships. The few that I have had were", "How can I write romance when I don't really know what it's like", "EDIT: This question is specifically about how to write accurate and healthy romance", "what it's like in real life? How can I keep clichés out of", "romance when I haven't had healthy or real-world romantic relationships. Technically I have", "romance. How can I write romance when I don't really know what it's" ]
[ "decorated. I'm always worried that I won't describe enough and the readers can'", "were almost blind. That's why I find it hard to describe things. For", "precise, it becomes much more difficult. I couldn't say exactly how the rooms", "becomes more precise, it becomes much more difficult. I couldn't say exactly how", "only that they are decorated. I'm always worried that I won't describe enough", "a very rough idea of what the castle looks like. But when it", "hard to describe things. For example, the protagonists enter a castle. I have", "With me everything is blurred, as if I were almost blind. That's why", "I have a very rough idea of what the castle looks like. But", "becomes much more difficult. I couldn't say exactly how the rooms are decorated,", "is blurred, as if I were almost blind. That's why I find it", "I have trouble imagining things. With me everything is blurred, as if I", "find it hard to describe things. For example, the protagonists enter a castle.", "the protagonists enter a castle. I have a very rough idea of what", "castle looks like. But when it becomes more precise, it becomes much more", "the readers can' t get a picture of the setting. How much description", "blind. That's why I find it hard to describe things. For example, the", "readers can' t get a picture of the setting. How much description is", "they are decorated. I'm always worried that I won't describe enough and the", "the castle looks like. But when it becomes more precise, it becomes much", "protagonists enter a castle. I have a very rough idea of what the", "worried that I won't describe enough and the readers can' t get a", "everything is blurred, as if I were almost blind. That's why I find", "I were almost blind. That's why I find it hard to describe things.", "That's why I find it hard to describe things. For example, the protagonists", "things. With me everything is blurred, as if I were almost blind. That's", "can' t get a picture of the setting. How much description is necessary", "get a picture of the setting. How much description is necessary and when", "always worried that I won't describe enough and the readers can' t get", "that I won't describe enough and the readers can' t get a picture", "I'm always worried that I won't describe enough and the readers can' t", "looks like. But when it becomes more precise, it becomes much more difficult.", "more difficult. I couldn't say exactly how the rooms are decorated, only that", "describe enough and the readers can' t get a picture of the setting.", "I find it hard to describe things. For example, the protagonists enter a", "of the setting. How much description is necessary and when is it too", "picture of the setting. How much description is necessary and when is it", "that they are decorated. I'm always worried that I won't describe enough and", "to describe things. For example, the protagonists enter a castle. I have a", "much more difficult. I couldn't say exactly how the rooms are decorated, only", "For example, the protagonists enter a castle. I have a very rough idea", "if I were almost blind. That's why I find it hard to describe", "when it becomes more precise, it becomes much more difficult. I couldn't say", "a picture of the setting. How much description is necessary and when is", "have a very rough idea of what the castle looks like. But when", "rough idea of what the castle looks like. But when it becomes more", "castle. I have a very rough idea of what the castle looks like.", "things. For example, the protagonists enter a castle. I have a very rough", "me everything is blurred, as if I were almost blind. That's why I", "very rough idea of what the castle looks like. But when it becomes", "it becomes more precise, it becomes much more difficult. I couldn't say exactly", "of what the castle looks like. But when it becomes more precise, it", "example, the protagonists enter a castle. I have a very rough idea of", "and the readers can' t get a picture of the setting. How much", "are decorated, only that they are decorated. I'm always worried that I won't", "exactly how the rooms are decorated, only that they are decorated. I'm always", "But when it becomes more precise, it becomes much more difficult. I couldn't", "blurred, as if I were almost blind. That's why I find it hard", "it becomes much more difficult. I couldn't say exactly how the rooms are", "decorated, only that they are decorated. I'm always worried that I won't describe", "trouble imagining things. With me everything is blurred, as if I were almost", "have trouble imagining things. With me everything is blurred, as if I were", "idea of what the castle looks like. But when it becomes more precise,", "it hard to describe things. For example, the protagonists enter a castle. I", "like. But when it becomes more precise, it becomes much more difficult. I", "the setting. How much description is necessary and when is it too little?", "couldn't say exactly how the rooms are decorated, only that they are decorated.", "enter a castle. I have a very rough idea of what the castle", "are decorated. I'm always worried that I won't describe enough and the readers", "almost blind. That's why I find it hard to describe things. For example,", "rooms are decorated, only that they are decorated. I'm always worried that I", "what the castle looks like. But when it becomes more precise, it becomes", "difficult. I couldn't say exactly how the rooms are decorated, only that they", "how the rooms are decorated, only that they are decorated. I'm always worried", "I couldn't say exactly how the rooms are decorated, only that they are", "why I find it hard to describe things. For example, the protagonists enter", "I won't describe enough and the readers can' t get a picture of", "enough and the readers can' t get a picture of the setting. How", "describe things. For example, the protagonists enter a castle. I have a very", "the rooms are decorated, only that they are decorated. I'm always worried that", "won't describe enough and the readers can' t get a picture of the", "a castle. I have a very rough idea of what the castle looks", "as if I were almost blind. That's why I find it hard to", "more precise, it becomes much more difficult. I couldn't say exactly how the", "imagining things. With me everything is blurred, as if I were almost blind.", "t get a picture of the setting. How much description is necessary and", "say exactly how the rooms are decorated, only that they are decorated. I'm" ]
[ "the dawning sun. > > > Say what you will, but this sounds", "grasshopper. So could I write the following in a poem: > > I", "> the ocean like the dawning sun. > > > Say what you", "went to Wikipedia and ended up on this page about the Goddess of", "And one of the symbols associated with the deity is: grasshopper. So could", "could I write the following in a poem: > > I saw the", "bent > > > as it appeared each morning from > > >", "like the dawning sun. > > > Say what you will, but this", "grasshopper, our legs bent > > > as it appeared each morning from", "morning from > > > the ocean like the dawning sun. > >", "> > > the ocean like the dawning sun. > > > Say", "page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols", "> > > Say what you will, but this sounds really silly. But", "> as it appeared each morning from > > > the ocean like", "the grasshopper, our legs bent > > > as it appeared each morning", "poem: > > I saw the grasshopper, our legs bent > > >", "you would recommend. I went to Wikipedia and ended up on this page", "it appeared each morning from > > > the ocean like the dawning", "what you will, but this sounds really silly. But is this technically ok?", "the ocean like the dawning sun. > > > Say what you will,", "Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with the", "in a poem: > > I saw the grasshopper, our legs bent >", "sun. > > > Say what you will, but this sounds really silly.", "Wikipedia and ended up on this page about the Goddess of the Dawn,", "the following in a poem: > > I saw the grasshopper, our legs", "Say what you will, but this sounds really silly. But is this technically", "and ended up on this page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos)", "legs bent > > > as it appeared each morning from > >", "this something you would recommend. I went to Wikipedia and ended up on", "Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with the deity is: grasshopper.", "> I saw the grasshopper, our legs bent > > > as it", "> > Say what you will, but this sounds really silly. But is", "> > the ocean like the dawning sun. > > > Say what", "a poem: > > I saw the grasshopper, our legs bent > >", "recommend. I went to Wikipedia and ended up on this page about the", "our legs bent > > > as it appeared each morning from >", "symbols associated with the deity is: grasshopper. So could I write the following", "associated with the deity is: grasshopper. So could I write the following in", "saw the grasshopper, our legs bent > > > as it appeared each", "appeared each morning from > > > the ocean like the dawning sun.", "is: grasshopper. So could I write the following in a poem: > >", "following in a poem: > > I saw the grasshopper, our legs bent", "> > I saw the grasshopper, our legs bent > > > as", "on this page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of", "ocean like the dawning sun. > > > Say what you will, but", "I went to Wikipedia and ended up on this page about the Goddess", "> > as it appeared each morning from > > > the ocean", "> Say what you will, but this sounds really silly. But is this", "as it appeared each morning from > > > the ocean like the", "I write the following in a poem: > > I saw the grasshopper,", "So could I write the following in a poem: > > I saw", "one of the symbols associated with the deity is: grasshopper. So could I", "of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with the deity", "the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with", "about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated", "the symbols associated with the deity is: grasshopper. So could I write the", "dawning sun. > > > Say what you will, but this sounds really", "to Wikipedia and ended up on this page about the Goddess of the", "the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with the deity is:", "up on this page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one", "the deity is: grasshopper. So could I write the following in a poem:", "deity is: grasshopper. So could I write the following in a poem: >", "write the following in a poem: > > I saw the grasshopper, our", "> > > as it appeared each morning from > > > the", "with the deity is: grasshopper. So could I write the following in a", "Is this something you would recommend. I went to Wikipedia and ended up", "ended up on this page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And", "this page about the Goddess of the Dawn, [Eos](https://en.wikipedia.org/wiki/Eos) And one of the", "[Eos](https://en.wikipedia.org/wiki/Eos) And one of the symbols associated with the deity is: grasshopper. So", "something you would recommend. I went to Wikipedia and ended up on this", "I saw the grasshopper, our legs bent > > > as it appeared", "from > > > the ocean like the dawning sun. > > >", "would recommend. I went to Wikipedia and ended up on this page about", "of the symbols associated with the deity is: grasshopper. So could I write", "each morning from > > > the ocean like the dawning sun. >" ]
[ "if something is dark humor or not. Is there a set of criteria", "dark humor or not. Is there a set of criteria for determining it?", "it? I assume something like \"She used to be a soldier until she", "she took a bullet to the knee\" would be considered dark humor. I", "read the following: > > Willinger and her team said their findings suggested", "do we determine if something is dark humor or not. Is there a", "humor or not. Is there a set of criteria for determining it? I", "observation. So how do we determine if something is dark humor or not.", "> processing is a “complex information-processing task”. > > > But that's not", "something like \"She used to be a soldier until she took a bullet", "burnt corpses reminds me of the burnt corpse in Skyrim\", which is just", "which is just a simple observation. So how do we determine if something", "humour > processing is a “complex information-processing task”. > > > But that's", "people who appreciate dark humor are more intelligent on average. I also read", "average. I also read the following: > > Willinger and her team said", "be a soldier until she took a bullet to the knee\" would be", "Like saying \"These burnt corpses reminds me of the burnt corpse in Skyrim\",", "corpse in Skyrim\", which is just a simple observation. So how do we", "suggested black humour > processing is a “complex information-processing task”. > > >", "is a “complex information-processing task”. > > > But that's not true as", "or not. Is there a set of criteria for determining it? I assume", "considered dark humor. I am asking, because I want to write a short", "her team said their findings suggested black humour > processing is a “complex", "> > > But that's not true as some dark humor is rather", "a soldier until she took a bullet to the knee\" would be considered", "> But that's not true as some dark humor is rather simple and", "I assume something like \"She used to be a soldier until she took", "not. Is there a set of criteria for determining it? I assume something", "> Willinger and her team said their findings suggested black humour > processing", "a set of criteria for determining it? I assume something like \"She used", "the following: > > Willinger and her team said their findings suggested black", "the knee\" would be considered dark humor. I am asking, because I want", "> > But that's not true as some dark humor is rather simple", "set of criteria for determining it? I assume something like \"She used to", "just a simple observation. So how do we determine if something is dark", "So how do we determine if something is dark humor or not. Is", "true as some dark humor is rather simple and dull. Like saying \"These", "that people who appreciate dark humor are more intelligent on average. I also", "is rather simple and dull. Like saying \"These burnt corpses reminds me of", "humor are more intelligent on average. I also read the following: > >", "“complex information-processing task”. > > > But that's not true as some dark", "me of the burnt corpse in Skyrim\", which is just a simple observation.", "who appreciate dark humor are more intelligent on average. I also read the", "bullet to the knee\" would be considered dark humor. I am asking, because", "saying \"These burnt corpses reminds me of the burnt corpse in Skyrim\", which", "But that's not true as some dark humor is rather simple and dull.", "reminds me of the burnt corpse in Skyrim\", which is just a simple", "a simple observation. So how do we determine if something is dark humor", "we determine if something is dark humor or not. Is there a set", "like \"She used to be a soldier until she took a bullet to", "would be considered dark humor. I am asking, because I want to write", "some dark humor is rather simple and dull. Like saying \"These burnt corpses", "a bullet to the knee\" would be considered dark humor. I am asking,", "asking, because I want to write a short story with a lot of", "dark humor. I am asking, because I want to write a short story", "Skyrim\", which is just a simple observation. So how do we determine if", "how do we determine if something is dark humor or not. Is there", "there a set of criteria for determining it? I assume something like \"She", "to be a soldier until she took a bullet to the knee\" would", "be considered dark humor. I am asking, because I want to write a", "their findings suggested black humour > processing is a “complex information-processing task”. >", "I want to write a short story with a lot of dark humor.", "simple and dull. Like saying \"These burnt corpses reminds me of the burnt", "said their findings suggested black humour > processing is a “complex information-processing task”.", "because I want to write a short story with a lot of dark", "are more intelligent on average. I also read the following: > > Willinger", "is just a simple observation. So how do we determine if something is", "in Skyrim\", which is just a simple observation. So how do we determine", "Is there a set of criteria for determining it? I assume something like", "humor. I am asking, because I want to write a short story with", "used to be a soldier until she took a bullet to the knee\"", "heard that people who appreciate dark humor are more intelligent on average. I", "is dark humor or not. Is there a set of criteria for determining", "dark humor are more intelligent on average. I also read the following: >", "burnt corpse in Skyrim\", which is just a simple observation. So how do", "as some dark humor is rather simple and dull. Like saying \"These burnt", "took a bullet to the knee\" would be considered dark humor. I am", "determining it? I assume something like \"She used to be a soldier until", "am asking, because I want to write a short story with a lot", "that's not true as some dark humor is rather simple and dull. Like", "appreciate dark humor are more intelligent on average. I also read the following:", "team said their findings suggested black humour > processing is a “complex information-processing", "on average. I also read the following: > > Willinger and her team", "\"She used to be a soldier until she took a bullet to the", "something is dark humor or not. Is there a set of criteria for", "until she took a bullet to the knee\" would be considered dark humor.", "information-processing task”. > > > But that's not true as some dark humor", "of the burnt corpse in Skyrim\", which is just a simple observation. So", "I also read the following: > > Willinger and her team said their", "> > Willinger and her team said their findings suggested black humour >", "a “complex information-processing task”. > > > But that's not true as some", "task”. > > > But that's not true as some dark humor is", "the burnt corpse in Skyrim\", which is just a simple observation. So how", "black humour > processing is a “complex information-processing task”. > > > But", "I heard that people who appreciate dark humor are more intelligent on average.", "intelligent on average. I also read the following: > > Willinger and her", "knee\" would be considered dark humor. I am asking, because I want to", "processing is a “complex information-processing task”. > > > But that's not true", "soldier until she took a bullet to the knee\" would be considered dark", "and dull. Like saying \"These burnt corpses reminds me of the burnt corpse", "not true as some dark humor is rather simple and dull. Like saying", "for determining it? I assume something like \"She used to be a soldier", "and her team said their findings suggested black humour > processing is a", "also read the following: > > Willinger and her team said their findings", "of criteria for determining it? I assume something like \"She used to be", "criteria for determining it? I assume something like \"She used to be a", "more intelligent on average. I also read the following: > > Willinger and", "corpses reminds me of the burnt corpse in Skyrim\", which is just a", "findings suggested black humour > processing is a “complex information-processing task”. > >", "I am asking, because I want to write a short story with a", "humor is rather simple and dull. Like saying \"These burnt corpses reminds me", "to the knee\" would be considered dark humor. I am asking, because I", "Willinger and her team said their findings suggested black humour > processing is", "dull. Like saying \"These burnt corpses reminds me of the burnt corpse in", "simple observation. So how do we determine if something is dark humor or", "dark humor is rather simple and dull. Like saying \"These burnt corpses reminds", "assume something like \"She used to be a soldier until she took a", "following: > > Willinger and her team said their findings suggested black humour", "\"These burnt corpses reminds me of the burnt corpse in Skyrim\", which is", "rather simple and dull. Like saying \"These burnt corpses reminds me of the", "determine if something is dark humor or not. Is there a set of" ]
[ "Tolstoy by reading an English translation of Anna Karenina. As a general rule,", "Leo Tolstoy by reading an English translation of Anna Karenina. As a general", "by reading an English translation of Anna Karenina. As a general rule, do", "am studying the writing style of Leo Tolstoy by reading an English translation", "writing style of Leo Tolstoy by reading an English translation of Anna Karenina.", "Anna Karenina. As a general rule, do translations affect the original style? In", "of Leo Tolstoy by reading an English translation of Anna Karenina. As a", "English translation of Anna Karenina. As a general rule, do translations affect the", "studying the writing style of Leo Tolstoy by reading an English translation of", "translation of Anna Karenina. As a general rule, do translations affect the original", "style of Leo Tolstoy by reading an English translation of Anna Karenina. As", "reading an English translation of Anna Karenina. As a general rule, do translations", "an English translation of Anna Karenina. As a general rule, do translations affect", "I am studying the writing style of Leo Tolstoy by reading an English", "Karenina. As a general rule, do translations affect the original style? In what", "of Anna Karenina. As a general rule, do translations affect the original style?", "the writing style of Leo Tolstoy by reading an English translation of Anna", "As a general rule, do translations affect the original style? In what ways?" ]
[ "is that he's an alien who can't really speak the language of the", "Could a silent protagonist like that work in a visual medium, like a", "telepathically with his own kind. Could a silent protagonist like that work in", "Are there any good examples I could look into to get a better", "or tv series? Are there any good examples I could look into to", "annoyed when someone asks a stupid question. Most of the people he talks", "an alien who can't really speak the language of the people he visits", "of them isn't saying much. I want to incorporate a \"silent\" protagonist into", "unusual method of communicating. There is no specific explanation to that, so no", "own kind. Could a silent protagonist like that work in a visual medium,", "innately understand him despite his unusual method of communicating. There is no specific", "the world with seemingly no or few words. Usually, it's hand-waved away by", "story. The reason is that he's an alien who can't really speak the", "he's told, such as being annoyed when someone asks a stupid question. Most", "his unusual method of communicating. There is no specific explanation to that, so", "no weird telepathic powers he uses on people, or anything. He does however", "to seem to innately understand him despite his unusual method of communicating. There", "things on his smartphone-like device. He is also very expressive, so you can", "with his own kind. Could a silent protagonist like that work in a", "could look into to get a better idea on how I could implement", "the protagonist and the other person understand each other somehow, even if one", "silent protagonist like that work in a visual medium, like a movie or", "by pointing at things of interest, doing certain gestures or showing images of", "you can tell most of the time in what kind of mood he", "reason is that he's an alien who can't really speak the language of", "him despite his unusual method of communicating. There is no specific explanation to", "to that, so no weird telepathic powers he uses on people, or anything.", "or showing images of things on his smartphone-like device. He is also very", "he perceives what he's told, such as being annoyed when someone asks a", "also very expressive, so you can tell most of the time in what", "such as being annoyed when someone asks a stupid question. Most of the", "video games: a silent protagonist who can somehow communicate with the rest of", "a movie or tv series? Are there any good examples I could look", "any good examples I could look into to get a better idea on", "can tell most of the time in what kind of mood he is", "other somehow, even if one of them isn't saying much. I want to", "simply assuming from the player that they know the protagonist and the other", "despite his unusual method of communicating. There is no specific explanation to that,", "to get a better idea on how I could implement such a protagonist?", "question. Most of the people he talks to seem to innately understand him", "The way he communicates is by pointing at things of interest, doing certain", "certain gestures or showing images of things on his smartphone-like device. He is", "tell most of the time in what kind of mood he is or", "know the protagonist and the other person understand each other somehow, even if", "one of them isn't saying much. I want to incorporate a \"silent\" protagonist", "talks to seem to innately understand him despite his unusual method of communicating.", "few words. Usually, it's hand-waved away by simply assuming from the player that", "who can't really speak the language of the people he visits on foreign", "even if one of them isn't saying much. I want to incorporate a", "communicates is by pointing at things of interest, doing certain gestures or showing", "smartphone-like device. He is also very expressive, so you can tell most of", "way he communicates is by pointing at things of interest, doing certain gestures", "He does however communicate telepathically with his own kind. Could a silent protagonist", "his own kind. Could a silent protagonist like that work in a visual", "a silent protagonist like that work in a visual medium, like a movie", "want to incorporate a \"silent\" protagonist into my story. The reason is that", "seemingly no or few words. Usually, it's hand-waved away by simply assuming from", "seem to innately understand him despite his unusual method of communicating. There is", "so no weird telepathic powers he uses on people, or anything. He does", "time in what kind of mood he is or how he perceives what", "on his smartphone-like device. He is also very expressive, so you can tell", "of the time in what kind of mood he is or how he", "images of things on his smartphone-like device. He is also very expressive, so", "however communicate telepathically with his own kind. Could a silent protagonist like that", "somehow communicate with the rest of the world with seemingly no or few", "what kind of mood he is or how he perceives what he's told,", "the player that they know the protagonist and the other person understand each", "perceives what he's told, such as being annoyed when someone asks a stupid", "he talks to seem to innately understand him despite his unusual method of", "gestures or showing images of things on his smartphone-like device. He is also", "like a movie or tv series? Are there any good examples I could", "much. I want to incorporate a \"silent\" protagonist into my story. The reason", "saying much. I want to incorporate a \"silent\" protagonist into my story. The", "to incorporate a \"silent\" protagonist into my story. The reason is that he's", "kind of mood he is or how he perceives what he's told, such", "pointing at things of interest, doing certain gestures or showing images of things", "visits on foreign planets. The way he communicates is by pointing at things", "of interest, doing certain gestures or showing images of things on his smartphone-like", "uses on people, or anything. He does however communicate telepathically with his own", "being annoyed when someone asks a stupid question. Most of the people he", "from the player that they know the protagonist and the other person understand", "incorporate a \"silent\" protagonist into my story. The reason is that he's an", "does however communicate telepathically with his own kind. Could a silent protagonist like", "it's hand-waved away by simply assuming from the player that they know the", "when someone asks a stupid question. Most of the people he talks to", "a \"silent\" protagonist into my story. The reason is that he's an alien", "look into to get a better idea on how I could implement such", "they know the protagonist and the other person understand each other somehow, even", "speak the language of the people he visits on foreign planets. The way", "protagonist like that work in a visual medium, like a movie or tv", "with the rest of the world with seemingly no or few words. Usually,", "in video games: a silent protagonist who can somehow communicate with the rest", "people he talks to seem to innately understand him despite his unusual method", "on people, or anything. He does however communicate telepathically with his own kind.", "most of the time in what kind of mood he is or how", "or anything. He does however communicate telepathically with his own kind. Could a", "with seemingly no or few words. Usually, it's hand-waved away by simply assuming", "language of the people he visits on foreign planets. The way he communicates", "examples I could look into to get a better idea on how I", "device. He is also very expressive, so you can tell most of the", "silent protagonist who can somehow communicate with the rest of the world with", "of the people he visits on foreign planets. The way he communicates is", "good examples I could look into to get a better idea on how", "so you can tell most of the time in what kind of mood", "movie or tv series? Are there any good examples I could look into", "he is or how he perceives what he's told, such as being annoyed", "powers he uses on people, or anything. He does however communicate telepathically with", "into my story. The reason is that he's an alien who can't really", "Most of the people he talks to seem to innately understand him despite", "to innately understand him despite his unusual method of communicating. There is no", "he communicates is by pointing at things of interest, doing certain gestures or", "or few words. Usually, it's hand-waved away by simply assuming from the player", "of communicating. There is no specific explanation to that, so no weird telepathic", "his smartphone-like device. He is also very expressive, so you can tell most", "and the other person understand each other somehow, even if one of them", "anything. He does however communicate telepathically with his own kind. Could a silent", "things of interest, doing certain gestures or showing images of things on his", "of the people he talks to seem to innately understand him despite his", "understand each other somehow, even if one of them isn't saying much. I", "showing images of things on his smartphone-like device. He is also very expressive,", "no specific explanation to that, so no weird telepathic powers he uses on", "very expressive, so you can tell most of the time in what kind", "that they know the protagonist and the other person understand each other somehow,", "stupid question. Most of the people he talks to seem to innately understand", "of mood he is or how he perceives what he's told, such as", "someone asks a stupid question. Most of the people he talks to seem", "He is also very expressive, so you can tell most of the time", "planets. The way he communicates is by pointing at things of interest, doing", "games: a silent protagonist who can somehow communicate with the rest of the", "by simply assuming from the player that they know the protagonist and the", "can't really speak the language of the people he visits on foreign planets.", "I want to incorporate a \"silent\" protagonist into my story. The reason is", "kind. Could a silent protagonist like that work in a visual medium, like", "the time in what kind of mood he is or how he perceives", "or how he perceives what he's told, such as being annoyed when someone", "work in a visual medium, like a movie or tv series? Are there", "the other person understand each other somehow, even if one of them isn't", "explanation to that, so no weird telepathic powers he uses on people, or", "of things on his smartphone-like device. He is also very expressive, so you", "foreign planets. The way he communicates is by pointing at things of interest,", "is by pointing at things of interest, doing certain gestures or showing images", "the language of the people he visits on foreign planets. The way he", "how he perceives what he's told, such as being annoyed when someone asks", "see this a lot in video games: a silent protagonist who can somehow", "in what kind of mood he is or how he perceives what he's", "a visual medium, like a movie or tv series? Are there any good", "as being annoyed when someone asks a stupid question. Most of the people", "hand-waved away by simply assuming from the player that they know the protagonist", "weird telepathic powers he uses on people, or anything. He does however communicate", "he uses on people, or anything. He does however communicate telepathically with his", "tv series? Are there any good examples I could look into to get", "he's an alien who can't really speak the language of the people he", "he visits on foreign planets. The way he communicates is by pointing at", "interest, doing certain gestures or showing images of things on his smartphone-like device.", "series? Are there any good examples I could look into to get a", "asks a stupid question. Most of the people he talks to seem to", "this a lot in video games: a silent protagonist who can somehow communicate", "really speak the language of the people he visits on foreign planets. The", "what he's told, such as being annoyed when someone asks a stupid question.", "there any good examples I could look into to get a better idea", "a lot in video games: a silent protagonist who can somehow communicate with", "the people he visits on foreign planets. The way he communicates is by", "protagonist and the other person understand each other somehow, even if one of", "Usually, it's hand-waved away by simply assuming from the player that they know", "that work in a visual medium, like a movie or tv series? Are", "communicate with the rest of the world with seemingly no or few words.", "no or few words. Usually, it's hand-waved away by simply assuming from the", "them isn't saying much. I want to incorporate a \"silent\" protagonist into my", "each other somehow, even if one of them isn't saying much. I want", "other person understand each other somehow, even if one of them isn't saying", "expressive, so you can tell most of the time in what kind of", "the people he talks to seem to innately understand him despite his unusual", "of the world with seemingly no or few words. Usually, it's hand-waved away", "that, so no weird telepathic powers he uses on people, or anything. He", "can somehow communicate with the rest of the world with seemingly no or", "the rest of the world with seemingly no or few words. Usually, it's", "rest of the world with seemingly no or few words. Usually, it's hand-waved", "somehow, even if one of them isn't saying much. I want to incorporate", "like that work in a visual medium, like a movie or tv series?", "alien who can't really speak the language of the people he visits on", "assuming from the player that they know the protagonist and the other person", "mood he is or how he perceives what he's told, such as being", "that he's an alien who can't really speak the language of the people", "isn't saying much. I want to incorporate a \"silent\" protagonist into my story.", "is no specific explanation to that, so no weird telepathic powers he uses", "people, or anything. He does however communicate telepathically with his own kind. Could", "lot in video games: a silent protagonist who can somehow communicate with the", "who can somehow communicate with the rest of the world with seemingly no", "away by simply assuming from the player that they know the protagonist and", "world with seemingly no or few words. Usually, it's hand-waved away by simply", "I could look into to get a better idea on how I could", "doing certain gestures or showing images of things on his smartphone-like device. He", "a silent protagonist who can somehow communicate with the rest of the world", "player that they know the protagonist and the other person understand each other", "There is no specific explanation to that, so no weird telepathic powers he", "understand him despite his unusual method of communicating. There is no specific explanation", "is also very expressive, so you can tell most of the time in", "a stupid question. Most of the people he talks to seem to innately", "person understand each other somehow, even if one of them isn't saying much.", "specific explanation to that, so no weird telepathic powers he uses on people,", "visual medium, like a movie or tv series? Are there any good examples", "protagonist into my story. The reason is that he's an alien who can't", "communicate telepathically with his own kind. Could a silent protagonist like that work", "protagonist who can somehow communicate with the rest of the world with seemingly", "my story. The reason is that he's an alien who can't really speak", "at things of interest, doing certain gestures or showing images of things on", "\"silent\" protagonist into my story. The reason is that he's an alien who", "into to get a better idea on how I could implement such a", "if one of them isn't saying much. I want to incorporate a \"silent\"", "on foreign planets. The way he communicates is by pointing at things of", "is or how he perceives what he's told, such as being annoyed when", "You see this a lot in video games: a silent protagonist who can", "telepathic powers he uses on people, or anything. He does however communicate telepathically", "The reason is that he's an alien who can't really speak the language", "in a visual medium, like a movie or tv series? Are there any", "medium, like a movie or tv series? Are there any good examples I", "method of communicating. There is no specific explanation to that, so no weird", "words. Usually, it's hand-waved away by simply assuming from the player that they", "people he visits on foreign planets. The way he communicates is by pointing", "communicating. There is no specific explanation to that, so no weird telepathic powers", "told, such as being annoyed when someone asks a stupid question. Most of" ]
[ "might like). Then fill in the gaps (which is mostly the women and", "named people, then I could add in missing wives and kids. Except...no. It", "task. My novel has dozens of characters. My first problem wasn't keeping track", "to give it a try. I tried it. I've now got 2 dozen", "notes on different topics there. But for lists of characters and their attributes,", "Egyptian characters were a lot more complex. I've got 65 of them and", "=============================== Word: I started off in Microsoft Word. I'm still writing my chapters", "to know who they were. This was the part that was like pulling", "topics there. But for lists of characters and their attributes, nope. Excel: I", "a try. I tried it. I've now got 2 dozen mostly filled out", "they were. This was the part that was like pulling teeth. First getting", "to move pages and I was worried about damaging the paint. I used", "which of the 18 time-traveling children was staying with them. That last bit", "two. Ancient Egypt: Impossible! Seriously, months. Months of not writing a bleeping thing", "tears. Paper gets lost. Paper becomes kitty beds. But wait, I have a", "that was like pulling teeth. First getting the known characters, then adding more,", "a bleeping thing because I couldn't move forward without knowing my family units", "girls). I didn't post for help with this process because I knew the", "--- Tools for creating and tracking =============================== Word: I started off in Microsoft", "use for them. But it wasn't helping me move forward with creating my", "all the time! As in 2-12 times per chapter. Much more helpful than", "family configuration a few times, but they were mostly set in a few", "is the best method/tool for creating and tracking characters?\" That is a very", "other when needed. I had originally used scotch tape to attach to the", "I didn't post for help with this process because I knew the answer:", "wasn't helping me move forward with creating my new set of characters and", "for the grandchildren. Printed. Taped to the wall. I reference this all the", "the wall. I reference this all the time! As in 2-12 times per", "But done. Color-coded. Printed. On the wall. 10 pages. After that, diving them", "or two. Ancient Egypt: Impossible! Seriously, months. Months of not writing a bleeping", "the time! As in 2-12 times per chapter. Much more helpful than having", "file/sheet and find the info. I have 43 modern characters, many of whom", "Paper: Paper tears. Paper gets lost. Paper becomes kitty beds. But wait, I", "have 43 modern characters, many of whom you never see or even hear", "them (much harder than you think as the source material is not as", "of them and every single one is present in the story. I won't", "units. Family Tree Maker: My other hobby is genealogy. One thing I'm especially", "of the names or show most of the people, but I needed to", "of the 18 time-traveling children was staying with them. That last bit went", "you think as the source material is not as clear as one might", "use the painter's tape rolled up and on the back of the pages.", "pushed me for weeks to give it a try. I tried it. I've", "it. I've now got 2 dozen mostly filled out index cards buried under", "I'm especially good at is making family trees (with well-cited sources of course).", "me for weeks to give it a try. I tried it. I've now", "the named people, then I could add in missing wives and kids. Except...no.", "buried under the clutter of my desk. It would be great for keeping", "are multiple existing characters and I had to research every last one of", "kitty beds. But wait, I have a wall. I started off with my", "are in Excel and it's still the tool I use for them. But", "to attach pages to each other when needed. I had originally used scotch", "and fully set after a week or two. Ancient Egypt: Impossible! Seriously, months.", "*And. It's. Done.* --- Tools for creating and tracking =============================== Word: I started", "mostly filled out index cards buried under the clutter of my desk. It", "originally used scotch tape to attach to the wall, but it was hard", "best process for figuring out the methods and tools you need to create", "like pulling teeth. First getting the known characters, then adding more, with names", "Tree Maker: My other hobby is genealogy. One thing I'm especially good at", "opinion-based list, which isn't something we do at Writing.SE. Instead, my question is:", "with them. That last bit went on the wall today. 3 pages. Wall", "track of them, but creating them. Modern Day: My 20th century characters were", "entries (and facts and relationships) for 242 people, I gave up. Index Cards:", "first problem wasn't keeping track of them, but creating them. Modern Day: My", "right). After creating entries (and facts and relationships) for 242 people, I gave", "did it. *And. It's. Done.* --- Tools for creating and tracking =============================== Word:", "for weeks to give it a try. I tried it. I've now got", "like). Then fill in the gaps (which is mostly the women and girls).", "So I did it. *And. It's. Done.* --- Tools for creating and tracking", "least have all the named people, then I could add in missing wives", "Excel and it's still the tool I use for them. But it wasn't", "in missing wives and kids. Except...no. It is not straight-forward and there is", "characters and their lineage (parents, aunts and uncles, and grandparents). Two pages for", "grandparents). Two pages for the genealogy, 1 more page for the grandparents, another", "was hard to move pages and I was worried about damaging the paint.", "I gave up. Index Cards: My husband's a writer who is finally starting", "figured my best bet was to go through the Torah (starting with Exodus),", "I needed to know who they were. This was the part that was", "would be great for keeping track of individual existing characters who have scenes", "for another. And what worked for me for this novel may not work", "not work at all for me to create characters within large families. Paper:", "Impossible! Seriously, months. Months of not writing a bleeping thing because I couldn't", "but creating them. Modern Day: My 20th century characters were easy. I tweaked", "look. Now I use the painter's tape rolled up and on the back", "it all together. I couldn't just make it all up because this is", "not right). After creating entries (and facts and relationships) for 242 people, I", "and on the back of the pages. It all looks like this: [![enter", "say Flavius Josephus because he made choices most commentators think are not right).", "keeping track of individual existing characters who have scenes with various other characters,", "published. Index cards work for him (complex soap opera comic series) and he", "damaging the paint. I used blue painter's tape but hated the look. Now", "all my notes on different topics there. But for lists of characters and", "with creating my new set of characters and dividing them up into living", "is genealogy. One thing I'm especially good at is making family trees (with", "My 20th century characters were easy. I tweaked ages, genders, names, and family", "After that, diving them up by household (who is in which hut) was", "set in a few days and fully set after a week or two.", "used blue painter's tape but hated the look. Now I use the painter's", "characters and I had to research every last one of them (much harder", "Question: ============ My question is not \"what is the best method/tool for creating", "work at all for me to create characters within large families. Paper: Paper", "because this is based on a Bible story. There are multiple existing characters", "family charts are in Excel and it's still the tool I use for", "wall. I reference this all the time! As in 2-12 times per chapter.", "--- My Question: ============ My question is not \"what is the best method/tool", "I reference this all the time! As in 2-12 times per chapter. Much", "Writing.SE. Instead, my question is: What is the best process for figuring out", "lineage (parents, aunts and uncles, and grandparents). Two pages for the genealogy, 1", "thing because I couldn't move forward without knowing my family units and having", "this all the time! As in 2-12 times per chapter. Much more helpful", "than having to open the right Excel file/sheet and find the info. I", "me to create characters within large families. Paper: Paper tears. Paper gets lost.", "the gaps (which is mostly the women and girls). I didn't post for", "few days and fully set after a week or two. Ancient Egypt: Impossible!", "especially good at is making family trees (with well-cited sources of course). I", "and dividing them up into living units. Family Tree Maker: My other hobby", "Modern Day: My 20th century characters were easy. I tweaked ages, genders, names,", "Paper tears. Paper gets lost. Paper becomes kitty beds. But wait, I have", "other hobby is genealogy. One thing I'm especially good at is making family", "the right Excel file/sheet and find the info. I have 43 modern characters,", "were. This was the part that was like pulling teeth. First getting the", "with characteristics that worked. But done. Color-coded. Printed. On the wall. 10 pages.", "with this process because I knew the answer: Just make yourself do it!!", "about; they're for my own use. My Egyptian characters were a lot more", "That last bit went on the wall today. 3 pages. Wall Logistics: Scotch", "is not \"what is the best method/tool for creating and tracking characters?\" That", "good at is making family trees (with well-cited sources of course). I figured", "be awful for another. And what worked for me for this novel may", "was like pulling teeth. First getting the known characters, then adding more, with", "uncontroversial (don't say Flavius Josephus because he made choices most commentators think are", "is uncontroversial (don't say Flavius Josephus because he made choices most commentators think", "attach pages to each other when needed. I had originally used scotch tape", "one person will be awful for another. And what worked for me for", "and tools you need to create characters and keep track of them while", "I have 43 modern characters, many of whom you never see or even", "(don't say Flavius Josephus because he made choices most commentators think are not", "it's still the tool I use for them. But it wasn't helping me", "up because this is based on a Bible story. There are multiple existing", "my family charts are in Excel and it's still the tool I use", "century characters were easy. I tweaked ages, genders, names, and family configuration a", "pages. Wall Logistics: Scotch tape to attach pages to each other when needed.", "bit went on the wall today. 3 pages. Wall Logistics: Scotch tape to", "I tweaked ages, genders, names, and family configuration a few times, but they", "my desk. It would be great for keeping track of individual existing characters", "(who is in which hut) was pretty easy. As was deciding which of", "I used blue painter's tape but hated the look. Now I use the", "it was hard to move pages and I was worried about damaging the", "was staying with them. That last bit went on the wall today. 3", "them and every single one is present in the story. I won't use", "I was worried about damaging the paint. I used blue painter's tape but", "novel may not work for my next one. Besides, it's an opinion-based list,", "out the methods and tools you need to create characters and keep track", "the methods and tools you need to create characters and keep track of", "which hut) was pretty easy. As was deciding which of the 18 time-traveling", "this an insurmountable task. My novel has dozens of characters. My first problem", "at is making family trees (with well-cited sources of course). I figured my", "try. I tried it. I've now got 2 dozen mostly filled out index", "65 of them and every single one is present in the story. I", "Seriously, months. Months of not writing a bleeping thing because I couldn't move", "than you think as the source material is not as clear as one", "and their attributes, nope. Excel: I love a good spreadsheet. All of my", "help with this process because I knew the answer: Just make yourself do", "the story. I won't use most of the names or show most of", "and tracking characters?\" That is a very individual thing. What works well for", "bleeping thing because I couldn't move forward without knowing my family units and", "description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is not* \"what is the", "started off with my modern characters and their lineage (parents, aunts and uncles,", "in Excel and it's still the tool I use for them. But it", "trees (with well-cited sources of course). I figured my best bet was to", "question is: What is the best process for figuring out the methods and", "bet was to go through the Torah (starting with Exodus), some other Biblical", "see or even hear about; they're for my own use. My Egyptian characters", "and family configuration a few times, but they were mostly set in a", "dozen mostly filled out index cards buried under the clutter of my desk.", "hear about; they're for my own use. My Egyptian characters were a lot", "at all for me to create characters within large families. Paper: Paper tears.", "Excel file/sheet and find the info. I have 43 modern characters, many of", "something we do at Writing.SE. Instead, my question is: What is the best", "creating them. Modern Day: My 20th century characters were easy. I tweaked ages,", "worked, with characteristics that worked. But done. Color-coded. Printed. On the wall. 10", "of them, but creating them. Modern Day: My 20th century characters were easy.", "needed. I had originally used scotch tape to attach to the wall, but", "of characters. My first problem wasn't keeping track of them, but creating them.", "problem wasn't keeping track of them, but creating them. Modern Day: My 20th", "made choices most commentators think are not right). After creating entries (and facts", "cards work for him (complex soap opera comic series) and he pushed me", "for my own use. My Egyptian characters were a lot more complex. I've", "my new set of characters and dividing them up into living units. *Family", "clear as one might like). Then fill in the gaps (which is mostly", "the genealogy, 1 more page for the grandparents, another page for the grandchildren.", "they're for my own use. My Egyptian characters were a lot more complex.", "rolled up and on the back of the pages. It all looks like", "people, but I* needed to know who they were. This was the part", "series) and he pushed me for weeks to give it a try. I", "mostly set in a few days and fully set after a week or", "other Biblical books, and commentary, and boom, I'd at least have all the", "I started off in Microsoft Word. I'm still writing my chapters and doing", "I use for them. But it wasn't helping me move forward with creating", "whom you never see or even hear about; they're for my own use.", "the wall. 10 pages. After that, diving them up by household (who is", "(which is mostly the women and girls). I didn't post for help with", "some other Biblical books, and commentary, and boom, I'd at least have all", "Printed. On the wall. 10 pages. After that, diving them up by household", "tape but hated the look. Now I use the painter's tape rolled up", "most commentators think are not right). After creating entries (and facts and relationships)", "wall. I started off with my modern characters and their lineage (parents, aunts", "2-12 times per chapter. Much more helpful than having to open the right", "helping me move forward with creating my new set of characters and dividing", "but it was hard to move pages and I was worried about damaging", "hobby is genealogy. One thing I'm especially good at is making family trees", "had originally used scotch tape to attach to the wall, but it was", "2 dozen mostly filled out index cards buried under the clutter of my", "that worked. But done. Color-coded. Printed. On the wall. 10 pages. After that,", "still writing my chapters and doing all my notes on different topics there.", "pages for the genealogy, 1 more page for the grandparents, another page for", "got 2 dozen mostly filled out index cards buried under the clutter of", "not work for my next one. Besides, it's an opinion-based list, which isn't", "family trees (with well-cited sources of course). I figured my best bet was", "was to go through the Torah (starting with Exodus), some other Biblical books,", "the back of the pages. It all looks like this: [![enter image description", "books, and commentary, and boom, I'd at least have all the named people,", "of them (much harder than you think as the source material is not", "like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is", "18 time-traveling children was staying with them. That last bit went on the", "(with well-cited sources of course). I figured my best bet was to go", "I couldn't move forward without knowing my family units and having it all", "staying with them. That last bit went on the wall today. 3 pages.", "and relationships) for 242 people, I gave up. Index Cards: My husband's a", "women and girls). I didn't post for help with this process because I", "the look. Now I use the painter's tape rolled up and on the", "part that was like pulling teeth. First getting the known characters, then adding", "My first problem wasn't keeping track of them, but creating them. Modern Day:", "I did it. *And. It's. Done.* --- Tools for creating and tracking ===============================", "cards buried under the clutter of my desk. It would be great for", "together. I couldn't just make it all up because this is based on", "is the best process for figuring out the methods and tools you need", "Day: My 20th century characters were easy. I tweaked ages, genders, names, and", "couldn't move forward without knowing my family units and having it all together.", "fully set after a week or two. Ancient Egypt:** Impossible! Seriously, months. Months", "My Question: ============ My question is not \"what is the best method/tool for", "individual thing. What works well for one person will be awful for another.", "you need to create characters and keep track of them while you're writing?", "because I couldn't move forward without knowing my family units and having it", "Index cards work for him (complex soap opera comic series) and he pushed", "is in which hut) was pretty easy. As was deciding which of the", "(complex soap opera comic series) and he pushed me for weeks to give", "the names or show most of the people, but I needed to know", "there. But for lists of characters and their attributes, nope. Excel: I love", "Two pages for the genealogy, 1 more page for the grandparents, another page", "use. My Egyptian characters were a lot more complex. I've got 65 of", "needed to know who they were. This was the part that was like", "which isn't something we do at Writing.SE. Instead, my question is: What is", "gaps (which is mostly the women and girls). I didn't post for help", "could add in missing wives and kids. Except...no. It is not straight-forward and", "creating and tracking =============================== Word: I started off in Microsoft Word. I'm still", "because he made choices most commentators think are not right). After creating entries", "relationships) for 242 people, I gave up. Index Cards: My husband's a writer", "months. Months of not writing a bleeping thing because I couldn't move forward", "got 65 of them and every single one is present in the story.", "it wasn't helping me move forward with creating my new set of characters", "own use. My Egyptian characters were a lot more complex. I've got 65", "teeth. First getting the known characters, then adding more, with names that worked,", "every last one of them (much harder than you think as the source", "I use the painter's tape rolled up and on the back of the", "for me to create characters within large families. Paper: Paper tears. Paper gets", "an opinion-based list, which isn't something we do at Writing.SE. Instead, my question", "of characters and their attributes, nope. Excel: I love a good spreadsheet. All", "that worked, with characteristics that worked. But done. Color-coded. Printed. On the wall.", "painter's tape but hated the look. Now I use the painter's tape rolled", "forward with creating my new set of characters and dividing them up into", "keeping track of them, but creating them. Modern Day: My 20th century characters", "having to open the right Excel file/sheet and find the info. I have", "for them. But it wasn't helping me move forward with creating my new", "info. I have 43 modern characters, many of whom you never see or", "here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is not \"what is the best", "beds. But wait, I have a wall. I started off with my modern", "creating my new set of characters and dividing them up into living units.", "works well for one person will be awful for another. And what worked", "It's. Done.* --- Tools for creating and tracking =============================== Word: I started off", "3 pages. Wall Logistics: Scotch tape to attach pages to each other when", "insurmountable task. My novel has dozens of characters. My first problem wasn't keeping", "for keeping track of individual existing characters who have scenes with various other", "the part that was like pulling teeth. First getting the known characters, then", "the paint. I used blue painter's tape but hated the look. Now I", "modern characters and their lineage (parents, aunts and uncles, and grandparents). Two pages", "facts and relationships) for 242 people, I gave up. Index Cards:** My husband's", "track of individual existing characters who have scenes with various other characters, but", "show most of the people, but I needed to know who they were.", "one might like). Then fill in the gaps (which is mostly the women", "I knew the answer: Just make yourself do it!! So I did it.", "will be awful for another. And what worked for me for this novel", "another. And what worked for me for this novel may not work for", "and uncles, and grandparents). Two pages for the genealogy, 1 more page for", "And what worked for me for this novel may not work for my", "a few days and fully set after a week or two. Ancient Egypt:", "to the wall, but it was hard to move pages and I was", "with my modern characters and their lineage (parents, aunts and uncles, and grandparents).", "pages. After that, diving them up by household (who is in which hut)", "that is uncontroversial (don't say Flavius Josephus because he made choices most commentators", "genders, names, and family configuration a few times, but they were mostly set", "easy. I tweaked ages, genders, names, and family configuration a few times, but", "I couldn't just make it all up because this is based on a", "desk. It would be great for keeping track of individual existing characters who", "the Torah (starting with Exodus), some other Biblical books, and commentary, and boom,", "commentary, and boom, I'd at least have all the named people, then I", "think are not right). After creating entries (and facts and relationships) for 242", "he pushed me for weeks to give it a try. I tried it.", "in 2-12 times per chapter. Much more helpful than having to open the", "was the part that was like pulling teeth. First getting the known characters,", "soap opera comic series) and he pushed me for weeks to give it", "families. Paper: Paper tears. Paper gets lost. Paper becomes kitty beds. But wait,", "characters, many of whom you never see or even hear about; they're for", "and he pushed me for weeks to give it a try. I tried", "have scenes with various other characters, but did not work at all for", "of not writing a bleeping thing because I couldn't move forward without knowing", "in which hut) was pretty easy. As was deciding which of the 18", "tape to attach to the wall, but it was hard to move pages", "a very individual thing. What works well for one person will be awful", "and doing all my notes on different topics there. But for lists of", "ages, genders, names, and family configuration a few times, but they were mostly", "is mostly the women and girls). I didn't post for help with this", "another page for the grandchildren. Printed. Taped to the wall. I reference this", "times, but they were mostly set in a few days and fully set", "under the clutter of my desk. It would be great for keeping track", "That is a very individual thing. What works well for one person will", "pulling teeth. First getting the known characters, then adding more, with names that", "tried it. I've now got 2 dozen mostly filled out index cards buried", "but did not work at all for me to create characters within large", "242 people, I gave up. Index Cards: My husband's a writer who is", "at least have all the named people, then I could add in missing", "pages to each other when needed. I had originally used scotch tape to", "looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question", "and I had to research every last one of them (much harder than", "the info. I have 43 modern characters, many of whom you never see", "living units. Family Tree Maker: My other hobby is genealogy. One thing I'm", "existing characters who have scenes with various other characters, but did not work", "very individual thing. What works well for one person will be awful for", "reference this all the time! As in 2-12 times per chapter. Much more", "a Bible story. There are multiple existing characters and I had to research", "painter's tape rolled up and on the back of the pages. It all", "tools you need to create characters and keep track of them while you're", "one of them (much harder than you think as the source material is", "But wait, I have a wall. I started off with my modern characters", "worked for me for this novel may not work for my next one.", "is: What is the best process for figuring out the methods and tools", "did not work at all for me to create characters within large families.", "configuration a few times, but they were mostly set in a few days", "I started off with my modern characters and their lineage (parents, aunts and", "story. There are multiple existing characters and I had to research every last", "grandparents, another page for the grandchildren. Printed. Taped to the wall. I reference", "Paper gets lost. Paper becomes kitty beds. But wait, I have a wall.", "names, and family configuration a few times, but they were mostly set in", "hated the look. Now I use the painter's tape rolled up and on", "Microsoft Word. I'm still writing my chapters and doing all my notes on", "then adding more, with names that worked, with characteristics that worked. But done.", "who they were. This was the part that was like pulling teeth. First", "the painter's tape rolled up and on the back of the pages. It", "it's an opinion-based list, which isn't something we do at Writing.SE. Instead, my", "lot more complex. I've got 65 of them and every single one is", "about damaging the paint. I used blue painter's tape but hated the look.", "my next one. Besides, it's an opinion-based list, which isn't something we do", "need to create characters and keep track of them while you're writing? ------------------------------------------------------------------------------------------------------------------------------------------", "adding more, with names that worked, with characteristics that worked. But done. Color-coded.", "single one is present in the story. I won't use most of the", "up. Index Cards: My husband's a writer who is finally starting to get", "individual existing characters who have scenes with various other characters, but did not", "best method/tool for creating and tracking characters?\" That is a very individual thing.", "the grandparents, another page for the grandchildren. Printed. Taped to the wall. I", "post for help with this process because I knew the answer: Just make", "who is finally starting to get published. Index cards work for him (complex", "I love a good spreadsheet. All of my family charts are in Excel", "do at Writing.SE. Instead, my question is: What is the best process for", "and having it all together. I couldn't just make it all up because", "few times, but they were mostly set in a few days and fully", "it!! So I did it. *And. It's. Done.* --- Tools for creating and", "writer who is finally starting to get published. Index cards work for him", "set after a week or two. Ancient Egypt: Impossible! Seriously, months. Months of", "process because I knew the answer: Just make yourself do it!! So I", "source material is not as clear as one might like). Then fill in", "large families. Paper: Paper tears. Paper gets lost. Paper becomes kitty beds. But", "and commentary, and boom, I'd at least have all the named people, then", "There are multiple existing characters and I had to research every last one", "of the pages. It all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) ---", "characters, then adding more, with names that worked, with characteristics that worked. But", "may not work for my next one. Besides, it's an opinion-based list, which", "for me for this novel may not work for my next one. Besides,", "What works well for one person will be awful for another. And what", "grandchildren. Printed. Taped to the wall. I reference this all the time! As", "But it wasn't helping me move forward with creating my new set of", "Exodus), some other Biblical books, and commentary, and boom, I'd at least have", "names that worked, with characteristics that worked. But done. Color-coded. Printed. On the", "thing. What works well for one person will be awful for another. And", "Just make yourself do it!! So I did it. *And. It's. Done.* ---", "wives and kids. Except...no. It is not straight-forward and there is no existing", "because I knew the answer: Just make yourself do it!! So I did", "known characters, then adding more, with names that worked, with characteristics that worked.", "I won't use most of the names or show most of the people,", "doing all my notes on different topics there. But for lists of characters", "Family Tree Maker: My other hobby is genealogy. One thing I'm especially good", "love a good spreadsheet. All of my family charts are in Excel and", "next one. Besides, it's an opinion-based list, which isn't something we do at", "genealogy that is uncontroversial (don't say Flavius Josephus because he made choices most", "is based on a Bible story. There are multiple existing characters and I", "make yourself do it!!* So I did it. *And. It's. Done.* --- Tools", "I admit to finding this an insurmountable task. My novel has dozens of", "children was staying with them. That last bit went on the wall today.", "characters?\" That is a very individual thing. What works well for one person", "Taped to the wall. I reference this all the time! As in 2-12", "for this novel may not work for my next one. Besides, it's an", "started off in Microsoft Word. I'm still writing my chapters and doing all", "up by household (who is in which hut) was pretty easy. As was", "characters within large families. Paper: Paper tears. Paper gets lost. Paper becomes kitty", "to open the right Excel file/sheet and find the info. I have 43", "and find the info. I have 43 modern characters, many of whom you", "First getting the known characters, then adding more, with names that worked, with", "Index Cards: My husband's a writer who is finally starting to get published.", "chapters and doing all my notes on different topics there. But for lists", "their attributes, nope. Excel: I love a good spreadsheet. All of my family", "is not straight-forward and there is no existing genealogy that is uncontroversial (don't", "per chapter. Much more helpful than having to open the right Excel file/sheet", "set of characters and dividing them up into living units. Family Tree Maker:", "couldn't just make it all up because this is based on a Bible", "think as the source material is not as clear as one might like).", "my best bet was to go through the Torah (starting with Exodus), some", "multiple existing characters and I had to research every last one of them", "scotch tape to attach to the wall, but it was hard to move", "deciding which of the 18 time-traveling children was staying with them. That last", "spreadsheet. All of my family charts are in Excel and it's still the", "but hated the look. Now I use the painter's tape rolled up and", "opera comic series) and he pushed me for weeks to give it a", "right Excel file/sheet and find the info. I have 43 modern characters, many", "the wall today. 3 pages. Wall Logistics: Scotch tape to attach pages to", "admit to finding this an insurmountable task. My novel has dozens of characters.", "tool I use for them. But it wasn't helping me move forward with", "course). I figured my best bet was to go through the Torah (starting", "there is no existing genealogy that is uncontroversial (don't say Flavius Josephus because", "use most of the names or show most of the people, but I", "give it a try. I tried it. I've now got 2 dozen mostly", "never see or even hear about; they're for my own use. My Egyptian", "who have scenes with various other characters, but did not work at all", "43 modern characters, many of whom you never see or even hear about;", "the known characters, then adding more, with names that worked, with characteristics that", "are not right). After creating entries (and facts and relationships) for 242 people,", "off in Microsoft Word. I'm still writing my chapters and doing all my", "through the Torah (starting with Exodus), some other Biblical books, and commentary, and", "10 pages. After that, diving them up by household (who is in which", "week or two. Ancient Egypt: Impossible! Seriously, months. Months of not writing a", "Maker: My other hobby is genealogy. One thing I'm especially good at is", "to create characters within large families. Paper: Paper tears. Paper gets lost. Paper", "comic series) and he pushed me for weeks to give it a try.", "worried about damaging the paint. I used blue painter's tape but hated the", "as clear as one might like). Then fill in the gaps (which is", "characters were easy. I tweaked ages, genders, names, and family configuration a few", "hut) was pretty easy. As was deciding which of the 18 time-traveling children", "chapter. Much more helpful than having to open the right Excel file/sheet and", "Scotch tape to attach pages to each other when needed. I had originally", "all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My", "me move forward with creating my new set of characters and dividing them", "in the gaps (which is mostly the women and girls). I didn't post", "scenes with various other characters, but did not work at all for me", "blue painter's tape but hated the look. Now I use the painter's tape", "starting to get published. Index cards work for him (complex soap opera comic", "(parents, aunts and uncles, and grandparents). Two pages for the genealogy, 1 more", "uncles, and grandparents). Two pages for the genealogy, 1 more page for the", "process for figuring out the methods and tools you need to create characters", "and girls). I didn't post for help with this process because I knew", "and boom, I'd at least have all the named people, then I could", "\"what is the best method/tool for creating and tracking characters?\" That is a", "characters and dividing them up into living units. Family Tree Maker:** My other", "even hear about; they're for my own use. My Egyptian characters were a", "not as clear as one might like). Then fill in the gaps (which", "Then fill in the gaps (which is mostly the women and girls). I", "yourself do it!!* So I did it. *And. It's. Done.* --- Tools for", "My novel has dozens of characters. My first problem wasn't keeping track of", "pages. It all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question:", "household (who is in which hut) was pretty easy. As was deciding which", "tracking characters?\" That is a very individual thing. What works well for one", "kids. Except...no. It is not straight-forward and there is no existing genealogy that", "to get published. Index cards work for him (complex soap opera comic series)", "thing I'm especially good at is making family trees (with well-cited sources of", "and their lineage (parents, aunts and uncles, and grandparents). Two pages for the", "existing genealogy that is uncontroversial (don't say Flavius Josephus because he made choices", "index cards buried under the clutter of my desk. It would be great", "out index cards buried under the clutter of my desk. It would be", "I've got 65 of them and every single one is present in the", "all the named people, then I could add in missing wives and kids.", "wasn't keeping track of them, but creating them. Modern Day: My 20th century", "I could add in missing wives and kids. Except...no. It is not straight-forward", "work for him (complex soap opera comic series) and he pushed me for", "I'd at least have all the named people, then I could add in", "Printed. Taped to the wall. I reference this all the time! As in", "writing a bleeping thing because I couldn't move forward without knowing my family", "with names that worked, with characteristics that worked. But done. Color-coded. Printed. On", "Now I use the painter's tape rolled up and on the back of", "Months of not writing a bleeping thing because I couldn't move forward without", "Much more helpful than having to open the right Excel file/sheet and find", "them, but creating them. Modern Day: My 20th century characters were easy. I", "is not as clear as one might like). Then fill in the gaps", "making family trees (with well-cited sources of course). I figured my best bet", "within large families. Paper: Paper tears. Paper gets lost. Paper becomes kitty beds.", "My husband's a writer who is finally starting to get published. Index cards", "of whom you never see or even hear about; they're for my own", "paint. I used blue painter's tape but hated the look. Now I use", "last one of them (much harder than you think as the source material", "Instead, my question is: What is the best process for figuring out the", "move forward without knowing my family units and having it all together. I", "and kids. Except...no. It is not straight-forward and there is no existing genealogy", "This was the part that was like pulling teeth. First getting the known", "pages and I was worried about damaging the paint. I used blue painter's", "the tool I use for them. But it wasn't helping me move forward", "times per chapter. Much more helpful than having to open the right Excel", "to research every last one of them (much harder than you think as", "(starting with Exodus), some other Biblical books, and commentary, and boom, I'd at", "Flavius Josephus because he made choices most commentators think are not right). After", "forward without knowing my family units and having it all together. I couldn't", "[![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is not \"what", "creating and tracking characters?\" That is a very individual thing. What works well", "or show most of the people, but I needed to know who they", "genealogy, 1 more page for the grandparents, another page for the grandchildren. Printed.", "every single one is present in the story. I won't use most of", "of characters and dividing them up into living units. Family Tree Maker: My", "of my desk. It would be great for keeping track of individual existing", "person will be awful for another. And what worked for me for this", "helpful than having to open the right Excel file/sheet and find the info.", "in the story. I won't use most of the names or show most", "up and on the back of the pages. It all looks like this:", "after a week or two. Ancient Egypt: Impossible! Seriously, months. Months of not", "for the grandparents, another page for the grandchildren. Printed. Taped to the wall.", "straight-forward and there is no existing genealogy that is uncontroversial (don't say Flavius", "this process because I knew the answer: Just make yourself do it!! So", "image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is not \"what is", "Excel: I love a good spreadsheet. All of my family charts are in", "characters who have scenes with various other characters, but did not work at", "best bet was to go through the Torah (starting with Exodus), some other", "characteristics that worked. But done. Color-coded. Printed. On the wall. 10 pages. After", "the 18 time-traveling children was staying with them. That last bit went on", "and tracking =============================== Word: I started off in Microsoft Word. I'm still writing", "Besides, it's an opinion-based list, which isn't something we do at Writing.SE. Instead,", "answer: Just make yourself do it!! So I did it. *And. It's. Done.", "at Writing.SE. Instead, my question is: What is the best process for figuring", "gets lost. Paper becomes kitty beds. But wait, I have a wall. I", "based on a Bible story. There are multiple existing characters and I had", "new set of characters and dividing them up into living units. Family Tree", "well-cited sources of course). I figured my best bet was to go through", "for creating and tracking characters?\" That is a very individual thing. What works", "tweaked ages, genders, names, and family configuration a few times, but they were", "of course). I figured my best bet was to go through the Torah", "it all up because this is based on a Bible story. There are", "most of the names or show most of the people, but I* needed", "my question is: What is the best process for figuring out the methods", "a few times, but they were mostly set in a few days and", "tracking =============================== Word: I started off in Microsoft Word. I'm still writing my", "my chapters and doing all my notes on different topics there. But for", "time! As in 2-12 times per chapter. Much more helpful than having to", "last bit went on the wall today. 3 pages. Wall Logistics: Scotch tape", "material is not as clear as one might like). Then fill in the", "modern characters, many of whom you never see or even hear about; they're", "tape to attach pages to each other when needed. I had originally used", "dozens of characters. My first problem wasn't keeping track of them, but creating", "you never see or even hear about; they're for my own use. My", "wall. 10 pages. After that, diving them up by household (who is in", "this is based on a Bible story. There are multiple existing characters and", "my notes on different topics there. But for lists of characters and their", "Tools for creating and tracking =============================== Word: I started off in Microsoft Word.", "most of the people, but I needed to know who they were. This", "20th century characters were easy. I tweaked ages, genders, names, and family configuration", "my family units and having it all together. I couldn't just make it", "What is the best process for figuring out the methods and tools you", "but they were mostly set in a few days and fully set after", "in a few days and fully set after a week or two. *Ancient", "harder than you think as the source material is not as clear as", "One thing I'm especially good at is making family trees (with well-cited sources", "It would be great for keeping track of individual existing characters who have", "names or show most of the people, but I* needed to know who", "nope. Excel: I love a good spreadsheet. All of my family charts are", "the clutter of my desk. It would be great for keeping track of", "wall today. 3 pages. Wall Logistics: Scotch tape to attach pages to each", "back of the pages. It all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png)", "But for lists of characters and their attributes, nope. Excel: I love a", "units and having it all together. I couldn't just make it all up", "attributes, nope. Excel: I love a good spreadsheet. All of my family charts", "not writing a bleeping thing because I couldn't move forward without knowing my", "aunts and uncles, and grandparents). Two pages for the genealogy, 1 more page", "figuring out the methods and tools you need to create characters and keep", "know who they were. This was the part that was like pulling teeth.", "characters and their attributes, nope. Excel: I love a good spreadsheet. All of", "I figured my best bet was to go through the Torah (starting with", "as the source material is not as clear as one might like). Then", "still the tool I use for them. But it wasn't helping me move", "and it's still the tool I use for them. But it wasn't helping", "worked. But done. Color-coded. Printed. On the wall. 10 pages. After that, diving", "I had originally used scotch tape to attach to the wall, but it", "for one person will be awful for another. And what worked for me", "me for this novel may not work for my next one. Besides, it's", "move pages and I was worried about damaging the paint. I used blue", "1 more page for the grandparents, another page for the grandchildren. Printed. Taped", "Bible story. There are multiple existing characters and I had to research every", "dividing them up into living units. Family Tree Maker: My other hobby is", "Biblical books, and commentary, and boom, I'd at least have all the named", "weeks to give it a try. I tried it. I've now got 2", "to attach to the wall, but it was hard to move pages and", "Paper becomes kitty beds. But wait, I have a wall. I started off", "in Microsoft Word. I'm still writing my chapters and doing all my notes", "create characters within large families. Paper: Paper tears. Paper gets lost. Paper becomes", "go through the Torah (starting with Exodus), some other Biblical books, and commentary,", "into living units. Family Tree Maker: My other hobby is genealogy. One thing", "question is not \"what is the best method/tool for creating and tracking characters?\"", "to finding this an insurmountable task. My novel has dozens of characters. My", "of individual existing characters who have scenes with various other characters, but did", "having it all together. I couldn't just make it all up because this", "and there is no existing genealogy that is uncontroversial (don't say Flavius Josephus", "As in 2-12 times per chapter. Much more helpful than having to open", "they were mostly set in a few days and fully set after a", "just make it all up because this is based on a Bible story.", "the best method/tool for creating and tracking characters?\" That is a very individual", "time-traveling children was staying with them. That last bit went on the wall", "mostly the women and girls). I didn't post for help with this process", "lost. Paper becomes kitty beds. But wait, I have a wall. I started", "awful for another. And what worked for me for this novel may not", "as one might like). Then fill in the gaps (which is mostly the", "this novel may not work for my next one. Besides, it's an opinion-based", "this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============ My question is not", "clutter of my desk. It would be great for keeping track of individual", "but I needed to know who they were. This was the part that", "the women and girls). I didn't post for help with this process because", "characters. My first problem wasn't keeping track of them, but creating them. Modern", "Ancient Egypt: Impossible! Seriously, months. Months of not writing a bleeping thing because", "characters, but did not work at all for me to create characters within", "them up by household (who is in which hut) was pretty easy. As", "Word. I'm still writing my chapters and doing all my notes on different", "an insurmountable task. My novel has dozens of characters. My first problem wasn't", "diving them up by household (who is in which hut) was pretty easy.", "move forward with creating my new set of characters and dividing them up", "and I was worried about damaging the paint. I used blue painter's tape", "days and fully set after a week or two. Ancient Egypt: Impossible! Seriously,", "then I could add in missing wives and kids. Except...no. It is not", "a good spreadsheet. All of my family charts are in Excel and it's", "page for the grandchildren. Printed. Taped to the wall. I reference this all", "work for my next one. Besides, it's an opinion-based list, which isn't something", "different topics there. But for lists of characters and their attributes, nope. Excel:", "and every single one is present in the story. I won't use most", "went on the wall today. 3 pages. Wall Logistics: Scotch tape to attach", "As was deciding which of the 18 time-traveling children was staying with them.", "won't use most of the names or show most of the people, but", "for the genealogy, 1 more page for the grandparents, another page for the", "that, diving them up by household (who is in which hut) was pretty", "all together. I couldn't just make it all up because this is based", "attach to the wall, but it was hard to move pages and I", "various other characters, but did not work at all for me to create", "off with my modern characters and their lineage (parents, aunts and uncles, and", "each other when needed. I had originally used scotch tape to attach to", "were easy. I tweaked ages, genders, names, and family configuration a few times,", "not straight-forward and there is no existing genealogy that is uncontroversial (don't say", "and grandparents). Two pages for the genealogy, 1 more page for the grandparents,", "it. And. It's. Done. --- Tools for creating and tracking =============================== Word: I", "other characters, but did not work at all for me to create characters", "be great for keeping track of individual existing characters who have scenes with", "was deciding which of the 18 time-traveling children was staying with them. That", "or even hear about; they're for my own use. My Egyptian characters were", "method/tool for creating and tracking characters?\" That is a very individual thing. What", "for him (complex soap opera comic series) and he pushed me for weeks", "had to research every last one of them (much harder than you think", "have a wall. I started off with my modern characters and their lineage", "creating entries (and facts and relationships) for 242 people, I gave up. Index", "find the info. I have 43 modern characters, many of whom you never", "them. That last bit went on the wall today. 3 pages. Wall Logistics:", "wait, I have a wall. I started off with my modern characters and", "more complex. I've got 65 of them and every single one is present", "pretty easy. As was deciding which of the 18 time-traveling children was staying", "story. I won't use most of the names or show most of the", "hard to move pages and I was worried about damaging the paint. I", "list, which isn't something we do at Writing.SE. Instead, my question is: What", "tape rolled up and on the back of the pages. It all looks", "add in missing wives and kids. Except...no. It is not straight-forward and there", "missing wives and kids. Except...no. It is not straight-forward and there is no", "of the people, but I needed to know who they were. This was", "a week or two. Ancient Egypt: Impossible! Seriously, months. Months of not writing", "him (complex soap opera comic series) and he pushed me for weeks to", "sources of course). I figured my best bet was to go through the", "well for one person will be awful for another. And what worked for", "for lists of characters and their attributes, nope. Excel: I love a good", "now got 2 dozen mostly filled out index cards buried under the clutter", "choices most commentators think are not right). After creating entries (and facts and", "great for keeping track of individual existing characters who have scenes with various", "charts are in Excel and it's still the tool I use for them.", "the grandchildren. Printed. Taped to the wall. I reference this all the time!", "getting the known characters, then adding more, with names that worked, with characteristics", "a writer who is finally starting to get published. Index cards work for", "easy. As was deciding which of the 18 time-traveling children was staying with", "I'm still writing my chapters and doing all my notes on different topics", "more helpful than having to open the right Excel file/sheet and find the", "many of whom you never see or even hear about; they're for my", "lists of characters and their attributes, nope. Excel: I love a good spreadsheet.", "the source material is not as clear as one might like). Then fill", "them. Modern Day: My 20th century characters were easy. I tweaked ages, genders,", "a wall. I started off with my modern characters and their lineage (parents,", "knew the answer: Just make yourself do it!! So I did it. **And.", "for my next one. Besides, it's an opinion-based list, which isn't something we", "for help with this process because I knew the answer: Just make yourself", "with various other characters, but did not work at all for me to", "commentators think are not right). After creating entries (and facts and relationships) for", "Except...no. It is not straight-forward and there is no existing genealogy that is", "is no existing genealogy that is uncontroversial (don't say Flavius Josephus because he", "husband's a writer who is finally starting to get published. Index cards work", "I've now got 2 dozen mostly filled out index cards buried under the", "isn't something we do at Writing.SE. Instead, my question is: What is the", "make it all up because this is based on a Bible story. There", "my modern characters and their lineage (parents, aunts and uncles, and grandparents). Two", "the best process for figuring out the methods and tools you need to", "their lineage (parents, aunts and uncles, and grandparents). Two pages for the genealogy,", "good spreadsheet. All of my family charts are in Excel and it's still", "page for the grandparents, another page for the grandchildren. Printed. Taped to the", "methods and tools you need to create characters and keep track of them", "all for me to create characters within large families. Paper: Paper tears. Paper", "the answer: Just make yourself do it!! So I did it. *And. It's.", "is making family trees (with well-cited sources of course). I figured my best", "to the wall. I reference this all the time! As in 2-12 times", "My Egyptian characters were a lot more complex. I've got 65 of them", "for 242 people, I gave up. Index Cards:** My husband's a writer who", "my own use. My Egyptian characters were a lot more complex. I've got", "didn't post for help with this process because I knew the answer: Just", "genealogy. One thing I'm especially good at is making family trees (with well-cited", "I had to research every last one of them (much harder than you", "used scotch tape to attach to the wall, but it was hard to", "done. Color-coded. Printed. On the wall. 10 pages. After that, diving them up", "Cards:* My husband's a writer who is finally starting to get published. Index", "characters were a lot more complex. I've got 65 of them and every", "complex. I've got 65 of them and every single one is present in", "no existing genealogy that is uncontroversial (don't say Flavius Josephus because he made", "without knowing my family units and having it all together. I couldn't just", "them up into living units. Family Tree Maker: My other hobby is genealogy.", "is present in the story. I won't use most of the names or", "Color-coded. Printed. On the wall. 10 pages. After that, diving them up by", "people, I gave up. Index Cards: My husband's a writer who is finally", "research every last one of them (much harder than you think as the", "is finally starting to get published. Index cards work for him (complex soap", "============ My question is not \"what is the best method/tool for creating and", "finally starting to get published. Index cards work for him (complex soap opera", "it a try. I tried it. I've now got 2 dozen mostly filled", "open the right Excel file/sheet and find the info. I have 43 modern", "family units and having it all together. I couldn't just make it all", "for figuring out the methods and tools you need to create characters and", "All of my family charts are in Excel and it's still the tool", "fill in the gaps (which is mostly the women and girls). I didn't", "Josephus because he made choices most commentators think are not right). After creating", "not \"what is the best method/tool for creating and tracking characters?\" That is", "filled out index cards buried under the clutter of my desk. It would", "was pretty easy. As was deciding which of the 18 time-traveling children was", "more, with names that worked, with characteristics that worked. But done. Color-coded. Printed.", "On the wall. 10 pages. After that, diving them up by household (who", "the people, but I needed to know who they were. This was the", "on the back of the pages. It all looks like this: [![enter image", "do it!!* So I did it. *And. It's. Done.* --- Tools for creating", "finding this an insurmountable task. My novel has dozens of characters. My first", "knowing my family units and having it all together. I couldn't just make", "one. Besides, it's an opinion-based list, which isn't something we do at Writing.SE.", "people, then I could add in missing wives and kids. Except...no. It is", "the pages. It all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My", "all up because this is based on a Bible story. There are multiple", "have all the named people, then I could add in missing wives and", "on the wall today. 3 pages. Wall Logistics: Scotch tape to attach pages", "were a lot more complex. I've got 65 of them and every single", "for creating and tracking =============================== Word: I started off in Microsoft Word. I'm", "My other hobby is genealogy. One thing I'm especially good at is making", "today. 3 pages. Wall Logistics: Scotch tape to attach pages to each other", "by household (who is in which hut) was pretty easy. As was deciding", "we do at Writing.SE. Instead, my question is: What is the best process", "becomes kitty beds. But wait, I have a wall. I started off with", "present in the story. I won't use most of the names or show", "(much harder than you think as the source material is not as clear", "with Exodus), some other Biblical books, and commentary, and boom, I'd at least", "one is present in the story. I won't use most of the names", "the wall, but it was hard to move pages and I was worried", "Wall Logistics: Scotch tape to attach pages to each other when needed. I", "them. But it wasn't helping me move forward with creating my new set", "After creating entries (and facts and relationships) for 242 people, I gave up.", "It all looks like this: [![enter image description here](https://i.stack.imgur.com/ViLns.png)](https://i.stack.imgur.com/ViLns.png) --- My Question: ============", "he made choices most commentators think are not right). After creating entries (and", "My question is not \"what is the best method/tool for creating and tracking", "more page for the grandparents, another page for the grandchildren. Printed. Taped to", "gave up. Index Cards: My husband's a writer who is finally starting to", "when needed. I had originally used scotch tape to attach to the wall,", "boom, I'd at least have all the named people, then I could add", "Torah (starting with Exodus), some other Biblical books, and commentary, and boom, I'd", "up into living units. Family Tree Maker: My other hobby is genealogy. One", "Logistics: Scotch tape to attach pages to each other when needed. I had", "Done.* --- Tools for creating and tracking =============================== Word: I started off in", "It is not straight-forward and there is no existing genealogy that is uncontroversial", "novel has dozens of characters. My first problem wasn't keeping track of them,", "Egypt: Impossible! Seriously, months. Months of not writing a bleeping thing because I", "wall, but it was hard to move pages and I was worried about", "of my family charts are in Excel and it's still the tool I", "on a Bible story. There are multiple existing characters and I had to", "on different topics there. But for lists of characters and their attributes, nope.", "to each other when needed. I had originally used scotch tape to attach", "a lot more complex. I've got 65 of them and every single one", "what worked for me for this novel may not work for my next", "is a very individual thing. What works well for one person will be", "(and facts and relationships) for 242 people, I gave up. Index Cards: My", "Word:** I started off in Microsoft Word. I'm still writing my chapters and", "get published. Index cards work for him (complex soap opera comic series) and", "were mostly set in a few days and fully set after a week", "has dozens of characters. My first problem wasn't keeping track of them, but", "writing my chapters and doing all my notes on different topics there. But", "was worried about damaging the paint. I used blue painter's tape but hated", "existing characters and I had to research every last one of them (much", "to go through the Torah (starting with Exodus), some other Biblical books, and", "I tried it. I've now got 2 dozen mostly filled out index cards", "I have a wall. I started off with my modern characters and their" ]
[ "my own self even if it's in plural? Any similar example from renowned", "> Before the shadows crept to its shore. > > > I just", "hill > > > The trees were sleeping soundly as usual > >", "> Before the shadows crept to the forest. > > > Here is", "crept to its shore. > > > I just wrote the above verses", "if it can represent myself instead of another person. > > I saw", "plural? Any similar example from renowned author? I don't want to abuse artistic", "> I saw the dead rising from the hill > > > The", "> > I just wrote the above verses and I was wondering if", "if the sea can represent my mind instead of another person, and I", "rising from the hill > > > The trees were sleeping soundly as", "> The sea was sleeping soundly as usual > > > Before the", "example. I was wondering if the \"trees\" can represent something else than other", "verses and I was wondering if the sea can represent my mind instead", "I don't want to abuse artistic license to do whatever I want unless", "my mind instead of another person, and I am also wondering if it", "wrote the above verses and I was wondering if the sea can represent", "sleeping soundly as usual > > > Before the shadows crept to the", "don't want to abuse artistic license to do whatever I want unless it", "wondering if it can represent myself instead of another person. > > I", "> > > The trees were sleeping soundly as usual > > >", "person. > > I saw the dead rising from the hill > >", "the dead rising from the hill > > > The trees were sleeping", "can represent myself instead of another person. > > I saw the dead", "from the hill > > > The trees were sleeping soundly as usual", "the hill > > > The trees were sleeping soundly as usual >", "represent my mind instead of another person, and I am also wondering if", "example from renowned author? I don't want to abuse artistic license to do", "its shore. > > > I just wrote the above verses and I", "something else than other people? Can it represent my own self even if", "> > Before the shadows crept to its shore. > > > I", "the above verses and I was wondering if the sea can represent my", "other people? Can it represent my own self even if it's in plural?", "rising from the hill > > > The sea was sleeping soundly as", "above verses and I was wondering if the sea can represent my mind", "of another person. > > I saw the dead rising from the hill", "person, and I am also wondering if it can represent myself instead of", "saw the dead rising from the hill > > > The trees were", "crept to the forest. > > > Here is a similar example. I", "want to abuse artistic license to do whatever I want unless it has", "as usual > > > Before the shadows crept to its shore. >", "to its shore. > > > I just wrote the above verses and", "I saw the dead rising from the hill > > > The sea", "it represent my own self even if it's in plural? Any similar example", "> > > The sea was sleeping soundly as usual > > >", "shore. > > > I just wrote the above verses and I was", "Any similar example from renowned author? I don't want to abuse artistic license", "I saw the dead rising from the hill > > > The trees", "mind instead of another person, and I am also wondering if it can", "> Here is a similar example. I was wondering if the \"trees\" can", "even if it's in plural? Any similar example from renowned author? I don't", "from renowned author? I don't want to abuse artistic license to do whatever", "if the \"trees\" can represent something else than other people? Can it represent", "can represent something else than other people? Can it represent my own self", "than other people? Can it represent my own self even if it's in", "the hill > > > The sea was sleeping soundly as usual >", "forest. > > > Here is a similar example. I was wondering if", "dead rising from the hill > > > The trees were sleeping soundly", "self even if it's in plural? Any similar example from renowned author? I", "can represent my mind instead of another person, and I am also wondering", "as usual > > > Before the shadows crept to the forest. >", "to abuse artistic license to do whatever I want unless it has been", "myself instead of another person. > > I saw the dead rising from", "> > Here is a similar example. I was wondering if the \"trees\"", "was sleeping soundly as usual > > > Before the shadows crept to", "wondering if the \"trees\" can represent something else than other people? Can it", "from the hill > > > The sea was sleeping soundly as usual", "am also wondering if it can represent myself instead of another person. >", "it can represent myself instead of another person. > > I saw the", "saw the dead rising from the hill > > > The sea was", "hill > > > The sea was sleeping soundly as usual > >", "instead of another person, and I am also wondering if it can represent", "the shadows crept to the forest. > > > Here is a similar", "own self even if it's in plural? Any similar example from renowned author?", "usual > > > Before the shadows crept to its shore. > >", "I just wrote the above verses and I was wondering if the sea", "Can it represent my own self even if it's in plural? Any similar", "the forest. > > > Here is a similar example. I was wondering", "represent myself instead of another person. > > I saw the dead rising", "> > Before the shadows crept to the forest. > > > Here", "renowned author? I don't want to abuse artistic license to do whatever I", "is a similar example. I was wondering if the \"trees\" can represent something", "soundly as usual > > > Before the shadows crept to the forest.", "author? I don't want to abuse artistic license to do whatever I want", "if it's in plural? Any similar example from renowned author? I don't want", "> I just wrote the above verses and I was wondering if the", "> > > Before the shadows crept to its shore. > > >", "Here is a similar example. I was wondering if the \"trees\" can represent", "soundly as usual > > > Before the shadows crept to its shore.", "sleeping soundly as usual > > > Before the shadows crept to its", "> > > Before the shadows crept to the forest. > > >", "I was wondering if the \"trees\" can represent something else than other people?", "sea can represent my mind instead of another person, and I am also", "was wondering if the \"trees\" can represent something else than other people? Can", "represent my own self even if it's in plural? Any similar example from", "shadows crept to its shore. > > > I just wrote the above", "the dead rising from the hill > > > The sea was sleeping", "was wondering if the sea can represent my mind instead of another person,", "> > > Here is a similar example. I was wondering if the", "of another person, and I am also wondering if it can represent myself", "dead rising from the hill > > > The sea was sleeping soundly", "another person, and I am also wondering if it can represent myself instead", "in plural? Any similar example from renowned author? I don't want to abuse", "and I am also wondering if it can represent myself instead of another", "usual > > > Before the shadows crept to the forest. > >", "to the forest. > > > Here is a similar example. I was", "\"trees\" can represent something else than other people? Can it represent my own", "the shadows crept to its shore. > > > I just wrote the", "The sea was sleeping soundly as usual > > > Before the shadows", "artistic license to do whatever I want unless it has been done before", "The trees were sleeping soundly as usual > > > Before the shadows", "I am also wondering if it can represent myself instead of another person.", "similar example. I was wondering if the \"trees\" can represent something else than", "Before the shadows crept to the forest. > > > Here is a", "the \"trees\" can represent something else than other people? Can it represent my", "> The trees were sleeping soundly as usual > > > Before the", "> > > I just wrote the above verses and I was wondering", "another person. > > I saw the dead rising from the hill >", "> > I saw the dead rising from the hill > > >", "wondering if the sea can represent my mind instead of another person, and", "sea was sleeping soundly as usual > > > Before the shadows crept", "were sleeping soundly as usual > > > Before the shadows crept to", "also wondering if it can represent myself instead of another person. > >", "shadows crept to the forest. > > > Here is a similar example.", "similar example from renowned author? I don't want to abuse artistic license to", "> > The sea was sleeping soundly as usual > > > Before", "instead of another person. > > I saw the dead rising from the", "people? Can it represent my own self even if it's in plural? Any", "a similar example. I was wondering if the \"trees\" can represent something else", "Before the shadows crept to its shore. > > > I just wrote", "I was wondering if the sea can represent my mind instead of another", "the sea can represent my mind instead of another person, and I am", "just wrote the above verses and I was wondering if the sea can", "> > The trees were sleeping soundly as usual > > > Before", "and I was wondering if the sea can represent my mind instead of", "it's in plural? Any similar example from renowned author? I don't want to", "represent something else than other people? Can it represent my own self even", "else than other people? Can it represent my own self even if it's", "license to do whatever I want unless it has been done before by", "abuse artistic license to do whatever I want unless it has been done", "do whatever I want unless it has been done before by famous writers.", "to do whatever I want unless it has been done before by famous", "trees were sleeping soundly** as usual > > > Before the shadows crept" ]
[ "Because it seems to me that that is the one thing that agents", "for: acting as filters or slush-readers for the publishers. According to him, writers", "that can confirm this? Diap has many years of insider experience in the", "over their royalties to them, I am not sure about the part where", "here that can confirm this? Diap has many years of insider experience in", "slush-readers for the publishers. According to him, writers can actually ignore the injunction", "unknown writers directly. I'd like to know if this is really true. Any", "Wesley Smith, that agents are usually a liability and that it is wrong", "is that editors in these big publishing houses actually read and respond to", "he's talking about. But I am still unsure as to just how true", "they are totally unnecessary for submitting your work to publishers. Because it seems", "submit their queries anyway, and they often do with good results. In other", "industry and seems to know what he's talking about. But I am still", "Any insiders here that can confirm this? Diap has many years of insider", "seems to know what he's talking about. But I am still unsure as", "read and respond to queries directly from writers in spite of what they", "the publishers. According to him, writers can actually ignore the injunction on the", "anyway, and they often do with good results. In other words, in spite", "the big publishers' websites that says 'no unagented submissions' and simply submit their", "is really true. Any insiders here that can confirm this? Diap has many", "am still unsure as to just how true it is that editors in", "to them, I am not sure about the part where he says they", "for writers to hand over their royalties to them, I am not sure", "work to publishers. Because it seems to me that that is the one", "editors in these big publishing houses actually read and respond to queries directly", "publishing houses actually read and respond to queries directly from writers in spite", "talking about. But I am still unsure as to just how true it", "actually DO read queries and take work from unknown writers directly. I'd like", "in these big publishing houses actually read and respond to queries directly from", "the big publishers actually DO read queries and take work from unknown writers", "directly. I'd like to know if this is really true. Any insiders here", "Diap has many years of insider experience in the publishing industry and seems", "agree with the writer & publishing guru, Diap Wesley Smith, that agents are", "where he says they are totally unnecessary for submitting your work to publishers.", "on the big publishers' websites that says 'no unagented submissions' and simply submit", "in the publishing industry and seems to know what he's talking about. But", "Smith, that agents are usually a liability and that it is wrong for", "know if this is really true. Any insiders here that can confirm this?", "of insider experience in the publishing industry and seems to know what he's", "do with good results. In other words, in spite of what they say", "like to know if this is really true. Any insiders here that can", "just how true it is that editors in these big publishing houses actually", "these big publishing houses actually read and respond to queries directly from writers", "me that that is the one thing that agents are actually useful for:", "good results. In other words, in spite of what they say on their", "writer & publishing guru, Diap Wesley Smith, that agents are usually a liability", "it is wrong for writers to hand over their royalties to them, I", "that is the one thing that agents are actually useful for: acting as", "publishers actually DO read queries and take work from unknown writers directly. I'd", "& publishing guru, Diap Wesley Smith, that agents are usually a liability and", "big publishers' websites that says 'no unagented submissions' and simply submit their queries", "has many years of insider experience in the publishing industry and seems to", "DO read queries and take work from unknown writers directly. I'd like to", "insider experience in the publishing industry and seems to know what he's talking", "are usually a liability and that it is wrong for writers to hand", "can actually ignore the injunction on the big publishers' websites that says 'no", "that says 'no unagented submissions' and simply submit their queries anyway, and they", "them, I am not sure about the part where he says they are", "the part where he says they are totally unnecessary for submitting your work", "thing that agents are actually useful for: acting as filters or slush-readers for", "actually useful for: acting as filters or slush-readers for the publishers. According to", "that agents are actually useful for: acting as filters or slush-readers for the", "liability and that it is wrong for writers to hand over their royalties", "actually read and respond to queries directly from writers in spite of what", "him, writers can actually ignore the injunction on the big publishers' websites that", "he says they are totally unnecessary for submitting your work to publishers. Because", "your work to publishers. Because it seems to me that that is the", "publishing industry and seems to know what he's talking about. But I am", "am not sure about the part where he says they are totally unnecessary", "simply submit their queries anyway, and they often do with good results. In", "that that is the one thing that agents are actually useful for: acting", "often do with good results. In other words, in spite of what they", "that agents are usually a liability and that it is wrong for writers", "actually ignore the injunction on the big publishers' websites that says 'no unagented", "from unknown writers directly. I'd like to know if this is really true.", "if this is really true. Any insiders here that can confirm this? Diap", "and take work from unknown writers directly. I'd like to know if this", "spite of what they say on their websites, the big publishers actually DO", "insiders here that can confirm this? Diap has many years of insider experience", "is wrong for writers to hand over their royalties to them, I am", "about. But I am still unsure as to just how true it is", "guru, Diap Wesley Smith, that agents are usually a liability and that it", "of what they say on their websites, the big publishers actually DO read", "the injunction on the big publishers' websites that says 'no unagented submissions' and", "other words, in spite of what they say on their websites, the big", "big publishing houses actually read and respond to queries directly from writers in", "what they say on their websites, the big publishers actually DO read queries", "this? Diap has many years of insider experience in the publishing industry and", "with the writer & publishing guru, Diap Wesley Smith, that agents are usually", "and they often do with good results. In other words, in spite of", "for the publishers. According to him, writers can actually ignore the injunction on", "read queries and take work from unknown writers directly. I'd like to know", "experience in the publishing industry and seems to know what he's talking about.", "to hand over their royalties to them, I am not sure about the", "to just how true it is that editors in these big publishing houses", "publishing guru, Diap Wesley Smith, that agents are usually a liability and that", "as filters or slush-readers for the publishers. According to him, writers can actually", "work from unknown writers directly. I'd like to know if this is really", "to know if this is really true. Any insiders here that can confirm", "as to just how true it is that editors in these big publishing", "says they are totally unnecessary for submitting your work to publishers. Because it", "it is that editors in these big publishing houses actually read and respond", "can confirm this? Diap has many years of insider experience in the publishing", "to know what he's talking about. But I am still unsure as to", "for submitting your work to publishers. Because it seems to me that that", "publishers. According to him, writers can actually ignore the injunction on the big", "in spite of what they say on their websites, the big publishers actually", "writers can actually ignore the injunction on the big publishers' websites that says", "I tend to agree with the writer & publishing guru, Diap Wesley Smith,", "acting as filters or slush-readers for the publishers. According to him, writers can", "writers directly. I'd like to know if this is really true. Any insiders", "their websites, the big publishers actually DO read queries and take work from", "that editors in these big publishing houses actually read and respond to queries", "really true. Any insiders here that can confirm this? Diap has many years", "they often do with good results. In other words, in spite of what", "that it is wrong for writers to hand over their royalties to them,", "I am not sure about the part where he says they are totally", "and that it is wrong for writers to hand over their royalties to", "injunction on the big publishers' websites that says 'no unagented submissions' and simply", "the publishing industry and seems to know what he's talking about. But I", "respond to queries directly from writers in spite of what they say on", "are totally unnecessary for submitting your work to publishers. Because it seems to", "still unsure as to just how true it is that editors in these", "queries anyway, and they often do with good results. In other words, in", "to publishers. Because it seems to me that that is the one thing", "take work from unknown writers directly. I'd like to know if this is", "submissions' and simply submit their queries anyway, and they often do with good", "their queries anyway, and they often do with good results. In other words,", "how true it is that editors in these big publishing houses actually read", "are actually useful for: acting as filters or slush-readers for the publishers. According", "publishers. Because it seems to me that that is the one thing that", "queries directly from writers in spite of what they say on their websites.", "confirm this? Diap has many years of insider experience in the publishing industry", "true it is that editors in these big publishing houses actually read and", "wrong for writers to hand over their royalties to them, I am not", "they say on their websites, the big publishers actually DO read queries and", "submitting your work to publishers. Because it seems to me that that is", "their royalties to them, I am not sure about the part where he", "While I tend to agree with the writer & publishing guru, Diap Wesley", "part where he says they are totally unnecessary for submitting your work to", "totally unnecessary for submitting your work to publishers. Because it seems to me", "'no unagented submissions' and simply submit their queries anyway, and they often do", "and simply submit their queries anyway, and they often do with good results.", "Diap Wesley Smith, that agents are usually a liability and that it is", "But I am still unsure as to just how true it is that", "agents are actually useful for: acting as filters or slush-readers for the publishers.", "words, in spite of what they say on their websites, the big publishers", "on their websites, the big publishers actually DO read queries and take work", "agents are usually a liability and that it is wrong for writers to", "unnecessary for submitting your work to publishers. Because it seems to me that", "true. Any insiders here that can confirm this? Diap has many years of", "hand over their royalties to them, I am not sure about the part", "royalties to them, I am not sure about the part where he says", "results. In other words, in spite of what they say on their websites,", "or slush-readers for the publishers. According to him, writers can actually ignore the", "about the part where he says they are totally unnecessary for submitting your", "says 'no unagented submissions' and simply submit their queries anyway, and they often", "is the one thing that agents are actually useful for: acting as filters", "According to him, writers can actually ignore the injunction on the big publishers'", "big publishers actually DO read queries and take work from unknown writers directly.", "houses actually read and respond to queries directly from writers in spite of", "this is really true. Any insiders here that can confirm this? Diap has", "it seems to me that that is the one thing that agents are", "and seems to know what he's talking about. But I am still unsure", "unagented submissions' and simply submit their queries anyway, and they often do with", "unsure as to just how true it is that editors in these big", "what he's talking about. But I am still unsure as to just how", "to him, writers can actually ignore the injunction on the big publishers' websites", "ignore the injunction on the big publishers' websites that says 'no unagented submissions'", "a liability and that it is wrong for writers to hand over their", "say on their websites, the big publishers actually DO read queries and take", "the writer & publishing guru, Diap Wesley Smith, that agents are usually a", "years of insider experience in the publishing industry and seems to know what", "to me that that is the one thing that agents are actually useful", "In other words, in spite of what they say on their websites, the", "websites, the big publishers actually DO read queries and take work from unknown", "not sure about the part where he says they are totally unnecessary for", "many years of insider experience in the publishing industry and seems to know", "publishers' websites that says 'no unagented submissions' and simply submit their queries anyway,", "and respond to queries directly from writers in spite of what they say", "to queries directly from writers in spite of what they say on their", "writers to hand over their royalties to them, I am not sure about", "queries and take work from unknown writers directly. I'd like to know if", "I am still unsure as to just how true it is that editors", "usually a liability and that it is wrong for writers to hand over", "tend to agree with the writer & publishing guru, Diap Wesley Smith, that", "websites that says 'no unagented submissions' and simply submit their queries anyway, and", "to agree with the writer & publishing guru, Diap Wesley Smith, that agents", "useful for: acting as filters or slush-readers for the publishers. According to him,", "the one thing that agents are actually useful for: acting as filters or", "know what he's talking about. But I am still unsure as to just", "with good results. In other words, in spite of what they say on", "sure about the part where he says they are totally unnecessary for submitting", "filters or slush-readers for the publishers. According to him, writers can actually ignore", "seems to me that that is the one thing that agents are actually", "I'd like to know if this is really true. Any insiders here that", "one thing that agents are actually useful for: acting as filters or slush-readers" ]
[ "a bedroom example, let's say the scene is a lazy Saturday morning, so", "can visualise my MC's bedroom (for example) in tiniest detail: the accent wallpaper,", "how much description is too much? I close my eyes, I can visualise", "I close my eyes, I can visualise my MC's bedroom (for example) in", "with a bedroom example, let's say the scene is a lazy Saturday morning,", "close my eyes, I can visualise my MC's bedroom (for example) in tiniest", "accent wallpaper, the collection of spaceship models, the view out of his window...", "details would quickly lose the reader. So every detail I mention ties to", "to notice details, and in fact going slowly over the view fits with", "character is, to a worldbuilding element, or to setting the particular scene. There", "scene is meant to be a breathless chase, there's hardly time to observe", "lose the reader. So every detail I mention ties to either who the", "is meant to be a breathless chase, there's hardly time to observe the", "particular scene. There is also the pacing to consider: if the scene is", "chase, there's hardly time to observe the scenery. But since we've started with", "necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I close my eyes, I can", "Of course, a clutter of irrelevant details would quickly lose the reader. So", "there's leisure to notice details, and in fact going slowly over the view", "I can visualise my MC's bedroom (for example) in tiniest detail: the accent", "slowly over the view fits with the general peacefulness. Even so, how much", "a breathless chase, there's hardly time to observe the scenery. But since we've", "observe the scenery. But since we've started with a bedroom example, let's say", "who the character is, to a worldbuilding element, or to setting the particular", "bedroom (for example) in tiniest detail: the accent wallpaper, the collection of spaceship", "every detail I mention ties to either who the character is, to a", "say the scene is a lazy Saturday morning, so there's leisure to notice", "fits with the general peacefulness. Even so, how much description is just too", "meant to be a breathless chase, there's hardly time to observe the scenery.", "time to observe the scenery. But since we've started with a bedroom example,", "question for [How much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much?", "the character is, to a worldbuilding element, or to setting the particular scene.", "the scene is meant to be a breathless chase, there's hardly time to", "to setting the particular scene. There is also the pacing to consider: if", "to either who the character is, to a worldbuilding element, or to setting", "over the view fits with the general peacefulness. Even so, how much description", "example) in tiniest detail: the accent wallpaper, the collection of spaceship models, the", "tiniest detail: the accent wallpaper, the collection of spaceship models, the view out", "and in fact going slowly over the view fits with the general peacefulness.", "out of his window... Of course, a clutter of irrelevant details would quickly", "details, and in fact going slowly over the view fits with the general", "notice details, and in fact going slowly over the view fits with the", "or to setting the particular scene. There is also the pacing to consider:", "[How much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I close", "the scene is a lazy Saturday morning, so there's leisure to notice details,", "fact going slowly over the view fits with the general peacefulness. Even so,", "description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I close my eyes,", "would quickly lose the reader. So every detail I mention ties to either", "hardly time to observe the scenery. But since we've started with a bedroom", "bedroom example, let's say the scene is a lazy Saturday morning, so there's", "of spaceship models, the view out of his window... Of course, a clutter", "we've started with a bedroom example, let's say the scene is a lazy", "breathless chase, there's hardly time to observe the scenery. But since we've started", "But since we've started with a bedroom example, let's say the scene is", "going slowly over the view fits with the general peacefulness. Even so, how", "my eyes, I can visualise my MC's bedroom (for example) in tiniest detail:", "a worldbuilding element, or to setting the particular scene. There is also the", "is too much? I close my eyes, I can visualise my MC's bedroom", "to consider: if the scene is meant to be a breathless chase, there's", "scene is a lazy Saturday morning, so there's leisure to notice details, and", "wallpaper, the collection of spaceship models, the view out of his window... Of", "example, let's say the scene is a lazy Saturday morning, so there's leisure", "lazy Saturday morning, so there's leisure to notice details, and in fact going", "his window... Of course, a clutter of irrelevant details would quickly lose the", "there's hardly time to observe the scenery. But since we've started with a", "MC's bedroom (for example) in tiniest detail: the accent wallpaper, the collection of", "is also the pacing to consider: if the scene is meant to be", "if the scene is meant to be a breathless chase, there's hardly time", "scenery. But since we've started with a bedroom example, let's say the scene", "morning, so there's leisure to notice details, and in fact going slowly over", "of his window... Of course, a clutter of irrelevant details would quickly lose", "description is too much? I close my eyes, I can visualise my MC's", "started with a bedroom example, let's say the scene is a lazy Saturday", "companion question for [How much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too", "So every detail I mention ties to either who the character is, to", "detail: the accent wallpaper, the collection of spaceship models, the view out of", "the view out of his window... Of course, a clutter of irrelevant details", "is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I close my eyes, I", "is a lazy Saturday morning, so there's leisure to notice details, and in", "in fact going slowly over the view fits with the general peacefulness. Even", "quickly lose the reader. So every detail I mention ties to either who", "is, to a worldbuilding element, or to setting the particular scene. There is", "window... Of course, a clutter of irrelevant details would quickly lose the reader.", "eyes, I can visualise my MC's bedroom (for example) in tiniest detail: the", "spaceship models, the view out of his window... Of course, a clutter of", "the reader. So every detail I mention ties to either who the character", "I mention ties to either who the character is, to a worldbuilding element,", "since we've started with a bedroom example, let's say the scene is a", "models, the view out of his window... Of course, a clutter of irrelevant", "much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I close my", "so there's leisure to notice details, and in fact going slowly over the", "too much? I close my eyes, I can visualise my MC's bedroom (for", "worldbuilding element, or to setting the particular scene. There is also the pacing", "pacing to consider: if the scene is meant to be a breathless chase,", "reader. So every detail I mention ties to either who the character is,", "Saturday morning, so there's leisure to notice details, and in fact going slowly", "ties to either who the character is, to a worldbuilding element, or to", "the particular scene. There is also the pacing to consider: if the scene", "clutter of irrelevant details would quickly lose the reader. So every detail I", "with the general peacefulness. Even so, how much description is just too much?", "much? I close my eyes, I can visualise my MC's bedroom (for example)", "course, a clutter of irrelevant details would quickly lose the reader. So every", "in tiniest detail: the accent wallpaper, the collection of spaceship models, the view", "detail I mention ties to either who the character is, to a worldbuilding", "collection of spaceship models, the view out of his window... Of course, a", "view fits with the general peacefulness. Even so, how much description is just", "visualise my MC's bedroom (for example) in tiniest detail: the accent wallpaper, the", "for [How much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is too much? I", "irrelevant details would quickly lose the reader. So every detail I mention ties", "leisure to notice details, and in fact going slowly over the view fits", "much description is too much? I close my eyes, I can visualise my", "to a worldbuilding element, or to setting the particular scene. There is also", "the scenery. But since we've started with a bedroom example, let's say the", "view out of his window... Of course, a clutter of irrelevant details would", "to be a breathless chase, there's hardly time to observe the scenery. But", "also the pacing to consider: if the scene is meant to be a", "the pacing to consider: if the scene is meant to be a breathless", "be a breathless chase, there's hardly time to observe the scenery. But since", "setting the particular scene. There is also the pacing to consider: if the", "A companion question for [How much description is necessary](https://writing.stackexchange.com/q/41813/14704), how much description is", "of irrelevant details would quickly lose the reader. So every detail I mention", "the view fits with the general peacefulness. Even so, how much description is", "either who the character is, to a worldbuilding element, or to setting the", "element, or to setting the particular scene. There is also the pacing to", "my MC's bedroom (for example) in tiniest detail: the accent wallpaper, the collection", "consider: if the scene is meant to be a breathless chase, there's hardly", "the collection of spaceship models, the view out of his window... Of course,", "to observe the scenery. But since we've started with a bedroom example, let's", "a clutter of irrelevant details would quickly lose the reader. So every detail", "a lazy Saturday morning, so there's leisure to notice details, and in fact", "There is also the pacing to consider: if the scene is meant to", "scene. There is also the pacing to consider: if the scene is meant", "mention ties to either who the character is, to a worldbuilding element, or", "the accent wallpaper, the collection of spaceship models, the view out of his", "let's say the scene is a lazy Saturday morning, so there's leisure to", "(for example) in tiniest detail: the accent wallpaper, the collection of spaceship models," ]
[ "\"I will drink until I pass out\", \"I want beer!\" and the like,", "idiosyncrasy by saying things like \"I will drink until I pass out\", \"I", "unique? I feel one way is to show a character's idiosyncrasy by saying", "that each of the 100 characters in a novel doesn't sound like a", "don't do that. How do you make it so that each of the", "make character dialogues sound unique? I feel one way is to show a", "to show a character's idiosyncrasy by saying things like \"I will drink until", "female characters speak in a different way compared to male characters, and I", "all sound different. What are some strategies, techniques, and ideas authors use to", "style and most good novels really don't do that. How do you make", "things like \"I will drink until I pass out\", \"I want beer!\" and", "that. How do you make it so that each of the 100 characters", "compared to male characters, and I am wondering how to make sure they", "of the 100 characters in a novel doesn't sound like a crazy person", "strategies, techniques, and ideas authors use to make character dialogues sound unique? I", "different. What are some strategies, techniques, and ideas authors use to make character", "in a different way compared to male characters, and I am wondering how", "wondering if I should make the female characters speak in a different way", "and the like, but it feels cheap and like bad style. You could", "to make sure they all sound different. What are some strategies, techniques, and", "like \"I will drink until I pass out\", \"I want beer!\" and the", "sound unique? I feel one way is to show a character's idiosyncrasy by", "feel one way is to show a character's idiosyncrasy by saying things like", "it so that each of the 100 characters in a novel doesn't sound", "like a crazy person having a monologue with himself in a asylum (dark", "beer!\" and the like, but it feels cheap and like bad style. You", "novels really don't do that. How do you make it so that each", "is really bad style and most good novels really don't do that. How", "a different way compared to male characters, and I am wondering how to", "characters in a novel doesn't sound like a crazy person having a monologue", "to make character dialogues sound unique? I feel one way is to show", "show a character's idiosyncrasy by saying things like \"I will drink until I", "they all sound different. What are some strategies, techniques, and ideas authors use", "one way is to show a character's idiosyncrasy by saying things like \"I", "pass out\", \"I want beer!\" and the like, but it feels cheap and", "wondering how to make sure they all sound different. What are some strategies,", "I should make the female characters speak in a different way compared to", "make it so that each of the 100 characters in a novel doesn't", "am wondering if I should make the female characters speak in a different", "way compared to male characters, and I am wondering how to make sure", "character really dumb, but that also is really bad style and most good", "will drink until I pass out\", \"I want beer!\" and the like, but", "and ideas authors use to make character dialogues sound unique? I feel one", "a character really dumb, but that also is really bad style and most", "and I am wondering how to make sure they all sound different. What", "dialogues sound unique? I feel one way is to show a character's idiosyncrasy", "different way compared to male characters, and I am wondering how to make", "could also make a character really dumb, but that also is really bad", "really dumb, but that also is really bad style and most good novels", "also make a character really dumb, but that also is really bad style", "are some strategies, techniques, and ideas authors use to make character dialogues sound", "sure they all sound different. What are some strategies, techniques, and ideas authors", "but that also is really bad style and most good novels really don't", "so that each of the 100 characters in a novel doesn't sound like", "to male characters, and I am wondering how to make sure they all", "like bad style. You could also make a character really dumb, but that", "if I should make the female characters speak in a different way compared", "drink until I pass out\", \"I want beer!\" and the like, but it", "should make the female characters speak in a different way compared to male", "the like, but it feels cheap and like bad style. You could also", "also is really bad style and most good novels really don't do that.", "really bad style and most good novels really don't do that. How do", "doesn't sound like a crazy person having a monologue with himself in a", "style. You could also make a character really dumb, but that also is", "that also is really bad style and most good novels really don't do", "I pass out\", \"I want beer!\" and the like, but it feels cheap", "am wondering how to make sure they all sound different. What are some", "sound like a crazy person having a monologue with himself in a asylum", "some strategies, techniques, and ideas authors use to make character dialogues sound unique?", "I feel one way is to show a character's idiosyncrasy by saying things", "dumb, but that also is really bad style and most good novels really", "ideas authors use to make character dialogues sound unique? I feel one way", "100 characters in a novel doesn't sound like a crazy person having a", "speak in a different way compared to male characters, and I am wondering", "a crazy person having a monologue with himself in a asylum (dark humor)?", "I am wondering how to make sure they all sound different. What are", "characters, and I am wondering how to make sure they all sound different.", "\"I want beer!\" and the like, but it feels cheap and like bad", "you make it so that each of the 100 characters in a novel", "but it feels cheap and like bad style. You could also make a", "sound different. What are some strategies, techniques, and ideas authors use to make", "by saying things like \"I will drink until I pass out\", \"I want", "want beer!\" and the like, but it feels cheap and like bad style.", "bad style. You could also make a character really dumb, but that also", "make the female characters speak in a different way compared to male characters,", "each of the 100 characters in a novel doesn't sound like a crazy", "really don't do that. How do you make it so that each of", "until I pass out\", \"I want beer!\" and the like, but it feels", "bad style and most good novels really don't do that. How do you", "do you make it so that each of the 100 characters in a", "it feels cheap and like bad style. You could also make a character", "in a novel doesn't sound like a crazy person having a monologue with", "What are some strategies, techniques, and ideas authors use to make character dialogues", "characters speak in a different way compared to male characters, and I am", "good novels really don't do that. How do you make it so that", "and like bad style. You could also make a character really dumb, but", "how to make sure they all sound different. What are some strategies, techniques,", "I am wondering if I should make the female characters speak in a", "cheap and like bad style. You could also make a character really dumb,", "character's idiosyncrasy by saying things like \"I will drink until I pass out\",", "a novel doesn't sound like a crazy person having a monologue with himself", "techniques, and ideas authors use to make character dialogues sound unique? I feel", "is to show a character's idiosyncrasy by saying things like \"I will drink", "make a character really dumb, but that also is really bad style and", "most good novels really don't do that. How do you make it so", "saying things like \"I will drink until I pass out\", \"I want beer!\"", "way is to show a character's idiosyncrasy by saying things like \"I will", "make sure they all sound different. What are some strategies, techniques, and ideas", "and most good novels really don't do that. How do you make it", "character dialogues sound unique? I feel one way is to show a character's", "You could also make a character really dumb, but that also is really", "How do you make it so that each of the 100 characters in", "male characters, and I am wondering how to make sure they all sound", "out\", \"I want beer!\" and the like, but it feels cheap and like", "feels cheap and like bad style. You could also make a character really", "the female characters speak in a different way compared to male characters, and", "authors use to make character dialogues sound unique? I feel one way is", "like, but it feels cheap and like bad style. You could also make", "do that. How do you make it so that each of the 100", "use to make character dialogues sound unique? I feel one way is to", "novel doesn't sound like a crazy person having a monologue with himself in", "the 100 characters in a novel doesn't sound like a crazy person having", "a character's idiosyncrasy by saying things like \"I will drink until I pass" ]
[ "to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long sentences", "[(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long sentences as Landon does beneath?", "does beneath? His formatting is far more readable, and clarity's more important than", "Great Sentences: How to Write the Kinds of Sentences You Love to Read", "(Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long sentences as Landon", "as Landon does beneath? His formatting is far more readable, and clarity's more", "tier long sentences as Landon does beneath? His formatting is far more readable,", "to Write the Kinds of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601).", "U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of", "Landon does beneath? His formatting is far more readable, and clarity's more important", "is far more readable, and clarity's more important than the additional required space.", "Sentences: How to Write the Kinds of Sentences You Love to Read (Great", "Brooks Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How", "55-56. Why don’t writers tier long sentences as Landon does beneath? His formatting", "[Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds", "more readable, and clarity's more important than the additional required space. [![enter image", "beneath? His formatting is far more readable, and clarity's more important than the", "and clarity's more important than the additional required space. [![enter image description here](https://i.stack.imgur.com/X5MEC.jpg)](https://i.stack.imgur.com/X5MEC.jpg)", "at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences You", "Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long sentences as", "His formatting is far more readable, and clarity's more important than the additional", "Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the", "formatting is far more readable, and clarity's more important than the additional required", "Building Great Sentences: How to Write the Kinds of Sentences You Love to", "Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to", "long sentences as Landon does beneath? His formatting is far more readable, and", "How to Write the Kinds of Sentences You Love to Read (Great Courses)", "Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences You Love", "Write the Kinds of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp", "the Kinds of Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56.", "writers tier long sentences as Landon does beneath? His formatting is far more", "far more readable, and clarity's more important than the additional required space. [![enter", "Why don’t writers tier long sentences as Landon does beneath? His formatting is", "readable, and clarity's more important than the additional required space. [![enter image description", "Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long", "U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write", "pp 55-56. Why don’t writers tier long sentences as Landon does beneath? His", "of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t", "don’t writers tier long sentences as Landon does beneath? His formatting is far", "Prof. Brooks Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences:", "Kinds of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why", "Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers", "Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences", "You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier", "Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). pp 55-56. Why don’t writers tier long sentences as Landon does", "sentences as Landon does beneath? His formatting is far more readable, and clarity's" ]
[ "Write the Kinds of Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p.", "for there was no sign of human habitation as far as the eye", "124. > > Listen to the striking opening sentence of Joseph Conrad’s story", "half-submerged bamboo fences, incomprehensible in its division of the domain of tropical fishes,", "were lines of fishing stakes[,] resembling a mysterious system of half-submerged bamboo fences,", "p. 124. > > Listen to the striking opening sentence of Joseph Conrad’s", "Brooks Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How", "at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences You", "of Joseph Conrad’s story “The Secret Sharer”: > > > > > >", "as the eye could reach. > > > > > > > >", "Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the", "Building Great Sentences: How to Write the Kinds of Sentences You Love to", "abandoned forever by some nomad tribe of fishermen[,] now gone to the other", "You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to", "Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen", "of the ocean; for there was no sign of human habitation as far", "Kinds of Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. >", "U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write", "was no sign of human habitation as far as the eye could reach.", "the ocean; for there was no sign of human habitation as far as", "human habitation as far as the eye could reach. > > > >", "other end of the ocean; for there was no sign of human habitation", "of the domain of tropical fishes, and crazy of aspect[,] as if abandoned", "of tropical fishes, and crazy of aspect[,] as if abandoned forever by some", "> > > > > > > > Why didn’t Conrad and other", "the other end of the ocean; for there was no sign of human", "of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > >", "to Write the Kinds of Sentences You Love to Read* (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601).", "> > > On my right hand there were lines of fishing stakes[,]", "> > > > > > > On my right hand there were", "there were lines of fishing stakes[,] resembling a mysterious system of half-submerged bamboo", "if abandoned forever by some nomad tribe of fishermen[,] now gone to the", "sign of human habitation as far as the eye could reach. > >", "Conrad’s story “The Secret Sharer”: > > > > > > > On", "(Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the striking opening sentence", "domain of tropical fishes, and crazy of aspect[,] as if abandoned forever by", "forever by some nomad tribe of fishermen[,] now gone to the other end", "Why didn’t Conrad and other writers use commas as Landon did in square", "right hand there were lines of fishing stakes[,] resembling a mysterious system of", "in its division of the domain of tropical fishes, and crazy of aspect[,]", "> > > > > > > Why didn’t Conrad and other writers", "Sharer”: > > > > > > > On my right hand there", "[Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds", "crazy of aspect[,] as if abandoned forever by some nomad tribe of fishermen[,]", "fishing stakes[,] resembling a mysterious system of half-submerged bamboo fences, incomprehensible in its", "striking opening sentence of Joseph Conrad’s story “The Secret Sharer”: > > >", "> > > > > > On my right hand there were lines", "the Kinds of Sentences You Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124.", "gone to the other end of the ocean; for there was no sign", "habitation as far as the eye could reach. > > > > >", "of aspect[,] as if abandoned forever by some nomad tribe of fishermen[,] now", "didn’t Conrad and other writers use commas as Landon did in square brackets?", "Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to", "mysterious system of half-submerged bamboo fences, incomprehensible in its division of the domain", "of half-submerged bamboo fences, incomprehensible in its division of the domain of tropical", "its division of the domain of tropical fishes, and crazy of aspect[,] as", "tribe of fishermen[,] now gone to the other end of the ocean; for", "now gone to the other end of the ocean; for there was no", "> > > > > Why didn’t Conrad and other writers use commas", "> > > Why didn’t Conrad and other writers use commas as Landon", "Listen to the striking opening sentence of Joseph Conrad’s story “The Secret Sharer”:", "Great Sentences: How to Write the Kinds of Sentences You Love to Read", "could reach. > > > > > > > > > Why didn’t", "the eye could reach. > > > > > > > > >", "opening sentence of Joseph Conrad’s story “The Secret Sharer”: > > > >", "U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of", "stakes[,] resembling a mysterious system of half-submerged bamboo fences, incomprehensible in its division", "On my right hand there were lines of fishing stakes[,] resembling a mysterious", "far as the eye could reach. > > > > > > >", "sentence of Joseph Conrad’s story “The Secret Sharer”: > > > > >", "> > > > On my right hand there were lines of fishing", "nomad tribe of fishermen[,] now gone to the other end of the ocean;", "of fishing stakes[,] resembling a mysterious system of half-submerged bamboo fences, incomprehensible in", "some nomad tribe of fishermen[,] now gone to the other end of the", "system of half-submerged bamboo fences, incomprehensible in its division of the domain of", "to the other end of the ocean; for there was no sign of", "resembling a mysterious system of half-submerged bamboo fences, incomprehensible in its division of", "> On my right hand there were lines of fishing stakes[,] resembling a", "eye could reach. > > > > > > > > > Why", "bamboo fences, incomprehensible in its division of the domain of tropical fishes, and", "to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the striking", "by some nomad tribe of fishermen[,] now gone to the other end of", "> > > > Why didn’t Conrad and other writers use commas as", "the striking opening sentence of Joseph Conrad’s story “The Secret Sharer”: > >", "> Listen to the striking opening sentence of Joseph Conrad’s story “The Secret", "> > Why didn’t Conrad and other writers use commas as Landon did", "[(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the striking opening sentence of Joseph", "a mysterious system of half-submerged bamboo fences, incomprehensible in its division of the", "aspect[,] as if abandoned forever by some nomad tribe of fishermen[,] now gone", "Prof. Brooks Landon, U. Iowa, [Ph.D. U. Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences:", "“The Secret Sharer”: > > > > > > > On my right", "lines of fishing stakes[,] resembling a mysterious system of half-submerged bamboo fences, incomprehensible", "> > > > > > Why didn’t Conrad and other writers use", "as far as the eye could reach. > > > > > >", "fences, incomprehensible in its division of the domain of tropical fishes, and crazy", "Secret Sharer”: > > > > > > > On my right hand", "fishermen[,] now gone to the other end of the ocean; for there was", "as if abandoned forever by some nomad tribe of fishermen[,] now gone to", "end of the ocean; for there was no sign of human habitation as", "there was no sign of human habitation as far as the eye could", "hand there were lines of fishing stakes[,] resembling a mysterious system of half-submerged", "Sentences: How to Write the Kinds of Sentences You Love to Read (Great", "Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the striking opening sentence of", "of fishermen[,] now gone to the other end of the ocean; for there", "my right hand there were lines of fishing stakes[,] resembling a mysterious system", "division of the domain of tropical fishes, and crazy of aspect[,] as if", "Joseph Conrad’s story “The Secret Sharer”: > > > > > > >", "> > > > > > > > > Why didn’t Conrad and", "story “The Secret Sharer”: > > > > > > > On my", "fishes, and crazy of aspect[,] as if abandoned forever by some nomad tribe", "the domain of tropical fishes, and crazy of aspect[,] as if abandoned forever", "of human habitation as far as the eye could reach. > > >", "to the striking opening sentence of Joseph Conrad’s story “The Secret Sharer”: >", "reach. > > > > > > > > > Why didn’t Conrad", "How to Write the Kinds of Sentences You Love to Read* (Great Courses)", "Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences You Love", "ocean; for there was no sign of human habitation as far as the", "> > On my right hand there were lines of fishing stakes[,] resembling", "> > > > > On my right hand there were lines of", "incomprehensible in its division of the domain of tropical fishes, and crazy of", "Love to Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the", "and crazy of aspect[,] as if abandoned forever by some nomad tribe of", "no sign of human habitation as far as the eye could reach. >", "tropical fishes, and crazy of aspect[,] as if abandoned forever by some nomad", "> > Listen to the striking opening sentence of Joseph Conrad’s story “The", "Texas at Austin](https://english.uiowa.edu/people/brooks-landon). Building Great Sentences: How to Write the Kinds of Sentences", "Read (Great Courses) [(2013)](https://rads.stackoverflow.com/amzn/click/com/0452298601). p. 124. > > Listen to the striking opening", "> Why didn’t Conrad and other writers use commas as Landon did in" ]
[ "mainly servants, they should be easily understood. Cyborgs, on the other hand, not", "more intelligent than you, the writer? Let's say the cyborg has an IQ", "by everyone. So how would you go about writing the dialogue for a", "be perfect and extremely smart and won't necessarily be understood by everyone. So", "a lot more intelligent than you, the writer? Let's say the cyborg has", "they're augmented humans, but some cyborgs should be perfect and extremely smart and", "writer? Let's say the cyborg has an IQ of 200. If you have", "necessarily, because they're augmented humans, but some cyborgs should be perfect and extremely", "are mainly servants, they should be easily understood. Cyborgs, on the other hand,", "A.I. should have perfect English, but because they are mainly servants, they should", "say the cyborg has an IQ of 200. If you have average intelligence,", "for a character that's a lot more intelligent than you, the writer? Let's", "you go about writing the dialogue for a character that's a lot more", "writing the dialogue for a character that's a lot more intelligent than you,", "Let's say the cyborg has an IQ of 200. If you have average", "servants, they should be easily understood. Cyborgs, on the other hand, not necessarily,", "you have average intelligence, and you are the writer, what would you do?", "smart and won't necessarily be understood by everyone. So how would you go", "humans, but some cyborgs should be perfect and extremely smart and won't necessarily", "a character that's a lot more intelligent than you, the writer? Let's say", "dialogue for a character that's a lot more intelligent than you, the writer?", "should be easily understood. Cyborgs, on the other hand, not necessarily, because they're", "extremely smart and won't necessarily be understood by everyone. So how would you", "should have perfect English, but because they are mainly servants, they should be", "easily understood. Cyborgs, on the other hand, not necessarily, because they're augmented humans,", "they should be easily understood. Cyborgs, on the other hand, not necessarily, because", "because they're augmented humans, but some cyborgs should be perfect and extremely smart", "and extremely smart and won't necessarily be understood by everyone. So how would", "go about writing the dialogue for a character that's a lot more intelligent", "but because they are mainly servants, they should be easily understood. Cyborgs, on", "cyborgs should be perfect and extremely smart and won't necessarily be understood by", "perfect and extremely smart and won't necessarily be understood by everyone. So how", "how would you go about writing the dialogue for a character that's a", "you, the writer? Let's say the cyborg has an IQ of 200. If", "would you go about writing the dialogue for a character that's a lot", "because they are mainly servants, they should be easily understood. Cyborgs, on the", "necessarily be understood by everyone. So how would you go about writing the", "the dialogue for a character that's a lot more intelligent than you, the", "has an IQ of 200. If you have average intelligence, and you are", "an IQ of 200. If you have average intelligence, and you are the", "So how would you go about writing the dialogue for a character that's", "understood by everyone. So how would you go about writing the dialogue for", "be understood by everyone. So how would you go about writing the dialogue", "the writer? Let's say the cyborg has an IQ of 200. If you", "hand, not necessarily, because they're augmented humans, but some cyborgs should be perfect", "understood. Cyborgs, on the other hand, not necessarily, because they're augmented humans, but", "the cyborg has an IQ of 200. If you have average intelligence, and", "about writing the dialogue for a character that's a lot more intelligent than", "perfect English, but because they are mainly servants, they should be easily understood.", "but some cyborgs should be perfect and extremely smart and won't necessarily be", "than you, the writer? Let's say the cyborg has an IQ of 200.", "have perfect English, but because they are mainly servants, they should be easily", "be easily understood. Cyborgs, on the other hand, not necessarily, because they're augmented", "everyone. So how would you go about writing the dialogue for a character", "character that's a lot more intelligent than you, the writer? Let's say the", "IQ of 200. If you have average intelligence, and you are the writer,", "some cyborgs should be perfect and extremely smart and won't necessarily be understood", "that's a lot more intelligent than you, the writer? Let's say the cyborg", "on the other hand, not necessarily, because they're augmented humans, but some cyborgs", "and won't necessarily be understood by everyone. So how would you go about", "of 200. If you have average intelligence, and you are the writer, what", "the other hand, not necessarily, because they're augmented humans, but some cyborgs should", "other hand, not necessarily, because they're augmented humans, but some cyborgs should be", "augmented humans, but some cyborgs should be perfect and extremely smart and won't", "won't necessarily be understood by everyone. So how would you go about writing", "they are mainly servants, they should be easily understood. Cyborgs, on the other", "cyborg has an IQ of 200. If you have average intelligence, and you", "should be perfect and extremely smart and won't necessarily be understood by everyone.", "Cyborgs, on the other hand, not necessarily, because they're augmented humans, but some", "200. If you have average intelligence, and you are the writer, what would", "not necessarily, because they're augmented humans, but some cyborgs should be perfect and", "intelligent than you, the writer? Let's say the cyborg has an IQ of", "English, but because they are mainly servants, they should be easily understood. Cyborgs,", "If you have average intelligence, and you are the writer, what would you", "lot more intelligent than you, the writer? Let's say the cyborg has an" ]
[ "\"Don't go where I can't follow\" > > > which is present in", "construed as plagiarism, but apparently some people vehemently attacked her for that, so", "line: > > \"Don't go where I can't follow\" > > > which", "who got accused of plagiarism recently. One of her character had the following", "or descriptive passage is exactly the same as in another novel? There was", "got accused of plagiarism recently. One of her character had the following line:", "Tolkien's work. I thought one line this general could not be construed as", "whether a character's line or descriptive passage is exactly the same as in", "in Tolkien's work. I thought one line this general could not be construed", "where I can't follow\" > > > which is present in Tolkien's work.", "descriptive passage is exactly the same as in another novel? There was this", "is present in Tolkien's work. I thought one line this general could not", "could not be construed as plagiarism, but apparently some people vehemently attacked her", "a character's line or descriptive passage is exactly the same as in another", "that checks whether a character's line or descriptive passage is exactly the same", "in another novel? There was this author who got accused of plagiarism recently.", "> > > which is present in Tolkien's work. I thought one line", "so I was wondering how do you prevent such a situation from occurring.", "same as in another novel? There was this author who got accused of", "there a website that checks whether a character's line or descriptive passage is", "website that checks whether a character's line or descriptive passage is exactly the", "> \"Don't go where I can't follow\" > > > which is present", "people vehemently attacked her for that, so I was wondering how do you", "is exactly the same as in another novel? There was this author who", "passage is exactly the same as in another novel? There was this author", "attacked her for that, so I was wondering how do you prevent such", "that, so I was wondering how do you prevent such a situation from", "of plagiarism recently. One of her character had the following line: > >", "One of her character had the following line: > > \"Don't go where", "exactly the same as in another novel? There was this author who got", "accused of plagiarism recently. One of her character had the following line: >", "> which is present in Tolkien's work. I thought one line this general", "not be construed as plagiarism, but apparently some people vehemently attacked her for", "general could not be construed as plagiarism, but apparently some people vehemently attacked", "as in another novel? There was this author who got accused of plagiarism", "character's line or descriptive passage is exactly the same as in another novel?", "be construed as plagiarism, but apparently some people vehemently attacked her for that,", "the following line: > > \"Don't go where I can't follow\" > >", "There was this author who got accused of plagiarism recently. One of her", "which is present in Tolkien's work. I thought one line this general could", "author who got accused of plagiarism recently. One of her character had the", "her character had the following line: > > \"Don't go where I can't", "the same as in another novel? There was this author who got accused", "checks whether a character's line or descriptive passage is exactly the same as", "thought one line this general could not be construed as plagiarism, but apparently", "plagiarism recently. One of her character had the following line: > > \"Don't", "present in Tolkien's work. I thought one line this general could not be", "Is there a website that checks whether a character's line or descriptive passage", "I can't follow\" > > > which is present in Tolkien's work. I", "her for that, so I was wondering how do you prevent such a", "one line this general could not be construed as plagiarism, but apparently some", "this general could not be construed as plagiarism, but apparently some people vehemently", "line this general could not be construed as plagiarism, but apparently some people", "can't follow\" > > > which is present in Tolkien's work. I thought", "of her character had the following line: > > \"Don't go where I", "but apparently some people vehemently attacked her for that, so I was wondering", "novel? There was this author who got accused of plagiarism recently. One of", "had the following line: > > \"Don't go where I can't follow\" >", "plagiarism, but apparently some people vehemently attacked her for that, so I was", "follow\" > > > which is present in Tolkien's work. I thought one", "> > which is present in Tolkien's work. I thought one line this", "following line: > > \"Don't go where I can't follow\" > > >", "for that, so I was wondering how do you prevent such a situation", "vehemently attacked her for that, so I was wondering how do you prevent", "work. I thought one line this general could not be construed as plagiarism,", "I thought one line this general could not be construed as plagiarism, but", "this author who got accused of plagiarism recently. One of her character had", "go where I can't follow\" > > > which is present in Tolkien's", "recently. One of her character had the following line: > > \"Don't go", "as plagiarism, but apparently some people vehemently attacked her for that, so I", "character had the following line: > > \"Don't go where I can't follow\"", "another novel? There was this author who got accused of plagiarism recently. One", "apparently some people vehemently attacked her for that, so I was wondering how", "was this author who got accused of plagiarism recently. One of her character", "> > \"Don't go where I can't follow\" > > > which is", "a website that checks whether a character's line or descriptive passage is exactly", "line or descriptive passage is exactly the same as in another novel? There", "some people vehemently attacked her for that, so I was wondering how do" ]
[ "don't want to say it in the descriptive passage. I want people to", "Which ones? Do you misspell certain words? What are some of the tricks", "people to feel it while they're reading the character's dialogue. I want them", "tricks writers use? I don't want to say it in the descriptive passage.", "ones? Do you misspell certain words? What are some of the tricks writers", "I don't want to say it in the descriptive passage. I want people", "of the tricks writers use? I don't want to say it in the", "misspell certain words? What are some of the tricks writers use? I don't", "want to say it in the descriptive passage. I want people to feel", "words? What are some of the tricks writers use? I don't want to", "the tricks writers use? I don't want to say it in the descriptive", "use? I don't want to say it in the descriptive passage. I want", "you misspell certain words? What are some of the tricks writers use? I", "to say it in the descriptive passage. I want people to feel it", "want people to feel it while they're reading the character's dialogue. I want", "you add pauses? Do you add interjection? Which ones? Do you misspell certain", "it in the descriptive passage. I want people to feel it while they're", "in the descriptive passage. I want people to feel it while they're reading", "interjection? Which ones? Do you misspell certain words? What are some of the", "Do you add interjection? Which ones? Do you misspell certain words? What are", "it while they're reading the character's dialogue. I want them to really feel", "Do you misspell certain words? What are some of the tricks writers use?", "say it in the descriptive passage. I want people to feel it while", "you add interjection? Which ones? Do you misspell certain words? What are some", "add pauses? Do you add interjection? Which ones? Do you misspell certain words?", "add interjection? Which ones? Do you misspell certain words? What are some of", "some of the tricks writers use? I don't want to say it in", "writers use? I don't want to say it in the descriptive passage. I", "certain words? What are some of the tricks writers use? I don't want", "I want people to feel it while they're reading the character's dialogue. I", "pauses? Do you add interjection? Which ones? Do you misspell certain words? What", "are some of the tricks writers use? I don't want to say it", "feel it while they're reading the character's dialogue. I want them to really", "the descriptive passage. I want people to feel it while they're reading the", "to feel it while they're reading the character's dialogue. I want them to", "passage. I want people to feel it while they're reading the character's dialogue.", "they're reading the character's dialogue. I want them to really feel the pain.", "while they're reading the character's dialogue. I want them to really feel the", "Do you add pauses? Do you add interjection? Which ones? Do you misspell", "descriptive passage. I want people to feel it while they're reading the character's", "What are some of the tricks writers use? I don't want to say" ]
[ "very different. I don't know how to do it smoothly without overloading the", "to ours but at the same time is very different. I don't know", "same time is very different. I don't know how to do it smoothly", "I don't know how to do it smoothly without overloading the reader with", "different. I don't know how to do it smoothly without overloading the reader", "without overloading the reader with information but at the same time giving them", "book with a world similar to ours but at the same time is", "know how to do it smoothly without overloading the reader with information but", "overloading the reader with information but at the same time giving them enough", "how to do it smoothly without overloading the reader with information but at", "the reader with information but at the same time giving them enough information", "a book with a world similar to ours but at the same time", "a world similar to ours but at the same time is very different.", "time is very different. I don't know how to do it smoothly without", "but at the same time giving them enough information so that everything makes", "smoothly without overloading the reader with information but at the same time giving", "is very different. I don't know how to do it smoothly without overloading", "the same time is very different. I don't know how to do it", "don't know how to do it smoothly without overloading the reader with information", "information but at the same time giving them enough information so that everything", "it smoothly without overloading the reader with information but at the same time", "I'm writing a book with a world similar to ours but at the", "at the same time giving them enough information so that everything makes sense.", "writing a book with a world similar to ours but at the same", "with information but at the same time giving them enough information so that", "similar to ours but at the same time is very different. I don't", "ours but at the same time is very different. I don't know how", "reader with information but at the same time giving them enough information so", "do it smoothly without overloading the reader with information but at the same", "world similar to ours but at the same time is very different. I", "at the same time is very different. I don't know how to do", "but at the same time is very different. I don't know how to", "with a world similar to ours but at the same time is very", "to do it smoothly without overloading the reader with information but at the" ]
[ "the massive-lobby of Pod 6—a massive central-nexus from which spanned-off clubs, and shops,", "his map, “You’ll be working in the central pod on the bio-floor. Your", "a perfect, hearty-awe of the sheer-splendour, staring up at the seemingly-endless spiral of", "thereto, and he flicked the razor down into the sink, and a splatter", "and an elevator or two, as usual. > > > # > >", "a massive holographic projection of the company logo, spinning and flashing. > >", "> > Some junk I haven't written yet, ideally about an hour or", "The cheap, plastic razor tinkt against the porcelain in dull, sharp sort of", "and it flows together. The culmination would be those two characters passing each", "the second character arrives in the lobby of the space station. I then", "distantly at the corner of his face—the only smooth place—as he labouriously dragged", "bays from which the civilian transport crafts could safely dock and release new-arrivals.", "long, green vines spilling from the planters, and purple and pink lights shining", "line, holding tight the hand of Bullv, his four-year-old son, with his other", "bathroom. > > > The cheap, plastic razor tinkt against the porcelain in", "and slowly crept toward the vent. The low-thumping of his chest drowned out", "chest drowned out all sound as stood adjacent under the vent, watching as", "you and please enjoy your stay.” > > > Transition ---------- > >", "the seemingly-endless spiral of white platforms and green planters hanging off the edges,", "up at the seemingly-endless spiral of white platforms and green planters hanging off", "like to quickly jump between two characters as things happen about the same", "completely he was running late for work, a few halls and an elevator", "wind began to blow out, cooling his face uncomfortably. > > > Zotn", "vent. His dry-ish gulp popped his ears, bloating his gut as he squinted", "halls and an elevator or two, as usual. > > > # >", "their way to their workplaces, but each still unknown to the other. The", "# > > > “Welcome to Future’s Hope research facility,” the timely voice", "in line, holding tight the hand of Bullv, his four-year-old son, with his", "new job. Bullv stared up in amaze at the long, green vines spilling", "from the planters, and purple and pink lights shining through the flowing streams", "the bio-floor. Your apartment and work location are marked on your map, including", "an hour or so of them arrived at their apartment. > > >", "vent behind the last stall of the bathroom. > > > The cheap,", "behind the last stall of the bathroom. > > > The cheap, plastic", "their parents tried to quick-grab their hands, in a perfect, hearty-awe of the", "have been putting it off for some time. I am extremely new to", "against his tense-chest as the dripping slowly subsided and he turned-face back. Slowly,", "doors opened. > > > The children noised much as their parents tried", "extremely new to writing and honestly need to read more. I personally tend", "on their way to their workplaces, but each still unknown to the other.", "throat as he stared distantly at the corner of his face—the only smooth", "blow out, cooling his face uncomfortably. > > > Zotn pressed hard his", "tense-chest as the dripping slowly subsided and he turned-face back. Slowly, distantly, his", "subsided and he turned-face back. Slowly, distantly, his widened pupils stared at the", "he turned-face back. Slowly, distantly, his widened pupils stared at the grey whiskers", "space station. I then want to immediately jump to him in his apartment", "his chest, as he slowly looked in the upper-right corner of the mirror", "the Future’s Hope Research Facility,” the receptionist, a young-blonde, greeted as she adjusted", "want to immediately jump to him in his apartment readying to leave for", "dripped faster as wind began to blow out, cooling his face uncomfortably. >", "dragged the razor across his contorted face. A second stroke next thereto, and", "clubs, and shops, and into which, led bays from which the civilian transport", "the space station. I then want to immediately jump to him in his", "central-nexus from which spanned-off clubs, and shops, and into which, led bays from", "to the Future’s Hope Research Facility,” the receptionist, a young-blonde, greeted as she", "Future’s Hope research facility,” the timely voice chimed over the automated PA system,", "new-arrivals. But at the base of the center was a massive, colour-lit fountain,", "the porcelain in dull, sharp sort of sound, as he turned around and", "platforms and green planters hanging off the edges, of the massive-lobby of Pod", "as the dripping slowly subsided and he turned-face back. Slowly, distantly, his widened", "job. To keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: --------------------------------------", "from the vent and the water dripped faster as wind began to blow", "> > The children noised much as their parents tried to quick-grab their", "pressed hard his hand against his tense-chest as the dripping slowly subsided and", "hearty-awe of the sheer-splendour, staring up at the seemingly-endless spiral of white platforms", "“Many Jasons, but you are the only Richards, sir,” smiling. She nodded as", "> > The cheap, plastic razor tinkt against the porcelain in dull, sharp", "splattering of the shaving cream in the sinksbottom. Alarmed, he perked up and", "to quick-grab their hands, in a perfect, hearty-awe of the sheer-splendour, staring up", "finger up on the screen of her terminal, “Ahh, Jason R. Richards, there", "Richards, sir,” smiling. She nodded as she handed him his map, “You’ll be", "characters as things happen about the same time and it flows together. The", "The idea is that the second character arrives in the lobby of the", "his gut as he squinted at the vent-face, noticing condensation formulated on the", "son, with his other arm around his wife, holding her close; his heart", "Pod 6—a massive central-nexus from which spanned-off clubs, and shops, and into which,", "think more like a movie camera, so I try to focus on what", "is that the second character arrives in the lobby of the space station.", "6—a massive central-nexus from which spanned-off clubs, and shops, and into which, led", "against the porcelain in dull, sharp sort of sound, as he turned around", "around and slowly crept toward the vent. The low-thumping of his chest drowned", "the grey whiskers wash down the sink. Hypnotized, he forgot more completely he", "next thereto, and he flicked the razor down into the sink, and a", "of the company logo, spinning and flashing. > > > Jason Richards waited", "I think is most important. For the initial chapter, I would like to", "at the seemingly-endless spiral of white platforms and green planters hanging off the", "pupils stared at the grey whiskers wash down the sink. Hypnotized, he forgot", "“Name please.” > > > “J- Jason. My name is Jason Richards; I", "about an hour or so of them arrived at their apartment. > >", "heart sank deep into his chest, as he slowly looked in the upper-right", "late for work, a few halls and an elevator or two, as usual.", "and into which, led bays from which the civilian transport crafts could safely", "was working on a story for practice; I have been putting it off", "around his wife, holding her close; his heart sorrowing over weight of moving", "from which spanned-off clubs, and shops, and into which, led bays from which", "I work in Bio—flora and fauna of alien worlds.” > > > She", "as things happen about the same time and it flows together. The culmination", "Peli’s throat as he stared distantly at the corner of his face—the only", "looked in the upper-right corner of the mirror and saw the vent behind", "hard his hand against his tense-chest as the dripping slowly subsided and he", "his face uncomfortably. > > > Zotn pressed hard his hand against his", "she handed him his map, “You’ll be working in the central pod on", "up in amaze at the long, green vines spilling from the planters, and", "am extremely new to writing and honestly need to read more. I personally", "quickly jump between two characters as things happen about the same time and", "his heart sorrowing over weight of moving and unsurety of his new job.", "Jokingly, she said, “Many Jasons, but you are the only Richards, sir,” smiling.", "from the air vent behind him blended in with the splattering of the", "fountain, and above, a massive holographic projection of the company logo, spinning and", "a story for practice; I have been putting it off for some time.", "for his new job. To keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily", "crackling uhh crept from Zotnathan Peli’s throat as he stared distantly at the", "> > > “Welcome to the Future’s Hope Research Facility,” the receptionist, a", "flowing streams of water from the planters and ceiling of the lobby. >", "edges, of the massive-lobby of Pod 6—a massive central-nexus from which spanned-off clubs,", "name quietly to herself as she flicked her finger up on the screen", "other arm around his wife, holding her close; his heart sorrowing over weight", "massive central-nexus from which spanned-off clubs, and shops, and into which, led bays", "as he turned around and slowly crept toward the vent. The low-thumping of", "flows together. The culmination would be those two characters passing each other through", "his contorted face. A second stroke next thereto, and he flicked the razor", "A crackling uhh crept from Zotnathan Peli’s throat as he stared distantly at", "leave for his new job. To keep pace and cut out unnecessary-fluff. Unnecessarily,", "an elevator or two, as usual. > > > # > > >", "seemingly-endless spiral of white platforms and green planters hanging off the edges, of", "planters hanging off the edges, of the massive-lobby of Pod 6—a massive central-nexus", "her close; his heart sorrowing over weight of moving and unsurety of his", "white platforms and green planters hanging off the edges, of the massive-lobby of", "your stay.” > > > Transition ---------- > > Some junk I haven't", "map, “You’ll be working in the central pod on the bio-floor. Your apartment", "cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > > A crackling uhh", "from the vent. His dry-ish gulp popped his ears, bloating his gut as", "I personally tend to think more like a movie camera, so I try", "jump between two characters as things happen about the same time and it", "> > > # > > > “Welcome to Future’s Hope research facility,”", "> She repeated his name quietly to herself as she flicked her finger", "dripping slowly subsided and he turned-face back. Slowly, distantly, his widened pupils stared", "your map, including a recommended, shortest-route that also has marked a cafeteria and", "out, cooling his face uncomfortably. > > > Zotn pressed hard his hand", "the air vent behind him blended in with the splattering of the shaving", "for practice; I have been putting it off for some time. I am", "the screen of her terminal, “Ahh, Jason R. Richards, there you are.” Jokingly,", "second stroke next thereto, and he flicked the razor down into the sink,", "saw the vent behind the last stall of the bathroom. > > >", "along the way, for your convenience. Thank you and please enjoy your stay.”", "young-blonde, greeted as she adjusted her small blue hat. “Name please.” > >", "to the other. The idea is that the second character arrives in the", "un-Godly hiss let from the vent and the water dripped faster as wind", "I try to focus on what I think is most important. For the", "as the shuttle-car’s doors opened. > > > The children noised much as", "air vent behind him blended in with the splattering of the shaving cream", "Hypnotized, he forgot more completely he was running late for work, a few", "and please enjoy your stay.” > > > Transition ---------- > > Some", "off for some time. I am extremely new to writing and honestly need", "forgot more completely he was running late for work, a few halls and", "into the sink, and a splatter of liquid drizzling from the air vent", "logo, spinning and flashing. > > > Jason Richards waited in line, holding", "his wife, holding her close; his heart sorrowing over weight of moving and", "cooling his face uncomfortably. > > > Zotn pressed hard his hand against", "hall on their way to their workplaces, but each still unknown to the", "was running late for work, a few halls and an elevator or two,", "holding her close; his heart sorrowing over weight of moving and unsurety of", "and flashing. > > > Jason Richards waited in line, holding tight the", "on the bio-floor. Your apartment and work location are marked on your map,", "lobby. > > > “Welcome to the Future’s Hope Research Facility,” the receptionist,", "he slowly looked in the upper-right corner of the mirror and saw the", "the shuttle-car’s doors opened. > > > The children noised much as their", "the mirror and saw the vent behind the last stall of the bathroom.", "at the corner of his face—the only smooth place—as he labouriously dragged the", "hand of Bullv, his four-year-old son, with his other arm around his wife,", "children noised much as their parents tried to quick-grab their hands, in a", "sinksbottom. Alarmed, he perked up and his heart sank deep into his chest,", "into his chest, as he slowly looked in the upper-right corner of the", "to read more. I personally tend to think more like a movie camera,", "oozed down quickly, slimily, from the vent. His dry-ish gulp popped his ears,", "a recommended, shortest-route that also has marked a cafeteria and restroom along the", "important. For the initial chapter, I would like to quickly jump between two", "the sink, and a splatter of liquid drizzling from the air vent behind", "alien worlds.” > > > She repeated his name quietly to herself as", "> > > Transition ---------- > > Some junk I haven't written yet,", "those two characters passing each other through the hall on their way to", "deep into his chest, as he slowly looked in the upper-right corner of", "water from the planters and ceiling of the lobby. > > > “Welcome", "happen about the same time and it flows together. The culmination would be", "other through the hall on their way to their workplaces, but each still", "her finger up on the screen of her terminal, “Ahh, Jason R. Richards,", "and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > > A crackling", "like a movie camera, so I try to focus on what I think", "to think more like a movie camera, so I try to focus on", "and shops, and into which, led bays from which the civilian transport crafts", "began to blow out, cooling his face uncomfortably. > > > Zotn pressed", "wash down the sink. Hypnotized, he forgot more completely he was running late", "down the sink. Hypnotized, he forgot more completely he was running late for", "colour-lit fountain, and above, a massive holographic projection of the company logo, spinning", "Research Facility,” the receptionist, a young-blonde, greeted as she adjusted her small blue", "Jasons, but you are the only Richards, sir,” smiling. She nodded as she", "wife, holding her close; his heart sorrowing over weight of moving and unsurety", "The children noised much as their parents tried to quick-grab their hands, in", "release new-arrivals. But at the base of the center was a massive, colour-lit", "over the automated PA system, as the shuttle-car’s doors opened. > > >", "and fauna of alien worlds.” > > > She repeated his name quietly", "try to focus on what I think is most important. For the initial", "-------------------------------------- > > A crackling uhh crept from Zotnathan Peli’s throat as he", "popped his ears, bloating his gut as he squinted at the vent-face, noticing", "> > “Welcome to Future’s Hope research facility,” the timely voice chimed over", "porcelain in dull, sharp sort of sound, as he turned around and slowly", "parents tried to quick-grab their hands, in a perfect, hearty-awe of the sheer-splendour,", "much as their parents tried to quick-grab their hands, in a perfect, hearty-awe", "him blended in with the splattering of the shaving cream in the sinksbottom.", "under the vent, watching as a thick-water oozed down quickly, slimily, from the", "gut as he squinted at the vent-face, noticing condensation formulated on the ouside.", "with the splattering of the shaving cream in the sinksbottom. Alarmed, he perked", "workplaces, but each still unknown to the other. The idea is that the", "splatter of liquid drizzling from the air vent behind him blended in with", "he turned around and slowly crept toward the vent. The low-thumping of his", "haven't written yet, ideally about an hour or so of them arrived at", "stared distantly at the corner of his face—the only smooth place—as he labouriously", "herself as she flicked her finger up on the screen of her terminal,", "and unsurety of his new job. Bullv stared up in amaze at the", "smooth place—as he labouriously dragged the razor across his contorted face. A second", "arrives in the lobby of the space station. I then want to immediately", "> Transition ---------- > > Some junk I haven't written yet, ideally about", "what I think is most important. For the initial chapter, I would like", "Jason Richards waited in line, holding tight the hand of Bullv, his four-year-old", "toward the vent. The low-thumping of his chest drowned out all sound as", "together. The culmination would be those two characters passing each other through the", "in the central pod on the bio-floor. Your apartment and work location are", "> “J- Jason. My name is Jason Richards; I work in Bio—flora and", "few halls and an elevator or two, as usual. > > > #", "marked a cafeteria and restroom along the way, for your convenience. Thank you", "timely voice chimed over the automated PA system, as the shuttle-car’s doors opened.", "shining through the flowing streams of water from the planters and ceiling of", "the razor down into the sink, and a splatter of liquid drizzling from", "a splatter of liquid drizzling from the air vent behind him blended in", "Richards, there you are.” Jokingly, she said, “Many Jasons, but you are the", "shops, and into which, led bays from which the civilian transport crafts could", "terminal, “Ahh, Jason R. Richards, there you are.” Jokingly, she said, “Many Jasons,", "streams of water from the planters and ceiling of the lobby. > >", "station. I then want to immediately jump to him in his apartment readying", "sort of sound, as he turned around and slowly crept toward the vent.", "> A crackling uhh crept from Zotnathan Peli’s throat as he stared distantly", "and release new-arrivals. But at the base of the center was a massive,", "through the flowing streams of water from the planters and ceiling of the", "shuttle-car’s doors opened. > > > The children noised much as their parents", "stall of the bathroom. > > > The cheap, plastic razor tinkt against", "center was a massive, colour-lit fountain, and above, a massive holographic projection of", "you are.” Jokingly, she said, “Many Jasons, but you are the only Richards,", "the hand of Bullv, his four-year-old son, with his other arm around his", "at the long, green vines spilling from the planters, and purple and pink", "let from the vent and the water dripped faster as wind began to", "there you are.” Jokingly, she said, “Many Jasons, but you are the only", "flicked the razor down into the sink, and a splatter of liquid drizzling", "stood adjacent under the vent, watching as a thick-water oozed down quickly, slimily,", "at the vent-face, noticing condensation formulated on the ouside. An un-Godly hiss let", "the vent and the water dripped faster as wind began to blow out,", "spinning and flashing. > > > Jason Richards waited in line, holding tight", "on the ouside. An un-Godly hiss let from the vent and the water", "vent and the water dripped faster as wind began to blow out, cooling", "unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > > A crackling uhh crept from", "shaving cream in the sinksbottom. Alarmed, he perked up and his heart sank", "razor tinkt against the porcelain in dull, sharp sort of sound, as he", "he was running late for work, a few halls and an elevator or", "on what I think is most important. For the initial chapter, I would", "faster as wind began to blow out, cooling his face uncomfortably. > >", "all sound as stood adjacent under the vent, watching as a thick-water oozed", "quickly, slimily, from the vent. His dry-ish gulp popped his ears, bloating his", "so I try to focus on what I think is most important. For", "lobby of the space station. I then want to immediately jump to him", "the vent. His dry-ish gulp popped his ears, bloating his gut as he", "for some time. I am extremely new to writing and honestly need to", "on your map, including a recommended, shortest-route that also has marked a cafeteria", "sink, and a splatter of liquid drizzling from the air vent behind him", "read more. I personally tend to think more like a movie camera, so", "practice; I have been putting it off for some time. I am extremely", "off the edges, of the massive-lobby of Pod 6—a massive central-nexus from which", "more completely he was running late for work, a few halls and an", "Facility,” the receptionist, a young-blonde, greeted as she adjusted her small blue hat.", "the base of the center was a massive, colour-lit fountain, and above, a", "focus on what I think is most important. For the initial chapter, I", "flicked her finger up on the screen of her terminal, “Ahh, Jason R.", "two, as usual. > > > # > > > “Welcome to Future’s", "of water from the planters and ceiling of the lobby. > > >", "turned around and slowly crept toward the vent. The low-thumping of his chest", "hiss let from the vent and the water dripped faster as wind began", "and purple and pink lights shining through the flowing streams of water from", "of his chest drowned out all sound as stood adjacent under the vent,", "sorrowing over weight of moving and unsurety of his new job. Bullv stared", "distantly, his widened pupils stared at the grey whiskers wash down the sink.", "unsurety of his new job. Bullv stared up in amaze at the long,", "it flows together. The culmination would be those two characters passing each other", "and restroom along the way, for your convenience. Thank you and please enjoy", "his chest drowned out all sound as stood adjacent under the vent, watching", "tried to quick-grab their hands, in a perfect, hearty-awe of the sheer-splendour, staring", "the planters, and purple and pink lights shining through the flowing streams of", "> Zotn pressed hard his hand against his tense-chest as the dripping slowly", "name is Jason Richards; I work in Bio—flora and fauna of alien worlds.”", "cheap, plastic razor tinkt against the porcelain in dull, sharp sort of sound,", "yet, ideally about an hour or so of them arrived at their apartment.", "are the only Richards, sir,” smiling. She nodded as she handed him his", "of liquid drizzling from the air vent behind him blended in with the", "each other through the hall on their way to their workplaces, but each", "PA system, as the shuttle-car’s doors opened. > > > The children noised", "> > > “Welcome to Future’s Hope research facility,” the timely voice chimed", "the central pod on the bio-floor. Your apartment and work location are marked", "corner of his face—the only smooth place—as he labouriously dragged the razor across", "safely dock and release new-arrivals. But at the base of the center was", "of the mirror and saw the vent behind the last stall of the", "Bullv, his four-year-old son, with his other arm around his wife, holding her", "the vent. The low-thumping of his chest drowned out all sound as stood", "at the base of the center was a massive, colour-lit fountain, and above,", "squinted at the vent-face, noticing condensation formulated on the ouside. An un-Godly hiss", "Zotn pressed hard his hand against his tense-chest as the dripping slowly subsided", "flashing. > > > Jason Richards waited in line, holding tight the hand", "lights shining through the flowing streams of water from the planters and ceiling", "his other arm around his wife, holding her close; his heart sorrowing over", "in his apartment readying to leave for his new job. To keep pace", "a few halls and an elevator or two, as usual. > > >", "dull, sharp sort of sound, as he turned around and slowly crept toward", "work, a few halls and an elevator or two, as usual. > >", "vent, watching as a thick-water oozed down quickly, slimily, from the vent. His", "written yet, ideally about an hour or so of them arrived at their", "story for practice; I have been putting it off for some time. I", "“Welcome to Future’s Hope research facility,” the timely voice chimed over the automated", "also has marked a cafeteria and restroom along the way, for your convenience.", "repeated his name quietly to herself as she flicked her finger up on", "sheer-splendour, staring up at the seemingly-endless spiral of white platforms and green planters", "> “Welcome to Future’s Hope research facility,” the timely voice chimed over the", "camera, so I try to focus on what I think is most important.", "For the initial chapter, I would like to quickly jump between two characters", "the razor across his contorted face. A second stroke next thereto, and he", "running late for work, a few halls and an elevator or two, as", "> Jason Richards waited in line, holding tight the hand of Bullv, his", "the lobby of the space station. I then want to immediately jump to", "plastic razor tinkt against the porcelain in dull, sharp sort of sound, as", "down quickly, slimily, from the vent. His dry-ish gulp popped his ears, bloating", "ideally about an hour or so of them arrived at their apartment. >", "his apartment readying to leave for his new job. To keep pace and", "with his other arm around his wife, holding her close; his heart sorrowing", "sound as stood adjacent under the vent, watching as a thick-water oozed down", "to him in his apartment readying to leave for his new job. To", "I haven't written yet, ideally about an hour or so of them arrived", "of her terminal, “Ahh, Jason R. Richards, there you are.” Jokingly, she said,", "amaze at the long, green vines spilling from the planters, and purple and", "he flicked the razor down into the sink, and a splatter of liquid", "but each still unknown to the other. The idea is that the second", "job. Bullv stared up in amaze at the long, green vines spilling from", "or two, as usual. > > > # > > > “Welcome to", "I have been putting it off for some time. I am extremely new", "long Quote: -------------------------------------- > > A crackling uhh crept from Zotnathan Peli’s throat", "vent behind him blended in with the splattering of the shaving cream in", "led bays from which the civilian transport crafts could safely dock and release", "the civilian transport crafts could safely dock and release new-arrivals. But at the", "the upper-right corner of the mirror and saw the vent behind the last", "her small blue hat. “Name please.” > > > “J- Jason. My name", "recommended, shortest-route that also has marked a cafeteria and restroom along the way,", "> The cheap, plastic razor tinkt against the porcelain in dull, sharp sort", "of sound, as he turned around and slowly crept toward the vent. The", "his ears, bloating his gut as he squinted at the vent-face, noticing condensation", "Jason. My name is Jason Richards; I work in Bio—flora and fauna of", "ceiling of the lobby. > > > “Welcome to the Future’s Hope Research", "as a thick-water oozed down quickly, slimily, from the vent. His dry-ish gulp", "apartment and work location are marked on your map, including a recommended, shortest-route", "---------- > > Some junk I haven't written yet, ideally about an hour", "he squinted at the vent-face, noticing condensation formulated on the ouside. An un-Godly", "place—as he labouriously dragged the razor across his contorted face. A second stroke", "been putting it off for some time. I am extremely new to writing", "on a story for practice; I have been putting it off for some", "smiling. She nodded as she handed him his map, “You’ll be working in", "quietly to herself as she flicked her finger up on the screen of", "and his heart sank deep into his chest, as he slowly looked in", "but you are the only Richards, sir,” smiling. She nodded as she handed", "crept from Zotnathan Peli’s throat as he stared distantly at the corner of", "holographic projection of the company logo, spinning and flashing. > > > Jason", "of the space station. I then want to immediately jump to him in", "> > # > > > “Welcome to Future’s Hope research facility,” the", "the sinksbottom. Alarmed, he perked up and his heart sank deep into his", "quick-grab their hands, in a perfect, hearty-awe of the sheer-splendour, staring up at", "> > Zotn pressed hard his hand against his tense-chest as the dripping", "“Welcome to the Future’s Hope Research Facility,” the receptionist, a young-blonde, greeted as", "last stall of the bathroom. > > > The cheap, plastic razor tinkt", "vines spilling from the planters, and purple and pink lights shining through the", "sank deep into his chest, as he slowly looked in the upper-right corner", "enjoy your stay.” > > > Transition ---------- > > Some junk I", "and work location are marked on your map, including a recommended, shortest-route that", "for work, a few halls and an elevator or two, as usual. >", "a massive, colour-lit fountain, and above, a massive holographic projection of the company", "and he flicked the razor down into the sink, and a splatter of", "a thick-water oozed down quickly, slimily, from the vent. His dry-ish gulp popped", "between two characters as things happen about the same time and it flows", "cream in the sinksbottom. Alarmed, he perked up and his heart sank deep", "down into the sink, and a splatter of liquid drizzling from the air", "grey whiskers wash down the sink. Hypnotized, he forgot more completely he was", "the automated PA system, as the shuttle-car’s doors opened. > > > The", "> > Jason Richards waited in line, holding tight the hand of Bullv,", "their hands, in a perfect, hearty-awe of the sheer-splendour, staring up at the", "nodded as she handed him his map, “You’ll be working in the central", "the corner of his face—the only smooth place—as he labouriously dragged the razor", "a cafeteria and restroom along the way, for your convenience. Thank you and", "that the second character arrives in the lobby of the space station. I", "he forgot more completely he was running late for work, a few halls", "elevator or two, as usual. > > > # > > > “Welcome", "massive, colour-lit fountain, and above, a massive holographic projection of the company logo,", "> “Welcome to the Future’s Hope Research Facility,” the receptionist, a young-blonde, greeted", "in Bio—flora and fauna of alien worlds.” > > > She repeated his", "you are the only Richards, sir,” smiling. She nodded as she handed him", "company logo, spinning and flashing. > > > Jason Richards waited in line,", "staring up at the seemingly-endless spiral of white platforms and green planters hanging", "as he squinted at the vent-face, noticing condensation formulated on the ouside. An", "gulp popped his ears, bloating his gut as he squinted at the vent-face,", "She nodded as she handed him his map, “You’ll be working in the", "working in the central pod on the bio-floor. Your apartment and work location", "keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > >", "over weight of moving and unsurety of his new job. Bullv stared up", "please.” > > > “J- Jason. My name is Jason Richards; I work", "stay.” > > > Transition ---------- > > Some junk I haven't written", "But at the base of the center was a massive, colour-lit fountain, and", "opened. > > > The children noised much as their parents tried to", "system, as the shuttle-car’s doors opened. > > > The children noised much", "“J- Jason. My name is Jason Richards; I work in Bio—flora and fauna", "would be those two characters passing each other through the hall on their", "> Some junk I haven't written yet, ideally about an hour or so", "ouside. An un-Godly hiss let from the vent and the water dripped faster", "some time. I am extremely new to writing and honestly need to read", "work in Bio—flora and fauna of alien worlds.” > > > She repeated", "To keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- >", "spilling from the planters, and purple and pink lights shining through the flowing", "face. A second stroke next thereto, and he flicked the razor down into", "which spanned-off clubs, and shops, and into which, led bays from which the", "only Richards, sir,” smiling. She nodded as she handed him his map, “You’ll", "has marked a cafeteria and restroom along the way, for your convenience. Thank", "he labouriously dragged the razor across his contorted face. A second stroke next", "fauna of alien worlds.” > > > She repeated his name quietly to", "up and his heart sank deep into his chest, as he slowly looked", "adjusted her small blue hat. “Name please.” > > > “J- Jason. My", "I would like to quickly jump between two characters as things happen about", "his tense-chest as the dripping slowly subsided and he turned-face back. Slowly, distantly,", "the splattering of the shaving cream in the sinksbottom. Alarmed, he perked up", "sink. Hypnotized, he forgot more completely he was running late for work, a", "the way, for your convenience. Thank you and please enjoy your stay.” >", "out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > > A crackling uhh crept", "initial chapter, I would like to quickly jump between two characters as things", "idea is that the second character arrives in the lobby of the space", "> > “J- Jason. My name is Jason Richards; I work in Bio—flora", "stared at the grey whiskers wash down the sink. Hypnotized, he forgot more", "massive holographic projection of the company logo, spinning and flashing. > > >", "to herself as she flicked her finger up on the screen of her", "transport crafts could safely dock and release new-arrivals. But at the base of", "> > > She repeated his name quietly to herself as she flicked", "greeted as she adjusted her small blue hat. “Name please.” > > >", "his new job. To keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long", "the vent, watching as a thick-water oozed down quickly, slimily, from the vent.", "face uncomfortably. > > > Zotn pressed hard his hand against his tense-chest", "be those two characters passing each other through the hall on their way", "which the civilian transport crafts could safely dock and release new-arrivals. But at", "His dry-ish gulp popped his ears, bloating his gut as he squinted at", "receptionist, a young-blonde, greeted as she adjusted her small blue hat. “Name please.”", "above, a massive holographic projection of the company logo, spinning and flashing. >", "chest, as he slowly looked in the upper-right corner of the mirror and", "research facility,” the timely voice chimed over the automated PA system, as the", "mirror and saw the vent behind the last stall of the bathroom. >", "the planters and ceiling of the lobby. > > > “Welcome to the", "passing each other through the hall on their way to their workplaces, but", "his heart sank deep into his chest, as he slowly looked in the", "of the shaving cream in the sinksbottom. Alarmed, he perked up and his", "low-thumping of his chest drowned out all sound as stood adjacent under the", "in the upper-right corner of the mirror and saw the vent behind the", "projection of the company logo, spinning and flashing. > > > Jason Richards", "the same time and it flows together. The culmination would be those two", "small blue hat. “Name please.” > > > “J- Jason. My name is", "civilian transport crafts could safely dock and release new-arrivals. But at the base", "Unnecessarily, Necessarily long Quote: -------------------------------------- > > A crackling uhh crept from Zotnathan", "uhh crept from Zotnathan Peli’s throat as he stared distantly at the corner", "Your apartment and work location are marked on your map, including a recommended,", "she flicked her finger up on the screen of her terminal, “Ahh, Jason", "characters passing each other through the hall on their way to their workplaces,", "way, for your convenience. Thank you and please enjoy your stay.” > >", "her terminal, “Ahh, Jason R. Richards, there you are.” Jokingly, she said, “Many", "to writing and honestly need to read more. I personally tend to think", "hand against his tense-chest as the dripping slowly subsided and he turned-face back.", "stroke next thereto, and he flicked the razor down into the sink, and", "facility,” the timely voice chimed over the automated PA system, as the shuttle-car’s", "vent. The low-thumping of his chest drowned out all sound as stood adjacent", "whiskers wash down the sink. Hypnotized, he forgot more completely he was running", "usual. > > > # > > > “Welcome to Future’s Hope research", "new job. To keep pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote:", "the edges, of the massive-lobby of Pod 6—a massive central-nexus from which spanned-off", "as she flicked her finger up on the screen of her terminal, “Ahh,", "things happen about the same time and it flows together. The culmination would", "My name is Jason Richards; I work in Bio—flora and fauna of alien", "arm around his wife, holding her close; his heart sorrowing over weight of", "hat. “Name please.” > > > “J- Jason. My name is Jason Richards;", "work location are marked on your map, including a recommended, shortest-route that also", "sharp sort of sound, as he turned around and slowly crept toward the", "purple and pink lights shining through the flowing streams of water from the", "liquid drizzling from the air vent behind him blended in with the splattering", "the lobby. > > > “Welcome to the Future’s Hope Research Facility,” the", "to blow out, cooling his face uncomfortably. > > > Zotn pressed hard", "of Pod 6—a massive central-nexus from which spanned-off clubs, and shops, and into", "noised much as their parents tried to quick-grab their hands, in a perfect,", "writing and honestly need to read more. I personally tend to think more", "including a recommended, shortest-route that also has marked a cafeteria and restroom along", "honestly need to read more. I personally tend to think more like a", "unknown to the other. The idea is that the second character arrives in", "> The children noised much as their parents tried to quick-grab their hands,", "Necessarily long Quote: -------------------------------------- > > A crackling uhh crept from Zotnathan Peli’s", "restroom along the way, for your convenience. Thank you and please enjoy your", "the shaving cream in the sinksbottom. Alarmed, he perked up and his heart", "junk I haven't written yet, ideally about an hour or so of them", "a young-blonde, greeted as she adjusted her small blue hat. “Name please.” >", "pink lights shining through the flowing streams of water from the planters and", "on the screen of her terminal, “Ahh, Jason R. Richards, there you are.”", "through the hall on their way to their workplaces, but each still unknown", "Transition ---------- > > Some junk I haven't written yet, ideally about an", "him his map, “You’ll be working in the central pod on the bio-floor.", "slowly looked in the upper-right corner of the mirror and saw the vent", "about the same time and it flows together. The culmination would be those", "as stood adjacent under the vent, watching as a thick-water oozed down quickly,", "of the center was a massive, colour-lit fountain, and above, a massive holographic", "readying to leave for his new job. To keep pace and cut out", "> # > > > “Welcome to Future’s Hope research facility,” the timely", "him in his apartment readying to leave for his new job. To keep", "Some junk I haven't written yet, ideally about an hour or so of", "> > She repeated his name quietly to herself as she flicked her", "razor across his contorted face. A second stroke next thereto, and he flicked", "hanging off the edges, of the massive-lobby of Pod 6—a massive central-nexus from", "blended in with the splattering of the shaving cream in the sinksbottom. Alarmed,", "of white platforms and green planters hanging off the edges, of the massive-lobby", "out all sound as stood adjacent under the vent, watching as a thick-water", "to focus on what I think is most important. For the initial chapter,", "the flowing streams of water from the planters and ceiling of the lobby.", "R. Richards, there you are.” Jokingly, she said, “Many Jasons, but you are", "sir,” smiling. She nodded as she handed him his map, “You’ll be working", "pod on the bio-floor. Your apartment and work location are marked on your", "Richards waited in line, holding tight the hand of Bullv, his four-year-old son,", "uncomfortably. > > > Zotn pressed hard his hand against his tense-chest as", "to quickly jump between two characters as things happen about the same time", "tinkt against the porcelain in dull, sharp sort of sound, as he turned", "he perked up and his heart sank deep into his chest, as he", "the bathroom. > > > The cheap, plastic razor tinkt against the porcelain", "and pink lights shining through the flowing streams of water from the planters", "pace and cut out unnecessary-fluff. Unnecessarily, Necessarily long Quote: -------------------------------------- > > A", "of the sheer-splendour, staring up at the seemingly-endless spiral of white platforms and", "and ceiling of the lobby. > > > “Welcome to the Future’s Hope", "it off for some time. I am extremely new to writing and honestly", "could safely dock and release new-arrivals. But at the base of the center", "> > “Welcome to the Future’s Hope Research Facility,” the receptionist, a young-blonde,", "Bullv stared up in amaze at the long, green vines spilling from the", "watching as a thick-water oozed down quickly, slimily, from the vent. His dry-ish", "the only Richards, sir,” smiling. She nodded as she handed him his map,", "she said, “Many Jasons, but you are the only Richards, sir,” smiling. She", "back. Slowly, distantly, his widened pupils stared at the grey whiskers wash down", "at the grey whiskers wash down the sink. Hypnotized, he forgot more completely", "heart sorrowing over weight of moving and unsurety of his new job. Bullv", "to immediately jump to him in his apartment readying to leave for his", "up on the screen of her terminal, “Ahh, Jason R. Richards, there you", "second character arrives in the lobby of the space station. I then want", "dry-ish gulp popped his ears, bloating his gut as he squinted at the", "are marked on your map, including a recommended, shortest-route that also has marked", "> > > “J- Jason. My name is Jason Richards; I work in", "green vines spilling from the planters, and purple and pink lights shining through", "then want to immediately jump to him in his apartment readying to leave", "as wind began to blow out, cooling his face uncomfortably. > > >", "to Future’s Hope research facility,” the timely voice chimed over the automated PA", "a movie camera, so I try to focus on what I think is", "from the planters and ceiling of the lobby. > > > “Welcome to", "in a perfect, hearty-awe of the sheer-splendour, staring up at the seemingly-endless spiral", "adjacent under the vent, watching as a thick-water oozed down quickly, slimily, from", "A second stroke next thereto, and he flicked the razor down into the", "> > > The cheap, plastic razor tinkt against the porcelain in dull,", "the dripping slowly subsided and he turned-face back. Slowly, distantly, his widened pupils", "An un-Godly hiss let from the vent and the water dripped faster as", "still unknown to the other. The idea is that the second character arrives", "his new job. Bullv stared up in amaze at the long, green vines", "labouriously dragged the razor across his contorted face. A second stroke next thereto,", "same time and it flows together. The culmination would be those two characters", "drizzling from the air vent behind him blended in with the splattering of", "his hand against his tense-chest as the dripping slowly subsided and he turned-face", "which, led bays from which the civilian transport crafts could safely dock and", "sound, as he turned around and slowly crept toward the vent. The low-thumping", "and green planters hanging off the edges, of the massive-lobby of Pod 6—a", "other. The idea is that the second character arrives in the lobby of", "as he slowly looked in the upper-right corner of the mirror and saw", "> > A crackling uhh crept from Zotnathan Peli’s throat as he stared", "his four-year-old son, with his other arm around his wife, holding her close;", "Quote: -------------------------------------- > > A crackling uhh crept from Zotnathan Peli’s throat as", "perked up and his heart sank deep into his chest, as he slowly", "for your convenience. Thank you and please enjoy your stay.” > > >", "The low-thumping of his chest drowned out all sound as stood adjacent under", "think is most important. For the initial chapter, I would like to quickly", "he stared distantly at the corner of his face—the only smooth place—as he", "that also has marked a cafeteria and restroom along the way, for your", "most important. For the initial chapter, I would like to quickly jump between", "the ouside. An un-Godly hiss let from the vent and the water dripped", "I am extremely new to writing and honestly need to read more. I", "personally tend to think more like a movie camera, so I try to", "of alien worlds.” > > > She repeated his name quietly to herself", "thick-water oozed down quickly, slimily, from the vent. His dry-ish gulp popped his", "> > > Zotn pressed hard his hand against his tense-chest as the", "holding tight the hand of Bullv, his four-year-old son, with his other arm", "be working in the central pod on the bio-floor. Your apartment and work", "and honestly need to read more. I personally tend to think more like", "character arrives in the lobby of the space station. I then want to", "two characters as things happen about the same time and it flows together.", "corner of the mirror and saw the vent behind the last stall of", "slimily, from the vent. His dry-ish gulp popped his ears, bloating his gut", "more. I personally tend to think more like a movie camera, so I", "Zotnathan Peli’s throat as he stared distantly at the corner of his face—the", "as he stared distantly at the corner of his face—the only smooth place—as", "and a splatter of liquid drizzling from the air vent behind him blended", "base of the center was a massive, colour-lit fountain, and above, a massive", "waited in line, holding tight the hand of Bullv, his four-year-old son, with", "please enjoy your stay.” > > > Transition ---------- > > Some junk", "Hope Research Facility,” the receptionist, a young-blonde, greeted as she adjusted her small", "time and it flows together. The culmination would be those two characters passing", "the water dripped faster as wind began to blow out, cooling his face", "bio-floor. Your apartment and work location are marked on your map, including a", "cafeteria and restroom along the way, for your convenience. Thank you and please", "and he turned-face back. 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To keep pace and cut", "of the lobby. > > > “Welcome to the Future’s Hope Research Facility,”", "upper-right corner of the mirror and saw the vent behind the last stall", "jump to him in his apartment readying to leave for his new job.", "into which, led bays from which the civilian transport crafts could safely dock", "tend to think more like a movie camera, so I try to focus", "the hall on their way to their workplaces, but each still unknown to", "hands, in a perfect, hearty-awe of the sheer-splendour, staring up at the seemingly-endless", "and the water dripped faster as wind began to blow out, cooling his", "more like a movie camera, so I try to focus on what I", "chapter, I would like to quickly jump between two characters as things happen", "in the lobby of the space station. I then want to immediately jump", "map, including a recommended, shortest-route that also has marked a cafeteria and restroom", "contorted face. A second stroke next thereto, and he flicked the razor down", "behind him blended in with the splattering of the shaving cream in the", "is Jason Richards; I work in Bio—flora and fauna of alien worlds.” >", "the vent behind the last stall of the bathroom. > > > The", "your convenience. Thank you and please enjoy your stay.” > > > Transition", "new to writing and honestly need to read more. I personally tend to", "would like to quickly jump between two characters as things happen about the", "his name quietly to herself as she flicked her finger up on the", "the receptionist, a young-blonde, greeted as she adjusted her small blue hat. “Name", "drowned out all sound as stood adjacent under the vent, watching as a", "handed him his map, “You’ll be working in the central pod on the", "noticing condensation formulated on the ouside. An un-Godly hiss let from the vent", "planters, and purple and pink lights shining through the flowing streams of water", "voice chimed over the automated PA system, as the shuttle-car’s doors opened. >", "bloating his gut as he squinted at the vent-face, noticing condensation formulated on", "crept toward the vent. The low-thumping of his chest drowned out all sound", "ears, bloating his gut as he squinted at the vent-face, noticing condensation formulated", "the sheer-splendour, staring up at the seemingly-endless spiral of white platforms and green", "spiral of white platforms and green planters hanging off the edges, of the", "and above, a massive holographic projection of the company logo, spinning and flashing.", "as she handed him his map, “You’ll be working in the central pod", "across his contorted face. A second stroke next thereto, and he flicked the", "perfect, hearty-awe of the sheer-splendour, staring up at the seemingly-endless spiral of white", "putting it off for some time. I am extremely new to writing and", "turned-face back. Slowly, distantly, his widened pupils stared at the grey whiskers wash", "vent-face, noticing condensation formulated on the ouside. An un-Godly hiss let from the", "way to their workplaces, but each still unknown to the other. The idea", "formulated on the ouside. An un-Godly hiss let from the vent and the", "Richards; I work in Bio—flora and fauna of alien worlds.” > > >", "central pod on the bio-floor. Your apartment and work location are marked on", "of the bathroom. > > > The cheap, plastic razor tinkt against the", "four-year-old son, with his other arm around his wife, holding her close; his", "need to read more. I personally tend to think more like a movie", "his widened pupils stared at the grey whiskers wash down the sink. Hypnotized,", "from Zotnathan Peli’s throat as he stared distantly at the corner of his", "to leave for his new job. To keep pace and cut out unnecessary-fluff.", "automated PA system, as the shuttle-car’s doors opened. > > > The children", "convenience. Thank you and please enjoy your stay.” > > > Transition ----------", "are.” Jokingly, she said, “Many Jasons, but you are the only Richards, sir,”", "Thank you and please enjoy your stay.” > > > Transition ---------- >", "the last stall of the bathroom. > > > The cheap, plastic razor", "the timely voice chimed over the automated PA system, as the shuttle-car’s doors", "“You’ll be working in the central pod on the bio-floor. Your apartment and", "to their workplaces, but each still unknown to the other. The idea is", "face—the only smooth place—as he labouriously dragged the razor across his contorted face.", "the sink. Hypnotized, he forgot more completely he was running late for work,", "widened pupils stared at the grey whiskers wash down the sink. Hypnotized, he", "Alarmed, he perked up and his heart sank deep into his chest, as", "slowly subsided and he turned-face back. Slowly, distantly, his widened pupils stared at", "Hope research facility,” the timely voice chimed over the automated PA system, as", "from which the civilian transport crafts could safely dock and release new-arrivals. But", "the vent-face, noticing condensation formulated on the ouside. An un-Godly hiss let from", "the initial chapter, I would like to quickly jump between two characters as", "tight the hand of Bullv, his four-year-old son, with his other arm around", "of Bullv, his four-year-old son, with his other arm around his wife, holding", "immediately jump to him in his apartment readying to leave for his new", "movie camera, so I try to focus on what I think is most", "his face—the only smooth place—as he labouriously dragged the razor across his contorted", "> > > The children noised much as their parents tried to quick-grab", "as their parents tried to quick-grab their hands, in a perfect, hearty-awe of", "of his new job. Bullv stared up in amaze at the long, green", "the center was a massive, colour-lit fountain, and above, a massive holographic projection", "as usual. > > > # > > > “Welcome to Future’s Hope", "working on a story for practice; I have been putting it off for", "the other. The idea is that the second character arrives in the lobby", "condensation formulated on the ouside. An un-Godly hiss let from the vent and", "massive-lobby of Pod 6—a massive central-nexus from which spanned-off clubs, and shops, and", "of the massive-lobby of Pod 6—a massive central-nexus from which spanned-off clubs, and", "of his face—the only smooth place—as he labouriously dragged the razor across his", "only smooth place—as he labouriously dragged the razor across his contorted face. A", "shortest-route that also has marked a cafeteria and restroom along the way, for", "dock and release new-arrivals. But at the base of the center was a", "Jason Richards; I work in Bio—flora and fauna of alien worlds.” > >", "and saw the vent behind the last stall of the bathroom. > >", "close; his heart sorrowing over weight of moving and unsurety of his new", "stared up in amaze at the long, green vines spilling from the planters,", "in amaze at the long, green vines spilling from the planters, and purple", "moving and unsurety of his new job. Bullv stared up in amaze at", "Future’s Hope Research Facility,” the receptionist, a young-blonde, greeted as she adjusted her", "the long, green vines spilling from the planters, and purple and pink lights", "location are marked on your map, including a recommended, shortest-route that also has", "Bio—flora and fauna of alien worlds.” > > > She repeated his name", "The culmination would be those two characters passing each other through the hall", "in with the splattering of the shaving cream in the sinksbottom. Alarmed, he", "> > > Jason Richards waited in line, holding tight the hand of", "> > Transition ---------- > > Some junk I haven't written yet, ideally", "She repeated his name quietly to herself as she flicked her finger up", "blue hat. “Name please.” > > > “J- Jason. My name is Jason", "said, “Many Jasons, but you are the only Richards, sir,” smiling. She nodded", "in dull, sharp sort of sound, as he turned around and slowly crept" ]
[ "part of the action, but occasionally you need to create a description of", "and come to the conclusion that this technique is largely bunk. The principle", "to write the chapter with your creative juices flowing and then edit it", "MRU may be a paragraph or more in length, and they may blend.", "the sequel (I'm thinking after, before the next scene starts)? Or maybe my", "line up with motivation or reflex at all and seems to only partly", "sequel leads to a sluggish pace, especially if you're writing something with a", "all. It doesn't line up with motivation or reflex at all and seems", "response properly motivated? Does the reaction follow the motivation? Is the motivation properly", "juices flowing and then edit it down until it contains nothing but this", "of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of", "apply it, is as a check afterward. For example, is the character's response", "rational thought/speech. I can see that it probably has no place whatsoever in", "has no place whatsoever in scenes, but if sequels have the same micro-structure,", "or should it be somehow linked to the sequel (I'm thinking after, before", "Edit: I have since analyzed dozens of successful novels and come to the", "try to apply this in the way it's shown on writing blogs. For", "may be a paragraph or more in length, and they may blend. The", "this, but most commercial fiction is simply not written in this way. Second,", "not written in this way. Second, the MRU structure doesn't work at all", "moving and ensure that your characters respond to the happenings around them. But", "starts)? Or maybe my idea of the scale of these things is out", "This is where I get stuck. I don't see world building description fitting", "to keep the story moving, but I've seen some pretty extreme opinions expressed", "of something. This is where I get stuck. I don't see world building", "world building sit outside this structure altogether, or should it be somehow linked", "whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a", "Does world building sit outside this structure altogether, or should it be somehow", "of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein", "happenings around them. But a number of things don't work out when you", "especially if you're writing something with a lot of action. Slower, more contemplative", "goal of this structure is to keep the story moving, but I've seen", "is where I get stuck. I don't see world building description fitting the", "of the MRU. In real fiction of significant length, applying it like that", "to practice the scene and sequel structure, including the use of MRUs and", "the next scene starts)? Or maybe my idea of the scale of these", "at all in the way blogs show it. There, in the simple examples,", "it contains nothing but this structure. That works for many things, but I", "understand that the goal of this structure is to keep the story moving,", "and sequel structure, including the use of MRUs and I find it alternately", "as part of the action, but occasionally you need to create a description", "writing blogs. For one, following every scene with a sequel leads to a", "robotic text. In real fiction, each part of the MRU may be a", "only partly line up with feeling or rational thought/speech. I can see that", "motivation? Is the motivation properly responded to? In that way, it's still useful", "to uniform, robotic text. In real fiction, each part of the MRU may", "practice the scene and sequel structure, including the use of MRUs and I", "exposition. I like to do the world building as part of the action,", "that leads to uniform, robotic text. In real fiction, each part of the", "I find it alternately natural and frustrating. I understand that the goal of", "character's response properly motivated? Does the reaction follow the motivation? Is the motivation", "with motivation or reflex at all and seems to only partly line up", "out when you try to apply this in the way it's shown on", "but if sequels have the same micro-structure, then I'm lost. Does world building", "action. Slower, more contemplative work may benefit from this, but most commercial fiction", "significant length, applying it like that leads to uniform, robotic text. In real", "this structure altogether, or should it be somehow linked to the sequel (I'm", "(I'm thinking after, before the next scene starts)? Or maybe my idea of", "work at all in the way blogs show it. There, in the simple", "things don't work out when you try to apply this in the way", "length, applying it like that leads to uniform, robotic text. In real fiction,", "way. Second, the MRU structure doesn't work at all in the way blogs", "Is the motivation properly responded to? In that way, it's still useful as", "it down until it contains nothing but this structure. That works for many", "building as part of the action, but occasionally you need to create a", "length, and they may blend. The way I've learned to apply it, is", "structure. That works for many things, but I struggle to reconcile it with", "stuck. I don't see world building description fitting the MRU model at all.", "to apply it, is as a check afterward. For example, is the character's", "ensure that your characters respond to the happenings around them. But a number", "In real fiction, each part of the MRU may be a paragraph or", "I like to do the world building as part of the action, but", "by Dwight Swain, wherein a book is divided into alternating segments of incident", "work may benefit from this, but most commercial fiction is simply not written", "use of MRUs and I find it alternately natural and frustrating. I understand", "largely bunk. The principle is sound: keep the action moving and ensure that", "contains nothing but this structure. That works for many things, but I struggle", "outside this structure altogether, or should it be somehow linked to the sequel", "fiction of significant length, applying it like that leads to uniform, robotic text.", "Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book", "altogether, or should it be somehow linked to the sequel (I'm thinking after,", "reaction follow the motivation? Is the motivation properly responded to? In that way,", "MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same theory.* Edit:", "analyzed dozens of successful novels and come to the conclusion that this technique", "many things, but I struggle to reconcile it with world building or exposition.", "to do the world building as part of the action, but occasionally you", "I struggle to reconcile it with world building or exposition. I like to", "For example, is the character's response properly motivated? Does the reaction follow the", "motivated? Does the reaction follow the motivation? Is the motivation properly responded to?", "number of things don't work out when you try to apply this in", "theory. Edit: I have since analyzed dozens of successful novels and come to", "edit it down until it contains nothing but this structure. That works for", "is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book is divided", "the MRU. In real fiction of significant length, applying it like that leads", "leads to a sluggish pace, especially if you're writing something with a lot", "technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book is divided into alternating segments", "I'm lost. Does world building sit outside this structure altogether, or should it", "the same theory.* Edit: I have since analyzed dozens of successful novels and", "scene and sequel structure, including the use of MRUs and I find it", "principle is sound: keep the action moving and ensure that your characters respond", "at all and seems to only partly line up with feeling or rational", "There, in the simple examples, you basically have a sentence or phrase for", "a paragraph or more in length, and they may blend. The way I've", "in the simple examples, you basically have a sentence or phrase for each", "sentence or phrase for each part of the MRU. In real fiction of", "the happenings around them. But a number of things don't work out when", "Second, the MRU structure doesn't work at all in the way blogs show", "description of something. This is where I get stuck. I don't see world", "for each part of the MRU. In real fiction of significant length, applying", "on writing blogs. For one, following every scene with a sequel leads to", "more granular part of the same theory. Edit: I have since analyzed dozens", "text. In real fiction, each part of the MRU may be a paragraph", "all in the way blogs show it. There, in the simple examples, you", "of these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/)", "around them. But a number of things don't work out when you try", "most commercial fiction is simply not written in this way. Second, the MRU", "have since analyzed dozens of successful novels and come to the conclusion that", "natural and frustrating. I understand that the goal of this structure is to", "come to the conclusion that this technique is largely bunk. The principle is", "in length, and they may blend. The way I've learned to apply it,", "line up with feeling or rational thought/speech. I can see that it probably", "But a number of things don't work out when you try to apply", "extreme opinions expressed about it. One was to write the chapter with your", "the scene and sequel structure, including the use of MRUs and I find", "seems to only partly line up with feeling or rational thought/speech. I can", "be a paragraph or more in length, and they may blend. The way", "examples, you basically have a sentence or phrase for each part of the", "don't see world building description fitting the MRU model at all. It doesn't", "thought/speech. I can see that it probably has no place whatsoever in scenes,", "get stuck. I don't see world building description fitting the MRU model at", "don't work out when you try to apply this in the way it's", "structure, including the use of MRUs and I find it alternately natural and", "is simply not written in this way. Second, the MRU structure doesn't work", "my idea of the scale of these things is out of whack. Note:", "it's shown on writing blogs. For one, following every scene with a sequel", "apply this in the way it's shown on writing blogs. For one, following", "the motivation properly responded to? In that way, it's still useful as a", "at all. It doesn't line up with motivation or reflex at all and", "you need to create a description of something. This is where I get", "scale of these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing", "same micro-structure, then I'm lost. Does world building sit outside this structure altogether,", "fiction is simply not written in this way. Second, the MRU structure doesn't", "each part of the MRU. In real fiction of significant length, applying it", "it, is as a check afterward. For example, is the character's response properly", "motivation or reflex at all and seems to only partly line up with", "a description of something. This is where I get stuck. I don't see", "MRUs and I find it alternately natural and frustrating. I understand that the", "is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight", "writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book is divided into alternating", "a sluggish pace, especially if you're writing something with a lot of action.", "doesn't line up with motivation or reflex at all and seems to only", "feeling or rational thought/speech. I can see that it probably has no place", "afterward. For example, is the character's response properly motivated? Does the reaction follow", "structure is to keep the story moving, but I've seen some pretty extreme", "building description fitting the MRU model at all. It doesn't line up with", "or exposition. I like to do the world building as part of the", "some pretty extreme opinions expressed about it. One was to write the chapter", "world building description fitting the MRU model at all. It doesn't line up", "that this technique is largely bunk. The principle is sound: keep the action", "are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same theory.* Edit: I", "part of the MRU may be a paragraph or more in length, and", "fiction, each part of the MRU may be a paragraph or more in", "the MRU structure doesn't work at all in the way blogs show it.", "this structure is to keep the story moving, but I've seen some pretty", "to the conclusion that this technique is largely bunk. The principle is sound:", "properly motivated? Does the reaction follow the motivation? 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For example, is", "your creative juices flowing and then edit it down until it contains nothing", "the scale of these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a", "It doesn't line up with motivation or reflex at all and seems to", "up with motivation or reflex at all and seems to only partly line", "moving, but I've seen some pretty extreme opinions expressed about it. One was", "or phrase for each part of the MRU. In real fiction of significant", "[\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same theory. Edit: I have", "is sound: keep the action moving and ensure that your characters respond to", "Dwight Swain, wherein a book is divided into alternating segments of incident and", "a more granular part of the same theory.* Edit: I have since analyzed", "create a description of something. This is where I get stuck. I don't", "have a sentence or phrase for each part of the MRU. In real", "sound: keep the action moving and ensure that your characters respond to the", "to a sluggish pace, especially if you're writing something with a lot of", "was to write the chapter with your creative juices flowing and then edit", "properly responded to? In that way, it's still useful as a quality check.", "dozens of successful novels and come to the conclusion that this technique is", "story moving, but I've seen some pretty extreme opinions expressed about it. One", "expressed about it. One was to write the chapter with your creative juices", "since analyzed dozens of successful novels and come to the conclusion that this", "way I've learned to apply it, is as a check afterward. For example,", "In real fiction of significant length, applying it like that leads to uniform,", "is as a check afterward. For example, is the character's response properly motivated?", "lost. Does world building sit outside this structure altogether, or should it be", "show it. There, in the simple examples, you basically have a sentence or", "Swain, wherein a book is divided into alternating segments of incident and reaction.", "occasionally you need to create a description of something. This is where I", "reflex at all and seems to only partly line up with feeling or", "but occasionally you need to create a description of something. This is where", "your characters respond to the happenings around them. But a number of things", "it probably has no place whatsoever in scenes, but if sequels have the", "that it probably has no place whatsoever in scenes, but if sequels have", "the reaction follow the motivation? Is the motivation properly responded to? In that", "of action. Slower, more contemplative work may benefit from this, but most commercial", "the MRU model at all. It doesn't line up with motivation or reflex", "it. There, in the simple examples, you basically have a sentence or phrase", "For one, following every scene with a sequel leads to a sluggish pace,", "if sequels have the same micro-structure, then I'm lost. Does world building sit", "linked to the sequel (I'm thinking after, before the next scene starts)? Or", "wherein a book is divided into alternating segments of incident and reaction. MRUs", "may blend. The way I've learned to apply it, is as a check", "the simple examples, you basically have a sentence or phrase for each part", "have the same micro-structure, then I'm lost. Does world building sit outside this", "pretty extreme opinions expressed about it. One was to write the chapter with", "the MRU may be a paragraph or more in length, and they may", "book is divided into alternating segments of incident and reaction. MRUs are [\"Motivation-Reaction", "basically have a sentence or phrase for each part of the MRU. In", "leads to uniform, robotic text. In real fiction, each part of the MRU", "of the MRU may be a paragraph or more in length, and they", "I have been trying to practice the scene and sequel structure, including the", "the character's response properly motivated? Does the reaction follow the motivation? Is the", "part of the MRU. In real fiction of significant length, applying it like", "then edit it down until it contains nothing but this structure. That works", "it be somehow linked to the sequel (I'm thinking after, before the next", "Does the reaction follow the motivation? Is the motivation properly responded to? In", "these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed", "characters respond to the happenings around them. But a number of things don't", "That works for many things, but I struggle to reconcile it with world", "it with world building or exposition. I like to do the world building", "following every scene with a sequel leads to a sluggish pace, especially if", "down until it contains nothing but this structure. That works for many things,", "something. This is where I get stuck. I don't see world building description", "real fiction of significant length, applying it like that leads to uniform, robotic", "a lot of action. Slower, more contemplative work may benefit from this, but", "the action, but occasionally you need to create a description of something. This", "the way it's shown on writing blogs. For one, following every scene with", "of this structure is to keep the story moving, but I've seen some", "One was to write the chapter with your creative juices flowing and then", "with feeling or rational thought/speech. I can see that it probably has no", "successful novels and come to the conclusion that this technique is largely bunk.", "it. One was to write the chapter with your creative juices flowing and", "idea of the scale of these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel)", "I don't see world building description fitting the MRU model at all. It", "and then edit it down until it contains nothing but this structure. That", "is to keep the story moving, but I've seen some pretty extreme opinions", "and they may blend. The way I've learned to apply it, is as", "a check afterward. For example, is the character's response properly motivated? Does the", "structure doesn't work at all in the way blogs show it. There, in", "in scenes, but if sequels have the same micro-structure, then I'm lost. Does", "when you try to apply this in the way it's shown on writing", "write the chapter with your creative juices flowing and then edit it down", "with your creative juices flowing and then edit it down until it contains", "opinions expressed about it. One was to write the chapter with your creative", "or reflex at all and seems to only partly line up with feeling", "with a lot of action. Slower, more contemplative work may benefit from this,", "like that leads to uniform, robotic text. In real fiction, each part of", "contemplative work may benefit from this, but most commercial fiction is simply not", "all and seems to only partly line up with feeling or rational thought/speech.", "alternating segments of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular", "a sentence or phrase for each part of the MRU. In real fiction", "micro-structure, then I'm lost. Does world building sit outside this structure altogether, or", "thinking after, before the next scene starts)? Or maybe my idea of the", "with a sequel leads to a sluggish pace, especially if you're writing something", "real fiction, each part of the MRU may be a paragraph or more", "is the character's response properly motivated? Does the reaction follow the motivation? Is", "this technique is largely bunk. The principle is sound: keep the action moving", "something with a lot of action. Slower, more contemplative work may benefit from", "and ensure that your characters respond to the happenings around them. But a", "the same micro-structure, then I'm lost. Does world building sit outside this structure", "scene with a sequel leads to a sluggish pace, especially if you're writing", "alternately natural and frustrating. I understand that the goal of this structure is", "description fitting the MRU model at all. It doesn't line up with motivation", "the world building as part of the action, but occasionally you need to", "world building or exposition. I like to do the world building as part", "been trying to practice the scene and sequel structure, including the use of", "MRU model at all. It doesn't line up with motivation or reflex at", "be somehow linked to the sequel (I'm thinking after, before the next scene", "that your characters respond to the happenings around them. But a number of", "keep the story moving, but I've seen some pretty extreme opinions expressed about", "should it be somehow linked to the sequel (I'm thinking after, before the", "granular part of the same theory.* Edit: I have since analyzed dozens of", "learned to apply it, is as a check afterward. For example, is the", "creative juices flowing and then edit it down until it contains nothing but", "world building as part of the action, but occasionally you need to create", "in this way. Second, the MRU structure doesn't work at all in the", "maybe my idea of the scale of these things is out of whack.", "this in the way it's shown on writing blogs. For one, following every", "a sequel leads to a sluggish pace, especially if you're writing something with", "way blogs show it. There, in the simple examples, you basically have a", "somehow linked to the sequel (I'm thinking after, before the next scene starts)?", "blogs show it. There, in the simple examples, you basically have a sentence", "trying to practice the scene and sequel structure, including the use of MRUs", "to apply this in the way it's shown on writing blogs. For one,", "action moving and ensure that your characters respond to the happenings around them.", "Slower, more contemplative work may benefit from this, but most commercial fiction is", "up with feeling or rational thought/speech. I can see that it probably has", "incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the", "as a check afterward. For example, is the character's response properly motivated? Does", "you basically have a sentence or phrase for each part of the MRU.", "in the way it's shown on writing blogs. For one, following every scene", "applying it like that leads to uniform, robotic text. In real fiction, each", "whatsoever in scenes, but if sequels have the same micro-structure, then I'm lost.", "blend. The way I've learned to apply it, is as a check afterward.", "part of the same theory.* Edit: I have since analyzed dozens of successful", "the story moving, but I've seen some pretty extreme opinions expressed about it.", "benefit from this, but most commercial fiction is simply not written in this", "is divided into alternating segments of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/)", "the action moving and ensure that your characters respond to the happenings around", "it like that leads to uniform, robotic text. In real fiction, each part", "out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain,", "segments of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part", "sluggish pace, especially if you're writing something with a lot of action. Slower,", "MRU. In real fiction of significant length, applying it like that leads to", "no place whatsoever in scenes, but if sequels have the same micro-structure, then", "and seems to only partly line up with feeling or rational thought/speech. I", "this way. Second, the MRU structure doesn't work at all in the way", "I get stuck. I don't see world building description fitting the MRU model", "of the action, but occasionally you need to create a description of something.", "technique is largely bunk. The principle is sound: keep the action moving and", "the conclusion that this technique is largely bunk. The principle is sound: keep", "to create a description of something. This is where I get stuck. I", "MRU structure doesn't work at all in the way blogs show it. There,", "works for many things, but I struggle to reconcile it with world building", "simple examples, you basically have a sentence or phrase for each part of", "find it alternately natural and frustrating. I understand that the goal of this", "like to do the world building as part of the action, but occasionally", "sequels have the same micro-structure, then I'm lost. Does world building sit outside", "bunk. The principle is sound: keep the action moving and ensure that your", "action, but occasionally you need to create a description of something. This is", "scene starts)? Or maybe my idea of the scale of these things is", "writing something with a lot of action. Slower, more contemplative work may benefit", "same theory. Edit: I have since analyzed dozens of successful novels and come", "work out when you try to apply this in the way it's shown", "then I'm lost. Does world building sit outside this structure altogether, or should", "after, before the next scene starts)? Or maybe my idea of the scale", "Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same theory. Edit: I have since", "written in this way. Second, the MRU structure doesn't work at all in", "The principle is sound: keep the action moving and ensure that your characters", "but most commercial fiction is simply not written in this way. Second, the", "example, is the character's response properly motivated? Does the reaction follow the motivation?", "if you're writing something with a lot of action. Slower, more contemplative work", "respond to the happenings around them. But a number of things don't work", "the chapter with your creative juices flowing and then edit it down until", "reconcile it with world building or exposition. I like to do the world", "Or maybe my idea of the scale of these things is out of", "of the same theory.* Edit: I have since analyzed dozens of successful novels", "divided into alternating segments of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a", "of significant length, applying it like that leads to uniform, robotic text. In", "more in length, and they may blend. The way I've learned to apply", "into alternating segments of incident and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more", "this structure. That works for many things, but I struggle to reconcile it", "in the way blogs show it. There, in the simple examples, you basically", "pace, especially if you're writing something with a lot of action. Slower, more", "the goal of this structure is to keep the story moving, but I've", "doesn't work at all in the way blogs show it. There, in the", "may benefit from this, but most commercial fiction is simply not written in", "is largely bunk. The principle is sound: keep the action moving and ensure", "blogs. For one, following every scene with a sequel leads to a sluggish", "a number of things don't work out when you try to apply this", "for many things, but I struggle to reconcile it with world building or", "to reconcile it with world building or exposition. I like to do the", "or more in length, and they may blend. The way I've learned to", "before the next scene starts)? Or maybe my idea of the scale of", "of the scale of these things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is", "and I find it alternately natural and frustrating. I understand that the goal", "where I get stuck. I don't see world building description fitting the MRU", "more contemplative work may benefit from this, but most commercial fiction is simply", "struggle to reconcile it with world building or exposition. I like to do", "place whatsoever in scenes, but if sequels have the same micro-structure, then I'm", "and frustrating. I understand that the goal of this structure is to keep", "can see that it probably has no place whatsoever in scenes, but if", "lot of action. Slower, more contemplative work may benefit from this, but most", "you try to apply this in the way it's shown on writing blogs.", "but I've seen some pretty extreme opinions expressed about it. One was to", "a book is divided into alternating segments of incident and reaction. MRUs are", "with world building or exposition. I like to do the world building as", "The way I've learned to apply it, is as a check afterward. For", "[Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book is", "way it's shown on writing blogs. For one, following every scene with a", "but I struggle to reconcile it with world building or exposition. I like", "commercial fiction is simply not written in this way. Second, the MRU structure", "to the sequel (I'm thinking after, before the next scene starts)? Or maybe", "I've seen some pretty extreme opinions expressed about it. One was to write", "next scene starts)? Or maybe my idea of the scale of these things", "novels and come to the conclusion that this technique is largely bunk. The", "of MRUs and I find it alternately natural and frustrating. I understand that", "and reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same", "the motivation? Is the motivation properly responded to? In that way, it's still", "sit outside this structure altogether, or should it be somehow linked to the", "I have since analyzed dozens of successful novels and come to the conclusion", "partly line up with feeling or rational thought/speech. I can see that it", "uniform, robotic text. In real fiction, each part of the MRU may be", "that the goal of this structure is to keep the story moving, but", "simply not written in this way. Second, the MRU structure doesn't work at", "things, but I struggle to reconcile it with world building or exposition. I", "flowing and then edit it down until it contains nothing but this structure.", "but this structure. That works for many things, but I struggle to reconcile", "scenes, but if sequels have the same micro-structure, then I'm lost. Does world", "follow the motivation? Is the motivation properly responded to? In that way, it's", "each part of the MRU may be a paragraph or more in length,", "reaction. MRUs are [\"Motivation-Reaction Units,\"](https://www.helpingwritersbecomeauthors.com/motivation-reaction-units/) a more granular part of the same theory.", "conclusion that this technique is largely bunk. The principle is sound: keep the", "building sit outside this structure altogether, or should it be somehow linked to", "it alternately natural and frustrating. I understand that the goal of this structure", "I can see that it probably has no place whatsoever in scenes, but", "of successful novels and come to the conclusion that this technique is largely", "they may blend. The way I've learned to apply it, is as a", "sequel structure, including the use of MRUs and I find it alternately natural", "[a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by Dwight Swain, wherein a book is divided into", "frustrating. I understand that the goal of this structure is to keep the", "do the world building as part of the action, but occasionally you need", "of things don't work out when you try to apply this in the", "things is out of whack. Note: [Scene-and-sequel](https://en.wikipedia.org/wiki/Scene_and_sequel) is [a writing technique](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) developed by", "model at all. It doesn't line up with motivation or reflex at all", "structure altogether, or should it be somehow linked to the sequel (I'm thinking", "nothing but this structure. That works for many things, but I struggle to", "to the happenings around them. But a number of things don't work out", "building or exposition. I like to do the world building as part of", "to only partly line up with feeling or rational thought/speech. I can see", "sequel (I'm thinking after, before the next scene starts)? Or maybe my idea", "the way blogs show it. There, in the simple examples, you basically have", "shown on writing blogs*. For one, following every scene with a sequel leads", "fitting the MRU model at all. It doesn't line up with motivation or", "seen some pretty extreme opinions expressed about it. One was to write the", "see that it probably has no place whatsoever in scenes, but if sequels", "them. But a number of things don't work out when you try to", "have been trying to practice the scene and sequel structure, including the use", "developed by Dwight Swain, wherein a book is divided into alternating segments of", "check afterward. For example, is the character's response properly motivated? Does the reaction", "phrase for each part of the MRU. In real fiction of significant length,", "until it contains nothing but this structure. That works for many things, but", "need to create a description of something. This is where I get stuck.", "probably has no place whatsoever in scenes, but if sequels have the same", "see world building description fitting the MRU model at all. It doesn't line", "I understand that the goal of this structure is to keep the story", "including the use of MRUs and I find it alternately natural and frustrating." ]
[ "it has come to a point where I have lots of information about", "and world-building as part of the process. Now it has come to a", "I have lots of information about the world and I need to store", "story and world-building as part of the process. Now it has come to", "about software for organizing world-building. This is not what I want. I'm asking", "storing information for my world? For reference, there are rules of magic, there", "I've been writing a story and world-building as part of the process. Now", "I want. I'm asking about the 'best practice' of storing the information even", "my world? For reference, there are rules of magic, there are religions and", "are rules of magic, there are religions and civilizations, and notable people as", "Should I start a wiki? A Blog? Can you suggest some methods (not", "want. I'm asking about the 'best practice' of storing the information even before", "there are religions and civilizations, and notable people as well. Also, I've seen", "A Blog? Can you suggest some methods (not software) of storing information for", "have lots of information about the world and I need to store it", "a wiki? A Blog? Can you suggest some methods (not software) of storing", "effectively for my own reference. Should I start a wiki? A Blog? Can", "Blog? Can you suggest some methods (not software) of storing information for my", "religions and civilizations, and notable people as well. Also, I've seen there are", "where I have lots of information about the world and I need to", "world-building as part of the process. Now it has come to a point", "are questions about software for organizing world-building. This is not what I want.", "suggest some methods (not software) of storing information for my world? For reference,", "seen there are questions about software for organizing world-building. This is not what", "I'm asking about the 'best practice' of storing the information even before choosing", "reference. Should I start a wiki? A Blog? Can you suggest some methods", "and I need to store it effectively for my own reference. Should I", "the world and I need to store it effectively for my own reference.", "some methods (not software) of storing information for my world? For reference, there", "well. Also, I've seen there are questions about software for organizing world-building. This", "for my world? For reference, there are rules of magic, there are religions", "(not software) of storing information for my world? For reference, there are rules", "there are questions about software for organizing world-building. This is not what I", "of storing information for my world? For reference, there are rules of magic,", "writing a story and world-building as part of the process. Now it has", "rules of magic, there are religions and civilizations, and notable people as well.", "methods (not software) of storing information for my world? For reference, there are", "process. Now it has come to a point where I have lots of", "not what I want. I'm asking about the 'best practice' of storing the", "I start a wiki? A Blog? Can you suggest some methods (not software)", "questions about software for organizing world-building. This is not what I want. I'm", "I need to store it effectively for my own reference. Should I start", "to store it effectively for my own reference. Should I start a wiki?", "organizing world-building. This is not what I want. I'm asking about the 'best", "notable people as well. Also, I've seen there are questions about software for", "my own reference. Should I start a wiki? A Blog? Can you suggest", "reference, there are rules of magic, there are religions and civilizations, and notable", "software for organizing world-building. This is not what I want. I'm asking about", "and civilizations, and notable people as well. Also, I've seen there are questions", "for organizing world-building. This is not what I want. I'm asking about the", "there are rules of magic, there are religions and civilizations, and notable people", "people as well. Also, I've seen there are questions about software for organizing", "about the world and I need to store it effectively for my own", "civilizations, and notable people as well. Also, I've seen there are questions about", "are religions and civilizations, and notable people as well. Also, I've seen there", "to a point where I have lots of information about the world and", "own reference. Should I start a wiki? A Blog? Can you suggest some", "is not what I want. I'm asking about the 'best practice' of storing", "I've seen there are questions about software for organizing world-building. This is not", "about the 'best practice' of storing the information even before choosing a software.", "part of the process. Now it has come to a point where I", "for my own reference. Should I start a wiki? A Blog? Can you", "world and I need to store it effectively for my own reference. Should", "asking about the 'best practice' of storing the information even before choosing a", "has come to a point where I have lots of information about the", "store it effectively for my own reference. Should I start a wiki? A", "point where I have lots of information about the world and I need", "it effectively for my own reference. Should I start a wiki? A Blog?", "you suggest some methods (not software) of storing information for my world? For", "what I want. I'm asking about the 'best practice' of storing the information", "Also, I've seen there are questions about software for organizing world-building. This is", "Now it has come to a point where I have lots of information", "the process. Now it has come to a point where I have lots", "lots of information about the world and I need to store it effectively", "been writing a story and world-building as part of the process. Now it", "information about the world and I need to store it effectively for my", "as part of the process. Now it has come to a point where", "of the process. Now it has come to a point where I have", "magic, there are religions and civilizations, and notable people as well. Also, I've", "Can you suggest some methods (not software) of storing information for my world?", "For reference, there are rules of magic, there are religions and civilizations, and", "as well. Also, I've seen there are questions about software for organizing world-building.", "need to store it effectively for my own reference. Should I start a", "start a wiki? A Blog? Can you suggest some methods (not software) of", "software) of storing information for my world? For reference, there are rules of", "world? For reference, there are rules of magic, there are religions and civilizations,", "a point where I have lots of information about the world and I", "information for my world? For reference, there are rules of magic, there are", "This is not what I want. I'm asking about the 'best practice' of", "of magic, there are religions and civilizations, and notable people as well. Also,", "of information about the world and I need to store it effectively for", "a story and world-building as part of the process. Now it has come", "and notable people as well. Also, I've seen there are questions about software", "world-building. This is not what I want. I'm asking about the 'best practice'", "wiki? A Blog? Can you suggest some methods (not software) of storing information", "come to a point where I have lots of information about the world" ]
[ "her mother went missing a few years ago and nobody knows where she", "it sees into a statue. In the background, you see a figure of", "he doesn't notice it and it has no bearing on the plot that", "his journey, who says something about how her mother went missing a few", "is an event that deeply traumatized this woman and shaped her actions in", "how Chekhov's gun works: in short, it's the \"rule\" that whatever is explicitly", "later, otherwise you should get rid of it. Don't show us a gun", "mother. Is there a name for this \"trope\"? It's not a Chekhov's gun,", "just a neat little background info that tells the audience what happened to", "Here's what I have, in my magic medieval setting: The main protagonist meets", "it has no bearing on the plot that follows, it's just a neat", "who looks very similar to the woman the protagonist met earlier, implying that's", "deeply traumatized this woman and shaped her actions in the present. The main", "the present. The main protagonist sometime later is sent to a cursed place", "to the woman the protagonist met earlier, implying that's her mother who went", "woman on his journey, who says something about how her mother went missing", "I have, but it's kinda like a Chekhov's gun, except it's in the", "The main protagonist sometime later is sent to a cursed place where a", "woman who looks very similar to the woman the protagonist met earlier, implying", "and nobody knows where she went. Understandably, this is an event that deeply", "a cursed place where a monster is lurking. This monster has a habit", "sent to a cursed place where a monster is lurking. This monster has", "to that woman's mother. Is there a name for this \"trope\"? It's not", "and shaped her actions in the present. The main protagonist sometime later is", "know how Chekhov's gun works: in short, it's the \"rule\" that whatever is", "of turning anyone it sees into a statue. In the background, you see", "about how her mother went missing a few years ago and nobody knows", "and not really important in the story that follows. Here's what I have,", "if there is a specific name for what I have, but it's kinda", "is lurking. This monster has a habit of turning anyone it sees into", "where a monster is lurking. This monster has a habit of turning anyone", "follows. Here's what I have, in my magic medieval setting: The main protagonist", "bearing on the plot that follows, it's just a neat little background info", "mother who went missing. However, he doesn't notice it and it has no", "the woman the protagonist met earlier, implying that's her mother who went missing.", "magic medieval setting: The main protagonist meets an unusual looking woman on his", "explicitly shown to the audience should be important later, otherwise you should get", "an event that deeply traumatized this woman and shaped her actions in the", "monster has a habit of turning anyone it sees into a statue. In", "doesn't notice it and it has no bearing on the plot that follows,", "years ago and nobody knows where she went. Understandably, this is an event", "ago and nobody knows where she went. Understandably, this is an event that", "in the present. The main protagonist sometime later is sent to a cursed", "that follows. Here's what I have, in my magic medieval setting: The main", "us a gun if it doesn't get fired at some point. I don't", "I have, in my magic medieval setting: The main protagonist meets an unusual", "implying that's her mother who went missing. However, he doesn't notice it and", "happened to that woman's mother. Is there a name for this \"trope\"? It's", "figure of a woman who looks very similar to the woman the protagonist", "has no bearing on the plot that follows, it's just a neat little", "that woman's mother. Is there a name for this \"trope\"? It's not a", "went missing a few years ago and nobody knows where she went. Understandably,", "in the story that follows. Here's what I have, in my magic medieval", "mother went missing a few years ago and nobody knows where she went.", "short, it's the \"rule\" that whatever is explicitly shown to the audience should", "a Chekhov's gun, except it's in the background and not really important in", "place where a monster is lurking. This monster has a habit of turning", "what I have, in my magic medieval setting: The main protagonist meets an", "However, he doesn't notice it and it has no bearing on the plot", "really important in the story that follows. Here's what I have, in my", "is sent to a cursed place where a monster is lurking. This monster", "woman the protagonist met earlier, implying that's her mother who went missing. However,", "to the audience should be important later, otherwise you should get rid of", "the audience what happened to that woman's mother. Is there a name for", "there is a specific name for what I have, but it's kinda like", "on the plot that follows, it's just a neat little background info that", "went missing. However, he doesn't notice it and it has no bearing on", "it's just a neat little background info that tells the audience what happened", "turning anyone it sees into a statue. In the background, you see a", "into a statue. In the background, you see a figure of a woman", "get rid of it. Don't show us a gun if it doesn't get", "few years ago and nobody knows where she went. Understandably, this is an", "similar to the woman the protagonist met earlier, implying that's her mother who", "monster is lurking. This monster has a habit of turning anyone it sees", "a statue. In the background, you see a figure of a woman who", "gun works: in short, it's the \"rule\" that whatever is explicitly shown to", "name for what I have, but it's kinda like a Chekhov's gun, except", "the background and not really important in the story that follows. Here's what", "little background info that tells the audience what happened to that woman's mother.", "unusual looking woman on his journey, who says something about how her mother", "kinda like a Chekhov's gun, except it's in the background and not really", "point. I don't know if there is a specific name for what I", "to a cursed place where a monster is lurking. This monster has a", "We all know how Chekhov's gun works: in short, it's the \"rule\" that", "at some point. I don't know if there is a specific name for", "but it's kinda like a Chekhov's gun, except it's in the background and", "cursed place where a monster is lurking. This monster has a habit of", "this is an event that deeply traumatized this woman and shaped her actions", "for what I have, but it's kinda like a Chekhov's gun, except it's", "in my magic medieval setting: The main protagonist meets an unusual looking woman", "you should get rid of it. Don't show us a gun if it", "I don't know if there is a specific name for what I have,", "have, in my magic medieval setting: The main protagonist meets an unusual looking", "lurking. This monster has a habit of turning anyone it sees into a", "says something about how her mother went missing a few years ago and", "has a habit of turning anyone it sees into a statue. In the", "a habit of turning anyone it sees into a statue. In the background,", "a monster is lurking. This monster has a habit of turning anyone it", "main protagonist meets an unusual looking woman on his journey, who says something", "that deeply traumatized this woman and shaped her actions in the present. The", "if it doesn't get fired at some point. I don't know if there", "present. The main protagonist sometime later is sent to a cursed place where", "gun, except it's in the background and not really important in the story", "protagonist met earlier, implying that's her mother who went missing. However, he doesn't", "the plot that follows, it's just a neat little background info that tells", "rid of it. Don't show us a gun if it doesn't get fired", "important later, otherwise you should get rid of it. Don't show us a", "event that deeply traumatized this woman and shaped her actions in the present.", "an unusual looking woman on his journey, who says something about how her", "not really important in the story that follows. Here's what I have, in", "works: in short, it's the \"rule\" that whatever is explicitly shown to the", "it doesn't get fired at some point. I don't know if there is", "sometime later is sent to a cursed place where a monster is lurking.", "my magic medieval setting: The main protagonist meets an unusual looking woman on", "missing a few years ago and nobody knows where she went. Understandably, this", "who went missing. However, he doesn't notice it and it has no bearing", "medieval setting: The main protagonist meets an unusual looking woman on his journey,", "background info that tells the audience what happened to that woman's mother. Is", "otherwise you should get rid of it. Don't show us a gun if", "what happened to that woman's mother. Is there a name for this \"trope\"?", "what I have, but it's kinda like a Chekhov's gun, except it's in", "you see a figure of a woman who looks very similar to the", "nobody knows where she went. Understandably, this is an event that deeply traumatized", "background, you see a figure of a woman who looks very similar to", "her mother who went missing. However, he doesn't notice it and it has", "a few years ago and nobody knows where she went. Understandably, this is", "all know how Chekhov's gun works: in short, it's the \"rule\" that whatever", "doesn't get fired at some point. I don't know if there is a", "The main protagonist meets an unusual looking woman on his journey, who says", "went. Understandably, this is an event that deeply traumatized this woman and shaped", "who says something about how her mother went missing a few years ago", "traumatized this woman and shaped her actions in the present. The main protagonist", "of it. Don't show us a gun if it doesn't get fired at", "statue. In the background, you see a figure of a woman who looks", "that follows, it's just a neat little background info that tells the audience", "her actions in the present. The main protagonist sometime later is sent to", "Is there a name for this \"trope\"? It's not a Chekhov's gun, is", "setting: The main protagonist meets an unusual looking woman on his journey, who", "sees into a statue. In the background, you see a figure of a", "it's in the background and not really important in the story that follows.", "that's her mother who went missing. However, he doesn't notice it and it", "know if there is a specific name for what I have, but it's", "\"rule\" that whatever is explicitly shown to the audience should be important later,", "the story that follows. Here's what I have, in my magic medieval setting:", "it and it has no bearing on the plot that follows, it's just", "Chekhov's gun, except it's in the background and not really important in the", "a specific name for what I have, but it's kinda like a Chekhov's", "whatever is explicitly shown to the audience should be important later, otherwise you", "where she went. Understandably, this is an event that deeply traumatized this woman", "specific name for what I have, but it's kinda like a Chekhov's gun,", "plot that follows, it's just a neat little background info that tells the", "very similar to the woman the protagonist met earlier, implying that's her mother", "woman's mother. Is there a name for this \"trope\"? It's not a Chekhov's", "meets an unusual looking woman on his journey, who says something about how", "in the background and not really important in the story that follows. Here's", "that tells the audience what happened to that woman's mother. Is there a", "woman and shaped her actions in the present. The main protagonist sometime later", "tells the audience what happened to that woman's mother. Is there a name", "story that follows. Here's what I have, in my magic medieval setting: The", "see a figure of a woman who looks very similar to the woman", "and it has no bearing on the plot that follows, it's just a", "a figure of a woman who looks very similar to the woman the", "get fired at some point. I don't know if there is a specific", "a gun if it doesn't get fired at some point. I don't know", "looks very similar to the woman the protagonist met earlier, implying that's her", "anyone it sees into a statue. In the background, you see a figure", "shown to the audience should be important later, otherwise you should get rid", "later is sent to a cursed place where a monster is lurking. This", "habit of turning anyone it sees into a statue. In the background, you", "is explicitly shown to the audience should be important later, otherwise you should", "looking woman on his journey, who says something about how her mother went", "Don't show us a gun if it doesn't get fired at some point.", "the protagonist met earlier, implying that's her mother who went missing. However, he", "important in the story that follows. Here's what I have, in my magic", "gun if it doesn't get fired at some point. I don't know if", "Understandably, this is an event that deeply traumatized this woman and shaped her", "the \"rule\" that whatever is explicitly shown to the audience should be important", "in short, it's the \"rule\" that whatever is explicitly shown to the audience", "something about how her mother went missing a few years ago and nobody", "main protagonist sometime later is sent to a cursed place where a monster", "audience should be important later, otherwise you should get rid of it. Don't", "should be important later, otherwise you should get rid of it. Don't show", "how her mother went missing a few years ago and nobody knows where", "earlier, implying that's her mother who went missing. However, he doesn't notice it", "a woman who looks very similar to the woman the protagonist met earlier,", "have, but it's kinda like a Chekhov's gun, except it's in the background", "it's kinda like a Chekhov's gun, except it's in the background and not", "the background, you see a figure of a woman who looks very similar", "no bearing on the plot that follows, it's just a neat little background", "info that tells the audience what happened to that woman's mother. Is there", "is a specific name for what I have, but it's kinda like a", "show us a gun if it doesn't get fired at some point. I", "neat little background info that tells the audience what happened to that woman's", "journey, who says something about how her mother went missing a few years", "In the background, you see a figure of a woman who looks very", "protagonist sometime later is sent to a cursed place where a monster is", "background and not really important in the story that follows. Here's what I", "knows where she went. Understandably, this is an event that deeply traumatized this", "shaped her actions in the present. The main protagonist sometime later is sent", "protagonist meets an unusual looking woman on his journey, who says something about", "follows, it's just a neat little background info that tells the audience what", "actions in the present. The main protagonist sometime later is sent to a", "it's the \"rule\" that whatever is explicitly shown to the audience should be", "she went. Understandably, this is an event that deeply traumatized this woman and", "that whatever is explicitly shown to the audience should be important later, otherwise", "be important later, otherwise you should get rid of it. Don't show us", "met earlier, implying that's her mother who went missing. However, he doesn't notice", "audience what happened to that woman's mother. Is there a name for this", "like a Chekhov's gun, except it's in the background and not really important", "the audience should be important later, otherwise you should get rid of it.", "This monster has a habit of turning anyone it sees into a statue.", "Chekhov's gun works: in short, it's the \"rule\" that whatever is explicitly shown", "don't know if there is a specific name for what I have, but", "on his journey, who says something about how her mother went missing a", "fired at some point. I don't know if there is a specific name", "some point. I don't know if there is a specific name for what", "should get rid of it. Don't show us a gun if it doesn't", "missing. However, he doesn't notice it and it has no bearing on the", "notice it and it has no bearing on the plot that follows, it's", "this woman and shaped her actions in the present. The main protagonist sometime", "of a woman who looks very similar to the woman the protagonist met", "there a name for this \"trope\"? It's not a Chekhov's gun, is it?", "it. Don't show us a gun if it doesn't get fired at some", "except it's in the background and not really important in the story that", "a neat little background info that tells the audience what happened to that" ]
[ "of home heaters, which dry up moisture in air and hence causes the", "pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but it", "using a fountain pen, I noticed that the ink dries up much faster", "evaporate. Since using heaters is inevitable, and moving to warmer climate isn't feasible,", "that it is because of home heaters, which dry up moisture in air", "dry up moisture in air and hence causes the ink to evaporate. Since", "prevent or slow down the ink evaporation? I have thought to put the", "in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but it is", "can we prevent or slow down the ink evaporation? I have thought to", "evaporation? I have thought to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so", "moving to warmer climate isn't feasible, my question is that how can we", "the winter. I read that it is because of home heaters, which dry", "that the ink dries up much faster during the winter. I read that", "down the ink evaporation? I have thought to put the pen in a", "While using a fountain pen, I noticed that the ink dries up much", "so that it can be sealed, but it is not a very trustworthy", "noticed that the ink dries up much faster during the winter. I read", "pen, I noticed that the ink dries up much faster during the winter.", "the ink evaporation? I have thought to put the pen in a [ziploc", "thought to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can", "Since using heaters is inevitable, and moving to warmer climate isn't feasible, my", "I read that it is because of home heaters, which dry up moisture", "to warmer climate isn't feasible, my question is that how can we prevent", "and moving to warmer climate isn't feasible, my question is that how can", "dries up much faster during the winter. I read that it is because", "which dry up moisture in air and hence causes the ink to evaporate.", "is that how can we prevent or slow down the ink evaporation? I", "air and hence causes the ink to evaporate. Since using heaters is inevitable,", "fountain pen, I noticed that the ink dries up much faster during the", "ink evaporation? I have thought to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc)", "to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be", "hence causes the ink to evaporate. Since using heaters is inevitable, and moving", "how can we prevent or slow down the ink evaporation? I have thought", "heaters is inevitable, and moving to warmer climate isn't feasible, my question is", "that it can be sealed, but it is not a very trustworthy method.", "causes the ink to evaporate. Since using heaters is inevitable, and moving to", "we prevent or slow down the ink evaporation? I have thought to put", "moisture in air and hence causes the ink to evaporate. Since using heaters", "my question is that how can we prevent or slow down the ink", "using heaters is inevitable, and moving to warmer climate isn't feasible, my question", "warmer climate isn't feasible, my question is that how can we prevent or", "faster during the winter. I read that it is because of home heaters,", "read that it is because of home heaters, which dry up moisture in", "ink to evaporate. Since using heaters is inevitable, and moving to warmer climate", "I have thought to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that", "a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but it is not", "is because of home heaters, which dry up moisture in air and hence", "bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but it is not a very", "or slow down the ink evaporation? I have thought to put the pen", "I noticed that the ink dries up much faster during the winter. I", "and hence causes the ink to evaporate. Since using heaters is inevitable, and", "inevitable, and moving to warmer climate isn't feasible, my question is that how", "ink dries up much faster during the winter. I read that it is", "is inevitable, and moving to warmer climate isn't feasible, my question is that", "winter. I read that it is because of home heaters, which dry up", "that how can we prevent or slow down the ink evaporation? I have", "[ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but it is not a", "the ink dries up much faster during the winter. I read that it", "the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed, but", "in air and hence causes the ink to evaporate. Since using heaters is", "during the winter. I read that it is because of home heaters, which", "up moisture in air and hence causes the ink to evaporate. Since using", "have thought to put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it", "question is that how can we prevent or slow down the ink evaporation?", "home heaters, which dry up moisture in air and hence causes the ink", "the ink to evaporate. Since using heaters is inevitable, and moving to warmer", "put the pen in a [ziploc bag](https://en.wikipedia.org/wiki/Ziploc) so that it can be sealed,", "slow down the ink evaporation? I have thought to put the pen in", "a fountain pen, I noticed that the ink dries up much faster during", "much faster during the winter. I read that it is because of home", "it is because of home heaters, which dry up moisture in air and", "feasible, my question is that how can we prevent or slow down the", "isn't feasible, my question is that how can we prevent or slow down", "up much faster during the winter. I read that it is because of", "because of home heaters, which dry up moisture in air and hence causes", "heaters, which dry up moisture in air and hence causes the ink to", "climate isn't feasible, my question is that how can we prevent or slow", "to evaporate. Since using heaters is inevitable, and moving to warmer climate isn't" ]
[ "my body. > > > Here, noose is a metaphor for snake. The", "rolling blades sank the ship. > > > Here, in this example, blades", "noose. All three metaphors are highly questionable at best, so is there a", "> The noose slithered around my body. > > > Here, noose is", "suffocate someone like a noose. All three metaphors are highly questionable at best,", "> Here, noose is a metaphor for snake. The snake can suffocate someone", "Here, noose means water. The water is slowly suffocating the narrator like a", "The snake can suffocate someone like a noose. All three metaphors are highly", "> > > Here, noose means water. The water is slowly suffocating the", "best, so is there a some sort of thought experiment or techniques to", "is slowly suffocating the narrator like a noose. > > The noose slithered", "thought experiment or techniques to help a writer see if a metaphor is", "noose slithered around my body. > > > Here, noose is a metaphor", "of thought experiment or techniques to help a writer see if a metaphor", "like a noose. > > The noose slithered around my body. > >", "> > The rolling blades sank the ship. > > > Here, in", "> The rolling blades sank the ship. > > > Here, in this", "suffocating the narrator like a noose. > > The noose slithered around my", "noose is a metaphor for snake. The snake can suffocate someone like a", "The water is slowly suffocating the narrator like a noose. > > The", "noose means water. The water is slowly suffocating the narrator like a noose.", "Above the noose I saw the sun. > > > Here, noose means", "blades sank the ship. > > > Here, in this example, blades is", "snake. The snake can suffocate someone like a noose. All three metaphors are", "I saw the sun. > > > Here, noose means water. The water", "> > > Here, in this example, blades is a metaphor for dangerous", "a metaphor for dangerous waves. > > Above the noose I saw the", "the noose I saw the sun. > > > Here, noose means water.", "is a metaphor for dangerous waves. > > Above the noose I saw", "ship. > > > Here, in this example, blades is a metaphor for", "means water. The water is slowly suffocating the narrator like a noose. >", "the narrator like a noose. > > The noose slithered around my body.", "narrator like a noose. > > The noose slithered around my body. >", "at best, so is there a some sort of thought experiment or techniques", "some sort of thought experiment or techniques to help a writer see if", "a noose. > > The noose slithered around my body. > > >", "noose. > > The noose slithered around my body. > > > Here,", "sank the ship. > > > Here, in this example, blades is a", "All three metaphors are highly questionable at best, so is there a some", "metaphors are highly questionable at best, so is there a some sort of", "highly questionable at best, so is there a some sort of thought experiment", "> > The noose slithered around my body. > > > Here, noose", "slithered around my body. > > > Here, noose is a metaphor for", "> > Here, noose means water. The water is slowly suffocating the narrator", "three metaphors are highly questionable at best, so is there a some sort", "can suffocate someone like a noose. All three metaphors are highly questionable at", "blades is a metaphor for dangerous waves. > > Above the noose I", "sort of thought experiment or techniques to help a writer see if a", "for snake. The snake can suffocate someone like a noose. All three metaphors", "a noose. All three metaphors are highly questionable at best, so is there", "> > > Here, noose is a metaphor for snake. The snake can", "> > Above the noose I saw the sun. > > > Here,", "body. > > > Here, noose is a metaphor for snake. The snake", "> Here, in this example, blades is a metaphor for dangerous waves. >", "someone like a noose. All three metaphors are highly questionable at best, so", "like a noose. All three metaphors are highly questionable at best, so is", "are highly questionable at best, so is there a some sort of thought", "questionable at best, so is there a some sort of thought experiment or", "the sun. > > > Here, noose means water. The water is slowly", "> > Here, in this example, blades is a metaphor for dangerous waves.", "in this example, blades is a metaphor for dangerous waves. > > Above", "> Above the noose I saw the sun. > > > Here, noose", "slowly suffocating the narrator like a noose. > > The noose slithered around", "there a some sort of thought experiment or techniques to help a writer", "so is there a some sort of thought experiment or techniques to help", "this example, blades is a metaphor for dangerous waves. > > Above the", "experiment or techniques to help a writer see if a metaphor is good", "example, blades is a metaphor for dangerous waves. > > Above the noose", "techniques to help a writer see if a metaphor is good or bad?", "The noose slithered around my body. > > > Here, noose is a", "the ship. > > > Here, in this example, blades is a metaphor", "saw the sun. > > > Here, noose means water. The water is", "a metaphor for snake. The snake can suffocate someone like a noose. All", "for dangerous waves. > > Above the noose I saw the sun. >", "> > Here, noose is a metaphor for snake. The snake can suffocate", "Here, noose is a metaphor for snake. The snake can suffocate someone like", "metaphor for dangerous waves. > > Above the noose I saw the sun.", "Here, in this example, blades is a metaphor for dangerous waves. > >", "metaphor for snake. The snake can suffocate someone like a noose. All three", "is there a some sort of thought experiment or techniques to help a", "is a metaphor for snake. The snake can suffocate someone like a noose.", "> Here, noose means water. The water is slowly suffocating the narrator like", "a some sort of thought experiment or techniques to help a writer see", "water. The water is slowly suffocating the narrator like a noose. > >", "noose I saw the sun. > > > Here, noose means water. The", "or techniques to help a writer see if a metaphor is good or", "sun. > > > Here, noose means water. The water is slowly suffocating", "The rolling blades sank the ship. > > > Here, in this example,", "around my body. > > > Here, noose is a metaphor for snake.", "snake can suffocate someone like a noose. All three metaphors are highly questionable", "waves. > > Above the noose I saw the sun. > > >", "water is slowly suffocating the narrator like a noose. > > The noose", "dangerous waves. > > Above the noose I saw the sun. > >" ]
[ "how it feels like \"whiplash\" when going from something like a death scene", "feels like \"whiplash\" when going from something like a death scene to someone", "how to follow up a tragic scene. How can I create transitions between", "people criticizing how it feels like \"whiplash\" when going from something like a", "follow up a tragic scene. How can I create transitions between tragic and", "a death scene to someone cracking a joke, and I agree, but I", "\"whiplash\" when going from something like a death scene to someone cracking a", "to follow up a tragic scene. How can I create transitions between tragic", "when going from something like a death scene to someone cracking a joke,", "up a tragic scene. How can I create transitions between tragic and comic", "joke, and I agree, but I don't know why I agree. I just", "but I don't know why I agree. I just can't imagine how to", "imagine how to follow up a tragic scene. How can I create transitions", "from something like a death scene to someone cracking a joke, and I", "agree, but I don't know why I agree. I just can't imagine how", "death scene to someone cracking a joke, and I agree, but I don't", "I agree. I just can't imagine how to follow up a tragic scene.", "I just can't imagine how to follow up a tragic scene. How can", "see reviews of people criticizing how it feels like \"whiplash\" when going from", "something like a death scene to someone cracking a joke, and I agree,", "I don't know why I agree. I just can't imagine how to follow", "it feels like \"whiplash\" when going from something like a death scene to", "I constantly see reviews of people criticizing how it feels like \"whiplash\" when", "a joke, and I agree, but I don't know why I agree. I", "I agree, but I don't know why I agree. I just can't imagine", "agree. I just can't imagine how to follow up a tragic scene. How", "and I agree, but I don't know why I agree. I just can't", "of people criticizing how it feels like \"whiplash\" when going from something like", "like \"whiplash\" when going from something like a death scene to someone cracking", "why I agree. I just can't imagine how to follow up a tragic", "criticizing how it feels like \"whiplash\" when going from something like a death", "a tragic scene. How can I create transitions between tragic and comic scenes?", "like a death scene to someone cracking a joke, and I agree, but", "can't imagine how to follow up a tragic scene. How can I create", "someone cracking a joke, and I agree, but I don't know why I", "don't know why I agree. I just can't imagine how to follow up", "scene to someone cracking a joke, and I agree, but I don't know", "reviews of people criticizing how it feels like \"whiplash\" when going from something", "just can't imagine how to follow up a tragic scene. How can I", "know why I agree. I just can't imagine how to follow up a", "going from something like a death scene to someone cracking a joke, and", "cracking a joke, and I agree, but I don't know why I agree.", "constantly see reviews of people criticizing how it feels like \"whiplash\" when going", "to someone cracking a joke, and I agree, but I don't know why" ]
[ "I use D&D as a source of inspiration in my writing, but the", "under copyright protection, so I can protect myself by not including them in", "monsters I see in the Monster Manual in my stories. Is there a", "them are under copyright protection, so I can protect myself by not including", "problem is sometimes I use monsters I see in the Monster Manual in", "in the Monster Manual in my stories. Is there a way to know", "in my writing, but the problem is sometimes I use monsters I see", "as a source of inspiration in my writing, but the problem is sometimes", "a source of inspiration in my writing, but the problem is sometimes I", "but the problem is sometimes I use monsters I see in the Monster", "way to know which ones of them are under copyright protection, so I", "use D&D as a source of inspiration in my writing, but the problem", "my writing, but the problem is sometimes I use monsters I see in", "Monster Manual in my stories. Is there a way to know which ones", "source of inspiration in my writing, but the problem is sometimes I use", "the problem is sometimes I use monsters I see in the Monster Manual", "see in the Monster Manual in my stories. Is there a way to", "of inspiration in my writing, but the problem is sometimes I use monsters", "is sometimes I use monsters I see in the Monster Manual in my", "know which ones of them are under copyright protection, so I can protect", "protection, so I can protect myself by not including them in my stories?", "Is there a way to know which ones of them are under copyright", "inspiration in my writing, but the problem is sometimes I use monsters I", "sometimes I use monsters I see in the Monster Manual in my stories.", "ones of them are under copyright protection, so I can protect myself by", "a way to know which ones of them are under copyright protection, so", "Manual in my stories. Is there a way to know which ones of", "of them are under copyright protection, so I can protect myself by not", "my stories. Is there a way to know which ones of them are", "D&D as a source of inspiration in my writing, but the problem is", "use monsters I see in the Monster Manual in my stories. Is there", "which ones of them are under copyright protection, so I can protect myself", "writing, but the problem is sometimes I use monsters I see in the", "to know which ones of them are under copyright protection, so I can", "I use monsters I see in the Monster Manual in my stories. Is", "I see in the Monster Manual in my stories. Is there a way", "are under copyright protection, so I can protect myself by not including them", "stories. Is there a way to know which ones of them are under", "there a way to know which ones of them are under copyright protection,", "copyright protection, so I can protect myself by not including them in my", "in my stories. Is there a way to know which ones of them", "the Monster Manual in my stories. Is there a way to know which" ]
[ "demons. It's kind of an action-fantasy book, and it's not about any real", "stuff like that. The book isn't about the fact that Kem is nonbinary,", "avoid it, and by avoiding it does it seem like I'm being lazy", "named Kem who recently discovered their powers and met some friendly demons. It's", "on a (nonbinary, hence the they/them pronouns) witch named Kem who recently discovered", "happens that that's who Kem is, and I'm not trying to focus on", "their powers and met some friendly demons. It's kind of an action-fantasy book,", "that's who Kem is, and I'm not trying to focus on LGBT issues", "So I'm in the very early stages of plot development on a new", "it's not about any real world issues, it's about Kem navigating the world", "navigating the world they've recently been introduced to and fighting evil and stuff", "that. The book isn't about the fact that Kem is nonbinary, it just", "I prevent the story from taking a turn into political discussions? Is there", "about the fact that Kem is nonbinary, it just so happens that that's", "from taking a turn into political discussions? Is there a way to avoid", "in the very early stages of plot development on a new story. It", "it, and by avoiding it does it seem like I'm being lazy or", "Is there a way to avoid talking about LGBT issues when my MC", "the world they've recently been introduced to and fighting evil and stuff like", "and met some friendly demons. It's kind of an action-fantasy book, and it's", "some friendly demons. It's kind of an action-fantasy book, and it's not about", "of an action-fantasy book, and it's not about any real world issues, it's", "powers and met some friendly demons. It's kind of an action-fantasy book, and", "It's kind of an action-fantasy book, and it's not about any real world", "Kem is, and I'm not trying to focus on LGBT issues or nonbinary", "recently discovered their powers and met some friendly demons. It's kind of an", "hence the they/them pronouns) witch named Kem who recently discovered their powers and", "on a new story. It focuses on a (nonbinary, hence the they/them pronouns)", "it's about Kem navigating the world they've recently been introduced to and fighting", "isn't about the fact that Kem is nonbinary, it just so happens that", "any real world issues, it's about Kem navigating the world they've recently been", "casually including an MC that's nonbinary. So how do I prevent the story", "MC is LGBT? Is it smart to avoid it, and by avoiding it", "trying to focus on LGBT issues or nonbinary rights or activism or anything,", "issues, it's about Kem navigating the world they've recently been introduced to and", "LGBT issues when my MC is LGBT? Is it smart to avoid it,", "avoiding it does it seem like I'm being lazy or trying to not", "friendly demons. It's kind of an action-fantasy book, and it's not about any", "So how do I prevent the story from taking a turn into political", "plot development on a new story. It focuses on a (nonbinary, hence the", "a new story. It focuses on a (nonbinary, hence the they/them pronouns) witch", "nonbinary rights or activism or anything, I'm just casually including an MC that's", "just so happens that that's who Kem is, and I'm not trying to", "who Kem is, and I'm not trying to focus on LGBT issues or", "Is it smart to avoid it, and by avoiding it does it seem", "I'm just casually including an MC that's nonbinary. So how do I prevent", "book, and it's not about any real world issues, it's about Kem navigating", "not trying to focus on LGBT issues or nonbinary rights or activism or", "LGBT issues or nonbinary rights or activism or anything, I'm just casually including", "rights or activism or anything, I'm just casually including an MC that's nonbinary.", "by avoiding it does it seem like I'm being lazy or trying to", "I'm in the very early stages of plot development on a new story.", "a way to avoid talking about LGBT issues when my MC is LGBT?", "Kem navigating the world they've recently been introduced to and fighting evil and", "it smart to avoid it, and by avoiding it does it seem like", "world issues, it's about Kem navigating the world they've recently been introduced to", "an action-fantasy book, and it's not about any real world issues, it's about", "do I prevent the story from taking a turn into political discussions? Is", "does it seem like I'm being lazy or trying to not offend people?", "early stages of plot development on a new story. It focuses on a", "it does it seem like I'm being lazy or trying to not offend", "world they've recently been introduced to and fighting evil and stuff like that.", "prevent the story from taking a turn into political discussions? Is there a", "or anything, I'm just casually including an MC that's nonbinary. So how do", "issues when my MC is LGBT? Is it smart to avoid it, and", "story. It focuses on a (nonbinary, hence the they/them pronouns) witch named Kem", "story from taking a turn into political discussions? Is there a way to", "about Kem navigating the world they've recently been introduced to and fighting evil", "The book isn't about the fact that Kem is nonbinary, it just so", "focuses on a (nonbinary, hence the they/them pronouns) witch named Kem who recently", "to avoid it, and by avoiding it does it seem like I'm being", "it just so happens that that's who Kem is, and I'm not trying", "been introduced to and fighting evil and stuff like that. The book isn't", "real world issues, it's about Kem navigating the world they've recently been introduced", "they've recently been introduced to and fighting evil and stuff like that. The", "focus on LGBT issues or nonbinary rights or activism or anything, I'm just", "or nonbinary rights or activism or anything, I'm just casually including an MC", "how do I prevent the story from taking a turn into political discussions?", "(nonbinary, hence the they/them pronouns) witch named Kem who recently discovered their powers", "that Kem is nonbinary, it just so happens that that's who Kem is,", "turn into political discussions? Is there a way to avoid talking about LGBT", "just casually including an MC that's nonbinary. So how do I prevent the", "to avoid talking about LGBT issues when my MC is LGBT? Is it", "and by avoiding it does it seem like I'm being lazy or trying", "discovered their powers and met some friendly demons. It's kind of an action-fantasy", "nonbinary, it just so happens that that's who Kem is, and I'm not", "development on a new story. It focuses on a (nonbinary, hence the they/them", "the very early stages of plot development on a new story. It focuses", "to focus on LGBT issues or nonbinary rights or activism or anything, I'm", "and stuff like that. The book isn't about the fact that Kem is", "is, and I'm not trying to focus on LGBT issues or nonbinary rights", "MC that's nonbinary. So how do I prevent the story from taking a", "political discussions? Is there a way to avoid talking about LGBT issues when", "discussions? Is there a way to avoid talking about LGBT issues when my", "Kem is nonbinary, it just so happens that that's who Kem is, and", "who recently discovered their powers and met some friendly demons. It's kind of", "kind of an action-fantasy book, and it's not about any real world issues,", "and I'm not trying to focus on LGBT issues or nonbinary rights or", "the fact that Kem is nonbinary, it just so happens that that's who", "the story from taking a turn into political discussions? Is there a way", "taking a turn into political discussions? Is there a way to avoid talking", "is LGBT? Is it smart to avoid it, and by avoiding it does", "fact that Kem is nonbinary, it just so happens that that's who Kem", "evil and stuff like that. The book isn't about the fact that Kem", "very early stages of plot development on a new story. It focuses on", "It focuses on a (nonbinary, hence the they/them pronouns) witch named Kem who", "issues or nonbinary rights or activism or anything, I'm just casually including an", "or activism or anything, I'm just casually including an MC that's nonbinary. So", "my MC is LGBT? Is it smart to avoid it, and by avoiding", "recently been introduced to and fighting evil and stuff like that. The book", "witch named Kem who recently discovered their powers and met some friendly demons.", "when my MC is LGBT? Is it smart to avoid it, and by", "is nonbinary, it just so happens that that's who Kem is, and I'm", "stages of plot development on a new story. It focuses on a (nonbinary,", "Kem who recently discovered their powers and met some friendly demons. It's kind", "about any real world issues, it's about Kem navigating the world they've recently", "not about any real world issues, it's about Kem navigating the world they've", "on LGBT issues or nonbinary rights or activism or anything, I'm just casually", "LGBT? Is it smart to avoid it, and by avoiding it does it", "action-fantasy book, and it's not about any real world issues, it's about Kem", "into political discussions? Is there a way to avoid talking about LGBT issues", "the they/them pronouns) witch named Kem who recently discovered their powers and met", "of plot development on a new story. It focuses on a (nonbinary, hence", "that's nonbinary. So how do I prevent the story from taking a turn", "new story. It focuses on a (nonbinary, hence the they/them pronouns) witch named", "nonbinary. So how do I prevent the story from taking a turn into", "activism or anything, I'm just casually including an MC that's nonbinary. So how", "about LGBT issues when my MC is LGBT? Is it smart to avoid", "introduced to and fighting evil and stuff like that. The book isn't about", "including an MC that's nonbinary. So how do I prevent the story from", "talking about LGBT issues when my MC is LGBT? Is it smart to", "pronouns) witch named Kem who recently discovered their powers and met some friendly", "book isn't about the fact that Kem is nonbinary, it just so happens", "there a way to avoid talking about LGBT issues when my MC is", "like that. The book isn't about the fact that Kem is nonbinary, it", "to and fighting evil and stuff like that. The book isn't about the", "a (nonbinary, hence the they/them pronouns) witch named Kem who recently discovered their", "they/them pronouns) witch named Kem who recently discovered their powers and met some", "smart to avoid it, and by avoiding it does it seem like I'm", "anything, I'm just casually including an MC that's nonbinary. So how do I", "a turn into political discussions? Is there a way to avoid talking about", "fighting evil and stuff like that. The book isn't about the fact that", "I'm not trying to focus on LGBT issues or nonbinary rights or activism", "an MC that's nonbinary. So how do I prevent the story from taking", "so happens that that's who Kem is, and I'm not trying to focus", "and it's not about any real world issues, it's about Kem navigating the", "avoid talking about LGBT issues when my MC is LGBT? Is it smart", "and fighting evil and stuff like that. The book isn't about the fact", "met some friendly demons. It's kind of an action-fantasy book, and it's not", "that that's who Kem is, and I'm not trying to focus on LGBT", "way to avoid talking about LGBT issues when my MC is LGBT? Is" ]
[ "'backwards'. Writing the end and then writing the chapters leading to end, so", "way to the start. I'm interested to know more. Are there any best", "start. I'm interested to know more. Are there any best practices for writing", "and so forth all the way to the start. I'm interested to know", "imagine in her mind's eye where her story should end and will write", "a writing technique where a writer would imagine in her mind's eye where", "writer would imagine in her mind's eye where her story should end and", "so forth all the way to the start. I'm interested to know more.", "will write it 'backwards'. Writing the end and then writing the chapters leading", "technique where a writer would imagine in her mind's eye where her story", "where her story should end and will write it 'backwards'. Writing the end", "then writing the chapters leading to end, so on and so forth all", "on and so forth all the way to the start. I'm interested to", "a writer would imagine in her mind's eye where her story should end", "the chapters leading to end, so on and so forth all the way", "and then writing the chapters leading to end, so on and so forth", "the start. I'm interested to know more. Are there any best practices for", "know more. Are there any best practices for writing a story this way?", "interested to know more. Are there any best practices for writing a story", "write it 'backwards'. Writing the end and then writing the chapters leading to", "should end and will write it 'backwards'. Writing the end and then writing", "would imagine in her mind's eye where her story should end and will", "end and then writing the chapters leading to end, so on and so", "to end, so on and so forth all the way to the start.", "mind's eye where her story should end and will write it 'backwards'. Writing", "chapters leading to end, so on and so forth all the way to", "her mind's eye where her story should end and will write it 'backwards'.", "the way to the start. I'm interested to know more. Are there any", "where a writer would imagine in her mind's eye where her story should", "to the start. I'm interested to know more. Are there any best practices", "all the way to the start. I'm interested to know more. Are there", "story should end and will write it 'backwards'. Writing the end and then", "in her mind's eye where her story should end and will write it", "I'm interested to know more. Are there any best practices for writing a", "end and will write it 'backwards'. Writing the end and then writing the", "her story should end and will write it 'backwards'. Writing the end and", "eye where her story should end and will write it 'backwards'. Writing the", "There is a writing technique where a writer would imagine in her mind's", "Writing the end and then writing the chapters leading to end, so on", "writing the chapters leading to end, so on and so forth all the", "leading to end, so on and so forth all the way to the", "end, so on and so forth all the way to the start. I'm", "it 'backwards'. Writing the end and then writing the chapters leading to end,", "forth all the way to the start. I'm interested to know more. Are", "so on and so forth all the way to the start. I'm interested", "writing technique where a writer would imagine in her mind's eye where her", "the end and then writing the chapters leading to end, so on and", "is a writing technique where a writer would imagine in her mind's eye", "to know more. Are there any best practices for writing a story this", "and will write it 'backwards'. Writing the end and then writing the chapters" ]
[ "increasing the melodicality of a lyric? I want to write a lyric, but", "just write a lyric that can fit a lot of different melodies? Is", "lyric, but I don't really have a melody in mind and wish to", "want to write a lyric, but I don't really have a melody in", "Is there any trick, rule, principle for increasing the melodicality of a lyric?", "melody in mind and wish to just write a lyric that can fit", "fit a lot of different melodies? Is there a way to insure that?", "don't really have a melody in mind and wish to just write a", "can fit a lot of different melodies? Is there a way to insure", "have a melody in mind and wish to just write a lyric that", "lyric? I want to write a lyric, but I don't really have a", "a lyric that can fit a lot of different melodies? Is there a", "write a lyric that can fit a lot of different melodies? Is there", "wish to just write a lyric that can fit a lot of different", "that can fit a lot of different melodies? Is there a way to", "I want to write a lyric, but I don't really have a melody", "in mind and wish to just write a lyric that can fit a", "for increasing the melodicality of a lyric? I want to write a lyric,", "a lyric? I want to write a lyric, but I don't really have", "to write a lyric, but I don't really have a melody in mind", "lyric that can fit a lot of different melodies? Is there a way", "but I don't really have a melody in mind and wish to just", "a melody in mind and wish to just write a lyric that can", "any trick, rule, principle for increasing the melodicality of a lyric? I want", "I don't really have a melody in mind and wish to just write", "to just write a lyric that can fit a lot of different melodies?", "of a lyric? I want to write a lyric, but I don't really", "the melodicality of a lyric? I want to write a lyric, but I", "write a lyric, but I don't really have a melody in mind and", "mind and wish to just write a lyric that can fit a lot", "and wish to just write a lyric that can fit a lot of", "really have a melody in mind and wish to just write a lyric", "there any trick, rule, principle for increasing the melodicality of a lyric? I", "principle for increasing the melodicality of a lyric? I want to write a", "rule, principle for increasing the melodicality of a lyric? I want to write", "trick, rule, principle for increasing the melodicality of a lyric? I want to", "melodicality of a lyric? I want to write a lyric, but I don't", "a lyric, but I don't really have a melody in mind and wish" ]
[ "systems and exotic, less plausible creatures (on a scientific level - magic tends", "and science, essentially) *Why do people advise to stick to one or the", "be the first. I love the creativity found in both, and it is", "these beasts) * Traditional sci-fi elements Such as advanced technology and civilizations amidst", "been cautioned against blending: Traditional fantasy elements Such as magic systems and", "Worldbuilding, and was instructed to try it here. My apologies, still green to", "magic systems and exotic, less plausible creatures (on a scientific level - magic", "did not elaborate. Posted this first on Worldbuilding, and was instructed to try", "to stick to one or the other? I encountered this on a video", "their disposal. (Magic and science, essentially) Why do people advise to stick to", "exploring the potential for humanity with both tools at their disposal. (Magic and", "both tools at their disposal. (Magic and science, essentially) Why do people advise", "with both tools at their disposal. (Magic and science, essentially) Why do people", "civilizations amidst the stars.* I have taken it upon myself to harmonize the", "is going well so far. I have been exploring the potential for humanity", "elements Such as magic systems and exotic, less plausible creatures (on a scientific", "first on Worldbuilding, and was instructed to try it here. My apologies, still", "creativity found in both, and it is going well so far. I have", "elements Such as advanced technology and civilizations amidst the stars.* I have taken", "first. I love the creativity found in both, and it is going well", "people advise to stick to one or the other?** I encountered this on", "amidst the stars.* I have taken it upon myself to harmonize the two", "with magic systems, but he did not elaborate. Posted this first on Worldbuilding,", "stars. I have taken it upon myself to harmonize the two in my", "elaborate. Posted this first on Worldbuilding, and was instructed to try it here.", "Such as advanced technology and civilizations amidst the stars.* I have taken it", "and was instructed to try it here. My apologies, still green to Stack.", "myself to harmonize the two in my current worldbuilding project. I know I", "going well so far. I have been exploring the potential for humanity with", "advise to stick to one or the other?* I encountered this on a", "a video specifically dealing with magic systems, but he did not elaborate. Posted", "and civilizations amidst the stars. I have taken it upon myself to harmonize", "I cannot be the first. I love the creativity found in both, and", "as magic systems and exotic, less plausible creatures (on a scientific level -", "one or the other?** I encountered this on a video specifically dealing with", "specifically dealing with magic systems, but he did not elaborate. Posted this first", "harmonize the two in my current worldbuilding project. I know I cannot be", "current worldbuilding project. I know I cannot be the first. I love the", "love the creativity found in both, and it is going well so far.", "technology and civilizations amidst the stars. I have taken it upon myself to", "video specifically dealing with magic systems, but he did not elaborate. Posted this", "stick to one or the other?* I encountered this on a video specifically", "tools at their disposal. (Magic and science, essentially) *Why do people advise to", "magic systems, but he did not elaborate. Posted this first on Worldbuilding, and", "as advanced technology and civilizations amidst the stars.* I have taken it upon", "creatures (on a scientific level - magic tends to explain away these beasts)", "- magic tends to explain away these beasts) * Traditional sci-fi elements Such", "systems, but he did not elaborate. Posted this first on Worldbuilding, and was", "Such as magic systems and exotic, less plausible creatures (on a scientific level", "potential for humanity with both tools at their disposal. (Magic and science, essentially)", "plausible creatures (on a scientific level - magic tends to explain away these", "know I cannot be the first. I love the creativity found in both,", "blending: Traditional fantasy elements Such as magic systems and exotic, less plausible", "worldbuilding project. I know I cannot be the first. I love the creativity", "have taken it upon myself to harmonize the two in my current worldbuilding", "science, essentially) Why do people advise to stick to one or the other?", "magic tends to explain away these beasts) * Traditional sci-fi elements Such as", "the stars. I have taken it upon myself to harmonize the two in", "a scientific level - magic tends to explain away these beasts)* * Traditional", "do people advise to stick to one or the other?** I encountered this", "the first. I love the creativity found in both, and it is going", "Posted this first on Worldbuilding, and was instructed to try it here. My", "at their disposal. (Magic and science, essentially) Why do people advise to stick", "level - magic tends to explain away these beasts) * Traditional sci-fi elements", "upon myself to harmonize the two in my current worldbuilding project. I know", "he did not elaborate. Posted this first on Worldbuilding, and was instructed to", "less plausible creatures (on a scientific level - magic tends to explain away", "to one or the other?* I encountered this on a video specifically dealing", "to explain away these beasts)* * Traditional sci-fi elements Such as advanced technology", "or the other?* I encountered this on a video specifically dealing with magic", "this on a video specifically dealing with magic systems, but he did not", "I have been exploring the potential for humanity with both tools at their", "against blending: * Traditional fantasy elements Such as magic systems and exotic, less", "advanced technology and civilizations amidst the stars. I have taken it upon myself", "other? I encountered this on a video specifically dealing with magic systems, but", "humanity with both tools at their disposal. (Magic and science, essentially) Why do", "two in my current worldbuilding project. I know I cannot be the first.", "sci-fi elements Such as advanced technology and civilizations amidst the stars. I have", "away these beasts)* * Traditional sci-fi elements Such as advanced technology and civilizations", "(on a scientific level - magic tends to explain away these beasts) ", "scientific level - magic tends to explain away these beasts) * Traditional sci-fi", "for humanity with both tools at their disposal. (Magic and science, essentially) *Why", " Traditional sci-fi elements Such as advanced technology and civilizations amidst the stars.", "this first on Worldbuilding, and was instructed to try it here. My apologies,", "I know I cannot be the first. I love the creativity found in", "encountered this on a video specifically dealing with magic systems, but he did", "both, and it is going well so far. I have been exploring the", "dealing with magic systems, but he did not elaborate. Posted this first on", "on Worldbuilding, and was instructed to try it here. My apologies, still green", "(Magic and science, essentially) Why do people advise to stick to one or", "found in both, and it is going well so far. I have been", "I love the creativity found in both, and it is going well so", "but he did not elaborate. Posted this first on Worldbuilding, and was instructed", "taken it upon myself to harmonize the two in my current worldbuilding project.", "been exploring the potential for humanity with both tools at their disposal. (Magic", "have been cautioned against blending: * Traditional fantasy elements Such as magic systems", "essentially) Why do people advise to stick to one or the other?* I", "in both, and it is going well so far. I have been exploring", "beasts)* * Traditional sci-fi elements Such as advanced technology and civilizations amidst the", "exotic, less plausible creatures (on a scientific level - magic tends to explain", "it is going well so far. I have been exploring the potential for", "not elaborate. Posted this first on Worldbuilding, and was instructed to try it", "tends to explain away these beasts)* * Traditional sci-fi elements Such as advanced", "I encountered this on a video specifically dealing with magic systems, but he", "it upon myself to harmonize the two in my current worldbuilding project. I", "Why do people advise to stick to one or the other?* I encountered", "cautioned against blending: * Traditional fantasy elements Such as magic systems and exotic,", "Traditional sci-fi elements Such as advanced technology and civilizations amidst the stars.* I", "on a video specifically dealing with magic systems, but he did not elaborate.", "in my current worldbuilding project. I know I cannot be the first. I", "have been exploring the potential for humanity with both tools at their disposal.", "far. I have been exploring the potential for humanity with both tools at", "I have been cautioned against blending: * Traditional fantasy elements Such as magic", "and it is going well so far. I have been exploring the potential", "explain away these beasts) * Traditional sci-fi elements Such as advanced technology and", "my current worldbuilding project. I know I cannot be the first. I love", "the creativity found in both, and it is going well so far. I", "to harmonize the two in my current worldbuilding project. I know I cannot", "disposal. (Magic and science, essentially) Why do people advise to stick to one", "well so far. I have been exploring the potential for humanity with both", "Traditional fantasy elements Such as magic systems and exotic, less plausible creatures (on", "* Traditional fantasy elements Such as magic systems and exotic, less plausible creatures", "so far. I have been exploring the potential for humanity with both tools", "the other?* I encountered this on a video specifically dealing with magic systems,", "fantasy elements *Such as magic systems and exotic, less plausible creatures (on a", "I have taken it upon myself to harmonize the two in my current", "project. I know I cannot be the first. I love the creativity found", "the potential for humanity with both tools at their disposal. (Magic and science,", "cannot be the first. I love the creativity found in both, and it", "and exotic, less plausible creatures (on a scientific level - magic tends to", "the two in my current worldbuilding project. I know I cannot be the" ]
[ "some characters do believe in him. However there's also the fact that there", "comics / animations. This comic takes place in a second world. I've been", "myths being true\" and tackle religion in my book. [[In other words, my", "character called \"The Creator\" who is a monotheistic god. Many characters don't believe", "had to edit this question by giving specifics in the story beside \"it", "us destroy the non believers!\" [[suggestion from April to Asker for the paragraph", "matter how many bad religious people there are. (For example: I'm writing SOME", "been going through a religious phase currently, so of course I'll play with", "in-story dilemma that faces the characters you are focusing on?]] There's also other", "religions, such as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So how", "the world of my comic. ]] I do want to portray religious people", "to Christianity. Only we don't know if the stories are true or not.", "only we don't know if the myths and religions are \"true\" [[ for", "you meant the Neil Gaiman work, and not the religions of the indigenous", "reference to Christianity, but just the Creator Religion, can you explain an in-story", "the comics themes without making it bad? Edit : The story has changed", "I don't think my question has enough specifics. I might delete this question", "become an animation. Originally I had the idea that I would discuss this", "god. Many characters don't believe in him due to \"if he's all that", "to \"if he's all that good and powerful why doesn't he destroy all", "it in more teenage and young adult comics / animations. This comic takes", "the myths are true: the philosophical aspects, skeptics. For example: There's one religion", "religion in the comics themes without making it bad? Edit : The story", "to Asker for the paragraph above -- without reference to Christianity, but just", "believe in him. However there's also the fact that there is an organization", "without making it bad? Edit : The story has changed a little bit.", "of myths and religions. Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) ,", "bad religious people there are. (For example: I'm writing SOME Christians as evil", "ill will. Such as \"let us destroy the non believers!\" [[suggestion from April", "the philosophical aspects, skeptics. For example: There's one religion in my comic that's", "the story beside \"it tackles religion\". Edit : I'm not sure if this", "are true or not. It focuses on a character called \"The Creator\" who", "all evil in the world?\" however some characters do believe in him. However", "believe you meant the Neil Gaiman work, and not the religions of the", "an animation. Originally I had the idea that I would discuss this in", "a religious phase currently, so of course I'll play with that in my", "much. Please do edit my edits! I'm hoping that by adding my attempted", "due to \"if he's all that good and powerful why doesn't he destroy", "I found the question I've been really trying to ask. But we'll have", "However there are lots of nuances and complications to religion [[that my work", "]] I do want to portray religious people as good people, no matter", "story has changed a little bit. I also had to edit this question", "-- notes on April's Edits -- I added [[square brackets]] when I wasn't", "do it in more teenage and young adult comics / animations. This comic", "Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the myths and religions are \"true\"", "or not the myths are true: the philosophical aspects, skeptics. For example: There's", "how you can keep this more focused on writing/worldbuilding, and not on philosophic", "American Gods since I believe you meant the Neil Gaiman work, and not", "/ animation that tackles religion without offending religious people? How do I discuss", "don't think my question has enough specifics. I might delete this question and", "on a character called \"The Creator\" who is a monotheistic god. Many characters", "The Crusaders) who use The Creator's name for ill will. Such as \"let", "just the Creator Religion, can you explain an in-story dilemma that faces the", "for the paragraph above -- without reference to Christianity, but just the Creator", "peoples of this continent.* --- I'm writing a web comic that would become", "true\" and tackle religion in my book. [[In other words, my comic will", "Please do edit my edits! I'm hoping that by adding my attempted clarifications,", "there's also the fact that there is an organization (inspired by The Crusaders)", "Christianity. Only we don't know if the stories are true or not. It", "there is an organization (inspired by The Crusaders) who use The Creator's name", "by adding my attempted clarifications, I can demonstrate how you can keep this", "tackle religion in my book. [[In other words, my comic will include stories]]", "in the comics themes without making it bad? Edit : The story has", "--- I'm writing a web comic that would become an animation. Originally I", "sure if my rephrasing clarified/changed the original asker's meaning too much. Please do", "who use The Creator's name for ill will. Such as \"let us destroy", "know. What do you guys think? Edit: I think I found the question", "subvert \"all myths being true\" and tackle religion in my book. [[In other", "SOME Christians as evil but I will still write good christian characters.) However", "Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the", "religion [[that my work will explore, including more than]] whether or not the", "that faces the characters you are focusing on?]] There's also other religions inspired", "had the idea that I would discuss this in a kids book but", "edit this question by giving specifics in the story beside \"it tackles religion\".", "guys think? Edit: I think I found the question I've been really trying", "idea that I would discuss this in a kids book but I decided", "in my comic that's similar to Christianity. Only we don't know if the", "edit my edits! I'm hoping that by adding my attempted clarifications, I can", "my comic will include stories]] of myths and religions. Think of Neil Gaiman's", "on philosophic debate. I also added a bit of clarification about* American Gods", "comic that would become an animation. Originally I had the idea that I", "keep this more focused on writing/worldbuilding, and not on philosophic debate. I also", "Paganism, Buddhism, Hinduism, etc. So how do I write a comic / animation", "faces the characters you are focusing on?]] There's also other religions inspired by", "similar to Christianity. Only we don't know if the stories are true or", "with that in my fiction. Basically, as the title suggests, I'm going to", "my work will explore, including more than]] whether or not the myths are", "\"true\" [[ for the world of my comic. ]] I do want to", "Update -- notes on April's Edits -- I added [[square brackets]] when I", "giving specifics in the story beside \"it tackles religion\". Edit : I'm not", "portray religious people as good people, no matter how many bad religious people", "life religions, such as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So", "little bit. I also had to edit this question by giving specifics in", "adult comics / animations. This comic takes place in a second world. I've", "non believers!\" [[suggestion from April to Asker for the paragraph above -- without", "bit. I also had to edit this question by giving specifics in the", "comic will include stories]] of myths and religions. Think of Neil Gaiman's 2001", "explore, including more than]] whether or not the myths are true: the philosophical", "good christian characters.) However there are lots of nuances and complications to religion", "There's one religion in my comic that's similar to Christianity. Only we don't", "[[that my work will explore, including more than]] whether or not the myths", "world. I've been going through a religious phase currently, so of course I'll", "original asker's meaning too much. Please do edit my edits! I'm hoping that", "course I'll play with that in my fiction. Basically, as the title suggests,", "as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So how do I", "are focusing on?]] There's also other religions inspired by real life religions, such", "has changed a little bit. I also had to edit this question by", "I also added a bit of clarification about American Gods since I believe", "believe in him due to \"if he's all that good and powerful why", "he destroy all evil in the world?\" however some characters do believe in", "and tackle religion in my book. [[In other words, my comic will include", "second world. I've been going through a religious phase currently, so of course", "in the story beside \"it tackles religion\". Edit : I'm not sure if", "writing a web comic that would become an animation. Originally I had the", "write a comic / animation that tackles religion without offending religious people? How", "demonstrate how you can keep this more focused on writing/worldbuilding, and not on", "-- I added [[square brackets]] when I wasn't sure if my rephrasing clarified/changed", "the idea that I would discuss this in a kids book but I", "can demonstrate how you can keep this more focused on writing/worldbuilding, and not", "Christianity, but just the Creator Religion, can you explain an in-story dilemma that", "bit of clarification about American Gods since I believe you meant the Neil", "in him due to \"if he's all that good and powerful why doesn't", "hoping that by adding my attempted clarifications, I can demonstrate how you can", "fiction. Basically, as the title suggests, I'm going to subvert \"all myths being", "of clarification about American Gods since I believe you meant the Neil Gaiman", "I can demonstrate how you can keep this more focused on writing/worldbuilding, and", "found the question I've been really trying to ask. But we'll have to", "don't know if the myths and religions are \"true\" [[ for the world", "meant the Neil Gaiman work, and not the religions of the indigenous peoples", "web comic that would become an animation. Originally I had the idea that", "book but I decided to do it in more teenage and young adult", "tackles religion without offending religious people? How do I discuss religion in the", "etc. So how do I write a comic / animation that tackles religion", "writing SOME Christians as evil but I will still write good christian characters.)", "April's Edits -- I added [[square brackets]] when I wasn't sure if my", "will still write good christian characters.) However there are lots of nuances and", "that by adding my attempted clarifications, I can demonstrate how you can keep", "religion\". Edit : I'm not sure if this question is going anywhere. I", "added [[square brackets]] when I wasn't sure if my rephrasing clarified/changed the original", "I decided to do it in more teenage and young adult comics /", "my edits! I'm hoping that by adding my attempted clarifications, I can demonstrate", "stories]] of myths and religions. Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods)", "my rephrasing clarified/changed the original asker's meaning too much. Please do edit my", "offending religious people? How do I discuss religion in the comics themes without", "and do it later when I find an actual problem? I don't know.", "Hinduism, etc. So how do I write a comic / animation that tackles", "and not the religions of the indigenous peoples of this continent. --- I'm", "are \"true\" [[ for the world of my comic. ]] I do want", "Neil Gaiman work, and not the religions of the indigenous peoples of this", "or not. It focuses on a character called \"The Creator\" who is a", "of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if", "characters.) However there are lots of nuances and complications to religion [[that my", "Edit : The story has changed a little bit. I also had to", "you guys think? Edit: I think I found the question I've been really", "[[In other words, my comic will include stories]] of myths and religions. Think", "my book. [[In other words, my comic will include stories]] of myths and", "aspects, skeptics. For example: There's one religion in my comic that's similar to", "an in-story dilemma that faces the characters you are focusing on?]] There's also", "in my book. [[In other words, my comic will include stories]] of myths", "do I discuss religion in the comics themes without making it bad? Edit", "animation that tackles religion without offending religious people? How do I discuss religion", "by giving specifics in the story beside \"it tackles religion\". Edit : I'm", "when I find an actual problem? I don't know. What do you guys", "paragraph above -- without reference to Christianity, but just the Creator Religion, can", "example: There's one religion in my comic that's similar to Christianity. Only we", "sure if this question is going anywhere. I don't think my question has", "explain an in-story dilemma that faces the characters you are focusing on?]] There's", "you can keep this more focused on writing/worldbuilding, and not on philosophic debate.", "Crusaders) who use The Creator's name for ill will. Such as \"let us", "and complications to religion [[that my work will explore, including more than]] whether", "is going anywhere. I don't think my question has enough specifics. I might", "clarified/changed the original asker's meaning too much. Please do edit my edits! I'm", "also added a bit of clarification about* American Gods since I believe you", "example: I'm writing SOME Christians as evil but I will still write good", "to portray religious people as good people, no matter how many bad religious", "a second world. I've been going through a religious phase currently, so of", "-- without reference to Christianity, but just the Creator Religion, can you explain", "think I found the question I've been really trying to ask. But we'll", "young adult comics / animations. This comic takes place in a second world.", "not the religions of the indigenous peoples of this continent. --- I'm writing", "through a religious phase currently, so of course I'll play with that in", "the title suggests, I'm going to subvert \"all myths being true\" and tackle", ": The story has changed a little bit. I also had to edit", "religion without offending religious people? How do I discuss religion in the comics", "no matter how many bad religious people there are. (For example: I'm writing", "from April to Asker for the paragraph above -- without reference to Christianity,", "but I decided to do it in more teenage and young adult comics", "going anywhere. I don't think my question has enough specifics. I might delete", "added a bit of clarification about* American Gods since I believe you meant", "a comic / animation that tackles religion without offending religious people? How do", "this question by giving specifics in the story beside \"it tackles religion\". Edit", "I discuss religion in the comics themes without making it bad? Edit :", "Basically, as the title suggests, I'm going to subvert \"all myths being true\"", "actual problem? I don't know. What do you guys think? Edit: I think", "Asker for the paragraph above -- without reference to Christianity, but just the", "focuses on a character called \"The Creator\" who is a monotheistic god. Many", "in a second world. I've been going through a religious phase currently, so", "suggests, I'm going to subvert \"all myths being true\" and tackle religion in", "currently, so of course I'll play with that in my fiction. Basically, as", "book. [[In other words, my comic will include stories]] of myths and religions.", "religion in my book. [[In other words, my comic will include stories]] of", "without reference to Christianity, but just the Creator Religion, can you explain an", "I'm hoping that by adding my attempted clarifications, I can demonstrate how you", "such as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So how do", "a character called \"The Creator\" who is a monotheistic god. Many characters don't", "and religions are \"true\" [[ for the world of my* comic. ]] I", "whether or not the myths are true: the philosophical aspects, skeptics. For example:", "if the stories are true or not. It focuses on a character called", "play with that in my fiction. Basically, as the title suggests, I'm going", "do want to portray religious people as good people, no matter how many", "there are. (For example: I'm writing SOME Christians as evil but I will", "April to Asker for the paragraph above -- without reference to Christianity, but", "nuances and complications to religion [[that my work will explore, including more than]]", "true: the philosophical aspects, skeptics. For example: There's one religion in my comic", "the question I've been really trying to ask. But we'll have to see.", "do you guys think? Edit: I think I found the question I've been", "religions are \"true\" [[ for the world of my comic. ]] I do", "who is a monotheistic god. Many characters don't believe in him due to", ", only we don't know if the myths and religions are \"true\" [[", "and not on philosophic debate. I also added a bit of clarification about", "I think I found the question I've been really trying to ask. But", "real life religions, such as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc.", "destroy all evil in the world?\" however some characters do believe in him.", "however some characters do believe in him. However there's also the fact that", "believers!\" [[suggestion from April to Asker for the paragraph above -- without reference", "\"it tackles religion\". Edit : I'm not sure if this question is going", "comics themes without making it bad? Edit : The story has changed a", "don't know. What do you guys think? Edit: I think I found the", "monotheistic god. Many characters don't believe in him due to \"if he's all", "I will still write good christian characters.) However there are lots of nuances", "this more focused on writing/worldbuilding, and not on philosophic debate. I also added", "Originally I had the idea that I would discuss this in a kids", "him due to \"if he's all that good and powerful why doesn't he", "that I would discuss this in a kids book but I decided to", "discuss religion in the comics themes without making it bad? Edit : The", "are. (For example: I'm writing SOME Christians as evil but I will still", "use The Creator's name for ill will. Such as \"let us destroy the", "a little bit. I also had to edit this question by giving specifics", "I wasn't sure if my rephrasing clarified/changed the original asker's meaning too much.", "I'm writing a web comic that would become an animation. Originally I had", "of nuances and complications to religion [[that my work will explore, including more", "comic takes place in a second world. I've been going through a religious", "world of my* comic. ]] I do want to portray religious people as", "as evil but I will still write good christian characters.) However there are", "focused on writing/worldbuilding, and not on philosophic debate. I also added a bit", "rephrasing clarified/changed the original asker's meaning too much. Please do edit my edits!", "since I believe you meant the Neil Gaiman work, and not the religions", "still write good christian characters.) However there are lots of nuances and complications", "that good and powerful why doesn't he destroy all evil in the world?\"", "other religions inspired by real life religions, such as Shinto, Chinese Folk Religion,", "fact that there is an organization (inspired by The Crusaders) who use The", "if this question is going anywhere. I don't think my question has enough", "how many bad religious people there are. (For example: I'm writing SOME Christians", "myths and religions are \"true\" [[ for the world of my* comic. ]]", "know if the stories are true or not. It focuses on a character", "an organization (inspired by The Crusaders) who use The Creator's name for ill", "the myths and religions are \"true\" [[ for the world of my comic.", "comic / animation that tackles religion without offending religious people? How do I", "the paragraph above -- without reference to Christianity, but just the Creator Religion,", "focusing on?]] There's also other religions inspired by real life religions, such as", "attempted clarifications, I can demonstrate how you can keep this more focused on", "not. It focuses on a character called \"The Creator\" who is a monotheistic", "What do you guys think? Edit: I think I found the question I've", "when I wasn't sure if my rephrasing clarified/changed the original asker's meaning too", "brackets]] when I wasn't sure if my rephrasing clarified/changed the original asker's meaning", "making it bad? Edit : The story has changed a little bit. I", "How do I discuss religion in the comics themes without making it bad?", "to Christianity, but just the Creator Religion, can you explain an in-story dilemma", "complications to religion [[that my work will explore, including more than]] whether or", "religions of the indigenous peoples of this continent.* --- I'm writing a web", "Such as \"let us destroy the non believers!\" [[suggestion from April to Asker", "that tackles religion without offending religious people? How do I discuss religion in", "you explain an in-story dilemma that faces the characters you are focusing on?]]", "we don't know if the myths and religions are \"true\" [[ for the", "are lots of nuances and complications to religion [[that my work will explore,", "\"all myths being true\" and tackle religion in my book. [[In other words,", "Creator Religion, can you explain an in-story dilemma that faces the characters you", "kids book but I decided to do it in more teenage and young", "by real life religions, such as Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism,", "called \"The Creator\" who is a monotheistic god. Many characters don't believe in", "Religion, can you explain an in-story dilemma that faces the characters you are", "my question has enough specifics. I might delete this question and do it", "myths and religions. Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only", "to edit this question by giving specifics in the story beside \"it tackles", "also had to edit this question by giving specifics in the story beside", "asker's meaning too much. Please do edit my edits! I'm hoping that by", "organization (inspired by The Crusaders) who use The Creator's name for ill will.", "to subvert \"all myths being true\" and tackle religion in my book. [[In", "I might delete this question and do it later when I find an", "I don't know. What do you guys think? Edit: I think I found", "edits! I'm hoping that by adding my attempted clarifications, I can demonstrate how", "discuss this in a kids book but I decided to do it in", "would become an animation. Originally I had the idea that I would discuss", "of this continent.* --- I'm writing a web comic that would become an", "this question is going anywhere. I don't think my question has enough specifics.", "in the world?\" however some characters do believe in him. However there's also", "do I write a comic / animation that tackles religion without offending religious", "takes place in a second world. I've been going through a religious phase", "\"The Creator\" who is a monotheistic god. Many characters don't believe in him", "in him. However there's also the fact that there is an organization (inspired", "it later when I find an actual problem? I don't know. What do", "Only we don't know if the stories are true or not. It focuses", "don't believe in him due to \"if he's all that good and powerful", "going through a religious phase currently, so of course I'll play with that", "(For example: I'm writing SOME Christians as evil but I will still write", "characters you are focusing on?]] There's also other religions inspired by real life", "religions inspired by real life religions, such as Shinto, Chinese Folk Religion, Paganism,", "about* American Gods since I believe you meant the Neil Gaiman work, and", "my comic that's similar to Christianity. Only we don't know if the stories", "religious people? How do I discuss religion in the comics themes without making", "the Creator Religion, can you explain an in-story dilemma that faces the characters", "good people, no matter how many bad religious people there are. (For example:", "themes without making it bad? Edit : The story has changed a little", "not sure if this question is going anywhere. I don't think my question", "including more than]] whether or not the myths are true: the philosophical aspects,", "Folk Religion, Paganism, Buddhism, Hinduism, etc. So how do I write a comic", "tackles religion\". Edit : I'm not sure if this question is going anywhere.", "than]] whether or not the myths are true: the philosophical aspects, skeptics. For", "changed a little bit. I also had to edit this question by giving", "him. However there's also the fact that there is an organization (inspired by", "might delete this question and do it later when I find an actual", "decided to do it in more teenage and young adult comics / animations.", "I do want to portray religious people as good people, no matter how", "\"let us destroy the non believers!\" [[suggestion from April to Asker for the", "not on philosophic debate. I also added a bit of clarification about American", "beside \"it tackles religion\". Edit : I'm not sure if this question is", "notes on April's Edits -- I added [[square brackets]] when I wasn't sure", "in more teenage and young adult comics / animations. This comic takes place", "myths are true: the philosophical aspects, skeptics. For example: There's one religion in", "for ill will. Such as \"let us destroy the non believers!\" [[suggestion from", "I added [[square brackets]] when I wasn't sure if my rephrasing clarified/changed the", "lots of nuances and complications to religion [[that my work will explore, including", "I'll play with that in my fiction. Basically, as the title suggests, I'm", "why doesn't he destroy all evil in the world?\" however some characters do", "the original asker's meaning too much. Please do edit my edits! I'm hoping", "Creator's name for ill will. Such as \"let us destroy the non believers!\"", "above -- without reference to Christianity, but just the Creator Religion, can you", "true or not. It focuses on a character called \"The Creator\" who is", "problem? I don't know. What do you guys think? Edit: I think I", "later when I find an actual problem? I don't know. What do you", "evil in the world?\" however some characters do believe in him. However there's", "religious people there are. (For example: I'm writing SOME Christians as evil but", "that would become an animation. Originally I had the idea that I would", "Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the myths", "think my question has enough specifics. I might delete this question and do", "this question and do it later when I find an actual problem? I", "religious people as good people, no matter how many bad religious people there", "how do I write a comic / animation that tackles religion without offending", "inspired by real life religions, such as Shinto, Chinese Folk Religion, Paganism, Buddhism,", "that in my fiction. Basically, as the title suggests, I'm going to subvert", "being true\" and tackle religion in my book. [[In other words, my comic", "destroy the non believers!\" [[suggestion from April to Asker for the paragraph above", "There's also other religions inspired by real life religions, such as Shinto, Chinese", "don't know if the stories are true or not. It focuses on a", "has enough specifics. I might delete this question and do it later when", "a web comic that would become an animation. Originally I had the idea", "also other religions inspired by real life religions, such as Shinto, Chinese Folk", "[American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the myths and religions are", "enough specifics. I might delete this question and do it later when I", "bad? Edit : The story has changed a little bit. I also had", "debate. I also added a bit of clarification about* American Gods since I", "the world?\" however some characters do believe in him. However there's also the", "my fiction. Basically, as the title suggests, I'm going to subvert \"all myths", "good and powerful why doesn't he destroy all evil in the world?\" however", "will explore, including more than]] whether or not the myths are true: the", "it bad? Edit : The story has changed a little bit. I also", "as good people, no matter how many bad religious people there are. (For", "a bit of clarification about American Gods since I believe you meant the", ": I'm not sure if this question is going anywhere. I don't think", "without offending religious people? How do I discuss religion in the comics themes", "more teenage and young adult comics / animations. This comic takes place in", "place in a second world. I've been going through a religious phase currently,", "going to subvert \"all myths being true\" and tackle religion in my book.", "but I will still write good christian characters.) However there are lots of", "2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the myths and", "question by giving specifics in the story beside \"it tackles religion\". Edit :", "story beside \"it tackles religion\". Edit : I'm not sure if this question", "Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know", "novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't know if the myths and religions", "the Neil Gaiman work, and not the religions of the indigenous peoples of", "[[square brackets]] when I wasn't sure if my rephrasing clarified/changed the original asker's", "for the world of my* comic. ]] I do want to portray religious", "an actual problem? I don't know. What do you guys think? Edit: I", "work will explore, including more than]] whether or not the myths are true:", "will. Such as \"let us destroy the non believers!\" [[suggestion from April to", "is an organization (inspired by The Crusaders) who use The Creator's name for", "anywhere. I don't think my question has enough specifics. I might delete this", "dilemma that faces the characters you are focusing on?]] There's also other religions", "evil but I will still write good christian characters.) However there are lots", "The Creator's name for ill will. Such as \"let us destroy the non", "people? How do I discuss religion in the comics themes without making it", "comic that's similar to Christianity. Only we don't know if the stories are", "we don't know if the stories are true or not. It focuses on", "However there's also the fact that there is an organization (inspired by The", "will include stories]] of myths and religions. Think of Neil Gaiman's 2001 novel", "he's all that good and powerful why doesn't he destroy all evil in", "if my rephrasing clarified/changed the original asker's meaning too much. Please do edit", "not the myths are true: the philosophical aspects, skeptics. For example: There's one", "philosophic debate. I also added a bit of clarification about* American Gods since", "question and do it later when I find an actual problem? I don't", "do believe in him. However there's also the fact that there is an", "writing/worldbuilding, and not on philosophic debate. I also added a bit of clarification", "animation. Originally I had the idea that I would discuss this in a", "and young adult comics / animations. This comic takes place in a second", "title suggests, I'm going to subvert \"all myths being true\" and tackle religion", "Shinto, Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So how do I write", "delete this question and do it later when I find an actual problem?", "Chinese Folk Religion, Paganism, Buddhism, Hinduism, etc. So how do I write a", "philosophical aspects, skeptics. For example: There's one religion in my comic that's similar", "of course I'll play with that in my fiction. Basically, as the title", "by The Crusaders) who use The Creator's name for ill will. Such as", "this in a kids book but I decided to do it in more", "world?\" however some characters do believe in him. However there's also the fact", "religion in my comic that's similar to Christianity. Only we don't know if", "on?]] There's also other religions inspired by real life religions, such as Shinto,", "stories are true or not. It focuses on a character called \"The Creator\"", "on April's Edits -- I added [[square brackets]] when I wasn't sure if", "wasn't sure if my rephrasing clarified/changed the original asker's meaning too much. Please", "/ animations. This comic takes place in a second world. I've been going", "continent. --- I'm writing a web comic that would become an animation. Originally", "Christians as evil but I will still write good christian characters.) However there", "there are lots of nuances and complications to religion [[that my work will", "on writing/worldbuilding, and not on philosophic debate. I also added a bit of", "the non believers!\" [[suggestion from April to Asker for the paragraph above --", "specifics in the story beside \"it tackles religion\". Edit : I'm not sure", "phase currently, so of course I'll play with that in my fiction. Basically,", "think? Edit: I think I found the question I've been really trying to", "all that good and powerful why doesn't he destroy all evil in the", "this continent.* --- I'm writing a web comic that would become an animation.", "also the fact that there is an organization (inspired by The Crusaders) who", "indigenous peoples of this continent.* --- I'm writing a web comic that would", "Edits -- I added [[square brackets]] when I wasn't sure if my rephrasing", "of my comic. ]] I do want to portray religious people as good", "I would discuss this in a kids book but I decided to do", "the religions of the indigenous peoples of this continent.* --- I'm writing a", "find an actual problem? I don't know. What do you guys think? Edit:", "the characters you are focusing on?]] There's also other religions inspired by real", "do it later when I find an actual problem? I don't know. What", "[[ for the world of my comic. ]] I do want to portray", "can keep this more focused on writing/worldbuilding, and not on philosophic debate. I", "(inspired by The Crusaders) who use The Creator's name for ill will. Such", "in my fiction. Basically, as the title suggests, I'm going to subvert \"all", "that's similar to Christianity. Only we don't know if the stories are true", "I've been going through a religious phase currently, so of course I'll play", "\"if he's all that good and powerful why doesn't he destroy all evil", "religious phase currently, so of course I'll play with that in my fiction.", "one religion in my comic that's similar to Christianity. Only we don't know", "specifics. I might delete this question and do it later when I find", "in a kids book but I decided to do it in more teenage", "a monotheistic god. Many characters don't believe in him due to \"if he's", "my comic. ]] I do want to portray religious people as good people,", "characters do believe in him. However there's also the fact that there is", "to religion [[that my work will explore, including more than]] whether or not", "that there is an organization (inspired by The Crusaders) who use The Creator's", "[[suggestion from April to Asker for the paragraph above -- without reference to", "clarifications, I can demonstrate how you can keep this more focused on writing/worldbuilding,", "too much. Please do edit my edits! I'm hoping that by adding my", "people there are. (For example: I'm writing SOME Christians as evil but I", "teenage and young adult comics / animations. This comic takes place in a", "The story has changed a little bit. I also had to edit this", "would discuss this in a kids book but I decided to do it", "It focuses on a character called \"The Creator\" who is a monotheistic god.", "skeptics. For example: There's one religion in my comic that's similar to Christianity.", "For example: There's one religion in my comic that's similar to Christianity. Only", "can you explain an in-story dilemma that faces the characters you are focusing", "I'm not sure if this question is going anywhere. I don't think my", "other words, my comic will include stories]] of myths and religions. Think of", "as \"let us destroy the non believers!\" [[suggestion from April to Asker for", "characters don't believe in him due to \"if he's all that good and", "is a monotheistic god. Many characters don't believe in him due to \"if", "adding my attempted clarifications, I can demonstrate how you can keep this more", "you are focusing on?]] There's also other religions inspired by real life religions,", "Religion, Paganism, Buddhism, Hinduism, etc. So how do I write a comic /", "This comic takes place in a second world. I've been going through a", "but just the Creator Religion, can you explain an in-story dilemma that faces", "a kids book but I decided to do it in more teenage and", "question is going anywhere. I don't think my question has enough specifics. I", "I also had to edit this question by giving specifics in the story", "meaning too much. Please do edit my edits! I'm hoping that by adding", "I believe you meant the Neil Gaiman work, and not the religions of", "the fact that there is an organization (inspired by The Crusaders) who use", "Gaiman work, and not the religions of the indigenous peoples of this continent.", "of the indigenous peoples of this continent. --- I'm writing a web comic", "question has enough specifics. I might delete this question and do it later", "many bad religious people there are. (For example: I'm writing SOME Christians as", "include stories]] of myths and religions. Think of Neil Gaiman's 2001 novel [American", "name for ill will. Such as \"let us destroy the non believers!\" [[suggestion", "people, no matter how many bad religious people there are. (For example: I'm", "my attempted clarifications, I can demonstrate how you can keep this more focused", "So how do I write a comic / animation that tackles religion without", "more than]] whether or not the myths are true: the philosophical aspects, skeptics.", "doesn't he destroy all evil in the world?\" however some characters do believe", "I'm going to subvert \"all myths being true\" and tackle religion in my", "to do it in more teenage and young adult comics / animations. This", "the stories are true or not. It focuses on a character called \"The", "do edit my edits! I'm hoping that by adding my attempted clarifications, I", "Creator\" who is a monotheistic god. Many characters don't believe in him due", "I'm writing SOME Christians as evil but I will still write good christian", "are true: the philosophical aspects, skeptics. For example: There's one religion in my", "Edit : I'm not sure if this question is going anywhere. I don't", "I write a comic / animation that tackles religion without offending religious people?", "people as good people, no matter how many bad religious people there are.", "comic. ]] I do want to portray religious people as good people, no", "words, my comic will include stories]] of myths and religions. Think of Neil", "the indigenous peoples of this continent. --- I'm writing a web comic that", "powerful why doesn't he destroy all evil in the world?\" however some characters", "I had the idea that I would discuss this in a kids book", "christian characters.) However there are lots of nuances and complications to religion [[that", "clarification about* American Gods since I believe you meant the Neil Gaiman work,", "want to portray religious people as good people, no matter how many bad", "Gods since I believe you meant the Neil Gaiman work, and not the", "if the myths and religions are \"true\" [[ for the world of my", "and powerful why doesn't he destroy all evil in the world?\" however some", "more focused on writing/worldbuilding, and not on philosophic debate. I also added a", "work, and not the religions of the indigenous peoples of this continent.* ---", "so of course I'll play with that in my fiction. Basically, as the", "Many characters don't believe in him due to \"if he's all that good", "Buddhism, Hinduism, etc. So how do I write a comic / animation that", "I find an actual problem? I don't know. What do you guys think?", "and religions. Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we", "animations. This comic takes place in a second world. I've been going through", "religions. Think of Neil Gaiman's 2001 novel [American Gods](https://en.wikipedia.org/wiki/American_Gods) , only we don't", "Edit: I think I found the question I've been really trying to ask.", "as the title suggests, I'm going to subvert \"all myths being true\" and", "write good christian characters.) However there are lots of nuances and complications to", "know if the myths and religions are \"true\" [[ for the world of" ]
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This is my homework essay, and I am getting stuck,", "stuck, maybe because I have never written such a letter before, and I", "That is the best English word I can think of, because I'm not", "is the best English word I can think of, because I'm not from", "it myself as if I was my professor, and he only has to", "too busy to write an introduction letter1. I need to write it myself", "was my professor, and he only has to sign it. How should I", "clear. That is the best English word I can think of, because I'm", "busy to write an introduction letter1. I need to write it myself as", "a professor :) So can you offer some advice on how to approach", "need to write it myself as if I was my professor, and he", "sorry if this is not so clear. That is the best English word", "to introduce me to a famous university, but he is too busy to", "the task? --- 1 I'm sorry if this is not so clear. That", "is my homework essay, and I am getting stuck, maybe because I have", "letter1. I need to write it myself as if I was my professor,", "you offer some advice on how to approach the task? --- 1 I'm", "How should I write now? This is my homework essay, and I am", "I have never been a professor :) So can you offer some advice", "task? --- 1 I'm sorry if this is not so clear. That is", "write now? This is my homework essay, and I am getting stuck, maybe", "famous university, but he is too busy to write an introduction letter1. I", "never written such a letter before, and I have never been a professor", "letter before, and I have never been a professor :) So can you", "to sign it. How should I write now? This is my homework essay,", "is not so clear. That is the best English word I can think", "if I was my professor, and he only has to sign it. How", ":) So can you offer some advice on how to approach the task?", "is too busy to write an introduction letter1. I need to write it", "So can you offer some advice on how to approach the task? ---", "professor :) So can you offer some advice on how to approach the", "this is not so clear. That is the best English word I can", "it. How should I write now? This is my homework essay, and I", "write it myself as if I was my professor, and he only has", "and he only has to sign it. How should I write now? This", "now? This is my homework essay, and I am getting stuck, maybe because", "essay, and I am getting stuck, maybe because I have never written such", "university, but he is too busy to write an introduction letter1. I need", "I was my professor, and he only has to sign it. How should", "how to approach the task? --- 1 I'm sorry if this is not", "have never written such a letter before, and I have never been a", "some advice on how to approach the task? --- 1 I'm sorry if", "the best English word I can think of, because I'm not from an", "as if I was my professor, and he only has to sign it.", "I am getting stuck, maybe because I have never written such a letter" ]
[ "my friend's death. Do I need to get permission for this? (i'm in", "friend's death. Do I need to get permission for this? (i'm in new", "a lyric from St. Vincent's song \"New York\", for an 'in memoriam' I", "quote a few lines of a lyric from St. Vincent's song \"New York\",", "Do I need to get permission for this? (i'm in new York, the", "to quote a few lines of a lyric from St. Vincent's song \"New", "newspaper on the anniversary day of my friend's death. Do I need to", "of my friend's death. Do I need to get permission for this? (i'm", "to get permission for this? (i'm in new York, the paper is in", "St. Vincent's song \"New York\", for an 'in memoriam' I want to put", "memoriam' I want to put in a newspaper on the anniversary day of", "get permission for this? (i'm in new York, the paper is in massacusetts)", "death. Do I need to get permission for this? (i'm in new York,", "\"New York\", for an 'in memoriam' I want to put in a newspaper", "want to put in a newspaper on the anniversary day of my friend's", "would like to quote a few lines of a lyric from St. Vincent's", "an 'in memoriam' I want to put in a newspaper on the anniversary", "on the anniversary day of my friend's death. Do I need to get", "York\", for an 'in memoriam' I want to put in a newspaper on", "of a lyric from St. Vincent's song \"New York\", for an 'in memoriam'", "need to get permission for this? (i'm in new York, the paper is", "like to quote a few lines of a lyric from St. Vincent's song", "for an 'in memoriam' I want to put in a newspaper on the", "I want to put in a newspaper on the anniversary day of my", "'in memoriam' I want to put in a newspaper on the anniversary day", "I need to get permission for this? (i'm in new York, the paper", "Vincent's song \"New York\", for an 'in memoriam' I want to put in", "few lines of a lyric from St. Vincent's song \"New York\", for an", "lyric from St. Vincent's song \"New York\", for an 'in memoriam' I want", "to put in a newspaper on the anniversary day of my friend's death.", "anniversary day of my friend's death. Do I need to get permission for", "a few lines of a lyric from St. Vincent's song \"New York\", for", "I would like to quote a few lines of a lyric from St.", "day of my friend's death. Do I need to get permission for this?", "put in a newspaper on the anniversary day of my friend's death. Do", "song \"New York\", for an 'in memoriam' I want to put in a", "a newspaper on the anniversary day of my friend's death. Do I need", "from St. Vincent's song \"New York\", for an 'in memoriam' I want to", "the anniversary day of my friend's death. Do I need to get permission", "in a newspaper on the anniversary day of my friend's death. Do I", "lines of a lyric from St. Vincent's song \"New York\", for an 'in" ]
[ "in Aluke's head, so it does not seem egregious. The reason I am", "view. He is with Aluke, and I have the following line. > >", "head briefly. But at the same time, Bob could realistically realize that was", "the following line. > > Aluke sat up proudly, then shrunk back down,", "to Bob's point of view. He is with Aluke, and I have the", "> > Compare this to > > Aluke sat up proudly, then shrunk", "it I am technically breaking the limited scope and seeing into Aluke's head", "a tiny change, but without it I am technically breaking the limited scope", "the limited scope and seeing into Aluke's head briefly. But at the same", "does not seem egregious. The reason I am hesitant to do the second", "do the second is because I do not want to be constantly hedging", "the question: Is it okay to show thoughts of the non-perspective character if", "> Compare this to > > Aluke sat up proudly, then shrunk back", "statements with things like \"apparently\" or \"seemed to\" since it can bog down", "limited to Bob's point of view. He is with Aluke, and I have", "egregious. The reason I am hesitant to do the second is because I", "realize that was what was going on in Aluke's head, so it does", "if used often. So the question: Is it okay to show thoughts of", "This is a tiny change, but without it I am technically breaking the", "where she was. > > > This is a tiny change, but without", "> > Aluke sat up proudly, then shrunk back down, realizing where she", "apparently realizing where she was. > > > This is a tiny change,", "she was. > > > This is a tiny change, but without it", "Is it okay to show thoughts of the non-perspective character if the perspective", "person limited to Bob's point of view. He is with Aluke, and I", "down the writing if used often. So the question: Is it okay to", "down, realizing where she was. > > > Compare this to > >", "used often. So the question: Is it okay to show thoughts of the", "line. > > Aluke sat up proudly, then shrunk back down, realizing where", "was what was going on in Aluke's head, so it does not seem", "hesitant to do the second is because I do not want to be", "proudly, then shrunk back down, realizing where she was. > > > Compare", "limited scope and seeing into Aluke's head briefly. But at the same time,", "seem egregious. The reason I am hesitant to do the second is because", "bog down the writing if used often. So the question: Is it okay", "The reason I am hesitant to do the second is because I do", "same time, Bob could realistically realize that was what was going on in", "of view. He is with Aluke, and I have the following line. >", "want to be constantly hedging statements with things like \"apparently\" or \"seemed to\"", "am hesitant to do the second is because I do not want to", "> > > Compare this to > > Aluke sat up proudly, then", "or \"seemed to\" since it can bog down the writing if used often.", "realizing where she was. > > > This is a tiny change, but", "to show thoughts of the non-perspective character if the perspective character can reasonably", "realizing where she was. > > > Compare this to > > Aluke", "with things like \"apparently\" or \"seemed to\" since it can bog down the", "So the question: Is it okay to show thoughts of the non-perspective character", "then shrunk back down, apparently realizing where she was. > > > This", "it okay to show thoughts of the non-perspective character if the perspective character", "do not want to be constantly hedging statements with things like \"apparently\" or", "was. > > > This is a tiny change, but without it I", "since it can bog down the writing if used often. So the question:", "not want to be constantly hedging statements with things like \"apparently\" or \"seemed", "tiny change, but without it I am technically breaking the limited scope and", "with Aluke, and I have the following line. > > Aluke sat up", "thoughts of the non-perspective character if the perspective character can reasonably guess them?", "back down, realizing where she was. > > > Compare this to >", "is with Aluke, and I have the following line. > > Aluke sat", "story is third person limited to Bob's point of view. He is with", "and seeing into Aluke's head briefly. But at the same time, Bob could", "into Aluke's head briefly. But at the same time, Bob could realistically realize", "He is with Aluke, and I have the following line. > > Aluke", "it does not seem egregious. The reason I am hesitant to do the", "following line. > > Aluke sat up proudly, then shrunk back down, realizing", "Aluke sat up proudly, then shrunk back down, apparently realizing where she was.", "shrunk back down, apparently realizing where she was. > > > This is", "then shrunk back down, realizing where she was. > > > Compare this", "> > This is a tiny change, but without it I am technically", "back down, apparently realizing where she was. > > > This is a", "> This is a tiny change, but without it I am technically breaking", "where she was. > > > Compare this to > > Aluke sat", "> > > This is a tiny change, but without it I am", "show thoughts of the non-perspective character if the perspective character can reasonably guess", "Aluke, and I have the following line. > > Aluke sat up proudly,", "Aluke's head briefly. But at the same time, Bob could realistically realize that", "it can bog down the writing if used often. So the question: Is", "have the following line. > > Aluke sat up proudly, then shrunk back", "things like \"apparently\" or \"seemed to\" since it can bog down the writing", "be constantly hedging statements with things like \"apparently\" or \"seemed to\" since it", "technically breaking the limited scope and seeing into Aluke's head briefly. But at", "that was what was going on in Aluke's head, so it does not", "Bob's point of view. He is with Aluke, and I have the following", "going on in Aluke's head, so it does not seem egregious. The reason", "to > > Aluke sat up proudly, then shrunk back down, apparently realizing", "change, but without it I am technically breaking the limited scope and seeing", "she was. > > > Compare this to > > Aluke sat up", "without it I am technically breaking the limited scope and seeing into Aluke's", "down, apparently realizing where she was. > > > This is a tiny", "> Aluke sat up proudly, then shrunk back down, apparently realizing where she", "realistically realize that was what was going on in Aluke's head, so it", "like \"apparently\" or \"seemed to\" since it can bog down the writing if", "\"seemed to\" since it can bog down the writing if used often. So", "on in Aluke's head, so it does not seem egregious. The reason I", "Compare this to > > Aluke sat up proudly, then shrunk back down,", "point of view. He is with Aluke, and I have the following line.", "the same time, Bob could realistically realize that was what was going on", "shrunk back down, realizing where she was. > > > Compare this to", "constantly hedging statements with things like \"apparently\" or \"seemed to\" since it can", "the second is because I do not want to be constantly hedging statements", "so it does not seem egregious. The reason I am hesitant to do", "is a tiny change, but without it I am technically breaking the limited", "Aluke's head, so it does not seem egregious. The reason I am hesitant", "briefly. But at the same time, Bob could realistically realize that was what", "But at the same time, Bob could realistically realize that was what was", "Aluke sat up proudly, then shrunk back down, realizing where she was. >", "what was going on in Aluke's head, so it does not seem egregious.", "to do the second is because I do not want to be constantly", "not seem egregious. The reason I am hesitant to do the second is", "second is because I do not want to be constantly hedging statements with", "third person limited to Bob's point of view. He is with Aluke, and", "I do not want to be constantly hedging statements with things like \"apparently\"", "and I have the following line. > > Aluke sat up proudly, then", "proudly, then shrunk back down, apparently realizing where she was. > > >", "scope and seeing into Aluke's head briefly. But at the same time, Bob", "question: Is it okay to show thoughts of the non-perspective character if the", "but without it I am technically breaking the limited scope and seeing into", "am technically breaking the limited scope and seeing into Aluke's head briefly. But", "reason I am hesitant to do the second is because I do not", "could realistically realize that was what was going on in Aluke's head, so", "sat up proudly, then shrunk back down, realizing where she was. > >", "sat up proudly, then shrunk back down, apparently realizing where she was. >", "time, Bob could realistically realize that was what was going on in Aluke's", "writing if used often. So the question: Is it okay to show thoughts", "> Aluke sat up proudly, then shrunk back down, realizing where she was.", "because I do not want to be constantly hedging statements with things like", "okay to show thoughts of the non-perspective character if the perspective character can", "The story is third person limited to Bob's point of view. He is", "was. > > > Compare this to > > Aluke sat up proudly,", "to be constantly hedging statements with things like \"apparently\" or \"seemed to\" since", "I am technically breaking the limited scope and seeing into Aluke's head briefly.", "head, so it does not seem egregious. The reason I am hesitant to", "is third person limited to Bob's point of view. He is with Aluke,", "I am hesitant to do the second is because I do not want", "up proudly, then shrunk back down, realizing where she was. > > >", "Bob could realistically realize that was what was going on in Aluke's head,", "\"apparently\" or \"seemed to\" since it can bog down the writing if used", "the writing if used often. So the question: Is it okay to show", "was going on in Aluke's head, so it does not seem egregious. The", "to\" since it can bog down the writing if used often. So the", "up proudly, then shrunk back down, apparently realizing where she was. > >", "I have the following line. > > Aluke sat up proudly, then shrunk", "breaking the limited scope and seeing into Aluke's head briefly. But at the", "at the same time, Bob could realistically realize that was what was going", "> > Aluke sat up proudly, then shrunk back down, apparently realizing where", "this to > > Aluke sat up proudly, then shrunk back down, apparently", "can bog down the writing if used often. So the question: Is it", "often. So the question: Is it okay to show thoughts of the non-perspective", "hedging statements with things like \"apparently\" or \"seemed to\" since it can bog", "is because I do not want to be constantly hedging statements with things", "seeing into Aluke's head briefly. But at the same time, Bob could realistically" ]
[ "the Garden Wall). It deals with the daughter of a Boznoo-and-Clyde-like couple who", "their adventures through North Texas and Arizona. Many of these characters will be", "like Gone with the Wind? Or *should they be pissed off at the", "a children/young-adult audience (similar to the audience of Steban Ejavovse, Gravity Falls, and", "Texas and Arizona. Many of these characters will be criminals (for example: a", "hilariously woke and sarcastic Burma Jones from Confederacy of Dunces? The 1930s was", "in older stories like Gone with the Wind? Or should they be pissed", "find her parents after they go missing (she later goes on to realize", "in more poor, passive roles such as gas station attendants and general store", "are shown so candidly. I don't feel qualified to deal with such high-stakes", "deal with such high-stakes racial themes in a children's cartoon - when there", "servitude, lack of opportunities, etc. Even though there are multiple murders involved in", "on to realize that they were more manipulative and evil than she could", "passive roles such as gas station attendants and general store owners. At first", "lack of opportunities, etc. Even though there are multiple murders involved in the", "of resurrecting the \"Happy Darky\" myth, prevalent in older stories like Gone with", "plot, none are shown so candidly. I don't feel qualified to deal with", "at the risk of resurrecting the \"Happy Darky\" myth, prevalent in older stories", "working that into the plot. It would also be wrong to avoid black", "from Confederacy of Dunces? The 1930s was one of the worst eras for", "audience (similar to the audience of Steban Ejavovse, Gravity Falls, and Over the", "general store owners. At first I thought I could easily include black characters", "woke and sarcastic Burma Jones from Confederacy of Dunces? The 1930s was one", "Garden Wall). It deals with the daughter of a Boznoo-and-Clyde-like couple who has", "segregation, rise of the KKK, indentured servitude, lack of opportunities, etc. Even though", "possibly imagine). She enlists the help of a Qaniqo cop to help her", "cartoon - when there are so many great black animators out there. Sidenote:", "the hilariously woke and sarcastic Burma Jones from Confederacy of Dunces? The 1930s", "characters will be criminals (for example: a pickpocket, a highwayman, the perpetrators of", "black people, with segregation, rise of the KKK, indentured servitude, lack of opportunities,", "I am avoiding writing about Jewish themes, even though I'm Jewish. I just", "am avoiding writing about Jewish themes, even though I'm Jewish. I just don't", "Should they be happy regulars* at the risk of resurrecting the \"Happy Darky\"", "parents after they go missing (she later goes on to realize that they", "*should they be pissed off at the situation* like the hilariously woke and", "would also be wrong to avoid black characters altogether: that's a cop-out, and", "of the KKK, indentured servitude, lack of opportunities, etc. Even though there are", "Jewish themes, even though I'm Jewish. I just don't feel comfortable working that", "the plot.* It would also be wrong to avoid black characters altogether: that's", "of Dunces? The 1930s was one of the worst eras for black people,", "It would also be wrong to avoid black characters altogether: that's a cop-out,", "audience of Steban Ejavovse, Gravity Falls, and Over the Garden Wall). It deals", "Arizona. Many of these characters will be criminals (for example: a pickpocket, a", "Boznoo-and-Clyde-like couple who has to find her parents after they go missing (she", "highwayman, the perpetrators of the kidnapping). Others will be in more poor, passive", "but now I am not so sure. *Should they be happy regulars* at", "I just don't feel comfortable working that into the plot.* It would also", "don't feel comfortable working that into the plot.* It would also be wrong", "just don't feel comfortable working that into the plot.* It would also be", "the worst eras for black people, with segregation, rise of the KKK, indentured", "evil than she could possibly imagine). She enlists the help of a Qaniqo", "with the daughter of a Boznoo-and-Clyde-like couple who has to find her parents", "happy regulars*** at the risk of resurrecting the \"Happy Darky\" myth, prevalent in", "are so many great black animators out there. Sidenote: the 1930s were a", "racial themes in a children's cartoon - when there are so many great", "Dunces? The 1930s was one of the worst eras for black people, with", "opportunities, etc. Even though there are multiple murders involved in the plot, none", "black people to relate to my story. But I don't know what role", "cartoon script* aimed at a children/young-adult audience (similar to the audience of Steban", "to deal with such high-stakes racial themes in a children's cartoon - when", "such as gas station attendants and general store owners. At first I thought", "be wrong to avoid black characters altogether: that's a cop-out, and plus I", "high-stakes racial themes in a children's cartoon - when there are so many", "crack the case. They'll meet interesting people on their adventures through North Texas", "risk of resurrecting the \"Happy Darky\" myth, prevalent in older stories like Gone", "children's cartoon - when there are so many great black animators out there.", "KKK, indentured servitude, lack of opportunities, etc. Even though there are multiple murders", "the daughter of a Boznoo-and-Clyde-like couple who has to find her parents after", "a time of antisemetism as well. However, I am avoiding writing about Jewish", "be pissed off at the situation* like the hilariously woke and sarcastic Burma", "though there are multiple murders involved in the plot, none are shown so", "worst eras for black people, with segregation, rise of the KKK, indentured servitude,", "story. But I don't know what role they should have in this story", "will be in more poor, passive roles such as gas station attendants and", "of Steban Ejavovse, Gravity Falls, and Over the Garden Wall). It deals with", "and general store owners. At first I thought I could easily include black", "also be wrong to avoid black characters altogether: that's a cop-out, and plus", "avoiding writing about Jewish themes, even though I'm Jewish. I just don't feel", "even though I'm Jewish. I just don't feel comfortable working that into the", "characters but now I am not so sure. Should they be happy regulars*", "feel comfortable working that into the plot. It would also be wrong to", "that they were more manipulative and evil than she could possibly imagine). She", "rise of the KKK, indentured servitude, lack of opportunities, etc. Even though there", "example: a pickpocket, a highwayman, the perpetrators of the kidnapping). Others will be", "she could possibly imagine). She enlists the help of a Qaniqo cop to", "perpetrators of the kidnapping). Others will be in more poor, passive roles such", "multiple murders involved in the plot, none are shown so candidly. I don't", "when there are so many great black animators out there. Sidenote: the 1930s", "the audience of Steban Ejavovse, Gravity Falls, and Over the Garden Wall). It", "aimed at a children/young-adult audience (similar to the audience of Steban Ejavovse, Gravity", "than she could possibly imagine). She enlists the help of a Qaniqo cop", "I genuinely want black people to relate to my story. But I don't", "there. Sidenote: the 1930s were a time of antisemetism as well. However, I", "interesting people on their adventures through North Texas and Arizona. Many of these", "the situation* like the hilariously woke and sarcastic Burma Jones from Confederacy of", "pickpocket, a highwayman, the perpetrators of the kidnapping). Others will be in more", "at the situation* like the hilariously woke and sarcastic Burma Jones from Confederacy", "a cop-out, and plus I genuinely want black people to relate to my", "a Qaniqo cop to help her crack the case. They'll meet interesting people", "out there. Sidenote: the 1930s were a time of antisemetism as well. However,", "so many great black animators out there. Sidenote: the 1930s were a time", "these characters will be criminals (for example: a pickpocket, a highwayman, the perpetrators", "they be pissed off at the situation* like the hilariously woke and sarcastic", "regulars* at the risk of resurrecting the \"Happy Darky\" myth, prevalent in older", "for black people, with segregation, rise of the KKK, indentured servitude, lack of", "want black people to relate to my story. But I don't know what", "my story. But I don't know what role they should have in this", "Gone with the Wind? Or *should they be pissed off at the situation", "script* aimed at a children/young-adult audience (similar to the audience of Steban Ejavovse,", "that into the plot.* It would also be wrong to avoid black characters", "black characters but now I am not so sure. **Should they be happy", "altogether: that's a cop-out, and plus I genuinely want black people to relate", "to the audience of Steban Ejavovse, Gravity Falls, and Over the Garden Wall).", "a highwayman, the perpetrators of the kidnapping). Others will be in more poor,", "(similar to the audience of Steban Ejavovse, Gravity Falls, and Over the Garden", "though I'm Jewish. I just don't feel comfortable working that into the plot.", "more poor, passive roles such as gas station attendants and general store owners.", "Wind? Or *should they be pissed off at the situation* like the hilariously", "who has to find her parents after they go missing (she later goes", "a Boznoo-and-Clyde-like couple who has to find her parents after they go missing", "murders involved in the plot, none are shown so candidly. I don't feel", "I could easily include black characters but now I am not so sure.", "help her crack the case. They'll meet interesting people on their adventures through", "and sarcastic Burma Jones from Confederacy of Dunces? The 1930s was one of", "a pickpocket, a highwayman, the perpetrators of the kidnapping). Others will be in", "Burma Jones from Confederacy of Dunces? The 1930s was one of the worst", "Many of these characters will be criminals (for example: a pickpocket, a highwayman,", "black animators out there. 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I just don't feel comfortable working", "avoid black characters altogether: that's a cop-out, and plus I genuinely want black", "people to relate to my story. But I don't know what role they", "Or *should they be pissed off at the situation* like the hilariously woke", "the 1930s were a time of antisemetism as well. However, I am avoiding", "many great black animators out there. Sidenote: the 1930s were a time of", "Qaniqo cop to help her crack the case. They'll meet interesting people on", "of antisemetism as well. However, I am avoiding writing about Jewish themes, even", "genuinely want black people to relate to my story. But I don't know", "has to find her parents after they go missing (she later goes on", "they go missing (she later goes on to realize that they were more", "the plot, none are shown so candidly. I don't feel qualified to deal", "poor, passive roles such as gas station attendants and general store owners. At", "and plus I genuinely want black people to relate to my story. But", "animators out there. Sidenote: the 1930s were a time of antisemetism as well.", "her crack the case. They'll meet interesting people on their adventures through North", "indentured servitude, lack of opportunities, etc. Even though there are multiple murders involved", "myth, prevalent in older stories like Gone with the Wind? Or *should they", "include black characters but now I am not so sure. Should they be", "black characters altogether: that's a cop-out, and plus I genuinely want black people", "station attendants and general store owners. At first I thought I could easily", "be in more poor, passive roles such as gas station attendants and general", "(she later goes on to realize that they were more manipulative and evil", "characters altogether: that's a cop-out, and plus I genuinely want black people to", "people on their adventures through North Texas and Arizona. Many of these characters", "are multiple murders involved in the plot, none are shown so candidly. I", "and Over the Garden Wall). It deals with the daughter of a Boznoo-and-Clyde-like", "roles such as gas station attendants and general store owners. At first I", "Even though there are multiple murders involved in the plot, none are shown", "But I don't know what role they should have in this story and", "great black animators out there. Sidenote: the 1930s were a time of antisemetism", "qualified to deal with such high-stakes racial themes in a children's cartoon -", "with segregation, rise of the KKK, indentured servitude, lack of opportunities, etc. Even", "gas station attendants and general store owners. At first I thought I could", "like the hilariously woke and sarcastic Burma Jones from Confederacy of Dunces? The", "could possibly imagine). She enlists the help of a Qaniqo cop to help", "to realize that they were more manipulative and evil than she could possibly", "situation* like the hilariously woke and sarcastic Burma Jones from Confederacy of Dunces?", "themes in a children's cartoon - when there are so many great black", "they were more manipulative and evil than she could possibly imagine). She enlists", "be happy regulars* at the risk of resurrecting the \"Happy Darky\" myth, prevalent", "antisemetism as well. However, I am avoiding writing about Jewish themes, even though", "as gas station attendants and general store owners. At first I thought I", "to avoid black characters altogether: that's a cop-out, and plus I genuinely want", "time of antisemetism as well. However, I am avoiding writing about Jewish themes,", "the risk of resurrecting the \"Happy Darky\" myth, prevalent in older stories like", "prevalent in older stories like Gone with the Wind? Or *should they be", "of a Boznoo-and-Clyde-like couple who has to find her parents after they go", "am not so sure. Should they be happy regulars at the risk of", "North Texas and Arizona. Many of these characters will be criminals (for example:", "easily include black characters but now I am not so sure. Should they", "enlists the help of a Qaniqo cop to help her crack the case.", "of the worst eras for black people, with segregation, rise of the KKK,", "writing about Jewish themes, even though I'm Jewish. I just don't feel comfortable", "to help her crack the case. They'll meet interesting people on their adventures", "missing (she later goes on to realize that they were more manipulative and", "However, I am avoiding writing about Jewish themes, even though I'm Jewish. I", "to find her parents after they go missing (she later goes on to", "people, with segregation, rise of the KKK, indentured servitude, lack of opportunities, etc.", "It deals with the daughter of a Boznoo-and-Clyde-like couple who has to find", "couple who has to find her parents after they go missing (she later", "they should have in this story and in this time period. What do", "I thought I could easily include black characters but now I am not", "Confederacy of Dunces? The 1930s was one of the worst eras for black", "etc. Even though there are multiple murders involved in the plot, none are", "shown so candidly. I don't feel qualified to deal with such high-stakes racial", "cop-out, and plus I genuinely want black people to relate to my story.", "store owners. At first I thought I could easily include black characters but", "plus I genuinely want black people to relate to my story. But I", "as well. However, I am avoiding writing about Jewish themes, even though I'm", "so sure. Should they be happy regulars* at the risk of resurrecting the", "comfortable working that into the plot.* It would also be wrong to avoid", "with the Wind? Or *should they be pissed off at the situation* like", "sarcastic Burma Jones from Confederacy of Dunces? The 1930s was one of the", "what role they should have in this story and in this time period.", "older stories like Gone with the Wind? Or **should they be pissed off", "in this story and in this time period. What do you guys think?", "of a Qaniqo cop to help her crack the case. They'll meet interesting", "don't feel qualified to deal with such high-stakes racial themes in a children's", "owners. At first I thought I could easily include black characters but now", "plot. It would also be wrong to avoid black characters altogether: that's a", "daughter of a Boznoo-and-Clyde-like couple who has to find her parents after they", "Sidenote: the 1930s were a time of antisemetism as well. However, I am", "relate to my story. But I don't know what role they should have", "the kidnapping). Others will be in more poor, passive roles such as gas", "not so sure. Should they be happy regulars* at the risk of resurrecting", "realize that they were more manipulative and evil than she could possibly imagine).", "the help of a Qaniqo cop to help her crack the case. They'll", "now I am not so sure. *Should they be happy regulars* at the", "meet interesting people on their adventures through North Texas and Arizona. Many of", "more manipulative and evil than she could possibly imagine). She enlists the help", "her parents after they go missing (she later goes on to realize that", "with such high-stakes racial themes in a children's cartoon - when there are", "a cartoon script aimed at a children/young-adult audience (similar to the audience of", "the case. They'll meet interesting people on their adventures through North Texas and", "so candidly. I don't feel qualified to deal with such high-stakes racial themes", "1930s was one of the worst eras for black people, with segregation, rise", "will be criminals (for example: a pickpocket, a highwayman, the perpetrators of the", "later goes on to realize that they were more manipulative and evil than", "of these characters will be criminals (for example: a pickpocket, a highwayman, the", "eras for black people, with segregation, rise of the KKK, indentured servitude, lack", "after they go missing (she later goes on to realize that they were", "go missing (she later goes on to realize that they were more manipulative", "themes, even though I'm Jewish. I just don't feel comfortable working that into", "of the kidnapping). Others will be in more poor, passive roles such as", "they be happy regulars*** at the risk of resurrecting the \"Happy Darky\" myth,", "They'll meet interesting people on their adventures through North Texas and Arizona. Many", "Steban Ejavovse, Gravity Falls, and Over the Garden Wall). It deals with the", "She enlists the help of a Qaniqo cop to help her crack the", "I'm Jewish. I just don't feel comfortable working that into the plot.* It", "should have in this story and in this time period. What do you", "on their adventures through North Texas and Arizona. Many of these characters will", "I'm writing a cartoon script aimed at a children/young-adult audience (similar to the", "help of a Qaniqo cop to help her crack the case. They'll meet", "Darky\" myth, prevalent in older stories like Gone with the Wind? Or *should", "in a children's cartoon - when there are so many great black animators", "were more manipulative and evil than she could possibly imagine). She enlists the", "resurrecting the \"Happy Darky\" myth, prevalent in older stories like Gone with the", "1930s were a time of antisemetism as well. However, I am avoiding writing", "writing a cartoon script aimed at a children/young-adult audience (similar to the audience", "I am not so sure. Should they be happy regulars at the risk", "role they should have in this story and in this time period. What", "Falls, and Over the Garden Wall). It deals with the daughter of a", "I don't know what role they should have in this story and in", "Jones from Confederacy of Dunces? The 1930s was one of the worst eras", "of opportunities, etc. Even though there are multiple murders involved in the plot,", "stories like Gone with the Wind? Or should they be pissed off at", "were a time of antisemetism as well. However, I am avoiding writing about", "thought I could easily include black characters but now I am not so", "criminals (for example: a pickpocket, a highwayman, the perpetrators of the kidnapping). Others", "goes on to realize that they were more manipulative and evil than she", "in the plot, none are shown so candidly. I don't feel qualified to", "could easily include black characters but now I am not so sure. *Should", "one of the worst eras for black people, with segregation, rise of the", "imagine). She enlists the help of a Qaniqo cop to help her crack", "have in this story and in this time period. What do you guys", "cop to help her crack the case. They'll meet interesting people on their", "don't know what role they should have in this story and in this", "The 1930s was one of the worst eras for black people, with segregation,", "adventures through North Texas and Arizona. Many of these characters will be criminals", "there are so many great black animators out there. Sidenote: the 1930s were", "attendants and general store owners. At first I thought I could easily include", "feel qualified to deal with such high-stakes racial themes in a children's cartoon", "Wall). It deals with the daughter of a Boznoo-and-Clyde-like couple who has to", "at a children/young-adult audience (similar to the audience of Steban Ejavovse, Gravity Falls,", "and Arizona. Many of these characters will be criminals (for example: a pickpocket,", "off at the situation*** like the hilariously woke and sarcastic Burma Jones from", "to my story. But I don't know what role they should have in", "involved in the plot, none are shown so candidly. I don't feel qualified", "be criminals (for example: a pickpocket, a highwayman, the perpetrators of the kidnapping).", "through North Texas and Arizona. Many of these characters will be criminals (for", "children/young-adult audience (similar to the audience of Steban Ejavovse, Gravity Falls, and Over", "case. They'll meet interesting people on their adventures through North Texas and Arizona.", "kidnapping). Others will be in more poor, passive roles such as gas station", "deals with the daughter of a Boznoo-and-Clyde-like couple who has to find her", "that's a cop-out, and plus I genuinely want black people to relate to", "know what role they should have in this story and in this time", "into the plot.* It would also be wrong to avoid black characters altogether:", "and evil than she could possibly imagine). She enlists the help of a", "a children's cartoon - when there are so many great black animators out", "Over the Garden Wall). It deals with the daughter of a Boznoo-and-Clyde-like couple", "Others will be in more poor, passive roles such as gas station attendants", "such high-stakes racial themes in a children's cartoon - when there are so", "sure. *Should they be happy regulars* at the risk of resurrecting the \"Happy", "the KKK, indentured servitude, lack of opportunities, etc. Even though there are multiple", "pissed off at the situation* like the hilariously woke and sarcastic Burma Jones", "well. However, I am avoiding writing about Jewish themes, even though I'm Jewish.", "the Wind? Or should they be pissed off at the situation** like the", "the perpetrators of the kidnapping). Others will be in more poor, passive roles", "candidly. I don't feel qualified to deal with such high-stakes racial themes in", "\"Happy Darky\" myth, prevalent in older stories like Gone with the Wind? Or", "none are shown so candidly. I don't feel qualified to deal with such", "to relate to my story. But I don't know what role they should", "I don't feel qualified to deal with such high-stakes racial themes in a", "Jewish. I just don't feel comfortable working that into the plot.* It would", "there are multiple murders involved in the plot, none are shown so candidly." ]
[ "> > > but i didn't have time. > > > Are these", "> > by mental breakdowns mislabeled as > > > temper tantrums, >", "and > > > heaved tears into my pillows > > > when", "i heard my mother say, > > > \"i'm disappointed,\" > > >", "> > > the manifestations of my illness > > > wrapped a", "the > > > milligrams of medication, > > > pulvules of prozac", "tender age of nine > > > in the fifth house i'd lived", "of prozac replacing my pupils, > > > dependency on my happy pills", "> > in the fifth house i'd lived in > > > the", "recently started an activity called Visiting Author, where a student does a cold", "few people criticized my use of run-on sentences. Example One, directly from my", "pulvules of prozac replacing my pupils, > > > dependency on my happy", "illness > > > wrapped a belt around my neck > > >", "sentences \"bad\", or confusing? Are run-ons always a bad idea, or can they", "a cold read of a piece they wrote and the others give criticism", "does not dare affect > > > the prodigy. > > > Example", "taught to walk > > > by mental breakdowns mislabeled as > >", "or confusing? Are run-ons always a bad idea, or can they be effective?", "> when i heard my mother say, > > > \"i'm disappointed,\" >", "people criticized my use of run-on sentences. Example One, directly from my piece:", "confusing? Are run-ons always a bad idea, or can they be effective? Is", "lived in > > > the manifestations of my illness > > >", "vomited up equations and > > > heaved tears into my pillows >", "a piece they wrote and the others give criticism and suggestions either out", "affect > > > the prodigy. > > > Example Two: > >", "Two: > > coddled by trauma, taught to walk > > > by", "In my AP Lang class, we've recently started an activity called Visiting Author,", "my piece: > > i vomited up equations and > > > heaved", "be higher > > > except when it came to the > >", "pillows > > > when i heard my mother say, > > >", "> i vomited up equations and > > > heaved tears into my", "belt around my neck > > > and tried to silence me, >", "> > when i heard my mother say, > > > \"i'm disappointed,\"", "> > milligrams of medication, > > > pulvules of prozac replacing my", "my happy pills > > > does not dare affect > > >", "cold read of a piece they wrote and the others give criticism and", "suggestions either out loud or on paper. I volunteered to read a poem", "house i'd lived in > > > the manifestations of my illness >", "came to the > > > milligrams of medication, > > > pulvules", "breakdowns mislabeled as > > > temper tantrums, > > > and at", "> > wrapped a belt around my neck > > > and tried", "out loud or on paper. I volunteered to read a poem I had", "to the > > > milligrams of medication, > > > pulvules of", "run-on sentences. Example One, directly from my piece: > > i vomited up", "by mental breakdowns mislabeled as > > > temper tantrums, > > >", "thoughts, I noticed a few people criticized my use of run-on sentences. Example", "> > > by mental breakdowns mislabeled as > > > temper tantrums,", "into my pillows > > > when i heard my mother say, >", "> to be higher > > > except when it came to the", "paper. I volunteered to read a poem I had written about my life.", "to be higher > > > except when it came to the >", "people's thoughts, I noticed a few people criticized my use of run-on sentences.", "> > > does not dare affect > > > the prodigy. >", "the prodigy. > > > Example Two: > > coddled by trauma, taught", "the suggestions and reading over people's thoughts, I noticed a few people criticized", "> > and at the tender age of nine > > > in", "\"i'm disappointed,\" > > > because the numbers always needed > > >", "> > to be higher > > > except when it came to", "criticism and suggestions either out loud or on paper. I volunteered to read", "> > coddled by trauma, taught to walk > > > by mental", "fifth house i'd lived in > > > the manifestations of my illness", "and reading over people's thoughts, I noticed a few people criticized my use", "of nine > > > in the fifth house i'd lived in >", "Are run-ons always a bad idea, or can they be effective? Is my", "and tried to silence me, > > > but i didn't have time.", "called Visiting Author, where a student does a cold read of a piece", "> > the prodigy. > > > Example Two: > > coddled by", "> > \"i'm disappointed,\" > > > because the numbers always needed >", "> > > wrapped a belt around my neck > > > and", "time. > > > Are these sentences \"bad\", or confusing? Are run-ons always", "run-ons always a bad idea, or can they be effective? Is my use", "walk > > > by mental breakdowns mislabeled as > > > temper", "noticed a few people criticized my use of run-on sentences. Example One, directly", "others give criticism and suggestions either out loud or on paper. I volunteered", "read of a piece they wrote and the others give criticism and suggestions", "started an activity called Visiting Author, where a student does a cold read", "from my piece: > > i vomited up equations and > > >", "because the numbers always needed > > > to be higher > >", "> > > because the numbers always needed > > > to be", "numbers always needed > > > to be higher > > > except", "> does not dare affect > > > the prodigy. > > >", "my illness > > > wrapped a belt around my neck > >", "my use of run-on sentences. Example One, directly from my piece: > >", "and at the tender age of nine > > > in the fifth", "tried to silence me, > > > but i didn't have time. >", "nine > > > in the fifth house i'd lived in > >", "> the prodigy. > > > Example Two: > > coddled by trauma,", "poem I had written about my life. Afterwards, during the suggestions and reading", "the numbers always needed > > > to be higher > > >", "> milligrams of medication, > > > pulvules of prozac replacing my pupils,", "> > > pulvules of prozac replacing my pupils, > > > dependency", "> > > Example Two: > > coddled by trauma, taught to walk", "idea, or can they be effective? Is my use of run-on sentences effective?", "i vomited up equations and > > > heaved tears into my pillows", "equations and > > > heaved tears into my pillows > > >", "> > but i didn't have time. > > > Are these sentences", "life. Afterwards, during the suggestions and reading over people's thoughts, I noticed a", "I volunteered to read a poem I had written about my life. Afterwards,", "Are these sentences \"bad\", or confusing? Are run-ons always a bad idea, or", "> wrapped a belt around my neck > > > and tried to", "around my neck > > > and tried to silence me, > >", "> > heaved tears into my pillows > > > when i heard", "to silence me, > > > but i didn't have time. > >", "> and tried to silence me, > > > but i didn't have", "it came to the > > > milligrams of medication, > > >", "always a bad idea, or can they be effective? Is my use of", "my pupils, > > > dependency on my happy pills > > >", "mother say, > > > \"i'm disappointed,\" > > > because the numbers", "on my happy pills > > > does not dare affect > >", "to read a poem I had written about my life. Afterwards, during the", "prodigy. > > > Example Two: > > coddled by trauma, taught to", "a bad idea, or can they be effective? Is my use of run-on", "happy pills > > > does not dare affect > > > the", "read a poem I had written about my life. Afterwards, during the suggestions", "> Are these sentences \"bad\", or confusing? Are run-ons always a bad idea,", "piece they wrote and the others give criticism and suggestions either out loud", "heaved tears into my pillows > > > when i heard my mother", "pupils, > > > dependency on my happy pills > > > does", "tantrums, > > > and at the tender age of nine > >", "> > > temper tantrums, > > > and at the tender age", "> in the fifth house i'd lived in > > > the manifestations", "(TW, depression related stuff?) In my AP Lang class, we've recently started an", "a belt around my neck > > > and tried to silence me,", "and suggestions either out loud or on paper. I volunteered to read a", "> > i vomited up equations and > > > heaved tears into", "in the fifth house i'd lived in > > > the manifestations of", "> > > and at the tender age of nine > > >", "mislabeled as > > > temper tantrums, > > > and at the", "the tender age of nine > > > in the fifth house i'd", "> > pulvules of prozac replacing my pupils, > > > dependency on", "Example One, directly from my piece: > > i vomited up equations and", "loud or on paper. I volunteered to read a poem I had written", "depression related stuff?) In my AP Lang class, we've recently started an activity", "Lang class, we've recently started an activity called Visiting Author, where a student", "had written about my life. Afterwards, during the suggestions and reading over people's", "up equations and > > > heaved tears into my pillows > >", "over people's thoughts, I noticed a few people criticized my use of run-on", "> > > heaved tears into my pillows > > > when i", "higher > > > except when it came to the > > >", "I had written about my life. Afterwards, during the suggestions and reading over", "of a piece they wrote and the others give criticism and suggestions either", "> > except when it came to the > > > milligrams of", "> > the manifestations of my illness > > > wrapped a belt", "not dare affect > > > the prodigy. > > > Example Two:", "> > > dependency on my happy pills > > > does not", "my pillows > > > when i heard my mother say, > >", "the manifestations of my illness > > > wrapped a belt around my", "> > dependency on my happy pills > > > does not dare", "> because the numbers always needed > > > to be higher >", "at the tender age of nine > > > in the fifth house", "in > > > the manifestations of my illness > > > wrapped", "replacing my pupils, > > > dependency on my happy pills > >", "trauma, taught to walk > > > by mental breakdowns mislabeled as >", "> but i didn't have time. > > > Are these sentences \"bad\",", "a few people criticized my use of run-on sentences. Example One, directly from", "disappointed,\" > > > because the numbers always needed > > > to", "> > Example Two: > > coddled by trauma, taught to walk >", "dependency on my happy pills > > > does not dare affect >", "related stuff?) In my AP Lang class, we've recently started an activity called", "about my life. Afterwards, during the suggestions and reading over people's thoughts, I", "these sentences \"bad\", or confusing? Are run-ons always a bad idea, or can", "my life. Afterwards, during the suggestions and reading over people's thoughts, I noticed", "Author, where a student does a cold read of a piece they wrote", "> > Are these sentences \"bad\", or confusing? Are run-ons always a bad", "on paper. I volunteered to read a poem I had written about my", "an activity called Visiting Author, where a student does a cold read of", "AP Lang class, we've recently started an activity called Visiting Author, where a", "> heaved tears into my pillows > > > when i heard my", "we've recently started an activity called Visiting Author, where a student does a", "> coddled by trauma, taught to walk > > > by mental breakdowns", "dare affect > > > the prodigy. > > > Example Two: >", "prozac replacing my pupils, > > > dependency on my happy pills >", "i didn't have time. > > > Are these sentences \"bad\", or confusing?", "temper tantrums, > > > and at the tender age of nine >", "to walk > > > by mental breakdowns mislabeled as > > >", "Example Two: > > coddled by trauma, taught to walk > > >", "Afterwards, during the suggestions and reading over people's thoughts, I noticed a few", "stuff?) In my AP Lang class, we've recently started an activity called Visiting", "neck > > > and tried to silence me, > > > but", "of run-on sentences. Example One, directly from my piece: > > i vomited", "wrote and the others give criticism and suggestions either out loud or on", "written about my life. Afterwards, during the suggestions and reading over people's thoughts,", "Visiting Author, where a student does a cold read of a piece they", "piece: > > i vomited up equations and > > > heaved tears", "> > > \"i'm disappointed,\" > > > because the numbers always needed", "> > > to be higher > > > except when it came", "my neck > > > and tried to silence me, > > >", "> by mental breakdowns mislabeled as > > > temper tantrums, > >", "have time. > > > Are these sentences \"bad\", or confusing? Are run-ons", "bad idea, or can they be effective? Is my use of run-on sentences", "by trauma, taught to walk > > > by mental breakdowns mislabeled as", "> and at the tender age of nine > > > in the", "does a cold read of a piece they wrote and the others give", "silence me, > > > but i didn't have time. > > >", "when i heard my mother say, > > > \"i'm disappointed,\" > >", "mental breakdowns mislabeled as > > > temper tantrums, > > > and", "the others give criticism and suggestions either out loud or on paper. I", "> > > except when it came to the > > > milligrams", "> > > the prodigy. > > > Example Two: > > coddled", "> the manifestations of my illness > > > wrapped a belt around", "wrapped a belt around my neck > > > and tried to silence", "except when it came to the > > > milligrams of medication, >", "didn't have time. > > > Are these sentences \"bad\", or confusing? Are", "medication, > > > pulvules of prozac replacing my pupils, > > >", "use of run-on sentences. Example One, directly from my piece: > > i", "volunteered to read a poem I had written about my life. Afterwards, during", "of my illness > > > wrapped a belt around my neck >", "criticized my use of run-on sentences. Example One, directly from my piece: >", "activity called Visiting Author, where a student does a cold read of a", "One, directly from my piece: > > i vomited up equations and >", "my mother say, > > > \"i'm disappointed,\" > > > because the", "> > temper tantrums, > > > and at the tender age of", "and the others give criticism and suggestions either out loud or on paper.", "always needed > > > to be higher > > > except when", "but i didn't have time. > > > Are these sentences \"bad\", or", "of medication, > > > pulvules of prozac replacing my pupils, > >", "say, > > > \"i'm disappointed,\" > > > because the numbers always", "pills > > > does not dare affect > > > the prodigy.", "reading over people's thoughts, I noticed a few people criticized my use of", "a poem I had written about my life. Afterwards, during the suggestions and", "student does a cold read of a piece they wrote and the others", "tears into my pillows > > > when i heard my mother say,", "> Example Two: > > coddled by trauma, taught to walk > >", "I noticed a few people criticized my use of run-on sentences. Example One,", "> > and tried to silence me, > > > but i didn't", "> > > milligrams of medication, > > > pulvules of prozac replacing", "directly from my piece: > > i vomited up equations and > >", "me, > > > but i didn't have time. > > > Are", "class, we've recently started an activity called Visiting Author, where a student does", "my AP Lang class, we've recently started an activity called Visiting Author, where", "during the suggestions and reading over people's thoughts, I noticed a few people", "or on paper. I volunteered to read a poem I had written about", "> \"i'm disappointed,\" > > > because the numbers always needed > >", "\"bad\", or confusing? Are run-ons always a bad idea, or can they be", "sentences. Example One, directly from my piece: > > i vomited up equations", "either out loud or on paper. I volunteered to read a poem I", "a student does a cold read of a piece they wrote and the", "heard my mother say, > > > \"i'm disappointed,\" > > > because", "> except when it came to the > > > milligrams of medication,", "> > > and tried to silence me, > > > but i", "the fifth house i'd lived in > > > the manifestations of my", "> temper tantrums, > > > and at the tender age of nine", "manifestations of my illness > > > wrapped a belt around my neck", "> > > when i heard my mother say, > > > \"i'm", "age of nine > > > in the fifth house i'd lived in", "> > does not dare affect > > > the prodigy. > >", "when it came to the > > > milligrams of medication, > >", "needed > > > to be higher > > > except when it", "> > > in the fifth house i'd lived in > > >", "give criticism and suggestions either out loud or on paper. I volunteered to", "they wrote and the others give criticism and suggestions either out loud or", "milligrams of medication, > > > pulvules of prozac replacing my pupils, >", "where a student does a cold read of a piece they wrote and", "suggestions and reading over people's thoughts, I noticed a few people criticized my", "coddled by trauma, taught to walk > > > by mental breakdowns mislabeled", "i'd lived in > > > the manifestations of my illness > >", "> > because the numbers always needed > > > to be higher", "> pulvules of prozac replacing my pupils, > > > dependency on my", "as > > > temper tantrums, > > > and at the tender", "> dependency on my happy pills > > > does not dare affect", "> > > Are these sentences \"bad\", or confusing? Are run-ons always a" ]
[ "if I want to write a story that's centered around two girls fighting", "that they're all girls, will it negatively affect my story? Will it come", "girls or focused around the fact that they're all girls, will it negatively", "to write a story that's centered around two girls fighting against two female", "two female \"villains\" (with only one male character that's involved only minorly in", "will it negatively affect my story? Will it come off as somehow sexist?", "character that's involved only minorly in the plot), that isn't targeted specifically toward", "write a story that's centered around two girls fighting against two female \"villains\"", "a story that's centered around two girls fighting against two female \"villains\" (with", "But if I want to write a story that's centered around two girls", "stories, movies, shows, comics, and other media I've read or seen have a", "a pretty even split between men and women, and that's fine, I don't", "male character that's involved only minorly in the plot), that isn't targeted specifically", "story that's centered around two girls fighting against two female \"villains\" (with only", "toward girls or focused around the fact that they're all girls, will it", "read or seen have a pretty even split between men and women, and", "want to write a story that's centered around two girls fighting against two", "shows, comics, and other media I've read or seen have a pretty even", "girls, will it negatively affect my story? Will it come off as somehow", "isn't targeted specifically toward girls or focused around the fact that they're all", "or seen have a pretty even split between men and women, and that's", "around two girls fighting against two female \"villains\" (with only one male character", "in the plot), that isn't targeted specifically toward girls or focused around the", "girls fighting against two female \"villains\" (with only one male character that's involved", "fact that they're all girls, will it negatively affect my story? Will it", "\"villains\" (with only one male character that's involved only minorly in the plot),", "around the fact that they're all girls, will it negatively affect my story?", "movies, shows, comics, and other media I've read or seen have a pretty", "it. But if I want to write a story that's centered around two", "fine, I don't have a problem with it. But if I want to", "comics, and other media I've read or seen have a pretty even split", "other media I've read or seen have a pretty even split between men", "seen have a pretty even split between men and women, and that's fine,", "the fact that they're all girls, will it negatively affect my story? Will", "media I've read or seen have a pretty even split between men and", "and women, and that's fine, I don't have a problem with it. But", "a problem with it. But if I want to write a story that's", "problem with it. But if I want to write a story that's centered", "even split between men and women, and that's fine, I don't have a", "men and women, and that's fine, I don't have a problem with it.", "The majority of stories, movies, shows, comics, and other media I've read or", "all girls, will it negatively affect my story? Will it come off as", "targeted specifically toward girls or focused around the fact that they're all girls,", "(with only one male character that's involved only minorly in the plot), that", "fighting against two female \"villains\" (with only one male character that's involved only", "of stories, movies, shows, comics, and other media I've read or seen have", "centered around two girls fighting against two female \"villains\" (with only one male", "between men and women, and that's fine, I don't have a problem with", "plot), that isn't targeted specifically toward girls or focused around the fact that", "majority of stories, movies, shows, comics, and other media I've read or seen", "minorly in the plot), that isn't targeted specifically toward girls or focused around", "don't have a problem with it. But if I want to write a", "women, and that's fine, I don't have a problem with it. But if", "only minorly in the plot), that isn't targeted specifically toward girls or focused", "focused around the fact that they're all girls, will it negatively affect my", "that's centered around two girls fighting against two female \"villains\" (with only one", "two girls fighting against two female \"villains\" (with only one male character that's", "and that's fine, I don't have a problem with it. But if I", "I don't have a problem with it. But if I want to write", "or focused around the fact that they're all girls, will it negatively affect", "they're all girls, will it negatively affect my story? Will it come off", "female \"villains\" (with only one male character that's involved only minorly in the", "against two female \"villains\" (with only one male character that's involved only minorly", "have a problem with it. But if I want to write a story", "I've read or seen have a pretty even split between men and women,", "that's fine, I don't have a problem with it. But if I want", "split between men and women, and that's fine, I don't have a problem", "pretty even split between men and women, and that's fine, I don't have", "with it. But if I want to write a story that's centered around", "one male character that's involved only minorly in the plot), that isn't targeted", "involved only minorly in the plot), that isn't targeted specifically toward girls or", "that's involved only minorly in the plot), that isn't targeted specifically toward girls", "specifically toward girls or focused around the fact that they're all girls, will", "I want to write a story that's centered around two girls fighting against", "that isn't targeted specifically toward girls or focused around the fact that they're", "the plot), that isn't targeted specifically toward girls or focused around the fact", "and other media I've read or seen have a pretty even split between", "have a pretty even split between men and women, and that's fine, I", "only one male character that's involved only minorly in the plot), that isn't" ]
[ "honor their feelings and concerns without letting them take over the story? How", "staying with Hebrew families in their village and it's time to have breakfast", "their emotional states are completely justified.) I don't want to spend the next", "and put the rest in the background, but I'm not sure where the", "and a sleepover and they want to go home. I'm not worried about", "the older characters and put the rest in the background, but I'm not", "they're having some adventure too but, most of the time, they're so over", "the first morning after their arrival. They're all staying with Hebrew families in", "1995 America time travel to Ancient Egypt just before the Exodus. The MC", "first morning after their arrival. They're all staying with Hebrew families in their", "are completely justified.) I don't want to spend the next several chapters focusing", "over the story? How do I acknowledge their reality while continuing to move", "if they'll ever see their parents or homes again; their emotional states are", "and told people, but no one believed her. Now they're stuck there. At", "thinking (hoping) a few days, but it will turn out to be about", "I can spend more time with the older characters and put the rest", "reality while continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the", "who bitch and moan about how much better off they were being slaves", "know if they'll ever see their parents or homes again; their emotional states", "emotions, but I don't want to handwave them away either. I can spend", "of the hallmarks of the Exodus story is all the adults who bitch", "slaves in Egypt instead of wandering free in the desert. Bonus if you", "having some adventure too but, most of the time, they're so over it.", "adventure and a sleepover and they want to go home. I'm not worried", "have you. And not the kind of stuff you expect to pass in", "(hoping) a few days, but it will turn out to be about 3", "in their village and it's time to have breakfast before going off to", "their adventure and a sleepover and they want to go home. I'm not", "want to handwave them away either. I can spend more time with the", "basically okay. *But I have 11 kids ages 7-11 who are freaking out.", "they are main/secondary characters and have their own worries, but are basically okay.", "I'm not sure where the balance is. How do I honor their feelings", "adventure too but, most of the time, they're so over it. (And honestly,", "bitch and moan about how much better off they were being slaves in", "plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the Exodus story is", "in the background, but I'm not sure where the balance is. How do", "Crying, tantrums, stupor, anger, fear, what have you. And not the kind of", "characters and put the rest in the background, but I'm not sure where", "were being slaves in Egypt instead of wandering free in the desert. Bonus", "along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the Exodus story is all", "a few days, but it will turn out to be about 3 months.", "time, they're so over it. (And honestly, they don't even know if they'll", "be okay. I'm also not worried about the 5 12 & 14 year", "the hallmarks of the Exodus story is all the adults who bitch and", "honestly, they don't even know if they'll ever see their parents or homes", "the story? How do I acknowledge their reality while continuing to move my", "freaking out.* Crying, tantrums, stupor, anger, fear, what have you. And not the", "is. How do I honor their feelings and concerns without letting them take", "their own worries, but are basically okay. *But I have 11 kids ages", "Egypt just before the Exodus. The MC knew this would happen (or thought", "it's time to have breakfast before going off to work. They've all had", "sure where the balance is. How do I honor their feelings and concerns", "justified.) I don't want to spend the next several chapters focusing on their", "a couple of hours. Oh, they're having some adventure too but, most of", "kids (ages 2-14) from 1995 America time travel to Ancient Egypt just before", "will be okay. I'm also not worried about the 5 12 & 14", "after their arrival. They're all staying with Hebrew families in their village and", "parents or homes again; their emotional states are completely justified.) I don't want", "even know if they'll ever see their parents or homes again; their emotional", "few days, but it will turn out to be about 3 months. It's", "to handwave them away either. I can spend more time with the older", "to have breakfast before going off to work. They've all had their adventure", "in a couple of hours. Oh, they're having some adventure too but, most", "It's the first morning after their arrival. They're all staying with Hebrew families", "with their respective siblings and, after some adjustment, will be okay. I'm also", "you. And not the kind of stuff you expect to pass in a", "will turn out to be about 3 months. It's the first morning after", "days, but it will turn out to be about 3 months. It's the", "respective siblings and, after some adjustment, will be okay. I'm also not worried", "the Exodus. The MC knew this would happen (or thought she knew) and", "thought she knew) and told people, but no one believed her. Now they're", "village and it's time to have breakfast before going off to work. They've", "hours. Oh, they're having some adventure too but, most of the time, they're", "their feelings and concerns without letting them take over the story? How do", "want to go home. I'm not worried about the two youngest (2 and", "5); they're with their respective siblings and, after some adjustment, will be okay.", "they don't even know if they'll ever see their parents or homes again;", "5 12 & 14 year olds; they are main/secondary characters and have their", "(ages 2-14) from 1995 America time travel to Ancient Egypt just before the", "after some adjustment, will be okay. I'm also not worried about the 5", "year olds; they are main/secondary characters and have their own worries, but are", "have their own worries, but are basically okay. But I have 11 kids", "going off to work. They've all had their adventure and a sleepover and", "own worries, but are basically okay. But I have 11 kids ages 7-11", "two youngest (2 and 5); they're with their respective siblings and, after some", "but are basically okay. But I have 11 kids ages 7-11 who are", "olds; they are main/secondary characters and have their own worries, but are basically", "okay. I'm also not worried about the 5 12 & 14 year olds;", "are basically okay. But I have 11 kids ages 7-11 who are freaking", "knew) and told people, but no one believed her. Now they're stuck there.", "feelings and concerns without letting them take over the story? How do I", "of the time, they're so over it. (And honestly, they don't even know", "home. I'm not worried about the two youngest (2 and 5); they're with", "couple of hours. Oh, they're having some adventure too but, most of the", "kind of stuff you expect to pass in a couple of hours. Oh,", "(And honestly, they don't even know if they'll ever see their parents or", "their respective siblings and, after some adjustment, will be okay. I'm also not", "also not worried about the 5 12 & 14 year olds; they are", "to spend the next several chapters focusing on their emotions, but I don't", "hallmarks of the Exodus story is all the adults who bitch and moan", "they'll ever see their parents or homes again; their emotional states are completely", "believed her. Now they're stuck there. At this point they're thinking (hoping) a", "would happen (or thought she knew) and told people, but no one believed", "the background, but I'm not sure where the balance is. How do I", "they were being slaves in Egypt instead of wandering free in the desert.", "siblings and, after some adjustment, will be okay. I'm also not worried about", "the 5 12 & 14 year olds; they are main/secondary characters and have", "states are completely justified.) I don't want to spend the next several chapters", "the Exodus story is all the adults who bitch and moan about how", "& 14 year olds; they are main/secondary characters and have their own worries,", "the next several chapters focusing on their emotions, but I don't want to", "point they're thinking (hoping) a few days, but it will turn out to", "not the kind of stuff you expect to pass in a couple of", "knew this would happen (or thought she knew) and told people, but no", "homes again; their emotional states are completely justified.) I don't want to spend", "told people, but no one believed her. Now they're stuck there. At this", "handwave them away either. I can spend more time with the older characters", "and they want to go home. I'm not worried about the two youngest", "story? How do I acknowledge their reality while continuing to move my plot", "have breakfast before going off to work. They've all had their adventure and", "Hebrew families in their village and it's time to have breakfast before going", "do I acknowledge their reality while continuing to move my plot along? ---------------------------------------------------------------------------------------------------------------------------------------------------------------", "about how much better off they were being slaves in Egypt instead of", "worried about the two youngest (2 and 5); they're with their respective siblings", "the adults who bitch and moan about how much better off they were", "either. I can spend more time with the older characters and put the", "background, but I'm not sure where the balance is. How do I honor", "stuck there. At this point they're thinking (hoping) a few days, but it", "stupor, anger, fear, what have you. And not the kind of stuff you", "America time travel to Ancient Egypt just before the Exodus. The MC knew", "balance is. How do I honor their feelings and concerns without letting them", "on their emotions, but I don't want to handwave them away either. I", "instead of wandering free in the desert. Bonus if you can tie these", "tantrums, stupor, anger, fear, what have you. And not the kind of stuff", "I'm also not worried about the 5 12 & 14 year olds; they", "some adventure too but, most of the time, they're so over it. (And", "ages 7-11 who are freaking out.** Crying, tantrums, stupor, anger, fear, what have", "work. They've all had their adventure and a sleepover and they want to", "so over it. (And honestly, they don't even know if they'll ever see", "this point they're thinking (hoping) a few days, but it will turn out", "story is all the adults who bitch and moan about how much better", "and, after some adjustment, will be okay. I'm also not worried about the", "out to be about 3 months. It's the first morning after their arrival.", "I don't want to handwave them away either. I can spend more time", "over it. (And honestly, they don't even know if they'll ever see their", "I have 11 kids ages 7-11 who are freaking out.* Crying, tantrums, stupor,", "worries, but are basically okay. But I have 11 kids ages 7-11 who", "can spend more time with the older characters and put the rest in", "and 5); they're with their respective siblings and, after some adjustment, will be", "time to have breakfast before going off to work. They've all had their", "spend more time with the older characters and put the rest in the", "but I don't want to handwave them away either. I can spend more", "okay. But I have 11 kids ages 7-11 who are freaking out.** Crying,", "emotional states are completely justified.) I don't want to spend the next several", "in Egypt instead of wandering free in the desert. Bonus if you can", "of wandering free in the desert. Bonus if you can tie these things", "(2 and 5); they're with their respective siblings and, after some adjustment, will", "7-11 who are freaking out. Crying, tantrums, stupor, anger, fear, what have you.", "to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the", "characters and have their own worries, but are basically okay. But I have", "about 3 months. It's the first morning after their arrival. They're all staying", "Ancient Egypt just before the Exodus. The MC knew this would happen (or", "their parents or homes again; their emotional states are completely justified.) I don't", "One of the hallmarks of the Exodus story is all the adults who", "it. (And honestly, they don't even know if they'll ever see their parents", "what have you. And not the kind of stuff you expect to pass", "one believed her. Now they're stuck there. At this point they're thinking (hoping)", "all staying with Hebrew families in their village and it's time to have", "are freaking out.** Crying, tantrums, stupor, anger, fear, what have you. And not", "3 months. It's the first morning after their arrival. They're all staying with", "take over the story? How do I acknowledge their reality while continuing to", "stuff you expect to pass in a couple of hours. Oh, they're having", "their arrival. They're all staying with Hebrew families in their village and it's", "all had their adventure and a sleepover and they want to go home.", "I'm not worried about the two youngest (2 and 5); they're with their", "again; their emotional states are completely justified.) I don't want to spend the", "several chapters focusing on their emotions, but I don't want to handwave them", "happen (or thought she knew) and told people, but no one believed her.", "And not the kind of stuff you expect to pass in a couple", "not worried about the two youngest (2 and 5); they're with their respective", "adjustment, will be okay. I'm also not worried about the 5 12 &", "14 year olds; they are main/secondary characters and have their own worries, but", "I honor their feelings and concerns without letting them take over the story?", "from 1995 America time travel to Ancient Egypt just before the Exodus. The", "turn out to be about 3 months. It's the first morning after their", "letting them take over the story? How do I acknowledge their reality while", "who are freaking out.** Crying, tantrums, stupor, anger, fear, what have you. And", "have 11 kids ages 7-11 who are freaking out.** Crying, tantrums, stupor, anger,", "2-14) from 1995 America time travel to Ancient Egypt just before the Exodus.", "I don't want to spend the next several chapters focusing on their emotions,", "move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the Exodus", "spend the next several chapters focusing on their emotions, but I don't want", "where the balance is. How do I honor their feelings and concerns without", "continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of", "the kind of stuff you expect to pass in a couple of hours.", "moan about how much better off they were being slaves in Egypt instead", "them away either. I can spend more time with the older characters and", "to pass in a couple of hours. Oh, they're having some adventure too", "to go home. I'm not worried about the two youngest (2 and 5);", "better off they were being slaves in Egypt instead of wandering free in", "morning after their arrival. They're all staying with Hebrew families in their village", "away either. I can spend more time with the older characters and put", "a sleepover and they want to go home. I'm not worried about the", "about the two youngest (2 and 5); they're with their respective siblings and,", "want to spend the next several chapters focusing on their emotions, but I", "put the rest in the background, but I'm not sure where the balance", "go home. I'm not worried about the two youngest (2 and 5); they're", "of the Exodus story is all the adults who bitch and moan about", "the balance is. How do I honor their feelings and concerns without letting", "MC knew this would happen (or thought she knew) and told people, but", "and concerns without letting them take over the story? How do I acknowledge", "time with the older characters and put the rest in the background, but", "older characters and put the rest in the background, but I'm not sure", "them take over the story? How do I acknowledge their reality while continuing", "and moan about how much better off they were being slaves in Egypt", "about the 5 12 & 14 year olds; they are main/secondary characters and", "ever see their parents or homes again; their emotional states are completely justified.)", "kids ages 7-11 who are freaking out.** Crying, tantrums, stupor, anger, fear, what", "--------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the Exodus story is all the", "(or thought she knew) and told people, but no one believed her. Now", "11 kids ages 7-11 who are freaking out.** Crying, tantrums, stupor, anger, fear,", "don't even know if they'll ever see their parents or homes again; their", "Exodus story is all the adults who bitch and moan about how much", "most of the time, they're so over it. (And honestly, they don't even", "but I'm not sure where the balance is. How do I honor their", "to Ancient Egypt just before the Exodus. The MC knew this would happen", "to work. They've all had their adventure and a sleepover and they want", "acknowledge their reality while continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One", "of stuff you expect to pass in a couple of hours. Oh, they're", "Now they're stuck there. At this point they're thinking (hoping) a few days,", "But I have 11 kids ages 7-11 who are freaking out.* Crying, tantrums,", "chapters focusing on their emotions, but I don't want to handwave them away", "without letting them take over the story? How do I acknowledge their reality", "They're all staying with Hebrew families in their village and it's time to", "focusing on their emotions, but I don't want to handwave them away either.", "being slaves in Egypt instead of wandering free in the desert. Bonus if", "are main/secondary characters and have their own worries, but are basically okay. But", "but, most of the time, they're so over it. (And honestly, they don't", "to be about 3 months. It's the first morning after their arrival. They're", "too but, most of the time, they're so over it. (And honestly, they", "rest in the background, but I'm not sure where the balance is. How", "their village and it's time to have breakfast before going off to work.", "do I honor their feelings and concerns without letting them take over the", "time travel to Ancient Egypt just before the Exodus. The MC knew this", "but it will turn out to be about 3 months. It's the first", "youngest (2 and 5); they're with their respective siblings and, after some adjustment,", "adults who bitch and moan about how much better off they were being", "months. It's the first morning after their arrival. They're all staying with Hebrew", "they're thinking (hoping) a few days, but it will turn out to be", "there. At this point they're thinking (hoping) a few days, but it will", "more time with the older characters and put the rest in the background,", "and have their own worries, but are basically okay. But I have 11", "wandering free in the desert. Bonus if you can tie these things together.", "How do I honor their feelings and concerns without letting them take over", "12 & 14 year olds; they are main/secondary characters and have their own", "Egypt instead of wandering free in the desert. Bonus if you can tie", "before the Exodus. The MC knew this would happen (or thought she knew)", "the time, they're so over it. (And honestly, they don't even know if", "they're so over it. (And honestly, they don't even know if they'll ever", "the two youngest (2 and 5); they're with their respective siblings and, after", "be about 3 months. It's the first morning after their arrival. They're all", "off to work. They've all had their adventure and a sleepover and they", "the rest in the background, but I'm not sure where the balance is.", "or homes again; their emotional states are completely justified.) I don't want to", "Oh, they're having some adventure too but, most of the time, they're so", "see their parents or homes again; their emotional states are completely justified.) I", "how much better off they were being slaves in Egypt instead of wandering", "18 kids (ages 2-14) from 1995 America time travel to Ancient Egypt just", "families in their village and it's time to have breakfast before going off", "breakfast before going off to work. They've all had their adventure and a", "out. Crying, tantrums, stupor, anger, fear, what have you. And not the kind", "P.S. One of the hallmarks of the Exodus story is all the adults", "and it's time to have breakfast before going off to work. They've all", "The MC knew this would happen (or thought she knew) and told people,", "don't want to spend the next several chapters focusing on their emotions, but", "much better off they were being slaves in Egypt instead of wandering free", "all the adults who bitch and moan about how much better off they", "not sure where the balance is. How do I honor their feelings and", "with the older characters and put the rest in the background, but I'm", "they're with their respective siblings and, after some adjustment, will be okay. I'm", "How do I acknowledge their reality while continuing to move my plot along?", "fear, what have you. And not the kind of stuff you expect to", "not worried about the 5 12 & 14 year olds; they are main/secondary", "concerns without letting them take over the story? How do I acknowledge their", "pass in a couple of hours. Oh, they're having some adventure too but,", "it will turn out to be about 3 months. It's the first morning", "off they were being slaves in Egypt instead of wandering free in the", "her. Now they're stuck there. At this point they're thinking (hoping) a few", "is all the adults who bitch and moan about how much better off", "this would happen (or thought she knew) and told people, but no one", "arrival. They're all staying with Hebrew families in their village and it's time", "At this point they're thinking (hoping) a few days, but it will turn", "some adjustment, will be okay. I'm also not worried about the 5 12", "people, but no one believed her. Now they're stuck there. At this point", "my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks of the Exodus story", "travel to Ancient Egypt just before the Exodus. The MC knew this would", "expect to pass in a couple of hours. Oh, they're having some adventure", "but no one believed her. Now they're stuck there. At this point they're", "no one believed her. Now they're stuck there. At this point they're thinking", "their reality while continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of", "completely justified.) I don't want to spend the next several chapters focusing on", "they're stuck there. At this point they're thinking (hoping) a few days, but", "anger, fear, what have you. And not the kind of stuff you expect", "Setup:** 18 kids (ages 2-14) from 1995 America time travel to Ancient Egypt", "just before the Exodus. The MC knew this would happen (or thought she", "They've all had their adventure and a sleepover and they want to go", "worried about the 5 12 & 14 year olds; they are main/secondary characters", "you expect to pass in a couple of hours. Oh, they're having some", "Exodus. The MC knew this would happen (or thought she knew) and told", "I acknowledge their reality while continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S.", "sleepover and they want to go home. I'm not worried about the two", "main/secondary characters and have their own worries, but are basically okay. But I", "she knew) and told people, but no one believed her. Now they're stuck", "next several chapters focusing on their emotions, but I don't want to handwave", "of hours. Oh, they're having some adventure too but, most of the time,", "while continuing to move my plot along? --------------------------------------------------------------------------------------------------------------------------------------------------------------- P.S. One of the hallmarks", "don't want to handwave them away either. I can spend more time with", "their emotions, but I don't want to handwave them away either. I can", "before going off to work. They've all had their adventure and a sleepover", "they want to go home. I'm not worried about the two youngest (2", "had their adventure and a sleepover and they want to go home*. I'm", "with Hebrew families in their village and it's time to have breakfast before" ]
[ "think that parents cared less - we have multiple written records showing that", "bit crazy. * Characters have dead siblings, somewhere in the time-skips they also", "the possibility of losing them. In some cultures, for example, children were not", "character has ~10 siblings, and consequently ~100 first cousins on each side. This", "not taking central stage for very long). I address the tragedy and getting", "I am missing? Or anything about the solutions presented that I am missing?", "of royal children become important both to court politics and to international politics.", "were mourned, but the loss was endured. To a modern reader, losing a", "pertinent in a story that sprawls over several decades (with time skips), and", "risk alienating my readers? * Losing a child actually happens on-screen, within the", "half the children born died before age 5. It would be a mistake", "* People just seem to have a smaller number of children, no explanation", "a story that sprawls over several decades (with time skips), and thus the", "reader, losing a child is a tragedy one can hardly recover from, it", "and very soon the mother would be pregnant again. The lost children were", "but the loss was endured. To a modern reader, losing a child is", "mechanism - parents tried not to get too attached to very young children,", "losing a child is a tragedy one can hardly recover from, it very", "to have a smaller number of children, no explanation given. This option is", "it very much is the end of the world. It is something that", "in a story that sprawls over several decades (with time skips), and thus", "children. All of this happens off-screen, and only gets mentioned in passing. Does", "options I am missing? Or anything about the solutions presented that I am", "were other children to take care of, and very soon the mother would", "the issue cannot be just \"invisible\". It seems my options are: * No", "have dead siblings, somewhere in the time-skips they also lose children. All of", "much. At the same time, there was this coping mechanism - parents tried", "dead siblings, somewhere in the time-skips they also lose children. All of this", "* Losing a child actually happens on-screen, within the melange of all the", "any options I am missing? Or anything about the solutions presented that I", "to very young children, because of the possibility of losing them. In some", "Treating the loss of a child as anything else is treated as almost", "to get too attached to very young children, because of the possibility of", "that there were other children to take care of, and very soon the", "and only gets mentioned in passing. Does this risk alienating my readers? ", "tragedy one can hardly recover from, it very much is* the end of", "of a child as anything else is treated as almost inhuman. Those are", "has ~10 siblings, and consequently ~100 first cousins on each side. This option", "is treated as almost inhuman. Those are the two conflicting views I try", "care of, and very soon the mother would be pregnant again. The lost", "of, and very soon the mother would be pregnant again. The lost children", "mother would be pregnant again. The lost children were mourned, but the loss", "necessary? Are there any options I am missing? Or anything about the solutions", "getting over it. Again, what would be more alienating - the previous option,", "lose children. All of this happens off-screen, and only gets mentioned in passing.", "is something that does not, should not, happen, a terrible mistake in the", "actually happens on-screen, within the melange of all the other events (but not", "This option is not too realistic, and always stretches my suspension of disbelief", "of the world. It is something that does not, should not, happen, a", "decades. Under those circumstances, the number and health of royal children become important", "it, but maybe it's necessary? Are there any options I am missing? Or", "that they cared very much. At the same time, there was this coping", "very much. At the same time, there was this coping mechanism - parents", "when I see it, but maybe it's necessary? Are there any options I", "the solutions presented that I am missing? Which solution is preferable? My particular", "my options are: * No dead children. Every character has ~10 siblings, and", "and consequently ~100 first cousins on each side. This option looks a bit", "anything about the solutions presented that I am missing? Which solution is preferable?", "several decades. Under those circumstances, the number and health of royal children become", "be more alienating - the previous option, or this one? * People just", "health of royal children become important both to court politics and to international", "be a mistake to think that parents cared less - we have multiple", "recover from, it very much is the end of the world. It is", "readers? * Losing a child actually happens on-screen, within the melange of all", "very young children, because of the possibility of losing them. In some cultures,", "and health of royal children become important both to court politics and to", "have a smaller number of children, no explanation given. This option is not", "The lost children were mourned, but the loss was endured. To a modern", "was of course that there were other children to take care of, and", "the mother would be pregnant again. The lost children were mourned, but the", "each side. This option looks a bit crazy. * Characters have dead siblings,", "child is a tragedy one can hardly recover from, it very much is", "becomes particularly pertinent in a story that sprawls over several decades (with time", "sprawls over several decades (with time skips), and thus the issue cannot be", "all the other events (but not taking central stage for very long). I", "not even named until about 1 year old. Another coping mechanism was of", "happens on-screen, within the melange of all the other events (but not taking", "course that there were other children to take care of, and very soon", "too realistic, and always stretches my suspension of disbelief when I see it,", "the cosmos. Treating the loss of a child as anything else is treated", "the two conflicting views I try to balance, setting a story in a", "multiple written records showing that they cared very much. At the same time,", "this happens off-screen, and only gets mentioned in passing. Does this risk alienating", "should not, happen, a terrible mistake in the running of the cosmos. Treating", "example, children were not even named until about 1 year old. Another coping", "other children to take care of, and very soon the mother would be", "soon the mother would be pregnant again. The lost children were mourned, but", "too attached to very young children, because of the possibility of losing them.", "child actually happens on-screen, within the melange of all the other events (but", "as almost inhuman. Those are the two conflicting views I try to balance,", "the time-skips they also lose children. All of this happens off-screen, and only", "and thus the issue cannot be just \"invisible\". It seems my options are:", "circumstances, the number and health of royal children become important both to court", "there were other children to take care of, and very soon the mother", "realistic, and always stretches my suspension of disbelief when I see it, but", "does not, should not, happen, a terrible mistake in the running of the", "Characters have dead siblings, somewhere in the time-skips they also lose children. All", "cultures, for example, children were not even named until about 1 year old.", "one can hardly recover from, it very much is the end of the", "balance, setting a story in a pre-modern setting. The problem becomes particularly pertinent", "loss was endured. To a modern reader, losing a child is a tragedy", "modern reader, losing a child is a tragedy one can hardly recover from,", "of course that there were other children to take care of, and very", "This option looks a bit crazy. * Characters have dead siblings, somewhere in", "seem to have a smaller number of children, no explanation given. This option", "conflicting views I try to balance, setting a story in a pre-modern setting.", "mechanism was of course that there were other children to take care of,", "take care of, and very soon the mother would be pregnant again. The", "in the running of the cosmos. Treating the loss of a child as", "one? * People just seem to have a smaller number of children, no", "side. This option looks a bit crazy. * Characters have dead siblings, somewhere", "a modern reader, losing a child is a tragedy one can hardly recover", "inhuman. Those are the two conflicting views I try to balance, setting a", "siblings, somewhere in the time-skips they also lose children. All of this happens", "(with time skips), and thus the issue cannot be just \"invisible\". It seems", "mistake to think that parents cared less - we have multiple written records", "attached to very young children, because of the possibility of losing them. In", "children. Every character has ~10 siblings, and consequently ~100 first cousins on each", "have multiple written records showing that they cared very much. At the same", "Another coping mechanism was of course that there were other children to take", "a story in a pre-modern setting. The problem becomes particularly pertinent in a", "was that about half the children born died before age 5. It would", "coping mechanism - parents tried not to get too attached to very young", "a mistake to think that parents cared less - we have multiple written", "long). I address the tragedy and getting over it. Again, what would be", "maybe it's necessary? Are there any options I am missing? Or anything about", "I try to balance, setting a story in a pre-modern setting. The problem", "of the possibility of losing them. In some cultures, for example, children were", "coping mechanism was of course that there were other children to take care", "about 1 year old. Another coping mechanism was of course that there were", "alienating - the previous option, or this one? * People just seem to", "cared very much. At the same time, there was this coping mechanism -", "or this one? * People just seem to have a smaller number of", "is preferable? My particular story is set in a royal court, and spans", "my readers? * Losing a child actually happens on-screen, within the melange of", "again. The lost children were mourned, but the loss was endured. To a", "more alienating - the previous option, or this one? * People just seem", "what would be more alienating - the previous option, or this one? ", "children to take care of, and very soon the mother would be pregnant", "loss of a child as anything else is treated as almost inhuman. Those", "Those are the two conflicting views I try to balance, setting a story", "child as anything else is treated as almost inhuman. Those are the two", "just \"invisible\". It seems my options are: No dead children. Every character", "am missing? Which solution is preferable? My particular story is set in a", "them. In some cultures, for example, children were not even named until about", "1 year old. Another coping mechanism was of course that there were other", "option is not too realistic, and always stretches my suspension of disbelief when", "set in a royal court, and spans several decades. Under those circumstances, the", "I address the tragedy and getting over it. Again, what would be more", "time skips), and thus the issue cannot be just \"invisible\". It seems my", "on-screen, within the melange of all the other events (but not taking central", "were not even named until about 1 year old. Another coping mechanism was", "children born died before age 5. It would be a mistake to think", "those circumstances, the number and health of royal children become important both to", "the same time, there was this coping mechanism - parents tried not to", "terrible mistake in the running of the cosmos. Treating the loss of a", "possibility of losing them. In some cultures, for example, children were not even", "passing. Does this risk alienating my readers? * Losing a child actually happens", "solution is preferable? My particular story is set in a royal court, and", "about the solutions presented that I am missing? Which solution is preferable? My", "parents tried not to get too attached to very young children, because of", "died before age 5. It would be a mistake to think that parents", "it. Again, what would be more alienating - the previous option, or this", "problem becomes particularly pertinent in a story that sprawls over several decades (with", "the world. It is something that does not, should not, happen, a terrible", "almost inhuman. Those are the two conflicting views I try to balance, setting", "am missing? Or anything about the solutions presented that I am missing? Which", "until about 1 year old. Another coping mechanism was of course that there", "To a modern reader, losing a child is a tragedy one can hardly", "can hardly recover from, it very much is the end of the world.", "spans several decades. Under those circumstances, the number and health of royal children", "over it. Again, what would be more alienating - the previous option, or", "very long). I address the tragedy and getting over it. Again, what would", "in a royal court, and spans several decades. Under those circumstances, the number", "It seems my options are: * No dead children. Every character has ~10", "siblings, and consequently ~100 first cousins on each side. This option looks a", "just seem to have a smaller number of children, no explanation given. This", "taking central stage for very long). I address the tragedy and getting over", "Every character has ~10 siblings, and consequently ~100 first cousins on each side.", "stage for very long). I address the tragedy and getting over it. Again,", "hardly recover from, it very much is the end of the world. It", "to think that parents cared less - we have multiple written records showing", "of disbelief when I see it, but maybe it's necessary? Are there any", "world. It is something that does not, should not, happen, a terrible mistake", "Revolution times was that about half the children born died before age 5.", "I am missing? Which solution is preferable? My particular story is set in", "cosmos. Treating the loss of a child as anything else is treated as", "stretches my suspension of disbelief when I see it, but maybe it's necessary?", "a child as anything else is treated as almost inhuman. Those are the", "they also lose children. All of this happens off-screen, and only gets mentioned", "very soon the mother would be pregnant again. The lost children were mourned,", "parents cared less - we have multiple written records showing that they cared", "something that does not, should not, happen, a terrible mistake in the running", "of the cosmos. Treating the loss of a child as anything else is", "options are: * No dead children. Every character has ~10 siblings, and consequently", "the children born died before age 5. It would be a mistake to", "it's necessary? Are there any options I am missing? Or anything about the", "written records showing that they cared very much. At the same time, there", "from, it very much is the end of the world. It is something", "smaller number of children, no explanation given. This option is not too realistic,", "tragedy and getting over it. Again, what would be more alienating - the", "Or anything about the solutions presented that I am missing? Which solution is", "The reality of pre-Industrial Revolution times was that about half the children born", "age 5. It would be a mistake to think that parents cared less", "story is set in a royal court, and spans several decades. Under those", "People just seem to have a smaller number of children, no explanation given.", "Again, what would be more alienating - the previous option, or this one?", "seems my options are: * No dead children. Every character has ~10 siblings,", "is set in a royal court, and spans several decades. Under those circumstances,", "is the end of the world. It is something that does not, should", "to balance, setting a story in a pre-modern setting. The problem becomes particularly", "born died before age 5. It would be a mistake to think that", "court, and spans several decades. Under those circumstances, the number and health of", "within the melange of all the other events (but not taking central stage", "to take care of, and very soon the mother would be pregnant again.", "mistake in the running of the cosmos. Treating the loss of a child", "anything else is treated as almost inhuman. Those are the two conflicting views", "issue cannot be just \"invisible\". It seems my options are: * No dead", "given. This option is not too realistic, and always stretches my suspension of", "children were not even named until about 1 year old. Another coping mechanism", "particular story is set in a royal court, and spans several decades. Under", "that about half the children born died before age 5. It would be", "the loss of a child as anything else is treated as almost inhuman.", "a smaller number of children, no explanation given. This option is not too", "I see it, but maybe it's necessary? Are there any options I am", "be just \"invisible\". It seems my options are: * No dead children. Every", "presented that I am missing? Which solution is preferable? My particular story is", "the number and health of royal children become important both to court politics", "number of children, no explanation given. This option is not too realistic, and", "my suspension of disbelief when I see it, but maybe it's necessary? Are", "Losing a child actually happens on-screen, within the melange of all the other", "endured. To a modern reader, losing a child is a tragedy one can", "of all the other events (but not taking central stage for very long).", "5. It would be a mistake to think that parents cared less -", "that parents cared less - we have multiple written records showing that they", "reality of pre-Industrial Revolution times was that about half the children born died", "royal court, and spans several decades. Under those circumstances, the number and health", "and always stretches my suspension of disbelief when I see it, but maybe", "pre-Industrial Revolution times was that about half the children born died before age", "the running of the cosmos. Treating the loss of a child as anything", "this coping mechanism - parents tried not to get too attached to very", "are the two conflicting views I try to balance, setting a story in", "there was this coping mechanism - parents tried not to get too attached", "losing them. In some cultures, for example, children were not even named until", "try to balance, setting a story in a pre-modern setting. The problem becomes", "would be more alienating - the previous option, or this one? * People", "views I try to balance, setting a story in a pre-modern setting. The", "but maybe it's necessary? Are there any options I am missing? Or anything", "there any options I am missing? Or anything about the solutions presented that", "In some cultures, for example, children were not even named until about 1", "lost children were mourned, but the loss was endured. To a modern reader,", "missing? Or anything about the solutions presented that I am missing? Which solution", "year old. Another coping mechanism was of course that there were other children", "No dead children. Every character has ~10 siblings, and consequently ~100 first cousins", "other events (but not taking central stage for very long). I address the", "option looks a bit crazy. * Characters have dead siblings, somewhere in the", "\"invisible\". It seems my options are: * No dead children. Every character has", "Are there any options I am missing? Or anything about the solutions presented", "less - we have multiple written records showing that they cared very much.", "missing? Which solution is preferable? My particular story is set in a royal", "central stage for very long). I address the tragedy and getting over it.", "children, because of the possibility of losing them. In some cultures, for example,", "- the previous option, or this one? * People just seem to have", "explanation given. This option is not too realistic, and always stretches my suspension", "not, should not, happen, a terrible mistake in the running of the cosmos.", "melange of all the other events (but not taking central stage for very", "of losing them. In some cultures, for example, children were not even named", "setting a story in a pre-modern setting. The problem becomes particularly pertinent in", "crazy. * Characters have dead siblings, somewhere in the time-skips they also lose", "decades (with time skips), and thus the issue cannot be just \"invisible\". It", "some cultures, for example, children were not even named until about 1 year", "for very long). I address the tragedy and getting over it. Again, what", "disbelief when I see it, but maybe it's necessary? Are there any options", "mourned, but the loss was endured. To a modern reader, losing a child", "be pregnant again. The lost children were mourned, but the loss was endured.", "the end of the world. It is something that does not, should not,", "times was that about half the children born died before age 5. It", "time-skips they also lose children. All of this happens off-screen, and only gets", "suspension of disbelief when I see it, but maybe it's necessary? Are there", "would be a mistake to think that parents cared less - we have", "previous option, or this one? * People just seem to have a smaller", "skips), and thus the issue cannot be just \"invisible\". It seems my options", "over several decades (with time skips), and thus the issue cannot be just", "happen, a terrible mistake in the running of the cosmos. Treating the loss", "a royal court, and spans several decades. Under those circumstances, the number and", "cousins on each side. This option looks a bit crazy. * Characters have", "the loss was endured. To a modern reader, losing a child is a", "very much is the end of the world. It is something that does", "about half the children born died before age 5. It would be a", "in passing. Does this risk alienating my readers? * Losing a child actually", "~100 first cousins on each side. This option looks a bit crazy. ", "a tragedy one can hardly recover from, it very much is* the end", "always stretches my suspension of disbelief when I see it, but maybe it's", "gets mentioned in passing. Does this risk alienating my readers? * Losing a", "is a tragedy one can hardly recover from, it very much is the", "All of this happens off-screen, and only gets mentioned in passing. Does this", "end of the world. It is something that does not, should not, happen,", "treated as almost inhuman. Those are the two conflicting views I try to", "solutions presented that I am missing? Which solution is preferable? My particular story", "much is the end of the world. It is something that does not,", "The problem becomes particularly pertinent in a story that sprawls over several decades", "are: * No dead children. Every character has ~10 siblings, and consequently ~100", "records showing that they cared very much. At the same time, there was", "named until about 1 year old. Another coping mechanism was of course that", "would be pregnant again. The lost children were mourned, but the loss was", "no explanation given. This option is not too realistic, and always stretches my", "else is treated as almost inhuman. Those are the two conflicting views I", "a child is a tragedy one can hardly recover from, it very much", "that sprawls over several decades (with time skips), and thus the issue cannot", "several decades (with time skips), and thus the issue cannot be just \"invisible\".", "dead children. Every character has ~10 siblings, and consequently ~100 first cousins on", "- we have multiple written records showing that they cared very much. At", "young children, because of the possibility of losing them. In some cultures, for", "story in a pre-modern setting. The problem becomes particularly pertinent in a story", "they cared very much. At the same time, there was this coping mechanism", "a bit crazy. * Characters have dead siblings, somewhere in the time-skips they", "that I am missing? Which solution is preferable? My particular story is set", "address the tragedy and getting over it. Again, what would be more alienating", "on each side. This option looks a bit crazy. * Characters have dead", "tried not to get too attached to very young children, because of the", "Which solution is preferable? My particular story is set in a royal court,", "showing that they cared very much. At the same time, there was this", "for example, children were not even named until about 1 year old. Another", "first cousins on each side. This option looks a bit crazy. * Characters", "consequently ~100 first cousins on each side. This option looks a bit crazy.", "because of the possibility of losing them. In some cultures, for example, children", "the melange of all the other events (but not taking central stage for", "number and health of royal children become important both to court politics and", "~10 siblings, and consequently ~100 first cousins on each side. This option looks", "this risk alienating my readers? * Losing a child actually happens on-screen, within", "Under those circumstances, the number and health of royal children become important both", "time, there was this coping mechanism - parents tried not to get too", "events (but not taking central stage for very long). I address the tragedy", "is not too realistic, and always stretches my suspension of disbelief when I", "the previous option, or this one? * People just seem to have a", "option, or this one? * People just seem to have a smaller number", "not too realistic, and always stretches my suspension of disbelief when I see", "before age 5. It would be a mistake to think that parents cared", "this one? * People just seem to have a smaller number of children,", "alienating my readers? * Losing a child actually happens on-screen, within the melange", "same time, there was this coping mechanism - parents tried not to get", "a pre-modern setting. The problem becomes particularly pertinent in a story that sprawls", "cared less - we have multiple written records showing that they cared very", "in the time-skips they also lose children. All of this happens off-screen, and", "of this happens off-screen, and only gets mentioned in passing. Does this risk", "somewhere in the time-skips they also lose children. All of this happens off-screen,", "and spans several decades. Under those circumstances, the number and health of royal", "see it, but maybe it's necessary? Are there any options I am missing?", "story that sprawls over several decades (with time skips), and thus the issue", "thus the issue cannot be just \"invisible\". It seems my options are: ", "not to get too attached to very young children, because of the possibility", "pregnant again. The lost children were mourned, but the loss was endured. To", "was this coping mechanism - parents tried not to get too attached to", " No dead children. Every character has ~10 siblings, and consequently ~100 first", "and getting over it. Again, what would be more alienating - the previous", "the tragedy and getting over it. Again, what would be more alienating -", "children, no explanation given. This option is not too realistic, and always stretches", "(but not taking central stage for very long). I address the tragedy and", "happens off-screen, and only gets mentioned in passing. Does this risk alienating my", "also lose children. All of this happens off-screen, and only gets mentioned in", "in a pre-modern setting. The problem becomes particularly pertinent in a story that", "It is something that does not, should not, happen, a terrible mistake in", "particularly pertinent in a story that sprawls over several decades (with time skips),", "as anything else is treated as almost inhuman. Those are the two conflicting", "we have multiple written records showing that they cared very much. At the", "children were mourned, but the loss was endured. To a modern reader, losing", "a terrible mistake in the running of the cosmos. Treating the loss of", "old. Another coping mechanism was of course that there were other children to", "even named until about 1 year old. Another coping mechanism was of course", "Does this risk alienating my readers? * Losing a child actually happens on-screen,", "It would be a mistake to think that parents cared less - we", "not, happen, a terrible mistake in the running of the cosmos. Treating the", "off-screen, and only gets mentioned in passing. Does this risk alienating my readers?", "of pre-Industrial Revolution times was that about half the children born died before", "running of the cosmos. Treating the loss of a child as anything else", "preferable? My particular story is set in a royal court, and spans several", "two conflicting views I try to balance, setting a story in a pre-modern", "pre-modern setting. The problem becomes particularly pertinent in a story that sprawls over", "the other events (but not taking central stage for very long). I address", "At the same time, there was this coping mechanism - parents tried not", "that does not, should not, happen, a terrible mistake in the running of", "cannot be just \"invisible\". It seems my options are: * No dead children.", "mentioned in passing. Does this risk alienating my readers? * Losing a child", "My particular story is set in a royal court, and spans several decades.", "* Characters have dead siblings, somewhere in the time-skips they also lose children.", "a child actually happens on-screen, within the melange of all the other events", "- parents tried not to get too attached to very young children, because", "get too attached to very young children, because of the possibility of losing", "setting. The problem becomes particularly pertinent in a story that sprawls over several", "of children, no explanation given. This option is not too realistic, and always", "only gets mentioned in passing. Does this risk alienating my readers? * Losing", "was endured. To a modern reader, losing a child is a tragedy one", "looks a bit crazy. * Characters have dead siblings, somewhere in the time-skips" ]
[ "upwards, best we can, just enough to make it to the seawall. >", "\"dear diary\" diary, but it's more for the purposes of narrative/chronology with the", "do. I feel a bullet strike my chest, and as I look back", "six guys survived, far as we know. Lost our friends, lost our job.", "> > > It feels very... empty, but at least in this example", "Would it be more correct to explain it as a \"background event\" like", "> > I repeat myself, \"The factory workers were on str-\" > >", "Private Rxac as a warmup, but it felt horrible. > > A river", "about the characters before. Would it be more correct to explain it as", "been through two others. We flee. > > > I feel that I'm", "everywhere. A dozen men killed instantly. I frantically try to undo my vest", "like the following? > > (This is probably the second/third page, the first", "this might be a little ramble-y, sorry. I'm completely stumped. I'm trying to", "a roadblock. My story is told from the first person in a \"diary\"", "violent/emotional scene without sounding super... purple. Things like over-complicating words and generally being", "the wounded and dying. We fire upwards, best we can, just enough to", "burst of machine gun fire tears through the first picket line. Ketris drops,", "\"Guerilla Warfare\" and so I have good knowledge of their tactics and have", "We fire upwards, best we can, just enough to make it to the", "but blood starts to cloud my vision. The sounds of battle drown out", "battle drown out most voices, except the screams of the wounded and dying.", "dates and stuff. It isn't me writing about my day, it's me telling", "their ideology. My problem is that I can't write a violent/emotional scene without", "I realize the reason I'm not dead is because it had already been", "it felt horrible. > > A river of machine gun fire rips through", "\"diary\" format. Well, not a \"dear diary\" diary, but it's more for the", "me uncomfortable\" > > > As another example, I tried writing the intro", "to get into writing fiction but I feel that I've hit a roadblock.", "all-in and simply explaining the massacre from a \"recalling\" point of view, because", "that survive form a socialist insurgency group with the plan of gradually gaining", "their formation. Suddenly, a burst of machine gun fire tears through the first", "to undo my vest but blood starts to cloud my vision. The sounds", "support, a-la Che Guevara. I've read Che's \"Guerilla Warfare\" and so I have", "told from the first person in a \"diary\" format. Well, not a \"dear", "roadblock. My story is told from the first person in a \"diary\" format.", "A dozen men killed instantly. I frantically try to undo my vest but", "> It feels very... empty, but at least in this example I had", "explaining the massacre from a \"recalling\" point of view, because I don't fully", "BE ARRESTED\" Defiant, we step forwards, approaching the barrier. The police tighten their", "it be more correct to explain it as a \"background event\" like the", "It takes place in the early future, 2020, after nearly two hundred striking", "Lost our lives.\" > > > He looks at me, puzzled. \"...What?\" >", "machine gun fire rips through the craft. Explosions, everywhere. A dozen men killed", "into writing fiction but I feel that I've hit a roadblock. My story", "friend, who is former military) > > > \"So... what happened to Ketris?\"", "in a \"diary\" format. Well, not a \"dear diary\" diary, but it's more", "me do. I feel a bullet strike my chest, and as I look", "up, with \"MPDC\" emblazoned on the side. Six policemen in full gear close", "him.\" > > > \"I... His body, you mean?\" > > > \"Yes.", "Warning: I have ADHD and this might be a little ramble-y, sorry. I'm", "intro of Saving Private Rxac as a warmup, but it felt horrible. >", "very... empty, but at least in this example I had something to go", "periods, and the actual event seems emotionless. I'm thinking of going all-in and", "more correct to explain it as a \"background event\" like the following? >", "trying to get into writing fiction but I feel that I've hit a", "the first few pages being when the group is fleeing after \"something bad\"", "The sounds of battle drown out most voices, except the screams of the", "my vision. The sounds of battle drown out most voices, except the screams", "might be a little ramble-y, sorry. I'm completely stumped. I'm trying to get", "feds shot up the place. Only six guys survived, far as we know.", "vision. The sounds of battle drown out most voices, except the screams of", "explain it as a \"background event\" like the following? > > (This is", "> As another example, I tried writing the intro of Saving Private Rxac", "being when the group is fleeing after \"something bad\" happens and they go", "ARRESTED\" Defiant, we step forwards, approaching the barrier. The police tighten their formation.", "I couldn't even describe the massacre well. > > Several armored cars pull", "I yell. They do. Well, the people with me do. I feel a", "with the dates and stuff. It isn't me writing about my day, it's", "simply explaining the massacre from a \"recalling\" point of view, because I don't", "socialist insurgency group with the plan of gradually gaining more and more support,", "\"Yeah, feds shot up the place. Only six guys survived, far as we", "view, because I don't fully believe I can make the massacre seem horrible", "warmup, but it felt horrible. > > A river of machine gun fire", "the first person in a \"diary\" format. Well, not a \"dear diary\" diary,", "as we know. Lost our friends, lost our job. Lost our lives.\" >", "and have a very clear grasp of their ideology. My problem is that", "gun fire rips through the craft. Explosions, everywhere. A dozen men killed instantly.", "is fleeing after \"something bad\" happens and they go pick up an old", "story to historians. ...The point is, It takes place in the early future,", "screams of the wounded and dying. We fire upwards, best we can, just", "our job. Lost our lives.\" > > > He looks at me, puzzled.", "emotionless. I'm thinking of going all-in and simply explaining the massacre from a", "because I don't fully believe I can make the massacre seem horrible without", "is that I can't write a violent/emotional scene without sounding super... purple. Things", "myself, \"The factory workers were on str-\" > > > He rolls his", "the early future, 2020, after nearly two hundred striking workers are massacred at", "It sounds like I'm a historian and not a storyteller. I couldn't even", "telling my story to historians. ...The point is, It takes place in the", "ramble-y, sorry. I'm completely stumped. I'm trying to get into writing fiction but", "my chest, and as I look back I realize the reason I'm not", "for the purposes of narrative/chronology with the dates and stuff. It isn't me", "I had something to go off of that isn't my imagination. Does jumping", "pages being when the group is fleeing after \"something bad\" happens and they", "> > > \"Yeah, feds shot up the place. Only six guys survived,", "first few pages being when the group is fleeing after \"something bad\" happens", "already been through two others. We flee. > > > I feel that", "the massacre from a \"recalling\" point of view, because I don't fully believe", "lost our job. Lost our lives.\" > > > He looks at me,", "body, you mean?\" > > > \"Yes. Also... don't call me sir, makes", "and they go pick up an old friend, who is former military) >", "feels very... empty, but at least in this example I had something to", "flee. > > > I feel that I'm using too many periods, and", "few pages being when the group is fleeing after \"something bad\" happens and", "best we can, just enough to make it to the seawall. > >", "words and generally being dry. It sounds like I'm a historian and not", "after nearly two hundred striking workers are massacred at \"Arlin Factory.\" The six", "because it had already been through two others. We flee. > > >", "it to the seawall. > > > It feels very... empty, but at", "don't fully believe I can make the massacre seem horrible without having already", "My story is told from the first person in a \"diary\" format. Well,", "> > > Confused, I answer best I can. \"We lost him at", "we step forwards, approaching the barrier. The police tighten their formation. Suddenly, a", "make the massacre seem horrible without having already wrote about the characters before.", "is probably the second/third page, the first few pages being when the group", "him at Arlin, sir. One of the first to go.\" > > >", "our friends, lost our job. Lost our lives.\" > > > He looks", "a \"background event\" like the following? > > (This is probably the second/third", "\"I... His body, you mean?\" > > > \"Yes. Also... don't call me", "a little ramble-y, sorry. I'm completely stumped. I'm trying to get into writing", "He looks at me, puzzled. \"...What?\" > > > I repeat myself, \"The", "mean?\" > > > \"Yes. Also... don't call me sir, makes me uncomfortable\"", "approaching the barrier. The police tighten their formation. Suddenly, a burst of machine", "massacre seem horrible without having already wrote about the characters before. Would it", "hundred striking workers are massacred at \"Arlin Factory.\" The six that survive form", "the purposes of narrative/chronology with the dates and stuff. It isn't me writing", "BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL BE ARRESTED\"", "looks at me, puzzled. \"...What?\" > > > I repeat myself, \"The factory", "\"Yes. Also... don't call me sir, makes me uncomfortable\" > > > As", "but it's more for the purposes of narrative/chronology with the dates and stuff.", "like over-complicating words and generally being dry. It sounds like I'm a historian", "well. > > Several armored cars pull up, with \"MPDC\" emblazoned on the", "first person in a \"diary\" format. Well, not a \"dear diary\" diary, but", "event seems emotionless. I'm thinking of going all-in and simply explaining the massacre", "reason I'm not dead is because it had already been through two others.", "thinking of going all-in and simply explaining the massacre from a \"recalling\" point", "with thirty other men. \"FALL BACK,\" I yell. They do. Well, the people", "asks, breaking the silence. > > > Confused, I answer best I can.", "Six policemen in full gear close in. \"Riot police, masks on.\" I whisper.", "that I can't write a violent/emotional scene without sounding super... purple. Things like", "sir, makes me uncomfortable\" > > > As another example, I tried writing", "and stuff. It isn't me writing about my day, it's me telling my", "realize the reason I'm not dead is because it had already been through", "> > > As another example, I tried writing the intro of Saving", "other men. \"FALL BACK,\" I yell. They do. Well, the people with me", "ASSEMBLY. LEAVE THE AREA OR YOU WILL BE ARRESTED\" Defiant, we step forwards,", "and the actual event seems emotionless. I'm thinking of going all-in and simply", "I don't fully believe I can make the massacre seem horrible without having", "more and more support, a-la Che Guevara. I've read Che's \"Guerilla Warfare\" and", "guys survived, far as we know. Lost our friends, lost our job. Lost", "lives.\" > > > He looks at me, puzzled. \"...What?\" > > >", "(This is probably the second/third page, the first few pages being when the", "knowledge of their tactics and have a very clear grasp of their ideology.", "tears through the first picket line. Ketris drops, along with thirty other men.", "completely stumped. I'm trying to get into writing fiction but I feel that", "in this example I had something to go off of that isn't my", "thirty other men. \"FALL BACK,\" I yell. They do. Well, the people with", "of the wounded and dying. We fire upwards, best we can, just enough", "bullet strike my chest, and as I look back I realize the reason", "policemen in full gear close in. \"Riot police, masks on.\" I whisper. A", "Well, the people with me do. I feel a bullet strike my chest,", "police tighten their formation. Suddenly, a burst of machine gun fire tears through", "\"...What?\" > > > I repeat myself, \"The factory workers were on str-\"", "of machine gun fire rips through the craft. Explosions, everywhere. A dozen men", "diary, but it's more for the purposes of narrative/chronology with the dates and", "they go pick up an old friend, who is former military) > >", "military) > > > \"So... what happened to Ketris?\" he asks, breaking the", "> > It feels very... empty, but at least in this example I", "to cloud my vision. The sounds of battle drown out most voices, except", "machine gun fire tears through the first picket line. Ketris drops, along with", "> Confused, I answer best I can. \"We lost him at Arlin, sir.", "I can. \"We lost him at Arlin, sir. One of the first to", "be more correct to explain it as a \"background event\" like the following?", "ideology. My problem is that I can't write a violent/emotional scene without sounding", "> > > I repeat myself, \"The factory workers were on str-\" >", "massacre from a \"recalling\" point of view, because I don't fully believe I", "Ketris drops, along with thirty other men. \"FALL BACK,\" I yell. They do.", "very clear grasp of their ideology. My problem is that I can't write", "former military) > > > \"So... what happened to Ketris?\" he asks, breaking", "> > He looks at me, puzzled. \"...What?\" > > > I repeat", "going all-in and simply explaining the massacre from a \"recalling\" point of view,", "dude. I meant what happened to him.\" > > > \"I... His body,", "HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL BE", "men killed instantly. I frantically try to undo my vest but blood starts", "I meant what happened to him.\" > > > \"I... His body, you", "but I feel that I've hit a roadblock. My story is told from", "...The point is, It takes place in the early future, 2020, after nearly", "gun fire tears through the first picket line. Ketris drops, along with thirty", "bad\" happens and they go pick up an old friend, who is former", "nearly two hundred striking workers are massacred at \"Arlin Factory.\" The six that", "is broadcast from the helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY.", "AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL BE ARRESTED\" Defiant, we", "and this might be a little ramble-y, sorry. I'm completely stumped. I'm trying", "> \"Yes. Also... don't call me sir, makes me uncomfortable\" > > >", "Warfare\" and so I have good knowledge of their tactics and have a", "to go off of that isn't my imagination. Does jumping straight into the", "> > I feel that I'm using too many periods, and the actual", "probably the second/third page, the first few pages being when the group is", "what happened to Ketris?\" he asks, breaking the silence. > > > Confused,", "get into writing fiction but I feel that I've hit a roadblock. My", "job. Lost our lives.\" > > > He looks at me, puzzled. \"...What?\"", "rips through the craft. Explosions, everywhere. A dozen men killed instantly. I frantically", "I'm trying to get into writing fiction but I feel that I've hit", "> A river of machine gun fire rips through the craft. Explosions, everywhere.", "to go.\" > > > \"Arlin?\" > > > \"Yeah, feds shot up", "Rxac as a warmup, but it felt horrible. > > A river of", "the massacre well. > > Several armored cars pull up, with \"MPDC\" emblazoned", "point is, It takes place in the early future, 2020, after nearly two", "the second/third page, the first few pages being when the group is fleeing", "storyteller. I couldn't even describe the massacre well. > > Several armored cars", "it had already been through two others. We flee. > > > I", "BACK,\" I yell. They do. Well, the people with me do. I feel", "tried writing the intro of Saving Private Rxac as a warmup, but it", "try to undo my vest but blood starts to cloud my vision. The", "horrible. > > A river of machine gun fire rips through the craft.", "The six that survive form a socialist insurgency group with the plan of", "vest but blood starts to cloud my vision. The sounds of battle drown", "is, It takes place in the early future, 2020, after nearly two hundred", "striking workers are massacred at \"Arlin Factory.\" The six that survive form a", "full gear close in. \"Riot police, masks on.\" I whisper. A voice is", "second/third page, the first few pages being when the group is fleeing after", "step forwards, approaching the barrier. The police tighten their formation. Suddenly, a burst", "\"So... what happened to Ketris?\" he asks, breaking the silence. > > >", "at least in this example I had something to go off of that", "> > \"Arlin?\" > > > \"Yeah, feds shot up the place. Only", "picket line. Ketris drops, along with thirty other men. \"FALL BACK,\" I yell.", "I repeat myself, \"The factory workers were on str-\" > > > He", "what happened to him.\" > > > \"I... His body, you mean?\" >", "two hundred striking workers are massacred at \"Arlin Factory.\" The six that survive", "> \"So... what happened to Ketris?\" he asks, breaking the silence. > >", "that old, dude. I meant what happened to him.\" > > > \"I...", "and not a storyteller. I couldn't even describe the massacre well. > >", "point of view, because I don't fully believe I can make the massacre", "fire tears through the first picket line. Ketris drops, along with thirty other", "happens and they go pick up an old friend, who is former military)", "historian and not a storyteller. I couldn't even describe the massacre well. >", "fleeing after \"something bad\" happens and they go pick up an old friend,", "> > > He rolls his eyes, \"I'm not that old, dude. I", "are massacred at \"Arlin Factory.\" The six that survive form a socialist insurgency", "of going all-in and simply explaining the massacre from a \"recalling\" point of", "> He rolls his eyes, \"I'm not that old, dude. I meant what", "writing the intro of Saving Private Rxac as a warmup, but it felt", "not dead is because it had already been through two others. We flee.", "OR YOU WILL BE ARRESTED\" Defiant, we step forwards, approaching the barrier. The", "read Che's \"Guerilla Warfare\" and so I have good knowledge of their tactics", "My problem is that I can't write a violent/emotional scene without sounding super...", "along with thirty other men. \"FALL BACK,\" I yell. They do. Well, the", "early future, 2020, after nearly two hundred striking workers are massacred at \"Arlin", "rolls his eyes, \"I'm not that* old, dude. I meant what happened to", "in. \"Riot police, masks on.\" I whisper. A voice is broadcast from the", "Arlin, sir. One of the first to go.\" > > > \"Arlin?\" >", "not a \"dear diary\" diary, but it's more for the purposes of narrative/chronology", "seawall. > > > It feels very... empty, but at least in this", "friends, lost our job. Lost our lives.\" > > > He looks at", "out most voices, except the screams of the wounded and dying. We fire", "least in this example I had something to go off of that isn't", "that I've hit a roadblock. My story is told from the first person", "have a very clear grasp of their ideology. My problem is that I", "group is fleeing after \"something bad\" happens and they go pick up an", "I can't write a violent/emotional scene without sounding super... purple. Things like over-complicating", "on str-\" > > > He rolls his eyes, \"I'm not that old,", "makes me uncomfortable\" > > > As another example, I tried writing the", "chest, and as I look back I realize the reason I'm not dead", "> I repeat myself, \"The factory workers were on str-\" > > >", "not that old, dude. I meant what happened to him.\" > > >", "format. Well, not a \"dear diary\" diary, but it's more for the purposes", "don't call me sir, makes me uncomfortable\" > > > As another example,", "having already wrote about the characters before. Would it be more correct to", "back I realize the reason I'm not dead is because it had already", "> > Several armored cars pull up, with \"MPDC\" emblazoned on the side.", "whisper. A voice is broadcast from the helicopter. \"THIS EVENT HAS BEEN DECLARED", "clear grasp of their ideology. My problem is that I can't write a", "> \"Arlin?\" > > > \"Yeah, feds shot up the place. Only six", "and more support, a-la Che Guevara. I've read Che's \"Guerilla Warfare\" and so", "the reason I'm not dead is because it had already been through two", "takes place in the early future, 2020, after nearly two hundred striking workers", "that isn't my imagination. Does jumping straight into the action not translate into", "the first picket line. Ketris drops, along with thirty other men. \"FALL BACK,\"", "to the seawall. > > > It feels very... empty, but at least", "the first to go.\" > > > \"Arlin?\" > > > \"Yeah, feds", "dozen men killed instantly. I frantically try to undo my vest but blood", "at Arlin, sir. One of the first to go.\" > > > \"Arlin?\"", "another example, I tried writing the intro of Saving Private Rxac as a", "uncomfortable\" > > > As another example, I tried writing the intro of", "and dying. We fire upwards, best we can, just enough to make it", "YOU WILL BE ARRESTED\" Defiant, we step forwards, approaching the barrier. The police", "event\" like the following? > > (This is probably the second/third page, the", "Che's \"Guerilla Warfare\" and so I have good knowledge of their tactics and", "isn't my imagination. Does jumping straight into the action not translate into literature?", "more for the purposes of narrative/chronology with the dates and stuff. It isn't", "up the place. Only six guys survived, far as we know. Lost our", "the craft. Explosions, everywhere. A dozen men killed instantly. I frantically try to", "dry. It sounds like I'm a historian and not a storyteller. I couldn't", "feel that I've hit a roadblock. My story is told from the first", "the helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA", "I've read Che's \"Guerilla Warfare\" and so I have good knowledge of their", "> \"I... His body, you mean?\" > > > \"Yes. Also... don't call", "do. Well, the people with me do. I feel a bullet strike my", "my day, it's me telling my story to historians. ...The point is, It", "example, I tried writing the intro of Saving Private Rxac as a warmup,", "and as I look back I realize the reason I'm not dead is", "form a socialist insurgency group with the plan of gradually gaining more and", "workers were on str-\" > > > He rolls his eyes, \"I'm not", "make it to the seawall. > > > It feels very... empty, but", "group with the plan of gradually gaining more and more support, a-la Che", "One of the first to go.\" > > > \"Arlin?\" > > >", "stumped. I'm trying to get into writing fiction but I feel that I've", "voices, except the screams of the wounded and dying. We fire upwards, best", "the screams of the wounded and dying. We fire upwards, best we can,", "and so I have good knowledge of their tactics and have a very", "is because it had already been through two others. We flee. > >", "happened* to him.\" > > > \"I... His body, you mean?\" > >", "A voice is broadcast from the helicopter. \"THIS EVENT HAS BEEN DECLARED AN", "day, it's me telling my story to historians. ...The point is, It takes", "masks on.\" I whisper. A voice is broadcast from the helicopter. \"THIS EVENT", "The police tighten their formation. Suddenly, a burst of machine gun fire tears", "fire rips through the craft. Explosions, everywhere. A dozen men killed instantly. I", "of that isn't my imagination. Does jumping straight into the action not translate", "of Saving Private Rxac as a warmup, but it felt horrible. > >", "tighten their formation. Suddenly, a burst of machine gun fire tears through the", "two others. We flee. > > > I feel that I'm using too", "craft. Explosions, everywhere. A dozen men killed instantly. I frantically try to undo", "close in. \"Riot police, masks on.\" I whisper. A voice is broadcast from", "but at least in this example I had something to go off of", "you mean?\" > > > \"Yes. Also... don't call me sir, makes me", "Only six guys survived, far as we know. Lost our friends, lost our", "even describe the massacre well. > > Several armored cars pull up, with", "more support, a-la Che Guevara. I've read Che's \"Guerilla Warfare\" and so I", "just enough to make it to the seawall. > > > It feels", "as I look back I realize the reason I'm not dead is because", "> > > \"Yes. Also... don't call me sir, makes me uncomfortable\" >", "story is told from the first person in a \"diary\" format. Well, not", "\"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU", "formation. Suddenly, a burst of machine gun fire tears through the first picket", "best I can. \"We lost him at Arlin, sir. One of the first", "I have good knowledge of their tactics and have a very clear grasp", "it as a \"background event\" like the following? > > (This is probably", "> Several armored cars pull up, with \"MPDC\" emblazoned on the side. Six", "a historian and not a storyteller. I couldn't even describe the massacre well.", "look back I realize the reason I'm not dead is because it had", "believe I can make the massacre seem horrible without having already wrote about", "to explain it as a \"background event\" like the following? > > (This", "Ketris?\" he asks, breaking the silence. > > > Confused, I answer best", "couldn't even describe the massacre well. > > Several armored cars pull up,", "forwards, approaching the barrier. The police tighten their formation. Suddenly, a burst of", "insurgency group with the plan of gradually gaining more and more support, a-la", "> \"Yeah, feds shot up the place. Only six guys survived, far as", "example I had something to go off of that isn't my imagination. Does", "I whisper. A voice is broadcast from the helicopter. \"THIS EVENT HAS BEEN", "place in the early future, 2020, after nearly two hundred striking workers are", "old, dude. I meant what happened to him.\" > > > \"I... His", "factory workers were on str-\" > > > He rolls his eyes, \"I'm", "plan of gradually gaining more and more support, a-la Che Guevara. I've read", "silence. > > > Confused, I answer best I can. \"We lost him", "and simply explaining the massacre from a \"recalling\" point of view, because I", "not a storyteller. I couldn't even describe the massacre well. > > Several", "survived, far as we know. Lost our friends, lost our job. Lost our", "of gradually gaining more and more support, a-la Che Guevara. I've read Che's", "it's more for the purposes of narrative/chronology with the dates and stuff. It", "helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR", "hit a roadblock. My story is told from the first person in a", "Also... don't call me sir, makes me uncomfortable\" > > > As another", "old friend, who is former military) > > > \"So... what happened to", "in the early future, 2020, after nearly two hundred striking workers are massacred", "ADHD and this might be a little ramble-y, sorry. I'm completely stumped. I'm", "from a \"recalling\" point of view, because I don't fully believe I can", "killed instantly. I frantically try to undo my vest but blood starts to", "I answer best I can. \"We lost him at Arlin, sir. One of", "cloud my vision. The sounds of battle drown out most voices, except the", "sounds of battle drown out most voices, except the screams of the wounded", "\"Arlin?\" > > > \"Yeah, feds shot up the place. Only six guys", "and generally being dry. It sounds like I'm a historian and not a", "we can, just enough to make it to the seawall. > > >", "It isn't me writing about my day, it's me telling my story to", "> > > \"So... what happened to Ketris?\" he asks, breaking the silence.", "repeat myself, \"The factory workers were on str-\" > > > He rolls", "side. Six policemen in full gear close in. \"Riot police, masks on.\" I", "> > Confused, I answer best I can. \"We lost him at Arlin,", "already wrote about the characters before. Would it be more correct to explain", "their tactics and have a very clear grasp of their ideology. My problem", "\"We lost him at Arlin, sir. One of the first to go.\" >", "person in a \"diary\" format. Well, not a \"dear diary\" diary, but it's", "WILL BE ARRESTED\" Defiant, we step forwards, approaching the barrier. The police tighten", "I tried writing the intro of Saving Private Rxac as a warmup, but", "Several armored cars pull up, with \"MPDC\" emblazoned on the side. Six policemen", "sir. One of the first to go.\" > > > \"Arlin?\" > >", "our lives.\" > > > He looks at me, puzzled. \"...What?\" > >", "as a \"background event\" like the following? > > (This is probably the", "Factory.\" The six that survive form a socialist insurgency group with the plan", "> > As another example, I tried writing the intro of Saving Private", "purple. Things like over-complicating words and generally being dry. It sounds like I'm", "Defiant, we step forwards, approaching the barrier. The police tighten their formation. Suddenly,", "up an old friend, who is former military) > > > \"So... what", "blood starts to cloud my vision. The sounds of battle drown out most", "who is former military) > > > \"So... what happened to Ketris?\" he", "instantly. I frantically try to undo my vest but blood starts to cloud", "> > A river of machine gun fire rips through the craft. Explosions,", "the barrier. The police tighten their formation. Suddenly, a burst of machine gun", "2020, after nearly two hundred striking workers are massacred at \"Arlin Factory.\" The", "Confused, I answer best I can. \"We lost him at Arlin, sir. One", "Suddenly, a burst of machine gun fire tears through the first picket line.", "I'm using too many periods, and the actual event seems emotionless. I'm thinking", "me, puzzled. \"...What?\" > > > I repeat myself, \"The factory workers were", "had already been through two others. We flee. > > > I feel", "> He looks at me, puzzled. \"...What?\" > > > I repeat myself,", "seems emotionless. I'm thinking of going all-in and simply explaining the massacre from", "to him.\" > > > \"I... His body, you mean?\" > > >", "fiction but I feel that I've hit a roadblock. My story is told", "workers are massacred at \"Arlin Factory.\" The six that survive form a socialist", "Things like over-complicating words and generally being dry. It sounds like I'm a", "gaining more and more support, a-la Che Guevara. I've read Che's \"Guerilla Warfare\"", "through two others. We flee. > > > I feel that I'm using", "fire upwards, best we can, just enough to make it to the seawall.", "people with me do. I feel a bullet strike my chest, and as", "the side. Six policemen in full gear close in. \"Riot police, masks on.\"", "before. Would it be more correct to explain it as a \"background event\"", "\"MPDC\" emblazoned on the side. Six policemen in full gear close in. \"Riot", "to historians. ...The point is, It takes place in the early future, 2020,", "my vest but blood starts to cloud my vision. The sounds of battle", "broadcast from the helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE", "generally being dry. It sounds like I'm a historian and not a storyteller.", "UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL BE ARRESTED\" Defiant, we step", "of narrative/chronology with the dates and stuff. It isn't me writing about my", "\"Arlin Factory.\" The six that survive form a socialist insurgency group with the", "DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL BE ARRESTED\" Defiant,", "six that survive form a socialist insurgency group with the plan of gradually", "diary\" diary, but it's more for the purposes of narrative/chronology with the dates", "sounding super... purple. Things like over-complicating words and generally being dry. It sounds", "of machine gun fire tears through the first picket line. Ketris drops, along", "a warmup, but it felt horrible. > > A river of machine gun", "dead is because it had already been through two others. We flee. >", "the place. Only six guys survived, far as we know. Lost our friends,", "about my day, it's me telling my story to historians. ...The point is,", "the plan of gradually gaining more and more support, a-la Che Guevara. I've", "is former military) > > > \"So... what happened to Ketris?\" he asks,", "I've hit a roadblock. My story is told from the first person in", "barrier. The police tighten their formation. Suddenly, a burst of machine gun fire", "sounds like I'm a historian and not a storyteller. I couldn't even describe", "I can make the massacre seem horrible without having already wrote about the", "grasp of their ideology. My problem is that I can't write a violent/emotional", "meant what happened* to him.\" > > > \"I... His body, you mean?\"", "a bullet strike my chest, and as I look back I realize the", "I frantically try to undo my vest but blood starts to cloud my", "super... purple. Things like over-complicating words and generally being dry. It sounds like", "a socialist insurgency group with the plan of gradually gaining more and more", "massacred at \"Arlin Factory.\" The six that survive form a socialist insurgency group", "> > > I feel that I'm using too many periods, and the", "the intro of Saving Private Rxac as a warmup, but it felt horrible.", "sorry. I'm completely stumped. I'm trying to get into writing fiction but I", "like I'm a historian and not a storyteller. I couldn't even describe the", "gradually gaining more and more support, a-la Che Guevara. I've read Che's \"Guerilla", "narrative/chronology with the dates and stuff. It isn't me writing about my day,", "AREA OR YOU WILL BE ARRESTED\" Defiant, we step forwards, approaching the barrier.", "emblazoned on the side. Six policemen in full gear close in. \"Riot police,", "wrote about the characters before. Would it be more correct to explain it", "after \"something bad\" happens and they go pick up an old friend, who", "the silence. > > > Confused, I answer best I can. \"We lost", "far as we know. Lost our friends, lost our job. Lost our lives.\"", "writing fiction but I feel that I've hit a roadblock. My story is", "a \"recalling\" point of view, because I don't fully believe I can make", "as a warmup, but it felt horrible. > > A river of machine", "\"background event\" like the following? > > (This is probably the second/third page,", "on the side. Six policemen in full gear close in. \"Riot police, masks", "following? > > (This is probably the second/third page, the first few pages", "most voices, except the screams of the wounded and dying. We fire upwards,", "without sounding super... purple. Things like over-complicating words and generally being dry. It", "actual event seems emotionless. I'm thinking of going all-in and simply explaining the", "Guevara. I've read Che's \"Guerilla Warfare\" and so I have good knowledge of", "can't write a violent/emotional scene without sounding super... purple. Things like over-complicating words", "empty, but at least in this example I had something to go off", "isn't me writing about my day, it's me telling my story to historians.", "armored cars pull up, with \"MPDC\" emblazoned on the side. Six policemen in", "yell. They do. Well, the people with me do. I feel a bullet", "have good knowledge of their tactics and have a very clear grasp of", "go.\" > > > \"Arlin?\" > > > \"Yeah, feds shot up the", "> > > He looks at me, puzzled. \"...What?\" > > > I", "of their ideology. My problem is that I can't write a violent/emotional scene", "of battle drown out most voices, except the screams of the wounded and", "through the first picket line. Ketris drops, along with thirty other men. \"FALL", "I'm a historian and not a storyteller. I couldn't even describe the massacre", "is told from the first person in a \"diary\" format. Well, not a", "felt horrible. > > A river of machine gun fire rips through the", "I have ADHD and this might be a little ramble-y, sorry. I'm completely", "answer best I can. \"We lost him at Arlin, sir. One of the", "characters before. Would it be more correct to explain it as a \"background", "the actual event seems emotionless. I'm thinking of going all-in and simply explaining", "have ADHD and this might be a little ramble-y, sorry. I'm completely stumped.", "be a little ramble-y, sorry. I'm completely stumped. I'm trying to get into", "my story to historians. ...The point is, It takes place in the early", "this example I had something to go off of that isn't my imagination.", "feel that I'm using too many periods, and the actual event seems emotionless.", "drown out most voices, except the screams of the wounded and dying. We", "eyes, \"I'm not that* old, dude. I meant what happened to him.\" >", "\"something bad\" happens and they go pick up an old friend, who is", "str-\" > > > He rolls his eyes, \"I'm not that old, dude.", "river of machine gun fire rips through the craft. Explosions, everywhere. A dozen", "through the craft. Explosions, everywhere. A dozen men killed instantly. I frantically try", "a violent/emotional scene without sounding super... purple. Things like over-complicating words and generally", "a very clear grasp of their ideology. My problem is that I can't", "first picket line. Ketris drops, along with thirty other men. \"FALL BACK,\" I", "me telling my story to historians. ...The point is, It takes place in", "lost him at Arlin, sir. One of the first to go.\" > >", "starts to cloud my vision. The sounds of battle drown out most voices,", "at \"Arlin Factory.\" The six that survive form a socialist insurgency group with", "They do. Well, the people with me do. I feel a bullet strike", "\"I'm not that old, dude. I meant what happened to him.\" > >", "Saving Private Rxac as a warmup, but it felt horrible. > > A", "purposes of narrative/chronology with the dates and stuff. It isn't me writing about", "a \"diary\" format. Well, not a \"dear diary\" diary, but it's more for", "scene without sounding super... purple. Things like over-complicating words and generally being dry.", "fully believe I can make the massacre seem horrible without having already wrote", "> > > \"I... His body, you mean?\" > > > \"Yes. Also...", "\"Riot police, masks on.\" I whisper. A voice is broadcast from the helicopter.", "As another example, I tried writing the intro of Saving Private Rxac as", "> > \"I... His body, you mean?\" > > > \"Yes. Also... don't", "can make the massacre seem horrible without having already wrote about the characters", "gear close in. \"Riot police, masks on.\" I whisper. A voice is broadcast", "at me, puzzled. \"...What?\" > > > I repeat myself, \"The factory workers", "were on str-\" > > > He rolls his eyes, \"I'm not that", "to Ketris?\" he asks, breaking the silence. > > > Confused, I answer", "happened to Ketris?\" he asks, breaking the silence. > > > Confused, I", "> (This is probably the second/third page, the first few pages being when", "> > > \"Arlin?\" > > > \"Yeah, feds shot up the place.", "\"recalling\" point of view, because I don't fully believe I can make the", "something to go off of that isn't my imagination. Does jumping straight into", "place. Only six guys survived, far as we know. Lost our friends, lost", "drops, along with thirty other men. \"FALL BACK,\" I yell. They do. Well,", "me writing about my day, it's me telling my story to historians. ...The", "He rolls his eyes, \"I'm not that old, dude. I meant what happened", "on.\" I whisper. A voice is broadcast from the helicopter. \"THIS EVENT HAS", "LEAVE THE AREA OR YOU WILL BE ARRESTED\" Defiant, we step forwards, approaching", "I feel a bullet strike my chest, and as I look back I", "cars pull up, with \"MPDC\" emblazoned on the side. Six policemen in full", "a-la Che Guevara. I've read Che's \"Guerilla Warfare\" and so I have good", "too many periods, and the actual event seems emotionless. I'm thinking of going", "call me sir, makes me uncomfortable\" > > > As another example, I", "horrible without having already wrote about the characters before. Would it be more", "breaking the silence. > > > Confused, I answer best I can. \"We", "feel a bullet strike my chest, and as I look back I realize", "the seawall. > > > It feels very... empty, but at least in", "problem is that I can't write a violent/emotional scene without sounding super... purple.", "others. We flee. > > > I feel that I'm using too many", "\"The factory workers were on str-\" > > > He rolls his eyes,", "A river of machine gun fire rips through the craft. Explosions, everywhere. A", "using too many periods, and the actual event seems emotionless. I'm thinking of", "of view, because I don't fully believe I can make the massacre seem", "his eyes, \"I'm not that old, dude. I meant what happened to him.\"", "survive form a socialist insurgency group with the plan of gradually gaining more", "good knowledge of their tactics and have a very clear grasp of their", "the group is fleeing after \"something bad\" happens and they go pick up", "tactics and have a very clear grasp of their ideology. My problem is", "stuff. It isn't me writing about my day, it's me telling my story", "THE AREA OR YOU WILL BE ARRESTED\" Defiant, we step forwards, approaching the", "future, 2020, after nearly two hundred striking workers are massacred at \"Arlin Factory.\"", "with the plan of gradually gaining more and more support, a-la Che Guevara.", "a storyteller. I couldn't even describe the massacre well. > > Several armored", "being dry. It sounds like I'm a historian and not a storyteller. I", "I'm thinking of going all-in and simply explaining the massacre from a \"recalling\"", "men. \"FALL BACK,\" I yell. They do. Well, the people with me do.", "massacre well. > > Several armored cars pull up, with \"MPDC\" emblazoned on", "a \"dear diary\" diary, but it's more for the purposes of narrative/chronology with", "from the helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE", "the following? > > (This is probably the second/third page, the first few", "describe the massacre well. > > Several armored cars pull up, with \"MPDC\"", "EVENT HAS BEEN DECLARED AN UNLAWFUL ASSEMBLY. LEAVE THE AREA OR YOU WILL", "I'm not dead is because it had already been through two others. We", "the characters before. Would it be more correct to explain it as a", "over-complicating words and generally being dry. It sounds like I'm a historian and", "with me do. I feel a bullet strike my chest, and as I", "the massacre seem horrible without having already wrote about the characters before. Would", "with \"MPDC\" emblazoned on the side. Six policemen in full gear close in.", "Che Guevara. I've read Che's \"Guerilla Warfare\" and so I have good knowledge", "of their tactics and have a very clear grasp of their ideology. My", "writing about my day, it's me telling my story to historians. ...The point", "when the group is fleeing after \"something bad\" happens and they go pick", "but it felt horrible. > > A river of machine gun fire rips", "Explosions, everywhere. A dozen men killed instantly. I frantically try to undo my", "page, the first few pages being when the group is fleeing after \"something", "the dates and stuff. It isn't me writing about my day, it's me", "dying. We fire upwards, best we can, just enough to make it to", "Well, not a \"dear diary\" diary, but it's more for the purposes of", "write a violent/emotional scene without sounding super... purple. Things like over-complicating words and", "> > \"So... what happened to Ketris?\" he asks, breaking the silence. >", "he asks, breaking the silence. > > > Confused, I answer best I", "enough to make it to the seawall. > > > It feels very...", "know. Lost our friends, lost our job. Lost our lives.\" > > >", "the people with me do. I feel a bullet strike my chest, and", "wounded and dying. We fire upwards, best we can, just enough to make", "off of that isn't my imagination. Does jumping straight into the action not", "> > \"Yes. Also... don't call me sir, makes me uncomfortable\" > >", "correct to explain it as a \"background event\" like the following? > >", "> I feel that I'm using too many periods, and the actual event", "can. \"We lost him at Arlin, sir. One of the first to go.\"", "I feel that I'm using too many periods, and the actual event seems", "go off of that isn't my imagination. Does jumping straight into the action", "first to go.\" > > > \"Arlin?\" > > > \"Yeah, feds shot", "police, masks on.\" I whisper. A voice is broadcast from the helicopter. \"THIS", "go pick up an old friend, who is former military) > > >", "line. Ketris drops, along with thirty other men. \"FALL BACK,\" I yell. They", "I look back I realize the reason I'm not dead is because it", "pull up, with \"MPDC\" emblazoned on the side. Six policemen in full gear", "shot up the place. Only six guys survived, far as we know. Lost", "had something to go off of that isn't my imagination. Does jumping straight", "> > \"Yeah, feds shot up the place. Only six guys survived, far", "Lost our friends, lost our job. Lost our lives.\" > > > He", "undo my vest but blood starts to cloud my vision. The sounds of", "many periods, and the actual event seems emotionless. I'm thinking of going all-in", "I'm completely stumped. I'm trying to get into writing fiction but I feel", "it's me telling my story to historians. ...The point is, It takes place", "except the screams of the wounded and dying. We fire upwards, best we", "from the first person in a \"diary\" format. Well, not a \"dear diary\"", "I feel that I've hit a roadblock. My story is told from the", "frantically try to undo my vest but blood starts to cloud my vision.", "> > (This is probably the second/third page, the first few pages being", "His body, you mean?\" > > > \"Yes. Also... don't call me sir,", "an old friend, who is former military) > > > \"So... what happened", "\"FALL BACK,\" I yell. They do. Well, the people with me do. I", "can, just enough to make it to the seawall. > > > It", "We flee. > > > I feel that I'm using too many periods,", "pick up an old friend, who is former military) > > > \"So...", "of the first to go.\" > > > \"Arlin?\" > > > \"Yeah,", "we know. Lost our friends, lost our job. Lost our lives.\" > >", "to make it to the seawall. > > > It feels very... empty,", "It feels very... empty, but at least in this example I had something", "seem horrible without having already wrote about the characters before. Would it be", "puzzled. \"...What?\" > > > I repeat myself, \"The factory workers were on", "so I have good knowledge of their tactics and have a very clear", "voice is broadcast from the helicopter. \"THIS EVENT HAS BEEN DECLARED AN UNLAWFUL", "strike my chest, and as I look back I realize the reason I'm", "without having already wrote about the characters before. Would it be more correct", "> > He rolls his eyes, \"I'm not that old, dude. I meant", "me sir, makes me uncomfortable\" > > > As another example, I tried", "in full gear close in. \"Riot police, masks on.\" I whisper. A voice", "a burst of machine gun fire tears through the first picket line. Ketris", "that I'm using too many periods, and the actual event seems emotionless. I'm", "little ramble-y, sorry. I'm completely stumped. I'm trying to get into writing fiction", "historians. ...The point is, It takes place in the early future, 2020, after" ]
[ "the title of quite a large number of nonfictional works, sometimes as the", "the whole of any other novel's title; and, second, whether any novel has", "in, first, is whether my possible title has ever been used as the", "term \"Literature\", in which case the first question would be Has a novel", "but like the Google Books engine it does not assist with selecting only", "given phrase as the whole of their Title field, but like the Google", "for a novel I am writing, and it's a word or phrase that", "contain a specified phrase, regardless of whether they also contain other words and", "tell, allows only searches for book titles that contain a specified phrase, regardless", "quite a large number of nonfictional works, sometimes as the whole of the", "first question would be Has a novel ever been published called \"Literature\"?* and", "first is \"Literature\"?* It is no surprise that many nonfictional works have been", "first, is whether my possible title has ever been used as the whole", "begin with that word. Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far", "it allows you to search for items that have a given phrase as", "would be Has a novel ever been published called \"Literature\"? and the second", "novels, or only fictional works, and a further weakness is that it cannot", "whole of the title. But I am not interested in those works, because", "for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as", "only interested in novels. What I am interested in, first, is whether my", "in novels. What I am interested in, first, is whether my possible title", "novels. What I am interested in, first, is whether my possible title has", "has ever been used as the whole of any other novel's title; and,", "which starts with my possible title and then contains one or more other", "example, the word might be the term \"Literature\", in which case the first", "at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows only searches for", "it does not assist with selecting only novels, or only fictional works, and", "word or phrase that has been used in the title of quite a", "cannot pick out only books and it will also return plays and musical", "as far as I can tell, allows only searches for book titles that", "starts with my possible title and then contains one or more other words", "which case the first question would be Has a novel ever been published", "and regardless too of whether they are fiction or nonfiction. The British Library's", "British Library's [tool for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more", "nonfiction. The British Library's [tool for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch)", "possible title for a novel I am writing, and it's a word or", "in which case the first question would be Has a novel ever been", "of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows you to search", "one or more other words following it. For example, the word might be", "title. But I am not interested in those works, because I am only", "works, and a further weakness is that it cannot pick out only books", "But I am not interested in those works, because I am only interested", "as the whole of any other novel's title; and, second, whether any novel", "possible title and then contains one or more other words following it. For", "following it. For example, the word might be the term \"Literature\", in which", "assist with selecting only novels, or only fictional works, and a further weakness", "you to search for items that have a given phrase as the whole", "novel's title; and, second, whether any novel has been published which starts with", "with my possible title and then contains one or more other words following", "the whole of their Title field, but like the Google Books engine it", "and, second, whether any novel has been published which starts with my possible", "is that it cannot pick out only books and it will also return", "no surprise that many nonfictional works have been published with titles that are", "tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows only searches", "writing, and it's a word or phrase that has been used in the", "other words following it. For example, the word might be the term \"Literature\",", "the first question would be Has a novel ever been published called \"Literature\"?", "whole of their Title field, but like the Google Books engine it does", "they also contain other words and regardless too of whether they are fiction", "that word. Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I", "published which starts with my possible title and then contains one or more", "as the whole of the title. But I am not interested in those", "title; and, second, whether any novel has been published which starts with my", "title has ever been used as the whole of any other novel's title;", "or only fictional works, and a further weakness is that it cannot pick", "works have been published with titles that are \"Literature\" or begin with that", "any novel has been published which starts with my possible title and then", "been used as the whole of any other novel's title; and, second, whether", "have been published with titles that are \"Literature\" or begin with that word.", "that many nonfictional works have been published with titles that are \"Literature\" or", "is \"Literature\"?* It is no surprise that many nonfictional works have been published", "am interested in, first, is whether my possible title has ever been used", "a title containing two or more words of which the first is \"Literature\"?", "published with titles that are \"Literature\" or begin with that word. Google's [advanced", "have a possible title for a novel I am writing, and it's a", "has been used in the title of quite a large number of nonfictional", "titles that are \"Literature\" or begin with that word. Google's [advanced search tool", "that are \"Literature\" or begin with that word. Google's [advanced search tool at", "of their Title field, but like the Google Books engine it does not", "it's a word or phrase that has been used in the title of", "or phrase that has been used in the title of quite a large", "I am only interested in novels. What I am interested in, first, is", "search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows you to", "it cannot pick out only books and it will also return plays and", "nonfictional works, sometimes as the whole of the title. But I am not", "it. For example, the word might be the term \"Literature\", in which case", "their Title field, but like the Google Books engine it does not assist", "used as the whole of any other novel's title; and, second, whether any", "that contain a specified phrase, regardless of whether they also contain other words", "for book titles that contain a specified phrase, regardless of whether they also", "more other words following it. For example, the word might be the term", "works, because I am only interested in novels. What I am interested in,", "a word or phrase that has been used in the title of quite", "or more words of which the first is \"Literature\"? It is no surprise", "Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows only searches for book", "items that have a given phrase as the whole of their Title field,", "been used in the title of quite a large number of nonfictional works,", "interested in, first, is whether my possible title has ever been used as", "title and then contains one or more other words following it. For example,", "advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows you", "possible title has ever been used as the whole of any other novel's", "Has a novel ever been published under a title containing two or more", "phrase, regardless of whether they also contain other words and regardless too of", "am not interested in those works, because I am only interested in novels.", "Say I have a possible title for a novel I am writing, and", "am only interested in novels. What I am interested in, first, is whether", "ever been published called \"Literature\"? and the second would be Has a novel", "in those works, because I am only interested in novels. What I am", "my possible title and then contains one or more other words following it.", "words of which the first is \"Literature\"? It is no surprise that many", "word might be the term \"Literature\", in which case the first question would", "fictional works, and a further weakness is that it cannot pick out only", "like the Google Books engine it does not assist with selecting only novels,", "of whether they also contain other words and regardless too of whether they", "The British Library's [tool for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is", "a novel I am writing, and it's a word or phrase that has", "under a title containing two or more words of which the first is", "title for a novel I am writing, and it's a word or phrase", "too of whether they are fiction or nonfiction. The British Library's [tool for", "question would be Has a novel ever been published called \"Literature\"? and the", "title containing two or more words of which the first is \"Literature\"?* It", "not assist with selecting only novels, or only fictional works, and a further", "an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows", "published called \"Literature\"?* and the second would be Has a novel ever been", "field, but like the Google Books engine it does not assist with selecting", "am writing, and it's a word or phrase that has been used in", "What I am interested in, first, is whether my possible title has ever", "would be Has a novel ever been published under a title containing two", "novel ever been published under a title containing two or more words of", "nonfictional works have been published with titles that are \"Literature\" or begin with", "of any other novel's title; and, second, whether any novel has been published", "[advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows", "titles that contain a specified phrase, regardless of whether they also contain other", "for items that have a given phrase as the whole of their Title", "Title field, but like the Google Books engine it does not assist with", "and a further weakness is that it cannot pick out only books and", "that it cannot pick out only books and it will also return plays", "pick out only books and it will also return plays and musical works.", "the title. But I am not interested in those works, because I am", "Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows only searches for book titles", "other novel's title; and, second, whether any novel has been published which starts", "novel has been published which starts with my possible title and then contains", "only searches for book titles that contain a specified phrase, regardless of whether", "\"Literature\", in which case the first question would be Has a novel ever", "insofar as it allows you to search for items that have a given", "is no surprise that many nonfictional works have been published with titles that", "only novels, or only fictional works, and a further weakness is that it", "and the second would be Has a novel ever been published under a", "or more other words following it. 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Google's [advanced search", "Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell,", "or nonfiction. The British Library's [tool for conducting an advanced search of its", "useful insofar as it allows you to search for items that have a", "words and regardless too of whether they are fiction or nonfiction. The British", "be Has a novel ever been published under a title containing two or", "allows you to search for items that have a given phrase as the", "far as I can tell, allows only searches for book titles that contain", "I can tell, allows only searches for book titles that contain a specified", "I have a possible title for a novel I am writing, and it's", "been published which starts with my possible title and then contains one or", "book titles that contain a specified phrase, regardless of whether they also contain", "selecting only novels, or only fictional works, and a further weakness is that", "phrase that has been used in the title of quite a large number", "is whether my possible title has ever been used as the whole of", "ever been published under a title containing two or more words of which", "more words of which the first is \"Literature\"?* It is no surprise that", "whether they also contain other words and regardless too of whether they are", "further weakness is that it cannot pick out only books and it will", "with that word. 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Google's [advanced search tool at Google", "or begin with that word. Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as", "a novel ever been published called \"Literature\"?* and the second would be Has", "whether they are fiction or nonfiction. The British Library's [tool for conducting an", "works, sometimes as the whole of the title. But I am not interested", "of which the first is \"Literature\"? It is no surprise that many nonfictional", "been published under a title containing two or more words of which the", "containing two or more words of which the first is \"Literature\"?* It is", "a further weakness is that it cannot pick out only books and it", "I am writing, and it's a word or phrase that has been used", "of nonfictional works, sometimes as the whole of the title. But I am", "those works, because I am only interested in novels. What I am interested", "regardless too of whether they are fiction or nonfiction. The British Library's [tool", "phrase as the whole of their Title field, but like the Google Books", "conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it", "the whole of the title. But I am not interested in those works,", "more useful insofar as it allows you to search for items that have", "allows only searches for book titles that contain a specified phrase, regardless of", "whether any novel has been published which starts with my possible title and", "case the first question would be Has a novel ever been published called", "also contain other words and regardless too of whether they are fiction or", "interested in those works, because I am only interested in novels. What I", "search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can tell, allows only", "of quite a large number of nonfictional works, sometimes as the whole of", "to search for items that have a given phrase as the whole of", "be the term \"Literature\", in which case the first question would be Has", "word. Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search), as far as I can", "has been published which starts with my possible title and then contains one", "a novel ever been published under a title containing two or more words", "\"Literature\"?* It is no surprise that many nonfictional works have been published with", "Google Books engine it does not assist with selecting only novels, or only", "search for items that have a given phrase as the whole of their", "only fictional works, and a further weakness is that it cannot pick out", "I am not interested in those works, because I am only interested in", "a large number of nonfictional works, sometimes as the whole of the title.", "as the whole of their Title field, but like the Google Books engine", "my possible title has ever been used as the whole of any other", "been published called \"Literature\"?* and the second would be Has a novel ever", "of whether they are fiction or nonfiction. The British Library's [tool for conducting", "they are fiction or nonfiction. The British Library's [tool for conducting an advanced", "words following it. For example, the word might be the term \"Literature\", in", "Library's [tool for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful", "the word might be the term \"Literature\", in which case the first question", "a specified phrase, regardless of whether they also contain other words and regardless", "[tool for conducting an advanced search of its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar", "novel I am writing, and it's a word or phrase that has been", "is more useful insofar as it allows you to search for items that", "as it allows you to search for items that have a given phrase", "can tell, allows only searches for book titles that contain a specified phrase,", "have a given phrase as the whole of their Title field, but like", "contain other words and regardless too of whether they are fiction or nonfiction.", "Has a novel ever been published called \"Literature\"?* and the second would be", "as I can tell, allows only searches for book titles that contain a", "of the title. But I am not interested in those works, because I", "It is no surprise that many nonfictional works have been published with titles", "number of nonfictional works, sometimes as the whole of the title. But I", "specified phrase, regardless of whether they also contain other words and regardless too", "that have a given phrase as the whole of their Title field, but", "been published with titles that are \"Literature\" or begin with that word. Google's", "second would be Has a novel ever been published under a title containing", "weakness is that it cannot pick out only books and it will also", "regardless of whether they also contain other words and regardless too of whether", "two or more words of which the first is \"Literature\"? It is no", "engine it does not assist with selecting only novels, or only fictional works,", "catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows you to search for items", "any other novel's title; and, second, whether any novel has been published which", "the first is \"Literature\"?* It is no surprise that many nonfictional works have", "does not assist with selecting only novels, or only fictional works, and a", "the Google Books engine it does not assist with selecting only novels, or", "then contains one or more other words following it. For example, the word", "a given phrase as the whole of their Title field, but like the", "called \"Literature\"?* and the second would be Has a novel ever been published", "its catalogue](http://explore.bl.uk/primo_library/libweb/action/search.do?mode=Advanced&ct=AdvancedSearch) is more useful insofar as it allows you to search for", "contains one or more other words following it. For example, the word might", "interested in novels. What I am interested in, first, is whether my possible", "with selecting only novels, or only fictional works, and a further weakness is", "be Has a novel ever been published called \"Literature\"?* and the second would", "I am interested in, first, is whether my possible title has ever been", "that has been used in the title of quite a large number of", "whole of any other novel's title; and, second, whether any novel has been", "and then contains one or more other words following it. For example, the", "searches for book titles that contain a specified phrase, regardless of whether they", "fiction or nonfiction. The British Library's [tool for conducting an advanced search of", "ever been used as the whole of any other novel's title; and, second,", "\"Literature\" or begin with that word. Google's [advanced search tool at Google Books](https://books.google.co.uk/advanced_book_search),", "which the first is \"Literature\"?* It is no surprise that many nonfictional works", "not interested in those works, because I am only interested in novels. What" ]
[ "highlight, and when to use quote marks. I also exaggerate specific words. Example:", "exaggerate specific words. Example: > > Please Sign-out and Click \"Delete my sign-in", "when to use quote marks. I also exaggerate specific words. Example: > >", "in. > > > Please provide guidelines on when and how to emphasize", "I struggle on what to highlight, and when to use quote marks. I", "what to highlight, and when to use quote marks. I also exaggerate specific", "marks. I also exaggerate specific words. Example: > > Please Sign-out and Click", "also exaggerate specific words. Example: > > Please Sign-out and Click \"Delete my", "back in. > > > Please provide guidelines on when and how to", "to highlight, and when to use quote marks. I also exaggerate specific words.", "specific words. Example: > > Please Sign-out and Click \"Delete my sign-in info\"", "I also exaggerate specific words. Example: > > Please Sign-out and Click \"Delete", "to use quote marks. I also exaggerate specific words. Example: > > Please", "Please Sign-out and Click \"Delete my sign-in info\" before logging back in. >", "logging back in. > > > Please provide guidelines on when and how", "words. Example: > > Please Sign-out and Click \"Delete my sign-in info\" before", "and when to use quote marks. I also exaggerate specific words. Example: >", "struggle on what to highlight, and when to use quote marks. I also", "> Please Sign-out and Click \"Delete my sign-in info\" before logging back in.", "info\" before logging back in. > > > Please provide guidelines on when", "sign-in info\" before logging back in. > > > Please provide guidelines on", "> > > Please provide guidelines on when and how to emphasize words.", "before logging back in. > > > Please provide guidelines on when and", "on what to highlight, and when to use quote marks. I also exaggerate", "and Click \"Delete my sign-in info\" before logging back in. > > >", "quote marks. I also exaggerate specific words. Example: > > Please Sign-out and", "Click \"Delete my sign-in info\" before logging back in. > > > Please", "my sign-in info\" before logging back in. > > > Please provide guidelines", "\"Delete my sign-in info\" before logging back in. > > > Please provide", "use quote marks. I also exaggerate specific words. Example: > > Please Sign-out", "Example: > > Please Sign-out and Click \"Delete my sign-in info\" before logging", "Sign-out and Click \"Delete my sign-in info\" before logging back in. > >", "> > Please Sign-out and Click \"Delete my sign-in info\" before logging back" ]
[ "from the Goonies. I tried to keep them all as loose as this", "with the nickname \"Mouth\" which is a direct tie in to a character", "ideas for a character being called MasterBlaster which is a direct tie to", "Beyond Thunderdome, is that still ok? How about songs or titles of things?", "Could I name a character directly based off of a song like \"Mannish", "keep them all as loose as this one but I also have ideas", "takes place in a small town high school in 1986. And I want", "finding information on this so let me explain the idea: I'm writing a", "character being called MasterBlaster which is a direct tie to a character from", "want to give the characters all nicknames that relate to the time period,", "of them have names that relate to 80's movies or music, can I", "all nicknames that relate to the time period, so some of them have", "movie, I have a character with the nickname \"Mouth\" which is a direct", "is that still ok? How about songs or titles of things? Could I", "that relate to 80's movies or music, can I do this? As an", "them all as loose as this one but I also have ideas for", "a direct tie to a character from Mad Max: Beyond Thunderdome, is that", "character from the Goonies. I tried to keep them all as loose as", "so let me explain the idea: I'm writing a story that takes place", "I have a character with the nickname \"Mouth\" which is a direct tie", "Max: Beyond Thunderdome, is that still ok? How about songs or titles of", "using lyrics or likeness to the story for these properties, just referencing them", "direct tie to a character from Mad Max: Beyond Thunderdome, is that still", "of a movie, I have a character with the nickname \"Mouth\" which is", "this? As an example of a movie, I have a character with the", "have a character with the nickname \"Mouth\" which is a direct tie in", "me explain the idea: I'm writing a story that takes place in a", "a character with the nickname \"Mouth\" which is a direct tie in to", "a character from Mad Max: Beyond Thunderdome, is that still ok? How about", "this so let me explain the idea: I'm writing a story that takes", "\"Mouth\" which is a direct tie in to a character from the Goonies.", "which is a direct tie in to a character from the Goonies. I", "town high school in 1986. And I want to give the characters all", "an example of a movie, I have a character with the nickname \"Mouth\"", "to a character from the Goonies. I tried to keep them all as", "Boy\" or off of a play like \"Casablanca\"? To clarify, it's just their", "nickname \"Mouth\" which is a direct tie in to a character from the", "example of a movie, I have a character with the nickname \"Mouth\" which", "period, so some of them have names that relate to 80's movies or", "also have ideas for a character being called MasterBlaster which is a direct", "them have names that relate to 80's movies or music, can I do", "direct tie in to a character from the Goonies. I tried to keep", "the time period, so some of them have names that relate to 80's", "songs or titles of things? Could I name a character directly based off", "\"Mannish Boy\" or off of a play like \"Casablanca\"? To clarify, it's just", "play like \"Casablanca\"? To clarify, it's just their names, I'm not using lyrics", "one but I also have ideas for a character being called MasterBlaster which", "titles of things? Could I name a character directly based off of a", "I want to give the characters all nicknames that relate to the time", "clarify, it's just their names, I'm not using lyrics or likeness to the", "that still ok? How about songs or titles of things? Could I name", "which is a direct tie to a character from Mad Max: Beyond Thunderdome,", "characters all nicknames that relate to the time period, so some of them", "have names that relate to 80's movies or music, can I do this?", "I tried to keep them all as loose as this one but I", "To clarify, it's just their names, I'm not using lyrics or likeness to", "a character directly based off of a song like \"Mannish Boy\" or off", "from Mad Max: Beyond Thunderdome, is that still ok? How about songs or", "just their names, I'm not using lyrics or likeness to the story for", "hard time finding information on this so let me explain the idea: I'm", "still ok? How about songs or titles of things? Could I name a", "on this so let me explain the idea: I'm writing a story that", "that takes place in a small town high school in 1986. And I", "character from Mad Max: Beyond Thunderdome, is that still ok? How about songs", "or off of a play like \"Casablanca\"? To clarify, it's just their names,", "the Goonies. I tried to keep them all as loose as this one", "tie to a character from Mad Max: Beyond Thunderdome, is that still ok?", "about songs or titles of things? Could I name a character directly based", "some of them have names that relate to 80's movies or music, can", "of a song like \"Mannish Boy\" or off of a play like \"Casablanca\"?", "being called MasterBlaster which is a direct tie to a character from Mad", "character directly based off of a song like \"Mannish Boy\" or off of", "a hard time finding information on this so let me explain the idea:", "relate to the time period, so some of them have names that relate", "to 80's movies or music, can I do this? As an example of", "not using lyrics or likeness to the story for these properties, just referencing", "I name a character directly based off of a song like \"Mannish Boy\"", "or likeness to the story for these properties, just referencing them in my", "so some of them have names that relate to 80's movies or music,", "to keep them all as loose as this one but I also have", "place in a small town high school in 1986. And I want to", "name a character directly based off of a song like \"Mannish Boy\" or", "a movie, I have a character with the nickname \"Mouth\" which is a", "information on this so let me explain the idea: I'm writing a story", "like \"Casablanca\"? To clarify, it's just their names, I'm not using lyrics or", "is a direct tie to a character from Mad Max: Beyond Thunderdome, is", "I'm writing a story that takes place in a small town high school", "the nickname \"Mouth\" which is a direct tie in to a character from", "high school in 1986. And I want to give the characters all nicknames", "character with the nickname \"Mouth\" which is a direct tie in to a", "in a small town high school in 1986. And I want to give", "a play like \"Casablanca\"? To clarify, it's just their names, I'm not using", "I also have ideas for a character being called MasterBlaster which is a", "all as loose as this one but I also have ideas for a", "off of a play like \"Casablanca\"? To clarify, it's just their names, I'm", "a direct tie in to a character from the Goonies. I tried to", "I do this? As an example of a movie, I have a character", "small town high school in 1986. And I want to give the characters", "things? Could I name a character directly based off of a song like", "music, can I do this? As an example of a movie, I have", "off of a song like \"Mannish Boy\" or off of a play like", "story that takes place in a small town high school in 1986. And", "ok? How about songs or titles of things? Could I name a character", "having a hard time finding information on this so let me explain the", "the characters all nicknames that relate to the time period, so some of", "a character from the Goonies. I tried to keep them all as loose", "or titles of things? Could I name a character directly based off of", "tried to keep them all as loose as this one but I also", "lyrics or likeness to the story for these properties, just referencing them in", "How about songs or titles of things? Could I name a character directly", "idea: I'm writing a story that takes place in a small town high", "of a play like \"Casablanca\"? To clarify, it's just their names, I'm not", "song like \"Mannish Boy\" or off of a play like \"Casablanca\"? To clarify,", "movies or music, can I do this? As an example of a movie,", "can I do this? As an example of a movie, I have a", "names that relate to 80's movies or music, can I do this? As", "this one but I also have ideas for a character being called MasterBlaster", "time period, so some of them have names that relate to 80's movies", "Thunderdome, is that still ok? How about songs or titles of things? Could", "but I also have ideas for a character being called MasterBlaster which is", "in 1986. And I want to give the characters all nicknames that relate", "Mad Max: Beyond Thunderdome, is that still ok? How about songs or titles", "to give the characters all nicknames that relate to the time period, so", "do this? As an example of a movie, I have a character with", "a story that takes place in a small town high school in 1986.", "time finding information on this so let me explain the idea: I'm writing", "called MasterBlaster which is a direct tie to a character from Mad Max:", "to a character from Mad Max: Beyond Thunderdome, is that still ok? How", "have ideas for a character being called MasterBlaster which is a direct tie", "based off of a song like \"Mannish Boy\" or off of a play", "of things? Could I name a character directly based off of a song", "it's just their names, I'm not using lyrics or likeness to the story", "tie in to a character from the Goonies. I tried to keep them", "for a character being called MasterBlaster which is a direct tie to a", "is a direct tie in to a character from the Goonies. I tried", "names, I'm not using lyrics or likeness to the story for these properties,", "And I want to give the characters all nicknames that relate to the", "like \"Mannish Boy\" or off of a play like \"Casablanca\"? To clarify, it's", "As an example of a movie, I have a character with the nickname", "Goonies. I tried to keep them all as loose as this one but", "a small town high school in 1986. And I want to give the", "school in 1986. And I want to give the characters all nicknames that", "give the characters all nicknames that relate to the time period, so some", "80's movies or music, can I do this? As an example of a", "as loose as this one but I also have ideas for a character", "loose as this one but I also have ideas for a character being", "as this one but I also have ideas for a character being called", "I'm not using lyrics or likeness to the story for these properties, just", "MasterBlaster which is a direct tie to a character from Mad Max: Beyond", "to the time period, so some of them have names that relate to", "that relate to the time period, so some of them have names that", "I'm having a hard time finding information on this so let me explain", "the idea: I'm writing a story that takes place in a small town", "let me explain the idea: I'm writing a story that takes place in", "1986. And I want to give the characters all nicknames that relate to", "their names, I'm not using lyrics or likeness to the story for these", "relate to 80's movies or music, can I do this? As an example", "explain the idea: I'm writing a story that takes place in a small", "nicknames that relate to the time period, so some of them have names", "directly based off of a song like \"Mannish Boy\" or off of a", "writing a story that takes place in a small town high school in", "a character being called MasterBlaster which is a direct tie to a character", "\"Casablanca\"? To clarify, it's just their names, I'm not using lyrics or likeness", "in to a character from the Goonies. I tried to keep them all", "likeness to the story for these properties, just referencing them in my work.", "or music, can I do this? As an example of a movie, I", "a song like \"Mannish Boy\" or off of a play like \"Casablanca\"? To" ]
[ "is on suddenly goes into a seemingly out of control dive that throws", "of control dive that throws aisle passengers without seat belts into the aisle.", "would appreciate some suggestions that would help me describe intense terrifying fear that", "seemingly out of control dive that throws aisle passengers without seat belts into", "into the aisle. A terrifying experience that in the end he happily gets", "I would appreciate some suggestions that would help me describe intense terrifying fear", "appreciate some suggestions that would help me describe intense terrifying fear that my", "suggestions that would help me describe intense terrifying fear that my main character", "suddenly goes into a seemingly out of control dive that throws aisle passengers", "the airplane he is on suddenly goes into a seemingly out of control", "some suggestions that would help me describe intense terrifying fear that my main", "control dive that throws aisle passengers without seat belts into the aisle. A", "aisle passengers without seat belts into the aisle. A terrifying experience that in", "my main character feels when the airplane he is on suddenly goes into", "feels when the airplane he is on suddenly goes into a seemingly out", "that throws aisle passengers without seat belts into the aisle. A terrifying experience", "a seemingly out of control dive that throws aisle passengers without seat belts", "passengers without seat belts into the aisle. A terrifying experience that in the", "the aisle. A terrifying experience that in the end he happily gets to", "would help me describe intense terrifying fear that my main character feels when", "help me describe intense terrifying fear that my main character feels when the", "me describe intense terrifying fear that my main character feels when the airplane", "main character feels when the airplane he is on suddenly goes into a", "into a seemingly out of control dive that throws aisle passengers without seat", "airplane he is on suddenly goes into a seemingly out of control dive", "dive that throws aisle passengers without seat belts into the aisle. A terrifying", "terrifying fear that my main character feels when the airplane he is on", "fear that my main character feels when the airplane he is on suddenly", "describe intense terrifying fear that my main character feels when the airplane he", "belts into the aisle. A terrifying experience that in the end he happily", "when the airplane he is on suddenly goes into a seemingly out of", "goes into a seemingly out of control dive that throws aisle passengers without", "out of control dive that throws aisle passengers without seat belts into the", "aisle. A terrifying experience that in the end he happily gets to relate.", "that my main character feels when the airplane he is on suddenly goes", "seat belts into the aisle. A terrifying experience that in the end he", "on suddenly goes into a seemingly out of control dive that throws aisle", "character feels when the airplane he is on suddenly goes into a seemingly", "that would help me describe intense terrifying fear that my main character feels", "without seat belts into the aisle. A terrifying experience that in the end", "throws aisle passengers without seat belts into the aisle. A terrifying experience that", "he is on suddenly goes into a seemingly out of control dive that", "intense terrifying fear that my main character feels when the airplane he is" ]
[ "about including anti-witch bigotry in my story. Do bigotry and other conflicts like", "MC named Kem who is nonbinary, and a few people suggested that instead", "story more interesting? In a story centered around a group of people who", "fence about including anti-witch bigotry in my story. Do bigotry and other conflicts", "including any kind of transphobia towards Kem, I should talk about how discrimination", "a plot point could either aid or impede my story. But I am", "and the wiccan religion, and touching on that or making it a plot", "witch MC named Kem who is nonbinary, and a few people suggested that", "my story. But I am still on the fence about including anti-witch bigotry", "Kem who is nonbinary, and a few people suggested that instead of including", "Do bigotry and other conflicts like it make a story more interesting? In", "Kem, I should talk about how discrimination and anti-witch sentiments exist in Kem's", "still on the fence about including anti-witch bigotry in my story. Do bigotry", "on how to avoid political issues when I have a witch MC named", "kind of transphobia towards Kem, I should talk about how discrimination and anti-witch", "or making it a plot point could either aid or impede my story.", "should talk about how discrimination and anti-witch sentiments exist in Kem's world. I", "or impede my story. But I am still on the fence about including", "political issues when I have a witch MC named Kem who is nonbinary,", "I have a witch MC named Kem who is nonbinary, and a few", "a story more interesting? In a story centered around a group of people", "the wiccan religion, and touching on that or making it a plot point", "any kind of transphobia towards Kem, I should talk about how discrimination and", "like it make a story more interesting? In a story centered around a", "people who have experienced persecution in the past, is it essential to talk", "talk about how discrimination and anti-witch sentiments exist in Kem's world. I know", "plot point could either aid or impede my story. But I am still", "of including any kind of transphobia towards Kem, I should talk about how", "named Kem who is nonbinary, and a few people suggested that instead of", "issues when I have a witch MC named Kem who is nonbinary, and", "wiccan religion, and touching on that or making it a plot point could", "few people suggested that instead of including any kind of transphobia towards Kem,", "a story centered around a group of people who have experienced persecution in", "to avoid political issues when I have a witch MC named Kem who", "I should talk about how discrimination and anti-witch sentiments exist in Kem's world.", "of people who have experienced persecution in the past, is it essential to", "exist in Kem's world. I know that there is a stigma around witches", "suggested that instead of including any kind of transphobia towards Kem, I should", "But I am still on the fence about including anti-witch bigotry in my", "and other conflicts like it make a story more interesting? In a story", "world. I know that there is a stigma around witches and the wiccan", "impede my story. But I am still on the fence about including anti-witch", "centered around a group of people who have experienced persecution in the past,", "story centered around a group of people who have experienced persecution in the", "discrimination and anti-witch sentiments exist in Kem's world. I know that there is", "my story. Do bigotry and other conflicts like it make a story more", "point could either aid or impede my story. But I am still on", "a stigma around witches and the wiccan religion, and touching on that or", "a question [here](https://writing.stackexchange.com/questions/41945/keeping-my-politics-out-of-my-writing) on how to avoid political issues when I have a", "could either aid or impede my story. But I am still on the", "around a group of people who have experienced persecution in the past, is", "including anti-witch bigotry in my story. Do bigotry and other conflicts like it", "am still on the fence about including anti-witch bigotry in my story. Do", "In a story centered around a group of people who have experienced persecution", "make a story more interesting? In a story centered around a group of", "question [here](https://writing.stackexchange.com/questions/41945/keeping-my-politics-out-of-my-writing) on how to avoid political issues when I have a witch", "either aid or impede my story. But I am still on the fence", "nonbinary, and a few people suggested that instead of including any kind of", "on the fence about including anti-witch bigotry in my story. Do bigotry and", "more interesting? In a story centered around a group of people who have", "how discrimination and anti-witch sentiments exist in Kem's world. I know that there", "how to avoid political issues when I have a witch MC named Kem", "and touching on that or making it a plot point could either aid", "Kem's world. I know that there is a stigma around witches and the", "bigotry and other conflicts like it make a story more interesting? In a", "I asked a question [here](https://writing.stackexchange.com/questions/41945/keeping-my-politics-out-of-my-writing) on how to avoid political issues when I", "people suggested that instead of including any kind of transphobia towards Kem, I", "transphobia towards Kem, I should talk about how discrimination and anti-witch sentiments exist", "I know that there is a stigma around witches and the wiccan religion,", "anti-witch bigotry in my story. Do bigotry and other conflicts like it make", "of transphobia towards Kem, I should talk about how discrimination and anti-witch sentiments", "on that or making it a plot point could either aid or impede", "anti-witch sentiments exist in Kem's world. I know that there is a stigma", "it make a story more interesting? In a story centered around a group", "conflicts like it make a story more interesting? In a story centered around", "have experienced persecution in the past, is it essential to talk about bigotry?", "group of people who have experienced persecution in the past, is it essential", "touching on that or making it a plot point could either aid or", "interesting? In a story centered around a group of people who have experienced", "witches and the wiccan religion, and touching on that or making it a", "other conflicts like it make a story more interesting? In a story centered", "that instead of including any kind of transphobia towards Kem, I should talk", "[here](https://writing.stackexchange.com/questions/41945/keeping-my-politics-out-of-my-writing) on how to avoid political issues when I have a witch MC", "I am still on the fence about including anti-witch bigotry in my story.", "a group of people who have experienced persecution in the past, is it", "bigotry in my story. Do bigotry and other conflicts like it make a", "instead of including any kind of transphobia towards Kem, I should talk about", "making it a plot point could either aid or impede my story. But", "and anti-witch sentiments exist in Kem's world. I know that there is a", "stigma around witches and the wiccan religion, and touching on that or making", "who is nonbinary, and a few people suggested that instead of including any", "a witch MC named Kem who is nonbinary, and a few people suggested", "when I have a witch MC named Kem who is nonbinary, and a", "religion, and touching on that or making it a plot point could either", "in my story. Do bigotry and other conflicts like it make a story", "it a plot point could either aid or impede my story. But I", "asked a question [here](https://writing.stackexchange.com/questions/41945/keeping-my-politics-out-of-my-writing) on how to avoid political issues when I have", "sentiments exist in Kem's world. I know that there is a stigma around", "around witches and the wiccan religion, and touching on that or making it", "story. Do bigotry and other conflicts like it make a story more interesting?", "who have experienced persecution in the past, is it essential to talk about", "in Kem's world. I know that there is a stigma around witches and", "the fence about including anti-witch bigotry in my story. Do bigotry and other", "there is a stigma around witches and the wiccan religion, and touching on", "that or making it a plot point could either aid or impede my", "is a stigma around witches and the wiccan religion, and touching on that", "a few people suggested that instead of including any kind of transphobia towards", "and a few people suggested that instead of including any kind of transphobia", "aid or impede my story. But I am still on the fence about", "about how discrimination and anti-witch sentiments exist in Kem's world. I know that", "have a witch MC named Kem who is nonbinary, and a few people", "know that there is a stigma around witches and the wiccan religion, and", "story. But I am still on the fence about including anti-witch bigotry in", "is nonbinary, and a few people suggested that instead of including any kind", "avoid political issues when I have a witch MC named Kem who is", "towards Kem, I should talk about how discrimination and anti-witch sentiments exist in", "that there is a stigma around witches and the wiccan religion, and touching" ]
[ "get anther, corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc., so", "confusing to use. <https://wordassociations.net/en/> When looking for flower, you don't get anther, corolla,", "I usually use thesauruses, but they're only good for synonyms. I also tried", "want, and it's a bit confusing to use. <https://wordassociations.net/en/> When looking for flower,", "stamen, filament, ovary, ovule, peduncle, etc., so you can see it doesn't quite", "sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc., so you can see it", "filament, ovary, ovule, peduncle, etc., so you can see it doesn't quite work", "a bit confusing to use. <https://wordassociations.net/en/> When looking for flower, you don't get", "see it doesn't quite work as it's supposed to work, so I was", "plants falling under that category. I found this, but then again it doesn't", "parts of the plant and names of various plants falling under that category.", "and names of various plants falling under that category. I found this, but", "calyx, stamen, filament, ovary, ovule, peduncle, etc., so you can see it doesn't", "of the plant and names of various plants falling under that category. I", "can see it doesn't quite work as it's supposed to work, so I", "anther, corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc., so you", "flower, you won't get all of the words related to them including parts", "it's supposed to work, so I was wondering if you knew anything better?", "ovary, ovule, peduncle, etc., so you can see it doesn't quite work as", "use thesauruses, but they're only good for synonyms. I also tried using visual", "<https://wordassociations.net/en/> When looking for flower, you don't get anther, corolla, pistils, sepal, calyx,", "using visual dictionary, but they don't really help you expand your vocabulary that", "your vocabulary that much. For example, if you type flower, you won't get", "it doesn't include everything you would want, and it's a bit confusing to", "falling under that category. I found this, but then again it doesn't include", "of various plants falling under that category. I found this, but then again", "that category. I found this, but then again it doesn't include everything you", "related to them including parts of the plant and names of various plants", "looking for flower, you don't get anther, corolla, pistils, sepal, calyx, stamen, filament,", "as it's supposed to work, so I was wondering if you knew anything", "don't really help you expand your vocabulary that much. For example, if you", "help you expand your vocabulary that much. For example, if you type flower,", "include everything you would want, and it's a bit confusing to use. <https://wordassociations.net/en/>", "don't get anther, corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc.,", "to use. <https://wordassociations.net/en/> When looking for flower, you don't get anther, corolla, pistils,", "I also tried using visual dictionary, but they don't really help you expand", "doesn't quite work as it's supposed to work, so I was wondering if", "them including parts of the plant and names of various plants falling under", "pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc., so you can see", "to them including parts of the plant and names of various plants falling", "corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle, etc., so you can", "this, but then again it doesn't include everything you would want, and it's", "bit confusing to use. <https://wordassociations.net/en/> When looking for flower, you don't get anther,", "you expand your vocabulary that much. For example, if you type flower, you", "work as it's supposed to work, so I was wondering if you knew", "various plants falling under that category. I found this, but then again it", "much. For example, if you type flower, you won't get all of the", "under that category. I found this, but then again it doesn't include everything", "would want, and it's a bit confusing to use. <https://wordassociations.net/en/> When looking for", "ovule, peduncle, etc., so you can see it doesn't quite work as it's", "everything you would want, and it's a bit confusing to use. <https://wordassociations.net/en/> When", "usually use thesauruses, but they're only good for synonyms. I also tried using", "type flower, you won't get all of the words related to them including", "if you type flower, you won't get all of the words related to", "names of various plants falling under that category. I found this, but then", "I found this, but then again it doesn't include everything you would want,", "tried using visual dictionary, but they don't really help you expand your vocabulary", "synonyms. I also tried using visual dictionary, but they don't really help you", "use. <https://wordassociations.net/en/> When looking for flower, you don't get anther, corolla, pistils, sepal,", "but they're only good for synonyms. I also tried using visual dictionary, but", "dictionary, but they don't really help you expand your vocabulary that much. For", "thesauruses, but they're only good for synonyms. I also tried using visual dictionary,", "vocabulary that much. For example, if you type flower, you won't get all", "then again it doesn't include everything you would want, and it's a bit", "only good for synonyms. I also tried using visual dictionary, but they don't", "plant and names of various plants falling under that category. I found this,", "won't get all of the words related to them including parts of the", "you can see it doesn't quite work as it's supposed to work, so", "you don't get anther, corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule, peduncle,", "also tried using visual dictionary, but they don't really help you expand your", "get all of the words related to them including parts of the plant", "so you can see it doesn't quite work as it's supposed to work,", "but then again it doesn't include everything you would want, and it's a", "example, if you type flower, you won't get all of the words related", "When looking for flower, you don't get anther, corolla, pistils, sepal, calyx, stamen,", "the words related to them including parts of the plant and names of", "visual dictionary, but they don't really help you expand your vocabulary that much.", "you would want, and it's a bit confusing to use. <https://wordassociations.net/en/> When looking", "found this, but then again it doesn't include everything you would want, and", "they don't really help you expand your vocabulary that much. For example, if", "including parts of the plant and names of various plants falling under that", "doesn't include everything you would want, and it's a bit confusing to use.", "quite work as it's supposed to work, so I was wondering if you", "it's a bit confusing to use. <https://wordassociations.net/en/> When looking for flower, you don't", "for flower, you don't get anther, corolla, pistils, sepal, calyx, stamen, filament, ovary,", "etc., so you can see it doesn't quite work as it's supposed to", "category. I found this, but then again it doesn't include everything you would", "it doesn't quite work as it's supposed to work, so I was wondering", "good for synonyms. I also tried using visual dictionary, but they don't really", "but they don't really help you expand your vocabulary that much. For example,", "for synonyms. I also tried using visual dictionary, but they don't really help", "all of the words related to them including parts of the plant and", "For example, if you type flower, you won't get all of the words", "you type flower, you won't get all of the words related to them", "really help you expand your vocabulary that much. For example, if you type", "they're only good for synonyms. I also tried using visual dictionary, but they", "of the words related to them including parts of the plant and names", "peduncle, etc., so you can see it doesn't quite work as it's supposed", "flower, you don't get anther, corolla, pistils, sepal, calyx, stamen, filament, ovary, ovule,", "you won't get all of the words related to them including parts of", "and it's a bit confusing to use. <https://wordassociations.net/en/> When looking for flower, you", "that much. For example, if you type flower, you won't get all of", "the plant and names of various plants falling under that category. I found", "again it doesn't include everything you would want, and it's a bit confusing", "words related to them including parts of the plant and names of various", "expand your vocabulary that much. For example, if you type flower, you won't" ]
[ "to describe tone without actually writing the tone. But most of the time", "tone. But most of the time I end up (as per reviewers) with", "feel, are a good way to describe tone without actually writing the tone.", "also say that too many exclamations resembles immature writing. So I am confused.", "that too many exclamations resembles immature writing. So I am confused. Are exclamations", "resembles immature writing. So I am confused. Are exclamations wrong? NO! NO!!! NO?!", "exclamations wrong? NO! NO!!! NO?! No. No?! How many exclamations are too many?", "tone without actually writing the tone. But most of the time I end", "exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles immature writing. So I", "actually writing the tone. But most of the time I end up (as", "(as per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too", "Are exclamations wrong? NO! NO!!! NO?! No. No?! How many exclamations are too", "too many exclamations resembles immature writing. So I am confused. Are exclamations wrong?", "many exclamations resembles immature writing. So I am confused. Are exclamations wrong? NO!", "I end up (as per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also", "without actually writing the tone. But most of the time I end up", "per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many", "time I end up (as per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks)", "writing the tone. But most of the time I end up (as per", "But most of the time I end up (as per reviewers) with too", "describe tone without actually writing the tone. But most of the time I", "writing. So I am confused. Are exclamations wrong? NO! NO!!! NO?! No. No?!", "are a good way to describe tone without actually writing the tone. But", "too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles immature", "exclamations resembles immature writing. So I am confused. Are exclamations wrong? NO! NO!!!", "way to describe tone without actually writing the tone. But most of the", "am confused. Are exclamations wrong? NO! NO!!! NO?! No. No?! How many exclamations", "end up (as per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say", "with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles", "immature writing. So I am confused. Are exclamations wrong? NO! NO!!! NO?! No.", "up (as per reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that", "many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles immature writing.", "the time I end up (as per reviewers) with too many of exclamations.", "the tone. But most of the time I end up (as per reviewers)", "most of the time I end up (as per reviewers) with too many", "say that too many exclamations resembles immature writing. So I am confused. Are", "So I am confused. Are exclamations wrong? NO! NO!!! NO?! No. No?! How", "confused. Are exclamations wrong? NO! NO!!! NO?! No. No?! How many exclamations are", "reviewers) with too many of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations", "of exclamations. [Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles immature writing. So", "a good way to describe tone without actually writing the tone. But most", "I feel, are a good way to describe tone without actually writing the", "Exclamations, I feel, are a good way to describe tone without actually writing", "[Many](https://english.stackexchange.com/questions/11607/when-and-how-should-i-use-multiple-exclamation-marks) also say that too many exclamations resembles immature writing. So I am", "of the time I end up (as per reviewers) with too many of", "good way to describe tone without actually writing the tone. But most of", "I am confused. Are exclamations wrong? NO! NO!!! NO?! No. No?! How many" ]
[ "chorus, bridge. What are the repeating parts, and where do should I place", "I am not sure how to structure them. There are five elements, namely:", "the lyrics for a popular song, but I am not sure how to", "for a popular song, but I am not sure how to structure them.", "what are the repeating parts usually in popular songs, and where do we", "how to structure them. There are five elements, namely: intro, verse, pre-chorus, chorus,", "namely: intro, verse, pre-chorus, chorus, bridge. What are the repeating parts, and where", "popular song, but I am not sure how to structure them. There are", "but I am not sure how to structure them. There are five elements,", "sure how to structure them. There are five elements, namely: intro, verse, pre-chorus,", "where do we put them normally? I want to write the lyrics for", "are the repeating parts, and where do should I place them in a", "and where do we put them normally? I want to write the lyrics", "normally? I want to write the lyrics for a popular song, but I", "usually in popular songs, and where do we put them normally? I want", "not sure how to structure them. There are five elements, namely: intro, verse,", "them normally? I want to write the lyrics for a popular song, but", "More specifically, what are the repeating parts usually in popular songs, and where", "repeating parts usually in popular songs, and where do we put them normally?", "There are five elements, namely: intro, verse, pre-chorus, chorus, bridge. What are the", "parts usually in popular songs, and where do we put them normally? I", "intro, verse, pre-chorus, chorus, bridge. What are the repeating parts, and where do", "put them normally? I want to write the lyrics for a popular song,", "write the lyrics for a popular song, but I am not sure how", "songs, and where do we put them normally? I want to write the", "are five elements, namely: intro, verse, pre-chorus, chorus, bridge. What are the repeating", "to write the lyrics for a popular song, but I am not sure", "the repeating parts usually in popular songs, and where do we put them", "am not sure how to structure them. There are five elements, namely: intro,", "do we put them normally? I want to write the lyrics for a", "I want to write the lyrics for a popular song, but I am", "bridge. What are the repeating parts, and where do should I place them", "What are the repeating parts, and where do should I place them in", "verse, pre-chorus, chorus, bridge. What are the repeating parts, and where do should", "five elements, namely: intro, verse, pre-chorus, chorus, bridge. What are the repeating parts,", "a popular song, but I am not sure how to structure them. There", "structure them. There are five elements, namely: intro, verse, pre-chorus, chorus, bridge. What", "we put them normally? I want to write the lyrics for a popular", "them. There are five elements, namely: intro, verse, pre-chorus, chorus, bridge. What are", "lyrics for a popular song, but I am not sure how to structure", "to structure them. There are five elements, namely: intro, verse, pre-chorus, chorus, bridge.", "elements, namely: intro, verse, pre-chorus, chorus, bridge. What are the repeating parts, and", "want to write the lyrics for a popular song, but I am not", "in popular songs, and where do we put them normally? I want to", "the repeating parts, and where do should I place them in a song?", "specifically, what are the repeating parts usually in popular songs, and where do", "are the repeating parts usually in popular songs, and where do we put", "song, but I am not sure how to structure them. There are five", "popular songs, and where do we put them normally? I want to write", "pre-chorus, chorus, bridge. What are the repeating parts, and where do should I" ]
[ "still lives today through his ideas)? Are there instances where authors used the", "people, so can I use it to indirectly state how influential Tanl was", "can't use the Present Perfect for dead people, so can I use it", "> > Omtinuul Dans has been born in Europe. > > > I", "use it to indirectly state how influential Tanl was (as if he were", "Perfect for dead people, so can I use it to indirectly state how", "where authors used the Present Perfect in this matter? What do you think", "authors used the Present Perfect in this matter? What do you think about", "how influential Tanl was (as if he were Immortal, or that he still", "use the Present Perfect for dead people, so can I use it to", "indirectly state how influential Tanl was (as if he were Immortal, or that", "Omtinuul Dans has been born in Europe. > > > I heard you", "he were Immortal, or that he still lives today through his ideas)? Are", "Europe. > > > I heard you can't use the Present Perfect for", "ideas)? Are there instances where authors used the Present Perfect in this matter?", "> > I heard you can't use the Present Perfect for dead people,", "for dead people, so can I use it to indirectly state how influential", "(as if he were Immortal, or that he still lives today through his", "that he still lives today through his ideas)? Are there instances where authors", "to indirectly state how influential Tanl was (as if he were Immortal, or", "lives today through his ideas)? Are there instances where authors used the Present", "> > > I heard you can't use the Present Perfect for dead", "or that he still lives today through his ideas)? Are there instances where", "his ideas)? Are there instances where authors used the Present Perfect in this", "used the Present Perfect in this matter? What do you think about it?", "were Immortal, or that he still lives today through his ideas)? Are there", "born in Europe. > > > I heard you can't use the Present", "has been born in Europe. > > > I heard you can't use", "heard you can't use the Present Perfect for dead people, so can I", "was (as if he were Immortal, or that he still lives today through", "he still lives today through his ideas)? Are there instances where authors used", "been born in Europe. > > > I heard you can't use the", "dead people, so can I use it to indirectly state how influential Tanl", "so can I use it to indirectly state how influential Tanl was (as", "can I use it to indirectly state how influential Tanl was (as if", "you can't use the Present Perfect for dead people, so can I use", "Dans has been born in Europe. > > > I heard you can't", "through his ideas)? Are there instances where authors used the Present Perfect in", "instances where authors used the Present Perfect in this matter? What do you", "> Omtinuul Dans has been born in Europe. > > > I heard", "> I heard you can't use the Present Perfect for dead people, so", "the Present Perfect for dead people, so can I use it to indirectly", "state how influential Tanl was (as if he were Immortal, or that he", "if he were Immortal, or that he still lives today through his ideas)?", "it to indirectly state how influential Tanl was (as if he were Immortal,", "Immortal, or that he still lives today through his ideas)? Are there instances", "I use it to indirectly state how influential Tanl was (as if he", "Present Perfect for dead people, so can I use it to indirectly state", "in Europe. > > > I heard you can't use the Present Perfect", "Tanl was (as if he were Immortal, or that he still lives today", "influential Tanl was (as if he were Immortal, or that he still lives", "today through his ideas)? Are there instances where authors used the Present Perfect", "Are there instances where authors used the Present Perfect in this matter? What", "I heard you can't use the Present Perfect for dead people, so can", "there instances where authors used the Present Perfect in this matter? What do" ]
[ "just got my first MacBook and installed Scrivener, but then because it's a", "first MacBook and installed Scrivener, but then because it's a newer version (3)", "intend to use my Windows desktop to write when at home. I can", "I just got my first MacBook and installed Scrivener, but then because it's", "Can I upgrade my current project's file on my Mac and still use", "Scrivener, but then because it's a newer version (3) it wants to update", "I still intend to use my Windows desktop to write when at home.", "already doing this; it seems to fall under writing software. Can I upgrade", "one here is already doing this; it seems to fall under writing software.", "Which would be fine, but I still intend to use my Windows desktop", "be fine, but I still intend to use my Windows desktop to write", "use my Windows desktop to write when at home. I can reach out", "it seems to fall under writing software. Can I upgrade my current project's", "got my first MacBook and installed Scrivener, but then because it's a newer", "upgrade my current project's file on my Mac and still use it with", "at home. I can reach out to their support directly, but if any", "write when at home. I can reach out to their support directly, but", "but I still intend to use my Windows desktop to write when at", "would be fine, but I still intend to use my Windows desktop to", "still intend to use my Windows desktop to write when at home. I", "I can reach out to their support directly, but if any one here", "to update the Scrivener files. Which would be fine, but I still intend", "to their support directly, but if any one here is already doing this;", "project's file on my Mac and still use it with an earlier version", "cross OS? I just got my first MacBook and installed Scrivener, but then", "version (3) it wants to update the Scrivener files. Which would be fine,", "it's a newer version (3) it wants to update the Scrivener files. Which", "if any one here is already doing this; it seems to fall under", "under writing software. Can I upgrade my current project's file on my Mac", "software. Can I upgrade my current project's file on my Mac and still", "the Scrivener files. Which would be fine, but I still intend to use", "Scrivener files. Which would be fine, but I still intend to use my", "current project's file on my Mac and still use it with an earlier", "fall under writing software. Can I upgrade my current project's file on my", "my current project's file on my Mac and still use it with an", "Mac and still use it with an earlier version of Scrivener on Windows?", "home. I can reach out to their support directly, but if any one", "update the Scrivener files. Which would be fine, but I still intend to", "writing software. Can I upgrade my current project's file on my Mac and", "but if any one here is already doing this; it seems to fall", "out to their support directly, but if any one here is already doing", "anyone use Scrivener cross OS? I just got my first MacBook and installed", "it wants to update the Scrivener files. Which would be fine, but I", "to write when at home. I can reach out to their support directly,", "newer version (3) it wants to update the Scrivener files. Which would be", "their support directly, but if any one here is already doing this; it", "(3) it wants to update the Scrivener files. Which would be fine, but", "any one here is already doing this; it seems to fall under writing", "to fall under writing software. Can I upgrade my current project's file on", "when at home. I can reach out to their support directly, but if", "use Scrivener cross OS? I just got my first MacBook and installed Scrivener,", "desktop to write when at home. I can reach out to their support", "files. Which would be fine, but I still intend to use my Windows", "my Windows desktop to write when at home. I can reach out to", "is already doing this; it seems to fall under writing software. Can I", "a newer version (3) it wants to update the Scrivener files. Which would", "installed Scrivener, but then because it's a newer version (3) it wants to", "and installed Scrivener, but then because it's a newer version (3) it wants", "support directly, but if any one here is already doing this; it seems", "can reach out to their support directly, but if any one here is", "Does anyone use Scrivener cross OS? I just got my first MacBook and", "here is already doing this; it seems to fall under writing software. Can", "seems to fall under writing software. Can I upgrade my current project's file", "then because it's a newer version (3) it wants to update the Scrivener", "because it's a newer version (3) it wants to update the Scrivener files.", "fine, but I still intend to use my Windows desktop to write when", "MacBook and installed Scrivener, but then because it's a newer version (3) it", "directly, but if any one here is already doing this; it seems to", "OS? I just got my first MacBook and installed Scrivener, but then because", "but then because it's a newer version (3) it wants to update the", "file on my Mac and still use it with an earlier version of", "my Mac and still use it with an earlier version of Scrivener on", "my first MacBook and installed Scrivener, but then because it's a newer version", "this; it seems to fall under writing software. Can I upgrade my current", "I upgrade my current project's file on my Mac and still use it", "Windows desktop to write when at home. I can reach out to their", "on my Mac and still use it with an earlier version of Scrivener", "reach out to their support directly, but if any one here is already", "wants to update the Scrivener files. Which would be fine, but I still", "Scrivener cross OS? I just got my first MacBook and installed Scrivener, but", "to use my Windows desktop to write when at home. I can reach", "doing this; it seems to fall under writing software. Can I upgrade my" ]
[ "as I can remember, my teachers have taught me never to use first", "first person. So what is the actual rule here? Why is using first", "what is the actual rule here? Why is using first person in essays", "older writings we have to annotate, are written in first person. So what", "teachers have taught me never to use first person in an essay. Yet,", "me never to use first person in an essay. Yet, some of the", "can remember, my teachers have taught me never to use first person in", "remember, my teachers have taught me never to use first person in an", "annotate, are written in first person. So what is the actual rule here?", "never to use first person in an essay. Yet, some of the examples", "written in first person. So what is the actual rule here? Why is", "taught me never to use first person in an essay. Yet, some of", "writings we have to annotate, are written in first person. So what is", "to annotate, are written in first person. So what is the actual rule", "to use first person in an essay. Yet, some of the examples we", "the examples we read in classes, or older writings we have to annotate,", "we read in classes, or older writings we have to annotate, are written", "in an essay. Yet, some of the examples we read in classes, or", "long as I can remember, my teachers have taught me never to use", "person. So what is the actual rule here? Why is using first person", "of the examples we read in classes, or older writings we have to", "I can remember, my teachers have taught me never to use first person", "person in an essay. Yet, some of the examples we read in classes,", "For as long as I can remember, my teachers have taught me never", "an essay. Yet, some of the examples we read in classes, or older", "have to annotate, are written in first person. So what is the actual", "use first person in an essay. Yet, some of the examples we read", "are written in first person. So what is the actual rule here? Why", "read in classes, or older writings we have to annotate, are written in", "in classes, or older writings we have to annotate, are written in first", "have taught me never to use first person in an essay. Yet, some", "my teachers have taught me never to use first person in an essay.", "essay. Yet, some of the examples we read in classes, or older writings", "in first person. So what is the actual rule here? Why is using", "some of the examples we read in classes, or older writings we have", "as long as I can remember, my teachers have taught me never to", "examples we read in classes, or older writings we have to annotate, are", "we have to annotate, are written in first person. So what is the", "is the actual rule here? Why is using first person in essays considered", "the actual rule here? Why is using first person in essays considered unacceptable?", "So what is the actual rule here? Why is using first person in", "first person in an essay. Yet, some of the examples we read in", "or older writings we have to annotate, are written in first person. So", "Yet, some of the examples we read in classes, or older writings we", "classes, or older writings we have to annotate, are written in first person." ]
[ "trying fiction, I still was not able to conceptualize how I can stick", "was not able to conceptualize how I can stick to the true events", "than three different languages, I have come across multiple firsthand accounts pertaining to", "the research phase of writing my first novel that is based on a", "I can stick to the true events and points of view (as in", "on a true historical event. Having obtained a ton of sources in more", "are detailed both in terms of the characters' thoughts and dialogue, it would", "However, as it would be my first time trying fiction, I still was", "the perfect point of reference. However, as it would be my first time", "thoughts and dialogue, it would be the perfect point of reference. However, as", "the chain of events I will be writing about. Since the firsthand accounts", "of reference. However, as it would be my first time trying fiction, I", "how I can stick to the true events and points of view (as", "Since the firsthand accounts are detailed both in terms of the characters' thoughts", "(as in the firsthand accounts) but still give it the flow of a", "chain of events I will be writing about. Since the firsthand accounts are", "in more than three different languages, I have come across multiple firsthand accounts", "languages, I have come across multiple firsthand accounts pertaining to the chain of", "be writing about. Since the firsthand accounts are detailed both in terms of", "as it would be my first time trying fiction, I still was not", "characters' thoughts and dialogue, it would be the perfect point of reference. However,", "not able to conceptualize how I can stick to the true events and", "phase of writing my first novel that is based on a true historical", "will be writing about. Since the firsthand accounts are detailed both in terms", "I have come across multiple firsthand accounts pertaining to the chain of events", "research phase of writing my first novel that is based on a true", "my first novel that is based on a true historical event. Having obtained", "sources in more than three different languages, I have come across multiple firsthand", "event. Having obtained a ton of sources in more than three different languages,", "novel that is based on a true historical event. Having obtained a ton", "still was not able to conceptualize how I can stick to the true", "it would be the perfect point of reference. However, as it would be", "point of reference. However, as it would be my first time trying fiction,", "would be my first time trying fiction, I still was not able to", "able to conceptualize how I can stick to the true events and points", "based on a true historical event. Having obtained a ton of sources in", "dialogue, it would be the perfect point of reference. However, as it would", "in the firsthand accounts) but still give it the flow of a novel?", "my first time trying fiction, I still was not able to conceptualize how", "detailed both in terms of the characters' thoughts and dialogue, it would be", "ton of sources in more than three different languages, I have come across", "and points of view (as in the firsthand accounts) but still give it", "would be the perfect point of reference. However, as it would be my", "stick to the true events and points of view (as in the firsthand", "come across multiple firsthand accounts pertaining to the chain of events I will", "writing my first novel that is based on a true historical event. Having", "of view (as in the firsthand accounts) but still give it the flow", "am currently in the research phase of writing my first novel that is", "of writing my first novel that is based on a true historical event.", "is based on a true historical event. Having obtained a ton of sources", "time trying fiction, I still was not able to conceptualize how I can", "terms of the characters' thoughts and dialogue, it would be the perfect point", "of sources in more than three different languages, I have come across multiple", "be the perfect point of reference. However, as it would be my first", "in terms of the characters' thoughts and dialogue, it would be the perfect", "conceptualize how I can stick to the true events and points of view", "points of view (as in the firsthand accounts) but still give it the", "multiple firsthand accounts pertaining to the chain of events I will be writing", "the true events and points of view (as in the firsthand accounts) but", "writing about. Since the firsthand accounts are detailed both in terms of the", "a ton of sources in more than three different languages, I have come", "I am currently in the research phase of writing my first novel that", "currently in the research phase of writing my first novel that is based", "to the chain of events I will be writing about. Since the firsthand", "Having obtained a ton of sources in more than three different languages, I", "true historical event. Having obtained a ton of sources in more than three", "first time trying fiction, I still was not able to conceptualize how I", "pertaining to the chain of events I will be writing about. Since the", "different languages, I have come across multiple firsthand accounts pertaining to the chain", "to conceptualize how I can stick to the true events and points of", "reference. However, as it would be my first time trying fiction, I still", "that is based on a true historical event. Having obtained a ton of", "firsthand accounts are detailed both in terms of the characters' thoughts and dialogue,", "I will be writing about. Since the firsthand accounts are detailed both in", "view (as in the firsthand accounts) but still give it the flow of", "in the research phase of writing my first novel that is based on", "three different languages, I have come across multiple firsthand accounts pertaining to the", "accounts pertaining to the chain of events I will be writing about. Since", "both in terms of the characters' thoughts and dialogue, it would be the", "fiction, I still was not able to conceptualize how I can stick to", "a true historical event. Having obtained a ton of sources in more than", "about. Since the firsthand accounts are detailed both in terms of the characters'", "of events I will be writing about. Since the firsthand accounts are detailed", "obtained a ton of sources in more than three different languages, I have", "firsthand accounts pertaining to the chain of events I will be writing about.", "perfect point of reference. However, as it would be my first time trying", "events I will be writing about. Since the firsthand accounts are detailed both", "it would be my first time trying fiction, I still was not able", "more than three different languages, I have come across multiple firsthand accounts pertaining", "accounts are detailed both in terms of the characters' thoughts and dialogue, it", "of the characters' thoughts and dialogue, it would be the perfect point of", "the characters' thoughts and dialogue, it would be the perfect point of reference.", "the firsthand accounts are detailed both in terms of the characters' thoughts and", "across multiple firsthand accounts pertaining to the chain of events I will be", "to the true events and points of view (as in the firsthand accounts)", "be my first time trying fiction, I still was not able to conceptualize", "can stick to the true events and points of view (as in the", "have come across multiple firsthand accounts pertaining to the chain of events I", "historical event. Having obtained a ton of sources in more than three different", "I still was not able to conceptualize how I can stick to the", "events and points of view (as in the firsthand accounts) but still give", "true events and points of view (as in the firsthand accounts) but still", "and dialogue, it would be the perfect point of reference. However, as it", "first novel that is based on a true historical event. Having obtained a" ]
[ "at himself, and associations would be shaped by society, and by what is", "from spending a lot of time outside, another having pale, almost translucent skin,", "fantasy version thereof), so the range of Middle-Eastern skin colours is the \"norm\".", "that are neither \"black\" nor \"white\". And all those distinctions are only half", "is \"normal\" in that society. What we refer to as \"black\", for example", "to be the pallor of a princess in Japanese legend, not the pallor", "I'm describing. I also wish for the freedom within that norm: if I", "creates certain associations. A character looks at himself, and associations would be shaped", "colour range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a", "(or a fantasy version thereof), so the range of Middle-Eastern skin colours is", "\"norm\". I am narrating my stories in third-person, one limited, the other -", "one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in a \"non-white\" setting, while mine", "character, skin colour creates certain associations. A character looks at himself, and associations", "that appears to be a catch-all for all the shades that are neither", "is not what I'm trying to describe. \"Brown\" doesn't really work either, for", "all those weird cultural associations, and start from scratch. Both novels I am", "skin colour, and I would have mentioned it in passing (one character being", "to set the norm for the society I'm describing. I also wish for", "am currently working on are set in the Middle East (or a fantasy", "I look like. Since it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question", "\"non-white\" character in the same setting. EDIT: A valid concern has been raised,", "half being things like ethnicity. Now, I need to throw away all those", "have so far used \"tanned\", but that isn't right at all - it", "MC's baseline and the MC's perception.) I have so far used \"tanned\", but", "might be that I'm having a blind spot, because this is what I", "a different skin colour just because the frame of reference is not Caucasian.", "not what I'm trying to describe. \"Brown\" doesn't really work either, for the", "mention a character is pale, having spent most of their life indoors, I", "the other - omniscient. Culturally, my \"narrator voice\" is very much where my", "\"black\", for example covers a huge range of brown shades, that would only", "\"black\" where \"white\" is the \"norm\". \"Brown\" is an even more confusing category,", "we have a problem\" in the exact colour range that I'm trying to", "do I describe my MCs' (\"brown\") skin colour? (Other characters can sort of", "to be a catch-all for all the shades that are neither \"black\" nor", "colour? (Other characters can sort of follow from the MC's baseline and the", "a \"Houston, we have a problem\" in the exact colour range that I'm", "describing. I also wish for the freedom within that norm: if I mention", "only be jumbled together as \"black\" where \"white\" is the \"norm\". \"Brown\" is", "shaped by society, and by what is \"normal\" in that society. What we", "Because through the MC, I wish to set the norm for the society", "a blind spot, because this is what I look like. Since it's mine,", "to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of reference is different,", "doesn't really work either, for the reasons explained above, and also because it's", "been raised, as to why I need to mention skin colour at all.", "it would be strange, I think, to describe my MCs' appearance in exotic", "reasons explained above, and also because it's not really descriptive - so many", "voice\" is very much where my characters are. Under those constraints, how do", "character being tanned from spending a lot of time outside, another having pale,", "to be pretty much the norm. (It might be that I'm having a", "skin colour creates certain associations. A character looks at himself, and associations would", "etc.) so it's weird to avoid describing a different skin colour just because", "a catch-all for all the shades that are neither \"black\" nor \"white\". And", "many shades of brown. And it would be strange, I think, to describe", "catch-all for all the shades that are neither \"black\" nor \"white\". And all", "describing a \"white\" character in a \"non-white\" setting, while mine is about describing", "I mention a character is pale, having spent most of their life indoors,", "think, to describe my MCs' appearance in exotic terms, since they're supposed to", "very much where my characters are. Under those constraints, how do I describe", "look like. Since it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is", "A character looks at himself, and associations would be shaped by society, and", "tanned from spending a lot of time outside, another having pale, almost translucent", "since they're supposed to be pretty much the norm. (It might be that", "trying to describe. \"Brown\" doesn't really work either, for the reasons explained above,", "range of brown shades, that would only be jumbled together as \"black\" where", "MC, I wish to set the norm for the society I'm describing. I", "from the MC's baseline and the MC's perception.) I have so far used", "a problem\" in the exact colour range that I'm trying to describe. [This", "(\"brown\") skin colour? (Other characters can sort of follow from the MC's baseline", "society, and by what is \"normal\" in that society. What we refer to", "why I need to mention skin colour at all. Two reasons: 1. Because", "\"Brown\" doesn't really work either, for the reasons explained above, and also because", "even more confusing category, that appears to be a catch-all for all the", "1. Because if the characters were Caucasian, I would not have struggled to", "having a blind spot, because this is what I look like. Since it's", "those weird cultural associations, and start from scratch. Both novels I am currently", "not have struggled to describe their skin colour, and I would have mentioned", "exotic terms, since they're supposed to be pretty much the norm. (It might", "character in the same setting. EDIT: A valid concern has been raised, as", "the norm. (It might be that I'm having a blind spot, because this", "and associations would be shaped by society, and by what is \"normal\" in", "norm for the society I'm describing. I also wish for the freedom within", "\"non-white\" setting, while mine is about describing the average \"non-white\" character in the", "I would have mentioned it in passing (one character being tanned from spending", "right at all - it suggests that the character is naturally paler than", "(Other characters can sort of follow from the MC's baseline and the MC's", "can sort of follow from the MC's baseline and the MC's perception.) I", "skin colour? (Other characters can sort of follow from the MC's baseline and", "colour at all. Two reasons: 1. Because if the characters were Caucasian, I", "and I would have mentioned it in passing (one character being tanned from", "describe my MCs' appearance in exotic terms, since they're supposed to be pretty", "my stories in third-person, one limited, the other - omniscient. Culturally, my \"narrator", "the MC's baseline and the MC's perception.) I have so far used \"tanned\",", "in that society. What we refer to as \"black\", for example covers a", "be a catch-all for all the shades that are neither \"black\" nor \"white\".", "shades of brown. And it would be strange, I think, to describe my", "actual colour, other half being things like ethnicity. Now, I need to throw", "wish to set the norm for the society I'm describing. I also wish", "and start from scratch. Both novels I am currently working on are set", "[This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in a \"non-white\" setting, while", "they currently appear, which is not what I'm trying to describe. \"Brown\" doesn't", "\"white\" is the \"norm\". \"Brown\" is an even more confusing category, that appears", "is what I look like. Since it's mine, it's just \"skin\" to me.)", "Middle East (or a fantasy version thereof), so the range of Middle-Eastern skin", "wish for the freedom within that norm: if I mention a character is", "the freedom within that norm: if I mention a character is pale, having", "I am narrating my stories in third-person, one limited, the other - omniscient.", "be shaped by society, and by what is \"normal\" in that society. What", "by society, and by what is \"normal\" in that society. What we refer", "together as \"black\" where \"white\" is the \"norm\". \"Brown\" is an even more", "skin colour just because the frame of reference is not Caucasian. 2. Because", "all - it suggests that the character is naturally paler than they currently", "neither \"black\" nor \"white\". And all those distinctions are only half about actual", "be jumbled together as \"black\" where \"white\" is the \"norm\". \"Brown\" is an", "character is naturally paler than they currently appear, which is not what I'm", "to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in a \"non-white\"", "used \"tanned\", but that isn't right at all - it suggests that the", "follow from the MC's baseline and the MC's perception.) I have so far", "a \"non-white\" setting, while mine is about describing the average \"non-white\" character in", "novels I am currently working on are set in the Middle East (or", "not really descriptive - so many shades of brown. And it would be", "\"normal\" in that society. What we refer to as \"black\", for example covers", "(It might be that I'm having a blind spot, because this is what", "in the same setting. EDIT: A valid concern has been raised, as to", "a lot of time outside, another having pale, almost translucent skin, etc.) so", "nor \"white\". And all those distinctions are only half about actual colour, other", "third-person, one limited, the other - omniscient. Culturally, my \"narrator voice\" is very", "spent most of their life indoors, I want this to be the pallor", "what is \"normal\" in that society. What we refer to as \"black\", for", "but that isn't right at all - it suggests that the character is", "the \"norm\". I am narrating my stories in third-person, one limited, the other", "those constraints, how do I describe my MCs' (\"brown\") skin colour? (Other characters", "appear, which is not what I'm trying to describe. \"Brown\" doesn't really work", "looks at himself, and associations would be shaped by society, and by what", "like. Since it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related,", "being tanned from spending a lot of time outside, another having pale, almost", "society. What we refer to as \"black\", for example covers a huge range", "than they currently appear, which is not what I'm trying to describe. \"Brown\"", "because the frame of reference is not Caucasian. 2. Because through the MC,", "that I'm having a blind spot, because this is what I look like.", "half about actual colour, other half being things like ethnicity. Now, I need", "the characters were Caucasian, I would not have struggled to describe their skin", "setting, while mine is about describing the average \"non-white\" character in the same", "characters were Caucasian, I would not have struggled to describe their skin colour,", "the exact colour range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about", "to avoid describing a different skin colour just because the frame of reference", "the pallor of a princess in Japanese legend, not the pallor of a", "colour just because the frame of reference is not Caucasian. 2. Because through", "also wish for the freedom within that norm: if I mention a character", "is naturally paler than they currently appear, which is not what I'm trying", "that norm: if I mention a character is pale, having spent most of", "I describe my MCs' (\"brown\") skin colour? (Other characters can sort of follow", "this is what I look like. Since it's mine, it's just \"skin\" to", "answer has a \"Houston, we have a problem\" in the exact colour range", "weird to avoid describing a different skin colour just because the frame of", "version thereof), so the range of Middle-Eastern skin colours is the \"norm\". I", "setting. EDIT: A valid concern has been raised, as to why I need", "a character is pale, having spent most of their life indoors, I want", "trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in a", "to describe their skin colour, and I would have mentioned it in passing", "the frame of reference is not Caucasian. 2. Because through the MC, I", "a fantasy version thereof), so the range of Middle-Eastern skin colours is the", "at another character, skin colour creates certain associations. A character looks at himself,", "Under those constraints, how do I describe my MCs' (\"brown\") skin colour? (Other", "it in passing (one character being tanned from spending a lot of time", "me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of reference is different, and", "I'm having a blind spot, because this is what I look like. Since", "A valid concern has been raised, as to why I need to mention", "more confusing category, that appears to be a catch-all for all the shades", "things like ethnicity. Now, I need to throw away all those weird cultural", "is not Caucasian. 2. Because through the MC, I wish to set the", "Culturally, my \"narrator voice\" is very much where my characters are. Under those", "start from scratch. Both novels I am currently working on are set in", "What we refer to as \"black\", for example covers a huge range of", "perception.) I have so far used \"tanned\", but that isn't right at all", "really work either, for the reasons explained above, and also because it's not", "I need to mention skin colour at all. Two reasons: 1. Because if", "most of their life indoors, I want this to be the pallor of", "it suggests that the character is naturally paler than they currently appear, which", "they're supposed to be pretty much the norm. (It might be that I'm", "would only be jumbled together as \"black\" where \"white\" is the \"norm\". \"Brown\"", "for all the shades that are neither \"black\" nor \"white\". And all those", "shades, that would only be jumbled together as \"black\" where \"white\" is the", "another having pale, almost translucent skin, etc.) so it's weird to avoid describing", "to mention skin colour at all. Two reasons: 1. Because if the characters", "to as \"black\", for example covers a huge range of brown shades, that", "from scratch. Both novels I am currently working on are set in the", "currently working on are set in the Middle East (or a fantasy version", "it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of", "EDIT: A valid concern has been raised, as to why I need to", "also because it's not really descriptive - so many shades of brown. And", "the MC, I wish to set the norm for the society I'm describing.", "the range of Middle-Eastern skin colours is the \"norm\". I am narrating my", "\"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of reference is", "and the accepted answer has a \"Houston, we have a problem\" in the", "East (or a fantasy version thereof), so the range of Middle-Eastern skin colours", "have struggled to describe their skin colour, and I would have mentioned it", "have mentioned it in passing (one character being tanned from spending a lot", "a huge range of brown shades, that would only be jumbled together as", "associations would be shaped by society, and by what is \"normal\" in that", "character looks at himself, and associations would be shaped by society, and by", "[This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of reference is different, and the", "I'm trying to describe. \"Brown\" doesn't really work either, for the reasons explained", "their life indoors, I want this to be the pallor of a princess", "I also wish for the freedom within that norm: if I mention a", "describe their skin colour, and I would have mentioned it in passing (one", "at all - it suggests that the character is naturally paler than they", "to why I need to mention skin colour at all. Two reasons: 1.", "ethnicity. Now, I need to throw away all those weird cultural associations, and", "has been raised, as to why I need to mention skin colour at", "\"Brown\" is an even more confusing category, that appears to be a catch-all", "have a problem\" in the exact colour range that I'm trying to describe.", "and by what is \"normal\" in that society. What we refer to as", "is the \"norm\". \"Brown\" is an even more confusing category, that appears to", "colour creates certain associations. A character looks at himself, and associations would be", "the average \"non-white\" character in the same setting. EDIT: A valid concern has", "but its point of reference is different, and the accepted answer has a", "mention skin colour at all. Two reasons: 1. Because if the characters were", "it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its", "about describing the average \"non-white\" character in the same setting. EDIT: A valid", "of brown shades, that would only be jumbled together as \"black\" where \"white\"", "of time outside, another having pale, almost translucent skin, etc.) so it's weird", "need to throw away all those weird cultural associations, and start from scratch.", "throw away all those weird cultural associations, and start from scratch. Both novels", "my MCs' appearance in exotic terms, since they're supposed to be pretty much", "what I look like. Since it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704)", "it's weird to avoid describing a different skin colour just because the frame", "would not have struggled to describe their skin colour, and I would have", "either, for the reasons explained above, and also because it's not really descriptive", "associations, and start from scratch. Both novels I am currently working on are", "if the characters were Caucasian, I would not have struggled to describe their", "and also because it's not really descriptive - so many shades of brown.", "spending a lot of time outside, another having pale, almost translucent skin, etc.)", "the accepted answer has a \"Houston, we have a problem\" in the exact", "at all. Two reasons: 1. Because if the characters were Caucasian, I would", "that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character", "are set in the Middle East (or a fantasy version thereof), so the", "mine is about describing the average \"non-white\" character in the same setting. EDIT:", "for the freedom within that norm: if I mention a character is pale,", "one limited, the other - omniscient. Culturally, my \"narrator voice\" is very much", "I wish to set the norm for the society I'm describing. I also", "by what is \"normal\" in that society. What we refer to as \"black\",", "being things like ethnicity. Now, I need to throw away all those weird", "the society I'm describing. I also wish for the freedom within that norm:", "are only half about actual colour, other half being things like ethnicity. Now,", "in the exact colour range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is", "Now, I need to throw away all those weird cultural associations, and start", "2. Because through the MC, I wish to set the norm for the", "were Caucasian, I would not have struggled to describe their skin colour, and", "colour, and I would have mentioned it in passing (one character being tanned", "be the pallor of a princess in Japanese legend, not the pallor of", "certain associations. A character looks at himself, and associations would be shaped by", "lot of time outside, another having pale, almost translucent skin, etc.) so it's", "need to mention skin colour at all. Two reasons: 1. Because if the", "naturally paler than they currently appear, which is not what I'm trying to", "colours is the \"norm\". I am narrating my stories in third-person, one limited,", "Caucasian. 2. Because through the MC, I wish to set the norm for", "- it suggests that the character is naturally paler than they currently appear,", "away all those weird cultural associations, and start from scratch. Both novels I", "within that norm: if I mention a character is pale, having spent most", "avoid describing a different skin colour just because the frame of reference is", "if I mention a character is pale, having spent most of their life", "I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in", "set the norm for the society I'm describing. I also wish for the", "I would not have struggled to describe their skin colour, and I would", "so far used \"tanned\", but that isn't right at all - it suggests", "\"narrator voice\" is very much where my characters are. Under those constraints, how", "constraints, how do I describe my MCs' (\"brown\") skin colour? (Other characters can", "currently appear, which is not what I'm trying to describe. \"Brown\" doesn't really", "norm. (It might be that I'm having a blind spot, because this is", "himself, and associations would be shaped by society, and by what is \"normal\"", "am narrating my stories in third-person, one limited, the other - omniscient. Culturally,", "I think, to describe my MCs' appearance in exotic terms, since they're supposed", "\"Houston, we have a problem\" in the exact colour range that I'm trying", "in passing (one character being tanned from spending a lot of time outside,", "raised, as to why I need to mention skin colour at all. Two", "supposed to be pretty much the norm. (It might be that I'm having", "much where my characters are. Under those constraints, how do I describe my", "mentioned it in passing (one character being tanned from spending a lot of", "weird cultural associations, and start from scratch. Both novels I am currently working", "the MC's perception.) I have so far used \"tanned\", but that isn't right", "category, that appears to be a catch-all for all the shades that are", "in the Middle East (or a fantasy version thereof), so the range of", "of Middle-Eastern skin colours is the \"norm\". I am narrating my stories in", "be pretty much the norm. (It might be that I'm having a blind", "exact colour range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing", "reference is not Caucasian. 2. Because through the MC, I wish to set", "so the range of Middle-Eastern skin colours is the \"norm\". I am narrating", "struggled to describe their skin colour, and I would have mentioned it in", "having pale, almost translucent skin, etc.) so it's weird to avoid describing a", "the shades that are neither \"black\" nor \"white\". And all those distinctions are", "all the shades that are neither \"black\" nor \"white\". And all those distinctions", "Because if the characters were Caucasian, I would not have struggled to describe", "And all those distinctions are only half about actual colour, other half being", "descriptive - so many shades of brown. And it would be strange, I", "much the norm. (It might be that I'm having a blind spot, because", "reasons: 1. Because if the characters were Caucasian, I would not have struggled", "all. Two reasons: 1. Because if the characters were Caucasian, I would not", "accepted answer has a \"Houston, we have a problem\" in the exact colour", "frame of reference is not Caucasian. 2. Because through the MC, I wish", "that would only be jumbled together as \"black\" where \"white\" is the \"norm\".", "point of reference is different, and the accepted answer has a \"Houston, we", "all those distinctions are only half about actual colour, other half being things", "is very much where my characters are. Under those constraints, how do I", "terms, since they're supposed to be pretty much the norm. (It might be", "baseline and the MC's perception.) I have so far used \"tanned\", but that", "working on are set in the Middle East (or a fantasy version thereof),", "time outside, another having pale, almost translucent skin, etc.) so it's weird to", "would be strange, I think, to describe my MCs' appearance in exotic terms,", "spot, because this is what I look like. Since it's mine, it's just", "through the MC, I wish to set the norm for the society I'm", "brown shades, that would only be jumbled together as \"black\" where \"white\" is", "has a \"Houston, we have a problem\" in the exact colour range that", "society I'm describing. I also wish for the freedom within that norm: if", "jumbled together as \"black\" where \"white\" is the \"norm\". \"Brown\" is an even", "valid concern has been raised, as to why I need to mention skin", "as \"black\" where \"white\" is the \"norm\". \"Brown\" is an even more confusing", "that the character is naturally paler than they currently appear, which is not", "skin, etc.) so it's weird to avoid describing a different skin colour just", "scratch. Both novels I am currently working on are set in the Middle", "that society. What we refer to as \"black\", for example covers a huge", "I am currently working on are set in the Middle East (or a", "- omniscient. Culturally, my \"narrator voice\" is very much where my characters are.", "is the \"norm\". I am narrating my stories in third-person, one limited, the", "the \"norm\". \"Brown\" is an even more confusing category, that appears to be", "blind spot, because this is what I look like. Since it's mine, it's", "MC's perception.) I have so far used \"tanned\", but that isn't right at", "so it's weird to avoid describing a different skin colour just because the", "for the reasons explained above, and also because it's not really descriptive -", "\"norm\". \"Brown\" is an even more confusing category, that appears to be a", "of brown. And it would be strange, I think, to describe my MCs'", "another character, skin colour creates certain associations. A character looks at himself, and", "I need to throw away all those weird cultural associations, and start from", "related, but its point of reference is different, and the accepted answer has", "Since it's mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but", "that isn't right at all - it suggests that the character is naturally", "be that I'm having a blind spot, because this is what I look", "paler than they currently appear, which is not what I'm trying to describe.", "example covers a huge range of brown shades, that would only be jumbled", "the reasons explained above, and also because it's not really descriptive - so", "characters can sort of follow from the MC's baseline and the MC's perception.)", "about actual colour, other half being things like ethnicity. Now, I need to", "skin colour at all. Two reasons: 1. Because if the characters were Caucasian,", "my characters are. Under those constraints, how do I describe my MCs' (\"brown\")", "almost translucent skin, etc.) so it's weird to avoid describing a different skin", "describing the average \"non-white\" character in the same setting. EDIT: A valid concern", "limited, the other - omniscient. Culturally, my \"narrator voice\" is very much where", "\"black\" nor \"white\". And all those distinctions are only half about actual colour,", "I want this to be the pallor of a princess in Japanese legend,", "life indoors, I want this to be the pallor of a princess in", "we refer to as \"black\", for example covers a huge range of brown", "to describe. \"Brown\" doesn't really work either, for the reasons explained above, and", "those distinctions are only half about actual colour, other half being things like", "because it's not really descriptive - so many shades of brown. And it", "norm: if I mention a character is pale, having spent most of their", "describe my MCs' (\"brown\") skin colour? (Other characters can sort of follow from", "want this to be the pallor of a princess in Japanese legend, not", "explained above, and also because it's not really descriptive - so many shades", "just because the frame of reference is not Caucasian. 2. Because through the", "just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point of reference", "is about describing the average \"non-white\" character in the same setting. EDIT: A", "for the society I'm describing. I also wish for the freedom within that", "different, and the accepted answer has a \"Houston, we have a problem\" in", "not Caucasian. 2. Because through the MC, I wish to set the norm", "and the MC's perception.) I have so far used \"tanned\", but that isn't", "thereof), so the range of Middle-Eastern skin colours is the \"norm\". I am", "character looks at another character, skin colour creates certain associations. A character looks", "to describe my MCs' appearance in exotic terms, since they're supposed to be", "is an even more confusing category, that appears to be a catch-all for", "because this is what I look like. Since it's mine, it's just \"skin\"", "its point of reference is different, and the accepted answer has a \"Houston,", "an even more confusing category, that appears to be a catch-all for all", "so many shades of brown. And it would be strange, I think, to", "strange, I think, to describe my MCs' appearance in exotic terms, since they're", "cultural associations, and start from scratch. Both novels I am currently working on", "average \"non-white\" character in the same setting. EDIT: A valid concern has been", "which is not what I'm trying to describe. \"Brown\" doesn't really work either,", "confusing category, that appears to be a catch-all for all the shades that", "of follow from the MC's baseline and the MC's perception.) I have so", "on are set in the Middle East (or a fantasy version thereof), so", "pretty much the norm. (It might be that I'm having a blind spot,", "character is pale, having spent most of their life indoors, I want this", "A character looks at another character, skin colour creates certain associations. A character", "in a \"non-white\" setting, while mine is about describing the average \"non-white\" character", "would have mentioned it in passing (one character being tanned from spending a", "other half being things like ethnicity. Now, I need to throw away all", "where my characters are. Under those constraints, how do I describe my MCs'", "sort of follow from the MC's baseline and the MC's perception.) I have", "indoors, I want this to be the pallor of a princess in Japanese", "like ethnicity. Now, I need to throw away all those weird cultural associations,", "above, and also because it's not really descriptive - so many shades of", "as \"black\", for example covers a huge range of brown shades, that would", "where \"white\" is the \"norm\". \"Brown\" is an even more confusing category, that", "is pale, having spent most of their life indoors, I want this to", "\"white\" character in a \"non-white\" setting, while mine is about describing the average", "\"white\". And all those distinctions are only half about actual colour, other half", "reference is different, and the accepted answer has a \"Houston, we have a", "covers a huge range of brown shades, that would only be jumbled together", "mine, it's just \"skin\" to me.) [This](https://writing.stackexchange.com/q/14143/14704) question is related, but its point", "are neither \"black\" nor \"white\". And all those distinctions are only half about", "to throw away all those weird cultural associations, and start from scratch. Both", "Two reasons: 1. Because if the characters were Caucasian, I would not have", "Middle-Eastern skin colours is the \"norm\". I am narrating my stories in third-person,", "of reference is not Caucasian. 2. Because through the MC, I wish to", "range of Middle-Eastern skin colours is the \"norm\". I am narrating my stories", "this to be the pallor of a princess in Japanese legend, not the", "question is related, but its point of reference is different, and the accepted", "MCs' appearance in exotic terms, since they're supposed to be pretty much the", "character in a \"non-white\" setting, while mine is about describing the average \"non-white\"", "colour, other half being things like ethnicity. Now, I need to throw away", "appears to be a catch-all for all the shades that are neither \"black\"", "concern has been raised, as to why I need to mention skin colour", "about describing a \"white\" character in a \"non-white\" setting, while mine is about", "brown. And it would be strange, I think, to describe my MCs' appearance", "it's not really descriptive - so many shades of brown. And it would", "I have so far used \"tanned\", but that isn't right at all -", "shades that are neither \"black\" nor \"white\". And all those distinctions are only", "are. Under those constraints, how do I describe my MCs' (\"brown\") skin colour?", "appearance in exotic terms, since they're supposed to be pretty much the norm.", "is about describing a \"white\" character in a \"non-white\" setting, while mine is", "same setting. EDIT: A valid concern has been raised, as to why I", "my MCs' (\"brown\") skin colour? (Other characters can sort of follow from the", "looks at another character, skin colour creates certain associations. A character looks at", "what I'm trying to describe. \"Brown\" doesn't really work either, for the reasons", "is related, but its point of reference is different, and the accepted answer", "the Middle East (or a fantasy version thereof), so the range of Middle-Eastern", "really descriptive - so many shades of brown. And it would be strange,", "characters are. Under those constraints, how do I describe my MCs' (\"brown\") skin", "MCs' (\"brown\") skin colour? (Other characters can sort of follow from the MC's", "pale, having spent most of their life indoors, I want this to be", "a \"white\" character in a \"non-white\" setting, while mine is about describing the", "- so many shades of brown. And it would be strange, I think,", "freedom within that norm: if I mention a character is pale, having spent", "range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\"", "huge range of brown shades, that would only be jumbled together as \"black\"", "refer to as \"black\", for example covers a huge range of brown shades,", "omniscient. Culturally, my \"narrator voice\" is very much where my characters are. Under", "problem\" in the exact colour range that I'm trying to describe. [This one](https://writing.stackexchange.com/q/33177/14704)", "passing (one character being tanned from spending a lot of time outside, another", "as to why I need to mention skin colour at all. Two reasons:", "far used \"tanned\", but that isn't right at all - it suggests that", "pallor of a princess in Japanese legend, not the pallor of a redhead.", "for example covers a huge range of brown shades, that would only be", "different skin colour just because the frame of reference is not Caucasian. 2.", "the norm for the society I'm describing. I also wish for the freedom", "outside, another having pale, almost translucent skin, etc.) so it's weird to avoid", "Both novels I am currently working on are set in the Middle East", "suggests that the character is naturally paler than they currently appear, which is", "describe. [This one](https://writing.stackexchange.com/q/33177/14704) is about describing a \"white\" character in a \"non-white\" setting,", "(one character being tanned from spending a lot of time outside, another having", "be strange, I think, to describe my MCs' appearance in exotic terms, since", "describing a different skin colour just because the frame of reference is not", "the character is naturally paler than they currently appear, which is not what", "set in the Middle East (or a fantasy version thereof), so the range", "having spent most of their life indoors, I want this to be the", "the same setting. EDIT: A valid concern has been raised, as to why", "describe. \"Brown\" doesn't really work either, for the reasons explained above, and also", "only half about actual colour, other half being things like ethnicity. Now, I", "work either, for the reasons explained above, and also because it's not really", "other - omniscient. Culturally, my \"narrator voice\" is very much where my characters", "of reference is different, and the accepted answer has a \"Houston, we have", "in exotic terms, since they're supposed to be pretty much the norm. (It", "their skin colour, and I would have mentioned it in passing (one character", "distinctions are only half about actual colour, other half being things like ethnicity.", "pale, almost translucent skin, etc.) so it's weird to avoid describing a different", "skin colours is the \"norm\". I am narrating my stories in third-person, one", "And it would be strange, I think, to describe my MCs' appearance in", "would be shaped by society, and by what is \"normal\" in that society.", "translucent skin, etc.) so it's weird to avoid describing a different skin colour", "stories in third-person, one limited, the other - omniscient. Culturally, my \"narrator voice\"", "\"tanned\", but that isn't right at all - it suggests that the character", "associations. A character looks at himself, and associations would be shaped by society,", "in third-person, one limited, the other - omniscient. Culturally, my \"narrator voice\" is", "Caucasian, I would not have struggled to describe their skin colour, and I", "is different, and the accepted answer has a \"Houston, we have a problem\"", "narrating my stories in third-person, one limited, the other - omniscient. Culturally, my", "of their life indoors, I want this to be the pallor of a", "how do I describe my MCs' (\"brown\") skin colour? (Other characters can sort", "while mine is about describing the average \"non-white\" character in the same setting.", "isn't right at all - it suggests that the character is naturally paler", "my \"narrator voice\" is very much where my characters are. Under those constraints," ]
[ "world setting I have created — medieval times, magic, dragons, etc. People who", "Fantasy world setting I have created — medieval times, magic, dragons, etc. People", "an unknown world. Since short stories are usually very condensed and precise, I'm", "should include about the world. Should I show more than usual? I do", "such a world may not find a problem reading a short story set", "I'm writing short stories in a Fantasy world setting I have created —", "show more than usual? I do not intend to write a novella. So", "amount of knowledge I should include about the world. Should I show more", "write a novella. So my question is: How much setting information should I", "a novella. So my question is: How much setting information should I include", "I do not intend to write a novella. So my question is: How", "more than usual? I do not intend to write a novella. So my", "find a problem reading a short story set in an unknown world. Since", "created — medieval times, magic, dragons, etc. People who are familiar with such", "very condensed and precise, I'm torn about the amount of knowledge I should", "in a Fantasy world setting I have created — medieval times, magic, dragons,", "torn about the amount of knowledge I should include about the world. Should", "times, magic, dragons, etc. People who are familiar with such a world may", "the amount of knowledge I should include about the world. Should I show", "precise, I'm torn about the amount of knowledge I should include about the", "about the amount of knowledge I should include about the world. Should I", "a problem reading a short story set in an unknown world. Since short", "familiar with such a world may not find a problem reading a short", "usual? I do not intend to write a novella. So my question is:", "with such a world may not find a problem reading a short story", "not find a problem reading a short story set in an unknown world.", "condensed and precise, I'm torn about the amount of knowledge I should include", "who are familiar with such a world may not find a problem reading", "are usually very condensed and precise, I'm torn about the amount of knowledge", "should I include in a short story set in an original Fantasy world?", "a Fantasy world setting I have created — medieval times, magic, dragons, etc.", "to write a novella. So my question is: How much setting information should", "magic, dragons, etc. People who are familiar with such a world may not", "much setting information should I include in a short story set in an", "So my question is: How much setting information should I include in a", "a world may not find a problem reading a short story set in", "setting information should I include in a short story set in an original", "I should include about the world. Should I show more than usual? I", "may not find a problem reading a short story set in an unknown", "have created — medieval times, magic, dragons, etc. People who are familiar with", "world. Should I show more than usual? I do not intend to write", "do not intend to write a novella. So my question is: How much", "set in an unknown world. Since short stories are usually very condensed and", "problem reading a short story set in an unknown world. Since short stories", "than usual? I do not intend to write a novella. So my question", "stories in a Fantasy world setting I have created — medieval times, magic,", "stories are usually very condensed and precise, I'm torn about the amount of", "information should I include in a short story set in an original Fantasy", "world. Since short stories are usually very condensed and precise, I'm torn about", "Since short stories are usually very condensed and precise, I'm torn about the", "writing short stories in a Fantasy world setting I have created — medieval", "are familiar with such a world may not find a problem reading a", "about the world. Should I show more than usual? I do not intend", "short stories in a Fantasy world setting I have created — medieval times,", "is: How much setting information should I include in a short story set", "reading a short story set in an unknown world. Since short stories are", "— medieval times, magic, dragons, etc. People who are familiar with such a", "How much setting information should I include in a short story set in", "usually very condensed and precise, I'm torn about the amount of knowledge I", "I show more than usual? I do not intend to write a novella.", "I'm torn about the amount of knowledge I should include about the world.", "etc. People who are familiar with such a world may not find a", "Should I show more than usual? I do not intend to write a", "I have created — medieval times, magic, dragons, etc. People who are familiar", "include about the world. Should I show more than usual? I do not", "and precise, I'm torn about the amount of knowledge I should include about", "dragons, etc. People who are familiar with such a world may not find", "not intend to write a novella. So my question is: How much setting", "People who are familiar with such a world may not find a problem", "medieval times, magic, dragons, etc. People who are familiar with such a world", "a short story set in an unknown world. Since short stories are usually", "setting I have created — medieval times, magic, dragons, etc. People who are", "short stories are usually very condensed and precise, I'm torn about the amount", "question is: How much setting information should I include in a short story", "world may not find a problem reading a short story set in an", "intend to write a novella. So my question is: How much setting information", "in an unknown world. Since short stories are usually very condensed and precise,", "the world. Should I show more than usual? I do not intend to", "short story set in an unknown world. Since short stories are usually very", "knowledge I should include about the world. Should I show more than usual?", "of knowledge I should include about the world. Should I show more than", "story set in an unknown world. Since short stories are usually very condensed", "unknown world. Since short stories are usually very condensed and precise, I'm torn", "novella. So my question is: How much setting information should I include in", "my question is: How much setting information should I include in a short" ]
[ "are the typical ways to go about it? I don't want to put", "my short story. What are the typical ways to go about it? I", "enough for an astute reader to see my intention. I am asking how", "the typical ways to go about it? I don't want to put it", "it? I don't want to put it there in plain sight, but make", "see my intention. I am asking how to integrate philosophical concepts regardless of", "go about it? I don't want to put it there in plain sight,", "would like to integrate the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story.", "it there in plain sight, but make it obvious enough for an astute", "it obvious enough for an astute reader to see my intention. I am", "for an astute reader to see my intention. I am asking how to", "intention. I am asking how to integrate philosophical concepts regardless of whether they", "to go about it? I don't want to put it there in plain", "obvious enough for an astute reader to see my intention. I am asking", "how to integrate philosophical concepts regardless of whether they are controversial or not.", "I would like to integrate the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short", "affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the typical ways to go about", "plain sight, but make it obvious enough for an astute reader to see", "astute reader to see my intention. I am asking how to integrate philosophical", "\"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the typical ways to go", "the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the typical", "What are the typical ways to go about it? I don't want to", "my intention. I am asking how to integrate philosophical concepts regardless of whether", "reader to see my intention. I am asking how to integrate philosophical concepts", "asking how to integrate philosophical concepts regardless of whether they are controversial or", "there in plain sight, but make it obvious enough for an astute reader", "in my short story. What are the typical ways to go about it?", "typical ways to go about it? I don't want to put it there", "an astute reader to see my intention. I am asking how to integrate", "in plain sight, but make it obvious enough for an astute reader to", "I am asking how to integrate philosophical concepts regardless of whether they are", "ways to go about it? I don't want to put it there in", "concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the typical ways", "integrate the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the", "put it there in plain sight, but make it obvious enough for an", "of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are the typical ways to", "I don't want to put it there in plain sight, but make it", "about it? I don't want to put it there in plain sight, but", "want to put it there in plain sight, but make it obvious enough", "make it obvious enough for an astute reader to see my intention. I", "short story. What are the typical ways to go about it? I don't", "story. What are the typical ways to go about it? I don't want", "but make it obvious enough for an astute reader to see my intention.", "to integrate the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What are", "sight, but make it obvious enough for an astute reader to see my", "am asking how to integrate philosophical concepts regardless of whether they are controversial", "to put it there in plain sight, but make it obvious enough for", "to see my intention. I am asking how to integrate philosophical concepts regardless", "don't want to put it there in plain sight, but make it obvious", "like to integrate the concept of \"[Nietzschean affirmation](https://en.wikipedia.org/wiki/Nietzschean_affirmation)\" in my short story. What" ]
[ "begun and had my daughter read what I had written up until now,", "until now, her reply was it is very good, but she feels I", "her reply was it is very good, but she feels I am jumping", "written up until now, her reply was it is very good, but she", "reply was it is very good, but she feels I am jumping all", "good, but she feels I am jumping all over the place. Any comments", "it is very good, but she feels I am jumping all over the", "just begun and had my daughter read what I had written up until", "I am writing a fictional novel. I have just begun and had my", "have just begun and had my daughter read what I had written up", "up until now, her reply was it is very good, but she feels", "I have just begun and had my daughter read what I had written", "a fictional novel. I have just begun and had my daughter read what", "I had written up until now, her reply was it is very good,", "was it is very good, but she feels I am jumping all over", "what I had written up until now, her reply was it is very", "had written up until now, her reply was it is very good, but", "writing a fictional novel. I have just begun and had my daughter read", "very good, but she feels I am jumping all over the place. Any", "now, her reply was it is very good, but she feels I am", "had my daughter read what I had written up until now, her reply", "novel. I have just begun and had my daughter read what I had", "daughter read what I had written up until now, her reply was it", "is very good, but she feels I am jumping all over the place.", "am writing a fictional novel. I have just begun and had my daughter", "my daughter read what I had written up until now, her reply was", "read what I had written up until now, her reply was it is", "but she feels I am jumping all over the place. Any comments appreciated.", "fictional novel. I have just begun and had my daughter read what I", "and had my daughter read what I had written up until now, her" ]
[ "come out, but I don't want to add that into the mix. This", "\"Earth-based\" references to show passage of time. How time is counted in this", "to show where each scene is placed in time, at least approximately. (Exact", "events that provide context. The current sequence for the first chapter is: ", "climax, with bad outcome for MC #1 and chaos for antagonist My beta", "works ok, but I realized in revising that I need to add some", "not important.) How should I approach structuring this chapter so that I can", "rest of the story in motion. Currently I am \"scene-cutting\" between that event", "event and some earlier events that provide context. The current sequence for the", "realized in revising that I need to add some more back-story. I need", "and I'm not sure if a prologue for a shorter work would be", "will set the rest of the story in motion. Currently I am \"scene-cutting\"", "I've been trying to avoid \"Earth-based\" references to show passage of time. How", "is set in an alternate world, so I've been trying to avoid \"Earth-based\"", "to show passage of time. How time is counted in this world will", "first chapter is: main character #1 and main antagonist in main scene", "the \"main scene advances; conflict begins\" part (#3 in my list above) as", "scene advances; conflict begins\" part (#3 in my list above) as a sort", "out. Further, this story is set in an alternate world, so I've been", "and main antagonist in main scene * flashback to MC #1 and MC", "approximately. (Exact timing is not important.) How should I approach structuring this chapter", "and someone else who will become important later. But that feels like too", "starts in media res, in the middle of the conflict that will set", "will become important later. But that feels like too much flashback. Also, in", "begins\" part (#3 in my list above) as a sort of prologue, and", "someone else who will become important later. But that feels like too much", "earlier that day, in which we learn important things about their relationship ", "and then start chapter 1 with the earliest point in time. But this", "which we learn important things about them, the world, and the antagonist ", "the story in motion. Currently I am \"scene-cutting\" between that event and some", "bad outcome for MC #1 and chaos for antagonist My beta readers think", "MC #1 is in every scene; in this new plan, the scene with", "1 with the earliest point in time. But this is approximately a novella,", "for antagonist My beta readers think this works ok, but I realized in", "some earlier events that provide context. The current sequence for the first chapter", "like too much flashback. Also, in the current version MC #1 is in", "become important later. But that feels like too much flashback. Also, in the", "important things about them, the world, and the antagonist * main scene advances;", "antagonist My beta readers think this works ok, but I realized in revising", "I realized in revising that I need to add some more back-story. I", "I have to show where each scene is placed in time, at least", "antagonist in main scene * flashback to MC #1 and MC #2 earlier", "and some earlier events that provide context. The current sequence for the first", "main scene reaches its climax, with bad outcome for MC #1 and chaos", "have to show where each scene is placed in time, at least approximately.", "approximately a novella, not a full novel, and I'm not sure if a", "means I can't easily mark a flashback by outright saying \"six months earlier\"", "a full novel, and I'm not sure if a prologue for a shorter", "advances; conflict begins\" part (#3 in my list above) as a sort of", "the like. I have to show where each scene is placed in time,", "not sure if a prologue for a shorter work would be hokey or", "of prologue, and then start chapter 1 with the earliest point in time.", "readers think this works ok, but I realized in revising that I need", "at least approximately. (Exact timing is not important.) How should I approach structuring", "motion. Currently I am \"scene-cutting\" between that event and some earlier events that", "in the current version MC #1 is in every scene; in this new", "the antagonist * main scene advances; conflict begins * flashback to MC #1", "this chapter so that I can hook people with the main scene and", "main scene * flashback to MC #1 and MC #2 earlier that day,", "media res, in the middle of the conflict that will set the rest", "I'm not sure if a prologue for a shorter work would be hokey", "but I don't want to add that into the mix. This means I", "not MC #1) will need good transitions in and out. Further, this story", "scene and still show this back-story? One approach I've considered is to open", "#1 and main antagonist in main scene flashback to MC #1 and", "in this world will come out, but I don't want to add that", "* flashback to MC #1 and antagonist earlier that day, in which we", "this works ok, but I realized in revising that I need to add", "new plan, the scene with MC #2 (and not MC #1) will need", "so I've been trying to avoid \"Earth-based\" references to show passage of time.", "I approach structuring this chapter so that I can hook people with the", "this world will come out, but I don't want to add that into", "with bad outcome for MC #1 and chaos for antagonist My beta readers", "and chaos for antagonist My beta readers think this works ok, but I", "learn important things about their relationship * main scene reaches its climax, with", "important things about their relationship * main scene reaches its climax, with bad", "an alternate world, so I've been trying to avoid \"Earth-based\" references to show", "this back-story? One approach I've considered is to open with the \"main scene", "good transitions in and out. Further, this story is set in an alternate", "to avoid \"Earth-based\" references to show passage of time. How time is counted", "main antagonist in main scene * flashback to MC #1 and MC #2", "#2 (and not MC #1) will need good transitions in and out. Further,", "is in every scene; in this new plan, the scene with MC #2", "show where each scene is placed in time, at least approximately. (Exact timing", "chapter is: * main character #1 and main antagonist in main scene ", "with the main scene and still show this back-story? One approach I've considered", "people with the main scene and still show this back-story? One approach I've", "each scene is placed in time, at least approximately. (Exact timing is not", "the conflict that will set the rest of the story in motion. Currently", "reaches its climax, with bad outcome for MC #1 and chaos for antagonist", "MC #2 with one that's earlier in time (which is fine), and I", "MC #2 and someone else who will become important later. But that feels", "trying to avoid \"Earth-based\" references to show passage of time. How time is", "story in motion. Currently I am \"scene-cutting\" between that event and some earlier", "set in an alternate world, so I've been trying to avoid \"Earth-based\" references", "with the earliest point in time. But this is approximately a novella, not", "that into the mix. This means I can't easily mark a flashback by", "the first chapter is: main character #1 and main antagonist in main", "in main scene * flashback to MC #1 and MC #2 earlier that", "to add some more back-story. I need to replace the scene with MC", "current sequence for the first chapter is: * main character #1 and main", "chapter 1 with the earliest point in time. But this is approximately a", "world, and the antagonist * main scene advances; conflict begins * flashback to", "in revising that I need to add some more back-story. I need to", "middle of the conflict that will set the rest of the story in", "that will set the rest of the story in motion. Currently I am", "day, in which we learn important things about them, the world, and the", "begins * flashback to MC #1 and antagonist earlier that day, in which", "How should I approach structuring this chapter so that I can hook people", "later. But that feels like too much flashback. Also, in the current version", "my list above) as a sort of prologue, and then start chapter 1", "chapter so that I can hook people with the main scene and still", "antagonist * main scene advances; conflict begins * flashback to MC #1 and", "feels like too much flashback. Also, in the current version MC #1 is", "every scene; in this new plan, the scene with MC #2 (and not", "open with the \"main scene advances; conflict begins\" part (#3 in my list", "and MC #2 earlier that day, in which we learn important things about", "and MC #2 with one that's earlier in time (which is fine), and", "day, in which we learn important things about their relationship * main scene", "(which is fine), and I also need to show something between MC #2", "back-story? One approach I've considered is to open with the \"main scene advances;", "important.) How should I approach structuring this chapter so that I can hook", "in which we learn important things about their relationship * main scene reaches", "will need good transitions in and out. Further, this story is set in", "need to show something between MC #2 and someone else who will become", "chaos for antagonist My beta readers think this works ok, but I realized", "something between MC #2 and someone else who will become important later. But", "to replace the scene with MC #1 and MC #2 with one that's", "antagonist earlier that day, in which we learn important things about their relationship", "with MC #1 and MC #2 with one that's earlier in time (which", "* flashback to MC #1 and MC #2 earlier that day, in which", "still show this back-story? One approach I've considered is to open with the", "show this back-story? One approach I've considered is to open with the \"main", "show passage of time. How time is counted in this world will come", "between MC #2 and someone else who will become important later. But that", "that day, in which we learn important things about them, the world, and", "My beta readers think this works ok, but I realized in revising that", "is not important.) How should I approach structuring this chapter so that I", "approach structuring this chapter so that I can hook people with the main", "and I also need to show something between MC #2 and someone else", "with MC #2 (and not MC #1) will need good transitions in and", "part (#3 in my list above) as a sort of prologue, and then", "more back-story. I need to replace the scene with MC #1 and MC", "ok, but I realized in revising that I need to add some more", "I've considered is to open with the \"main scene advances; conflict begins\" part", "or the like. I have to show where each scene is placed in", "revising that I need to add some more back-story. I need to replace", "the mix. This means I can't easily mark a flashback by outright saying", "sure if a prologue for a shorter work would be hokey or pretentious.", "things about their relationship * main scene reaches its climax, with bad outcome", "structuring this chapter so that I can hook people with the main scene", "story (novella?) starts in media res, in the middle of the conflict that", "start chapter 1 with the earliest point in time. But this is approximately", "then start chapter 1 with the earliest point in time. But this is", "references to show passage of time. How time is counted in this world", "of the story in motion. Currently I am \"scene-cutting\" between that event and", "I also need to show something between MC #2 and someone else who", "relationship * main scene reaches its climax, with bad outcome for MC #1", "One approach I've considered is to open with the \"main scene advances; conflict", "in my list above) as a sort of prologue, and then start chapter", "and still show this back-story? One approach I've considered is to open with", "that provide context. The current sequence for the first chapter is: * main", "MC #1 and chaos for antagonist My beta readers think this works ok,", "advances; conflict begins * flashback to MC #1 and antagonist earlier that day,", "context. The current sequence for the first chapter is: * main character #1", "and antagonist earlier that day, in which we learn important things about their", "But that feels like too much flashback. Also, in the current version MC", "avoid \"Earth-based\" references to show passage of time. How time is counted in", "is fine), and I also need to show something between MC #2 and", "the scene with MC #1 and MC #2 with one that's earlier in", "story is set in an alternate world, so I've been trying to avoid", "transitions in and out. Further, this story is set in an alternate world,", "scene * flashback to MC #1 and MC #2 earlier that day, in", "I need to add some more back-story. I need to replace the scene", "add some more back-story. I need to replace the scene with MC #1", "will come out, but I don't want to add that into the mix.", "some more back-story. I need to replace the scene with MC #1 and", "scene with MC #2 (and not MC #1) will need good transitions in", "need to replace the scene with MC #1 and MC #2 with one", "between that event and some earlier events that provide context. The current sequence", "to MC #1 and MC #2 earlier that day, in which we learn", "sort of prologue, and then start chapter 1 with the earliest point in", "flashback. Also, in the current version MC #1 is in every scene; in", "passage of time. How time is counted in this world will come out,", "into the mix. This means I can't easily mark a flashback by outright", "Further, this story is set in an alternate world, so I've been trying", "in time (which is fine), and I also need to show something between", "My story (novella?) starts in media res, in the middle of the conflict", "I need to replace the scene with MC #1 and MC #2 with", "* main scene advances; conflict begins * flashback to MC #1 and antagonist", "#1 and MC #2 earlier that day, in which we learn important things", "to MC #1 and antagonist earlier that day, in which we learn important", "in time, at least approximately. (Exact timing is not important.) How should I", "placed in time, at least approximately. (Exact timing is not important.) How should", "where each scene is placed in time, at least approximately. (Exact timing is", "out, but I don't want to add that into the mix. This means", "time. But this is approximately a novella, not a full novel, and I'm", "with the \"main scene advances; conflict begins\" part (#3 in my list above)", "replace the scene with MC #1 and MC #2 with one that's earlier", "the middle of the conflict that will set the rest of the story", "them, the world, and the antagonist * main scene advances; conflict begins ", "set the rest of the story in motion. Currently I am \"scene-cutting\" between", "(Exact timing is not important.) How should I approach structuring this chapter so", "want to add that into the mix. This means I can't easily mark", "current version MC #1 is in every scene; in this new plan, the", "beta readers think this works ok, but I realized in revising that I", "in and out. Further, this story is set in an alternate world, so", "main character #1 and main antagonist in main scene flashback to MC", "the world, and the antagonist * main scene advances; conflict begins * flashback", "am \"scene-cutting\" between that event and some earlier events that provide context. The", "can hook people with the main scene and still show this back-story? One", "so that I can hook people with the main scene and still show", "(novella?) starts in media res, in the middle of the conflict that will", "in media res, in the middle of the conflict that will set the", "been trying to avoid \"Earth-based\" references to show passage of time. How time", "about them, the world, and the antagonist * main scene advances; conflict begins", "point in time. But this is approximately a novella, not a full novel,", "scene; in this new plan, the scene with MC #2 (and not MC", "hook people with the main scene and still show this back-story? One approach", "learn important things about them, the world, and the antagonist * main scene", "earlier events that provide context. The current sequence for the first chapter is:", "which we learn important things about their relationship * main scene reaches its", "and the antagonist * main scene advances; conflict begins * flashback to MC", "approach I've considered is to open with the \"main scene advances; conflict begins\"", "counted in this world will come out, but I don't want to add", "back-story. I need to replace the scene with MC #1 and MC #2", "plan, the scene with MC #2 (and not MC #1) will need good", "of the conflict that will set the rest of the story in motion.", "#2 earlier that day, in which we learn important things about them, the", "that event and some earlier events that provide context. The current sequence for", "is approximately a novella, not a full novel, and I'm not sure if", "in motion. Currently I am \"scene-cutting\" between that event and some earlier events", "easily mark a flashback by outright saying \"six months earlier\" or the like.", "alternate world, so I've been trying to avoid \"Earth-based\" references to show passage", "This means I can't easily mark a flashback by outright saying \"six months", "(and not MC #1) will need good transitions in and out. Further, this", "outcome for MC #1 and chaos for antagonist My beta readers think this", "#1 and MC #2 with one that's earlier in time (which is fine),", "think this works ok, but I realized in revising that I need to", "* main character #1 and main antagonist in main scene * flashback to", "is to open with the \"main scene advances; conflict begins\" part (#3 in", "the current version MC #1 is in every scene; in this new plan,", "is: * main character #1 and main antagonist in main scene * flashback", "MC #2 (and not MC #1) will need good transitions in and out.", "I am \"scene-cutting\" between that event and some earlier events that provide context.", "a flashback by outright saying \"six months earlier\" or the like. I have", "the rest of the story in motion. Currently I am \"scene-cutting\" between that", "world, so I've been trying to avoid \"Earth-based\" references to show passage of", "time. How time is counted in this world will come out, but I", "to add that into the mix. This means I can't easily mark a", "this story is set in an alternate world, so I've been trying to", "Currently I am \"scene-cutting\" between that event and some earlier events that provide", "that day, in which we learn important things about their relationship * main", "one that's earlier in time (which is fine), and I also need to", "But this is approximately a novella, not a full novel, and I'm not", "res, in the middle of the conflict that will set the rest of", "is counted in this world will come out, but I don't want to", "earliest point in time. But this is approximately a novella, not a full", "need good transitions in and out. Further, this story is set in an", "also need to show something between MC #2 and someone else who will", "novel, and I'm not sure if a prologue for a shorter work would", "about their relationship main scene reaches its climax, with bad outcome for", "The current sequence for the first chapter is: * main character #1 and", "scene with MC #1 and MC #2 with one that's earlier in time", "time is counted in this world will come out, but I don't want", "I can hook people with the main scene and still show this back-story?", "earlier\" or the like. I have to show where each scene is placed", "mark a flashback by outright saying \"six months earlier\" or the like. I", "that I can hook people with the main scene and still show this", "#2 and someone else who will become important later. But that feels like", "the earliest point in time. But this is approximately a novella, not a", "a sort of prologue, and then start chapter 1 with the earliest point", "in every scene; in this new plan, the scene with MC #2 (and", "\"scene-cutting\" between that event and some earlier events that provide context. The current", "like. I have to show where each scene is placed in time, at", "considered is to open with the \"main scene advances; conflict begins\" part (#3", "the scene with MC #2 (and not MC #1) will need good transitions", "should I approach structuring this chapter so that I can hook people with", "much flashback. Also, in the current version MC #1 is in every scene;", "and out. Further, this story is set in an alternate world, so I've", "things about them, the world, and the antagonist * main scene advances; conflict", "fine), and I also need to show something between MC #2 and someone", "conflict that will set the rest of the story in motion. Currently I", "but I realized in revising that I need to add some more back-story.", "this new plan, the scene with MC #2 (and not MC #1) will", "#1 is in every scene; in this new plan, the scene with MC", "MC #1 and antagonist earlier that day, in which we learn important things", "need to add some more back-story. I need to replace the scene with", "saying \"six months earlier\" or the like. I have to show where each", "flashback by outright saying \"six months earlier\" or the like. I have to", "that feels like too much flashback. Also, in the current version MC #1", "too much flashback. Also, in the current version MC #1 is in every", "a novella, not a full novel, and I'm not sure if a prologue", "\"six months earlier\" or the like. I have to show where each scene", "add that into the mix. This means I can't easily mark a flashback", "time, at least approximately. (Exact timing is not important.) How should I approach", "full novel, and I'm not sure if a prologue for a shorter work", "MC #1 and MC #2 with one that's earlier in time (which is", "in the middle of the conflict that will set the rest of the", "novella, not a full novel, and I'm not sure if a prologue for", "main scene and still show this back-story? One approach I've considered is to", "version MC #1 is in every scene; in this new plan, the scene", "timing is not important.) How should I approach structuring this chapter so that", "is placed in time, at least approximately. (Exact timing is not important.) How", "I don't want to add that into the mix. This means I can't", "time (which is fine), and I also need to show something between MC", "prologue, and then start chapter 1 with the earliest point in time. But", "scene is placed in time, at least approximately. (Exact timing is not important.)", "\"main scene advances; conflict begins\" part (#3 in my list above) as a", "least approximately. (Exact timing is not important.) How should I approach structuring this", "we learn important things about them, the world, and the antagonist * main", "important later. But that feels like too much flashback. Also, in the current", "else who will become important later. But that feels like too much flashback.", "in time. But this is approximately a novella, not a full novel, and", "* main scene reaches its climax, with bad outcome for MC #1 and", "How time is counted in this world will come out, but I don't", "not a full novel, and I'm not sure if a prologue for a", "world will come out, but I don't want to add that into the", "in an alternate world, so I've been trying to avoid \"Earth-based\" references to", "mix. This means I can't easily mark a flashback by outright saying \"six", "the main scene and still show this back-story? One approach I've considered is", "list above) as a sort of prologue, and then start chapter 1 with", "above) as a sort of prologue, and then start chapter 1 with the", "to open with the \"main scene advances; conflict begins\" part (#3 in my", "show something between MC #2 and someone else who will become important later.", "flashback to MC #1 and MC #2 earlier that day, in which we", "scene advances; conflict begins * flashback to MC #1 and antagonist earlier that", "MC #1 and MC #2 earlier that day, in which we learn important", "in this new plan, the scene with MC #2 (and not MC #1)", "#2 with one that's earlier in time (which is fine), and I also", "sequence for the first chapter is: * main character #1 and main antagonist", "provide context. The current sequence for the first chapter is: * main character", "earlier that day, in which we learn important things about them, the world,", "this is approximately a novella, not a full novel, and I'm not sure", "by outright saying \"six months earlier\" or the like. I have to show", "MC #1) will need good transitions in and out. Further, this story is", "for the first chapter is: * main character #1 and main antagonist in", "(#3 in my list above) as a sort of prologue, and then start", "character #1 and main antagonist in main scene * flashback to MC #1", "main scene advances; conflict begins * flashback to MC #1 and antagonist earlier", "who will become important later. But that feels like too much flashback. Also,", "outright saying \"six months earlier\" or the like. I have to show where", "earlier in time (which is fine), and I also need to show something", "that's earlier in time (which is fine), and I also need to show", "with one that's earlier in time (which is fine), and I also need", "that I need to add some more back-story. I need to replace the", "don't want to add that into the mix. This means I can't easily", "can't easily mark a flashback by outright saying \"six months earlier\" or the", "#1 and chaos for antagonist My beta readers think this works ok, but", "conflict begins * flashback to MC #1 and antagonist earlier that day, in", "as a sort of prologue, and then start chapter 1 with the earliest", "to show something between MC #2 and someone else who will become important", "MC #2 earlier that day, in which we learn important things about them,", "months earlier\" or the like. I have to show where each scene is", "flashback to MC #1 and antagonist earlier that day, in which we learn", "I can't easily mark a flashback by outright saying \"six months earlier\" or", "in which we learn important things about them, the world, and the antagonist", "its climax, with bad outcome for MC #1 and chaos for antagonist My", "#1) will need good transitions in and out. Further, this story is set", "conflict begins\" part (#3 in my list above) as a sort of prologue,", "#1 and antagonist earlier that day, in which we learn important things about", "for MC #1 and chaos for antagonist My beta readers think this works", "Also, in the current version MC #1 is in every scene; in this", "scene reaches its climax, with bad outcome for MC #1 and chaos for", "their relationship * main scene reaches its climax, with bad outcome for MC", "we learn important things about their relationship * main scene reaches its climax,", "of time. How time is counted in this world will come out, but" ]
[ "waiver or some sort of other legal document before I can publish their", "interview questions that I am asking of multiple well-known-in-their-field people. Do I need", "sign a waiver or some sort of other legal document before I can", "a waiver or some sort of other legal document before I can publish", "on a book that will be based on the results of ten interview", "multiple well-known-in-their-field people. Do I need to get these folks to sign a", "working on a book that will be based on the results of ten", "I don't need to, but is it wise to? I'm self-publishing for what", "need to, but is it wise to? I'm self-publishing for what it is", "folks to sign a waiver or some sort of other legal document before", "to sign a waiver or some sort of other legal document before I", "or some sort of other legal document before I can publish their responses?", "other legal document before I can publish their responses? Maybe I don't need", "I need to get these folks to sign a waiver or some sort", "legal document before I can publish their responses? Maybe I don't need to,", "that I am asking of multiple well-known-in-their-field people. Do I need to get", "sort of other legal document before I can publish their responses? Maybe I", "ten interview questions that I am asking of multiple well-known-in-their-field people. Do I", "book that will be based on the results of ten interview questions that", "need to get these folks to sign a waiver or some sort of", "of other legal document before I can publish their responses? Maybe I don't", "to, but is it wise to? I'm self-publishing for what it is worth.", "Do I need to get these folks to sign a waiver or some", "don't need to, but is it wise to? I'm self-publishing for what it", "be based on the results of ten interview questions that I am asking", "will be based on the results of ten interview questions that I am", "the results of ten interview questions that I am asking of multiple well-known-in-their-field", "a book that will be based on the results of ten interview questions", "results of ten interview questions that I am asking of multiple well-known-in-their-field people.", "get these folks to sign a waiver or some sort of other legal", "their responses? Maybe I don't need to, but is it wise to? I'm", "people. Do I need to get these folks to sign a waiver or", "that will be based on the results of ten interview questions that I", "am working on a book that will be based on the results of", "document before I can publish their responses? Maybe I don't need to, but", "responses? Maybe I don't need to, but is it wise to? I'm self-publishing", "I am asking of multiple well-known-in-their-field people. Do I need to get these", "of multiple well-known-in-their-field people. Do I need to get these folks to sign", "I can publish their responses? Maybe I don't need to, but is it", "of ten interview questions that I am asking of multiple well-known-in-their-field people. Do", "well-known-in-their-field people. Do I need to get these folks to sign a waiver", "publish their responses? Maybe I don't need to, but is it wise to?", "based on the results of ten interview questions that I am asking of", "I am working on a book that will be based on the results", "before I can publish their responses? Maybe I don't need to, but is", "these folks to sign a waiver or some sort of other legal document", "to get these folks to sign a waiver or some sort of other", "am asking of multiple well-known-in-their-field people. Do I need to get these folks", "some sort of other legal document before I can publish their responses? Maybe", "on the results of ten interview questions that I am asking of multiple", "questions that I am asking of multiple well-known-in-their-field people. Do I need to", "asking of multiple well-known-in-their-field people. Do I need to get these folks to", "Maybe I don't need to, but is it wise to? I'm self-publishing for", "can publish their responses? Maybe I don't need to, but is it wise" ]
[ "I love alternate history scenarios; however, I just want to start writing. Should", "want to start writing. Should I do research or just start writing and", "do research or just start writing and go with it with some research", "love alternate history scenarios; however, I just want to start writing. Should I", "Should I do research or just start writing and go with it with", "just start writing and go with it with some research along the way?", "history scenarios; however, I just want to start writing. Should I do research", "writing. Should I do research or just start writing and go with it", "or just start writing and go with it with some research along the", "alternate history scenarios; however, I just want to start writing. Should I do", "I just want to start writing. Should I do research or just start", "I do research or just start writing and go with it with some", "start writing. Should I do research or just start writing and go with", "research or just start writing and go with it with some research along", "however, I just want to start writing. Should I do research or just", "to start writing. Should I do research or just start writing and go", "scenarios; however, I just want to start writing. Should I do research or", "just want to start writing. Should I do research or just start writing" ]
[ "understand the answer should be obvious! I'm new to the writing scene, however,", "the answer should be obvious! I'm new to the writing scene, however, and", "to the writing scene, however, and I would like to know the proper", "answer should be obvious! I'm new to the writing scene, however, and I", "question. I understand the answer should be obvious! I'm new to the writing", "the writing scene, however, and I would like to know the proper process", "I understand this is a stupid question. I understand the answer should be", "new to the writing scene, however, and I would like to know the", "and I would like to know the proper process of going about it.", "be obvious! I'm new to the writing scene, however, and I would like", "understand this is a stupid question. I understand the answer should be obvious!", "this is a stupid question. I understand the answer should be obvious! I'm", "a stupid question. I understand the answer should be obvious! I'm new to", "scene, however, and I would like to know the proper process of going", "I'm new to the writing scene, however, and I would like to know", "is a stupid question. I understand the answer should be obvious! I'm new", "however, and I would like to know the proper process of going about", "stupid question. I understand the answer should be obvious! I'm new to the", "I understand the answer should be obvious! I'm new to the writing scene,", "writing scene, however, and I would like to know the proper process of", "should be obvious! I'm new to the writing scene, however, and I would", "obvious! I'm new to the writing scene, however, and I would like to" ]
[ "thought about it before, but today I came across a writing prompt that", "when I was very young I tended to be unwilling to make concrete", "many variables in play to make a definitive decision on it. The upshot", "have been made, and I appreciate all of them. The idea that hate", "definitive decision on it. The upshot of that is that I am saddened", "hateful things to do or say to someone. As a writer I know", "involved hate. My mind kept running up against walls. It's not a skill", "or say to someone. As a writer I know that I will eventually", "a writing prompt that involved hate. My mind kept running up against walls.", "silly thrown in statement. I know they are not the only ones to", "lot of good points have been made, and I appreciate all of them.", "do to help me write these future characters?** Edit: Adding the villains bit", "do or say to someone. As a writer I know that I will", "A lot of good points have been made, and I appreciate all of", "decisions about certain things I disliked because there were too many variables in", "there were too many variables in play to make a definitive decision on", "I have not experienced the hurt of being a harmer myself specifically, but", "statement.* A lot of good points have been made, and I appreciate all", "end up hurting the harmers -sometimes- more deeply than the harmed. I have", "up against walls. It's not a skill I have ever worked at fostering.", "play to make a definitive decision on it. The upshot of that is", "out of proportion (due to various contributing factors) makes sense, and I believe", "can I think of hateful things to do or say to someone. As", "to hate someone nor can I think of hateful things to do or", "is that I am saddened by actions and occurrences that cause harm to", "some fiction the emotion is thrown on them. Sum up of that: it", "Fortunately, you all have pointed out to me that hate is not necessarily", "I will eventually have to write characters who have this problem (there are", "that involved hate. My mind kept running up against walls. It's not a", "points have been made, and I appreciate all of them. The idea that", "but I've noticed that in some fiction the emotion is thrown on them.", "are so horrid. Fortunately, you all have pointed out to me that hate", "who have this problem (there are villains after all) and I'm concerned that", "anyone else had this problem, or do you have suggestions of what I", "things to do or say to someone. As a writer I know that", "just a silly thrown in statement. I know they are not the only", "be kinder in the future. To me it makes no logical sense to", "in some fiction the emotion is thrown on them. Sum up of that:", "things end up hurting the harmers -sometimes- more deeply than the harmed. I", "was very young I tended to be unwilling to make concrete decisions about", "good points have been made, and I appreciate all of them. The idea", "them. It's hard to watch, and I hope that they can move beyond", "mostly just a silly thrown in statement. I know they are not the", "of good points have been made, and I appreciate all of them. The", "these types of things end up hurting the harmers -sometimes- more deeply than", "-sometimes- more deeply than the harmed. I have not experienced the hurt of", "so on since the long reaching ramifications are so horrid. Fortunately, you all", "I watch it happen to them. It's hard to watch, and I hope", "me it makes no logical sense to foster deception, harm, and so on", "a writer I know that I will eventually have to write characters who", "more deeply than the harmed. I have not experienced the hurt of being", "to be kinder in the future. To me it makes no logical sense", "actions and occurrences that cause harm to me and mine. I know that", "about certain things I disliked because there were too many variables in play", "hate. My mind kept running up against walls. It's not a skill I", "think of a reason good enough to hate someone nor can I think", "be able to when the time comes. Has anyone else had this problem,", "all of them. The idea that hate is just dislike blown out of", "a reason good enough to hate someone nor can I think of hateful", "and I'm concerned that I won't be able to when the time comes.", "I am saddened by actions and occurrences that cause harm to me and", "upshot of that is that I am saddened by actions and occurrences that", "concerned that I won't be able to when the time comes. Has anyone", "that these types of things end up hurting the harmers -sometimes- more deeply", "it before, but today I came across a writing prompt that involved hate.", "have noticed that even when I was very young I tended to be", "and I appreciate all of them. The idea that hate is just dislike", "proportion (due to various contributing factors) makes sense, and I believe that I", "themselves, and make steps to be kinder in the future. To me it", "all) and I'm concerned that I won't be able to when the time", "happen to them. It's hard to watch, and I hope that they can", "on since the long reaching ramifications are so horrid. Fortunately, you all have", "certain things I disliked because there were too many variables in play to", "me and mine. I know that these types of things end up hurting", "hurt of being a harmer myself specifically, but -being an observer- I watch", "kinder in the future. To me it makes no logical sense to foster", "to make a definitive decision on it. The upshot of that is that", "that I won't be able to when the time comes. Has anyone else", "sense, and I believe that I can build a character that hates something/someone", "know they are not the only ones to feel hate, but I've noticed", "factors) makes sense, and I believe that I can build a character that", "but -being an observer- I watch it happen to them. It's hard to", "cause harm to me and mine. I know that these types of things", "harmed. I have not experienced the hurt of being a harmer myself specifically,", "ramifications are so horrid. Fortunately, you all have pointed out to me that", "unwilling to make concrete decisions about certain things I disliked because there were", "using that knowledge. I have noticed that even when I was very young", "long reaching ramifications are so horrid. Fortunately, you all have pointed out to", "only ones to feel hate, but I've noticed that in some fiction the", "not the only ones to feel hate, but I've noticed that in some", "something/someone using that knowledge. I have noticed that even when I was very", "Sum up of that: it was a silly, superfluous, parenthetic statement. A lot", "forgive themselves, and make steps to be kinder in the future. To me", "Has anyone else had this problem, or do you have suggestions of what", "future. To me it makes no logical sense to foster deception, harm, and", "I've noticed that in some fiction the emotion is thrown on them. Sum", "to feel hate, but I've noticed that in some fiction the emotion is", "experienced the hurt of being a harmer myself specifically, but -being an observer-", "hate is just dislike blown out of proportion (due to various contributing factors)", "I think of hateful things to do or say to someone. As a", "hates something/someone using that knowledge. I have noticed that even when I was", "in the future. To me it makes no logical sense to foster deception,", "write characters who have this problem (there are villains after all) and I'm", "the future. To me it makes no logical sense to foster deception, harm,", "else had this problem, or do you have suggestions of what I could", "skill I have ever worked at fostering. I can't think of a reason", "that in some fiction the emotion is thrown on them. Sum up of", "concrete decisions about certain things I disliked because there were too many variables", "make steps to be kinder in the future. To me it makes no", "know that these types of things end up hurting the harmers -sometimes- more", "to watch, and I hope that they can move beyond it; forgive themselves,", "know that I will eventually have to write characters who have this problem", "build a character that hates something/someone using that knowledge. I have noticed that", "or do you have suggestions of what I could do to help me", "hurting the harmers -sometimes- more deeply than the harmed. I have not experienced", "I came across a writing prompt that involved hate. My mind kept running", "they can move beyond it; forgive themselves, and make steps to be kinder", "of hateful things to do or say to someone. As a writer I", "It's not a skill I have ever worked at fostering. I can't think", "walls. It's not a skill I have ever worked at fostering. I can't", "future characters?* Edit: Adding the villains bit was mostly just a silly thrown", "it happen to them. It's hard to watch, and I hope that they", "mine. I know that these types of things end up hurting the harmers", "(due to various contributing factors) makes sense, and I believe that I can", "characters?* Edit: Adding the villains bit was mostly just a silly thrown in", "steps to be kinder in the future. To me it makes no logical", "suggestions of what I could do to help me write these future characters?", "because there were too many variables in play to make a definitive decision", "characters who have this problem (there are villains after all) and I'm concerned", "in statement. I know they are not the only ones to feel hate,", "a character that hates something/someone using that knowledge. I have noticed that even", "can move beyond it; forgive themselves, and make steps to be kinder in", "that I am saddened by actions and occurrences that cause harm to me", "I could do to help me write these future characters?* Edit: Adding the", "young I tended to be unwilling to make concrete decisions about certain things", "be unwilling to make concrete decisions about certain things I disliked because there", "the hurt of being a harmer myself specifically, but -being an observer- I", "I know that these types of things end up hurting the harmers -sometimes-", "I believe that I can build a character that hates something/someone using that", "a definitive decision on it. The upshot of that is that I am", "have ever worked at fostering. I can't think of a reason good enough", "that they can move beyond it; forgive themselves, and make steps to be", "disliked because there were too many variables in play to make a definitive", "them. Sum up of that: it was a silly, superfluous, parenthetic statement. A", "to me that hate is not necessarily logical so that helps as well.", "have pointed out to me that hate is not necessarily logical so that", "the time comes. Has anyone else had this problem, or *do you have", "have suggestions of what I could do to help me write these future", "on them. Sum up of that: it was a silly, superfluous, parenthetic statement.", "I know they are not the only ones to feel hate, but I've", "and mine. I know that these types of things end up hurting the", "bit was mostly just a silly thrown in statement. I know they are", "they are not the only ones to feel hate, but I've noticed that", "tended to be unwilling to make concrete decisions about certain things I disliked", "watch, and I hope that they can move beyond it; forgive themselves, and", "observer- I watch it happen to them. It's hard to watch, and I", "move beyond it; forgive themselves, and make steps to be kinder in the", "to when the time comes. Has anyone else had this problem, or *do", "was a silly, superfluous, parenthetic statement. A lot of good points have been", "things I disliked because there were too many variables in play to make", "Edit: Adding the villains bit was mostly just a silly thrown in statement.", "to someone. As a writer I know that I will eventually have to", "able to when the time comes. Has anyone else had this problem, or", "a skill I have ever worked at fostering. I can't think of a", "reason good enough to hate someone nor can I think of hateful things", "the emotion is thrown on them. Sum up of that: it was a", "made, and I appreciate all of them. The idea that hate is just", "the harmers -sometimes- more deeply than the harmed. I have not experienced the", "contributing factors) makes sense, and I believe that I can build a character", "time comes. Has anyone else had this problem, or do you have suggestions", "hadn't thought about it before, but today I came across a writing prompt", "harm to me and mine. I know that these types of things end", "foster deception, harm, and so on since the long reaching ramifications are so", "various contributing factors) makes sense, and I believe that I can build a", "on it. The upshot of that is that I am saddened by actions", "to various contributing factors) makes sense, and I believe that I can build", "specifically, but -being an observer- I watch it happen to them. It's hard", "writing prompt that involved hate. My mind kept running up against walls. It's", "reaching ramifications are so horrid. Fortunately, you all have pointed out to me", "that even when I was very young I tended to be unwilling to", "could do to help me write these future characters? Edit: Adding the villains", "and I hope that they can move beyond it; forgive themselves, and make", "after all) and I'm concerned that I won't be able to when the", "up of that: it was a silly, superfluous, parenthetic statement. A lot of", "watch it happen to them. It's hard to watch, and I hope that", "(there are villains after all) and I'm concerned that I won't be able", "to them. It's hard to watch, and I hope that they can move", "beyond it; forgive themselves, and make steps to be kinder in the future.", "I appreciate all of them. The idea that hate is just dislike blown", "being a harmer myself specifically, but -being an observer- I watch it happen", "statement. I know they are not the only ones to feel hate, but", "me write these future characters?** Edit: Adding the villains bit was mostly just", "been made, and I appreciate all of them. The idea that hate is", "The idea that hate is just dislike blown out of proportion (due to", "To me it makes no logical sense to foster deception, harm, and so", "mind kept running up against walls. It's not a skill I have ever", "*do you have suggestions of what I could do to help me write", "nor can I think of hateful things to do or say to someone.", "noticed that even when I was very young I tended to be unwilling", "than the harmed. I have not experienced the hurt of being a harmer", "Adding the villains bit was mostly just a silly thrown in statement. I", "ever worked at fostering. I can't think of a reason good enough to", "say to someone. As a writer I know that I will eventually have", "against walls. It's not a skill I have ever worked at fostering. I", "a silly thrown in statement. I know they are not the only ones", "myself specifically, but -being an observer- I watch it happen to them. It's", "have this problem (there are villains after all) and I'm concerned that I", "I hope that they can move beyond it; forgive themselves, and make steps", "make a definitive decision on it. The upshot of that is that I", "types of things end up hurting the harmers -sometimes- more deeply than the", "idea that hate is just dislike blown out of proportion (due to various", "of proportion (due to various contributing factors) makes sense, and I believe that", "that cause harm to me and mine. I know that these types of", "by actions and occurrences that cause harm to me and mine. I know", "since the long reaching ramifications are so horrid. Fortunately, you all have pointed", "have to write characters who have this problem (there are villains after all)", "won't be able to when the time comes. Has anyone else had this", "that: it was a silly, superfluous, parenthetic statement. A lot of good points", "a harmer myself specifically, but -being an observer- I watch it happen to", "was mostly just a silly thrown in statement. I know they are not", "that hate is not necessarily logical so that helps as well. Thank you.", "the villains bit was mostly just a silly thrown in statement. I know", "noticed that in some fiction the emotion is thrown on them. Sum up", "enough to hate someone nor can I think of hateful things to do", "that knowledge.* I have noticed that even when I was very young I", "help me write these future characters?* Edit: Adding the villains bit was mostly", "silly, superfluous, parenthetic statement. A lot of good points have been made, and", "write these future characters?* Edit: Adding the villains bit was mostly just a", "the long reaching ramifications are so horrid. Fortunately, you all have pointed out", "-being an observer- I watch it happen to them. It's hard to watch,", "decision on it. The upshot of that is that I am saddened by", "of a reason good enough to hate someone nor can I think of", "just dislike blown out of proportion (due to various contributing factors) makes sense,", "of being a harmer myself specifically, but -being an observer- I watch it", "I have noticed that even when I was very young I tended to", "can't think of a reason good enough to hate someone nor can I", "too many variables in play to make a definitive decision on it. The", "deception, harm, and so on since the long reaching ramifications are so horrid.", "these future characters?** Edit: Adding the villains bit was mostly just a silly", "across a writing prompt that involved hate. My mind kept running up against", "me that hate is not necessarily logical so that helps as well. Thank", "I disliked because there were too many variables in play to make a", "blown out of proportion (due to various contributing factors) makes sense, and I", "good enough to hate someone nor can I think of hateful things to", "and make steps to be kinder in the future. To me it makes", "deeply than the harmed. I have not experienced the hurt of being a", "I was very young I tended to be unwilling to make concrete decisions", "you have suggestions of what I could do to help me write these", "are villains after all) and I'm concerned that I won't be able to", "of what I could do to help me write these future characters?* Edit:", "am saddened by actions and occurrences that cause harm to me and mine.", "and I believe that I can build a character that hates something/someone using", "that is that I am saddened by actions and occurrences that cause harm", "emotion is thrown on them. Sum up of that: it was a silly,", "I have ever worked at fostering. I can't think of a reason good", "comes. Has anyone else had this problem, or do you have suggestions of", "in play to make a definitive decision on it. The upshot of that", "to me and mine. I know that these types of things end up", "worked at fostering. I can't think of a reason good enough to hate", "to make concrete decisions about certain things I disliked because there were too", "pointed out to me that hate is not necessarily logical so that helps", "you all have pointed out to me that hate is not necessarily logical", "of them. The idea that hate is just dislike blown out of proportion", "a silly, superfluous, parenthetic statement. A lot of good points have been made,", "came across a writing prompt that involved hate. My mind kept running up", "running up against walls. It's not a skill I have ever worked at", "problem, or do you have suggestions of what I could do to help", "it; forgive themselves, and make steps to be kinder in the future. To", "but today I came across a writing prompt that involved hate. My mind", "and occurrences that cause harm to me and mine. I know that these", "an observer- I watch it happen to them. It's hard to watch, and", "I tended to be unwilling to make concrete decisions about certain things I", "saddened by actions and occurrences that cause harm to me and mine. I", "will eventually have to write characters who have this problem (there are villains", "is just dislike blown out of proportion (due to various contributing factors) makes", "make concrete decisions about certain things I disliked because there were too many", "As a writer I know that I will eventually have to write characters", "think of hateful things to do or say to someone. As a writer", "parenthetic statement. A lot of good points have been made, and I appreciate", "to help me write these future characters?* Edit: Adding the villains bit was", "very young I tended to be unwilling to make concrete decisions about certain", "them. The idea that hate is just dislike blown out of proportion (due", "that I can build a character that hates something/someone using that knowledge. I", "variables in play to make a definitive decision on it. The upshot of", "all have pointed out to me that hate is not necessarily logical so", "not a skill I have ever worked at fostering. I can't think of", "to do or say to someone. As a writer I know that I", "It's hard to watch, and I hope that they can move beyond it;", "what I could do to help me write these future characters?* Edit: Adding", "not experienced the hurt of being a harmer myself specifically, but -being an", "no logical sense to foster deception, harm, and so on since the long", "writer I know that I will eventually have to write characters who have", "makes sense, and I believe that I can build a character that hates", "this problem (there are villains after all) and I'm concerned that I won't", "so horrid. Fortunately, you all have pointed out to me that hate is", "this problem, or do you have suggestions of what I could do to", "fiction the emotion is thrown on them. Sum up of that: it was", "hate someone nor can I think of hateful things to do or say", "the harmed. I have not experienced the hurt of being a harmer myself", "it makes no logical sense to foster deception, harm, and so on since", "about it before, but today I came across a writing prompt that involved", "someone nor can I think of hateful things to do or say to", "before, but today I came across a writing prompt that involved hate. My", "I hadn't thought about it before, but today I came across a writing", "prompt that involved hate. My mind kept running up against walls. It's not", "superfluous, parenthetic statement. A lot of good points have been made, and I", "I can build a character that hates something/someone using that knowledge. I have", "that hate is just dislike blown out of proportion (due to various contributing", "The upshot of that is that I am saddened by actions and occurrences", "ones to feel hate, but I've noticed that in some fiction the emotion", "it was a silly, superfluous, parenthetic statement. A lot of good points have", "I can't think of a reason good enough to hate someone nor can", "when the time comes. Has anyone else had this problem, or do you", "and so on since the long reaching ramifications are so horrid. Fortunately, you", "knowledge. I have noticed that even when I was very young I tended", "eventually have to write characters who have this problem (there are villains after", "kept running up against walls. It's not a skill I have ever worked", "I'm concerned that I won't be able to when the time comes. Has", "villains bit was mostly just a silly thrown in statement. I know they", "villains after all) and I'm concerned that I won't be able to when", "the only ones to feel hate, but I've noticed that in some fiction", "have not experienced the hurt of being a harmer myself specifically, but -being", "someone. As a writer I know that I will eventually have to write", "were too many variables in play to make a definitive decision on it.", "feel hate, but I've noticed that in some fiction the emotion is thrown", "problem (there are villains after all) and I'm concerned that I won't be", "thrown on them. Sum up of that: it was a silly, superfluous, parenthetic", "of things end up hurting the harmers -sometimes- more deeply than the harmed.", "at fostering. I can't think of a reason good enough to hate someone", "sense to foster deception, harm, and so on since the long reaching ramifications", "appreciate all of them. The idea that hate is just dislike blown out", "occurrences that cause harm to me and mine. I know that these types", "of that: it was a silly, superfluous, parenthetic statement. A lot of good", "I know that I will eventually have to write characters who have this", "logical sense to foster deception, harm, and so on since the long reaching", "hope that they can move beyond it; forgive themselves, and make steps to", "I won't be able to when the time comes. Has anyone else had", "it. The upshot of that is that I am saddened by actions and", "of that is that I am saddened by actions and occurrences that cause", "to foster deception, harm, and so on since the long reaching ramifications are", "can build a character that hates something/someone using that knowledge. I have noticed", "fostering. I can't think of a reason good enough to hate someone nor", "that I will eventually have to write characters who have this problem (there", "horrid. Fortunately, you all have pointed out to me that hate is not", "hate, but I've noticed that in some fiction the emotion is thrown on", "makes no logical sense to foster deception, harm, and so on since the", "thrown in statement. I know they are not the only ones to feel", "to be unwilling to make concrete decisions about certain things I disliked because", "believe that I can build a character that hates something/someone using that knowledge.", "had this problem, or *do you have suggestions of what I could do", "up hurting the harmers -sometimes- more deeply than the harmed. I have not", "hard to watch, and I hope that they can move beyond it; forgive", "dislike blown out of proportion (due to various contributing factors) makes sense, and", "My mind kept running up against walls. It's not a skill I have", "out to me that hate is not necessarily logical so that helps as", "that hates something/someone using that knowledge. I have noticed that even when I", "to write characters who have this problem (there are villains after all) and", "even when I was very young I tended to be unwilling to make", "harmer myself specifically, but -being an observer- I watch it happen to them.", "harm, and so on since the long reaching ramifications are so horrid. Fortunately,", "is thrown on them. Sum up of that: it was a silly, superfluous,", "today I came across a writing prompt that involved hate. My mind kept", "are not the only ones to feel hate, but I've noticed that in", "harmers -sometimes- more deeply than the harmed. I have not experienced the hurt", "character that hates something/someone using that knowledge. *I have noticed that even when" ]
[ "book one is now completed. I want to know if I should edit", "write a trilogy and the first draft of book one is now completed.", "a trilogy and the first draft of book one is now completed. I", "is now completed. I want to know if I should edit this draft", "I planned out to write a trilogy and the first draft of book", "draft of book one is now completed. I want to know if I", "now completed. I want to know if I should edit this draft before", "want to know if I should edit this draft before starting on the", "one is now completed. I want to know if I should edit this", "I want to know if I should edit this draft before starting on", "and the first draft of book one is now completed. I want to", "first draft of book one is now completed. I want to know if", "to write a trilogy and the first draft of book one is now", "planned out to write a trilogy and the first draft of book one", "of book one is now completed. I want to know if I should", "trilogy and the first draft of book one is now completed. I want", "the first draft of book one is now completed. I want to know", "completed. I want to know if I should edit this draft before starting", "out to write a trilogy and the first draft of book one is", "to know if I should edit this draft before starting on the second", "know if I should edit this draft before starting on the second book." ]
[ "the group, a six year old. He truly believes that his father's fascist", "and called for. TL;DR: he's extremely misguided, kills indiscriminately, and shows no remorse.", "truly believes that his father's fascist rule and the outlawing of freedoms of", "of speech, press, religion, etc. are completely justified and called for. TL;DR: he's", "after they escape custody, he tries to kill the youngest of the group,", "remorse. I do plan to have Day switch sides eventually, in a kind", "I do plan to have Day switch sides eventually, in a kind of", "do plan to have Day switch sides eventually, in a kind of a", "to prove to his father that he was worthy of his government position.", "of the group, a six year old. He truly believes that his father's", "way. But with all of his horrible behavior and actions, how can I", "escape custody, he tries to kill the youngest of the group, a six", "how do I not rush redemption? Is it plausible for a villain of", "villain of his caliber to be redeemed, or will readers find it forced?", "redeemed, or will readers find it forced? Is it cliche to even want", "whom is my MC. He killed his own sister to prove to his", "to have Day switch sides eventually, in a kind of a Girth Vedur,", "or will readers find it forced? Is it cliche to even want a", "I redeem him, and how do I not rush redemption? Is it plausible", "dictator and the director of state-sanctioned and sponsored torture of mutated humans, one", "of his horrible behavior and actions, how can I redeem him, and how", "old. He truly believes that his father's fascist rule and the outlawing of", "a dictator and the director of state-sanctioned and sponsored torture of mutated humans,", "it cliche to even want a redemption arc (through friendship/love) for such a", "rule and the outlawing of freedoms of speech, press, religion, etc. are completely", "position. After being held hostage by the mutants after they escape custody, he", "to be redeemed, or will readers find it forced? Is it cliche to", "his caliber to be redeemed, or will readers find it forced? Is it", "be redeemed, or will readers find it forced? Is it cliche to even", "sponsored torture of mutated humans, one of whom is my MC. He killed", "believes that his father's fascist rule and the outlawing of freedoms of speech,", "held hostage by the mutants after they escape custody, he tries to kill", "He truly believes that his father's fascist rule and the outlawing of freedoms", "of freedoms of speech, press, religion, etc. are completely justified and called for.", "Day switch sides eventually, in a kind of a Girth Vedur, the-light-was-inside-you-all-along way.", "But with all of his horrible behavior and actions, how can I redeem", "his government position. After being held hostage by the mutants after they escape", "Girth Vedur, the-light-was-inside-you-all-along way. But with all of his horrible behavior and actions,", "with all of his horrible behavior and actions, how can I redeem him,", "to kill the youngest of the group, a six year old. He truly", "it forced? Is it cliche to even want a redemption arc (through friendship/love)", "forced? Is it cliche to even want a redemption arc (through friendship/love) for", "it plausible for a villain of his caliber to be redeemed, or will", "I not rush redemption? Is it plausible for a villain of his caliber", "youngest of the group, a six year old. He truly believes that his", "switch sides eventually, in a kind of a Girth Vedur, the-light-was-inside-you-all-along way. But", "his own sister to prove to his father that he was worthy of", "redemption? Is it plausible for a villain of his caliber to be redeemed,", "are completely justified and called for. TL;DR: he's extremely misguided, kills indiscriminately, and", "a kind of a Girth Vedur, the-light-was-inside-you-all-along way. But with all of his", "the director of state-sanctioned and sponsored torture of mutated humans, one of whom", "torture of mutated humans, one of whom is my MC. He killed his", "caliber to be redeemed, or will readers find it forced? Is it cliche", "of his caliber to be redeemed, or will readers find it forced? Is", "behavior and actions, how can I redeem him, and how do I not", "etc. are completely justified and called for. TL;DR: he's extremely misguided, kills indiscriminately,", "can I redeem him, and how do I not rush redemption? Is it", "press, religion, etc. are completely justified and called for. TL;DR: he's extremely misguided,", "rush redemption? Is it plausible for a villain of his caliber to be", "they escape custody, he tries to kill the youngest of the group, a", "that he was worthy of his government position. After being held hostage by", "father's fascist rule and the outlawing of freedoms of speech, press, religion, etc.", "outlawing of freedoms of speech, press, religion, etc. are completely justified and called", "he's extremely misguided, kills indiscriminately, and shows no remorse. I do plan to", "kill the youngest of the group, a six year old. He truly believes", "TL;DR: he's extremely misguided, kills indiscriminately, and shows no remorse. I do plan", "not rush redemption? Is it plausible for a villain of his caliber to", "him, and how do I not rush redemption? Is it plausible for a", "sister to prove to his father that he was worthy of his government", "sides eventually, in a kind of a Girth Vedur, the-light-was-inside-you-all-along way. But with", "six year old. He truly believes that his father's fascist rule and the", "state-sanctioned and sponsored torture of mutated humans, one of whom is my MC.", "is the son of a dictator and the director of state-sanctioned and sponsored", "redeem him, and how do I not rush redemption? Is it plausible for", "prove to his father that he was worthy of his government position. After", "plan to have Day switch sides eventually, in a kind of a Girth", "and the outlawing of freedoms of speech, press, religion, etc. are completely justified", "Is it cliche to even want a redemption arc (through friendship/love) for such", "misguided, kills indiscriminately, and shows no remorse. I do plan to have Day", "MC. He killed his own sister to prove to his father that he", "all of his horrible behavior and actions, how can I redeem him, and", "mutated humans, one of whom is my MC. He killed his own sister", "being held hostage by the mutants after they escape custody, he tries to", "He killed his own sister to prove to his father that he was", "was worthy of his government position. After being held hostage by the mutants", "Vedur, the-light-was-inside-you-all-along way. But with all of his horrible behavior and actions, how", "of mutated humans, one of whom is my MC. He killed his own", "to even want a redemption arc (through friendship/love) for such a bad guy?", "kind of a Girth Vedur, the-light-was-inside-you-all-along way. But with all of his horrible", "and the director of state-sanctioned and sponsored torture of mutated humans, one of", "son of a dictator and the director of state-sanctioned and sponsored torture of", "find it forced? Is it cliche to even want a redemption arc (through", "a six year old. He truly believes that his father's fascist rule and", "will readers find it forced? Is it cliche to even want a redemption", "do I not rush redemption? Is it plausible for a villain of his", "and actions, how can I redeem him, and how do I not rush", "hostage by the mutants after they escape custody, he tries to kill the", "worthy of his government position. After being held hostage by the mutants after", "by the mutants after they escape custody, he tries to kill the youngest", "completely justified and called for. TL;DR: he's extremely misguided, kills indiscriminately, and shows", "cliche to even want a redemption arc (through friendship/love) for such a bad", "own sister to prove to his father that he was worthy of his", "the son of a dictator and the director of state-sanctioned and sponsored torture", "of whom is my MC. He killed his own sister to prove to", "group, a six year old. He truly believes that his father's fascist rule", "that his father's fascist rule and the outlawing of freedoms of speech, press,", "how can I redeem him, and how do I not rush redemption? Is", "My character, Day, is the son of a dictator and the director of", "his horrible behavior and actions, how can I redeem him, and how do", "religion, etc. are completely justified and called for. TL;DR: he's extremely misguided, kills", "have Day switch sides eventually, in a kind of a Girth Vedur, the-light-was-inside-you-all-along", "for. TL;DR: he's extremely misguided, kills indiscriminately, and shows no remorse. I do", "Day, is the son of a dictator and the director of state-sanctioned and", "director of state-sanctioned and sponsored torture of mutated humans, one of whom is", "and shows no remorse. I do plan to have Day switch sides eventually,", "horrible behavior and actions, how can I redeem him, and how do I", "mutants after they escape custody, he tries to kill the youngest of the", "the mutants after they escape custody, he tries to kill the youngest of", "plausible for a villain of his caliber to be redeemed, or will readers", "one of whom is my MC. He killed his own sister to prove", "actions, how can I redeem him, and how do I not rush redemption?", "is my MC. He killed his own sister to prove to his father", "extremely misguided, kills indiscriminately, and shows no remorse. I do plan to have", "for a villain of his caliber to be redeemed, or will readers find", "After being held hostage by the mutants after they escape custody, he tries", "shows no remorse. I do plan to have Day switch sides eventually, in", "and sponsored torture of mutated humans, one of whom is my MC. He", "to his father that he was worthy of his government position. After being", "my MC. He killed his own sister to prove to his father that", "the youngest of the group, a six year old. He truly believes that", "year old. He truly believes that his father's fascist rule and the outlawing", "the-light-was-inside-you-all-along way. But with all of his horrible behavior and actions, how can", "of his government position. After being held hostage by the mutants after they", "of state-sanctioned and sponsored torture of mutated humans, one of whom is my", "humans, one of whom is my MC. He killed his own sister to", "kills indiscriminately, and shows no remorse. I do plan to have Day switch", "and how do I not rush redemption? Is it plausible for a villain", "father that he was worthy of his government position. After being held hostage", "eventually, in a kind of a Girth Vedur, the-light-was-inside-you-all-along way. But with all", "no remorse. I do plan to have Day switch sides eventually, in a", "indiscriminately, and shows no remorse. I do plan to have Day switch sides", "he was worthy of his government position. After being held hostage by the", "tries to kill the youngest of the group, a six year old. He", "freedoms of speech, press, religion, etc. are completely justified and called for. TL;DR:", "government position. After being held hostage by the mutants after they escape custody,", "custody, he tries to kill the youngest of the group, a six year", "fascist rule and the outlawing of freedoms of speech, press, religion, etc. are", "a villain of his caliber to be redeemed, or will readers find it", "he tries to kill the youngest of the group, a six year old.", "of a Girth Vedur, the-light-was-inside-you-all-along way. But with all of his horrible behavior", "Is it plausible for a villain of his caliber to be redeemed, or", "the outlawing of freedoms of speech, press, religion, etc. are completely justified and", "readers find it forced? Is it cliche to even want a redemption arc", "a Girth Vedur, the-light-was-inside-you-all-along way. But with all of his horrible behavior and", "called for. TL;DR: he's extremely misguided, kills indiscriminately, and shows no remorse. I", "justified and called for. TL;DR: he's extremely misguided, kills indiscriminately, and shows no", "his father's fascist rule and the outlawing of freedoms of speech, press, religion,", "character, Day, is the son of a dictator and the director of state-sanctioned", "in a kind of a Girth Vedur, the-light-was-inside-you-all-along way. But with all of", "of a dictator and the director of state-sanctioned and sponsored torture of mutated", "his father that he was worthy of his government position. After being held", "killed his own sister to prove to his father that he was worthy", "speech, press, religion, etc. are completely justified and called for. TL;DR: he's extremely" ]
[ "novels and realized that I often filled them with unnecessary info and pseudojokes", "so I could quickly rejoin my favourite moments in the planned plot. I", "I found those moments more interesting and I was looking forward to writing", "pseudojokes so I could quickly rejoin my favourite moments in the planned plot.", "that I often filled them with unnecessary info and pseudojokes so I could", "my favourite moments in the planned plot. I found those moments more interesting", "interesting and I was looking forward to writing them. Did you have similar", "I read some of my old novels and realized that I often filled", "some TV people) appear in one universe (it has combined both my fictional", "is defacto crossover, where personages from the Cars movie, A Miss Mallard Mystery", "novel is defacto crossover, where personages from the Cars movie, A Miss Mallard", "could quickly rejoin my favourite moments in the planned plot. I found those", "have similar problems? How did you solve that? My novel is defacto crossover,", "My novel is defacto crossover, where personages from the Cars* movie, A Miss", "bears, speaking car toys, and IRL people (including alter ego and some TV", "those moments more interesting and I was looking forward to writing them. Did", "people (including alter ego and some TV people) appear in one universe (it", "IRL people (including alter ego and some TV people) appear in one universe", "that? My novel is defacto crossover, where personages from the Cars* movie, A", "you have similar problems? How did you solve that? My novel is defacto", "movie, A Miss Mallard Mystery series, teddy bears, speaking car toys, and IRL", "them. Did you have similar problems? How did you solve that? My novel", "with unnecessary info and pseudojokes so I could quickly rejoin my favourite moments", "in one universe (it has combined both my fictional city and universe from", "of my old novels and realized that I often filled them with unnecessary", "speaking car toys, and IRL people (including alter ego and some TV people)", "car toys, and IRL people (including alter ego and some TV people) appear", "looking forward to writing them. Did you have similar problems? How did you", "and realized that I often filled them with unnecessary info and pseudojokes so", "from the Cars movie, A Miss Mallard Mystery series, teddy bears, speaking car", "my old novels and realized that I often filled them with unnecessary info", "appear in one universe (it has combined both my fictional city and universe", "people) appear in one universe (it has combined both my fictional city and", "I often filled them with unnecessary info and pseudojokes so I could quickly", "similar problems? How did you solve that? My novel is defacto crossover, where", "read some of my old novels and realized that I often filled them", "one universe (it has combined both my fictional city and universe from other", "them with unnecessary info and pseudojokes so I could quickly rejoin my favourite", "universe (it has combined both my fictional city and universe from other movies).", "and IRL people (including alter ego and some TV people) appear in one", "series, teddy bears, speaking car toys, and IRL people (including alter ego and", "teddy bears, speaking car toys, and IRL people (including alter ego and some", "I could quickly rejoin my favourite moments in the planned plot. I found", "personages from the Cars movie, A Miss Mallard Mystery series, teddy bears, speaking", "and some TV people) appear in one universe (it has combined both my", "favourite moments in the planned plot. I found those moments more interesting and", "you solve that? My novel is defacto crossover, where personages from the Cars", "moments more interesting and I was looking forward to writing them. Did you", "info and pseudojokes so I could quickly rejoin my favourite moments in the", "alter ego and some TV people) appear in one universe (it has combined", "and I was looking forward to writing them. Did you have similar problems?", "Cars movie, A Miss Mallard Mystery series, teddy bears, speaking car toys, and", "A Miss Mallard Mystery series, teddy bears, speaking car toys, and IRL people", "Mallard Mystery* series, teddy bears, speaking car toys, and IRL people (including alter", "solve that? My novel is defacto crossover, where personages from the Cars movie,", "planned plot. I found those moments more interesting and I was looking forward", "rejoin my favourite moments in the planned plot. I found those moments more", "to writing them. Did you have similar problems? How did you solve that?", "old novels and realized that I often filled them with unnecessary info and", "more interesting and I was looking forward to writing them. Did you have", "I was looking forward to writing them. Did you have similar problems? How", "plot. I found those moments more interesting and I was looking forward to", "How did you solve that? My novel is defacto crossover, where personages from", "Mystery* series, teddy bears, speaking car toys, and IRL people (including alter ego", "problems? How did you solve that? My novel is defacto crossover, where personages", "filled them with unnecessary info and pseudojokes so I could quickly rejoin my", "unnecessary info and pseudojokes so I could quickly rejoin my favourite moments in", "Did you have similar problems? How did you solve that? My novel is", "was looking forward to writing them. Did you have similar problems? How did", "where personages from the Cars movie, A Miss Mallard Mystery series, teddy bears,", "often filled them with unnecessary info and pseudojokes so I could quickly rejoin", "toys, and IRL people (including alter ego and some TV people) appear in", "ego and some TV people) appear in one universe (it has combined both", "the Cars movie, A Miss Mallard Mystery series, teddy bears, speaking car toys,", "moments in the planned plot. I found those moments more interesting and I", "writing them. Did you have similar problems? How did you solve that? My", "realized that I often filled them with unnecessary info and pseudojokes so I", "the planned plot. I found those moments more interesting and I was looking", "forward to writing them. Did you have similar problems? How did you solve", "found those moments more interesting and I was looking forward to writing them.", "defacto crossover, where personages from the Cars movie, A Miss Mallard Mystery series,", "in the planned plot. I found those moments more interesting and I was", "quickly rejoin my favourite moments in the planned plot. I found those moments", "Miss Mallard Mystery series, teddy bears, speaking car toys, and IRL people (including", "(including alter ego and some TV people) appear in one universe (it has", "and pseudojokes so I could quickly rejoin my favourite moments in the planned", "TV people) appear in one universe (it has combined both my fictional city", "crossover, where personages from the Cars movie, A Miss Mallard Mystery series, teddy", "some of my old novels and realized that I often filled them with", "did you solve that? My novel is defacto crossover, where personages from the" ]
[ "character later has problems in her relationships when it comes to sex. How", "descriptive of the act itself, the situation itself is quite an sad scene.", "and say 'skip to page X' and then give a summary? or just", "when it comes to sex. How should I handle this? Add a trigger", "page X' and then give a summary? or just let it be. The", "quite an sad scene. This is relevant as the character later has problems", "relationships when it comes to sex. How should I handle this? Add a", "scene. This is relevant as the character later has problems in her relationships", "One of my characters is sexually assaulted by her father. While not being", "is sexually assaulted by her father. While not being descriptive of the act", "Add a trigger warning and say 'skip to page X' and then give", "'skip to page X' and then give a summary? or just let it", "itself, the situation itself is quite an sad scene. This is relevant as", "While not being descriptive of the act itself, the situation itself is quite", "sex. How should I handle this? Add a trigger warning and say 'skip", "say 'skip to page X' and then give a summary? or just let", "to keep it short. One of my characters is sexually assaulted by her", "How should I handle this? Add a trigger warning and say 'skip to", "handle this? Add a trigger warning and say 'skip to page X' and", "as the character later has problems in her relationships when it comes to", "a trigger warning and say 'skip to page X' and then give a", "it short. One of my characters is sexually assaulted by her father. While", "itself is quite an sad scene. This is relevant as the character later", "to page X' and then give a summary? or just let it be.", "being descriptive of the act itself, the situation itself is quite an sad", "her relationships when it comes to sex. How should I handle this? Add", "act itself, the situation itself is quite an sad scene. This is relevant", "and then give a summary? or just let it be. The novel is", "sad scene. This is relevant as the character later has problems in her", "of the act itself, the situation itself is quite an sad scene. This", "has problems in her relationships when it comes to sex. How should I", "later has problems in her relationships when it comes to sex. How should", "I handle this? Add a trigger warning and say 'skip to page X'", "comes to sex. How should I handle this? Add a trigger warning and", "of my characters is sexually assaulted by her father. While not being descriptive", "warning and say 'skip to page X' and then give a summary? or", "the situation itself is quite an sad scene. This is relevant as the", "This is relevant as the character later has problems in her relationships when", "problems in her relationships when it comes to sex. How should I handle", "X' and then give a summary? or just let it be. The novel", "not being descriptive of the act itself, the situation itself is quite an", "sexually assaulted by her father. While not being descriptive of the act itself,", "situation itself is quite an sad scene. This is relevant as the character", "then give a summary? or just let it be. The novel is for", "characters is sexually assaulted by her father. While not being descriptive of the", "relevant as the character later has problems in her relationships when it comes", "this? Add a trigger warning and say 'skip to page X' and then", "her father. While not being descriptive of the act itself, the situation itself", "a summary? or just let it be. The novel is for adults anyway.", "keep it short. One of my characters is sexually assaulted by her father.", "short. One of my characters is sexually assaulted by her father. While not", "to sex. How should I handle this? Add a trigger warning and say", "should I handle this? Add a trigger warning and say 'skip to page", "father. While not being descriptive of the act itself, the situation itself is", "is relevant as the character later has problems in her relationships when it", "my characters is sexually assaulted by her father. While not being descriptive of", "an sad scene. This is relevant as the character later has problems in", "trigger warning and say 'skip to page X' and then give a summary?", "the character later has problems in her relationships when it comes to sex.", "it comes to sex. How should I handle this? Add a trigger warning", "in her relationships when it comes to sex. How should I handle this?", "give a summary? or just let it be. The novel is for adults", "the act itself, the situation itself is quite an sad scene. This is", "Just to keep it short. One of my characters is sexually assaulted by", "is quite an sad scene. This is relevant as the character later has", "by her father. While not being descriptive of the act itself, the situation", "assaulted by her father. While not being descriptive of the act itself, the" ]
[ "book I'm writing. I usually find myself describing the day from start to", "24/7. But I can't find a way to skip one week, one month,", "it comes to how time passes in the book I'm writing. I usually", "to how time passes in the book I'm writing. I usually find myself", "start to finish, and that's just useless material since nothing relevant happens 24/7.", "day from start to finish, and that's just useless material since nothing relevant", "passes in the book I'm writing. I usually find myself describing the day", "that's just useless material since nothing relevant happens 24/7. But I can't find", "myself describing the day from start to finish, and that's just useless material", "material since nothing relevant happens 24/7. But I can't find a way to", "nothing relevant happens 24/7. But I can't find a way to skip one", "I usually find myself describing the day from start to finish, and that's", "comes to how time passes in the book I'm writing. I usually find", "skip one week, one month, or whatever without making it awkward. Any advice?", "writing. I usually find myself describing the day from start to finish, and", "time passes in the book I'm writing. I usually find myself describing the", "useless material since nothing relevant happens 24/7. But I can't find a way", "happens 24/7. But I can't find a way to skip one week, one", "can't find a way to skip one week, one month, or whatever without", "when it comes to how time passes in the book I'm writing. I", "to finish, and that's just useless material since nothing relevant happens 24/7. But", "the book I'm writing. I usually find myself describing the day from start", "since nothing relevant happens 24/7. But I can't find a way to skip", "to skip one week, one month, or whatever without making it awkward. Any", "how time passes in the book I'm writing. I usually find myself describing", "issues when it comes to how time passes in the book I'm writing.", "the day from start to finish, and that's just useless material since nothing", "I can't find a way to skip one week, one month, or whatever", "I'm writing. I usually find myself describing the day from start to finish,", "just useless material since nothing relevant happens 24/7. But I can't find a", "am having issues when it comes to how time passes in the book", "find a way to skip one week, one month, or whatever without making", "finish, and that's just useless material since nothing relevant happens 24/7. But I", "a way to skip one week, one month, or whatever without making it", "describing the day from start to finish, and that's just useless material since", "find myself describing the day from start to finish, and that's just useless", "way to skip one week, one month, or whatever without making it awkward.", "relevant happens 24/7. But I can't find a way to skip one week,", "in the book I'm writing. I usually find myself describing the day from", "having issues when it comes to how time passes in the book I'm", "But I can't find a way to skip one week, one month, or", "I am having issues when it comes to how time passes in the", "and that's just useless material since nothing relevant happens 24/7. But I can't", "usually find myself describing the day from start to finish, and that's just", "from start to finish, and that's just useless material since nothing relevant happens" ]
[ "colors are bronze and blue which shows 3rd place and \"once in a", "I mean. I'm inspired by Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it", "to have readers project themselves onto the world, I.E. Through fanfiction (don't laugh)", "Ravenclaw (my house) has the ideology of thinking outside the box, it has", "have some symbolism and motifs to them. How can I incorporate these things", "has the symbol of a raven which shows intelligence, it's colors are bronze", "intelligence, it's colors are bronze and blue which shows 3rd place and \"once", "blue moon\", etc. I'm using this kind of storytelling to have readers project", "and blue which shows 3rd place and \"once in a blue moon\", etc.", "laugh) and personality quizzes. I'm using it to give an amount of depth", "of a raven which shows intelligence, it's colors are bronze and blue which", "which shows 3rd place and \"once in a blue moon\", etc. I'm using", "of storytelling to have readers project themselves onto the world, I.E. Through fanfiction", "nations / classes / etc that have their own philosophy, ideology, and symbolism", "also (as you guessed) have some symbolism and motifs to them. How can", "question, so let me explain what I mean. I'm inspired by Hijrp Potfeq,", "I.E. Through fanfiction (don't laugh) and personality quizzes. I'm using it to give", "it's colors are bronze and blue which shows 3rd place and \"once in", "place and \"once in a blue moon\", etc. I'm using this kind of", "sound like a complex question, so let me explain what I mean. I'm", "of depth to the world. They would also (as you guessed) have some", "so let me explain what I mean. I'm inspired by Hijrp Potfeq, Avatar", "raven which shows intelligence, it's colors are bronze and blue which shows 3rd", "and all of those things have different houses / nations / classes /", "kind of storytelling to have readers project themselves onto the world, I.E. Through", "explain what I mean. I'm inspired by Hijrp Potfeq, Avatar The Last Airbender,", "own philosophy, ideology, and symbolism to them. For example: Ravenclaw (my house) has", "\"once in a blue moon\", etc. I'm using this kind of storytelling to", "to the world. They would also (as you guessed) have some symbolism and", "a blue moon\", etc. I'm using this kind of storytelling to have readers", "Potfeq, Avatar The Last Airbender, Homestuck (it exists), and all of those things", "to them. For example: Ravenclaw (my house) has the ideology of thinking outside", "different houses / nations / classes / etc that have their own philosophy,", "all of those things have different houses / nations / classes / etc", "/ etc that have their own philosophy, ideology, and symbolism to them. For", "(my house) has the ideology of thinking outside the box, it has the", "complex question, so let me explain what I mean. I'm inspired by Hijrp", "outside the box, it has the symbol of a raven which shows intelligence,", "/ nations / classes / etc that have their own philosophy, ideology, and", "box, it has the symbol of a raven which shows intelligence, it's colors", "them. For example: Ravenclaw (my house) has the ideology of thinking outside the", "project themselves onto the world, I.E. Through fanfiction (don't laugh) and personality quizzes.", "Avatar The Last Airbender, Homestuck (it exists), and all of those things have", "have their own philosophy, ideology, and symbolism to them. For example: Ravenclaw (my", "thinking outside the box, it has the symbol of a raven which shows", "that have their own philosophy, ideology, and symbolism to them. For example: Ravenclaw", "using this kind of storytelling to have readers project themselves onto the world,", "exists), and all of those things have different houses / nations / classes", "world. They would also (as you guessed) have some symbolism and motifs to", "(it exists), and all of those things have different houses / nations /", "house) has the ideology of thinking outside the box, it has the symbol", "inspired by Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it exists), and all", "are bronze and blue which shows 3rd place and \"once in a blue", "the box, it has the symbol of a raven which shows intelligence, it's", "a complex question, so let me explain what I mean. I'm inspired by", "example: Ravenclaw (my house) has the ideology of thinking outside the box, it", "This may sound like a complex question, so let me explain what I", "this kind of storytelling to have readers project themselves onto the world, I.E.", "have different houses / nations / classes / etc that have their own", "(as you guessed) have some symbolism and motifs to them. How can I", "me explain what I mean. I'm inspired by Hijrp Potfeq, Avatar The Last", "let me explain what I mean. I'm inspired by Hijrp Potfeq, Avatar The", "I'm inspired by Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it exists), and", "blue which shows 3rd place and \"once in a blue moon\", etc. I'm", "and personality quizzes. I'm using it to give an amount of depth to", "the world. They would also (as you guessed) have some symbolism and motifs", "ideology, and symbolism to them. For example: Ravenclaw (my house) has the ideology", "guessed) have some symbolism and motifs to them. How can I incorporate these", "and motifs to them. How can I incorporate these things into my story?", "mean. I'm inspired by Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it exists),", "(don't laugh) and personality quizzes. I'm using it to give an amount of", "the symbol of a raven which shows intelligence, it's colors are bronze and", "to give an amount of depth to the world. They would also (as", "some symbolism and motifs to them. How can I incorporate these things into", "of thinking outside the box, it has the symbol of a raven which", "by Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it exists), and all of", "have readers project themselves onto the world, I.E. Through fanfiction (don't laugh) and", "those things have different houses / nations / classes / etc that have", "amount of depth to the world. They would also (as you guessed) have", "shows 3rd place and \"once in a blue moon\", etc. I'm using this", "it to give an amount of depth to the world. They would also", "it has the symbol of a raven which shows intelligence, it's colors are", "etc. I'm using this kind of storytelling to have readers project themselves onto", "shows intelligence, it's colors are bronze and blue which shows 3rd place and", "in a blue moon\", etc. I'm using this kind of storytelling to have", "may sound like a complex question, so let me explain what I mean.", "moon\", etc. I'm using this kind of storytelling to have readers project themselves", "the world, I.E. Through fanfiction (don't laugh) and personality quizzes. I'm using it", "an amount of depth to the world. They would also (as you guessed)", "I'm using this kind of storytelling to have readers project themselves onto the", "and \"once in a blue moon\", etc. I'm using this kind of storytelling", "Through fanfiction (don't laugh) and personality quizzes. I'm using it to give an", "the ideology of thinking outside the box, it has the symbol of a", "a raven which shows intelligence, it's colors are bronze and blue which shows", "their own philosophy, ideology, and symbolism to them. For example: Ravenclaw (my house)", "3rd place and \"once in a blue moon\", etc. I'm using this kind", "Last Airbender, Homestuck (it exists), and all of those things have different houses", "give an amount of depth to the world. They would also (as you", "Hijrp Potfeq, Avatar The Last Airbender, Homestuck (it exists), and all of those", "and symbolism to them. For example: Ravenclaw (my house) has the ideology of", "what I mean. I'm inspired by Hijrp Potfeq, Avatar The Last Airbender, Homestuck", "/ classes / etc that have their own philosophy, ideology, and symbolism to", "onto the world, I.E. Through fanfiction (don't laugh) and personality quizzes. I'm using", "themselves onto the world, I.E. Through fanfiction (don't laugh) and personality quizzes. I'm", "has the ideology of thinking outside the box, it has the symbol of", "symbolism and motifs to them. How can I incorporate these things into my", "of those things have different houses / nations / classes / etc that", "personality quizzes. I'm using it to give an amount of depth to the", "bronze and blue which shows 3rd place and \"once in a blue moon\",", "things have different houses / nations / classes / etc that have their", "quizzes. I'm using it to give an amount of depth to the world.", "like a complex question, so let me explain what I mean. I'm inspired", "world, I.E. Through fanfiction (don't laugh) and personality quizzes. I'm using it to", "depth to the world. They would also (as you guessed) have some symbolism", "symbol of a raven which shows intelligence, it's colors are bronze and blue", "philosophy, ideology, and symbolism to them. For example: Ravenclaw (my house) has the", "symbolism to them. For example: Ravenclaw (my house) has the ideology of thinking", "I'm using it to give an amount of depth to the world. They", "would also (as you guessed) have some symbolism and motifs to them. How", "you guessed) have some symbolism and motifs to them. How can I incorporate", "using it to give an amount of depth to the world. They would", "which shows intelligence, it's colors are bronze and blue which shows 3rd place", "For example: Ravenclaw (my house) has the ideology of thinking outside the box,", "ideology of thinking outside the box, it has the symbol of a raven", "etc that have their own philosophy, ideology, and symbolism to them. For example:", "The Last Airbender, Homestuck (it exists), and all of those things have different", "readers project themselves onto the world, I.E. Through fanfiction (don't laugh) and personality", "houses / nations / classes / etc that have their own philosophy, ideology,", "classes / etc that have their own philosophy, ideology, and symbolism to them.", "They would also (as you guessed) have some symbolism and motifs to them.", "fanfiction (don't laugh) and personality quizzes. I'm using it to give an amount", "Airbender, Homestuck (it exists), and all of those things have different houses /", "Homestuck (it exists), and all of those things have different houses / nations", "storytelling to have readers project themselves onto the world, I.E. Through fanfiction (don't" ]
[ "suffering - even if it is in a drastic fashion. MC sees this", "is a successful businessman who told his two children they must make their", "who told his two children they must make their own way in the", "He is a successful businessman who told his two children they must make", "and grief stricken. His choices seem to make sense to him, but are", "His choices seem to make sense to him, but are lost to reason.", "MC sees this man as more a potential client than target. Is it", "a character who, maddened by the suicide of his son, chooses to destroy", "asking what to write, as I see the scene clearly. My question is", "scene clearly. My question is more would such a change be credible considering", "most effective way to do this job is kill this grieving man. He", "they wanted, not a lesson in independence. The son travels to Istanbul, gets", "is kill this grieving man. He would rather find other solutions as the", "to give them what they wanted, not a lesson in independence. The son", "weaker and a bit resentful. He expected their father to give them what", "to reason. My MC has been hired to protect the owner of the", "those who are suffering - even if it is in a drastic fashion.", "brought back to reason by a stranger after eight months or so? I", "The son travels to Istanbul, gets a job but has no passion and", "try and assist those who are suffering - even if it is in", "do this job is kill this grieving man. He would rather find other", "who, maddened by the suicide of his son, chooses to destroy the company", "he works for tends to try and assist those who are suffering -", "interest in it. He is fired after a few weeks. He tries halfheartedly", "independence. The son travels to Istanbul, gets a job but has no passion", "is weaker and a bit resentful. He expected their father to give them", "after a few weeks. He tries halfheartedly to get another meaningless job and", "and a bit resentful. He expected their father to give them what they", "in the world. His daughter takes the challenge and thrives, but the son", "and the most effective way to do this job is kill this grieving", "by a stranger after eight months or so? I am not asking what", "expected their father to give them what they wanted, not a lesson in", "as I see the scene clearly. My question is more would such a", "I see the scene clearly. My question is more would such a change", "maddened by grief and guilt be brought back to reason by a stranger", "by the suicide of his son, chooses to destroy the company the young", "it. He is fired after a few weeks. He tries halfheartedly to get", "drastic fashion. MC sees this man as more a potential client than target.", "the company that is his target of vengeance. MC is an assassin and", "are lost to reason. My MC has been hired to protect the owner", "the young man worked for, holding them responsible. He is a successful businessman", "not asking what to write, as I see the scene clearly. My question", "such a change be credible considering the extreme stresses this character is under?", "way in the world. His daughter takes the challenge and thrives, but the", "father to give them what they wanted, not a lesson in independence. The", "sense to him, but are lost to reason. My MC has been hired", "more would such a change be credible considering the extreme stresses this character", "them what they wanted, not a lesson in independence. The son travels to", "is an assassin and the most effective way to do this job is", "by grief and guilt be brought back to reason by a stranger after", "to him, but are lost to reason. My MC has been hired to", "son travels to Istanbul, gets a job but has no passion and little", "eight months or so? I am not asking what to write, as I", "few weeks. He tries halfheartedly to get another meaningless job and chooses to", "the most effective way to do this job is kill this grieving man.", "to protect the owner of the company that is his target of vengeance.", "is his target of vengeance. MC is an assassin and the most effective", "He expected their father to give them what they wanted, not a lesson", "and little interest in it. He is fired after a few weeks. He", "a few weeks. He tries halfheartedly to get another meaningless job and chooses", "job and chooses to hang himself. The businessman is guilt ridden and grief", "choices seem to make sense to him, but are lost to reason. My", "Is it reasonable to have someone maddened by grief and guilt be brought", "a bit resentful. He expected their father to give them what they wanted,", "would rather find other solutions as the organization he works for tends to", "for, holding them responsible. He is a successful businessman who told his two", "successful businessman who told his two children they must make their own way", "sees this man as more a potential client than target. Is it reasonable", "give them what they wanted, not a lesson in independence. The son travels", "travels to Istanbul, gets a job but has no passion and little interest", "make their own way in the world. His daughter takes the challenge and", "client than target. Is it reasonable to have someone maddened by grief and", "protect the owner of the company that is his target of vengeance. MC", "world. His daughter takes the challenge and thrives, but the son is weaker", "to destroy the company the young man worked for, holding them responsible. He", "as the organization he works for tends to try and assist those who", "wanted, not a lesson in independence. The son travels to Istanbul, gets a", "the suicide of his son, chooses to destroy the company the young man", "even if it is in a drastic fashion. MC sees this man as", "a drastic fashion. MC sees this man as more a potential client than", "but has no passion and little interest in it. He is fired after", "as more a potential client than target. Is it reasonable to have someone", "MC is an assassin and the most effective way to do this job", "no passion and little interest in it. He is fired after a few", "potential client than target. Is it reasonable to have someone maddened by grief", "His daughter takes the challenge and thrives, but the son is weaker and", "be brought back to reason by a stranger after eight months or so?", "a potential client than target. Is it reasonable to have someone maddened by", "resentful. He expected their father to give them what they wanted, not a", "have someone maddened by grief and guilt be brought back to reason by", "- even if it is in a drastic fashion. MC sees this man", "a job but has no passion and little interest in it. He is", "if it is in a drastic fashion. MC sees this man as more", "target. Is it reasonable to have someone maddened by grief and guilt be", "is guilt ridden and grief stricken. His choices seem to make sense to", "grief and guilt be brought back to reason by a stranger after eight", "so? I am not asking what to write, as I see the scene", "meaningless job and chooses to hang himself. The businessman is guilt ridden and", "businessman is guilt ridden and grief stricken. His choices seem to make sense", "guilt be brought back to reason by a stranger after eight months or", "not a lesson in independence. The son travels to Istanbul, gets a job", "chooses to hang himself. The businessman is guilt ridden and grief stricken. His", "the son is weaker and a bit resentful. He expected their father to", "gets a job but has no passion and little interest in it. He", "or so? I am not asking what to write, as I see the", "someone maddened by grief and guilt be brought back to reason by a", "the organization he works for tends to try and assist those who are", "find other solutions as the organization he works for tends to try and", "back to reason by a stranger after eight months or so? I am", "they must make their own way in the world. His daughter takes the", "the challenge and thrives, but the son is weaker and a bit resentful.", "that is his target of vengeance. MC is an assassin and the most", "lost to reason. My MC has been hired to protect the owner of", "passion and little interest in it. He is fired after a few weeks.", "effective way to do this job is kill this grieving man. He would", "assassin and the most effective way to do this job is kill this", "it reasonable to have someone maddened by grief and guilt be brought back", "company that is his target of vengeance. MC is an assassin and the", "clearly. My question is more would such a change be credible considering the", "what to write, as I see the scene clearly. My question is more", "to write, as I see the scene clearly. My question is more would", "a stranger after eight months or so? I am not asking what to", "rather find other solutions as the organization he works for tends to try", "am not asking what to write, as I see the scene clearly. My", "businessman who told his two children they must make their own way in", "is fired after a few weeks. He tries halfheartedly to get another meaningless", "organization he works for tends to try and assist those who are suffering", "who are suffering - even if it is in a drastic fashion. MC", "man as more a potential client than target. Is it reasonable to have", "guilt ridden and grief stricken. His choices seem to make sense to him,", "his target of vengeance. MC is an assassin and the most effective way", "own way in the world. His daughter takes the challenge and thrives, but", "his son, chooses to destroy the company the young man worked for, holding", "bit resentful. He expected their father to give them what they wanted, not", "suicide of his son, chooses to destroy the company the young man worked", "He is fired after a few weeks. He tries halfheartedly to get another", "halfheartedly to get another meaningless job and chooses to hang himself. The businessman", "the owner of the company that is his target of vengeance. MC is", "chooses to destroy the company the young man worked for, holding them responsible.", "reasonable to have someone maddened by grief and guilt be brought back to", "of vengeance. MC is an assassin and the most effective way to do", "Istanbul, gets a job but has no passion and little interest in it.", "the world. His daughter takes the challenge and thrives, but the son is", "has been hired to protect the owner of the company that is his", "kill this grieving man. He would rather find other solutions as the organization", "company the young man worked for, holding them responsible. He is a successful", "assist those who are suffering - even if it is in a drastic", "a successful businessman who told his two children they must make their own", "have a character who, maddened by the suicide of his son, chooses to", "in a drastic fashion. MC sees this man as more a potential client", "an assassin and the most effective way to do this job is kill", "holding them responsible. He is a successful businessman who told his two children", "reason by a stranger after eight months or so? I am not asking", "daughter takes the challenge and thrives, but the son is weaker and a", "another meaningless job and chooses to hang himself. The businessman is guilt ridden", "hang himself. The businessman is guilt ridden and grief stricken. His choices seem", "himself. The businessman is guilt ridden and grief stricken. His choices seem to", "son, chooses to destroy the company the young man worked for, holding them", "the company the young man worked for, holding them responsible. He is a", "them responsible. He is a successful businessman who told his two children they", "ridden and grief stricken. His choices seem to make sense to him, but", "little interest in it. He is fired after a few weeks. He tries", "this grieving man. He would rather find other solutions as the organization he", "worked for, holding them responsible. He is a successful businessman who told his", "the scene clearly. My question is more would such a change be credible", "their own way in the world. His daughter takes the challenge and thrives,", "maddened by the suicide of his son, chooses to destroy the company the", "him, but are lost to reason. My MC has been hired to protect", "seem to make sense to him, but are lost to reason. My MC", "reason. My MC has been hired to protect the owner of the company", "in it. He is fired after a few weeks. He tries halfheartedly to", "grieving man. He would rather find other solutions as the organization he works", "lesson in independence. The son travels to Istanbul, gets a job but has", "My question is more would such a change be credible considering the extreme", "MC has been hired to protect the owner of the company that is", "challenge and thrives, but the son is weaker and a bit resentful. He", "other solutions as the organization he works for tends to try and assist", "to have someone maddened by grief and guilt be brought back to reason", "young man worked for, holding them responsible. He is a successful businessman who", "grief stricken. His choices seem to make sense to him, but are lost", "what they wanted, not a lesson in independence. The son travels to Istanbul,", "it is in a drastic fashion. MC sees this man as more a", "after eight months or so? I am not asking what to write, as", "months or so? I am not asking what to write, as I see", "destroy the company the young man worked for, holding them responsible. He is", "to do this job is kill this grieving man. He would rather find", "to reason by a stranger after eight months or so? I am not", "in independence. The son travels to Istanbul, gets a job but has no", "and chooses to hang himself. The businessman is guilt ridden and grief stricken.", "stricken. His choices seem to make sense to him, but are lost to", "He would rather find other solutions as the organization he works for tends", "stranger after eight months or so? I am not asking what to write,", "character who, maddened by the suicide of his son, chooses to destroy the", "told his two children they must make their own way in the world.", "to get another meaningless job and chooses to hang himself. The businessman is", "is more would such a change be credible considering the extreme stresses this", "of his son, chooses to destroy the company the young man worked for,", "children they must make their own way in the world. His daughter takes", "has no passion and little interest in it. He is fired after a", "owner of the company that is his target of vengeance. MC is an", "fashion. MC sees this man as more a potential client than target. Is", "My MC has been hired to protect the owner of the company that", "hired to protect the owner of the company that is his target of", "tends to try and assist those who are suffering - even if it", "to Istanbul, gets a job but has no passion and little interest in", "make sense to him, but are lost to reason. My MC has been", "way to do this job is kill this grieving man. He would rather", "see the scene clearly. My question is more would such a change be", "man. He would rather find other solutions as the organization he works for", "to make sense to him, but are lost to reason. My MC has", "been hired to protect the owner of the company that is his target", "a lesson in independence. The son travels to Istanbul, gets a job but", "thrives, but the son is weaker and a bit resentful. He expected their", "two children they must make their own way in the world. His daughter", "and guilt be brought back to reason by a stranger after eight months", "than target. Is it reasonable to have someone maddened by grief and guilt", "and thrives, but the son is weaker and a bit resentful. He expected", "vengeance. MC is an assassin and the most effective way to do this", "to try and assist those who are suffering - even if it is", "more a potential client than target. Is it reasonable to have someone maddened", "job is kill this grieving man. He would rather find other solutions as", "target of vengeance. MC is an assassin and the most effective way to", "are suffering - even if it is in a drastic fashion. MC sees", "fired after a few weeks. He tries halfheartedly to get another meaningless job", "but are lost to reason. My MC has been hired to protect the", "solutions as the organization he works for tends to try and assist those", "He tries halfheartedly to get another meaningless job and chooses to hang himself.", "his two children they must make their own way in the world. His", "but the son is weaker and a bit resentful. He expected their father", "son is weaker and a bit resentful. He expected their father to give", "must make their own way in the world. His daughter takes the challenge", "to hang himself. The businessman is guilt ridden and grief stricken. His choices", "this job is kill this grieving man. He would rather find other solutions", "this man as more a potential client than target. Is it reasonable to", "write, as I see the scene clearly. My question is more would such", "of the company that is his target of vengeance. MC is an assassin", "works for tends to try and assist those who are suffering - even", "question is more would such a change be credible considering the extreme stresses", "responsible. He is a successful businessman who told his two children they must", "would such a change be credible considering the extreme stresses this character is", "tries halfheartedly to get another meaningless job and chooses to hang himself. The", "I am not asking what to write, as I see the scene clearly.", "The businessman is guilt ridden and grief stricken. His choices seem to make", "job but has no passion and little interest in it. He is fired", "man worked for, holding them responsible. He is a successful businessman who told", "takes the challenge and thrives, but the son is weaker and a bit", "for tends to try and assist those who are suffering - even if", "their father to give them what they wanted, not a lesson in independence.", "I have a character who, maddened by the suicide of his son, chooses", "weeks. He tries halfheartedly to get another meaningless job and chooses to hang", "is in a drastic fashion. MC sees this man as more a potential", "and assist those who are suffering - even if it is in a", "get another meaningless job and chooses to hang himself. The businessman is guilt" ]
[ "during that time with the corresponding words used today. Could someone help me", "I would like to write a Shakespearean poem that reads and sounds like", "that time period. However, I don't know where I can find an exhaustive", "like a poem written during that time period. However, I don't know where", "find an exhaustive list of words that were used during that time with", "I can find an exhaustive list of words that were used during that", "poem that reads and sounds like a poem written during that time period.", "reads and sounds like a poem written during that time period. However, I", "poem written during that time period. However, I don't know where I can", "exhaustive list of words that were used during that time with the corresponding", "me out? I don't want to use some Shakespearean words and end up", "used during that time with the corresponding words used today. Could someone help", "used today. Could someone help me out? I don't want to use some", "because I am not aware of them. I want to go 100% Shakespearean.", "However, I don't know where I can find an exhaustive list of words", "Could someone help me out? I don't want to use some Shakespearean words", "Shakespearean poem that reads and sounds like a poem written during that time", "the corresponding words used today. Could someone help me out? I don't want", "a Shakespearean poem that reads and sounds like a poem written during that", "Shakespearean words and end up leaving some, because I am not aware of", "words that were used during that time with the corresponding words used today.", "help me out? I don't want to use some Shakespearean words and end", "some Shakespearean words and end up leaving some, because I am not aware", "I don't want to use some Shakespearean words and end up leaving some,", "use some Shakespearean words and end up leaving some, because I am not", "words used today. Could someone help me out? I don't want to use", "to write a Shakespearean poem that reads and sounds like a poem written", "end up leaving some, because I am not aware of them. I want", "during that time period. However, I don't know where I can find an", "to use some Shakespearean words and end up leaving some, because I am", "know where I can find an exhaustive list of words that were used", "would like to write a Shakespearean poem that reads and sounds like a", "time with the corresponding words used today. Could someone help me out? I", "don't know where I can find an exhaustive list of words that were", "words and end up leaving some, because I am not aware of them.", "written during that time period. However, I don't know where I can find", "list of words that were used during that time with the corresponding words", "where I can find an exhaustive list of words that were used during", "like to write a Shakespearean poem that reads and sounds like a poem", "were used during that time with the corresponding words used today. Could someone", "of words that were used during that time with the corresponding words used", "don't want to use some Shakespearean words and end up leaving some, because", "out? I don't want to use some Shakespearean words and end up leaving", "and end up leaving some, because I am not aware of them. I", "period. However, I don't know where I can find an exhaustive list of", "leaving some, because I am not aware of them. I want to go", "sounds like a poem written during that time period. However, I don't know", "up leaving some, because I am not aware of them. I want to", "a poem written during that time period. However, I don't know where I", "can find an exhaustive list of words that were used during that time", "with the corresponding words used today. Could someone help me out? I don't", "some, because I am not aware of them. I want to go 100%", "and sounds like a poem written during that time period. However, I don't", "that were used during that time with the corresponding words used today. Could", "I don't know where I can find an exhaustive list of words that", "want to use some Shakespearean words and end up leaving some, because I", "write a Shakespearean poem that reads and sounds like a poem written during", "today. Could someone help me out? I don't want to use some Shakespearean", "corresponding words used today. Could someone help me out? I don't want to", "an exhaustive list of words that were used during that time with the", "time period. However, I don't know where I can find an exhaustive list", "someone help me out? I don't want to use some Shakespearean words and", "that time with the corresponding words used today. Could someone help me out?", "that reads and sounds like a poem written during that time period. However," ]
[ "the story, I intentionally break a sentence's flow for the sake of form.", "and poetry. My story is probably not poetry, even though I do pay", "of the dialogue is based on what I think/remember what the people said", "and this website has only three categories - fiction, non-fiction, and poetry. My", "I think/remember what the people said at one time. And the extreme personification", "only non-fiction. But non-fiction doesn't seem to fit either. The exact course of", "like to publish this on a literary magazine website, and this website has", "personify a concept. Also in the story, I intentionally break a sentence's flow", "has never really happened in my personal life, but each piece does come", "entire work sound like free verse poetry. In the story, I personify a", "characters are based on real people, but I don't have a tape recorder", "a literary magazine website, and this website has only three categories - fiction,", "magazine website, and this website has only three categories - fiction, non-fiction, and", "working on a story. I would like to publish this on a literary", "names to protect my privacy. The narrator's name in the story is also", "based on real people, but I don't have a tape recorder with me", "on what I think/remember what the people said at one time. And the", "extreme personification and attention to form make the entire work sound like free", "poetry. In the story, I personify a concept. Also in the story, I", "characters are based on real people, and the experiences are real experiences. I", "and the experiences are real experiences. I just change the names to protect", "in the story, I intentionally break a sentence's flow for the sake of", "I just change the names to protect my privacy. The narrator's name in", "to form and word choice and extreme personification. My story is not really", "extreme personification. My story is not really fiction, because the narrator is me,", "come from my personal life. The other characters are based on real people,", "poetry. My story is probably not poetry, even though I do pay attention", "what I think/remember what the people said at one time. And the extreme", "the time, so much of the dialogue is based on what I think/remember", "website has only three categories - fiction, non-fiction, and poetry. My story is", "a tape recorder with me all the time, so much of the dialogue", "privacy. The narrator's name in the story is also the author's pen name.", "this on a literary magazine website, and this website has only three categories", "the entire work sound like free verse poetry. In the story, I personify", "just change the names to protect my privacy. The narrator's name in the", "my personal life, but each piece does come from my personal life. The", "The exact course of events in the story has never really happened in", "based on what I think/remember what the people said at one time. And", "people, and the experiences are real experiences. I just change the names to", "narrator is me, and all the characters are based on real people, and", "are real experiences. I just change the names to protect my privacy. The", "each piece does come from my personal life. The other characters are based", "fiction, because the narrator is me, and all the characters are based on", "narrator's name in the story is also the author's pen name. That leaves", "break a sentence's flow for the sake of form. I don't know where", "not poetry, even though I do pay attention to form and word choice", "all the time, so much of the dialogue is based on what I", "non-fiction doesn't seem to fit either. The exact course of events in the", "the story, I personify a concept. Also in the story, I intentionally break", "would like to publish this on a literary magazine website, and this website", "time, so much of the dialogue is based on what I think/remember what", "is also the author's pen name. That leaves only non-fiction. But non-fiction doesn't", "has only three categories - fiction, non-fiction, and poetry. My story is probably", "the author's pen name. That leaves only non-fiction. But non-fiction doesn't seem to", "at one time. And the extreme personification and attention to form make the", "and extreme personification. My story is not really fiction, because the narrator is", "dialogue is based on what I think/remember what the people said at one", "and word choice and extreme personification. My story is not really fiction, because", "what the people said at one time. And the extreme personification and attention", "I intentionally break a sentence's flow for the sake of form. I don't", "story is also the author's pen name. That leaves only non-fiction. But non-fiction", "either. The exact course of events in the story has never really happened", "poetry, even though I do pay attention to form and word choice and", "fiction, non-fiction, and poetry. My story is probably not poetry, even though I", "In the story, I personify a concept. Also in the story, I intentionally", "protect my privacy. The narrator's name in the story is also the author's", "think/remember what the people said at one time. And the extreme personification and", "personal life. The other characters are based on real people, but I don't", "attention to form make the entire work sound like free verse poetry. In", "My story is probably not poetry, even though I do pay attention to", "name. That leaves only non-fiction. But non-fiction doesn't seem to fit either. The", "pen name. That leaves only non-fiction. But non-fiction doesn't seem to fit either.", "this website has only three categories - fiction, non-fiction, and poetry. My story", "am currently working on a story. I would like to publish this on", "is based on what I think/remember what the people said at one time.", "fit either. The exact course of events in the story has never really", "personal life, but each piece does come from my personal life. The other", "not really fiction, because the narrator is me, and all the characters are", "story has never really happened in my personal life, but each piece does", "but each piece does come from my personal life. The other characters are", "verse poetry. In the story, I personify a concept. Also in the story,", "experiences are real experiences. I just change the names to protect my privacy.", "so much of the dialogue is based on what I think/remember what the", "the narrator is me, and all the characters are based on real people,", "recorder with me all the time, so much of the dialogue is based", "But non-fiction doesn't seem to fit either. The exact course of events in", "and attention to form make the entire work sound like free verse poetry.", "author's pen name. That leaves only non-fiction. But non-fiction doesn't seem to fit", "do pay attention to form and word choice and extreme personification. My story", "doesn't seem to fit either. The exact course of events in the story", "don't have a tape recorder with me all the time, so much of", "a story. I would like to publish this on a literary magazine website,", "personification and attention to form make the entire work sound like free verse", "on a literary magazine website, and this website has only three categories -", "all the characters are based on real people, and the experiences are real", "my privacy. The narrator's name in the story is also the author's pen", "never really happened in my personal life, but each piece does come from", "said at one time. And the extreme personification and attention to form make", "like free verse poetry. In the story, I personify a concept. Also in", "story. I would like to publish this on a literary magazine website, and", "story is not really fiction, because the narrator is me, and all the", "though I do pay attention to form and word choice and extreme personification.", "one time. And the extreme personification and attention to form make the entire", "make the entire work sound like free verse poetry. In the story, I", "on real people, and the experiences are real experiences. I just change the", "currently working on a story. I would like to publish this on a", "story is probably not poetry, even though I do pay attention to form", "I do pay attention to form and word choice and extreme personification. My", "is probably not poetry, even though I do pay attention to form and", "non-fiction, and poetry. My story is probably not poetry, even though I do", "three categories - fiction, non-fiction, and poetry. My story is probably not poetry,", "in the story is also the author's pen name. That leaves only non-fiction.", "intentionally break a sentence's flow for the sake of form. I don't know", "change the names to protect my privacy. The narrator's name in the story", "Also in the story, I intentionally break a sentence's flow for the sake", "I don't have a tape recorder with me all the time, so much", "the people said at one time. And the extreme personification and attention to", "people said at one time. And the extreme personification and attention to form", "based on real people, and the experiences are real experiences. I just change", "also the author's pen name. That leaves only non-fiction. But non-fiction doesn't seem", "a sentence's flow for the sake of form. I don't know where mine", "the dialogue is based on what I think/remember what the people said at", "with me all the time, so much of the dialogue is based on", "real people, but I don't have a tape recorder with me all the", "exact course of events in the story has never really happened in my", "non-fiction. But non-fiction doesn't seem to fit either. The exact course of events", "- fiction, non-fiction, and poetry. My story is probably not poetry, even though", "the experiences are real experiences. I just change the names to protect my", "only three categories - fiction, non-fiction, and poetry. My story is probably not", "me all the time, so much of the dialogue is based on what", "And the extreme personification and attention to form make the entire work sound", "really fiction, because the narrator is me, and all the characters are based", "literary magazine website, and this website has only three categories - fiction, non-fiction,", "me, and all the characters are based on real people, and the experiences", "but I don't have a tape recorder with me all the time, so", "choice and extreme personification. My story is not really fiction, because the narrator", "my personal life. The other characters are based on real people, but I", "does come from my personal life. The other characters are based on real", "pay attention to form and word choice and extreme personification. My story is", "the story is also the author's pen name. That leaves only non-fiction. But", "from my personal life. The other characters are based on real people, but", "sentence's flow for the sake of form. I don't know where mine fits.", "I would like to publish this on a literary magazine website, and this", "form and word choice and extreme personification. My story is not really fiction,", "the story has never really happened in my personal life, but each piece", "on real people, but I don't have a tape recorder with me all", "publish this on a literary magazine website, and this website has only three", "sound like free verse poetry. In the story, I personify a concept. Also", "concept. Also in the story, I intentionally break a sentence's flow for the", "story, I personify a concept. Also in the story, I intentionally break a", "I am currently working on a story. I would like to publish this", "a concept. Also in the story, I intentionally break a sentence's flow for", "in my personal life, but each piece does come from my personal life.", "probably not poetry, even though I do pay attention to form and word", "people, but I don't have a tape recorder with me all the time,", "are based on real people, and the experiences are real experiences. I just", "life. The other characters are based on real people, but I don't have", "the characters are based on real people, and the experiences are real experiences.", "That leaves only non-fiction. But non-fiction doesn't seem to fit either. The exact", "My story is not really fiction, because the narrator is me, and all", "the names to protect my privacy. The narrator's name in the story is", "time. And the extreme personification and attention to form make the entire work", "of events in the story has never really happened in my personal life,", "much of the dialogue is based on what I think/remember what the people", "free verse poetry. In the story, I personify a concept. Also in the", "is me, and all the characters are based on real people, and the", "are based on real people, but I don't have a tape recorder with", "real people, and the experiences are real experiences. I just change the names", "have a tape recorder with me all the time, so much of the", "events in the story has never really happened in my personal life, but", "tape recorder with me all the time, so much of the dialogue is", "form make the entire work sound like free verse poetry. In the story,", "categories - fiction, non-fiction, and poetry. My story is probably not poetry, even", "the extreme personification and attention to form make the entire work sound like", "even though I do pay attention to form and word choice and extreme", "life, but each piece does come from my personal life. The other characters", "other characters are based on real people, but I don't have a tape", "story, I intentionally break a sentence's flow for the sake of form. I", "really happened in my personal life, but each piece does come from my", "to fit either. The exact course of events in the story has never", "piece does come from my personal life. The other characters are based on", "I personify a concept. Also in the story, I intentionally break a sentence's", "personification. My story is not really fiction, because the narrator is me, and", "seem to fit either. The exact course of events in the story has", "The other characters are based on real people, but I don't have a", "to protect my privacy. The narrator's name in the story is also the", "to publish this on a literary magazine website, and this website has only", "to form make the entire work sound like free verse poetry. In the", "because the narrator is me, and all the characters are based on real", "in the story has never really happened in my personal life, but each", "website, and this website has only three categories - fiction, non-fiction, and poetry.", "attention to form and word choice and extreme personification. My story is not", "experiences. I just change the names to protect my privacy. The narrator's name", "work sound like free verse poetry. In the story, I personify a concept.", "word choice and extreme personification. My story is not really fiction, because the", "The narrator's name in the story is also the author's pen name. That", "and all the characters are based on real people, and the experiences are", "name in the story is also the author's pen name. That leaves only", "leaves only non-fiction. But non-fiction doesn't seem to fit either. The exact course", "real experiences. I just change the names to protect my privacy. The narrator's", "happened in my personal life, but each piece does come from my personal", "is not really fiction, because the narrator is me, and all the characters", "course of events in the story has never really happened in my personal", "on a story. I would like to publish this on a literary magazine" ]
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Some very family friendly, some aimed at children, some horror", "children, some horror based, and some erotic (maybe even beyond what you'd call", "profiles? For example, Pinterest allows one account with multiple boards, whereas Twitter would", "\"Find out what Lofa did in her latest BDSM session\". Is there a", "at children, some horror based, and some erotic (maybe even beyond what you'd", "example, Pinterest allows one account with multiple boards, whereas Twitter would require multiple", "get published online (on your own website), but these cover a wide range", "did in her latest BDSM session\". Is there a platform / social network", "which get published online (on your own website), but these cover a wide", "Some very family friendly, some aimed at children, some horror based, and some", "you'd call NSFW). What is the best way to advertise all of your", "What is the best way to advertise all of your work? I mean,", "these cover a wide range of niches. Some very family friendly, some aimed", "even beyond what you'd call NSFW). What is the best way to advertise", "Lofa did in her latest BDSM session\". Is there a platform / social", "account with multiple boards, whereas Twitter would require multiple user accounts - Are", "platform / social network that can be used to showcase all of your", "multiple user accounts - Are there any similar to Pinterest with the ability", "local boy and his dog\", and then say, \"Find out what Lofa did", "call NSFW). What is the best way to advertise all of your work?", "all of your work? I mean, you can't really set up a Twitter", "your work to multiple niches, without having to set up multiple profiles? For", "there any similar to Pinterest with the ability to target different audiences? Any", "multiple niches, without having to set up multiple profiles? For example, Pinterest allows", "mean, you can't really set up a Twitter account and say \"here's my", "latest article about a local boy and his dog\", and then say, \"Find", "a Twitter account and say \"here's my latest article about a local boy", "account and say \"here's my latest article about a local boy and his", "own website), but these cover a wide range of niches. Some very family", "niches. Some very family friendly, some aimed at children, some horror based, and", "- Are there any similar to Pinterest with the ability to target different", "based, and some erotic (maybe even beyond what you'd call NSFW). What is", "is the best way to advertise all of your work? I mean, you", "and then say, \"Find out what Lofa did in her latest BDSM session\".", "a local boy and his dog\", and then say, \"Find out what Lofa", "write articles which get published online (on your own website), but these cover" ]
[ "> > Using symbolism to tell an allegory and use the symbolism inside", "Using symbolism to tell an allegory and use the symbolism inside the >", "tell a story inside a story that's inside a story? As in: >", "to tell yet another allegory. > > > Actual story > Allegory >", "symbolism inside the > allegory to tell yet another allegory. > > >", "of an unique space where all symbolism have the same depth? Are there", "story > Allegory > Another allegory > > > I feel like this", "allegory > > > I feel like this is not possible, or was", "> Another allegory > > > I feel like this is not possible,", "the symbolism inside the > allegory to tell yet another allegory. > >", "allegory. > > > Actual story > Allegory > Another allegory > >", "symbolism have the same depth? Are there other ways in which a symbol", "like this is not possible, or was never done. When I think of", "> > > Actual story > Allegory > Another allegory > > >", "> allegory to tell yet another allegory. > > > Actual story >", "of replacing something concrete with an abstract idea, but can you use these", "I think of replacing something concrete with an abstract idea, but can you", "an abstract idea, but can you use these abstract ideas and then tell", "symbolism to tell an allegory and use the symbolism inside the > allegory", "> Allegory > Another allegory > > > I feel like this is", "depth? Are there other ways in which a symbol can be deeper than", "yet another allegory. > > > Actual story > Allegory > Another allegory", "think of an unique space where all symbolism have the same depth? Are", "the same depth? Are there other ways in which a symbol can be", "of symbolism, I think of an unique space where all symbolism have the", "Are there other ways in which a symbol can be deeper than another", "a story? As in: > > Using symbolism to tell an allegory and", "the > allegory to tell yet another allegory. > > > Actual story", "allegory and use the symbolism inside the > allegory to tell yet another", "have the same depth? Are there other ways in which a symbol can", "this is not possible, or was never done. When I think of symbolism,", "or was never done. When I think of symbolism, I think of an", "Allegory > Another allegory > > > I feel like this is not", "where all symbolism have the same depth? Are there other ways in which", "then tell a story inside a story that's inside a story? As in:", "all symbolism have the same depth? Are there other ways in which a", "When I use symbolism, I think of replacing something concrete with an abstract", "use these abstract ideas and then tell a story inside a story that's", "I use symbolism, I think of replacing something concrete with an abstract idea,", "possible, or was never done. When I think of symbolism, I think of", "symbolism, I think of replacing something concrete with an abstract idea, but can", "think of symbolism, I think of an unique space where all symbolism have", "story? As in: > > Using symbolism to tell an allegory and use", "allegory to tell yet another allegory. > > > Actual story > Allegory", "but can you use these abstract ideas and then tell a story inside", "Actual story > Allegory > Another allegory > > > I feel like", "these abstract ideas and then tell a story inside a story that's inside", "idea, but can you use these abstract ideas and then tell a story", "> > I feel like this is not possible, or was never done.", "story that's inside a story? As in: > > Using symbolism to tell", "that's inside a story? As in: > > Using symbolism to tell an", "in: > > Using symbolism to tell an allegory and use the symbolism", "> > Actual story > Allegory > Another allegory > > > I", "something concrete with an abstract idea, but can you use these abstract ideas", "is not possible, or was never done. When I think of symbolism, I", "an unique space where all symbolism have the same depth? Are there other", "there other ways in which a symbol can be deeper than another one?", "I think of symbolism, I think of an unique space where all symbolism", "I feel like this is not possible, or was never done. When I", "tell an allegory and use the symbolism inside the > allegory to tell", "a story that's inside a story? As in: > > Using symbolism to", "When I think of symbolism, I think of an unique space where all", "unique space where all symbolism have the same depth? Are there other ways", "> > > I feel like this is not possible, or was never", "> Using symbolism to tell an allegory and use the symbolism inside the", "can you use these abstract ideas and then tell a story inside a", "and use the symbolism inside the > allegory to tell yet another allegory.", "another allegory. > > > Actual story > Allegory > Another allegory >", "and then tell a story inside a story that's inside a story? As", "abstract idea, but can you use these abstract ideas and then tell a", "story inside a story that's inside a story? As in: > > Using", "replacing something concrete with an abstract idea, but can you use these abstract", "feel like this is not possible, or was never done. When I think", "think of replacing something concrete with an abstract idea, but can you use", "a story inside a story that's inside a story? As in: > >", "inside a story? As in: > > Using symbolism to tell an allegory", "ideas and then tell a story inside a story that's inside a story?", "As in: > > Using symbolism to tell an allegory and use the", "to tell an allegory and use the symbolism inside the > allegory to", "> Actual story > Allegory > Another allegory > > > I feel", "not possible, or was never done. When I think of symbolism, I think", "you use these abstract ideas and then tell a story inside a story", "> I feel like this is not possible, or was never done. When", "concrete with an abstract idea, but can you use these abstract ideas and", "space where all symbolism have the same depth? Are there other ways in", "Another allegory > > > I feel like this is not possible, or", "inside the > allegory to tell yet another allegory. > > > Actual", "symbolism, I think of an unique space where all symbolism have the same", "an allegory and use the symbolism inside the > allegory to tell yet", "done. When I think of symbolism, I think of an unique space where", "never done. When I think of symbolism, I think of an unique space", "use the symbolism inside the > allegory to tell yet another allegory. >", "was never done. When I think of symbolism, I think of an unique", "same depth? Are there other ways in which a symbol can be deeper", "with an abstract idea, but can you use these abstract ideas and then", "abstract ideas and then tell a story inside a story that's inside a", "I think of an unique space where all symbolism have the same depth?", "use symbolism, I think of replacing something concrete with an abstract idea, but", "tell yet another allegory. > > > Actual story > Allegory > Another", "inside a story that's inside a story? As in: > > Using symbolism" ]
[ "What exactly do we have to do in the second and third draft", "to mind but I don't understand why we have to rewrite it three", "whatever comes to mind but I don't understand why we have to rewrite", "please explain to me? What exactly do we have to do in the", "explain to me? What exactly do we have to do in the second", "to me? What exactly do we have to do in the second and", "we have to rewrite it three times. Can someone please explain to me?", "writing whatever comes to mind but I don't understand why we have to", "understand the first draft which is basically writing whatever comes to mind but", "I don't understand why we have to rewrite it three times. Can someone", "times. Can someone please explain to me? What exactly do we have to", "basically writing whatever comes to mind but I don't understand why we have", "don't understand why we have to rewrite it three times. Can someone please", "someone please explain to me? What exactly do we have to do in", "three times. Can someone please explain to me? What exactly do we have", "exactly do we have to do in the second and third draft of", "I understand the first draft which is basically writing whatever comes to mind", "is basically writing whatever comes to mind but I don't understand why we", "do we have to do in the second and third draft of the", "Can someone please explain to me? What exactly do we have to do", "So I understand the first draft which is basically writing whatever comes to", "the first draft which is basically writing whatever comes to mind but I", "first draft which is basically writing whatever comes to mind but I don't", "draft which is basically writing whatever comes to mind but I don't understand", "why we have to rewrite it three times. Can someone please explain to", "me? What exactly do we have to do in the second and third", "mind but I don't understand why we have to rewrite it three times.", "understand why we have to rewrite it three times. Can someone please explain", "it three times. Can someone please explain to me? What exactly do we", "we have to do in the second and third draft of the story?", "rewrite it three times. Can someone please explain to me? What exactly do", "to rewrite it three times. Can someone please explain to me? What exactly", "have to rewrite it three times. Can someone please explain to me? What", "comes to mind but I don't understand why we have to rewrite it", "which is basically writing whatever comes to mind but I don't understand why", "but I don't understand why we have to rewrite it three times. Can" ]
[ "weak link. To solve the impasse, I had to plan a different plot", "designed the path to the climax, listed my characters and even outlined some", "did not make sense. The characters in it couldn't possibly behave like I", "it couldn't possibly behave like I initially thought. This was due to some", "developed while writing. I thought they would be harmless and rather adding some", "The characters in it couldn't possibly behave like I initially thought. This was", "the path to the climax, listed my characters and even outlined some scenes.", "this scene was probably a weak link. To solve the impasse, I had", "not make sense. The characters in it couldn't possibly behave like I initially", "would be harmless and rather adding some color. In hindsight, this scene was", "I got stuck: one minor transition scene just did not make sense. The", "probably a weak link. To solve the impasse, I had to plan a", "I thought they would be harmless and rather adding some color. In hindsight,", "transition scene just did not make sense. The characters in it couldn't possibly", "behave like I initially thought. This was due to some nuances of the", "could have I identified and managed weak scenes during planning? I don't mind", "the climax, listed my characters and even outlined some scenes. Then halfway through", "To solve the impasse, I had to plan a different plot route at", "I structured my plot, designed the path to the climax, listed my characters", "I initially thought. This was due to some nuances of the story that", "of the story that I developed while writing. I thought they would be", "plot, designed the path to the climax, listed my characters and even outlined", "the story that I developed while writing. I thought they would be harmless", "was due to some nuances of the story that I developed while writing.", "climax, listed my characters and even outlined some scenes. Then halfway through I", "due to some nuances of the story that I developed while writing. I", "have I identified and managed weak scenes during planning? I don't mind spending", "moment. How could have I identified and managed weak scenes during planning? I", "some scenes. Then halfway through I got stuck: one minor transition scene just", "some nuances of the story that I developed while writing. I thought they", "even outlined some scenes. Then halfway through I got stuck: one minor transition", "characters in it couldn't possibly behave like I initially thought. This was due", "outlined some scenes. Then halfway through I got stuck: one minor transition scene", "route at the last moment. How could have I identified and managed weak", "weak scenes during planning? I don't mind spending extra time planning, but it", "color. In hindsight, this scene was probably a weak link. To solve the", "couldn't possibly behave like I initially thought. This was due to some nuances", "just did not make sense. The characters in it couldn't possibly behave like", "like I initially thought. This was due to some nuances of the story", "rather adding some color. In hindsight, this scene was probably a weak link.", "last moment. How could have I identified and managed weak scenes during planning?", "scene was probably a weak link. To solve the impasse, I had to", "scenes. Then halfway through I got stuck: one minor transition scene just did", "harmless and rather adding some color. In hindsight, this scene was probably a", "at the last moment. How could have I identified and managed weak scenes", "through I got stuck: one minor transition scene just did not make sense.", "that I developed while writing. I thought they would be harmless and rather", "to the climax, listed my characters and even outlined some scenes. Then halfway", "possibly behave like I initially thought. This was due to some nuances of", "make sense. The characters in it couldn't possibly behave like I initially thought.", "This was due to some nuances of the story that I developed while", "the last moment. How could have I identified and managed weak scenes during", "one minor transition scene just did not make sense. The characters in it", "nuances of the story that I developed while writing. I thought they would", "halfway through I got stuck: one minor transition scene just did not make", "extra time planning, but it breaks my flow to halt writing to re-plan", "planning, but it breaks my flow to halt writing to re-plan one scene", "structured my plot, designed the path to the climax, listed my characters and", "and even outlined some scenes. Then halfway through I got stuck: one minor", "stuck: one minor transition scene just did not make sense. The characters in", "a weak link. To solve the impasse, I had to plan a different", "was probably a weak link. To solve the impasse, I had to plan", "managed weak scenes during planning? I don't mind spending extra time planning, but", "Then halfway through I got stuck: one minor transition scene just did not", "mind spending extra time planning, but it breaks my flow to halt writing", "minor transition scene just did not make sense. The characters in it couldn't", "my characters and even outlined some scenes. Then halfway through I got stuck:", "to some nuances of the story that I developed while writing. I thought", "in it couldn't possibly behave like I initially thought. This was due to", "spending extra time planning, but it breaks my flow to halt writing to", "scenes during planning? I don't mind spending extra time planning, but it breaks", "I developed while writing. I thought they would be harmless and rather adding", "listed my characters and even outlined some scenes. Then halfway through I got", "be harmless and rather adding some color. In hindsight, this scene was probably", "the impasse, I had to plan a different plot route at the last", "time planning, but it breaks my flow to halt writing to re-plan one", "during planning? I don't mind spending extra time planning, but it breaks my", "and managed weak scenes during planning? I don't mind spending extra time planning,", "don't mind spending extra time planning, but it breaks my flow to halt", "solve the impasse, I had to plan a different plot route at the", "they would be harmless and rather adding some color. In hindsight, this scene", "hindsight, this scene was probably a weak link. To solve the impasse, I", "my plot, designed the path to the climax, listed my characters and even", "plot route at the last moment. How could have I identified and managed", "sense. The characters in it couldn't possibly behave like I initially thought. This", "while writing. I thought they would be harmless and rather adding some color.", "and rather adding some color. In hindsight, this scene was probably a weak", "impasse, I had to plan a different plot route at the last moment.", "plan a different plot route at the last moment. How could have I", "path to the climax, listed my characters and even outlined some scenes. Then", "I identified and managed weak scenes during planning? I don't mind spending extra", "planning? I don't mind spending extra time planning, but it breaks my flow", "had to plan a different plot route at the last moment. How could", "characters and even outlined some scenes. Then halfway through I got stuck: one", "How could have I identified and managed weak scenes during planning? I don't", "writing. I thought they would be harmless and rather adding some color. In", "thought they would be harmless and rather adding some color. In hindsight, this", "different plot route at the last moment. How could have I identified and", "got stuck: one minor transition scene just did not make sense. The characters", "I don't mind spending extra time planning, but it breaks my flow to", "thought. This was due to some nuances of the story that I developed", "identified and managed weak scenes during planning? I don't mind spending extra time", "scene just did not make sense. The characters in it couldn't possibly behave", "link. To solve the impasse, I had to plan a different plot route", "story that I developed while writing. I thought they would be harmless and", "but it breaks my flow to halt writing to re-plan one scene en", "adding some color. In hindsight, this scene was probably a weak link. To", "a different plot route at the last moment. How could have I identified", "I had to plan a different plot route at the last moment. How", "some color. In hindsight, this scene was probably a weak link. To solve", "it breaks my flow to halt writing to re-plan one scene en route.", "initially thought. This was due to some nuances of the story that I", "to plan a different plot route at the last moment. How could have", "In hindsight, this scene was probably a weak link. To solve the impasse," ]
[ "a lot in movies, but sometimes, they don't put any disclaimer or anything,", "placed it in a complete different setting. Do you have to say it?", "story heavily inspired by Romeo and Juliet, but placed it in a complete", "put it in the preface. I see it a lot in movies, but", "it's in the title and sometimes it's not. Is there a guideline on", "it in the title that's it's a reimagining, or would you put it", "say it? Also, do you mention it in the title that's it's a", "preface. I see it a lot in movies, but sometimes, they don't put", "it a lot in movies, but sometimes, they don't put any disclaimer or", "to rewrite a story heavily inspired by Romeo and Juliet, but placed it", "the title and sometimes it's not. Is there a guideline on how to", "there a guideline on how to inform your readers in an ethical way?", "put any disclaimer or anything, and sometimes it's in the title and sometimes", "in the title and sometimes it's not. Is there a guideline on how", "for example, I were to rewrite a story heavily inspired by Romeo and", "it's a reimagining, or would you put it in the preface. I see", "would you put it in the preface. I see it a lot in", "you have to say it? Also, do you mention it in the title", "and sometimes it's in the title and sometimes it's not. Is there a", "by Romeo and Juliet, but placed it in a complete different setting. Do", "see it a lot in movies, but sometimes, they don't put any disclaimer", "reimagining, or would you put it in the preface. I see it a", "it in the preface. I see it a lot in movies, but sometimes,", "sometimes it's not. Is there a guideline on how to inform your readers", "complete different setting. Do you have to say it? Also, do you mention", "mention it in the title that's it's a reimagining, or would you put", "a reimagining, or would you put it in the preface. I see it", "I see it a lot in movies, but sometimes, they don't put any", "anything, and sometimes it's in the title and sometimes it's not. Is there", "don't put any disclaimer or anything, and sometimes it's in the title and", "have to say it? Also, do you mention it in the title that's", "in the title that's it's a reimagining, or would you put it in", "setting. Do you have to say it? Also, do you mention it in", "rewrite a story heavily inspired by Romeo and Juliet, but placed it in", "different setting. Do you have to say it? Also, do you mention it", "it's not. Is there a guideline on how to inform your readers in", "that's it's a reimagining, or would you put it in the preface. I", "and sometimes it's not. Is there a guideline on how to inform your", "and Juliet, but placed it in a complete different setting. Do you have", "any disclaimer or anything, and sometimes it's in the title and sometimes it's", "in a complete different setting. Do you have to say it? Also, do", "you put it in the preface. I see it a lot in movies,", "Do you have to say it? Also, do you mention it in the", "were to rewrite a story heavily inspired by Romeo and Juliet, but placed", "a complete different setting. Do you have to say it? Also, do you", "but placed it in a complete different setting. Do you have to say", "it? Also, do you mention it in the title that's it's a reimagining,", "sometimes it's in the title and sometimes it's not. Is there a guideline", "not. Is there a guideline on how to inform your readers in an", "lot in movies, but sometimes, they don't put any disclaimer or anything, and", "you mention it in the title that's it's a reimagining, or would you", "sometimes, they don't put any disclaimer or anything, and sometimes it's in the", "inspired by Romeo and Juliet, but placed it in a complete different setting.", "Romeo and Juliet, but placed it in a complete different setting. Do you", "it in a complete different setting. Do you have to say it? Also,", "disclaimer or anything, and sometimes it's in the title and sometimes it's not.", "If for example, I were to rewrite a story heavily inspired by Romeo", "I were to rewrite a story heavily inspired by Romeo and Juliet, but", "Also, do you mention it in the title that's it's a reimagining, or", "heavily inspired by Romeo and Juliet, but placed it in a complete different", "Juliet, but placed it in a complete different setting. Do you have to", "or anything, and sometimes it's in the title and sometimes it's not. Is", "title that's it's a reimagining, or would you put it in the preface.", "movies, but sometimes, they don't put any disclaimer or anything, and sometimes it's", "example, I were to rewrite a story heavily inspired by Romeo and Juliet,", "but sometimes, they don't put any disclaimer or anything, and sometimes it's in", "in movies, but sometimes, they don't put any disclaimer or anything, and sometimes", "a story heavily inspired by Romeo and Juliet, but placed it in a", "the preface. I see it a lot in movies, but sometimes, they don't", "they don't put any disclaimer or anything, and sometimes it's in the title", "title and sometimes it's not. Is there a guideline on how to inform", "or would you put it in the preface. I see it a lot", "in the preface. I see it a lot in movies, but sometimes, they", "to say it? Also, do you mention it in the title that's it's", "the title that's it's a reimagining, or would you put it in the", "do you mention it in the title that's it's a reimagining, or would", "Is there a guideline on how to inform your readers in an ethical" ]
[ "and will probably not be able to find a generic one on a", "be able to find a generic one on a website, so do I", "cover and will probably not be able to find a generic one on", "he's the one who gets into legal trouble instead of me if he", "to find a generic one on a website, so do I hire someone", "find a generic one on a website, so do I hire someone for", "so do I hire someone for it and what's the average hourly wage", "art for my book cover and will probably not be able to find", "it and what's the average hourly wage for hiring one? How do I", "a website, so do I hire someone for it and what's the average", "he does something wrong and make sure I get what I asked for?", "I make sure he's the one who gets into legal trouble instead of", "what's the average hourly wage for hiring one? How do I make sure", "probably not be able to find a generic one on a website, so", "one who gets into legal trouble instead of me if he does something", "someone for it and what's the average hourly wage for hiring one? How", "generic one on a website, so do I hire someone for it and", "average hourly wage for hiring one? How do I make sure he's the", "me if he does something wrong and make sure I get what I", "specific art for my book cover and will probably not be able to", "hire someone for it and what's the average hourly wage for hiring one?", "do I hire someone for it and what's the average hourly wage for", "hiring one? How do I make sure he's the one who gets into", "and what's the average hourly wage for hiring one? How do I make", "gets into legal trouble instead of me if he does something wrong and", "my book cover and will probably not be able to find a generic", "into legal trouble instead of me if he does something wrong and make", "the one who gets into legal trouble instead of me if he does", "some very specific art for my book cover and will probably not be", "need some very specific art for my book cover and will probably not", "book cover and will probably not be able to find a generic one", "a generic one on a website, so do I hire someone for it", "hourly wage for hiring one? How do I make sure he's the one", "one? How do I make sure he's the one who gets into legal", "trouble instead of me if he does something wrong and make sure I", "for it and what's the average hourly wage for hiring one? How do", "for my book cover and will probably not be able to find a", "on a website, so do I hire someone for it and what's the", "instead of me if he does something wrong and make sure I get", "of me if he does something wrong and make sure I get what", "able to find a generic one on a website, so do I hire", "who gets into legal trouble instead of me if he does something wrong", "will probably not be able to find a generic one on a website,", "wage for hiring one? How do I make sure he's the one who", "not be able to find a generic one on a website, so do", "very specific art for my book cover and will probably not be able", "the average hourly wage for hiring one? How do I make sure he's", "I hire someone for it and what's the average hourly wage for hiring", "do I make sure he's the one who gets into legal trouble instead", "make sure he's the one who gets into legal trouble instead of me", "legal trouble instead of me if he does something wrong and make sure", "website, so do I hire someone for it and what's the average hourly", "for hiring one? How do I make sure he's the one who gets", "How do I make sure he's the one who gets into legal trouble", "if he does something wrong and make sure I get what I asked", "sure he's the one who gets into legal trouble instead of me if", "I need some very specific art for my book cover and will probably", "one on a website, so do I hire someone for it and what's" ]
[ "have seen this character as many things from a monster to an animal", "personality, mental characteristics, motivation, etc. A good way to do that seems to", "characters to see (or be) such a person? The character/species I'm having trouble", "differently from humans though, and their neck is longer and farther forward (for", "character as many things from a monster to an animal with thoughts. That", "see (or be) such a person? The character/species I'm having trouble with are", "to do that seems to be not to focus too much on the", "it very clear what this character looks like so that he is not", "characteristics and just bring it up when it can be smoothly slipped in.", "with are my winged people, and to give you an idea what I'm", "in a world where these people are normal and it's not unusual at", "I know that characters shouldn't be defined by their physical characteristics. They should", "world where these people are normal and it's not unusual at all for", "a character in it for an online writing course and my peers have", "How can I describe an unconventionally part-humanoid character, so the reader knows clearly", "flight). They have huge chest and upper back muscles to be able to", "in feet/inches). I'm asking this because I've written excerpts with such a character", "such a character in it for an online writing course and my peers", "just bring it up when it can be smoothly slipped in. This seems", "to an animal with thoughts. That is not what he is. I know", "tail. They walk kinda differently from humans though, and their neck is longer", "it can be smoothly slipped in. This seems hard to do in this", "and farther forward (for flight). They have huge chest and upper back muscles", "smoothly slipped in. This seems hard to do in this instance because I", "defined by their physical characteristics. They should be defined by their personality, mental", "so the reader knows clearly what they look like, while in a world", "with thoughts. That is not what he is. I know that characters shouldn't", "be defined by their physical characteristics. They should be defined by their personality,", "generally human and they have huge feathered wings connected to their shoulder blades", "longer and farther forward (for flight). They have huge chest and upper back", "and they have huge feathered wings connected to their shoulder blades and a", "feathered wings connected to their shoulder blades and a feathered tail. They walk", "too much on the physical characteristics and just bring it up when it", "sketch: Their bodies look generally human and they have huge feathered wings connected", "describe an unconventionally part-humanoid character, so the reader knows clearly what they look", "neck is longer and farther forward (for flight). They have huge chest and", "shoulder blades and a feathered tail. They walk kinda differently from humans though,", "etc. A good way to do that seems to be not to focus", "here's a rough sketch: Their bodies look generally human and they have huge", "they look like, while in a world where these people are normal and", "you an idea what I'm dealing with, here's a rough sketch: Their bodies", "have huge chest and upper back muscles to be able to fly. They", "and my peers have seen this character as many things from a monster", "are my winged people, and to give you an idea what I'm dealing", "in. This seems hard to do in this instance because I have to", "thoughts. That is not what he is. I know that characters shouldn't be", "from humans though, and their neck is longer and farther forward (for flight).", "wings connected to their shoulder blades and a feathered tail. They walk kinda", "I describe an unconventionally part-humanoid character, so the reader knows clearly what they", "clearly what they look like, while in a world where these people are", "it's not unusual at all for characters to see (or be) such a", "They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this because I've written excerpts", "to their shoulder blades and a feathered tail. They walk kinda differently from", "This seems hard to do in this instance because I have to make", "in it for an online writing course and my peers have seen this", "a world where these people are normal and it's not unusual at all", "and it's not unusual at all for characters to see (or be) such", "their neck is longer and farther forward (for flight). They have huge chest", "not what he is. I know that characters shouldn't be defined by their", "connected to their shoulder blades and a feathered tail. They walk kinda differently", "that seems to be not to focus too much on the physical characteristics", "because I've written excerpts with such a character in it for an online", "the physical characteristics and just bring it up when it can be smoothly", "and upper back muscles to be able to fly. They average 5'11\"-6'1\" (measurements", "look like, while in a world where these people are normal and it's", "(or be) such a person? The character/species I'm having trouble with are my", "slipped in. This seems hard to do in this instance because I have", "bring it up when it can be smoothly slipped in. This seems hard", "though, and their neck is longer and farther forward (for flight). They have", "have to make it very clear what this character looks like so that", "They walk kinda differently from humans though, and their neck is longer and", "a rough sketch: Their bodies look generally human and they have huge feathered", "and to give you an idea what I'm dealing with, here's a rough", "huge chest and upper back muscles to be able to fly. They average", "I'm asking this because I've written excerpts with such a character in it", "people, and to give you an idea what I'm dealing with, here's a", "way to do that seems to be not to focus too much on", "physical characteristics and just bring it up when it can be smoothly slipped", "online writing course and my peers have seen this character as many things", "up when it can be smoothly slipped in. This seems hard to do", "what they look like, while in a world where these people are normal", "The character/species I'm having trouble with are my winged people, and to give", "their physical characteristics. They should be defined by their personality, mental characteristics, motivation,", "having trouble with are my winged people, and to give you an idea", "I have to make it very clear what this character looks like so", "They have huge chest and upper back muscles to be able to fly.", "have huge feathered wings connected to their shoulder blades and a feathered tail.", "human and they have huge feathered wings connected to their shoulder blades and", "that characters shouldn't be defined by their physical characteristics. They should be defined", "people are normal and it's not unusual at all for characters to see", "the reader knows clearly what they look like, while in a world where", "be) such a person? The character/species I'm having trouble with are my winged", "I'm having trouble with are my winged people, and to give you an", "look generally human and they have huge feathered wings connected to their shoulder", "blades and a feathered tail. They walk kinda differently from humans though, and", "their personality, mental characteristics, motivation, etc. A good way to do that seems", "focus too much on the physical characteristics and just bring it up when", "trouble with are my winged people, and to give you an idea what", "like, while in a world where these people are normal and it's not", "very clear what this character looks like so that he is not misunderstood.", "are normal and it's not unusual at all for characters to see (or", "(measurements in feet/inches). I'm asking this because I've written excerpts with such a", "my peers have seen this character as many things from a monster to", "be defined by their personality, mental characteristics, motivation, etc. A good way to", "They should be defined by their personality, mental characteristics, motivation, etc. A good", "can I describe an unconventionally part-humanoid character, so the reader knows clearly what", "peers have seen this character as many things from a monster to an", "be smoothly slipped in. This seems hard to do in this instance because", "winged people, and to give you an idea what I'm dealing with, here's", "average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this because I've written excerpts with", "such a person? The character/species I'm having trouble with are my winged people,", "unconventionally part-humanoid character, so the reader knows clearly what they look like, while", "from a monster to an animal with thoughts. That is not what he", "to give you an idea what I'm dealing with, here's a rough sketch:", "with, here's a rough sketch: Their bodies look generally human and they have", "to see (or be) such a person? The character/species I'm having trouble with", "animal with thoughts. That is not what he is. I know that characters", "do in this instance because I have to make it very clear what", "hard to do in this instance because I have to make it very", "all for characters to see (or be) such a person? The character/species I'm", "bodies look generally human and they have huge feathered wings connected to their", "A good way to do that seems to be not to focus too", "forward (for flight). They have huge chest and upper back muscles to be", "be able to fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this", "should be defined by their personality, mental characteristics, motivation, etc. A good way", "in this instance because I have to make it very clear what this", "at all for characters to see (or be) such a person? The character/species", "while in a world where these people are normal and it's not unusual", "to fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this because I've", "shouldn't be defined by their physical characteristics. They should be defined by their", "asking this because I've written excerpts with such a character in it for", "character in it for an online writing course and my peers have seen", "is not what he is. I know that characters shouldn't be defined by", "a monster to an animal with thoughts. That is not what he is.", "to be able to fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking", "an unconventionally part-humanoid character, so the reader knows clearly what they look like,", "feathered tail. They walk kinda differently from humans though, and their neck is", "as many things from a monster to an animal with thoughts. That is", "course and my peers have seen this character as many things from a", "is. I know that characters shouldn't be defined by their physical characteristics. They", "when it can be smoothly slipped in. This seems hard to do in", "seems hard to do in this instance because I have to make it", "a person? The character/species I'm having trouble with are my winged people, and", "back muscles to be able to fly. They average 5'11\"-6'1\" (measurements in feet/inches).", "know that characters shouldn't be defined by their physical characteristics. They should be", "by their personality, mental characteristics, motivation, etc. A good way to do that", "written excerpts with such a character in it for an online writing course", "feet/inches). I'm asking this because I've written excerpts with such a character in", "they have huge feathered wings connected to their shoulder blades and a feathered", "knows clearly what they look like, while in a world where these people", "humans though, and their neck is longer and farther forward (for flight). They", "much on the physical characteristics and just bring it up when it can", "defined by their personality, mental characteristics, motivation, etc. A good way to do", "I've written excerpts with such a character in it for an online writing", "to be not to focus too much on the physical characteristics and just", "seen this character as many things from a monster to an animal with", "instance because I have to make it very clear what this character looks", "not to focus too much on the physical characteristics and just bring it", "an online writing course and my peers have seen this character as many", "person? The character/species I'm having trouble with are my winged people, and to", "excerpts with such a character in it for an online writing course and", "make it very clear what this character looks like so that he is", "and their neck is longer and farther forward (for flight). They have huge", "unusual at all for characters to see (or be) such a person? The", "able to fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this because", "for an online writing course and my peers have seen this character as", "for characters to see (or be) such a person? The character/species I'm having", "many things from a monster to an animal with thoughts. That is not", "monster to an animal with thoughts. That is not what he is. I", "motivation, etc. A good way to do that seems to be not to", "rough sketch: Their bodies look generally human and they have huge feathered wings", "idea what I'm dealing with, here's a rough sketch: Their bodies look generally", "this because I've written excerpts with such a character in it for an", "an animal with thoughts. That is not what he is. I know that", "do that seems to be not to focus too much on the physical", "because I have to make it very clear what this character looks like", "with such a character in it for an online writing course and my", "upper back muscles to be able to fly. They average 5'11\"-6'1\" (measurements in", "to make it very clear what this character looks like so that he", "kinda differently from humans though, and their neck is longer and farther forward", "mental characteristics, motivation, etc. A good way to do that seems to be", "characteristics. They should be defined by their personality, mental characteristics, motivation, etc. A", "and just bring it up when it can be smoothly slipped in. This", "character, so the reader knows clearly what they look like, while in a", "(for flight). They have huge chest and upper back muscles to be able", "a feathered tail. They walk kinda differently from humans though, and their neck", "characters shouldn't be defined by their physical characteristics. They should be defined by", "huge feathered wings connected to their shoulder blades and a feathered tail. They", "things from a monster to an animal with thoughts. That is not what", "characteristics, motivation, etc. A good way to do that seems to be not", "to do in this instance because I have to make it very clear", "chest and upper back muscles to be able to fly. They average 5'11\"-6'1\"", "my winged people, and to give you an idea what I'm dealing with,", "these people are normal and it's not unusual at all for characters to", "be not to focus too much on the physical characteristics and just bring", "part-humanoid character, so the reader knows clearly what they look like, while in", "not unusual at all for characters to see (or be) such a person?", "physical characteristics. They should be defined by their personality, mental characteristics, motivation, etc.", "That is not what he is. I know that characters shouldn't be defined", "an idea what I'm dealing with, here's a rough sketch: Their bodies look", "reader knows clearly what they look like, while in a world where these", "Their bodies look generally human and they have huge feathered wings connected to", "I'm dealing with, here's a rough sketch: Their bodies look generally human and", "farther forward (for flight). They have huge chest and upper back muscles to", "to focus too much on the physical characteristics and just bring it up", "fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm asking this because I've written", "seems to be not to focus too much on the physical characteristics and", "this character as many things from a monster to an animal with thoughts.", "is longer and farther forward (for flight). They have huge chest and upper", "what he is. I know that characters shouldn't be defined by their physical", "this instance because I have to make it very clear what this character", "muscles to be able to fly. They average 5'11\"-6'1\" (measurements in feet/inches). I'm", "writing course and my peers have seen this character as many things from", "character/species I'm having trouble with are my winged people, and to give you", "it for an online writing course and my peers have seen this character", "on the physical characteristics and just bring it up when it can be", "he is. I know that characters shouldn't be defined by their physical characteristics.", "where these people are normal and it's not unusual at all for characters", "and a feathered tail. They walk kinda differently from humans though, and their", "walk kinda differently from humans though, and their neck is longer and farther", "by their physical characteristics. They should be defined by their personality, mental characteristics,", "it up when it can be smoothly slipped in. This seems hard to", "5'11\"-6'1\" (measurements in feet/inches). I'm asking this because I've written excerpts with such", "give you an idea what I'm dealing with, here's a rough sketch: Their", "their shoulder blades and a feathered tail. They walk kinda differently from humans", "normal and it's not unusual at all for characters to see (or be)", "good way to do that seems to be not to focus too much", "what I'm dealing with, here's a rough sketch: Their bodies look generally human", "dealing with, here's a rough sketch: Their bodies look generally human and they", "can be smoothly slipped in. This seems hard to do in this instance" ]
[ "a writing style, but whenever I do creative writing I write very concise.", "Which can be good as I don’t want scenes to drag on, but", "up my scenes way too quickly. I want the reader to be able", "quickly. I want the reader to be able to linger and enjoy the", "being quickly shuffled from one moment to the next. Does anyone have any", "one moment to the next. Does anyone have any tips/tricks to keep in", "anyone have any tips/tricks to keep in mind while writing to combat this", "creative writing I write very concise. Which can be good as I don’t", "but most of the time I feel I wrap up my scenes way", "I write very concise. Which can be good as I don’t want scenes", "feel I wrap up my scenes way too quickly. I want the reader", "way too quickly. I want the reader to be able to linger and", "are being quickly shuffled from one moment to the next. Does anyone have", "write very concise. Which can be good as I don’t want scenes to", "writing I write very concise. Which can be good as I don’t want", "the moment, not feel as if they are being quickly shuffled from one", "I want the reader to be able to linger and enjoy the moment,", "to the next. Does anyone have any tips/tricks to keep in mind while", "next. Does anyone have any tips/tricks to keep in mind while writing to", "time I feel I wrap up my scenes way too quickly. I want", "from one moment to the next. Does anyone have any tips/tricks to keep", "they are being quickly shuffled from one moment to the next. Does anyone", "guess you can call this a writing style, but whenever I do creative", "of the time I feel I wrap up my scenes way too quickly.", "but whenever I do creative writing I write very concise. Which can be", "can call this a writing style, but whenever I do creative writing I", "I don’t want scenes to drag on, but most of the time I", "the time I feel I wrap up my scenes way too quickly. I", "too quickly. I want the reader to be able to linger and enjoy", "Does anyone have any tips/tricks to keep in mind while writing to combat", "can be good as I don’t want scenes to drag on, but most", "I wrap up my scenes way too quickly. I want the reader to", "I guess you can call this a writing style, but whenever I do", "I do creative writing I write very concise. Which can be good as", "do creative writing I write very concise. Which can be good as I", "reader to be able to linger and enjoy the moment, not feel as", "be able to linger and enjoy the moment, not feel as if they", "my scenes way too quickly. I want the reader to be able to", "to be able to linger and enjoy the moment, not feel as if", "the reader to be able to linger and enjoy the moment, not feel", "scenes way too quickly. I want the reader to be able to linger", "on, but most of the time I feel I wrap up my scenes", "moment to the next. Does anyone have any tips/tricks to keep in mind", "not feel as if they are being quickly shuffled from one moment to", "moment, not feel as if they are being quickly shuffled from one moment", "I feel I wrap up my scenes way too quickly. I want the", "be good as I don’t want scenes to drag on, but most of", "the next. Does anyone have any tips/tricks to keep in mind while writing", "and enjoy the moment, not feel as if they are being quickly shuffled", "most of the time I feel I wrap up my scenes way too", "whenever I do creative writing I write very concise. Which can be good", "very concise. Which can be good as I don’t want scenes to drag", "enjoy the moment, not feel as if they are being quickly shuffled from", "any tips/tricks to keep in mind while writing to combat this a bit?", "quickly shuffled from one moment to the next. Does anyone have any tips/tricks", "linger and enjoy the moment, not feel as if they are being quickly", "this a writing style, but whenever I do creative writing I write very", "as if they are being quickly shuffled from one moment to the next.", "don’t want scenes to drag on, but most of the time I feel", "as I don’t want scenes to drag on, but most of the time", "to drag on, but most of the time I feel I wrap up", "you can call this a writing style, but whenever I do creative writing", "have any tips/tricks to keep in mind while writing to combat this a", "call this a writing style, but whenever I do creative writing I write", "shuffled from one moment to the next. Does anyone have any tips/tricks to", "able to linger and enjoy the moment, not feel as if they are", "good as I don’t want scenes to drag on, but most of the", "scenes to drag on, but most of the time I feel I wrap", "style, but whenever I do creative writing I write very concise. Which can", "wrap up my scenes way too quickly. I want the reader to be", "if they are being quickly shuffled from one moment to the next. Does", "feel as if they are being quickly shuffled from one moment to the", "drag on, but most of the time I feel I wrap up my", "want the reader to be able to linger and enjoy the moment, not", "concise. Which can be good as I don’t want scenes to drag on,", "want scenes to drag on, but most of the time I feel I", "to linger and enjoy the moment, not feel as if they are being", "writing style, but whenever I do creative writing I write very concise. Which" ]
[ "imagination and then wrote 3 different last chapters to let the reader choose", "of implementing multiple ending to one of my novels and it would be", "There's a scene where the main character is about to do something, but", "a scene where the main character is about to do something, but I", "to the reader's imagination and then wrote 3 different last chapters to let", "I am thinking of implementing multiple ending to one of my novels and", "and it would be done the following way: There's a scene where the", "character is about to do something, but I leave it to the reader's", "it to the reader's imagination and then wrote 3 different last chapters to", "and then wrote 3 different last chapters to let the reader choose the", "reader's imagination and then wrote 3 different last chapters to let the reader", "the reader choose the ending that they deem the best. What are some", "the best. What are some other ways you think multiple endings can be", "thinking of implementing multiple ending to one of my novels and it would", "following way: There's a scene where the main character is about to do", "be done the following way: There's a scene where the main character is", "something, but I leave it to the reader's imagination and then wrote 3", "some other ways you think multiple endings can be implemented in a novel,", "novels and it would be done the following way: There's a scene where", "that they deem the best. What are some other ways you think multiple", "think multiple endings can be implemented in a novel, preferably backed by a", "wrote 3 different last chapters to let the reader choose the ending that", "other ways you think multiple endings can be implemented in a novel, preferably", "reader choose the ending that they deem the best. What are some other", "preferably backed by a famous author, and what are the pros and cons?", "done the following way: There's a scene where the main character is about", "novel, preferably backed by a famous author, and what are the pros and", "last chapters to let the reader choose the ending that they deem the", "multiple endings can be implemented in a novel, preferably backed by a famous", "the ending that they deem the best. What are some other ways you", "multiple ending to one of my novels and it would be done the", "of my novels and it would be done the following way: There's a", "would be done the following way: There's a scene where the main character", "ending to one of my novels and it would be done the following", "to let the reader choose the ending that they deem the best. What", "deem the best. What are some other ways you think multiple endings can", "ways you think multiple endings can be implemented in a novel, preferably backed", "a novel, preferably backed by a famous author, and what are the pros", "is about to do something, but I leave it to the reader's imagination", "implementing multiple ending to one of my novels and it would be done", "chapters to let the reader choose the ending that they deem the best.", "let the reader choose the ending that they deem the best. What are", "the main character is about to do something, but I leave it to", "one of my novels and it would be done the following way: There's", "are some other ways you think multiple endings can be implemented in a", "can be implemented in a novel, preferably backed by a famous author, and", "be implemented in a novel, preferably backed by a famous author, and what", "implemented in a novel, preferably backed by a famous author, and what are", "do something, but I leave it to the reader's imagination and then wrote", "way: There's a scene where the main character is about to do something,", "where the main character is about to do something, but I leave it", "scene where the main character is about to do something, but I leave", "the reader's imagination and then wrote 3 different last chapters to let the", "ending that they deem the best. What are some other ways you think", "it would be done the following way: There's a scene where the main", "3 different last chapters to let the reader choose the ending that they", "What are some other ways you think multiple endings can be implemented in", "in a novel, preferably backed by a famous author, and what are the", "you think multiple endings can be implemented in a novel, preferably backed by", "they deem the best. What are some other ways you think multiple endings", "the following way: There's a scene where the main character is about to", "am thinking of implementing multiple ending to one of my novels and it", "to do something, but I leave it to the reader's imagination and then", "then wrote 3 different last chapters to let the reader choose the ending", "different last chapters to let the reader choose the ending that they deem", "best. What are some other ways you think multiple endings can be implemented", "endings can be implemented in a novel, preferably backed by a famous author,", "to one of my novels and it would be done the following way:", "about to do something, but I leave it to the reader's imagination and", "but I leave it to the reader's imagination and then wrote 3 different", "choose the ending that they deem the best. What are some other ways", "leave it to the reader's imagination and then wrote 3 different last chapters", "main character is about to do something, but I leave it to the", "I leave it to the reader's imagination and then wrote 3 different last", "my novels and it would be done the following way: There's a scene" ]