Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "looks exactly the same (but the rest isn't)? What about lightsabers? To what", "is very similar to the one in Izut Mon? Let's say there are", "can include fictional inventions like the power suits in Izut Mon. I believe", "a lot of media; however, what if the power-suit you're describing is very", "believe that \"power-suits\" are used legally by a lot of media; however, what", "To what degree does an object need to be similar in order to", "like the power suits in Izut Mon. I believe that \"power-suits\" are used", "Izut Mon. I believe that \"power-suits\" are used legally by a lot of", "the rest isn't)? What about lightsabers? To what degree does an object need", "What about lightsabers? To what degree does an object need to be similar", "the same (but the rest isn't)? What about lightsabers? To what degree does", "(but the rest isn't)? What about lightsabers? To what degree does an object", "by a lot of media; however, what if the power-suit you're describing is", "an object need to be similar in order to be vulnerable to a", "color scheme is the same, and what if the mask looks exactly the", "need to be similar in order to be vulnerable to a trademark lawsuit", "are used legally by a lot of media; however, what if the power-suit", "if the mask looks exactly the same (but the rest isn't)? What about", "in Izut Mon. I believe that \"power-suits\" are used legally by a lot", "is the same, and what if the mask looks exactly the same (but", "what if the power-suit you're describing is very similar to the one in", "to take things even further, what if the color scheme is the same,", "Mon? Let's say there are jets on both hands and feet and, to", "used legally by a lot of media; however, what if the power-suit you're", "lot of media; however, what if the power-suit you're describing is very similar", "\"power-suits\" are used legally by a lot of media; however, what if the", "to be similar in order to be vulnerable to a trademark lawsuit for", "scheme is the same, and what if the mask looks exactly the same", "I am wondering if I can include fictional inventions like the power suits", "wondering if I can include fictional inventions like the power suits in Izut", "on both hands and feet and, to take things even further, what if", "similar in order to be vulnerable to a trademark lawsuit for a fictional", "what degree does an object need to be similar in order to be", "legally by a lot of media; however, what if the power-suit you're describing", "say there are jets on both hands and feet and, to take things", "of media; however, what if the power-suit you're describing is very similar to", "describing is very similar to the one in Izut Mon? Let's say there", "are jets on both hands and feet and, to take things even further,", "and what if the mask looks exactly the same (but the rest isn't)?", "am wondering if I can include fictional inventions like the power suits in", "in Izut Mon? Let's say there are jets on both hands and feet", "the one in Izut Mon? Let's say there are jets on both hands", "does an object need to be similar in order to be vulnerable to", "feet and, to take things even further, what if the color scheme is", "you're describing is very similar to the one in Izut Mon? Let's say", "the mask looks exactly the same (but the rest isn't)? What about lightsabers?", "power suits in Izut Mon. I believe that \"power-suits\" are used legally by", "if I can include fictional inventions like the power suits in Izut Mon.", "include fictional inventions like the power suits in Izut Mon. I believe that", "isn't)? What about lightsabers? To what degree does an object need to be", "the power suits in Izut Mon. I believe that \"power-suits\" are used legally", "both hands and feet and, to take things even further, what if the", "I can include fictional inventions like the power suits in Izut Mon. I", "the same, and what if the mask looks exactly the same (but the", "suits in Izut Mon. I believe that \"power-suits\" are used legally by a", "power-suit you're describing is very similar to the one in Izut Mon? Let's", "I believe that \"power-suits\" are used legally by a lot of media; however,", "to the one in Izut Mon? Let's say there are jets on both", "even further, what if the color scheme is the same, and what if", "lightsabers? To what degree does an object need to be similar in order", "very similar to the one in Izut Mon? Let's say there are jets", "rest isn't)? What about lightsabers? To what degree does an object need to", "take things even further, what if the color scheme is the same, and", "the color scheme is the same, and what if the mask looks exactly", "exactly the same (but the rest isn't)? What about lightsabers? To what degree", "however, what if the power-suit you're describing is very similar to the one", "media; however, what if the power-suit you're describing is very similar to the", "the power-suit you're describing is very similar to the one in Izut Mon?", "one in Izut Mon? Let's say there are jets on both hands and", "hands and feet and, to take things even further, what if the color", "there are jets on both hands and feet and, to take things even", "degree does an object need to be similar in order to be vulnerable", "object need to be similar in order to be vulnerable to a trademark", "if the power-suit you're describing is very similar to the one in Izut", "and feet and, to take things even further, what if the color scheme", "be similar in order to be vulnerable to a trademark lawsuit for a", "mask looks exactly the same (but the rest isn't)? What about lightsabers? To", "Let's say there are jets on both hands and feet and, to take", "what if the color scheme is the same, and what if the mask", "Izut Mon? Let's say there are jets on both hands and feet and,", "same (but the rest isn't)? What about lightsabers? To what degree does an", "and, to take things even further, what if the color scheme is the", "further, what if the color scheme is the same, and what if the", "that \"power-suits\" are used legally by a lot of media; however, what if", "about lightsabers? To what degree does an object need to be similar in", "if the color scheme is the same, and what if the mask looks", "Mon. I believe that \"power-suits\" are used legally by a lot of media;", "in order to be vulnerable to a trademark lawsuit for a fictional object?", "same, and what if the mask looks exactly the same (but the rest", "things even further, what if the color scheme is the same, and what", "what if the mask looks exactly the same (but the rest isn't)? What", "inventions like the power suits in Izut Mon. I believe that \"power-suits\" are", "jets on both hands and feet and, to take things even further, what", "fictional inventions like the power suits in Izut Mon. I believe that \"power-suits\"", "similar to the one in Izut Mon? Let's say there are jets on" ]
[ "whole system, but the idea is that each story has multiple themes that", "idea I run through my system reflects real world ablism, or a hierarchy", "able to tap into it. How can I portray body horror and still", "amputation, disease, birth defects, injury, bad plastic surgery.... It's a legitimate horror theme", "and differently-bodied people? This is not about putting a hero in a wheelchair", "universal fears – losing 1 knocks out a lot of story possibilities. I", "on a universal horror-theme structure for a branching-narrative series with an occult detective.", "Choices take the reader deeper down a particular horror scenario, with branches to", "consequences of physical harm works as a logical escalation of a horror theme.", "of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure** for a branching-narrative", "tap into this anxiety without simultaneously punching-down on real life disabled, sick, and", "a hierarchy that body-shames real people. I'm not trying to be PC police", "I wouldn't indulge in gore, but still the threat and consequences of physical", "a lot of story possibilities. I could limit it to metaphor and abstraction", "people? This is not about putting a hero in a wheelchair to make", "tap into it. How can I portray body horror and still be sensitive", "1 knocks out a lot of story possibilities. I could limit it to", "as reenforcing a bad message. Nearly every body horror idea I run through", "to handle body horror tropes.** I don't think horror needs to be PC,", "also the theme that sometimes knocks me out of the genre. Films like", "about leveraging a particular universal fear, without crapping on people who already have", "horror scenario, with branches to other juxtaposed themes. One of my universal horror", "threat and consequences of physical harm works as a logical escalation of a", "psychological or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme", "universal fears of aging, disability, amputation, disease, birth defects, injury, bad plastic surgery....", "whole theme as reenforcing a bad message. Nearly every body horror idea I", "without simultaneously punching-down on real life disabled, sick, and differently-bodied people? This is", "visceral fears about our bodies coming to harm or being consumed. Disease, decay,", "horror is legitimately scary. I would rather be able to tap into it.", "theme is a problem** because it plays into universal fears of aging, disability,", "this anxiety without simultaneously punching-down on real life disabled, sick, and differently-bodied people?", "big part of horror, definitely one of the few universal fears that everyone", "incrementally. Choices take the reader deeper down a particular horror scenario, with branches", "Body Horror – this theme is a problem because it plays into universal", "the body. Body horror is also the theme that sometimes knocks me out", "theme. Horror without consequences is like Scooby-Doo. Can I raise the stakes in", "themes that progress incrementally. Choices take the reader deeper down a particular horror", "is a problem because it plays into universal fears of aging, disability, amputation,", "people with disabilities? --------------------------------------------------------------------------------- We have visceral fears about our bodies coming to", "particular horror scenario, with branches to other juxtaposed themes. One of my universal", "much torture porn. I wouldn't indulge in gore, but still the threat and", "I would rather be able to tap into it. How can I portray", "is legitimately scary. I would rather be able to tap into it. How", "a problem because it plays into universal fears of aging, disability, amputation, disease,", "world ablism, or a hierarchy that body-shames real people. I'm not trying to", "fears – losing 1 knocks out a lot of story possibilities. I could", "I won't discuss the whole system, but the idea is that each story", "Thinner, and Tod Browning's Freaks. I don't see a PC way to handle", "Building on my answer in [Proven psychological or scientific means of scaring people?*](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people),", "every body horror* idea I run through my system reflects real world ablism,", "or being consumed. Disease, decay, and body revulsion seem like a big part", "don't see a PC way to handle body horror tropes. I don't think", "PC way to handle body horror tropes. I don't think horror needs to", "sensitive to people with disabilities? --------------------------------------------------------------------------------- We have visceral fears about our bodies", "a universal horror-theme structure for a branching-narrative series with an occult detective. I", "body-shames real people. I'm not trying to be PC police of an entire", "not about putting a hero in a wheelchair to make an empowering statement.", "problem because it plays into universal fears of aging, disability, amputation, disease, birth", "is about leveraging a particular universal fear, without crapping on people who already", "themes is strong, but problematic. ------------------------------------------------------------- Body Horror – this theme is a", "it plays into universal fears of aging, disability, amputation, disease, birth defects, injury,", "scenario, with branches to other juxtaposed themes. One of my universal horror themes", "of the few universal fears that everyone shares. I've only identified 8 universal", "It's a legitimate horror theme that I can see escalating to its logical", "simultaneously punching-down on real life disabled, sick, and differently-bodied people? This is not", "Tod Browning's Freaks. *I don't see a PC way to handle body horror", "– losing 1 knocks out a lot of story possibilities. I could limit", "of physical harm works as a logical escalation of a horror theme. Horror", "stakes in a body horror theme in a way that avoids an inherently", "are Stephen King's Thinner, and Tod Browning's Freaks. *I don't see a PC", "not visceral and personal* like the body. Body horror is also the theme", "message? Can I tap into this anxiety without simultaneously punching-down on real life", "a legitimate horror theme that I can see escalating to its logical conclusion.", "legitimate horror theme that I can see escalating to its logical conclusion. Examples", "King's Thinner, and Tod Browning's Freaks. I don't see a PC way to", "into this anxiety without simultaneously punching-down on real life disabled, sick, and differently-bodied", "the reader deeper down a particular horror scenario, with branches to other juxtaposed", "disabled, sick, and differently-bodied people? This is not about putting a hero in", "or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure", "the few universal fears that everyone shares. I've only identified 8 universal fears", "be PC police of an entire genre. Body horror is legitimately scary. I", "each story has multiple themes that progress incrementally. Choices take the reader deeper", "escalating to its logical conclusion. Examples are Stephen King's Thinner, and Tod Browning's", "– this theme is a problem** because it plays into universal fears of", "it's not visceral and personal like the body. Body horror is also the", "tropes.** I don't think horror needs to be PC, but [a recent lecture", "anxiety without simultaneously punching-down on real life disabled, sick, and differently-bodied people? This", "One of my universal horror themes is strong, but problematic. ------------------------------------------------------------- *Body Horror", "abstraction (a decaying house), but it's not visceral and personal* like the body.", "bad plastic surgery.... It's a legitimate horror theme that I can see escalating", "avoids an inherently ableist message? Can I tap into this anxiety without simultaneously", "see escalating to its logical conclusion. Examples are Stephen King's Thinner, and Tod", "of a horror theme. Horror without consequences is like Scooby-Doo. Can I raise", "an empowering statement. Rather this is about leveraging a particular universal fear, without", "trying to be PC police of an entire genre. Body horror is legitimately", "lot of story possibilities. I could limit it to metaphor and abstraction (a", "its logical conclusion. Examples are Stephen King's Thinner, and Tod Browning's Freaks. I", "on real life disabled, sick, and differently-bodied people? This is not about putting", "to be PC, but [a recent lecture about zombies by a guy in", "Can I tap into this anxiety without simultaneously punching-down on real life disabled,", "seem like a big part of horror, definitely one of the few universal", "through my system reflects real world ablism, or a hierarchy that body-shames real", "progress incrementally. Choices take the reader deeper down a particular horror scenario, with", "inherently ableist message? Can I tap into this anxiety without simultaneously punching-down on", "empowering statement. Rather this is about leveraging a particular universal fear, without crapping", "surgery.... It's a legitimate horror theme that I can see escalating to its", "ableist message? Can I tap into this anxiety without simultaneously punching-down on real", "universal horror-theme structure for a branching-narrative series with an occult detective. I won't", "that everyone shares. I've only identified 8 universal fears – losing 1 knocks", "coming to harm or being consumed. Disease, decay, and body revulsion seem like", "out of the genre. Films like Saw become just so much torture porn.", "body horror and still be sensitive to people with disabilities? --------------------------------------------------------------------------------- We have", "decaying house), but it's not visceral and personal like the body. Body horror", "series with an occult detective. I won't discuss the whole system, but the", "definitely one of the few universal fears that everyone shares. I've only identified", "working on a universal horror-theme structure for a branching-narrative series with an occult", "conclusion. Examples are Stephen King's Thinner, and Tod Browning's Freaks. I don't see", "limit it to metaphor and abstraction (a decaying house), but it's not visceral", "to other juxtaposed themes. One of my universal horror themes is strong, but", "people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure for a branching-narrative series with", "leveraging a particular universal fear, without crapping on people who already have it", "only identified 8 universal fears – losing 1 knocks out a lot of", "an occult detective. I won't discuss the whole system, but the idea is", "a logical escalation of a horror theme. Horror without consequences is like Scooby-Doo.", "I tap into this anxiety without simultaneously punching-down on real life disabled, sick,", "I don't see a PC way to handle body horror tropes. I don't", "occult detective. I won't discuss the whole system, but the idea is that", "Body horror is legitimately scary. I would rather be able to tap into", "Can I raise the stakes in a body horror theme in a way", "can I portray body horror and still be sensitive to people with disabilities?", "horror theme that I can see escalating to its logical conclusion. Examples are", "to make an empowering statement. Rather this is about leveraging a particular universal", "detective. I won't discuss the whole system, but the idea is that each", "horror* idea I run through my system reflects real world ablism, or a", "portray body horror and still be sensitive to people with disabilities? --------------------------------------------------------------------------------- We", "harm works as a logical escalation of a horror theme. Horror without consequences", "indulge in gore, but still the threat and consequences of physical harm works", "hierarchy that body-shames real people. I'm not trying to be PC police of", "a bad message. Nearly every body horror idea I run through my system", "sick, and differently-bodied people? This is not about putting a hero in a", "rather be able to tap into it. How can I portray body horror", "Scooby-Doo. Can I raise the stakes in a body horror theme in a", "Stephen King's Thinner, and Tod Browning's Freaks. *I don't see a PC way", "fears about our bodies coming to harm or being consumed. Disease, decay, and", "consequences is like Scooby-Doo. Can I raise the stakes* in a body horror", "a wheelchair to make an empowering statement. Rather this is about leveraging a", "reader deeper down a particular horror scenario, with branches to other juxtaposed themes.", "We have visceral fears about our bodies coming to harm or being consumed.", "means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure for a", "in [Proven psychological or scientific means of scaring people?*](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a", "for a branching-narrative series with an occult detective. I won't discuss the whole", "can see escalating to its logical conclusion. Examples are Stephen King's Thinner, and", "has multiple themes that progress incrementally. Choices take the reader deeper down a", "wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme as reenforcing a bad message.", "real life disabled, sick, and differently-bodied people? This is not about putting a", "a particular horror scenario, with branches to other juxtaposed themes. One of my", "me question the whole theme as reenforcing a bad message. Nearly every body", "in gore, but still the threat and consequences of physical harm works as", "raise the stakes in a body horror theme in a way that avoids", "Browning's Freaks. I don't see a PC way to handle body horror tropes.", "harm or being consumed. Disease, decay, and body revulsion seem like a big", "horror, definitely one of the few universal fears that everyone shares. I've only", "theme as reenforcing a bad message. Nearly every body horror idea I run", "without consequences is like Scooby-Doo. Can I raise the stakes in a body", "knocks me out of the genre. Films like Saw become just so much", "discuss the whole system, but the idea is that each story has multiple", "horror tropes.** I don't think horror needs to be PC, but [a recent", "won't discuss the whole system, but the idea is that each story has", "consumed. Disease, decay, and body revulsion seem like a big part of horror,", "one of the few universal fears that everyone shares. I've only identified 8", "torture porn. I wouldn't indulge in gore, but still the threat and consequences", "hero in a wheelchair to make an empowering statement. Rather this is about", "take the reader deeper down a particular horror scenario, with branches to other", "I run through my system reflects real world ablism, or a hierarchy that", "is also the theme that sometimes knocks me out of the genre. Films", "zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole", "the idea is that each story has multiple themes that progress incrementally. Choices", "scary. I would rather be able to tap into it. How can I", "about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the", "body revulsion seem like a big part of horror, definitely one of the", "bad message. Nearly every body horror idea I run through my system reflects", "punching-down on real life disabled, sick, and differently-bodied people? This is not about", "genre. Body horror is legitimately scary. I would rather be able to tap", "system, but the idea is that each story has multiple themes that progress", "deeper down a particular horror scenario, with branches to other juxtaposed themes. One", "but problematic. ------------------------------------------------------------- Body Horror – this theme is a problem because it", "the theme that sometimes knocks me out of the genre. Films like Saw", "police of an entire genre. Body horror is legitimately scary. I would rather", "with an occult detective. I won't discuss the whole system, but the idea", "theme that I can see escalating to its logical conclusion. Examples are Stephen", "reflects real world ablism, or a hierarchy that body-shames real people. I'm not", "plastic surgery.... It's a legitimate horror theme that I can see escalating to", "out a lot of story possibilities. I could limit it to metaphor and", "but still the threat and consequences of physical harm works as a logical", "metaphor and abstraction (a decaying house), but it's not visceral and personal like", "and Tod Browning's Freaks. *I don't see a PC way to handle body", "to metaphor and abstraction (a decaying house), but it's not visceral and personal", "branching-narrative series with an occult detective. I won't discuss the whole system, but", "I'm not trying to be PC police of an entire genre. Body horror", "wheelchair to make an empowering statement. Rather this is about leveraging a particular", "be sensitive to people with disabilities? --------------------------------------------------------------------------------- We have visceral fears about our", "to its logical conclusion. Examples are Stephen King's Thinner, and Tod Browning's Freaks.", "possibilities. I could limit it to metaphor and abstraction (a decaying house), but", "disability, amputation, disease, birth defects, injury, bad plastic surgery.... It's a legitimate horror", "a big part of horror, definitely one of the few universal fears* that", "differently-bodied people? This is not about putting a hero in a wheelchair to", "porn. I wouldn't indulge in gore, but still the threat and consequences of", "has made me question the whole theme as reenforcing a bad message. Nearly", "is that each story has multiple themes that progress incrementally. Choices take the", "theme in a way that avoids an inherently ableist message? Can I tap", "like a big part of horror, definitely one of the few universal fears", "of horror, definitely one of the few universal fears that everyone shares. I've", "the whole system, but the idea is that each story has multiple themes", "fears of aging, disability, amputation, disease, birth defects, injury, bad plastic surgery.... It's", "this is about leveraging a particular universal fear, without crapping on people who", "run through my system reflects real world ablism, or a hierarchy that body-shames", "a PC way to handle body horror tropes.** I don't think horror needs", "made me question the whole theme as reenforcing a bad message. Nearly every", "with branches to other juxtaposed themes. One of my universal horror themes is", "in a wheelchair to make an empowering statement. Rather this is about leveraging", "my universal horror themes is strong, but problematic. ------------------------------------------------------------- *Body Horror – this", "and still be sensitive to people with disabilities? --------------------------------------------------------------------------------- We have visceral fears", "have visceral fears about our bodies coming to harm or being consumed. Disease,", "Disease, decay, and body revulsion seem like a big part of horror, definitely", "horror needs* to be PC, but [a recent lecture about zombies by a", "it to metaphor and abstraction (a decaying house), but it's not visceral and", "defects, injury, bad plastic surgery.... It's a legitimate horror theme that I can", "about putting a hero in a wheelchair to make an empowering statement. Rather", "injury, bad plastic surgery.... It's a legitimate horror theme that I can see", "is like Scooby-Doo. Can I raise the stakes in a body horror theme", "putting a hero in a wheelchair to make an empowering statement. Rather this", "knocks out a lot of story possibilities. I could limit it to metaphor", "body horror theme in a way that avoids an inherently ableist message? Can", "is strong, but problematic. ------------------------------------------------------------- Body Horror – this theme is a problem", "like Saw become just so much torture porn. I wouldn't indulge in gore,", "Horror – this theme is a problem** because it plays into universal fears", "could limit it to metaphor and abstraction (a decaying house), but it's not", "of story possibilities. I could limit it to metaphor and abstraction (a decaying", "birth defects, injury, bad plastic surgery.... It's a legitimate horror theme that I", "but it's not visceral and personal like the body. Body horror is also", "idea is that each story has multiple themes that progress incrementally. Choices take", "Horror without consequences is like Scooby-Doo. Can I raise the stakes in a", "guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme as reenforcing", "a body horror theme in a way that avoids an inherently ableist message?", "universal fears that everyone shares. I've only identified 8 universal fears – losing", "of an entire genre. Body horror is legitimately scary. I would rather be", "visceral and personal like the body. Body horror is also the theme that", "scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure** for", "me out of the genre. Films like Saw become just so much torture", "personal like the body. Body horror is also the theme that sometimes knocks", "Freaks. I don't see a PC way to handle body horror tropes. I", "the genre. Films like Saw become just so much torture porn. I wouldn't", "fears* that everyone shares. I've only identified 8 universal fears – losing 1", "be able to tap into it. How can I portray body horror and", "I raise the stakes in a body horror theme in a way that", "and consequences of physical harm works as a logical escalation of a horror", "of my universal horror themes is strong, but problematic. ------------------------------------------------------------- Body Horror –", "an entire genre. Body horror is legitimately scary. I would rather be able", "way to handle body horror tropes. I don't think horror needs to be", "question the whole theme as reenforcing a bad message. Nearly every body horror", "horror theme in a way that avoids an inherently ableist message? Can I", "and body revulsion seem like a big part of horror, definitely one of", "in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme as reenforcing a", "horror theme. Horror without consequences is like Scooby-Doo. Can I raise the stakes", "house), but it's not visceral and personal like the body. Body horror is", "of the genre. Films like Saw become just so much torture porn. I", "everyone shares. I've only identified 8 universal fears – losing 1 knocks out", "needs to be PC, but [a recent lecture about zombies by a guy", "my answer in [Proven psychological or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working", "genre. Films like Saw become just so much torture porn. I wouldn't indulge", "lecture about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question", "real people. I'm not trying to be PC police of an entire genre.", "I'm working on a universal horror-theme structure for a branching-narrative series with an", "Body horror is also the theme that sometimes knocks me out of the", "recent lecture about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me", "I can see escalating to its logical conclusion. Examples are Stephen King's Thinner,", "--------------------------------------------------------------------------------- We have visceral fears about our bodies coming to harm or being", "that progress incrementally. Choices take the reader deeper down a particular horror scenario,", "but the idea is that each story has multiple themes that progress incrementally.", "not trying to be PC police of an entire genre. Body horror is", "disease, birth defects, injury, bad plastic surgery.... It's a legitimate horror theme that", "being consumed. Disease, decay, and body revulsion seem like a big part of", "logical escalation of a horror theme. Horror without consequences is like Scooby-Doo. Can", "[a recent lecture about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made", "an inherently ableist message? Can I tap into this anxiety without simultaneously punching-down", "answer in [Proven psychological or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on", "see a PC way to handle body horror tropes.** I don't think horror", "physical harm works as a logical escalation of a horror theme. Horror without", "body. Body horror is also the theme that sometimes knocks me out of", "Examples are Stephen King's Thinner, and Tod Browning's Freaks. *I don't see a", "a horror theme. Horror without consequences is like Scooby-Doo. Can I raise the", "horror-theme structure for a branching-narrative series with an occult detective. I won't discuss", "shares. I've only identified 8 universal fears – losing 1 knocks out a", "body horror idea I run through my system reflects real world ablism, or", "become just so much torture porn. I wouldn't indulge in gore, but still", "horror themes is strong, but problematic. ------------------------------------------------------------- *Body Horror – this theme is", "PC, but [a recent lecture about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0)", "to be PC police of an entire genre. Body horror is legitimately scary.", "(a decaying house), but it's not visceral and personal* like the body. Body", "theme that sometimes knocks me out of the genre. Films like Saw become", "few universal fears that everyone shares. I've only identified 8 universal fears –", "the stakes* in a body horror theme in a way that avoids an", "identified 8 universal fears – losing 1 knocks out a lot of story", "entire genre. Body horror is legitimately scary. I would rather be able to", "in a body horror theme in a way that avoids an inherently ableist", "decay, and body revulsion seem like a big part of horror, definitely one", "still the threat and consequences of physical harm works as a logical escalation", "system reflects real world ablism, or a hierarchy that body-shames real people. I'm", "multiple themes that progress incrementally. Choices take the reader deeper down a particular", "with disabilities? --------------------------------------------------------------------------------- We have visceral fears about our bodies coming to harm", "revulsion seem like a big part of horror, definitely one of the few", "to harm or being consumed. Disease, decay, and body revulsion seem like a", "would rather be able to tap into it. How can I portray body", "branches to other juxtaposed themes. One of my universal horror themes is strong,", "as a logical escalation of a horror theme. Horror without consequences is like", "plays into universal fears of aging, disability, amputation, disease, birth defects, injury, bad", "that avoids an inherently ableist message? Can I tap into this anxiety without", "the whole theme as reenforcing a bad message. Nearly every body horror idea", "disabilities? --------------------------------------------------------------------------------- We have visceral fears about our bodies coming to harm or", "gore, but still the threat and consequences of physical harm works as a", "escalation of a horror theme. Horror without consequences is like Scooby-Doo. Can I", "way that avoids an inherently ableist message? Can I tap into this anxiety", "that body-shames real people. I'm not trying to be PC police of an", "in a way that avoids an inherently ableist message? Can I tap into", "down a particular horror scenario, with branches to other juxtaposed themes. One of", "How can I portray body horror and still be sensitive to people with", "still be sensitive to people with disabilities? --------------------------------------------------------------------------------- We have visceral fears about", "so much torture porn. I wouldn't indulge in gore, but still the threat", "like Scooby-Doo. Can I raise the stakes in a body horror theme in", "the threat and consequences of physical harm works as a logical escalation of", "wouldn't indulge in gore, but still the threat and consequences of physical harm", "works as a logical escalation of a horror theme. Horror without consequences is", "This is not about putting a hero in a wheelchair to make an", "that sometimes knocks me out of the genre. Films like Saw become just", "bodies coming to harm or being consumed. Disease, decay, and body revulsion seem", "my system reflects real world ablism, or a hierarchy that body-shames real people.", "because it plays into universal fears of aging, disability, amputation, disease, birth defects,", "a hero in a wheelchair to make an empowering statement. Rather this is", "of aging, disability, amputation, disease, birth defects, injury, bad plastic surgery.... It's a", "I don't think horror needs to be PC, but [a recent lecture about", "handle body horror tropes.** I don't think horror needs to be PC, but", "ablism, or a hierarchy that body-shames real people. I'm not trying to be", "and personal like the body. Body horror is also the theme that sometimes", "or a hierarchy that body-shames real people. I'm not trying to be PC", "like the body. Body horror is also the theme that sometimes knocks me", "------------------------------------------------------------- Body Horror – this theme is a problem because it plays into", "Nearly every body horror idea I run through my system reflects real world", "legitimately scary. I would rather be able to tap into it. How can", "just so much torture porn. I wouldn't indulge in gore, but still the", "losing 1 knocks out a lot of story possibilities. I could limit it", "reenforcing a bad message. Nearly every body horror idea I run through my", "strong, but problematic. ------------------------------------------------------------- Body Horror – this theme is a problem because", "a particular universal fear, without crapping on people who already have it rough.", "universal horror themes is strong, but problematic. ------------------------------------------------------------- Body Horror – this theme", "problematic. ------------------------------------------------------------- Body Horror – this theme is a problem** because it plays", "don't think horror needs to be PC, but [a recent lecture about zombies", "message. Nearly every body horror idea I run through my system reflects real", "story possibilities. I could limit it to metaphor and abstraction (a decaying house),", "a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme as reenforcing a bad", "life disabled, sick, and differently-bodied people? This is not about putting a hero", "horror and still be sensitive to people with disabilities? --------------------------------------------------------------------------------- We have visceral", "by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme", "Rather this is about leveraging a particular universal fear, without crapping on people", "Films like Saw become just so much torture porn. I wouldn't indulge in", "other juxtaposed themes. One of my universal horror themes is strong, but problematic.", "to tap into it. How can I portray body horror and still be", "structure for a branching-narrative series with an occult detective. I won't discuss the", "aging, disability, amputation, disease, birth defects, injury, bad plastic surgery.... It's a legitimate", "our bodies coming to harm or being consumed. Disease, decay, and body revulsion", "a way that avoids an inherently ableist message? Can I tap into this", "statement. Rather this is about leveraging a particular universal fear, without crapping on", "a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has made me question the whole theme as", "story has multiple themes that progress incrementally. Choices take the reader deeper down", "I portray body horror and still be sensitive to people with disabilities? ---------------------------------------------------------------------------------", "be PC, but [a recent lecture about zombies by a guy in a", "scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal horror-theme structure for a branching-narrative series", "is not about putting a hero in a wheelchair to make an empowering", "PC police of an entire genre. Body horror is legitimately scary. I would", "juxtaposed themes. One of my universal horror themes is strong, but problematic. -------------------------------------------------------------", "I've only identified 8 universal fears – losing 1 knocks out a lot", "think horror needs to be PC, but [a recent lecture about zombies by", "and abstraction (a decaying house), but it's not visceral and personal like the", "about our bodies coming to harm or being consumed. Disease, decay, and body", "8 universal fears – losing 1 knocks out a lot of story possibilities.", "this theme is a problem** because it plays into universal fears of aging,", "make an empowering statement. Rather this is about leveraging a particular universal fear,", "a branching-narrative series with an occult detective. I won't discuss the whole system,", "into it. How can I portray body horror and still be sensitive to", "into universal fears of aging, disability, amputation, disease, birth defects, injury, bad plastic", "part of horror, definitely one of the few universal fears that everyone shares.", "themes. One of my universal horror themes is strong, but problematic. ------------------------------------------------------------- Body", "that each story has multiple themes that progress incrementally. Choices take the reader", "it. How can I portray body horror and still be sensitive to people", "but [a recent lecture about zombies by a guy in a wheelchair](https://www.youtube.com/watch?v=7IMe4pwJ0X0) has", "[Proven psychological or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm working on a universal", "body horror tropes. I don't think horror needs to be PC, but [a", "that I can see escalating to its logical conclusion. Examples are Stephen King's", "to people with disabilities? --------------------------------------------------------------------------------- We have visceral fears about our bodies coming", "I could limit it to metaphor and abstraction (a decaying house), but it's", "logical conclusion. Examples are Stephen King's Thinner, and Tod Browning's Freaks. *I don't", "people. I'm not trying to be PC police of an entire genre. Body", "real world ablism, or a hierarchy that body-shames real people. I'm not trying", "sometimes knocks me out of the genre. Films like Saw* become just so", "horror is also the theme that sometimes knocks me out of the genre.", "on my answer in [Proven psychological or scientific means of scaring people?](https://writing.stackexchange.com/questions/39358/proven-psychological-or-scientific-means-of-scaring-people), I'm", "Saw become just so much torture porn. I wouldn't indulge in gore, but" ]
[ "wife named Pastea who was, unbeknownst to everyone, killed by UrasMt. I want", "novel, the MC UrasMt navigates the world of survivors and grapples with her", "is tragic, how do I keep the reader from piling all their sympathy", "a short story, can it not be called a prequel? Should I write", "navigates the world of survivors and grapples with her newly discovered abilities. The", "story, can it not be called a prequel? Should I write my short", "that centers around Ezrith and Pastea's death and how Ezrith handled it when", "unbeknownst to everyone, killed by UrasMt. I want to write a short story", "it could be read stand-alone, without previously reading my novel? And since the", "write a short story that centers around Ezrith and Pastea's death and how", "antagonist, Ezrith, had a wife named Pastea who was, unbeknownst to everyone, killed", "begin. Should I call my short story a prequel, or, since its a", "know where to begin. Should I call my short story a prequel, or,", "that it could be read stand-alone, without previously reading my novel? And since", "I write my short story so that it could be read stand-alone, without", "don't really know where to begin. Should I call my short story a", "world of survivors and grapples with her newly discovered abilities. The leader of", "want to write a short story that centers around Ezrith and Pastea's death", "Pastea's death and how Ezrith handled it when it happened, but I don't", "group of survivors, and the book's antagonist, Ezrith, had a wife named Pastea", "prequel? Should I write my short story so that it could be read", "Ezrith and Pastea's death and how Ezrith handled it when it happened, but", "to write a short story that centers around Ezrith and Pastea's death and", "and the book's antagonist, Ezrith, had a wife named Pastea who was, unbeknownst", "be called a prequel? Should I write my short story so that it", "leader of the group of survivors, and the book's antagonist, Ezrith, had a", "reading my novel? And since the short story is written about the antagonist,", "Pastea who was, unbeknownst to everyone, killed by UrasMt. I want to write", "her newly discovered abilities. The leader of the group of survivors, and the", "how Ezrith handled it when it happened, but I don't really know where", "since its a short story, can it not be called a prequel? Should", "it not be called a prequel? Should I write my short story so", "was, unbeknownst to everyone, killed by UrasMt. I want to write a short", "story is written about the antagonist, whose backstory is tragic, how do I", "named Pastea who was, unbeknownst to everyone, killed by UrasMt. I want to", "In my post-apocalyptic novel, the MC UrasMt navigates the world of survivors and", "with her newly discovered abilities. The leader of the group of survivors, and", "short story so that it could be read stand-alone, without previously reading my", "the short story is written about the antagonist, whose backstory is tragic, how", "the antagonist, whose backstory is tragic, how do I keep the reader from", "how do I keep the reader from piling all their sympathy on her?", "And since the short story is written about the antagonist, whose backstory is", "short story that centers around Ezrith and Pastea's death and how Ezrith handled", "story a prequel, or, since its a short story, can it not be", "read stand-alone, without previously reading my novel? And since the short story is", "not be called a prequel? Should I write my short story so that", "the group of survivors, and the book's antagonist, Ezrith, had a wife named", "it happened, but I don't really know where to begin. Should I call", "or, since its a short story, can it not be called a prequel?", "and grapples with her newly discovered abilities. The leader of the group of", "really know where to begin. Should I call my short story a prequel,", "the world of survivors and grapples with her newly discovered abilities. The leader", "to everyone, killed by UrasMt. I want to write a short story that", "newly discovered abilities. The leader of the group of survivors, and the book's", "Should I call my short story a prequel, or, since its a short", "can it not be called a prequel? Should I write my short story", "is written about the antagonist, whose backstory is tragic, how do I keep", "discovered abilities. The leader of the group of survivors, and the book's antagonist,", "prequel, or, since its a short story, can it not be called a", "grapples with her newly discovered abilities. The leader of the group of survivors,", "Ezrith, had a wife named Pastea who was, unbeknownst to everyone, killed by", "my short story a prequel, or, since its a short story, can it", "Should I write my short story so that it could be read stand-alone,", "its a short story, can it not be called a prequel? Should I", "a wife named Pastea who was, unbeknownst to everyone, killed by UrasMt. I", "previously reading my novel? And since the short story is written about the", "a short story that centers around Ezrith and Pastea's death and how Ezrith", "the MC UrasMt navigates the world of survivors and grapples with her newly", "since the short story is written about the antagonist, whose backstory is tragic,", "I want to write a short story that centers around Ezrith and Pastea's", "but I don't really know where to begin. Should I call my short", "had a wife named Pastea who was, unbeknownst to everyone, killed by UrasMt.", "and Pastea's death and how Ezrith handled it when it happened, but I", "to begin. Should I call my short story a prequel, or, since its", "it when it happened, but I don't really know where to begin. Should", "where to begin. Should I call my short story a prequel, or, since", "UrasMt navigates the world of survivors and grapples with her newly discovered abilities.", "centers around Ezrith and Pastea's death and how Ezrith handled it when it", "whose backstory is tragic, how do I keep the reader from piling all", "when it happened, but I don't really know where to begin. Should I", "survivors, and the book's antagonist, Ezrith, had a wife named Pastea who was,", "of survivors, and the book's antagonist, Ezrith, had a wife named Pastea who", "and how Ezrith handled it when it happened, but I don't really know", "Ezrith handled it when it happened, but I don't really know where to", "story so that it could be read stand-alone, without previously reading my novel?", "without previously reading my novel? And since the short story is written about", "novel? And since the short story is written about the antagonist, whose backstory", "survivors and grapples with her newly discovered abilities. The leader of the group", "of the group of survivors, and the book's antagonist, Ezrith, had a wife", "abilities. The leader of the group of survivors, and the book's antagonist, Ezrith,", "call my short story a prequel, or, since its a short story, can", "called a prequel? Should I write my short story so that it could", "everyone, killed by UrasMt. I want to write a short story that centers", "a prequel, or, since its a short story, can it not be called", "my novel? And since the short story is written about the antagonist, whose", "so that it could be read stand-alone, without previously reading my novel? And", "handled it when it happened, but I don't really know where to begin.", "my post-apocalyptic novel, the MC UrasMt navigates the world of survivors and grapples", "a prequel? Should I write my short story so that it could be", "I don't really know where to begin. Should I call my short story", "of survivors and grapples with her newly discovered abilities. The leader of the", "backstory is tragic, how do I keep the reader from piling all their", "happened, but I don't really know where to begin. Should I call my", "could be read stand-alone, without previously reading my novel? And since the short", "tragic, how do I keep the reader from piling all their sympathy on", "post-apocalyptic novel, the MC UrasMt navigates the world of survivors and grapples with", "about the antagonist, whose backstory is tragic, how do I keep the reader", "short story, can it not be called a prequel? Should I write my", "death and how Ezrith handled it when it happened, but I don't really", "the book's antagonist, Ezrith, had a wife named Pastea who was, unbeknownst to", "story that centers around Ezrith and Pastea's death and how Ezrith handled it", "The leader of the group of survivors, and the book's antagonist, Ezrith, had", "stand-alone, without previously reading my novel? And since the short story is written", "I call my short story a prequel, or, since its a short story,", "write my short story so that it could be read stand-alone, without previously", "written about the antagonist, whose backstory is tragic, how do I keep the", "book's antagonist, Ezrith, had a wife named Pastea who was, unbeknownst to everyone,", "by UrasMt. I want to write a short story that centers around Ezrith", "UrasMt. I want to write a short story that centers around Ezrith and", "be read stand-alone, without previously reading my novel? And since the short story", "who was, unbeknownst to everyone, killed by UrasMt. I want to write a", "short story is written about the antagonist, whose backstory is tragic, how do", "killed by UrasMt. I want to write a short story that centers around", "short story a prequel, or, since its a short story, can it not", "MC UrasMt navigates the world of survivors and grapples with her newly discovered", "antagonist, whose backstory is tragic, how do I keep the reader from piling", "around Ezrith and Pastea's death and how Ezrith handled it when it happened,", "my short story so that it could be read stand-alone, without previously reading" ]
[ "the fandom that exists. There are things fans want to see in a", "blasphemous to them, so how should you navigate this? Any guideline or procedure?", "in the public domain. For example, Wizard of Oz. As far as I", "things fans want to see in a sequel and things that would be", "thinking PunoOl has a huge fandom, although I am not sure if PunoOl", "I am not sure if PunoOl is in the public domain. I don't", "with a sequel of PunoOl, wouldn't it? You can use any franchise as", "can use any franchise as an example (even if they're not in the", "the issue is how to deal with the fandom that exists. There are", "how to deal with the fandom that exists. There are things fans want", "it's would be a good move to start your writing career with a", "sure if PunoOl is in the public domain. I don't think it's would", "writing career with a sequel of PunoOl, wouldn't it? You can use any", "or procedure? I am thinking PunoOl has a huge fandom, although I am", "not sure if PunoOl is in the public domain. I don't think it's", "For example, Wizard of Oz. As far as I know, this is completely", "start your writing career with a sequel of PunoOl, wouldn't it? You can", "in a sequel and things that would be blasphemous to them, so how", "deal with the fandom that exists. There are things fans want to see", "this? Any guideline or procedure? I am thinking PunoOl has a huge fandom,", "of Oz. As far as I know, this is completely legal; however, the", "them, so how should you navigate this? Any guideline or procedure? I am", "public domain. I don't think it's would be a good move to start", "although I am not sure if PunoOl is in the public domain. I", "domain. For example, Wizard of Oz. As far as I know, this is", "PunoOl is in the public domain. I don't think it's would be a", "a sequel and things that would be blasphemous to them, so how should", "a huge fandom, although I am not sure if PunoOl is in the", "any franchise as an example (even if they're not in the public domain)", "sequel and things that would be blasphemous to them, so how should you", "public domain. For example, Wizard of Oz. As far as I know, this", "talking about writing a sequel to a novel that's in the public domain.", "writing a sequel to a novel that's in the public domain. For example,", "to them, so how should you navigate this? Any guideline or procedure? I", "is how to deal with the fandom that exists. There are things fans", "your writing career with a sequel of PunoOl, wouldn't it? You can use", "this is completely legal; however, the issue is how to deal with the", "be blasphemous to them, so how should you navigate this? Any guideline or", "see in a sequel and things that would be blasphemous to them, so", "it? You can use any franchise as an example (even if they're not", "as I know, this is completely legal; however, the issue is how to", "am not sure if PunoOl is in the public domain. I don't think", "the public domain. I don't think it's would be a good move to", "about writing a sequel to a novel that's in the public domain. For", "Wizard of Oz. As far as I know, this is completely legal; however,", "fandom, although I am not sure if PunoOl is in the public domain.", "move to start your writing career with a sequel of PunoOl, wouldn't it?", "that exists. There are things fans want to see in a sequel and", "to see in a sequel and things that would be blasphemous to them,", "use any franchise as an example (even if they're not in the public", "I know, this is completely legal; however, the issue is how to deal", "things that would be blasphemous to them, so how should you navigate this?", "to start your writing career with a sequel of PunoOl, wouldn't it? You", "with the fandom that exists. There are things fans want to see in", "am talking about writing a sequel to a novel that's in the public", "Oz. As far as I know, this is completely legal; however, the issue", "think it's would be a good move to start your writing career with", "navigate this? Any guideline or procedure? I am thinking PunoOl has a huge", "good move to start your writing career with a sequel of PunoOl, wouldn't", "don't think it's would be a good move to start your writing career", "a novel that's in the public domain. For example, Wizard of Oz. As", "as an example (even if they're not in the public domain) in your", "is in the public domain. I don't think it's would be a good", "in the public domain. I don't think it's would be a good move", "to deal with the fandom that exists. There are things fans want to", "how should you navigate this? Any guideline or procedure? I am thinking PunoOl", "PunoOl has a huge fandom, although I am not sure if PunoOl is", "to a novel that's in the public domain. For example, Wizard of Oz.", "legal; however, the issue is how to deal with the fandom that exists.", "PunoOl, wouldn't it? You can use any franchise as an example (even if", "that's in the public domain. For example, Wizard of Oz. As far as", "has a huge fandom, although I am not sure if PunoOl is in", "domain. I don't think it's would be a good move to start your", "so how should you navigate this? Any guideline or procedure? I am thinking", "I don't think it's would be a good move to start your writing", "an example (even if they're not in the public domain) in your answer.", "be a good move to start your writing career with a sequel of", "exists. There are things fans want to see in a sequel and things", "should you navigate this? Any guideline or procedure? I am thinking PunoOl has", "franchise as an example (even if they're not in the public domain) in", "You can use any franchise as an example (even if they're not in", "wouldn't it? You can use any franchise as an example (even if they're", "you navigate this? Any guideline or procedure? I am thinking PunoOl has a", "a good move to start your writing career with a sequel of PunoOl,", "There are things fans want to see in a sequel and things that", "issue is how to deal with the fandom that exists. There are things", "guideline or procedure? I am thinking PunoOl has a huge fandom, although I", "completely legal; however, the issue is how to deal with the fandom that", "that would be blasphemous to them, so how should you navigate this? Any", "know, this is completely legal; however, the issue is how to deal with", "is completely legal; however, the issue is how to deal with the fandom", "fans want to see in a sequel and things that would be blasphemous", "huge fandom, although I am not sure if PunoOl is in the public", "would be a good move to start your writing career with a sequel", "am thinking PunoOl has a huge fandom, although I am not sure if", "if PunoOl is in the public domain. I don't think it's would be", "Any guideline or procedure? I am thinking PunoOl has a huge fandom, although", "novel that's in the public domain. For example, Wizard of Oz. As far", "I am thinking PunoOl has a huge fandom, although I am not sure", "far as I know, this is completely legal; however, the issue is how", "are things fans want to see in a sequel and things that would", "however, the issue is how to deal with the fandom that exists. There", "fandom that exists. There are things fans want to see in a sequel", "career with a sequel of PunoOl, wouldn't it? You can use any franchise", "want to see in a sequel and things that would be blasphemous to", "the public domain. For example, Wizard of Oz. As far as I know,", "example, Wizard of Oz. As far as I know, this is completely legal;", "would be blasphemous to them, so how should you navigate this? Any guideline", "of PunoOl, wouldn't it? You can use any franchise as an example (even", "I am talking about writing a sequel to a novel that's in the", "sequel to a novel that's in the public domain. For example, Wizard of", "procedure? I am thinking PunoOl has a huge fandom, although I am not", "sequel of PunoOl, wouldn't it? You can use any franchise as an example", "and things that would be blasphemous to them, so how should you navigate", "As far as I know, this is completely legal; however, the issue is", "a sequel of PunoOl, wouldn't it? You can use any franchise as an", "a sequel to a novel that's in the public domain. For example, Wizard" ]
[ "or symbols. My only goal was to make them rhyme. Here is an", "Now that we have read Nvikuspeara and Edgar Allan Poe, I know there", "a monkey, > > I was full of tension. > > > Then", "> And when my belly was acting like a monkey, > > I", "them rhyme. Here is an example of one of mine: > > The", "is really hard for me to think of a symbol, and put it", "much, so I can let the reader infer, but revealing enough. My question", "poems again, but it is really hard for me to think of a", "> > The idea was obviously Sonny Crockett! > > > Now that", "is a lot more to writing a poem. For it to be a", "goal was to make them rhyme. Here is an example of one of", "pocket, > > The idea was obviously Sonny Crockett! > > > Now", "So, I decided to write poems again, but it is really hard for", "really hard for me to think of a symbol, and put it into", "one of mine: > > The topic was risky > > The judge", "enough. My question is: How can I give my poems more depth and", "> The judge wasn’t blank, but picky. > > > My stomach was", "and put it into my writing without revealing too much, so I can", "we have read Nvikuspeara and Edgar Allan Poe, I know there is a", "stomach was getting really funky, > > My mind was full of question,", "example of one of mine: > > The topic was risky > >", "was acting like a monkey, > > I was full of tension. >", "I wasn’t making a single mistake. > > The idea was as easy", "rhyme. Here is an example of one of mine: > > The topic", "have read Nvikuspeara and Edgar Allan Poe, I know there is a lot", "the reader infer, but revealing enough. My question is: How can I give", "it to be a good poem. So, I decided to write poems again,", "is an example of one of mine: > > The topic was risky", "> > The judge wasn’t blank, but picky. > > > My stomach", "And when my belly was acting like a monkey, > > I was", "Allan Poe, I know there is a lot more to writing a poem.", "question, > > And when my belly was acting like a monkey, >", "My stomach was getting really funky, > > My mind was full of", "4th grade, so I just wrote for fun. They didn't have any figurative", "make them rhyme. Here is an example of one of mine: > >", "to write poems. I was in 4th grade, so I just wrote for", "was getting really funky, > > My mind was full of question, >", "struck me, > > Just like an earthquake, > > I wasn’t making", "Poe, I know there is a lot more to writing a poem. For", "Just like an earthquake, > > I wasn’t making a single mistake. >", "> > I was full of tension. > > > Then it all", "to write poems again, but it is really hard for me to think", "of tension. > > > Then it all struck me, > > Just", "I know there is a lot more to writing a poem. For it", "a symbol, and put it into my writing without revealing too much, so", "The idea was obviously Sonny Crockett! > > > Now that we have", "obviously Sonny Crockett! > > > Now that we have read Nvikuspeara and", "> > And when my belly was acting like a monkey, > >", "Sonny Crockett! > > > Now that we have read Nvikuspeara and Edgar", "a single mistake. > > The idea was as easy to find as", "hard for me to think of a symbol, and put it into my", "of question, > > And when my belly was acting like a monkey,", "monkey, > > I was full of tension. > > > Then it", "> Then it all struck me, > > Just like an earthquake, >", "read Nvikuspeara and Edgar Allan Poe, I know there is a lot more", "into my writing without revealing too much, so I can let the reader", "> > My stomach was getting really funky, > > My mind was", "but revealing enough. My question is: How can I give my poems more", "poem. For it to be a good poem. So, I decided to write", "Then it all struck me, > > Just like an earthquake, > >", "easy to find as in my pocket, > > The idea was obviously", "> Just like an earthquake, > > I wasn’t making a single mistake.", "it all struck me, > > Just like an earthquake, > > I", "find as in my pocket, > > The idea was obviously Sonny Crockett!", "to writing a poem. For it to be a good poem. So, I", "acting like a monkey, > > I was full of tension. > >", "> > Then it all struck me, > > Just like an earthquake,", "without revealing too much, so I can let the reader infer, but revealing", "wrote for fun. They didn't have any figurative language or symbols. My only", "lot more to writing a poem. For it to be a good poem.", "> My mind was full of question, > > And when my belly", "like an earthquake, > > I wasn’t making a single mistake. > >", "Nvikuspeara and Edgar Allan Poe, I know there is a lot more to", "poems. I was in 4th grade, so I just wrote for fun. They", "it is really hard for me to think of a symbol, and put", "for fun. They didn't have any figurative language or symbols. My only goal", "really funky, > > My mind was full of question, > > And", "put it into my writing without revealing too much, so I can let", "a poem. For it to be a good poem. So, I decided to", "when my belly was acting like a monkey, > > I was full", "think of a symbol, and put it into my writing without revealing too", "The topic was risky > > The judge wasn’t blank, but picky. >", "symbol, and put it into my writing without revealing too much, so I", "write poems. I was in 4th grade, so I just wrote for fun.", "decided to write poems again, but it is really hard for me to", "Here is an example of one of mine: > > The topic was", "> Now that we have read Nvikuspeara and Edgar Allan Poe, I know", "in 4th grade, so I just wrote for fun. They didn't have any", "of a symbol, and put it into my writing without revealing too much,", "reader infer, but revealing enough. My question is: How can I give my", "so I can let the reader infer, but revealing enough. My question is:", "> > Just like an earthquake, > > I wasn’t making a single", "was full of question, > > And when my belly was acting like", "symbols. My only goal was to make them rhyme. Here is an example", "writing without revealing too much, so I can let the reader infer, but", "used to write poems. I was in 4th grade, so I just wrote", "> > > My stomach was getting really funky, > > My mind", "write poems again, but it is really hard for me to think of", "revealing too much, so I can let the reader infer, but revealing enough.", "idea was as easy to find as in my pocket, > > The", "> > The idea was as easy to find as in my pocket,", "to find as in my pocket, > > The idea was obviously Sonny", "For it to be a good poem. So, I decided to write poems", "me to think of a symbol, and put it into my writing without", "fun. They didn't have any figurative language or symbols. My only goal was", "be a good poem. So, I decided to write poems again, but it", "was risky > > The judge wasn’t blank, but picky. > > >", "was in 4th grade, so I just wrote for fun. They didn't have", "revealing enough. My question is: How can I give my poems more depth", "I decided to write poems again, but it is really hard for me", "> The topic was risky > > The judge wasn’t blank, but picky.", "writing a poem. For it to be a good poem. So, I decided", "I used to write poems. I was in 4th grade, so I just", "making a single mistake. > > The idea was as easy to find", "mind was full of question, > > And when my belly was acting", "only goal was to make them rhyme. Here is an example of one", "my belly was acting like a monkey, > > I was full of", "I was full of tension. > > > Then it all struck me,", "that we have read Nvikuspeara and Edgar Allan Poe, I know there is", "I can let the reader infer, but revealing enough. My question is: How", "I was in 4th grade, so I just wrote for fun. They didn't", "topic was risky > > The judge wasn’t blank, but picky. > >", "as in my pocket, > > The idea was obviously Sonny Crockett! >", "wasn’t making a single mistake. > > The idea was as easy to", "mine: > > The topic was risky > > The judge wasn’t blank,", "> > > Now that we have read Nvikuspeara and Edgar Allan Poe,", "as easy to find as in my pocket, > > The idea was", "know there is a lot more to writing a poem. For it to", "> > I wasn’t making a single mistake. > > The idea was", "I just wrote for fun. They didn't have any figurative language or symbols.", "was obviously Sonny Crockett! > > > Now that we have read Nvikuspeara", "more to writing a poem. For it to be a good poem. So,", "My mind was full of question, > > And when my belly was", "me, > > Just like an earthquake, > > I wasn’t making a", "for me to think of a symbol, and put it into my writing", "Edgar Allan Poe, I know there is a lot more to writing a", "have any figurative language or symbols. My only goal was to make them", "They didn't have any figurative language or symbols. My only goal was to", "The idea was as easy to find as in my pocket, > >", "blank, but picky. > > > My stomach was getting really funky, >", "figurative language or symbols. My only goal was to make them rhyme. Here", "language or symbols. My only goal was to make them rhyme. Here is", "like a monkey, > > I was full of tension. > > >", "an earthquake, > > I wasn’t making a single mistake. > > The", "funky, > > My mind was full of question, > > And when", "> The idea was obviously Sonny Crockett! > > > Now that we", "grade, so I just wrote for fun. They didn't have any figurative language", "any figurative language or symbols. My only goal was to make them rhyme.", "My only goal was to make them rhyme. Here is an example of", "my pocket, > > The idea was obviously Sonny Crockett! > > >", "of one of mine: > > The topic was risky > > The", "a good poem. So, I decided to write poems again, but it is", "a lot more to writing a poem. For it to be a good", "to be a good poem. So, I decided to write poems again, but", "tension. > > > Then it all struck me, > > Just like", "was to make them rhyme. Here is an example of one of mine:", "idea was obviously Sonny Crockett! > > > Now that we have read", "The judge wasn’t blank, but picky. > > > My stomach was getting", "but it is really hard for me to think of a symbol, and", "> My stomach was getting really funky, > > My mind was full", "full of question, > > And when my belly was acting like a", "picky. > > > My stomach was getting really funky, > > My", "let the reader infer, but revealing enough. My question is: How can I", "> > Now that we have read Nvikuspeara and Edgar Allan Poe, I", "just wrote for fun. They didn't have any figurative language or symbols. My", "getting really funky, > > My mind was full of question, > >", "> > My mind was full of question, > > And when my", "so I just wrote for fun. They didn't have any figurative language or", "risky > > The judge wasn’t blank, but picky. > > > My", "to think of a symbol, and put it into my writing without revealing", "in my pocket, > > The idea was obviously Sonny Crockett! > >", "didn't have any figurative language or symbols. My only goal was to make", "judge wasn’t blank, but picky. > > > My stomach was getting really", "was full of tension. > > > Then it all struck me, >", "and Edgar Allan Poe, I know there is a lot more to writing", "it into my writing without revealing too much, so I can let the", "infer, but revealing enough. My question is: How can I give my poems", "My question is: How can I give my poems more depth and symbolism?", "good poem. So, I decided to write poems again, but it is really", "can let the reader infer, but revealing enough. My question is: How can", "> The idea was as easy to find as in my pocket, >", "to make them rhyme. Here is an example of one of mine: >", "> > > Then it all struck me, > > Just like an", "wasn’t blank, but picky. > > > My stomach was getting really funky,", "there is a lot more to writing a poem. For it to be", "belly was acting like a monkey, > > I was full of tension.", "too much, so I can let the reader infer, but revealing enough. My", "my writing without revealing too much, so I can let the reader infer,", "single mistake. > > The idea was as easy to find as in", "> > The topic was risky > > The judge wasn’t blank, but", "earthquake, > > I wasn’t making a single mistake. > > The idea", "full of tension. > > > Then it all struck me, > >", "but picky. > > > My stomach was getting really funky, > >", "poem. So, I decided to write poems again, but it is really hard", "all struck me, > > Just like an earthquake, > > I wasn’t", "an example of one of mine: > > The topic was risky >", "> I wasn’t making a single mistake. > > The idea was as", "was as easy to find as in my pocket, > > The idea", "> I was full of tension. > > > Then it all struck", "mistake. > > The idea was as easy to find as in my", "Crockett! > > > Now that we have read Nvikuspeara and Edgar Allan", "of mine: > > The topic was risky > > The judge wasn’t", "again, but it is really hard for me to think of a symbol," ]
[ "before and have never really witnessed anything violent. I know the methods and", "any suggestions as to how I can write these scenes in a way", "anything violent. I know the methods and steps of the tortures I want", "violent. I know the methods and steps of the tortures I want to", "that's hard for me. Does anyone have any suggestions as to how I", "anything like it before and have never really witnessed anything violent. I know", "about but it's more the description and how to write it without going", "really all that confident about it since I've never written anything like it", "write torture scenes but I'm not really all that confident about it since", "I know the methods and steps of the tortures I want to write", "written anything like it before and have never really witnessed anything violent. I", "without going too far that's hard for me. Does anyone have any suggestions", "it before and have never really witnessed anything violent. I know the methods", "and have never really witnessed anything violent. I know the methods and steps", "how I can write these scenes in a way that the reader will", "anyone have any suggestions as to how I can write these scenes in", "and steps of the tortures I want to write about but it's more", "want to write about but it's more the description and how to write", "as to how I can write these scenes in a way that the", "write about but it's more the description and how to write it without", "I've never written anything like it before and have never really witnessed anything", "tortures I want to write about but it's more the description and how", "in a way that the reader will wince in pain, instead of cringing", "I want to write about but it's more the description and how to", "never really witnessed anything violent. I know the methods and steps of the", "but I'm not really all that confident about it since I've never written", "going too far that's hard for me. Does anyone have any suggestions as", "I can write these scenes in a way that the reader will wince", "I'm not really all that confident about it since I've never written anything", "these scenes in a way that the reader will wince in pain, instead", "really witnessed anything violent. I know the methods and steps of the tortures", "to write about but it's more the description and how to write it", "a way that the reader will wince in pain, instead of cringing from", "suggestions as to how I can write these scenes in a way that", "have any suggestions as to how I can write these scenes in a", "to write it without going too far that's hard for me. Does anyone", "it without going too far that's hard for me. Does anyone have any", "hard for me. Does anyone have any suggestions as to how I can", "for me. Does anyone have any suggestions as to how I can write", "it since I've never written anything like it before and have never really", "the reader will wince in pain, instead of cringing from a bad scene?", "to how I can write these scenes in a way that the reader", "trying to write torture scenes but I'm not really all that confident about", "methods and steps of the tortures I want to write about but it's", "scenes in a way that the reader will wince in pain, instead of", "never written anything like it before and have never really witnessed anything violent.", "that the reader will wince in pain, instead of cringing from a bad", "the tortures I want to write about but it's more the description and", "and how to write it without going too far that's hard for me.", "too far that's hard for me. Does anyone have any suggestions as to", "confident about it since I've never written anything like it before and have", "like it before and have never really witnessed anything violent. I know the", "can write these scenes in a way that the reader will wince in", "description and how to write it without going too far that's hard for", "but it's more the description and how to write it without going too", "all that confident about it since I've never written anything like it before", "scenes but I'm not really all that confident about it since I've never", "write it without going too far that's hard for me. Does anyone have", "know the methods and steps of the tortures I want to write about", "the description and how to write it without going too far that's hard", "steps of the tortures I want to write about but it's more the", "far that's hard for me. Does anyone have any suggestions as to how", "more the description and how to write it without going too far that's", "I'm trying to write torture scenes but I'm not really all that confident", "the methods and steps of the tortures I want to write about but", "not really all that confident about it since I've never written anything like", "torture scenes but I'm not really all that confident about it since I've", "me. Does anyone have any suggestions as to how I can write these", "have never really witnessed anything violent. I know the methods and steps of", "write these scenes in a way that the reader will wince in pain,", "about it since I've never written anything like it before and have never", "of the tortures I want to write about but it's more the description", "how to write it without going too far that's hard for me. Does", "since I've never written anything like it before and have never really witnessed", "to write torture scenes but I'm not really all that confident about it", "way that the reader will wince in pain, instead of cringing from a", "that confident about it since I've never written anything like it before and", "witnessed anything violent. I know the methods and steps of the tortures I", "Does anyone have any suggestions as to how I can write these scenes", "it's more the description and how to write it without going too far" ]
[ "demons and other witches, but I don't want them to find a crush", "named Kem who has to protect the world from evil. Kem befriends demons", "the reader that Kem's relationships are entirely non-romantic, that Kem has no attraction", "and battling baddies. So how do I show the reader that Kem's relationships", "be no romantic sub-plots? I don't want people to ship Kem with other", "protect the world from evil. Kem befriends demons and other witches, but I", "to their friends, and that there will be no romantic sub-plots? I don't", "outlining a story about a witch named Kem who has to protect the", "story about a witch named Kem who has to protect the world from", "about a witch named Kem who has to protect the world from evil.", "do I make it absolutely clear Kem is just there for friendship and", "but I don't want them to find a crush or anything and I", "that Kem isn't looking for love, they're just navigating the world of witchcraft", "they're just navigating the world of witchcraft and battling baddies. So how do", "I make it absolutely clear Kem is just there for friendship and companionship?", "familial. I want the reader to understand that Kem isn't looking for love,", "are platonic or familial. I want the reader to understand that Kem isn't", "their friends, and that there will be no romantic sub-plots? I don't want", "from evil. Kem befriends demons and other witches, but I don't want them", "there will be no romantic sub-plots? I don't want people to ship Kem", "to ship Kem with other characters either, so how do I make it", "and I want to keep their feelings for everyone are platonic or familial.", "love, they're just navigating the world of witchcraft and battling baddies. So how", "or anything and I want to keep their feelings for everyone are platonic", "want to keep their feelings for everyone are platonic or familial. I want", "has no attraction to their friends, and that there will be no romantic", "how do I show the reader that Kem's relationships are entirely non-romantic, that", "looking for love, they're just navigating the world of witchcraft and battling baddies.", "or familial. I want the reader to understand that Kem isn't looking for", "a crush or anything and I want to keep their feelings for everyone", "the reader to understand that Kem isn't looking for love, they're just navigating", "that Kem's relationships are entirely non-romantic, that Kem has no attraction to their", "don't want them to find a crush or anything and I want to", "just navigating the world of witchcraft and battling baddies. So how do I", "Kem befriends demons and other witches, but I don't want them to find", "I want to keep their feelings for everyone are platonic or familial. I", "entirely non-romantic, that Kem has no attraction to their friends, and that there", "no romantic sub-plots? I don't want people to ship Kem with other characters", "want them to find a crush or anything and I want to keep", "romantic sub-plots? I don't want people to ship Kem with other characters either,", "of witchcraft and battling baddies. So how do I show the reader that", "so how do I make it absolutely clear Kem is just there for", "(Kem uses they/them pronouns.) I'm outlining a story about a witch named Kem", "witch named Kem who has to protect the world from evil. Kem befriends", "platonic or familial. I want the reader to understand that Kem isn't looking", "their feelings for everyone are platonic or familial. I want the reader to", "with other characters either, so how do I make it absolutely clear Kem", "want the reader to understand that Kem isn't looking for love, they're just", "who has to protect the world from evil. Kem befriends demons and other", "to understand that Kem isn't looking for love, they're just navigating the world", "sub-plots? I don't want people to ship Kem with other characters either, so", "want people to ship Kem with other characters either, so how do I", "either, so how do I make it absolutely clear Kem is just there", "for love, they're just navigating the world of witchcraft and battling baddies. So", "anything and I want to keep their feelings for everyone are platonic or", "I want the reader to understand that Kem isn't looking for love, they're", "witches, but I don't want them to find a crush or anything and", "Kem with other characters either, so how do I make it absolutely clear", "navigating the world of witchcraft and battling baddies. So how do I show", "Kem's relationships are entirely non-romantic, that Kem has no attraction to their friends,", "a witch named Kem who has to protect the world from evil. Kem", "that there will be no romantic sub-plots? I don't want people to ship", "I'm outlining a story about a witch named Kem who has to protect", "for everyone are platonic or familial. I want the reader to understand that", "has to protect the world from evil. Kem befriends demons and other witches,", "show the reader that Kem's relationships are entirely non-romantic, that Kem has no", "a story about a witch named Kem who has to protect the world", "I show the reader that Kem's relationships are entirely non-romantic, that Kem has", "to keep their feelings for everyone are platonic or familial. I want the", "crush or anything and I want to keep their feelings for everyone are", "friends, and that there will be no romantic sub-plots? I don't want people", "feelings for everyone are platonic or familial. I want the reader to understand", "find a crush or anything and I want to keep their feelings for", "I don't want them to find a crush or anything and I want", "relationships are entirely non-romantic, that Kem has no attraction to their friends, and", "world from evil. Kem befriends demons and other witches, but I don't want", "evil. Kem befriends demons and other witches, but I don't want them to", "reader to understand that Kem isn't looking for love, they're just navigating the", "and other witches, but I don't want them to find a crush or", "they/them pronouns.) I'm outlining a story about a witch named Kem who has", "to find a crush or anything and I want to keep their feelings", "how do I make it absolutely clear Kem is just there for friendship", "people to ship Kem with other characters either, so how do I make", "do I show the reader that Kem's relationships are entirely non-romantic, that Kem", "non-romantic, that Kem has no attraction to their friends, and that there will", "that Kem has no attraction to their friends, and that there will be", "isn't looking for love, they're just navigating the world of witchcraft and battling", "don't want people to ship Kem with other characters either, so how do", "and that there will be no romantic sub-plots? I don't want people to", "characters either, so how do I make it absolutely clear Kem is just", "the world from evil. Kem befriends demons and other witches, but I don't", "baddies. So how do I show the reader that Kem's relationships are entirely", "other witches, but I don't want them to find a crush or anything", "are entirely non-romantic, that Kem has no attraction to their friends, and that", "everyone are platonic or familial. I want the reader to understand that Kem", "attraction to their friends, and that there will be no romantic sub-plots? I", "will be no romantic sub-plots? I don't want people to ship Kem with", "to protect the world from evil. Kem befriends demons and other witches, but", "uses they/them pronouns.) I'm outlining a story about a witch named Kem who", "them to find a crush or anything and I want to keep their", "no attraction to their friends, and that there will be no romantic sub-plots?", "pronouns.) I'm outlining a story about a witch named Kem who has to", "ship Kem with other characters either, so how do I make it absolutely", "So how do I show the reader that Kem's relationships are entirely non-romantic,", "Kem isn't looking for love, they're just navigating the world of witchcraft and", "battling baddies. So how do I show the reader that Kem's relationships are", "I don't want people to ship Kem with other characters either, so how", "Kem has no attraction to their friends, and that there will be no", "the world of witchcraft and battling baddies. So how do I show the", "world of witchcraft and battling baddies. So how do I show the reader", "witchcraft and battling baddies. So how do I show the reader that Kem's", "other characters either, so how do I make it absolutely clear Kem is", "befriends demons and other witches, but I don't want them to find a", "reader that Kem's relationships are entirely non-romantic, that Kem has no attraction to", "Kem who has to protect the world from evil. Kem befriends demons and", "keep their feelings for everyone are platonic or familial. I want the reader", "understand that Kem isn't looking for love, they're just navigating the world of" ]
[ "are not 100% sure. Edit: I want to add that I did not", "want to add that I did not simply copy and paste everything from", "sure about this, please do not answer if you are not 100% sure.", "this, please do not answer if you are not 100% sure. Edit: I", "While doing so I used Google Translate from time to time. I didn't", "some problems? I really need to be sure about this, please do not", "need to be sure about this, please do not answer if you are", "This may be a very very stupid question but I need to ask", "need to ask it. I have written my dissertation in my mother tongue", "it? Or even if it is not plagiarism, would it cause me some", "to add that I did not simply copy and paste everything from there,", "I did not simply copy and paste everything from there, I just benefited", "simply copy and paste everything from there, I just benefited from it sometimes", "to ask it. I have written my dissertation in my mother tongue first,", "not 100% sure. Edit: I want to add that I did not simply", "may be a very very stupid question but I need to ask it.", "but I need to ask it. I have written my dissertation in my", "Edit: I want to add that I did not simply copy and paste", "did not simply copy and paste everything from there, I just benefited from", "them and take it as plagiarism. Is it? Or even if it is", "have written my dissertation in my mother tongue first, then began to translate", "programs like turnitin detect them and take it as plagiarism. Is it? Or", "very very stupid question but I need to ask it. I have written", "if you are not 100% sure. Edit: I want to add that I", "used Google Translate from time to time. I didn't copy anything from anybody,", "ask it. I have written my dissertation in my mother tongue first, then", "didn't copy anything from anybody, only translated my own sentences. But I also", "read somewhere that since Google saves everything you write online, programs like turnitin", "it as plagiarism. Is it? Or even if it is not plagiarism, would", "even if it is not plagiarism, would it cause me some problems? I", "my own sentences. But I also read somewhere that since Google saves everything", "there, I just benefited from it sometimes and of course always correcting the", "first, then began to translate it as I will submit it in English.", "to translate it as I will submit it in English. While doing so", "I didn't copy anything from anybody, only translated my own sentences. But I", "saves everything you write online, programs like turnitin detect them and take it", "turnitin detect them and take it as plagiarism. Is it? Or even if", "in English. While doing so I used Google Translate from time to time.", "it as I will submit it in English. While doing so I used", "really need to be sure about this, please do not answer if you", "to be sure about this, please do not answer if you are not", "to time. I didn't copy anything from anybody, only translated my own sentences.", "my mother tongue first, then began to translate it as I will submit", "I also read somewhere that since Google saves everything you write online, programs", "not plagiarism, would it cause me some problems? I really need to be", "would it cause me some problems? I really need to be sure about", "as I will submit it in English. While doing so I used Google", "everything from there, I just benefited from it sometimes and of course always", "doing so I used Google Translate from time to time. I didn't copy", "I need to ask it. I have written my dissertation in my mother", "time. I didn't copy anything from anybody, only translated my own sentences. But", "be sure about this, please do not answer if you are not 100%", "I really need to be sure about this, please do not answer if", "only translated my own sentences. But I also read somewhere that since Google", "100% sure. Edit: I want to add that I did not simply copy", "that since Google saves everything you write online, programs like turnitin detect them", "is not plagiarism, would it cause me some problems? I really need to", "do not answer if you are not 100% sure. Edit: I want to", "please do not answer if you are not 100% sure. Edit: I want", "I used Google Translate from time to time. I didn't copy anything from", "Or even if it is not plagiarism, would it cause me some problems?", "write online, programs like turnitin detect them and take it as plagiarism. Is", "sentences. But I also read somewhere that since Google saves everything you write", "if it is not plagiarism, would it cause me some problems? I really", "dissertation in my mother tongue first, then began to translate it as I", "Translate from time to time. I didn't copy anything from anybody, only translated", "about this, please do not answer if you are not 100% sure. Edit:", "since Google saves everything you write online, programs like turnitin detect them and", "anything from anybody, only translated my own sentences. But I also read somewhere", "own sentences. But I also read somewhere that since Google saves everything you", "plagiarism. Is it? Or even if it is not plagiarism, would it cause", "from anybody, only translated my own sentences. But I also read somewhere that", "question but I need to ask it. I have written my dissertation in", "stupid question but I need to ask it. I have written my dissertation", "it cause me some problems? I really need to be sure about this,", "you are not 100% sure. Edit: I want to add that I did", "my dissertation in my mother tongue first, then began to translate it as", "tongue first, then began to translate it as I will submit it in", "just benefited from it sometimes and of course always correcting the dumb grammatical", "paste everything from there, I just benefited from it sometimes and of course", "problems? I really need to be sure about this, please do not answer", "English. While doing so I used Google Translate from time to time. I", "detect them and take it as plagiarism. Is it? Or even if it", "cause me some problems? I really need to be sure about this, please", "somewhere that since Google saves everything you write online, programs like turnitin detect", "then began to translate it as I will submit it in English. While", "it. I have written my dissertation in my mother tongue first, then began", "you write online, programs like turnitin detect them and take it as plagiarism.", "it is not plagiarism, would it cause me some problems? I really need", "sure. Edit: I want to add that I did not simply copy and", "and take it as plagiarism. Is it? Or even if it is not", "mother tongue first, then began to translate it as I will submit it", "But I also read somewhere that since Google saves everything you write online,", "time to time. I didn't copy anything from anybody, only translated my own", "as plagiarism. Is it? Or even if it is not plagiarism, would it", "Is it? Or even if it is not plagiarism, would it cause me", "me some problems? I really need to be sure about this, please do", "will submit it in English. While doing so I used Google Translate from", "in my mother tongue first, then began to translate it as I will", "submit it in English. While doing so I used Google Translate from time", "not simply copy and paste everything from there, I just benefited from it", "copy and paste everything from there, I just benefited from it sometimes and", "it in English. While doing so I used Google Translate from time to", "I will submit it in English. While doing so I used Google Translate", "everything you write online, programs like turnitin detect them and take it as", "from time to time. I didn't copy anything from anybody, only translated my", "plagiarism, would it cause me some problems? I really need to be sure", "not answer if you are not 100% sure. Edit: I want to add", "I just benefited from it sometimes and of course always correcting the dumb", "anybody, only translated my own sentences. But I also read somewhere that since", "Google saves everything you write online, programs like turnitin detect them and take", "benefited from it sometimes and of course always correcting the dumb grammatical mistakes.", "very stupid question but I need to ask it. I have written my", "written my dissertation in my mother tongue first, then began to translate it", "a very very stupid question but I need to ask it. I have", "that I did not simply copy and paste everything from there, I just", "began to translate it as I will submit it in English. While doing", "online, programs like turnitin detect them and take it as plagiarism. Is it?", "translated my own sentences. But I also read somewhere that since Google saves", "like turnitin detect them and take it as plagiarism. Is it? Or even", "copy anything from anybody, only translated my own sentences. But I also read", "I want to add that I did not simply copy and paste everything", "take it as plagiarism. Is it? Or even if it is not plagiarism,", "add that I did not simply copy and paste everything from there, I", "answer if you are not 100% sure. Edit: I want to add that", "also read somewhere that since Google saves everything you write online, programs like", "so I used Google Translate from time to time. I didn't copy anything", "translate it as I will submit it in English. While doing so I", "I have written my dissertation in my mother tongue first, then began to", "from there, I just benefited from it sometimes and of course always correcting", "and paste everything from there, I just benefited from it sometimes and of", "be a very very stupid question but I need to ask it. I", "Google Translate from time to time. I didn't copy anything from anybody, only" ]
[ "any type of fiction I just skip to the day after the sex", "fiction I just skip to the day after the sex took place and", "had sex. Is this ok? Is it better to describe the scene as", "better to describe the scene as it takes place and how far should", "should the scenes be? When writing any type of fiction I just skip", "day after the sex took place and heavily imply that the persons in", "after the sex took place and heavily imply that the persons in question", "writing any type of fiction I just skip to the day after the", "When writing any type of fiction I just skip to the day after", "to the day after the sex took place and heavily imply that the", "as it takes place and how far should you go especially if you're", "describe the scene as it takes place and how far should you go", "scenes be? When writing any type of fiction I just skip to the", "scene as it takes place and how far should you go especially if", "Is this ok? Is it better to describe the scene as it takes", "question had sex. Is this ok? Is it better to describe the scene", "I just skip to the day after the sex took place and heavily", "skip to the day after the sex took place and heavily imply that", "in question had sex. Is this ok? Is it better to describe the", "to describe the scene as it takes place and how far should you", "be? When writing any type of fiction I just skip to the day", "of fiction I just skip to the day after the sex took place", "just skip to the day after the sex took place and heavily imply", "should you go especially if you're writing a fantasy or a sci-fi book?", "this ok? Is it better to describe the scene as it takes place", "place and heavily imply that the persons in question had sex. Is this", "ok? Is it better to describe the scene as it takes place and", "imply that the persons in question had sex. Is this ok? Is it", "type of fiction I just skip to the day after the sex took", "the scenes be? When writing any type of fiction I just skip to", "the persons in question had sex. Is this ok? Is it better to", "it better to describe the scene as it takes place and how far", "heavily imply that the persons in question had sex. Is this ok? Is", "sex took place and heavily imply that the persons in question had sex.", "the sex took place and heavily imply that the persons in question had", "and how far should you go especially if you're writing a fantasy or", "explicit should the scenes be? When writing any type of fiction I just", "persons in question had sex. Is this ok? Is it better to describe", "place and how far should you go especially if you're writing a fantasy", "that the persons in question had sex. Is this ok? Is it better", "how far should you go especially if you're writing a fantasy or a", "sex. Is this ok? Is it better to describe the scene as it", "the day after the sex took place and heavily imply that the persons", "takes place and how far should you go especially if you're writing a", "far should you go especially if you're writing a fantasy or a sci-fi", "the scene as it takes place and how far should you go especially", "it takes place and how far should you go especially if you're writing", "Is it better to describe the scene as it takes place and how", "How explicit should the scenes be? When writing any type of fiction I", "and heavily imply that the persons in question had sex. Is this ok?", "took place and heavily imply that the persons in question had sex. Is" ]
[ "bit of research on the topic then I spent the next 10 years", "head, all I had to do was write it down. I did a", "someone who knows the form to write the screenplay. You will always have", "research on the topic then I spent the next 10 years working it", "played in my head, all I had to do was write it down.", "me, best case scenario is a production company buys it and makes it", "company buys it and makes it into a movie. But when they buy", "in the choice, something the other questions didn't address (even if a few", "the group has actually written screenplays and had them produced. Her advice to", "am aware of questions similar to mine ([Should I be a Novel Writer", "makes it into a movie. But when they buy it, the first thing", "buy it, the first thing they do is fire the writer. Suddenly, it's", "down. I did a fair bit of research on the topic then I", "your head into a book the better choice? --- Notes: I am aware", "question is: How sound is this advice? Is it folly to write an", "write a screenplay, she told me, best case scenario is a production company", "why I focused my question on the publishing issues involved in the choice,", "I have no idea how to write a screenplay. One of the other", "[Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and how to choose", "advice to me was: don't. If you write a screenplay, she told me,", "payment. But, if you write a book, no one can take that away", "original screenplay? Is adapting the movie in your head into a book the", "scenario is a production company buys it and makes it into a movie.", "the other questions didn't address (even if a few answers spoke of it).", "and very happy with it. Maybe it will be a published book and", "a screenplay, she told me, best case scenario is a production company buys", "the first thing they do is fire the writer. Suddenly, it's not yours", "joined a writer's group and began the arduous task of writing a screenplay.", "don't. If you write a screenplay, she told me, best case scenario is", "screenplay? Is adapting the movie in your head into a book the better", "then I spent the next 10 years working it out in my head", "medium suits the story best. That's why I focused my question on the", "had to do was write it down. I did a fair bit of", "career paths and how to choose which medium suits the story best. That's", "choice? --- Notes: I am aware of questions similar to mine ([Should I", "You will always have credit and royalties. The story will belong to you", "very happy with it. Maybe it will be a published book and then", "the night dream. An entire movie played in my head, all I had", "it will become a movie, and they will hire someone who knows the", "One of the other members of the group has actually written screenplays and", "story best. That's why I focused my question on the publishing issues involved", "can take that away from you. With luck, it will become a movie,", "something the other questions didn't address (even if a few answers spoke of", "involved in the choice, something the other questions didn't address (even if a", "years working it out in my head but not writing much of anything", "task of writing a screenplay. I have no idea how to write a", "adapting the movie in your head into a book the better choice? ---", "a movie. But when they buy it, the first thing they do is", "of the group has actually written screenplays and had them produced. Her advice", "middle of the night dream. An entire movie played in my head, all", "issues involved in the choice, something the other questions didn't address (even if", "Notes: I am aware of questions similar to mine ([Should I be a", "had them produced. Her advice to me was: don't. If you write a", "and you'll never see a dime (or credit) beyond the initial payment. But,", "members of the group has actually written screenplays and had them produced. Her", "not writing much of anything down. Last year, I joined a writer's group", "and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and how to", "to do was write it down. I did a fair bit of research", "than halfway through a novel and very happy with it. Maybe it will", "to me was: don't. If you write a screenplay, she told me, best", "the writer. Suddenly, it's not yours anymore. They'll rewrite it and you'll never", "out in my head but not writing much of anything down. Last year,", "the better choice? --- Notes: I am aware of questions similar to mine", "screenplay. I have no idea how to write a screenplay. One of the", "initial payment. But, if you write a book, no one can take that", "it down. I did a fair bit of research on the topic then", "Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about", "to write the screenplay. You will always have credit and royalties. The story", "dime (or credit) beyond the initial payment. But, if you write a book,", "more about career paths and how to choose which medium suits the story", "of anything down. Last year, I joined a writer's group and began the", "that away from you. With luck, it will become a movie, and they", "I had to do was write it down. I did a fair bit", "have no idea how to write a screenplay. One of the other members", "writer's group and began the arduous task of writing a screenplay. I have", "choose which medium suits the story best. That's why I focused my question", "be a published book and then a movie someday. My question is: How", "you. With luck, it will become a movie, and they will hire someone", "had a dream. An actual middle of the night dream. An entire movie", "did a fair bit of research on the topic then I spent the", "vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and how to choose which", "knows the form to write the screenplay. You will always have credit and", "dream. An actual middle of the night dream. An entire movie played in", "you'll never see a dime (or credit) beyond the initial payment. But, if", "an original screenplay? Is adapting the movie in your head into a book", "With luck, it will become a movie, and they will hire someone who", "aware of questions similar to mine ([Should I be a Novel Writer or", "and makes it into a movie. But when they buy it, the first", "Maybe it will be a published book and then a movie someday. My", "best case scenario is a production company buys it and makes it into", "it and makes it into a movie. But when they buy it, the", "which medium suits the story best. That's why I focused my question on", "or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths", "no one can take that away from you. With luck, it will become", "to choose which medium suits the story best. That's why I focused my", "down. Last year, I joined a writer's group and began the arduous task", "will become a movie, and they will hire someone who knows the form", "beyond the initial payment. But, if you write a book, no one can", "in your head into a book the better choice? --- Notes: I am", "hire someone who knows the form to write the screenplay. You will always", "they do is fire the writer. Suddenly, it's not yours anymore. They'll rewrite", "take that away from you. With luck, it will become a movie, and", "credit) beyond the initial payment. But, if you write a book, no one", "on the publishing issues involved in the choice, something the other questions didn't", "If you write a screenplay, she told me, best case scenario is a", "to you forever. Now I'm more than halfway through a novel and very", "An actual middle of the night dream. An entire movie played in my", "I joined a writer's group and began the arduous task of writing a", "yours anymore. They'll rewrite it and you'll never see a dime (or credit)", "began the arduous task of writing a screenplay. I have no idea how", "it. Maybe it will be a published book and then a movie someday.", "Last year, I joined a writer's group and began the arduous task of", "is fire the writer. Suddenly, it's not yours anymore. They'll rewrite it and", "the next 10 years working it out in my head but not writing", "be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're", "screenplay. One of the other members of the group has actually written screenplays", "them produced. Her advice to me was: don't. If you write a screenplay,", "a novel and very happy with it. Maybe it will be a published", "a movie, and they will hire someone who knows the form to write", "and they will hire someone who knows the form to write the screenplay.", "writer. Suddenly, it's not yours anymore. They'll rewrite it and you'll never see", "novel and very happy with it. Maybe it will be a published book", "become a movie, and they will hire someone who knows the form to", "is: How sound is this advice? Is it folly to write an original", "someday. My question is: How sound is this advice? Is it folly to", "anything down. Last year, I joined a writer's group and began the arduous", "sound is this advice? Is it folly to write an original screenplay? Is", "Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and how to choose which medium", "to write an original screenplay? Is adapting the movie in your head into", "a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more", "through a novel and very happy with it. Maybe it will be a", "and began the arduous task of writing a screenplay. I have no idea", "spent the next 10 years working it out in my head but not", "That's why I focused my question on the publishing issues involved in the", "all I had to do was write it down. I did a fair", "they buy it, the first thing they do is fire the writer. Suddenly,", "write it down. I did a fair bit of research on the topic", "is this advice? Is it folly to write an original screenplay? Is adapting", "movie, and they will hire someone who knows the form to write the", "a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and", "a decade ago, I had a dream. An actual middle of the night", "a fair bit of research on the topic then I spent the next", "the choice, something the other questions didn't address (even if a few answers", "suits the story best. That's why I focused my question on the publishing", "better choice? --- Notes: I am aware of questions similar to mine ([Should", "movie. But when they buy it, the first thing they do is fire", "of questions similar to mine ([Should I be a Novel Writer or a", "head but not writing much of anything down. Last year, I joined a", "screenplays and had them produced. Her advice to me was: don't. If you", "movie in your head into a book the better choice? --- Notes: I", "forever. Now I'm more than halfway through a novel and very happy with", "on the topic then I spent the next 10 years working it out", "of the other members of the group has actually written screenplays and had", "next 10 years working it out in my head but not writing much", "I focused my question on the publishing issues involved in the choice, something", "me was: don't. If you write a screenplay, she told me, best case", "actually written screenplays and had them produced. Her advice to me was: don't.", "a dream. An actual middle of the night dream. An entire movie played", "the form to write the screenplay. You will always have credit and royalties.", "Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career", "year, I joined a writer's group and began the arduous task of writing", "I'm more than halfway through a novel and very happy with it. Maybe", "away from you. With luck, it will become a movie, and they will", "my head, all I had to do was write it down. I did", "of research on the topic then I spent the next 10 years working", "write a screenplay. One of the other members of the group has actually", "screenplay, she told me, best case scenario is a production company buys it", "do was write it down. I did a fair bit of research on", "10 years working it out in my head but not writing much of", "the movie in your head into a book the better choice? --- Notes:", "book and then a movie someday. My question is: How sound is this", "How sound is this advice? Is it folly to write an original screenplay?", "a book the better choice? --- Notes: I am aware of questions similar", "it folly to write an original screenplay? Is adapting the movie in your", "dream. An entire movie played in my head, all I had to do", "credit and royalties. The story will belong to you forever. Now I'm more", "choice, something the other questions didn't address (even if a few answers spoke", "no idea how to write a screenplay. One of the other members of", "arduous task of writing a screenplay. I have no idea how to write", "story will belong to you forever. Now I'm more than halfway through a", "how to write a screenplay. One of the other members of the group", "has actually written screenplays and had them produced. Her advice to me was:", "with it. Maybe it will be a published book and then a movie", "when they buy it, the first thing they do is fire the writer.", "The story will belong to you forever. Now I'm more than halfway through", "see a dime (or credit) beyond the initial payment. But, if you write", "Her advice to me was: don't. If you write a screenplay, she told", "you write a screenplay, she told me, best case scenario is a production", "a screenplay. One of the other members of the group has actually written", "screenplay. You will always have credit and royalties. The story will belong to", "and then a movie someday. My question is: How sound is this advice?", "was write it down. I did a fair bit of research on the", "decade ago, I had a dream. An actual middle of the night dream.", "into a movie. But when they buy it, the first thing they do", "belong to you forever. Now I'm more than halfway through a novel and", "anymore. They'll rewrite it and you'll never see a dime (or credit) beyond", "about career paths and how to choose which medium suits the story best.", "writing a screenplay. I have no idea how to write a screenplay. One", "buys it and makes it into a movie. But when they buy it,", "if you write a book, no one can take that away from you.", "will be a published book and then a movie someday. My question is:", "but they're more about career paths and how to choose which medium suits", "production company buys it and makes it into a movie. But when they", "produced. Her advice to me was: don't. If you write a screenplay, she", "form to write the screenplay. You will always have credit and royalties. The", "other members of the group has actually written screenplays and had them produced.", "luck, it will become a movie, and they will hire someone who knows", "do is fire the writer. Suddenly, it's not yours anymore. They'll rewrite it", "my question on the publishing issues involved in the choice, something the other", "a published book and then a movie someday. My question is: How sound", "and had them produced. Her advice to me was: don't. If you write", "is a production company buys it and makes it into a movie. But", "it's not yours anymore. They'll rewrite it and you'll never see a dime", "thing they do is fire the writer. Suddenly, it's not yours anymore. They'll", "how to choose which medium suits the story best. That's why I focused", "was: don't. If you write a screenplay, she told me, best case scenario", "it, the first thing they do is fire the writer. Suddenly, it's not", "case scenario is a production company buys it and makes it into a", "I spent the next 10 years working it out in my head but", "the initial payment. But, if you write a book, no one can take", "have credit and royalties. The story will belong to you forever. Now I'm", "a book, no one can take that away from you. With luck, it", "writing much of anything down. Last year, I joined a writer's group and", "Now I'm more than halfway through a novel and very happy with it.", "they will hire someone who knows the form to write the screenplay. You", "a movie someday. My question is: How sound is this advice? Is it", "the publishing issues involved in the choice, something the other questions didn't address", "(or credit) beyond the initial payment. But, if you write a book, no", "publishing issues involved in the choice, something the other questions didn't address (even", "paths and how to choose which medium suits the story best. That's why", "in my head, all I had to do was write it down. I", "ago, I had a dream. An actual middle of the night dream. An", "the topic then I spent the next 10 years working it out in", "group and began the arduous task of writing a screenplay. I have no", "of the night dream. An entire movie played in my head, all I", "in my head but not writing much of anything down. Last year, I", "from you. With luck, it will become a movie, and they will hire", "to write a screenplay. One of the other members of the group has", "always have credit and royalties. The story will belong to you forever. Now", "never see a dime (or credit) beyond the initial payment. But, if you", "I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but", "idea how to write a screenplay. One of the other members of the", "I am aware of questions similar to mine ([Should I be a Novel", "not yours anymore. They'll rewrite it and you'll never see a dime (or", "told me, best case scenario is a production company buys it and makes", "then a movie someday. My question is: How sound is this advice? Is", "folly to write an original screenplay? Is adapting the movie in your head", "much of anything down. Last year, I joined a writer's group and began", "first thing they do is fire the writer. Suddenly, it's not yours anymore.", "will hire someone who knows the form to write the screenplay. You will", "I did a fair bit of research on the topic then I spent", "Is adapting the movie in your head into a book the better choice?", "and how to choose which medium suits the story best. That's why I", "movie someday. My question is: How sound is this advice? Is it folly", "will belong to you forever. Now I'm more than halfway through a novel", "head into a book the better choice? --- Notes: I am aware of", "but not writing much of anything down. Last year, I joined a writer's", "advice? Is it folly to write an original screenplay? Is adapting the movie", "questions similar to mine ([Should I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter)", "this advice? Is it folly to write an original screenplay? Is adapting the", "movie played in my head, all I had to do was write it", "a screenplay. I have no idea how to write a screenplay. One of", "But when they buy it, the first thing they do is fire the", "more than halfway through a novel and very happy with it. Maybe it", "will always have credit and royalties. The story will belong to you forever.", "she told me, best case scenario is a production company buys it and", "happy with it. Maybe it will be a published book and then a", "to mine ([Should I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay", "a writer's group and began the arduous task of writing a screenplay. I", "fair bit of research on the topic then I spent the next 10", "similar to mine ([Should I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and", "topic then I spent the next 10 years working it out in my", "But, if you write a book, no one can take that away from", "question on the publishing issues involved in the choice, something the other questions", "published book and then a movie someday. My question is: How sound is", "focused my question on the publishing issues involved in the choice, something the", "([Should I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel))", "it into a movie. But when they buy it, the first thing they", "of writing a screenplay. I have no idea how to write a screenplay.", "actual middle of the night dream. An entire movie played in my head,", "group has actually written screenplays and had them produced. Her advice to me", "mine ([Should I be a Novel Writer or a Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs", "a production company buys it and makes it into a movie. But when", "book the better choice? --- Notes: I am aware of questions similar to", "and royalties. The story will belong to you forever. Now I'm more than", "An entire movie played in my head, all I had to do was", "it out in my head but not writing much of anything down. Last", "book, no one can take that away from you. With luck, it will", "best. That's why I focused my question on the publishing issues involved in", "it will be a published book and then a movie someday. My question", "Screenwriter?](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter) and [Screenplay vs Novel](https://writing.stackexchange.com/questions/33996/screenplay-vs-novel)) but they're more about career paths and how", "Suddenly, it's not yours anymore. They'll rewrite it and you'll never see a", "My question is: How sound is this advice? Is it folly to write", "halfway through a novel and very happy with it. Maybe it will be", "Is it folly to write an original screenplay? Is adapting the movie in", "the other members of the group has actually written screenplays and had them", "the screenplay. You will always have credit and royalties. The story will belong", "They'll rewrite it and you'll never see a dime (or credit) beyond the", "write an original screenplay? Is adapting the movie in your head into a", "--- Notes: I am aware of questions similar to mine ([Should I be", "working it out in my head but not writing much of anything down.", "royalties. The story will belong to you forever. Now I'm more than halfway", "written screenplays and had them produced. Her advice to me was: don't. If", "a dime (or credit) beyond the initial payment. But, if you write a", "Around a decade ago, I had a dream. An actual middle of the", "the arduous task of writing a screenplay. I have no idea how to", "I had a dream. An actual middle of the night dream. An entire", "night dream. An entire movie played in my head, all I had to", "it and you'll never see a dime (or credit) beyond the initial payment.", "write the screenplay. You will always have credit and royalties. The story will", "who knows the form to write the screenplay. You will always have credit", "entire movie played in my head, all I had to do was write", "you forever. Now I'm more than halfway through a novel and very happy", "the story best. That's why I focused my question on the publishing issues", "they're more about career paths and how to choose which medium suits the", "rewrite it and you'll never see a dime (or credit) beyond the initial", "my head but not writing much of anything down. Last year, I joined", "you write a book, no one can take that away from you. With", "one can take that away from you. With luck, it will become a", "write a book, no one can take that away from you. With luck,", "fire the writer. Suddenly, it's not yours anymore. They'll rewrite it and you'll", "into a book the better choice? --- Notes: I am aware of questions" ]
[ "live.) So, listening to the demands of the story, I started to write", "checked all the boxes. I chose the US because I did live in", "with US context than, say, Europe. (The story also wouldn't work where I", "I chose the US because I did live in the US until I", "The way the story works simply wouldn't work otherwise - I needed a", "I was around 8, and I'm a bit more familiar with US context", "8, and I'm a bit more familiar with US context than, say, Europe.", "story works simply wouldn't work otherwise - I needed a young adult setting,", "the school system. On top of that, my story is taking place in", "don't know what the school system in the US is like. How do", "me that it was going to take place in a school. The idea", "was working when I thought it out would be in a school setting.", "to set up good and bad authority figures, over a story extended over", "the US because I did live in the US until I was around", "school after kindergarten. I don't have first-hand experience with the school system. On", "I ran into a problem: I've never been to school. I've been homeschooled", "I don't live in the US, so my friends in the school system", "the US, so my friends in the school system here don't know what", "do I make sure that my story is realistic in a school setting,", "and I don't live in the US, so my friends in the school", "more familiar with US context than, say, Europe. (The story also wouldn't work", "system. On top of that, my story is taking place in the US,", "live in the US until I was around 8, and I'm a bit", "ran into a problem: I've never been to school. I've been homeschooled since", "an opportunity to set up good and bad authority figures, over a story", "a period of months. A school checked all the boxes. I chose the", "first-hand experience with the school system. On top of that, my story is", "young adult setting, with other teenagers around, deadlines, coming back home every day,", "grade, meaning I've never been enrolled in school after kindergarten. I don't have", "school system in the US is like. How do I make sure that", "in the US, and I don't live in the US, so my friends", "an idea jumped into my head for a YA-ish story and told me", "and the only way it was working when I thought it out would", "the story, I started to write the story. However, I ran into a", "wouldn't work otherwise - I needed a young adult setting, with other teenagers", "been homeschooled since first grade, meaning I've never been enrolled in school after", "the school system here don't know what the school system in the US", "take place in schools. Recently, an idea jumped into my head for a", "the US is like. How do I make sure that my story is", "know what the school system in the US is like. How do I", "authority figures, over a story extended over a period of months. A school", "all the boxes. I chose the US because I did live in the", "system here don't know what the school system in the US is like.", "I've been homeschooled since first grade, meaning I've never been enrolled in school", "On top of that, my story is taking place in the US, and", "the story. However, I ran into a problem: I've never been to school.", "than, say, Europe. (The story also wouldn't work where I currently live.) So,", "that, my story is taking place in the US, and I don't live", "back home every day, an opportunity to set up good and bad authority", "homeschooled since first grade, meaning I've never been enrolled in school after kindergarten.", "of that, my story is taking place in the US, and I don't", "to me, and the only way it was working when I thought it", "place in the US, and I don't live in the US, so my", "it out would be in a school setting. The way the story works", "way it was working when I thought it out would be in a", "over a story extended over a period of months. A school checked all", "to write the story. However, I ran into a problem: I've never been", "I make sure that my story is realistic in a school setting, when", "because I did live in the US until I was around 8, and", "work where I currently live.) So, listening to the demands of the story,", "don't live in the US, so my friends in the school system here", "my head for a YA-ish story and told me that it was going", "the demands of the story, I started to write the story. However, I", "US because I did live in the US until I was around 8,", "also wouldn't work where I currently live.) So, listening to the demands of", "the US, and I don't live in the US, so my friends in", "currently live.) So, listening to the demands of the story, I started to", "it was going to take place in a school. The idea came to", "How do I make sure that my story is realistic in a school", "good and bad authority figures, over a story extended over a period of", "So, listening to the demands of the story, I started to write the", "Recently, an idea jumped into my head for a YA-ish story and told", "into my head for a YA-ish story and told me that it was", "be in a school setting. The way the story works simply wouldn't work", "was going to take place in a school. The idea came to me,", "Europe. (The story also wouldn't work where I currently live.) So, listening to", "familiar with US context than, say, Europe. (The story also wouldn't work where", "and bad authority figures, over a story extended over a period of months.", "is realistic in a school setting, when I've never been in that school", "of which happens to take place in schools. Recently, an idea jumped into", "US until I was around 8, and I'm a bit more familiar with", "of months. A school checked all the boxes. I chose the US because", "US, so my friends in the school system here don't know what the", "in a school setting. The way the story works simply wouldn't work otherwise", "here don't know what the school system in the US is like. How", "figures, over a story extended over a period of months. A school checked", "in the US until I was around 8, and I'm a bit more", "of YA fiction, a lot of which happens to take place in schools.", "place in a school. The idea came to me, and the only way", "say, Europe. (The story also wouldn't work where I currently live.) So, listening", "story also wouldn't work where I currently live.) So, listening to the demands", "my friends in the school system here don't know what the school system", "other teenagers around, deadlines, coming back home every day, an opportunity to set", "a school. The idea came to me, and the only way it was", "I'm a bit more familiar with US context than, say, Europe. (The story", "into a problem: I've never been to school. I've been homeschooled since first", "I read a lot of YA fiction, a lot of which happens to", "(The story also wouldn't work where I currently live.) So, listening to the", "what the school system in the US is like. How do I make", "to the demands of the story, I started to write the story. However,", "I started to write the story. However, I ran into a problem: I've", "have first-hand experience with the school system. On top of that, my story", "with the school system. On top of that, my story is taking place", "opportunity to set up good and bad authority figures, over a story extended", "told me that it was going to take place in a school. The", "US, and I don't live in the US, so my friends in the", "the US until I was around 8, and I'm a bit more familiar", "extended over a period of months. A school checked all the boxes. I", "realistic in a school setting, when I've never been in that school setting?", "thought it out would be in a school setting. The way the story", "make sure that my story is realistic in a school setting, when I've", "live in the US, so my friends in the school system here don't", "I currently live.) So, listening to the demands of the story, I started", "story is taking place in the US, and I don't live in the", "period of months. A school checked all the boxes. I chose the US", "after kindergarten. I don't have first-hand experience with the school system. On top", "happens to take place in schools. Recently, an idea jumped into my head", "coming back home every day, an opportunity to set up good and bad", "up good and bad authority figures, over a story extended over a period", "been enrolled in school after kindergarten. I don't have first-hand experience with the", "teenagers around, deadlines, coming back home every day, an opportunity to set up", "write the story. However, I ran into a problem: I've never been to", "The idea came to me, and the only way it was working when", "story extended over a period of months. A school checked all the boxes.", "schools. Recently, an idea jumped into my head for a YA-ish story and", "which happens to take place in schools. Recently, an idea jumped into my", "lot of which happens to take place in schools. Recently, an idea jumped", "- I needed a young adult setting, with other teenagers around, deadlines, coming", "needed a young adult setting, with other teenagers around, deadlines, coming back home", "story. However, I ran into a problem: I've never been to school. I've", "US is like. How do I make sure that my story is realistic", "simply wouldn't work otherwise - I needed a young adult setting, with other", "in a school. The idea came to me, and the only way it", "head for a YA-ish story and told me that it was going to", "me, and the only way it was working when I thought it out", "read a lot of YA fiction, a lot of which happens to take", "friends in the school system here don't know what the school system in", "my story is taking place in the US, and I don't live in", "that it was going to take place in a school. The idea came", "it was working when I thought it out would be in a school", "a bit more familiar with US context than, say, Europe. (The story also", "and I'm a bit more familiar with US context than, say, Europe. (The", "school. I've been homeschooled since first grade, meaning I've never been enrolled in", "sure that my story is realistic in a school setting, when I've never", "with other teenagers around, deadlines, coming back home every day, an opportunity to", "a school setting. The way the story works simply wouldn't work otherwise -", "YA fiction, a lot of which happens to take place in schools. Recently,", "chose the US because I did live in the US until I was", "works simply wouldn't work otherwise - I needed a young adult setting, with", "where I currently live.) So, listening to the demands of the story, I", "story, I started to write the story. However, I ran into a problem:", "been to school. I've been homeschooled since first grade, meaning I've never been", "setting, with other teenagers around, deadlines, coming back home every day, an opportunity", "until I was around 8, and I'm a bit more familiar with US", "a YA-ish story and told me that it was going to take place", "day, an opportunity to set up good and bad authority figures, over a", "is like. How do I make sure that my story is realistic in", "would be in a school setting. The way the story works simply wouldn't", "a young adult setting, with other teenagers around, deadlines, coming back home every", "lot of YA fiction, a lot of which happens to take place in", "wouldn't work where I currently live.) So, listening to the demands of the", "a lot of which happens to take place in schools. Recently, an idea", "taking place in the US, and I don't live in the US, so", "I don't have first-hand experience with the school system. On top of that,", "otherwise - I needed a young adult setting, with other teenagers around, deadlines,", "in the US, so my friends in the school system here don't know", "a problem: I've never been to school. I've been homeschooled since first grade,", "story is realistic in a school setting, when I've never been in that", "YA-ish story and told me that it was going to take place in", "every day, an opportunity to set up good and bad authority figures, over", "only way it was working when I thought it out would be in", "bad authority figures, over a story extended over a period of months. A", "did live in the US until I was around 8, and I'm a", "school system. On top of that, my story is taking place in the", "story and told me that it was going to take place in a", "I needed a young adult setting, with other teenagers around, deadlines, coming back", "listening to the demands of the story, I started to write the story.", "fiction, a lot of which happens to take place in schools. Recently, an", "work otherwise - I needed a young adult setting, with other teenagers around,", "around 8, and I'm a bit more familiar with US context than, say,", "context than, say, Europe. (The story also wouldn't work where I currently live.)", "school checked all the boxes. I chose the US because I did live", "never been enrolled in school after kindergarten. I don't have first-hand experience with", "the school system in the US is like. How do I make sure", "deadlines, coming back home every day, an opportunity to set up good and", "out would be in a school setting. The way the story works simply", "setting. The way the story works simply wouldn't work otherwise - I needed", "I thought it out would be in a school setting. The way the", "take place in a school. The idea came to me, and the only", "like. How do I make sure that my story is realistic in a", "for a YA-ish story and told me that it was going to take", "top of that, my story is taking place in the US, and I", "school. The idea came to me, and the only way it was working", "demands of the story, I started to write the story. However, I ran", "home every day, an opportunity to set up good and bad authority figures,", "in schools. Recently, an idea jumped into my head for a YA-ish story", "kindergarten. I don't have first-hand experience with the school system. On top of", "However, I ran into a problem: I've never been to school. I've been", "problem: I've never been to school. I've been homeschooled since first grade, meaning", "school system here don't know what the school system in the US is", "the story works simply wouldn't work otherwise - I needed a young adult", "A school checked all the boxes. I chose the US because I did", "idea came to me, and the only way it was working when I", "around, deadlines, coming back home every day, an opportunity to set up good", "of the story, I started to write the story. However, I ran into", "to take place in schools. Recently, an idea jumped into my head for", "the boxes. I chose the US because I did live in the US", "jumped into my head for a YA-ish story and told me that it", "when I thought it out would be in a school setting. The way", "started to write the story. However, I ran into a problem: I've never", "I've never been to school. I've been homeschooled since first grade, meaning I've", "meaning I've never been enrolled in school after kindergarten. I don't have first-hand", "enrolled in school after kindergarten. I don't have first-hand experience with the school", "I've never been enrolled in school after kindergarten. I don't have first-hand experience", "system in the US is like. How do I make sure that my", "in the school system here don't know what the school system in the", "the only way it was working when I thought it out would be", "months. A school checked all the boxes. I chose the US because I", "since first grade, meaning I've never been enrolled in school after kindergarten. I", "experience with the school system. On top of that, my story is taking", "a story extended over a period of months. A school checked all the", "set up good and bad authority figures, over a story extended over a", "is taking place in the US, and I don't live in the US,", "working when I thought it out would be in a school setting. The", "in the US is like. How do I make sure that my story", "idea jumped into my head for a YA-ish story and told me that", "way the story works simply wouldn't work otherwise - I needed a young", "so my friends in the school system here don't know what the school", "was around 8, and I'm a bit more familiar with US context than,", "my story is realistic in a school setting, when I've never been in", "over a period of months. A school checked all the boxes. I chose", "never been to school. I've been homeschooled since first grade, meaning I've never", "that my story is realistic in a school setting, when I've never been", "school setting. The way the story works simply wouldn't work otherwise - I", "I did live in the US until I was around 8, and I'm", "bit more familiar with US context than, say, Europe. (The story also wouldn't", "a lot of YA fiction, a lot of which happens to take place", "US context than, say, Europe. (The story also wouldn't work where I currently", "going to take place in a school. The idea came to me, and", "place in schools. Recently, an idea jumped into my head for a YA-ish", "don't have first-hand experience with the school system. On top of that, my", "to school. I've been homeschooled since first grade, meaning I've never been enrolled", "in school after kindergarten. I don't have first-hand experience with the school system.", "and told me that it was going to take place in a school.", "adult setting, with other teenagers around, deadlines, coming back home every day, an", "to take place in a school. The idea came to me, and the", "came to me, and the only way it was working when I thought", "first grade, meaning I've never been enrolled in school after kindergarten. I don't", "boxes. I chose the US because I did live in the US until" ]
[ "I working on technical/scientific/academic reports. 1. Three millions 2. 3 x 106 3.", "Three millions 2. 3 x 106 3. 3 X 106 Should I use", "style. My question is what is the best way to write numbers in", "best way to write numbers in millions? I am not writing a novel", "1. Three millions 2. 3 x 106 3. 3 X 106 Should I", "myself diving into the black hole of technical writing style. My question is", "into the black hole of technical writing style. My question is what is", "technical writing style. My question is what is the best way to write", "numbers in millions? I am not writing a novel or story; I working", "way to write numbers in millions? I am not writing a novel or", "am not writing a novel or story; I working on technical/scientific/academic reports. 1.", "or story; I working on technical/scientific/academic reports. 1. Three millions 2. 3 x", "3. 3 X 106 Should I use multiply symbol instead of letter \"X\"?", "to write numbers in millions? I am not writing a novel or story;", "reports and found myself diving into the black hole of technical writing style.", "not writing a novel or story; I working on technical/scientific/academic reports. 1. Three", "I am reviewing some research reports and found myself diving into the black", "My question is what is the best way to write numbers in millions?", "I am not writing a novel or story; I working on technical/scientific/academic reports.", "of technical writing style. My question is what is the best way to", "write numbers in millions? I am not writing a novel or story; I", "writing a novel or story; I working on technical/scientific/academic reports. 1. Three millions", "diving into the black hole of technical writing style. My question is what", "reports. 1. Three millions 2. 3 x 106 3. 3 X 106 Should", "millions 2. 3 x 106 3. 3 X 106 Should I use multiply", "3 x 106 3. 3 X 106 Should I use multiply symbol instead", "hole of technical writing style. My question is what is the best way", "writing style. My question is what is the best way to write numbers", "and found myself diving into the black hole of technical writing style. My", "is what is the best way to write numbers in millions? I am", "millions? I am not writing a novel or story; I working on technical/scientific/academic", "the black hole of technical writing style. My question is what is the", "reviewing some research reports and found myself diving into the black hole of", "what is the best way to write numbers in millions? I am not", "on technical/scientific/academic reports. 1. Three millions 2. 3 x 106 3. 3 X", "2. 3 x 106 3. 3 X 106 Should I use multiply symbol", "the best way to write numbers in millions? I am not writing a", "question is what is the best way to write numbers in millions? I", "novel or story; I working on technical/scientific/academic reports. 1. Three millions 2. 3", "technical/scientific/academic reports. 1. Three millions 2. 3 x 106 3. 3 X 106", "research reports and found myself diving into the black hole of technical writing", "story; I working on technical/scientific/academic reports. 1. Three millions 2. 3 x 106", "am reviewing some research reports and found myself diving into the black hole", "106 3. 3 X 106 Should I use multiply symbol instead of letter", "is the best way to write numbers in millions? I am not writing", "working on technical/scientific/academic reports. 1. Three millions 2. 3 x 106 3. 3", "found myself diving into the black hole of technical writing style. My question", "in millions? I am not writing a novel or story; I working on", "x 106 3. 3 X 106 Should I use multiply symbol instead of", "a novel or story; I working on technical/scientific/academic reports. 1. Three millions 2.", "some research reports and found myself diving into the black hole of technical", "black hole of technical writing style. My question is what is the best" ]
[ "meet then I having one of them die at the end. I am", "die at the end. I am curious to see how much imagery I", "I'm writing a story where two lovers meet then I having one of", "of them die at the end. I am curious to see how much", "story where two lovers meet then I having one of them die at", "lovers meet then I having one of them die at the end. I", "I having one of them die at the end. I am curious to", "one of them die at the end. I am curious to see how", "writing a story where two lovers meet then I having one of them", "a story where two lovers meet then I having one of them die", "two lovers meet then I having one of them die at the end.", "the end. I am curious to see how much imagery I should add.", "them die at the end. I am curious to see how much imagery", "then I having one of them die at the end. I am curious", "having one of them die at the end. I am curious to see", "where two lovers meet then I having one of them die at the", "at the end. I am curious to see how much imagery I should" ]
[ "acid for this reaction How about numbers before \"days\", \"months\" and \"times\"? 1.", "apples 2. We need 5 mL acid for this reaction How about numbers", "mL acid for this reaction How about numbers before \"days\", \"months\" and \"times\"?", "before measurement I don't spell out. For example: 1. I bought nine apples", "need 5 mL acid for this reaction How about numbers before \"days\", \"months\"", "How about numbers before \"days\", \"months\" and \"times\"? 1. Seck, you already did", "times! 2. It has been five months since she left me. Is spelling", "measurement I don't spell out. For example: 1. I bought nine apples 2.", "2. We need 5 mL acid for this reaction How about numbers before", "follow is to spell out numbers < 10. Also when use numbers before", "when use numbers before measurement I don't spell out. For example: 1. I", "I follow is to spell out numbers < 10. Also when use numbers", "out. For example: 1. I bought nine apples 2. We need 5 mL", "for this reaction How about numbers before \"days\", \"months\" and \"times\"? 1. Seck,", "general rule I follow is to spell out numbers < 10. Also when", "to spell out numbers < 10. Also when use numbers before measurement I", "< 10. Also when use numbers before measurement I don't spell out. For", "10. Also when use numbers before measurement I don't spell out. For example:", "before \"days\", \"months\" and \"times\"? 1. Seck, you already did it three times!", "1. I bought nine apples 2. We need 5 mL acid for this", "\"days\", \"months\" and \"times\"? 1. Seck, you already did it three times! 2.", "It has been five months since she left me. Is spelling out better?", "2. It has been five months since she left me. Is spelling out", "don't spell out. For example: 1. I bought nine apples 2. We need", "rule I follow is to spell out numbers < 10. Also when use", "spell out. For example: 1. I bought nine apples 2. We need 5", "I bought nine apples 2. We need 5 mL acid for this reaction", "5 mL acid for this reaction How about numbers before \"days\", \"months\" and", "use numbers before measurement I don't spell out. For example: 1. I bought", "Seck, you already did it three times! 2. It has been five months", "it three times! 2. It has been five months since she left me.", "For example: 1. I bought nine apples 2. We need 5 mL acid", "did it three times! 2. It has been five months since she left", "this reaction How about numbers before \"days\", \"months\" and \"times\"? 1. Seck, you", "about numbers before \"days\", \"months\" and \"times\"? 1. Seck, you already did it", "numbers before measurement I don't spell out. For example: 1. I bought nine", "example: 1. I bought nine apples 2. We need 5 mL acid for", "is to spell out numbers < 10. Also when use numbers before measurement", "The general rule I follow is to spell out numbers < 10. Also", "reaction How about numbers before \"days\", \"months\" and \"times\"? 1. Seck, you already", "\"months\" and \"times\"? 1. Seck, you already did it three times! 2. It", "spell out numbers < 10. Also when use numbers before measurement I don't", "out numbers < 10. Also when use numbers before measurement I don't spell", "numbers < 10. Also when use numbers before measurement I don't spell out.", "numbers before \"days\", \"months\" and \"times\"? 1. Seck, you already did it three", "We need 5 mL acid for this reaction How about numbers before \"days\",", "three times! 2. It has been five months since she left me. Is", "you already did it three times! 2. It has been five months since", "1. Seck, you already did it three times! 2. It has been five", "and \"times\"? 1. Seck, you already did it three times! 2. It has", "\"times\"? 1. Seck, you already did it three times! 2. It has been", "already did it three times! 2. It has been five months since she", "nine apples 2. We need 5 mL acid for this reaction How about", "Also when use numbers before measurement I don't spell out. For example: 1.", "bought nine apples 2. We need 5 mL acid for this reaction How", "I don't spell out. For example: 1. I bought nine apples 2. We" ]
[ "characters interesting - after all, we like to read about the struggles of", "that, somehow, I'm falling into it (my MC will eventually get important thanks", "how to add quirks and characteristic to your characters without making the quirks", "is played up straight. Sometimes prophecies are warped. Sometimes, the whole concept is", "chosen hero idea; I'm bored of it. Yet as I'm writing my novel", "add quirks and characteristic to your characters without making the quirks overcome the", "not. So, the real question is how to add quirks and characteristic to", "characters without making the quirks overcome the whole characterization. Is there a point", "genre-fiction (I'm talking mainly about fantasy and sci-fi, but others genres can apply),", "considered an everyday woman). So I'm finding myself in a contradictory situation -", "not-replaceable. Sometimes this is played up straight. Sometimes prophecies are warped. Sometimes, the", "even hypocritical, if you may. So, here's my more general question: How do", "the MC has, maybe there is a prophecy, maybe it's something in his/hers", "his/hers birth or upbringing: it doesn't matter how, but often a character is,", "it. Yet as I'm writing my novel I notice that, somehow, I'm falling", "concept is subverted. My issue: I dislike the whole chosen hero idea; I'm", "Sometimes this is played up straight. Sometimes prophecies are warped. Sometimes, the whole", "of media, the main characters ends up being special in some ways. Maybe", "falling into it (my MC will eventually get important thanks to the circumstances", "has, maybe there is a prophecy, maybe it's something in his/hers birth or", "but others genres can apply), and across many forms of media, the main", "more often than not. So, the real question is how to add quirks", "there is a prophecy, maybe it's something in his/hers birth or upbringing: it", "as I'm writing my novel I notice that, somehow, I'm falling into it", "So I'm finding myself in a contradictory situation - even hypocritical, if you", "the natural tendency to make our characters interesting - after all, we like", "about the struggles of extraordinary characters more often than not. So, the real", "I'm falling into it (my MC will eventually get important thanks to the", "others genres can apply), and across many forms of media, the main characters", "the whole chosen hero idea; I'm bored of it. Yet as I'm writing", "finding myself in a contradictory situation - even hypocritical, if you may. So,", "may. So, here's my more general question: How do you avoid writing a", "MC will eventually get important thanks to the circumstances of her birth; she", "even when classic elements like manifested destinies and roboant prophecies are missing, you", "general question: How do you avoid writing a chosen hero? --------------------------------------- I realize", "of genre-fiction (I'm talking mainly about fantasy and sci-fi, but others genres can", "everyday woman). So I'm finding myself in a contradictory situation - even hypocritical,", "in some ways. Maybe it's the abilities the MC has, maybe there is", "special in some ways. Maybe it's the abilities the MC has, maybe there", "a contradictory situation - even hypocritical, if you may. So, here's my more", "it's something in his/hers birth or upbringing: it doesn't matter how, but often", "the struggles of extraordinary characters more often than not. So, the real question", "of extraordinary characters more often than not. So, the real question is how", "I realize that even when classic elements like manifested destinies and roboant prophecies", "struggles of extraordinary characters more often than not. So, the real question is", "tendency to make our characters interesting - after all, we like to read", "writing a chosen hero? --------------------------------------- I realize that even when classic elements like", "real question is how to add quirks and characteristic to your characters without", "the quirks overcome the whole characterization. Is there a point of equilibrium? Related:", "works of genre-fiction (I'm talking mainly about fantasy and sci-fi, but others genres", "maybe it's something in his/hers birth or upbringing: it doesn't matter how, but", "is not-replaceable. Sometimes this is played up straight. Sometimes prophecies are warped. Sometimes,", "and roboant prophecies are missing, you still kind of risk a \"chosen\" situation.", "bored of it. Yet as I'm writing my novel I notice that, somehow,", "and across many forms of media, the main characters ends up being special", "one else could fill in his shoes because the MC is not-replaceable. Sometimes", "ends up being special in some ways. Maybe it's the abilities the MC", "important thanks to the circumstances of her birth; she cannot, therefore, be considered", "elements like manifested destinies and roboant prophecies are missing, you still kind of", "to make our characters interesting - after all, we like to read about", "characters more often than not. So, the real question is how to add", "to read about the struggles of extraordinary characters more often than not. So,", "I'm writing my novel I notice that, somehow, I'm falling into it (my", "genres can apply), and across many forms of media, the main characters ends", "I dislike the whole chosen hero idea; I'm bored of it. Yet as", "- even hypocritical, if you may. So, here's my more general question: How", "many forms of media, the main characters ends up being special in some", "Sometimes, the whole concept is subverted. My issue: I dislike the whole chosen", "like to read about the struggles of extraordinary characters more often than not.", "can apply), and across many forms of media, the main characters ends up", "his shoes because the MC is not-replaceable. Sometimes this is played up straight.", "chosen hero? --------------------------------------- I realize that even when classic elements like manifested destinies", "No one else could fill in his shoes because the MC is not-replaceable.", "talking mainly about fantasy and sci-fi, but others genres can apply), and across", "birth; she cannot, therefore, be considered an everyday woman). So I'm finding myself", "birth or upbringing: it doesn't matter how, but often a character is, somewhat,", "in his shoes because the MC is not-replaceable. Sometimes this is played up", "contradictory situation - even hypocritical, if you may. So, here's my more general", "interesting - after all, we like to read about the struggles of extraordinary", "your characters without making the quirks overcome the whole characterization. Is there a", "our characters interesting - after all, we like to read about the struggles", "are warped. Sometimes, the whole concept is subverted. My issue: I dislike the", "is a prophecy, maybe it's something in his/hers birth or upbringing: it doesn't", "character is, somewhat, \"chosen\". No one else could fill in his shoes because", "my more general question: How do you avoid writing a chosen hero? ---------------------------------------", "subverted. My issue: I dislike the whole chosen hero idea; I'm bored of", "get important thanks to the circumstances of her birth; she cannot, therefore, be", "of it. Yet as I'm writing my novel I notice that, somehow, I'm", "this is played up straight. Sometimes prophecies are warped. Sometimes, the whole concept", "fantasy and sci-fi, but others genres can apply), and across many forms of", "it (my MC will eventually get important thanks to the circumstances of her", "avoid writing a chosen hero? --------------------------------------- I realize that even when classic elements", "her birth; she cannot, therefore, be considered an everyday woman). So I'm finding", "\"chosen\" situation. We have the natural tendency to make our characters interesting -", "many works of genre-fiction (I'm talking mainly about fantasy and sci-fi, but others", "MC is not-replaceable. Sometimes this is played up straight. Sometimes prophecies are warped.", "destinies and roboant prophecies are missing, you still kind of risk a \"chosen\"", "across many forms of media, the main characters ends up being special in", "up being special in some ways. Maybe it's the abilities the MC has,", "some ways. Maybe it's the abilities the MC has, maybe there is a", "the circumstances of her birth; she cannot, therefore, be considered an everyday woman).", "therefore, be considered an everyday woman). So I'm finding myself in a contradictory", "a \"chosen\" situation. We have the natural tendency to make our characters interesting", "we like to read about the struggles of extraordinary characters more often than", "read about the struggles of extraordinary characters more often than not. So, the", "So, the real question is how to add quirks and characteristic to your", "- after all, we like to read about the struggles of extraordinary characters", "ways. Maybe it's the abilities the MC has, maybe there is a prophecy,", "matter how, but often a character is, somewhat, \"chosen\". No one else could", "could fill in his shoes because the MC is not-replaceable. Sometimes this is", "prophecies are missing, you still kind of risk a \"chosen\" situation. We have", "media, the main characters ends up being special in some ways. Maybe it's", "the real question is how to add quirks and characteristic to your characters", "doesn't matter how, but often a character is, somewhat, \"chosen\". No one else", "situation - even hypocritical, if you may. So, here's my more general question:", "realize that even when classic elements like manifested destinies and roboant prophecies are", "cannot, therefore, be considered an everyday woman). So I'm finding myself in a", "still kind of risk a \"chosen\" situation. We have the natural tendency to", "after all, we like to read about the struggles of extraordinary characters more", "In many works of genre-fiction (I'm talking mainly about fantasy and sci-fi, but", "a prophecy, maybe it's something in his/hers birth or upbringing: it doesn't matter", "when classic elements like manifested destinies and roboant prophecies are missing, you still", "roboant prophecies are missing, you still kind of risk a \"chosen\" situation. We", "a character is, somewhat, \"chosen\". No one else could fill in his shoes", "extraordinary characters more often than not. So, the real question is how to", "and sci-fi, but others genres can apply), and across many forms of media,", "dislike the whole chosen hero idea; I'm bored of it. Yet as I'm", "all, we like to read about the struggles of extraordinary characters more often", "notice that, somehow, I'm falling into it (my MC will eventually get important", "that even when classic elements like manifested destinies and roboant prophecies are missing,", "main characters ends up being special in some ways. Maybe it's the abilities", "is how to add quirks and characteristic to your characters without making the", "--------------------------------------- I realize that even when classic elements like manifested destinies and roboant", "my novel I notice that, somehow, I'm falling into it (my MC will", "played up straight. Sometimes prophecies are warped. Sometimes, the whole concept is subverted.", "somehow, I'm falling into it (my MC will eventually get important thanks to", "forms of media, the main characters ends up being special in some ways.", "Maybe it's the abilities the MC has, maybe there is a prophecy, maybe", "how, but often a character is, somewhat, \"chosen\". No one else could fill", "shoes because the MC is not-replaceable. Sometimes this is played up straight. Sometimes", "quirks and characteristic to your characters without making the quirks overcome the whole", "she cannot, therefore, be considered an everyday woman). So I'm finding myself in", "idea; I'm bored of it. Yet as I'm writing my novel I notice", "mainly about fantasy and sci-fi, but others genres can apply), and across many", "missing, you still kind of risk a \"chosen\" situation. We have the natural", "warped. Sometimes, the whole concept is subverted. My issue: I dislike the whole", "an everyday woman). So I'm finding myself in a contradictory situation - even", "like manifested destinies and roboant prophecies are missing, you still kind of risk", "else could fill in his shoes because the MC is not-replaceable. Sometimes this", "(my MC will eventually get important thanks to the circumstances of her birth;", "hero? --------------------------------------- I realize that even when classic elements like manifested destinies and", "risk a \"chosen\" situation. We have the natural tendency to make our characters", "the abilities the MC has, maybe there is a prophecy, maybe it's something", "issue: I dislike the whole chosen hero idea; I'm bored of it. Yet", "quirks overcome the whole characterization. Is there a point of equilibrium? Related:** ", "Yet as I'm writing my novel I notice that, somehow, I'm falling into", "be considered an everyday woman). So I'm finding myself in a contradictory situation", "prophecies are warped. Sometimes, the whole concept is subverted. My issue:* I dislike", "I'm finding myself in a contradictory situation - even hypocritical, if you may.", "but often a character is, somewhat, \"chosen\". No one else could fill in", "in a contradictory situation - even hypocritical, if you may. So, here's my", "How do you avoid writing a chosen hero? --------------------------------------- I realize that even", "if you may. So, here's my more general question: How do you avoid", "often a character is, somewhat, \"chosen\". No one else could fill in his", "My issue: I dislike the whole chosen hero idea; I'm bored of it.", "have the natural tendency to make our characters interesting - after all, we", "it's the abilities the MC has, maybe there is a prophecy, maybe it's", "being special in some ways. Maybe it's the abilities the MC has, maybe", "(I'm talking mainly about fantasy and sci-fi, but others genres can apply), and", "a chosen hero? --------------------------------------- I realize that even when classic elements like manifested", "you still kind of risk a \"chosen\" situation. We have the natural tendency", "kind of risk a \"chosen\" situation. We have the natural tendency to make", "of risk a \"chosen\" situation. We have the natural tendency to make our", "is, somewhat, \"chosen\". No one else could fill in his shoes because the", "question is how to add quirks and characteristic to your characters without making", "classic elements like manifested destinies and roboant prophecies are missing, you still kind", "prophecy, maybe it's something in his/hers birth or upbringing: it doesn't matter how,", "hero idea; I'm bored of it. Yet as I'm writing my novel I", "characteristic to your characters without making the quirks overcome the whole characterization. Is", "question: How do you avoid writing a chosen hero? --------------------------------------- I realize that", "something in his/hers birth or upbringing: it doesn't matter how, but often a", "whole chosen hero idea; I'm bored of it. Yet as I'm writing my", "Sometimes prophecies are warped. Sometimes, the whole concept is subverted. My issue: I", "it doesn't matter how, but often a character is, somewhat, \"chosen\". No one", "characters ends up being special in some ways. Maybe it's the abilities the", "So, here's my more general question: How do you avoid writing a chosen", "because the MC is not-replaceable. Sometimes this is played up straight. Sometimes prophecies", "to your characters without making the quirks overcome the whole characterization. Is there", "is subverted. My issue: I dislike the whole chosen hero idea; I'm bored", "situation. We have the natural tendency to make our characters interesting - after", "circumstances of her birth; she cannot, therefore, be considered an everyday woman). So", "myself in a contradictory situation - even hypocritical, if you may. So, here's", "to add quirks and characteristic to your characters without making the quirks overcome", "apply), and across many forms of media, the main characters ends up being", "you avoid writing a chosen hero? --------------------------------------- I realize that even when classic", "hypocritical, if you may. So, here's my more general question: How do you", "maybe there is a prophecy, maybe it's something in his/hers birth or upbringing:", "straight. Sometimes prophecies are warped. Sometimes, the whole concept is subverted. My issue:", "manifested destinies and roboant prophecies are missing, you still kind of risk a", "writing my novel I notice that, somehow, I'm falling into it (my MC", "up straight. Sometimes prophecies are warped. Sometimes, the whole concept is subverted. My", "to the circumstances of her birth; she cannot, therefore, be considered an everyday", "overcome the whole characterization. Is there a point of equilibrium? Related:** * [the-chosen-one-paradox](https://writing.stackexchange.com/questions/38331/the-chosen-one-paradox)", "the MC is not-replaceable. Sometimes this is played up straight. Sometimes prophecies are", "sci-fi, but others genres can apply), and across many forms of media, the", "fill in his shoes because the MC is not-replaceable. Sometimes this is played", "make our characters interesting - after all, we like to read about the", "We have the natural tendency to make our characters interesting - after all,", "woman). So I'm finding myself in a contradictory situation - even hypocritical, if", "whole concept is subverted. My issue: I dislike the whole chosen hero idea;", "in his/hers birth or upbringing: it doesn't matter how, but often a character", "upbringing: it doesn't matter how, but often a character is, somewhat, \"chosen\". No", "here's my more general question: How do you avoid writing a chosen hero?", "you may. So, here's my more general question: How do you avoid writing", "thanks to the circumstances of her birth; she cannot, therefore, be considered an", "about fantasy and sci-fi, but others genres can apply), and across many forms", "I'm bored of it. Yet as I'm writing my novel I notice that,", "eventually get important thanks to the circumstances of her birth; she cannot, therefore,", "abilities the MC has, maybe there is a prophecy, maybe it's something in", "or upbringing: it doesn't matter how, but often a character is, somewhat, \"chosen\".", "making the quirks overcome the whole characterization. Is there a point of equilibrium?", "somewhat, \"chosen\". No one else could fill in his shoes because the MC", "into it (my MC will eventually get important thanks to the circumstances of", "the main characters ends up being special in some ways. Maybe it's the", "will eventually get important thanks to the circumstances of her birth; she cannot,", "do you avoid writing a chosen hero? --------------------------------------- I realize that even when", "natural tendency to make our characters interesting - after all, we like to", "without making the quirks overcome the whole characterization. Is there a point of", "than not. So, the real question is how to add quirks and characteristic", "I notice that, somehow, I'm falling into it (my MC will eventually get", "the whole concept is subverted. My issue: I dislike the whole chosen hero", "\"chosen\". No one else could fill in his shoes because the MC is", "are missing, you still kind of risk a \"chosen\" situation. We have the", "often than not. So, the real question is how to add quirks and", "novel I notice that, somehow, I'm falling into it (my MC will eventually", "of her birth; she cannot, therefore, be considered an everyday woman). So I'm", "and characteristic to your characters without making the quirks overcome the whole characterization.", "MC has, maybe there is a prophecy, maybe it's something in his/hers birth", "more general question: How do you avoid writing a chosen hero? --------------------------------------- I" ]
[ "of choice I'd like to make after doing my research, not instead of.)", "What kind of food is served in the mess. How soldiers address each", "to find out about the day-to-day of military life? In countries other than", "my own? I don't mean combat - I mean the boring routine. Basic", "research techniques, not \"could you please tell me what it's like\". To clarify,", "available to me, in doing this research? Where do I turn to? \"I", "on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\" is hardly", "of it is true. (Then again, I was sure Full Metal Jacket was", "own? I don't mean combat - I mean the boring routine. Basic training.", "uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if need be. It was normal", "have more. So where do I go to find out about other militaries?", "I do this research. What resources are available to me, in doing this", "find out about other militaries? There is the representation in films, but I", "do I do this research. What resources are available to me, in doing", "I tried asking some friends who took part in joint training exercises; got", "most likely would not be formed and led by Israel, right? (Maybe the", "life at all.) I am aware of the question [Character is an expert", "I mean the boring routine. Basic training. What kind of food is served", "military whatever\" most likely would not be formed and led by Israel, right?", "bit, I expect answers would also be helpful to people looking to write", "the moment, I've only got one point of reference. I want to have", "\"could you please tell me what it's like\". To clarify, I've done my", "be. It was normal for me to tell my lieutenant \"go to sleep,", "its real-life examples some elite units, and the whole of our army. (I", "and more research\" is hardly helpful with the question how do I do", "turns out it was actually quite realistic.) I tried asking some friends who", "What resources are available to me, in doing this research? Where do I", "expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\" is", "to tell my lieutenant \"go to sleep, man. I'll take care of this", "done my three years in the Israeli Defence Forces, so I know what", "is hardly helpful with the question how do I do this research. What", "plain-clothes\", if need be. It was normal for me to tell my lieutenant", "subordinate. Who cleans the toilet. What regulations are relevant in the day-to-day. That", "I mean, the \"international space military whatever\" most likely would not be formed", "big things are similar. The little details - not so much. As an", "information already knowing quite a bit, I expect answers would also be helpful", "my lieutenant \"go to sleep, man. I'll take care of this [task]. I", "toilet. What regulations are relevant in the day-to-day. That sort of thing. I", "What I'd like to find out is what military service in the US", "kind of choice I'd like to make after* doing my research, not instead", "knowing quite a bit, I expect answers would also be helpful to people", "service here* looks like. Only, I also know that's not exactly how other", "doctrine would be adopted worldwide, but that's a kind of choice I'd like", "units, and the whole of our army. (I guess we switch very easily", "tv-trope lists under its real-life examples some elite units, and the whole of", "looks like. Only, I also know that's not exactly how other militaries work.", "moving from one environment to another. At the moment, I've only got one", "the UK, for example, looks like. I mean, the \"international space military whatever\"", "about military settings, knowing little about military life at all.) I am aware", "the Israeli Defence Forces, so I know what military service here looks like.", "very easily between \"civilians in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if", "reference. I want to have more. So where do I go to find", "actually tell me anything about the other guys - only that we like", "to write about military settings, knowing little about military life at all.) I", "environment to another. At the moment, I've only got one point of reference.", "\"soldiers\". And \"soldiers in plain-clothes\", if need be. It was normal for me", "only that we like to pat ourselves on the shoulder). (While I'm looking", "but I don't know how much of it is true. (Then again, I", "what military service here looks like. Only, I also know that's not exactly", "absurd over-the-top caricature, turns out it was actually quite realistic.) I tried asking", "doesn't actually tell me anything about the other guys - only that we", "It was normal for me to tell my lieutenant \"go to sleep, man.", "about how \"we're awesome\" (it's informative, but doesn't actually tell me anything about", "a certain extent, I'm looking for the things that are different - for", "we switch very easily between \"civilians in uniform\" and \"soldiers\". And \"soldiers in", "relevant in the day-to-day. That sort of thing. *I am looking for (a)", "There is the representation in films, but I don't know how much of", "need a babysitter\".) What I'd like to find out is what military service", "the question how do I do this research. What resources are available to", "soldiers address each other, how one speaks to a superior or a subordinate.", "is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more", "know how much of it is true. (Then again, I was sure Full", "on the shoulder). (While I'm looking for information already knowing quite a bit,", "and the UK, for example, looks like. I mean, the \"international space military", "I'd like to make after doing my research, not instead of.) To a", "tell my lieutenant \"go to sleep, man. I'll take care of this [task].", "What regulations are relevant in the day-to-day. That sort of thing. I am", "The big things are similar. The little details - not so much. As", "military life? In countries other than my own? I don't mean combat -", "a subordinate. Who cleans the toilet. What regulations are relevant in the day-to-day.", "our army. (I guess we switch very easily between \"civilians in uniform\" and", "mean combat - I mean the boring routine. Basic training. What kind of", "like\". To clarify, I've done my three years in the Israeli Defence Forces,", "some friends who took part in joint training exercises; got plenty of stories", "to find out is what military service in the US and the UK,", "how \"we're awesome\" (it's informative, but doesn't actually tell me anything about the", "are relevant in the day-to-day. That sort of thing. *I am looking for", "different - for the \"culture shock\" a soldier would experience, moving from one", "about other militaries? There is the representation in films, but I don't know", "(Then again, I was sure Full Metal Jacket* was an absurd over-the-top caricature,", "the US and the UK, for example, looks like. I mean, the \"international", "question [Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research", "I turn to? \"I need to research this\" is the premise of this", "I know what military service here looks like. Only, I also know that's", "easily between \"civilians in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if need", "right? (Maybe the Israeli doctrine would be adopted worldwide, but that's a kind", "- I mean the boring routine. Basic training. What kind of food is", "for the things that are different - for the \"culture shock\" a soldier", "the things that are different - for the \"culture shock\" a soldier would", "and \"soldiers\". And \"soldiers in plain-clothes\", if need be. It was normal for", "is the representation in films, but I don't know how much of it", "like to make after doing my research, not instead of.) To a certain", "resources and (b) relevant research techniques*, not* \"could you please tell me what", "lieutenant \"go to sleep, man. I'll take care of this [task]. I don't", "UK, for example, looks like. I mean, the \"international space military whatever\" most", "for (a) relevant resources and (b) relevant research techniques*, not* \"could you please", "are available to me, in doing this research? Where do I turn to?", "combat - I mean the boring routine. Basic training. What kind of food", "we like to pat ourselves on the shoulder). (While I'm looking for information", "expect answers would also be helpful to people looking to write about military", "quite realistic.) I tried asking some friends who took part in joint training", "representation in films, but I don't know how much of it is true.", "the whole of our army. (I guess we switch very easily between \"civilians", "only got one point of reference. I want to have more. So where", "for me to tell my lieutenant \"go to sleep, man. I'll take care", "[Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and", "took part in joint training exercises; got plenty of stories about how \"we're", "people looking to write about military settings, knowing little about military life at", "also know that's not exactly how other militaries work. The big things are", "examples some elite units, and the whole of our army. (I guess we", "normal for me to tell my lieutenant \"go to sleep, man. I'll take", "to a superior or a subordinate. Who cleans the toilet. What regulations are", "that's not exactly how other militaries work. The big things are similar. The", "elite units, and the whole of our army. (I guess we switch very", "for example, looks like. I mean, the \"international space military whatever\" most likely", "anything about the other guys - only that we like to pat ourselves", "research and more research\" is hardly helpful with the question how do I", "years in the Israeli Defence Forces, so I know what military service here", "I'd like to find out is what military service in the US and", "like to find out is what military service in the US and the", "again, I was sure Full Metal Jacket* was an absurd over-the-top caricature, turns", "am looking for (a) relevant resources and (b) relevant research techniques*, not* \"could", "not so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its", "would not be formed and led by Israel, right? (Maybe the Israeli doctrine", "I was sure Full Metal Jacket was an absurd over-the-top caricature, turns out", "other guys - only that we like to pat ourselves on the shoulder).", "countries other than my own? I don't mean combat - I mean the", "joint training exercises; got plenty of stories about how \"we're awesome\" (it's informative,", "in the US and the UK, for example, looks like. I mean, the", "me what it's like\". To clarify, I've done my three years in the", "man. I'll take care of this [task]. I don't need a babysitter\".) What", "be formed and led by Israel, right? (Maybe the Israeli doctrine would be", "a kind of choice I'd like to make after doing my research, not", "know that's not exactly how other militaries work. The big things are similar.", "military life at all.) I am aware of the question [Character is an", "not instead of.) To a certain extent, I'm looking for the things that", "it's like\". To clarify, I've done my three years in the Israeli Defence", "is true. (Then again, I was sure Full Metal Jacket was an absurd", "life? In countries other than my own? I don't mean combat - I", "like to pat ourselves on the shoulder). (While I'm looking for information already", "the \"international space military whatever\" most likely would not be formed and led", "but doesn't actually tell me anything about the other guys - only that", "would be adopted worldwide, but that's a kind of choice I'd like to", "Where does one go to find out about the day-to-day of military life?*", "don't know how much of it is true. (Then again, I was sure", "of.) To a certain extent, I'm looking for the things that are different", "got plenty of stories about how \"we're awesome\" (it's informative, but doesn't actually", "true. (Then again, I was sure Full Metal Jacket was an absurd over-the-top", "service in the US and the UK, for example, looks like. I mean,", "not be formed and led by Israel, right? (Maybe the Israeli doctrine would", "for the \"culture shock\" a soldier would experience, moving from one environment to", "\"go to sleep, man. I'll take care of this [task]. I don't need", "me anything about the other guys - only that we like to pat", "led by Israel, right? (Maybe the Israeli doctrine would be adopted worldwide, but", "with the question how do I do this research. What resources are available", "Where do I turn to? \"I need to research this\" is the premise", "the other guys - only that we like to pat ourselves on the", "Israeli doctrine would be adopted worldwide, but that's a kind of choice I'd", "US and the UK, for example, looks like. I mean, the \"international space", "\"research, research and more research\" is hardly helpful with the question how do", "that are different - for the \"culture shock\" a soldier would experience, moving", "answers would also be helpful to people looking to write about military settings,", "mean the boring routine. Basic training. What kind of food is served in", "moment, I've only got one point of reference. I want to have more.", "research? Where do I turn to? \"I need to research this\" is the", "techniques, not* \"could you please tell me what it's like\". To clarify, I've", "space military whatever\" most likely would not be formed and led by Israel,", "the toilet. What regulations are relevant in the day-to-day. That sort of thing.", "tried asking some friends who took part in joint training exercises; got plenty", "instead of.) To a certain extent, I'm looking for the things that are", "training. What kind of food is served in the mess. How soldiers address", "quite a bit, I expect answers would also be helpful to people looking", "would experience, moving from one environment to another. At the moment, I've only", "point of reference. I want to have more. So where do I go", "informative, but doesn't actually tell me anything about the other guys - only", "find out about the day-to-day of military life? In countries other than my", "the day-to-day. That sort of thing. I am looking for (a) relevant resources", "one speaks to a superior or a subordinate. Who cleans the toilet. What", "friends who took part in joint training exercises; got plenty of stories about", "\"culture shock\" a soldier would experience, moving from one environment to another. At", "thing. I am looking for (a) relevant resources and (b) relevant research techniques,", "research. What resources are available to me, in doing this research? Where do", "do I turn to? \"I need to research this\" is the premise* of", "how one speaks to a superior or a subordinate. Who cleans the toilet.", "That sort of thing. *I am looking for (a) relevant resources and (b)", "kind of food is served in the mess. How soldiers address each other,", "research\" is hardly helpful with the question how do I do this research.", "who took part in joint training exercises; got plenty of stories about how", "another. At the moment, I've only got one point of reference. I want", "also be helpful to people looking to write about military settings, knowing little", "whatever\" most likely would not be formed and led by Israel, right? (Maybe", "- for the \"culture shock\" a soldier would experience, moving from one environment", "something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\" is hardly helpful", "example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some elite units,", "than my own? I don't mean combat - I mean the boring routine.", "to make after* doing my research, not instead of.) To a certain extent,", "work. The big things are similar. The little details - not so much.", "turn to? \"I need to research this\" is the premise of this question.", "other militaries work. The big things are similar. The little details - not", "other, how one speaks to a superior or a subordinate. Who cleans the", "a soldier would experience, moving from one environment to another. At the moment,", "this research. What resources are available to me, in doing this research? Where", "likely would not be formed and led by Israel, right? (Maybe the Israeli", "the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some elite units, and", "already knowing quite a bit, I expect answers would also be helpful to", "between \"civilians in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if need be.", "write about military settings, knowing little about military life at all.) I am", "out is what military service in the US and the UK, for example,", "make after* doing my research, not instead of.) To a certain extent, I'm", "helpful to people looking to write about military settings, knowing little about military", "I also know that's not exactly how other militaries work. The big things", "I don't need a babysitter\".) What I'd like to find out is what", "actually quite realistic.) I tried asking some friends who took part in joint", "example, looks like. I mean, the \"international space military whatever\" most likely would", "be adopted worldwide, but that's a kind of choice I'd like to make", "not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\" is hardly helpful with the", "So where do I go to find out about other militaries? There is", "looks like. I mean, the \"international space military whatever\" most likely would not", "of our army. (I guess we switch very easily between \"civilians in uniform\"", "ourselves on the shoulder). (While I'm looking for information already knowing quite a", "I don't know how much of it is true. (Then again, I was", "and (b) relevant research techniques*, not* \"could you please tell me what it's", "doing this research? Where do I turn to? \"I need to research this\"", "need be. It was normal for me to tell my lieutenant \"go to", "sort of thing. *I am looking for (a) relevant resources and (b) relevant", "do I go to find out about other militaries? There is the representation", "be helpful to people looking to write about military settings, knowing little about", "In countries other than my own? I don't mean combat - I mean", "go to find out about other militaries? There is the representation in films,", "to pat ourselves on the shoulder). (While I'm looking for information already knowing", "care of this [task]. I don't need a babysitter\".) What I'd like to", "And \"soldiers in plain-clothes\", if need be. It was normal for me to", "shock\" a soldier would experience, moving from one environment to another. At the", "some elite units, and the whole of our army. (I guess we switch", "got one point of reference. I want to have more. So where do", "At the moment, I've only got one point of reference. I want to", "real-life examples some elite units, and the whole of our army. (I guess", "I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\" is hardly helpful with", "I'm looking for information already knowing quite a bit, I expect answers would", "don't mean combat - I mean the boring routine. Basic training. What kind", "under its real-life examples some elite units, and the whole of our army.", "to sleep, man. I'll take care of this [task]. I don't need a", "details - not so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists", "but that's a kind of choice I'd like to make after* doing my", "Forces, so I know what military service here looks like. Only, I also", "don't need a babysitter\".) What I'd like to find out is what military", "mean, the \"international space military whatever\" most likely would not be formed and", "about the other guys - only that we like to pat ourselves on", "of thing. I am looking for (a) relevant resources and (b) relevant research", "are different - for the \"culture shock\" a soldier would experience, moving from", "formed and led by Israel, right? (Maybe the Israeli doctrine would be adopted", "films, but I don't know how much of it is true. (Then again,", "over-the-top caricature, turns out it was actually quite realistic.) I tried asking some", "I want to have more. So where do I go to find out", "lists under its real-life examples some elite units, and the whole of our", "of food is served in the mess. How soldiers address each other, how", "the representation in films, but I don't know how much of it is", "switch very easily between \"civilians in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\",", "routine. Basic training. What kind of food is served in the mess. How", "of military life? In countries other than my own? I don't mean combat", "superior or a subordinate. Who cleans the toilet. What regulations are relevant in", "more. So where do I go to find out about other militaries? There", "a babysitter\".) What I'd like to find out is what military service in", "things that are different - for the \"culture shock\" a soldier would experience,", "Israel, right? (Maybe the Israeli doctrine would be adopted worldwide, but that's a", "similar. The little details - not so much. As an example, the [Mildly", "to find out about other militaries? There is the representation in films, but", "three years in the Israeli Defence Forces, so I know what military service", "does one go to find out about the day-to-day of military life? In", "the Israeli doctrine would be adopted worldwide, but that's a kind of choice", "Basic training. What kind of food is served in the mess. How soldiers", "military settings, knowing little about military life at all.) I am aware of", "this [task]. I don't need a babysitter\".) What I'd like to find out", "the mess. How soldiers address each other, how one speaks to a superior", "am aware of the question [Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704).", "about the day-to-day of military life? In countries other than my own? I", "militaries? There is the representation in films, but I don't know how much", "more research\" is hardly helpful with the question how do I do this", "served in the mess. How soldiers address each other, how one speaks to", "To a certain extent, I'm looking for the things that are different -", "knowing little about military life at all.) I am aware of the question", "I expect answers would also be helpful to people looking to write about", "helpful with the question how do I do this research. What resources are", "I am aware of the question [Character is an expert on something I'm", "(While I'm looking for information already knowing quite a bit, I expect answers", "was normal for me to tell my lieutenant \"go to sleep, man. I'll", "one environment to another. At the moment, I've only got one point of", "- only that we like to pat ourselves on the shoulder). (While I'm", "(b) relevant research techniques, not* \"could you please tell me what it's like\".", "The answer \"research, research and more research\" is hardly helpful with the question", "research, not instead of.) To a certain extent, I'm looking for the things", "guess we switch very easily between \"civilians in uniform\" and \"soldiers\". And \"soldiers", "experience, moving from one environment to another. At the moment, I've only got", "relevant resources and (b) relevant research techniques*, not* \"could you please tell me", "in the Israeli Defence Forces, so I know what military service here looks", "me to tell my lieutenant \"go to sleep, man. I'll take care of", "to have more. So where do I go to find out about other", "an absurd over-the-top caricature, turns out it was actually quite realistic.) I tried", "hardly helpful with the question how do I do this research. What resources", "To clarify, I've done my three years in the Israeli Defence Forces, so", "exercises; got plenty of stories about how \"we're awesome\" (it's informative, but doesn't", "not exactly how other militaries work. The big things are similar. The little", "army. (I guess we switch very easily between \"civilians in uniform\" and \"soldiers\".", "looking to write about military settings, knowing little about military life at all.)", "question how do I do this research. What resources are available to me,", "in the mess. How soldiers address each other, how one speaks to a", "clarify, I've done my three years in the Israeli Defence Forces, so I", "looking for the things that are different - for the \"culture shock\" a", "know what military service here looks like. Only, I also know that's not", "Defence Forces, so I know what military service here looks like. Only, I", "what military service in the US and the UK, for example, looks like.", "I've only got one point of reference. I want to have more. So", "Full Metal Jacket was an absurd over-the-top caricature, turns out it was actually", "one go to find out about the day-to-day of military life?** In countries", "the question [Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research,", "Jacket* was an absurd over-the-top caricature, turns out it was actually quite realistic.)", "doing my research, not instead of.) To a certain extent, I'm looking for", "[Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some elite units, and the", "if need be. It was normal for me to tell my lieutenant \"go", "in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if need be. It was", "that's a kind of choice I'd like to make after doing my research,", "after doing my research, not instead of.) To a certain extent, I'm looking", "it is true. (Then again, I was sure Full Metal Jacket was an", "for information already knowing quite a bit, I expect answers would also be", "shoulder). (While I'm looking for information already knowing quite a bit, I expect", "here looks like. Only, I also know that's not exactly how other militaries", "the shoulder). (While I'm looking for information already knowing quite a bit, I", "by Israel, right? (Maybe the Israeli doctrine would be adopted worldwide, but that's", "caricature, turns out it was actually quite realistic.) I tried asking some friends", "the boring routine. Basic training. What kind of food is served in the", "I don't mean combat - I mean the boring routine. Basic training. What", "I'll take care of this [task]. I don't need a babysitter\".) What I'd", "(Maybe the Israeli doctrine would be adopted worldwide, but that's a kind of", "out about other militaries? There is the representation in films, but I don't", "Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some elite units, and the whole", "resources are available to me, in doing this research? Where do I turn", "babysitter\".) What I'd like to find out is what military service in the", "that we like to pat ourselves on the shoulder). (While I'm looking for", "(it's informative, but doesn't actually tell me anything about the other guys -", "was actually quite realistic.) I tried asking some friends who took part in", "extent, I'm looking for the things that are different - for the \"culture", "\"we're awesome\" (it's informative, but doesn't actually tell me anything about the other", "militaries work. The big things are similar. The little details - not so", "regulations are relevant in the day-to-day. That sort of thing. *I am looking", "I've done my three years in the Israeli Defence Forces, so I know", "my research, not instead of.) To a certain extent, I'm looking for the", "all.) I am aware of the question [Character is an expert on something", "go to find out about the day-to-day of military life?* In countries other", "do this research. What resources are available to me, in doing this research?", "a superior or a subordinate. Who cleans the toilet. What regulations are relevant", "are similar. The little details - not so much. As an example, the", "much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples", "guys - only that we like to pat ourselves on the shoulder). (While", "choice I'd like to make after* doing my research, not instead of.) To", "I'm looking for the things that are different - for the \"culture shock\"", "it was actually quite realistic.) I tried asking some friends who took part", "in joint training exercises; got plenty of stories about how \"we're awesome\" (it's", "of stories about how \"we're awesome\" (it's informative, but doesn't actually tell me", "speaks to a superior or a subordinate. Who cleans the toilet. What regulations", "other militaries? There is the representation in films, but I don't know how", "how do I do this research. What resources are available to me, in", "me, in doing this research? Where do I turn to? \"I need to", "from one environment to another. At the moment, I've only got one point", "realistic.) I tried asking some friends who took part in joint training exercises;", "address each other, how one speaks to a superior or a subordinate. Who", "of this [task]. I don't need a babysitter\".) What I'd like to find", "certain extent, I'm looking for the things that are different - for the", "like. Only, I also know that's not exactly how other militaries work. The", "Only, I also know that's not exactly how other militaries work. The big", "and the whole of our army. (I guess we switch very easily between", "one point of reference. I want to have more. So where do I", "like. I mean, the \"international space military whatever\" most likely would not be", "boring routine. Basic training. What kind of food is served in the mess.", "would also be helpful to people looking to write about military settings, knowing", "military service here looks like. Only, I also know that's not exactly how", "want to have more. So where do I go to find out about", "is served in the mess. How soldiers address each other, how one speaks", "so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life", "\"international space military whatever\" most likely would not be formed and led by", "(I guess we switch very easily between \"civilians in uniform\" and \"soldiers\". And", "As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some", "soldier would experience, moving from one environment to another. At the moment, I've", "how much of it is true. (Then again, I was sure Full Metal", "sure Full Metal Jacket* was an absurd over-the-top caricature, turns out it was", "tell me what it's like\". To clarify, I've done my three years in", "in films, but I don't know how much of it is true. (Then", "was sure Full Metal Jacket was an absurd over-the-top caricature, turns out it", "a bit, I expect answers would also be helpful to people looking to", "at all.) I am aware of the question [Character is an expert on", "how other militaries work. The big things are similar. The little details -", "in plain-clothes\", if need be. It was normal for me to tell my", "Metal Jacket* was an absurd over-the-top caricature, turns out it was actually quite", "(a) relevant resources and (b) relevant research techniques*, not* \"could you please tell", "an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under its real-life examples some elite", "answer \"research, research and more research\" is hardly helpful with the question how", "and led by Israel, right? (Maybe the Israeli doctrine would be adopted worldwide,", "in doing this research? Where do I turn to? \"I need to research", "part in joint training exercises; got plenty of stories about how \"we're awesome\"", "to me, in doing this research? Where do I turn to? \"I need", "so I know what military service here* looks like. Only, I also know", "where do I go to find out about other militaries? There is the", "mess. How soldiers address each other, how one speaks to a superior or", "I am looking for (a) relevant resources and (b) relevant research techniques, not", "exactly how other militaries work. The big things are similar. The little details", "take care of this [task]. I don't need a babysitter\".) What I'd like", "adopted worldwide, but that's a kind of choice I'd like to make after", "worldwide, but that's a kind of choice I'd like to make after doing", "little about military life at all.) I am aware of the question [Character", "Who cleans the toilet. What regulations are relevant in the day-to-day. That sort", "military service in the US and the UK, for example, looks like. I", "what it's like\". To clarify, I've done my three years in the Israeli", "I go to find out about other militaries? There is the representation in", "is what military service in the US and the UK, for example, looks", "in the day-to-day. That sort of thing. *I am looking for (a) relevant", "- not so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope lists under", "Israeli Defence Forces, so I know what military service here* looks like. Only,", "[task]. I don't need a babysitter\".) What I'd like to find out is", "to people looking to write about military settings, knowing little about military life", "was an absurd over-the-top caricature, turns out it was actually quite realistic.) I", "things are similar. The little details - not so much. As an example,", "out it was actually quite realistic.) I tried asking some friends who took", "of the question [Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer", "plenty of stories about how \"we're awesome\" (it's informative, but doesn't actually tell", "other than my own? I don't mean combat - I mean the boring", "looking for (a) relevant resources and (b) relevant research techniques*, not* \"could you", "the \"culture shock\" a soldier would experience, moving from one environment to another.", "of reference. I want to have more. So where do I go to", "The little details - not so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary)", "awesome\" (it's informative, but doesn't actually tell me anything about the other guys", "aware of the question [Character is an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The", "the day-to-day of military life?** In countries other than my own? I don't", "food is served in the mess. How soldiers address each other, how one", "sleep, man. I'll take care of this [task]. I don't need a babysitter\".)", "much of it is true. (Then again, I was sure Full Metal Jacket", "relevant research techniques*, not* \"could you please tell me what it's like\". To", "day-to-day. That sort of thing. *I am looking for (a) relevant resources and", "you please tell me what it's like\". To clarify, I've done my three", "this research? Where do I turn to? \"I need to research this\" is", "find out is what military service in the US and the UK, for", "training exercises; got plenty of stories about how \"we're awesome\" (it's informative, but", "not* \"could you please tell me what it's like\". To clarify, I've done", "tell me anything about the other guys - only that we like to", "settings, knowing little about military life at all.) I am aware of the", "day-to-day of military life? In countries other than my own? I don't mean", "cleans the toilet. What regulations are relevant in the day-to-day. That sort of", "pat ourselves on the shoulder). (While I'm looking for information already knowing quite", "each other, how one speaks to a superior or a subordinate. Who cleans", "about military life at all.) I am aware of the question [Character is", "\"soldiers in plain-clothes\", if need be. It was normal for me to tell", "an expert on something I'm not](https://writing.stackexchange.com/q/41175/14704). The answer \"research, research and more research\"", "stories about how \"we're awesome\" (it's informative, but doesn't actually tell me anything", "whole of our army. (I guess we switch very easily between \"civilians in", "little details - not so much. As an example, the [Mildly Military](https://tvtropes.org/pmwiki/pmwiki.php/Main/MildlyMilitary) tv-trope", "please tell me what it's like\". To clarify, I've done my three years", "\"civilians in uniform\" and \"soldiers\". And \"soldiers in plain-clothes\", if need be. It", "my three years in the Israeli Defence Forces, so I know what military", "asking some friends who took part in joint training exercises; got plenty of", "How soldiers address each other, how one speaks to a superior or a", "looking for information already knowing quite a bit, I expect answers would also", "or a subordinate. Who cleans the toilet. What regulations are relevant in the", "to another. At the moment, I've only got one point of reference. I", "out about the day-to-day of military life? In countries other than my own?" ]
[ "reason why the book should be written stylistically fitting. However, I am worried", "narrator to be a character within the world, a sort of historian who", "the writing style fits the setting so well. But he gets away with", "Romances by Steven Brust, which are basically parodies of Alexandre Dumas' D'Artagnan Romances", "dramatic. So how can I avoid this uncanny valley and make it clear", "book. The writing is usually very modern, it's fast-paced and uses modern idioms", "it's supposed to be funny at times. I want to make a book", "uses modern idioms and phrases. By contrast, I love reading works from the", "of The Odyssey and how weird it is in comparison to a modern", "books is the dissonance between the writing style and the events and historical", "historian who describes something that has happened in his world. And from time", "are basically parodies of Alexandre Dumas' D'Artagnan Romances in a fantasy setting, exactly", "stylistically fitting. However, I am worried that this will be off-putting to readers,", "to time, he might add personal opinion etc. So this is even more", "even more reason why the book should be written stylistically fitting. However, I", "modern, it's fast-paced and uses modern idioms and phrases. By contrast, I love", "And from time to time, he might add personal opinion etc. So this", "between the writing style and the events and historical period described in the", "is usually very modern, it's fast-paced and uses modern idioms and phrases. By", "of the period that I am writing about. I would actually like my", "style\", or find that it borders on parody. I love the Khaavren Romances", "Romances in a fantasy setting, exactly because the writing style fits the setting", "supposed to be funny at times. I want to make a book that's", "uncanny valley and make it clear to readers that this is done on", "in comparison to a modern novel, or the Old Testament or Don Quixote.", "the Khaavren Romances by Steven Brust, which are basically parodies of Alexandre Dumas'", "by Steven Brust, which are basically parodies of Alexandre Dumas' D'Artagnan Romances in", "Brust, which are basically parodies of Alexandre Dumas' D'Artagnan Romances in a fantasy", "me in historical fiction or fantasy books is the dissonance between the writing", "that this will be off-putting to readers, who might actually interpret this old", "The Odyssey and how weird it is in comparison to a modern novel,", "it is in comparison to a modern novel, or the Old Testament or", "might add personal opinion etc. So this is even more reason why the", "it borders on parody. I love the Khaavren Romances by Steven Brust, which", "style and the events and historical period described in the book. The writing", "time to time, he might add personal opinion etc. So this is even", "serious and dramatic. So how can I avoid this uncanny valley and make", "period described in the book. The writing is usually very modern, it's fast-paced", "period that I am writing about. I would actually like my narrator to", "writing style fits the setting so well. But he gets away with it", "as \"bad style\", or find that it borders on parody. I love the", "my novel, I would love to emulate the style of the period that", "be funny at times. I want to make a book that's more or", "on parody. I love the Khaavren Romances by Steven Brust, which are basically", "be written stylistically fitting. However, I am worried that this will be off-putting", "modern idioms and phrases. By contrast, I love reading works from the time", "the book should be written stylistically fitting. However, I am worried that this", "should be written stylistically fitting. However, I am worried that this will be", "so well. But he gets away with it because it's supposed to be", "the Old Testament or Don Quixote. When writing my novel, I would love", "has happened in his world. And from time to time, he might add", "be a character within the world, a sort of historian who describes something", "think of The Odyssey and how weird it is in comparison to a", "who might actually interpret this old way of writing as \"bad style\", or", "annoys me in historical fiction or fantasy books is the dissonance between the", "idioms and phrases. By contrast, I love reading works from the time periods", "novel, I would love to emulate the style of the period that I", "is even more reason why the book should be written stylistically fitting. However,", "borders on parody. I love the Khaavren Romances by Steven Brust, which are", "Alexandre Dumas' D'Artagnan Romances in a fantasy setting, exactly because the writing style", "they often have a very interesting style. Just think of The Odyssey and", "works from the time periods themselves, as they often have a very interesting", "something that has happened in his world. And from time to time, he", "of writing as \"bad style\", or find that it borders on parody. I", "Odyssey* and how weird it is in comparison to a modern novel, or", "make it clear to readers that this is done on purpose, and how", "this old way of writing as \"bad style\", or find that it borders", "because the writing style fits the setting so well. But he gets away", "it because it's supposed to be funny at times. I want to make", "of historian who describes something that has happened in his world. And from", "fiction or fantasy books is the dissonance between the writing style and the", "is in comparison to a modern novel, or the Old Testament or Don", "the setting so well. But he gets away with it because it's supposed", "times. I want to make a book that's more or less serious and", "in historical fiction or fantasy books is the dissonance between the writing style", "interesting style. Just think of The Odyssey* and how weird it is in", "readers that this is done on purpose, and how can I get them", "Old Testament or Don Quixote. When writing my novel, I would love to", "writing as \"bad style\", or find that it borders on parody. I love", "modern novel, or the Old Testament or Don Quixote. When writing my novel,", "and dramatic. So how can I avoid this uncanny valley and make it", "am worried that this will be off-putting to readers, who might actually interpret", "my narrator to be a character within the world, a sort of historian", "comparison to a modern novel, or the Old Testament or Don Quixote. When", "I would love to emulate the style of the period that I am", "character within the world, a sort of historian who describes something that has", "\"bad style\", or find that it borders on parody. I love the Khaavren", "might actually interpret this old way of writing as \"bad style\", or find", "style. Just think of The Odyssey and how weird it is in comparison", "But he gets away with it because it's supposed to be funny at", "I want to make a book that's more or less serious and dramatic.", "When writing my novel, I would love to emulate the style of the", "Just think of The Odyssey and how weird it is in comparison to", "the period that I am writing about. I would actually like my narrator", "the dissonance between the writing style and the events and historical period described", "Quixote. When writing my novel, I would love to emulate the style of", "style of the period that I am writing about. I would actually like", "actually interpret this old way of writing as \"bad style\", or find that", "to emulate the style of the period that I am writing about. I", "I avoid this uncanny valley and make it clear to readers that this", "and make it clear to readers that this is done on purpose, and", "to be a character within the world, a sort of historian who describes", "how can I avoid this uncanny valley and make it clear to readers", "it clear to readers that this is done on purpose, and how can", "a fantasy setting, exactly because the writing style fits the setting so well.", "exactly because the writing style fits the setting so well. But he gets", "I am writing about. I would actually like my narrator to be a", "I love the Khaavren Romances by Steven Brust, which are basically parodies of", "So this is even more reason why the book should be written stylistically", "from the time periods themselves, as they often have a very interesting style.", "described in the book. The writing is usually very modern, it's fast-paced and", "worried that this will be off-putting to readers, who might actually interpret this", "will be off-putting to readers, who might actually interpret this old way of", "often annoys me in historical fiction or fantasy books is the dissonance between", "this is even more reason why the book should be written stylistically fitting.", "dissonance between the writing style and the events and historical period described in", "be off-putting to readers, who might actually interpret this old way of writing", "world, a sort of historian who describes something that has happened in his", "historical period described in the book. The writing is usually very modern, it's", "this uncanny valley and make it clear to readers that this is done", "writing is usually very modern, it's fast-paced and uses modern idioms and phrases.", "to readers, who might actually interpret this old way of writing as \"bad", "in the book. The writing is usually very modern, it's fast-paced and uses", "this is done on purpose, and how can I get them to like", "historical fiction or fantasy books is the dissonance between the writing style and", "I love reading works from the time periods themselves, as they often have", "writing style and the events and historical period described in the book. The", "is done on purpose, and how can I get them to like it?", "actually like my narrator to be a character within the world, a sort", "because it's supposed to be funny at times. I want to make a", "find that it borders on parody. I love the Khaavren Romances by Steven", "would actually like my narrator to be a character within the world, a", "away with it because it's supposed to be funny at times. I want", "old way of writing as \"bad style\", or find that it borders on", "very interesting style. Just think of The Odyssey* and how weird it is", "that has happened in his world. And from time to time, he might", "way of writing as \"bad style\", or find that it borders on parody.", "the world, a sort of historian who describes something that has happened in", "interpret this old way of writing as \"bad style\", or find that it", "can I avoid this uncanny valley and make it clear to readers that", "the writing style and the events and historical period described in the book.", "and how weird it is in comparison to a modern novel, or the", "opinion etc. So this is even more reason why the book should be", "a character within the world, a sort of historian who describes something that", "this will be off-putting to readers, who might actually interpret this old way", "a very interesting style. Just think of The Odyssey and how weird it", "readers, who might actually interpret this old way of writing as \"bad style\",", "to a modern novel, or the Old Testament or Don Quixote. When writing", "I would actually like my narrator to be a character within the world,", "a modern novel, or the Old Testament or Don Quixote. When writing my", "which are basically parodies of Alexandre Dumas' D'Artagnan Romances in a fantasy setting,", "basically parodies of Alexandre Dumas' D'Artagnan Romances in a fantasy setting, exactly because", "add personal opinion etc. So this is even more reason why the book", "and phrases. By contrast, I love reading works from the time periods themselves,", "Testament or Don Quixote. When writing my novel, I would love to emulate", "or find that it borders on parody. I love the Khaavren Romances by", "as they often have a very interesting style. Just think of The Odyssey", "with it because it's supposed to be funny at times. I want to", "funny at times. I want to make a book that's more or less", "that I am writing about. I would actually like my narrator to be", "However, I am worried that this will be off-putting to readers, who might", "less serious and dramatic. So how can I avoid this uncanny valley and", "So how can I avoid this uncanny valley and make it clear to", "thing that often annoys me in historical fiction or fantasy books is the", "of Alexandre Dumas' D'Artagnan Romances in a fantasy setting, exactly because the writing", "fantasy setting, exactly because the writing style fits the setting so well. But", "the style of the period that I am writing about. I would actually", "world. And from time to time, he might add personal opinion etc. So", "fantasy books is the dissonance between the writing style and the events and", "periods themselves, as they often have a very interesting style. Just think of", "who describes something that has happened in his world. And from time to", "parody. I love the Khaavren Romances by Steven Brust, which are basically parodies", "in a fantasy setting, exactly because the writing style fits the setting so", "style fits the setting so well. But he gets away with it because", "love to emulate the style of the period that I am writing about.", "he gets away with it because it's supposed to be funny at times.", "clear to readers that this is done on purpose, and how can I", "to be funny at times. I want to make a book that's more", "I am worried that this will be off-putting to readers, who might actually", "at times. I want to make a book that's more or less serious", "and uses modern idioms and phrases. By contrast, I love reading works from", "time periods themselves, as they often have a very interesting style. Just think", "written stylistically fitting. However, I am worried that this will be off-putting to", "like my narrator to be a character within the world, a sort of", "fits the setting so well. But he gets away with it because it's", "Khaavren Romances by Steven Brust, which are basically parodies of Alexandre Dumas' D'Artagnan", "gets away with it because it's supposed to be funny at times. I", "often have a very interesting style. Just think of The Odyssey and how", "to make a book that's more or less serious and dramatic. So how", "book that's more or less serious and dramatic. So how can I avoid", "more or less serious and dramatic. So how can I avoid this uncanny", "setting so well. But he gets away with it because it's supposed to", "or less serious and dramatic. So how can I avoid this uncanny valley", "a sort of historian who describes something that has happened in his world.", "have a very interesting style. Just think of The Odyssey and how weird", "the events and historical period described in the book. The writing is usually", "Don Quixote. When writing my novel, I would love to emulate the style", "and historical period described in the book. The writing is usually very modern,", "writing my novel, I would love to emulate the style of the period", "fitting. However, I am worried that this will be off-putting to readers, who", "themselves, as they often have a very interesting style. Just think of The", "how weird it is in comparison to a modern novel, or the Old", "Steven Brust, which are basically parodies of Alexandre Dumas' D'Artagnan Romances in a", "that this is done on purpose, and how can I get them to", "By contrast, I love reading works from the time periods themselves, as they", "about. I would actually like my narrator to be a character within the", "contrast, I love reading works from the time periods themselves, as they often", "novel, or the Old Testament or Don Quixote. When writing my novel, I", "sort of historian who describes something that has happened in his world. And", "he might add personal opinion etc. So this is even more reason why", "setting, exactly because the writing style fits the setting so well. But he", "am writing about. I would actually like my narrator to be a character", "the time periods themselves, as they often have a very interesting style. Just", "and the events and historical period described in the book. The writing is", "events and historical period described in the book. The writing is usually very", "time, he might add personal opinion etc. So this is even more reason", "fast-paced and uses modern idioms and phrases. By contrast, I love reading works", "love reading works from the time periods themselves, as they often have a", "avoid this uncanny valley and make it clear to readers that this is", "phrases. By contrast, I love reading works from the time periods themselves, as", "love the Khaavren Romances by Steven Brust, which are basically parodies of Alexandre", "Dumas' D'Artagnan Romances in a fantasy setting, exactly because the writing style fits", "a book that's more or less serious and dramatic. So how can I", "make a book that's more or less serious and dramatic. So how can", "The writing is usually very modern, it's fast-paced and uses modern idioms and", "well. But he gets away with it because it's supposed to be funny", "would love to emulate the style of the period that I am writing", "is the dissonance between the writing style and the events and historical period", "writing about. I would actually like my narrator to be a character within", "book should be written stylistically fitting. However, I am worried that this will", "etc. So this is even more reason why the book should be written", "D'Artagnan Romances in a fantasy setting, exactly because the writing style fits the", "valley and make it clear to readers that this is done on purpose,", "One thing that often annoys me in historical fiction or fantasy books is", "his world. And from time to time, he might add personal opinion etc.", "want to make a book that's more or less serious and dramatic. So", "emulate the style of the period that I am writing about. I would", "that often annoys me in historical fiction or fantasy books is the dissonance", "in his world. And from time to time, he might add personal opinion", "describes something that has happened in his world. And from time to time,", "very modern, it's fast-paced and uses modern idioms and phrases. By contrast, I", "happened in his world. And from time to time, he might add personal", "weird it is in comparison to a modern novel, or the Old Testament", "that's more or less serious and dramatic. So how can I avoid this", "to readers that this is done on purpose, and how can I get", "reading works from the time periods themselves, as they often have a very", "the book. The writing is usually very modern, it's fast-paced and uses modern", "personal opinion etc. So this is even more reason why the book should", "that it borders on parody. I love the Khaavren Romances by Steven Brust,", "or the Old Testament or Don Quixote. When writing my novel, I would", "or Don Quixote*. When writing my novel, I would love to emulate the", "or fantasy books is the dissonance between the writing style and the events", "usually very modern, it's fast-paced and uses modern idioms and phrases. By contrast,", "it's fast-paced and uses modern idioms and phrases. By contrast, I love reading", "more reason why the book should be written stylistically fitting. However, I am", "parodies of Alexandre Dumas' D'Artagnan Romances in a fantasy setting, exactly because the", "from time to time, he might add personal opinion etc. So this is", "off-putting to readers, who might actually interpret this old way of writing as", "why the book should be written stylistically fitting. However, I am worried that", "within the world, a sort of historian who describes something that has happened" ]
[ "publisher. My contract allows me to make a separate contract with one particular", "foreign publisher for a translation in his language. That foreign publisher wants to", "the translation. I support that idea. Two questions. Is this legal? Do I", "I am publishing a book with an American publisher. My contract allows me", "publisher wants to reverse the title and subtitle in the translation. I support", "support that idea. Two questions. Is this legal? Do I need to get", "language. That foreign publisher wants to reverse the title and subtitle in the", "me to make a separate contract with one particular foreign publisher for a", "legal? Do I need to get permission from my American publisher for this", "questions. Is this legal? Do I need to get permission from my American", "book with an American publisher. My contract allows me to make a separate", "with an American publisher. My contract allows me to make a separate contract", "contract with one particular foreign publisher for a translation in his language. That", "particular foreign publisher for a translation in his language. That foreign publisher wants", "one particular foreign publisher for a translation in his language. That foreign publisher", "am publishing a book with an American publisher. My contract allows me to", "in the translation. I support that idea. Two questions. Is this legal? Do", "a separate contract with one particular foreign publisher for a translation in his", "with one particular foreign publisher for a translation in his language. That foreign", "and subtitle in the translation. I support that idea. Two questions. Is this", "a book with an American publisher. My contract allows me to make a", "separate contract with one particular foreign publisher for a translation in his language.", "that idea. Two questions. Is this legal? Do I need to get permission", "contract allows me to make a separate contract with one particular foreign publisher", "allows me to make a separate contract with one particular foreign publisher for", "make a separate contract with one particular foreign publisher for a translation in", "reverse the title and subtitle in the translation. I support that idea. Two", "idea. Two questions. Is this legal? Do I need to get permission from", "this legal? Do I need to get permission from my American publisher for", "the title and subtitle in the translation. I support that idea. Two questions.", "to make a separate contract with one particular foreign publisher for a translation", "That foreign publisher wants to reverse the title and subtitle in the translation.", "to reverse the title and subtitle in the translation. I support that idea.", "publishing a book with an American publisher. My contract allows me to make", "in his language. That foreign publisher wants to reverse the title and subtitle", "publisher for a translation in his language. That foreign publisher wants to reverse", "I support that idea. Two questions. Is this legal? Do I need to", "translation. I support that idea. Two questions. Is this legal? Do I need", "a translation in his language. That foreign publisher wants to reverse the title", "Is this legal? Do I need to get permission from my American publisher", "Two questions. Is this legal? Do I need to get permission from my", "Do I need to get permission from my American publisher for this switch?", "an American publisher. My contract allows me to make a separate contract with", "My contract allows me to make a separate contract with one particular foreign", "foreign publisher wants to reverse the title and subtitle in the translation. I", "translation in his language. That foreign publisher wants to reverse the title and", "wants to reverse the title and subtitle in the translation. I support that", "his language. That foreign publisher wants to reverse the title and subtitle in", "American publisher. My contract allows me to make a separate contract with one", "for a translation in his language. That foreign publisher wants to reverse the", "title and subtitle in the translation. I support that idea. Two questions. Is", "subtitle in the translation. I support that idea. Two questions. Is this legal?" ]
[ "41,000 words, including once during what's supposed to be a very dramatic and", "partner notices her confusion, leans over, and whispers, \"'Clandestine' means 'secret'\". I don't", "on inserting them in order to pad things out just that little bit", "The protagonist's partner notices her confusion, leans over, and whispers, \"'Clandestine' means 'secret'\".", "At first I inserted these moments in order to underscore her limited education,", "education, but I kept on inserting them in order to pad things out", "villain, whose thieves' guild the protagonist has infiltrated, is describing their master plan,", "her limited education, but I kept on inserting them in order to pad", "the concerns I have. The story takes place in a medieval fantasy setting,", "I kept on inserting them in order to pad things out just that", "a homeless orphan of about fourteen. As a result, she has a somewhat", "somewhat limited education, and at various points has to have long or complex", "a \"network of clandestine tunnels\" under the city. The protagonist's partner notices her", "As a result, she has a somewhat limited education, and at various points", "of the concerns I have. The story takes place in a medieval fantasy", "leans over, and whispers, \"'Clandestine' means 'secret'\". I don't have access to the", "and refers to a \"network of clandestine tunnels\" under the city. The protagonist's", "climax. I'm worrying that this is too frequent, and that it might get", "worrying that this is too frequent, and that it might get tedious or", "but it still needs another draft. This question is about one of the", "has infiltrated, is describing their master plan, and refers to a \"network of", "the protagonist is a homeless orphan of about fourteen. As a result, she", "dramatic and emotional climax. I'm worrying that this is too frequent, and that", "it still needs another draft. This question is about one of the concerns", "my head, this happens at least six times in the space of 41,000", "during what's supposed to be a very dramatic and emotional climax. I'm worrying", "redrafted my NaNoWriMo 2017 story, but it still needs another draft. This question", "protagonist's partner notices her confusion, leans over, and whispers, \"'Clandestine' means 'secret'\". I", "describing their master plan, and refers to a \"network of clandestine tunnels\" under", "words explained to her. At first I inserted these moments in order to", "have long or complex words explained to her. At first I inserted these", "the city. The protagonist's partner notices her confusion, leans over, and whispers, \"'Clandestine'", "get tedious or distract from the story somewhat. Will it? Or am I", "protagonist has infiltrated, is describing their master plan, and refers to a \"network", "access to the full draft right now, but off the top of my", "A while back, I redrafted my NaNoWriMo 2017 story, but it still needs", "that little bit more. An example: the villain, whose thieves' guild the protagonist", "a very dramatic and emotional climax. I'm worrying that this is too frequent,", "to her. At first I inserted these moments in order to underscore her", "plan, and refers to a \"network of clandestine tunnels\" under the city. The", "what's supposed to be a very dramatic and emotional climax. I'm worrying that", "the protagonist has infiltrated, is describing their master plan, and refers to a", "limited education, and at various points has to have long or complex words", "things out just that little bit more. An example: the villain, whose thieves'", "\"network of clandestine tunnels\" under the city. The protagonist's partner notices her confusion,", "too frequent, and that it might get tedious or distract from the story", "this is too frequent, and that it might get tedious or distract from", "thieves' guild the protagonist has infiltrated, is describing their master plan, and refers", "complex words explained to her. At first I inserted these moments in order", "another draft. This question is about one of the concerns I have. The", "the full draft right now, but off the top of my head, this", "and whispers, \"'Clandestine' means 'secret'\". I don't have access to the full draft", "but I kept on inserting them in order to pad things out just", "result, she has a somewhat limited education, and at various points has to", "story, but it still needs another draft. This question is about one of", "has to have long or complex words explained to her. At first I", "of about fourteen. As a result, she has a somewhat limited education, and", "medieval fantasy setting, and the protagonist is a homeless orphan of about fourteen.", "more. An example: the villain, whose thieves' guild the protagonist has infiltrated, is", "of my head, this happens at least six times in the space of", "head, this happens at least six times in the space of 41,000 words,", "happens at least six times in the space of 41,000 words, including once", "back, I redrafted my NaNoWriMo 2017 story, but it still needs another draft.", "now, but off the top of my head, this happens at least six", "or distract from the story somewhat. Will it? Or am I overthinking it?", "setting, and the protagonist is a homeless orphan of about fourteen. As a", "might get tedious or distract from the story somewhat. Will it? Or am", "full draft right now, but off the top of my head, this happens", "needs another draft. This question is about one of the concerns I have.", "is describing their master plan, and refers to a \"network of clandestine tunnels\"", "inserting them in order to pad things out just that little bit more.", "concerns I have. The story takes place in a medieval fantasy setting, and", "tunnels\" under the city. The protagonist's partner notices her confusion, leans over, and", "or complex words explained to her. At first I inserted these moments in", "story takes place in a medieval fantasy setting, and the protagonist is a", "order to pad things out just that little bit more. An example: the", "in the space of 41,000 words, including once during what's supposed to be", "little bit more. An example: the villain, whose thieves' guild the protagonist has", "various points has to have long or complex words explained to her. At", "first I inserted these moments in order to underscore her limited education, but", "to be a very dramatic and emotional climax. I'm worrying that this is", "a result, she has a somewhat limited education, and at various points has", "to pad things out just that little bit more. An example: the villain,", "a somewhat limited education, and at various points has to have long or", "is about one of the concerns I have. The story takes place in", "orphan of about fourteen. As a result, she has a somewhat limited education,", "'secret'\". I don't have access to the full draft right now, but off", "bit more. An example: the villain, whose thieves' guild the protagonist has infiltrated,", "of clandestine tunnels\" under the city. The protagonist's partner notices her confusion, leans", "refers to a \"network of clandestine tunnels\" under the city. The protagonist's partner", "long or complex words explained to her. At first I inserted these moments", "my NaNoWriMo 2017 story, but it still needs another draft. This question is", "The story takes place in a medieval fantasy setting, and the protagonist is", "I inserted these moments in order to underscore her limited education, but I", "she has a somewhat limited education, and at various points has to have", "to the full draft right now, but off the top of my head,", "that this is too frequent, and that it might get tedious or distract", "to have long or complex words explained to her. At first I inserted", "at various points has to have long or complex words explained to her.", "her. At first I inserted these moments in order to underscore her limited", "these moments in order to underscore her limited education, but I kept on", "NaNoWriMo 2017 story, but it still needs another draft. This question is about", "don't have access to the full draft right now, but off the top", "whispers, \"'Clandestine' means 'secret'\". I don't have access to the full draft right", "her confusion, leans over, and whispers, \"'Clandestine' means 'secret'\". I don't have access", "place in a medieval fantasy setting, and the protagonist is a homeless orphan", "out just that little bit more. An example: the villain, whose thieves' guild", "This question is about one of the concerns I have. The story takes", "I'm worrying that this is too frequent, and that it might get tedious", "six times in the space of 41,000 words, including once during what's supposed", "their master plan, and refers to a \"network of clandestine tunnels\" under the", "the villain, whose thieves' guild the protagonist has infiltrated, is describing their master", "of 41,000 words, including once during what's supposed to be a very dramatic", "once during what's supposed to be a very dramatic and emotional climax. I'm", "city. The protagonist's partner notices her confusion, leans over, and whispers, \"'Clandestine' means", "I don't have access to the full draft right now, but off the", "top of my head, this happens at least six times in the space", "fantasy setting, and the protagonist is a homeless orphan of about fourteen. As", "kept on inserting them in order to pad things out just that little", "them in order to pad things out just that little bit more. An", "in order to underscore her limited education, but I kept on inserting them", "including once during what's supposed to be a very dramatic and emotional climax.", "is too frequent, and that it might get tedious or distract from the", "question is about one of the concerns I have. The story takes place", "in order to pad things out just that little bit more. An example:", "An example: the villain, whose thieves' guild the protagonist has infiltrated, is describing", "be a very dramatic and emotional climax. I'm worrying that this is too", "pad things out just that little bit more. An example: the villain, whose", "words, including once during what's supposed to be a very dramatic and emotional", "frequent, and that it might get tedious or distract from the story somewhat.", "the top of my head, this happens at least six times in the", "limited education, but I kept on inserting them in order to pad things", "infiltrated, is describing their master plan, and refers to a \"network of clandestine", "that it might get tedious or distract from the story somewhat. Will it?", "and the protagonist is a homeless orphan of about fourteen. As a result,", "to a \"network of clandestine tunnels\" under the city. The protagonist's partner notices", "takes place in a medieval fantasy setting, and the protagonist is a homeless", "very dramatic and emotional climax. I'm worrying that this is too frequent, and", "least six times in the space of 41,000 words, including once during what's", "this happens at least six times in the space of 41,000 words, including", "it might get tedious or distract from the story somewhat. Will it? Or", "and that it might get tedious or distract from the story somewhat. Will", "clandestine tunnels\" under the city. The protagonist's partner notices her confusion, leans over,", "draft. This question is about one of the concerns I have. The story", "tedious or distract from the story somewhat. Will it?** Or am I overthinking", "underscore her limited education, but I kept on inserting them in order to", "just that little bit more. An example: the villain, whose thieves' guild the", "I have. The story takes place in a medieval fantasy setting, and the", "over, and whispers, \"'Clandestine' means 'secret'\". I don't have access to the full", "means 'secret'\". I don't have access to the full draft right now, but", "have. The story takes place in a medieval fantasy setting, and the protagonist", "order to underscore her limited education, but I kept on inserting them in", "under the city. The protagonist's partner notices her confusion, leans over, and whispers,", "confusion, leans over, and whispers, \"'Clandestine' means 'secret'\". I don't have access to", "I redrafted my NaNoWriMo 2017 story, but it still needs another draft. This", "points has to have long or complex words explained to her. At first", "right now, but off the top of my head, this happens at least", "to underscore her limited education, but I kept on inserting them in order", "whose thieves' guild the protagonist has infiltrated, is describing their master plan, and", "but off the top of my head, this happens at least six times", "off the top of my head, this happens at least six times in", "guild the protagonist has infiltrated, is describing their master plan, and refers to", "times in the space of 41,000 words, including once during what's supposed to", "the space of 41,000 words, including once during what's supposed to be a", "moments in order to underscore her limited education, but I kept on inserting", "have access to the full draft right now, but off the top of", "notices her confusion, leans over, and whispers, \"'Clandestine' means 'secret'\". I don't have", "a medieval fantasy setting, and the protagonist is a homeless orphan of about", "education, and at various points has to have long or complex words explained", "at least six times in the space of 41,000 words, including once during", "about fourteen. As a result, she has a somewhat limited education, and at", "fourteen. As a result, she has a somewhat limited education, and at various", "homeless orphan of about fourteen. As a result, she has a somewhat limited", "2017 story, but it still needs another draft. This question is about one", "master plan, and refers to a \"network of clandestine tunnels\" under the city.", "inserted these moments in order to underscore her limited education, but I kept", "about one of the concerns I have. The story takes place in a", "example: the villain, whose thieves' guild the protagonist has infiltrated, is describing their", "protagonist is a homeless orphan of about fourteen. As a result, she has", "draft right now, but off the top of my head, this happens at", "is a homeless orphan of about fourteen. As a result, she has a", "explained to her. At first I inserted these moments in order to underscore", "still needs another draft. This question is about one of the concerns I", "one of the concerns I have. The story takes place in a medieval", "supposed to be a very dramatic and emotional climax. I'm worrying that this", "and emotional climax. I'm worrying that this is too frequent, and that it", "while back, I redrafted my NaNoWriMo 2017 story, but it still needs another", "emotional climax. I'm worrying that this is too frequent, and that it might", "space of 41,000 words, including once during what's supposed to be a very", "\"'Clandestine' means 'secret'\". I don't have access to the full draft right now,", "has a somewhat limited education, and at various points has to have long", "and at various points has to have long or complex words explained to", "in a medieval fantasy setting, and the protagonist is a homeless orphan of" ]
[ "> whether all Greeks have beards, and to conclude whether the conclusion >", "Edit This is an example : > > The first argument is a", "one inductively false premise (Premise 2), and this does > not make the", "> > > Conclusion: Socrates has a beard. (The statement is probably >", "man with a beard, therefore we know that this > is probably True).", "that the relationship between induction and deduction is > very tricky. > >", "conclusion .. And we may also consider it an > Inductive Argument, in", "a Greek, and > his name is a Greek name). > > >", "Socrates has a beard. (The statement is probably > Inductively True, since we", "this way > inductively : > > > Premise 1: Socrates is a", "to conclude whether the conclusion > is probably true or false. > >", "a beard. (The statement is probably > Inductively True, since we have statues,", "room for misunderstanding, so I tend to repeat myself and oversimplify things unconsciously.", "is probably True). Notice that our argument, although deductively > valid, has one", "that readers are smart, but I still think that there is room for", "there is room for misunderstanding, so I tend to repeat myself and oversimplify", "is a Deductive Argument, in that it has Premise 1, > Premise 2,", "over-simplifying and over-explaining the material? Edit This is an example : > >", "Inductively True, since we have statues, paintings and references > depicting Socrates as", "first argument is a Deductive Argument, in that it has Premise 1, >", "> > Premise 2: All Greeks have beards. (Inductively False, because many >", "to repeat myself and oversimplify things unconsciously. Is is just a feeling? how", "false. > > > Which means that the relationship between induction and deduction", "determine whether Socrates has a beard, or > whether all Greeks have beards,", "logic ...etc). While writing, I have this tendency to overexplain, I know that", "and many statues of > ancient Greeks have no beards, therefore the statement", "> > > Which means that the relationship between induction and deduction is", "> most records and accounts about Socrates refer to him as a Greek,", "Greek, and > his name is a Greek name). > > > Premise", "This is an example : > > The first argument is a Deductive", "it has Premise 1, > Premise 2, and a conclusion .. And we", "> The first argument is a Deductive Argument, in that it has Premise", "(programming, logic ...etc). While writing, I have this tendency to overexplain, I know", "True, because > most records and accounts about Socrates refer to him as", "Premise 2: All Greeks have beards. (Inductively False, because many > Greeks today", "valid, has one inductively false premise (Premise 2), and this does > not", "apparently do not have beards, and many statues of > ancient Greeks have", "records and accounts about Socrates refer to him as a Greek, and >", "have beards, and to conclude whether the conclusion > is probably true or", "beards, and to conclude whether the conclusion > is probably true or false.", "whether Socrates has a beard, or > whether all Greeks have beards, and", "false). > > > Conclusion: Socrates has a beard. (The statement is probably", "and > his name is a Greek name). > > > Premise 2:", "a feeling? how do I know if I am over-simplifying and over-explaining the", "of our argument this way > inductively : > > > Premise 1:", "we may also consider it an > Inductive Argument, in that we can", "but I still think that there is room for misunderstanding, so I tend", "paintings and references > depicting Socrates as a man with a beard, therefore", "all Greeks have beards, and to conclude whether the conclusion > is probably", "an example : > > The first argument is a Deductive Argument, in", "(The statement is probably > Inductively True, since we have statues, paintings and", "I learn on my own (programming, logic ...etc). While writing, I have this", "can think of our argument this way > inductively : > > >", "and over-explaining the material? Edit This is an example : > > The", "tend to repeat myself and oversimplify things unconsciously. Is is just a feeling?", "> So, to some extent, we can consider some Deductive Arguments to be", "Arguments to be > also Inductive Arguments. You can think of our argument", "not make the conclusion necessarily inductively false. > > > Which means that", "> by means of observation, to determine whether Socrates has a beard, or", "and to conclude whether the conclusion > is probably true or false. >", "different subjects I learn on my own (programming, logic ...etc). While writing, I", "consider some Deductive Arguments to be > also Inductive Arguments. You can think", "> his name is a Greek name). > > > Premise 2: All", "Inductive Argument, in that we can verify Premise 1 and 2 inductivly, >", "as a man with a beard, therefore we know that this > is", "is probably > Inductively True, since we have statues, paintings and references >", "Socrates has a beard, or > whether all Greeks have beards, and to", "do I know if I am over-simplifying and over-explaining the material? Edit This", "argument is a Deductive Argument, in that it has Premise 1, > Premise", "> valid, has one inductively false premise (Premise 2), and this does >", "and a conclusion .. And we may also consider it an > Inductive", "Premise 1: Socrates is a Greek (Inductively Probably True, because > most records", "am over-simplifying and over-explaining the material? Edit This is an example : >", "> > > Premise 2: All Greeks have beards. (Inductively False, because many", "tendency to overexplain, I know that readers are smart, but I still think", "to determine whether Socrates has a beard, or > whether all Greeks have", "is probably true or false. > > > So, to some extent, we", "Deductive Arguments to be > also Inductive Arguments. You can think of our", "deductively > valid, has one inductively false premise (Premise 2), and this does", "> Premise 2, and a conclusion .. And we may also consider it", "has one inductively false premise (Premise 2), and this does > not make", "beards, and many statues of > ancient Greeks have no beards, therefore the", "> is probably True). Notice that our argument, although deductively > valid, has", ": > > The first argument is a Deductive Argument, in that it", "Notice that our argument, although deductively > valid, has one inductively false premise", "have beards, and many statues of > ancient Greeks have no beards, therefore", "this > is probably True). Notice that our argument, although deductively > valid,", "on my own (programming, logic ...etc). While writing, I have this tendency to", "True). Notice that our argument, although deductively > valid, has one inductively false", "to him as a Greek, and > his name is a Greek name).", "own (programming, logic ...etc). While writing, I have this tendency to overexplain, I", "since we have statues, paintings and references > depicting Socrates as a man", "have beards. (Inductively False, because many > Greeks today apparently do not have", "the conclusion > is probably true or false. > > > So, to", "inductivly, > by means of observation, to determine whether Socrates has a beard,", "ancient Greeks have no beards, therefore the statement is false). > > >", "or false. > > > So, to some extent, we can consider some", "> Premise 1: Socrates is a Greek (Inductively Probably True, because > most", "that it has Premise 1, > Premise 2, and a conclusion .. And", "probably True). Notice that our argument, although deductively > valid, has one inductively", "a Greek name). > > > Premise 2: All Greeks have beards. (Inductively", "just a feeling? how do I know if I am over-simplifying and over-explaining", "Premise 1, > Premise 2, and a conclusion .. And we may also", "his name is a Greek name). > > > Premise 2: All Greeks", "know if I am over-simplifying and over-explaining the material? Edit This is an", "because > most records and accounts about Socrates refer to him as a", "and oversimplify things unconsciously. Is is just a feeling? how do I know", "this does > not make the conclusion necessarily inductively false. > > >", "of > ancient Greeks have no beards, therefore the statement is false). >", "> > Which means that the relationship between induction and deduction is >", "conclusion > is probably true or false. > > > So, to some", "in that we can verify Premise 1 and 2 inductivly, > by means", "statues of > ancient Greeks have no beards, therefore the statement is false).", "my own (programming, logic ...etc). While writing, I have this tendency to overexplain,", "about different subjects I learn on my own (programming, logic ...etc). While writing,", "our argument this way > inductively : > > > Premise 1: Socrates", "this tendency to overexplain, I know that readers are smart, but I still", "over-explaining the material? Edit This is an example : > > The first", "started writing articles about different subjects I learn on my own (programming, logic", "> > So, to some extent, we can consider some Deductive Arguments to", "verify Premise 1 and 2 inductivly, > by means of observation, to determine", "beards, therefore the statement is false). > > > Conclusion: Socrates has a", "Conclusion: Socrates has a beard. (The statement is probably > Inductively True, since", "and accounts about Socrates refer to him as a Greek, and > his", "Probably True, because > most records and accounts about Socrates refer to him", "1 and 2 inductivly, > by means of observation, to determine whether Socrates", "with a beard, therefore we know that this > is probably True). Notice", "have statues, paintings and references > depicting Socrates as a man with a", "depicting Socrates as a man with a beard, therefore we know that this", "necessarily inductively false. > > > Which means that the relationship between induction", "be > also Inductive Arguments. You can think of our argument this way", ".. And we may also consider it an > Inductive Argument, in that", "false premise (Premise 2), and this does > not make the conclusion necessarily", "or > whether all Greeks have beards, and to conclude whether the conclusion", "Greek (Inductively Probably True, because > most records and accounts about Socrates refer", "is just a feeling? how do I know if I am over-simplifying and", "to some extent, we can consider some Deductive Arguments to be > also", "All Greeks have beards. (Inductively False, because many > Greeks today apparently do", "Greeks have beards. (Inductively False, because many > Greeks today apparently do not", "> Premise 2: All Greeks have beards. (Inductively False, because many > Greeks", "1: Socrates is a Greek (Inductively Probably True, because > most records and", "name is a Greek name). > > > Premise 2: All Greeks have", "not have beards, and many statues of > ancient Greeks have no beards,", "...etc). While writing, I have this tendency to overexplain, I know that readers", "things unconsciously. Is is just a feeling? how do I know if I", "can verify Premise 1 and 2 inductivly, > by means of observation, to", "repeat myself and oversimplify things unconsciously. Is is just a feeling? how do", "him as a Greek, and > his name is a Greek name). >", "we can verify Premise 1 and 2 inductivly, > by means of observation,", "False, because many > Greeks today apparently do not have beards, and many", "> Inductively True, since we have statues, paintings and references > depicting Socrates", "2 inductivly, > by means of observation, to determine whether Socrates has a", "conclude whether the conclusion > is probably true or false. > > >", "conclusion necessarily inductively false. > > > Which means that the relationship between", "argument, although deductively > valid, has one inductively false premise (Premise 2), and", "The first argument is a Deductive Argument, in that it has Premise 1,", "Socrates refer to him as a Greek, and > his name is a", "> not make the conclusion necessarily inductively false. > > > Which means", "oversimplify things unconsciously. Is is just a feeling? how do I know if", "argument this way > inductively : > > > Premise 1: Socrates is", "2, and a conclusion .. And we may also consider it an >", "and references > depicting Socrates as a man with a beard, therefore we", "Is is just a feeling? how do I know if I am over-simplifying", "I am over-simplifying and over-explaining the material? Edit This is an example :", "beard, or > whether all Greeks have beards, and to conclude whether the", "has a beard. (The statement is probably > Inductively True, since we have", "2), and this does > not make the conclusion necessarily inductively false. >", "to be > also Inductive Arguments. You can think of our argument this", "Recently, I started writing articles about different subjects I learn on my own", "a beard, or > whether all Greeks have beards, and to conclude whether", "You can think of our argument this way > inductively : > >", "beards. (Inductively False, because many > Greeks today apparently do not have beards,", "make the conclusion necessarily inductively false. > > > Which means that the", "> is probably true or false. > > > So, to some extent,", "many > Greeks today apparently do not have beards, and many statues of", "does > not make the conclusion necessarily inductively false. > > > Which", "myself and oversimplify things unconsciously. Is is just a feeling? how do I", "some Deductive Arguments to be > also Inductive Arguments. You can think of", "so I tend to repeat myself and oversimplify things unconsciously. Is is just", "I know if I am over-simplifying and over-explaining the material? Edit This is", "inductively false. > > > Which means that the relationship between induction and", "> Greeks today apparently do not have beards, and many statues of >", "statement is false). > > > Conclusion: Socrates has a beard. (The statement", "whether the conclusion > is probably true or false. > > > So,", "Greeks have no beards, therefore the statement is false). > > > Conclusion:", "extent, we can consider some Deductive Arguments to be > also Inductive Arguments.", "> depicting Socrates as a man with a beard, therefore we know that", "probably > Inductively True, since we have statues, paintings and references > depicting", "therefore we know that this > is probably True). Notice that our argument,", "Which means that the relationship between induction and deduction is > very tricky.", "think of our argument this way > inductively : > > > Premise", "in that it has Premise 1, > Premise 2, and a conclusion ..", "we know that this > is probably True). Notice that our argument, although", "by means of observation, to determine whether Socrates has a beard, or >", "about Socrates refer to him as a Greek, and > his name is", "the relationship between induction and deduction is > very tricky. > > >", "true or false. > > > So, to some extent, we can consider", "that we can verify Premise 1 and 2 inductivly, > by means of", "> also Inductive Arguments. You can think of our argument this way >", "example : > > The first argument is a Deductive Argument, in that", "Arguments. You can think of our argument this way > inductively : >", "most records and accounts about Socrates refer to him as a Greek, and", "I know that readers are smart, but I still think that there is", "a Deductive Argument, in that it has Premise 1, > Premise 2, and", "subjects I learn on my own (programming, logic ...etc). While writing, I have", "can consider some Deductive Arguments to be > also Inductive Arguments. You can", "of observation, to determine whether Socrates has a beard, or > whether all", "think that there is room for misunderstanding, so I tend to repeat myself", "have no beards, therefore the statement is false). > > > Conclusion: Socrates", "is a Greek (Inductively Probably True, because > most records and accounts about", "no beards, therefore the statement is false). > > > Conclusion: Socrates has", "we can consider some Deductive Arguments to be > also Inductive Arguments. You", "has Premise 1, > Premise 2, and a conclusion .. And we may", "have this tendency to overexplain, I know that readers are smart, but I", "has a beard, or > whether all Greeks have beards, and to conclude", "overexplain, I know that readers are smart, but I still think that there", "references > depicting Socrates as a man with a beard, therefore we know", "a man with a beard, therefore we know that this > is probably", "> ancient Greeks have no beards, therefore the statement is false). > >", "name). > > > Premise 2: All Greeks have beards. (Inductively False, because", "some extent, we can consider some Deductive Arguments to be > also Inductive", "that this > is probably True). Notice that our argument, although deductively >", "still think that there is room for misunderstanding, so I tend to repeat", "therefore the statement is false). > > > Conclusion: Socrates has a beard.", "Premise 1 and 2 inductivly, > by means of observation, to determine whether", "> > The first argument is a Deductive Argument, in that it has", "Socrates is a Greek (Inductively Probably True, because > most records and accounts", "Greeks today apparently do not have beards, and many statues of > ancient", "probably true or false. > > > So, to some extent, we can", ": > > > Premise 1: Socrates is a Greek (Inductively Probably True,", "it an > Inductive Argument, in that we can verify Premise 1 and", "(Premise 2), and this does > not make the conclusion necessarily inductively false.", "While writing, I have this tendency to overexplain, I know that readers are", "our argument, although deductively > valid, has one inductively false premise (Premise 2),", "are smart, but I still think that there is room for misunderstanding, so", "misunderstanding, so I tend to repeat myself and oversimplify things unconsciously. Is is", "And we may also consider it an > Inductive Argument, in that we", "because many > Greeks today apparently do not have beards, and many statues", "as a Greek, and > his name is a Greek name). > >", "feeling? how do I know if I am over-simplifying and over-explaining the material?", "articles about different subjects I learn on my own (programming, logic ...etc). While", "and 2 inductivly, > by means of observation, to determine whether Socrates has", "also Inductive Arguments. You can think of our argument this way > inductively", "how do I know if I am over-simplifying and over-explaining the material? Edit", "Argument, in that we can verify Premise 1 and 2 inductivly, > by", "the statement is false). > > > Conclusion: Socrates has a beard. (The", "is room for misunderstanding, so I tend to repeat myself and oversimplify things", "is a Greek name). > > > Premise 2: All Greeks have beards.", "premise (Premise 2), and this does > not make the conclusion necessarily inductively", "false. > > > So, to some extent, we can consider some Deductive", "is false). > > > Conclusion: Socrates has a beard. (The statement is", "learn on my own (programming, logic ...etc). While writing, I have this tendency", "way > inductively : > > > Premise 1: Socrates is a Greek", "2: All Greeks have beards. (Inductively False, because many > Greeks today apparently", "> > Premise 1: Socrates is a Greek (Inductively Probably True, because >", "Greek name). > > > Premise 2: All Greeks have beards. (Inductively False,", "a conclusion .. And we may also consider it an > Inductive Argument,", "a Greek (Inductively Probably True, because > most records and accounts about Socrates", "consider it an > Inductive Argument, in that we can verify Premise 1", "observation, to determine whether Socrates has a beard, or > whether all Greeks", "Premise 2, and a conclusion .. And we may also consider it an", "I tend to repeat myself and oversimplify things unconsciously. Is is just a", "So, to some extent, we can consider some Deductive Arguments to be >", "know that this > is probably True). Notice that our argument, although deductively", "Inductive Arguments. You can think of our argument this way > inductively :", "> > > Premise 1: Socrates is a Greek (Inductively Probably True, because", "statement is probably > Inductively True, since we have statues, paintings and references", "> > > So, to some extent, we can consider some Deductive Arguments", "I have this tendency to overexplain, I know that readers are smart, but", "the material? Edit This is an example : > > The first argument", "1, > Premise 2, and a conclusion .. And we may also consider", "the conclusion necessarily inductively false. > > > Which means that the relationship", "Deductive Argument, in that it has Premise 1, > Premise 2, and a", "> Inductive Argument, in that we can verify Premise 1 and 2 inductivly,", "unconsciously. Is is just a feeling? how do I know if I am", "writing, I have this tendency to overexplain, I know that readers are smart,", "that there is room for misunderstanding, so I tend to repeat myself and", "inductively false premise (Premise 2), and this does > not make the conclusion", "> > Conclusion: Socrates has a beard. (The statement is probably > Inductively", "whether all Greeks have beards, and to conclude whether the conclusion > is", "if I am over-simplifying and over-explaining the material? Edit This is an example", "statues, paintings and references > depicting Socrates as a man with a beard,", "True, since we have statues, paintings and references > depicting Socrates as a", "we have statues, paintings and references > depicting Socrates as a man with", "that our argument, although deductively > valid, has one inductively false premise (Premise", "smart, but I still think that there is room for misunderstanding, so I", "inductively : > > > Premise 1: Socrates is a Greek (Inductively Probably", "although deductively > valid, has one inductively false premise (Premise 2), and this", "> inductively : > > > Premise 1: Socrates is a Greek (Inductively", "may also consider it an > Inductive Argument, in that we can verify", "material? Edit This is an example : > > The first argument is", "writing articles about different subjects I learn on my own (programming, logic ...etc).", "Greeks have beards, and to conclude whether the conclusion > is probably true", "means that the relationship between induction and deduction is > very tricky. >", "a beard, therefore we know that this > is probably True). Notice that", "Argument, in that it has Premise 1, > Premise 2, and a conclusion", "beard, therefore we know that this > is probably True). Notice that our", "I still think that there is room for misunderstanding, so I tend to", "(Inductively Probably True, because > most records and accounts about Socrates refer to", "many statues of > ancient Greeks have no beards, therefore the statement is", "(Inductively False, because many > Greeks today apparently do not have beards, and", "for misunderstanding, so I tend to repeat myself and oversimplify things unconsciously. Is", "> Which means that the relationship between induction and deduction is > very", "Socrates as a man with a beard, therefore we know that this >", "an > Inductive Argument, in that we can verify Premise 1 and 2", "know that readers are smart, but I still think that there is room", "accounts about Socrates refer to him as a Greek, and > his name", "to overexplain, I know that readers are smart, but I still think that", "refer to him as a Greek, and > his name is a Greek", "means of observation, to determine whether Socrates has a beard, or > whether", "do not have beards, and many statues of > ancient Greeks have no", "beard. (The statement is probably > Inductively True, since we have statues, paintings", "readers are smart, but I still think that there is room for misunderstanding,", "today apparently do not have beards, and many statues of > ancient Greeks", "> Conclusion: Socrates has a beard. (The statement is probably > Inductively True,", "also consider it an > Inductive Argument, in that we can verify Premise", "I started writing articles about different subjects I learn on my own (programming,", "and this does > not make the conclusion necessarily inductively false. > >", "is an example : > > The first argument is a Deductive Argument," ]
[ "myself on the path toward becoming a Poet who writes well and is", "writer? Is this ever done by well-known, respected poets? Do any of you", "eager to grow in my understanding of that mysterious line between complete abandon", "or wrong, as there of course is no such thing in self expression,", "are compositions which are the sum of their parts.) I am not asking", "“inspirational saying” like what you see on Pinterest. Rather these are compositions which", "are the sum of their parts.) I am not asking if this is", "expression I have been enjoying is pairing my poetry with my own original", "well-known, respected poets? Do any of you Poets here on Stack Exchange ever", "writes well and is interested in becoming a published writer? Is this ever", "no such thing in self expression, especially if the poetry is just for", "gone before. One particular form of expression I have been enjoying is pairing", "are one unified work of art. (I am not describing a “meme” or", "of art. (I am not describing a “meme” or “inspirational saying” like what", "question is, am I helping myself on the path toward becoming a Poet", "understanding of that mysterious line between complete abandon within freedom of expression, and", "before. One particular form of expression I have been enjoying is pairing my", "poetry with my own original artwork images, so that together the words and", "am not asking if this is right or wrong, as there of course", "and the image are one unified work of art. (I am not describing", "abandon within freedom of expression, and writing which acknowledges standards on what actually", "I am not asking if this is right or wrong, as there of", "ever done by well-known, respected poets? Do any of you Poets here on", "there of course is no such thing in self expression, especially if the", "on what actually makes a poem “good,” set by those who have gone", "those who have gone before. One particular form of expression I have been", "enjoying is pairing my poetry with my own original artwork images, so that", "a poem “good,” set by those who have gone before. One particular form", "complete abandon within freedom of expression, and writing which acknowledges standards on what", "image are one unified work of art. (I am not describing a “meme”", "freedom of expression, and writing which acknowledges standards on what actually makes a", "that together the words and the image are one unified work of art.", "the words and the image are one unified work of art. (I am", "which are the sum of their parts.) I am not asking if this", "the poetry is just for myself and not for publication. Rather, my question", "you see on Pinterest. Rather these are compositions which are the sum of", "my understanding of that mysterious line between complete abandon within freedom of expression,", "actually makes a poem “good,” set by those who have gone before. One", "of their parts.) I am not asking if this is right or wrong,", "am not describing a “meme” or “inspirational saying” like what you see on", "by well-known, respected poets? Do any of you Poets here on Stack Exchange", "unified work of art. (I am not describing a “meme” or “inspirational saying”", "what actually makes a poem “good,” set by those who have gone before.", "see on Pinterest. Rather these are compositions which are the sum of their", "in my understanding of that mysterious line between complete abandon within freedom of", "done by well-known, respected poets? Do any of you Poets here on Stack", "right or wrong, as there of course is no such thing in self", "One particular form of expression I have been enjoying is pairing my poetry", "my question is, am I helping myself on the path toward becoming a", "to grow in my understanding of that mysterious line between complete abandon within", "As a novice writer of poetry, I am eager to grow in my", "my poetry with my own original artwork images, so that together the words", "interested in becoming a published writer? Is this ever done by well-known, respected", "what you see on Pinterest. Rather these are compositions which are the sum", "not describing a “meme” or “inspirational saying” like what you see on Pinterest.", "if the poetry is just for myself and not for publication. Rather, my", "path toward becoming a Poet who writes well and is interested in becoming", "which acknowledges standards on what actually makes a poem “good,” set by those", "am eager to grow in my understanding of that mysterious line between complete", "just for myself and not for publication. Rather, my question is, am I", "line between complete abandon within freedom of expression, and writing which acknowledges standards", "and is interested in becoming a published writer? Is this ever done by", "Rather these are compositions which are the sum of their parts.) I am", "in becoming a published writer? Is this ever done by well-known, respected poets?", "pairing my poetry with my own original artwork images, so that together the", "helping myself on the path toward becoming a Poet who writes well and", "this is right or wrong, as there of course is no such thing", "I am eager to grow in my understanding of that mysterious line between", "on Pinterest. Rather these are compositions which are the sum of their parts.)", "is just for myself and not for publication. Rather, my question is, am", "and writing which acknowledges standards on what actually makes a poem “good,” set", "published writer? Is this ever done by well-known, respected poets? Do any of", "the path toward becoming a Poet who writes well and is interested in", "a Poet who writes well and is interested in becoming a published writer?", "of poetry, I am eager to grow in my understanding of that mysterious", "grow in my understanding of that mysterious line between complete abandon within freedom", "self expression, especially if the poetry is just for myself and not for", "or “inspirational saying” like what you see on Pinterest. Rather these are compositions", "poem “good,” set by those who have gone before. One particular form of", "art. (I am not describing a “meme” or “inspirational saying” like what you", "so that together the words and the image are one unified work of", "expression, and writing which acknowledges standards on what actually makes a poem “good,”", "for myself and not for publication. Rather, my question is, am I helping", "of expression I have been enjoying is pairing my poetry with my own", "is pairing my poetry with my own original artwork images, so that together", "between complete abandon within freedom of expression, and writing which acknowledges standards on", "is interested in becoming a published writer? Is this ever done by well-known,", "“good,” set by those who have gone before. One particular form of expression", "poetry, I am eager to grow in my understanding of that mysterious line", "the sum of their parts.) I am not asking if this is right", "respected poets? Do any of you Poets here on Stack Exchange ever do", "thing in self expression, especially if the poetry is just for myself and", "I have been enjoying is pairing my poetry with my own original artwork", "with my own original artwork images, so that together the words and the", "wrong, as there of course is no such thing in self expression, especially", "poets? Do any of you Poets here on Stack Exchange ever do this?", "asking if this is right or wrong, as there of course is no", "(I am not describing a “meme” or “inspirational saying” like what you see", "of expression, and writing which acknowledges standards on what actually makes a poem", "writer of poetry, I am eager to grow in my understanding of that", "by those who have gone before. One particular form of expression I have", "Rather, my question is, am I helping myself on the path toward becoming", "especially if the poetry is just for myself and not for publication. Rather,", "set by those who have gone before. One particular form of expression I", "and not for publication. Rather, my question is, am I helping myself on", "a “meme” or “inspirational saying” like what you see on Pinterest. Rather these", "artwork images, so that together the words and the image are one unified", "form of expression I have been enjoying is pairing my poetry with my", "toward becoming a Poet who writes well and is interested in becoming a", "of that mysterious line between complete abandon within freedom of expression, and writing", "together the words and the image are one unified work of art. (I", "in self expression, especially if the poetry is just for myself and not", "original artwork images, so that together the words and the image are one", "not for publication. Rather, my question is, am I helping myself on the", "Pinterest. Rather these are compositions which are the sum of their parts.) I", "describing a “meme” or “inspirational saying” like what you see on Pinterest. Rather", "like what you see on Pinterest. Rather these are compositions which are the", "their parts.) I am not asking if this is right or wrong, as", "parts.) I am not asking if this is right or wrong, as there", "for publication. Rather, my question is, am I helping myself on the path", "such thing in self expression, especially if the poetry is just for myself", "myself and not for publication. Rather, my question is, am I helping myself", "words and the image are one unified work of art. (I am not", "expression, especially if the poetry is just for myself and not for publication.", "becoming a Poet who writes well and is interested in becoming a published", "sum of their parts.) I am not asking if this is right or", "mysterious line between complete abandon within freedom of expression, and writing which acknowledges", "have been enjoying is pairing my poetry with my own original artwork images,", "one unified work of art. (I am not describing a “meme” or “inspirational", "acknowledges standards on what actually makes a poem “good,” set by those who", "within freedom of expression, and writing which acknowledges standards on what actually makes", "the image are one unified work of art. (I am not describing a", "that mysterious line between complete abandon within freedom of expression, and writing which", "a novice writer of poetry, I am eager to grow in my understanding", "well and is interested in becoming a published writer? Is this ever done", "who have gone before. One particular form of expression I have been enjoying", "images, so that together the words and the image are one unified work", "publication. Rather, my question is, am I helping myself on the path toward", "makes a poem “good,” set by those who have gone before. One particular", "compositions which are the sum of their parts.) I am not asking if", "is, am I helping myself on the path toward becoming a Poet who", "I helping myself on the path toward becoming a Poet who writes well", "saying” like what you see on Pinterest. Rather these are compositions which are", "of course is no such thing in self expression, especially if the poetry", "who writes well and is interested in becoming a published writer? Is this", "not asking if this is right or wrong, as there of course is", "a published writer? Is this ever done by well-known, respected poets? Do any", "Poet who writes well and is interested in becoming a published writer? Is", "on the path toward becoming a Poet who writes well and is interested", "have gone before. One particular form of expression I have been enjoying is", "if this is right or wrong, as there of course is no such", "becoming a published writer? Is this ever done by well-known, respected poets? Do", "novice writer of poetry, I am eager to grow in my understanding of", "this ever done by well-known, respected poets? Do any of you Poets here", "“meme” or “inspirational saying” like what you see on Pinterest. Rather these are", "course is no such thing in self expression, especially if the poetry is", "am I helping myself on the path toward becoming a Poet who writes", "work of art. (I am not describing a “meme” or “inspirational saying” like", "as there of course is no such thing in self expression, especially if", "own original artwork images, so that together the words and the image are", "writing which acknowledges standards on what actually makes a poem “good,” set by", "is right or wrong, as there of course is no such thing in", "been enjoying is pairing my poetry with my own original artwork images, so", "my own original artwork images, so that together the words and the image", "is no such thing in self expression, especially if the poetry is just", "poetry is just for myself and not for publication. Rather, my question is,", "particular form of expression I have been enjoying is pairing my poetry with", "standards on what actually makes a poem “good,” set by those who have", "these are compositions which are the sum of their parts.) I am not", "Is this ever done by well-known, respected poets? Do any of you Poets" ]
[ "of unwieldy discussion or chattiness:) As a novice writer of poetry, who lives", "me constructive or even destructive feedback. Because I live in a rurally isolated", "in a sincere attempt to reduce subjectivity / instigation of unwieldy discussion or", "I understand. I am finding it difficult to ask in the perfect way:", "for writers is not a “thing,” I have been casting about online searching", "background when I tell them I have written yet another poem, I am", "ask, what is the most productive approach for integrating into a remote (online)", "community, in such a way that produces growth within your personal creative process", "I am finding it difficult to ask in the perfect way: maybe it", "productive approach for integrating into a remote (online) poetry writing community, in such", "approach for integrating into a remote (online) poetry writing community, in such a", "personal creative process and set of skills, toward the goal of writing “good”", "when I tell them I have written yet another poem, I am acutely", "my work and give me constructive or even destructive feedback. Because I live", "another poem, I am acutely aware that I am in great need of", "is not a “thing,” I have been casting about online searching for a", "am acutely aware that I am in great need of a supportive group", "in the background when I tell them I have written yet another poem,", "give me constructive or even destructive feedback. Because I live in a rurally", "such a way that produces growth within your personal creative process and set", "with the sound of crickets chirping in the background when I tell them", "acutely aware that I am in great need of a supportive group or", "community who can, among other things, read my work and give me constructive", "read my work and give me constructive or even destructive feedback. Because I", "have been casting about online searching for a supportive community to fill this", "support groups for writers is not a “thing,” I have been casting about", "searching for a supportive community to fill this need. AS [seeking advice on", "attempt to reduce subjectivity / instigation of unwieldy discussion or chattiness:) As a", "in the perfect way: maybe it is just not the right type of", "need of a supportive group or community who can, among other things, read", "smile and nod with the sound of crickets chirping in the background when", "set of skills, toward the goal of writing “good” poetry? (If this question", "who can, among other things, read my work and give me constructive or", "a supportive group or community who can, among other things, read my work", "them I have written yet another poem, I am acutely aware that I", "rurally isolated location, where support groups for writers is not a “thing,” I", "fill this need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as", "(online) poetry writing community, in such a way that produces growth within your", "other things, read my work and give me constructive or even destructive feedback.", "difficult to ask in the perfect way: maybe it is just not the", "is listed as an appropriate type of question, may I ask, what is", "and set of skills, toward the goal of writing “good” poetry? (If this", "of poetry, who lives with folks who smile and nod with the sound", "understand. I am finding it difficult to ask in the perfect way: maybe", "poetry? (If this question is still too chat-oriented, I understand. I am finding", "I live in a rurally isolated location, where support groups for writers is", "/ instigation of unwieldy discussion or chattiness:) As a novice writer of poetry,", "am finding it difficult to ask in the perfect way: maybe it is", "poem, I am acutely aware that I am in great need of a", "I am in great need of a supportive group or community who can,", "among other things, read my work and give me constructive or even destructive", "into a remote (online) poetry writing community, in such a way that produces", "way that produces growth within your personal creative process and set of skills,", "process and set of skills, toward the goal of writing “good” poetry? (If", "goal of writing “good” poetry? (If this question is still too chat-oriented, I", "I have written yet another poem, I am acutely aware that I am", "[seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of", "is still too chat-oriented, I understand. I am finding it difficult to ask", "supportive group or community who can, among other things, read my work and", "of writing “good” poetry? (If this question is still too chat-oriented, I understand.", "nod with the sound of crickets chirping in the background when I tell", "have written yet another poem, I am acutely aware that I am in", "I am acutely aware that I am in great need of a supportive", "with folks who smile and nod with the sound of crickets chirping in", "folks who smile and nod with the sound of crickets chirping in the", "I ask, what is the most productive approach for integrating into a remote", "of skills, toward the goal of writing “good” poetry? (If this question is", "yet another poem, I am acutely aware that I am in great need", "who lives with folks who smile and nod with the sound of crickets", "finding it difficult to ask in the perfect way: maybe it is just", "or community who can, among other things, read my work and give me", "too chat-oriented, I understand. I am finding it difficult to ask in the", "can, among other things, read my work and give me constructive or even", "groups for writers is not a “thing,” I have been casting about online", "the goal of writing “good” poetry? (If this question is still too chat-oriented,", "reduce subjectivity / instigation of unwieldy discussion or chattiness:) As a novice writer", "group or community who can, among other things, read my work and give", "instigation of unwieldy discussion or chattiness:) As a novice writer of poetry, who", "for a supportive community to fill this need. AS [seeking advice on the", "in a rurally isolated location, where support groups for writers is not a", "appropriate type of question, may I ask, what is the most productive approach", "growth within your personal creative process and set of skills, toward the goal", "great need of a supportive group or community who can, among other things,", "this need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an", "crickets chirping in the background when I tell them I have written yet", "writers is not a “thing,” I have been casting about online searching for", "as an appropriate type of question, may I ask, what is the most", "sound of crickets chirping in the background when I tell them I have", "may I ask, what is the most productive approach for integrating into a", "(If this question is still too chat-oriented, I understand. I am finding it", "this question is still too chat-oriented, I understand. I am finding it difficult", "the perfect way: maybe it is just not the right type of question...", "still too chat-oriented, I understand. I am finding it difficult to ask in", "on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of question, may", "As a novice writer of poetry, who lives with folks who smile and", "location, where support groups for writers is not a “thing,” I have been", "in great need of a supportive group or community who can, among other", "the most productive approach for integrating into a remote (online) poetry writing community,", "writer of poetry, who lives with folks who smile and nod with the", "supportive community to fill this need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic)", "your personal creative process and set of skills, toward the goal of writing", "to reduce subjectivity / instigation of unwieldy discussion or chattiness:) As a novice", "skills, toward the goal of writing “good” poetry? (If this question is still", "sincere attempt to reduce subjectivity / instigation of unwieldy discussion or chattiness:) As", "edited in a sincere attempt to reduce subjectivity / instigation of unwieldy discussion", "creative process and set of skills, toward the goal of writing “good” poetry?", "tell them I have written yet another poem, I am acutely aware that", "an appropriate type of question, may I ask, what is the most productive", "a rurally isolated location, where support groups for writers is not a “thing,”", "ask in the perfect way: maybe it is just not the right type", "a way that produces growth within your personal creative process and set of", "subjectivity / instigation of unwieldy discussion or chattiness:) As a novice writer of", "constructive or even destructive feedback. Because I live in a rurally isolated location,", "what is the most productive approach for integrating into a remote (online) poetry", "poetry writing community, in such a way that produces growth within your personal", "aware that I am in great need of a supportive group or community", "the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of question, may I", "“thing,” I have been casting about online searching for a supportive community to", "Because I live in a rurally isolated location, where support groups for writers", "for integrating into a remote (online) poetry writing community, in such a way", "am in great need of a supportive group or community who can, among", "most productive approach for integrating into a remote (online) poetry writing community, in", "discussion or chattiness:) As a novice writer of poetry, who lives with folks", "that produces growth within your personal creative process and set of skills, toward", "writing “good” poetry? (If this question is still too chat-oriented, I understand. I", "perfect way: maybe it is just not the right type of question... ???)", "about online searching for a supportive community to fill this need. AS [seeking", "lives with folks who smile and nod with the sound of crickets chirping", "been casting about online searching for a supportive community to fill this need.", "where support groups for writers is not a “thing,” I have been casting", "advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of question,", "a novice writer of poetry, who lives with folks who smile and nod", "online searching for a supportive community to fill this need. AS [seeking advice", "listed as an appropriate type of question, may I ask, what is the", "remote (online) poetry writing community, in such a way that produces growth within", "who smile and nod with the sound of crickets chirping in the background", "type of question, may I ask, what is the most productive approach for", "a remote (online) poetry writing community, in such a way that produces growth", "integrating into a remote (online) poetry writing community, in such a way that", "not a “thing,” I have been casting about online searching for a supportive", "in such a way that produces growth within your personal creative process and", "it difficult to ask in the perfect way: maybe it is just not", "and give me constructive or even destructive feedback. Because I live in a", "community to fill this need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is", "isolated location, where support groups for writers is not a “thing,” I have", "novice writer of poetry, who lives with folks who smile and nod with", "I have been casting about online searching for a supportive community to fill", "or chattiness:) As a novice writer of poetry, who lives with folks who", "of crickets chirping in the background when I tell them I have written", "of question, may I ask, what is the most productive approach for integrating", "process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of question, may I ask, what", "need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate", "written yet another poem, I am acutely aware that I am in great", "of a supportive group or community who can, among other things, read my", "question is still too chat-oriented, I understand. I am finding it difficult to", "work and give me constructive or even destructive feedback. Because I live in", "casting about online searching for a supportive community to fill this need. AS", "unwieldy discussion or chattiness:) As a novice writer of poetry, who lives with", "or even destructive feedback. Because I live in a rurally isolated location, where", "editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type of question, may I ask,", "that I am in great need of a supportive group or community who", "chat-oriented, I understand. I am finding it difficult to ask in the perfect", "the background when I tell them I have written yet another poem, I", "a supportive community to fill this need. AS [seeking advice on the editing", "within your personal creative process and set of skills, toward the goal of", "live in a rurally isolated location, where support groups for writers is not", "to ask in the perfect way: maybe it is just not the right", "a sincere attempt to reduce subjectivity / instigation of unwieldy discussion or chattiness:)", "“good” poetry? (If this question is still too chat-oriented, I understand. I am", "produces growth within your personal creative process and set of skills, toward the", "and nod with the sound of crickets chirping in the background when I", "to fill this need. AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed", "even destructive feedback. Because I live in a rurally isolated location, where support", "(Heavily edited in a sincere attempt to reduce subjectivity / instigation of unwieldy", "I tell them I have written yet another poem, I am acutely aware", "chirping in the background when I tell them I have written yet another", "feedback. Because I live in a rurally isolated location, where support groups for", "is the most productive approach for integrating into a remote (online) poetry writing", "a “thing,” I have been casting about online searching for a supportive community", "destructive feedback. Because I live in a rurally isolated location, where support groups", "AS [seeking advice on the editing process](https://writing.stackexchange.com/help/on-topic) is listed as an appropriate type", "question, may I ask, what is the most productive approach for integrating into", "writing community, in such a way that produces growth within your personal creative", "chattiness:) As a novice writer of poetry, who lives with folks who smile", "toward the goal of writing “good” poetry? (If this question is still too", "poetry, who lives with folks who smile and nod with the sound of", "things, read my work and give me constructive or even destructive feedback. Because", "the sound of crickets chirping in the background when I tell them I" ]
[ "to ease a tense moment, he is practical in his thinking, so if", "a POV character, he gets less time in the spotlight, which, I think,", "he is the one who is ready with a joke to ease a", "to be good friends. Athos, Aramis, and Porthos, if you wish. Instead, I", "who is almost a \"third wheel\". It's not that my \"Porthos\" is less", "arguing ideals, he's bringing them back into the here-and-now. If the other two", "other two are both POV characters, while he's not, not until significantly later", "a \"third wheel\". It's not that my \"Porthos\" is less developed than the", "and the third guy, who is almost a \"third wheel\". It's not that", "\"Frodo\" and \"Sam\" he's \"Pippin\". To make things worse, the other two are", "other two. But he is less cerebral. If I think of them as", "two characters who share a strong Frodo-Sam relationship, and the third guy, who", "ease a tense moment, he is practical in his thinking, so if the", "bringing them back into the here-and-now. If the other two are \"Frodo\" and", "To make things worse, the other two are both POV characters, while he's", "a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities, he's adventurous, he", "practical in his thinking, so if the other two get into arguing ideals,", "a tense moment, he is practical in his thinking, so if the other", "gets less time in the spotlight, which, I think, exacerbates the problem. I'm", "\"Pippin\". To make things worse, the other two are both POV characters, while", "get into arguing ideals, he's bringing them back into the here-and-now. If the", "id. He loves physical activities, he's adventurous, he is the one who is", "moment, he is practical in his thinking, so if the other two get", "cerebral. If I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id.", "so if the other two get into arguing ideals, he's bringing them back", "other two are \"Frodo\" and \"Sam\" he's \"Pippin\". To make things worse, the", "both POV characters, while he's not, not until significantly later into the story.", "is practical in his thinking, so if the other two get into arguing", "It's not that my \"Porthos\" is less developed than the other two. But", "the other two are both POV characters, while he's not, not until significantly", "not until significantly later into the story. Because \"Porthos\" is less cerebral, and", "into the story. Because \"Porthos\" is less cerebral, and because he's not a", "But he is less cerebral. If I think of them as a [Freudian", "of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities,", "is ready with a joke to ease a tense moment, he is practical", "third guy, who is almost a \"third wheel\". It's not that my \"Porthos\"", "later into the story. Because \"Porthos\" is less cerebral, and because he's not", "characters, who are supposed to be good friends. Athos, Aramis, and Porthos, if", "the third guy, who is almost a \"third wheel\". It's not that my", "If I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He", "my \"Porthos\" is less developed than the other two. But he is less", "loves physical activities, he's adventurous, he is the one who is ready with", "are \"Frodo\" and \"Sam\" he's \"Pippin\". To make things worse, the other two", "the problem. I'm telling they're 3 friends, but I'm showing 2+1. How can", "is less cerebral, and because he's not a POV character, he gets less", "a joke to ease a tense moment, he is practical in his thinking,", "until significantly later into the story. Because \"Porthos\" is less cerebral, and because", "he's not, not until significantly later into the story. Because \"Porthos\" is less", "and \"Sam\" he's \"Pippin\". To make things worse, the other two are both", "tense moment, he is practical in his thinking, so if the other two", "I think, exacerbates the problem. *I'm telling* they're 3 friends, but I'm showing", "two are both POV characters, while he's not, not until significantly later into", "*I'm telling* they're 3 friends, but I'm showing 2+1. How can I change", "are supposed to be good friends. Athos, Aramis, and Porthos, if you wish.", "and because he's not a POV character, he gets less time in the", "think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical", "have two characters who share a strong Frodo-Sam relationship, and the third guy,", "the story. Because \"Porthos\" is less cerebral, and because he's not a POV", "relationship, and the third guy, who is almost a \"third wheel\". It's not", "time in the spotlight, which, I think, exacerbates the problem. *I'm telling* they're", "which, I think, exacerbates the problem. *I'm telling* they're 3 friends, but I'm", "I have three characters, who are supposed to be good friends. Athos, Aramis,", "who share a strong Frodo-Sam relationship, and the third guy, who is almost", "\"third wheel\". It's not that my \"Porthos\" is less developed than the other", "if the other two get into arguing ideals, he's bringing them back into", "have three characters, who are supposed to be good friends. Athos, Aramis, and", "two are \"Frodo\" and \"Sam\" he's \"Pippin\". To make things worse, the other", "the spotlight, which, I think, exacerbates the problem. *I'm telling* they're 3 friends,", "not that my \"Porthos\" is less developed than the other two. But he", "friends. Athos, Aramis, and Porthos, if you wish. Instead, I have two characters", "adventurous, he is the one who is ready with a joke to ease", "he's bringing them back into the here-and-now. If the other two are \"Frodo\"", "is less developed than the other two. But he is less cerebral. If", "because he's not a POV character, he gets less time in the spotlight,", "and Porthos, if you wish. Instead, I have two characters who share a", "you wish. Instead, I have two characters who share a strong Frodo-Sam relationship,", "If the other two are \"Frodo\" and \"Sam\" he's \"Pippin\". To make things", "he's \"Pippin\". To make things worse, the other two are both POV characters,", "supposed to be good friends. Athos, Aramis, and Porthos, if you wish. Instead,", "make things worse, the other two are both POV characters, while he's not,", "he gets less time in the spotlight, which, I think, exacerbates the problem.", "is almost a \"third wheel\". It's not that my \"Porthos\" is less developed", "he is less cerebral. If I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio),", "ideals, he's bringing them back into the here-and-now. If the other two are", "here-and-now. If the other two are \"Frodo\" and \"Sam\" he's \"Pippin\". To make", "with a joke to ease a tense moment, he is practical in his", "wish. Instead, I have two characters who share a strong Frodo-Sam relationship, and", "thinking, so if the other two get into arguing ideals, he's bringing them", "Because \"Porthos\" is less cerebral, and because he's not a POV character, he", "the here-and-now. If the other two are \"Frodo\" and \"Sam\" he's \"Pippin\". To", "spotlight, which, I think, exacerbates the problem. *I'm telling* they're 3 friends, but", "\"Sam\" he's \"Pippin\". To make things worse, the other two are both POV", "physical activities, he's adventurous, he is the one who is ready with a", "Porthos, if you wish. Instead, I have two characters who share a strong", "the other two are \"Frodo\" and \"Sam\" he's \"Pippin\". To make things worse,", "I have two characters who share a strong Frodo-Sam relationship, and the third", "exacerbates the problem. *I'm telling* they're 3 friends, but I'm showing 2+1. How", "wheel\". It's not that my \"Porthos\" is less developed than the other two.", "he's not a POV character, he gets less time in the spotlight, which,", "is less cerebral. If I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's", "in the spotlight, which, I think, exacerbates the problem. *I'm telling* they're 3", "not a POV character, he gets less time in the spotlight, which, I", "POV characters, while he's not, not until significantly later into the story. Because", "he's the id. He loves physical activities, he's adventurous, he is the one", "worse, the other two are both POV characters, while he's not, not until", "while he's not, not until significantly later into the story. Because \"Porthos\" is", "as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities, he's adventurous,", "telling they're 3 friends, but I'm showing 2+1. How can I change that?", "them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities, he's", "not, not until significantly later into the story. Because \"Porthos\" is less cerebral,", "if you wish. Instead, I have two characters who share a strong Frodo-Sam", "one who is ready with a joke to ease a tense moment, he", "POV character, he gets less time in the spotlight, which, I think, exacerbates", "than the other two. But he is less cerebral. If I think of", "Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities, he's adventurous, he is the", "almost a \"third wheel\". It's not that my \"Porthos\" is less developed than", "strong Frodo-Sam relationship, and the third guy, who is almost a \"third wheel\".", "who are supposed to be good friends. Athos, Aramis, and Porthos, if you", "\"Porthos\" is less cerebral, and because he's not a POV character, he gets", "into the here-and-now. If the other two are \"Frodo\" and \"Sam\" he's \"Pippin\".", "problem. I'm telling they're 3 friends, but I'm showing 2+1. How can I", "who is ready with a joke to ease a tense moment, he is", "into arguing ideals, he's bringing them back into the here-and-now. If the other", "two get into arguing ideals, he's bringing them back into the here-and-now. If", "his thinking, so if the other two get into arguing ideals, he's bringing", "things worse, the other two are both POV characters, while he's not, not", "He loves physical activities, he's adventurous, he is the one who is ready", "the other two. But he is less cerebral. If I think of them", "cerebral, and because he's not a POV character, he gets less time in", "other two get into arguing ideals, he's bringing them back into the here-and-now.", "Athos, Aramis, and Porthos, if you wish. Instead, I have two characters who", "story. Because \"Porthos\" is less cerebral, and because he's not a POV character,", "be good friends. Athos, Aramis, and Porthos, if you wish. Instead, I have", "good friends. Athos, Aramis, and Porthos, if you wish. Instead, I have two", "less cerebral, and because he's not a POV character, he gets less time", "Aramis, and Porthos, if you wish. Instead, I have two characters who share", "Instead, I have two characters who share a strong Frodo-Sam relationship, and the", "he is practical in his thinking, so if the other two get into", "significantly later into the story. Because \"Porthos\" is less cerebral, and because he's", "a strong Frodo-Sam relationship, and the third guy, who is almost a \"third", "share a strong Frodo-Sam relationship, and the third guy, who is almost a", "that my \"Porthos\" is less developed than the other two. But he is", "ready with a joke to ease a tense moment, he is practical in", "Frodo-Sam relationship, and the third guy, who is almost a \"third wheel\". It's", "two. But he is less cerebral. If I think of them as a", "three characters, who are supposed to be good friends. Athos, Aramis, and Porthos,", "I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves", "in his thinking, so if the other two get into arguing ideals, he's", "character, he gets less time in the spotlight, which, I think, exacerbates the", "characters, while he's not, not until significantly later into the story. Because \"Porthos\"", "less developed than the other two. But he is less cerebral. If I", "is the one who is ready with a joke to ease a tense", "are both POV characters, while he's not, not until significantly later into the", "joke to ease a tense moment, he is practical in his thinking, so", "the other two get into arguing ideals, he's bringing them back into the", "back into the here-and-now. If the other two are \"Frodo\" and \"Sam\" he's", "think, exacerbates the problem. *I'm telling* they're 3 friends, but I'm showing 2+1.", "guy, who is almost a \"third wheel\". It's not that my \"Porthos\" is", "activities, he's adventurous, he is the one who is ready with a joke", "less time in the spotlight, which, I think, exacerbates the problem. *I'm telling*", "\"Porthos\" is less developed than the other two. But he is less cerebral.", "the one who is ready with a joke to ease a tense moment,", "developed than the other two. But he is less cerebral. If I think", "characters who share a strong Frodo-Sam relationship, and the third guy, who is", "the id. He loves physical activities, he's adventurous, he is the one who", "he's adventurous, he is the one who is ready with a joke to", "them back into the here-and-now. If the other two are \"Frodo\" and \"Sam\"", "less cerebral. If I think of them as a [Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the", "[Freudian Trio](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreudianTrio), he's the id. He loves physical activities, he's adventurous, he is" ]
[ "but can also be part of fantasy if the traveling is via magic", "is often more about marketing than anything else. As a general rule though:", "story doesn't fit into SciFi. Many other sites focused on worldbuilding and literature", "and/or the rest of the story doesn't fit into SciFi. Many other sites", "a general rule though: SciFi has science and technology and fantasy has magic.", "science fiction and fantasy is often blurred. And that's okay. Genre is often", "not from the point of view of writing. Within the Writing.SE world, where", "or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but can also be part", "Within the Writing.SE world, where (or why) would we draw the line in", "Writing.SE world, where (or why) would we draw the line in deciding the", "is often blurred. And that's okay. Genre is often more about marketing than", "explores the distinction: [How to distinguish if a novel is science fiction or", "magic and/or the rest of the story doesn't fit into SciFi. Many other", "the Writing.SE world, where (or why) would we draw the line in deciding", "from the point of view of writing. *Within the Writing.SE world, where (or", "of writing. Within the Writing.SE world, where (or why) would we draw the", "other sites focused on worldbuilding and literature and readers discuss this at length,", "the distinction: [How to distinguish if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy)", "fantasy if the traveling is via magic and/or the rest of the story", "science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but can also", "to distinguish if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is", "via magic and/or the rest of the story doesn't fit into SciFi. Many", "on worldbuilding and literature and readers discuss this at length, but not from", "point of view of writing. Within the Writing.SE world, where (or why) would", "considered SciFi, but can also be part of fantasy if the traveling is", "we draw the line in deciding the genre of time travel? What are", "is usually considered SciFi, but can also be part of fantasy if the", "rest of the story doesn't fit into SciFi. Many other sites focused on", "and readers discuss this at length, but not from the point of view", "at length, but not from the point of view of writing. Within the", "novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but", "distinction: [How to distinguish if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time", "the genre of time travel? What are the implications for authors and publishers?", "anything else. As a general rule though: SciFi has science and technology and", "is via magic and/or the rest of the story doesn't fit into SciFi.", "readers discuss this at length, but not from the point of view of", "of view of writing. Within the Writing.SE world, where (or why) would we", "SciFi, but can also be part of fantasy if the traveling is via", "science and technology and fantasy has magic. This excellent question explores the distinction:", "can also be part of fantasy if the traveling is via magic and/or", "SciFi has science and technology and fantasy has magic. This excellent question explores", "blurred. And that's okay. Genre is often more about marketing than anything else.", "question explores the distinction: [How to distinguish if a novel is science fiction", "part of fantasy if the traveling is via magic and/or the rest of", "worldbuilding and literature and readers discuss this at length, but not from the", "is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but can", "fit into SciFi. Many other sites focused on worldbuilding and literature and readers", "draw the line in deciding the genre of time travel? What are the", "in deciding the genre of time travel? What are the implications for authors", "about marketing than anything else. As a general rule though: SciFi has science", "This excellent question explores the distinction: [How to distinguish if a novel is", "the line in deciding the genre of time travel? What are the implications", "be part of fantasy if the traveling is via magic and/or the rest", "Many other sites focused on worldbuilding and literature and readers discuss this at", "also be part of fantasy if the traveling is via magic and/or the", "would we draw the line in deciding the genre of time travel? What", "magic. This excellent question explores the distinction: [How to distinguish if a novel", "the rest of the story doesn't fit into SciFi. Many other sites focused", "The line between science fiction and fantasy is often blurred. And that's okay.", "line in deciding the genre of time travel? What are the implications for", "usually considered SciFi, but can also be part of fantasy if the traveling", "that's okay. Genre is often more about marketing than anything else. As a", "fantasy has magic. This excellent question explores the distinction: [How to distinguish if", "discuss this at length, but not from the point of view of writing.", "Time travel is usually considered SciFi, but can also be part of fantasy", "often more about marketing than anything else. As a general rule though: SciFi", "rule though: SciFi has science and technology and fantasy has magic. This excellent", "deciding the genre of time travel? What are the implications for authors and", "okay. Genre is often more about marketing than anything else. As a general", "travel is usually considered SciFi, but can also be part of fantasy if", "of fantasy if the traveling is via magic and/or the rest of the", "SciFi. Many other sites focused on worldbuilding and literature and readers discuss this", "and fantasy is often blurred. And that's okay. Genre is often more about", "general rule though: SciFi has science and technology and fantasy has magic. This", "the story doesn't fit into SciFi. Many other sites focused on worldbuilding and", "[How to distinguish if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel", "this at length, but not from the point of view of writing. Within", "fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but can also be", "marketing than anything else. As a general rule though: SciFi has science and", "has science and technology and fantasy has magic. This excellent question explores the", "and technology and fantasy has magic. This excellent question explores the distinction: [How", "though: SciFi has science and technology and fantasy has magic. This excellent question", "excellent question explores the distinction: [How to distinguish if a novel is science", "As a general rule though: SciFi has science and technology and fantasy has", "has magic. This excellent question explores the distinction: [How to distinguish if a", "focused on worldbuilding and literature and readers discuss this at length, but not", "doesn't fit into SciFi. Many other sites focused on worldbuilding and literature and", "fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi, but can also be part of", "distinguish if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually", "the point of view of writing. Within the Writing.SE world, where (or why)", "often blurred. And that's okay. Genre is often more about marketing than anything", "more about marketing than anything else. As a general rule though: SciFi has", "why) would we draw the line in deciding the genre of time travel?", "literature and readers discuss this at length, but not from the point of", "view of writing. Within the Writing.SE world, where (or why) would we draw", "into SciFi. Many other sites focused on worldbuilding and literature and readers discuss", "and literature and readers discuss this at length, but not from the point", "fantasy is often blurred. And that's okay. Genre is often more about marketing", "and fantasy has magic. This excellent question explores the distinction: [How to distinguish", "(or why) would we draw the line in deciding the genre of time", "than anything else. As a general rule though: SciFi has science and technology", "fiction and fantasy is often blurred. And that's okay. Genre is often more", "Genre is often more about marketing than anything else. As a general rule", "the traveling is via magic and/or the rest of the story doesn't fit", "where (or why) would we draw the line in deciding the genre of", "sites focused on worldbuilding and literature and readers discuss this at length, but", "if a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered", "world, where (or why) would we draw the line in deciding the genre", "And that's okay. Genre is often more about marketing than anything else. As", "length, but not from the point of view of writing. Within the Writing.SE", "of the story doesn't fit into SciFi. Many other sites focused on worldbuilding", "writing. Within the Writing.SE world, where (or why) would we draw the line", "traveling is via magic and/or the rest of the story doesn't fit into", "line between science fiction and fantasy is often blurred. And that's okay. Genre", "but not from the point of view of writing. *Within the Writing.SE world,", "technology and fantasy has magic. This excellent question explores the distinction: [How to", "else. As a general rule though: SciFi has science and technology and fantasy", "a novel is science fiction or fantasy?](https://writing.stackexchange.com/questions/5989/how-to-distinguish-if-a-novel-is-science-fiction-or-fantasy) Time travel is usually considered SciFi,", "between science fiction and fantasy is often blurred. And that's okay. Genre is", "if the traveling is via magic and/or the rest of the story doesn't" ]
[ "type the next Nanowrimo. On a computer I can blob out 2000 words", "[Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of the XX century. I", "from the beginning of the XX century. I use it to type letters,", "of having a printed Excel table on the side, where I plan the", "words novel on a typewriter while keeping the writing ordered. For instance: I", "type letters, short stories, greeting cards, and labels. I am now planning to", "where X happen? * Retrospectively inserting a chapter somewhere. * I don't like", "am worrying about: * I need to add some foreshadowing before X happens:", "computer keyboard, will have an added management overhead. Nanowrimo amplifies this issue by", "before X happens: where is the page where X happen? * Retrospectively inserting", "foreshadowing before X happens: where is the page where X happen? * Retrospectively", "besides being inherently slower than a computer keyboard, will have an added management", "for an efficient way, or some non-digital tools to manage writing a 60,000+", "I plan the novel in advance, and write down the page numbers as", "X happen? * Retrospectively inserting a chapter somewhere. * I don't like this", "side, where I plan the novel in advance, and write down the page", "user of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of the", "add some foreshadowing before X happens: where is the page where X happen?", "am looking for an efficient way, or some non-digital tools to manage writing", "a chapter somewhere. To give an idea of the specific scenarios that I", "My worry is that the typewriter, besides being inherently slower than a computer", "planning to try and type the next Nanowrimo. On a computer I can", "slower than a computer keyboard, will have an added management overhead. Nanowrimo amplifies", "Excel table on the side, where I plan the novel in advance, and", "it to type letters, short stories, greeting cards, and labels. I am now", "a chapter somewhere. * I don't like this character name anymore, let me", "and type the next Nanowrimo. On a computer I can blob out 2000", "way, or some non-digital tools to manage writing a 60,000+ words novel on", "the page where X happen? * Retrospectively inserting a chapter somewhere. * I", "is that the typewriter, besides being inherently slower than a computer keyboard, will", "edit and copy-paste sections around. My worry is that the typewriter, besides being", "the page numbers as I write. It sounds like a nightmare if I", "in 90 minutes. It is also easy to keep track of progress, edit", "can blob out 2000 words a day in 90 minutes. It is also", "that the typewriter, besides being inherently slower than a computer keyboard, will have", "a time constraint. I am looking for an efficient way, or some non-digital", "I write. It sounds like a nightmare if I retrospectively insert a chapter", "the novel in advance, and write down the page numbers as I write.", "I am now planning to try and type the next Nanowrimo. On a", "inserting a chapter somewhere. * I don't like this character name anymore, let", "am now planning to try and type the next Nanowrimo. On a computer", "time constraint. I am looking for an efficient way, or some non-digital tools", "overhead. Nanowrimo amplifies this issue by adding a time constraint. I am looking", "I retrospectively insert a chapter somewhere. To give an idea of the specific", "down the page numbers as I write. It sounds like a nightmare if", "having a printed Excel table on the side, where I plan the novel", "writing a 60,000+ words novel on a typewriter while keeping the writing ordered.", "It is also easy to keep track of progress, edit and copy-paste sections", "than a computer keyboard, will have an added management overhead. Nanowrimo amplifies this", "a computer keyboard, will have an added management overhead. Nanowrimo amplifies this issue", "a 60,000+ words novel on a typewriter while keeping the writing ordered. For", "manage writing a 60,000+ words novel on a typewriter while keeping the writing", "am a happy user of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the", "greeting cards, and labels. I am now planning to try and type the", "this issue by adding a time constraint. I am looking for an efficient", "that I am worrying about: * I need to add some foreshadowing before", "novel in advance, and write down the page numbers as I write. It", "to type letters, short stories, greeting cards, and labels. I am now planning", "cards, and labels. I am now planning to try and type the next", "I use it to type letters, short stories, greeting cards, and labels. I", "of progress, edit and copy-paste sections around. My worry is that the typewriter,", "Nanowrimo. On a computer I can blob out 2000 words a day in", "the XX century. I use it to type letters, short stories, greeting cards,", "looking for an efficient way, or some non-digital tools to manage writing a", "efficient way, or some non-digital tools to manage writing a 60,000+ words novel", "about: * I need to add some foreshadowing before X happens: where is", "and copy-paste sections around. My worry is that the typewriter, besides being inherently", "* I need to add some foreshadowing before X happens: where is the", "need to add some foreshadowing before X happens: where is the page where", "chapter somewhere. * I don't like this character name anymore, let me change", "a printed Excel table on the side, where I plan the novel in", "in advance, and write down the page numbers as I write. It sounds", "century. I use it to type letters, short stories, greeting cards, and labels.", "inherently slower than a computer keyboard, will have an added management overhead. Nanowrimo", "constraint. I am looking for an efficient way, or some non-digital tools to", "happy user of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of", "out 2000 words a day in 90 minutes. It is also easy to", "tools to manage writing a 60,000+ words novel on a typewriter while keeping", "issue by adding a time constraint. I am looking for an efficient way,", "non-digital tools to manage writing a 60,000+ words novel on a typewriter while", "use it to type letters, short stories, greeting cards, and labels. I am", "table on the side, where I plan the novel in advance, and write", "an old typewriter from the beginning of the XX century. I use it", "being inherently slower than a computer keyboard, will have an added management overhead.", "write. It sounds like a nightmare if I retrospectively insert a chapter somewhere.", "keeping the writing ordered. For instance: I thought of having a printed Excel", "page numbers as I write. It sounds like a nightmare if I retrospectively", "where is the page where X happen? * Retrospectively inserting a chapter somewhere.", "novel on a typewriter while keeping the writing ordered. For instance: I thought", "2000 words a day in 90 minutes. It is also easy to keep", "on the side, where I plan the novel in advance, and write down", "of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of the XX", "copy-paste sections around. My worry is that the typewriter, besides being inherently slower", "happens: where is the page where X happen? * Retrospectively inserting a chapter", "page where X happen? * Retrospectively inserting a chapter somewhere. * I don't", "XX century. I use it to type letters, short stories, greeting cards, and", "happen? * Retrospectively inserting a chapter somewhere. * I don't like this character", "a computer I can blob out 2000 words a day in 90 minutes.", "like a nightmare if I retrospectively insert a chapter somewhere. To give an", "beginning of the XX century. I use it to type letters, short stories,", "insert a chapter somewhere. To give an idea of the specific scenarios that", "of the specific scenarios that I am worrying about: * I need to", "a happy user of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning", "I am worrying about: * I need to add some foreshadowing before X", "is the page where X happen? * Retrospectively inserting a chapter somewhere. ", "give an idea of the specific scenarios that I am worrying about: ", "added management overhead. Nanowrimo amplifies this issue by adding a time constraint. I", "thought of having a printed Excel table on the side, where I plan", "as I write. It sounds like a nightmare if I retrospectively insert a", "amplifies this issue by adding a time constraint. I am looking for an", "somewhere. To give an idea of the specific scenarios that I am worrying", "blob out 2000 words a day in 90 minutes. It is also easy", "an efficient way, or some non-digital tools to manage writing a 60,000+ words", "instance: I thought of having a printed Excel table on the side, where", "typewriter while keeping the writing ordered. For instance: I thought of having a", "retrospectively insert a chapter somewhere. To give an idea of the specific scenarios", "I thought of having a printed Excel table on the side, where I", "I am looking for an efficient way, or some non-digital tools to manage", "stories, greeting cards, and labels. I am now planning to try and type", "short stories, greeting cards, and labels. I am now planning to try and", "sections around. My worry is that the typewriter, besides being inherently slower than", "will have an added management overhead. Nanowrimo amplifies this issue by adding a", "the specific scenarios that I am worrying about: * I need to add", "typewriter from the beginning of the XX century. I use it to type", "a day in 90 minutes. It is also easy to keep track of", "For instance: I thought of having a printed Excel table on the side,", "management overhead. Nanowrimo amplifies this issue by adding a time constraint. I am", "to keep track of progress, edit and copy-paste sections around. My worry is", "ordered. For instance: I thought of having a printed Excel table on the", "around. My worry is that the typewriter, besides being inherently slower than a", "advance, and write down the page numbers as I write. It sounds like", "Retrospectively inserting a chapter somewhere. * I don't like this character name anymore,", "also easy to keep track of progress, edit and copy-paste sections around. My", "old typewriter from the beginning of the XX century. I use it to", "an added management overhead. Nanowrimo amplifies this issue by adding a time constraint.", "5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of the XX century. I use", "I am a happy user of an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from", "numbers as I write. It sounds like a nightmare if I retrospectively insert", "words a day in 90 minutes. It is also easy to keep track", "plan the novel in advance, and write down the page numbers as I", "to add some foreshadowing before X happens: where is the page where X", "next Nanowrimo. On a computer I can blob out 2000 words a day", "some non-digital tools to manage writing a 60,000+ words novel on a typewriter", "while keeping the writing ordered. For instance: I thought of having a printed", "printed Excel table on the side, where I plan the novel in advance,", "write down the page numbers as I write. It sounds like a nightmare", "of the XX century. I use it to type letters, short stories, greeting", "a typewriter while keeping the writing ordered. For instance: I thought of having", "On a computer I can blob out 2000 words a day in 90", "idea of the specific scenarios that I am worrying about: * I need", "keep track of progress, edit and copy-paste sections around. My worry is that", "scenarios that I am worrying about: * I need to add some foreshadowing", "It sounds like a nightmare if I retrospectively insert a chapter somewhere. To", "X happens: where is the page where X happen? * Retrospectively inserting a", "the next Nanowrimo. On a computer I can blob out 2000 words a", "Nanowrimo amplifies this issue by adding a time constraint. I am looking for", "by adding a time constraint. I am looking for an efficient way, or", "60,000+ words novel on a typewriter while keeping the writing ordered. For instance:", "sounds like a nightmare if I retrospectively insert a chapter somewhere. To give", "letters, short stories, greeting cards, and labels. I am now planning to try", "adding a time constraint. I am looking for an efficient way, or some", "* Retrospectively inserting a chapter somewhere. * I don't like this character name", "worrying about: * I need to add some foreshadowing before X happens: where", "labels. I am now planning to try and type the next Nanowrimo. On", "I need to add some foreshadowing before X happens: where is the page", "progress, edit and copy-paste sections around. My worry is that the typewriter, besides", "on a typewriter while keeping the writing ordered. For instance: I thought of", "specific scenarios that I am worrying about: * I need to add some", "writing ordered. For instance: I thought of having a printed Excel table on", "minutes. It is also easy to keep track of progress, edit and copy-paste", "nightmare if I retrospectively insert a chapter somewhere. To give an idea of", "keyboard, will have an added management overhead. Nanowrimo amplifies this issue by adding", "day in 90 minutes. It is also easy to keep track of progress,", "computer I can blob out 2000 words a day in 90 minutes. It", "a nightmare if I retrospectively insert a chapter somewhere. To give an idea", "the beginning of the XX century. I use it to type letters, short", "to try and type the next Nanowrimo. On a computer I can blob", "worry is that the typewriter, besides being inherently slower than a computer keyboard,", "chapter somewhere. To give an idea of the specific scenarios that I am", "an [Underwood 5](https://typewriterdatabase.com/img/gunderwood%20_7909_1494352683.jpg), an old typewriter from the beginning of the XX century.", "and write down the page numbers as I write. It sounds like a", "try and type the next Nanowrimo. On a computer I can blob out", "some foreshadowing before X happens: where is the page where X happen? ", "where I plan the novel in advance, and write down the page numbers", "I can blob out 2000 words a day in 90 minutes. It is", "the side, where I plan the novel in advance, and write down the", "the typewriter, besides being inherently slower than a computer keyboard, will have an", "and labels. I am now planning to try and type the next Nanowrimo.", "is also easy to keep track of progress, edit and copy-paste sections around.", "or some non-digital tools to manage writing a 60,000+ words novel on a", "an idea of the specific scenarios that I am worrying about: I", "somewhere. * I don't like this character name anymore, let me change it.", "easy to keep track of progress, edit and copy-paste sections around. My worry", "90 minutes. It is also easy to keep track of progress, edit and", "have an added management overhead. Nanowrimo amplifies this issue by adding a time", "now planning to try and type the next Nanowrimo. On a computer I", "if I retrospectively insert a chapter somewhere. To give an idea of the", "the writing ordered. For instance: I thought of having a printed Excel table", "typewriter, besides being inherently slower than a computer keyboard, will have an added", "track of progress, edit and copy-paste sections around. My worry is that the", "To give an idea of the specific scenarios that I am worrying about:", "to manage writing a 60,000+ words novel on a typewriter while keeping the" ]
[ "complement each other? Many times I hear how a book or movie has", "so can a \"bovie\" can be written where both formats work together instead", "can be written where both formats work together instead of having discrepancies? A", "be written where both formats work together instead of having discrepancies? A series", "be like reading about something you just watched getting the book benefits. [Why", "better than the other in an opinion so can a \"bovie\" can be", "written to complement each other? Many times I hear how a book or", "where both formats work together instead of having discrepancies? A series or episodes", "of having discrepancies? A series or episodes may work better giving the reader", "a chance to read the section pertaining with the book. They would come", "reader a chance to read the section pertaining with the book. They would", "watched getting the book benefits. [Why write a book when there's a movie", "giving the reader a chance to read the section pertaining with the book.", "faults one better than the other in an opinion so can a \"bovie\"", "book or movie has its faults one better than the other in an", "time? I would like to know if a book and a movie can", "but be understood apart. It would be like reading about something you just", "at the same time? I would like to know if a book and", "pertaining with the book. They would come out together but be understood apart.", "can be written to complement each other? Many times I hear how a", "together but be understood apart. It would be like reading about something you", "or episodes may work better giving the reader a chance to read the", "the reader a chance to read the section pertaining with the book. They", "how a book or movie has its faults one better than the other", "or movie has its faults one better than the other in an opinion", "its faults one better than the other in an opinion so can a", "come out at the same time? I would like to know if a", "be written to complement each other? Many times I hear how a book", "would be like reading about something you just watched getting the book benefits.", "reading about something you just watched getting the book benefits. [Why write a", "book. They would come out together but be understood apart. It would be", "be paired to coincide with a book and come out at the same", "getting the book benefits. [Why write a book when there's a movie in", "could a movie be paired to coincide with a book and come out", "How could a movie be paired to coincide with a book and come", "if a book and a movie can be written to complement each other?", "a book and a movie can be written to complement each other? Many", "coincide with a book and come out at the same time? I would", "a book or movie has its faults one better than the other in", "out at the same time? I would like to know if a book", "formats work together instead of having discrepancies? A series or episodes may work", "times I hear how a book or movie has its faults one better", "the section pertaining with the book. They would come out together but be", "book and a movie can be written to complement each other? Many times", "would come out together but be understood apart. It would be like reading", "with the book. They would come out together but be understood apart. It", "can a \"bovie\" can be written where both formats work together instead of", "paired to coincide with a book and come out at the same time?", "Many times I hear how a book or movie has its faults one", "other? Many times I hear how a book or movie has its faults", "work better giving the reader a chance to read the section pertaining with", "like reading about something you just watched getting the book benefits. [Why write", "It would be like reading about something you just watched getting the book", "book and come out at the same time? I would like to know", "an opinion so can a \"bovie\" can be written where both formats work", "would like to know if a book and a movie can be written", "in an opinion so can a \"bovie\" can be written where both formats", "a book and come out at the same time? I would like to", "to coincide with a book and come out at the same time? I", "the same time? I would like to know if a book and a", "a movie be paired to coincide with a book and come out at", "section pertaining with the book. They would come out together but be understood", "I hear how a book or movie has its faults one better than", "to read the section pertaining with the book. They would come out together", "out together but be understood apart. It would be like reading about something", "chance to read the section pertaining with the book. They would come out", "and come out at the same time? I would like to know if", "same time? I would like to know if a book and a movie", "hear how a book or movie has its faults one better than the", "like to know if a book and a movie can be written to", "to know if a book and a movie can be written to complement", "and a movie can be written to complement each other? Many times I", "episodes may work better giving the reader a chance to read the section", "movie has its faults one better than the other in an opinion so", "than the other in an opinion so can a \"bovie\" can be written", "the book benefits. [Why write a book when there's a movie in my", "together instead of having discrepancies? A series or episodes may work better giving", "apart. It would be like reading about something you just watched getting the", "movie can be written to complement each other? Many times I hear how", "They would come out together but be understood apart. It would be like", "a movie can be written to complement each other? Many times I hear", "a \"bovie\" can be written where both formats work together instead of having", "written where both formats work together instead of having discrepancies? A series or", "both formats work together instead of having discrepancies? A series or episodes may", "you just watched getting the book benefits. [Why write a book when there's", "come out together but be understood apart. It would be like reading about", "each other? Many times I hear how a book or movie has its", "A series or episodes may work better giving the reader a chance to", "series or episodes may work better giving the reader a chance to read", "other in an opinion so can a \"bovie\" can be written where both", "discrepancies? A series or episodes may work better giving the reader a chance", "work together instead of having discrepancies? A series or episodes may work better", "something you just watched getting the book benefits. [Why write a book when", "instead of having discrepancies? A series or episodes may work better giving the", "to complement each other? Many times I hear how a book or movie", "read the section pertaining with the book. They would come out together but", "understood apart. It would be like reading about something you just watched getting", "one better than the other in an opinion so can a \"bovie\" can", "know if a book and a movie can be written to complement each", "has its faults one better than the other in an opinion so can", "just watched getting the book benefits. [Why write a book when there's a", "the book. They would come out together but be understood apart. It would", "may work better giving the reader a chance to read the section pertaining", "opinion so can a \"bovie\" can be written where both formats work together", "book benefits. [Why write a book when there's a movie in my head?](https://writing.stackexchange.com/questions/42405/why-write-a-book-when-theres-a-movie-in-my-head)", "\"bovie\" can be written where both formats work together instead of having discrepancies?", "I would like to know if a book and a movie can be", "the other in an opinion so can a \"bovie\" can be written where", "be understood apart. It would be like reading about something you just watched", "with a book and come out at the same time? I would like", "movie be paired to coincide with a book and come out at the", "about something you just watched getting the book benefits. [Why write a book", "having discrepancies? A series or episodes may work better giving the reader a", "better giving the reader a chance to read the section pertaining with the" ]
[ "have different rules and constraints) throughout literature, so I was wondering if you", "ones are best for driving forward narration without creating plot holes. I would", "ask for the best or preferred way to use time travel in narration", "rules and constraints) throughout literature, so I was wondering if you could list", "throughout literature, so I was wondering if you could list some of them", "will just ask for the best or preferred way to use time travel", "best for driving forward narration without creating plot holes. I would like a", "list, but I don't think it's good for a Q&A website, so I", "time travel in narration without plot holes, and which types of time travel", "and which ones are best for driving forward narration without creating plot holes.", "Q&A website, so I will just ask for the best or preferred way", "There are different types of time travel (they have different rules and constraints)", "are different types of time travel (they have different rules and constraints) throughout", "so I was wondering if you could list some of them here, and", "holes. I would like a list, but I don't think it's good for", "for driving forward narration without creating plot holes. I would like a list,", "them here, and which ones are best for driving forward narration without creating", "plot holes. I would like a list, but I don't think it's good", "could list some of them here, and which ones are best for driving", "if you could list some of them here, and which ones are best", "I will just ask for the best or preferred way to use time", "driving forward narration without creating plot holes. I would like a list, but", "different types of time travel (they have different rules and constraints) throughout literature,", "I don't think it's good for a Q&A website, so I will just", "of time travel are best or you personally like to use for achieving", "of time travel (they have different rules and constraints) throughout literature, so I", "which types of time travel are best or you personally like to use", "but I don't think it's good for a Q&A website, so I will", "best or preferred way to use time travel in narration without plot holes,", "forward narration without creating plot holes. I would like a list, but I", "narration without creating plot holes. I would like a list, but I don't", "which ones are best for driving forward narration without creating plot holes. I", "are best for driving forward narration without creating plot holes. I would like", "like a list, but I don't think it's good for a Q&A website,", "think it's good for a Q&A website, so I will just ask for", "just ask for the best or preferred way to use time travel in", "wondering if you could list some of them here, and which ones are", "I was wondering if you could list some of them here, and which", "would like a list, but I don't think it's good for a Q&A", "for a Q&A website, so I will just ask for the best or", "to use time travel in narration without plot holes, and which types of", "preferred way to use time travel in narration without plot holes, and which", "holes, and which types of time travel are best or you personally like", "a list, but I don't think it's good for a Q&A website, so", "some of them here, and which ones are best for driving forward narration", "website, so I will just ask for the best or preferred way to", "use time travel in narration without plot holes, and which types of time", "it's good for a Q&A website, so I will just ask for the", "without creating plot holes. I would like a list, but I don't think", "way to use time travel in narration without plot holes, and which types", "travel in narration without plot holes, and which types of time travel are", "here, and which ones are best for driving forward narration without creating plot", "plot holes, and which types of time travel are best or you personally", "literature, so I was wondering if you could list some of them here,", "creating plot holes. I would like a list, but I don't think it's", "(they have different rules and constraints) throughout literature, so I was wondering if", "different rules and constraints) throughout literature, so I was wondering if you could", "I would like a list, but I don't think it's good for a", "was wondering if you could list some of them here, and which ones", "and constraints) throughout literature, so I was wondering if you could list some", "so I will just ask for the best or preferred way to use", "types of time travel (they have different rules and constraints) throughout literature, so", "of them here, and which ones are best for driving forward narration without", "the best or preferred way to use time travel in narration without plot", "travel (they have different rules and constraints) throughout literature, so I was wondering", "narration without plot holes, and which types of time travel are best or", "or preferred way to use time travel in narration without plot holes, and", "in narration without plot holes, and which types of time travel are best", "list some of them here, and which ones are best for driving forward", "and which types of time travel are best or you personally like to", "time travel (they have different rules and constraints) throughout literature, so I was", "time travel are best or you personally like to use for achieving that.", "don't think it's good for a Q&A website, so I will just ask", "without plot holes, and which types of time travel are best or you", "a Q&A website, so I will just ask for the best or preferred", "you could list some of them here, and which ones are best for", "types of time travel are best or you personally like to use for", "good for a Q&A website, so I will just ask for the best", "constraints) throughout literature, so I was wondering if you could list some of", "for the best or preferred way to use time travel in narration without" ]
[ "not have your enemy say so, > > Nor shall you do mine", "Soretii: A truant disposition, good my lord. > > Hamlet: I would not", "> To make it truster of your own report > > Against yourself.", "unprecedented. In La Dame de Monsoreau, Chicot routinely addresses King Henri III by", "Henri III by his first name, and even by endearments, like 'Henriquet'. He", "speak ill of himself, and speaks to him openly about things that are", "> > 2. They can throw rank distinction aside. This too is not", "rather than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based", "upon. > > Hamlet: Thrift, thrift, Soretii. The funeral baked meats > >", "the marriage tables. > > Would I had met my dearest foe in", "is shown by other means. For example, Hamlet would not let Soretii speak", "'Henriquet'. He also uses 'tu' rather than 'vous' in addressing him (see [T-V", "Did coldly furnish forth the marriage tables. > > Would I had met", "you do mine ear that violence > > To make it truster of", "The funeral baked meats > > Did coldly furnish forth the marriage tables.", "setting where I need not be bound by \"what actually happened\"), what are", "Soretii speak ill of himself, and speaks to him openly about things that", "For example, Hamlet would not let Soretii speak ill of himself, and speaks", "> Soretii: My lord, I came to see your father's funeral. > >", "somewhat lower rank. There are two ways I could show the close relationship", "addresses Frodo exclusively as \"Master Frodo\". Their close relationship is shown by other", "who, naturally, holds a somewhat lower rank. There are two ways I could", "your enemy say so, > > Nor shall you do mine ear that", "rank distinction*. Soretii addresses Hamlet \"good my lord\" and \"sweet prince\". Sam addresses", "some other person of high rank.) And there is that prince's good friend,", "rank. There are two ways I could show the close relationship between the", "are no truant. > > But what is your affair in Elsinore? >", "In La Dame de Monsoreau, Chicot routinely addresses King Henri III by his", "fellow student; > > I think it was my mother's wedding. > >", "the rank distinction. Soretii addresses Hamlet \"good my lord\" and \"sweet prince\". Sam", "Elsinore? > > We'll teach you to drink deep ere you depart. >", "(see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according to wikipedia. In", "violence > > To make it truster of your own report > >", "> > Hamlet:* But what in faith make you from Wittenberg? > >", "and \"sweet prince\". Sam addresses Frodo exclusively as \"Master Frodo\". Their close relationship", "father's funeral. > > Hamlet: I prithee do not mock me, fellow student;", "> Would I had met my dearest foe in heaven > > Ere", "show the close relationship between the two: 1. They can maintain the rank", "your father's funeral. > > Hamlet: I prithee do not mock me, fellow", "We'll teach you to drink deep ere you depart. > > Soretii: My", "King Henri III by his first name, and even by endearments, like 'Henriquet'.", "that day, Soretii. > > > 2. They can throw rank distinction aside*.", "I prithee do not mock me, fellow student; > > I think it", "according to wikipedia. In a fantasy setting (that is, a setting where I", "endearments, like 'Henriquet'. He also uses 'tu' rather than 'vous' in addressing him", "tables. > > Would I had met my dearest foe in heaven >", "foe in heaven > > Ere I had ever that day, Soretii. >", "> > > 2. They can throw rank distinction aside. This too is", "I know you are no truant. > > But what is your affair", "would not let Soretii speak ill of himself, and speaks to him openly", "do mine ear that violence > > To make it truster of your", "than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on", "not mock me, fellow student; > > I think it was my mother's", "other person of high rank.) And there is that prince's good friend, who,", "to him openly about things that are close to his heart: > >", "mock me, fellow student; > > I think it was my mother's wedding.", "rank.) And there is that prince's good friend, who, naturally, holds a somewhat", "and even by endearments, like 'Henriquet'. He also uses 'tu' rather than 'vous'", "could show the close relationship between the two: 1. They can maintain the", "relationship is shown by other means. For example, Hamlet would not let Soretii", "can maintain the rank distinction. Soretii addresses Hamlet \"good my lord\" and \"sweet", "what in faith make you from Wittenberg? > > Soretii:* A truant disposition,", "his first name, and even by endearments, like 'Henriquet'. He also uses 'tu'", "I had ever that day, Soretii. > > > 2. They can throw", "> 2. They can throw rank distinction aside. This too is not unprecedented.", "shall you do mine ear that violence > > To make it truster", "Hamlet \"good my lord\" and \"sweet prince\". Sam addresses Frodo exclusively as \"Master", "about things that are close to his heart: > > Hamlet: But what", "> > Soretii: My lord, I came to see your father's funeral. >", "> > Would I had met my dearest foe in heaven > >", "make you from Wittenberg? > > Soretii:** A truant disposition, good my lord.", "La Dame de Monsoreau, Chicot routinely addresses King Henri III by his first", "addresses King Henri III by his first name, and even by endearments, like", "> We'll teach you to drink deep ere you depart. > > Soretii:", "had ever that day, Soretii. > > > 2. They can throw rank", "But what in faith make you from Wittenberg? > > Soretii: A truant", "meats > > Did coldly furnish forth the marriage tables. > > Would", "heart: > > Hamlet: But what in faith make you from Wittenberg? >", "is a prince. (Or some other person of high rank.) And there is", "Hamlet: Thrift, thrift, Soretii. The funeral baked meats > > Did coldly furnish", "ever that day, Soretii. > > > 2. They can throw rank distinction", "But what is your affair in Elsinore? > > We'll teach you to", "think it was my mother's wedding. > > Soretii: My lord, it followed", "> Ere I had ever that day, Soretii. > > > 2. They", "Would I had met my dearest foe in heaven > > Ere I", "There are two ways I could show the close relationship between the two:", "bound by \"what actually happened\"), what are the advantages and disadvantages of each", "I came to see your father's funeral. > > Hamlet: I prithee do", "prince. (Or some other person of high rank.) And there is that prince's", "> > We'll teach you to drink deep ere you depart. > >", "> > But what is your affair in Elsinore? > > We'll teach", "things that are close to his heart: > > Hamlet: But what in", "my lord. > > Hamlet: I would not have your enemy say so,", "ways I could show the close relationship between the two: 1. They can", "Chicot routinely addresses King Henri III by his first name, and even by", "> Hamlet: I would not have your enemy say so, > > Nor", "furnish forth the marriage tables. > > Would I had met my dearest", "throw rank distinction aside*. This too is not unprecedented. In La Dame de", "speaks to him openly about things that are close to his heart: >", "in Elsinore? > > We'll teach you to drink deep ere you depart.", "lord, it followed hard upon. > > Hamlet: Thrift, thrift, Soretii. The funeral", "[T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according to wikipedia. In a", "close to his heart: > > Hamlet: But what in faith make you", "Against yourself. I know you are no truant. > > But what is", "name, and even by endearments, like 'Henriquet'. He also uses 'tu' rather than", "> > Soretii: A truant disposition, good my lord. > > Hamlet: I", "> > Hamlet: Thrift, thrift, Soretii. The funeral baked meats > > Did", "not let Soretii speak ill of himself, and speaks to him openly about", "This too is not unprecedented. In La Dame de Monsoreau, Chicot routinely addresses", "relationship between the two: 1. They can maintain the rank distinction. Soretii addresses", "even by endearments, like 'Henriquet'. He also uses 'tu' rather than 'vous' in", "by other means. For example, Hamlet would not let Soretii speak ill of", "de Monsoreau, Chicot routinely addresses King Henri III by his first name, and", "like 'Henriquet'. He also uses 'tu' rather than 'vous' in addressing him (see", "wedding. > > Soretii:* My lord, it followed hard upon. > > Hamlet:", "that violence > > To make it truster of your own report >", "funeral. > > Hamlet: I prithee do not mock me, fellow student; >", "and speaks to him openly about things that are close to his heart:", "distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according to wikipedia. In a fantasy", "shown by other means. For example, Hamlet would not let Soretii speak ill", "drink deep ere you depart. > > Soretii: My lord, I came to", "> Nor shall you do mine ear that violence > > To make", "routinely addresses King Henri III by his first name, and even by endearments,", "Hamlet: I would not have your enemy say so, > > Nor shall", "> > Nor shall you do mine ear that violence > > To", "prince's good friend, who, naturally, holds a somewhat lower rank. There are two", "is all based on reality, according to wikipedia. In a fantasy setting (that", "> Against yourself. I know you are no truant. > > But what", "also uses 'tu' rather than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This", "lord, I came to see your father's funeral. > > Hamlet: I prithee", "on reality, according to wikipedia. In a fantasy setting (that is, a setting", "all based on reality, according to wikipedia. In a fantasy setting (that is,", "to see your father's funeral. > > Hamlet: I prithee do not mock", "exclusively as \"Master Frodo\". Their close relationship is shown by other means. For", "setting (that is, a setting where I need not be bound by \"what", "a fantasy setting (that is, a setting where I need not be bound", "Ere I had ever that day, Soretii. > > > 2. They can", "your own report > > Against yourself. I know you are no truant.", "III by his first name, and even by endearments, like 'Henriquet'. He also", "met my dearest foe in heaven > > Ere I had ever that", "rank distinction aside. This too is not unprecedented. In La Dame de Monsoreau,", "of your own report > > Against yourself. I know you are no", "lord\" and \"sweet prince\". Sam addresses Frodo exclusively as \"Master Frodo\". Their close", "wikipedia. In a fantasy setting (that is, a setting where I need not", "Thrift, thrift, Soretii. The funeral baked meats > > Did coldly furnish forth", "Hamlet would not let Soretii speak ill of himself, and speaks to him", "are close to his heart: > > Hamlet: But what in faith make", "enemy say so, > > Nor shall you do mine ear that violence", "are two ways I could show the close relationship between the two: 1.", "They can throw rank distinction aside. This too is not unprecedented. In La", "that are close to his heart: > > Hamlet:* But what in faith", "to his heart: > > Hamlet: But what in faith make you from", "first name, and even by endearments, like 'Henriquet'. He also uses 'tu' rather", "not unprecedented. In La Dame de Monsoreau, Chicot routinely addresses King Henri III", "followed hard upon. > > Hamlet: Thrift, thrift, Soretii. The funeral baked meats", "Soretii. > > > 2. They can throw rank distinction aside. This too", "ill of himself, and speaks to him openly about things that are close", "> > Did coldly furnish forth the marriage tables. > > Would I", "prithee do not mock me, fellow student; > > I think it was", "He also uses 'tu' rather than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)).", "Frodo\". Their close relationship is shown by other means. For example, Hamlet would", "it was my mother's wedding. > > Soretii: My lord, it followed hard", "your affair in Elsinore? > > We'll teach you to drink deep ere", "the two: 1. They can maintain the rank distinction. Soretii addresses Hamlet \"good", "Their close relationship is shown by other means. For example, Hamlet would not", "Dame de Monsoreau, Chicot routinely addresses King Henri III by his first name,", "addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according to", "you to drink deep ere you depart. > > Soretii:* My lord, I", "> Soretii: A truant disposition, good my lord. > > Hamlet: I would", "> Hamlet: But what in faith make you from Wittenberg? > > Soretii:", "there is that prince's good friend, who, naturally, holds a somewhat lower rank.", "hard upon. > > Hamlet: Thrift, thrift, Soretii. The funeral baked meats >", "> > Against yourself. I know you are no truant. > > But", "Soretii: My lord, I came to see your father's funeral. > > Hamlet:", "have your enemy say so, > > Nor shall you do mine ear", "is not unprecedented. In La Dame de Monsoreau, Chicot routinely addresses King Henri", "yourself. I know you are no truant. > > But what is your", "student; > > I think it was my mother's wedding. > > Soretii:", "him openly about things that are close to his heart: > > Hamlet:", "My lord, I came to see your father's funeral. > > Hamlet: I", "> > I think it was my mother's wedding. > > Soretii: My", "a setting where I need not be bound by \"what actually happened\"), what", "by his first name, and even by endearments, like 'Henriquet'. He also uses", "A truant disposition, good my lord. > > Hamlet: I would not have", "fantasy setting (that is, a setting where I need not be bound by", "Nor shall you do mine ear that violence > > To make it", "high rank.) And there is that prince's good friend, who, naturally, holds a", "I could show the close relationship between the two: 1. They can maintain", "openly about things that are close to his heart: > > Hamlet:** But", "know you are no truant. > > But what is your affair in", "that prince's good friend, who, naturally, holds a somewhat lower rank. There are", "uses 'tu' rather than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is", "you are no truant. > > But what is your affair in Elsinore?", "his heart: > > Hamlet: But what in faith make you from Wittenberg?", "was my mother's wedding. > > Soretii: My lord, it followed hard upon.", "holds a somewhat lower rank. There are two ways I could show the", "as \"Master Frodo\". Their close relationship is shown by other means. For example,", "make it truster of your own report > > Against yourself. I know", "ere you depart. > > Soretii: My lord, I came to see your", "dearest foe in heaven > > Ere I had ever that day, Soretii.", "a prince. (Or some other person of high rank.) And there is that", "> > Soretii: My lord, it followed hard upon. > > Hamlet: Thrift,", "To make it truster of your own report > > Against yourself. I", "> > Ere I had ever that day, Soretii. > > > 2.", "> Hamlet: I prithee do not mock me, fellow student; > > I", "distinction aside*. This too is not unprecedented. In La Dame de Monsoreau, Chicot", "'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality,", "> Hamlet:* Thrift, thrift, Soretii. The funeral baked meats > > Did coldly", "see your father's funeral. > > Hamlet: I prithee do not mock me,", "Sam addresses Frodo exclusively as \"Master Frodo\". Their close relationship is shown by", "example, Hamlet would not let Soretii speak ill of himself, and speaks to", "teach you to drink deep ere you depart. > > Soretii: My lord,", "good friend, who, naturally, holds a somewhat lower rank. There are two ways", "I would not have your enemy say so, > > Nor shall you", "Frodo exclusively as \"Master Frodo\". Their close relationship is shown by other means.", "disposition, good my lord. > > Hamlet: I would not have your enemy", "affair in Elsinore? > > We'll teach you to drink deep ere you", "you from Wittenberg? > > Soretii: A truant disposition, good my lord. >", "so, > > Nor shall you do mine ear that violence > >", "a somewhat lower rank. There are two ways I could show the close", "> Soretii: My lord, it followed hard upon. > > Hamlet: Thrift, thrift,", "2. They can throw rank distinction aside. This too is not unprecedented. In", "person of high rank.) And there is that prince's good friend, who, naturally,", "'tu' rather than 'vous' in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all", "Soretii. The funeral baked meats > > Did coldly furnish forth the marriage", "I think it was my mother's wedding. > > Soretii: My lord, it", "truant. > > But what is your affair in Elsinore? > > We'll", "distinction. Soretii addresses Hamlet \"good my lord\" and \"sweet prince\". Sam addresses Frodo", "mine ear that violence > > To make it truster of your own", "report > > Against yourself. I know you are no truant. > >", "deep ere you depart. > > Soretii: My lord, I came to see", "my dearest foe in heaven > > Ere I had ever that day,", "close relationship between the two: 1. They can maintain the rank distinction. Soretii", "two: 1. They can maintain the rank distinction. Soretii addresses Hamlet \"good my", "what is your affair in Elsinore? > > We'll teach you to drink", "it truster of your own report > > Against yourself. I know you", "reality, according to wikipedia. In a fantasy setting (that is, a setting where", "> > Hamlet: I would not have your enemy say so, > >", "let Soretii speak ill of himself, and speaks to him openly about things", "\"good my lord\" and \"sweet prince\". Sam addresses Frodo exclusively as \"Master Frodo\".", "to wikipedia. In a fantasy setting (that is, a setting where I need", "from Wittenberg? > > Soretii: A truant disposition, good my lord. > >", "me, fellow student; > > I think it was my mother's wedding. >", "need not be bound by \"what actually happened\"), what are the advantages and", "marriage tables. > > Would I had met my dearest foe in heaven", "I need not be bound by \"what actually happened\"), what are the advantages", "in faith make you from Wittenberg? > > Soretii: A truant disposition, good", "Hamlet: I prithee do not mock me, fellow student; > > I think", "between the two: 1. They can maintain the rank distinction. Soretii addresses Hamlet", "thrift, Soretii. The funeral baked meats > > Did coldly furnish forth the", "by \"what actually happened\"), what are the advantages and disadvantages of each approach?", "They can maintain the rank distinction. Soretii addresses Hamlet \"good my lord\" and", "truant disposition, good my lord. > > Hamlet: I would not have your", "(that is, a setting where I need not be bound by \"what actually", "two ways I could show the close relationship between the two: 1. They", "means. For example, Hamlet would not let Soretii speak ill of himself, and", "Soretii: My lord, it followed hard upon. > > Hamlet: Thrift, thrift, Soretii.", "the close relationship between the two: 1. They can maintain the rank distinction.", "friend, who, naturally, holds a somewhat lower rank. There are two ways I", "Wittenberg? > > Soretii: A truant disposition, good my lord. > > Hamlet:", "baked meats > > Did coldly furnish forth the marriage tables. > >", "> > Hamlet: I prithee do not mock me, fellow student; > >", "addresses Hamlet \"good my lord\" and \"sweet prince\". Sam addresses Frodo exclusively as", "funeral baked meats > > Did coldly furnish forth the marriage tables. >", "aside*. This too is not unprecedented. In La Dame de Monsoreau, Chicot routinely", "In a fantasy setting (that is, a setting where I need not be", "heaven > > Ere I had ever that day, Soretii. > > >", "Soretii addresses Hamlet \"good my lord\" and \"sweet prince\". Sam addresses Frodo exclusively", "him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according to wikipedia.", "mother's wedding. > > Soretii:* My lord, it followed hard upon. > >", "in addressing him (see [T-V distinction](https://en.wikipedia.org/wiki/T%E2%80%93V_distinction)). This is all based on reality, according", "My lord, it followed hard upon. > > Hamlet: Thrift, thrift, Soretii. The", "to drink deep ere you depart. > > Soretii: My lord, I came", "by endearments, like 'Henriquet'. He also uses 'tu' rather than 'vous' in addressing", "good my lord. > > Hamlet: I would not have your enemy say", "I had met my dearest foe in heaven > > Ere I had", "close relationship is shown by other means. For example, Hamlet would not let", "is your affair in Elsinore? > > We'll teach you to drink deep", "it followed hard upon. > > Hamlet: Thrift, thrift, Soretii. The funeral baked", "is, a setting where I need not be bound by \"what actually happened\"),", "would not have your enemy say so, > > Nor shall you do", "\"Master Frodo\". Their close relationship is shown by other means. For example, Hamlet", "There is a prince. (Or some other person of high rank.) And there", "can throw rank distinction aside*. This too is not unprecedented. In La Dame", "not be bound by \"what actually happened\"), what are the advantages and disadvantages", "And there is that prince's good friend, who, naturally, holds a somewhat lower", "> Did coldly furnish forth the marriage tables. > > Would I had", "say so, > > Nor shall you do mine ear that violence >", "be bound by \"what actually happened\"), what are the advantages and disadvantages of", "> > To make it truster of your own report > > Against", "himself, and speaks to him openly about things that are close to his", "1. They can maintain the rank distinction. Soretii addresses Hamlet \"good my lord\"", "lord. > > Hamlet: I would not have your enemy say so, >", "faith make you from Wittenberg? > > Soretii: A truant disposition, good my", "you depart. > > Soretii: My lord, I came to see your father's", "> But what is your affair in Elsinore? > > We'll teach you", "my mother's wedding. > > Soretii: My lord, it followed hard upon. >", "of himself, and speaks to him openly about things that are close to", "coldly furnish forth the marriage tables. > > Would I had met my", "is that prince's good friend, who, naturally, holds a somewhat lower rank. There", "other means. For example, Hamlet would not let Soretii speak ill of himself,", "of high rank.) And there is that prince's good friend, who, naturally, holds", "prince\". Sam addresses Frodo exclusively as \"Master Frodo\". Their close relationship is shown", "naturally, holds a somewhat lower rank. There are two ways I could show", "too is not unprecedented. In La Dame de Monsoreau, Chicot routinely addresses King", "(Or some other person of high rank.) And there is that prince's good", "ear that violence > > To make it truster of your own report", "came to see your father's funeral. > > Hamlet: I prithee do not", "my lord\" and \"sweet prince\". Sam addresses Frodo exclusively as \"Master Frodo\". Their", "day, Soretii. > > > 2. They can throw rank distinction aside. This", "\"sweet prince\". Sam addresses Frodo exclusively as \"Master Frodo\". Their close relationship is", "lower rank. There are two ways I could show the close relationship between", "do not mock me, fellow student; > > I think it was my", "Hamlet: But what in faith make you from Wittenberg? > > Soretii: A", "truster of your own report > > Against yourself. I know you are", "own report > > Against yourself. I know you are no truant. >", "> I think it was my mother's wedding. > > Soretii: My lord,", "no truant. > > But what is your affair in Elsinore? > >", "Monsoreau, Chicot routinely addresses King Henri III by his first name, and even", "where I need not be bound by \"what actually happened\"), what are the", "based on reality, according to wikipedia. In a fantasy setting (that is, a", "depart. > > Soretii:* My lord, I came to see your father's funeral.", "in heaven > > Ere I had ever that day, Soretii. > >", "This is all based on reality, according to wikipedia. In a fantasy setting", "forth the marriage tables. > > Would I had met my dearest foe", "had met my dearest foe in heaven > > Ere I had ever", "maintain the rank distinction**. Soretii addresses Hamlet \"good my lord\" and \"sweet prince\"." ]
[ "themselves onto. What I do have are characters that I want people to", "has been to add the skippable dialogue or cutscene feature. Of course the", "This is a great technique for many successful games. It is not the", "never get around to getting to know them. The more serious consequence to", "the story then I can't have the characters making all the decisions. The", "game to be linear and plot driven, which limits how often I can", "to get on with playing the game, and partly because they become monotonous", "player gets 'stuck' and has to watch the same cutscene over and over", "my characters to be defined simply by a series of choices. I also", "a character driven ensemble cast jRPG/cRPG. Therefore I want the characters to be", "driven solely by how the player wants to play them. This is a", "monotonous drags that ruin replay value (which can ruin even an initial playthrough", "The Player makes the Character: Lastly, there is the blank canvas technique. Where", "to make that blank character that people project themselves onto. What I do", "through important plot/quest information too. This can make completing the game more difficult,", "replay value (which can ruin even an initial playthrough when a player gets", "don't want the game to be linear and plot driven, which limits how", "on with playing the game, and partly because they become monotonous drags that", "am going to write them. I just don't know how to best do", "need to be brief. Partly because the players want to get on with", "you add a log system to track important details. This does help with", "or cutscene feature. Of course the majority of people use it from the", "serious consequence to this is that most people skip through important plot/quest information", "begin to define them. I do intend to use this but to a", "Goal: --------- I am currently working on a video game project and I", "get around to getting to know them. The more serious consequence to this", "use this but to a limited degree. I don't want my characters to", "often I can use this. If I want to give the player the", "most people skip through important plot/quest information too. This can make completing the", "techniques. It is a character driven ensemble cast jRPG/cRPG. Therefore I want the", "'stuck' and has to watch the same cutscene over and over again). Skippable", "add a log system to track important details. This does help with replayability.", "be linear and plot driven, which limits how often I can use this.", "feature. Of course the majority of people use it from the start. I", "great technique for many successful games. It is not the technique I want", "with replayability. Characters make choices: Another method that I see used is the", "don't want my characters to be defined simply by a series of choices.", "the skippable dialogue or cutscene feature. Of course the majority of people use", "them. I just don't know how to best do that. Given these limitations", "want to give the player the power to make decisions that effect the", "I am currently working on a video game project and I need some", "know them. The more serious consequence to this is that most people skip", "are driven solely by how the player wants to play them. This is", "canvas technique. Where the playing character is whatever the player makes of them.", "they become monotonous drags that ruin replay value (which can ruin even an", "which limits how often I can use this. If I want to give", "The more serious consequence to this is that most people skip through important", "watch the same cutscene over and over again). Skippable Dialogue: One solution to", "to be brief. Partly because the players want to get on with playing", "add the skippable dialogue or cutscene feature. Of course the majority of people", "to getting to know them. The more serious consequence to this is that", "does help with replayability. Characters make choices: Another method that I see used", "driven, need to be brief. Partly because the players want to get on", "series of choices. I also don't want the game to be linear and", "It is not the technique I want to use. I don't have the", "to define them. I do intend to use this but to a limited", "do that. Given these limitations inherent in videogame mechanics, how do I still", "has to watch the same cutscene over and over again). Skippable Dialogue: One", "the start. I don't really want to painstakingly develop my characters just so", "to add the skippable dialogue or cutscene feature. Of course the majority of", "the game more difficult, even if you add a log system to track", "development techniques. It is a character driven ensemble cast jRPG/cRPG. Therefore I want", "that begin to define them. I do intend to use this but to", "to write the countless stories and to make that blank character that people", "and I need some help with character development techniques. It is a character", "even one that is partially story driven, need to be brief. Partly because", "character development techniques. It is a character driven ensemble cast jRPG/cRPG. Therefore I", "I need some help with character development techniques. It is a character driven", "play them. This is a great technique for many successful games. It is", "linear and plot driven, which limits how often I can use this. If", "to this is that most people skip through important plot/quest information too. This", "make choices: Another method that I see used is the 'choice'. Where the", "also don't want the game to be linear and plot driven, which limits", "more difficult, even if you add a log system to track important details.", "playthrough when a player gets 'stuck' and has to watch the same cutscene", "skip through important plot/quest information too. This can make completing the game more", "to this has been to add the skippable dialogue or cutscene feature. Of", "these limitations inherent in videogame mechanics, how do I still manage to write", "or skill to write the countless stories and to make that blank character", "the game to be linear and plot driven, which limits how often I", "countless stories and to make that blank character that people project themselves onto.", "the playing character is whatever the player makes of them. Their decisions, thoughts,", "can ruin even an initial playthrough when a player gets 'stuck' and has", "One solution to this has been to add the skippable dialogue or cutscene", "to watch the same cutscene over and over again). Skippable Dialogue: One solution", "want to use. I don't have the time or skill to write the", "even an initial playthrough when a player gets 'stuck' and has to watch", "people can never get around to getting to know them. The more serious", "for many successful games. It is not the technique I want to use.", "--------- I am currently working on a video game project and I need", "just so people can never get around to getting to know them. The", "'choice'. Where the character makes choices throughout the game that begin to define", "how to best do that. Given these limitations inherent in videogame mechanics, how", "technique for many successful games. It is not the technique I want to", "stories and to make that blank character that people project themselves onto. What", "the characters making all the decisions. The Player makes the Character: Lastly, there", "making all the decisions. The Player makes the Character: Lastly, there is the", "to write them. I just don't know how to best do that. Given", "don't really want to painstakingly develop my characters just so people can never", "Given these limitations inherent in videogame mechanics, how do I still manage to", "if you add a log system to track important details. This does help", "characters just so people can never get around to getting to know them.", "have the time or skill to write the countless stories and to make", "player. The Problem: ------------ Storytelling elements in a video game, even one that", "players want to get on with playing the game, and partly because they", "partially story driven, need to be brief. Partly because the players want to", "is a great technique for many successful games. It is not the technique", "to be important to the player. The Problem: ------------ Storytelling elements in a", "how the player wants to play them. This is a great technique for", "important plot/quest information too. This can make completing the game more difficult, even", "to be defined simply by a series of choices. I also don't want", "many successful games. It is not the technique I want to use. I", "want the game to be linear and plot driven, which limits how often", "Characters make choices: Another method that I see used is the 'choice'. Where", "the characters to be important to the player. The Problem: ------------ Storytelling elements", "I can't have the characters making all the decisions. The Player makes the", "on a video game project and I need some help with character development", "even if you add a log system to track important details. This does", "If I want to give the player the power to make decisions that", "ruin replay value (which can ruin even an initial playthrough when a player", "time or skill to write the countless stories and to make that blank", "decisions that effect the story then I can't have the characters making all", "people use it from the start. I don't really want to painstakingly develop", "value (which can ruin even an initial playthrough when a player gets 'stuck'", "help with replayability. Characters make choices: Another method that I see used is", "of them. Their decisions, thoughts, actions all are driven solely by how the", "brief. Partly because the players want to get on with playing the game,", "all are driven solely by how the player wants to play them. This", "know how to best do that. Given these limitations inherent in videogame mechanics,", "can use this. If I want to give the player the power to", "a limited degree. I don't want my characters to be defined simply by", "Problem: ------------ Storytelling elements in a video game, even one that is partially", "Therefore I want the characters to be important to the player. The Problem:", "I also don't want the game to be linear and plot driven, which", "information too. This can make completing the game more difficult, even if you", "the power to make decisions that effect the story then I can't have", "effect the story then I can't have the characters making all the decisions.", "ruin even an initial playthrough when a player gets 'stuck' and has to", "the player the power to make decisions that effect the story then I", "to track important details. This does help with replayability. Characters make choices: Another", "decisions, thoughts, actions all are driven solely by how the player wants to", "Player makes the Character: Lastly, there is the blank canvas technique. Where the", "and plot driven, which limits how often I can use this. If I", "don't have the time or skill to write the countless stories and to", "have are characters that I want people to meet. I am going to", "get on with playing the game, and partly because they become monotonous drags", "to use this but to a limited degree. I don't want my characters", "I want to use. I don't have the time or skill to write", "the Character: Lastly, there is the blank canvas technique. Where the playing character", "(which can ruin even an initial playthrough when a player gets 'stuck' and", "jRPG/cRPG. Therefore I want the characters to be important to the player. The", "and over again). Skippable Dialogue: One solution to this has been to add", "simply by a series of choices. I also don't want the game to", "decisions. The Player makes the Character: Lastly, there is the blank canvas technique.", "------------ Storytelling elements in a video game, even one that is partially story", "need some help with character development techniques. It is a character driven ensemble", "skippable dialogue or cutscene feature. Of course the majority of people use it", "used is the 'choice'. Where the character makes choices throughout the game that", "to use. I don't have the time or skill to write the countless", "make completing the game more difficult, even if you add a log system", "some help with character development techniques. It is a character driven ensemble cast", "painstakingly develop my characters just so people can never get around to getting", "that blank character that people project themselves onto. What I do have are", "to best do that. Given these limitations inherent in videogame mechanics, how do", "defined simply by a series of choices. I also don't want the game", "people to meet. I am going to write them. I just don't know", "write them. I just don't know how to best do that. Given these", "onto. What I do have are characters that I want people to meet.", "course the majority of people use it from the start. I don't really", "the blank canvas technique. Where the playing character is whatever the player makes", "going to write them. I just don't know how to best do that.", "thoughts, actions all are driven solely by how the player wants to play", "because the players want to get on with playing the game, and partly", "so people can never get around to getting to know them. The more", "technique I want to use. I don't have the time or skill to", "wants to play them. This is a great technique for many successful games.", "plot/quest information too. This can make completing the game more difficult, even if", "player the power to make decisions that effect the story then I can't", "actions all are driven solely by how the player wants to play them.", "want to get on with playing the game, and partly because they become", "The Problem: ------------ Storytelling elements in a video game, even one that is", "over again). Skippable Dialogue: One solution to this has been to add the", "by how the player wants to play them. This is a great technique", "I am going to write them. I just don't know how to best", "people skip through important plot/quest information too. This can make completing the game", "the player. The Problem: ------------ Storytelling elements in a video game, even one", "character driven ensemble cast jRPG/cRPG. Therefore I want the characters to be important", "want my characters to be defined simply by a series of choices. I", "Another method that I see used is the 'choice'. Where the character makes", "and partly because they become monotonous drags that ruin replay value (which can", "when a player gets 'stuck' and has to watch the same cutscene over", "system to track important details. This does help with replayability. Characters make choices:", "driven, which limits how often I can use this. If I want to", "project themselves onto. What I do have are characters that I want people", "make decisions that effect the story then I can't have the characters making", "over and over again). Skippable Dialogue: One solution to this has been to", "best do that. Given these limitations inherent in videogame mechanics, how do I", "Dialogue: One solution to this has been to add the skippable dialogue or", "more serious consequence to this is that most people skip through important plot/quest", "in a video game, even one that is partially story driven, need to", "the players want to get on with playing the game, and partly because", "to know them. The more serious consequence to this is that most people", "story driven, need to be brief. Partly because the players want to get", "successful games. It is not the technique I want to use. I don't", "I do intend to use this but to a limited degree. I don't", "this. If I want to give the player the power to make decisions", "This can make completing the game more difficult, even if you add a", "want to painstakingly develop my characters just so people can never get around", "throughout the game that begin to define them. I do intend to use", "blank character that people project themselves onto. What I do have are characters", "how often I can use this. If I want to give the player", "meet. I am going to write them. I just don't know how to", "What I do have are characters that I want people to meet. I", "log system to track important details. This does help with replayability. Characters make", "start. I don't really want to painstakingly develop my characters just so people", "can't have the characters making all the decisions. The Player makes the Character:", "ensemble cast jRPG/cRPG. Therefore I want the characters to be important to the", "difficult, even if you add a log system to track important details. This", "story then I can't have the characters making all the decisions. The Player", "a video game, even one that is partially story driven, need to be", "all the decisions. The Player makes the Character: Lastly, there is the blank", "this is that most people skip through important plot/quest information too. This can", "the majority of people use it from the start. I don't really want", "see used is the 'choice'. Where the character makes choices throughout the game", "by a series of choices. I also don't want the game to be", "makes of them. Their decisions, thoughts, actions all are driven solely by how", "choices. I also don't want the game to be linear and plot driven,", "video game, even one that is partially story driven, need to be brief.", "characters that I want people to meet. I am going to write them.", "game project and I need some help with character development techniques. It is", "the technique I want to use. I don't have the time or skill", "I don't want my characters to be defined simply by a series of", "not the technique I want to use. I don't have the time or", "is partially story driven, need to be brief. Partly because the players want", "am currently working on a video game project and I need some help", "project and I need some help with character development techniques. It is a", "player makes of them. Their decisions, thoughts, actions all are driven solely by", "dialogue or cutscene feature. Of course the majority of people use it from", "and has to watch the same cutscene over and over again). Skippable Dialogue:", "The Goal: --------- I am currently working on a video game project and", "I do have are characters that I want people to meet. I am", "don't know how to best do that. Given these limitations inherent in videogame", "I can use this. If I want to give the player the power", "around to getting to know them. The more serious consequence to this is", "want people to meet. I am going to write them. I just don't", "have the characters making all the decisions. The Player makes the Character: Lastly,", "that people project themselves onto. What I do have are characters that I", "the 'choice'. Where the character makes choices throughout the game that begin to", "is the 'choice'. Where the character makes choices throughout the game that begin", "solely by how the player wants to play them. This is a great", "It is a character driven ensemble cast jRPG/cRPG. Therefore I want the characters", "them. Their decisions, thoughts, actions all are driven solely by how the player", "a log system to track important details. This does help with replayability. Characters", "can never get around to getting to know them. The more serious consequence", "I want the characters to be important to the player. The Problem: ------------", "degree. I don't want my characters to be defined simply by a series", "the player wants to play them. This is a great technique for many", "limitations inherent in videogame mechanics, how do I still manage to write strong", "I don't really want to painstakingly develop my characters just so people can", "getting to know them. The more serious consequence to this is that most", "a series of choices. I also don't want the game to be linear", "people project themselves onto. What I do have are characters that I want", "are characters that I want people to meet. I am going to write", "Where the playing character is whatever the player makes of them. Their decisions,", "important to the player. The Problem: ------------ Storytelling elements in a video game,", "just don't know how to best do that. Given these limitations inherent in", "develop my characters just so people can never get around to getting to", "a great technique for many successful games. It is not the technique I", "be important to the player. The Problem: ------------ Storytelling elements in a video", "them. This is a great technique for many successful games. It is not", "cast jRPG/cRPG. Therefore I want the characters to be important to the player.", "the same cutscene over and over again). Skippable Dialogue: One solution to this", "be defined simply by a series of choices. I also don't want the", "use. I don't have the time or skill to write the countless stories", "limits how often I can use this. If I want to give the", "characters to be defined simply by a series of choices. I also don't", "drags that ruin replay value (which can ruin even an initial playthrough when", "player wants to play them. This is a great technique for many successful", "the character makes choices throughout the game that begin to define them. I", "Character: Lastly, there is the blank canvas technique. Where the playing character is", "an initial playthrough when a player gets 'stuck' and has to watch the", "completing the game more difficult, even if you add a log system to", "This does help with replayability. Characters make choices: Another method that I see", "and to make that blank character that people project themselves onto. What I", "I just don't know how to best do that. Given these limitations inherent", "I want to give the player the power to make decisions that effect", "playing the game, and partly because they become monotonous drags that ruin replay", "limited degree. I don't want my characters to be defined simply by a", "do have are characters that I want people to meet. I am going", "partly because they become monotonous drags that ruin replay value (which can ruin", "track important details. This does help with replayability. Characters make choices: Another method", "help with character development techniques. It is a character driven ensemble cast jRPG/cRPG.", "use it from the start. I don't really want to painstakingly develop my", "gets 'stuck' and has to watch the same cutscene over and over again).", "to painstakingly develop my characters just so people can never get around to", "currently working on a video game project and I need some help with", "is whatever the player makes of them. Their decisions, thoughts, actions all are", "to be linear and plot driven, which limits how often I can use", "Their decisions, thoughts, actions all are driven solely by how the player wants", "driven ensemble cast jRPG/cRPG. Therefore I want the characters to be important to", "that is partially story driven, need to be brief. Partly because the players", "game more difficult, even if you add a log system to track important", "use this. If I want to give the player the power to make", "my characters just so people can never get around to getting to know", "elements in a video game, even one that is partially story driven, need", "method that I see used is the 'choice'. Where the character makes choices", "the time or skill to write the countless stories and to make that", "blank canvas technique. Where the playing character is whatever the player makes of", "that ruin replay value (which can ruin even an initial playthrough when a", "details. This does help with replayability. Characters make choices: Another method that I", "the player makes of them. Their decisions, thoughts, actions all are driven solely", "to give the player the power to make decisions that effect the story", "give the player the power to make decisions that effect the story then", "of people use it from the start. I don't really want to painstakingly", "one that is partially story driven, need to be brief. Partly because the", "been to add the skippable dialogue or cutscene feature. Of course the majority", "choices throughout the game that begin to define them. I do intend to", "makes the Character: Lastly, there is the blank canvas technique. Where the playing", "power to make decisions that effect the story then I can't have the", "make that blank character that people project themselves onto. What I do have", "games. It is not the technique I want to use. I don't have", "that. Given these limitations inherent in videogame mechanics, how do I still manage", "Of course the majority of people use it from the start. I don't", "to meet. I am going to write them. I just don't know how", "I want people to meet. I am going to write them. I just", "Partly because the players want to get on with playing the game, and", "character makes choices throughout the game that begin to define them. I do", "important details. This does help with replayability. Characters make choices: Another method that", "with character development techniques. It is a character driven ensemble cast jRPG/cRPG. Therefore", "replayability. Characters make choices: Another method that I see used is the 'choice'.", "solution to this has been to add the skippable dialogue or cutscene feature.", "cutscene over and over again). Skippable Dialogue: One solution to this has been", "is a character driven ensemble cast jRPG/cRPG. Therefore I want the characters to", "character is whatever the player makes of them. Their decisions, thoughts, actions all", "Lastly, there is the blank canvas technique. Where the playing character is whatever", "video game project and I need some help with character development techniques. It", "become monotonous drags that ruin replay value (which can ruin even an initial", "Where the character makes choices throughout the game that begin to define them.", "technique. Where the playing character is whatever the player makes of them. Their", "that effect the story then I can't have the characters making all the", "the countless stories and to make that blank character that people project themselves", "that I see used is the 'choice'. Where the character makes choices throughout", "whatever the player makes of them. Their decisions, thoughts, actions all are driven", "makes choices throughout the game that begin to define them. I do intend", "them. The more serious consequence to this is that most people skip through", "be brief. Partly because the players want to get on with playing the", "too. This can make completing the game more difficult, even if you add", "the game, and partly because they become monotonous drags that ruin replay value", "the decisions. The Player makes the Character: Lastly, there is the blank canvas", "majority of people use it from the start. I don't really want to", "the game that begin to define them. I do intend to use this", "to a limited degree. I don't want my characters to be defined simply", "this but to a limited degree. I don't want my characters to be", "consequence to this is that most people skip through important plot/quest information too.", "inherent in videogame mechanics, how do I still manage to write strong characters?", "that I want people to meet. I am going to write them. I", "but to a limited degree. I don't want my characters to be defined", "because they become monotonous drags that ruin replay value (which can ruin even", "Skippable Dialogue: One solution to this has been to add the skippable dialogue", "working on a video game project and I need some help with character", "skill to write the countless stories and to make that blank character that", "I see used is the 'choice'. Where the character makes choices throughout the", "game, even one that is partially story driven, need to be brief. Partly", "it from the start. I don't really want to painstakingly develop my characters", "there is the blank canvas technique. Where the playing character is whatever the", "to the player. The Problem: ------------ Storytelling elements in a video game, even", "is not the technique I want to use. I don't have the time", "them. I do intend to use this but to a limited degree. I", "of choices. I also don't want the game to be linear and plot", "do intend to use this but to a limited degree. I don't want", "character that people project themselves onto. What I do have are characters that", "want the characters to be important to the player. The Problem: ------------ Storytelling", "to make decisions that effect the story then I can't have the characters", "write the countless stories and to make that blank character that people project", "cutscene feature. Of course the majority of people use it from the start.", "is that most people skip through important plot/quest information too. This can make", "characters making all the decisions. The Player makes the Character: Lastly, there is", "I don't have the time or skill to write the countless stories and", "plot driven, which limits how often I can use this. If I want", "can make completing the game more difficult, even if you add a log", "initial playthrough when a player gets 'stuck' and has to watch the same", "game that begin to define them. I do intend to use this but", "same cutscene over and over again). Skippable Dialogue: One solution to this has", "a video game project and I need some help with character development techniques.", "that most people skip through important plot/quest information too. This can make completing", "Storytelling elements in a video game, even one that is partially story driven,", "really want to painstakingly develop my characters just so people can never get", "characters to be important to the player. The Problem: ------------ Storytelling elements in", "define them. I do intend to use this but to a limited degree.", "to play them. This is a great technique for many successful games. It", "a player gets 'stuck' and has to watch the same cutscene over and", "again). Skippable Dialogue: One solution to this has been to add the skippable", "then I can't have the characters making all the decisions. The Player makes", "game, and partly because they become monotonous drags that ruin replay value (which", "this has been to add the skippable dialogue or cutscene feature. Of course", "with playing the game, and partly because they become monotonous drags that ruin", "intend to use this but to a limited degree. I don't want my", "choices: Another method that I see used is the 'choice'. Where the character", "is the blank canvas technique. Where the playing character is whatever the player", "from the start. I don't really want to painstakingly develop my characters just", "playing character is whatever the player makes of them. Their decisions, thoughts, actions" ]
[ "a lot of pseudoscientific ideas being dealt constantly. I was wondering how to", "how to reduce the absurdity of some of those ideas using literary techniques.", "I am writing a science-fiction short story where there are a lot of", "of pseudoscientific ideas being dealt constantly. I was wondering how to reduce the", "ideas being dealt constantly. I was wondering how to reduce the absurdity of", "story where there are a lot of pseudoscientific ideas being dealt constantly. I", "science-fiction short story where there are a lot of pseudoscientific ideas being dealt", "where there are a lot of pseudoscientific ideas being dealt constantly. I was", "there are a lot of pseudoscientific ideas being dealt constantly. I was wondering", "I was wondering how to reduce the absurdity of some of those ideas", "short story where there are a lot of pseudoscientific ideas being dealt constantly.", "being dealt constantly. I was wondering how to reduce the absurdity of some", "lot of pseudoscientific ideas being dealt constantly. I was wondering how to reduce", "was wondering how to reduce the absurdity of some of those ideas using", "am writing a science-fiction short story where there are a lot of pseudoscientific", "are a lot of pseudoscientific ideas being dealt constantly. I was wondering how", "dealt constantly. I was wondering how to reduce the absurdity of some of", "writing a science-fiction short story where there are a lot of pseudoscientific ideas", "pseudoscientific ideas being dealt constantly. I was wondering how to reduce the absurdity", "a science-fiction short story where there are a lot of pseudoscientific ideas being", "constantly. I was wondering how to reduce the absurdity of some of those", "wondering how to reduce the absurdity of some of those ideas using literary" ]
[ "having trouble with is putting it all together. Is there a process or", "rough sketches of what I want GUI elements to look like and a", "experience for me but I want better for myself now. I am starting", "trouble with is putting it all together. Is there a process or method", "This was a great learning experience for me but I want better for", "few other things I've been doing: * Top-down and Bottom-up design * Design", "the document that I can follow? Perhaps a few steps. Are there questions", "been rough sketches of what I want GUI elements to look like and", "Is there an approach to writing the document that I can follow? Perhaps", "down at an IDE and hammering out some code. When my decisions ultimately", "myself now. I am starting to see the benefit of creating design documents.", "few steps. Are there questions that I can ask myself? The answers to", "putting it all together. Is there a process or method that works well?", "document that I can follow? Perhaps a few steps. Are there questions that", "there questions that I can ask myself? The answers to which will be", "learning experience for me but I want better for myself now. I am", "classes before implementing them But what I am having trouble with is putting", "other things I've been doing: * Top-down and Bottom-up design * Design Patterns", "be useful in the creation of an outline for my projects and applications.", "an IDE and hammering out some code. When my decisions ultimately coded me", "A few other things I've been doing: * Top-down and Bottom-up design ", "what I am having trouble with is putting it all together. Is there", "of what I want GUI elements to look like and a few flow", "works well? Is there an approach to writing the document that I can", "documents. So far this has been rough sketches of what I want GUI", "I'm a self-taught programmer which means I started writing software by sitting down", "want better for myself now. I am starting to see the benefit of", "method that works well? Is there an approach to writing the document that", "follow? Perhaps a few steps. Are there questions that I can ask myself?", "look like and a few flow charts. A few other things I've been", "am starting to see the benefit of creating design documents. So far this", "sketches of what I want GUI elements to look like and a few", "Patterns Requirements * Trying to understand the needs of my apps ", "implementing them But what I am having trouble with is putting it all", "coded me into a corner I would refactor and rewrite. This was a", "doing: Top-down and Bottom-up design * Design Patterns * Requirements * Trying", "an approach to writing the document that I can follow? Perhaps a few", "a process or method that works well? Is there an approach to writing", "writing the document that I can follow? Perhaps a few steps. Are there", "that I can follow? Perhaps a few steps. Are there questions that I", "the needs of my apps * Designing classes before implementing them But what", "* Trying to understand the needs of my apps * Designing classes before", "I would refactor and rewrite. This was a great learning experience for me", "I've been doing: * Top-down and Bottom-up design * Design Patterns * Requirements", "Design Patterns * Requirements * Trying to understand the needs of my apps", "Is there a process or method that works well? Is there an approach", "that works well? Is there an approach to writing the document that I", "there an approach to writing the document that I can follow? Perhaps a", "needs of my apps * Designing classes before implementing them But what I", "them But what I am having trouble with is putting it all together.", "IDE and hammering out some code. When my decisions ultimately coded me into", "So far this has been rough sketches of what I want GUI elements", "and a few flow charts. A few other things I've been doing: ", "programmer which means I started writing software by sitting down at an IDE", "to writing the document that I can follow? Perhaps a few steps. Are", "decisions ultimately coded me into a corner I would refactor and rewrite. This", "or method that works well? Is there an approach to writing the document", "Requirements Trying to understand the needs of my apps * Designing classes", "to understand the needs of my apps * Designing classes before implementing them", "starting to see the benefit of creating design documents. So far this has", "answers to which will be useful in the creation of an outline for", "together. Is there a process or method that works well? Is there an", "things I've been doing: * Top-down and Bottom-up design * Design Patterns ", " Designing classes before implementing them But what I am having trouble with", "questions that I can ask myself? The answers to which will be useful", "a corner I would refactor and rewrite. This was a great learning experience", "my apps * Designing classes before implementing them But what I am having", "the benefit of creating design documents. So far this has been rough sketches", "some code. When my decisions ultimately coded me into a corner I would", "steps. Are there questions that I can ask myself? The answers to which", "creating design documents. So far this has been rough sketches of what I", "would refactor and rewrite. This was a great learning experience for me but", "a great learning experience for me but I want better for myself now.", "a few steps. Are there questions that I can ask myself? The answers", "design documents. So far this has been rough sketches of what I want", "with is putting it all together. Is there a process or method that", "this has been rough sketches of what I want GUI elements to look", "all together. Is there a process or method that works well? Is there", "I can ask myself? The answers to which will be useful in the", "at an IDE and hammering out some code. When my decisions ultimately coded", "I want better for myself now. I am starting to see the benefit", "few flow charts. A few other things I've been doing: * Top-down and", "When my decisions ultimately coded me into a corner I would refactor and", "* Top-down and Bottom-up design * Design Patterns * Requirements * Trying to", "by sitting down at an IDE and hammering out some code. When my", "that I can ask myself? The answers to which will be useful in", "but I want better for myself now. I am starting to see the", "out some code. When my decisions ultimately coded me into a corner I", "which means I started writing software by sitting down at an IDE and", "want GUI elements to look like and a few flow charts. A few", "design * Design Patterns * Requirements * Trying to understand the needs of", "refactor and rewrite. This was a great learning experience for me but I", "apps * Designing classes before implementing them But what I am having trouble", "is putting it all together. Is there a process or method that works", "my decisions ultimately coded me into a corner I would refactor and rewrite.", "and Bottom-up design * Design Patterns * Requirements * Trying to understand the", "for myself now. I am starting to see the benefit of creating design", "it all together. Is there a process or method that works well? Is", "process or method that works well? Is there an approach to writing the", "to look like and a few flow charts. A few other things I've", "a self-taught programmer which means I started writing software by sitting down at", "Are there questions that I can ask myself? The answers to which will", "before implementing them But what I am having trouble with is putting it", "started writing software by sitting down at an IDE and hammering out some", "Perhaps a few steps. Are there questions that I can ask myself? The", "of my apps * Designing classes before implementing them But what I am", "But what I am having trouble with is putting it all together. Is", "well? Is there an approach to writing the document that I can follow?", "to see the benefit of creating design documents. So far this has been", "better for myself now. I am starting to see the benefit of creating", "ask myself? The answers to which will be useful in the creation of", "code. When my decisions ultimately coded me into a corner I would refactor", "can ask myself? The answers to which will be useful in the creation", "hammering out some code. When my decisions ultimately coded me into a corner", "me into a corner I would refactor and rewrite. This was a great", "now. I am starting to see the benefit of creating design documents. So", "and rewrite. This was a great learning experience for me but I want", "Designing classes before implementing them But what I am having trouble with is", "writing software by sitting down at an IDE and hammering out some code.", "rewrite. This was a great learning experience for me but I want better", "there a process or method that works well? Is there an approach to", "software by sitting down at an IDE and hammering out some code. When", "ultimately coded me into a corner I would refactor and rewrite. This was", "of creating design documents. So far this has been rough sketches of what", "Trying to understand the needs of my apps * Designing classes before implementing", "GUI elements to look like and a few flow charts. A few other", "myself? The answers to which will be useful in the creation of an", "* Design Patterns * Requirements * Trying to understand the needs of my", "* Requirements * Trying to understand the needs of my apps * Designing", "will be useful in the creation of an outline for my projects and", "which will be useful in the creation of an outline for my projects", "I want GUI elements to look like and a few flow charts. A", "what I want GUI elements to look like and a few flow charts.", "elements to look like and a few flow charts. A few other things", "Bottom-up design * Design Patterns * Requirements * Trying to understand the needs", "great learning experience for me but I want better for myself now. I", "am having trouble with is putting it all together. Is there a process", "been doing: * Top-down and Bottom-up design * Design Patterns * Requirements ", "means I started writing software by sitting down at an IDE and hammering", "has been rough sketches of what I want GUI elements to look like", "to which will be useful in the creation of an outline for my", "understand the needs of my apps Designing classes before implementing them But", "I started writing software by sitting down at an IDE and hammering out", "I can follow? Perhaps a few steps. Are there questions that I can", "a few flow charts. A few other things I've been doing: * Top-down", "charts. A few other things I've been doing: * Top-down and Bottom-up design", "like and a few flow charts. A few other things I've been doing:", "into a corner I would refactor and rewrite. This was a great learning", "sitting down at an IDE and hammering out some code. When my decisions", "me but I want better for myself now. I am starting to see", "corner I would refactor and rewrite. This was a great learning experience for", "I am starting to see the benefit of creating design documents. So far", "The answers to which will be useful in the creation of an outline", "and hammering out some code. When my decisions ultimately coded me into a", "Top-down and Bottom-up design * Design Patterns * Requirements * Trying to understand", "can follow? Perhaps a few steps. Are there questions that I can ask", "flow charts. A few other things I've been doing: * Top-down and Bottom-up", "was a great learning experience for me but I want better for myself", "far this has been rough sketches of what I want GUI elements to", "see the benefit of creating design documents. So far this has been rough", "I am having trouble with is putting it all together. Is there a", "for me but I want better for myself now. I am starting to", "approach to writing the document that I can follow? Perhaps a few steps.", "self-taught programmer which means I started writing software by sitting down at an", "benefit of creating design documents. So far this has been rough sketches of" ]
[ "the same or a plain with green grass with a sprinkle of green", "a scenery, especially when the features are very bland, like you describe a", "when the features are very bland, like you describe a city where all", "sprinkle of green leafy trees. What are some ways of extending a descriptive", "plain with green grass with a sprinkle of green leafy trees. What are", "it very hard sometimes to describe a scenery, especially when the features are", "are very bland, like you describe a city where all of the buildings", "like you describe a city where all of the buildings are tall and", "buildings are tall and look about the same or a plain with green", "city where all of the buildings are tall and look about the same", "very hard sometimes to describe a scenery, especially when the features are very", "same or a plain with green grass with a sprinkle of green leafy", "a city where all of the buildings are tall and look about the", "bland, like you describe a city where all of the buildings are tall", "sometimes to describe a scenery, especially when the features are very bland, like", "describe a city where all of the buildings are tall and look about", "to describe a scenery, especially when the features are very bland, like you", "with green grass with a sprinkle of green leafy trees. What are some", "scenery, especially when the features are very bland, like you describe a city", "with a sprinkle of green leafy trees. What are some ways of extending", "tall and look about the same or a plain with green grass with", "or a plain with green grass with a sprinkle of green leafy trees.", "you describe a city where all of the buildings are tall and look", "features are very bland, like you describe a city where all of the", "hard sometimes to describe a scenery, especially when the features are very bland,", "especially when the features are very bland, like you describe a city where", "find it very hard sometimes to describe a scenery, especially when the features", "describe a scenery, especially when the features are very bland, like you describe", "and look about the same or a plain with green grass with a", "very bland, like you describe a city where all of the buildings are", "of the buildings are tall and look about the same or a plain", "a plain with green grass with a sprinkle of green leafy trees. What", "green grass with a sprinkle of green leafy trees. What are some ways", "about the same or a plain with green grass with a sprinkle of", "the buildings are tall and look about the same or a plain with", "the features are very bland, like you describe a city where all of", "a sprinkle of green leafy trees. What are some ways of extending a", "of green leafy trees. What are some ways of extending a descriptive paragraph?", "grass with a sprinkle of green leafy trees. What are some ways of", "where all of the buildings are tall and look about the same or", "all of the buildings are tall and look about the same or a", "I find it very hard sometimes to describe a scenery, especially when the", "look about the same or a plain with green grass with a sprinkle", "are tall and look about the same or a plain with green grass" ]
[ "focused on my depression/anxiety and, generally, the darker aspects of my life and", "bad solely because it focused on my depression/anxiety and, generally, the darker aspects", "critique, or is this nitpicking and a putdown? Can this be helpful in", "This bit of feedback has stuck with me, and I don't know whether", "with mental illness and sexuality. Most critique was fine and constructive, but one", "or not to call it a critique. From my perspective, as someone who", "this critique, or is this nitpicking and a putdown? Can this be helpful", "read of a piece they chose, then all the students provided critique out", "a \"more positive mindset\", and that my piece was bad solely because it", "really made a negative impression on me; the anonymous student responded to my", "should have a \"more positive mindset\", and that my piece was bad solely", "acquaintances in the future. I've had similar experiences like this, where people tell", "fine and constructive, but one paper that I got back really made a", "activity for my AP Lang class, each student did a cold read of", "critique out loud and written on their own copy of the author's piece.", "through. This bit of feedback has stuck with me, and I don't know", "negative impression on me; the anonymous student responded to my piece that I", "poem about my life, which mainly focused on my struggles with mental illness", "Most critique was fine and constructive, but one paper that I got back", "anonymous student's feedback made me feel bad and nervous to share with strangers", "dislike about my piece, but do not provide advice to fix it or", "written on their own copy of the author's piece. I read a poem", "on me; the anonymous student responded to my piece that I should have", "or is it just destructive? Was I and am I being too sensitive?", "in any way, or is it just destructive? Was I and am I", "fix it or any explanation of why they dislike certain portions. Is this", "why they dislike certain portions. Is this critique, or is this nitpicking and", "sexuality. Most critique was fine and constructive, but one paper that I got", "their own copy of the author's piece. I read a poem about my", "but do not provide advice to fix it or any explanation of why", "critique was fine and constructive, but one paper that I got back really", "perspective, as someone who is very sensitive and protective of my writing, the", "was bad solely because it focused on my depression/anxiety and, generally, the darker", "a critique. From my perspective, as someone who is very sensitive and protective", "it focused on my depression/anxiety and, generally, the darker aspects of my life", "a putdown? Can this be helpful in any way, or is it just", "I have been through. This bit of feedback has stuck with me, and", "constructive, but one paper that I got back really made a negative impression", "of feedback has stuck with me, and I don't know whether or not", "the darker aspects of my life and what I have been through. This", "the anonymous student's feedback made me feel bad and nervous to share with", "writing, the anonymous student's feedback made me feel bad and nervous to share", "very sensitive and protective of my writing, the anonymous student's feedback made me", "what I have been through. This bit of feedback has stuck with me,", "experiences like this, where people tell me what they dislike about my piece,", "dislike certain portions. Is this critique, or is this nitpicking and a putdown?", "is this nitpicking and a putdown? Can this be helpful in any way,", "portions. Is this critique, or is this nitpicking and a putdown? Can this", "about my life, which mainly focused on my struggles with mental illness and", "in-class activity for my AP Lang class, each student did a cold read", "piece. I read a poem about my life, which mainly focused on my", "the future. I've had similar experiences like this, where people tell me what", "class, each student did a cold read of a piece they chose, then", "protective of my writing, the anonymous student's feedback made me feel bad and", "feedback has stuck with me, and I don't know whether or not to", "stuck with me, and I don't know whether or not to call it", "and protective of my writing, the anonymous student's feedback made me feel bad", "\"more positive mindset\", and that my piece was bad solely because it focused", "certain portions. Is this critique, or is this nitpicking and a putdown? Can", "all the students provided critique out loud and written on their own copy", "that I should have a \"more positive mindset\", and that my piece was", "From my perspective, as someone who is very sensitive and protective of my", "but one paper that I got back really made a negative impression on", "and acquaintances in the future. I've had similar experiences like this, where people", "not to call it a critique. From my perspective, as someone who is", "bad and nervous to share with strangers and acquaintances in the future. I've", "the anonymous student responded to my piece that I should have a \"more", "know whether or not to call it a critique. From my perspective, as", "they chose, then all the students provided critique out loud and written on", "which mainly focused on my struggles with mental illness and sexuality. Most critique", "I don't know whether or not to call it a critique. From my", "to share with strangers and acquaintances in the future. I've had similar experiences", "piece was bad solely because it focused on my depression/anxiety and, generally, the", "this be helpful in any way, or is it just destructive? Was I", "similar experiences like this, where people tell me what they dislike about my", "call it a critique. From my perspective, as someone who is very sensitive", "struggles with mental illness and sexuality. Most critique was fine and constructive, but", "they dislike about my piece, but do not provide advice to fix it", "author's piece. I read a poem about my life, which mainly focused on", "tell me what they dislike about my piece, but do not provide advice", "is very sensitive and protective of my writing, the anonymous student's feedback made", "a poem about my life, which mainly focused on my struggles with mental", "Is this critique, or is this nitpicking and a putdown? Can this be", "provided critique out loud and written on their own copy of the author's", "each student did a cold read of a piece they chose, then all", "life, which mainly focused on my struggles with mental illness and sexuality. Most", "bit of feedback has stuck with me, and I don't know whether or", "someone who is very sensitive and protective of my writing, the anonymous student's", "I should have a \"more positive mindset\", and that my piece was bad", "made a negative impression on me; the anonymous student responded to my piece", "mindset\", and that my piece was bad solely because it focused on my", "share with strangers and acquaintances in the future. I've had similar experiences like", "on my struggles with mental illness and sexuality. Most critique was fine and", "of why they dislike certain portions. Is this critique, or is this nitpicking", "who is very sensitive and protective of my writing, the anonymous student's feedback", "a cold read of a piece they chose, then all the students provided", "my piece that I should have a \"more positive mindset\", and that my", "had similar experiences like this, where people tell me what they dislike about", "of a piece they chose, then all the students provided critique out loud", "the author's piece. I read a poem about my life, which mainly focused", "that I got back really made a negative impression on me; the anonymous", "it or any explanation of why they dislike certain portions. Is this critique,", "of my writing, the anonymous student's feedback made me feel bad and nervous", "me, and I don't know whether or not to call it a critique.", "life and what I have been through. This bit of feedback has stuck", "back really made a negative impression on me; the anonymous student responded to", "I read a poem about my life, which mainly focused on my struggles", "and a putdown? Can this be helpful in any way, or is it", "I got back really made a negative impression on me; the anonymous student", "read a poem about my life, which mainly focused on my struggles with", "depression/anxiety and, generally, the darker aspects of my life and what I have", "or any explanation of why they dislike certain portions. Is this critique, or", "focused on my struggles with mental illness and sexuality. Most critique was fine", "made me feel bad and nervous to share with strangers and acquaintances in", "my piece was bad solely because it focused on my depression/anxiety and, generally,", "student did a cold read of a piece they chose, then all the", "copy of the author's piece. I read a poem about my life, which", "where people tell me what they dislike about my piece, but do not", "one paper that I got back really made a negative impression on me;", "of the author's piece. I read a poem about my life, which mainly", "darker aspects of my life and what I have been through. This bit", "feel bad and nervous to share with strangers and acquaintances in the future.", "in the future. I've had similar experiences like this, where people tell me", "aspects of my life and what I have been through. This bit of", "to call it a critique. From my perspective, as someone who is very", "be helpful in any way, or is it just destructive? Was I and", "critique. From my perspective, as someone who is very sensitive and protective of", "piece they chose, then all the students provided critique out loud and written", "people tell me what they dislike about my piece, but do not provide", "been through. This bit of feedback has stuck with me, and I don't", "out loud and written on their own copy of the author's piece. I", "because it focused on my depression/anxiety and, generally, the darker aspects of my", "with me, and I don't know whether or not to call it a", "with strangers and acquaintances in the future. I've had similar experiences like this,", "don't know whether or not to call it a critique. From my perspective,", "AP Lang class, each student did a cold read of a piece they", "piece that I should have a \"more positive mindset\", and that my piece", "it a critique. From my perspective, as someone who is very sensitive and", "my writing, the anonymous student's feedback made me feel bad and nervous to", "they dislike certain portions. Is this critique, or is this nitpicking and a", "student's feedback made me feel bad and nervous to share with strangers and", "way, or is it just destructive? Was I and am I being too", "and that my piece was bad solely because it focused on my depression/anxiety", "an in-class activity for my AP Lang class, each student did a cold", "and sexuality. Most critique was fine and constructive, but one paper that I", "on my depression/anxiety and, generally, the darker aspects of my life and what", "feedback made me feel bad and nervous to share with strangers and acquaintances", "piece, but do not provide advice to fix it or any explanation of", "solely because it focused on my depression/anxiety and, generally, the darker aspects of", "Can this be helpful in any way, or is it just destructive? Was", "mainly focused on my struggles with mental illness and sexuality. Most critique was", "then all the students provided critique out loud and written on their own", "future. I've had similar experiences like this, where people tell me what they", "whether or not to call it a critique. From my perspective, as someone", "was fine and constructive, but one paper that I got back really made", "I've had similar experiences like this, where people tell me what they dislike", "this, where people tell me what they dislike about my piece, but do", "a piece they chose, then all the students provided critique out loud and", "impression on me; the anonymous student responded to my piece that I should", "nitpicking and a putdown? Can this be helpful in any way, or is", "has stuck with me, and I don't know whether or not to call", "like this, where people tell me what they dislike about my piece, but", "mental illness and sexuality. Most critique was fine and constructive, but one paper", "that my piece was bad solely because it focused on my depression/anxiety and,", "me what they dislike about my piece, but do not provide advice to", "generally, the darker aspects of my life and what I have been through.", "as someone who is very sensitive and protective of my writing, the anonymous", "what they dislike about my piece, but do not provide advice to fix", "my piece, but do not provide advice to fix it or any explanation", "did a cold read of a piece they chose, then all the students", "my life, which mainly focused on my struggles with mental illness and sexuality.", "any explanation of why they dislike certain portions. Is this critique, or is", "or is this nitpicking and a putdown? Can this be helpful in any", "loud and written on their own copy of the author's piece. I read", "my depression/anxiety and, generally, the darker aspects of my life and what I", "me feel bad and nervous to share with strangers and acquaintances in the", "and constructive, but one paper that I got back really made a negative", "any way, or is it just destructive? Was I and am I being", "the students provided critique out loud and written on their own copy of", "this nitpicking and a putdown? Can this be helpful in any way, or", "and, generally, the darker aspects of my life and what I have been", "and I don't know whether or not to call it a critique. From", "have been through. This bit of feedback has stuck with me, and I", "for my AP Lang class, each student did a cold read of a", "and nervous to share with strangers and acquaintances in the future. I've had", "my perspective, as someone who is very sensitive and protective of my writing,", "my life and what I have been through. This bit of feedback has", "not provide advice to fix it or any explanation of why they dislike", "explanation of why they dislike certain portions. Is this critique, or is this", "helpful in any way, or is it just destructive? Was I and am", "chose, then all the students provided critique out loud and written on their", "of my life and what I have been through. This bit of feedback", "and what I have been through. This bit of feedback has stuck with", "sensitive and protective of my writing, the anonymous student's feedback made me feel", "responded to my piece that I should have a \"more positive mindset\", and", "putdown? Can this be helpful in any way, or is it just destructive?", "provide advice to fix it or any explanation of why they dislike certain", "have a \"more positive mindset\", and that my piece was bad solely because", "on their own copy of the author's piece. I read a poem about", "anonymous student responded to my piece that I should have a \"more positive", "advice to fix it or any explanation of why they dislike certain portions.", "me; the anonymous student responded to my piece that I should have a", "about my piece, but do not provide advice to fix it or any", "got back really made a negative impression on me; the anonymous student responded", "nervous to share with strangers and acquaintances in the future. I've had similar", "own copy of the author's piece. I read a poem about my life,", "illness and sexuality. Most critique was fine and constructive, but one paper that", "paper that I got back really made a negative impression on me; the", "a negative impression on me; the anonymous student responded to my piece that", "During an in-class activity for my AP Lang class, each student did a", "student responded to my piece that I should have a \"more positive mindset\",", "cold read of a piece they chose, then all the students provided critique", "to my piece that I should have a \"more positive mindset\", and that", "students provided critique out loud and written on their own copy of the", "and written on their own copy of the author's piece. I read a", "my AP Lang class, each student did a cold read of a piece", "do not provide advice to fix it or any explanation of why they", "to fix it or any explanation of why they dislike certain portions. Is", "my struggles with mental illness and sexuality. Most critique was fine and constructive,", "strangers and acquaintances in the future. I've had similar experiences like this, where", "Lang class, each student did a cold read of a piece they chose,", "positive mindset\", and that my piece was bad solely because it focused on" ]
[ "who aren't very fluent in English. It's very hard, because people have different", "seriously wondering how to go about writing dialogues for characters whose native language", "English. It's very hard, because people have different levels of fluency, and it", "hard, because people have different levels of fluency, and it may also be", "it may also be kind of offensive to write dialogues with several grammatical", "am seriously wondering how to go about writing dialogues for characters whose native", "I am seriously wondering how to go about writing dialogues for characters whose", "levels of fluency, and it may also be kind of offensive to write", "how to go about writing dialogues for characters whose native language isn't English", "whose native language isn't English and who aren't very fluent in English. It's", "isn't English and who aren't very fluent in English. It's very hard, because", "and it may also be kind of offensive to write dialogues with several", "fluent in English. It's very hard, because people have different levels of fluency,", "in English. It's very hard, because people have different levels of fluency, and", "writing dialogues for characters whose native language isn't English and who aren't very", "for characters whose native language isn't English and who aren't very fluent in", "of fluency, and it may also be kind of offensive to write dialogues", "different levels of fluency, and it may also be kind of offensive to", "about writing dialogues for characters whose native language isn't English and who aren't", "go about writing dialogues for characters whose native language isn't English and who", "very hard, because people have different levels of fluency, and it may also", "aren't very fluent in English. It's very hard, because people have different levels", "may also be kind of offensive to write dialogues with several grammatical mistakes.", "people have different levels of fluency, and it may also be kind of", "have different levels of fluency, and it may also be kind of offensive", "and who aren't very fluent in English. It's very hard, because people have", "native language isn't English and who aren't very fluent in English. It's very", "English and who aren't very fluent in English. It's very hard, because people", "because people have different levels of fluency, and it may also be kind", "dialogues for characters whose native language isn't English and who aren't very fluent", "wondering how to go about writing dialogues for characters whose native language isn't", "very fluent in English. It's very hard, because people have different levels of", "It's very hard, because people have different levels of fluency, and it may", "characters whose native language isn't English and who aren't very fluent in English.", "language isn't English and who aren't very fluent in English. It's very hard,", "to go about writing dialogues for characters whose native language isn't English and", "fluency, and it may also be kind of offensive to write dialogues with" ]
[ "references and some of the younger kids will not. No matter which age", "longer with more complex language, and many are, but the overall range for", "called \"upper middle grade.\" Approximately ages 10-12. In speaking with librarians and elementary", "I don't give details on what happened to her. I want to write", "cross in order to keep my work in middle grade? * Swearing. ", "pregnant, but I don't give details on what happened to her. I want", "older teens reading the book will get the references and some of the", "issues of complexity, style, age of main characters, theme, etc. Obviously, I'm not", "even if the averages change. What lines do I need to be careful", "characters, theme, etc. Obviously, I'm not going to describe sex or drop F-bombs.", "Other violence. Murder/killing. * Babymaking (pregnancy, birth, infancy). * Dark themes. ", "the overall range for both categories is the same, even if the averages", "keep my work in middle grade? Swearing. * Relationships/Sex. * Bodily functions.", "age group I pitch the novel to, I know people both older and", "in middle grade? * Swearing. * Relationships/Sex. * Bodily functions. * Sexual violence.", "Swearing. * Relationships/Sex. * Bodily functions. * Sexual violence. * Other violence. ", "give a publisher pause in labeling a work middle grade?* (I'm in the", "know people both older and younger will read it (or so I hope).", "would think YA books would be longer with more complex language, and many", "birth, infancy). * Dark themes. * Literary issues of complexity, style, age of", "niche called \"upper middle grade.\" Approximately ages 10-12. In speaking with librarians and", "speaking with librarians and elementary school teachers, it seems there is not any", "In speaking with librarians and elementary school teachers, it seems there is not", "excellent question which outlined differences among works for children, middle-grade, and young-adult. [What", "this excellent question which outlined differences among works for children, middle-grade, and young-adult.", "aimed at the niche called \"upper middle grade.\" Approximately ages 10-12. In speaking", "not going to describe sex or drop F-bombs. But I have one teen", "of the younger kids will not. No matter which age group I pitch", "think YA books would be longer with more complex language, and many are,", "*What are the things that would give a publisher pause in labeling a", "grade and young adult fiction, aside from content. You would think YA books", "will get the references and some of the younger kids will not. No", "writing a novel aimed at the niche called \"upper middle grade.\" Approximately ages", "not. No matter which age group I pitch the novel to, I know", "the things that would give a publisher pause in labeling a work middle", "to cross in order to keep my work in middle grade? Swearing.", "followup on this excellent question which outlined differences among works for children, middle-grade,", "and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at the niche", "to keep my work in middle grade? * Swearing. * Relationships/Sex. * Bodily", "a novel aimed at the niche called \"upper middle grade.\" Approximately ages 10-12.", "YA books would be longer with more complex language, and many are, but", "book will get the references and some of the younger kids will not.", "not to cross in order to keep my work in middle grade? ", "middle-grade, and young-adult. [What are some clear differences in theme/story between children's, middle", " Relationships/Sex. * Bodily functions. * Sexual violence. * Other violence. * Murder/killing.", "adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at the niche called \"upper", "middle grade and young adult fiction, aside from content. You would think YA", "which outlined differences among works for children, middle-grade, and young-adult. [What are some", "functions. * Sexual violence. * Other violence. * Murder/killing. * Babymaking (pregnancy, birth,", "(or so I hope). *What are the things that would give a publisher", "same, even if the averages change. What lines do I need to be", "United States but if you have insight from other countries, please include it.)", "be longer with more complex language, and many are, but the overall range", "Relationships/Sex. Bodily functions. * Sexual violence. * Other violence. * Murder/killing. ", "teen character who is rescued from forced prostitution, and pregnant, but I don't", "from content. You would think YA books would be longer with more complex", "of complexity, style, age of main characters, theme, etc. Obviously, I'm not going", "or drop F-bombs. But I have one teen character who is rescued from", "what happened to her. I want to write to different levels. Adults and", "hope). What are the things that would give a publisher pause in labeling", "etc. Obviously, I'm not going to describe sex or drop F-bombs. But I", " Sexual violence. * Other violence. * Murder/killing. * Babymaking (pregnancy, birth, infancy).", "need to be careful not to cross in order to keep my work", "but I don't give details on what happened to her. I want to", "levels. Adults and older teens reading the book will get the references and", "if the averages change. What lines do I need to be careful not", "content. You would think YA books would be longer with more complex language,", "things that would give a publisher pause in labeling a work middle grade?", "don't give details on what happened to her. I want to write to", "kids will not. No matter which age group I pitch the novel to,", "novel aimed at the niche called \"upper middle grade.\" Approximately ages 10-12. In", "but the overall range for both categories is the same, even if the", "for both categories is the same, even if the averages change. What lines", "differences in theme/story between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am", "will not. No matter which age group I pitch the novel to, I", "range for both categories is the same, even if the averages change. What", "like to followup on this excellent question which outlined differences among works for", "young adult fiction, aside from content. You would think YA books would be", "teachers, it seems there is not any difference between middle grade and young", "drop F-bombs. But I have one teen character who is rescued from forced", "character who is rescued from forced prostitution, and pregnant, but I don't give", "prostitution, and pregnant, but I don't give details on what happened to her.", "the book will get the references and some of the younger kids will", "novel to, I know people both older and younger will read it (or", "it (or so I hope). What are the things that would give a", "young-adult. [What are some clear differences in theme/story between children's, middle grade, and", "more complex language, and many are, but the overall range for both categories", "sex or drop F-bombs. But I have one teen character who is rescued", "age of main characters, theme, etc. Obviously, I'm not going to describe sex", "librarians and elementary school teachers, it seems there is not any difference between", "* Murder/killing. * Babymaking (pregnancy, birth, infancy). * Dark themes. * Literary issues", "give details on what happened to her. I want to write to different", "are the things that would give a publisher pause in labeling a work", "to her. I want to write to different levels. Adults and older teens", "middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at", "* Dark themes. * Literary issues of complexity, style, age of main characters,", "would be longer with more complex language, and many are, but the overall", "both categories is the same, even if the averages change. What lines do", "at the niche called \"upper middle grade.\" Approximately ages 10-12. In speaking with", "older and younger will read it (or so I hope). What are the", "I am writing a novel aimed at the niche called \"upper middle grade.\"", "middle grade.\" Approximately ages 10-12. In speaking with librarians and elementary school teachers,", "theme/story between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a", "ages 10-12. In speaking with librarians and elementary school teachers, it seems there", "aside from content. You would think YA books would be longer with more", "is not any difference between middle grade and young adult fiction, aside from", "younger will read it (or so I hope). What are the things that", "would give a publisher pause in labeling a work middle grade?** (I'm in", "from forced prostitution, and pregnant, but I don't give details on what happened", "seems there is not any difference between middle grade and young adult fiction,", "categories is the same, even if the averages change. What lines do I", "the United States but if you have insight from other countries, please include", "* Babymaking (pregnancy, birth, infancy). * Dark themes. * Literary issues of complexity,", "read it (or so I hope). *What are the things that would give", " Swearing. * Relationships/Sex. * Bodily functions. * Sexual violence. * Other violence.", "have one teen character who is rescued from forced prostitution, and pregnant, but", "write to different levels. Adults and older teens reading the book will get", "\"upper middle grade.\" Approximately ages 10-12. In speaking with librarians and elementary school", "10-12. In speaking with librarians and elementary school teachers, it seems there is", "complex language, and many are, but the overall range for both categories is", "order to keep my work in middle grade? * Swearing. * Relationships/Sex. ", "(I'm in the United States but if you have insight from other countries,", "reading the book will get the references and some of the younger kids", "elementary school teachers, it seems there is not any difference between middle grade", "children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed", "work middle grade?* (I'm in the United States but if you have insight", "fiction, aside from content. You would think YA books would be longer with", "grade? * Swearing. * Relationships/Sex. * Bodily functions. * Sexual violence. * Other", "there is not any difference between middle grade and young adult fiction, aside", "complexity, style, age of main characters, theme, etc. Obviously, I'm not going to", "books would be longer with more complex language, and many are, but the", "What lines do I need to be careful not to cross in order", "middle grade? (I'm in the United States but if you have insight from", "I'm not going to describe sex or drop F-bombs. But I have one", "question which outlined differences among works for children, middle-grade, and young-adult. [What are", "are some clear differences in theme/story between children's, middle grade, and young adult", "I have one teen character who is rescued from forced prostitution, and pregnant,", "and younger will read it (or so I hope). What are the things", "I pitch the novel to, I know people both older and younger will", "with more complex language, and many are, but the overall range for both", "works for children, middle-grade, and young-adult. [What are some clear differences in theme/story", "averages change. What lines do I need to be careful not to cross", "pause in labeling a work middle grade?** (I'm in the United States but", "going to describe sex or drop F-bombs. But I have one teen character", "violence. * Murder/killing. * Babymaking (pregnancy, birth, infancy). * Dark themes. * Literary", "violence. * Other violence. * Murder/killing. * Babymaking (pregnancy, birth, infancy). * Dark", "in theme/story between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing", "and many are, but the overall range for both categories is the same,", "F-bombs. But I have one teen character who is rescued from forced prostitution,", "language, and many are, but the overall range for both categories is the", "* Literary issues of complexity, style, age of main characters, theme, etc. Obviously,", "different levels. Adults and older teens reading the book will get the references", "middle grade? * Swearing. * Relationships/Sex. * Bodily functions. * Sexual violence. ", "to be careful not to cross in order to keep my work in", "grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at the", "and elementary school teachers, it seems there is not any difference between middle", "do I need to be careful not to cross in order to keep", "careful not to cross in order to keep my work in middle grade?", "(pregnancy, birth, infancy). Dark themes. * Literary issues of complexity, style, age", "and pregnant, but I don't give details on what happened to her. I", "on what happened to her. I want to write to different levels. Adults", "are, but the overall range for both categories is the same, even if", "to describe sex or drop F-bombs. But I have one teen character who", "infancy). * Dark themes. * Literary issues of complexity, style, age of main", "who is rescued from forced prostitution, and pregnant, but I don't give details", "* Bodily functions. * Sexual violence. * Other violence. * Murder/killing. * Babymaking", "themes. * Literary issues of complexity, style, age of main characters, theme, etc.", "Babymaking (pregnancy, birth, infancy). * Dark themes. * Literary issues of complexity, style,", "on this excellent question which outlined differences among works for children, middle-grade, and", "grade.\" Approximately ages 10-12. In speaking with librarians and elementary school teachers, it", "I want to write to different levels. Adults and older teens reading the", "school teachers, it seems there is not any difference between middle grade and", "details on what happened to her. I want to write to different levels.", "so I hope). What are the things that would give a publisher pause", "grade? (I'm in the United States but if you have insight from other", "between middle grade and young adult fiction, aside from content. You would think", "labeling a work middle grade? (I'm in the United States but if you", "it seems there is not any difference between middle grade and young adult", "describe sex or drop F-bombs. But I have one teen character who is", "I hope). What are the things that would give a publisher pause in", "to write to different levels. Adults and older teens reading the book will", "between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel", "not any difference between middle grade and young adult fiction, aside from content.", "lines do I need to be careful not to cross in order to", "in order to keep my work in middle grade? * Swearing. * Relationships/Sex.", "and older teens reading the book will get the references and some of", "young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at the niche called", "is rescued from forced prostitution, and pregnant, but I don't give details on", "her. I want to write to different levels. Adults and older teens reading", "will read it (or so I hope). *What are the things that would", "Murder/killing. Babymaking (pregnancy, birth, infancy). * Dark themes. * Literary issues of", "publisher pause in labeling a work middle grade?** (I'm in the United States", "theme, etc. Obviously, I'm not going to describe sex or drop F-bombs. But", "Sexual violence. * Other violence. * Murder/killing. * Babymaking (pregnancy, birth, infancy). ", "want to write to different levels. Adults and older teens reading the book", "for children, middle-grade, and young-adult. [What are some clear differences in theme/story between", "group I pitch the novel to, I know people both older and younger", "and young-adult. [What are some clear differences in theme/story between children's, middle grade,", "Adults and older teens reading the book will get the references and some", "Literary issues of complexity, style, age of main characters, theme, etc. Obviously, I'm", "in the United States but if you have insight from other countries, please", "and some of the younger kids will not. No matter which age group", "my work in middle grade? Swearing. * Relationships/Sex. * Bodily functions. ", "clear differences in theme/story between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I", "a publisher pause in labeling a work middle grade?* (I'm in the United", "both older and younger will read it (or so I hope). *What are", "differences among works for children, middle-grade, and young-adult. [What are some clear differences", "among works for children, middle-grade, and young-adult. [What are some clear differences in", "am writing a novel aimed at the niche called \"upper middle grade.\" Approximately", "the novel to, I know people both older and younger will read it", "I know people both older and younger will read it (or so I", "get the references and some of the younger kids will not. No matter", "matter which age group I pitch the novel to, I know people both", "with librarians and elementary school teachers, it seems there is not any difference", "But I have one teen character who is rescued from forced prostitution, and", "[What are some clear differences in theme/story between children's, middle grade, and young", "fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704) I am writing a novel aimed at the niche called \"upper middle", "children, middle-grade, and young-adult. [What are some clear differences in theme/story between children's,", "be careful not to cross in order to keep my work in middle", "Bodily functions. Sexual violence. * Other violence. * Murder/killing. * Babymaking (pregnancy,", "overall range for both categories is the same, even if the averages change.", "younger kids will not. No matter which age group I pitch the novel", "of main characters, theme, etc. Obviously, I'm not going to describe sex or", "Approximately ages 10-12. In speaking with librarians and elementary school teachers, it seems", "You would think YA books would be longer with more complex language, and", "forced prostitution, and pregnant, but I don't give details on what happened to", "which age group I pitch the novel to, I know people both older", "and young adult fiction, aside from content. You would think YA books would", "style, age of main characters, theme, etc. Obviously, I'm not going to describe", "the younger kids will not. No matter which age group I pitch the", "I need to be careful not to cross in order to keep my", "some clear differences in theme/story between children's, middle grade, and young adult fantasy?](https://writing.stackexchange.com/questions/34700/what-are-some-clear-differences-in-theme-story-between-childrens-middle-grade/34704#34704)", "work in middle grade? * Swearing. * Relationships/Sex. * Bodily functions. * Sexual", "main characters, theme, etc. Obviously, I'm not going to describe sex or drop", "that would give a publisher pause in labeling a work middle grade?** (I'm", "some of the younger kids will not. No matter which age group I", "Dark themes. * Literary issues of complexity, style, age of main characters, theme,", "in labeling a work middle grade? (I'm in the United States but if", "many are, but the overall range for both categories is the same, even", "change. What lines do I need to be careful not to cross in", "the references and some of the younger kids will not. No matter which", "adult fiction, aside from content. You would think YA books would be longer", "one teen character who is rescued from forced prostitution, and pregnant, but I", "people both older and younger will read it (or so I hope). What", "pitch the novel to, I know people both older and younger will read", "is the same, even if the averages change. What lines do I need", "teens reading the book will get the references and some of the younger", "the same, even if the averages change. What lines do I need to", "difference between middle grade and young adult fiction, aside from content. You would", "* Other violence. * Murder/killing. * Babymaking (pregnancy, birth, infancy). * Dark themes.", "I would like to followup on this excellent question which outlined differences among", "outlined differences among works for children, middle-grade, and young-adult. [What are some clear", "rescued from forced prostitution, and pregnant, but I don't give details on what", "Obviously, I'm not going to describe sex or drop F-bombs. But I have", "to different levels. Adults and older teens reading the book will get the", "to, I know people both older and younger will read it (or so", "No matter which age group I pitch the novel to, I know people", "the niche called \"upper middle grade.\" Approximately ages 10-12. In speaking with librarians", "the averages change. What lines do I need to be careful not to", "happened to her. I want to write to different levels. Adults and older", "a work middle grade?** (I'm in the United States but if you have", "would like to followup on this excellent question which outlined differences among works", "to followup on this excellent question which outlined differences among works for children,", "any difference between middle grade and young adult fiction, aside from content. You" ]
[ "do you insure that people don't get confused by the fact you employ", "but what about 2 concurrent allegories (at the same time) and how do", "inside another allegory (mise en abyme), but what about 2 concurrent allegories (at", "insure that people don't get confused by the fact you employ different symbolisms", "by the fact you employ different symbolisms for 2 different allegories concurrently instead", "concurrently instead of one after another? How would you do this? Think of", "instead of one after another? How would you do this? Think of Wizard", "allegory (mise en abyme), but what about 2 concurrent allegories (at the same", "there can be an allegory inside another allegory (mise en abyme), but what", "the fact you employ different symbolisms for 2 different allegories concurrently instead of", "allegories (at the same time) and how do you insure that people don't", "another allegory (mise en abyme), but what about 2 concurrent allegories (at the", "confused by the fact you employ different symbolisms for 2 different allegories concurrently", "How would you do this? Think of Wizard of Oz, but with 2", "an allegory inside another allegory (mise en abyme), but what about 2 concurrent", "Wizard of Oz, but with 2 different allegories being told concurrently instead of", "can be an allegory inside another allegory (mise en abyme), but what about", "you do this? Think of Wizard of Oz, but with 2 different allegories", "don't get confused by the fact you employ different symbolisms for 2 different", "people don't get confused by the fact you employ different symbolisms for 2", "concurrent allegories (at the same time) and how do you insure that people", "of Oz, but with 2 different allegories being told concurrently instead of 1.", "fact you employ different symbolisms for 2 different allegories concurrently instead of one", "that people don't get confused by the fact you employ different symbolisms for", "heard there can be an allegory inside another allegory (mise en abyme), but", "one after another? How would you do this? Think of Wizard of Oz,", "allegory inside another allegory (mise en abyme), but what about 2 concurrent allegories", "(at the same time) and how do you insure that people don't get", "of Wizard of Oz, but with 2 different allegories being told concurrently instead", "how do you insure that people don't get confused by the fact you", "2 different allegories concurrently instead of one after another? How would you do", "of one after another? How would you do this? Think of Wizard of", "get confused by the fact you employ different symbolisms for 2 different allegories", "same time) and how do you insure that people don't get confused by", "allegories concurrently instead of one after another? How would you do this? Think", "the same time) and how do you insure that people don't get confused", "have heard there can be an allegory inside another allegory (mise en abyme),", "employ different symbolisms for 2 different allegories concurrently instead of one after another?", "after another? How would you do this? Think of Wizard of Oz, but", "this? Think of Wizard of Oz, but with 2 different allegories being told", "Think of Wizard of Oz, but with 2 different allegories being told concurrently", "en abyme), but what about 2 concurrent allegories (at the same time) and", "time) and how do you insure that people don't get confused by the", "different symbolisms for 2 different allegories concurrently instead of one after another? How", "different allegories concurrently instead of one after another? How would you do this?", "abyme), but what about 2 concurrent allegories (at the same time) and how", "another? How would you do this? Think of Wizard of Oz, but with", "be an allegory inside another allegory (mise en abyme), but what about 2", "2 concurrent allegories (at the same time) and how do you insure that", "would you do this? Think of Wizard of Oz, but with 2 different", "(mise en abyme), but what about 2 concurrent allegories (at the same time)", "you insure that people don't get confused by the fact you employ different", "what about 2 concurrent allegories (at the same time) and how do you", "I have heard there can be an allegory inside another allegory (mise en", "you employ different symbolisms for 2 different allegories concurrently instead of one after", "for 2 different allegories concurrently instead of one after another? How would you", "do this? Think of Wizard of Oz, but with 2 different allegories being", "symbolisms for 2 different allegories concurrently instead of one after another? How would", "about 2 concurrent allegories (at the same time) and how do you insure", "and how do you insure that people don't get confused by the fact" ]
[ "is again the initial skepticism towards a niche genre like steampunk. Given that", "the information I already provided about this novel, how can I better promote", "genre, to convince a non-fiction reader to venture through at least part of", "may pretend to browse a few pages, just to please me, and set", "my mother, who loves reading. I printed it and handed it with a", "a few rounds of reviews. I wrote this novel for my mother, who", "reading. I printed it and handed it with a ribbon. While very pleased", "like the one in the opening of this question, but it backfired. I", "whole story rather entertaining and engaging, and were very willing to submit themselves", "the genre, to convince a non-fiction reader to venture through at least part", "the gift, the issue is that she seems very reluctant to engage reading", "take back the information I already provided about this novel, how can I", "believe to be in the steampunk genre. The main plot revolves around a", "and were very willing to submit themselves to a few rounds of reviews.", "two adventurous women entering in possession of a fabled machine, and using it", "pleased with the gift, the issue is that she seems very reluctant to", "The main plot revolves around a two adventurous women entering in possession of", "skepticism towards the genre, my beta readers have found the whole story rather", "the issue is that she seems very reluctant to engage reading beyond the", "issue is that she seems very reluctant to engage reading beyond the title.", "I tried to provide a synopsis, like the one in the opening of", "how can I better promote my work, and maybe better illustrate the genre,", "better promote my work, and maybe better illustrate the genre, to convince a", "ribbon. While very pleased with the gift, the issue is that she seems", "the issue is again the initial skepticism towards a niche genre like steampunk.", "chase the mysterious villain, who seeks revenge on the world (and who, incidentally,", "and engaging, and were very willing to submit themselves to a few rounds", "steampunk. Given that I cannot take back the information I already provided about", "a synopsis, like the one in the opening of this question, but it", "of a fabled machine, and using it to chase the mysterious villain, who", "on the world (and who, incidentally, just happen to always be one step", "novel for my mother, who loves reading. I printed it and handed it", "I suspect that the issue is again the initial skepticism towards a niche", "back the information I already provided about this novel, how can I better", "possession of a fabled machine, and using it to chase the mysterious villain,", "using it to chase the mysterious villain, who seeks revenge on the world", "to be in the steampunk genre. The main plot revolves around a two", "revenge on the world (and who, incidentally, just happen to always be one", "I better promote my work, and maybe better illustrate the genre, to convince", "one in the opening of this question, but it backfired. I suspect that", "least part of the book? So far, I have not insisted, worrying that", "backfired. I suspect that the issue is again the initial skepticism towards a", "ahead). Despite initial skepticism towards the genre, my beta readers have found the", "it with a ribbon. While very pleased with the gift, the issue is", "were very willing to submit themselves to a few rounds of reviews. I", "to chase the mysterious villain, who seeks revenge on the world (and who,", "is that she seems very reluctant to engage reading beyond the title. I", "that she seems very reluctant to engage reading beyond the title. I tried", "beta readers have found the whole story rather entertaining and engaging, and were", "the steampunk genre. The main plot revolves around a two adventurous women entering", "main plot revolves around a two adventurous women entering in possession of a", "step ahead). Despite initial skepticism towards the genre, my beta readers have found", "title. I tried to provide a synopsis, like the one in the opening", "my work, and maybe better illustrate the genre, to convince a non-fiction reader", "part of the book? So far, I have not insisted, worrying that she", "she seems very reluctant to engage reading beyond the title. I tried to", "that I cannot take back the information I already provided about this novel,", "happen to always be one step ahead). Despite initial skepticism towards the genre,", "have found the whole story rather entertaining and engaging, and were very willing", "for my mother, who loves reading. I printed it and handed it with", "initial skepticism towards a niche genre like steampunk. Given that I cannot take", "beyond the title. I tried to provide a synopsis, like the one in", "cannot take back the information I already provided about this novel, how can", "who loves reading. I printed it and handed it with a ribbon. While", "to submit themselves to a few rounds of reviews. I wrote this novel", "my beta readers have found the whole story rather entertaining and engaging, and", "a fabled machine, and using it to chase the mysterious villain, who seeks", "rather entertaining and engaging, and were very willing to submit themselves to a", "again the initial skepticism towards a niche genre like steampunk. Given that I", "worrying that she may pretend to browse a few pages, just to please", "be in the steampunk genre. The main plot revolves around a two adventurous", "in the steampunk genre. The main plot revolves around a two adventurous women", "I believe to be in the steampunk genre. The main plot revolves around", "synopsis, like the one in the opening of this question, but it backfired.", "venture through at least part of the book? So far, I have not", "and maybe better illustrate the genre, to convince a non-fiction reader to venture", "incidentally, just happen to always be one step ahead). Despite initial skepticism towards", "skepticism towards a niche genre like steampunk. Given that I cannot take back", "the one in the opening of this question, but it backfired. I suspect", "to browse a few pages, just to please me, and set it aside", "I wrote this novel for my mother, who loves reading. I printed it", "promote my work, and maybe better illustrate the genre, to convince a non-fiction", "question, but it backfired. I suspect that the issue is again the initial", "story rather entertaining and engaging, and were very willing to submit themselves to", "better illustrate the genre, to convince a non-fiction reader to venture through at", "non-fiction reader to venture through at least part of the book? So far,", "a few pages, just to please me, and set it aside for good.", "seeks revenge on the world (and who, incidentally, just happen to always be", "very reluctant to engage reading beyond the title. I tried to provide a", "the book? So far, I have not insisted, worrying that she may pretend", "about this novel, how can I better promote my work, and maybe better", "entering in possession of a fabled machine, and using it to chase the", "mother, who loves reading. I printed it and handed it with a ribbon.", "reviews. I wrote this novel for my mother, who loves reading. I printed", "genre. The main plot revolves around a two adventurous women entering in possession", "genre, my beta readers have found the whole story rather entertaining and engaging,", "Despite initial skepticism towards the genre, my beta readers have found the whole", "at least part of the book? So far, I have not insisted, worrying", "a two adventurous women entering in possession of a fabled machine, and using", "far, I have not insisted, worrying that she may pretend to browse a", "to a few rounds of reviews. I wrote this novel for my mother,", "very pleased with the gift, the issue is that she seems very reluctant", "a niche genre like steampunk. Given that I cannot take back the information", "the mysterious villain, who seeks revenge on the world (and who, incidentally, just", "few rounds of reviews. I wrote this novel for my mother, who loves", "be one step ahead). Despite initial skepticism towards the genre, my beta readers", "So far, I have not insisted, worrying that she may pretend to browse", "mysterious villain, who seeks revenge on the world (and who, incidentally, just happen", "already provided about this novel, how can I better promote my work, and", "this novel, how can I better promote my work, and maybe better illustrate", "revolves around a two adventurous women entering in possession of a fabled machine,", "handed it with a ribbon. While very pleased with the gift, the issue", "it to chase the mysterious villain, who seeks revenge on the world (and", "reading beyond the title. I tried to provide a synopsis, like the one", "she may pretend to browse a few pages, just to please me, and", "like steampunk. Given that I cannot take back the information I already provided", "and handed it with a ribbon. While very pleased with the gift, the", "insisted, worrying that she may pretend to browse a few pages, just to", "rounds of reviews. I wrote this novel for my mother, who loves reading.", "engaging, and were very willing to submit themselves to a few rounds of", "to venture through at least part of the book? So far, I have", "who seeks revenge on the world (and who, incidentally, just happen to always", "can I better promote my work, and maybe better illustrate the genre, to", "villain, who seeks revenge on the world (and who, incidentally, just happen to", "reader to venture through at least part of the book? So far, I", "the whole story rather entertaining and engaging, and were very willing to submit", "loves reading. I printed it and handed it with a ribbon. While very", "have not insisted, worrying that she may pretend to browse a few pages,", "but it backfired. I suspect that the issue is again the initial skepticism", "Given that I cannot take back the information I already provided about this", "submit themselves to a few rounds of reviews. I wrote this novel for", "adventurous women entering in possession of a fabled machine, and using it to", "reluctant to engage reading beyond the title. I tried to provide a synopsis,", "to engage reading beyond the title. I tried to provide a synopsis, like", "provided about this novel, how can I better promote my work, and maybe", "provide a synopsis, like the one in the opening of this question, but", "that the issue is again the initial skepticism towards a niche genre like", "which I believe to be in the steampunk genre. The main plot revolves", "maybe better illustrate the genre, to convince a non-fiction reader to venture through", "browse a few pages, just to please me, and set it aside for", "the world (and who, incidentally, just happen to always be one step ahead).", "While very pleased with the gift, the issue is that she seems very", "issue is again the initial skepticism towards a niche genre like steampunk. Given", "book? So far, I have not insisted, worrying that she may pretend to", "with the gift, the issue is that she seems very reluctant to engage", "not insisted, worrying that she may pretend to browse a few pages, just", "in possession of a fabled machine, and using it to chase the mysterious", "who, incidentally, just happen to always be one step ahead). Despite initial skepticism", "and using it to chase the mysterious villain, who seeks revenge on the", "a non-fiction reader to venture through at least part of the book? So", "I have written one novel, which I believe to be in the steampunk", "(and who, incidentally, just happen to always be one step ahead). Despite initial", "genre like steampunk. Given that I cannot take back the information I already", "novel, which I believe to be in the steampunk genre. The main plot", "the title. I tried to provide a synopsis, like the one in the", "the opening of this question, but it backfired. I suspect that the issue", "the genre, my beta readers have found the whole story rather entertaining and", "women entering in possession of a fabled machine, and using it to chase", "work, and maybe better illustrate the genre, to convince a non-fiction reader to", "written one novel, which I believe to be in the steampunk genre. The", "this novel for my mother, who loves reading. I printed it and handed", "through at least part of the book? So far, I have not insisted,", "themselves to a few rounds of reviews. I wrote this novel for my", "gift, the issue is that she seems very reluctant to engage reading beyond", "plot revolves around a two adventurous women entering in possession of a fabled", "tried to provide a synopsis, like the one in the opening of this", "seems very reluctant to engage reading beyond the title. I tried to provide", "initial skepticism towards the genre, my beta readers have found the whole story", "entertaining and engaging, and were very willing to submit themselves to a few", "suspect that the issue is again the initial skepticism towards a niche genre", "just happen to always be one step ahead). Despite initial skepticism towards the", "one step ahead). Despite initial skepticism towards the genre, my beta readers have", "machine, and using it to chase the mysterious villain, who seeks revenge on", "I cannot take back the information I already provided about this novel, how", "I printed it and handed it with a ribbon. While very pleased with", "world (and who, incidentally, just happen to always be one step ahead). Despite", "engage reading beyond the title. I tried to provide a synopsis, like the", "the initial skepticism towards a niche genre like steampunk. Given that I cannot", "one novel, which I believe to be in the steampunk genre. The main", "fabled machine, and using it to chase the mysterious villain, who seeks revenge", "that she may pretend to browse a few pages, just to please me,", "pretend to browse a few pages, just to please me, and set it", "of reviews. I wrote this novel for my mother, who loves reading. I", "wrote this novel for my mother, who loves reading. I printed it and", "willing to submit themselves to a few rounds of reviews. I wrote this", "around a two adventurous women entering in possession of a fabled machine, and", "very willing to submit themselves to a few rounds of reviews. I wrote", "to convince a non-fiction reader to venture through at least part of the", "found the whole story rather entertaining and engaging, and were very willing to", "in the opening of this question, but it backfired. I suspect that the", "with a ribbon. While very pleased with the gift, the issue is that", "of the book? So far, I have not insisted, worrying that she may", "novel, how can I better promote my work, and maybe better illustrate the", "towards the genre, my beta readers have found the whole story rather entertaining", "towards a niche genre like steampunk. Given that I cannot take back the", "I already provided about this novel, how can I better promote my work,", "I have not insisted, worrying that she may pretend to browse a few", "readers have found the whole story rather entertaining and engaging, and were very", "steampunk genre. The main plot revolves around a two adventurous women entering in", "illustrate the genre, to convince a non-fiction reader to venture through at least", "information I already provided about this novel, how can I better promote my", "niche genre like steampunk. Given that I cannot take back the information I", "to provide a synopsis, like the one in the opening of this question,", "always be one step ahead). Despite initial skepticism towards the genre, my beta", "it and handed it with a ribbon. While very pleased with the gift,", "opening of this question, but it backfired. I suspect that the issue is", "to always be one step ahead). Despite initial skepticism towards the genre, my", "this question, but it backfired. I suspect that the issue is again the", "it backfired. I suspect that the issue is again the initial skepticism towards", "have written one novel, which I believe to be in the steampunk genre.", "a ribbon. While very pleased with the gift, the issue is that she", "convince a non-fiction reader to venture through at least part of the book?", "of this question, but it backfired. I suspect that the issue is again", "printed it and handed it with a ribbon. While very pleased with the" ]
[ "different personality into your characters? Many authors start with just the simple motivations", "it is their duty to do so. GRRM in Game of Thrones does", "to create one-dimensional characters and is one of the flaws of the Hero's", "so also place our individualistic view onto characters. We have a hard time", "personal psychology. This seems to create one-dimensional characters and is one of the", "learning styles. People view the world significantly different, have different priorities, intelligence levels,", "and many of us with the Enneagram. We are also familiar with different", "What thinking tools or methods do you use to get out of your", "seems to create one-dimensional characters and is one of the flaws of the", "use to get out of your own mind when writing a different personality", "into an archetype. One example of bias may be trope of the \"reluctant", "Journey. Many characters appear may fall into an archetype. One example of bias", "character psychology though this is largely based on or in reaction to external", "out of your own mind when writing a different personality into your characters?", "our modern culture imagining someone surrendering completely to a master and feeling like", "view the world significantly different, have different priorities, intelligence levels, and even different", "as chivalry and duty that were compelling though there were variations in personalities", "Western cultures are very different. Many of us are Westerners and so also", "is one of the flaws of the Hero's Journey. Many characters appear may", "your characters? Many authors start with just the simple motivations and culture of", "familiar with the Myers-Briggs personality tests and many of us with the Enneagram.", "us with the Enneagram. We are also familiar with different learning styles. People", "a different personality into your characters? Many authors start with just the simple", "which revolved around such concepts as chivalry and duty that were compelling though", "view onto characters. We have a hard time understanding the medieval worldview which", "medieval worldview which revolved around such concepts as chivalry and duty that were", "are also familiar with different learning styles. People view the world significantly different,", "get out of your own habitual thought patterns, personality, dispositions, and culture when", "though tend to seldom explore personal psychology. This seems to create one-dimensional characters", "flaws of the Hero's Journey. Many characters appear may fall into an archetype.", "a hard time in our modern culture imagining someone surrendering completely to a", "styles. People view the world significantly different, have different priorities, intelligence levels, and", "with just the simple motivations and culture of characters though tend to seldom", "have different priorities, intelligence levels, and even different ways of processing reality. Eastern", "also familiar with different learning styles. People view the world significantly different, have", "hard time understanding the medieval worldview which revolved around such concepts as chivalry", "that. What thinking tools or methods do you use to get out of", "because we have a hard time in our modern culture imagining someone surrendering", "thought patterns, personality, dispositions, and culture when writing characters? For example, we are", "such concepts as chivalry and duty that were compelling though there were variations", "when writing a different personality into your characters? Many authors start with just", "in our modern culture imagining someone surrendering completely to a master and feeling", "to a master and feeling like it is their duty to do so.", "as adaptations to that. What thinking tools or methods do you use to", "though this is largely based on or in reaction to external events or", "the Hero's Journey. Many characters appear may fall into an archetype. One example", "you find to get out of your own habitual thought patterns, personality, dispositions,", "with different learning styles. People view the world significantly different, have different priorities,", "or methods do you use to get out of your own mind when", "characters and is one of the flaws of the Hero's Journey. Many characters", "we have a hard time in our modern culture imagining someone surrendering completely", "complex character psychology though this is largely based on or in reaction to", "of the Hero's Journey. Many characters appear may fall into an archetype. One", "just the simple motivations and culture of characters though tend to seldom explore", "may be trope of the \"reluctant squire\" because we have a hard time", "at more complex character psychology though this is largely based on or in", "writing characters? For example, we are all familiar with the Myers-Briggs personality tests", "as well as adaptations to that. What thinking tools or methods do you", "variations in personalities as well as adaptations to that. What thinking tools or", "For example, we are all familiar with the Myers-Briggs personality tests and many", "patterns, personality, dispositions, and culture when writing characters? For example, we are all", "do so. GRRM in Game of Thrones does a great job at more", "characters? For example, we are all familiar with the Myers-Briggs personality tests and", "are Westerners and so also place our individualistic view onto characters. We have", "of the \"reluctant squire\" because we have a hard time in our modern", "different priorities, intelligence levels, and even different ways of processing reality. Eastern and", "bias may be trope of the \"reluctant squire\" because we have a hard", "be trope of the \"reluctant squire\" because we have a hard time in", "dispositions, and culture when writing characters? For example, we are all familiar with", "the Myers-Briggs personality tests and many of us with the Enneagram. We are", "the world significantly different, have different priorities, intelligence levels, and even different ways", "and so also place our individualistic view onto characters. We have a hard", "this is largely based on or in reaction to external events or obsessions.", "processing reality. Eastern and Western cultures are very different. Many of us are", "\"reluctant squire\" because we have a hard time in our modern culture imagining", "of characters though tend to seldom explore personal psychology. This seems to create", "best ways you find to get out of your own habitual thought patterns,", "personality, dispositions, and culture when writing characters? For example, we are all familiar", "We have a hard time understanding the medieval worldview which revolved around such", "the simple motivations and culture of characters though tend to seldom explore personal", "hard time in our modern culture imagining someone surrendering completely to a master", "Eastern and Western cultures are very different. Many of us are Westerners and", "to seldom explore personal psychology. This seems to create one-dimensional characters and is", "have a hard time in our modern culture imagining someone surrendering completely to", "of us with the Enneagram. We are also familiar with different learning styles.", "People view the world significantly different, have different priorities, intelligence levels, and even", "thinking tools or methods do you use to get out of your own", "of us are Westerners and so also place our individualistic view onto characters.", "that were compelling though there were variations in personalities as well as adaptations", "personality into your characters? Many authors start with just the simple motivations and", "tools or methods do you use to get out of your own mind", "create one-dimensional characters and is one of the flaws of the Hero's Journey.", "events or obsessions. How do you overcome some of these obstacles to create", "more complex character psychology though this is largely based on or in reaction", "methods do you use to get out of your own mind when writing", "worldview which revolved around such concepts as chivalry and duty that were compelling", "of bias may be trope of the \"reluctant squire\" because we have a", "significantly different, have different priorities, intelligence levels, and even different ways of processing", "were compelling though there were variations in personalities as well as adaptations to", "characters. We have a hard time understanding the medieval worldview which revolved around", "Westerners and so also place our individualistic view onto characters. We have a", "the \"reluctant squire\" because we have a hard time in our modern culture", "or in reaction to external events or obsessions. How do you overcome some", "ways you find to get out of your own habitual thought patterns, personality,", "Many authors start with just the simple motivations and culture of characters though", "understanding the medieval worldview which revolved around such concepts as chivalry and duty", "even different ways of processing reality. Eastern and Western cultures are very different.", "Many characters appear may fall into an archetype. One example of bias may", "chivalry and duty that were compelling though there were variations in personalities as", "What are the best ways you find to get out of your own", "us are Westerners and so also place our individualistic view onto characters. We", "fall into an archetype. One example of bias may be trope of the", "psychology though this is largely based on or in reaction to external events", "individualistic view onto characters. We have a hard time understanding the medieval worldview", "own mind when writing a different personality into your characters? Many authors start", "are all familiar with the Myers-Briggs personality tests and many of us with", "characters though tend to seldom explore personal psychology. This seems to create one-dimensional", "master and feeling like it is their duty to do so. GRRM in", "imagining someone surrendering completely to a master and feeling like it is their", "habitual thought patterns, personality, dispositions, and culture when writing characters? For example, we", "adaptations to that. What thinking tools or methods do you use to get", "and culture of characters though tend to seldom explore personal psychology. This seems", "example, we are all familiar with the Myers-Briggs personality tests and many of", "the best ways you find to get out of your own habitual thought", "onto characters. We have a hard time understanding the medieval worldview which revolved", "surrendering completely to a master and feeling like it is their duty to", "a master and feeling like it is their duty to do so. GRRM", "to do so. GRRM in Game of Thrones does a great job at", "to get out of your own habitual thought patterns, personality, dispositions, and culture", "and feeling like it is their duty to do so. GRRM in Game", "and duty that were compelling though there were variations in personalities as well", "appear may fall into an archetype. One example of bias may be trope", "tests and many of us with the Enneagram. We are also familiar with", "were variations in personalities as well as adaptations to that. What thinking tools", "reality. Eastern and Western cultures are very different. Many of us are Westerners", "Myers-Briggs personality tests and many of us with the Enneagram. We are also", "Game of Thrones does a great job at more complex character psychology though", "our individualistic view onto characters. We have a hard time understanding the medieval", "you use to get out of your own mind when writing a different", "culture when writing characters? For example, we are all familiar with the Myers-Briggs", "familiar with different learning styles. People view the world significantly different, have different", "place our individualistic view onto characters. We have a hard time understanding the", "personalities as well as adaptations to that. What thinking tools or methods do", "of processing reality. Eastern and Western cultures are very different. Many of us", "mind when writing a different personality into your characters? Many authors start with", "your own habitual thought patterns, personality, dispositions, and culture when writing characters? For", "different learning styles. People view the world significantly different, have different priorities, intelligence", "Hero's Journey. Many characters appear may fall into an archetype. One example of", "your own mind when writing a different personality into your characters? Many authors", "with the Enneagram. We are also familiar with different learning styles. People view", "in Game of Thrones does a great job at more complex character psychology", "time understanding the medieval worldview which revolved around such concepts as chivalry and", "trope of the \"reluctant squire\" because we have a hard time in our", "well as adaptations to that. What thinking tools or methods do you use", "culture imagining someone surrendering completely to a master and feeling like it is", "there were variations in personalities as well as adaptations to that. What thinking", "may fall into an archetype. One example of bias may be trope of", "with the Myers-Briggs personality tests and many of us with the Enneagram. We", "revolved around such concepts as chivalry and duty that were compelling though there", "to get out of your own mind when writing a different personality into", "into your characters? Many authors start with just the simple motivations and culture", "so. GRRM in Game of Thrones does a great job at more complex", "seldom explore personal psychology. This seems to create one-dimensional characters and is one", "have a hard time understanding the medieval worldview which revolved around such concepts", "all familiar with the Myers-Briggs personality tests and many of us with the", "concepts as chivalry and duty that were compelling though there were variations in", "one-dimensional characters and is one of the flaws of the Hero's Journey. Many", "levels, and even different ways of processing reality. Eastern and Western cultures are", "external events or obsessions. How do you overcome some of these obstacles to", "is largely based on or in reaction to external events or obsessions. How", "completely to a master and feeling like it is their duty to do", "out of your own habitual thought patterns, personality, dispositions, and culture when writing", "also place our individualistic view onto characters. We have a hard time understanding", "of your own habitual thought patterns, personality, dispositions, and culture when writing characters?", "we are all familiar with the Myers-Briggs personality tests and many of us", "world significantly different, have different priorities, intelligence levels, and even different ways of", "around such concepts as chivalry and duty that were compelling though there were", "duty that were compelling though there were variations in personalities as well as", "motivations and culture of characters though tend to seldom explore personal psychology. This", "and is one of the flaws of the Hero's Journey. Many characters appear", "squire\" because we have a hard time in our modern culture imagining someone", "reaction to external events or obsessions. How do you overcome some of these", "ways of processing reality. Eastern and Western cultures are very different. Many of", "is their duty to do so. GRRM in Game of Thrones does a", "psychology. This seems to create one-dimensional characters and is one of the flaws", "archetype. One example of bias may be trope of the \"reluctant squire\" because", "duty to do so. GRRM in Game of Thrones does a great job", "modern culture imagining someone surrendering completely to a master and feeling like it", "does a great job at more complex character psychology though this is largely", "on or in reaction to external events or obsessions. How do you overcome", "in reaction to external events or obsessions. How do you overcome some of", "to external events or obsessions. How do you overcome some of these obstacles", "of Thrones does a great job at more complex character psychology though this", "We are also familiar with different learning styles. People view the world significantly", "and Western cultures are very different. Many of us are Westerners and so", "personality tests and many of us with the Enneagram. We are also familiar", "find to get out of your own habitual thought patterns, personality, dispositions, and", "Enneagram. We are also familiar with different learning styles. People view the world", "and even different ways of processing reality. Eastern and Western cultures are very", "the Enneagram. We are also familiar with different learning styles. People view the", "One example of bias may be trope of the \"reluctant squire\" because we", "are the best ways you find to get out of your own habitual", "are very different. Many of us are Westerners and so also place our", "feeling like it is their duty to do so. GRRM in Game of", "like it is their duty to do so. GRRM in Game of Thrones", "the flaws of the Hero's Journey. Many characters appear may fall into an", "authors start with just the simple motivations and culture of characters though tend", "an archetype. One example of bias may be trope of the \"reluctant squire\"", "GRRM in Game of Thrones does a great job at more complex character", "intelligence levels, and even different ways of processing reality. Eastern and Western cultures", "This seems to create one-dimensional characters and is one of the flaws of", "great job at more complex character psychology though this is largely based on", "a great job at more complex character psychology though this is largely based", "or obsessions. How do you overcome some of these obstacles to create unique", "obsessions. How do you overcome some of these obstacles to create unique characters?", "different, have different priorities, intelligence levels, and even different ways of processing reality.", "the medieval worldview which revolved around such concepts as chivalry and duty that", "explore personal psychology. This seems to create one-dimensional characters and is one of", "largely based on or in reaction to external events or obsessions. How do", "compelling though there were variations in personalities as well as adaptations to that.", "job at more complex character psychology though this is largely based on or", "characters? Many authors start with just the simple motivations and culture of characters", "and culture when writing characters? For example, we are all familiar with the", "when writing characters? For example, we are all familiar with the Myers-Briggs personality", "based on or in reaction to external events or obsessions. How do you", "Many of us are Westerners and so also place our individualistic view onto", "get out of your own mind when writing a different personality into your", "simple motivations and culture of characters though tend to seldom explore personal psychology.", "a hard time understanding the medieval worldview which revolved around such concepts as", "Thrones does a great job at more complex character psychology though this is", "someone surrendering completely to a master and feeling like it is their duty", "their duty to do so. GRRM in Game of Thrones does a great", "own habitual thought patterns, personality, dispositions, and culture when writing characters? For example,", "cultures are very different. Many of us are Westerners and so also place", "in personalities as well as adaptations to that. What thinking tools or methods", "of the flaws of the Hero's Journey. Many characters appear may fall into", "start with just the simple motivations and culture of characters though tend to", "to that. What thinking tools or methods do you use to get out", "do you use to get out of your own mind when writing a", "tend to seldom explore personal psychology. This seems to create one-dimensional characters and", "time in our modern culture imagining someone surrendering completely to a master and", "very different. Many of us are Westerners and so also place our individualistic", "writing a different personality into your characters? Many authors start with just the", "though there were variations in personalities as well as adaptations to that. What", "priorities, intelligence levels, and even different ways of processing reality. Eastern and Western", "many of us with the Enneagram. We are also familiar with different learning", "one of the flaws of the Hero's Journey. Many characters appear may fall", "culture of characters though tend to seldom explore personal psychology. This seems to", "of your own mind when writing a different personality into your characters? Many", "characters appear may fall into an archetype. One example of bias may be", "example of bias may be trope of the \"reluctant squire\" because we have", "different ways of processing reality. Eastern and Western cultures are very different. Many", "different. Many of us are Westerners and so also place our individualistic view" ]
[ "of course, no such consideration exists. Another example: classical ballets are structured in", "had to write Fortinbras in from the start, so that someone would be", "comes into play not just during staging, but already at the stage of", "no such consideration exists. Another example: classical ballets are structured in such a", "to be carried away. That's why we have Fortinbras in Hamlet, for example.)", "when there are many corpses to be carried away. That's why we have", "tragedies, when there are many corpses to be carried away. That's why we", "are the considerations one has to take into account when writing a play,", "stage? For example, in Nvikuspeara's time, all \"corpses\" had to be carried off", "in such a way that the principals can catch their breath after a", "be taken into account when writing a play that living people would have", "was no curtain and no lights that could be turned off, so the", "to write Fortinbras in from the start, so that someone would be there", "other special effects. What are other considerations that must be taken into account", "such consideration exists. Another example: classical ballets are structured in such a way", "score. An obvious theatre consideration is \"people can't fly\" (unless the production has", "by the playwright. Nvikuspeara had to write Fortinbras in from the start, so", "principals can catch their breath after a demanding pas de deux. This comes", "the stage of writing the score. An obvious theatre consideration is \"people can't", "money), same for other special effects. What are other considerations that must be", "To clarify, I am not interesting in staging - that could be re-imagined", "end of tragedies, when there are many corpses to be carried away. That's", "I am not interesting in staging - that could be re-imagined depending on", "example: classical ballets are structured in such a way that the principals can", "clarify, I am not interesting in staging - that could be re-imagined depending", "from the start, so that someone would be there to remove the corpses", "a lot of money), same for other special effects. What are other considerations", "play not just during staging, but already at the stage of writing the", "on stage? To clarify, I am not interesting in staging - that could", "depending on who's producing the play. I am interested in that which has", "into account when writing a play, that are imposed by the format of", "of writing the score. An obvious theatre consideration is \"people can't fly\" (unless", "example.) Today, of course, no such consideration exists. Another example: classical ballets are", "the start, so that someone would be there to remove the corpses in", "be turned off, so the corpses couldn't just get up and go away.", "consideration is \"people can't fly\" (unless the production has a lot of money),", "living people would have to perform on stage?* To clarify, *I am not", "course, no such consideration exists. Another example: classical ballets are structured in such", "couldn't just get up and go away. (Particularly noticeable at the end of", "in from the start, so that someone would be there to remove the", "(Particularly noticeable at the end of tragedies, when there are many corpses to", "up and go away. (Particularly noticeable at the end of tragedies, when there", "are many corpses to be carried away. That's why we have Fortinbras in", "in Hamlet, for example.) Today, of course, no such consideration exists. Another example:", "carried off stage, because there was no curtain and no lights that could", "the considerations one has to take into account when writing a play, that", "considerations one has to take into account when writing a play, that are", "to take into account when writing a play, that are imposed by the", "turned off, so the corpses couldn't just get up and go away. (Particularly", "imposed by the format of a play, a.k.a by the fact that it", "be re-imagined depending on who's producing the play. I am interested in that", "obvious theatre consideration is \"people can't fly\" (unless the production has a lot", "of money), same for other special effects. *What are other considerations that must", "written from the start, by the playwright*. Nvikuspeara had to write Fortinbras in", "by the format of a play, a.k.a by the fact that it is", "can't fly\" (unless the production has a lot of money), same for other", "a play, a.k.a by the fact that it is played on stage? For", "into account when writing a play that living people would have to perform", "am interested in that which has to be written from the start, by", "perform on stage?* To clarify, *I am not interesting in staging*** - that", "classical ballets are structured in such a way that the principals can catch", "that must be taken into account when writing a play that living people", "in Nvikuspeara's time, all \"corpses\" had to be carried off stage, because there", "because there was no curtain and no lights that could be turned off,", "stage, because there was no curtain and no lights that could be turned", "the end of tragedies, when there are many corpses to be carried away.", "considerations that must be taken into account when writing a play that living", "Fortinbras in Hamlet, for example.) Today, of course, no such consideration exists. Another", "ballets are structured in such a way that the principals can catch their", "account when writing a play that living people would have to perform on", "people would have to perform on stage? To clarify, I am not interesting", "curtain and no lights that could be turned off, so the corpses couldn't", "not interesting in staging** - that could be re-imagined depending on who's producing", "consideration exists. Another example: classical ballets are structured in such a way that", "be written from the start, by the playwright. Nvikuspeara had to write Fortinbras", "played on stage? For example, in Nvikuspeara's time, all \"corpses\" had to be", "lot of money), same for other special effects. What are other considerations that", "interested in that which has to be written from the start, by the", "are other considerations that must be taken into account when writing a play", "that could be turned off, so the corpses couldn't just get up and", "which has to be written from the start, by the playwright. Nvikuspeara had", "of a play, a.k.a by the fact that it is played on stage?", "it is played on stage? For example, in Nvikuspeara's time, all \"corpses\" had", "deux. This comes into play not just during staging, but already at the", "have to perform on stage? To clarify, *I am not interesting in staging*", "special effects. What are other considerations that must be taken into account when", "Nvikuspeara had to write Fortinbras in from the start, so that someone would", "play. *I am interested in that which has to be written from the", "who's producing the play. *I am interested in that which has to be", "get up and go away. (Particularly noticeable at the end of tragedies, when", "to be written from the start, by the playwright. Nvikuspeara had to write", "stage?* To clarify, *I am not interesting in staging* - that could be", "What are the considerations one has to take into account when writing a", "writing a play that living people would have to perform on stage? To", "format of a play, a.k.a by the fact that it is played on", "a play, that are imposed by the format of a play, a.k.a by", "when writing a play that living people would have to perform on stage?", "to be carried off stage, because there was no curtain and no lights", "a.k.a by the fact that it is played on stage? For example, in", "there was no curtain and no lights that could be turned off, so", "effects. What are other considerations that must be taken into account when writing", "Fortinbras in from the start, so that someone would be there to remove", "must be taken into account when writing a play that living people would", "could be re-imagined depending on who's producing the play. *I am interested in", "start, by the playwright*. Nvikuspeara had to write Fortinbras in from the start,", "\"corpses\" had to be carried off stage, because there was no curtain and", "For example, in Nvikuspeara's time, all \"corpses\" had to be carried off stage,", "on stage? For example, in Nvikuspeara's time, all \"corpses\" had to be carried", "by the fact that it is played on stage? For example, in Nvikuspeara's", "writing the score. An obvious theatre consideration is \"people can't fly\" (unless the", "go away. (Particularly noticeable at the end of tragedies, when there are many", "interesting in staging*** - that could be re-imagined depending on who's producing the", "away. That's why we have Fortinbras in Hamlet, for example.) Today, of course,", "of tragedies, when there are many corpses to be carried away. That's why", "a way that the principals can catch their breath after a demanding pas", "for other special effects. *What are other considerations that must be taken into", "why we have Fortinbras in Hamlet, for example.) Today, of course, no such", "that it is played on stage? For example, in Nvikuspeara's time, all \"corpses\"", "This comes into play not just during staging, but already at the stage", "has a lot of money), same for other special effects. What are other", "be carried away. That's why we have Fortinbras in Hamlet, for example.) Today,", "the format of a play, a.k.a by the fact that it is played", "am not interesting in staging* - that could be re-imagined depending on who's", "such a way that the principals can catch their breath after a demanding", "at the end of tragedies, when there are many corpses to be carried", "the corpses couldn't just get up and go away. (Particularly noticeable at the", "time, all \"corpses\" had to be carried off stage, because there was no", "I am interested in that which has to be written from the start,", "is played on stage? For example, in Nvikuspeara's time, all \"corpses\" had to", "be carried off stage, because there was no curtain and no lights that", "noticeable at the end of tragedies, when there are many corpses to be", "way that the principals can catch their breath after a demanding pas de", "same for other special effects. What are other considerations that must be taken", "playwright. Nvikuspeara had to write Fortinbras in from the start, so that someone", "the score. An obvious theatre consideration is \"people can't fly\" (unless the production", "a demanding pas de deux. This comes into play not just during staging,", "that are imposed by the format of a play, a.k.a by the fact", "to perform on stage? To clarify, I am not interesting in staging** -", "that the principals can catch their breath after a demanding pas de deux.", "structured in such a way that the principals can catch their breath after", "That's why we have Fortinbras in Hamlet, for example.) Today, of course, no", "no curtain and no lights that could be turned off, so the corpses", "just during staging, but already at the stage of writing the score. An", "would have to perform on stage? To clarify, I am not interesting in", "staging - that could be re-imagined depending on who's producing the play. I", "off stage, because there was no curtain and no lights that could be", "the play. *I am interested in that which has to be written from", "corpses to be carried away. That's why we have Fortinbras in Hamlet, for", "the fact that it is played on stage? For example, in Nvikuspeara's time,", "producing the play. *I am interested in that which has to be written", "in that which has to be written from the start, by the playwright.", "play that living people would have to perform on stage? To clarify, *I", "corpses couldn't just get up and go away. (Particularly noticeable at the end", "has to take into account when writing a play, that are imposed by", "writing a play, that are imposed by the format of a play, a.k.a", "so the corpses couldn't just get up and go away. (Particularly noticeable at", "from the start, by the playwright*. Nvikuspeara had to write Fortinbras in from", "Hamlet, for example.) Today, of course, no such consideration exists. Another example: classical", "and go away. (Particularly noticeable at the end of tragedies, when there are", "the production has a lot of money), same for other special effects. What", "take into account when writing a play, that are imposed by the format", "breath after a demanding pas de deux. This comes into play not just", "example, in Nvikuspeara's time, all \"corpses\" had to be carried off stage, because", "a play that living people would have to perform on stage?* To clarify,", "can catch their breath after a demanding pas de deux. This comes into", "pas de deux. This comes into play not just during staging, but already", "Today, of course, no such consideration exists. Another example: classical ballets are structured", "had to be carried off stage, because there was no curtain and no", "has to be written from the start, by the playwright. Nvikuspeara had to", "taken into account when writing a play that living people would have to", "carried away. That's why we have Fortinbras in Hamlet, for example.) Today, of", "play, that are imposed by the format of a play, a.k.a by the", "in staging* - that could be re-imagined depending on who's producing the play.", "start, so that someone would be there to remove the corpses in the", "lights that could be turned off, so the corpses couldn't just get up", "account when writing a play, that are imposed by the format of a", "and no lights that could be turned off, so the corpses couldn't just", "re-imagined depending on who's producing the play. I am interested in that which", "(unless the production has a lot of money), same for other special effects.", "the playwright. Nvikuspeara had to write Fortinbras in from the start, so that", "during staging, but already at the stage of writing the score. An obvious", "already at the stage of writing the score. An obvious theatre consideration is", "fly\" (unless the production has a lot of money), same for other special", "staging, but already at the stage of writing the score. An obvious theatre", "exists. Another example: classical ballets are structured in such a way that the", "are structured in such a way that the principals can catch their breath", "at the stage of writing the score. An obvious theatre consideration is \"people", "de deux. This comes into play not just during staging, but already at", "just get up and go away. (Particularly noticeable at the end of tragedies,", "theatre consideration is \"people can't fly\" (unless the production has a lot of", "for example.) Today, of course, no such consideration exists. Another example: classical ballets", "one has to take into account when writing a play, that are imposed", "demanding pas de deux. This comes into play not just during staging, but", "not just during staging, but already at the stage of writing the score.", "production has a lot of money), same for other special effects. What are", "off, so the corpses couldn't just get up and go away. (Particularly noticeable", "all \"corpses\" had to be carried off stage, because there was no curtain", "play, a.k.a by the fact that it is played on stage? For example,", "the principals can catch their breath after a demanding pas de deux. This", "could be turned off, so the corpses couldn't just get up and go", "but already at the stage of writing the score. An obvious theatre consideration", "many corpses to be carried away. That's why we have Fortinbras in Hamlet,", "the start, by the playwright. Nvikuspeara had to write Fortinbras in from the", "that could be re-imagined depending on who's producing the play. I am interested", "no lights that could be turned off, so the corpses couldn't just get", "- that could be re-imagined depending on who's producing the play. *I am", "\"people can't fly\" (unless the production has a lot of money), same for", "after a demanding pas de deux. This comes into play not just during", "write Fortinbras in from the start, so that someone would be there to", "we have Fortinbras in Hamlet, for example.) Today, of course, no such consideration", "An obvious theatre consideration is \"people can't fly\" (unless the production has a", "that living people would have to perform on stage?* To clarify, *I am", "into play not just during staging, but already at the stage of writing", "fact that it is played on stage? For example, in Nvikuspeara's time, all", "there are many corpses to be carried away. That's why we have Fortinbras", "Another example: classical ballets are structured in such a way that the principals", "that which has to be written from the start, by the playwright. Nvikuspeara", "so that someone would be there to remove the corpses in the end.", "are imposed by the format of a play, a.k.a by the fact that", "catch their breath after a demanding pas de deux. This comes into play", "stage of writing the score. An obvious theatre consideration is \"people can't fly\"", "when writing a play, that are imposed by the format of a play,", "their breath after a demanding pas de deux. This comes into play not", "other considerations that must be taken into account when writing a play that", "Nvikuspeara's time, all \"corpses\" had to be carried off stage, because there was", "is \"people can't fly\" (unless the production has a lot of money), same", "away. (Particularly noticeable at the end of tragedies, when there are many corpses", "What are other considerations that must be taken into account when writing a", "have Fortinbras in Hamlet, for example.) Today, of course, no such consideration exists.", "on who's producing the play. I am interested in that which has to" ]
[ "can contribute... Can I do something like: > > On writing.stackexchange.com (it would", "but the discussions are CC.) Using W.SE as a purely hypothetical example of", "my instructional work) is more empty than I want, but I do tend", "teaching resources I've developed. --- My website (on a Wordpress core, but mostly", "not quite a BLOG, more a portfolio of teaching resources I've developed. ---", "comments, or my forum posts on spacebattles. I need to verify, but I'm", "quite a BLOG, more a portfolio of teaching resources I've developed. --- My", "include my own comments on some blogs with active discussions in the comments,", "One example is my writing here* on writing.se, but I also want to", "as a purely hypothetical example of one of many creative-commons places where one", "Creative Commons, at least for the discussion (if not the actual main blog-writer's", "-- Edit -- to clarify it's not quite a BLOG, more a portfolio", "portfolio of teaching resources I've developed. --- My website (on a Wordpress core,", "--- My website (on a Wordpress core, but mostly a portfolio of my", "writing.se, but I also want to include my own comments on some blogs", "copyrighted, but the discussions are CC.) Using W.SE as a purely hypothetical example", "and to cover any CreativeCommons work, not just here. Deleted part about the", "> > Anyhow -- I want to be sure I'm correctly understanding both", "to be sure I'm correctly understanding both Creative Commons and the reuse/remix policies.", "cover any CreativeCommons work, not just here. Deleted part about the badges. --", "my forum posts on spacebattles. I need to verify, but I'm pretty sure", "I'm pretty sure all of them are Creative Commons, at least for the", "here on writing.se, but I also want to include my own comments on", "do tend to write in response to a \"conversation.\" One example is my", "need to verify, but I'm pretty sure all of them are Creative Commons,", "question)* someone asked about ESL characters (quick summary* of question), and I responded...", "at least for the discussion (if not the actual main blog-writer's post, such", "of question), and I responded... > > > blockquote of my answer >", "> > > Anyhow -- I want to be sure I'm correctly understanding", "Deleted part about the badges. -- Edit -- to clarify it's not quite", "the comments, or my forum posts on spacebattles. I need to verify, but", "are Creative Commons, at least for the discussion (if not the actual main", "blog-writer's post, such as Ebisod's Ask A Manager -- I am pretty sure", "my own comments on some blogs with active discussions in the comments, or", "(if not the actual main blog-writer's post, such as Ebisod's Ask A Manager", "-- to clarify it's not quite a BLOG, more a portfolio of teaching", "here. Deleted part about the badges. -- Edit -- to clarify it's not", "asked about ESL characters (quick summary* of question), and I responded... > >", "to try to expand the scope BEYOND W.SE and to cover any CreativeCommons", "the badges. -- Edit -- to clarify it's not quite a BLOG, more", "actual main blog-writer's post, such as Ebisod's Ask A Manager -- I am", "are CC.) Using W.SE as a purely hypothetical example of one of many", "to write in response to a \"conversation.\" One example is my writing here", "Ebisod's Ask A Manager -- I am pretty sure her columns are copyrighted,", "-- I am pretty sure her columns are copyrighted, but the discussions are", "spacebattles. I need to verify, but I'm pretty sure all of them are", "website (on a Wordpress core, but mostly a portfolio of my instructional work)", "sure all of them are Creative Commons, at least for the discussion (if", "Edit* -- to try to expand the scope BEYOND W.SE and to cover", "the actual main blog-writer's post, such as Ebisod's Ask A Manager -- I", "resources I've developed. --- My website (on a Wordpress core, but mostly a", "for the discussion (if not the actual main blog-writer's post, such as Ebisod's", "to include my own comments on some blogs with active discussions in the", "am pretty sure her columns are copyrighted, but the discussions are CC.) Using", "On writing.stackexchange.com (it would be a link* to the specific question)* someone asked", "beyond what I put on W.SE, maybe not.. > > > Anyhow --", "CreativeCommons work, not just here. Deleted part about the badges. -- Edit --", "> Anyhow -- I want to be sure I'm correctly understanding both Creative", "where one can contribute... Can I do something like: > > On writing.stackexchange.com", "contribute... Can I do something like: > > On writing.stackexchange.com (it would be", "> Maybe me expanding more instructional resources beyond what I put on W.SE,", "purely hypothetical example of one of many creative-commons places where one can contribute...", "I responded... > > > blockquote of my answer* > > > Summary", "I need to verify, but I'm pretty sure all of them are *Creative", "about ESL characters (quick summary of question), and I responded... > > >", "discussions in the comments, or my forum posts on spacebattles. I need to", "(quick summary of question), and I responded... > > > blockquote of my", "also want to include my own comments on some blogs with active discussions", "my answer* > > > Summary of a few other answers > >", "Edit -- to clarify it's not quite a BLOG, more a portfolio of", "least for the discussion (if not the actual main blog-writer's post, such as", "a few other answers > > > Maybe me expanding more instructional resources", "> > > Maybe me expanding more instructional resources beyond what I put", "but mostly a portfolio of my instructional work) is more empty than I", "characters (quick summary* of question), and I responded... > > > blockquote of", "to verify, but I'm pretty sure all of them are Creative Commons, at", "a Wordpress core, but mostly a portfolio of my instructional work) is more", "W.SE as a purely hypothetical example of one of many creative-commons places where", "I want, but I do tend to write in response to a \"conversation.\"", "of a few other answers > > > Maybe me expanding more instructional", "instructional work) is more empty than I want, but I do tend to", "discussions are CC.) Using W.SE as a purely hypothetical example of one of", "a portfolio of my instructional work) is more empty than I want, but", "the scope BEYOND W.SE and to cover any CreativeCommons work, not just here.", "on writing.se, but I also want to include my own comments on some", "Commons, at least for the discussion (if not the actual main blog-writer's post,", "something like: > > On writing.stackexchange.com (it would be a link to the", "-- I want to be sure I'm correctly understanding both Creative Commons and", "is my writing here on writing.se, but I also want to include my", "on spacebattles. I need to verify, but I'm pretty sure all of them", "portfolio of my instructional work) is more empty than I want, but I", "few other answers > > > Maybe me expanding more instructional resources beyond", "or my forum posts on spacebattles. I need to verify, but I'm pretty", "me expanding more instructional resources beyond what I put on W.SE, maybe not..", "\"conversation.\" One example is my writing here on writing.se, but I also want", "> > > blockquote of my answer > > > Summary of a", "I want to be sure I'm correctly understanding both Creative Commons and the", "empty than I want, but I do tend to write in response to", "put on W.SE, maybe not.. > > > Anyhow -- I want to", "ESL characters (quick summary* of question), and I responded... > > > blockquote", "core, but mostly a portfolio of my instructional work) is more empty than", "Second Edit* -- to try to expand the scope BEYOND W.SE and to", "would be a link to the specific question)* someone asked about ESL characters", "clarify it's not quite a BLOG, more a portfolio of teaching resources I've", "and I responded... > > > blockquote of my answer > > >", "verify, but I'm pretty sure all of them are Creative Commons, at least", "posts on spacebattles. I need to verify, but I'm pretty sure all of", "> Summary of a few other answers > > > Maybe me expanding", "a link to the specific question)* someone asked about ESL characters (quick summary", "more empty than I want, but I do tend to write in response", "my writing here* on writing.se, but I also want to include my own", "the discussion (if not the actual main blog-writer's post, such as Ebisod's Ask", "I've developed. --- My website (on a Wordpress core, but mostly a portfolio", "of my instructional work) is more empty than I want, but I do", "> > > Summary of a few other answers > > > Maybe", "with active discussions in the comments, or my forum posts on spacebattles. I", "be a link to the specific question)* someone asked about ESL characters (quick", "some blogs with active discussions in the comments, or my forum posts on", "expanding more instructional resources beyond what I put on W.SE, maybe not.. >", "W.SE, maybe not.. > > > Anyhow -- I want to be sure", "I put on W.SE, maybe not.. > > > Anyhow -- I want", "creative-commons places where one can contribute... Can I do something like: > >", "her columns are copyrighted, but the discussions are CC.) Using W.SE as a", "want to be sure I'm correctly understanding both Creative Commons and the reuse/remix", "of them are Creative Commons, at least for the discussion (if not the", "one of many creative-commons places where one can contribute... Can I do something", "more instructional resources beyond what I put on W.SE, maybe not.. > >", "many creative-commons places where one can contribute... Can I do something like: >", "> > blockquote of my answer* > > > Summary of a few", "responded... > > > blockquote of my answer > > > Summary of", "> > Maybe me expanding more instructional resources beyond what I put on", "> > Summary of a few other answers > > > Maybe me", "-- to try to expand the scope BEYOND W.SE and to cover any", "hypothetical example of one of many creative-commons places where one can contribute... Can", "to a \"conversation.\" One example is my writing here on writing.se, but I", "about the badges. -- Edit -- to clarify it's not quite a BLOG,", "CC.) Using W.SE as a purely hypothetical example of one of many creative-commons", "what I put on W.SE, maybe not.. > > > Anyhow -- I", "main blog-writer's post, such as Ebisod's Ask A Manager -- I am pretty", "(on a Wordpress core, but mostly a portfolio of my instructional work) is", "other answers > > > Maybe me expanding more instructional resources beyond what", "I do something like: > > On writing.stackexchange.com (it would be a link", "(it would be a link to the specific question)* someone asked about ESL", "I also want to include my own comments on some blogs with active", "than I want, but I do tend to write in response to a", "answers > > > Maybe me expanding more instructional resources beyond what I", "summary of question), and I responded... > > > blockquote of my answer", "developed. --- My website (on a Wordpress core, but mostly a portfolio of", "someone asked about ESL characters (quick summary of question), and I responded... >", "all of them are Creative Commons, at least for the discussion (if not", "a purely hypothetical example of one of many creative-commons places where one can", "them are Creative Commons, at least for the discussion (if not the actual", "of one of many creative-commons places where one can contribute... Can I do", "work) is more empty than I want, but I do tend to write", "a \"conversation.\" One example is my writing here* on writing.se, but I also", "more a portfolio of teaching resources I've developed. --- My website (on a", "places where one can contribute... Can I do something like: > > On", "instructional resources beyond what I put on W.SE, maybe not.. > > >", "example is my writing here on writing.se, but I also want to include", "own comments on some blogs with active discussions in the comments, or my", "link to the specific question)* someone asked about ESL characters (quick summary* of", "not.. > > > Anyhow -- I want to be sure I'm correctly", "Anyhow -- I want to be sure I'm correctly understanding both Creative Commons", "question), and I responded... > > > blockquote of my answer* > >", "on W.SE, maybe not.. > > > Anyhow -- I want to be", "it's not quite a BLOG, more a portfolio of teaching resources I've developed.", "any CreativeCommons work, not just here. Deleted part about the badges. -- Edit", "in response to a \"conversation.\" One example is my writing here on writing.se,", "pretty sure all of them are Creative Commons, at least for the discussion", "do something like: > > On writing.stackexchange.com (it would be a link* to", "sure her columns are copyrighted, but the discussions are CC.) Using W.SE as", "Summary of a few other answers > > > Maybe me expanding more", "answer > > > Summary** of a few other answers > > >", "writing.stackexchange.com (it would be a link* to the specific question)* someone asked about", "Wordpress core, but mostly a portfolio of my instructional work) is more empty", "but I also want to include my own comments on some blogs with", "in the comments, or my forum posts on spacebattles. I need to verify,", "one can contribute... Can I do something like: > > On writing.stackexchange.com (it", "just here. Deleted part about the badges. -- Edit -- to clarify it's", "not just here. Deleted part about the badges. -- Edit -- to clarify", "> On writing.stackexchange.com (it would be a link to the specific question)* someone", "try to expand the scope BEYOND W.SE and to cover any CreativeCommons work,", "A Manager -- I am pretty sure her columns are copyrighted, but the", "expand the scope BEYOND W.SE and to cover any CreativeCommons work, not just", "Manager -- I am pretty sure her columns are copyrighted, but the discussions", "not the actual main blog-writer's post, such as Ebisod's Ask A Manager --", "blogs with active discussions in the comments, or my forum posts on spacebattles.", "response to a \"conversation.\" One example is my writing here on writing.se, but", "such as Ebisod's Ask A Manager -- I am pretty sure her columns", "of teaching resources I've developed. --- My website (on a Wordpress core, but", "to expand the scope BEYOND W.SE and to cover any CreativeCommons work, not", "W.SE and to cover any CreativeCommons work, not just here. Deleted part about", "badges. -- Edit -- to clarify it's not quite a BLOG, more a", "but I do tend to write in response to a \"conversation.\" One example", "on some blogs with active discussions in the comments, or my forum posts", "I am pretty sure her columns are copyrighted, but the discussions are CC.)", "pretty sure her columns are copyrighted, but the discussions are CC.) Using W.SE", "part about the badges. -- Edit -- to clarify it's not quite a", "of many creative-commons places where one can contribute... Can I do something like:", "want, but I do tend to write in response to a \"conversation.\" One", "to the specific question)* someone asked about ESL characters (quick summary* of question),", "resources beyond what I put on W.SE, maybe not.. > > > Anyhow", "maybe not.. > > > Anyhow -- I want to be sure I'm", "the discussions are CC.) Using W.SE as a purely hypothetical example of one", "example of one of many creative-commons places where one can contribute... Can I", "forum posts on spacebattles. I need to verify, but I'm pretty sure all", "like: > > On writing.stackexchange.com (it would be a link to the specific", "is more empty than I want, but I do tend to write in", "to cover any CreativeCommons work, not just here. Deleted part about the badges.", "active discussions in the comments, or my forum posts on spacebattles. I need", "a BLOG, more a portfolio of teaching resources I've developed. --- My website", "write in response to a \"conversation.\" One example is my writing here on", "Can I do something like: > > On writing.stackexchange.com (it would be a", "post, such as Ebisod's Ask A Manager -- I am pretty sure her", "the specific question) someone asked about ESL characters (quick summary* of question), and", "columns are copyrighted, but the discussions are CC.) Using W.SE as a purely", "Using W.SE as a purely hypothetical example of one of many creative-commons places", "a portfolio of teaching resources I've developed. --- My website (on a Wordpress", "scope BEYOND W.SE and to cover any CreativeCommons work, not just here. Deleted", "work, not just here. Deleted part about the badges. -- Edit -- to", "BLOG, more a portfolio of teaching resources I've developed. --- My website (on", "to clarify it's not quite a BLOG, more a portfolio of teaching resources", "Ask A Manager -- I am pretty sure her columns are copyrighted, but", "specific question) someone asked about ESL characters (quick summary* of question), and I", "of my answer* > > > Summary of a few other answers >", "want to include my own comments on some blogs with active discussions in", "are copyrighted, but the discussions are CC.) Using W.SE as a purely hypothetical", "writing here on writing.se, but I also want to include my own comments", "as Ebisod's Ask A Manager -- I am pretty sure her columns are", "but I'm pretty sure all of them are Creative Commons, at least for", "> blockquote of my answer > > > Summary of a few other", "Maybe me expanding more instructional resources beyond what I put on W.SE, maybe", "discussion (if not the actual main blog-writer's post, such as Ebisod's Ask A", "blockquote of my answer > > > Summary of a few other answers", "> > On writing.stackexchange.com (it would be a link* to the specific question)*", "I do tend to write in response to a \"conversation.\" One example is", "tend to write in response to a \"conversation.\" One example is my writing", "My website (on a Wordpress core, but mostly a portfolio of my instructional", "mostly a portfolio of my instructional work) is more empty than I want,", "BEYOND W.SE and to cover any CreativeCommons work, not just here. Deleted part", "comments on some blogs with active discussions in the comments, or my forum" ]
[ "fact without the signal the reader probably wouldn't realize the story has passed", "mystery's progress outside of the on-going dialog and other in-story elements (for example,", "thoughts to the suspects/interviewees. I have the option to signal the reader non-diegetically", "from the story engine goofy and distracting (breaking the 4th wall)? Or does", "doesn't explain his reason but it's buried in the choices. The reader can't", "Telltale's \"Mr Toad will remember this\"). The downside is that this means the", "what. The signals are not necessary to \"win.\" in fact without the signal", "story. Is a non-diegetic signal from the story engine goofy and distracting (breaking", "aggressive, but they won't know what makes the detective sympathetic or suspicious. The", "he invokes at the end of every interview, so it could be integrated", "detective has made a determination. In other words, I can signal the mystery's", "and subtle. The comments and answer on WritingSE says no, it should just", "suspicious. The player's choices therefore impact the story, but only indirectly. It feels", "reveal his thoughts to the suspects/interviewees. I have the option to signal the", "It's probably no surprise that my Interactive Fiction community says yes, the signal", "flaws of the interview may or may not be explained, depending on later", "can signal the mystery's progress outside of the on-going dialog and other in-story", "who decides whether he believes interviewees controlled by the player. The detective doesn't", "should be vague and subtle. The comments and answer on WritingSE says no,", "reason but it's buried in the choices. The reader can't anticipate which choice-combination", "a gimmick that draws attention to itself without having a clear pay-off. The", "Fiction community says yes, the signal is a good idea but should be", "yes, the signal is a good idea but should be vague and subtle.", "explaining it. It's telling, not showing. I can integrate it diegetically (in-story), as", "reader can make a suspect helpful or aggressive, but they won't know what", "story, but only indirectly. It feels like I need to emphasize that SOMEthing", "know what makes the detective sympathetic or suspicious. The player's choices therefore impact", "judgement. It is purely to draw attention to itself. The flaws of the", "the story. Is a non-diegetic signal from the story engine goofy and distracting", "may or may not be explained, depending on later branches to the story.", "of the detective (it is an occult world) that he invokes at the", "something, but the reader isn't sure what. The signals are not necessary to", "detective (it is an occult world) that he invokes at the end of", "been determined by the interview, but the detective is sly and does not", "in-story elements (for example, Telltale's \"Mr Toad will remember this\"). The downside is", "community says yes, the signal is a good idea but should be vague", "at the end of every interview, so it could be integrated thematically, but", "but they won't know what makes the detective sympathetic or suspicious. The player's", "SOMEthing has been determined by the interview, but the detective is sly and", "the detective is sly and does not always reveal his thoughts to the", "have the option to signal the reader non-diegetically that the detective has made", "an occult world) that he invokes at the end of every interview, so", "that this means the story is sort of letting out a WHOOP WHOOP", "always reveal his thoughts to the suspects/interviewees. I have the option to signal", "to trust me that the choices matter? EDIT: It's probably no surprise that", "not explaining it. It's telling, not showing. I can integrate it diegetically (in-story),", "whether he believes interviewees controlled by the player. The detective doesn't explain his", "Or does it re-enforce the idea that choices matter, even if you have", "could be integrated thematically, but it's still a gimmick that draws attention to", "but the reader isn't sure what. The signals are not necessary to \"win.\"", "invokes at the end of every interview, so it could be integrated thematically,", "to draw attention to itself. The flaws of the interview may or may", "clear pay-off. The detective has determined something, but the reader isn't sure what.", "he believes interviewees controlled by the player. The detective doesn't explain his reason", "a good idea but should be vague and subtle. The comments and answer", "player's choices therefore impact the story, but only indirectly. It feels like I", "I can signal the mystery's progress outside of the on-going dialog and other", "In my visual novel* (an interactive, narrative-based video-game), I have a detective character", "I have a detective character who decides whether he believes interviewees controlled by", "interviewees controlled by the player. The detective doesn't explain his reason but it's", "of the interview may or may not be explained, depending on later branches", "WHOOP WHOOP but not explaining it. It's telling, not showing. I can integrate", "matter*, even if you have to trust me that the choices matter? EDIT:", "to \"win.\" in fact without the signal the reader probably wouldn't realize the", "attention to itself without having a clear pay-off. The detective has determined something,", "interactive, narrative-based video-game), I have a detective character who decides whether he believes", "surprise that my Interactive Fiction community says yes, the signal is a good", "won't know what makes the detective sympathetic or suspicious. The player's choices therefore", "a \"power\" of the detective (it is an occult world) that he invokes", "can make a suspect helpful or aggressive, but they won't know what makes", "progress outside of the on-going dialog and other in-story elements (for example, Telltale's", "to signal the reader non-diegetically that the detective has made a determination. In", "my Interactive Fiction community says yes, the signal is a good idea but", "even if you have to trust me that the choices matter? EDIT: It's", "the story engine goofy and distracting (breaking the 4th wall)? Or does it", "WHOOP but not explaining it. It's telling, not showing. I can integrate it", "character who decides whether he believes interviewees controlled by the player. The detective", "the suspects/interviewees. I have the option to signal the reader non-diegetically that the", "novel (an interactive, narrative-based video-game), I have a detective character who decides whether", "believes interviewees controlled by the player. The detective doesn't explain his reason but", "is that this means the story is sort of letting out a WHOOP", "the reader isn't sure what. The signals are not necessary to \"win.\" in", "later branches to the story. Is a non-diegetic signal from the story engine", "having a clear pay-off. The detective has determined something, but the reader isn't", "video-game), I have a detective character who decides whether he believes interviewees controlled", "a WHOOP WHOOP but not explaining it. It's telling, not showing. I can", "reader can't anticipate which choice-combination will convince him (choices might reveal a clue", "so it could be integrated thematically, but it's still a gimmick that draws", "the end of every interview, so it could be integrated thematically, but it's", "indirectly. It feels like I need to emphasize that SOMEthing has been determined", "might reveal a clue unwittingly, said clue becoming important later). The reader can", "out a WHOOP WHOOP but not explaining it. It's telling, not showing. I", "itself without having a clear pay-off. The detective has determined something, but the", "to itself without having a clear pay-off. The detective has determined something, but", "unwittingly, said clue becoming important later). The reader can make a suspect helpful", "or suspicious. The player's choices therefore impact the story, but only indirectly. It", "telling, not showing. I can integrate it diegetically (in-story), as a \"power\" of", "depending on later branches to the story. Is a non-diegetic signal from the", "will remember this\"). The downside is that this means the story is sort", "\"Mr Toad will remember this\"). The downside is that this means the story", "subtle. The comments and answer on WritingSE says no, it should just emerge", "detective character who decides whether he believes interviewees controlled by the player. The", "downside is that this means the story is sort of letting out a", "words, I can signal the mystery's progress outside of the on-going dialog and", "have a detective character who decides whether he believes interviewees controlled by the", "itself. The flaws of the interview may or may not be explained, depending", "The player's choices therefore impact the story, but only indirectly. It feels like", "wall)? Or does it re-enforce the idea that choices matter, even if you", "need to emphasize that SOMEthing has been determined by the interview, but the", "The signals are not necessary to \"win.\" in fact without the signal the", "probably no surprise that my Interactive Fiction community says yes, the signal is", "end of every interview, so it could be integrated thematically, but it's still", "the interview may or may not be explained, depending on later branches to", "the story, but only indirectly. It feels like I need to emphasize that", "that the detective has made a determination. In other words, I can signal", "makes the detective sympathetic or suspicious. The player's choices therefore impact the story,", "the idea that choices matter, even if you have to trust me that", "are not necessary to \"win.\" in fact without the signal the reader probably", "dialog and other in-story elements (for example, Telltale's \"Mr Toad will remember this\").", "Is a non-diegetic signal from the story engine goofy and distracting (breaking the", "be explained, depending on later branches to the story. Is a non-diegetic signal", "sort of letting out a WHOOP WHOOP but not explaining it. It's telling,", "you have to trust me that the choices matter? EDIT: It's probably no", "later). The reader can make a suspect helpful or aggressive, but they won't", "is a good idea but should be vague and subtle. The comments and", "The reader can make a suspect helpful or aggressive, but they won't know", "in the choices. The reader can't anticipate which choice-combination will convince him (choices", "not always reveal his thoughts to the suspects/interviewees. I have the option to", "suspects/interviewees. I have the option to signal the reader non-diegetically that the detective", "re-enforce the idea that choices matter, even if you have to trust me", "make a suspect helpful or aggressive, but they won't know what makes the", "a determination. In other words, I can signal the mystery's progress outside of", "In other words, I can signal the mystery's progress outside of the on-going", "will convince him (choices might reveal a clue unwittingly, said clue becoming important", "explain his reason but it's buried in the choices. The reader can't anticipate", "or may not be explained, depending on later branches to the story. Is", "it. It's telling, not showing. I can integrate it diegetically (in-story), as a", "signal is a good idea but should be vague and subtle. The comments", "important later). The reader can make a suspect helpful or aggressive, but they", "that draws attention to itself without having a clear pay-off. The detective has", "I need to emphasize that SOMEthing has been determined by the interview, but", "his thoughts to the suspects/interviewees. I have the option to signal the reader", "it re-enforce the idea that choices matter, even if you have to trust", "can integrate it diegetically (in-story), as a \"power\" of the detective (it is", "not be explained, depending on later branches to the story. Is a non-diegetic", "in fact without the signal the reader probably wouldn't realize the story has", "does it re-enforce the idea that choices matter, even if you have to", "that the choices matter? EDIT: It's probably no surprise that my Interactive Fiction", "non-diegetic signal from the story engine goofy and distracting (breaking the 4th wall)?", "this means the story is sort of letting out a WHOOP WHOOP but", "and does not always reveal his thoughts to the suspects/interviewees. I have the", "showing. I can integrate it diegetically (in-story), as a \"power\" of the detective", "it could be integrated thematically, but it's still a gimmick that draws attention", "what makes the detective sympathetic or suspicious. The player's choices therefore impact the", "decides whether he believes interviewees controlled by the player. The detective doesn't explain", "necessary to \"win.\" in fact without the signal the reader probably wouldn't realize", "is sly and does not always reveal his thoughts to the suspects/interviewees. I", "choices matter, even if you have to trust me that the choices matter?", "the reader non-diegetically that the detective has made a determination. In other words,", "and answer on WritingSE says no, it should just emerge through the story.", "choices. The reader can't anticipate which choice-combination will convince him (choices might reveal", "suspect helpful or aggressive, but they won't know what makes the detective sympathetic", "wouldn't realize the story has passed judgement. It is purely to draw attention", "branches to the story. Is a non-diegetic signal from the story engine goofy", "distracting (breaking the 4th wall)? Or does it re-enforce the idea that choices", "world) that he invokes at the end of every interview, so it could", "the interview, but the detective is sly and does not always reveal his", "\"win.\" in fact without the signal the reader probably wouldn't realize the story", "has made a determination. In other words, I can signal the mystery's progress", "is an occult world) that he invokes at the end of every interview,", "detective has determined something, but the reader isn't sure what. The signals are", "Toad will remember this\"). The downside is that this means the story is", "says yes, the signal is a good idea but should be vague and", "explained, depending on later branches to the story. Is a non-diegetic signal from", "the on-going dialog and other in-story elements (for example, Telltale's \"Mr Toad will", "draws attention to itself without having a clear pay-off. The detective has determined", "comments and answer on WritingSE says no, it should just emerge through the", "narrative-based video-game), I have a detective character who decides whether he believes interviewees", "controlled by the player. The detective doesn't explain his reason but it's buried", "to emphasize that SOMEthing has been determined by the interview, but the detective", "has passed judgement. It is purely to draw attention to itself. The flaws", "it's still a gimmick that draws attention to itself without having a clear", "still a gimmick that draws attention to itself without having a clear pay-off.", "matter? EDIT: It's probably no surprise that my Interactive Fiction community says yes,", "sympathetic or suspicious. The player's choices therefore impact the story, but only indirectly.", "on later branches to the story. Is a non-diegetic signal from the story", "is purely to draw attention to itself. The flaws of the interview may", "feels like I need to emphasize that SOMEthing has been determined by the", "The detective has determined something, but the reader isn't sure what. The signals", "impact the story, but only indirectly. It feels like I need to emphasize", "but the detective is sly and does not always reveal his thoughts to", "only indirectly. It feels like I need to emphasize that SOMEthing has been", "or aggressive, but they won't know what makes the detective sympathetic or suspicious.", "Interactive Fiction community says yes, the signal is a good idea but should", "determination. In other words, I can signal the mystery's progress outside of the", "the detective has made a determination. In other words, I can signal the", "passed judgement. It is purely to draw attention to itself. The flaws of", "reader non-diegetically that the detective has made a determination. In other words, I", "becoming important later). The reader can make a suspect helpful or aggressive, but", "has determined something, but the reader isn't sure what. The signals are not", "signals are not necessary to \"win.\" in fact without the signal the reader", "non-diegetically that the detective has made a determination. In other words, I can", "is sort of letting out a WHOOP WHOOP but not explaining it. It's", "visual novel (an interactive, narrative-based video-game), I have a detective character who decides", "(an interactive, narrative-based video-game), I have a detective character who decides whether he", "(it is an occult world) that he invokes at the end of every", "detective sympathetic or suspicious. The player's choices therefore impact the story, but only", "every interview, so it could be integrated thematically, but it's still a gimmick", "the choices matter? EDIT: It's probably no surprise that my Interactive Fiction community", "but it's buried in the choices. The reader can't anticipate which choice-combination will", "clue unwittingly, said clue becoming important later). The reader can make a suspect", "good idea but should be vague and subtle. The comments and answer on", "engine goofy and distracting (breaking the 4th wall)? Or does it re-enforce the", "the story has passed judgement. It is purely to draw attention to itself.", "It's telling, not showing. I can integrate it diegetically (in-story), as a \"power\"", "me that the choices matter? EDIT: It's probably no surprise that my Interactive", "they won't know what makes the detective sympathetic or suspicious. The player's choices", "have to trust me that the choices matter? EDIT: It's probably no surprise", "idea but should be vague and subtle. The comments and answer on WritingSE", "detective doesn't explain his reason but it's buried in the choices. The reader", "not necessary to \"win.\" in fact without the signal the reader probably wouldn't", "but only indirectly. It feels like I need to emphasize that SOMEthing has", "his reason but it's buried in the choices. The reader can't anticipate which", "emphasize that SOMEthing has been determined by the interview, but the detective is", "but should be vague and subtle. The comments and answer on WritingSE says", "him (choices might reveal a clue unwittingly, said clue becoming important later). The", "thematically, but it's still a gimmick that draws attention to itself without having", "as a \"power\" of the detective (it is an occult world) that he", "player. The detective doesn't explain his reason but it's buried in the choices.", "other words, I can signal the mystery's progress outside of the on-going dialog", "choice-combination will convince him (choices might reveal a clue unwittingly, said clue becoming", "but it's still a gimmick that draws attention to itself without having a", "of letting out a WHOOP WHOOP but not explaining it. It's telling, not", "the 4th wall)? Or does it re-enforce the idea that choices matter, even", "option to signal the reader non-diegetically that the detective has made a determination.", "the reader probably wouldn't realize the story has passed judgement. It is purely", "the player. The detective doesn't explain his reason but it's buried in the", "purely to draw attention to itself. The flaws of the interview may or", "It is purely to draw attention to itself. The flaws of the interview", "example, Telltale's \"Mr Toad will remember this\"). The downside is that this means", "said clue becoming important later). The reader can make a suspect helpful or", "buried in the choices. The reader can't anticipate which choice-combination will convince him", "it diegetically (in-story), as a \"power\" of the detective (it is an occult", "integrate it diegetically (in-story), as a \"power\" of the detective (it is an", "integrated thematically, but it's still a gimmick that draws attention to itself without", "like I need to emphasize that SOMEthing has been determined by the interview,", "reveal a clue unwittingly, said clue becoming important later). The reader can make", "that choices matter, even if you have to trust me that the choices", "outside of the on-going dialog and other in-story elements (for example, Telltale's \"Mr", "signal the mystery's progress outside of the on-going dialog and other in-story elements", "The downside is that this means the story is sort of letting out", "to the story. Is a non-diegetic signal from the story engine goofy and", "on-going dialog and other in-story elements (for example, Telltale's \"Mr Toad will remember", "signal from the story engine goofy and distracting (breaking the 4th wall)? Or", "The reader can't anticipate which choice-combination will convince him (choices might reveal a", "be integrated thematically, but it's still a gimmick that draws attention to itself", "\"power\" of the detective (it is an occult world) that he invokes at", "story has passed judgement. It is purely to draw attention to itself. The", "the option to signal the reader non-diegetically that the detective has made a", "story is sort of letting out a WHOOP WHOOP but not explaining it.", "the mystery's progress outside of the on-going dialog and other in-story elements (for", "clue becoming important later). The reader can make a suspect helpful or aggressive,", "attention to itself. The flaws of the interview may or may not be", "story engine goofy and distracting (breaking the 4th wall)? Or does it re-enforce", "interview may or may not be explained, depending on later branches to the", "a clear pay-off. The detective has determined something, but the reader isn't sure", "convince him (choices might reveal a clue unwittingly, said clue becoming important later).", "does not always reveal his thoughts to the suspects/interviewees. I have the option", "and other in-story elements (for example, Telltale's \"Mr Toad will remember this\"). The", "the detective (it is an occult world) that he invokes at the end", "a clue unwittingly, said clue becoming important later). The reader can make a", "of every interview, so it could be integrated thematically, but it's still a", "realize the story has passed judgement. It is purely to draw attention to", "the choices. The reader can't anticipate which choice-combination will convince him (choices might", "this\"). The downside is that this means the story is sort of letting", "signal the reader probably wouldn't realize the story has passed judgement. It is", "isn't sure what. The signals are not necessary to \"win.\" in fact without", "the detective sympathetic or suspicious. The player's choices therefore impact the story, but", "if you have to trust me that the choices matter? EDIT: It's probably", "letting out a WHOOP WHOOP but not explaining it. It's telling, not showing.", "The flaws of the interview may or may not be explained, depending on", "occult world) that he invokes at the end of every interview, so it", "that my Interactive Fiction community says yes, the signal is a good idea", "gimmick that draws attention to itself without having a clear pay-off. The detective", "interview, but the detective is sly and does not always reveal his thoughts", "elements (for example, Telltale's \"Mr Toad will remember this\"). The downside is that", "helpful or aggressive, but they won't know what makes the detective sympathetic or", "anticipate which choice-combination will convince him (choices might reveal a clue unwittingly, said", "probably wouldn't realize the story has passed judgement. It is purely to draw", "diegetically (in-story), as a \"power\" of the detective (it is an occult world)", "by the interview, but the detective is sly and does not always reveal", "that SOMEthing has been determined by the interview, but the detective is sly", "it's buried in the choices. The reader can't anticipate which choice-combination will convince", "goofy and distracting (breaking the 4th wall)? Or does it re-enforce the idea", "a suspect helpful or aggressive, but they won't know what makes the detective", "the story is sort of letting out a WHOOP WHOOP but not explaining", "reader probably wouldn't realize the story has passed judgement. It is purely to", "by the player. The detective doesn't explain his reason but it's buried in", "but not explaining it. It's telling, not showing. I can integrate it diegetically", "(choices might reveal a clue unwittingly, said clue becoming important later). The reader", "be vague and subtle. The comments and answer on WritingSE says no, it", "other in-story elements (for example, Telltale's \"Mr Toad will remember this\"). The downside", "without having a clear pay-off. The detective has determined something, but the reader", "vague and subtle. The comments and answer on WritingSE says no, it should", "reader isn't sure what. The signals are not necessary to \"win.\" in fact", "EDIT: It's probably no surprise that my Interactive Fiction community says yes, the", "my visual novel* (an interactive, narrative-based video-game), I have a detective character who", "sly and does not always reveal his thoughts to the suspects/interviewees. I have", "detective is sly and does not always reveal his thoughts to the suspects/interviewees.", "of the on-going dialog and other in-story elements (for example, Telltale's \"Mr Toad", "(in-story), as a \"power\" of the detective (it is an occult world) that", "the signal is a good idea but should be vague and subtle. The", "to itself. The flaws of the interview may or may not be explained,", "a non-diegetic signal from the story engine goofy and distracting (breaking the 4th", "which choice-combination will convince him (choices might reveal a clue unwittingly, said clue", "therefore impact the story, but only indirectly. It feels like I need to", "sure what. The signals are not necessary to \"win.\" in fact without the", "It feels like I need to emphasize that SOMEthing has been determined by", "made a determination. In other words, I can signal the mystery's progress outside", "determined by the interview, but the detective is sly and does not always", "not showing. I can integrate it diegetically (in-story), as a \"power\" of the", "(for example, Telltale's \"Mr Toad will remember this\"). The downside is that this", "pay-off. The detective has determined something, but the reader isn't sure what. The", "may not be explained, depending on later branches to the story. Is a", "and distracting (breaking the 4th wall)? Or does it re-enforce the idea that", "interview, so it could be integrated thematically, but it's still a gimmick that", "The comments and answer on WritingSE says no, it should just emerge through", "to the suspects/interviewees. I have the option to signal the reader non-diegetically that", "can't anticipate which choice-combination will convince him (choices might reveal a clue unwittingly,", "has been determined by the interview, but the detective is sly and does", "trust me that the choices matter? EDIT: It's probably no surprise that my", "I have the option to signal the reader non-diegetically that the detective has", "means the story is sort of letting out a WHOOP WHOOP but not", "4th wall)? Or does it re-enforce the idea that choices matter, even if", "(breaking the 4th wall)? Or does it re-enforce the idea that choices matter,", "remember this\"). The downside is that this means the story is sort of", "The detective doesn't explain his reason but it's buried in the choices. The", "choices matter? EDIT: It's probably no surprise that my Interactive Fiction community says", "that he invokes at the end of every interview, so it could be", "signal the reader non-diegetically that the detective has made a determination. In other", "determined something, but the reader isn't sure what. The signals are not necessary", "choices therefore impact the story, but only indirectly. It feels like I need", "idea that choices matter**, even if you have to trust me that the", "no surprise that my Interactive Fiction community says yes, the signal is a", "the signal the reader probably wouldn't realize the story has passed judgement. It", "I can integrate it diegetically (in-story), as a \"power\" of the detective (it", "draw attention to itself. The flaws of the interview may or may not", "a detective character who decides whether he believes interviewees controlled by the player.", "without the signal the reader probably wouldn't realize the story has passed judgement." ]
[ "How can you determine you have too many characters appearing for a very", "to develop them. Is this too many? How can you determine you have", "novel appear for only 2-3 chapters and I don't really have the chance", "40% of the characters in my novel appear for only 2-3 chapters and", "chance to develop them. Is this too many? How can you determine you", "At least 40% of the characters in my novel appear for only 2-3", "you determine you have too many characters appearing for a very short duration?", "them. Is this too many? How can you determine you have too many", "and I don't really have the chance to develop them. Is this too", "chapters and I don't really have the chance to develop them. Is this", "the characters in my novel appear for only 2-3 chapters and I don't", "in my novel appear for only 2-3 chapters and I don't really have", "of the characters in my novel appear for only 2-3 chapters and I", "too many? How can you determine you have too many characters appearing for", "characters in my novel appear for only 2-3 chapters and I don't really", "Is this too many? How can you determine you have too many characters", "my novel appear for only 2-3 chapters and I don't really have the", "develop them. Is this too many? How can you determine you have too", "this too many? How can you determine you have too many characters appearing", "many? How can you determine you have too many characters appearing for a", "I don't really have the chance to develop them. Is this too many?", "the chance to develop them. Is this too many? How can you determine", "appear for only 2-3 chapters and I don't really have the chance to", "only 2-3 chapters and I don't really have the chance to develop them.", "don't really have the chance to develop them. Is this too many? How", "2-3 chapters and I don't really have the chance to develop them. Is", "least 40% of the characters in my novel appear for only 2-3 chapters", "have the chance to develop them. Is this too many? How can you", "for only 2-3 chapters and I don't really have the chance to develop", "can you determine you have too many characters appearing for a very short", "really have the chance to develop them. Is this too many? How can" ]
[ "the Red Sea. The lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and", "English. I have time-traveling kids from 1995 America who go to Ancient Egypt", "I will use transliteration only and it will be in Biblical Hebrew, which", "the main stanza) need to be from the original. (Note: while all my", "as Canaanite (I have no idea how close that one is). *How do", "I'll just use English. But a few of the songs will come from", "they're more or less mutually intelligible) and also not the same as Canaanite", "readers don't have to run for a dictionary. Plenty of translations, etc. But", "songs will come from Jewish liturgy or straight out of the Torah. Or", "The people they visit mostly speak Canaanite, an ancient form of Hebrew. (There", "the weaving in of a foreign language but the idea that the rest", "the idea that the rest of the book is written in English, even", "after successfully crossing the Red Sea. The lyrics are [right in the book", "school) will recognize. Some of the words (just the main stanza) need to", "that the rest of the book is written in English, even though they're", "kids for crying out loud handwave is that there is a magical invisible", "also put in a few non-English words or phrases here and there. There", "part Jewish, none of them have attended synagogue and they don't know the", "more or less mutually intelligible) and also not the same as Canaanite (I", "this? Not just the weaving in of a foreign language but the idea", "words (just the main stanza) need to be from the original. (Note: while", "week in synagogue. I'd like those songs to be in Hebrew. I may", "praise that the Hebrews sang after successfully crossing the Red Sea. The lyrics", "The lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song", "But a few of the songs will come from Jewish liturgy or straight", "song that every synagogue-attending Jew (and every kid in Hebrew school) will recognize.", "of Mi Chamocha (aka The Song of the Sea), a song of praise", "into the book. For some or most of them, I'll just use English.", "languages there but let's put that aside.) My big it's a fantasy book", "My big it's a fantasy book for kids for crying out loud* handwave", "have to run for a dictionary. Plenty of translations, etc. But this is", "learn as they're non-translatable (\"dude!\"). I'll write it so that the readers don't", "successfully crossing the Red Sea. The lyrics are [right in the book of", "loud* handwave is that there is a magical invisible Universal Translator (think Doctor", "be from the original. (Note: while all my kids are at least part", "book for kids for crying out loud handwave is that there is a", "To the kids, everyone's speaking English (though they know this isn't the case).", "to join the Exodus. None of the kids speak anything but English (aside", "mostly speak Canaanite, an ancient form of Hebrew. (There are other languages there", "run for a dictionary. Plenty of translations, etc. But this is a song", "invisible Universal Translator (think Doctor Who, but without any tech). To the kids,", "For some or most of them, I'll just use English. But a few", "are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing", "a few non-English words or phrases here and there. There are also some", "everyone's speaking English (though they know this isn't the case). To the locals,", "kids are at least part Jewish, none of them have attended synagogue and", "book. For some or most of them, I'll just use English. But a", "kids, everyone's speaking English (though they know this isn't the case). To the", "have time-traveling kids from 1995 America who go to Ancient Egypt to join", "in a few non-English words or phrases here and there. There are also", "to run for a dictionary. Plenty of translations, etc. But this is a", "of the kids speak anything but English (aside from a few words). The", "case of Mi Chamocha (aka The Song of the Sea), a song of", "(just the main stanza) need to be from the original. (Note: while all", "the kids speak anything but English (aside from a few words). The people", "kid in Hebrew school) will recognize. Some of the words (just the main", "every kid in Hebrew school) will recognize. Some of the words (just the", "retain when they go home. The locals are folks that love to sing", "words or phrases here and there. There are also some English words the", "the locals, the kids speak and understand them just fine (though they might", "and it will be in Biblical Hebrew, which is not the same as", "put that aside.) My big it's a fantasy book for kids for crying", "language but the idea that the rest of the book is written in", "magical invisible Universal Translator (think Doctor Who, but without any tech). To the", "any tech). To the kids, everyone's speaking English (though they know this isn't", "join the Exodus. None of the kids speak anything but English (aside from", "Hebrew school) will recognize. Some of the words (just the main stanza) need", "of the words (just the main stanza) need to be from the original.", "dictionary. Plenty of translations, etc. But this is a song that every synagogue-attending", "speaking English (though they know this isn't the case). To the locals, the", "a fantasy book for kids for crying out loud handwave is that there", "know this isn't the case). To the locals, the kids speak and understand", "of songs into the book. For some or most of them, I'll just", "but the idea that the rest of the book is written in English,", "is written in English, even though they're not speaking English when they're in", "original. (Note: while all my kids are at least part Jewish, none of", "(I have no idea how close that one is). *How do I work", "reality, everyone's speaking the local language(s), languages the kids retain when they go", "English (though they know this isn't the case). To the locals, the kids", "the Sea), a song of praise that the Hebrews sang after successfully crossing", "the local language(s), languages the kids retain when they go home. The locals", "that the readers don't have to run for a dictionary. Plenty of translations,", "out of the Torah. Or both, like in the case of Mi Chamocha", "let's put that aside.) My big it's a fantasy book for kids for", "dance and I plan to put snippets of songs into the book. For", "a song of praise that the Hebrews sang after successfully crossing the Red", "(There are other languages there but let's put that aside.) My big it's", "idea that the rest of the book is written in English, even though", "to put snippets of songs into the book. For some or most of", "*How do I work this? Not just the weaving in of a foreign", "Sea), a song of praise that the Hebrews sang after successfully crossing the", "every week in synagogue. I'd like those songs to be in Hebrew. I", "every synagogue-attending Jew (and every kid in Hebrew school) will recognize. Some of", "just use English. But a few of the songs will come from Jewish", "that one is). *How do I work this? Not just the weaving in", "in Hebrew. I may also put in a few non-English words or phrases", "The Song of the Sea), a song of praise that the Hebrews sang", "There are also some English words the locals will learn as they're non-translatable", "without any tech). To the kids, everyone's speaking English (though they know this", "like those songs to be in Hebrew. I may also put in a", "written in English, even though they're not speaking English when they're in Egypt", "of a foreign language but the idea that the rest of the book", "out loud handwave is that there is a magical invisible Universal Translator (think", "who go to Ancient Egypt to join the Exodus. None of the kids", "novel in English. I have time-traveling kids from 1995 America who go to", "same as Canaanite (I have no idea how close that one is). *How", "may also put in a few non-English words or phrases here and there.", "words the locals will learn as they're non-translatable (\"dude!\"). I'll write it so", "kids speak anything but English (aside from a few words). The people they", "might not know all the vocabulary). In reality, everyone's speaking the local language(s),", "(though they're more or less mutually intelligible) and also not the same as", "from a few words). The people they visit mostly speak Canaanite, an ancient", "song of praise that the Hebrews sang after successfully crossing the Red Sea.", "not know all the vocabulary). In reality, everyone's speaking the local language(s), languages", "all the vocabulary). In reality, everyone's speaking the local language(s), languages the kids", "English (aside from a few words). The people they visit mostly speak Canaanite,", "In reality, everyone's speaking the local language(s), languages the kids retain when they", "I'll write it so that the readers don't have to run for a", "book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every week in synagogue.", "a foreign language but the idea that the rest of the book is", "the case of Mi Chamocha* (aka The Song of the Sea), a song", "will use transliteration only and it will be in Biblical Hebrew, which is", "the book. For some or most of them, I'll just use English. But", "writing a middle-grade novel in English. I have time-traveling kids from 1995 America", "speaking the local language(s), languages the kids retain when they go home. The", "sang after successfully crossing the Red Sea. The lyrics are [right in the", "But this is a song that every synagogue-attending Jew (and every kid in", "tech). To the kids, everyone's speaking English (though they know this isn't the", "when they go home. The locals are folks that love to sing and", "of translations, etc. But this is a song that every synagogue-attending Jew (and", "Biblical Hebrew, which is not the same as modern Hebrew (though they're more", "mutually intelligible) and also not the same as Canaanite (I have no idea", "and also not the same as Canaanite (I have no idea how close", "Exodus. None of the kids speak anything but English (aside from a few", "them, I'll just use English. But a few of the songs will come", "don't know the songs.) I will use transliteration only and it will be", "the kids retain when they go home. The locals are folks that love", "the Hebrews sang after successfully crossing the Red Sea. The lyrics are [right", "are also some English words the locals will learn as they're non-translatable (\"dude!\").", "idea how close that one is). *How do I work this? Not just", "(Note: while all my kids are at least part Jewish, none of them", "Song of the Sea), a song of praise that the Hebrews sang after", "few non-English words or phrases here and there. There are also some English", "all my kids are at least part Jewish, none of them have attended", "Egypt to join the Exodus. None of the kids speak anything but English", "words). The people they visit mostly speak Canaanite, an ancient form of Hebrew.", "(and every kid in Hebrew school) will recognize. Some of the words (just", "Translator (think Doctor Who, but without any tech). To the kids, everyone's speaking", "(though they might not know all the vocabulary). In reality, everyone's speaking the", "come from Jewish liturgy or straight out of the Torah. Or both, like", "the Torah. Or both, like in the case of Mi Chamocha (aka The", "recognize. Some of the words (just the main stanza) need to be from", "etc. But this is a song that every synagogue-attending Jew (and every kid", "synagogue. I'd like those songs to be in Hebrew. I may also put", "in English, even though they're not speaking English when they're in Egypt and", "in the case of Mi Chamocha* (aka The Song of the Sea), a", "languages the kids retain when they go home. The locals are folks that", "in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every week", "English. But a few of the songs will come from Jewish liturgy or", "Hebrew, which is not the same as modern Hebrew (though they're more or", "isn't the case). To the locals, the kids speak and understand them just", "and dance and I plan to put snippets of songs into the book.", "both, like in the case of Mi Chamocha (aka The Song of the", "here and there. There are also some English words the locals will learn", "but without any tech). To the kids, everyone's speaking English (though they know", "To the locals, the kids speak and understand them just fine (though they", "a few of the songs will come from Jewish liturgy or straight out", "my kids are at least part Jewish, none of them have attended synagogue", "they're non-translatable (\"dude!\"). I'll write it so that the readers don't have to", "to be from the original. (Note: while all my kids are at least", "it will be in Biblical Hebrew, which is not the same as modern", "a dictionary. Plenty of translations, etc. But this is a song that every", "in Hebrew school) will recognize. Some of the words (just the main stanza)", "people they visit mostly speak Canaanite, an ancient form of Hebrew. (There are", "attended synagogue and they don't know the songs.) I will use transliteration only", "Torah. Or both, like in the case of Mi Chamocha* (aka The Song", "(think Doctor Who, but without any tech). To the kids, everyone's speaking English", "Mi Chamocha* (aka The Song of the Sea), a song of praise that", "None of the kids speak anything but English (aside from a few words).", "them have attended synagogue and they don't know the songs.) I will use", "less mutually intelligible) and also not the same as Canaanite (I have no", "it so that the readers don't have to run for a dictionary. Plenty", "the readers don't have to run for a dictionary. Plenty of translations, etc.", "it's a song we sing every week in synagogue. I'd like those songs", "one is). *How do I work this? Not just the weaving in of", "Doctor Who, but without any tech). To the kids, everyone's speaking English (though", "the songs.) I will use transliteration only and it will be in Biblical", "is a magical invisible Universal Translator (think Doctor Who, but without any tech).", "as modern Hebrew (though they're more or less mutually intelligible) and also not", "to Ancient Egypt to join the Exodus. None of the kids speak anything", "an ancient form of Hebrew. (There are other languages there but let's put", "Universal Translator (think Doctor Who, but without any tech). To the kids, everyone's", "kids retain when they go home. The locals are folks that love to", "1995 America who go to Ancient Egypt to join the Exodus. None of", "vocabulary). In reality, everyone's speaking the local language(s), languages the kids retain when", "will be in Biblical Hebrew, which is not the same as modern Hebrew", "kids from 1995 America who go to Ancient Egypt to join the Exodus.", "non-translatable (\"dude!\"). I'll write it so that the readers don't have to run", "(aside from a few words). The people they visit mostly speak Canaanite, an", "from the original. (Note: while all my kids are at least part Jewish,", "everyone's speaking the local language(s), languages the kids retain when they go home.", "folks that love to sing and dance and I plan to put snippets", "songs.) I will use transliteration only and it will be in Biblical Hebrew,", "Red Sea. The lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's", "at least part Jewish, none of them have attended synagogue and they don't", "songs to be in Hebrew. I may also put in a few non-English", "and understand them just fine (though they might not know all the vocabulary).", "just fine (though they might not know all the vocabulary). In reality, everyone's", "speak Canaanite, an ancient form of Hebrew. (There are other languages there but", "not the same as modern Hebrew (though they're more or less mutually intelligible)", "least part Jewish, none of them have attended synagogue and they don't know", "this isn't the case). To the locals, the kids speak and understand them", "case). To the locals, the kids speak and understand them just fine (though", "I work this? Not just the weaving in of a foreign language but", "put snippets of songs into the book. For some or most of them,", "this is a song that every synagogue-attending Jew (and every kid in Hebrew", "or most of them, I'll just use English. But a few of the", "I'd like those songs to be in Hebrew. I may also put in", "that aside.) My big it's a fantasy book for kids for crying out", "(\"dude!\"). I'll write it so that the readers don't have to run for", "ancient form of Hebrew. (There are other languages there but let's put that", "main stanza) need to be from the original. (Note: while all my kids", "plan to put snippets of songs into the book. For some or most", "Jew (and every kid in Hebrew school) will recognize. Some of the words", "Canaanite (I have no idea how close that one is). *How do I", "we sing every week in synagogue. I'd like those songs to be in", "them just fine (though they might not know all the vocabulary). In reality,", "there. There are also some English words the locals will learn as they're", "not the same as Canaanite (I have no idea how close that one", "of the Torah. Or both, like in the case of Mi Chamocha* (aka", "transliteration only and it will be in Biblical Hebrew, which is not the", "speak and understand them just fine (though they might not know all the", "translations, etc. But this is a song that every synagogue-attending Jew (and every", "straight out of the Torah. Or both, like in the case of Mi", "and I plan to put snippets of songs into the book. For some", "as they're non-translatable (\"dude!\"). I'll write it so that the readers don't have", "is a song that every synagogue-attending Jew (and every kid in Hebrew school)", "write it so that the readers don't have to run for a dictionary.", "home. The locals are folks that love to sing and dance and I", "need to be from the original. (Note: while all my kids are at", "of the book is written in English, even though they're not speaking English", "for crying out loud handwave is that there is a magical invisible Universal", "those songs to be in Hebrew. I may also put in a few", "there but let's put that aside.) My big it's a fantasy book for", "the vocabulary). In reality, everyone's speaking the local language(s), languages the kids retain", "there is a magical invisible Universal Translator (think Doctor Who, but without any", "are folks that love to sing and dance and I plan to put", "know all the vocabulary). In reality, everyone's speaking the local language(s), languages the", "know the songs.) I will use transliteration only and it will be in", "to be in Hebrew. I may also put in a few non-English words", "(though they know this isn't the case). To the locals, the kids speak", "no idea how close that one is). How do I work this? Not", "the same as Canaanite (I have no idea how close that one is).", "put in a few non-English words or phrases here and there. There are", "synagogue and they don't know the songs.) I will use transliteration only and", "that the Hebrews sang after successfully crossing the Red Sea. The lyrics are", "will come from Jewish liturgy or straight out of the Torah. Or both,", "the songs will come from Jewish liturgy or straight out of the Torah.", "synagogue-attending Jew (and every kid in Hebrew school) will recognize. Some of the", "foreign language but the idea that the rest of the book is written", "the words (just the main stanza) need to be from the original. (Note:", "and it's a song we sing every week in synagogue. I'd like those", "they might not know all the vocabulary). In reality, everyone's speaking the local", "the locals will learn as they're non-translatable (\"dude!\"). I'll write it so that", "but English (aside from a few words). The people they visit mostly speak", "some English words the locals will learn as they're non-translatable (\"dude!\"). I'll write", "Sea. The lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a", "love to sing and dance and I plan to put snippets of songs", "handwave is that there is a magical invisible Universal Translator (think Doctor Who,", "liturgy or straight out of the Torah. Or both, like in the case", "are other languages there but let's put that aside.) My big it's a", "a middle-grade novel in English. I have time-traveling kids from 1995 America who", "few of the songs will come from Jewish liturgy or straight out of", "in Biblical Hebrew, which is not the same as modern Hebrew (though they're", "crossing the Red Sea. The lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876)", "have no idea how close that one is). *How do I work this?", "while all my kids are at least part Jewish, none of them have", "Ancient Egypt to join the Exodus. None of the kids speak anything but", "snippets of songs into the book. For some or most of them, I'll", "go to Ancient Egypt to join the Exodus. None of the kids speak", "big it's a fantasy book for kids for crying out loud* handwave is", "in synagogue. I'd like those songs to be in Hebrew. I may also", "use transliteration only and it will be in Biblical Hebrew, which is not", "none of them have attended synagogue and they don't know the songs.) I", "Jewish, none of them have attended synagogue and they don't know the songs.)", "America who go to Ancient Egypt to join the Exodus. None of the", "it's a fantasy book for kids for crying out loud handwave is that", "a song that every synagogue-attending Jew (and every kid in Hebrew school) will", "close that one is). *How do I work this? Not just the weaving", "which is not the same as modern Hebrew (though they're more or less", "rest of the book is written in English, even though they're not speaking", "Hebrew (though they're more or less mutually intelligible) and also not the same", "of them have attended synagogue and they don't know the songs.) I will", "lyrics are [right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we", "will recognize. Some of the words (just the main stanza) need to be", "book is written in English, even though they're not speaking English when they're", "Jewish liturgy or straight out of the Torah. Or both, like in the", "phrases here and there. There are also some English words the locals will", "anything but English (aside from a few words). The people they visit mostly", "some or most of them, I'll just use English. But a few of", "the book is written in English, even though they're not speaking English when", "the original. (Note: while all my kids are at least part Jewish, none", "I have time-traveling kids from 1995 America who go to Ancient Egypt to", "I'm writing a middle-grade novel in English. I have time-traveling kids from 1995", "Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every week in synagogue. I'd like", "English words the locals will learn as they're non-translatable (\"dude!\"). I'll write it", "is that there is a magical invisible Universal Translator (think Doctor Who, but", "a magical invisible Universal Translator (think Doctor Who, but without any tech). To", "how close that one is). How do I work this? Not just the", "and there. There are also some English words the locals will learn as", "aside.) My big it's a fantasy book for kids for crying out loud", "fantasy book for kids for crying out loud handwave is that there is", "or straight out of the Torah. Or both, like in the case of", "only and it will be in Biblical Hebrew, which is not the same", "for a dictionary. Plenty of translations, etc. But this is a song that", "go home. The locals are folks that love to sing and dance and", "sing and dance and I plan to put snippets of songs into the", "visit mostly speak Canaanite, an ancient form of Hebrew. (There are other languages", "(aka The Song of the Sea), a song of praise that the Hebrews", "they know this isn't the case). To the locals, the kids speak and", "they go home. The locals are folks that love to sing and dance", "and they don't know the songs.) I will use transliteration only and it", "English, even though they're not speaking English when they're in Egypt and thereabouts.*", "Not just the weaving in of a foreign language but the idea that", "the same as modern Hebrew (though they're more or less mutually intelligible) and", "a few words). The people they visit mostly speak Canaanite, an ancient form", "be in Hebrew. I may also put in a few non-English words or", "of praise that the Hebrews sang after successfully crossing the Red Sea. The", "I may also put in a few non-English words or phrases here and", "Hebrews sang after successfully crossing the Red Sea. The lyrics are [right in", "Or both, like in the case of Mi Chamocha* (aka The Song of", "they don't know the songs.) I will use transliteration only and it will", "songs into the book. For some or most of them, I'll just use", "the case). To the locals, the kids speak and understand them just fine", "but let's put that aside.) My big it's a fantasy book for kids", "of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every week in synagogue. I'd", "Canaanite, an ancient form of Hebrew. (There are other languages there but let's", "Plenty of translations, etc. But this is a song that every synagogue-attending Jew", "time-traveling kids from 1995 America who go to Ancient Egypt to join the", "intelligible) and also not the same as Canaanite (I have no idea how", "of them, I'll just use English. But a few of the songs will", "I plan to put snippets of songs into the book. For some or", "also not the same as Canaanite (I have no idea how close that", "crying out loud* handwave is that there is a magical invisible Universal Translator", "speak anything but English (aside from a few words). The people they visit", "have attended synagogue and they don't know the songs.) I will use transliteration", "the kids speak and understand them just fine (though they might not know", "is not the same as modern Hebrew (though they're more or less mutually", "weaving in of a foreign language but the idea that the rest of", "the rest of the book is written in English, even though they're not", "in English. I have time-traveling kids from 1995 America who go to Ancient", "Some of the words (just the main stanza) need to be from the", "don't have to run for a dictionary. Plenty of translations, etc. But this", "work this? Not just the weaving in of a foreign language but the", "understand them just fine (though they might not know all the vocabulary). In", "of the songs will come from Jewish liturgy or straight out of the", "from Jewish liturgy or straight out of the Torah. Or both, like in", "the kids, everyone's speaking English (though they know this isn't the case). To", "Hebrew. (There are other languages there but let's put that aside.) My big", "song we sing every week in synagogue. I'd like those songs to be", "kids speak and understand them just fine (though they might not know all", "locals will learn as they're non-translatable (\"dude!\"). I'll write it so that the", "do I work this? Not just the weaving in of a foreign language", "so that the readers don't have to run for a dictionary. Plenty of", "[right in the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every", "like in the case of Mi Chamocha (aka The Song of the Sea),", "form of Hebrew. (There are other languages there but let's put that aside.)", "in of a foreign language but the idea that the rest of the", "that there is a magical invisible Universal Translator (think Doctor Who, but without", "local language(s), languages the kids retain when they go home. The locals are", "the book of Exodus](https://www.chabad.org/library/bible_cdo/aid/9876) and it's a song we sing every week in", "of Hebrew. (There are other languages there but let's put that aside.) My", "for kids for crying out loud* handwave is that there is a magical", "few words). The people they visit mostly speak Canaanite, an ancient form of", "will learn as they're non-translatable (\"dude!\"). I'll write it so that the readers", "fine (though they might not know all the vocabulary). In reality, everyone's speaking", "from 1995 America who go to Ancient Egypt to join the Exodus. None", "The locals are folks that love to sing and dance and I plan", "Who, but without any tech). To the kids, everyone's speaking English (though they", "stanza) need to be from the original. (Note: while all my kids are", "same as modern Hebrew (though they're more or less mutually intelligible) and also", "to sing and dance and I plan to put snippets of songs into", "Hebrew. I may also put in a few non-English words or phrases here", "that every synagogue-attending Jew (and every kid in Hebrew school) will recognize. Some", "is). How do I work this? Not just the weaving in of a", "also some English words the locals will learn as they're non-translatable (\"dude!\"). I'll", "are at least part Jewish, none of them have attended synagogue and they", "use English. But a few of the songs will come from Jewish liturgy", "locals, the kids speak and understand them just fine (though they might not", "of the Sea), a song of praise that the Hebrews sang after successfully", "they visit mostly speak Canaanite, an ancient form of Hebrew. (There are other", "non-English words or phrases here and there. There are also some English words", "language(s), languages the kids retain when they go home. The locals are folks", "other languages there but let's put that aside.) My big it's a fantasy", "or less mutually intelligible) and also not the same as Canaanite (I have", "be in Biblical Hebrew, which is not the same as modern Hebrew (though", "sing every week in synagogue. I'd like those songs to be in Hebrew.", "locals are folks that love to sing and dance and I plan to", "that love to sing and dance and I plan to put snippets of", "a song we sing every week in synagogue. I'd like those songs to", "Chamocha (aka The Song of the Sea), a song of praise that the", "most of them, I'll just use English. But a few of the songs", "the Exodus. None of the kids speak anything but English (aside from a", "just the weaving in of a foreign language but the idea that the", "modern Hebrew (though they're more or less mutually intelligible) and also not the", "middle-grade novel in English. I have time-traveling kids from 1995 America who go", "or phrases here and there. There are also some English words the locals" ]
[ "aren't going to look exactly the same as those on Stack Exchange, I", "the same as those on Stack Exchange, I would appreciate a perspective into", "you use when writing a Code Review (be it on Stack Exchange or", "you provide links to articles or Stack Overflow Questions and Answers to support", "me any insight into the structure or approach you use when writing a", "use case? Do you provide links to articles or Stack Overflow Questions and", "(be it on Stack Exchange or otherwise.) While I do understand that professional", "to look exactly the same as those on Stack Exchange, I would appreciate", "How far do you go to solve the problem? What have I missed?", "professional code reviews aren't going to look exactly the same as those on", "may not be overtly wrong in this use case? Do you provide links", "would love to improve the quality of the reviews I write. Can you", "on controversial \"best practices\" topics that may not be overtly wrong in this", "would structure one professionally. Where do you start? Architecture and design? Algorithm? Seriousness", "you would structure one professionally. Where do you start? Architecture and design? Algorithm?", "in any meaningful way? Do you weigh in on controversial \"best practices\" topics", "of the reviews I write. Can you give me any insight into the", "meaningful way? Do you weigh in on controversial \"best practices\" topics that may", "wrong in this use case? Do you provide links to articles or Stack", "review? How far do you go to solve the problem? What have I", "it on Stack Exchange or otherwise.) While I do understand that professional code", "topics that may not be overtly wrong in this use case? Do you", "a Code Review (be it on Stack Exchange or otherwise.) While I do", "weigh in on controversial \"best practices\" topics that may not be overtly wrong", "case? Do you provide links to articles or Stack Overflow Questions and Answers", "this use case? Do you provide links to articles or Stack Overflow Questions", "insight into the structure or approach you use when writing a Code Review", "I currently spend a good deal of time over at Code Review and", "you structure it in any meaningful way? Do you weigh in on controversial", "links to articles or Stack Overflow Questions and Answers to support your review?", "be overtly wrong in this use case? Do you provide links to articles", "professionally. Where do you start? Architecture and design? Algorithm? Seriousness of flaw? Do", "any insight into the structure or approach you use when writing a Code", "and I would love to improve the quality of the reviews I write.", "in this use case? Do you provide links to articles or Stack Overflow", "Architecture and design? Algorithm? Seriousness of flaw? Do you structure it in any", "structure one professionally. Where do you start? Architecture and design? Algorithm? Seriousness of", "into how you would structure one professionally. Where do you start? Architecture and", "of flaw? Do you structure it in any meaningful way? Do you weigh", "Review and I would love to improve the quality of the reviews I", "same as those on Stack Exchange, I would appreciate a perspective into how", "Overflow Questions and Answers to support your review? How far do you go", "the reviews I write. Can you give me any insight into the structure", "how you would structure one professionally. Where do you start? Architecture and design?", "understand that professional code reviews aren't going to look exactly the same as", "appreciate a perspective into how you would structure one professionally. Where do you", "Stack Exchange or otherwise.) While I do understand that professional code reviews aren't", "over at Code Review and I would love to improve the quality of", "Seriousness of flaw? Do you structure it in any meaningful way? Do you", "approach you use when writing a Code Review (be it on Stack Exchange", "that may not be overtly wrong in this use case? Do you provide", "you give me any insight into the structure or approach you use when", "of time over at Code Review and I would love to improve the", "deal of time over at Code Review and I would love to improve", "design? Algorithm? Seriousness of flaw? Do you structure it in any meaningful way?", "or otherwise.) While I do understand that professional code reviews aren't going to", "I write. Can you give me any insight into the structure or approach", "Code Review and I would love to improve the quality of the reviews", "Review (be it on Stack Exchange or otherwise.) While I do understand that", "perspective into how you would structure one professionally. Where do you start? Architecture", "spend a good deal of time over at Code Review and I would", "controversial \"best practices\" topics that may not be overtly wrong in this use", "I would love to improve the quality of the reviews I write. Can", "to improve the quality of the reviews I write. Can you give me", "practices\" topics that may not be overtly wrong in this use case? Do", "Do you weigh in on controversial \"best practices\" topics that may not be", "a good deal of time over at Code Review and I would love", "not be overtly wrong in this use case? Do you provide links to", "in on controversial \"best practices\" topics that may not be overtly wrong in", "one professionally. Where do you start? Architecture and design? Algorithm? Seriousness of flaw?", "Do you provide links to articles or Stack Overflow Questions and Answers to", "those on Stack Exchange, I would appreciate a perspective into how you would", "Algorithm? Seriousness of flaw? Do you structure it in any meaningful way? Do", "While I do understand that professional code reviews aren't going to look exactly", "and design? Algorithm? Seriousness of flaw? Do you structure it in any meaningful", "articles or Stack Overflow Questions and Answers to support your review? How far", "any meaningful way? Do you weigh in on controversial \"best practices\" topics that", "Exchange or otherwise.) While I do understand that professional code reviews aren't going", "and Answers to support your review? How far do you go to solve", "a perspective into how you would structure one professionally. Where do you start?", "at Code Review and I would love to improve the quality of the", "overtly wrong in this use case? Do you provide links to articles or", "Do you structure it in any meaningful way? Do you weigh in on", "reviews aren't going to look exactly the same as those on Stack Exchange,", "you start? Architecture and design? Algorithm? Seriousness of flaw? Do you structure it", "Stack Exchange, I would appreciate a perspective into how you would structure one", "way? Do you weigh in on controversial \"best practices\" topics that may not", "reviews I write. Can you give me any insight into the structure or", "as those on Stack Exchange, I would appreciate a perspective into how you", "quality of the reviews I write. Can you give me any insight into", "you weigh in on controversial \"best practices\" topics that may not be overtly", "on Stack Exchange or otherwise.) While I do understand that professional code reviews", "exactly the same as those on Stack Exchange, I would appreciate a perspective", "Can you give me any insight into the structure or approach you use", "\"best practices\" topics that may not be overtly wrong in this use case?", "would appreciate a perspective into how you would structure one professionally. Where do", "Code Review (be it on Stack Exchange or otherwise.) While I do understand", "currently spend a good deal of time over at Code Review and I", "Where do you start? Architecture and design? Algorithm? Seriousness of flaw? Do you", "writing a Code Review (be it on Stack Exchange or otherwise.) While I", "structure it in any meaningful way? Do you weigh in on controversial \"best", "to articles or Stack Overflow Questions and Answers to support your review? How", "to support your review? How far do you go to solve the problem?", "going to look exactly the same as those on Stack Exchange, I would", "it in any meaningful way? Do you weigh in on controversial \"best practices\"", "into the structure or approach you use when writing a Code Review (be", "use when writing a Code Review (be it on Stack Exchange or otherwise.)", "Stack Overflow Questions and Answers to support your review? How far do you", "or Stack Overflow Questions and Answers to support your review? How far do", "your review? How far do you go to solve the problem? What have", "start? Architecture and design? Algorithm? Seriousness of flaw? Do you structure it in", "Exchange, I would appreciate a perspective into how you would structure one professionally.", "support your review? How far do you go to solve the problem? What", "give me any insight into the structure or approach you use when writing", "good deal of time over at Code Review and I would love to", "improve the quality of the reviews I write. Can you give me any", "code reviews aren't going to look exactly the same as those on Stack", "do understand that professional code reviews aren't going to look exactly the same", "when writing a Code Review (be it on Stack Exchange or otherwise.) While", "love to improve the quality of the reviews I write. Can you give", "I would appreciate a perspective into how you would structure one professionally. Where", "do you start? Architecture and design? Algorithm? Seriousness of flaw? Do you structure", "the quality of the reviews I write. Can you give me any insight", "Questions and Answers to support your review? How far do you go to", "time over at Code Review and I would love to improve the quality", "I do understand that professional code reviews aren't going to look exactly the", "Answers to support your review? How far do you go to solve the", "the structure or approach you use when writing a Code Review (be it", "on Stack Exchange, I would appreciate a perspective into how you would structure", "provide links to articles or Stack Overflow Questions and Answers to support your", "structure or approach you use when writing a Code Review (be it on", "or approach you use when writing a Code Review (be it on Stack", "otherwise.) While I do understand that professional code reviews aren't going to look", "write. Can you give me any insight into the structure or approach you", "look exactly the same as those on Stack Exchange, I would appreciate a", "flaw? Do you structure it in any meaningful way? Do you weigh in", "that professional code reviews aren't going to look exactly the same as those" ]
[ "up the road. He had to sit down five times before he reached", "some time with the mast across his shoulder. He tried to get up.", "the projecting bill and all the nakedness between. > > He started to", "saw in the reflection from the street light the great tail of the", "the very least I want to make sure I do not push people", "to climb again and at the top he fell and lay for some", "sat propped against the stone, his head dropping sideways and his breathing heavy.", "the road. A cat passed on the far side going about its business", "straight and the palms of his hands up. (Ernest Hemingway The Old Man", "behind the skiff's stern. He saw the white naked line of his backbone", "stood up. He picked the mast up and put it on his shoulder", "the mast and started to climb. It was then he knew the depth", "and at the top he fell and lay for some time with the", "then over his back and legs and he slept face down on the", "back and legs and he slept face down on the newspapers with his", "he knew the depth of his tiredness. He stopped for a moment and", "> Visiting museums, I have seen thousands of crucifixions, hundreds of pietàs and", "> > He unstepped the mast and furled the sail and tied it.", "chapter 8 - The Stairs of Cirith Ungol) > > > or carrying", "far side going about its business and the old man watched it. Then", "sat there with the mast on his shoulder and looked at the road.", "and the other lay softly upon his master’s breast. Peace was in both", "some study) but at the very least I want to make sure I", "and one definitely* doesn't get all literary references in any given example of", "and the dark mass of the head with the projecting bill and all", "without some study) but *at the very least I want to make sure", "the Rings when reading it for the first time either, and one definitely", "bottle and took a drink. Then he lay down on the bed. He", "doesn't necessarily see the pietà in The Lord of the Rings when reading", "> > Sam sat propped against the stone, his head dropping sideways and", "legs and he slept face down on the newspapers with his arms out", "looked at the road. A cat passed on the far side going about", "Sam’s brown hands, and the other lay softly upon his master’s breast. Peace", "Sam sat propped against the stone, his head dropping sideways and his breathing", "saints by their attributes. But this is not my culture. *Is there any", "the newspapers with his arms out straight and the palms of his hands", "the mast up and put it on his shoulder and started up the", "back and saw in the reflection from the street light the great tail", "what my culture is - the question should be equally valid for any", "the mast down and stood up. He picked the mast up and put", "be understood by all readers (one doesn't necessarily see the pietà in The", "the mast across his shoulder. He tried to get up. But it was", "shoulder and started up the road. He had to sit down five times", "away by unfamiliar references. (Question partially inspired by [this](https://writing.stackexchange.com/a/42647/14704) answer to Cyn's question.)", "not push people away by unfamiliar references. (Question partially inspired by [this](https://writing.stackexchange.com/a/42647/14704) answer", "at the very least I want to make sure I do not push", "in any given example of classic literature without some study) but at the", "it on his shoulder and started up the road. He had to sit", "he slept face down on the newspapers with his arms out straight and", "one of Sam’s brown hands, and the other lay softly upon his master’s", "brown hands, and the other lay softly upon his master’s breast. Peace was", "any cultural minority.) I guess I cannot expect all references I make to", "the Sea) > > > Visiting museums, I have seen thousands of crucifixions,", "on the bed. He pulled the blanket over his shoulders and then over", "and the old man watched it. Then he just watched the road. >", "lay down on the bed. He pulled the blanket over his shoulders and", "out straight and the palms of his hands up. (Ernest Hemingway The Old", "example of classic literature without some study) but at the very least I", "literature without some study) but at the very least I want to make", "dark mass of the head with the projecting bill and all the nakedness", "had to sit down five times before he reached his shack. > >", "a water bottle and took a drink. Then he lay down on the", "before he reached his shack. > > Inside the shack he leaned the", "against the stone, his head dropping sideways and his breathing heavy. In his", "culture. *Is there any way I can make similar references to my* culture", "it for the first time either, and one definitely doesn't get all literary", "there with the mast on his shoulder and looked at the road. A", "and lay for some time with the mast across his shoulder. He tried", "mast across his shoulder. He tried to get up. But it was too", "Lord of the Rings, book 4, chapter 8 - The Stairs of Cirith", "the Rings, book 4, chapter 8 - The Stairs of Cirith Ungol) >", "down five times before he reached his shack. > > Inside the shack", "time either, and one definitely doesn't get all literary references in any given", "of classic literature without some study) but *at the very least I want", "I guess I cannot expect all* references I make to be understood by", "knew the depth of his tiredness. He stopped for a moment and looked", "and annunciations. I can recognise saints by their attributes. But this is not", "Peace was in both their faces. (J.R.R. Tolkien, The Lord of the Rings,", "white forehead lay one of Sam’s brown hands, and the other lay softly", "the stories I write?** (Doesn't really matter what my culture is - the", "and started to climb. It was then he knew the depth of his", "sit down five times before he reached his shack. > > Inside the", "I cannot expect all references I make to be understood by all readers", "there any way I can make similar references to my culture in the", "culture in the stories I write?** (Doesn't really matter what my culture is", "against the wall. In the dark he found a water bottle and took", "the far side going about its business and the old man watched it.", "within that culture, like the Pietà: > > Sam sat propped against the", "put it on his shoulder and started up the road. He had to", "for any cultural minority.) I guess I cannot expect all references I make", "matter what my culture is - the question should be equally valid for", "it was too difficult and he sat there with the mast on his", "and furled the sail and tied it. Then he shouldered the mast and", "> He unstepped the mast and furled the sail and tied it. Then", "and the palms of his hands up. (Ernest Hemingway The Old Man and", "with his arms out straight and the palms of his hands up. (Ernest", "Cross: > > He unstepped the mast and furled the sail and tied", "He tried to get up. But it was too difficult and he sat", "stone, his head dropping sideways and his breathing heavy. In his lap lay", "drink. Then he lay down on the bed. He pulled the blanket over", "the Pietà: > > Sam sat propped against the stone, his head dropping", "top he fell and lay for some time with the mast across his", "by all readers (one doesn't necessarily see the pietà in The Lord of", "make similar references to my culture in the stories I write?** (Doesn't really", "picked the mast up and put it on his shoulder and started up", "all literary references in any given example of classic literature without some study)", "(J.R.R. Tolkien, The Lord of the Rings, book 4, chapter 8 - The", "his shoulders and then over his back and legs and he slept face", "shoulders and then over his back and legs and he slept face down", "want to make sure I do not push people away by unfamiliar references.*", "any way I can make similar references to my* culture in the stories", "the reflection from the street light the great tail of the fish standing", "over his back and legs and he slept face down on the newspapers", "lay Frodo’s head, drowned deep in sleep; upon his white forehead lay one", "his shack. > > Inside the shack he leaned the mast against the", "face down on the newspapers with his arms out straight and the palms", "business and the old man watched it. Then he just watched the road.", "and the Sea) > > > Visiting museums, I have seen thousands of", "get up. But it was too difficult and he sat there with the", "the shack he leaned the mast against the wall. In the dark he", "equally valid for any cultural minority.) I guess I cannot expect all* references", "that culture, like the Pietà: > > Sam sat propped against the stone,", "head with the projecting bill and all the nakedness between. > > He", "line of his backbone and the dark mass of the head with the", "he just watched the road. > > Finally he put the mast down", "being Christian myself, I can recognise, understand and appreciate references that are within", "pietàs and annunciations. I can recognise saints by their attributes. But this is", "cultural minority.) I guess I cannot expect all references I make to be", "understand and appreciate references that are within that culture, like the Pietà: >", "can make similar references to my culture in the stories I write?** (Doesn't", "too difficult and he sat there with the mast on his shoulder and", "times before he reached his shack. > > Inside the shack he leaned", "fish standing up well behind the skiff's stern. He saw the white naked", "of the fish standing up well behind the skiff's stern. He saw the", "Then he lay down on the bed. He pulled the blanket over his", "doesn't get all literary references in any given example of classic literature without", "when reading it for the first time either, and one definitely doesn't get", "my culture. *Is there any way I can make similar references to my", "lay softly upon his master’s breast. Peace was in both their faces. (J.R.R.", "I write?* (Doesn't really matter what my culture is - the question should", "even without being Christian myself, I can recognise, understand and appreciate references that", "the palms of his hands up. (Ernest Hemingway The Old Man and the", "> or carrying the Cross: > > He unstepped the mast and furled", "I can make similar references to my* culture in the stories I write?*", "and saw in the reflection from the street light the great tail of", "the other lay softly upon his master’s breast. Peace was in both their", "started up the road. He had to sit down five times before he", "then he knew the depth of his tiredness. He stopped for a moment", "stopped for a moment and looked back and saw in the reflection from", "of Sam’s brown hands, and the other lay softly upon his master’s breast.", "dark he found a water bottle and took a drink. Then he lay", "the pietà in The Lord of the Rings* when reading it for the", "are within that culture, like the Pietà: > > Sam sat propped against", "up. (Ernest Hemingway The Old Man and the Sea) > > > Visiting", "shack he leaned the mast against the wall. In the dark he found", "4, chapter 8 - The Stairs of Cirith Ungol) > > > or", "started to climb again and at the top he fell and lay for", "I have seen thousands of crucifixions, hundreds of pietàs and annunciations. I can", "Hemingway The Old Man and the Sea) > > > Visiting museums, I", "at the road. A cat passed on the far side going about its", "Lord of the Rings* when reading it for the first time either, and", "I make to be understood by all readers (one doesn't necessarily see the", "going about its business and the old man watched it. Then he just", "it. Then he just watched the road. > > Finally he put the", "skiff's stern. He saw the white naked line of his backbone and the", "head dropping sideways and his breathing heavy. In his lap lay Frodo’s head,", "Tolkien, The Lord of the Rings, book 4, chapter 8 - The Stairs", "expect all references I make to be understood by all readers (one doesn't", "Pietà: > > Sam sat propped against the stone, his head dropping sideways", "thousands of crucifixions, hundreds of pietàs and annunciations. I can recognise saints by", "great tail of the fish standing up well behind the skiff's stern. He", "- the question should be equally valid for any cultural minority.) I guess", "should be equally valid for any cultural minority.) I guess I cannot expect", "literary references in any given example of classic literature without some study) but", "his shoulder. He tried to get up. But it was too difficult and", "forehead lay one of Sam’s brown hands, and the other lay softly upon", "get all literary references in any given example of classic literature without some", "pulled the blanket over his shoulders and then over his back and legs", "he reached his shack. > > Inside the shack he leaned the mast", "can recognise, understand and appreciate references that are within that culture, like the", "> Finally he put the mast down and stood up. He picked the", "very least I want to make sure I do not push people away", "with the mast across his shoulder. He tried to get up. But it", "Frodo’s head, drowned deep in sleep; upon his white forehead lay one of", "a moment and looked back and saw in the reflection from the street", "on the far side going about its business and the old man watched", "he lay down on the bed. He pulled the blanket over his shoulders", "8 - The Stairs of Cirith Ungol) > > > or carrying the", "Man and the Sea) > > > Visiting museums, I have seen thousands", "crucifixions, hundreds of pietàs and annunciations. I can recognise saints by their attributes.", "tried to get up. But it was too difficult and he sat there", "study) but at the very least I want to make sure I do", "the great tail of the fish standing up well behind the skiff's stern.", "to get up. But it was too difficult and he sat there with", "road. He had to sit down five times before he reached his shack.", "> > > Visiting museums, I have seen thousands of crucifixions, hundreds of", "his tiredness. He stopped for a moment and looked back and saw in", "Then he shouldered the mast and started to climb. It was then he", "A cat passed on the far side going about its business and the", "But it was too difficult and he sat there with the mast on", "up. He picked the mast up and put it on his shoulder and", "the blanket over his shoulders and then over his back and legs and", "depth of his tiredness. He stopped for a moment and looked back and", "classic literature without some study) but at the very least I want to", "it. Then he shouldered the mast and started to climb. It was then", "guess I cannot expect all* references I make to be understood by all", "with the projecting bill and all the nakedness between. > > He started", "I can recognise saints by their attributes. But this is not my culture.", "he sat there with the mast on his shoulder and looked at the", "reflection from the street light the great tail of the fish standing up", "his shoulder and looked at the road. A cat passed on the far", "> He started to climb again and at the top he fell and", "head, drowned deep in sleep; upon his white forehead lay one of Sam’s", "up and put it on his shoulder and started up the road. He", "seen thousands of crucifixions, hundreds of pietàs and annunciations. I can recognise saints", "sleep; upon his white forehead lay one of Sam’s brown hands, and the", "the mast against the wall. In the dark he found a water bottle", "of his tiredness. He stopped for a moment and looked back and saw", "He saw the white naked line of his backbone and the dark mass", "Rings, book 4, chapter 8 - The Stairs of Cirith Ungol) > >", "stories I write?* (Doesn't really matter what my culture is - the question", "and he sat there with the mast on his shoulder and looked at", "his arms out straight and the palms of his hands up. (Ernest Hemingway", "definitely doesn't get all literary references in any given example of classic literature", "blanket over his shoulders and then over his back and legs and he", "upon his master’s breast. Peace was in both their faces. (J.R.R. Tolkien, The", "fell and lay for some time with the mast across his shoulder. He", "his breathing heavy. In his lap lay Frodo’s head, drowned deep in sleep;", "breathing heavy. In his lap lay Frodo’s head, drowned deep in sleep; upon", "carrying the Cross: > > He unstepped the mast and furled the sail", "> > He started to climb again and at the top he fell", "the road. He had to sit down five times before he reached his", "> > Finally he put the mast down and stood up. He picked", "the depth of his tiredness. He stopped for a moment and looked back", "shack. > > Inside the shack he leaned the mast against the wall.", "over his shoulders and then over his back and legs and he slept", "hands, and the other lay softly upon his master’s breast. Peace was in", "bill and all the nakedness between. > > He started to climb again", "cat passed on the far side going about its business and the old", "Old Man and the Sea) > > > Visiting museums, I have seen", "on the newspapers with his arms out straight and the palms of his", "the old man watched it. Then he just watched the road. > >", "other lay softly upon his master’s breast. Peace was in both their faces.", "man watched it. Then he just watched the road. > > Finally he", "really matter what my culture is - the question should be equally valid", "moment and looked back and saw in the reflection from the street light", "The Stairs of Cirith Ungol) > > > or carrying the Cross: >", "he shouldered the mast and started to climb. It was then he knew", "(Ernest Hemingway The Old Man and the Sea) > > > Visiting museums,", "given example of classic literature without some study) but *at the very least", "can recognise saints by their attributes. But this is not my* culture. *Is", "first time either, and one definitely* doesn't get all literary references in any", "put the mast down and stood up. He picked the mast up and", "do not push people away by unfamiliar references.** (Question partially inspired by [this](https://writing.stackexchange.com/a/42647/14704)", "is not my culture. *Is there any way I can make similar references", "and appreciate references that are within that culture, like the Pietà: > >", "way I can make similar references to my* culture in the stories I", "for a moment and looked back and saw in the reflection from the", "climb. It was then he knew the depth of his tiredness. He stopped", "push people away by unfamiliar references.** (Question partially inspired by [this](https://writing.stackexchange.com/a/42647/14704) answer to", "nakedness between. > > He started to climb again and at the top", "the skiff's stern. He saw the white naked line of his backbone and", "drowned deep in sleep; upon his white forehead lay one of Sam’s brown", "that are within that culture, like the Pietà: > > Sam sat propped", "side going about its business and the old man watched it. Then he", "of the Rings, book 4, chapter 8 - The Stairs of Cirith Ungol)", "his lap lay Frodo’s head, drowned deep in sleep; upon his white forehead", "newspapers with his arms out straight and the palms of his hands up.", "on his shoulder and started up the road. He had to sit down", "down on the bed. He pulled the blanket over his shoulders and then", "the bed. He pulled the blanket over his shoulders and then over his", "make sure I do not push people away by unfamiliar references.* (Question partially", "old man watched it. Then he just watched the road. > > Finally", "up well behind the skiff's stern. He saw the white naked line of", "mast and started to climb. It was then he knew the depth of", "write?** (Doesn't really matter what my culture is - the question should be", "for the first time either, and one definitely doesn't get all literary references", "(one doesn't necessarily see the pietà in The Lord of the Rings when", "dropping sideways and his breathing heavy. In his lap lay Frodo’s head, drowned", "shoulder. He tried to get up. But it was too difficult and he", "his shoulder and started up the road. He had to sit down five", "to sit down five times before he reached his shack. > > Inside", "of crucifixions, hundreds of pietàs and annunciations. I can recognise saints by their", "my culture in the stories I write?** (Doesn't really matter what my culture", "see the pietà in The Lord of the Rings when reading it for", "sure I do not push people away by unfamiliar references.** (Question partially inspired", "Thus, even without being Christian myself, I can recognise, understand and appreciate references", "shouldered the mast and started to climb. It was then he knew the", "of Cirith Ungol) > > > or carrying the Cross: > > He", "the mast and furled the sail and tied it. Then he shouldered the", "> > Inside the shack he leaned the mast against the wall. In", "But this is not my culture. *Is there any way I can make", "of the head with the projecting bill and all the nakedness between. >", "The Lord of the Rings* when reading it for the first time either,", "culture is dominant. Thus, even without being Christian myself, I can recognise, understand", "found a water bottle and took a drink. Then he lay down on", "museums, I have seen thousands of crucifixions, hundreds of pietàs and annunciations. I", "its business and the old man watched it. Then he just watched the", "any given example of classic literature without some study) but *at the very", "is dominant. Thus, even without being Christian myself, I can recognise, understand and", "and all the nakedness between. > > He started to climb again and", "arms out straight and the palms of his hands up. (Ernest Hemingway The", "and started up the road. He had to sit down five times before", "the head with the projecting bill and all the nakedness between. > >", "stern. He saw the white naked line of his backbone and the dark", "down and stood up. He picked the mast up and put it on", "but *at the very least I want to make sure I do not", "started to climb. It was then he knew the depth of his tiredness.", "appreciate references that are within that culture, like the Pietà: > > Sam", "either, and one definitely* doesn't get all literary references in any given example", "he leaned the mast against the wall. In the dark he found a", "all the nakedness between. > > He started to climb again and at", "Ungol) > > > or carrying the Cross: > > He unstepped the", "the Cross: > > He unstepped the mast and furled the sail and", "the first time either, and one definitely doesn't get all literary references in", "palms of his hands up. (Ernest Hemingway The Old Man and the Sea)", "the road. > > Finally he put the mast down and stood up.", "in the reflection from the street light the great tail of the fish", "by their attributes. But this is not my culture. *Is there any way", "between. > > He started to climb again and at the top he", "one definitely* doesn't get all literary references in any given example of classic", "backbone and the dark mass of the head with the projecting bill and", "minority.) I guess I cannot expect all references I make to be understood", "He had to sit down five times before he reached his shack. >", "passed on the far side going about its business and the old man", "In his lap lay Frodo’s head, drowned deep in sleep; upon his white", "attributes. But this is not my culture. *Is there any way I can", "> > > or carrying the Cross: > > He unstepped the mast", "the mast on his shoulder and looked at the road. A cat passed", "to my* culture in the stories I write? (Doesn't really matter what my", "to make sure I do not push people away by unfamiliar references. (Question", "book 4, chapter 8 - The Stairs of Cirith Ungol) > > >", "tail of the fish standing up well behind the skiff's stern. He saw", "about its business and the old man watched it. Then he just watched", "- The Stairs of Cirith Ungol) > > > or carrying the Cross:", "of his hands up. (Ernest Hemingway The Old Man and the Sea) >", "and looked back and saw in the reflection from the street light the", "I can recognise, understand and appreciate references that are within that culture, like", "mast on his shoulder and looked at the road. A cat passed on", "Visiting museums, I have seen thousands of crucifixions, hundreds of pietàs and annunciations.", "unstepped the mast and furled the sail and tied it. Then he shouldered", "and looked at the road. A cat passed on the far side going", "necessarily see the pietà in The Lord of the Rings when reading it", "references that are within that culture, like the Pietà: > > Sam sat", "be equally valid for any cultural minority.) I guess I cannot expect all", "people away by unfamiliar references.** (Question partially inspired by [this](https://writing.stackexchange.com/a/42647/14704) answer to Cyn's", "He stopped for a moment and looked back and saw in the reflection", "shoulder and looked at the road. A cat passed on the far side", "mass of the head with the projecting bill and all the nakedness between.", "like the Pietà: > > Sam sat propped against the stone, his head", "climb again and at the top he fell and lay for some time", "hands up. (Ernest Hemingway The Old Man and the Sea) > > >", "references to my culture in the stories I write?** (Doesn't really matter what", "references I make to be understood by all readers (one doesn't necessarily see", "without being Christian myself, I can recognise, understand and appreciate references that are", "watched it. Then he just watched the road. > > Finally he put", "their attributes. But this is not my culture. *Is there any way I", "The Lord of the Rings, book 4, chapter 8 - The Stairs of", "heavy. In his lap lay Frodo’s head, drowned deep in sleep; upon his", "breast. Peace was in both their faces. (J.R.R. Tolkien, The Lord of the", "readers (one doesn't necessarily see the pietà in The Lord of the Rings", "standing up well behind the skiff's stern. He saw the white naked line", "hundreds of pietàs and annunciations. I can recognise saints by their attributes. But", "In the dark he found a water bottle and took a drink. Then", "difficult and he sat there with the mast on his shoulder and looked", "in The Lord of the Rings when reading it for the first time", "with the mast on his shoulder and looked at the road. A cat", "bed. He pulled the blanket over his shoulders and then over his back", "the question should be equally valid for any cultural minority.) I guess I", "He unstepped the mast and furled the sail and tied it. Then he", "the fish standing up well behind the skiff's stern. He saw the white", "similar references to my culture in the stories I write?** (Doesn't really matter", "the dark mass of the head with the projecting bill and all the", "recognise, understand and appreciate references that are within that culture, like the Pietà:", "took a drink. Then he lay down on the bed. He pulled the", "he fell and lay for some time with the mast across his shoulder.", "mast down and stood up. He picked the mast up and put it", "wall. In the dark he found a water bottle and took a drink.", "> > Visiting museums, I have seen thousands of crucifixions, hundreds of pietàs", "down on the newspapers with his arms out straight and the palms of", "for some time with the mast across his shoulder. He tried to get", "faces. (J.R.R. Tolkien, The Lord of the Rings, book 4, chapter 8 -", "was then he knew the depth of his tiredness. He stopped for a", "and took a drink. Then he lay down on the bed. He pulled", "well behind the skiff's stern. He saw the white naked line of his", "tiredness. He stopped for a moment and looked back and saw in the", "the nakedness between. > > He started to climb again and at the", "> Inside the shack he leaned the mast against the wall. In the", "his white forehead lay one of Sam’s brown hands, and the other lay", "naked line of his backbone and the dark mass of the head with", "was in both their faces. (J.R.R. Tolkien, The Lord of the Rings, book", "pietà in The Lord of the Rings when reading it for the first", "from the street light the great tail of the fish standing up well", "He pulled the blanket over his shoulders and then over his back and", "Then he just watched the road. > > Finally he put the mast", "Cirith Ungol) > > > or carrying the Cross: > > He unstepped", "watched the road. > > Finally he put the mast down and stood", "he found a water bottle and took a drink. Then he lay down", "and his breathing heavy. In his lap lay Frodo’s head, drowned deep in", "to climb. It was then he knew the depth of his tiredness. He", "Stairs of Cirith Ungol) > > > or carrying the Cross: > >", "culture is - the question should be equally valid for any cultural minority.)", "in sleep; upon his white forehead lay one of Sam’s brown hands, and", "valid for any cultural minority.) I guess I cannot expect all references I", "across his shoulder. He tried to get up. But it was too difficult", "his back and legs and he slept face down on the newspapers with", "annunciations. I can recognise saints by their attributes. But this is not my", "his backbone and the dark mass of the head with the projecting bill", "to be understood by all readers (one doesn't necessarily see the pietà in", "mast up and put it on his shoulder and started up the road.", "softly upon his master’s breast. Peace was in both their faces. (J.R.R. Tolkien,", "the stone, his head dropping sideways and his breathing heavy. In his lap", "the top he fell and lay for some time with the mast across", "understood by all readers (one doesn't necessarily see the pietà in The Lord", "his master’s breast. Peace was in both their faces. (J.R.R. Tolkien, The Lord", "question should be equally valid for any cultural minority.) I guess I cannot", "and tied it. Then he shouldered the mast and started to climb. It", "slept face down on the newspapers with his arms out straight and the", "their faces. (J.R.R. Tolkien, The Lord of the Rings, book 4, chapter 8", "he put the mast down and stood up. He picked the mast up", "lay one of Sam’s brown hands, and the other lay softly upon his", "Christian myself, I can recognise, understand and appreciate references that are within that", "just watched the road. > > Finally he put the mast down and", "of pietàs and annunciations. I can recognise saints by their attributes. But this", "the wall. In the dark he found a water bottle and took a", "I want to make sure I do not push people away by unfamiliar", "this is not my culture. *Is there any way I can make similar", "least I want to make sure I do not push people away by", "Finally he put the mast down and stood up. He picked the mast", "the dark he found a water bottle and took a drink. Then he", "mast against the wall. In the dark he found a water bottle and", "It was then he knew the depth of his tiredness. He stopped for", "looked back and saw in the reflection from the street light the great", "water bottle and took a drink. Then he lay down on the bed.", "Christian culture is dominant. Thus, even without being Christian myself, I can recognise,", "is - the question should be equally valid for any cultural minority.) I", "road. A cat passed on the far side going about its business and", "saw the white naked line of his backbone and the dark mass of", "He started to climb again and at the top he fell and lay", "his hands up. (Ernest Hemingway The Old Man and the Sea) > >", "sideways and his breathing heavy. In his lap lay Frodo’s head, drowned deep", "and legs and he slept face down on the newspapers with his arms", "myself, I can recognise, understand and appreciate references that are within that culture,", "and stood up. He picked the mast up and put it on his", "references in any given example of classic literature without some study) but at", "recognise saints by their attributes. But this is not my* culture. *Is there", "cannot expect all* references I make to be understood by all readers (one", "my culture is - the question should be equally valid for any cultural", "time with the mast across his shoulder. He tried to get up. But", "and he slept face down on the newspapers with his arms out straight", "make to be understood by all readers (one doesn't necessarily see the pietà", "and put it on his shoulder and started up the road. He had", "sail and tied it. Then he shouldered the mast and started to climb.", "lap lay Frodo’s head, drowned deep in sleep; upon his white forehead lay", "(Doesn't really matter what my culture is - the question should be equally", "The Old Man and the Sea) > > > Visiting museums, I have", "tied it. Then he shouldered the mast and started to climb. It was", "again and at the top he fell and lay for some time with", "street light the great tail of the fish standing up well behind the", "furled the sail and tied it. Then he shouldered the mast and started", "master’s breast. Peace was in both their faces. (J.R.R. Tolkien, The Lord of", "the white naked line of his backbone and the dark mass of the", "reached his shack. > > Inside the shack he leaned the mast against", "the sail and tied it. Then he shouldered the mast and started to", "Rings when reading it for the first time either, and one definitely doesn't", "the street light the great tail of the fish standing up well behind", "both their faces. (J.R.R. Tolkien, The Lord of the Rings, book 4, chapter", "not my culture. *Is there any way I can make similar references to", "white naked line of his backbone and the dark mass of the head", "or carrying the Cross: > > He unstepped the mast and furled the", "> Sam sat propped against the stone, his head dropping sideways and his", "light the great tail of the fish standing up well behind the skiff's", "his head dropping sideways and his breathing heavy. In his lap lay Frodo’s", "at the top he fell and lay for some time with the mast", "reading it for the first time either, and one definitely* doesn't get all", "leaned the mast against the wall. In the dark he found a water", "a drink. Then he lay down on the bed. He pulled the blanket", "projecting bill and all the nakedness between. > > He started to climb", "of the Rings* when reading it for the first time either, and one", "in both their faces. (J.R.R. Tolkien, The Lord of the Rings, book 4,", "Inside the shack he leaned the mast against the wall. In the dark", "have seen thousands of crucifixions, hundreds of pietàs and annunciations. I can recognise", "all references I make to be understood by all readers (one doesn't necessarily", "dominant. Thus, even without being Christian myself, I can recognise, understand and appreciate", "I do not push people away by unfamiliar references. (Question partially inspired by", "on his shoulder and looked at the road. A cat passed on the", "in the stories I write? (Doesn't really matter what my culture is -", "upon his white forehead lay one of Sam’s brown hands, and the other", "lay for some time with the mast across his shoulder. He tried to", "road. > > Finally he put the mast down and stood up. He", "five times before he reached his shack. > > Inside the shack he", "all readers (one doesn't necessarily see the pietà in The Lord of the", "> > or carrying the Cross: > > He unstepped the mast and", "up. But it was too difficult and he sat there with the mast", "culture, like the Pietà: > > Sam sat propped against the stone, his", "was too difficult and he sat there with the mast on his shoulder", "mast and furled the sail and tied it. Then he shouldered the mast", "of his backbone and the dark mass of the head with the projecting", "and then over his back and legs and he slept face down on", "Sea) > > > Visiting museums, I have seen thousands of crucifixions, hundreds", "He picked the mast up and put it on his shoulder and started", "deep in sleep; upon his white forehead lay one of Sam’s brown hands,", "*Is there any way I can make similar references to my* culture in", "propped against the stone, his head dropping sideways and his breathing heavy. In" ]
[ "of book that I'll be writing to rephrase with and overall, have a", "be clear, I'm not going to be rephrasing from the book I own", "book. In preparing to write this book, can I use words from the", "from the book I own so much: I will be deciding on things", "event to write and what things to include in my book. In preparing", "this subject. To be clear, I'm not going to be rephrasing from the", "detail of an event to write and what things to include in my", "I thankfully own a video-game history book which I anticipate using to write,", "write this book, can I use words from the kind of book that", "account of this subject. To be clear, I'm not going to be rephrasing", "own a video-game history book which I anticipate using to write, rather, a", "I anticipate using to write, rather, a Christian, family-friendly account of this subject.", "I'm not going to be rephrasing from the book I own so much:", "I own so much: I will be deciding on things such as how", "In preparing to write this book, can I use words from the kind", "history book which I anticipate using to write, rather, a Christian, family-friendly account", "video-game history book which I anticipate using to write, rather, a Christian, family-friendly", "family-friendly account of this subject. To be clear, I'm not going to be", "include in my book. In preparing to write this book, can I use", "thankfully own a video-game history book which I anticipate using to write, rather,", "rather, a Christian, family-friendly account of this subject. To be clear, I'm not", "clear, I'm not going to be rephrasing from the book I own so", "I'll be writing to rephrase with and overall, have a somewhat differing subject?", "book I own so much: I will be deciding on things such as", "own so much: I will be deciding on things such as how much", "this book, can I use words from the kind of book that I'll", "of this subject. To be clear, I'm not going to be rephrasing from", "an event to write and what things to include in my book. In", "much: I will be deciding on things such as how much detail of", "the book I own so much: I will be deciding on things such", "write and what things to include in my book. In preparing to write", "things to include in my book. In preparing to write this book, can", "deciding on things such as how much detail of an event to write", "to include in my book. In preparing to write this book, can I", "the kind of book that I'll be writing to rephrase with and overall,", "in my book. In preparing to write this book, can I use words", "so much: I will be deciding on things such as how much detail", "a Christian, family-friendly account of this subject. To be clear, I'm not going", "that I'll be writing to rephrase with and overall, have a somewhat differing", "such as how much detail of an event to write and what things", "much detail of an event to write and what things to include in", "to write this book, can I use words from the kind of book", "as how much detail of an event to write and what things to", "not going to be rephrasing from the book I own so much: I", "my book. In preparing to write this book, can I use words from", "So, I thankfully own a video-game history book which I anticipate using to", "preparing to write this book, can I use words from the kind of", "of an event to write and what things to include in my book.", "from the kind of book that I'll be writing to rephrase with and", "I use words from the kind of book that I'll be writing to", "which I anticipate using to write, rather, a Christian, family-friendly account of this", "and what things to include in my book. In preparing to write this", "use words from the kind of book that I'll be writing to rephrase", "Christian, family-friendly account of this subject. To be clear, I'm not going to", "book that I'll be writing to rephrase with and overall, have a somewhat", "to be rephrasing from the book I own so much: I will be", "book, can I use words from the kind of book that I'll be", "on things such as how much detail of an event to write and", "kind of book that I'll be writing to rephrase with and overall, have", "To be clear, I'm not going to be rephrasing from the book I", "will be deciding on things such as how much detail of an event", "how much detail of an event to write and what things to include", "things such as how much detail of an event to write and what", "to write, rather, a Christian, family-friendly account of this subject. To be clear,", "going to be rephrasing from the book I own so much: I will", "I will be deciding on things such as how much detail of an", "write, rather, a Christian, family-friendly account of this subject. To be clear, I'm", "subject. To be clear, I'm not going to be rephrasing from the book", "a video-game history book which I anticipate using to write, rather, a Christian,", "rephrasing from the book I own so much: I will be deciding on", "be deciding on things such as how much detail of an event to", "be rephrasing from the book I own so much: I will be deciding", "can I use words from the kind of book that I'll be writing", "using to write, rather, a Christian, family-friendly account of this subject. To be", "words from the kind of book that I'll be writing to rephrase with", "anticipate using to write, rather, a Christian, family-friendly account of this subject. To", "book which I anticipate using to write, rather, a Christian, family-friendly account of", "what things to include in my book. In preparing to write this book,", "to write and what things to include in my book. In preparing to" ]
[ "terminology and insignias. The basic plot is that there are two continents in", "plotline has military terminology and insignias. The basic plot is that there are", "other communist and allegorically like the former USSR. Is it legal for me", "allegorically like the US and NATO, and the other communist and allegorically like", "allegorically like the former USSR. Is it legal for me to use the", "Is it legal for me to use the old military insignias of the", "and insignias. The basic plot is that there are two continents in my", "me to use the old military insignias of the USSR for my story", "of the USSR for my story for the communist continent's military? Or is", "the plotline has military terminology and insignias. The basic plot is that there", "are two continents in my world: one capitalist and allegorically like the US", "the US and NATO, and the other communist and allegorically like the former", "my story for the communist continent's military? Or is it best to steer", "insignias. The basic plot is that there are two continents in my world:", "like the US and NATO, and the other communist and allegorically like the", "writing a novel, and the plotline has military terminology and insignias. The basic", "USSR. Is it legal for me to use the old military insignias of", "it legal for me to use the old military insignias of the USSR", "for the communist continent's military? Or is it best to steer clear of", "has military terminology and insignias. The basic plot is that there are two", "communist and allegorically like the former USSR. Is it legal for me to", "military insignias of the USSR for my story for the communist continent's military?", "one capitalist and allegorically like the US and NATO, and the other communist", "I'm writing a novel, and the plotline has military terminology and insignias. The", "and allegorically like the former USSR. Is it legal for me to use", "insignias of the USSR for my story for the communist continent's military? Or", "continents in my world: one capitalist and allegorically like the US and NATO,", "basic plot is that there are two continents in my world: one capitalist", "legal for me to use the old military insignias of the USSR for", "a novel, and the plotline has military terminology and insignias. The basic plot", "military terminology and insignias. The basic plot is that there are two continents", "for me to use the old military insignias of the USSR for my", "in my world: one capitalist and allegorically like the US and NATO, and", "the old military insignias of the USSR for my story for the communist", "for my story for the communist continent's military? Or is it best to", "the communist continent's military? Or is it best to steer clear of that?", "capitalist and allegorically like the US and NATO, and the other communist and", "story for the communist continent's military? Or is it best to steer clear", "my world: one capitalist and allegorically like the US and NATO, and the", "the former USSR. Is it legal for me to use the old military", "USSR for my story for the communist continent's military? Or is it best", "the USSR for my story for the communist continent's military? Or is it", "two continents in my world: one capitalist and allegorically like the US and", "the other communist and allegorically like the former USSR. Is it legal for", "plot is that there are two continents in my world: one capitalist and", "world: one capitalist and allegorically like the US and NATO, and the other", "novel, and the plotline has military terminology and insignias. The basic plot is", "US and NATO, and the other communist and allegorically like the former USSR.", "The basic plot is that there are two continents in my world: one", "and NATO, and the other communist and allegorically like the former USSR. Is", "there are two continents in my world: one capitalist and allegorically like the", "NATO, and the other communist and allegorically like the former USSR. Is it", "former USSR. Is it legal for me to use the old military insignias", "and allegorically like the US and NATO, and the other communist and allegorically", "like the former USSR. Is it legal for me to use the old", "to use the old military insignias of the USSR for my story for", "that there are two continents in my world: one capitalist and allegorically like", "use the old military insignias of the USSR for my story for the", "is that there are two continents in my world: one capitalist and allegorically", "and the plotline has military terminology and insignias. The basic plot is that", "old military insignias of the USSR for my story for the communist continent's", "and the other communist and allegorically like the former USSR. Is it legal" ]
[ "by empty metaphor is a metaphor that doesn't really have any meaning or", "doesn't really have any meaning or even purpose. The same sentence could be", "its way. > > > Also, I don't even think crown would make", "could be replaced with the following: > > A circle of fire spread", "really have any meaning or even purpose. The same sentence could be replaced", "that doesn't really have any meaning or even purpose. The same sentence could", "of fire spread through the country consuming everything on its > way. >", "or even purpose. The same sentence could be replaced with the following: >", "everything on > its way. > > > Also, I don't even think", "any meaning or even purpose. The same sentence could be replaced with the", "be replaced with the following: > > A circle of fire spread through", "> its way. > > > Also, I don't even think crown would", "this sentence off my head: > > A crown of fire spread through", "same sentence could be replaced with the following: > > A circle of", "country consuming everything on > its way. > > > Also, I don't", "through the country consuming everything on its > way. > > > What", "if the \"fire\" was spread by an evil king. What do you think?", "purpose. The same sentence could be replaced with the following: > > A", "Also, I don't even think crown would make sense even if the \"fire\"", "consuming everything on its > way. > > > What I mean by", "think crown would make sense even if the \"fire\" was spread by an", "just had this sentence off my head: > > A crown of fire", "> A circle of fire spread through the country consuming everything on >", "even purpose. The same sentence could be replaced with the following: > >", "head: > > A crown of fire spread through the country consuming everything", "my head: > > A crown of fire spread through the country consuming", "on its > way. > > > What I mean by empty metaphor", "would make sense even if the \"fire\" was spread by an evil king.", "A circle of fire spread through the country consuming everything on > its", "> > > Also, I don't even think crown would make sense even", "the country consuming everything on > its way. > > > Also, I", "> A crown of fire spread through the country consuming everything on its", "crown would make sense even if the \"fire\" was spread by an evil", "The same sentence could be replaced with the following: > > A circle", "a metaphor that doesn't really have any meaning or even purpose. The same", "of fire spread through the country consuming everything on > its way. >", "> Also, I don't even think crown would make sense even if the", "even think crown would make sense even if the \"fire\" was spread by", "make sense even if the \"fire\" was spread by an evil king. What", "meaning or even purpose. The same sentence could be replaced with the following:", "sentence off my head: > > A crown of fire spread through the", "metaphor is a metaphor that doesn't really have any meaning or even purpose.", "everything on its > way. > > > What I mean by empty", "consuming everything on > its way. > > > Also, I don't even", "sentence could be replaced with the following: > > A circle of fire", "following: > > A circle of fire spread through the country consuming everything", "A crown of fire spread through the country consuming everything on its >", "> > > What I mean by empty metaphor is a metaphor that", "> > Also, I don't even think crown would make sense even if", "spread through the country consuming everything on > its way. > > >", "don't even think crown would make sense even if the \"fire\" was spread", "What I mean by empty metaphor is a metaphor that doesn't really have", "replaced with the following: > > A circle of fire spread through the", "crown of fire spread through the country consuming everything on its > way.", "had this sentence off my head: > > A crown of fire spread", "mean by empty metaphor is a metaphor that doesn't really have any meaning", "way. > > > Also, I don't even think crown would make sense", "> > A circle of fire spread through the country consuming everything on", "country consuming everything on its > way. > > > What I mean", "the following: > > A circle of fire spread through the country consuming", "the country consuming everything on its > way. > > > What I", "sense even if the \"fire\" was spread by an evil king. What do", "way. > > > What I mean by empty metaphor is a metaphor", "I don't even think crown would make sense even if the \"fire\" was", "is a metaphor that doesn't really have any meaning or even purpose. The", "circle of fire spread through the country consuming everything on > its way.", "> way. > > > What I mean by empty metaphor is a", "with the following: > > A circle of fire spread through the country", "> > A crown of fire spread through the country consuming everything on", "through the country consuming everything on > its way. > > > Also,", "metaphor that doesn't really have any meaning or even purpose. The same sentence", "empty metaphor is a metaphor that doesn't really have any meaning or even", "spread through the country consuming everything on its > way. > > >", "fire spread through the country consuming everything on > its way. > >", "even if the \"fire\" was spread by an evil king. What do you", "I mean by empty metaphor is a metaphor that doesn't really have any", "on > its way. > > > Also, I don't even think crown", "off my head: > > A crown of fire spread through the country", "> What I mean by empty metaphor is a metaphor that doesn't really", "> > What I mean by empty metaphor is a metaphor that doesn't", "its > way. > > > What I mean by empty metaphor is", "I just had this sentence off my head: > > A crown of", "fire spread through the country consuming everything on its > way. > >", "have any meaning or even purpose. The same sentence could be replaced with" ]
[ "and try to have them match the object you are naming with its", "to use metaphors based on how it looks. What are some other ways?", "ways of naming things. One is to use latin prefixes and suffixes and", "with its definition. The other is to use metaphors based on how it", "would like as many answers as possible, one is enough as long as", "how it looks. What are some other ways? I would like as many", "I would like as many answers as possible, one is enough as long", "What are some other ways? I would like as many answers as possible,", "things. One is to use latin prefixes and suffixes and try to have", "The other is to use metaphors based on how it looks. What are", "the object you are naming with its definition. The other is to use", "is to use metaphors based on how it looks. What are some other", "use metaphors based on how it looks. What are some other ways? I", "like as many answers as possible, one is enough as long as it", "as many answers as possible, one is enough as long as it wasn't", "suffixes and try to have them match the object you are naming with", "on how it looks. What are some other ways? I would like as", "many answers as possible, one is enough as long as it wasn't mentioned", "try to have them match the object you are naming with its definition.", "them match the object you are naming with its definition. The other is", "based on how it looks. What are some other ways? I would like", "to have them match the object you are naming with its definition. The", "looks. What are some other ways? I would like as many answers as", "other ways? I would like as many answers as possible, one is enough", "ways? I would like as many answers as possible, one is enough as", "possible, one is enough as long as it wasn't mentioned by another user.", "metaphors based on how it looks. What are some other ways? I would", "One is to use latin prefixes and suffixes and try to have them", "and suffixes and try to have them match the object you are naming", "naming with its definition. The other is to use metaphors based on how", "two ways of naming things. One is to use latin prefixes and suffixes", "as possible, one is enough as long as it wasn't mentioned by another", "you are naming with its definition. The other is to use metaphors based", "other is to use metaphors based on how it looks. What are some", "have them match the object you are naming with its definition. The other", "it looks. What are some other ways? I would like as many answers", "definition. The other is to use metaphors based on how it looks. What", "match the object you are naming with its definition. The other is to", "some other ways? I would like as many answers as possible, one is", "are naming with its definition. The other is to use metaphors based on", "answers as possible, one is enough as long as it wasn't mentioned by", "of naming things. One is to use latin prefixes and suffixes and try", "latin prefixes and suffixes and try to have them match the object you", "is to use latin prefixes and suffixes and try to have them match", "use latin prefixes and suffixes and try to have them match the object", "to use latin prefixes and suffixes and try to have them match the", "its definition. The other is to use metaphors based on how it looks.", "know two ways of naming things. One is to use latin prefixes and", "I know two ways of naming things. One is to use latin prefixes", "naming things. One is to use latin prefixes and suffixes and try to", "prefixes and suffixes and try to have them match the object you are", "object you are naming with its definition. The other is to use metaphors", "are some other ways? I would like as many answers as possible, one" ]
[ "a doctor. If I need information about the military, talk to soldiers. Talk", "information, talk to a doctor. If I need information about the military, talk", "\"talk to the relevant professionals\". If I need medical information, talk to a", "nobody with aspirations of writerhood. I would very much like to ask you", "asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on", "here are my books on Amazon, I am now doing research for my", "novel gets published. So from the expert's point of view, there's a high", "expert's point of view, there's a high chance the information they provide to", "interview/shadow, and introduce oneself as \"I am author of published works X,Y,Z, here's", "in fact lead to a book. That's assuming they even trust the \"I'm", "am author of published works X,Y,Z, here's my website, here are my books", "So from the expert's point of view, there's a high chance the information", "around and get in your way.\" That's not going to work, is it?", "But what does a first-time author do? \"Dear Sir/Madam, I am a nobody", "ask to shadow them at their work. For an established writer, that's all", "the information they provide to an aspiring writer will not in fact lead", "book. That's assuming they even trust the \"I'm an aspiring writer\" story -", "a first-time author do? \"Dear Sir/Madam, I am a nobody with aspirations of", "do? \"Dear Sir/Madam, I am a nobody with aspirations of writerhood. I would", "personnel. Best of all - ask to shadow them at their work. For", "weird questions / follow you around and get in your way.\" That's not", "/ follow you around and get in your way.\" That's not going to", "who \"works on their first novel\" finishes it, and not every first novel", "on their first novel\" finishes it, and not every first novel gets published.", "will not in fact lead to a book. That's assuming they even trust", "not going to work, is it? In particular, not every person who \"works", "- ask to shadow them at their work. For an established writer, that's", "soldiers, etc. might not. So how does someone who is working on their", "talk to designers, dancers, security personnel. Best of all - ask to shadow", "like to ask you really weird questions / follow you around and get", "follow you around and get in your way.\" That's not going to work,", "to designers, dancers, security personnel. Best of all - ask to shadow them", "there's a high chance the information they provide to an aspiring writer will", "story, the common recommendation is \"talk to the relevant professionals\". If I need", "\"Dear Sir/Madam, I am a nobody with aspirations of writerhood. I would very", "about the military, talk to soldiers. Talk to scholars, talk to museum curators,", "the \"I'm an aspiring writer\" story - security personnel, soldiers, etc. might not.", "information they provide to an aspiring writer will not in fact lead to", "talk to soldiers. Talk to scholars, talk to museum curators, talk to designers,", "am researching for my story, the common recommendation is \"talk to the relevant", "chance the information they provide to an aspiring writer will not in fact", "\"I'm an aspiring writer\" story - security personnel, soldiers, etc. might not. So", "would very much like to ask you really weird questions / follow you", "In particular, not every person who \"works on their first novel\" finishes it,", "their first novel\" finishes it, and not every first novel gets published. So", "go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not", "need medical information, talk to a doctor. If I need information about the", "works X,Y,Z, here's my website, here are my books on Amazon, I am", "novel.\" But what does a first-time author do? \"Dear Sir/Madam, I am a", "an established writer, that's all very fine. One can email the person one", "first-time author do? \"Dear Sir/Madam, I am a nobody with aspirations of writerhood.", "very much like to ask you really weird questions / follow you around", "provide to an aspiring writer will not in fact lead to a book.", "museum curators, talk to designers, dancers, security personnel. Best of all - ask", "to work, is it? In particular, not every person who \"works on their", "working on their first novel, and thus has no credentials, go about asking", "security personnel. Best of all - ask to shadow them at their work.", "about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus", "medical information, talk to a doctor. If I need information about the military,", "person one wishes to interview/shadow, and introduce oneself as \"I am author of", "they provide to an aspiring writer will not in fact lead to a", "you around and get in your way.\" That's not going to work, is", "ask you really weird questions / follow you around and get in your", "That's assuming they even trust the \"I'm an aspiring writer\" story - security", "not every person who \"works on their first novel\" finishes it, and not", "aspirations of writerhood. I would very much like to ask you really weird", "person who \"works on their first novel\" finishes it, and not every first", "them at their work. For an established writer, that's all very fine. One", "aspiring writer\" story - security personnel, soldiers, etc. might not. So how does", "research for my next novel.\" But what does a first-time author do? \"Dear", "with aspirations of writerhood. I would very much like to ask you really", "it, and not every first novel gets published. So from the expert's point", "to interview/shadow, and introduce oneself as \"I am author of published works X,Y,Z,", "much like to ask you really weird questions / follow you around and", "even trust the \"I'm an aspiring writer\" story - security personnel, soldiers, etc.", "from the expert's point of view, there's a high chance the information they", "need information about the military, talk to soldiers. Talk to scholars, talk to", "the person one wishes to interview/shadow, and introduce oneself as \"I am author", "it? In particular, not every person who \"works on their first novel\" finishes", "common recommendation is \"talk to the relevant professionals\". If I need medical information,", "information about the military, talk to soldiers. Talk to scholars, talk to museum", "that's all very fine. One can email the person one wishes to interview/shadow,", "might not. So how does someone who is working on their first novel,", "doctor. If I need information about the military, talk to soldiers. Talk to", "is \"talk to the relevant professionals\". If I need medical information, talk to", "not every first novel gets published. So from the expert's point of view,", "view, there's a high chance the information they provide to an aspiring writer", "to an aspiring writer will not in fact lead to a book. That's", "website, here are my books on Amazon, I am now doing research for", "the expert's point of view, there's a high chance the information they provide", "wishes to interview/shadow, and introduce oneself as \"I am author of published works", "the relevant professionals\". If I need medical information, talk to a doctor. If", "of writerhood. I would very much like to ask you really weird questions", "is it? In particular, not every person who \"works on their first novel\"", "curators, talk to designers, dancers, security personnel. Best of all - ask to", "here's my website, here are my books on Amazon, I am now doing", "who is working on their first novel, and thus has no credentials, go", "am now doing research for my next novel.\" But what does a first-time", "has no credentials, go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related,", "talk to a doctor. If I need information about the military, talk to", "I am a nobody with aspirations of writerhood. I would very much like", "one wishes to interview/shadow, and introduce oneself as \"I am author of published", "all - ask to shadow them at their work. For an established writer,", "published. So from the expert's point of view, there's a high chance the", "get in your way.\" That's not going to work, is it? In particular,", "are my books on Amazon, I am now doing research for my next", "question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on the problem of the first-time", "they even trust the \"I'm an aspiring writer\" story - security personnel, soldiers,", "every person who \"works on their first novel\" finishes it, and not every", "credentials, go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does", "- security personnel, soldiers, etc. might not. So how does someone who is", "\"works on their first novel\" finishes it, and not every first novel gets", "Best of all - ask to shadow them at their work. For an", "my website, here are my books on Amazon, I am now doing research", "I need information about the military, talk to soldiers. Talk to scholars, talk", "point of view, there's a high chance the information they provide to an", "a book. That's assuming they even trust the \"I'm an aspiring writer\" story", "on their first novel, and thus has no credentials, go about asking experts", "first novel, and thus has no credentials, go about asking experts for information?", "and thus has no credentials, go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704)", "information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on the problem of", "subject I am researching for my story, the common recommendation is \"talk to", "to a doctor. If I need information about the military, talk to soldiers.", "author of published works X,Y,Z, here's my website, here are my books on", "\"I am author of published works X,Y,Z, here's my website, here are my", "am a nobody with aspirations of writerhood. I would very much like to", "published works X,Y,Z, here's my website, here are my books on Amazon, I", "email the person one wishes to interview/shadow, and introduce oneself as \"I am", "and introduce oneself as \"I am author of published works X,Y,Z, here's my", "my next novel.\" But what does a first-time author do? \"Dear Sir/Madam, I", "shadow them at their work. For an established writer, that's all very fine.", "professionals\". If I need medical information, talk to a doctor. If I need", "soldiers. Talk to scholars, talk to museum curators, talk to designers, dancers, security", "military, talk to soldiers. Talk to scholars, talk to museum curators, talk to", "an aspiring writer will not in fact lead to a book. That's assuming", "does a first-time author do? \"Dear Sir/Madam, I am a nobody with aspirations", "all very fine. One can email the person one wishes to interview/shadow, and", "way.\" That's not going to work, is it? In particular, not every person", "to shadow them at their work. For an established writer, that's all very", "Whatever subject I am researching for my story, the common recommendation is \"talk", "and get in your way.\" That's not going to work, is it? In", "no credentials, go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but", "Sir/Madam, I am a nobody with aspirations of writerhood. I would very much", "work. For an established writer, that's all very fine. One can email the", "to the relevant professionals\". If I need medical information, talk to a doctor.", "story - security personnel, soldiers, etc. might not. So how does someone who", "an aspiring writer\" story - security personnel, soldiers, etc. might not. So how", "for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on the problem", "scholars, talk to museum curators, talk to designers, dancers, security personnel. Best of", "now doing research for my next novel.\" But what does a first-time author", "at their work. For an established writer, that's all very fine. One can", "experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on the", "X,Y,Z, here's my website, here are my books on Amazon, I am now", "lead to a book. That's assuming they even trust the \"I'm an aspiring", "not. So how does someone who is working on their first novel, and", "For an established writer, that's all very fine. One can email the person", "what does a first-time author do? \"Dear Sir/Madam, I am a nobody with", "gets published. So from the expert's point of view, there's a high chance", "you really weird questions / follow you around and get in your way.\"", "etc. might not. So how does someone who is working on their first", "first novel\" finishes it, and not every first novel gets published. So from", "doing research for my next novel.\" But what does a first-time author do?", "One can email the person one wishes to interview/shadow, and introduce oneself as", "I am now doing research for my next novel.\" But what does a", "dancers, security personnel. Best of all - ask to shadow them at their", "writer, that's all very fine. One can email the person one wishes to", "next novel.\" But what does a first-time author do? \"Dear Sir/Madam, I am", "trust the \"I'm an aspiring writer\" story - security personnel, soldiers, etc. might", "to soldiers. Talk to scholars, talk to museum curators, talk to designers, dancers,", "personnel, soldiers, etc. might not. So how does someone who is working on", "I would very much like to ask you really weird questions / follow", "books on Amazon, I am now doing research for my next novel.\" But", "can email the person one wishes to interview/shadow, and introduce oneself as \"I", "not in fact lead to a book. That's assuming they even trust the", "their first novel, and thus has no credentials, go about asking experts for", "for my next novel.\" But what does a first-time author do? \"Dear Sir/Madam,", "the military, talk to soldiers. Talk to scholars, talk to museum curators, talk", "oneself as \"I am author of published works X,Y,Z, here's my website, here", "([This question](https://writing.stackexchange.com/q/37818/14704) is related, but does not focus on the problem of the", "first novel gets published. So from the expert's point of view, there's a", "of all - ask to shadow them at their work. For an established", "established writer, that's all very fine. One can email the person one wishes", "is related, but does not focus on the problem of the first-time author.)", "If I need medical information, talk to a doctor. If I need information", "a nobody with aspirations of writerhood. I would very much like to ask", "is working on their first novel, and thus has no credentials, go about", "going to work, is it? In particular, not every person who \"works on", "as \"I am author of published works X,Y,Z, here's my website, here are", "fact lead to a book. That's assuming they even trust the \"I'm an", "recommendation is \"talk to the relevant professionals\". If I need medical information, talk", "researching for my story, the common recommendation is \"talk to the relevant professionals\".", "for my story, the common recommendation is \"talk to the relevant professionals\". If", "writer\" story - security personnel, soldiers, etc. might not. So how does someone", "does someone who is working on their first novel, and thus has no", "introduce oneself as \"I am author of published works X,Y,Z, here's my website,", "of published works X,Y,Z, here's my website, here are my books on Amazon,", "That's not going to work, is it? In particular, not every person who", "to a book. That's assuming they even trust the \"I'm an aspiring writer\"", "someone who is working on their first novel, and thus has no credentials,", "the common recommendation is \"talk to the relevant professionals\". If I need medical", "finishes it, and not every first novel gets published. So from the expert's", "If I need information about the military, talk to soldiers. Talk to scholars,", "really weird questions / follow you around and get in your way.\" That's", "assuming they even trust the \"I'm an aspiring writer\" story - security personnel,", "of view, there's a high chance the information they provide to an aspiring", "aspiring writer will not in fact lead to a book. That's assuming they", "to scholars, talk to museum curators, talk to designers, dancers, security personnel. Best", "novel\" finishes it, and not every first novel gets published. So from the", "I am researching for my story, the common recommendation is \"talk to the", "questions / follow you around and get in your way.\" That's not going", "high chance the information they provide to an aspiring writer will not in", "So how does someone who is working on their first novel, and thus", "writer will not in fact lead to a book. That's assuming they even", "writerhood. I would very much like to ask you really weird questions /", "novel, and thus has no credentials, go about asking experts for information? ([This", "your way.\" That's not going to work, is it? In particular, not every", "fine. One can email the person one wishes to interview/shadow, and introduce oneself", "work, is it? In particular, not every person who \"works on their first", "in your way.\" That's not going to work, is it? In particular, not", "to museum curators, talk to designers, dancers, security personnel. Best of all -", "their work. For an established writer, that's all very fine. One can email", "to ask you really weird questions / follow you around and get in", "particular, not every person who \"works on their first novel\" finishes it, and", "security personnel, soldiers, etc. might not. So how does someone who is working", "my story, the common recommendation is \"talk to the relevant professionals\". If I", "author do? \"Dear Sir/Madam, I am a nobody with aspirations of writerhood. I", "how does someone who is working on their first novel, and thus has", "relevant professionals\". If I need medical information, talk to a doctor. If I", "designers, dancers, security personnel. Best of all - ask to shadow them at", "and not every first novel gets published. So from the expert's point of", "Talk to scholars, talk to museum curators, talk to designers, dancers, security personnel.", "my books on Amazon, I am now doing research for my next novel.\"", "very fine. One can email the person one wishes to interview/shadow, and introduce", "on Amazon, I am now doing research for my next novel.\" But what", "every first novel gets published. So from the expert's point of view, there's", "a high chance the information they provide to an aspiring writer will not", "talk to museum curators, talk to designers, dancers, security personnel. Best of all", "thus has no credentials, go about asking experts for information? ([This question](https://writing.stackexchange.com/q/37818/14704) is", "I need medical information, talk to a doctor. If I need information about", "Amazon, I am now doing research for my next novel.\" But what does" ]
[ "you talk about meter and rhyme schemes? Do you mention their use of", "isn't as successful as they intended it to be? How do you make", "activity that leaves personal preference for things like uplifting tone completely out of", "So what do you look for? Do you talk about meter and rhyme", "look for? Do you talk about meter and rhyme schemes? Do you mention", "their use of slant rhyme isn't as successful as they intended it to", "that should be covered unless explicitly asked for as was part of the", "successful as they intended it to be? How do you make it a", "am not very good at it. I can do themes, and that's about", "about how to criticize poetry well and I realized I am not very", "very good at it. I can do themes, and that's about it. And", "do themes, and that's about it. And I'm not even sure that should", "how to criticize poetry well and I realized I am not very good", "well and I realized I am not very good at it. I can", "of the issue in the linked question. So what do you look for?", "in the linked question. So what do you look for? Do you talk", "scholarly activity that leaves personal preference for things like uplifting tone completely out", "[recent question](https://writing.stackexchange.com/questions/42573/critique-vs-nitpicking/42574#42574) got me thinking about how to criticize poetry well and I", "explicitly asked for as was part of the issue in the linked question.", "do you make it a scholarly activity that leaves personal preference for things", "you make it a scholarly activity that leaves personal preference for things like", "that leaves personal preference for things like uplifting tone completely out of the", "question](https://writing.stackexchange.com/questions/42573/critique-vs-nitpicking/42574#42574) got me thinking about how to criticize poetry well and I realized", "what do you look for? Do you talk about meter and rhyme schemes?", "A [recent question](https://writing.stackexchange.com/questions/42573/critique-vs-nitpicking/42574#42574) got me thinking about how to criticize poetry well and", "intended it to be? How do you make it a scholarly activity that", "for as was part of the issue in the linked question. So what", "mention their use of slant rhyme isn't as successful as they intended it", "rhyme isn't as successful as they intended it to be? How do you", "I am not very good at it. I can do themes, and that's", "at it. I can do themes, and that's about it. And I'm not", "asked for as was part of the issue in the linked question. So", "unless explicitly asked for as was part of the issue in the linked", "be covered unless explicitly asked for as was part of the issue in", "and rhyme schemes? Do you mention their use of slant rhyme isn't as", "I'm not even sure that should be covered unless explicitly asked for as", "even sure that should be covered unless explicitly asked for as was part", "was part of the issue in the linked question. So what do you", "covered unless explicitly asked for as was part of the issue in the", "meter and rhyme schemes? Do you mention their use of slant rhyme isn't", "as successful as they intended it to be? How do you make it", "you look for? Do you talk about meter and rhyme schemes? Do you", "can do themes, and that's about it. And I'm not even sure that", "use of slant rhyme isn't as successful as they intended it to be?", "issue in the linked question. So what do you look for? Do you", "it to be? How do you make it a scholarly activity that leaves", "and that's about it. And I'm not even sure that should be covered", "to be? How do you make it a scholarly activity that leaves personal", "I can do themes, and that's about it. And I'm not even sure", "should be covered unless explicitly asked for as was part of the issue", "linked question. So what do you look for? Do you talk about meter", "a scholarly activity that leaves personal preference for things like uplifting tone completely", "Do you talk about meter and rhyme schemes? Do you mention their use", "I realized I am not very good at it. I can do themes,", "schemes? Do you mention their use of slant rhyme isn't as successful as", "the linked question. So what do you look for? Do you talk about", "and I realized I am not very good at it. I can do", "the issue in the linked question. So what do you look for? Do", "about it. And I'm not even sure that should be covered unless explicitly", "thinking about how to criticize poetry well and I realized I am not", "good at it. I can do themes, and that's about it. And I'm", "they intended it to be? How do you make it a scholarly activity", "it a scholarly activity that leaves personal preference for things like uplifting tone", "criticize poetry well and I realized I am not very good at it.", "about meter and rhyme schemes? Do you mention their use of slant rhyme", "got me thinking about how to criticize poetry well and I realized I", "as was part of the issue in the linked question. So what do", "of slant rhyme isn't as successful as they intended it to be? How", "be? How do you make it a scholarly activity that leaves personal preference", "to criticize poetry well and I realized I am not very good at", "as they intended it to be? How do you make it a scholarly", "sure that should be covered unless explicitly asked for as was part of", "it. I can do themes, and that's about it. And I'm not even", "poetry well and I realized I am not very good at it. I", "leaves personal preference for things like uplifting tone completely out of the equation?", "realized I am not very good at it. I can do themes, and", "And I'm not even sure that should be covered unless explicitly asked for", "not very good at it. I can do themes, and that's about it.", "not even sure that should be covered unless explicitly asked for as was", "question. So what do you look for? Do you talk about meter and", "me thinking about how to criticize poetry well and I realized I am", "Do you mention their use of slant rhyme isn't as successful as they", "for? Do you talk about meter and rhyme schemes? Do you mention their", "do you look for? Do you talk about meter and rhyme schemes? Do", "rhyme schemes? Do you mention their use of slant rhyme isn't as successful", "How do you make it a scholarly activity that leaves personal preference for", "slant rhyme isn't as successful as they intended it to be? How do", "talk about meter and rhyme schemes? Do you mention their use of slant", "that's about it. And I'm not even sure that should be covered unless", "make it a scholarly activity that leaves personal preference for things like uplifting", "it. And I'm not even sure that should be covered unless explicitly asked", "you mention their use of slant rhyme isn't as successful as they intended", "part of the issue in the linked question. So what do you look", "themes, and that's about it. And I'm not even sure that should be" ]
[ "real friend. He's not going to screw this up. He's still somewhat mean", "Small amounts could be in Egypt. Note: The kids come from a small", "school scenes before the time travel, everyone dreads seeing the 3 bully boys.", "Egypt, everyone from modern times gives him a wide berth. But not wide", "that he might harm her. Once Joe is in Egypt he discovers he", "before high school). When Joe's in Egypt, everyone from modern times gives him", "want to be safe from his fists (or feet or whatever). Turns out", "mentions hitting other kids, but we haven't seen him be violent. In the", "was in my day but awareness of it among adults is meh, not", "He's sarcastic, nasty, and a bit of a racist, and especially anti-Semitic. Over-all", "an opportunity for a fresh start. The local adults respect him because he", "her. Once Joe is in Egypt he discovers he has an opportunity for", "Joe is in Egypt he discovers he has an opportunity for a fresh", "that they're safe from his words. They just want to be safe from", "haven't seen him be violent. In the school scenes before the time travel,", "viewpoint character, he generally mentions hitting other kids, but we haven't seen him", "K-8...meaning ages 5-15, the years before high school). When Joe's in Egypt, everyone", "happens. It also takes very little. One quick painful episode a month is", "him up with all of the above. It's obvious that the other kids", "they're safe from his words. They just want to be safe from his", "intervening or TV stereotypes about bullying? But enough that smaller kids are legitimately", "or whatever). Turns out Joe has a soft spot for toddlers and befriends", "for toddlers and befriends the time-traveling 2 year old. I want her siblings", "in Egypt he discovers he has an opportunity for a fresh start. The", "work, not school). He also makes his first real friend. He's not going", "but it's not really how school violence happens. It also takes very little.", "is random). How do I show that the bully trio, including Joe, engage", "fearful at first that he might harm her. Once Joe is in Egypt", "old. I want her siblings to be genuinely fearful at first that he", "the kids with Jewish ancestry, he sneaks on board and hides. And crud", "keen on them either. In my first chapter with him as a viewpoint", "painful episode a month is enough to traumatize a bully's victim (especially if", "anti-Semitic. Over-all jerk. When some of the other kids plan a boat outing", "might harm her. Once Joe is in Egypt he discovers he has an", "small town (one primary school, one secondary school) in rural Arizona, USA. The", "But enough that smaller kids are legitimately afraid. Small amounts could be in", "done a good job setting him up with all of the above. It's", "show that the bully trio, including Joe, engage in physical bullying without it", "to fear them, especially the younger kids (ages 8-11-ish...the school is K-8...meaning ages", "modern times gives him a wide berth. But not wide enough that they're", "boys. They derail conversations and are overall jerks. But I also want kids", "like it was in my day but awareness of it among adults is", "want her siblings to be genuinely fearful at first that he might harm", "completely ignored like it was in my day but awareness of it among", "want to resort to the trope of bully walks quickly down the school", "times gives him a wide berth. But not wide enough that they're safe", "hitting other kids, but we haven't seen him be violent. In the school", "on them either. In my first chapter with him as a viewpoint character,", "to the trope of bully walks quickly down the school hallway, (not so)", "he teams up with at school, filling other students with terror. He's sarcastic,", "years before high school). When Joe's in Egypt, everyone from modern times gives", "(he likes physical work, not school). He also makes his first real friend.", "with all of the above. It's obvious that the other kids can't stand", "random). *How do I show that the bully trio, including Joe, engage in", "some of the other kids plan a boat outing just for the kids", "safe from his fists (or feet or whatever). Turns out Joe has a", "plan a boat outing just for the kids with Jewish ancestry, he sneaks", "with Jewish ancestry, he sneaks on board and hides. And crud* ends up", "a bit of a racist, and especially anti-Semitic. Over-all jerk. When some of", "for the kids with Jewish ancestry, he sneaks on board and hides. And", "up with all of the above. It's obvious that the other kids can't", "bit of a racist, and especially anti-Semitic. Over-all jerk. When some of the", "lockers. That may be what movie and TV makers think is necessary but", "other kids can't stand him and that he's not too keen on them", "we haven't seen him be violent. In the school scenes before the time", "a bully's victim (especially if the timing and action is random). How do", "trio, including Joe, engage in physical bullying without it rising to the level", "1995, so no cyber-bullying, social media, etc. Bullying isn't completely ignored like it", "a small town (one primary school, one secondary school) in rural Arizona, USA.", "toddlers and befriends the time-traveling 2 year old. I want her siblings to", "kids, but we haven't seen him be violent. In the school scenes before", "USA. The year is 1995, so no cyber-bullying, social media, etc. Bullying isn't", "his first real friend. He's not going to screw this up. He's still", "so-called friends he teams up with at school, filling other students with terror.", "bully walks quickly down the school hallway, (not so) randomly shoving kids hard", "hides. And crud ends up stranded in Ancient Egypt with them. My critique", "violence happens. It also takes very little. One quick painful episode a month", "jerks. But I also want kids to fear them, especially the younger kids", "timing and action is random). *How do I show that the bully trio,", "level of adults or police intervening or TV stereotypes about bullying? But enough", "of a racist, and especially anti-Semitic. Over-all jerk. When some of the other", "the school scenes before the time travel, everyone dreads seeing the 3 bully", "They just want to be safe from his fists (or feet or whatever).", "ignored like it was in my day but awareness of it among adults", "isn't completely ignored like it was in my day but awareness of it", "too keen on them either. In my first chapter with him as a", "how school violence happens. It also takes very little. One quick painful episode", "school). When Joe's in Egypt, everyone from modern times gives him a wide", "school hallway, (not so) randomly shoving kids hard into lockers. That may be", "hallway, (not so) randomly shoving kids hard into lockers. That may be what", "the time-traveling 2 year old. I want her siblings to be genuinely fearful", "and that he's not too keen on them either. In my first chapter", "crud* ends up stranded in Ancient Egypt with them. My critique group tells", "including Joe, engage in physical bullying without it rising to the level of", "school, filling other students with terror. He's sarcastic, nasty, and a bit of", "And crud ends up stranded in Ancient Egypt with them. My critique group", "discovers he has an opportunity for a fresh start. The local adults respect", "Jewish ancestry, he sneaks on board and hides. And crud ends up stranded", "school violence happens. It also takes very little. One quick painful episode a", "his fists (or feet or whatever). Turns out Joe has a soft spot", "dreads seeing the 3 bully boys. They derail conversations and are overall jerks.", "social media, etc. Bullying isn't completely ignored like it was in my day", "overall jerks. But I also want kids to fear them, especially the younger", "is in Egypt he discovers he has an opportunity for a fresh start.", "boat outing just for the kids with Jewish ancestry, he sneaks on board", "ages 5-15, the years before high school). When Joe's in Egypt, everyone from", "year is 1995, so no cyber-bullying, social media, etc. Bullying isn't completely ignored", "about bullying? But enough that smaller kids are legitimately afraid. Small amounts could", "of adults or police intervening or TV stereotypes about bullying? But enough that", "board and hides. And crud ends up stranded in Ancient Egypt with them.", "him as a viewpoint character, he generally mentions hitting other kids, but we", "fear them, especially the younger kids (ages 8-11-ish...the school is K-8...meaning ages 5-15,", "that the other kids can't stand him and that he's not too keen", "resort to the trope of bully walks quickly down the school hallway, (not", "the bully trio, including Joe, engage in physical bullying without it rising to", "befriends the time-traveling 2 year old. I want her siblings to be genuinely", "I want her siblings to be genuinely fearful at first that he might", "in rural Arizona, USA. The year is 1995, so no cyber-bullying, social media,", "violent. In the school scenes before the time travel, everyone dreads seeing the", "don't want to resort to the trope of bully walks quickly down the", "walks quickly down the school hallway, (not so) randomly shoving kids hard into", "makers think is necessary but it's not really how school violence happens. It", "harm her. Once Joe is in Egypt he discovers he has an opportunity", "not outright violent. I don't want to resort to the trope of bully", "students with terror. He's sarcastic, nasty, and a bit of a racist, and", "kids with Jewish ancestry, he sneaks on board and hides. And crud* ends", "with terror. He's sarcastic, nasty, and a bit of a racist, and especially", "even the so-called friends he teams up with at school, filling other students", "his words. They just want to be safe from his fists (or feet", "The local adults respect him because he works hard (he likes physical work,", "the younger kids (ages 8-11-ish...the school is K-8...meaning ages 5-15, the years before", "he discovers he has an opportunity for a fresh start. The local adults", "local adults respect him because he works hard (he likes physical work, not", "that he's not too keen on them either. In my first chapter with", "he has an opportunity for a fresh start. The local adults respect him", "secondary school) in rural Arizona, USA. The year is 1995, so no cyber-bullying,", "and especially anti-Semitic. Over-all jerk. When some of the other kids plan a", "legitimately afraid. Small amounts could be in Egypt. Note: The kids come from", "Joe is the worst. Nobody likes him, not even the so-called friends he", "kids come from a small town (one primary school, one secondary school) in", "He's not going to screw this up. He's still somewhat mean and definitely", "kids (ages 8-11-ish...the school is K-8...meaning ages 5-15, the years before high school).", "from a small town (one primary school, one secondary school) in rural Arizona,", "everyone dreads seeing the 3 bully boys. They derail conversations and are overall", "It also takes very little. One quick painful episode a month is enough", "come from a small town (one primary school, one secondary school) in rural", "etc. Bullying isn't completely ignored like it was in my day but awareness", "setting him up with all of the above. It's obvious that the other", "amounts could be in Egypt. Note: The kids come from a small town", "the worst. Nobody likes him, not even the so-called friends he teams up", "victim (especially if the timing and action is random). How do I show", "terror. He's sarcastic, nasty, and a bit of a racist, and especially anti-Semitic.", "to the level of adults or police intervening or TV stereotypes about bullying?", "so no cyber-bullying, social media, etc. Bullying isn't completely ignored like it was", "screw this up. He's still somewhat mean and definitely sarcastic, but not outright", "other students with terror. He's sarcastic, nasty, and a bit of a racist,", "stranded in Ancient Egypt with them. My critique group tells me that I've", "to traumatize a bully's victim (especially if the timing and action is random).", "rural Arizona, USA. The year is 1995, so no cyber-bullying, social media, etc.", "me that I've done a good job setting him up with all of", "in Egypt, everyone from modern times gives him a wide berth. But not", "high school). When Joe's in Egypt, everyone from modern times gives him a", "for a fresh start. The local adults respect him because he works hard", "bullying? But enough that smaller kids are legitimately afraid. Small amounts could be", "soft spot for toddlers and befriends the time-traveling 2 year old. I want", "and action is random). How do I show that the bully trio, including", "(one primary school, one secondary school) in rural Arizona, USA. The year is", "kids plan a boat outing just for the kids with Jewish ancestry, he", "quick painful episode a month is enough to traumatize a bully's victim (especially", "can't stand him and that he's not too keen on them either. In", "of the other kids plan a boat outing just for the kids with", "smaller kids are legitimately afraid. Small amounts could be in Egypt.** Note: The", "it's not really how school violence happens. It also takes very little. One", "hard into lockers. That may be what movie and TV makers think is", "police intervening or TV stereotypes about bullying? But enough that smaller kids are", "Egypt with them. My critique group tells me that I've done a good", "other kids plan a boat outing just for the kids with Jewish ancestry,", "just for the kids with Jewish ancestry, he sneaks on board and hides.", "to screw this up. He's still somewhat mean and definitely sarcastic, but not", "him, not even the so-called friends he teams up with at school, filling", "if the timing and action is random). How do I show that the", "I don't want to resort to the trope of bully walks quickly down", "seeing the 3 bully boys. They derail conversations and are overall jerks. But", "outright violent. I don't want to resort to the trope of bully walks", "adults respect him because he works hard (he likes physical work, not school).", "the timing and action is random). How do I show that the bully", "gives him a wide berth. But not wide enough that they're safe from", "not too keen on them either. In my first chapter with him as", "takes very little. One quick painful episode a month is enough to traumatize", "genuinely fearful at first that he might harm her. Once Joe is in", "and are overall jerks. But I also want kids to fear them, especially", "school) in rural Arizona, USA. The year is 1995, so no cyber-bullying, social", "in physical bullying without it rising to the level of adults or police", "necessary but it's not really how school violence happens. It also takes very", "from his words. They just want to be safe from his fists (or", "enough that they're safe from his words. They just want to be safe", "this up. He's still somewhat mean and definitely sarcastic, but not outright violent.", "ancestry, he sneaks on board and hides. And crud* ends up stranded in", "either. In my first chapter with him as a viewpoint character, he generally", "Nobody likes him, not even the so-called friends he teams up with at", "movie and TV makers think is necessary but it's not really how school", "the time travel, everyone dreads seeing the 3 bully boys. They derail conversations", "other kids, but we haven't seen him be violent. In the school scenes", "he works hard (he likes physical work, not school). He also makes his", "opportunity for a fresh start. The local adults respect him because he works", "with them. My critique group tells me that I've done a good job", "respect him because he works hard (he likes physical work, not school). He", "shoving kids hard into lockers. That may be what movie and TV makers", "not school). He also makes his first real friend. He's not going to", "stand him and that he's not too keen on them either. In my", "wide enough that they're safe from his words. They just want to be", "and TV makers think is necessary but it's not really how school violence", "out Joe has a soft spot for toddlers and befriends the time-traveling 2", "(especially if the timing and action is random). How do I show that", "nasty, and a bit of a racist, and especially anti-Semitic. Over-all jerk. When", "filling other students with terror. He's sarcastic, nasty, and a bit of a", "outing just for the kids with Jewish ancestry, he sneaks on board and", "them. My critique group tells me that I've done a good job setting", "be in Egypt.* Note: The kids come from a small town (one primary", "be violent. In the school scenes before the time travel, everyone dreads seeing", "character, he generally mentions hitting other kids, but we haven't seen him be", "of the above. It's obvious that the other kids can't stand him and", "derail conversations and are overall jerks. But I also want kids to fear", "it was in my day but awareness of it among adults is meh,", "or TV stereotypes about bullying? But enough that smaller kids are legitimately afraid.", "group tells me that I've done a good job setting him up with", "makes his first real friend. He's not going to screw this up. He's", "very little. One quick painful episode a month is enough to traumatize a", "worst. Nobody likes him, not even the so-called friends he teams up with", "be safe from his fists (or feet or whatever). Turns out Joe has", "because he works hard (he likes physical work, not school). He also makes", "berth. But not wide enough that they're safe from his words. They just", "bully trio, including Joe, engage in physical bullying without it rising to the", "bully boys. They derail conversations and are overall jerks. But I also want", "as a viewpoint character, he generally mentions hitting other kids, but we haven't", "town (one primary school, one secondary school) in rural Arizona, USA. The year", "conversations and are overall jerks. But I also want kids to fear them,", "but not outright violent. I don't want to resort to the trope of", "down the school hallway, (not so) randomly shoving kids hard into lockers. That", "the 3 bully boys. They derail conversations and are overall jerks. But I", "especially the younger kids (ages 8-11-ish...the school is K-8...meaning ages 5-15, the years", "the years before high school). When Joe's in Egypt, everyone from modern times", "so) randomly shoving kids hard into lockers. That may be what movie and", "younger kids (ages 8-11-ish...the school is K-8...meaning ages 5-15, the years before high", "Note: The kids come from a small town (one primary school, one secondary", "up. He's still somewhat mean and definitely sarcastic, but not outright violent. I", "year old. I want her siblings to be genuinely fearful at first that", "to be genuinely fearful at first that he might harm her. Once Joe", "How do I show that the bully trio, including Joe, engage in physical", "has a soft spot for toddlers and befriends the time-traveling 2 year old.", "do I show that the bully trio, including Joe, engage in physical bullying", "traumatize a bully's victim (especially if the timing and action is random). How", "They derail conversations and are overall jerks. But I also want kids to", "words. They just want to be safe from his fists (or feet or", "violent. I don't want to resort to the trope of bully walks quickly", "racist, and especially anti-Semitic. Over-all jerk. When some of the other kids plan", "seen him be violent. In the school scenes before the time travel, everyone", "him because he works hard (he likes physical work, not school). He also", "may be what movie and TV makers think is necessary but it's not", "kids hard into lockers. That may be what movie and TV makers think", "feet or whatever). Turns out Joe has a soft spot for toddlers and", "also makes his first real friend. He's not going to screw this up.", "still somewhat mean and definitely sarcastic, but not outright violent. I don't want", "going to screw this up. He's still somewhat mean and definitely sarcastic, but", "works hard (he likes physical work, not school). He also makes his first", "and hides. And crud ends up stranded in Ancient Egypt with them. My", "time travel, everyone dreads seeing the 3 bully boys. They derail conversations and", "up stranded in Ancient Egypt with them. My critique group tells me that", "Ancient Egypt with them. My critique group tells me that I've done a", "2 year old. I want her siblings to be genuinely fearful at first", "is K-8...meaning ages 5-15, the years before high school). When Joe's in Egypt,", "especially anti-Semitic. Over-all jerk. When some of the other kids plan a boat", "the level of adults or police intervening or TV stereotypes about bullying? But", "Joe has a soft spot for toddlers and befriends the time-traveling 2 year", "what movie and TV makers think is necessary but it's not really how", "a month is enough to traumatize a bully's victim (especially if the timing", "stereotypes about bullying? But enough that smaller kids are legitimately afraid. Small amounts", "trope of bully walks quickly down the school hallway, (not so) randomly shoving", "Over-all jerk. When some of the other kids plan a boat outing just", "(not so) randomly shoving kids hard into lockers. That may be what movie", "to resort to the trope of bully walks quickly down the school hallway,", "One quick painful episode a month is enough to traumatize a bully's victim", "safe from his words. They just want to be safe from his fists", "not going to screw this up. He's still somewhat mean and definitely sarcastic,", "Once Joe is in Egypt he discovers he has an opportunity for a", "Turns out Joe has a soft spot for toddlers and befriends the time-traveling", "all of the above. It's obvious that the other kids can't stand him", "the trope of bully walks quickly down the school hallway, (not so) randomly", "month is enough to traumatize a bully's victim (especially if the timing and", "whatever). Turns out Joe has a soft spot for toddlers and befriends the", "That may be what movie and TV makers think is necessary but it's", "my day but awareness of it among adults is meh, not like today.", "But I also want kids to fear them, especially the younger kids (ages", "obvious that the other kids can't stand him and that he's not too", "a racist, and especially anti-Semitic. Over-all jerk. When some of the other kids", "just want to be safe from his fists (or feet or whatever). Turns", "The kids come from a small town (one primary school, one secondary school)", "kids can't stand him and that he's not too keen on them either.", "is the worst. Nobody likes him, not even the so-called friends he teams", "likes him, not even the so-called friends he teams up with at school,", "school, one secondary school) in rural Arizona, USA. The year is 1995, so", "enough to traumatize a bully's victim (especially if the timing and action is", "and a bit of a racist, and especially anti-Semitic. Over-all jerk. When some", "that smaller kids are legitimately afraid. Small amounts could be in Egypt. Note:", "critique group tells me that I've done a good job setting him up", "chapter with him as a viewpoint character, he generally mentions hitting other kids,", "action is random). How do I show that the bully trio, including Joe,", "are legitimately afraid. Small amounts could be in Egypt. Note: The kids come", "first real friend. He's not going to screw this up. He's still somewhat", "afraid. Small amounts could be in Egypt. Note: The kids come from a", "adults or police intervening or TV stereotypes about bullying? But enough that smaller", "school is K-8...meaning ages 5-15, the years before high school). When Joe's in", "everyone from modern times gives him a wide berth. But not wide enough", "from his fists (or feet or whatever). Turns out Joe has a soft", "not even the so-called friends he teams up with at school, filling other", "a wide berth. But not wide enough that they're safe from his words.", "physical bullying without it rising to the level of adults or police intervening", "first chapter with him as a viewpoint character, he generally mentions hitting other", "He's still somewhat mean and definitely sarcastic, but not outright violent. I don't", "enough that smaller kids are legitimately afraid. Small amounts could be in Egypt.", "I've done a good job setting him up with all of the above.", "but we haven't seen him be violent. In the school scenes before the", "I also want kids to fear them, especially the younger kids (ages 8-11-ish...the", "he's not too keen on them either. In my first chapter with him", "above. It's obvious that the other kids can't stand him and that he's", "I show that the bully trio, including Joe, engage in physical bullying without", "or police intervening or TV stereotypes about bullying? But enough that smaller kids", "he might harm her. Once Joe is in Egypt he discovers he has", "him a wide berth. But not wide enough that they're safe from his", "sarcastic, nasty, and a bit of a racist, and especially anti-Semitic. Over-all jerk.", "could be in Egypt. Note: The kids come from a small town (one", "a soft spot for toddlers and befriends the time-traveling 2 year old. I", "him be violent. In the school scenes before the time travel, everyone dreads", "also takes very little. One quick painful episode a month is enough to", "Bullying isn't completely ignored like it was in my day but awareness of", "Egypt. Note: The kids come from a small town (one primary school, one", "cyber-bullying, social media, etc. Bullying isn't completely ignored like it was in my", "in my day but awareness of it among adults is meh, not like", "is enough to traumatize a bully's victim (especially if the timing and action", "good job setting him up with all of the above. It's obvious that", "In the school scenes before the time travel, everyone dreads seeing the 3", "episode a month is enough to traumatize a bully's victim (especially if the", "also want kids to fear them, especially the younger kids (ages 8-11-ish...the school", "it rising to the level of adults or police intervening or TV stereotypes", "kids are legitimately afraid. Small amounts could be in Egypt. Note: The kids", "TV makers think is necessary but it's not really how school violence happens.", "teams up with at school, filling other students with terror. He's sarcastic, nasty,", "somewhat mean and definitely sarcastic, but not outright violent. I don't want to", "media, etc. Bullying isn't completely ignored like it was in my day but", "her siblings to be genuinely fearful at first that he might harm her.", "spot for toddlers and befriends the time-traveling 2 year old. I want her", "and definitely sarcastic, but not outright violent. I don't want to resort to", "quickly down the school hallway, (not so) randomly shoving kids hard into lockers.", "that I've done a good job setting him up with all of the", "at first that he might harm her. Once Joe is in Egypt he", "to be safe from his fists (or feet or whatever). Turns out Joe", "3 bully boys. They derail conversations and are overall jerks. But I also", "up with at school, filling other students with terror. He's sarcastic, nasty, and", "school). He also makes his first real friend. He's not going to screw", "think is necessary but it's not really how school violence happens. It also", "a boat outing just for the kids with Jewish ancestry, he sneaks on", "sneaks on board and hides. And crud* ends up stranded in Ancient Egypt", "(or feet or whatever). Turns out Joe has a soft spot for toddlers", "wide berth. But not wide enough that they're safe from his words. They", "friend. He's not going to screw this up. He's still somewhat mean and", "tells me that I've done a good job setting him up with all", "is necessary but it's not really how school violence happens. It also takes", "on board and hides. And crud ends up stranded in Ancient Egypt with", "definitely sarcastic, but not outright violent. I don't want to resort to the", "But not wide enough that they're safe from his words. They just want", "not wide enough that they're safe from his words. They just want to", "8-11-ish...the school is K-8...meaning ages 5-15, the years before high school). When Joe's", "My critique group tells me that I've done a good job setting him", "fists (or feet or whatever). Turns out Joe has a soft spot for", "primary school, one secondary school) in rural Arizona, USA. The year is 1995,", "the above. It's obvious that the other kids can't stand him and that", "he generally mentions hitting other kids, but we haven't seen him be violent.", "him and that he's not too keen on them either. In my first", "be genuinely fearful at first that he might harm her. Once Joe is", "randomly shoving kids hard into lockers. That may be what movie and TV", "bully's victim (especially if the timing and action is random). How do I", "hard (he likes physical work, not school). He also makes his first real", "In my first chapter with him as a viewpoint character, he generally mentions", "fresh start. The local adults respect him because he works hard (he likes", "he sneaks on board and hides. And crud* ends up stranded in Ancient", "and befriends the time-traveling 2 year old. I want her siblings to be", "them either. In my first chapter with him as a viewpoint character, he", "kids to fear them, especially the younger kids (ages 8-11-ish...the school is K-8...meaning", "bullying without it rising to the level of adults or police intervening or", "The year is 1995, so no cyber-bullying, social media, etc. Bullying isn't completely", "Arizona, USA. The year is 1995, so no cyber-bullying, social media, etc. Bullying", "no cyber-bullying, social media, etc. Bullying isn't completely ignored like it was in", "has an opportunity for a fresh start. The local adults respect him because", "them, especially the younger kids (ages 8-11-ish...the school is K-8...meaning ages 5-15, the", "a fresh start. The local adults respect him because he works hard (he", "the so-called friends he teams up with at school, filling other students with", "ends up stranded in Ancient Egypt with them. My critique group tells me", "a viewpoint character, he generally mentions hitting other kids, but we haven't seen", "scenes before the time travel, everyone dreads seeing the 3 bully boys. They", "the other kids can't stand him and that he's not too keen on", "at school, filling other students with terror. He's sarcastic, nasty, and a bit", "the school hallway, (not so) randomly shoving kids hard into lockers. That may", "a good job setting him up with all of the above. It's obvious", "be what movie and TV makers think is necessary but it's not really", "one secondary school) in rural Arizona, USA. The year is 1995, so no", "friends he teams up with at school, filling other students with terror. He's", "engage in physical bullying without it rising to the level of adults or", "5-15, the years before high school). When Joe's in Egypt, everyone from modern", "job setting him up with all of the above. It's obvious that the", "start. The local adults respect him because he works hard (he likes physical", "(ages 8-11-ish...the school is K-8...meaning ages 5-15, the years before high school). When", "physical work, not school). He also makes his first real friend. He's not", "mean and definitely sarcastic, but not outright violent. I don't want to resort", "are overall jerks. But I also want kids to fear them, especially the", "the other kids plan a boat outing just for the kids with Jewish", "time-traveling 2 year old. I want her siblings to be genuinely fearful at", "When Joe's in Egypt, everyone from modern times gives him a wide berth.", "Joe's in Egypt, everyone from modern times gives him a wide berth. But", "TV stereotypes about bullying? But enough that smaller kids are legitimately afraid. Small", "little. One quick painful episode a month is enough to traumatize a bully's", "want kids to fear them, especially the younger kids (ages 8-11-ish...the school is", "in Ancient Egypt with them. My critique group tells me that I've done", "not really how school violence happens. It also takes very little. One quick", "first that he might harm her. Once Joe is in Egypt he discovers", "He also makes his first real friend. He's not going to screw this", "with him as a viewpoint character, he generally mentions hitting other kids, but", "Joe, engage in physical bullying without it rising to the level of adults", "without it rising to the level of adults or police intervening or TV", "jerk. When some of the other kids plan a boat outing just for", "is 1995, so no cyber-bullying, social media, etc. Bullying isn't completely ignored like", "that the bully trio, including Joe, engage in physical bullying without it rising", "into lockers. That may be what movie and TV makers think is necessary", "rising to the level of adults or police intervening or TV stereotypes about", "sarcastic, but not outright violent. I don't want to resort to the trope", "generally mentions hitting other kids, but we haven't seen him be violent. In", "really how school violence happens. It also takes very little. One quick painful", "in Egypt.** Note: The kids come from a small town (one primary school,", "my first chapter with him as a viewpoint character, he generally mentions hitting", "siblings to be genuinely fearful at first that he might harm her. Once", "It's obvious that the other kids can't stand him and that he's not", "When some of the other kids plan a boat outing just for the", "travel, everyone dreads seeing the 3 bully boys. They derail conversations and are", "before the time travel, everyone dreads seeing the 3 bully boys. They derail", "Egypt he discovers he has an opportunity for a fresh start. The local", "with at school, filling other students with terror. He's sarcastic, nasty, and a", "from modern times gives him a wide berth. But not wide enough that", "of *bully walks quickly down the school hallway, (not so) randomly shoving kids", "likes physical work, not school). He also makes his first real friend. He's" ]
[ "far as I know, you can translate non-English books and have them published,", "book from Nvikuspeara to simple modern English and have it published somehow. As", "I know, you can translate non-English books and have them published, but I", "from Nvikuspeara to simple modern English and have it published somehow. As far", "but I was wondering if it was any different for books written in", "you could translate a book from Nvikuspeara to simple modern English and have", "non-English books and have them published, but I was wondering if it was", "I am wondering if you could translate a book from Nvikuspeara to simple", "wondering if you could translate a book from Nvikuspeara to simple modern English", "have them published, but I was wondering if it was any different for", "somehow. As far as I know, you can translate non-English books and have", "to simple modern English and have it published somehow. As far as I", "Nvikuspeara to simple modern English and have it published somehow. As far as", "if you could translate a book from Nvikuspeara to simple modern English and", "modern English and have it published somehow. As far as I know, you", "as I know, you can translate non-English books and have them published, but", "published, but I was wondering if it was any different for books written", "translate a book from Nvikuspeara to simple modern English and have it published", "have it published somehow. As far as I know, you can translate non-English", "published somehow. As far as I know, you can translate non-English books and", "I was wondering if it was any different for books written in old", "As far as I know, you can translate non-English books and have them", "and have it published somehow. As far as I know, you can translate", "know, you can translate non-English books and have them published, but I was", "can translate non-English books and have them published, but I was wondering if", "simple modern English and have it published somehow. As far as I know,", "and have them published, but I was wondering if it was any different", "you can translate non-English books and have them published, but I was wondering", "am wondering if you could translate a book from Nvikuspeara to simple modern", "was wondering if it was any different for books written in old English.", "English and have it published somehow. As far as I know, you can", "them published, but I was wondering if it was any different for books", "books and have them published, but I was wondering if it was any", "it published somehow. As far as I know, you can translate non-English books", "a book from Nvikuspeara to simple modern English and have it published somehow.", "translate non-English books and have them published, but I was wondering if it", "could translate a book from Nvikuspeara to simple modern English and have it" ]
[ "This character is introduced with heavy announcements by his minions who scream out", "announcements by his minions who scream out words of admiration and basically annoy", "by the minions presence while also making the protagonist also personally feel annoyed", "How do I introduce the character in such a way that the reader", "writing a story these days and I want to introduce a character who", "these days and I want to introduce a character who is similar to", "such a way that the reader is annoyed by the minions presence while", "the reader is annoyed by the minions presence while also making the protagonist", "want to introduce a character who is similar to a king. This character", "is annoyed by the minions presence while also making the protagonist also personally", "I want to introduce a character who is similar to a king. This", "a king. This character is introduced with heavy announcements by his minions who", "admiration and basically annoy everyone in their path. How do I introduce the", "with heavy announcements by his minions who scream out words of admiration and", "everyone in their path. How do I introduce the character in such a", "the character in such a way that the reader is annoyed by the", "the minions presence while also making the protagonist also personally feel annoyed by", "in such a way that the reader is annoyed by the minions presence", "reader is annoyed by the minions presence while also making the protagonist also", "character in such a way that the reader is annoyed by the minions", "story these days and I want to introduce a character who is similar", "introduce a character who is similar to a king. This character is introduced", "character who is similar to a king. This character is introduced with heavy", "who is similar to a king. This character is introduced with heavy announcements", "who scream out words of admiration and basically annoy everyone in their path.", "and basically annoy everyone in their path. How do I introduce the character", "by his minions who scream out words of admiration and basically annoy everyone", "I introduce the character in such a way that the reader is annoyed", "of admiration and basically annoy everyone in their path. How do I introduce", "similar to a king. This character is introduced with heavy announcements by his", "out words of admiration and basically annoy everyone in their path. How do", "a way that the reader is annoyed by the minions presence while also", "introduce the character in such a way that the reader is annoyed by", "king. This character is introduced with heavy announcements by his minions who scream", "path. How do I introduce the character in such a way that the", "a character who is similar to a king. This character is introduced with", "character is introduced with heavy announcements by his minions who scream out words", "and I want to introduce a character who is similar to a king.", "a story these days and I want to introduce a character who is", "to a king. This character is introduced with heavy announcements by his minions", "words of admiration and basically annoy everyone in their path. How do I", "I am writing a story these days and I want to introduce a", "minions presence while also making the protagonist also personally feel annoyed by the", "annoyed by the minions presence while also making the protagonist also personally feel", "presence while also making the protagonist also personally feel annoyed by the nuisance.", "annoy everyone in their path. How do I introduce the character in such", "basically annoy everyone in their path. How do I introduce the character in", "to introduce a character who is similar to a king. This character is", "his minions who scream out words of admiration and basically annoy everyone in", "heavy announcements by his minions who scream out words of admiration and basically", "their path. How do I introduce the character in such a way that", "way that the reader is annoyed by the minions presence while also making", "is introduced with heavy announcements by his minions who scream out words of", "is similar to a king. This character is introduced with heavy announcements by", "in their path. How do I introduce the character in such a way", "introduced with heavy announcements by his minions who scream out words of admiration", "am writing a story these days and I want to introduce a character", "days and I want to introduce a character who is similar to a", "scream out words of admiration and basically annoy everyone in their path. How", "that the reader is annoyed by the minions presence while also making the", "minions who scream out words of admiration and basically annoy everyone in their", "do I introduce the character in such a way that the reader is" ]
[ "knees. Thulos kicked him and then kicked away the gun > that Daxaol", "a little paragraph to really show the problem I am having. As it", "appeared behind Daxaol and shook him by the neck, which brought > him", "him by the neck, which brought > him down to his knees. Thulos", "away the gun > that Daxaol dropped making sure he wouldn't be able", "any longer. He smiled seeing Daxaol helplessly squirming on the > ground. He", "Thulos kicked him and then kicked away the gun > that Daxaol dropped", "neck, which brought > him down to his knees. Thulos kicked him and", "longer. He smiled seeing Daxaol helplessly squirming on the > ground. He took", "for his life as soon as possible if given the chance. > >", "as possible if given the chance. > > > I decided to write", "am having. As it turns out I really have an issue with the", "He took out a cigar out of his pocket and lit it. He", "out a cigar out of his pocket and lit it. He took a", "of a sequence of events. How can you increase the flow between the", "making sure he wouldn't be able to surprise him > any longer. He", "for Daxaol to talk knowing Daxaol > would plead for his life as", "the > ground. He took out a cigar out of his pocket and", "cigar out of his pocket and lit it. He took a > puff", "a sequence of events. How can you increase the flow between the sentences?", "soon as possible if given the chance. > > > I decided to", "possible if given the chance. > > > I decided to write a", "> Thulos appeared behind Daxaol and shook him by the neck, which brought", "a > puff and then another while waiting for Daxaol to talk knowing", "having. As it turns out I really have an issue with the flow", "took out a cigar out of his pocket and lit it. He took", "have an issue with the flow in descriptions of a sequence of events.", "Daxaol > would plead for his life as soon as possible if given", "gun > that Daxaol dropped making sure he wouldn't be able to surprise", "which brought > him down to his knees. Thulos kicked him and then", "helplessly squirming on the > ground. He took out a cigar out of", "> > Thulos appeared behind Daxaol and shook him by the neck, which", "smiled seeing Daxaol helplessly squirming on the > ground. He took out a", "write a little paragraph to really show the problem I am having. As", "flow in descriptions of a sequence of events. How can you increase the", "his knees. Thulos kicked him and then kicked away the gun > that", "dropped making sure he wouldn't be able to surprise him > any longer.", "Thulos appeared behind Daxaol and shook him by the neck, which brought >", "he wouldn't be able to surprise him > any longer. He smiled seeing", "seeing Daxaol helplessly squirming on the > ground. He took out a cigar", "that Daxaol dropped making sure he wouldn't be able to surprise him >", "while waiting for Daxaol to talk knowing Daxaol > would plead for his", "chance. > > > I decided to write a little paragraph to really", "decided to write a little paragraph to really show the problem I am", "then kicked away the gun > that Daxaol dropped making sure he wouldn't", "turns out I really have an issue with the flow in descriptions of", "really have an issue with the flow in descriptions of a sequence of", "of his pocket and lit it. He took a > puff and then", "if given the chance. > > > I decided to write a little", "ground. He took out a cigar out of his pocket and lit it.", "to talk knowing Daxaol > would plead for his life as soon as", "> > > I decided to write a little paragraph to really show", "his life as soon as possible if given the chance. > > >", "took a > puff and then another while waiting for Daxaol to talk", "descriptions of a sequence of events. How can you increase the flow between", "down to his knees. Thulos kicked him and then kicked away the gun", "another while waiting for Daxaol to talk knowing Daxaol > would plead for", "out of his pocket and lit it. He took a > puff and", "the flow in descriptions of a sequence of events. How can you increase", "as soon as possible if given the chance. > > > I decided", "surprise him > any longer. He smiled seeing Daxaol helplessly squirming on the", "I am having. As it turns out I really have an issue with", "squirming on the > ground. He took out a cigar out of his", "him down to his knees. Thulos kicked him and then kicked away the", "and shook him by the neck, which brought > him down to his", "> any longer. He smiled seeing Daxaol helplessly squirming on the > ground.", "him and then kicked away the gun > that Daxaol dropped making sure", "lit it. He took a > puff and then another while waiting for", "by the neck, which brought > him down to his knees. Thulos kicked", "to write a little paragraph to really show the problem I am having.", "out I really have an issue with the flow in descriptions of a", "and then another while waiting for Daxaol to talk knowing Daxaol > would", "and lit it. He took a > puff and then another while waiting", "shook him by the neck, which brought > him down to his knees.", "problem I am having. As it turns out I really have an issue", "his pocket and lit it. He took a > puff and then another", "paragraph to really show the problem I am having. As it turns out", "with the flow in descriptions of a sequence of events. How can you", "and then kicked away the gun > that Daxaol dropped making sure he", "behind Daxaol and shook him by the neck, which brought > him down", "on the > ground. He took out a cigar out of his pocket", "I really have an issue with the flow in descriptions of a sequence", "show the problem I am having. As it turns out I really have", "him > any longer. He smiled seeing Daxaol helplessly squirming on the >", "to his knees. Thulos kicked him and then kicked away the gun >", "sure he wouldn't be able to surprise him > any longer. He smiled", "pocket and lit it. He took a > puff and then another while", "the chance. > > > I decided to write a little paragraph to", "be able to surprise him > any longer. He smiled seeing Daxaol helplessly", "> I decided to write a little paragraph to really show the problem", "to surprise him > any longer. He smiled seeing Daxaol helplessly squirming on", "really show the problem I am having. As it turns out I really", "to really show the problem I am having. As it turns out I", "plead for his life as soon as possible if given the chance. >", "it. He took a > puff and then another while waiting for Daxaol", "knowing Daxaol > would plead for his life as soon as possible if", "would plead for his life as soon as possible if given the chance.", "Daxaol helplessly squirming on the > ground. He took out a cigar out", "He took a > puff and then another while waiting for Daxaol to", "> would plead for his life as soon as possible if given the", "kicked away the gun > that Daxaol dropped making sure he wouldn't be", "the neck, which brought > him down to his knees. Thulos kicked him", "Daxaol to talk knowing Daxaol > would plead for his life as soon", "> that Daxaol dropped making sure he wouldn't be able to surprise him", "then another while waiting for Daxaol to talk knowing Daxaol > would plead", "brought > him down to his knees. Thulos kicked him and then kicked", "> ground. He took out a cigar out of his pocket and lit", "waiting for Daxaol to talk knowing Daxaol > would plead for his life", "Daxaol and shook him by the neck, which brought > him down to", "puff and then another while waiting for Daxaol to talk knowing Daxaol >", "given the chance. > > > I decided to write a little paragraph", "Daxaol dropped making sure he wouldn't be able to surprise him > any", "the gun > that Daxaol dropped making sure he wouldn't be able to", "I decided to write a little paragraph to really show the problem I", "As it turns out I really have an issue with the flow in", "> puff and then another while waiting for Daxaol to talk knowing Daxaol", "an issue with the flow in descriptions of a sequence of events. How", "wouldn't be able to surprise him > any longer. He smiled seeing Daxaol", "it turns out I really have an issue with the flow in descriptions", "kicked him and then kicked away the gun > that Daxaol dropped making", "the problem I am having. As it turns out I really have an", "issue with the flow in descriptions of a sequence of events. How can", "He smiled seeing Daxaol helplessly squirming on the > ground. He took out", "talk knowing Daxaol > would plead for his life as soon as possible", "> > I decided to write a little paragraph to really show the", "able to surprise him > any longer. He smiled seeing Daxaol helplessly squirming", "a cigar out of his pocket and lit it. He took a >", "life as soon as possible if given the chance. > > > I", "> him down to his knees. Thulos kicked him and then kicked away", "in descriptions of a sequence of events. How can you increase the flow", "little paragraph to really show the problem I am having. As it turns" ]
[ "a way to have comments in different colours*, in Microsoft Word, Open Office", "needs editing, I leave a comment for later. If I write something, and", "stream, if I find something that needs editing, I leave a comment for", "and need something to foreshadow it earlier, I leave a comment. If I", "write something, and need something to foreshadow it earlier, I leave a comment.", "could colour-code those comments in some way, so \"bad wording, needs rephrasing\" comments", "I leave lose to pick up later), I leave a comment. It would", "foreshadow it earlier, I leave a comment. If I need to reference something", "something to foreshadow it earlier, I leave a comment. If I need to", "way to have comments in different colours, in Microsoft Word, Open Office Writer,", "I'm happy with it, but I am open to making the switch if", "widget, but won't cause the file (including the comments) to be unreadable without", "something that needs editing, I leave a comment for later. If I write", "using Open Office, and I'm happy with it, but I am open to", "Word, Open Office Writer, or Libre Office? (I am currently using Open Office,", "making the switch if need be.) If that would require installing some additional", "find something that needs editing, I leave a comment for later. If I", "to making the switch if need be.) If that would require installing some", "if need be.) If that would require installing some additional widget, but won't", "for later. If I write something, and need something to foreshadow it earlier,", "if I find something that needs editing, I leave a comment for later.", "in different colours, in Microsoft Word, Open Office Writer, or Libre Office? (I", "installing some additional widget, but won't cause the file (including the comments) to", "be unreadable without it, I'm open to that too. I am using comments", "I am using comments extensively while writing. Every time I re-read what I", "a comment for later. If I write something, and need something to foreshadow", "conversation, but I don't know yet where this reference leads (so it's a", "\"bad wording, needs rephrasing\" comments would be visually different from \"this plot thread", "needs rephrasing\" comments would be visually different from \"this plot thread needs work\"", "Microsoft Word, Open Office Writer, or Libre Office? (I am currently using Open", "additional widget, but won't cause the file (including the comments) to be unreadable", "that too. I am using comments extensively while writing. Every time I re-read", "re-read what I wrote to get back into the stream, if I find", "leads (so it's a thread I leave lose to pick up later), I", "it's a thread I leave lose to pick up later), I leave a", "the switch if need be.) If that would require installing some additional widget,", "It would be very helpful to me if I could colour-code those comments", "to have comments in different colours, in Microsoft Word, Open Office Writer, or", "Is there a way to have comments in different colours, in Microsoft Word,", "comment. It would be very helpful to me if I could colour-code those", "to be unreadable without it, I'm open to that too. I am using", "earlier, I leave a comment. If I need to reference something* in a", "Open Office, and I'm happy with it, but I am open to making", "too. I am using comments extensively while writing. Every time I re-read what", "am currently using Open Office, and I'm happy with it, but I am", "a comment. It would be very helpful to me if I could colour-code", "(so it's a thread I leave lose to pick up later), I leave", "reference something in a conversation, but I don't know yet where this reference", "happy with it, but I am open to making the switch if need", "something in a conversation, but I don't know yet where this reference leads", "a thread I leave lose to pick up later), I leave a comment.", "leave a comment. It would be very helpful to me if I could", "open to making the switch if need be.) If that would require installing", "but I don't know yet where this reference leads (so it's a thread", "rephrasing\" comments would be visually different from \"this plot thread needs work\" comments.", "If I need to reference something in a conversation, but I don't know", "the stream, if I find something that needs editing, I leave a comment", "later. If I write something, and need something to foreshadow it earlier, I", "without it, I'm open to that too. I am using comments extensively while", "have comments in different colours*, in Microsoft Word, Open Office Writer, or Libre", "to foreshadow it earlier, I leave a comment. If I need to reference", "I wrote to get back into the stream, if I find something that", "would be very helpful to me if I could colour-code those comments in", "comments) to be unreadable without it, I'm open to that too. I am", "this reference leads (so it's a thread I leave lose to pick up", "it earlier, I leave a comment. If I need to reference something* in", "there a way to have comments in different colours*, in Microsoft Word, Open", "time I re-read what I wrote to get back into the stream, if", "up later), I leave a comment. It would be very helpful to me", "if I could colour-code those comments in some way, so \"bad wording, needs", "it, but I am open to making the switch if need be.) If", "won't cause the file (including the comments) to be unreadable without it, I'm", "I find something that needs editing, I leave a comment for later. If", "Libre Office? (I am currently using Open Office, and I'm happy with it,", "If I write something, and need something to foreshadow it earlier, I leave", "(I am currently using Open Office, and I'm happy with it, but I", "while writing. Every time I re-read what I wrote to get back into", "cause the file (including the comments) to be unreadable without it, I'm open", "me if I could colour-code those comments in some way, so \"bad wording,", "I leave a comment for later. If I write something, and need something", "I don't know yet where this reference leads (so it's a thread I", "I write something, and need something to foreshadow it earlier, I leave a", "to get back into the stream, if I find something that needs editing,", "get back into the stream, if I find something that needs editing, I", "Office, and I'm happy with it, but I am open to making the", "in some way, so \"bad wording, needs rephrasing\" comments would be visually different", "open to that too. I am using comments extensively while writing. Every time", "switch if need be.) If that would require installing some additional widget, but", "be very helpful to me if I could colour-code those comments in some", "Every time I re-read what I wrote to get back into the stream,", "need be.) If that would require installing some additional widget, but won't cause", "back into the stream, if I find something that needs editing, I leave", "don't know yet where this reference leads (so it's a thread I leave", "be.) If that would require installing some additional widget, but won't cause the", "to pick up later), I leave a comment. It would be very helpful", "helpful to me if I could colour-code those comments in some way, so", "I could colour-code those comments in some way, so \"bad wording, needs rephrasing\"", "If that would require installing some additional widget, but won't cause the file", "way, so \"bad wording, needs rephrasing\" comments would be visually different from \"this", "comment for later. If I write something, and need something to foreshadow it", "or Libre Office? (I am currently using Open Office, and I'm happy with", "the comments) to be unreadable without it, I'm open to that too. I", "colour-code those comments in some way, so \"bad wording, needs rephrasing\" comments would", "Writer, or Libre Office? (I am currently using Open Office, and I'm happy", "need something to foreshadow it earlier, I leave a comment. If I need", "comment. If I need to reference something* in a conversation, but I don't", "thread I leave lose to pick up later), I leave a comment. It", "require installing some additional widget, but won't cause the file (including the comments)", "writing. Every time I re-read what I wrote to get back into the", "know yet where this reference leads (so it's a thread I leave lose", "need to reference something in a conversation, but I don't know yet where", "currently using Open Office, and I'm happy with it, but I am open", "wrote to get back into the stream, if I find something that needs", "I'm open to that too. I am using comments extensively while writing. Every", "editing, I leave a comment for later. If I write something, and need", "extensively while writing. Every time I re-read what I wrote to get back", "wording, needs rephrasing\" comments would be visually different from \"this plot thread needs", "am open to making the switch if need be.) If that would require", "(including the comments) to be unreadable without it, I'm open to that too.", "Office? (I am currently using Open Office, and I'm happy with it, but", "what I wrote to get back into the stream, if I find something", "using comments extensively while writing. Every time I re-read what I wrote to", "yet where this reference leads (so it's a thread I leave lose to", "lose to pick up later), I leave a comment. It would be very", "I leave a comment. If I need to reference something in a conversation,", "but I am open to making the switch if need be.) If that", "would require installing some additional widget, but won't cause the file (including the", "in a conversation, but I don't know yet where this reference leads (so", "comments in different colours*, in Microsoft Word, Open Office Writer, or Libre Office?", "I am open to making the switch if need be.) If that would", "it, I'm open to that too. I am using comments extensively while writing.", "and I'm happy with it, but I am open to making the switch", "leave a comment. If I need to reference something* in a conversation, but", "to that too. I am using comments extensively while writing. Every time I", "that needs editing, I leave a comment for later. If I write something,", "comments extensively while writing. Every time I re-read what I wrote to get", "am using comments extensively while writing. Every time I re-read what I wrote", "leave lose to pick up later), I leave a comment. It would be", "so \"bad wording, needs rephrasing\" comments would be visually different from \"this plot", "colours, in Microsoft Word, Open Office Writer, or Libre Office? (I am currently", "file (including the comments) to be unreadable without it, I'm open to that", "Open Office Writer, or Libre Office? (I am currently using Open Office, and", "pick up later), I leave a comment. It would be very helpful to", "reference leads (so it's a thread I leave lose to pick up later),", "comments in some way, so \"bad wording, needs rephrasing\" comments would be visually", "that would require installing some additional widget, but won't cause the file (including", "some way, so \"bad wording, needs rephrasing\" comments would be visually different from", "some additional widget, but won't cause the file (including the comments) to be", "but won't cause the file (including the comments) to be unreadable without it,", "different colours, in Microsoft Word, Open Office Writer, or Libre Office? (I am", "with it, but I am open to making the switch if need be.)", "the file (including the comments) to be unreadable without it, I'm open to", "leave a comment for later. If I write something, and need something to", "I need to reference something in a conversation, but I don't know yet", "later), I leave a comment. It would be very helpful to me if", "Office Writer, or Libre Office? (I am currently using Open Office, and I'm", "something, and need something to foreshadow it earlier, I leave a comment. If", "a comment. If I need to reference something in a conversation, but I", "I re-read what I wrote to get back into the stream, if I", "to me if I could colour-code those comments in some way, so \"bad", "in Microsoft Word, Open Office Writer, or Libre Office? (I am currently using", "a conversation, but I don't know yet where this reference leads (so it's", "unreadable without it, I'm open to that too. I am using comments extensively", "those comments in some way, so \"bad wording, needs rephrasing\" comments would be", "into the stream, if I find something that needs editing, I leave a", "I leave a comment. It would be very helpful to me if I", "very helpful to me if I could colour-code those comments in some way,", "to reference something in a conversation, but I don't know yet where this", "where this reference leads (so it's a thread I leave lose to pick" ]
[ "at least one this year. My concern is about how I need to", "I've never written for anything other than personal enjoyment or for a predefined", "has a clear target audience? When writing a story is it better to", "and keep it in mind while writing, or to write whatever and then", "to finish at least one this year. My concern is about how I", "when I intend for it to be read by a larger audience, particular", "have ideas and partial drafts for several books and want to finish at", "audience and keep it in mind while writing, or to write whatever and", "to be read by a larger audience, particular how do I ensure it", "several books and want to finish at least one this year. My concern", "for a predefined context before. I have ideas and partial drafts for several", "while writing, or to write whatever and then figure out the target audience?", "how I need to change my writing when I intend for it to", "target audience and keep it in mind while writing, or to write whatever", "particular how do I ensure it has a clear target audience? When writing", "one this year. My concern is about how I need to change my", "year. My concern is about how I need to change my writing when", "it has a clear target audience? When writing a story is it better", "a story is it better to choose a target audience and keep it", "ensure it has a clear target audience? When writing a story is it", "how do I ensure it has a clear target audience? When writing a", "audience? When writing a story is it better to choose a target audience", "larger audience, particular how do I ensure it has a clear target audience?", "and want to finish at least one this year. My concern is about", "about how I need to change my writing when I intend for it", "keep it in mind while writing, or to write whatever and then figure", "change my writing when I intend for it to be read by a", "it in mind while writing, or to write whatever and then figure out", "for several books and want to finish at least one this year. My", "better to choose a target audience and keep it in mind while writing,", "writing when I intend for it to be read by a larger audience,", "for it to be read by a larger audience, particular how do I", "intend for it to be read by a larger audience, particular how do", "than personal enjoyment or for a predefined context before. I have ideas and", "predefined context before. I have ideas and partial drafts for several books and", "and partial drafts for several books and want to finish at least one", "to choose a target audience and keep it in mind while writing, or", "drafts for several books and want to finish at least one this year.", "my writing when I intend for it to be read by a larger", "partial drafts for several books and want to finish at least one this", "concern is about how I need to change my writing when I intend", "My concern is about how I need to change my writing when I", "for anything other than personal enjoyment or for a predefined context before. I", "never written for anything other than personal enjoyment or for a predefined context", "written for anything other than personal enjoyment or for a predefined context before.", "least one this year. My concern is about how I need to change", "do I ensure it has a clear target audience? When writing a story", "need to change my writing when I intend for it to be read", "I ensure it has a clear target audience? When writing a story is", "When writing a story is it better to choose a target audience and", "enjoyment or for a predefined context before. I have ideas and partial drafts", "a larger audience, particular how do I ensure it has a clear target", "writing a story is it better to choose a target audience and keep", "a predefined context before. I have ideas and partial drafts for several books", "I need to change my writing when I intend for it to be", "a clear target audience? When writing a story is it better to choose", "is it better to choose a target audience and keep it in mind", "target audience? When writing a story is it better to choose a target", "personal enjoyment or for a predefined context before. I have ideas and partial", "or for a predefined context before. I have ideas and partial drafts for", "be read by a larger audience, particular how do I ensure it has", "by a larger audience, particular how do I ensure it has a clear", "before. I have ideas and partial drafts for several books and want to", "choose a target audience and keep it in mind while writing, or to", "I have ideas and partial drafts for several books and want to finish", "to change my writing when I intend for it to be read by", "this year. My concern is about how I need to change my writing", "context before. I have ideas and partial drafts for several books and want", "ideas and partial drafts for several books and want to finish at least", "audience, particular how do I ensure it has a clear target audience? When", "read by a larger audience, particular how do I ensure it has a", "other than personal enjoyment or for a predefined context before. I have ideas", "finish at least one this year. My concern is about how I need", "anything other than personal enjoyment or for a predefined context before. I have", "in mind while writing, or to write whatever and then figure out the", "books and want to finish at least one this year. My concern is", "a target audience and keep it in mind while writing, or to write", "it to be read by a larger audience, particular how do I ensure", "I intend for it to be read by a larger audience, particular how", "story is it better to choose a target audience and keep it in", "is about how I need to change my writing when I intend for", "it better to choose a target audience and keep it in mind while", "mind while writing, or to write whatever and then figure out the target", "clear target audience? When writing a story is it better to choose a", "want to finish at least one this year. My concern is about how" ]
[ "lot of people use Google's n-gram to see if something is idiomatic, but", "is idiomatic, but for a lot of non-native English speakers even that doesn't", "a lot of non-native English speakers even that doesn't really help, so what", "English speakers even that doesn't really help, so what would you suggest non-native", "of people use Google's n-gram to see if something is idiomatic, but for", "even that doesn't really help, so what would you suggest non-native speakers to", "doesn't really help, so what would you suggest non-native speakers to do so", "n-gram to see if something is idiomatic, but for a lot of non-native", "but for a lot of non-native English speakers even that doesn't really help,", "see if something is idiomatic, but for a lot of non-native English speakers", "would you suggest non-native speakers to do so that everything they write sounds", "non-native English speakers even that doesn't really help, so what would you suggest", "A lot of people use Google's n-gram to see if something is idiomatic,", "Google's n-gram to see if something is idiomatic, but for a lot of", "really help, so what would you suggest non-native speakers to do so that", "use Google's n-gram to see if something is idiomatic, but for a lot", "you suggest non-native speakers to do so that everything they write sounds 100%", "suggest non-native speakers to do so that everything they write sounds 100% idiomatic?", "if something is idiomatic, but for a lot of non-native English speakers even", "something is idiomatic, but for a lot of non-native English speakers even that", "for a lot of non-native English speakers even that doesn't really help, so", "that doesn't really help, so what would you suggest non-native speakers to do", "to see if something is idiomatic, but for a lot of non-native English", "people use Google's n-gram to see if something is idiomatic, but for a", "help, so what would you suggest non-native speakers to do so that everything", "so what would you suggest non-native speakers to do so that everything they", "speakers even that doesn't really help, so what would you suggest non-native speakers", "idiomatic, but for a lot of non-native English speakers even that doesn't really", "what would you suggest non-native speakers to do so that everything they write", "of non-native English speakers even that doesn't really help, so what would you", "lot of non-native English speakers even that doesn't really help, so what would" ]
[ "of the players to use their characters, assuming I get this is there", "one of my current storylines and have been thinking about turning it into", "Pathfinder. My games run in a custom world of my own making. However,", "D&D. I'm quite proud of one of my current storylines and have been", "custom world of my own making. However, I utilise a lot of the", "fantasy races, the classes/abilities of the characters and most importantly the magic system.", "most importantly the magic system. To experienced players I expect these things to", "own making. However, I utilise a lot of the traditional lore and races", "my own making. However, I utilise a lot of the traditional lore and", "characters, assuming I get this is there any other reason I can't publish", "work out how much I need to modify it in my writing. Can", "the magic system. To experienced players I expect these things to be fairly", "run in a custom world of my own making. However, I utilise a", "of D&D. I'm quite proud of one of my current storylines and have", "and Pathfinder. My games run in a custom world of my own making.", "recognisable, and I'm trying to work out how much I need to modify", "utilise a lot of the traditional lore and races of D&D. I'm quite", "to work out how much I need to modify it in my writing.", "However, I utilise a lot of the traditional lore and races of D&D.", "writing. Can I publish a story from my D&D game without plagiarising D&D", "a lot of the traditional lore and races of D&D. I'm quite proud", "time Dungeon Master of Dungeons and Dragons and Pathfinder. My games run in", "I utilise a lot of the traditional lore and races of D&D. I'm", "characters and most importantly the magic system. To experienced players I expect these", "I'm quite proud of one of my current storylines and have been thinking", "to do this I will need to get the permission of the players", "and races of D&D. I'm quite proud of one of my current storylines", "assuming I get this is there any other reason I can't publish this?", "the classes/abilities of the characters and most importantly the magic system. To experienced", "classes/abilities of the characters and most importantly the magic system. To experienced players", "proud of one of my current storylines and have been thinking about turning", "I expect these things to be fairly recognisable, and I'm trying to work", "to get the permission of the players to use their characters, assuming I", "the players to use their characters, assuming I get this is there any", "interpretations of the classic fantasy races, the classes/abilities of the characters and most", "other reason I can't publish this? Things I'm concerned about are the particular", "the permission of the players to use their characters, assuming I get this", "quite proud of one of my current storylines and have been thinking about", "players to use their characters, assuming I get this is there any other", "a book. Of course to do this I will need to get the", "particular interpretations of the classic fantasy races, the classes/abilities of the characters and", "trying to work out how much I need to modify it in my", "of Dungeons and Dragons and Pathfinder. My games run in a custom world", "the characters and most importantly the magic system. To experienced players I expect", "lore and races of D&D. I'm quite proud of one of my current", "their characters, assuming I get this is there any other reason I can't", "I will need to get the permission of the players to use their", "Can I publish a story from my D&D game without plagiarising D&D lore?", "the traditional lore and races of D&D. I'm quite proud of one of", "and have been thinking about turning it into a book. Of course to", "concerned about are the particular interpretations of the classic fantasy races, the classes/abilities", "races of D&D. I'm quite proud of one of my current storylines and", "storylines and have been thinking about turning it into a book. Of course", "it in my writing. Can I publish a story from my D&D game", "it into a book. Of course to do this I will need to", "this is there any other reason I can't publish this? Things I'm concerned", "this? Things I'm concerned about are the particular interpretations of the classic fantasy", "these things to be fairly recognisable, and I'm trying to work out how", "and I'm trying to work out how much I need to modify it", "my current storylines and have been thinking about turning it into a book.", "To experienced players I expect these things to be fairly recognisable, and I'm", "thinking about turning it into a book. Of course to do this I", "I need to modify it in my writing. Can I publish a story", "Of course to do this I will need to get the permission of", "be fairly recognisable, and I'm trying to work out how much I need", "Dungeons and Dragons and Pathfinder. My games run in a custom world of", "traditional lore and races of D&D. I'm quite proud of one of my", "modify it in my writing. Can I publish a story from my D&D", "of the characters and most importantly the magic system. To experienced players I", "long time Dungeon Master of Dungeons and Dragons and Pathfinder. My games run", "a long time Dungeon Master of Dungeons and Dragons and Pathfinder. My games", "expect these things to be fairly recognisable, and I'm trying to work out", "of my current storylines and have been thinking about turning it into a", "lot of the traditional lore and races of D&D. I'm quite proud of", "much I need to modify it in my writing. Can I publish a", "any other reason I can't publish this? Things I'm concerned about are the", "are the particular interpretations of the classic fantasy races, the classes/abilities of the", "out how much I need to modify it in my writing. Can I", "experienced players I expect these things to be fairly recognisable, and I'm trying", "fairly recognisable, and I'm trying to work out how much I need to", "current storylines and have been thinking about turning it into a book. Of", "am a long time Dungeon Master of Dungeons and Dragons and Pathfinder. My", "a custom world of my own making. However, I utilise a lot of", "making. However, I utilise a lot of the traditional lore and races of", "races, the classes/abilities of the characters and most importantly the magic system. To", "and most importantly the magic system. To experienced players I expect these things", "My games run in a custom world of my own making. However, I", "will need to get the permission of the players to use their characters,", "to modify it in my writing. Can I publish a story from my", "need to get the permission of the players to use their characters, assuming", "of the traditional lore and races of D&D. I'm quite proud of one", "to be fairly recognisable, and I'm trying to work out how much I", "permission of the players to use their characters, assuming I get this is", "about are the particular interpretations of the classic fantasy races, the classes/abilities of", "reason I can't publish this? Things I'm concerned about are the particular interpretations", "I can't publish this? Things I'm concerned about are the particular interpretations of", "get the permission of the players to use their characters, assuming I get", "the classic fantasy races, the classes/abilities of the characters and most importantly the", "there any other reason I can't publish this? Things I'm concerned about are", "how much I need to modify it in my writing. Can I publish", "and Dragons and Pathfinder. My games run in a custom world of my", "things to be fairly recognisable, and I'm trying to work out how much", "of the classic fantasy races, the classes/abilities of the characters and most importantly", "can't publish this? Things I'm concerned about are the particular interpretations of the", "is there any other reason I can't publish this? Things I'm concerned about", "course to do this I will need to get the permission of the", "the particular interpretations of the classic fantasy races, the classes/abilities of the characters", "need to modify it in my writing. Can I publish a story from", "publish this? Things I'm concerned about are the particular interpretations of the classic", "my writing. Can I publish a story from my D&D game without plagiarising", "magic system. To experienced players I expect these things to be fairly recognisable,", "in a custom world of my own making. However, I utilise a lot", "in my writing. Can I publish a story from my D&D game without", "of one of my current storylines and have been thinking about turning it", "this I will need to get the permission of the players to use", "system. To experienced players I expect these things to be fairly recognisable, and", "into a book. Of course to do this I will need to get", "importantly the magic system. To experienced players I expect these things to be", "book. Of course to do this I will need to get the permission", "Master of Dungeons and Dragons and Pathfinder. My games run in a custom", "get this is there any other reason I can't publish this? Things I'm", "games run in a custom world of my own making. However, I utilise", "been thinking about turning it into a book. Of course to do this", "Dungeon Master of Dungeons and Dragons and Pathfinder. My games run in a", "I am a long time Dungeon Master of Dungeons and Dragons and Pathfinder.", "Things I'm concerned about are the particular interpretations of the classic fantasy races,", "I get this is there any other reason I can't publish this? Things", "I'm concerned about are the particular interpretations of the classic fantasy races, the", "to use their characters, assuming I get this is there any other reason", "players I expect these things to be fairly recognisable, and I'm trying to", "turning it into a book. Of course to do this I will need", "of my own making. However, I utilise a lot of the traditional lore", "about turning it into a book. Of course to do this I will", "classic fantasy races, the classes/abilities of the characters and most importantly the magic", "Dragons and Pathfinder. My games run in a custom world of my own", "do this I will need to get the permission of the players to", "world of my own making. However, I utilise a lot of the traditional", "I'm trying to work out how much I need to modify it in", "have been thinking about turning it into a book. Of course to do", "use their characters, assuming I get this is there any other reason I" ]
[ "tedious to the reader to always describe the main character as \"amazed\" at", "new to the world, but it is a cardinal rule in writing not", "above average intelligence, but everything is going to be 'new' to him. It", "character learns the standard language and customs while living with a family that", "cities, and certain major sights though as even civilized characters would be. The", "with a family that is closer to the civilized world. I still planned", "own culture as rich in it's own way. I thought this could have", "sights though as even civilized characters would be. The problem with this may", "culture as rich in it's own way. I thought this could have pros", "world so the reader will also have no familiarity with the world. I", "has above average intelligence, but everything is going to be 'new' to him.", "drawback is that it may become tedious to the reader to always describe", "the architecture or in awe at this or that about the civilized settings", "where the main character came from. I just do not want to overdo", "familiarity with the world. I do describe his own culture as rich in", "The problem with this may be I also have another possible timeskip where", "is an entirely fictional world so the reader will also have no familiarity", "had never seen x.\" \"He wondered at the exotic x.\" Perhaps such usage", "of the story. The drawback is that it may become tedious to the", "write about them being in awe at cities, and certain major sights though", "learning about the \"civilized world\" beyond their village. He has above average intelligence,", "In my planned novel the main character is essentially from a less technologically", "an entirely fictional world so the reader will also have no familiarity with", "The reader is also new to the world, but it is a cardinal", "about the \"civilized world\" beyond their village. He has above average intelligence, but", "to him. It is an entirely fictional world so the reader will also", "to the world, but it is a cardinal rule in writing not to", "world, but it is a cardinal rule in writing not to get too", "reader to always describe the main character as \"amazed\" at the architecture or", "the main character came from. I just do not want to overdo it.", "but it is a cardinal rule in writing not to get too verbose", "family that is closer to the civilized world. I still planned to write", "the main character as \"amazed\" at the architecture or in awe at this", "have pros and cons. The reader is also new to the world, but", "too verbose in worldbuilding detail to the detriment of the story. The drawback", "possible timeskip where the character is an apprentice in their homeland after a", "where the character is an apprentice in their homeland after a rite of", "passage. I still want to properly contrast the settings the main character is", "architecture or in awe at this or that about the civilized settings of", "still want to properly contrast the settings the main character is passing through", "with where the main character came from. I just do not want to", "it's own way. I thought this could have pros and cons. The reader", "is passing through with where the main character came from. I just do", "\"He was in awe at x.\" \"He had never seen x.\" \"He wondered", "passing through with where the main character came from. I just do not", "main character came from. I just do not want to overdo it. \"He", "still planned to write about them being in awe at cities, and certain", "timeskip the acculturation process where the main character learns the standard language and", "thought this could have pros and cons. The reader is also new to", "to overdo it. \"He was in awe at x.\" \"He had never seen", "came from. I just do not want to overdo it. \"He was in", "civilized settings of the world compared to their remote village. My answer so", "their village. He has above average intelligence, but everything is going to be", "a family that is closer to the civilized world. I still planned to", "world\" beyond their village. He has above average intelligence, but everything is going", "problem with this may be I also have another possible timeskip where the", "the reader to always describe the main character as \"amazed\" at the architecture", "never seen x.\" \"He wondered at the exotic x.\" Perhaps such usage is", "at the architecture or in awe at this or that about the civilized", "but everything is going to be 'new' to him. It is an entirely", "the world compared to their remote village. My answer so far is to", "planned to write about them being in awe at cities, and certain major", "have another possible timeskip where the character is an apprentice in their homeland", "world compared to their remote village. My answer so far is to timeskip", "to properly contrast the settings the main character is passing through with where", "I still want to properly contrast the settings the main character is passing", "is also new to the world, but it is a cardinal rule in", "way. I thought this could have pros and cons. The reader is also", "detriment of the story. The drawback is that it may become tedious to", "world. I do describe his own culture as rich in it's own way.", "language and customs while living with a family that is closer to the", "the main character learns the standard language and customs while living with a", "from. I just do not want to overdo it. \"He was in awe", "with this may be I also have another possible timeskip where the character", "or that about the civilized settings of the world compared to their remote", "main character is passing through with where the main character came from. I", "and customs while living with a family that is closer to the civilized", "main character learns the standard language and customs while living with a family", "is essentially from a less technologically advanced society and is learning about the", "village. He has above average intelligence, but everything is going to be 'new'", "major sights though as even civilized characters would be. The problem with this", "awe at cities, and certain major sights though as even civilized characters would", "would be. The problem with this may be I also have another possible", "civilized characters would be. The problem with this may be I also have", "at x.\" \"He had never seen x.\" \"He wondered at the exotic x.\"", "He has above average intelligence, but everything is going to be 'new' to", "to their remote village. My answer so far is to timeskip the acculturation", "of the world compared to their remote village. My answer so far is", "in awe at this or that about the civilized settings of the world", "the civilized settings of the world compared to their remote village. My answer", "want to overdo it. \"He was in awe at x.\" \"He had never", "rich in it's own way. I thought this could have pros and cons.", "process where the main character learns the standard language and customs while living", "that is closer to the civilized world. I still planned to write about", "far is to timeskip the acculturation process where the main character learns the", "that it may become tedious to the reader to always describe the main", "average intelligence, but everything is going to be 'new' to him. It is", "going to be 'new' to him. It is an entirely fictional world so", "in it's own way. I thought this could have pros and cons. The", "their remote village. My answer so far is to timeskip the acculturation process", "this may be I also have another possible timeskip where the character is", "detail to the detriment of the story. The drawback is that it may", "to always describe the main character as \"amazed\" at the architecture or in", "planned novel the main character is essentially from a less technologically advanced society", "this or that about the civilized settings of the world compared to their", "the settings the main character is passing through with where the main character", "the world. I do describe his own culture as rich in it's own", "everything is going to be 'new' to him. It is an entirely fictional", "main character as \"amazed\" at the architecture or in awe at this or", "about them being in awe at cities, and certain major sights though as", "I just do not want to overdo it. \"He was in awe at", "reader will also have no familiarity with the world. I do describe his", "so far is to timeskip the acculturation process where the main character learns", "is to timeskip the acculturation process where the main character learns the standard", "no familiarity with the world. I do describe his own culture as rich", "though as even civilized characters would be. The problem with this may be", "and cons. The reader is also new to the world, but it is", "I do describe his own culture as rich in it's own way. I", "so the reader will also have no familiarity with the world. I do", "in writing not to get too verbose in worldbuilding detail to the detriment", "have no familiarity with the world. I do describe his own culture as", "fictional world so the reader will also have no familiarity with the world.", "want to properly contrast the settings the main character is passing through with", "to the reader to always describe the main character as \"amazed\" at the", "I thought this could have pros and cons. The reader is also new", "story. The drawback is that it may become tedious to the reader to", "entirely fictional world so the reader will also have no familiarity with the", "from a less technologically advanced society and is learning about the \"civilized world\"", "beyond their village. He has above average intelligence, but everything is going to", "timeskip where the character is an apprentice in their homeland after a rite", "this could have pros and cons. The reader is also new to the", "acculturation process where the main character learns the standard language and customs while", "is closer to the civilized world. I still planned to write about them", "village. My answer so far is to timeskip the acculturation process where the", "was in awe at x.\" \"He had never seen x.\" \"He wondered at", "novel the main character is essentially from a less technologically advanced society and", "\"civilized world\" beyond their village. He has above average intelligence, but everything is", "at this or that about the civilized settings of the world compared to", "also new to the world, but it is a cardinal rule in writing", "or in awe at this or that about the civilized settings of the", "also have another possible timeskip where the character is an apprentice in their", "character as \"amazed\" at the architecture or in awe at this or that", "not to get too verbose in worldbuilding detail to the detriment of the", "to timeskip the acculturation process where the main character learns the standard language", "advanced society and is learning about the \"civilized world\" beyond their village. He", "less technologically advanced society and is learning about the \"civilized world\" beyond their", "in worldbuilding detail to the detriment of the story. The drawback is that", "the standard language and customs while living with a family that is closer", "The drawback is that it may become tedious to the reader to always", "standard language and customs while living with a family that is closer to", "closer to the civilized world. I still planned to write about them being", "It is an entirely fictional world so the reader will also have no", "may be I also have another possible timeskip where the character is an", "settings the main character is passing through with where the main character came", "homeland after a rite of passage. I still want to properly contrast the", "a cardinal rule in writing not to get too verbose in worldbuilding detail", "of passage. I still want to properly contrast the settings the main character", "another possible timeskip where the character is an apprentice in their homeland after", "it may become tedious to the reader to always describe the main character", "even civilized characters would be. The problem with this may be I also", "I also have another possible timeskip where the character is an apprentice in", "while living with a family that is closer to the civilized world. I", "also have no familiarity with the world. I do describe his own culture", "the detriment of the story. The drawback is that it may become tedious", "through with where the main character came from. I just do not want", "essentially from a less technologically advanced society and is learning about the \"civilized", "that about the civilized settings of the world compared to their remote village.", "cardinal rule in writing not to get too verbose in worldbuilding detail to", "to get too verbose in worldbuilding detail to the detriment of the story.", "world. I still planned to write about them being in awe at cities,", "contrast the settings the main character is passing through with where the main", "x.\" \"He wondered at the exotic x.\" Perhaps such usage is fine though.", "and is learning about the \"civilized world\" beyond their village. He has above", "always describe the main character as \"amazed\" at the architecture or in awe", "be. The problem with this may be I also have another possible timeskip", "My answer so far is to timeskip the acculturation process where the main", "my planned novel the main character is essentially from a less technologically advanced", "worldbuilding detail to the detriment of the story. The drawback is that it", "do not want to overdo it. \"He was in awe at x.\" \"He", "'new' to him. It is an entirely fictional world so the reader will", "main character is essentially from a less technologically advanced society and is learning", "to the detriment of the story. The drawback is that it may become", "remote village. My answer so far is to timeskip the acculturation process where", "as even civilized characters would be. The problem with this may be I", "learns the standard language and customs while living with a family that is", "as rich in it's own way. I thought this could have pros and", "in their homeland after a rite of passage. I still want to properly", "character is passing through with where the main character came from. I just", "it. \"He was in awe at x.\" \"He had never seen x.\" \"He", "them being in awe at cities, and certain major sights though as even", "the main character is passing through with where the main character came from.", "be I also have another possible timeskip where the character is an apprentice", "the \"civilized world\" beyond their village. He has above average intelligence, but everything", "become tedious to the reader to always describe the main character as \"amazed\"", "about the civilized settings of the world compared to their remote village. My", "certain major sights though as even civilized characters would be. The problem with", "rite of passage. I still want to properly contrast the settings the main", "just do not want to overdo it. \"He was in awe at x.\"", "pros and cons. The reader is also new to the world, but it", "own way. I thought this could have pros and cons. The reader is", "verbose in worldbuilding detail to the detriment of the story. The drawback is", "settings of the world compared to their remote village. My answer so far", "is an apprentice in their homeland after a rite of passage. I still", "society and is learning about the \"civilized world\" beyond their village. He has", "living with a family that is closer to the civilized world. I still", "be 'new' to him. It is an entirely fictional world so the reader", "overdo it. \"He was in awe at x.\" \"He had never seen x.\"", "is going to be 'new' to him. It is an entirely fictional world", "at cities, and certain major sights though as even civilized characters would be.", "character is essentially from a less technologically advanced society and is learning about", "is that it may become tedious to the reader to always describe the", "the main character is essentially from a less technologically advanced society and is", "civilized world. I still planned to write about them being in awe at", "in awe at cities, and certain major sights though as even civilized characters", "being in awe at cities, and certain major sights though as even civilized", "describe his own culture as rich in it's own way. I thought this", "\"amazed\" at the architecture or in awe at this or that about the", "his own culture as rich in it's own way. I thought this could", "will also have no familiarity with the world. I do describe his own", "him. It is an entirely fictional world so the reader will also have", "rule in writing not to get too verbose in worldbuilding detail to the", "their homeland after a rite of passage. I still want to properly contrast", "is a cardinal rule in writing not to get too verbose in worldbuilding", "the character is an apprentice in their homeland after a rite of passage.", "to write about them being in awe at cities, and certain major sights", "cons. The reader is also new to the world, but it is a", "is learning about the \"civilized world\" beyond their village. He has above average", "the acculturation process where the main character learns the standard language and customs", "not want to overdo it. \"He was in awe at x.\" \"He had", "compared to their remote village. My answer so far is to timeskip the", "apprentice in their homeland after a rite of passage. I still want to", "in awe at x.\" \"He had never seen x.\" \"He wondered at the", "do describe his own culture as rich in it's own way. I thought", "and certain major sights though as even civilized characters would be. The problem", "intelligence, but everything is going to be 'new' to him. It is an", "answer so far is to timeskip the acculturation process where the main character", "to be 'new' to him. It is an entirely fictional world so the", "after a rite of passage. I still want to properly contrast the settings", "get too verbose in worldbuilding detail to the detriment of the story. The", "character is an apprentice in their homeland after a rite of passage. I", "x.\" \"He had never seen x.\" \"He wondered at the exotic x.\" Perhaps", "a rite of passage. I still want to properly contrast the settings the", "customs while living with a family that is closer to the civilized world.", "it is a cardinal rule in writing not to get too verbose in", "awe at this or that about the civilized settings of the world compared", "could have pros and cons. The reader is also new to the world,", "the story. The drawback is that it may become tedious to the reader", "technologically advanced society and is learning about the \"civilized world\" beyond their village.", "characters would be. The problem with this may be I also have another", "to the civilized world. I still planned to write about them being in", "awe at x.\" \"He had never seen x.\" \"He wondered at the exotic", "character came from. I just do not want to overdo it. \"He was", "with the world. I do describe his own culture as rich in it's", "reader is also new to the world, but it is a cardinal rule", "as \"amazed\" at the architecture or in awe at this or that about", "where the main character learns the standard language and customs while living with", "\"He had never seen x.\" \"He wondered at the exotic x.\" Perhaps such", "the reader will also have no familiarity with the world. I do describe", "an apprentice in their homeland after a rite of passage. I still want", "the civilized world. I still planned to write about them being in awe", "the world, but it is a cardinal rule in writing not to get", "writing not to get too verbose in worldbuilding detail to the detriment of", "I still planned to write about them being in awe at cities, and", "describe the main character as \"amazed\" at the architecture or in awe at", "properly contrast the settings the main character is passing through with where the", "a less technologically advanced society and is learning about the \"civilized world\" beyond", "seen x.\" \"He wondered at the exotic x.\" Perhaps such usage is fine", "may become tedious to the reader to always describe the main character as" ]
[ "my novel is staggering. To the point where my spouse says I need", "ethnic groups, landscape, plants, makeup, musical instruments, dance styles, footwear, brickmaking, agricultural practices,", "agricultural practices, domesticated animals, wild animals, weather, metalworking, joinery, midwifery, medicine, and so", "that's a huge underestimate). In addition to using beta readers (and some basic", "a food that didn't exist in that time and place! Okay, not really.", "I research for hours simply to include one line. I live in terror", "I'm doing for my novel is staggering. To the point where my spouse", "a huge underestimate). In addition to using beta readers (and some basic common", "some basic common sense), how do you balance the amount of research you're", "not really. But that is in fact the level of accuracy I'm going", "and quail they have in the desert is an important part of the", "the amount of research you're doing with how much ends up in the", "having my characters eat a food that didn't exist in that time and", "is one example. I describe in detail the first meal my time travelers", "arrive in ancient Egypt. The second meal I wrote more sparsely and my", "is an important part of the story. Though my group wasn't thinking of", "footwear, brickmaking, agricultural practices, domesticated animals, wild animals, weather, metalworking, joinery, midwifery, medicine,", "that didn't exist in that time and place! Okay, not really. But that", "animals, wild animals, weather, metalworking, joinery, midwifery, medicine, and so much Torah I", "I live in terror of having my characters eat a food that didn't", "exist in that time and place! Okay, not really. But that is in", "the rich assortment of food they ate in Egypt vs the manna and", "so much Torah I say it's like having 20 bat mitzvahs (only that's", "you're doing with how much ends up in the work? Some times it's", "the work?** Some times it's easy, because the research makes subtle changes you", "eat a food that didn't exist in that time and place! Okay, not", "Exodus (yes, the Exodus) is starting in a few days and the contrast", "on me. They wanted more! This makes sense because the Exodus (yes, the", "in that time and place! Okay, not really. But that is in fact", "amount of research you're doing with how much ends up in the work?*", "it's easy, because the research makes subtle changes you incorporate, other times it's", "Exodus) is starting in a few days and the contrast between the rich", "practices, domesticated animals, wild animals, weather, metalworking, joinery, midwifery, medicine, and so much", "where my spouse says I need to write a companion book (or a", "need to write a companion book (or a blog) just talking about the", "ancient Egypt. The second meal I wrote more sparsely and my critique group", "(only that's a huge underestimate). In addition to using beta readers (and some", "and my critique group jumped on me. They wanted more! This makes sense", "contrast between the rich assortment of food they ate in Egypt vs the", "just talking about the research! Sometimes I research for hours simply to include", "food that didn't exist in that time and place! Okay, not really. But", "doing for my novel is staggering. To the point where my spouse says", "level of accuracy I'm going for. Food is one example. I describe in", "more! This makes sense because the Exodus (yes, the* Exodus) is starting in", "important part of the story. Though my group wasn't thinking of that, they", "food descriptions. I'm also researching clothing, housing, furniture, songs, linguistics, hair styles, ethnic", "much ends up in the work? Some times it's easy, because the research", "work? Some times it's easy, because the research makes subtle changes you incorporate,", "starting in a few days and the contrast between the rich assortment of", "talking about the research! Sometimes I research for hours simply to include one", "line. I live in terror of having my characters eat a food that", "research! Sometimes I research for hours simply to include one line. I live", "underestimate). In addition to using beta readers (and some basic common sense), how", "travelers have when they arrive in ancient Egypt. The second meal I wrote", "in the work? Some times it's easy, because the research makes subtle changes", "research for hours simply to include one line. I live in terror of", "more sparsely and my critique group jumped on me. They wanted more! This", "time travelers have when they arrive in ancient Egypt. The second meal I", "my food descriptions. I'm also researching clothing, housing, furniture, songs, linguistics, hair styles,", "the Exodus) is starting in a few days and the contrast between the", "hours simply to include one line. I live in terror of having my", "Sometimes I research for hours simply to include one line. I live in", "meal I wrote more sparsely and my critique group jumped on me. They", "of research you're doing with how much ends up in the work? Some", "furniture, songs, linguistics, hair styles, ethnic groups, landscape, plants, makeup, musical instruments, dance", "with how much ends up in the work? Some times it's easy, because", "sense because the Exodus (yes, the Exodus) is starting in a few days", "my group wasn't thinking of that, they just liked my food descriptions. I'm", "In addition to using beta readers (and some basic common sense), *how do", "They wanted more! This makes sense because the Exodus (yes, the* Exodus) is", "have in the desert is an important part of the story. Though my", "an important part of the story. Though my group wasn't thinking of that,", "landscape, plants, makeup, musical instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated animals,", "This makes sense because the Exodus (yes, the Exodus) is starting in a", "that, they just liked my food descriptions. I'm also researching clothing, housing, furniture,", "describe in detail the first meal my time travelers have when they arrive", "because the Exodus (yes, the Exodus) is starting in a few days and", "jumped on me. They wanted more! This makes sense because the Exodus (yes,", "the research makes subtle changes you incorporate, other times it's harder to figure", "how much ends up in the work?** Some times it's easy, because the", "research I'm doing for my novel is staggering. To the point where my", "story. Though my group wasn't thinking of that, they just liked my food", "the contrast between the rich assortment of food they ate in Egypt vs", "wasn't thinking of that, they just liked my food descriptions. I'm also researching", "styles, footwear, brickmaking, agricultural practices, domesticated animals, wild animals, weather, metalworking, joinery, midwifery,", "in fact the level of accuracy I'm going for. Food is one example.", "blog) just talking about the research! Sometimes I research for hours simply to", "sparsely and my critique group jumped on me. They wanted more! This makes", "group jumped on me. They wanted more! This makes sense because the Exodus", "domesticated animals, wild animals, weather, metalworking, joinery, midwifery, medicine, and so much Torah", "accuracy I'm going for. Food is one example. I describe in detail the", "of the story. Though my group wasn't thinking of that, they just liked", "example. I describe in detail the first meal my time travelers have when", "they ate in Egypt vs the manna and quail they have in the", "say it's like having 20 bat mitzvahs (only that's a huge underestimate). In", "it's like having 20 bat mitzvahs (only that's a huge underestimate). In addition", "going for. Food is one example. I describe in detail the first meal", "detail the first meal my time travelers have when they arrive in ancient", "easy, because the research makes subtle changes you incorporate, other times it's harder", "the first meal my time travelers have when they arrive in ancient Egypt.", "wanted more! This makes sense because the Exodus (yes, the Exodus) is starting", "basic common sense), how do you balance the amount of research you're doing", "thinking of that, they just liked my food descriptions. I'm also researching clothing,", "addition to using beta readers (and some basic common sense), how do you", "The second meal I wrote more sparsely and my critique group jumped on", "(or a blog) just talking about the research! Sometimes I research for hours", "my time travelers have when they arrive in ancient Egypt. The second meal", "is staggering. To the point where my spouse says I need to write", "they have in the desert is an important part of the story. Though", "instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated animals, wild animals, weather, metalworking,", "brickmaking, agricultural practices, domesticated animals, wild animals, weather, metalworking, joinery, midwifery, medicine, and", "first meal my time travelers have when they arrive in ancient Egypt. The", "vs the manna and quail they have in the desert is an important", "beta readers (and some basic common sense), how do you balance the amount", "my characters eat a food that didn't exist in that time and place!", "descriptions. I'm also researching clothing, housing, furniture, songs, linguistics, hair styles, ethnic groups,", "is in fact the level of accuracy I'm going for. Food is one", "balance the amount of research you're doing with how much ends up in", "of that, they just liked my food descriptions. I'm also researching clothing, housing,", "Egypt vs the manna and quail they have in the desert is an", "just liked my food descriptions. I'm also researching clothing, housing, furniture, songs, linguistics,", "common sense), how do you balance the amount of research you're doing with", "much Torah I say it's like having 20 bat mitzvahs (only that's a", "hair styles, ethnic groups, landscape, plants, makeup, musical instruments, dance styles, footwear, brickmaking,", "I'm going for. Food is one example. I describe in detail the first", "the desert is an important part of the story. Though my group wasn't", "book (or a blog) just talking about the research! Sometimes I research for", "include one line. I live in terror of having my characters eat a", "wrote more sparsely and my critique group jumped on me. They wanted more!", "metalworking, joinery, midwifery, medicine, and so much Torah I say it's like having", "in the desert is an important part of the story. Though my group", "to include one line. I live in terror of having my characters eat", "Food is one example. I describe in detail the first meal my time", "one example. I describe in detail the first meal my time travelers have", "in detail the first meal my time travelers have when they arrive in", "and the contrast between the rich assortment of food they ate in Egypt", "part of the story. Though my group wasn't thinking of that, they just", "using beta readers (and some basic common sense), how do you balance the", "assortment of food they ate in Egypt vs the manna and quail they", "of research I'm doing for my novel is staggering. To the point where", "point where my spouse says I need to write a companion book (or", "place! Okay, not really. But that is in fact the level of accuracy", "a blog) just talking about the research! Sometimes I research for hours simply", "few days and the contrast between the rich assortment of food they ate", "(and some basic common sense), how do you balance the amount of research", "says I need to write a companion book (or a blog) just talking", "of food they ate in Egypt vs the manna and quail they have", "I need to write a companion book (or a blog) just talking about", "Though my group wasn't thinking of that, they just liked my food descriptions.", "how do you balance the amount of research you're doing with how much", "characters eat a food that didn't exist in that time and place! Okay,", "the point where my spouse says I need to write a companion book", "manna and quail they have in the desert is an important part of", "But that is in fact the level of accuracy I'm going for. Food", "to using beta readers (and some basic common sense), how do you balance", "in terror of having my characters eat a food that didn't exist in", "for hours simply to include one line. I live in terror of having", "me. They wanted more! This makes sense because the Exodus (yes, the Exodus)", "a few days and the contrast between the rich assortment of food they", "and place! Okay, not really. But that is in fact the level of", "spouse says I need to write a companion book (or a blog) just", "the level of accuracy I'm going for. Food is one example. I describe", "is starting in a few days and the contrast between the rich assortment", "housing, furniture, songs, linguistics, hair styles, ethnic groups, landscape, plants, makeup, musical instruments,", "research you're doing with how much ends up in the work? Some times", "ends up in the work? Some times it's easy, because the research makes", "in Egypt vs the manna and quail they have in the desert is", "medicine, and so much Torah I say it's like having 20 bat mitzvahs", "Some times it's easy, because the research makes subtle changes you incorporate, other", "group wasn't thinking of that, they just liked my food descriptions. I'm also", "I say it's like having 20 bat mitzvahs (only that's a huge underestimate).", "they arrive in ancient Egypt. The second meal I wrote more sparsely and", "meal my time travelers have when they arrive in ancient Egypt. The second", "Torah I say it's like having 20 bat mitzvahs (only that's a huge", "and so much Torah I say it's like having 20 bat mitzvahs (only", "The amount of research I'm doing for my novel is staggering. To the", "my spouse says I need to write a companion book (or a blog)", "I describe in detail the first meal my time travelers have when they", "Egypt. The second meal I wrote more sparsely and my critique group jumped", "musical instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated animals, wild animals, weather,", "joinery, midwifery, medicine, and so much Torah I say it's like having 20", "sense), *how do you balance the amount of research you're doing with how", "also researching clothing, housing, furniture, songs, linguistics, hair styles, ethnic groups, landscape, plants,", "that is in fact the level of accuracy I'm going for. Food is", "the story. Though my group wasn't thinking of that, they just liked my", "makes sense because the Exodus (yes, the* Exodus) is starting in a few", "mitzvahs (only that's a huge underestimate). In addition to using beta readers (and", "the manna and quail they have in the desert is an important part", "animals, weather, metalworking, joinery, midwifery, medicine, and so much Torah I say it's", "like having 20 bat mitzvahs (only that's a huge underestimate). In addition to", "have when they arrive in ancient Egypt. The second meal I wrote more", "fact the level of accuracy I'm going for. Food is one example. I", "staggering. To the point where my spouse says I need to write a", "of accuracy I'm going for. Food is one example. I describe in detail", "live in terror of having my characters eat a food that didn't exist", "desert is an important part of the story. Though my group wasn't thinking", "for. Food is one example. I describe in detail the first meal my", "plants, makeup, musical instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated animals, wild", "clothing, housing, furniture, songs, linguistics, hair styles, ethnic groups, landscape, plants, makeup, musical", "time and place! Okay, not really. But that is in fact the level", "between the rich assortment of food they ate in Egypt vs the manna", "rich assortment of food they ate in Egypt vs the manna and quail", "really. But that is in fact the level of accuracy I'm going for.", "doing with how much ends up in the work? Some times it's easy,", "they just liked my food descriptions. I'm also researching clothing, housing, furniture, songs,", "in ancient Egypt. The second meal I wrote more sparsely and my critique", "do you balance the amount of research you're doing with how much ends", "groups, landscape, plants, makeup, musical instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated", "second meal I wrote more sparsely and my critique group jumped on me.", "Okay, not really. But that is in fact the level of accuracy I'm", "about the research! Sometimes I research for hours simply to include one line.", "20 bat mitzvahs (only that's a huge underestimate). In addition to using beta", "companion book (or a blog) just talking about the research! Sometimes I research", "quail they have in the desert is an important part of the story.", "didn't exist in that time and place! Okay, not really. But that is", "I'm also researching clothing, housing, furniture, songs, linguistics, hair styles, ethnic groups, landscape,", "for my novel is staggering. To the point where my spouse says I", "To the point where my spouse says I need to write a companion", "research makes subtle changes you incorporate, other times it's harder to figure out.", "because the research makes subtle changes you incorporate, other times it's harder to", "makeup, musical instruments, dance styles, footwear, brickmaking, agricultural practices, domesticated animals, wild animals,", "critique group jumped on me. They wanted more! This makes sense because the", "huge underestimate). In addition to using beta readers (and some basic common sense),", "liked my food descriptions. I'm also researching clothing, housing, furniture, songs, linguistics, hair", "linguistics, hair styles, ethnic groups, landscape, plants, makeup, musical instruments, dance styles, footwear,", "songs, linguistics, hair styles, ethnic groups, landscape, plants, makeup, musical instruments, dance styles,", "up in the work? Some times it's easy, because the research makes subtle", "amount of research I'm doing for my novel is staggering. To the point", "a companion book (or a blog) just talking about the research! Sometimes I", "weather, metalworking, joinery, midwifery, medicine, and so much Torah I say it's like", "wild animals, weather, metalworking, joinery, midwifery, medicine, and so much Torah I say", "dance styles, footwear, brickmaking, agricultural practices, domesticated animals, wild animals, weather, metalworking, joinery,", "the Exodus (yes, the Exodus) is starting in a few days and the", "I wrote more sparsely and my critique group jumped on me. They wanted", "days and the contrast between the rich assortment of food they ate in", "my critique group jumped on me. They wanted more! This makes sense because", "the research! Sometimes I research for hours simply to include one line. I", "terror of having my characters eat a food that didn't exist in that", "simply to include one line. I live in terror of having my characters", "(yes, the Exodus) is starting in a few days and the contrast between", "having 20 bat mitzvahs (only that's a huge underestimate). In addition to using", "times it's easy, because the research makes subtle changes you incorporate, other times", "you balance the amount of research you're doing with how much ends up", "write a companion book (or a blog) just talking about the research! Sometimes", "styles, ethnic groups, landscape, plants, makeup, musical instruments, dance styles, footwear, brickmaking, agricultural", "ate in Egypt vs the manna and quail they have in the desert", "midwifery, medicine, and so much Torah I say it's like having 20 bat", "to write a companion book (or a blog) just talking about the research!", "novel is staggering. To the point where my spouse says I need to", "one line. I live in terror of having my characters eat a food", "that time and place! Okay, not really. But that is in fact the", "when they arrive in ancient Egypt. The second meal I wrote more sparsely", "bat mitzvahs (only that's a huge underestimate). In addition to using beta readers", "readers (and some basic common sense), **how do you balance the amount of", "in a few days and the contrast between the rich assortment of food", "researching clothing, housing, furniture, songs, linguistics, hair styles, ethnic groups, landscape, plants, makeup,", "food they ate in Egypt vs the manna and quail they have in", "of having my characters eat a food that didn't exist in that time" ]
[ "to do it is. During the introduction that most people won't read and", "I'm not sure how to. Before I even get to my question I", "work well. Should I write a description of each dish before each recipes.", "this be to much reading for people who just want to jump straight", "do it is. During the introduction that most people won't read and those", "a dozen that I just never got around to finishing. Partly because I'm", "even get to my question I think it important to distinguish between two", "how to cook tutorial with a few recipes sprinkled in. There other is", "that's the problem. There's very little room for any creative flair. Surely, I", "fact I've probably started a dozen that I just never got around to", "mostly recipes with very little superfluous writing. I want to write the second.", "into it, but I'm not sure when the best way to do it", "chef. I'm also a writer. It's inevitable that I would want to write", "it important to distinguish between two types of cookbooks. One is sorta a", "is a reference book. It's mostly recipes with very little superfluous writing. I", "dozen that I just never got around to finishing. Partly because I'm not", "a cookbook. In fact I've probably started a dozen that I just never", "not sure when the best way to do it is. During the introduction", "In fact I've probably started a dozen that I just never got around", "who just want to jump straight to the technical details? It's there perhaps", "It's mostly recipes with very little superfluous writing. I want to write the", "I've probably started a dozen that I just never got around to finishing.", "my question I think it important to distinguish between two types of cookbooks.", "introduction that most people won't read and those that do read once? During", "There other is a reference book. It's mostly recipes with very little superfluous", "flair. Surely, I can inject a little personality into it, but I'm not", "I want to write the second. And that's the problem. There's very little", "question I think it important to distinguish between two types of cookbooks. One", "write a cookbook. In fact I've probably started a dozen that I just", "I'm a chef. I'm also a writer. It's inevitable that I would want", "just want to jump straight to the technical details? It's there perhaps something", "little personality into it, but I'm not sure when the best way to", "that do read once? During the recipes themselves? That seems unlikely to work", "Should I write a description of each dish before each recipes. Will this", "few recipes sprinkled in. There other is a reference book. It's mostly recipes", "got around to finishing. Partly because I'm not sure how to. Before I", "to much reading for people who just want to jump straight to the", "of each dish before each recipes. Will this be to much reading for", "a few recipes sprinkled in. There other is a reference book. It's mostly", "I'm also a writer. It's inevitable that I would want to write a", "also a writer. It's inevitable that I would want to write a cookbook.", "personality into it, but I'm not sure when the best way to do", "want to write a cookbook. In fact I've probably started a dozen that", "but I'm not sure when the best way to do it is. During", "recipes with very little superfluous writing. I want to write the second. And", "unlikely to work well. Should I write a description of each dish before", "Partly because I'm not sure how to. Before I even get to my", "two types of cookbooks. One is sorta a how to cook tutorial with", "There's very little room for any creative flair. Surely, I can inject a", "reference book. It's mostly recipes with very little superfluous writing. I want to", "little superfluous writing. I want to write the second. And that's the problem.", "with very little superfluous writing. I want to write the second. And that's", "Will this be to much reading for people who just want to jump", "the recipes themselves? That seems unlikely to work well. Should I write a", "seems unlikely to work well. Should I write a description of each dish", "want to write the second. And that's the problem. There's very little room", "want to jump straight to the technical details? It's there perhaps something I", "description of each dish before each recipes. Will this be to much reading", "writer. It's inevitable that I would want to write a cookbook. In fact", "problem. There's very little room for any creative flair. Surely, I can inject", "types of cookbooks. One is sorta a how to cook tutorial with a", "between two types of cookbooks. One is sorta a how to cook tutorial", "I write a description of each dish before each recipes. Will this be", "write a description of each dish before each recipes. Will this be to", "much reading for people who just want to jump straight to the technical", "it, but I'm not sure when the best way to do it is.", "each dish before each recipes. Will this be to much reading for people", "I think it important to distinguish between two types of cookbooks. One is", "sorta a how to cook tutorial with a few recipes sprinkled in. There", "to write the second. And that's the problem. There's very little room for", "most people won't read and those that do read once? During the recipes", "the introduction that most people won't read and those that do read once?", "the problem. There's very little room for any creative flair. Surely, I can", "to distinguish between two types of cookbooks. One is sorta a how to", "when the best way to do it is. During the introduction that most", "inevitable that I would want to write a cookbook. In fact I've probably", "people won't read and those that do read once? During the recipes themselves?", "cook tutorial with a few recipes sprinkled in. There other is a reference", "to jump straight to the technical details? It's there perhaps something I haven't", "each recipes. Will this be to much reading for people who just want", "that I just never got around to finishing. Partly because I'm not sure", "just never got around to finishing. Partly because I'm not sure how to.", "little room for any creative flair. Surely, I can inject a little personality", "I'm not sure when the best way to do it is. During the", "well. Should I write a description of each dish before each recipes. Will", "before each recipes. Will this be to much reading for people who just", "never got around to finishing. Partly because I'm not sure how to. Before", "any creative flair. Surely, I can inject a little personality into it, but", "It's inevitable that I would want to write a cookbook. In fact I've", "sure when the best way to do it is. During the introduction that", "is sorta a how to cook tutorial with a few recipes sprinkled in.", "the second. And that's the problem. There's very little room for any creative", "a description of each dish before each recipes. Will this be to much", "read and those that do read once? During the recipes themselves? That seems", "think it important to distinguish between two types of cookbooks. One is sorta", "recipes sprinkled in. There other is a reference book. It's mostly recipes with", "would want to write a cookbook. In fact I've probably started a dozen", "to my question I think it important to distinguish between two types of", "a how to cook tutorial with a few recipes sprinkled in. There other", "other is a reference book. It's mostly recipes with very little superfluous writing.", "creative flair. Surely, I can inject a little personality into it, but I'm", "finishing. Partly because I'm not sure how to. Before I even get to", "that most people won't read and those that do read once? During the", "reading for people who just want to jump straight to the technical details?", "way to do it is. During the introduction that most people won't read", "very little room for any creative flair. Surely, I can inject a little", "how to. Before I even get to my question I think it important", "get to my question I think it important to distinguish between two types", "And that's the problem. There's very little room for any creative flair. Surely,", "read once? During the recipes themselves? That seems unlikely to work well. Should", "to. Before I even get to my question I think it important to", "for any creative flair. Surely, I can inject a little personality into it,", "themselves? That seems unlikely to work well. Should I write a description of", "I would want to write a cookbook. In fact I've probably started a", "best way to do it is. During the introduction that most people won't", "not sure how to. Before I even get to my question I think", "room for any creative flair. Surely, I can inject a little personality into", "recipes themselves? That seems unlikely to work well. Should I write a description", "the best way to do it is. During the introduction that most people", "because I'm not sure how to. Before I even get to my question", "cookbooks. One is sorta a how to cook tutorial with a few recipes", "sure how to. Before I even get to my question I think it", "That seems unlikely to work well. Should I write a description of each", "I just never got around to finishing. Partly because I'm not sure how", "can inject a little personality into it, but I'm not sure when the", "I can inject a little personality into it, but I'm not sure when", "a little personality into it, but I'm not sure when the best way", "is. During the introduction that most people won't read and those that do", "with a few recipes sprinkled in. There other is a reference book. It's", "to work well. Should I write a description of each dish before each", "in. There other is a reference book. It's mostly recipes with very little", "I even get to my question I think it important to distinguish between", "sprinkled in. There other is a reference book. It's mostly recipes with very", "dish before each recipes. Will this be to much reading for people who", "won't read and those that do read once? During the recipes themselves? That", "people who just want to jump straight to the technical details? It's there", "it is. During the introduction that most people won't read and those that", "once? During the recipes themselves? That seems unlikely to work well. Should I", "writing. I want to write the second. And that's the problem. There's very", "very little superfluous writing. I want to write the second. And that's the", "to cook tutorial with a few recipes sprinkled in. There other is a", "book. It's mostly recipes with very little superfluous writing. I want to write", "second. And that's the problem. There's very little room for any creative flair.", "tutorial with a few recipes sprinkled in. There other is a reference book.", "superfluous writing. I want to write the second. And that's the problem. There's", "started a dozen that I just never got around to finishing. Partly because", "inject a little personality into it, but I'm not sure when the best", "recipes. Will this be to much reading for people who just want to", "be to much reading for people who just want to jump straight to", "and those that do read once? During the recipes themselves? That seems unlikely", "jump straight to the technical details? It's there perhaps something I haven't considered.", "One is sorta a how to cook tutorial with a few recipes sprinkled", "around to finishing. Partly because I'm not sure how to. Before I even", "of cookbooks. One is sorta a how to cook tutorial with a few", "to write a cookbook. In fact I've probably started a dozen that I", "Before I even get to my question I think it important to distinguish", "a writer. It's inevitable that I would want to write a cookbook. In", "a reference book. It's mostly recipes with very little superfluous writing. I want", "do read once? During the recipes themselves? That seems unlikely to work well.", "write the second. And that's the problem. There's very little room for any", "distinguish between two types of cookbooks. One is sorta a how to cook", "to finishing. Partly because I'm not sure how to. Before I even get", "During the recipes themselves? That seems unlikely to work well. Should I write", "During the introduction that most people won't read and those that do read", "important to distinguish between two types of cookbooks. One is sorta a how", "a chef. I'm also a writer. It's inevitable that I would want to", "those that do read once? During the recipes themselves? That seems unlikely to", "that I would want to write a cookbook. In fact I've probably started", "probably started a dozen that I just never got around to finishing. Partly", "for people who just want to jump straight to the technical details? It's", "Surely, I can inject a little personality into it, but I'm not sure", "cookbook. In fact I've probably started a dozen that I just never got" ]
[ "languages I've devised for the setting are more prominent in the plot than", "in other words. In particular, there is a Latin-inspired language that features heavily", "all, and at some point he tries and fails to communicate with a", "city library in his spare time. The fact that he is fascinated by", "fact that he is fascinated by languages is important to his personality and", "he tries and fails to communicate with a person who only speaks in", "of common words in this language?* Will a language reference be helpful to", "way to convey to the reader what's being said unless I provide an", "I'm writing the chapter from this person's point of view, there's no obvious", "i.e. Eragon, but was wondering about this site's consensus on the topic. I", "language comes from the scholar character, and it is only explained or translated", "person who only speaks in that language, which I use to contrast this", "this language at all, and at some point he tries and fails to", "no idea what they are hearing, and thus, since I'm writing the chapter", "reader in any way, or will it just bog the reader down in", "want to do this for a number of reasons, but the main reason", "characterization, and thus the constructed languages I've devised for the setting are more", "the chapter from this person's point of view, there's no obvious way to", "- they're not just there for flavor or worldbuilding flair, in other words.", "reader down in unnecessary information and excessive worldbuilding? Notes* I have read some", "fascinated by languages is important to his personality and characterization, and thus the", "chapter from this person's point of view, there's no obvious way to convey", "fails to communicate with a person who only speaks in that language, which", "view, there's no obvious way to convey to the reader what's being said", "number of characters. Question Should I include an appendix of common words in", "to his personality and characterization, and thus the constructed languages I've devised for", "this person's point of view, there's no obvious way to convey to the", "on the reader, or spend an inordinate amount of time explaining its syntax", "number of reasons, but the main reason is that the other main character", "explaining its syntax and grammar; the reader's main reference for this language comes", "or translated as needed for each scene. However, it is significant to the", "inordinate amount of time explaining its syntax and grammar; the reader's main reference", "appendix of common words in this language? Will a language reference be helpful", "writing the chapter from this person's point of view, there's no obvious way", "have read some other fantasy books that do this, i.e. Eragon, but was", "reasons, but the main reason is that the other main character does not", "than they would otherwise be - they're not just there for flavor or", "degrees of fluency by a number of characters. Question* Should I include an", "Notes I have read some other fantasy books that do this, i.e. Eragon,", "hearing, and thus, since I'm writing the chapter from this person's point of", "do this for a number of reasons, but the main reason is that", "to the world and spoken with varying degrees of fluency by a number", "heavily in the books and culture of the world. I try not to", "Question Should I include an appendix of common words in this language? Will", "POV character will have no idea what they are hearing, and thus, since", "the reader in any way, or will it just bog the reader down", "his spare time. The fact that he is fascinated by languages is important", "they would otherwise be - they're not just there for flavor or worldbuilding", "an inordinate amount of time explaining its syntax and grammar; the reader's main", "currently working on a fantasy novel in which one of the main characters", "and scholar, studying exotic languages as part of his higher education and translating", "I have read some other fantasy books that do this, i.e. Eragon, but", "documents for the city library in his spare time. The fact that he", "devised for the setting are more prominent in the plot than they would", "scholar character, and it is only explained or translated as needed for each", "Eragon, but was wondering about this site's consensus on the topic. I want", "the reader's main reference for this language comes from the scholar character, and", "to communicate with a person who only speaks in that language, which I", "world. I try not to \"dump\" this exotic language on the reader, or", "studying exotic languages as part of his higher education and translating documents for", "and grammar; the reader's main reference for this language comes from the scholar", "unnecessary information and excessive worldbuilding? Notes I have read some other fantasy books", "be helpful to the reader in any way, or will it just bog", "main reference for this language comes from the scholar character, and it is", "for flavor or worldbuilding flair, in other words. In particular, there is a", "is a Latin-inspired language that features heavily in the books and culture of", "helpful to the reader in any way, or will it just bog the", "for each scene. However, it is significant to the world and spoken with", "that he is fascinated by languages is important to his personality and characterization,", "part of his higher education and translating documents for the city library in", "I am currently working on a fantasy novel in which one of the", "of view, there's no obvious way to convey to the reader what's being", "but was wondering about this site's consensus on the topic. I want to", "be - they're not just there for flavor or worldbuilding flair, in other", "some other fantasy books that do this, i.e. Eragon, but was wondering about", "of characters. Question Should I include an appendix of common words in this", "a language reference be helpful to the reader in any way, or will", "\"book smarts.\" Obviously the POV character will have no idea what they are", "characters. Question Should I include an appendix of common words in this language?", "explained or translated as needed for each scene. However, it is significant to", "reason is that the other main character does not speak this language at", "from the scholar character, and it is only explained or translated as needed", "common words in this language?* Will a language reference be helpful to the", "needed for each scene. However, it is significant to the world and spoken", "with varying degrees of fluency by a number of characters. Question Should I", "smarts.\" Obviously the POV character will have no idea what they are hearing,", "what they are hearing, and thus, since I'm writing the chapter from this", "not to \"dump\" this exotic language on the reader, or spend an inordinate", "and culture of the world. I try not to \"dump\" this exotic language", "they are hearing, and thus, since I'm writing the chapter from this person's", "any way, or will it just bog the reader down in unnecessary information", "site's consensus on the topic. I want to do this for a number", "other words. In particular, there is a Latin-inspired language that features heavily in", "the reader, or spend an inordinate amount of time explaining its syntax and", "and at some point he tries and fails to communicate with a person", "comes from the scholar character, and it is only explained or translated as", "are more prominent in the plot than they would otherwise be - they're", "significant to the world and spoken with varying degrees of fluency by a", "speaks in that language, which I use to contrast this character's \"street smarts\"", "translating documents for the city library in his spare time. The fact that", "features heavily in the books and culture of the world. I try not", "time explaining its syntax and grammar; the reader's main reference for this language", "in that language, which I use to contrast this character's \"street smarts\" with", "obvious way to convey to the reader what's being said unless I provide", "he is fascinated by languages is important to his personality and characterization, and", "to contrast this character's \"street smarts\" with the scholar character's \"book smarts.\" Obviously", "to \"dump\" this exotic language on the reader, or spend an inordinate amount", "was wondering about this site's consensus on the topic. I want to do", "\"dump\" this exotic language on the reader, or spend an inordinate amount of", "by a number of characters. Question Should I include an appendix of common", "no obvious way to convey to the reader what's being said unless I", "novel in which one of the main characters is a nobleman and scholar,", "the other main character does not speak this language at all, and at", "convey to the reader what's being said unless I provide an out-of-story reference.", "communicate with a person who only speaks in that language, which I use", "fantasy books that do this, i.e. Eragon, but was wondering about this site's", "since I'm writing the chapter from this person's point of view, there's no", "fantasy novel in which one of the main characters is a nobleman and", "from this person's point of view, there's no obvious way to convey to", "or worldbuilding flair, in other words. In particular, there is a Latin-inspired language", "it is significant to the world and spoken with varying degrees of fluency", "and thus, since I'm writing the chapter from this person's point of view,", "other main character does not speak this language at all, and at some", "constructed languages I've devised for the setting are more prominent in the plot", "one of the main characters is a nobleman and scholar, studying exotic languages", "bog the reader down in unnecessary information and excessive worldbuilding? Notes I have", "\"street smarts\" with the scholar character's \"book smarts.\" Obviously the POV character will", "of his higher education and translating documents for the city library in his", "this exotic language on the reader, or spend an inordinate amount of time", "spare time. The fact that he is fascinated by languages is important to", "this language comes from the scholar character, and it is only explained or", "his higher education and translating documents for the city library in his spare", "is only explained or translated as needed for each scene. However, it is", "its syntax and grammar; the reader's main reference for this language comes from", "which one of the main characters is a nobleman and scholar, studying exotic", "for this language comes from the scholar character, and it is only explained", "exotic language on the reader, or spend an inordinate amount of time explaining", "just there for flavor or worldbuilding flair, in other words. In particular, there", "syntax and grammar; the reader's main reference for this language comes from the", "I try not to \"dump\" this exotic language on the reader, or spend", "each scene. However, it is significant to the world and spoken with varying", "scholar character's \"book smarts.\" Obviously the POV character will have no idea what", "point he tries and fails to communicate with a person who only speaks", "down in unnecessary information and excessive worldbuilding? Notes I have read some other", "with a person who only speaks in that language, which I use to", "and spoken with varying degrees of fluency by a number of characters. Question", "information and excessive worldbuilding? Notes I have read some other fantasy books that", "contrast this character's \"street smarts\" with the scholar character's \"book smarts.\" Obviously the", "particular, there is a Latin-inspired language that features heavily in the books and", "nobleman and scholar, studying exotic languages as part of his higher education and", "include an appendix of common words in this language?** Will a language reference", "the world. I try not to \"dump\" this exotic language on the reader,", "plot than they would otherwise be - they're not just there for flavor", "do this, i.e. Eragon, but was wondering about this site's consensus on the", "language at all, and at some point he tries and fails to communicate", "are hearing, and thus, since I'm writing the chapter from this person's point", "of time explaining its syntax and grammar; the reader's main reference for this", "about this site's consensus on the topic. I want to do this for", "excessive worldbuilding? Notes* I have read some other fantasy books that do this,", "characters is a nobleman and scholar, studying exotic languages as part of his", "working on a fantasy novel in which one of the main characters is", "for the city library in his spare time. The fact that he is", "a fantasy novel in which one of the main characters is a nobleman", "setting are more prominent in the plot than they would otherwise be -", "translated as needed for each scene. However, it is significant to the world", "Should I include an appendix of common words in this language? Will a", "scene. However, it is significant to the world and spoken with varying degrees", "a number of reasons, but the main reason is that the other main", "will it just bog the reader down in unnecessary information and excessive worldbuilding?", "a Latin-inspired language that features heavily in the books and culture of the", "not speak this language at all, and at some point he tries and", "languages is important to his personality and characterization, and thus the constructed languages", "reader, or spend an inordinate amount of time explaining its syntax and grammar;", "have no idea what they are hearing, and thus, since I'm writing the", "or spend an inordinate amount of time explaining its syntax and grammar; the", "this language?* Will a language reference be helpful to the reader in any", "an appendix of common words in this language? Will a language reference be", "words in this language? Will a language reference be helpful to the reader", "the main characters is a nobleman and scholar, studying exotic languages as part", "language? Will a language reference be helpful to the reader in any way,", "time. The fact that he is fascinated by languages is important to his", "Will a language reference be helpful to the reader in any way, or", "will have no idea what they are hearing, and thus, since I'm writing", "thus the constructed languages I've devised for the setting are more prominent in", "is significant to the world and spoken with varying degrees of fluency by", "in his spare time. The fact that he is fascinated by languages is", "there's no obvious way to convey to the reader what's being said unless", "the city library in his spare time. The fact that he is fascinated", "worldbuilding? Notes I have read some other fantasy books that do this, i.e.", "Context I am currently working on a fantasy novel in which one of", "reader's main reference for this language comes from the scholar character, and it", "I include an appendix of common words in this language? Will a language", "higher education and translating documents for the city library in his spare time.", "not just there for flavor or worldbuilding flair, in other words. In particular,", "language on the reader, or spend an inordinate amount of time explaining its", "The fact that he is fascinated by languages is important to his personality", "books and culture of the world. I try not to \"dump\" this exotic", "character's \"book smarts.\" Obviously the POV character will have no idea what they", "tries and fails to communicate with a person who only speaks in that", "scholar, studying exotic languages as part of his higher education and translating documents", "world and spoken with varying degrees of fluency by a number of characters.", "prominent in the plot than they would otherwise be - they're not just", "just bog the reader down in unnecessary information and excessive worldbuilding? Notes I", "grammar; the reader's main reference for this language comes from the scholar character,", "words. In particular, there is a Latin-inspired language that features heavily in the", "In particular, there is a Latin-inspired language that features heavily in the books", "library in his spare time. The fact that he is fascinated by languages", "it is only explained or translated as needed for each scene. However, it", "language, which I use to contrast this character's \"street smarts\" with the scholar", "reference for this language comes from the scholar character, and it is only", "in the books and culture of the world. I try not to \"dump\"", "language reference be helpful to the reader in any way, or will it", "thus, since I'm writing the chapter from this person's point of view, there's", "consensus on the topic. I want to do this for a number of", "and thus the constructed languages I've devised for the setting are more prominent", "they're not just there for flavor or worldbuilding flair, in other words. In", "of fluency by a number of characters. Question *Should I include an appendix", "I use to contrast this character's \"street smarts\" with the scholar character's \"book", "the main reason is that the other main character does not speak this", "idea what they are hearing, and thus, since I'm writing the chapter from", "some point he tries and fails to communicate with a person who only", "would otherwise be - they're not just there for flavor or worldbuilding flair,", "of reasons, but the main reason is that the other main character does", "is a nobleman and scholar, studying exotic languages as part of his higher", "However, it is significant to the world and spoken with varying degrees of", "this for a number of reasons, but the main reason is that the", "that do this, i.e. Eragon, but was wondering about this site's consensus on", "exotic languages as part of his higher education and translating documents for the", "a person who only speaks in that language, which I use to contrast", "and fails to communicate with a person who only speaks in that language,", "way, or will it just bog the reader down in unnecessary information and", "main characters is a nobleman and scholar, studying exotic languages as part of", "does not speak this language at all, and at some point he tries", "is fascinated by languages is important to his personality and characterization, and thus", "amount of time explaining its syntax and grammar; the reader's main reference for", "that features heavily in the books and culture of the world. I try", "in this language?* Will a language reference be helpful to the reader in", "only explained or translated as needed for each scene. However, it is significant", "character's \"street smarts\" with the scholar character's \"book smarts.\" Obviously the POV character", "books that do this, i.e. Eragon, but was wondering about this site's consensus", "character, and it is only explained or translated as needed for each scene.", "at all, and at some point he tries and fails to communicate with", "flair, in other words. In particular, there is a Latin-inspired language that features", "on the topic. I want to do this for a number of reasons,", "language that features heavily in the books and culture of the world. I", "as part of his higher education and translating documents for the city library", "the setting are more prominent in the plot than they would otherwise be", "this, i.e. Eragon, but was wondering about this site's consensus on the topic.", "smarts\" with the scholar character's \"book smarts.\" Obviously the POV character will have", "which I use to contrast this character's \"street smarts\" with the scholar character's", "main reason is that the other main character does not speak this language", "is important to his personality and characterization, and thus the constructed languages I've", "character will have no idea what they are hearing, and thus, since I'm", "of the main characters is a nobleman and scholar, studying exotic languages as", "point of view, there's no obvious way to convey to the reader what's", "or will it just bog the reader down in unnecessary information and excessive", "by languages is important to his personality and characterization, and thus the constructed", "flavor or worldbuilding flair, in other words. In particular, there is a Latin-inspired", "the scholar character's \"book smarts.\" Obviously the POV character will have no idea", "important to his personality and characterization, and thus the constructed languages I've devised", "is that the other main character does not speak this language at all,", "try not to \"dump\" this exotic language on the reader, or spend an", "to the reader in any way, or will it just bog the reader", "otherwise be - they're not just there for flavor or worldbuilding flair, in", "varying degrees of fluency by a number of characters. Question Should I include", "and it is only explained or translated as needed for each scene. However,", "the POV character will have no idea what they are hearing, and thus,", "other fantasy books that do this, i.e. Eragon, but was wondering about this", "the constructed languages I've devised for the setting are more prominent in the", "spoken with varying degrees of fluency by a number of characters. Question Should", "to do this for a number of reasons, but the main reason is", "this character's \"street smarts\" with the scholar character's \"book smarts.\" Obviously the POV", "am currently working on a fantasy novel in which one of the main", "topic. I want to do this for a number of reasons, but the", "I've devised for the setting are more prominent in the plot than they", "of the world. I try not to \"dump\" this exotic language on the", "the world and spoken with varying degrees of fluency by a number of", "character does not speak this language at all, and at some point he", "who only speaks in that language, which I use to contrast this character's", "languages as part of his higher education and translating documents for the city", "but the main reason is that the other main character does not speak", "wondering about this site's consensus on the topic. I want to do this", "personality and characterization, and thus the constructed languages I've devised for the setting", "the scholar character, and it is only explained or translated as needed for", "a nobleman and scholar, studying exotic languages as part of his higher education", "in any way, or will it just bog the reader down in unnecessary", "speak this language at all, and at some point he tries and fails", "that the other main character does not speak this language at all, and", "for the setting are more prominent in the plot than they would otherwise", "the plot than they would otherwise be - they're not just there for", "culture of the world. I try not to \"dump\" this exotic language on", "to convey to the reader what's being said unless I provide an out-of-story", "Obviously the POV character will have no idea what they are hearing, and", "more prominent in the plot than they would otherwise be - they're not", "and excessive worldbuilding? Notes I have read some other fantasy books that do", "reference be helpful to the reader in any way, or will it just", "read some other fantasy books that do this, i.e. Eragon, but was wondering", "worldbuilding flair, in other words. In particular, there is a Latin-inspired language that", "there is a Latin-inspired language that features heavily in the books and culture", "his personality and characterization, and thus the constructed languages I've devised for the", "education and translating documents for the city library in his spare time. The", "only speaks in that language, which I use to contrast this character's \"street", "there for flavor or worldbuilding flair, in other words. In particular, there is", "Latin-inspired language that features heavily in the books and culture of the world.", "and translating documents for the city library in his spare time. The fact", "in unnecessary information and excessive worldbuilding? Notes I have read some other fantasy", "that language, which I use to contrast this character's \"street smarts\" with the", "with the scholar character's \"book smarts.\" Obviously the POV character will have no", "the books and culture of the world. I try not to \"dump\" this", "as needed for each scene. However, it is significant to the world and", "in the plot than they would otherwise be - they're not just there", "use to contrast this character's \"street smarts\" with the scholar character's \"book smarts.\"", "this site's consensus on the topic. I want to do this for a", "fluency by a number of characters. Question Should I include an appendix of", "spend an inordinate amount of time explaining its syntax and grammar; the reader's", "on a fantasy novel in which one of the main characters is a", "person's point of view, there's no obvious way to convey to the reader", "and characterization, and thus the constructed languages I've devised for the setting are", "in which one of the main characters is a nobleman and scholar, studying", "it just bog the reader down in unnecessary information and excessive worldbuilding? Notes*", "main character does not speak this language at all, and at some point", "the reader down in unnecessary information and excessive worldbuilding? Notes* I have read", "at some point he tries and fails to communicate with a person who", "for a number of reasons, but the main reason is that the other", "a number of characters. Question **Should I include an appendix of common words", "the topic. I want to do this for a number of reasons, but", "I want to do this for a number of reasons, but the main" ]
[ "group). She's driving three of the others (including the MC) completely crazy. How", "three of the others (including the MC) completely crazy. How can I show", "preachy and pretty much useless (unused to physical labor, trying to convert the", "of them is preachy and pretty much useless (unused to physical labor, trying", "crazy. How can I show that she's turning the other characters into giant", "others (including the MC) completely crazy. How can I show that she's turning", "(including the MC) completely crazy. How can I show that she's turning the", "traveling across the kingdom. One of them is preachy and pretty much useless", "into giant flaming fireballs without annoying the reader as well? I'm assuming I", "that she's turning the other characters into giant flaming fireballs without annoying the", "reader as well? I'm assuming I should keep her dialogue to a minimum...", "and pretty much useless (unused to physical labor, trying to convert the heathens", "pretty much useless (unused to physical labor, trying to convert the heathens in", "them is preachy and pretty much useless (unused to physical labor, trying to", "My story has a group of five refugees traveling across the kingdom. One", "giant flaming fireballs without annoying the reader as well? I'm assuming I should", "characters into giant flaming fireballs without annoying the reader as well? I'm assuming", "in the group). She's driving three of the others (including the MC) completely", "the kingdom. One of them is preachy and pretty much useless (unused to", "without annoying the reader as well? I'm assuming I should keep her dialogue", "completely crazy. How can I show that she's turning the other characters into", "the heathens in the group). She's driving three of the others (including the", "other characters into giant flaming fireballs without annoying the reader as well? I'm", "she's turning the other characters into giant flaming fireballs without annoying the reader", "can I show that she's turning the other characters into giant flaming fireballs", "five refugees traveling across the kingdom. One of them is preachy and pretty", "to physical labor, trying to convert the heathens in the group). She's driving", "physical labor, trying to convert the heathens in the group). She's driving three", "MC) completely crazy. How can I show that she's turning the other characters", "One of them is preachy and pretty much useless (unused to physical labor,", "has a group of five refugees traveling across the kingdom. One of them", "show that she's turning the other characters into giant flaming fireballs without annoying", "group of five refugees traveling across the kingdom. One of them is preachy", "trying to convert the heathens in the group). She's driving three of the", "How can I show that she's turning the other characters into giant flaming", "of five refugees traveling across the kingdom. One of them is preachy and", "the group). She's driving three of the others (including the MC) completely crazy.", "convert the heathens in the group). She's driving three of the others (including", "I show that she's turning the other characters into giant flaming fireballs without", "much useless (unused to physical labor, trying to convert the heathens in the", "driving three of the others (including the MC) completely crazy. How can I", "the others (including the MC) completely crazy. How can I show that she's", "refugees traveling across the kingdom. One of them is preachy and pretty much", "to convert the heathens in the group). She's driving three of the others", "She's driving three of the others (including the MC) completely crazy. How can", "annoying the reader as well? I'm assuming I should keep her dialogue to", "heathens in the group). She's driving three of the others (including the MC)", "a group of five refugees traveling across the kingdom. One of them is", "is preachy and pretty much useless (unused to physical labor, trying to convert", "of the others (including the MC) completely crazy. How can I show that", "the MC) completely crazy. How can I show that she's turning the other", "the reader as well? I'm assuming I should keep her dialogue to a", "fireballs without annoying the reader as well? I'm assuming I should keep her", "useless (unused to physical labor, trying to convert the heathens in the group).", "across the kingdom. One of them is preachy and pretty much useless (unused", "(unused to physical labor, trying to convert the heathens in the group). She's", "the other characters into giant flaming fireballs without annoying the reader as well?", "kingdom. One of them is preachy and pretty much useless (unused to physical", "story has a group of five refugees traveling across the kingdom. One of", "labor, trying to convert the heathens in the group). She's driving three of", "turning the other characters into giant flaming fireballs without annoying the reader as", "flaming fireballs without annoying the reader as well? I'm assuming I should keep" ]
[ "it as it is. But I'm concerned that splitting it might break the", "considering splitting it into two because it feels unbalanced to have it as", "further info, there is a natural break point, where the battle moves from", "seem to drag on relentlessly. For further info, there is a natural break", "(and one gear) to another - in fact thinking about it, it actually", "almost 7,000 words. I am considering splitting it into two because it feels", "is. But I'm concerned that splitting it might break the momentum. On the", "it, it actually changes gear more than once, so could potentially be split", "final climactic chapter is currently almost 7,000 words. I am considering splitting it", "one gear) to another - in fact thinking about it, it actually changes", "place (and one gear) to another - in fact thinking about it, it", "to drag on relentlessly. For further info, there is a natural break point,", "might break the momentum. On the other hand, not splitting it might make", "(it's a middle grade fantasy novel) the chapters average around 2,000 words. But", "where the battle moves from one place (and one gear) to another -", "one of my novels (it's a middle grade fantasy novel) the chapters average", "the other hand, not splitting it might make it seem to drag on", "it seem to drag on relentlessly. For further info, there is a natural", "concerned that splitting it might break the momentum. On the other hand, not", "it might make it seem to drag on relentlessly. For further info, there", "it into two because it feels unbalanced to have it as it is.", "For further info, there is a natural break point, where the battle moves", "thinking about it, it actually changes gear more than once, so could potentially", "chapter is currently almost 7,000 words. I am considering splitting it into two", "words. But the final climactic chapter is currently almost 7,000 words. I am", "I'm concerned that splitting it might break the momentum. On the other hand,", "I am considering splitting it into two because it feels unbalanced to have", "it is. But I'm concerned that splitting it might break the momentum. On", "currently almost 7,000 words. I am considering splitting it into two because it", "average around 2,000 words. But the final climactic chapter is currently almost 7,000", "- in fact thinking about it, it actually changes gear more than once,", "moves from one place (and one gear) to another - in fact thinking", "to have it as it is. But I'm concerned that splitting it might", "hand, not splitting it might make it seem to drag on relentlessly. For", "on relentlessly. For further info, there is a natural break point, where the", "splitting it might break the momentum. On the other hand, not splitting it", "natural break point, where the battle moves from one place (and one gear)", "about it, it actually changes gear more than once, so could potentially be", "On the other hand, not splitting it might make it seem to drag", "might make it seem to drag on relentlessly. For further info, there is", "one place (and one gear) to another - in fact thinking about it,", "splitting it might make it seem to drag on relentlessly. For further info,", "other hand, not splitting it might make it seem to drag on relentlessly.", "break the momentum. On the other hand, not splitting it might make it", "battle moves from one place (and one gear) to another - in fact", "to another - in fact thinking about it, it actually changes gear more", "that splitting it might break the momentum. On the other hand, not splitting", "break point, where the battle moves from one place (and one gear) to", "the momentum. On the other hand, not splitting it might make it seem", "drag on relentlessly. For further info, there is a natural break point, where", "is a natural break point, where the battle moves from one place (and", "gear more than once, so could potentially be split twice. Thanks for your", "a middle grade fantasy novel) the chapters average around 2,000 words. But the", "it might break the momentum. On the other hand, not splitting it might", "actually changes gear more than once, so could potentially be split twice. Thanks", "splitting it into two because it feels unbalanced to have it as it", "the chapters average around 2,000 words. But the final climactic chapter is currently", "more than once, so could potentially be split twice. Thanks for your input.", "have it as it is. But I'm concerned that splitting it might break", "another - in fact thinking about it, it actually changes gear more than", "point, where the battle moves from one place (and one gear) to another", "it actually changes gear more than once, so could potentially be split twice.", "info, there is a natural break point, where the battle moves from one", "middle grade fantasy novel) the chapters average around 2,000 words. But the final", "unbalanced to have it as it is. But I'm concerned that splitting it", "not splitting it might make it seem to drag on relentlessly. For further", "In one of my novels (it's a middle grade fantasy novel) the chapters", "7,000 words. I am considering splitting it into two because it feels unbalanced", "make it seem to drag on relentlessly. For further info, there is a", "feels unbalanced to have it as it is. But I'm concerned that splitting", "from one place (and one gear) to another - in fact thinking about", "two because it feels unbalanced to have it as it is. But I'm", "chapters average around 2,000 words. But the final climactic chapter is currently almost", "as it is. But I'm concerned that splitting it might break the momentum.", "fact thinking about it, it actually changes gear more than once, so could", "relentlessly. For further info, there is a natural break point, where the battle", "is currently almost 7,000 words. I am considering splitting it into two because", "the final climactic chapter is currently almost 7,000 words. I am considering splitting", "novels (it's a middle grade fantasy novel) the chapters average around 2,000 words.", "gear) to another - in fact thinking about it, it actually changes gear", "fantasy novel) the chapters average around 2,000 words. But the final climactic chapter", "novel) the chapters average around 2,000 words. But the final climactic chapter is", "words. I am considering splitting it into two because it feels unbalanced to", "the battle moves from one place (and one gear) to another - in", "grade fantasy novel) the chapters average around 2,000 words. But the final climactic", "of my novels (it's a middle grade fantasy novel) the chapters average around", "my novels (it's a middle grade fantasy novel) the chapters average around 2,000", "a natural break point, where the battle moves from one place (and one", "momentum. On the other hand, not splitting it might make it seem to", "in fact thinking about it, it actually changes gear more than once, so", "because it feels unbalanced to have it as it is. But I'm concerned", "it feels unbalanced to have it as it is. But I'm concerned that", "2,000 words. But the final climactic chapter is currently almost 7,000 words. I", "there is a natural break point, where the battle moves from one place", "am considering splitting it into two because it feels unbalanced to have it", "into two because it feels unbalanced to have it as it is. But", "climactic chapter is currently almost 7,000 words. I am considering splitting it into", "But the final climactic chapter is currently almost 7,000 words. I am considering", "around 2,000 words. But the final climactic chapter is currently almost 7,000 words.", "changes gear more than once, so could potentially be split twice. Thanks for", "But I'm concerned that splitting it might break the momentum. On the other" ]
[ "of the worldbuilding. All well and good, until one of my beta-readers said,", "not without conflict. I wanted to have a noir, gritty atmosphere; my main", "biased himself. I wanted to portray prejudices. It makes sense to have racism", "to draw a parallel between the in-movie racism and the real-world racism. This", "*How can you treat fantasy races without making parallels with any ethnic group", "racism in my book's world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) ", "orcs and elves live among humans in a modern Los Angeles. It has", "different races; let's think about all the familiar elves, orcs, trolls, goblins, dwarves", "two arms, one brain and the ability to use it to some extent.", "has potential to grow. All considered, my question is: *How can you treat", "the movie is trying to draw a parallel between the in-movie racism and", "the concept. I was experimenting with a short novel - a third fantasy,", "(at worst). Yet talking about racism in a fantasy setting is still worth", "ends up poorly, and what a surprise. Making parallelism between a fictional fantasy", "is still worth it; it's an interesting theme, and still has potential to", "being a bit biased himself. I wanted to portray prejudices. It makes sense", "the real-world racism. This ends up poorly, and what a surprise. Making parallelism", "said, as a compliment: > > \"It's somewhat similar to Lyigqt, only a", "to use it to some extent. The classic definition of fantasy race also", "a lot of different races; let's think about all the familiar elves, orcs,", "and giving the reader a good grasp of the worldbuilding. All well and", "wanted to portray prejudices. It makes sense to have racism in this setting.", "\"It's somewhat similar to Lyigqt, only a lot more times better.\" > >", "setting. It felt realistic, it added depth to the characters, and it helped", "- a third fantasy, third thriller, third steampunk thing - and I stumbled", "main character being a bit biased himself. I wanted to portray prejudices. It", "misrepresentation (at least), offending someone (probable), bad writing (likely) and gross justification of", "setting is a industrialized capital where a lot of racial types coexist, not", "between the in-movie racism and the real-world racism. This ends up poorly, and", "realistic, it added depth to the characters, and it helped getting the story", "(at least), offending someone (probable), bad writing (likely) and gross justification of racism", "no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required for good writing, even in", "of humans comes at the cost of misrepresentation (at least), offending someone (probable),", "prejudices. It makes sense to have racism in this setting. It felt realistic,", "As cliché those races might be, it can be fun playing around with", "writing, even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become", "cost of misrepresentation (at least), offending someone (probable), bad writing (likely) and gross", "coexist, not without conflict. I wanted to have a noir, gritty atmosphere; my", "potential to grow. All considered, my question is: How can you treat fantasy", "felt realistic, it added depth to the characters, and it helped getting the", "it helped getting the story going and giving the reader a good grasp", "least), offending someone (probable), bad writing (likely) and gross justification of racism in", "Making parallelism between a fictional fantasy race and a real, ethnic group of", "characteristics\". Elves are prettier humans with longer lifespans. Orcs are sturdier humans with", "novel - a third fantasy, third thriller, third steampunk thing - and I", "and gross justification of racism in general (at worst). Yet talking about racism", "- and I stumbled upon the issue of including racism. My setting is", "experimenting with a short novel - a third fantasy, third thriller, third steampunk", "considered, my question is: How can you treat fantasy races without making parallels", "helped getting the story going and giving the reader a good grasp of", "and what a surprise. Making parallelism between a fictional fantasy race and a", "in this setting. It felt realistic, it added depth to the characters, and", "It has been heavily criticized for a variety of reasons. It seems that", "human nature required for good writing, even in fantasy scenarios, or with fictional", "real, ethnic group of humans comes at the cost of misrepresentation (at least),", "is a Netflix movie where orcs and elves live among humans in a", "racism. This ends up poorly, and what a surprise. Making parallelism between a", "Now if you're not familiar, Lyigqt is a Netflix movie where orcs and", "movie is trying to draw a parallel between the in-movie racism and the", "racism in general (at worst). Yet talking about racism in a fantasy setting", "[Is accurate human nature required for good writing, even in fantasy scenarios, or", "to some extent. The classic definition of fantasy race also implies human-like sentience.", "the in-movie racism and the real-world racism. This ends up poorly, and what", "what a surprise. Making parallelism between a fictional fantasy race and a real,", "and I stumbled upon the issue of including racism. My setting is a", "lot of different races; let's think about all the familiar elves, orcs, trolls,", "in my book's world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) [Is", "if you're not familiar, Lyigqt is a Netflix movie where orcs and elves", "better.\"* > > > Now if you're not familiar, Lyigqt is a Netflix", "of the times all those races could be summarized by \"it's human, but", "whatnot. All share in common having two legs, two arms, one brain and", "thriller, third steampunk thing - and I stumbled upon the issue of including", "with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having a lot of", "playing around with the concept. I was experimenting with a short novel -", "humans with longer lifespans. Orcs are sturdier humans with greenish skin. Dwarves are", "the characters, and it helped getting the story going and giving the reader", "and elves live among humans in a modern Los Angeles. It has been", "group of humans comes at the cost of misrepresentation (at least), offending someone", "reader a good grasp of the worldbuilding. All well and good, until one", "conflict. I wanted to have a noir, gritty atmosphere; my main character being", "surprise. Making parallelism between a fictional fantasy race and a real, ethnic group", "with longer lifespans. Orcs are sturdier humans with greenish skin. Dwarves are smaller", "related questions:* * [Should I add racism in my book's world or have", "become accustomed to having a lot of different races; let's think about all", "capital where a lot of racial types coexist, not without conflict. I wanted", "might be, it can be fun playing around with the concept. I was", "holes ... you get the point. As cliché those races might be, it", "all the familiar elves, orcs, trolls, goblins, dwarves and whatnot. All share in", "I add racism in my book's world or have my world have no", "race and a real, ethnic group of humans comes at the cost of", "we've become accustomed to having a lot of different races; let's think about", "the familiar elves, orcs, trolls, goblins, dwarves and whatnot. All share in common", "was experimenting with a short novel - a third fantasy, third thriller, third", "types coexist, not without conflict. I wanted to have a noir, gritty atmosphere;", "similar to Lyigqt, only a lot more times better.\"* > > > Now", "the cost of misrepresentation (at least), offending someone (probable), bad writing (likely) and", "a bit biased himself. I wanted to portray prejudices. It makes sense to", "two legs, two arms, one brain and the ability to use it to", "goblins, dwarves and whatnot. All share in common having two legs, two arms,", "orcs, trolls, goblins, dwarves and whatnot. All share in common having two legs,", "even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed", "additional characteristics\". Elves are prettier humans with longer lifespans. Orcs are sturdier humans", "This ends up poorly, and what a surprise. Making parallelism between a fictional", "Possibly related questions: * [Should I add racism in my book's world or", "fantasy race and a real, ethnic group of humans comes at the cost", "humans who dig holes ... you get the point. As cliché those races", "world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature", "trolls, goblins, dwarves and whatnot. All share in common having two legs, two", "my main character being a bit biased himself. I wanted to portray prejudices.", "wanted to have a noir, gritty atmosphere; my main character being a bit", "writing (likely) and gross justification of racism in general (at worst). Yet talking", "races without making parallels with any ethnic group in the real world? ------------------------------------------------------------------------------------------------------", "think about all the familiar elves, orcs, trolls, goblins, dwarves and whatnot. All", "grasp of the worldbuilding. All well and good, until one of my beta-readers", "a short novel - a third fantasy, third thriller, third steampunk thing -", "short novel - a third fantasy, third thriller, third steampunk thing - and", "still has potential to grow. All considered, my question is: How can you", "share in common having two legs, two arms, one brain and the ability", "racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required for good writing, even in fantasy", "of racism in general (at worst). Yet talking about racism in a fantasy", "racial types coexist, not without conflict. I wanted to have a noir, gritty", "to grow. All considered, my question is: *How can you treat fantasy races", "beta-readers said, as a compliment: > > \"It's somewhat similar to Lyigqt, only", "this setting. It felt realistic, it added depth to the characters, and it", "in-movie racism and the real-world racism. This ends up poorly, and what a", "good, until one of my beta-readers said, as a compliment: > > \"It's", "for a variety of reasons. It seems that the movie is trying to", "including racism. My setting is a industrialized capital where a lot of racial", "Elves are prettier humans with longer lifespans. Orcs are sturdier humans with greenish", "the point. As cliché those races might be, it can be fun playing", "point. As cliché those races might be, it can be fun playing around", "it to some extent. The classic definition of fantasy race also implies human-like", "the worldbuilding. All well and good, until one of my beta-readers said, as", "sense to have racism in this setting. It felt realistic, it added depth", "live among humans in a modern Los Angeles. It has been heavily criticized", "himself. I wanted to portray prejudices. It makes sense to have racism in", "All share in common having two legs, two arms, one brain and the", "one brain and the ability to use it to some extent. The classic", "a lot of racial types coexist, not without conflict. I wanted to have", "add racism in my book's world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism)", "variety of reasons. It seems that the movie is trying to draw a", "movie where orcs and elves live among humans in a modern Los Angeles.", "a industrialized capital where a lot of racial types coexist, not without conflict.", "good grasp of the worldbuilding. All well and good, until one of my", "I wanted to have a noir, gritty atmosphere; my main character being a", "I wanted to portray prejudices. It makes sense to have racism in this", "skin. Dwarves are smaller humans who dig holes ... you get the point.", "who dig holes ... you get the point. As cliché those races might", "also implies human-like sentience. Admittedly, most of the times all those races could", "a modern Los Angeles. It has been heavily criticized for a variety of", "elves, orcs, trolls, goblins, dwarves and whatnot. All share in common having two", "in general (at worst). Yet talking about racism in a fantasy setting is", "All considered, my question is: *How can you treat fantasy races without making", "have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) [Is accurate human nature required for good writing, even", "the story going and giving the reader a good grasp of the worldbuilding.", "in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to", "Orcs are sturdier humans with greenish skin. Dwarves are smaller humans who dig", "greenish skin. Dwarves are smaller humans who dig holes ... you get the", "or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required", "someone (probable), bad writing (likely) and gross justification of racism in general (at", "about racism in a fantasy setting is still worth it; it's an interesting", "treat fantasy races without making parallels with any ethnic group in the real", "prettier humans with longer lifespans. Orcs are sturdier humans with greenish skin. Dwarves", "thing - and I stumbled upon the issue of including racism. My setting", "parallelism between a fictional fantasy race and a real, ethnic group of humans", "depth to the characters, and it helped getting the story going and giving", "Yet talking about racism in a fantasy setting is still worth it; it's", "a variety of reasons. It seems that the movie is trying to draw", "real-world racism. This ends up poorly, and what a surprise. Making parallelism between", "races might be, it can be fun playing around with the concept. I", "around with the concept. I was experimenting with a short novel - a", "the reader a good grasp of the worldbuilding. All well and good, until", "fantasy, third thriller, third steampunk thing - and I stumbled upon the issue", "racism. My setting is a industrialized capital where a lot of racial types", "times better.\"* > > > Now if you're not familiar, Lyigqt is a", "not familiar, Lyigqt is a Netflix movie where orcs and elves live among", "makes sense to have racism in this setting. It felt realistic, it added", "All well and good, until one of my beta-readers said, as a compliment:", "setting is still worth it; it's an interesting theme, and still has potential", "third fantasy, third thriller, third steampunk thing - and I stumbled upon the", "elves live among humans in a modern Los Angeles. It has been heavily", "human, but with those x additional characteristics\". Elves are prettier humans with longer", "well and good, until one of my beta-readers said, as a compliment: >", "... you get the point. As cliché those races might be, it can", "are sturdier humans with greenish skin. Dwarves are smaller humans who dig holes", "lot more times better.\"* > > > Now if you're not familiar, Lyigqt", "be fun playing around with the concept. I was experimenting with a short", "or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having a lot", "familiar, Lyigqt is a Netflix movie where orcs and elves live among humans", "compliment: > > \"It's somewhat similar to Lyigqt, only a lot more times", "book's world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) [Is accurate human", "to have a noir, gritty atmosphere; my main character being a bit biased", "an interesting theme, and still has potential to grow. All considered, my question", "fantasy setting is still worth it; it's an interesting theme, and still has", "required for good writing, even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In", "implies human-like sentience. Admittedly, most of the times all those races could be", "> > \"It's somewhat similar to Lyigqt, only a lot more times better.\"", "third thriller, third steampunk thing - and I stumbled upon the issue of", "to Lyigqt, only a lot more times better.\"* > > > Now if", "questions:** * [Should I add racism in my book's world or have my", "it; it's an interesting theme, and still has potential to grow. All considered,", "is: *How can you treat fantasy races without making parallels with any ethnic", "> > > Now if you're not familiar, Lyigqt is a Netflix movie", "a surprise. Making parallelism between a fictional fantasy race and a real, ethnic", "reasons. It seems that the movie is trying to draw a parallel between", "racism and the real-world racism. This ends up poorly, and what a surprise.", "ethnic group of humans comes at the cost of misrepresentation (at least), offending", "have a noir, gritty atmosphere; my main character being a bit biased himself.", "brain and the ability to use it to some extent. The classic definition", "a lot more times better.\"* > > > Now if you're not familiar,", "one of my beta-readers said, as a compliment: > > \"It's somewhat similar", "a third fantasy, third thriller, third steampunk thing - and I stumbled upon", "and still has potential to grow. All considered, my question is: How can", "some extent. The classic definition of fantasy race also implies human-like sentience. Admittedly,", "heavily criticized for a variety of reasons. It seems that the movie is", "ability to use it to some extent. The classic definition of fantasy race", "get the point. As cliché those races might be, it can be fun", "nature required for good writing, even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o)", "My setting is a industrialized capital where a lot of racial types coexist,", "racism in this setting. It felt realistic, it added depth to the characters,", "question is: How can you treat fantasy races without making parallels with any", "lot of racial types coexist, not without conflict. I wanted to have a", "most of the times all those races could be summarized by \"it's human,", "races could be summarized by \"it's human, but with those x additional characteristics\".", "race also implies human-like sentience. Admittedly, most of the times all those races", "trying to draw a parallel between the in-movie racism and the real-world racism.", "poorly, and what a surprise. Making parallelism between a fictional fantasy race and", "giving the reader a good grasp of the worldbuilding. All well and good,", "a fictional fantasy race and a real, ethnic group of humans comes at", "it can be fun playing around with the concept. I was experimenting with", "third steampunk thing - and I stumbled upon the issue of including racism.", "and the ability to use it to some extent. The classic definition of", "gross justification of racism in general (at worst). Yet talking about racism in", "a noir, gritty atmosphere; my main character being a bit biased himself. I", "accustomed to having a lot of different races; let's think about all the", "racism in a fantasy setting is still worth it; it's an interesting theme,", "It seems that the movie is trying to draw a parallel between the", "and good, until one of my beta-readers said, as a compliment: > >", "dwarves and whatnot. All share in common having two legs, two arms, one", "let's think about all the familiar elves, orcs, trolls, goblins, dwarves and whatnot.", "bad writing (likely) and gross justification of racism in general (at worst). Yet", "a good grasp of the worldbuilding. All well and good, until one of", "to having a lot of different races; let's think about all the familiar", "smaller humans who dig holes ... you get the point. As cliché those", "and whatnot. All share in common having two legs, two arms, one brain", "between a fictional fantasy race and a real, ethnic group of humans comes", "bit biased himself. I wanted to portray prejudices. It makes sense to have", "human-like sentience. Admittedly, most of the times all those races could be summarized", "I was experimenting with a short novel - a third fantasy, third thriller,", "Admittedly, most of the times all those races could be summarized by \"it's", " [Should I add racism in my book's world or have my world", "fantasy race also implies human-like sentience. Admittedly, most of the times all those", "Dwarves are smaller humans who dig holes ... you get the point. As", "all those races could be summarized by \"it's human, but with those x", "is a industrialized capital where a lot of racial types coexist, not without", "upon the issue of including racism. My setting is a industrialized capital where", "of fantasy race also implies human-like sentience. Admittedly, most of the times all", "my book's world or have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate", "portray prejudices. It makes sense to have racism in this setting. It felt", "extent. The classic definition of fantasy race also implies human-like sentience. Admittedly, most", "to the characters, and it helped getting the story going and giving the", "with the concept. I was experimenting with a short novel - a third", "talking about racism in a fantasy setting is still worth it; it's an", "issue of including racism. My setting is a industrialized capital where a lot", "it added depth to the characters, and it helped getting the story going", "a compliment: > > \"It's somewhat similar to Lyigqt, only a lot more", "comes at the cost of misrepresentation (at least), offending someone (probable), bad writing", "a parallel between the in-movie racism and the real-world racism. This ends up", "and it helped getting the story going and giving the reader a good", "legs, two arms, one brain and the ability to use it to some", "can be fun playing around with the concept. I was experimenting with a", "general (at worst). Yet talking about racism in a fantasy setting is still", "the ability to use it to some extent. The classic definition of fantasy", "as a compliment: > > \"It's somewhat similar to Lyigqt, only a lot", "Los Angeles. It has been heavily criticized for a variety of reasons. It", "of misrepresentation (at least), offending someone (probable), bad writing (likely) and gross justification", "dig holes ... you get the point. As cliché those races might be,", "be, it can be fun playing around with the concept. I was experimenting", "have my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required for", "those x additional characteristics\". Elves are prettier humans with longer lifespans. Orcs are", "Lyigqt, only a lot more times better.\"* > > > Now if you're", "species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having a lot of different races;", "among humans in a modern Los Angeles. It has been heavily criticized for", "has been heavily criticized for a variety of reasons. It seems that the", "Lyigqt is a Netflix movie where orcs and elves live among humans in", "been heavily criticized for a variety of reasons. It seems that the movie", "steampunk thing - and I stumbled upon the issue of including racism. My", "fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having a lot of different", "In fantasy, we've become accustomed to having a lot of different races; let's", "the times all those races could be summarized by \"it's human, but with", "classic definition of fantasy race also implies human-like sentience. Admittedly, most of the", "with a short novel - a third fantasy, third thriller, third steampunk thing", "> \"It's somewhat similar to Lyigqt, only a lot more times better.\" >", "up poorly, and what a surprise. Making parallelism between a fictional fantasy race", "are prettier humans with longer lifespans. Orcs are sturdier humans with greenish skin.", "going and giving the reader a good grasp of the worldbuilding. All well", "definition of fantasy race also implies human-like sentience. Admittedly, most of the times", "Netflix movie where orcs and elves live among humans in a modern Los", "of reasons. It seems that the movie is trying to draw a parallel", "> > Now if you're not familiar, Lyigqt is a Netflix movie where", "by \"it's human, but with those x additional characteristics\". Elves are prettier humans", "added depth to the characters, and it helped getting the story going and", "times all those races could be summarized by \"it's human, but with those", "parallel between the in-movie racism and the real-world racism. This ends up poorly,", "somewhat similar to Lyigqt, only a lot more times better.\"* > > >", "cliché those races might be, it can be fun playing around with the", "sturdier humans with greenish skin. Dwarves are smaller humans who dig holes ...", "x additional characteristics\". Elves are prettier humans with longer lifespans. Orcs are sturdier", "with greenish skin. Dwarves are smaller humans who dig holes ... you get", "in a modern Los Angeles. It has been heavily criticized for a variety", "modern Los Angeles. It has been heavily criticized for a variety of reasons.", "scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having a", "fantasy races without making parallels with any ethnic group in the real world?*", "the issue of including racism. My setting is a industrialized capital where a", " [Is accurate human nature required for good writing, even in fantasy scenarios,", "for good writing, even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy,", "of different races; let's think about all the familiar elves, orcs, trolls, goblins,", "atmosphere; my main character being a bit biased himself. I wanted to portray", "worst). Yet talking about racism in a fantasy setting is still worth it;", "races; let's think about all the familiar elves, orcs, trolls, goblins, dwarves and", "[Should I add racism in my book's world or have my world have", "be summarized by \"it's human, but with those x additional characteristics\". Elves are", "lifespans. Orcs are sturdier humans with greenish skin. Dwarves are smaller humans who", "seems that the movie is trying to draw a parallel between the in-movie", "I stumbled upon the issue of including racism. My setting is a industrialized", "gritty atmosphere; my main character being a bit biased himself. I wanted to", "of racial types coexist, not without conflict. I wanted to have a noir,", "having two legs, two arms, one brain and the ability to use it", "fantasy, we've become accustomed to having a lot of different races; let's think", "noir, gritty atmosphere; my main character being a bit biased himself. I wanted", "(probable), bad writing (likely) and gross justification of racism in general (at worst).", "you treat fantasy races without making parallels with any ethnic group in the", "criticized for a variety of reasons. It seems that the movie is trying", "justification of racism in general (at worst). Yet talking about racism in a", "interesting theme, and still has potential to grow. All considered, my question is:", "those races might be, it can be fun playing around with the concept.", "it's an interesting theme, and still has potential to grow. All considered, my", "of including racism. My setting is a industrialized capital where a lot of", "sentience. Admittedly, most of the times all those races could be summarized by", "humans comes at the cost of misrepresentation (at least), offending someone (probable), bad", "to portray prejudices. It makes sense to have racism in this setting. It", "story going and giving the reader a good grasp of the worldbuilding. All", "Angeles. It has been heavily criticized for a variety of reasons. It seems", "humans with greenish skin. Dwarves are smaller humans who dig holes ... you", "arms, one brain and the ability to use it to some extent. The", "a real, ethnic group of humans comes at the cost of misrepresentation (at", "longer lifespans. Orcs are sturdier humans with greenish skin. Dwarves are smaller humans", "accurate human nature required for good writing, even in fantasy scenarios, or with", "more times better.\"* > > > Now if you're not familiar, Lyigqt is", "\"it's human, but with those x additional characteristics\". Elves are prettier humans with", "character being a bit biased himself. I wanted to portray prejudices. It makes", "without conflict. I wanted to have a noir, gritty atmosphere; my main character", "but with those x additional characteristics\". Elves are prettier humans with longer lifespans.", "humans in a modern Los Angeles. It has been heavily criticized for a", "a fantasy setting is still worth it; it's an interesting theme, and still", "those races could be summarized by \"it's human, but with those x additional", "(likely) and gross justification of racism in general (at worst). Yet talking about", "only a lot more times better.\"* > > > Now if you're not", "stumbled upon the issue of including racism. My setting is a industrialized capital", "where orcs and elves live among humans in a modern Los Angeles. It", "world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required for good writing,", "industrialized capital where a lot of racial types coexist, not without conflict. I", "in common having two legs, two arms, one brain and the ability to", "that the movie is trying to draw a parallel between the in-movie racism", "worth it; it's an interesting theme, and still has potential to grow. All", "fictional fantasy race and a real, ethnic group of humans comes at the", "grow. All considered, my question is: *How can you treat fantasy races without", "good writing, even in fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've", "are smaller humans who dig holes ... you get the point. As cliché", "> Now if you're not familiar, Lyigqt is a Netflix movie where orcs", "having a lot of different races; let's think about all the familiar elves,", "is trying to draw a parallel between the in-movie racism and the real-world", "at the cost of misrepresentation (at least), offending someone (probable), bad writing (likely)", "to have racism in this setting. It felt realistic, it added depth to", "you get the point. As cliché those races might be, it can be", "a Netflix movie where orcs and elves live among humans in a modern", "in a fantasy setting is still worth it; it's an interesting theme, and", "It felt realistic, it added depth to the characters, and it helped getting", "and a real, ethnic group of humans comes at the cost of misrepresentation", "worldbuilding. All well and good, until one of my beta-readers said, as a", "with those x additional characteristics\". Elves are prettier humans with longer lifespans. Orcs", "use it to some extent. The classic definition of fantasy race also implies", "fantasy scenarios, or with fictional species?](https://writing.stackexchange.com/questions/40803/is-accurate-human-nature-required-for-good-writing-even-in-fantasy-scenarios-o) In fantasy, we've become accustomed to having", "until one of my beta-readers said, as a compliment: > > \"It's somewhat", "of my beta-readers said, as a compliment: > > \"It's somewhat similar to", "could be summarized by \"it's human, but with those x additional characteristics\". Elves", "common having two legs, two arms, one brain and the ability to use", "summarized by \"it's human, but with those x additional characteristics\". Elves are prettier", "familiar elves, orcs, trolls, goblins, dwarves and whatnot. All share in common having", "offending someone (probable), bad writing (likely) and gross justification of racism in general", "It makes sense to have racism in this setting. It felt realistic, it", "about all the familiar elves, orcs, trolls, goblins, dwarves and whatnot. All share", "draw a parallel between the in-movie racism and the real-world racism. This ends", "fun playing around with the concept. I was experimenting with a short novel", "you're not familiar, Lyigqt is a Netflix movie where orcs and elves live", "my beta-readers said, as a compliment: > > \"It's somewhat similar to Lyigqt,", "can you treat fantasy races without making parallels with any ethnic group in", "my world have no racism?](https://writing.stackexchange.com/questions/41575/should-i-add-racism-in-my-books-world-or-have-my-world-have-no-racism) * [Is accurate human nature required for good", "characters, and it helped getting the story going and giving the reader a", "theme, and still has potential to grow. All considered, my question is: *How", "and the real-world racism. This ends up poorly, and what a surprise. Making", "concept. I was experimenting with a short novel - a third fantasy, third", "my question is: *How can you treat fantasy races without making parallels with", "still worth it; it's an interesting theme, and still has potential to grow.", "have racism in this setting. It felt realistic, it added depth to the", "where a lot of racial types coexist, not without conflict. I wanted to", "The classic definition of fantasy race also implies human-like sentience. Admittedly, most of", "getting the story going and giving the reader a good grasp of the" ]
[ "be? I am asking, because sometimes, you write a scene, and you have", "could argue that all of them are novels, so would you agree that", "you want to end it as soon as possible. One of my chapters", "<https://en.wikipedia.org/wiki/Word_count#In_fiction> This Wikipedia page tells you under which classification a fictional work falls", "work falls under depending on its length, so we have 3 I am", "fictional work falls under depending on its length, so we have 3 I", "which classification a fictional work falls under depending on its length, so we", "would you agree that the length of a chapter should depend on the", "a fictional work falls under depending on its length, so we have 3", "page tells you under which classification a fictional work falls under depending on", "of the novel? Moreover, how short should the shortest chapter be? I am", "depending on its length, so we have 3 I am most interested in,", "novels, so would you agree that the length of a chapter should depend", "namely: novellette, novella and novel. We could argue that all of them are", "the length of the novel? Moreover, how short should the shortest chapter be?", "a chapter should depend on the length of the novel? Moreover, how short", "a scene, and you have a hard time adding any relevant information to", "classification a fictional work falls under depending on its length, so we have", "of a chapter should depend on the length of the novel? Moreover, how", "a hard time adding any relevant information to it and you want to", "most interested in, namely: novellette, novella and novel. We could argue that all", "length of the novel? Moreover, how short should the shortest chapter be? I", "as possible. One of my chapters is barely 400 words long, so I", "novel? Moreover, how short should the shortest chapter be? I am asking, because", "have a hard time adding any relevant information to it and you want", "Wikipedia page tells you under which classification a fictional work falls under depending", "that all of them are novels, so would you agree that the length", "how short should the shortest chapter be? I am asking, because sometimes, you", "This Wikipedia page tells you under which classification a fictional work falls under", "and you want to end it as soon as possible. One of my", "chapter be? I am asking, because sometimes, you write a scene, and you", "time adding any relevant information to it and you want to end it", "is barely 400 words long, so I was kinda concerned about the length.", "under depending on its length, so we have 3 I am most interested", "as soon as possible. One of my chapters is barely 400 words long,", "to end it as soon as possible. One of my chapters is barely", "write a scene, and you have a hard time adding any relevant information", "asking, because sometimes, you write a scene, and you have a hard time", "any relevant information to it and you want to end it as soon", "possible. One of my chapters is barely 400 words long, so I was", "on its length, so we have 3 I am most interested in, namely:", "of my chapters is barely 400 words long, so I was kinda concerned", "you agree that the length of a chapter should depend on the length", "length, so we have 3 I am most interested in, namely: novellette, novella", "adding any relevant information to it and you want to end it as", "am asking, because sometimes, you write a scene, and you have a hard", "scene, and you have a hard time adding any relevant information to it", "my chapters is barely 400 words long, so I was kinda concerned about", "argue that all of them are novels, so would you agree that the", "am most interested in, namely: novellette, novella and novel. We could argue that", "tells you under which classification a fictional work falls under depending on its", "the novel? Moreover, how short should the shortest chapter be? I am asking,", "that the length of a chapter should depend on the length of the", "chapter should depend on the length of the novel? Moreover, how short should", "its length, so we have 3 I am most interested in, namely: novellette,", "and you have a hard time adding any relevant information to it and", "interested in, namely: novellette, novella and novel. We could argue that all of", "of them are novels, so would you agree that the length of a", "3 I am most interested in, namely: novellette, novella and novel. We could", "so would you agree that the length of a chapter should depend on", "sometimes, you write a scene, and you have a hard time adding any", "novel. We could argue that all of them are novels, so would you", "it and you want to end it as soon as possible. One of", "length of a chapter should depend on the length of the novel? Moreover,", "One of my chapters is barely 400 words long, so I was kinda", "end it as soon as possible. One of my chapters is barely 400", "them are novels, so would you agree that the length of a chapter", "depend on the length of the novel? Moreover, how short should the shortest", "on the length of the novel? Moreover, how short should the shortest chapter", "I am most interested in, namely: novellette, novella and novel. We could argue", "and novel. We could argue that all of them are novels, so would", "relevant information to it and you want to end it as soon as", "all of them are novels, so would you agree that the length of", "agree that the length of a chapter should depend on the length of", "to it and you want to end it as soon as possible. One", "We could argue that all of them are novels, so would you agree", "information to it and you want to end it as soon as possible.", "because sometimes, you write a scene, and you have a hard time adding", "short should the shortest chapter be? I am asking, because sometimes, you write", "Moreover, how short should the shortest chapter be? I am asking, because sometimes,", "it as soon as possible. One of my chapters is barely 400 words", "shortest chapter be? I am asking, because sometimes, you write a scene, and", "should the shortest chapter be? I am asking, because sometimes, you write a", "so we have 3 I am most interested in, namely: novellette, novella and", "are novels, so would you agree that the length of a chapter should", "novella and novel. We could argue that all of them are novels, so", "the shortest chapter be? I am asking, because sometimes, you write a scene,", "chapters is barely 400 words long, so I was kinda concerned about the", "hard time adding any relevant information to it and you want to end", "soon as possible. One of my chapters is barely 400 words long, so", "you under which classification a fictional work falls under depending on its length,", "the length of a chapter should depend on the length of the novel?", "you write a scene, and you have a hard time adding any relevant", "you have a hard time adding any relevant information to it and you", "falls under depending on its length, so we have 3 I am most", "novellette, novella and novel. We could argue that all of them are novels,", "should depend on the length of the novel? Moreover, how short should the", "in, namely: novellette, novella and novel. We could argue that all of them", "I am asking, because sometimes, you write a scene, and you have a", "under which classification a fictional work falls under depending on its length, so", "have 3 I am most interested in, namely: novellette, novella and novel. We", "want to end it as soon as possible. One of my chapters is", "we have 3 I am most interested in, namely: novellette, novella and novel." ]
[ "guard, I pull out that same guy who I've already named. So characters", "named. So characters start getting mileage. I don't plan anything for those characters", "by name, and it's something I want. So it's never \"a guard\" -", "start getting mileage. I don't plan anything for those characters in advance, but", "nobleman when he knows every guard and stablehand by name, and it's something", "he's a prop. \"Sergeant such-and-such\" is a minor character. Is that something I", "I'm a discovery writer, so first time a guard \"comes on stage\", he", "often hear complaints with regards to some published works** (e.g. A Song of", "that something I need to be concerned about? Are there ways I can", "name.* Even the most minor ones. It says something about a nobleman when", "Are there ways I can mitigate the downsides of having a great many", "about there being \"too many characters\", \"too many names to remember\". Now, \"a", "ones. It says something about a nobleman when he knows every guard and", "I need a guard, I pull out that same guy who I've already", "many characters\", \"too many names to remember\". Now, \"a guard\" is not a", "it's always \"Sergeant such-and-such\". Another effect that I like is that of the", "when he knows every guard and stablehand by name, and it's something I", "- it's always \"Sergeant such-and-such\". Another effect that I like is that of", "over time they do get a life. My concern is: I often hear", "\"Sergeant such-and-such\" is a minor character. Is that something I need to be", "It says something about a nobleman when he knows every guard and stablehand", "every guard and stablehand by name, and it's something I want. So it's", "populated - there are people in it, and every person has a name,", "name. Next time I need a guard, I pull out that same guy", "me like everything around the main characters is theatrical scenery made of cardboard.", "he knows every guard and stablehand by name, and it's something I want.", "every character a name. Even the most minor ones. It says something about", "do get a life. My concern is: I often hear complaints with regards", "it, and every person has a name, and that means - a life,", "guard\" and \"a servant\" feels to me like everything around the main characters", "a guard, I pull out that same guy who I've already named. So", "So characters start getting mileage. I don't plan anything for those characters in", "with regards to some published works** (e.g. A Song of Ice and Fire)", "writer, so first time a guard \"comes on stage\", he gets a name.", "means - a life, even if we don't see it. A world where", "- a life, even if we don't see it. A world where everyone", "\"too many characters\", \"too many names to remember\". Now, \"a guard\" is not", "a minor character. Is that something I need to be concerned about? Are", "want. So it's never \"a guard\" - it's always \"Sergeant such-and-such\". Another effect", "the main characters is \"a guard\" and \"a servant\" feels to me like", "give every character a name. Even the most minor ones. It says something", "Song of Ice and Fire) about there being \"too many characters\", \"too many", "works* (e.g. A Song of Ice and Fire) *about there being \"too many", "to remember\". Now, \"a guard\" is not a character - he's a prop.", "there are people in it, and every person has a name, and that", "a discovery writer, so first time a guard \"comes on stage\", he gets", "of Ice and Fire) about there being \"too many characters\", \"too many names", "plan anything for those characters in advance, but over time they do get", "to some published works** (e.g. A Song of Ice and Fire) *about there", "that means - a life, even if we don't see it. A world", "such-and-such\" is a minor character. Is that something I need to be concerned", "A Song of Ice and Fire) about there being \"too many characters\", \"too", "I need to be concerned about? Are there ways I can mitigate the", "like is that of the world being populated - there are people in", "\"a guard\" and \"a servant\" feels to me like everything around the main", "life. My concern is: I often hear complaints with regards to some published", "ways I can mitigate the downsides of having a great many named characters", "is \"a guard\" and \"a servant\" feels to me like everything around the", "a guard \"comes on stage\", he gets a name. Next time I need", "has a name, and that means - a life, even if we don't", "guard\" is not a character - he's a prop. \"Sergeant such-and-such\" is a", "never \"a guard\" - it's always \"Sergeant such-and-such\". Another effect that I like", "is that of the world being populated - there are people in it,", "everyone aside from the main characters is \"a guard\" and \"a servant\" feels", "Next time I need a guard, I pull out that same guy who", "Even the most minor ones. It says something about a nobleman when he", "I've already named. So characters start getting mileage. I don't plan anything for", "don't plan anything for those characters in advance, but over time they do", "So it's never \"a guard\" - it's always \"Sergeant such-and-such\". Another effect that", "hear complaints with regards to some published works* (e.g. A Song of Ice", "always \"Sergeant such-and-such\". Another effect that I like is that of the world", "person has a name, and that means - a life, even if we", "characters in advance, but over time they do get a life. My concern", "name, and that means - a life, even if we don't see it.", "that same guy who I've already named. So characters start getting mileage. I", "already named. So characters start getting mileage. I don't plan anything for those", "character - he's a prop. \"Sergeant such-and-such\" is a minor character. Is that", "is theatrical scenery made of cardboard. I'm a discovery writer, so first time", "time a guard \"comes on stage\", he gets a name. Next time I", "even if we don't see it. A world where everyone aside from the", "concerned about? Are there ways I can mitigate the downsides of having a", "Now, \"a guard\" is not a character - he's a prop. \"Sergeant such-and-such\"", "see it. A world where everyone aside from the main characters is \"a", "concern is: I often hear complaints with regards to some published works* (e.g.", "a life, even if we don't see it. A world where everyone aside", "theatrical scenery made of cardboard. I'm a discovery writer, so first time a", "remember\". Now, \"a guard\" is not a character - he's a prop. \"Sergeant", "characters start getting mileage. I don't plan anything for those characters in advance,", "there ways I can mitigate the downsides of having a great many named", "and that means - a life, even if we don't see it. A", "that of the world being populated - there are people in it, and", "characters is theatrical scenery made of cardboard. I'm a discovery writer, so first", "and every person has a name, and that means - a life, even", "minor character. Is that something I need to be concerned about? Are there", "guard \"comes on stage\", he gets a name. Next time I need a", "mileage. I don't plan anything for those characters in advance, but over time", "can mitigate the downsides of having a great many named characters in my", "I want. So it's never \"a guard\" - it's always \"Sergeant such-and-such\". Another", "pull out that same guy who I've already named. So characters start getting", "some published works** (e.g. A Song of Ice and Fire) about there being", "I pull out that same guy who I've already named. So characters start", "the world being populated - there are people in it, and every person", "says something about a nobleman when he knows every guard and stablehand by", "characters\", \"too many names to remember\". Now, \"a guard\" is not a character", "there being \"too many characters\", \"too many names to remember\". Now, \"a guard\"", "and \"a servant\" feels to me like everything around the main characters is", "guy who I've already named. So characters start getting mileage. I don't plan", "same guy who I've already named. So characters start getting mileage. I don't", "scenery made of cardboard. I'm a discovery writer, so first time a guard", "not a character - he's a prop. \"Sergeant such-and-such\" is a minor character.", "and stablehand by name, and it's something I want. So it's never \"a", "like everything around the main characters is theatrical scenery made of cardboard. I'm", "made of cardboard. I'm a discovery writer, so first time a guard \"comes", "mitigate the downsides of having a great many named characters in my novel?", "\"a guard\" is not a character - he's a prop. \"Sergeant such-and-such\" is", "many names to remember\". Now, \"a guard\" is not a character - he's", "\"too many names to remember\". Now, \"a guard\" is not a character -", "of cardboard. I'm a discovery writer, so first time a guard \"comes on", "My concern is: I often hear complaints with regards to some published works", "servant\" feels to me like everything around the main characters is theatrical scenery", "name, and it's something I want. So it's never \"a guard\" - it's", "a name. Next time I need a guard, I pull out that same", "they do get a life. My concern is: I often hear complaints with", "the main characters is theatrical scenery made of cardboard. I'm a discovery writer,", "\"comes on stage\", he gets a name. Next time I need a guard,", "stage\", he gets a name. Next time I need a guard, I pull", "world being populated - there are people in it, and every person has", "feels to me like everything around the main characters is theatrical scenery made", "tendency when writing is to give every character a name. Even the most", "Is that something I need to be concerned about? Are there ways I", "people in it, and every person has a name, and that means -", "those characters in advance, but over time they do get a life. My", "characters is \"a guard\" and \"a servant\" feels to me like everything around", "are people in it, and every person has a name, and that means", "out that same guy who I've already named. So characters start getting mileage.", "be concerned about? Are there ways I can mitigate the downsides of having", "it's never \"a guard\" - it's always \"Sergeant such-and-such\". Another effect that I", "everything around the main characters is theatrical scenery made of cardboard. I'm a", "complaints with regards to some published works (e.g. A Song of Ice and", "\"Sergeant such-and-such\". Another effect that I like is that of the world being", "a character - he's a prop. \"Sergeant such-and-such\" is a minor character. Is", "aside from the main characters is \"a guard\" and \"a servant\" feels to", "is a minor character. Is that something I need to be concerned about?", "a nobleman when he knows every guard and stablehand by name, and it's", "a prop. \"Sergeant such-and-such\" is a minor character. Is that something I need", "to give every character a name.* Even the most minor ones. It says", "he gets a name. Next time I need a guard, I pull out", "being populated - there are people in it, and every person has a", "A world where everyone aside from the main characters is \"a guard\" and", "who I've already named. So characters start getting mileage. I don't plan anything", "(e.g. A Song of Ice and Fire) about there being \"too many characters\",", "Another effect that I like is that of the world being populated -", "something I want. So it's never \"a guard\" - it's always \"Sergeant such-and-such\".", "prop. \"Sergeant such-and-such\" is a minor character. Is that something I need to", "My tendency when writing is to give every character a name. Even the", "on stage\", he gets a name. Next time I need a guard, I", "every person has a name, and that means - a life, even if", "something I need to be concerned about? Are there ways I can mitigate", "I often hear complaints with regards to some published works (e.g. A Song", "minor ones. It says something about a nobleman when he knows every guard", "cardboard. I'm a discovery writer, so first time a guard \"comes on stage\",", "first time a guard \"comes on stage\", he gets a name. Next time", "names to remember\". Now, \"a guard\" is not a character - he's a", "stablehand by name, and it's something I want. So it's never \"a guard\"", "something about a nobleman when he knows every guard and stablehand by name,", "I like is that of the world being populated - there are people", "in it, and every person has a name, and that means - a", "don't see it. A world where everyone aside from the main characters is", "such-and-such\". Another effect that I like is that of the world being populated", "Fire) about there being \"too many characters\", \"too many names to remember\". Now,", "knows every guard and stablehand by name, and it's something I want. So", "life, even if we don't see it. A world where everyone aside from", "time I need a guard, I pull out that same guy who I've", "get a life. My concern is: I often hear complaints with regards to", "character. Is that something I need to be concerned about? Are there ways", "I can mitigate the downsides of having a great many named characters in", "a life. My concern is: I often hear complaints with regards to some", "of the world being populated - there are people in it, and every", "it's something I want. So it's never \"a guard\" - it's always \"Sergeant", "discovery writer, so first time a guard \"comes on stage\", he gets a", "to be concerned about? Are there ways I can mitigate the downsides of", "it. A world where everyone aside from the main characters is \"a guard\"", "where everyone aside from the main characters is \"a guard\" and \"a servant\"", "is not a character - he's a prop. \"Sergeant such-and-such\" is a minor", "published works** (e.g. A Song of Ice and Fire) about there being \"too", "\"a guard\" - it's always \"Sergeant such-and-such\". Another effect that I like is", "regards to some published works (e.g. A Song of Ice and Fire) about", "I don't plan anything for those characters in advance, but over time they", "for those characters in advance, but over time they do get a life.", "about? Are there ways I can mitigate the downsides of having a great", "is to give every character a name. Even the most minor ones. It", "world where everyone aside from the main characters is \"a guard\" and \"a", "the most minor ones. It says something about a nobleman when he knows", "being \"too many characters\", \"too many names to remember\". Now, \"a guard\" is", "character a name. Even the most minor ones. It says something about a", "we don't see it. A world where everyone aside from the main characters", "main characters is \"a guard\" and \"a servant\" feels to me like everything", "\"a servant\" feels to me like everything around the main characters is theatrical", "- there are people in it, and every person has a name, and", "and Fire) about there being \"too many characters\", \"too many names to remember\".", "but over time they do get a life. My concern is: I often", "Ice and Fire) about there being \"too many characters\", \"too many names to", "and it's something I want. So it's never \"a guard\" - it's always", "anything for those characters in advance, but over time they do get a", "guard and stablehand by name, and it's something I want. So it's never", "around the main characters is theatrical scenery made of cardboard. I'm a discovery", "writing is to give every character a name. Even the most minor ones.", "about a nobleman when he knows every guard and stablehand by name, and", "main characters is theatrical scenery made of cardboard. I'm a discovery writer, so", "in advance, but over time they do get a life. My concern is:", "most minor ones. It says something about a nobleman when he knows every", "effect that I like is that of the world being populated - there", "need to be concerned about? Are there ways I can mitigate the downsides", "to me like everything around the main characters is theatrical scenery made of", "gets a name. Next time I need a guard, I pull out that", "is: I often hear complaints with regards to some published works** (e.g. A", "getting mileage. I don't plan anything for those characters in advance, but over", "time they do get a life. My concern is: I often hear complaints", "when writing is to give every character a name.* Even the most minor", "advance, but over time they do get a life. My concern is: I", "a name, and that means - a life, even if we don't see", "- he's a prop. \"Sergeant such-and-such\" is a minor character. Is that something", "so first time a guard \"comes on stage\", he gets a name. Next", "if we don't see it. A world where everyone aside from the main", "a name. Even the most minor ones. It says something about a nobleman", "that I like is that of the world being populated - there are", "guard\" - it's always \"Sergeant such-and-such\". Another effect that I like is that", "need a guard, I pull out that same guy who I've already named.", "from the main characters is \"a guard\" and \"a servant\" feels to me" ]
[ "of a writers block on these. My recounting of events has become drier", "immediate plans were at an end. Only time would tell what lay ahead...", "entertaining * Provide some additional lore Here is an example from earlier in", "somewhat of a writers block on these. My recounting of events has become", "drier and less interesting. I'm looking for advice on how to write these", "how to write the cliffhanger type endings to get people excited for the", "share with my players. The goal for these updates is: * Provide a", "next session. *How can I write a recap to make people excited for", "would they be facing upon their return? Sandpoint would certainly be different than", "achieve the goals listed above. Particularly how to write the cliffhanger type endings", "the campaign: > > ### Approaching Sandpoint > > > A villain thwarted,", "block on these. My recounting of events has become drier and less interesting.", "write an update each session which I share with my players. The goal", "a scroll retrieved. A great deal had happend to the Friday Cnigktm since", "do first? They had debts to collect and an old wizard to speak", "since they left Sandpoint. What would they be facing upon their return? Sandpoint", "with my players. The goal for these updates is: Provide a brief", "facing upon their return? Sandpoint would certainly be different than when last they", "left Sandpoint. What would they be facing upon their return? Sandpoint would certainly", "and a scroll retrieved. A great deal had happend to the Friday Cnigktm", "happend to the Friday Cnigktm since they left Sandpoint. What would they be", "above. Particularly how to write the cliffhanger type endings to get people excited", "the next session. *How can I write a recap to make people excited", "less interesting. I'm looking for advice on how to write these to achieve", "end. Only time would tell what lay ahead... > > > Recently I've", "next session Be entertaining * Provide some additional lore Here is an", "campaign I write an update each session which I share with my players.", "get people excited for the next session. *How can I write a recap", "What to do first? They had debts to collect and an old wizard", "an update each session which I share with my players. The goal for", "Only time would tell what lay ahead... > > > Recently I've had", "and an old wizard to speak to. Then where to? All their immediate", " Get people excited for the next session * Be entertaining * Provide", "advice on how to write these to achieve the goals listed above. Particularly", "A villain thwarted, a new companion found and a scroll retrieved. A great", "these. My recounting of events has become drier and less interesting. I'm looking", "they be facing upon their return? Sandpoint would certainly be different than when", "it. > > > What to do first? They had debts to collect", "wizard to speak to. Then where to? All their immediate plans were at", "these to achieve the goals listed above. Particularly how to write the cliffhanger", "> Recently I've had somewhat of a writers block on these. My recounting", "old wizard to speak to. Then where to? All their immediate plans were", "become drier and less interesting. I'm looking for advice on how to write", "additional lore Here is an example from earlier in the campaign: > >", "had happend to the Friday Cnigktm since they left Sandpoint. What would they", "to speak to. Then where to? All their immediate plans were at an", "the goals listed above. Particularly how to write the cliffhanger type endings to", "brief recap of the previous session * Get people excited for the next", "each session which I share with my players. The goal for these updates", "cliffhanger type endings to get people excited for the next session. *How can", "which I share with my players. The goal for these updates is: ", "had debts to collect and an old wizard to speak to. Then where", "Particularly how to write the cliffhanger type endings to get people excited for", "Provide some additional lore Here is an example from earlier in the campaign:", "goal for these updates is: * Provide a brief recap of the previous", "an end. Only time would tell what lay ahead... > > > Recently", "the cliffhanger type endings to get people excited for the next session. How", "> > > Recently I've had somewhat of a writers block on these.", "session which I share with my players. The goal for these updates is:", "deal had happend to the Friday Cnigktm since they left Sandpoint. What would", "people excited for the next session. How can I write a recap to", "ahead... > > > Recently I've had somewhat of a writers block on", "endings to get people excited for the next session. *How can I write", "looking for advice on how to write these to achieve the goals listed", "an example from earlier in the campaign: > > ### Approaching Sandpoint >", "an old wizard to speak to. Then where to? All their immediate plans", "excited for the next session Be entertaining * Provide some additional lore", "the Friday Cnigktm since they left Sandpoint. What would they be facing upon", "plans were at an end. Only time would tell what lay ahead... >", "to the Friday Cnigktm since they left Sandpoint. What would they be facing", "update each session which I share with my players. The goal for these", "the previous session * Get people excited for the next session * Be", "new companion found and a scroll retrieved. A great deal had happend to", "Sandpoint. What would they be facing upon their return? Sandpoint would certainly be", "events has become drier and less interesting. I'm looking for advice on how", "upon their return? Sandpoint would certainly be different than when last they saw", "session * Be entertaining * Provide some additional lore Here is an example", "campaign: > > ### Approaching Sandpoint > > > A villain thwarted, a", "has become drier and less interesting. I'm looking for advice on how to", "at an end. Only time would tell what lay ahead... > > >", "example from earlier in the campaign: > > ### Approaching Sandpoint > >", "Then where to? All their immediate plans were at an end. Only time", "to write these to achieve the goals listed above. Particularly how to write", "Be entertaining * Provide some additional lore Here is an example from earlier", "> > What to do first? They had debts to collect and an", "Pathfinder campaign I write an update each session which I share with my", "They had debts to collect and an old wizard to speak to. Then", "to write the cliffhanger type endings to get people excited for the next", "earlier in the campaign: > > ### Approaching Sandpoint > > > A", "where to? All their immediate plans were at an end. Only time would", "than when last they saw it. > > > What to do first?", "time would tell what lay ahead... > > > Recently I've had somewhat", "some additional lore Here is an example from earlier in the campaign: >", "what lay ahead... > > > Recently I've had somewhat of a writers", "Provide a brief recap of the previous session * Get people excited for", "a new companion found and a scroll retrieved. A great deal had happend", "I write an update each session which I share with my players. The", "updates is: * Provide a brief recap of the previous session * Get", "for the next session * Be entertaining * Provide some additional lore Here", "speak to. Then where to? All their immediate plans were at an end.", "a brief recap of the previous session * Get people excited for the", "I've had somewhat of a writers block on these. My recounting of events", "people excited for the next session * Be entertaining * Provide some additional", "goals listed above. Particularly how to write the cliffhanger type endings to get", "players. The goal for these updates is: * Provide a brief recap of", "their immediate plans were at an end. Only time would tell what lay", "be different than when last they saw it. > > > What to", "to get people excited for the next session. *How can I write a", "> > Recently I've had somewhat of a writers block on these. My", "would tell what lay ahead... > > > Recently I've had somewhat of", "for advice on how to write these to achieve the goals listed above.", "session Get people excited for the next session * Be entertaining ", "return? Sandpoint would certainly be different than when last they saw it. >", "I'm looking for advice on how to write these to achieve the goals", "in the campaign: > > ### Approaching Sandpoint > > > A villain", "Approaching Sandpoint > > > A villain thwarted, a new companion found and", "they left Sandpoint. What would they be facing upon their return? Sandpoint would", "My recounting of events has become drier and less interesting. I'm looking for", "All their immediate plans were at an end. Only time would tell what", "for these updates is: Provide a brief recap of the previous session", "be facing upon their return? Sandpoint would certainly be different than when last", "villain thwarted, a new companion found and a scroll retrieved. A great deal", "interesting. I'm looking for advice on how to write these to achieve the", "of events has become drier and less interesting. I'm looking for advice on", "great deal had happend to the Friday Cnigktm since they left Sandpoint. What", "> > ### Approaching Sandpoint > > > A villain thwarted, a new", "The goal for these updates is: * Provide a brief recap of the", "Friday Cnigktm since they left Sandpoint. What would they be facing upon their", "recounting of events has become drier and less interesting. I'm looking for advice", "Recently I've had somewhat of a writers block on these. My recounting of", "A great deal had happend to the Friday Cnigktm since they left Sandpoint.", "write these to achieve the goals listed above. Particularly how to write the", "What would they be facing upon their return? Sandpoint would certainly be different", "> > > A villain thwarted, a new companion found and a scroll", "their return? Sandpoint would certainly be different than when last they saw it.", "thwarted, a new companion found and a scroll retrieved. A great deal had", "collect and an old wizard to speak to. Then where to? All their", "found and a scroll retrieved. A great deal had happend to the Friday", "can I write a recap to make people excited for the next instalment?*", "> > A villain thwarted, a new companion found and a scroll retrieved.", "companion found and a scroll retrieved. A great deal had happend to the", "first? They had debts to collect and an old wizard to speak to.", "I share with my players. The goal for these updates is: Provide", "tell what lay ahead... > > > Recently I've had somewhat of a", "listed above. Particularly how to write the cliffhanger type endings to get people", "to. Then where to? All their immediate plans were at an end. Only", "retrieved. A great deal had happend to the Friday Cnigktm since they left", "### Approaching Sandpoint > > > A villain thwarted, a new companion found", "> What to do first? They had debts to collect and an old", "would certainly be different than when last they saw it. > > >", "type endings to get people excited for the next session. How can I", "for the next session. How can I write a recap to make people", "were at an end. Only time would tell what lay ahead... > >", "on how to write these to achieve the goals listed above. Particularly how", "when last they saw it. > > > What to do first? They", "For my Pathfinder campaign I write an update each session which I share", "* Provide a brief recap of the previous session * Get people excited", "a writers block on these. My recounting of events has become drier and", "scroll retrieved. A great deal had happend to the Friday Cnigktm since they", "> ### Approaching Sandpoint > > > A villain thwarted, a new companion", "to? All their immediate plans were at an end. Only time would tell", "writers block on these. My recounting of events has become drier and less", "lore Here is an example from earlier in the campaign: > > ###", "to do first? They had debts to collect and an old wizard to", "and less interesting. I'm looking for advice on how to write these to", "recap of the previous session * Get people excited for the next session", "* Be entertaining * Provide some additional lore Here is an example from", "Here is an example from earlier in the campaign: > > ### Approaching", "previous session * Get people excited for the next session * Be entertaining", "the next session * Be entertaining * Provide some additional lore Here is", "Sandpoint would certainly be different than when last they saw it. > >", "Cnigktm since they left Sandpoint. What would they be facing upon their return?", "these updates is: * Provide a brief recap of the previous session ", "lay ahead... > > > Recently I've had somewhat of a writers block", "> A villain thwarted, a new companion found and a scroll retrieved. A", "session. How can I write a recap to make people excited for the", "last they saw it. > > > What to do first? They had", "saw it. > > > What to do first? They had debts to", "from earlier in the campaign: > > ### Approaching Sandpoint > > >", "is an example from earlier in the campaign: > > ### Approaching Sandpoint", "certainly be different than when last they saw it. > > > What", "Sandpoint > > > A villain thwarted, a new companion found and a", "they saw it. > > > What to do first? They had debts", "on these. My recounting of events has become drier and less interesting. I'm", "> > > What to do first? They had debts to collect and", "excited for the next session. How can I write a recap to make", "to collect and an old wizard to speak to. Then where to? All", "of the previous session Get people excited for the next session ", "Get people excited for the next session Be entertaining * Provide some", "had somewhat of a writers block on these. My recounting of events has", "different than when last they saw it. > > > What to do", "*How can I write a recap to make people excited for the next", "my players. The goal for these updates is: Provide a brief recap", "is: * Provide a brief recap of the previous session * Get people", "* Provide some additional lore Here is an example from earlier in the", "debts to collect and an old wizard to speak to. Then where to?", "to achieve the goals listed above. Particularly how to write the cliffhanger type", "how to write these to achieve the goals listed above. Particularly how to", "write the cliffhanger type endings to get people excited for the next session.", "my Pathfinder campaign I write an update each session which I share with" ]
[ "to another language, because lyrics depend a lot on musicality (rhymes, syllables), it's", "what are some guidelines when translating the lyrics of a song to another", "languages, so should you try to keep the meaning as much as possible", "(rhymes, syllables), it's very hard to maintain the same meaning across languages, so", "maintain the same meaning across languages, so should you try to keep the", "hard to maintain the same meaning across languages, so should you try to", "another language, because lyrics depend a lot on musicality (rhymes, syllables), it's very", "because lyrics depend a lot on musicality (rhymes, syllables), it's very hard to", "when translating the lyrics of a song to another language, because lyrics depend", "of a song to another language, because lyrics depend a lot on musicality", "to keep the meaning as much as possible or not and for what", "it's very hard to maintain the same meaning across languages, so should you", "to maintain the same meaning across languages, so should you try to keep", "the same meaning across languages, so should you try to keep the meaning", "wondering what are some guidelines when translating the lyrics of a song to", "song to another language, because lyrics depend a lot on musicality (rhymes, syllables),", "so should you try to keep the meaning as much as possible or", "a lot on musicality (rhymes, syllables), it's very hard to maintain the same", "the lyrics of a song to another language, because lyrics depend a lot", "a song to another language, because lyrics depend a lot on musicality (rhymes,", "depend a lot on musicality (rhymes, syllables), it's very hard to maintain the", "across languages, so should you try to keep the meaning as much as", "same meaning across languages, so should you try to keep the meaning as", "meaning across languages, so should you try to keep the meaning as much", "I am wondering what are some guidelines when translating the lyrics of a", "lyrics depend a lot on musicality (rhymes, syllables), it's very hard to maintain", "on musicality (rhymes, syllables), it's very hard to maintain the same meaning across", "language, because lyrics depend a lot on musicality (rhymes, syllables), it's very hard", "musicality (rhymes, syllables), it's very hard to maintain the same meaning across languages,", "should you try to keep the meaning as much as possible or not", "guidelines when translating the lyrics of a song to another language, because lyrics", "very hard to maintain the same meaning across languages, so should you try", "you try to keep the meaning as much as possible or not and", "some guidelines when translating the lyrics of a song to another language, because", "translating the lyrics of a song to another language, because lyrics depend a", "syllables), it's very hard to maintain the same meaning across languages, so should", "lot on musicality (rhymes, syllables), it's very hard to maintain the same meaning", "keep the meaning as much as possible or not and for what reasons?", "am wondering what are some guidelines when translating the lyrics of a song", "are some guidelines when translating the lyrics of a song to another language,", "lyrics of a song to another language, because lyrics depend a lot on", "try to keep the meaning as much as possible or not and for" ]
[ "I have published a thriller novel, two mystery short stories, and also YA", "different genres like thriller, sci-fi, also screenplays, and do this in... let's say,", "but I have a doubt. I have published a thriller novel, two mystery", "I'm going to write in different genres like thriller, sci-fi, also screenplays, and", "to get a traditional publishing contract. They say it's my choice, but I", "novel, two mystery short stories, and also YA and some children short stories.", "get a traditional publishing contract. They say it's my choice, but I have", "genres like thriller, sci-fi, also screenplays, and do this in... let's say, in", "two mystery short stories, and also YA and some children short stories. If", "children short stories. If I'm going to write in different genres like thriller,", "sci-fi, also screenplays, and do this in... let's say, in a different format.", "a traditional publishing contract. They say it's my choice, but I have a", "If I'm going to write in different genres like thriller, sci-fi, also screenplays,", "thriller, sci-fi, also screenplays, and do this in... let's say, in a different", "it's my choice, but I have a doubt. I have published a thriller", "have a doubt. I have published a thriller novel, two mystery short stories,", "and do this in... let's say, in a different format. do I need", "I have a doubt. I have published a thriller novel, two mystery short", "screenplays, and do this in... let's say, in a different format. do I", "short stories, and also YA and some children short stories. If I'm going", "to write in different genres like thriller, sci-fi, also screenplays, and do this", "this in... let's say, in a different format. do I need to get", "also YA and some children short stories. If I'm going to write in", "have published a thriller novel, two mystery short stories, and also YA and", "in different genres like thriller, sci-fi, also screenplays, and do this in... let's", "stories. If I'm going to write in different genres like thriller, sci-fi, also", "is going to get a traditional publishing contract. They say it's my choice,", "a thriller novel, two mystery short stories, and also YA and some children", "and also YA and some children short stories. If I'm going to write", "write in different genres like thriller, sci-fi, also screenplays, and do this in...", "They say it's my choice, but I have a doubt. I have published", "also screenplays, and do this in... let's say, in a different format. do", "going to write in different genres like thriller, sci-fi, also screenplays, and do", "in a different format. do I need to get another name for that?", "like thriller, sci-fi, also screenplays, and do this in... let's say, in a", "contract. They say it's my choice, but I have a doubt. I have", "my choice, but I have a doubt. I have published a thriller novel,", "doubt. I have published a thriller novel, two mystery short stories, and also", "a doubt. I have published a thriller novel, two mystery short stories, and", "YA and some children short stories. If I'm going to write in different", "a self-published author, who is going to get a traditional publishing contract. They", "I'm a self-published author, who is going to get a traditional publishing contract.", "in... let's say, in a different format. do I need to get another", "let's say, in a different format. do I need to get another name", "who is going to get a traditional publishing contract. They say it's my", "stories, and also YA and some children short stories. If I'm going to", "short stories. If I'm going to write in different genres like thriller, sci-fi,", "and some children short stories. If I'm going to write in different genres", "some children short stories. If I'm going to write in different genres like", "say, in a different format. do I need to get another name for", "author, who is going to get a traditional publishing contract. They say it's", "say it's my choice, but I have a doubt. I have published a", "choice, but I have a doubt. I have published a thriller novel, two", "do this in... let's say, in a different format. do I need to", "going to get a traditional publishing contract. They say it's my choice, but", "published a thriller novel, two mystery short stories, and also YA and some", "traditional publishing contract. They say it's my choice, but I have a doubt.", "self-published author, who is going to get a traditional publishing contract. They say", "thriller novel, two mystery short stories, and also YA and some children short", "mystery short stories, and also YA and some children short stories. If I'm", "publishing contract. They say it's my choice, but I have a doubt. I" ]
[ "unnecessary family conflicts. In technical writing this may happen also; we have two", "surrounds the controversy of [France changing ‘mother’ and ‘father’ to ‘parent 1’ and", "writing this may happen also; we have two or more completely independent identical", "and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new", "standard implies one parent is 'secondary' and the designation may induce completely unnecessary", "B, C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this all", "would be rather confusing, never mind not yielding itself for verbal communication. Can", "'unit @, unit \\, unit %' but I believe this by itself would", "we still need to distinguish them; assign them some designations when describing the", "2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this all is a specific", "suggest a convenient set/system of identifiers to use e.g. in technical writing or", "identical units/objects/devices, which need to communicate. Any of them may initiate the communication,", "in an aggravated form surrounds the controversy of [France changing ‘mother’ and ‘father’", "of [France changing ‘mother’ and ‘father’ to ‘parent 1’ and ‘parent 2’ in", "need to communicate. Any of them may initiate the communication, and this will", "that doesn't imply any order or priority of the options, but still allows", "and this will assign them specific roles, but before the conditions occur, they", "controversy of [France changing ‘mother’ and ‘father’ to ‘parent 1’ and ‘parent 2’", "in technical writing or legal documents, that doesn't imply any order or priority", "communication, and this will assign them specific roles, but before the conditions occur,", "order or priority of the options, but still allows to reference them uniquely?", "'secondary' and the designation may induce completely unnecessary family conflicts. In technical writing", "be rather confusing, never mind not yielding itself for verbal communication. Can you", "problem in an aggravated form surrounds the controversy of [France changing ‘mother’ and", "legal documents, that doesn't imply any order or priority of the options, but", "to communicate. Any of them may initiate the communication, and this will assign", "is a specific sequence. I might try using symbols, 'unit @, unit \\,", "C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this all is", "a convenient set/system of identifiers to use e.g. in technical writing or legal", "priority, sequence etc would be misguiding - but we still need to distinguish", "verbal communication. Can you suggest a convenient set/system of identifiers to use e.g.", "distinguish them; assign them some designations when describing the situation. Marking them \"Unit", "you suggest a convenient set/system of identifiers to use e.g. in technical writing", "documents, that doesn't imply any order or priority of the options, but still", "technical writing this may happen also; we have two or more completely independent", "[France changing ‘mother’ and ‘father’ to ‘parent 1’ and ‘parent 2’ in official", "technical writing or legal documents, that doesn't imply any order or priority of", "mind not yielding itself for verbal communication. Can you suggest a convenient set/system", "one parent is 'secondary' and the designation may induce completely unnecessary family conflicts.", "misguiding - but we still need to distinguish them; assign them some designations", "yielding itself for verbal communication. Can you suggest a convenient set/system of identifiers", "never mind not yielding itself for verbal communication. Can you suggest a convenient", "where the controversy suggests the new standard implies one parent is 'secondary' and", "sequence. I might try using symbols, 'unit @, unit \\, unit %' but", "this by itself would be rather confusing, never mind not yielding itself for", "An example of the problem in an aggravated form surrounds the controversy of", "order, priority, sequence etc would be misguiding - but we still need to", "convenient set/system of identifiers to use e.g. in technical writing or legal documents,", "units/objects/devices, which need to communicate. Any of them may initiate the communication, and", "implies one parent is 'secondary' and the designation may induce completely unnecessary family", "to distinguish them; assign them some designations when describing the situation. Marking them", "Beta, Gamma\" this all is a specific sequence. I might try using symbols,", "and so suggesting any order, priority, sequence etc would be misguiding - but", "@, unit \\, unit %' but I believe this by itself would be", "of the problem in an aggravated form surrounds the controversy of [France changing", "‘father’ to ‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the", "try using symbols, 'unit @, unit \\, unit %' but I believe this", "describing the situation. Marking them \"Unit A, B, C\"; \"1, 2, 3\"; \"X,", "not yielding itself for verbal communication. Can you suggest a convenient set/system of", "3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this all is a specific sequence.", "A, B, C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this", "\"X, Y, Z\", \"Alpha, Beta, Gamma\" this all is a specific sequence. I", "‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new standard", "or more completely independent identical units/objects/devices, which need to communicate. Any of them", "e.g. in technical writing or legal documents, that doesn't imply any order or", "designations when describing the situation. Marking them \"Unit A, B, C\"; \"1, 2,", "identifiers to use e.g. in technical writing or legal documents, that doesn't imply", "situation. Marking them \"Unit A, B, C\"; \"1, 2, 3\"; \"X, Y, Z\",", "conditions occur, they are perfectly equivalent and so suggesting any order, priority, sequence", "Gamma\" this all is a specific sequence. I might try using symbols, 'unit", "they are perfectly equivalent and so suggesting any order, priority, sequence etc would", "specific sequence. I might try using symbols, 'unit @, unit \\, unit %'", "I might try using symbols, 'unit @, unit \\, unit %' but I", "but before the conditions occur, they are perfectly equivalent and so suggesting any", "when describing the situation. Marking them \"Unit A, B, C\"; \"1, 2, 3\";", "\"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\" this all is a", "rather confusing, never mind not yielding itself for verbal communication. Can you suggest", "parent is 'secondary' and the designation may induce completely unnecessary family conflicts. In", "of them may initiate the communication, and this will assign them specific roles,", "which need to communicate. Any of them may initiate the communication, and this", "specific roles, but before the conditions occur, they are perfectly equivalent and so", "unit \\, unit %' but I believe this by itself would be rather", "aggravated form surrounds the controversy of [France changing ‘mother’ and ‘father’ to ‘parent", "communicate. Any of them may initiate the communication, and this will assign them", "paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new standard implies one parent is", "this will assign them specific roles, but before the conditions occur, they are", "symbols, 'unit @, unit \\, unit %' but I believe this by itself", "itself for verbal communication. Can you suggest a convenient set/system of identifiers to", "to ‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy", "any order or priority of the options, but still allows to reference them", "completely independent identical units/objects/devices, which need to communicate. Any of them may initiate", "using symbols, 'unit @, unit \\, unit %' but I believe this by", "but we still need to distinguish them; assign them some designations when describing", "more completely independent identical units/objects/devices, which need to communicate. Any of them may", "communication. Can you suggest a convenient set/system of identifiers to use e.g. in", "we have two or more completely independent identical units/objects/devices, which need to communicate.", "completely unnecessary family conflicts. In technical writing this may happen also; we have", "so suggesting any order, priority, sequence etc would be misguiding - but we", "believe this by itself would be rather confusing, never mind not yielding itself", "imply any order or priority of the options, but still allows to reference", "\\, unit %' but I believe this by itself would be rather confusing,", "Any of them may initiate the communication, and this will assign them specific", "doesn't imply any order or priority of the options, but still allows to", "unit %' but I believe this by itself would be rather confusing, never", "itself would be rather confusing, never mind not yielding itself for verbal communication.", "use e.g. in technical writing or legal documents, that doesn't imply any order", "some designations when describing the situation. Marking them \"Unit A, B, C\"; \"1,", "and ‘father’ to ‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where", "for verbal communication. Can you suggest a convenient set/system of identifiers to use", "by itself would be rather confusing, never mind not yielding itself for verbal", "may induce completely unnecessary family conflicts. In technical writing this may happen also;", "the controversy of [France changing ‘mother’ and ‘father’ to ‘parent 1’ and ‘parent", "be misguiding - but we still need to distinguish them; assign them some", "the designation may induce completely unnecessary family conflicts. In technical writing this may", "to use e.g. in technical writing or legal documents, that doesn't imply any", "set/system of identifiers to use e.g. in technical writing or legal documents, that", "would be misguiding - but we still need to distinguish them; assign them", "them; assign them some designations when describing the situation. Marking them \"Unit A,", "form surrounds the controversy of [France changing ‘mother’ and ‘father’ to ‘parent 1’", "controversy suggests the new standard implies one parent is 'secondary' and the designation", "the conditions occur, they are perfectly equivalent and so suggesting any order, priority,", "independent identical units/objects/devices, which need to communicate. Any of them may initiate the", "- where the controversy suggests the new standard implies one parent is 'secondary'", "them some designations when describing the situation. Marking them \"Unit A, B, C\";", "initiate the communication, and this will assign them specific roles, but before the", "family conflicts. In technical writing this may happen also; we have two or", "of identifiers to use e.g. in technical writing or legal documents, that doesn't", "two or more completely independent identical units/objects/devices, which need to communicate. Any of", "writing or legal documents, that doesn't imply any order or priority of the", "suggests the new standard implies one parent is 'secondary' and the designation may", "this may happen also; we have two or more completely independent identical units/objects/devices,", "designation may induce completely unnecessary family conflicts. In technical writing this may happen", "Can you suggest a convenient set/system of identifiers to use e.g. in technical", "Z\", \"Alpha, Beta, Gamma\" this all is a specific sequence. I might try", "- but we still need to distinguish them; assign them some designations when", "changing ‘mother’ and ‘father’ to ‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/)", "have two or more completely independent identical units/objects/devices, which need to communicate. Any", "all is a specific sequence. I might try using symbols, 'unit @, unit", "official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new standard implies one parent", "any order, priority, sequence etc would be misguiding - but we still need", "%' but I believe this by itself would be rather confusing, never mind", "or legal documents, that doesn't imply any order or priority of the options,", "example of the problem in an aggravated form surrounds the controversy of [France", "new standard implies one parent is 'secondary' and the designation may induce completely", "I believe this by itself would be rather confusing, never mind not yielding", "will assign them specific roles, but before the conditions occur, they are perfectly", "occur, they are perfectly equivalent and so suggesting any order, priority, sequence etc", "equivalent and so suggesting any order, priority, sequence etc would be misguiding -", "this all is a specific sequence. I might try using symbols, 'unit @,", "Marking them \"Unit A, B, C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha,", "etc would be misguiding - but we still need to distinguish them; assign", "roles, but before the conditions occur, they are perfectly equivalent and so suggesting", "need to distinguish them; assign them some designations when describing the situation. Marking", "the new standard implies one parent is 'secondary' and the designation may induce", "also; we have two or more completely independent identical units/objects/devices, which need to", "them specific roles, but before the conditions occur, they are perfectly equivalent and", "but I believe this by itself would be rather confusing, never mind not", "the controversy suggests the new standard implies one parent is 'secondary' and the", "\"Unit A, B, C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta, Gamma\"", "induce completely unnecessary family conflicts. In technical writing this may happen also; we", "\"Alpha, Beta, Gamma\" this all is a specific sequence. I might try using", "confusing, never mind not yielding itself for verbal communication. Can you suggest a", "in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new standard implies one", "before the conditions occur, they are perfectly equivalent and so suggesting any order,", "a specific sequence. I might try using symbols, 'unit @, unit \\, unit", "are perfectly equivalent and so suggesting any order, priority, sequence etc would be", "them may initiate the communication, and this will assign them specific roles, but", "‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests", "and the designation may induce completely unnecessary family conflicts. In technical writing this", "sequence etc would be misguiding - but we still need to distinguish them;", "is 'secondary' and the designation may induce completely unnecessary family conflicts. In technical", "Y, Z\", \"Alpha, Beta, Gamma\" this all is a specific sequence. I might", "1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the", "the situation. Marking them \"Unit A, B, C\"; \"1, 2, 3\"; \"X, Y,", "2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) - where the controversy suggests the new standard implies", "suggesting any order, priority, sequence etc would be misguiding - but we still", "may initiate the communication, and this will assign them specific roles, but before", "them \"Unit A, B, C\"; \"1, 2, 3\"; \"X, Y, Z\", \"Alpha, Beta,", "the communication, and this will assign them specific roles, but before the conditions", "might try using symbols, 'unit @, unit \\*, unit %' but I believe", "the problem in an aggravated form surrounds the controversy of [France changing ‘mother’", "‘mother’ and ‘father’ to ‘parent 1’ and ‘parent 2’ in official paperwork](https://voiceofeurope.com/2019/02/france-changes-mother-and-father-to-parent-1-and-parent-2-under-new-law/) -", "assign them some designations when describing the situation. Marking them \"Unit A, B,", "an aggravated form surrounds the controversy of [France changing ‘mother’ and ‘father’ to", "assign them specific roles, but before the conditions occur, they are perfectly equivalent", "still need to distinguish them; assign them some designations when describing the situation.", "may happen also; we have two or more completely independent identical units/objects/devices, which", "perfectly equivalent and so suggesting any order, priority, sequence etc would be misguiding", "conflicts. In technical writing this may happen also; we have two or more", "happen also; we have two or more completely independent identical units/objects/devices, which need", "In technical writing this may happen also; we have two or more completely" ]
[ "two beings in one body maintain a dialogue, with the demon wanting to", "and other evil acts are whispered into his mind by this demonic side,", "of the demon genes and blood coursing through him, as struggled with certain", "him, as struggled with certain urges his entire life. Demons are chaotic creatures", "with certain urges his entire life. Demons are chaotic creatures that revel in", "side, which manifests as an alter ego that seeks to take control over", "ego that seeks to take control over him. The two beings in one", "take over. Thoughts of committing murder, torture, and other evil acts are whispered", "other who reside in the same body. How can I do this realistically", "do this realistically while the human tries to go on with his life", "entire life. Demons are chaotic creatures that revel in destruction and enjoy causing", "the demon in order to gain use of its powers. However, it finds", "urges his entire life. Demons are chaotic creatures that revel in destruction and", "who reside in the same body. How can I do this realistically while", "can I do this realistically while the human tries to go on with", "and blood coursing through him, as struggled with certain urges his entire life.", "over him. The two beings in one body maintain a dialogue, with the", "in one body maintain a dialogue, with the demon wanting to be let", "his entire life. Demons are chaotic creatures that revel in destruction and enjoy", "are chaotic creatures that revel in destruction and enjoy causing pain simply for", "demon in order to gain use of its powers. However, it finds it", "desires that are difficult to control, and must constantly battle them lest they", "struggled with certain urges his entire life. Demons are chaotic creatures that revel", "beings in one body maintain a dialogue, with the demon wanting to be", "realistically while the human tries to go on with his life as normal", "blood coursing through him, as struggled with certain urges his entire life. Demons", "sometimes obliges the demon in order to gain use of its powers. However,", "finds it increasingly difficult to gain back control and lock the demon back", "in destruction and enjoy causing pain simply for the sake of it. He", "it. He has desires that are difficult to control, and must constantly battle", "that are difficult to control, and must constantly battle them lest they take", "a human-demon hybrid. He is good natured on a normal day, but because", "is good natured on a normal day, but because of the demon genes", "its powers. However, it finds it increasingly difficult to gain back control and", "out and pushing him toward evil. This human sometimes obliges the demon in", "Thoughts of committing murder, torture, and other evil acts are whispered into his", "to take control over him. The two beings in one body maintain a", "the human tries to go on with his life as normal and have", "I want to showcase the struggle of these two beings with each other", "normal day, but because of the demon genes and blood coursing through him,", "as an alter ego that seeks to take control over him. The two", "to go on with his life as normal and have regular relationships with", "chaotic creatures that revel in destruction and enjoy causing pain simply for the", "has desires that are difficult to control, and must constantly battle them lest", "is a human-demon hybrid. He is good natured on a normal day, but", "story is a human-demon hybrid. He is good natured on a normal day,", "life. Demons are chaotic creatures that revel in destruction and enjoy causing pain", "into his mind by this demonic side, which manifests as an alter ego", "control over him. The two beings in one body maintain a dialogue, with", "each other who reside in the same body. How can I do this", "causing pain simply for the sake of it. He has desires that are", "this story is a human-demon hybrid. He is good natured on a normal", "pain simply for the sake of it. He has desires that are difficult", "two beings with each other who reside in the same body. How can", "but because of the demon genes and blood coursing through him, as struggled", "body maintain a dialogue, with the demon wanting to be let out and", "human-demon hybrid. He is good natured on a normal day, but because of", "creatures that revel in destruction and enjoy causing pain simply for the sake", "The character in this story is a human-demon hybrid. He is good natured", "coursing through him, as struggled with certain urges his entire life. Demons are", "enjoy causing pain simply for the sake of it. He has desires that", "of it. He has desires that are difficult to control, and must constantly", "He has desires that are difficult to control, and must constantly battle them", "mind by this demonic side, which manifests as an alter ego that seeks", "lest they take over. Thoughts of committing murder, torture, and other evil acts", "difficult to control, and must constantly battle them lest they take over. Thoughts", "lock the demon back up. I want to showcase the struggle of these", "over. Thoughts of committing murder, torture, and other evil acts are whispered into", "pushing him toward evil. This human sometimes obliges the demon in order to", "and lock the demon back up. I want to showcase the struggle of", "simply for the sake of it. He has desires that are difficult to", "demon back up. I want to showcase the struggle of these two beings", "demon wanting to be let out and pushing him toward evil. This human", "constantly battle them lest they take over. Thoughts of committing murder, torture, and", "to be let out and pushing him toward evil. This human sometimes obliges", "maintain a dialogue, with the demon wanting to be let out and pushing", "However, it finds it increasingly difficult to gain back control and lock the", "tries to go on with his life as normal and have regular relationships", "because of the demon genes and blood coursing through him, as struggled with", "the demon wanting to be let out and pushing him toward evil. This", "other evil acts are whispered into his mind by this demonic side, which", "it finds it increasingly difficult to gain back control and lock the demon", "by this demonic side, which manifests as an alter ego that seeks to", "want to showcase the struggle of these two beings with each other who", "the sake of it. He has desires that are difficult to control, and", "sake of it. He has desires that are difficult to control, and must", "they take over. Thoughts of committing murder, torture, and other evil acts are", "obliges the demon in order to gain use of its powers. However, it", "natured on a normal day, but because of the demon genes and blood", "to showcase the struggle of these two beings with each other who reside", "reside in the same body. How can I do this realistically while the", "powers. However, it finds it increasingly difficult to gain back control and lock", "genes and blood coursing through him, as struggled with certain urges his entire", "evil acts are whispered into his mind by this demonic side, which manifests", "human tries to go on with his life as normal and have regular", "and pushing him toward evil. This human sometimes obliges the demon in order", "a dialogue, with the demon wanting to be let out and pushing him", "go on with his life as normal and have regular relationships with people?", "dialogue, with the demon wanting to be let out and pushing him toward", "gain use of its powers. However, it finds it increasingly difficult to gain", "up. I want to showcase the struggle of these two beings with each", "revel in destruction and enjoy causing pain simply for the sake of it.", "him toward evil. This human sometimes obliges the demon in order to gain", "this realistically while the human tries to go on with his life as", "human sometimes obliges the demon in order to gain use of its powers.", "beings with each other who reside in the same body. How can I", "use of its powers. However, it finds it increasingly difficult to gain back", "seeks to take control over him. The two beings in one body maintain", "him. The two beings in one body maintain a dialogue, with the demon", "on a normal day, but because of the demon genes and blood coursing", "torture, and other evil acts are whispered into his mind by this demonic", "let out and pushing him toward evil. This human sometimes obliges the demon", "body. How can I do this realistically while the human tries to go", "certain urges his entire life. Demons are chaotic creatures that revel in destruction", "for the sake of it. He has desires that are difficult to control,", "The two beings in one body maintain a dialogue, with the demon wanting", "these two beings with each other who reside in the same body. How", "one body maintain a dialogue, with the demon wanting to be let out", "increasingly difficult to gain back control and lock the demon back up. I", "take control over him. The two beings in one body maintain a dialogue,", "must constantly battle them lest they take over. Thoughts of committing murder, torture,", "a normal day, but because of the demon genes and blood coursing through", "which manifests as an alter ego that seeks to take control over him.", "hybrid. He is good natured on a normal day, but because of the", "in order to gain use of its powers. However, it finds it increasingly", "of its powers. However, it finds it increasingly difficult to gain back control", "How can I do this realistically while the human tries to go on", "order to gain use of its powers. However, it finds it increasingly difficult", "acts are whispered into his mind by this demonic side, which manifests as", "demonic side, which manifests as an alter ego that seeks to take control", "back control and lock the demon back up. I want to showcase the", "are whispered into his mind by this demonic side, which manifests as an", "as struggled with certain urges his entire life. Demons are chaotic creatures that", "are difficult to control, and must constantly battle them lest they take over.", "of these two beings with each other who reside in the same body.", "of committing murder, torture, and other evil acts are whispered into his mind", "evil. This human sometimes obliges the demon in order to gain use of", "control and lock the demon back up. I want to showcase the struggle", "to gain back control and lock the demon back up. I want to", "gain back control and lock the demon back up. I want to showcase", "that revel in destruction and enjoy causing pain simply for the sake of", "in the same body. How can I do this realistically while the human", "manifests as an alter ego that seeks to take control over him. The", "with the demon wanting to be let out and pushing him toward evil.", "struggle of these two beings with each other who reside in the same", "be let out and pushing him toward evil. This human sometimes obliges the", "and must constantly battle them lest they take over. Thoughts of committing murder,", "battle them lest they take over. Thoughts of committing murder, torture, and other", "day, but because of the demon genes and blood coursing through him, as", "back up. I want to showcase the struggle of these two beings with", "showcase the struggle of these two beings with each other who reside in", "good natured on a normal day, but because of the demon genes and", "committing murder, torture, and other evil acts are whispered into his mind by", "I do this realistically while the human tries to go on with his", "same body. How can I do this realistically while the human tries to", "control, and must constantly battle them lest they take over. Thoughts of committing", "it increasingly difficult to gain back control and lock the demon back up.", "this demonic side, which manifests as an alter ego that seeks to take", "wanting to be let out and pushing him toward evil. This human sometimes", "in this story is a human-demon hybrid. He is good natured on a", "demon genes and blood coursing through him, as struggled with certain urges his", "whispered into his mind by this demonic side, which manifests as an alter", "destruction and enjoy causing pain simply for the sake of it. He has", "character in this story is a human-demon hybrid. He is good natured on", "through him, as struggled with certain urges his entire life. Demons are chaotic", "the demon back up. I want to showcase the struggle of these two", "Demons are chaotic creatures that revel in destruction and enjoy causing pain simply", "and enjoy causing pain simply for the sake of it. He has desires", "them lest they take over. Thoughts of committing murder, torture, and other evil", "that seeks to take control over him. The two beings in one body", "the demon genes and blood coursing through him, as struggled with certain urges", "toward evil. This human sometimes obliges the demon in order to gain use", "the struggle of these two beings with each other who reside in the", "the same body. How can I do this realistically while the human tries", "an alter ego that seeks to take control over him. The two beings", "his mind by this demonic side, which manifests as an alter ego that", "murder, torture, and other evil acts are whispered into his mind by this", "while the human tries to go on with his life as normal and", "to control, and must constantly battle them lest they take over. Thoughts of", "This human sometimes obliges the demon in order to gain use of its", "alter ego that seeks to take control over him. The two beings in", "He is good natured on a normal day, but because of the demon", "to gain use of its powers. However, it finds it increasingly difficult to", "with each other who reside in the same body. How can I do", "difficult to gain back control and lock the demon back up. I want" ]
[ "to this question: [Incorporating research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm", "while. Has anyone done this or seen this done (especially not by hugely", "is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with a historical fiction", "my novel. I have to finish it first. But the longer I wait", "Ancient Egypt. I'm doing enormous amounts of research on both the history and", "on both the history and the religious aspects (it's based on the Exodus).", "component based in Ancient Egypt. I'm doing enormous amounts of research on both", "the religious aspects (it's based on the Exodus). A lot of people seem", "[Incorporating research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade", "writing time for my novel. I have to finish it first. But the", "But the longer I wait with research notes, the more I forget the", "Ice and Fire)? Is it just another time sink to slow down finishing", "I wait with research notes, the more I forget the details. Writing everything", "based in Ancient Egypt. I'm doing enormous amounts of research on both the", "seem to think my research would be of interest to people and have", "religious aspects (it's based on the Exodus). A lot of people seem to", "anyone done this or seen this done (especially not by hugely popular books/authors...I", "everything down takes a while. Has anyone done this or seen this done", "have suggested I consider a companion book and/or a blog. Obviously I don't", "Song of Ice and Fire)? Is it just another time sink to slow", "lot of people seem to think my research would be of interest to", "Has anyone done this or seen this done (especially not by hugely popular", "a while. Has anyone done this or seen this done (especially not by", "question: [Incorporating research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a", "with a historical fiction component based in Ancient Egypt. I'm doing enormous amounts", "it first. But the longer I wait with research notes, the more I", "away writing time for my novel. I have to finish it first. But", "this question: [Incorporating research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing", "a companion book and/or a blog. Obviously I don't want to take away", "doing enormous amounts of research on both the history and the religious aspects", "books/authors...I mean, let's not count A Song of Ice and Fire)? Is it", "time for my novel. I have to finish it first. But the longer", "research would be of interest to people and have suggested I consider a", "and/or a blog. Obviously I don't want to take away writing time for", "novel. I have to finish it first. But the longer I wait with", "interest to people and have suggested I consider a companion book and/or a", "companion book and/or a blog. Obviously I don't want to take away writing", "takes a while. Has anyone done this or seen this done (especially not", "novel with a historical fiction component based in Ancient Egypt. I'm doing enormous", "I don't want to take away writing time for my novel. I have", "be of interest to people and have suggested I consider a companion book", "background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with", "and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel", "a spinoff to this question: [Incorporating research and background: How much is too", "have to finish it first. But the longer I wait with research notes,", "based on the Exodus). A lot of people seem to think my research", "I'm doing enormous amounts of research on both the history and the religious", "to think my research would be of interest to people and have suggested", "research on both the history and the religious aspects (it's based on the", "both the history and the religious aspects (it's based on the Exodus). A", "finish it first. But the longer I wait with research notes, the more", "writing a middle-grade fantasy novel with a historical fiction component based in Ancient", "done this or seen this done (especially not by hugely popular books/authors...I mean,", "(especially not by hugely popular books/authors...I mean, let's not count A Song of", "(it's based on the Exodus). A lot of people seem to think my", "by hugely popular books/authors...I mean, let's not count A Song of Ice and", "of Ice and Fire)? Is it just another time sink to slow down", "wait with research notes, the more I forget the details. Writing everything down", "my research would be of interest to people and have suggested I consider", "would be of interest to people and have suggested I consider a companion", "for my novel. I have to finish it first. But the longer I", "another time sink to slow down finishing my novel? Or is it worthwhile?", "want to take away writing time for my novel. I have to finish", "A lot of people seem to think my research would be of interest", "Writing everything down takes a while. Has anyone done this or seen this", "done (especially not by hugely popular books/authors...I mean, let's not count A Song", "on the Exodus). A lot of people seem to think my research would", "or seen this done (especially not by hugely popular books/authors...I mean, let's not", "seen this done (especially not by hugely popular books/authors...I mean, let's not count", "much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with a historical fiction component based", "count A Song of Ice and Fire)? Is it just another time sink", "forget the details. Writing everything down takes a while. Has anyone done this", "consider a companion book and/or a blog. Obviously I don't want to take", "How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with a", "suggested I consider a companion book and/or a blog. Obviously I don't want", "blog. Obviously I don't want to take away writing time for my novel.", "to take away writing time for my novel. I have to finish it", "with research notes, the more I forget the details. Writing everything down takes", "not by hugely popular books/authors...I mean, let's not count A Song of Ice", "just another time sink to slow down finishing my novel? Or is it", "of research on both the history and the religious aspects (it's based on", "the longer I wait with research notes, the more I forget the details.", "think my research would be of interest to people and have suggested I", "A Song of Ice and Fire)? Is it just another time sink to", "the Exodus). A lot of people seem to think my research would be", "don't want to take away writing time for my novel. I have to", "to people and have suggested I consider a companion book and/or a blog.", "a middle-grade fantasy novel with a historical fiction component based in Ancient Egypt.", "aspects (it's based on the Exodus). A lot of people seem to think", "take away writing time for my novel. I have to finish it first.", "down takes a while. Has anyone done this or seen this done (especially", "research notes, the more I forget the details. Writing everything down takes a", "hugely popular books/authors...I mean, let's not count A Song of Ice and Fire)?", "in Ancient Egypt. I'm doing enormous amounts of research on both the history", "historical fiction component based in Ancient Egypt. I'm doing enormous amounts of research", "to finish it first. But the longer I wait with research notes, the", "people seem to think my research would be of interest to people and", "and have suggested I consider a companion book and/or a blog. Obviously I", "this done (especially not by hugely popular books/authors...I mean, let's not count A", "Fire)? Is it just another time sink to slow down finishing my novel?", "of people seem to think my research would be of interest to people", "notes, the more I forget the details. Writing everything down takes a while.", "Is it just another time sink to slow down finishing my novel? Or", "Egypt. I'm doing enormous amounts of research on both the history and the", "a historical fiction component based in Ancient Egypt. I'm doing enormous amounts of", "fiction component based in Ancient Egypt. I'm doing enormous amounts of research on", "the more I forget the details. Writing everything down takes a while. Has", "research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy", "this or seen this done (especially not by hugely popular books/authors...I mean, let's", "people and have suggested I consider a companion book and/or a blog. Obviously", "amounts of research on both the history and the religious aspects (it's based", "and Fire)? Is it just another time sink to slow down finishing my", "let's not count A Song of Ice and Fire)? Is it just another", "longer I wait with research notes, the more I forget the details. Writing", "enormous amounts of research on both the history and the religious aspects (it's", "the history and the religious aspects (it's based on the Exodus). A lot", "the details. Writing everything down takes a while. Has anyone done this or", "of interest to people and have suggested I consider a companion book and/or", "middle-grade fantasy novel with a historical fiction component based in Ancient Egypt. I'm", "and the religious aspects (it's based on the Exodus). A lot of people", "I consider a companion book and/or a blog. Obviously I don't want to", "details. Writing everything down takes a while. Has anyone done this or seen", "As a spinoff to this question: [Incorporating research and background: How much is", "a blog. Obviously I don't want to take away writing time for my", "I'm writing a middle-grade fantasy novel with a historical fiction component based in", "too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with a historical fiction component", "mean, let's not count A Song of Ice and Fire)? Is it just", "I forget the details. Writing everything down takes a while. Has anyone done", "spinoff to this question: [Incorporating research and background: How much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much)", "much is too much?](https://writing.stackexchange.com/questions/42752/incorporating-research-and-background-how-much-is-too-much) I'm writing a middle-grade fantasy novel with a historical", "popular books/authors...I mean, let's not count A Song of Ice and Fire)? Is", "first. But the longer I wait with research notes, the more I forget", "I have to finish it first. But the longer I wait with research", "not count A Song of Ice and Fire)? Is it just another time", "it just another time sink to slow down finishing my novel? Or is", "fantasy novel with a historical fiction component based in Ancient Egypt. I'm doing", "history and the religious aspects (it's based on the Exodus). A lot of", "Exodus). A lot of people seem to think my research would be of", "book and/or a blog. Obviously I don't want to take away writing time", "more I forget the details. Writing everything down takes a while. Has anyone", "Obviously I don't want to take away writing time for my novel. I" ]
[ "a couple. The battle at the end, however, needs to have many perspectives.", "perspective to only a couple. The battle at the end, however, needs to", "simply gave each character his/her own chapter. Once they met, I narrowed the", "isn't feasible to give them separate chapters at that point. What is the", "to have many perspectives. It isn't feasible to give them separate chapters at", "have written a book with an ensemble cast. Prior to them meeting, I", "couple. The battle at the end, however, needs to have many perspectives. It", "have many perspectives. It isn't feasible to give them separate chapters at that", "to give them separate chapters at that point. What is the best way", "Prior to them meeting, I simply gave each character his/her own chapter. Once", "with an ensemble cast. Prior to them meeting, I simply gave each character", "an ensemble cast. Prior to them meeting, I simply gave each character his/her", "met, I narrowed the perspective to only a couple. The battle at the", "many perspectives. It isn't feasible to give them separate chapters at that point.", "end, however, needs to have many perspectives. It isn't feasible to give them", "cast. Prior to them meeting, I simply gave each character his/her own chapter.", "them meeting, I simply gave each character his/her own chapter. Once they met,", "battle at the end, however, needs to have many perspectives. It isn't feasible", "gave each character his/her own chapter. Once they met, I narrowed the perspective", "narrowed the perspective to only a couple. The battle at the end, however,", "the end, however, needs to have many perspectives. It isn't feasible to give", "to them meeting, I simply gave each character his/her own chapter. Once they", "perspectives. It isn't feasible to give them separate chapters at that point. What", "own chapter. Once they met, I narrowed the perspective to only a couple.", "book with an ensemble cast. Prior to them meeting, I simply gave each", "his/her own chapter. Once they met, I narrowed the perspective to only a", "I simply gave each character his/her own chapter. Once they met, I narrowed", "It isn't feasible to give them separate chapters at that point. What is", "each character his/her own chapter. Once they met, I narrowed the perspective to", "I narrowed the perspective to only a couple. The battle at the end,", "meeting, I simply gave each character his/her own chapter. Once they met, I", "ensemble cast. Prior to them meeting, I simply gave each character his/her own", "a book with an ensemble cast. Prior to them meeting, I simply gave", "I have written a book with an ensemble cast. Prior to them meeting,", "chapters at that point. What is the best way to handle the transitions?", "give them separate chapters at that point. What is the best way to", "separate chapters at that point. What is the best way to handle the", "character his/her own chapter. Once they met, I narrowed the perspective to only", "they met, I narrowed the perspective to only a couple. The battle at", "feasible to give them separate chapters at that point. What is the best", "them separate chapters at that point. What is the best way to handle", "chapter. Once they met, I narrowed the perspective to only a couple. The", "only a couple. The battle at the end, however, needs to have many", "to only a couple. The battle at the end, however, needs to have", "however, needs to have many perspectives. It isn't feasible to give them separate", "at the end, however, needs to have many perspectives. It isn't feasible to", "The battle at the end, however, needs to have many perspectives. It isn't", "needs to have many perspectives. It isn't feasible to give them separate chapters", "Once they met, I narrowed the perspective to only a couple. The battle", "written a book with an ensemble cast. Prior to them meeting, I simply", "the perspective to only a couple. The battle at the end, however, needs" ]
[ "how. Should I take the draft and just correct some spelling and grammar", "I was wondering if I should finish it and how. Should I take", "didn't give me the legal rights to it, but I thought about publishing", "friends passed away about a year ago and left me some manuscripts. A", "but I thought about publishing it on a fan-fiction website or something after", "draft and just correct some spelling and grammar mistakes and plug the holes", "without a proper ending. I was wondering if I should finish it and", "or should I rewrite it all? He didn't give me the legal rights", "it, but I thought about publishing it on a fan-fiction website or something", "it all? He didn't give me the legal rights to it, but I", "and left me some manuscripts. A rough draft and without a proper ending.", "on a fan-fiction website or something after I am done with it. I", "I thought about publishing it on a fan-fiction website or something after I", "a proper ending. I was wondering if I should finish it and how.", "and grammar mistakes and plug the holes with makeshift sentences, or should I", "if I should finish it and how. Should I take the draft and", "give me the legal rights to it, but I thought about publishing it", "take the draft and just correct some spelling and grammar mistakes and plug", "ending. I was wondering if I should finish it and how. Should I", "mistakes and plug the holes with makeshift sentences, or should I rewrite it", "and just correct some spelling and grammar mistakes and plug the holes with", "thought about publishing it on a fan-fiction website or something after I am", "rewrite it all? He didn't give me the legal rights to it, but", "makeshift sentences, or should I rewrite it all? He didn't give me the", "correct some spelling and grammar mistakes and plug the holes with makeshift sentences,", "a year ago and left me some manuscripts. A rough draft and without", "and how. Should I take the draft and just correct some spelling and", "I am done with it. I thought it would be a good exercise.", "holes with makeshift sentences, or should I rewrite it all? He didn't give", "rights to it, but I thought about publishing it on a fan-fiction website", "fan-fiction website or something after I am done with it. I thought it", "away about a year ago and left me some manuscripts. A rough draft", "with makeshift sentences, or should I rewrite it all? He didn't give me", "a fan-fiction website or something after I am done with it. I thought", "legal rights to it, but I thought about publishing it on a fan-fiction", "and plug the holes with makeshift sentences, or should I rewrite it all?", "Should I take the draft and just correct some spelling and grammar mistakes", "ago and left me some manuscripts. A rough draft and without a proper", "should finish it and how. Should I take the draft and just correct", "it and how. Should I take the draft and just correct some spelling", "of my friends passed away about a year ago and left me some", "was wondering if I should finish it and how. Should I take the", "left me some manuscripts. A rough draft and without a proper ending. I", "sentences, or should I rewrite it all? He didn't give me the legal", "about publishing it on a fan-fiction website or something after I am done", "plug the holes with makeshift sentences, or should I rewrite it all? He", "I take the draft and just correct some spelling and grammar mistakes and", "year ago and left me some manuscripts. A rough draft and without a", "after I am done with it. I thought it would be a good", "the draft and just correct some spelling and grammar mistakes and plug the", "my friends passed away about a year ago and left me some manuscripts.", "about a year ago and left me some manuscripts. A rough draft and", "and without a proper ending. I was wondering if I should finish it", "rough draft and without a proper ending. I was wondering if I should", "me some manuscripts. A rough draft and without a proper ending. I was", "passed away about a year ago and left me some manuscripts. A rough", "to it, but I thought about publishing it on a fan-fiction website or", "finish it and how. Should I take the draft and just correct some", "spelling and grammar mistakes and plug the holes with makeshift sentences, or should", "I rewrite it all? He didn't give me the legal rights to it,", "something after I am done with it. I thought it would be a", "grammar mistakes and plug the holes with makeshift sentences, or should I rewrite", "manuscripts. A rough draft and without a proper ending. I was wondering if", "wondering if I should finish it and how. Should I take the draft", "draft and without a proper ending. I was wondering if I should finish", "A rough draft and without a proper ending. I was wondering if I", "or something after I am done with it. I thought it would be", "I should finish it and how. Should I take the draft and just", "some manuscripts. A rough draft and without a proper ending. I was wondering", "publishing it on a fan-fiction website or something after I am done with", "should I rewrite it all? He didn't give me the legal rights to", "some spelling and grammar mistakes and plug the holes with makeshift sentences, or", "all? He didn't give me the legal rights to it, but I thought", "me the legal rights to it, but I thought about publishing it on", "website or something after I am done with it. I thought it would", "He didn't give me the legal rights to it, but I thought about", "One of my friends passed away about a year ago and left me", "it on a fan-fiction website or something after I am done with it.", "the legal rights to it, but I thought about publishing it on a", "proper ending. I was wondering if I should finish it and how. Should", "the holes with makeshift sentences, or should I rewrite it all? He didn't", "just correct some spelling and grammar mistakes and plug the holes with makeshift" ]
[ "reviewer, what are you looking at? Fact checking? Brevity? Appropriateness? Accessibility of language?", "a position to give anyone feedback for some time, but I would like", "how to approach it when I get there. I would also like to", "know how to approach it when I get there. I would also like", "how to consider the feedback I receive as I begin to develop technical", "I'm probably not going to be in a position to give anyone feedback", "would also like to know how to consider the feedback I receive as", "consider the feedback I receive as I begin to develop technical writing. As", "when I get there. I would also like to know how to consider", "in technical writing. I'm probably not going to be in a position to", "probably not going to be in a position to give anyone feedback for", "writing. I'm probably not going to be in a position to give anyone", "well versed in technical writing. I'm probably not going to be in a", "like to know how to consider the feedback I receive as I begin", "as I begin to develop technical writing. As a reviewer, what are you", "not well versed in technical writing. I'm probably not going to be in", "position to give anyone feedback for some time, but I would like to", "feedback for some time, but I would like to know how to approach", "I would like to know how to approach it when I get there.", "there. I would also like to know how to consider the feedback I", "you looking at? Fact checking? Brevity? Appropriateness? Accessibility of language? Directness of communication?", "I would also like to know how to consider the feedback I receive", "would like to know how to approach it when I get there. I", "I get there. I would also like to know how to consider the", "some time, but I would like to know how to approach it when", "to know how to consider the feedback I receive as I begin to", "know how to consider the feedback I receive as I begin to develop", "to consider the feedback I receive as I begin to develop technical writing.", "versed in technical writing. I'm probably not going to be in a position", "I begin to develop technical writing. As a reviewer, what are you looking", "to approach it when I get there. I would also like to know", "are you looking at? Fact checking? Brevity? Appropriateness? Accessibility of language? Directness of", "to give anyone feedback for some time, but I would like to know", "anyone feedback for some time, but I would like to know how to", "receive as I begin to develop technical writing. As a reviewer, what are", "going to be in a position to give anyone feedback for some time,", "time, but I would like to know how to approach it when I", "not going to be in a position to give anyone feedback for some", "to develop technical writing. As a reviewer, what are you looking at? Fact", "for some time, but I would like to know how to approach it", "I receive as I begin to develop technical writing. As a reviewer, what", "As a reviewer, what are you looking at? Fact checking? Brevity? Appropriateness? Accessibility", "writing. As a reviewer, what are you looking at? Fact checking? Brevity? Appropriateness?", "in a position to give anyone feedback for some time, but I would", "give anyone feedback for some time, but I would like to know how", "but I would like to know how to approach it when I get", "approach it when I get there. I would also like to know how", "the feedback I receive as I begin to develop technical writing. As a", "I'm not well versed in technical writing. I'm probably not going to be", "like to know how to approach it when I get there. I would", "what are you looking at? Fact checking? Brevity? Appropriateness? Accessibility of language? Directness", "get there. I would also like to know how to consider the feedback", "also like to know how to consider the feedback I receive as I", "begin to develop technical writing. As a reviewer, what are you looking at?", "a reviewer, what are you looking at? Fact checking? Brevity? Appropriateness? Accessibility of", "it when I get there. I would also like to know how to", "to be in a position to give anyone feedback for some time, but", "develop technical writing. As a reviewer, what are you looking at? Fact checking?", "feedback I receive as I begin to develop technical writing. As a reviewer,", "technical writing. I'm probably not going to be in a position to give", "technical writing. As a reviewer, what are you looking at? Fact checking? Brevity?", "to know how to approach it when I get there. I would also", "be in a position to give anyone feedback for some time, but I" ]
[ "being based in Europe, I want to starting buying the follow-up trilogy, and", "one by Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)).", "to begin with? Some motivation for my question (beyond general interest) is that", "English during one story line; also, I like to read authors' works as", "Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is", "and one by Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark", "American.) If not, why are two publishers to begin with? Some motivation for", "as originally as possible, usually. However, the British books are a bit cheaper", "during one story line; also, I like to read authors' works as originally", "interest) is that I would not like switching from US English to British", "US English spelling and one British English spelling? (Note that the author is", "British books are a bit cheaper in Germany. So, would I be able", "starting buying the follow-up trilogy, and noticed there are two versions of each", "trilogy, and noticed there are two versions of each book, one by Del", "and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US English spelling and", "a bit cheaper in Germany. So, would I be able to buy the", "So, would I be able to buy the British publisher's version and still", "US.) Now being based in Europe, I want to starting buying the follow-up", "publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US", "US publisher. (I bought these books while in the US.) Now being based", "book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by", "originally as possible, usually. However, the British books are a bit cheaper in", "read authors' works as originally as possible, usually. However, the British books are", "paperbacks published by Del Rey, a US publisher. (I bought these books while", "Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and", "is that I would not like switching from US English to British English", "versions of each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/))", "I like to read authors' works as originally as possible, usually. However, the", "Rising* trilogy as paperbacks published by Del Rey, a US publisher. (I bought", "(I bought these books while in the US.) Now being based in Europe,", "Europe, I want to starting buying the follow-up trilogy, and noticed there are", "are two versions of each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and", "Del Rey, a US publisher. (I bought these books while in the US.)", "that I would not like switching from US English to British English during", "British English during one story line; also, I like to read authors' works", "I want to starting buying the follow-up trilogy, and noticed there are two", "as paperbacks published by Del Rey, a US publisher. (I bought these books", "a US publisher. (I bought these books while in the US.) Now being", "for my question (beyond general interest) is that I would not like switching", "publishers to begin with? Some motivation for my question (beyond general interest) is", "these different? Is maybe one US English spelling and one British English spelling?", "one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder", "Some motivation for my question (beyond general interest) is that I would not", "(a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe", "and one British English spelling? (Note that the author is an American.) If", "usually. However, the British books are a bit cheaper in Germany. So, would", "books while in the US.) Now being based in Europe, I want to", "as possible, usually. However, the British books are a bit cheaper in Germany.", "books are a bit cheaper in Germany. So, would I be able to", "Germany. So, would I be able to buy the British publisher's version and", "British English spelling? (Note that the author is an American.) If not, why", "have read the Red Rising trilogy as paperbacks published by Del Rey, a", "that the author is an American.) If not, why are two publishers to", "[Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/)", "motivation for my question (beyond general interest) is that I would not like", "noticed there are two versions of each book, one by Del Rey ([Iron", "([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a British", "also, I like to read authors' works as originally as possible, usually. However,", "to read authors' works as originally as possible, usually. However, the British books", "Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a British publisher:", "spelling and one British English spelling? (Note that the author is an American.)", "from US English to British English during one story line; also, I like", "of each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and", "not like switching from US English to British English during one story line;", "follow-up trilogy, and noticed there are two versions of each book, one by", "published by Del Rey, a US publisher. (I bought these books while in", "and noticed there are two versions of each book, one by Del Rey", "Now being based in Europe, I want to starting buying the follow-up trilogy,", "by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder &", "these books while in the US.) Now being based in Europe, I want", "Red Rising trilogy as paperbacks published by Del Rey, a US publisher. (I", "there are two versions of each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/)", "with? Some motivation for my question (beyond general interest) is that I would", "in Germany. So, would I be able to buy the British publisher's version", "I would not like switching from US English to British English during one", "Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a", "while in the US.) Now being based in Europe, I want to starting", "by Del Rey, a US publisher. (I bought these books while in the", "Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these", "English spelling and one British English spelling? (Note that the author is an", "the US.) Now being based in Europe, I want to starting buying the", "buying the follow-up trilogy, and noticed there are two versions of each book,", "read the Red Rising trilogy as paperbacks published by Del Rey, a US", "the Red Rising trilogy as paperbacks published by Del Rey, a US publisher.", "based in Europe, I want to starting buying the follow-up trilogy, and noticed", "two publishers to begin with? Some motivation for my question (beyond general interest)", "Rey, a US publisher. (I bought these books while in the US.) Now", "are two publishers to begin with? Some motivation for my question (beyond general", "US English to British English during one story line; also, I like to", "English to British English during one story line; also, I like to read", "[Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US English spelling and one", "Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US English spelling", "each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one", "by Hodder & Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are", "Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US English spelling and one British", "would not like switching from US English to British English during one story", "& Stoughton (a British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different?", "to British English during one story line; also, I like to read authors'", "authors' works as originally as possible, usually. However, the British books are a", "like switching from US English to British English during one story line; also,", "Are these different? Is maybe one US English spelling and one British English", "If not, why are two publishers to begin with? Some motivation for my", "my question (beyond general interest) is that I would not like switching from", "(beyond general interest) is that I would not like switching from US English", "works as originally as possible, usually. However, the British books are a bit", "bit cheaper in Germany. So, would I be able to buy the British", "is an American.) If not, why are two publishers to begin with? Some", "story line; also, I like to read authors' works as originally as possible,", "two versions of each book, one by Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark", "be able to buy the British publisher's version and still continue reading US", "Is maybe one US English spelling and one British English spelling? (Note that", "publisher. (I bought these books while in the US.) Now being based in", "are a bit cheaper in Germany. So, would I be able to buy", "bought these books while in the US.) Now being based in Europe, I", "the follow-up trilogy, and noticed there are two versions of each book, one", "an American.) If not, why are two publishers to begin with? Some motivation", "question (beyond general interest) is that I would not like switching from US", "general interest) is that I would not like switching from US English to", "like to read authors' works as originally as possible, usually. However, the British", "one British English spelling? (Note that the author is an American.) If not,", "Del Rey ([Iron Gold](https://www.amazon.de/Iron-Gold-Book-Rising-Saga/dp/152479693X/) and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton", "author is an American.) If not, why are two publishers to begin with?", "different? Is maybe one US English spelling and one British English spelling? (Note", "line; also, I like to read authors' works as originally as possible, usually.", "the British books are a bit cheaper in Germany. So, would I be", "I have read the Red Rising trilogy as paperbacks published by Del Rey,", "why are two publishers to begin with? Some motivation for my question (beyond", "one story line; also, I like to read authors' works as originally as", "I be able to buy the British publisher's version and still continue reading", "and [Dark Age](https://www.amazon.de/Dark-Age-Rising-Novel-Band/dp/1984817507/)) and one by Hodder & Stoughton (a British publisher: [Iron", "(Note that the author is an American.) If not, why are two publishers", "[Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one US English", "English spelling? (Note that the author is an American.) If not, why are", "switching from US English to British English during one story line; also, I", "to starting buying the follow-up trilogy, and noticed there are two versions of", "possible, usually. However, the British books are a bit cheaper in Germany. So,", "spelling? (Note that the author is an American.) If not, why are two", "British publisher: [Iron Gold](https://www.amazon.de/Iron-Gold-explosive-novel-Rising/dp/147364657X/) and [Dark Age](https://www.amazon.de/Dark-Age-Red-Rising-5/dp/1473646774/)). Are these different? Is maybe one", "able to buy the British publisher's version and still continue reading US English?", "in the US.) Now being based in Europe, I want to starting buying", "However, the British books are a bit cheaper in Germany. So, would I", "would I be able to buy the British publisher's version and still continue", "the author is an American.) If not, why are two publishers to begin", "in Europe, I want to starting buying the follow-up trilogy, and noticed there", "maybe one US English spelling and one British English spelling? (Note that the", "begin with? Some motivation for my question (beyond general interest) is that I", "cheaper in Germany. So, would I be able to buy the British publisher's", "not, why are two publishers to begin with? Some motivation for my question", "want to starting buying the follow-up trilogy, and noticed there are two versions", "trilogy as paperbacks published by Del Rey, a US publisher. (I bought these", "one US English spelling and one British English spelling? (Note that the author" ]
[ "the protagonist). Now later in the story it will be revealed that this", "monsters) is triggered by some sort of knobs. I also tried to hint", "weapons) are found, some of which actually still functional (in particular, that happens", "than ours), but then had a devastating global war, and afterwards technology had", "wouldn't be foreshadowing any more. Are there any other good ways to hint", "foreshadowing any more. Are there any other good ways to hint at magic", "revealed that this magic is in fact ancient technology, but I'd like to", "to magic. The society that evolved is about medieval level. However there are", "in the story it will be revealed that this magic is in fact", "obviously technological that it wouldn't be foreshadowing any more. Are there any other", "tales about what magic could do, but anything I can think of is", "legends. All abilities that technology provided, as far as they are referenced in", "any other good ways to hint at magic actually being very advanced technology?", "at the time of my story, those events are long gone, and have", "are (very rare) occurrences where old “magical” (that is, technological) artifacts (mostly weapons)", "from the very beginning. So far I've described the magical (technological) artifact the", "is about medieval level. However there are (very rare) occurrences where old “magical”", "those events are long gone, and have passed into the realms of legends.", "abilities that technology provided, as far as they are referenced in those legends,", "technology provided, as far as they are referenced in those legends, are ascribed", "that this magic is in fact ancient technology, but I'd like to foreshadow", "provided, as far as they are referenced in those legends, are ascribed to", "to hint at it with tales about what magic could do, but anything", "can think of is stuff that's either unsurprising for magic, or so obviously", "it with tales about what magic could do, but anything I can think", "a very advanced technological level (far higher than ours), but then had a", "artifacts (mostly weapons) are found, some of which actually still functional (in particular,", "still functional (in particular, that happens to the protagonist). Now later in the", "described the magical (technological) artifact the protagonist found as shiny, and the effect", "Now at the time of my story, those events are long gone, and", "I also tried to hint at it with tales about what magic could", "I've described the magical (technological) artifact the protagonist found as shiny, and the", "making people fight against each other thinking they fight monsters) is triggered by", "I'd like to foreshadow it from the very beginning. So far I've described", "for magic, or so obviously technological that it wouldn't be foreshadowing any more.", "the past reached a very advanced technological level (far higher than ours), but", "then had a devastating global war, and afterwards technology had been banned. Now", "into the realms of legends. All abilities that technology provided, as far as", "are referenced in those legends, are ascribed to magic. The society that evolved", "(technological) artifact the protagonist found as shiny, and the effect of the artifact", "higher than ours), but then had a devastating global war, and afterwards technology", "the protagonist found as shiny, and the effect of the artifact (which is", "but anything I can think of is stuff that's either unsurprising for magic,", "of is stuff that's either unsurprising for magic, or so obviously technological that", "each other thinking they fight monsters) is triggered by some sort of knobs.", "so obviously technological that it wouldn't be foreshadowing any more. Are there any", "medieval level. However there are (very rare) occurrences where old “magical” (that is,", "hint at it with tales about what magic could do, but anything I", "as they are referenced in those legends, are ascribed to magic. The society", "are ascribed to magic. The society that evolved is about medieval level. However", "unsurprising for magic, or so obviously technological that it wouldn't be foreshadowing any", "society that evolved is about medieval level. However there are (very rare) occurrences", "technological) artifacts (mostly weapons) are found, some of which actually still functional (in", "advanced technological level (far higher than ours), but then had a devastating global", "anything I can think of is stuff that's either unsurprising for magic, or", "my story, those events are long gone, and have passed into the realms", "(in particular, that happens to the protagonist). Now later in the story it", "think of is stuff that's either unsurprising for magic, or so obviously technological", "it from the very beginning. So far I've described the magical (technological) artifact", "time of my story, those events are long gone, and have passed into", "I can think of is stuff that's either unsurprising for magic, or so", "the time of my story, those events are long gone, and have passed", "some of which actually still functional (in particular, that happens to the protagonist).", "devastating global war, and afterwards technology had been banned. Now at the time", "they fight monsters) is triggered by some sort of knobs. I also tried", "of legends. All abilities that technology provided, as far as they are referenced", "of knobs. I also tried to hint at it with tales about what", "and the effect of the artifact (which is causing hallucinations, making people fight", "people fight against each other thinking they fight monsters) is triggered by some", "either unsurprising for magic, or so obviously technological that it wouldn't be foreshadowing", "story, those events are long gone, and have passed into the realms of", "war, and afterwards technology had been banned. Now at the time of my", "there any other good ways to hint at magic actually being very advanced", "(which is causing hallucinations, making people fight against each other thinking they fight", "working on, humanity had sometime in the past reached a very advanced technological", "events are long gone, and have passed into the realms of legends. All", "been banned. Now at the time of my story, those events are long", "could do, but anything I can think of is stuff that's either unsurprising", "on, humanity had sometime in the past reached a very advanced technological level", "the story it will be revealed that this magic is in fact ancient", "but then had a devastating global war, and afterwards technology had been banned.", "at it with tales about what magic could do, but anything I can", "far I've described the magical (technological) artifact the protagonist found as shiny, and", "is in fact ancient technology, but I'd like to foreshadow it from the", "and afterwards technology had been banned. Now at the time of my story,", "but I'd like to foreshadow it from the very beginning. So far I've", "knobs. I also tried to hint at it with tales about what magic", "with tales about what magic could do, but anything I can think of", "as shiny, and the effect of the artifact (which is causing hallucinations, making", "gone, and have passed into the realms of legends. All abilities that technology", "had been banned. Now at the time of my story, those events are", "ascribed to magic. The society that evolved is about medieval level. However there", "about medieval level. However there are (very rare) occurrences where old “magical” (that", "sort of knobs. I also tried to hint at it with tales about", "magic could do, but anything I can think of is stuff that's either", "protagonist found as shiny, and the effect of the artifact (which is causing", "technological that it wouldn't be foreshadowing any more. Are there any other good", "far as they are referenced in those legends, are ascribed to magic. The", "that it wouldn't be foreshadowing any more. Are there any other good ways", "shiny, and the effect of the artifact (which is causing hallucinations, making people", "ours), but then had a devastating global war, and afterwards technology had been", "legends, are ascribed to magic. The society that evolved is about medieval level.", "or so obviously technological that it wouldn't be foreshadowing any more. Are there", "of my story, those events are long gone, and have passed into the", "in the past reached a very advanced technological level (far higher than ours),", "technology had been banned. Now at the time of my story, those events", "of the artifact (which is causing hallucinations, making people fight against each other", "is, technological) artifacts (mostly weapons) are found, some of which actually still functional", "fact ancient technology, but I'd like to foreshadow it from the very beginning.", "past reached a very advanced technological level (far higher than ours), but then", "like to foreshadow it from the very beginning. So far I've described the", "that technology provided, as far as they are referenced in those legends, are", "afterwards technology had been banned. Now at the time of my story, those", "reached a very advanced technological level (far higher than ours), but then had", "“magical” (that is, technological) artifacts (mostly weapons) are found, some of which actually", "had a devastating global war, and afterwards technology had been banned. Now at", "causing hallucinations, making people fight against each other thinking they fight monsters) is", "evolved is about medieval level. However there are (very rare) occurrences where old", "have passed into the realms of legends. All abilities that technology provided, as", "do, but anything I can think of is stuff that's either unsurprising for", "So far I've described the magical (technological) artifact the protagonist found as shiny,", "against each other thinking they fight monsters) is triggered by some sort of", "stuff that's either unsurprising for magic, or so obviously technological that it wouldn't", "beginning. So far I've described the magical (technological) artifact the protagonist found as", "a devastating global war, and afterwards technology had been banned. Now at the", "as far as they are referenced in those legends, are ascribed to magic.", "However there are (very rare) occurrences where old “magical” (that is, technological) artifacts", "(that is, technological) artifacts (mostly weapons) are found, some of which actually still", "particular, that happens to the protagonist). Now later in the story it will", "story it will be revealed that this magic is in fact ancient technology,", "artifact the protagonist found as shiny, and the effect of the artifact (which", "referenced in those legends, are ascribed to magic. The society that evolved is", "is causing hallucinations, making people fight against each other thinking they fight monsters)", "level (far higher than ours), but then had a devastating global war, and", "long gone, and have passed into the realms of legends. All abilities that", "is stuff that's either unsurprising for magic, or so obviously technological that it", "technological level (far higher than ours), but then had a devastating global war,", "banned. Now at the time of my story, those events are long gone,", "Now later in the story it will be revealed that this magic is", "magic is in fact ancient technology, but I'd like to foreshadow it from", "magic. The society that evolved is about medieval level. However there are (very", "had sometime in the past reached a very advanced technological level (far higher", "I'm working on, humanity had sometime in the past reached a very advanced", "to foreshadow it from the very beginning. So far I've described the magical", "All abilities that technology provided, as far as they are referenced in those", "some sort of knobs. I also tried to hint at it with tales", "global war, and afterwards technology had been banned. Now at the time of", "there are (very rare) occurrences where old “magical” (that is, technological) artifacts (mostly", "it wouldn't be foreshadowing any more. Are there any other good ways to", "ancient technology, but I'd like to foreshadow it from the very beginning. So", "about what magic could do, but anything I can think of is stuff", "that's either unsurprising for magic, or so obviously technological that it wouldn't be", "that happens to the protagonist). Now later in the story it will be", "technology, but I'd like to foreshadow it from the very beginning. So far", "very beginning. So far I've described the magical (technological) artifact the protagonist found", "found as shiny, and the effect of the artifact (which is causing hallucinations,", "a story I'm working on, humanity had sometime in the past reached a", "happens to the protagonist). Now later in the story it will be revealed", "also tried to hint at it with tales about what magic could do,", "thinking they fight monsters) is triggered by some sort of knobs. I also", "Are there any other good ways to hint at magic actually being very", "where old “magical” (that is, technological) artifacts (mostly weapons) are found, some of", "magic, or so obviously technological that it wouldn't be foreshadowing any more. Are", "sometime in the past reached a very advanced technological level (far higher than", "other thinking they fight monsters) is triggered by some sort of knobs. I", "In a story I'm working on, humanity had sometime in the past reached", "protagonist). Now later in the story it will be revealed that this magic", "story I'm working on, humanity had sometime in the past reached a very", "later in the story it will be revealed that this magic is in", "in those legends, are ascribed to magic. The society that evolved is about", "which actually still functional (in particular, that happens to the protagonist). Now later", "that evolved is about medieval level. However there are (very rare) occurrences where", "hallucinations, making people fight against each other thinking they fight monsters) is triggered", "more. Are there any other good ways to hint at magic actually being", "it will be revealed that this magic is in fact ancient technology, but", "found, some of which actually still functional (in particular, that happens to the", "artifact (which is causing hallucinations, making people fight against each other thinking they", "are found, some of which actually still functional (in particular, that happens to", "what magic could do, but anything I can think of is stuff that's", "realms of legends. All abilities that technology provided, as far as they are", "to the protagonist). Now later in the story it will be revealed that", "passed into the realms of legends. All abilities that technology provided, as far", "the magical (technological) artifact the protagonist found as shiny, and the effect of", "The society that evolved is about medieval level. However there are (very rare)", "(mostly weapons) are found, some of which actually still functional (in particular, that", "actually still functional (in particular, that happens to the protagonist). Now later in", "rare) occurrences where old “magical” (that is, technological) artifacts (mostly weapons) are found,", "will be revealed that this magic is in fact ancient technology, but I'd", "effect of the artifact (which is causing hallucinations, making people fight against each", "they are referenced in those legends, are ascribed to magic. The society that", "humanity had sometime in the past reached a very advanced technological level (far", "is triggered by some sort of knobs. I also tried to hint at", "triggered by some sort of knobs. I also tried to hint at it", "the effect of the artifact (which is causing hallucinations, making people fight against", "those legends, are ascribed to magic. The society that evolved is about medieval", "occurrences where old “magical” (that is, technological) artifacts (mostly weapons) are found, some", "functional (in particular, that happens to the protagonist). Now later in the story", "magical (technological) artifact the protagonist found as shiny, and the effect of the", "by some sort of knobs. I also tried to hint at it with", "any more. Are there any other good ways to hint at magic actually", "level. However there are (very rare) occurrences where old “magical” (that is, technological)", "fight against each other thinking they fight monsters) is triggered by some sort", "foreshadow it from the very beginning. So far I've described the magical (technological)", "fight monsters) is triggered by some sort of knobs. I also tried to", "be foreshadowing any more. Are there any other good ways to hint at", "old “magical” (that is, technological) artifacts (mostly weapons) are found, some of which", "and have passed into the realms of legends. All abilities that technology provided,", "the very beginning. So far I've described the magical (technological) artifact the protagonist", "of which actually still functional (in particular, that happens to the protagonist). Now", "are long gone, and have passed into the realms of legends. All abilities", "(far higher than ours), but then had a devastating global war, and afterwards", "the realms of legends. All abilities that technology provided, as far as they", "the artifact (which is causing hallucinations, making people fight against each other thinking", "tried to hint at it with tales about what magic could do, but", "be revealed that this magic is in fact ancient technology, but I'd like", "(very rare) occurrences where old “magical” (that is, technological) artifacts (mostly weapons) are", "in fact ancient technology, but I'd like to foreshadow it from the very", "very advanced technological level (far higher than ours), but then had a devastating", "this magic is in fact ancient technology, but I'd like to foreshadow it" ]
[ "exactly. I don't think it's a plot hole, because it's not related to", "related to the story itself. Let me give you an example: Let's say", "Italy, but everyone speaks German or English. Is there a specific term to", "am not sure what you call them exactly. I don't think it's a", "call them exactly. I don't think it's a plot hole, because it's not", "set in Italy, but everyone speaks German or English. Is there a specific", "because it's not related to the story itself. Let me give you an", "give you an example: Let's say your novel is set in Italy, but", "not sure what you call them exactly. I don't think it's a plot", "plot hole, because it's not related to the story itself. Let me give", "I am not sure what you call them exactly. I don't think it's", "to the story itself. Let me give you an example: Let's say your", "in Italy, but everyone speaks German or English. Is there a specific term", "I don't think it's a plot hole, because it's not related to the", "your novel is set in Italy, but everyone speaks German or English. Is", "itself. Let me give you an example: Let's say your novel is set", "is set in Italy, but everyone speaks German or English. Is there a", "the story itself. Let me give you an example: Let's say your novel", "a plot hole, because it's not related to the story itself. Let me", "you an example: Let's say your novel is set in Italy, but everyone", "it's not related to the story itself. Let me give you an example:", "Let me give you an example: Let's say your novel is set in", "hole, because it's not related to the story itself. Let me give you", "example: Let's say your novel is set in Italy, but everyone speaks German", "it's a plot hole, because it's not related to the story itself. Let", "you call them exactly. I don't think it's a plot hole, because it's", "an example: Let's say your novel is set in Italy, but everyone speaks", "not related to the story itself. Let me give you an example: Let's", "think it's a plot hole, because it's not related to the story itself.", "novel is set in Italy, but everyone speaks German or English. Is there", "Let's say your novel is set in Italy, but everyone speaks German or", "what you call them exactly. I don't think it's a plot hole, because", "say your novel is set in Italy, but everyone speaks German or English.", "don't think it's a plot hole, because it's not related to the story", "but everyone speaks German or English. Is there a specific term to this?", "them exactly. I don't think it's a plot hole, because it's not related", "me give you an example: Let's say your novel is set in Italy,", "story itself. Let me give you an example: Let's say your novel is", "sure what you call them exactly. I don't think it's a plot hole," ]
[ "want to devote to photos. Just in regards to talking about the visual", "quality of the work. So when I am writing about food where do", "all descriptions of visual aspects of the food, and there is a certain", "the use of pictures begin. I don't believe it is best to leave", "of pictures is going to make a difference in the quality of the", "the quality of the work. So when I am writing about food where", "the food and plating: What criteria can I use to determine when to", "certain limit to how much space you are going to want to devote", "of the work. So when I am writing about food where do my", "work. So when I am writing about food where do my descriptions stop", "of the food, and there is a certain limit to how much space", "to devote to photos. Just in regards to talking about the visual appearance", "pictures is going to make a difference in the quality of the work.", "to leave out all descriptions of visual aspects of the food, and there", "in the quality of the work. So when I am writing about food", "use of pictures begin. I don't believe it is best to leave out", "aspects of the food, and there is a certain limit to how much", "So when I am writing about food where do my descriptions stop and", "criteria can I use to determine when to use words and when to", "I am writing about food where do my descriptions stop and the use", "and the use of pictures begin. I don't believe it is best to", "use of pictures is going to make a difference in the quality of", "to want to devote to photos. Just in regards to talking about the", "or a food blog, as long as the media supports it, the use", "a certain limit to how much space you are going to want to", "photos. Just in regards to talking about the visual appearance of the food", "it a cookbook or a food blog, as long as the media supports", "of visual aspects of the food, and there is a certain limit to", "space you are going to want to devote to photos. Just in regards", "in regards to talking about the visual appearance of the food and plating:", "I don't believe it is best to leave out all descriptions of visual", "is going to make a difference in the quality of the work. So", "going to make a difference in the quality of the work. So when", "going to want to devote to photos. Just in regards to talking about", "food and plating: What criteria can I use to determine when to use", "are going to want to devote to photos. Just in regards to talking", "descriptions stop and the use of pictures begin. I don't believe it is", "leave out all descriptions of visual aspects of the food, and there is", "be it a cookbook or a food blog, as long as the media", "descriptions of visual aspects of the food, and there is a certain limit", "when I am writing about food where do my descriptions stop and the", "am writing about food where do my descriptions stop and the use of", "is best to leave out all descriptions of visual aspects of the food,", "best to leave out all descriptions of visual aspects of the food, and", "the food, and there is a certain limit to how much space you", "and there is a certain limit to how much space you are going", "food, be it a cookbook or a food blog, as long as the", "do my descriptions stop and the use of pictures begin. I don't believe", "supports it, the use of pictures is going to make a difference in", "a cookbook or a food blog, as long as the media supports it,", "stop and the use of pictures begin. I don't believe it is best", "make a difference in the quality of the work. So when I am", "pictures begin. I don't believe it is best to leave out all descriptions", "can I use to determine when to use words and when to use", "you are going to want to devote to photos. Just in regards to", "limit to how much space you are going to want to devote to", "talking about the visual appearance of the food and plating: What criteria can", "a difference in the quality of the work. So when I am writing", "about the visual appearance of the food and plating: What criteria can I", "there is a certain limit to how much space you are going to", "visual aspects of the food, and there is a certain limit to how", "as long as the media supports it, the use of pictures is going", "blog, as long as the media supports it, the use of pictures is", "difference in the quality of the work. So when I am writing about", "where do my descriptions stop and the use of pictures begin. I don't", "of pictures begin. I don't believe it is best to leave out all", "out all descriptions of visual aspects of the food, and there is a", "it is best to leave out all descriptions of visual aspects of the", "long as the media supports it, the use of pictures is going to", "visual appearance of the food and plating: What criteria can I use to", "how much space you are going to want to devote to photos. Just", "I use to determine when to use words and when to use images?", "food, and there is a certain limit to how much space you are", "cookbook or a food blog, as long as the media supports it, the", "What criteria can I use to determine when to use words and when", "much space you are going to want to devote to photos. Just in", "the visual appearance of the food and plating: What criteria can I use", "believe it is best to leave out all descriptions of visual aspects of", "as the media supports it, the use of pictures is going to make", "the use of pictures is going to make a difference in the quality", "When writing about food, be it a cookbook or a food blog, as", "plating: What criteria can I use to determine when to use words and", "to make a difference in the quality of the work. So when I", "and plating: What criteria can I use to determine when to use words", "regards to talking about the visual appearance of the food and plating: What", "food where do my descriptions stop and the use of pictures begin. I", "about food where do my descriptions stop and the use of pictures begin.", "devote to photos. Just in regards to talking about the visual appearance of", "it, the use of pictures is going to make a difference in the", "media supports it, the use of pictures is going to make a difference", "of the food and plating: What criteria can I use to determine when", "the work. So when I am writing about food where do my descriptions", "about food, be it a cookbook or a food blog, as long as", "writing about food where do my descriptions stop and the use of pictures", "my descriptions stop and the use of pictures begin. I don't believe it", "Just in regards to talking about the visual appearance of the food and", "the media supports it, the use of pictures is going to make a", "is a certain limit to how much space you are going to want", "to talking about the visual appearance of the food and plating: What criteria", "writing about food, be it a cookbook or a food blog, as long", "begin. I don't believe it is best to leave out all descriptions of", "don't believe it is best to leave out all descriptions of visual aspects", "to photos. Just in regards to talking about the visual appearance of the", "appearance of the food and plating: What criteria can I use to determine", "a food blog, as long as the media supports it, the use of", "to how much space you are going to want to devote to photos.", "food blog, as long as the media supports it, the use of pictures" ]
[ "thankfully spared his eyes. Other characters mention how this character appears to have", "tune with the world-view of the main characters.** (With how they believe they", "keen gaze and proud step, and once, when the character is first introduced", "have access to decent medicine or good dentistry, and it is a conscious", "and how enemies flee from the horror of his face. But the narrator", "might think the women are all beautiful, the men are all handsome -", "face. But the narrator - nope. Keen gaze, proud step. The novel is", "narrator. I mostly follow four or five characters, all well-educated high nobles. They", "would be considered by them crass, a mark of bad manners, something fit", "You might think the women are all beautiful, the men are all handsome", "not necessarily with how everybody always does act.) Without sacrificing the narrator's voice,", "voice, how can I make it clear that my characters do not live", "Commenting on the shortcomings of another's natural appearance would be considered by them", "a child, which thankfully spared his eyes. Other characters mention how this character", "omniscient narrator. I mostly follow four or five characters, all well-educated high nobles.", "people, who, it being ~5t century, do not have access to decent medicine", "the \"oh, they're less fortunate, I should help\" way, which can sometimes be", "access to decent medicine or good dentistry, and it is a conscious choice", "on. This narrator only describes the beautiful aspects of every character's features.* You", "aspects of every character's features. You might think the women are all beautiful,", "voice is in tune with the world-view of the main characters. (With how", "I'm working on. This narrator only describes the beautiful aspects of every character's", "a character - the narrator mentions repeatedly his keen gaze and proud step,", "to think of a person as \"ugly\". If they look down on someone,", "them crass, a mark of bad manners, something fit for a commoner -", "be considered by them crass, a mark of bad manners, something fit for", "So the narrator voice is in tune with the world-view of the main", "how they believe they should act, not necessarily with how everybody always does", "beautiful aspects of every character's features. You might think the women are all", "them to think of a person as \"ugly\". If they look down on", "should act, not necessarily with how everybody always does act.) Without sacrificing the", "proud step. The novel is narrated in 3rd person, omniscient narrator. I mostly", "Only, it isn't. I have a character - the narrator mentions repeatedly his", "in 3rd person, omniscient narrator. I mostly follow four or five characters, all", "natural appearance would be considered by them crass, a mark of bad manners,", "the narrator's voice, how can I make it clear that my characters do", "the people are regular people, who, it being ~5t century, do not have", "to decent medicine or good dentistry, and it is a conscious choice to", "of a person as \"ugly\". If they look down on someone, it's in", "that my characters do not live in a Hollywood film, that the people", "the beautiful aspects of every character's features. You might think the women are", "first introduced - that he survived smallpox as a child, which thankfully spared", "have two noses, and how enemies flee from the horror of his face.", "- a world of Hollinwood actors. Only, it isn't. I have a character", "consider it beneath them to think of a person as \"ugly\". If they", "to have two noses, and how enemies flee from the horror of his", "shortcomings of another's natural appearance would be considered by them crass, a mark", "people are regular people, who, it being ~5t century, do not have access", "they're less fortunate, I should help\" way, which can sometimes be misplaced. Commenting", "misplaced. Commenting on the shortcomings of another's natural appearance would be considered by", "a person as \"ugly\". If they look down on someone, it's in the", "believe they should act, not necessarily with how everybody always does act.) Without", "do not have access to decent medicine or good dentistry, and it is", "smallpox as a child, which thankfully spared his eyes. Other characters mention how", "the character is first introduced - that he survived smallpox as a child,", "Keen gaze, proud step. The novel is narrated in 3rd person, omniscient narrator.", "can I make it clear that my characters do not live in a", "everybody always does act.) Without sacrificing the narrator's voice, how can I make", "once, when the character is first introduced - that he survived smallpox as", "them. So the narrator voice is in tune with the world-view of the", "describes the beautiful aspects of every character's features. You might think the women", "it beneath them to think of a person as \"ugly\". If they look", "I've noticed a quirk with the narrator voice of one of the two", "gaze, proud step. The novel is narrated in 3rd person, omniscient narrator. I", "would consider it beneath them to think of a person as \"ugly\". If", "- nope. Keen gaze, proud step. The novel is narrated in 3rd person,", "fortunate, I should help\" way, which can sometimes be misplaced. Commenting on the", "something fit for a commoner - not for them. So the narrator voice", "narrator only describes the beautiful aspects of every character's features. You might think", "on someone, it's in the \"oh, they're less fortunate, I should help\" way,", "character - the narrator mentions repeatedly his keen gaze and proud step, and", "necessarily with how everybody always does act.) Without sacrificing the narrator's voice, how", "manners, something fit for a commoner - not for them. So the narrator", "he survived smallpox as a child, which thankfully spared his eyes. Other characters", "mark of bad manners, something fit for a commoner - not for them.", "mention how this character appears to have two noses, and how enemies flee", "is in tune with the world-view of the main characters. (With how they", "features. You might think the women are all beautiful, the men are all", "proud step, and once, when the character is first introduced - that he", "step. The novel is narrated in 3rd person, omniscient narrator. I mostly follow", "fit for a commoner - not for them. So the narrator voice is", "narrator - nope. Keen gaze, proud step. The novel is narrated in 3rd", "down on someone, it's in the \"oh, they're less fortunate, I should help\"", "narrator's voice, how can I make it clear that my characters do not", "for a commoner - not for them. So the narrator voice is in", "be misplaced. Commenting on the shortcomings of another's natural appearance would be considered", "live in a Hollywood film, that the people are regular people, who, it", "of bad manners, something fit for a commoner - not for them. So", "good dentistry, and it is a conscious choice to only speak of beauty?", "are all handsome - this one has beautiful eyes, that one moves like", "flee from the horror of his face. But the narrator - nope. Keen", "world of Hollinwood actors. Only, it isn't. I have a character - the", "which thankfully spared his eyes. Other characters mention how this character appears to", "narrated in 3rd person, omniscient narrator. I mostly follow four or five characters,", "all beautiful, the men are all handsome - this one has beautiful eyes,", "beneath them to think of a person as \"ugly\". If they look down", "horror of his face. But the narrator - nope. Keen gaze, proud step.", "isn't. I have a character - the narrator mentions repeatedly his keen gaze", "sacrificing the narrator's voice, how can I make it clear that my characters", "his eyes. Other characters mention how this character appears to have two noses,", "noses, and how enemies flee from the horror of his face. But the", "3rd person, omniscient narrator. I mostly follow four or five characters, all well-educated", "high nobles. They would consider it beneath them to think of a person", "character is first introduced - that he survived smallpox as a child, which", "way, which can sometimes be misplaced. Commenting on the shortcomings of another's natural", "four or five characters, all well-educated high nobles. They would consider it beneath", "his face. But the narrator - nope. Keen gaze, proud step. The novel", "narrator mentions repeatedly his keen gaze and proud step, and once, when the", "this one has beautiful eyes, that one moves like a swan - a", "nobles. They would consider it beneath them to think of a person as", "it isn't. I have a character - the narrator mentions repeatedly his keen", "act, not necessarily with how everybody always does act.) Without sacrificing the narrator's", "do not live in a Hollywood film, that the people are regular people,", "noticed a quirk with the narrator voice of one of the two novels", "that he survived smallpox as a child, which thankfully spared his eyes. Other", "is first introduced - that he survived smallpox as a child, which thankfully", "the narrator mentions repeatedly his keen gaze and proud step, and once, when", "person, omniscient narrator. I mostly follow four or five characters, all well-educated high", "But the narrator - nope. Keen gaze, proud step. The novel is narrated", "narrator voice is in tune with the world-view of the main characters. (With", "with the world-view of the main characters. (With how they believe they should", "survived smallpox as a child, which thankfully spared his eyes. Other characters mention", "not live in a Hollywood film, that the people are regular people, who,", "character appears to have two noses, and how enemies flee from the horror", "novel is narrated in 3rd person, omniscient narrator. I mostly follow four or", "in the \"oh, they're less fortunate, I should help\" way, which can sometimes", "the world-view of the main characters. (With how they believe they should act,", "- this one has beautiful eyes, that one moves like a swan -", "of the main characters. (With how they believe they should act, not necessarily", "Hollinwood actors. Only, it isn't. I have a character - the narrator mentions", "mostly follow four or five characters, all well-educated high nobles. They would consider", "They would consider it beneath them to think of a person as \"ugly\".", "voice of one of the two novels I'm working on. This narrator only", "I mostly follow four or five characters, all well-educated high nobles. They would", "a world of Hollinwood actors. Only, it isn't. I have a character -", "always does act.) Without sacrificing the narrator's voice, how can I make it", "moves like a swan - a world of Hollinwood actors. Only, it isn't.", "~5t century, do not have access to decent medicine or good dentistry, and", "with how everybody always does act.) Without sacrificing the narrator's voice, how can", "enemies flee from the horror of his face. But the narrator - nope.", "how can I make it clear that my characters do not live in", "follow four or five characters, all well-educated high nobles. They would consider it", "bad manners, something fit for a commoner - not for them. So the", "one has beautiful eyes, that one moves like a swan - a world", "are all beautiful, the men are all handsome - this one has beautiful", "I should help\" way, which can sometimes be misplaced. Commenting on the shortcomings", "one of the two novels I'm working on. This narrator only describes the", "being ~5t century, do not have access to decent medicine or good dentistry,", "the narrator - nope. Keen gaze, proud step. The novel is narrated in", "narrator voice of one of the two novels I'm working on. This narrator", "the shortcomings of another's natural appearance would be considered by them crass, a", "character's features. You might think the women are all beautiful, the men are", "appearance would be considered by them crass, a mark of bad manners, something", "a Hollywood film, that the people are regular people, who, it being ~5t", "who, it being ~5t century, do not have access to decent medicine or", "a swan - a world of Hollinwood actors. Only, it isn't. I have", "it clear that my characters do not live in a Hollywood film, that", "crass, a mark of bad manners, something fit for a commoner - not", "two noses, and how enemies flee from the horror of his face. But", "the men are all handsome - this one has beautiful eyes, that one", "considered by them crass, a mark of bad manners, something fit for a", "not for them. So the narrator voice is in tune with the world-view", "two novels I'm working on. This narrator only describes the beautiful aspects of", "it being ~5t century, do not have access to decent medicine or good", "swan - a world of Hollinwood actors. Only, it isn't. I have a", "world-view of the main characters. (With how they believe they should act, not", "with the narrator voice of one of the two novels I'm working on.", "they should act, not necessarily with how everybody always does act.) Without sacrificing", "Hollywood film, that the people are regular people, who, it being ~5t century,", "a quirk with the narrator voice of one of the two novels I'm", "Other characters mention how this character appears to have two noses, and how", "of every character's features. You might think the women are all beautiful, the", "regular people, who, it being ~5t century, do not have access to decent", "act.) Without sacrificing the narrator's voice, how can I make it clear that", "five characters, all well-educated high nobles. They would consider it beneath them to", "how everybody always does act.) Without sacrificing the narrator's voice, how can I", "for them. So the narrator voice is in tune with the world-view of", "are regular people, who, it being ~5t century, do not have access to", "in a Hollywood film, that the people are regular people, who, it being", "If they look down on someone, it's in the \"oh, they're less fortunate,", "the women are all beautiful, the men are all handsome - this one", "of another's natural appearance would be considered by them crass, a mark of", "sometimes be misplaced. Commenting on the shortcomings of another's natural appearance would be", "they look down on someone, it's in the \"oh, they're less fortunate, I", "I make it clear that my characters do not live in a Hollywood", "women are all beautiful, the men are all handsome - this one has", "think the women are all beautiful, the men are all handsome - this", "handsome - this one has beautiful eyes, that one moves like a swan", "does act.) Without sacrificing the narrator's voice, how can I make it clear", "Without sacrificing the narrator's voice, how can I make it clear that my", "as a child, which thankfully spared his eyes. Other characters mention how this", "the narrator voice of one of the two novels I'm working on. This", "another's natural appearance would be considered by them crass, a mark of bad", "spared his eyes. Other characters mention how this character appears to have two", "characters mention how this character appears to have two noses, and how enemies", "not have access to decent medicine or good dentistry, and it is a", "step, and once, when the character is first introduced - that he survived", "it's in the \"oh, they're less fortunate, I should help\" way, which can", "characters do not live in a Hollywood film, that the people are regular", "beautiful eyes, that one moves like a swan - a world of Hollinwood", "- the narrator mentions repeatedly his keen gaze and proud step, and once,", "that one moves like a swan - a world of Hollinwood actors. Only,", "characters.* (With how they believe they should act, not necessarily with how everybody", "that the people are regular people, who, it being ~5t century, do not", "can sometimes be misplaced. Commenting on the shortcomings of another's natural appearance would", "how this character appears to have two noses, and how enemies flee from", "a mark of bad manners, something fit for a commoner - not for", "working on. This narrator only describes the beautiful aspects of every character's features.", "every character's features. You might think the women are all beautiful, the men", "I have a character - the narrator mentions repeatedly his keen gaze and", "has beautiful eyes, that one moves like a swan - a world of", "less fortunate, I should help\" way, which can sometimes be misplaced. Commenting on", "clear that my characters do not live in a Hollywood film, that the", "my characters do not live in a Hollywood film, that the people are", "how enemies flee from the horror of his face. But the narrator -", "film, that the people are regular people, who, it being ~5t century, do", "beautiful, the men are all handsome - this one has beautiful eyes, that", "- that he survived smallpox as a child, which thankfully spared his eyes.", "the narrator voice is in tune with the world-view of the main characters.", "should help\" way, which can sometimes be misplaced. Commenting on the shortcomings of", "when the character is first introduced - that he survived smallpox as a", "This narrator only describes the beautiful aspects of every character's features. You might", "from the horror of his face. But the narrator - nope. Keen gaze,", "(With how they believe they should act, not necessarily with how everybody always", "commoner - not for them. So *the narrator voice is in tune with", "century, do not have access to decent medicine or good dentistry, and it", "\"oh, they're less fortunate, I should help\" way, which can sometimes be misplaced.", "the horror of his face. But the narrator - nope. Keen gaze, proud", "mentions repeatedly his keen gaze and proud step, and once, when the character", "gaze and proud step, and once, when the character is first introduced -", "medicine or good dentistry, and it is a conscious choice* to only speak", "the two novels I'm working on. This narrator only describes the beautiful aspects", "look down on someone, it's in the \"oh, they're less fortunate, I should", "of the two novels I'm working on. This narrator only describes the beautiful", "of his face. But the narrator - nope. Keen gaze, proud step. The", "by them crass, a mark of bad manners, something fit for a commoner", "of one of the two novels I'm working on. This narrator only describes", "this character appears to have two noses, and how enemies flee from the", "well-educated high nobles. They would consider it beneath them to think of a", "someone, it's in the \"oh, they're less fortunate, I should help\" way, which", "all well-educated high nobles. They would consider it beneath them to think of", "or five characters, all well-educated high nobles. They would consider it beneath them", "a commoner - not for them. So the narrator voice is in tune", "child, which thankfully spared his eyes. Other characters mention how this character appears", "characters, all well-educated high nobles. They would consider it beneath them to think", "of Hollinwood actors. Only, it isn't. I have a character - the narrator", "help\" way, which can sometimes be misplaced. Commenting on the shortcomings of another's", "actors. Only, it isn't. I have a character - the narrator mentions repeatedly", "introduced - that he survived smallpox as a child, which thankfully spared his", "like a swan - a world of Hollinwood actors. Only, it isn't. I", "appears to have two noses, and how enemies flee from the horror of", "is narrated in 3rd person, omniscient narrator. I mostly follow four or five", "in tune with the world-view of the main characters.** (With how they believe", "as \"ugly\". If they look down on someone, it's in the \"oh, they're", "they believe they should act, not necessarily with how everybody always does act.)", "or good dentistry, and it is a conscious choice to only speak of", "main characters.** (With how they believe they should act, not necessarily with how", "all handsome - this one has beautiful eyes, that one moves like a", "repeatedly his keen gaze and proud step, and once, when the character is", "and once, when the character is first introduced - that he survived smallpox", "one moves like a swan - a world of Hollinwood actors. Only, it", "decent medicine or good dentistry, and it is a conscious choice to only", "the main characters. (With how they believe they should act, not necessarily with", "\"ugly\". If they look down on someone, it's in the \"oh, they're less", "novels I'm working on. This narrator only describes the beautiful aspects of every", "eyes, that one moves like a swan - a world of Hollinwood actors.", "only describes the beautiful aspects of every character's features. You might think the", "his keen gaze and proud step, and once, when the character is first", "quirk with the narrator voice of one of the two novels I'm working", "and proud step, and once, when the character is first introduced - that", "nope. Keen gaze, proud step. The novel is narrated in 3rd person, omniscient", "person as \"ugly\". If they look down on someone, it's in the \"oh,", "think of a person as \"ugly\". If they look down on someone, it's", "on the shortcomings of another's natural appearance would be considered by them crass,", "- not for them. So the narrator voice is in tune with the", "have a character - the narrator mentions repeatedly his keen gaze and proud", "which can sometimes be misplaced. Commenting on the shortcomings of another's natural appearance", "make it clear that my characters do not live in a Hollywood film**,", "eyes. Other characters mention how this character appears to have two noses, and", "men are all handsome - this one has beautiful eyes, that one moves", "The novel is narrated in 3rd person, omniscient narrator. I mostly follow four" ]
[ "which comes after 2/3 of the story is likely to exceed the length", "Do you really have to cut to the last 2 minutes or so?", "beginning to end, or do you somehow describe the last 2 minutes, which", "story, and the boxing match which comes after 2/3 of the story is", "comes after 2/3 of the story is likely to exceed the length of", "how do you cut the action short? Do you describe the match from", "the length of the entire story, so how do you cut the action", "a short story, and the boxing match which comes after 2/3 of the", "match from beginning to end, or do you somehow describe the last 2", "story is likely to exceed the length of the entire story, so how", "and the boxing match which comes after 2/3 of the story is likely", "describe the match from beginning to end, or do you somehow describe the", "the action short? Do you describe the match from beginning to end, or", "writing a short story, and the boxing match which comes after 2/3 of", "story, so how do you cut the action short? Do you describe the", "the match from beginning to end, or do you somehow describe the last", "to end, or do you somehow describe the last 2 minutes, which is", "lot more manageable? Do you really have to cut to the last 2", "2 minutes, which is a lot more manageable? Do you really have to", "short story, and the boxing match which comes after 2/3 of the story", "boxing match which comes after 2/3 of the story is likely to exceed", "the last 2 minutes, which is a lot more manageable? Do you really", "which is a lot more manageable? Do you really have to cut to", "the story is likely to exceed the length of the entire story, so", "entire story, so how do you cut the action short? Do you describe", "cut the action short? Do you describe the match from beginning to end,", "describe the last 2 minutes, which is a lot more manageable? Do you", "end, or do you somehow describe the last 2 minutes, which is a", "am writing a short story, and the boxing match which comes after 2/3", "exceed the length of the entire story, so how do you cut the", "Do you describe the match from beginning to end, or do you somehow", "a lot more manageable? Do you really have to cut to the last", "you cut the action short? Do you describe the match from beginning to", "somehow describe the last 2 minutes, which is a lot more manageable? Do", "is likely to exceed the length of the entire story, so how do", "the boxing match which comes after 2/3 of the story is likely to", "likely to exceed the length of the entire story, so how do you", "of the entire story, so how do you cut the action short? Do", "to exceed the length of the entire story, so how do you cut", "length of the entire story, so how do you cut the action short?", "I am writing a short story, and the boxing match which comes after", "minutes, which is a lot more manageable? Do you really have to cut", "from beginning to end, or do you somehow describe the last 2 minutes,", "manageable? Do you really have to cut to the last 2 minutes or", "action short? Do you describe the match from beginning to end, or do", "do you somehow describe the last 2 minutes, which is a lot more", "you somehow describe the last 2 minutes, which is a lot more manageable?", "more manageable? Do you really have to cut to the last 2 minutes", "last 2 minutes, which is a lot more manageable? Do you really have", "you describe the match from beginning to end, or do you somehow describe", "match which comes after 2/3 of the story is likely to exceed the", "2/3 of the story is likely to exceed the length of the entire", "so how do you cut the action short? Do you describe the match", "short? Do you describe the match from beginning to end, or do you", "of the story is likely to exceed the length of the entire story,", "do you cut the action short? Do you describe the match from beginning", "or do you somehow describe the last 2 minutes, which is a lot", "the entire story, so how do you cut the action short? Do you", "is a lot more manageable? Do you really have to cut to the", "after 2/3 of the story is likely to exceed the length of the" ]
[ "rhythm, style, verbosity? Are these all on topic? Do you have a rigorous", "well they are used? Use of symbolism and its efficacy? CelerFZ, rhythm, style,", "are used? Use of symbolism and its efficacy? CelerFZ, rhythm, style, verbosity? Are", "used? Use of symbolism and its efficacy? CelerFZ, rhythm, style, verbosity? Are these", "Are these all on topic? Do you have a rigorous guide you use", "reasonable scholarly approach to breaking down short pieces of prose? Is it word", "is a reasonable scholarly approach to breaking down short pieces of prose? Is", "how well they are used? Use of symbolism and its efficacy? CelerFZ, rhythm,", "Use of symbolism and its efficacy? CelerFZ, rhythm, style, verbosity? Are these all", "and its efficacy? CelerFZ, rhythm, style, verbosity? Are these all on topic? Do", "of symbolism and its efficacy? CelerFZ, rhythm, style, verbosity? Are these all on", "CelerFZ, rhythm, style, verbosity? Are these all on topic? Do you have a", "Is it themes, and how well they are used? Use of symbolism and", "topic? Do you have a rigorous guide you use to approach short fiction", "scholarly approach to breaking down short pieces of prose? Is it word choice?", "these all on topic? Do you have a rigorous guide you use to", "themes, and how well they are used? Use of symbolism and its efficacy?", "to breaking down short pieces of prose? Is it word choice? Is it", "symbolism and its efficacy? CelerFZ, rhythm, style, verbosity? Are these all on topic?", "word choice? Is it structure? Is it themes, and how well they are", "all on topic? Do you have a rigorous guide you use to approach", "What is a reasonable scholarly approach to breaking down short pieces of prose?", "structure? Is it themes, and how well they are used? Use of symbolism", "they are used? Use of symbolism and its efficacy? CelerFZ, rhythm, style, verbosity?", "verbosity? Are these all on topic? Do you have a rigorous guide you", "efficacy? CelerFZ, rhythm, style, verbosity? Are these all on topic? Do you have", "have a rigorous guide you use to approach short fiction when providing feedback", "of prose? Is it word choice? Is it structure? Is it themes, and", "rigorous guide you use to approach short fiction when providing feedback to other", "guide you use to approach short fiction when providing feedback to other writers?", "Is it structure? Is it themes, and how well they are used? Use", "it themes, and how well they are used? Use of symbolism and its", "prose? Is it word choice? Is it structure? Is it themes, and how", "a reasonable scholarly approach to breaking down short pieces of prose? Is it", "it word choice? Is it structure? Is it themes, and how well they", "style, verbosity? Are these all on topic? Do you have a rigorous guide", "pieces of prose? Is it word choice? Is it structure? Is it themes,", "breaking down short pieces of prose? Is it word choice? Is it structure?", "you have a rigorous guide you use to approach short fiction when providing", "Do you have a rigorous guide you use to approach short fiction when", "down short pieces of prose? Is it word choice? Is it structure? Is", "Is it word choice? Is it structure? Is it themes, and how well", "approach to breaking down short pieces of prose? Is it word choice? Is", "short pieces of prose? Is it word choice? Is it structure? Is it", "its efficacy? CelerFZ, rhythm, style, verbosity? Are these all on topic? Do you", "on topic? Do you have a rigorous guide you use to approach short", "and how well they are used? Use of symbolism and its efficacy? CelerFZ,", "a rigorous guide you use to approach short fiction when providing feedback to", "it structure? Is it themes, and how well they are used? Use of", "choice? Is it structure? Is it themes, and how well they are used?" ]
[ "grief of loss(character dies) in my story, inturn while making the reader feel", "method to go about doing this (Making the reader feel the grief a", "story, inturn while making the reader feel the grief. Is there a good", "good method to go about doing this (Making the reader feel the grief", "writing and have been wondering if there is a way to introduce the", "a good method to go about doing this (Making the reader feel the", "feel the grief. Is there a good method to go about doing this", "new to the art of writing and have been wondering if there is", "inturn while making the reader feel the grief. Is there a good method", "reader feel the grief. Is there a good method to go about doing", "the grief of loss(character dies) in my story, inturn while making the reader", "there is a way to introduce the grief of loss(character dies) in my", "I am new to the art of writing and have been wondering if", "the art of writing and have been wondering if there is a way", "introduce the grief of loss(character dies) in my story, inturn while making the", "wondering if there is a way to introduce the grief of loss(character dies)", "while making the reader feel the grief. Is there a good method to", "Is there a good method to go about doing this (Making the reader", "dies) in my story, inturn while making the reader feel the grief. Is", "my story, inturn while making the reader feel the grief. Is there a", "go about doing this (Making the reader feel the grief a character feels)?", "in my story, inturn while making the reader feel the grief. Is there", "way to introduce the grief of loss(character dies) in my story, inturn while", "am new to the art of writing and have been wondering if there", "there a good method to go about doing this (Making the reader feel", "grief. Is there a good method to go about doing this (Making the", "loss(character dies) in my story, inturn while making the reader feel the grief.", "making the reader feel the grief. Is there a good method to go", "and have been wondering if there is a way to introduce the grief", "to introduce the grief of loss(character dies) in my story, inturn while making", "the reader feel the grief. Is there a good method to go about", "been wondering if there is a way to introduce the grief of loss(character", "to the art of writing and have been wondering if there is a", "of writing and have been wondering if there is a way to introduce", "a way to introduce the grief of loss(character dies) in my story, inturn", "the grief. Is there a good method to go about doing this (Making", "is a way to introduce the grief of loss(character dies) in my story,", "have been wondering if there is a way to introduce the grief of", "to go about doing this (Making the reader feel the grief a character", "of loss(character dies) in my story, inturn while making the reader feel the", "art of writing and have been wondering if there is a way to", "if there is a way to introduce the grief of loss(character dies) in" ]
[ "stories, and relish the idea of making one. But the thing I cannot", "making one. But the thing I cannot grasp is the key elements of", "Are the key elements the same as a normal story (Problem, Solution, etc.)?", "always loved humor stories, and relish the idea of making one. But the", "cannot grasp is the key elements of one. Are the key elements the", "elements of one. Are the key elements the same as a normal story", "I cannot grasp is the key elements of one. Are the key elements", "and relish the idea of making one. But the thing I cannot grasp", "the same as a normal story (Problem, Solution, etc.)? Or are they different?", "key elements of one. Are the key elements the same as a normal", "one. Are the key elements the same as a normal story (Problem, Solution,", "thing I cannot grasp is the key elements of one. Are the key", "loved humor stories, and relish the idea of making one. But the thing", "of one. Are the key elements the same as a normal story (Problem,", "the key elements of one. Are the key elements the same as a", "one. But the thing I cannot grasp is the key elements of one.", "idea of making one. But the thing I cannot grasp is the key", "the key elements the same as a normal story (Problem, Solution, etc.)? Or", "grasp is the key elements of one. Are the key elements the same", "is the key elements of one. Are the key elements the same as", "key elements the same as a normal story (Problem, Solution, etc.)? Or are", "the thing I cannot grasp is the key elements of one. Are the", "of making one. But the thing I cannot grasp is the key elements", "relish the idea of making one. But the thing I cannot grasp is", "elements the same as a normal story (Problem, Solution, etc.)? Or are they", "humor stories, and relish the idea of making one. But the thing I", "the idea of making one. But the thing I cannot grasp is the", "But the thing I cannot grasp is the key elements of one. Are", "I've always loved humor stories, and relish the idea of making one. But" ]
[ "Publisher is even doing a tour of potential customers (locations that fit in", "page, and no fundraising page. * There's still over a month left before", "to spend months hyping the book and then they will start a fundraising", "same. * There is no website, no pre-order page, and no fundraising page.", "publisher is anything but sincere and trustworthy. We all have signed contracts and", "it does there will determine the print run. * Publisher is even doing", "is even doing a tour of potential customers (locations that fit in well", "a large house. I have no reason to believe the publisher is anything", "is making a mistake here. I've told them so, but it did no", "but sincere and trustworthy. We all have signed contracts and have not given", "customers (locations that fit in well with the theme of the book) in", "(locations that fit in well with the theme of the book) in the", "the publisher's hands—camera ready in digital form—and approved (deadline was 4 months ago).", "no pre-order page, and no fundraising page. * There's still over a month", "before the fundraising even goes live. * Publisher is a single person, not", "with the theme of the book) in the hopes of building anticipation. ", "so, but it did no good. How do you cope with such unreasonable", "the stories and art for an anthology are in the publisher's hands—camera ready", "fit in well with the theme of the book) in the hopes of", "large house. I have no reason to believe the publisher is anything but", "have not given publisher any money. I also don't need any convincing that", "tour of potential customers (locations that fit in well with the theme of", "still over a month left before the fundraising even goes live. Publisher", "they will start a fundraising page. How well it does there will determine", "well with the theme of the book) in the hopes of building anticipation.", "choices? * All the stories and art for an anthology are in the", "There's still over a month left before the fundraising even goes live. ", " There is no website, no pre-order page, and no fundraising page. ", "wrote all contributors to ask us to do the same. There is", "well it does there will determine the print run. * Publisher is even", "publisher's hands—camera ready in digital form—and approved (deadline was 4 months ago). ", "building anticipation. Publisher wrote all contributors to ask us to do the", "and art for an anthology are in the publisher's hands—camera ready in digital", "believe the publisher is anything but sincere and trustworthy. We all have signed", "any money. I also don't need any convincing that publisher is making a", "deal with frustration over a publisher's choices? * All the stories and art", "4 months ago). * Publisher decides to spend months hyping the book and", "and have not given publisher any money. I also don't need any convincing", "us to do the same. * There is no website, no pre-order page,", "mistake here. I've told them so, but it did no good. How do", "there will determine the print run. * Publisher is even doing a tour", "hyping the book and then they will start a fundraising page. How well", "Publisher wrote all contributors to ask us to do the same. * There", "with frustration over a publisher's choices? * All the stories and art for", "digital form—and approved (deadline was 4 months ago). * Publisher decides to spend", "frustration over a publisher's choices? * All the stories and art for an", "of potential customers (locations that fit in well with the theme of the", "approved (deadline was 4 months ago). * Publisher decides to spend months hyping", "fundraising even goes live. * Publisher is a single person, not a large", "all have signed contracts and have not given publisher any money. I also", "and then they will start a fundraising page. How well it does there", "ago). * Publisher decides to spend months hyping the book and then they", "are in the publisher's hands—camera ready in digital form—and approved (deadline was 4", "even doing a tour of potential customers (locations that fit in well with", "decides to spend months hyping the book and then they will start a", "hands—camera ready in digital form—and approved (deadline was 4 months ago). * Publisher", "you deal with frustration over a publisher's choices? * All the stories and", "in well with the theme of the book) in the hopes of building", "all contributors to ask us to do the same. * There is no", "a mistake here. I've told them so, but it did no good. How", "is anything but sincere and trustworthy. We all have signed contracts and have", "I've told them so, but it did no good. How do you cope", "pre-order page, and no fundraising page. * There's still over a month left", "the theme of the book) in the hopes of building anticipation. * Publisher", "theme of the book) in the hopes of building anticipation. * Publisher wrote", "over a month left before the fundraising even goes live. * Publisher is", "house. I have no reason to believe the publisher is anything but sincere", "that fit in well with the theme of the book) in the hopes", "There is no website, no pre-order page, and no fundraising page. * There's", "stories and art for an anthology are in the publisher's hands—camera ready in", "not given publisher any money. I also don't need any convincing that publisher", "over a publisher's choices? * All the stories and art for an anthology", "then they will start a fundraising page. How well it does there will", "to ask us to do the same. * There is no website, no", "not a large house. I have no reason to believe the publisher is", "also don't need any convincing that publisher is making a mistake here. I've", "* Publisher is a single person, not a large house. I have no", "ready in digital form—and approved (deadline was 4 months ago). * Publisher decides", "do you deal with frustration over a publisher's choices? * All the stories", "doing a tour of potential customers (locations that fit in well with the", "given publisher any money. I also don't need any convincing that publisher is", "goes live. * Publisher is a single person, not a large house. I", "and trustworthy. We all have signed contracts and have not given publisher any", "them so, but it did no good. How do you cope with such", "told them so, but it did no good. How do you cope with", "no website, no pre-order page, and no fundraising page. * There's still over", "signed contracts and have not given publisher any money. I also don't need", "anticipation. * Publisher wrote all contributors to ask us to do the same.", "was 4 months ago). * Publisher decides to spend months hyping the book", "left before the fundraising even goes live. * Publisher is a single person,", "fundraising page. How well it does there will determine the print run. ", "a publisher's choices? All the stories and art for an anthology are", "the same. * There is no website, no pre-order page, and no fundraising", "form—and approved (deadline was 4 months ago). * Publisher decides to spend months", "a single person, not a large house. I have no reason to believe", "have no reason to believe the publisher is anything but sincere and trustworthy.", "How do you deal with frustration over a publisher's choices? * All the", "page. How well it does there will determine the print run. * Publisher", "in the hopes of building anticipation. * Publisher wrote all contributors to ask", "of building anticipation. * Publisher wrote all contributors to ask us to do", "to do the same. * There is no website, no pre-order page, and", "live. * Publisher is a single person, not a large house. I have", "* Publisher wrote all contributors to ask us to do the same. ", "to believe the publisher is anything but sincere and trustworthy. We all have", "an anthology are in the publisher's hands—camera ready in digital form—and approved (deadline", "I have no reason to believe the publisher is anything but sincere and", "that publisher is making a mistake here. I've told them so, but it", "here. I've told them so, but it did no good. How do you", "and no fundraising page. There's still over a month left before the", "We all have signed contracts and have not given publisher any money. I", "book and then they will start a fundraising page. How well it does", "All the stories and art for an anthology are in the publisher's hands—camera", "* Publisher decides to spend months hyping the book and then they will", "is a single person, not a large house. I have no reason to", "months hyping the book and then they will start a fundraising page. How", "hopes of building anticipation. * Publisher wrote all contributors to ask us to", "fundraising page. * There's still over a month left before the fundraising even", "does there will determine the print run. * Publisher is even doing a", "art for an anthology are in the publisher's hands—camera ready in digital form—and", "have signed contracts and have not given publisher any money. I also don't", "Publisher decides to spend months hyping the book and then they will start", "contributors to ask us to do the same. * There is no website,", "but it did no good. How do you cope with such unreasonable delays?", "any convincing that publisher is making a mistake here. I've told them so,", "book) in the hopes of building anticipation. * Publisher wrote all contributors to", "I also don't need any convincing that publisher is making a mistake here.", "page. * There's still over a month left before the fundraising even goes", "no fundraising page. * There's still over a month left before the fundraising", "month left before the fundraising even goes live. * Publisher is a single", "website, no pre-order page, and no fundraising page. * There's still over a", "(deadline was 4 months ago). * Publisher decides to spend months hyping the", "anthology are in the publisher's hands—camera ready in digital form—and approved (deadline was", "Publisher is a single person, not a large house. I have no reason", "convincing that publisher is making a mistake here. I've told them so, but", "* All the stories and art for an anthology are in the publisher's", "money. I also don't need any convincing that publisher is making a mistake", "the book) in the hopes of building anticipation. * Publisher wrote all contributors", "a fundraising page. How well it does there will determine the print run.", "is no website, no pre-order page, and no fundraising page. * There's still", "publisher's choices? * All the stories and art for an anthology are in", "reason to believe the publisher is anything but sincere and trustworthy. We all", "do the same. * There is no website, no pre-order page, and no", "ask us to do the same. * There is no website, no pre-order", "of the book) in the hopes of building anticipation. * Publisher wrote all", "single person, not a large house. I have no reason to believe the", "run. * Publisher is even doing a tour of potential customers (locations that", "spend months hyping the book and then they will start a fundraising page.", "even goes live. * Publisher is a single person, not a large house.", "sincere and trustworthy. We all have signed contracts and have not given publisher", "publisher is making a mistake here. I've told them so, but it did", "the fundraising even goes live. * Publisher is a single person, not a", "* There's still over a month left before the fundraising even goes live.", "the print run. * Publisher is even doing a tour of potential customers", "publisher any money. I also don't need any convincing that publisher is making", "person, not a large house. I have no reason to believe the publisher", "the publisher is anything but sincere and trustworthy. We all have signed contracts", "trustworthy. We all have signed contracts and have not given publisher any money.", "print run. * Publisher is even doing a tour of potential customers (locations", "start a fundraising page. How well it does there will determine the print", "no reason to believe the publisher is anything but sincere and trustworthy. We", "making a mistake here. I've told them so, but it did no good.", "anything but sincere and trustworthy. We all have signed contracts and have not", "a tour of potential customers (locations that fit in well with the theme", "a month left before the fundraising even goes live. * Publisher is a", "for an anthology are in the publisher's hands—camera ready in digital form—and approved", "will determine the print run. * Publisher is even doing a tour of", "will start a fundraising page. How well it does there will determine the", "* Publisher is even doing a tour of potential customers (locations that fit", "need any convincing that publisher is making a mistake here. I've told them", "the book and then they will start a fundraising page. How well it", "determine the print run. * Publisher is even doing a tour of potential", "the hopes of building anticipation. * Publisher wrote all contributors to ask us", "months ago). * Publisher decides to spend months hyping the book and then", "contracts and have not given publisher any money. I also don't need any", "in the publisher's hands—camera ready in digital form—and approved (deadline was 4 months", "in digital form—and approved (deadline was 4 months ago). * Publisher decides to", "potential customers (locations that fit in well with the theme of the book)", "don't need any convincing that publisher is making a mistake here. I've told", "How well it does there will determine the print run. * Publisher is" ]
[ "turn an antagonist into a protagonist. I know that numerous ways to accomplish", "but none of the help with a smooth transformation. Is there a way", "to accomplish this are somewhere out there, but none of the help with", "In a piece I am writing, I want to turn an antagonist into", "I know that numerous ways to accomplish this are somewhere out there, but", "way I can turn an antagonist into a protagonist in a smooth fashion?", "that numerous ways to accomplish this are somewhere out there, but none of", "an antagonist into a protagonist. I know that numerous ways to accomplish this", "none of the help with a smooth transformation. Is there a way I", "help with a smooth transformation. Is there a way I can turn an", "this are somewhere out there, but none of the help with a smooth", "of the help with a smooth transformation. Is there a way I can", "writing, I want to turn an antagonist into a protagonist. I know that", "want to turn an antagonist into a protagonist. I know that numerous ways", "there, but none of the help with a smooth transformation. Is there a", "numerous ways to accomplish this are somewhere out there, but none of the", "smooth transformation. Is there a way I can turn an antagonist into a", "accomplish this are somewhere out there, but none of the help with a", "Is there a way I can turn an antagonist into a protagonist in", "I want to turn an antagonist into a protagonist. I know that numerous", "somewhere out there, but none of the help with a smooth transformation. Is", "a smooth transformation. Is there a way I can turn an antagonist into", "into a protagonist. I know that numerous ways to accomplish this are somewhere", "are somewhere out there, but none of the help with a smooth transformation.", "antagonist into a protagonist. I know that numerous ways to accomplish this are", "know that numerous ways to accomplish this are somewhere out there, but none", "I am writing, I want to turn an antagonist into a protagonist. I", "a protagonist. I know that numerous ways to accomplish this are somewhere out", "a piece I am writing, I want to turn an antagonist into a", "the help with a smooth transformation. Is there a way I can turn", "with a smooth transformation. Is there a way I can turn an antagonist", "transformation. Is there a way I can turn an antagonist into a protagonist", "out there, but none of the help with a smooth transformation. Is there", "ways to accomplish this are somewhere out there, but none of the help", "protagonist. I know that numerous ways to accomplish this are somewhere out there,", "am writing, I want to turn an antagonist into a protagonist. I know", "there a way I can turn an antagonist into a protagonist in a", "to turn an antagonist into a protagonist. I know that numerous ways to", "piece I am writing, I want to turn an antagonist into a protagonist.", "a way I can turn an antagonist into a protagonist in a smooth" ]
[ "(gasoline-free luxury cars, levitating trains, city power plants, military weapons) are a routine", "effects all of society and seems like a much grander theme that is", "if it's a distraction. How can I get readers to accept more than", "phenomenon can be induced in a manufactured object. The industrial machines exist, unexplained,", "will accept 1 \"buy\" for the world and everything else should derive from", "of the story. My plan was to have a naive character begin to", "and layering them with coded sinister adjectives: hovercar engines make disturbing human throat", "problem is that I am trying to introduce a sub-genre with unclear rules.", "environment, experimental, and generally unreliable as the phenomena uses poorly understood \"occult logic\".", "a backdrop, and still appreciate the smaller paranormal MacGuffin as a threat deserving", "levitating trains, city power plants, military weapons) are a routine part of life,", "works, but you wouldn't want to be nearby in a catastrophe. For the", "the paranormal as a transformative \"technology\" that has corrupted society (a metaphor for", "modern-day (or impossible) technology. Here, paranormal effects have been induced into mass-produced industrial", "military weapons) are a routine part of life, symbols of wealth and power-disparity", "it \"sci-fi\" indicates it's sticking out in an oddball way. They don't see", "sometime during the early 19th Century, along with the rise in Victorian-era occultism.", "but through worldbuilding I attempt to show that the story is set in", "begin to question these \"toxic\" items, transitioning from symbols of wealth to symbols", "the early 19th Century, along with the rise in Victorian-era occultism. Paranormal phenomena", "story, or has my worldbuilding gone off the rails? Can I get readers", "engines make disturbing human throat sounds, \"ghost\" trains slither in the night, etc.", "that doesn't fit the rest of the story. My plan was to have", "experimental, and generally unreliable as the phenomena uses poorly understood \"occult logic\". The", "weapons) are a routine part of life, symbols of wealth and power-disparity that", "should avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's sticking out", "is that I am trying to introduce a sub-genre with unclear rules. There", "more than 1 \"buy\"? -------------------------------------------------- Is there a way I can better integrate", "paranormal on an industrial scale has undesirable consequences, like the backlash against nuclear", "of the story as taking place in a sci-fi universe, but they mention", "from our own sometime during the early 19th Century, along with the rise", "corruption. In the Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest", "to keep this aspect of my world, I think it is interesting, but", "sinister adjectives: hovercar engines make disturbing human throat sounds, \"ghost\" trains slither in", "in a sci-fi universe, but they mention those elements like they are refugees", "but it clearly feels non-sequitur. Rather than seeing the paranormal as a transformative", "it as an extra \"buy in\" that doesn't fit the rest of the", "much grander theme that is being ignored. Part of the problem is that", "a way I can better integrate this concept into the story, or has", "and still appreciate the smaller paranormal MacGuffin as a threat deserving its own", "problem. My \"buy\" is that paranormal phenomenon can be induced in a manufactured", "manufactured object. The industrial machines exist, unexplained, but they are the logical worldbuilding", "story with multiple unrelated \"buys\" will seem unfocused, trying to do too much", "character begin to question these \"toxic\" items, transitioning from symbols of wealth to", "unclear rules. There is no \"occultpunk\" for the reader to fill in the", "industrial revolution. In this world, paranormal phenomena can be induced in steel similar", "question these \"toxic\" items, transitioning from symbols of wealth to symbols of moral", "need a firm normal to contrast against, otherwise it obscures why the paranormal", "deserving its own story? It also breaks my own rule that paranormal stories", "against nuclear power – it's a leap forward when it works, but you", "aspect of my world, I think it is interesting, but not if it's", "bad for the environment, experimental, and generally unreliable as the phenomena uses poorly", "industrial items. The process is not explained but it's coded as bad for", "accept 1 \"buy\" for the world and everything else should derive from that.", "through worldbuilding I attempt to show that the story is set in an", "way I can better integrate this concept into the story, or has my", "Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1 \"buy\" for", "forward when it works, but you wouldn't want to be nearby in a", "reader will accept 1 \"buy\" for the world and everything else should derive", "the phenomena uses poorly understood \"occult logic\". The worldbuilding also sets up a", "1 person, flying cars effects all of society and seems like a much", "Universe\" -------------------------------- I open my occult detective novel in what is ostensibly a", "is that paranormal phenomenon can be induced in a manufactured object. The industrial", "of wealth to symbols of moral corruption. In the Writing Excuses podcast [How", "to steampunk where steam engines and clockwork mechanics are handwaved into modern-day (or", "rule that paranormal stories need a firm normal to contrast against, otherwise it", "rules. There is no \"occultpunk\" for the reader to fill in the blanks", "to accept more than 1 \"buy\"? -------------------------------------------------- Is there a way I can", "and seems like a much grander theme that is being ignored. Part of", "against, otherwise it obscures why the paranormal thing is suppose to be interesting.", "will seem unfocused, trying to do too much at once. I've fallen into", "rest of the story. My plan was to have a naive character begin", "steampunk where steam engines and clockwork mechanics are handwaved into modern-day (or impossible)", "the story. I would like to keep this aspect of my world, I", "firm normal to contrast against, otherwise it obscures why the paranormal thing is", "detective novel in what is ostensibly a \"noir\" style, but through worldbuilding I", "as a backdrop, and still appreciate the smaller paranormal MacGuffin as a threat", "not explained but it's coded as bad for the environment, experimental, and generally", "the backlash against nuclear power – it's a leap forward when it works,", "consequences, like the backlash against nuclear power – it's a leap forward when", "this concept into the story, or has my worldbuilding gone off the rails?", "poorly understood \"occult logic\". The worldbuilding also sets up a countercurrent motif that", "style, but through worldbuilding I attempt to show that the story is set", "moral corruption. In the Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they", "worldbuilding gorilla that readers feel should have more of a payoff in the", "all of society and seems like a much grander theme that is being", "uses poorly understood \"occult logic\". The worldbuilding also sets up a countercurrent motif", "items, transitioning from symbols of wealth to symbols of moral corruption. In the", "this aspect of my world, I think it is interesting, but not if", "paranormal effects have been induced into mass-produced industrial items. The process is not", "nuclear power – it's a leap forward when it works, but you wouldn't", "stories need a firm normal to contrast against, otherwise it obscures why the", "also breaks my own rule that paranormal stories need a firm normal to", "that readers feel should have more of a payoff in the story. I", "has corrupted society (a metaphor for pollution, industrialization, consumerism), readers see it as", "otherwise it obscures why the paranormal thing is suppose to be interesting. Maybe", "to be interesting. Maybe I should avoid grand-concept worldbuilding altogether? Readers calling it", "the industrial revolution. In this world, paranormal phenomena can be induced in steel", "smaller paranormal MacGuffin as a threat deserving its own story? It also breaks", "what is normal in this world. I have an 800lb worldbuilding gorilla that", "slither in the night, etc. The problem ----------- My problem is that beta", "for the reader to fill in the blanks about what is normal in", "Is there a way I can better integrate this concept into the story,", "or has my worldbuilding gone off the rails? Can I get readers to", "the rise in Victorian-era occultism. Paranormal phenomena always existed but was ephemeral up", "of my world, I think it is interesting, but not if it's a", "I get readers to accept more than 1 \"buy\"? -------------------------------------------------- Is there a", "doesn't fit the rest of the story. My plan was to have a", "being ignored. Part of the problem is that I am trying to introduce", "this aspect of the world and calling it \"sci-fi\". They aren't critical exactly,", "should derive from that. A story with multiple unrelated \"buys\" will seem unfocused,", "a much grander theme that is being ignored. Part of the problem is", "to have a naive character begin to question these \"toxic\" items, transitioning from", "ephemeral up until the industrial revolution. In this world, paranormal phenomena can be", "\"occult logic\". The worldbuilding also sets up a countercurrent motif that the paranormal", "stakes, its purpose is evil but personal: an occult Maltese Falcon that might", "I am trying to introduce a sub-genre with unclear rules. There is no", "with much smaller stakes, its purpose is evil but personal: an occult Maltese", "backdrop, and still appreciate the smaller paranormal MacGuffin as a threat deserving its", "own story? It also breaks my own rule that paranormal stories need a", "a manufactured object. The industrial machines exist, unexplained, but they are the logical", "from symbols of wealth to symbols of moral corruption. In the Writing Excuses", "is interesting, but not if it's a distraction. How can I get readers", "the story. My plan was to have a naive character begin to question", "idea. However, the story's MacGuffin is about a manufactured object with much smaller", "conclusion of this idea. However, the story's MacGuffin is about a manufactured object", "cars effects all of society and seems like a much grander theme that", "pollution, industrialization, consumerism), readers see it as an extra \"buy in\" that doesn't", "keep this aspect of my world, I think it is interesting, but not", "like a much grander theme that is being ignored. Part of the problem", "coded as bad for the environment, experimental, and generally unreliable as the phenomena", "purpose is evil but personal: an occult Maltese Falcon that might grant a", "into modern-day (or impossible) technology. Here, paranormal effects have been induced into mass-produced", "not if it's a distraction. How can I get readers to accept more", "is set in an alternate occult universe which diverged from our own sometime", "logic\". The worldbuilding also sets up a countercurrent motif that the paranormal on", "the story's MacGuffin is about a manufactured object with much smaller stakes, its", "about a manufactured object with much smaller stakes, its purpose is evil but", "smaller stakes, its purpose is evil but personal: an occult Maltese Falcon that", "in the night, etc. The problem ----------- My problem is that beta readers", "a distraction. How can I get readers to accept more than 1 \"buy\"?", "a leap forward when it works, but you wouldn't want to be nearby", "threat deserving its own story? It also breaks my own rule that paranormal", "see the rest of the story as taking place in a sci-fi universe,", "is not explained but it's coded as bad for the environment, experimental, and", "might grant a kind of immortality. Immortality effects 1 person, flying cars effects", "into mass-produced industrial items. The process is not explained but it's coded as", "19th Century, along with the rise in Victorian-era occultism. Paranormal phenomena always existed", "has my worldbuilding gone off the rails? Can I get readers to \"buy\"", "else should derive from that. A story with multiple unrelated \"buys\" will seem", "clearly feels non-sequitur. Rather than seeing the paranormal as a transformative \"technology\" that", "A story with multiple unrelated \"buys\" will seem unfocused, trying to do too", "this world, paranormal phenomena can be induced in steel similar to magnetism. It's", "(or impossible) technology. Here, paranormal effects have been induced into mass-produced industrial items.", "Rather than seeing the paranormal as a transformative \"technology\" that has corrupted society", "of a payoff in the story. I would like to keep this aspect", "Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will", "a sub-genre with unclear rules. There is no \"occultpunk\" for the reader to", "\"buy\" this grand concept as a backdrop, and still appreciate the smaller paranormal", "than seeing the paranormal as a transformative \"technology\" that has corrupted society (a", "the noir themes of political corruption, greed, abuse of power, secret societies, etc.", "is normal in this world. I have an 800lb worldbuilding gorilla that readers", "sets up a countercurrent motif that the paranormal on an industrial scale has", "can I get readers to accept more than 1 \"buy\"? -------------------------------------------------- Is there", "1 \"buy\"? -------------------------------------------------- Is there a way I can better integrate this concept", "cars, levitating trains, city power plants, military weapons) are a routine part of", "sub-genre with unclear rules. There is no \"occultpunk\" for the reader to fill", "----------- My problem is that beta readers are questioning this aspect of the", "in Victorian-era occultism. Paranormal phenomena always existed but was ephemeral up until the", "like the backlash against nuclear power – it's a leap forward when it", "are a routine part of life, symbols of wealth and power-disparity that compliment", "in\" that doesn't fit the rest of the story. My plan was to", "have been induced into mass-produced industrial items. The process is not explained but", "readers to accept more than 1 \"buy\"? -------------------------------------------------- Is there a way I", "but they mention those elements like they are refugees from the wrong genre.", "in a catastrophe. For the characters, these occult-powered industrial items (gasoline-free luxury cars,", "story is set in an alternate occult universe which diverged from our own", "It also breaks my own rule that *paranormal stories need a firm normal", "story's MacGuffin is about a manufactured object with much smaller stakes, its purpose", "off the rails? Can I get readers to \"buy\" this grand concept as", "grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's sticking out in an", "diverged from our own sometime during the early 19th Century, along with the", "rise in Victorian-era occultism. Paranormal phenomena always existed but was ephemeral up until", "it works, but you wouldn't want to be nearby in a catastrophe. For", "industrial scale has undesirable consequences, like the backlash against nuclear power – it's", "much smaller stakes, its purpose is evil but personal: an occult Maltese Falcon", "was ephemeral up until the industrial revolution. In this world, paranormal phenomena can", "worldbuilding conclusion of this idea. However, the story's MacGuffin is about a manufactured", "I would like to keep this aspect of my world, I think it", "but personal: an occult Maltese Falcon that might grant a kind of immortality.", "can be induced in steel* similar to magnetism. It's comparable to steampunk where", "I open my occult detective novel in what is ostensibly a \"noir\" style,", "podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1", "that is being ignored. Part of the problem is that I am trying", "800lb worldbuilding gorilla that readers feel should have more of a payoff in", "novel in what is ostensibly a \"noir\" style, but through worldbuilding I attempt", "a kind of immortality. Immortality effects 1 person, flying cars effects all of", "the blanks about what is normal in this world. I have an 800lb", "they suggest the reader will accept 1 \"buy\" for the world and everything", "my worldbuilding gone off the rails? Can I get readers to \"buy\" this", "a naive character begin to question these \"toxic\" items, transitioning from symbols of", "I'm introducing them as \"things that exist\" matter-of-factly, and layering them with coded", "was to have a naive character begin to question these \"toxic\" items, transitioning", "and clockwork mechanics are handwaved into modern-day (or impossible) technology. Here, paranormal effects", "don't see the rest of the story as taking place in a sci-fi", "societies, etc. I'm introducing them as \"things that exist\" matter-of-factly, and layering them", "a \"noir\" style, but through worldbuilding I attempt to show that the story", "in an oddball way. They don't see the rest of the story as", "catastrophe. For the characters, these occult-powered industrial items (gasoline-free luxury cars, levitating trains,", "compliment the noir themes of political corruption, greed, abuse of power, secret societies,", "rest of the story as taking place in a sci-fi universe, but they", "for pollution, industrialization, consumerism), readers see it as an extra \"buy in\" that", "object. The industrial machines exist, unexplained, but they are the logical worldbuilding conclusion", "calling it \"sci-fi\". They aren't critical exactly, but it clearly feels non-sequitur. Rather", "magnetism. It's comparable to steampunk where steam engines and clockwork mechanics are handwaved", "have a naive character begin to question these \"toxic\" items, transitioning from symbols", "of the world and calling it \"sci-fi\". They aren't critical exactly, but it", "alternative \"Occult Universe\" -------------------------------- I open my occult detective novel in what is", "oddball way. They don't see the rest of the story as taking place", "plants, military weapons) are a routine part of life, symbols of wealth and", "Falcon that might grant a kind of immortality. Immortality effects 1 person, flying", "industrialization, consumerism), readers see it as an extra \"buy in\" that doesn't fit", "mass-produced industrial items. The process is not explained but it's coded as bad", "but not if it's a distraction. How can I get readers to accept", "However, the story's MacGuffin is about a manufactured object with much smaller stakes,", "as an extra \"buy in\" that doesn't fit the rest of the story.", "of the problem is that I am trying to introduce a sub-genre with", "much at once. I've fallen into that problem. My \"buy\" is that paranormal", "questioning this aspect of the world and calling it \"sci-fi\". They aren't critical", "person, flying cars effects all of society and seems like a much grander", "flying cars effects all of society and seems like a much grander theme", "as taking place in a sci-fi universe, but they mention those elements like", "I can better integrate this concept into the story, or has my worldbuilding", "scale has undesirable consequences, like the backlash against nuclear power – it's a", "normal to contrast against*, otherwise it obscures why the paranormal thing is suppose", "– it's a leap forward when it works, but you wouldn't want to", "but it's coded as bad for the environment, experimental, and generally unreliable as", "phenomena can be induced in steel* similar to magnetism. It's comparable to steampunk", "\"buy\" for the world and everything else should derive from that. A story", "do too much at once. I've fallen into that problem. My \"buy\" is", "and power-disparity that compliment the noir themes of political corruption, greed, abuse of", "breaks my own rule that paranormal stories need a firm normal to contrast", "hovercar engines make disturbing human throat sounds, \"ghost\" trains slither in the night,", "in the story. I would like to keep this aspect of my world,", "ignored. Part of the problem is that I am trying to introduce a", "The process is not explained but it's coded as bad for the environment,", "grand concept as a backdrop, and still appreciate the smaller paranormal MacGuffin as", "items (gasoline-free luxury cars, levitating trains, city power plants, military weapons) are a", "corrupted society (a metaphor for pollution, industrialization, consumerism), readers see it as an", "are the logical worldbuilding conclusion of this idea. However, the story's MacGuffin is", "-------------------------------------------------- Is there a way I can better integrate this concept into the", "about what is normal in this world. I have an 800lb worldbuilding gorilla", "a transformative \"technology\" that has corrupted society (a metaphor for pollution, industrialization, consumerism),", "The industrial machines exist, unexplained, but they are the logical worldbuilding conclusion of", "story as taking place in a sci-fi universe, but they mention those elements", "there a way I can better integrate this concept into the story, or", "alternate occult universe which diverged from our own sometime during the early 19th", "are questioning this aspect of the world and calling it \"sci-fi\". They aren't", "during the early 19th Century, along with the rise in Victorian-era occultism. Paranormal", "the night, etc. The problem ----------- My problem is that beta readers are", "open my occult detective novel in what is ostensibly a \"noir\" style, but", "blanks about what is normal in this world. I have an 800lb worldbuilding", "that the paranormal on an industrial scale has undesirable consequences, like the backlash", "is being ignored. Part of the problem is that I am trying to", "Here, paranormal effects have been induced into mass-produced industrial items. The process is", "concept as a backdrop, and still appreciate the smaller paranormal MacGuffin as a", "The problem ----------- My problem is that beta readers are questioning this aspect", "as bad for the environment, experimental, and generally unreliable as the phenomena uses", "My plan was to have a naive character begin to question these \"toxic\"", "In the Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the", "be interesting. Maybe I should avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\"", "am trying to introduce a sub-genre with unclear rules. There is no \"occultpunk\"", "\"buy\" is that paranormal phenomenon can be induced in a manufactured object. The", "power – it's a leap forward when it works, but you wouldn't want", "suggest the reader will accept 1 \"buy\" for the world and everything else", "my world, I think it is interesting, but not if it's a distraction.", "own sometime during the early 19th Century, along with the rise in Victorian-era", "My problem is that beta readers are questioning this aspect of the world", "think it is interesting, but not if it's a distraction. How can I", "countercurrent motif that the paranormal on an industrial scale has undesirable consequences, like", "feel should have more of a payoff in the story. I would like", "readers to \"buy\" this grand concept as a backdrop, and still appreciate the", "it's a leap forward when it works, but you wouldn't want to be", "an oddball way. They don't see the rest of the story as taking", "secret societies, etc. I'm introducing them as \"things that exist\" matter-of-factly, and layering", "\"toxic\" items, transitioning from symbols of wealth to symbols of moral corruption. In", "sci-fi universe, but they mention those elements like they are refugees from the", "altogether? Readers calling it \"sci-fi\" indicates it's sticking out in an oddball way.", "part of life, symbols of wealth and power-disparity that compliment the noir themes", "set in an alternate occult universe which diverged from our own sometime during", "city power plants, military weapons) are a routine part of life, symbols of", "in the blanks about what is normal in this world. I have an", "gorilla that readers feel should have more of a payoff in the story.", "they are the logical worldbuilding conclusion of this idea. However, the story's MacGuffin", "\"technology\" that has corrupted society (a metaphor for pollution, industrialization, consumerism), readers see", "process is not explained but it's coded as bad for the environment, experimental,", "derive from that. A story with multiple unrelated \"buys\" will seem unfocused, trying", "more of a payoff in the story. I would like to keep this", "themes of political corruption, greed, abuse of power, secret societies, etc. I'm introducing", "wouldn't want to be nearby in a catastrophe. For the characters, these occult-powered", "wealth to symbols of moral corruption. In the Writing Excuses** podcast [How Weird", "the reader will accept 1 \"buy\" for the world and everything else should", "world and everything else should derive from that. A story with multiple unrelated", "understood \"occult logic\". The worldbuilding also sets up a countercurrent motif that the", "a sci-fi universe, but they mention those elements like they are refugees from", "\"things that exist\" matter-of-factly, and layering them with coded sinister adjectives: hovercar engines", "revolution. In this world, paranormal phenomena can be induced in steel similar to", "it's coded as bad for the environment, experimental, and generally unreliable as the", "readers see it as an extra \"buy in\" that doesn't fit the rest", "industrial items (gasoline-free luxury cars, levitating trains, city power plants, military weapons) are", "Part of the problem is that I am trying to introduce a sub-genre", "of power, secret societies, etc. I'm introducing them as \"things that exist\" matter-of-factly,", "for the world and everything else should derive from that. A story with", "power plants, military weapons) are a routine part of life, symbols of wealth", "\"buy\"? -------------------------------------------------- Is there a way I can better integrate this concept into", "into that problem. My \"buy\" is that paranormal phenomenon can be induced in", "get readers to accept more than 1 \"buy\"? -------------------------------------------------- Is there a way", "is that beta readers are questioning this aspect of the world and calling", "paranormal MacGuffin as a threat deserving its own story? It also breaks my", "with multiple unrelated \"buys\" will seem unfocused, trying to do too much at", "It's comparable to steampunk where steam engines and clockwork mechanics are handwaved into", "power-disparity that compliment the noir themes of political corruption, greed, abuse of power,", "world, I think it is interesting, but not if it's a distraction. How", "non-sequitur. Rather than seeing the paranormal as a transformative \"technology\" that has corrupted", "always existed but was ephemeral up until the industrial revolution. In this world,", "consumerism), readers see it as an extra \"buy in\" that doesn't fit the", "worldbuilding also sets up a countercurrent motif that the paranormal on an industrial", "Paranormal phenomena always existed but was ephemeral up until the industrial revolution. In", "world, paranormal phenomena can be induced in steel similar to magnetism. It's comparable", "items. The process is not explained but it's coded as bad for the", "and generally unreliable as the phenomena uses poorly understood \"occult logic\". The worldbuilding", "symbols of wealth and power-disparity that compliment the noir themes of political corruption,", "fallen into that problem. My \"buy\" is that paranormal phenomenon can be induced", "etc. I'm introducing them as \"things that exist\" matter-of-factly, and layering them with", "etc. The problem ----------- My problem is that beta readers are questioning this", "rails? Can I get readers to \"buy\" this grand concept as a backdrop,", "contrast against, otherwise it obscures why the paranormal thing is suppose to be", "avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's sticking out in", "story? It also breaks my own rule that paranormal stories need a firm", "beta readers are questioning this aspect of the world and calling it \"sci-fi\".", "to magnetism. It's comparable to steampunk where steam engines and clockwork mechanics are", "\"Occult Universe\" -------------------------------- I open my occult detective novel in what is ostensibly", "paranormal phenomena can be induced in steel similar to magnetism. It's comparable to", "extra \"buy in\" that doesn't fit the rest of the story. My plan", "an occult Maltese Falcon that might grant a kind of immortality. Immortality effects", "power, secret societies, etc. I'm introducing them as \"things that exist\" matter-of-factly, and", "I attempt to show that the story is set in an alternate occult", "them with coded sinister adjectives: hovercar engines make disturbing human throat sounds, \"ghost\"", "logical worldbuilding conclusion of this idea. However, the story's MacGuffin is about a", "ostensibly a \"noir\" style, but through worldbuilding I attempt to show that the", "is no \"occultpunk\" for the reader to fill in the blanks about what", "what is ostensibly a \"noir\" style, but through worldbuilding I attempt to show", "phenomena always existed but was ephemeral up until the industrial revolution. In this", "this idea. However, the story's MacGuffin is about a manufactured object with much", "manufactured object with much smaller stakes, its purpose is evil but personal: an", "concept into the story, or has my worldbuilding gone off the rails? Can", "exist\" matter-of-factly, and layering them with coded sinister adjectives: hovercar engines make disturbing", "backlash against nuclear power – it's a leap forward when it works, but", "theme that is being ignored. Part of the problem is that I am", "better integrate this concept into the story, or has my worldbuilding gone off", "night, etc. The problem ----------- My problem is that beta readers are questioning", "abuse of power, secret societies, etc. I'm introducing them as \"things that exist\"", "that paranormal stories need a firm normal to contrast against, otherwise it obscures", "corruption, greed, abuse of power, secret societies, etc. I'm introducing them as \"things", "a catastrophe. For the characters, these occult-powered industrial items (gasoline-free luxury cars, levitating", "the characters, these occult-powered industrial items (gasoline-free luxury cars, levitating trains, city power", "at once. I've fallen into that problem. My \"buy\" is that paranormal phenomenon", "like to keep this aspect of my world, I think it is interesting,", "normal in this world. I have an 800lb worldbuilding gorilla that readers feel", "but was ephemeral up until the industrial revolution. In this world, paranormal phenomena", "the reader to fill in the blanks about what is normal in this", "appreciate the smaller paranormal MacGuffin as a threat deserving its own story? It", "the rails? Can I get readers to \"buy\" this grand concept as a", "universe which diverged from our own sometime during the early 19th Century, along", "layering them with coded sinister adjectives: hovercar engines make disturbing human throat sounds,", "the rest of the story as taking place in a sci-fi universe, but", "early 19th Century, along with the rise in Victorian-era occultism. Paranormal phenomena always", "occultism. Paranormal phenomena always existed but was ephemeral up until the industrial revolution.", "out in an oddball way. They don't see the rest of the story", "into the story, or has my worldbuilding gone off the rails? Can I", "to be nearby in a catastrophe. For the characters, these occult-powered industrial items", "a countercurrent motif that the paranormal on an industrial scale has undesirable consequences,", "an extra \"buy in\" that doesn't fit the rest of the story. My", "trains, city power plants, military weapons) are a routine part of life, symbols", "human throat sounds, \"ghost\" trains slither in the night, etc. The problem -----------", "seem unfocused, trying to do too much at once. I've fallen into that", "also sets up a countercurrent motif that the paranormal on an industrial scale", "story. I would like to keep this aspect of my world, I think", "to show that the story is set in an alternate occult universe which", "of political corruption, greed, abuse of power, secret societies, etc. I'm introducing them", "trying to do too much at once. I've fallen into that problem. My", "handwaved into modern-day (or impossible) technology. Here, paranormal effects have been induced into", "that has corrupted society (a metaphor for pollution, industrialization, consumerism), readers see it", "unexplained, but they are the logical worldbuilding conclusion of this idea. However, the", "why the paranormal thing is suppose to be interesting. Maybe I should avoid", "still appreciate the smaller paranormal MacGuffin as a threat deserving its own story?", "the world and calling it \"sci-fi\". They aren't critical exactly, but it clearly", "an 800lb worldbuilding gorilla that readers feel should have more of a payoff", "society and seems like a much grander theme that is being ignored. Part", "I think it is interesting, but not if it's a distraction. How can", "of moral corruption. In the Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/),", "feels non-sequitur. Rather than seeing the paranormal as a transformative \"technology\" that has", "too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1 \"buy\" for the world", "coded sinister adjectives: hovercar engines make disturbing human throat sounds, \"ghost\" trains slither", "its own story? It also breaks my own rule that *paranormal stories need", "occult detective novel in what is ostensibly a \"noir\" style, but through worldbuilding", "of this idea. However, the story's MacGuffin is about a manufactured object with", "Readers calling it \"sci-fi\" indicates it's sticking out in an oddball way. They", "They don't see the rest of the story as taking place in a", "sounds, \"ghost\" trains slither in the night, etc. The problem ----------- My problem", "as a transformative \"technology\" that has corrupted society (a metaphor for pollution, industrialization,", "\"noir\" style, but through worldbuilding I attempt to show that the story is", "the logical worldbuilding conclusion of this idea. However, the story's MacGuffin is about", "integrate this concept into the story, or has my worldbuilding gone off the", "up a countercurrent motif that the paranormal on an industrial scale has undesirable", "critical exactly, but it clearly feels non-sequitur. Rather than seeing the paranormal as", "to introduce a sub-genre with unclear rules. There is no \"occultpunk\" for the", "interesting, but not if it's a distraction. How can I get readers to", "interesting. Maybe I should avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates", "Maltese Falcon that might grant a kind of immortality. Immortality effects 1 person,", "readers feel should have more of a payoff in the story. I would", "exist, unexplained, but they are the logical worldbuilding conclusion of this idea. However,", "engines and clockwork mechanics are handwaved into modern-day (or impossible) technology. Here, paranormal", "that beta readers are questioning this aspect of the world and calling it", "undesirable consequences, like the backlash against nuclear power – it's a leap forward", "motif that the paranormal on an industrial scale has undesirable consequences, like the", "the paranormal on an industrial scale has undesirable consequences, like the backlash against", "unreliable as the phenomena uses poorly understood \"occult logic\". The worldbuilding also sets", "trying to introduce a sub-genre with unclear rules. There is no \"occultpunk\" for", "as \"things that exist\" matter-of-factly, and layering them with coded sinister adjectives: hovercar", "when it works, but you wouldn't want to be nearby in a catastrophe.", "in a manufactured object. The industrial machines exist, unexplained, but they are the", "effects have been induced into mass-produced industrial items. The process is not explained", "I should avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's sticking", "seeing the paranormal as a transformative \"technology\" that has corrupted society (a metaphor", "Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1 \"buy\" for the world and", "paranormal as a transformative \"technology\" that has corrupted society (a metaphor for pollution,", "of wealth and power-disparity that compliment the noir themes of political corruption, greed,", "gone off the rails? Can I get readers to \"buy\" this grand concept", "throat sounds, \"ghost\" trains slither in the night, etc. The problem ----------- My", "can better integrate this concept into the story, or has my worldbuilding gone", "existed but was ephemeral up until the industrial revolution. In this world, paranormal", "my occult detective novel in what is ostensibly a \"noir\" style, but through", "way. They don't see the rest of the story as taking place in", "its purpose is evil but personal: an occult Maltese Falcon that might grant", "In this world, paranormal phenomena can be induced in steel* similar to magnetism.", "reader to fill in the blanks about what is normal in this world.", "routine part of life, symbols of wealth and power-disparity that compliment the noir", "I've fallen into that problem. My \"buy\" is that paranormal phenomenon can be", "be induced in a manufactured object. The industrial machines exist, unexplained, but they", "be induced in steel similar to magnetism. It's comparable to steampunk where steam", "the environment, experimental, and generally unreliable as the phenomena uses poorly understood \"occult", "induced in a manufactured object. The industrial machines exist, unexplained, but they are", "similar to magnetism. It's comparable to steampunk where steam engines and clockwork mechanics", "aren't critical exactly, but it clearly feels non-sequitur. Rather than seeing the paranormal", "1 \"buy\" for the world and everything else should derive from that. A", "than 1 \"buy\"? -------------------------------------------------- Is there a way I can better integrate this", "get readers to \"buy\" this grand concept as a backdrop, and still appreciate", "this grand concept as a backdrop, and still appreciate the smaller paranormal MacGuffin", "too much at once. I've fallen into that problem. My \"buy\" is that", "MacGuffin as a threat deserving its own story? It also breaks my own", "characters, these occult-powered industrial items (gasoline-free luxury cars, levitating trains, city power plants,", "and everything else should derive from that. A story with multiple unrelated \"buys\"", "calling it \"sci-fi\" indicates it's sticking out in an oddball way. They don't", "technology. Here, paranormal effects have been induced into mass-produced industrial items. The process", "Can I get readers to \"buy\" this grand concept as a backdrop, and", "problem is that beta readers are questioning this aspect of the world and", "\"sci-fi\" indicates it's sticking out in an oddball way. They don't see the", "of life, symbols of wealth and power-disparity that compliment the noir themes of", "accept more than 1 \"buy\"? -------------------------------------------------- Is there a way I can better", "have an 800lb worldbuilding gorilla that readers feel should have more of a", "unrelated \"buys\" will seem unfocused, trying to do too much at once. I've", "explained but it's coded as bad for the environment, experimental, and generally unreliable", "worldbuilding I attempt to show that the story is set in an *alternate", "They aren't critical exactly, but it clearly feels non-sequitur. Rather than seeing the", "generally unreliable as the phenomena uses poorly understood \"occult logic\". The worldbuilding also", "from that. A story with multiple unrelated \"buys\" will seem unfocused, trying to", "it's a distraction. How can I get readers to accept more than 1", "nearby in a catastrophe. For the characters, these occult-powered industrial items (gasoline-free luxury", "for the environment, experimental, and generally unreliable as the phenomena uses poorly understood", "the paranormal thing is suppose to be interesting. Maybe I should avoid grand-concept", "that paranormal phenomenon can be induced in a manufactured object. The industrial machines", "impossible) technology. Here, paranormal effects have been induced into mass-produced industrial items. The", "clockwork mechanics are handwaved into modern-day (or impossible) technology. Here, paranormal effects have", "distraction. How can I get readers to accept more than 1 \"buy\"? --------------------------------------------------", "an industrial scale has undesirable consequences, like the backlash against nuclear power –", "a manufactured object with much smaller stakes, its purpose is evil but personal:", "you wouldn't want to be nearby in a catastrophe. For the characters, these", "multiple unrelated \"buys\" will seem unfocused, trying to do too much at once.", "is about a manufactured object with much smaller stakes, its purpose is evil", "payoff in the story. I would like to keep this aspect of my", "an alternate occult universe* which diverged from our own sometime during the early", "where steam engines and clockwork mechanics are handwaved into modern-day (or impossible) technology.", "Victorian-era occultism. Paranormal phenomena always existed but was ephemeral up until the industrial", "would like to keep this aspect of my world, I think it is", "with the rise in Victorian-era occultism. Paranormal phenomena always existed but was ephemeral", "of immortality. Immortality effects 1 person, flying cars effects all of society and", "transitioning from symbols of wealth to symbols of moral corruption. In the Writing", "For the characters, these occult-powered industrial items (gasoline-free luxury cars, levitating trains, city", "transformative \"technology\" that has corrupted society (a metaphor for pollution, industrialization, consumerism), readers", "thing is suppose to be interesting. Maybe I should avoid grand-concept worldbuilding altogether?", "that might grant a kind of immortality. Immortality effects 1 person, flying cars", "Century, along with the rise in Victorian-era occultism. Paranormal phenomena always existed but", "up until the industrial revolution. In this world, paranormal phenomena can be induced", "that. A story with multiple unrelated \"buys\" will seem unfocused, trying to do", "noir themes of political corruption, greed, abuse of power, secret societies, etc. I'm", "until the industrial revolution. In this world, paranormal phenomena can be induced in", "Maybe I should avoid grand-concept worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's", "\"buy in\" that doesn't fit the rest of the story. My plan was", "metaphor for pollution, industrialization, consumerism), readers see it as an extra \"buy in\"", "grant a kind of immortality. Immortality effects 1 person, flying cars effects all", "to \"buy\" this grand concept as a backdrop, and still appreciate the smaller", "a firm normal to contrast against, otherwise it obscures why the paranormal thing", "the problem is that I am trying to introduce a sub-genre with unclear", "fit the rest of the story. My plan was to have a naive", "occult-powered industrial items (gasoline-free luxury cars, levitating trains, city power plants, military weapons)", "as the phenomena uses poorly understood \"occult logic\". The worldbuilding also sets up", "is ostensibly a \"noir\" style, but through worldbuilding I attempt to show that", "indicates it's sticking out in an oddball way. They don't see the rest", "that exist\" matter-of-factly, and layering them with coded sinister adjectives: hovercar engines make", "world and calling it \"sci-fi\". They aren't critical exactly, but it clearly feels", "phenomena uses poorly understood \"occult logic\". The worldbuilding also sets up a countercurrent", "the story, or has my worldbuilding gone off the rails? Can I get", "personal: an occult Maltese Falcon that might grant a kind of immortality. Immortality", "immortality. Immortality effects 1 person, flying cars effects all of society and seems", "suppose to be interesting. Maybe I should avoid grand-concept worldbuilding altogether? Readers calling", "taking place in a sci-fi universe, but they mention those elements like they", "MacGuffin is about a manufactured object with much smaller stakes, its purpose is", "the Writing Excuses podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader", "world. I have an 800lb worldbuilding gorilla that readers feel should have more", "political corruption, greed, abuse of power, secret societies, etc. I'm introducing them as", "them as \"things that exist\" matter-of-factly, and layering them with coded sinister adjectives:", "want to be nearby in a catastrophe. For the characters, these occult-powered industrial", "symbols of wealth to symbols of moral corruption. In the Writing Excuses podcast", "My \"buy\" is that paranormal phenomenon can be induced in a manufactured object.", "can be induced in a manufactured object. The industrial machines exist, unexplained, but", "How can I get readers to accept more than 1 \"buy\"? -------------------------------------------------- Is", "evil but personal: an occult Maltese Falcon that might grant a kind of", "be nearby in a catastrophe. For the characters, these occult-powered industrial items (gasoline-free", "introduce a sub-genre with unclear rules. There is no \"occultpunk\" for the reader", "symbols of moral corruption. In the Writing Excuses podcast [How Weird is too", "in an alternate occult universe which diverged from our own sometime during the", "but they are the logical worldbuilding conclusion of this idea. However, the story's", "induced into mass-produced industrial items. The process is not explained but it's coded", "has undesirable consequences, like the backlash against nuclear power – it's a leap", "Excuses** podcast [How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept", "I get readers to \"buy\" this grand concept as a backdrop, and still", "society (a metaphor for pollution, industrialization, consumerism), readers see it as an extra", "adjectives: hovercar engines make disturbing human throat sounds, \"ghost\" trains slither in the", "have more of a payoff in the story. I would like to keep", "unfocused, trying to do too much at once. I've fallen into that problem.", "it clearly feels non-sequitur. Rather than seeing the paranormal as a transformative \"technology\"", "The worldbuilding also sets up a countercurrent motif that the paranormal on an", "readers are questioning this aspect of the world and calling it \"sci-fi\". They", "greed, abuse of power, secret societies, etc. I'm introducing them as \"things that", "paranormal thing is suppose to be interesting. Maybe I should avoid grand-concept worldbuilding", "induced in steel similar to magnetism. It's comparable to steampunk where steam engines", "occult universe which diverged from our own sometime during the early 19th Century,", "along with the rise in Victorian-era occultism. Paranormal phenomena always existed but was", "the story as taking place in a sci-fi universe, but they mention those", "make disturbing human throat sounds, \"ghost\" trains slither in the night, etc. The", "\"ghost\" trains slither in the night, etc. The problem ----------- My problem is", "own rule that paranormal stories need a firm normal to contrast against*, otherwise", "in steel* similar to magnetism. It's comparable to steampunk where steam engines and", "Immortality effects 1 person, flying cars effects all of society and seems like", "comparable to steampunk where steam engines and clockwork mechanics are handwaved into modern-day", "a routine part of life, symbols of wealth and power-disparity that compliment the", "once. I've fallen into that problem. My \"buy\" is that paranormal phenomenon can", "I have an 800lb worldbuilding gorilla that readers feel should have more of", "paranormal stories need a firm normal to contrast against, otherwise it obscures why", "with coded sinister adjectives: hovercar engines make disturbing human throat sounds, \"ghost\" trains", "place in a sci-fi universe, but they mention those elements like they are", "show that the story is set in an alternate occult universe which diverged", "naive character begin to question these \"toxic\" items, transitioning from symbols of wealth", "as a threat deserving its own story? It also breaks my own rule", "\"sci-fi\". They aren't critical exactly, but it clearly feels non-sequitur. Rather than seeing", "to fill in the blanks about what is normal in this world. I", "paranormal phenomenon can be induced in a manufactured object. The industrial machines exist,", "plan was to have a naive character begin to question these \"toxic\" items,", "steel similar to magnetism. It's comparable to steampunk where steam engines and clockwork", "see it as an extra \"buy in\" that doesn't fit the rest of", "is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1 \"buy\" for the", "occult Maltese Falcon that might grant a kind of immortality. Immortality effects 1", "An alternative \"Occult Universe\" -------------------------------- I open my occult detective novel in what", "with unclear rules. There is no \"occultpunk\" for the reader to fill in", "disturbing human throat sounds, \"ghost\" trains slither in the night, etc. The problem", "effects 1 person, flying cars effects all of society and seems like a", "no \"occultpunk\" for the reader to fill in the blanks about what is", "to do too much at once. I've fallen into that problem. My \"buy\"", "our own sometime during the early 19th Century, along with the rise in", "the world and everything else should derive from that. A story with multiple", "and calling it \"sci-fi\". They aren't critical exactly, but it clearly feels non-sequitur.", "in what is ostensibly a \"noir\" style, but through worldbuilding I attempt to", "should have more of a payoff in the story. I would like to", "(a metaphor for pollution, industrialization, consumerism), readers see it as an extra \"buy", "the story is set in an alternate occult universe which diverged from our", "sticking out in an oddball way. They don't see the rest of the", "object with much smaller stakes, its purpose is evil but personal: an occult", "-------------------------------- I open my occult detective novel in what is ostensibly a \"noir\"", "attempt to show that the story is set in an alternate occult universe", "\"occultpunk\" for the reader to fill in the blanks about what is normal", "which diverged from our own sometime during the early 19th Century, along with", "these occult-powered industrial items (gasoline-free luxury cars, levitating trains, city power plants, military", "that compliment the noir themes of political corruption, greed, abuse of power, secret", "to symbols of moral corruption. In the Writing Excuses podcast [How Weird is", "to question these \"toxic\" items, transitioning from symbols of wealth to symbols of", "kind of immortality. Immortality effects 1 person, flying cars effects all of society", "[How Weird is too Weird](https://writingexcuses.com/2019/02/17/14-7-how-weird-is-too-weird/comment-page-1/), they suggest the reader will accept 1 \"buy\"", "these \"toxic\" items, transitioning from symbols of wealth to symbols of moral corruption.", "it is interesting, but not if it's a distraction. How can I get", "life, symbols of wealth and power-disparity that compliment the noir themes of political", "is suppose to be interesting. Maybe I should avoid grand-concept worldbuilding altogether? Readers", "worldbuilding gone off the rails? Can I get readers to \"buy\" this grand", "that problem. My \"buy\" is that paranormal phenomenon can be induced in a", "of society and seems like a much grander theme that is being ignored.", "are handwaved into modern-day (or impossible) technology. Here, paranormal effects have been induced", "that I am trying to introduce a sub-genre with unclear rules. There is", "a threat deserving its own story? It also breaks my own rule that", "is evil but personal: an occult Maltese Falcon that might grant a kind", "machines exist, unexplained, but they are the logical worldbuilding conclusion of this idea.", "industrial machines exist, unexplained, but they are the logical worldbuilding conclusion of this", "leap forward when it works, but you wouldn't want to be nearby in", "aspect of the world and calling it \"sci-fi\". They aren't critical exactly, but", "story. My plan was to have a naive character begin to question these", "\"buys\" will seem unfocused, trying to do too much at once. I've fallen", "mechanics are handwaved into modern-day (or impossible) technology. Here, paranormal effects have been", "this world. I have an 800lb worldbuilding gorilla that readers feel should have", "on an industrial scale has undesirable consequences, like the backlash against nuclear power", "it \"sci-fi\". They aren't critical exactly, but it clearly feels non-sequitur. Rather than", "universe, but they mention those elements like they are refugees from the wrong", "worldbuilding altogether? Readers calling it \"sci-fi\" indicates it's sticking out in an oddball", "seems like a much grander theme that is being ignored. Part of the", "luxury cars, levitating trains, city power plants, military weapons) are a routine part", "There is no \"occultpunk\" for the reader to fill in the blanks about", "my own rule that paranormal stories need a firm normal to contrast against,", "the smaller paranormal MacGuffin as a threat deserving its own story? It also", "been induced into mass-produced industrial items. The process is not explained but it's", "grander theme that is being ignored. Part of the problem is that I", "a payoff in the story. I would like to keep this aspect of", "that the story is set in an alternate occult universe which diverged from", "but you wouldn't want to be nearby in a catastrophe. For the characters,", "trains slither in the night, etc. The problem ----------- My problem is that", "obscures why the paranormal thing is suppose to be interesting. Maybe I should", "it's sticking out in an oddball way. They don't see the rest of", "matter-of-factly, and layering them with coded sinister adjectives: hovercar engines make disturbing human", "wealth and power-disparity that compliment the noir themes of political corruption, greed, abuse", "to contrast against*, otherwise it obscures why the paranormal thing is suppose to", "everything else should derive from that. A story with multiple unrelated \"buys\" will", "problem ----------- My problem is that beta readers are questioning this aspect of", "introducing them as \"things that exist\" matter-of-factly, and layering them with coded sinister", "fill in the blanks about what is normal in this world. I have", "the rest of the story. My plan was to have a naive character", "it obscures why the paranormal thing is suppose to be interesting. Maybe I", "exactly, but it clearly feels non-sequitur*. Rather than seeing the paranormal as a", "steam engines and clockwork mechanics are handwaved into modern-day (or impossible) technology. Here,", "in this world. I have an 800lb worldbuilding gorilla that readers feel should" ]
[ "technical, academic and creative writing here for sake of the question; let's assume", "wanting (or dreaming) to make \"something more\" out of it, whether that something", "A lot of people here aren't professional writers, but write in their own", "specifically about gigs, ergo side-jobs. Since most of wannabe-writers have, of course, a", "cash in one's wallet. This considered, are there some opportunities where one could", "one could profit from his/her writing skills? I'm asking specifically about gigs, ergo", "my own. I'm ignoring the difference between technical, academic and creative writing here", "bills. I'm not looking for a comprehensive list; I'm just curious of hearing", "published or getting some extra cash in one's wallet. This considered, are there", "a comprehensive list; I'm just curious of hearing out your ideas and compare", "something more is getting published or getting some extra cash in one's wallet.", "assume any kind of compensated job in a writing area is good enough", "their own free time or for their own pleasure. It's not uncommon, though,", "question; let's assume any kind of compensated job in a writing area is", "could profit from his/her writing skills? I'm asking specifically about gigs, ergo side-jobs.", "wannabe-writers have, of course, a day-job to pay the bills. I'm not looking", "pay the bills. I'm not looking for a comprehensive list; I'm just curious", "in one's wallet. This considered, are there some opportunities where one could profit", "opportunities where one could profit from his/her writing skills? I'm asking specifically about", "course, a day-job to pay the bills. I'm not looking for a comprehensive", "the difference between technical, academic and creative writing here for sake of the", "write in their own free time or for their own pleasure. It's not", "uncommon, though, wanting (or dreaming) to make \"something more\" out of it, whether", "pleasure. It's not uncommon, though, wanting (or dreaming) to make \"something more\" out", "free time or for their own pleasure. It's not uncommon, though, wanting (or", "wallet. This considered, are there some opportunities where one could profit from his/her", "lot of people here aren't professional writers, but write in their own free", "to make \"something more\" out of it, whether that something more is getting", "their own pleasure. It's not uncommon, though, wanting (or dreaming) to make \"something", "of people here aren't professional writers, but write in their own free time", "his/her writing skills? I'm asking specifically about gigs, ergo side-jobs. Since most of", "whether that something more is getting published or getting some extra cash in", "of wannabe-writers have, of course, a day-job to pay the bills. I'm not", "most of wannabe-writers have, of course, a day-job to pay the bills. I'm", "but write in their own free time or for their own pleasure. It's", "between technical, academic and creative writing here for sake of the question; let's", "writers, but write in their own free time or for their own pleasure.", "ideas and compare them with my own. I'm ignoring the difference between technical,", "from his/her writing skills?** I'm asking specifically about gigs, ergo side-jobs. Since most", "professional writers, but write in their own free time or for their own", "writing here for sake of the question; let's assume any kind of compensated", "are there some opportunities where one could profit from his/her writing skills? I'm", "looking for a comprehensive list; I'm just curious of hearing out your ideas", "time or for their own pleasure. It's not uncommon, though, wanting (or dreaming)", "just curious of hearing out your ideas and compare them with my own.", "skills? I'm asking specifically about gigs, ergo side-jobs. Since most of wannabe-writers have,", "make \"something more\" out of it, whether that something more is getting published", "kind of compensated job in a writing area is good enough for an", "This considered, are there some opportunities where one could profit from his/her writing", "of hearing out your ideas and compare them with my own. I'm ignoring", "own. I'm ignoring the difference between technical, academic and creative writing here for", "writing skills? I'm asking specifically about gigs, ergo side-jobs. Since most of wannabe-writers", "curious of hearing out your ideas and compare them with my own. I'm", "for sake of the question; let's assume any kind of compensated job in", "more is getting published or getting some extra cash in one's wallet. This", "out of it, whether that something more is getting published or getting some", "some opportunities where one could profit from his/her writing skills? I'm asking specifically", "where one could profit from his/her writing skills?** I'm asking specifically about gigs,", "out your ideas and compare them with my own. I'm ignoring the difference", "and compare them with my own. I'm ignoring the difference between technical, academic", "about gigs, ergo side-jobs. Since most of wannabe-writers have, of course, a day-job", "not looking for a comprehensive list; I'm just curious of hearing out your", "Since most of wannabe-writers have, of course, a day-job to pay the bills.", "aren't professional writers, but write in their own free time or for their", "and creative writing here for sake of the question; let's assume any kind", "it, whether that something more is getting published or getting some extra cash", "ergo side-jobs. Since most of wannabe-writers have, of course, a day-job to pay", "day-job to pay the bills. I'm not looking for a comprehensive list; I'm", "though, wanting (or dreaming) to make \"something more\" out of it, whether that", "I'm not looking for a comprehensive list; I'm just curious of hearing out", "hearing out your ideas and compare them with my own. I'm ignoring the", "extra cash in one's wallet. This considered, are there some opportunities where one", "getting some extra cash in one's wallet. This considered, are there some opportunities", "asking specifically about gigs, ergo side-jobs. Since most of wannabe-writers have, of course,", "the question; let's assume any kind of compensated job in a writing area", "or getting some extra cash in one's wallet. This considered, are there some", "of course, a day-job to pay the bills. I'm not looking for a", "them with my own. I'm ignoring the difference between technical, academic and creative", "or for their own pleasure. It's not uncommon, though, wanting (or dreaming) to", "profit from his/her writing skills? I'm asking specifically about gigs, ergo side-jobs. Since", "It's not uncommon, though, wanting (or dreaming) to make \"something more\" out of", "side-jobs. Since most of wannabe-writers have, of course, a day-job to pay the", "in their own free time or for their own pleasure. It's not uncommon,", "compare them with my own. I'm ignoring the difference between technical, academic and", "gigs, ergo side-jobs. Since most of wannabe-writers have, of course, a day-job to", "creative writing here for sake of the question; let's assume any kind of", "have, of course, a day-job to pay the bills. I'm not looking for", "ignoring the difference between technical, academic and creative writing here for sake of", "I'm asking specifically about gigs, ergo side-jobs. Since most of wannabe-writers have, of", "own pleasure. It's not uncommon, though, wanting (or dreaming) to make \"something more\"", "the bills. I'm not looking for a comprehensive list; I'm just curious of", "I'm ignoring the difference between technical, academic and creative writing here for sake", "difference between technical, academic and creative writing here for sake of the question;", "not uncommon, though, wanting (or dreaming) to make \"something more\" out of it,", "list; I'm just curious of hearing out your ideas and compare them with", "more\" out of it, whether that something more is getting published or getting", "that something more is getting published or getting some extra cash in one's", "sake of the question; let's assume any kind of compensated job in a", "is getting published or getting some extra cash in one's wallet. This considered,", "(or dreaming) to make \"something more\" out of it, whether that something more", "any kind of compensated job in a writing area is good enough for", "one's wallet. This considered, are there some opportunities where one could profit from", "your ideas and compare them with my own. I'm ignoring the difference between", "to pay the bills. I'm not looking for a comprehensive list; I'm just", "comprehensive list; I'm just curious of hearing out your ideas and compare them", "some extra cash in one's wallet. This considered, are there some opportunities where", "of it, whether that something more is getting published or getting some extra", "people here aren't professional writers, but write in their own free time or", "\"something more\" out of it, whether that something more is getting published or", "of the question; let's assume any kind of compensated job in a writing", "of compensated job in a writing area is good enough for an answer.", "considered, are there some opportunities where one could profit from his/her writing skills?", "dreaming) to make \"something more\" out of it, whether that something more is", "with my own. I'm ignoring the difference between technical, academic and creative writing", "getting published or getting some extra cash in one's wallet. This considered, are", "for their own pleasure. It's not uncommon, though, wanting (or dreaming) to make", "a day-job to pay the bills. I'm not looking for a comprehensive list;", "here for sake of the question; let's assume any kind of compensated job", "I'm just curious of hearing out your ideas and compare them with my", "here aren't professional writers, but write in their own free time or for", "let's assume any kind of compensated job in a writing area is good", "academic and creative writing here for sake of the question; let's assume any", "for a comprehensive list; I'm just curious of hearing out your ideas and", "there some opportunities where one could profit from his/her writing skills? I'm asking", "own free time or for their own pleasure. It's not uncommon, though, wanting" ]
[ "lot has been said on the topic. Brandon Sanderson, in the podcast Writing", "can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on", "subset of your world and characterize it well. For a novel, one could", "novel, one could focus on weaponry, architecture and fauna; while working on flora,", "major plot point in the book - falls in the sandworms extremely detailed", "one is willing to spend 30 years in crafting the next Lord of", "aforementioned idea. While there are a lot of details in the book, I'd", "suggests focusing only on three-to-five aspects of the worldbuilding of a given novel,", "gloss over the rest; Find a really cool idea and build around", "revolves around the sandworms. Everything - from the native colture and religion, to", "your world and characterize it well. For a novel, one could focus on", "Detail almost everything, Tolkien style, even if this delays enormously the publication of", "on the matter. thus said: How many elements can you focus on during", "focus on weaponry, architecture and fauna; while working on flora, religion and politics", "differnt opionions on the matter. thus said: How many elements can you focus", "his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of the worldbuilding", "I'd argue that the most worldbuilding revolves around the sandworms. Everything - from", "really cool idea and build around it until you've squeezed all the potential", "subsets of the worldbuilding and gloss over the rest; Find a really", "our brother site Worldbuilding-SE is for, and why as a writer you can", "for, and why as a writer you can actually catch the infamous [Worldbuilder's", "get readers to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a", "list; but it resumes differnt opionions on the matter. thus said: How many", "the Rings series. His advice is, roughly speaking: choose a subset of your", "accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's", "novel; * Focus on three-to-five subsets of the worldbuilding and gloss over the", "correct list; but it resumes differnt opionions on the matter. thus said: How", "point in the book - falls in the sandworms extremely detailed and imaginative", "in the next one. Moving on, Herxeck's Dune (the first of the saga)", "on weaponry, architecture and fauna; while working on flora, religion and politics in", "nor a complete, nor a correct list; but it resumes differnt opionions on", "example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of the worldbuilding of a given", "could be seen as an extreme example of the aforementioned idea. While there", "the native colture and religion, to major plot point in the book -", "spend 30 years in crafting the next Lord of the Rings* series. His", "your novel; * Focus on three-to-five subsets of the worldbuilding and gloss over", "you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said", "in the book, I'd argue that the most worldbuilding revolves around the sandworms.", "([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of the worldbuilding of a", "detailed and imaginative ecosystem. From what I've gathered, it's either: Detail almost", "example of the aforementioned idea. While there are a lot of details in", "imaginative ecosystem. From what I've gathered, it's either: * Detail almost everything, Tolkien", "characterize it well. For a novel, one could focus on weaponry, architecture and", "the matter. thus said: How many elements can you focus on during worldbuilding?", "lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of the worldbuilding of", "For a novel, one could focus on weaponry, architecture and fauna; while working", "of the saga) could be seen as an extreme example of the aforementioned", "that the most worldbuilding revolves around the sandworms. Everything - from the native", "over the rest; Find a really cool idea and build around it", "worldbuilding revolves around the sandworms. Everything - from the native colture and religion,", "the worldbuilding of a given novel*, unless one is willing to spend 30", "be seen as an extreme example of the aforementioned idea. While there are", "politics in the next one. Moving on, Herxeck's Dune* (the first of the", "the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the topic. Brandon", "until you've squeezed all the potential from it. Of course this is nor", "book, I'd argue that the most worldbuilding revolves around the sandworms. Everything -", "around it until you've squeezed all the potential from it. Of course this", "the topic. Brandon Sanderson, in the podcast Writing Excuses and in his lessons", "are a lot of details in the book, I'd argue that the most", "only on three-to-five aspects of the worldbuilding of a given novel, unless one", "build around it until you've squeezed all the potential from it. Of course", "of a given novel*, unless one is willing to spend 30 years in", "the next Lord of the Rings* series. His advice is, roughly speaking: choose", "of the worldbuilding of a given novel, unless one is willing to spend", "tireless art; that's what our brother site Worldbuilding-SE is for, and why as", "a given novel, unless one is willing to spend 30 years in crafting", "willing to spend 30 years in crafting the next Lord of the Rings", "the potential from it. Of course this is nor a complete, nor a", "readers to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless", "is, roughly speaking: choose a subset of your world and characterize it well.", "cool idea and build around it until you've squeezed all the potential from", "book - falls in the sandworms extremely detailed and imaginative ecosystem. From what", "of your world and characterize it well. For a novel, one could focus", "the podcast Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only", "lot of details in the book, I'd argue that the most worldbuilding revolves", "the sandworms. Everything - from the native colture and religion, to major plot", "it until you've squeezed all the potential from it. Of course this is", "\"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what our brother site", "publication of your novel; * Focus on three-to-five subsets of the worldbuilding and", "all the potential from it. Of course this is nor a complete, nor", "nor a correct list; but it resumes differnt opionions on the matter. thus", "novel*, unless one is willing to spend 30 years in crafting the next", "details in the book, I'd argue that the most worldbuilding revolves around the", "religion and politics in the next one. Moving on, Herxeck's Dune* (the first", "Everything - from the native colture and religion, to major plot point in", "architecture and fauna; while working on flora, religion and politics in the next", "this is nor a complete, nor a correct list; but it resumes differnt", "idea. While there are a lot of details in the book, I'd argue", "why as a writer you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A", "related:** * [How can I get readers to accept more than 1 \"buy\"", "has been said on the topic. Brandon Sanderson, in the podcast Writing Excuses", "and politics in the next one. Moving on, Herxeck's Dune (the first of", "one could focus on weaponry, architecture and fauna; while working on flora, religion", "[How can I get readers to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding)", "the worldbuilding and gloss over the rest; * Find a really cool idea", "of details in the book, I'd argue that the most worldbuilding revolves around", "given novel*, unless one is willing to spend 30 years in crafting the", "matter. thus said: How many elements can you focus on during worldbuilding? --------------------------------------------------------", "on flora, religion and politics in the next one. Moving on, Herxeck's Dune", "flora, religion and politics in the next one. Moving on, Herxeck's Dune* (the", "most worldbuilding revolves around the sandworms. Everything - from the native colture and", "Of course this is nor a complete, nor a correct list; but it", "the saga) could be seen as an extreme example of the aforementioned idea.", "worldbuilding of a given novel*, unless one is willing to spend 30 years", "falls in the sandworms extremely detailed and imaginative ecosystem. From what I've gathered,", "on three-to-five subsets of the worldbuilding and gloss over the rest; Find", "squeezed all the potential from it. Of course this is nor a complete,", "infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the topic. Brandon Sanderson,", "Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects", "of the worldbuilding and gloss over the rest; Find a really cool", "years in crafting the next Lord of the Rings series. His advice is,", "and characterize it well. For a novel, one could focus on weaponry, architecture", "gathered, it's either: * Detail almost everything, Tolkien style, even if this delays", "world and characterize it well. For a novel, one could focus on weaponry,", "what I've gathered, it's either: * Detail almost everything, Tolkien style, even if", "three-to-five aspects of the worldbuilding of a given novel, unless one is willing", "30 years in crafting the next Lord of the Rings series. His advice", "Dune (the first of the saga) could be seen as an extreme example", "extreme example of the aforementioned idea. While there are a lot of details", "and gloss over the rest; * Find a really cool idea and build", "everything, Tolkien style, even if this delays enormously the publication of your novel;", "in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what our brother site Worldbuilding-SE", "it. Of course this is nor a complete, nor a correct list; but", "the sandworms extremely detailed and imaginative ecosystem. From what I've gathered, it's either:", "rest; * Find a really cool idea and build around it until you've", "I get readers to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is", "Lord of the Rings series. His advice is, roughly speaking: choose a subset", "a lot of details in the book, I'd argue that the most worldbuilding", "[Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the topic. Brandon Sanderson, in", "next Lord of the Rings series. His advice is, roughly speaking: choose a", "weaponry, architecture and fauna; while working on flora, religion and politics in the", "extremely detailed and imaginative ecosystem. From what I've gathered, it's either: * Detail", "worldbuilding and gloss over the rest; * Find a really cool idea and", "more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what", "the most worldbuilding revolves around the sandworms. Everything - from the native colture", "a tireless art; that's what our brother site Worldbuilding-SE is for, and why", "on, Herxeck's Dune (the first of the saga) could be seen as an", "sandworms. Everything - from the native colture and religion, to major plot point", "in the book - falls in the sandworms extremely detailed and imaginative ecosystem.", "* Find a really cool idea and build around it until you've squeezed", "is nor a complete, nor a correct list; but it resumes differnt opionions", "A lot has been said on the topic. Brandon Sanderson, in the podcast", "to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art;", "native colture and religion, to major plot point in the book - falls", "disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the topic. Brandon Sanderson, in the", "delays enormously the publication of your novel; Focus on three-to-five subsets of", "but it resumes differnt opionions on the matter. thus said: How many elements", "While there are a lot of details in the book, I'd argue that", "while working on flora, religion and politics in the next one. Moving on,", "topic. Brandon Sanderson, in the podcast Writing Excuses and in his lessons ([here,", "of the aforementioned idea. While there are a lot of details in the", "actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the", "could focus on weaponry, architecture and fauna; while working on flora, religion and", "as a writer you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot", "Rings* series. His advice is, roughly speaking: choose a subset of your world", "plot point in the book - falls in the sandworms extremely detailed and", "the book - falls in the sandworms extremely detailed and imaginative ecosystem. From", "speaking: choose a subset of your world and characterize it well. For a", "in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of the", "been said on the topic. Brandon Sanderson, in the podcast Writing Excuses and", "Herxeck's Dune* (the first of the saga) could be seen as an extreme", "the rest; * Find a really cool idea and build around it until", "opionions on the matter. thus said: How many elements can you focus on", "argue that the most worldbuilding revolves around the sandworms. Everything - from the", "Tolkien style, even if this delays enormously the publication of your novel; ", "Focus on three-to-five subsets of the worldbuilding and gloss over the rest; ", "it well. For a novel, one could focus on weaponry, architecture and fauna;", "an extreme example of the aforementioned idea. While there are a lot of", "it's either: * Detail almost everything, Tolkien style, even if this delays enormously", "crafting the next Lord of the Rings series. His advice is, roughly speaking:", "to spend 30 years in crafting the next Lord of the Rings series.", "enormously the publication of your novel; * Focus on three-to-five subsets of the", "Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five", "roughly speaking: choose a subset of your world and characterize it well. For", "one. Moving on, Herxeck's Dune* (the first of the saga) could be seen", "(the first of the saga) could be seen as an extreme example of", "first of the saga) could be seen as an extreme example of the", "Brandon Sanderson, in the podcast Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s))", "on three-to-five aspects of the worldbuilding of a given novel, unless one is", "almost everything, Tolkien style, even if this delays enormously the publication of your", "- from the native colture and religion, to major plot point in the", "- falls in the sandworms extremely detailed and imaginative ecosystem. From what I've", "from it. Of course this is nor a complete, nor a correct list;", "what our brother site Worldbuilding-SE is for, and why as a writer you", "fauna; while working on flora, religion and politics in the next one. Moving", "religion, to major plot point in the book - falls in the sandworms", "Worldbuilding-SE is for, and why as a writer you can actually catch the", "if this delays enormously the publication of your novel; * Focus on three-to-five", "in the podcast Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing", "and fauna; while working on flora, religion and politics in the next one.", "* [How can I get readers to accept more than 1 \"buy\" in", "you've squeezed all the potential from it. Of course this is nor a", "brother site Worldbuilding-SE is for, and why as a writer you can actually", "from the native colture and religion, to major plot point in the book", "unless one is willing to spend 30 years in crafting the next Lord", "well. For a novel, one could focus on weaponry, architecture and fauna; while", "focusing only on three-to-five aspects of the worldbuilding of a given novel, unless", "next one. Moving on, Herxeck's Dune* (the first of the saga) could be", "His advice is, roughly speaking: choose a subset of your world and characterize", "around the sandworms. Everything - from the native colture and religion, to major", "style, even if this delays enormously the publication of your novel; * Focus", "the next one. Moving on, Herxeck's Dune (the first of the saga) could", "in the sandworms extremely detailed and imaginative ecosystem. From what I've gathered, it's", "of your novel; * Focus on three-to-five subsets of the worldbuilding and gloss", "and imaginative ecosystem. From what I've gathered, it's either: * Detail almost everything,", "writer you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been", "Possibly related: * [How can I get readers to accept more than 1", "the book, I'd argue that the most worldbuilding revolves around the sandworms. Everything", "even if this delays enormously the publication of your novel; * Focus on", "is willing to spend 30 years in crafting the next Lord of the", "a novel, one could focus on weaponry, architecture and fauna; while working on", "colture and religion, to major plot point in the book - falls in", "potential from it. Of course this is nor a complete, nor a correct", " Focus on three-to-five subsets of the worldbuilding and gloss over the rest;", "in crafting the next Lord of the Rings series. His advice is, roughly", "working on flora, religion and politics in the next one. Moving on, Herxeck's", "idea and build around it until you've squeezed all the potential from it.", "advice is, roughly speaking: choose a subset of your world and characterize it", "podcast Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on", "said on the topic. Brandon Sanderson, in the podcast Writing Excuses and in", "catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has been said on the topic.", "of the Rings* series. His advice is, roughly speaking: choose a subset of", "sandworms extremely detailed and imaginative ecosystem. From what I've gathered, it's either: ", "art; that's what our brother site Worldbuilding-SE is for, and why as a", "ecosystem. From what I've gathered, it's either: Detail almost everything, Tolkien style,", "* Detail almost everything, Tolkien style, even if this delays enormously the publication", "a really cool idea and build around it until you've squeezed all the", "and why as a writer you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX).", "and build around it until you've squeezed all the potential from it. Of", "complete, nor a correct list; but it resumes differnt opionions on the matter.", "than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what our", "there are a lot of details in the book, I'd argue that the", "From what I've gathered, it's either: * Detail almost everything, Tolkien style, even", "three-to-five subsets of the worldbuilding and gloss over the rest; * Find a", "and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests focusing only on *three-to-five aspects of", "resumes differnt opionions on the matter. thus said: How many elements can you", "that's what our brother site Worldbuilding-SE is for, and why as a writer", "Moving on, Herxeck's Dune* (the first of the saga) could be seen as", "course this is nor a complete, nor a correct list; but it resumes", "a complete, nor a correct list; but it resumes differnt opionions on the", "seen as an extreme example of the aforementioned idea. While there are a", "a writer you can actually catch the infamous [Worldbuilder's disease](https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=2ahUKEwiG1ZSsvebgAhXD8eAKHTODD1oQFjACegQIChAL&url=http%3A%2F%2Fthewritersaurus.com%2F2015%2F03%2F06%2Fthe-dreaded-world-builders-disease%2F&usg=AOvVaw2EdsrIInG-ippQplvOfzGX). A lot has", "the aforementioned idea. While there are a lot of details in the book,", "worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what our brother site Worldbuilding-SE is", "is for, and why as a writer you can actually catch the infamous", "either: * Detail almost everything, Tolkien style, even if this delays enormously the", "aspects of the worldbuilding of a given novel*, unless one is willing to", "it resumes differnt opionions on the matter. thus said: How many elements can", "on the topic. Brandon Sanderson, in the podcast Writing Excuses and in his", "1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding is a tireless art; that's what our brother", "to major plot point in the book - falls in the sandworms extremely", "I've gathered, it's either: Detail almost everything, Tolkien style, even if this", "the publication of your novel; * Focus on three-to-five subsets of the worldbuilding", "a subset of your world and characterize it well. For a novel, one", "Worldbuilding is a tireless art; that's what our brother site Worldbuilding-SE is for,", "can I get readers to accept more than 1 \"buy\" in worldbuilding?](https://writing.stackexchange.com/questions/42906/how-can-i-get-readers-to-accept-more-than-1-buy-in-worldbuilding) Worldbuilding", "and religion, to major plot point in the book - falls in the", "as an extreme example of the aforementioned idea. While there are a lot", "Find a really cool idea and build around it until you've squeezed all", "choose a subset of your world and characterize it well. For a novel,", "this delays enormously the publication of your novel; * Focus on three-to-five subsets", "is a tireless art; that's what our brother site Worldbuilding-SE is for, and", "saga) could be seen as an extreme example of the aforementioned idea. While", "series. His advice is, roughly speaking: choose a subset of your world and", "Sanderson, in the podcast Writing Excuses and in his lessons ([here, example](https://www.youtube.com/watch?v=v98Zy_hP5TI&t=5s)) suggests", "a correct list; but it resumes differnt opionions on the matter. thus said:", "site Worldbuilding-SE is for, and why as a writer you can actually catch" ]
[ "[asked](https://writing.stackexchange.com/questions/42875/approaches-to-criticizing-short-fiction) about criticism regarding short pieces of fiction. What about longer works like", "work the way they can over something as short as three to four", "Surely no one can sit down and agonize over individual word choices in", "So how do you approach longer works? What else do you do differently?", "the way they can over something as short as three to four pages.", "works like novels? Surely no one can sit down and agonize over individual", "word choices in a larger work the way they can over something as", "about criticism regarding short pieces of fiction. What about longer works like novels?", "else do you do differently? What are your main concerns when reading over", "you do differently? What are your main concerns when reading over it to", "to four pages. So how do you approach longer works? What else do", "about longer works like novels? Surely no one can sit down and agonize", "I recently [asked](https://writing.stackexchange.com/questions/42875/approaches-to-criticizing-short-fiction) about criticism regarding short pieces of fiction. What about longer", "agonize over individual word choices in a larger work the way they can", "pieces of fiction. What about longer works like novels? Surely no one can", "approach longer works? What else do you do differently? What are your main", "concerns when reading over it to give feedback? Is size alone the only", "can over something as short as three to four pages. So how do", "can sit down and agonize over individual word choices in a larger work", "criticism regarding short pieces of fiction. What about longer works like novels? Surely", "do differently? What are your main concerns when reading over it to give", "like novels? Surely no one can sit down and agonize over individual word", "works? What else do you do differently? What are your main concerns when", "larger work the way they can over something as short as three to", "way they can over something as short as three to four pages. So", "recently [asked](https://writing.stackexchange.com/questions/42875/approaches-to-criticizing-short-fiction) about criticism regarding short pieces of fiction. What about longer works", "as short as three to four pages. So how do you approach longer", "how do you approach longer works? What else do you do differently? What", "when reading over it to give feedback? Is size alone the only difference", "short as three to four pages. So how do you approach longer works?", "What about longer works like novels? Surely no one can sit down and", "one can sit down and agonize over individual word choices in a larger", "down and agonize over individual word choices in a larger work the way", "in a larger work the way they can over something as short as", "three to four pages. So how do you approach longer works? What else", "sit down and agonize over individual word choices in a larger work the", "regarding short pieces of fiction. What about longer works like novels? Surely no", "are your main concerns when reading over it to give feedback? Is size", "they can over something as short as three to four pages. So how", "of fiction. What about longer works like novels? Surely no one can sit", "a larger work the way they can over something as short as three", "as three to four pages. So how do you approach longer works? What", "you approach longer works? What else do you do differently? What are your", "main concerns when reading over it to give feedback? Is size alone the", "reading over it to give feedback? Is size alone the only difference in", "short pieces of fiction. What about longer works like novels? Surely no one", "it to give feedback? Is size alone the only difference in such approaches?", "and agonize over individual word choices in a larger work the way they", "differently? What are your main concerns when reading over it to give feedback?", "do you do differently? What are your main concerns when reading over it", "longer works like novels? Surely no one can sit down and agonize over", "your main concerns when reading over it to give feedback? Is size alone", "fiction. What about longer works like novels? Surely no one can sit down", "no one can sit down and agonize over individual word choices in a", "choices in a larger work the way they can over something as short", "What are your main concerns when reading over it to give feedback? Is", "individual word choices in a larger work the way they can over something", "four pages. So how do you approach longer works? What else do you", "over something as short as three to four pages. So how do you", "novels? Surely no one can sit down and agonize over individual word choices", "something as short as three to four pages. So how do you approach", "do you approach longer works? What else do you do differently? What are", "over it to give feedback? Is size alone the only difference in such", "pages. So how do you approach longer works? What else do you do", "over individual word choices in a larger work the way they can over", "longer works? What else do you do differently? What are your main concerns", "What else do you do differently? What are your main concerns when reading" ]
[ "in family was asked, so you use that figure as a (silly, I", "the word commonly used in statistics when the thing that you want to", "that can be (or was) measured gives an estimate of the frequency of", "is the word commonly used in statistics when the thing that you want", "status, say when x>4. I am pretty sure there is a term of", "for inferring RC status, say when x>4. I am pretty sure there is", "to measure? For a (silly) example: You are interested in knowing how many", "figure as a (silly, I know) basis for inferring RC status, say when", "measure cannot be (or was not) measured directly, so you assume that another", "estimate of the frequency of the thing that you want to measure? For", "thing that you want to measure? For a (silly) example: You are interested", "that figure as a (silly, I know) basis for inferring RC status, say", "can be (or was) measured gives an estimate of the frequency of the", "of the frequency of the thing that you want to measure? For a", "how many Roman Catholics were in the survey but that question was not", "inferring RC status, say when x>4. I am pretty sure there is a", "were in the survey but that question was not asked. Number of children", "you assume that another thing that can be (or was) measured gives an", "gives an estimate of the frequency of the thing that you want to", "Number of children in family was asked, so you use that figure as", "question was not asked. Number of children in family was asked, so you", "was) measured gives an estimate of the frequency of the thing that you", "use that figure as a (silly, I know) basis for inferring RC status,", "is a term of art for this, something like token, substitute, stand-in, but", "you use that figure as a (silly, I know) basis for inferring RC", "asked. Number of children in family was asked, so you use that figure", "was not) measured directly, so you assume that another thing that can be", "in statistics when the thing that you want to measure cannot be (or", "a term of art for this, something like token, substitute, stand-in, but can’t", "that you want to measure? For a (silly) example: You are interested in", "the thing that you want to measure? For a (silly) example: You are", "for this, something like token, substitute, stand-in, but can’t seem to recall it.", "so you use that figure as a (silly, I know) basis for inferring", "many Roman Catholics were in the survey but that question was not asked.", "there is a term of art for this, something like token, substitute, stand-in,", "was asked, so you use that figure as a (silly, I know) basis", "used in statistics when the thing that you want to measure cannot be", "of children in family was asked, so you use that figure as a", "to measure cannot be (or was not) measured directly, so you assume that", "(or was not) measured directly, so you assume that another thing that can", "measure? For a (silly) example: You are interested in knowing how many Roman", "assume that another thing that can be (or was) measured gives an estimate", "statistics when the thing that you want to measure cannot be (or was", "when the thing that you want to measure cannot be (or was not)", "directly, so you assume that another thing that can be (or was) measured", "Roman Catholics were in the survey but that question was not asked. Number", "another thing that can be (or was) measured gives an estimate of the", "you want to measure? For a (silly) example: You are interested in knowing", "Catholics were in the survey but that question was not asked. Number of", "when x>4. I am pretty sure there is a term of art for", "in the survey but that question was not asked. Number of children in", "are interested in knowing how many Roman Catholics were in the survey but", "asked, so you use that figure as a (silly, I know) basis for", "the thing that you want to measure cannot be (or was not) measured", "knowing how many Roman Catholics were in the survey but that question was", "be (or was not) measured directly, so you assume that another thing that", "say when x>4. I am pretty sure there is a term of art", "(or was) measured gives an estimate of the frequency of the thing that", "the frequency of the thing that you want to measure? For a (silly)", "pretty sure there is a term of art for this, something like token,", "frequency of the thing that you want to measure? For a (silly) example:", "a (silly) example: You are interested in knowing how many Roman Catholics were", "the survey but that question was not asked. Number of children in family", "of the thing that you want to measure? For a (silly) example: You", "children in family was asked, so you use that figure as a (silly,", "know) basis for inferring RC status, say when x>4. I am pretty sure", "as a (silly, I know) basis for inferring RC status, say when x>4.", "was not asked. Number of children in family was asked, so you use", "art for this, something like token, substitute, stand-in, but can’t seem to recall", "of art for this, something like token, substitute, stand-in, but can’t seem to", "family was asked, so you use that figure as a (silly, I know)", "measured directly, so you assume that another thing that can be (or was)", "I know) basis for inferring RC status, say when x>4. I am pretty", "commonly used in statistics when the thing that you want to measure cannot", "not asked. Number of children in family was asked, so you use that", "RC status, say when x>4. I am pretty sure there is a term", "survey but that question was not asked. Number of children in family was", "(silly) example: You are interested in knowing how many Roman Catholics were in", "x>4. I am pretty sure there is a term of art for this,", "want to measure cannot be (or was not) measured directly, so you assume", "so you assume that another thing that can be (or was) measured gives", "thing that can be (or was) measured gives an estimate of the frequency", "I am pretty sure there is a term of art for this, something", "interested in knowing how many Roman Catholics were in the survey but that", "you want to measure cannot be (or was not) measured directly, so you", "want to measure? For a (silly) example: You are interested in knowing how", "a (silly, I know) basis for inferring RC status, say when x>4. I", "basis for inferring RC status, say when x>4. I am pretty sure there", "an estimate of the frequency of the thing that you want to measure?", "For a (silly) example: You are interested in knowing how many Roman Catholics", "but that question was not asked. Number of children in family was asked,", "that question was not asked. Number of children in family was asked, so", "in knowing how many Roman Catholics were in the survey but that question", "be (or was) measured gives an estimate of the frequency of the thing", "am pretty sure there is a term of art for this, something like", "What is the word commonly used in statistics when the thing that you", "cannot be (or was not) measured directly, so you assume that another thing", "that you want to measure cannot be (or was not) measured directly, so", "term of art for this, something like token, substitute, stand-in, but can’t seem", "(silly, I know) basis for inferring RC status, say when x>4. I am", "You are interested in knowing how many Roman Catholics were in the survey", "measured gives an estimate of the frequency of the thing that you want", "sure there is a term of art for this, something like token, substitute,", "not) measured directly, so you assume that another thing that can be (or", "example: You are interested in knowing how many Roman Catholics were in the", "word commonly used in statistics when the thing that you want to measure", "that another thing that can be (or was) measured gives an estimate of", "thing that you want to measure cannot be (or was not) measured directly," ]
[ "the list. A website design usually highlights some features and suppresses others. For", "[What should I include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is", "of functions, such as: * Promoting one's latest book; * Keeping one's audience", "net you can encounter author sites from each side of the spectrum: some", "excerpt, and nothing more), others offer lenghty drafts and whole user-accessible forums, some", "author website supposedly has a lot of functions, such as: * Promoting one's", "one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important is to", "include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that covers", "meant to promote a certain book (mostly cover art, some excerpt, and nothing", "read only. Both are, of course, viable options. The question is: Should an", "... and so goes the list. A website design usually highlights some features", "website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important is to have", "Presenting additional materials, such as cut drafts, character descriptions and whatnot; * Serving", "book (mostly cover art, some excerpt, and nothing more), others offer lenghty drafts", "[Should an author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author,", "if I'd like the question to be more generic: * [What should I", "have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important is", "as cut drafts, character descriptions and whatnot; * Serving as a contact point", "of*, even if I'd like the question to be more generic: [What", "offer lenghty drafts and whole user-accessible forums, some others are daily-life blogs, and", "user interactive sections are potentially more engaging, they don't come without cost (e.g.,", "visitors have no way of leaving comments has little to offer in terms", "alike. An author website supposedly has a lot of functions, such as: ", "Both are, of course, viable options. The question is: Should an author include", "and so on. Roughly speaking, I can split those websites in two groups", "mechanisms to allow user interaction (be it through comments, reviews, topics, and so", "include user-interactive sections in his website? ------------------------------------------------------------------ Of course while user interactive sections", "highlights* some features and suppresses others. For example, a website where the visitors", "* Presenting additional materials, such as cut drafts, character descriptions and whatnot; ", " Keeping one's audience engaged with weekly updates; * Keeping track of events", "Serving as a contact point for affectionate readers ... and so goes the", "whole user-accessible forums, some others are daily-life blogs, and so on. Roughly speaking,", "in two groups - promotional and interactive. Interactive websites have sections and built-in", "be read only. Both are, of course, viable options. The question is: Should", "* [Should an author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new", "is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to", "A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd like", "A possible duplicate of, even if I'd like the question to be more", "for affectionate readers ... and so goes the list. A website design usually", "will be; * Presenting additional materials, such as cut drafts, character descriptions and", "(be it through comments, reviews, topics, and so on). Promotional websites expose material", "more generic: * [What should I include (and not include) on a book's", "* [Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of,", "on. Roughly speaking, I can split those websites in two groups - promotional", "track of events or conventions where the author will be; * Presenting additional", "groups - promotional and interactive. Interactive websites have sections and built-in mechanisms to", "have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback)", "blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd like the", "generic: * [What should I include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website)", "one's audience engaged with weekly updates; * Keeping track of events or conventions", "lenghty drafts and whole user-accessible forums, some others are daily-life blogs, and so", "be; * Presenting additional materials, such as cut drafts, character descriptions and whatnot;", "a contact point for affectionate readers ... and so goes the list. A", "forums alike. An author website supposedly has a lot of functions, such as:", "usually highlights some features and suppresses others. For example, a website where the", "Of course while user interactive sections are potentially more engaging, they don't come", "others. For example, a website where the visitors have no way of leaving", "and so on). Promotional websites expose material and are meant to be read", "are meant to be read only. Both are, of course, viable options. The", "should I include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a", "one's latest book; * Keeping one's audience engaged with weekly updates; * Keeping", "character descriptions and whatnot; * Serving as a contact point for affectionate readers", "generic term that covers blogs and forums alike. An author website supposedly has", "and so goes the list. A website design usually highlights some features and", "on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that covers blogs", "to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd like the question", "to be read only. Both are, of course, viable options. The question is:", "supposedly has a lot of functions, such as: * Promoting one's latest book;", "of the spectrum: some are only meant to promote a certain book (mostly", "and built-in mechanisms to allow user interaction (be it through comments, reviews, topics,", "while user interactive sections are potentially more engaging, they don't come without cost", "side of the spectrum: some are only meant to promote a certain book", "built-in mechanisms to allow user interaction (be it through comments, reviews, topics, and", "* [What should I include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website", "as: * Promoting one's latest book; * Keeping one's audience engaged with weekly", "be more generic: * [What should I include (and not include) on a", "author include user-interactive sections in his website? ------------------------------------------------------------------ Of course while user interactive", "and are meant to be read only. Both are, of course, viable options.", "a lot of functions, such as: * Promoting one's latest book; * Keeping", "materials, such as cut drafts, character descriptions and whatnot; * Serving as a", "affectionate readers ... and so goes the list. A website design usually highlights", "encounter author sites from each side of the spectrum: some are only meant", "is a pretty generic term that covers blogs and forums alike. An author", "through comments, reviews, topics, and so on). Promotional websites expose material and are", "and forums alike. An author website supposedly has a lot of functions, such", "has a lot of functions, such as: * Promoting one's latest book; ", "to promote a certain book (mostly cover art, some excerpt, and nothing more),", "feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd like the question to be", " [As an new author, how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website)", "contact point for affectionate readers ... and so goes the list. A website", "have sections and built-in mechanisms to allow user interaction (be it through comments,", "sections in his website? ------------------------------------------------------------------ Of course while user interactive sections are potentially", "that covers blogs and forums alike. An author website supposedly has a lot", "expose material and are meant to be read only. Both are, of course,", "material and are meant to be read only. Both are, of course, viable", "covers blogs and forums alike. An author website supposedly has a lot of", "communication, and it's clearly not meant for that purpose. Surfing the net you", "a pretty generic term that covers blogs and forums alike. An author website", "to be more generic: * [What should I include (and not include) on", "goes the list. A website design usually highlights some features and suppresses others.", "no way of leaving comments has little to offer in terms of communication,", "blogs, and so on. Roughly speaking, I can split those websites in two", "term that covers blogs and forums alike. An author website supposedly has a", "and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if", "Promoting one's latest book; * Keeping one's audience engaged with weekly updates; ", "little to offer in terms of communication, and it's clearly not meant for", "some others are daily-life blogs, and so on. Roughly speaking, I can split", "some excerpt, and nothing more), others offer lenghty drafts and whole user-accessible forums,", "and whole user-accessible forums, some others are daily-life blogs, and so on. Roughly", "possible duplicate of, even if I'd like the question to be more generic:", "offer in terms of communication, and it's clearly not meant for that purpose.", "question to be more generic: [What should I include (and not include)", "certain book (mostly cover art, some excerpt, and nothing more), others offer lenghty", "a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) *A", "to allow user interaction (be it through comments, reviews, topics, and so on).", "it through comments, reviews, topics, and so on). Promotional websites expose material and", "options. The question is: Should an author include user-interactive sections in his website?", "where the author will be; Presenting additional materials, such as cut drafts,", "art, some excerpt, and nothing more), others offer lenghty drafts and whole user-accessible", "are, of course, viable options. The question is: Should an author include user-interactive", "can encounter author sites from each side of the spectrum: some are only", "Interactive websites have sections and built-in mechanisms to allow user interaction (be it", "sections are potentially more engaging, they don't come without cost (e.g., they usually", "and suppresses others. For example, a website where the visitors have no way", "some features and suppresses others. For example, a website where the visitors have", "an author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how", "so on). Promotional websites expose material and are meant to be read only.", "user-accessible forums, some others are daily-life blogs, and so on. Roughly speaking, I", "forums, some others are daily-life blogs, and so on. Roughly speaking, I can", "of course, viable options. The question is: Should an author include user-interactive sections", "can split those websites in two groups - promotional and interactive. Interactive websites", "author will be; * Presenting additional materials, such as cut drafts, character descriptions", "even if I'd like the question to be more generic: * [What should", "whatnot; * Serving as a contact point for affectionate readers ... and so", "leaving comments has little to offer in terms of communication, and it's clearly", "websites have sections and built-in mechanisms to allow user interaction (be it through", "include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic", "cut drafts, character descriptions and whatnot; * Serving as a contact point for", "[Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even", "* Serving as a contact point for affectionate readers ... and so goes", "of leaving comments has little to offer in terms of communication, and it's", "and it's clearly not meant for that purpose. Surfing the net you can", "a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that covers blogs and", "those websites in two groups - promotional and interactive. Interactive websites have sections", "------------------------------------------------------------------ Of course while user interactive sections are potentially more engaging, they don't", "some are only meant to promote a certain book (mostly cover art, some", "new author, how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and", "of events or conventions where the author will be; * Presenting additional materials,", "of communication, and it's clearly not meant for that purpose. Surfing the net", "updates; * Keeping track of events or conventions where the author will be;", "websites in two groups - promotional and interactive. Interactive websites have sections and", "website design usually highlights some features and suppresses others. For example, a website", "are only meant to promote a certain book (mostly cover art, some excerpt,", "each side of the spectrum: some are only meant to promote a certain", "course, viable options. The question is: Should an author include user-interactive sections in", "for that purpose. Surfing the net you can encounter author sites from each", "as a contact point for affectionate readers ... and so goes the list.", "to offer in terms of communication, and it's clearly not meant for that", "conventions where the author will be; * Presenting additional materials, such as cut", "For example, a website where the visitors have no way of leaving comments", "personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible", "Related questions:** * [Should an author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As", "Surfing the net you can encounter author sites from each side of the", "websites expose material and are meant to be read only. Both are, of", "website? ------------------------------------------------------------------ Of course while user interactive sections are potentially more engaging, they", "website supposedly has a lot of functions, such as: * Promoting one's latest", "two groups - promotional and interactive. Interactive websites have sections and built-in mechanisms", "(and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term", "(mostly cover art, some excerpt, and nothing more), others offer lenghty drafts and", "a certain book (mostly cover art, some excerpt, and nothing more), others offer", "an author include user-interactive sections in his website? ------------------------------------------------------------------ Of course while user", "blogs and forums alike. An author website supposedly has a lot of functions,", "an new author, how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros", "user-interactive sections in his website? ------------------------------------------------------------------ Of course while user interactive sections are", "others are daily-life blogs, and so on. Roughly speaking, I can split those", "I include (and not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty", "design usually highlights some features and suppresses others. For example, a website where", "website where the visitors have no way of leaving comments has little to", "it's clearly not meant for that purpose. Surfing the net you can encounter", "[As an new author, how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) ", "only meant to promote a certain book (mostly cover art, some excerpt, and", "events or conventions where the author will be; Presenting additional materials, such", "meant for that purpose. Surfing the net you can encounter author sites from", "meant to be read only. Both are, of course, viable options. The question", "Roughly speaking, I can split those websites in two groups - promotional and", "example, a website where the visitors have no way of leaving comments has", "so goes the list. A website design usually highlights some features and suppresses", "Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd", "from each side of the spectrum: some are only meant to promote a", "are daily-life blogs, and so on. Roughly speaking, I can split those websites", "split those websites in two groups - promotional and interactive. Interactive websites have", "Keeping track of events or conventions where the author will be; * Presenting", "functions, such as: * Promoting one's latest book; * Keeping one's audience engaged", "point for affectionate readers ... and so goes the list. A website design", "book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that covers blogs and forums", "* Promoting one's latest book; * Keeping one's audience engaged with weekly updates;", "way of leaving comments has little to offer in terms of communication, and", "author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important", "interaction (be it through comments, reviews, topics, and so on). Promotional websites expose", "the question to be more generic: * [What should I include (and not", "sections and built-in mechanisms to allow user interaction (be it through comments, reviews,", "topics, and so on). Promotional websites expose material and are meant to be", "features and suppresses others. For example, a website where the visitors have no", "comments, reviews, topics, and so on). Promotional websites expose material and are meant", "Website is a pretty generic term that covers blogs and forums alike. An", "spectrum: some are only meant to promote a certain book (mostly cover art,", "purpose. Surfing the net you can encounter author sites from each side of", "and nothing more), others offer lenghty drafts and whole user-accessible forums, some others", "Should an author include user-interactive sections in his website? ------------------------------------------------------------------ Of course while", "additional materials, such as cut drafts, character descriptions and whatnot; * Serving as", "cover art, some excerpt, and nothing more), others offer lenghty drafts and whole", "to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to get", "or conventions where the author will be; * Presenting additional materials, such as", "book; * Keeping one's audience engaged with weekly updates; * Keeping track of", "I can split those websites in two groups - promotional and interactive. Interactive", "promotional and interactive. Interactive websites have sections and built-in mechanisms to allow user", "website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that covers blogs and forums alike.", "a website where the visitors have no way of leaving comments has little", "his website? ------------------------------------------------------------------ Of course while user interactive sections are potentially more engaging,", "terms of communication, and it's clearly not meant for that purpose. Surfing the", "list. A website design usually highlights some features and suppresses others. For example,", "or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important is to have a", "that purpose. Surfing the net you can encounter author sites from each side", "Promotional websites expose material and are meant to be read only. Both are,", "has little to offer in terms of communication, and it's clearly not meant", "and interactive. Interactive websites have sections and built-in mechanisms to allow user interaction", "sites from each side of the spectrum: some are only meant to promote", "so on. Roughly speaking, I can split those websites in two groups -", "where the visitors have no way of leaving comments has little to offer", "more), others offer lenghty drafts and whole user-accessible forums, some others are daily-life", "promote a certain book (mostly cover art, some excerpt, and nothing more), others", "allow user interaction (be it through comments, reviews, topics, and so on). Promotional", "like the question to be more generic: * [What should I include (and", "* Keeping track of events or conventions where the author will be; ", "speaking, I can split those websites in two groups - promotional and interactive.", "questions:* * [Should an author have one website or two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an", "potentially more engaging, they don't come without cost (e.g., they usually need moderation).", "is: Should an author include user-interactive sections in his website? ------------------------------------------------------------------ Of course", "important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog", "An author website supposedly has a lot of functions, such as: * Promoting", "the net you can encounter author sites from each side of the spectrum:", "on). Promotional websites expose material and are meant to be read only. Both", "engaged with weekly updates; * Keeping track of events or conventions where the", "latest book; * Keeping one's audience engaged with weekly updates; * Keeping track", "duplicate of*, even if I'd like the question to be more generic: ", "with weekly updates; * Keeping track of events or conventions where the author", "and whatnot; * Serving as a contact point for affectionate readers ... and", "comments has little to offer in terms of communication, and it's clearly not", "not meant for that purpose. Surfing the net you can encounter author sites", "nothing more), others offer lenghty drafts and whole user-accessible forums, some others are", "daily-life blogs, and so on. Roughly speaking, I can split those websites in", "such as cut drafts, character descriptions and whatnot; * Serving as a contact", "- promotional and interactive. Interactive websites have sections and built-in mechanisms to allow", "user interaction (be it through comments, reviews, topics, and so on). Promotional websites", "The question is: Should an author include user-interactive sections in his website? ------------------------------------------------------------------", "Keeping one's audience engaged with weekly updates; * Keeping track of events or", "in terms of communication, and it's clearly not meant for that purpose. Surfing", "interactive sections are potentially more engaging, they don't come without cost (e.g., they", "pretty generic term that covers blogs and forums alike. An author website supposedly", "the author will be; * Presenting additional materials, such as cut drafts, character", "I'd like the question to be more generic: * [What should I include", "weekly updates; * Keeping track of events or conventions where the author will", "website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A blog to get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate", "A website design usually highlights some features and suppresses** others. For example, a", "author, how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons:", "the spectrum: some are only meant to promote a certain book (mostly cover", "course while user interactive sections are potentially more engaging, they don't come without", "viable options. The question is: Should an author include user-interactive sections in his", "two?](https://writing.stackexchange.com/questions/26423/should-an-author-have-one-website-or-two) * [As an new author, how important is to have a personal", "how important is to have a personal website?](https://writing.stackexchange.com/questions/9262/as-an-new-author-how-important-is-to-have-a-personal-website) * [Pros and Cons: A", "clearly not meant for that purpose. Surfing the net you can encounter author", "interactive. Interactive websites have sections and built-in mechanisms to allow user interaction (be", "readers ... and so goes the list. A website design usually highlights some", "suppresses others. For example, a website where the visitors have no way of", "only. Both are, of course, viable options. The question is: Should an author", "author sites from each side of the spectrum: some are only meant to", "have no way of leaving comments has little to offer in terms of", "question is: Should an author include user-interactive sections in his website? ------------------------------------------------------------------ Of", "others offer lenghty drafts and whole user-accessible forums, some others are daily-life blogs,", "are potentially more engaging, they don't come without cost (e.g., they usually need", "the visitors have no way of leaving comments has little to offer in", "such as: * Promoting one's latest book; * Keeping one's audience engaged with", "audience engaged with weekly updates; * Keeping track of events or conventions where", "lot of functions, such as: * Promoting one's latest book; * Keeping one's", "descriptions and whatnot; * Serving as a contact point for affectionate readers ...", "reviews, topics, and so on). Promotional websites expose material and are meant to", "get feedback](https://writing.stackexchange.com/questions/29907/pros-and-cons-a-blog-to-get-feedback) A possible duplicate of, even if I'd like the question to", "drafts, character descriptions and whatnot; * Serving as a contact point for affectionate", "drafts and whole user-accessible forums, some others are daily-life blogs, and so on.", "you can encounter author sites from each side of the spectrum: some are", "in his website? ------------------------------------------------------------------ Of course while user interactive sections are potentially more", "not include) on a book's website?](https://writing.stackexchange.com/questions/34115/what-should-i-include-and-not-include-on-a-books-website) Website is a pretty generic term that" ]
[ "want my posts to require a huge window. Recently I've noticed that the", "the photos too, and my posts even look fine on a phone. This", "auto-scale on the other? Note that I'm not talking about special photos where", "sizes on blog posts? Should I keep doing what I'm doing, which is", "I make a Chrome window smaller it scales the photos too, and my", "under 1000px (generally ~800px)? How do I trade off large high-res displays on", "and my posts even look fine on a phone. This was not always", "photos where I might especially want high-res (like that gorgeous sunset photo taken", "a phone. This was not always the case, and is still not the", "what are current good practices for photo sizes on blog posts? Should I", "I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my phone takes", "that fits more reasonably in a browser window -- my browser window, so", "case in Firefox for some reason. (I haven't tested additional browsers.) That some", "don't want things to be too huge. In addition, bandwidth might still be", "blog posts? Should I keep doing what I'm doing, which is to scale", "vacation or the like). In that case I'd make a higher-res version available", "(I haven't tested additional browsers.) That some sites and/or browsers do scaling suggests", "there are now high-DPI displays on which the photos I'm using might be", "some sites and/or browsers do scaling suggests I could use higher-resolution pictures, but", "the like). In that case I'd make a higher-res version available behind a", "width to under 1000px (generally ~800px)? How do I trade off large high-res", "I don't want things to be too huge. In addition, bandwidth might still", "I'm doing, which is to scale down the width to under 1000px (generally", "browser window, so far -- because I don't want my posts to require", "on a phone. This was not always the case, and is still not", "for some reason. (I haven't tested additional browsers.) That some sites and/or browsers", "Should I keep doing what I'm doing, which is to scale down the", "and smaller displays with browsers that don't auto-scale on the other? Note that", "where higher-res is important for production values. I'm asking about \"ordinary\" photos included", "some degree of responsiveness; if I make a Chrome window smaller it scales", "publications where higher-res is important for production values. I'm asking about \"ordinary\" photos", "posts even look fine on a phone. This was not always the case,", "the proverbial third hand, there are now high-DPI displays on which the photos", "hand and smaller displays with browsers that don't auto-scale on the other? Note", "after all. And on the proverbial third hand, there are now high-DPI displays", "have direct knowledge). Putting all this together, what are current good practices for", "high-DPI displays on which the photos I'm using might be tiny (I don't", "is still not the case in Firefox for some reason. (I haven't tested", "is important for production values. I'm asking about \"ordinary\" photos included in blog", "are current good practices for photo sizes on blog posts? Should I keep", "[blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my phone takes down", "if I make a Chrome window smaller it scales the photos too, and", "smaller it scales the photos too, and my posts even look fine on", "I've noticed that the platform I use (Dreamwidth) now has some degree of", "window -- my browser window, so far -- because I don't want my", "window. Recently I've noticed that the platform I use (Dreamwidth) now has some", "on the proverbial third hand, there are now high-DPI displays on which the", "are now high-DPI displays on which the photos I'm using might be tiny", "might be tiny (I don't have direct knowledge). Putting all this together, what", "this together, what are current good practices for photo sizes on blog posts?", "which the photos I'm using might be tiny (I don't have direct knowledge).", "been shrinking the huge pictures my phone takes down to a size that", "all this together, what are current good practices for photo sizes on blog", "what I'm doing, which is to scale down the width to under 1000px", "photos I'm using might be tiny (I don't have direct knowledge). Putting all", "that I'm not talking about special photos where I might especially want high-res", "high-res (like that gorgeous sunset photo taken on vacation or the like). In", "so far -- because I don't want my posts to require a huge", "~800px)? How do I trade off large high-res displays on the one hand", "it's opt-in. Nor am I asking about print publications where higher-res is important", "even look fine on a phone. This was not always the case, and", "not talking about special photos where I might especially want high-res (like that", "available behind a click, so it's opt-in. Nor am I asking about print", "browsers that don't auto-scale on the other? Note that I'm not talking about", "to scale down the width to under 1000px (generally ~800px)? How do I", "case, and is still not the case in Firefox for some reason. (I", "a beefy data plan, after all. And on the proverbial third hand, there", "blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures", "using might be tiny (I don't have direct knowledge). Putting all this together,", "I could use higher-resolution pictures, but some browsers don't scale so I don't", "photo sizes on blog posts? Should I keep doing what I'm doing, which", "to require a huge window. Recently I've noticed that the platform I use", "scale so I don't want things to be too huge. In addition, bandwidth", "has fiber or a beefy data plan, after all. And on the proverbial", "case I'd make a higher-res version available behind a click, so it's opt-in.", "asking about print publications where higher-res is important for production values. I'm asking", "a Chrome window smaller it scales the photos too, and my posts even", "special photos where I might especially want high-res (like that gorgeous sunset photo", "in a browser window -- my browser window, so far -- because I", "scales the photos too, and my posts even look fine on a phone.", "still not the case in Firefox for some reason. (I haven't tested additional", "make a higher-res version available behind a click, so it's opt-in. Nor am", "to under 1000px (generally ~800px)? How do I trade off large high-res displays", "my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge", "platform I use (Dreamwidth) now has some degree of responsiveness; if I make", "higher-resolution pictures, but some browsers don't scale so I don't want things to", "like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my", "tested additional browsers.) That some sites and/or browsers do scaling suggests I could", "(I don't have direct knowledge). Putting all this together, what are current good", "Chrome window smaller it scales the photos too, and my posts even look", "concern; not everybody has fiber or a beefy data plan, after all. And", "of responsiveness; if I make a Chrome window smaller it scales the photos", "a huge window. Recently I've noticed that the platform I use (Dreamwidth) now", "doing what I'm doing, which is to scale down the width to under", "always the case, and is still not the case in Firefox for some", "photos too, and my posts even look fine on a phone. This was", "plan, after all. And on the proverbial third hand, there are now high-DPI", "is to scale down the width to under 1000px (generally ~800px)? How do", "noticed that the platform I use (Dreamwidth) now has some degree of responsiveness;", "I've been shrinking the huge pictures my phone takes down to a size", "degree of responsiveness; if I make a Chrome window smaller it scales the", "was not always the case, and is still not the case in Firefox", "about special photos where I might especially want high-res (like that gorgeous sunset", "sunset photo taken on vacation or the like). In that case I'd make", "so I don't want things to be too huge. In addition, bandwidth might", "require a huge window. Recently I've noticed that the platform I use (Dreamwidth)", "when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my phone", "on which the photos I'm using might be tiny (I don't have direct", "print publications where higher-res is important for production values. I'm asking about \"ordinary\"", "I trade off large high-res displays on the one hand and smaller displays", "And on the proverbial third hand, there are now high-DPI displays on which", "on my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the", "too, and my posts even look fine on a phone. This was not", "doing, which is to scale down the width to under 1000px (generally ~800px)?", "might especially want high-res (like that gorgeous sunset photo taken on vacation or", "In that case I'd make a higher-res version available behind a click, so", "and is still not the case in Firefox for some reason. (I haven't", "displays on which the photos I'm using might be tiny (I don't have", "(generally ~800px)? How do I trade off large high-res displays on the one", "opt-in. Nor am I asking about print publications where higher-res is important for", "displays with browsers that don't auto-scale on the other? Note that I'm not", "third hand, there are now high-DPI displays on which the photos I'm using", "on blog posts? Should I keep doing what I'm doing, which is to", "the case in Firefox for some reason. (I haven't tested additional browsers.) That", "pictures, but some browsers don't scale so I don't want things to be", "which is to scale down the width to under 1000px (generally ~800px)? How", "I might especially want high-res (like that gorgeous sunset photo taken on vacation", "phone. This was not always the case, and is still not the case", "pictures my phone takes down to a size that fits more reasonably in", "I asking about print publications where higher-res is important for production values. I'm", "the huge pictures my phone takes down to a size that fits more", "proverbial third hand, there are now high-DPI displays on which the photos I'm", "fine on a phone. This was not always the case, and is still", "not everybody has fiber or a beefy data plan, after all. And on", "don't have direct knowledge). Putting all this together, what are current good practices", "talking about special photos where I might especially want high-res (like that gorgeous", "that case I'd make a higher-res version available behind a click, so it's", "a size that fits more reasonably in a browser window -- my browser", "shrinking the huge pictures my phone takes down to a size that fits", "in Firefox for some reason. (I haven't tested additional browsers.) That some sites", "browsers.) That some sites and/or browsers do scaling suggests I could use higher-resolution", "Note that I'm not talking about special photos where I might especially want", "higher-res is important for production values. I'm asking about \"ordinary\" photos included in", "click, so it's opt-in. Nor am I asking about print publications where higher-res", "be too huge. In addition, bandwidth might still be a concern; not everybody", "on the other? Note that I'm not talking about special photos where I", "because I don't want my posts to require a huge window. Recently I've", "reason. (I haven't tested additional browsers.) That some sites and/or browsers do scaling", "tiny (I don't have direct knowledge). Putting all this together, what are current", "reasonably in a browser window -- my browser window, so far -- because", "phone takes down to a size that fits more reasonably in a browser", "practices for photo sizes on blog posts? Should I keep doing what I'm", "smaller displays with browsers that don't auto-scale on the other? Note that I'm", "that gorgeous sunset photo taken on vacation or the like). In that case", "version available behind a click, so it's opt-in. Nor am I asking about", "the photos I'm using might be tiny (I don't have direct knowledge). Putting", "posts to require a huge window. Recently I've noticed that the platform I", "where I might especially want high-res (like that gorgeous sunset photo taken on", "the other? Note that I'm not talking about special photos where I might", "the case, and is still not the case in Firefox for some reason.", "my posts to require a huge window. Recently I've noticed that the platform", "don't want my posts to require a huge window. Recently I've noticed that", "browsers don't scale so I don't want things to be too huge. In", "huge. In addition, bandwidth might still be a concern; not everybody has fiber", "sites and/or browsers do scaling suggests I could use higher-resolution pictures, but some", "This was not always the case, and is still not the case in", "window smaller it scales the photos too, and my posts even look fine", "addition, bandwidth might still be a concern; not everybody has fiber or a", "additional browsers.) That some sites and/or browsers do scaling suggests I could use", "far -- because I don't want my posts to require a huge window.", "for photo sizes on blog posts? Should I keep doing what I'm doing,", "fits more reasonably in a browser window -- my browser window, so far", "keep doing what I'm doing, which is to scale down the width to", "use (Dreamwidth) now has some degree of responsiveness; if I make a Chrome", "now high-DPI displays on which the photos I'm using might be tiny (I", "Nor am I asking about print publications where higher-res is important for production", "displays on the one hand and smaller displays with browsers that don't auto-scale", "data plan, after all. And on the proverbial third hand, there are now", "photo taken on vacation or the like). In that case I'd make a", "huge pictures my phone takes down to a size that fits more reasonably", "one hand and smaller displays with browsers that don't auto-scale on the other?", "off large high-res displays on the one hand and smaller displays with browsers", "or the like). In that case I'd make a higher-res version available behind", "a higher-res version available behind a click, so it's opt-in. Nor am I", "good practices for photo sizes on blog posts? Should I keep doing what", "browser window -- my browser window, so far -- because I don't want", "direct knowledge). Putting all this together, what are current good practices for photo", "gorgeous sunset photo taken on vacation or the like). In that case I'd", "haven't tested additional browsers.) That some sites and/or browsers do scaling suggests I", "suggests I could use higher-resolution pictures, but some browsers don't scale so I", "it scales the photos too, and my posts even look fine on a", "don't auto-scale on the other? Note that I'm not talking about special photos", "on the one hand and smaller displays with browsers that don't auto-scale on", "window, so far -- because I don't want my posts to require a", "some browsers don't scale so I don't want things to be too huge.", "I keep doing what I'm doing, which is to scale down the width", "not always the case, and is still not the case in Firefox for", "make a Chrome window smaller it scales the photos too, and my posts", "behind a click, so it's opt-in. Nor am I asking about print publications", "about print publications where higher-res is important for production values. I'm asking about", "things to be too huge. In addition, bandwidth might still be a concern;", "responsiveness; if I make a Chrome window smaller it scales the photos too,", "a browser window -- my browser window, so far -- because I don't", "important for production values. I'm asking about \"ordinary\" photos included in blog posts.", "hand, there are now high-DPI displays on which the photos I'm using might", "taken on vacation or the like). In that case I'd make a higher-res", "might still be a concern; not everybody has fiber or a beefy data", "more reasonably in a browser window -- my browser window, so far --", "on vacation or the like). In that case I'd make a higher-res version", "am I asking about print publications where higher-res is important for production values.", "I'm not talking about special photos where I might especially want high-res (like", "I don't want my posts to require a huge window. Recently I've noticed", "post photos on my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been", "don't scale so I don't want things to be too huge. In addition,", "food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my phone takes down to a", "a concern; not everybody has fiber or a beefy data plan, after all.", "high-res displays on the one hand and smaller displays with browsers that don't", "too huge. In addition, bandwidth might still be a concern; not everybody has", "That some sites and/or browsers do scaling suggests I could use higher-resolution pictures,", "the one hand and smaller displays with browsers that don't auto-scale on the", "be tiny (I don't have direct knowledge). Putting all this together, what are", "sometimes post photos on my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've", "huge window. Recently I've noticed that the platform I use (Dreamwidth) now has", "be a concern; not everybody has fiber or a beefy data plan, after", "or a beefy data plan, after all. And on the proverbial third hand,", "so it's opt-in. Nor am I asking about print publications where higher-res is", "and/or browsers do scaling suggests I could use higher-resolution pictures, but some browsers", "trade off large high-res displays on the one hand and smaller displays with", "takes down to a size that fits more reasonably in a browser window", "could use higher-resolution pictures, but some browsers don't scale so I don't want", "use higher-resolution pictures, but some browsers don't scale so I don't want things", "scaling suggests I could use higher-resolution pictures, but some browsers don't scale so", "In addition, bandwidth might still be a concern; not everybody has fiber or", "beefy data plan, after all. And on the proverbial third hand, there are", "Putting all this together, what are current good practices for photo sizes on", "scale down the width to under 1000px (generally ~800px)? How do I trade", "a click, so it's opt-in. Nor am I asking about print publications where", "knowledge). Putting all this together, what are current good practices for photo sizes", "do scaling suggests I could use higher-resolution pictures, but some browsers don't scale", "with browsers that don't auto-scale on the other? Note that I'm not talking", "to a size that fits more reasonably in a browser window -- my", "-- because I don't want my posts to require a huge window. Recently", "like). In that case I'd make a higher-res version available behind a click,", "photos on my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking", "Firefox for some reason. (I haven't tested additional browsers.) That some sites and/or", "fiber or a beefy data plan, after all. And on the proverbial third", "higher-res version available behind a click, so it's opt-in. Nor am I asking", "How do I trade off large high-res displays on the one hand and", "bandwidth might still be a concern; not everybody has fiber or a beefy", "still be a concern; not everybody has fiber or a beefy data plan,", "down to a size that fits more reasonably in a browser window --", "size that fits more reasonably in a browser window -- my browser window,", "some reason. (I haven't tested additional browsers.) That some sites and/or browsers do", "now has some degree of responsiveness; if I make a Chrome window smaller", "my browser window, so far -- because I don't want my posts to", "together, what are current good practices for photo sizes on blog posts? Should", "down the width to under 1000px (generally ~800px)? How do I trade off", "I'd make a higher-res version available behind a click, so it's opt-in. Nor", "that the platform I use (Dreamwidth) now has some degree of responsiveness; if", "-- my browser window, so far -- because I don't want my posts", "current good practices for photo sizes on blog posts? Should I keep doing", "1000px (generally ~800px)? How do I trade off large high-res displays on the", "look fine on a phone. This was not always the case, and is", "browsers do scaling suggests I could use higher-resolution pictures, but some browsers don't", "want things to be too huge. In addition, bandwidth might still be a", "I sometimes post photos on my blog, like when I'm [blogging about food](https://cellio.dreamwidth.org/2048173.html).", "I'm using might be tiny (I don't have direct knowledge). Putting all this", "I use (Dreamwidth) now has some degree of responsiveness; if I make a", "not the case in Firefox for some reason. (I haven't tested additional browsers.)", "but some browsers don't scale so I don't want things to be too", "about food](https://cellio.dreamwidth.org/2048173.html). I've been shrinking the huge pictures my phone takes down to", "my posts even look fine on a phone. This was not always the", "other? Note that I'm not talking about special photos where I might especially", "Recently I've noticed that the platform I use (Dreamwidth) now has some degree", "has some degree of responsiveness; if I make a Chrome window smaller it", "(like that gorgeous sunset photo taken on vacation or the like). In that", "to be too huge. In addition, bandwidth might still be a concern; not", "my phone takes down to a size that fits more reasonably in a", "(Dreamwidth) now has some degree of responsiveness; if I make a Chrome window", "everybody has fiber or a beefy data plan, after all. And on the", "all. And on the proverbial third hand, there are now high-DPI displays on", "do I trade off large high-res displays on the one hand and smaller", "large high-res displays on the one hand and smaller displays with browsers that", "the platform I use (Dreamwidth) now has some degree of responsiveness; if I", "that don't auto-scale on the other? Note that I'm not talking about special", "especially want high-res (like that gorgeous sunset photo taken on vacation or the", "the width to under 1000px (generally ~800px)? How do I trade off large", "posts? Should I keep doing what I'm doing, which is to scale down", "want high-res (like that gorgeous sunset photo taken on vacation or the like)." ]
[ "one after another every week. Now that we're nearing the end of the", "do? Should we elect someone to rewrite every chapter so that the writing", "to rewrite every chapter so that the writing style stays consistent or we", "a chapter each one after another every week. Now that we're nearing the", "end of the project, we've noticed that the writing style keeps changing and", "every week. Now that we're nearing the end of the project, we've noticed", "I have been writing a fan fiction and we basically write a chapter", "nearing the end of the project, we've noticed that the writing style keeps", "of the project, we've noticed that the writing style keeps changing and that's", "and we basically write a chapter each one after another every week. Now", "we've noticed that the writing style keeps changing and that's it's quite horrible,", "so that the writing style stays consistent or we should just roll with", "consistent or we should just roll with it and keep things unchanged for", "style keeps changing and that's it's quite horrible, so what should we do?", "we basically write a chapter each one after another every week. Now that", "it's quite horrible, so what should we do? Should we elect someone to", "the project, we've noticed that the writing style keeps changing and that's it's", "and that's it's quite horrible, so what should we do? Should we elect", "horrible, so what should we do? Should we elect someone to rewrite every", "that the writing style stays consistent or we should just roll with it", "each one after another every week. Now that we're nearing the end of", "elect someone to rewrite every chapter so that the writing style stays consistent", "write a chapter each one after another every week. Now that we're nearing", "chapter so that the writing style stays consistent or we should just roll", "writing style stays consistent or we should just roll with it and keep", "that the writing style keeps changing and that's it's quite horrible, so what", "friends and I have been writing a fan fiction and we basically write", "the end of the project, we've noticed that the writing style keeps changing", "project, we've noticed that the writing style keeps changing and that's it's quite", "keeps changing and that's it's quite horrible, so what should we do? Should", "quite horrible, so what should we do? Should we elect someone to rewrite", "we do? Should we elect someone to rewrite every chapter so that the", "the writing style keeps changing and that's it's quite horrible, so what should", "Now that we're nearing the end of the project, we've noticed that the", "style stays consistent or we should just roll with it and keep things", "the writing style stays consistent or we should just roll with it and", "another every week. Now that we're nearing the end of the project, we've", "been writing a fan fiction and we basically write a chapter each one", "week. Now that we're nearing the end of the project, we've noticed that", "we elect someone to rewrite every chapter so that the writing style stays", "Two other friends and I have been writing a fan fiction and we", "Should we elect someone to rewrite every chapter so that the writing style", "and I have been writing a fan fiction and we basically write a", "we're nearing the end of the project, we've noticed that the writing style", "have been writing a fan fiction and we basically write a chapter each", "fiction and we basically write a chapter each one after another every week.", "that's it's quite horrible, so what should we do? Should we elect someone", "stays consistent or we should just roll with it and keep things unchanged", "after another every week. Now that we're nearing the end of the project,", "what should we do? Should we elect someone to rewrite every chapter so", "that we're nearing the end of the project, we've noticed that the writing", "writing a fan fiction and we basically write a chapter each one after", "we should just roll with it and keep things unchanged for the most", "fan fiction and we basically write a chapter each one after another every", "chapter each one after another every week. Now that we're nearing the end", "other friends and I have been writing a fan fiction and we basically", "should we do? Should we elect someone to rewrite every chapter so that", "a fan fiction and we basically write a chapter each one after another", "changing and that's it's quite horrible, so what should we do? Should we", "someone to rewrite every chapter so that the writing style stays consistent or", "every chapter so that the writing style stays consistent or we should just", "rewrite every chapter so that the writing style stays consistent or we should", "so what should we do? Should we elect someone to rewrite every chapter", "or we should just roll with it and keep things unchanged for the", "should just roll with it and keep things unchanged for the most part?", "basically write a chapter each one after another every week. Now that we're", "noticed that the writing style keeps changing and that's it's quite horrible, so", "writing style keeps changing and that's it's quite horrible, so what should we" ]
[ "question - can a banana ever be just a banana? Or do I", "have people eating fruit, decorating rooms with flowers, using plants in metaphors -", "to emphasise the society's strong bond to the earth and the earth's natural", "that's how I use fruit, my character might be eating a banana because", "fruit, my character might be eating a banana because a banana is what's", "that the analytics derive conclusions from the specific food or beverage that a", "fruit, decorating rooms with flowers, using plants in metaphors - I'm giving flora", "write under those constraints? (This question is not specific to bananas. Freud just", "fact, using fruit as a symbol. But then, exactly because that's how I", "how I use fruit, my character might be eating a banana because a", "a banana is what's in season. No phallic subtext intended. Which leads me", "But then, exactly because that's how I use fruit, my character might be", "decorating rooms with flowers, using plants in metaphors - I'm giving flora a", "a banana? Or do I always need to be aware of all the", "I use fruit, my character might be eating a banana because a banana", "earth and the earth's natural cycles. So, I am, in fact, using fruit", "banana is what's in season. No phallic subtext intended. Which leads me to", "eating fruit, decorating rooms with flowers, using plants in metaphors - I'm giving", "plants in metaphors - I'm giving flora a strong presence, because I want", "it, and write under those constraints? (This question is not specific to bananas.", "a symbol. But then, exactly because that's how I use fruit, my character", "beverage that a character consumes. The food appears to always be symbolic of", "eating a banana because a banana is what's in season. No phallic subtext", "leads me to the question - can a banana ever be just a", "Often reading analyses of books and films, I find that the analytics derive", "society's strong bond to the earth and the earth's natural cycles. So, I", "of all the messages each bit of food brings with it, and write", "or beverage that a character consumes. The food appears to always be symbolic", "fruit as a symbol. But then, exactly because that's how I use fruit,", "analytics derive conclusions from the specific food or beverage that a character consumes.", "exactly because that's how I use fruit, my character might be eating a", "- I'm giving flora a strong presence, because I want to emphasise the", "conclusions from the specific food or beverage that a character consumes. The food", "specific food or beverage that a character consumes. The food appears to always", "my fantasy novel, I have people eating fruit, decorating rooms with flowers, using", "need to be aware of all the messages each bit of food brings", "and films, I find that the analytics derive conclusions from the specific food", "No phallic subtext intended. Which leads me to the question - can a", "earth's natural cycles. So, I am, in fact, using fruit as a symbol.", "food appears to always be symbolic of something. Now, I'm not completely oblivious", "flora a strong presence, because I want to emphasise the society's strong bond", "because I want to emphasise the society's strong bond to the earth and", "the question - can a banana ever be just a banana? Or do", "what's in season. No phallic subtext intended. Which leads me to the question", "to be aware of all the messages each bit of food brings with", "consumes. The food appears to always be symbolic of something. Now, I'm not", "using plants in metaphors - I'm giving flora a strong presence, because I", "and write under those constraints? (This question is not specific to bananas. Freud", "with flowers, using plants in metaphors - I'm giving flora a strong presence,", "in fact, using fruit as a symbol. But then, exactly because that's how", "phallic subtext intended. Which leads me to the question - can a banana", "metaphors - I'm giving flora a strong presence, because I want to emphasise", "be just a banana? Or do I always need to be aware of", "says about a character. But here's the problem: in my fantasy novel, I", "constraints? (This question is not specific to bananas. Freud just made bananas funny.)", "all the messages each bit of food brings with it, and write under", "emphasise the society's strong bond to the earth and the earth's natural cycles.", "analyses of books and films, I find that the analytics derive conclusions from", "character. But here's the problem: in my fantasy novel, I have people eating", "flowers, using plants in metaphors - I'm giving flora a strong presence, because", "something. Now, I'm not completely oblivious to what food says about a character.", "I am, in fact, using fruit as a symbol. But then, exactly because", "banana ever be just a banana? Or do I always need to be", "brings with it, and write under those constraints? (This question is not specific", "is what's in season. No phallic subtext intended. Which leads me to the", "I always need to be aware of all the messages each bit of", "of books and films, I find that the analytics derive conclusions from the", "in season. No phallic subtext intended. Which leads me to the question -", "bond to the earth and the earth's natural cycles. So, I am, in", "giving flora a strong presence, because I want to emphasise the society's strong", "books and films, I find that the analytics derive conclusions from the specific", "I'm giving flora a strong presence, because I want to emphasise the society's", "because a banana is what's in season. No phallic subtext intended. Which leads", "a strong presence, because I want to emphasise the society's strong bond to", "from the specific food or beverage that a character consumes. The food appears", "what food says about a character. But here's the problem: in my fantasy", "with it, and write under those constraints? (This question is not specific to", "food or beverage that a character consumes. The food appears to always be", "do I always need to be aware of all the messages each bit", "But here's the problem: in my fantasy novel, I have people eating fruit,", "a character consumes. The food appears to always be symbolic of something. Now,", "I have people eating fruit, decorating rooms with flowers, using plants in metaphors", "to what food says about a character. But here's the problem: in my", "not completely oblivious to what food says about a character. But here's the", "the earth's natural cycles. So, I am, in fact, using fruit as a", "Which leads me to the question - can a banana ever be just", "banana because a banana is what's in season. No phallic subtext intended. Which", "each bit of food brings with it, and write under those constraints? (This", "a banana ever be just a banana? Or do I always need to", "strong bond to the earth and the earth's natural cycles. So, I am,", "character might be eating a banana because a banana is what's in season.", "be aware of all the messages each bit of food brings with it,", "to always be symbolic of something. Now, I'm not completely oblivious to what", "might be eating a banana because a banana is what's in season. No", "my character might be eating a banana because a banana is what's in", "am, in fact, using fruit as a symbol. But then, exactly because that's", "use fruit, my character might be eating a banana because a banana is", "ever be just a banana? Or do I always need to be aware", "then, exactly because that's how I use fruit, my character might be eating", "I'm not completely oblivious to what food says about a character. But here's", "of something. Now, I'm not completely oblivious to what food says about a", "the analytics derive conclusions from the specific food or beverage that a character", "season. No phallic subtext intended. Which leads me to the question - can", "can a banana ever be just a banana? Or do I always need", "find that the analytics derive conclusions from the specific food or beverage that", "to the question - can a banana ever be just a banana? Or", "those constraints? (This question is not specific to bananas. Freud just made bananas", "reading analyses of books and films, I find that the analytics derive conclusions", "always need to be aware of all the messages each bit of food", "completely oblivious to what food says about a character. But here's the problem:", "of food brings with it, and write under those constraints? (This question is", "Or do I always need to be aware of all the messages each", "food brings with it, and write under those constraints? (This question is not", "derive conclusions from the specific food or beverage that a character consumes. The", "problem: in my fantasy novel, I have people eating fruit, decorating rooms with", "in metaphors - I'm giving flora a strong presence, because I want to", "fantasy novel, I have people eating fruit, decorating rooms with flowers, using plants", "novel, I have people eating fruit, decorating rooms with flowers, using plants in", "the earth and the earth's natural cycles. So, I am, in fact, using", "food says about a character. But here's the problem: in my fantasy novel,", "as a symbol. But then, exactly because that's how I use fruit, my", "aware of all the messages each bit of food brings with it, and", "and the earth's natural cycles. So, I am, in fact, using fruit as", "intended. Which leads me to the question - can a banana ever be", "subtext intended. Which leads me to the question - can a banana ever", "bit of food brings with it, and write under those constraints? (This question", "symbolic of something. Now, I'm not completely oblivious to what food says about", "natural cycles. So, I am, in fact, using fruit as a symbol. But", "people eating fruit, decorating rooms with flowers, using plants in metaphors - I'm", "I find that the analytics derive conclusions from the specific food or beverage", "the messages each bit of food brings with it, and write under those", "appears to always be symbolic of something. Now, I'm not completely oblivious to", "always be symbolic of something. Now, I'm not completely oblivious to what food", "the specific food or beverage that a character consumes. The food appears to", "banana? Or do I always need to be aware of all the messages", "films, I find that the analytics derive conclusions from the specific food or", "want to emphasise the society's strong bond to the earth and the earth's", "strong presence, because I want to emphasise the society's strong bond to the", "just a banana? Or do I always need to be aware of all", "character consumes. The food appears to always be symbolic of something. Now, I'm", "about a character. But here's the problem: in my fantasy novel, I have", "using fruit as a symbol. But then, exactly because that's how I use", "a character. But here's the problem: in my fantasy novel, I have people", "in my fantasy novel, I have people eating fruit, decorating rooms with flowers,", "rooms with flowers, using plants in metaphors - I'm giving flora a strong", "be eating a banana because a banana is what's in season. No phallic", "presence, because I want to emphasise the society's strong bond to the earth", "The food appears to always be symbolic of something. Now, I'm not completely", "me to the question - can a banana ever be just a banana?", "Now, I'm not completely oblivious to what food says about a character. But", "the problem: in my fantasy novel, I have people eating fruit, decorating rooms", "that a character consumes. The food appears to always be symbolic of something.", "I want to emphasise the society's strong bond to the earth and the", "So, I am, in fact, using fruit as a symbol. But then, exactly", "cycles. So, I am, in fact, using fruit as a symbol. But then,", "the society's strong bond to the earth and the earth's natural cycles. So,", "because that's how I use fruit, my character might be eating a banana", "messages each bit of food brings with it, and write under those constraints?", "under those constraints? (This question is not specific to bananas. Freud just made", "to the earth and the earth's natural cycles. So, I am, in fact,", "a banana because a banana is what's in season. No phallic subtext intended.", "here's the problem: in my fantasy novel, I have people eating fruit, decorating", "oblivious to what food says about a character. But here's the problem: in", "be symbolic of something. Now, I'm not completely oblivious to what food says", "- can a banana ever be just a banana? Or do I always", "symbol. But then, exactly because that's how I use fruit, my character might" ]
[ "setting. If there's an English modern version of the thing they're describing, I", "word or not). OTOH, I've also referred to the enormous tree in their", "be non-specific to their new setting. If there's an English modern version of", "in use as linen, a fabric used in modern times too, but one", "the way the character might. For example one character will refer to one", "narrator hovers a bit more, sometimes the narrator is more in the character's", "things they're not familiar with. Even things an educated adult from their time", "their courtyard as the terebinth tree (only when they arrive, after that it's", "the terebinth tree (only when they arrive, after that it's just a big", "cloth in use as linen, a fabric used in modern times too, but", "is third person with one primary and one secondary viewpoint character. Sometimes the", "primarily describes things the way the character might. For example one character will", "name them? I don't want half the dialogue to be \"oh what do", "you call that?\" Nor do I want every description to be non-specific to", "allowing the narrator to describe the scene and keeping the point of view?", "head. The narrator primarily describes things the way the character might. For example", "a loan word or not). OTOH, I've also referred to the enormous tree", "little twerp.\" As these characters travel back in time and across the world,", "cheese that looks like feta and wearing a tunic, even though the local", "the world, they encounter a lot of things they're not familiar with. Even", "the correct names in English, which can be a loan word or not).", "a fabric used in modern times too, but one the kids might not", "the balance between allowing the narrator to describe the scene and keeping the", "OTOH, I've also referred to the enormous tree in their courtyard as the", "as the terebinth tree (only when they arrive, after that it's just a", "adult from their time and place may not know. Do I name them?", "one character will refer to one of the younger children by name while", "linen, a fabric used in modern times too, but one the kids might", "travel back in time and across the world, they encounter a lot of", "they're describing, I use that name. For example, one character talks about eating", "is more in the character's head. The narrator primarily describes things the way", "they're not familiar with. Even things an educated adult from their time and", "want every description to be non-specific to their new setting. If there's an", "describes things the way the character might. For example one character will refer", "though the local names are different (I'm not talking about translation here, I", "local names are different (I'm not talking about translation here, I mean the", "secondary viewpoint character. Sometimes the narrator hovers a bit more, sometimes the narrator", "refer to one of the younger children by name while the other viewpoint", "character talks about eating cheese that looks like feta and wearing a tunic,", "My middle-grade novel is third person with one primary and one secondary viewpoint", "wearing a tunic, even though the local names are different (I'm not talking", "I name them? I don't want half the dialogue to be \"oh what", "terebinth tree (only when they arrive, after that it's just a big tree)", "when they arrive, after that it's just a big tree) and I name", "that it's just a big tree) and I name the cloth in use", "Where is the balance between allowing the narrator to describe the scene and", "calls him \"that little twerp.\" As these characters travel back in time and", "third person with one primary and one secondary viewpoint character. Sometimes the narrator", "talks about eating cheese that looks like feta and wearing a tunic, even", "and place may not know. Do I name them? I don't want half", "the character's head. The narrator primarily describes things the way the character might.", "children by name while the other viewpoint character calls him \"that little twerp.\"", "other viewpoint character calls him \"that little twerp.\" As these characters travel back", "name the cloth in use as linen, a fabric used in modern times", "Even things an educated adult from their time and place may not know.", "here, I mean the correct names in English, which can be a loan", "character will refer to one of the younger children by name while the", "describing, I use that name. For example, one character talks about eating cheese", "encounter a lot of things they're not familiar with. Even things an educated", "might. For example one character will refer to one of the younger children", "not know. Where is the balance between allowing the narrator to describe the", "every description to be non-specific to their new setting. If there's an English", "there's an English modern version of the thing they're describing, I use that", "while the other viewpoint character calls him \"that little twerp.\" As these characters", "bit more, sometimes the narrator is more in the character's head. The narrator", "place may not know. Do I name them? I don't want half the", "might not know. Where is the balance between allowing the narrator to describe", "narrator primarily describes things the way the character might. For example one character", "example one character will refer to one of the younger children by name", "twerp.\" As these characters travel back in time and across the world, they", "time and across the world, they encounter a lot of things they're not", "tree in their courtyard as the terebinth tree (only when they arrive, after", "courtyard as the terebinth tree (only when they arrive, after that it's just", "the kids might not know. Where is the balance between allowing the narrator", "characters travel back in time and across the world, they encounter a lot", "to be non-specific to their new setting. If there's an English modern version", "one secondary viewpoint character. Sometimes the narrator hovers a bit more, sometimes the", "translation here, I mean the correct names in English, which can be a", "in modern times too, but one the kids might not know. Where is", "also referred to the enormous tree in their courtyard as the terebinth tree", "what do you call that?\" Nor do I want every description to be", "in the character's head. The narrator primarily describes things the way the character", "time and place may not know. Do I name them? I don't want", "I mean the correct names in English, which can be a loan word", "the younger children by name while the other viewpoint character calls him \"that", "they encounter a lot of things they're not familiar with. Even things an", "(only when they arrive, after that it's just a big tree) and I", "the dialogue to be \"oh what do you call that?\" Nor do I", "loan word or not). OTOH, I've also referred to the enormous tree in", "after that it's just a big tree) and I name the cloth in", "tree) and I name the cloth in use as linen, a fabric used", "used in modern times too, but one the kids might not know. Where", "tunic, even though the local names are different (I'm not talking about translation", "one of the younger children by name while the other viewpoint character calls", "novel is third person with one primary and one secondary viewpoint character. Sometimes", "English, which can be a loan word or not). OTOH, I've also referred", "more in the character's head. The narrator primarily describes things the way the", "big tree) and I name the cloth in use as linen, a fabric", "character. Sometimes the narrator hovers a bit more, sometimes the narrator is more", "person with one primary and one secondary viewpoint character. Sometimes the narrator hovers", "Do I name them? I don't want half the dialogue to be \"oh", "do you call that?\" Nor do I want every description to be non-specific", "and I name the cloth in use as linen, a fabric used in", "half the dialogue to be \"oh what do you call that?\" Nor do", "For example, one character talks about eating cheese that looks like feta and", "referred to the enormous tree in their courtyard as the terebinth tree (only", "times too, but one the kids might not know. Where is the balance", "know. Do I name them? I don't want half the dialogue to be", "are different (I'm not talking about translation here, I mean the correct names", "like feta and wearing a tunic, even though the local names are different", "balance between allowing the narrator to describe the scene and keeping the point", "a lot of things they're not familiar with. Even things an educated adult", "even though the local names are different (I'm not talking about translation here,", "with one primary and one secondary viewpoint character. Sometimes the narrator hovers a", "and across the world, they encounter a lot of things they're not familiar", "too, but one the kids might not know. Where is the balance between", "world, they encounter a lot of things they're not familiar with. Even things", "him \"that little twerp.\" As these characters travel back in time and across", "new setting. If there's an English modern version of the thing they're describing,", "looks like feta and wearing a tunic, even though the local names are", "not know. Do I name them? I don't want half the dialogue to", "name while the other viewpoint character calls him \"that little twerp.\" As these", "(I'm not talking about translation here, I mean the correct names in English,", "\"oh what do you call that?\" Nor do I want every description to", "sometimes the narrator is more in the character's head. The narrator primarily describes", "the enormous tree in their courtyard as the terebinth tree (only when they", "dialogue to be \"oh what do you call that?\" Nor do I want", "eating cheese that looks like feta and wearing a tunic, even though the", "I've also referred to the enormous tree in their courtyard as the terebinth", "lot of things they're not familiar with. Even things an educated adult from", "enormous tree in their courtyard as the terebinth tree (only when they arrive,", "educated adult from their time and place may not know. Do I name", "know. Where is the balance between allowing the narrator to describe the scene", "just a big tree) and I name the cloth in use as linen,", "the character might. For example one character will refer to one of the", "I don't want half the dialogue to be \"oh what do you call", "narrator is more in the character's head. The narrator primarily describes things the", "I want every description to be non-specific to their new setting. If there's", "arrive, after that it's just a big tree) and I name the cloth", "English modern version of the thing they're describing, I use that name. For", "If there's an English modern version of the thing they're describing, I use", "primary and one secondary viewpoint character. Sometimes the narrator hovers a bit more,", "names are different (I'm not talking about translation here, I mean the correct", "talking about translation here, I mean the correct names in English, which can", "a tunic, even though the local names are different (I'm not talking about", "in their courtyard as the terebinth tree (only when they arrive, after that", "correct names in English, which can be a loan word or not). OTOH,", "character might. For example one character will refer to one of the younger", "in time and across the world, they encounter a lot of things they're", "an educated adult from their time and place may not know. Do I", "As these characters travel back in time and across the world, they encounter", "the narrator hovers a bit more, sometimes the narrator is more in the", "mean the correct names in English, which can be a loan word or", "as linen, a fabric used in modern times too, but one the kids", "that name. For example, one character talks about eating cheese that looks like", "be \"oh what do you call that?\" Nor do I want every description", "non-specific to their new setting. If there's an English modern version of the", "Sometimes the narrator hovers a bit more, sometimes the narrator is more in", "of the thing they're describing, I use that name. For example, one character", "which can be a loan word or not). OTOH, I've also referred to", "not familiar with. Even things an educated adult from their time and place", "of things they're not familiar with. Even things an educated adult from their", "use that name. For example, one character talks about eating cheese that looks", "these characters travel back in time and across the world, they encounter a", "from their time and place may not know. Do I name them? I", "tree (only when they arrive, after that it's just a big tree) and", "a big tree) and I name the cloth in use as linen, a", "the thing they're describing, I use that name. For example, one character talks", "about eating cheese that looks like feta and wearing a tunic, even though", "feta and wearing a tunic, even though the local names are different (I'm", "things an educated adult from their time and place may not know. Do", "do I want every description to be non-specific to their new setting. If", "call that?\" Nor do I want every description to be non-specific to their", "want half the dialogue to be \"oh what do you call that?\" Nor", "to their new setting. If there's an English modern version of the thing", "one character talks about eating cheese that looks like feta and wearing a", "character calls him \"that little twerp.\" As these characters travel back in time", "may not know. Do I name them? I don't want half the dialogue", "hovers a bit more, sometimes the narrator is more in the character's head.", "description to be non-specific to their new setting. If there's an English modern", "more, sometimes the narrator is more in the character's head. The narrator primarily", "example, one character talks about eating cheese that looks like feta and wearing", "one primary and one secondary viewpoint character. Sometimes the narrator hovers a bit", "names in English, which can be a loan word or not). OTOH, I've", "\"that little twerp.\" As these characters travel back in time and across the", "in English, which can be a loan word or not). OTOH, I've also", "version of the thing they're describing, I use that name. For example, one", "name. For example, one character talks about eating cheese that looks like feta", "to the enormous tree in their courtyard as the terebinth tree (only when", "back in time and across the world, they encounter a lot of things", "different (I'm not talking about translation here, I mean the correct names in", "to be \"oh what do you call that?\" Nor do I want every", "across the world, they encounter a lot of things they're not familiar with.", "middle-grade novel is third person with one primary and one secondary viewpoint character.", "the local names are different (I'm not talking about translation here, I mean", "of the younger children by name while the other viewpoint character calls him", "not). OTOH, I've also referred to the enormous tree in their courtyard as", "modern times too, but one the kids might not know. Where is the", "be a loan word or not). OTOH, I've also referred to the enormous", "things the way the character might. For example one character will refer to", "the cloth in use as linen, a fabric used in modern times too,", "way the character might. For example one character will refer to one of", "or not). OTOH, I've also referred to the enormous tree in their courtyard", "about translation here, I mean the correct names in English, which can be", "Nor do I want every description to be non-specific to their new setting.", "modern version of the thing they're describing, I use that name. For example,", "an English modern version of the thing they're describing, I use that name.", "younger children by name while the other viewpoint character calls him \"that little", "don't want half the dialogue to be \"oh what do you call that?\"", "the other viewpoint character calls him \"that little twerp.\" As these characters travel", "they arrive, after that it's just a big tree) and I name the", "with. Even things an educated adult from their time and place may not", "their time and place may not know. Do I name them? I don't", "thing they're describing, I use that name. For example, one character talks about", "and wearing a tunic, even though the local names are different (I'm not", "For example one character will refer to one of the younger children by", "use as linen, a fabric used in modern times too, but one the", "that looks like feta and wearing a tunic, even though the local names", "will refer to one of the younger children by name while the other", "that?\" Nor do I want every description to be non-specific to their new", "and one secondary viewpoint character. Sometimes the narrator hovers a bit more, sometimes", "I name the cloth in use as linen, a fabric used in modern", "kids might not know. Where is the balance between allowing the narrator to", "them? I don't want half the dialogue to be \"oh what do you", "is the balance between allowing the narrator to describe the scene and keeping", "their new setting. If there's an English modern version of the thing they're", "one the kids might not know. Where is the balance between allowing the", "a bit more, sometimes the narrator is more in the character's head. The", "between allowing the narrator to describe the scene and keeping the point of", "character's head. The narrator primarily describes things the way the character might. For", "to one of the younger children by name while the other viewpoint character", "viewpoint character calls him \"that little twerp.\" As these characters travel back in", "I use that name. For example, one character talks about eating cheese that", "by name while the other viewpoint character calls him \"that little twerp.\" As", "not talking about translation here, I mean the correct names in English, which", "it's just a big tree) and I name the cloth in use as", "fabric used in modern times too, but one the kids might not know.", "the narrator is more in the character's head. The narrator primarily describes things", "The narrator primarily describes things the way the character might. For example one", "but one the kids might not know. Where is the balance between allowing", "can be a loan word or not). OTOH, I've also referred to the", "familiar with. Even things an educated adult from their time and place may", "viewpoint character. Sometimes the narrator hovers a bit more, sometimes the narrator is" ]
[ "noticed that there was a lack of diversity with my characters so I", "to predict if any book is going to be successful. I just feel", "like if I include more male characters in it, it might be more", "YA novel) However, anytime I try and come up with more male characters,", "include more male characters in it, it might be more accessible to young", "up as a YA novel) However, anytime I try and come up with", "try and come up with more male characters, it just feels forced and", "to make a character gay that I had originally envisioned as straight, and", "book is going to be successful. I just feel like if I include", "play minor roles. Obviously it's hard to predict if any book is going", "feel like if I include more male characters in it, it might be", "is probably going to end up as a YA novel) However, anytime I", "a character gay that I had originally envisioned as straight, and I'm okay", "and unnatural. I feel like most responses might be along the lines of", "fair, but I noticed that there was a lack of diversity with my", "characters. There are some male characters, but they are few and far between,", "unnatural. I feel like most responses might be along the lines of \"if", "My novel so far only contains female main characters. There are some male", "might be along the lines of \"if you're forcing it, then don't do", "be more accessible to young male readers (my book is probably going to", "feels forced and unnatural. I feel like most responses might be along the", "that there was a lack of diversity with my characters so I forced", "as a YA novel) However, anytime I try and come up with more", "with more male characters, it just feels forced and unnatural. I feel like", "envisioned as straight, and I'm okay with doing that. So maybe I should", "to young male readers (my book is probably going to end up as", "do it!\" which is fair, but I noticed that there was a lack", "might be more accessible to young male readers (my book is probably going", "more male characters in it, it might be more accessible to young male", "going to be successful. I just feel like if I include more male", "okay with doing that. So maybe I should just suck it up and", "with doing that. So maybe I should just suck it up and throw", "going to end up as a YA novel) However, anytime I try and", "are some male characters, but they are few and far between, and only", "it just feels forced and unnatural. I feel like most responses might be", "female main characters. There are some male characters, but they are few and", "few and far between, and only play minor roles. Obviously it's hard to", "more accessible to young male readers (my book is probably going to end", "anytime I try and come up with more male characters, it just feels", "up with more male characters, it just feels forced and unnatural. I feel", "just feels forced and unnatural. I feel like most responses might be along", "the lines of \"if you're forcing it, then don't do it!\" which is", "forced and unnatural. I feel like most responses might be along the lines", "I try and come up with more male characters, it just feels forced", "characters so I forced myself to make a character gay that I had", "successful. I just feel like if I include more male characters in it,", "characters in it, it might be more accessible to young male readers (my", "However, anytime I try and come up with more male characters, it just", "there was a lack of diversity with my characters so I forced myself", "and I'm okay with doing that. So maybe I should just suck it", "if I include more male characters in it, it might be more accessible", "to end up as a YA novel) However, anytime I try and come", "then don't do it!\" which is fair, but I noticed that there was", "accessible to young male readers (my book is probably going to end up", "and far between, and only play minor roles. Obviously it's hard to predict", "male readers (my book is probably going to end up as a YA", "(my book is probably going to end up as a YA novel) However,", "a lack of diversity with my characters so I forced myself to make", "to be successful. I just feel like if I include more male characters", "only contains female main characters. There are some male characters, but they are", "be along the lines of \"if you're forcing it, then don't do it!\"", "male characters in it, it might be more accessible to young male readers", "roles. Obviously it's hard to predict if any book is going to be", "I include more male characters in it, it might be more accessible to", "I had originally envisioned as straight, and I'm okay with doing that. So", "had originally envisioned as straight, and I'm okay with doing that. So maybe", "characters, it just feels forced and unnatural. I feel like most responses might", "any book is going to be successful. I just feel like if I", "young male readers (my book is probably going to end up as a", "was a lack of diversity with my characters so I forced myself to", "and come up with more male characters, it just feels forced and unnatural.", "maybe I should just suck it up and throw in a few more", "that I had originally envisioned as straight, and I'm okay with doing that.", "is going to be successful. I just feel like if I include more", "I'm okay with doing that. So maybe I should just suck it up", "I forced myself to make a character gay that I had originally envisioned", "don't do it!\" which is fair, but I noticed that there was a", "so far only contains female main characters. There are some male characters, but", "are few and far between, and only play minor roles. Obviously it's hard", "more male characters, it just feels forced and unnatural. I feel like most", "character gay that I had originally envisioned as straight, and I'm okay with", "along the lines of \"if you're forcing it, then don't do it!\" which", "male characters, but they are few and far between, and only play minor", "in it, it might be more accessible to young male readers (my book", "minor roles. Obviously it's hard to predict if any book is going to", "characters, but they are few and far between, and only play minor roles.", "male characters, it just feels forced and unnatural. I feel like most responses", "forcing it, then don't do it!\" which is fair, but I noticed that", "it's hard to predict if any book is going to be successful. I", "it might be more accessible to young male readers (my book is probably", "with my characters so I forced myself to make a character gay that", "but they are few and far between, and only play minor roles. Obviously", "just feel like if I include more male characters in it, it might", "I just feel like if I include more male characters in it, it", "I should just suck it up and throw in a few more boys?", "be successful. I just feel like if I include more male characters in", "as straight, and I'm okay with doing that. So maybe I should just", "I noticed that there was a lack of diversity with my characters so", "and only play minor roles. Obviously it's hard to predict if any book", "originally envisioned as straight, and I'm okay with doing that. So maybe I", "novel so far only contains female main characters. There are some male characters,", "it!\" which is fair, but I noticed that there was a lack of", "responses might be along the lines of \"if you're forcing it, then don't", "forced myself to make a character gay that I had originally envisioned as", "some male characters, but they are few and far between, and only play", "feel like most responses might be along the lines of \"if you're forcing", "my characters so I forced myself to make a character gay that I", "straight, and I'm okay with doing that. So maybe I should just suck", "hard to predict if any book is going to be successful. I just", "they are few and far between, and only play minor roles. Obviously it's", "diversity with my characters so I forced myself to make a character gay", "make a character gay that I had originally envisioned as straight, and I'm", "far between, and only play minor roles. Obviously it's hard to predict if", "probably going to end up as a YA novel) However, anytime I try", "predict if any book is going to be successful. I just feel like", "far only contains female main characters. There are some male characters, but they", "only play minor roles. Obviously it's hard to predict if any book is", "which is fair, but I noticed that there was a lack of diversity", "it, then don't do it!\" which is fair, but I noticed that there", "is fair, but I noticed that there was a lack of diversity with", "like most responses might be along the lines of \"if you're forcing it,", "doing that. So maybe I should just suck it up and throw in", "contains female main characters. There are some male characters, but they are few", "book is probably going to end up as a YA novel) However, anytime", "come up with more male characters, it just feels forced and unnatural. I", "so I forced myself to make a character gay that I had originally", "novel) However, anytime I try and come up with more male characters, it", "if any book is going to be successful. I just feel like if", "So maybe I should just suck it up and throw in a few", "readers (my book is probably going to end up as a YA novel)", "myself to make a character gay that I had originally envisioned as straight,", "between, and only play minor roles. Obviously it's hard to predict if any", "you're forcing it, then don't do it!\" which is fair, but I noticed", "of \"if you're forcing it, then don't do it!\" which is fair, but", "There are some male characters, but they are few and far between, and", "Obviously it's hard to predict if any book is going to be successful.", "\"if you're forcing it, then don't do it!\" which is fair, but I", "lack of diversity with my characters so I forced myself to make a", "it, it might be more accessible to young male readers (my book is", "of diversity with my characters so I forced myself to make a character", "gay that I had originally envisioned as straight, and I'm okay with doing", "main characters. There are some male characters, but they are few and far", "most responses might be along the lines of \"if you're forcing it, then", "I feel like most responses might be along the lines of \"if you're", "a YA novel) However, anytime I try and come up with more male", "lines of \"if you're forcing it, then don't do it!\" which is fair,", "but I noticed that there was a lack of diversity with my characters", "end up as a YA novel) However, anytime I try and come up", "that. So maybe I should just suck it up and throw in a" ]
[ "as writing and movies. E.g., If I write a book about a racist", "inspiration. However, what I was wondering is are songs and other artforms protected", "use songs as a source of inspiration. However, what I was wondering is", "was wondering is are songs and other artforms protected the same as writing", "other artforms protected the same as writing and movies. E.g., If I write", "as a source of inspiration. However, what I was wondering is are songs", "I wrote a story about a woman whose child stood about to jump", "racist white bloke driving around a black musician in the deep south and", "they flew away. (Save the Life of My Child - Simon and Garwuntid)", "songs and other artforms protected the same as writing and movies. E.g., If", "often use songs as a source of inspiration. However, what I was wondering", "and Paintings have the same rules and protections as Books and Film for", "whose child stood about to jump from a building, and when they jumped,", "of inspiration. However, what I was wondering is are songs and other artforms", "Simon and Garwuntid) TL;DR: Do Songs and Paintings have the same rules and", "from a building, and when they jumped, they flew away. (Save the Life", "lot of music, and when I come up with stories, I often use", "as Books and Film for copying (into written form). (Feel free to edit", "a woman whose child stood about to jump from a building, and when", "a rethink about life, that would probably get me sued. (Green Book for", "are songs and other artforms protected the same as writing and movies. E.g.,", "stories, I often use songs as a source of inspiration. However, what I", "child stood about to jump from a building, and when they jumped, they", "what would happen if I wrote a story about a woman whose child", "for anyone who hasn't watched it) However, what would happen if I wrote", "listen to a lot of music, and when I come up with stories,", "Book in the E.g. section* I listen to a lot of music, and", "the E.g. section* I listen to a lot of music, and when I", "south and having a rethink about life, that would probably get me sued.", "sued. (Green Book for anyone who hasn't watched it) However, what would happen", "of music, and when I come up with stories, I often use songs", "hasn't watched it) However, what would happen if I wrote a story about", "source of inspiration. However, what I was wondering is are songs and other", "Do Songs and Paintings have the same rules and protections as Books and", "it) However, what would happen if I wrote a story about a woman", "around a black musician in the deep south and having a rethink about", "Songs and Paintings have the same rules and protections as Books and Film", "that would probably get me sued. (Green Book for anyone who hasn't watched", "deep south and having a rethink about life, that would probably get me", "life, that would probably get me sued. (Green Book for anyone who hasn't", "copying (into written form). (Feel free to edit the post to streamline it", "in the deep south and having a rethink about life, that would probably", "probably get me sued. (Green Book for anyone who hasn't watched it) However,", "and movies. E.g., If I write a book about a racist white bloke", "movies. E.g., If I write a book about a racist white bloke driving", "and when they jumped, they flew away. (Save the Life of My Child", "Film for copying (into written form). (Feel free to edit the post to", "wrote a story about a woman whose child stood about to jump from", "(Feel free to edit the post to streamline it or make it easier", "what I was wondering is are songs and other artforms protected the same", "a lot of music, and when I come up with stories, I often", "form). (Feel free to edit the post to streamline it or make it", "happen if I wrote a story about a woman whose child stood about", "away. (Save the Life of My Child - Simon and Garwuntid) TL;DR: Do", "watched it) However, what would happen if I wrote a story about a", "white bloke driving around a black musician in the deep south and having", "and having a rethink about life, that would probably get me sued. (Green", "story about a woman whose child stood about to jump from a building,", "songs as a source of inspiration. However, what I was wondering is are", "with stories, I often use songs as a source of inspiration. However, what", "I write a book about a racist white bloke driving around a black", "for Green Book in the E.g. section* I listen to a lot of", "(Green Book for anyone who hasn't watched it) However, what would happen if", "and when I come up with stories, I often use songs as a", "written form). (Feel free to edit the post to streamline it or make", "artforms protected the same as writing and movies. E.g., If I write a", "write a book about a racist white bloke driving around a black musician", "Garwuntid) TL;DR: Do Songs and Paintings have the same rules and protections as", "If I write a book about a racist white bloke driving around a", "the Life of My Child - Simon and Garwuntid) TL;DR: Do Songs and", "when I come up with stories, I often use songs as a source", "same as writing and movies. E.g., If I write a book about a", "rules and protections as Books and Film for copying (into written form). (Feel", "stood about to jump from a building, and when they jumped, they flew", "a building, and when they jumped, they flew away. (Save the Life of", "a black musician in the deep south and having a rethink about life,", "the same rules and protections as Books and Film for copying (into written", "if I wrote a story about a woman whose child stood about to", "get me sued. (Green Book for anyone who hasn't watched it) However, what", "E.g., If I write a book about a racist white bloke driving around", "me sued. (Green Book for anyone who hasn't watched it) However, what would", "section* I listen to a lot of music, and when I come up", "about a woman whose child stood about to jump from a building, and", "music, and when I come up with stories, I often use songs as", "However, what I was wondering is are songs and other artforms protected the", "and other artforms protected the same as writing and movies. E.g., If I", "wondering is are songs and other artforms protected the same as writing and", "E.g. section* I listen to a lot of music, and when I come", "- Simon and Garwuntid) TL;DR: Do Songs and Paintings have the same rules", "Child - Simon and Garwuntid) TL;DR: Do Songs and Paintings have the same", "musician in the deep south and having a rethink about life, that would", "in the E.g. section* I listen to a lot of music, and when", "to a lot of music, and when I come up with stories, I", "about life, that would probably get me sued. (Green Book for anyone who", "anyone who hasn't watched it) However, what would happen if I wrote a", "to jump from a building, and when they jumped, they flew away. (Save", "a book about a racist white bloke driving around a black musician in", "same rules and protections as Books and Film for copying (into written form).", "I listen to a lot of music, and when I come up with", "to edit the post to streamline it or make it easier to read)", "when they jumped, they flew away. (Save the Life of My Child -", "building, and when they jumped, they flew away. (Save the Life of My", "and Garwuntid) TL;DR: Do Songs and Paintings have the same rules and protections", "the same as writing and movies. E.g., If I write a book about", "come up with stories, I often use songs as a source of inspiration.", "Green Book in the E.g. section* I listen to a lot of music,", "about to jump from a building, and when they jumped, they flew away.", "and protections as Books and Film for copying (into written form). (Feel free", "woman whose child stood about to jump from a building, and when they", "I was wondering is are songs and other artforms protected the same as", "(into written form). (Feel free to edit the post to streamline it or", "Book for anyone who hasn't watched it) However, what would happen if I", "a source of inspiration. However, what I was wondering is are songs and", "have the same rules and protections as Books and Film for copying (into", "book about a racist white bloke driving around a black musician in the", "rethink about life, that would probably get me sued. (Green Book for anyone", "black musician in the deep south and having a rethink about life, that", "they jumped, they flew away. (Save the Life of My Child - Simon", "up with stories, I often use songs as a source of inspiration. However,", "eSpoilers for Green Book in the E.g. section I listen to a lot", "the deep south and having a rethink about life, that would probably get", "would probably get me sued. (Green Book for anyone who hasn't watched it)", "driving around a black musician in the deep south and having a rethink", "bloke driving around a black musician in the deep south and having a", "Life of My Child - Simon and Garwuntid) TL;DR: Do Songs and Paintings", "I come up with stories, I often use songs as a source of", "protected the same as writing and movies. E.g., If I write a book", "about a racist white bloke driving around a black musician in the deep", "flew away. (Save the Life of My Child - Simon and Garwuntid) TL;DR:", "of My Child - Simon and Garwuntid) TL;DR: Do Songs and Paintings have", "However, what would happen if I wrote a story about a woman whose", "is are songs and other artforms protected the same as writing and movies.", "a story about a woman whose child stood about to jump from a", "My Child - Simon and Garwuntid) TL;DR: Do Songs and Paintings have the", "Paintings have the same rules and protections as Books and Film for copying", "(Save the Life of My Child - Simon and Garwuntid) TL;DR: Do Songs", "would happen if I wrote a story about a woman whose child stood", "a racist white bloke driving around a black musician in the deep south", "who hasn't watched it) However, what would happen if I wrote a story", "jump from a building, and when they jumped, they flew away. (Save the", "and Film for copying (into written form). (Feel free to edit the post", "writing and movies. E.g., If I write a book about a racist white", "I often use songs as a source of inspiration. However, what I was", "protections as Books and Film for copying (into written form). (Feel free to", "for copying (into written form). (Feel free to edit the post to streamline", "jumped, they flew away. (Save the Life of My Child - Simon and", "Books and Film for copying (into written form). (Feel free to edit the", "having a rethink about life, that would probably get me sued. (Green Book", "TL;DR: Do Songs and Paintings have the same rules and protections as Books", "free to edit the post to streamline it or make it easier to" ]