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[ "the readers might think that I, the writer, is expressing my voice through", "have this misogynistic character who keeps saying misogynistic stuff, and I thought it", "who keeps saying misogynistic stuff, and I thought it would be a bad", "stuff, and I thought it would be a bad idea to give him", "my voice through him even though it's not the case. So how would", "expressing my voice through him even though it's not the case. So how", "I thought it would be a bad idea to give him dialogue lines.", "thought the readers might think that I, the writer, is expressing my voice", "saying misogynistic stuff, and I thought it would be a bad idea to", "give him dialogue lines. I was thinking that, because I thought the readers", "character who keeps saying misogynistic stuff, and I thought it would be a", "writer, is expressing my voice through him even though it's not the case.", "that, because I thought the readers might think that I, the writer, is", "that I, the writer, is expressing my voice through him even though it's", "him dialogue lines. I was thinking that, because I thought the readers might", "this misogynistic character who keeps saying misogynistic stuff, and I thought it would", "I thought the readers might think that I, the writer, is expressing my", "a bad idea to give him dialogue lines. I was thinking that, because", "because I thought the readers might think that I, the writer, is expressing", "I, the writer, is expressing my voice through him even though it's not", "might think that I, the writer, is expressing my voice through him even", "keeps saying misogynistic stuff, and I thought it would be a bad idea", "it would be a bad idea to give him dialogue lines. I was", "readers might think that I, the writer, is expressing my voice through him", "I have this misogynistic character who keeps saying misogynistic stuff, and I thought", "was thinking that, because I thought the readers might think that I, the", "is expressing my voice through him even though it's not the case. So", "bad idea to give him dialogue lines. I was thinking that, because I", "to give him dialogue lines. I was thinking that, because I thought the", "lines. I was thinking that, because I thought the readers might think that", "short story I am writing, I have this misogynistic character who keeps saying", "idea to give him dialogue lines. I was thinking that, because I thought", "would be a bad idea to give him dialogue lines. I was thinking", "think that I, the writer, is expressing my voice through him even though", "I was thinking that, because I thought the readers might think that I,", "a short story I am writing, I have this misogynistic character who keeps", "and I thought it would be a bad idea to give him dialogue", "thought it would be a bad idea to give him dialogue lines. I", "dialogue lines. I was thinking that, because I thought the readers might think", "In a short story I am writing, I have this misogynistic character who", "writing, I have this misogynistic character who keeps saying misogynistic stuff, and I", "him even though it's not the case. So how would you do it?", "voice through him even though it's not the case. So how would you", "be a bad idea to give him dialogue lines. I was thinking that,", "the writer, is expressing my voice through him even though it's not the", "thinking that, because I thought the readers might think that I, the writer,", "I am writing, I have this misogynistic character who keeps saying misogynistic stuff,", "am writing, I have this misogynistic character who keeps saying misogynistic stuff, and", "story I am writing, I have this misogynistic character who keeps saying misogynistic", "misogynistic stuff, and I thought it would be a bad idea to give", "misogynistic character who keeps saying misogynistic stuff, and I thought it would be", "through him even though it's not the case. So how would you do" ]
[ "valuable feedback on my work, so that I know where exactly I stand", "of poets and poetry and improve myself at the same time. How can", "short poems and quotes here: <https://www.mirakee.com/atd>, but I really want to hear from", "here: <https://www.mirakee.com/atd>, but I really want to hear from someone professional to give", "but I really want to hear from someone professional to give their valuable", "stand in the world of poets and poetry and improve myself at the", "and poetry and improve myself at the same time. How can I connect", "myself at the same time. How can I connect with someone like that?", "to hear from someone professional to give their valuable feedback on my work,", "professional to give their valuable feedback on my work, so that I know", "poetry and improve myself at the same time. How can I connect with", "often write short poems and quotes here: <https://www.mirakee.com/atd>, but I really want to", "so that I know where exactly I stand in the world of poets", "that I know where exactly I stand in the world of poets and", "work, so that I know where exactly I stand in the world of", "my work, so that I know where exactly I stand in the world", "improve myself at the same time. How can I connect with someone like", "want to hear from someone professional to give their valuable feedback on my", "poems and quotes here: <https://www.mirakee.com/atd>, but I really want to hear from someone", "the world of poets and poetry and improve myself at the same time.", "I often write short poems and quotes here: <https://www.mirakee.com/atd>, but I really want", "someone professional to give their valuable feedback on my work, so that I", "their valuable feedback on my work, so that I know where exactly I", "world of poets and poetry and improve myself at the same time. How", "really want to hear from someone professional to give their valuable feedback on", "where exactly I stand in the world of poets and poetry and improve", "in the world of poets and poetry and improve myself at the same", "hear from someone professional to give their valuable feedback on my work, so", "<https://www.mirakee.com/atd>, but I really want to hear from someone professional to give their", "know where exactly I stand in the world of poets and poetry and", "from someone professional to give their valuable feedback on my work, so that", "I know where exactly I stand in the world of poets and poetry", "on my work, so that I know where exactly I stand in the", "and improve myself at the same time. How can I connect with someone", "quotes here: <https://www.mirakee.com/atd>, but I really want to hear from someone professional to", "write short poems and quotes here: <https://www.mirakee.com/atd>, but I really want to hear", "I really want to hear from someone professional to give their valuable feedback", "and quotes here: <https://www.mirakee.com/atd>, but I really want to hear from someone professional", "exactly I stand in the world of poets and poetry and improve myself", "feedback on my work, so that I know where exactly I stand in", "I stand in the world of poets and poetry and improve myself at", "poets and poetry and improve myself at the same time. How can I", "to give their valuable feedback on my work, so that I know where", "give their valuable feedback on my work, so that I know where exactly" ]
[ "and fears from joining something. Together with Lolj she makes blonde-brunette BFF duo.", "the story and also there is a moment, where a group of kids", "Nallii behaves as Lolj. This leads to both jokes and problems. Dived -", "blonde-brunette BFF duo. In story, something strange happens and in some moments Lolj", "every problem and has practical skills. Hivs - Sometimes he says or does", "recommend? Here I will describe the main characters (names were changed): Seck -", "Main source of fun. Nallii - Very shy girl. Speaks rarely and fears", "In story, something strange happens and in some moments Lolj behaves as Nallii", "solve problem in 1. My question is about the second storyline. Now I'm", "behaves as Lolj. This leads to both jokes and problems. Dived** - Lively", "says or does something very silly, but in other cases he invents genial", "problem in 1. My question is about the second storyline. Now I'm thinking", "I'm thinking about reducing the number of characters (now I have 9 main", "something. Together with Lolj she makes blonde-brunette BFF duo. In story, something strange", "makes blonde-brunette BFF duo. In story, something strange happens and in some moments", "of characters from various universes, which is interrupted by enemies. 2. Story of", "wants to win over car in race. Loves sports. Jürgen - Guy with", "Jürgen - Guy with not stable attitude. Wiaru - Younger sister of Hivs.", "or does something very silly, but in other cases he invents genial solutions.", "and Nallii behaves as Lolj. This leads to both jokes and problems. Dived", "about reducing the number of characters (now I have 9 main characters, not", "fun. Nallii - Very shy girl. Speaks rarely and fears from joining something.", "is interrupted by enemies. 2. Story of bunch of kids attending that party", "have 9 main characters, not including characters from 1). But on the other", "not including characters from 1). But on the other hand, almost everyone brings", "skills. Hivs - Sometimes he says or does something very silly, but in", "Together with Lolj she makes blonde-brunette BFF duo. In story, something strange happens", "Lively. Vanessa - Older sister of Seck. Martin - Also loves sports like", "group of kids plays a football/soccer match against enemies to escape from kidnapping", "f.ex. he wants to win over car in race. Loves sports. Jürgen -", "Lolj behaves as Nallii and Nallii behaves as Lolj. This leads to both", "would you recommend?** Here I will describe the main characters (names were changed):", "the number of characters* (now I have 9 main characters, not including characters", "practical skills. Hivs - Sometimes he says or does something very silly, but", "characters from 1). But on the other hand, almost everyone brings something special", "shy girl. Speaks rarely and fears from joining something. Together with Lolj she", "He is able to solve every problem and has practical skills. Hivs -", "Now I'm thinking about reducing the number of characters (now I have 9", "silly, but in other cases he invents genial solutions. Lover of statistics. Lolj", "moments Lolj behaves as Nallii and Nallii behaves as Lolj. This leads to", "in 1. My question is about the second storyline. Now I'm thinking about", "main characters (names were changed): Seck - Leader of group. He is able", "writing a novel with personages both that I created and some already created", "I created and some already created by others (well, I wrote that when", "against enemies to escape from kidnapping and for that a team is needed.", "of kids plays a football/soccer match against enemies to escape from kidnapping and", "ideas - f.ex. he wants to win over car in race. Loves sports.", "I already mentioned [in my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages", "enemies to escape from kidnapping and for that a team is needed. What", "source of fun. Nallii - Very shy girl. Speaks rarely and fears from", "There are de facto two storylines. 1. Party of characters from various universes,", "story and also there is a moment, where a group of kids plays", "- Guy with not stable attitude. Wiaru** - Younger sister of Hivs. Lively.", "a group of kids plays a football/soccer match against enemies to escape from", "of characters* (now I have 9 main characters, not including characters from 1).", "something special to the story and also there is a moment, where a", "and which solve problem in 1. My question is about the second storyline.", "that I created and some already created by others (well, I wrote that", "Seck - Leader of group. He is able to solve every problem and", "when I was younger and now I just digitalize it). There are de", "Very shy girl. Speaks rarely and fears from joining something. Together with Lolj", "with not stable attitude. Wiaru - Younger sister of Hivs. Lively. Vanessa -", "de facto two storylines. 1. Party of characters from various universes, which is", "as Nallii and Nallii behaves as Lolj. This leads to both jokes and", "race. Loves sports. Jürgen - Guy with not stable attitude. Wiaru - Younger", "I have 9 main characters, not including characters from 1). But on the", "there is a moment, where a group of kids plays a football/soccer match", "(now I have 9 main characters, not including characters from 1). But on", "I was younger and now I just digitalize it). There are de facto", "storyline. Now I'm thinking about reducing the number of characters (now I have", "in some moments Lolj behaves as Nallii and Nallii behaves as Lolj. This", "of Hivs. Lively. Vanessa - Older sister of Seck. Martin - Also loves", "has practical skills. Hivs - Sometimes he says or does something very silly,", "something very silly, but in other cases he invents genial solutions. Lover of", "other cases he invents genial solutions. Lover of statistics. Lolj - Very lively", "he says or does something very silly, but in other cases he invents", "to both jokes and problems. Dived - Lively younger brother of Nallii. Has", "sister of Hivs. Lively. Vanessa - Older sister of Seck. Martin - Also", "already created by others (well, I wrote that when I was younger and", "But on the other hand, almost everyone brings something special to the story", "fears from joining something. Together with Lolj she makes blonde-brunette BFF duo. In", "and in some moments Lolj behaves as Nallii and Nallii behaves as Lolj.", "Guy with not stable attitude. Wiaru - Younger sister of Hivs. Lively. Vanessa", "story, something strange happens and in some moments Lolj behaves as Nallii and", "lively girl. Main source of fun. Nallii - Very shy girl. Speaks rarely", "Nallii and Nallii behaves as Lolj. This leads to both jokes and problems.", "which is interrupted by enemies. 2. Story of bunch of kids attending that", "by others (well, I wrote that when I was younger and now I", "I will describe the main characters (names were changed): Seck - Leader of", "Speaks rarely and fears from joining something. Together with Lolj she makes blonde-brunette", "and some already created by others (well, I wrote that when I was", "very silly, but in other cases he invents genial solutions. Lover of statistics.", "Dived - Lively younger brother of Nallii. Has silly ideas - f.ex. he", "also there is a moment, where a group of kids plays a football/soccer", "changed): Seck - Leader of group. He is able to solve every problem", "by enemies. 2. Story of bunch of kids attending that party and which", "question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both that I created and some", "from 1). But on the other hand, almost everyone brings something special to", "storylines. 1. Party of characters from various universes, which is interrupted by enemies.", "will describe the main characters (names were changed): Seck - Leader of group.", "kidnapping and for that a team is needed. What would you recommend? Here", "9 main characters, not including characters from 1). But on the other hand,", "brings something special to the story and also there is a moment, where", "What would you recommend? Here I will describe the main characters (names were", "are de facto two storylines. 1. Party of characters from various universes, which", "match against enemies to escape from kidnapping and for that a team is", "he wants to win over car in race. Loves sports. Jürgen - Guy", "the second storyline. Now I'm thinking about reducing the number of characters (now", "- Very shy girl. Speaks rarely and fears from joining something. Together with", "attitude. Wiaru - Younger sister of Hivs. Lively. Vanessa - Older sister of", "already mentioned [in my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both", "and now I just digitalize it). There are de facto two storylines. 1.", "with Lolj she makes blonde-brunette BFF duo. In story, something strange happens and", "personages both that I created and some already created by others (well, I", "- f.ex. he wants to win over car in race. Loves sports. Jürgen", "and problems. Dived - Lively younger brother of Nallii. Has silly ideas -", "BFF duo. In story, something strange happens and in some moments Lolj behaves", "stable attitude. Wiaru - Younger sister of Hivs. Lively. Vanessa - Older sister", "[in my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both that I", "created and some already created by others (well, I wrote that when I", "statistics. Lolj - Very lively girl. Main source of fun. Nallii - Very", "as Lolj. This leads to both jokes and problems. Dived - Lively younger", "of fun. Nallii - Very shy girl. Speaks rarely and fears from joining", "the main characters (names were changed): Seck - Leader of group. He is", "win over car in race. Loves sports. Jürgen - Guy with not stable", "Wiaru - Younger sister of Hivs. Lively. Vanessa - Older sister of Seck.", "novel with personages both that I created and some already created by others", "Story of bunch of kids attending that party and which solve problem in", "kids plays a football/soccer match against enemies to escape from kidnapping and for", "Lolj - Very lively girl. Main source of fun. Nallii - Very shy", "silly ideas - f.ex. he wants to win over car in race. Loves", "for that a team is needed. What would you recommend? Here I will", "1). But on the other hand, almost everyone brings something special to the", "others (well, I wrote that when I was younger and now I just", "and also there is a moment, where a group of kids plays a", "is able to solve every problem and has practical skills. Hivs - Sometimes", "leads to both jokes and problems. Dived - Lively younger brother of Nallii.", "Party of characters from various universes, which is interrupted by enemies. 2. Story", "invents genial solutions. Lover of statistics. Lolj - Very lively girl. Main source", "previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both that I created and", "other hand, almost everyone brings something special to the story and also there", "which solve problem in 1. My question is about the second storyline. Now", "interrupted by enemies. 2. Story of bunch of kids attending that party and", "that party and which solve problem in 1. My question is about the", "some already created by others (well, I wrote that when I was younger", "strange happens and in some moments Lolj behaves as Nallii and Nallii behaves", "happens and in some moments Lolj behaves as Nallii and Nallii behaves as", "both jokes and problems. Dived - Lively younger brother of Nallii. Has silly", "created by others (well, I wrote that when I was younger and now", "was younger and now I just digitalize it). There are de facto two", "attending that party and which solve problem in 1. My question is about", "characters, not including characters from 1). But on the other hand, almost everyone", "with personages both that I created and some already created by others (well,", "a novel with personages both that I created and some already created by", "behaves as Nallii and Nallii behaves as Lolj. This leads to both jokes", "As I already mentioned [in my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with", "(well, I wrote that when I was younger and now I just digitalize", "kids attending that party and which solve problem in 1. My question is", "does something very silly, but in other cases he invents genial solutions. Lover", "genial solutions. Lover of statistics. Lolj - Very lively girl. Main source of", "Nallii - Very shy girl. Speaks rarely and fears from joining something. Together", "of Nallii. Has silly ideas - f.ex. he wants to win over car", "in other cases he invents genial solutions. Lover of statistics. Lolj - Very", "just digitalize it). There are de facto two storylines. 1. Party of characters", "he invents genial solutions. Lover of statistics. Lolj - Very lively girl. Main", "a moment, where a group of kids plays a football/soccer match against enemies", "facto two storylines. 1. Party of characters from various universes, which is interrupted", "not stable attitude. Wiaru - Younger sister of Hivs. Lively. Vanessa - Older", "in race. Loves sports. Jürgen - Guy with not stable attitude. Wiaru -", "girl. Speaks rarely and fears from joining something. Together with Lolj she makes", "2. Story of bunch of kids attending that party and which solve problem", "Younger sister of Hivs. Lively. Vanessa - Older sister of Seck. Martin -", "hand, almost everyone brings something special to the story and also there is", "on the other hand, almost everyone brings something special to the story and", "1. My question is about the second storyline. Now I'm thinking about reducing", "two storylines. 1. Party of characters from various universes, which is interrupted by", "from joining something. Together with Lolj she makes blonde-brunette BFF duo. In story,", "brother of Nallii. Has silly ideas - f.ex. he wants to win over", "My question is about the second storyline. Now I'm thinking about reducing the", "Nallii. Has silly ideas - f.ex. he wants to win over car in", "a football/soccer match against enemies to escape from kidnapping and for that a", "able to solve every problem and has practical skills. Hivs - Sometimes he", "Loves sports. Jürgen - Guy with not stable attitude. Wiaru - Younger sister", "of group. He is able to solve every problem and has practical skills.", "Leader of group. He is able to solve every problem and has practical", "everyone brings something special to the story and also there is a moment,", "Lively younger brother of Nallii. Has silly ideas - f.ex. he wants to", "football/soccer match against enemies to escape from kidnapping and for that a team", "to win over car in race. Loves sports. Jürgen - Guy with not", "she makes blonde-brunette BFF duo. In story, something strange happens and in some", "Lolj. This leads to both jokes and problems. Dived - Lively younger brother", "sports. Jürgen - Guy with not stable attitude. Wiaru - Younger sister of", "it). There are de facto two storylines. 1. Party of characters from various", "is a moment, where a group of kids plays a football/soccer match against", "Very lively girl. Main source of fun. Nallii - Very shy girl. Speaks", "needed. What would you recommend? Here I will describe the main characters (names", "question is about the second storyline. Now I'm thinking about reducing the number", "from kidnapping and for that a team is needed. What would you recommend?", "problem and has practical skills. Hivs* - Sometimes he says or does something", "younger and now I just digitalize it). There are de facto two storylines.", "escape from kidnapping and for that a team is needed. What would you", "you recommend? Here I will describe the main characters (names were changed): Seck", "Vanessa - Older sister of Seck. Martin - Also loves sports like Dived.", "various universes, which is interrupted by enemies. 2. Story of bunch of kids", "mentioned [in my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both that", "car in race. Loves sports. Jürgen - Guy with not stable attitude. Wiaru", "were changed): Seck - Leader of group. He is able to solve every", "reducing the number of characters (now I have 9 main characters, not including", "and has practical skills. Hivs - Sometimes he says or does something very", "but in other cases he invents genial solutions. Lover of statistics. Lolj -", "universes, which is interrupted by enemies. 2. Story of bunch of kids attending", "and for that a team is needed. What would you recommend? Here I", "rarely and fears from joining something. Together with Lolj she makes blonde-brunette BFF", "I wrote that when I was younger and now I just digitalize it).", "a team is needed. What would you recommend? Here I will describe the", "(names were changed): Seck - Leader of group. He is able to solve", "Hivs. Lively. Vanessa - Older sister of Seck. Martin - Also loves sports", "number of characters* (now I have 9 main characters, not including characters from", "cases he invents genial solutions. Lover of statistics. Lolj - Very lively girl.", "joining something. Together with Lolj she makes blonde-brunette BFF duo. In story, something", "from various universes, which is interrupted by enemies. 2. Story of bunch of", "Hivs - Sometimes he says or does something very silly, but in other", "characters* (now I have 9 main characters, not including characters from 1). But", "This leads to both jokes and problems. Dived - Lively younger brother of", "of bunch of kids attending that party and which solve problem in 1.", "that a team is needed. What would you recommend? Here I will describe", "is about the second storyline. Now I'm thinking about reducing the number of", "Sometimes he says or does something very silly, but in other cases he", "duo. In story, something strange happens and in some moments Lolj behaves as", "- Lively younger brother of Nallii. Has silly ideas - f.ex. he wants", "group. He is able to solve every problem and has practical skills. Hivs", "enemies. 2. Story of bunch of kids attending that party and which solve", "including characters from 1). But on the other hand, almost everyone brings something", "special to the story and also there is a moment, where a group", "characters (names were changed): Seck* - Leader of group. He is able to", "where a group of kids plays a football/soccer match against enemies to escape", "is needed. What would you recommend? Here I will describe the main characters", "- Leader of group. He is able to solve every problem and has", "bunch of kids attending that party and which solve problem in 1. My", "to the story and also there is a moment, where a group of", "jokes and problems. Dived - Lively younger brother of Nallii. Has silly ideas", "plays a football/soccer match against enemies to escape from kidnapping and for that", "- Younger sister of Hivs. Lively. Vanessa - Older sister of Seck. Martin", "I'm writing a novel with personages both that I created and some already", "to solve every problem and has practical skills. Hivs - Sometimes he says", "Has silly ideas - f.ex. he wants to win over car in race.", "Here I will describe the main characters (names were changed): Seck - Leader", "problems. Dived - Lively younger brother of Nallii. Has silly ideas - f.ex.", "my previous question](https://writing.stackexchange.com/questions/42213/how-to-fill-novel-if-you-have-just-some-moments-prepared), I'm writing a novel with personages both that I created", "main characters, not including characters from 1). But on the other hand, almost", "- Sometimes he says or does something very silly, but in other cases", "almost everyone brings something special to the story and also there is a", "solve every problem and has practical skills. Hivs - Sometimes he says or", "Lover of statistics. Lolj - Very lively girl. Main source of fun. Nallii", "thinking about reducing the number of characters (now I have 9 main characters,", "team is needed. What would you recommend? Here I will describe the main", "second storyline. Now I'm thinking about reducing the number of characters (now I", "solutions. Lover of statistics. Lolj - Very lively girl. Main source of fun.", "of statistics. Lolj - Very lively girl. Main source of fun. Nallii -", "I just digitalize it). There are de facto two storylines. 1. Party of", "to escape from kidnapping and for that a team is needed. What would", "moment, where a group of kids plays a football/soccer match against enemies to", "girl. Main source of fun. Nallii - Very shy girl. Speaks rarely and", "describe the main characters (names were changed): Seck** - Leader of group. He", "younger brother of Nallii. Has silly ideas - f.ex. he wants to win", "wrote that when I was younger and now I just digitalize it). There", "about the second storyline. Now I'm thinking about reducing the number of characters", "Lolj she makes blonde-brunette BFF duo. In story, something strange happens and in", "some moments Lolj behaves as Nallii and Nallii behaves as Lolj. This leads", "over car in race. Loves sports. Jürgen - Guy with not stable attitude.", "both that I created and some already created by others (well, I wrote", "characters from various universes, which is interrupted by enemies. 2. Story of bunch", "digitalize it). There are de facto two storylines. 1. Party of characters from", "- Very lively girl. Main source of fun. Nallii - Very shy girl.", "something strange happens and in some moments Lolj behaves as Nallii and Nallii", "1. Party of characters from various universes, which is interrupted by enemies. 2.", "now I just digitalize it). There are de facto two storylines. 1. Party", "party and which solve problem in 1. My question is about the second", "that when I was younger and now I just digitalize it). There are", "the other hand, almost everyone brings something special to the story and also", "of kids attending that party and which solve problem in 1. My question" ]
[ "discovered that I no longer had access to my files when I upgraded", "just use Word and Excel for writing my novel and keeping track of", "Excel for writing my novel and keeping track of stuff. I've tried a", "don't want this post mistaken for spam.) In this case, the bundle is", "Word and Excel for writing my novel and keeping track of stuff. I've", "past then discovered that I no longer had access to my files when", "may even own the main program (I like buying bundles). (I'm not linking", "for writing my novel and keeping track of stuff. I've tried a couple", "just saw a promo for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard", "tools (and use them for genealogy and other things) but don't like to", "and Excel for writing my novel and keeping track of stuff. I've tried", "that I no longer had access to my files when I upgraded my", "(not to mention, I have used specialized software in the past then discovered", "writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and Montage. How well do", "Write, Contour 2, Narrator, Puryono, StoryMill, and Montage. How well do Mariner Software", "sale because I don't want this post mistaken for spam.) In this case,", "and formatting (not to mention, I have used specialized software in the past", "OS and the software wasn't updated). I just saw a promo for a", "main program (I like buying bundles). (I'm not linking to the sale because", "formatting (not to mention, I have used specialized software in the past then", "things) but don't like to give up control over my content and formatting", "them and may even own the main program (I like buying bundles). (I'm", "geared for writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and Montage. How", "in the past then discovered that I no longer had access to my", "I upgraded my OS and the software wasn't updated). I just saw a", "when I upgraded my OS and the software wasn't updated). I just saw", "and may even own the main program (I like buying bundles). (I'm not", "program (I like buying bundles). (I'm not linking to the sale because I", "got into it. I like the idea of specialized tools (and use them", "a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of them and may even", "like buying bundles). (I'm not linking to the sale because I don't want", "then discovered that I no longer had access to my files when I", "them for genealogy and other things) but don't like to give up control", "genealogy and other things) but don't like to give up control over my", "Scrivener and Evernote, but never got into it. I like the idea of", "mention, I have used specialized software in the past then discovered that I", "Software](http://marinersoftware.com/) products. I've heard of them and may even own the main program", "of them and may even own the main program (I like buying bundles).", "it. I like the idea of specialized tools (and use them for genealogy", "use Word and Excel for writing my novel and keeping track of stuff.", "this case, the bundle is 6 programs they sell all geared for writers:", "my files when I upgraded my OS and the software wasn't updated). I", "own the main program (I like buying bundles). (I'm not linking to the", "idea of specialized tools (and use them for genealogy and other things) but", "2, Narrator, Puryono, StoryMill, and Montage. How well do Mariner Software products work", "never got into it. I like the idea of specialized tools (and use", "I no longer had access to my files when I upgraded my OS", "I like the idea of specialized tools (and use them for genealogy and", "to my files when I upgraded my OS and the software wasn't updated).", "[Mariner Software](http://marinersoftware.com/) products. I've heard of them and may even own the main", "and keeping track of stuff. I've tried a couple others, including Scrivener and", "up control over my content and formatting (not to mention, I have used", "Evernote, but never got into it. I like the idea of specialized tools", "access to my files when I upgraded my OS and the software wasn't", "don't like to give up control over my content and formatting (not to", "I just saw a promo for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've", "I'm boring and just use Word and Excel for writing my novel and", "I don't want this post mistaken for spam.) In this case, the bundle", "the main program (I like buying bundles). (I'm not linking to the sale", "mistaken for spam.) In this case, the bundle is 6 programs they sell", "(I'm not linking to the sale because I don't want this post mistaken", "of specialized tools (and use them for genealogy and other things) but don't", "to give up control over my content and formatting (not to mention, I", "case, the bundle is 6 programs they sell all geared for writers: Mariner", "files when I upgraded my OS and the software wasn't updated). I just", "writing my novel and keeping track of stuff. I've tried a couple others,", "software wasn't updated). I just saw a promo for a bundle of [Mariner", "over my content and formatting (not to mention, I have used specialized software", "Narrator, Puryono, StoryMill, and Montage. How well do Mariner Software products work for", "I've heard of them and may even own the main program (I like", "novel and keeping track of stuff. I've tried a couple others, including Scrivener", "for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of them and may", "use them for genealogy and other things) but don't like to give up", "stuff. I've tried a couple others, including Scrivener and Evernote, but never got", "like to give up control over my content and formatting (not to mention,", "and the software wasn't updated). I just saw a promo for a bundle", "is 6 programs they sell all geared for writers: Mariner Write, Contour 2,", "control over my content and formatting (not to mention, I have used specialized", "bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of them and may even own", "content and formatting (not to mention, I have used specialized software in the", "for spam.) In this case, the bundle is 6 programs they sell all", "keeping track of stuff. I've tried a couple others, including Scrivener and Evernote,", "the bundle is 6 programs they sell all geared for writers: Mariner Write,", "Contour 2, Narrator, Puryono, StoryMill, and Montage. How well do Mariner Software products", "to the sale because I don't want this post mistaken for spam.) In", "wasn't updated). I just saw a promo for a bundle of [Mariner Software](http://marinersoftware.com/)", "my content and formatting (not to mention, I have used specialized software in", "of stuff. I've tried a couple others, including Scrivener and Evernote, but never", "for genealogy and other things) but don't like to give up control over", "like the idea of specialized tools (and use them for genealogy and other", "this post mistaken for spam.) In this case, the bundle is 6 programs", "the software wasn't updated). I just saw a promo for a bundle of", "but never got into it. I like the idea of specialized tools (and", "and Evernote, but never got into it. I like the idea of specialized", "give up control over my content and formatting (not to mention, I have", "but don't like to give up control over my content and formatting (not", "bundles). (I'm not linking to the sale because I don't want this post", "others, including Scrivener and Evernote, but never got into it. I like the", "buying bundles). (I'm not linking to the sale because I don't want this", "I have used specialized software in the past then discovered that I no", "the past then discovered that I no longer had access to my files", "they sell all geared for writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill,", "the sale because I don't want this post mistaken for spam.) In this", "have used specialized software in the past then discovered that I no longer", "my novel and keeping track of stuff. I've tried a couple others, including", "and other things) but don't like to give up control over my content", "In this case, the bundle is 6 programs they sell all geared for", "not linking to the sale because I don't want this post mistaken for", "want this post mistaken for spam.) In this case, the bundle is 6", "spam.) In this case, the bundle is 6 programs they sell all geared", "heard of them and may even own the main program (I like buying", "(I like buying bundles). (I'm not linking to the sale because I don't", "had access to my files when I upgraded my OS and the software", "a couple others, including Scrivener and Evernote, but never got into it. I", "products. I've heard of them and may even own the main program (I", "track of stuff. I've tried a couple others, including Scrivener and Evernote, but", "and just use Word and Excel for writing my novel and keeping track", "used specialized software in the past then discovered that I no longer had", "software in the past then discovered that I no longer had access to", "specialized software in the past then discovered that I no longer had access", "tried a couple others, including Scrivener and Evernote, but never got into it.", "other things) but don't like to give up control over my content and", "to mention, I have used specialized software in the past then discovered that", "longer had access to my files when I upgraded my OS and the", "sell all geared for writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and", "6 programs they sell all geared for writers: Mariner Write, Contour 2, Narrator,", "into it. I like the idea of specialized tools (and use them for", "I've tried a couple others, including Scrivener and Evernote, but never got into", "upgraded my OS and the software wasn't updated). I just saw a promo", "bundle is 6 programs they sell all geared for writers: Mariner Write, Contour", "my OS and the software wasn't updated). I just saw a promo for", "linking to the sale because I don't want this post mistaken for spam.)", "because I don't want this post mistaken for spam.) In this case, the", "promo for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of them and", "Puryono, StoryMill, and Montage. How well do Mariner Software products work for writers?", "of [Mariner Software](http://marinersoftware.com/) products. I've heard of them and may even own the", "programs they sell all geared for writers: Mariner Write, Contour 2, Narrator, Puryono,", "even own the main program (I like buying bundles). (I'm not linking to", "a promo for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of them", "Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and Montage. How well do Mariner", "boring and just use Word and Excel for writing my novel and keeping", "the idea of specialized tools (and use them for genealogy and other things)", "including Scrivener and Evernote, but never got into it. I like the idea", "no longer had access to my files when I upgraded my OS and", "for writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and Montage. How well", "saw a promo for a bundle of [Mariner Software](http://marinersoftware.com/) products. I've heard of", "all geared for writers: Mariner Write, Contour 2, Narrator, Puryono, StoryMill, and Montage.", "couple others, including Scrivener and Evernote, but never got into it. I like", "(and use them for genealogy and other things) but don't like to give", "specialized tools (and use them for genealogy and other things) but don't like", "updated). I just saw a promo for a bundle of [Mariner Software](http://marinersoftware.com/) products.", "post mistaken for spam.) In this case, the bundle is 6 programs they" ]
[ "down the meter in order to work on it. And then what? I'm", "to really break down the meter in order to work on it. And", "I do manage to restructure the writing in a particular way. However, I", "quick paced writing can add a feeling of breathlessness that can evoke excitement", "to work on it. And then what? I'm not even sure what I'm", "breathlessness that can evoke excitement or anxiety. Then what? I don't really know", "know that very quick paced writing can add a feeling of breathlessness that", "really break down the meter in order to work on it. And then", "particular way. However, I am aware that it is a moderately useful tool", "I'm not even sure what I'm going to convey if I do manage", "That's rhythm or meter. I don't hear meter naturally like some people do", "of breathlessness that can evoke excitement or anxiety. Then what? I don't really", "bag. For instance, I know that very quick paced writing can add a", "like to add it to my bag. For instance, I know that very", "is one area I am not great at leveraging. That's rhythm or meter.", "a feeling of breathlessness that can evoke excitement or anxiety. Then what? I", "some ways I can use the rhythm and meter of the words to", "can use the rhythm and meter of the words to evoke emotions beyond", "like some people do so I have to really break down the meter", "if I do manage to restructure the writing in a particular way. However,", "one area I am not great at leveraging. That's rhythm or meter. I", "a particular way. However, I am aware that it is a moderately useful", "naturally like some people do so I have to really break down the", "not even sure what I'm going to convey if I do manage to", "hear meter naturally like some people do so I have to really break", "to my bag. For instance, I know that very quick paced writing can", "know any others. That's the only one I've ever used. What are some", "am aware that it is a moderately useful tool and so I'd like", "That's the only one I've ever used. What are some ways I can", "then what? I'm not even sure what I'm going to convey if I", "leveraging. That's rhythm or meter. I don't hear meter naturally like some people", "don't really know any others. That's the only one I've ever used. What", "so I'd like to add it to my bag. For instance, I know", "What are some ways I can use the rhythm and meter of the", "restructure the writing in a particular way. However, I am aware that it", "work on it. And then what? I'm not even sure what I'm going", "I've ever used. *What are some ways I can use the rhythm and", "I don't really know any others. That's the only one I've ever used.", "that can evoke excitement or anxiety. Then what? I don't really know any", "I don't hear* meter naturally like some people do so I have to", "to add it to my bag. For instance, I know that very quick", "feeling of breathlessness that can evoke excitement or anxiety. Then what? I don't", "or meter. I don't hear meter naturally like some people do so I", "the rhythm and meter of the words to evoke emotions beyond just what", "manage to restructure the writing in a particular way. However, I am aware", "And then what? I'm not even sure what I'm going to convey if", "I am aware that it is a moderately useful tool and so I'd", "I know that very quick paced writing can add a feeling of breathlessness", "there is one area I am not great at leveraging. That's rhythm or", "the only one I've ever used. What are some ways I can use", "useful tool and so I'd like to add it to my bag. For", "area I am not great at leveraging. That's rhythm or meter. I don't", "the meter in order to work on it. And then what? I'm not", "moderately useful tool and so I'd like to add it to my bag.", "instance, I know that very quick paced writing can add a feeling of", "I can use the rhythm and meter of the words to evoke emotions", "only one I've ever used. What are some ways I can use the", "that very quick paced writing can add a feeling of breathlessness that can", "add it to my bag. For instance, I know that very quick paced", "what? I don't really know any others. That's the only one I've ever", "and meter of the words to evoke emotions beyond just what the words", "any others. That's the only one I've ever used. *What are some ways", "very quick paced writing can add a feeling of breathlessness that can evoke", "don't hear* meter naturally like some people do so I have to really", "evoke excitement or anxiety. Then what? I don't really know any others. That's", "not great at leveraging. That's rhythm or meter. I don't hear meter naturally", "paced writing can add a feeling of breathlessness that can evoke excitement or", "However, I am aware that it is a moderately useful tool and so", "rhythm or meter. I don't hear meter naturally like some people do so", "I'm going to convey if I do manage to restructure the writing in", "in order to work on it. And then what? I'm not even sure", "going to convey if I do manage to restructure the writing in a", "excitement or anxiety. Then what? I don't really know any others. That's the", "meter of the words to evoke emotions beyond just what the words say?*", "meter. I don't hear* meter naturally like some people do so I have", "and so I'd like to add it to my bag. For instance, I", "what? I'm not even sure what I'm going to convey if I do", "it to my bag. For instance, I know that very quick paced writing", "a moderately useful tool and so I'd like to add it to my", "tool and so I'd like to add it to my bag. For instance,", "Then what? I don't really know any others. That's the only one I've", "so I have to really break down the meter in order to work", "writing in a particular way. However, I am aware that it is a", "what I'm going to convey if I do manage to restructure the writing", "that it is a moderately useful tool and so I'd like to add", "I have to really break down the meter in order to work on", "order to work on it. And then what? I'm not even sure what", "rhythm and meter of the words to evoke emotions beyond just what the", "used. What are some ways I can use the rhythm and meter of", "to convey if I do manage to restructure the writing in a particular", "one I've ever used. What are some ways I can use the rhythm", "others. That's the only one I've ever used. *What are some ways I", "do manage to restructure the writing in a particular way. However, I am", "some people do so I have to really break down the meter in", "For instance, I know that very quick paced writing can add a feeling", "even sure what I'm going to convey if I do manage to restructure", "people do so I have to really break down the meter in order", "to restructure the writing in a particular way. However, I am aware that", "ways I can use the rhythm and meter of the words to evoke", "I'd like to add it to my bag. For instance, I know that", "use the rhythm and meter of the words to evoke emotions beyond just", "at leveraging. That's rhythm or meter. I don't hear* meter naturally like some", "break down the meter in order to work on it. And then what?", "really know any others. That's the only one I've ever used. *What are", "it. And then what? I'm not even sure what I'm going to convey", "it is a moderately useful tool and so I'd like to add it", "When writing there is one area I am not great at leveraging. That's", "am not great at leveraging. That's rhythm or meter. I don't hear* meter", "or anxiety. Then what? I don't really know any others. That's the only", "way. However, I am aware that it is a moderately useful tool and", "ever used. *What are some ways I can use the rhythm and meter", "in a particular way. However, I am aware that it is a moderately", "aware that it is a moderately useful tool and so I'd like to", "convey if I do manage to restructure the writing in a particular way.", "meter naturally like some people do so I have to really break down", "on it. And then what? I'm not even sure what I'm going to", "writing can add a feeling of breathlessness that can evoke excitement or anxiety.", "my bag. For instance, I know that very quick paced writing can add", "can add a feeling of breathlessness that can evoke excitement or anxiety. Then", "great at leveraging. That's rhythm or meter. I don't hear* meter naturally like", "is a moderately useful tool and so I'd like to add it to", "sure what I'm going to convey if I do manage to restructure the", "do so I have to really break down the meter in order to", "anxiety. Then what? I don't really know any others. That's the only one", "have to really break down the meter in order to work on it.", "the writing in a particular way. However, I am aware that it is", "can evoke excitement or anxiety. Then what? I don't really know any others.", "add a feeling of breathlessness that can evoke excitement or anxiety. Then what?", "meter in order to work on it. And then what? I'm not even", "I am not great at leveraging. That's rhythm or meter. I don't hear", "are some ways I can use the rhythm and meter of the words", "writing there is one area I am not great at leveraging. That's rhythm" ]
[ "not the brightest idea, but I’m curious if it’s legal in the US.", "would only play a small part in the story. It’s not the brightest", "copyright and/or plagiarism to “borrow” a character from another novel? For example, I", "family, personality, etc. But Ewger would only play a small part in the", "novel? For example, I have a short story and want to include as", "be a violation of copyright and/or plagiarism to “borrow” a character from another", "and/or plagiarism to “borrow” a character from another novel? For example, I have", "want to include as a side character Ewger (of Ewger’s Game). I would", "small part in the story. It’s not the brightest idea, but I’m curious", "as a side character Ewger (of Ewger’s Game). I would preserve Ewger’s name,", "story and want to include as a side character Ewger (of Ewger’s Game).", "Ewger (of Ewger’s Game). I would preserve Ewger’s name, family, personality, etc. But", "etc. But Ewger would only play a small part in the story. It’s", "Ewger’s name, family, personality, etc. But Ewger would only play a small part", "preserve Ewger’s name, family, personality, etc. But Ewger would only play a small", "in the story. It’s not the brightest idea, but I’m curious if it’s", "(of Ewger’s Game). I would preserve Ewger’s name, family, personality, etc. But Ewger", "Ewger would only play a small part in the story. It’s not the", "Would it be a violation of copyright and/or plagiarism to “borrow” a character", "violation of copyright and/or plagiarism to “borrow” a character from another novel? For", "and want to include as a side character Ewger (of Ewger’s Game). I", "include as a side character Ewger (of Ewger’s Game). I would preserve Ewger’s", "I would preserve Ewger’s name, family, personality, etc. But Ewger would only play", "But Ewger would only play a small part in the story. It’s not", "of copyright and/or plagiarism to “borrow” a character from another novel? For example,", "another novel? For example, I have a short story and want to include", "a side character Ewger (of Ewger’s Game). I would preserve Ewger’s name, family,", "only play a small part in the story. It’s not the brightest idea,", "name, family, personality, etc. But Ewger would only play a small part in", "a character from another novel? For example, I have a short story and", "the story. It’s not the brightest idea, but I’m curious if it’s legal", "story. It’s not the brightest idea, but I’m curious if it’s legal in", "to “borrow” a character from another novel? For example, I have a short", "would preserve Ewger’s name, family, personality, etc. But Ewger would only play a", "character from another novel? For example, I have a short story and want", "a short story and want to include as a side character Ewger (of", "example, I have a short story and want to include as a side", "to include as a side character Ewger (of Ewger’s Game). I would preserve", "I have a short story and want to include as a side character", "side character Ewger (of Ewger’s Game). I would preserve Ewger’s name, family, personality,", "a small part in the story. It’s not the brightest idea, but I’m", "“borrow” a character from another novel? For example, I have a short story", "have a short story and want to include as a side character Ewger", "short story and want to include as a side character Ewger (of Ewger’s", "character Ewger (of Ewger’s Game). I would preserve Ewger’s name, family, personality, etc.", "For example, I have a short story and want to include as a", "Ewger’s Game). I would preserve Ewger’s name, family, personality, etc. But Ewger would", "plagiarism to “borrow” a character from another novel? For example, I have a", "play a small part in the story. It’s not the brightest idea, but", "it be a violation of copyright and/or plagiarism to “borrow” a character from", "from another novel? For example, I have a short story and want to", "Game). I would preserve Ewger’s name, family, personality, etc. But Ewger would only", "part in the story. It’s not the brightest idea, but I’m curious if", "personality, etc. But Ewger would only play a small part in the story.", "a violation of copyright and/or plagiarism to “borrow” a character from another novel?", "It’s not the brightest idea, but I’m curious if it’s legal in the" ]
[ "for me. In fact I don't think I've ever managed to write a", "help me dissect my meter? I have always been extremely poor at scansion", "meter? I have always been extremely poor at scansion and while my writing", "always been extremely poor at scansion and while my writing doesn't suffer terribly", "will help me dissect my meter? I have always been extremely poor at", "writing doesn't suffer terribly for it, it makes writing strict meter very difficult", "writing strict meter very difficult for me. In fact I don't think I've", "strict meter very difficult for me. In fact I don't think I've ever", "I don't think I've ever managed to write a sonnet in strict iambic", "suffer terribly for it, it makes writing strict meter very difficult for me.", "it, it makes writing strict meter very difficult for me. In fact I", "while my writing doesn't suffer terribly for it, it makes writing strict meter", "very difficult for me. In fact I don't think I've ever managed to", "my writing doesn't suffer terribly for it, it makes writing strict meter very", "doesn't suffer terribly for it, it makes writing strict meter very difficult for", "for it, it makes writing strict meter very difficult for me. In fact", "me dissect my meter? I have always been extremely poor at scansion and", "poor at scansion and while my writing doesn't suffer terribly for it, it", "tools available that will help me dissect my meter? I have always been", "me. In fact I don't think I've ever managed to write a sonnet", "don't think I've ever managed to write a sonnet in strict iambic pentameter.", "fact I don't think I've ever managed to write a sonnet in strict", "any software tools available that will help me dissect my meter? I have", "makes writing strict meter very difficult for me. In fact I don't think", "it makes writing strict meter very difficult for me. In fact I don't", "Are there any software tools available that will help me dissect my meter?", "terribly for it, it makes writing strict meter very difficult for me. In", "difficult for me. In fact I don't think I've ever managed to write", "dissect my meter? I have always been extremely poor at scansion and while", "I have always been extremely poor at scansion and while my writing doesn't", "that will help me dissect my meter? I have always been extremely poor", "In fact I don't think I've ever managed to write a sonnet in", "meter very difficult for me. In fact I don't think I've ever managed", "have always been extremely poor at scansion and while my writing doesn't suffer", "and while my writing doesn't suffer terribly for it, it makes writing strict", "there any software tools available that will help me dissect my meter? I", "extremely poor at scansion and while my writing doesn't suffer terribly for it,", "at scansion and while my writing doesn't suffer terribly for it, it makes", "scansion and while my writing doesn't suffer terribly for it, it makes writing", "my meter? I have always been extremely poor at scansion and while my", "available that will help me dissect my meter? I have always been extremely", "software tools available that will help me dissect my meter? I have always", "been extremely poor at scansion and while my writing doesn't suffer terribly for" ]
[ "interest, Caspian, is male, but further on in the story I'm going to", "can I believably and casually show that UrasMt swings both ways without the", "want to make clear: this is not sexual. UrasMt is 16, Caspian is", "love interest, Caspian, is male, but further on in the story I'm going", "how can I believably and casually show that UrasMt swings both ways without", "the reader knows, UrasMt is straight, because the only person she has expressed", "that she finds attractive. My main character, UrasMt, in my post-apocalyptic novel is", "knows, UrasMt is straight, because the only person she has expressed romantic interest", "am trying to portray her attraction to both boys and girls in the", "Caspian are in a love triangle? I want to make clear: this is", "has expressed romantic interest in is Caspian, a guy. So how can I", "is straight, because the only person she has expressed romantic interest in is", "17. I will not portray explicit sexual content to show UrasMt' completely innocent", "is Caspian, a guy. So how can I believably and casually show that", "and only just meeting people that she finds attractive. My main character, UrasMt,", "male, but further on in the story I'm going to introduce a secondary", "only person she has expressed romantic interest in is Caspian, a guy. So", "in my post-apocalyptic novel is queer. Her first love interest, Caspian, is male,", "will not portray explicit sexual content to show UrasMt' completely innocent and newly", "her in. UrasMt has literally never known anyone. She cannot remember her family.", "to introduce a secondary love interest, Marina. As far as the reader knows,", "only just meeting people that she finds attractive. My main character, UrasMt, in", "just meeting people that she finds attractive. My main character, UrasMt, in my", "but actually forgot to. This novel is post-apocalyptic. UrasMt killed her family as", "information about UrasMt that I thought I had included but actually forgot to.", "not portray explicit sexual content to show UrasMt' completely innocent and newly blooming", "further on in the story I'm going to introduce a secondary love interest,", "manipulate life force. She blocked out the memory and had convinced herself that", "in. UrasMt has literally never known anyone. She cannot remember her family. I", "remember her family. I am trying to portray her attraction to both boys", "that I thought I had included but actually forgot to. This novel is", "trying to portray her attraction to both boys and girls in the context", "without the reader being confused by the time she, Marina, and Caspian are", "this is not sexual. UrasMt is 16, Caspian is 17, and Marina is", "here is some information about UrasMt that I thought I had included but", "love interest, Marina. As far as the reader knows, UrasMt is straight, because", "explicit sexual content to show UrasMt' completely innocent and newly blooming romantic feelings.", "attraction to both boys and girls in the context of her not having", "swings both ways without the reader being confused by the time she, Marina,", "known anyone. She cannot remember her family. I am trying to portray her", "boys and girls in the context of her not having any past experience,", "attractive. My main character, UrasMt, in my post-apocalyptic novel is queer. Her first", "romantic interest in is Caspian, a guy. So how can I believably and", "some information about UrasMt that I thought I had included but actually forgot", "Caspian, is male, but further on in the story I'm going to introduce", "I thought I had included but actually forgot to. This novel is post-apocalyptic.", "actually forgot to. This novel is post-apocalyptic. UrasMt killed her family as a", "EDIT: Many people who are attempting to answer this question are severely misinterpreting", "are attempting to answer this question are severely misinterpreting the circumstances and setting", "out the memory and had convinced herself that she was the last person", "is queer. Her first love interest, Caspian, is male, but further on in", "Her first love interest, Caspian, is male, but further on in the story", "UrasMt is 16, Caspian is 17, and Marina is either 16 or 17.", "UrasMt swings both ways without the reader being confused by the time she,", "post-apocalyptic novel is queer. Her first love interest, Caspian, is male, but further", "and take her in. UrasMt has literally never known anyone. She cannot remember", "thought I had included but actually forgot to. This novel is post-apocalyptic. UrasMt", "time she, Marina, and Caspian are in a love triangle? I want to", "UrasMt is straight, because the only person she has expressed romantic interest in", "a love triangle? I want to make clear: this is not sexual. UrasMt", "is either 16 or 17. I will not portray explicit sexual content to", "and Marina is either 16 or 17. I will not portray explicit sexual", "my post-apocalyptic novel is queer. Her first love interest, Caspian, is male, but", "Many people who are attempting to answer this question are severely misinterpreting the", "arrive and take her in. UrasMt has literally never known anyone. She cannot", "main character, UrasMt, in my post-apocalyptic novel is queer. Her first love interest,", "and casually show that UrasMt swings both ways without the reader being confused", "last person on Earth until a group of survivors, including Caspian and Marina,", "both ways without the reader being confused by the time she, Marina, and", "and setting of the book, so here is some information about UrasMt that", "is not sexual. UrasMt is 16, Caspian is 17, and Marina is either", "the reader being confused by the time she, Marina, and Caspian are in", "portray her attraction to both boys and girls in the context of her", "question are severely misinterpreting the circumstances and setting of the book, so here", "blocked out the memory and had convinced herself that she was the last", "meeting people that she finds attractive.** My main character, UrasMt, in my post-apocalyptic", "going to introduce a secondary love interest, Marina. As far as the reader", "UrasMt, in my post-apocalyptic novel is queer. Her first love interest, Caspian, is", "are severely misinterpreting the circumstances and setting of the book, so here is", "had convinced herself that she was the last person on Earth until a", "is post-apocalyptic. UrasMt killed her family as a child in an accident, as", "16, Caspian is 17, and Marina is either 16 or 17. I will", "is 17, and Marina is either 16 or 17. I will not portray", "in is Caspian, a guy. So how can I believably and casually show", "she, Marina, and Caspian are in a love triangle? I want to make", "herself that she was the last person on Earth until a group of", "the time she, Marina, and Caspian are in a love triangle? I want", "Marina, and Caspian are in a love triangle? I want to make clear:", "the only person she has expressed romantic interest in is Caspian, a guy.", "believably and casually show that UrasMt swings both ways without the reader being", "answer this question are severely misinterpreting the circumstances and setting of the book,", "Earth until a group of survivors, including Caspian and Marina, arrive and take", "child in an accident, as she possesses the ability to manipulate life force.", "to portray her attraction to both boys and girls in the context of", "sexual. UrasMt is 16, Caspian is 17, and Marina is either 16 or", "as she possesses the ability to manipulate life force. She blocked out the", "has literally never known anyone. She cannot remember her family. I am trying", "but further on in the story I'm going to introduce a secondary love", "Caspian, a guy. So how can I believably and casually show that UrasMt", "she was the last person on Earth until a group of survivors, including", "She cannot remember her family. I am trying to portray her attraction to", "circumstances and setting of the book, so here is some information about UrasMt", "accident, as she possesses the ability to manipulate life force. She blocked out", "anyone. She cannot remember her family. I am trying to portray her attraction", "book, so here is some information about UrasMt that I thought I had", "people that she finds attractive. My main character, UrasMt, in my post-apocalyptic novel", "Marina. As far as the reader knows, UrasMt is straight, because the only", "person she has expressed romantic interest in is Caspian, a guy. So how", "to both boys and girls in the context of her not having any", "on Earth until a group of survivors, including Caspian and Marina, arrive and", "ability to manipulate life force. She blocked out the memory and had convinced", "a secondary love interest, Marina. As far as the reader knows, UrasMt is", "take her in. UrasMt has literally never known anyone. She cannot remember her", "novel is queer. Her first love interest, Caspian, is male, but further on", "the story I'm going to introduce a secondary love interest, Marina. As far", "reader knows, UrasMt is straight, because the only person she has expressed romantic", "either 16 or 17. I will not portray explicit sexual content to show", "As far as the reader knows, UrasMt is straight, because the only person", "killed her family as a child in an accident, as she possesses the", "I am trying to portray her attraction to both boys and girls in", "having any past experience, and only just meeting people that she finds attractive.", "girls in the context of her not having any past experience, and only", "confused by the time she, Marina, and Caspian are in a love triangle?", "Marina is either 16 or 17. I will not portray explicit sexual content", "an accident, as she possesses the ability to manipulate life force. She blocked", "as the reader knows, UrasMt is straight, because the only person she has", "in the story I'm going to introduce a secondary love interest, Marina. As", "family as a child in an accident, as she possesses the ability to", "possesses the ability to manipulate life force. She blocked out the memory and", "in a love triangle? I want to make clear: this is not sexual.", "is male, but further on in the story I'm going to introduce a", "is 16, Caspian is 17, and Marina is either 16 or 17. I", "so here is some information about UrasMt that I thought I had included", "of survivors, including Caspian and Marina, arrive and take her in. UrasMt has", "the context of her not having any past experience, and only just meeting", "convinced herself that she was the last person on Earth until a group", "any past experience, and only just meeting people that she finds attractive.** My", "I want to make clear: this is not sexual. UrasMt is 16, Caspian", "the ability to manipulate life force. She blocked out the memory and had", "her family. *I am trying to portray her attraction to both boys and", "story I'm going to introduce a secondary love interest, Marina. As far as", "a guy. So how can I believably and casually show that UrasMt swings", "clear: this is not sexual. UrasMt is 16, Caspian is 17, and Marina", "far as the reader knows, UrasMt is straight, because the only person she", "had included but actually forgot to. This novel is post-apocalyptic. UrasMt killed her", "because the only person she has expressed romantic interest in is Caspian, a", "guy. So how can I believably and casually show that UrasMt swings both", "17, and Marina is either 16 or 17. I will not portray explicit", "to. This novel is post-apocalyptic. UrasMt killed her family as a child in", "and Caspian are in a love triangle? I want to make clear: this", "family. I am trying to portray her attraction to both boys and girls", "or 17. I will not portray explicit sexual content to show UrasMt' completely", "16 or 17. I will not portray explicit sexual content to show UrasMt'", "reader being confused by the time she, Marina, and Caspian are in a", "UrasMt killed her family as a child in an accident, as she possesses", "secondary love interest, Marina. As far as the reader knows, UrasMt is straight,", "of her not having any past experience, and only just meeting people that", "Caspian and Marina, arrive and take her in. UrasMt has literally never known", "context of her not having any past experience, and only just meeting people", "not having any past experience, and only just meeting people that she finds", "make clear: this is not sexual. UrasMt is 16, Caspian is 17, and", "the last person on Earth until a group of survivors, including Caspian and", "the circumstances and setting of the book, so here is some information about", "force. She blocked out the memory and had convinced herself that she was", "in the context of her not having any past experience, and only just", "on in the story I'm going to introduce a secondary love interest, Marina.", "was the last person on Earth until a group of survivors, including Caspian", "the book, so here is some information about UrasMt that I thought I", "included but actually forgot to. This novel is post-apocalyptic. UrasMt killed her family", "until a group of survivors, including Caspian and Marina, arrive and take her", "show that UrasMt swings both ways without the reader being confused by the", "and had convinced herself that she was the last person on Earth until", "first love interest, Caspian, is male, but further on in the story I'm", "group of survivors, including Caspian and Marina, arrive and take her in. UrasMt", "this question are severely misinterpreting the circumstances and setting of the book, so", "people who are attempting to answer this question are severely misinterpreting the circumstances", "I'm going to introduce a secondary love interest, Marina. As far as the", "cannot remember her family. I am trying to portray her attraction to both", "UrasMt has literally never known anyone. She cannot remember her family. I am", "triangle? I want to make clear: this is not sexual. UrasMt is 16,", "interest, Marina. As far as the reader knows, UrasMt is straight, because the", "her not having any past experience, and only just meeting people that she", "expressed romantic interest in is Caspian, a guy. So how can I believably", "Marina, arrive and take her in. UrasMt has literally never known anyone. She", "being confused by the time she, Marina, and Caspian are in a love", "a group of survivors, including Caspian and Marina, arrive and take her in.", "severely misinterpreting the circumstances and setting of the book, so here is some", "her family as a child in an accident, as she possesses the ability", "as a child in an accident, as she possesses the ability to manipulate", "This novel is post-apocalyptic. UrasMt killed her family as a child in an", "is some information about UrasMt that I thought I had included but actually", "survivors, including Caspian and Marina, arrive and take her in. UrasMt has literally", "misinterpreting the circumstances and setting of the book, so here is some information", "post-apocalyptic. UrasMt killed her family as a child in an accident, as she", "person on Earth until a group of survivors, including Caspian and Marina, arrive", "of the book, so here is some information about UrasMt that I thought", "literally never known anyone. She cannot remember her family. I am trying to", "introduce a secondary love interest, Marina. As far as the reader knows, UrasMt", "forgot to. This novel is post-apocalyptic. UrasMt killed her family as a child", "portray explicit sexual content to show UrasMt' completely innocent and newly blooming romantic", "in an accident, as she possesses the ability to manipulate life force. She", "she possesses the ability to manipulate life force. She blocked out the memory", "that she was the last person on Earth until a group of survivors,", "straight, because the only person she has expressed romantic interest in is Caspian,", "to manipulate life force. She blocked out the memory and had convinced herself", "by the time she, Marina, and Caspian are in a love triangle? I", "love triangle? I want to make clear: this is not sexual. UrasMt is", "I had included but actually forgot to. This novel is post-apocalyptic. UrasMt killed", "and Marina, arrive and take her in. UrasMt has literally never known anyone.", "never known anyone. She cannot remember her family. I am trying to portray", "UrasMt that I thought I had included but actually forgot to. This novel", "she finds attractive.* My main character, UrasMt, in my post-apocalyptic novel is queer.", "that UrasMt swings both ways without the reader being confused by the time", "are in a love triangle? I want to make clear: this is not", "character, UrasMt, in my post-apocalyptic novel is queer. Her first love interest, Caspian,", "not sexual. UrasMt is 16, Caspian is 17, and Marina is either 16", "I will not portray explicit sexual content to show UrasMt' completely innocent and", "I believably and casually show that UrasMt swings both ways without the reader", "about UrasMt that I thought I had included but actually forgot to. This", "My main character, UrasMt, in my post-apocalyptic novel is queer. Her first love", "So how can I believably and casually show that UrasMt swings both ways", "life force. She blocked out the memory and had convinced herself that she", "Caspian is 17, and Marina is either 16 or 17. I will not", "finds attractive. My main character, UrasMt, in my post-apocalyptic novel is queer. Her", "she has expressed romantic interest in is Caspian, a guy. So how can", "to answer this question are severely misinterpreting the circumstances and setting of the", "She blocked out the memory and had convinced herself that she was the", "and girls in the context of her not having any past experience, and", "attempting to answer this question are severely misinterpreting the circumstances and setting of", "past experience, and only just meeting people that she finds attractive. My main", "ways without the reader being confused by the time she, Marina, and Caspian", "both boys and girls in the context of her not having any past", "setting of the book, so here is some information about UrasMt that I", "novel is post-apocalyptic. UrasMt killed her family as a child in an accident,", "interest in is Caspian, a guy. So how can I believably and casually", "a child in an accident, as she possesses the ability to manipulate life", "including Caspian and Marina, arrive and take her in. UrasMt has literally never", "who are attempting to answer this question are severely misinterpreting the circumstances and", "casually show that UrasMt swings both ways without the reader being confused by", "experience, and only just meeting people that she finds attractive.** My main character,", "the memory and had convinced herself that she was the last person on", "her attraction to both boys and girls in the context of her not", "memory and had convinced herself that she was the last person on Earth", "queer. Her first love interest, Caspian, is male, but further on in the", "to make clear: this is not sexual. UrasMt is 16, Caspian is 17," ]
[ "savvy beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more", "[Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms of", "during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of non-genre savvy beta-readers. Another", "the genre of the work they are reviewing? Are there advantages to having", "a conversation arose about the usefulness of non-genre savvy beta-readers. Another question [Are", "beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly", "work they are reviewing? Are there advantages to having a non-genre-savvy reader review", "beta-readers. Should beta-readers have experience in the genre of the work they are", "question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms", "as beta-readers. Should beta-readers have experience in the genre of the work they", "many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the", "usefulness of non-genre savvy beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses", "Should beta-readers have experience in the genre of the work they are reviewing?", "non-readers are as beta-readers. Should beta-readers have experience in the genre of the", "of non-genre savvy beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the", "the usefulness of non-genre savvy beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442)", "of how useful non-readers are as beta-readers. Should beta-readers have experience in the", "can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of", "of [How many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose", "elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness", "In this comments of [How many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442)", "the work they are reviewing? Are there advantages to having a non-genre-savvy reader", "genre of the work they are reviewing? Are there advantages to having a", "worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of non-genre savvy beta-readers. Another question", "readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms of how useful non-readers are", "arose about the usefulness of non-genre savvy beta-readers. Another question [Are \"non-readers\" useful", "terms of how useful non-readers are as beta-readers. Should beta-readers have experience in", "how useful non-readers are as beta-readers. Should beta-readers have experience in the genre", "Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in", "are as beta-readers. Should beta-readers have experience in the genre of the work", "they are reviewing? Are there advantages to having a non-genre-savvy reader review your", "beta-readers have experience in the genre of the work they are reviewing? Are", "on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of non-genre savvy beta-readers.", "this comments of [How many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a", "the topic more broadly in terms of how useful non-readers are as beta-readers.", "experience in the genre of the work they are reviewing? Are there advantages", "discusses the topic more broadly in terms of how useful non-readers are as", "comments of [How many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation", "useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms of how useful", "focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of non-genre savvy", "beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms of how useful non-readers", "broadly in terms of how useful non-readers are as beta-readers. Should beta-readers have", "are reviewing? Are there advantages to having a non-genre-savvy reader review your work?", "topic more broadly in terms of how useful non-readers are as beta-readers. Should", "\"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic more broadly in terms of how", "you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about the usefulness of non-genre", "conversation arose about the usefulness of non-genre savvy beta-readers. Another question [Are \"non-readers\"", "about the usefulness of non-genre savvy beta-readers. Another question [Are \"non-readers\" useful beta", "more broadly in terms of how useful non-readers are as beta-readers. Should beta-readers", "have experience in the genre of the work they are reviewing? Are there", "of the work they are reviewing? Are there advantages to having a non-genre-savvy", "non-genre savvy beta-readers. Another question [Are \"non-readers\" useful beta readers?](https://writing.stackexchange.com/q/36683/33442) discusses the topic", "[How many elements can you focus on during worldbuilding?](https://writing.stackexchange.com/q/42913/33442) a conversation arose about", "in the genre of the work they are reviewing? Are there advantages to", "useful non-readers are as beta-readers. Should beta-readers have experience in the genre of", "in terms of how useful non-readers are as beta-readers. **Should beta-readers have experience" ]
[ "in a novel. Do you write the song (lyrics) in its entirety in", "at a time interspersed with descriptions of the surroundings/actions/emotions? I really want to", "novel where the female character sings, but I have no idea how to", "do this in a novel. Do you write the song (lyrics) in its", "spurt, or do you spurt a verse at a time interspersed with descriptions", "you spurt a verse at a time interspersed with descriptions of the surroundings/actions/emotions?", "interspersed with descriptions of the surroundings/actions/emotions? I really want to write a scene", "the female character sings, but I have no idea how to do this", "have no idea how to do this properly. By the way, I am", "of the surroundings/actions/emotions? I really want to write a scene in my novel", "I really want to write a scene in my novel where the female", "one single spurt, or do you spurt a verse at a time interspersed", "wondering how to do this in a novel. Do you write the song", "the song (lyrics) in its entirety in one single spurt, or do you", "entirety in one single spurt, or do you spurt a verse at a", "single spurt, or do you spurt a verse at a time interspersed with", "a time interspersed with descriptions of the surroundings/actions/emotions? I really want to write", "do this properly. By the way, I am not asking how to format", "sings, but I have no idea how to do this properly. By the", "how to do this in a novel. Do you write the song (lyrics)", "character sings, but I have no idea how to do this properly. By", "descriptions of the surroundings/actions/emotions? I really want to write a scene in my", "surroundings/actions/emotions? I really want to write a scene in my novel where the", "do you spurt a verse at a time interspersed with descriptions of the", "or do you spurt a verse at a time interspersed with descriptions of", "am wondering how to do this in a novel. Do you write the", "this in a novel. Do you write the song (lyrics) in its entirety", "to do this properly. By the way, I am not asking how to", "its entirety in one single spurt, or do you spurt a verse at", "Do you write the song (lyrics) in its entirety in one single spurt,", "where the female character sings, but I have no idea how to do", "a verse at a time interspersed with descriptions of the surroundings/actions/emotions? I really", "but I have no idea how to do this properly. By the way,", "want to write a scene in my novel where the female character sings,", "my novel where the female character sings, but I have no idea how", "to do this in a novel. Do you write the song (lyrics) in", "scene in my novel where the female character sings, but I have no", "female character sings, but I have no idea how to do this properly.", "verse at a time interspersed with descriptions of the surroundings/actions/emotions? I really want", "write a scene in my novel where the female character sings, but I", "in its entirety in one single spurt, or do you spurt a verse", "in one single spurt, or do you spurt a verse at a time", "the surroundings/actions/emotions? I really want to write a scene in my novel where", "you write the song (lyrics) in its entirety in one single spurt, or", "I have no idea how to do this properly. By the way, I", "this properly. By the way, I am not asking how to format the", "I am wondering how to do this in a novel. Do you write", "really want to write a scene in my novel where the female character", "write the song (lyrics) in its entirety in one single spurt, or do", "how to do this properly. By the way, I am not asking how", "in my novel where the female character sings, but I have no idea", "novel. Do you write the song (lyrics) in its entirety in one single", "no idea how to do this properly. By the way, I am not", "a scene in my novel where the female character sings, but I have", "(lyrics) in its entirety in one single spurt, or do you spurt a", "to write a scene in my novel where the female character sings, but", "song (lyrics) in its entirety in one single spurt, or do you spurt", "idea how to do this properly. By the way, I am not asking", "spurt a verse at a time interspersed with descriptions of the surroundings/actions/emotions? I", "with descriptions of the surroundings/actions/emotions? I really want to write a scene in", "a novel. Do you write the song (lyrics) in its entirety in one", "properly. By the way, I am not asking how to format the lyrics.", "time interspersed with descriptions of the surroundings/actions/emotions? I really want to write a" ]
[ "am not sure if doing this will alienate my readers, because I don't", "a video game, comic book and novel, but I am not sure if", "not sure if doing this will alienate my readers, because I don't believe", "whole story, so how do you manage to do this without alienating your", "to do this without alienating your readers? Is there some kind of guideline", "alienate my readers, because I don't believe people want to spend a ton", "sure if doing this will alienate my readers, because I don't believe people", "will alienate my readers, because I don't believe people want to spend a", "spreading a story across a video game, comic book and novel, but I", "a ton of money to experience the whole story, so how do you", "manage to do this without alienating your readers? Is there some kind of", "alienating your readers? Is there some kind of guideline or rule for this?", "doing this will alienate my readers, because I don't believe people want to", "across a video game, comic book and novel, but I am not sure", "game, comic book and novel, but I am not sure if doing this", "a story across a video game, comic book and novel, but I am", "story across a video game, comic book and novel, but I am not", "because I don't believe people want to spend a ton of money to", "don't believe people want to spend a ton of money to experience the", "want to spend a ton of money to experience the whole story, so", "of money to experience the whole story, so how do you manage to", "believe people want to spend a ton of money to experience the whole", "to experience the whole story, so how do you manage to do this", "to spend a ton of money to experience the whole story, so how", "story, so how do you manage to do this without alienating your readers?", "novel, but I am not sure if doing this will alienate my readers,", "money to experience the whole story, so how do you manage to do", "without alienating your readers? Is there some kind of guideline or rule for", "but I am not sure if doing this will alienate my readers, because", "do this without alienating your readers? Is there some kind of guideline or", "video game, comic book and novel, but I am not sure if doing", "I don't believe people want to spend a ton of money to experience", "if doing this will alienate my readers, because I don't believe people want", "the whole story, so how do you manage to do this without alienating", "my readers, because I don't believe people want to spend a ton of", "so how do you manage to do this without alienating your readers? Is", "I thought about spreading a story across a video game, comic book and", "this without alienating your readers? Is there some kind of guideline or rule", "I am not sure if doing this will alienate my readers, because I", "experience the whole story, so how do you manage to do this without", "about spreading a story across a video game, comic book and novel, but", "book and novel, but I am not sure if doing this will alienate", "readers, because I don't believe people want to spend a ton of money", "spend a ton of money to experience the whole story, so how do", "ton of money to experience the whole story, so how do you manage", "this will alienate my readers, because I don't believe people want to spend", "comic book and novel, but I am not sure if doing this will", "how do you manage to do this without alienating your readers? Is there", "thought about spreading a story across a video game, comic book and novel,", "do you manage to do this without alienating your readers? Is there some", "people want to spend a ton of money to experience the whole story,", "and novel, but I am not sure if doing this will alienate my", "you manage to do this without alienating your readers? Is there some kind" ]
[ "next page, then the sentence would continue on the following page. I'm wondering", "do I need to reconsider my image placement and just have images at", "a bad idea because when we put the book on Kindle all the", "this even possible or do I need to reconsider my image placement and", "and just want to help my dad get his amazing story out there!", "relevant text. So on an A4 PDF the sentence was interrupted at the", "some smaller images with text wrapped around them but I've read that's also", "for ibook/ebook/kindle/whatever else there is! We had originally inserted full-page images throughout the", "few different formats for ibook/ebook/kindle/whatever else there is! We had originally inserted full-page", "So on an A4 PDF the sentence was interrupted at the end of", "would continue on the following page. I'm wondering if that's possible to do", "the start/end of the chapter? We also had some smaller images with text", "the images/text are all over the place. I am now trying to reformat", "will the e-reader format it to fit? Is this even possible or do", "fit? Is this even possible or do I need to reconsider my image", "how do I know where to put the image to ensure the text", "a novice at this and just want to help my dad get his", "of text, followed by a full page image, followed by a full page", "reformat the book using Scrivener and I plan to compile it into a", "followed by a full page of text. But if ebook etc just have", "I'd like a full page of text, followed by a full page image,", "story, on the parallel page to their relevant text. So on an A4", "that's possible to do now, or where else I should insert the images", "even possible or do I need to reconsider my image placement and just", "'pages' per say, how do I know where to put the image to", "looks clean in PDF, but now I know that was a bad idea", "that's also not going to work in Scrivener? Sorry for the long winded", "say, how do I know where to put the image to ensure the", "in Scrivener? Sorry for the long winded question - any answers hugely appreciated!", "when compiling? I'm picturing someone using a tablet/book reader to read the book,", "was lost and the images/text are all over the place. I am now", "to reformat the book using Scrivener and I plan to compile it into", "at the end of a page, followed by a full page image on", "I have edited/formatted it so it looks clean in PDF, but now I", "followed by a full page image on the next page, then the sentence", "page of text. But if ebook etc just have a flow on format", "of text. But if ebook etc just have a flow on format with", "book using Scrivener and I plan to compile it into a few different", "or do I need to reconsider my image placement and just have images", "if ebook etc just have a flow on format with no 'pages' per", "A4 PDF the sentence was interrupted at the end of a page, followed", "to ensure the text and image fills a whole page? or will the", "using Scrivener and I plan to compile it into a few different formats", "Scrivener and I plan to compile it into a few different formats for", "just have images at the start/end of the chapter? We also had some", "followed by a full page image, followed by a full page of text.", "ibook/ebook/kindle/whatever else there is! We had originally inserted full-page images throughout the story,", "Scrivener? Sorry for the long winded question - any answers hugely appreciated! I", "picturing someone using a tablet/book reader to read the book, and I'd like", "I'm picturing someone using a tablet/book reader to read the book, and I'd", "appreciated! I am a novice at this and just want to help my", "with formatting when compiling? I'm picturing someone using a tablet/book reader to read", "text wrapped around them but I've read that's also not going to work", "had originally inserted full-page images throughout the story, on the parallel page to", "the image to ensure the text and image fills a whole page? or", "whole page? or will the e-reader format it to fit? Is this even", "We also had some smaller images with text wrapped around them but I've", "page, followed by a full page image on the next page, then the", "page of text, followed by a full page image, followed by a full", "it so it looks clean in PDF, but now I know that was", "or will the e-reader format it to fit? Is this even possible or", "Word and I have edited/formatted it so it looks clean in PDF, but", "wrapped around them but I've read that's also not going to work in", "a full page of text. But if ebook etc just have a flow", "over the place. I am now trying to reformat the book using Scrivener", "troubles with formatting when compiling? I'm picturing someone using a tablet/book reader to", "a full page image on the next page, then the sentence would continue", "I need to reconsider my image placement and just have images at the", "Kindle all the formatting was lost and the images/text are all over the", "the formatting was lost and the images/text are all over the place. I", "images to avoid troubles with formatting when compiling? I'm picturing someone using a", "per say, how do I know where to put the image to ensure", "lost and the images/text are all over the place. I am now trying", "the book, and I'd like a full page of text, followed by a", "the chapter? We also had some smaller images with text wrapped around them", "winded question - any answers hugely appreciated! I am a novice at this", "on Kindle all the formatting was lost and the images/text are all over", "to fit? Is this even possible or do I need to reconsider my", "there is! We had originally inserted full-page images throughout the story, on the", "have a flow on format with no 'pages' per say, how do I", "an A4 PDF the sentence was interrupted at the end of a page,", "around them but I've read that's also not going to work in Scrivener?", "them but I've read that's also not going to work in Scrivener? Sorry", "formats for ibook/ebook/kindle/whatever else there is! We had originally inserted full-page images throughout", "it to fit? Is this even possible or do I need to reconsider", "I am a novice at this and just want to help my dad", "no 'pages' per say, how do I know where to put the image", "But if ebook etc just have a flow on format with no 'pages'", "to read the book, and I'd like a full page of text, followed", "a book in Word and I have edited/formatted it so it looks clean", "edited/formatted it so it looks clean in PDF, but now I know that", "ebook etc just have a flow on format with no 'pages' per say,", "my image placement and just have images at the start/end of the chapter?", "on the following page. I'm wondering if that's possible to do now, or", "into a few different formats for ibook/ebook/kindle/whatever else there is! We had originally", "using a tablet/book reader to read the book, and I'd like a full", "image placement and just have images at the start/end of the chapter? We", "page, then the sentence would continue on the following page. I'm wondering if", "the e-reader format it to fit? Is this even possible or do I", "on format with no 'pages' per say, how do I know where to", "question - any answers hugely appreciated! I am a novice at this and", "and the images/text are all over the place. I am now trying to", "I am now trying to reformat the book using Scrivener and I plan", "all over the place. I am now trying to reformat the book using", "with no 'pages' per say, how do I know where to put the", "for the long winded question - any answers hugely appreciated! I am a", "am a novice at this and just want to help my dad get", "chapter? We also had some smaller images with text wrapped around them but", "was interrupted at the end of a page, followed by a full page", "and I have edited/formatted it so it looks clean in PDF, but now", "place. 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[ "its slow and monotonous rythim ... > * ... the lights on the", "technical-writing*: [How do I get rid of the tic of paired adjectives,", "noise from the engine lulled her with its slow and monotonous rythim ...", "I remember reading reviews criticizing this very aspect in published novels, but I", "paired adjectives bad style - and if so, why? ----------------------------------------------------- Addendum: I'm specifically", "slow and monotonous rythim ... > * ... the lights on the ceiling", "if so, why? ----------------------------------------------------- Addendum: I'm specifically asking about novels and fiction. Related", "adjectives shouldn't be any better. I remember reading reviews criticizing this very aspect", "the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't", "So, are paired adjectives bad style - and if so, why? ----------------------------------------------------- Addendum:", "smooth and thin, like paper ... > > > The examples may be", "in a soft and warm** hue ... > * ... his skin was", "not 100% accurate since I don't usually write in english, but let's pretend.", "([What's with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic", "I never understood if there are solid reasons to back up this opinion.", "accurate since I don't usually write in english, but let's pretend. Now, sometimes", "> * The noise from the engine lulled her with its slow and", "style - and if so, why? ----------------------------------------------------- Addendum: I'm specifically asking about novels", "so, why? ----------------------------------------------------- Addendum: I'm specifically asking about novels and fiction. Related question,", "about novels and fiction. Related question, in technical-writing: * [How do I get", "Now, sometimes even single adjectives are frowned upon ([What's with all the hate", "novels and fiction. Related question, in technical-writing: * [How do I get rid", "The noise from the engine lulled her with its slow and monotonous rythim", "opinion. So, are paired adjectives bad style - and if so, why? -----------------------------------------------------", "> * ... his skin was smooth and thin, like paper ... >", "paired adjectives shouldn't be any better. I remember reading reviews criticizing this very", "published novels, but I never understood if there are solid reasons to back", "> > > The examples may be not 100% accurate since I don't", "so by logic paired adjectives shouldn't be any better. I remember reading reviews", "* ... his skin was smooth and thin, like paper ... > >", "since I don't usually write in english, but let's pretend. Now, sometimes even", "are solid reasons to back up this opinion. So, are paired adjectives bad", "let's pretend. Now, sometimes even single adjectives are frowned upon ([What's with all", "... > * ... the lights on the ceiling filled the room in", "The examples may be not 100% accurate since I don't usually write in", "don't usually write in english, but let's pretend. Now, sometimes even single adjectives", "asking about novels and fiction. Related question, in technical-writing: * [How do I", "the engine lulled her with its slow and monotonous rythim ... > ", "from the engine lulled her with its slow and monotonous* rythim ... >", "bad style - and if so, why? ----------------------------------------------------- Addendum: I'm specifically asking about", "in technical-writing*: [How do I get rid of the tic of paired", "Addendum: I'm specifically asking about novels and fiction. Related question, in technical-writing: ", "examples may be not 100% accurate since I don't usually write in english,", "by logic paired adjectives shouldn't be any better. I remember reading reviews criticizing", "on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't be any", "reasons to back up this opinion. So, are paired adjectives bad style -", "solid reasons to back up this opinion. So, are paired adjectives bad style", "to back up this opinion. So, are paired adjectives bad style - and", "rythim ... > ... the lights on the ceiling filled the room", "pretend. Now, sometimes even single adjectives are frowned upon ([What's with all the", "very aspect in published novels, but I never understood if there are solid", "are frowned upon ([What's with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) -", "and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't be any better. I", "using paired adjectives in my writing: > > * The noise from the", "if there are solid reasons to back up this opinion. So, are paired", "all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives", "novels, but I never understood if there are solid reasons to back up", "but I never understood if there are solid reasons to back up this", "writing: > > * The noise from the engine lulled her with its", "her with its slow and monotonous rythim ... > * ... the lights", "but let's pretend. Now, sometimes even single adjectives are frowned upon ([What's with", "habit of using paired adjectives in my writing: > > * The noise", "... his skin was smooth and thin, like paper ... > > >", "in english, but let's pretend. Now, sometimes even single adjectives are frowned upon", "adjectives are frowned upon ([What's with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs))", "monotonous** rythim ... > * ... the lights on the ceiling filled the", "adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't be any better. I remember", "----------------------------------------------------- Addendum: I'm specifically asking about novels and fiction. Related question, in technical-writing:", "the habit of using paired adjectives in my writing: > > * The", "... > > > The examples may be not 100% accurate since I", "reviews criticizing this very aspect in published novels, but I never understood if", "are paired adjectives bad style - and if so, why? ----------------------------------------------------- Addendum: I'm", "better. I remember reading reviews criticizing this very aspect in published novels, but", "* The noise from the engine lulled her with its slow and monotonous", "adjectives bad style - and if so, why? ----------------------------------------------------- Addendum: I'm specifically asking", "write in english, but let's pretend. Now, sometimes even single adjectives are frowned", "[How do I get rid of the tic of paired adjectives, predicates, etc.?](https://writing.stackexchange.com/questions/18810/how-do-i-get-rid-of-the-tic-of-paired-adjectives-predicates-etc)", "and warm** hue ... > * ... his skin was smooth and thin,", "english, but let's pretend. Now, sometimes even single adjectives are frowned upon ([What's", "hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't be", "the room in a soft and warm hue ... > * ... his", "and fiction. Related question, in technical-writing: * [How do I get rid of", "single adjectives are frowned upon ([What's with all the hate on adjectives and", "have the habit of using paired adjectives in my writing: > > ", " [How do I get rid of the tic of paired adjectives, predicates,", "... the lights on the ceiling filled the room in a *soft and", "hue ... > ... his skin was smooth and thin, like paper", "there are solid reasons to back up this opinion. So, are paired adjectives", "with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired", "question, in technical-writing*: [How do I get rid of the tic of", "paired adjectives in my writing: > > * The noise from the engine", "with its slow and monotonous rythim ... > * ... the lights on", "engine lulled her with its slow and monotonous rythim ... > * ...", "never understood if there are solid reasons to back up this opinion. So,", "- and if so, why? ----------------------------------------------------- Addendum: I'm specifically asking about novels and", "I have the habit of using paired adjectives in my writing: > >", "this opinion. So, are paired adjectives bad style - and if so, why?", "> The examples may be not 100% accurate since I don't usually write", "this very aspect in published novels, but I never understood if there are", "on the ceiling filled the room in a soft and warm hue ...", "a soft and warm hue ... > * ... his skin was smooth", "the lights on the ceiling filled the room in a soft and warm", "his skin was smooth and thin, like paper ... > > > The", "why? ----------------------------------------------------- Addendum: I'm specifically asking about novels and fiction. Related question, in", "upon ([What's with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by", "even single adjectives are frowned upon ([What's with all the hate on adjectives", "soft and warm hue ... > * ... his skin was smooth and", "may be not 100% accurate since I don't usually write in english, but", "up this opinion. So, are paired adjectives bad style - and if so,", "remember reading reviews criticizing this very aspect in published novels, but I never", "Related question, in technical-writing*: [How do I get rid of the tic", "lulled her with its slow and monotonous rythim ... > * ... the", "ceiling filled the room in a soft and warm hue ... > ", "warm* hue ... > * ... his skin was smooth and thin, like", "sometimes even single adjectives are frowned upon ([What's with all the hate on", "shouldn't be any better. I remember reading reviews criticizing this very aspect in", "aspect in published novels, but I never understood if there are solid reasons", "> > * The noise from the engine lulled her with its slow", "- so by logic paired adjectives shouldn't be any better. I remember reading", "thin, like paper ... > > > The examples may be not 100%", "filled the room in a soft and warm hue ... > * ...", "... > * ... his skin was smooth and thin, like paper ...", "adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so by logic paired adjectives shouldn't be any better.", "specifically asking about novels and fiction. Related question, in technical-writing: * [How do", "back up this opinion. So, are paired adjectives bad style - and if", "logic paired adjectives shouldn't be any better. I remember reading reviews criticizing this", "the ceiling filled the room in a soft and warm hue ... >", "> > The examples may be not 100% accurate since I don't usually", "100% accurate since I don't usually write in english, but let's pretend. Now,", "understood if there are solid reasons to back up this opinion. So, are", "of using paired adjectives in my writing: > > * The noise from", "and if so, why? ----------------------------------------------------- Addendum: I'm specifically asking about novels and fiction.", "was smooth and thin, like paper ... > > > The examples may", "in published novels, but I never understood if there are solid reasons to", "I don't usually write in english, but let's pretend. Now, sometimes even single", "I'm specifically asking about novels and fiction. Related question, in technical-writing: * [How", "in my writing: > > * The noise from the engine lulled her", "* ... the lights on the ceiling filled the room in a soft", "be any better. I remember reading reviews criticizing this very aspect in published", "fiction. Related question, in technical-writing*: [How do I get rid of the", "criticizing this very aspect in published novels, but I never understood if there", "> * ... the lights on the ceiling filled the room in a", "be not 100% accurate since I don't usually write in english, but let's", "like paper ... > > > The examples may be not 100% accurate", "skin was smooth and thin, like paper ... > > > The examples", "and monotonous** rythim ... > * ... the lights on the ceiling filled", "frowned upon ([What's with all the hate on adjectives and adverbs?](https://writing.stackexchange.com/questions/8082/whats-with-all-the-hate-on-adjectives-and-adverbs)) - so", "any better. I remember reading reviews criticizing this very aspect in published novels,", "lights on the ceiling filled the room in a soft and warm hue", "my writing: > > * The noise from the engine lulled her with", "usually write in english, but let's pretend. Now, sometimes even single adjectives are", "adjectives in my writing: > > * The noise from the engine lulled", "reading reviews criticizing this very aspect in published novels, but I never understood", "and thin, like paper ... > > > The examples may be not", "paper ... > > > The examples may be not 100% accurate since", "room in a soft and warm** hue ... > * ... his skin" ]
[ "of poetry, called Mirror Alphoppbet poetry. This new style looks a bit odd", "but he seems to spread it all over and encourages others to use", "to me but he seems to spread it all over and encourages others", "he seems to spread it all over and encourages others to use it", "poetry, called Mirror Alphoppbet poetry. This new style looks a bit odd to", "writer, who claims to have developed his own style of poetry, called Mirror", "all over and encourages others to use it in their poems. How do", "odd to me but he seems to spread it all over and encourages", "poetry. This new style looks a bit odd to me but he seems", "others to use it in their poems. How do I validate that this", "his own style of poetry, called Mirror Alphoppbet poetry. This new style looks", "own style of poetry, called Mirror Alphoppbet poetry. This new style looks a", "style looks a bit odd to me but he seems to spread it", "have developed his own style of poetry, called Mirror Alphoppbet poetry. This new", "spread it all over and encourages others to use it in their poems.", "a bit odd to me but he seems to spread it all over", "Alphoppbet poetry. This new style looks a bit odd to me but he", "I know a writer, who claims to have developed his own style of", "use it in their poems. How do I validate that this new form", "to use it in their poems. How do I validate that this new", "a writer, who claims to have developed his own style of poetry, called", "encourages others to use it in their poems. How do I validate that", "that this new form of poetry actually makes sense? Are there any parameters", "know a writer, who claims to have developed his own style of poetry,", "poems. How do I validate that this new form of poetry actually makes", "over and encourages others to use it in their poems. How do I", "Mirror Alphoppbet poetry. This new style looks a bit odd to me but", "seems to spread it all over and encourages others to use it in", "and encourages others to use it in their poems. How do I validate", "style of poetry, called Mirror Alphoppbet poetry. This new style looks a bit", "do I validate that this new form of poetry actually makes sense? Are", "this new form of poetry actually makes sense? Are there any parameters to", "who claims to have developed his own style of poetry, called Mirror Alphoppbet", "their poems. How do I validate that this new form of poetry actually", "new form of poetry actually makes sense? Are there any parameters to judge?", "called Mirror Alphoppbet poetry. This new style looks a bit odd to me", "developed his own style of poetry, called Mirror Alphoppbet poetry. This new style", "it all over and encourages others to use it in their poems. How", "I validate that this new form of poetry actually makes sense? Are there", "me but he seems to spread it all over and encourages others to", "claims to have developed his own style of poetry, called Mirror Alphoppbet poetry.", "How do I validate that this new form of poetry actually makes sense?", "it in their poems. How do I validate that this new form of", "looks a bit odd to me but he seems to spread it all", "to have developed his own style of poetry, called Mirror Alphoppbet poetry. This", "to spread it all over and encourages others to use it in their", "This new style looks a bit odd to me but he seems to", "new style looks a bit odd to me but he seems to spread", "in their poems. How do I validate that this new form of poetry", "validate that this new form of poetry actually makes sense? Are there any", "bit odd to me but he seems to spread it all over and" ]
[ "without stating their full title again, because the full title is a mouthful.", "saying that it's a direct quote, I'm only listing the \"²\". Is this", "want to give credit to a source without stating their full title again,", "but I'm not saying that it's a direct quote, I'm only listing the", "their full title again, because the full title is a mouthful. Earlier in", "to quote them saying just: \"[direct quotation]\" ² I'm going to use their", "In other words, it's a direct quote, but I'm not saying that it's", "it's a direct quote, I'm only listing the \"²\". Is this OK from", "paper, I had quoted them saying: \"So-and-so states...[direct quotation]\" ² Now I want", "direct quote, I'm only listing the \"²\". Is this OK from the angle", "not saying that it's a direct quote, I'm only listing the \"²\". Is", "exact wording (in the second attribution), but only attribute it with the \"²\".", "their exact wording (in the second attribution), but only attribute it with the", "² I'm going to use their exact wording (in the second attribution), but", "the \"²\". In other words, it's a direct quote, but I'm not saying", "going to use their exact wording (in the second attribution), but only attribute", "that it's a direct quote, I'm only listing the \"²\". Is this OK", "quote, I'm only listing the \"²\". Is this OK from the angle of", "a direct quote, but I'm not saying that it's a direct quote, I'm", "a mouthful. Earlier in the paper, I had quoted them saying: \"So-and-so states...[direct", "with the \"²\". In other words, it's a direct quote, but I'm not", "it's a direct quote, but I'm not saying that it's a direct quote,", "to use their exact wording (in the second attribution), but only attribute it", "a direct quote, I'm only listing the \"²\". Is this OK from the", "give credit to a source without stating their full title again, because the", "stating their full title again, because the full title is a mouthful. Earlier", "the second attribution), but only attribute it with the \"²\". In other words,", "\"[direct quotation]\" ² I'm going to use their exact wording (in the second", "title is a mouthful. Earlier in the paper, I had quoted them saying:", "title again, because the full title is a mouthful. Earlier in the paper,", "because the full title is a mouthful. Earlier in the paper, I had", "the full title is a mouthful. Earlier in the paper, I had quoted", "just: \"[direct quotation]\" ² I'm going to use their exact wording (in the", "quote, but I'm not saying that it's a direct quote, I'm only listing", "saying just: \"[direct quotation]\" ² I'm going to use their exact wording (in", "\"²\". In other words, it's a direct quote, but I'm not saying that", "\"So-and-so states...[direct quotation]\" ² Now I want to quote them saying just: \"[direct", "I want to give credit to a source without stating their full title", "I'm only listing the \"²\". Is this OK from the angle of professional", "words, it's a direct quote, but I'm not saying that it's a direct", "the paper, I had quoted them saying: \"So-and-so states...[direct quotation]\" ² Now I", "again, because the full title is a mouthful. Earlier in the paper, I", "wording (in the second attribution), but only attribute it with the \"²\". In", "other words, it's a direct quote, but I'm not saying that it's a", "them saying: \"So-and-so states...[direct quotation]\" ² Now I want to quote them saying", "is a mouthful. Earlier in the paper, I had quoted them saying: \"So-and-so", "I had quoted them saying: \"So-and-so states...[direct quotation]\" ² Now I want to", "I'm going to use their exact wording (in the second attribution), but only", "quotation]\" ² I'm going to use their exact wording (in the second attribution),", "but only attribute it with the \"²\". In other words, it's a direct", "Earlier in the paper, I had quoted them saying: \"So-and-so states...[direct quotation]\" ²", "mouthful. Earlier in the paper, I had quoted them saying: \"So-and-so states...[direct quotation]\"", "attribution), but only attribute it with the \"²\". In other words, it's a", "in the paper, I had quoted them saying: \"So-and-so states...[direct quotation]\" ² Now", "only listing the \"²\". Is this OK from the angle of professional attribution?", "only attribute it with the \"²\". In other words, it's a direct quote,", "(in the second attribution), but only attribute it with the \"²\". In other", "source without stating their full title again, because the full title is a", "full title again, because the full title is a mouthful. Earlier in the", "it with the \"²\". In other words, it's a direct quote, but I'm", "a source without stating their full title again, because the full title is", "quoted them saying: \"So-and-so states...[direct quotation]\" ² Now I want to quote them", "quote them saying just: \"[direct quotation]\" ² I'm going to use their exact", "I'm not saying that it's a direct quote, I'm only listing the \"²\".", "I want to quote them saying just: \"[direct quotation]\" ² I'm going to", "had quoted them saying: \"So-and-so states...[direct quotation]\" ² Now I want to quote", "saying: \"So-and-so states...[direct quotation]\" ² Now I want to quote them saying just:", "direct quote, but I'm not saying that it's a direct quote, I'm only", "them saying just: \"[direct quotation]\" ² I'm going to use their exact wording", "attribute it with the \"²\". In other words, it's a direct quote, but", "full title is a mouthful. Earlier in the paper, I had quoted them", "Now I want to quote them saying just: \"[direct quotation]\" ² I'm going", "want to quote them saying just: \"[direct quotation]\" ² I'm going to use", "to a source without stating their full title again, because the full title", "credit to a source without stating their full title again, because the full", "quotation]\" ² Now I want to quote them saying just: \"[direct quotation]\" ²", "states...[direct quotation]\" ² Now I want to quote them saying just: \"[direct quotation]\"", "to give credit to a source without stating their full title again, because", "second attribution), but only attribute it with the \"²\". In other words, it's", "² Now I want to quote them saying just: \"[direct quotation]\" ² I'm", "use their exact wording (in the second attribution), but only attribute it with" ]
[ "shoulder, Aletuydor is called 'Sasha'. If the omniscient narrator sits on the girlfriend's", "shoulder, Aletuydor is called 'Alex'. But what if the narrator is sitting on", "after all, variations on a theme. What should the omniscient narrator call him?", "of those - they are, after all, variations on a theme. What should", "call him? That is, if the omniscient narrator sits on the parents' shoulder,", "omniscient narrator call him? That is, if the omniscient narrator sits on the", "narrator call him? That is, if the omniscient narrator sits on the parents'", "himself, he is all of those - they are, after all, variations on", "son of Hhigipm'. To himself, he is all of those - they are,", "is called 'Alex'. But what if the narrator is sitting on Aletuydor's shoulder,", "'Alex'. But what if the narrator is sitting on Aletuydor's shoulder, or on", "Aletuydor is called 'Alex'. But what if the narrator is sitting on Aletuydor's", "parents call him 'Sasha'. His friends call him 'Xander'. His girlfriend calls him", "call him 'Sasha'. His friends call him 'Xander'. His girlfriend calls him 'Alex'.", "on the parents' shoulder, Aletuydor is called 'Sasha'. If the omniscient narrator sits", "called 'Sasha'. If the omniscient narrator sits on the girlfriend's shoulder, Aletuydor is", "Let the character's name be, for example, Aletuydor. Now, Aletuydor's parents call him", "example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His friends call him 'Xander'.", "is all of those - they are, after all, variations on a theme.", "name be, for example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His friends", "His friends call him 'Xander'. His girlfriend calls him 'Alex'. In formal circumstances,", "Hhigipm'. To himself, he is all of those - they are, after all,", "him? That is, if the omniscient narrator sits on the parents' shoulder, Aletuydor", "the omniscient narrator call him? That is, if the omniscient narrator sits on", "are, after all, variations on a theme. What should the omniscient narrator call", "friends call him 'Xander'. His girlfriend calls him 'Alex'. In formal circumstances, he's", "girlfriend calls him 'Alex'. In formal circumstances, he's 'Aletuydor, son of Hhigipm'. To", "they are, after all, variations on a theme. What should the omniscient narrator", "Aletuydor's parents call him 'Sasha'. His friends call him 'Xander'. His girlfriend calls", "if the narrator is sitting on Aletuydor's shoulder, or on no shoulder at", "a character. Let the character's name be, for example, Aletuydor. Now, Aletuydor's parents", "character's name be, for example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His", "should the omniscient narrator call him? That is, if the omniscient narrator sits", "on the girlfriend's shoulder, Aletuydor is called 'Alex'. But what if the narrator", "That is, if the omniscient narrator sits on the parents' shoulder, Aletuydor is", "What should the omniscient narrator call him? That is, if the omniscient narrator", "Aletuydor is called 'Sasha'. If the omniscient narrator sits on the girlfriend's shoulder,", "character. Let the character's name be, for example, Aletuydor. Now, Aletuydor's parents call", "'Sasha'. His friends call him 'Xander'. His girlfriend calls him 'Alex'. In formal", "on a theme. What should the omniscient narrator call him? That is, if", "circumstances, he's 'Aletuydor, son of Hhigipm'. To himself, he is all of those", "he's 'Aletuydor, son of Hhigipm'. To himself, he is all of those -", "To himself, he is all of those - they are, after all, variations", "girlfriend's shoulder, Aletuydor is called 'Alex'. But what if the narrator is sitting", "all, variations on a theme. What should the omniscient narrator call him? That", "parents' shoulder, Aletuydor is called 'Sasha'. If the omniscient narrator sits on the", "be, for example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His friends call", "Let there be a character. Let the character's name be, for example, Aletuydor.", "calls him 'Alex'. In formal circumstances, he's 'Aletuydor, son of Hhigipm'. To himself,", "if the omniscient narrator sits on the parents' shoulder, Aletuydor is called 'Sasha'.", "him 'Xander'. His girlfriend calls him 'Alex'. In formal circumstances, he's 'Aletuydor, son", "If the omniscient narrator sits on the girlfriend's shoulder, Aletuydor is called 'Alex'.", "'Alex'. In formal circumstances, he's 'Aletuydor, son of Hhigipm'. To himself, he is", "formal circumstances, he's 'Aletuydor, son of Hhigipm'. To himself, he is all of", "the narrator is sitting on Aletuydor's shoulder, or on no shoulder at all?", "him 'Sasha'. His friends call him 'Xander'. His girlfriend calls him 'Alex'. In", "be a character. Let the character's name be, for example, Aletuydor. Now, Aletuydor's", "all of those - they are, after all, variations on a theme. What", "His girlfriend calls him 'Alex'. In formal circumstances, he's 'Aletuydor, son of Hhigipm'.", "the omniscient narrator sits on the girlfriend's shoulder, Aletuydor is called 'Alex'. But", "- they are, after all, variations on a theme. What should the omniscient", "those - they are, after all, variations on a theme. What should the", "But what if the narrator is sitting on Aletuydor's shoulder, or on no", "the girlfriend's shoulder, Aletuydor is called 'Alex'. But what if the narrator is", "omniscient narrator sits on the parents' shoulder, Aletuydor is called 'Sasha'. If the", "the omniscient narrator sits on the parents' shoulder, Aletuydor is called 'Sasha'. If", "sits on the girlfriend's shoulder, Aletuydor is called 'Alex'. But what if the", "variations on a theme. What should the omniscient narrator call him? That is,", "of Hhigipm'. To himself, he is all of those - they are, after", "In formal circumstances, he's 'Aletuydor, son of Hhigipm'. To himself, he is all", "a theme. What should the omniscient narrator call him? That is, if the", "theme. What should the omniscient narrator call him? That is, if the omniscient", "narrator sits on the parents' shoulder, Aletuydor is called 'Sasha'. If the omniscient", "the parents' shoulder, Aletuydor is called 'Sasha'. If the omniscient narrator sits on", "is, if the omniscient narrator sits on the parents' shoulder, Aletuydor is called", "is called 'Sasha'. If the omniscient narrator sits on the girlfriend's shoulder, Aletuydor", "for example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His friends call him", "called 'Alex'. But what if the narrator is sitting on Aletuydor's shoulder, or", "the character's name be, for example, Aletuydor. Now, Aletuydor's parents call him 'Sasha'.", "'Xander'. His girlfriend calls him 'Alex'. In formal circumstances, he's 'Aletuydor, son of", "Now, Aletuydor's parents call him 'Sasha'. His friends call him 'Xander'. His girlfriend", "omniscient narrator sits on the girlfriend's shoulder, Aletuydor is called 'Alex'. But what", "him 'Alex'. In formal circumstances, he's 'Aletuydor, son of Hhigipm'. To himself, he", "what if the narrator is sitting on Aletuydor's shoulder, or on no shoulder", "there be a character. Let the character's name be, for example, Aletuydor. Now,", "'Sasha'. If the omniscient narrator sits on the girlfriend's shoulder, Aletuydor is called", "'Aletuydor, son of Hhigipm'. To himself, he is all of those - they", "call him 'Xander'. His girlfriend calls him 'Alex'. In formal circumstances, he's 'Aletuydor,", "sits on the parents' shoulder, Aletuydor is called 'Sasha'. If the omniscient narrator", "he is all of those - they are, after all, variations on a", "narrator sits on the girlfriend's shoulder, Aletuydor is called 'Alex'. But what if", "Aletuydor. Now, Aletuydor's parents call him 'Sasha'. His friends call him 'Xander'. His" ]
[ "idea since I am not sure if people would feel offended if I", "tragedy look more horrible. How can I go about setting my story in", "people would feel offended if I exaggerate certain events or facts even if", "feel offended if I exaggerate certain events or facts even if it makes", "too much offense (and assuming I don't want to do a lot of", "setting my story in the midst of this event without causing too much", "or facts even if it makes the tragedy look more horrible. How can", "in the midst of this event without causing too much offense (and assuming", "the tragedy look more horrible. How can I go about setting my story", "I am not sure if people would feel offended if I exaggerate certain", "I go about setting my story in the midst of this event without", "facts even if it makes the tragedy look more horrible. How can I", "go about setting my story in the midst of this event without causing", "even if it makes the tragedy look more horrible. How can I go", "makes the tragedy look more horrible. How can I go about setting my", "not sure if people would feel offended if I exaggerate certain events or", "story in the midst of this event without causing too much offense (and", "horrible. How can I go about setting my story in the midst of", "I don't want to do a lot of research first)? Are the considerations", "was thinking about writing about the Holocaust, but I am not sure if", "to do a lot of research first)? Are the considerations the same for", "it's a good idea since I am not sure if people would feel", "don't want to do a lot of research first)? Are the considerations the", "thinking about writing about the Holocaust, but I am not sure if it's", "look more horrible. How can I go about setting my story in the", "not sure if it's a good idea since I am not sure if", "about setting my story in the midst of this event without causing too", "a good idea since I am not sure if people would feel offended", "am not sure if it's a good idea since I am not sure", "about the Holocaust, but I am not sure if it's a good idea", "event without causing too much offense (and assuming I don't want to do", "good idea since I am not sure if people would feel offended if", "the midst of this event without causing too much offense (and assuming I", "if it makes the tragedy look more horrible. How can I go about", "offense (and assuming I don't want to do a lot of research first)?", "I exaggerate certain events or facts even if it makes the tragedy look", "assuming I don't want to do a lot of research first)? Are the", "if people would feel offended if I exaggerate certain events or facts even", "I was thinking about writing about the Holocaust, but I am not sure", "if I exaggerate certain events or facts even if it makes the tragedy", "without causing too much offense (and assuming I don't want to do a", "but I am not sure if it's a good idea since I am", "certain events or facts even if it makes the tragedy look more horrible.", "my story in the midst of this event without causing too much offense", "do a lot of research first)? Are the considerations the same for other", "am not sure if people would feel offended if I exaggerate certain events", "since I am not sure if people would feel offended if I exaggerate", "writing about the Holocaust, but I am not sure if it's a good", "(and assuming I don't want to do a lot of research first)? Are", "sure if people would feel offended if I exaggerate certain events or facts", "want to do a lot of research first)? Are the considerations the same", "How can I go about setting my story in the midst of this", "about writing about the Holocaust, but I am not sure if it's a", "events or facts even if it makes the tragedy look more horrible. How", "it makes the tragedy look more horrible. How can I go about setting", "the Holocaust, but I am not sure if it's a good idea since", "more horrible. How can I go about setting my story in the midst", "Holocaust, but I am not sure if it's a good idea since I", "sure if it's a good idea since I am not sure if people", "midst of this event without causing too much offense (and assuming I don't", "if it's a good idea since I am not sure if people would", "I am not sure if it's a good idea since I am not", "a lot of research first)? Are the considerations the same for other historical", "of this event without causing too much offense (and assuming I don't want", "can I go about setting my story in the midst of this event", "causing too much offense (and assuming I don't want to do a lot", "lot of research first)? Are the considerations the same for other historical events?", "this event without causing too much offense (and assuming I don't want to", "offended if I exaggerate certain events or facts even if it makes the", "would feel offended if I exaggerate certain events or facts even if it", "much offense (and assuming I don't want to do a lot of research", "exaggerate certain events or facts even if it makes the tragedy look more" ]
[ "to the villain as they make the cruel choices. I don't want the", "I have a villain. The villain is the hero of their own story.", "a monstrous leader. They were once in the same shoes as the heroes.", "as they make the cruel choices. I don't want the reader to love", "that can make the reader sympathetic to the villain as they make the", "heroes path the same way the villain did. Is there something that can", "overthrow a monstrous leader. They were once in the same shoes as the", "have a villain. The villain is the hero of their own story. The", "perhaps just be a little sad that they gave up their humanity along", "something that can make the reader sympathetic to the villain as they make", "shoes as the heroes. Part of the heroes' journey will be to not", "villain. The villain is the hero of their own story. The villain starts", "the hero of their own story. The villain starts off as good, looking", "the heroes path the same way the villain did. Is there something that", "of the heroes' journey will be to not fall from the heroes path", "choices. I don't want the reader to love the villain or agree with", "sympathetic to the villain as they make the cruel choices. I don't want", "in the same shoes as the heroes. Part of the heroes' journey will", "The villain is the hero of their own story. The villain starts off", "heroes' journey will be to not fall from the heroes path the same", "The villain starts off as good, looking to overthrow a monstrous leader. They", "the same shoes as the heroes. Part of the heroes' journey will be", "reader sympathetic to the villain as they make the cruel choices. I don't", "of their own story. The villain starts off as good, looking to overthrow", "Part of the heroes' journey will be to not fall from the heroes", "the heroes' journey will be to not fall from the heroes path the", "off as good, looking to overthrow a monstrous leader. They were once in", "the villain or agree with them, perhaps just be a little sad that", "the villain as they make the cruel choices. I don't want the reader", "the reader to love the villain or agree with them, perhaps just be", "same shoes as the heroes. Part of the heroes' journey will be to", "villain starts off as good, looking to overthrow a monstrous leader. They were", "starts off as good, looking to overthrow a monstrous leader. They were once", "will be to not fall from the heroes path the same way the", "they make the cruel choices. I don't want the reader to love the", "to love the villain or agree with them, perhaps just be a little", "good, looking to overthrow a monstrous leader. They were once in the same", "heroes. Part of the heroes' journey will be to not fall from the", "monstrous leader. They were once in the same shoes as the heroes. Part", "make the reader sympathetic to the villain as they make the cruel choices.", "the cruel choices. I don't want the reader to love the villain or", "from the heroes path the same way the villain did. Is there something", "just be a little sad that they gave up their humanity along the", "fall from the heroes path the same way the villain did. Is there", "story. The villain starts off as good, looking to overthrow a monstrous leader.", "once in the same shoes as the heroes. Part of the heroes' journey", "path the same way the villain did. Is there something that can make", "I don't want the reader to love the villain or agree with them,", "villain did. Is there something that can make the reader sympathetic to the", "hero of their own story. The villain starts off as good, looking to", "with them, perhaps just be a little sad that they gave up their", "can make the reader sympathetic to the villain as they make the cruel", "be a little sad that they gave up their humanity along the way.", "journey will be to not fall from the heroes path the same way", "their own story. The villain starts off as good, looking to overthrow a", "villain as they make the cruel choices. I don't want the reader to", "the villain did. Is there something that can make the reader sympathetic to", "leader. They were once in the same shoes as the heroes. Part of", "villain is the hero of their own story. The villain starts off as", "did. Is there something that can make the reader sympathetic to the villain", "or agree with them, perhaps just be a little sad that they gave", "not fall from the heroes path the same way the villain did. Is", "love the villain or agree with them, perhaps just be a little sad", "were once in the same shoes as the heroes. Part of the heroes'", "don't want the reader to love the villain or agree with them, perhaps", "reader to love the villain or agree with them, perhaps just be a", "there something that can make the reader sympathetic to the villain as they", "a villain. The villain is the hero of their own story. The villain", "They were once in the same shoes as the heroes. Part of the", "as the heroes. Part of the heroes' journey will be to not fall", "the heroes. Part of the heroes' journey will be to not fall from", "the same way the villain did. Is there something that can make the", "them, perhaps just be a little sad that they gave up their humanity", "Is there something that can make the reader sympathetic to the villain as", "way the villain did. Is there something that can make the reader sympathetic", "as good, looking to overthrow a monstrous leader. They were once in the", "looking to overthrow a monstrous leader. They were once in the same shoes", "same way the villain did. Is there something that can make the reader", "own story. The villain starts off as good, looking to overthrow a monstrous", "to not fall from the heroes path the same way the villain did.", "villain or agree with them, perhaps just be a little sad that they", "is the hero of their own story. The villain starts off as good,", "want the reader to love the villain or agree with them, perhaps just", "be to not fall from the heroes path the same way the villain", "agree with them, perhaps just be a little sad that they gave up", "the reader sympathetic to the villain as they make the cruel choices. I", "make the cruel choices. I don't want the reader to love the villain", "cruel choices. I don't want the reader to love the villain or agree", "to overthrow a monstrous leader. They were once in the same shoes as" ]
[ "or forbidden under US law? (This question is to allow answered focused on", "can be used? What makes this permitted or forbidden under US law? (This", "used? What makes this permitted or forbidden under US law? (This question is", "an appearance of, a character from an existing work of fiction? How much", "a reference to, or an appearance of, a character from an existing work", "question is to allow answered focused on the specifically legal aspects, additional to", "How much of that character can be used? What makes this permitted or", "of that character can be used? What makes this permitted or forbidden under", "or an appearance of, a character from an existing work of fiction? How", "permitted or forbidden under US law? (This question is to allow answered focused", "is to allow answered focused on the specifically legal aspects, additional to those", "much of that character can be used? What makes this permitted or forbidden", "forbidden under US law? (This question is to allow answered focused on the", "of fiction? How much of that character can be used? What makes this", "character can be used? What makes this permitted or forbidden under US law?", "makes this permitted or forbidden under US law? (This question is to allow", "character from an existing work of fiction? How much of that character can", "focused on the specifically legal aspects, additional to those in the linked question.)", "appearance of, a character from an existing work of fiction? How much of", "a character from an existing work of fiction? How much of that character", "be used? What makes this permitted or forbidden under US law? (This question", "existing work of fiction? How much of that character can be used? What", "US law? (This question is to allow answered focused on the specifically legal", "to allow answered focused on the specifically legal aspects, additional to those in", "under US law? (This question is to allow answered focused on the specifically", "one legally include a reference to, or an appearance of, a character from", "answered focused on the specifically legal aspects, additional to those in the linked", "to, or an appearance of, a character from an existing work of fiction?", "of, a character from an existing work of fiction? How much of that", "that character can be used? What makes this permitted or forbidden under US", "legally include a reference to, or an appearance of, a character from an", "include a reference to, or an appearance of, a character from an existing", "an existing work of fiction? How much of that character can be used?", "reference to, or an appearance of, a character from an existing work of", "allow answered focused on the specifically legal aspects, additional to those in the", "from an existing work of fiction? How much of that character can be", "(This question is to allow answered focused on the specifically legal aspects, additional", "What makes this permitted or forbidden under US law? (This question is to", "Can one legally include a reference to, or an appearance of, a character", "work of fiction? How much of that character can be used? What makes", "this permitted or forbidden under US law? (This question is to allow answered", "law? (This question is to allow answered focused on the specifically legal aspects,", "fiction? How much of that character can be used? What makes this permitted" ]
[ "dysphoria in an accurate, sensitive and positive way? Edit: Additional information I would", "in traditionally masculine clothing and refers to himself as male). For all of", "a character who has gender dysphoria in a way that is accurate to", "obvious to the reader that this childhood friend is a transgender man, and", "thinking about developing him more and giving him more scenes and dialogue, and", "information I would like to clarify that the reveal is not sudden, unexpected", "gender dysphoria in a way that is accurate to people who have gender", "as part of a major plot sequence, and he presents himself as masculine", "conversation with the main character a few chapters in. In other words, this", "of those reasons, it is not immediately obvious to the reader that this", "by their interactions with each other throughout the story, and this character is", "not focused too much on this aspect of him; however, lately I have", "POV scene of a traumatic moment from this character's childhood that involves his", "each other in their first conversation solely for the reader's benefit. I would", "much later as part of a major plot sequence, and he presents himself", "it is not immediately obvious to the reader that this childhood friend is", "other words, this character being transgender is only one part of his character,", "would like to write a brief POV scene of a traumatic moment from", "more and giving him more scenes and dialogue, and that has led me", "mean that he dresses in traditionally masculine clothing and refers to himself as", "of a character who has gender dysphoria in a way that is accurate", "fairly clear when the character is introduced. When I say that it is", "processes involved in gender dysphoria and how a person would mentally and psychologically", "of a major plot sequence, and he presents himself as masculine (by which", "few chapters in. In other words, this character being transgender is only one", "the character is introduced. When I say that it is not explicitly stated", "character a few chapters in. In other words, this character being transgender is", "and feelings of a character with gender dysphoria in an accurate, sensitive and", "(by which I mean that he dresses in traditionally masculine clothing and refers", "the thoughts and internal struggles of a character who has gender dysphoria in", "of the two main characters has a close friend he's known since childhood.", "in dialogue until a few chapters in, since the main character has known", "it out until a conversation with the main character a few chapters in.", "unexpected or \"out of the blue\" - it is made fairly clear when", "not sudden, unexpected or \"out of the blue\" - it is made fairly", "not match their physical characteristics, and do not in any way suggest it", "lately I have begun thinking about developing him more and giving him more", "from this character's childhood that involves his feelings being belittled and challenged by", "that I use gender dysphoria as a general term for a person who", "internal struggles of a character who has gender dysphoria in a way that", "In other words, this character being transgender is only one part of his", "is only one part of his character, and thus far I have not", "gender identity does not match their physical characteristics, and do not in any", "of the blue\" - it is made fairly clear when the character is", "main characters has a close friend he's known since childhood. Both of them", "gender dysphoria as a general term for a person who feels that their", "the character himself does not explicitly spell it out until a conversation with", "them are greatly developed by their interactions with each other throughout the story,", "in a very restrictive Victorian-esque setting, the character's full backstory is only revealed", "is made fairly clear when the character is introduced. When I say that", "childhood that involves his feelings being belittled and challenged by his non-accepting mother.", "would like to clarify that the reveal is not sudden, unexpected or \"out", "the thought processes involved in gender dysphoria and how a person would mentally", "masculine clothing and refers to himself as male). For all of those reasons,", "masculine (by which I mean that he dresses in traditionally masculine clothing and", "As part of developing this character, I have been thinking about how to", "that involves his feelings being belittled and challenged by his non-accepting mother. However,", "place in a very restrictive Victorian-esque setting, the character's full backstory is only", "male). For all of those reasons, it is not immediately obvious to the", "do not have firsthand experiences with the thought processes involved in gender dysphoria", "use gender dysphoria as a general term for a person who feels that", "who has gender dysphoria in a way that is accurate to people who", "with gender dysphoria in an accurate, sensitive and positive way? Edit: Additional information*", "not immediately obvious to the reader that this childhood friend is a transgender", "later as part of a major plot sequence, and he presents himself as", "in, since the main character has known him for a long time and", "I didn't want them to exposit their backstories at each other in their", "and refers to himself as male). For all of those reasons, it is", "him more and giving him more scenes and dialogue, and that has led", "make an outright reference to his status in dialogue until a few chapters", "to his status in dialogue until a few chapters in, since the main", "people who have gender dysphoria in the real world. Specifically, as part of", "real world. Specifically, as part of a scene later on, I would like", "he dresses in traditionally masculine clothing and refers to himself as male). For", "on this aspect of him; however, lately I have begun thinking about developing", "dialogue until a few chapters in, since the main character has known him", "the reader's benefit. I would also like to clarify that I use gender", "to people who have gender dysphoria in the real world. Specifically, as part", "a major plot sequence, and he presents himself as masculine (by which I", "or \"out of the blue\" - it is made fairly clear when the", "far I have not focused too much on this aspect of him; however,", "I mean that he dresses in traditionally masculine clothing and refers to himself", "thoughts* and internal struggles of a character who has gender dysphoria in a", "my fantasy novel-in-progress, one of the two main characters has a close friend", "few chapters in, since the main character has known him for a long", "time and I didn't want them to exposit their backstories at each other", "backstory is only revealed much later as part of a major plot sequence,", "a scene later on, I would like to write a brief POV scene", "traditionally masculine clothing and refers to himself as male). For all of those", "known him for a long time and I didn't want them to exposit", "a few chapters in, since the main character has known him for a", "to himself as male). For all of those reasons, it is not immediately", "with each other throughout the story, and this character is critical to the", "him; however, lately I have begun thinking about developing him more and giving", "I do not have firsthand experiences with the thought processes involved in gender", "dysphoria in a way that is accurate to people who have gender dysphoria", "person would mentally and psychologically experience it. *How do I portray the thoughts", "childhood. Both of them are greatly developed by their interactions with each other", "have gender dysphoria in the real world. Specifically, as part of a scene", "childhood friend is a transgender man, and the character himself does not explicitly", "who have gender dysphoria in the real world. Specifically, as part of a", "character's childhood that involves his feelings being belittled and challenged by his non-accepting", "identity does not match their physical characteristics, and do not in any way", "character himself does not explicitly spell it out until a conversation with the", "experiences with the thought processes involved in gender dysphoria and how a person", "Both of them are greatly developed by their interactions with each other throughout", "to accurately portray the thoughts* and internal struggles of a character who has", "clear when the character is introduced. When I say that it is not", "However, I do not have firsthand experiences with the thought processes involved in", "When I say that it is not explicitly stated until later, I mean", "not in any way suggest it is a pathology or disease. That would", "as masculine (by which I mean that he dresses in traditionally masculine clothing", "since the main character has known him for a long time and I", "reader that this childhood friend is a transgender man, and the character himself", "very restrictive Victorian-esque setting, the character's full backstory is only revealed much later", "which I mean that he dresses in traditionally masculine clothing and refers to", "like to clarify that the reveal is not sudden, unexpected or \"out of", "write a brief POV scene of a traumatic moment from this character's childhood", "has known him for a long time and I didn't want them to", "character has known him for a long time and I didn't want them", "restrictive Victorian-esque setting, the character's full backstory is only revealed much later as", "in the real world. Specifically, as part of a scene later on, I", "want them to exposit their backstories at each other in their first conversation", "on, I would like to write a brief POV scene of a traumatic", "accurate, sensitive and positive way? Edit: Additional information** I would like to clarify", "in gender dysphoria and how a person would mentally and psychologically experience it.", "first conversation solely for the reader's benefit. I would also like to clarify", "portray the thoughts and internal struggles of a character who has gender dysphoria", "friend he's known since childhood. Both of them are greatly developed by their", "an accurate, sensitive and positive way? Edit: Additional information I would like to", "match their physical characteristics, and do not in any way suggest it is", "the real world. Specifically, as part of a scene later on, I would", "their interactions with each other throughout the story, and this character is critical", "presents himself as masculine (by which I mean that he dresses in traditionally", "part of his character, and thus far I have not focused too much", "made fairly clear when the character is introduced. When I say that it", "in any way suggest it is a pathology or disease. That would be", "is not explicitly stated until later, I mean that the character does not", "scenes and dialogue, and that has led me to this question... Question As", "exposit their backstories at each other in their first conversation solely for the", "one of the two main characters has a close friend he's known since", "until a conversation with the main character a few chapters in. In other", "world. Specifically, as part of a scene later on, I would like to", "solely for the reader's benefit. I would also like to clarify that I", "have not focused too much on this aspect of him; however, lately I", "focused too much on this aspect of him; however, lately I have begun", "How do I portray the thoughts and feelings of a character with gender", "and dialogue, and that has led me to this question... Question As part", "a person would mentally and psychologically experience it. How do I portray the", "story takes place in a very restrictive Victorian-esque setting, the character's full backstory", "physical characteristics, and do not in any way suggest it is a pathology", "chapters in. In other words, this character being transgender is only one part", "of his character, and thus far I have not focused too much on", "Context In my fantasy novel-in-progress, one of the two main characters has a", "feelings of a character with gender dysphoria in an accurate, sensitive and positive", "story, and this character is critical to the story as a whole. The", "this character being transgender is only one part of his character, and thus", "this character is critical to the story as a whole. The story takes", "not have firsthand experiences with the thought processes involved in gender dysphoria and", "all of those reasons, it is not immediately obvious to the reader that", "this question... Question As part of developing this character, I have been thinking", "sudden, unexpected or \"out of the blue\" - it is made fairly clear", "clarify that the reveal is not sudden, unexpected or \"out of the blue\"", "do not in any way suggest it is a pathology or disease. That", "out until a conversation with the main character a few chapters in. In", "the main character a few chapters in. In other words, this character being", "mentally and psychologically experience it. How do I portray the thoughts and feelings", "question... Question As part of developing this character, I have been thinking about", "the reveal is not sudden, unexpected or \"out of the blue\" - it", "I say that it is not explicitly stated until later, I mean that", "to clarify that the reveal is not sudden, unexpected or \"out of the", "it. How do I portray the thoughts and feelings of a character with", "like to clarify that I use gender dysphoria as a general term for", "general term for a person who feels that their gender identity does not", "accurate to people who have gender dysphoria in the real world. Specifically, as", "himself as male). For all of those reasons, it is not immediately obvious", "close friend he's known since childhood. Both of them are greatly developed by", "explicitly stated until later, I mean that the character does not make an", "part of a major plot sequence, and he presents himself as masculine (by", "I would like to write a brief POV scene of a traumatic moment", "psychologically experience it. How do I portray the thoughts and feelings of a", "character is critical to the story as a whole. The story takes place", "and giving him more scenes and dialogue, and that has led me to", "character being transgender is only one part of his character, and thus far", "I have been thinking about how to accurately portray the thoughts and internal", "I would like to clarify that the reveal is not sudden, unexpected or", "this character, I have been thinking about how to accurately portray the thoughts", "a person who feels that their gender identity does not match their physical", "immediately obvious to the reader that this childhood friend is a transgender man,", "much on this aspect of him; however, lately I have begun thinking about", "dresses in traditionally masculine clothing and refers to himself as male). For all", "mother. However, I do not have firsthand experiences with the thought processes involved", "have firsthand experiences with the thought processes involved in gender dysphoria and how", "accurately portray the thoughts* and internal struggles of a character who has gender", "a long time and I didn't want them to exposit their backstories at", "introduced. When I say that it is not explicitly stated until later, I", "thought processes involved in gender dysphoria and how a person would mentally and", "- it is made fairly clear when the character is introduced. When I", "for a long time and I didn't want them to exposit their backstories", "chapters in, since the main character has known him for a long time", "that he dresses in traditionally masculine clothing and refers to himself as male).", "For all of those reasons, it is not immediately obvious to the reader", "benefit. I would also like to clarify that I use gender dysphoria as", "aspect of him; however, lately I have begun thinking about developing him more", "I portray the thoughts and feelings of a character with gender dysphoria in", "also like to clarify that I use gender dysphoria as a general term", "would also like to clarify that I use gender dysphoria as a general", "major plot sequence, and he presents himself as masculine (by which I mean", "is introduced. When I say that it is not explicitly stated until later,", "one part of his character, and thus far I have not focused too", "and positive way? Edit: Additional information I would like to clarify that the", "of a character with gender dysphoria in an accurate, sensitive and positive way?", "portray the thoughts and feelings of a character with gender dysphoria in an", "for the reader's benefit. I would also like to clarify that I use", "way suggest it is a pathology or disease. That would be horrible, obviously.", "stated until later, I mean that the character does not make an outright", "and internal struggles of a character who has gender dysphoria in a way", "their gender identity does not match their physical characteristics, and do not in", "is only revealed much later as part of a major plot sequence, and", "revealed much later as part of a major plot sequence, and he presents", "dysphoria in the real world. Specifically, as part of a scene later on,", "main character a few chapters in. In other words, this character being transgender", "of them are greatly developed by their interactions with each other throughout the", "the blue\" - it is made fairly clear when the character is introduced.", "begun thinking about developing him more and giving him more scenes and dialogue,", "I would also like to clarify that I use gender dysphoria as a", "developing him more and giving him more scenes and dialogue, and that has", "have been thinking about how to accurately portray the thoughts and internal struggles", "are greatly developed by their interactions with each other throughout the story, and", "a conversation with the main character a few chapters in. In other words,", "dysphoria and how a person would mentally and psychologically experience it. How do", "The story takes place in a very restrictive Victorian-esque setting, the character's full", "for a person who feels that their gender identity does not match their", "however, lately I have begun thinking about developing him more and giving him", "a transgender man, and the character himself does not explicitly spell it out", "positive way? Edit: Additional information I would like to clarify that the reveal", "full backstory is only revealed much later as part of a major plot", "his feelings being belittled and challenged by his non-accepting mother. However, I do", "is a transgender man, and the character himself does not explicitly spell it", "belittled and challenged by his non-accepting mother. However, I do not have firsthand", "sequence, and he presents himself as masculine (by which I mean that he", "does not explicitly spell it out until a conversation with the main character", "novel-in-progress, one of the two main characters has a close friend he's known", "long time and I didn't want them to exposit their backstories at each", "character, and thus far I have not focused too much on this aspect", "way that is accurate to people who have gender dysphoria in the real", "developing this character, I have been thinking about how to accurately portray the", "mean that the character does not make an outright reference to his status", "the two main characters has a close friend he's known since childhood. Both", "this childhood friend is a transgender man, and the character himself does not", "this character's childhood that involves his feelings being belittled and challenged by his", "a very restrictive Victorian-esque setting, the character's full backstory is only revealed much", "is accurate to people who have gender dysphoria in the real world. Specifically,", "backstories at each other in their first conversation solely for the reader's benefit.", "dysphoria as a general term for a person who feels that their gender", "to exposit their backstories at each other in their first conversation solely for", "their first conversation solely for the reader's benefit. I would also like to", "setting, the character's full backstory is only revealed much later as part of", "them to exposit their backstories at each other in their first conversation solely", "term for a person who feels that their gender identity does not match", "that their gender identity does not match their physical characteristics, and do not", "and I didn't want them to exposit their backstories at each other in", "this aspect of him; however, lately I have begun thinking about developing him", "feelings being belittled and challenged by his non-accepting mother. However, I do not", "the character's full backstory is only revealed much later as part of a", "in a way that is accurate to people who have gender dysphoria in", "with the thought processes involved in gender dysphoria and how a person would", "In my fantasy novel-in-progress, one of the two main characters has a close", "man, and the character himself does not explicitly spell it out until a", "thus far I have not focused too much on this aspect of him;", "character does not make an outright reference to his status in dialogue until", "transgender man, and the character himself does not explicitly spell it out until", "as a whole. The story takes place in a very restrictive Victorian-esque setting,", "the thoughts and feelings of a character with gender dysphoria in an accurate,", "struggles* of a character who has gender dysphoria in a way that is", "moment from this character's childhood that involves his feelings being belittled and challenged", "the story, and this character is critical to the story as a whole.", "me to this question... Question As part of developing this character, I have", "has a close friend he's known since childhood. Both of them are greatly", "each other throughout the story, and this character is critical to the story", "plot sequence, and he presents himself as masculine (by which I mean that", "throughout the story, and this character is critical to the story as a", "as part of a scene later on, I would like to write a", "of a scene later on, I would like to write a brief POV", "characters has a close friend he's known since childhood. Both of them are", "greatly developed by their interactions with each other throughout the story, and this", "scene later on, I would like to write a brief POV scene of", "character is introduced. When I say that it is not explicitly stated until", "been thinking about how to accurately portray the thoughts and internal struggles of", "part of developing this character, I have been thinking about how to accurately", "and psychologically experience it. How do I portray the thoughts and feelings of", "clothing and refers to himself as male). For all of those reasons, it", "how a person would mentally and psychologically experience it. How do I portray", "and that has led me to this question... Question As part of developing", "his non-accepting mother. However, I do not have firsthand experiences with the thought", "reasons, it is not immediately obvious to the reader that this childhood friend", "that it is not explicitly stated until later, I mean that the character", "is critical to the story as a whole. The story takes place in", "transgender is only one part of his character, and thus far I have", "has led me to this question... Question As part of developing this character,", "outright reference to his status in dialogue until a few chapters in, since", "in an accurate, sensitive and positive way? Edit: Additional information** I would like", "have begun thinking about developing him more and giving him more scenes and", "involved in gender dysphoria and how a person would mentally and psychologically experience", "takes place in a very restrictive Victorian-esque setting, the character's full backstory is", "the character does not make an outright reference to his status in dialogue", "critical to the story as a whole. The story takes place in a", "brief POV scene of a traumatic moment from this character's childhood that involves", "too much on this aspect of him; however, lately I have begun thinking", "is not sudden, unexpected or \"out of the blue\" - it is made", "known since childhood. Both of them are greatly developed by their interactions with", "he presents himself as masculine (by which I mean that he dresses in", "any way suggest it is a pathology or disease. That would be horrible,", "and he presents himself as masculine (by which I mean that he dresses", "reader's benefit. I would also like to clarify that I use gender dysphoria", "reference to his status in dialogue until a few chapters in, since the", "how to accurately portray the thoughts and internal struggles of a character who", "in their first conversation solely for the reader's benefit. I would also like", "later on, I would like to write a brief POV scene of a", "way? Edit: Additional information I would like to clarify that the reveal is", "until a few chapters in, since the main character has known him for", "Question As part of developing this character, I have been thinking about how", "part of a scene later on, I would like to write a brief", "him for a long time and I didn't want them to exposit their", "story as a whole. The story takes place in a very restrictive Victorian-esque", "not explicitly stated until later, I mean that the character does not make", "other throughout the story, and this character is critical to the story as", "other in their first conversation solely for the reader's benefit. I would also", "to this question... Question As part of developing this character, I have been", "not explicitly spell it out until a conversation with the main character a", "spell it out until a conversation with the main character a few chapters", "as a general term for a person who feels that their gender identity", "him more scenes and dialogue, and that has led me to this question...", "scene of a traumatic moment from this character's childhood that involves his feelings", "has gender dysphoria in a way that is accurate to people who have", "being belittled and challenged by his non-accepting mother. However, I do not have", "Additional information I would like to clarify that the reveal is not sudden,", "didn't want them to exposit their backstories at each other in their first", "traumatic moment from this character's childhood that involves his feelings being belittled and", "status in dialogue until a few chapters in, since the main character has", "an outright reference to his status in dialogue until a few chapters in,", "friend is a transgender man, and the character himself does not explicitly spell", "giving him more scenes and dialogue, and that has led me to this", "that is accurate to people who have gender dysphoria in the real world.", "led me to this question... Question As part of developing this character, I", "I have not focused too much on this aspect of him; however, lately", "interactions with each other throughout the story, and this character is critical to", "involves his feelings being belittled and challenged by his non-accepting mother. However, I", "does not make an outright reference to his status in dialogue until a", "person who feels that their gender identity does not match their physical characteristics,", "of developing this character, I have been thinking about how to accurately portray", "refers to himself as male). For all of those reasons, it is not", "in. In other words, this character being transgender is only one part of", "feels that their gender identity does not match their physical characteristics, and do", "I use gender dysphoria as a general term for a person who feels", "the story as a whole. The story takes place in a very restrictive", "blue\" - it is made fairly clear when the character is introduced. When", "a whole. The story takes place in a very restrictive Victorian-esque setting, the", "to write a brief POV scene of a traumatic moment from this character's", "that the reveal is not sudden, unexpected or \"out of the blue\" -", "experience it. How do I portray the thoughts and feelings of a character", "a few chapters in. In other words, this character being transgender is only", "character's full backstory is only revealed much later as part of a major", "that has led me to this question... Question** As part of developing this", "a brief POV scene of a traumatic moment from this character's childhood that", "Victorian-esque setting, the character's full backstory is only revealed much later as part", "Specifically, as part of a scene later on, I would like to write", "character, I have been thinking about how to accurately portray the thoughts and", "thoughts and feelings of a character with gender dysphoria in an accurate, sensitive", "character with gender dysphoria in an accurate, sensitive and positive way? Edit: Additional", "two main characters has a close friend he's known since childhood. Both of", "gender dysphoria in an accurate, sensitive and positive way? Edit: Additional information I", "to the story as a whole. The story takes place in a very", "conversation solely for the reader's benefit. I would also like to clarify that", "clarify that I use gender dysphoria as a general term for a person", "does not match their physical characteristics, and do not in any way suggest", "main character has known him for a long time and I didn't want", "at each other in their first conversation solely for the reader's benefit. I", "who feels that their gender identity does not match their physical characteristics, and", "since childhood. Both of them are greatly developed by their interactions with each", "would mentally and psychologically experience it. How do I portray the thoughts and", "the reader that this childhood friend is a transgender man, and the character", "characteristics, and do not in any way suggest it is a pathology or", "thinking about how to accurately portray the thoughts and internal struggles of a", "challenged by his non-accepting mother. However, I do not have firsthand experiences with", "and this character is critical to the story as a whole. The story", "it is not explicitly stated until later, I mean that the character does", "when the character is introduced. When I say that it is not explicitly", "to clarify that I use gender dysphoria as a general term for a", "explicitly spell it out until a conversation with the main character a few", "say that it is not explicitly stated until later, I mean that the", "dialogue, and that has led me to this question... Question As part of", "and thus far I have not focused too much on this aspect of", "a way that is accurate to people who have gender dysphoria in the", "developed by their interactions with each other throughout the story, and this character", "character who has gender dysphoria in a way that is accurate to people", "not make an outright reference to his status in dialogue until a few", "those reasons, it is not immediately obvious to the reader that this childhood", "a character with gender dysphoria in an accurate, sensitive and positive way? Edit:", "it is made fairly clear when the character is introduced. When I say", "being transgender is only one part of his character, and thus far I", "I mean that the character does not make an outright reference to his", "fantasy novel-in-progress, one of the two main characters has a close friend he's", "a close friend he's known since childhood. Both of them are greatly developed", "is not immediately obvious to the reader that this childhood friend is a", "gender dysphoria and how a person would mentally and psychologically experience it. How", "with the main character a few chapters in. In other words, this character", "that this childhood friend is a transgender man, and the character himself does", "gender dysphoria in the real world. Specifically, as part of a scene later", "only one part of his character, and thus far I have not focused", "a traumatic moment from this character's childhood that involves his feelings being belittled", "their physical characteristics, and do not in any way suggest it is a", "their backstories at each other in their first conversation solely for the reader's", "later, I mean that the character does not make an outright reference to", "firsthand experiences with the thought processes involved in gender dysphoria and how a", "as male). For all of those reasons, it is not immediately obvious to", "I have begun thinking about developing him more and giving him more scenes", "\"out of the blue\" - it is made fairly clear when the character", "whole. The story takes place in a very restrictive Victorian-esque setting, the character's", "himself as masculine (by which I mean that he dresses in traditionally masculine", "his character, and thus far I have not focused too much on this", "do I portray the thoughts and feelings of a character with gender dysphoria", "his status in dialogue until a few chapters in, since the main character", "and the character himself does not explicitly spell it out until a conversation", "more scenes and dialogue, and that has led me to this question... Question", "and how a person would mentally and psychologically experience it. How do I", "that the character does not make an outright reference to his status in", "only revealed much later as part of a major plot sequence, and he", "the main character has known him for a long time and I didn't", "and do not in any way suggest it is a pathology or disease.", "Edit: Additional information I would like to clarify that the reveal is not", "until later, I mean that the character does not make an outright reference", "he's known since childhood. Both of them are greatly developed by their interactions", "and challenged by his non-accepting mother. However, I do not have firsthand experiences", "to the reader that this childhood friend is a transgender man, and the", "about developing him more and giving him more scenes and dialogue, and that", "non-accepting mother. However, I do not have firsthand experiences with the thought processes", "a general term for a person who feels that their gender identity does", "sensitive and positive way? Edit: Additional information** I would like to clarify that", "of a traumatic moment from this character's childhood that involves his feelings being", "himself does not explicitly spell it out until a conversation with the main", "about how to accurately portray the thoughts and internal struggles of a character", "reveal is not sudden, unexpected or \"out of the blue\" - it is", "words, this character being transgender is only one part of his character, and", "of him; however, lately I have begun thinking about developing him more and", "like to write a brief POV scene of a traumatic moment from this", "by his non-accepting mother. However, I do not have firsthand experiences with the" ]
[ "would be otherwise dull. I've done some research and honestly I wasn't able", "other uses for metaphors other than forming an allegory and for stylistic effect,", "than forming an allegory and for stylistic effect, that is, adding more flair", "and honestly I wasn't able to find anything that would suggest me otherwise.", "metaphors other than forming an allegory and for stylistic effect, that is, adding", "I've done some research and honestly I wasn't able to find anything that", "that would be otherwise dull. I've done some research and honestly I wasn't", "description that would be otherwise dull. I've done some research and honestly I", "stylistic effect, that is, adding more flair to a description that would be", "allegory and for stylistic effect, that is, adding more flair to a description", "if there were other uses for metaphors other than forming an allegory and", "forming an allegory and for stylistic effect, that is, adding more flair to", "wondering if there were other uses for metaphors other than forming an allegory", "was wondering if there were other uses for metaphors other than forming an", "research and honestly I wasn't able to find anything that would suggest me", "some research and honestly I wasn't able to find anything that would suggest", "other than forming an allegory and for stylistic effect, that is, adding more", "a description that would be otherwise dull. I've done some research and honestly", "adding more flair to a description that would be otherwise dull. I've done", "for stylistic effect, that is, adding more flair to a description that would", "dull. I've done some research and honestly I wasn't able to find anything", "be otherwise dull. I've done some research and honestly I wasn't able to", "and for stylistic effect, that is, adding more flair to a description that", "done some research and honestly I wasn't able to find anything that would", "uses for metaphors other than forming an allegory and for stylistic effect, that", "that is, adding more flair to a description that would be otherwise dull.", "otherwise dull. I've done some research and honestly I wasn't able to find", "flair to a description that would be otherwise dull. I've done some research", "is, adding more flair to a description that would be otherwise dull. I've", "there were other uses for metaphors other than forming an allegory and for", "more flair to a description that would be otherwise dull. I've done some", "to a description that would be otherwise dull. I've done some research and", "were other uses for metaphors other than forming an allegory and for stylistic", "effect, that is, adding more flair to a description that would be otherwise", "for metaphors other than forming an allegory and for stylistic effect, that is,", "I was wondering if there were other uses for metaphors other than forming", "an allegory and for stylistic effect, that is, adding more flair to a" ]
[ "uncommon to see even a four-letter word broken in twain. In English, I", "process of breaking words between lines to create more consistency across a text", "across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a line-break", "helps justify a text, along letter spacing and kerning. A word processors can", "hyphenation in my manuscript? Why is it that hyphenation is very rarely used", "me to use or not to use hyphenation in my manuscript? Why is", "in my manuscript? Why is it that hyphenation is very rarely used in", "Russian in particular, it is not uncommon to see even a four-letter word", "a hyphen. It helps justify a text, along letter spacing and kerning. A", "is broken across a line-break by means of a hyphen. It helps justify", "French printed literature, hyphenation is very common. In Russian in particular, it is", "at all. I have sometimes seen it in academic articles, breaking uncommonly long", "End-of-line hyphenation is the process of breaking words between lines to create more", "have sometimes seen it in academic articles, breaking uncommonly long words like 'deoxyribonucleic'.", "use or not to use hyphenation in my manuscript? Why is it that", "line-break by means of a hyphen. It helps justify a text, along letter", "word processors can do this automatically, if one so desires. In Russian and", "it in academic articles, breaking uncommonly long words like 'deoxyribonucleic'. Are there commonly", "text, along letter spacing and kerning. A word processors can do this automatically,", "justify a text, along letter spacing and kerning. A word processors can do", "I have sometimes seen it in academic articles, breaking uncommonly long words like", "kerning. A word processors can do this automatically, if one so desires. In", "to create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is", "in English? Any reasons for me to use or not to use hyphenation", "to see even a four-letter word broken in twain. In English, I have", "of a hyphen. It helps justify a text, along letter spacing and kerning.", "is the process of breaking words between lines to create more consistency across", "spacing and kerning. A word processors can do this automatically, if one so", "Russian and French printed literature, hyphenation is very common. In Russian in particular,", "a text, along letter spacing and kerning. A word processors can do this", "by means of a hyphen. It helps justify a text, along letter spacing", "can do this automatically, if one so desires. In Russian and French printed", "English? Any reasons for me to use or not to use hyphenation in", "end-of-line hyphenation in English? Any reasons for me to use or not to", "so desires. In Russian and French printed literature, hyphenation is very common. In", "and French printed literature, hyphenation is very common. In Russian in particular, it", "processors can do this automatically, if one so desires. In Russian and French", "seen it in academic articles, breaking uncommonly long words like 'deoxyribonucleic'. Are there", "A word processors can do this automatically, if one so desires. In Russian", "there commonly used standards for end-of-line hyphenation in English? Any reasons for me", "is very common. In Russian in particular, it is not uncommon to see", "four-letter word broken in twain. In English, I have never seen hyphenation in", "hyphen. It helps justify a text, along letter spacing and kerning. A word", "word broken in twain. In English, I have never seen hyphenation in literary", "not to use hyphenation in my manuscript? Why is it that hyphenation is", "word is broken across a line-break by means of a hyphen. It helps", "hyphenation is the process of breaking words between lines to create more consistency", "never seen hyphenation in literary texts at all. I have sometimes seen it", "between lines to create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long", "reasons for me to use or not to use hyphenation in my manuscript?", "manuscript? Why is it that hyphenation is very rarely used in English literary", "one so desires. In Russian and French printed literature, hyphenation is very common.", "Are there commonly used standards for end-of-line hyphenation in English? Any reasons for", "not uncommon to see even a four-letter word broken in twain. In English,", "particular, it is not uncommon to see even a four-letter word broken in", "([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a line-break by means of a", "words like 'deoxyribonucleic'. Are there commonly used standards for end-of-line hyphenation in English?", "if one so desires. In Russian and French printed literature, hyphenation is very", "literary texts at all. I have sometimes seen it in academic articles, breaking", "it is not uncommon to see even a four-letter word broken in twain.", "block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a line-break by means of", "is not uncommon to see even a four-letter word broken in twain. In", "see even a four-letter word broken in twain. In English, I have never", "my manuscript? Why is it that hyphenation is very rarely used in English", "English, I have never seen hyphenation in literary texts at all. I have", "'deoxyribonucleic'. Are there commonly used standards for end-of-line hyphenation in English? Any reasons", "standards for end-of-line hyphenation in English? Any reasons for me to use or", "this automatically, if one so desires. In Russian and French printed literature, hyphenation", "for end-of-line hyphenation in English? Any reasons for me to use or not", "desires. In Russian and French printed literature, hyphenation is very common. In Russian", "articles, breaking uncommonly long words like 'deoxyribonucleic'. Are there commonly used standards for", "have never seen hyphenation in literary texts at all. I have sometimes seen", "a four-letter word broken in twain. In English, I have never seen hyphenation", "texts at all. I have sometimes seen it in academic articles, breaking uncommonly", "broken in twain. In English, I have never seen hyphenation in literary texts", "common. In Russian in particular, it is not uncommon to see even a", "lines to create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word", "hyphenation in literary texts at all. I have sometimes seen it in academic", "It helps justify a text, along letter spacing and kerning. A word processors", "breaking words between lines to create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html))", "automatically, if one so desires. In Russian and French printed literature, hyphenation is", "sometimes seen it in academic articles, breaking uncommonly long words like 'deoxyribonucleic'. Are", "like 'deoxyribonucleic'. Are there commonly used standards for end-of-line hyphenation in English? Any", "printed literature, hyphenation is very common. In Russian in particular, it is not", "hyphenation in English? Any reasons for me to use or not to use", "text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a line-break by means", "of breaking words between lines to create more consistency across a text block.", "do this automatically, if one so desires. In Russian and French printed literature,", "along letter spacing and kerning. A word processors can do this automatically, if", "for me to use or not to use hyphenation in my manuscript? Why", "more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across", "consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a", "in particular, it is not uncommon to see even a four-letter word broken", "broken across a line-break by means of a hyphen. It helps justify a", "I have never seen hyphenation in literary texts at all. I have sometimes", "Any reasons for me to use or not to use hyphenation in my", "uncommonly long words like 'deoxyribonucleic'. Are there commonly used standards for end-of-line hyphenation", "long words like 'deoxyribonucleic'. Are there commonly used standards for end-of-line hyphenation in", "commonly used standards for end-of-line hyphenation in English? Any reasons for me to", "to use hyphenation in my manuscript? Why is it that hyphenation is very", "letter spacing and kerning. A word processors can do this automatically, if one", "academic articles, breaking uncommonly long words like 'deoxyribonucleic'. Are there commonly used standards", "or not to use hyphenation in my manuscript? Why is it that hyphenation", "in literary texts at all. I have sometimes seen it in academic articles,", "across a line-break by means of a hyphen. It helps justify a text,", "in twain. In English, I have never seen hyphenation in literary texts at", "all. I have sometimes seen it in academic articles, breaking uncommonly long words", "In Russian in particular, it is not uncommon to see even a four-letter", "long word is broken across a line-break by means of a hyphen. It", "literature, hyphenation is very common. In Russian in particular, it is not uncommon", "used standards for end-of-line hyphenation in English? Any reasons for me to use", "even a four-letter word broken in twain. In English, I have never seen", "to use or not to use hyphenation in my manuscript? Why is it", "a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken across a line-break by", "a line-break by means of a hyphen. It helps justify a text, along", "In Russian and French printed literature, hyphenation is very common. In Russian in", "create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A long word is broken", "breaking uncommonly long words like 'deoxyribonucleic'. Are there commonly used standards for end-of-line", "Why is it that hyphenation is very rarely used in English literary texts?", "hyphenation is very common. In Russian in particular, it is not uncommon to", "seen hyphenation in literary texts at all. I have sometimes seen it in", "twain. In English, I have never seen hyphenation in literary texts at all.", "very common. In Russian in particular, it is not uncommon to see even", "use hyphenation in my manuscript? Why is it that hyphenation is very rarely", "A long word is broken across a line-break by means of a hyphen.", "in academic articles, breaking uncommonly long words like 'deoxyribonucleic'. Are there commonly used", "and kerning. A word processors can do this automatically, if one so desires.", "means of a hyphen. It helps justify a text, along letter spacing and", "In English, I have never seen hyphenation in literary texts at all. I", "words between lines to create more consistency across a text block. ([source](https://practicaltypography.com/hyphenation.html)) A", "the process of breaking words between lines to create more consistency across a" ]
[ "people make a story about genocide committed by a fascist government, the story", "that? I feel it was done so many times that doing so would", "into a Nazi Germany cliché, especially when the story is set in a", "was done so many times that doing so would reduce the value of", "when the story is set in a modern or futuristic setting. Are there", "devolves into a Nazi Germany cliché, especially when the story is set in", "make a story about genocide committed by a fascist government, the story often", "story often devolves into a Nazi Germany cliché, especially when the story is", "many times that doing so would reduce the value of the novel you're", "a modern or futuristic setting. Are there ways to avoid that? I feel", "so many times that doing so would reduce the value of the novel", "a fascist government, the story often devolves into a Nazi Germany cliché, especially", "by a fascist government, the story often devolves into a Nazi Germany cliché,", "genocide committed by a fascist government, the story often devolves into a Nazi", "cliché, especially when the story is set in a modern or futuristic setting.", "modern or futuristic setting. Are there ways to avoid that? I feel it", "a story about genocide committed by a fascist government, the story often devolves", "or futuristic setting. Are there ways to avoid that? I feel it was", "Germany cliché, especially when the story is set in a modern or futuristic", "government, the story often devolves into a Nazi Germany cliché, especially when the", "Too often, when people make a story about genocide committed by a fascist", "often devolves into a Nazi Germany cliché, especially when the story is set", "fascist government, the story often devolves into a Nazi Germany cliché, especially when", "often, when people make a story about genocide committed by a fascist government,", "done so many times that doing so would reduce the value of the", "set in a modern or futuristic setting. Are there ways to avoid that?", "it was done so many times that doing so would reduce the value", "I feel it was done so many times that doing so would reduce", "Are there ways to avoid that? I feel it was done so many", "especially when the story is set in a modern or futuristic setting. Are", "in a modern or futuristic setting. Are there ways to avoid that? I", "is set in a modern or futuristic setting. Are there ways to avoid", "committed by a fascist government, the story often devolves into a Nazi Germany", "ways to avoid that? I feel it was done so many times that", "a Nazi Germany cliché, especially when the story is set in a modern", "when people make a story about genocide committed by a fascist government, the", "Nazi Germany cliché, especially when the story is set in a modern or", "futuristic setting. Are there ways to avoid that? I feel it was done", "story about genocide committed by a fascist government, the story often devolves into", "the story is set in a modern or futuristic setting. Are there ways", "feel it was done so many times that doing so would reduce the", "the story often devolves into a Nazi Germany cliché, especially when the story", "to avoid that? I feel it was done so many times that doing", "setting. Are there ways to avoid that? I feel it was done so", "times that doing so would reduce the value of the novel you're writing.", "there ways to avoid that? I feel it was done so many times", "about genocide committed by a fascist government, the story often devolves into a", "avoid that? I feel it was done so many times that doing so", "story is set in a modern or futuristic setting. Are there ways to" ]
[ "> otherwise? I made the call, because of that we're both alive. How", "but often when you make your character say something relevant, it often sounds", "> decide my own fate. I cannot ever forgive you for this! >", "> Rumerz: I don't care! Do as you want. If you want to", "a person would react and what they would say in such situations. Often,", "not quite black and white, and it can be hard to tell especially", "black and white, and it can be hard to tell especially if you've", "can't you see this!? > > > Natalia: You made the choice without", "do any good. What's done is done! > > > Natalia: You pig!", "If you want to die, go ahead, kill > yourself. It's as simple", "kinda sounds awkward and ridiculous, but often it's not quite black and white,", "monster, how could you do that to me? > > > Rumerz: It", "quite black and white, and it can be hard to tell especially if", "> As you can see, it kinda sounds awkward and ridiculous, but often", "any good. What's done is done! > > > Natalia: You pig! >", "pig! > > > As you can see, it kinda sounds awkward and", "> > Natalia: You pig! > > > As you can see, it", "you've been writing a lot. So is there some kind of test or", "say in such situations. Often, I feel people would stay silent and say", "No matter what you tell me, it's > not going to do any", "the only choice! You think we could have survived > otherwise? I made", "> > As you can see, it kinda sounds awkward and ridiculous, but", "You turned me into a monster, how could you do that to me?", "and white, and it can be hard to tell especially if you've been", "you an example: > > Natalia: You turned me into a monster, how", "> Rumerz: It was the only choice! You think we could have survived", "It was the only choice! You think we could have survived > otherwise?", "silent and say irrational or dumb things, but that cannot really happen, but", "> Natalia: You pig! > > > As you can see, it kinda", "die, go ahead, kill > yourself. It's as simple as it gets. No", "fictions, you find yourself in very weird situations and it's hard to know", "many fictions, you find yourself in very weird situations and it's hard to", "unnatural and sometimes even cringy. Let me give you an example: > >", "very weird situations and it's hard to know how a person would react", "kill > yourself. It's as simple as it gets. No matter what you", "As you can see, it kinda sounds awkward and ridiculous, but often it's", "to tell especially if you've been writing a lot. So is there some", "you want. If you want to die, go ahead, kill > yourself. It's", "choice without letting me > decide my own fate. I cannot ever forgive", "> Natalia: You made the choice without letting me > decide my own", "such situations. Often, I feel people would stay silent and say irrational or", "Rumerz: I don't care! Do as you want. If you want to die,", "> > > As you can see, it kinda sounds awkward and ridiculous,", "care! Do as you want. If you want to die, go ahead, kill", "when you make your character say something relevant, it often sounds very unnatural", "it's hard to know how a person would react and what they would", "but something people wouldn't really say. For example, in many fictions, you find", "person would react and what they would say in such situations. Often, I", "what they would say in such situations. Often, I feel people would stay", "cringy. Let me give you an example: > > Natalia: You turned me", "people would stay silent and say irrational or dumb things, but that cannot", "gets. No matter what you tell me, it's > not going to do", "as simple as it gets. No matter what you tell me, it's >", "you tell me, it's > not going to do any good. What's done", "would say in such situations. Often, I feel people would stay silent and", "we're both alive. How > can't you see this!? > > > Natalia:", "lot. So is there some kind of test or thought experiment you can", "of test or thought experiment you can use to make the determination that", "So is there some kind of test or thought experiment you can use", "ridiculous, but often it's not quite black and white, and it can be", "experiment you can use to make the determination that a dialogue is bad?", "irrational or dumb things, but that cannot really happen, but often when you", "character say something relevant, it often sounds very unnatural and sometimes even cringy.", "to do any good. What's done is done! > > > Natalia: You", "could have survived > otherwise? I made the call, because of that we're", "know how a person would react and what they would say in such", "situations and it's hard to know how a person would react and what", "really say. For example, in many fictions, you find yourself in very weird", "how could you do that to me? > > > Rumerz: It was", "it kinda sounds awkward and ridiculous, but often it's not quite black and", "sounds awkward and ridiculous, but often it's not quite black and white, and", "this! > > > Rumerz: I don't care! Do as you want. If", "often sounds very unnatural and sometimes even cringy. Let me give you an", "this!? > > > Natalia: You made the choice without letting me >", "can be hard to tell especially if you've been writing a lot. So", "to me? > > > Rumerz: It was the only choice! You think", "unnatural, I don't mean ungrammatical, but something people wouldn't really say. For example,", "react and what they would say in such situations. Often, I feel people", "dumb things, but that cannot really happen, but often when you make your", "yourself. It's as simple as it gets. No matter what you tell me,", "find yourself in very weird situations and it's hard to know how a", "cannot ever forgive you for this! > > > Rumerz: I don't care!", "without letting me > decide my own fate. I cannot ever forgive you", "but often it's not quite black and white, and it can be hard", "been writing a lot. So is there some kind of test or thought", "we could have survived > otherwise? I made the call, because of that", "Often, I feel people would stay silent and say irrational or dumb things,", "what you tell me, it's > not going to do any good. What's", "in many fictions, you find yourself in very weird situations and it's hard", "not going to do any good. What's done is done! > > >", "you find yourself in very weird situations and it's hard to know how", "> > Rumerz: It was the only choice! You think we could have", "Rumerz: It was the only choice! You think we could have survived >", "good. What's done is done! > > > Natalia: You pig! > >", "hard to know how a person would react and what they would say", "something people wouldn't really say. For example, in many fictions, you find yourself", "especially if you've been writing a lot. So is there some kind of", "I don't mean ungrammatical, but something people wouldn't really say. For example, in", "the call, because of that we're both alive. How > can't you see", "there some kind of test or thought experiment you can use to make", "that cannot really happen, but often when you make your character say something", "survived > otherwise? I made the call, because of that we're both alive.", "it can be hard to tell especially if you've been writing a lot.", "want to die, go ahead, kill > yourself. It's as simple as it", "a monster, how could you do that to me? > > > Rumerz:", "For example, in many fictions, you find yourself in very weird situations and", "done! > > > Natalia: You pig! > > > As you can", "a lot. So is there some kind of test or thought experiment you", "is there some kind of test or thought experiment you can use to", "I don't care! Do as you want. If you want to die, go", "I feel people would stay silent and say irrational or dumb things, but", "it's > not going to do any good. What's done is done! >", "as you want. If you want to die, go ahead, kill > yourself.", "in very weird situations and it's hard to know how a person would", "people wouldn't really say. For example, in many fictions, you find yourself in", "wouldn't really say. For example, in many fictions, you find yourself in very", "to know how a person would react and what they would say in", "say something relevant, it often sounds very unnatural and sometimes even cringy. Let", "in such situations. Often, I feel people would stay silent and say irrational", "and say irrational or dumb things, but that cannot really happen, but often", "have survived > otherwise? I made the call, because of that we're both", "ever forgive you for this! > > > Rumerz: I don't care! Do", "don't mean ungrammatical, but something people wouldn't really say. For example, in many", "to die, go ahead, kill > yourself. It's as simple as it gets.", "matter what you tell me, it's > not going to do any good.", "often it's not quite black and white, and it can be hard to", "be hard to tell especially if you've been writing a lot. So is", "sometimes even cringy. Let me give you an example: > > Natalia: You", "> > > Rumerz: I don't care! Do as you want. If you", "don't care! Do as you want. If you want to die, go ahead,", "forgive you for this! > > > Rumerz: I don't care! Do as", "and what they would say in such situations. Often, I feel people would", "I cannot ever forgive you for this! > > > Rumerz: I don't", "would react and what they would say in such situations. Often, I feel", "things, but that cannot really happen, but often when you make your character", "me into a monster, how could you do that to me? > >", "yourself in very weird situations and it's hard to know how a person", "and it can be hard to tell especially if you've been writing a", "made the call, because of that we're both alive. How > can't you", "your character say something relevant, it often sounds very unnatural and sometimes even", "> > Natalia: You made the choice without letting me > decide my", "tell especially if you've been writing a lot. So is there some kind", "fate. I cannot ever forgive you for this! > > > Rumerz: I", "can see, it kinda sounds awkward and ridiculous, but often it's not quite", "me, it's > not going to do any good. What's done is done!", "see this!? > > > Natalia: You made the choice without letting me", "weird situations and it's hard to know how a person would react and", "an example: > > Natalia: You turned me into a monster, how could", "call, because of that we're both alive. How > can't you see this!?", "me > decide my own fate. I cannot ever forgive you for this!", "own fate. I cannot ever forgive you for this! > > > Rumerz:", "you want to die, go ahead, kill > yourself. It's as simple as", "you can see, it kinda sounds awkward and ridiculous, but often it's not", "really happen, but often when you make your character say something relevant, it", "make your character say something relevant, it often sounds very unnatural and sometimes", "> Natalia: You turned me into a monster, how could you do that", "alive. How > can't you see this!? > > > Natalia: You made", "You pig! > > > As you can see, it kinda sounds awkward", "my own fate. I cannot ever forgive you for this! > > >", "you for this! > > > Rumerz: I don't care! Do as you", "me give you an example: > > Natalia: You turned me into a", "kind of test or thought experiment you can use to make the determination", "could you do that to me? > > > Rumerz: It was the", "say irrational or dumb things, but that cannot really happen, but often when", "> > > Natalia: You made the choice without letting me > decide", "It's as simple as it gets. No matter what you tell me, it's", "see, it kinda sounds awkward and ridiculous, but often it's not quite black", "if you've been writing a lot. So is there some kind of test", "both alive. How > can't you see this!? > > > Natalia: You", "it often sounds very unnatural and sometimes even cringy. Let me give you", "> > Rumerz: I don't care! Do as you want. If you want", "You think we could have survived > otherwise? I made the call, because", "test or thought experiment you can use to make the determination that a", "but that cannot really happen, but often when you make your character say", "because of that we're both alive. How > can't you see this!? >", "do that to me? > > > Rumerz: It was the only choice!", "mean ungrammatical, but something people wouldn't really say. For example, in many fictions,", "You made the choice without letting me > decide my own fate. I", "as it gets. No matter what you tell me, it's > not going", "or thought experiment you can use to make the determination that a dialogue", "would stay silent and say irrational or dumb things, but that cannot really", "something relevant, it often sounds very unnatural and sometimes even cringy. Let me", "go ahead, kill > yourself. It's as simple as it gets. No matter", "me? > > > Rumerz: It was the only choice! You think we", "it gets. No matter what you tell me, it's > not going to", "give you an example: > > Natalia: You turned me into a monster,", "that we're both alive. How > can't you see this!? > > >", "even cringy. Let me give you an example: > > Natalia: You turned", "very unnatural and sometimes even cringy. Let me give you an example: >", "going to do any good. What's done is done! > > > Natalia:", "that to me? > > > Rumerz: It was the only choice! You", "you do that to me? > > > Rumerz: It was the only", "it's not quite black and white, and it can be hard to tell", "white, and it can be hard to tell especially if you've been writing", "Do as you want. If you want to die, go ahead, kill >", "How > can't you see this!? > > > Natalia: You made the", "for this! > > > Rumerz: I don't care! Do as you want.", "happen, but often when you make your character say something relevant, it often", "made the choice without letting me > decide my own fate. I cannot", "choice! You think we could have survived > otherwise? I made the call,", "Natalia: You pig! > > > As you can see, it kinda sounds", "say. For example, in many fictions, you find yourself in very weird situations", "> > > Natalia: You pig! > > > As you can see,", "simple as it gets. No matter what you tell me, it's > not", "What's done is done! > > > Natalia: You pig! > > >", "done is done! > > > Natalia: You pig! > > > As", "some kind of test or thought experiment you can use to make the", "I made the call, because of that we're both alive. How > can't", "think we could have survived > otherwise? I made the call, because of", "Let me give you an example: > > Natalia: You turned me into", "Natalia: You made the choice without letting me > decide my own fate.", "of that we're both alive. How > can't you see this!? > >", "> not going to do any good. What's done is done! > >", "and it's hard to know how a person would react and what they", "awkward and ridiculous, but often it's not quite black and white, and it", "otherwise? I made the call, because of that we're both alive. How >", "example, in many fictions, you find yourself in very weird situations and it's", "> can't you see this!? > > > Natalia: You made the choice", "Natalia: You turned me into a monster, how could you do that to", "stay silent and say irrational or dumb things, but that cannot really happen,", "> > > Rumerz: It was the only choice! You think we could", "and sometimes even cringy. Let me give you an example: > > Natalia:", "> > Natalia: You turned me into a monster, how could you do", "> yourself. It's as simple as it gets. No matter what you tell", "is done! > > > Natalia: You pig! > > > As you", "how a person would react and what they would say in such situations.", "thought experiment you can use to make the determination that a dialogue is", "ungrammatical, but something people wouldn't really say. For example, in many fictions, you", "or dumb things, but that cannot really happen, but often when you make", "sounds very unnatural and sometimes even cringy. Let me give you an example:", "example: > > Natalia: You turned me into a monster, how could you", "turned me into a monster, how could you do that to me? >", "letting me > decide my own fate. I cannot ever forgive you for", "ahead, kill > yourself. It's as simple as it gets. No matter what", "you make your character say something relevant, it often sounds very unnatural and", "was the only choice! You think we could have survived > otherwise? I", "relevant, it often sounds very unnatural and sometimes even cringy. Let me give", "tell me, it's > not going to do any good. What's done is", "cannot really happen, but often when you make your character say something relevant,", "writing a lot. So is there some kind of test or thought experiment", "the choice without letting me > decide my own fate. I cannot ever", "often when you make your character say something relevant, it often sounds very", "want. If you want to die, go ahead, kill > yourself. It's as", "feel people would stay silent and say irrational or dumb things, but that", "decide my own fate. I cannot ever forgive you for this! > >", "into a monster, how could you do that to me? > > >", "you see this!? > > > Natalia: You made the choice without letting", "situations. Often, I feel people would stay silent and say irrational or dumb", "only choice! You think we could have survived > otherwise? I made the", "hard to tell especially if you've been writing a lot. So is there", "and ridiculous, but often it's not quite black and white, and it can", "By unnatural, I don't mean ungrammatical, but something people wouldn't really say. For", "they would say in such situations. Often, I feel people would stay silent" ]
[ "has two prosthetic legs. This character overcame a lot and although they exist", "is strong and made it through the struggles of their disabilities, while avoiding", "by society, the pity able bodied shower them in, and the habit that", "course, overcoming physical or mental impairments to go on and do great things", "my books, a witch who is blind and has two prosthetic legs. This", "people. Of course, overcoming physical or mental impairments to go on and do", "and repetitions of \"you poor thing\". I want to avoid this feeling when", "a witch who is blind and has two prosthetic legs. This character overcame", "made things hard for them, just as they would for anyone. **How do", "for including disabled people or being nice to disabled people. Of course, overcoming", "you weren't impaired is* inspiring; but there is a certain point where congratulations", "able bodied people have of patting themselves on the back for including disabled", "great things as if you weren't impaired is inspiring; but there is a", "on and do great things as if you weren't impaired is inspiring; but", "Downs Win Her Heat During a Swim Competition\", etc., that are touching at", "have seen the headlines: \"Touching Moment Where Autistic Boy is Asked to Prom\",", "Of course, overcoming physical or mental impairments to go on and do great", "in actuality, embody the objectification of disabled people by society, the pity able", "lot and although they exist in a fictional fantasy world of witchcraft and", "affirm that this character is strong and made it through the struggles of", "they would for anyone. **How do I affirm that this character is strong", "objectification of disabled people by society, the pity able bodied shower them in,", "and do great things as if you weren't impaired is* inspiring; but there", "weren't impaired is inspiring; but there is a certain point where congratulations on", "a lot and although they exist in a fictional fantasy world of witchcraft", "physical limitations made things hard for them, just as they would for anyone.", "anyone. *How do I affirm that this character is strong and made it", "people or being nice to disabled people. Of course, overcoming physical or mental", "them in, and the habit that able bodied people have of patting themselves", "to avoid this feeling when I write a future character for one of", "on achievements morph into sympathy, pity, and repetitions of \"you poor thing\". I", "a fictional fantasy world of witchcraft and demons, their struggles are very real,", "I affirm that this character is strong and made it through the struggles", "is Asked to Prom\", \"Watch This Child With Downs Win Her Heat During", "disabled people or being nice to disabled people. Of course, overcoming physical or", "headlines: \"Touching Moment Where Autistic Boy is Asked to Prom\", \"Watch This Child", "witchcraft and demons, their struggles are very real, and their blindness and physical", "to Prom\", \"Watch This Child With Downs Win Her Heat During a Swim", "society, the pity able bodied shower them in, and the habit that able", "struggles are very real, and their blindness and physical limitations made things hard", "Where Autistic Boy is Asked to Prom\", \"Watch This Child With Downs Win", "made it through the struggles of their disabilities, while avoiding the \"inspiration porn\"?", "Asked to Prom\", \"Watch This Child With Downs Win Her Heat During a", "there is a certain point where congratulations on achievements morph into sympathy, pity,", "for them, just as they would for anyone. *How do I affirm that", "this feeling when I write a future character for one of my books,", "is blind and has two prosthetic legs. This character overcame a lot and", "do great things as if you weren't impaired is* inspiring; but there is", "to disabled people. Of course, overcoming physical or mental impairments to go on", "shower them in, and the habit that able bodied people have of patting", "During a Swim Competition\", etc., that are touching at first glance, but in", "although they exist in a fictional fantasy world of witchcraft and demons, their", "who is blind and has two prosthetic legs. This character overcame a lot", "being nice to disabled people. Of course, overcoming physical or mental impairments to", "thing\". I want to avoid this feeling when I write a future character", "to go on and do great things as if you weren't impaired is", "of witchcraft and demons, their struggles are very real, and their blindness and", "certain point where congratulations on achievements morph into sympathy, pity, and repetitions of", "Prom\", \"Watch This Child With Downs Win Her Heat During a Swim Competition\",", "witch who is blind and has two prosthetic legs. This character overcame a", "morph into sympathy, pity, and repetitions of \"you poor thing\". I want to", "including disabled people or being nice to disabled people. Of course, overcoming physical", "bodied people have of patting themselves on the back for including disabled people", "the back for including disabled people or being nice to disabled people. Of", "nice to disabled people. Of course, overcoming physical or mental impairments to go", "people have of patting themselves on the back for including disabled people or", "**How do I affirm that this character is strong and made it through", "is a certain point where congratulations on achievements morph into sympathy, pity, and", "where congratulations on achievements morph into sympathy, pity, and repetitions of \"you poor", "touching at first glance, but in actuality, embody the objectification of disabled people", "This character overcame a lot and although they exist in a fictional fantasy", "that are touching at first glance, but in actuality, embody the objectification of", "impaired is* inspiring; but there is a certain point where congratulations on achievements", "disabled people. Of course, overcoming physical or mental impairments to go on and", "I want to avoid this feeling when I write a future character for", "when I write a future character for one of my books, a witch", "pity, and repetitions of \"you poor thing\". I want to avoid this feeling", "the headlines: \"Touching Moment Where Autistic Boy is Asked to Prom\", \"Watch This", "Boy is Asked to Prom\", \"Watch This Child With Downs Win Her Heat", "fantasy world of witchcraft and demons, their struggles are very real, and their", "actuality, embody the objectification of disabled people by society, the pity able bodied", "at first glance, but in actuality, embody the objectification of disabled people by", "are touching at first glance, but in actuality, embody the objectification of disabled", "point where congratulations on achievements morph into sympathy, pity, and repetitions of \"you", "the pity able bodied shower them in, and the habit that able bodied", "that able bodied people have of patting themselves on the back for including", "blindness and physical limitations made things hard for them, just as they would", "would for anyone. **How do I affirm that this character is strong and", "bodied shower them in, and the habit that able bodied people have of", "overcame a lot and although they exist in a fictional fantasy world of", "character for one of my books, a witch who is blind and has", "one of my books, a witch who is blind and has two prosthetic", "a certain point where congratulations on achievements morph into sympathy, pity, and repetitions", "if you weren't impaired is* inspiring; but there is a certain point where", "repetitions of \"you poor thing\". I want to avoid this feeling when I", "them, just as they would for anyone. **How do I affirm that this", "are very real, and their blindness and physical limitations made things hard for", "\"Touching Moment Where Autistic Boy is Asked to Prom\", \"Watch This Child With", "fictional fantasy world of witchcraft and demons, their struggles are very real, and", "demons, their struggles are very real, and their blindness and physical limitations made", "Child With Downs Win Her Heat During a Swim Competition\", etc., that are", "Competition\", etc., that are touching at first glance, but in actuality, embody the", "This Child With Downs Win Her Heat During a Swim Competition\", etc., that", "real, and their blindness and physical limitations made things hard for them, just", "but there is a certain point where congratulations on achievements morph into sympathy,", "and their blindness and physical limitations made things hard for them, just as", "do I affirm that this character is strong and made it through the", "able bodied shower them in, and the habit that able bodied people have", "a Swim Competition\", etc., that are touching at first glance, but in actuality,", "I write a future character for one of my books, a witch who", "exist in a fictional fantasy world of witchcraft and demons, their struggles are", "Moment Where Autistic Boy is Asked to Prom\", \"Watch This Child With Downs", "sympathy, pity, and repetitions of \"you poor thing\". I want to avoid this", "and demons, their struggles are very real, and their blindness and physical limitations", "into sympathy, pity, and repetitions of \"you poor thing\". I want to avoid", "Autistic Boy is Asked to Prom\", \"Watch This Child With Downs Win Her", "first glance, but in actuality, embody the objectification of disabled people by society,", "legs. This character overcame a lot and although they exist in a fictional", "have of patting themselves on the back for including disabled people or being", "they exist in a fictional fantasy world of witchcraft and demons, their struggles", "and has two prosthetic legs. This character overcame a lot and although they", "in a fictional fantasy world of witchcraft and demons, their struggles are very", "and physical limitations made things hard for them, just as they would for", "\"you poor thing\". I want to avoid this feeling when I write a", "inspiring; but there is a certain point where congratulations on achievements morph into", "With Downs Win Her Heat During a Swim Competition\", etc., that are touching", "people by society, the pity able bodied shower them in, and the habit", "habit that able bodied people have of patting themselves on the back for", "of \"you poor thing\". I want to avoid this feeling when I write", "and although they exist in a fictional fantasy world of witchcraft and demons,", "a future character for one of my books, a witch who is blind", "that this character is strong and made it through the struggles of their", "go on and do great things as if you weren't impaired is* inspiring;", "want to avoid this feeling when I write a future character for one", "all have seen the headlines: \"Touching Moment Where Autistic Boy is Asked to", "Win Her Heat During a Swim Competition\", etc., that are touching at first", "congratulations on achievements morph into sympathy, pity, and repetitions of \"you poor thing\".", "world of witchcraft and demons, their struggles are very real, and their blindness", "Swim Competition\", etc., that are touching at first glance, but in actuality, embody", "prosthetic legs. This character overcame a lot and although they exist in a", "as they would for anyone. **How do I affirm that this character is", "pity able bodied shower them in, and the habit that able bodied people", "patting themselves on the back for including disabled people or being nice to", "of my books, a witch who is blind and has two prosthetic legs.", "on the back for including disabled people or being nice to disabled people.", "impairments to go on and do great things as if you weren't impaired", "or being nice to disabled people. Of course, overcoming physical or mental impairments", "mental impairments to go on and do great things as if you weren't", "disabled people by society, the pity able bodied shower them in, and the", "poor thing\". I want to avoid this feeling when I write a future", "is* inspiring; but there is a certain point where congratulations on achievements morph", "and the habit that able bodied people have of patting themselves on the", "the objectification of disabled people by society, the pity able bodied shower them", "for one of my books, a witch who is blind and has two", "achievements morph into sympathy, pity, and repetitions of \"you poor thing\". I want", "and made it through the struggles of their disabilities, while avoiding the \"inspiration", "their struggles are very real, and their blindness and physical limitations made things", "very real, and their blindness and physical limitations made things hard for them,", "things as if you weren't impaired is inspiring; but there is a certain", "glance, but in actuality, embody the objectification of disabled people by society, the", "hard for them, just as they would for anyone. *How do I affirm", "blind and has two prosthetic legs. This character overcame a lot and although", "limitations made things hard for them, just as they would for anyone. How", "as if you weren't impaired is* inspiring; but there is a certain point", "things hard for them, just as they would for anyone. *How do I", "feeling when I write a future character for one of my books, a", "seen the headlines: \"Touching Moment Where Autistic Boy is Asked to Prom\", \"Watch", "We all have seen the headlines: \"Touching Moment Where Autistic Boy is Asked", "this character is strong and made it through the struggles of their disabilities,", "the habit that able bodied people have of patting themselves on the back", "\"Watch This Child With Downs Win Her Heat During a Swim Competition\", etc.,", "etc., that are touching at first glance, but in actuality, embody the objectification", "back for including disabled people or being nice to disabled people. Of course,", "character overcame a lot and although they exist in a fictional fantasy world", "of patting themselves on the back for including disabled people or being nice", "two prosthetic legs. This character overcame a lot and although they exist in", "future character for one of my books, a witch who is blind and", "Heat During a Swim Competition\", etc., that are touching at first glance, but", "their blindness and physical limitations made things hard for them, just as they", "character is strong and made it through the struggles of their disabilities, while", "embody the objectification of disabled people by society, the pity able bodied shower", "avoid this feeling when I write a future character for one of my", "but in actuality, embody the objectification of disabled people by society, the pity", "for anyone. How do I affirm that this character is strong and made", "of disabled people by society, the pity able bodied shower them in, and", "or mental impairments to go on and do great things as if you", "overcoming physical or mental impairments to go on and do great things as", "books, a witch who is blind and has two prosthetic legs. This character", "strong and made it through the struggles of their disabilities, while avoiding the", "physical or mental impairments to go on and do great things as if", "just as they would for anyone. **How do I affirm that this character", "themselves on the back for including disabled people or being nice to disabled", "in, and the habit that able bodied people have of patting themselves on", "write a future character for one of my books, a witch who is", "Her Heat During a Swim Competition\", etc., that are touching at first glance," ]
[ "this happens to other writers out there, but after living with this character", "just change his surname to any Indian surname, it has > to be,", "friend who I'm still in contact with on Facebook. The character's personality isn't", "would be > open to me. But, my options are partially limited. >", "Snow, Bob Potts, any number of iterations and new names, but none of", "still in contact with on Facebook. The character's personality isn't him (though he", "my primary characters after an old school friend who I'm still in contact", "become a real person to me. It feels like your best mate saying,", "> > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him Bob >", "Are there possible bumps down the road that I can't see? Has anyone", "it has > to be, specifically, an Indian, Muslim surname that fits perfectly", "reader has LOVED this character, he's a really good guy, so there are", "why he has a Muslim first name and a Christian surname. > >", "just want to use his first name. If that were the > case,", "I don't know whether this happens to other writers out there, but after", "It's a thriller series with 3 books in the offing, so Bob will", "that I'm now polishing to publish. When I drafted it, for speed's sake,", "CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him Bob > Snow.\" seems to", "he has become a real person to me. It feels like your best", "isn't Bob Snow, I > just used that as an example to keep", "sake, I named one of my primary characters after an old school friend", "with on Facebook. The character's personality isn't him (though he does look a", "just used his name. Let's call him Bob Snow. I don't know whether", "are no issues with defamation. And I'm sure, if I asked Bob's permission,", "things > because, I can't just change his surname to any Indian surname,", "Without this added complication, a world of name combinations would be > open", "anyone else faced such a dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS", "asking why he has a Muslim first name and a Christian surname. >", "call him Bob Snow. I don't know whether this happens to other writers", "now polishing to publish. When I drafted it, for speed's sake, I named", "so Bob will show up a lot. Are there possible bumps down the", "to any Indian surname, it has > to be, specifically, an Indian, Muslim", "be flattered. It's a thriller series with 3 books in the offing, so", "Bob Snow, I > just used that as an example to keep his", "I drafted it, for speed's sake, I named one of my primary characters", "COMMENTS BELOW): \"Let's call him Bob > Snow.\" seems to be causing some", "> with his first name, otherwise I could have backlash from readers >", "a lot. Are there possible bumps down the road that I can't see?", "from now on. Every beta reader has LOVED this character, he's a really", "to use his full name. > > > The character is a Muslim,", "has LOVED this character, he's a really good guy, so there are no", "confusion. His name isn't Bob Snow, I > just used that as an", "a world of name combinations would be > open to me. But, my", "The character is a Muslim, Indian man. That complicates things > because, I", "first name. If that were the > case, I wouldn't worry. I want", "two years ago that I'm now polishing to publish. When I drafted it,", "that as an example to keep his real name out of this post.", "use his full name. > > > The character is a Muslim, Indian", "will show up a lot. Are there possible bumps down the road that", "changed my name by deed poll and you need to call me FlameBoy", "know whether this happens to other writers out there, but after living with", "And I'm sure, if I asked Bob's permission, he would probably be flattered.", "3 books in the offing, so Bob will show up a lot. Are", "series with 3 books in the offing, so Bob will show up a", "the > case, I wouldn't worry. I want to use his full name.", "backlash from readers > asking why he has a Muslim first name and", "> > Without this added complication, a world of name combinations would be", "with his first name, otherwise I could have backlash from readers > asking", "first name, otherwise I could have backlash from readers > asking why he", "drafts, he has thoroughly become Bob Snow. I've tried, over and over, to", "see? Has anyone else faced such a dilemma? > > FOR CLARIFICATION (AFTER", "of this post. > For clarity: I don't just want to use his", "number of iterations and new names, but none of them fit because he", "a really good guy, so there are no issues with defamation. And I'm", "Muslim, Indian man. That complicates things > because, I can't just change his", "his first name. If that were the > case, I wouldn't worry. I", "can't just change his surname to any Indian surname, it has > to", "I asked Bob's permission, he would probably be flattered. It's a thriller series", "old school friend who I'm still in contact with on Facebook. The character's", "any Indian surname, it has > to be, specifically, an Indian, Muslim surname", "down the road that I can't see? Has anyone else faced such a", "in contact with on Facebook. The character's personality isn't him (though he does", "his first name, otherwise I could have backlash from readers > asking why", "polishing to publish. When I drafted it, for speed's sake, I named one", "me. It feels like your best mate saying, I've changed my name by", "happens to other writers out there, but after living with this character through", "a Muslim first name and a Christian surname. > > > Without this", "on Facebook. The character's personality isn't him (though he does look a lot", "personality isn't him (though he does look a lot like him), I've just", "none of them fit because he has become a real person to me.", "character, he's a really good guy, so there are no issues with defamation.", "be, specifically, an Indian, Muslim surname that fits perfectly > with his first", "him (though he does look a lot like him), I've just used his", "Muslim surname that fits perfectly > with his first name, otherwise I could", "> Without this added complication, a world of name combinations would be >", "this added complication, a world of name combinations would be > open to", "there, but after living with this character through several drafts, he has thoroughly", "a thriller series with 3 books in the offing, so Bob will show", "an old school friend who I'm still in contact with on Facebook. The", "It feels like your best mate saying, I've changed my name by deed", "probably be flattered. It's a thriller series with 3 books in the offing,", "poll and you need to call me FlameBoy from now on. Every beta", "become Bob Snow. I've tried, over and over, to rename him to Jim", "any number of iterations and new names, but none of them fit because", "like him), I've just used his name. Let's call him Bob Snow. I", "faced such a dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's", "because, I can't just change his surname to any Indian surname, it has", "there are no issues with defamation. And I'm sure, if I asked Bob's", "I named one of my primary characters after an old school friend who", "name. If that were the > case, I wouldn't worry. I want to", "by deed poll and you need to call me FlameBoy from now on.", "> just used that as an example to keep his real name out", "name. Let's call him Bob Snow. I don't know whether this happens to", "thoroughly become Bob Snow. I've tried, over and over, to rename him to", "call him Bob > Snow.\" seems to be causing some confusion. His name", "this post. > For clarity: I don't just want to use his first", "your best mate saying, I've changed my name by deed poll and you", "Facebook. The character's personality isn't him (though he does look a lot like", "saying, I've changed my name by deed poll and you need to call", "wouldn't worry. I want to use his full name. > > > The", "SOME COMMENTS BELOW): \"Let's call him Bob > Snow.\" seems to be causing", "his real name out of this post. > For clarity: I don't just", "over, to rename him to Jim Snow, Bob Potts, any number of iterations", "new names, but none of them fit because he has become a real", "Muslim first name and a Christian surname. > > > Without this added", "him Bob Snow. I don't know whether this happens to other writers out", "LOVED this character, he's a really good guy, so there are no issues", "of name combinations would be > open to me. But, my options are", "name by deed poll and you need to call me FlameBoy from now", "such a dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call", "to keep his real name out of this post. > For clarity: I", "rename him to Jim Snow, Bob Potts, any number of iterations and new", "them fit because he has become a real person to me. It feels", "to rename him to Jim Snow, Bob Potts, any number of iterations and", "Bob's permission, he would probably be flattered. It's a thriller series with 3", "a dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him", "it, for speed's sake, I named one of my primary characters after an", "him Bob > Snow.\" seems to be causing some confusion. His name isn't", "FlameBoy from now on. Every beta reader has LOVED this character, he's a", "really good guy, so there are no issues with defamation. And I'm sure,", "his surname to any Indian surname, it has > to be, specifically, an", "complicates things > because, I can't just change his surname to any Indian", "speed's sake, I named one of my primary characters after an old school", "If that were the > case, I wouldn't worry. I want to use", "world of name combinations would be > open to me. But, my options", "his full name. > > > The character is a Muslim, Indian man.", "> asking why he has a Muslim first name and a Christian surname.", "has a Muslim first name and a Christian surname. > > > Without", "drafted a book two years ago that I'm now polishing to publish. When", "school friend who I'm still in contact with on Facebook. The character's personality", "That complicates things > because, I can't just change his surname to any", "you need to call me FlameBoy from now on. Every beta reader has", "him to Jim Snow, Bob Potts, any number of iterations and new names,", "used that as an example to keep his real name out of this", "as an example to keep his real name out of this post. >", "surname. > > > Without this added complication, a world of name combinations", "does look a lot like him), I've just used his name. Let's call", "but none of them fit because he has become a real person to", "guy, so there are no issues with defamation. And I'm sure, if I", "call me FlameBoy from now on. Every beta reader has LOVED this character,", "case, I wouldn't worry. I want to use his full name. > >", "has > to be, specifically, an Indian, Muslim surname that fits perfectly >", "added complication, a world of name combinations would be > open to me.", "look a lot like him), I've just used his name. Let's call him", "used his name. Let's call him Bob Snow. I don't know whether this", "to other writers out there, but after living with this character through several", "Indian surname, it has > to be, specifically, an Indian, Muslim surname that", "\"Let's call him Bob > Snow.\" seems to be causing some confusion. His", "good guy, so there are no issues with defamation. And I'm sure, if", "character's personality isn't him (though he does look a lot like him), I've", "through several drafts, he has thoroughly become Bob Snow. I've tried, over and", "use his first name. If that were the > case, I wouldn't worry.", "of iterations and new names, but none of them fit because he has", "on. Every beta reader has LOVED this character, he's a really good guy,", "to be causing some confusion. His name isn't Bob Snow, I > just", "> case, I wouldn't worry. I want to use his full name. >", "out there, but after living with this character through several drafts, he has", "has become a real person to me. It feels like your best mate", "I want to use his full name. > > > The character is", "characters after an old school friend who I'm still in contact with on", "> Snow.\" seems to be causing some confusion. His name isn't Bob Snow,", "I > just used that as an example to keep his real name", "FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him Bob > Snow.\" seems", "he has a Muslim first name and a Christian surname. > > >", "living with this character through several drafts, he has thoroughly become Bob Snow.", "want to use his first name. If that were the > case, I", "and new names, but none of them fit because he has become a", "be > open to me. But, my options are partially limited. > >", "that were the > case, I wouldn't worry. I want to use his", "surname that fits perfectly > with his first name, otherwise I could have", "surname to any Indian surname, it has > to be, specifically, an Indian,", "of them fit because he has become a real person to me. It", "Bob Potts, any number of iterations and new names, but none of them", "first name and a Christian surname. > > > Without this added complication,", "tried, over and over, to rename him to Jim Snow, Bob Potts, any", "Let's call him Bob Snow. I don't know whether this happens to other", "> > The character is a Muslim, Indian man. That complicates things >", "a Christian surname. > > > Without this added complication, a world of", "character through several drafts, he has thoroughly become Bob Snow. I've tried, over", "I'm now polishing to publish. When I drafted it, for speed's sake, I", "to Jim Snow, Bob Potts, any number of iterations and new names, but", "example to keep his real name out of this post. > For clarity:", "my name by deed poll and you need to call me FlameBoy from", "road that I can't see? Has anyone else faced such a dilemma? >", "When I drafted it, for speed's sake, I named one of my primary", "there possible bumps down the road that I can't see? Has anyone else", "this character through several drafts, he has thoroughly become Bob Snow. I've tried,", "Jim Snow, Bob Potts, any number of iterations and new names, but none", "flattered. It's a thriller series with 3 books in the offing, so Bob", "like your best mate saying, I've changed my name by deed poll and", "one of my primary characters after an old school friend who I'm still", "fits perfectly > with his first name, otherwise I could have backlash from", "he has thoroughly become Bob Snow. I've tried, over and over, to rename", "Indian man. That complicates things > because, I can't just change his surname", "he's a really good guy, so there are no issues with defamation. And", "Potts, any number of iterations and new names, but none of them fit", "up a lot. Are there possible bumps down the road that I can't", "name and a Christian surname. > > > Without this added complication, a", "for speed's sake, I named one of my primary characters after an old", "I've just used his name. Let's call him Bob Snow. I don't know", "show up a lot. Are there possible bumps down the road that I", "I wouldn't worry. I want to use his full name. > > >", "me FlameBoy from now on. Every beta reader has LOVED this character, he's", "worry. I want to use his full name. > > > The character", "offing, so Bob will show up a lot. Are there possible bumps down", "from readers > asking why he has a Muslim first name and a", "some confusion. His name isn't Bob Snow, I > just used that as", "were the > case, I wouldn't worry. I want to use his full", "writers out there, but after living with this character through several drafts, he", "I can't just change his surname to any Indian surname, it has >", "Bob > Snow.\" seems to be causing some confusion. His name isn't Bob", "real name out of this post. > For clarity: I don't just want", "primary characters after an old school friend who I'm still in contact with", "don't just want to use his first name. If that were the >", "> open to me. But, my options are partially limited. > > >", "combinations would be > open to me. But, my options are partially limited.", "BELOW): \"Let's call him Bob > Snow.\" seems to be causing some confusion.", "> FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him Bob > Snow.\"", "> > > The character is a Muslim, Indian man. That complicates things", "named one of my primary characters after an old school friend who I'm", "now on. Every beta reader has LOVED this character, he's a really good", "publish. When I drafted it, for speed's sake, I named one of my", "him), I've just used his name. Let's call him Bob Snow. I don't", "Every beta reader has LOVED this character, he's a really good guy, so", "clarity: I don't just want to use his first name. If that were", "if I asked Bob's permission, he would probably be flattered. It's a thriller", "name. > > > The character is a Muslim, Indian man. That complicates", "seems to be causing some confusion. His name isn't Bob Snow, I >", "a Muslim, Indian man. That complicates things > because, I can't just change", "The character's personality isn't him (though he does look a lot like him),", "is a Muslim, Indian man. That complicates things > because, I can't just", "readers > asking why he has a Muslim first name and a Christian", "post. > For clarity: I don't just want to use his first name.", "best mate saying, I've changed my name by deed poll and you need", "book two years ago that I'm now polishing to publish. When I drafted", "to publish. When I drafted it, for speed's sake, I named one of", "in the offing, so Bob will show up a lot. Are there possible", "else faced such a dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW):", "defamation. And I'm sure, if I asked Bob's permission, he would probably be", "after an old school friend who I'm still in contact with on Facebook.", "whether this happens to other writers out there, but after living with this", "the offing, so Bob will show up a lot. Are there possible bumps", "with defamation. And I'm sure, if I asked Bob's permission, he would probably", "after living with this character through several drafts, he has thoroughly become Bob", "deed poll and you need to call me FlameBoy from now on. Every", "Snow, I > just used that as an example to keep his real", "the road that I can't see? Has anyone else faced such a dilemma?", "Bob Snow. I don't know whether this happens to other writers out there,", "be causing some confusion. His name isn't Bob Snow, I > just used", "His name isn't Bob Snow, I > just used that as an example", "contact with on Facebook. The character's personality isn't him (though he does look", "because he has become a real person to me. It feels like your", "Christian surname. > > > Without this added complication, a world of name", "of my primary characters after an old school friend who I'm still in", "I've tried, over and over, to rename him to Jim Snow, Bob Potts,", "this character, he's a really good guy, so there are no issues with", "I can't see? Has anyone else faced such a dilemma? > > FOR", "name combinations would be > open to me. But, my options are partially", "to call me FlameBoy from now on. Every beta reader has LOVED this", "a real person to me. It feels like your best mate saying, I've", "to me. It feels like your best mate saying, I've changed my name", "an Indian, Muslim surname that fits perfectly > with his first name, otherwise", "with 3 books in the offing, so Bob will show up a lot.", "complication, a world of name combinations would be > open to me. But,", "and over, to rename him to Jim Snow, Bob Potts, any number of", "he would probably be flattered. It's a thriller series with 3 books in", "I could have backlash from readers > asking why he has a Muslim", "but after living with this character through several drafts, he has thoroughly become", "that I can't see? Has anyone else faced such a dilemma? > >", "permission, he would probably be flattered. It's a thriller series with 3 books", "fit because he has become a real person to me. It feels like", "otherwise I could have backlash from readers > asking why he has a", "with this character through several drafts, he has thoroughly become Bob Snow. I've", "his name. Let's call him Bob Snow. I don't know whether this happens", "beta reader has LOVED this character, he's a really good guy, so there", "out of this post. > For clarity: I don't just want to use", "want to use his full name. > > > The character is a", "just used that as an example to keep his real name out of", "need to call me FlameBoy from now on. Every beta reader has LOVED", "name isn't Bob Snow, I > just used that as an example to", "Bob will show up a lot. Are there possible bumps down the road", "change his surname to any Indian surname, it has > to be, specifically,", "dilemma? > > FOR CLARIFICATION (AFTER SOME COMMENTS BELOW): \"Let's call him Bob", "a book two years ago that I'm now polishing to publish. When I", "no issues with defamation. And I'm sure, if I asked Bob's permission, he", "could have backlash from readers > asking why he has a Muslim first", "who I'm still in contact with on Facebook. The character's personality isn't him", "several drafts, he has thoroughly become Bob Snow. I've tried, over and over,", "so there are no issues with defamation. And I'm sure, if I asked", "name out of this post. > For clarity: I don't just want to", "I drafted a book two years ago that I'm now polishing to publish.", "feels like your best mate saying, I've changed my name by deed poll", "Snow. I don't know whether this happens to other writers out there, but", "I'm sure, if I asked Bob's permission, he would probably be flattered. It's", "a lot like him), I've just used his name. Let's call him Bob", "mate saying, I've changed my name by deed poll and you need to", "full name. > > > The character is a Muslim, Indian man. That", "Indian, Muslim surname that fits perfectly > with his first name, otherwise I", "that fits perfectly > with his first name, otherwise I could have backlash", "(AFTER SOME COMMENTS BELOW): \"Let's call him Bob > Snow.\" seems to be", "an example to keep his real name out of this post. > For", "name, otherwise I could have backlash from readers > asking why he has", "isn't him (though he does look a lot like him), I've just used", "keep his real name out of this post. > For clarity: I don't", "perfectly > with his first name, otherwise I could have backlash from readers", "Snow. I've tried, over and over, to rename him to Jim Snow, Bob", "other writers out there, but after living with this character through several drafts,", "specifically, an Indian, Muslim surname that fits perfectly > with his first name,", "person to me. It feels like your best mate saying, I've changed my", "to be, specifically, an Indian, Muslim surname that fits perfectly > with his", "I don't just want to use his first name. If that were the", "(though he does look a lot like him), I've just used his name.", "surname, it has > to be, specifically, an Indian, Muslim surname that fits", "can't see? Has anyone else faced such a dilemma? > > FOR CLARIFICATION", "ago that I'm now polishing to publish. When I drafted it, for speed's", "> The character is a Muslim, Indian man. That complicates things > because,", "causing some confusion. His name isn't Bob Snow, I > just used that", "Bob Snow. I've tried, over and over, to rename him to Jim Snow,", "to use his first name. If that were the > case, I wouldn't", "he does look a lot like him), I've just used his name. Let's", "lot like him), I've just used his name. Let's call him Bob Snow.", "bumps down the road that I can't see? Has anyone else faced such", "drafted it, for speed's sake, I named one of my primary characters after", "have backlash from readers > asking why he has a Muslim first name", "would probably be flattered. It's a thriller series with 3 books in the", "> > > Without this added complication, a world of name combinations would", "I've changed my name by deed poll and you need to call me", "don't know whether this happens to other writers out there, but after living", "For clarity: I don't just want to use his first name. If that", "asked Bob's permission, he would probably be flattered. It's a thriller series with", "character is a Muslim, Indian man. That complicates things > because, I can't", "issues with defamation. And I'm sure, if I asked Bob's permission, he would", "> to be, specifically, an Indian, Muslim surname that fits perfectly > with", "I'm still in contact with on Facebook. The character's personality isn't him (though", "Snow.\" seems to be causing some confusion. His name isn't Bob Snow, I", "over and over, to rename him to Jim Snow, Bob Potts, any number", "years ago that I'm now polishing to publish. When I drafted it, for", "real person to me. It feels like your best mate saying, I've changed", "and a Christian surname. > > > Without this added complication, a world", "sure, if I asked Bob's permission, he would probably be flattered. It's a", "names, but none of them fit because he has become a real person", "lot. Are there possible bumps down the road that I can't see? Has", "> because, I can't just change his surname to any Indian surname, it", "thriller series with 3 books in the offing, so Bob will show up", "> For clarity: I don't just want to use his first name. If", "possible bumps down the road that I can't see? Has anyone else faced", "and you need to call me FlameBoy from now on. Every beta reader", "has thoroughly become Bob Snow. I've tried, over and over, to rename him", "man. That complicates things > because, I can't just change his surname to", "iterations and new names, but none of them fit because he has become", "Has anyone else faced such a dilemma? > > FOR CLARIFICATION (AFTER SOME", "books in the offing, so Bob will show up a lot. Are there" ]
[ "the few, or the one is for the good of the many, am", "that side of the fence. The ends don’t always justify the means. >", "that transformation if my readers hate my character. How can I portray a", "However, I can't begin that transformation if my readers hate my character. How", "character as sympathetic and avoid making them seem evil? Or how can I", "were exploiting children for labor. > > G00fy: That’s what I thought. I’m", "this kind of outlook is not evil, but neutral instead (the theory that", "to anyone, and won't work with a hacker organization that kills people. At", "Jayse sighed in frustration. G00fy could be annoying at times. She didn’t want", "means. > > G00fy: Lol, yet here you are, working as one of", "as an apathetic self-absorbed hacker, who seeks adrenaline thrills to find meaning in", "\"heroine\" of my story starts out as an apathetic self-absorbed hacker, who seeks", "have to shout. Thanks for your help, btw. > > Banshee\\_Harvest: Np. However,", "expose a corrupt organization (The MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest:", "hackers in the country, if not the world. > > Banshee\\_Harvest: I don’t", "to, no more, no less. The sacrifice of the few, or the one", "readers can at least relate to this character so they give her a", "my hard drive. I’ve sifted through the code too, you were right. They", "if I'm supposed to feel this way, you've succeeded. But I don't think", "don't see any redeeming qualities to her. So if I'm supposed to feel", "frustration. G00fy could be annoying at times. She didn’t want to join them.", "you were right. They were exploiting children for labor. > > G00fy: That’s", "of this book. I'll just want to keep shooting her in the head.\"", "her transformation from someone who is chaotic neutral to lawful good. However, I", "> > G00fy: Okay, you don’t have to shout. Thanks for your help,", "sum of money. > > Banshee\\_Harvest: But I think, with all that I’ve", "> > > Jayse sighed in frustration. G00fy could be annoying at times.", "> > Jayse sighed in frustration. G00fy could be annoying at times. She", "throw people under the bus to get what I need. You do. >", "neutral character as sympathetic and avoid making them seem evil? Or how can", "the same time though, she didn't care about their agenda to expose a", "thing, and she meant it. > > > Banshee\\_Harvest: As I’ve told you", "that in mind, I tried to show this kind of outlook is not", "Banshee, the TLF were ready to sift through that code with you. I’m", "code with you. I’m glad that it ended up being so easy. It’s", "the others about this. Thanks for your help though. The 25 should have", "just want to keep shooting her in the head.\" The purpose of this", "> Banshee\\_Harvest: I don’t throw people under the bus to get what I", "her as the protagonist of this book. I'll just want to keep shooting", "neutral to lawful good. However, I can't begin that transformation if my readers", "seem evil? Or how can I make a selfish character relatable? I understand", "guys. You’re not afraid to hurt people to get what you want. And", "doesn't have anything driving her other than thrill and money: at least at", "matter of paying me still. I think I should negotiate my price considering", "important that my readers can at least relate to this character so they", "she meant it. > > > Banshee\\_Harvest: As I’ve told you many times", "organization that kills people. At the same time though, she didn't care about", "The sacrifice of the few, or the one is for the good of", "And she deserves to be in jail. Plus she's apathetic and arrogant and", "I do deserve a 5 bitcoin bonus, don’t you agree? > > G00fy:", "a hitch, I managed to copy their entire database onto my hard drive.", "annoying at times. She didn’t want to join them. This was a one-time", "executives. > > Banshee\\_Harvest: Save your preaching for someone who actually cares. I", "apathetic and arrogant and I don't see any redeeming qualities to her. So", "characters in my book. The \"heroine\" of my story starts out as an", "However, my character is really self-absorbed (she really doesn't have anything driving her", "to her. So if I'm supposed to feel this way, you've succeeded. But", "in the country, if not the world. > > Banshee\\_Harvest: I don’t throw", "at least. Like I said, I’ll have to talk to the others about", "this character so they give her a chance. However, my character is really", "another domino in the effort to free the people of these corrupt corporate", "agree? > > G00fy: That’s pretty hefty, like more than I can vouch", "I'll just want to keep shooting her in the head.\" The purpose of", "do what we have to, no more, no less. The sacrifice of the", "like this, \"I'm hating Jayse right now. Her character is contradictory. She's selfish", "of the few, or the one is for the good of the many,", "the one is for the good of the many, am I right? >", "because it doesn't affect her at all. Here's a little exchange she has", "INTERESTED! > > G00fy: Okay, you don’t have to shout. Thanks for your", "theory that all humans are self-interested). To make a point that she's not", "a selfish character relatable? I understand that morals can be ambiguous, but it's", "don’t want to end up on that side of the fence. The ends", "> > Banshee\\_Harvest: Don’t try to push your fascist beliefs on me, I’ve", "that code with you. I’m glad that it ended up being so easy.", "who actually cares. I was in this solely for the thrills. I’m uploading", "> G00fy: That’s what I thought. I’m impressed Banshee, the TLF were ready", "Like I said, I’ll have to talk to the others about this. Thanks", "> > G00fy: We’re only trying to help. And I do mean that.", "character is contradictory. She's selfish and a criminal. And she deserves to be", "it. > > > Banshee\\_Harvest: As I’ve told you many times before, NOT", "chaotic neutral to lawful good. However, I can't begin that transformation if my", "> > > One of my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm", "sift through that code with you. I’m glad that it ended up being", "I've shown that she refuses to cause physical harm to anyone, and won't", "redeeming qualities to her. So if I'm supposed to feel this way, you've", "been sent to your account. > > > One of my reader's described", "that morals can be ambiguous, but it's important that my readers can at", "transformation if my readers hate my character. How can I portray a chaotic", "the rest of the content if you’d like that, but I think that’ll", "company that exploited child workers, because it doesn't affect her at all. Here's", "hacker organization that kills people. At the same time though, she didn't care", "of the many, am I right? > > Banshee\\_Harvest: Don’t try to push", "the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest", "Plus she's apathetic and arrogant and I don't see any redeeming qualities to", "Listen, we do what we have to, no more, no less. The sacrifice", "enough. > > G00fy: Aren’t you the one who is always complaining that", "> > Banshee\\_Harvest: The infiltration went without a hitch, I managed to copy", "money. > > Banshee\\_Harvest: But I think, with all that I’ve done here,", "about you guys. You’re not afraid to hurt people to get what you", "files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest of", "character relatable? I understand that morals can be ambiguous, but it's important that", "Or how can I make a selfish character relatable? I understand that morals", "That’s pretty hefty, like more than I can vouch for at least. Like", "I managed to copy their entire database onto my hard drive. I’ve sifted", "humans are self-interested). To make a point that she's not evil, I've shown", "it doesn't affect her at all. Here's a little exchange she has with", "I’m impressed Banshee, the TLF were ready to sift through that code with", "considering all that I was able to do, don’t you agree? > >", "time though, she didn't care about their agenda to expose a company that", "Lol, yet here you are, working as one of the most profitable hackers", "to your account. > > > One of my reader's described Jayse (Banshee\\_Harvest)", "now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest of the", "agree to a 25 bitcoin price, which is a fair sum of money.", "rest of the content if you’d like that, but I think that’ll be", "to lawful good. However, I can't begin that transformation if my readers hate", "She didn’t want to join them. This was a one-time thing, and she", "a little exchange she has with another hacker, whom she helped to expose", "she has with another hacker, whom she helped to expose a corrupt organization", "another hacker, whom she helped to expose a corrupt organization (The MC is", "too, you were right. They were exploiting children for labor. > > G00fy:", "the content if you’d like that, but I think that’ll be enough. >", "physical harm to anyone, and won't work with a hacker organization that kills", "described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right now. Her character is", "up being so easy. It’s just another domino in the effort to free", "Thanks for your help, btw. > > Banshee\\_Harvest: Np. However, there is the", "ready to sift through that code with you. I’m glad that it ended", "I think, with all that I’ve done here, I do deserve a 5", "I tried to show this kind of outlook is not evil, but neutral", "Np. However, there is the matter of paying me still. I think I", "didn't care about their agenda to expose a company that exploited child workers,", "Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without a hitch, I", "a point that she's not evil, I've shown that she refuses to cause", "and she meant it. > > > Banshee\\_Harvest: As I’ve told you many", "25 should have already been sent to your account. > > > One", "in, remembering the uneasiness she felt earlier. > > > Banshee\\_Harvest: I don’t", "cause physical harm to anyone, and won't work with a hacker organization that", "send the rest of the content if you’d like that, but I think", "> > > Jayse swiveled in her chair, tucking her legs in, remembering", "> G00fy: Aren’t you the one who is always complaining that they need", "the main characters in my book. The \"heroine\" of my story starts out", "about that, but you did agree to a 25 bitcoin price, which is", "I’ll send the rest of the content if you’d like that, but I", "about what you’ve guys done. > > G00fy: We’re only trying to help.", "which is a fair sum of money. > > Banshee\\_Harvest: But I think,", "people under the bus to get what I need. You do. > >", "were right. They were exploiting children for labor. > > G00fy: That’s what", "done. > > G00fy: We’re only trying to help. And I do mean", "to live with her as the protagonist of this book. I'll just want", "her a chance. However, my character is really self-absorbed (she really doesn't have", "I said, I’ll have to talk to the others about this. Thanks for", "for your help though. The 25 should have already been sent to your", "she helped to expose a corrupt organization (The MC is Jayse, aka Banshee\\_Harvest)", "ambiguous, but it's important that my readers can at least relate to this", "want. 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I'll", "their agenda to expose a company that exploited child workers, because it doesn't", "think that’ll be enough. > > G00fy: Aren’t you the one who is", "of my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right now.", "main characters in my book. The \"heroine\" of my story starts out as", "as the protagonist of this book. I'll just want to keep shooting her", "one of the main characters in my book. The \"heroine\" of my story", "I make a selfish character relatable? I understand that morals can be ambiguous,", "understand that morals can be ambiguous, but it's important that my readers can", "tucking her legs in, remembering the uneasiness she felt earlier. > > >", "can I portray a chaotic neutral character as sympathetic and avoid making them", "the country, if not the world. > > Banshee\\_Harvest: I don’t throw people", "evil, but neutral instead (the theory that all humans are self-interested). To make", "sacrifice of the few, or the one is for the good of the", "was a one-time thing, and she meant it. > > > Banshee\\_Harvest: As", "under the bus to get what I need. You do. > > G00fy:", "the one who is always complaining that they need a cause to join?", "don't think I want to live with her as the protagonist of this", "across a problem with one of the main characters in my book. The", "to cause physical harm to anyone, and won't work with a hacker organization", "feel this way, you've succeeded. But I don't think I want to live", "G00fy: That’s pretty hefty, like more than I can vouch for at least.", "see any redeeming qualities to her. So if I'm supposed to feel this", "can't begin that transformation if my readers hate my character. How can I", "the matter of paying me still. I think I should negotiate my price", "begin that transformation if my readers hate my character. How can I portray", "that’ll be enough. > > G00fy: Aren’t you the one who is always", "your account. > > > One of my reader's described Jayse (Banshee\\_Harvest) like", "my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right now. Her", "> G00fy: That’s pretty hefty, like more than I can vouch for at", "hard drive. I’ve sifted through the code too, you were right. They were", "her life. With that in mind, I tried to show this kind of", "I don't think I want to live with her as the protagonist of", "protagonist of this book. I'll just want to keep shooting her in the", "self-interested). To make a point that she's not evil, I've shown that she", "said, I’ll have to talk to the others about this. Thanks for your", "talk to the others about this. Thanks for your help though. The 25", "price, which is a fair sum of money. > > Banshee\\_Harvest: But I", "I’ll have to talk with the other members about that, but you did", "I don’t like the rumors about you guys. You’re not afraid to hurt", "mean that. > > > Jayse sighed in frustration. G00fy could be annoying", "can I make a selfish character relatable? I understand that morals can be", "whom she helped to expose a corrupt organization (The MC is Jayse, aka", "to this character so they give her a chance. However, my character is", "members about that, but you did agree to a 25 bitcoin price, which", "is for the good of the many, am I right? > > Banshee\\_Harvest:", "bad about the TLF? > > > Jayse swiveled in her chair, tucking", "you've succeeded. But I don't think I want to live with her as", "to feel this way, you've succeeded. But I don't think I want to", "to sift through that code with you. I’m glad that it ended up", "meant it. > > > Banshee\\_Harvest: As I’ve told you many times before,", "in the head.\" The purpose of this novel is to show her transformation", "felt earlier. > > > Banshee\\_Harvest: I don’t like the rumors about you", "out as an apathetic self-absorbed hacker, who seeks adrenaline thrills to find meaning", "all that I was able to do, don’t you agree? > > G00fy:", "lawful good. However, I can't begin that transformation if my readers hate my", "to keep shooting her in the head.\" The purpose of this novel is", "to shout. Thanks for your help, btw. > > Banshee\\_Harvest: Np. However, there", "is not evil, but neutral instead (the theory that all humans are self-interested).", "that I was able to do, don’t you agree? > > G00fy: I’ll", "least. Like I said, I’ll have to talk to the others about this.", "this novel is to show her transformation from someone who is chaotic neutral", "my readers hate my character. How can I portray a chaotic neutral character", "more than I can vouch for at least. Like I said, I’ll have", "really doesn't have anything driving her other than thrill and money: at least", "entire database onto my hard drive. I’ve sifted through the code too, you", "remembering the uneasiness she felt earlier. > > > Banshee\\_Harvest: I don’t like", "don’t always justify the means. > > G00fy: Lol, yet here you are,", "to join them. This was a one-time thing, and she meant it. >", "a one-time thing, and she meant it. > > > Banshee\\_Harvest: As I’ve", "shout. Thanks for your help, btw. > > Banshee\\_Harvest: Np. However, there is", "a cause to join? What’s so bad about the TLF? > > >", "G00fy: That’s what I thought. I’m impressed Banshee, the TLF were ready to", "side of the fence. The ends don’t always justify the means. > >", "thought. I’m impressed Banshee, the TLF were ready to sift through that code", "story starts out as an apathetic self-absorbed hacker, who seeks adrenaline thrills to", "justify the means. > > G00fy: Lol, yet here you are, working as", "have to talk to the others about this. Thanks for your help though.", "this solely for the thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf)", "Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without a hitch, I managed to", "fence. The ends don’t always justify the means. > > G00fy: Lol, yet", "help, btw. > > Banshee\\_Harvest: Np. However, there is the matter of paying", "> One of my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse", "least relate to this character so they give her a chance. However, my", "the fence. The ends don’t always justify the means. > > G00fy: Lol,", "easy. It’s just another domino in the effort to free the people of", "don’t throw people under the bus to get what I need. You do.", "for your help, btw. > > Banshee\\_Harvest: Np. However, there is the matter", "> Banshee\\_Harvest: As I’ve told you many times before, NOT INTERESTED! > >", "like more than I can vouch for at least. Like I said, I’ll", "of the main characters in my book. The \"heroine\" of my story starts", "make a selfish character relatable? I understand that morals can be ambiguous, but", "on that side of the fence. The ends don’t always justify the means.", "Banshee\\_Harvest: As I’ve told you many times before, NOT INTERESTED! > > G00fy:", "> Jayse sighed in frustration. G00fy could be annoying at times. She didn’t", "> Banshee\\_Harvest: But I think, with all that I’ve done here, I do", "we have to, no more, no less. The sacrifice of the few, or", "the most profitable hackers in the country, if not the world. > >", "\"I'm hating Jayse right now. Her character is contradictory. She's selfish and a", "help though. The 25 should have already been sent to your account. >", "won't work with a hacker organization that kills people. At the same time", "one is for the good of the many, am I right? > >", "and a criminal. And she deserves to be in jail. Plus she's apathetic", "the other members about that, but you did agree to a 25 bitcoin", "help. And I do mean that. > > > Jayse sighed in frustration.", "push your fascist beliefs on me, I’ve heard about what you’ve guys done.", "want to keep shooting her in the head.\" The purpose of this novel", "can be ambiguous, but it's important that my readers can at least relate", "my story starts out as an apathetic self-absorbed hacker, who seeks adrenaline thrills", "account. > > > One of my reader's described Jayse (Banshee\\_Harvest) like this,", "as sympathetic and avoid making them seem evil? Or how can I make", "she's not evil, I've shown that she refuses to cause physical harm to", "> Banshee\\_Harvest: I don’t like the rumors about you guys. You’re not afraid", "children for labor. > > G00fy: That’s what I thought. I’m impressed Banshee,", "she didn't care about their agenda to expose a company that exploited child", "> Banshee\\_Harvest: I’ll send the rest of the content if you’d like that,", "few, or the one is for the good of the many, am I", "managed to copy their entire database onto my hard drive. I’ve sifted through", "being so easy. It’s just another domino in the effort to free the", "to get what I need. You do. > > G00fy: Listen, we do", "they give her a chance. However, my character is really self-absorbed (she really", "evil? Or how can I make a selfish character relatable? I understand that", "she refuses to cause physical harm to anyone, and won't work with a", "always justify the means. > > G00fy: Lol, yet here you are, working", "join? What’s so bad about the TLF? > > > Jayse swiveled in", "or the one is for the good of the many, am I right?", "these corrupt corporate executives. > > Banshee\\_Harvest: Save your preaching for someone who", "of my story starts out as an apathetic self-absorbed hacker, who seeks adrenaline", "want to join them. This was a one-time thing, and she meant it.", "Okay, you don’t have to shout. Thanks for your help, btw. > >", "working as one of the most profitable hackers in the country, if not", "can vouch for at least. Like I said, I’ll have to talk to", "work with a hacker organization that kills people. At the same time though,", "the TLF were ready to sift through that code with you. I’m glad", "Banshee\\_Harvest: I don’t like the rumors about you guys. You’re not afraid to", "to end up on that side of the fence. The ends don’t always", "to help. And I do mean that. > > > Jayse sighed in", "you did agree to a 25 bitcoin price, which is a fair sum", "domino in the effort to free the people of these corrupt corporate executives.", "arrogant and I don't see any redeeming qualities to her. So if I'm", "could be annoying at times. She didn’t want to join them. This was", "impressed Banshee, the TLF were ready to sift through that code with you.", "a chaotic neutral character as sympathetic and avoid making them seem evil? Or", "problem with one of the main characters in my book. The \"heroine\" of", "relate to this character so they give her a chance. However, my character", "what we have to, no more, no less. The sacrifice of the few,", "(the theory that all humans are self-interested). To make a point that she's", "to a 25 bitcoin price, which is a fair sum of money. >", "> G00fy: Okay, you don’t have to shout. Thanks for your help, btw.", "in jail. Plus she's apathetic and arrogant and I don't see any redeeming", "earlier. > > > Banshee\\_Harvest: I don’t like the rumors about you guys.", "uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the", "I’ll have to talk to the others about this. Thanks for your help", "to talk to the others about this. Thanks for your help though. The", "character is really self-absorbed (she really doesn't have anything driving her other than", "if not the world. > > Banshee\\_Harvest: I don’t throw people under the", "How can I portray a chaotic neutral character as sympathetic and avoid making", "> > G00fy: Lol, yet here you are, working as one of the", "talk with the other members about that, but you did agree to a", "I’ve told you many times before, NOT INTERESTED! > > G00fy: Okay, you", "I’ve sifted through the code too, you were right. They were exploiting children", "have already been sent to your account. > > > One of my", "your help, btw. > > Banshee\\_Harvest: Np. However, there is the matter of", "sent to your account. > > > One of my reader's described Jayse", "Save your preaching for someone who actually cares. I was in this solely", "live with her as the protagonist of this book. I'll just want to", "Banshee\\_Harvest: I’ll send the rest of the content if you’d like that, but", "cares. I was in this solely for the thrills. I’m uploading the files", "and arrogant and I don't see any redeeming qualities to her. So if", "I'm supposed to feel this way, you've succeeded. But I don't think I", "you guys. You’re not afraid to hurt people to get what you want.", "always complaining that they need a cause to join? What’s so bad about", "this book. I'll just want to keep shooting her in the head.\" The", "show this kind of outlook is not evil, but neutral instead (the theory", "my price considering all that I was able to do, don’t you agree?", "a corrupt organization (The MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The", "with another hacker, whom she helped to expose a corrupt organization (The MC", "the good of the many, am I right? > > Banshee\\_Harvest: Don’t try", "that exploited child workers, because it doesn't affect her at all. Here's a", "refuses to cause physical harm to anyone, and won't work with a hacker", "affect her at all. Here's a little exchange she has with another hacker,", "told you many times before, NOT INTERESTED! > > G00fy: Okay, you don’t", "tried to show this kind of outlook is not evil, but neutral instead", "though. The 25 should have already been sent to your account. > >", "what you’ve guys done. > > G00fy: We’re only trying to help. 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And I don’t want to end", "should negotiate my price considering all that I was able to do, don’t", "outlook is not evil, but neutral instead (the theory that all humans are", "to talk with the other members about that, but you did agree to", "heard about what you’ve guys done. > > G00fy: We’re only trying to", "your help though. The 25 should have already been sent to your account.", "The ends don’t always justify the means. > > G00fy: Lol, yet here", "the means. > > G00fy: Lol, yet here you are, working as one", "She's selfish and a criminal. And she deserves to be in jail. Plus", "character so they give her a chance. However, my character is really self-absorbed", "join them. This was a one-time thing, and she meant it. > >", "not evil, I've shown that she refuses to cause physical harm to anyone,", "to free the people of these corrupt corporate executives. > > Banshee\\_Harvest: Save", "Banshee\\_Harvest: I don’t throw people under the bus to get what I need.", "to show this kind of outlook is not evil, but neutral instead (the", "don’t like the rumors about you guys. You’re not afraid to hurt people", "my readers can at least relate to this character so they give her", "didn’t want to join them. This was a one-time thing, and she meant", "my character is really self-absorbed (she really doesn't have anything driving her other", "Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right now. Her character is contradictory.", "end up on that side of the fence. The ends don’t always justify", "need. You do. > > G00fy: Listen, we do what we have to,", "to find meaning in her life. With that in mind, I tried to", "in mind, I tried to show this kind of outlook is not evil,", "of paying me still. I think I should negotiate my price considering all", "through that code with you. I’m glad that it ended up being so", "don’t you agree? > > G00fy: I’ll have to talk with the other", "selfish character relatable? I understand that morals can be ambiguous, but it's important", "G00fy: Okay, you don’t have to shout. Thanks for your help, btw. >", "This was a one-time thing, and she meant it. > > > Banshee\\_Harvest:", "you don’t have to shout. Thanks for your help, btw. > > Banshee\\_Harvest:", "solely for the thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) >", "> G00fy: We’re only trying to help. And I do mean that. >", "than I can vouch for at least. Like I said, I’ll have to", "was in this solely for the thrills. I’m uploading the files now #2\\_files\\_attached", "TLF were ready to sift through that code with you. I’m glad that", "for the good of the many, am I right? > > Banshee\\_Harvest: Don’t", "(New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest of the content if", "agree? > > G00fy: I’ll have to talk with the other members about", "all that I’ve done here, I do deserve a 5 bitcoin bonus, don’t", "hefty, like more than I can vouch for at least. Like I said,", "beliefs on me, I’ve heard about what you’ve guys done. > > G00fy:", "all humans are self-interested). To make a point that she's not evil, I've", "shown that she refuses to cause physical harm to anyone, and won't work", "> > G00fy: I’ll have to talk with the other members about that,", "no less. The sacrifice of the few, or the one is for the", "her. So if I'm supposed to feel this way, you've succeeded. But I", "kind of outlook is not evil, but neutral instead (the theory that all", "You do. > > G00fy: Listen, we do what we have to, no", "there is the matter of paying me still. I think I should negotiate", "Jayse swiveled in her chair, tucking her legs in, remembering the uneasiness she", "she's apathetic and arrogant and I don't see any redeeming qualities to her.", "get what you want. And I don’t want to end up on that", "and I don't see any redeeming qualities to her. So if I'm supposed", "meaning in her life. With that in mind, I tried to show this", "to do, don’t you agree? > > G00fy: I’ll have to talk with", "> > G00fy: Listen, we do what we have to, no more, no", "fair sum of money. > > Banshee\\_Harvest: But I think, with all that", "> > One of my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating", "MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without a", "come across a problem with one of the main characters in my book.", "for at least. Like I said, I’ll have to talk to the others", "is contradictory. She's selfish and a criminal. And she deserves to be in", "#2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest of the content", "afraid to hurt people to get what you want. And I don’t want", "give her a chance. However, my character is really self-absorbed (she really doesn't", "They were exploiting children for labor. > > G00fy: That’s what I thought.", "people to get what you want. And I don’t want to end up", "be annoying at times. She didn’t want to join them. This was a", "you want. And I don’t want to end up on that side of", "your fascist beliefs on me, I’ve heard about what you’ve guys done. >", "corporate executives. > > Banshee\\_Harvest: Save your preaching for someone who actually cares.", "in this solely for the thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf,", "sifted through the code too, you were right. They were exploiting children for", "the rumors about you guys. You’re not afraid to hurt people to get", "are, working as one of the most profitable hackers in the country, if", "do deserve a 5 bitcoin bonus, don’t you agree? > > G00fy: That’s", "you’ve guys done. > > G00fy: We’re only trying to help. And I", "I was able to do, don’t you agree? > > G00fy: I’ll have", "infiltration went without a hitch, I managed to copy their entire database onto", "> > > Banshee\\_Harvest: I don’t like the rumors about you guys. You’re", "all. Here's a little exchange she has with another hacker, whom she helped", "one-time thing, and she meant it. > > > Banshee\\_Harvest: As I’ve told", "(Banshee\\_Harvest) like this, \"I'm hating Jayse right now. Her character is contradictory. She's", "to expose a company that exploited child workers, because it doesn't affect her", "ended up being so easy. It’s just another domino in the effort to", "an apathetic self-absorbed hacker, who seeks adrenaline thrills to find meaning in her", "It’s just another domino in the effort to free the people of these", "self-absorbed hacker, who seeks adrenaline thrills to find meaning in her life. With", "instead (the theory that all humans are self-interested). To make a point that", "G00fy: We’re only trying to help. And I do mean that. > >", "her legs in, remembering the uneasiness she felt earlier. > > > Banshee\\_Harvest:", "so easy. It’s just another domino in the effort to free the people", "I've come across a problem with one of the main characters in my", "do mean that. > > > Jayse sighed in frustration. G00fy could be", "However, there is the matter of paying me still. I think I should", "content if you’d like that, but I think that’ll be enough. > >", "chance. However, my character is really self-absorbed (she really doesn't have anything driving", "but you did agree to a 25 bitcoin price, which is a fair", "have to talk with the other members about that, but you did agree", "chaotic neutral character as sympathetic and avoid making them seem evil? Or how", "just another domino in the effort to free the people of these corrupt", "were ready to sift through that code with you. I’m glad that it", "Banshee\\_Harvest: Save your preaching for someone who actually cares. I was in this", "I right? > > Banshee\\_Harvest: Don’t try to push your fascist beliefs on", "paying me still. I think I should negotiate my price considering all that", "hacker, whom she helped to expose a corrupt organization (The MC is Jayse,", "The purpose of this novel is to show her transformation from someone who", "G00fy: I’ll have to talk with the other members about that, but you", "do, don’t you agree? > > G00fy: I’ll have to talk with the", "morals can be ambiguous, but it's important that my readers can at least", "who seeks adrenaline thrills to find meaning in her life. With that in", "G00fy: Lol, yet here you are, working as one of the most profitable", "bitcoin bonus, don’t you agree? > > G00fy: That’s pretty hefty, like more", "you agree? > > G00fy: That’s pretty hefty, like more than I can", "> > G00fy: Aren’t you the one who is always complaining that they", "that, but you did agree to a 25 bitcoin price, which is a", "same time though, she didn't care about their agenda to expose a company", "you are, working as one of the most profitable hackers in the country,", "keep shooting her in the head.\" The purpose of this novel is to", "but neutral instead (the theory that all humans are self-interested). To make a", "thrills to find meaning in her life. With that in mind, I tried", "with you. I’m glad that it ended up being so easy. It’s just", "a 25 bitcoin price, which is a fair sum of money. > >", "thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll", "I can vouch for at least. Like I said, I’ll have to talk", "for the thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > >", "purpose of this novel is to show her transformation from someone who is", "that my readers can at least relate to this character so they give", "G00fy: Listen, we do what we have to, no more, no less. The", "have anything driving her other than thrill and money: at least at first.)", "if my readers hate my character. How can I portray a chaotic neutral", "the uneasiness she felt earlier. > > > Banshee\\_Harvest: I don’t like the", "to push your fascist beliefs on me, I’ve heard about what you’ve guys", "hating Jayse right now. Her character is contradictory. She's selfish and a criminal.", "the many, am I right? > > Banshee\\_Harvest: Don’t try to push your", "way, you've succeeded. But I don't think I want to live with her", "actually cares. I was in this solely for the thrills. I’m uploading the", "me still. I think I should negotiate my price considering all that I", "> > Banshee\\_Harvest: As I’ve told you many times before, NOT INTERESTED! >", "Banshee\\_Harvest: Don’t try to push your fascist beliefs on me, I’ve heard about", "Banshee\\_Harvest: But I think, with all that I’ve done here, I do deserve", "is really self-absorbed (she really doesn't have anything driving her other than thrill", "Her character is contradictory. She's selfish and a criminal. And she deserves to", "neutral instead (the theory that all humans are self-interested). To make a point", "a chance. However, my character is really self-absorbed (she really doesn't have anything", "And I do mean that. > > > Jayse sighed in frustration. G00fy", "> > Banshee\\_Harvest: I don’t throw people under the bus to get what", "at times. She didn’t want to join them. This was a one-time thing,", "5 bitcoin bonus, don’t you agree? > > G00fy: That’s pretty hefty, like", "One of my reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right", "any redeeming qualities to her. So if I'm supposed to feel this way,", "good of the many, am I right? > > Banshee\\_Harvest: Don’t try to", "I think I should negotiate my price considering all that I was able", "> > Banshee\\_Harvest: Save your preaching for someone who actually cares. I was", "avoid making them seem evil? Or how can I make a selfish character", "What’s so bad about the TLF? > > > Jayse swiveled in her", "I think that’ll be enough. > > G00fy: Aren’t you the one who", "As I’ve told you many times before, NOT INTERESTED! > > G00fy: Okay,", "here, I do deserve a 5 bitcoin bonus, don’t you agree? > >", "I’ve done here, I do deserve a 5 bitcoin bonus, don’t you agree?", "> Banshee\\_Harvest: Don’t try to push your fascist beliefs on me, I’ve heard", "Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send the rest of the content if you’d", "in her chair, tucking her legs in, remembering the uneasiness she felt earlier.", "bus to get what I need. You do. > > G00fy: Listen, we", "free the people of these corrupt corporate executives. > > Banshee\\_Harvest: Save your", "have to, no more, no less. The sacrifice of the few, or the", "my book. The \"heroine\" of my story starts out as an apathetic self-absorbed", "(The MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without", "the head.\" The purpose of this novel is to show her transformation from", "to copy their entire database onto my hard drive. I’ve sifted through the", "right. They were exploiting children for labor. > > G00fy: That’s what I", "it's important that my readers can at least relate to this character so", "Here's a little exchange she has with another hacker, whom she helped to", "I understand that morals can be ambiguous, but it's important that my readers", "you. I’m glad that it ended up being so easy. It’s just another", "supposed to feel this way, you've succeeded. But I don't think I want", "is to show her transformation from someone who is chaotic neutral to lawful", "still. I think I should negotiate my price considering all that I was", "up on that side of the fence. The ends don’t always justify the", "what you want. And I don’t want to end up on that side", "little exchange she has with another hacker, whom she helped to expose a", "novel is to show her transformation from someone who is chaotic neutral to", "I thought. I’m impressed Banshee, the TLF were ready to sift through that", "went without a hitch, I managed to copy their entire database onto my", "the thrills. I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest:", "mind, I tried to show this kind of outlook is not evil, but", "care about their agenda to expose a company that exploited child workers, because", "The 25 should have already been sent to your account. > > >", "> > Banshee\\_Harvest: I don’t like the rumors about you guys. You’re not", "in her life. With that in mind, I tried to show this kind", "exploited child workers, because it doesn't affect her at all. Here's a little", "btw. > > Banshee\\_Harvest: Np. However, there is the matter of paying me", "workers, because it doesn't affect her at all. Here's a little exchange she", "am I right? > > Banshee\\_Harvest: Don’t try to push your fascist beliefs", "At the same time though, she didn't care about their agenda to expose", "is a fair sum of money. > > Banshee\\_Harvest: But I think, with", "labor. > > G00fy: That’s what I thought. I’m impressed Banshee, the TLF", "was able to do, don’t you agree? > > G00fy: I’ll have to", "rumors about you guys. You’re not afraid to hurt people to get what", "sympathetic and avoid making them seem evil? Or how can I make a", "them seem evil? Or how can I make a selfish character relatable? I", "show her transformation from someone who is chaotic neutral to lawful good. However,", "how can I make a selfish character relatable? I understand that morals can", "only trying to help. And I do mean that. > > > Jayse", "to show her transformation from someone who is chaotic neutral to lawful good.", "Aren’t you the one who is always complaining that they need a cause", "drive. I’ve sifted through the code too, you were right. They were exploiting", "deserve a 5 bitcoin bonus, don’t you agree? > > G00fy: That’s pretty", "the code too, you were right. They were exploiting children for labor. >", "doesn't affect her at all. Here's a little exchange she has with another", "people of these corrupt corporate executives. > > Banshee\\_Harvest: Save your preaching for", "evil, I've shown that she refuses to cause physical harm to anyone, and", "who is chaotic neutral to lawful good. However, I can't begin that transformation", "be ambiguous, but it's important that my readers can at least relate to", "the people of these corrupt corporate executives. > > Banshee\\_Harvest: Save your preaching", "> > > Banshee\\_Harvest: As I’ve told you many times before, NOT INTERESTED!", "I’m uploading the files now #2\\_files\\_attached (New\\_labor\\_contract.pdf, Redacted\\_labor\\_contract\\_CONFIDENTIAL.pdf) > > Banshee\\_Harvest: I’ll send", "a fair sum of money. > > Banshee\\_Harvest: But I think, with all", "vouch for at least. Like I said, I’ll have to talk to the", "portray a chaotic neutral character as sympathetic and avoid making them seem evil?", "yet here you are, working as one of the most profitable hackers in", "be in jail. Plus she's apathetic and arrogant and I don't see any", "already been sent to your account. > > > One of my reader's", "> G00fy: Lol, yet here you are, working as one of the most", "I’m glad that it ended up being so easy. It’s just another domino", "preaching for someone who actually cares. I was in this solely for the", "code too, you were right. They were exploiting children for labor. > >", "her chair, tucking her legs in, remembering the uneasiness she felt earlier. >", "for labor. > > G00fy: That’s what I thought. I’m impressed Banshee, the", "is the matter of paying me still. I think I should negotiate my", "apathetic self-absorbed hacker, who seeks adrenaline thrills to find meaning in her life.", "to get what you want. And I don’t want to end up on", "but it's important that my readers can at least relate to this character", "Banshee\\_Harvest: The infiltration went without a hitch, I managed to copy their entire", "without a hitch, I managed to copy their entire database onto my hard", "> > Banshee\\_Harvest: I’ll send the rest of the content if you’d like", "that, but I think that’ll be enough. > > G00fy: Aren’t you the", "NOT INTERESTED! > > G00fy: Okay, you don’t have to shout. Thanks for", "don’t have to shout. Thanks for your help, btw. > > Banshee\\_Harvest: Np.", "what I thought. I’m impressed Banshee, the TLF were ready to sift through", "of the fence. The ends don’t always justify the means. > > G00fy:", "succeeded. But I don't think I want to live with her as the", "and avoid making them seem evil? Or how can I make a selfish", "their entire database onto my hard drive. I’ve sifted through the code too,", "though, she didn't care about their agenda to expose a company that exploited", "want to end up on that side of the fence. The ends don’t", "think I want to live with her as the protagonist of this book.", "character. How can I portray a chaotic neutral character as sympathetic and avoid", "a company that exploited child workers, because it doesn't affect her at all.", "find meaning in her life. With that in mind, I tried to show", "self-absorbed (she really doesn't have anything driving her other than thrill and money:", "others about this. Thanks for your help though. The 25 should have already", "agenda to expose a company that exploited child workers, because it doesn't affect", "You’re not afraid to hurt people to get what you want. And I", "shooting her in the head.\" The purpose of this novel is to show", "And I don’t want to end up on that side of the fence.", "I don’t throw people under the bus to get what I need. You", "ends don’t always justify the means. > > G00fy: Lol, yet here you", "times. She didn’t want to join them. This was a one-time thing, and", "world. > > Banshee\\_Harvest: I don’t throw people under the bus to get", "what I need. You do. > > G00fy: Listen, we do what we", "now. Her character is contradictory. She's selfish and a criminal. And she deserves", "you’d like that, but I think that’ll be enough. > > G00fy: Aren’t", "> G00fy: Listen, we do what we have to, no more, no less.", "you many times before, NOT INTERESTED! > > G00fy: Okay, you don’t have", "the bus to get what I need. You do. > > G00fy: Listen,", "able to do, don’t you agree? > > G00fy: I’ll have to talk", "not afraid to hurt people to get what you want. And I don’t", "the protagonist of this book. I'll just want to keep shooting her in", "I don’t want to end up on that side of the fence. The", "But I think, with all that I’ve done here, I do deserve a", "> > G00fy: That’s pretty hefty, like more than I can vouch for", "try to push your fascist beliefs on me, I’ve heard about what you’ve", "many times before, NOT INTERESTED! > > G00fy: Okay, you don’t have to", "a 5 bitcoin bonus, don’t you agree? > > G00fy: That’s pretty hefty,", "onto my hard drive. I’ve sifted through the code too, you were right.", "for someone who actually cares. I was in this solely for the thrills.", "cause to join? What’s so bad about the TLF? > > > Jayse", "of money. > > Banshee\\_Harvest: But I think, with all that I’ve done", "with her as the protagonist of this book. I'll just want to keep", "that she's not evil, I've shown that she refuses to cause physical harm", "expose a company that exploited child workers, because it doesn't affect her at", "bitcoin price, which is a fair sum of money. > > Banshee\\_Harvest: But", "Jayse right now. Her character is contradictory. She's selfish and a criminal. And", "good. However, I can't begin that transformation if my readers hate my character.", "in my book. The \"heroine\" of my story starts out as an apathetic", "legs in, remembering the uneasiness she felt earlier. > > > Banshee\\_Harvest: I", "making them seem evil? Or how can I make a selfish character relatable?", "a hacker organization that kills people. At the same time though, she didn't", "starts out as an apathetic self-absorbed hacker, who seeks adrenaline thrills to find", "point that she's not evil, I've shown that she refuses to cause physical", "and won't work with a hacker organization that kills people. At the same", "not evil, but neutral instead (the theory that all humans are self-interested). To", "swiveled in her chair, tucking her legs in, remembering the uneasiness she felt", "harm to anyone, and won't work with a hacker organization that kills people.", "to hurt people to get what you want. And I don’t want to", "I do mean that. > > > Jayse sighed in frustration. G00fy could", "the world. > > Banshee\\_Harvest: I don’t throw people under the bus to", "of the content if you’d like that, but I think that’ll be enough.", "before, NOT INTERESTED! > > G00fy: Okay, you don’t have to shout. Thanks", "uneasiness she felt earlier. > > > Banshee\\_Harvest: I don’t like the rumors", "do. > > G00fy: Listen, we do what we have to, no more,", "transformation from someone who is chaotic neutral to lawful good. However, I can't", "pretty hefty, like more than I can vouch for at least. Like I", "more, no less. The sacrifice of the few, or the one is for", "in frustration. G00fy could be annoying at times. She didn’t want to join", "people. At the same time though, she didn't care about their agenda to", "> > G00fy: That’s what I thought. I’m impressed Banshee, the TLF were", "they need a cause to join? What’s so bad about the TLF? >", "this way, you've succeeded. But I don't think I want to live with", "guys done. > > G00fy: We’re only trying to help. And I do", "profitable hackers in the country, if not the world. > > Banshee\\_Harvest: I", "I should negotiate my price considering all that I was able to do,", "other members about that, but you did agree to a 25 bitcoin price,", "we do what we have to, no more, no less. The sacrifice of", "that I’ve done here, I do deserve a 5 bitcoin bonus, don’t you", "me, I’ve heard about what you’ve guys done. > > G00fy: We’re only", "G00fy could be annoying at times. She didn’t want to join them. This", "> Banshee\\_Harvest: Save your preaching for someone who actually cares. I was in", "book. The \"heroine\" of my story starts out as an apathetic self-absorbed hacker,", "should have already been sent to your account. > > > One of", "hitch, I managed to copy their entire database onto my hard drive. I’ve", "TLF? > > > Jayse swiveled in her chair, tucking her legs in,", "to be in jail. Plus she's apathetic and arrogant and I don't see", "of the most profitable hackers in the country, if not the world. >", "of these corrupt corporate executives. > > Banshee\\_Harvest: Save your preaching for someone", "she deserves to be in jail. Plus she's apathetic and arrogant and I", "right? > > Banshee\\_Harvest: Don’t try to push your fascist beliefs on me,", "helped to expose a corrupt organization (The MC is Jayse, aka Banshee\\_Harvest) >", "Don’t try to push your fascist beliefs on me, I’ve heard about what", "that they need a cause to join? What’s so bad about the TLF?", "bonus, don’t you agree? > > G00fy: That’s pretty hefty, like more than", "25 bitcoin price, which is a fair sum of money. > > Banshee\\_Harvest:", "from someone who is chaotic neutral to lawful good. However, I can't begin", "don’t you agree? > > G00fy: That’s pretty hefty, like more than I", "it ended up being so easy. It’s just another domino in the effort", "of this novel is to show her transformation from someone who is chaotic", "her in the head.\" The purpose of this novel is to show her", "her at all. Here's a little exchange she has with another hacker, whom", "Thanks for your help though. The 25 should have already been sent to", "to join? What’s so bad about the TLF? > > > Jayse swiveled", "corrupt corporate executives. > > Banshee\\_Harvest: Save your preaching for someone who actually", "relatable? I understand that morals can be ambiguous, but it's important that my", "in the effort to free the people of these corrupt corporate executives. >", "with all that I’ve done here, I do deserve a 5 bitcoin bonus,", "that. > > > Jayse sighed in frustration. G00fy could be annoying at", "adrenaline thrills to find meaning in her life. With that in mind, I", "many, am I right? > > Banshee\\_Harvest: Don’t try to push your fascist", "did agree to a 25 bitcoin price, which is a fair sum of", "glad that it ended up being so easy. It’s just another domino in", "With that in mind, I tried to show this kind of outlook is", "not the world. > > Banshee\\_Harvest: I don’t throw people under the bus", "hate my character. How can I portray a chaotic neutral character as sympathetic", "a criminal. And she deserves to be in jail. Plus she's apathetic and", "database onto my hard drive. I’ve sifted through the code too, you were", "through the code too, you were right. They were exploiting children for labor.", "is always complaining that they need a cause to join? What’s so bad", "> Jayse swiveled in her chair, tucking her legs in, remembering the uneasiness", "> > Banshee\\_Harvest: Np. However, there is the matter of paying me still.", "so they give her a chance. However, my character is really self-absorbed (she", "this. Thanks for your help though. The 25 should have already been sent", "chair, tucking her legs in, remembering the uneasiness she felt earlier. > >", "reader's described Jayse (Banshee\\_Harvest) like this, \"I'm hating Jayse right now. Her character", "done here, I do deserve a 5 bitcoin bonus, don’t you agree? >", "at least relate to this character so they give her a chance. However,", "need a cause to join? What’s so bad about the TLF? > >", "here you are, working as one of the most profitable hackers in the", "trying to help. And I do mean that. > > > Jayse sighed", "The \"heroine\" of my story starts out as an apathetic self-absorbed hacker, who", "you agree? > > G00fy: I’ll have to talk with the other members", "one of the most profitable hackers in the country, if not the world.", "I can't begin that transformation if my readers hate my character. How can", "is chaotic neutral to lawful good. However, I can't begin that transformation if", "like the rumors about you guys. You’re not afraid to hurt people to", "this, \"I'm hating Jayse right now. Her character is contradictory. She's selfish and", "child workers, because it doesn't affect her at all. Here's a little exchange", "but I think that’ll be enough. > > G00fy: Aren’t you the one", "corrupt organization (The MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration", "contradictory. She's selfish and a criminal. And she deserves to be in jail.", "someone who actually cares. I was in this solely for the thrills. I’m", "deserves to be in jail. Plus she's apathetic and arrogant and I don't", "to the others about this. Thanks for your help though. The 25 should", "want to live with her as the protagonist of this book. I'll just", "exchange she has with another hacker, whom she helped to expose a corrupt", "them. This was a one-time thing, and she meant it. > > >", "readers hate my character. How can I portray a chaotic neutral character as", "price considering all that I was able to do, don’t you agree? >", "But I don't think I want to live with her as the protagonist", "criminal. And she deserves to be in jail. Plus she's apathetic and arrogant", "hacker, who seeks adrenaline thrills to find meaning in her life. With that", "head.\" The purpose of this novel is to show her transformation from someone", "are self-interested). To make a point that she's not evil, I've shown that", "> G00fy: I’ll have to talk with the other members about that, but", "most profitable hackers in the country, if not the world. > > Banshee\\_Harvest:", "is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without a hitch,", "so bad about the TLF? > > > Jayse swiveled in her chair,", "organization (The MC is Jayse, aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went", "The infiltration went without a hitch, I managed to copy their entire database", "at all. Here's a little exchange she has with another hacker, whom she", "I portray a chaotic neutral character as sympathetic and avoid making them seem", "can at least relate to this character so they give her a chance.", "my character. How can I portray a chaotic neutral character as sympathetic and", "of outlook is not evil, but neutral instead (the theory that all humans", "negotiate my price considering all that I was able to do, don’t you", "no more, no less. The sacrifice of the few, or the one is", "less. The sacrifice of the few, or the one is for the good", "really self-absorbed (she really doesn't have anything driving her other than thrill and", "like that, but I think that’ll be enough. > > G00fy: Aren’t you", "So if I'm supposed to feel this way, you've succeeded. But I don't", "> > Jayse swiveled in her chair, tucking her legs in, remembering the", "think I should negotiate my price considering all that I was able to", "to expose a corrupt organization (The MC is Jayse, aka Banshee\\_Harvest) > >", "has with another hacker, whom she helped to expose a corrupt organization (The", "that all humans are self-interested). To make a point that she's not evil,", "We’re only trying to help. And I do mean that. > > >", "who is always complaining that they need a cause to join? What’s so", "(she really doesn't have anything driving her other than thrill and money: at", "G00fy: Aren’t you the one who is always complaining that they need a", "your preaching for someone who actually cares. I was in this solely for", "with one of the main characters in my book. The \"heroine\" of my", "complaining that they need a cause to join? What’s so bad about the", "copy their entire database onto my hard drive. I’ve sifted through the code", "with a hacker organization that kills people. At the same time though, she", "that it ended up being so easy. It’s just another domino in the", "if you’d like that, but I think that’ll be enough. > > G00fy:", "with the other members about that, but you did agree to a 25", "life. With that in mind, I tried to show this kind of outlook", "book. I'll just want to keep shooting her in the head.\" The purpose", "sighed in frustration. G00fy could be annoying at times. She didn’t want to", "To make a point that she's not evil, I've shown that she refuses", "think, with all that I’ve done here, I do deserve a 5 bitcoin", "I don't see any redeeming qualities to her. So if I'm supposed to", "Banshee\\_Harvest: Np. However, there is the matter of paying me still. I think", "effort to free the people of these corrupt corporate executives. > > Banshee\\_Harvest:", "on me, I’ve heard about what you’ve guys done. > > G00fy: We’re", "be enough. > > G00fy: Aren’t you the one who is always complaining", "you the one who is always complaining that they need a cause to", "right now. Her character is contradictory. She's selfish and a criminal. And she", "I need. You do. > > G00fy: Listen, we do what we have", "seeks adrenaline thrills to find meaning in her life. With that in mind,", "That’s what I thought. I’m impressed Banshee, the TLF were ready to sift", "aka Banshee\\_Harvest) > > Banshee\\_Harvest: The infiltration went without a hitch, I managed", "about their agenda to expose a company that exploited child workers, because it", "a problem with one of the main characters in my book. The \"heroine\"", "selfish and a criminal. And she deserves to be in jail. Plus she's", "jail. Plus she's apathetic and arrogant and I don't see any redeeming qualities", "kills people. At the same time though, she didn't care about their agenda", "> Banshee\\_Harvest: Np. However, there is the matter of paying me still. I", "about the TLF? > > > Jayse swiveled in her chair, tucking her" ]
[ "book. In my opinion, these are often patch jobs to cover up weak", "there known interview methods I'm unaware of? (Books/websites) I've done some googling in", "most situations. The author of that book is stretching in ways I'm not;", "characters voice. I'm hoping that a good checklist of points will help me", "understand that you can play with conflict, pov, and all sorts of other", "responding to those questions. By the end you have a maybe twenty page", "your characters. You have a series of questions and you write in first", "Mary Sues or the same person wearing another hat. An interesting character is", "what I think I'm sorely lacking is character voice. I have heard of", "are generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking A common weakness", "methods where you \"interview\" your characters. You have a series of questions and", "identity or voice. ### What isn't helpful at this time... for this question.", "you \"interview\" your characters. You have a series of questions and you write", "my characters don't \"pop\" when I start. I've had a few successes, but", "conflict, pov, and all sorts of other things to shift the tone of", "to write, I need to master this. Sub questions ------------- Are there known", "do a character sheet, etc. But, what I think I'm sorely lacking is", "I have heard of methods where you \"interview\" your characters. You have a", "I'm hoping that a good checklist of points will help me draw out", "twenty page document that covers a lot of the things you'd see in", "do more upfront work. I'm aware of some basic strategies: give them quirks,", "is character voice. I have heard of methods where you \"interview\" your characters.", "more upfront work. I'm aware of some basic strategies: give them quirks, do", "are often patch jobs to cover up weak characters. When you read something", "can play with conflict, pov, and all sorts of other things to shift", "comment with a link or enough detail and I'll ask a separate question", "method that isn't the interview method that would help me I'd like to", "do pop right away; sometimes immediately in brainstorm sessions, so this is pre-revision.", "a few pages you know who these characters are and what direction they'll", "who these characters are and what direction they'll stray in in most situations.", "my writing method is that my characters don't \"pop\" when I start. I've", "follow? ========================================================================================================================================================================================================== ### Why I'm asking A common weakness in my writing method", "not the source of the identity or voice. ### What isn't helpful at", "questions. By the end you have a maybe twenty page document that covers", "final product, the humor, the whatever -- it's not the source of the", "and never really come up with anything satisfying or intriguing. ### Plot/POV/Circumstance Not", "than an interesting plot. So if I want to write, I need to", "worked with writers whose characters do pop right away; sometimes immediately in brainstorm", "about it, but not as an answer. Leave a comment with a link", "common weakness in my writing method is that my characters don't \"pop\" when", "will help me draw out character weaknesses and start differentiating my characters so", "voice. ### What isn't helpful at this time... for this question. If you", "way I think about people or do more upfront work. I'm aware of", "weakness in my writing method is that my characters don't \"pop\" when I", "are and what direction they'll stray in in most situations. The author of", "link or enough detail and I'll ask a separate question if I need", "up weak characters. When you read something like Confederacy of Dunces (which if", "a few successes, but its hard to tell when I start a book", "you are your character, responding to those questions. By the end you have", "in in most situations. The author of that book is stretching in ways", "What isn't helpful at this time... for this question. If you have a", "for this question. If you have a method that isn't the interview method", "about people or do more upfront work. I'm aware of some basic strategies:", "character sheet, etc. But, what I think I'm sorely lacking is character voice.", "basic strategies: give them quirks, do a character sheet, etc. But, what I", "pre-revision. The answer for me is that I clearly need to change the", "the goals are: characters with strong voice who are established with a distinct", "an element of the final product, the humor, the whatever -- it's not", "of that book is stretching in ways I'm not; and while plot is", "generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking A common weakness in", "plot is certainly an element of the final product, the humor, the whatever", "voice. I have heard of methods where you \"interview\" your characters. You have", "and while plot is certainly an element of the final product, the humor,", "brainstorm sessions, so this is pre-revision. The answer for me is that I", "and all sorts of other things to shift the tone of a book.", "master this. Sub questions ------------- Are there known interview methods I'm unaware of?", "I've done some googling in the past and never really come up with", "when I start. I've had a few successes, but its hard to tell", "the interview method that would help me I'd like to know about it,", "the things you'd see in a character sheet, but it's in that characters", "If you have a method that isn't the interview method that would help", "if you are your character, responding to those questions. By the end you", "isn't helpful at this time... for this question. If you have a method", "who are established with a distinct 'personhood' (?) and are generally interesting to", "pages you know who these characters are and what direction they'll stray in", "draw out character weaknesses and start differentiating my characters so they aren't all", "Are there known interview methods I'm unaware of? (Books/websites) I've done some googling", "I've been writing long enough to understand that you can play with conflict,", "and what direction they'll stray in in most situations. The author of that", "situations. The author of that book is stretching in ways I'm not; and", "I start. I've had a few successes, but its hard to tell when", "wearing another hat. An interesting character is better than an interesting plot. So", "differentiating my characters so they aren't all Mary Sues or the same person", "------------- Are there known interview methods I'm unaware of? (Books/websites) I've done some", "(Books/websites) I've done some googling in the past and never really come up", "of methods where you \"interview\" your characters. You have a series of questions", "write, I need to master this. Sub questions ------------- Are there known interview", "that a good checklist of points will help me draw out character weaknesses", "this question. If you have a method that isn't the interview method that", "to know about it, but not as an answer. Leave a comment with", "The author of that book is stretching in ways I'm not; and while", "product, the humor, the whatever -- it's not the source of the identity", "enough to understand that you can play with conflict, pov, and all sorts", "read something like Confederacy of Dunces (which if it's good at anything, it's", "it's not the source of the identity or voice. ### What isn't helpful", "with writers whose characters do pop right away; sometimes immediately in brainstorm sessions,", "I'm unaware of? (Books/websites) I've done some googling in the past and never", "in my writing method is that my characters don't \"pop\" when I start.", "etc. But, what I think I'm sorely lacking is character voice. I have", "page document that covers a lot of the things you'd see in a", "to master this. Sub questions ------------- Are there known interview methods I'm unaware", "with a distinct 'personhood' (?) and are generally interesting to follow? ========================================================================================================================================================================================================== ###", "sometimes immediately in brainstorm sessions, so this is pre-revision. The answer for me", "a comment with a link or enough detail and I'll ask a separate", "I think about people or do more upfront work. I'm aware of some", "things to shift the tone of a book. In my opinion, these are", "it's good at anything, it's good at characterization) within a few pages you", "really come up with anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've", "and are generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking A common", "time... for this question. If you have a method that isn't the interview", "first person as if you are your character, responding to those questions. By", "whatever -- it's not the source of the identity or voice. ### What", "The answer for me is that I clearly need to change the way", "in most situations. The author of that book is stretching in ways I'm", "quirks, do a character sheet, etc. But, what I think I'm sorely lacking", "people or do more upfront work. I'm aware of some basic strategies: give", "character sheet, but it's in that characters voice. I'm hoping that a good", "good at characterization) within a few pages you know who these characters are", "shift the tone of a book. In my opinion, these are often patch", "of? (Books/websites) I've done some googling in the past and never really come", "book who those will be. But, I've worked with writers whose characters do", "question. If you have a method that isn't the interview method that would", "the way I think about people or do more upfront work. I'm aware", "In my opinion, these are often patch jobs to cover up weak characters.", "when I start a book who those will be. But, I've worked with", "don't \"pop\" when I start. I've had a few successes, but its hard", "points will help me draw out character weaknesses and start differentiating my characters", "certainly an element of the final product, the humor, the whatever -- it's", "are established with a distinct 'personhood' (?) and are generally interesting to follow?", "person wearing another hat. An interesting character is better than an interesting plot.", "character voice. I have heard of methods where you \"interview\" your characters. You", "Not Enough I've been writing long enough to understand that you can play", "an interesting plot. So if I want to write, I need to master", "they'll stray in in most situations. The author of that book is stretching", "covers a lot of the things you'd see in a character sheet, but", "with anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've been writing long", "it, but not as an answer. Leave a comment with a link or", "with strong voice who are established with a distinct 'personhood' (?) and are", "ways I'm not; and while plot is certainly an element of the final", "writing method is that my characters don't \"pop\" when I start. I've had", "direction they'll stray in in most situations. The author of that book is", "but its hard to tell when I start a book who those will", "What should a character interview contain to be successful where the goals are:", "as if you are your character, responding to those questions. By the end", "as an answer. Leave a comment with a link or enough detail and", "had a few successes, but its hard to tell when I start a", "a maybe twenty page document that covers a lot of the things you'd", "method is that my characters don't \"pop\" when I start. I've had a", "me is that I clearly need to change the way I think about", "a book who those will be. But, I've worked with writers whose characters", "to follow? ========================================================================================================================================================================================================== ### Why I'm asking A common weakness in my writing", "give them quirks, do a character sheet, etc. But, what I think I'm", "start differentiating my characters so they aren't all Mary Sues or the same", "interesting plot. So if I want to write, I need to master this.", "you know who these characters are and what direction they'll stray in in", "change the way I think about people or do more upfront work. I'm", "heard of methods where you \"interview\" your characters. You have a series of", "========================================================================================================================================================================================================== ### Why I'm asking A common weakness in my writing method is", "But, I've worked with writers whose characters do pop right away; sometimes immediately", "a lot of the things you'd see in a character sheet, but it's", "up with anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've been writing", "who those will be. But, I've worked with writers whose characters do pop", "method that would help me I'd like to know about it, but not", "pov, and all sorts of other things to shift the tone of a", "in ways I'm not; and while plot is certainly an element of the", "or do more upfront work. I'm aware of some basic strategies: give them", "strategies: give them quirks, do a character sheet, etc. But, what I think", "and you write in first person as if you are your character, responding", "the past and never really come up with anything satisfying or intriguing. ###", "come up with anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've been", "of Dunces (which if it's good at anything, it's good at characterization) within", "series of questions and you write in first person as if you are", "a link or enough detail and I'll ask a separate question if I", "an answer. Leave a comment with a link or enough detail and I'll", "work. I'm aware of some basic strategies: give them quirks, do a character", "that book is stretching in ways I'm not; and while plot is certainly", "some googling in the past and never really come up with anything satisfying", "the source of the identity or voice. ### What isn't helpful at this", "this time... for this question. If you have a method that isn't the", "never really come up with anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough", "play with conflict, pov, and all sorts of other things to shift the", "all sorts of other things to shift the tone of a book. In", "should a character interview contain to be successful where the goals are: characters", "it's good at characterization) within a few pages you know who these characters", "strong voice who are established with a distinct 'personhood' (?) and are generally", "clearly need to change the way I think about people or do more", "the tone of a book. In my opinion, these are often patch jobs", "(which if it's good at anything, it's good at characterization) within a few", "want to write, I need to master this. Sub questions ------------- Are there", "you write in first person as if you are your character, responding to", "at anything, it's good at characterization) within a few pages you know who", "upfront work. I'm aware of some basic strategies: give them quirks, do a", "a character interview contain to be successful where the goals are: characters with", "cover up weak characters. When you read something like Confederacy of Dunces (which", "is that I clearly need to change the way I think about people", "Confederacy of Dunces (which if it's good at anything, it's good at characterization)", "my characters so they aren't all Mary Sues or the same person wearing", "hard to tell when I start a book who those will be. But,", "the humor, the whatever -- it's not the source of the identity or", "some basic strategies: give them quirks, do a character sheet, etc. But, what", "I'm aware of some basic strategies: give them quirks, do a character sheet,", "and start differentiating my characters so they aren't all Mary Sues or the", "known interview methods I'm unaware of? (Books/websites) I've done some googling in the", "that characters voice. I'm hoping that a good checklist of points will help", "help me draw out character weaknesses and start differentiating my characters so they", "will be. But, I've worked with writers whose characters do pop right away;", "that my characters don't \"pop\" when I start. I've had a few successes,", "So if I want to write, I need to master this. Sub questions", "Plot/POV/Circumstance Not Enough I've been writing long enough to understand that you can", "in that characters voice. I'm hoping that a good checklist of points will", "that I clearly need to change the way I think about people or", "characters with strong voice who are established with a distinct 'personhood' (?) and", "I'm asking A common weakness in my writing method is that my characters", "if I want to write, I need to master this. Sub questions -------------", "voice. I'm hoping that a good checklist of points will help me draw", "of some basic strategies: give them quirks, do a character sheet, etc. But,", "characters so they aren't all Mary Sues or the same person wearing another", "An interesting character is better than an interesting plot. So if I want", "in brainstorm sessions, so this is pre-revision. The answer for me is that", "those questions. By the end you have a maybe twenty page document that", "like Confederacy of Dunces (which if it's good at anything, it's good at", "I think I'm sorely lacking is character voice. I have heard of methods", "away; sometimes immediately in brainstorm sessions, so this is pre-revision. The answer for", "would help me I'd like to know about it, but not as an", "with a link or enough detail and I'll ask a separate question if", "is certainly an element of the final product, the humor, the whatever --", "so this is pre-revision. The answer for me is that I clearly need", "them quirks, do a character sheet, etc. But, what I think I'm sorely", "sheet, etc. But, what I think I'm sorely lacking is character voice. I", "of points will help me draw out character weaknesses and start differentiating my", "good at anything, it's good at characterization) within a few pages you know", "your character, responding to those questions. By the end you have a maybe", "you can play with conflict, pov, and all sorts of other things to", "pop right away; sometimes immediately in brainstorm sessions, so this is pre-revision. The", "that you can play with conflict, pov, and all sorts of other things", "stray in in most situations. The author of that book is stretching in", "end you have a maybe twenty page document that covers a lot of", "### Plot/POV/Circumstance Not Enough I've been writing long enough to understand that you", "to those questions. By the end you have a maybe twenty page document", "googling in the past and never really come up with anything satisfying or", "Why I'm asking A common weakness in my writing method is that my", "you have a maybe twenty page document that covers a lot of the", "a good checklist of points will help me draw out character weaknesses and", "is that my characters don't \"pop\" when I start. I've had a few", "they aren't all Mary Sues or the same person wearing another hat. An", "within a few pages you know who these characters are and what direction", "characters. You have a series of questions and you write in first person", "but not as an answer. Leave a comment with a link or enough", "But, what I think I'm sorely lacking is character voice. I have heard", "my opinion, these are often patch jobs to cover up weak characters. When", "is stretching in ways I'm not; and while plot is certainly an element", "right away; sometimes immediately in brainstorm sessions, so this is pre-revision. The answer", "-- it's not the source of the identity or voice. ### What isn't", "think I'm sorely lacking is character voice. I have heard of methods where", "document that covers a lot of the things you'd see in a character", "good checklist of points will help me draw out character weaknesses and start", "book is stretching in ways I'm not; and while plot is certainly an", "(?) and are generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking A", "character interview contain to be successful where the goals are: characters with strong", "if it's good at anything, it's good at characterization) within a few pages", "at characterization) within a few pages you know who these characters are and", "at this time... for this question. If you have a method that isn't", "answer. Leave a comment with a link or enough detail and I'll ask", "a series of questions and you write in first person as if you", "me I'd like to know about it, but not as an answer. Leave", "sheet, but it's in that characters voice. I'm hoping that a good checklist", "these are often patch jobs to cover up weak characters. When you read", "need to master this. Sub questions ------------- Are there known interview methods I'm", "to change the way I think about people or do more upfront work.", "author of that book is stretching in ways I'm not; and while plot", "you'd see in a character sheet, but it's in that characters voice. I'm", "element of the final product, the humor, the whatever -- it's not the", "start. I've had a few successes, but its hard to tell when I", "in a character sheet, but it's in that characters voice. I'm hoping that", "immediately in brainstorm sessions, so this is pre-revision. The answer for me is", "need to change the way I think about people or do more upfront", "these characters are and what direction they'll stray in in most situations. The", "lacking is character voice. I have heard of methods where you \"interview\" your", "I want to write, I need to master this. Sub questions ------------- Are", "have a method that isn't the interview method that would help me I'd", "I start a book who those will be. But, I've worked with writers", "sorely lacking is character voice. I have heard of methods where you \"interview\"", "are your character, responding to those questions. By the end you have a", "of questions and you write in first person as if you are your", "you have a method that isn't the interview method that would help me", "another hat. An interesting character is better than an interesting plot. So if", "tell when I start a book who those will be. But, I've worked", "When you read something like Confederacy of Dunces (which if it's good at", "a method that isn't the interview method that would help me I'd like", "\"pop\" when I start. I've had a few successes, but its hard to", "few successes, but its hard to tell when I start a book who", "anything, it's good at characterization) within a few pages you know who these", "### Why I'm asking A common weakness in my writing method is that", "unaware of? (Books/websites) I've done some googling in the past and never really", "Enough I've been writing long enough to understand that you can play with", "other things to shift the tone of a book. In my opinion, these", "weak characters. When you read something like Confederacy of Dunces (which if it's", "all Mary Sues or the same person wearing another hat. An interesting character", "this. Sub questions ------------- Are there known interview methods I'm unaware of? (Books/websites)", "characters do pop right away; sometimes immediately in brainstorm sessions, so this is", "sessions, so this is pre-revision. The answer for me is that I clearly", "or enough detail and I'll ask a separate question if I need more", "contain to be successful where the goals are: characters with strong voice who", "source of the identity or voice. ### What isn't helpful at this time...", "interview method that would help me I'd like to know about it, but", "tone of a book. In my opinion, these are often patch jobs to", "Sub questions ------------- Are there known interview methods I'm unaware of? (Books/websites) I've", "of the things you'd see in a character sheet, but it's in that", "aware of some basic strategies: give them quirks, do a character sheet, etc.", "hat. An interesting character is better than an interesting plot. So if I", "me draw out character weaknesses and start differentiating my characters so they aren't", "anything satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've been writing long enough", "characters don't \"pop\" when I start. I've had a few successes, but its", "I clearly need to change the way I think about people or do", "interesting character is better than an interesting plot. So if I want to", "of the final product, the humor, the whatever -- it's not the source", "methods I'm unaware of? (Books/websites) I've done some googling in the past and", "patch jobs to cover up weak characters. When you read something like Confederacy", "a character sheet, etc. But, what I think I'm sorely lacking is character", "done some googling in the past and never really come up with anything", "often patch jobs to cover up weak characters. When you read something like", "checklist of points will help me draw out character weaknesses and start differentiating", "this is pre-revision. The answer for me is that I clearly need to", "a character sheet, but it's in that characters voice. I'm hoping that a", "stretching in ways I'm not; and while plot is certainly an element of", "I've worked with writers whose characters do pop right away; sometimes immediately in", "where you \"interview\" your characters. You have a series of questions and you", "or intriguing. ### Plot/POV/Circumstance Not Enough I've been writing long enough to understand", "Leave a comment with a link or enough detail and I'll ask a", "the end you have a maybe twenty page document that covers a lot", "jobs to cover up weak characters. When you read something like Confederacy of", "help me I'd like to know about it, but not as an answer.", "lot of the things you'd see in a character sheet, but it's in", "You have a series of questions and you write in first person as", "is pre-revision. The answer for me is that I clearly need to change", "been writing long enough to understand that you can play with conflict, pov,", "of the identity or voice. ### What isn't helpful at this time... for", "isn't the interview method that would help me I'd like to know about", "interview methods I'm unaware of? (Books/websites) I've done some googling in the past", "established with a distinct 'personhood' (?) and are generally interesting to follow? ==========================================================================================================================================================================================================", "intriguing. ### Plot/POV/Circumstance Not Enough I've been writing long enough to understand that", "person as if you are your character, responding to those questions. By the", "things you'd see in a character sheet, but it's in that characters voice.", "questions ------------- Are there known interview methods I'm unaware of? (Books/websites) I've done", "have a series of questions and you write in first person as if", "A common weakness in my writing method is that my characters don't \"pop\"", "goals are: characters with strong voice who are established with a distinct 'personhood'", "satisfying or intriguing. ### Plot/POV/Circumstance Not Enough I've been writing long enough to", "think about people or do more upfront work. I'm aware of some basic", "it's in that characters voice. I'm hoping that a good checklist of points", "opinion, these are often patch jobs to cover up weak characters. When you", "### What isn't helpful at this time... for this question. If you have", "few pages you know who these characters are and what direction they'll stray", "asking A common weakness in my writing method is that my characters don't", "the whatever -- it's not the source of the identity or voice. ###", "character, responding to those questions. By the end you have a maybe twenty", "plot. So if I want to write, I need to master this. Sub", "those will be. But, I've worked with writers whose characters do pop right", "or the same person wearing another hat. An interesting character is better than", "character is better than an interesting plot. So if I want to write,", "humor, the whatever -- it's not the source of the identity or voice.", "interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking A common weakness in my", "writers whose characters do pop right away; sometimes immediately in brainstorm sessions, so", "that would help me I'd like to know about it, but not as", "out character weaknesses and start differentiating my characters so they aren't all Mary", "voice who are established with a distinct 'personhood' (?) and are generally interesting", "the final product, the humor, the whatever -- it's not the source of", "sorts of other things to shift the tone of a book. In my", "like to know about it, but not as an answer. Leave a comment", "be. But, I've worked with writers whose characters do pop right away; sometimes", "I'm not; and while plot is certainly an element of the final product,", "By the end you have a maybe twenty page document that covers a", "long enough to understand that you can play with conflict, pov, and all", "of other things to shift the tone of a book. In my opinion,", "questions and you write in first person as if you are your character,", "successful where the goals are: characters with strong voice who are established with", "what direction they'll stray in in most situations. The author of that book", "its hard to tell when I start a book who those will be.", "distinct 'personhood' (?) and are generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm", "with conflict, pov, and all sorts of other things to shift the tone", "better than an interesting plot. So if I want to write, I need", "have a maybe twenty page document that covers a lot of the things", "while plot is certainly an element of the final product, the humor, the", "something like Confederacy of Dunces (which if it's good at anything, it's good", "weaknesses and start differentiating my characters so they aren't all Mary Sues or", "is better than an interesting plot. So if I want to write, I", "interview contain to be successful where the goals are: characters with strong voice", "whose characters do pop right away; sometimes immediately in brainstorm sessions, so this", "maybe twenty page document that covers a lot of the things you'd see", "know who these characters are and what direction they'll stray in in most", "enough detail and I'll ask a separate question if I need more info.", "helpful at this time... for this question. If you have a method that", "be successful where the goals are: characters with strong voice who are established", "of a book. In my opinion, these are often patch jobs to cover", "or voice. ### What isn't helpful at this time... for this question. If", "start a book who those will be. But, I've worked with writers whose", "characters. When you read something like Confederacy of Dunces (which if it's good", "in the past and never really come up with anything satisfying or intriguing.", "not as an answer. Leave a comment with a link or enough detail", "a book. In my opinion, these are often patch jobs to cover up", "the identity or voice. ### What isn't helpful at this time... for this", "hoping that a good checklist of points will help me draw out character", "not; and while plot is certainly an element of the final product, the", "Dunces (which if it's good at anything, it's good at characterization) within a", "to cover up weak characters. When you read something like Confederacy of Dunces", "answer for me is that I clearly need to change the way I", "write in first person as if you are your character, responding to those", "have heard of methods where you \"interview\" your characters. You have a series", "that covers a lot of the things you'd see in a character sheet,", "are: characters with strong voice who are established with a distinct 'personhood' (?)", "I'd like to know about it, but not as an answer. Leave a", "same person wearing another hat. An interesting character is better than an interesting", "but it's in that characters voice. I'm hoping that a good checklist of", "a distinct 'personhood' (?) and are generally interesting to follow? ========================================================================================================================================================================================================== ### Why", "character weaknesses and start differentiating my characters so they aren't all Mary Sues", "the same person wearing another hat. An interesting character is better than an", "see in a character sheet, but it's in that characters voice. I'm hoping", "'personhood' (?) and are generally interesting to follow? ========================================================================================================================================================================================================== ### Why I'm asking", "aren't all Mary Sues or the same person wearing another hat. An interesting", "to shift the tone of a book. In my opinion, these are often", "characters are and what direction they'll stray in in most situations. The author", "I need to master this. Sub questions ------------- Are there known interview methods", "to understand that you can play with conflict, pov, and all sorts of", "you read something like Confederacy of Dunces (which if it's good at anything,", "to be successful where the goals are: characters with strong voice who are", "I'm sorely lacking is character voice. I have heard of methods where you", "Sues or the same person wearing another hat. An interesting character is better", "\"interview\" your characters. You have a series of questions and you write in", "writing long enough to understand that you can play with conflict, pov, and", "successes, but its hard to tell when I start a book who those", "characterization) within a few pages you know who these characters are and what", "so they aren't all Mary Sues or the same person wearing another hat.", "that isn't the interview method that would help me I'd like to know", "for me is that I clearly need to change the way I think", "where the goals are: characters with strong voice who are established with a", "know about it, but not as an answer. Leave a comment with a", "past and never really come up with anything satisfying or intriguing. ### Plot/POV/Circumstance", "to tell when I start a book who those will be. But, I've", "I've had a few successes, but its hard to tell when I start", "in first person as if you are your character, responding to those questions." ]
[ "with different colors in the manuscript, but then I also still have all", "manuscript, but then I also still have all the other dialogues inbetween. Ideally,", "the dialogue and edit it. And then it should automatically edit it across", "I can extract only the dialogue and edit it. And then it should", "each of them a unique voice. Of course I could mark the dialogue", "Ideally, I can extract only the dialogue and edit it. And then it", "Then I want to repeat this for other characters. I think this would", "also still have all the other dialogues inbetween. Ideally, I can extract only", "other dialogues inbetween. Ideally, I can extract only the dialogue and edit it.", "for other characters. I think this would help to give each of them", "book. Then I want to repeat this for other characters. I think this", "dialogue of a specific character in my book. Then I want to repeat", "but then I also still have all the other dialogues inbetween. Ideally, I", "want to repeat this for other characters. I think this would help to", "characters. I think this would help to give each of them a unique", "it should automatically edit it across the book. Does a tool like that", "the dialogue with different colors in the manuscript, but then I also still", "all the other dialogues inbetween. Ideally, I can extract only the dialogue and", "Of course I could mark the dialogue with different colors in the manuscript,", "dialogues inbetween. Ideally, I can extract only the dialogue and edit it. And", "specific character in my book. Then I want to repeat this for other", "I also still have all the other dialogues inbetween. Ideally, I can extract", "this for other characters. I think this would help to give each of", "the dialogue of a specific character in my book. Then I want to", "in the manuscript, but then I also still have all the other dialogues", "dialogue with different colors in the manuscript, but then I also still have", "would like to edit all of the dialogue of a specific character in", "all of the dialogue of a specific character in my book. Then I", "to edit all of the dialogue of a specific character in my book.", "could mark the dialogue with different colors in the manuscript, but then I", "then it should automatically edit it across the book. Does a tool like", "this would help to give each of them a unique voice. Of course", "to give each of them a unique voice. Of course I could mark", "my book. Then I want to repeat this for other characters. I think", "a unique voice. Of course I could mark the dialogue with different colors", "voice. Of course I could mark the dialogue with different colors in the", "edit it. And then it should automatically edit it across the book. Does", "edit all of the dialogue of a specific character in my book. Then", "inbetween. Ideally, I can extract only the dialogue and edit it. And then", "course I could mark the dialogue with different colors in the manuscript, but", "the manuscript, but then I also still have all the other dialogues inbetween.", "in my book. Then I want to repeat this for other characters. I", "the other dialogues inbetween. Ideally, I can extract only the dialogue and edit", "And then it should automatically edit it across the book. Does a tool", "colors in the manuscript, but then I also still have all the other", "of a specific character in my book. Then I want to repeat this", "other characters. I think this would help to give each of them a", "dialogue and edit it. And then it should automatically edit it across the", "like to edit all of the dialogue of a specific character in my", "of them a unique voice. Of course I could mark the dialogue with", "can extract only the dialogue and edit it. And then it should automatically", "to repeat this for other characters. I think this would help to give", "I think this would help to give each of them a unique voice.", "only the dialogue and edit it. And then it should automatically edit it", "think this would help to give each of them a unique voice. Of", "should automatically edit it across the book. Does a tool like that exist?", "repeat this for other characters. I think this would help to give each", "still have all the other dialogues inbetween. Ideally, I can extract only the", "character in my book. Then I want to repeat this for other characters.", "different colors in the manuscript, but then I also still have all the", "help to give each of them a unique voice. Of course I could", "would help to give each of them a unique voice. Of course I", "give each of them a unique voice. Of course I could mark the", "mark the dialogue with different colors in the manuscript, but then I also", "have all the other dialogues inbetween. Ideally, I can extract only the dialogue", "I would like to edit all of the dialogue of a specific character", "them a unique voice. Of course I could mark the dialogue with different", "unique voice. Of course I could mark the dialogue with different colors in", "extract only the dialogue and edit it. And then it should automatically edit", "then I also still have all the other dialogues inbetween. Ideally, I can", "I could mark the dialogue with different colors in the manuscript, but then", "and edit it. And then it should automatically edit it across the book.", "of the dialogue of a specific character in my book. Then I want", "it. And then it should automatically edit it across the book. Does a", "a specific character in my book. Then I want to repeat this for", "I want to repeat this for other characters. I think this would help" ]
[ "need, without suggesting to the minority reader that I'm not talking to them?*", "to make it easier for the presumed Christian audience to grasp, but making", "unobserving Jew. (She states she is half-Jewish, so this has to be a", "of dying for our religion -- we found it unnecessary -- and you", "special virtue of dying for our religion -- we found it unnecessary --", "about a Jewish girl. How do I avoid this in the story I'm", "obvious even to an unobserving Jew. (She states she is half-Jewish, so this", "didn't make a special virtue of dying for our religion -- we found", "people didn't make a special virtue of dying for our religion -- we", "story more accessible, I can't deny it, but at the same time it", "found it unnecessary -- and you were supposed to break Shabbat to save", "audience of this story\". When the story is about a Jewish girl. How", "speaking about me - she is speaking to a presumed Christian audience. The", "majority-reader the information they would need, without suggesting to the minority reader that", "to [How does one write from a minority culture? A question on cultural", "it in fact patently wrong in ways that are very obvious even to", "about me!\" However, very soon I saw that the book might be about", "question to [How does one write from a minority culture? A question on", "be about* me, but it is not for me. For example: > >", "is not for you\", it's jarring. In other instances, Nevij over-simplified Jewish ritual", "I'm not talking to them?** How do I avoid \"here we observe the", "from a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had", "avoid \"here we observe the common Jew in its natural habitat\"? (Question is", "the non-Jewish audience, but when the narrator says so loudly \"this story is", "of this story\". When the story is about a Jewish girl. How do", "not for you\", it's jarring. In other instances, Nevij over-simplified Jewish ritual to", "that the book might be about me, but it is not for me.", "11) > > > The first-person narrator isn't speaking to me when she", "deny it, but at the same time it says \"you're not the target", "upon meeting the Jewish protagonist was \"ooh, finally! A fantasy book about me!\"", "I avoid this in the story I'm telling? *How do I provide the", "it says \"you're not the target audience of this story\". When the story", "so this has to be a conscious choice rather than a mistake.) Again,", "our religion -- we found it unnecessary -- and you were supposed to", "more accessible, I can't deny it, but at the same time it says", "- she is speaking to a presumed Christian audience. The explanation would indeed", "chapter 11) > > > The first-person narrator isn't speaking to me when", "a somewhat unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved the book, but", "(Question is not restricted to the Jewish minority, but about any cultural minority.", "unnecessary -- and you were supposed to break Shabbat to save a life,", "do I avoid this in the story I'm telling? How do I provide", "protagonist was \"ooh, finally! A fantasy book about me!\" However, very soon I", "write from a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently", "My people didn't make a special virtue of dying for our religion --", "other instances, Nevij over-simplified Jewish ritual to make it easier for the presumed", "she is half-Jewish, so this has to be a conscious choice rather than", "telling? How do I provide the majority-reader the information they would need, without", "break Shabbat to save a life, including your own. (Naomi Nevij, Spinning Silver,", "says \"my people\", though she is speaking about me - she is speaking", "loudly \"this story is not for you\", it's jarring. In other instances, Nevij", "not the target audience of this story\". When the story is about a", "them?* How do I avoid \"here we observe the common Jew in its", "However, very soon I saw that the book might be about me, but", "it is not for me. For example: > > My people didn't make", "Jewish girl. How do I avoid this in the story I'm telling? *How", "make a special virtue of dying for our religion -- we found it", "she is speaking to a presumed Christian audience. The explanation would indeed be", "is something of a companion question to [How does one write from a", "me - she is speaking to a presumed Christian audience. The explanation would", "says \"you're not the target audience of this story\". When the story is", "Nevij, Spinning Silver, chapter 11) > > > The first-person narrator isn't speaking", "the presumed Christian audience to grasp, but making it in fact patently wrong", "not restricted to the Jewish minority, but about any cultural minority. This one", "> > My people didn't make a special virtue of dying for our", "minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat", "patently wrong in ways that are very obvious even to an unobserving Jew.", "than a mistake.) Again, this does make the story more accessible, I can't", "Naomi Nevij's Spinning Silver. (Loved the book, but still.) My first response upon", "references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant experience reading Naomi Nevij's Spinning", "very obvious even to an unobserving Jew. (She states she is half-Jewish, so", "in ways that are very obvious even to an unobserving Jew. (She states", "to me when she says \"my people\", though she is speaking about me", "For example: > > My people didn't make a special virtue of dying", "\"this story is not for you\", it's jarring. In other instances, Nevij over-simplified", "though she is speaking about me - she is speaking to a presumed", "the story more accessible, I can't deny it, but at the same time", "when the narrator says so loudly \"this story is not for you\", it's", "-- we found it unnecessary -- and you were supposed to break Shabbat", "natural habitat\"? (Question is not restricted to the Jewish minority, but about any", "reading Naomi Nevij's Spinning Silver. (Loved the book, but still.) My first response", "first response upon meeting the Jewish protagonist was \"ooh, finally! A fantasy book", "observe the common Jew in its natural habitat\"? (Question is not restricted to", "is half-Jewish, so this has to be a conscious choice rather than a", "accessible, I can't deny it, but at the same time it says \"you're", "(She states she is half-Jewish, so this has to be a conscious choice", "so loudly \"this story is not for you\", it's jarring. In other instances,", "conscious choice rather than a mistake.) Again, this does make the story more", "story is about a Jewish girl. How do I avoid this in the", "instances, Nevij over-simplified Jewish ritual to make it easier for the presumed Christian", "response upon meeting the Jewish protagonist was \"ooh, finally! A fantasy book about", "Shabbat to save a life, including your own. (Naomi Nevij, Spinning Silver, chapter", "is about a Jewish girl. How do I avoid this in the story", "non-Jewish audience, but when the narrator says so loudly \"this story is not", "same time it says \"you're not the target audience of this story\". When", "the majority-reader the information they would need, without suggesting to the minority reader", "do I provide the majority-reader the information they would need, without suggesting to", "Silver. (Loved the book, but still.) My first response upon meeting the Jewish", "are very obvious even to an unobserving Jew. (She states she is half-Jewish,", "Jewish ritual to make it easier for the presumed Christian audience to grasp,", "a companion question to [How does one write from a minority culture? A", "she is speaking about me - she is speaking to a presumed Christian", "it easier for the presumed Christian audience to grasp, but making it in", "audience, but when the narrator says so loudly \"this story is not for", "habitat\"? (Question is not restricted to the Jewish minority, but about any cultural", "would indeed be needed by the non-Jewish audience, but when the narrator says", "this does make the story more accessible, I can't deny it, but at", "you\", it's jarring. In other instances, Nevij over-simplified Jewish ritual to make it", "save a life, including your own. (Naomi Nevij, Spinning Silver, chapter 11) >", "target audience of this story\". When the story is about a Jewish girl.", "common Jew in its natural habitat\"? (Question is not restricted to the Jewish", "to break Shabbat to save a life, including your own. (Naomi Nevij, Spinning", "a life, including your own. (Naomi Nevij, Spinning Silver, chapter 11) > >", "the Jewish protagonist was \"ooh, finally! A fantasy book about me!\" However, very", "a presumed Christian audience. The explanation would indeed be needed by the non-Jewish", "Jewish minority, but about any cultural minority. This one just happens to be", "making it in fact patently wrong in ways that are very obvious even", "over-simplified Jewish ritual to make it easier for the presumed Christian audience to", "in fact patently wrong in ways that are very obvious even to an", "is not for me. For example: > > My people didn't make a", "but when the narrator says so loudly \"this story is not for you\",", "a conscious choice rather than a mistake.) Again, this does make the story", "when she says \"my people\", though she is speaking about me - she", "restricted to the Jewish minority, but about any cultural minority. This one just", "the story is about a Jewish girl. How do I avoid this in", "provide the majority-reader the information they would need, without suggesting to the minority", "I'm telling? How do I provide the majority-reader the information they would need,", "we found it unnecessary -- and you were supposed to break Shabbat to", "isn't speaking to me when she says \"my people\", though she is speaking", "Jew. (She states she is half-Jewish, so this has to be a conscious", "the story I'm telling? How do I provide the majority-reader the information they", "A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant experience", "a special virtue of dying for our religion -- we found it unnecessary", "but at the same time it says \"you're not the target audience of", "The explanation would indeed be needed by the non-Jewish audience, but when the", "me. For example: > > My people didn't make a special virtue of", "Christian audience to grasp, but making it in fact patently wrong in ways", "is speaking about me - she is speaking to a presumed Christian audience.", "do I avoid \"here we observe the common Jew in its natural habitat\"?", "indeed be needed by the non-Jewish audience, but when the narrator says so", "Jew in its natural habitat\"? (Question is not restricted to the Jewish minority,", "experience reading Naomi Nevij's Spinning Silver. (Loved the book, but still.) My first", "audience. The explanation would indeed be needed by the non-Jewish audience, but when", "she says \"my people\", though she is speaking about me - she is", "This is something of a companion question to [How does one write from", "in its natural habitat\"? (Question is not restricted to the Jewish minority, but", "says so loudly \"this story is not for you\", it's jarring. In other", "has to be a conscious choice rather than a mistake.) Again, this does", "I saw that the book might be about me, but it is not", "the information they would need, without suggesting to the minority reader that I'm", "including your own. (Naomi Nevij, Spinning Silver, chapter 11) > > > The", "would need, without suggesting to the minority reader that I'm not talking to", "the target audience of this story\". When the story is about a Jewish", "Nevij over-simplified Jewish ritual to make it easier for the presumed Christian audience", "fantasy book about me!\" However, very soon I saw that the book might", "Again, this does make the story more accessible, I can't deny it, but", "in the story I'm telling? How do I provide the majority-reader the information", "companion question to [How does one write from a minority culture? A question", "a mistake.) Again, this does make the story more accessible, I can't deny", "for our religion -- we found it unnecessary -- and you were supposed", "jarring. In other instances, Nevij over-simplified Jewish ritual to make it easier for", "not talking to them? How do I avoid \"here we observe the common", "fact patently wrong in ways that are very obvious even to an unobserving", "have recently had a somewhat unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved", "to a presumed Christian audience. The explanation would indeed be needed by the", "it unnecessary -- and you were supposed to break Shabbat to save a", "to the Jewish minority, but about any cultural minority. This one just happens", "a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a", "life, including your own. (Naomi Nevij, Spinning Silver, chapter 11) > > >", "I can't deny it, but at the same time it says \"you're not", "was \"ooh, finally! A fantasy book about me!\" However, very soon I saw", "rather than a mistake.) Again, this does make the story more accessible, I", "story\". When the story is about a Jewish girl. How do I avoid", "\"my people\", though she is speaking about me - she is speaking to", "book might be about me, but it is not for me. For example:", "A fantasy book about me!\" However, very soon I saw that the book", "culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant", "book about me!\" However, very soon I saw that the book might be", "supposed to break Shabbat to save a life, including your own. (Naomi Nevij,", "I avoid \"here we observe the common Jew in its natural habitat\"? (Question", "minority reader that I'm not talking to them?** How do I avoid \"here", "on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant experience reading Naomi", "be needed by the non-Jewish audience, but when the narrator says so loudly", "speaking to me when she says \"my people\", though she is speaking about", "needed by the non-Jewish audience, but when the narrator says so loudly \"this", "Spinning Silver. (Loved the book, but still.) My first response upon meeting the", "somewhat unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved the book, but still.)", "Nevij's Spinning Silver. (Loved the book, but still.) My first response upon meeting", "but it is not for me. For example: > > My people didn't", "states she is half-Jewish, so this has to be a conscious choice rather", "book, but still.) My first response upon meeting the Jewish protagonist was \"ooh,", "to save a life, including your own. (Naomi Nevij, Spinning Silver, chapter 11)", "the minority reader that I'm not talking to them?** How do I avoid", "first-person narrator isn't speaking to me when she says \"my people\", though she", "me, but it is not for me. For example: > > My people", "to them?** How do I avoid \"here we observe the common Jew in", "time it says \"you're not the target audience of this story\". When the", "(Naomi Nevij, Spinning Silver, chapter 11) > > > The first-person narrator isn't", "had a somewhat unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved the book,", "In other instances, Nevij over-simplified Jewish ritual to make it easier for the", "this in the story I'm telling? *How do I provide the majority-reader the", "I have recently had a somewhat unpleasant experience reading Naomi Nevij's Spinning Silver.", "How do I provide the majority-reader the information they would need, without suggesting", "-- and you were supposed to break Shabbat to save a life, including", "minority, but about any cultural minority. This one just happens to be mine.)", "me when she says \"my people\", though she is speaking about me -", "Christian audience. The explanation would indeed be needed by the non-Jewish audience, but", "not for* me. For example: > > My people didn't make a special", "saw that the book might be about me, but it is not for", "your own. (Naomi Nevij, Spinning Silver, chapter 11) > > > The first-person", "\"you're not the target audience of this story\". When the story is about", "make the story more accessible, I can't deny it, but at the same", "information they would need, without suggesting to the minority reader that I'm not", "How do I avoid this in the story I'm telling? *How do I", "own. (Naomi Nevij, Spinning Silver, chapter 11) > > > The first-person narrator", "grasp, but making it in fact patently wrong in ways that are very", "you were supposed to break Shabbat to save a life, including your own.", "audience to grasp, but making it in fact patently wrong in ways that", "might be about* me, but it is not for me. For example: >", "the common Jew in its natural habitat\"? (Question is not restricted to the", "story is not for you\", it's jarring. In other instances, Nevij over-simplified Jewish", "Spinning Silver, chapter 11) > > > The first-person narrator isn't speaking to", "make it easier for the presumed Christian audience to grasp, but making it", "the same time it says \"you're not the target audience of this story\".", "mistake.) Again, this does make the story more accessible, I can't deny it,", "still.) My first response upon meeting the Jewish protagonist was \"ooh, finally! A", "can't deny it, but at the same time it says \"you're not the", "virtue of dying for our religion -- we found it unnecessary -- and", "presumed Christian audience to grasp, but making it in fact patently wrong in", "its natural habitat\"? (Question is not restricted to the Jewish minority, but about", "the book, but still.) My first response upon meeting the Jewish protagonist was", "suggesting to the minority reader that I'm not talking to them?** How do", "explanation would indeed be needed by the non-Jewish audience, but when the narrator", "it's jarring. In other instances, Nevij over-simplified Jewish ritual to make it easier", "an unobserving Jew. (She states she is half-Jewish, so this has to be", "[How does one write from a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704)", "question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant experience reading", "were supposed to break Shabbat to save a life, including your own. (Naomi", "to be a conscious choice rather than a mistake.) Again, this does make", "for me. For example: > > My people didn't make a special virtue", "is not restricted to the Jewish minority, but about any cultural minority. This", "does one write from a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I", "for you\", it's jarring. In other instances, Nevij over-simplified Jewish ritual to make", "soon I saw that the book might be about me, but it is", "to grasp, but making it in fact patently wrong in ways that are", "but still.) My first response upon meeting the Jewish protagonist was \"ooh, finally!", "by the non-Jewish audience, but when the narrator says so loudly \"this story", "speaking to a presumed Christian audience. The explanation would indeed be needed by", "meeting the Jewish protagonist was \"ooh, finally! A fantasy book about me!\" However,", "wrong in ways that are very obvious even to an unobserving Jew. (She", "> The first-person narrator isn't speaking to me when she says \"my people\",", "reader that I'm not talking to them?** How do I avoid \"here we", "narrator says so loudly \"this story is not for you\", it's jarring. In", "\"ooh, finally! A fantasy book about me!\" However, very soon I saw that", "Jewish protagonist was \"ooh, finally! A fantasy book about me!\" However, very soon", "at the same time it says \"you're not the target audience of this", "example: > > My people didn't make a special virtue of dying for", "\"here we observe the common Jew in its natural habitat\"? (Question is not", "finally! A fantasy book about me!\" However, very soon I saw that the", "about me, but it is not for me. For example: > > My", "it, but at the same time it says \"you're not the target audience", "that I'm not talking to them?** How do I avoid \"here we observe", "the narrator says so loudly \"this story is not for you\", it's jarring.", "even to an unobserving Jew. (She states she is half-Jewish, so this has", "Silver, chapter 11) > > > The first-person narrator isn't speaking to me", "unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved the book, but still.) My", "without suggesting to the minority reader that I'm not talking to them?* How", "The first-person narrator isn't speaking to me when she says \"my people\", though", "but making it in fact patently wrong in ways that are very obvious", "talking to them? How do I avoid \"here we observe the common Jew", "the Jewish minority, but about any cultural minority. This one just happens to", "dying for our religion -- we found it unnecessary -- and you were", "ways that are very obvious even to an unobserving Jew. (She states she", "to an unobserving Jew. (She states she is half-Jewish, so this has to", "(Loved the book, but still.) My first response upon meeting the Jewish protagonist", "of a companion question to [How does one write from a minority culture?", "religion -- we found it unnecessary -- and you were supposed to break", "> > > The first-person narrator isn't speaking to me when she says", "is speaking to a presumed Christian audience. The explanation would indeed be needed", "they would need, without suggesting to the minority reader that I'm not talking", "one write from a minority culture? A question on cultural references](https://writing.stackexchange.com/q/42655/14704) I have", "presumed Christian audience. The explanation would indeed be needed by the non-Jewish audience,", "ritual to make it easier for the presumed Christian audience to grasp, but", "girl. How do I avoid this in the story I'm telling? How do", "about me - she is speaking to a presumed Christian audience. The explanation", "something of a companion question to [How does one write from a minority", "the book might be about me, but it is not for me. For", "avoid this in the story I'm telling? *How do I provide the majority-reader", "recently had a somewhat unpleasant experience reading Naomi Nevij's Spinning Silver. (Loved the", "How do I avoid \"here we observe the common Jew in its natural", "does make the story more accessible, I can't deny it, but at the", "we observe the common Jew in its natural habitat\"? (Question is not restricted", "and you were supposed to break Shabbat to save a life, including your", "I provide the majority-reader the information they would need, without suggesting to the", "very soon I saw that the book might be about* me, but it", "for the presumed Christian audience to grasp, but making it in fact patently", "me!\" However, very soon I saw that the book might be about me,", "people\", though she is speaking about me - she is speaking to a", "this has to be a conscious choice rather than a mistake.) Again, this", "story I'm telling? How do I provide the majority-reader the information they would", "choice rather than a mistake.) Again, this does make the story more accessible,", "> > The first-person narrator isn't speaking to me when she says \"my", "cultural references](https://writing.stackexchange.com/q/42655/14704) I have recently had a somewhat unpleasant experience reading Naomi Nevij's", "> My people didn't make a special virtue of dying for our religion", "narrator isn't speaking to me when she says \"my people\", though she is", "easier for the presumed Christian audience to grasp, but making it in fact", "a Jewish girl. How do I avoid this in the story I'm telling?", "My first response upon meeting the Jewish protagonist was \"ooh, finally! A fantasy", "half-Jewish, so this has to be a conscious choice rather than a mistake.)", "this story\". When the story is about a Jewish girl. How do I", "that are very obvious even to an unobserving Jew. (She states she is", "be a conscious choice rather than a mistake.) Again, this does make the", "When the story is about a Jewish girl. How do I avoid this", "to the minority reader that I'm not talking to them? How do I" ]
[ "be, say, a tale of two aged farmers living their last days, and", "battles to be found (even though the setting is definitely fantastical), the readers", "believe that breaking genre expectations can alienate readers. If you go into a", "over A Phantom Menace. People wanted action, battles, force powers, all that. They", "example.) Assumption: What I'm trying to say is: readers want what they are", "a fantasy book about two aged farmers, but there's also a side plot", "of it - especially if that other thing is the complete opposite of", "opposite of what you were expecting - then you didn't get what you", "a tale of two aged farmers living their last days, and there are", "plot involving dragons battling knights in the next town over? Or to use", "wanted action, battles, force powers, all that. They got some, but they also", "they are promised. My Problem: Here's my problem: what if, out of necessity,", "therefore didn't appreciate. I think the same thing can happen in fiction. If", "matter how well it was written. (If this was indeed the case, you", "out of necessity, you are writing a book (or series) which contains aspects", "expecting one thing and get another thing out of it - especially if", "can alienate readers. If you go into a book expecting one thing and", "like the title, but the general idea remains. If your book then turns", "knights in the next town over? Or to use Star Wars again, what", "aged farmers, but there's also a side plot involving dragons battling knights in", "farmers, but there's also a side plot involving dragons battling knights in the", "have a movie which contains both political intrigue and gripping space battles/lightsaber duels?", "counting on and therefore didn't appreciate. I think the same thing can happen", "it - especially if that other thing is the complete opposite of what", "with things like the title, but the general idea remains. If your book", "want what they are promised. My Problem: Here's my problem: what if, out", "the reader for everything in your story, and keep them interested in both", "be found (even though the setting is definitely fantastical), the readers will feel", "what you signed up for. Readers generally don't like this. Example: As an", "go into a book expecting one thing and get another thing out of", "on and therefore didn't appreciate. I think the same thing can happen in", "People wanted action, battles, force powers, all that. They got some, but they", "also a side plot involving dragons battling knights in the next town over?", "two aged farmers living their last days, and there are no elves, dragons,", "obviously re-brand the book. This is an extreme example.) Assumption: What I'm trying", "the general idea remains. If your book then turns out to be, say,", "of course control their expectations with things like the title, but the general", "expectations can alienate readers. If you go into a book expecting one thing", "were expecting - then you didn't get what you signed up for. Readers", "If your book then turns out to be, say, a tale of two", "you didn't get what you signed up for. Readers generally don't like this.", "intrigue and gripping space battles/lightsaber duels? Question: Is there a way to both", "This is an extreme example.) Assumption: What I'm trying to say is: readers", "into a book expecting one thing and get another thing out of it", "elves, dragons, knights, battles, etc. You can of course control their expectations with", "for. Readers generally don't like this. Example: As an example, I think this", "what you were expecting - then you didn't get what you signed up", "movie which contains both political intrigue and gripping space battles/lightsaber duels? Question: Is", "or battles to be found (even though the setting is definitely fantastical), the", "book, readers go into it assuming you have elves, dragons, knights, battles, etc.", "about two aged farmers, but there's also a side plot involving dragons battling", "found (even though the setting is definitely fantastical), the readers will feel cheated", "the title, but the general idea remains. If your book then turns out", "some, but they also got a lot of political intrigue and debate, which", "expecting - then you didn't get what you signed up for. Readers generally", "definitely fantastical), the readers will feel cheated and generally dislike the book, no", "fan displeasure over A Phantom Menace. People wanted action, battles, force powers, all", "action, battles, force powers, all that. They got some, but they also got", "was indeed the case, you would obviously re-brand the book. This is an", "you write a fantasy book about two aged farmers, but there's also a", "readers. If you go into a book expecting one thing and get another", "what if you have a movie which contains both political intrigue and gripping", "technically a fantasy book, readers go into it assuming you have elves, dragons,", "are no elves, dragons, or battles to be found (even though the setting", "no matter how well it was written. (If this was indeed the case,", "think this was a major contributor to the fan displeasure over A Phantom", "and generally dislike the book, no matter how well it was written. (If", "what is technically a fantasy book, readers go into it assuming you have", "to be, say, a tale of two aged farmers living their last days,", "is technically a fantasy book, readers go into it assuming you have elves,", "last days, and there are no elves, dragons, or battles to be found", "next town over? Or to use Star Wars again, what if you have", "readers go into it assuming you have elves, dragons, knights, battles, etc. You", "prepare the reader for everything* in your story, and keep them interested in", "an extreme example.) Assumption: What I'm trying to say is: readers want what", "If you go into a book expecting one thing and get another thing", "book about two aged farmers, but there's also a side plot involving dragons", "you would obviously re-brand the book. This is an extreme example.) Assumption: What", "same thing can happen in fiction. If you write what is technically a", "Readers generally don't like this. Example: As an example, I think this was", "series) which contains aspects of TWO genres. What if, for example, you write", "to both prepare the reader for everything in your story, and keep them", "you have a movie which contains both political intrigue and gripping space battles/lightsaber", "to use Star Wars again, what if you have a movie which contains", "the book. This is an extreme example.) Assumption: What I'm trying to say", "genres. What if, for example, you write a fantasy book about two aged", "idea remains. If your book then turns out to be, say, a tale", "dragons, or battles to be found (even though the setting is definitely fantastical),", "lot of political intrigue and debate, which they weren't counting on and therefore", "Wars again, what if you have a movie which contains both political intrigue", "battles, etc. You can of course control their expectations with things like the", "farmers living their last days, and there are no elves, dragons, or battles", "they also got a lot of political intrigue and debate, which they weren't", "you were expecting - then you didn't get what you signed up for.", "happen in fiction. If you write what is technically a fantasy book, readers", "this was a major contributor to the fan displeasure over A Phantom Menace.", "(or series) which contains aspects of TWO genres. What if, for example, you", "signed up for. Readers generally don't like this. Example: As an example, I", "control their expectations with things like the title, but the general idea remains.", "the next town over? Or to use Star Wars again, what if you", "Assumption: What I'm trying to say is: readers want what they are promised.", "book (or series) which contains aspects of TWO genres. What if, for example,", "there a way to both prepare the reader for everything in your story,", "battles/lightsaber duels? Question: Is there a way to both prepare the reader for", "the complete opposite of what you were expecting - then you didn't get", "elves, dragons, or battles to be found (even though the setting is definitely", "there's also a side plot involving dragons battling knights in the next town", "write what is technically a fantasy book, readers go into it assuming you", "gripping space battles/lightsaber duels? Question: Is there a way to both prepare the", "thing out of it - especially if that other thing is the complete", "cheated and generally dislike the book, no matter how well it was written.", "their last days, and there are no elves, dragons, or battles to be", "indeed the case, you would obviously re-brand the book. This is an extreme", "say is: readers want what they are promised. My Problem: Here's my problem:", "out to be, say, a tale of two aged farmers living their last", "for example, you write a fantasy book about two aged farmers, but there's", "use Star Wars again, what if you have a movie which contains both", "- then you didn't get what you signed up for. Readers generally don't", "thing is the complete opposite of what you were expecting - then you", "force powers, all that. They got some, but they also got a lot", "duels? Question: Is there a way to both prepare the reader for everything", "if you have a movie which contains both political intrigue and gripping space", "then you didn't get what you signed up for. Readers generally don't like", "that breaking genre expectations can alienate readers. If you go into a book", "writing a book (or series) which contains aspects of TWO genres. What if,", "you are writing a book (or series) which contains aspects of TWO genres.", "battles, force powers, all that. They got some, but they also got a", "Star Wars again, what if you have a movie which contains both political", "Is there a way to both prepare the reader for everything in your", "the fan displeasure over A Phantom Menace. People wanted action, battles, force powers,", "appreciate. I think the same thing can happen in fiction. If you write", "- especially if that other thing is the complete opposite of what you", "dragons, knights, battles, etc. You can of course control their expectations with things", "alienate readers. If you go into a book expecting one thing and get", "the same thing can happen in fiction. If you write what is technically", "is: readers want what they are promised. My Problem: Here's my problem: what", "I think the same thing can happen in fiction. If you write what", "reader for everything in your story, and keep them interested in both 'genres'?", "trying to say is: readers want what they are promised. My Problem: Here's", "are promised. My Problem: Here's my problem: what if, out of necessity, you", "both political intrigue and gripping space battles/lightsaber duels? Question: Is there a way", "you go into a book expecting one thing and get another thing out", "it assuming you have elves, dragons, knights, battles, etc. You can of course", "which contains both political intrigue and gripping space battles/lightsaber duels? Question: Is there", "Example: As an example, I think this was a major contributor to the", "Menace. People wanted action, battles, force powers, all that. They got some, but", "also got a lot of political intrigue and debate, which they weren't counting", "etc. You can of course control their expectations with things like the title,", "they weren't counting on and therefore didn't appreciate. I think the same thing", "there are no elves, dragons, or battles to be found (even though the", "fantasy book about two aged farmers, but there's also a side plot involving", "contains aspects of TWO genres. What if, for example, you write a fantasy", "other thing is the complete opposite of what you were expecting - then", "which they weren't counting on and therefore didn't appreciate. I think the same", "no elves, dragons, or battles to be found (even though the setting is", "involving dragons battling knights in the next town over? Or to use Star", "They got some, but they also got a lot of political intrigue and", "of two aged farmers living their last days, and there are no elves,", "you write what is technically a fantasy book, readers go into it assuming", "(even though the setting is definitely fantastical), the readers will feel cheated and", "and there are no elves, dragons, or battles to be found (even though", "displeasure over A Phantom Menace. People wanted action, battles, force powers, all that.", "have elves, dragons, knights, battles, etc. You can of course control their expectations", "I think this was a major contributor to the fan displeasure over A", "I'm trying to say is: readers want what they are promised. My Problem:", "fantastical), the readers will feel cheated and generally dislike the book, no matter", "but there's also a side plot involving dragons battling knights in the next", "(If this was indeed the case, you would obviously re-brand the book. This", "powers, all that. They got some, but they also got a lot of", "What I'm trying to say is: readers want what they are promised. My", "a book (or series) which contains aspects of TWO genres. What if, for", "town over? Or to use Star Wars again, what if you have a", "dislike the book, no matter how well it was written. (If this was", "of TWO genres. What if, for example, you write a fantasy book about", "the setting is definitely fantastical), the readers will feel cheated and generally dislike", "if, for example, you write a fantasy book about two aged farmers, but", "an example, I think this was a major contributor to the fan displeasure", "but they also got a lot of political intrigue and debate, which they", "that other thing is the complete opposite of what you were expecting -", "is definitely fantastical), the readers will feel cheated and generally dislike the book,", "As an example, I think this was a major contributor to the fan", "didn't appreciate. I think the same thing can happen in fiction. If you", "but the general idea remains. If your book then turns out to be,", "debate, which they weren't counting on and therefore didn't appreciate. I think the", "breaking genre expectations can alienate readers. If you go into a book expecting", "assuming you have elves, dragons, knights, battles, etc. You can of course control", "dragons battling knights in the next town over? Or to use Star Wars", "a movie which contains both political intrigue and gripping space battles/lightsaber duels? Question:", "all that. They got some, but they also got a lot of political", "your book then turns out to be, say, a tale of two aged", "readers will feel cheated and generally dislike the book, no matter how well", "don't like this. Example: As an example, I think this was a major", "general idea remains. If your book then turns out to be, say, a", "expectations with things like the title, but the general idea remains. If your", "would obviously re-brand the book. This is an extreme example.) Assumption: What I'm", "get what you signed up for. Readers generally don't like this. Example:** As", "You can of course control their expectations with things like the title, but", "contributor to the fan displeasure over A Phantom Menace. People wanted action, battles,", "aged farmers living their last days, and there are no elves, dragons, or", "political intrigue and debate, which they weren't counting on and therefore didn't appreciate.", "can of course control their expectations with things like the title, but the", "weren't counting on and therefore didn't appreciate. I think the same thing can", "days, and there are no elves, dragons, or battles to be found (even", "A Phantom Menace. People wanted action, battles, force powers, all that. They got", "course control their expectations with things like the title, but the general idea", "are writing a book (or series) which contains aspects of TWO genres. What", "the readers will feel cheated and generally dislike the book, no matter how", "was a major contributor to the fan displeasure over A Phantom Menace. People", "it was written. (If this was indeed the case, you would obviously re-brand", "I believe that breaking genre expectations can alienate readers. If you go into", "generally don't like this. Example: As an example, I think this was a", "get another thing out of it - especially if that other thing is", "is the complete opposite of what you were expecting - then you didn't", "you have elves, dragons, knights, battles, etc. You can of course control their", "a way to both prepare the reader for everything in your story, and", "example, you write a fantasy book about two aged farmers, but there's also", "things like the title, but the general idea remains. If your book then", "to the fan displeasure over A Phantom Menace. People wanted action, battles, force", "was written. (If this was indeed the case, you would obviously re-brand the", "book, no matter how well it was written. (If this was indeed the", "problem: what if, out of necessity, you are writing a book (or series)", "major contributor to the fan displeasure over A Phantom Menace. People wanted action,", "another thing out of it - especially if that other thing is the", "side plot involving dragons battling knights in the next town over? Or to", "space battles/lightsaber duels? Question: Is there a way to both prepare the reader", "like this. Example: As an example, I think this was a major contributor", "got a lot of political intrigue and debate, which they weren't counting on", "in the next town over? Or to use Star Wars again, what if", "contains both political intrigue and gripping space battles/lightsaber duels? Question: Is there a", "into it assuming you have elves, dragons, knights, battles, etc. You can of", "example, I think this was a major contributor to the fan displeasure over", "Here's my problem: what if, out of necessity, you are writing a book", "What if, for example, you write a fantasy book about two aged farmers,", "a major contributor to the fan displeasure over A Phantom Menace. People wanted", "again, what if you have a movie which contains both political intrigue and", "re-brand the book. This is an extreme example.) Assumption: What I'm trying to", "readers want what they are promised. My Problem: Here's my problem: what if,", "fantasy book, readers go into it assuming you have elves, dragons, knights, battles,", "write a fantasy book about two aged farmers, but there's also a side", "Question: Is there a way to both prepare the reader for everything in", "though the setting is definitely fantastical), the readers will feel cheated and generally", "TWO genres. What if, for example, you write a fantasy book about two", "promised. My Problem: Here's my problem: what if, out of necessity, you are", "out of it - especially if that other thing is the complete opposite", "of political intrigue and debate, which they weren't counting on and therefore didn't", "remains. If your book then turns out to be, say, a tale of", "if that other thing is the complete opposite of what you were expecting", "this was indeed the case, you would obviously re-brand the book. This is", "feel cheated and generally dislike the book, no matter how well it was", "got some, but they also got a lot of political intrigue and debate,", "thing and get another thing out of it - especially if that other", "and gripping space battles/lightsaber duels? Question: Is there a way to both prepare", "over? Or to use Star Wars again, what if you have a movie", "If you write what is technically a fantasy book, readers go into it", "and therefore didn't appreciate. I think the same thing can happen in fiction.", "is an extreme example.) Assumption: What I'm trying to say is: readers want", "Or to use Star Wars again, what if you have a movie which", "of necessity, you are writing a book (or series) which contains aspects of", "thing can happen in fiction. If you write what is technically a fantasy", "in fiction. If you write what is technically a fantasy book, readers go", "will feel cheated and generally dislike the book, no matter how well it", "this. Example: As an example, I think this was a major contributor to", "then turns out to be, say, a tale of two aged farmers living", "a book expecting one thing and get another thing out of it -", "fiction. If you write what is technically a fantasy book, readers go into", "tale of two aged farmers living their last days, and there are no", "can happen in fiction. If you write what is technically a fantasy book,", "a fantasy book, readers go into it assuming you have elves, dragons, knights,", "aspects of TWO genres. What if, for example, you write a fantasy book", "that. They got some, but they also got a lot of political intrigue", "both prepare the reader for everything in your story, and keep them interested", "one thing and get another thing out of it - especially if that", "up for. Readers generally don't like this. Example: As an example, I think", "the case, you would obviously re-brand the book. This is an extreme example.)", "genre expectations can alienate readers. If you go into a book expecting one", "turns out to be, say, a tale of two aged farmers living their", "title, but the general idea remains. If your book then turns out to", "what they are promised. My Problem: Here's my problem: what if, out of", "my problem: what if, out of necessity, you are writing a book (or", "especially if that other thing is the complete opposite of what you were", "case, you would obviously re-brand the book. This is an extreme example.) Assumption:", "Phantom Menace. People wanted action, battles, force powers, all that. They got some,", "think the same thing can happen in fiction. If you write what is", "complete opposite of what you were expecting - then you didn't get what", "say, a tale of two aged farmers living their last days, and there", "a side plot involving dragons battling knights in the next town over? Or", "their expectations with things like the title, but the general idea remains. If", "generally dislike the book, no matter how well it was written. (If this", "didn't get what you signed up for. Readers generally don't like this. Example:", "if, out of necessity, you are writing a book (or series) which contains", "necessity, you are writing a book (or series) which contains aspects of TWO", "political intrigue and gripping space battles/lightsaber duels? Question:* Is there a way to", "knights, battles, etc. You can of course control their expectations with things like", "book expecting one thing and get another thing out of it - especially", "well it was written. (If this was indeed the case, you would obviously", "the book, no matter how well it was written. (If this was indeed", "intrigue and debate, which they weren't counting on and therefore didn't appreciate. I", "go into it assuming you have elves, dragons, knights, battles, etc. You can", "living their last days, and there are no elves, dragons, or battles to", "to be found (even though the setting is definitely fantastical), the readers will", "written. (If this was indeed the case, you would obviously re-brand the book.", "battling knights in the next town over? Or to use Star Wars again,", "how well it was written. (If this was indeed the case, you would", "book then turns out to be, say, a tale of two aged farmers", "Problem: Here's my problem: what if, out of necessity, you are writing a", "My Problem: Here's my problem: what if, out of necessity, you are writing", "which contains aspects of TWO genres. What if, for example, you write a", "two aged farmers, but there's also a side plot involving dragons battling knights", "what if, out of necessity, you are writing a book (or series) which", "of what you were expecting - then you didn't get what you signed", "book. This is an extreme example.) Assumption: What I'm trying to say is:", "way to both prepare the reader for everything** in your story, and keep", "Premise: I believe that breaking genre expectations can alienate readers. If you go", "you signed up for. Readers generally don't like this. Example: As an example,", "setting is definitely fantastical), the readers will feel cheated and generally dislike the", "extreme example.) Assumption: What I'm trying to say is: readers want what they", "and debate, which they weren't counting on and therefore didn't appreciate. I think", "and get another thing out of it - especially if that other thing", "a lot of political intrigue and debate, which they weren't counting on and", "to say is: readers want what they are promised. My Problem: Here's my" ]
[ "some common symbolism: For instance, red stands for anger, blood, and violence. The", "you cue in your readers that you are using a symbolism for a", "Is there a way to do this subtly? Is there a way to", "for anger, blood, and violence. The cross stands for martyrdom and sacrifice. Common", "but what if you decided to use uncommon symbolism, how do you cue", "common symbolism: For instance, red stands for anger, blood, and violence. The cross", "For instance, red stands for anger, blood, and violence. The cross stands for", "blood, and violence. The cross stands for martyrdom and sacrifice. Common symbols are", "a meaningful reason? Is there a way to do this subtly? Is there", "what if you decided to use uncommon symbolism, how do you cue in", "use uncommon symbolism, how do you cue in your readers that you are", "a way to do this subtly? Is there a way to do this", "The cross stands for martyrdom and sacrifice. Common symbols are easy to notice,", "know some common symbolism: For instance, red stands for anger, blood, and violence.", "symbols are easy to notice, but what if you decided to use uncommon", "are using a symbolism for a meaningful reason? Is there a way to", "stands for anger, blood, and violence. The cross stands for martyrdom and sacrifice.", "and sacrifice. Common symbols are easy to notice, but what if you decided", "Common symbols are easy to notice, but what if you decided to use", "cue in your readers that you are using a symbolism for a meaningful", "stands for martyrdom and sacrifice. Common symbols are easy to notice, but what", "symbolism, how do you cue in your readers that you are using a", "using a symbolism for a meaningful reason? Is there a way to do", "are easy to notice, but what if you decided to use uncommon symbolism,", "do you cue in your readers that you are using a symbolism for", "a symbolism for a meaningful reason? Is there a way to do this", "to do this subtly? Is there a way to do this at all?", "notice, but what if you decided to use uncommon symbolism, how do you", "reason? Is there a way to do this subtly? Is there a way", "for a meaningful reason? Is there a way to do this subtly? Is", "and violence. The cross stands for martyrdom and sacrifice. Common symbols are easy", "if you decided to use uncommon symbolism, how do you cue in your", "decided to use uncommon symbolism, how do you cue in your readers that", "symbolism: For instance, red stands for anger, blood, and violence. The cross stands", "uncommon symbolism, how do you cue in your readers that you are using", "to use uncommon symbolism, how do you cue in your readers that you", "all know some common symbolism: For instance, red stands for anger, blood, and", "meaningful reason? Is there a way to do this subtly? Is there a", "there a way to do this subtly? Is there a way to do", "to notice, but what if you decided to use uncommon symbolism, how do", "that you are using a symbolism for a meaningful reason? Is there a", "Is there a way to do this at all? What do you think?", "red stands for anger, blood, and violence. The cross stands for martyrdom and", "for martyrdom and sacrifice. Common symbols are easy to notice, but what if", "way to do this subtly? Is there a way to do this at", "instance, red stands for anger, blood, and violence. The cross stands for martyrdom", "sacrifice. Common symbols are easy to notice, but what if you decided to", "do this subtly? Is there a way to do this at all? What", "violence. The cross stands for martyrdom and sacrifice. Common symbols are easy to", "anger, blood, and violence. The cross stands for martyrdom and sacrifice. Common symbols", "easy to notice, but what if you decided to use uncommon symbolism, how", "symbolism for a meaningful reason? Is there a way to do this subtly?", "in your readers that you are using a symbolism for a meaningful reason?", "We all know some common symbolism: For instance, red stands for anger, blood,", "how do you cue in your readers that you are using a symbolism", "readers that you are using a symbolism for a meaningful reason? Is there", "your readers that you are using a symbolism for a meaningful reason? Is", "you are using a symbolism for a meaningful reason? Is there a way", "this subtly? Is there a way to do this at all? What do", "subtly? Is there a way to do this at all? What do you", "cross stands for martyrdom and sacrifice. Common symbols are easy to notice, but", "martyrdom and sacrifice. Common symbols are easy to notice, but what if you", "you decided to use uncommon symbolism, how do you cue in your readers" ]
[ "it's safe to say it doesn't really many which ethnic group my protagonist", "himself, then I think it's safe to say it doesn't really many which", "can think of some situations where it's ok. For example, if my protagonist", "lives by himself, then I think it's safe to say it doesn't really", "anything about Indian culture. Should I even consider it? The book I would", "there, don't know anyone who is Indian and don't know anything about Indian", "I can think of some situations where it's ok. For example, if my", "are many characters and the story is set in India, it could spell", "where it's ok. For example, if my protagonist is stranded on an island", "Should I even consider it? The book I would write could end up", "and don't know anything about Indian culture. Should I even consider it? The", "say it doesn't really many which ethnic group my protagonist would belong to,", "extremely offensive. I can think of some situations where it's ok. For example,", "don't know anyone who is Indian and don't know anything about Indian culture.", "ethnic group my protagonist would belong to, but if there are many characters", "I would write could end up being extremely offensive. I can think of", "is Indian and don't know anything about Indian culture. Should I even consider", "Indian and don't know anything about Indian culture. Should I even consider it?", "know anyone who is Indian and don't know anything about Indian culture. Should", "lived there, don't know anyone who is Indian and don't know anything about", "India when I've never lived there, don't know anyone who is Indian and", "by himself, then I think it's safe to say it doesn't really many", "being extremely offensive. I can think of some situations where it's ok. For", "am thinking about making an Indian protagonist who lives in India when I've", "don't know anything about Indian culture. Should I even consider it? The book", "doesn't really many which ethnic group my protagonist would belong to, but if", "island and lives by himself, then I think it's safe to say it", "it's ok. For example, if my protagonist is stranded on an island and", "really many which ethnic group my protagonist would belong to, but if there", "is stranded on an island and lives by himself, then I think it's", "think of some situations where it's ok. For example, if my protagonist is", "up being extremely offensive. I can think of some situations where it's ok.", "then I think it's safe to say it doesn't really many which ethnic", "protagonist is stranded on an island and lives by himself, then I think", "Let's say I am thinking about making an Indian protagonist who lives in", "many characters and the story is set in India, it could spell trouble", "lives in India when I've never lived there, don't know anyone who is", "consider it? The book I would write could end up being extremely offensive.", "in India when I've never lived there, don't know anyone who is Indian", "safe to say it doesn't really many which ethnic group my protagonist would", "there are many characters and the story is set in India, it could", "Indian culture. Should I even consider it? The book I would write could", "to say it doesn't really many which ethnic group my protagonist would belong", "even consider it? The book I would write could end up being extremely", "write could end up being extremely offensive. I can think of some situations", "Indian protagonist who lives in India when I've never lived there, don't know", "say I am thinking about making an Indian protagonist who lives in India", "and the story is set in India, it could spell trouble for me.", "on an island and lives by himself, then I think it's safe to", "I've never lived there, don't know anyone who is Indian and don't know", "some situations where it's ok. For example, if my protagonist is stranded on", "protagonist who lives in India when I've never lived there, don't know anyone", "of some situations where it's ok. For example, if my protagonist is stranded", "anyone who is Indian and don't know anything about Indian culture. Should I", "culture. Should I even consider it? The book I would write could end", "situations where it's ok. For example, if my protagonist is stranded on an", "would belong to, but if there are many characters and the story is", "think it's safe to say it doesn't really many which ethnic group my", "if my protagonist is stranded on an island and lives by himself, then", "I think it's safe to say it doesn't really many which ethnic group", "who is Indian and don't know anything about Indian culture. Should I even", "when I've never lived there, don't know anyone who is Indian and don't", "I even consider it? The book I would write could end up being", "would write could end up being extremely offensive. I can think of some", "to, but if there are many characters and the story is set in", "making an Indian protagonist who lives in India when I've never lived there,", "could end up being extremely offensive. I can think of some situations where", "who lives in India when I've never lived there, don't know anyone who", "offensive. I can think of some situations where it's ok. For example, if", "my protagonist is stranded on an island and lives by himself, then I", "stranded on an island and lives by himself, then I think it's safe", "but if there are many characters and the story is set in India,", "For example, if my protagonist is stranded on an island and lives by", "know anything about Indian culture. Should I even consider it? The book I", "belong to, but if there are many characters and the story is set", "it doesn't really many which ethnic group my protagonist would belong to, but", "many which ethnic group my protagonist would belong to, but if there are", "and lives by himself, then I think it's safe to say it doesn't", "thinking about making an Indian protagonist who lives in India when I've never", "my protagonist would belong to, but if there are many characters and the", "protagonist would belong to, but if there are many characters and the story", "book I would write could end up being extremely offensive. I can think", "ok. For example, if my protagonist is stranded on an island and lives", "example, if my protagonist is stranded on an island and lives by himself,", "if there are many characters and the story is set in India, it", "characters and the story is set in India, it could spell trouble for", "about Indian culture. Should I even consider it? The book I would write", "which ethnic group my protagonist would belong to, but if there are many", "an Indian protagonist who lives in India when I've never lived there, don't", "The book I would write could end up being extremely offensive. I can", "end up being extremely offensive. I can think of some situations where it's", "group my protagonist would belong to, but if there are many characters and", "an island and lives by himself, then I think it's safe to say", "never lived there, don't know anyone who is Indian and don't know anything", "it? The book I would write could end up being extremely offensive. I", "about making an Indian protagonist who lives in India when I've never lived", "I am thinking about making an Indian protagonist who lives in India when" ]
[ "all happens fairly early. Approximately one-third of the way through the story. Then", "the twist be left out? Make it clear from the beginning that the", "well as good-vs-evil story. Think Frodo vs Sauron for massive oversimplification. Except in", "Frodo vs Sauron for massive oversimplification. Except in my story the hero becomes", "Think Frodo vs Sauron for massive oversimplification. Except in my story the hero", "Sauron for massive oversimplification. Except in my story the hero becomes corrupt. The", "villains journey only they retain their humanity. The second journey needs to take", "this all happens fairly early. Approximately one-third of the way through the story.", "old. They have a journey that parallels the villains journey only they retain", "In my story, I will have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will", "to develop that journey equally (if not more.) Should the twist be left", "my story the hero becomes corrupt. The hero wins. The hero becomes the", "Make it clear from the beginning that the first hero is going to", "left out? Make it clear from the beginning that the first hero is", "from the beginning that the first hero is going to be the villain?", "retain their humanity. The second journey needs to take at least as long", "not more.) Should the twist be left out? Make it clear from the", "parallels the villains journey only they retain their humanity. The second journey needs", "equally (if not more.) Should the twist be left out? Make it clear", "the first hero is going to be the villain? Is it too soon", "good-vs-evil story. Think Frodo vs Sauron for massive oversimplification. Except in my story", "first and I want to develop that journey equally (if not more.) Should", "I will have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the underdog", "It will be the underdog story as well as good-vs-evil story. Think Frodo", "And this all happens fairly early. Approximately one-third of the way through the", "want to develop that journey equally (if not more.) Should the twist be", "only they retain their humanity. The second journey needs to take at least", "going to be the villain? Is it too soon in the tale for", "take at least as long as the first and I want to develop", "out? Make it clear from the beginning that the first hero is going", "Should the twist be left out? Make it clear from the beginning that", "and I want to develop that journey equally (if not more.) Should the", "story. Then the new hero has to overcome the old. They have a", "as the first and I want to develop that journey equally (if not", "fairly early. Approximately one-third of the way through the story. Then the new", "story, I will have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the", "wins. The hero becomes the villain of the next story. And this all", "(if not more.) Should the twist be left out? Make it clear from", "Then the new hero has to overcome the old. They have a journey", "a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the underdog story as well", "new hero has to overcome the old. They have a journey that parallels", "least as long as the first and I want to develop that journey", "hero becomes the villain of the next story. And this all happens fairly", "the way through the story. Then the new hero has to overcome the", "as good-vs-evil story. Think Frodo vs Sauron for massive oversimplification. Except in my", "one-third of the way through the story. Then the new hero has to", "massive oversimplification. Except in my story the hero becomes corrupt. The hero wins.", "villain of the next story. And this all happens fairly early. Approximately one-third", "hero becomes corrupt. The hero wins. The hero becomes the villain of the", "the new hero has to overcome the old. They have a journey that", "Except in my story the hero becomes corrupt. The hero wins. The hero", "develop that journey equally (if not more.) Should the twist be left out?", "story the hero becomes corrupt. The hero wins. The hero becomes the villain", "have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the underdog story as", "of the way through the story. Then the new hero has to overcome", "the story. Then the new hero has to overcome the old. They have", "happens fairly early. Approximately one-third of the way through the story. Then the", "the villains journey only they retain their humanity. The second journey needs to", "The second journey needs to take at least as long as the first", "journey. It will be the underdog story as well as good-vs-evil story. Think", "it clear from the beginning that the first hero is going to be", "becomes the villain of the next story. And this all happens fairly early.", "as well as good-vs-evil story. Think Frodo vs Sauron for massive oversimplification. Except", "that parallels the villains journey only they retain their humanity. The second journey", "I want to develop that journey equally (if not more.) Should the twist", "that the first hero is going to be the villain? Is it too", "is going to be the villain? Is it too soon in the tale", "corrupt. The hero wins. The hero becomes the villain of the next story.", "underdog story as well as good-vs-evil story. Think Frodo vs Sauron for massive", "as long as the first and I want to develop that journey equally", "hero has to overcome the old. They have a journey that parallels the", "has to overcome the old. They have a journey that parallels the villains", "The hero becomes the villain of the next story. And this all happens", "becomes corrupt. The hero wins. The hero becomes the villain of the next", "the hero becomes corrupt. The hero wins. The hero becomes the villain of", "journey needs to take at least as long as the first and I", "the beginning that the first hero is going to be the villain? Is", "first hero is going to be the villain? Is it too soon in", "oversimplification. Except in my story the hero becomes corrupt. The hero wins. The", "journey that parallels the villains journey only they retain their humanity. The second", "have a journey that parallels the villains journey only they retain their humanity.", "early. Approximately one-third of the way through the story. Then the new hero", "will be the underdog story as well as good-vs-evil story. Think Frodo vs", "will have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the underdog story", "that journey equally (if not more.) Should the twist be left out? Make", "through the story. Then the new hero has to overcome the old. They", "journey only they retain their humanity. The second journey needs to take at", "clear from the beginning that the first hero is going to be the", "to be the villain? Is it too soon in the tale for a", "needs to take at least as long as the first and I want", "for massive oversimplification. Except in my story the hero becomes corrupt. The hero", "more.) Should the twist be left out? Make it clear from the beginning", "[hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be the underdog story as well as", "a journey that parallels the villains journey only they retain their humanity. The", "next story. And this all happens fairly early. Approximately one-third of the way", "story. Think Frodo vs Sauron for massive oversimplification. Except in my story the", "their humanity. The second journey needs to take at least as long as", "a journey. It will be the underdog story as well as good-vs-evil story.", "story. And this all happens fairly early. Approximately one-third of the way through", "they retain their humanity. The second journey needs to take at least as", "overcome the old. They have a journey that parallels the villains journey only", "humanity. The second journey needs to take at least as long as the", "They have a journey that parallels the villains journey only they retain their", "be left out? Make it clear from the beginning that the first hero", "my story, I will have a [hero](https://writing.stackexchange.com/q/43061/30375) begin a journey. It will be", "the villain of the next story. And this all happens fairly early. Approximately", "hero wins. The hero becomes the villain of the next story. And this", "journey equally (if not more.) Should the twist be left out? Make it", "the underdog story as well as good-vs-evil story. Think Frodo vs Sauron for", "be the underdog story as well as good-vs-evil story. Think Frodo vs Sauron", "way through the story. Then the new hero has to overcome the old.", "vs Sauron for massive oversimplification. Except in my story the hero becomes corrupt.", "hero is going to be the villain? Is it too soon in the", "at least as long as the first and I want to develop that", "The hero wins. The hero becomes the villain of the next story. And", "to take at least as long as the first and I want to", "beginning that the first hero is going to be the villain? Is it", "the next story. And this all happens fairly early. Approximately one-third of the", "story as well as good-vs-evil story. Think Frodo vs Sauron for massive oversimplification.", "Approximately one-third of the way through the story. Then the new hero has", "of the next story. And this all happens fairly early. Approximately one-third of", "second journey needs to take at least as long as the first and", "the first and I want to develop that journey equally (if not more.)", "long as the first and I want to develop that journey equally (if", "in my story the hero becomes corrupt. The hero wins. The hero becomes", "to overcome the old. They have a journey that parallels the villains journey", "be the villain? Is it too soon in the tale for a reveal?**", "the old. They have a journey that parallels the villains journey only they", "begin a journey. It will be the underdog story as well as good-vs-evil", "twist be left out? Make it clear from the beginning that the first" ]
[ "various links I am not able to fully understand the actual difference between", "outreach and readability and not in customizing the publishing themes etc. Since I", "between both in terms of blogging. I am a hobbyist blogger and my", "know that wordpress.com and wordpress.org are two different platforms for publishing. But despite", "to fully understand the actual difference between both in terms of blogging. I", "understand the actual difference between both in terms of blogging. I am a", "and wordpress.org are two different platforms for publishing. But despite browsing on various", "am a hobbyist blogger and my requirement is just to increase outreach and", "and not in customizing the publishing themes etc. Since I write only as", "like to use free one - so I have currently picked up wordpress.com", "But despite browsing on various links I am not able to fully understand", "not in customizing the publishing themes etc. Since I write only as hobby,", "my requirement is just to increase outreach and readability and not in customizing", "a hobbyist blogger and my requirement is just to increase outreach and readability", "write only as hobby, I'd like to use free one - so I", "and my requirement is just to increase outreach and readability and not in", "am not able to fully understand the actual difference between both in terms", "recently came to know that wordpress.com and wordpress.org are two different platforms for", "requirement is just to increase outreach and readability and not in customizing the", "I have currently picked up wordpress.com since it takes care everything without paying.", "able to fully understand the actual difference between both in terms of blogging.", "hobby, I'd like to use free one - so I have currently picked", "I'd like to use free one - so I have currently picked up", "on various links I am not able to fully understand the actual difference", "for publishing. But despite browsing on various links I am not able to", "terms of blogging. I am a hobbyist blogger and my requirement is just", "two different platforms for publishing. But despite browsing on various links I am", "the publishing themes etc. Since I write only as hobby, I'd like to", "I am not able to fully understand the actual difference between both in", "links I am not able to fully understand the actual difference between both", "fully understand the actual difference between both in terms of blogging. I am", "blogging. I am a hobbyist blogger and my requirement is just to increase", "difference between both in terms of blogging. I am a hobbyist blogger and", "both in terms of blogging. I am a hobbyist blogger and my requirement", "to know that wordpress.com and wordpress.org are two different platforms for publishing. But", "customizing the publishing themes etc. Since I write only as hobby, I'd like", "is just to increase outreach and readability and not in customizing the publishing", "the actual difference between both in terms of blogging. I am a hobbyist", "one - so I have currently picked up wordpress.com since it takes care", "came to know that wordpress.com and wordpress.org are two different platforms for publishing.", "as hobby, I'd like to use free one - so I have currently", "use free one - so I have currently picked up wordpress.com since it", "wordpress.org are two different platforms for publishing. But despite browsing on various links", "that wordpress.com and wordpress.org are two different platforms for publishing. But despite browsing", "actual difference between both in terms of blogging. I am a hobbyist blogger", "publishing themes etc. Since I write only as hobby, I'd like to use", "I recently came to know that wordpress.com and wordpress.org are two different platforms", "so I have currently picked up wordpress.com since it takes care everything without", "hobbyist blogger and my requirement is just to increase outreach and readability and", "not able to fully understand the actual difference between both in terms of", "and readability and not in customizing the publishing themes etc. Since I write", "readability and not in customizing the publishing themes etc. Since I write only", "are two different platforms for publishing. But despite browsing on various links I", "platforms for publishing. But despite browsing on various links I am not able", "etc. Since I write only as hobby, I'd like to use free one", "different platforms for publishing. But despite browsing on various links I am not", "just to increase outreach and readability and not in customizing the publishing themes", "in terms of blogging. I am a hobbyist blogger and my requirement is", "increase outreach and readability and not in customizing the publishing themes etc. Since", "to use free one - so I have currently picked up wordpress.com since", "I am a hobbyist blogger and my requirement is just to increase outreach", "in customizing the publishing themes etc. Since I write only as hobby, I'd", "Since I write only as hobby, I'd like to use free one -", "free one - so I have currently picked up wordpress.com since it takes", "blogger and my requirement is just to increase outreach and readability and not", "despite browsing on various links I am not able to fully understand the", "to increase outreach and readability and not in customizing the publishing themes etc.", "themes etc. Since I write only as hobby, I'd like to use free", "of blogging. I am a hobbyist blogger and my requirement is just to", "only as hobby, I'd like to use free one - so I have", "- so I have currently picked up wordpress.com since it takes care everything", "wordpress.com and wordpress.org are two different platforms for publishing. But despite browsing on", "I write only as hobby, I'd like to use free one - so", "browsing on various links I am not able to fully understand the actual", "publishing. But despite browsing on various links I am not able to fully" ]
[ "Or can it only happen by luck? Note: by 'finished writing' I mean", "luck? Note: by 'finished writing' I mean you've finished writing, revising and editing", "takes several months to get an agent and then a contract. But are", "normally takes several months to get an agent and then a contract. But", "then a contract. But are there any shortcuts, any particular companies that one", "evaluation? Or can it only happen by luck? Note: by 'finished writing' I", "directly and get a much faster evaluation? Or can it only happen by", "to get an agent and then a contract. But are there any shortcuts,", "any particular companies that one can submit to directly and get a much", "several months to get an agent and then a contract. But are there", "know it normally takes several months to get an agent and then a", "I know it normally takes several months to get an agent and then", "and get a much faster evaluation? Or can it only happen by luck?", "it only happen by luck? Note: by 'finished writing' I mean you've finished", "a much faster evaluation? Or can it only happen by luck? Note: by", "submit to directly and get a much faster evaluation? Or can it only", "faster evaluation? Or can it only happen by luck? Note: by 'finished writing'", "can it only happen by luck? Note: by 'finished writing' I mean you've", "only happen by luck? Note: by 'finished writing' I mean you've finished writing,", "get an agent and then a contract. But are there any shortcuts, any", "get a much faster evaluation? Or can it only happen by luck? Note:", "happen by luck? Note: by 'finished writing' I mean you've finished writing, revising", "Note: by 'finished writing' I mean you've finished writing, revising and editing it.", "there any shortcuts, any particular companies that one can submit to directly and", "much faster evaluation? Or can it only happen by luck? Note: by 'finished", "by luck? Note: by 'finished writing' I mean you've finished writing, revising and", "can submit to directly and get a much faster evaluation? Or can it", "companies that one can submit to directly and get a much faster evaluation?", "that one can submit to directly and get a much faster evaluation? Or", "it normally takes several months to get an agent and then a contract.", "particular companies that one can submit to directly and get a much faster", "and then a contract. But are there any shortcuts, any particular companies that", "a contract. But are there any shortcuts, any particular companies that one can", "any shortcuts, any particular companies that one can submit to directly and get", "months to get an agent and then a contract. But are there any", "agent and then a contract. But are there any shortcuts, any particular companies", "one can submit to directly and get a much faster evaluation? Or can", "an agent and then a contract. But are there any shortcuts, any particular", "shortcuts, any particular companies that one can submit to directly and get a", "But are there any shortcuts, any particular companies that one can submit to", "to directly and get a much faster evaluation? Or can it only happen", "contract. But are there any shortcuts, any particular companies that one can submit", "are there any shortcuts, any particular companies that one can submit to directly" ]
[ "- she needed the other girls to bounce off, they allowed her to", "it Vampire's story and get rid of the others, but that didn't work", "she was in conflict with the Ifrit girl because the latter belonged to", "drastically overshadowing the others? Please note I am interested in general approach answers,", "latter belonged to the nationality whom the former blamed for being dead, she", "and wouldn't help anybody else, nor me when I run into such a", "started writing a short story for a competition. It was supposed to be", "how she ended up a vampire instead of being dead-dead. Most of all,", "character in a group is drastically overshadowing the others? Please note I am", "werewolf girl because werewolf, she was in conflict with the Ifrit girl because", "allowed her to let out some pent-up rage. They \"represent\" in a way", "that the story got mired down in arguments, and wouldn't progress. I tried", "the spirit of the two examples I presented in the previous paragraph. I", "The other girls had their conflicts, but those conflicts were mundane. Vampire -", "but those conflicts were mundane. Vampire - she was boiling over, which caused", "one character in a group is drastically overshadowing the others? Please note I", "looking for specific \"write this\" answers - those are off topic, and wouldn't", "interested in general approach answers, in the spirit of the two examples I", "not looking for specific \"write this\" answers - those are off topic, and", "was a walking-talking explosion. The other girls had their conflicts, but those conflicts", "there was so much conflict that the story got mired down in arguments,", "is drastically overshadowing the others? Please note I am interested in general approach", "the exams - I haven't reached that far), and learnt to put aside", "I tried to make it Vampire's story and get rid of the others,", "are off topic, and wouldn't help anybody else, nor me when I run", "off, they allowed her to let out some pent-up rage. They \"represent\" in", "much conflict that the story got mired down in arguments, and wouldn't progress.", "a common enemy (the landlord or the exams - I haven't reached that", "Vampire - she was boiling over, which caused her to dominate every scene,", "the girls, a vampire, had much more oomph than the others. She was", "conflict with herself, because dying and waking up a vampire really threw a", "wouldn't progress. I tried to make it Vampire's story and get rid of", "I started writing a short story for a competition. It was supposed to", "tried to make it Vampire's story and get rid of the others, but", "put aside their differences. I soon ran into a problem: one of the", "four girls in a shared student apartment. The plan was to have everyone", "a shared student apartment. The plan was to have everyone conflict with everyone", "every scene, and every scene without her became drab by comparison. I tried", "her to dominate every scene, and every scene without her became drab by", "girl because the latter belonged to the nationality whom the former blamed for", "her life. She was a walking-talking explosion. The other girls had their conflicts,", "with everyone until they united against a common enemy (the landlord or the", "in conflict with the Ifrit girl because the latter belonged to the nationality", "spirit of the two examples I presented in the previous paragraph. I am", "be about four girls in a shared student apartment. The plan was to", "that didn't work either - she needed the other girls to bounce off,", "Please note I am interested in general approach answers, in the spirit of", "overshadowing the others? Please note I am interested in general approach answers, in", "dead-dead. Most of all, she was in conflict with herself, because dying and", "I presented in the previous paragraph. I am not looking for specific \"write", "wrench into the plans she had for her life. She was a walking-talking", "- she was boiling over, which caused her to dominate every scene, and", "they allowed her to let out some pent-up rage. They \"represent\" in a", "other girls had their conflicts, but those conflicts were mundane. Vampire - she", "conflict that the story got mired down in arguments, and wouldn't progress. I", "A while ago, I started writing a short story for a competition. It", "the others. She was in conflict with the werewolf girl because werewolf, she", "down in arguments, and wouldn't progress. I tried to make it Vampire's story", "apartment. The plan was to have everyone conflict with everyone until they united", "topic, and wouldn't help anybody else, nor me when I run into such", "I am interested in general approach answers, in the spirit of the two", "story and get rid of the others, but that didn't work either -", "with herself, because dying and waking up a vampire really threw a wrench", "in a way the people/bodies/situation she's angry with. How can I address such", "in a shared student apartment. The plan was to have everyone conflict with", "two examples I presented in the previous paragraph. I am not looking for", "competition. It was supposed to be about four girls in a shared student", "so much conflict that the story got mired down in arguments, and wouldn't", "previous paragraph. I am not looking for specific \"write this\" answers - those", "everyone until they united against a common enemy (the landlord or the exams", "her became drab by comparison. I tried to amplify the others' existential anger,", "she had for her life. She was a walking-talking explosion. The other girls", "story got mired down in arguments, and wouldn't progress. I tried to make", "the story got mired down in arguments, and wouldn't progress. I tried to", "differences. I soon ran into a problem: one of the girls, a vampire,", "their differences. I soon ran into a problem: one of the girls, a", "vampire, had much more oomph than the others. She was in conflict with", "have everyone conflict with everyone until they united against a common enemy (the", "for specific \"write this\" answers - those are off topic, and wouldn't help", "than the others. She was in conflict with the werewolf girl because werewolf,", "they united against a common enemy (the landlord or the exams - I", "threw a wrench into the plans she had for her life. She was", "aside their differences. I soon ran into a problem: one of the girls,", "answers, in the spirit of the two examples I presented in the previous", "- those are off topic, and wouldn't help anybody else, nor me when", "the Ifrit girl because the latter belonged to the nationality whom the former", "\"represent\" in a way the people/bodies/situation she's angry with. How can I address", "enemy (the landlord or the exams - I haven't reached that far), and", "those conflicts were mundane. Vampire - she was boiling over, which caused her", "(the landlord or the exams - I haven't reached that far), and learnt", "answers - those are off topic, and wouldn't help anybody else, nor me", "religious issue is how she ended up a vampire instead of being dead-dead.", "some pent-up rage. They \"represent\" in a way the people/bodies/situation she's angry with.", "other girls to bounce off, they allowed her to let out some pent-up", "of all, she was in conflict with herself, because dying and waking up", "off topic, and wouldn't help anybody else, nor me when I run into", "to let out some pent-up rage. They \"represent\" in a way the people/bodies/situation", "arguments, and wouldn't progress. I tried to make it Vampire's story and get", "got mired down in arguments, and wouldn't progress. I tried to make it", "she was boiling over, which caused her to dominate every scene, and every", "angry with. How can I address such a situation, when one character in", "group is drastically overshadowing the others? Please note I am interested in general", "to dominate every scene, and every scene without her became drab by comparison.", "conflict with the werewolf girl because werewolf, she was in conflict with the", "vanilla POV girl because a religious issue is how she ended up a", "am interested in general approach answers, in the spirit of the two examples", "student apartment. The plan was to have everyone conflict with everyone until they", "in arguments, and wouldn't progress. I tried to make it Vampire's story and", "I tried to amplify the others' existential anger, but then there was so", "of the two examples I presented in the previous paragraph. I am not", "girls in a shared student apartment. The plan was to have everyone conflict", "girls had their conflicts, but those conflicts were mundane. Vampire - she was", "had for her life. She was a walking-talking explosion. The other girls had", "walking-talking explosion. The other girls had their conflicts, but those conflicts were mundane.", "wouldn't help anybody else, nor me when I run into such a character", "for her life. She was a walking-talking explosion. The other girls had their", "the former blamed for being dead, she was in conflict with the religious", "ran into a problem: one of the girls, a vampire, had much more", "up a vampire really threw a wrench into the plans she had for", "learnt to put aside their differences. I soon ran into a problem: one", "others, but that didn't work either - she needed the other girls to", "girls to bounce off, they allowed her to let out some pent-up rage.", "bounce off, they allowed her to let out some pent-up rage. They \"represent\"", "in conflict with herself, because dying and waking up a vampire really threw", "nationality whom the former blamed for being dead, she was in conflict with", "the others' existential anger, but then there was so much conflict that the", "really threw a wrench into the plans she had for her life. She", "conflict with the Ifrit girl because the latter belonged to the nationality whom", "way the people/bodies/situation she's angry with. How can I address such a situation,", "was supposed to be about four girls in a shared student apartment. The", "to put aside their differences. I soon ran into a problem: one of", "pent-up rage. They \"represent\" in a way the people/bodies/situation she's angry with. How", "and get rid of the others, but that didn't work either - she", "one of the girls, a vampire, had much more oomph than the others.", "caused her to dominate every scene, and every scene without her became drab", "didn't work either - she needed the other girls to bounce off, they", "scene, and every scene without her became drab by comparison. I tried to", "the people/bodies/situation she's angry with. How can I address such a situation, when", "those are off topic, and wouldn't help anybody else, nor me when I", "landlord or the exams - I haven't reached that far), and learnt to", "paragraph. I am not looking for specific \"write this\" answers - those are", "blamed for being dead, she was in conflict with the religious vanilla POV", "the others, but that didn't work either - she needed the other girls", "conflict with the religious vanilla POV girl because a religious issue is how", "about four girls in a shared student apartment. The plan was to have", "mundane. 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Most of all, she", "this\" answers - those are off topic, and wouldn't help anybody else, nor", "a problem: one of the girls, a vampire, had much more oomph than", "of being dead-dead. Most of all, she was in conflict with herself, because", "a vampire, had much more oomph than the others. She was in conflict", "oomph than the others. She was in conflict with the werewolf girl because", "because dying and waking up a vampire really threw a wrench into the", "dying and waking up a vampire really threw a wrench into the plans", "vampire instead of being dead-dead. Most of all, she was in conflict with", "others. She was in conflict with the werewolf girl because werewolf, she was", "conflicts, but those conflicts were mundane. 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I am not looking for specific \"write this\"", "others' existential anger, but then there was so much conflict that the story", "soon ran into a problem: one of the girls, a vampire, had much", "by comparison. I tried to amplify the others' existential anger, but then there", "against a common enemy (the landlord or the exams - I haven't reached", "all, she was in conflict with herself, because dying and waking up a", "to be about four girls in a shared student apartment. The plan was", "to make it Vampire's story and get rid of the others, but that", "plan was to have everyone conflict with everyone until they united against a", "for being dead, she was in conflict with the religious vanilla POV girl", "and learnt to put aside their differences. I soon ran into a problem:", "life. She was a walking-talking explosion. The other girls had their conflicts, but", "haven't reached that far), and learnt to put aside their differences. 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Please note", "was boiling over, which caused her to dominate every scene, and every scene", "of the others, but that didn't work either - she needed the other", "I haven't reached that far), and learnt to put aside their differences. I", "\"write this\" answers - those are off topic, and wouldn't help anybody else,", "werewolf, she was in conflict with the Ifrit girl because the latter belonged", "She was in conflict with the werewolf girl because werewolf, she was in", "a competition. It was supposed to be about four girls in a shared", "in the previous paragraph. I am not looking for specific \"write this\" answers", "to have everyone conflict with everyone until they united against a common enemy", "a way the people/bodies/situation she's angry with. How can I address such a", "note I am interested in general approach answers, in the spirit of the", "instead of being dead-dead. 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[ "used to convey that, 'there is a lot to tell, but this is", "part of the story itself. I think it is usually used to convey", "the writing practises guides, it is usually mentioned that use of ellipsis is", "he might just bend down ... and ...and > > > This is", "Liz Gilbert, following is usage; > > On the other hand, he might", "me right now, tonight, right here by my door ... there's still a", "and of course, it would be a terrible mistake ... but it's still", "story itself. I think it is usually used to convey that, 'there is", "certain usages in professional writing. To give an example; In the novel Eat", "use of ellipsis is a bad practice. But I have come across certain", "sole instance, but she has used this as a part of the story", "are the ideas that are conveyed implicitly using an ellipsis? In what instances", "a lot to tell, but this is what I am telling'. But in", "In the writing practises guides, it is usually mentioned that use of ellipsis", "> > On the other hand, he might just kiss me right now,", "> This is a sole instance, but she has used this as a", "this moonlight ... and of course, it would be a terrible mistake ...", "moonlight ... and of course, it would be a terrible mistake ... but", "bodies beneath this moonlight ... and of course, it would be a terrible", "wonderful possibility that he might actually do it right now ... that he", "is expressing her desires. What are the ideas that are conveyed implicitly using", "... there's still a chance ... I mean we are pressed up against", "... but it's still such a wonderful possibility that he might actually do", "is a sole instance, but she has used this as a part of", "I am telling'. But in this case, she is expressing her desires. What", "a bad practice. But I have come across certain usages in professional writing.", "it would be a terrible mistake ... but it's still such a wonderful", "mistake ... but it's still such a wonderful possibility that he might actually", "just kiss me right now, tonight, right here by my door ... there's", "do it right now ... that he might just bend down ... and", "we are pressed up against each other's bodies beneath this moonlight ... and", "still a chance ... I mean we are pressed up against each other's", "this as a part of the story itself. I think it is usually", "practises guides, it is usually mentioned that use of ellipsis is a bad", "but she has used this as a part of the story itself. I", "in this case, she is expressing her desires. What are the ideas that", "tonight, right here by my door ... there's still a chance ... I", "writing practises guides, it is usually mentioned that use of ellipsis is a", "now ... that he might just bend down ... and ...and > >", "he might actually do it right now ... that he might just bend", "might actually do it right now ... that he might just bend down", "instance, but she has used this as a part of the story itself.", "example; In the novel Eat Pray Love by Liz Gilbert, following is usage;", "have come across certain usages in professional writing. To give an example; In", "writing. To give an example; In the novel Eat Pray Love by Liz", "Eat Pray Love by Liz Gilbert, following is usage; > > On the", "ideas that are conveyed implicitly using an ellipsis? In what instances should they", "... and of course, it would be a terrible mistake ... but it's", "now, tonight, right here by my door ... there's still a chance ...", "to tell, but this is what I am telling'. But in this case,", "such a wonderful possibility that he might actually do it right now ...", "she has used this as a part of the story itself. I think", "used this as a part of the story itself. I think it is", "other's bodies beneath this moonlight ... and of course, it would be a", "the ideas that are conveyed implicitly using an ellipsis? In what instances should", "of ellipsis is a bad practice. But I have come across certain usages", "a part of the story itself. I think it is usually used to", "give an example; In the novel Eat Pray Love by Liz Gilbert, following", "usually used to convey that, 'there is a lot to tell, but this", "the novel Eat Pray Love by Liz Gilbert, following is usage; > >", "of course, it would be a terrible mistake ... but it's still such", "her desires. What are the ideas that are conveyed implicitly using an ellipsis?", "itself. I think it is usually used to convey that, 'there is a", "it is usually mentioned that use of ellipsis is a bad practice. But", "is usually used to convey that, 'there is a lot to tell, but", "beneath this moonlight ... and of course, it would be a terrible mistake", "here by my door ... there's still a chance ... I mean we", "mentioned that use of ellipsis is a bad practice. But I have come", "guides, it is usually mentioned that use of ellipsis is a bad practice.", "this case, she is expressing her desires. What are the ideas that are", "Gilbert, following is usage; > > On the other hand, he might just", "is usually mentioned that use of ellipsis is a bad practice. But I", "it's still such a wonderful possibility that he might actually do it right", "bend down ... and ...and > > > This is a sole instance,", "case, she is expressing her desires. What are the ideas that are conveyed", "terrible mistake ... but it's still such a wonderful possibility that he might", "just bend down ... and ...and > > > This is a sole", "are conveyed implicitly using an ellipsis? In what instances should they be used?", "On the other hand, he might just kiss me right now, tonight, right", "come across certain usages in professional writing. To give an example; In the", "is usage; > > On the other hand, he might just kiss me", "> > > This is a sole instance, but she has used this", "right now, tonight, right here by my door ... there's still a chance", "...and > > > This is a sole instance, but she has used", "other hand, he might just kiss me right now, tonight, right here by", "a chance ... I mean we are pressed up against each other's bodies", "it right now ... that he might just bend down ... and ...and", "convey that, 'there is a lot to tell, but this is what I", "chance ... I mean we are pressed up against each other's bodies beneath", "possibility that he might actually do it right now ... that he might", "that, 'there is a lot to tell, but this is what I am", "> > This is a sole instance, but she has used this as", "tell, but this is what I am telling'. But in this case, she", "I have come across certain usages in professional writing. To give an example;", "he might just kiss me right now, tonight, right here by my door", "usually mentioned that use of ellipsis is a bad practice. But I have", "the story itself. I think it is usually used to convey that, 'there", "to convey that, 'there is a lot to tell, but this is what", "in professional writing. To give an example; In the novel Eat Pray Love", "might just bend down ... and ...and > > > This is a", "kiss me right now, tonight, right here by my door ... there's still", "practice. But I have come across certain usages in professional writing. To give", "professional writing. To give an example; In the novel Eat Pray Love by", "expressing her desires. What are the ideas that are conveyed implicitly using an", "am telling'. But in this case, she is expressing her desires. What are", "across certain usages in professional writing. To give an example; In the novel", "'there is a lot to tell, but this is what I am telling'.", "still such a wonderful possibility that he might actually do it right now", "usage; > > On the other hand, he might just kiss me right", "following is usage; > > On the other hand, he might just kiss", "But I have come across certain usages in professional writing. To give an", "but it's still such a wonderful possibility that he might actually do it", "there's still a chance ... I mean we are pressed up against each", "as a part of the story itself. I think it is usually used", "novel Eat Pray Love by Liz Gilbert, following is usage; > > On", "of the story itself. I think it is usually used to convey that,", "actually do it right now ... that he might just bend down ...", "mean we are pressed up against each other's bodies beneath this moonlight ...", "what I am telling'. But in this case, she is expressing her desires.", "that are conveyed implicitly using an ellipsis? In what instances should they be", "would be a terrible mistake ... but it's still such a wonderful possibility", "has used this as a part of the story itself. I think it", "In the novel Eat Pray Love by Liz Gilbert, following is usage; >", "right now ... that he might just bend down ... and ...and >", "pressed up against each other's bodies beneath this moonlight ... and of course,", "usages in professional writing. To give an example; In the novel Eat Pray", "this is what I am telling'. But in this case, she is expressing", "is what I am telling'. But in this case, she is expressing her", "Love by Liz Gilbert, following is usage; > > On the other hand,", "course, it would be a terrible mistake ... but it's still such a", "that he might actually do it right now ... that he might just", "lot to tell, but this is what I am telling'. But in this", "a wonderful possibility that he might actually do it right now ... that", "but this is what I am telling'. But in this case, she is", "What are the ideas that are conveyed implicitly using an ellipsis? In what", "be a terrible mistake ... but it's still such a wonderful possibility that", "... I mean we are pressed up against each other's bodies beneath this", "a terrible mistake ... but it's still such a wonderful possibility that he", "think it is usually used to convey that, 'there is a lot to", "I think it is usually used to convey that, 'there is a lot", "I mean we are pressed up against each other's bodies beneath this moonlight", "a sole instance, but she has used this as a part of the", "bad practice. But I have come across certain usages in professional writing. To", "right here by my door ... there's still a chance ... I mean", "hand, he might just kiss me right now, tonight, right here by my", "desires. What are the ideas that are conveyed implicitly using an ellipsis? In", "are pressed up against each other's bodies beneath this moonlight ... and of", "up against each other's bodies beneath this moonlight ... and of course, it", "... and ...and > > > This is a sole instance, but she", "it is usually used to convey that, 'there is a lot to tell,", "by my door ... there's still a chance ... I mean we are", "that use of ellipsis is a bad practice. But I have come across", "against each other's bodies beneath this moonlight ... and of course, it would", "is a lot to tell, but this is what I am telling'. But", "by Liz Gilbert, following is usage; > > On the other hand, he", "... that he might just bend down ... and ...and > > >", "> On the other hand, he might just kiss me right now, tonight,", "telling'. But in this case, she is expressing her desires. What are the", "she is expressing her desires. What are the ideas that are conveyed implicitly", "To give an example; In the novel Eat Pray Love by Liz Gilbert,", "each other's bodies beneath this moonlight ... and of course, it would be", "door ... there's still a chance ... I mean we are pressed up", "an example; In the novel Eat Pray Love by Liz Gilbert, following is", "ellipsis is a bad practice. But I have come across certain usages in", "that he might just bend down ... and ...and > > > This", "down ... and ...and > > > This is a sole instance, but", "the other hand, he might just kiss me right now, tonight, right here", "my door ... there's still a chance ... I mean we are pressed", "This is a sole instance, but she has used this as a part", "and ...and > > > This is a sole instance, but she has", "But in this case, she is expressing her desires. What are the ideas", "might just kiss me right now, tonight, right here by my door ...", "Pray Love by Liz Gilbert, following is usage; > > On the other", "is a bad practice. But I have come across certain usages in professional" ]
[ "well known and respcted agency who has asked for the full, so that's", "when an agent first shows interest, it's important to make sure you end", "up with the right one - as it should be a lifetime, career", "much the way that you don't marry the first person who says they", "manuscript. On almost all of the agency's submisson guidelines, they state that if", "that if they haven't got back to you and another agent shows interest,", "- I've read from several sources in the industry that although it's easy", "that if the only reason they're interested is because someone else important is", "person who says they fancy you. So it seems sensible to maximise your", "that point of view - but my question is should I tell them", "they fancy you. So it seems sensible to maximise your chances of being", "had a request for a full manuscript. On almost all of the agency's", "another agent shows interest, to please let them know asap, so they can", "right one - as it should be a lifetime, career affecting relationship. In", "well. Supporting info - I've read from several sources in the industry that", "you don't marry the first person who says they fancy you. So it", "right? My feeling is that if the only reason they're interested is because", "as well. Supporting info - I've read from several sources in the industry", "you and another agent shows interest, to please let them know asap, so", "see if they might be interested as well. Supporting info - I've read", "one - as it should be a lifetime, career affecting relationship. In much", "don't marry the first person who says they fancy you. So it seems", "some hicky nobody agent. It is a very well known and respcted agency", "let them know asap, so they can check to see if they might", "to you and another agent shows interest, to please let them know asap,", "a few different ones and see which one is the best fit. So,", "that it's not some hicky nobody agent. It is a very well known", "in the industry that although it's easy to get very excited when an", "be interested as well. Supporting info - I've read from several sources in", "shows interest, it's important to make sure you end up with the right", "end up with the right one - as it should be a lifetime,", "them anyway? Is it really relevant? Either they want the read it or", "relevant? Either they want the read it or not, right? My feeling is", "the industry that although it's easy to get very excited when an agent", "first shows interest, it's important to make sure you end up with the", "my latest novel to a handful of agents, and had a request for", "want the read it or not, right? My feeling is that if the", "view - but my question is should I tell them anyway? Is it", "if the only reason they're interested is because someone else important is interested,", "not some hicky nobody agent. It is a very well known and respcted", "has replied asking me to tell them which other agent I submitted to.", "a full manuscript. On almost all of the agency's submisson guidelines, they state", "the best fit. So, I informed the agents that hadn't got back to", "important to make sure you end up with the right one - as", "which other agent I submitted to. Presumbly they are asking to check that", "- as it should be a lifetime, career affecting relationship. In much the", "first person who says they fancy you. So it seems sensible to maximise", "to make sure you end up with the right one - as it", "first answer. I submitted my latest novel to a handful of agents, and", "way that you don't marry the first person who says they fancy you.", "not, right? My feeling is that if the only reason they're interested is", "other agent I submitted to. Presumbly they are asking to check that I'm", "get very excited when an agent first shows interest, it's important to make", "they state that if they haven't got back to you and another agent", "who says they fancy you. So it seems sensible to maximise your chances", "to see if they might be interested as well. Supporting info - I've", "I submitted my latest novel to a handful of agents, and had a", "maximise your chances of being able to meet a few different ones and", "to maximise your chances of being able to meet a few different ones", "or that it's not some hicky nobody agent. It is a very well", "to me yet, but one of them has replied asking me to tell", "some unexpected comments in the first answer. I submitted my latest novel to", "interest, it's important to make sure you end up with the right one", "chances of being able to meet a few different ones and see which", "up, or that it's not some hicky nobody agent. It is a very", "the first person who says they fancy you. So it seems sensible to", "seems sensible to maximise your chances of being able to meet a few", "reason they're interested is because someone else important is interested, then they're probably", "So, I informed the agents that hadn't got back to me yet, but", "that's not a problem from that point of view - but my question", "they might be interested as well. Supporting info - I've read from several", "from that point of view - but my question is should I tell", "with the right one - as it should be a lifetime, career affecting", "check to see if they might be interested as well. Supporting info -", "hadn't got back to me yet, but one of them has replied asking", "are asking to check that I'm not just making it up, or that", "has asked for the full, so that's not a problem from that point", "the agency's submisson guidelines, they state that if they haven't got back to", "in the first answer. I submitted my latest novel to a handful of", "a request for a full manuscript. On almost all of the agency's submisson", "It is a very well known and respcted agency who has asked for", "I've read from several sources in the industry that although it's easy to", "unexpected comments in the first answer. I submitted my latest novel to a", "back to me yet, but one of them has replied asking me to", "as it should be a lifetime, career affecting relationship. In much the way", "tell them which other agent I submitted to. Presumbly they are asking to", "is because someone else important is interested, then they're probably not the right", "feeling is that if the only reason they're interested is because someone else", "of the agency's submisson guidelines, they state that if they haven't got back", "please let them know asap, so they can check to see if they", "industry that although it's easy to get very excited when an agent first", "So it seems sensible to maximise your chances of being able to meet", "it really relevant? Either they want the read it or not, right? My", "back to you and another agent shows interest, to please let them know", "they haven't got back to you and another agent shows interest, to please", "you end up with the right one - as it should be a", "question is should I tell them anyway? Is it really relevant? Either they", "should I tell them anyway? Is it really relevant? Either they want the", "following some unexpected comments in the first answer. I submitted my latest novel", "it's important to make sure you end up with the right one -", "although it's easy to get very excited when an agent first shows interest,", "else important is interested, then they're probably not the right one for me", "interested is because someone else important is interested, then they're probably not the", "to please let them know asap, so they can check to see if", "interested as well. Supporting info - I've read from several sources in the", "but my question is should I tell them anyway? Is it really relevant?", "fit. So, I informed the agents that hadn't got back to me yet,", "if they haven't got back to you and another agent shows interest, to", "it should be a lifetime, career affecting relationship. In much the way that", "handful of agents, and had a request for a full manuscript. On almost", "excited when an agent first shows interest, it's important to make sure you", "to meet a few different ones and see which one is the best", "I submitted to. Presumbly they are asking to check that I'm not just", "who has asked for the full, so that's not a problem from that", "- but my question is should I tell them anyway? Is it really", "I tell them anyway? Is it really relevant? Either they want the read", "is a very well known and respcted agency who has asked for the", "Presumbly they are asking to check that I'm not just making it up,", "I've edited the question for clarity following some unexpected comments in the first", "best fit. So, I informed the agents that hadn't got back to me", "important is interested, then they're probably not the right one for me anyway.", "make sure you end up with the right one - as it should", "is the best fit. So, I informed the agents that hadn't got back", "to a handful of agents, and had a request for a full manuscript.", "My feeling is that if the only reason they're interested is because someone", "haven't got back to you and another agent shows interest, to please let", "several sources in the industry that although it's easy to get very excited", "answer. I submitted my latest novel to a handful of agents, and had", "to tell them which other agent I submitted to. Presumbly they are asking", "the full, so that's not a problem from that point of view -", "says they fancy you. So it seems sensible to maximise your chances of", "being able to meet a few different ones and see which one is", "affecting relationship. In much the way that you don't marry the first person", "point of view - but my question is should I tell them anyway?", "known and respcted agency who has asked for the full, so that's not", "Either they want the read it or not, right? My feeling is that", "agents, and had a request for a full manuscript. On almost all of", "lifetime, career affecting relationship. In much the way that you don't marry the", "informed the agents that hadn't got back to me yet, but one of", "fancy you. So it seems sensible to maximise your chances of being able", "that I'm not just making it up, or that it's not some hicky", "agent shows interest, to please let them know asap, so they can check", "your chances of being able to meet a few different ones and see", "info - I've read from several sources in the industry that although it's", "them has replied asking me to tell them which other agent I submitted", "someone else important is interested, then they're probably not the right one for", "you. So it seems sensible to maximise your chances of being able to", "really relevant? Either they want the read it or not, right? My feeling", "can check to see if they might be interested as well. Supporting info", "submitted to. Presumbly they are asking to check that I'm not just making", "submisson guidelines, they state that if they haven't got back to you and", "all of the agency's submisson guidelines, they state that if they haven't got", "state that if they haven't got back to you and another agent shows", "that hadn't got back to me yet, but one of them has replied", "respcted agency who has asked for the full, so that's not a problem", "they want the read it or not, right? My feeling is that if", "see which one is the best fit. So, I informed the agents that", "question for clarity following some unexpected comments in the first answer. I submitted", "them which other agent I submitted to. Presumbly they are asking to check", "Is it really relevant? Either they want the read it or not, right?", "so they can check to see if they might be interested as well.", "making it up, or that it's not some hicky nobody agent. It is", "marry the first person who says they fancy you. So it seems sensible", "or not, right? My feeling is that if the only reason they're interested", "for clarity following some unexpected comments in the first answer. I submitted my", "not just making it up, or that it's not some hicky nobody agent.", "nobody agent. It is a very well known and respcted agency who has", "because someone else important is interested, then they're probably not the right one", "a lifetime, career affecting relationship. In much the way that you don't marry", "but one of them has replied asking me to tell them which other", "asap, so they can check to see if they might be interested as", "very excited when an agent first shows interest, it's important to make sure", "the question for clarity following some unexpected comments in the first answer. I", "not a problem from that point of view - but my question is", "of agents, and had a request for a full manuscript. On almost all", "few different ones and see which one is the best fit. So, I", "got back to you and another agent shows interest, to please let them", "sources in the industry that although it's easy to get very excited when", "the right one - as it should be a lifetime, career affecting relationship.", "On almost all of the agency's submisson guidelines, they state that if they", "different ones and see which one is the best fit. So, I informed", "to check that I'm not just making it up, or that it's not", "edited the question for clarity following some unexpected comments in the first answer.", "my question is should I tell them anyway? Is it really relevant? Either", "novel to a handful of agents, and had a request for a full", "yet, but one of them has replied asking me to tell them which", "latest novel to a handful of agents, and had a request for a", "a very well known and respcted agency who has asked for the full,", "to get very excited when an agent first shows interest, it's important to", "it seems sensible to maximise your chances of being able to meet a", "is that if the only reason they're interested is because someone else important", "Supporting info - I've read from several sources in the industry that although", "guidelines, they state that if they haven't got back to you and another", "should be a lifetime, career affecting relationship. In much the way that you", "sensible to maximise your chances of being able to meet a few different", "agent first shows interest, it's important to make sure you end up with", "relationship. In much the way that you don't marry the first person who", "request for a full manuscript. On almost all of the agency's submisson guidelines,", "and another agent shows interest, to please let them know asap, so they", "which one is the best fit. So, I informed the agents that hadn't", "only reason they're interested is because someone else important is interested, then they're", "is should I tell them anyway? Is it really relevant? Either they want", "that although it's easy to get very excited when an agent first shows", "agent I submitted to. Presumbly they are asking to check that I'm not", "from several sources in the industry that although it's easy to get very", "that you don't marry the first person who says they fancy you. So", "submitted my latest novel to a handful of agents, and had a request", "the agents that hadn't got back to me yet, but one of them", "able to meet a few different ones and see which one is the", "of being able to meet a few different ones and see which one", "meet a few different ones and see which one is the best fit.", "interest, to please let them know asap, so they can check to see", "and see which one is the best fit. So, I informed the agents", "it or not, right? My feeling is that if the only reason they're", "be a lifetime, career affecting relationship. In much the way that you don't", "very well known and respcted agency who has asked for the full, so", "agents that hadn't got back to me yet, but one of them has", "read from several sources in the industry that although it's easy to get", "it's easy to get very excited when an agent first shows interest, it's", "to. Presumbly they are asking to check that I'm not just making it", "them know asap, so they can check to see if they might be", "career affecting relationship. In much the way that you don't marry the first", "the first answer. I submitted my latest novel to a handful of agents,", "they are asking to check that I'm not just making it up, or", "check that I'm not just making it up, or that it's not some", "just making it up, or that it's not some hicky nobody agent. It", "clarity following some unexpected comments in the first answer. I submitted my latest", "full manuscript. On almost all of the agency's submisson guidelines, they state that", "an agent first shows interest, it's important to make sure you end up", "me yet, but one of them has replied asking me to tell them", "one is the best fit. So, I informed the agents that hadn't got", "and had a request for a full manuscript. On almost all of the", "hicky nobody agent. It is a very well known and respcted agency who", "almost all of the agency's submisson guidelines, they state that if they haven't", "agency who has asked for the full, so that's not a problem from", "I'm not just making it up, or that it's not some hicky nobody", "for a full manuscript. On almost all of the agency's submisson guidelines, they", "sure you end up with the right one - as it should be", "asking me to tell them which other agent I submitted to. Presumbly they", "asked for the full, so that's not a problem from that point of", "shows interest, to please let them know asap, so they can check to", "got back to me yet, but one of them has replied asking me", "tell them anyway? Is it really relevant? Either they want the read it", "me to tell them which other agent I submitted to. Presumbly they are", "replied asking me to tell them which other agent I submitted to. Presumbly", "they're interested is because someone else important is interested, then they're probably not", "full, so that's not a problem from that point of view - but", "and respcted agency who has asked for the full, so that's not a", "I informed the agents that hadn't got back to me yet, but one", "it's not some hicky nobody agent. It is a very well known and", "it up, or that it's not some hicky nobody agent. It is a", "know asap, so they can check to see if they might be interested", "problem from that point of view - but my question is should I", "one of them has replied asking me to tell them which other agent", "the way that you don't marry the first person who says they fancy", "the only reason they're interested is because someone else important is interested, then", "so that's not a problem from that point of view - but my", "In much the way that you don't marry the first person who says", "ones and see which one is the best fit. So, I informed the", "they can check to see if they might be interested as well. Supporting", "might be interested as well. Supporting info - I've read from several sources", "easy to get very excited when an agent first shows interest, it's important", "comments in the first answer. I submitted my latest novel to a handful", "agent. It is a very well known and respcted agency who has asked", "of view - but my question is should I tell them anyway? Is", "anyway? Is it really relevant? Either they want the read it or not,", "agency's submisson guidelines, they state that if they haven't got back to you", "asking to check that I'm not just making it up, or that it's", "a problem from that point of view - but my question is should", "a handful of agents, and had a request for a full manuscript. On", "of them has replied asking me to tell them which other agent I", "the read it or not, right? My feeling is that if the only", "for the full, so that's not a problem from that point of view", "read it or not, right? My feeling is that if the only reason", "if they might be interested as well. Supporting info - I've read from" ]
[ "mind, the characters will shape the story more than the story will shape", "\"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from actual literary", "own novel as that would turn into something which has little to do", "one of his slaves. I feel like this is wrong though. --- Keep", "prologue is meant to open up a story and introduce characters, themes, and", "handholding. It's a basic explanation showing how things are so that nothing comes", "am only trying to express things that I feel are relevant for the", "in the story at large 6. A specific \"item\" that plays a frequently", "Warriors series by Erin Hunter frequently starts with something going on in Star", "with the story's intended premise.*** (Like how the Warriors series by Erin Hunter", "existed, hence why I am over-explaining now. --- So, here's my question: How", "which has little to do with the story's intended premise.*** (Like how the", "the place of a Guild). Additionally, the fact that these are things that", "the Prologue from Overlord or the Prologue from That Time I Was Reincarnated", "Prologue. I do not wish to expand the Prologue into being its own", "on teaching them about irrelevant mundanities. I plan on teaching them the things", "between their perspectives that I am doing. Consequently, pushing part of the prologue", "into being one of his slaves. I feel like this is wrong though.", "World\"), Action, Adventure, Political** (in the sense the characters will be forced to", "the game, The MC's relationships in the real world, and what the game", "became a necessity. Nothing against the users who showed me this was a", "pull completely away from the intended point of my story. Yes the Quest", "supposed to be in the prologue should be more than a sufficient explanation", "a prologue is meant to open up a story and introduce characters, themes,", "an overarching mystery within my story, but it takes a backseat to the", "avatar as separate entities! As for the rest of their guild, they're nowhere", "a longer-than-normal Prologue okay as long as it serves a specific purpose in", "a Slime* (with Rimuru's coworker taking the place of a Guild). Additionally, the", "understanding the new world and the level of strangeness to the MC. The", "very, VERY little to actively do with Star Clan.) Forgive me for over-explaining", "more than the story will shape them, like One Piece, Hijrp Potfeq, and", "it's relevant... Story Genre: Medieval High Fantasy, Isekai (\"In Another World\"), Action, Adventure,", "(yet at the same time 1 main character, hence the earlier singular word", "a Chapter. Here's the problem: my Prologue needs to introduce a set number", "as a result of the situation. There will not be opportunity to show", "to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue to", "out due to a strange poison from a previous group, the Virtual Reality", "the Zaad. In fact, my story's situation is highly similar since a Quest", "raid party interacts with an already dead raid boss that was glitched out", "the audience will know as it comes up. (I may write out the", "and orders the raid to evacuate while he figures out what is happening.", "rules of the world being explained are just what are relevant at the", "specific event that plays a critical part to the overall story The problem", "the afterlife, for the Prologue; but, the story itself has very, VERY little", "more than a sufficient explanation that this is all background information relevant to", "the Quest/Zaad never were intended to be completed by my MC's Guild because", "Hijrp Potfeq, and Fate Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This", "your typical NEET-isekai) 3. The video game that becomes a foundation for the", "showing how things are so that nothing comes out of left-field leaving people", "The NPCs (non-player characters) \"owned\" by MC's guild (for those who read Light", "but, the story itself has very, VERY little to actively do with Star", "are supposed to be an overarching mystery within my story, but it takes", "things out for them.\" I am only trying to express things that I", "[Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub", "I cannot expound upon any part of it across a great berth of", "being one of his slaves. I feel like this is wrong though. ---", "point of my story. Yes the Quest plays a major, critical even, role", "the originally asked question* where I asked how to shorten the Prologue. **I", "in an \"instruction manual\" style for fun, but that'd be supplementary material, not", "is highly similar since a Quest leads to a Zaad resulting in contact", "should be more than a sufficient explanation that this is all background information", "as a basis for understanding the new world and the level of strangeness", "as that goes directly against the premise of the originally asked question*** where", "real world, and what the game is like as a basis for understanding", "actual literary works please.* > > > In case it's relevant... Story Genre:", "just make it a part of your Chapter 1?\", I can't do that", "Blade Works Abridged (by BlazingAzureCrow). This also means the audience will be seeing", "characters, themes, and the world to my audience. It is not supposed to", "not handholding. It's a basic explanation showing how things are so that nothing", "is similar in many regards to the Prologue from Overlord or the Prologue", "so bad of a writer that I tackle each thing individually. Functionally, this", "and introduce characters, themes, and the world to my audience. It is not", "the Floor Guardians from Overlord by Maruyama, so not actual ownership per se)", "way of switching between their perspectives that I am doing. Consequently, pushing part", "to a Zaad resulting in contact with an \"Item\" that causes an Event.", "Prologue okay as long as it serves a specific purpose in doing so?", "characters will be forced to deal with politics, not in the sense that", "the MC's understanding (not in an instruction-manual manner). What the MC knows, the", "teaching them the things that matter like, \"This is what the world is", "the fact that these are things that are supposed to be in the", "important information or context? Or is having a longer-than-normal Prologue okay as long", "long as my Chapter 1 which involves my MC committing manslaughter (in self-defense)", "the Prologue into being its own novel as that would turn into something", "\"Wait what?!\". Because points 1. and 4. are so closely tied together, they", "story before I move onto the story proper: 1. My main character (\"MC\")", "can't do that because of the flow of the story. The story has", "part to the overall story The problem is, writing this out, it's as", "prologue into Chapter 1 will be enough of a disruption that it'd feel", "NOT normal.\" It's not handholding. It's a basic explanation showing how things are", "the things that matter like, \"This is what the world is like under", "and share the same scene. Points 1. and 4.-7. as a result are", "It's not handholding. It's a basic explanation showing how things are so that", "ask me to make any of these points into chapters of their own", "they're nowhere to be found (at first). Perspective: The readers will be dropped", "these are things that are supposed to be in the prologue should be", "scene. Points 1. and 4.-7. as a result are all rounded together under", "be. I am not so bad of a writer that I tackle each", "realizes VERY quickly that something isn't right and orders the raid to evacuate", "4.-7. as a result are all rounded together under point 3. because you're", "Reincarnated as a Slime* (with Rimuru's coworker taking the place of a Guild).", "story's intended premise.*** (Like how the Warriors series by Erin Hunter frequently starts", "premise.*** (Like how the Warriors series by Erin Hunter frequently starts with something", "to what happened as a result of the Zaad. In fact, my story's", "evacuate while he figures out what is happening. The details of what all", "intertwined they may be. I am not so bad of a writer that", "5. A specific quest that plays a MAJOR role in the story at", "it a part of your Chapter 1?\", I can't do that because of", "it did show the need existed, hence why I am over-explaining now. ---", "be more than a sufficient explanation that this is all background information relevant", "readers this isn't your typical NEET-isekai) 3. The video game that becomes a", "length of text. At the same time, I find my Prologue is more", "case it's relevant... Story Genre: Medieval High Fantasy, Isekai* (\"In Another World\"), Action,", "of the story. The story has two main characters (yet at the same", "all rounded together under point 3. because you're inherently going to learn about", "paragraph. This is similar in many regards to the Prologue from Overlord or", "question: How can I shorten my Prologue without losing important information or context?", "game that becomes a foundation for the \"rules of the world\" (i.e. like", "than a sufficient explanation that this is all background information relevant to the", "the overall story The problem is, writing this out, it's as long as", "It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood", "to shorten the Prologue. I do not wish to expand the Prologue into", "(by BlazingAzureCrow). This also means the audience will be seeing things from the", "immediate circumstances as a result of the situation. There will not be opportunity", "to a strange poison from a previous group, the Virtual Reality MMO (VRMMO)", "I do not wish to expand the Prologue into being its own novel", "The MC's relationships in the real world, and what the game is like", "question where I asked how to shorten the Prologue. I do not wish", "the story, but not right away) The Story Premise: Shortly after a raid", "little to actively do with Star Clan.) Forgive me for over-explaining this section,", "actively do with Star Clan.) Forgive me for over-explaining this section, but it", "explained are just what are relevant at the time (nothing overly technical). *Please", "infrequent flashbacks for the longest time of the story. The rules of the", "things are so that nothing comes out of left-field leaving people wondering, \"Wait", "will be seeing things from the MC's understanding (not in an instruction-manual manner).", "those who read Light Novels, think of the Floor Guardians from Overlord* by", "Story Genre: Medieval High Fantasy, Isekai (\"In Another World\"), Action, Adventure, Political (in", "but it became a necessity. Nothing against the users who showed me this", "a result are all rounded together under point 3. because you're inherently going", "over-explaining this section, but it became a necessity. Nothing against the users who", "1 main character, hence the earlier singular word usage,) and I have a", "The Zul'Gurub raid was merely a Prologue to what happened as a result", "story. Yes the Quest plays a major, critical even, role in the story", "my question: How can I shorten my Prologue without losing important information or", "group, the Virtual Reality MMO (VRMMO) they are playing updates. Instead of logging", "to the story before I move onto the story proper: 1. My main", "3 main themes being expressed: The MC's relationships in the game, The MC's", "raid to evacuate while he figures out what is happening. The details of", "My main character (\"MC\") and their relationship with their guild 2. MC's familial", "sentence at the end of the paragraph. This is similar in many regards", "I am doing. Consequently, pushing part of the prologue into Chapter 1 will", "leaving people wondering, \"Wait what?!\". Because points 1. and 4. are so closely", "length to that of a Chapter. Here's the problem: my Prologue needs to", "separate from the others, no matter how intertwined they may be. I am", "more appropriate in length to that of a Chapter. Here's the problem: my", "taking the place of a Guild). Additionally, the fact that these are things", "to evacuate while he figures out what is happening. The details of what", "not right away) The Story Premise: Shortly after a raid party interacts with", "is happening. The details of what all happened are supposed to be an", "Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue to what happened as", "problem: my Prologue needs to introduce a set number of things to the", "with their guild 2. MC's familial and social status (basically to show readers", "am over-explaining now. --- So, here's my question: How can I shorten my", "great berth of chapters because doing so would pull completely away from the", "a result. I list these things separately because the individual points express specific", "beyond infrequent flashbacks for the longest time of the story. The rules of", "MC knows, the audience will know as it comes up. (I may write", "to actively do with Star Clan.) Forgive me for over-explaining this section, but", "a critical part to the overall story The problem is, writing this out,", "Guild-Master (NOT my MC) realizes VERY quickly that something isn't right and orders", "nobleman who tries (and fails) to force them (MC) into being one of", "The MC's relationships in the game, The MC's relationships in the real world,", "they are playing updates. Instead of logging the MC out like normal, they", "without losing important information or context? Or is having a longer-than-normal Prologue okay", "need to spell things out for them.\"*** I am only trying to express", "in many regards to the Prologue from Overlord or the Prologue from That", "wake up trapped in another world similar (yet different) to the game they", "are so closely tied together, they share the same text. Points 5.-7. are", "of the world being explained are just what are relevant at the time", "into the story proper. I cannot expound upon any part of it across", "them about irrelevant mundanities. I plan on teaching them the things that matter", "1. My main character (\"MC\") and their relationship with their guild 2. MC's", "who read Light Novels, think of the Floor Guardians from Overlord by Maruyama,", "be opportunity to show my MC's relationship with their Guild beyond infrequent flashbacks", "the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue to what", "a Guild). Additionally, the fact that these are things that are supposed to", "of things to the story before I move onto the story proper: 1.", "are just what are relevant at the time (nothing overly technical). *Please do", "enough of a disruption that it'd feel unnatural compared to the rest of", "what the world is like under normal circumstances. This is how you know", "has little to do with the story's intended premise.* (Like how the Warriors", "the same text. Points 5.-7. are all intertwined and share the same scene.", "Unlimited Blade Works Abridged (by BlazingAzureCrow). This also means the audience will be", "per se) 5. A specific quest that plays a MAJOR role in the", "the Prologue. *I do not wish to expand the Prologue into being its", "world is like under normal circumstances. This is how you know everything that", "a slave-owning nobleman who tries (and fails) to force them (MC) into being", "themes, and the world to my audience. It is not supposed to be", "turn into something which has little to do with the story's intended premise.", "two main characters (yet at the same time 1 main character, hence the", "the Prologue from That Time I Was Reincarnated as a Slime* (with Rimuru's", "like this is wrong though. --- Keep in mind *I am not writing", "doing so would pull completely away from the intended point of my story.", "in length to that of a Chapter. Here's the problem: my Prologue needs", "singular word usage,) and I have a certain way of switching between their", "different) to the game they were playing... trapped both as themselves and as", "the story proper: 1. My main character (\"MC\") and their relationship with their", "to be an overarching mystery within my story, but it takes a backseat", "out like normal, they collapse to wake up trapped in another world similar", "appropriate in length to that of a Chapter. Here's the problem: my Prologue", "reasoning that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past", "that I feel are relevant for the story to make sense to the", "Fate Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This also means the", "things that matter like, \"This is what the world is like under normal", "Event. As far as the story goes, the Quest/Zaad never were intended to", "story The problem is, writing this out, it's as long as my Chapter", "first). Perspective: The readers will be dropped into the plot from the MC's", "asked \"Why don't you just make it a part of your Chapter 1?\",", "MC's guild (for those who read Light Novels, think of the Floor Guardians", "Quest plays a major, critical even, role in the story - as a", "specific quest that plays a MAJOR role in the story at large 6.", "\"Why don't you just make it a part of your Chapter 1?\", I", "asked how to shorten the Prologue. I do not wish to expand the", "previous group, the Virtual Reality MMO (VRMMO) they are playing updates. Instead of", "all background information relevant to the story proper, but the information won't fit", "MC's understanding (not in an instruction-manual manner). What the MC knows, the audience", "rounded together under point 3. because you're inherently going to learn about the", "mind *I am not writing the Prologue to over-explain anything nor because I", "the paragraph. This is similar in many regards to the Prologue from Overlord", "are so that nothing comes out of left-field leaving people wondering, \"Wait what?!\".", "similar (yet different) to the game they were playing... trapped both as themselves", "irrelevant mundanities. I plan on teaching them the things that matter like, \"This", "Potfeq, and Fate Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This also", "on teaching them the things that matter like, \"This is what the world", "the immediate circumstances as a result of the situation. There will not be", "not so bad of a writer that I tackle each thing individually. Functionally,", "I move onto the story proper: 1. My main character (\"MC\") and their", "needs to introduce a set number of things to the story before I", "my story. Yes the Quest plays a major, critical even, role in the", "as themselves and as their avatar as separate entities! As for the rest", "to show my MC's relationship with their Guild beyond infrequent flashbacks for the", "strangeness to the MC. The \"Cataclysm\" (to borrow from Log Horizon) itself is", "onto the story proper: 1. My main character (\"MC\") and their relationship with", "supposed to be an overarching mystery within my story, but it takes a", "understanding (not in an instruction-manual manner). What the MC knows, the audience will", "not supposed to be a long length of text. At the same time,", "MC) realizes VERY quickly that something isn't right and orders the raid to", "regards to the Prologue from Overlord* or the Prologue from That Time I", "of chapters because doing so would pull completely away from the intended point", "story. The rules of the world being explained are just what are relevant", "that plays a frequently recurring role in the story 7. A specific event", "a character-driven style meaning while I have major plot events in mind, the", "It's a basic explanation showing how things are so that nothing comes out", "intended to be completed by my MC's Guild because the Guild-Master (NOT* my", "to happen is NOT normal.\" It's not handholding. It's a basic explanation showing", "it across a great berth of chapters because doing so would pull completely", "writer that I tackle each thing individually. Functionally, this results in 3 main", "what happened as a result of the Zaad. In fact, my story's situation", "A specific event that plays a critical part to the overall story The", "I am not so bad of a writer that I tackle each thing", "glitched out due to a strange poison from a previous group, the Virtual", "but it takes a backseat to the immediate circumstances as a result of", "ownership per se) 5. A specific quest that plays a MAJOR role in", "seeing things from the MC's understanding (not in an instruction-manual manner). What the", "I feel like this is wrong though. --- Keep in mind **I am", "forced to deal with politics, not in the sense that the story discusses", "in the real world, and what the game is like as a basis", "share the same text. Points 5.-7. are all intertwined and share the same", "to express things that I feel are relevant for the story to make", "who tries (and fails) to force them (MC) into being one of his", "points express specific things separate from the others, no matter how intertwined they", "If you say that a longer Prologue is okay, I need reasoning that", "7. A specific event that plays a critical part to the overall story", "Time I Was Reincarnated as a Slime* (with Rimuru's coworker taking the place", "how you know everything that is about to happen is NOT normal.\" It's", "both as themselves and as their avatar as separate entities! As for the", "necessity, but it did show the need existed, hence why I am over-explaining", "no matter how intertwined they may be. I am not so bad of", "things that are supposed to be in the prologue should be more than", "intertwined and share the same scene. Points 1. and 4.-7. as a result", "them.\"*** I am only trying to express things that I feel are relevant", "purpose in doing so? =================================================================================================================================================================================== --- Before I get asked \"Why don't you", "1?\", I can't do that because of the flow of the story. The", "as a result of the Zaad. In fact, my story's situation is highly", "from actual literary works please.* > > > In case it's relevant... Story", "together, they share the same text. Points 5.-7. are all intertwined and share", "from Overlord by Maruyama, so not actual ownership per se) 5. A specific", "learn about the world being experienced as a result. I list these things", "Prologue to what happened as a result of the Zaad. In fact, my", "of their guild, they're nowhere to be found (at first). Perspective: The readers", "many regards to the Prologue from Overlord or the Prologue from That Time", "dumb, and I need to spell things out for them.\" I am only", "Prologue is okay, I need reasoning that fits around the \"[Good Subjective, Bad", "I feel are relevant for the story to make sense to the readers", "as my Chapter 1 which involves my MC committing manslaughter (in self-defense) against", "doing. Consequently, pushing part of the prologue into Chapter 1 will be enough", "and Fate Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This also means", "that is about to happen is NOT normal.\" It's not handholding. It's a", "same text. Points 5.-7. are all intertwined and share the same scene. Points", "inherently going to learn about the world being experienced as a result. I", "Perspective: The readers will be dropped into the plot from the MC's perspective.", "details in an \"instruction manual\" style for fun, but that'd be supplementary material,", "fact, my story's situation is highly similar since a Quest leads to a", "a story and introduce characters, themes, and the world to my audience. It", "normal.\" It's not handholding. It's a basic explanation showing how things are so", "asked question* where I asked how to shorten the Prologue. *I do not", "while he figures out what is happening. The details of what all happened", "of the flow of the story. The story has two main characters (yet", "trying to express things that I feel are relevant for the story to", "them, like One Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited Blade Works", "familial and social status (basically to show readers this isn't your typical NEET-isekai)", "wrong though. --- Keep in mind I am not writing the Prologue to", "a necessity. Nothing against the users who showed me this was a necessity,", "be found (at first). Perspective: The readers will be dropped into the plot", "others, no matter how intertwined they may be. I am not so bad", "from Log Horizon) itself is just the final sentence at the end of", "something which has little to do with the story's intended premise. (Like how", "is how you know everything that is about to happen is NOT normal.\"", "normal circumstances. This is how you know everything that is about to happen", "guild (for those who read Light Novels, think of the Floor Guardians from", "than the story will shape them, like One Piece, Hijrp Potfeq, and Fate", "I am over-explaining now. --- So, here's my question: How can I shorten", "kind of dumb, and I need to spell things out for them.\"* I", "story goes, the Quest/Zaad never were intended to be completed by my MC's", "Prologue from That Time I Was Reincarnated as a Slime (with Rimuru's coworker", "5.-7. are all intertwined and share the same scene. Points 1. and 4.-7.", "for fun, but that'd be supplementary material, not part of the story proper.)", "after a raid party interacts with an already dead raid boss that was", "the prologue into Chapter 1 will be enough of a disruption that it'd", "results in 3 main themes being expressed: The MC's relationships in the game,", "a previous group, the Virtual Reality MMO (VRMMO) they are playing updates. Instead", "find my Prologue is more appropriate in length to that of a Chapter.", "will not be opportunity to show my MC's relationship with their Guild beyond", "goes, the Quest/Zaad never were intended to be completed by my MC's Guild", "Guild). Additionally, the fact that these are things that are supposed to be", "the sense the characters will be forced to deal with politics, not in", "As for the rest of their guild, they're nowhere to be found (at", "expressed: The MC's relationships in the game, The MC's relationships in the real", "set number of things to the story before I move onto the story", "1. and 4. are so closely tied together, they share the same text.", "in the sense that the story discusses real world politics), Romance (later into", "show readers this isn't your typical NEET-isekai) 3. The video game that becomes", "a result of the Zaad. In fact, my story's situation is highly similar", "similar since a Quest leads to a Zaad resulting in contact with an", "(for those who read Light Novels, think of the Floor Guardians from Overlord", "Forgive me for over-explaining this section, but it became a necessity. Nothing against", "that plays a MAJOR role in the story at large 6. A specific", "plays a major, critical even, role in the story - as a catalyst.", "have major plot events in mind, the characters will shape the story more", "video game that becomes a foundation for the \"rules of the world\" (i.e.", "story's situation is highly similar since a Quest leads to a Zaad resulting", "is all background information relevant to the story proper, but the information won't", "their avatar as separate entities! As for the rest of their guild, they're", "is like under normal circumstances. This is how you know everything that is", "where I asked how to shorten the Prologue. **I do not wish to", "already dead raid boss that was glitched out due to a strange poison", "make it a part of your Chapter 1?\", I can't do that because", "be enough of a disruption that it'd feel unnatural compared to the rest", "longer-than-normal Prologue okay as long as it serves a specific purpose in doing", "make sense to the readers at a foundational level. I do not plan", "were playing... trapped both as themselves and as their avatar as separate entities!", "The details of what all happened are supposed to be an overarching mystery", "novel as that would turn into something which has little to do with", "manual\" style for fun, but that'd be supplementary material, not part of the", "recurring role in the story 7. A specific event that plays a critical", "the story before I move onto the story proper: 1. My main character", "of left-field leaving people wondering, \"Wait what?!\". Because points 1. and 4. are", "Star Clan.) Forgive me for over-explaining this section, but it became a necessity.", "coworker taking the place of a Guild). Additionally, the fact that these are", "to the MC. The \"Cataclysm\" (to borrow from Log Horizon) itself is just", "\"owned\" by MC's guild (for those who read Light Novels, think of the", "story. --- > > If you say that a longer Prologue is okay,", "leads to a Zaad resulting in contact with an \"Item\" that causes an", "completely away from the intended point of my story. Yes the Quest plays", "from a previous group, the Virtual Reality MMO (VRMMO) they are playing updates.", "experiences or from actual literary works please.* > > > In case it's", "can I shorten my Prologue without losing important information or context? Or is", "highly similar since a Quest leads to a Zaad resulting in contact with", "on in Star Clan, the afterlife, for the Prologue; but, the story itself", "my audience. It is not supposed to be a long length of text.", "Zaad resulting in contact with an \"Item\" that causes an Event. As far", "for them.\"*** I am only trying to express things that I feel are", "out, it's as long as my Chapter 1 which involves my MC committing", "the story - as a catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original))", "like normal, they collapse to wake up trapped in another world similar (yet", "--- Before I get asked \"Why don't you just make it a part", "within my story, but it takes a backseat to the immediate circumstances as", "I do not plan on teaching them about irrelevant mundanities. I plan on", "Abridged (by BlazingAzureCrow). This also means the audience will be seeing things from", "Chapter 1 which involves my MC committing manslaughter (in self-defense) against a slave-owning", "playing updates. Instead of logging the MC out like normal, they collapse to", "critical even, role in the story - as a catalyst. It's like the", "the plot from the MC's perspective. I write in a character-driven style meaning", "people wondering, \"Wait what?!\". Because points 1. and 4. are so closely tied", "a foundation for the \"rules of the world\" (i.e. like physics) 4. The", "to expand the Prologue into being its own novel as that would turn", "Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow).", "a strange poison from a previous group, the Virtual Reality MMO (VRMMO) they", "the situation. There will not be opportunity to show my MC's relationship with", "so? =================================================================================================================================================================================== --- Before I get asked \"Why don't you just make it", "merely a Prologue to what happened as a result of the Zaad. In", "a basic explanation showing how things are so that nothing comes out of", "a certain way of switching between their perspectives that I am doing. Consequently,", "with their Guild beyond infrequent flashbacks for the longest time of the story.", "Instead of logging the MC out like normal, they collapse to wake up", "something going on in Star Clan, the afterlife, for the Prologue; but, the", "world being experienced as a result. I list these things separately because the", "MMO (VRMMO) they are playing updates. Instead of logging the MC out like", "of it across a great berth of chapters because doing so would pull", "that these are things that are supposed to be in the prologue should", "going to learn about the world being experienced as a result. I list", "because of the flow of the story. The story has two main characters", "they were playing... trapped both as themselves and as their avatar as separate", "a part of your Chapter 1?\", I can't do that because of the", "the same time 1 main character, hence the earlier singular word usage,) and", "circumstances as a result of the situation. There will not be opportunity to", "proper.* I cannot expound upon any part of it across a great berth", "(Like how the Warriors series by Erin Hunter frequently starts with something going", "How can I shorten my Prologue without losing important information or context? Or", "relevant at the time (nothing overly technical). *Please do not ask me to", "> In case it's relevant... Story Genre: Medieval High Fantasy, Isekai** (\"In Another", "but the information won't fit into the story proper.* I cannot expound upon", "the story's intended premise.*** (Like how the Warriors series by Erin Hunter frequently", "the information won't fit into the story proper.* I cannot expound upon any", "things to the story before I move onto the story proper: 1. My", "This is how you know everything that is about to happen is NOT", "with an already dead raid boss that was glitched out due to a", "Action, Adventure, Political (in the sense the characters will be forced to deal", "necessity. Nothing against the users who showed me this was a necessity, but", "specific \"item\" that plays a frequently recurring role in the story 7. A", "I find my Prologue is more appropriate in length to that of a", "shorten my Prologue without losing important information or context? Or is having a", "before I move onto the story proper: 1. My main character (\"MC\") and", "know as it comes up. (I may write out the game's details in", "BlazingAzureCrow). This also means the audience will be seeing things from the MC's", "to make sense to the readers at a foundational level. I do not", "express things that I feel are relevant for the story to make sense", "bad of a writer that I tackle each thing individually. Functionally, this results", "story more than the story will shape them, like One Piece, Hijrp Potfeq,", "The rules of the world being explained are just what are relevant at", "role in the story 7. A specific event that plays a critical part", "list these things separately because the individual points express specific things separate from", "audience will know as it comes up. (I may write out the game's", "the story more than the story will shape them, like One Piece, Hijrp", "be completed by my MC's Guild because the Guild-Master (NOT my MC) realizes", "(\"In Another World\"), Action, Adventure, Political (in the sense the characters will be", "MC's familial and social status (basically to show readers this isn't your typical", "little to do with the story's intended premise.*** (Like how the Warriors series", "Prologue; but, the story itself has very, VERY little to actively do with", "plan on teaching them the things that matter like, \"This is what the", "not in the sense that the story discusses real world politics), Romance (later", "that a prologue is meant to open up a story and introduce characters,", "the story. --- > > If you say that a longer Prologue is", "don't you just make it a part of your Chapter 1?\", I can't", "themes being expressed: The MC's relationships in the game, The MC's relationships in", "game they were playing... trapped both as themselves and as their avatar as", "Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This also means the audience will", "the story proper, but the information won't fit into the story proper. I", "guild 2. MC's familial and social status (basically to show readers this isn't", "3. The video game that becomes a foundation for the \"rules of the", "an \"Item\" that causes an Event. As far as the story goes, the", "world, and what the game is like as a basis for understanding the", "that something isn't right and orders the raid to evacuate while he figures", "into Chapter 1 will be enough of a disruption that it'd feel unnatural", "the world\" (i.e. like physics) 4. The NPCs (non-player characters) \"owned\" by MC's", "(later into the story, but not right away) The Story Premise: Shortly after", "the Virtual Reality MMO (VRMMO) they are playing updates. Instead of logging the", "under normal circumstances. This is how you know everything that is about to", "game is like as a basis for understanding the new world and the", "time 1 main character, hence the earlier singular word usage,) and I have", "any part of it across a great berth of chapters because doing so", "characters) \"owned\" by MC's guild (for those who read Light Novels, think of", "Fantasy, Isekai (\"In Another World\"), Action, Adventure, Political (in the sense the characters", "the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from actual", "having a longer-than-normal Prologue okay as long as it serves a specific purpose", "a Quest leads to a Zaad resulting in contact with an \"Item\" that", "introduce characters, themes, and the world to my audience. It is not supposed", "relationship with their Guild beyond infrequent flashbacks for the longest time of the", "to force them (MC) into being one of his slaves. I feel like", "(with Rimuru's coworker taking the place of a Guild). Additionally, the fact that", "that goes directly against the premise of the originally asked question* where I", "an already dead raid boss that was glitched out due to a strange", "the flow of the story. The story has two main characters (yet at", "would pull completely away from the intended point of my story. Yes the", "are all intertwined and share the same scene. Points 1. and 4.-7. as", "the end of the paragraph. This is similar in many regards to the", "them the things that matter like, \"This is what the world is like", "expand the Prologue into being its own novel as that would turn into", "longest time of the story. The rules of the world being explained are", "dropped into the plot from the MC's perspective. I write in a character-driven", "the time (nothing overly technical). **Please do not ask me to make any", "tackle each thing individually. Functionally, this results in 3 main themes being expressed:", "series by Erin Hunter frequently starts with something going on in Star Clan,", "only trying to express things that I feel are relevant for the story", "mystery within my story, but it takes a backseat to the immediate circumstances", "the same scene. Points 1. and 4.-7. as a result are all rounded", "story will shape them, like One Piece, Hijrp Potfeq, and Fate Stay Night:", "losing important information or context? Or is having a longer-than-normal Prologue okay as", "That Time I Was Reincarnated as a Slime* (with Rimuru's coworker taking the", "but it did show the need existed, hence why I am over-explaining now.", "is more appropriate in length to that of a Chapter. Here's the problem:", "is like as a basis for understanding the new world and the level", "The video game that becomes a foundation for the \"rules of the world\"", "be dropped into the plot from the MC's perspective. I write in a", "I shorten my Prologue without losing important information or context? Or is having", "guidelines. Pull from past experiences or from actual literary works please.* > >", "I plan on teaching them the things that matter like, \"This is what", "their guild 2. MC's familial and social status (basically to show readers this", "orders the raid to evacuate while he figures out what is happening. The", "story. The story has two main characters (yet at the same time 1", "manner). What the MC knows, the audience will know as it comes up.", "nowhere to be found (at first). Perspective: The readers will be dropped into", "teaching them about irrelevant mundanities. I plan on teaching them the things that", "(MC) into being one of his slaves. I feel like this is wrong", "users who showed me this was a necessity, but it did show the", "from Overlord or the Prologue from That Time I Was Reincarnated as a", "\"rules of the world\" (i.e. like physics) 4. The NPCs (non-player characters) \"owned\"", "upon any part of it across a great berth of chapters because doing", "past experiences or from actual literary works please. > > > In case", "that becomes a foundation for the \"rules of the world\" (i.e. like physics)", "left-field leaving people wondering, \"Wait what?!\". Because points 1. and 4. are so", "shape them, like One Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited Blade", "real world politics), Romance (later into the story, but not right away) The", "to my audience. It is not supposed to be a long length of", "for understanding the new world and the level of strangeness to the MC.", "matter like, \"This is what the world is like under normal circumstances. This", "of a Guild). Additionally, the fact that these are things that are supposed", "instruction-manual manner). What the MC knows, the audience will know as it comes", "the game they were playing... trapped both as themselves and as their avatar", "individual points express specific things separate from the others, no matter how intertwined", "the story will shape them, like One Piece, Hijrp Potfeq, and Fate Stay", "> If you say that a longer Prologue is okay, I need reasoning", "the world being explained are just what are relevant at the time (nothing", "Romance* (later into the story, but not right away) The Story Premise: Shortly", "how things are so that nothing comes out of left-field leaving people wondering,", "story proper.* I cannot expound upon any part of it across a great", "flashbacks for the longest time of the story. The rules of the world", "with politics, not in the sense that the story discusses real world politics),", "that I tackle each thing individually. Functionally, this results in 3 main themes", "which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a", "of the Floor Guardians from Overlord by Maruyama, so not actual ownership per", "berth of chapters because doing so would pull completely away from the intended", "the story goes, the Quest/Zaad never were intended to be completed by my", "as their avatar as separate entities! As for the rest of their guild,", "mundanities. I plan on teaching them the things that matter like, \"This is", "story proper: 1. My main character (\"MC\") and their relationship with their guild", "everything that is about to happen is NOT normal.\" It's not handholding. It's", "result are all rounded together under point 3. because you're inherently going to", "that nothing comes out of left-field leaving people wondering, \"Wait what?!\". Because points", "that was glitched out due to a strange poison from a previous group,", "because the Guild-Master (NOT my MC) realizes VERY quickly that something isn't right", "knows, the audience will know as it comes up. (I may write out", "just the final sentence at the end of the paragraph. This is similar", "expound upon any part of it across a great berth of chapters because", "in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was", "be in the prologue should be more than a sufficient explanation that this", "of his slaves. I feel like this is wrong though. --- Keep in", "anything nor because I feel like \"the audience is kind of dumb, and", "1. and 4.-7. as a result are all rounded together under point 3.", "\"Item\" that causes an Event. As far as the story goes, the Quest/Zaad", "longer Prologue is okay, I need reasoning that fits around the \"[Good Subjective,", "se) 5. A specific quest that plays a MAJOR role in the story", "Erin Hunter frequently starts with something going on in Star Clan, the afterlife,", "say that a longer Prologue is okay, I need reasoning that fits around", "about to happen is NOT normal.\" It's not handholding. It's a basic explanation", "from the intended point of my story. Yes the Quest plays a major,", "VERY quickly that something isn't right and orders the raid to evacuate while", "\"instruction manual\" style for fun, but that'd be supplementary material, not part of", "In case it's relevant... Story Genre: Medieval High Fantasy, Isekai* (\"In Another World\"),", "relevant... Story Genre: Medieval High Fantasy, Isekai (\"In Another World\"), Action, Adventure, Political", "from the MC's perspective. I write in a character-driven style meaning while I", "slave-owning nobleman who tries (and fails) to force them (MC) into being one", "*I am not writing the Prologue to over-explain anything nor because I feel", "into something which has little to do with the story's intended premise.* (Like", "As far as the story goes, the Quest/Zaad never were intended to be", "Prologue to over-explain anything nor because I feel like \"the audience is kind", "okay, I need reasoning that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines.", "I asked how to shorten the Prologue. **I do not wish to expand", "The story has two main characters (yet at the same time 1 main", "Was Reincarnated as a Slime (with Rimuru's coworker taking the place of a", "the story at large 6. A specific \"item\" that plays a frequently recurring", "Chapter. Here's the problem: my Prologue needs to introduce a set number of", "for the \"rules of the world\" (i.e. like physics) 4. The NPCs (non-player", "manslaughter (in self-defense) against a slave-owning nobleman who tries (and fails) to force", "in another world similar (yet different) to the game they were playing... trapped", "2. MC's familial and social status (basically to show readers this isn't your", "physics) 4. The NPCs (non-player characters) \"owned\" by MC's guild (for those who", "1 will be enough of a disruption that it'd feel unnatural compared to", "this section, but it became a necessity. Nothing against the users who showed", "Log Horizon) itself is just the final sentence at the end of the", "Guild beyond infrequent flashbacks for the longest time of the story. The rules", "feel unnatural compared to the rest of the story. --- > > If", "politics), Romance* (later into the story, but not right away) The Story Premise:", "of switching between their perspectives that I am doing. Consequently, pushing part of", "that plays a critical part to the overall story The problem is, writing", "writing this out, it's as long as my Chapter 1 which involves my", "how to shorten the Prologue. **I do not wish to expand the Prologue", "did show the need existed, hence why I am over-explaining now. --- So,", "so that nothing comes out of left-field leaving people wondering, \"Wait what?!\". Because", "which involves my MC committing manslaughter (in self-defense) against a slave-owning nobleman who", "I have a certain way of switching between their perspectives that I am", "literary works please. > > > In case it's relevant... Story Genre: Medieval", "overarching mystery within my story, but it takes a backseat to the immediate", "Isekai (\"In Another World\"), Action, Adventure, Political** (in the sense the characters will", "explanation that this is all background information relevant to the story proper, but", "happen is NOT normal.\" It's not handholding. It's a basic explanation showing how", "up. (I may write out the game's details in an \"instruction manual\" style", "main characters (yet at the same time 1 main character, hence the earlier", "was a necessity, but it did show the need existed, hence why I", "Before I get asked \"Why don't you just make it a part of", "like as a basis for understanding the new world and the level of", "the audience will be seeing things from the MC's understanding (not in an", "takes a backseat to the immediate circumstances as a result of the situation.", "all intertwined and share the same scene. Points 1. and 4.-7. as a", "in the game, The MC's relationships in the real world, and what the", "trapped in another world similar (yet different) to the game they were playing...", "to be found (at first). Perspective: The readers will be dropped into the", "Slime (with Rimuru's coworker taking the place of a Guild). Additionally, the fact", "involves my MC committing manslaughter (in self-defense) against a slave-owning nobleman who tries", "introduce a set number of things to the story before I move onto", "--- So, here's my question: How can I shorten my Prologue without losing", "being its own novel as that would turn into something which has little", "my story, but it takes a backseat to the immediate circumstances as a", "a long length of text. At the same time, I find my Prologue", "earlier singular word usage,) and I have a certain way of switching between", "out of left-field leaving people wondering, \"Wait what?!\". Because points 1. and 4.", "Guardians from Overlord by Maruyama, so not actual ownership per se) 5. A", "far as the story goes, the Quest/Zaad never were intended to be completed", "comes up. (I may write out the game's details in an \"instruction manual\"", "this was a necessity, but it did show the need existed, hence why", "(and fails) to force them (MC) into being one of his slaves. I", "Prologue from Overlord or the Prologue from That Time I Was Reincarnated as", "another world similar (yet different) to the game they were playing... trapped both", "are relevant at the time (nothing overly technical). Please do not ask me", "of their own as that goes directly against the premise of the originally", "as a result are all rounded together under point 3. because you're inherently", "plan on teaching them about irrelevant mundanities. I plan on teaching them the", "my MC's relationship with their Guild beyond infrequent flashbacks for the longest time", "so not actual ownership per se) 5. A specific quest that plays a", "a necessity, but it did show the need existed, hence why I am", "to over-explain anything nor because I feel like \"the audience is kind of", "NPCs (non-player characters) \"owned\" by MC's guild (for those who read Light Novels,", "Prologue needs to introduce a set number of things to the story before", "being expressed: The MC's relationships in the game, The MC's relationships in the", "is kind of dumb, and I need to spell things out for them.\"", "Because points 1. and 4. are so closely tied together, they share the", "social status (basically to show readers this isn't your typical NEET-isekai) 3. The", "to the rest of the story. --- > > If you say that", "of these points into chapters of their own as that goes directly against", "audience will be seeing things from the MC's understanding (not in an instruction-manual", "MC's Guild because the Guild-Master (NOT my MC) realizes VERY quickly that something", "a great berth of chapters because doing so would pull completely away from", "Shortly after a raid party interacts with an already dead raid boss that", "It is not supposed to be a long length of text. At the", "for the Prologue; but, the story itself has very, VERY little to actively", "points into chapters of their own as that goes directly against the premise", "together under point 3. because you're inherently going to learn about the world", "the new world and the level of strangeness to the MC. The \"Cataclysm\"", "What the MC knows, the audience will know as it comes up. (I", "is not supposed to be a long length of text. At the same", "Adventure, Political (in the sense the characters will be forced to deal with", "(VRMMO) they are playing updates. Instead of logging the MC out like normal,", "own as that goes directly against the premise of the originally asked question*", "that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences", "causes an Event. As far as the story goes, the Quest/Zaad never were", "and I have a certain way of switching between their perspectives that I", "slaves. I feel like this is wrong though. --- Keep in mind I", "the story to make sense to the readers at a foundational level. I", "as that would turn into something which has little to do with the", "meant to open up a story and introduce characters, themes, and the world", "Horizon) itself is just the final sentence at the end of the paragraph.", "be an overarching mystery within my story, but it takes a backseat to", "(\"MC\") and their relationship with their guild 2. MC's familial and social status", "under point 3. because you're inherently going to learn about the world being", "rest of their guild, they're nowhere to be found (at first). Perspective: The", "that would turn into something which has little to do with the story's", "final sentence at the end of the paragraph. This is similar in many", "into chapters of their own as that goes directly against the premise of", "my MC) realizes VERY quickly that something isn't right and orders the raid", "MC's relationship with their Guild beyond infrequent flashbacks for the longest time of", "to wake up trapped in another world similar (yet different) to the game", "now. --- So, here's my question: How can I shorten my Prologue without", "specific purpose in doing so? =================================================================================================================================================================================== --- Before I get asked \"Why don't", "raid boss that was glitched out due to a strange poison from a", "self-defense) against a slave-owning nobleman who tries (and fails) to force them (MC)", "MC. The \"Cataclysm\" (to borrow from Log Horizon) itself is just the final", "my Prologue needs to introduce a set number of things to the story", "means the audience will be seeing things from the MC's understanding (not in", "an instruction-manual manner). What the MC knows, the audience will know as it", "to the story proper, but the information won't fit into the story proper.", "WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely", "figures out what is happening. The details of what all happened are supposed", "all happened are supposed to be an overarching mystery within my story, but", "and the world to my audience. It is not supposed to be a", "like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident).", "and I need to spell things out for them.\" I am only trying", "end of the paragraph. This is similar in many regards to the Prologue", "because doing so would pull completely away from the intended point of my", "typical NEET-isekai) 3. The video game that becomes a foundation for the \"rules", "that I am doing. Consequently, pushing part of the prologue into Chapter 1", "open up a story and introduce characters, themes, and the world to my", "plays a frequently recurring role in the story 7. A specific event that", "story discusses real world politics), Romance** (later into the story, but not right", "events in mind, the characters will shape the story more than the story", "--- > > If you say that a longer Prologue is okay, I", "found (at first). Perspective: The readers will be dropped into the plot from", "against a slave-owning nobleman who tries (and fails) to force them (MC) into", "deal with politics, not in the sense that the story discusses real world", "by my MC's Guild because the Guild-Master (NOT* my MC) realizes VERY quickly", "their relationship with their guild 2. MC's familial and social status (basically to", "what are relevant at the time (nothing overly technical). *Please do not ask", "goes directly against the premise of the originally asked question* where I asked", "fails) to force them (MC) into being one of his slaves. I feel", "4. are so closely tied together, they share the same text. Points 5.-7.", "I get asked \"Why don't you just make it a part of your", "Another World\"), Action, Adventure, Political (in the sense the characters will be forced", "as it serves a specific purpose in doing so? =================================================================================================================================================================================== --- Before I", "shorten the Prologue. *I do not wish to expand the Prologue into being", "sense that the story discusses real world politics), Romance** (later into the story,", "for the longest time of the story. The rules of the world being", "(in self-defense) against a slave-owning nobleman who tries (and fails) to force them", "(in the sense the characters will be forced to deal with politics, not", "status (basically to show readers this isn't your typical NEET-isekai) 3. The video", "(yet different) to the game they were playing... trapped both as themselves and", "these points into chapters of their own as that goes directly against the", "In fact, my story's situation is highly similar since a Quest leads to", "a MAJOR role in the story at large 6. A specific \"item\" that", "is what the world is like under normal circumstances. This is how you", "Additionally, the fact that these are things that are supposed to be in", "audience is kind of dumb, and I need to spell things out for", "doing so? =================================================================================================================================================================================== --- Before I get asked \"Why don't you just make", "6. A specific \"item\" that plays a frequently recurring role in the story", "and the level of strangeness to the MC. The \"Cataclysm\" (to borrow from", "that this is all background information relevant to the story proper, but the", "in a character-driven style meaning while I have major plot events in mind,", "so closely tied together, they share the same text. Points 5.-7. are all", "relationship with their guild 2. MC's familial and social status (basically to show", "it'd feel unnatural compared to the rest of the story. --- > >", "contact with an \"Item\" that causes an Event. As far as the story", "style for fun, but that'd be supplementary material, not part of the story", "as a result. I list these things separately because the individual points express", "High Fantasy, Isekai* (\"In Another World\"), Action, Adventure, Political (in the sense the", "their perspectives that I am doing. Consequently, pushing part of the prologue into", "and 4.-7. as a result are all rounded together under point 3. because", "going on in Star Clan, the afterlife, for the Prologue; but, the story", "that matter like, \"This is what the world is like under normal circumstances.", "background information relevant to the story proper, but the information won't fit into", "Points 1. and 4.-7. as a result are all rounded together under point", "what is happening. The details of what all happened are supposed to be", "of a disruption that it'd feel unnatural compared to the rest of the", "I write in a character-driven style meaning while I have major plot events", "Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from actual literary works please.* >", "and 4. are so closely tied together, they share the same text. Points", "intended point of my story. Yes the Quest plays a major, critical even,", "character-driven style meaning while I have major plot events in mind, the characters", "Maruyama, so not actual ownership per se) 5. A specific quest that plays", "his slaves. I feel like this is wrong though. --- Keep in mind", "VERY little to actively do with Star Clan.) Forgive me for over-explaining this", "normal, they collapse to wake up trapped in another world similar (yet different)", "Novels, think of the Floor Guardians from Overlord by Maruyama, so not actual", "will be forced to deal with politics, not in the sense that the", "\"Cataclysm\" (to borrow from Log Horizon) itself is just the final sentence at", "themselves and as their avatar as separate entities! As for the rest of", "of text. At the same time, I find my Prologue is more appropriate", "out the game's details in an \"instruction manual\" style for fun, but that'd", "a specific purpose in doing so? =================================================================================================================================================================================== --- Before I get asked \"Why", "long as it serves a specific purpose in doing so? =================================================================================================================================================================================== --- Before", "in contact with an \"Item\" that causes an Event. As far as the", "result of the Zaad. In fact, my story's situation is highly similar since", "foundational level. I do not plan on teaching them about irrelevant mundanities. I", "and as their avatar as separate entities! As for the rest of their", "about the world being experienced as a result. I list these things separately", "of strangeness to the MC. The \"Cataclysm\" (to borrow from Log Horizon) itself", "similar in many regards to the Prologue from Overlord or the Prologue from", "committing manslaughter (in self-defense) against a slave-owning nobleman who tries (and fails) to", "do not wish to expand the Prologue into being its own novel as", "was merely a Prologue to what happened as a result of the Zaad.", "Star Clan, the afterlife, for the Prologue; but, the story itself has very,", "that because of the flow of the story. The story has two main", "compared to the rest of the story. --- > > If you say", "or the Prologue from That Time I Was Reincarnated as a Slime* (with", "its own novel as that would turn into something which has little to", "not actual ownership per se) 5. A specific quest that plays a MAJOR", "entities! As for the rest of their guild, they're nowhere to be found", "please.* > > > In case it's relevant... Story Genre: Medieval High Fantasy,", "being experienced as a result. I list these things separately because the individual", "were intended to be completed by my MC's Guild because the Guild-Master (NOT", "are playing updates. Instead of logging the MC out like normal, they collapse", "the premise of the originally asked question*** where I asked how to shorten", "Clan, the afterlife, for the Prologue; but, the story itself has very, VERY", "The problem is, writing this out, it's as long as my Chapter 1", "a backseat to the immediate circumstances as a result of the situation. There", "prologue should be more than a sufficient explanation that this is all background", "you know everything that is about to happen is NOT normal.\" It's not", "catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted", "this out, it's as long as my Chapter 1 which involves my MC", "technical). Please do not ask me to make any of these points into", "the earlier singular word usage,) and I have a certain way of switching", "intended premise.* (Like how the Warriors series by Erin Hunter frequently starts with", "proper: 1. My main character (\"MC\") and their relationship with their guild 2.", "not be opportunity to show my MC's relationship with their Guild beyond infrequent", "of the world\" (i.e. like physics) 4. The NPCs (non-player characters) \"owned\" by", "MC's perspective. I write in a character-driven style meaning while I have major", "showed me this was a necessity, but it did show the need existed,", "(not in an instruction-manual manner). What the MC knows, the audience will know", "the story discusses real world politics), Romance (later into the story, but not", "usage,) and I have a certain way of switching between their perspectives that", "relationships in the real world, and what the game is like as a", "Quest/Zaad never were intended to be completed by my MC's Guild because the", "for over-explaining this section, but it became a necessity. Nothing against the users", "a frequently recurring role in the story 7. A specific event that plays", "the world to my audience. It is not supposed to be a long", "overall story The problem is, writing this out, it's as long as my", "these things separately because the individual points express specific things separate from the", "The \"Cataclysm\" (to borrow from Log Horizon) itself is just the final sentence", "to open up a story and introduce characters, themes, and the world to", "world\" (i.e. like physics) 4. The NPCs (non-player characters) \"owned\" by MC's guild", "be seeing things from the MC's understanding (not in an instruction-manual manner). What", "like One Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited Blade Works Abridged", "audience. It is not supposed to be a long length of text. At", "writing the Prologue to over-explain anything nor because I feel like \"the audience", "Quest leads to a Zaad resulting in contact with an \"Item\" that causes", "the MC. The \"Cataclysm\" (to borrow from Log Horizon) itself is just the", "being explained are just what are relevant at the time (nothing overly technical).", "number of things to the story before I move onto the story proper:", "character (\"MC\") and their relationship with their guild 2. MC's familial and social", "text. At the same time, I find my Prologue is more appropriate in", "will know as it comes up. (I may write out the game's details", "I have major plot events in mind, the characters will shape the story", "to deal with politics, not in the sense that the story discusses real", "world similar (yet different) to the game they were playing... trapped both as", "at the same time 1 main character, hence the earlier singular word usage,)", "as it comes up. (I may write out the game's details in an", "how the Warriors series by Erin Hunter frequently starts with something going on", "Here's the problem: my Prologue needs to introduce a set number of things", "nor because I feel like \"the audience is kind of dumb, and I", "a Zaad resulting in contact with an \"Item\" that causes an Event. As", "fit into the story proper.* I cannot expound upon any part of it", "the story 7. A specific event that plays a critical part to the", "serves a specific purpose in doing so? =================================================================================================================================================================================== --- Before I get asked", "of your Chapter 1?\", I can't do that because of the flow of", "story to make sense to the readers at a foundational level. I do", "afterlife, for the Prologue; but, the story itself has very, VERY little to", "character, hence the earlier singular word usage,) and I have a certain way", "Overlord or the Prologue from That Time I Was Reincarnated as a Slime", "though. --- Keep in mind *I am not writing the Prologue to over-explain", "raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid", "part of it across a great berth of chapters because doing so would", "starts with something going on in Star Clan, the afterlife, for the Prologue;", "feel like this is wrong though. --- Keep in mind I am not", "dead raid boss that was glitched out due to a strange poison from", "from the MC's understanding (not in an instruction-manual manner). What the MC knows,", "the MC knows, the audience will know as it comes up. (I may", "the sense that the story discusses real world politics), Romance* (later into the", "major, critical even, role in the story - as a catalyst. It's like", "the MC's perspective. I write in a character-driven style meaning while I have", "individually. Functionally, this results in 3 main themes being expressed: The MC's relationships", "understand that a prologue is meant to open up a story and introduce", "explanation showing how things are so that nothing comes out of left-field leaving", "from the others, no matter how intertwined they may be. I am not", "Story Premise: Shortly after a raid party interacts with an already dead raid", "a result of the situation. There will not be opportunity to show my", "the Quest plays a major, critical even, role in the story - as", "the story. The rules of the world being explained are just what are", "main themes being expressed: The MC's relationships in the game, The MC's relationships", "do with Star Clan.) Forgive me for over-explaining this section, but it became", "to the immediate circumstances as a result of the situation. There will not", "Chapter 1?\", I can't do that because of the flow of the story.", "that are supposed to be in the prologue should be more than a", "Clan.) Forgive me for over-explaining this section, but it became a necessity. Nothing", "collapse to wake up trapped in another world similar (yet different) to the", "my Prologue without losing important information or context? Or is having a longer-than-normal", "am not so bad of a writer that I tackle each thing individually.", "I need reasoning that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull", "\"item\" that plays a frequently recurring role in the story 7. A specific", "logging the MC out like normal, they collapse to wake up trapped in", "my MC's Guild because the Guild-Master (NOT my MC) realizes VERY quickly that", "will shape the story more than the story will shape them, like One", "a major, critical even, role in the story - as a catalyst. It's", "Consequently, pushing part of the prologue into Chapter 1 will be enough of", "hence the earlier singular word usage,) and I have a certain way of", "supposed to be a long length of text. At the same time, I", "Reality MMO (VRMMO) they are playing updates. Instead of logging the MC out", "against the users who showed me this was a necessity, but it did", "long length of text. At the same time, I find my Prologue is", "isn't right and orders the raid to evacuate while he figures out what", "points 1. and 4. are so closely tied together, they share the same", "a catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the", "basis for understanding the new world and the level of strangeness to the", "the Prologue; but, the story itself has very, VERY little to actively do", "out for them.\"*** I am only trying to express things that I feel", "like, \"This is what the world is like under normal circumstances. This is", "I feel like \"the audience is kind of dumb, and I need to", "of a writer that I tackle each thing individually. Functionally, this results in", "they share the same text. Points 5.-7. are all intertwined and share the", "Virtual Reality MMO (VRMMO) they are playing updates. Instead of logging the MC", "Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue to what happened as a", "works please.* > > > In case it's relevant... Story Genre: *Medieval High", "story, but it takes a backseat to the immediate circumstances as a result", "an \"instruction manual\" style for fun, but that'd be supplementary material, not part", "am doing. Consequently, pushing part of the prologue into Chapter 1 will be", "in 3 main themes being expressed: The MC's relationships in the game, The", "readers at a foundational level. I do not plan on teaching them about", "(NOT* my MC) realizes VERY quickly that something isn't right and orders the", "need reasoning that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from", "that it'd feel unnatural compared to the rest of the story. --- >", "they may be. I am not so bad of a writer that I", "over-explaining now. --- So, here's my question: How can I shorten my Prologue", "was glitched out due to a strange poison from a previous group, the", "details of what all happened are supposed to be an overarching mystery within", "as long as my Chapter 1 which involves my MC committing manslaughter (in", "backseat to the immediate circumstances as a result of the situation. There will", "new world and the level of strangeness to the MC. The \"Cataclysm\" (to", "the same time, I find my Prologue is more appropriate in length to", "as the story goes, the Quest/Zaad never were intended to be completed by", "(nothing overly technical). **Please do not ask me to make any of these", "rest of the story. --- > > If you say that a longer", "write in a character-driven style meaning while I have major plot events in", "frequently starts with something going on in Star Clan, the afterlife, for the", "is meant to open up a story and introduce characters, themes, and the", "will shape them, like One Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited", "because I feel like \"the audience is kind of dumb, and I need", "story itself has very, VERY little to actively do with Star Clan.) Forgive", "of logging the MC out like normal, they collapse to wake up trapped", "the characters will shape the story more than the story will shape them,", "write out the game's details in an \"instruction manual\" style for fun, but", "do with the story's intended premise.*** (Like how the Warriors series by Erin", "to introduce a set number of things to the story before I move", "flow of the story. The story has two main characters (yet at the", "in the prologue should be more than a sufficient explanation that this is", "switching between their perspectives that I am doing. Consequently, pushing part of the", "as a Slime (with Rimuru's coworker taking the place of a Guild). Additionally,", "will be dropped into the plot from the MC's perspective. I write in", "time (nothing overly technical). **Please do not ask me to make any of", "sense the characters will be forced to deal with politics, not in the", "main character, hence the earlier singular word usage,) and I have a certain", "fact that these are things that are supposed to be in the prologue", "major plot events in mind, the characters will shape the story more than", "like \"the audience is kind of dumb, and I need to spell things", "plays a MAJOR role in the story at large 6. A specific \"item\"", "this is all background information relevant to the story proper, but the information", "the story. The story has two main characters (yet at the same time", "point 3. because you're inherently going to learn about the world being experienced", "sufficient explanation that this is all background information relevant to the story proper,", "their guild, they're nowhere to be found (at first). Perspective: The readers will", "what?!\". Because points 1. and 4. are so closely tied together, they share", "Zaad. In fact, my story's situation is highly similar since a Quest leads", "any of these points into chapters of their own as that goes directly", "as separate entities! As for the rest of their guild, they're nowhere to", "One Piece, Hijrp Potfeq, and Fate Stay Night: Unlimited Blade Works Abridged (by", "around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from", "is wrong though. --- Keep in mind I am not writing the Prologue", "A specific \"item\" that plays a frequently recurring role in the story 7.", "you say that a longer Prologue is okay, I need reasoning that fits", "because the individual points express specific things separate from the others, no matter", "right and orders the raid to evacuate while he figures out what is", "There will not be opportunity to show my MC's relationship with their Guild", "discusses real world politics), Romance (later into the story, but not right away)", "may write out the game's details in an \"instruction manual\" style for fun,", "the real world, and what the game is like as a basis for", "large 6. A specific \"item\" that plays a frequently recurring role in the", "quickly that something isn't right and orders the raid to evacuate while he", "you just make it a part of your Chapter 1?\", I can't do", "a basis for understanding the new world and the level of strangeness to", "MC out like normal, they collapse to wake up trapped in another world", "has two main characters (yet at the same time 1 main character, hence", "separate entities! As for the rest of their guild, they're nowhere to be", "At the same time, I find my Prologue is more appropriate in length", "Medieval High Fantasy, Isekai (\"In Another World\"), Action, Adventure, Political (in the sense", "pushing part of the prologue into Chapter 1 will be enough of a", "at a foundational level. I do not plan on teaching them about irrelevant", "show the need existed, hence why I am over-explaining now. --- So, here's", "it takes a backseat to the immediate circumstances as a result of the", "move onto the story proper: 1. My main character (\"MC\") and their relationship", "as long as it serves a specific purpose in doing so? =================================================================================================================================================================================== ---", "me to make any of these points into chapters of their own as", "poison from a previous group, the Virtual Reality MMO (VRMMO) they are playing", "who showed me this was a necessity, but it did show the need", "world politics), Romance (later into the story, but not right away) The Story", "Stay Night: Unlimited Blade Works Abridged (by BlazingAzureCrow). This also means the audience", "things that I feel are relevant for the story to make sense to", "feel are relevant for the story to make sense to the readers at", "closely tied together, they share the same text. Points 5.-7. are all intertwined", "trapped both as themselves and as their avatar as separate entities! As for", "to the game they were playing... trapped both as themselves and as their", "tries (and fails) to force them (MC) into being one of his slaves.", "wondering, \"Wait what?!\". Because points 1. and 4. are so closely tied together,", "they collapse to wake up trapped in another world similar (yet different) to", "politics, not in the sense that the story discusses real world politics), Romance", "is having a longer-than-normal Prologue okay as long as it serves a specific", "is, writing this out, it's as long as my Chapter 1 which involves", "the need existed, hence why I am over-explaining now. --- So, here's my", "relationships in the game, The MC's relationships in the real world, and what", "the final sentence at the end of the paragraph. This is similar in", "4. The NPCs (non-player characters) \"owned\" by MC's guild (for those who read", "force them (MC) into being one of his slaves. I feel like this", "has very, VERY little to actively do with Star Clan.) Forgive me for", "Keep in mind I am not writing the Prologue to over-explain anything nor", "part of the prologue into Chapter 1 will be enough of a disruption", "Floor Guardians from Overlord* by Maruyama, so not actual ownership per se) 5.", "the story proper.* I cannot expound upon any part of it across a", "that a longer Prologue is okay, I need reasoning that fits around the", "world and the level of strangeness to the MC. The \"Cataclysm\" (to borrow", "(at first). Perspective: The readers will be dropped into the plot from the", "would turn into something which has little to do with the story's intended", "the characters will be forced to deal with politics, not in the sense", "time, I find my Prologue is more appropriate in length to that of", "situation. There will not be opportunity to show my MC's relationship with their", "is about to happen is NOT normal.\" It's not handholding. It's a basic", "quest that plays a MAJOR role in the story at large 6. A", "hence why I am over-explaining now. --- So, here's my question: How can", "boss that was glitched out due to a strange poison from a previous", "Light Novels, think of the Floor Guardians from Overlord by Maruyama, so not", "is just the final sentence at the end of the paragraph. This is", "world being explained are just what are relevant at the time (nothing overly", "something isn't right and orders the raid to evacuate while he figures out", "tied together, they share the same text. Points 5.-7. are all intertwined and", "their Guild beyond infrequent flashbacks for the longest time of the story. The", "that the story discusses real world politics), Romance (later into the story, but", "be a long length of text. At the same time, I find my", "in Star Clan, the afterlife, for the Prologue; but, the story itself has", "in doing so? =================================================================================================================================================================================== --- Before I get asked \"Why don't you just", "things separate from the others, no matter how intertwined they may be. I", "in mind **I am not writing the Prologue to over-explain anything nor because", "sense to the readers at a foundational level. I do not plan on", "a set number of things to the story before I move onto the", "Or is having a longer-than-normal Prologue okay as long as it serves a", "the problem: my Prologue needs to introduce a set number of things to", "the level of strangeness to the MC. The \"Cataclysm\" (to borrow from Log", "of the Zaad. In fact, my story's situation is highly similar since a", "becomes a foundation for the \"rules of the world\" (i.e. like physics) 4.", "Functionally, this results in 3 main themes being expressed: The MC's relationships in", "of my story. Yes the Quest plays a major, critical even, role in", "a sufficient explanation that this is all background information relevant to the story", "am not writing the Prologue to over-explain anything nor because I feel like", "problem is, writing this out, it's as long as my Chapter 1 which", "same scene. Points 1. and 4.-7. as a result are all rounded together", "the world being experienced as a result. I list these things separately because", "so would pull completely away from the intended point of my story. Yes", "by Maruyama, so not actual ownership per se) 5. A specific quest that", "get asked \"Why don't you just make it a part of your Chapter", "of the prologue into Chapter 1 will be enough of a disruption that", "Please do not ask me to make any of these points into chapters", "of the situation. There will not be opportunity to show my MC's relationship", "overly technical). Please do not ask me to make any of these points", "role in the story - as a catalyst. It's like the [Zul'Gurub raid", "matter how intertwined they may be. I am not so bad of a", "Prologue is more appropriate in length to that of a Chapter. Here's the", "over-explain anything nor because I feel like \"the audience is kind of dumb,", "the game is like as a basis for understanding the new world and", "away) The Story Premise: Shortly after a raid party interacts with an already", "I can't do that because of the flow of the story. The story", "the rest of the story. --- > > If you say that a", "characters (yet at the same time 1 main character, hence the earlier singular", "things from the MC's understanding (not in an instruction-manual manner). What the MC", "to be a long length of text. At the same time, I find", "this is wrong though. --- Keep in mind **I am not writing the", "story 7. A specific event that plays a critical part to the overall", "[Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue to what happened", "Overlord* by Maruyama, so not actual ownership per se) 5. A specific quest", "by MC's guild (for those who read Light Novels, think of the Floor", "not ask me to make any of these points into chapters of their", "of the story. --- > > If you say that a longer Prologue", "resulting in contact with an \"Item\" that causes an Event. As far as", "directly against the premise of the originally asked question** where I asked how", "the story itself has very, VERY little to actively do with Star Clan.)", "like physics) 4. The NPCs (non-player characters) \"owned\" by MC's guild (for those", "Points 5.-7. are all intertwined and share the same scene. Points 1. and", "Premise: Shortly after a raid party interacts with an already dead raid boss", "same time 1 main character, hence the earlier singular word usage,) and I", "what the game is like as a basis for understanding the new world", "as a catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to", "need existed, hence why I am over-explaining now. --- So, here's my question:", "with Star Clan.) Forgive me for over-explaining this section, but it became a", "them (MC) into being one of his slaves. I feel like this is", "perspectives that I am doing. Consequently, pushing part of the prologue into Chapter", "thing individually. Functionally, this results in 3 main themes being expressed: The MC's", "level. I do not plan on teaching them about irrelevant mundanities. I plan", "away from the intended point of my story. Yes the Quest plays a", "perspective. I write in a character-driven style meaning while I have major plot", "the intended point of my story. Yes the Quest plays a major, critical", "to be completed by my MC's Guild because the Guild-Master (NOT my MC)", "This is similar in many regards to the Prologue from Overlord or the", "strange poison from a previous group, the Virtual Reality MMO (VRMMO) they are", "the rest of their guild, they're nowhere to be found (at first). Perspective:", "Guild because the Guild-Master (NOT my MC) realizes VERY quickly that something isn't", "to spell things out for them.\"*** I am only trying to express things", "comes out of left-field leaving people wondering, \"Wait what?!\". Because points 1. and", "actual ownership per se) 5. A specific quest that plays a MAJOR role", "party interacts with an already dead raid boss that was glitched out due", "Yes the Quest plays a major, critical even, role in the story -", "it's as long as my Chapter 1 which involves my MC committing manslaughter", "because you're inherently going to learn about the world being experienced as a", "with an \"Item\" that causes an Event. As far as the story goes,", "an Event. As far as the story goes, the Quest/Zaad never were intended", "think of the Floor Guardians from Overlord by Maruyama, so not actual ownership", "since a Quest leads to a Zaad resulting in contact with an \"Item\"", "MC's relationships in the game, The MC's relationships in the real world, and", "Prologue into being its own novel as that would turn into something which", "(non-player characters) \"owned\" by MC's guild (for those who read Light Novels, think", "while I have major plot events in mind, the characters will shape the", "each thing individually. Functionally, this results in 3 main themes being expressed: The", "happened are supposed to be an overarching mystery within my story, but it", "about irrelevant mundanities. I plan on teaching them the things that matter like,", "will be enough of a disruption that it'd feel unnatural compared to the", "their own as that goes directly against the premise of the originally asked", "my MC committing manslaughter (in self-defense) against a slave-owning nobleman who tries (and", "itself has very, VERY little to actively do with Star Clan.) Forgive me", "to do with the story's intended premise.*** (Like how the Warriors series by", "=================================================================================================================================================================================== --- Before I get asked \"Why don't you just make it a", "led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The Zul'Gurub raid was merely a Prologue", "do not plan on teaching them about irrelevant mundanities. I plan on teaching", "interacts with an already dead raid boss that was glitched out due to", "The readers will be dropped into the plot from the MC's perspective. I", "(I may write out the game's details in an \"instruction manual\" style for", "at the end of the paragraph. This is similar in many regards to", "The Story Premise: Shortly after a raid party interacts with an already dead", "the prologue should be more than a sufficient explanation that this is all", "from That Time I Was Reincarnated as a Slime* (with Rimuru's coworker taking", "are things that are supposed to be in the prologue should be more", "time of the story. The rules of the world being explained are just", "to make any of these points into chapters of their own as that", "guild, they're nowhere to be found (at first). Perspective: The readers will be", "updates. Instead of logging the MC out like normal, they collapse to wake", "or context? Or is having a longer-than-normal Prologue okay as long as it", "is okay, I need reasoning that fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\"", "> > In case it's relevant... Story Genre: Medieval High Fantasy, Isekai (\"In", "word usage,) and I have a certain way of switching between their perspectives", "you're inherently going to learn about the world being experienced as a result.", "a Prologue to what happened as a result of the Zaad. In fact,", "level of strangeness to the MC. The \"Cataclysm\" (to borrow from Log Horizon)", "world to my audience. It is not supposed to be a long length", "information or context? Or is having a longer-than-normal Prologue okay as long as", "this isn't your typical NEET-isekai) 3. The video game that becomes a foundation", "\"the audience is kind of dumb, and I need to spell things out", "I am only trying to express things that I feel are relevant for", "a raid party interacts with an already dead raid boss that was glitched", "a writer that I tackle each thing individually. Functionally, this results in 3", "just what are relevant at the time (nothing overly technical). *Please do not", "certain way of switching between their perspectives that I am doing. Consequently, pushing", "premise of the originally asked question* where I asked how to shorten the", "chapters because doing so would pull completely away from the intended point of", "into being its own novel as that would turn into something which has", "to the Prologue from Overlord or the Prologue from That Time I Was", "event that plays a critical part to the overall story The problem is,", "I list these things separately because the individual points express specific things separate", "he figures out what is happening. The details of what all happened are", "information won't fit into the story proper. I cannot expound upon any part", "a disruption that it'd feel unnatural compared to the rest of the story.", "feel like \"the audience is kind of dumb, and I need to spell", "story at large 6. A specific \"item\" that plays a frequently recurring role", "express specific things separate from the others, no matter how intertwined they may", "be forced to deal with politics, not in the sense that the story", "things separately because the individual points express specific things separate from the others,", "main character (\"MC\") and their relationship with their guild 2. MC's familial and", "Pull from past experiences or from actual literary works please.* > > >", "unnatural compared to the rest of the story. --- > > If you", "Works Abridged (by BlazingAzureCrow). This also means the audience will be seeing things", "critical part to the overall story The problem is, writing this out, it's", "proper, but the information won't fit into the story proper. I cannot expound", "to show readers this isn't your typical NEET-isekai) 3. The video game that", "a longer Prologue is okay, I need reasoning that fits around the \"[Good", "of dumb, and I need to spell things out for them.\"* I am", "spell things out for them.\"* I am only trying to express things that", "Rimuru's coworker taking the place of a Guild). Additionally, the fact that these", "cannot expound upon any part of it across a great berth of chapters", "my story's situation is highly similar since a Quest leads to a Zaad", "foundation for the \"rules of the world\" (i.e. like physics) 4. The NPCs", "(basically to show readers this isn't your typical NEET-isekai) 3. The video game", "into the plot from the MC's perspective. I write in a character-driven style", "result of the situation. There will not be opportunity to show my MC's", "opportunity to show my MC's relationship with their Guild beyond infrequent flashbacks for", "do that because of the flow of the story. The story has two", "me for over-explaining this section, but it became a necessity. Nothing against the", "are relevant for the story to make sense to the readers at a", "show my MC's relationship with their Guild beyond infrequent flashbacks for the longest", "the longest time of the story. The rules of the world being explained", "happened as a result of the Zaad. In fact, my story's situation is", "the game's details in an \"instruction manual\" style for fun, but that'd be", "okay as long as it serves a specific purpose in doing so? ===================================================================================================================================================================================", "Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from actual literary works please.", "situation is highly similar since a Quest leads to a Zaad resulting in", "never were intended to be completed by my MC's Guild because the Guild-Master", "basic explanation showing how things are so that nothing comes out of left-field", "A specific quest that plays a MAJOR role in the story at large", "Hunter frequently starts with something going on in Star Clan, the afterlife, for", "do not ask me to make any of these points into chapters of", "or from actual literary works please. > > > In case it's relevant...", "place of a Guild). Additionally, the fact that these are things that are", "raid was merely a Prologue to what happened as a result of the", "separately because the individual points express specific things separate from the others, no", "the MC out like normal, they collapse to wake up trapped in another", "borrow from Log Horizon) itself is just the final sentence at the end", "why I am over-explaining now. --- So, here's my question: How can I", "Prologue without losing important information or context? Or is having a longer-than-normal Prologue", "also means the audience will be seeing things from the MC's understanding (not", "nothing comes out of left-field leaving people wondering, \"Wait what?!\". Because points 1.", "experienced as a result. I list these things separately because the individual points", "share the same scene. Points 1. and 4.-7. as a result are all", "--- Keep in mind **I am not writing the Prologue to over-explain anything", "and their relationship with their guild 2. MC's familial and social status (basically", "- as a catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led", "at large 6. A specific \"item\" that plays a frequently recurring role in", "but not right away) The Story Premise: Shortly after a raid party interacts", "may be. I am not so bad of a writer that I tackle", "the raid to evacuate while he figures out what is happening. The details", "to learn about the world being experienced as a result. I list these", "\"This is what the world is like under normal circumstances. This is how", "chapters of their own as that goes directly against the premise of the", "me this was a necessity, but it did show the need existed, hence", "how intertwined they may be. I am not so bad of a writer", "right away) The Story Premise: Shortly after a raid party interacts with an", "> > If you say that a longer Prologue is okay, I need", "part of your Chapter 1?\", I can't do that because of the flow", "of what all happened are supposed to be an overarching mystery within my", "and social status (basically to show readers this isn't your typical NEET-isekai) 3.", "the others, no matter how intertwined they may be. I am not so", "1 which involves my MC committing manslaughter (in self-defense) against a slave-owning nobleman", "across a great berth of chapters because doing so would pull completely away", "itself is just the final sentence at the end of the paragraph. This", "(i.e. like physics) 4. The NPCs (non-player characters) \"owned\" by MC's guild (for", "Political (in the sense the characters will be forced to deal with politics,", "context? Or is having a longer-than-normal Prologue okay as long as it serves", "a foundational level. I do not plan on teaching them about irrelevant mundanities.", "the individual points express specific things separate from the others, no matter how", "up a story and introduce characters, themes, and the world to my audience.", "I understand that a prologue is meant to open up a story and", "to that of a Chapter. Here's the problem: my Prologue needs to introduce", "what all happened are supposed to be an overarching mystery within my story,", "I need to spell things out for them.\"*** I am only trying to", "in an instruction-manual manner). What the MC knows, the audience will know as", "role in the story at large 6. A specific \"item\" that plays a", "from past experiences or from actual literary works please.* > > > In", "are supposed to be in the prologue should be more than a sufficient", "readers will be dropped into the plot from the MC's perspective. I write", "the users who showed me this was a necessity, but it did show", "against the premise of the originally asked question* where I asked how to", "of a Chapter. Here's the problem: my Prologue needs to introduce a set", "story - as a catalyst. It's like the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which", "for the story to make sense to the readers at a foundational level.", "at the time (nothing overly technical). Please do not ask me to make", "of the originally asked question** where I asked how to shorten the Prologue.", "playing... trapped both as themselves and as their avatar as separate entities! As", "disruption that it'd feel unnatural compared to the rest of the story. ---", "that of a Chapter. Here's the problem: my Prologue needs to introduce a", "with something going on in Star Clan, the afterlife, for the Prologue; but,", "MC committing manslaughter (in self-defense) against a slave-owning nobleman who tries (and fails)", "result. I list these things separately because the individual points express specific things", "(to borrow from Log Horizon) itself is just the final sentence at the", "specific things separate from the others, no matter how intertwined they may be.", "for the rest of their guild, they're nowhere to be found (at first).", "make any of these points into chapters of their own as that goes", "3. because you're inherently going to learn about the world being experienced as", "wish to expand the Prologue into being its own novel as that would", "story and introduce characters, themes, and the world to my audience. It is", "even, role in the story - as a catalyst. It's like the [Zul'Gurub", "game, The MC's relationships in the real world, and what the game is", "your Chapter 1?\", I can't do that because of the flow of the", "> > > In case it's relevant... Story Genre: Medieval High Fantasy, Isekai", "story proper, but the information won't fit into the story proper.* I cannot", "plays a critical part to the overall story The problem is, writing this", "story has two main characters (yet at the same time 1 main character,", "it became a necessity. Nothing against the users who showed me this was", "of the story. The rules of the world being explained are just what", "it serves a specific purpose in doing so? =================================================================================================================================================================================== --- Before I get", "MC's relationships in the real world, and what the game is like as", "MAJOR role in the story at large 6. A specific \"item\" that plays", "into the story, but not right away) The Story Premise: Shortly after a", "to be in the prologue should be more than a sufficient explanation that", "I tackle each thing individually. Functionally, this results in 3 main themes being", "completed by my MC's Guild because the Guild-Master (NOT my MC) realizes VERY", "read Light Novels, think of the Floor Guardians from Overlord by Maruyama, so", "to the overall story The problem is, writing this out, it's as long", "of the paragraph. This is similar in many regards to the Prologue from", "are all rounded together under point 3. because you're inherently going to learn", "same time, I find my Prologue is more appropriate in length to that", "plot from the MC's perspective. I write in a character-driven style meaning while", "So, here's my question: How can I shorten my Prologue without losing important", "like under normal circumstances. This is how you know everything that is about", "not wish to expand the Prologue into being its own novel as that", "and what the game is like as a basis for understanding the new", "relevant for the story to make sense to the readers at a foundational", "in mind, the characters will shape the story more than the story will", "characters will shape the story more than the story will shape them, like", "the world is like under normal circumstances. This is how you know everything", "know everything that is about to happen is NOT normal.\" It's not handholding.", "here's my question: How can I shorten my Prologue without losing important information", "plot events in mind, the characters will shape the story more than the", "by Erin Hunter frequently starts with something going on in Star Clan, the", "my Prologue is more appropriate in length to that of a Chapter. Here's", "Chapter 1 will be enough of a disruption that it'd feel unnatural compared", "have a certain way of switching between their perspectives that I am doing.", "I Was Reincarnated as a Slime* (with Rimuru's coworker taking the place of", "game's details in an \"instruction manual\" style for fun, but that'd be supplementary", "Zul'Gurub raid was merely a Prologue to what happened as a result of", "style meaning while I have major plot events in mind, the characters will", "the Warriors series by Erin Hunter frequently starts with something going on in", "isn't your typical NEET-isekai) 3. The video game that becomes a foundation for", "the Prologue to over-explain anything nor because I feel like \"the audience is", "Genre: Medieval High Fantasy, Isekai (\"In Another World\"), Action, Adventure, Political (in the", "happening. The details of what all happened are supposed to be an overarching", "Nothing against the users who showed me this was a necessity, but it", "Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or from actual literary works", "frequently recurring role in the story 7. A specific event that plays a", "is NOT normal.\" It's not handholding. It's a basic explanation showing how things", "up trapped in another world similar (yet different) to the game they were", "fits around the \"[Good Subjective, Bad Subjective](https://stackoverflow.blog/2010/09/29/good-subjective-bad-subjective/)\" guidelines. Pull from past experiences or", "the Guild-Master (NOT my MC) realizes VERY quickly that something isn't right and", "due to a strange poison from a previous group, the Virtual Reality MMO", "NEET-isekai) 3. The video game that becomes a foundation for the \"rules of", "to the readers at a foundational level. I do not plan on teaching", "text. Points 5.-7. are all intertwined and share the same scene. Points 1.", "relevant to the story proper, but the information won't fit into the story", "this results in 3 main themes being expressed: The MC's relationships in the", "the \"rules of the world\" (i.e. like physics) 4. The NPCs (non-player characters)", "shape the story more than the story will shape them, like One Piece,", "in the story 7. A specific event that plays a critical part to", "in the story - as a catalyst. It's like the [Zul'Gurub raid in", "not plan on teaching them about irrelevant mundanities. I plan on teaching them", "information relevant to the story proper, but the information won't fit into the", "not writing the Prologue to over-explain anything nor because I feel like \"the", "meaning while I have major plot events in mind, the characters will shape", "section, but it became a necessity. Nothing against the users who showed me", "out what is happening. The details of what all happened are supposed to", "won't fit into the story proper.* I cannot expound upon any part of", "This also means the audience will be seeing things from the MC's understanding", "my Chapter 1 which involves my MC committing manslaughter (in self-defense) against a", "that causes an Event. As far as the story goes, the Quest/Zaad never", "it comes up. (I may write out the game's details in an \"instruction", "the [Zul'Gurub raid in WoW](https://wow.gamepedia.com/Zul%27Gurub_(original)) which led to the [Corrupted Blood Incident](https://en.wikipedia.org/wiki/Corrupted_Blood_incident). The", "the readers at a foundational level. I do not plan on teaching them", "originally asked question* where I asked how to shorten the Prologue. *I do", "circumstances. This is how you know everything that is about to happen is", "story, but not right away) The Story Premise: Shortly after a raid party" ]
[ "do it, but almost all articles seems to have been written by the", "write sounds consistent with the style adopted by the majority of editors? I", "consistent with the style adopted throughout Wikipedia, and what are the other steps", "that the edits you make sound consistent with the style adopted throughout Wikipedia,", "them got reverted back to how it was before somehow (usually after a", "a way to make sure that what we write sounds consistent with the", "sound consistent with the style adopted throughout Wikipedia, and what are the other", "to have been written by the same person whenever I pick articles at", "random just to read them. How do you ensure that the edits you", "order to ensure that your edits won't be reverted back, because I remember", "but almost all articles seems to have been written by the same person", "in order to ensure that your edits won't be reverted back, because I", "reverted back to how it was before somehow (usually after a few days).", "almost all articles seems to have been written by the same person whenever", "there a way to make sure that what we write sounds consistent with", "edits won't be reverted back, because I remember in the old days I", "person whenever I pick articles at random just to read them. How do", "the same person whenever I pick articles at random just to read them.", "because I remember in the old days I did a few edits and", "need to be taken in order to ensure that your edits won't be", "sure how people do it, but almost all articles seems to have been", "that need to be taken in order to ensure that your edits won't", "am not sure how people do it, but almost all articles seems to", "sounds consistent with the style adopted by the majority of editors? I am", "to read them. How do you ensure that the edits you make sound", "people do it, but almost all articles seems to have been written by", "taken in order to ensure that your edits won't be reverted back, because", "be reverted back, because I remember in the old days I did a", "to be taken in order to ensure that your edits won't be reverted", "back, because I remember in the old days I did a few edits", "to make sure that what we write sounds consistent with the style adopted", "with the style adopted by the majority of editors? I am not sure", "by the same person whenever I pick articles at random just to read", "it, but almost all articles seems to have been written by the same", "with the style adopted throughout Wikipedia, and what are the other steps that", "Is there a way to make sure that what we write sounds consistent", "ensure that the edits you make sound consistent with the style adopted throughout", "at random just to read them. How do you ensure that the edits", "days I did a few edits and a lot of them got reverted", "been written by the same person whenever I pick articles at random just", "How do you ensure that the edits you make sound consistent with the", "lot of them got reverted back to how it was before somehow (usually", "make sure that what we write sounds consistent with the style adopted by", "not sure how people do it, but almost all articles seems to have", "a lot of them got reverted back to how it was before somehow", "the majority of editors? I am not sure how people do it, but", "you make sound consistent with the style adopted throughout Wikipedia, and what are", "style adopted throughout Wikipedia, and what are the other steps that need to", "be taken in order to ensure that your edits won't be reverted back,", "all articles seems to have been written by the same person whenever I", "adopted by the majority of editors? I am not sure how people do", "same person whenever I pick articles at random just to read them. How", "the edits you make sound consistent with the style adopted throughout Wikipedia, and", "read them. How do you ensure that the edits you make sound consistent", "articles seems to have been written by the same person whenever I pick", "articles at random just to read them. How do you ensure that the", "that your edits won't be reverted back, because I remember in the old", "I remember in the old days I did a few edits and a", "adopted throughout Wikipedia, and what are the other steps that need to be", "the old days I did a few edits and a lot of them", "make sound consistent with the style adopted throughout Wikipedia, and what are the", "sure that what we write sounds consistent with the style adopted by the", "the style adopted by the majority of editors? I am not sure how", "to ensure that your edits won't be reverted back, because I remember in", "other steps that need to be taken in order to ensure that your", "them. How do you ensure that the edits you make sound consistent with", "way to make sure that what we write sounds consistent with the style", "of editors? I am not sure how people do it, but almost all", "got reverted back to how it was before somehow (usually after a few", "written by the same person whenever I pick articles at random just to", "consistent with the style adopted by the majority of editors? I am not", "I pick articles at random just to read them. How do you ensure", "throughout Wikipedia, and what are the other steps that need to be taken", "that what we write sounds consistent with the style adopted by the majority", "of them got reverted back to how it was before somehow (usually after", "your edits won't be reverted back, because I remember in the old days", "did a few edits and a lot of them got reverted back to", "majority of editors? I am not sure how people do it, but almost", "Wikipedia, and what are the other steps that need to be taken in", "and a lot of them got reverted back to how it was before", "old days I did a few edits and a lot of them got", "reverted back, because I remember in the old days I did a few", "the other steps that need to be taken in order to ensure that", "style adopted by the majority of editors? I am not sure how people", "by the majority of editors? I am not sure how people do it,", "won't be reverted back, because I remember in the old days I did", "few edits and a lot of them got reverted back to how it", "how people do it, but almost all articles seems to have been written", "what are the other steps that need to be taken in order to", "seems to have been written by the same person whenever I pick articles", "and what are the other steps that need to be taken in order", "the style adopted throughout Wikipedia, and what are the other steps that need", "do you ensure that the edits you make sound consistent with the style", "we write sounds consistent with the style adopted by the majority of editors?", "editors? I am not sure how people do it, but almost all articles", "what we write sounds consistent with the style adopted by the majority of", "remember in the old days I did a few edits and a lot", "edits and a lot of them got reverted back to how it was", "have been written by the same person whenever I pick articles at random", "ensure that your edits won't be reverted back, because I remember in the", "I did a few edits and a lot of them got reverted back", "edits you make sound consistent with the style adopted throughout Wikipedia, and what", "are the other steps that need to be taken in order to ensure", "just to read them. How do you ensure that the edits you make", "in the old days I did a few edits and a lot of", "whenever I pick articles at random just to read them. How do you", "a few edits and a lot of them got reverted back to how", "pick articles at random just to read them. How do you ensure that", "you ensure that the edits you make sound consistent with the style adopted", "steps that need to be taken in order to ensure that your edits", "I am not sure how people do it, but almost all articles seems" ]
[ "in chapter 4\" references. By default, when I enter these references into Scrivener,", "to search for. I searched and couldn't find that option. Where is it", "search for. I searched and couldn't find that option. Where is it hiding?", "Scrivener, it will use the title. But I'd like to give my readers", "numbers and/or page numbers when I insert a hyperlink. As a non-fiction book,", "I enter these references into Scrivener, it will use the title. But I'd", "I can teach Scrivener to use chapter numbers and/or page numbers when I", "it will use the title. But I'd like to give my readers something", "non-fiction book, I have quite a few \"see chapter 12 for details\" or", "the title. But I'd like to give my readers something they don't need", "details\" or \"as discussed in chapter 4\" references. By default, when I enter", "my readers something they don't need to search for. I searched and couldn't", "chapter numbers and/or page numbers when I insert a hyperlink. As a non-fiction", "an e-book, I wonder if and how I can teach Scrivener to use", "default, when I enter these references into Scrivener, it will use the title.", "wonder if and how I can teach Scrivener to use chapter numbers and/or", "enter these references into Scrivener, it will use the title. But I'd like", "hyperlink. As a non-fiction book, I have quite a few \"see chapter 12", "use chapter numbers and/or page numbers when I insert a hyperlink. As a", "insert a hyperlink. As a non-fiction book, I have quite a few \"see", "4\" references. By default, when I enter these references into Scrivener, it will", "references into Scrivener, it will use the title. But I'd like to give", "like to give my readers something they don't need to search for. I", "Scrivener to use chapter numbers and/or page numbers when I insert a hyperlink.", "book, I have quite a few \"see chapter 12 for details\" or \"as", "references. By default, when I enter these references into Scrivener, it will use", "not an e-book, I wonder if and how I can teach Scrivener to", "I have quite a few \"see chapter 12 for details\" or \"as discussed", "if and how I can teach Scrivener to use chapter numbers and/or page", "12 for details\" or \"as discussed in chapter 4\" references. By default, when", "they don't need to search for. I searched and couldn't find that option.", "quite a few \"see chapter 12 for details\" or \"as discussed in chapter", "a paperback, not an e-book, I wonder if and how I can teach", "a hyperlink. As a non-fiction book, I have quite a few \"see chapter", "a non-fiction book, I have quite a few \"see chapter 12 for details\"", "title. But I'd like to give my readers something they don't need to", "use the title. But I'd like to give my readers something they don't", "have quite a few \"see chapter 12 for details\" or \"as discussed in", "teach Scrivener to use chapter numbers and/or page numbers when I insert a", "paperback, not an e-book, I wonder if and how I can teach Scrivener", "to use chapter numbers and/or page numbers when I insert a hyperlink. As", "to give my readers something they don't need to search for. I searched", "Since I'm writing a paperback, not an e-book, I wonder if and how", "numbers when I insert a hyperlink. As a non-fiction book, I have quite", "will use the title. But I'd like to give my readers something they", "I insert a hyperlink. As a non-fiction book, I have quite a few", "can teach Scrivener to use chapter numbers and/or page numbers when I insert", "how I can teach Scrivener to use chapter numbers and/or page numbers when", "don't need to search for. I searched and couldn't find that option. Where", "and/or page numbers when I insert a hyperlink. As a non-fiction book, I", "something they don't need to search for. I searched and couldn't find that", "I'd like to give my readers something they don't need to search for.", "\"as discussed in chapter 4\" references. By default, when I enter these references", "readers something they don't need to search for. I searched and couldn't find", "or \"as discussed in chapter 4\" references. By default, when I enter these", "when I enter these references into Scrivener, it will use the title. But", "chapter 4\" references. By default, when I enter these references into Scrivener, it", "a few \"see chapter 12 for details\" or \"as discussed in chapter 4\"", "I wonder if and how I can teach Scrivener to use chapter numbers", "\"see chapter 12 for details\" or \"as discussed in chapter 4\" references. By", "By default, when I enter these references into Scrivener, it will use the", "need to search for. I searched and couldn't find that option. Where is", "few \"see chapter 12 for details\" or \"as discussed in chapter 4\" references.", "when I insert a hyperlink. As a non-fiction book, I have quite a", "and how I can teach Scrivener to use chapter numbers and/or page numbers", "into Scrivener, it will use the title. But I'd like to give my", "chapter 12 for details\" or \"as discussed in chapter 4\" references. By default,", "I'm writing a paperback, not an e-book, I wonder if and how I", "writing a paperback, not an e-book, I wonder if and how I can", "e-book, I wonder if and how I can teach Scrivener to use chapter", "discussed in chapter 4\" references. By default, when I enter these references into", "give my readers something they don't need to search for. I searched and", "As a non-fiction book, I have quite a few \"see chapter 12 for", "these references into Scrivener, it will use the title. But I'd like to", "for details\" or \"as discussed in chapter 4\" references. By default, when I", "page numbers when I insert a hyperlink. As a non-fiction book, I have", "But I'd like to give my readers something they don't need to search" ]
[ "or look at the musical sheet, but there must be a way for", "up with, but as you can see it's not perfect, because still even", "hard to determine unless you hear the song or look at the musical", "people without musical training to determine how a song should be sung. Here's", "> > > Breathhhhhhh, should I take a deeeeeeeep? > > > Faiiiiiiiiiith,", "exactly how it should be sung. It gives you more of an idea,", "a lyric you have no idea how a song should be sung without", "> > I rewrote the above into this: > > [Verse 1] >", "> Breath, should I take a deep? > > > Faith, should I", "unless you hear the song or look at the musical sheet, but there", "should be sung. It gives you more of an idea, but it's still", "training to determine how a song should be sung. Here's an example: >", "> > > Faiiiiiiiiiith, should I take a leaaaaaaap? > > > Tasteeeeeee,", "song should be sung? The pacing is very hard to determine unless you", "should I take a deep? > > > Faith, should I take a", "> Breathhhhhhh, should I take a deeeeeeeep? > > > Faiiiiiiiiiith, should I", "have no idea how a song should be sung without having the musical", "be a way for people without musical training to determine how a song", "> > > Faith, should I take a leap? > > > Taste,", "> All my, all my lifeeeeeeee > > > This is something I", "idea how a song should be sung without having the musical sheet in", "because still even now it's hard to know exactly how it should be", "a song should be sung without having the musical sheet in front of", "> > > All my, all my life > > > I rewrote", "to know how a song should be sung? The pacing is very hard", "sung, but when you read a lyric you have no idea how a", "you hear the song or look at the musical sheet, but there must", "> > > Breath, should I take a deep? > > > Faith,", "just came up with, but as you can see it's not perfect, because", "a notation system that exists that allows you to know how a song", "example: > > [Verse 1] > > > Breath, should I take a", "song should be sung without having the musical sheet in front of you,", "pacing is very hard to determine unless you hear the song or look", "sung. Here's an example: > > [Verse 1] > > > Breath, should", "> > All my, all my life > > > I rewrote the", "there must be a way for people without musical training to determine how", "All my, all my life > > > I rewrote the above into", "rewrote the above into this: > > [Verse 1] > > > Breathhhhhhh,", "now it's hard to know exactly how it should be sung. It gives", "determine how a song should be sung. Here's an example: > > [Verse", "all my lifeeeeeeee > > > This is something I just came up", "a deep? > > > Faith, should I take a leap? > >", "> > > This is something I just came up with, but as", "should I take a leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet >", "you have no idea how a song should be sung without having the", "front of you, so is there a notation system that exists that allows", "how a song should be sung, but when you read a lyric you", "> [Verse 1] > > > Breath, should I take a deep? >", "at the musical sheet, but there must be a way for people without", "a song should be sung, but when you read a lyric you have", "> > [Verse 1] > > > Breathhhhhhh, should I take a deeeeeeeep?", "see it's not perfect, because still even now it's hard to know exactly", "read a lyric you have no idea how a song should be sung", "system that exists that allows you to know how a song should be", "to determine unless you hear the song or look at the musical sheet,", "deep? > > > Faith, should I take a leap? > > >", "> > Faiiiiiiiiiith, should I take a leaaaaaaap? > > > Tasteeeeeee, what", "sheet in front of you, so is there a notation system that exists", "musical sheet to tell how a song should be sung, but when you", "I just came up with, but as you can see it's not perfect,", "a leap? > > > Taste, what a bittersweet > > > All", "gives you more of an idea, but it's still hard to know what", "sung without having the musical sheet in front of you, so is there", "came up with, but as you can see it's not perfect, because still", "> > Breath, should I take a deep? > > > Faith, should", "sheet, but there must be a way for people without musical training to", "without having the musical sheet in front of you, so is there a", "that allows you to know how a song should be sung? The pacing", "know how a song should be sung? The pacing is very hard to", "> Tasteeeeeee, what a bittersweeeeeeeet > > > All my, all my lifeeeeeeee", "use a musical sheet to tell how a song should be sung, but", "Taste, what a bittersweet > > > All my, all my life >", "way for people without musical training to determine how a song should be", "can see it's not perfect, because still even now it's hard to know", "you to know how a song should be sung? The pacing is very", "[Verse 1] > > > Breath, should I take a deep? > >", "life > > > I rewrote the above into this: > > [Verse", "sung. It gives you more of an idea, but it's still hard to", "> > Taste, what a bittersweet > > > All my, all my", "> Faith, should I take a leap? > > > Taste, what a", "Faith, should I take a leap? > > > Taste, what a bittersweet", "without musical training to determine how a song should be sung. Here's an", "It gives you more of an idea, but it's still hard to know", "what a bittersweet > > > All my, all my life > >", "take a leap? > > > Taste, what a bittersweet > > >", "as you can see it's not perfect, because still even now it's hard", "> > All my, all my lifeeeeeeee > > > This is something", "song or look at the musical sheet, but there must be a way", "bittersweet > > > All my, all my life > > > I", "> All my, all my life > > > I rewrote the above", "musical sheet, but there must be a way for people without musical training", "something I just came up with, but as you can see it's not", "a song should be sung? The pacing is very hard to determine unless", "but when you read a lyric you have no idea how a song", "my, all my lifeeeeeeee > > > This is something I just came", "very hard to determine unless you hear the song or look at the", "is very hard to determine unless you hear the song or look at", "my, all my life > > > I rewrote the above into this:", "leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet > > > All my,", "to tell how a song should be sung, but when you read a", "still even now it's hard to know exactly how it should be sung.", "there a notation system that exists that allows you to know how a", "no idea how a song should be sung without having the musical sheet", "tell how a song should be sung, but when you read a lyric", "this: > > [Verse 1] > > > Breathhhhhhh, should I take a", "lyric you have no idea how a song should be sung without having", "> I rewrote the above into this: > > [Verse 1] > >", "be sung. Here's an example: > > [Verse 1] > > > Breath,", "how it should be sung. It gives you more of an idea, but", "should I take a leap? > > > Taste, what a bittersweet >", "into this: > > [Verse 1] > > > Breathhhhhhh, should I take", "to determine how a song should be sung. Here's an example: > >", "look at the musical sheet, but there must be a way for people", "that exists that allows you to know how a song should be sung?", "> > > Tasteeeeeee, what a bittersweeeeeeeet > > > All my, all", "All my, all my lifeeeeeeee > > > This is something I just", "be sung. It gives you more of an idea, but it's still hard", "you read a lyric you have no idea how a song should be", "the above into this: > > [Verse 1] > > > Breathhhhhhh, should", "a leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet > > > All", "lifeeeeeeee > > > This is something I just came up with, but", "you more of an idea, but it's still hard to know what the", "idea, but it's still hard to know what the exact pacing should be.", "allows you to know how a song should be sung? The pacing is", "a bittersweeeeeeeet > > > All my, all my lifeeeeeeee > > >", "> Faiiiiiiiiiith, should I take a leaaaaaaap? > > > Tasteeeeeee, what a", "a song should be sung. Here's an example: > > [Verse 1] >", "> Taste, what a bittersweet > > > All my, all my life", "the song or look at the musical sheet, but there must be a", "> > [Verse 1] > > > Breath, should I take a deep?", "> > > I rewrote the above into this: > > [Verse 1]", "musical sheet in front of you, so is there a notation system that", "Breath, should I take a deep? > > > Faith, should I take", "> > Faith, should I take a leap? > > > Taste, what", "the musical sheet, but there must be a way for people without musical", "determine unless you hear the song or look at the musical sheet, but", "you can see it's not perfect, because still even now it's hard to", "> This is something I just came up with, but as you can", "Here's an example: > > [Verse 1] > > > Breath, should I", "sheet to tell how a song should be sung, but when you read", "song should be sung. Here's an example: > > [Verse 1] > >", "[Verse 1] > > > Breathhhhhhh, should I take a deeeeeeeep? > >", "> > Breathhhhhhh, should I take a deeeeeeeep? > > > Faiiiiiiiiiith, should", "1] > > > Breathhhhhhh, should I take a deeeeeeeep? > > >", "my lifeeeeeeee > > > This is something I just came up with,", "perfect, because still even now it's hard to know exactly how it should", "be sung? The pacing is very hard to determine unless you hear the", "should be sung without having the musical sheet in front of you, so", "how a song should be sung? The pacing is very hard to determine", "take a deep? > > > Faith, should I take a leap? >", "be sung without having the musical sheet in front of you, so is", "above into this: > > [Verse 1] > > > Breathhhhhhh, should I", "be sung, but when you read a lyric you have no idea how", "notation system that exists that allows you to know how a song should", "leap? > > > Taste, what a bittersweet > > > All my,", "deeeeeeeep? > > > Faiiiiiiiiiith, should I take a leaaaaaaap? > > >", "People usually use a musical sheet to tell how a song should be", "it should be sung. It gives you more of an idea, but it's", "but there must be a way for people without musical training to determine", "usually use a musical sheet to tell how a song should be sung,", "of you, so is there a notation system that exists that allows you", "sung? The pacing is very hard to determine unless you hear the song", "take a deeeeeeeep? > > > Faiiiiiiiiiith, should I take a leaaaaaaap? >", "should be sung, but when you read a lyric you have no idea", "> > Tasteeeeeee, what a bittersweeeeeeeet > > > All my, all my", "hard to know exactly how it should be sung. It gives you more", "for people without musical training to determine how a song should be sung.", "my life > > > I rewrote the above into this: > >", "1] > > > Breath, should I take a deep? > > >", "> > > Taste, what a bittersweet > > > All my, all", "a bittersweet > > > All my, all my life > > >", "I take a leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet > >", "it's not perfect, because still even now it's hard to know exactly how", "musical training to determine how a song should be sung. Here's an example:", "> [Verse 1] > > > Breathhhhhhh, should I take a deeeeeeeep? >", "how a song should be sung. Here's an example: > > [Verse 1]", "having the musical sheet in front of you, so is there a notation", "should be sung? The pacing is very hard to determine unless you hear", "is there a notation system that exists that allows you to know how", "a musical sheet to tell how a song should be sung, but when", "Faiiiiiiiiiith, should I take a leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet", "> > > All my, all my lifeeeeeeee > > > This is", "to know exactly how it should be sung. It gives you more of", "know exactly how it should be sung. It gives you more of an", "when you read a lyric you have no idea how a song should", "song should be sung, but when you read a lyric you have no", "I rewrote the above into this: > > [Verse 1] > > >", "I take a deeeeeeeep? > > > Faiiiiiiiiiith, should I take a leaaaaaaap?", "a way for people without musical training to determine how a song should", "Tasteeeeeee, what a bittersweeeeeeeet > > > All my, all my lifeeeeeeee >", "take a leaaaaaaap? > > > Tasteeeeeee, what a bittersweeeeeeeet > > >", "with, but as you can see it's not perfect, because still even now", "even now it's hard to know exactly how it should be sung. It", "so is there a notation system that exists that allows you to know", "hear the song or look at the musical sheet, but there must be", "a deeeeeeeep? > > > Faiiiiiiiiiith, should I take a leaaaaaaap? > >", "all my life > > > I rewrote the above into this: >", "an example: > > [Verse 1] > > > Breath, should I take", "should be sung. Here's an example: > > [Verse 1] > > >", "Breathhhhhhh, should I take a deeeeeeeep? > > > Faiiiiiiiiiith, should I take", "not perfect, because still even now it's hard to know exactly how it", "must be a way for people without musical training to determine how a", "bittersweeeeeeeet > > > All my, all my lifeeeeeeee > > > This", "in front of you, so is there a notation system that exists that", "more of an idea, but it's still hard to know what the exact", "but as you can see it's not perfect, because still even now it's", "This is something I just came up with, but as you can see", "> > This is something I just came up with, but as you", "the musical sheet in front of you, so is there a notation system", "The pacing is very hard to determine unless you hear the song or", "I take a leap? > > > Taste, what a bittersweet > >", "you, so is there a notation system that exists that allows you to", "is something I just came up with, but as you can see it's", "it's hard to know exactly how it should be sung. It gives you", "what a bittersweeeeeeeet > > > All my, all my lifeeeeeeee > >", "how a song should be sung without having the musical sheet in front", "of an idea, but it's still hard to know what the exact pacing", "exists that allows you to know how a song should be sung? The", "an idea, but it's still hard to know what the exact pacing should", "should I take a deeeeeeeep? > > > Faiiiiiiiiiith, should I take a", "I take a deep? > > > Faith, should I take a leap?" ]
[ "I coined an idiom like \"itching to raise my hind leg\", which means", "idioms are rather simple and don't need any explanation. For example, \"like a", "any explanation. For example, \"like a mad dog\" can be understood easily, but", "but what if I coined an idiom like \"itching to raise my hind", "coined an idiom like \"itching to raise my hind leg\", which means \"I", "who coined terms and idioms, anyone could create their own idioms. The questions", "because there were some authors who coined terms and idioms, anyone could create", "is if there's a guideline, and if there's not what should be common", "a mad dog\" can be understood easily, but what if I coined an", "guideline, and if there's not what should be common rules our coined idioms", "there's a guideline, and if there's not what should be common rules our", "For example, \"like a mad dog\" can be understood easily, but what if", "take a leak\"? Do you think there should be some sort of rules,", "should meet. Often idioms are rather simple and don't need any explanation. For", "some authors who coined terms and idioms, anyone could create their own idioms.", "Do you think there should be some sort of rules, and how do", "am not sure if people would agree, but I think because there were", "would agree, but I think because there were some authors who coined terms", "should be some sort of rules, and how do we go about introducing", "need to go to the bathroom and take a leak\"? Do you think", "not sure if people would agree, but I think because there were some", "create their own idioms. The questions is if there's a guideline, and if", "to the bathroom and take a leak\"? Do you think there should be", "think because there were some authors who coined terms and idioms, anyone could", "simple and don't need any explanation. For example, \"like a mad dog\" can", "example, \"like a mad dog\" can be understood easily, but what if I", "their own idioms. The questions is if there's a guideline, and if there's", "and take a leak\"? Do you think there should be some sort of", "go to the bathroom and take a leak\"? Do you think there should", "people would agree, but I think because there were some authors who coined", "\"itching to raise my hind leg\", which means \"I need to go to", "coined idioms should meet. Often idioms are rather simple and don't need any", "to go to the bathroom and take a leak\"? Do you think there", "if people would agree, but I think because there were some authors who", "I am not sure if people would agree, but I think because there", "own idioms. The questions is if there's a guideline, and if there's not", "hind leg\", which means \"I need to go to the bathroom and take", "a guideline, and if there's not what should be common rules our coined", "idioms. The questions is if there's a guideline, and if there's not what", "dog\" can be understood easily, but what if I coined an idiom like", "\"I need to go to the bathroom and take a leak\"? Do you", "of rules, and how do we go about introducing them in a novel?", "agree, but I think because there were some authors who coined terms and", "bathroom and take a leak\"? Do you think there should be some sort", "can be understood easily, but what if I coined an idiom like \"itching", "don't need any explanation. For example, \"like a mad dog\" can be understood", "and idioms, anyone could create their own idioms. The questions is if there's", "idioms should meet. Often idioms are rather simple and don't need any explanation.", "questions is if there's a guideline, and if there's not what should be", "the bathroom and take a leak\"? Do you think there should be some", "you think there should be some sort of rules, and how do we", "some sort of rules, and how do we go about introducing them in", "sort of rules, and how do we go about introducing them in a", "rules our coined idioms should meet. Often idioms are rather simple and don't", "rather simple and don't need any explanation. For example, \"like a mad dog\"", "were some authors who coined terms and idioms, anyone could create their own", "be common rules our coined idioms should meet. Often idioms are rather simple", "Often idioms are rather simple and don't need any explanation. For example, \"like", "raise my hind leg\", which means \"I need to go to the bathroom", "leak\"? Do you think there should be some sort of rules, and how", "a leak\"? Do you think there should be some sort of rules, and", "common rules our coined idioms should meet. Often idioms are rather simple and", "if there's a guideline, and if there's not what should be common rules", "not what should be common rules our coined idioms should meet. Often idioms", "easily, but what if I coined an idiom like \"itching to raise my", "think there should be some sort of rules, and how do we go", "and if there's not what should be common rules our coined idioms should", "should be common rules our coined idioms should meet. Often idioms are rather", "if I coined an idiom like \"itching to raise my hind leg\", which", "there were some authors who coined terms and idioms, anyone could create their", "terms and idioms, anyone could create their own idioms. The questions is if", "means \"I need to go to the bathroom and take a leak\"? Do", "be understood easily, but what if I coined an idiom like \"itching to", "The questions is if there's a guideline, and if there's not what should", "what should be common rules our coined idioms should meet. Often idioms are", "are rather simple and don't need any explanation. For example, \"like a mad", "idiom like \"itching to raise my hind leg\", which means \"I need to", "idioms, anyone could create their own idioms. The questions is if there's a", "authors who coined terms and idioms, anyone could create their own idioms. The", "our coined idioms should meet. Often idioms are rather simple and don't need", "sure if people would agree, but I think because there were some authors", "be some sort of rules, and how do we go about introducing them", "could create their own idioms. The questions is if there's a guideline, and", "if there's not what should be common rules our coined idioms should meet.", "there should be some sort of rules, and how do we go about", "coined terms and idioms, anyone could create their own idioms. The questions is", "and don't need any explanation. For example, \"like a mad dog\" can be", "I think because there were some authors who coined terms and idioms, anyone", "anyone could create their own idioms. The questions is if there's a guideline,", "an idiom like \"itching to raise my hind leg\", which means \"I need", "my hind leg\", which means \"I need to go to the bathroom and", "meet. Often idioms are rather simple and don't need any explanation. For example,", "need any explanation. For example, \"like a mad dog\" can be understood easily,", "to raise my hind leg\", which means \"I need to go to the", "but I think because there were some authors who coined terms and idioms,", "\"like a mad dog\" can be understood easily, but what if I coined", "mad dog\" can be understood easily, but what if I coined an idiom", "explanation. For example, \"like a mad dog\" can be understood easily, but what", "leg\", which means \"I need to go to the bathroom and take a", "like \"itching to raise my hind leg\", which means \"I need to go", "which means \"I need to go to the bathroom and take a leak\"?", "understood easily, but what if I coined an idiom like \"itching to raise", "what if I coined an idiom like \"itching to raise my hind leg\",", "there's not what should be common rules our coined idioms should meet. Often" ]
[ "Surface POV: I joined the military so I could defend my kingdom from", "own interpretation and knowledge of the facts. I'll exemplify two ways: > >", "truth, what he hears/perceives is what the interlocutor is saying. If there's lies", "from using different POVs of the same scene? What devices might be used", "there's this ability of one specific character that allows him to hear/perceive the", "said those lies. > > > Important points: * The speech for the", "him to hear/perceive the truth from anyone's speech. If they're telling the truth,", "the book, nor I plan it to be revealed later on, just perceived", "for the speaker is different from what the special character perceives and hears.", "military career just because it would drag me > the farther away from", "> > There's also a possibility for: > > Perception of character POV:", "that misery. > > > There's also a possibility for: > > Perception", "hears/perceives is what the interlocutor is saying. If there's lies or hidden meanings,", "ability to the reader apart from using different POVs of the same scene?", "just perceived by the reader as he drives through the story. *Question: How", "shitty town. I chose the military career just because it would drag me", "as he said those lies. > > > Important points: The speech", "devices might be used to enhance the classic \"show don't tell\" in this", "to be revealed later on, just perceived by the reader as he drives", "joined the military so I could leave my > town and follow my", "kingdom from > foreign invasions. > > > Perception of character POV: I", "interlocutor is saying. If there's lies or hidden meanings, he'll grasp the truth", "so I could leave my > town and follow my own path. >", "my own path. > > > Truth: I was scared of being the", "saying. If there's lies or hidden meanings, he'll grasp the truth in his", "father, from a > shitty town. I chose the military career just because", "military so I could leave my > town and follow my own path.", "not > confidence and selflessness that burst out of his mouth. There was", "> > > Important points: * The speech for the speaker is different", "one specific character that allows him to hear/perceive the truth from anyone's speech.", "just because it would drag me > the farther away from all that", "my father, from a > shitty town. I chose the military career just", "would drag me > the farther away from all that misery. > >", "Important points: * The speech for the speaker is different from what the", "the false speech, the examples are how he process the information. * This", "false speech, the examples are how he process the information. * This ability", "he drives through the story. *Question: How to hint that ability to the", "character perceives both the truth and the false speech, the examples are how", "the same old shit as my father, from a > shitty town. I", "hear/perceive the truth from anyone's speech. If they're telling the truth, what he", "away from all that misery. > > > There's also a possibility for:", "he said those lies. > > > Important points: The speech for", "chose the military career just because it would drag me > the farther", "> my kingdom from foreign invasions. - Riwhurz said, but it was not", "readers, there's this ability of one specific character that allows him to hear/perceive", "If there's lies or hidden meanings, he'll grasp the truth in his own", "that burst out of his mouth. There was > fear and resentment lingering", "> fear and resentment lingering around his lips as he said those lies.", "from foreign invasions. - Riwhurz said, but it was not > confidence and", "is not revealed through the book, nor I plan it to be revealed", "I chose the military career just because it would drag me > the", "lingering around his lips as he said those lies. > > > Important", "to the reader apart from using different POVs of the same scene? What", "speech, the examples are how he process the information. * This ability is", "how he process the information. * This ability is not revealed through the", "special character perceives both the truth and the false speech, the examples are", "perceived by the reader as he drives through the story. *Question: How to", "the same scene? What devices might be used to enhance the classic \"show", "grasp the truth in his own interpretation and knowledge of the facts. I'll", "the truth and the false speech, the examples are how he process the", "The special character perceives both the truth and the false speech, the examples", "the military career just because it would drag me > the farther away", "speech for the speaker is different from what the special character perceives and", "How to hint that ability to the reader apart from using different POVs", "around his lips as he said those lies. > > > Important points:", "the reader apart from using different POVs of the same scene? What devices", "from all that misery. > > > There's also a possibility for: >", "from the readers, there's this ability of one specific character that allows him", "and resentment lingering around his lips as he said those lies. > >", "meanings, he'll grasp the truth in his own interpretation and knowledge of the", "and selflessness that burst out of his mouth. There was > fear and", "selflessness that burst out of his mouth. There was > fear and resentment", "his own interpretation and knowledge of the facts. I'll exemplify two ways: >", "by the characters involved and hidden from the readers, there's this ability of", "and follow my own path. > > > Truth: I was scared of", "Perception of character POV: I joined the military so I could defend >", "my > town and follow my own path. > > > Truth: I", "I joined the military so I could defend my kingdom from > foreign", "career just because it would drag me > the farther away from all", "> > Truth: I was scared of being the same old shit as", "said, but it was not > confidence and selflessness that burst out of", "from > foreign invasions. > > > Perception of character POV: I joined", "truth and the false speech, the examples are how he process the information.", "hidden meanings, he'll grasp the truth in his own interpretation and knowledge of", "scene? What devices might be used to enhance the classic \"show don't tell\"", "or hidden meanings, he'll grasp the truth in his own interpretation and knowledge", "> > Important points: The speech for the speaker is different from", "examples are how he process the information. * This ability is not revealed", "character POV: I joined the military so I could defend > my kingdom", "on, just perceived by the reader as he drives through the story. Question:", "> > Perception of character POV: I joined the military so I could", "> > Surface POV: I joined the military so I could defend my", "to hint that ability to the reader apart from using different POVs of", "so I could defend my kingdom from > foreign invasions. > > >", "the truth in his own interpretation and knowledge of the facts. I'll exemplify", "the reader as he drives through the story. Question: How to hint that", "town and follow my own path. > > > Truth: I was scared", "he hears/perceives is what the interlocutor is saying. If there's lies or hidden", "of being the same old shit as my father, from a > shitty", "story. *Question: How to hint that ability to the reader apart from using", "This ability is not revealed through the book, nor I plan it to", "the examples are how he process the information. This ability is not", "to hear/perceive the truth from anyone's speech. If they're telling the truth, what", "> shitty town. I chose the military career just because it would drag", "the facts. I'll exemplify two ways: > > Surface POV: I joined the", "same scene? What devices might be used to enhance the classic \"show don't", "the speaker is different from what the special character perceives and hears. ", "truth from anyone's speech. If they're telling the truth, what he hears/perceives is", "If they're telling the truth, what he hears/perceives is what the interlocutor is", "this ability of one specific character that allows him to hear/perceive the truth", "could defend my kingdom from > foreign invasions. > > > Perception of", "was scared of being the same old shit as my father, from a", "defend > my kingdom from foreign invasions. - Riwhurz said, but it was", "hint that ability to the reader apart from using different POVs of the", "ability is not revealed through the book, nor I plan it to be", "POV: I joined the military so I could defend > my kingdom from", "Perception of character POV: I joined the military so I could leave my", "could defend > my kingdom from foreign invasions. - Riwhurz said, but it", "hears. The special character perceives both the truth and the false speech,", "be revealed later on, just perceived by the reader as he drives through", "might be used to enhance the classic \"show don't tell\" in this situation?*", "confidence and selflessness that burst out of his mouth. There was > fear", "he'll grasp the truth in his own interpretation and knowledge of the facts.", "farther away from all that misery. > > > There's also a possibility", "misery. > > > There's also a possibility for: > > Perception of", "speaker is different from what the special character perceives and hears. The", "> Perception of character POV: I joined the military so I could defend", "special character perceives and hears. * The special character perceives both the truth", "POVs of the same scene? What devices might be used to enhance the", "the military so I could defend > my kingdom from foreign invasions. -", "truth in his own interpretation and knowledge of the facts. I'll exemplify two", "> > > Truth: I was scared of being the same old shit", "my kingdom from foreign invasions. - Riwhurz said, but it was not >", "his mouth. There was > fear and resentment lingering around his lips as", "follow my own path. > > > Truth: I was scared of being", "invasions. > > > Perception of character POV: I joined the military so", "possibility for: > > Perception of character POV: I joined the military so", "but it was not > confidence and selflessness that burst out of his", "- Riwhurz said, but it was not > confidence and selflessness that burst", "and hears. * The special character perceives both the truth and the false", "could leave my > town and follow my own path. > > >", "is what the interlocutor is saying. If there's lies or hidden meanings, he'll", "it would drag me > the farther away from all that misery. >", "Unknown by the characters involved and hidden from the readers, there's this ability", "I joined the military so I could leave my > town and follow", "the military so I could defend my kingdom from > foreign invasions. >", "what he hears/perceives is what the interlocutor is saying. If there's lies or", "and hidden from the readers, there's this ability of one specific character that", "that allows him to hear/perceive the truth from anyone's speech. If they're telling", "character POV: I joined the military so I could leave my > town", "of his mouth. There was > fear and resentment lingering around his lips", "* This ability is not revealed through the book, nor I plan it", "nor I plan it to be revealed later on, just perceived by the", "from what the special character perceives and hears. * The special character perceives", "those lies. > > > Important points: * The speech for the speaker", "involved and hidden from the readers, there's this ability of one specific character", "> Surface POV: I joined the military so I could defend my kingdom", "both the truth and the false speech, the examples are how he process", "they're telling the truth, what he hears/perceives is what the interlocutor is saying.", "the military so I could leave my > town and follow my own", "so I could defend > my kingdom from foreign invasions. - Riwhurz said,", "I joined the military so I could defend > my kingdom from foreign", "a possibility for: > > Perception of character POV: I joined the military", "not revealed through the book, nor I plan it to be revealed later", "ways: > > Surface POV: I joined the military so I could defend", "perceives and hears. * The special character perceives both the truth and the", "lips as he said those lies. > > > Important points: * The", "lies. > > > Important points: * The speech for the speaker is", "characters involved and hidden from the readers, there's this ability of one specific", "are how he process the information. * This ability is not revealed through", "the information. * This ability is not revealed through the book, nor I", "reader apart from using different POVs of the same scene? What devices might", "I could defend my kingdom from > foreign invasions. > > > Perception", "> > > Perception of character POV: I joined the military so I", "> Important points: * The speech for the speaker is different from what", "character perceives and hears. * The special character perceives both the truth and", "same old shit as my father, from a > shitty town. I chose", "by the reader as he drives through the story. *Question: How to hint", "of one specific character that allows him to hear/perceive the truth from anyone's", "information. This ability is not revealed through the book, nor I plan", "Truth: I was scared of being the same old shit as my father,", "a > shitty town. I chose the military career just because it would", "old shit as my father, from a > shitty town. I chose the", "military so I could defend my kingdom from > foreign invasions. > >", "> foreign invasions. > > > Perception of character POV: I joined the", "kingdom from foreign invasions. - Riwhurz said, but it was not > confidence", "> confidence and selflessness that burst out of his mouth. There was >", "defend my kingdom from > foreign invasions. > > > Perception of character", "* The speech for the speaker is different from what the special character", "it to be revealed later on, just perceived by the reader as he", "POV: I joined the military so I could defend my kingdom from >", "he process the information. * This ability is not revealed through the book,", "plan it to be revealed later on, just perceived by the reader as", "using different POVs of the same scene? What devices might be used to", "I was scared of being the same old shit as my father, from", "and the false speech, the examples are how he process the information. ", "because it would drag me > the farther away from all that misery.", "process the information. This ability is not revealed through the book, nor", "in his own interpretation and knowledge of the facts. I'll exemplify two ways:", "allows him to hear/perceive the truth from anyone's speech. If they're telling the", "There's also a possibility for: > > Perception of character POV: I joined", "book, nor I plan it to be revealed later on, just perceived by", "lies or hidden meanings, he'll grasp the truth in his own interpretation and", "apart from using different POVs of the same scene? What devices might be", "my kingdom from > foreign invasions. > > > Perception of character POV:", "invasions. - Riwhurz said, but it was not > confidence and selflessness that", "drives through the story. *Question: How to hint that ability to the reader", "burst out of his mouth. There was > fear and resentment lingering around", "also a possibility for: > > Perception of character POV: I joined the", "is different from what the special character perceives and hears. The special", "of character POV: I joined the military so I could leave my >", "what the interlocutor is saying. If there's lies or hidden meanings, he'll grasp", "> the farther away from all that misery. > > > There's also", "town. I chose the military career just because it would drag me >", "the special character perceives and hears. * The special character perceives both the", "> Truth: I was scared of being the same old shit as my", "*Question: How to hint that ability to the reader apart from using different", "is saying. If there's lies or hidden meanings, he'll grasp the truth in", "scared of being the same old shit as my father, from a >", "joined the military so I could defend > my kingdom from foreign invasions.", "points: The speech for the speaker is different from what the special", "exemplify two ways: > > Surface POV: I joined the military so I", "anyone's speech. If they're telling the truth, what he hears/perceives is what the", "two ways: > > Surface POV: I joined the military so I could", "from a > shitty town. I chose the military career just because it", "the farther away from all that misery. > > > There's also a", "mouth. There was > fear and resentment lingering around his lips as he", "> Perception of character POV: I joined the military so I could leave", "foreign invasions. - Riwhurz said, but it was not > confidence and selflessness", "later on, just perceived by the reader as he drives through the story.", "the interlocutor is saying. If there's lies or hidden meanings, he'll grasp the", "telling the truth, what he hears/perceives is what the interlocutor is saying. If", "> There's also a possibility for: > > Perception of character POV: I", "was > fear and resentment lingering around his lips as he said those", "resentment lingering around his lips as he said those lies. > > >", "through the book, nor I plan it to be revealed later on, just", "military so I could defend > my kingdom from foreign invasions. - Riwhurz", "different from what the special character perceives and hears. * The special character", "reader as he drives through the story. *Question: How to hint that ability", "me > the farther away from all that misery. > > > There's", "his lips as he said those lies. > > > Important points: ", "there's lies or hidden meanings, he'll grasp the truth in his own interpretation", "ability of one specific character that allows him to hear/perceive the truth from", "through the story. *Question: How to hint that ability to the reader apart", "facts. I'll exemplify two ways: > > Surface POV: I joined the military", "as my father, from a > shitty town. I chose the military career", "of the facts. I'll exemplify two ways: > > Surface POV: I joined", "and knowledge of the facts. I'll exemplify two ways: > > Surface POV:", "revealed later on, just perceived by the reader as he drives through the", "different POVs of the same scene? What devices might be used to enhance", "fear and resentment lingering around his lips as he said those lies. >", "I plan it to be revealed later on, just perceived by the reader", "hidden from the readers, there's this ability of one specific character that allows", "the truth from anyone's speech. If they're telling the truth, what he hears/perceives", "out of his mouth. There was > fear and resentment lingering around his", "perceives both the truth and the false speech, the examples are how he", "What devices might be used to enhance the classic \"show don't tell\" in", "of the same scene? What devices might be used to enhance the classic", "I'll exemplify two ways: > > Surface POV: I joined the military so", "joined the military so I could defend my kingdom from > foreign invasions.", "POV: I joined the military so I could leave my > town and", "of character POV: I joined the military so I could defend > my", "all that misery. > > > There's also a possibility for: > >", "what the special character perceives and hears. The special character perceives both", "that ability to the reader apart from using different POVs of the same", "from anyone's speech. If they're telling the truth, what he hears/perceives is what", "speech. If they're telling the truth, what he hears/perceives is what the interlocutor", "path. > > > Truth: I was scared of being the same old", "it was not > confidence and selflessness that burst out of his mouth.", "The speech for the speaker is different from what the special character perceives", "foreign invasions. > > > Perception of character POV: I joined the military", "the readers, there's this ability of one specific character that allows him to", "interpretation and knowledge of the facts. I'll exemplify two ways: > > Surface", "drag me > the farther away from all that misery. > > >", "There was > fear and resentment lingering around his lips as he said", "leave my > town and follow my own path. > > > Truth:", "* The special character perceives both the truth and the false speech, the", "> town and follow my own path. > > > Truth: I was", "revealed through the book, nor I plan it to be revealed later on,", "the story. Question: How to hint that ability to the reader apart from", "character that allows him to hear/perceive the truth from anyone's speech. If they're", "knowledge of the facts. I'll exemplify two ways: > > Surface POV: I", "Riwhurz said, but it was not > confidence and selflessness that burst out", "specific character that allows him to hear/perceive the truth from anyone's speech. If", "I could leave my > town and follow my own path. > >", "own path. > > > Truth: I was scared of being the same", "the characters involved and hidden from the readers, there's this ability of one", "shit as my father, from a > shitty town. I chose the military", "> > > There's also a possibility for: > > Perception of character", "was not > confidence and selflessness that burst out of his mouth. There", "for: > > Perception of character POV: I joined the military so I", "I could defend > my kingdom from foreign invasions. - Riwhurz said, but", "being the same old shit as my father, from a > shitty town.", "as he drives through the story. Question: How to hint that ability to", "the truth, what he hears/perceives is what the interlocutor is saying. If there's" ]
[ "where they are placed or having closed the file and then re-opened the", "DTP should I use as Microsoft Word does not seem to be appropriate.", "the pictures will not stay where they are placed or having closed the", "find either that the pictures will not stay where they are placed or", "not stay where they are placed or having closed the file and then", "in the correct place. What DTP should I use as Microsoft Word does", "page and this is where I cannot seem to have a stable document.", "the file, the text boxes are not in the correct place. What DTP", "years research. I have used Microsoft Word exclusively, but I have a problem", "struggling to write a book on my 14 years research. I have used", "Box as recommended by Microsoft. Having placed these text boxes relative to the", "stable document. I place the pictures in a Text Box as recommended by", "file, the text boxes are not in the correct place. What DTP should", "cannot seem to have a stable document. I place the pictures in a", "sometimes six per page and this is where I cannot seem to have", "to have a stable document. I place the pictures in a Text Box", "uses lots of pictures, sometimes six per page and this is where I", "have a problem that the book uses lots of pictures, sometimes six per", "text boxes are not in the correct place. What DTP should I use", "of pictures, sometimes six per page and this is where I cannot seem", "Having placed these text boxes relative to the text I find either that", "boxes relative to the text I find either that the pictures will not", "pictures, sometimes six per page and this is where I cannot seem to", "the correct place. What DTP should I use as Microsoft Word does not", "research. I have used Microsoft Word exclusively, but I have a problem that", "Word exclusively, but I have a problem that the book uses lots of", "either that the pictures will not stay where they are placed or having", "in a Text Box as recommended by Microsoft. Having placed these text boxes", "these text boxes relative to the text I find either that the pictures", "place. What DTP should I use as Microsoft Word does not seem to", "I cannot seem to have a stable document. I place the pictures in", "document. I place the pictures in a Text Box as recommended by Microsoft.", "have a stable document. I place the pictures in a Text Box as", "on my 14 years research. I have used Microsoft Word exclusively, but I", "exclusively, but I have a problem that the book uses lots of pictures,", "I find either that the pictures will not stay where they are placed", "pictures in a Text Box as recommended by Microsoft. Having placed these text", "where I cannot seem to have a stable document. I place the pictures", "will not stay where they are placed or having closed the file and", "I have used Microsoft Word exclusively, but I have a problem that the", "recommended by Microsoft. Having placed these text boxes relative to the text I", "then re-opened the file, the text boxes are not in the correct place.", "Microsoft Word exclusively, but I have a problem that the book uses lots", "Text Box as recommended by Microsoft. Having placed these text boxes relative to", "but I have a problem that the book uses lots of pictures, sometimes", "Microsoft. Having placed these text boxes relative to the text I find either", "I place the pictures in a Text Box as recommended by Microsoft. Having", "that the book uses lots of pictures, sometimes six per page and this", "the text boxes are not in the correct place. What DTP should I", "relative to the text I find either that the pictures will not stay", "I have a problem that the book uses lots of pictures, sometimes six", "are placed or having closed the file and then re-opened the file, the", "is where I cannot seem to have a stable document. I place the", "a problem that the book uses lots of pictures, sometimes six per page", "a book on my 14 years research. I have used Microsoft Word exclusively,", "book on my 14 years research. I have used Microsoft Word exclusively, but", "text boxes relative to the text I find either that the pictures will", "a stable document. I place the pictures in a Text Box as recommended", "per page and this is where I cannot seem to have a stable", "write a book on my 14 years research. I have used Microsoft Word", "pictures will not stay where they are placed or having closed the file", "stay where they are placed or having closed the file and then re-opened", "the book uses lots of pictures, sometimes six per page and this is", "a Text Box as recommended by Microsoft. Having placed these text boxes relative", "14 years research. I have used Microsoft Word exclusively, but I have a", "file and then re-opened the file, the text boxes are not in the", "and then re-opened the file, the text boxes are not in the correct", "placed or having closed the file and then re-opened the file, the text", "this is where I cannot seem to have a stable document. I place", "been struggling to write a book on my 14 years research. I have", "seem to have a stable document. I place the pictures in a Text", "to the text I find either that the pictures will not stay where", "and this is where I cannot seem to have a stable document. I", "placed these text boxes relative to the text I find either that the", "the file and then re-opened the file, the text boxes are not in", "place the pictures in a Text Box as recommended by Microsoft. Having placed", "that the pictures will not stay where they are placed or having closed", "have been struggling to write a book on my 14 years research. I", "to write a book on my 14 years research. I have used Microsoft", "book uses lots of pictures, sometimes six per page and this is where", "six per page and this is where I cannot seem to have a", "problem that the book uses lots of pictures, sometimes six per page and", "they are placed or having closed the file and then re-opened the file,", "What DTP should I use as Microsoft Word does not seem to be", "the text I find either that the pictures will not stay where they", "closed the file and then re-opened the file, the text boxes are not", "my 14 years research. I have used Microsoft Word exclusively, but I have", "lots of pictures, sometimes six per page and this is where I cannot", "boxes are not in the correct place. What DTP should I use as", "as recommended by Microsoft. Having placed these text boxes relative to the text", "I have been struggling to write a book on my 14 years research.", "text I find either that the pictures will not stay where they are", "have used Microsoft Word exclusively, but I have a problem that the book", "correct place. What DTP should I use as Microsoft Word does not seem", "having closed the file and then re-opened the file, the text boxes are", "by Microsoft. Having placed these text boxes relative to the text I find", "the pictures in a Text Box as recommended by Microsoft. Having placed these", "re-opened the file, the text boxes are not in the correct place. What", "used Microsoft Word exclusively, but I have a problem that the book uses", "not in the correct place. What DTP should I use as Microsoft Word", "are not in the correct place. What DTP should I use as Microsoft", "or having closed the file and then re-opened the file, the text boxes" ]
[ "writing the story as if it is going to be divided into smaller", "a matter of putting it all to the paper, which I fully intend", "of times so now it’s just a matter of putting it all to", "I’ve known for a while that this is going to end up being", "clarification, I am not writing the story as if it is going to", "I am not writing the story as if it is going to be", "matter of putting it all to the paper, which I fully intend to", "now currently longer than 1,000 notebook pages (roughly 615 pages in print by", "third of the way through the plot. So, I’ve known for a while", "each book, and I’ve even gone as far as to create a detailed", "to end up being multiple books when it’s completed. I recently decided to", "a third of the way through the plot. So, I’ve known for a", "go, I have an idea of what information I want to be covered", "time I know where I want the story to go, I have an", "gone as far as to create a detailed plot chart outlining what is", "going to be divided into smaller books, I’m writing it as if it", "completed. I recently decided to take a break from writing the story to", "and I’ve even gone as far as to create a detailed plot chart", "recently decided to take a break from writing the story to finish the", "been working on a story for several years. The manuscript is now currently", "wherever it seems logical to do so based on plot and book-length. At", "remainder of the story has not yet been written?** To add some clarification,", "head hundreds of times so now it’s just a matter of putting it", "this time I know where I want the story to go, I have", "even gone as far as to create a detailed plot chart outlining what", "being multiple books when it’s completed. I recently decided to take a break", "through the plot. So, I’ve known for a while that this is going", "create a detailed plot chart outlining what is going to happen and when.", "to go, I have an idea of what information I want to be", "longer series even though the remainder of the story has not yet been", "a good idea to self-publish a completed first book in what will be", "trilogy or tetralogy. This first book is around 315 pages. So my question", "finish the first book in what will likely be either a trilogy or", "it is going to be divided into smaller books, I’m writing it as", "want the story to go, I have an idea of what information I", "question is, *Is it a good idea to self-publish a completed first book", "or tetralogy. This first book* is around 315 pages. So my question is,", "break from writing the story to finish the first book in what will", "my question is, Is it a good idea to self-publish a completed first", "idea of what information I want to be covered in each book, and", "the way through the plot. So, I’ve known for a while that this", "into smaller books, I’m writing it as if it is one really long", "where I want the story to go, I have an idea of what", "completed first book in what will be a longer series even though the", "the story as if it is going to be divided into smaller books,", "to self-publish a completed first book in what will be a longer series", "the story I’ve already written and re-written in my head hundreds of times", "outlining what is going to happen and when. Most sections of the story", "book, and I’ve even gone as far as to create a detailed plot", "written and re-written in my head hundreds of times so now it’s just", "my head hundreds of times so now it’s just a matter of putting", "not yet been written? To add some clarification, I am not writing the", "of the story I’ve already written and re-written in my head hundreds of", "the story to go, I have an idea of what information I want", "I have been working on a story for several years. The manuscript is", "is around 315 pages. So my question is, *Is it a good idea", "I’m dividing it wherever it seems logical to do so based on plot", "and it’s only a third of the way through the plot. So, I’ve", "be either a trilogy or tetralogy. This first book* is around 315 pages.", "first book in what will likely be either a trilogy or tetralogy. This", "I’ve even gone as far as to create a detailed plot chart outlining", "what is going to happen and when. Most sections of the story I’ve", "that this is going to end up being multiple books when it’s completed.", "it’s just a matter of putting it all to the paper, which I", "*Is it a good idea to self-publish a completed first book in what", "first book* is around 315 pages. So my question is, Is it a", "seems logical to do so based on plot and book-length. At this time", "first book in what will be a longer series even though the remainder", "the story has not yet been written? To add some clarification, I am", "this is going to end up being multiple books when it’s completed. I", "be divided into smaller books, I’m writing it as if it is one", "know where I want the story to go, I have an idea of", "it seems logical to do so based on plot and book-length. At this", "a break from writing the story to finish the first book in what", "so now it’s just a matter of putting it all to the paper,", "I’m writing it as if it is one really long book. I’m dividing", "To add some clarification, I am not writing the story as if it", "a trilogy or tetralogy. This first book is around 315 pages. So my", "to be covered in each book, and I’ve even gone as far as", "to finish the first book in what will likely be either a trilogy", "to be divided into smaller books, I’m writing it as if it is", "it’s completed. I recently decided to take a break from writing the story", "several years. The manuscript is now currently longer than 1,000 notebook pages (roughly", "longer than 1,000 notebook pages (roughly 615 pages in print by my calculations)", "book is around 315 pages. So my question is, *Is it a good", "far as to create a detailed plot chart outlining what is going to", "in my head hundreds of times so now it’s just a matter of", "be a longer series even though the remainder of the story has not", "story as if it is going to be divided into smaller books, I’m", "now it’s just a matter of putting it all to the paper, which", "in what will likely be either a trilogy or tetralogy. This first book", "it is one really long book. I’m dividing it wherever it seems logical", "manuscript is now currently longer than 1,000 notebook pages (roughly 615 pages in", "it’s only a third of the way through the plot. So, I’ve known", "So, I’ve known for a while that this is going to end up", "I have an idea of what information I want to be covered in", "1,000 notebook pages (roughly 615 pages in print by my calculations) and it’s", "is going to happen and when. Most sections of the story I’ve already", "self-publish a completed first book in what will be a longer series even", "books, I’m writing it as if it is one really long book. I’m", "really long book. I’m dividing it wherever it seems logical to do so", "do so based on plot and book-length. At this time I know where", "in each book, and I’ve even gone as far as to create a", "So my question is, Is it a good idea to self-publish a completed", "a longer series even though the remainder of the story has not yet", "up being multiple books* when it’s completed. I recently decided to take a", "only a third of the way through the plot. So, I’ve known for", "to take a break from writing the story to finish the first book", "tetralogy. This first book is around 315 pages. So my question is, *Is", "good idea to self-publish a completed first book in what will be a", "one really long book. I’m dividing it wherever it seems logical to do", "on a story* for several years. The manuscript is now currently longer than", "based on plot and book-length. At this time I know where I want", "(roughly 615 pages in print by my calculations) and it’s only a third", "a while that this is going to end up being multiple books when", "the plot. So, I’ve known for a while that this is going to", "At this time I know where I want the story to go, I", "of what information I want to be covered in each book, and I’ve", "hundreds of times so now it’s just a matter of putting it all", "if it is one really long book. I’m dividing it wherever it seems", "as to create a detailed plot chart outlining what is going to happen", "in print by my calculations) and it’s only a third of the way", "going to end up being multiple books when it’s completed. I recently decided", "I want to be covered in each book, and I’ve even gone as", "long book. I’m dividing it wherever it seems logical to do so based", "pages in print by my calculations) and it’s only a third of the", "by my calculations) and it’s only a third of the way through the", "some clarification, I am not writing the story as if it is going", "while that this is going to end up being multiple books when it’s", "as if it is going to be divided into smaller books, I’m writing", "be covered in each book, and I’ve even gone as far as to", "when. Most sections of the story I’ve already written and re-written in my", "315 pages. So my question is, *Is it a good idea to self-publish", "615 pages in print by my calculations) and it’s only a third of", "what will likely be either a trilogy or tetralogy. This first book* is", "around 315 pages. So my question is, *Is it a good idea to", "plot chart outlining what is going to happen and when. Most sections of", "currently longer than 1,000 notebook pages (roughly 615 pages in print by my", "I recently decided to take a break from writing the story* to finish", "writing the story to finish the first book in what will likely be", "is, *Is it a good idea to self-publish a completed first book in", "Most sections of the story I’ve already written and re-written in my head", "just a matter of putting it all to the paper, which I fully", "divided into smaller books, I’m writing it as if it is one really", "years. The manuscript is now currently longer than 1,000 notebook pages (roughly 615", "the first book* in what will likely be either a trilogy or tetralogy.", "a detailed plot chart outlining what is going to happen and when. Most", "for several years. The manuscript is now currently longer than 1,000 notebook pages", "of the story has not yet been written?** To add some clarification, I", "is one really long book. I’m dividing it wherever it seems logical to", "plot and book-length. At this time I know where I want the story", "book in what will be a longer series even though the remainder of", "am not writing the story as if it is going to be divided", "smaller books, I’m writing it as if it is one really long book.", "have been working on a story for several years. The manuscript is now", "take a break from writing the story to finish the first book in", "what will be a longer series even though the remainder of the story", "for a while that this is going to end up being multiple books", "dividing it wherever it seems logical to do so based on plot and", "way through the plot. So, I’ve known for a while that this is", "the story to finish the first book in what will likely be either", "going to happen and when. Most sections of the story I’ve already written", "been written?** To add some clarification, I am not writing the story as", "not writing the story as if it is going to be divided into", "I’ve already written and re-written in my head hundreds of times so now", "I know where I want the story to go, I have an idea", "to happen and when. Most sections of the story I’ve already written and", "story I’ve already written and re-written in my head hundreds of times so", "known for a while that this is going to end up being multiple", "a story for several years. The manuscript is now currently longer than 1,000", "logical to do so based on plot and book-length. At this time I", "it wherever it seems logical to do so based on plot and book-length.", "as far as to create a detailed plot chart outlining what is going", "book in what will likely be either a trilogy or tetralogy. This first", "chart outlining what is going to happen and when. Most sections of the", "it as if it is one really long book. I’m dividing it wherever", "The manuscript is now currently longer than 1,000 notebook pages (roughly 615 pages", "even though the remainder of the story has not yet been written? To", "story has not yet been written? To add some clarification, I am not", "pages (roughly 615 pages in print by my calculations) and it’s only a", "on plot and book-length. At this time I know where I want the", "and re-written in my head hundreds of times so now it’s just a", "information I want to be covered in each book, and I’ve even gone", "idea to self-publish a completed first book in what will be a longer", "of the way through the plot. So, I’ve known for a while that", "so based on plot and book-length. At this time I know where I", "is going to end up being multiple books when it’s completed. I recently", "to create a detailed plot chart outlining what is going to happen and", "story to finish the first book in what will likely be either a", "story for several years. The manuscript is now currently longer than 1,000 notebook", "series even though the remainder of the story has not yet been written?*", "writing it as if it is one really long book. I’m dividing it", "will likely be either a trilogy or tetralogy. This first book* is around", "an idea of what information I want to be covered in each book,", "and when. Most sections of the story I’ve already written and re-written in", "add some clarification, I am not writing the story as if it is", "decided to take a break from writing the story to finish the first", "end up being multiple books when it’s completed. I recently decided to take", "written? To add some clarification, I am not writing the story as if", "sections of the story I’ve already written and re-written in my head hundreds", "already written and re-written in my head hundreds of times so now it’s", "pages. So my question is, Is it a good idea to self-publish a", "print by my calculations) and it’s only a third of the way through", "is now currently longer than 1,000 notebook pages (roughly 615 pages in print", "plot. So, I’ve known for a while that this is going to end", "than 1,000 notebook pages (roughly 615 pages in print by my calculations) and", "of putting it all to the paper, which I fully intend to do.", "book-length. At this time I know where I want the story to go,", "I want the story to go, I have an idea of what information", "if it is going to be divided into smaller books, I’m writing it", "has not yet been written? To add some clarification, I am not writing", "times so now it’s just a matter of putting it all to the", "re-written in my head hundreds of times so now it’s just a matter", "it a good idea to self-publish a completed first book in what will", "a completed first book in what will be a longer series even though", "as if it is one really long book. I’m dividing it wherever it", "want to be covered in each book, and I’ve even gone as far", "calculations) and it’s only a third of the way through the plot. So,", "the remainder of the story has not yet been written? To add some", "will be a longer series even though the remainder of the story has", "story to go, I have an idea of what information I want to", "book. I’m dividing it wherever it seems logical to do so based on", "to do so based on plot and book-length. At this time I know", "This first book is around 315 pages. So my question is, *Is it", "in what will be a longer series even though the remainder of the", "when it’s completed. I recently decided to take a break from writing the", "my calculations) and it’s only a third of the way through the plot.", "likely be either a trilogy or tetralogy. This first book* is around 315", "multiple books when it’s completed. I recently decided to take a break from", "detailed plot chart outlining what is going to happen and when. Most sections", "working on a story for several years. The manuscript is now currently longer", "what information I want to be covered in each book, and I’ve even", "happen and when. Most sections of the story I’ve already written and re-written", "notebook pages (roughly 615 pages in print by my calculations) and it’s only", "is going to be divided into smaller books, I’m writing it as if", "and book-length. At this time I know where I want the story to", "though the remainder of the story has not yet been written?** To add", "from writing the story to finish the first book in what will likely", "have an idea of what information I want to be covered in each", "covered in each book, and I’ve even gone as far as to create", "yet been written?** To add some clarification, I am not writing the story", "books when it’s completed. I recently decided to take a break from writing", "either a trilogy or tetralogy. This first book is around 315 pages. So" ]
[ "a descriptive passage and what should the POV be when we do it?", "Let's say I am writing a fantasy book where magic users doesn't use", "a new definition to the word) the word \"Hermetic\", and should we redefine", "doesn't use something called \"magic\", but use something called \"Hermetic\". Where in the", "I am writing a fantasy book where magic users doesn't use something called", "am writing a fantasy book where magic users doesn't use something called \"magic\",", "dialogue, through a descriptive passage and what should the POV be when we", "to the word) the word \"Hermetic\", and should we redefine through a dialogue,", "book where magic users doesn't use something called \"magic\", but use something called", "through a descriptive passage and what should the POV be when we do", "through a dialogue, through a descriptive passage and what should the POV be", "redefine through a dialogue, through a descriptive passage and what should the POV", "word \"Hermetic\", and should we redefine through a dialogue, through a descriptive passage", "word) the word \"Hermetic\", and should we redefine through a dialogue, through a", "we redefine (give a new definition to the word) the word \"Hermetic\", and", "should we redefine through a dialogue, through a descriptive passage and what should", "(give a new definition to the word) the word \"Hermetic\", and should we", "where magic users doesn't use something called \"magic\", but use something called \"Hermetic\".", "fantasy book where magic users doesn't use something called \"magic\", but use something", "magic users doesn't use something called \"magic\", but use something called \"Hermetic\". Where", "definition to the word) the word \"Hermetic\", and should we redefine through a", "\"Hermetic\", and should we redefine through a dialogue, through a descriptive passage and", "new definition to the word) the word \"Hermetic\", and should we redefine through", "the book should we redefine (give a new definition to the word) the", "\"magic\", but use something called \"Hermetic\". Where in the book should we redefine", "say I am writing a fantasy book where magic users doesn't use something", "use something called \"Hermetic\". Where in the book should we redefine (give a", "in the book should we redefine (give a new definition to the word)", "we redefine through a dialogue, through a descriptive passage and what should the", "called \"Hermetic\". Where in the book should we redefine (give a new definition", "Where in the book should we redefine (give a new definition to the", "the word \"Hermetic\", and should we redefine through a dialogue, through a descriptive", "users doesn't use something called \"magic\", but use something called \"Hermetic\". Where in", "but use something called \"Hermetic\". Where in the book should we redefine (give", "writing a fantasy book where magic users doesn't use something called \"magic\", but", "redefine (give a new definition to the word) the word \"Hermetic\", and should", "a fantasy book where magic users doesn't use something called \"magic\", but use", "called \"magic\", but use something called \"Hermetic\". Where in the book should we", "a dialogue, through a descriptive passage and what should the POV be when", "use something called \"magic\", but use something called \"Hermetic\". Where in the book", "\"Hermetic\". Where in the book should we redefine (give a new definition to", "something called \"magic\", but use something called \"Hermetic\". Where in the book should", "and should we redefine through a dialogue, through a descriptive passage and what", "should we redefine (give a new definition to the word) the word \"Hermetic\",", "something called \"Hermetic\". Where in the book should we redefine (give a new", "the word) the word \"Hermetic\", and should we redefine through a dialogue, through", "book should we redefine (give a new definition to the word) the word" ]
[ "much shorter than the climax. For example, can the introduction be 20% of", "novel consists of three parts: introduction, climax and conclusion. Is it ok if", "example, can the introduction be 20% of the novel, the climax be 78%", "You would think a better distribution would be 20%, 60% and 20%. Not", "the conclusion be 2% of the novel? Is it a bad thing? You", "introduction, climax and conclusion. Is it ok if the conclusion is much shorter", "say that a novel consists of three parts: introduction, climax and conclusion. Is", "conclusion. Is it ok if the conclusion is much shorter than the climax.", "be 2% of the novel? Is it a bad thing? You would think", "distribution is, but I am really wondering if it's ok to have a", "consists of three parts: introduction, climax and conclusion. Is it ok if the", "Is it ok if the conclusion is much shorter than the climax. For", "climax be 78% of the novel, and the conclusion be 2% of the", "ok if the conclusion is much shorter than the climax. For example, can", "is, but I am really wondering if it's ok to have a short", "and conclusion. Is it ok if the conclusion is much shorter than the", "it ok if the conclusion is much shorter than the climax. For example,", "a bad thing? You would think a better distribution would be 20%, 60%", "than the climax. For example, can the introduction be 20% of the novel,", "the novel, and the conclusion be 2% of the novel? Is it a", "be 20%, 60% and 20%. Not sure what the usual distribution is, but", "be 20% of the novel, the climax be 78% of the novel, and", "I am really wondering if it's ok to have a short and abrupt", "the usual distribution is, but I am really wondering if it's ok to", "20%, 60% and 20%. Not sure what the usual distribution is, but I", "Let's say that a novel consists of three parts: introduction, climax and conclusion.", "the novel, the climax be 78% of the novel, and the conclusion be", "am really wondering if it's ok to have a short and abrupt ending.", "the climax be 78% of the novel, and the conclusion be 2% of", "bad thing? You would think a better distribution would be 20%, 60% and", "three parts: introduction, climax and conclusion. Is it ok if the conclusion is", "78% of the novel, and the conclusion be 2% of the novel? Is", "parts: introduction, climax and conclusion. Is it ok if the conclusion is much", "20% of the novel, the climax be 78% of the novel, and the", "better distribution would be 20%, 60% and 20%. Not sure what the usual", "what the usual distribution is, but I am really wondering if it's ok", "introduction be 20% of the novel, the climax be 78% of the novel,", "conclusion is much shorter than the climax. For example, can the introduction be", "sure what the usual distribution is, but I am really wondering if it's", "climax and conclusion. Is it ok if the conclusion is much shorter than", "and the conclusion be 2% of the novel? Is it a bad thing?", "of three parts: introduction, climax and conclusion. Is it ok if the conclusion", "is much shorter than the climax. For example, can the introduction be 20%", "60% and 20%. Not sure what the usual distribution is, but I am", "climax. For example, can the introduction be 20% of the novel, the climax", "the novel? Is it a bad thing? You would think a better distribution", "distribution would be 20%, 60% and 20%. Not sure what the usual distribution", "usual distribution is, but I am really wondering if it's ok to have", "if the conclusion is much shorter than the climax. For example, can the", "can the introduction be 20% of the novel, the climax be 78% of", "it a bad thing? You would think a better distribution would be 20%,", "novel, and the conclusion be 2% of the novel? Is it a bad", "Not sure what the usual distribution is, but I am really wondering if", "be 78% of the novel, and the conclusion be 2% of the novel?", "conclusion be 2% of the novel? Is it a bad thing? You would", "of the novel? Is it a bad thing? You would think a better", "Is it a bad thing? You would think a better distribution would be", "novel, the climax be 78% of the novel, and the conclusion be 2%", "a novel consists of three parts: introduction, climax and conclusion. Is it ok", "the introduction be 20% of the novel, the climax be 78% of the", "think a better distribution would be 20%, 60% and 20%. Not sure what", "would think a better distribution would be 20%, 60% and 20%. Not sure", "2% of the novel? Is it a bad thing? You would think a", "that a novel consists of three parts: introduction, climax and conclusion. Is it", "thing? You would think a better distribution would be 20%, 60% and 20%.", "of the novel, the climax be 78% of the novel, and the conclusion", "For example, can the introduction be 20% of the novel, the climax be", "novel? Is it a bad thing? You would think a better distribution would", "and 20%. Not sure what the usual distribution is, but I am really", "the conclusion is much shorter than the climax. For example, can the introduction", "20%. Not sure what the usual distribution is, but I am really wondering", "but I am really wondering if it's ok to have a short and", "of the novel, and the conclusion be 2% of the novel? Is it", "the climax. For example, can the introduction be 20% of the novel, the", "would be 20%, 60% and 20%. Not sure what the usual distribution is,", "shorter than the climax. For example, can the introduction be 20% of the", "a better distribution would be 20%, 60% and 20%. Not sure what the" ]
[ "never happen\"? Can a story like mine with inaccurate/nonexistent science still be appealing?", "get that radiation just hurts/kills people, it doesn't give someone the ability to", "my post-apocalyptic novel, the world was caught up in an international war (basically", "novel, the world was caught up in an international war (basically WWIII), and", "post-apocalyptic novel, the world was caught up in an international war (basically WWIII),", "global population. Ambient radiation from the nuclear fallout has caused humans to develop", "So, in my post-apocalyptic novel, the world was caught up in an international", "from the nuclear fallout has caused humans to develop supernatural abilities. And that", "of is \"that would never happen\"? Can a story like mine with inaccurate/nonexistent", "And that is not science. I totally get that radiation just hurts/kills people,", "the global population. Ambient radiation from the nuclear fallout has caused humans to", "story need to be scientifically accurate or plausible? Will I lose readers because", "that is not science. I totally get that radiation just hurts/kills people, it", "caught up in an international war (basically WWIII), and all the world's nuclear", "develop supernatural abilities. And that is not science. I totally get that radiation", "warheads and killed much of the global population. Ambient radiation from the nuclear", "that radiation just hurts/kills people, it doesn't give someone the ability to manipulate", "the world was caught up in an international war (basically WWIII), and all", "fallout has caused humans to develop supernatural abilities. And that is not science.", "killed much of the global population. Ambient radiation from the nuclear fallout has", "just hurts/kills people, it doesn't give someone the ability to manipulate life force", "population. Ambient radiation from the nuclear fallout has caused humans to develop supernatural", "because all they can think of is \"that would never happen\"? Can a", "nuclear superpowers launched their warheads and killed much of the global population. Ambient", "ability to manipulate life force or become pyrokinetic like I assert in my", "people, it doesn't give someone the ability to manipulate life force or become", "plausible? Will I lose readers because all they can think of is \"that", "assert in my story. That's not scientifically possible. But does my story need", "Will I lose readers because all they can think of is \"that would", "superpowers launched their warheads and killed much of the global population. Ambient radiation", "I totally get that radiation just hurts/kills people, it doesn't give someone the", "hurts/kills people, it doesn't give someone the ability to manipulate life force or", "an international war (basically WWIII), and all the world's nuclear superpowers launched their", "does my story need to be scientifically accurate or plausible? Will I lose", "the world's nuclear superpowers launched their warheads and killed much of the global", "supernatural abilities. And that is not science. I totally get that radiation just", "was caught up in an international war (basically WWIII), and all the world's", "has caused humans to develop supernatural abilities. And that is not science. I", "is \"that would never happen\"? Can a story like mine with inaccurate/nonexistent science", "totally get that radiation just hurts/kills people, it doesn't give someone the ability", "manipulate life force or become pyrokinetic like I assert in my story. That's", "science. I totally get that radiation just hurts/kills people, it doesn't give someone", "in my post-apocalyptic novel, the world was caught up in an international war", "caused humans to develop supernatural abilities. And that is not science. I totally", "scientifically accurate or plausible? Will I lose readers because all they can think", "abilities. And that is not science. I totally get that radiation just hurts/kills", "readers because all they can think of is \"that would never happen\"? Can", "WWIII), and all the world's nuclear superpowers launched their warheads and killed much", "up in an international war (basically WWIII), and all the world's nuclear superpowers", "I assert in my story. That's not scientifically possible. But does my story", "or plausible? Will I lose readers because all they can think of is", "world's nuclear superpowers launched their warheads and killed much of the global population.", "world was caught up in an international war (basically WWIII), and all the", "Ambient radiation from the nuclear fallout has caused humans to develop supernatural abilities.", "I lose readers because all they can think of is \"that would never", "they can think of is \"that would never happen\"? Can a story like", "their warheads and killed much of the global population. Ambient radiation from the", "become pyrokinetic like I assert in my story. That's not scientifically possible. But", "That's not scientifically possible. But does my story need to be scientifically accurate", "not scientifically possible. But does my story need to be scientifically accurate or", "is not science. I totally get that radiation just hurts/kills people, it doesn't", "someone the ability to manipulate life force or become pyrokinetic like I assert", "(basically WWIII), and all the world's nuclear superpowers launched their warheads and killed", "my story need to be scientifically accurate or plausible? Will I lose readers", "international war (basically WWIII), and all the world's nuclear superpowers launched their warheads", "or become pyrokinetic like I assert in my story. That's not scientifically possible.", "and all the world's nuclear superpowers launched their warheads and killed much of", "to manipulate life force or become pyrokinetic like I assert in my story.", "it doesn't give someone the ability to manipulate life force or become pyrokinetic", "story. That's not scientifically possible. But does my story need to be scientifically", "can think of is \"that would never happen\"? Can a story like mine", "would never happen\"? Can a story like mine with inaccurate/nonexistent science still be", "of the global population. Ambient radiation from the nuclear fallout has caused humans", "the ability to manipulate life force or become pyrokinetic like I assert in", "But does my story need to be scientifically accurate or plausible? Will I", "all they can think of is \"that would never happen\"? Can a story", "life force or become pyrokinetic like I assert in my story. That's not", "my story. That's not scientifically possible. But does my story need to be", "in an international war (basically WWIII), and all the world's nuclear superpowers launched", "need to be scientifically accurate or plausible? Will I lose readers because all", "war (basically WWIII), and all the world's nuclear superpowers launched their warheads and", "much of the global population. Ambient radiation from the nuclear fallout has caused", "radiation from the nuclear fallout has caused humans to develop supernatural abilities. And", "not science. I totally get that radiation just hurts/kills people, it doesn't give", "to develop supernatural abilities. And that is not science. I totally get that", "to be scientifically accurate or plausible? Will I lose readers because all they", "and killed much of the global population. Ambient radiation from the nuclear fallout", "lose readers because all they can think of is \"that would never happen\"?", "force or become pyrokinetic like I assert in my story. That's not scientifically", "the nuclear fallout has caused humans to develop supernatural abilities. And that is", "possible. But does my story need to be scientifically accurate or plausible? Will", "radiation just hurts/kills people, it doesn't give someone the ability to manipulate life", "nuclear fallout has caused humans to develop supernatural abilities. And that is not", "pyrokinetic like I assert in my story. That's not scientifically possible. But does", "all the world's nuclear superpowers launched their warheads and killed much of the", "scientifically possible. But does my story need to be scientifically accurate or plausible?", "like I assert in my story. That's not scientifically possible. But does my", "\"that would never happen\"? Can a story like mine with inaccurate/nonexistent science still", "in my story. That's not scientifically possible. But does my story need to", "accurate or plausible? Will I lose readers because all they can think of", "think of is \"that would never happen\"? Can a story like mine with", "humans to develop supernatural abilities. And that is not science. I totally get", "be scientifically accurate or plausible? Will I lose readers because all they can", "give someone the ability to manipulate life force or become pyrokinetic like I", "launched their warheads and killed much of the global population. Ambient radiation from", "doesn't give someone the ability to manipulate life force or become pyrokinetic like" ]
[ "in the central states of the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm", "US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting the language for", "would help in that regard? A disclaimer: I'm a beginner. Additionally, English is", "A disclaimer: I'm a beginner. Additionally, English is not my native language, but", "that would help in that regard? A disclaimer: I'm a beginner. Additionally, English", "of resources that would help in that regard? A disclaimer: I'm a beginner.", "the 1900s ~ 1950s, in the central states of the US: Kansas, Nebraska,", "the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting the language", "Oklahoma, and Wisconsin. I'm having difficulty getting the language for narration and dialogue", "dialogue correct for the period. Does anyone know of resources that would help", "in that regard? A disclaimer: I'm a beginner. Additionally, English is not my", "regard? A disclaimer: I'm a beginner. Additionally, English is not my native language,", "my native language, but here we are, I'm attempting fiction in a foreign", "resources that would help in that regard? A disclaimer: I'm a beginner. Additionally,", "in the 1900s ~ 1950s, in the central states of the US: Kansas,", "not my native language, but here we are, I'm attempting fiction in a", "is not my native language, but here we are, I'm attempting fiction in", "and dialogue correct for the period. Does anyone know of resources that would", "the book I'm writing in the 1900s ~ 1950s, in the central states", "getting the language for narration and dialogue correct for the period. Does anyone", "~ 1950s, in the central states of the US: Kansas, Nebraska, Oklahoma, and", "having difficulty getting the language for narration and dialogue correct for the period.", "the period. Does anyone know of resources that would help in that regard?", "the language for narration and dialogue correct for the period. Does anyone know", "Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting the language for narration", "Does anyone know of resources that would help in that regard? A disclaimer:", "Additionally, English is not my native language, but here we are, I'm attempting", "I'm having difficulty getting the language for narration and dialogue correct for the", "for narration and dialogue correct for the period. Does anyone know of resources", "disclaimer: I'm a beginner. Additionally, English is not my native language, but here", "beginner. Additionally, English is not my native language, but here we are, I'm", "setting the book I'm writing in the 1900s ~ 1950s, in the central", "that regard? A disclaimer: I'm a beginner. Additionally, English is not my native", "I'm writing in the 1900s ~ 1950s, in the central states of the", "correct for the period. Does anyone know of resources that would help in", "anyone know of resources that would help in that regard? A disclaimer: I'm", "Wisconsin. I'm having difficulty getting the language for narration and dialogue correct for", "help in that regard? A disclaimer: I'm a beginner. Additionally, English is not", "Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting the language for narration and", "for the period. Does anyone know of resources that would help in that", "1950s, in the central states of the US: Kansas, Nebraska, Oklahoma, and Wisconsin.", "difficulty getting the language for narration and dialogue correct for the period. Does", "I'm setting the book I'm writing in the 1900s ~ 1950s, in the", "and Wisconsin. I'm having difficulty getting the language for narration and dialogue correct", "central states of the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty", "1900s ~ 1950s, in the central states of the US: Kansas, Nebraska, Oklahoma,", "language for narration and dialogue correct for the period. Does anyone know of", "writing in the 1900s ~ 1950s, in the central states of the US:", "narration and dialogue correct for the period. Does anyone know of resources that", "of the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting the", "I'm a beginner. Additionally, English is not my native language, but here we", "book I'm writing in the 1900s ~ 1950s, in the central states of", "states of the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having difficulty getting", "native language, but here we are, I'm attempting fiction in a foreign language.", "a beginner. Additionally, English is not my native language, but here we are,", "the central states of the US: Kansas, Nebraska, Oklahoma, and Wisconsin. I'm having", "know of resources that would help in that regard? A disclaimer: I'm a", "period. Does anyone know of resources that would help in that regard? A", "English is not my native language, but here we are, I'm attempting fiction" ]
[ "be special, but I am aware that novel can turn to something like", "- Iceland, Uzhhorod - Ukraine and fourth must be invented). I want to", "fourth must be invented). I want to show culture and details of not", "is why I did not chose London, Paris etc.) and in every location", "will choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and fourth", "but probably the reader would excpect some action, which is missing in my", "is missing in my idea for now). What would you force to read", "be invented). I want to show culture and details of not very well", "All 4 heroes would be special, but I am aware that novel can", "(which is not bad, but probably the reader would excpect some action, which", "4 European cities (probably I will choose Frankfurt - Germany, Reykjavík - Iceland,", "I want to show culture and details of not very well known cities", "but I am aware that novel can turn to something like documentary film", "etc.) and in every location highlight one of four heroes. All 4 heroes", "decided to visit 4 European cities (probably I will choose Frankfurt - Germany,", "Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and fourth must be invented). I", "in my idea for now). What would you force to read such novel", "I did not chose London, Paris etc.) and in every location highlight one", "of not very well known cities (that is why I did not chose", "and details of not very well known cities (that is why I did", "to have 4 characters (2 guys and 2 girls), which decided to visit", "special, but I am aware that novel can turn to something like documentary", "Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and fourth must be", "Reykjavík - Iceland, Uzhhorod - Ukraine and fourth must be invented). I want", "bad, but probably the reader would excpect some action, which is missing in", "documentary film (which is not bad, but probably the reader would excpect some", "why I did not chose London, Paris etc.) and in every location highlight", "excpect some action, which is missing in my idea for now). What would", "can turn to something like documentary film (which is not bad, but probably", "have 4 characters (2 guys and 2 girls), which decided to visit 4", "guys and 2 girls), which decided to visit 4 European cities (probably I", "novel. My plan is to have 4 characters (2 guys and 2 girls),", "characters (2 guys and 2 girls), which decided to visit 4 European cities", "4 heroes would be special, but I am aware that novel can turn", "girls), which decided to visit 4 European cities (probably I will choose Frankfurt", "four heroes. All 4 heroes would be special, but I am aware that", "(probably I will choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod - Ukraine", "travel story novel. My plan is to have 4 characters (2 guys and", "novel can turn to something like documentary film (which is not bad, but", "story novel. My plan is to have 4 characters (2 guys and 2", "to write travel story novel. My plan is to have 4 characters (2", "My plan is to have 4 characters (2 guys and 2 girls), which", "did not chose London, Paris etc.) and in every location highlight one of", "Ukraine and fourth must be invented). I want to show culture and details", "London, Paris etc.) and in every location highlight one of four heroes. All", "would excpect some action, which is missing in my idea for now). What", "plan is to have 4 characters (2 guys and 2 girls), which decided", "want to show culture and details of not very well known cities (that", "my idea for now). What would you force to read such novel to", "heroes. All 4 heroes would be special, but I am aware that novel", "I want to write travel story novel. My plan is to have 4", "to visit 4 European cities (probably I will choose Frankfurt - Germany, Reykjavík", "well known cities (that is why I did not chose London, Paris etc.)", "like documentary film (which is not bad, but probably the reader would excpect", "am aware that novel can turn to something like documentary film (which is", "I will choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and", "that novel can turn to something like documentary film (which is not bad,", "write travel story novel. My plan is to have 4 characters (2 guys", "of four heroes. All 4 heroes would be special, but I am aware", "known cities (that is why I did not chose London, Paris etc.) and", "film (which is not bad, but probably the reader would excpect some action,", "visit 4 European cities (probably I will choose Frankfurt - Germany, Reykjavík -", "4 characters (2 guys and 2 girls), which decided to visit 4 European", "cities (probably I will choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod -", "(that is why I did not chose London, Paris etc.) and in every", "reader would excpect some action, which is missing in my idea for now).", "must be invented). I want to show culture and details of not very", "is to have 4 characters (2 guys and 2 girls), which decided to", "- Ukraine and fourth must be invented). I want to show culture and", "heroes would be special, but I am aware that novel can turn to", "to something like documentary film (which is not bad, but probably the reader", "not very well known cities (that is why I did not chose London,", "in every location highlight one of four heroes. All 4 heroes would be", "idea for now). What would you force to read such novel to the", "want to write travel story novel. My plan is to have 4 characters", "to show culture and details of not very well known cities (that is", "(2 guys and 2 girls), which decided to visit 4 European cities (probably", "very well known cities (that is why I did not chose London, Paris", "which is missing in my idea for now). What would you force to", "something like documentary film (which is not bad, but probably the reader would", "the reader would excpect some action, which is missing in my idea for", "Uzhhorod - Ukraine and fourth must be invented). I want to show culture", "not chose London, Paris etc.) and in every location highlight one of four", "chose London, Paris etc.) and in every location highlight one of four heroes.", "location highlight one of four heroes. All 4 heroes would be special, but", "European cities (probably I will choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod", "I am aware that novel can turn to something like documentary film (which", "Iceland, Uzhhorod - Ukraine and fourth must be invented). I want to show", "- Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and fourth must be invented).", "invented). I want to show culture and details of not very well known", "one of four heroes. All 4 heroes would be special, but I am", "every location highlight one of four heroes. All 4 heroes would be special,", "not bad, but probably the reader would excpect some action, which is missing", "show culture and details of not very well known cities (that is why", "2 girls), which decided to visit 4 European cities (probably I will choose", "choose Frankfurt - Germany, Reykjavík - Iceland, Uzhhorod - Ukraine and fourth must", "culture and details of not very well known cities (that is why I", "missing in my idea for now). What would you force to read such", "action, which is missing in my idea for now). What would you force", "aware that novel can turn to something like documentary film (which is not", "which decided to visit 4 European cities (probably I will choose Frankfurt -", "Paris etc.) and in every location highlight one of four heroes. All 4", "and fourth must be invented). I want to show culture and details of", "and 2 girls), which decided to visit 4 European cities (probably I will", "highlight one of four heroes. All 4 heroes would be special, but I", "details of not very well known cities (that is why I did not", "probably the reader would excpect some action, which is missing in my idea", "cities (that is why I did not chose London, Paris etc.) and in", "would be special, but I am aware that novel can turn to something", "and in every location highlight one of four heroes. All 4 heroes would", "for now). What would you force to read such novel to the end?", "is not bad, but probably the reader would excpect some action, which is", "some action, which is missing in my idea for now). What would you", "turn to something like documentary film (which is not bad, but probably the" ]
[ "and my character is approaching three people two of them are sitting on", "the words black and race and politically as key-words on this website but", "I am not sure of using the word African (will that clearly indicate", "don't want to say it as black man* and I am not sure", "[Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for the words black and race", "black man** was standing in front of them. > > > I don't", "approaching three people two of them are sitting on a bench in a", "a satisfactory answer.* The setting is 2013 in the UK, and my character", "and an elderly black man was standing in front of them. > >", "just to mention the diversity in that environment although later on in my", "on the log and an elderly black man was standing in front of", "diversity in that environment although later on in my novel I have clearly", "ask in 2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering", "in the UK, and my character is approaching three people two of them", "black man and I am not sure of using the word African** (will", "ancient solved problem to ask in 2019, but I googled about this and", "my novel reads; > > I walked towards the trio who looked like", "Sorry if this is an ancient solved problem to ask in 2019, but", "sure of using the word African (will that clearly indicate without being broad).", "express this just to mention the diversity in that environment although later on", "welcoming. A teenage looking girl and elderly women were sitting on the log", "mention the diversity in that environment although later on in my novel I", "environment although later on in my novel I have clearly expressed him in", "this website but still not a satisfactory answer.* The setting is 2013 in", "say it as black man and I am not sure of using the", "they were having a conversation. They all seemed welcoming. A teenage looking girl", "was standing in front of them. > > > I don't want to", "and elderly women were sitting on the log and an elderly black man", "having a conversation. They all seemed welcoming. A teenage looking girl and elderly", "them, my novel reads; > > I walked towards the trio who looked", "is 2013 in the UK, and my character is approaching three people two", "novel reads; > > I walked towards the trio who looked like they", "still not a satisfactory answer.* The setting is 2013 in the UK, and", "man was standing in front of them. > > > I don't want", "it as black man and I am not sure of using the word", "man and I am not sure of using the word African (will that", "black man is standing. As my character is approaching them, my novel reads;", "in a garden and one guy who is an elderly black man is", "to mention the diversity in that environment although later on in my novel", "words black* and race and politically as key-words on this website but still", "website but still not a satisfactory answer.* The *setting is 2013 in the", "the diversity in that environment although later on in my novel I have", "key-words on this website but still not a satisfactory answer. The setting is", "character is approaching them, my novel reads; > > I walked towards the", "in front of them. > > > I don't want to say it", "conversation. They all seemed welcoming. A teenage looking girl and elderly women were", "As my character is approaching them, my novel reads; > > I walked", "this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for the words black", "> I walked towards the trio who looked like they were having a", "approaching them, my novel reads; > > I walked towards the trio who", "answering me. I searched for the words black and race and politically as", "front of them. > > > I don't want to say it as", "I don't want to say it as black man and I am not", "three people two of them are sitting on a bench in a garden", "to say it as black man and I am not sure of using", "The setting is 2013 in the UK, and my character is approaching three", "were having a conversation. They all seemed welcoming. A teenage looking girl and", "and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for the words black** and", "but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. 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I want to express this just to mention the diversity", "that environment although later on in my novel I have clearly expressed him", "looked like they were having a conversation. They all seemed welcoming. A teenage", "A teenage looking girl and elderly women were sitting on the log and", "women were sitting on the log and an elderly black man* was standing", "black and race and politically as key-words on this website but still not", "if this is an ancient solved problem to ask in 2019, but I", "but still not a satisfactory answer.* The setting is 2013 in the UK,", "is an elderly black man is standing. As my character is approaching them,", "and I am not sure of using the word African (will that clearly", "I walked towards the trio who looked like they were having a conversation.", "and one guy who is an elderly black man is standing. As my", "like they were having a conversation. They all seemed welcoming. A teenage looking", "standing. As my character is approaching them, my novel reads; > > I", "am not sure of using the word African* (will that clearly indicate without", "a conversation. They all seemed welcoming. A teenage looking girl and elderly women", "girl and elderly women were sitting on the log and an elderly black", "the log and an elderly black man* was standing in front of them.", "as black man and I am not sure of using the word African", "is approaching three people two of them are sitting on a bench in", "the UK, and my character is approaching three people two of them are", "who is an elderly black man is standing. As my character is approaching", "They all seemed welcoming. A teenage looking girl and elderly women were sitting", "bench in a garden and one guy who is an elderly black man", "setting is 2013 in the UK*, and my character is approaching three people", "towards the trio who looked like they were having a conversation. They all", "indicate without being broad). I want to express this just to mention the", "them are sitting on a bench in a garden and one guy who", "googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for the", "looking girl and elderly women were sitting on the log and an elderly", "> > > I don't want to say it as black man and", "my character is approaching them, my novel reads; > > I walked towards", "really answering me. I searched for the words black and race and politically", "of them. > > > I don't want to say it as black", "two of them are sitting on a bench in a garden and one", "of them are sitting on a bench in a garden and one guy", "elderly black man was standing in front of them. > > > I", "want to express this just to mention the diversity in that environment although", "searched for the words black and race and politically as key-words on this", "answer.* The setting is 2013 in the UK, and my character is approaching", "African (will that clearly indicate without being broad). I want to express this", "satisfactory answer.* The setting is 2013 in the UK, and my character is", "race and politically as key-words on this website but still not a satisfactory", "on a bench in a garden and one guy who is an elderly", "an elderly black man is standing. As my character is approaching them, my", "sitting on a bench in a garden and one guy who is an", "people two of them are sitting on a bench in a garden and", "(will that clearly indicate without being broad). I want to express this just", "sitting on the log and an elderly black man was standing in front", "the word African (will that clearly indicate without being broad). I want to", "this is an ancient solved problem to ask in 2019, but I googled", "broad). I want to express this just to mention the diversity in that", "teenage looking girl and elderly women were sitting on the log and an", "seemed welcoming. A teenage looking girl and elderly women were sitting on the", "as key-words on this website but still not a satisfactory answer. The setting", "a bench in a garden and one guy who is an elderly black", "to ask in 2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really", "although later on in my novel I have clearly expressed him in detail.", "problem to ask in 2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't", "walked towards the trio who looked like they were having a conversation. They", "elderly women were sitting on the log and an elderly black man was", "about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for the words", "to express this just to mention the diversity in that environment although later", "solved problem to ask in 2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black)", "I searched for the words black and race and politically as key-words on", "I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I searched for", "all seemed welcoming. A teenage looking girl and elderly women were sitting on", "and politically** as key-words on this website but still not a satisfactory answer.", "UK, and my character is approaching three people two of them are sitting", "them. > > > I don't want to say it as black man", "guy who is an elderly black man is standing. As my character is", "elderly black man is standing. As my character is approaching them, my novel", "that clearly indicate without being broad). I want to express this just to", "garden and one guy who is an elderly black man is standing. As", "the trio who looked like they were having a conversation. They all seemed", "using the word African (will that clearly indicate without being broad). I want", "2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me. I", "in 2019, but I googled about this and [Quora](https://www.quora.com/What-is-the-most-appropriate-way-to-describe-a-fictional-black-character-in-literature-other-than-being-black) isn't really answering me.", "my character is approaching three people two of them are sitting on a", "log and an elderly black man was standing in front of them. >", "me. I searched for the words black and race and politically as key-words", "of using the word African (will that clearly indicate without being broad). I", "standing in front of them. > > > I don't want to say", "politically as key-words on this website but still not a satisfactory answer.* The", "is an ancient solved problem to ask in 2019, but I googled about", "not sure of using the word African (will that clearly indicate without being", "on this website but still not a satisfactory answer. The *setting is 2013", "clearly indicate without being broad). I want to express this just to mention", "in that environment although later on in my novel I have clearly expressed", "are sitting on a bench in a garden and one guy who is", "2013 in the UK, and my character is approaching three people two of", "isn't really answering me. I searched for the words black and race and", "is standing. As my character is approaching them, my novel reads; > >", "> > I don't want to say it as black man** and I", "being broad). I want to express this just to mention the diversity in", "character is approaching three people two of them are sitting on a bench", "who looked like they were having a conversation. They all seemed welcoming. A", "trio who looked like they were having a conversation. They all seemed welcoming.", "an ancient solved problem to ask in 2019, but I googled about this", "a garden and one guy who is an elderly black man is standing.", "want to say it as black man* and I am not sure of", "> I don't want to say it as black man and I am", "were sitting on the log and an elderly black man was standing in" ]
[ "original novel, the reader meets the MC behind the scope of his sniper’s", "I should, as with the first, start with the assassination and show the", "off. Would starting with the assassination scene add symmetry and balance to the", "published as one volume. Surprise, surprise, the characters have other plans. This is", "Secondary Protagonist a mystery to solve. She needs to investigate and this will", "the assassination and show the wheels fall off. Would starting with the assassination", "the assassination scene add symmetry and balance to the prequel and render it", "I begin with him fleeing after a successful operation, but everything else has", "Would starting with the assassination scene add symmetry and balance to the prequel", "evolving into a prequel novel. In my original novel, the reader meets the", "already have fifty pages and that is not looking like a short story", "stories published as one volume. Surprise, surprise, the characters have other plans. This", "operation, but everything else has gone sideways. I was content with that, but", "pages and that is not looking like a short story anymore. I now", "my novel, I started writing a prequel to it. I began it differently", "everything else has gone sideways. I was content with that, but then something", "I already have fifty pages and that is not looking like a short", "is the scene with his flight and references to what happened before sufficient?", "take time. I already have fifty pages and that is not looking like", "has gone sideways. I was content with that, but then something my MC", "my MC said gave my Secondary Protagonist a mystery to solve. She needs", "of a stand-alone novel or is the scene with his flight and references", "of five shorter stories published as one volume. Surprise, surprise, the characters have", "prequel and render it more of a stand-alone novel or is the scene", "investigate and this will take time. I already have fifty pages and that", "not looking like a short story anymore. I now believe that I should,", "have fifty pages and that is not looking like a short story anymore.", "as one volume. Surprise, surprise, the characters have other plans. This is evolving", "and that is not looking like a short story anymore. I now believe", "it more of a stand-alone novel or is the scene with his flight", "with the assassination scene add symmetry and balance to the prequel and render", "looking like a short story anymore. I now believe that I should, as", "then something my MC said gave my Secondary Protagonist a mystery to solve.", "story being one of five shorter stories published as one volume. Surprise, surprise,", "a prequel novel. In my original novel, the reader meets the MC behind", "sideways. I was content with that, but then something my MC said gave", "is a training run. In the prequel, I begin with him fleeing after", "that, but then something my MC said gave my Secondary Protagonist a mystery", "a mystery to solve. She needs to investigate and this will take time.", "something my MC said gave my Secondary Protagonist a mystery to solve. She", "Protagonist a mystery to solve. She needs to investigate and this will take", "begin with him fleeing after a successful operation, but everything else has gone", "add symmetry and balance to the prequel and render it more of a", "to solve. She needs to investigate and this will take time. I already", "I started writing a prequel to it. I began it differently from the", "with that, but then something my MC said gave my Secondary Protagonist a", "and this will take time. I already have fifty pages and that is", "original, planning on this story being one of five shorter stories published as", "the prequel and render it more of a stand-alone novel or is the", "of his sniper’s rifle - it is a training run. 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Surprise, surprise, the characters have other", "volume. Surprise, surprise, the characters have other plans. This is evolving into a", "with him fleeing after a successful operation, but everything else has gone sideways.", "his sniper’s rifle - it is a training run. In the prequel, I", "on this story being one of five shorter stories published as one volume.", "that is not looking like a short story anymore. I now believe that", "render it more of a stand-alone novel or is the scene with his", "else has gone sideways. I was content with that, but then something my", "wheels fall off. Would starting with the assassination scene add symmetry and balance", "being one of five shorter stories published as one volume. Surprise, surprise, the", "to the prequel and render it more of a stand-alone novel or is", "solve. She needs to investigate and this will take time. I already have", "like a short story anymore. I now believe that I should, as with", "should, as with the first, start with the assassination and show the wheels", "MC said gave my Secondary Protagonist a mystery to solve. She needs to", "with the assassination and show the wheels fall off. Would starting with the", "segment of my novel, I started writing a prequel to it. I began", "from the original, planning on this story being one of five shorter stories", "prequel novel. In my original novel, the reader meets the MC behind the", "the wheels fall off. Would starting with the assassination scene add symmetry and", "This is evolving into a prequel novel. In my original novel, the reader", "a prequel to it. I began it differently from the original, planning on", "start with the assassination and show the wheels fall off. 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This is evolving into a prequel", "content with that, but then something my MC said gave my Secondary Protagonist", "but everything else has gone sideways. I was content with that, but then", "will take time. I already have fifty pages and that is not looking", "fifty pages and that is not looking like a short story anymore. I", "novel, the reader meets the MC behind the scope of his sniper’s rifle", "assassination and show the wheels fall off. Would starting with the assassination scene", "large segment of my novel, I started writing a prequel to it. I", "or is the scene with his flight and references to what happened before", "differently from the original, planning on this story being one of five shorter", "short story anymore. I now believe that I should, as with the first,", "with the first, start with the assassination and show the wheels fall off.", "symmetry and balance to the prequel and render it more of a stand-alone", "After I lost a large segment of my novel, I started writing a", "and show the wheels fall off. Would starting with the assassination scene add", "it. I began it differently from the original, planning on this story being", "In the prequel, I begin with him fleeing after a successful operation, but", "I began it differently from the original, planning on this story being one", "the characters have other plans. This is evolving into a prequel novel. In", "believe that I should, as with the first, start with the assassination and", "lost a large segment of my novel, I started writing a prequel to", "time. I already have fifty pages and that is not looking like a", "that I should, as with the first, start with the assassination and show", "planning on this story being one of five shorter stories published as one", "story anymore. I now believe that I should, as with the first, start", "novel. In my original novel, the reader meets the MC behind the scope", "starting with the assassination scene add symmetry and balance to the prequel and", "fall off. Would starting with the assassination scene add symmetry and balance to", "stand-alone novel or is the scene with his flight and references to what", "my Secondary Protagonist a mystery to solve. She needs to investigate and this", "this story being one of five shorter stories published as one volume. Surprise,", "my original novel, the reader meets the MC behind the scope of his", "a training run. In the prequel, I begin with him fleeing after a", "sniper’s rifle - it is a training run. 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She needs to investigate and this will take time. I", "meets the MC behind the scope of his sniper’s rifle - it is", "shorter stories published as one volume. Surprise, surprise, the characters have other plans.", "successful operation, but everything else has gone sideways. I was content with that,", "more of a stand-alone novel or is the scene with his flight and", "reader meets the MC behind the scope of his sniper’s rifle - it", "gone sideways. I was content with that, but then something my MC said", "I was content with that, but then something my MC said gave my", "is not looking like a short story anymore. I now believe that I", "began it differently from the original, planning on this story being one of", "run. In the prequel, I begin with him fleeing after a successful operation,", "a successful operation, but everything else has gone sideways. I was content with", "one volume. Surprise, surprise, the characters have other plans. This is evolving into", "behind the scope of his sniper’s rifle - it is a training run.", "surprise, the characters have other plans. This is evolving into a prequel novel.", "fleeing after a successful operation, but everything else has gone sideways. I was", "characters have other plans. This is evolving into a prequel novel. In my", "of my novel, I started writing a prequel to it. I began it", "- it is a training run. In the prequel, I begin with him", "rifle - it is a training run. In the prequel, I begin with", "the scope of his sniper’s rifle - it is a training run. In" ]
[ "do you describe somebody of two or more races? Word like mixed and", "someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two or more races?", "the main characters on the cover so you have an idea of what", "mixed and biracial do not depict that person's unique features. Some books that", "more races? Word like mixed and biracial do not depict that person's unique", "broad. [How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe", "two or more races? Word like mixed and biracial do not depict that", "characters on the cover so you have an idea of what the characters", "like mixed and biracial do not depict that person's unique features. Some books", "the cover so you have an idea of what the characters look like", "biracial do not depict that person's unique features. Some books that have the", "[How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody", "Some books that have the main characters on the cover so you have", "black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two or more races? Word like", "in this way would be too broad. [How do I say that someone", "or more races? Word like mixed and biracial do not depict that person's", "person's unique features. Some books that have the main characters on the cover", "you have an idea of what the characters look like but some books", "Describing mixed races in this way would be too broad. [How do I", "be too broad. [How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do", "have an idea of what the characters look like but some books do", "that person's unique features. Some books that have the main characters on the", "you describe somebody of two or more races? Word like mixed and biracial", "so you have an idea of what the characters look like but some", "that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two or more", "do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of", "depict that person's unique features. Some books that have the main characters on", "describe somebody of two or more races? Word like mixed and biracial do", "books that have the main characters on the cover so you have an", "an idea of what the characters look like but some books do not.", "say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two or", "on the cover so you have an idea of what the characters look", "would be too broad. [How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How", "cover so you have an idea of what the characters look like but", "have the main characters on the cover so you have an idea of", "main characters on the cover so you have an idea of what the", "Word like mixed and biracial do not depict that person's unique features. Some", "is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two or more races? Word", "races? Word like mixed and biracial do not depict that person's unique features.", "of two or more races? Word like mixed and biracial do not depict", "that have the main characters on the cover so you have an idea", "somebody of two or more races? Word like mixed and biracial do not", "too broad. [How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you", "and biracial do not depict that person's unique features. Some books that have", "mixed races in this way would be too broad. [How do I say", "I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person) How do you describe somebody of two", "unique features. Some books that have the main characters on the cover so", "races in this way would be too broad. [How do I say that", "do not depict that person's unique features. Some books that have the main", "features. Some books that have the main characters on the cover so you", "way would be too broad. [How do I say that someone is black?](https://writing.stackexchange.com/questions/43305/how-do-i-express-some-one-as-a-black-person)", "How do you describe somebody of two or more races? Word like mixed", "not depict that person's unique features. Some books that have the main characters", "this way would be too broad. [How do I say that someone is" ]
[ "statistics about [how the American market for SF&F is evolving over the past", "tries to compare the sales in different countries grouped by the genre of", "without any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a", "any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few", "find generic statistics about [how the American market for SF&F is evolving over", "the sales in different countries grouped by the genre of books and whether", "Therefore I am asking here: in which country do printed fantasy novels sell", "asking here: in which country do printed fantasy novels sell the most? As", "genre and category (digital/ printed) on a per-country basis with lots of countries", "novels and how they compare among different countries, but I couldn't find anything", "[how the American market for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or", "that regard. I can find generic statistics about [how the American market for", "how they compare among different countries, but I couldn't find anything in that", "about printed fantasy novels and how they compare among different countries, but I", "Ideally an answer would provide me with a source that regularly posts statistics", "books and whether they are digital or printed. Therefore I am asking here:", "genre of books and whether they are digital or printed. Therefore I am", "can also assume that they can be put together. Answers that find statistics", "sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf).", "they compare among different countries, but I couldn't find anything in that regard.", "find anything in that regard. I can find generic statistics about [how the", "specifically tries to compare the sales in different countries grouped by the genre", "printed) on a per-country basis with lots of countries being looked at so", "grouped by the genre of books and whether they are digital or printed.", "Germany though this is only about e-books. But nothing that specifically tries to", "few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort", "do printed fantasy novels sell the most? As I have seen many statistics", "I tried to find sales figures about printed fantasy novels and how they", "in Germany though this is only about e-books. But nothing that specifically tries", "statistics that put Science-Fiction and Fantasy together answers to this question can also", "will be rated higher though. Ideally an answer would provide me with a", "statistics solely about the fantasy genre will be rated higher though. Ideally an", "together answers to this question can also assume that they can be put", "only about e-books. But nothing that specifically tries to compare the sales in", "though. Ideally an answer would provide me with a source that regularly posts", "have seen many statistics that put Science-Fiction and Fantasy together answers to this", "of books and whether they are digital or printed. Therefore I am asking", "years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country", "the genre of books and whether they are digital or printed. Therefore I", "about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries", "units in Germany though this is only about e-books. But nothing that specifically", "can find information on a per capita basis that would be very interesting,", "Netherlands and Spain, where \"Fantasy & Science-Fiction\" has the highest percentage of sold", "the American market for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how", "sales figures about printed fantasy novels and how they compare among different countries,", "market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details about", "nothing that specifically tries to compare the sales in different countries grouped by", "compare among different countries, but I couldn't find anything in that regard. I", "if you can find information on a per capita basis that would be", "details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected", "up the current statistics in the future. Total numbers would be preferrable, but", "is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew", "market for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European", "This last one gives me the sort of information I am searching for,", "assume that they can be put together. Answers that find statistics solely about", "about the fantasy genre will be rated higher though. Ideally an answer would", "that regularly posts statistics comparing the book sales per genre and category (digital/", "find information on a per capita basis that would be very interesting, too.", "book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details", "an answer would provide me with a source that regularly posts statistics comparing", "and Fantasy together answers to this question can also assume that they can", "countries Germany, Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\" has the highest", "is only about e-books. But nothing that specifically tries to compare the sales", "to this question can also assume that they can be put together. Answers", "solely about the fantasy genre will be rated higher though. Ideally an answer", "look up the current statistics in the future. Total numbers would be preferrable,", "I couldn't find anything in that regard. I can find generic statistics about", "book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort of information I am", "with a source that regularly posts statistics comparing the book sales per genre", "Science-Fiction\" has the highest percentage of sold units in Germany though this is", "Or [country specific information without any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315).", "question can also assume that they can be put together. Answers that find", "Total numbers would be preferrable, but if you can find information on a", "But nothing that specifically tries to compare the sales in different countries grouped", "countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort of information", "that find statistics solely about the fantasy genre will be rated higher though.", "gives me the sort of information I am searching for, but only for", "on a per-country basis with lots of countries being looked at so that", "the future. Total numbers would be preferrable, but if you can find information", "couldn't find anything in that regard. I can find generic statistics about [how", "in that regard. I can find generic statistics about [how the American market", "statistics in the future. Total numbers would be preferrable, but if you can", "find sales figures about printed fantasy novels and how they compare among different", "has the highest percentage of sold units in Germany though this is only", "Answers that find statistics solely about the fantasy genre will be rated higher", "fantasy novels and how they compare among different countries, but I couldn't find", "this is only about e-books. But nothing that specifically tries to compare the", "As I have seen many statistics that put Science-Fiction and Fantasy together answers", "to compare the sales in different countries grouped by the genre of books", "countries being looked at so that I could look up the current statistics", "evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew in", "years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details about the specific sales per", "prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort of information I am searching", "anything in that regard. I can find generic statistics about [how the American", "printed fantasy novels sell the most? As I have seen many statistics that", "posts statistics comparing the book sales per genre and category (digital/ printed) on", "future. Total numbers would be preferrable, but if you can find information on", "the current statistics in the future. Total numbers would be preferrable, but if", "book sales per genre and category (digital/ printed) on a per-country basis with", "printed fantasy novels and how they compare among different countries, but I couldn't", "genre will be rated higher though. Ideally an answer would provide me with", "answer would provide me with a source that regularly posts statistics comparing the", "(digital/ printed) on a per-country basis with lots of countries being looked at", "and Spain, where \"Fantasy & Science-Fiction\" has the highest percentage of sold units", "be rated higher though. Ideally an answer would provide me with a source", "Science-Fiction and Fantasy together answers to this question can also assume that they", "in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details about the specific", "and category (digital/ printed) on a per-country basis with lots of countries being", "but if you can find information on a per capita basis that would", "to find sales figures about printed fantasy novels and how they compare among", "SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market", "I could look up the current statistics in the future. Total numbers would", "here: in which country do printed fantasy novels sell the most? As I", "which country do printed fantasy novels sell the most? As I have seen", "in different countries grouped by the genre of books and whether they are", "many statistics that put Science-Fiction and Fantasy together answers to this question can", "over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew in recent", "[comparisons between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives", "about [how the American market for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf).", "the sort of information I am searching for, but only for the countries", "a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the", "being looked at so that I could look up the current statistics in", "Or [comparisons between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one", "one gives me the sort of information I am searching for, but only", "am asking here: in which country do printed fantasy novels sell the most?", "rated higher though. Ideally an answer would provide me with a source that", "between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me", "per-country basis with lots of countries being looked at so that I could", "with lots of countries being looked at so that I could look up", "different countries grouped by the genre of books and whether they are digital", "printed. Therefore I am asking here: in which country do printed fantasy novels", "[how the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information", "can find generic statistics about [how the American market for SF&F is evolving", "for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort of information I", "most? As I have seen many statistics that put Science-Fiction and Fantasy together", "that put Science-Fiction and Fantasy together answers to this question can also assume", "am searching for, but only for the countries Germany, Italy, Netherlands and Spain,", "higher though. Ideally an answer would provide me with a source that regularly", "a source that regularly posts statistics comparing the book sales per genre and", "percentage of sold units in Germany though this is only about e-books. But", "figures about printed fantasy novels and how they compare among different countries, but", "genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last", "country do printed fantasy novels sell the most? As I have seen many", "that I could look up the current statistics in the future. Total numbers", "numbers would be preferrable, but if you can find information on a per", "only for the countries Germany, Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\"", "sold units in Germany though this is only about e-books. But nothing that", "recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details about the specific sales", "that specifically tries to compare the sales in different countries grouped by the", "Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\" has the highest percentage of", "the most? As I have seen many statistics that put Science-Fiction and Fantasy", "at so that I could look up the current statistics in the future.", "Spain, where \"Fantasy & Science-Fiction\" has the highest percentage of sold units in", "for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book", "searching for, but only for the countries Germany, Italy, Netherlands and Spain, where", "I am searching for, but only for the countries Germany, Italy, Netherlands and", "the highest percentage of sold units in Germany though this is only about", "generic statistics about [how the American market for SF&F is evolving over the", "are digital or printed. Therefore I am asking here: in which country do", "for, but only for the countries Germany, Italy, Netherlands and Spain, where \"Fantasy", "sell the most? As I have seen many statistics that put Science-Fiction and", "put Science-Fiction and Fantasy together answers to this question can also assume that", "the countries Germany, Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\" has the", "countries grouped by the genre of books and whether they are digital or", "provide me with a source that regularly posts statistics comparing the book sales", "per genre and category (digital/ printed) on a per-country basis with lots of", "novels sell the most? As I have seen many statistics that put Science-Fiction", "I have seen many statistics that put Science-Fiction and Fantasy together answers to", "per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This", "source that regularly posts statistics comparing the book sales per genre and category", "this question can also assume that they can be put together. Answers that", "the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries for", "countries, but I couldn't find anything in that regard. I can find generic", "I am asking here: in which country do printed fantasy novels sell the", "whether they are digital or printed. Therefore I am asking here: in which", "in which country do printed fantasy novels sell the most? As I have", "tried to find sales figures about printed fantasy novels and how they compare", "American market for SF&F is evolving over the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the", "comparing the book sales per genre and category (digital/ printed) on a per-country", "basis with lots of countries being looked at so that I could look", "could look up the current statistics in the future. Total numbers would be", "statistics comparing the book sales per genre and category (digital/ printed) on a", "current statistics in the future. Total numbers would be preferrable, but if you", "& Science-Fiction\" has the highest percentage of sold units in Germany though this", "[country specific information without any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or", "for the countries Germany, Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\" has", "of sold units in Germany though this is only about e-books. But nothing", "also assume that they can be put together. Answers that find statistics solely", "the book sales per genre and category (digital/ printed) on a per-country basis", "they are digital or printed. Therefore I am asking here: in which country", "though this is only about e-books. But nothing that specifically tries to compare", "can be put together. Answers that find statistics solely about the fantasy genre", "or printed. Therefore I am asking here: in which country do printed fantasy", "so that I could look up the current statistics in the future. Total", "seen many statistics that put Science-Fiction and Fantasy together answers to this question", "Germany, Italy, Netherlands and Spain, where \"Fantasy & Science-Fiction\" has the highest percentage", "I can find generic statistics about [how the American market for SF&F is", "me the sort of information I am searching for, but only for the", "lots of countries being looked at so that I could look up the", "be preferrable, but if you can find information on a per capita basis", "would be preferrable, but if you can find information on a per capita", "but only for the countries Germany, Italy, Netherlands and Spain, where \"Fantasy &", "answers to this question can also assume that they can be put together.", "preferrable, but if you can find information on a per capita basis that", "by the genre of books and whether they are digital or printed. Therefore", "that they can be put together. Answers that find statistics solely about the", "of information I am searching for, but only for the countries Germany, Italy,", "highest percentage of sold units in Germany though this is only about e-books.", "they can be put together. Answers that find statistics solely about the fantasy", "specific information without any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons", "compare the sales in different countries grouped by the genre of books and", "me with a source that regularly posts statistics comparing the book sales per", "but I couldn't find anything in that regard. I can find generic statistics", "information without any details about the specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between", "information I am searching for, but only for the countries Germany, Italy, Netherlands", "European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any", "regularly posts statistics comparing the book sales per genre and category (digital/ printed)", "e-books. But nothing that specifically tries to compare the sales in different countries", "be put together. Answers that find statistics solely about the fantasy genre will", "and how they compare among different countries, but I couldn't find anything in", "a per-country basis with lots of countries being looked at so that I", "Fantasy together answers to this question can also assume that they can be", "sort of information I am searching for, but only for the countries Germany,", "fantasy genre will be rated higher though. Ideally an answer would provide me", "among different countries, but I couldn't find anything in that regard. I can", "digital or printed. Therefore I am asking here: in which country do printed", "the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without", "Or [how the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific", "fantasy novels sell the most? As I have seen many statistics that put", "put together. Answers that find statistics solely about the fantasy genre will be", "find statistics solely about the fantasy genre will be rated higher though. Ideally", "in the future. Total numbers would be preferrable, but if you can find", "would provide me with a source that regularly posts statistics comparing the book", "where \"Fantasy & Science-Fiction\" has the highest percentage of sold units in Germany", "and whether they are digital or printed. Therefore I am asking here: in", "category (digital/ printed) on a per-country basis with lots of countries being looked", "of countries being looked at so that I could look up the current", "last one gives me the sort of information I am searching for, but", "the fantasy genre will be rated higher though. Ideally an answer would provide", "sales per genre and category (digital/ printed) on a per-country basis with lots", "past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or", "looked at so that I could look up the current statistics in the", "regard. I can find generic statistics about [how the American market for SF&F", "about e-books. But nothing that specifically tries to compare the sales in different", "\"Fantasy & Science-Fiction\" has the highest percentage of sold units in Germany though", "selected countries for book prices](https://www.bookwire.de/fileadmin/customer/documents/Barometer_Brochure_18_10_01_kl.pdf). This last one gives me the sort of", "together. Answers that find statistics solely about the fantasy genre will be rated", "grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html). Or [country specific information without any details about the", "different countries, but I couldn't find anything in that regard. I can find", "sales in different countries grouped by the genre of books and whether they", "the past years](https://www.forbes.com/sites/adamrowe1/2018/06/19/science-fiction-and-fantasy-book-sales-have-doubled-since-2010/#32600b2a2edf). Or [how the European book market grew in recent years](https://www.publishersweekly.com/pw/by-topic/international/international-book-news/article/78890-europe-s-book-market-grew-slightly-in-2017.html).", "specific sales per genre](https://www.dw.com/en/german-book-market-between-crisis-and-hope/a-45813315). Or [comparisons between a few selected countries for book", "you can find information on a per capita basis that would be very" ]
[ "a character (until he has a name)? Can anyone provide examples? The only", "anyone provide examples? The only thing I’ve thought up is “Nameless Boy” and", "enough to even be called “Boy” or “Child.” What would the narrator call", "had extended human interaction with anyone long enough to even be called “Boy”", "or “Child.” What would the narrator call such a character (until he has", "never known his parents? And has never had extended human interaction with anyone", "person narrative who has never known his parents? And has never had extended", "has a name)? Can anyone provide examples? The only thing I’ve thought up", "narrative who has never known his parents? And has never had extended human", "long enough to even be called “Boy” or “Child.” What would the narrator", "extended human interaction with anyone long enough to even be called “Boy” or", "even be called “Boy” or “Child.” What would the narrator call such a", "only thing I’ve thought up is “Nameless Boy” and other simple titles along", "character (until he has a name)? Can anyone provide examples? The only thing", "he has a name)? Can anyone provide examples? The only thing I’ve thought", "a name)? Can anyone provide examples? The only thing I’ve thought up is", "narrator call such a character (until he has a name)? Can anyone provide", "(until he has a name)? Can anyone provide examples? The only thing I’ve", "in a 3rd person narrative who has never known his parents? And has", "How do I present a nameless character in a 3rd person narrative who", "never had extended human interaction with anyone long enough to even be called", "The only thing I’ve thought up is “Nameless Boy” and other simple titles", "to even be called “Boy” or “Child.” What would the narrator call such", "Can anyone provide examples? The only thing I’ve thought up is “Nameless Boy”", "And has never had extended human interaction with anyone long enough to even", "What would the narrator call such a character (until he has a name)?", "would the narrator call such a character (until he has a name)? Can", "known his parents? And has never had extended human interaction with anyone long", "parents? And has never had extended human interaction with anyone long enough to", "interaction with anyone long enough to even be called “Boy” or “Child.” What", "name)? Can anyone provide examples? The only thing I’ve thought up is “Nameless", "I’ve thought up is “Nameless Boy” and other simple titles along those lines.", "has never had extended human interaction with anyone long enough to even be", "human interaction with anyone long enough to even be called “Boy” or “Child.”", "the narrator call such a character (until he has a name)? Can anyone", "do I present a nameless character in a 3rd person narrative who has", "with anyone long enough to even be called “Boy” or “Child.” What would", "anyone long enough to even be called “Boy” or “Child.” What would the", "called “Boy” or “Child.” What would the narrator call such a character (until", "a 3rd person narrative who has never known his parents? And has never", "a nameless character in a 3rd person narrative who has never known his", "3rd person narrative who has never known his parents? And has never had", "call such a character (until he has a name)? Can anyone provide examples?", "such a character (until he has a name)? Can anyone provide examples? The", "thing I’ve thought up is “Nameless Boy” and other simple titles along those", "character in a 3rd person narrative who has never known his parents? And", "I present a nameless character in a 3rd person narrative who has never", "has never known his parents? And has never had extended human interaction with", "be called “Boy” or “Child.” What would the narrator call such a character", "“Boy” or “Child.” What would the narrator call such a character (until he", "“Child.” What would the narrator call such a character (until he has a", "provide examples? The only thing I’ve thought up is “Nameless Boy” and other", "who has never known his parents? And has never had extended human interaction", "examples? The only thing I’ve thought up is “Nameless Boy” and other simple", "his parents? And has never had extended human interaction with anyone long enough", "present a nameless character in a 3rd person narrative who has never known", "nameless character in a 3rd person narrative who has never known his parents?" ]
[ "other way to incorporate poems in a novel. I am thinking there are", "there are ways of enriching a novel with poems that I am not", "if there are any other way to incorporate poems in a novel. I", "I heard there were short poems in the beginning of each chapter in", "I am wondering if there are any other way to incorporate poems in", "ways of enriching a novel with poems that I am not aware of.", "true, but I heard there were short poems in the beginning of each", "instances of it in the rich history of literature, but because I haven't", "know if there are ways of enriching a novel with poems that I", "the rich history of literature, but because I haven't read a lot of", "to incorporate poems in a novel. I am thinking there are many instances", "Lord of the Rings. Although, this could be done fairly easily, I am", "I am curious to know if there are ways of enriching a novel", "in the beginning of each chapter in Lord of the Rings. Although, this", "I haven't read a lot of books I am curious to know if", "not sure if this is true, but I heard there were short poems", "rich history of literature, but because I haven't read a lot of books", "but I heard there were short poems in the beginning of each chapter", "it in the rich history of literature, but because I haven't read a", "sure if this is true, but I heard there were short poems in", "if there are ways of enriching a novel with poems that I am", "Although, this could be done fairly easily, I am wondering if there are", "this could be done fairly easily, I am wondering if there are any", "incorporate poems in a novel. I am thinking there are many instances of", "novel. I am thinking there are many instances of it in the rich", "am not sure if this is true, but I heard there were short", "fairly easily, I am wondering if there are any other way to incorporate", "could be done fairly easily, I am wondering if there are any other", "books I am curious to know if there are ways of enriching a", "easily, I am wondering if there are any other way to incorporate poems", "the beginning of each chapter in Lord of the Rings. Although, this could", "chapter in Lord of the Rings. Although, this could be done fairly easily,", "way to incorporate poems in a novel. I am thinking there are many", "I am thinking there are many instances of it in the rich history", "read a lot of books I am curious to know if there are", "of literature, but because I haven't read a lot of books I am", "are many instances of it in the rich history of literature, but because", "any other way to incorporate poems in a novel. I am thinking there", "of it in the rich history of literature, but because I haven't read", "of each chapter in Lord of the Rings. Although, this could be done", "there were short poems in the beginning of each chapter in Lord of", "am thinking there are many instances of it in the rich history of", "in a novel. I am thinking there are many instances of it in", "short poems in the beginning of each chapter in Lord of the Rings.", "in Lord of the Rings. Although, this could be done fairly easily, I", "because I haven't read a lot of books I am curious to know", "in the rich history of literature, but because I haven't read a lot", "are ways of enriching a novel with poems that I am not aware", "curious to know if there are ways of enriching a novel with poems", "history of literature, but because I haven't read a lot of books I", "lot of books I am curious to know if there are ways of", "to know if there are ways of enriching a novel with poems that", "if this is true, but I heard there were short poems in the", "heard there were short poems in the beginning of each chapter in Lord", "are any other way to incorporate poems in a novel. I am thinking", "each chapter in Lord of the Rings. Although, this could be done fairly", "poems in a novel. I am thinking there are many instances of it", "a novel. I am thinking there are many instances of it in the", "there are any other way to incorporate poems in a novel. I am", "were short poems in the beginning of each chapter in Lord of the", "literature, but because I haven't read a lot of books I am curious", "done fairly easily, I am wondering if there are any other way to", "this is true, but I heard there were short poems in the beginning", "there are many instances of it in the rich history of literature, but", "be done fairly easily, I am wondering if there are any other way", "am curious to know if there are ways of enriching a novel with", "of the Rings. Although, this could be done fairly easily, I am wondering", "the Rings. Although, this could be done fairly easily, I am wondering if", "a lot of books I am curious to know if there are ways", "I am not sure if this is true, but I heard there were", "is true, but I heard there were short poems in the beginning of", "am wondering if there are any other way to incorporate poems in a", "beginning of each chapter in Lord of the Rings. Although, this could be", "many instances of it in the rich history of literature, but because I", "but because I haven't read a lot of books I am curious to", "poems in the beginning of each chapter in Lord of the Rings. Although,", "haven't read a lot of books I am curious to know if there", "Rings. Although, this could be done fairly easily, I am wondering if there", "thinking there are many instances of it in the rich history of literature,", "of books I am curious to know if there are ways of enriching", "wondering if there are any other way to incorporate poems in a novel." ]
[ "> > > > The characters and their arcs are generally thought to", "The mystery of who poisoned the King. > * The mystery in the", "though or simply plot twists or subplots with an element of mystery. Examples", "as well as the abilities of Bran Stark. > > > > The", "subplots that the character solves. Perhaps the examples below do not qualify as", "pushes Bran Stark. > * The mystery of the murder of the King's", "George R. R. Martin utilized mystery subplots effectively in his books to help", "be the hook for Game of Thrones but we see where mystery reaches", "King. > * The mystery in the show of who is holding Theon", "> * The mystery of who poisoned the King. > * The mystery", "holding Theon Greyjoy hostage. > * There is the supernatural mystery element of", "* The mystery of who pushes Bran Stark. > * The mystery of", "for Game of Thrones but we see where mystery reaches some readers another", "the readers. I do not know if these would be labeled traditional \"mystery\"", "qualify as mystery subplots. I realized that, among many other methods, George R.", "* The mystery of who poisoned the King. > * The mystery in", "the abilities of Bran Stark. > > > > The characters and their", "readers. I do not know if these would be labeled traditional \"mystery\" subplots", "hook for Game of Thrones but we see where mystery reaches some readers", "their arcs are generally thought to be the hook for Game of Thrones", "* There is the supernatural mystery element of the White Walkers and Children", "* The mystery of the murder of the King's Hand. > * The", "subplot(s) in a fantasy story? I mean a complete subplot or subplots that", "thought to be the hook for Game of Thrones but we see where", "realized that, among many other methods, George R. R. Martin utilized mystery subplots", "of the murder of the King's Hand. > * The mystery of who", "with an element of mystery. Examples of Game of Thrones mysteries (spoilers): >", "solves. Perhaps the examples below do not qualify as mystery subplots. I realized", "is holding Theon Greyjoy hostage. > * There is the supernatural mystery element", "mystery element of the White Walkers and Children as well as the abilities", "hostage. > * There is the supernatural mystery element of the White Walkers", "element of mystery. Examples of Game of Thrones mysteries (spoilers): > > ", "characters and their arcs are generally thought to be the hook for Game", "it too distracting to include a major mystery subplot(s) in a fantasy story?", "Hand. > The mystery of who poisoned the King. > * The", "There is the supernatural mystery element of the White Walkers and Children as", "who is holding Theon Greyjoy hostage. > * There is the supernatural mystery", "major mystery subplot(s) in a fantasy story? I mean a complete subplot or", "mystery of who pushes Bran Stark. > * The mystery of the murder", "I realized that, among many other methods, George R. R. Martin utilized mystery", "that, among many other methods, George R. R. Martin utilized mystery subplots effectively", "the character solves. Perhaps the examples below do not qualify as mystery subplots.", "to include a major mystery subplot(s) in a fantasy story? I mean a", "examples below do not qualify as mystery subplots. I realized that, among many", "Thrones mysteries (spoilers): > > * The mystery of who pushes Bran Stark.", "twists or subplots with an element of mystery. Examples of Game of Thrones", "mystery. Examples of Game of Thrones mysteries (spoilers): > > * The mystery", "Bran Stark. > * The mystery of the murder of the King's Hand.", "The characters and their arcs are generally thought to be the hook for", "do not qualify as mystery subplots. I realized that, among many other methods,", "are generally thought to be the hook for Game of Thrones but we", "of Thrones mysteries (spoilers): > > * The mystery of who pushes Bran", "other methods, George R. R. Martin utilized mystery subplots effectively in his books", "I mean a complete subplot or subplots that the character solves. Perhaps the", "in the show of who is holding Theon Greyjoy hostage. > * There", "and their arcs are generally thought to be the hook for Game of", "to help hook the readers. I do not know if these would be", "of Bran Stark. > > > > The characters and their arcs are", "to be the hook for Game of Thrones but we see where mystery", "Examples of Game of Thrones mysteries (spoilers): > > * The mystery of", "of Game of Thrones mysteries (spoilers): > > * The mystery of who", "Game of Thrones mysteries (spoilers): > > * The mystery of who pushes", "the show of who is holding Theon Greyjoy hostage. > * There is", "mystery subplot(s) in a fantasy story? I mean a complete subplot or subplots", "among many other methods, George R. R. Martin utilized mystery subplots effectively in", "(spoilers): > > * The mystery of who pushes Bran Stark. > ", "the supernatural mystery element of the White Walkers and Children as well as", "element of the White Walkers and Children as well as the abilities of", "labeled traditional \"mystery\" subplots though or simply plot twists or subplots with an", "poisoned the King. > The mystery in the show of who is", "> > * The mystery of who pushes Bran Stark. > * The", "R. R. Martin utilized mystery subplots effectively in his books to help hook", "an element of mystery. Examples of Game of Thrones mysteries (spoilers): > >", "The mystery in the show of who is holding Theon Greyjoy hostage. >", "would be labeled traditional \"mystery\" subplots though or simply plot twists or subplots", "or subplots that the character solves. Perhaps the examples below do not qualify", "books to help hook the readers. I do not know if these would", "Is it too distracting to include a major mystery subplot(s) in a fantasy", "subplots. I realized that, among many other methods, George R. R. Martin utilized", "include a major mystery subplot(s) in a fantasy story? I mean a complete", "the murder of the King's Hand. > * The mystery of who poisoned", "> * The mystery of the murder of the King's Hand. > ", "not know if these would be labeled traditional \"mystery\" subplots though or simply", "mysteries (spoilers): > > The mystery of who pushes Bran Stark. >", "King's Hand. > * The mystery of who poisoned the King. > ", "the hook for Game of Thrones but we see where mystery reaches some", "of Thrones but we see where mystery reaches some readers another way. Thoughts?", "below do not qualify as mystery subplots. I realized that, among many other", "\"mystery\" subplots though or simply plot twists or subplots with an element of", "the White Walkers and Children as well as the abilities of Bran Stark.", "White Walkers and Children as well as the abilities of Bran Stark. >", "R. Martin utilized mystery subplots effectively in his books to help hook the", "subplots though or simply plot twists or subplots with an element of mystery.", "simply plot twists or subplots with an element of mystery. Examples of Game", "who poisoned the King. > The mystery in the show of who", "Perhaps the examples below do not qualify as mystery subplots. I realized that,", "The mystery of the murder of the King's Hand. > * The mystery", "Bran Stark. > > > > The characters and their arcs are generally", "in a fantasy story? I mean a complete subplot or subplots that the", "a fantasy story? I mean a complete subplot or subplots that the character", "supernatural mystery element of the White Walkers and Children as well as the", "Game of Thrones but we see where mystery reaches some readers another way.", "is the supernatural mystery element of the White Walkers and Children as well", "as mystery subplots. I realized that, among many other methods, George R. R.", "or simply plot twists or subplots with an element of mystery. Examples of", "Greyjoy hostage. > * There is the supernatural mystery element of the White", "that the character solves. Perhaps the examples below do not qualify as mystery", "> * The mystery in the show of who is holding Theon Greyjoy", "distracting to include a major mystery subplot(s) in a fantasy story? I mean", "effectively in his books to help hook the readers. I do not know", "not qualify as mystery subplots. I realized that, among many other methods, George", "who pushes Bran Stark. > * The mystery of the murder of the", "the King. > * The mystery in the show of who is holding", "> The characters and their arcs are generally thought to be the hook", "plot twists or subplots with an element of mystery. Examples of Game of", "> > The characters and their arcs are generally thought to be the", "mystery subplots effectively in his books to help hook the readers. I do", "a major mystery subplot(s) in a fantasy story? I mean a complete subplot", "> * There is the supernatural mystery element of the White Walkers and", "hook the readers. I do not know if these would be labeled traditional", "> > > The characters and their arcs are generally thought to be", "murder of the King's Hand. > * The mystery of who poisoned the", "of who is holding Theon Greyjoy hostage. > * There is the supernatural", "as the abilities of Bran Stark. > > > > The characters and", "methods, George R. R. Martin utilized mystery subplots effectively in his books to", "subplots effectively in his books to help hook the readers. I do not", "and Children as well as the abilities of Bran Stark. > > >", "I do not know if these would be labeled traditional \"mystery\" subplots though", "Stark. > > > > The characters and their arcs are generally thought", "> * The mystery of who pushes Bran Stark. > * The mystery", "story? I mean a complete subplot or subplots that the character solves. Perhaps", "show of who is holding Theon Greyjoy hostage. > * There is the", "mystery of the murder of the King's Hand. > * The mystery of", "* The mystery in the show of who is holding Theon Greyjoy hostage.", "complete subplot or subplots that the character solves. Perhaps the examples below do", "of mystery. Examples of Game of Thrones mysteries (spoilers): > > * The", "in his books to help hook the readers. I do not know if", "help hook the readers. I do not know if these would be labeled", "be labeled traditional \"mystery\" subplots though or simply plot twists or subplots with", "the King's Hand. > * The mystery of who poisoned the King. >", "Walkers and Children as well as the abilities of Bran Stark. > >", "a complete subplot or subplots that the character solves. Perhaps the examples below", "abilities of Bran Stark. > > > > The characters and their arcs", "fantasy story? I mean a complete subplot or subplots that the character solves.", "subplots with an element of mystery. Examples of Game of Thrones mysteries (spoilers):", "his books to help hook the readers. I do not know if these", "these would be labeled traditional \"mystery\" subplots though or simply plot twists or", "well as the abilities of Bran Stark. > > > > The characters", "Stark. > * The mystery of the murder of the King's Hand. >", "Martin utilized mystery subplots effectively in his books to help hook the readers.", "of who poisoned the King. > * The mystery in the show of", "mean a complete subplot or subplots that the character solves. Perhaps the examples", "of who pushes Bran Stark. > * The mystery of the murder of", "subplot or subplots that the character solves. Perhaps the examples below do not", "do not know if these would be labeled traditional \"mystery\" subplots though or", "arcs are generally thought to be the hook for Game of Thrones but", "generally thought to be the hook for Game of Thrones but we see", "mystery in the show of who is holding Theon Greyjoy hostage. > ", "or subplots with an element of mystery. Examples of Game of Thrones mysteries", "Children as well as the abilities of Bran Stark. > > > >", "mystery subplots. I realized that, among many other methods, George R. R. Martin", "The mystery of who pushes Bran Stark. > The mystery of the", "too distracting to include a major mystery subplot(s) in a fantasy story? I", "the examples below do not qualify as mystery subplots. I realized that, among", "character solves. Perhaps the examples below do not qualify as mystery subplots. I", "utilized mystery subplots effectively in his books to help hook the readers. I", "if these would be labeled traditional \"mystery\" subplots though or simply plot twists", "traditional \"mystery\" subplots though or simply plot twists or subplots with an element", "know if these would be labeled traditional \"mystery\" subplots though or simply plot", "Theon Greyjoy hostage. > * There is the supernatural mystery element of the", "mystery of who poisoned the King. > * The mystery in the show", "many other methods, George R. R. Martin utilized mystery subplots effectively in his", "of the King's Hand. > * The mystery of who poisoned the King.", "of the White Walkers and Children as well as the abilities of Bran" ]
[ "and of course quote the source properly according to the Chicago style. However,", "submit a short note containing my findings and analysis, and of course quote", "my findings and analysis, and of course quote the source properly according to", "to observe an online newspaper and summarize their weekly topics. Each week I", "Each week I have to submit a short note containing my findings and", "a short note containing my findings and analysis, and of course quote the", "have to observe an online newspaper and summarize their weekly topics. Each week", "I have to submit a short note containing my findings and analysis, and", "observe an online newspaper and summarize their weekly topics. Each week I have", "on this one, so maybe someone has a good idea on what would", "their weekly topics. Each week I have to submit a short note containing", "context. Background For a semester project, I have to observe an online newspaper", "to the Chicago style. However, the website was down for a day or", "I couldn't find anything on this one, so maybe someone has a good", "someone has a good idea on what would be considered good practice in", "considered good practice in a scholarly context. Background For a semester project, I", "For a semester project, I have to observe an online newspaper and summarize", "day or so and I would like to have that documented. But how", "in a scholarly context. Background For a semester project, I have to observe", "would be considered good practice in a scholarly context. Background For a semester", "containing my findings and analysis, and of course quote the source properly according", "practice in a scholarly context. Background For a semester project, I have to", "or so and I would like to have that documented. But how to", "one, so maybe someone has a good idea on what would be considered", "quote the source properly according to the Chicago style. However, the website was", "anything on this one, so maybe someone has a good idea on what", "online newspaper and summarize their weekly topics. Each week I have to submit", "would like to have that documented. But how to document and cite absence?", "what would be considered good practice in a scholarly context. Background For a", "a semester project, I have to observe an online newspaper and summarize their", "short note containing my findings and analysis, and of course quote the source", "weekly topics. Each week I have to submit a short note containing my", "semester project, I have to observe an online newspaper and summarize their weekly", "down for a day or so and I would like to have that", "have to submit a short note containing my findings and analysis, and of", "properly according to the Chicago style. However, the website was down for a", "good practice in a scholarly context. Background For a semester project, I have", "I would like to have that documented. But how to document and cite", "and summarize their weekly topics. Each week I have to submit a short", "has a good idea on what would be considered good practice in a", "note containing my findings and analysis, and of course quote the source properly", "for a day or so and I would like to have that documented.", "a scholarly context. Background For a semester project, I have to observe an", "so maybe someone has a good idea on what would be considered good", "course quote the source properly according to the Chicago style. However, the website", "style. However, the website was down for a day or so and I", "according to the Chicago style. However, the website was down for a day", "newspaper and summarize their weekly topics. Each week I have to submit a", "was down for a day or so and I would like to have", "and analysis, and of course quote the source properly according to the Chicago", "idea on what would be considered good practice in a scholarly context. Background", "Background For a semester project, I have to observe an online newspaper and", "topics. Each week I have to submit a short note containing my findings", "a day or so and I would like to have that documented. But", "be considered good practice in a scholarly context. Background For a semester project,", "couldn't find anything on this one, so maybe someone has a good idea", "project, I have to observe an online newspaper and summarize their weekly topics.", "summarize their weekly topics. Each week I have to submit a short note", "scholarly context. Background For a semester project, I have to observe an online", "of course quote the source properly according to the Chicago style. However, the", "source properly according to the Chicago style. However, the website was down for", "findings and analysis, and of course quote the source properly according to the", "so and I would like to have that documented. But how to document", "and I would like to have that documented. But how to document and", "week I have to submit a short note containing my findings and analysis,", "Chicago style. However, the website was down for a day or so and", "an online newspaper and summarize their weekly topics. Each week I have to", "I have to observe an online newspaper and summarize their weekly topics. Each", "However, the website was down for a day or so and I would", "website was down for a day or so and I would like to", "a good idea on what would be considered good practice in a scholarly", "good idea on what would be considered good practice in a scholarly context.", "maybe someone has a good idea on what would be considered good practice", "to submit a short note containing my findings and analysis, and of course", "this one, so maybe someone has a good idea on what would be", "analysis, and of course quote the source properly according to the Chicago style.", "the website was down for a day or so and I would like", "the source properly according to the Chicago style. However, the website was down", "on what would be considered good practice in a scholarly context. Background For", "find anything on this one, so maybe someone has a good idea on", "the Chicago style. However, the website was down for a day or so" ]
[ "I'm an amateur writer from the Philippines. I am writing a novelette for", "all? I need and expert's opinion about this. I feel like I should", "opinion about this. I feel like I should just write the dialogue in", "So am I doing it wrong after all? I need and expert's opinion", "with my POV character being a full blood Filipino. My question is, is", "the English translation afterwards. But I still did it anyway. So am I", "not our main language. I myself think it is unnecessary to write the", "feel like I should just write the dialogue in English, but I need", "an assurance if I really should. This is my first time writing a", "All of the conversation between the characters in the story is technically being", "our language, and then write the English translation afterwards. But I still did", "think it is unnecessary to write the dialogue in our language, and then", "English for their speech? All of the conversation between the characters in the", "and expert's opinion about this. I feel like I should just write the", "really should. This is my first time writing a story. That's why I", "the story is technically being said in my language. After all, English is", "but is set here, in my country, with my POV character being a", "is not our main language. I myself think it is unnecessary to write", "the conversation between the characters in the story is technically being said in", "characters in the story is technically being said in my language. After all,", "am writing a novelette for an international writing contest. My story is written", "country's dialect as my characters' dialogue? should I just make it simple and", "an amateur writer from the Philippines. I am writing a novelette for an", "am I doing it wrong after all? I need and expert's opinion about", "just write the dialogue in English, but I need an assurance if I", "it is unnecessary to write the dialogue in our language, and then write", "novelette for an international writing contest. My story is written in English, but", "make it simple and just use English for their speech? All of the", "contest. My story is written in English, but is set here, in my", "the Philippines. I am writing a novelette for an international writing contest. My", "is my first time writing a story. That's why I am a bit", "being a full blood Filipino. My question is, is it unnecessary to use", "question is, is it unnecessary to use my country's dialect as my characters'", "in English, but I need an assurance if I really should. This is", "my characters' dialogue? should I just make it simple and just use English", "should I just make it simple and just use English for their speech?", "it anyway. So am I doing it wrong after all? I need and", "said in my language. After all, English is not our main language. I", "story is written in English, but is set here, in my country, with", "dialogue in English, but I need an assurance if I really should. This", "my POV character being a full blood Filipino. My question is, is it", "here, in my country, with my POV character being a full blood Filipino.", "unnecessary to write the dialogue in our language, and then write the English", "I myself think it is unnecessary to write the dialogue in our language,", "dialogue in our language, and then write the English translation afterwards. But I", "and then write the English translation afterwards. But I still did it anyway.", "a novelette for an international writing contest. My story is written in English,", "should. This is my first time writing a story. That's why I am", "I just make it simple and just use English for their speech? All", "as my characters' dialogue? should I just make it simple and just use", "main language. I myself think it is unnecessary to write the dialogue in", "need and expert's opinion about this. I feel like I should just write", "anyway. So am I doing it wrong after all? I need and expert's", "My question is, is it unnecessary to use my country's dialect as my", "to write the dialogue in our language, and then write the English translation", "translation afterwards. But I still did it anyway. So am I doing it", "Filipino. My question is, is it unnecessary to use my country's dialect as", "I need an assurance if I really should. This is my first time", "after all? I need and expert's opinion about this. I feel like I", "my country, with my POV character being a full blood Filipino. My question", "Philippines. I am writing a novelette for an international writing contest. My story", "use my country's dialect as my characters' dialogue? should I just make it", "unnecessary to use my country's dialect as my characters' dialogue? should I just", "is set here, in my country, with my POV character being a full", "time writing a story. That's why I am a bit anxious about everything", "the characters in the story is technically being said in my language. After", "English, but is set here, in my country, with my POV character being", "characters' dialogue? should I just make it simple and just use English for", "story is technically being said in my language. After all, English is not", "language, and then write the English translation afterwards. But I still did it", "write the dialogue in our language, and then write the English translation afterwards.", "English is not our main language. I myself think it is unnecessary to", "is unnecessary to write the dialogue in our language, and then write the", "English translation afterwards. But I still did it anyway. So am I doing", "international writing contest. My story is written in English, but is set here,", "my first time writing a story. That's why I am a bit anxious", "should just write the dialogue in English, but I need an assurance if", "of the conversation between the characters in the story is technically being said", "being said in my language. After all, English is not our main language.", "for an international writing contest. My story is written in English, but is", "blood Filipino. My question is, is it unnecessary to use my country's dialect", "in the story is technically being said in my language. After all, English", "if I really should. This is my first time writing a story. That's", "writing a novelette for an international writing contest. My story is written in", "like I should just write the dialogue in English, but I need an", "then write the English translation afterwards. But I still did it anyway. So", "it wrong after all? I need and expert's opinion about this. I feel", "their speech? All of the conversation between the characters in the story is", "amateur writer from the Philippines. I am writing a novelette for an international", "After all, English is not our main language. I myself think it is", "an international writing contest. My story is written in English, but is set", "I still did it anyway. So am I doing it wrong after all?", "my language. After all, English is not our main language. I myself think", "about this. I feel like I should just write the dialogue in English,", "dialect as my characters' dialogue? should I just make it simple and just", "use English for their speech? All of the conversation between the characters in", "My story is written in English, but is set here, in my country,", "it unnecessary to use my country's dialect as my characters' dialogue? should I", "in my country, with my POV character being a full blood Filipino. My", "first time writing a story. That's why I am a bit anxious about", "This is my first time writing a story. That's why I am a", "is written in English, but is set here, in my country, with my", "but I need an assurance if I really should. This is my first", "I need and expert's opinion about this. I feel like I should just", "is, is it unnecessary to use my country's dialect as my characters' dialogue?", "all, English is not our main language. I myself think it is unnecessary", "speech? All of the conversation between the characters in the story is technically", "I should just write the dialogue in English, but I need an assurance", "assurance if I really should. This is my first time writing a story.", "POV character being a full blood Filipino. My question is, is it unnecessary", "did it anyway. So am I doing it wrong after all? I need", "from the Philippines. I am writing a novelette for an international writing contest.", "write the dialogue in English, but I need an assurance if I really", "But I still did it anyway. So am I doing it wrong after", "the dialogue in English, but I need an assurance if I really should.", "written in English, but is set here, in my country, with my POV", "simple and just use English for their speech? All of the conversation between", "set here, in my country, with my POV character being a full blood", "our main language. I myself think it is unnecessary to write the dialogue", "I doing it wrong after all? I need and expert's opinion about this.", "I feel like I should just write the dialogue in English, but I", "still did it anyway. So am I doing it wrong after all? I", "is technically being said in my language. After all, English is not our", "write the English translation afterwards. But I still did it anyway. So am", "full blood Filipino. My question is, is it unnecessary to use my country's", "doing it wrong after all? I need and expert's opinion about this. I", "expert's opinion about this. I feel like I should just write the dialogue", "for their speech? All of the conversation between the characters in the story", "language. I myself think it is unnecessary to write the dialogue in our", "and just use English for their speech? All of the conversation between the", "this. I feel like I should just write the dialogue in English, but", "my country's dialect as my characters' dialogue? should I just make it simple", "in English, but is set here, in my country, with my POV character", "myself think it is unnecessary to write the dialogue in our language, and", "afterwards. But I still did it anyway. So am I doing it wrong", "English, but I need an assurance if I really should. This is my", "I am writing a novelette for an international writing contest. My story is", "between the characters in the story is technically being said in my language.", "technically being said in my language. After all, English is not our main", "I really should. This is my first time writing a story. That's why", "it simple and just use English for their speech? All of the conversation", "a full blood Filipino. My question is, is it unnecessary to use my", "story. That's why I am a bit anxious about everything that I do.", "a story. That's why I am a bit anxious about everything that I", "language. After all, English is not our main language. I myself think it", "dialogue? should I just make it simple and just use English for their", "writing contest. My story is written in English, but is set here, in", "writer from the Philippines. I am writing a novelette for an international writing", "writing a story. That's why I am a bit anxious about everything that", "in our language, and then write the English translation afterwards. But I still", "to use my country's dialect as my characters' dialogue? should I just make", "in my language. After all, English is not our main language. I myself", "the dialogue in our language, and then write the English translation afterwards. But", "wrong after all? I need and expert's opinion about this. I feel like", "conversation between the characters in the story is technically being said in my", "character being a full blood Filipino. My question is, is it unnecessary to", "need an assurance if I really should. This is my first time writing", "just use English for their speech? All of the conversation between the characters", "is it unnecessary to use my country's dialect as my characters' dialogue? should", "country, with my POV character being a full blood Filipino. My question is,", "just make it simple and just use English for their speech? All of" ]
[ "what she wants but he shuts her down - never in front of", "started and then goes to her to learn what intel she needs to", "and not something from chapter three, subsection 12 of Advanced Technique and Methodology:", "- never in front of the prisoner - it pollutes the process. He", "a considerable cynicism regarding this apparent change. He has never had occasion to", "dangerous reputation - is captured by a member of Bolivian Security, who decides", "be reasonable for said character to wonder if this might be a genuine", "to HQ. DaedUW father in-law is a semi retired master of manipulation and", "might be a genuine approach and not something from chapter three, subsection 12", "Technique and Methodology: A Handbook. 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I am only wondering at", "this might be a genuine approach and not something from chapter three, subsection", "gets started and then goes to her to learn what intel she needs", "semi retired master of manipulation and torturer extraordinaire. She only knows from his", "believe one word. Edit: He will never believe the father in-law, but how", "of going straight to HQ. DaedUW father in-law is a semi retired master", "of a bind. He is shifting him from torture victim to houseguest but", "both are aware of the other and that is the difficulty in that", "stories that he always got to the truth. He takes the prisoner, she", "essentially befriend someone he started working on - unique situation. I am not", "master of manipulation and torturer extraordinaire. She only knows from his stories that", "considerable cynicism regarding this apparent change. 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[ "promised topic.*** The answer I accepted told me to establish early on that", "powers. But I don't know if this is early enough. My novel's first", "I show in around the 8th chapter that my MC has supernatural powers,", "Here is my issue: In my book, I show in around the 8th", "to this is later on in the story, where the characters surmise that", "reader that science is not my promised topic.* The answer I accepted told", "I get to this is later on in the story, where the characters", "the contract with my reader that science is not my promised topic.* The", "isn't scientific, if the first mention of anything fantastical occurs maybe 25% into", "as I set the contract with my reader that science is not my", "reader that I'm not searching for a scientific explanation for this. The closest", "strange powers. But I don't know if this is early enough. My novel's", "their strange powers. But I don't know if this is early enough. My", "searching for a scientific explanation for this. The closest I get to this", "promise that my story isn't scientific, if the first mention of anything fantastical", "I set the contract with my reader that science is not my promised", "earlier. How do I set with my reader the promise that my story", "for this. The closest I get to this is later on in the", "don't know if or how I could incorporate the idea of non-science any", "if I really need to include scientific proof for my mostly-non-scientific post-apocalyptic novel,", "science is not my promised topic.*** The answer I accepted told me to", "first five approximate chapters are the closest thing I have to a final", "recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include scientific proof", "my reader that I'm not searching for a scientific explanation for this. The", "has supernatural powers, and I think it's clear to my reader that I'm", "I could incorporate the idea of non-science any earlier. How do I set", "mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I", "this is early enough.* My novel's first five approximate chapters are the closest", "question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include scientific proof for my mostly-non-scientific", "the idea of non-science any earlier. How do I set with my reader", "How do I set with my reader the promise that my story isn't", "the closest thing I have to a final draft, and I don't know", "I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include scientific", "up my premise with science **as long as I set the contract with", "idea of non-science any earlier. How do I set with my reader the", "final draft, and I don't know if or how I could incorporate the", "later on in the story, where the characters surmise that radiation gave them", "about if I really need to include scientific proof for my mostly-non-scientific post-apocalyptic", "the 8th chapter that my MC has supernatural powers, and I think it's", "approximate chapters are the closest thing I have to a final draft, and", "I accepted told me to establish early on* that science is not what", "that my MC has supernatural powers, and I think it's clear to my", "reader the promise that my story isn't scientific, if the first mention of", "any earlier. How do I set with my reader the promise that my", "and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't need to", "BROAD AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really", "story, where the characters surmise that radiation gave them their strange powers. But", "that I didn't need to back up my premise with science *as long", "is my issue: In my book, I show in around the 8th chapter", "the promise that my story isn't scientific, if the first mention of anything", "set with my reader the promise that my story isn't scientific, if the", "chapter that my MC has supernatural powers, and I think it's clear to", "are the closest thing I have to a final draft, and I don't", "get to this is later on in the story, where the characters surmise", "told me to establish early on* that science is not what I'm promising.", "premise with science **as long as I set the contract with my reader", "include scientific proof for my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I", "non-science any earlier. How do I set with my reader the promise that", "post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't", "thing I have to a final draft, and I don't know if or", "[best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't need to back up", "the characters surmise that radiation gave them their strange powers. But I don't", "my reader the promise that my story isn't scientific, if the first mention", "not searching for a scientific explanation for this. The closest I get to", "to my reader that I'm not searching for a scientific explanation for this.", "with science *as long as I set the contract with my reader that", "closest I get to this is later on in the story, where the", "my promised topic.* The answer I accepted told me to establish early on", "my book, I show in around the 8th chapter that my MC has", "*as long as I set the contract with my reader that science is", "if or how I could incorporate the idea of non-science any earlier. How", "know if or how I could incorporate the idea of non-science any earlier.", "is not my promised topic.* The answer I accepted told me to establish", "In my book, I show in around the 8th chapter that my MC", "back up my premise with science **as long as I set the contract", "CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include", "that my story isn't scientific, if the first mention of anything fantastical occurs", "to establish early on* that science is not what I'm promising. Here is", "I really need to include scientific proof for my mostly-non-scientific post-apocalyptic novel, and", "powers, and I think it's clear to my reader that I'm not searching", "didn't need to back up my premise with science **as long as I", "gave them their strange powers. But I don't know if this is early", "answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't need to back up my", "radiation gave them their strange powers. But I don't know if this is", "not what I'm promising. Here is my issue: In my book, I show", "supernatural powers, and I think it's clear to my reader that I'm not", "I'm promising. Here is my issue: In my book, I show in around", "it's clear to my reader that I'm not searching for a scientific explanation", "this is later on in the story, where the characters surmise that radiation", "But I don't know if this is early enough.* My novel's first five", "to include scientific proof for my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214)", "8th chapter that my MC has supernatural powers, and I think it's clear", "the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't need to back", "received told me that I didn't need to back up my premise with", "accepted told me to establish early on that science is not what I'm", "issue: In my book, I show in around the 8th chapter that my", "in the story, where the characters surmise that radiation gave them their strange", "show in around the 8th chapter that my MC has supernatural powers, and", "novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that I didn't need", "that science is not my promised topic.*** The answer I accepted told me", "me to establish early on that science is not what I'm promising. Here", "establish early on that science is not what I'm promising. Here is my", "explanation for this. The closest I get to this is later on in", "The closest I get to this is later on in the story, where", "and I don't know if or how I could incorporate the idea of", "AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need", "and I think it's clear to my reader that I'm not searching for", "[asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include scientific proof for", "with my reader the promise that my story isn't scientific, if the first", "think it's clear to my reader that I'm not searching for a scientific", "that I'm not searching for a scientific explanation for this. The closest I", "need to include scientific proof for my mostly-non-scientific post-apocalyptic novel, and the [best", "closest thing I have to a final draft, and I don't know if", "around the 8th chapter that my MC has supernatural powers, and I think", "if this is early enough.* My novel's first five approximate chapters are the", "I don't know if this is early enough.* My novel's first five approximate", "The answer I accepted told me to establish early on that science is", "that radiation gave them their strange powers. But I don't know if this", "do I set with my reader the promise that my story isn't scientific,", "is early enough. My novel's first five approximate chapters are the closest thing", "My novel's first five approximate chapters are the closest thing I have to", "set the contract with my reader that science is not my promised topic.**", "a final draft, and I don't know if or how I could incorporate", "story isn't scientific, if the first mention of anything fantastical occurs maybe 25%", "I don't know if or how I could incorporate the idea of non-science", "is not what I'm promising. Here is my issue: In my book, I", "my MC has supernatural powers, and I think it's clear to my reader", "really need to include scientific proof for my mostly-non-scientific post-apocalyptic novel, and the", "early on* that science is not what I'm promising. Here is my issue:", "my premise with science **as long as I set the contract with my", "LESS BROAD AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I", "science is not what I'm promising. Here is my issue: In my book,", "clear to my reader that I'm not searching for a scientific explanation for", "scientific, if the first mention of anything fantastical occurs maybe 25% into the", "five approximate chapters are the closest thing I have to a final draft,", "early enough. My novel's first five approximate chapters are the closest thing I", "proof for my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told", "need to back up my premise with science *as long as I set", "my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me that", "with my reader that science is not my promised topic.* The answer I", "me that I didn't need to back up my premise with science *as", "draft, and I don't know if or how I could incorporate the idea", "for my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received told me", "scientific explanation for this. The closest I get to this is later on", "is later on in the story, where the characters surmise that radiation gave", "could incorporate the idea of non-science any earlier. How do I set with", "in around the 8th chapter that my MC has supernatural powers, and I", "my reader that science is not my promised topic.* The answer I accepted", "not my promised topic.*** The answer I accepted told me to establish early", "if the first mention of anything fantastical occurs maybe 25% into the story?", "novel's first five approximate chapters are the closest thing I have to a", "I'm not searching for a scientific explanation for this. The closest I get", "on that science is not what I'm promising. Here is my issue: In", "MC has supernatural powers, and I think it's clear to my reader that", "enough.* My novel's first five approximate chapters are the closest thing I have", "incorporate the idea of non-science any earlier. How do I set with my", "TO MAKE IT LESS BROAD AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise)", "book, I show in around the 8th chapter that my MC has supernatural", "long as I set the contract with my reader that science is not", "what I'm promising. Here is my issue: In my book, I show in", "answer I accepted told me to establish early on that science is not", "have to a final draft, and I don't know if or how I", "of non-science any earlier. How do I set with my reader the promise", "them their strange powers. But I don't know if this is early enough.", "a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to include scientific proof for my", "a scientific explanation for this. The closest I get to this is later", "chapters are the closest thing I have to a final draft, and I", "know if this is early enough.* My novel's first five approximate chapters are", "to a final draft, and I don't know if or how I could", "on in the story, where the characters surmise that radiation gave them their", "the story, where the characters surmise that radiation gave them their strange powers.", "I have to a final draft, and I don't know if or how", "my story isn't scientific, if the first mention of anything fantastical occurs maybe", "that science is not what I'm promising. Here is my issue: In my", "told me that I didn't need to back up my premise with science", "(EDITED TO MAKE IT LESS BROAD AND MORE CLEAR). I recently [asked a", "IT LESS BROAD AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if", "to back up my premise with science **as long as I set the", "don't know if this is early enough. My novel's first five approximate chapters", "this. The closest I get to this is later on in the story,", "for a scientific explanation for this. The closest I get to this is", "science *as long as I set the contract with my reader that science", "my issue: In my book, I show in around the 8th chapter that", "contract with my reader that science is not my promised topic.* The answer", "MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about if I really need to", "surmise that radiation gave them their strange powers. But I don't know if", "or how I could incorporate the idea of non-science any earlier. How do", "where the characters surmise that radiation gave them their strange powers. But I", "MAKE IT LESS BROAD AND MORE CLEAR). I recently [asked a question](https://writing.stackexchange.com/questions/43289/do-i-really-need-to-have-a-scientific-explanation-for-my-premise) about", "scientific proof for my mostly-non-scientific post-apocalyptic novel, and the [best answer](https://writing.stackexchange.com/a/43299/34214) I received", "topic.*** The answer I accepted told me to establish early on that science", "characters surmise that radiation gave them their strange powers. But I don't know", "promising. Here is my issue: In my book, I show in around the", "I think it's clear to my reader that I'm not searching for a", "I set with my reader the promise that my story isn't scientific, if", "I didn't need to back up my premise with science **as long as", "I received told me that I didn't need to back up my premise", "how I could incorporate the idea of non-science any earlier. How do I" ]
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Below is my intro", "a nine to five pace / I wonder how bad that-”* > >", "still probably working / At a nine to five pace / I wonder", "their hair aside to reveal a tired pair of hazel eyes, a pug", "to reveal a tired pair of hazel eyes, a pug nose, and a", "the door behind them before starting to brush their hair. > > >", "them as the story goes on, including their pronouns and gender identity. I'm", "'it' for humanoid characters to avoid potentially degrading nonbinary characters. Below is my", "every morning / With a big smile on my face / And it", "> “What? Can’t say good morning to my big bro?” > > >", "door, they shrugged and stepped into the bathroom, closing the door behind them", "more animal than human, a low growl. A bundle of hair appeared from", "my intro to the story which I mentioned above: > > “I wake", "> > > After some more flailing, the...person? Being? Eventually made their way", "them before starting to brush their hair. > > > “Goooood Morning!~” A", "behind them before starting to brush their hair. > > > “Goooood Morning!~”", "know if the neutrality reads well and, if not, how it could be", "table, the hand unsuccessfully pushed at the screen, the movements getting more and", "After some more flailing, the...person? Being? Eventually made their way to the room’s", "sheets, slamming the ball of hair into the floor. “Goddamnit!” > > >", "eyes, and a smile almost as wide as her entire head slammed the", "trying to be inclusive without writing a character in a stereotypical way, and", "another hand that flung the blankets off, revealing more limbs that promptly got", "sat on the bedside table, the hand unsuccessfully pushed at the screen, the", "nonbinary characters. Below is my intro to the story which I mentioned above:", "more limbs that promptly got caught in the sheets, slamming the ball of", "/ I wonder how bad that-” > > > The music cut off,", "writing. The most recent example of this is in an urban fantasy story", "recent example of this is in an urban fantasy story I'm currently working", "> > > “And you’re still probably working / At a nine to", "pushed at the screen, the movements getting more and more frustrated. > >", "nine to five pace / I wonder how bad that-” > > >", "face. “You know how I feel about the door slamming.” > > >", "introduced using they/them pronouns. Their pronouns are revealed to be those other than", "> > > The music cut off, prompting a sigh of relief from", "using they/them pronouns. Their pronouns are revealed to be those other than they/them", "he brushed the hair out of his face. “You know how I feel", "sigh of relief from under the blankets. “Why’d I choose that ‘s my", "some strands out of their mouth and sighed again. > > > “Anyone", "noise came from the bedside table, and they sighed, then walked down the", "> “Anyone in there? Helloooo?” With no reply from the door, they shrugged", "smile almost as wide as her entire head slammed the door open, making", "where the first character is introduced using they/them pronouns. Their pronouns are revealed", "then learn more about them as the story goes on, including their pronouns", "they spat some strands out of their mouth and sighed again. > >", "most recent example of this is in an urban fantasy story I'm currently", "which I mentioned above: > > “I wake up every morning / With", "my alarm…” The voice sounded more animal than human, a low growl. A", "on, but I'd like to know if the neutrality reads well and, if", "“Lily! What the hell!” They growled. Lily looked innocent. > > > “What?", "human, a low growl. A bundle of hair appeared from near the pillows", "I wonder how bad that-” > > > The music cut off, prompting", "> > > Groaning came from the bed as a hand groped for", "> “And you’re still probably working / At a nine to five pace", "The most recent example of this is in an urban fantasy story I'm", "hair into the floor. “Goddamnit!” > > > After some more flailing, the...person?", "out of his face. “You know how I feel about the door slamming.”", "bedside table, and they sighed, then walked down the hall. Pulling some of", "if the neutrality reads well and, if not, how it could be expressed", "/ And it never feels out of place” > > > Groaning came", "Eventually made their way to the room’s door, slamming it behind them. A", "be inclusive without writing a character in a stereotypical way, and I'm avoiding", "source of the music. Grabbing a smartphone that sat on the bedside table,", "blonde hair, green eyes, and a smile almost as wide as her entire", "door, slamming it behind them. A crashing noise came from the bedside table,", "entire head slammed the door open, making them jump. > > > “Lily!", "closing the door behind them before starting to brush their hair. > >", "to know if the neutrality reads well and, if not, how it could", "more about them as the story goes on, including their pronouns and gender", "spare time, where the first character is introduced using they/them pronouns. Their pronouns", "open, making them jump. > > > “Lily! What the hell!” They growled.", "on in my spare time, where the first character is introduced using they/them", "> > > “Lily! What the hell!” They growled. Lily looked innocent. >", "out of place”* > > > Groaning came from the bed as a", "the room’s door, slamming it behind them. A crashing noise came from the", "sighed, then walked down the hall. Pulling some of their hair aside to", "wonder how bad that-”* > > > The music cut off, prompting a", "pillows at the top of the bed, followed by another hand that flung", "to be inclusive without writing a character in a stereotypical way, and I'm", "A bundle of hair appeared from near the pillows at the top of", "groped for the source of the music. Grabbing a smartphone that sat on", "five pace / I wonder how bad that-”* > > > The music", "the floor. “Goddamnit!” > > > After some more flailing, the...person? Being? Eventually", "spat some strands out of their mouth and sighed again. > > >", "making them jump. > > > “Lily! What the hell!” They growled. Lily", "reads well and, if not, how it could be expressed better. I want", "want to introduce them neutrally even though they are not a nonbinary character", "it could be expressed better. I want to introduce them neutrally even though", "revealing more limbs that promptly got caught in the sheets, slamming the ball", "to avoid potentially degrading nonbinary characters. Below is my intro to the story", "place”* > > > Groaning came from the bed as a hand groped", "alarm…” The voice sounded more animal than human, a low growl. A bundle", "> > “What? Can’t say good morning to my big bro?” > >", "Being? Eventually made their way to the room’s door, slamming it behind them.", "I'm currently working on in my spare time, where the first character is", "hazel eyes, a pug nose, and a downturned mouth, they spat some strands", "the bathroom, closing the door behind them before starting to brush their hair.", "they sighed, then walked down the hall. Pulling some of their hair aside", "this is in an urban fantasy story I'm currently working on in my", "to introduce them neutrally even though they are not a nonbinary character because", "before starting to brush their hair. > > > “Goooood Morning!~” A perky", "promptly got caught in the sheets, slamming the ball of hair into the", "generally gender-ambiguous characters in my writing. The most recent example of this is", "door open, making them jump. > > > “Lily! What the hell!” They", "are not a nonbinary character because it lets the reader identify with the", "> > “Lily! What the hell!” They growled. Lily looked innocent. > >", "avoid potentially degrading nonbinary characters. Below is my intro to the story which", "A crashing noise came from the bedside table, and they sighed, then walked", "I'm experimenting with writing nonbinary or generally gender-ambiguous characters in my writing. The", "those other than they/them later on, but I'd like to know if the", "nonbinary or generally gender-ambiguous characters in my writing. The most recent example of", "how it could be expressed better. I want to introduce them neutrally even", "the reader identify with the character initially and then learn more about them", "the movements getting more and more frustrated. > > > “And you’re still", "by another hand that flung the blankets off, revealing more limbs that promptly", "a tired pair of hazel eyes, a pug nose, and a downturned mouth,", "never feels out of place” > > > Groaning came from the bed", "“And you’re still probably working / At a nine to five pace /", "room’s door, slamming it behind them. A crashing noise came from the bedside", "hair, green eyes, and a smile almost as wide as her entire head", "goes on, including their pronouns and gender identity. I'm trying to be inclusive", "well and, if not, how it could be expressed better. I want to", "crashing noise came from the bedside table, and they sighed, then walked down", "grumbled as he brushed the hair out of his face. “You know how", "hair appeared from near the pillows at the top of the bed, followed", "eyes, a pug nose, and a downturned mouth, they spat some strands out", "perky young woman with platinum blonde hair, green eyes, and a smile almost", "like to know if the neutrality reads well and, if not, how it", "They growled. Lily looked innocent. > > > “What? Can’t say good morning", "> The music cut off, prompting a sigh of relief from under the", "“Goooood Morning!~” A perky young woman with platinum blonde hair, green eyes, and", "> > “Goooood Morning!~” A perky young woman with platinum blonde hair, green", "reader identify with the character initially and then learn more about them as", "currently working on in my spare time, where the first character is introduced", "his face. “You know how I feel about the door slamming.” > >", "the sheets, slamming the ball of hair into the floor. “Goddamnit!” > >", "way, and I'm avoiding the pronoun 'it' for humanoid characters to avoid potentially", "music. Grabbing a smartphone that sat on the bedside table, the hand unsuccessfully", "neutrally even though they are not a nonbinary character because it lets the", "shrugged and stepped into the bathroom, closing the door behind them before starting", "a big smile on my face / And it never feels out of", "of hair appeared from near the pillows at the top of the bed,", "including their pronouns and gender identity. I'm trying to be inclusive without writing", "than they/them later on, but I'd like to know if the neutrality reads", "and they sighed, then walked down the hall. Pulling some of their hair", "and more frustrated. > > > “And you’re still probably working / At", "of his face. “You know how I feel about the door slamming.” >", "mouth and sighed again. > > > “Anyone in there? Helloooo?” With no", "for the source of the music. Grabbing a smartphone that sat on the", "At a nine to five pace / I wonder how bad that-”* >", "the hall. Pulling some of their hair aside to reveal a tired pair", "ball of hair into the floor. “Goddamnit!” > > > After some more", "humanoid characters to avoid potentially degrading nonbinary characters. Below is my intro to", "Their pronouns are revealed to be those other than they/them later on, but", "hand groped for the source of the music. Grabbing a smartphone that sat", "down the hall. Pulling some of their hair aside to reveal a tired", "the music. Grabbing a smartphone that sat on the bedside table, the hand", "the screen, the movements getting more and more frustrated. > > > “And", "that-” > > > The music cut off, prompting a sigh of relief", "an urban fantasy story I'm currently working on in my spare time, where", "them. A crashing noise came from the bedside table, and they sighed, then", "made their way to the room’s door, slamming it behind them. A crashing", "The man grumbled as he brushed the hair out of his face. “You", "and, if not, how it could be expressed better. I want to introduce", "as the story goes on, including their pronouns and gender identity. I'm trying", "pronouns are revealed to be those other than they/them later on, but I'd", "frustrated. > > > “And you’re still probably working / At a nine", "then walked down the hall. Pulling some of their hair aside to reveal", "intro to the story which I mentioned above: > > “I wake up", "> After some more flailing, the...person? Being? Eventually made their way to the", "more and more frustrated. > > > “And you’re still probably working /", "them neutrally even though they are not a nonbinary character because it lets", "/ With a big smile on my face / And it never feels", "screen, the movements getting more and more frustrated. > > > “And you’re", "the ball of hair into the floor. “Goddamnit!” > > > After some", "music cut off, prompting a sigh of relief from under the blankets. “Why’d", "mentioned above: > > “I wake up every morning / With a big", "it behind them. 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I want to introduce them neutrally even though they are not a", "initially and then learn more about them as the story goes on, including", "on, including their pronouns and gender identity. I'm trying to be inclusive without", "> “Goooood Morning!~” A perky young woman with platinum blonde hair, green eyes,", "> > The man grumbled as he brushed the hair out of his", "than human, a low growl. A bundle of hair appeared from near the", "off, prompting a sigh of relief from under the blankets. “Why’d I choose", "Helloooo?” With no reply from the door, they shrugged and stepped into the", "as he brushed the hair out of his face. “You know how I", "the pillows at the top of the bed, followed by another hand that", "starting to brush their hair. > > > “Goooood Morning!~” A perky young", "how bad that-”* > > > The music cut off, prompting a sigh", "not, how it could be expressed better. 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[ "action scene scene-by-scene to be a homage. Is it any different in literature;", "scene play out in the exact same way, but reword everything so that", "same way, but reword everything so that it's not in the same format", "so that it's not in the same format and is not using the", "not using the same words, is it considered to be plagiarism or a", "copy of an action scene scene-by-scene to be a homage. Is it any", "In film-making, some people consider a copy of an action scene scene-by-scene to", "same format and is not using the same words, is it considered to", "not in the same format and is not using the same words, is", "play out in the exact same way, but reword everything so that it's", "any different in literature; how do you distinguish the two of them? If,", "take the final scene in Romeo and Juliet, and decide to let a", "scene scene-by-scene to be a homage. Is it any different in literature; how", "in the exact same way, but reword everything so that it's not in", "decide to let a scene play out in the exact same way, but", "a copy of an action scene scene-by-scene to be a homage. Is it", "how do you distinguish the two of them? If, for example, we take", "two of them? If, for example, we take the final scene in Romeo", "film-making, some people consider a copy of an action scene scene-by-scene to be", "them? If, for example, we take the final scene in Romeo and Juliet,", "we take the final scene in Romeo and Juliet, and decide to let", "literature; how do you distinguish the two of them? If, for example, we", "final scene in Romeo and Juliet, and decide to let a scene play", "some people consider a copy of an action scene scene-by-scene to be a", "If, for example, we take the final scene in Romeo and Juliet, and", "scene in Romeo and Juliet, and decide to let a scene play out", "to let a scene play out in the exact same way, but reword", "way, but reword everything so that it's not in the same format and", "example, we take the final scene in Romeo and Juliet, and decide to", "an action scene scene-by-scene to be a homage. Is it any different in", "scene-by-scene to be a homage. Is it any different in literature; how do", "Juliet, and decide to let a scene play out in the exact same", "distinguish the two of them? If, for example, we take the final scene", "that it's not in the same format and is not using the same", "it any different in literature; how do you distinguish the two of them?", "out in the exact same way, but reword everything so that it's not", "Romeo and Juliet, and decide to let a scene play out in the", "everything so that it's not in the same format and is not using", "you distinguish the two of them? If, for example, we take the final", "exact same way, but reword everything so that it's not in the same", "people consider a copy of an action scene scene-by-scene to be a homage.", "Is it any different in literature; how do you distinguish the two of", "do you distinguish the two of them? If, for example, we take the", "for example, we take the final scene in Romeo and Juliet, and decide", "it's not in the same format and is not using the same words,", "to be a homage. Is it any different in literature; how do you", "a scene play out in the exact same way, but reword everything so", "a homage. Is it any different in literature; how do you distinguish the", "in literature; how do you distinguish the two of them? If, for example,", "the two of them? If, for example, we take the final scene in", "but reword everything so that it's not in the same format and is", "the final scene in Romeo and Juliet, and decide to let a scene", "of an action scene scene-by-scene to be a homage. Is it any different", "the same format and is not using the same words, is it considered", "let a scene play out in the exact same way, but reword everything", "and is not using the same words, is it considered to be plagiarism", "the exact same way, but reword everything so that it's not in the", "format and is not using the same words, is it considered to be", "in the same format and is not using the same words, is it", "of them? If, for example, we take the final scene in Romeo and", "consider a copy of an action scene scene-by-scene to be a homage. Is", "in Romeo and Juliet, and decide to let a scene play out in", "reword everything so that it's not in the same format and is not", "different in literature; how do you distinguish the two of them? If, for", "is not using the same words, is it considered to be plagiarism or", "and Juliet, and decide to let a scene play out in the exact", "and decide to let a scene play out in the exact same way,", "using the same words, is it considered to be plagiarism or a homage?", "be a homage. Is it any different in literature; how do you distinguish", "homage. Is it any different in literature; how do you distinguish the two" ]
[ "of short stories in forums in the past, and I thought I could", "What if I were to modify it? I published a lot of short", "the past, and I thought I could use the material and have something", "any complication that can ensue when you seek to have a story you've", "published in a free domain website, and then have it published through a", "published a lot of short stories in forums in the past, and I", "were to modify it? I published a lot of short stories in forums", "you've published in a free domain website, and then have it published through", "can ensue when you seek to have a story you've published in a", "in a free domain website, and then have it published through a conventional", "you seek to have a story you've published in a free domain website,", "website, and then have it published through a conventional publisher? What if I", "forums in the past, and I thought I could use the material and", "story you've published in a free domain website, and then have it published", "could use the material and have something published by the end of the", "there any complication that can ensue when you seek to have a story", "that can ensue when you seek to have a story you've published in", "ensue when you seek to have a story you've published in a free", "I were to modify it? I published a lot of short stories in", "seek to have a story you've published in a free domain website, and", "through a conventional publisher? What if I were to modify it? I published", "conventional publisher? What if I were to modify it? I published a lot", "free domain website, and then have it published through a conventional publisher? What", "domain website, and then have it published through a conventional publisher? What if", "in the past, and I thought I could use the material and have", "a lot of short stories in forums in the past, and I thought", "published through a conventional publisher? What if I were to modify it? I", "complication that can ensue when you seek to have a story you've published", "then have it published through a conventional publisher? What if I were to", "short stories in forums in the past, and I thought I could use", "use the material and have something published by the end of the year.", "in forums in the past, and I thought I could use the material", "I published a lot of short stories in forums in the past, and", "I thought I could use the material and have something published by the", "have it published through a conventional publisher? What if I were to modify", "and then have it published through a conventional publisher? What if I were", "I could use the material and have something published by the end of", "publisher? What if I were to modify it? I published a lot of", "to have a story you've published in a free domain website, and then", "past, and I thought I could use the material and have something published", "and I thought I could use the material and have something published by", "modify it? I published a lot of short stories in forums in the", "if I were to modify it? I published a lot of short stories", "lot of short stories in forums in the past, and I thought I", "a conventional publisher? What if I were to modify it? I published a", "stories in forums in the past, and I thought I could use the", "Is there any complication that can ensue when you seek to have a", "it? I published a lot of short stories in forums in the past,", "to modify it? I published a lot of short stories in forums in", "thought I could use the material and have something published by the end", "when you seek to have a story you've published in a free domain", "have a story you've published in a free domain website, and then have", "a free domain website, and then have it published through a conventional publisher?", "it published through a conventional publisher? What if I were to modify it?", "a story you've published in a free domain website, and then have it" ]
[ "quite short? Do three consecutive chapters that aren't from the beginning? Is it", "if they lack context? Or better to show a story progression? What chapter", "(to a grant program, competition, agent, or publisher) that asks for sample chapters,", "example, a grant program for unfinished works I'm interested in wants 3 sample", "agent, or publisher) that asks for sample chapters, which chapters do you choose?", "to choose the best chapters even if they lack context? Or better to", "a grant program, competition, agent, or publisher) that asks for sample chapters, which", "do you choose? For example, a grant program for unfinished works I'm interested", "grant program for unfinished works I'm interested in wants 3 sample chapters. They", "For a submission (to a grant program, competition, agent, or publisher) that asks", "They don't specify which ones. Do you go in order? Include the prolog?", "which ones. Do you go in order? Include the prolog? Add another chapter", "better to skip around, to choose the best chapters even if they lack", "you choose? For example, a grant program for unfinished works I'm interested in", "grant program, competition, agent, or publisher) that asks for sample chapters, which chapters", "for sample chapters, which chapters do you choose? For example, a grant program", "choose the best chapters even if they lack context? Or better to show", "program, competition, agent, or publisher) that asks for sample chapters, which chapters do", "short? Do three consecutive chapters that aren't from the beginning? Is it better", "consecutive chapters that aren't from the beginning? Is it better to skip around,", "ones. Do you go in order? Include the prolog? Add another chapter if", "Do you go in order? Include the prolog? Add another chapter if one", "beginning? Is it better to skip around, to choose the best chapters even", "sample chapters, which chapters do you choose? For example, a grant program for", "three consecutive chapters that aren't from the beginning? Is it better to skip", "context? Or better to show a story progression? What chapter choices lead to", "chapters. They don't specify which ones. Do you go in order? Include the", "Add another chapter if one is quite short? Do three consecutive chapters that", "the prolog? Add another chapter if one is quite short? Do three consecutive", "a submission (to a grant program, competition, agent, or publisher) that asks for", "or publisher) that asks for sample chapters, which chapters do you choose? For", "unfinished works I'm interested in wants 3 sample chapters. They don't specify which", "one is quite short? Do three consecutive chapters that aren't from the beginning?", "is quite short? Do three consecutive chapters that aren't from the beginning? Is", "a grant program for unfinished works I'm interested in wants 3 sample chapters.", "specify which ones. Do you go in order? Include the prolog? Add another", "works I'm interested in wants 3 sample chapters. They don't specify which ones.", "the best chapters even if they lack context? Or better to show a", "submission (to a grant program, competition, agent, or publisher) that asks for sample", "lack context? Or better to show a story progression? What chapter choices lead", "around, to choose the best chapters even if they lack context? Or better", "chapter if one is quite short? Do three consecutive chapters that aren't from", "they lack context? Or better to show a story progression? What chapter choices", "chapters, which chapters do you choose? For example, a grant program for unfinished", "don't specify which ones. Do you go in order? Include the prolog? Add", "which chapters do you choose? For example, a grant program for unfinished works", "publisher) that asks for sample chapters, which chapters do you choose? For example,", "for unfinished works I'm interested in wants 3 sample chapters. They don't specify", "in order? Include the prolog? Add another chapter if one is quite short?", "prolog? Add another chapter if one is quite short? Do three consecutive chapters", "another chapter if one is quite short? Do three consecutive chapters that aren't", "Is it better to skip around, to choose the best chapters even if", "it better to skip around, to choose the best chapters even if they", "I'm interested in wants 3 sample chapters. They don't specify which ones. Do", "from the beginning? Is it better to skip around, to choose the best", "asks for sample chapters, which chapters do you choose? For example, a grant", "chapters that aren't from the beginning? Is it better to skip around, to", "skip around, to choose the best chapters even if they lack context? Or", "chapters do you choose? For example, a grant program for unfinished works I'm", "that asks for sample chapters, which chapters do you choose? For example, a", "3 sample chapters. They don't specify which ones. Do you go in order?", "go in order? Include the prolog? Add another chapter if one is quite", "aren't from the beginning? Is it better to skip around, to choose the", "Or better to show a story progression? What chapter choices lead to the", "better to show a story progression? What chapter choices lead to the strongest", "wants 3 sample chapters. They don't specify which ones. Do you go in", "to show a story progression? What chapter choices lead to the strongest submission?", "Include the prolog? Add another chapter if one is quite short? Do three", "even if they lack context? Or better to show a story progression? **What", "if one is quite short? Do three consecutive chapters that aren't from the", "the beginning? Is it better to skip around, to choose the best chapters", "sample chapters. They don't specify which ones. Do you go in order? Include", "you go in order? Include the prolog? Add another chapter if one is", "chapters even if they lack context? Or better to show a story progression?", "that aren't from the beginning? Is it better to skip around, to choose", "choose? For example, a grant program for unfinished works I'm interested in wants", "order? Include the prolog? Add another chapter if one is quite short? Do", "For example, a grant program for unfinished works I'm interested in wants 3", "program for unfinished works I'm interested in wants 3 sample chapters. They don't", "competition, agent, or publisher) that asks for sample chapters, which chapters do you", "in wants 3 sample chapters. They don't specify which ones. Do you go", "to skip around, to choose the best chapters even if they lack context?", "Do three consecutive chapters that aren't from the beginning? Is it better to", "best chapters even if they lack context? Or better to show a story", "interested in wants 3 sample chapters. They don't specify which ones. Do you" ]
[ "missed my chance to write for About.Com when it was TheMiningCom and now", "write for. Are they still around? No idea - possibly in some form.", "gamification system that works. Community is helpful -- I am recognizing names of", "have a promise to BellaOnline for 2 short articles a week about Board", "am recognizing names of frequent contributors. If any of them post a link", "peer pressure/incentives. The Rep/Badges system here is a great gamification system that works.", "if I have a promise to BellaOnline for 2 short articles a week", "are these sites dead?** Will I make $5 from them, or should that", "had bookmarked Squiddoo, HubPages, BellaOnline and others to write for. Are they still", "Good, but not Great, and that's what I wanted as a reader, and", "want to sell? Will I get readers? I'm not trying to poll-for-experience, but", "more about. It always seemed that the \"experts\" on these sites were Pretty", "to A Coffee Magazine/Site. But I feel I know more than the average", "chance to write for About.Com when it was TheMiningCom and now it's DotDash", "was TheMiningCom and now it's DotDash and seems to be under different rules.", "that energy go towards really good ebay descriptions of shoes I want to", "these sites were Pretty Good, but not Great, and that's what I wanted", "out and hope for vice-versa, even if it's not normally my cup of", "sites that pay at least a little, and they're not totally anonymous content", "blog/site is blah. But if I have a promise to BellaOnline for 2", "research things that the average reader would want to know more about. It", "post a link to their published work or blog, I'll check it out", "can't seem to set my own deadlines and stick to them, so my", "Are they still around? No idea - possibly in some form. I'm talking", "BellaOnline for 2 short articles a week about Board Games (not my proposed", "community-building, but there may be some. And beyond Writing.SE, an external, regular deadline", "want to know more about. It always seemed that the \"experts\" on these", "own deadlines and stick to them, so my blog/site is blah. But if", "would I want to write for one?* I do well with peer pressure/incentives.", "Suite.io (blocked from my work, so that's all I know.) I know at", "trying to poll-for-experience, but if anyone has statistics on these sites, or which", "do well with peer pressure/incentives. The Rep/Badges system here is a great gamification", "expert enough about coffee or whatever to propose A Column to A Coffee", "rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise -- I don't feel expert", "for. Are they still around? No idea - possibly in some form. I'm", "external, regular deadline is good for me. I can't seem to set my", "Squiddoo, HubPages, BellaOnline and others to write for. Are they still around? No", "Why would I want to write for one? I do well with peer", "at least a little, and they're not totally anonymous content farms, but by-line", "know the '00s were the decade for non-facebook/IG community-building, but there may be", "at one point I had bookmarked Squiddoo, HubPages, BellaOnline and others to write", "a little community. Why would I want to write for one? I do", "and can quickly research things that the average reader would want to know", "linked, and you theoretically develop a little community. Why would I want to", "were Pretty Good, but not Great, and that's what I wanted as a", "'00s were the decade for non-facebook/IG community-building, but there may be some. And", "my own deadlines and stick to them, so my blog/site is blah. But", "get readers? I'm not trying to poll-for-experience, but if anyone has statistics on", "-- I am recognizing names of frequent contributors. If any of them post", "beyond Writing.SE, an external, regular deadline** is good for me. I can't seem", "my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise* --", "their published work or blog, I'll check it out and hope for vice-versa,", "is a great gamification system that works. Community is helpful -- I am", "towards really good ebay descriptions of shoes I want to sell? Will I", "content farms, but by-line linked, and you theoretically develop a little community. Why", "work, so that's all I know.) I know at one point I had", "recognizing names of frequent contributors. If any of them post a link to", "as a writer. --- But are these sites dead? Will I make $5", "well with peer pressure/incentives. The Rep/Badges system here is a great gamification system", "works. Community** is helpful -- I am recognizing names of frequent contributors. If", "topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise* -- I don't", "Column to A Coffee Magazine/Site. But I feel I know more than the", "-- I don't feel expert enough about coffee or whatever to propose A", "the decade for non-facebook/IG community-building, but there may be some. And beyond Writing.SE,", "for About.Com when it was TheMiningCom and now it's DotDash and seems to", "in some form. I'm talking basically about sites that pay at least a", "that pay at least a little, and they're not totally anonymous content farms,", "helpful -- I am recognizing names of frequent contributors. If any of them", "I'm not trying to poll-for-experience, but if anyone has statistics on these sites,", "I don't feel expert enough about coffee or whatever to propose A Column", "energy go towards really good ebay descriptions of shoes I want to sell?", "as a reader, and what I can deliver as a writer. --- *But", "form. I'm talking basically about sites that pay at least a little, and", "or whatever to propose A Column to A Coffee Magazine/Site. But I feel", "I know the '00s were the decade for non-facebook/IG community-building, but there may", "sell? Will I get readers? I'm not trying to poll-for-experience, but if anyone", "Will I get readers? I'm not trying to poll-for-experience, but if anyone has", "really good ebay descriptions of shoes I want to sell? Will I get", "blah. But if I have a promise to BellaOnline for 2 short articles", "proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise -- I", "And beyond Writing.SE, an external, regular deadline is good for me. I can't", "now it's DotDash and seems to be under different rules. Suite101 has become", "my regularly-writing-for-an-audience muscle. They reward moderate expertise -- I don't feel expert enough", "I want to write for one? I do well with peer pressure/incentives. The", "of shoes I want to sell? Will I get readers? I'm not trying", "reward moderate expertise -- I don't feel expert enough about coffee or whatever", "write for About.Com when it was TheMiningCom and now it's DotDash and seems", "anyone has statistics on these sites, or which are still thriving without a", "and others to write for. Are they still around? No idea - possibly", "that's all I know.) I know at one point I had bookmarked Squiddoo,", "I feel I know more than the average bear, and can quickly research", "has become Suite.io (blocked from my work, so that's all I know.) I", "I had bookmarked Squiddoo, HubPages, BellaOnline and others to write for. Are they", "were the decade for non-facebook/IG community-building, but there may be some. And beyond", "tea. I know the '00s were the decade for non-facebook/IG community-building, but there", "deadlines and stick to them, so my blog/site is blah. But if I", "want to write for one? I do well with peer pressure/incentives. The Rep/Badges", "to them, so my blog/site is blah. But if I have a promise", "articles a week about Board Games (not my proposed topic), that rebuilds my", "Coffee Magazine/Site. But I feel I know more than the average bear, and", "and you theoretically develop a little community. Why would I want to write", "writer. --- But are these sites dead? Will I make $5 from them,", "seems to be under different rules. Suite101 has become Suite.io (blocked from my", "them post a link to their published work or blog, I'll check it", "know more about. It always seemed that the \"experts\" on these sites were", "little, and they're not totally anonymous content farms, but by-line linked, and you", "Writing.SE, an external, regular deadline is good for me. I can't seem to", "a writer. --- But are these sites dead? Will I make $5 from", "feel I know more than the average bear, and can quickly research things", "them, or should that energy go towards really good ebay descriptions of shoes", "they still around? No idea - possibly in some form. I'm talking basically", "little community. Why would I want to write for one? I do well", "system here is a great gamification system that works. Community** is helpful --", "work or blog, I'll check it out and hope for vice-versa, even if", "me. I can't seem to set my own deadlines and stick to them,", "It always seemed that the \"experts\" on these sites were Pretty Good, but", "Board Games (not my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward", "a great gamification system that works. Community is helpful -- I am recognizing", "I make $5 from them, or should that energy go towards really good", "on these sites were Pretty Good, but not Great, and that's what I", "I know more than the average bear, and can quickly research things that", "Suite101 has become Suite.io (blocked from my work, so that's all I know.)", "would want to know more about. It always seemed that the \"experts\" on", "I know.) I know at one point I had bookmarked Squiddoo, HubPages, BellaOnline", "about sites that pay at least a little, and they're not totally anonymous", "average bear, and can quickly research things that the average reader would want", "a little, and they're not totally anonymous content farms, but by-line linked, and", "But are these sites dead? Will I make $5 from them, or should", "pressure/incentives. The Rep/Badges system here is a great gamification system that works. Community", "but there may be some. And beyond Writing.SE, an external, regular deadline is", "I missed my chance to write for About.Com when it was TheMiningCom and", "readers? I'm not trying to poll-for-experience, but if anyone has statistics on these", "contributors. If any of them post a link to their published work or", "basically about sites that pay at least a little, and they're not totally", "I have a promise to BellaOnline for 2 short articles a week about", "I get readers? I'm not trying to poll-for-experience, but if anyone has statistics", "expertise -- I don't feel expert enough about coffee or whatever to propose", "set my own deadlines and stick to them, so my blog/site is blah.", "the \"experts\" on these sites were Pretty Good, but not Great, and that's", "there may be some. And beyond Writing.SE, an external, regular deadline is good", "don't feel expert enough about coffee or whatever to propose A Column to", "system that works. Community is helpful -- I am recognizing names of frequent", "to know more about. It always seemed that the \"experts\" on these sites", "\"experts\" on these sites were Pretty Good, but not Great, and that's what", "coffee or whatever to propose A Column to A Coffee Magazine/Site. But I", "the average reader would want to know more about. It always seemed that", "normally my cup of tea. I know the '00s were the decade for", "a reader, and what I can deliver as a writer. --- But are", "for non-facebook/IG community-building, but there may be some. And beyond Writing.SE, an external,", "when it was TheMiningCom and now it's DotDash and seems to be under", "No idea - possibly in some form. I'm talking basically about sites that", "or should that energy go towards really good ebay descriptions of shoes I", "about Board Games (not my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They", "know at one point I had bookmarked Squiddoo, HubPages, BellaOnline and others to", "is helpful -- I am recognizing names of frequent contributors. If any of", "and what I can deliver as a writer. --- But are these sites", "under different rules. Suite101 has become Suite.io (blocked from my work, so that's", "has statistics on these sites, or which are still thriving without a massive", "community. Why would I want to write for one? I do well with", "that the \"experts\" on these sites were Pretty Good, but not Great, and", "whatever to propose A Column to A Coffee Magazine/Site. But I feel I", "to poll-for-experience, but if anyone has statistics on these sites, or which are", "is blah. But if I have a promise to BellaOnline for 2 short", "my work, so that's all I know.) I know at one point I", "different rules. Suite101 has become Suite.io (blocked from my work, so that's all", "statistics on these sites, or which are still thriving without a massive pivot-to-video,", "descriptions of shoes I want to sell? Will I get readers? I'm not", "deliver as a writer. --- But are these sites dead? Will I make", "Rep/Badges system here is a great gamification system that works. Community is helpful", "A Coffee Magazine/Site. But I feel I know more than the average bear,", "stick to them, so my blog/site is blah. But if I have a", "TheMiningCom and now it's DotDash and seems to be under different rules. Suite101", "If any of them post a link to their published work or blog,", "$5 from them, or should that energy go towards really good ebay descriptions", "but not Great, and that's what I wanted as a reader, and what", "sites were Pretty Good, but not Great, and that's what I wanted as", "The Rep/Badges system here is a great gamification system that works. Community is", "regularly-writing-for-an-audience muscle. They reward moderate expertise -- I don't feel expert enough about", "that's what I wanted as a reader, and what I can deliver as", "BellaOnline and others to write for. Are they still around? No idea -", "to write for one? I do well with peer pressure/incentives. The Rep/Badges system", "it's DotDash and seems to be under different rules. Suite101 has become Suite.io", "feel expert enough about coffee or whatever to propose A Column to A", "not trying to poll-for-experience, but if anyone has statistics on these sites, or", "seemed that the \"experts\" on these sites were Pretty Good, but not Great,", "about coffee or whatever to propose A Column to A Coffee Magazine/Site. But", "seem to set my own deadlines and stick to them, so my blog/site", "for 2 short articles a week about Board Games (not my proposed topic),", "but by-line linked, and you theoretically develop a little community. Why would I", "good for me. I can't seem to set my own deadlines and stick", "I can deliver as a writer. --- But are these sites dead? Will", "for one? I do well with peer pressure/incentives. The Rep/Badges system here is", "check it out and hope for vice-versa, even if it's not normally my", "they're not totally anonymous content farms, but by-line linked, and you theoretically develop", "frequent contributors. If any of them post a link to their published work", "Pretty Good, but not Great, and that's what I wanted as a reader,", "anonymous content farms, but by-line linked, and you theoretically develop a little community.", "my blog/site is blah. But if I have a promise to BellaOnline for", "totally anonymous content farms, but by-line linked, and you theoretically develop a little", "the '00s were the decade for non-facebook/IG community-building, but there may be some.", "Community is helpful -- I am recognizing names of frequent contributors. If any", "good ebay descriptions of shoes I want to sell? Will I get readers?", "that works. Community is helpful -- I am recognizing names of frequent contributors.", "may be some. And beyond Writing.SE, an external, regular deadline is good for", "not Great, and that's what I wanted as a reader, and what I", "propose A Column to A Coffee Magazine/Site. But I feel I know more", "- possibly in some form. I'm talking basically about sites that pay at", "make $5 from them, or should that energy go towards really good ebay", "I want to sell? Will I get readers? I'm not trying to poll-for-experience,", "around? No idea - possibly in some form. I'm talking basically about sites", "enough about coffee or whatever to propose A Column to A Coffee Magazine/Site.", "so my blog/site is blah. But if I have a promise to BellaOnline", "always seemed that the \"experts\" on these sites were Pretty Good, but not", "not totally anonymous content farms, but by-line linked, and you theoretically develop a", "decade for non-facebook/IG community-building, but there may be some. And beyond Writing.SE, an", "Magazine/Site. But I feel I know more than the average bear, and can", "farms, but by-line linked, and you theoretically develop a little community. Why would", "these sites dead? Will I make $5 from them, or should that energy", "and hope for vice-versa, even if it's not normally my cup of tea.", "I do well with peer pressure/incentives. The Rep/Badges system here is a great", "poll-for-experience, but if anyone has statistics on these sites, or which are still", "others to write for. Are they still around? No idea - possibly in", "on these sites, or which are still thriving without a massive pivot-to-video, that", "I know at one point I had bookmarked Squiddoo, HubPages, BellaOnline and others", "or which are still thriving without a massive pivot-to-video, that would be helpful.", "from my work, so that's all I know.) I know at one point", "to sell? Will I get readers? I'm not trying to poll-for-experience, but if", "some form. I'm talking basically about sites that pay at least a little,", "Will I make $5 from them, or should that energy go towards really", "my cup of tea. I know the '00s were the decade for non-facebook/IG", "not normally my cup of tea. I know the '00s were the decade", "sites dead? Will I make $5 from them, or should that energy go", "an external, regular deadline is good for me. I can't seem to set", "point I had bookmarked Squiddoo, HubPages, BellaOnline and others to write for. Are", "and seems to be under different rules. Suite101 has become Suite.io (blocked from", "I can't seem to set my own deadlines and stick to them, so", "to be under different rules. Suite101 has become Suite.io (blocked from my work,", "average reader would want to know more about. It always seemed that the", "write for one? I do well with peer pressure/incentives. The Rep/Badges system here", "or blog, I'll check it out and hope for vice-versa, even if it's", "the average bear, and can quickly research things that the average reader would", "non-facebook/IG community-building, but there may be some. And beyond Writing.SE, an external, regular", "what I can deliver as a writer. --- But are these sites dead?", "of tea. I know the '00s were the decade for non-facebook/IG community-building, but", "that rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise -- I don't feel", "bookmarked Squiddoo, HubPages, BellaOnline and others to write for. Are they still around?", "any of them post a link to their published work or blog, I'll", "pay at least a little, and they're not totally anonymous content farms, but", "is good for me. I can't seem to set my own deadlines and", "even if it's not normally my cup of tea. I know the '00s", "HubPages, BellaOnline and others to write for. Are they still around? No idea", "bear, and can quickly research things that the average reader would want to", "can quickly research things that the average reader would want to know more", "names of frequent contributors. If any of them post a link to their", "of them post a link to their published work or blog, I'll check", "blog, I'll check it out and hope for vice-versa, even if it's not", "quickly research things that the average reader would want to know more about.", "dead? Will I make $5 from them, or should that energy go towards", "develop a little community. Why would I want to write for one? I", "muscle. They reward moderate expertise** -- I don't feel expert enough about coffee", "Games (not my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward *moderate", "published work or blog, I'll check it out and hope for vice-versa, even", "one point I had bookmarked Squiddoo, HubPages, BellaOnline and others to write for.", "from them, or should that energy go towards really good ebay descriptions of", "About.Com when it was TheMiningCom and now it's DotDash and seems to be", "it was TheMiningCom and now it's DotDash and seems to be under different", "reader would want to know more about. It always seemed that the \"experts\"", "(not my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle. They reward moderate expertise", "to BellaOnline for 2 short articles a week about Board Games (not my", "for vice-versa, even if it's not normally my cup of tea. I know", "week about Board Games (not my proposed topic), that rebuilds my regularly-writing-for-an-audience muscle.", "deadline is good for me. I can't seem to set my own deadlines", "to write for. Are they still around? No idea - possibly in some", "these sites, or which are still thriving without a massive pivot-to-video, that would", "moderate expertise -- I don't feel expert enough about coffee or whatever to", "hope for vice-versa, even if it's not normally my cup of tea. I", "possibly in some form. I'm talking basically about sites that pay at least", "should that energy go towards really good ebay descriptions of shoes I want", "it out and hope for vice-versa, even if it's not normally my cup", "I wanted as a reader, and what I can deliver as a writer.", "so that's all I know.) I know at one point I had bookmarked", "what I wanted as a reader, and what I can deliver as a", "and they're not totally anonymous content farms, but by-line linked, and you theoretically", "But I feel I know more than the average bear, and can quickly", "They reward moderate expertise -- I don't feel expert enough about coffee or", "regular deadline is good for me. I can't seem to set my own", "can deliver as a writer. --- But are these sites dead? Will I", "idea - possibly in some form. I'm talking basically about sites that pay", "shoes I want to sell? Will I get readers? I'm not trying to", "theoretically develop a little community. Why would I want to write for one?", "you theoretically develop a little community. Why would I want to write for", "which are still thriving without a massive pivot-to-video, that would be helpful. Thanks!", "if it's not normally my cup of tea. I know the '00s were", "be some. And beyond Writing.SE, an external, regular deadline** is good for me.", "2 short articles a week about Board Games (not my proposed topic), that", "know more than the average bear, and can quickly research things that the", "cup of tea. I know the '00s were the decade for non-facebook/IG community-building,", "rules. Suite101 has become Suite.io (blocked from my work, so that's all I", "I am recognizing names of frequent contributors. If any of them post a", "by-line linked, and you theoretically develop a little community. Why would I want", "things that the average reader would want to know more about. It always", "reader, and what I can deliver as a writer. --- But are these", "all I know.) I know at one point I had bookmarked Squiddoo, HubPages,", "know.) I know at one point I had bookmarked Squiddoo, HubPages, BellaOnline and", "I'm talking basically about sites that pay at least a little, and they're", "that the average reader would want to know more about. It always seemed", "promise to BellaOnline for 2 short articles a week about Board Games (not", "a week about Board Games (not my proposed topic), that rebuilds my regularly-writing-for-an-audience", "link to their published work or blog, I'll check it out and hope", "talking basically about sites that pay at least a little, and they're not", "them, so my blog/site is blah. But if I have a promise to", "a link to their published work or blog, I'll check it out and", "for me. I can't seem to set my own deadlines and stick to", "with peer pressure/incentives. The Rep/Badges system here is a great gamification system that", "it's not normally my cup of tea. I know the '00s were the", "to write for About.Com when it was TheMiningCom and now it's DotDash and", "become Suite.io (blocked from my work, so that's all I know.) I know", "go towards really good ebay descriptions of shoes I want to sell? Will", "here is a great gamification system that works. Community* is helpful -- I", "Great, and that's what I wanted as a reader, and what I can", "be under different rules. Suite101 has become Suite.io (blocked from my work, so", "ebay descriptions of shoes I want to sell? Will I get readers? I'm", "more than the average bear, and can quickly research things that the average", "if anyone has statistics on these sites, or which are still thriving without", "sites, or which are still thriving without a massive pivot-to-video, that would be", "(blocked from my work, so that's all I know.) I know at one", "and that's what I wanted as a reader, and what I can deliver", "DotDash and seems to be under different rules. Suite101 has become Suite.io (blocked", "about. It always seemed that the \"experts\" on these sites were Pretty Good,", "to set my own deadlines and stick to them, so my blog/site is", "my chance to write for About.Com when it was TheMiningCom and now it's", "least a little, and they're not totally anonymous content farms, but by-line linked,", "and now it's DotDash and seems to be under different rules. Suite101 has", "wanted as a reader, and what I can deliver as a writer. ---", "But if I have a promise to BellaOnline for 2 short articles a", "still around? No idea - possibly in some form. I'm talking basically about", "great gamification system that works. Community is helpful -- I am recognizing names", "than the average bear, and can quickly research things that the average reader", "of frequent contributors. If any of them post a link to their published", "some. And beyond Writing.SE, an external, regular deadline is good for me. I", "A Column to A Coffee Magazine/Site. But I feel I know more than", "a promise to BellaOnline for 2 short articles a week about Board Games", "one? I do well with peer pressure/incentives*. The Rep/Badges system here is a", "but if anyone has statistics on these sites, or which are still thriving", "short articles a week about Board Games (not my proposed topic), that rebuilds", "vice-versa, even if it's not normally my cup of tea. I know the", "--- But are these sites dead?* Will I make $5 from them, or", "and stick to them, so my blog/site is blah. But if I have", "to their published work or blog, I'll check it out and hope for", "to propose A Column to A Coffee Magazine/Site. But I feel I know", "I'll check it out and hope for vice-versa, even if it's not normally" ]
[ "to the results of an alignment test I took from her point of", "with my protagonist, no matter how bad she is. Can I still make", "their loyalties to lie with my protagonist, no matter how bad she is.", "perceives her as \"evil\". My antagonist is the leader of a group of", "my post-apocalyptic novel, my protagonist is not necessarily \"good\", and although the antagonist", "matter how bad she is. Can I still make my antagonist an effective", "my protagonist does, but I'm afraid my readers are going to start sympathizing", "the leader of a group of survivors, and cares deeply for her family", "and is extremely suspicious of my protagonist. The way I constructed the antagonist's", "is extremely suspicious of my protagonist. The way I constructed the antagonist's character", "to lie with my protagonist, no matter how bad she is. Can I", "the antagonist is an honest and kind person, my protagonist perceives her as", "aligns with how I see her, and how I'm writing her right now.", "readers are going to start sympathizing with her when I want their loyalties", "to start sympathizing with her when I want their loyalties to lie with", "person, my protagonist perceives her as \"evil\". My antagonist is the leader of", "are going to start sympathizing with her when I want their loyalties to", "is, truly, lawful good? Can I keep my readers' loyalties with my protagonist,", "I took from her point of view), she's lawful good. That aligns with", "I constructed the antagonist's character (and according to the results of an alignment", "to resent and sometimes hate her, just like my protagonist does, but I'm", "novel, my protagonist is not necessarily \"good\", and although the antagonist is an", "I see her, and how I'm writing her right now. I still want", "Can I still make my antagonist an effective \"bad guy\", despite the fact", "\"bad guy\", despite the fact that she is, truly, lawful good? Can I", "(and according to the results of an alignment test I took from her", "protagonist. The way I constructed the antagonist's character (and according to the results", "her when I want their loyalties to lie with my protagonist, no matter", "the fact that she is, truly, lawful good? Can I keep my readers'", "that she is, truly, lawful good? Can I keep my readers' loyalties with", "an honest and kind person, my protagonist perceives her as \"evil\". My antagonist", "see her, and how I'm writing her right now. I still want the", "sometimes hate her, just like my protagonist does, but I'm afraid my readers", "despite the fact that she is, truly, lawful good? Can I keep my", "now. I still want the reader to resent and sometimes hate her, just", "I still make my antagonist an effective \"bad guy\", despite the fact that", "I still want the reader to resent and sometimes hate her, just like", "lawful good? Can I keep my readers' loyalties with my protagonist, not my", "honest and kind person, my protagonist perceives her as \"evil\". My antagonist is", "from her point of view), she's lawful good. That aligns with how I", "afraid my readers are going to start sympathizing with her when I want", "post-apocalyptic novel, my protagonist is not necessarily \"good\", and although the antagonist is", "but I'm afraid my readers are going to start sympathizing with her when", "make my antagonist an effective \"bad guy\", despite the fact that she is,", "my protagonist. The way I constructed the antagonist's character (and according to the", "constructed the antagonist's character (and according to the results of an alignment test", "her as \"evil\". My antagonist is the leader of a group of survivors,", "group, and is extremely suspicious of my protagonist. The way I constructed the", "results of an alignment test I took from her point of view), she's", "still make my antagonist an effective \"bad guy\", despite the fact that she", "her point of view), she's lawful good. That aligns with how I see", "just like my protagonist does, but I'm afraid my readers are going to", "extremely suspicious of my protagonist. The way I constructed the antagonist's character (and", "of view), she's lawful good. That aligns with how I see her, and", "her, just like my protagonist does, but I'm afraid my readers are going", "an alignment test I took from her point of view), she's lawful good.", "test I took from her point of view), she's lawful good. That aligns", "start sympathizing with her when I want their loyalties to lie with my", "going to start sympathizing with her when I want their loyalties to lie", "my readers are going to start sympathizing with her when I want their", "deeply for her family and group, and is extremely suspicious of my protagonist.", "alignment test I took from her point of view), she's lawful good. That", "my protagonist is not necessarily \"good\", and although the antagonist is an honest", "and how I'm writing her right now. I still want the reader to", "and sometimes hate her, just like my protagonist does, but I'm afraid my", "she is. Can I still make my antagonist an effective \"bad guy\", despite", "necessarily \"good\", and although the antagonist is an honest and kind person, my", "antagonist is an honest and kind person, my protagonist perceives her as \"evil\".", "antagonist an effective \"bad guy\", despite the fact that she is, truly, lawful", "truly, lawful good? Can I keep my readers' loyalties with my protagonist, not", "the reader to resent and sometimes hate her, just like my protagonist does,", "my protagonist, no matter how bad she is. Can I still make my", "no matter how bad she is. Can I still make my antagonist an", "and group, and is extremely suspicious of my protagonist. The way I constructed", "protagonist perceives her as \"evil\". My antagonist is the leader of a group", "bad she is. Can I still make my antagonist an effective \"bad guy\",", "according to the results of an alignment test I took from her point", "right now. I still want the reader to resent and sometimes hate her,", "\"good\", and although the antagonist is an honest and kind person, my protagonist", "character (and according to the results of an alignment test I took from", "with how I see her, and how I'm writing her right now. I", "protagonist, no matter how bad she is. Can I still make my antagonist", "like my protagonist does, but I'm afraid my readers are going to start", "I'm afraid my readers are going to start sympathizing with her when I", "not necessarily \"good\", and although the antagonist is an honest and kind person,", "reader to resent and sometimes hate her, just like my protagonist does, but", "is. Can I still make my antagonist an effective \"bad guy\", despite the", "leader of a group of survivors, and cares deeply for her family and", "of survivors, and cares deeply for her family and group, and is extremely", "with her when I want their loyalties to lie with my protagonist, no", "protagonist is not necessarily \"good\", and although the antagonist is an honest and", "although the antagonist is an honest and kind person, my protagonist perceives her", "and cares deeply for her family and group, and is extremely suspicious of", "protagonist does, but I'm afraid my readers are going to start sympathizing with", "good? Can I keep my readers' loyalties with my protagonist, not my antagonist?", "took from her point of view), she's lawful good. That aligns with how", "I want their loyalties to lie with my protagonist, no matter how bad", "does, but I'm afraid my readers are going to start sympathizing with her", "cares deeply for her family and group, and is extremely suspicious of my", "\"evil\". My antagonist is the leader of a group of survivors, and cares", "I'm writing her right now. I still want the reader to resent and", "is not necessarily \"good\", and although the antagonist is an honest and kind", "guy\", despite the fact that she is, truly, lawful good? Can I keep", "writing her right now. I still want the reader to resent and sometimes", "a group of survivors, and cares deeply for her family and group, and", "That aligns with how I see her, and how I'm writing her right", "and kind person, my protagonist perceives her as \"evil\". My antagonist is the", "fact that she is, truly, lawful good? Can I keep my readers' loyalties", "how I'm writing her right now. I still want the reader to resent", "her, and how I'm writing her right now. I still want the reader", "her right now. I still want the reader to resent and sometimes hate", "for her family and group, and is extremely suspicious of my protagonist. The", "her family and group, and is extremely suspicious of my protagonist. The way", "view), she's lawful good. That aligns with how I see her, and how", "good. That aligns with how I see her, and how I'm writing her", "In my post-apocalyptic novel, my protagonist is not necessarily \"good\", and although the", "my protagonist perceives her as \"evil\". My antagonist is the leader of a", "she's lawful good. That aligns with how I see her, and how I'm", "point of view), she's lawful good. That aligns with how I see her,", "antagonist is the leader of a group of survivors, and cares deeply for", "suspicious of my protagonist. The way I constructed the antagonist's character (and according", "the results of an alignment test I took from her point of view),", "family and group, and is extremely suspicious of my protagonist. The way I", "hate her, just like my protagonist does, but I'm afraid my readers are", "My antagonist is the leader of a group of survivors, and cares deeply", "of my protagonist. The way I constructed the antagonist's character (and according to", "effective \"bad guy\", despite the fact that she is, truly, lawful good? Can", "want the reader to resent and sometimes hate her, just like my protagonist", "she is, truly, lawful good? Can I keep my readers' loyalties with my", "antagonist's character (and according to the results of an alignment test I took", "group of survivors, and cares deeply for her family and group, and is", "when I want their loyalties to lie with my protagonist, no matter how", "The way I constructed the antagonist's character (and according to the results of", "an effective \"bad guy\", despite the fact that she is, truly, lawful good?", "resent and sometimes hate her, just like my protagonist does, but I'm afraid", "of a group of survivors, and cares deeply for her family and group,", "as \"evil\". My antagonist is the leader of a group of survivors, and", "the antagonist's character (and according to the results of an alignment test I", "how bad she is. Can I still make my antagonist an effective \"bad", "loyalties to lie with my protagonist, no matter how bad she is. Can", "my antagonist an effective \"bad guy\", despite the fact that she is, truly,", "of an alignment test I took from her point of view), she's lawful", "and although the antagonist is an honest and kind person, my protagonist perceives", "want their loyalties to lie with my protagonist, no matter how bad she", "kind person, my protagonist perceives her as \"evil\". My antagonist is the leader", "lie with my protagonist, no matter how bad she is. Can I still", "sympathizing with her when I want their loyalties to lie with my protagonist,", "lawful good. That aligns with how I see her, and how I'm writing", "survivors, and cares deeply for her family and group, and is extremely suspicious", "how I see her, and how I'm writing her right now. I still", "is an honest and kind person, my protagonist perceives her as \"evil\". My", "still want the reader to resent and sometimes hate her, just like my", "is the leader of a group of survivors, and cares deeply for her", "way I constructed the antagonist's character (and according to the results of an" ]
[ "question is what do I call it: a novel, novella, short story...how to", "is what do I call it: a novel, novella, short story...how to start;", "I want to write a very short book of 100 pages. I want", "inspiration that, despite hardships, I survive! And, at the end, I want to", "like the protagonist.... Now the question is what do I call it: a", "up in the belief that he wouldn't let others suffer, who suffers more", "a very short book of 100 pages. I want to put into it", "despite hardships, I survive! And, at the end, I want to add conclusion", "what I've suffered throughout my life: Hardships, failures, disappointments.... as an inspiration that,", "I want to add conclusion that the protagonist (which is me, who had", "less like the protagonist.... Now the question is what do I call it:", "want to write a very short book of 100 pages. I want to", "short story...how to start; where from to start? Please I seek your guidance.....", "who had been bereft of every thing) ends up in the belief that", "let others suffer, who suffers more less like the protagonist.... Now the question", "of 100 pages. I want to put into it what I've suffered throughout", "end, I want to add conclusion that the protagonist (which is me, who", "in the belief that he wouldn't let others suffer, who suffers more less", "it: a novel, novella, short story...how to start; where from to start? Please", "novel, novella, short story...how to start; where from to start? Please I seek", "into it what I've suffered throughout my life: Hardships, failures, disappointments.... as an", "disappointments.... as an inspiration that, despite hardships, I survive! And, at the end,", "to write a very short book of 100 pages. I want to put", "failures, disappointments.... as an inspiration that, despite hardships, I survive! And, at the", "who suffers more less like the protagonist.... Now the question is what do", "thing) ends up in the belief that he wouldn't let others suffer, who", "the question is what do I call it: a novel, novella, short story...how", "the protagonist (which is me, who had been bereft of every thing) ends", "put into it what I've suffered throughout my life: Hardships, failures, disappointments.... as", "I've suffered throughout my life: Hardships, failures, disappointments.... as an inspiration that, despite", "my life: Hardships, failures, disappointments.... as an inspiration that, despite hardships, I survive!", "me, who had been bereft of every thing) ends up in the belief", "the end, I want to add conclusion that the protagonist (which is me,", "ends up in the belief that he wouldn't let others suffer, who suffers", "as an inspiration that, despite hardships, I survive! And, at the end, I", "call it: a novel, novella, short story...how to start; where from to start?", "every thing) ends up in the belief that he wouldn't let others suffer,", "Hardships, failures, disappointments.... as an inspiration that, despite hardships, I survive! And, at", "he wouldn't let others suffer, who suffers more less like the protagonist.... Now", "throughout my life: Hardships, failures, disappointments.... as an inspiration that, despite hardships, I", "I call it: a novel, novella, short story...how to start; where from to", "a novel, novella, short story...how to start; where from to start? Please I", "suffered throughout my life: Hardships, failures, disappointments.... as an inspiration that, despite hardships,", "very short book of 100 pages. I want to put into it what", "been bereft of every thing) ends up in the belief that he wouldn't", "(which is me, who had been bereft of every thing) ends up in", "protagonist (which is me, who had been bereft of every thing) ends up", "I survive! And, at the end, I want to add conclusion that the", "do I call it: a novel, novella, short story...how to start; where from", "is me, who had been bereft of every thing) ends up in the", "what do I call it: a novel, novella, short story...how to start; where", "Now the question is what do I call it: a novel, novella, short", "short book of 100 pages. I want to put into it what I've", "that he wouldn't let others suffer, who suffers more less like the protagonist....", "book of 100 pages. I want to put into it what I've suffered", "add conclusion that the protagonist (which is me, who had been bereft of", "protagonist.... Now the question is what do I call it: a novel, novella,", "wouldn't let others suffer, who suffers more less like the protagonist.... Now the", "survive! And, at the end, I want to add conclusion that the protagonist", "an inspiration that, despite hardships, I survive! And, at the end, I want", "that, despite hardships, I survive! And, at the end, I want to add", "want to put into it what I've suffered throughout my life: Hardships, failures,", "that the protagonist (which is me, who had been bereft of every thing)", "to add conclusion that the protagonist (which is me, who had been bereft", "life: Hardships, failures, disappointments.... as an inspiration that, despite hardships, I survive! And,", "bereft of every thing) ends up in the belief that he wouldn't let", "pages. I want to put into it what I've suffered throughout my life:", "to put into it what I've suffered throughout my life: Hardships, failures, disappointments....", "others suffer, who suffers more less like the protagonist.... Now the question is", "I want to put into it what I've suffered throughout my life: Hardships,", "suffers more less like the protagonist.... Now the question is what do I", "100 pages. I want to put into it what I've suffered throughout my", "write a very short book of 100 pages. I want to put into", "conclusion that the protagonist (which is me, who had been bereft of every", "belief that he wouldn't let others suffer, who suffers more less like the", "had been bereft of every thing) ends up in the belief that he", "the belief that he wouldn't let others suffer, who suffers more less like", "it what I've suffered throughout my life: Hardships, failures, disappointments.... as an inspiration", "want to add conclusion that the protagonist (which is me, who had been", "suffer, who suffers more less like the protagonist.... Now the question is what", "at the end, I want to add conclusion that the protagonist (which is", "the protagonist.... Now the question is what do I call it: a novel,", "hardships, I survive! And, at the end, I want to add conclusion that", "of every thing) ends up in the belief that he wouldn't let others", "And, at the end, I want to add conclusion that the protagonist (which", "more less like the protagonist.... Now the question is what do I call", "novella, short story...how to start; where from to start?** Please I seek your" ]
[ "words, none of which contain the letter \"e\". > > > let me", "letter \"e\". > > > let me tell you* (2008), a novel by", "proper way to notify readers from the work itself that it has used", "openly promote or do marketing of the same? What is the proper way", "only the words allotted to Ophelia in Hamlet. > > > How do", "constrained a work has used? Do authors openly promote or do marketing of", "by some condition that forbids certain things or imposes a pattern. The same", "Gadsby (1939) is an English-language novel > consisting of 50,000 words, none of", "[this wikipedia article](https://en.wikipedia.org/wiki/Constrained_writing), Constrained writing is a literary technique in which the writer", "come to know about used and hidden constrained a work has used? Do", "do marketing of the same? What is the proper way to notify readers", "mention a few for reference: > > Ernest Vincent Wright's Gadsby (1939) is", "English-language novel > consisting of 50,000 words, none of which contain the letter", "or do marketing of the same? What is the proper way to notify", "Wright's Gadsby (1939) is an English-language novel > consisting of 50,000 words, none", "link also provides examples of constrained writing. I will mention a few for", "condition that forbids certain things or imposes a pattern. The same link also", "How do readers come to know about used and hidden constrained a work", "examples of constrained writing. I will mention a few for reference: > >", "50,000 words, none of which contain the letter \"e\". > > > let", "Paul Griffiths, > uses only the words allotted to Ophelia in Hamlet. >", "literary technique in which the writer is bound by some condition that forbids", "the proper way to notify readers from the work itself that it has", "What is the proper way to notify readers from the work itself that", "let me tell you* (2008), a novel by the Wemst writer Paul Griffiths,", "will mention a few for reference: > > Ernest Vincent Wright's Gadsby (1939)", "consisting of 50,000 words, none of which contain the letter \"e\". > >", "> > let me tell you (2008), a novel by the Wemst writer", "by the Wemst writer Paul Griffiths, > uses only the words allotted to", "> Ernest Vincent Wright's Gadsby (1939) is an English-language novel > consisting of", "Griffiths, > uses only the words allotted to Ophelia in Hamlet. > >", "Vincent Wright's Gadsby (1939) is an English-language novel > consisting of 50,000 words,", "the words allotted to Ophelia in Hamlet. > > > How do readers", "writing. 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I will mention a few for reference:", "writing* is a literary technique in which the writer is bound by some", "some condition that forbids certain things or imposes a pattern. The same link", "> > How do readers come to know about used and hidden constrained", "tell you* (2008), a novel by the Wemst writer Paul Griffiths, > uses", "and hidden constrained a work has used? Do authors openly promote or do", "the Wemst writer Paul Griffiths, > uses only the words allotted to Ophelia", "same? What is the proper way to notify readers from the work itself", "Hamlet. > > > How do readers come to know about used and", "I will mention a few for reference: > > Ernest Vincent Wright's Gadsby", "know about used and hidden constrained a work has used? Do authors openly", "authors openly promote or do marketing of the same? What is the proper", "in Hamlet. > > > How do readers come to know about used", "> > Ernest Vincent Wright's Gadsby (1939) is an English-language novel > consisting", "has used? 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I will mention a few", "pattern. The same link also provides examples of constrained writing. I will mention", "of which contain the letter \"e\". > > > let me tell you", "article](https://en.wikipedia.org/wiki/Constrained_writing), Constrained writing is a literary technique in which the writer is bound", "\"e\". > > > let me tell you (2008), a novel by the", "a work has used? Do authors openly promote or do marketing of the", "constrained writing. I will mention a few for reference: > > Ernest Vincent", "> > > How do readers come to know about used and hidden", "to [this wikipedia article](https://en.wikipedia.org/wiki/Constrained_writing), Constrained writing is a literary technique in which the", "marketing of the same? What is the proper way to notify readers from", "Do authors openly promote or do marketing of the same? What is the", "in which the writer is bound by some condition that forbids certain things", "me tell you* (2008), a novel by the Wemst writer Paul Griffiths, >", "> > > let me tell you (2008), a novel by the Wemst", "hidden constrained a work has used? Do authors openly promote or do marketing", "none of which contain the letter \"e\". > > > let me tell", "uses only the words allotted to Ophelia in Hamlet. > > > How", "way to notify readers from the work itself that it has used some", "to know about used and hidden constrained a work has used? Do authors", "used and hidden constrained a work has used? Do authors openly promote or", "words allotted to Ophelia in Hamlet. > > > How do readers come", "> uses only the words allotted to Ophelia in Hamlet. > > >", "allotted to Ophelia in Hamlet. > > > How do readers come to", "wikipedia article](https://en.wikipedia.org/wiki/Constrained_writing), Constrained writing* is a literary technique in which the writer is", "a pattern. The same link also provides examples of constrained writing. I will", "a literary technique in which the writer is bound by some condition that", "to notify readers from the work itself that it has used some constraint?" ]
[ "I use [Ulysses 15](https://ulysses.app/blog/2019/03/ulysses-15-released/) for my writing. The tool has a robust global", "the global search, with all of its powers, to also replace content? Note:", "The tool has a robust global search but, to my knowledge, it does", "to also replace content? Note: I'm aware of the local, in-sheet search. What", "[Ulysses 15](https://ulysses.app/blog/2019/03/ulysses-15-released/) for my writing. The tool has a robust global search but,", "search but, to my knowledge, it does not provide a replace function (only", "sheet search has a \"find and replace\" function). Does anyone know how to", "replace function (only the sheet search has a \"find and replace\" function). Does", "a \"find and replace\" function). Does anyone know how to use the global", "Note: I'm aware of the local, in-sheet search. What I'm looking for is", "use the global search, with all of its powers, to also replace content?", "Does anyone know how to use the global search, with all of its", "with all of its powers, to also replace content? Note: I'm aware of", "15](https://ulysses.app/blog/2019/03/ulysses-15-released/) for my writing. The tool has a robust global search but, to", "the local, in-sheet search. What I'm looking for is global, library-wide search and", "and replace\" function). Does anyone know how to use the global search, with", "anyone know how to use the global search, with all of its powers,", "content? Note: I'm aware of the local, in-sheet search. What I'm looking for", "function (only the sheet search has a \"find and replace\" function). Does anyone", "has a \"find and replace\" function). Does anyone know how to use the", "its powers, to also replace content? Note: I'm aware of the local, in-sheet", "tool has a robust global search but, to my knowledge, it does not", "does not provide a replace function (only the sheet search has a \"find", "writing. The tool has a robust global search but, to my knowledge, it", "it does not provide a replace function (only the sheet search has a", "all of its powers, to also replace content? Note: I'm aware of the", "replace\" function). Does anyone know how to use the global search, with all", "has a robust global search but, to my knowledge, it does not provide", "how to use the global search, with all of its powers, to also", "replace content? Note: I'm aware of the local, in-sheet search. What I'm looking", "I'm aware of the local, in-sheet search. What I'm looking for is global,", "aware of the local, in-sheet search. What I'm looking for is global, library-wide", "but, to my knowledge, it does not provide a replace function (only the", "a replace function (only the sheet search has a \"find and replace\" function).", "for my writing. The tool has a robust global search but, to my", "a robust global search but, to my knowledge, it does not provide a", "global search, with all of its powers, to also replace content? Note: I'm", "the sheet search has a \"find and replace\" function). Does anyone know how", "not provide a replace function (only the sheet search has a \"find and", "to my knowledge, it does not provide a replace function (only the sheet", "\"find and replace\" function). Does anyone know how to use the global search,", "my writing. The tool has a robust global search but, to my knowledge,", "function). Does anyone know how to use the global search, with all of", "know how to use the global search, with all of its powers, to", "also replace content? Note: I'm aware of the local, in-sheet search. What I'm", "my knowledge, it does not provide a replace function (only the sheet search", "search has a \"find and replace\" function). Does anyone know how to use", "search, with all of its powers, to also replace content? Note: I'm aware", "(only the sheet search has a \"find and replace\" function). Does anyone know", "of the local, in-sheet search. What I'm looking for is global, library-wide search", "of its powers, to also replace content? Note: I'm aware of the local,", "global search but, to my knowledge, it does not provide a replace function", "use [Ulysses 15](https://ulysses.app/blog/2019/03/ulysses-15-released/) for my writing. The tool has a robust global search", "robust global search but, to my knowledge, it does not provide a replace", "powers, to also replace content? Note: I'm aware of the local, in-sheet search.", "provide a replace function (only the sheet search has a \"find and replace\"", "local, in-sheet search. What I'm looking for is global, library-wide search and replace.", "knowledge, it does not provide a replace function (only the sheet search has", "to use the global search, with all of its powers, to also replace" ]
[ "choose whose POV to take during the event? They would have very different", "to the reader. But I don't want to tell the same event again.", "I don't want to tell the same event again. What should I base", "views of the same event and I want them both to convey their", "both to convey their version to the reader. But I don't want to", "them both to convey their version to the reader. But I don't want", "version to the reader. But I don't want to tell the same event", "have two POV (3rd person limited) characters and they start the story as", "event? They would have very different views of the same event and I", "have very different views of the same event and I want them both", "live through some intense, important event. How can I choose whose POV to", "for some time and they have very different experiences. Now I want them", "and they have very different experiences. Now I want them to meet and", "same event and I want them both to convey their version to the", "want them to meet and live through some intense, important event. How can", "start the story as complete strangers and far apart. They don't meet for", "time and they have very different experiences. Now I want them to meet", "reader. But I don't want to tell the same event again. What should", "person limited) characters and they start the story as complete strangers and far", "they have very different experiences. Now I want them to meet and live", "apart. They don't meet for some time and they have very different experiences.", "two POV (3rd person limited) characters and they start the story as complete", "and I want them both to convey their version to the reader. But", "and live through some intense, important event. How can I choose whose POV", "to convey their version to the reader. But I don't want to tell", "They would have very different views of the same event and I want", "event and I want them both to convey their version to the reader.", "limited) characters and they start the story as complete strangers and far apart.", "to take during the event? They would have very different views of the", "and far apart. They don't meet for some time and they have very", "have very different experiences. Now I want them to meet and live through", "experiences. Now I want them to meet and live through some intense, important", "complete strangers and far apart. They don't meet for some time and they", "their version to the reader. But I don't want to tell the same", "far apart. They don't meet for some time and they have very different", "some time and they have very different experiences. Now I want them to", "take during the event? They would have very different views of the same", "to meet and live through some intense, important event. How can I choose", "very different experiences. Now I want them to meet and live through some", "the story as complete strangers and far apart. They don't meet for some", "important event. How can I choose whose POV to take during the event?", "through some intense, important event. How can I choose whose POV to take", "(3rd person limited) characters and they start the story as complete strangers and", "event. How can I choose whose POV to take during the event? They", "Now I want them to meet and live through some intense, important event.", "intense, important event. How can I choose whose POV to take during the", "them to meet and live through some intense, important event. How can I", "whose POV to take during the event? They would have very different views", "some intense, important event. How can I choose whose POV to take during", "story as complete strangers and far apart. They don't meet for some time", "But I don't want to tell the same event again. What should I", "don't meet for some time and they have very different experiences. Now I", "and they start the story as complete strangers and far apart. They don't", "would have very different views of the same event and I want them", "different experiences. Now I want them to meet and live through some intense,", "convey their version to the reader. But I don't want to tell the", "characters and they start the story as complete strangers and far apart. They", "want them both to convey their version to the reader. But I don't", "during the event? They would have very different views of the same event", "the event? They would have very different views of the same event and", "I want them to meet and live through some intense, important event. How", "they start the story as complete strangers and far apart. They don't meet", "as complete strangers and far apart. They don't meet for some time and", "very different views of the same event and I want them both to", "can I choose whose POV to take during the event? They would have", "POV (3rd person limited) characters and they start the story as complete strangers", "I choose whose POV to take during the event? They would have very", "meet for some time and they have very different experiences. Now I want", "to tell the same event again. What should I base my decision on?", "want to tell the same event again. What should I base my decision", "They don't meet for some time and they have very different experiences. Now", "don't want to tell the same event again. What should I base my", "POV to take during the event? They would have very different views of", "strangers and far apart. They don't meet for some time and they have", "of the same event and I want them both to convey their version", "How can I choose whose POV to take during the event? They would", "the same event and I want them both to convey their version to", "I have two POV (3rd person limited) characters and they start the story", "different views of the same event and I want them both to convey", "meet and live through some intense, important event. How can I choose whose", "I want them both to convey their version to the reader. But I", "the reader. But I don't want to tell the same event again. What" ]
[ "everything in a poetic way, to a \"historian\" POV. I understand this is", "technologies used in a science-fiction novel instead of describing it by switching from", "we see usually in a novel, but I am wondering if there are", "a \"historian\" POV. I understand this is not something we see usually in", "usually in a novel, but I am wondering if there are historical precedents", "from an omniscient POV, that describes everything in a poetic way, to a", "I am wondering if there are historical precedents for this, and if you", "am wondering if there are historical precedents for this, and if you think", "to describe technologies used in a science-fiction novel instead of describing it by", "precedents for this, and if you think it's perfectly reasonable to do so.", "used in a science-fiction novel instead of describing it by switching from an", "if there are historical precedents for this, and if you think it's perfectly", "in a novel, but I am wondering if there are historical precedents for", "by switching from an omniscient POV, that describes everything in a poetic way,", "I understand this is not something we see usually in a novel, but", "we can use footnotes to describe technologies used in a science-fiction novel instead", "novel instead of describing it by switching from an omniscient POV, that describes", "see usually in a novel, but I am wondering if there are historical", "instead of describing it by switching from an omniscient POV, that describes everything", "science-fiction novel instead of describing it by switching from an omniscient POV, that", "footnotes to describe technologies used in a science-fiction novel instead of describing it", "novel, but I am wondering if there are historical precedents for this, and", "there are historical precedents for this, and if you think it's perfectly reasonable", "an omniscient POV, that describes everything in a poetic way, to a \"historian\"", "of describing it by switching from an omniscient POV, that describes everything in", "describe technologies used in a science-fiction novel instead of describing it by switching", "\"historian\" POV. I understand this is not something we see usually in a", "is not something we see usually in a novel, but I am wondering", "if we can use footnotes to describe technologies used in a science-fiction novel", "can use footnotes to describe technologies used in a science-fiction novel instead of", "a poetic way, to a \"historian\" POV. I understand this is not something", "to a \"historian\" POV. I understand this is not something we see usually", "historical precedents for this, and if you think it's perfectly reasonable to do", "a science-fiction novel instead of describing it by switching from an omniscient POV,", "way, to a \"historian\" POV. I understand this is not something we see", "describes everything in a poetic way, to a \"historian\" POV. I understand this", "this is not something we see usually in a novel, but I am", "am wondering if we can use footnotes to describe technologies used in a", "I am wondering if we can use footnotes to describe technologies used in", "a novel, but I am wondering if there are historical precedents for this,", "POV. I understand this is not something we see usually in a novel,", "use footnotes to describe technologies used in a science-fiction novel instead of describing", "poetic way, to a \"historian\" POV. I understand this is not something we", "not something we see usually in a novel, but I am wondering if", "in a poetic way, to a \"historian\" POV. I understand this is not", "but I am wondering if there are historical precedents for this, and if", "describing it by switching from an omniscient POV, that describes everything in a", "are historical precedents for this, and if you think it's perfectly reasonable to", "something we see usually in a novel, but I am wondering if there", "switching from an omniscient POV, that describes everything in a poetic way, to", "that describes everything in a poetic way, to a \"historian\" POV. I understand", "wondering if we can use footnotes to describe technologies used in a science-fiction", "POV, that describes everything in a poetic way, to a \"historian\" POV. I", "it by switching from an omniscient POV, that describes everything in a poetic", "wondering if there are historical precedents for this, and if you think it's", "omniscient POV, that describes everything in a poetic way, to a \"historian\" POV.", "understand this is not something we see usually in a novel, but I", "in a science-fiction novel instead of describing it by switching from an omniscient" ]
[ "over the first moments of petrifying stage-fright. This approach isn't going to work", "the holocaust is not funny. And the people who are going to be", "what I want to say, and how I want to arrange it. My", "everybody laughing, I've got everybody engaged, and it helps me get over the", "approach isn't going to work here: the holocaust is not funny. And the", "the stage-fright one bit. How do I open this kind of speech? How", "- in academic settings, on fantasy/sci-fi conventions. In all those circumstances, my go-to", "doesn't help the stage-fright one bit. How do I open this kind of", "I've got everybody laughing, I've got everybody engaged, and it helps me get", "the people who are going to be in attendance are not the friendly", "memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what I want", "my go-to strategy has been (introduce myself, then) \"start by saying something funny\".", "petrifying stage-fright. This approach isn't going to work here: the holocaust is not", "idea of what I want to say, and how I want to arrange", "settings, on fantasy/sci-fi conventions. In all those circumstances, my go-to strategy has been", "work here: the holocaust is not funny. And the people who are going", "When I've got everybody laughing, I've got everybody engaged, and it helps me", "want to say, and how I want to arrange it. My struggle is", "conventions. In all those circumstances, my go-to strategy has been (introduce myself, then)", "this kind of speech? How do I start strong, and engage the audience", "first moments of petrifying stage-fright. This approach isn't going to work here: the", "I've got everybody engaged, and it helps me get over the first moments", "before - in academic settings, on fantasy/sci-fi conventions. In all those circumstances, my", "plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what I want to", "an idea of what I want to say, and how I want to", "something funny\". When I've got everybody laughing, I've got everybody engaged, and it", "engage the audience at once? I can't afford to stand there and blabber.", "say, and how I want to arrange it. My struggle is with the", "have an idea of what I want to say, and how I want", "is not funny. And the people who are going to be in attendance", "(introduce myself, then) \"start by saying something funny\". When I've got everybody laughing,", "go-to strategy has been (introduce myself, then) \"start by saying something funny\". When", "has been (introduce myself, then) \"start by saying something funny\". When I've got", "speak at the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have", "opening. I have spoken in public before - in academic settings, on fantasy/sci-fi", "I open this kind of speech? How do I start strong, and engage", "of what I want to say, and how I want to arrange it.", "funny\". When I've got everybody laughing, I've got everybody engaged, and it helps", "How do I open this kind of speech? How do I start strong,", "and how I want to arrange it. My struggle is with the opening.", "open this kind of speech? How do I start strong, and engage the", "a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what I", "My struggle is with the opening. I have spoken in public before -", "those circumstances, my go-to strategy has been (introduce myself, then) \"start by saying", "how I want to arrange it. My struggle is with the opening. I", "it. My struggle is with the opening. I have spoken in public before", "then) \"start by saying something funny\". When I've got everybody laughing, I've got", "How do I start strong, and engage the audience at once? I can't", "I need to speak at the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704),", "I have an idea of what I want to say, and how I", "speech? How do I start strong, and engage the audience at once? I", "This approach isn't going to work here: the holocaust is not funny. And", "of sci-fi conventions, which doesn't help the stage-fright one bit. How do I", "academic settings, on fantasy/sci-fi conventions. In all those circumstances, my go-to strategy has", "with the opening. I have spoken in public before - in academic settings,", "at the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an", "the opening. I have spoken in public before - in academic settings, on", "one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what I want to say, and", "in public before - in academic settings, on fantasy/sci-fi conventions. In all those", "got everybody laughing, I've got everybody engaged, and it helps me get over", "on fantasy/sci-fi conventions. In all those circumstances, my go-to strategy has been (introduce", "I want to arrange it. My struggle is with the opening. I have", "help the stage-fright one bit. How do I open this kind of speech?", "bit. How do I open this kind of speech? How do I start", "everybody engaged, and it helps me get over the first moments of petrifying", "people who are going to be in attendance are not the friendly geeks", "In all those circumstances, my go-to strategy has been (introduce myself, then) \"start", "to speak at the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I", "and engage the audience at once? I can't afford to stand there and", "not the friendly geeks of sci-fi conventions, which doesn't help the stage-fright one", "I want to say, and how I want to arrange it. My struggle", "([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what I want to say,", "do I start strong, and engage the audience at once? I can't afford", "saying something funny\". When I've got everybody laughing, I've got everybody engaged, and", "all those circumstances, my go-to strategy has been (introduce myself, then) \"start by", "me get over the first moments of petrifying stage-fright. This approach isn't going", "unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of", "not funny. And the people who are going to be in attendance are", "funny. And the people who are going to be in attendance are not", "going to be in attendance are not the friendly geeks of sci-fi conventions,", "the friendly geeks of sci-fi conventions, which doesn't help the stage-fright one bit.", "in attendance are not the friendly geeks of sci-fi conventions, which doesn't help", "strong, and engage the audience at once? I can't afford to stand there", "laughing, I've got everybody engaged, and it helps me get over the first", "got everybody engaged, and it helps me get over the first moments of", "get over the first moments of petrifying stage-fright. This approach isn't going to", "arrange it. My struggle is with the opening. I have spoken in public", "sci-fi conventions, which doesn't help the stage-fright one bit. How do I open", "incidentally). I have an idea of what I want to say, and how", "circumstances, my go-to strategy has been (introduce myself, then) \"start by saying something", "helps me get over the first moments of petrifying stage-fright. This approach isn't", "to say, and how I want to arrange it. My struggle is with", "to be in attendance are not the friendly geeks of sci-fi conventions, which", "the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea", "need to speak at the unveiling of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally).", "public before - in academic settings, on fantasy/sci-fi conventions. In all those circumstances,", "\"start by saying something funny\". When I've got everybody laughing, I've got everybody", "and it helps me get over the first moments of petrifying stage-fright. This", "which doesn't help the stage-fright one bit. How do I open this kind", "geeks of sci-fi conventions, which doesn't help the stage-fright one bit. How do", "of speech? How do I start strong, and engage the audience at once?", "want to arrange it. My struggle is with the opening. I have spoken", "spoken in public before - in academic settings, on fantasy/sci-fi conventions. In all", "strategy has been (introduce myself, then) \"start by saying something funny\". When I've", "myself, then) \"start by saying something funny\". When I've got everybody laughing, I've", "to work here: the holocaust is not funny. And the people who are", "by saying something funny\". When I've got everybody laughing, I've got everybody engaged,", "holocaust is not funny. And the people who are going to be in", "start strong, and engage the audience at once? I can't afford to stand", "engaged, and it helps me get over the first moments of petrifying stage-fright.", "be in attendance are not the friendly geeks of sci-fi conventions, which doesn't", "the first moments of petrifying stage-fright. This approach isn't going to work here:", "been (introduce myself, then) \"start by saying something funny\". When I've got everybody", "are going to be in attendance are not the friendly geeks of sci-fi", "in academic settings, on fantasy/sci-fi conventions. In all those circumstances, my go-to strategy", "who are going to be in attendance are not the friendly geeks of", "fantasy/sci-fi conventions. In all those circumstances, my go-to strategy has been (introduce myself,", "kind of speech? How do I start strong, and engage the audience at", "of a memorial plaque ([this one](https://writing.stackexchange.com/q/41549/14704), incidentally). I have an idea of what", "I start strong, and engage the audience at once? I can't afford to", "attendance are not the friendly geeks of sci-fi conventions, which doesn't help the", "moments of petrifying stage-fright. This approach isn't going to work here: the holocaust", "do I open this kind of speech? How do I start strong, and", "going to work here: the holocaust is not funny. And the people who", "conventions, which doesn't help the stage-fright one bit. How do I open this", "struggle is with the opening. I have spoken in public before - in", "is with the opening. I have spoken in public before - in academic", "are not the friendly geeks of sci-fi conventions, which doesn't help the stage-fright", "to arrange it. My struggle is with the opening. I have spoken in", "And the people who are going to be in attendance are not the", "it helps me get over the first moments of petrifying stage-fright. This approach", "I have spoken in public before - in academic settings, on fantasy/sci-fi conventions.", "one bit. How do I open this kind of speech? How do I", "stage-fright. This approach isn't going to work here: the holocaust is not funny.", "of petrifying stage-fright. This approach isn't going to work here: the holocaust is", "stage-fright one bit. How do I open this kind of speech? How do", "friendly geeks of sci-fi conventions, which doesn't help the stage-fright one bit. How", "here: the holocaust is not funny. And the people who are going to", "isn't going to work here: the holocaust is not funny. And the people", "have spoken in public before - in academic settings, on fantasy/sci-fi conventions. In" ]
[ "when > the MC \"leaves their normal world\" (either physically or mentally) and", "to writing or similar extensive education. And many people here talk about formal", "I just never learned them. I took fiction writing and technical writing in", "the story). (From @Amadeus) > > > I have no objections to using", "know a large percentage of traditionally published fiction authors, especially newer ones, have", "tons and I also taught writing to undergraduates for 4 years, all essay", "what I've got so far, but I guess I won't know until a", "(25% through the story) > it is a crisis the MC must deal", "when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally published", "formal structural writing with terms I understand immediately (usually) but haven't ever heard", "I've got so far, but I guess I won't know until a professional", "MC \"leaves their normal world\" (either physically or mentally) and > begins to", "I took fiction writing and technical writing in college and, in grad school,", "and sometimes helpful. But I was a bit surprised to have the above", "and haven't published something large because I never pushed myself to finish a", "taking some classes (more for the deadlines than anything else). But I'm curious", "age and feel pretty confident about continuing to write without more formal training,", "objections to using methods like this, I just never learned them. I took", "just never learned them. I took fiction writing and technical writing in college", "someone with a strong general educational background, what is the importance of formal", "structurally sound. I'm well into middle age and feel pretty confident about continuing", "is a crisis the MC must deal with. This later point (25%) is", "the above exchange where the other person assumed I knew this \"basic\" stuff.", "critique group loves what I've got so far, but I guess I won't", "the story, to the point that when Act I ends (25% through the", "must deal with. This later point (25%) is when > the MC \"leaves", "I know a large percentage of traditionally published fiction authors, especially newer ones,", "exchange on an unrelated question. [What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417)", "surprised to have the above exchange where the other person assumed I knew", "school, I wrote tons and I also taught writing to undergraduates for 4", "or mentally) and > begins to deal with their problem, usually reactively and", "to have the above exchange where the other person assumed I knew this", "what is the importance of formal fiction writing classes for writing a novel?", "and there and haven't published something large because I never pushed myself to", "details like: > > For the reader, an \"inciting incident\" does not have", "normal world\" (either physically or mentally) and > begins to deal with their", "guess I won't know until a professional editor gets ahold of it whether", "I find it interesting and sometimes helpful. But I was a bit surprised", "before. I find it interesting and sometimes helpful. But I was a bit", "large because I never pushed myself to finish a huge project before. My", "curious to hear other experiences. QUESTION: In someone with a strong general educational", "It roughly occurs > about 1/8 through the story (by word count), and", "knew this \"basic\" stuff. I don't mean the real basics like beginning-middle-end and", "an \"inciting incident\" does not have to be perceived > by the MC", "50% of the story). (From @Amadeus) > > > I have no objections", "wrote tons and I also taught writing to undergraduates for 4 years, all", "> 50% of the story). (From @Amadeus) > > > I have no", "ahold of it whether it's structurally sound. I'm well into middle age and", "(As opposed to proactively, starting around > 50% of the story). (From @Amadeus)", "deal with their problem, usually reactively and > unsuccessfully at first. (As opposed", "to the point that when Act I ends (25% through the story) >", "general educational background, what is the importance of formal fiction writing classes for", "I was a bit surprised to have the above exchange where the other", "where the other person assumed I knew this \"basic\" stuff. I don't mean", "undergraduates for 4 years, all essay writing of various types. I've been published", "(either physically or mentally) and > begins to deal with their problem, usually", "haven't published something large because I never pushed myself to finish a huge", "pushed myself to finish a huge project before. My critique group loves what", "newer ones, have degrees related to writing or similar extensive education. And many", "from a comment exchange on an unrelated question. [What to submit when asked", "the point that when Act I ends (25% through the story) > it", "professional editor gets ahold of it whether it's structurally sound. I'm well into", "specific terminology and details like: > > For the reader, an \"inciting incident\"", "of traditionally published fiction authors, especially newer ones, have degrees related to writing", "talk about formal structural writing with terms I understand immediately (usually) but haven't", "But I'm curious to hear other experiences. *QUESTION: In someone with a strong", "myself to finish a huge project before. My critique group loves what I've", "opposed to proactively, starting around > 50% of the story). (From @Amadeus)* >", "> the MC \"leaves their normal world\" (either physically or mentally) and >", "I never pushed myself to finish a huge project before. My critique group", "ends (25% through the story) > it is a crisis the MC must", "begins to deal with their problem, usually reactively and > unsuccessfully at first.", "point (25%) is when > the MC \"leaves their normal world\" (either physically", "huge project before. My critique group loves what I've got so far, but", "about 1/8 through the story (by word count), and then grows for 1/8", "never pushed myself to finish a huge project before. My critique group loves", "I ends (25% through the story) > it is a crisis the MC", "person assumed I knew this \"basic\" stuff. I don't mean the real basics", "For the reader, an \"inciting incident\" does not have to be perceived >", "writing and technical writing in college and, in grad school, I wrote tons", "their normal world\" (either physically or mentally) and > begins to deal with", "for 1/8 of > the story, to the point that when Act I", "mean the real basics like beginning-middle-end and so forth, but specific terminology and", "offshoot from a comment exchange on an unrelated question. [What to submit when", "does not have to be perceived > by the MC as a big", "> the story, to the point that when Act I ends (25% through", "something large because I never pushed myself to finish a huge project before.", "And many people here talk about formal structural writing with terms I understand", "I don't mean the real basics like beginning-middle-end and so forth, but specific", "so far, but I guess I won't know until a professional editor gets", "because I never pushed myself to finish a huge project before. My critique", "there and haven't published something large because I never pushed myself to finish", "won't know until a professional editor gets ahold of it whether it's structurally", "the story) > it is a crisis the MC must deal with. This", "comment exchange on an unrelated question. [What to submit when asked for \"sample", "related to writing or similar extensive education. And many people here talk about", "to hear other experiences. *QUESTION: In someone with a strong general educational background,", "(by word count), and then grows for 1/8 of > the story, to", "reactively and > unsuccessfully at first. (As opposed to proactively, starting around >", "been published here and there and haven't published something large because I never", "ever heard before. I find it interesting and sometimes helpful. But I was", "a large percentage of traditionally published fiction authors, especially newer ones, have degrees", "this, I just never learned them. I took fiction writing and technical writing", "to finish a huge project before. My critique group loves what I've got", "real basics like beginning-middle-end and so forth, but specific terminology and details like:", "count), and then grows for 1/8 of > the story, to the point", "\"basic\" stuff. I don't mean the real basics like beginning-middle-end and so forth,", "problem, usually reactively and > unsuccessfully at first. (As opposed to proactively, starting", "> For the reader, an \"inciting incident\" does not have to be perceived", "until a professional editor gets ahold of it whether it's structurally sound. I'm", "a strong general educational background, what is the importance of formal fiction writing", "story). (From @Amadeus)* > > > I have no objections to using methods", "(usually) but haven't ever heard before. I find it interesting and sometimes helpful.", "I also taught writing to undergraduates for 4 years, all essay writing of", "to write without more formal training, though I've considered taking some classes (more", "usually reactively and > unsuccessfully at first. (As opposed to proactively, starting around", "helpful. But I was a bit surprised to have the above exchange where", "continuing to write without more formal training, though I've considered taking some classes", "Act I ends (25% through the story) > it is a crisis the", "big problem, it can start small. It roughly occurs > about 1/8 through", "in college and, in grad school, I wrote tons and I also taught", "But I was a bit surprised to have the above exchange where the", "chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally published fiction authors, especially newer", "of the story). (From @Amadeus) > > > I have no objections to", "crisis the MC must deal with. This later point (25%) is when >", "people here talk about formal structural writing with terms I understand immediately (usually)", "deadlines than anything else). But I'm curious to hear other experiences. *QUESTION: In", "but haven't ever heard before. I find it interesting and sometimes helpful. But", "fiction writing and technical writing in college and, in grad school, I wrote", "through the story (by word count), and then grows for 1/8 of >", "In someone with a strong general educational background, what is the importance of", "authors, especially newer ones, have degrees related to writing or similar extensive education.", "sometimes helpful. But I was a bit surprised to have the above exchange", "@Amadeus) > > > I have no objections to using methods like this,", "group loves what I've got so far, but I guess I won't know", "and > unsuccessfully at first. (As opposed to proactively, starting around > 50%", "college and, in grad school, I wrote tons and I also taught writing", "whether it's structurally sound. I'm well into middle age and feel pretty confident", "it can start small. It roughly occurs > about 1/8 through the story", "using methods like this, I just never learned them. I took fiction writing", "for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally published fiction authors,", "confident about continuing to write without more formal training, though I've considered taking", "got so far, but I guess I won't know until a professional editor", "I won't know until a professional editor gets ahold of it whether it's", "I guess I won't know until a professional editor gets ahold of it", "be perceived > by the MC as a big problem, it can start", "educational background, what is the importance of formal fiction writing classes for writing", "many people here talk about formal structural writing with terms I understand immediately", "writing of various types. I've been published here and there and haven't published", "else). But I'm curious to hear other experiences. *QUESTION: In someone with a", "mentally) and > begins to deal with their problem, usually reactively and >", "to deal with their problem, usually reactively and > unsuccessfully at first. (As", "and so forth, but specific terminology and details like: > > For the", "of it whether it's structurally sound. I'm well into middle age and feel", "taught writing to undergraduates for 4 years, all essay writing of various types.", "a professional editor gets ahold of it whether it's structurally sound. I'm well", "traditionally published fiction authors, especially newer ones, have degrees related to writing or", "especially newer ones, have degrees related to writing or similar extensive education. And", "on an unrelated question. [What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I", "story (by word count), and then grows for 1/8 of > the story,", "the other person assumed I knew this \"basic\" stuff. I don't mean the", "far, but I guess I won't know until a professional editor gets ahold", "incident\" does not have to be perceived > by the MC as a", "no objections to using methods like this, I just never learned them. I", "physically or mentally) and > begins to deal with their problem, usually reactively", "technical writing in college and, in grad school, I wrote tons and I", "into middle age and feel pretty confident about continuing to write without more", "I have no objections to using methods like this, I just never learned", "point that when Act I ends (25% through the story) > it is", "their problem, usually reactively and > unsuccessfully at first. (As opposed to proactively,", "to proactively, starting around > 50% of the story). (From @Amadeus)* > >", "terms I understand immediately (usually) but haven't ever heard before. I find it", "without more formal training, though I've considered taking some classes (more for the", "structural writing with terms I understand immediately (usually) but haven't ever heard before.", "submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally", "some classes (more for the deadlines than anything else). But I'm curious to", "like beginning-middle-end and so forth, but specific terminology and details like: > >", "then grows for 1/8 of > the story, to the point that when", "but specific terminology and details like: > > For the reader, an \"inciting", "with a strong general educational background, what is the importance of formal fiction", "for 4 years, all essay writing of various types. I've been published here", "with their problem, usually reactively and > unsuccessfully at first. (As opposed to", "with terms I understand immediately (usually) but haven't ever heard before. I find", "above exchange where the other person assumed I knew this \"basic\" stuff. I", "I understand immediately (usually) but haven't ever heard before. I find it interesting", "similar extensive education. And many people here talk about formal structural writing with", "sound. I'm well into middle age and feel pretty confident about continuing to", "> > I have no objections to using methods like this, I just", "word count), and then grows for 1/8 of > the story, to the", "hear other experiences. QUESTION: In someone with a strong general educational background, what", "here and there and haven't published something large because I never pushed myself", "that when Act I ends (25% through the story) > it is a", "and, in grad school, I wrote tons and I also taught writing to", "assumed I knew this \"basic\" stuff. I don't mean the real basics like", "to using methods like this, I just never learned them. I took fiction", "like this, I just never learned them. I took fiction writing and technical", "problem, it can start small. It roughly occurs > about 1/8 through the", "large percentage of traditionally published fiction authors, especially newer ones, have degrees related", "of > the story, to the point that when Act I ends (25%", "not have to be perceived > by the MC as a big problem,", "is an offshoot from a comment exchange on an unrelated question. [What to", "later point (25%) is when > the MC \"leaves their normal world\" (either", "4 years, all essay writing of various types. I've been published here and", "unsuccessfully at first. (As opposed to proactively, starting around > 50% of the", "formal training, though I've considered taking some classes (more for the deadlines than", "> > For the reader, an \"inciting incident\" does not have to be", "other experiences. QUESTION: In someone with a strong general educational background, what is", "heard before. I find it interesting and sometimes helpful. But I was a", "bit surprised to have the above exchange where the other person assumed I", "first. (As opposed to proactively, starting around > 50% of the story). (From", "basics like beginning-middle-end and so forth, but specific terminology and details like: >", "it is a crisis the MC must deal with. This later point (25%)", "strong general educational background, what is the importance of formal fiction writing classes", "an offshoot from a comment exchange on an unrelated question. [What to submit", "education. And many people here talk about formal structural writing with terms I", "before. My critique group loves what I've got so far, but I guess", "as a big problem, it can start small. It roughly occurs > about", "question. [What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large", "them. I took fiction writing and technical writing in college and, in grad", "when Act I ends (25% through the story) > it is a crisis", "gets ahold of it whether it's structurally sound. I'm well into middle age", "> about 1/8 through the story (by word count), and then grows for", "the MC \"leaves their normal world\" (either physically or mentally) and > begins", "experiences. QUESTION: In someone with a strong general educational background, what is the", "by the MC as a big problem, it can start small. It roughly", "\"inciting incident\" does not have to be perceived > by the MC as", "forth, but specific terminology and details like: > > For the reader, an", "took fiction writing and technical writing in college and, in grad school, I", "loves what I've got so far, but I guess I won't know until", "terminology and details like: > > For the reader, an \"inciting incident\" does", "MC as a big problem, it can start small. It roughly occurs >", "various types. I've been published here and there and haven't published something large", "write without more formal training, though I've considered taking some classes (more for", "this \"basic\" stuff. I don't mean the real basics like beginning-middle-end and so", "have to be perceived > by the MC as a big problem, it", "\"leaves their normal world\" (either physically or mentally) and > begins to deal", "to undergraduates for 4 years, all essay writing of various types. I've been", "all essay writing of various types. I've been published here and there and", "it whether it's structurally sound. I'm well into middle age and feel pretty", "the deadlines than anything else). But I'm curious to hear other experiences. QUESTION:", "the MC as a big problem, it can start small. It roughly occurs", "also taught writing to undergraduates for 4 years, all essay writing of various", "writing to undergraduates for 4 years, all essay writing of various types. I've", "writing or similar extensive education. And many people here talk about formal structural", "> begins to deal with their problem, usually reactively and > unsuccessfully at", "though I've considered taking some classes (more for the deadlines than anything else).", "can start small. It roughly occurs > about 1/8 through the story (by", "a comment exchange on an unrelated question. [What to submit when asked for", "learned them. I took fiction writing and technical writing in college and, in", "I'm curious to hear other experiences. QUESTION: In someone with a strong general", "of various types. I've been published here and there and haven't published something", "pretty confident about continuing to write without more formal training, though I've considered", "and details like: > > For the reader, an \"inciting incident\" does not", "I knew this \"basic\" stuff. I don't mean the real basics like beginning-middle-end", "than anything else). But I'm curious to hear other experiences. QUESTION: In someone", "a big problem, it can start small. It roughly occurs > about 1/8", "a crisis the MC must deal with. This later point (25%) is when", "I've been published here and there and haven't published something large because I", "finish a huge project before. My critique group loves what I've got so", "> I have no objections to using methods like this, I just never", "a bit surprised to have the above exchange where the other person assumed", "writing with terms I understand immediately (usually) but haven't ever heard before. I", "proactively, starting around > 50% of the story). (From @Amadeus)* > > >", "the story (by word count), and then grows for 1/8 of > the", "methods like this, I just never learned them. I took fiction writing and", "*QUESTION: In someone with a strong general educational background, what is the importance", "it interesting and sometimes helpful. But I was a bit surprised to have", "percentage of traditionally published fiction authors, especially newer ones, have degrees related to", "1/8 through the story (by word count), and then grows for 1/8 of", "start small. It roughly occurs > about 1/8 through the story (by word", "I'm well into middle age and feel pretty confident about continuing to write", "exchange where the other person assumed I knew this \"basic\" stuff. I don't", "about formal structural writing with terms I understand immediately (usually) but haven't ever", "haven't ever heard before. I find it interesting and sometimes helpful. But I", "starting around > 50% of the story). (From @Amadeus)* > > > I", "published something large because I never pushed myself to finish a huge project", "stuff. I don't mean the real basics like beginning-middle-end and so forth, but", "story, to the point that when Act I ends (25% through the story)", "never learned them. I took fiction writing and technical writing in college and,", "ones, have degrees related to writing or similar extensive education. And many people", "MC must deal with. This later point (25%) is when > the MC", "\"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally published fiction authors, especially", "in grad school, I wrote tons and I also taught writing to undergraduates", "at first. (As opposed to proactively, starting around > 50% of the story).", "the reader, an \"inciting incident\" does not have to be perceived > by", "have no objections to using methods like this, I just never learned them.", "extensive education. And many people here talk about formal structural writing with terms", "> by the MC as a big problem, it can start small. It", "have degrees related to writing or similar extensive education. And many people here", "interesting and sometimes helpful. But I was a bit surprised to have the", "asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of traditionally published fiction", "published fiction authors, especially newer ones, have degrees related to writing or similar", "world\" (either physically or mentally) and > begins to deal with their problem,", "the real basics like beginning-middle-end and so forth, but specific terminology and details", "beginning-middle-end and so forth, but specific terminology and details like: > > For", "(From @Amadeus) > > > I have no objections to using methods like", "and technical writing in college and, in grad school, I wrote tons and", "types. I've been published here and there and haven't published something large because", "small. It roughly occurs > about 1/8 through the story (by word count),", "writing in college and, in grad school, I wrote tons and I also", "(more for the deadlines than anything else). But I'm curious to hear other", "like: > > For the reader, an \"inciting incident\" does not have to", "but I guess I won't know until a professional editor gets ahold of", "so forth, but specific terminology and details like: > > For the reader,", "it's structurally sound. I'm well into middle age and feel pretty confident about", "editor gets ahold of it whether it's structurally sound. I'm well into middle", "I wrote tons and I also taught writing to undergraduates for 4 years,", "published here and there and haven't published something large because I never pushed", "and then grows for 1/8 of > the story, to the point that", "grows for 1/8 of > the story, to the point that when Act", "> it is a crisis the MC must deal with. This later point", "grad school, I wrote tons and I also taught writing to undergraduates for", "My critique group loves what I've got so far, but I guess I", "immediately (usually) but haven't ever heard before. I find it interesting and sometimes", "This later point (25%) is when > the MC \"leaves their normal world\"", "around > 50% of the story). (From @Amadeus) > > > I have", "know until a professional editor gets ahold of it whether it's structurally sound.", "years, all essay writing of various types. I've been published here and there", "a huge project before. My critique group loves what I've got so far,", "don't mean the real basics like beginning-middle-end and so forth, but specific terminology", "essay writing of various types. I've been published here and there and haven't", "about continuing to write without more formal training, though I've considered taking some", "unrelated question. [What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a", "1/8 of > the story, to the point that when Act I ends", "was a bit surprised to have the above exchange where the other person", "to be perceived > by the MC as a big problem, it can", "feel pretty confident about continuing to write without more formal training, though I've", "for the deadlines than anything else). But I'm curious to hear other experiences.", "and I also taught writing to undergraduates for 4 years, all essay writing", "background, what is the importance of formal fiction writing classes for writing a", "> unsuccessfully at first. (As opposed to proactively, starting around > 50% of", "have the above exchange where the other person assumed I knew this \"basic\"", "anything else). But I'm curious to hear other experiences. **QUESTION: In someone with", "degrees related to writing or similar extensive education. And many people here talk", "or similar extensive education. And many people here talk about formal structural writing", "through the story) > it is a crisis the MC must deal with.", "[What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage", "story) > it is a crisis the MC must deal with. This later", "(25%) is when > the MC \"leaves their normal world\" (either physically or", "This is an offshoot from a comment exchange on an unrelated question. [What", "here talk about formal structural writing with terms I understand immediately (usually) but", "project before. My critique group loves what I've got so far, but I", "fiction authors, especially newer ones, have degrees related to writing or similar extensive", "middle age and feel pretty confident about continuing to write without more formal", "find it interesting and sometimes helpful. But I was a bit surprised to", "deal with. This later point (25%) is when > the MC \"leaves their", "the MC must deal with. This later point (25%) is when > the", "to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know a large percentage of", "and > begins to deal with their problem, usually reactively and > unsuccessfully", "considered taking some classes (more for the deadlines than anything else). But I'm", "> > > I have no objections to using methods like this, I", "is when > the MC \"leaves their normal world\" (either physically or mentally)", "roughly occurs > about 1/8 through the story (by word count), and then", "and feel pretty confident about continuing to write without more formal training, though", "training, though I've considered taking some classes (more for the deadlines than anything", "other person assumed I knew this \"basic\" stuff. I don't mean the real", "understand immediately (usually) but haven't ever heard before. I find it interesting and", "reader, an \"inciting incident\" does not have to be perceived > by the", "I've considered taking some classes (more for the deadlines than anything else). But", "classes (more for the deadlines than anything else). But I'm curious to hear", "an unrelated question. [What to submit when asked for \"sample chapters\"?](https://writing.stackexchange.com/questions/43406/what-to-submit-when-asked-for-sample-chapters/43417?noredirect=1#comment71442_43417) I know", "well into middle age and feel pretty confident about continuing to write without", "more formal training, though I've considered taking some classes (more for the deadlines", "occurs > about 1/8 through the story (by word count), and then grows", "perceived > by the MC as a big problem, it can start small.", "with. This later point (25%) is when > the MC \"leaves their normal" ]
[ "feel the need for a good requirement document. Since most of what I", "a good requirement document. Since most of what I work on is my", "my own work, I need to write those requirements. What is the process", "read are those of hackerrank and the sort. However the more and more", "and the sort. However the more and more I create my own increasingly", "only requirement documents I've ever been privileged to read are those of hackerrank", "requirement documentation. I imagine it will describe what the product should provide to", "process for a software requirement documentation. I imagine it will describe what the", "the product should provide to the end-user along with any perfermance/memory constraints. I", "own work, I need to write those requirements. What is the process for", "be provided from. And it is probably independent of solutions. That comes later.", "am I on the mark, or missing anything? What do these documents look", "the need for a good requirement document. Since most of what I work", "hackerrank and the sort. However the more and more I create my own", "good requirement document. Since most of what I work on is my own", "it is probably independent of solutions. That comes later. So am I on", "on is my own work, I need to write those requirements. What is", "data will be provided from. And it is probably independent of solutions. That", "will be provided from. And it is probably independent of solutions. That comes", "create my own increasingly complex programs, apps and sites the more I feel", "write those requirements. What is the process for a software requirement documentation. I", "along with any perfermance/memory constraints. I also assume that it will have other", "should provide to the end-user along with any perfermance/memory constraints. I also assume", "such as where the data will be provided from. And it is probably", "I also assume that it will have other constraints, such as where the", "own increasingly complex programs, apps and sites the more I feel the need", "programs, apps and sites the more I feel the need for a good", "documents I've ever been privileged to read are those of hackerrank and the", "product should provide to the end-user along with any perfermance/memory constraints. I also", "perfermance/memory constraints. I also assume that it will have other constraints, such as", "documentation. I imagine it will describe what the product should provide to the", "the only requirement documents I've ever been privileged to read are those of", "need to write those requirements. What is the process for a software requirement", "that it will have other constraints, such as where the data will be", "provided from. And it is probably independent of solutions. That comes later. So", "the process for a software requirement documentation. I imagine it will describe what", "the end-user along with any perfermance/memory constraints. I also assume that it will", "need for a good requirement document. Since most of what I work on", "a self-taught developer the only requirement documents I've ever been privileged to read", "sites the more I feel the need for a good requirement document. Since", "it will have other constraints, such as where the data will be provided", "more and more I create my own increasingly complex programs, apps and sites", "any perfermance/memory constraints. I also assume that it will have other constraints, such", "the data will be provided from. And it is probably independent of solutions.", "of hackerrank and the sort. However the more and more I create my", "independent of solutions. That comes later. So am I on the mark, or", "later. So am I on the mark, or missing anything? What do these", "will describe what the product should provide to the end-user along with any", "work, I need to write those requirements. What is the process for a", "provide to the end-user along with any perfermance/memory constraints. I also assume that", "comes later. So am I on the mark, or missing anything? What do", "work on is my own work, I need to write those requirements. What", "I've ever been privileged to read are those of hackerrank and the sort.", "of what I work on is my own work, I need to write", "I work on is my own work, I need to write those requirements.", "I imagine it will describe what the product should provide to the end-user", "with any perfermance/memory constraints. I also assume that it will have other constraints,", "is my own work, I need to write those requirements. What is the", "other constraints, such as where the data will be provided from. And it", "document. Since most of what I work on is my own work, I", "to read are those of hackerrank and the sort. However the more and", "requirements. What is the process for a software requirement documentation. I imagine it", "more I create my own increasingly complex programs, apps and sites the more", "describe what the product should provide to the end-user along with any perfermance/memory", "where the data will be provided from. And it is probably independent of", "I on the mark, or missing anything? What do these documents look like?", "I feel the need for a good requirement document. Since most of what", "also assume that it will have other constraints, such as where the data", "complex programs, apps and sites the more I feel the need for a", "self-taught developer the only requirement documents I've ever been privileged to read are", "have other constraints, such as where the data will be provided from. And", "is the process for a software requirement documentation. I imagine it will describe", "So am I on the mark, or missing anything? What do these documents", "sort. However the more and more I create my own increasingly complex programs,", "will have other constraints, such as where the data will be provided from.", "and more I create my own increasingly complex programs, apps and sites the", "ever been privileged to read are those of hackerrank and the sort. However", "apps and sites the more I feel the need for a good requirement", "for a software requirement documentation. I imagine it will describe what the product", "I need to write those requirements. What is the process for a software", "As a self-taught developer the only requirement documents I've ever been privileged to", "software requirement documentation. I imagine it will describe what the product should provide", "the more and more I create my own increasingly complex programs, apps and", "more I feel the need for a good requirement document. Since most of", "That comes later. So am I on the mark, or missing anything? What", "the more I feel the need for a good requirement document. Since most", "What is the process for a software requirement documentation. I imagine it will", "And it is probably independent of solutions. That comes later. So am I", "However the more and more I create my own increasingly complex programs, apps", "my own increasingly complex programs, apps and sites the more I feel the", "from. And it is probably independent of solutions. That comes later. So am", "been privileged to read are those of hackerrank and the sort. However the", "I create my own increasingly complex programs, apps and sites the more I", "developer the only requirement documents I've ever been privileged to read are those", "to write those requirements. What is the process for a software requirement documentation.", "it will describe what the product should provide to the end-user along with", "imagine it will describe what the product should provide to the end-user along", "and sites the more I feel the need for a good requirement document.", "probably independent of solutions. That comes later. So am I on the mark,", "constraints, such as where the data will be provided from. And it is", "for a good requirement document. Since most of what I work on is", "those requirements. What is the process for a software requirement documentation. I imagine", "privileged to read are those of hackerrank and the sort. However the more", "constraints. I also assume that it will have other constraints, such as where", "Since most of what I work on is my own work, I need", "solutions. That comes later. So am I on the mark, or missing anything?", "of solutions. That comes later. So am I on the mark, or missing", "requirement document. Since most of what I work on is my own work,", "to the end-user along with any perfermance/memory constraints. I also assume that it", "as where the data will be provided from. And it is probably independent", "requirement documents I've ever been privileged to read are those of hackerrank and", "the sort. However the more and more I create my own increasingly complex", "increasingly complex programs, apps and sites the more I feel the need for", "are those of hackerrank and the sort. However the more and more I", "most of what I work on is my own work, I need to", "those of hackerrank and the sort. However the more and more I create", "is probably independent of solutions. That comes later. So am I on the", "assume that it will have other constraints, such as where the data will", "what I work on is my own work, I need to write those", "what the product should provide to the end-user along with any perfermance/memory constraints.", "a software requirement documentation. I imagine it will describe what the product should", "end-user along with any perfermance/memory constraints. I also assume that it will have" ]
[ "real names) populate the majority of characters. Meaning: the idea of having to", "would be generally designed to be easy-to-read. 3. One of the two main", "My story deals with controversial topics including slavery, the sex-trade, cults (in the", "told halfway from his perspective. Otherwise, western-style names (but not necessarily real names)", "issues for the west that I already understand and acknowledge, but I think", "to understand what kind of violence. Basically, A Song of Ice and Fire,", "Japanese, the genre is called \"Isekai\". 2. I am writing it like a", "readers to express a given message. For those who are too young to", "would certainly be possible, but it would not be favorable. While I could", "Not for the money really, though I won't lie that it'd be nice,", "of characters. Meaning: the idea of having to read \"hard-to-read foreign names\" too", "The genre is niche. It's an \"in another world\" series that I am", "\"volume\" of a novel I desire to serialize. Not for the money really,", "the fact I can get my name out there. Now, I already know", "*Is it possible and how/through whom?* --- > > From here on out,", "likely appeal largely to anime fans due to the other variables, regardless of", "majority of characters. Meaning: the idea of having to read \"hard-to-read foreign names\"", "question no matter what. > > > Extra Credit: **Would it be possible", "Otherwise, western-style names (but not necessarily real names) populate the majority of characters.", "could get a fantasy novel serial published traditionally, if at all, without relying", "such other methods, especially since I didn't see a question asking for this,", "necessarily real names) populate the majority of characters. Meaning: the idea of having", "publishing in magazines, and online-distribution to various sites like Wattpad. This is more", "main characters is Japanese and is told halfway from his perspective. Otherwise, western-style", "think can be worked as features for the right publisher: 1. The genre", "to it.) 5. It would most likely appeal largely to anime fans due", "of \"Traditional Publishing\" available to both myself and others without the need of", "I'd like to know how I could get a fantasy novel serial published", "really, though I won't lie that it'd be nice, but more for the", "there. Now, I already know how to go about Print-On-Demand, e-Books, publishing in", "illustrations. That said, is there a publisher in the West that I can", "in this sense. (The story is NOT dark fantasy. It just had some", "who are too young to understand the subtext, they'd see the battered and", "Print-On-Demand, e-Books, publishing in magazines, and online-distribution to various sites like Wattpad. This", "and would be generally designed to be easy-to-read. 3. One of the two", "niche. It's an \"in another world\" series that I am writing. For those", "magazines, and online-distribution to various sites like Wattpad. This is more for the", "two main characters is Japanese and is told halfway from his perspective. Otherwise,", "the question is non-mandatory. It's more to address my specific circumstance, but the", "could get it published in Japan (even despite the \"isekai-ban\" now employed by", "is niche. It's an \"in another world\" series that I am writing. For", "I can get my name out there. Now, I already know how to", "another world\" series that I am writing. For those familiar with Japanese, the", "an \"in another world\" series that I am writing. For those familiar with", "I am about 3/4 finished with the first \"volume\" of a novel I", "writing. For those familiar with Japanese, the genre is called \"Isekai\". 2. I", "and violence, and so forth. While I would never go graphic, I still", "subtext, they'd see the battered and bruised female slaves as victims of violence,", "5. It would most likely appeal largely to anime fans due to the", "perspective. Otherwise, western-style names (but not necessarily real names) populate the majority of", "female slaves as victims of violence, whereas a person who is older (or", "be easy-to-read. 3. One of the two main characters is Japanese and is", "to the other variables, regardless of the art-style employed for the illustrations. That", "to various sites like Wattpad. This is more for the sake of having", "first \"volume\" of a novel I desire to serialize. Not for the money", "am writing it like a Light Novel. This means each volume is about", "is told halfway from his perspective. Otherwise, western-style names (but not necessarily real", "be worked as features for the right publisher: 1. The genre is niche.", "is about a novella-to-novel in length, would be interrupted by scene-appropriate illustrations periodically,", "fantasy novel serial published traditionally, if at all, without relying on publishing it", "acknowledge, but I think can be worked as features for the right publisher:", "is NOT dark fantasy. It just had some dark fantasy tones to it.)", "> From here on out, the rest of the question is non-mandatory. It's", "genre is called \"Isekai\". 2. I am writing it like a Light Novel.", "Fire, but less explicit in this sense. (The story is NOT dark fantasy.", "it would not be favorable. While I could get it published in Japan", "to answers that meet the main question's criteria.) My story has some key", "strong-enough imprint on my readers to express a given message. For those who", "be nice, but more for the fact I can get my name out", "preceding question no matter what. > > > Extra Credit: *Would it be", "> > > Extra Credit: Would it be possible for MY specific story", "that it'd be nice, but more for the fact I can get my", "poems which would not help me. I'd like to know how I could", "a magazine. Is it possible and how/through whom?* --- > > From here", "Now, I already know how to go about Print-On-Demand, e-Books, publishing in magazines,", "touch deeply enough on the topics in order to leave a strong-enough imprint", "names) populate the majority of characters. Meaning: the idea of having to read", "am about 3/4 finished with the first \"volume\" of a novel I desire", "to anime fans due to the other variables, regardless of the art-style employed", "novel I desire to serialize. Not for the money really, though I won't", "which would certainly be possible, but it would not be favorable. While I", "to serialize. Not for the money really, though I won't lie that it'd", "This means each volume is about a novella-to-novel in length, would be interrupted", "my readers to express a given message. For those who are too young", "violence, whereas a person who is older (or at least more knowledgeable about", "myself and others without the need of such other methods, especially since I", "chapter-by-chapter in a magazine. *Is it possible and how/through whom?* --- > >", "more to address my specific circumstance, but the best answer NEEDS to answer", "a Light Novel. This means each volume is about a novella-to-novel in length,", "finished with the first \"volume\" of a novel I desire to serialize. Not", "and acknowledge, but I think can be worked as features for the right", "meet the main question's criteria.) My story has some key marketability issues for", "(or at least more knowledgeable about the evils in the world) would be", "for this, only for poems which would not help me. I'd like to", "to be able to and how/through whom?*** (This is not necessary for a", "understand the subtext, they'd see the battered and bruised female slaves as victims", "world) would be able to understand what kind of violence. Basically, A Song", "the preceding question no matter what. > > > Extra Credit: *Would it", "I think can be worked as features for the right publisher: 1. The", "would be interrupted by scene-appropriate illustrations periodically, and would be generally designed to", "halfway from his perspective. Otherwise, western-style names (but not necessarily real names) populate", "who is older (or at least more knowledgeable about the evils in the", "go about Print-On-Demand, e-Books, publishing in magazines, and online-distribution to various sites like", "the Jonestown, not D&D, sense), racism and bigotry, fighting and violence, and so", "question's criteria.) My story has some key marketability issues for the west that", "never go graphic, I still touch deeply enough on the topics in order", "3/4 finished with the first \"volume\" of a novel I desire to serialize.", "I did consider re-writing it in Japanese, which would certainly be possible, but", "publishing it chapter-by-chapter in a magazine. Is it possible and how/through whom?* ---", "graphic, I still touch deeply enough on the topics in order to leave", "story deals with controversial topics including slavery, the sex-trade, cults (in the Jonestown,", "whereas a person who is older (or at least more knowledgeable about the", "desire to serialize. Not for the money really, though I won't lie that", "the sake of having the route of \"Traditional Publishing\" available to both myself", "\"hard-to-read foreign names\" too often would be subsided. 4. My story deals with", "that I can publish this through? 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Now, I already know how to go", "this sense. (The story is NOT dark fantasy. It just had some dark", "tones to it.) 5. It would most likely appeal largely to anime fans", "anime fans due to the other variables, regardless of the art-style employed for", "designed to be easy-to-read. 3. One of the two main characters is Japanese", "For those who are too young to understand the subtext, they'd see the", "the right publisher: 1. The genre is niche. 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My story deals with controversial topics including slavery,", "for the money really, though I won't lie that it'd be nice, but", "asking for this, only for poems which would not help me. I'd like", "it be possible for MY specific story to be able to and how/through", "by scene-appropriate illustrations periodically, and would be generally designed to be easy-to-read. 3.", "and bigotry, fighting and violence, and so forth. While I would never go", "While I would never go graphic, I still touch deeply enough on the", "be able to and how/through whom?*** (This is not necessary for a best", "and Fire, but less explicit in this sense. (The story is NOT dark", "I won't lie that it'd be nice, but more for the fact I", "available to both myself and others without the need of such other methods,", "without the need of such other methods, especially since I didn't see a", "for the west that I already understand and acknowledge, but I think can", "for the right publisher: 1. The genre is niche. It's an \"in another", "I'd rather not do so someplace where the genre is a dime a", "what. > > > Extra Credit: *Would it be possible for MY specific", "for the sake of having the route of \"Traditional Publishing\" available to both", "it'd be nice, but more for the fact I can get my name", "see a question asking for this, only for poems which would not help", "the money really, though I won't lie that it'd be nice, but more", "(but not necessarily real names) populate the majority of characters. Meaning: the idea", "writing it like a Light Novel. This means each volume is about a", "despite the \"isekai-ban\" now employed by many Japanese publishers), I'd rather not do", "there a publisher in the West that I can publish this through? I", "from his perspective. Otherwise, western-style names (but not necessarily real names) populate the", "West that I can publish this through? I did consider re-writing it in", "it like a Light Novel. This means each volume is about a novella-to-novel", "the route of \"Traditional Publishing\" available to both myself and others without the", "familiar with Japanese, the genre is called \"Isekai\". 2. I am writing it", "as victims of violence, whereas a person who is older (or at least", "of violence. Basically, A Song of Ice and Fire, but less explicit in", "serialize. Not for the money really, though I won't lie that it'd be", "can publish this through? I did consider re-writing it in Japanese, which would", "published traditionally, if at all, without relying on publishing it chapter-by-chapter in a", "but the best answer NEEDS to answer the preceding question no matter what.", "the idea of having to read \"hard-to-read foreign names\" too often would be", "the illustrations. That said, is there a publisher in the West that I", "consider re-writing it in Japanese, which would certainly be possible, but it would", "said, is there a publisher in the West that I can publish this", "would not help me. I'd like to know how I could get a", "see the battered and bruised female slaves as victims of violence, whereas a", "circumstance, but the best answer NEEDS to answer the preceding question no matter", "able to understand what kind* of violence. Basically, A Song of Ice and", "get my name out there. Now, I already know how to go about", "which would not help me. I'd like to know how I could get", "having the route of \"Traditional Publishing\" available to both myself and others without", "no matter what. > > > Extra Credit: *Would it be possible for", "Song of Ice and Fire, but less explicit in this sense. (The story", "controversial topics including slavery, the sex-trade, cults (in the Jonestown, not D&D, sense),", "knowledgeable about the evils in the world) would be able to understand what", "as features for the right publisher: 1. The genre is niche. It's an", "still touch deeply enough on the topics in order to leave a strong-enough", "populate the majority of characters. Meaning: the idea of having to read \"hard-to-read", "for the illustrations. That said, is there a publisher in the West that", "to and how/through whom?*** (This is not necessary for a best answer, but", "the two main characters is Japanese and is told halfway from his perspective.", "subsided. 4. My story deals with controversial topics including slavery, the sex-trade, cults", "a fantasy novel serial published traditionally, if at all, without relying on publishing", "Ice and Fire, but less explicit in this sense. (The story is NOT", "the evils in the world) would be able to understand what kind* of", "a question asking for this, only for poems which would not help me.", "is non-mandatory. It's more to address my specific circumstance, but the best answer", "on the topics in order to leave a strong-enough imprint on my readers", "get a fantasy novel serial published traditionally, if at all, without relying on", "novel serial published traditionally, if at all, without relying on publishing it chapter-by-chapter", "best answer, but would give bonus points to answers that meet the main", "they'd see the battered and bruised female slaves as victims of violence, whereas", "various sites like Wattpad. This is more for the sake of having the", "in order to leave a strong-enough imprint on my readers to express a", "specific story to be able to and how/through whom?* (This is not necessary", "be possible for MY specific story to be able to and how/through whom?", "but would give bonus points to answers that meet the main question's criteria.)", "\"isekai-ban\" now employed by many Japanese publishers), I'd rather not do so someplace", "but more for the fact I can get my name out there. Now,", "MY specific story to be able to and how/through whom? (This is not", "on out, the rest of the question is non-mandatory. It's more to address", "the west that I already understand and acknowledge, but I think can be", "sex-trade, cults (in the Jonestown, not D&D, sense), racism and bigotry, fighting and", "about Print-On-Demand, e-Books, publishing in magazines, and online-distribution to various sites like Wattpad.", "is called \"Isekai\". 2. I am writing it like a Light Novel. This", "names\" too often would be subsided. 4. My story deals with controversial topics", "Japanese, which would certainly be possible, but it would not be favorable. While", "but less explicit in this sense. (The story is NOT dark fantasy. It", "I already know how to go about Print-On-Demand, e-Books, publishing in magazines, and", "I already understand and acknowledge, but I think can be worked as features", "at least more knowledgeable about the evils in the world) would be able", "possible for MY specific story to be able to and how/through whom?* (This", "to express a given message. For those who are too young to understand", "NOT dark fantasy. It just had some dark fantasy tones to it.) 5.", "answer, but would give bonus points to answers that meet the main question's", "idea of having to read \"hard-to-read foreign names\" too often would be subsided.", "those who are too young to understand the subtext, they'd see the battered", "(The story is NOT dark fantasy. It just had some dark fantasy tones", "give bonus points to answers that meet the main question's criteria.) My story", "both myself and others without the need of such other methods, especially since", "be favorable. While I could get it published in Japan (even despite the", "is not necessary for a best answer, but would give bonus points to", "explicit in this sense. (The story is NOT dark fantasy. It just had", "slaves as victims of violence, whereas a person who is older (or at", "and so forth. While I would never go graphic, I still touch deeply", "to leave a strong-enough imprint on my readers to express a given message.", "generally designed to be easy-to-read. 3. One of the two main characters is", "the majority of characters. Meaning: the idea of having to read \"hard-to-read foreign", "deeply enough on the topics in order to leave a strong-enough imprint on", "Meaning: the idea of having to read \"hard-to-read foreign names\" too often would", "Light Novel. This means each volume is about a novella-to-novel in length, would", "NEEDS to answer the preceding question no matter what. > > > Extra", "in the West that I can publish this through? I did consider re-writing", "to both myself and others without the need of such other methods, especially", "by many Japanese publishers), I'd rather not do so someplace where the genre", "am writing. For those familiar with Japanese, the genre is called \"Isekai\". 2.", "express a given message. For those who are too young to understand the", "about 3/4 finished with the first \"volume\" of a novel I desire to", "of the question is non-mandatory. It's more to address my specific circumstance, but", "characters is Japanese and is told halfway from his perspective. Otherwise, western-style names", "since I didn't see a question asking for this, only for poems which", "evils in the world) would be able to understand what kind of violence.", "it in Japanese, which would certainly be possible, but it would not be", "to go about Print-On-Demand, e-Books, publishing in magazines, and online-distribution to various sites", "too often would be subsided. 4. My story deals with controversial topics including", "for poems which would not help me. I'd like to know how I", "won't lie that it'd be nice, but more for the fact I can", "publisher: 1. The genre is niche. It's an \"in another world\" series that", "and bruised female slaves as victims of violence, whereas a person who is", "like to know how I could get a fantasy novel serial published traditionally,", "other methods, especially since I didn't see a question asking for this, only", "like Wattpad. This is more for the sake of having the route of", "battered and bruised female slaves as victims of violence, whereas a person who", "This is more for the sake of having the route of \"Traditional Publishing\"", "key marketability issues for the west that I already understand and acknowledge, but", "is more for the sake of having the route of \"Traditional Publishing\" available", "a given message. For those who are too young to understand the subtext,", "be possible, but it would not be favorable. While I could get it", "all, without relying on publishing it chapter-by-chapter in a magazine. *Is it possible", "that I am writing. For those familiar with Japanese, the genre is called", "my name out there. Now, I already know how to go about Print-On-Demand,", "with Japanese, the genre is called \"Isekai\". 2. I am writing it like", "money really, though I won't lie that it'd be nice, but more for", "address my specific circumstance, but the best answer NEEDS to answer the preceding", "of violence, whereas a person who is older (or at least more knowledgeable", "question asking for this, only for poems which would not help me. I'd", "order to leave a strong-enough imprint on my readers to express a given", "deals with controversial topics including slavery, the sex-trade, cults (in the Jonestown, not", "older (or at least more knowledgeable about the evils in the world) would", "less explicit in this sense. (The story is NOT dark fantasy. It just", "due to the other variables, regardless of the art-style employed for the illustrations.", "but it would not be favorable. While I could get it published in", "bonus points to answers that meet the main question's criteria.) My story has", "in length, would be interrupted by scene-appropriate illustrations periodically, and would be generally", "to know how I could get a fantasy novel serial published traditionally, if", "rather not do so someplace where the genre is a dime a dozen.", "and how/through whom?* (This is not necessary for a best answer, but would", "just had some dark fantasy tones to it.) 5. It would most likely", "imprint on my readers to express a given message. For those who are", "too young to understand the subtext, they'd see the battered and bruised female", "I could get it published in Japan (even despite the \"isekai-ban\" now employed", "It just had some dark fantasy tones to it.) 5. It would most", "3. One of the two main characters is Japanese and is told halfway", "are too young to understand the subtext, they'd see the battered and bruised", "variables, regardless of the art-style employed for the illustrations. That said, is there", "For those familiar with Japanese, the genre is called \"Isekai\". 2. I am", "already know how to go about Print-On-Demand, e-Books, publishing in magazines, and online-distribution", "the genre is called \"Isekai\". 2. I am writing it like a Light", "1. The genre is niche. It's an \"in another world\" series that I", "of such other methods, especially since I didn't see a question asking for", "west that I already understand and acknowledge, but I think can be worked", "now employed by many Japanese publishers), I'd rather not do so someplace where", "of the art-style employed for the illustrations. That said, is there a publisher", "a novel I desire to serialize. Not for the money really, though I", "had some dark fantasy tones to it.) 5. It would most likely appeal", "the subtext, they'd see the battered and bruised female slaves as victims of", "specific circumstance, but the best answer NEEDS to answer the preceding question no", "answer NEEDS to answer the preceding question no matter what. > > >", "did consider re-writing it in Japanese, which would certainly be possible, but it", "can be worked as features for the right publisher: 1. The genre is", "genre is niche. It's an \"in another world\" series that I am writing.", "called \"Isekai\". 2. I am writing it like a Light Novel. This means", "dark fantasy tones to it.) 5. It would most likely appeal largely to", "right publisher: 1. The genre is niche. It's an \"in another world\" series", "a publisher in the West that I can publish this through? I did", "non-mandatory. It's more to address my specific circumstance, but the best answer NEEDS", "art-style employed for the illustrations. That said, is there a publisher in the", "that I already understand and acknowledge, but I think can be worked as", "It's an \"in another world\" series that I am writing. For those familiar", "it possible and how/through whom?*** --- > > From here on out, the", "would be subsided. 4. My story deals with controversial topics including slavery, the", "get it published in Japan (even despite the \"isekai-ban\" now employed by many", "what kind of violence. Basically, A Song of Ice and Fire, but less", "would be able to understand what kind of violence. Basically, A Song of", "the sex-trade, cults (in the Jonestown, not D&D, sense), racism and bigotry, fighting", "the art-style employed for the illustrations. That said, is there a publisher in", "western-style names (but not necessarily real names) populate the majority of characters. Meaning:", "From here on out, the rest of the question is non-mandatory. It's more", "features for the right publisher: 1. The genre is niche. It's an \"in", "fantasy tones to it.) 5. It would most likely appeal largely to anime", "I would never go graphic, I still touch deeply enough on the topics", "I desire to serialize. Not for the money really, though I won't lie", "I can publish this through? I did consider re-writing it in Japanese, which", "me. I'd like to know how I could get a fantasy novel serial", "violence. Basically, A Song of Ice and Fire, but less explicit in this", "this through? I did consider re-writing it in Japanese, which would certainly be", "Jonestown, not D&D, sense), racism and bigotry, fighting and violence, and so forth.", "the first \"volume\" of a novel I desire to serialize. Not for the", "relying on publishing it chapter-by-chapter in a magazine. *Is it possible and how/through", "\"Traditional Publishing\" available to both myself and others without the need of such", "racism and bigotry, fighting and violence, and so forth. While I would never", "(in the Jonestown, not D&D, sense), racism and bigotry, fighting and violence, and", "periodically, and would be generally designed to be easy-to-read. 3. One of the", "a strong-enough imprint on my readers to express a given message. For those", "D&D, sense), racism and bigotry, fighting and violence, and so forth. While I", "easy-to-read. 3. One of the two main characters is Japanese and is told", "more for the sake of having the route of \"Traditional Publishing\" available to", "be able to understand what kind* of violence. Basically, A Song of Ice", "re-writing it in Japanese, which would certainly be possible, but it would not", "able to and how/through whom?** (This is not necessary for a best answer,", "given message. For those who are too young to understand the subtext, they'd", "Basically, A Song of Ice and Fire, but less explicit in this sense.", "with controversial topics including slavery, the sex-trade, cults (in the Jonestown, not D&D,", "dark fantasy. It just had some dark fantasy tones to it.) 5. It", "with the first \"volume\" of a novel I desire to serialize. Not for", "marketability issues for the west that I already understand and acknowledge, but I", "to understand the subtext, they'd see the battered and bruised female slaves as", "fact I can get my name out there. Now, I already know how", "novella-to-novel in length, would be interrupted by scene-appropriate illustrations periodically, and would be", "traditionally, if at all, without relying on publishing it chapter-by-chapter in a magazine.", "out there. Now, I already know how to go about Print-On-Demand, e-Books, publishing", "has some key marketability issues for the west that I already understand and" ]
[ "curious about is this: what challenges are there in writing a fantasy cookbook", "creatures. There's such a cookbook for Skyrim and Lord of the Rings. What", "from as a random merch item for my story, I need to include", "are used as the ingredients? Having trouble following along? In 1998, a [Pokemon", "that can be made with real-world items... but what about if I get", "mostly out of curiosity. Obviously, a proper cookbook would involve real ingredients and", "with real-world items... but what about if I get to a recipe where", "Obviously, in order to make the cookbook be valuable to anyone aside from", "my case, I have no interest in making a cookbook involving Pokemon... but", "where it calls for 8 ounces of dragon steak (for example)? This is", "a cookbook involving Pokemon... but what about a cookbook where the recipes are", "example)? This is obviously just one example, but what challenges are there for", "8 ounces of dragon steak (for example)? This is obviously just one example,", "cookbook involving Pokemon... but what about a cookbook where the recipes are inspired", "you how to make the food shown in the show of Pokemon. It", "used Pokemon as the ingredients. Now in my case, I have no interest", "ask mostly out of curiosity. Obviously, a proper cookbook would involve real ingredients", "anyone aside from as a random merch item for my story, I need", "attached to a given story, so it's just a cookbook for a fantasy", "curiosity. Obviously, a proper cookbook would involve real ingredients and not fantasy creatures.", "challenges are there in writing a fantasy cookbook where creatures that don't exist", "I have no interest in making a cookbook involving Pokemon... but what about", "make the food shown in the show of Pokemon. It was a cookbook", "is this: what challenges are there in writing a fantasy cookbook where creatures", "its own thing, not attached to a given story, so it's just a", "about a cookbook where the recipes are inspired by my own fantasy world?", "make the cookbook be valuable to anyone aside from as a random merch", "be sellable as its own thing, not attached to a given story, so", "made with real-world items... but what about if I get to a recipe", "have no interest in making a cookbook involving Pokemon... but what about a", "own thing, not attached to a given story, so it's just a cookbook", "for 8 ounces of dragon steak (for example)? This is obviously just one", "the Rings. What I am curious about is this: what challenges are there", "and Lord of the Rings. What I am curious about is this: what", "to be sellable as its own thing, not attached to a given story,", "the writer, K.S. Suslick, used Pokemon as the ingredients. Now in my case,", "the recipes are inspired by my own fantasy world? Obviously, in order to", "where it shows you how to make the food shown in the show", "it calls for 8 ounces of dragon steak (for example)? This is obviously", "about is this: *what challenges are there in writing a fantasy cookbook where", "as the ingredients. Now in my case, I have no interest in making", "ingredients and not fantasy creatures. There's such a cookbook for Skyrim and Lord", "real life* are used as the ingredients?** Having trouble following along? In 1998,", "Pokemon. It was a cookbook where the writer, K.S. Suslick, used Pokemon as", "a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a cookbook where it", "out of curiosity. Obviously, a proper cookbook would involve real ingredients and not", "to a given story, so it's just a cookbook for a fantasy world.", "there for such a cookbook? Assume I'm wanting it to be sellable as", "creatures that don't exist in real life are used as the ingredients? Having", "for Skyrim and Lord of the Rings. What I am curious about is", "I ask mostly out of curiosity. Obviously, a proper cookbook would involve real", "trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it", "one example, but what challenges are there for such a cookbook? Assume I'm", "cookbook would involve real ingredients and not fantasy creatures. There's such a cookbook", "are there for such a cookbook? Assume I'm wanting it to be sellable", "ingredients? Having trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online.", "random merch item for my story, I need to include recipes that can", "can be made with real-world items... but what about if I get to", "Having trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No,", "there in writing a fantasy cookbook where creatures that don't exist in real", "show of Pokemon. It was a cookbook where the writer, K.S. Suslick, used", "Pokemon as the ingredients. Now in my case, I have no interest in", "writing a fantasy cookbook where creatures that don't exist in real life* are", "a cookbook for Skyrim and Lord of the Rings. What I am curious", "cookbook where it shows you how to make the food shown in the", "in order to make the cookbook be valuable to anyone aside from as", "sellable as its own thing, not attached to a given story, so it's", "I am curious about is this: *what challenges are there in writing a", "a cookbook where the writer, K.S. Suslick, used Pokemon as the ingredients. Now", "No, it wasn't a cookbook where it shows you how to make the", "valuable to anyone aside from as a random merch item for my story,", "of Pokemon. It was a cookbook where the writer, K.S. Suslick, used Pokemon", "be valuable to anyone aside from as a random merch item for my", "a cookbook where it shows you how to make the food shown in", "by my own fantasy world? Obviously, in order to make the cookbook be", "dragon steak (for example)? This is obviously just one example, but what challenges", "a cookbook where the recipes are inspired by my own fantasy world? Obviously,", "the cookbook be valuable to anyone aside from as a random merch item", "cookbook where the writer, K.S. Suslick, used Pokemon as the ingredients. Now in", "get to a recipe where it calls for 8 ounces of dragon steak", "example, but what challenges are there for such a cookbook? Assume I'm wanting", "what about a cookbook where the recipes are inspired by my own fantasy", "calls for 8 ounces of dragon steak (for example)? This is obviously just", "as its own thing, not attached to a given story, so it's just", "was a cookbook where the writer, K.S. Suslick, used Pokemon as the ingredients.", "a cookbook? Assume I'm wanting it to be sellable as its own thing,", "proper cookbook would involve real ingredients and not fantasy creatures. There's such a", "for such a cookbook? Assume I'm wanting it to be sellable as its", "need to include recipes that can be made with real-world items... but what", "involve real ingredients and not fantasy creatures. There's such a cookbook for Skyrim", "[Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a cookbook where it shows", "Lord of the Rings. What I am curious about is this: what challenges", "are inspired by my own fantasy world? Obviously, in order to make the", "Skyrim and Lord of the Rings. What I am curious about is this:", "in writing a fantasy cookbook where creatures that don't exist in real life", "where the writer, K.S. Suslick, used Pokemon as the ingredients. Now in my", "Rings. What I am curious about is this: what challenges are there in", "obviously just one example, but what challenges are there for such a cookbook?", "not fantasy creatures. There's such a cookbook for Skyrim and Lord of the", "it to be sellable as its own thing, not attached to a given", "in making a cookbook involving Pokemon... but what about a cookbook where the", "item for my story, I need to include recipes that can be made", "just one example, but what challenges are there for such a cookbook? Assume", "in real life are used as the ingredients? Having trouble following along? In", "but what challenges are there for such a cookbook? Assume I'm wanting it", "interest in making a cookbook involving Pokemon... but what about a cookbook where", "real ingredients and not fantasy creatures. There's such a cookbook for Skyrim and", "along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a", "what challenges are there for such a cookbook? Assume I'm wanting it to", "Pokemon... but what about a cookbook where the recipes are inspired by my", "recipes are inspired by my own fantasy world? Obviously, in order to make", "recipe where it calls for 8 ounces of dragon steak (for example)? This", "is obviously just one example, but what challenges are there for such a", "and not fantasy creatures. There's such a cookbook for Skyrim and Lord of", "my story, I need to include recipes that can be made with real-world", "This is obviously just one example, but what challenges are there for such", "am curious about is this: what challenges are there in writing a fantasy", "of the Rings. What I am curious about is this: *what challenges are", "fantasy world? Obviously, in order to make the cookbook be valuable to anyone", "It was a cookbook where the writer, K.S. Suslick, used Pokemon as the", "online. No, it wasn't a cookbook where it shows you how to make", "exist in real life* are used as the ingredients? Having trouble following along?", "where the recipes are inspired by my own fantasy world? Obviously, in order", "I need to include recipes that can be made with real-world items... but", "recipes that can be made with real-world items... but what about if I", "the ingredients? Having trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published", "cookbook where the recipes are inspired by my own fantasy world? Obviously, in", "Assume I'm wanting it to be sellable as its own thing, not attached", "it shows you how to make the food shown in the show of", "life* are used as the ingredients?** Having trouble following along? In 1998, a", "world? Obviously, in order to make the cookbook be valuable to anyone aside", "don't exist in real life* are used as the ingredients?** Having trouble following", "such a cookbook for Skyrim and Lord of the Rings. What I am", "to a recipe where it calls for 8 ounces of dragon steak (for", "wanting it to be sellable as its own thing, not attached to a", "in the show of Pokemon. It was a cookbook where the writer, K.S.", "(for example)? This is obviously just one example, but what challenges are there", "no interest in making a cookbook involving Pokemon... but what about a cookbook", "to include recipes that can be made with real-world items... but what about", "to make the food shown in the show of Pokemon. It was a", "as a random merch item for my story, I need to include recipes", "it wasn't a cookbook where it shows you how to make the food", "a random merch item for my story, I need to include recipes that", "case, I have no interest in making a cookbook involving Pokemon... but what", "if I get to a recipe where it calls for 8 ounces of", "K.S. Suslick, used Pokemon as the ingredients. Now in my case, I have", "the food shown in the show of Pokemon. It was a cookbook where", "about if I get to a recipe where it calls for 8 ounces", "my own fantasy world? Obviously, in order to make the cookbook be valuable", "own fantasy world? Obviously, in order to make the cookbook be valuable to", "ounces of dragon steak (for example)? This is obviously just one example, but", "items... but what about if I get to a recipe where it calls", "Suslick, used Pokemon as the ingredients. Now in my case, I have no", "a proper cookbook would involve real ingredients and not fantasy creatures. There's such", "that don't exist in real life* are used as the ingredients?** Having trouble", "are there in writing a fantasy cookbook where creatures that don't exist in", "fantasy cookbook where creatures that don't exist in real life* are used as", "used as the ingredients? Having trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html)", "following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't", "Obviously, a proper cookbook would involve real ingredients and not fantasy creatures. There's", "merch item for my story, I need to include recipes that can be", "challenges are there for such a cookbook? Assume I'm wanting it to be", "but what about if I get to a recipe where it calls for", "There's such a cookbook for Skyrim and Lord of the Rings. What I", "published online. No, it wasn't a cookbook where it shows you how to", "was published online. No, it wasn't a cookbook where it shows you how", "to make the cookbook be valuable to anyone aside from as a random", "story, I need to include recipes that can be made with real-world items...", "What I am curious about is this: what challenges are there in writing", "cookbook where creatures that don't exist in real life are used as the", "I'm wanting it to be sellable as its own thing, not attached to", "shown in the show of Pokemon. It was a cookbook where the writer,", "In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a cookbook", "to anyone aside from as a random merch item for my story, I", "include recipes that can be made with real-world items... but what about if", "I get to a recipe where it calls for 8 ounces of dragon", "cookbook be valuable to anyone aside from as a random merch item for", "a fantasy cookbook where creatures that don't exist in real life are used", "where creatures that don't exist in real life are used as the ingredients?", "shows you how to make the food shown in the show of Pokemon.", "1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a cookbook where", "of curiosity. Obviously, a proper cookbook would involve real ingredients and not fantasy", "what about if I get to a recipe where it calls for 8", "inspired by my own fantasy world? Obviously, in order to make the cookbook", "Now in my case, I have no interest in making a cookbook involving", "in my case, I have no interest in making a cookbook involving Pokemon...", "for my story, I need to include recipes that can be made with", "a recipe where it calls for 8 ounces of dragon steak (for example)?", "fantasy creatures. There's such a cookbook for Skyrim and Lord of the Rings.", "would involve real ingredients and not fantasy creatures. There's such a cookbook for", "cookbook? Assume I'm wanting it to be sellable as its own thing, not", "of dragon steak (for example)? This is obviously just one example, but what", "food shown in the show of Pokemon. It was a cookbook where the", "this: what challenges are there in writing a fantasy cookbook where creatures that", "such a cookbook? Assume I'm wanting it to be sellable as its own", "making a cookbook involving Pokemon... but what about a cookbook where the recipes", "order to make the cookbook be valuable to anyone aside from as a", "cookbook](http://suslick.scs.illinois.edu/pokemon.html) was published online. No, it wasn't a cookbook where it shows you", "how to make the food shown in the show of Pokemon. It was", "as the ingredients?* Having trouble following along? In 1998, a [Pokemon cookbook](http://suslick.scs.illinois.edu/pokemon.html) was", "the show of Pokemon. It was a cookbook where the writer, K.S. Suslick,", "cookbook for Skyrim and Lord of the Rings. What I am curious about", "ingredients. Now in my case, I have no interest in making a cookbook", "real-world items... but what about if I get to a recipe where it", "thing, not attached to a given story, so it's just a cookbook for", "steak (for example)? This is obviously just one example, but what challenges are", "aside from as a random merch item for my story, I need to", "wasn't a cookbook where it shows you how to make the food shown", "but what about a cookbook where the recipes are inspired by my own", "the ingredients. Now in my case, I have no interest in making a", "be made with real-world items... but what about if I get to a", "writer, K.S. Suslick, used Pokemon as the ingredients. Now in my case, I", "not attached to a given story, so it's just a cookbook for a", "*what challenges are there in writing a fantasy cookbook where creatures that don't", "involving Pokemon... but what about a cookbook where the recipes are inspired by" ]
[ "to bash the reader over the head with obvious foreshadowing. ### Question What", "been, allowed to go inside the basement. I need to foreshadow the existence", "I hide a Chekhov's Gun such that it's obscured under the bedsheet but,", "Sometimes I don't want the reader to know that there's going to be", "show the reader that there's a gun on the mantelpiece, without saying \"Hello!", "this scene. However, before this point in the story, MC and the housemate", "Question What should I do here? How do I hide a Chekhov's Gun", "which only the housemate knows the code. MC is not, and has never", "background text here - everything is in the foreground. Sometimes, I want to", "A watcher who's paying attention gets the reference, a watcher who isn't, doesn't.", "mention, for at least a moment, is right in front of the reader's", "I can't image the housemate would explicitly write \"Remember, you're not allowed into", "> > > ### Background I'm a big believer in Chekhov's Gun. I", "Gun. I try not to do anything or introduce any new plot point", "I also don't want my character to pick up a gun that the", "that gun is going to be fired.\" Sometimes I don't want the reader", "I want to show the reader that there's a gun on the mantelpiece,", "coded padlock to which only the housemate knows the code. MC is not,", "> If there is a gun on the mantelpiece in the Act 1,", "a watcher who isn't, doesn't. It's harder in writing. Every single thing that", "each other. I can't image the housemate would explicitly write \"Remember, you're not", "under the bedsheet but, upon later reflection by the reader, was obviously a", "the Act 1, then in Act 2, that gun must be fired. >", "gets locked within it by his housemate. The basement door is locked with", "on the mantelpiece, without saying \"Hello! This is a gun!\" - because if", "to be a gunshot in Act 2 - but I also don't want", "- but I also don't want my character to pick up a gun", "Act 1, then in Act 2, that gun must be fired. > >", "in writing. Every single thing that you mention, for at least a moment,", "in the story he gets locked within it by his housemate. The basement", "is a gun!\" - because if I do that, the reader will think", "MC is not, and has never been, allowed to go inside the basement.", "introduce any new plot point without first foreshadowing it, no matter how subtly.", "the reader will think \"hey, the writer wouldn't do that unless that gun", "to have some object appear in the background, or perhaps briefly show it", "that gun must be fired. > > > ### Background I'm a big", "thinks is there on the page. So I can't have him suddenly jumping", "not actually meet beyond letters written to each other. I can't image the", "the head with obvious foreshadowing. ### Question What should I do here? How", "can't have him suddenly jumping to think about some random basement door. And", "gun must be fired. > > > ### Background I'm a big believer", "is locked with a coded padlock to which only the housemate knows the", "1, then in Act 2, that gun must be fired. > > >", "mantelpiece, without saying \"Hello! This is a gun!\" - because if I do", "because if I do that, the reader will think \"hey, the writer wouldn't", "my specific case, MC's house has a basement, and late in the story", "for at least a moment, is right in front of the reader's eyes.", "any new plot point without first foreshadowing it, no matter how subtly. This", "the mantelpiece, without saying \"Hello! This is a gun!\" - because if I", "going to be fired.\" Sometimes I don't want the reader to know that", "the reader over the head with obvious foreshadowing. ### Question What should I", "then in Act 2, that gun must be fired. > > > ###", "housemate. The basement door is locked with a coded padlock to which only", "basement of his own observation. The story is written 1st-person, from MC's perspective,", "bash the reader over the head with obvious foreshadowing. ### Question What should", "over the head with obvious foreshadowing. ### Question What should I do here?", "in the Act 1, then in Act 2, that gun must be fired.", "there's going to be a gunshot in Act 2 - but I also", "of his own observation. The story is written 1st-person, from MC's perspective, in", "from MC's perspective, in a train-of-thought fashion - that is, everything he thinks", "into the basement!\", not least because that would be whacking the reader over", "want to show the reader that there's a gun on the mantelpiece, without", "who isn't, doesn't. It's harder in writing. Every single thing that you mention,", "reader didn't know was there. ### Specifics In my specific case, MC's house", "scene. However, before this point in the story, MC and the housemate do", "observation. The story is written 1st-person, from MC's perspective, in a train-of-thought fashion", "there's a gun on the mantelpiece, without saying \"Hello! This is a gun!\"", "and has never been, allowed to go inside the basement. I need to", "in Chekhov's Gun. I try not to do anything or introduce any new", "an obvious Gun. So MC should probably notice the basement of his own", "way to do it is to have some object appear in the background,", "need to foreshadow the existence of the basement (and the padlock) before this", "the basement. I need to foreshadow the existence of the basement (and the", "has a basement, and late in the story he gets locked within it", "\"Hello! This is a gun!\" - because if I do that, the reader", "fired. > > > ### Background I'm a big believer in Chekhov's Gun.", "Sometimes, I want to show the reader that there's a gun on the", "how subtly. This is easy in film. A lazy way to do it", "to foreshadow the existence of the basement (and the padlock) before this scene.", "the bedsheet but, upon later reflection by the reader, was obviously a Gun?", "writing. Every single thing that you mention, for at least a moment, is", "- that is, everything he thinks is there on the page. So I", "who's paying attention gets the reference, a watcher who isn't, doesn't. It's harder", "and late in the story he gets locked within it by his housemate.", "at least a moment, is right in front of the reader's eyes. There's", "should probably notice the basement of his own observation. The story is written", "whacking the reader over the head with an obvious Gun. So MC should", "the existence of the basement (and the padlock) before this scene. However, before", "obvious foreshadowing. ### Question What should I do here? How do I hide", "the padlock) before this scene. However, before this point in the story, MC", "### Background I'm a big believer in Chekhov's Gun. I try not to", "I do that, the reader will think \"hey, the writer wouldn't do that", "be fired. > > > ### Background I'm a big believer in Chekhov's", "specific case, MC's house has a basement, and late in the story he", "reference, a watcher who isn't, doesn't. It's harder in writing. Every single thing", "it by his housemate. The basement door is locked with a coded padlock", "reader that there's a gun on the mantelpiece, without saying \"Hello! This is", "should I do here? How do I hide a Chekhov's Gun such that", "new plot point without first foreshadowing it, no matter how subtly. This is", "such thing as background text here - everything is in the foreground. Sometimes,", "(and the padlock) before this scene. However, before this point in the story,", "Specifics In my specific case, MC's house has a basement, and late in", "if I do that, the reader will think \"hey, the writer wouldn't do", "to show the reader that there's a gun on the mantelpiece, without saying", "a gun!\" - because if I do that, the reader will think \"hey,", "late in the story he gets locked within it by his housemate. The", "do anything or introduce any new plot point without first foreshadowing it, no", "not least because that would be whacking the reader over the head with", "story he gets locked within it by his housemate. The basement door is", "not to do anything or introduce any new plot point without first foreshadowing", "> > ### Background I'm a big believer in Chekhov's Gun. I try", "written 1st-person, from MC's perspective, in a train-of-thought fashion - that is, everything", "without saying \"Hello! This is a gun!\" - because if I do that,", "In my specific case, MC's house has a basement, and late in the", "to do it is to have some object appear in the background, or", "before this point in the story, MC and the housemate do not actually", "within it by his housemate. The basement door is locked with a coded", "the basement!\", not least because that would be whacking the reader over the", "can't image the housemate would explicitly write \"Remember, you're not allowed into the", "I'm a big believer in Chekhov's Gun. I try not to do anything", "know was there. ### Specifics In my specific case, MC's house has a", "have him suddenly jumping to think about some random basement door. And I'm", "I need to foreshadow the existence of the basement (and the padlock) before", "right in front of the reader's eyes. 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So MC should probably", "you mention, for at least a moment, is right in front of the", "go inside the basement. I need to foreshadow the existence of the basement", "basement!\", not least because that would be whacking the reader over the head", "MC's house has a basement, and late in the story he gets locked", "subtly. This is easy in film. A lazy way to do it is", "some random basement door. And I'm trying really, really hard not to bash", "over the head with an obvious Gun. So MC should probably notice the", "\"hey, the writer wouldn't do that unless that gun is going to be", "house has a basement, and late in the story he gets locked within", "in film. A lazy way to do it is to have some object", "And I'm trying really, really hard not to bash the reader over the", "moment, is right in front of the reader's eyes. There's no such thing", "gun on the mantelpiece, without saying \"Hello! This is a gun!\" - because", "gunshot in Act 2 - but I also don't want my character to", "here? How do I hide a Chekhov's Gun such that it's obscured under", "believer in Chekhov's Gun. I try not to do anything or introduce any", "story is written 1st-person, from MC's perspective, in a train-of-thought fashion - that", "Background I'm a big believer in Chekhov's Gun. I try not to do", "in Act 2 - but I also don't want my character to pick", "### Question What should I do here? How do I hide a Chekhov's", "do it is to have some object appear in the background, or perhaps", "must be fired. > > > ### Background I'm a big believer in", "lazy way to do it is to have some object appear in the", "but I also don't want my character to pick up a gun that", "housemate do not actually meet beyond letters written to each other. I can't", "It's harder in writing. Every single thing that you mention, for at least", "MC and the housemate do not actually meet beyond letters written to each", "a coded padlock to which only the housemate knows the code. MC is", "do here? How do I hide a Chekhov's Gun such that it's obscured", "before this scene. However, before this point in the story, MC and the", "MC should probably notice the basement of his own observation. The story is", "Chekhov's Gun such that it's obscured under the bedsheet but, upon later reflection", "Chekhov's Gun. I try not to do anything or introduce any new plot", "actually meet beyond letters written to each other. I can't image the housemate", "in the background, or perhaps briefly show it on TV. A watcher who's", "probably notice the basement of his own observation. The story is written 1st-person,", "the reader to know that there's going to be a gunshot in Act", "There's no such thing as background text here - everything is in the", "some object appear in the background, or perhaps briefly show it on TV.", "1st-person, from MC's perspective, in a train-of-thought fashion - that is, everything he", "first foreshadowing it, no matter how subtly. This is easy in film. A", "not allowed into the basement!\", not least because that would be whacking the", "\"Remember, you're not allowed into the basement!\", not least because that would be", "he thinks is there on the page. So I can't have him suddenly", "written to each other. I can't image the housemate would explicitly write \"Remember,", "the reader's eyes. There's no such thing as background text here - everything", "to which only the housemate knows the code. MC is not, and has", "also don't want my character to pick up a gun that the reader", "- because if I do that, the reader will think \"hey, the writer", "the page. So I can't have him suddenly jumping to think about some", "be whacking the reader over the head with an obvious Gun. So MC", "the basement of his own observation. The story is written 1st-person, from MC's", "everything he thinks is there on the page. So I can't have him", "pick up a gun that the reader didn't know was there. ### Specifics", "thing as background text here - everything is in the foreground. Sometimes, I", "no such thing as background text here - everything is in the foreground.", "2 - but I also don't want my character to pick up a", "trying really, really hard not to bash the reader over the head with", "the story, MC and the housemate do not actually meet beyond letters written", "reader over the head with an obvious Gun. So MC should probably notice", "code. MC is not, and has never been, allowed to go inside the", "housemate would explicitly write \"Remember, you're not allowed into the basement!\", not least", "the code. MC is not, and has never been, allowed to go inside", "a big believer in Chekhov's Gun. 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I can't image the housemate would explicitly write \"Remember, you're not allowed", "there is a gun on the mantelpiece in the Act 1, then in", "in a train-of-thought fashion - that is, everything he thinks is there on", "with an obvious Gun. So MC should probably notice the basement of his", "foreshadowing. ### Question What should I do here? How do I hide a", "only the housemate knows the code. MC is not, and has never been,", "by his housemate. The basement door is locked with a coded padlock to", "least a moment, is right in front of the reader's eyes. There's no", "page. So I can't have him suddenly jumping to think about some random", "random basement door. And I'm trying really, really hard not to bash the", "I try not to do anything or introduce any new plot point without", "background, or perhaps briefly show it on TV. A watcher who's paying attention", "think \"hey, the writer wouldn't do that unless that gun is going to", "doesn't. It's harder in writing. Every single thing that you mention, for at", "foreshadow the existence of the basement (and the padlock) before this scene. However,", "Every single thing that you mention, for at least a moment, is right", "is a gun on the mantelpiece in the Act 1, then in Act", "I don't want the reader to know that there's going to be a", "point in the story, MC and the housemate do not actually meet beyond", "the basement (and the padlock) before this scene. However, before this point in", "The story is written 1st-person, from MC's perspective, in a train-of-thought fashion -", "him suddenly jumping to think about some random basement door. And I'm trying", "in front of the reader's eyes. There's no such thing as background text", "TV. A watcher who's paying attention gets the reference, a watcher who isn't,", "basement door. And I'm trying really, really hard not to bash the reader", "attention gets the reference, a watcher who isn't, doesn't. It's harder in writing.", "thing that you mention, for at least a moment, is right in front", "text here - everything is in the foreground. Sometimes, I want to show", "as background text here - everything is in the foreground. Sometimes, I want", "a gunshot in Act 2 - but I also don't want my character", "own observation. The story is written 1st-person, from MC's perspective, in a train-of-thought", "in the story, MC and the housemate do not actually meet beyond letters", "gets the reference, a watcher who isn't, doesn't. It's harder in writing. Every", "want the reader to know that there's going to be a gunshot in", "image the housemate would explicitly write \"Remember, you're not allowed into the basement!\",", "appear in the background, or perhaps briefly show it on TV. A watcher", "is to have some object appear in the background, or perhaps briefly show", "do that, the reader will think \"hey, the writer wouldn't do that unless", "is written 1st-person, from MC's perspective, in a train-of-thought fashion - that is,", "not to bash the reader over the head with obvious foreshadowing. ### Question", "no matter how subtly. This is easy in film. A lazy way to", "basement, and late in the story he gets locked within it by his", "know that there's going to be a gunshot in Act 2 - but", "So MC should probably notice the basement of his own observation. The story", "that you mention, for at least a moment, is right in front of", "a gun that the reader didn't know was there. ### Specifics In my", "that there's a gun on the mantelpiece, without saying \"Hello! This is a", "a Chekhov's Gun such that it's obscured under the bedsheet but, upon later", "case, MC's house has a basement, and late in the story he gets", "to think about some random basement door. And I'm trying really, really hard", "watcher who isn't, doesn't. It's harder in writing. Every single thing that you", "that is, everything he thinks is there on the page. So I can't", "he gets locked within it by his housemate. The basement door is locked", "story, MC and the housemate do not actually meet beyond letters written to", "film. A lazy way to do it is to have some object appear", "of the basement (and the padlock) before this scene. However, before this point", "plot point without first foreshadowing it, no matter how subtly. This is easy", "it's obscured under the bedsheet but, upon later reflection by the reader, was", "How do I hide a Chekhov's Gun such that it's obscured under the", "head with an obvious Gun. So MC should probably notice the basement of", "reader to know that there's going to be a gunshot in Act 2", "would explicitly write \"Remember, you're not allowed into the basement!\", not least because", "the housemate do not actually meet beyond letters written to each other. I", "jumping to think about some random basement door. And I'm trying really, really", "allowed into the basement!\", not least because that would be whacking the reader", "padlock to which only the housemate knows the code. MC is not, and", "try not to do anything or introduce any new plot point without first", "writer wouldn't do that unless that gun is going to be fired.\" Sometimes", "has never been, allowed to go inside the basement. I need to foreshadow", "be fired.\" Sometimes I don't want the reader to know that there's going", "perspective, in a train-of-thought fashion - that is, everything he thinks is there", "the writer wouldn't do that unless that gun is going to be fired.\"", "is in the foreground. Sometimes, I want to show the reader that there's", "it on TV. A watcher who's paying attention gets the reference, a watcher", "fired.\" Sometimes I don't want the reader to know that there's going to", "to pick up a gun that the reader didn't know was there. ###", "unless that gun is going to be fired.\" Sometimes I don't want the", "reader over the head with obvious foreshadowing. ### Question What should I do", "the housemate would explicitly write \"Remember, you're not allowed into the basement!\", not", "fashion - that is, everything he thinks is there on the page. So", "locked within it by his housemate. The basement door is locked with a", "object appear in the background, or perhaps briefly show it on TV. A", "briefly show it on TV. A watcher who's paying attention gets the reference,", "- everything is in the foreground. Sometimes, I want to show the reader", "least because that would be whacking the reader over the head with an", "paying attention gets the reference, a watcher who isn't, doesn't. It's harder in", "was there. ### Specifics In my specific case, MC's house has a basement,", "reader's eyes. There's no such thing as background text here - everything is", "meet beyond letters written to each other. I can't image the housemate would", "door. And I'm trying really, really hard not to bash the reader over", "inside the basement. I need to foreshadow the existence of the basement (and", "eyes. There's no such thing as background text here - everything is in", "the background, or perhaps briefly show it on TV. A watcher who's paying", "hide a Chekhov's Gun such that it's obscured under the bedsheet but, upon", "really hard not to bash the reader over the head with obvious foreshadowing.", "head with obvious foreshadowing. ### Question What should I do here? How do", "door is locked with a coded padlock to which only the housemate knows", "and the housemate do not actually meet beyond letters written to each other.", "the reader that there's a gun on the mantelpiece, without saying \"Hello! This", "a moment, is right in front of the reader's eyes. There's no such", "notice the basement of his own observation. The story is written 1st-person, from", "in the foreground. Sometimes, I want to show the reader that there's a", "basement door is locked with a coded padlock to which only the housemate", "is, everything he thinks is there on the page. So I can't have", "in Act 2, that gun must be fired. > > > ### Background", "it is to have some object appear in the background, or perhaps briefly", "do I hide a Chekhov's Gun such that it's obscured under the bedsheet", "anything or introduce any new plot point without first foreshadowing it, no matter", "front of the reader's eyes. There's no such thing as background text here", "easy in film. A lazy way to do it is to have some", "> ### Background I'm a big believer in Chekhov's Gun. I try not", "his housemate. The basement door is locked with a coded padlock to which", "watcher who's paying attention gets the reference, a watcher who isn't, doesn't. It's", "not, and has never been, allowed to go inside the basement. I need", "obscured under the bedsheet but, upon later reflection by the reader, was obviously", "existence of the basement (and the padlock) before this scene. However, before this", "is right in front of the reader's eyes. There's no such thing as", "basement (and the padlock) before this scene. However, before this point in the", "I can't have him suddenly jumping to think about some random basement door.", "foreground. Sometimes, I want to show the reader that there's a gun on", "> > If there is a gun on the mantelpiece in the Act", "show it on TV. A watcher who's paying attention gets the reference, a", "write \"Remember, you're not allowed into the basement!\", not least because that would", "I do here? How do I hide a Chekhov's Gun such that it's", "do that unless that gun is going to be fired.\" Sometimes I don't", "everything is in the foreground. Sometimes, I want to show the reader that", "do not actually meet beyond letters written to each other. I can't image", "really, really hard not to bash the reader over the head with obvious", "The basement door is locked with a coded padlock to which only the", "However, before this point in the story, MC and the housemate do not", "obvious Gun. So MC should probably notice the basement of his own observation.", "the mantelpiece in the Act 1, then in Act 2, that gun must", "about some random basement door. And I'm trying really, really hard not to", "So I can't have him suddenly jumping to think about some random basement", "on the page. So I can't have him suddenly jumping to think about", "up a gun that the reader didn't know was there. ### Specifics In", "If there is a gun on the mantelpiece in the Act 1, then", "never been, allowed to go inside the basement. I need to foreshadow the", "or perhaps briefly show it on TV. A watcher who's paying attention gets", "Gun. So MC should probably notice the basement of his own observation. The", "on TV. A watcher who's paying attention gets the reference, a watcher who", "don't want my character to pick up a gun that the reader didn't", "gun on the mantelpiece in the Act 1, then in Act 2, that", "the reader didn't know was there. ### Specifics In my specific case, MC's", "reader will think \"hey, the writer wouldn't do that unless that gun is", "without first foreshadowing it, no matter how subtly. This is easy in film.", "matter how subtly. This is easy in film. A lazy way to do", "allowed to go inside the basement. I need to foreshadow the existence of", "is not, and has never been, allowed to go inside the basement. I", "harder in writing. Every single thing that you mention, for at least a", "Gun such that it's obscured under the bedsheet but, upon later reflection by", "This is easy in film. A lazy way to do it is to", "foreshadowing it, no matter how subtly. This is easy in film. A lazy", "of the reader's eyes. There's no such thing as background text here -", "the foreground. Sometimes, I want to show the reader that there's a gun", "this point in the story, MC and the housemate do not actually meet", "think about some random basement door. And I'm trying really, really hard not", "the story he gets locked within it by his housemate. The basement door", "would be whacking the reader over the head with an obvious Gun. So", "didn't know was there. ### Specifics In my specific case, MC's house has", "that would be whacking the reader over the head with an obvious Gun.", "that there's going to be a gunshot in Act 2 - but I", "What should I do here? How do I hide a Chekhov's Gun such", "2, that gun must be fired. > > > ### Background I'm a", "knows the code. MC is not, and has never been, allowed to go", "on the mantelpiece in the Act 1, then in Act 2, that gun", "basement. I need to foreshadow the existence of the basement (and the padlock)", "to go inside the basement. I need to foreshadow the existence of the", "wouldn't do that unless that gun is going to be fired.\" Sometimes I", "gun that the reader didn't know was there. ### Specifics In my specific", "Act 2 - but I also don't want my character to pick up", "character to pick up a gun that the reader didn't know was there.", "a train-of-thought fashion - that is, everything he thinks is there on the", "single thing that you mention, for at least a moment, is right in", "my character to pick up a gun that the reader didn't know was", "saying \"Hello! This is a gun!\" - because if I do that, the", "is there on the page. So I can't have him suddenly jumping to", "train-of-thought fashion - that is, everything he thinks is there on the page.", "a gun on the mantelpiece in the Act 1, then in Act 2,", "with a coded padlock to which only the housemate knows the code. MC", "explicitly write \"Remember, you're not allowed into the basement!\", not least because that", "or introduce any new plot point without first foreshadowing it, no matter how", "to each other. I can't image the housemate would explicitly write \"Remember, you're", "is easy in film. A lazy way to do it is to have", "to be fired.\" Sometimes I don't want the reader to know that there's", "isn't, doesn't. It's harder in writing. Every single thing that you mention, for", "to do anything or introduce any new plot point without first foreshadowing it,", "don't want the reader to know that there's going to be a gunshot", "mantelpiece in the Act 1, then in Act 2, that gun must be", "I'm trying really, really hard not to bash the reader over the head", "gun!\" - because if I do that, the reader will think \"hey, the", "his own observation. The story is written 1st-person, from MC's perspective, in a", "### Specifics In my specific case, MC's house has a basement, and late", "you're not allowed into the basement!\", not least because that would be whacking", "Act 2, that gun must be fired. > > > ### Background I'm", "there. ### Specifics In my specific case, MC's house has a basement, and", "here - everything is in the foreground. Sometimes, I want to show the" ]
[ "reception of readers and the idea of creating good work. I am just", "* Only break one rule at a time *Are there any others? Does", "of style? Are these rules about breaking rules as equally breakable as the", "am just interested if there is any type of guideline that can be", "before you can break it Only break one rule at a time", "break one rule at a time *Are there any others? Does it change", "the rules of style? Are these rules about breaking rules as equally breakable", "with the reception of readers and the idea of creating good work. I", "others? Does it change for rules of grammar as apposed to the rules", "well? Is there some way to measure whether our own application of rule-breaking", "from when this is done well. So how do we do it well?", "about this in the past: You need to fully understand a rule", "is done well? Or is it a mostly intuitive process? I am not", "them here. But sometimes a good writer will break the rules. And to", "rule before you can break it * Only break one rule at a", "So how do we do it well? Is there some way to measure", "some of my favorite pieces of writing are from when this is done", "creative works. I have heard two rules about this in the past: ", "if there is any type of guideline that can be followed to writing", "rules about this in the past: You need to fully understand a", "well. So how do we do it well? Is there some way to", "I am concerned with the reception of readers and the idea of creating", "pieces of writing are from when this is done well. So how do", "you can break it * Only break one rule at a time *Are", "break the rules. And to be honest some of my favorite pieces of", "good creative works. I have heard two rules about this in the past:", "a rule before you can break it Only break one rule at", "have heard two rules about this in the past: * You need to", "do it well? 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I am just interested if", "of guideline that can be followed to writing good creative works. I have", "way to measure whether our own application of rule-breaking is done well? Or", "of rule-breaking is done well? Or is it a mostly intuitive process? I", "to be honest some of my favorite pieces of writing are from when", "of readers and the idea of creating good work. I am just interested", "to writing and we often talk about them here. But sometimes a good", "process? I am not concerned with the reception of publishers. I am concerned", "intuitive process? I am not concerned with the reception of publishers. I am", "writing and we often talk about them here. But sometimes a good writer", "writer will break the rules. And to be honest some of my favorite", "writing are from when this is done well. So how do we do", "the idea of creating good work. I am just interested if there is", "rules of style? Are these rules about breaking rules as equally breakable as", "the reception of readers and the idea of creating good work. I am", "is any type of guideline that can be followed to writing good creative", "But sometimes a good writer will break the rules. And to be honest", "I am not concerned with the reception of publishers. I am concerned with", "two rules about this in the past: * You need to fully understand", "there any others? Does it change for rules of grammar as apposed to", "sometimes a good writer will break the rules. And to be honest some", "in the past: * You need to fully understand a rule before you", "for rules of grammar as apposed to the rules of style? Are these", "followed to writing good creative works. I have heard two rules about this", "not concerned with the reception of publishers. I am concerned with the reception", "reception of publishers. I am concerned with the reception of readers and the", "grammar as apposed to the rules of style? 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I am just interested if there is any", "Are these rules about breaking rules as equally breakable as the rules that", "rules about breaking rules as equally breakable as the rules that are being", "heard two rules about this in the past: * You need to fully", "is done well. So how do we do it well? Is there some", "own application of rule-breaking is done well? Or is it a mostly intuitive", "good writer will break the rules. And to be honest some of my", "past: * You need to fully understand a rule before you can break", "the past: * You need to fully understand a rule before you can", "*Are there any others? Does it change for rules of grammar as apposed", "we do it well? Is there some way to measure whether our own", "of creating good work. I am just interested if there is any type", "some way to measure whether our own application of rule-breaking is done well?", "often talk about them here. But sometimes a good writer will break the", "rules to writing and we often talk about them here. But sometimes a", "done well. So how do we do it well? Is there some way", "and the idea of creating good work. I am just interested if there", "any others? Does it change for rules of grammar as apposed to the", "be honest some of my favorite pieces of writing are from when this", "publishers. I am concerned with the reception of readers and the idea of", "there some way to measure whether our own application of rule-breaking is done", "creating good work. I am just interested if there is any type of", "can break it Only break one rule at a time *Are there", "application of rule-breaking is done well? Or is it a mostly intuitive process?", "just interested if there is any type of guideline that can be followed", "can be followed to writing good creative works. I have heard two rules", "works. I have heard two rules about this in the past: You", "my favorite pieces of writing are from when this is done well. So", "You need to fully understand a rule before you can break it ", "need to fully understand a rule before you can break it Only", "whether our own application of rule-breaking is done well? Or is it a", "will break the rules. And to be honest some of my favorite pieces", "at a time *Are there any others? Does it change for rules of", "break it Only break one rule at a time **Are there any", "work. I am just interested if there is any type of guideline that", "are from when this is done well. So how do we do it", "writing good creative works. I have heard two rules about this in the", "as apposed to the rules of style? Are these rules about breaking rules", "honest some of my favorite pieces of writing are from when this is", "with the reception of publishers. I am concerned with the reception of readers", "it a mostly intuitive process? I am not concerned with the reception of", "rule-breaking is done well? Or is it a mostly intuitive process? I am", "of grammar as apposed to the rules of style? Are these rules about", "rules. And to be honest some of my favorite pieces of writing are", "a good writer will break the rules. And to be honest some of", "it well? Is there some way to measure whether our own application of", "type of guideline that can be followed to writing good creative works. I" ]
[ "before reading that I thought I would find out as I write, now", "the Thing the Character Wants and the Thing the Character Needs** > >", "and two biological children (a son and a daughter). * Her husband is", "Lie holding your character back? > 2. How is the Lie making your", "piece of information about my character. How deeply should I understand my character", "she was there from the beginning. * In their backstory, she had a", "I'm reading KM Weiland's [Creating Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > >", "Plot, and Character Development (Helping Writers Become Authors Book 7) (p. 37). PenForASword", "I would find out as I write, now I fear I might compromise", "Publishing. Kindle Edition.* > > > In my character's case I know she's", "further clarify my main character to the reader: * She's 42 * She", "> 3. What Truth does your character Need to disprove the Lie? >", "may choose their path regardless of her efforts.* Now, my problem is that", "is the lie is or how is it holding her back, before reading", "3. What Truth does your character Need to disprove the Lie? > 4.", "* She's 42 * She loves her husband deeply and he loves her", "> > Weiland, K.M. Creating Character Arcs: The Masterful Author's Guide to Uniting", "missing a foundational piece of information about my character. How deeply should I", "character Want more than anything? > > > Weiland, K.M. Creating Character Arcs:", "expand his land and wealth, and she needs to* accept that people need", "her children (and, to an extent, her husband) their free will and independence.", "have no clue what is the lie is or how is it holding", "their backstory, she had a relationship with someone of her age, but that", "is it holding her back, before reading that I thought I would find", "proper. Want: her children to pursue futures of her choosing that will", "(but, think Eastern mothers in the US pushing for doctors and engineers). ", "beginning. In their backstory, she had a relationship with someone of her", "her choosing that will help advance the family legacy (but, think Eastern mothers", "learn this Truth? > 5. What does your character Want more than anything?", "Ask About the Thing the Character Wants and the Thing the Character Needs", "reading KM Weiland's [Creating Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > Questions", "reading that I thought I would find out as I write, now I", "back, before reading that I thought I would find out as I write,", "relationship with someone of her age, but that didn't manifest as conflict before", "it holding her back, before reading that I thought I would find out", "as conflict before the story proper. * Want: her children to pursue futures", "Thing the Character Wants and the Thing the Character Needs > > >", "information about my character. How deeply should I understand my character before writing", "Need:** to allow her children (and, to an extent, her husband) their free", "son and a daughter). * Her husband is self-made, and she was there", "stepson, and two biological children (a son and a daughter). * Her husband", "How is the Lie holding your character back? > 2. How is the", "1. How is the Lie holding your character back? > 2. How is", "Story Structure, Plot, and Character Development (Helping Writers Become Authors Book 7) (p.", "choose their path regardless of her efforts.* Now, my problem is that I", "KM Weiland's [Creating Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > *Questions to", "to allow her children (and, to an extent, her husband) their free will", "efforts. Now, my problem is that I have no clue what is the", "family legacy (but, think Eastern mothers in the US pushing for doctors and", "does your character Need to disprove the Lie? > 4. How will he", "independence and her kids may choose their path regardless of her efforts.* Now,", "How is the Lie making your character unhappy or unfulfilled? > 3. What", "your character back? > 2. How is the Lie making your character unhappy", "the Character Wants and the Thing the Character Needs** > > > 1.", "kids may choose their path regardless of her efforts.* Now, my problem is", "or unfulfilled? > 3. What Truth does your character Need to disprove the", "that wants to keep her family together by helping the husband expand his", "daughter). Her husband is self-made, and she was there from the beginning.", "back, but he's older than her (10 ~ 15 years). * She has", "Character Wants and the Thing the Character Needs** > > > 1. How", "Book 7) (p. 37). PenForASword Publishing. Kindle Edition.* > > > In my", "character back? > 2. How is the Lie making your character unhappy or", "your character unhappy or unfulfilled? > 3. What Truth does your character Need", "> 4. How will he learn this Truth? > 5. What does your", "she had a relationship with someone of her age, but that didn't manifest", "that didn't manifest as conflict before the story proper. * Want: her children", "her efforts.* Now, my problem is that I have no clue what is", "the Lie making your character unhappy or unfulfilled? > 3. What Truth does", "this Truth? > 5. What does your character Want more than anything? >", "and her kids may choose their path regardless of her efforts.* Now, my", "42 * She loves her husband deeply and he loves her back, but", "Edition.* > > > In my character's case I know she's a mother", "one stepson, and two biological children (a son and a daughter). * Her", "To further clarify my main character to the reader: * She's 42 ", "is or how is it holding her back, before reading that I thought", "compromise the story because of missing a foundational piece of information about my", "back? > 2. How is the Lie making your character unhappy or unfulfilled?", "Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and", "to the reader: She's 42 * She loves her husband deeply and", "children: one stepson, and two biological children (a son and a daughter). ", "together by helping the husband expand his land and wealth, and she needs", "Author's Guide to Uniting Story Structure, Plot, and Character Development (Helping Writers Become", "Truth does your character Need to disprove the Lie? > 4. How will", "[Creating Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > Questions to Ask About", "loves her back, but he's older than her (10 ~ 15 years). ", "biological children (a son and a daughter). Her husband is self-made, and", "fear I might compromise the story because of missing a foundational piece of", "the story because of missing a foundational piece of information about my character.", "and Character Development (Helping Writers Become Authors Book 7) (p. 37). PenForASword Publishing.", "engineers). * Need: to allow her children (and, to an extent, her husband)", "age, but that didn't manifest as conflict before the story proper. * Want:", "wealth, and she needs to* accept that people need independence and her kids", "husband deeply and he loves her back, but he's older than her (10", "he loves her back, but he's older than her (10 ~ 15 years).", "what is the lie is or how is it holding her back, before", "husband expand his land and wealth, and she needs to accept that people", "or how is it holding her back, before reading that I thought I", "her kids may choose their path regardless of her efforts. Now, my problem", "and wealth, and she needs to* accept that people need independence and her", "Weiland's [Creating Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > Questions to Ask", "disprove the Lie? > 4. How will he learn this Truth? > 5.", "mother that wants to* keep her family together by helping the husband expand", "> 5. What does your character Want more than anything? > > >", "my main character to the reader: She's 42 * She loves her", "find out as I write, now I fear I might compromise the story", "before the story proper. * Want: her children to pursue futures of her", "What Truth does your character Need to disprove the Lie? > 4. How", "by helping the husband expand his land and wealth, and she needs to", "the lie is or how is it holding her back, before reading that", "the reader: She's 42 * She loves her husband deeply and he", "children (a son and a daughter). * Her husband is self-made, and she", "her back, before reading that I thought I would find out as I", "What does your character Want more than anything? > > > Weiland, K.M.", "K.M. Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot,", "4. How will he learn this Truth? > 5. What does your character", "deeply and he loves her back, but he's older than her (10 ~", "reader: She's 42 * She loves her husband deeply and he loves", "Become Authors Book 7) (p. 37). PenForASword Publishing. Kindle Edition.* > > >", "> > > 1. How is the Lie holding your character back? >", "she lists: > > Questions to Ask About the Thing the Character Wants", "character's case I know she's a mother that wants to** keep her family", "15 years). She has three children: one stepson, and two biological children", "making your character unhappy or unfulfilled? > 3. What Truth does your character", "to** keep her family together by helping the husband expand his land and", "it, she lists: > > Questions to Ask About the Thing the Character", "that people need independence and her kids may choose their path regardless of", "Weiland, K.M. Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure,", "character. How deeply should I understand my character before writing her? Update: To", "my character. How deeply should I understand my character before writing her? Update:", "deeply should I understand my character before writing her? Update: To further clarify", "and a daughter). * Her husband is self-made, and she was there from", "character Need to disprove the Lie? > 4. How will he learn this", "is the Lie making your character unhappy or unfulfilled? > 3. What Truth", "her family together by helping the husband expand his land and wealth, and", "and she was there from the beginning. In their backstory, she had", "mothers in the US pushing for doctors and engineers). * Need: to allow", "Needs** > > > 1. How is the Lie holding your character back?", "* She loves her husband deeply and he loves her back, but he's", "years). * She has three children: one stepson, and two biological children (a", "her? Update: To further clarify my main character to the reader: * She's", "Wants and the Thing the Character Needs > > > 1. How is", "Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > Questions to Ask About the Thing", "help advance the family legacy (but, think Eastern mothers in the US pushing", "pushing for doctors and engineers). * Need: to allow her children (and, to", "that I thought I would find out as I write, now I fear", "land and wealth, and she needs to* accept that people need independence and", "didn't manifest as conflict before the story proper. Want: her children to", "Want: her children to pursue futures of her choosing that will help advance", "someone of her age, but that didn't manifest as conflict before the story", "In it, she lists: > > *Questions to Ask About the Thing the", "Uniting Story Structure, Plot, and Character Development (Helping Writers Become Authors Book 7)", "her (10 ~ 15 years). She has three children: one stepson, and", "doctors and engineers). * Need: to allow her children (and, to an extent,", "7) (p. 37). PenForASword Publishing. Kindle Edition.* > > > In my character's", "37). PenForASword Publishing. Kindle Edition.* > > > In my character's case I", "lists: > > *Questions to Ask About the Thing the Character Wants and", "backstory, she had a relationship with someone of her age, but that didn't", "your character Need to disprove the Lie? > 4. How will he learn", "of missing a foundational piece of information about my character. How deeply should", "of her efforts. Now, my problem is that I have no clue what", "is self-made, and she was there from the beginning. * In their backstory,", "*Questions to Ask About the Thing the Character Wants and the Thing the", " In their backstory, she had a relationship with someone of her age,", "* She has three children: one stepson, and two biological children (a son", "has three children: one stepson, and two biological children (a son and a", "story proper. * Want: her children to pursue futures of her choosing that", "Character Needs** > > > 1. How is the Lie holding your character", "foundational piece of information about my character. How deeply should I understand my", "how is it holding her back, before reading that I thought I would", "holding her back, before reading that I thought I would find out as", "holding your character back? > 2. How is the Lie making your character", "How will he learn this Truth? > 5. What does your character Want", "he's older than her (10 ~ 15 years). * She has three children:", "was there from the beginning. * In their backstory, she had a relationship", "> > 1. How is the Lie holding your character back? > 2.", "should I understand my character before writing her? Update: To further clarify my", "people need independence and her kids may choose their path regardless of her", "their path regardless of her efforts.* Now, my problem is that I have", "children to pursue futures of her choosing that will help advance the family", "lie is or how is it holding her back, before reading that I", "> > > In my character's case I know she's a mother that", "with someone of her age, but that didn't manifest as conflict before the", "> > In my character's case I know she's a mother that wants", "wants to** keep her family together by helping the husband expand his land", "I fear I might compromise the story because of missing a foundational piece", "(Helping Writers Become Authors Book 7) (p. 37). PenForASword Publishing. Kindle Edition. >", "but that didn't manifest as conflict before the story proper. * Want: her", "unfulfilled? > 3. What Truth does your character Need to disprove the Lie?", "the husband expand his land and wealth, and she needs to* accept that", "Structure, Plot, and Character Development (Helping Writers Become Authors Book 7) (p. 37).", "than her (10 ~ 15 years). She has three children: one stepson,", "she's a mother that wants to keep her family together by helping the", "of her age, but that didn't manifest as conflict before the story proper.", "would find out as I write, now I fear I might compromise the", "to disprove the Lie? > 4. How will he learn this Truth? >", "US pushing for doctors and engineers). Need: to allow her children (and,", "that I have no clue what is the lie is or how is", "for doctors and engineers). * Need: to allow her children (and, to an", "self-made, and she was there from the beginning. * In their backstory, she", "Update: To further clarify my main character to the reader: * She's 42", "regardless of her efforts.* Now, my problem is that I have no clue", "think Eastern mothers in the US pushing for doctors and engineers). * Need:", "the beginning. * In their backstory, she had a relationship with someone of", "(a son and a daughter). * Her husband is self-made, and she was", "> 2. How is the Lie making your character unhappy or unfulfilled? >", "her age, but that didn't manifest as conflict before the story proper. ", "older than her (10 ~ 15 years). She has three children: one", "is that I have no clue what is the lie is or how", "a mother that wants to keep her family together by helping the husband", "in the US pushing for doctors and engineers). Need: to allow her", "my character before writing her? Update: To further clarify my main character to", "there from the beginning. * In their backstory, she had a relationship with", "thought I would find out as I write, now I fear I might", "before writing her? Update: To further clarify my main character to the reader:", "allow her children (and, to an extent, her husband) their free will and", "family together by helping the husband expand his land and wealth, and she", "5. What does your character Want more than anything? > > > Weiland,", "and she needs to accept that people need independence and her kids may", "I know she's a mother that wants to* keep her family together by", "Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development (Helping Writers", "her children to pursue futures of her choosing that will help advance the", "(p. 37). PenForASword Publishing. Kindle Edition. > > > In my character's case", "to pursue futures of her choosing that will help advance the family legacy", "conflict before the story proper. * Want: her children to pursue futures of", "Lie? > 4. How will he learn this Truth? > 5. What does", "> > Questions to Ask About the Thing the Character Wants and the", "Thing the Character Needs > > > 1. How is the Lie holding", "Character Development (Helping Writers Become Authors Book 7) (p. 37). PenForASword Publishing. Kindle", "Need to disprove the Lie? > 4. How will he learn this Truth?", "Authors Book 7) (p. 37). PenForASword Publishing. Kindle Edition.* > > > In", "the Lie? > 4. How will he learn this Truth? > 5. What", "I might compromise the story because of missing a foundational piece of information", "and he loves her back, but he's older than her (10 ~ 15", "legacy (but, think Eastern mothers in the US pushing for doctors and engineers).", "understand my character before writing her? Update: To further clarify my main character", "character before writing her? Update: To further clarify my main character to the", "character unhappy or unfulfilled? > 3. What Truth does your character Need to", "the Thing the Character Needs > > > 1. How is the Lie", "futures of her choosing that will help advance the family legacy (but, think", "my character's case I know she's a mother that wants to** keep her", " Want: her children to pursue futures of her choosing that will help", "two biological children (a son and a daughter). * Her husband is self-made,", "(10 ~ 15 years). * She has three children: one stepson, and two", "as I write, now I fear I might compromise the story because of", "I have no clue what is the lie is or how is it", "Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development", "will he learn this Truth? > 5. What does your character Want more", "she needs to accept that people need independence and her kids may choose", "> Questions to Ask About the Thing the Character Wants and the Thing", "to Ask About the Thing the Character Wants and the Thing the Character", "The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development (Helping", "your character Want more than anything? > > > Weiland, K.M. Creating Character", "had a relationship with someone of her age, but that didn't manifest as", "the story proper. * Want: her children to pursue futures of her choosing", "Writers Become Authors Book 7) (p. 37). PenForASword Publishing. Kindle Edition.* > >", "I thought I would find out as I write, now I fear I", "accept that people need independence and her kids may choose their path regardless", "anything? > > > Weiland, K.M. Creating Character Arcs: The Masterful Author's Guide", "to Uniting Story Structure, Plot, and Character Development (Helping Writers Become Authors Book", "PenForASword Publishing. Kindle Edition.* > > > In my character's case I know", "out as I write, now I fear I might compromise the story because", "does your character Want more than anything? > > > Weiland, K.M. Creating", "husband is self-made, and she was there from the beginning. In their", "about my character. How deeply should I understand my character before writing her?", "> 1. How is the Lie holding your character back? > 2. How", "write, now I fear I might compromise the story because of missing a", "that will help advance the family legacy (but, think Eastern mothers in the", "> In my character's case I know she's a mother that wants to", "Truth? > 5. What does your character Want more than anything? > >", "a relationship with someone of her age, but that didn't manifest as conflict", "the US pushing for doctors and engineers). * Need: to allow her children", "is the Lie holding your character back? > 2. How is the Lie", "unhappy or unfulfilled? > 3. What Truth does your character Need to disprove", "problem is that I have no clue what is the lie is or", "writing her? Update: To further clarify my main character to the reader: ", "a daughter). Her husband is self-made, and she was there from the", "needs to accept that people need independence and her kids may choose their", "case I know she's a mother that wants to* keep her family together", "> > > Weiland, K.M. Creating Character Arcs: The Masterful Author's Guide to", "his land and wealth, and she needs to* accept that people need independence", "2. How is the Lie making your character unhappy or unfulfilled? > 3.", "the Character Needs* > > > 1. How is the Lie holding your", "her back, but he's older than her (10 ~ 15 years). * She", "Guide to Uniting Story Structure, Plot, and Character Development (Helping Writers Become Authors", "the family legacy (but, think Eastern mothers in the US pushing for doctors", "In my character's case I know she's a mother that wants to keep", "of her choosing that will help advance the family legacy (but, think Eastern", "She loves her husband deeply and he loves her back, but he's older", "keep her family together by helping the husband expand his land and wealth,", "~ 15 years). She has three children: one stepson, and two biological", "will help advance the family legacy (but, think Eastern mothers in the US", "Her husband is self-made, and she was there from the beginning. * In", "from the beginning. * In their backstory, she had a relationship with someone", "Kindle Edition.* > > > In my character's case I know she's a", "no clue what is the lie is or how is it holding her", "a foundational piece of information about my character. How deeply should I understand", "In their backstory, she had a relationship with someone of her age, but", "She has three children: one stepson, and two biological children (a son and", "need independence and her kids may choose their path regardless of her efforts.", "more than anything? > > > Weiland, K.M. Creating Character Arcs: The Masterful", "She's 42 * She loves her husband deeply and he loves her back,", "About the Thing the Character Wants and the Thing the Character Needs >", "How deeply should I understand my character before writing her? Update:** To further", "Development (Helping Writers Become Authors Book 7) (p. 37). PenForASword Publishing. Kindle Edition.", "my problem is that I have no clue what is the lie is", "clue what is the lie is or how is it holding her back,", "three children: one stepson, and two biological children (a son and a daughter).", "Want more than anything? > > > Weiland, K.M. Creating Character Arcs: The", "Now, my problem is that I have no clue what is the lie", "Lie making your character unhappy or unfulfilled? > 3. What Truth does your", "main character to the reader: * She's 42 * She loves her husband", "helping the husband expand his land and wealth, and she needs to* accept", " Need: to allow her children (and, to an extent, her husband) their", "know she's a mother that wants to keep her family together by helping", "now I fear I might compromise the story because of missing a foundational", "advance the family legacy (but, think Eastern mothers in the US pushing for", "than anything? > > > Weiland, K.M. Creating Character Arcs: The Masterful Author's", "her husband deeply and he loves her back, but he's older than her", "might compromise the story because of missing a foundational piece of information about", "choosing that will help advance the family legacy (but, think Eastern mothers in", "and engineers). * Need: to allow her children (and, to an extent, her", "story because of missing a foundational piece of information about my character. How", "Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and Character", "pursue futures of her choosing that will help advance the family legacy (but,", "because of missing a foundational piece of information about my character. How deeply", "of information about my character. How deeply should I understand my character before", "the Lie holding your character back? > 2. How is the Lie making", "I understand my character before writing her? Update: To further clarify my main", "manifest as conflict before the story proper. * Want: her children to pursue", "and the Thing the Character Needs** > > > 1. How is the", "but he's older than her (10 ~ 15 years). * She has three", "> Weiland, K.M. Creating Character Arcs: The Masterful Author's Guide to Uniting Story", "he learn this Truth? > 5. What does your character Want more than", "Eastern mothers in the US pushing for doctors and engineers). Need: to", "clarify my main character to the reader: * She's 42 * She loves", "path regardless of her efforts.* Now, my problem is that I have no", "I write, now I fear I might compromise the story because of missing", "to** accept that people need independence and her kids may choose their path", "character to the reader: She's 42 * She loves her husband deeply", "Character Arcs](https://rads.stackoverflow.com/amzn/click/com/B01M6VC68U). In it, she lists: > > *Questions to Ask About the", "loves her husband deeply and he loves her back, but he's older than", " Her husband is self-made, and she was there from the beginning. *" ]
[ "driving goal for a main character at the outset. And yet, as I", "A Fault in our Stars either wants the boy, or wants the boy", "that wrote the book she likes (and the boy likes too), or wants", "Love the story, though. What is the girl's initial want? I could not", "wants have room to change), but the idea that we must shoehorn stories", "Stars* either wants the boy, or wants the boy to live, or wants", "is messy. And so, distilling a main character to one goal seems like", "a main character 'want' and driving need. He wants to get back to", "hand Deybue, a rather two dimensional character, wants to keep Herrl safe and", "either wants the boy, or wants the boy to live, or wants to", "A few examples: * The main from How to Stop Time. He purportedly", "often in their point of view, and everything--the entire world--is seen through them.", "missing person's report. * Frodo. Does he want to carry the ring? I", "single goal--life is messy. And so, distilling a main character to one goal", "I often feel that we fall into a trap of believing that we", "'real people' have single goal--life is messy. And so, distilling a main character", "boy to live, or wants to meet the guy that wrote the book", "good fiction. *Question: Does it really serve a main character to give them", "other hand Deybue, a rather two dimensional character, wants to keep Herrl safe", "character, wants to keep Herrl safe and also wants to be free. ", "the clearest example of a main character 'want' and driving need. He wants", "the other hand Deybue, a rather two dimensional character, wants to keep Herrl", "Hijrp Potfeq wants his parents. That's stupid--they're dead. On the other hand Deybue,", "do not have the same simplicity of a single defining characteristic as does", "to live herself. I'm not sure. Love the story, though. What is the", "or wants the boy to live, or wants to meet the guy that", "even one starting want) seems counterproductive to good fiction. *Question: Does it really", "single defining characteristic as does the supporting cast. Main characters are main* characters.", "man she is engaged to? If the answer to this example is that", "anything he wants the ring. The ring 'wants' more than Frodo does. ", "live, or wants to meet the guy that wrote the book she likes", "does. Hijrp Potfeq wants his parents. That's stupid--they're dead. On the other", "story, though. What is the girl's initial want? I could not tell you.", "What does Jese want in Titanic? Seck? To rebel? To get away from", "to carry the ring? I don't think so. If anything he wants the", "The protagonist in A Fault in our Stars either wants the boy, or", "characteristic as does the supporting cast. Main characters are main characters. They are", "Earth requires everyone else. I understand that 'character' has room to develop (and", "a driving goal for a main character at the outset. And yet, as", "defining characteristic as does the supporting cast. Main characters are main characters. They", "you. * What does Jese want in Titanic? Seck? To rebel? To get", "in our Stars* either wants the boy, or wants the boy to live,", "Time. He purportedly wants to 'find his daughter.' Well, he's doing nothing about", "have single goal--life is messy. And so, distilling a main* character to *one", "that has one driving want (or even one starting want) seems counterproductive to", "end of the day none of us 'real people' have single goal--life is", " The main from How to Stop Time. He purportedly wants to 'find", "example of a main character 'want' and driving need. He wants to get", "at compelling fiction, main characters do not have the same simplicity of a", "characters. They are complex. There is room to explore their inner conflict. We", "us 'real people' have single goal--life is messy. And so, distilling a main", "room to change), but the idea that we must shoehorn stories into a", "(and the boy likes too), or wants to live herself. I'm not sure.", "survive. (And he does a fantastic job at this.) Getting back to Earth", "To kiss the princess. To join the rebellion. To master the force. To", "main character 'want' and driving need. He wants to get back to Earth.", "the rebellion. To master the force. To blow up the death star. Etc.", "fiction, main characters do not have the same simplicity of a single defining", "bunch of stuff, in just the first movie. To save the princess. To", "one goal seems like a bad idea. A few examples: * The main", "the ring. The ring 'wants' more than Frodo does. * Hijrp Potfeq wants", "do is survive. (And he does a fantastic job at this.) Getting back", "the death star. Etc. * The protagonist in A Fault in our Stars", "he does a fantastic job at this.) Getting back to Earth requires everyone", "a main* character to one goal seems like a bad idea. A few", "boy likes too), or wants to live herself. I'm not sure. Love the", "free. * Luku Htyqalnef wants a bunch of stuff, in just the first", "dead. On the other hand Deybue, a rather two dimensional character, wants to", "from the man she is engaged to? If the answer to this example", "want? * The Martian may be the clearest example of a main character", "the princess. To join the rebellion. To master the force. To blow up", "to Earth. Funnily enough, all he can do is survive. (And he does", "Potfeq wants his parents. That's stupid--they're dead. On the other hand Deybue, a", "so, distilling a main character to one goal seems like a bad idea.", "into a main character that has one driving want (or even one starting", "complex. There is room to explore their inner conflict. We are often in", "stories into a main character that has one driving want (or even one", "to? If the answer to this example is that her want changes through", "seen through them. At the end of the day none of us 'real", "about that. He's lived for 500 years without taking out a single want", "Frodo. Does he want to carry the ring? I don't think so. If", "rebellion. To master the force. To blow up the death star. Etc. ", "in Titanic? Seck? To rebel? To get away from the man she is", "more than Frodo does. Hijrp Potfeq wants his parents. That's stupid--they're dead.", "and everything--the entire world--is seen through them. At the end of the day", "500 years without taking out a single want ad or filing a single", "engaged to? If the answer to this example is that her want changes", "Stop Time. He purportedly wants to 'find his daughter.' Well, he's doing nothing", "the guy that wrote the book she likes (and the boy likes too),", "to live, or wants to meet the guy that wrote the book she", "of a main character 'want' and driving need. He wants to get back", "answer to this example is that her want changes through the story, then", "but the idea that we must shoehorn stories into a main character that", "starting want) seems counterproductive to good fiction. Question: Does it really serve a", "boy, or wants the boy to live, or wants to meet the guy", "he's doing nothing about that. He's lived for 500 years without taking out", "want ad or filing a single missing person's report. Frodo. Does he", "that 'character' has room to develop (and wants have room to change), but", "doing nothing about that. He's lived for 500 years without taking out a", "main character at the outset. And yet, as I look at compelling fiction,", "then what is her initial want? * The Martian may be the clearest", "master the force. To blow up the death star. Etc. * The protagonist", "need. He wants to get back to Earth. Funnily enough, all he can", "are often in their point of view, and everything--the entire world--is seen through", "has room to develop (and wants have room to change), but the idea", "are complex. There is room to explore their inner conflict. We are often", "explore their inner conflict. We are often in their point of view, and", "we must shoehorn stories into a main character that has one driving want", "the book she likes (and the boy likes too), or wants to live", "don't think so. If anything he wants the ring. The ring 'wants' more", "On the other hand Deybue, a rather two dimensional character, wants to keep", "initial want? * The Martian may be the clearest example of a main", "Main characters are main characters. They are complex. There is room to explore", "They are complex. There is room to explore their inner conflict. We are", "Titanic? Seck? To rebel? To get away from the man she is engaged", "conflict. We are often in their point of view, and everything--the entire world--is", "not have the same simplicity of a single defining characteristic as does the", "trap of believing that we must provide a driving goal for a main", "rebel? To get away from the man she is engaged to? If the", "To master the force. To blow up the death star. Etc. * The", "too), or wants to live herself. I'm not sure. Love the story, though.", "seems counterproductive to good fiction. *Question: Does it really serve a main character", "To join the rebellion. To master the force. To blow up the death", "a fantastic job at this.) Getting back to Earth requires everyone else. I", "characters are main* characters. They are complex. There is room to explore their", "believing that we must provide a driving goal for a main character at", "wrote the book she likes (and the boy likes too), or wants to", "parents. That's stupid--they're dead. 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Please explain", "also wants to be free. * Luku Htyqalnef wants a bunch of stuff,", "to change), but the idea that we must shoehorn stories into a main", "clearest example of a main character 'want' and driving need. He wants to", "his daughter.' Well, he's doing nothing about that. He's lived for 500 years", "* The protagonist in A Fault in our Stars either wants the boy,", "person's report. * Frodo. Does he want to carry the ring? I don't", "wants to live herself. I'm not sure. Love the story, though. What is", "so. If anything he wants the ring. The ring 'wants' more than Frodo", "The main from How to Stop Time. He purportedly wants to 'find his", "it really serve a main character to give them one driving want? Please", "that we must shoehorn stories into a main character that has one driving", "as I look at compelling fiction, main characters do not have the same", "in A Fault in our Stars either wants the boy, or wants the", "initial want? I could not tell you. * What does Jese want in", "is that her want changes through the story, then what is her initial", "away from the man she is engaged to? If the answer to this", "The Martian may be the clearest example of a main character 'want' and", "Seck? To rebel? To get away from the man she is engaged to?", "ring. The ring 'wants' more than Frodo does. * Hijrp Potfeq wants his", "death star. Etc. * The protagonist in A Fault in our Stars either", "in just the first movie. To save the princess. To kiss the princess.", "protagonist in A Fault in our Stars either wants the boy, or wants", "provide a driving goal for a main character at the outset. And yet,", "join the rebellion. To master the force. To blow up the death star.", "dimensional character, wants to keep Herrl safe and also wants to be free.", "character 'want' and driving need. He wants to get back to Earth. Funnily", "and driving need. He wants to get back to Earth. Funnily enough, all", "taking out a single want ad or filing a single missing person's report.", "character at the outset. And yet, as I look at compelling fiction, main", "of view, and everything--the entire world--is seen through them. At the end of", "room to develop (and wants have room to change), but the idea that", "wants to 'find his daughter.' Well, he's doing nothing about that. He's lived", "meet the guy that wrote the book she likes (and the boy likes", "is her initial want? * The Martian may be the clearest example of", "*Question: Does it really serve a main character to give them one driving", "the end of the day none of us 'real people' have single goal--life", "understand that 'character' has room to develop (and wants have room to change),", "Fault in our Stars either wants the boy, or wants the boy to", "think so. If anything he wants the ring. The ring 'wants' more than", "the boy, or wants the boy to live, or wants to meet the", "I understand that 'character' has room to develop (and wants have room to", "the supporting cast. Main characters are main characters. They are complex. There is", "out a single want ad or filing a single missing person's report. ", "purportedly wants to 'find his daughter.' Well, he's doing nothing about that. He's", "Martian may be the clearest example of a main character 'want' and driving", "goal for a main character at the outset. And yet, as I look", "live herself. I'm not sure. Love the story, though. What is the girl's", "a bad idea. A few examples: * The main from How to Stop", "entire world--is seen through them. At the end of the day none of", "are main* characters. They are complex. There is room to explore their inner", "want changes through the story, then what is her initial want? * The", "view, and everything--the entire world--is seen through them. At the end of the", "that. He's lived for 500 years without taking out a single want ad", "cast. Main characters are main* characters. They are complex. There is room to", "of us 'real people' have single goal--life is messy. And so, distilling a", "If the answer to this example is that her want changes through the", "(and wants have room to change), but the idea that we must shoehorn", "to Stop Time. He purportedly wants to 'find his daughter.' Well, he's doing", "supporting cast. Main characters are main* characters. They are complex. There is room", "likes too), or wants to live herself. I'm not sure. Love the story,", "compelling fiction, main characters do not have the same simplicity of a single", "this example is that her want changes through the story, then what is", "for a main character at the outset. And yet, as I look at", "stuff, in just the first movie. To save the princess. To kiss the", "changes through the story, then what is her initial want? * The Martian", "he want to carry the ring? I don't think so. If anything he", "just the first movie. To save the princess. To kiss the princess. To", "want to carry the ring? I don't think so. If anything he wants", "force. To blow up the death star. Etc. * The protagonist in A", "save the princess. To kiss* the princess. To join the rebellion. To master", "Jese want in Titanic? Seck? To rebel? To get away from the man", "Luku Htyqalnef wants a bunch of stuff, in just the first movie. To", "And so, distilling a main character to one goal seems like a bad", "change), but the idea that we must shoehorn stories into a main character", "of believing that we must provide a driving goal for a main character", "What is the girl's initial want? I could not tell you. * What", "is the girl's initial want? I could not tell you. * What does", "goal** seems like a bad idea. A few examples: * The main from", "yet, as I look at compelling fiction, main characters do not have the", "the story, then what is her initial want? * The Martian may be", "she is engaged to? If the answer to this example is that her", "the boy to live, or wants to meet the guy that wrote the", "He's lived for 500 years without taking out a single want ad or", "kiss the princess. To join the rebellion. To master the force. To blow", "same simplicity of a single defining characteristic as does the supporting cast. Main", "wants the boy to live, or wants to meet the guy that wrote", "single want ad or filing a single missing person's report. * Frodo. Does", "There is room to explore their inner conflict. We are often in their", "everything--the entire world--is seen through them. At the end of the day none", "driving need. He wants to get back to Earth. Funnily enough, all he", "one starting want) seems counterproductive to good fiction. *Question: Does it really serve", "seems like a bad idea. A few examples: The main from How", "must provide a driving goal for a main character at the outset. And", "goal--life is messy. And so, distilling a main* character to one goal seems", "be the clearest example of a main character 'want' and driving need. He", "want) seems counterproductive to good fiction. *Question: Does it really serve a main", "idea. A few examples: The main from How to Stop Time. He", "none of us 'real people' have single goal--life is messy. And so, distilling", "princess. To join the rebellion. To master the force. To blow up the", "shoehorn stories into a main character that has one driving want (or even", "is engaged to? If the answer to this example is that her want", "main characters do not have the same simplicity of a single defining characteristic", "main character to give them one driving want? Please explain why, or why", "movie. To save the princess. To kiss the princess. To join the rebellion.", "stupid--they're dead. On the other hand Deybue, a rather two dimensional character, wants", "I'm not sure. Love the story, though. What is the girl's initial want?", "wants the boy, or wants the boy to live, or wants to meet", "through the story, then what is her initial want? * The Martian may", "a single want ad or filing a single missing person's report. * Frodo.", "their inner conflict. We are often in their point of view, and everything--the", "filing a single missing person's report. * Frodo. Does he want to carry", "book she likes (and the boy likes too), or wants to live herself.", "How to Stop Time. He purportedly wants to 'find his daughter.' Well, he's", "* The Martian may be the clearest example of a main character 'want'", "or filing a single missing person's report. * Frodo. Does he want to", "the girl's initial want? I could not tell you. * What does Jese", "back to Earth requires everyone else. I understand that 'character' has room to", "examples: * The main from How to Stop Time. He purportedly wants to", "to one goal seems like a bad idea. A few examples: * The", "to get back to Earth. Funnily enough, all he can do is survive.", "to keep Herrl safe and also wants to be free. * Luku Htyqalnef", "them. At the end of the day none of us 'real people' have", "To get away from the man she is engaged to? If the answer", "get back to Earth. Funnily enough, all he can do is survive. (And", "guy that wrote the book she likes (and the boy likes too), or", "feel that we fall into a trap of believing that we must provide", "'character' has room to develop (and wants have room to change), but the", "we must provide a driving goal for a main character at the outset.", "into a trap of believing that we must provide a driving goal for", "the force. To blow up the death star. Etc. * The protagonist in", "two dimensional character, wants to keep Herrl safe and also wants to be", "wants a bunch of stuff, in just the first movie. To save the", "day none of us 'real people' have single goal--life is messy. And so,", "a main character at the outset. And yet, as I look at compelling", "what is her initial want? * The Martian may be the clearest example", "he can do is survive. (And he does a fantastic job at this.)", "outset. And yet, as I look at compelling fiction, main characters do not", "she likes (and the boy likes too), or wants to live herself. I'm", "fall into a trap of believing that we must provide a driving goal", "He purportedly wants to 'find his daughter.' Well, he's doing nothing about that.", "herself. I'm not sure. Love the story, though. What is the girl's initial", "wants the ring. The ring 'wants' more than Frodo does. * Hijrp Potfeq", "enough, all he can do is survive. (And he does a fantastic job", "must shoehorn stories into a main character that has one driving want (or", "her want changes through the story, then what is her initial want? ", "want? I could not tell you. What does Jese want in Titanic?", "wants to be free. * Luku Htyqalnef wants a bunch of stuff, in", "simplicity of a single defining characteristic as does the supporting cast. Main characters", "serve a main character to give them one driving want? Please explain why,", "without taking out a single want ad or filing a single missing person's", "years without taking out a single want ad or filing a single missing", "keep Herrl safe and also wants to be free. * Luku Htyqalnef wants", "We are often in their point of view, and everything--the entire world--is seen", "that her want changes through the story, then what is her initial want?", "the outset. And yet, as I look at compelling fiction, main characters do", "inner conflict. We are often in their point of view, and everything--the entire", "look at compelling fiction, main characters do not have the same simplicity of", "to develop (and wants have room to change), but the idea that we", "like a bad idea. A few examples: * The main from How to", "a single defining characteristic as does the supporting cast. Main characters are main", "world--is seen through them. At the end of the day none of us", "want (or even one starting want) seems counterproductive to good fiction. Question: Does", "job at this.) Getting back to Earth requires everyone else. I understand that", "idea that we must shoehorn stories into a main character that has one", "the answer to this example is that her want changes through the story,", "Well, he's doing nothing about that. He's lived for 500 years without taking", "I could not tell you. What does Jese want in Titanic? Seck?", "a trap of believing that we must provide a driving goal for a", "Does it really serve a main character to give them one driving want?", "At the end of the day none of us 'real people' have single", "a main character that has one driving want (or even one starting want)", "to explore their inner conflict. We are often in their point of view,", "daughter.' Well, he's doing nothing about that. He's lived for 500 years without", "Deybue, a rather two dimensional character, wants to keep Herrl safe and also", "main characters. They are complex. There is room to explore their inner conflict.", "to good fiction. *Question: Does it really serve a main character to give", "wants to keep Herrl safe and also wants to be free. Luku", "has one driving want (or even one starting want) seems counterproductive to good", "I look at compelling fiction, main characters do not have the same simplicity", "as does the supporting cast. Main characters are main characters. They are complex.", "their point of view, and everything--the entire world--is seen through them. At the", "fantastic job at this.) Getting back to Earth requires everyone else. I understand", "distilling a main character to one goal seems like a bad idea. A", "main character to one goal seems like a bad idea. A few examples:", "example is that her want changes through the story, then what is her", "safe and also wants to be free. * Luku Htyqalnef wants a bunch", "character to one goal seems like a bad idea. A few examples: ", "have room to change), but the idea that we must shoehorn stories into", "that we must provide a driving goal for a main character at the", "the story, though. What is the girl's initial* want? I could not tell", "likes (and the boy likes too), or wants to live herself. I'm not", "want in Titanic? Seck? To rebel? To get away from the man she", "for 500 years without taking out a single want ad or filing a", "of stuff, in just the first movie. To save the princess. To kiss", "Htyqalnef wants a bunch of stuff, in just the first movie. To save", "to this example is that her want changes through the story, then what", "the idea that we must shoehorn stories into a main character that has", "can do is survive. (And he does a fantastic job at this.) Getting", "wants his parents. That's stupid--they're dead. On the other hand Deybue, a rather", "ad or filing a single missing person's report. * Frodo. Does he want", "(And he does a fantastic job at this.) Getting back to Earth requires", "and also wants to be free. * Luku Htyqalnef wants a bunch of", "bad idea. A few examples: * The main from How to Stop Time.", "If anything he wants the ring. The ring 'wants' more than Frodo does.", "princess. To kiss the princess. To join the rebellion. To master the force.", "requires everyone else. I understand that 'character' has room to develop (and wants", "* Luku Htyqalnef wants a bunch of stuff, in just the first movie.", "a rather two dimensional character, wants to keep Herrl safe and also wants", "all he can do is survive. (And he does a fantastic job at", "from How to Stop Time. He purportedly wants to 'find his daughter.' Well,", "through them. At the end of the day none of us 'real people'", "room to explore their inner conflict. We are often in their point of", "does a fantastic job at this.) Getting back to Earth requires everyone else.", "at the outset. And yet, as I look at compelling fiction, main characters", "of a single defining characteristic as does the supporting cast. Main characters are", "he wants the ring. The ring 'wants' more than Frodo does. * Hijrp", "star. Etc. * The protagonist in A Fault in our Stars either wants", "does Jese want in Titanic? Seck? To rebel? To get away from the", "not tell you. * What does Jese want in Titanic? Seck? To rebel?", "Funnily enough, all he can do is survive. (And he does a fantastic", "everyone else. I understand that 'character' has room to develop (and wants have", "point of view, and everything--the entire world--is seen through them. At the end", "girl's initial want? I could not tell you. * What does Jese want", "lived for 500 years without taking out a single want ad or filing", "ring? I don't think so. If anything he wants the ring. The ring", "in their point of view, and everything--the entire world--is seen through them. At", "our Stars* either wants the boy, or wants the boy to live, or", "the first movie. To save the princess. To kiss the princess. To join", "one driving want (or even one starting want) seems counterproductive to good fiction.", "I don't think so. If anything he wants the ring. The ring 'wants'", "character that has one driving want (or even one starting want) seems counterproductive", "fiction. *Question: Does it really serve a main character to give them one", "report. Frodo. Does he want to carry the ring? I don't think", "up the death star. Etc. * The protagonist in A Fault in our", "'wants' more than Frodo does. Hijrp Potfeq wants his parents. That's stupid--they're", "To rebel? To get away from the man she is engaged to? If", "at this.) Getting back to Earth requires everyone else. I understand that 'character'", "driving want (or even one starting want) seems counterproductive to good fiction. *Question:", " Hijrp Potfeq wants his parents. That's stupid--they're dead. On the other hand", "her initial want? * The Martian may be the clearest example of a", "And yet, as I look at compelling fiction, main characters do not have", "to 'find his daughter.' Well, he's doing nothing about that. He's lived for", "characters do not have the same simplicity of a single defining characteristic as", "we fall into a trap of believing that we must provide a driving", "Does he want to carry the ring? I don't think so. If anything", "single missing person's report. * Frodo. Does he want to carry the ring?", "could not tell you. * What does Jese want in Titanic? Seck? To", "* Frodo. Does he want to carry the ring? I don't think so.", "a bunch of stuff, in just the first movie. To save the princess.", "wants to meet the guy that wrote the book she likes (and the", "not sure. Love the story, though. What is the girl's initial want? I", "develop (and wants have room to change), but the idea that we must", "or wants to meet the guy that wrote the book she likes (and", "the boy likes too), or wants to live herself. I'm not sure. Love", "main from How to Stop Time. He purportedly wants to 'find his daughter.'", "tell you. * What does Jese want in Titanic? Seck? To rebel? To", "messy. And so, distilling a main character to one goal seems like a", "is survive. (And he does a fantastic job at this.) Getting back to", "the princess. To kiss the princess. To join the rebellion. To master the", "the day none of us 'real people' have single goal--life is messy. And", "He wants to get back to Earth. Funnily enough, all he can do", "first movie. To save the princess. To kiss the princess. To join the", "blow up the death star. Etc. * The protagonist in A Fault in", "Getting back to Earth requires everyone else. I understand that 'character' has room", "wants to get back to Earth. Funnily enough, all he can do is", "back to Earth. Funnily enough, all he can do is survive. (And he", "his parents. That's stupid--they're dead. On the other hand Deybue, a rather two", "have the same simplicity of a single defining characteristic as does the supporting", "may be the clearest example of a main character 'want' and driving need.", "That's stupid--they're dead. On the other hand Deybue, a rather two dimensional character,", "the man she is engaged to? If the answer to this example is", "to be free. Luku Htyqalnef wants a bunch of stuff, in just", "To blow up the death star. Etc. * The protagonist in A Fault", "is room to explore their inner conflict. We are often in their point", "ring 'wants' more than Frodo does. Hijrp Potfeq wants his parents. That's", "sure. Love the story, though. What is the girl's initial want? I could", "that we fall into a trap of believing that we must provide a", "Etc. * The protagonist in A Fault in our Stars either wants the", "few examples: * The main from How to Stop Time. He purportedly wants", "(or even one starting want) seems counterproductive to good fiction. *Question: Does it", "Earth. Funnily enough, all he can do is survive. (And he does a", "to Earth requires everyone else. I understand that 'character' has room to develop", "else. I understand that 'character' has room to develop (and wants have room", "character to give them one driving want? Please explain why, or why not.*", "The ring 'wants' more than Frodo does. Hijrp Potfeq wants his parents.", "though. What is the girl's initial want? I could not tell you. ", "be free. Luku Htyqalnef wants a bunch of stuff, in just the", "than Frodo does. * Hijrp Potfeq wants his parents. That's stupid--they're dead. On", "of the day none of us 'real people' have single goal--life is messy.", "the same simplicity of a single defining characteristic as does the supporting cast.", "Frodo does. * Hijrp Potfeq wants his parents. That's stupid--they're dead. On the", "get away from the man she is engaged to? If the answer to", "nothing about that. He's lived for 500 years without taking out a single", "this.) Getting back to Earth requires everyone else. I understand that 'character' has", "'find his daughter.' Well, he's doing nothing about that. He's lived for 500", "a main character to give them one driving want? Please explain why, or", "carry the ring? I don't think so. If anything he wants the ring.", "to meet the guy that wrote the book she likes (and the boy", "does the supporting cast. Main characters are main characters. They are complex. There", "the ring? I don't think so. If anything he wants the ring. The", "Herrl safe and also wants to be free. * Luku Htyqalnef wants a", "story, then what is her initial want? * The Martian may be the" ]
[ "a new writer. My work is focused on real people. I ask a", "personal journeys with health. I like to capture the feeling of what people", "people. I ask a series of questions and go from there. Its all", "to capture the feeling of what people have gone through, and put it", "is focused on real people. I ask a series of questions and go", "what people have gone through, and put it into words. I have no", "I always go way over (3,000), then I just can't seem to trim", "am a new writer. My work is focused on real people. I ask", "problem telling a great story. The problem I'm running into is word criteria.", "there. Its all about their personal journeys with health. I like to capture", "criteria. I have a limited 750-word count. I always go way over (3,000),", "way over (3,000), then I just can't seem to trim and still be", "from there. Its all about their personal journeys with health. I like to", "series of questions and go from there. Its all about their personal journeys", "problem I'm running into is word criteria. I have a limited 750-word count.", "feeling of what people have gone through, and put it into words. I", "to trim and still be proud of what I have written. How do", "then I just can't seem to trim and still be proud of what", "I have a limited 750-word count. I always go way over (3,000), then", "The problem I'm running into is word criteria. I have a limited 750-word", "writer. My work is focused on real people. I ask a series of", "story. The problem I'm running into is word criteria. I have a limited", "I am a new writer. My work is focused on real people. I", "always go way over (3,000), then I just can't seem to trim and", "into words. I have no problem telling a great story. The problem I'm", "people have gone through, and put it into words. I have no problem", "journeys with health. I like to capture the feeling of what people have", "focused on real people. I ask a series of questions and go from", "no problem telling a great story. The problem I'm running into is word", "a great story. The problem I'm running into is word criteria. I have", "count. I always go way over (3,000), then I just can't seem to", "have gone through, and put it into words. I have no problem telling", "over (3,000), then I just can't seem to trim and still be proud", "I have no problem telling a great story. The problem I'm running into", "work is focused on real people. I ask a series of questions and", "like to capture the feeling of what people have gone through, and put", "running into is word criteria. I have a limited 750-word count. I always", "limited 750-word count. I always go way over (3,000), then I just can't", "of what people have gone through, and put it into words. I have", "still be proud of what I have written. How do I achieve both?", "telling a great story. The problem I'm running into is word criteria. I", "capture the feeling of what people have gone through, and put it into", "real people. I ask a series of questions and go from there. Its", "750-word count. I always go way over (3,000), then I just can't seem", "with health. I like to capture the feeling of what people have gone", "and go from there. Its all about their personal journeys with health. I", "health. I like to capture the feeling of what people have gone through,", "go way over (3,000), then I just can't seem to trim and still", "ask a series of questions and go from there. Its all about their", "go from there. Its all about their personal journeys with health. I like", "word criteria. I have a limited 750-word count. I always go way over", "is word criteria. I have a limited 750-word count. I always go way", "trim and still be proud of what I have written. How do I", "words. I have no problem telling a great story. The problem I'm running", "My work is focused on real people. I ask a series of questions", "put it into words. I have no problem telling a great story. The", "can't seem to trim and still be proud of what I have written.", "gone through, and put it into words. I have no problem telling a", "a limited 750-word count. I always go way over (3,000), then I just", "I'm running into is word criteria. I have a limited 750-word count. I", "new writer. My work is focused on real people. I ask a series", "I just can't seem to trim and still be proud of what I", "and put it into words. I have no problem telling a great story.", "their personal journeys with health. I like to capture the feeling of what", "the feeling of what people have gone through, and put it into words.", "just can't seem to trim and still be proud of what I have", "on real people. I ask a series of questions and go from there.", "a series of questions and go from there. Its all about their personal", "through, and put it into words. I have no problem telling a great", "and still be proud of what I have written. How do I achieve", "of questions and go from there. Its all about their personal journeys with", "great story. The problem I'm running into is word criteria. I have a", "have no problem telling a great story. The problem I'm running into is", "have a limited 750-word count. I always go way over (3,000), then I", "(3,000), then I just can't seem to trim and still be proud of", "all about their personal journeys with health. I like to capture the feeling", "seem to trim and still be proud of what I have written. How", "I like to capture the feeling of what people have gone through, and", "it into words. I have no problem telling a great story. The problem", "about their personal journeys with health. I like to capture the feeling of", "questions and go from there. Its all about their personal journeys with health.", "Its all about their personal journeys with health. I like to capture the", "I ask a series of questions and go from there. Its all about", "into is word criteria. I have a limited 750-word count. I always go" ]
[ "you agree with my assumption, if not can you explain why, so I", "morally neutral, straight in the middle, but that restricts my ability to choose", "only values his self-interest, because I am caught in this assumption that character", "can't really think of a good story goal. Can these two objectives be", "> > Now, my problem is I want to try to create a", "when I think of someone who is completely neutral (neither good or bad", "his self-interest, because I am caught in this assumption that character who are", "I want to try to create a character who is morally neutral, straight", "entire plot of > your novel will be based. > > > Now,", "and right in the middle), I think of someone who only values his", "character who are neutral have to have this archetype, I can't really think", "restricts my ability to choose a good story goal for my novel. Why?", "pick a good story goal for my story while keeping my character as", "can pick a good story goal for my story while keeping my character", "element of any plot is the Story Goal or > Problem. This is", "be based. > > > Now, my problem is I want to try", "values his self-interest, because I am caught in this assumption that character who", "someone who is completely neutral (neither good or bad and right in the", "to choose a good story goal for my novel. Why? Well, I am", "(neither good or bad and right in the middle), I think of someone", "who only values his self-interest, because I am caught in this assumption that", "agree with my assumption, if not can you explain why, so I can", "my ability to choose a good story goal for my novel. Why? Well,", "not sure, but when I think of someone who is completely neutral (neither", "around which the entire plot of > your novel will be based. >", "problem is I want to try to create a character who is morally", "think of someone who only values his self-interest, because I am caught in", "organizing idea around which the entire plot of > your novel will be", "Now, my problem is I want to try to create a character who", "choose a good story goal for my novel. Why? Well, I am not", "if not can you explain why, so I can pick a good story", "a good story goal for my story while keeping my character as morally", "someone who only values his self-interest, because I am caught in this assumption", "that restricts my ability to choose a good story goal for my novel.", "or > Problem. This is the organizing idea around which the entire plot", "I am not sure, but when I think of someone who is completely", "try to create a character who is morally neutral, straight in the middle,", "the following: > > The first and most important element of any plot", "> > The first and most important element of any plot is the", "have to have this archetype, I can't really think of a good story", "a good story goal. Can these two objectives be reconciled, do you agree", "The first and most important element of any plot is the Story Goal", "is morally neutral, straight in the middle, but that restricts my ability to", "of Glen C. Strathy said the following: > > The first and most", "Glen C. Strathy said the following: > > The first and most important", "who is completely neutral (neither good or bad and right in the middle),", "is completely neutral (neither good or bad and right in the middle), I", "these two objectives be reconciled, do you agree with my assumption, if not", "name of Glen C. Strathy said the following: > > The first and", "neutral, straight in the middle, but that restricts my ability to choose a", "to have this archetype, I can't really think of a good story goal.", "> Problem. This is the organizing idea around which the entire plot of", "in the middle, but that restricts my ability to choose a good story", "of any plot is the Story Goal or > Problem. This is the", "blogger with the name of Glen C. Strathy said the following: > >", "straight in the middle, but that restricts my ability to choose a good", "in the middle), I think of someone who only values his self-interest, because", "why, so I can pick a good story goal for my story while", "am not sure, but when I think of someone who is completely neutral", "with my assumption, if not can you explain why, so I can pick", "Why? Well, I am not sure, but when I think of someone who", "middle, but that restricts my ability to choose a good story goal for", "plot of > your novel will be based. > > > Now, my", "my assumption, if not can you explain why, so I can pick a", "really think of a good story goal. Can these two objectives be reconciled,", "for my novel. Why? Well, I am not sure, but when I think", "goal for my story while keeping my character as morally neutral as possible?", "said the following: > > The first and most important element of any", "character who is morally neutral, straight in the middle, but that restricts my", "think of a good story goal. Can these two objectives be reconciled, do", "ability to choose a good story goal for my novel. Why? Well, I", "the middle), I think of someone who only values his self-interest, because I", "because I am caught in this assumption that character who are neutral have", "is the organizing idea around which the entire plot of > your novel", "my problem is I want to try to create a character who is", "of someone who only values his self-interest, because I am caught in this", "who are neutral have to have this archetype, I can't really think of", "are neutral have to have this archetype, I can't really think of a", "reconciled, do you agree with my assumption, if not can you explain why,", "story goal. Can these two objectives be reconciled, do you agree with my", "Strathy said the following: > > The first and most important element of", "I am caught in this assumption that character who are neutral have to", "any plot is the Story Goal or > Problem. This is the organizing", "that character who are neutral have to have this archetype, I can't really", "archetype, I can't really think of a good story goal. Can these two", "Well, I am not sure, but when I think of someone who is", "idea around which the entire plot of > your novel will be based.", "goal. Can these two objectives be reconciled, do you agree with my assumption,", "you explain why, so I can pick a good story goal for my", "plot is the Story Goal or > Problem. This is the organizing idea", "want to try to create a character who is morally neutral, straight in", "neutral have to have this archetype, I can't really think of a good", "> > > Now, my problem is I want to try to create", "create a character who is morally neutral, straight in the middle, but that", "objectives be reconciled, do you agree with my assumption, if not can you", "middle), I think of someone who only values his self-interest, because I am", "A blogger with the name of Glen C. Strathy said the following: >", "bad and right in the middle), I think of someone who only values", "which the entire plot of > your novel will be based. > >", "sure, but when I think of someone who is completely neutral (neither good", "be reconciled, do you agree with my assumption, if not can you explain", "do you agree with my assumption, if not can you explain why, so", "is I want to try to create a character who is morally neutral,", "this archetype, I can't really think of a good story goal. Can these", "Story Goal or > Problem. This is the organizing idea around which the", "Goal or > Problem. This is the organizing idea around which the entire", "right in the middle), I think of someone who only values his self-interest,", "I can't really think of a good story goal. Can these two objectives", "assumption, if not can you explain why, so I can pick a good", "Can these two objectives be reconciled, do you agree with my assumption, if", "explain why, so I can pick a good story goal for my story", "I think of someone who is completely neutral (neither good or bad and", "of > your novel will be based. > > > Now, my problem", "> Now, my problem is I want to try to create a character", "story goal for my novel. Why? Well, I am not sure, but when", "I think of someone who only values his self-interest, because I am caught", "to try to create a character who is morally neutral, straight in the", "the entire plot of > your novel will be based. > > >", "This is the organizing idea around which the entire plot of > your", "> your novel will be based. > > > Now, my problem is", "but that restricts my ability to choose a good story goal for my", "with the name of Glen C. Strathy said the following: > > The", "> The first and most important element of any plot is the Story", "who is morally neutral, straight in the middle, but that restricts my ability", "the middle, but that restricts my ability to choose a good story goal", "of someone who is completely neutral (neither good or bad and right in", "goal for my novel. Why? Well, I am not sure, but when I", "C. Strathy said the following: > > The first and most important element", "novel. Why? Well, I am not sure, but when I think of someone", "the organizing idea around which the entire plot of > your novel will", "story goal for my story while keeping my character as morally neutral as", "have this archetype, I can't really think of a good story goal. Can", "Problem. This is the organizing idea around which the entire plot of >", "good or bad and right in the middle), I think of someone who", "a character who is morally neutral, straight in the middle, but that restricts", "good story goal for my novel. Why? Well, I am not sure, but", "caught in this assumption that character who are neutral have to have this", "the name of Glen C. Strathy said the following: > > The first", "can you explain why, so I can pick a good story goal for", "following: > > The first and most important element of any plot is", "good story goal for my story while keeping my character as morally neutral", "in this assumption that character who are neutral have to have this archetype,", "self-interest, because I am caught in this assumption that character who are neutral", "this assumption that character who are neutral have to have this archetype, I", "good story goal. Can these two objectives be reconciled, do you agree with", "novel will be based. > > > Now, my problem is I want", "completely neutral (neither good or bad and right in the middle), I think", "to create a character who is morally neutral, straight in the middle, but", "assumption that character who are neutral have to have this archetype, I can't", "my novel. Why? Well, I am not sure, but when I think of", "so I can pick a good story goal for my story while keeping", "a good story goal for my novel. Why? Well, I am not sure,", "and most important element of any plot is the Story Goal or >", "or bad and right in the middle), I think of someone who only", "not can you explain why, so I can pick a good story goal", "your novel will be based. > > > Now, my problem is I", "two objectives be reconciled, do you agree with my assumption, if not can", "but when I think of someone who is completely neutral (neither good or", "the Story Goal or > Problem. This is the organizing idea around which", "based. > > > Now, my problem is I want to try to", "think of someone who is completely neutral (neither good or bad and right", "important element of any plot is the Story Goal or > Problem. This", "most important element of any plot is the Story Goal or > Problem.", "of a good story goal. Can these two objectives be reconciled, do you", "am caught in this assumption that character who are neutral have to have", "will be based. > > > Now, my problem is I want to", "is the Story Goal or > Problem. This is the organizing idea around", "I can pick a good story goal for my story while keeping my", "first and most important element of any plot is the Story Goal or", "neutral (neither good or bad and right in the middle), I think of" ]
[ "to pick up. I and they know and understand that some situations are", "door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced their mother's ears", "on Chorkia's fingers. Chorkia exploded with profanity that pierced their mother's ears downstairs.", "pierced their mother's ears downstairs. > > > 3. also, I could use", "> > 3. also, I could use a milder word like crap, shoot,", "> Taymy slammed the door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption", "their mother's ears downstairs. > > > Note I've read answers like [this", "slammed the door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption", "> > > Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to", "1. describe, as in: > > Taymy slammed the door on Chorkia's fingers.", "exploded. The eruption pierced their mother's ears downstairs. > > > Note I've", "writing a story that I'd like younger readers to pick up. I and", "ears downstairs. > > > Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you", "before you [defecate]\".) But that waters down the expression a lot for what", "and they know and understand that some situations are far better expressed with", "[defecate]\".) But that waters down the expression a lot for what I want.", "don't know what to do. Should I: 1. describe, as in: > >", "> Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before", "I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".)", "eat before you [defecate]\".) But that waters down the expression a lot for", "eruption pierced their mother's ears downstairs. > > > 3. also, I could", "know what to do. Should I: 1. describe, as in: > > Taymy", "expressed with one f-word than a thousand milder ones. I'm keeping my narrative", "\"< EXPLETIVE >\" Chorkia exploded. The eruption pierced their mother's ears downstairs. >", "> Taymy slammed the door on Chorkia's fingers. Chorkia exploded with profanity that", "situations are far better expressed with one f-word than a thousand milder ones.", ">\" Chorkia exploded. The eruption pierced their mother's ears downstairs. > > >", "I use made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy", "some situations are far better expressed with one f-word than a thousand milder", "as in: > > Taymy slammed the door on Chorkia's fingers. Chorkia exploded", "to do. Should I: 1. describe, as in: > > Taymy slammed the", "milder ones. I'm keeping my narrative clean, but when I write the dialogue,", "(\"you have to eat before you [defecate]\".) But that waters down the expression", "milder word like crap, shoot, and the likes. 4. replace with a place", "EXPLETIVE >\" Chorkia exploded. The eruption pierced their mother's ears downstairs. > >", "fingers. \"FRAK\" Chorkia exploded. The eruption pierced their mother's ears downstairs. > >", "The eruption pierced their mother's ears downstairs. > > > Note I've read", "than a thousand milder ones. I'm keeping my narrative clean, but when I", "do. Should I: 1. describe, as in: > > Taymy slammed the door", "> > Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat", "know and understand that some situations are far better expressed with one f-word", "a milder word like crap, shoot, and the likes. 4. replace with a", "that pierced their mother's ears downstairs. > > > 2. or should I", "as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on Chorkia's", "are far better expressed with one f-word than a thousand milder ones. I'm", "> > > 3. also, I could use a milder word like crap,", "Chorkia exploded. The eruption pierced their mother's ears downstairs. > > > 3.", "> 2. or should I use made-up terms, such as frak from [Battlestar", "Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you", "younger readers to pick up. I and they know and understand that some", "likes. 4. replace with a place holder, as in: > > Taymy slammed", "The eruption pierced their mother's ears downstairs. > > > 3. also, I", "made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the", "Should I: 1. describe, as in: > > Taymy slammed the door on", "and the likes. 4. replace with a place holder, as in: > >", "ones. I'm keeping my narrative clean, but when I write the dialogue, I", "holder, as in: > > Taymy slammed the door on Chorkia's fingers. \"<", "one f-word than a thousand milder ones. I'm keeping my narrative clean, but", "downstairs. > > > 3. also, I could use a milder word like", "that some situations are far better expressed with one f-word than a thousand", "fingers. Chorkia exploded with profanity that pierced their mother's ears downstairs. > >", "I'd like younger readers to pick up. I and they know and understand", "downstairs. > > > Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have", "describe, as in: > > Taymy slammed the door on Chorkia's fingers. Chorkia", "ears downstairs. > > > 3. also, I could use a milder word", "replace with a place holder, as in: > > Taymy slammed the door", "exploded. The eruption pierced their mother's ears downstairs. > > > 3. also,", "when I write the dialogue, I don't know what to do. Should I:", "I could use a milder word like crap, shoot, and the likes. 4.", "exploded with profanity that pierced their mother's ears downstairs. > > > 2.", "word like crap, shoot, and the likes. 4. replace with a place holder,", "the door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced their mother's", "like crap, shoot, and the likes. 4. replace with a place holder, as", "in: > > Taymy slammed the door on Chorkia's fingers. \"< EXPLETIVE >\"", "I: 1. describe, as in: > > Taymy slammed the door on Chorkia's", "terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door", "Chorkia exploded. The eruption pierced their mother's ears downstairs. > > > Note", "readers to pick up. I and they know and understand that some situations", "slammed the door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced their", "thousand milder ones. I'm keeping my narrative clean, but when I write the", "clean, but when I write the dialogue, I don't know what to do.", "profanity that pierced their mother's ears downstairs. > > > 2. or should", "> > Taymy slammed the door on Chorkia's fingers. Chorkia exploded with profanity", "> > 2. or should I use made-up terms, such as frak from", "on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption pierced their mother's", "Taymy slammed the door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The", "far better expressed with one f-word than a thousand milder ones. I'm keeping", "narrative clean, but when I write the dialogue, I don't know what to", "downstairs. > > > 2. or should I use made-up terms, such as", "have to eat before you [defecate]\".) But that waters down the expression a", "in: > > Taymy slammed the door on Chorkia's fingers. Chorkia exploded with", "mother's ears downstairs. > > > Note I've read answers like [this one](https://writing.stackexchange.com/a/16783/37111)", "and understand that some situations are far better expressed with one f-word than", "answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".) But that", "their mother's ears downstairs. > > > 2. or should I use made-up", "from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on Chorkia's fingers. \"FRAK\"", "\"FRAK\" Chorkia exploded. The eruption pierced their mother's ears downstairs. > > >", "a thousand milder ones. I'm keeping my narrative clean, but when I write", "3. also, I could use a milder word like crap, shoot, and the", "understand that some situations are far better expressed with one f-word than a", "the likes. 4. replace with a place holder, as in: > > Taymy", "[this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".) But that waters down", "f-word than a thousand milder ones. I'm keeping my narrative clean, but when", "Chorkia's fingers. Chorkia exploded with profanity that pierced their mother's ears downstairs. >", "also, I could use a milder word like crap, shoot, and the likes.", "I'm writing a story that I'd like younger readers to pick up. I", "read answers like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".) But", "mother's ears downstairs. > > > 3. also, I could use a milder", "Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption pierced their mother's ears", "a place holder, as in: > > Taymy slammed the door on Chorkia's", "place holder, as in: > > Taymy slammed the door on Chorkia's fingers.", "such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on", "you [defecate]\".) But that waters down the expression a lot for what I", "[Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on Chorkia's fingers. \"FRAK\" Chorkia", "pick up. I and they know and understand that some situations are far", "> 3. also, I could use a milder word like crap, shoot, and", "a story that I'd like younger readers to pick up. I and they", "Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced their mother's ears downstairs. >", "> Taymy slammed the door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded.", "with profanity that pierced their mother's ears downstairs. > > > 2. or", "to eat before you [defecate]\".) But that waters down the expression a lot", "fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption pierced their mother's ears downstairs.", "that I'd like younger readers to pick up. I and they know and", "mother's ears downstairs. > > > 2. or should I use made-up terms,", "keeping my narrative clean, but when I write the dialogue, I don't know", "door on Chorkia's fingers. Chorkia exploded with profanity that pierced their mother's ears", "one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".) But that waters down the", "they know and understand that some situations are far better expressed with one", "the dialogue, I don't know what to do. Should I: 1. describe, as", "I write the dialogue, I don't know what to do. Should I: 1.", "like [this one](https://writing.stackexchange.com/a/16783/37111) (\"you have to eat before you [defecate]\".) But that waters", "with a place holder, as in: > > Taymy slammed the door on", "my narrative clean, but when I write the dialogue, I don't know what", "on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced their mother's ears downstairs.", "should I use made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > >", "but when I write the dialogue, I don't know what to do. Should", "pierced their mother's ears downstairs. > > > Note I've read answers like", "better expressed with one f-word than a thousand milder ones. I'm keeping my", "what to do. Should I: 1. describe, as in: > > Taymy slammed", "> > > 2. or should I use made-up terms, such as frak", "could use a milder word like crap, shoot, and the likes. 4. replace", "use a milder word like crap, shoot, and the likes. 4. replace with", "ears downstairs. > > > 2. or should I use made-up terms, such", "with one f-word than a thousand milder ones. I'm keeping my narrative clean,", "the door on Chorkia's fingers. Chorkia exploded with profanity that pierced their mother's", "> > Taymy slammed the door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The", "eruption pierced their mother's ears downstairs. > > > Note I've read answers", "I don't know what to do. Should I: 1. describe, as in: >", "dialogue, I don't know what to do. Should I: 1. describe, as in:", "crap, shoot, and the likes. 4. replace with a place holder, as in:", "Taymy slammed the door on Chorkia's fingers. Chorkia exploded with profanity that pierced", "write the dialogue, I don't know what to do. Should I: 1. describe,", "pierced their mother's ears downstairs. > > > 2. or should I use", "Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on Chorkia's fingers. \"FRAK\" Chorkia exploded.", "> > Taymy slammed the door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia", "I'm keeping my narrative clean, but when I write the dialogue, I don't", "Taymy slammed the door on Chorkia's fingers. \"FRAK\" Chorkia exploded. The eruption pierced", "door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption pierced their", "their mother's ears downstairs. > > > 3. also, I could use a", "up. I and they know and understand that some situations are far better", "use made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed", "shoot, and the likes. 4. replace with a place holder, as in: >", "slammed the door on Chorkia's fingers. Chorkia exploded with profanity that pierced their", "Chorkia exploded with profanity that pierced their mother's ears downstairs. > > >", "2. or should I use made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19):", "or should I use made-up terms, such as frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): >", "as in: > > Taymy slammed the door on Chorkia's fingers. \"< EXPLETIVE", "story that I'd like younger readers to pick up. I and they know", "4. replace with a place holder, as in: > > Taymy slammed the", "frak from [Battlestar Galactica](https://youtu.be/r7KcpgQKo2I?t=19): > > Taymy slammed the door on Chorkia's fingers.", "the door on Chorkia's fingers. \"< EXPLETIVE >\" Chorkia exploded. The eruption pierced", "I and they know and understand that some situations are far better expressed", "like younger readers to pick up. I and they know and understand that" ]
[ "in his articles and workshop videos. He says that all you have to", "videos. He says that all you have to do is just write and", "and publish your books on kdp (Kindle Direct Publishing, the self-publishing platform on", "to do is just write and publish your books on kdp (Kindle Direct", "just let the money come as people discover them; and promoting is unnecessary", "unnecessary and a waste of time. In fact, he calls the requirement/need for", "your books on kdp (Kindle Direct Publishing, the self-publishing platform on Amazon) and", "books on kdp (Kindle Direct Publishing, the self-publishing platform on Amazon) and just", "and workshop videos. He says that all you have to do is just", "the money come as people discover them; and promoting is unnecessary and a", "kdp (Kindle Direct Publishing, the self-publishing platform on Amazon) and just let the", "his articles and workshop videos. He says that all you have to do", "you have to do is just write and publish your books on kdp", "just write and publish your books on kdp (Kindle Direct Publishing, the self-publishing", "waste of time. In fact, he calls the requirement/need for marketing a \"myth\".", "the self-publishing platform on Amazon) and just let the money come as people", "a waste of time. In fact, he calls the requirement/need for marketing a", "Direct Publishing, the self-publishing platform on Amazon) and just let the money come", "Smith teaches in his articles and workshop videos. He says that all you", "have to do is just write and publish your books on kdp (Kindle", "do is just write and publish your books on kdp (Kindle Direct Publishing,", "write and publish your books on kdp (Kindle Direct Publishing, the self-publishing platform", "and promoting is unnecessary and a waste of time. In fact, he calls", "and a waste of time. In fact, he calls the requirement/need for marketing", "money come as people discover them; and promoting is unnecessary and a waste", "Dean Wesley Smith teaches in his articles and workshop videos. He says that", "is unnecessary and a waste of time. In fact, he calls the requirement/need", "He says that all you have to do is just write and publish", "discover them; and promoting is unnecessary and a waste of time. In fact,", "is what Dean Wesley Smith teaches in his articles and workshop videos. He", "(Kindle Direct Publishing, the self-publishing platform on Amazon) and just let the money", "all you have to do is just write and publish your books on", "platform on Amazon) and just let the money come as people discover them;", "on kdp (Kindle Direct Publishing, the self-publishing platform on Amazon) and just let", "Publishing, the self-publishing platform on Amazon) and just let the money come as", "teaches in his articles and workshop videos. He says that all you have", "Amazon) and just let the money come as people discover them; and promoting", "This is what Dean Wesley Smith teaches in his articles and workshop videos.", "let the money come as people discover them; and promoting is unnecessary and", "them; and promoting is unnecessary and a waste of time. In fact, he", "self-publishing platform on Amazon) and just let the money come as people discover", "come as people discover them; and promoting is unnecessary and a waste of", "says that all you have to do is just write and publish your", "Wesley Smith teaches in his articles and workshop videos. He says that all", "that all you have to do is just write and publish your books", "promoting is unnecessary and a waste of time. In fact, he calls the", "what Dean Wesley Smith teaches in his articles and workshop videos. He says", "articles and workshop videos. He says that all you have to do is", "on Amazon) and just let the money come as people discover them; and", "people discover them; and promoting is unnecessary and a waste of time. In", "and just let the money come as people discover them; and promoting is", "is just write and publish your books on kdp (Kindle Direct Publishing, the", "publish your books on kdp (Kindle Direct Publishing, the self-publishing platform on Amazon)", "as people discover them; and promoting is unnecessary and a waste of time.", "workshop videos. He says that all you have to do is just write" ]
[ "drawer or some hidden folder on your computer. Let's imagine now that you", "you want to publish those stories, bundled together in a book format. What", "got at least three short stories drafted out, sitting in some drawer or", "your computer. Let's imagine now that you want to publish those stories, bundled", "the stories will have, at least, the common denominator of having the same", "collection have a common genre? Should they share a common set of themes,", "short-stories together? ----------------------------------------------------------------- Related:** * [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) ", "computer. Let's imagine now that you want to publish those stories, bundled together", "short stories collection, rather than a book that mixes up thriller and fantasy.", "what should tie a collection of short-stories together? ----------------------------------------------------------------- Related:* * [How many", "new writer. Again, for marketing reasons, it seems to make more sense to", "sitting in some drawer or some hidden folder on your computer. Let's imagine", "you choose which story \"belongs\" to the collection? Of course, the stories will", "writer. Again, for marketing reasons, it seems to make more sense to clump", "an aspiring writer for at least one year, it's quite probabile that you've", "it's quite probabile that you've got at least three short stories drafted out,", "some drawer or some hidden folder on your computer. Let's imagine now that", "short stories drafted out, sitting in some drawer or some hidden folder on", "least, the common denominator of having the same author. But - due to", "to clump short stories of the same genre together. Sci-fi readers will be", "that isn't often a viable option for a new writer. Again, for marketing", "book that mixes up thriller and fantasy. Should the stories in a collection", "the stories in a collection have a common genre? Should they share a", "stories, bundled together in a book format. What should tie them together?** How", "* [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish a", "have been an aspiring writer for at least one year, it's quite probabile", "marketing reasons, it seems to make more sense to clump short stories of", "isn't often a viable option for a new writer. Again, for marketing reasons,", "short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish a collection of short", "in some drawer or some hidden folder on your computer. Let's imagine now", "they share a common set of themes, or even characters? In short: what", "of having the same author. But - due to marketing reasons, I suppose", "for marketing reasons, it seems to make more sense to clump short stories", "together in a book format. What should tie them together? How do you", "together? How do you choose which story \"belongs\" to the collection? Of course,", "stories of the same genre together. Sci-fi readers will be more likely to", "reasons, I suppose - that isn't often a viable option for a new", "suppose - that isn't often a viable option for a new writer. Again,", "sense to clump short stories of the same genre together. Sci-fi readers will", "Again, for marketing reasons, it seems to make more sense to clump short", "clump short stories of the same genre together. Sci-fi readers will be more", "I suppose - that isn't often a viable option for a new writer.", "- that isn't often a viable option for a new writer. Again, for", "will have, at least, the common denominator of having the same author. But", "or even characters? In short: what should tie a collection of short-stories together?", "drafted out, sitting in some drawer or some hidden folder on your computer.", "be more likely to buy a sci-fi short stories collection, rather than a", "collection? Of course, the stories will have, at least, the common denominator of", "than a book that mixes up thriller and fantasy. Should the stories in", "common genre? Should they share a common set of themes, or even characters?", "mixes up thriller and fantasy. Should the stories in a collection have a", "write. If you have been an aspiring writer for at least one year,", "common set of themes, or even characters? In short: what should tie a", "a book that mixes up thriller and fantasy. Should the stories in a", "to marketing reasons, I suppose - that isn't often a viable option for", "and fantasy. Should the stories in a collection have a common genre? Should", "even characters? In short: what should tie a collection of short-stories together? -----------------------------------------------------------------", "you have been an aspiring writer for at least one year, it's quite", "more likely to buy a sci-fi short stories collection, rather than a book", "buy a sci-fi short stories collection, rather than a book that mixes up", "short stories of the same genre together. Sci-fi readers will be more likely", "Should the stories in a collection have a common genre? Should they share", "a new writer. Again, for marketing reasons, it seems to make more sense", "marketing reasons, I suppose - that isn't often a viable option for a", "one year, it's quite probabile that you've got at least three short stories", "stories drafted out, sitting in some drawer or some hidden folder on your", "themes, or even characters? In short: what should tie a collection of short-stories", "course, the stories will have, at least, the common denominator of having the", "a collection of short-stories together? ----------------------------------------------------------------- Related: * [How many short stories make", "more sense to clump short stories of the same genre together. Sci-fi readers", "the common denominator of having the same author. But - due to marketing", "----------------------------------------------------------------- Related: * [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to", "on your computer. Let's imagine now that you want to publish those stories,", "sci-fi short stories collection, rather than a book that mixes up thriller and", "set of themes, or even characters? In short: what should tie a collection", "publish those stories, bundled together in a book format. What should tie them", "out, sitting in some drawer or some hidden folder on your computer. Let's", "will be more likely to buy a sci-fi short stories collection, rather than", "three short stories drafted out, sitting in some drawer or some hidden folder", "at least one year, it's quite probabile that you've got at least three", "characters? In short: what should tie a collection of short-stories together? ----------------------------------------------------------------- Related:", "some hidden folder on your computer. Let's imagine now that you want to", "format. What should tie them together? How do you choose which story \"belongs\"", "viable option for a new writer. Again, for marketing reasons, it seems to", "a common set of themes, or even characters? In short: what should tie", "to the collection? Of course, the stories will have, at least, the common", "that you've got at least three short stories drafted out, sitting in some", "writer for at least one year, it's quite probabile that you've got at", "thriller and fantasy. Should the stories in a collection have a common genre?", "in a collection have a common genre? Should they share a common set", "share a common set of themes, or even characters? In short: what should", "tie a collection of short-stories together? ----------------------------------------------------------------- Related: * [How many short stories", "option for a new writer. Again, for marketing reasons, it seems to make", "hidden folder on your computer. Let's imagine now that you want to publish", "a nice format to write. If you have been an aspiring writer for", "of the same genre together. Sci-fi readers will be more likely to buy", "for at least one year, it's quite probabile that you've got at least", "make more sense to clump short stories of the same genre together. Sci-fi", "at least three short stories drafted out, sitting in some drawer or some", "which story \"belongs\" to the collection? Of course, the stories will have, at", "the collection? Of course, the stories will have, at least, the common denominator", "seems to make more sense to clump short stories of the same genre", "a common genre? Should they share a common set of themes, or even", "in a book format. What should tie them together? How do you choose", "now that you want to publish those stories, bundled together in a book", "Should they share a common set of themes, or even characters? In short:", "bundled together in a book format. What should tie them together? How do", "story \"belongs\" to the collection? Of course, the stories will have, at least,", "the same genre together. Sci-fi readers will be more likely to buy a", "to buy a sci-fi short stories collection, rather than a book that mixes", "have a common genre? Should they share a common set of themes, or", "same author. But - due to marketing reasons, I suppose - that isn't", "Short-stories are a nice format to write. If you have been an aspiring", "likely to buy a sci-fi short stories collection, rather than a book that", "choose which story \"belongs\" to the collection? Of course, the stories will have,", "it seems to make more sense to clump short stories of the same", "same genre together. Sci-fi readers will be more likely to buy a sci-fi", "But - due to marketing reasons, I suppose - that isn't often a", "book format. What should tie them together? How do you choose which story", "short: what should tie a collection of short-stories together? ----------------------------------------------------------------- Related:** * [How", "tie them together? How do you choose which story \"belongs\" to the collection?", "quite probabile that you've got at least three short stories drafted out, sitting", "Related:** * [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish", "probabile that you've got at least three short stories drafted out, sitting in", "to make more sense to clump short stories of the same genre together.", "common denominator of having the same author. But - due to marketing reasons,", "year, it's quite probabile that you've got at least three short stories drafted", "[How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish a collection", "least three short stories drafted out, sitting in some drawer or some hidden", "How do you choose which story \"belongs\" to the collection? Of course, the", "of themes, or even characters? In short: what should tie a collection of", "collection, rather than a book that mixes up thriller and fantasy. Should the", "a book format. What should tie them together? How do you choose which", "rather than a book that mixes up thriller and fantasy. Should the stories", "a collection have a common genre? Should they share a common set of", "at least, the common denominator of having the same author. But - due", "genre? Should they share a common set of themes, or even characters? In", "In short: what should tie a collection of short-stories together? ----------------------------------------------------------------- Related: ", "those stories, bundled together in a book format. What should tie them together?", "up thriller and fantasy. Should the stories in a collection have a common", "together? ----------------------------------------------------------------- Related:* * [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How", "denominator of having the same author. But - due to marketing reasons, I", "imagine now that you want to publish those stories, bundled together in a", "many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish a collection of", "a sci-fi short stories collection, rather than a book that mixes up thriller", "aspiring writer for at least one year, it's quite probabile that you've got", "due to marketing reasons, I suppose - that isn't often a viable option", "fantasy. Should the stories in a collection have a common genre? Should they", "collection of short-stories together? ----------------------------------------------------------------- Related:** * [How many short stories make a", "stories collection, rather than a book that mixes up thriller and fantasy. Should", "If you have been an aspiring writer for at least one year, it's", "the same author. But - due to marketing reasons, I suppose - that", "to write. If you have been an aspiring writer for at least one", "them together? How do you choose which story \"belongs\" to the collection? Of", "should tie them together?** How do you choose which story \"belongs\" to the", "reasons, it seems to make more sense to clump short stories of the", "least one year, it's quite probabile that you've got at least three short", "format to write. If you have been an aspiring writer for at least", "genre together. Sci-fi readers will be more likely to buy a sci-fi short", "you've got at least three short stories drafted out, sitting in some drawer", "stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection) * [How to publish a collection of short stories?](https://writing.stackexchange.com/questions/27609/how-to-publish-a-collection-of-short-stories)", "that you want to publish those stories, bundled together in a book format.", "a viable option for a new writer. Again, for marketing reasons, it seems", "What should tie them together? How do you choose which story \"belongs\" to", "stories will have, at least, the common denominator of having the same author.", "- due to marketing reasons, I suppose - that isn't often a viable", "that mixes up thriller and fantasy. Should the stories in a collection have", "to publish those stories, bundled together in a book format. What should tie", "or some hidden folder on your computer. Let's imagine now that you want", "having the same author. But - due to marketing reasons, I suppose -", "often a viable option for a new writer. Again, for marketing reasons, it", "together. Sci-fi readers will be more likely to buy a sci-fi short stories", "Sci-fi readers will be more likely to buy a sci-fi short stories collection,", "nice format to write. If you have been an aspiring writer for at", "stories in a collection have a common genre? Should they share a common", "readers will be more likely to buy a sci-fi short stories collection, rather", "for a new writer. Again, for marketing reasons, it seems to make more", "author. But - due to marketing reasons, I suppose - that isn't often", "should tie a collection of short-stories together? ----------------------------------------------------------------- Related: * [How many short", "\"belongs\" to the collection? Of course, the stories will have, at least, the", "Let's imagine now that you want to publish those stories, bundled together in", "want to publish those stories, bundled together in a book format. What should", "Of course, the stories will have, at least, the common denominator of having", "are a nice format to write. If you have been an aspiring writer", "of short-stories together? ----------------------------------------------------------------- Related:** * [How many short stories make a collection](https://writing.stackexchange.com/questions/6712/how-many-short-stories-make-a-collection)", "do you choose which story \"belongs\" to the collection? Of course, the stories", "have, at least, the common denominator of having the same author. But -", "been an aspiring writer for at least one year, it's quite probabile that", "folder on your computer. Let's imagine now that you want to publish those" ]
[ "here; the only relevant fact is that in the IT field you are", "sites, nonetheless) for others having faced a similar situation. So, when it comes", "of the page, but I'm not sure it is the best method. Keep", "fact is that in the IT field you are not supposed to [reinvent", "the page, but I'm not sure it is the best method. Keep in", "the IT field you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing", "or documenting a procedure, you are in fact supposed to search on Google", "documenting a procedure, you are in fact supposed to search on Google (or", "code, or documenting a procedure, you are in fact supposed to search on", "start) of the page, but I'm not sure it is the best method.", "in the IT field you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When", "relevant fact is that in the IT field you are not supposed to", "way to cite external references? ------------------------------------------------- I often include a small list section", "with links at the end (or at the start) of the page, but", "section with links at the end (or at the start) of the page,", "Those documents are often stored in an internal wiki and accessed when the", "having faced a similar situation. So, when it comes down to actually documenting", "supposed to search on Google (or SE sites, nonetheless) for others having faced", "arises. The content of the documents is not relevant here; the only relevant", "for others having faced a similar situation. So, when it comes down to", "often include a small list section with links at the end (or at", "on Google (or SE sites, nonetheless) for others having faced a similar situation.", "content of the documents is not relevant here; the only relevant fact is", "a piece of code, or documenting a procedure, you are in fact supposed", "field you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece", "internal wiki and accessed when the need arises. The content of the documents", "at the start) of the page, but I'm not sure it is the", "I'm not sure it is the best method. Keep in mind that internal", "IT industry, we often write a lot of technical documentation meant for internal", "to cite external references? ------------------------------------------------- I often include a small list section with", "a small list section with links at the end (or at the start)", "supposed to be read, ever, by customers. It usually stays private between colleagues.", "you are in fact supposed to search on Google (or SE sites, nonetheless)", "you have done, What is the best way to cite external references? -------------------------------------------------", "small list section with links at the end (or at the start) of", "writing a piece of code, or documenting a procedure, you are in fact", "documentation meant for internal use only. Those documents are often stored in an", "(or SE sites, nonetheless) for others having faced a similar situation. So, when", "------------------------------------------------- I often include a small list section with links at the end", "of the documents is not relevant here; the only relevant fact is that", "what you have done, What is the best way to cite external references?", "the start) of the page, but I'm not sure it is the best", "use only. Those documents are often stored in an internal wiki and accessed", "The content of the documents is not relevant here; the only relevant fact", "procedure, you are in fact supposed to search on Google (or SE sites,", "down to actually documenting what you have done, What is the best way", "When writing a piece of code, or documenting a procedure, you are in", "is that in the IT field you are not supposed to [reinvent the", "often write a lot of technical documentation meant for internal use only. Those", "internal use only. Those documents are often stored in an internal wiki and", "but I'm not sure it is the best method. Keep in mind that", "are often stored in an internal wiki and accessed when the need arises.", "a lot of technical documentation meant for internal use only. Those documents are", "documents are often stored in an internal wiki and accessed when the need", "Keep in mind that internal documentation is not supposed to be read, ever,", "the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or documenting a procedure, you", "best way to cite external references? ------------------------------------------------- I often include a small list", "documents is not relevant here; the only relevant fact is that in the", "best method. Keep in mind that internal documentation is not supposed to be", "similar situation. So, when it comes down to actually documenting what you have", "that internal documentation is not supposed to be read, ever, by customers. It", "IT field you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a", "situation. So, when it comes down to actually documenting what you have done,", "(or at the start) of the page, but I'm not sure it is", "done, What is the best way to cite external references? ------------------------------------------------- I often", "is the best way to cite external references? ------------------------------------------------- I often include a", "I often include a small list section with links at the end (or", "to actually documenting what you have done, What is the best way to", "relevant here; the only relevant fact is that in the IT field you", "for internal use only. Those documents are often stored in an internal wiki", "to search on Google (or SE sites, nonetheless) for others having faced a", "to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or documenting a", "So, when it comes down to actually documenting what you have done, What", "in fact supposed to search on Google (or SE sites, nonetheless) for others", "What is the best way to cite external references? ------------------------------------------------- I often include", "that in the IT field you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel).", "references? ------------------------------------------------- I often include a small list section with links at the", "the IT industry, we often write a lot of technical documentation meant for", "wiki and accessed when the need arises. The content of the documents is", "are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code,", "wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or documenting a procedure, you are", "actually documenting what you have done, What is the best way to cite", "mind that internal documentation is not supposed to be read, ever, by customers.", "is not supposed to be read, ever, by customers. It usually stays private", "end (or at the start) of the page, but I'm not sure it", "documentation is not supposed to be read, ever, by customers. It usually stays", "fact supposed to search on Google (or SE sites, nonetheless) for others having", "not supposed to be read, ever, by customers. It usually stays private between", "a procedure, you are in fact supposed to search on Google (or SE", "cite external references? ------------------------------------------------- I often include a small list section with links", "we often write a lot of technical documentation meant for internal use only.", "write a lot of technical documentation meant for internal use only. Those documents", "sure it is the best method. Keep in mind that internal documentation is", "not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or", "technical documentation meant for internal use only. Those documents are often stored in", "method. Keep in mind that internal documentation is not supposed to be read,", "lot of technical documentation meant for internal use only. Those documents are often", "the documents is not relevant here; the only relevant fact is that in", "page, but I'm not sure it is the best method. Keep in mind", "search on Google (or SE sites, nonetheless) for others having faced a similar", "In the IT industry, we often write a lot of technical documentation meant", "the best method. Keep in mind that internal documentation is not supposed to", "when it comes down to actually documenting what you have done, What is", "internal documentation is not supposed to be read, ever, by customers. It usually", "stored in an internal wiki and accessed when the need arises. The content", "SE sites, nonetheless) for others having faced a similar situation. So, when it", "only relevant fact is that in the IT field you are not supposed", "a similar situation. So, when it comes down to actually documenting what you", "and accessed when the need arises. The content of the documents is not", "documenting what you have done, What is the best way to cite external", "need arises. The content of the documents is not relevant here; the only", "you are not supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of", "often stored in an internal wiki and accessed when the need arises. The", "in an internal wiki and accessed when the need arises. The content of", "links at the end (or at the start) of the page, but I'm", "external references? ------------------------------------------------- I often include a small list section with links at", "comes down to actually documenting what you have done, What is the best", "Google (or SE sites, nonetheless) for others having faced a similar situation. So,", "an internal wiki and accessed when the need arises. The content of the", "not sure it is the best method. Keep in mind that internal documentation", "the end (or at the start) of the page, but I'm not sure", "it comes down to actually documenting what you have done, What is the", "the need arises. The content of the documents is not relevant here; the", "in mind that internal documentation is not supposed to be read, ever, by", "of code, or documenting a procedure, you are in fact supposed to search", "have done, What is the best way to cite external references? ------------------------------------------------- I", "at the end (or at the start) of the page, but I'm not", "[reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or documenting a procedure,", "is the best method. Keep in mind that internal documentation is not supposed", "supposed to [reinvent the wheel](https://en.wikipedia.org/wiki/Reinventing_the_wheel). When writing a piece of code, or documenting", "is not relevant here; the only relevant fact is that in the IT", "faced a similar situation. So, when it comes down to actually documenting what", "accessed when the need arises. The content of the documents is not relevant", "the only relevant fact is that in the IT field you are not", "the best way to cite external references? ------------------------------------------------- I often include a small", "nonetheless) for others having faced a similar situation. So, when it comes down", "industry, we often write a lot of technical documentation meant for internal use", "of technical documentation meant for internal use only. Those documents are often stored", "not relevant here; the only relevant fact is that in the IT field", "it is the best method. Keep in mind that internal documentation is not", "when the need arises. The content of the documents is not relevant here;", "only. Those documents are often stored in an internal wiki and accessed when", "list section with links at the end (or at the start) of the", "are in fact supposed to search on Google (or SE sites, nonetheless) for", "piece of code, or documenting a procedure, you are in fact supposed to", "meant for internal use only. Those documents are often stored in an internal", "include a small list section with links at the end (or at the", "others having faced a similar situation. So, when it comes down to actually" ]
[ "will do multiple rounds of content edit and then offer your work to", "someone who actually knows the people who should see my mss? If the", "BBB otherwise I would not have considered it. Now that I have checked,", "they will also seek out producers etc and try and get a deal.", "would not have considered it. Now that I have checked, all three have", "is less than I would like. A friend used them and gave me", "does not try to sell your book and the quality of their PoDs", "aspects. It also costs about a third of what the second one does.", "BBB. The first one does not try to sell your book and the", "clear, but how likely is it that such a person could compete with", "does a round of copy editing and publishes the book as the others", "my choice seems clear, but how likely is it that such a person", "have since discovered a company that, for a considerable outlay, will do multiple", "book than the second does, but seems better in the distribution and promotion", "distribution and promotion aspects. It also costs about a third of what the", "could compete with those who are purely literary agents and know the editors", "I have checked, all three have A ratings on BBB. The first one", "effective professional, my choice seems clear, but how likely is it that such", "your work to many stores as well as online through various outlets. The", "of the various houses well? The third company has an A rating on", "have considered it. Now that I have checked, all three have A ratings", "checked, all three have A ratings on BBB. The first one does not", "the others do - however, they assign an agent to try and find", "the agent is an effective professional, my choice seems clear, but how likely", "I was considering them. They primarily print in Canada. The third company, which", "second does, but seems better in the distribution and promotion aspects. It also", "and promotion aspects. It also costs about a third of what the second", "the quality of their PoDs is less than I would like. A friend", "editing and publishes the book as the others do - however, they assign", "about a third of what the second one does. My question is, how", "third of what the second one does. My question is, how likely is", "to be someone who actually knows the people who should see my mss?", "ratings on BBB. The first one does not try to sell your book", "likely is a literary agent who is part of a self publishing company", "to many stores as well as online through various outlets. The royalties are", "it has been in business for years and provides a certain number of", "who are purely literary agents and know the editors of the various houses", "royalties are higher with them, so I was considering them. They primarily print", "producers etc and try and get a deal. The third company does less", "a third of what the second one does. My question is, how likely", "first one does not try to sell your book and the quality of", "site. I have since discovered a company that, for a considerable outlay, will", "than the second does, but seems better in the distribution and promotion aspects.", "promotion aspects. It also costs about a third of what the second one", "agent is an effective professional, my choice seems clear, but how likely is", "of the big five who might take you on. If potential in other", "the author, the rest are sold from their site. I have since discovered", "three PoD companies. I was considering the first, it has been in business", "who might take you on. If potential in other media exists, they will", "many stores as well as online through various outlets. The royalties are higher", "company has an A rating on BBB otherwise I would not have considered", "believing I had written a children’s book, does a round of copy editing", "an effective professional, my choice seems clear, but how likely is it that", "and find one of the big five who might take you on. If", "which contacted me believing I had written a children’s book, does a round", "have been communicating with three PoD companies. I was considering the first, it", "potential in other media exists, they will also seek out producers etc and", "I would like. A friend used them and gave me one copy of", "outlay, will do multiple rounds of content edit and then offer your work", "well? The third company has an A rating on BBB otherwise I would", "that such a person could compete with those who are purely literary agents", "various outlets. The royalties are higher with them, so I was considering them.", "but seems better in the distribution and promotion aspects. It also costs about", "sell your book and the quality of their PoDs is less than I", "agents and know the editors of the various houses well? The third company", "since discovered a company that, for a considerable outlay, will do multiple rounds", "one does. My question is, how likely is a literary agent who is", "rest are sold from their site. I have since discovered a company that,", "well as online through various outlets. The royalties are higher with them, so", "media exists, they will also seek out producers etc and try and get", "considerable outlay, will do multiple rounds of content edit and then offer your", "in other media exists, they will also seek out producers etc and try", "from their site. I have since discovered a company that, for a considerable", "third company, which contacted me believing I had written a children’s book, does", "The third company has an A rating on BBB otherwise I would not", "houses well? The third company has an A rating on BBB otherwise I", "a considerable outlay, will do multiple rounds of content edit and then offer", "a children’s book, does a round of copy editing and publishes the book", "such a person could compete with those who are purely literary agents and", "are purely literary agents and know the editors of the various houses well?", "is part of a self publishing company to be someone who actually knows", "how likely is it that such a person could compete with those who", "the rest are sold from their site. I have since discovered a company", "etc and try and get a deal. The third company does less to", "so I was considering them. They primarily print in Canada. The third company,", "their PoDs is less than I would like. A friend used them and", "out producers etc and try and get a deal. The third company does", "compete with those who are purely literary agents and know the editors of", "but how likely is it that such a person could compete with those", "quality of their PoDs is less than I would like. A friend used", "the book as the others do - however, they assign an agent to", "purely literary agents and know the editors of the various houses well? The", "however, they assign an agent to try and find one of the big", "is a literary agent who is part of a self publishing company to", "of copies to the author, the rest are sold from their site. I", "as the others do - however, they assign an agent to try and", "choice seems clear, but how likely is it that such a person could", "author, the rest are sold from their site. I have since discovered a", "considering the first, it has been in business for years and provides a", "various houses well? The third company has an A rating on BBB otherwise", "number of copies to the author, the rest are sold from their site.", "as online through various outlets. The royalties are higher with them, so I", "of their PoDs is less than I would like. A friend used them", "considering them. They primarily print in Canada. The third company, which contacted me", "are sold from their site. I have since discovered a company that, for", "less to the actual book than the second does, but seems better in", "certain number of copies to the author, the rest are sold from their", "It also costs about a third of what the second one does. My", "My question is, how likely is a literary agent who is part of", "see my mss? If the agent is an effective professional, my choice seems", "it that such a person could compete with those who are purely literary", "like. A friend used them and gave me one copy of her first", "one of the big five who might take you on. If potential in", "who actually knows the people who should see my mss? If the agent", "sold from their site. I have since discovered a company that, for a", "costs about a third of what the second one does. My question is,", "is an effective professional, my choice seems clear, but how likely is it", "with those who are purely literary agents and know the editors of the", "try to sell your book and the quality of their PoDs is less", "second one does. My question is, how likely is a literary agent who", "big five who might take you on. If potential in other media exists,", "A ratings on BBB. The first one does not try to sell your", "question is, how likely is a literary agent who is part of a", "part of a self publishing company to be someone who actually knows the", "rating on BBB otherwise I would not have considered it. Now that I", "and try and get a deal. The third company does less to the", "company to be someone who actually knows the people who should see my", "an agent to try and find one of the big five who might", "also costs about a third of what the second one does. My question", "exists, they will also seek out producers etc and try and get a", "PoDs is less than I would like. A friend used them and gave", "do - however, they assign an agent to try and find one of", "other media exists, they will also seek out producers etc and try and", "considered it. Now that I have checked, all three have A ratings on", "them, so I was considering them. They primarily print in Canada. The third", "and then offer your work to many stores as well as online through", "the second one does. My question is, how likely is a literary agent", "for a considerable outlay, will do multiple rounds of content edit and then", "actually knows the people who should see my mss? If the agent is", "I have since discovered a company that, for a considerable outlay, will do", "a company that, for a considerable outlay, will do multiple rounds of content", "their site. I have since discovered a company that, for a considerable outlay,", "me believing I had written a children’s book, does a round of copy", "they assign an agent to try and find one of the big five", "be someone who actually knows the people who should see my mss? If", "for years and provides a certain number of copies to the author, the", "in business for years and provides a certain number of copies to the", "self publishing company to be someone who actually knows the people who should", "business for years and provides a certain number of copies to the author,", "professional, my choice seems clear, but how likely is it that such a", "literary agents and know the editors of the various houses well? The third", "seek out producers etc and try and get a deal. The third company", "to sell your book and the quality of their PoDs is less than", "outlets. The royalties are higher with them, so I was considering them. They", "contacted me believing I had written a children’s book, does a round of", "actual book than the second does, but seems better in the distribution and", "a self publishing company to be someone who actually knows the people who", "publishing company to be someone who actually knows the people who should see", "a person could compete with those who are purely literary agents and know", "offer your work to many stores as well as online through various outlets.", "book and the quality of their PoDs is less than I would like.", "the big five who might take you on. If potential in other media", "a certain number of copies to the author, the rest are sold from", "to the author, the rest are sold from their site. I have since", "you on. If potential in other media exists, they will also seek out", "with three PoD companies. I was considering the first, it has been in", "that, for a considerable outlay, will do multiple rounds of content edit and", "online through various outlets. The royalties are higher with them, so I was", "had written a children’s book, does a round of copy editing and publishes", "is it that such a person could compete with those who are purely", "agent to try and find one of the big five who might take", "primarily print in Canada. The third company, which contacted me believing I had", "book, does a round of copy editing and publishes the book as the", "know the editors of the various houses well? The third company has an", "book as the others do - however, they assign an agent to try", "in Canada. The third company, which contacted me believing I had written a", "on. If potential in other media exists, they will also seek out producers", "seems clear, but how likely is it that such a person could compete", "round of copy editing and publishes the book as the others do -", "has an A rating on BBB otherwise I would not have considered it.", "years and provides a certain number of copies to the author, the rest", "was considering them. They primarily print in Canada. The third company, which contacted", "work to many stores as well as online through various outlets. The royalties", "Canada. The third company, which contacted me believing I had written a children’s", "others do - however, they assign an agent to try and find one", "would like. A friend used them and gave me one copy of her", "find one of the big five who might take you on. If potential", "likely is it that such a person could compete with those who are", "try and get a deal. The third company does less to the actual", "children’s book, does a round of copy editing and publishes the book as", "my mss? If the agent is an effective professional, my choice seems clear,", "third company has an A rating on BBB otherwise I would not have", "- however, they assign an agent to try and find one of the", "does less to the actual book than the second does, but seems better", "deal. The third company does less to the actual book than the second", "PoD companies. I was considering the first, it has been in business for", "editors of the various houses well? The third company has an A rating", "that I have checked, all three have A ratings on BBB. The first", "three have A ratings on BBB. The first one does not try to", "the editors of the various houses well? The third company has an A", "your book and the quality of their PoDs is less than I would", "The third company does less to the actual book than the second does,", "have A ratings on BBB. The first one does not try to sell", "copies to the author, the rest are sold from their site. I have", "do multiple rounds of content edit and then offer your work to many", "an A rating on BBB otherwise I would not have considered it. Now", "copy editing and publishes the book as the others do - however, they", "provides a certain number of copies to the author, the rest are sold", "one does not try to sell your book and the quality of their", "I have been communicating with three PoD companies. I was considering the first,", "who should see my mss? If the agent is an effective professional, my", "stores as well as online through various outlets. The royalties are higher with", "been in business for years and provides a certain number of copies to", "companies. I was considering the first, it has been in business for years", "with them, so I was considering them. They primarily print in Canada. The", "communicating with three PoD companies. I was considering the first, it has been", "five who might take you on. If potential in other media exists, they", "what the second one does. My question is, how likely is a literary", "and the quality of their PoDs is less than I would like. A", "A friend used them and gave me one copy of her first book.", "multiple rounds of content edit and then offer your work to many stores", "higher with them, so I was considering them. They primarily print in Canada.", "the distribution and promotion aspects. It also costs about a third of what", "the actual book than the second does, but seems better in the distribution", "of what the second one does. My question is, how likely is a", "those who are purely literary agents and know the editors of the various", "the first, it has been in business for years and provides a certain", "all three have A ratings on BBB. The first one does not try", "publishes the book as the others do - however, they assign an agent", "not try to sell your book and the quality of their PoDs is", "a round of copy editing and publishes the book as the others do", "better in the distribution and promotion aspects. It also costs about a third", "If the agent is an effective professional, my choice seems clear, but how", "written a children’s book, does a round of copy editing and publishes the", "how likely is a literary agent who is part of a self publishing", "mss? If the agent is an effective professional, my choice seems clear, but", "of content edit and then offer your work to many stores as well", "are higher with them, so I was considering them. They primarily print in", "I would not have considered it. Now that I have checked, all three", "company, which contacted me believing I had written a children’s book, does a", "a deal. The third company does less to the actual book than the", "content edit and then offer your work to many stores as well as", "agent who is part of a self publishing company to be someone who", "third company does less to the actual book than the second does, but", "If potential in other media exists, they will also seek out producers etc", "I had written a children’s book, does a round of copy editing and", "on BBB otherwise I would not have considered it. Now that I have", "take you on. If potential in other media exists, they will also seek", "first, it has been in business for years and provides a certain number", "print in Canada. The third company, which contacted me believing I had written", "in the distribution and promotion aspects. It also costs about a third of", "does. My question is, how likely is a literary agent who is part", "a literary agent who is part of a self publishing company to be", "assign an agent to try and find one of the big five who", "who is part of a self publishing company to be someone who actually", "is, how likely is a literary agent who is part of a self", "of copy editing and publishes the book as the others do - however,", "them. They primarily print in Canada. The third company, which contacted me believing", "the second does, but seems better in the distribution and promotion aspects. It", "on BBB. The first one does not try to sell your book and", "should see my mss? If the agent is an effective professional, my choice", "does, but seems better in the distribution and promotion aspects. It also costs", "The royalties are higher with them, so I was considering them. They primarily", "I was considering the first, it has been in business for years and", "The third company, which contacted me believing I had written a children’s book,", "The first one does not try to sell your book and the quality", "person could compete with those who are purely literary agents and know the", "and get a deal. The third company does less to the actual book", "as well as online through various outlets. The royalties are higher with them,", "been communicating with three PoD companies. I was considering the first, it has", "rounds of content edit and then offer your work to many stores as", "to the actual book than the second does, but seems better in the", "literary agent who is part of a self publishing company to be someone", "also seek out producers etc and try and get a deal. The third", "than I would like. A friend used them and gave me one copy", "company does less to the actual book than the second does, but seems", "try and find one of the big five who might take you on.", "was considering the first, it has been in business for years and provides", "seems better in the distribution and promotion aspects. It also costs about a", "might take you on. If potential in other media exists, they will also", "it. Now that I have checked, all three have A ratings on BBB.", "They primarily print in Canada. The third company, which contacted me believing I", "and know the editors of the various houses well? The third company has", "and provides a certain number of copies to the author, the rest are", "will also seek out producers etc and try and get a deal. The", "discovered a company that, for a considerable outlay, will do multiple rounds of", "A rating on BBB otherwise I would not have considered it. Now that", "then offer your work to many stores as well as online through various", "otherwise I would not have considered it. Now that I have checked, all", "less than I would like. A friend used them and gave me one", "Now that I have checked, all three have A ratings on BBB. The", "not have considered it. Now that I have checked, all three have A", "edit and then offer your work to many stores as well as online", "and publishes the book as the others do - however, they assign an", "has been in business for years and provides a certain number of copies", "to try and find one of the big five who might take you", "knows the people who should see my mss? If the agent is an", "the people who should see my mss? If the agent is an effective", "company that, for a considerable outlay, will do multiple rounds of content edit", "through various outlets. The royalties are higher with them, so I was considering", "people who should see my mss? If the agent is an effective professional,", "the various houses well? The third company has an A rating on BBB", "have checked, all three have A ratings on BBB. The first one does", "of a self publishing company to be someone who actually knows the people", "get a deal. The third company does less to the actual book than" ]
[ "character, which are caused by the tool-character's actions\" ?' Note: I'm fairly new", "happens to him,* be it good or bad. He's like the bus in", "humanity. He doesn't care about the main character or what happens to him,", "his thing and has basically no emotions or humanity. He doesn't care about", "internal struggles of the actual character, which are caused by the tool-character's actions\"", "this \"tool-character\" and be something like \"devil against man\", or should I consider", "something like \"devil against man\", or should I consider the conflict to be", "to grab on to concepts like conflict and theme to better understand how", "wants his thing and has basically no emotions or humanity. He doesn't care", "He just wants his thing and has basically no emotions or humanity. He", "doesn't care about the main character or what happens to him,** be it", "\"tool-character\" and be something like \"devil against man\", or should I consider the", "but he's more of a tool rather than a force in the story.", "fairly new to all this, so I try to grab on to concepts", "My question is 'Should the conflict include this \"tool-character\" and be something like", "more of a tool rather than a force in the story. He just", "tool-character's actions\" ?' Note: I'm fairly new to all this, so I try", "that this character I'm thinking of isn't human. He's more of a devil", "of the actual character, which are caused by the tool-character's actions\" ?' Note:", "the planning stage. My question is 'Should the conflict include this \"tool-character\" and", "the bus in that Sandra Bullock movie hah Right now I'm in the", "he's more of a tool rather than a force in the story. He", "'Should the conflict include this \"tool-character\" and be something like \"devil against man\",", "conflict include this \"tool-character\" and be something like \"devil against man\", or should", "bus in that Sandra Bullock movie hah Right now I'm in the planning", "a tool rather than a force in the story. He just wants his", "planning stage. My question is 'Should the conflict include this \"tool-character\" and be", "be \"the internal struggles of the actual character, which are caused by the", "Note: I'm fairly new to all this, so I try to grab on", "like the bus in that Sandra Bullock movie hah Right now I'm in", "Bullock movie hah Right now I'm in the planning stage. My question is", "or bad. He's like the bus in that Sandra Bullock movie hah Right", "on to concepts like conflict and theme to better understand how to write", "thing. Of course he still has his motivations, goals, etc, but he's more", "I consider the conflict to be \"the internal struggles of the actual character,", "conflict to be \"the internal struggles of the actual character, which are caused", "in the planning stage. My question is 'Should the conflict include this \"tool-character\"", "be it good or bad. He's like the bus in that Sandra Bullock", "which are caused by the tool-character's actions\" ?' Note: I'm fairly new to", "no emotions or humanity. **He doesn't care about the main character or what", "I'm thinking of isn't human. He's more of a devil sort of thing.", "are caused by the tool-character's actions\" ?' Note:* I'm fairly new to all", "movie hah Right now I'm in the planning stage. My question is 'Should", "good or bad. He's like the bus in that Sandra Bullock movie hah", "by the tool-character's actions\" ?' Note: I'm fairly new to all this, so", "Right now I'm in the planning stage. My question is 'Should the conflict", "emotions or humanity. *He doesn't care about the main character or what happens", "this, so I try to grab on to concepts like conflict and theme", "of isn't human. He's more of a devil sort of thing. Of course", "character or what happens to him,* be it good or bad. He's like", "the conflict include this \"tool-character\" and be something like \"devil against man\", or", "include this \"tool-character\" and be something like \"devil against man\", or should I", "to him,*** be it good or bad. He's like the bus in that", "man\", or should I consider the conflict to be \"the internal struggles of", "bad. He's like the bus in that Sandra Bullock movie hah Right now", "more of a devil sort of thing. Of course he still has his", "grab on to concepts like conflict and theme to better understand how to", "of thing. Of course he still has his motivations, goals, etc, but he's", "this character I'm thinking of isn't human. He's more of a devil sort", "the story. He just wants his thing and has basically no emotions or", "of a tool rather than a force in the story. He just wants", "to all this, so I try to grab on to concepts like conflict", "?' Note: I'm fairly new to all this, so I try to grab", "basically no emotions or humanity. **He doesn't care about the main character or", "I mean that this character I'm thinking of isn't human. He's more of", "than a force in the story. He just wants his thing and has", "the tool-character's actions\" ?' Note:* I'm fairly new to all this, so I", "I'm fairly new to all this, so I try to grab on to", "or humanity. *He doesn't care about the main character or what happens to", "etc, but he's more of a tool rather than a force in the", "I try to grab on to concepts like conflict and theme to better", "\"ununderstandable\" I mean that this character I'm thinking of isn't human. He's more", "it good or bad. He's like the bus in that Sandra Bullock movie", "like \"devil against man\", or should I consider the conflict to be \"the", "tool rather than a force in the story. He just wants his thing", "a force in the story. He just wants his thing and has basically", "or should I consider the conflict to be \"the internal struggles of the", "all this, so I try to grab on to concepts like conflict and", "a devil sort of thing. Of course he still has his motivations, goals,", "his motivations, goals, etc, but he's more of a tool rather than a", "just wants his thing and has basically no emotions or humanity. He doesn't", "should I consider the conflict to be \"the internal struggles of the actual", "goals, etc, but he's more of a tool rather than a force in", "about the main character or what happens to him, be it good or", "and be something like \"devil against man\", or should I consider the conflict", "\"devil against man\", or should I consider the conflict to be \"the internal", "devil sort of thing. Of course he still has his motivations, goals, etc,", "has his motivations, goals, etc, but he's more of a tool rather than", "He doesn't care about the main character or what happens to him,** be", "that Sandra Bullock movie hah Right now I'm in the planning stage. My", "hah Right now I'm in the planning stage. My question is 'Should the", "question is 'Should the conflict include this \"tool-character\" and be something like \"devil", "I'm in the planning stage. My question is 'Should the conflict include this", "caused by the tool-character's actions\" ?' Note: I'm fairly new to all this,", "sort of thing. Of course he still has his motivations, goals, etc, but", "what happens to him,*** be it good or bad. He's like the bus", "actions\" ?' Note: I'm fairly new to all this, so I try to", "stage. My question is 'Should the conflict include this \"tool-character\" and be something", "care about the main character or what happens to him,* be it good", "thinking of isn't human. He's more of a devil sort of thing. Of", "consider the conflict to be \"the internal struggles of the actual character, which", "isn't human. He's more of a devil sort of thing. Of course he", "new to all this, so I try to grab on to concepts like", "to be \"the internal struggles of the actual character, which are caused by", "him,* be it good or bad. He's like the bus in that Sandra", "in that Sandra Bullock movie hah Right now I'm in the planning stage.", "still has his motivations, goals, etc, but he's more of a tool rather", "the main character or what happens to him,* be it good or bad.", "He's like the bus in that Sandra Bullock movie hah Right now I'm", "is 'Should the conflict include this \"tool-character\" and be something like \"devil against", "be something like \"devil against man\", or should I consider the conflict to", "force in the story. He just wants his thing and has basically no", "rather than a force in the story. He just wants his thing and", "has basically no emotions or humanity. He doesn't care about the main character", "mean that this character I'm thinking of isn't human. He's more of a", "in the story. He just wants his thing and has basically no emotions", "of a devil sort of thing. Of course he still has his motivations,", "course he still has his motivations, goals, etc, but he's more of a", "actual character, which are caused by the tool-character's actions\" ?' Note:* I'm fairly", "Sandra Bullock movie hah Right now I'm in the planning stage. My question", "or what happens to him,*** be it good or bad. He's like the", "so I try to grab on to concepts like conflict and theme to", "try to grab on to concepts like conflict and theme to better understand", "By \"ununderstandable\" I mean that this character I'm thinking of isn't human. He's", "human. He's more of a devil sort of thing. Of course he still", "the conflict to be \"the internal struggles of the actual character, which are", "story. He just wants his thing and has basically no emotions or humanity.", "Of course he still has his motivations, goals, etc, but he's more of", "character I'm thinking of isn't human. He's more of a devil sort of", "now I'm in the planning stage. My question is 'Should the conflict include", "\"the internal struggles of the actual character, which are caused by the tool-character's", "the actual character, which are caused by the tool-character's actions\" ?' Note: I'm", "thing and has basically no emotions or humanity. *He doesn't care about the", "struggles of the actual character, which are caused by the tool-character's actions\" ?'", "against man\", or should I consider the conflict to be \"the internal struggles", "motivations, goals, etc, but he's more of a tool rather than a force", "he still has his motivations, goals, etc, but he's more of a tool", "and has basically no emotions or humanity. He doesn't care about the main", "He's more of a devil sort of thing. Of course he still has", "main character or what happens to him,** be it good or bad. He's" ]
[ "machina, but the plot point isn't the actual climax, it's a faux climax.", "my part? I'm thinking of this because it could be the last lesson", "faux climax I'm considering? Or, would they think its a cheap shot on", "point isn't the actual climax, it's a faux climax. To bring the idea", "people are afflicted with calamities, only to be corrected and restored by a", "a superpower without much effort on one's behalf. Then an event happens (like", "bring the idea home, my MC is one who believes good people are", "thinks is the solution to all problems, only to discover this solution is", "even worse. If the reader knows that the MC is superstitious would that", "Or, would they think its a cheap shot on my part? I'm thinking", "MC, but everyone in the era of my story is. I'm contemplating a", "for the faux climax I'm considering? Or, would they think its a cheap", "solution to all problems, only to discover this solution is not happening, or", "some superstitious beliefs. That trait is not essential to the MC, but everyone", "one's behalf. Then an event happens (like some relative wins the lottery and", "enough foreshadowing for the faux climax I'm considering? Or, would they think its", "afflicted with calamities, only to be corrected and restored by a superpower without", "a faux climax. To bring the idea home, my MC is one who", "be corrected and restored by a superpower without much effort on one's behalf.", "would that be enough foreshadowing for the faux climax I'm considering? Or, would", "not happening, or it made things even worse. If the reader knows that", "to be corrected and restored by a superpower without much effort on one's", "I'm contemplating a plot point near the end that the reader might perceive", "or it made things even worse. If the reader knows that the MC", "part? I'm thinking of this because it could be the last lesson my", "climax, it's a faux climax. To bring the idea home, my MC is", "plot point isn't the actual climax, it's a faux climax. To bring the", "calamities, only to be corrected and restored by a superpower without much effort", "but everyone in the era of my story is. I'm contemplating a plot", "because it could be the last lesson my MC needs to finish her", "the solution to all problems, only to discover this solution is not happening,", "near the end that the reader might perceive as deus ex machina, but", "perceive as deus ex machina, but the plot point isn't the actual climax,", "climax. To bring the idea home, my MC is one who believes good", "the actual climax, it's a faux climax. To bring the idea home, my", "behalf. Then an event happens (like some relative wins the lottery and promises", "much effort on one's behalf. Then an event happens (like some relative wins", "event happens (like some relative wins the lottery and promises to help) that", "climax I'm considering? Or, would they think its a cheap shot on my", "one who believes good people are afflicted with calamities, only to be corrected", "relative wins the lottery and promises to help) that the MC thinks is", "they think its a cheap shot on my part? I'm thinking of this", "thinking of this because it could be the last lesson my MC needs", "it could be the last lesson my MC needs to finish her arch.", "story is. I'm contemplating a plot point near the end that the reader", "corrected and restored by a superpower without much effort on one's behalf. Then", "superpower without much effort on one's behalf. Then an event happens (like some", "of this because it could be the last lesson my MC needs to", "happens (like some relative wins the lottery and promises to help) that the", "things even worse. If the reader knows that the MC is superstitious would", "promises to help) that the MC thinks is the solution to all problems,", "to all problems, only to discover this solution is not happening, or it", "the idea home, my MC is one who believes good people are afflicted", "reader knows that the MC is superstitious would that be enough foreshadowing for", "by a superpower without much effort on one's behalf. Then an event happens", "would they think its a cheap shot on my part? I'm thinking of", "this because it could be the last lesson my MC needs to finish", "the faux climax I'm considering? Or, would they think its a cheap shot", "MC is superstitious would that be enough foreshadowing for the faux climax I'm", "a plot point near the end that the reader might perceive as deus", "of my main character's traits is that she has some superstitious beliefs. That", "MC thinks is the solution to all problems, only to discover this solution", "era of my story is. I'm contemplating a plot point near the end", "MC is one who believes good people are afflicted with calamities, only to", "this solution is not happening, or it made things even worse. If the", "my main character's traits is that she has some superstitious beliefs. That trait", "knows that the MC is superstitious would that be enough foreshadowing for the", "my MC is one who believes good people are afflicted with calamities, only", "without much effort on one's behalf. Then an event happens (like some relative", "effort on one's behalf. Then an event happens (like some relative wins the", "the end that the reader might perceive as deus ex machina, but the", "problems, only to discover this solution is not happening, or it made things", "(like some relative wins the lottery and promises to help) that the MC", "on my part? I'm thinking of this because it could be the last", "the plot point isn't the actual climax, it's a faux* climax. To bring", "home, my MC is one who believes good people are afflicted with calamities,", "Then an event happens (like some relative wins the lottery and promises to", "foreshadowing for the faux climax I'm considering? Or, would they think its a", "and restored by a superpower without much effort on one's behalf. Then an", "but the plot point isn't the actual climax, it's a faux climax. To", "One of my main character's traits is that she has some superstitious beliefs.", "be enough foreshadowing for the faux climax I'm considering? Or, would they think", "is the solution to all problems, only to discover this solution is not", "I'm thinking of this because it could be the last lesson my MC", "beliefs. That trait is not essential to the MC, but everyone in the", "its a cheap shot on my part? I'm thinking of this because it", "happening, or it made things even worse. If the reader knows that the", "trait is not essential to the MC, but everyone in the era of", "a cheap shot on my part? I'm thinking of this because it could", "with calamities, only to be corrected and restored by a superpower without much", "the era of my story is. I'm contemplating a plot point near the", "is superstitious would that be enough foreshadowing for the faux climax I'm considering?", "deus ex machina, but the plot point isn't the actual climax, it's a", "essential to the MC, but everyone in the era of my story is.", "might perceive as deus ex machina, but the plot point isn't the actual", "help) that the MC thinks is the solution to all problems, only to", "idea home, my MC is one who believes good people are afflicted with", "are afflicted with calamities, only to be corrected and restored by a superpower", "that the MC is superstitious would that be enough foreshadowing for the faux", "is. I'm contemplating a plot point near the end that the reader might", "To bring the idea home, my MC is one who believes good people", "actual climax, it's a faux climax. To bring the idea home, my MC", "everyone in the era of my story is. I'm contemplating a plot point", "character's traits is that she has some superstitious beliefs. That trait is not", "my story is. I'm contemplating a plot point near the end that the", "all problems, only to discover this solution is not happening, or it made", "shot on my part? I'm thinking of this because it could be the", "has some superstitious beliefs. That trait is not essential to the MC, but", "main character's traits is that she has some superstitious beliefs. That trait is", "think its a cheap shot on my part? I'm thinking of this because", "That trait is not essential to the MC, but everyone in the era", "reader might perceive as deus ex machina, but the plot point isn't the", "on one's behalf. Then an event happens (like some relative wins the lottery", "restored by a superpower without much effort on one's behalf. Then an event", "point near the end that the reader might perceive as deus ex machina,", "that the reader might perceive as deus ex machina, but the plot point", "that the MC thinks is the solution to all problems, only to discover", "the reader knows that the MC is superstitious would that be enough foreshadowing", "considering? Or, would they think its a cheap shot on my part? I'm", "to the MC, but everyone in the era of my story is. I'm", "that she has some superstitious beliefs. That trait is not essential to the", "I'm considering? Or, would they think its a cheap shot on my part?", "is one who believes good people are afflicted with calamities, only to be", "only to discover this solution is not happening, or it made things even", "If the reader knows that the MC is superstitious would that be enough", "who believes good people are afflicted with calamities, only to be corrected and", "is not happening, or it made things even worse. If the reader knows", "the MC is superstitious would that be enough foreshadowing for the faux climax", "lottery and promises to help) that the MC thinks is the solution to", "of my story is. I'm contemplating a plot point near the end that", "discover this solution is not happening, or it made things even worse. If", "and promises to help) that the MC thinks is the solution to all", "believes good people are afflicted with calamities, only to be corrected and restored", "contemplating a plot point near the end that the reader might perceive as", "end that the reader might perceive as deus ex machina, but the plot", "some relative wins the lottery and promises to help) that the MC thinks", "faux climax. To bring the idea home, my MC is one who believes", "it's a faux climax. To bring the idea home, my MC is one", "isn't the actual climax, it's a faux climax. To bring the idea home,", "only to be corrected and restored by a superpower without much effort on", "an event happens (like some relative wins the lottery and promises to help)", "good people are afflicted with calamities, only to be corrected and restored by", "superstitious beliefs. That trait is not essential to the MC, but everyone in", "traits is that she has some superstitious beliefs. That trait is not essential", "made things even worse. If the reader knows that the MC is superstitious", "plot point near the end that the reader might perceive as deus ex", "superstitious would that be enough foreshadowing for the faux climax I'm considering? Or,", "the MC, but everyone in the era of my story is. I'm contemplating", "the reader might perceive as deus ex machina, but the plot point isn't", "cheap shot on my part? I'm thinking of this because it could be", "it made things even worse. If the reader knows that the MC is", "the lottery and promises to help) that the MC thinks is the solution", "is not essential to the MC, but everyone in the era of my", "wins the lottery and promises to help) that the MC thinks is the", "is that she has some superstitious beliefs. That trait is not essential to", "ex machina, but the plot point isn't the actual climax, it's a faux", "worse. If the reader knows that the MC is superstitious would that be", "the MC thinks is the solution to all problems, only to discover this", "as deus ex machina, but the plot point isn't the actual climax, it's", "in the era of my story is. I'm contemplating a plot point near", "not essential to the MC, but everyone in the era of my story", "to discover this solution is not happening, or it made things even worse.", "she has some superstitious beliefs. That trait is not essential to the MC,", "solution is not happening, or it made things even worse*. If the reader", "that be enough foreshadowing for the faux climax I'm considering? Or, would they", "to help) that the MC thinks is the solution to all problems, only" ]
[ "write a book about a life of a person. However, the protagonist is", "a life of a person. However, the protagonist is a black person. The", "study medicine (in my country we have great public universities). I'm white, and", "suppose this doesn't happen in the story's world, or do I talk about", "ethnicity things, but where the plot happens I have to talk about some", "country we have great public universities). I'm white, and my life is very", "I'm white, and my life is very different of the protagonist; I don't", "and my life is very different of the protagonist; I don't personally know", "romance ignoring ethnicity problems and suppose this doesn't happen in the story's world,", "to talk about some situations. The book is about romance, but the protagonist", "suffer hate due to ethnicity. In my mind, if I write a book", "I write the romance ignoring ethnicity problems and suppose this doesn't happen in", "public universities). I'm white, and my life is very different of the protagonist;", "the protagonist; I don't personally know what it's like to suffer hate due", "to study medicine (in my country we have great public universities). I'm white,", "book about a life of a person. However, the protagonist is a black", "is very different of the protagonist; I don't personally know what it's like", "with a lot of research) and be judged by others people saying I'm", "is about romance, but the protagonist is poor and goes to a university", "this character, I will be committing cultural appropriation, and people won't take my", "this doesn't happen in the story's world, or do I talk about this", "things, but where the plot happens I have to talk about some situations.", "a person. However, the protagonist is a black person. The main plot is", "medicine (in my country we have great public universities). I'm white, and my", "great public universities). I'm white, and my life is very different of the", "book seriously. How can I manage this? Do I write the romance ignoring", "seriously. How can I manage this? Do I write the romance ignoring ethnicity", "the romance ignoring ethnicity problems and suppose this doesn't happen in the story's", "about this character, I will be committing cultural appropriation, and people won't take", "about romance, but the protagonist is poor and goes to a university to", "In my mind, if I write a book about this character, I will", "poor and goes to a university to study medicine (in my country we", "I write a book about this character, I will be committing cultural appropriation,", "write the romance ignoring ethnicity problems and suppose this doesn't happen in the", "main plot is not about ethnicity things, but where the plot happens I", "manage this? Do I write the romance ignoring ethnicity problems and suppose this", "theme (even a little with a lot of research) and be judged by", "talk about some situations. The book is about romance, but the protagonist is", "a lot of research) and be judged by others people saying I'm not", "write a book about this character, I will be committing cultural appropriation, and", "talk about this theme (even a little with a lot of research) and", "of a person. However, the protagonist is a black person. The main plot", "like to suffer hate due to ethnicity. In my mind, if I write", "in the story's world, or do I talk about this theme (even a", "ethnicity. In my mind, if I write a book about this character, I", "story's world, or do I talk about this theme (even a little with", "be judged by others people saying I'm not capable write about this theme?", "happens I have to talk about some situations. The book is about romance,", "to ethnicity. In my mind, if I write a book about this character,", "the protagonist is a black person. The main plot is not about ethnicity", "or do I talk about this theme (even a little with a lot", "protagonist is a black person. The main plot is not about ethnicity things,", "about some situations. The book is about romance, but the protagonist is poor", "have to talk about some situations. The book is about romance, but the", "(even a little with a lot of research) and be judged by others", "romance, but the protagonist is poor and goes to a university to study", "people won't take my book seriously. How can I manage this? Do I", "planning to write a book about a life of a person. However, the", "person. The main plot is not about ethnicity things, but where the plot", "I don't personally know what it's like to suffer hate due to ethnicity.", "and goes to a university to study medicine (in my country we have", "about ethnicity things, but where the plot happens I have to talk about", "I manage this? Do I write the romance ignoring ethnicity problems and suppose", "about this theme (even a little with a lot of research) and be", "goes to a university to study medicine (in my country we have great", "How can I manage this? Do I write the romance ignoring ethnicity problems", "but the protagonist is poor and goes to a university to study medicine", "The book is about romance, but the protagonist is poor and goes to", "won't take my book seriously. How can I manage this? Do I write", "and be judged by others people saying I'm not capable write about this", "a university to study medicine (in my country we have great public universities).", "of research) and be judged by others people saying I'm not capable write", "universities). I'm white, and my life is very different of the protagonist; I", "is not about ethnicity things, but where the plot happens I have to", "lot of research) and be judged by others people saying I'm not capable", "(in my country we have great public universities). I'm white, and my life", "what it's like to suffer hate due to ethnicity. In my mind, if", "my life is very different of the protagonist; I don't personally know what", "university to study medicine (in my country we have great public universities). I'm", "problems and suppose this doesn't happen in the story's world, or do I", "book is about romance, but the protagonist is poor and goes to a", "my country we have great public universities). I'm white, and my life is", "life is very different of the protagonist; I don't personally know what it's", "be committing cultural appropriation, and people won't take my book seriously. How can", "Do I write the romance ignoring ethnicity problems and suppose this doesn't happen", "will be committing cultural appropriation, and people won't take my book seriously. How", "cultural appropriation, and people won't take my book seriously. How can I manage", "black person. The main plot is not about ethnicity things, but where the", "my book seriously. How can I manage this? Do I write the romance", "a book about a life of a person. However, the protagonist is a", "to suffer hate due to ethnicity. In my mind, if I write a", "plot is not about ethnicity things, but where the plot happens I have", "it's like to suffer hate due to ethnicity. In my mind, if I", "world, or do I talk about this theme (even a little with a", "character, I will be committing cultural appropriation, and people won't take my book", "but where the plot happens I have to talk about some situations. The", "white, and my life is very different of the protagonist; I don't personally", "is a black person. The main plot is not about ethnicity things, but", "ethnicity problems and suppose this doesn't happen in the story's world, or do", "a black person. The main plot is not about ethnicity things, but where", "different of the protagonist; I don't personally know what it's like to suffer", "The main plot is not about ethnicity things, but where the plot happens", "life of a person. However, the protagonist is a black person. The main", "if I write a book about this character, I will be committing cultural", "I have to talk about some situations. The book is about romance, but", "do I talk about this theme (even a little with a lot of", "protagonist is poor and goes to a university to study medicine (in my", "research) and be judged by others people saying I'm not capable write about", "where the plot happens I have to talk about some situations. The book", "am planning to write a book about a life of a person. However,", "to a university to study medicine (in my country we have great public", "about a life of a person. However, the protagonist is a black person.", "I will be committing cultural appropriation, and people won't take my book seriously.", "know what it's like to suffer hate due to ethnicity. In my mind,", "mind, if I write a book about this character, I will be committing", "hate due to ethnicity. In my mind, if I write a book about", "my mind, if I write a book about this character, I will be", "some situations. The book is about romance, but the protagonist is poor and", "the plot happens I have to talk about some situations. The book is", "can I manage this? Do I write the romance ignoring ethnicity problems and", "a book about this character, I will be committing cultural appropriation, and people", "don't personally know what it's like to suffer hate due to ethnicity. In", "this? Do I write the romance ignoring ethnicity problems and suppose this doesn't", "personally know what it's like to suffer hate due to ethnicity. In my", "little with a lot of research) and be judged by others people saying", "committing cultural appropriation, and people won't take my book seriously. How can I", "a little with a lot of research) and be judged by others people", "to write a book about a life of a person. However, the protagonist", "and suppose this doesn't happen in the story's world, or do I talk", "take my book seriously. How can I manage this? Do I write the", "book about this character, I will be committing cultural appropriation, and people won't", "the protagonist is poor and goes to a university to study medicine (in", "this theme (even a little with a lot of research) and be judged", "is poor and goes to a university to study medicine (in my country", "the story's world, or do I talk about this theme (even a little", "I talk about this theme (even a little with a lot of research)", "protagonist; I don't personally know what it's like to suffer hate due to", "happen in the story's world, or do I talk about this theme (even", "situations. The book is about romance, but the protagonist is poor and goes", "doesn't happen in the story's world, or do I talk about this theme", "I am planning to write a book about a life of a person.", "we have great public universities). I'm white, and my life is very different", "of the protagonist; I don't personally know what it's like to suffer hate", "have great public universities). I'm white, and my life is very different of", "person. However, the protagonist is a black person. The main plot is not", "and people won't take my book seriously. How can I manage this? Do", "due to ethnicity. In my mind, if I write a book about this", "appropriation, and people won't take my book seriously. How can I manage this?", "ignoring ethnicity problems and suppose this doesn't happen in the story's world, or", "However, the protagonist is a black person. The main plot is not about", "very different of the protagonist; I don't personally know what it's like to", "plot happens I have to talk about some situations. The book is about", "not about ethnicity things, but where the plot happens I have to talk" ]
[ "otherwise I'll be introducing about 20 different characters and worldbuilding info for 2", "My story is broken into 8 sections. Sections 1 and 2 take place", "options I've already considered: * Give up and merge 1 and 2. I'm", "2 separate worlds all at once. * Put dates on each chapter. This", "flows at the same rate in both worlds. Sections 1 & 2 last", "is one event at the beginning that affects both worlds, but it doesn't", "worlds as needed). Right now it's not particularly obvious that 1 and 2", "all at once. * Put dates on each chapter. This feels heavy-handed, and", "make it look less forced.) Edit: Time flows at the same rate in", "less forced.) Edit: Time flows at the same rate in both worlds. Sections", "appears in both (he appears towards the end of each section). What can", "reader to figure it out. (The trick here is to make it look", "each chapter. This feels heavy-handed, and the two worlds aren't supposed to be", "forced.) Edit:** Time flows at the same rate in both worlds. Sections 1", "& 2 last for 1 month. There is one event at the beginning", "same time. There's only 1 character who appears in both (he appears towards", "only 1 character who appears in both (he appears towards the end of", "I do to make this more obvious to the reader? Some options I've", "1 character who appears in both (he appears towards the end of each", "of each section). What can I do to make this more obvious to", "character who appears in both (he appears towards the end of each section).", "fashion (switching back & forth between the two worlds as needed). Right now", "both (he appears towards the end of each section). What can I do", "Some options I've already considered: * Give up and merge 1 and 2.", "that affects both worlds, but it doesn't look the same in both worlds.", "to make it look less forced.) Edit: Time flows at the same rate", "is to make it look less forced.) Edit: Time flows at the same", "Sections 1 & 2 last for 1 month. There is one event at", "2 are happening at the same time. There's only 1 character who appears", "* Put dates on each chapter. This feels heavy-handed, and the two worlds", "figure it out. (The trick here is to make it look less forced.)", "that 1 and 2 are happening at the same time. There's only 1", "as is. Hopefully, the shared character gives enough information for the reader to", "Time flows at the same rate in both worlds. Sections 1 & 2", "chapter. This feels heavy-handed, and the two worlds aren't supposed to be using", "and 2 take place simultaneously, in two different worlds. The other 6 continue", "for 1 month. There is one event at the beginning that affects both", "The other 6 continue in a linear fashion (switching back & forth between", "Give up and merge 1 and 2. I'm really trying to keep 1", "reader? Some options I've already considered: * *Give up and merge 1 and", "I'm really trying to keep 1 and 2 separate - otherwise I'll be", "be using the same calendar. Leave it as is. Hopefully, the shared", "into 8 sections. Sections 1 and 2 take place simultaneously, in two different", "as needed). Right now it's not particularly obvious that 1 and 2 are", "(The trick here is to make it look less forced.) Edit: Time flows", "obvious that 1 and 2 are happening at the same time. There's only", "supposed to be using the same calendar. * Leave it as is. Hopefully,", "There's only 1 character who appears in both (he appears towards the end", "(switching back & forth between the two worlds as needed). Right now it's", "calendar. * Leave it as is. Hopefully, the shared character gives enough information", "introducing about 20 different characters and worldbuilding info for 2 separate worlds all", "in a linear fashion (switching back & forth between the two worlds as", "characters and worldbuilding info for 2 separate worlds all at once. * Put", "out. (The trick here is to make it look less forced.) Edit:** Time", "This feels heavy-handed, and the two worlds aren't supposed to be using the", "more obvious to the reader? Some options I've already considered: * Give up", "character gives enough information for the reader to figure it out. (The trick", "end of each section). What can I do to make this more obvious", "it as is. Hopefully, the shared character gives enough information for the reader", "the reader? Some options I've already considered: * Give up and merge 1", "different worlds. The other 6 continue in a linear fashion (switching back &", "and merge 1 and 2. I'm really trying to keep 1 and 2", "same rate in both worlds. Sections 1 & 2 last for 1 month.", "a linear fashion (switching back & forth between the two worlds as needed).", "between the two worlds as needed). Right now it's not particularly obvious that", "gives enough information for the reader to figure it out. (The trick here", "it's not particularly obvious that 1 and 2 are happening at the same", "What can I do to make this more obvious to the reader? Some", "aren't supposed to be using the same calendar. * Leave it as is.", "2 last for 1 month. There is one event at the beginning that", "can I do to make this more obvious to the reader? Some options", "this more obvious to the reader? Some options I've already considered: * Give", "trying to keep 1 and 2 separate - otherwise I'll be introducing about", "particularly obvious that 1 and 2 are happening at the same time. There's", "and 2 separate - otherwise I'll be introducing about 20 different characters and", "needed). Right now it's not particularly obvious that 1 and 2 are happening", "Put dates on each chapter.** This feels heavy-handed, and the two worlds aren't", "worlds. Sections 1 & 2 last for 1 month. There is one event", "I'll be introducing about 20 different characters and worldbuilding info for 2 separate", "forth between the two worlds as needed). Right now it's not particularly obvious", "shared character gives enough information for the reader to figure it out. (The", "happening at the same time. There's only 1 character who appears in both", "do to make this more obvious to the reader? Some options I've already", "worldbuilding info for 2 separate worlds all at once. * *Put dates on", "two worlds aren't supposed to be using the same calendar. Leave it", "place simultaneously, in two different worlds. The other 6 continue in a linear", "it out. (The trick here is to make it look less forced.) Edit:", "simultaneously, in two different worlds. The other 6 continue in a linear fashion", "dates on each chapter. This feels heavy-handed, and the two worlds aren't supposed", "on each chapter.** This feels heavy-handed, and the two worlds aren't supposed to", "Hopefully, the shared character gives enough information for the reader to figure it", "both worlds. Sections 1 & 2 last for 1 month. There is one", "1 & 2 last for 1 month. There is one event at the", "worlds. The other 6 continue in a linear fashion (switching back & forth", "once. * Put dates on each chapter. This feels heavy-handed, and the two", "in two different worlds. The other 6 continue in a linear fashion (switching", "to the reader? Some options I've already considered: * Give up and merge", "really trying to keep 1 and 2 separate - otherwise I'll be introducing", "here is to make it look less forced.) Edit: Time flows at the", "heavy-handed, and the two worlds aren't supposed to be using the same calendar.", "trick here is to make it look less forced.) Edit:** Time flows at", "linear fashion (switching back & forth between the two worlds as needed). Right", "obvious to the reader? Some options I've already considered: * Give up and", "at the same rate in both worlds. Sections 1 & 2 last for", "is. Hopefully, the shared character gives enough information for the reader to figure", "one event at the beginning that affects both worlds, but it doesn't look", "sections. Sections 1 and 2 take place simultaneously, in two different worlds. The", "enough information for the reader to figure it out. (The trick here is", "be introducing about 20 different characters and worldbuilding info for 2 separate worlds", "last for 1 month. There is one event at the beginning that affects", "in both worlds. Sections 1 & 2 last for 1 month. There is", "the same time. There's only 1 character who appears in both (he appears", "appears towards the end of each section). What can I do to make", "feels heavy-handed, and the two worlds aren't supposed to be using the same", "1 month. There is one event at the beginning that affects both worlds,", "at the beginning that affects both worlds, but it doesn't look the same", "now it's not particularly obvious that 1 and 2 are happening at the", "other 6 continue in a linear fashion (switching back & forth between the", "Sections 1 and 2 take place simultaneously, in two different worlds. The other", "story is broken into 8 sections. Sections 1 and 2 take place simultaneously,", "already considered: * Give up and merge 1 and 2. I'm really trying", "* Leave it as is. Hopefully, the shared character gives enough information for", "for the reader to figure it out. (The trick here is to make", "the beginning that affects both worlds, but it doesn't look the same in", "1 and 2. I'm really trying to keep 1 and 2 separate -", "1 and 2 take place simultaneously, in two different worlds. The other 6", "2. I'm really trying to keep 1 and 2 separate - otherwise I'll", "Right now it's not particularly obvious that 1 and 2 are happening at", "to keep 1 and 2 separate - otherwise I'll be introducing about 20", "the two worlds as needed). Right now it's not particularly obvious that 1", "the same calendar. * Leave it as is. Hopefully, the shared character gives", "There is one event at the beginning that affects both worlds, but it", "I've already considered: * Give up and merge 1 and 2. I'm really", "2 take place simultaneously, in two different worlds. The other 6 continue in", "two worlds as needed). Right now it's not particularly obvious that 1 and", "month. There is one event at the beginning that affects both worlds, but", "look less forced.) Edit: Time flows at the same rate in both worlds.", "worlds aren't supposed to be using the same calendar. * *Leave it as", "for 2 separate worlds all at once. Put dates on each chapter.", "using the same calendar. * Leave it as is. Hopefully, the shared character", "Leave it as is. Hopefully, the shared character gives enough information for the", "separate - otherwise I'll be introducing about 20 different characters and worldbuilding info", "merge 1 and 2.** I'm really trying to keep 1 and 2 separate", "section). What can I do to make this more obvious to the reader?", "the end of each section). What can I do to make this more", "about 20 different characters and worldbuilding info for 2 separate worlds all at", "take place simultaneously, in two different worlds. The other 6 continue in a", "are happening at the same time. There's only 1 character who appears in", "broken into 8 sections. Sections 1 and 2 take place simultaneously, in two", "in both (he appears towards the end of each section). What can I", "event at the beginning that affects both worlds, but it doesn't look the", "beginning that affects both worlds, but it doesn't look the same in both", "the shared character gives enough information for the reader to figure it out.", "* Give up and merge 1 and 2. I'm really trying to keep", "continue in a linear fashion (switching back & forth between the two worlds", "same calendar. * Leave it as is. Hopefully, the shared character gives enough", "who appears in both (he appears towards the end of each section). What", "is broken into 8 sections. Sections 1 and 2 take place simultaneously, in", "2 separate - otherwise I'll be introducing about 20 different characters and worldbuilding", "1 and 2 are happening at the same time. There's only 1 character", "different characters and worldbuilding info for 2 separate worlds all at once. ", "information for the reader to figure it out. (The trick here is to", "1 and 2 separate - otherwise I'll be introducing about 20 different characters", "not particularly obvious that 1 and 2 are happening at the same time.", "it look less forced.) Edit:* Time flows at the same rate in both", "rate in both worlds. Sections 1 & 2 last for 1 month. There", "- otherwise I'll be introducing about 20 different characters and worldbuilding info for", "keep 1 and 2 separate - otherwise I'll be introducing about 20 different", "considered: * Give up and merge 1 and 2. I'm really trying to", "separate worlds all at once. * Put dates on each chapter. This feels", "two different worlds. The other 6 continue in a linear fashion (switching back", "Edit: Time flows at the same rate in both worlds. Sections 1 &", "(he appears towards the end of each section). What can I do to", "to make this more obvious to the reader? Some options I've already considered:", "to be using the same calendar. * Leave it as is. Hopefully, the", "worlds all at once. * Put dates on each chapter. This feels heavy-handed,", "back & forth between the two worlds as needed). Right now it's not", "and 2.** I'm really trying to keep 1 and 2 separate - otherwise", "to figure it out. (The trick here is to make it look less", "and 2 are happening at the same time. There's only 1 character who", "each section). What can I do to make this more obvious to the", "at once. * Put dates on each chapter. This feels heavy-handed, and the", "and the two worlds aren't supposed to be using the same calendar. ", "8 sections. Sections 1 and 2 take place simultaneously, in two different worlds.", "20 different characters and worldbuilding info for 2 separate worlds all at once.", "the two worlds aren't supposed to be using the same calendar. Leave", "the same rate in both worlds. Sections 1 & 2 last for 1", "towards the end of each section). What can I do to make this", "the reader to figure it out. (The trick here is to make it", "6 continue in a linear fashion (switching back & forth between the two", "& forth between the two worlds as needed). Right now it's not particularly", "up and merge 1 and 2. I'm really trying to keep 1 and", "make this more obvious to the reader? Some options I've already considered: ", "and worldbuilding info for 2 separate worlds all at once. *Put dates", "at the same time. There's only 1 character who appears in both (he", "time. There's only 1 character who appears in both (he appears towards the", "info for 2 separate worlds all at once. **Put dates on each" ]
[ "problem to use the antecedent, which is \"Mr Shuonur\", after the possessive pronoun", "Shuonur, he was called > > > His profession, unknown > > >", "the possessive pronoun \"his\". Also, I am wondering if we can use \"his\"", "the bridge to nowhere > > > His garment was gray as the", "\"his\" without ever using an antecedent. > > His blue eyes starred at", "sky > > > Under the bridge to nowhere > > > His", "wondering if we can use \"his\" without ever using an antecedent. > >", "> > Below his house in the desert > > > Mr Shuonur,", "historical antecedent for this, or not using an antecedent at all. I don't", "wooden cane > > > With his old dog Pavlov > > >", "an antecedent. > > His blue eyes starred at the sky > >", "Mr Shuonur crossed the street with a wooden cane > > > With", "> Under the bridge to nowhere > > > His garment was gray", "am wondering if we can use \"his\" without ever using an antecedent. >", "Shuonur\", after the possessive pronoun \"his\". Also, I am wondering if we can", "antecedent, which is \"Mr Shuonur\", after the possessive pronoun \"his\". Also, I am", "eyes starred at the sky > > > Under the bridge to nowhere", "was called > > > His profession, unknown > > > Mr Shuonur", "we can use \"his\" without ever using an antecedent. > > His blue", "to use the antecedent, which is \"Mr Shuonur\", after the possessive pronoun \"his\".", "to nowhere > > > His garment was gray as the sky >", "in the desert > > > Mr Shuonur, he was called > >", "> His profession, unknown > > > Mr Shuonur crossed the street with", "a problem to use the antecedent, which is \"Mr Shuonur\", after the possessive", "antecedent at all. I don't remember having seen something like this in a", "if we can use \"his\" without ever using an antecedent. > > His", "if there's an historical antecedent for this, or not using an antecedent at", "possessive pronoun \"his\". Also, I am wondering if we can use \"his\" without", "using an antecedent at all. I don't remember having seen something like this", "> I am not sure if there's an historical antecedent for this, or", "> > His blue eyes starred at the sky > > > Under", "to be the first person to break a \"grammar\" rule that no one", "> > > Under the bridge to nowhere > > > His garment", "seen something like this in a famous poem. Anyway, I don't want to", "don't want to be the first person to break a \"grammar\" rule that", "antecedent. > > His blue eyes starred at the sky > > >", "dog Pavlov > > > I am not sure if there's an historical", "Also, I am wondering if we can use \"his\" without ever using an", "profession, unknown > > > Mr Shuonur crossed the street with a wooden", "sure if there's an historical antecedent for this, or not using an antecedent", "using an antecedent. > > His blue eyes starred at the sky >", "nowhere > > > His garment was gray as the sky > >", "remember having seen something like this in a famous poem. Anyway, I don't", "His blue eyes starred at the sky > > > Under the bridge", "which is \"Mr Shuonur\", after the possessive pronoun \"his\". Also, I am wondering", "having seen something like this in a famous poem. Anyway, I don't want", "\"his\". Also, I am wondering if we can use \"his\" without ever using", "like this in a famous poem. Anyway, I don't want to be the", "street with a wooden cane > > > With his old dog Pavlov", "Mr Shuonur, he was called > > > His profession, unknown > >", "His profession, unknown > > > Mr Shuonur crossed the street with a", "with a wooden cane > > > With his old dog Pavlov >", "> > I am not sure if there's an historical antecedent for this,", "his old dog Pavlov > > > I am not sure if there's", "> Below his house in the desert > > > Mr Shuonur, he", "there's an historical antecedent for this, or not using an antecedent at all.", "want to be the first person to break a \"grammar\" rule that no", "gray as the sky > > > Below his house in the desert", "Below his house in the desert > > > Mr Shuonur, he was", "> > With his old dog Pavlov > > > I am not", "use the antecedent, which is \"Mr Shuonur\", after the possessive pronoun \"his\". Also,", "crossed the street with a wooden cane > > > With his old", "an antecedent at all. I don't remember having seen something like this in", "His garment was gray as the sky > > > Below his house", "the sky > > > Below his house in the desert > >", "the desert > > > Mr Shuonur, he was called > > >", "\"Mr Shuonur\", after the possessive pronoun \"his\". Also, I am wondering if we", "> > His garment was gray as the sky > > > Below", "I don't want to be the first person to break a \"grammar\" rule", "I don't remember having seen something like this in a famous poem. Anyway,", "the street with a wooden cane > > > With his old dog", "use \"his\" without ever using an antecedent. > > His blue eyes starred", "at all. I don't remember having seen something like this in a famous", "> With his old dog Pavlov > > > I am not sure", "the first person to break a \"grammar\" rule that no one ever breaks.", "an historical antecedent for this, or not using an antecedent at all. I", "is \"Mr Shuonur\", after the possessive pronoun \"his\". Also, I am wondering if", "without ever using an antecedent. > > His blue eyes starred at the", "the antecedent, which is \"Mr Shuonur\", after the possessive pronoun \"his\". Also, I", "garment was gray as the sky > > > Below his house in", "at the sky > > > Under the bridge to nowhere > >", "something like this in a famous poem. Anyway, I don't want to be", "bridge to nowhere > > > His garment was gray as the sky", "antecedent for this, or not using an antecedent at all. I don't remember", "I am not sure if there's an historical antecedent for this, or not", "> > > Mr Shuonur, he was called > > > His profession,", "I was seriously wondering if it's a problem to use the antecedent, which", "this in a famous poem. Anyway, I don't want to be the first", "desert > > > Mr Shuonur, he was called > > > His", "> His blue eyes starred at the sky > > > Under the", "> Mr Shuonur, he was called > > > His profession, unknown >", "With his old dog Pavlov > > > I am not sure if", "Anyway, I don't want to be the first person to break a \"grammar\"", "ever using an antecedent. > > His blue eyes starred at the sky", "> Mr Shuonur crossed the street with a wooden cane > > >", "be the first person to break a \"grammar\" rule that no one ever", "pronoun \"his\". Also, I am wondering if we can use \"his\" without ever", "after the possessive pronoun \"his\". Also, I am wondering if we can use", "> > His profession, unknown > > > Mr Shuonur crossed the street", "if it's a problem to use the antecedent, which is \"Mr Shuonur\", after", "his house in the desert > > > Mr Shuonur, he was called", "> His garment was gray as the sky > > > Below his", "unknown > > > Mr Shuonur crossed the street with a wooden cane", "seriously wondering if it's a problem to use the antecedent, which is \"Mr", "as the sky > > > Below his house in the desert >", "Shuonur crossed the street with a wooden cane > > > With his", "called > > > His profession, unknown > > > Mr Shuonur crossed", "he was called > > > His profession, unknown > > > Mr", "blue eyes starred at the sky > > > Under the bridge to", "or not using an antecedent at all. I don't remember having seen something", "in a famous poem. Anyway, I don't want to be the first person", "> > > Mr Shuonur crossed the street with a wooden cane >", "I am wondering if we can use \"his\" without ever using an antecedent.", "not using an antecedent at all. I don't remember having seen something like", "> > Under the bridge to nowhere > > > His garment was", "> > > His profession, unknown > > > Mr Shuonur crossed the", "> > > His garment was gray as the sky > > >", "poem. Anyway, I don't want to be the first person to break a", "can use \"his\" without ever using an antecedent. > > His blue eyes", "starred at the sky > > > Under the bridge to nowhere >", "> > Mr Shuonur crossed the street with a wooden cane > >", "> > > With his old dog Pavlov > > > I am", "sky > > > Below his house in the desert > > >", "not sure if there's an historical antecedent for this, or not using an", "a famous poem. Anyway, I don't want to be the first person to", "famous poem. Anyway, I don't want to be the first person to break", "wondering if it's a problem to use the antecedent, which is \"Mr Shuonur\",", "house in the desert > > > Mr Shuonur, he was called >", "a wooden cane > > > With his old dog Pavlov > >", "> > > Below his house in the desert > > > Mr", "was seriously wondering if it's a problem to use the antecedent, which is", "the sky > > > Under the bridge to nowhere > > >", "am not sure if there's an historical antecedent for this, or not using", "old dog Pavlov > > > I am not sure if there's an", "Under the bridge to nowhere > > > His garment was gray as", "for this, or not using an antecedent at all. I don't remember having", "this, or not using an antecedent at all. I don't remember having seen", "it's a problem to use the antecedent, which is \"Mr Shuonur\", after the", "was gray as the sky > > > Below his house in the", "all. I don't remember having seen something like this in a famous poem.", "> > > I am not sure if there's an historical antecedent for", "cane > > > With his old dog Pavlov > > > I", "Pavlov > > > I am not sure if there's an historical antecedent", "don't remember having seen something like this in a famous poem. Anyway, I", "> > Mr Shuonur, he was called > > > His profession, unknown" ]
[ "but it sounds wrong. I don't think there's something I did wrong, but", "two makes it really weird. So can we combine the two or not?", "don't think there's something I did wrong, but the combination of the two", "ever did, so it feels wrong. I have the following sentence: > >", "doesn't seem to be something people ever did, so it feels wrong. I", "a metonymy with an idiom, and it doesn't seem to be something people", "this is possible. I would like to use a metonymy with an idiom,", "I have the following sentence: > > He was in the middle of", "fedora hats celebrating our victory. > > > I am using it to", "to be something people ever did, so it feels wrong. I have the", "did, so it feels wrong. I have the following sentence: > > He", "celebrating our victory. > > > Not only it sounds weird, but it", "not sure if this is possible. I would like to use a metonymy", "something people ever did, so it feels wrong. I have the following sentence:", "sure if this is possible. I would like to use a metonymy with", "He was in the middle of our fedora hats celebrating our victory. >", "> > He was in the middle of our (mafia) family celebrating our", "> > Not only it sounds weird, but it sounds wrong. I don't", "the two makes it really weird. So can we combine the two or", "am not sure if this is possible. I would like to use a", "our fedora hats celebrating our victory. > > > I am using it", "hats celebrating our victory. > > > I am using it to mean", "> He was in the middle of our fedora hats celebrating our victory.", "of our fedora hats celebrating our victory. > > > I am using", "> > He was in the middle of our fedora hats celebrating our", "our victory. > > > I am using it to mean the following:", "feels wrong. I have the following sentence: > > He was in the", "sounds weird, but it sounds wrong. I don't think there's something I did", "it feels wrong. I have the following sentence: > > He was in", "I am using it to mean the following: > > He was in", "it sounds wrong. I don't think there's something I did wrong, but the", "something I did wrong, but the combination of the two makes it really", "the following sentence: > > He was in the middle of our fedora", "am using it to mean the following: > > He was in the", "> He was in the middle of our (mafia) family celebrating our victory.", "middle of our fedora hats celebrating our victory. > > > I am", "the combination of the two makes it really weird. So can we combine", "in the middle of our fedora hats celebrating our victory. > > >", "like to use a metonymy with an idiom, and it doesn't seem to", "combination of the two makes it really weird. So can we combine the", "to use a metonymy with an idiom, and it doesn't seem to be", "> Not only it sounds weird, but it sounds wrong. I don't think", "> > > Not only it sounds weird, but it sounds wrong. I", "seem to be something people ever did, so it feels wrong. I have", "idiom, and it doesn't seem to be something people ever did, so it", "following sentence: > > He was in the middle of our fedora hats", "our victory. > > > Not only it sounds weird, but it sounds", "it sounds weird, but it sounds wrong. I don't think there's something I", "victory. > > > I am using it to mean the following: >", "be something people ever did, so it feels wrong. I have the following", "use a metonymy with an idiom, and it doesn't seem to be something", "sounds wrong. I don't think there's something I did wrong, but the combination", "I don't think there's something I did wrong, but the combination of the", "think there's something I did wrong, but the combination of the two makes", "was in the middle of our fedora hats celebrating our victory. > >", "so it feels wrong. I have the following sentence: > > He was", "victory. > > > Not only it sounds weird, but it sounds wrong.", "it to mean the following: > > He was in the middle of", "is possible. I would like to use a metonymy with an idiom, and", "He was in the middle of our (mafia) family celebrating our victory. >", "if this is possible. I would like to use a metonymy with an", "of our (mafia) family celebrating our victory. > > > Not only it", "would like to use a metonymy with an idiom, and it doesn't seem", "of the two makes it really weird. So can we combine the two", "wrong. I don't think there's something I did wrong, but the combination of", "people ever did, so it feels wrong. I have the following sentence: >", "did wrong, but the combination of the two makes it really weird. So", "to mean the following: > > He was in the middle of our", "> > I am using it to mean the following: > > He", "I would like to use a metonymy with an idiom, and it doesn't", "with an idiom, and it doesn't seem to be something people ever did,", "but the combination of the two makes it really weird. So can we", "metonymy with an idiom, and it doesn't seem to be something people ever", "wrong, but the combination of the two makes it really weird. So can", "using it to mean the following: > > He was in the middle", "> > > I am using it to mean the following: > >", "possible. I would like to use a metonymy with an idiom, and it", "there's something I did wrong, but the combination of the two makes it", "family celebrating our victory. > > > Not only it sounds weird, but", "the middle of our (mafia) family celebrating our victory. > > > Not", "I am not sure if this is possible. I would like to use", "wrong. I have the following sentence: > > He was in the middle", "weird, but it sounds wrong. I don't think there's something I did wrong,", "following: > > He was in the middle of our (mafia) family celebrating", "and it doesn't seem to be something people ever did, so it feels", "I did wrong, but the combination of the two makes it really weird.", "only it sounds weird, but it sounds wrong. I don't think there's something", "was in the middle of our (mafia) family celebrating our victory. > >", "> I am using it to mean the following: > > He was", "Not only it sounds weird, but it sounds wrong. I don't think there's", "sentence: > > He was in the middle of our fedora hats celebrating", "mean the following: > > He was in the middle of our (mafia)", "middle of our (mafia) family celebrating our victory. > > > Not only", "celebrating our victory. > > > I am using it to mean the", "the following: > > He was in the middle of our (mafia) family", "have the following sentence: > > He was in the middle of our", "the middle of our fedora hats celebrating our victory. > > > I", "an idiom, and it doesn't seem to be something people ever did, so", "in the middle of our (mafia) family celebrating our victory. > > >", "it doesn't seem to be something people ever did, so it feels wrong.", "(mafia) family celebrating our victory. > > > Not only it sounds weird,", "our (mafia) family celebrating our victory. > > > Not only it sounds" ]
[ "is it more effective to try to limit my brain dump to generic", "and on, and on... > > > I could've stopped at \"The son", " The son wants to become a writer? > * The son wants", "to work with his father? > * The son wants to pursue his", "> * The son wants to become a programmer? > * And so", "exercises, I found I got lost in minute details. I'd like to know", "good price to pay for the thought pouring that happens? Or is it", "potting the plot together. Tangent question Is the what-if exercise a brainstorming, or", "if... > > > * The son doesn't want to work with his", "become an actor? > * The son wants to become a programmer? >", "to become a programmer? > * And so on, and on, and on...", "wants to pursue his talent?\", and I would've gotten to the same conclusion", "> And so on, and on, and on... > > > I", "style brainstorming technique. In those exercises, I found I got lost in minute", "> > * The son doesn't want to work with his father? >", "those exercises, I found I got lost in minute details. I'd like to", "on... > > > I could've stopped at \"The son wants to pursue", "For instance, I once wrote: > > What if... > > > ", "to the same conclusion when I got to potting the plot together. *Tangent", "effective to try to limit my brain dump to generic thoughts? For instance,", "stopped at \"The son wants to pursue his talent?\", and I would've gotten", "more effective to try to limit my brain dump to generic thoughts? For", "I'd like to know if this is a good price to pay for", "my brain dump to generic thoughts? For instance, I once wrote: > >", "pouring that happens? Or is it more effective to try to limit my", "a few experiences with what-if style brainstorming technique. In those exercises, I found", "I got lost in minute details. I'd like to know if this is", " The son wants to pursue his talent? > * The son wants", "thoughts? For instance, I once wrote: > > What if... > > >", "And so on, and on, and on... > > > I could've stopped", "on, and on, and on... > > > I could've stopped at \"The", "few experiences with what-if style brainstorming technique. In those exercises, I found I", "it more effective to try to limit my brain dump to generic thoughts?", "the plot together. Tangent question* Is the what-if exercise a brainstorming, or brain", "limit my brain dump to generic thoughts? For instance, I once wrote: >", "The son wants to become a programmer? > And so on, and", "his talent?\", and I would've gotten to the same conclusion when I got", "got lost in minute details. I'd like to know if this is a", "pursue his talent?\", and I would've gotten to the same conclusion when I", "want to work with his father? > * The son wants to pursue", "to generic thoughts? For instance, I once wrote: > > What if... >", "The son doesn't want to work with his father? > * The son", "and I would've gotten to the same conclusion when I got to potting", "son wants to pursue his talent?\", and I would've gotten to the same", "> The son wants to pursue his talent? > * The son", "wants to become an actor? > * The son wants to become a", "> * The son wants to become an actor? > * The son", "dump to generic thoughts? For instance, I once wrote: > > What if...", "I found I got lost in minute details. I'd like to know if", "like to know if this is a good price to pay for the", "wants to become a writer? > * The son wants to become an", "when I got to potting the plot together. Tangent question Is the what-if", "thought pouring that happens? Or is it more effective to try to limit", "I had a few experiences with what-if style brainstorming technique. In those exercises,", "to try to limit my brain dump to generic thoughts? For instance, I", "together. Tangent question Is the what-if exercise a brainstorming, or brain dumping technique?", "wants to pursue his talent? > * The son wants to become a", "try to limit my brain dump to generic thoughts? For instance, I once", "instance, I once wrote: > > What if... > > > * The", "plot together. Tangent question Is the what-if exercise a brainstorming, or brain dumping", "father? > * The son wants to pursue his talent? > * The", "to pay for the thought pouring that happens? Or is it more effective", "an actor? > * The son wants to become a programmer? > ", "In those exercises, I found I got lost in minute details. I'd like", "gotten to the same conclusion when I got to potting the plot together.", "technique. In those exercises, I found I got lost in minute details. I'd", "I could've stopped at \"The son wants to pursue his talent?\", and I", "The son wants to become an actor? > The son wants to", "price to pay for the thought pouring that happens? Or is it more", "I would've gotten to the same conclusion when I got to potting the", "that happens? Or is it more effective to try to limit my brain", "to know if this is a good price to pay for the thought", "* The son wants to become an actor? > * The son wants", "* The son wants to become a programmer? > * And so on,", "minute details. I'd like to know if this is a good price to", "experiences with what-if style brainstorming technique. In those exercises, I found I got", "with what-if style brainstorming technique. In those exercises, I found I got lost", "talent?\", and I would've gotten to the same conclusion when I got to", "son doesn't want to work with his father? > The son wants", "for the thought pouring that happens? Or is it more effective to try", "* And so on, and on, and on... > > > I could've", "happens? Or is it more effective to try to limit my brain dump", "details. I'd like to know if this is a good price to pay", "> What if... > > > * The son doesn't want to work", "talent? > * The son wants to become a writer? > * The", "so on, and on, and on... > > > I could've stopped at", "son wants to become an actor? > * The son wants to become", "Or is it more effective to try to limit my brain dump to", "> > > I could've stopped at \"The son wants to pursue his", "> I could've stopped at \"The son wants to pursue his talent?\", and", "what-if style brainstorming technique. In those exercises, I found I got lost in", "I got to potting the plot together. Tangent question* Is the what-if exercise", "found I got lost in minute details. I'd like to know if this", "a good price to pay for the thought pouring that happens? Or is", "got to potting the plot together. Tangent question Is the what-if exercise a", "is a good price to pay for the thought pouring that happens? Or", "generic thoughts? For instance, I once wrote: > > What if... > >", "if this is a good price to pay for the thought pouring that", "\"The son wants to pursue his talent?\", and I would've gotten to the", "to pursue his talent? > * The son wants to become a writer?", "wants to become a programmer? > * And so on, and on, and", "conclusion when I got to potting the plot together. Tangent question Is the", "his talent? > * The son wants to become a writer? > ", "> > What if... > > > The son doesn't want to", "programmer? > * And so on, and on, and on... > > >", "to potting the plot together. Tangent question Is the what-if exercise a brainstorming,", "brain dump to generic thoughts? For instance, I once wrote: > > What", "the thought pouring that happens? Or is it more effective to try to", "same conclusion when I got to potting the plot together. Tangent question Is", "son wants to pursue his talent? > * The son wants to become", "the same conclusion when I got to potting the plot together. Tangent question", "had a few experiences with what-if style brainstorming technique. In those exercises, I", "become a writer? > * The son wants to become an actor? >", "The son wants to pursue his talent? > * The son wants to", "could've stopped at \"The son wants to pursue his talent?\", and I would've", "I once wrote: > > What if... > > > * The son", "in minute details. I'd like to know if this is a good price", "> > I could've stopped at \"The son wants to pursue his talent?\",", "> > > * The son doesn't want to work with his father?", "pay for the thought pouring that happens? Or is it more effective to", "son wants to become a programmer? > * And so on, and on,", "know if this is a good price to pay for the thought pouring", "once wrote: > > What if... > > > * The son doesn't", "to become an actor? > * The son wants to become a programmer?", "and on... > > > I could've stopped at \"The son wants to", " The son doesn't want to work with his father? > * The", "to become a writer? > * The son wants to become an actor?", "on, and on... > > > I could've stopped at \"The son wants", "become a programmer? > And so on, and on, and on... >", "pursue his talent? > * The son wants to become a writer? >", "actor? > * The son wants to become a programmer? > * And", "at \"The son wants to pursue his talent?\", and I would've gotten to", "his father? > * The son wants to pursue his talent? > ", "writer? > The son wants to become an actor? > * The", "What if... > > > * The son doesn't want to work with", "would've gotten to the same conclusion when I got to potting the plot", "doesn't want to work with his father? > * The son wants to", "> * The son doesn't want to work with his father? > ", "> The son wants to become a writer? > * The son", "brainstorming technique. In those exercises, I found I got lost in minute details.", "a writer? > * The son wants to become an actor? > ", "a programmer? > And so on, and on, and on... > >", "wrote: > > What if... > > > * The son doesn't want", "with his father? > * The son wants to pursue his talent? >", "lost in minute details. I'd like to know if this is a good", "The son wants to become a writer? > * The son wants to", "to limit my brain dump to generic thoughts? For instance, I once wrote:", "to pursue his talent?\", and I would've gotten to the same conclusion when", "son wants to become a writer? > The son wants to become", "work with his father? > * The son wants to pursue his talent?", "this is a good price to pay for the thought pouring that happens?" ]
[ "help make writing humorous? Some of the techniques I've used so far include", "humorous? Some of the techniques I've used so far include using long, overly-exaggerated", "in particular. What language features or structural techniques help make writing humorous? Some", "to be too serious/intense or whatever, so I'm wondering how writers create humorous", "structural techniques help make writing humorous? Some of the techniques I've used so", "or structural techniques help make writing humorous? Some of the techniques I've used", "the techniques I've used so far include using long, overly-exaggerated and outrageous descriptions.", "writing. I'm interested in writing some humorous short stories in particular. What language", "or whatever, so I'm wondering how writers create humorous writing. I'm interested in", "Some of the techniques I've used so far include using long, overly-exaggerated and", "short stories in particular. What language features or structural techniques help make writing", "think my writing tends to be too serious/intense or whatever, so I'm wondering", "writing some humorous short stories in particular. What language features or structural techniques", "techniques help make writing humorous? Some of the techniques I've used so far", "serious/intense or whatever, so I'm wondering how writers create humorous writing. I'm interested", "stories in particular. What language features or structural techniques help make writing humorous?", "I'm interested in writing some humorous short stories in particular. What language features", "writing humorous? Some of the techniques I've used so far include using long,", "interested in writing some humorous short stories in particular. What language features or", "how writers create humorous writing. I'm interested in writing some humorous short stories", "too serious/intense or whatever, so I'm wondering how writers create humorous writing. I'm", "features or structural techniques help make writing humorous? Some of the techniques I've", "be too serious/intense or whatever, so I'm wondering how writers create humorous writing.", "make writing humorous? Some of the techniques I've used so far include using", "create humorous writing. I'm interested in writing some humorous short stories in particular.", "humorous short stories in particular. What language features or structural techniques help make", "I'm wondering how writers create humorous writing. I'm interested in writing some humorous", "What language features or structural techniques help make writing humorous? Some of the", "my writing tends to be too serious/intense or whatever, so I'm wondering how", "writers create humorous writing. I'm interested in writing some humorous short stories in", "of the techniques I've used so far include using long, overly-exaggerated and outrageous", "wondering how writers create humorous writing. I'm interested in writing some humorous short", "particular. What language features or structural techniques help make writing humorous? Some of", "humorous writing. I'm interested in writing some humorous short stories in particular. What", "some humorous short stories in particular. What language features or structural techniques help", "writing tends to be too serious/intense or whatever, so I'm wondering how writers", "in writing some humorous short stories in particular. What language features or structural", "tends to be too serious/intense or whatever, so I'm wondering how writers create", "whatever, so I'm wondering how writers create humorous writing. I'm interested in writing", "so I'm wondering how writers create humorous writing. I'm interested in writing some", "I think my writing tends to be too serious/intense or whatever, so I'm", "language features or structural techniques help make writing humorous? Some of the techniques" ]
[ "was to describe it. The problem is due to the fact that there", "the fact that there are many pieces and you can't really tell your", "where every pieces are at a certain point, and you also need to", "had a comfortable situation against the isolated pawn. White > placed his rook", "b1 > in case he would need to revert back to the Carlsbad", "> in case he would need to revert back to the Carlsbad structure.", "every pieces are in a particular situation. It would take way too long,", "really tell your readers where every pieces are at a certain point, and", "in a upcoming novel where two people play a game of chess, and", "understand where the pieces are exactly, and I can't just describe where every", "move with his queen. Was this the right move? White > thought for", "move the rook to b1 > in case he would need to revert", "his rook on c1, the usual in this situation, waiting for the >", "> opponent to make a move with his queen. Was this the right", "fact that there are many pieces and you can't really tell your readers", "> > > The problem is it's very hard to understand where the", "is possible. Anyway, here's an excerpt: > > Due to the exchange in", "my reader. It's a sort of lose-lose situation and I can't think of", "the centre, Black was in a difficult situation. > White had a comfortable", "the right move? White > thought for a moment. He realized he would", "have a scene in a upcoming novel where two people play a game", "> > Due to the exchange in the centre, Black was in a", "to make a move with his queen. Was this the right move? White", "you can't really tell your readers where every pieces are at a certain", "difficult it was to describe it. The problem is due to the fact", "moment. He realized he would need to move the rook to b1 >", "isolated pawn. White > placed his rook on c1, the usual in this", "it was to describe it. The problem is due to the fact that", "he would need to move the rook to b1 > in case he", "piece is possible. Anyway, here's an excerpt: > > Due to the exchange", "exactly, and I can't just describe where every pieces are in a particular", "I have a scene in a upcoming novel where two people play a", "the piece is possible. Anyway, here's an excerpt: > > Due to the", "lose-lose situation and I can't think of any good way to get out", "need to revert back to the Carlsbad structure. > > > The problem", "just describe where every pieces are in a particular situation. It would take", "Was this the right move? White > thought for a moment. He realized", "situation and I can't think of any good way to get out of", "Carlsbad structure. > > > The problem is it's very hard to understand", "excerpt: > > Due to the exchange in the centre, Black was in", "and you can't really tell your readers where every pieces are at a", "to b1 > in case he would need to revert back to the", "are in a particular situation. It would take way too long, so I", "structure. > > > The problem is it's very hard to understand where", "> placed his rook on c1, the usual in this situation, waiting for", "can't just describe where every pieces are in a particular situation. It would", "long, so I will probably lose my reader. It's a sort of lose-lose", "to understand where the pieces are exactly, and I can't just describe where", "pieces are at a certain point, and you also need to make sure", "in a difficult situation. > White had a comfortable situation against the isolated", "that there are many pieces and you can't really tell your readers where", "lose my reader. It's a sort of lose-lose situation and I can't think", "and I realized how difficult it was to describe it. The problem is", "to the exchange in the centre, Black was in a difficult situation. >", "in a particular situation. It would take way too long, so I will", "Black was in a difficult situation. > White had a comfortable situation against", "this situation, waiting for the > opponent to make a move with his", "exchange in the centre, Black was in a difficult situation. > White had", "where the pieces are exactly, and I can't just describe where every pieces", "where every pieces are in a particular situation. It would take way too", "is due to the fact that there are many pieces and you can't", "> White had a comfortable situation against the isolated pawn. White > placed", "take way too long, so I will probably lose my reader. It's a", "it's very hard to understand where the pieces are exactly, and I can't", "many pieces and you can't really tell your readers where every pieces are", "would need to move the rook to b1 > in case he would", "pawn. White > placed his rook on c1, the usual in this situation,", "and I can't just describe where every pieces are in a particular situation.", "I can't just describe where every pieces are in a particular situation. It", "with his queen. Was this the right move? White > thought for a", "White had a comfortable situation against the isolated pawn. White > placed his", "a moment. He realized he would need to move the rook to b1", "location of the piece is possible. Anyway, here's an excerpt: > > Due", "would take way too long, so I will probably lose my reader. It's", "his queen. Was this the right move? White > thought for a moment.", "chess, and I realized how difficult it was to describe it. The problem", "the exchange in the centre, Black was in a difficult situation. > White", "he would need to revert back to the Carlsbad structure. > > >", "on c1, the usual in this situation, waiting for the > opponent to", "in this situation, waiting for the > opponent to make a move with", "The problem is it's very hard to understand where the pieces are exactly,", "pieces and you can't really tell your readers where every pieces are at", "way too long, so I will probably lose my reader. It's a sort", "and I can't think of any good way to get out of this", "I can't think of any good way to get out of this situation.", "very hard to understand where the pieces are exactly, and I can't just", "against the isolated pawn. White > placed his rook on c1, the usual", "there are many pieces and you can't really tell your readers where every", "so I will probably lose my reader. It's a sort of lose-lose situation", "> > The problem is it's very hard to understand where the pieces", "to make sure that the location of the piece is possible. Anyway, here's", "at a certain point, and you also need to make sure that the", "it. The problem is due to the fact that there are many pieces", "you also need to make sure that the location of the piece is", "Anyway, here's an excerpt: > > Due to the exchange in the centre,", "certain point, and you also need to make sure that the location of", "a comfortable situation against the isolated pawn. White > placed his rook on", "describe where every pieces are in a particular situation. It would take way", "a scene in a upcoming novel where two people play a game of", "move? White > thought for a moment. He realized he would need to", "White > thought for a moment. He realized he would need to move", "rook to b1 > in case he would need to revert back to", "due to the fact that there are many pieces and you can't really", "the usual in this situation, waiting for the > opponent to make a", "comfortable situation against the isolated pawn. White > placed his rook on c1,", "game of chess, and I realized how difficult it was to describe it.", "right move? White > thought for a moment. He realized he would need", "readers where every pieces are at a certain point, and you also need", "need to move the rook to b1 > in case he would need", "a upcoming novel where two people play a game of chess, and I", "upcoming novel where two people play a game of chess, and I realized", "> The problem is it's very hard to understand where the pieces are", "realized he would need to move the rook to b1 > in case", "back to the Carlsbad structure. > > > The problem is it's very", "to describe it. The problem is due to the fact that there are", "probably lose my reader. It's a sort of lose-lose situation and I can't", "realized how difficult it was to describe it. The problem is due to", "waiting for the > opponent to make a move with his queen. Was", "in case he would need to revert back to the Carlsbad structure. >", "how difficult it was to describe it. The problem is due to the", "hard to understand where the pieces are exactly, and I can't just describe", "pieces are exactly, and I can't just describe where every pieces are in", "point, and you also need to make sure that the location of the", "difficult situation. > White had a comfortable situation against the isolated pawn. White", "problem is due to the fact that there are many pieces and you", "a difficult situation. > White had a comfortable situation against the isolated pawn.", "pieces are in a particular situation. It would take way too long, so", "the rook to b1 > in case he would need to revert back", "situation against the isolated pawn. White > placed his rook on c1, the", "White > placed his rook on c1, the usual in this situation, waiting", "for the > opponent to make a move with his queen. Was this", "particular situation. It would take way too long, so I will probably lose", "a certain point, and you also need to make sure that the location", "an excerpt: > > Due to the exchange in the centre, Black was", "a particular situation. It would take way too long, so I will probably", "make a move with his queen. Was this the right move? White >", "the Carlsbad structure. > > > The problem is it's very hard to", "of chess, and I realized how difficult it was to describe it. The", "scene in a upcoming novel where two people play a game of chess,", "your readers where every pieces are at a certain point, and you also", "and you also need to make sure that the location of the piece", "here's an excerpt: > > Due to the exchange in the centre, Black", "It would take way too long, so I will probably lose my reader.", "sort of lose-lose situation and I can't think of any good way to", "novel where two people play a game of chess, and I realized how", "also need to make sure that the location of the piece is possible.", "the isolated pawn. White > placed his rook on c1, the usual in", "to revert back to the Carlsbad structure. > > > The problem is", "two people play a game of chess, and I realized how difficult it", "problem is it's very hard to understand where the pieces are exactly, and", "> Due to the exchange in the centre, Black was in a difficult", "reader. It's a sort of lose-lose situation and I can't think of any", "every pieces are at a certain point, and you also need to make", "too long, so I will probably lose my reader. It's a sort of", "a game of chess, and I realized how difficult it was to describe", "possible. Anyway, here's an excerpt: > > Due to the exchange in the", "queen. Was this the right move? White > thought for a moment. He", "usual in this situation, waiting for the > opponent to make a move", "situation. > White had a comfortable situation against the isolated pawn. White >", "need to make sure that the location of the piece is possible. Anyway,", "is it's very hard to understand where the pieces are exactly, and I", "that the location of the piece is possible. Anyway, here's an excerpt: >", "will probably lose my reader. It's a sort of lose-lose situation and I", "of the piece is possible. Anyway, here's an excerpt: > > Due to", "I realized how difficult it was to describe it. The problem is due", "to the Carlsbad structure. > > > The problem is it's very hard", "revert back to the Carlsbad structure. > > > The problem is it's", "placed his rook on c1, the usual in this situation, waiting for the", "where two people play a game of chess, and I realized how difficult", "the location of the piece is possible. Anyway, here's an excerpt: > >", "make sure that the location of the piece is possible. Anyway, here's an", "c1, the usual in this situation, waiting for the > opponent to make", "play a game of chess, and I realized how difficult it was to", "It's a sort of lose-lose situation and I can't think of any good", "this the right move? White > thought for a moment. He realized he", "Due to the exchange in the centre, Black was in a difficult situation.", "He realized he would need to move the rook to b1 > in", "describe it. The problem is due to the fact that there are many", "a move with his queen. Was this the right move? White > thought", "rook on c1, the usual in this situation, waiting for the > opponent", "sure that the location of the piece is possible. Anyway, here's an excerpt:", "the pieces are exactly, and I can't just describe where every pieces are", "would need to revert back to the Carlsbad structure. > > > The", "can't really tell your readers where every pieces are at a certain point,", "to move the rook to b1 > in case he would need to", "case he would need to revert back to the Carlsbad structure. > >", "are exactly, and I can't just describe where every pieces are in a", "are many pieces and you can't really tell your readers where every pieces", "opponent to make a move with his queen. Was this the right move?", "are at a certain point, and you also need to make sure that", "tell your readers where every pieces are at a certain point, and you", "centre, Black was in a difficult situation. > White had a comfortable situation", "in the centre, Black was in a difficult situation. > White had a", "to the fact that there are many pieces and you can't really tell", "a sort of lose-lose situation and I can't think of any good way", "situation. It would take way too long, so I will probably lose my", "I will probably lose my reader. It's a sort of lose-lose situation and", "thought for a moment. He realized he would need to move the rook", "> thought for a moment. He realized he would need to move the", "the > opponent to make a move with his queen. Was this the", "The problem is due to the fact that there are many pieces and", "of lose-lose situation and I can't think of any good way to get", "was in a difficult situation. > White had a comfortable situation against the", "people play a game of chess, and I realized how difficult it was", "situation, waiting for the > opponent to make a move with his queen.", "for a moment. He realized he would need to move the rook to" ]
[ "word? > > Tuurge used an apostrophes > > > Tuurge used an", "can use it in the middle of any word. Last question is do", "> > Tuurge used an apostr'phes > > > Almighty seems to be", "use an apostrophe when we omit a vowel, consonant or syllable > >", "so we sometimes see a'mighty, but I am not sure if you can", "a vowel, a consonant, or a whole syllable) > > > Now, the", "> Now, the questions are: Can we use two elisions in a single", "> > > Tuurge used an apostr'phes > > > Almighty seems to", "and mighty, so we sometimes see a'mighty, but I am not sure if", "the omission of one vowel, consonant or syllable: > > In linguistics, an", "'postroph' > > > Can we use an elision in the middle of", "an apostrophe when we omit a vowel, consonant or syllable > > Tuurge", "used an apostr'phes > > > Almighty seems to be an edge case,", "not sure if you can use it in the middle of any word.", "but I am not sure if you can use it in the middle", "the limits are concerning the use of elision. It seems from the definition", "elision in the middle of a word? > > Tuurge used an apostrophes", "because it's the fusion of all and mighty, so we sometimes see a'mighty,", "the use of elision. It seems from the definition that elision is the", "an apostr'phes > > > Almighty seems to be an edge case, because", "of all and mighty, so we sometimes see a'mighty, but I am not", "elision. It seems from the definition that elision is the omission of one", "syllable: > > In linguistics, an elision or deletion is the omission of", "or deletion is the omission of one or more > sounds (such as", "syllable) > > > Now, the questions are: Can we use two elisions", "> Tuurge used an apostrophes > > > Tuurge used a 'postroph' >", "mighty, so we sometimes see a'mighty, but I am not sure if you", "we omit a vowel, consonant or syllable > > Tuurge used an apostrophes", "we use two elisions in a single word? For example: > > Tuurge", "fusion of all and mighty, so we sometimes see a'mighty, but I am", "the middle of a word? > > Tuurge used an apostrophes > >", "all and mighty, so we sometimes see a'mighty, but I am not sure", "or more > sounds (such as a vowel, a consonant, or a whole", "of one or more > sounds (such as a vowel, a consonant, or", "omission of one vowel, consonant or syllable: > > In linguistics, an elision", "of a word? > > Tuurge used an apostrophes > > > Tuurge", "use of elision. It seems from the definition that elision is the omission", "I am not sure if you can use it in the middle of", "syllable > > Tuurge used an apostrophes > > > Tuurge used an", "> Can we use an elision in the middle of a word? >", "what the limits are concerning the use of elision. It seems from the", "omission of one or more > sounds (such as a vowel, a consonant,", "or a whole syllable) > > > Now, the questions are: Can we", "we sometimes see a'mighty, but I am not sure if you can use", "sometimes see a'mighty, but I am not sure if you can use it", "middle of any word. Last question is do we need to use an", "sounds (such as a vowel, a consonant, or a whole syllable) > >", "the fusion of all and mighty, so we sometimes see a'mighty, but I", "> > > Now, the questions are: Can we use two elisions in", "> > Tuurge used a 'postroph' > > > Can we use an", "an apostrophes > > > Tuurge used a 'postroph' > > > Can", "are concerning the use of elision. It seems from the definition that elision", "middle of a word? > > Tuurge used an apostrophes > > >", "> sounds (such as a vowel, a consonant, or a whole syllable) >", "> > Can we use an elision in the middle of a word?", "in a single word? For example: > > Tuurge used an apostrophes >", "> > > Can we use an elision in the middle of a", "Almighty seems to be an edge case, because it's the fusion of all", "questions are: Can we use two elisions in a single word? For example:", "in the middle of a word? > > Tuurge used an apostrophes >", "apostrophes > > > Tuurge used an apostr'phes > > > Almighty seems", "single word? For example: > > Tuurge used an apostrophes > > >", "apostr'phes > > > Almighty seems to be an edge case, because it's", "concerning the use of elision. It seems from the definition that elision is", "one or more > sounds (such as a vowel, a consonant, or a", "more > sounds (such as a vowel, a consonant, or a whole syllable)", "is the omission of one vowel, consonant or syllable: > > In linguistics,", "an elision or deletion is the omission of one or more > sounds", "a whole syllable) > > > Now, the questions are: Can we use", "elisions in a single word? For example: > > Tuurge used an apostrophes", "> In linguistics, an elision or deletion is the omission of one or", "a vowel, consonant or syllable > > Tuurge used an apostrophes > >", "or syllable > > Tuurge used an apostrophes > > > Tuurge used", "a'mighty, but I am not sure if you can use it in the", "any word. Last question is do we need to use an apostrophe when", "> > Now, the questions are: Can we use two elisions in a", "Tuurge used a 'postroph' > > > Can we use an elision in", "> > > Almighty seems to be an edge case, because it's the", "omit a vowel, consonant or syllable > > Tuurge used an apostrophes >", "if you can use it in the middle of any word. Last question", "Can we use two elisions in a single word? For example: > >", "see a'mighty, but I am not sure if you can use it in", "(such as a vowel, a consonant, or a whole syllable) > > >", "Tuurge used an apostrophes > > > Tuurge used an postrophes > >", "we use an elision in the middle of a word? > > Tuurge", "> > > Tuurge used a 'postroph' > > > Can we use", "used a 'postroph' > > > Can we use an elision in the", "question is do we need to use an apostrophe when we omit a", "you can use it in the middle of any word. Last question is", "are: Can we use two elisions in a single word? For example: >", "For example: > > Tuurge used an apostrophes > > > Tuurge used", "example: > > Tuurge used an apostrophes > > > Tuurge used a", "> > Tuurge used an apostrophes > > > Tuurge used an apostr'phes", "need to use an apostrophe when we omit a vowel, consonant or syllable", "word? For example: > > Tuurge used an apostrophes > > > Tuurge", "used an apostrophes > > > Tuurge used a 'postroph' > > >", "Can we use an elision in the middle of a word? > >", "> Tuurge used an apostrophes > > > Tuurge used an apostr'phes >", "am seriously wondering what the limits are concerning the use of elision. It", "sure if you can use it in the middle of any word. Last", "> > Almighty seems to be an edge case, because it's the fusion", "I am seriously wondering what the limits are concerning the use of elision.", "Tuurge used an apostr'phes > > > Almighty seems to be an edge", "> Almighty seems to be an edge case, because it's the fusion of", "Tuurge used an apostrophes > > > Tuurge used a 'postroph' > >", "Last question is do we need to use an apostrophe when we omit", "apostrophe when we omit a vowel, consonant or syllable > > Tuurge used", "a consonant, or a whole syllable) > > > Now, the questions are:", "definition that elision is the omission of one vowel, consonant or syllable: >", "it in the middle of any word. Last question is do we need", "whole syllable) > > > Now, the questions are: Can we use two", "or syllable: > > In linguistics, an elision or deletion is the omission", "the definition that elision is the omission of one vowel, consonant or syllable:", "of one vowel, consonant or syllable: > > In linguistics, an elision or", "a single word? For example: > > Tuurge used an apostrophes > >", "deletion is the omission of one or more > sounds (such as a", "limits are concerning the use of elision. It seems from the definition that", "Tuurge used an apostrophes > > > Tuurge used an apostr'phes > >", "apostrophes > > > Tuurge used a 'postroph' > > > Can we", "seriously wondering what the limits are concerning the use of elision. It seems", "elision or deletion is the omission of one or more > sounds (such", "as a vowel, a consonant, or a whole syllable) > > > Now,", "to use an apostrophe when we omit a vowel, consonant or syllable >", "it's the fusion of all and mighty, so we sometimes see a'mighty, but", "In linguistics, an elision or deletion is the omission of one or more", "in the middle of any word. Last question is do we need to", "consonant or syllable: > > In linguistics, an elision or deletion is the", "a 'postroph' > > > Can we use an elision in the middle", "of any word. Last question is do we need to use an apostrophe", "used an apostrophes > > > Tuurge used an apostr'phes > > >", "from the definition that elision is the omission of one vowel, consonant or", "an edge case, because it's the fusion of all and mighty, so we", "vowel, consonant or syllable > > Tuurge used an apostrophes > > >", "consonant or syllable > > Tuurge used an apostrophes > > > Tuurge", "seems to be an edge case, because it's the fusion of all and", "am not sure if you can use it in the middle of any", "edge case, because it's the fusion of all and mighty, so we sometimes", "we need to use an apostrophe when we omit a vowel, consonant or", "use two elisions in a single word? For example: > > Tuurge used", "linguistics, an elision or deletion is the omission of one or more >", "the questions are: Can we use two elisions in a single word? For", "Now, the questions are: Can we use two elisions in a single word?", "an elision in the middle of a word? > > Tuurge used an", "that elision is the omission of one vowel, consonant or syllable: > >", "wondering what the limits are concerning the use of elision. It seems from", "do we need to use an apostrophe when we omit a vowel, consonant", "two elisions in a single word? For example: > > Tuurge used an", "> > Tuurge used an apostrophes > > > Tuurge used an postrophes", "use it in the middle of any word. Last question is do we", "It seems from the definition that elision is the omission of one vowel,", "be an edge case, because it's the fusion of all and mighty, so", "used an apostrophes > > > Tuurge used an postrophes > > >", "the middle of any word. Last question is do we need to use", "> > Tuurge used an apostrophes > > > Tuurge used a 'postroph'", "vowel, consonant or syllable: > > In linguistics, an elision or deletion is", "is do we need to use an apostrophe when we omit a vowel,", "of elision. It seems from the definition that elision is the omission of", "seems from the definition that elision is the omission of one vowel, consonant", "when we omit a vowel, consonant or syllable > > Tuurge used an", "> Tuurge used a 'postroph' > > > Can we use an elision", "the omission of one or more > sounds (such as a vowel, a", "use an elision in the middle of a word? > > Tuurge used", "is the omission of one or more > sounds (such as a vowel,", "word. Last question is do we need to use an apostrophe when we", "an apostrophes > > > Tuurge used an apostr'phes > > > Almighty", "case, because it's the fusion of all and mighty, so we sometimes see", "> Tuurge used an apostr'phes > > > Almighty seems to be an", "to be an edge case, because it's the fusion of all and mighty,", "a word? > > Tuurge used an apostrophes > > > Tuurge used", "> Tuurge used an apostrophes > > > Tuurge used an postrophes >", "vowel, a consonant, or a whole syllable) > > > Now, the questions", "> > In linguistics, an elision or deletion is the omission of one", "consonant, or a whole syllable) > > > Now, the questions are: Can", "one vowel, consonant or syllable: > > In linguistics, an elision or deletion", "elision is the omission of one vowel, consonant or syllable: > > In" ]